deem-data/ArtiFact huggingface dataset:
Deksel van een martavaan uit V.O.C.-schip de 'Witte Leeuw'
Object type: martavaan
Date: 1613 – 1613
Materials: earthenware
Location: southeast asia
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

An earthenware cover. The round cover have a concave base and usually a knob on top. The clay is orange red, brown, grey or cream-coloured and contains impurities. The inside of the covers show signs of scratches indicating that a sharp tool has been used to even out the clay. The body is coloured greyish-brown with white specks. On the top a conical shaped knob.
Prick Spur (Right)
Object type: spur
Date: 1201 – 1300
Materials: copper alloy, gold, tin
Culture: german
Location: germany

The prick spur was the first type of spur to be invented, and it consists of a goad or prick, more or less pointed, connected to side arms or a heel plate. The earliest spurs were probably simple thorns attached at the back of the heel, before they started to be made out of metal in antiquity. Prick spurs were the main type of spurs used in the Middle Ages until the mid-14th century, when they were supplanted by rowel spurs, which appeared in Europe a century before and with which they had cohabitated for a time. As a knight’s status was closely related to his horse, spurs became one of the symbols of chivalry, and one of the tokens given to him during his knighting.
Larkell, from the Actors and Actresses series (N45, Type 7) for Dixie Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 7), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three kylix handles with part of handle palmettes; two handles are complete
Achtergevels van woningen aan een rivier in Batavia
Object type: print
Date: 1921 – 1921
Materials: paper
Techniques: aquatint, etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: urban housing, canals, waters (in city), batavia
Heilige Benedictus van Nursia
Object type: print
Date: 1590 – 1612
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: boëtius adamsz. bolswert
Artist role: print maker
Artist dates: 1580 – 1633
Subjects: benedict of nurcia, abbot of monte cassino and founder of the benedictine order; possible attributes: aspergillum, book, cup (sometimes broken), raven with loaf, sieve (or tray)
Inscriptions: collector's mark: Lugt 240

Prent uit: Ad sacrum speculum recurris? ... patribus dat ales, geen plaats, Boëtius Adamsz. Bolswert, 1612. Tweede ongebonden uitgave met in totaal vijftig prenten. Prent uit serie van drieentwintig mannelijke kluizenaars. In 1619 verscheen een gebonden editie maar op basis van de gewijzigde opschriften en samenstelling wordt aangenomen dat deze prenten ook in 1612 of iets daarvoor gedrukt werden. Roethlisberger beschouwt de uitgave van 1619 als de eerste staat en de ongebonden editie van 1612 als de tweede staat (Roethlisberger 1993, p. 171, 172).
Portret van Andreas van Oostenrijk
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: watermill, insignia of cardinal, e.g. hat, mantle
Inscriptions: collector's mark: Lugt 2228, number: ‘22. - 48.’

Portret van Andreas van Oostenrijk, kardinaal-deken en plaatsvervangend gouverneur-generaal van de Zuidelijke Nederlanden. Hij heeft een commandostaf in de hand. Op de achtergrond een landschap met een watermolen. In de marge een vijfregelig onderschrift in het Latijn.
Wall tile
Object type: wall tile
Date: 1601 – 1700
Materials: earthenware
Techniques: glazing
Subjects: profiles,women
Pieces (2)
Object type: piece
Date: 1801 – 1900
Materials: cotton, metal thread, silk
Subjects: leaves
Long Live the Chains! (Vivan las caenas [cadenas])
Object type: drawing
Date: 1807 – 1845
Materials: ink
Techniques: pen
Artist: leonardo alenza y nieto
Artist role: artist
Artist nationality: spanish
Artist dates: 1807 – 1845
Subjects: spears,men,women
Midnight Revel (Le Réveillon)
Object type: print
Date: 1851 – 1900
Techniques: aquatint, burnishing, drypoint, etching, roulette
Artist: félix-hilaire buhot
Artist role: artist
Artist nationality: french
Artist dates: 1847 – 1898
Zeeslag, met links een driemaster
Object type: drawing
Date: 1797 – 1838
Materials: paper, pencil
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat, battle (+ naval force)
1st Base, from the Girl Baseball Players series (N48, Type 2) for Virginia Brights Cigarettes
Object type: baseball card, photograph
Date: 1886 – 1886
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,baseball,athletes

Trade cards from the "Girl Baseball Players" series (N48), issued in 1886 by Allen & Ginter to promote Virginia Brights and Dixie Cigarettes. There are two types of card in the series. Type 1 shows a female baseball player in a uniform with a polka dotted bib, and most often the cards are numbered. Type 2 depicts a female baseball player in a standard uniform with her player position noted on the image.
Portret van Émile de Marcère
Object type: photomechanical print
Date: 1873 – 1880
Materials: paper
Techniques: woodburytype
Artist: pierre petit
Artist role: fotograaf
Artist dates: 1832 – 1909
Subjects: politician, historical persons, politician, e.g. party leader
Portret van Lodewijk de Geer
Object type: drawing
Date: 1810 – 1852
Materials: chalk, paper
Artist: louis henri de fontenay
Artist role: draughtsman, print maker
Artist dates: 1800 – 1872
Subjects: historical persons
Face Amulet
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Subjects: faces
Theatervoorstelling
Object type: sketchbook leaf
Date: 1930 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: group of actors, troupe; actors on the stage, the audience ~ art performance, conductor ~ music

Twee acteurs op het toneel. Voor het toneel de dirigent in de orkestbak. Op de voorgrond toeschouwers. Mogelijk in Theater Scala te Den Haag. Pagina 13 uit schetsboek XXXVIII met 45 pagina's.
Watch
Object type: watch
Date: 1630 – 1670
Materials: enamel, leather, silver
Artist: paul roumieu
Artist role: maker
Artist nationality: french
Artist dates: 1594 – 1694
Subjects: flowers
Zeven deelkaarten betreffende het beleg van Den Bosch in 1629
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: delft, the hague, frederick henry (prince of orange), maps of separate countries or regions, fortifications, military engineering, den bosch

Kaart van het legerkwartier van de graaf van Solms met een vloot op de Dieze. Linksboven op de kaart de watermolens. Linksonder twee details met de twee typen molens. Onderdeel van het beleg van Den Bosch door het Staatse leger onder Frederik Hendrik, van 1 mei tot 17 september 1629. Opschriften in de voorstelling in het Frans en Nederlands. Behoort waarschijnlijk bij de grote kaart van het beleg.
Recueil de XII costumes Suisses civils et militaires, hommes et femmes, du seizième siècle
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: basel
Subjects: dress, gown: court gown or court dress, clothes, costume, switzerland
Inscriptions: collector's mark: Lugt 2228

De serie behoort tot de 4-delige publicatie 'Oeuvre de Jean Holbein', Bazel 1780-1795, door Christian von Mechel.
Portret van Cornelis Boey
Object type: drawing
Date: 1650 – 1749
Materials: paper
Techniques: brush
Artist: Anonymous
Subjects: the hague, cornelis boey, historical persons, portrait of a writer
Heilige Familie met vink
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching
Location: france
Artist: simon vouet
Artist role: draughtsman, print maker
Artist dates: 1590 – 1649
Subjects: holy family, and derived representations, song-birds: finch
Inscriptions: collector's mark: Lugt 240

Dit betreft de enige ets die Vouet zelf vervaardigde.
The cabinet-makers' London book of prices, and designs of cabinet work, calculated for the convenience of cabinet makers in general, whereby the price of executing any piece of work may be easily found
Date: 1793 – 1793
Location: london
Artist: london society of cabinet makers
Artist role: author

The first edition of the London Book of Prices (1788) contains twenty engraved furniture designs, three of anonymous authorship and seventeen by Thomas Shearer, a little-known individual who may have been a journeyman. The revised 1793 edition had nine additional designs, six signed by Hepplewhite and three by William Casement. It was reissued, virtually unchanged, in 1803. The revised London price book appeared shortly after publication in New York, Philadelphia, and Charleston. This volume was the model for several similar guides published in New York (1796 with eight subsequent versions by 1835) and Philadelphia (1794 with four subsequent versions). The designs in the London Book of Prices were for furniture forms in common production and the accompanying prices listed were charges for standard forms and extras agreed upon by both master cabinetmakers and the journeymen they employed. The designs in the London Book of Prices were probably less influential on American furniture than the concept of the price book as a labor agreement, although some American furniture forms generally appear to be adapted from this book.
Vork met het helmteken Clifford
Object type: fork
Date: 1832 – 1832
Materials: silver
Location: amsterdam
Artist: hendrik helweg
Artist role: silversmith
Artist dates: 1802 – 1858
Inscriptions: alloy mark: ‘leeuw 1ste gehalte’, date letter: ‘X (=1806)’, maker's mark: ‘HH onder anker in vierkant’, hallmark: ‘Minervakop met A (keurkamer Amsterdam)’

De viertandige vork is aan zowel boven- als onderzijde door middel van enkel lof verbonden met de platte, gebogen steel, die zich verbreedt naar het spatelvormige uiteinde. Boven- en onderzijde van de steel worden omgeven door een dubbele filetrand, die bij het uiteinde ingezwenkt is. Op de onderzijde van de spatel is het helmteken Clifford gegraveerd.
Allegorische voorstelling ter gelegenheid van het huwelijk van David Leeuw van Lennep en Hester Barnaart
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: (story of) hymen(aeus), (story of) juno (hera), marriage, married couple, 'matrimonium', (story of) cupid, amor (eros), (story of) venus (aphrodite)
Inscriptions: collector's mark: Lugt 2233

Allegorische voorstelling ter gelegenheid van het huwelijk van David Leeuw van Lennep en Hester Barnaart te Haarlem op 25 mei 1723. De echtgenoot wordt door Hymen naar het huwelijksbed gebracht, waar zij hem licht afweert. Juno, als beschermster van de vrouwen, en Venus, als godin van de liefde, zitten boven op een wolk. De voorstelling is gevat in een ornamentele lijst. Onder de stroomgoden van het IJ en het Spaarne. Handelswaar, schepen en de handelsgod Mercurius geven de bezigheden van het echtpaar als kooplieden weer. Onder de voorstelling het devies: Ira Cedit, Favet Dum Hymen Amori.
The Rest on the Flight into Egypt
Object type: painting
Date: 1537 – 1540
Materials: oil, wood
Artist: jan massys
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1504 – 1573
Subjects: grapes,madonna and child

This depiction masterfully demonstrates advances in the development of new genres of painting in the 1530s in Antwerp, namely landscape and still-life, and the introduction of figural motifs derived from the works of Leonardo da Vinci. Increasingly characteristic was a division of labor in workshops where one artist—Jan Massys—painted the figures, and another—the Master of the Liège Disciples at Emmaus—added the landscape.
Uitnodiging voor een expositie in Galerie Grandhomme te Parijs
Object type: invitation
Date: 1914 – 1914
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul-emile colin
Artist role: print maker
Artist dates: 1867 – 1949
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Op verso zijn de namen van de deelnemende kunstenaars vermeld.
Result of the Demolishing of Buildings in Paris. “- After all, this is where I used to live.... and I can't even find my wife anymore,” plate 55 from Actualités
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Telefonerend meisje met pop
Object type: drawing
Date: 1892 – 1947
Materials: ink, paper, pencil
Techniques: pen
Artist: gijsbertus johannes van overbeek
Artist role: draughtsman
Artist dates: 1882 – 1947
Subjects: telephone, girl (child between toddler and youth), (playing with) dolls
Inscriptions: number: ‘II’, collector's mark: Lugt 2228, :
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Waistcoat
Object type: waistcoat
Date: 1801 – 1833
Materials: silk, wool
Culture: british
Preekstoelen
Object type: sketchbook leaf
Date: 1837 – 1921
Materials: ink, paper, pencil
Techniques: pen
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: pulpit, ambo, chancel

Blad 11 verso uit een schetsboek met 23 bladen.
A Left Foot
Object type: painting
Date: 1770 – 1825
Materials: linen, oil
Techniques: brush
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825
Subjects: foot
Scènes de la vie parisienne
Object type: stereograph
Date: 1870 – 1890
Techniques: albumen print
Location: paris
Artist: eugène hanau
Artist role: publisher
Subjects: 42d262
Portret van Wouter Hugo Tienruyter
Object type: album leaf
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: wilhelm gerardus baer
Artist role: fotograaf
Artist dates: 1866 – 1938
Subjects: adult man, historical persons
Inscriptions: name: ‘Wouter Hugo Tienruyter’
The South African Medal, Issued for the Campaigns of 1877–79
Object type: medal
Date: 1879 – 1879
Materials: bronze
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: profiles,women,lions
Portret van een kind op een stoel met een hoepel
Object type: carte de visite
Date: 1892 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: bremen
Subjects: historical persons, (bowling a) hoop, tot, toddler ~ the ages of man
Inscriptions: inscription: ‘Müller & Pilgram/ Emil Tiedemann Nachf./ Bremen/ Richtweg 12, parterre./ Fernsprecher No. 984./ Vergrösserungen bis zur Lebensgrosse nach/ jedem, noch so stark verblichenen Bilde/ in Schwarz, Pastell, Aquarell und Oel.’, name: ‘Oscar’
Inscribed relief fragment from the shrine of a royal woman within the temple of Mentuhotep II
Object type: relief, nebhepetre mentuhotep's wife, shrine
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt
Subjects: hieroglyphs

This piece features part of an inscription in sunk relief. On the underside is part of a cavetto (a finishing element at the upper edge of a wall or door), indicating that this inscription originally sat at the very top of the chapel wall.
Gezicht op Suez
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: antwerp
Subjects: spring, source of river or stream
Inscriptions: collector's mark: Lugt 971, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op de stad Suez. Op de achtergrond de Rode Zee. Op de voorgrond een waterput waar een karavaan zich bevoorraadt. De prent heeft een Nederlands onderschrift met verwijzingen naar gebouwen en plaatsen op de prent.
Portrait of Pietro Angela da Barga, bust-length and in a decorative border
Object type: print
Date: 1570 – 1615
Techniques: engraving
Artist: cherubino alberti (zaccaria mattia)
Artist role: artist
Artist nationality: italian
Artist dates: 1553 – 1615
Subjects: men,portraits
Straatverkoper met kammen en naalden
Object type: drawing
Date: 1789 – 1859
Materials: ink, paper
Techniques: brush, pen
Artist: pieter de goeje
Artist role: draughtsman, print maker
Artist dates: 1789 – 1859
Subjects: street-trader
Tea Caddy
Object type: tea caddy
Date: 1770 – 1830
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,coat of arms
Brief aan Jan Veth
Object type: letter
Materials: ink
Techniques: pen, writing
Location: weltevreden
Artist: jean pierre moquette
Artist dates: 1856 – 1927
Subjects: den bosch, leiden, engineer, dordrecht, amsterdam, painter, draughtsman, designer, jan veth, gerret pieter rouffaer, historical persons (portraits and scenes from the life), java
Inscriptions: collector's mark: ‘RPK’
Figure ( Ti'i)
Object type: figure
Date: 1801 – 1833
Materials: stone
Culture: maohi
Location: tahiti
Subjects: human figures
Gezicht op de Boboli-tuinen te Florence
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: giardino di boboli
Artist: Anonymous
Subjects: obelisk, needle, french or architectonic garden; formal garden
Inscriptions: inscription: ‘Vues d'Italie’, inscription: ‘Jardins Boboli Florence’, number: ‘43’
Palais des Tuileries Incendié. Grande Façade Coté des Jardins
Object type: photograph
Date: 1871 – 1872
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: alphonse-justin liébert
Artist role: fotograaf, marinier
Artist dates: 1827 – 1914
Subjects: ruin of a building ~ architecture, palace, tuileries palace
Inscriptions: number: ‘(No. 7)’, address: ‘31, Rue St. Lazare’
Chair Strip with Dragons
Object type: chair strip
Date: 1701 – 1800
Materials: silk
Techniques: embroidery
Culture: chinese
Subjects: dragons
Portret van een onbekende jongen
Object type: photograph
Date: 1880 – 1890
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: anonymous historical person portrayed
Print
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: weapons,men,trees
Études d'animaux
Object type: stereograph
Date: 1857 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: horse, france
Inscriptions: inscription: ‘No VI A:W: Thöne No 19.’, number: ‘No 6’
Hairpin with Vine Scroll, Blossoms, Leaves, and Birds
Object type: costume and accessory
Materials: gold
Techniques: chasing, hammering, repoussé
Location: china
Engelenburcht te Rome met links een deel van de Engelenbrug, Italië
Object type: photograph
Date: 1852 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Subjects: castle, river, bridge
Inscriptions: number: ‘Pe. Ia. No. 6058.’

Op de achtergrond is de koepel van de Sint Pieter te zien.
The Sacrifice of a Ram; naked man at right guiding a ram towards an altar pyre, hooded priest at left with a young attendant
Object type: print
Date: 1515 – 1527
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: men,male nudes,rams,trees
Ansichten von Deutschland
Object type: stereograph
Date: 1869 – 1872
Materials: cardboard, paper
Techniques: albumen print
Location: magdeburg
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: bridge
Inscriptions: number: ‘No 41.’
Hendrik Danielsz. Hooft, burgemeester van Amsterdam
Object type: insignia
Date: 1787 – 1787
Materials: silver
Techniques: casting, engraving, fastening
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, mayor, hendrik danielsz. hooft

Zilveren ovale draagteken met kabelrand aan draagoog. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift; op keerzijde zijn nog twee nagels zichtbaar, waarmee voor- en keerzijde aan elkaar zijn bevestigd
Figurine of a Composite Animal
Object type: figurine, composite animal
Materials: marble
Subjects: animals
Henri d'Albret (1503–55), King of Navarre
Object type: plaque
Date: 1556 – 1556
Materials: copper, enamel
Techniques: gilding, painting
Artist: léonard limosin
Artist role: artist
Artist nationality: french
Artist dates: 1505 – 1577
Subjects: men,portraits

Léonard Limosin was the greatest enamel painter working in the style of the School of Fontainebleau, Italian Mannerists and French artists active at the French court from about 1530 to 1570. Limosin's enameled portraits are numerous, and he has been ranked, along with Jean Clouet (1486–1540) and Corneille de Lyon (before 1500–1574), as the best portrait painter of Renaissance France. This plaque, one of at least six based on a drawing attributed to Limosin (Bibliothèque Nationale, Paris), portrays the brother-in-law of the French king, François I (1497–1547), who ruled the independent kingdom of Navarre from 1518 until 1555.
Graven van nieuw zoutwaterkanaalvak op Totness
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘A11 / Graven van nieuw zoutwaterkanaalvak op Totness.’

Een grote groep arbeiders ingezet bij de graafwerkzaamheden voor een nieuw stuk van het zoutwaterkanaal van Totness. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Wisseling van de wacht voor Buckingham Palace
Object type: photograph
Date: 1906 – 1932
Materials: paper
Techniques: gelatin silver print
Location: london
Artist: Anonymous
Subjects: changing the guard
De dodelijke val van Willem III tijdens een jachtpartij, 1702
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), hunting accidents

De dodelijke val van koning Willem III tijdens een jachtpartij, 4 maart 1702. De koning zittend op de grond wordt door omstanders overeind geholpen, achter de koning zijn paard. In het onderschrift twee regels tekst. Op het blad onder de plaat een tekst in twee kolommen.
Ex libris voor Dora Calisch-Hijmans
Object type: print
Date: 1886 – 1899
Materials: paper
Techniques: woodcut
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: arnhem, amsterdam, letter combinations such as letterword, anagram, letter square, monogram, etc.
Inscriptions: collector's mark: Lugt 2228

Onder de letters 'C' en 'H' de tekst 'Comprendre, c'est le reflet de créer' van de Franse schrijver Auguste Villiers de L'Isle-Adam.
Sorrento - Panorama
Object type: photograph
Date: 1954 – 1954
Materials: paper
Techniques: gelatin silver print, writing
Location: sorrento
Artist: vincenzo carcavallo
Artist role: publisher
Subjects: gulf, bay, village, sorrento
Inscriptions: poststempel, verso, gestempeld
Empress Theodora and Members of Her Court
Object type: mosaic
Date: 1901 – 1933
Materials: glass, stone
Culture: byzantine
Subjects: men
Venus Marina, Cupid at Her Side
Object type: cameo
Date: 1820 – 1830
Materials: gold, onyx
Artist: benedetto pistrucci
Artist role: artist
Artist nationality: italian
Artist dates: 1783 – 1855
Subjects: cupid,venus