deem-data/ArtiFact huggingface dataset:
Broad Collar
Object type: broad collar, necklace, falcon terminal
Date: 1479 – 1425
Materials: gemstone, glass, gold, obsidian
Location: upper egypt, thebes
Subjects: falcons

By the New Kingdom, broad collar necklaces were the most frequently worn pieces of jewelry among the royalty and elite in ancient Egypt. This necklace belonged to one of three foreign wives of Thutmose III. The king's name is inscribed on the backs of the falcon-headed terminals indicating that it was a gift from him to his wife.
Zeshoekig reliëf met een portret op een houder met leeuwenpoten
Object type: photograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: pompeo pozzi
Artist role: fotograaf
Artist dates: 1817 – 1880
Subjects: portrait, self-portrait of sculptor, ornament derived from plant forms, sculpture (+ relief ~ sculpture), europe
Inscriptions: name: ‘FOTOGRAFIA ARTISTICA P.POZZI MILANO’, collector's mark: Lugt 3937
Zeughaus - Berlin. Uniformfiguren
Object type: photomechanical print
Date: 1905 – 1905
Materials: cardboard
Techniques: photograph
Location: berlin
Artist: Anonymous
Subjects: permanent exhibition, museum
Inscriptions: date
Relief plaque with birds on both sides
Object type: relief, plaque, sculptor's model, donation, bird
Date: 400 – 30
Materials: limestone
Location: egypt
Subjects: birds

Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves complete objects constitute a special class of objects. These objects, sometimes called "sculptor's models/votives" by Egyptologists, were the material of a donation practice, perhaps connected with these centuries' prolific temple building. Unfortunately, there is little to illuminate us about the mechanics of such a donation practice. This example depicts a swallow on one side, and possibly a quail chick on the other.
Bust of an old bearded man, looking down, three quarters right
Object type: print
Date: 1640 – 1706
Materials: paper
Techniques: etching
Location: germany
Artist: michael willmann
Artist role: draughtsman, print maker
Artist dates: 1630 – 1706
Subjects: old man, eyes closed, beard
Inscriptions: collector's mark: Lugt 2028, inscription: ‘wordt toegeschreven aan Salomon Koninck’
Forum Modernis Aedifichs
Object type: album leaf
Date: 1606 – 1607
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ornamental fountain (in village), village square, place

Stadsplein met links een kerk, rechts een gebouw met zuilenportaal en in het midden een fontein. Verschillende figuren lopen op het plein. Rechtsonder: LL. Prent maakt deel uit van een album.
Savanah, Georgia No. 2
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: american civil war,rivers
Amenhotep III with nemes headdress
Object type: head, amenhotep iii, nemes
Date: 1390 – 1352
Materials: granite
Location: egypt
Subjects: heads,men
Medallion of the Marquis de Lafayette
Object type: medallion
Date: 1775 – 1883
Materials: porcelain
Culture: french
Location: france
Subjects: men,profiles,marquis de lafayette
Effigies Reverendi admodum viri, Johannis Wilkins, nuper Episcopi Cestriensis
Object type: print
Date: 1672 – 1678
Materials: paper
Techniques: engraving
Location: london
Subjects: archbishop, bishop, etc. (roman catholic)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Juno
Object type: drawing
Date: 1701 – 1800
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: birds,putti,juno,chariots
The True Peace Commissioners
Object type: print
Date: 1865 – 1865
Techniques: lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: satire,soldiers,american civil war,abraham lincoln,men

Currier & Ives, premier publishers of inexpensive popular prints in the nineteenth century, distributed several political cartoons related to the Civil War. In this pro-Union image, Confederate leaders General Robert E. Lee and Jefferson Davis stand back-to-back in the center of the composition, attempting to ward off attacks by Union officers Philip H. Sheridan, Ulysses S. Grant, David G. Farragut, and William T. Sherman. The illustration represents the opinion of the War Democrats, supporters of the war, in response to what many considered to be false peace overtures from the South. It also criticizes the party’s other leading faction, the Peace Democrats, who pushed for a reconciliation between the North and South.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 351
Materials: terracotta
Culture: greek, attic
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: brygan
Artist role: artist

Interior, lower drapery and feet of a male to right; lower drapery of a second figure?
Statuette of Isis with the infant Horus, dedicated by Ankhhor, son of Perekhbanebdjedet and Heretib
Object type: statuette of isi with the horus child, ankhhor
Date: 733 – 525
Location: egypt
Subjects: horus,isis,nursing

Isis nursing her son Horus is one of the most popular images of this protective goddess. With one hand she is supporting her child while offering her breast to him to suckle with the other. Isis was the sister-wife of the god Osiris. She is one of the main protagonists in the Osiride myth that tells of the murder of Osiris and the birth of their son Horus, then Horus' triumphal avenging of his father. According to this myth Isis was able to revive Osiris after he had been killed by his brother Seth and she became pregnant with their son Horus. After Horus’ birth, Isis nurtured her child and protected him from Seth and other dangers. Due to his mother’s care and great magical power Horus overcame all dangers and grew up to avenge his father and claim his right as the heir to the throne. On the base of this statuette is a hieroglyphic inscription that expresses the hope that Isis will give life and health to Ankhhor, who must have been the person who dedicated the statuette to the goddess Isis. The name Ankhhor was very popular in the Late Period and means "Horus lives." With such a name it was very appropriate for Ankhhor to wish for the protection of Isis, who was the mother of Horus. Ankhhor probably gave this statuette as a gift to a shrine for this goddess.
Portret van Simón Bolívar
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: etching
Location: lima
Subjects: politician, historical persons, politician, e.g. party leader, officer
Inscriptions: collector's mark: Lugt 2228

Tekst in het Spaans in de ondermarge. Een facsimile signatuur in de ondermarge.
Johan de Witt in een roeiboot op het Spaanse gat
Object type: book illustration
Date: 1805 – 1805
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, politician, johan de witt

Proefdruk van een boekillustratie gebruikt in: Loosjes Pietersz., Adriaan. Johan de Witt. Raadpensionaris van Holland. Haarlem: A. Loosjes, 1805.
Inlay, ankh with was scepters
Object type: inlay
Date: 100 – 100
Materials: glass
Location: egypt

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards.
La Cuisine en Plein Air
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Artist: jules gervais-courtellemont
Artist role: fotograaf
Artist dates: 1863 – 1931
Subjects: adult woman, adult man, cooking food - cc - in the open air
Acht klassieke goden
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: (story of) pluto (hades), dis pater, orcus
Inscriptions: collector's mark: Lugt 240

Pluto, staand in een nis, een brandende toorts in zijn handen. Deze prent is onderdeel van een serie van acht prenten van klassieke goden, gebaseerd op schilderingen van Polidoro da Caravaggio op de façade van een Romeins huis, door Goltzius in Rome gezien en nagetekend.
Portret van François Gérard
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Subjects: rome, paris, painter, françois gérard, historical persons

Onder het portret een facsimile van de handtekening van de geportretteerde.
Death of Sapphira
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: france
Artist: françois verdier
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1651 – 1730
Tempel bij Paestum
Object type: photograph
Date: 1954 – 1954
Materials: paper
Techniques: gelatin silver print
Location: paestum
Artist: Anonymous
Subjects: column, pillar ~ architecture, ruin of a building ~ architecture, temple, shrine ~ greek religion
Inscriptions: number: ‘31’
Marble portrait of the emperor Augustus
Object type: portrait head of the emperor augustus
Date: 14 – 37
Materials: marble
Culture: roman
Subjects: emperor augustus,men,portraits

This over life-size fragment may have been part of a seated statue of the emperor made during the reign of his step-son and successor, Tiberius. Over two hundred and fifty portraits of Augustus, including numerous full-length statues, are known today. In antiquity, there were probably as many bronze statues of the emperor as there were marble ones, but relatively few of the former have survived. Augustus himself claimed to have removed eighty silver statues that had been set up in his honor in the city of Rome alone. Although Augustus’ features are individualized, he is represented in an idealized, ageless way. When he died in A.D. 14, he was seventy-seven years old, but no portraits of him in old age are known.
Officer, Providence Horse Guards, Rhode Island, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Gezicht op een dorp met op de voorgrond hutten, vermoedelijk in Zuid-Afrika
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: south africa
Artist: Anonymous
Subjects: zuid-afrika

Onderdeel van Fotoalbum van een reis door de Verenigde Staten, Honolulu, Nederlands-Indië, Aden, Zanzibar en Zuidelijk Afrika.
Court Dancer
Object type: glass
Date: 1701 – 1733
Materials: glass, metal
Techniques: lampwork
Location: france
Gedecoreerde erker in Neurenberg
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: nuremberg
Artist: Anonymous
Subjects: façade (of house or building)
Inscriptions: annotation: ‘H’, annotation: ‘Neurenberg’, collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers Amsterdam’ Lugt 3937, annotation: ‘Neurenberg’
Afbeldinghe der plaetse daer hare hoocheyt den paegay heeft afgeschoten met den voetboghe onder de oude gulde
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: infante van spanje isabella clara eugenia, shooting-the-bird (on a high pole)

Isabella Clara Eugenia schiet naar de papegaai bij de Onze-Lieve-Vrouw-ter-Zavelkerk te Brussel, 15 mei 1615. Grote menigte verzameld op het plein voor de kerk en op straat. In de lucht engelen met een banderol met opschrift in het Latijn. Aparte plaat met het onderschrift de titels en de legenda A-F.
Cuffs
Object type: cuff
Date: 1650 – 1650
Techniques: lace
Subjects: flowers
The Rattlesnake
Object type: sculpture
Materials: bronze
Location: united states
Artist: frederic remington
Artist nationality: american
Artist dates: 1861 – 1909
Inscriptions: Foundry: Roman Bronze Works, N. Y; cast no. 62
Brug over de Oude Maas bij Spijkenisse
Object type: photograph
Date: 1900 – 1911
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: den bosch
Subjects: building-site
Inscriptions: date
Portret van Johann Ernst II, hertog van Saksen-Weimar
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, ruler, sovereign
Inscriptions: inscription: ‘"Filius lo Fud: (...)"’
Portret van een onbekende vrouw
Object type: photograph
Date: 1892 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: historical persons - bb - woman
Inscriptions: address: ‘M. H. Laddé Amsterdam/ 57-59 Nieuwendijk’
Fotoreproductie van (vermoedelijk) een prent van een lezende heilige vrouw met kroon
Object type: reproduction
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: female saints

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Dress
Object type: dress
Date: 1882 – 1882
Materials: silk
Culture: american
Baalbek - Temple of Jupiter, No. 71 from "Good's Eastern Series"
Object type: photograph
Date: 1860 – 1890
Techniques: albumen print
Location: baalbek
Artist: frank m. good
Artist nationality: english
Artist dates: 1860 – 1890
Bellona
Object type: print
Date: 1914 – 1914
Materials: paper
Techniques: woodcut
Artist: huib luns
Artist role: draughtsman, print maker
Artist dates: 1881 – 1942
Subjects: bellona (enyo), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: ‘Ph. J.’

Het bovenste gedeelte van de prent is onder de titel 'Oorlog' gebruikt voor: Wendingen. Maandblad voor bouwen en sieren van "Architectura et Amicitia". Amsterdam: De Hooge Brug 1919. 7/8, p. 25.
Alexander de Grote ontmoet koning Taxiles
Object type: album leaf
Date: 1655 – 1665
Materials: ink, paper
Techniques: brush, pen
Artist: leonaert bramer
Artist role: draughtsman, painter, print maker
Artist dates: 1596 – 1674
Subjects: (story of) alexander the great

Alexander de Grote en zijn gevolg staan rechts. Links komt een stoet met wagens en olifanten langs, met voorop koning Taxiles, die richting Alexander de Grote loopt. Rechtsboven genummerd: 37. Rechtsonder genummerd: 1. Tekening maakt deel uit van een album.
The Sheepshearer
Object type: print
Date: 1801 – 1900
Techniques: woodcut
Artist: henry linton
Artist role: artist
Artist nationality: british
Artist dates: 1815 – 1899
Subjects: men,women,sheep
Zittende vrouw
Object type: sketchbook leaf
Date: 1882 – 1882
Materials: paper, pencil
Subjects: sitting figure - aa - female human figure
Inscriptions: : ‘alcazar/ wit[...]/ rood wit en blauwe/ sjerp’, annotation: ‘'s Konings verf[?]’

Pagina 23 uit een schetsboek met 31 bladen vervaardigd te Den Haag en Rotterdam.
Frame Design with Antique Design, and other sketches
Object type: drawing
Date: 1601 – 1700
Materials: chalk, graphite
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Kustlandschap met de fundamenten van het Huis te Britten
Object type: print
Date: 1607 – 1609
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie eerst in: L. Guicciardini, Description de touts les Pays-Bas, autrement appellez la Germanie Inférieure ou Basse Allemagne, Cornelis Claesz., Amsterdam 1609. In deze tweede staat gebruikt in: L. Guicciardini, Beschryvinghe van alle de Neder-landen, Willem Jansz. Blaeu, Amsterdam, 1612., nr. 56. Kopie naar de oorspronkelijke illustratie in de uitgave van 1581 van C. Plantijn.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora, tyrrhenian fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

In the top frieze, lower legs of a draped figure to right; draped woman to right, with her left hand raised and her right hand holding a wreath; above, part of an inscription?; draped male to right, with his himation draped around his head, holding a staff in his left hand; part of the head, neck, and upper body of a draped woman to right wearing a patterned peplos; separating the top and middle frieze, two glazed lines, two rows of dots, two glazed lines; below, in the middle frieze, a panther, to right; below, two glazed lines, in the bottom frieze, tail of a panther?
Miniature caster with cover
Object type: caster with cover
Date: 1720 – 1723
Materials: glass, silver
Artist: david clayton
Artist role: artist
Artist nationality: british
Artist dates: 1659 – 1719
Serie 3: Franse Godsdienstoorlogen
Object type: album leaf
Date: 1562 – 1562
Materials: paper
Techniques: etching
Subjects: violent death by hanging, militant proselytizing: religious war, crusade, etc., the roman catholic church vs. protestantism; (reformation and counter reformation)
Inscriptions: annotation

Prent gebruikt in: Aitsinger, Michael. De Leone Belgico (...). Keulen: s.n., 1588.
Sword guard (<i>Tsuba</i>) Depicting Hotei (布袋図鐔)
Object type: sword guard tsuba
Date: 1810 – 1850
Materials: copper, gold alloy, silver alloy, gold, metal alloy
Culture: japanese
Location: japan
Subjects: human figures
Staand meisje in bloementuin
Object type: drawing
Date: 1834 – 1911
Materials: paper, pencil, watercolor
Techniques: brush
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: flower-bed
"Camp Being Prepared in the Hills", Folio from a Manuscript of the Akbarnama. Folio from the Davis Album
Object type: illustrated album leaf
Date: 1601 – 1700
Materials: gold, ink, paper, watercolor
Location: india
Subjects: tents,men,elephants,horses,hills

This painting is of the format and style of the so called Chester Beatty Akbarnama. This illustrated manuscript of the history of the Mughal emperor Akbar was dispersed with eight folios ending up in the Davis album. Here the background might have been altered or added to in the eighteenth century.
Calypso trying to detain Ulysses as a child prepares his armour at right and Mercury falls from the sky
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: male nudes,female nudes,mercury
The Duke of Queensbury's House, Piccadilly
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: houses
Portret van Jacobus van Oldenburg, predikant
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: dordrecht, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228
Twee vrouwen en een Singalese militair, vermoedelijk in Zuid-Frankrijk
Object type: photograph
Date: 1930 – 1935
Materials: photographic support
Techniques: gelatin silver print
Location: southern france
Artist: Anonymous
Subjects: adult woman, land forces

Onderdeel van Fotoalbum met opnames van vakanties in Zuid-Frankrijk.
Francesco I d'Este is Named the Deputy of the Catholilc King and is Sent to Catalogna, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Object type: print
Date: 1659 – 1659
Techniques: etching
Location: italy
Artist: bartolomeo fenice (fénis)
Artist role: artist
Artist nationality: italian
Subjects: buildings,men,boats

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.
Kermisprent van de vuilnismannen van Amsterdam voor het jaar 1834
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: street, garbage collection, amsterdam
Inscriptions: collector's mark: Lugt 2228

Kermisprent van de Amsterdamse vuilnismannen voor het jaar 1834. Ronde voorstelling binnen achtkantige rand met een gezicht bij de Munt te Amsterdam waar een man met een ratel bij een vuilniskar staat. Een andere man haalt bij een huis geld op. Met gedicht in twee kolommen. Van de vuilniskarman in de wijk no. 19: Johannes Bongaards.
Helmet
Object type: helmet
Date: 1701 – 1800
Materials: steel
Culture: indian
Location: india
Jérusalem, Tombeau de Salomon, Vue générale
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,tombs,landscapes
Face of Christ on St. Veronica's Cloth
Object type: print
Date: 1649 – 1649
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: faces,christ
Diaphanorama of a naval battle
Object type: diafanoramaplaat
Date: 1750 – 1830
Materials: glass, wood
Techniques: painted
Location: netherlands
Artist: Anonymous

Diaphanoramas are particularly suited to scenes with a lot of spatial depth, such as landscapes and naval battles. Interiors were also popular subjects. This naval battle consists of three glass plates painted on both sides, which the maker has effectively used to evoke a strong sense of recession.
Man of Sorrows, Seated
Object type: print
Date: 1515 – 1515
Materials: ink, paper
Techniques: etching
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Duchess of Devonshire and child, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Idillio, Venice
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: drypoint, etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Box
Object type: box
Date: 1781 – 1782
Materials: gold
Artist: françois-nicolas chevance
Artist role: maker
Artist dates: 1766 – 1780

Beginning in the 1750s French goldsmiths introduced subtle colors into their gold boxes by using various types of gold. This box as well as the one for rouge and patches on display nearby has applied ornament in greenish and reddish gold, achieved by the addition of metal oxides to the alloy. This bonbonnière, used for sweets, is decorated with incised and applied dots that play on the shape of the circular box. The finely incised lines were created by turning the box against a cutting edge while it was mounted on a lathe.