deem-data/ArtiFact huggingface dataset:
Portret van Johanna van Pfirt
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Artist: gaspare oselli
Artist role: print maker
Artist dates: 1536 – 
Subjects: vienna, historical persons - bb - woman, book, standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een grotere prent met twee portretten die later verknipt is. De prent is waarschijnlijk gebruikt in een uitgave van de prentserie 'Austriacae gentis imaginum', bestaande uit 58 prenten. Het merendeel van deze prenten bevat portretten van 74 leden van het Oostenrijkse Huis, naar tekeningen door Francesco Terzio, die deels getekend zijn naar de 28 levensgrote bronzen beelden die rond de cenotaaf van Maximiliaan I in de Hofkirche te Innsbruck staan.
Kalenderblad voor april 1898
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: insects: butterfly, ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228

Een rechthoekig kader met de dagen van de maand april en daaromheen speenkruid en vlinders.
Aankomst Oberbefehlshaber der Wehrmacht F. Christiansen
Object type: photograph
Date: 1940 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: the hague
Subjects: friedrich christiansen, military parade, pageant, the hague

General der Flieger en Oberbefehlshaber der Wehrmacht Friedrich Christiansen (derde van links) arriveert in Den Haag op de Lange Poten in gezelschap van een aantal hoge Duitse officieren. Links het hoofd van een paard. Hij bleef gedurende de oorlog de bevelhebber van de Wehrmacht in Nederland. Hij was ook degene die in 1944 opdracht gaf tot de razzia in Putten.
Le Viere, from the Actors and Actresses series (N45, Type 7) for Dixie Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 7), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Theekopje van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein met 'bloem' decoratie in drie vakken; model met puntrand, nauwelijks een standring.
Object type: cup
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous

Theekopje van melkglas met blauwe email verf beschildering, imitatie Chinees porselein met bloem versiering in drie vakken; model met puntrand, nauwelijks een standring.
Menukaart voor het diner van de 47e Algemene Vergadering van de Nederlandse Maatschappij tot Bevordering der Pharmacie
Object type: menu, menukaart
Date: 1898 – 1898
Materials: paper
Techniques: letterpress printing, offset printed
Artist: Anonymous
Subjects: church (exterior), den bosch

Bovenaan, in een decoratief kader, de Sint-Janskathedraal van Den Bosch. Daaronder het menu en details over het diner, dat op 19 juli 1898 plaatsvond in Den Bosch.
Knife Handle (Kozuka) with Blade
Object type: knife handle kozuka
Materials: gold alloy, gold, steel
Culture: japanese
Location: japan
Natalis Eudes de l'Arche
Object type: print
Date: 1673 – 1744
Materials: paper
Techniques: etching
Location: netherlands
Artist: reynier blokhuysen
Artist role: print maker
Artist dates: 1663 – 1744
Subjects: predikant, natalis eudes l'arche
Inscriptions: collector's mark: Lugt 2228

Portret van Natalis Eudes de l'Arche in ovale omlijsting met zijn wapen en zijn titel op een console.
Ceramic Fragment
Object type: fragment
Date: 1301 – 1500
Materials: stonepaste
Techniques: painting, underglaze
Location: syria
Bag
Object type: bag
Date: 1850 – 1850
Culture: european
Servet met verwoesting van Troje
Object type: napkin
Date: 1595 – 1625
Materials: linen
Techniques: damask
Location: haarlem
Artist: Anonymous
Inscriptions: mark, mark: ‘kroon/ HW/ 23’

Wit linnen damasten servet met de verwoesting van Troje. Merk Kroon HW 23
Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)
Object type: painting
Date: 1900 – 1900
Materials: canvas, oil
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: portraits,women

The majority of the instruments seen in these galleries was collected by Mary Elizabeth Adams Brown (1842–1918) who, beginning in 1889, gave approximately 4,000 instruments to The Metropolitan Museum of Art. This collection, named for her husband, became one of the world’s most historic and comprehensive.
Brief aan Reinier Willem Petrus de Vries
Object type: letter
Date: 1851 – 1919
Materials: ink, paper
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: amsterdam, auctioneer, publisher, reinier willem petrus de vries (1841-1919), paris, print maker, charles meryon, art trade, art shop, the graphic arts, money
Inverary Pier, Loch Fyne, Morning, part VII, plate 35 from "Liber Studiorum"
Object type: print
Techniques: aquatint, etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: human figures,mountains,landscapes,boats

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for "Book of Studies"), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. In a few instances, as here, Turner also developed the tone, using aquatint and mezzotint to describe a Scottish loch bordered by mountains with the foreground enlivened by boats and fishermen near a pier, a floating buoy, and the fluke of a submerged anchor piercing the water. Despite the engraved title, the image does not represent Loch Fyne, but the smaller adjacent Loch Shira, and the "M" in the upper margin indicates Turner's category of Marine landscape.
Gezichten op Huis de Wing en de steden Grieth en Emmerik, 1732
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: etching
Subjects: landscape with ruins, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 240

Twee voorstellingen van één plaat. Gezichten op de ruïne van Huis de Wing met in de verte de Duitse stad Grieth (boven) en Huis de Wing met in de verte de Duitse stad Emmerik en de Elterberg (onder). De prent maakt deel uit van een 100-delige serie met gezichten op dorpen en steden te Kleef.
Il nuovo teatro di Roma moderna
Object type: album leaf
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: vatican city
Subjects: city-view, and landscape with man-made constructions, church (exterior), rome

Deze prent maakt deel uit van een reeks van 35 prenten met voorstellingen van gebouwen in Rome. Samen met vier andere reeksen vormt het de grote reeks: 'Il nuovo teatro di Roma moderna'.
Barneveld. Stationweg
Object type: ansichtkaart, prentbriefkaart
Date: 1920 – 1920
Materials: cardboard
Techniques: photograph
Location: barneveld
Subjects: canal, road, path
Inscriptions: date
Gezicht op bergdal
Object type: print
Date: 1815 – 1867
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem matthias jan van dielen
Artist role: print maker
Artist dates: 1805 – 1867
Subjects: dale, valley
Inscriptions: collector's mark: Lugt 2228
Large Farm, plate ten after Pictures of Farms, Country Houses and Rustic Villages (Praediorum villarum et rusticarum casularum icones)
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: belgium
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652
Inscriptions: numbered lower right, in plate, "10"
Medaillon met het portret van Gaius Julius Caesar (?)
Object type: print
Date: 1789 – 1809
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rome, symbols and allegories of law; 'legge', 'legge civile' (ripa) (+ 'fasces cum securibus'), base (~ column, pillar)
Inscriptions: collector's mark: Lugt 240

Latere staat prent vermoedelijk ook gebruikt als boekillustratie in: Plutarchus [bewerkt door E. Wassenbergh en H. Bosscha]. De levens van doorluchtige Grieken en Romeinen, onderling vergeleeken (...). 12 dln. Amsterdam: Johannes Allart, 1789-1809.
La Belgique pittoresque et monumentale / Views of Belgium
Object type: stereograph
Date: 1866 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Artist: jules hippolyte quéval
Artist role: publisher
Artist dates: 1824 – 
Subjects: parts of church exterior and annexes - qq - small church, chapel
Inscriptions: number: ‘No 1608’
Vijf zintuigen
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: etching
Location: paris
Subjects: sight, looking (one of the five senses), book, newspaper, news-sheet
Inscriptions: collector's mark: Lugt 2228, number: ‘No. 6’, collector's mark: Lugt 4779

Achter de man staat een vrouw in de deuropening. In de achtergrond riviergezicht met een toren.
Schets van een landschap
Object type: drawing
Date: 1903 – 1903
Materials: paper, pencil
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Inscriptions: date
Alexandrie. Vue de Sidy Gaber
Object type: photomechanical print
Date: 1907 – 1930
Materials: cardboard
Techniques: lithograph
Location: port said
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Lamp
Object type: lamp
Date: 1701 – 1733
Materials: glass
Trap des ouderdoms
Object type: popular print
Date: 1743 – 1758
Materials: paper
Techniques: colour, letterpress printing
Location: haarlem
Subjects: last judgement, the ages of man represented by a staircase

Een trap des ouderdoms: een vrouwentrap. Op de treden van de trap, in de vorm van een brug, staan vrouwen in de leeftijd van 0 tot 100 jaar. Onder de brug een voorstelling van het Laatste Oordeel. Linksvoor een putto en rechtsvoor de dood. Aan weerszijden van de voorstelling een boom. Genummerd rechtsboven: 52.
Apollo sitting on Parnassus surrounded by the muses and famous poets
Object type: print
Date: 1517 – 1520
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: human figures,apollo,putti,muses

Raphael's 'Parnassus' in the Vatican is the paradigmatic representation of the subject where Apollo on Parnassus is surrounded by the muses and famous poets, from which all later versions drew inspiration. Since the room in which it was painted, the Stanza della Segnatura (thought to have been the private library of Pope Julius II r. 1503–13) was not publicly accessible until well into the seventeenth century, it was Marcantonio's print that established its canonical status. Numerous differences between the engraving and the completed fresco, however, indicate that the engraving records an early idea for the composition based on a lost drawing by Raphael.
Portret van de schilder Gonzales Coques
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: antwerp, painter, draughtsman, gonzales coques, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent ook opgenomen in: Bie, Cornelis de. Het gulden cabinet vande edele vry schilder-const. Antwerpen: Joannes Meyssens, 1662.
Stockings
Object type: stocking
Date: 1876 – 1900
Materials: cotton
Culture: american
Zalig zijn de bezitters
Object type: cartoon
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), sphinx (lion/woman); 'sfinge' (ripa) - aa - female human figure, imperialism, personifications of countries, nations, states, districts, etc., political caricatures and satires

Marianne (Frankrijk) vraagt aan de Russische tsaar Nicolaas II of hij haar niet kan helpen om ook eens de bezitter van Egypte te worden. Rechts zit koningin Victoria als heerser over Egypte op een sfinx, op de achtergronden de piramiden.
Ornament in the form of a lion
Object type: ornament, lion
Date: 670 – 330
Materials: glass
Culture: roman
Subjects: lions
Onverwacht bezoek
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: collector's mark: Lugt 2228

Een onverwachtte gast staat bij het rijtuig waarmee hij is aangekomen. De gastheer en zijn vrouw staan in de poort en verwelkomen hem. Linksonder in de marge het takje van een distel.
Michael, Coexius, Mechliniens, Pictor
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving, letterpress printing
Location: brussels
Subjects: mechelen, print maker, draughtsman, michiel coxie (i), historical persons, portrait, self-portrait of artist, workshop, studio of the artist (in general)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Bullart, Isaac. Académie des Sciences et Arts contenant les vies et éloges his. des hommes illustres qui ont excellé en ces professions depuis environ quatre siècles. Brussel: François Foppens, 1682. Het boek werd in 1682 eveneens in Amsterdam uitgegeven door de erfgenamen van Daniel Elzevier.
Ieder portret betreft een illustratie bij de biografie van een kunstenaar of geleerde.
De meeste portretten werden door Nicolas de Larmessin vervaardigd (162), 93 door De Boulonois en een derde door ongeïdentificeerde prentmakers.
Dit betreft een illustratie op p. 440, deel II.
Design for a Vessel
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: vessels
Booromslag zonder boor
Object type: drill
Date: 1590 – 1596
Materials: wood
Techniques: cutting
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck
Portrait of Cornelis Speelman, Governor-General of the Dutch East Indies
Object type: painting
Date: 1750 – 1800
Materials: oil, panel
Subjects: rotterdam, batavia
Inscriptions: inscription: ‘Cornelis Speelman, Gouv.r Gener.l van India.’

Portraits of the governors general. At the head of the VOC administration in Asia was the governor general, the chairman of the East Indies Council, which met in Batavia. The Council's assembly chamber at the Castle in Batavia was the focal point of Dutch power. Along the walls hung the portraits of all the past governors general, symbolising the continuity of the Dutch presence. Smaller copies at the Company's offices in the Netherlands represented the VOC's power in Asia. The copies displayed here probably come from the VOC's Rotterdam Chamber. Some of the portraits from the series that hung in Batavia are displayed above in the VOC gallery that circles this room.

Pieter Both, 1610-1614
Gerard Reynst, 1614-1615
Laurens Reael,1615-1619
Jan Pietersz Coen, 1619-1623 and 1627-1629
Pieter de Carpentier, 1623-1627
Jacques Specx, 1629-1632
Hendrick Brouwer, 1632-1636
Antonio van Diemen, 1636-1645
Cornelis van der Lijn, 1645-1650
Karel Reiniersz, 1650-1653
Joan Maetsuycker, 1653-1678
Rycklof van Goens, 1678-1681
Cornelis Speelman, 1681-1684
Johannes Camphuys, 1684-1691
Willem van Outshoorn, 1691-1704
Abraham van Riebeeck, 1709-1713
Christoffel van Swoll, 1713-1718
Hendrick Zwaardecroon, 1718-1725
Mattheus de Haan, 1725-1729

The portrait of Joan van Hoorn, 1704-1709, is missing.
Geschiedenis van Giovanni de' Medici (genoemd 'dalle Bande Nere')
Object type: print
Date: 1576 – 1580
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: battle
Inscriptions: collector's mark: Lugt 2228a

Aanval op de troepen van Giovanni de' Medici nabij Mantua. Tijdens deze strijd raakte Giovanni dodelijk gewond. Op de achtergrond rechts een legerkamp, links een burcht. Onder de voorstelling twee regels Latijn. Deze prent is onderdeel van een 22-delige reeks prenten van de geschiedenis van Giovanni de' Medici, genoemd 'dalle Bande Nere'.
De rostachtige kust nabij Torquay
Object type: photograph
Date: 1902 – 1902
Materials: cardboard, paper
Techniques: gelatin silver print
Location: netherlands
Artist: frits freerks fontein fz.
Artist role: fotograaf
Artist dates: 1882 – 1928
Inscriptions: caption: ‘Gelsenkirchen 1902’
Plaque in the form of a striding lion
Object type: relief
Date: 3000 – 2668
Materials: silver
Location: syria
Subjects: lions
Jug
Object type: jug
Date: 2500 – 1900
Materials: terracotta
Culture: cypriot

Globular with handle, incised concentric circles and zigzags.
Amsterdam
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: albumen print
Location: netherlands
Subjects: saw-mill (works), amsterdam
Inscriptions: signature: ‘Amsterdam, Uitgave van A. Jager, Damrak 81, Amsterdam’, annotation: ‘Buiten de zaagmolenpoort in A'dam west ter hoogte van Oldebarneveltstraat . De Zaagmolenpoort was niet meer dan een doorgang door de stadwal en is gesloopt in 1844’
Vrouw op schoot bij een man
Object type: album leaf
Date: 1935 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: norbert van den berg (1901-1972)
Artist role: amateurfotograaf
Artist dates: 1901 – 1972
Subjects: adult woman, adult man, sitting in someone's lap
Millefleurs met de engelen van geloof en liefde die een armilliairsfeer vasthouden
Object type: tapestry
Date: 1500 – 1525
Materials: silk, wool
Techniques: tapestry
Location: southern netherlands
Artist: Anonymous
Inscriptions: : ‘AMA’, : ‘[CR]E[D]E’

Tapestry (fragment). A celestial globe borne by angels. Wool, silk. Southern Netherlands, c. 1475 - 1500.
Die Sonne : die wichtigeren neuen Entdeckungen über ihren Bau, ihre Strahlungen, ihre Stellung im Weltall und ihr Verhältniss zu den übrigen Himmelskörpern
Object type: book
Date: 1872 – 1872
Materials: cardboard, paper, leather
Techniques: albumen print, letterpress printing, lithograph
Location: berlin
Inscriptions: inscription: ‘1e/ 2 photogr’, inscription: ‘Kb/ 75=’
Third Vision, from Mirrors of the Microcosm
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: cutting, engraving, etching, letterpress, printing
Location: germany
Artist: lucas kilian
Artist role: artist
Artist nationality: german
Artist dates: 1579 – 1637

This trio (1944.461, 1944.462, and 1944.521) of engraved, etched, and letterpress-printed anatomical broadsheets by the Augsburg artist Lucas Kilian boast over a hundred superimposed organ flaps. The viewer could dissect its male and female corpses as an educational medical exercise or purely out of morbid curiosity. The first sheet, or Vision, boasts male and female flap figures after Dürer’s 1504 Adam and Eve engraving. The second and third Visions display larger-scale images of Adam and Eve respectively, each standing on a skull with its own flaps. The medical doctor Johann Remmelin, who designed these flap prints as a student, coyly denied responsibility for the 1613 edition until the single-sheet prints appeared to be selling. Then he blessed the reuse of his “unripe fruit” as book illustrations.Perhaps uniquely for flap prints of this era, eighteenth-century restrikes from the plates for the 1619 second state are known. These show how tightly Kilian organized the interior flaps for printing. The etched organ flaps were cut out and pasted on the backs of the main engraved images, which were cut open, forming yet more flaps. Each constructed impression has survived in a different arrangement and bears signs of viewer interaction. The series elicited strong reactions due to its heady mix of allegorical iconography and Vesalian anatomy, made ever more potent by the removable organs and naked flesh. Indeed, an unidentified brown substance was applied to Eve’s genital area under two sets of modesty flaps—an unusual gesture of censorship, or perhaps prayer for offspring.
Examining Antiques at Literati Gathering
Object type: album leaf
Date: 1701 – 1800
Materials: ink, silk
Culture: korean
Artist: wang li mu
Artist role: artist
Subjects: men
Afternoon apron
Object type: afternoon apron
Date: 1865 – 1865
Materials: silk
Culture: american
Henry Clay
Object type: bust
Materials: marble
Culture: american
Artist: shobal vail clevenger
Artist role: artist
Artist nationality: american
Artist dates: 1812 – 1843
Subjects: men,portraits

Before traveling to Italy in 1840, Clevenger executed a number of portrait busts, including one of United States senator Henry Clay (1777–1852), known as "the Great Compromiser" for his role in the 1820 Missouri Compromise. Clay sat for Clevenger in Lexington, Kentucky, in 1837. In this early portrait, Clevenger was influenced by the predominant taste for neoclassicism, for he ennobled Clay by portraying him in a toga, a device typically used to enhance a statesman’s portrait. He also relied on an uncomplicated naturalism in capturing his sitter’s likeness. Clay was so pleased by the result that he reportedly gave Clevenger "a certificate to the correctness of the likeness." Such an affidavit helped Clevenger’s portrait of Clay to become one of the most respected portraits of the politician and orator. The marble was completed in Italy, either under Clevenger’s supervision before his untimely death in 1843, or posthumously under the direction of fellow American expatriate sculptor Hiram Powers.
Coaster
Object type: coaster
Date: 1701 – 1900
Materials: lacquer
D' Prins en Princesse van Orangie, worden gekroont tot Koning en Koningin van Engelant, Vranckrijck en Yerlant
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: bastiaen stopendael
Artist role: print maker
Artist dates: 1636 – 1693
Subjects: william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), coronation of a ruler, westminster abbey

Gebruikt als illustratie in: Abraham van Poot, Engelands gods-dienst en vryheid hersteld, door syn hoogheid den heere prince van Oranjen, Marcus Willemsz Doornick, Amsterdam, 1689.
Cylindrical Stack of Food Boxes with Decoration of Autumn Fruits
Object type: food box
Date: 1601 – 1700
Materials: gold, lacquer
Techniques: maki
Culture: japanese
Subjects: fruit
High-shouldered jar of desert clay
Object type: jar, shouldered
Date: 3850 – 2960
Materials: pottery
Location: egypt
Reliquary  in the shape of a stupa
Object type: reliquary
Date: 201 – 400
Materials: quartz
Culture: sri lankan
Subjects: reliquaries
Cipressi a Varenna
Object type: photograph
Date: 1910 – 1930
Materials: paper
Techniques: gelatin silver print
Location: varenna
Artist: Anonymous
Subjects: trees: cypress, lake
Visitekaart van Baron Burchard Friedrich van Maltzahn, Maréchal aan het koninklijk hof
Object type: visiting card
Date: 1783 – 1837
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: visiting-card, calling-card
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Het tekenboek van Abraham Bloemaert
Object type: print
Date: 1679 – 1701
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: head (human)
Inscriptions: collector's mark: Lugt 2228

Hetzelfde watermerk als de titelpagina van de Visscher editie.
Ariadne zittend op een panter; zijaanzicht
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: engraving
Location: germany
Subjects: ariadne left behind on the island of naxos, (story of) ariadne and bacchus, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, inscription: ‘Ariadne // 3tes Blatt’

Onderdeel van een serie van vier verschillende aanzichten van het beeldhouwwerk van Heinrich von Dannecker voorstellend Ariadne zittend op de panter.
Het beeld bevindt zich nu in het Liebieghaus Skulpturensammlung, Frankfurt am Main.