deem-data/ArtiFact huggingface dataset:
Servet van wit linnen met een patroon van gestrooide bloemen en met de wapen- en naaminwevingen ZOETE VAN LAEKE en HERTAING.
Object type: napkin
Date: 1603 – 1627
Materials: linen
Techniques: damask
Location: northern netherlands
Inscriptions: mark: ‘GL 22’

Witlinnen damasten servet met een patroon van gestrooide bloemen met de wapen- en naaminwevingen "ZOETE VAN LAEKE" en "HERTAIGN", gemerkt GL 22.
Miss O'Neill as Juliet
Object type: print
Techniques: etching, engraving
Artist: george dawe
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1781 – 1829
Subjects: shakespeare,women,actresses
The Devil Painting Man’s Heart, from Allegory of the Misuse of Worldly Property
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: engraving
Location: netherlands
Artist: willem van swanenburgh
Artist role: print maker
Artist nationality: dutch
Artist dates: 1580 – 1612
Inscriptions: Lettered upper left: "1609"; lower left: "WSwanenburg fecit et exc."; and below image: "1 / Tacte puer mentem ... Lust hem stricken leydt."

This print series uses symbolic imagery to criticize the love and pursuit of worldly and material goods. A well-to-do man in a white neck ruff is repeatedly tempted by bags of gold presented to him by a blindfolded cupid and a horned demon. In the first print, the Devil sits before an easel, painting the man’s heart with images of women and jewels, while a woman ties a cord around the man’s ankle, binding him to the sin of lust. In the second, Cupid has been transformed from a symbol of pure love into one of greed as he points at bags of coins, tempting the man to climb the cliff. In the third plate, the Devil helps the man place a statue representing Hope onto the coins. Only in the final print, when the man is approached by the skeletal figure of Death, does he realize that his horde of treasure will not protect him.

The series is based on designs by Maerten van Heemskerck, known for his allegorical compositions that were intended to reinforce moral lessons.
Francesco Primaticcio Pit Et Architetto
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Location: brussels
Subjects: paris, painter, draughtsman, sculptor, francesco primaticcio, historical persons, portrait, self-portrait of artist

Prent uit: Bullert, Isaac. Académie des Sciences et Arts contenant les vies et éloges his. des hommes illustres qui ont excellé en ces professions depuis environ quatre siècles. Brussel: Foppens, François, 1682.
Het boek werd in 1682 eveneens in Amsterdam uitgegeven door de erfgenamen van Daniel Elzevier.
Deze portretten dienen ter illustratie van de biografie van een kunstenaar of geleerde. De meeste portretten werden door Nicolas de Larmessin vervaardigd (162), 93 door De Boulonois en een derde door ongeïdentificeerde prentmakers. Dit betreft een illustratie op p. 417, deel I.
Joanna Diepenbrock
Object type: photograph
Date: 1913 – 1913
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: laren, zanger, joanna diepenbrock
Inscriptions: date: ‘1913.’

Foto op bruin albumblad 19 van familiealbum van Alphons Diepenbrock.
Stand
Object type: stand
Date: 1301 – 1350
Materials: brass, silver
Techniques: inlay
Location: egypt or syria
Subjects: arabic

Mamluk rulers and governors favored long titles for themselves and also for the inscriptions adorning their architecture, metalwork, and glass. This stand, which held a tray, has two very dominant calligraphic inscriptions. The thuluth inscription, which is emphasized by silver inlay, acknowledges that the stand was made for Bahadur al-Badri, who was the Mamluk governor of Hims (Homs) in 1319 and who died around 1339-40: Upper portion: For His Honorable and High Excellency, our Lord, the Royal, the Great Amir, the Vanquisher, the Defender of the Faith, the Warrior at the Frontiers, the Warden of the Marches, the most Glorious. Lower portion: The Favorite, the Treasure, the Viceroy, the Learned, the Governing, the Shelter, Saif al-Din Bahadur al-Badri, the Sword-bearer of al-Malik al-Nasir. The calligraphy is written on busy scrollwork and the letters themselves are often wrapped around one another, creating an impression of three-dimensionality. The middle rounded section, the upper inner rim, and the bottom rim bear the emblem of the governor, a sword.
The Second Nakajima Mihoemon as a Man Standing with Head Bent Forward
Object type: woodblock print nishiki e
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: theatre,men,actors
Armor
Object type: armor
Date: 1560 – 1565
Materials: leather, steel
Culture: northern german
Location: germany

This is one of a group of finely etched armors made for the court of Duke Julius of Brunswick-Wölfenbüttel (1528–1589). The armors are decorated similarly with satyrs, allegorical figures, and grotesques, many of which are derived from prints by Cornelis Bos and Virgil Solis. The group is distinguished further, as is the armor displayed here, by the device on the breast: a quatrefoil above a crowned heart, which is flanked by two pairs of clasped hands and the initials HI (Herzog Iulius, meaning “Duke Julius” or “Heinrich Julius”). The scene depicted in the quatrefoil is the Old Testament story of Daniel in the lions’ den. Around the border runs an inscription that reads in translation, “Oh God, protect no more than my life, soul, property, and honor.” It is thought that this group of armors was commissioned about 1563, to commemorate the reconciliation of Julius and his father, Duke Heinrich (died 1568), and the reinstatement of Julius to the ducal succession.
Charles W. Gamble
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons
Inscriptions: monogram: ‘A & S’
Kantoorgebouw, eet- en slaaploods van de Banka-tinwinning te Soengeiliat
Object type: photograph
Date: 1914 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, mining, working class, labourers, hut, cabin, lodge
Inscriptions: inscription

Albumblad met 3 foto's van een kantoorgebouw, en een eet- en slaaploods van de Banka-tinwinning te Soengeiliat. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head of male with ivy wreath
Bottle
Object type: bottle
Date: 1734 – 1766
Materials: earthenware
Techniques: glazing
Subjects: flowers
Man stopt zijn pijp
Object type: print
Date: 1622 – 1688
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: sitting figure, pipe ~ tobacco
Inscriptions: collector's mark: Lugt 2228
Silhouette of Graf Leopold Kinigl
Object type: print
Date: 1784 – 1834
Materials: paper
Techniques: cutting
Artist: wilhelm ackermann
Artist role: artist
Artist nationality: german
Artist dates: 1764 – 1834
Subjects: men
Uitknippop in onderjurk
Object type: fashion print
Date: 1825 – 1875
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: fashion plates
Studioportret van een jong meisje
Object type: carte de visite
Date: 1890 – 1915
Materials: paper, photographic support
Techniques: photography
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Portret van de kunstenaar Frans Floris
Object type: print
Date: 1501 – 1580
Materials: paper
Techniques: engraving
Location: italy
Artist: giulio bonasone
Artist role: painter, print maker
Artist dates: 1510 – 1576
Subjects: print maker, draughtsman, frans floris (i), historical persons
Inscriptions: collector's mark: ‘G C A B’, collector's mark: Lugt 2760, collector's mark: Lugt 2228
“‘A Lovely Garland’ (Tamakazura): Tamatori-ama,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)
Object type: print
Date: 1845 – 1846
Materials: ink, paper
Techniques: nishiki e
Culture: japanese
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861

Kuniyoshi’s dramatic image derives from the medieval tale Taishokkan, “The Great Woven Cap,” which recounts legendary events from the life of the courtier Fujiwara Kamatari (614–669). Here, his humbly born lover, the beautiful diver Tamatori, recovers a precious jewel stolen from Kamatari by the dragon king of the sea. She battles one of the dragon’s minions, a fearsome octopus, clutching the jewel in one hand while brandishing a dagger in the other. The connection to Chapter 22 of Genji is the jewel (tama) in the chapter title, “Tamakazura,” which is the name of Genji’s beautiful ward.
P.I.N. 6244 Roma. Il foro Romano con gli avanzi dei principali monumenti
Object type: photograph
Date: 1893 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Subjects: forum romanum

Uitzicht over het Forum Romanum in Rome.
Two Sections of a Columbarium
Object type: drawing
Date: 1710 – 1727
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: pietro paolo coccetti (cocchetti)
Artist role: artist
Artist nationality: italian
Artist dates: 1710 – 1727
Subjects: architecture,buildings
Spring Landscape
Object type: hanging scroll
Date: 1844 – 1844
Materials: ink, paper
Culture: japanese
Artist: nukina kaioku
Artist role: artist
Artist nationality: japanese
Artist dates: 1778 – 1863
Subjects: landscapes
Portret van een geestelijke
Object type: photograph
Date: 1887 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: pieter wilhelmus roemer
Artist role: fotograaf
Artist dates: 1838 – 1924
Subjects: theologian, historical persons
Inscriptions: inscription: ‘Photographie/ Artistique/ P.W. Roemer/ Rotterdam/ Stationsweg 34.’
Portret van een onbekend echtpaar
Object type: photograph
Date: 1855 – 1870
Materials: glass, leather, metal, velvet, wood
Techniques: ambrotype
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons, marriage, married couple, 'matrimonium'
Kogei oyo zuan zasshi
Object type: magazine
Date: 1890 – 1900
Materials: paper
Techniques: woodcut
Location: tokyo
Artist: haruna shigeharu
Artist role: publisher
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937
Studie
Object type: sketchbook leaf
Date: 1875 – 1875
Materials: paper, pencil
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Inscriptions: annotation: ‘pins 18/ pe[...]ils 20/ E[...] 12 72/ hap 20’

Blad 1 verso uit een schetsboek met 38 bladen.
Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Mei 1809, No. 77: 1. Chapeaux et Capotes...
Object type: magazine
Date: 1809 – 1809
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: head-gear (capote) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: caption: ‘1. Chapeaux et Capotes de Taffetas. 2. Chapeaux de Paille. 3. Bonnet de Lingére.’

Volgens de begeleidende tekst (p. 159): Dertien verschillende modellen van zijden en strohoeden naar de 'nieuwsten smaak'. Volgens het onderschrift: 1. Hoeden en capotes van tafzijde. 2. Strohoeden. 3. 'Bonnet de lingére' (muts). Prent uit het modetijdschrift Elegantia, of tijdschrift van mode, luxe en smaak voor dames 1807-1814 (onderbroken door de periode 1811-1813).
Teabowl
Object type: teabowl
Date: 1601 – 1700
Materials: brass, glaze, paste
Culture: japanese
The Misery of Intrigueing
Object type: cartoon
Date: 1766 – 1827
Materials: paper
Techniques: etching
Artist: thomas rowlandson
Artist role: draughtsman, print maker
Artist dates: 1756 – 1827
Subjects: intrigue, bedroom
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Parasol met dek van effen witte katoen, op een smalle houten stok, met onderaan een witte dobbelsteen waarop blauwe stippen
Object type: parasol
Date: 1900 – 1900
Materials: ceramic, cotton, iron, wood
Techniques: casting, cutting, firing, vitrification, weave
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Parasol met dek van effen witte katoen. Ongevoerd, met zeven zwarte ijzeren baleinen. Smalle onversierde houten stok, met onderaan een witte dobbelsteen waarop blauwe stippen. Bovenop een langwerpige houten punt.
Twee mannen en een vrouw in een bibliotheek
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: study; 'studiolo'; library
Inscriptions: inscription: ‘Het goede bezoek p: 71’, collector's mark: Lugt 2228, collector's mark: Lugt 4779, collector's mark: Lugt 4780
Soldier Holding a Parasol
Object type: drawing and watercolor
Materials: graphite, paper
Location: france
Artist: nicolas toussaint charlet
Artist role: draughtsman, painter, print maker, printer
Artist nationality: french
Artist dates: 1792 – 1845
Frederik II bedankt de kapucijner monniken in Breslau
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: frederick ii (king of prussia), ruler, sovereign, monastic orders, monastic life ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Gothaischer Hof Kalender zum Nutzen und Vergnügen eingerichtet auf das Jahr 1789. Gotha: C. W. Ettinger, [1788].
Taima Mandala
Object type: hanging scroll
Date: 1750 – 1750
Materials: gold, ink, silk
Culture: japanese
Subjects: palaces,buddhism,buddha

The Taima Mandala represents the Pure Land of the Buddha Amida (Sanskrit: Amitābha) bordered on three sides by parables from the Sutra on the Meditation on the Buddha of Infinite Life (Kanmuryōjukyō). This text, portions of which appear in the boundaries between scenes, recounts the promise at the core of Pure Land School teaching: that those who concentrate on the Buddha Amida during life, and recite his name, will be escorted to his Pure Land, known as the Western Paradise, at the final moment of death. The painting depicts an enormous palace with a golden pond presided over by Amida and his retinue. Musicians, dancers, and thirty-seven different types of celestial beings fill the skies and pavilions, surrounding the pond in the foreground. Those being born into the Pure Land emerge from lotus buds growing up through the water. The parables tell the story of Queen Vaidehi, who achieved birth there by performing sixteen meditations presented to her by Amida. The scenes along the bottom represent the nine levels of birth in the Pure Land, from lowest to highest. Based on Chinese Tang-dynasty compositions, the Taima Mandala was introduced to Japan in the Nara period (710–84), along with teachings about Amida’s Pure Land.
Covered Toy Tureen
Object type: toy tureen
Date: 1835 – 1850
Materials: glass
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Historia duodecim patriarcharum (...)
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: 11i611(issaschar), 11i611(zebulon)

Links stamvader Zebulon, de tiende zoon van Jakob. Hij is gekleed als visser. Op de grond naast hem een anker. Op de achtergrond de zee en een strand, een verwijzing naar de woonplaats van Zebulon. Rechts stamvader Issachar, de negende zoon van Jakob. Naast hem ligt een ezel, een verwijzingen naar Issachar als een 'sterke ezel'. Onder de voorstellingen een verwijzing in het Latijn naar de Bijbeltekst. Prent maakt deel uit van een album.
Gold earring with disc and pendant
Object type: earring with pendant
Date: 31 – 330
Materials: gold
Culture: roman
P. Moreelse "Het Prinsesje"
Object type: photomechanical print
Date: 1919 – 1924
Materials: paper
Techniques: photoaquatint
Location: amsterdam
Subjects: historical persons not known by name - bb - woman, girl (child between toddler and youth), contemplating nature, picture, painting
Panel
Object type: panel
Date: 1501 – 1600
Techniques: embroidery
Subjects: women,angels,jesus,crucifixion
Berlin: Stock Exchange (Die Börse)
Object type: print
Date: 1911 – 1911
Techniques: lithograph
Artist: gustav kalhammer
Artist role: artist
Artist nationality: austrian
Artist dates: 1886 – 1919
Subjects: buildings
Portret van Thomas Worlidge
Object type: print
Date: 1762 – 1789
Materials: paper
Techniques: engraving
Location: london
Subjects: print maker, thomas worlidge, historical persons, portrait, self-portrait of painter

Een eerdere staat van de prent is als titelprent gebruikt voor een gebundelde versie van Worlidges serie A Select Collection of Drawings from Curious Antique Gems. Worlidge maakte al prenten voor deze serie vanaf 1754. Na zijn dood werden de prenten gebundeld in: Worlidge, Thomas. A Select Collection of Drawings from Curious Antique Gems (...). Londen: M. Worlidge, 1768.

Prent uit: Walpole, Horace. Anecdotes of painting in England with some account of the principal artists and incidental notes on other arts collected by the late Mr. George Vertue and now digested and published from his original Mss. by Horace Walpole. 4 dln. Londen: Horace Walpole, 1762-1789, dl. 4, p. 66.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 4, p. 654.
Maria met kind en Johannes de Doper
Object type: sculpture
Date: 1826 – 1826
Materials: marble, wood
Location: rome
Artist: louis royer
Artist role: draughtsman, sculptor
Artist dates: 1793 – 1868
Subjects: mary and the christ-child with john the baptist (as child)
Inscriptions: signature and date: ‘L.ROIJER f. ROMA. 1826’

Louis Royer (1793 - 1868). The Virgin with Christ and St John the Baptist. Marble, in black wooden frame. Rome, 1826.
Trompetter te paard
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, rearing (horse in motion), horn, trumpet, cornet, trombone, tuba, (military) signals

Trompetter op een steigerend paard. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Heilige familie
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 2228

De heilige familie zit in de tuin. Jozef zit aan een tafel en leunt op een boek. Maria met Christus op haar schoot zit naast hem en kijkt naar hem op.
Roma. S. Bartolomeo all'Isola
Object type: photograph
Date: 1906 – 1930
Materials: photographic support
Techniques: photography
Location: italy
Subjects: church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Scarab
Object type: scarab
Date: 1479 – 1458
Materials: faience
Location: egypt
Subjects: birds,scarabs
Shaffron (Horse's Head Defense)
Object type: shaffron horse's head defense
Date: 1467 – 1533
Materials: steel
Culture: iranian
Location: iran

Like armored warriors, horses were usually protected by defenses of steel plate, leather, or reinforced textile. Fluted and engraved shaffrons like this were used throughout the Middle East, notably in Iran, Ottoman Turkey, and the Mamluk Empire in Egypt and Syria. This example is inscribed on the forehead “Help from Allah and a speedy victory,” a talismanic Qur'anic phrase (61:13) frequently found on armor.
Blackwork Print with Two Horizontal Panels and Five Small Motifs
Object type: print ornament architecture
Date: 1592 – 1592
Techniques: embroidery, engraving
Artist: hans de bull
Artist role: artist
Artist nationality: german
Artist dates: 1592 – 1604
Subjects: ornament

Small blackwork print with two horizontal panels with Schweifwerk flanked by longer bezels at top and shorter ones below. At bottom, a horizontal motif with three prongs.
Lady in a Bamboo Grove after Qiu Ying
Object type: hanging scroll
Date: 1544 – 1644
Materials: ink, silk
Culture: chinese
Artist: shen shuo
Artist role: artist
Artist nationality: chinese
Artist dates: 1500 – 1600
Subjects: women,bamboo
Portret van Enrico Cialdini
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Artist: august weger
Artist role: print maker, printer
Artist dates: 1823 – 1892
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Three children carrying a tray
Object type: print
Date: 1638 – 1638
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: children,drinking glasses,trays
A View in the Forest of Morvan
Object type: print
Date: 1837 – 1866
Techniques: engraving
Artist: antoine-alphée piaud
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1867
Subjects: animals,men,forests,trees,carriages
The pool of Hezekiah &c_ fom the tower of Hippicus
Object type: page
Date: 1857 – 1857
Materials: paper, photographic support
Techniques: albumen print
Location: jerusalem
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: publisher, francis frith, city-view, and landscape with man-made constructions
Inscriptions: inscription: ‘Jerusalem’

Deze foto maakt deel uit van een omslag met 7 bladen met albuminedrukken.
Portret van Andreas Feyertag
Object type: page
Date: 1873 – 1883
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: printer
Clasp knife with cherub's head
Object type: clasp knife
Date: 1701 – 1733
Materials: brass, steel
Boogsteen van een venster van de Église Saint-Sauveur te Caen
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: caen
Artist: adolphe giraudon
Artist role: publisher
Artist dates: 1849 – 1929
Subjects: architectural detail, church (exterior), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘694/ T 792’
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1918
Materials: ink
Techniques: pen, writing
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, photography, cinematography, painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life)
Inscriptions: watermark, collector's mark: ‘RPK’
Jonge man met os
Object type: surimono
Date: 1850 – 1890
Materials: paper
Techniques: woodcut
Location: japan
Artist: tôkyo
Artist role: print maker
Subjects: ox

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Titelpagina voor: J. Bellamy, Jeugdige en nagelaten gedichten, 1807
Object type: titelblad, titelpagina
Date: 1807 – 1807
Materials: paper
Techniques: stippled etching
Location: amsterdam
Subjects: flushing, utrecht, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Bellamy, Jacobus. Jeugdige en nagelaten gedichten van J. Bellamij. Haarlem: Adriaan Pietersz. Loosjes, 1807.
Beheading of Male Saint in Presence of Roman Ruler
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: attributed to cornelis schut, i
Artist nationality: flemish
Artist dates: 1597 – 1655