deem-data/ArtiFact huggingface dataset:
Christus voor Kajafas
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: caiaphas tearing his clothes ~ trial of christ

Soldaten leiden Christus voor Kajafas. De hogepriester scheurt zijn gewaad en beschuldigt Christus van godslastering. Onder de voorstelling een vierregelig vers in het Latijn. Rechtsonder de letters: dd. Deze prent maakt deel uit van een album.
Genève. Vue générale
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: geneva
Artist: Anonymous
Subjects: lake, mountain-range, snow peaks, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)
Annunciation, from a book of hours
Object type: print
Date: 1505 – 1510
Materials: paper, parchment
Techniques: hand coloring, letterpress, woodcut
Location: germany
Artist: thielmann kerver
Artist nationality: german
Artist dates: 1497 – 1524

This leaf comes from a prayer book published in Paris in the early 1500s. Thielmann Kerver often incorporated elements from the illuminated manuscript tradition. Here, for example, he combined expensive vellum, lavish illustrations, and hand-colored initials with the newer technology of printing. While the words were printed with moveable type, the central images and composite borders were printed from separate carved blocks, or matrices, that could be arranged in different groupings and reused for future editions.
Limestone statuette of a seated beardless male votary writing on a scroll
Object type: statuette of a poet
Materials: limestone
Culture: cypriot
Subjects: men,writing

Poet seated with manuscript and pen in lap.
Boothuis aan een rivier
Object type: print
Date: 1830 – 1878
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes pieter van wisselingh
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1899
Subjects: river, rowing-boat, canoe, etc., boat-house, shed
Inscriptions: collector's mark: Lugt 2228

Rechts een boothuis aan een rivier. Op de rivier zit een man in een roeiboot. Achter het boothuis loopt een vrouw met een kind.
Stack of Wheat
Object type: painting
Date: 1890 – 1891
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: claude monet
Artist role: painter
Artist nationality: french
Artist dates: 1840 – 1926
Subjects: wheat, trees, snow, rural life, nature, hills, farm, seasons, weather/seasons, landscapes
Inscriptions: Inscribed lower left: Claude Monet 91

The monumental stacks that Claude Monet depicted in his series Stacks of Wheat rose fifteen to twenty feet and stood just outside the artist’s farmhouse at Giverny. Through 1890 and 1891, he worked on this series both in the field, painting simultaneously at several easels, and in the studio, refining pictorial harmonies. In May 1891, Monet hung fifteen of these canvases next to each other in one small room in the Galerie Durand-Ruel in Paris. An unprecedented critical and financial success, the exhibition marked a breakthrough in Monet’s career, as well as in the history of French art. In this view, and in nearly all of the autumn views in the series, the conical tops of the stacks break the horizon and push into the sky. But in most of the winter views, which constitute the core of the series, the stacks seem wrapped by bands of hill and field, as if bedded down for the season. For Monet, the stack was a resonant symbol of sustenance and survival. He followed this group with further series depicting poplars, the facade of Rouen Cathedral, and, later, his own garden at Giverny. The Art Institute has the largest group of Monet’s Stacks of Wheat in the world.
Portret van een jongeman
Object type: album leaf
Date: 1894 – 1906
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: moustache, historical persons, youth, adolescent
Inscriptions: inscription: ‘(...)/ Theunisse & Labots/ voorheen Ed. Radermacher/ Rotterdam/ Kruiskade 20/ hoek Kerklaan.’
Vessel Lid
Object type: lid
Date: 1201 – 1300
Materials: terracotta
Culture: dogon or tellem peoples
Location: mali

The Tellem are believed to have arrived at the rocky Bandiagara Escarpment in present-day southern Mali sometime during the eleventh century A.D. By the fifteenth to sixteenth centuries, the Tellem population was devastated, possibly due to famine caused by drought or Songhai and Mossi slave raids. Their cultural legacy, however, profoundly influenced the Dogon, a people who succeeded them and continue to populate the Bandiagara to this day. Although the origins of the Dogon remain unclear, they are not direct descendents of the Tellem, who appear to have left no distinct ancestors. The name by which they are remembered, "Tellem," is a Dogon word signifying "We found them." Three- and four-footed pottery bowls like this one have been found in caves directly below Tellem burial caves in the Bandiagara cliffs. Stylistically distinct from other forms of Tellem pottery, this type of bowl is believed to have been made specifically for funerary purposes. The brown and white specks on the base of this bowl, possibly from the sacrificial remains of funerary rites, may reflect this, although it is also possible that these are the result of more recent usage by the Dogon. The Tellem made bowls like this one by shaping clay over a convex mold, expanding the sides with coils of clay after the curved bottom was formed. Following the completion of the bowl shape, a three- or four-footed base was attached for support. Textured decoration, incised or impressed into the clay using fiber cord, completed the design. Footed pottery bowls were not unique to the Tellem, and their wide geographical distribution is a testament to the early intercultural trade and migration that linked diverse populations over vast distances in West Africa. The oldest examples of this pottery type date to the seventh century and were found in Niani, a former capital of the Mali empire located in modern-day Guinea. Footed bowls were dispersed throughout the ancient trading networks of this region, particularly along the Niger River, which linked Niani with Timbuktu in northern Mali.
Beaker
Object type: beaker
Date: 1767 – 1800
Materials: silver
Artist: g. i. p.
Artist role: maker
Rev. Moir and John Gibson
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, balding, filleted, bearded man, with a himation draped over his head and around his body, with a staff, holding a bag of money? in front of him; part of the filleted head of a youth to left, with his hand in front of his face
Fragment of a terracotta oinochoe (jug)
Object type: oinochoe, fragmentary
Date: 560 – 550
Materials: terracotta
Culture: greek, east, milesian, fikellura
Artist: altenburg painter
Artist role: artist
Subjects: birds,griffins,sphinx,deer,lions

On the shoulder, deer attacked by sphinxes and griffins, water birds On the body, bull attacked by lion This fine fragment represents an early phase in the development of Fikellura pottery. In the animal groups as well as the drawing, there is a vitality that later subsides. The name Fikellura derives from a site on the island of Rhodes to which this fabric has been attributed. It is now established that the center of production was Miletus.
Soldaat die zijn spies met zijn linkerhand boven zijn linkerschouder tilt, zijn rechterhand opgeheven om hem over te nemen
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: manoeuvre ~ military training, warfare; military affairs (+ mercenary troops, e.g.: lansquenets), helved weapons, polearms (for striking, hacking, thrusting): lance

Een soldaat, ten voeten uit, naar rechts, die een spies (lans) met zijn linkerhand boven zijn linkerschouder tilt, zijn rechterhand opgeheven om hem over te nemen. Deze prent is onderdeel van de reeks van 32 genummerde prenten van spiesdragers uit de Wapenhandelinghe.
Writing Box with a Chintz Pattern
Object type: schrijfdoos, schrijfcassette
Date: 1910 – 1925
Materials: lacquer
Techniques: lacquer
Location: japan
Artist: inai guokuho
Artist role: lacquerer
Artist dates: 1876 – 1930
Inscriptions: inscription: ‘白漆地更紗模様硯箱’, inscription: ‘京都稲井玉甫’

The graceful pattern on this box is derived from the colourful, woodblock-printed fabric (chintz, in Japanese sarasa), which the Dutch East India Company had brought to Japan in previous centuries. The cream-coloured ground reflects the natural colour of the cotton cloth. As white lacquer could not yet be produced, Gyokuho used ground shells for this.
Waterloo Chamber, Windsor Castle
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1930
Materials: cardboard
Techniques: autotype
Location: windsor
Subjects: castle, interior of the house
Doppelbildnis
Object type: page
Date: 1880 – 1907
Materials: paper
Techniques: autotype
Subjects: couch, sofa, settee
Inscriptions: inscription: ‘nach einer direkten Copie.’
Köln a. Rh. Opernhaus
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: cologne
Artist: Anonymous
Subjects: opera house, cologne
Treasure Boat-shaped Incense Box [Kōgō]
Object type: incense box
Date: 1601 – 1700
Materials: gold, lacquer, wood
Techniques: lacquer, maki
Culture: japanese
Portret van een onbekend meisje in klederdracht uit de familie en de kring van Eugene van Delden en Belle van Delden-Denninghof Stelling
Object type: photograph
Date: 1885 – 1908
Materials: cardboard, paper
Techniques: albumen print
Location: middelburg
Artist: carl wilhelm bauer
Artist role: fotograaf
Artist dates: 1844 – 1911
Subjects: historical persons not known by name - bb - woman, girl (child between toddler and youth), folk costume, regional costume
Inscriptions: inscription: ‘C. W. Bauer/ Photograaf./ Middelburg, St. Janstraat/ Vlissingen, Dokkade.’

Portret uit de kring van Eugene van Delden (Hartapoera, 1865 - Den Haag, 1954) en Belle van Delden-Denninghof Stelling (Batavia, 1870 - Den Haag, 1947).
Covered tureen with groups of flowers and ornamental border
Object type: lid
Date: 1800 – 1899
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Cartouches
Object type: ornament print
Date: 1636 – 1636
Materials: paper
Techniques: etching
Location: bologna
Subjects: ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2165

Deze prent maakt deel uit van een reeks van 22 prenten met in totaal 24 cartouches, plus een titelprent.
Terracotta fragment of a kyathos (single handed cup)?
Object type: kyathos fragment
Date: 600 – 551
Materials: terracotta
Culture: etruscan

Finial from the top of a kyathos handle
Pin
Object type: pin
Materials: clay, silver
Culture: indigenous american, olmec peoples
Subjects: faces

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Vignet met een belegering van een schip en het wapen van de stad Haarlem
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), ships (in general), attack ~ siege, vignette, haarlem
Inscriptions: collector's mark: Lugt 240
Koe
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: chalk, paper
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: cow

Blad 10 recto uit een schetsboek met 45 bladen.
Schaal met zeedieren en moresken
Object type: ornament print
Date: 1604 – 1620
Materials: paper
Techniques: engraving
Location: france
Subjects: ornament ~ moresque, crustaceans: crab

Ronde schaal met medaillon met vis en schelpdieren in het midden, omgeven door een brede rand van moresken. Uit serie van 4 bladen.
Lichtarm
Object type: lichtarm
Date: 1590 – 1610
Materials: brass
Techniques: casting
Location: mechelen
Artist: Anonymous

Het voorwerp bestaat uit de volgende vijf onderdelen: het gedeelte ter bevestiging aan de wand, twee stukken, welke de arm vormen, het gedeelte onder de vetvanger, dat met een koperen pin aan de arm is geklonken, de vetvanger met de kaarsenpin. Het ronde wandgedeelte is met knorren versierd. Het eerste gedeelte van de arm bestaat uit een met bladmotieven versierde aanzet waarop het stuk aansluit, dat enerzijds bestaat uit een met acanthusbladeren versierde krul, anderzijds uit een met acanthusbladeren versierde nodus. Dan komt het zich omhoog buigende, met cannelures versierde gedeelte met een uitkraging tussen holronde profileringen op het eind. Daarop is de vetvanger met de pin geplaatst. Deze is aan de onderkant voorzien van knorren en heeft een aanzet in de vorm van een vaas.
Gezicht op de rivier en oevers in Moret-sur-Loing
Object type: photograph
Date: 1897 – 1897
Materials: paper, photographic support
Techniques: gelatin silver print
Location: moret-sur-loing
Artist: delizy
Artist role: manufacturer
Subjects: river, river bank

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Water Lane, Watford
Object type: drawing and watercolor
Materials: board, crayon, paper
Techniques: heightening
Location: england
Artist: attributed to william henry hunt
Artist nationality: english
Artist dates: 1790 – 1864
Staande en hurkende vrouw met hoed
Object type: sketchbook leaf
Date: 1921 – 1922
Materials: paper, pencil
Location: dutch east indies
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: asiatic races and peoples, head-gear: hat (+ women's clothes), adult woman (+ standing), dutch east indies, the

Indische figuurstudies. Pagina 4 uit schetsboek XXXIV met 24 pagina's.
Reflective Love, from the series "Anthology of Poems: The Love Section (Kasen koi no bu) (Mono-omou koi)"
Object type: print
Date: 1793 – 1794
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Bracelet of Wah
Object type: bracelet, wah
Date: 1981 – 1975
Materials: faience, linen, thread
Location: egypt
Theatrum pontificum, imperatorum, regum, ducum, principum, etc.
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: armour, knighthood order of the golden fleece, baton of general
Inscriptions: collector's mark: Lugt 2228

Busteportret van Ernst, graaf van Isenburg, in harnas. Met zijn linkerhand rust hij op een helm en met zijn rechterarm rust hij op de omlijsting. In zijn rechterhand houdt hij een commandostaf. Hij draagt een een keten met de Orde van het Gulden Vlies. Het portret is gevat in een ovale omlijsting met vierkant randwerk. In de marge een vierregelig onderschrift in het Frans.
Overval op een reiswagen
Object type: print
Date: 1603 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: traveller(s) attacked by robber(s), covered wagon, hooded wagon, four-wheeled vehicle drawn by two animals
Inscriptions: collector's mark: Lugt 240

Een reiswagen waarin verschillende figuren wordt overvallen door drie mannen op een landweg tussen bomen. Op de achtergrond een dorp. De bestuurder van de overkapte wagen, op een van de twee paarden, heft zijn mes.
Feeding bottle
Object type: feeding bottle
Date: 1601 – 1700
Materials: glass
Portret van Johannes Stalpaert van der Wiele
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: delft
Artist: willem jacobsz delff
Artist role: draughtsman, print maker
Artist dates: 1580 – 1638
Subjects: advocaat, dichter, prior, johannes stalpaert van der wiele
Inscriptions: collector's mark: Lugt 2228

Portret van Johannes Stalpaert van der Wiele, borststuk in sobere kleding in ovale omlijsting met Latijns opschrift. In ondermarge Nederlands vers in twee coupletten van vier regels.
Eight fragments of friezes with relief, Amaravati, Andhra Pradesh, India
Object type: photograph
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: amaravati
Artist: william h. griggs
Artist role: printer
Artist dates: 1832 – 1911
Subjects: hinduism, buddhism, jainism
Inscriptions: inscription: ‘FRAGMENTS OF FRIEZES OF INNER ENCLOSURE./ FIG. 1 ENLARGED SCALE, FIGS. 2 TO 8 1 INCH TO 1 FOOT.’, inscription: ‘AMRAVATI. PLATE LXXXII.’
Candlestick
Object type: candlestick
Date: 1467 – 1500
Materials: copper alloy
Culture: german or south netherlandish
Portret van een man in een militair uniform
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: schwindenhammer
Artist role: fotograaf
Subjects: adult man, historical persons, (military) uniforms
Terracotta fragment of a stemless kylix (drinking cup)?
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Part of the foot from a stemless kylix?; the resting surface is unglazed; the inner wall of the foot is glazed
Magesyn der Italiaense gebouwen
Object type: album leaf
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: rome
Subjects: city-view, and landscape with man-made constructions, church (exterior), roman catholic church, street

Deze prent maakt deel uit van een reeks bestaande uit vijf delen, waarvan de eerste drie delen bestaan uit prenten van Giovanni Battista Falda. Deel één bevat 25 prenten (+ titelprent en opdracht) (1665), deel twee bevat 15 prenten (+ titelprent en opdracht) (1665-67) en deel drie bevat 38 prenten (+ titelprent en opdracht) (1669-70). Delen vier en vijf bevatten prenten door Alessandro Specchi en Giovanni Domenico Campiglia. De originele drukplaten voor de eerste drie delen worden bewaard in de Calcografia Nazionale in Rome (inv. nr. 1414).
Portret van Thomas Hopffer
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: engraving
Subjects: augsburg, theologian, historical persons
Inscriptions: collector's mark: Lugt 2233

In de marge onderaan tekst uit Psalm 37:5 in het Latijn en Duits.
Cameo medallion
Object type: cameo medallion
Date: 1769 – 1780
Materials: gilt bronze
Artist: wedgwood and bentley
Artist role: maker
Artist nationality: british
Artist dates: 1769 – 1780
Subjects: female nudes
Scherf van witbakkend aardewerk, aan de buitenzijde voorzien van een beschildering in blauw op een witte ondergrond
Object type: sherd
Date: 1500 – 1899
Materials: earthenware, glaze
Warrior vessel
Object type: vessel
Date: 1301 – 1500
Materials: silver
Culture: chimú
Location: peru
Artist: chimú artist(s)
Artist role: artist
Subjects: human figures
Glass cup
Object type: cup
Date: 1 – 100
Materials: glass
Culture: roman

Translucent yellow Knocked-off, uneven, and slightly flaring rim; short concave neck; globular body; plain concave bottom. One faint wheel-abraded horizontal line around neck; band of two lines on body, 2.6-2.8 cm below rim. Intact; many pinprick bubbles; pitting, dulling, and iridescent weathering.
Graf Johann Černičew
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: photoaquatint
Subjects: adult man
Corpus Christi
Object type: book illustration
Date: 1536 – 1536
Materials: paper
Techniques: woodcut
Subjects: feast of corpus christi

Prent afkomstig uit: Evangelia und Epistel. Neurenberg: Hans Guldenmund, 1536.
St. Jean préchant dans le désert
Object type: print
Date: 1786 – 1808
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: john the baptist preaching (perhaps christ among the bystanders)
Inscriptions: collector's mark: Lugt 2228
Gold ring with plain agate scaraboid
Object type: ring with scaraboid
Date: 500 – 401
Materials: stone, gold
Culture: greek

Plain agate scarab set in a ring.
Vignet met de initialen 'RMR' vervlochten
Object type: book illustration
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: paris
Subjects: initial

Prent gebruikt voor: Montmort, Pierre Rémond de. Essay d'analyse sur les jeux de hazard. Parijs: Jacques Quillau, 1708.
Oosterpoort te Hoorn. Gezien van de stadzijde
Object type: book illustration
Date: 1876 – 1876
Materials: paper
Techniques: photolithography
Artist: Anonymous
Subjects: city-gate, hoorn (north holland)

Afdruk uit: Mededeelingen van de Rijks-adviseurs voor de monumenten van geschiedenis en kunst. Den Haag: s.n., 1876-1878, dl. 1, nr. 1 (1876), na p. 28.
Tumbler
Object type: tumbler
Date: 1885 – 1887
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: hobbs, brockunier and company
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1891
Kat liggend met de kop tussen de voorpoten
Object type: drawing
Date: 1646 – 1672
Materials: oil, paper
Techniques: brush, varnishing
Artist: adriaen van de velde
Artist role: draughtsman, painter, print maker
Artist dates: 1636 – 1672
Subjects: cat
Terracotta fragment of a lekanis (covered dish)
Object type: lekanis fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Below the rim, part of a zigzag band
Orage causé par l'Impôt sur le Thé en Amérique
Object type: print
Date: 1778 – 1778
Techniques: engraving
Artist: anonymous, french, 18th century
Artist role: engraver
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: satire,american revolution,men,women,politics
Balustrade fragment
Object type: balustrade
Date: 1353 – 1336
Materials: limestone
Location: egypt
Subjects: hieroglyphs
Inhalen van visnetten op het strand
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers
Inscriptions: inscription: ‘Strandgezicht bij mijn 32 / Het inhalen der netten’

Strandgezicht met vissers die de netten binnenhalen, waarschijnlijk op Banka. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
The Title Page for 'Douze Eaux Fortes d'après Nature'
Object type: print
Date: 1858 – 1858
Materials: paper, ink
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Case
Object type: case
Date: 1850 – 1850
Materials: metal
Culture: american or european
Gedenkstuk. Behoorende bij de Kaart van datgedeelte der Provincie Overijssel, waar de Overstrooming van den 4 en 5 Februarij 1825 de meeste verwoestingen heeft aangebragt (...)
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: engraving, etching
Location: zwolle
Subjects: maps of separate countries or regions, flood
Inscriptions: collector's mark: Lugt 2228

Tabel met een overzicht van de schade per gemeente in het deel van Overijssel getroffen door de watersnood van 4-5 februari 1825. Bevat ook een lijst van de voornaamste dijkbreuken en de hoogtes die het water heeft bereikt. Bovenaan een boer zittend bij verdronken vee en verwoeste boerderij. Rechtsonderaan de handtekening van de ingenieur J.J. Sorg. Behoort bij de kaart van het getroffen gebied.
Silhouetportret van Gabriel van Charante
Object type: silhouette
Date: 1819 – 1866
Materials: paper
Techniques: snipping
Artist: Anonymous
Subjects: rotterdam, historical persons