deem-data/ArtiFact huggingface dataset:
Out in left-field, "Don't drop it, Tommy," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys,playing

Trade cards from the "Terrors of America" series (N136), issued in a set of 50 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The original lithographs for the series were created by Knapp & Company, N.Y. This is the second time that Duke released the "Terrors of America" series. The cards of the first set (N88) are smaller than N136 cards.
Trade card for M.A. Harvey, Book and Printseller
Object type: print, trade card
Date: 1701 – 1800
Techniques: engraving
Artist: anonymous, british, 20th century
Artist role: artist
Artist nationality: british
Artist dates: 1900 – 1999

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
View near Wear Gifford
Object type: photograph
Date: 1860 – 1894
Techniques: albumen print
Location: england
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Kroegscène met een oude man en een jonge vrouw
Object type: print
Date: 1792 – 1834
Materials: paper
Techniques: etching
Location: unknown
Subjects: inn, coffee-house, public house, etc., backgammon, tric-trac
Inscriptions: collector's mark: Lugt 2228

Een oude man zit op een stoel en trekt een jonge vrouw naar zich toe. Links komt een man met een juk melk uit de kelder. Bij het raam spelen drie mannen triktrak.
Twee elkaar tegemoet zeilende platbodems
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: etching, lithography
Location: netherlands
Subjects: sailing-ship, sailing-boat, sea (seascape)
Inscriptions: collector's mark: Lugt 2228

Twee elkaar tegemoet zeilende platbodems. Links op de voorgrond drijft een ton. Aan de horizon verschillende zeilschepen.
The Trophy of Constantine, with Victory at left crowning the emperor with a laurel, behind them a bounty of arms, armor, prisoners, and Maxentius' head on a stick
Object type: print
Date: 1650 – 1668
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: soldiers,armor,weapons,men,trophies
Design for Cabriolet or Victoria, no. 3571b
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Apothecary bottle
Object type: apothecary bottle
Date: 1651 – 1700
Materials: enamel
Techniques: overglaze, underglaze
Culture: japanese
Subjects: birds,flowers,leaves
Side chair
Object type: side chair
Date: 1760 – 1790
Materials: wood
Culture: american
Location: united states

This is an example of the trefoil-pierced-splat chair, which was especially popular in Philadelphia. Except for the scroll-like central part of the crest rail, the design of the entire back was taken line for line from plate 10 of the first edition of Thomas Chippendale’s "Gentleman and Cabinet-Maker’s Director" (1754).
Townsend, Catcher, Athletics, from the Kalamazoo Bats series (N690) issued by Chas. Gross & Co. to promote Kalamazoo Bats
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: chas. gross & co.
Artist role: publisher
Subjects: men,portraits,athletes

Trade cards from the "Kalamazoo Bats" series (N690), issued by Chas. Gross & Co. in 1887 to promote Kalamazoo Bats.
Gezicht op een pand aan het Damrak, hoek Prins Hendrikkade
Object type: photograph
Date: 1880 – 1920
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', façade (of house or building), street
Inscriptions: inscription: ‘K.O.G. / Atlas Amsterdam / Portefeuile 4’, collector's mark: ‘7’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Damrak, Damstraat, Doelensluis, Doelenstraat (Nieuwe), Driehoekstraat, Droogbak, Duvelshoek, Dijkstraat en Korte -.
Piece
Object type: piece
Date: 1701 – 1800
Subjects: flowers,leaves
It is Amazing - and We were Made by God, plate six from Los Proverbios
Object type: print
Date: 1815 – 1824
Materials: paper
Techniques: aquatint, burnishing, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Pair of candlesticks
Object type: candlestick
Date: 1701 – 1800
Materials: brass
Subjects: men
Shawl
Object type: costume and accessory
Date: 1865 – 1870
Materials: cotton, lace, silk
Techniques: compound weave
Location: england
Subjects: fashion
Muts van tule versierd met tamboereerwerk
Object type: cap
Date: 1840 – 1870
Materials: fiber
Techniques: tambouring
Location: netherlands
Artist: Anonymous

Muts van tule versierd met tamboereerwerk, met een patroon van margrieten, een hele stengel op de zijkanten en bloemen op het tussenstuk.
Part of the Forum of Nerva, plate five from Some Views of Triumphal Arches and other monuments
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Tripod vessel with three animal-shaped handles
Object type: vessel
Date: 900 – 801
Materials: ceramic
Culture: iranian
Location: iran
Subjects: animals
Cardinal Albrecht of Brandenburg
Object type: print
Date: 1519 – 1519
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,portraits,coat of arms
Ornament
Object type: ornament
Date: 1201 – 1300
Materials: brass, silver
Techniques: inlay, painting
Location: egypt
Riemgesp uit het wrak de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Belt buckle. d-shaped with pointed side, id. NG 1980-27H384.
Bird
Object type: folding fan mounted a an album leaf
Date: 1823 – 1889
Materials: gold, ink, paper
Culture: chinese
Artist: ju chao
Artist role: artist
Artist nationality: chinese
Artist dates: 1823 – 1889
Subjects: birds

Ju Chao's inscription on this decorative fan says the bird is done in the style of the Yangzhou Eccentric Luo Ping (1773–99). Behind Luo Ping 's and Ju Chao's pictures is the idealized realism of the 12th century Song Academy painters. By the 19th century however, nature is no longer a mystery touched through painting; like Ju Chao's bird, it is a very material reality made a painter's plaything.
Shoe buckles
Object type: shoe buckle
Date: 1767 – 1800
Materials: paste, silver, steel
Culture: british
Birdcage
Object type: birdcage
Materials: iron
Culture: south french
Subjects: birds
Interieur met orgel van de Sint-Bavokerk te Haarlem
Object type: photomechanical print
Date: 1912 – 1917
Materials: paper
Techniques: autotype
Location: haarlem
Subjects: church (exterior)
Inscriptions: inscription: ‘Het orgel in de Groote- of St. Bavokerk te Haarlem/ foto Adr. Boer, Bloemendaal’, inscription: ‘Op de hoogte/ Apr.1917’
Lady Jeune
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: politician, e.g. party leader
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Le Pont au Change
Object type: print
Date: 1854 – 1854
Materials: graphite
Techniques: etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: buildings,bridges,boats

While Paris was becoming a modern European city, Meryon clung to the sights of its oldest structures, fixing them in etching. Like the drowning man in the foreground of this print, the artist found his world caving in, and as his sanity dimmed the skies in his prints filled with flying fish, and visions like those of the charioteer, serpent, and fragments of female anatomy penciled into clouds above the Seine.
Award (Prix Jean Chazière) at the Academy of Lyons, 1879
Object type: plaquette
Date: 1879 – 1879
Materials: bronze
Techniques: silvered, struck
Artist: louis-oscar roty
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1911
Subjects: men
The Death of Hamlet
Object type: print
Date: 1843 – 1843
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: shakespeare,men,women,death,hamlet

In the dramatic final composition of Delacroix's "Hamlet" suite, based on act 5, scene 2, Laertes and Hamlet have killed each other in a duel and the queen has died from drinking poison intended for her son. (The king, who appears at this point in the play, is absent from Delacroix’s version.)
Study of Three Heads
Object type: drawing
Date: 1823 – 1823
Materials: chalk
Techniques: stumping
Artist: louis léopold boilly
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1845
Subjects: heads,men
Steiger in de haven van Port Elizabeth
Object type: photograph
Date: 1885 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: port elizabeth
Artist: rh
Artist role: fotograaf
Subjects: harbour

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Gezicht op Amber
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: amber
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-view, and landscape with man-made constructions, walls ~ fortified city
Inscriptions: kleurnotitie, handgeschreven

Pagina 80 uit een schetsboek met 84 bladen.
A street scene of Yokohama, on a festival day
Object type: photomechanical print
Date: 1895 – 1905
Materials: paper
Techniques: photograph
Location: yokohama
Artist: kōzaburō tamamura
Artist role: fotograaf
Artist dates: 1856 – 1923
Subjects: hand-cart, village street, street lighting
Ceramic Fragment
Object type: fragment
Date: 1301 – 1500
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: syria
Tekstblad bij de spotprent op Johan Jacob le Sage ten Broek, 1787
Object type: text sheet
Date: 1787 – 1787
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: the hague, rotterdam
Inscriptions: collector's mark: Lugt 2228

Tekstblad bij de spotprent op de, na het herstel van de prins van Oranje, door het Rotterdamse stadsbestuur ontslagen patriotse predikant Johan Jacob le Sage ten Broek, oktober 1787. Vers van vier regels.
Hammered Copper Pin (tupu)
Object type: pin
Date: 701 – 1566
Materials: copper, gilt
Techniques: hammering
Culture: chimú
Location: peru
Portret van een vrouw, schrijvend aan een tafel
Object type: album leaf
Date: 1870 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: sheerness
Artist: john hunt
Artist role: fotograaf
Subjects: historical persons - bb - woman, writing and letters
Inscriptions: inscription: ‘UNDER DISTINGUISHED PATRONAGE/ JOHN HUNT/ SHEERNESS/ ESTABLISHED 1851’
Portret van Niccolò Paganini
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: etching, intaglio
Subjects: musician, historical persons, violin, fiddle
Inscriptions: collector's mark: Lugt 2228, inscription: ‘LLeNain 1e 2’
Armorial with an Unidentified Coat of Arms
Object type: textile
Date: 1550 – 1550
Materials: silk, wool
Techniques: interlocking, slit, weave
Location: belgium
Saucer
Object type: saucer
Date: 1801 – 1900
Materials: porcelain
Culture: japanese
Figuren in toga's
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: chalk, watercolor
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: adult man, historical costume

Tevens een studie van een figuur bij een portaal. Mogelijk verbeeldt de schets een scène uit een theaterstuk. Pagina 67 uit een schetsboek met 58 bladen.
King Siddhartha Tells Queen Trisala the Meaning of the Fourteen Dreams (left) and The Interpretation of Dreams (right): Folio from a Kalpasutra Manuscript
Object type: folio
Date: 1401 – 1500
Materials: gold, ink, paper, watercolor
Culture: indian
Subjects: kings,queens

The king explains to his queen the meaning of her dreams, forecasting that she will bear the child Mahavira. The couple is engaged in intimate conversation, both seated on richly decorated thrones with a finely painted textile canopy above, signaling their royal rank. The second painting shows an assembly of astrologers summoned to the court to interpret Queen Trisala's dreams. Two are writing with pens.
Roundel with Christ Bearing the Cross
Object type: roundel
Date: 1520 – 1520
Materials: glass, paint, pigment
Culture: dutch
Subjects: soldiers,men,horses,christ,bearing the cross
Waterfall
Object type: drawing and watercolor
Materials: board, graphite, paint, paper, watercolor
Location: england
Artist: attributed to edward dayes
Artist nationality: english
Artist dates: 1763 – 1804
A spaniel
Object type: painting
Date: 1653 – 1653
Materials: oil, panel
Artist: paulus potter
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1654
Subjects: dog
Inscriptions: signature and date: ‘Paulus Potter f 1653’

Een patrijshond, op de achtergrond een landschap met een jager te paard met honden.
De Heilige Hiëronymus in de wildernis
Object type: print
Date: 1512 – 1512
Materials: paper
Techniques: drypoint
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: st. jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'vanitas' symbols), sometimes a scorpion and a snake beside him
Inscriptions: collector's mark: Lugt 2228a

De Heilige Hiëronymus zit in een rotsachtige omgeving te bidden bij een crucifix. Naast hem staat een knotwilg, aan zijn voeten ligt een leeuw.
Verklaring van de prent op het titelblad van: Beknopte historie der beroertens te Amsterdam, 1748
Object type: text sheet
Date: 1748 – 1748
Materials: paper
Techniques: letterpress printing
Location: harderwijk
Artist: willem brinkink
Artist role: publisher
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 2228

Tekstblad met de verklaring in versvorm van de prent op het titelblad van het boekje: Beknopte historie der beroertens te Amsterdam uit 1748. Op de achterzijde de titel: Historie van de beroertens te Amsterdam.
Ribbed Penannular Earring
Object type: earring, penannular
Date: 1991 – 1450
Materials: gold
Location: egypt
Buste van een monnik
Object type: drawing
Date: 1775 – 1874
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: van der straalen
Artist role: print maker
Subjects: monk(s), friar(s)
Blad met bloemen en vruchten
Object type: brocade paper
Date: 1700 – 1850
Materials: gold leaf, paper
Techniques: relief print
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met bloemen en vruchten. Met etiket met opschrift: 'G.H.P. Hasselaar ... Batavae'. Helft van een omslag.
Fringe
Object type: fringe
Date: 1601 – 1700
Materials: metal thread
Twee figuren op een olifant
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper, pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, jungle, trunked animals: elephant

Op de achtergrond gewassen, mogelijk het oerwoud van India. Pagina 144 uit een schetsboek met 75 bladen.
Spirit keg in the shape of a Japanese woman on a chariot
Object type: figure
Date: 1700 – 1730
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: japan
Artist: Anonymous

Bottle. Japan, Arita. Ca. 1700. Porcelain, European decoration in enamels. Figure of woman on chariot. Japan, Arita. Ca. 1700. Porcelain, decoration in underglaze blue and enamels.
Abklatsch van de krijttekening op pagina 33
Object type: sketchbook leaf
Date: 1887 – 1888
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 32 uit een schetsboek met 43 bladen.
Diverses modes Dessinées d'apres Nature (...)
Object type: costume print
Date: 1703 – 1703
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: folk costume, regional costume, holland
Inscriptions: date

Prent waarschijnlijk ook opgenomen in: Diverses modes dessinées d'après Nature. Amsterdam: Bernard Picart, 1728.
Ptah
Object type: statuette, ptah
Date: 664 – 630
Materials: metal
Location: egypt

This statuette depicts Ptah, the chief god of Egypt's capital city Memphis and master craftsman of the gods. He is easy to identify by his tight-fitting cap, straight beard (different from the usual curved divine beard on other gods), and enveloping mummiform garment. The garment has a stiff upper edge along the back of the neck, a feature that occurs with some regularity also on Osiris statuettes, but its meaning is unclear. He is richly adorned with a broad collar with a counterpoise and bracelets. Commonly Ptah holds a scepter that combines the symbols for life (ankh), dominion (was), and stability (djed), but here he holds only the was scepter, hearkening back to earlier representations of the god. Ptah was benevolent and approachable, characteristics that may have inspired his devotees to dedicate numerous representations of him in the Late and Ptolemaic Periods.
Studieblad met figuren in historisch kostuum, honden en een lezende man
Object type: sketchbook leaf
Date: 1839 – 1894
Materials: paper, pencil
Artist: lambertus lingeman
Artist role: draughtsman, painter, print maker
Artist dates: 1829 – 1894
Subjects: reading, historical costume, dog

Tevens studies van een ooievaar en een moeder met kind op een straat. Blad 32 recto uit een schetsboek met 51 bladen.
Sight (one of a pair)
Object type: figure
Date: 1755 – 1755
Materials: enamel, soft paste porcelain
Techniques: gilding
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: birds,men,leaves

The rainbow indicates that the figure represents Seeing.
Paten
Object type: paten
Date: 1901 – 1933
Materials: silver gilt
Culture: spanish
Subjects: animals,cross
Platter
Object type: ceramic
Date: 1750 – 1760
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: jingdezhen
Studieblad met dierenkoppen
Object type: print
Date: 1850 – 1855
Materials: paper
Techniques: etching
Location: netherlands
Subjects: cattle
Inscriptions: collector's mark: Lugt 2228
Tuinen (8-bladige reeks)
Object type: album leaf
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: cologne
Artist: johann bussemacher
Artist role: print maker, printer, publisher
Artist dates:  – 1627
Subjects: garden

Een tuin met een parterre met in het centrum een spiraal en een boom. De prent maakt deel uit van een album.
Book of Ehon Ginsekai (The World in Silver)
Object type: woodblock print
Date: 1754 – 1806
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: rivers,landscapes,snow,boats
Fonteinen in Kensington Gardens, Londen
Object type: photomechanical print
Date: 1888 – 1914
Materials: paper
Techniques: autotype, chromophotolithography
Location: london
Artist: Anonymous
Subjects: ornamental fountain, public gardens, park

Deze prent maakt deel uit van een album.
Rubbings and flowers
Object type: hanging scroll
Date: 1803 – 1866
Materials: ink, paper
Culture: chinese
Artist: zhang xiong
Artist role: artist
Artist nationality: chinese
Artist dates: 1803 – 1886
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic
Artist: telephos painter
Artist role: artist

Interior, buttock, thigh, and knee of male with himation
Moon flask (one of a pair)
Object type: moon flask
Date: 1870 – 1879
Materials: bone china
Artist: worcester factory
Artist role: maker
Artist nationality: british
Artist dates: 1751 – 2008

After the end of the Flight, Barr & Barr ownership of the Worcester factory in 1840, the firm went through a succession of owners and mergers before falling under the ownership of Kerr & Binns in 1852. During the partnership, the factory sought to rebuild its former eighteenth-century reputation in porcelain and known for Renaissance-inspired designs. With the establishment of the Royal Worcester Porcelain Company in 1862, the company gradually gained recognition for its Japanese-inspired designs, which formed part of Japonisme, a collective fascination with Japan that took place in Europe and the United States following the opening of Japanese markets to the West by Commodore Perry in 1853.
Jocko Milligan, Catcher, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.