deem-data/ArtiFact huggingface dataset:
Ewer
Object type: ewer
Date: 1867 – 1900
Materials: glass
Subjects: animals
Florence. Sacristy van S. Maria Novella. Handwasbak.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: santa maria novella
Artist: Anonymous
Subjects: cherubs, i.e. children's heads with wings, jug and basin; wash-basin, parts of church interior
Inscriptions: inscription: ‘CWN.’, inscription: ‘Italiaansche Renaissance.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’
Portret van Franz Kolb
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: theologian, historical persons

Prent mogelijk uit: Scheurer, Samuel. Bernerisches Mausoleum. Bern: Jeanne Esther Bondeli, 1743.
Armchair
Object type: armchair
Date: 1853 – 1853
Materials: wood
Culture: american
Location: united states
Artist: julius dessoir
Artist role: maker
Artist nationality: german, prussian
Artist dates: 1801 – 1884

This armchair enlivened with naturalistic carved birds, flowers, and female heads is part of a suite of furniture (1995.150.1-.3) exhibited at the New York Crystal Palace in 1853 by the Prussian-born cabinetmaker Julius Dessoir. Showcasing virtuosic carving, the suite received enthusiastic critical acclaim, with one account describing it as "executed with taste and spirit." The chair, identified at the time as Louis XIV–style, combines contemporary taste for lifelike carved decoration with elements inspired by French seventeenth- and eighteenth-century designs. Dessoir’s furniture appealed to consumers seeking to demonstrate their sophistication by furnishing their homes in fashionable European style. After immigrating to the United States in the late 1830s, Dessoir set up shop as a cabinetmaker in New York City. In 1847, Dessoir received attention for designing the "Chinese" library at Iranistan, P.T. Barnum’s mansion near Bridgeport, Connecticut. This chair, made some six years later, is in quite a different style, attesting to the varied range of furniture the shop produced. Around fifty men worked at Dessoir’s shop, producing an annual output over $20,000. Dessoir’s successful cabinetmaking business continued until he retired in 1865, leaving the business to his sons.
Beurs te Amsterdam
Object type: wrapper
Date: 1903 – 1903
Materials: cardboard, linen, paper
Techniques: gelatin silver print, retouching
Artist: Anonymous
Inscriptions: inscription: ‘45 stuks/ aangeboden door J./ den Heer C. [doorgestreept] vander Linde/ Beursgebouw 1979’
Portret van Herman Willem Daendels
Object type: painting, miniature
Date: 1815 – 1815
Materials: wood
Location: paris
Artist: simon jacques rochard
Artist role: painter
Artist dates: 1788 – 1872
Subjects: herman willem daendels

Ovaal portret van Herman Willem Daendels in rechthoekige houten lijst. Borststuk van een man, het hoofd naar links gewend, in zwarte jas. Vermoedelijk gemaakt na Daendels' terugkomst uit Rusland.
Titelpagina van: Jan Weetal, Den Bedroefden Pachter (...), 1748
Object type: titelblad, titelpagina
Date: 1748 – 1748
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: harderwijk
Subjects: bladder with peas ~ children's games, owls, rodents: rabbit, amsterdam

Titelpagina van het boekje: Den bedroefden pachter bedrogen krajer, en ongelukkigen deurwaarder. borger blyspel , door Jan Weetal, 1748. Titel met allegorisch vignet van een helm waarin een uil zit, geflankeerd door twee konijnen, links een putto met een varkensblaas met erwten, onderaan de motto: Schrik Niet.
Netzflickerin (Mending Nets), Katwijk 1894
Object type: photograph
Date: 1894 – 1898
Materials: ink, paper
Techniques: photoaquatint
Location: berlin
Subjects: katwijk

Foto komt uit Die Kunst in der Photographie jrg. 2 (1898) 1, pl. 5.
Portrait of a Woman
Object type: painting
Date: 1520 – 1520
Materials: oil, wood
Artist: quinten massys
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1466 – 1530
Subjects: books,portraits,women
De min sieke maeght
Object type: print
Date: 1700 – 1900
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: virginity
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een naakte maagd baadt haar voeten. Een zwarte man vult het voetenbad met water. Onder de voorstelling een dubbelzinnige vierregelige tekst in het Nederlands.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1851 – 1915
Materials: ink, paper
Techniques: pen, writing
Location: arnhem
Artist: theo colenbrander
Artist role: draughtsman
Artist dates: 1841 – 1930
Subjects: w.g. eberson, pieter haverkorn van rijsewijk, money
Inscriptions: watermark, collector's mark: ‘RPK’

Brief gedateerd 24 September door schrijver, met toevoeging 1911 in latere hand.
Landschap met windmolen
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: windmill in landscape
Dish with Dragon amid Flames Encircled by Fish amid Waves
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting, underglaze
Location: china
Standing Male Figure , Probably Chakrapurusha
Object type: figure
Date: 501 – 600
Materials: bronze
Culture: indian
Subjects: post-gupta,men

Chakrapurusha is the personification of Shiva's war discus.
Portret van een onbekende jonge vrouw in Zeeuwse klederdracht
Object type: photograph
Date: 1900 – 1900
Materials: paper, cardboard
Techniques: collodion silver print
Location: domburg
Artist: sytze reinder elzinga
Artist role: fotograaf
Artist dates: 1858 – 1912
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed
Inscriptions: inscription: ‘S.R. Elzinga/ Photograaf/ Goes-Domburg.’, inscription: ‘Ple[...]tf./ 1900’
Groundplan of the First Floor of the Palace Huis ten Bosch showing the Floor Decorations
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: palace, plan ~ architecture, pavement, floor ~ architecture
Inscriptions: collector's mark: Lugt 2228

Souterrain van Paleis Huis ten Bosch te Den Haag met de vloerpatronen. Links en rechts een legenda.
Titelpagina voor de Europische Mercurius van 1749
Object type: titelblad, titelpagina
Date: 1749 – 1749
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), peace and prosperity, 'pax et abundantia'
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor het Nederlandsch Gedenkboek of Europische Mercurius, over het jaar 1749. Mercurius zit aan de voet van de troon van de Nederlandse vrijheid, in de wolken de Vrede met een hoorn van overvloed. Putti met een prent van het theater te Den Haag voor het vuurwerk bij de viering van de Vrede van Aken.
Vaas met figuren
Object type: design drawing
Date: 1870 – 1894
Materials: cardboard, graphite, ink, paper
Techniques: pen
Location: paris
Artist: gustave joseph chéret
Artist role: sculptor
Artist dates: 1838 – 1894
Subjects: containers
Inscriptions: monogram: ‘JC’, label: ‘876’, inscription: ‘500’, workshop stamp: ‘Joseph Chéret’, inscription: ‘Vase’
S. Nemèse, martyr (St. Nemesius, Martyr), December 19th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,fire,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Fotoreproductie van een geschilderd portret van Filips I van Castilië
Object type: reproduction
Date: 1860 – 1894
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: filips de schone (hertog van bourgondië), historical persons
Inscriptions: collector's mark: Lugt 2228
Boer met zeis en kruik
Object type: print
Date: 1862 – 1915
Materials: paper
Techniques: etching, intaglio
Artist: frans van kuyck
Artist role: painter, print maker
Artist dates: 1852 – 1915
Subjects: agricultural implements: scythe, container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: Lugt 2228
Dannie Mercurio, 150 Schottes Alley, Washington D.C.
Object type: photograph
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards, children, documentary
Inscriptions: Unmarked recto; inscribed verso, upper center, in graphite: "2899 / HINE"; verso, lower center, in graphite: "4 [encircled]"
Assisi. S. Chiara. Porta principale
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: zurich
Subjects: parts of church exterior and annexes: portal
Interieur met kat op tafel en een vrouw die melk inschenkt
Object type: print
Date: 1825 – 1863
Materials: paper
Techniques: etching, roulette
Subjects: adult woman, pouring, cat, interior of the house
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Ex libris van Ad. Faria de Castro
Object type: bookplate
Date: 1945 – 1945
Materials: paper
Techniques: printing block
Location: santarém
Subjects: adolfo faria de castro, standing figure, head-gear: top hat
Inscriptions: inscription: ‘Prof. Faria de Castro / Portugal 1945’
De vuurtoren te Kijkduin
Object type: drawing
Date: 1857 – 1857
Materials: paper, pencil, watercolor
Techniques: brush
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: lighthouse, lightship
Huge Buddha idol at the Shwedagon pagoda, Yangon, Myanmar
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: yangon
Artist: philip adolphe klier
Artist role: fotograaf
Artist dates: 1845 – 1911
Inscriptions: inscription: ‘585. Scene on Shwe Dagon Pagoda. Rangoon./ Copyright. P. Klier. Rangoon.’, number: ‘9.’

Boeddhabeeld met op de voorgrond vier jongens.
Incense Box
Object type: incense box
Date: 1701 – 1800
Materials: clay, glaze, paste
Culture: japanese
Subjects: birds
Berkenmeier met de wapens van de familie Blois en stad Schoonhoven
Object type: berkenmeier
Date: 1663 – 1663
Materials: glass
Techniques: diamond point engraving, glassblowing
Location: rotterdam
Artist: willem mooleyser
Artist dates: 1640 – 1700

Lage, gesponnen voet, diep ingestoken bodem. De rechte, van boven open stam, die bezet is met vier grote platte noppen, is als één geheel geblazen met de trechtervormige kelk. Op de kelk is het wapen van de familie Blois op de ene en dat van de stad Schoonhoven op de andere gegraveerd, alsmeede de volgende teksten: Onder de tekst de datum 'ANNO 1663'. Op de stam de signatuur 'Molenyser' en op de andere kant 'M'.
De productie van linnen
Object type: book illustration
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: spinning-wheel, laying the wash out to dry, fashion, clothing (+ materials used for clothes)

Illustratie voor de letter L in het 'Vaderlandsch A-B boek, voor de Nederlandsche jeugd' door J.H. Swilden. Vrouwen zijn in de buitenlucht bezig met de productie van linnen. Onder een afdak zijn drie vrouwen bezig met het voorbereiden van de grondstof. Op de voorgrond is een vrouw aan het spinnen. Op het gras liggen linnen doeken te drogen. Onder de afbeelding een tweeregelig versje. Onder de letter een beschrijving van het begrip.
Spanjaarden bij Duinkerken verslagen
Object type: history medal
Date: 1699 – 1703
Materials: bronze
Techniques: striking
Location: paris
Artist: jean mauger
Artist role: medailleur
Artist dates: 1648 – 1722
Subjects: lodewijk xiv (koning van frankrijk)

Bronzen penning. Voorzijde: borststuk jongeman (Lodewijk XIV) binnen omschrift. Keerzijde: gevleugelde Overwinning met speer en Mercuriusstaf vertrapt verslagen Spanjaarden binnen omschrift; afsnede: opschrift
Tankard
Object type: tankard
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,birds
Titelpagina voor: Thomas Salmon, Hedendaagsche historie, of Tegenwoordige staat van alle volkeren, 1732
Object type: titelblad, titelpagina
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: islam, mohammedanism, landscapes in the non-temperate zone, exotic landscapes - kk - ideal landscapes, landscape with ruins, globe, asiatic races and peoples: persians, asiatic races and peoples (with name)
Inscriptions: collector's mark: Lugt 2228

Een samengesteld landschap met de ruïne van een antieke tempel. Op de voorgrond hebben zich mensen uit ‘Arabië’, ‘Perzië’, ‘Tartarije’ en putti rond een globe geschaard. Links een schilderij waarop de Kaäba te Mekka afgebeeld is. Op een piëdestal de titel in het Nederlands. De voorstelling is gevat in een cartouche met in de bovenhoeken in medaillons de portretten van twee heersers.
Portret van Martin Luther
Object type: print
Date: 1680 – 1725
Materials: paper
Techniques: mezzotint
Location: germany
Artist: christoph weigel
Artist role: goldsmith, print maker, publisher
Artist dates: 1654 – 1725
Subjects: priest, martin luther, theologian, ornament ~ medallion, historical persons
Lappet
Object type: lappet
Date: 1701 – 1800
Materials: linen
Techniques: lace

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of thirty-eight laces recently given to the Museum by her nieces, Mrs. Donald P. Spence and The Lady Reigate, in memory of her sister, their mother, Mrs. William Redmond Cross. These represent a selection of the finest of Miss Newbold's personal lace collection, a collection probably made at the time she was active in lace circles in New York about the last decade of the nineteenth and early part of the twentieth century, under the guidance of Marian Hague, a distinguished connoisseur and collector herself. This period witnessed the last peak of appreciation of and connoisseurship in an art form that had been in tremendous vogue from its beginnings in the fifteenth century. And it was the last period in which fine laces were available in any number. Among choice examples of the great lace types represented in Miss Newbold's small collection are: early Italian pieces combining cut-work, pulled work, reticella, embroidery on linen ground; Sicilian polychrome silk filet; seventeenthcentury Venetian points (point de Venise à reseau and the widely known rose point de Venise); famous French needlepoints (Point de Paris, Argentan, Alençon); French and Flemish bobbin laces (Binche, Valenciennes, Brussels, Point d'Angleterre, and Point de Gaz); and a beautiful cap crown of Argentella (1979.310.9), a rare eighteenth-century European lace whose place of origin has never been surely determined.
Tales of Ise (Ise monogatari)
Object type: book
Date: 1701 – 1800
Materials: gold, ink, paper
Culture: japanese
Subjects: men,women,horses

The Tales of Ise (Ise Monogatari) is a tenth-century collection of some 125 brief tales in which poems are the central element. Together with the Kokinshū, the first imperial compilation of poetry (ca. 905), it was a requisite part of a literate person's education for over eight centuries until the modern ear. Sumptuously illustrated manuscripts such as this set of three books would have been a prized part of a dowry and a proud possession of an upper-class family. In this example, forty-nine jewel-like miniatures rendered in brilliant mineral colors and framed in stylized cloud bands of sprinkled gold foil follow widely used conventions of the Tosa-school artists.
Poort van de Westerkerk
Object type: ornament print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: parts of church exterior and annexes: porch

Prent uit: Keyser, Hendrick de. Architectura moderna ofte bouwinge van onsen tyt (...) alle gedaen by (...) Amsterdam: Danckerts, Cornelis, 1631.
Noon, plate two from The Four Times of the Day
Object type: print
Materials: paper
Techniques: engraving, etching, printing
Location: england
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Gezicht op Pisa in vogelvluchtperspectief
Object type: album leaf
Date: 1617 – 1677
Materials: paper
Techniques: colour, etching
Location: amsterdam
Subjects: coat of arms (symbol of sovereignty), bird's eye view ~ architectural design or model, maps of cities

Gezicht op Pisa in vogelvluchtperspectief. Linksboven twee voorstellingen van de opstand en de doorsnede van de Toren van Pisa. Rechtsboven het wapen van de familie De'Medici. Midden onder een verklarende lijst met nummers. Prent maakt deel uit van een album.
God verschijnt voor Abraham
Object type: print
Date: 1582 – 1582
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: abraham communicating with god (in general), abraham goes to canaan (genesis 12:1-9)
Inscriptions: inscription: ‘Vocation d'Abraham’

God in de gedaante van een engel verschijnt voor Abraham en bespreekt met hem het verbond dat hij wil aangaan met zijn volk. Op de achtergrond vertrekt Abraham met zijn familie naar Kanaän (Gen. 12: 1). Met een motto in het Latijn boven de voorstelling en een vierregelig onderschrift in het Latijn onder de prent. De prent maakt deel uit van een album.
Terracotta fragment of a pyxis (box)
Object type: pyxis fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Terracotta fragment of a kylix (drinking cup) or a skyphos (deep drinking cup)?
Object type: kylix or skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic
Portret van een jongen op een fiets
Object type: cabinet photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: walter martin
Artist role: fotograaf
Subjects: boy (child between toddler and youth), historical persons, bicycle
Inscriptions: inscription: ‘Portrait & Landscape/ Phtotographer/ Walter Martin/ The Ilford Studio/ High Street/ Ilford’
Vestingplattegrond van Beaune
Object type: area plan
Date: 1656 – 1656
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta'

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1656, dl. 4, na p. 8.
September - Plucking a Goose from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
Object type: print
Materials: paper, steel
Techniques: printmaking, etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Scarab ring
Object type: ring with scarab
Date: 1991 – 1450
Materials: silver, stone, metal
Techniques: glazing
Location: egypt
Subjects: scarabs
Seated actress leaning on table, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
[Two Bricklayers Holding Bricks and Trowels]
Object type: tintype
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits,tools
Les Cevenes
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Location: cévennes
Artist: Anonymous
Subjects: low hill country, forest, wood, brook
Gezicht op de Dôme des Invalides in Parijs, Frankrijk
Object type: stereoscopic photograph
Date: 1856 – 1890
Materials: glass, paper
Techniques: slide
Location: paris
Artist: Anonymous
Subjects: parts of church exterior and annexes: dome
Windsor Settee
Object type: windsor settee
Date: 1800 – 1850
Materials: wood
Culture: european
Marble statue of a fighting Gaul
Object type: statue of a fighting gaul, fragmentary
Materials: marble
Culture: greek

Said to be from Cerveteri, Italy. This figure can be identified by its trousers as one of the barbarian enemies that the Romans faced on their northern borders. The Celts or Gauls, a diverse array of tribes with a common culture, were settled in much of Europe and Germanic tribes inhabited the area beyond the Danube and the Rhine. Although all these peoples wore tight fitting trousers, this figure probably represented a Celt because of the carefully detailed sword belt suspended from his waist, with holes for a metal scabbard at the right side. We know from ancient literary descriptions and the archaeological evidence from tombs that the Celts were especially noted for their use of long cutting swords that hung at their right side from chain belts. The Celts harried the Mediterranean world intermittently from the late fourth century until they were subdued in Gaul by Julius Caesar in the midfirst century B.C. Famous statues of the barbarian warriors had been erected by the rulers of the Hellenistic city of Pergamon in western Asia Minor after their victories over invading Gallic tribes in the third century B.C. Those statues, preserved in Roman copies, represented the Gauls in the nude in various defensive or defeated poses. This work, which shows a fully dressed fighter in an attacking stance, was perhaps part of a monument commissioned from Greek sculptors by a Roman general who had been victorious in a campaign on the northern frontier.
Schetsboek XXIX met 44 pagina's
Object type: sketchbook
Date: 1875 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: clouds, street
Inscriptions: collector's mark: Lugt 2228

Schetsboek nr. XXIX bestaande uit 44 pagina's met straatgezichten, groepen mensen en een wolkenstudie.
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1601 – 1800
Materials: gold, iron, silver
Culture: japanese
Location: japan
Half Model of a 90-Gun Ship of the Line
Object type: ship model
Date: 1804 – 1804
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Subjects: piet hein (schip), de ruyter (schip), koninklijke hollander (schip), hollandais (schip)
Inscriptions: inscription, top centre, on a square black metal label: ‘ROTTERDAM’, label, bottom right: ‘280’ former inventory label

Gepolychromeerd mallenmodel (stuurboord) van een driemaster. Vijfendertig geschutpoorten verdeeld over drie dekken. Gewrongen spiegel, hol wulf, geen hek of zijgalerij; recht roer met vierkante roerkoning. De zeeg loopt op aan beide uiteinden, twee berghouten en één reehout. Het onderwaterschip is een flauwe S-spant. Schaal ca. 1:55 (afgeleid).