deem-data/ArtiFact huggingface dataset:
Six Armor Scales
Object type: six armor scale
Materials: fiber, iron, textile
Culture: spanish
Location: united states

These six scales come from a group of approximately three to four hundred recovered from a region of New Mexico that the Spanish explored and later colonized during the sixteenth and seventeenth centuries. Originally the scales would have been riveted in an overlapping pattern, like shingles, to the outside of a leather or textile jacket (traces of fiber, apparently wool, remain under some of the rivet heads). They are important because there is otherwise very little evidence for the use of scale armor in the New World. Scale armor was largely obsolete in Europe by the time of the colonization of the American Southwest. Scale armor is an extremely ancient form of defense, with surviving fragments from the Middle East dating as early as about 1700 B.C. In Europe variations of scale armor were used from the Roman period through the end of the Middle Ages. Full-torso armor of scale went out of fashion after the mid-fourteenth century A.D., but some scale armor continued to be made and worn in certain circumstances as late as the seventeenth century. The coat of scales from which this example may have come was probably outdated by several generations when it was brought to New Mexico, possibly on a Spanish expedition of the late sixteenth or early seventeenth century, or perhaps as trade goods as late as the eighteenth century.
Hollandse kraamkamer
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: bed with tester, cradle, crib, lying-in room
Inscriptions: collector's mark: Lugt 240

In de kraamkamer geeft een min de baby te eten, terwijl een andere vrouw toekijkt. Rechts ligt de moeder in een hemelbed. Naast haar zit haar man.
Portret van Paul Delaroche
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: engraving, etching
Subjects: paris, painter, draughtsman, sculptor, paul delaroche, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Studieblad, onder andere met figuren op een olifant
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples: indians, trunked animals: elephant

Tevens figuurstudies van Indiërs. Pagina 18 uit een schetsboek met 62 bladen.
Vrouw met kind op haar arm op de rug gezien
Object type: drawing
Date: 1800 – 1849
Materials: chalk, paper
Artist: Anonymous
Subjects: child, head-gear: cap, standing figure - aa - female human figure

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De 18de eeuw (de revolutietijd). Mannen en vrouwen.
Karikaturen
Object type: schetsblad
Date: 1841 – 1857
Materials: paper, pencil
Artist: johan daniël koelman
Artist role: draughtsman, print maker
Artist dates: 1831 – 1857
Subjects: caricatures (human types)
Joanna Diepenbrock in kinderwagen
Object type: photograph
Date: 1906 – 1906
Materials: photographic support
Techniques: collodion silver print, pasting
Location: netherlands
Subjects: amsterdam
Inscriptions: date: ‘1912.’

Foto op bruin albumblad 11 van familiealbum van Alphons Diepenbrock.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 334 – 301
Materials: terracotta
Culture: etruscan

Interior, hair, right shoulder, bent right arm, and part of the upper torso of a youth to right; Exterior, ornament?
Holland, from the Races of Mankind series (T181) issued by Abdul Cigarettes
Object type: print
Date: 1881 – 1881
Techniques: color lithograph
Artist: abdul cigarettes
Artist role: publisher
Artist nationality: american
Artist dates: 1881 – 1881
Subjects: women
Gevangenneming van Christus en Petrus hakt het oor van Malchus af
Object type: print
Date: 1705 – 1732
Materials: paper
Techniques: etching
Location: france
Subjects: peter draws his sword and cuts off malchus' ear, the arrest of christ ~ garden of gethsemane
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met zestig prenten met als thema het leven van Christus.
Clara St. Muir, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Proposed Colossal Statue of George Washington for the City of New York
Object type: print
Date: 1845 – 1845
Materials: stone
Techniques: lithograph
Artist: g. thomas
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: human figures,sculpture,george washington,trees
The Inn of Cervantés, Toledo
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: board, charcoal, paper, pastel
Techniques: heightening
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Portret van August Friedrich Wilhelm Sack
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving
Subjects: berlin, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
The Crowning with Thorns, from "The Passion of Christ"
Object type: print
Date: 1597 – 1597
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: men,christ

Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas’s prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius’s famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin. The Passion of Christ was extremely popular during Goltzius’s own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius’s own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius’s original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170).
Votive Pictures (Ema), from the series "A Selection of Horses (Uma-zukushi)"
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: printing block, woodblock print, surimono
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Compote
Object type: compote
Date: 1820 – 1835
Materials: glass
Techniques: glassblowing, cutting
Culture: american
Location: united states
Artist: bakewell, page & bakewell
Artist role: artist
Artist nationality: american
Artist dates: 1808 – 1882
Striker, Apache, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N36), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N36 reproduces the cards from N2 in a larger size.
Olifant met kind en drijver op Ceylon
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: platinum process
Location: sri lanka
Artist: Anonymous
Subjects: riding on animal other than horse, ass, or mule, trunked animals: elephant, sri lanka

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Koninklijke familie in de arrenslee, januari 1940
Object type: photograph
Date: 1940 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: gompers
Artist role: fotograaf
Subjects: the hague, print maker, wilhelmina of the netherlands, beatrix (koningin der nederlanden), juliana of the netherlands, parents with their children, horse-sleigh
Inscriptions: number: ‘331’, date: ‘H.K.H. Prinses Juliana, Prinses Beatrix, Koningin Wilhelmina Jan. '40’

Albumblad met een foto van de Koninklijke Familie in een arrenslee in de sneeuw in het Haagse Bos, 24 januari 1940. Onderdeel van fotoalbum over het familieleven van de leden van het Koninklijk Huis tussen 1937-1945.
Vouwwaaier met onversierd blad van zwarte moiré-zijde op ajour en in reliëf gesneden montuur van zwart gelakt hout
Object type: rouwwaaier
Date: 1880 – 1900
Materials: lacquer, metal, mother of pearl, silk, steel, wood
Techniques: cutting, embroidery, lacquer, weave
Location: netherlands
Artist: Anonymous

Vouwwaaier met onversierd dubbel blad van zwarte moiré-zijde op ajour en in reliëf gesneden montuur van zwart gelakt hout. Het montuur telt 18 benen met een gesneden bloemmotief. Het schijfje bij de stalen sluitpin is van zwart parelmoer, waaraan een zwarte metalen waaierring en een zwarte kwast.
Problem XXIIII: A Machine for a Moveable Galatea in a Grotto, in: Les Raisons des Forces Mouvantes, plate 32
Object type: book
Date: 1615 – 1615
Techniques: engraving
Location: germany
Artist: salomon de caus
Artist role: designer
Artist nationality: french
Artist dates: 1576 – 1626
Subjects: galatea

Salomon de Caus (1576–1626) was a unique figure in garden history. Trained as an architect-mathematician and hydraulic engineer, he was renowned not only for his garden designs with magnificent waterworks, but also for his many publications on topics relating to the arts and sciences. His most influential works include the Hortus Palatinus (1620) on his Heidelberg garden designs, and Les raisons des forces mouvantes (1615), setting out the principles of hydraulics on which the automata or trick fountains and water jokes in the seventeenth-century garden were based. Familiar with the waterworks in Italian Renaissance gardens (Villa d'Este, Tivoli, and Pratolino, Florence), ultimately derived from the just reissued works of Hero of Alexandria (first century A.D.), de Caus introduced hydraulics into the Northern European garden. His influence was widespread at the courts of the Southern and Northern Netherlands, Germany, and also England, where his younger brother Isaac de Caus worked. The print illustrated here shows one of de Caus's contrivances, consisting of a moving sculpted vessel with a figure of Galatea drawn by dolphins, which would greatly surprise—and probably completely soak—the innocent bystander. This and similar mechanical marvels were generated by concealed pipes creating forceful water jets and included acoustic devices which copied sounds of animals (chirping birds), as well as thunder, wind, and rain.
Portret van Joost van den Vondel op 84-jarige leeftijd
Object type: print
Date: 1657 – 1707
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: cologne, amsterdam, joost van den vondel
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2165

Portret van Joost van den Vondel op 84-jarige leeftijd. Onder het portret een vers van vier regels in het Nederlands door G. Brandt.
Nederlandse 5 gulden,1912
Object type: vijf gulden
Date: 1912 – 1912
Materials: gold
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Gouden munt. Voorzijde: gedrapeerd borstbeeld met diadeem naar rechts. Keerzijde: tussen waarde-aanduiding 5 G gekroond rijkswapenschild. Jaartal onderaan in omschrift. Kartelrand.
Mug
Object type: mug
Materials: stoneware
Techniques: salt glaze
The Butcher's Dog
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: buildings,dogs,butchers
Hollandsch waterzootie: vervat in een brief van een Hollander aan zyn Vriend: en strekkende tot een tegengeregt aan een Spaansche Ogliopodrido
Object type: brochure
Materials: cardboard, paper
Techniques: printing, sewing
Location: zaandam

78 genummerde pp, ingenaaid maar omslag voor en op de rug ontbreekt.
Band with Cross and Short-legged Aquatic Birds
Object type: textile fragment
Date: 401 – 700
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: birds

This finely worked band includes a cross among its varied pattern. While Egyptian textiles with religiously significant motifs are relatively rare, crosses may have been meant to associate the owners with their Christian faith. On this band a tall cross is decorated as if covered with jewels in a technique called the flying shuttle. The plump aquatic birds and curling wave patterns may refer to the Nile, the source of all abundance in Egypt. The red and white braid to the far right identifies the band as part of the decoration extending from the neck of a tunic.
Portret van abt Luigi Polidori
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Subjects: abbot, historical persons
Inscriptions: collector's mark: Lugt 2228
Liggende vrouw, met op de achtergrond twee paarden
Object type: drawing
Date: 1891 – 1941
Materials: paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: lying on one side, with uplifted upper part of the body and leaning on the arm - aa - female human figure, horse
Inscriptions: collector's mark: Lugt 2228
The Actor Ichimura Uzaemon IX as Araoka Hachiro in the Play Sakimasu ya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778
Object type: print
Date: 1778 – 1778
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Portret van Claude Bouthillier
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving
Artist: grégoire huret
Artist role: print maker
Artist dates: 1606 – 1670
Subjects: paris, heart symbolism, fidelity; 'fedeltà' (ripa), wisdom; 'sapienza', 'sapienza humana', 'sapienza vera' (ripa), historical persons
Inscriptions: collector's mark: Lugt 240

Dit betreft de bovenste helft van een gravure voor de thesis van Antoine de Bretagne (zie British Museum, inv.nr. 1928,0313.356).
Gezicht op de Boulevard des Italiens in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), street
Inscriptions: inscription: ‘Boulevard des Italiens’
Suit
Object type: suit
Date: 1867 – 1867
Materials: wool
Culture: american
Deksel van vaas
Object type: lid
Date: 1774 – 1784
Materials: porcelain
Location: loosdrecht
Walking Bull
Object type: statuette
Materials: bronze
Artist: rosa bonheur
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1899
Subjects: bulls
Portret van Christine Keyser Temmink
Object type: carte de visite
Date: 1860 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: bernardus bruining
Artist role: fotograaf
Artist dates: 1834 – 1900
Subjects: historical persons, leiden
Inscriptions: annotation: ‘Christine Keyser-Temmink’, workshop stamp: ‘B. Bruining. Leyden’
Le Rêve de Mr Thiers
Object type: photograph
Date: 1870 – 1877
Materials: cardboard, paper
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: marseille, adult man, dream, france
Inscriptions: inscription: ‘Le Rêve de Mr Thiers’, inscription: ‘Photomontage/ politique’
Molineux Rifles, Brooklyn, New York Militia, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Begrafenisoptocht van keizer Karel V, 1558
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: philip ii of spain, ghent, charles v (holy roman emperor and king of spain), cortege, funeral procession, brussels

Vier edelen die deelnemen aan de optocht, waaronder Filips II. Onderdeel van de prentreeks van de Begrafenisoptocht van keizer Karel V op 29 december 1558 te Brussel.
Portret van Henri Dillens
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: etching, intaglio
Artist: albert dillens
Artist role: print maker
Artist dates: 1844 – 1915
Subjects: ghent, brussels, painter, print maker, draughtsman, henri dillens, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Scheiding van Napoleon en Joséphine
Object type: print
Date: 1840 – 1905
Materials: paper
Techniques: engraving, etching
Artist: françois de meersman
Artist role: print maker
Artist dates: 1830 – 1905
Subjects: joséphine de beauharnais, napoleon i (emperor of the french), divorce, throne-room
Inscriptions: collector's mark: Lugt 2228, inscription: ‘2 me état’

Napoleon verbrak het huwelijk tussen hem en Joséphine in 1809 omdat het huwelijk kinderloos bleef. Hij hertrouwde in 1810.
Zakdoek van batist rondom afgewerkt met kloskant met in elke hoek een denneappelvormig cartouche met rozetbloempje
Object type: handkerchief
Date: 1890 – 1890
Materials: textile, cotton
Techniques: lace, weave

Zakdoek van naturelkleurige batist rondom afgewerkt met naturelkleurige kloskant: fijn Brugs bloemwerk. Symmetrisch patroon met in elke hoek een denneappelvormige cartouche met daarin een rozetbloempje op een lange rechte steel met twee paar ovale bloembladeren. Langs elke zijde vier aan elkaar geschakelde c-voluten met een zigzag-lijn erin. In het midden van elke zijde wordt het raakpunt van twee c-voluten bekroond door een bloem met drie ovale bloembladeren. De bloem wordt geflankeerd door twee ronde bloemen met vele opengewerkte bloemblaadjes, boogjes, rondom. Zeven van deze ronde bloemen met boogjesblaadjes vormen de schulpenrand rond elke hoek om de cartouches heen. De motieven zijn gemaakt in linnenslag met opengewerkte randjes en zijn voorzien van dikke contourlijnen. De nerven van bladeren zijn gemaakt met uitsparingen waarin overstekende paren te zien zijn. De schulpenrand is afgewerkt met picots.
Portret van Sophie van Württemberg
Object type: print
Date: 1839 – 1868
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: the hague, sophia frederika mathilda van württemberg

Portret van Sophie. In de ondermarge haar naam en titel in het Frans.
Basreliëf op het pendopo voetstuk aan de noordzijde van Candi Panataran.
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Candi Panataran (Temple Complex), Pendopo Terrace, unidentified reliefs 44-46 (inscription above no. 45 reads tuturan), north side. Panataran, Blitar district, East Java province, 1375 AD
Miraculous fountain
Object type: print
Date: 1890 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: fountains,boys,men,women
History of the old Trent bridge with a descriptive account of the new bridge, Nottingham
Object type: book
Date: 1871 – 1871
Materials: linen, paper, photographic support
Techniques: albumen print
Location: nottingham
Artist: marriott ogle tarbotton
Artist role: engineer
Artist dates: 1834 – 1887
Bracelet, gilded bronze
Object type: bracelet, gilded bronze
Date: 3900 – 100
Materials: bronze, gold
Culture: cypriot
Portret van Johannes Sambucus
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: johannes sambucus, scholar, philosopher, historical persons
Geuzenpenning met napje en kalebasjes
Object type: copy
Date: 1800 – 1900
Materials: silver
Techniques: casting, forging
Location: low countries
Artist: Anonymous
Subjects: philip ii of spain, spain

When in 1566 several hundred Dutch noblemen petitioned the Spanish authorities for greater tolerance in matters of religion, they were ridiculed as 'gueux': beggars. In response, they took the French name 'gueux' (vulgarised to 'geuzen') as a symbol of honour and wore a beggar's badge on their clothes. These were tokens that town authorities gave to beggars to show that they were legally allowed to beg. The crescent shape of the medals and the text around the edge 'Better Turkish than Papish' had several connotations. Turks had a reputation for cruelty; but they were also known for their tolerance to other religions. Moreover, the Islamic Turkish Empire was at war with Catholic Spain. Apart from badges, the Geuzen also carried small wooden begging bowls and flasks, reminiscent of the pilgrims who lived by begging.
Boomstudie
Object type: drawing
Date: 1780 – 1855
Materials: chalk, ink, paper, watercolor
Techniques: brush, pen
Artist: jan dasveldt
Artist role: draughtsman, print maker
Artist dates: 1770 – 1855
Jacob and Rachel at the Well
Object type: drawing and watercolor
Materials: charcoal, graphite, ink, paper
Techniques: brush, pen, drawing, wash
Location: italy
Artist: after marcantonio franceschini
Koeien in een weiland bij enkele knotwilgen
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: cow, trees: willow

Blad 15 recto uit een schetsboek met 33 bladen.
Headband or Belt Fragment
Object type: costume and accessory
Culture: inca
Location: peru
Roundel
Object type: roundel
Date: 201 – 400
Materials: linen, wool
Techniques: embroidery, weave
Location: egypt
Gezicht op een boot op het IJ
Object type: tissue stereograph
Date: 1855 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Location: ij
Artist: Anonymous
Subjects: traffic on the water
Inscriptions: inscription: ‘Op het IJ. Amsterdam’
A "Negro" Regiment in Action (from "Harper's Weekly")
Object type: print
Techniques: engraving
Artist: thomas nast
Artist role: artist
Artist nationality: american, born germany
Artist dates: 1840 – 1902
Subjects: battles,soldiers,american civil war
Portret van een oude vrouw met boek
Object type: album leaf
Date: 1865 – 1881
Materials: cardboard, photographic support
Techniques: albumen print
Location: haarlem
Artist: pieter voet
Artist role: goldsmith
Artist dates: 1831 – 1907
Subjects: historical persons - bb - woman, old woman
Inscriptions: inscription: ‘Photographisch Atelier/ P. Voet/ Klein Heiligenland 484/ Haarlem’
Genova. Galleria Mazzini
Object type: album leaf
Date: 1880 – 1893
Materials: paper
Techniques: albumen print
Location: genoa
Artist: alfredo noack
Artist role: fotograaf
Artist dates: 1833 – 1895
Subjects: gallery (spacious corridor)
Inscriptions: number: ‘742.’
The actor Ichikawa Ebizo V as Asahina Tobei
Object type: print
Date: 1841 – 1841
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Square Seal with Knob In the Shape of Three Felines
Object type: seal
Date: 1701 – 1800
Culture: chinese
Subjects: animals