deem-data/ArtiFact huggingface dataset:
Marketplace of Delft with the Nieuwekerk
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Location: netherlands
Artist: gerrit toorenburgh
Artist role: artist
Artist nationality: dutch
Artist dates: 1732 – 1785
Subjects: buildings,towers,cities,markets,carriages
Papegaai op stok
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, lithography
Location: netherlands
Subjects: ornamental birds: parrot
Inscriptions: collector's mark: Lugt 2228
River Goddess Yamuna with Attendants
Object type: sculpture
Date: 801 – 900
Materials: stone
Location: india
Portretten van patriotten
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: abraham jacobsz. hulk
Artist role: print maker
Artist dates: 1751 – 1817
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Cruet
Object type: cruet
Date: 1518 – 1518
Materials: silver, silver gilt
Culture: german
Location: germany

This pair of silver vessels closely resembles the handled silver flagons perched on the shelf in the upper right corner of the nearby painting. Such objects were created for use on the table, where they reflected the high status of their owners. This pair was used in church services. Their diminutive scale reflects the small quantity of wine used in the Mass prior to the Reformation. For the liturgy, such objects were always made in pairs (for wine and water). Since these two liquids were combined in the chalice, cruets were often distinguished by the letters V (vinum) and A (aqua) engraved on the lid.
Caster
Object type: caster
Date: 1735 – 1735
Materials: silver
Culture: american
Location: united states
Artist: adrian bancker
Artist role: maker
Artist nationality: american
Artist dates: 1703 – 1772

Although eighteenth-century American silver casters were often made in sets for sugar and spices, almost no complete sets have survived. This caster is part of a set of three (1972.233.1a,b -.3a,b) made by Adrian Bancker, a prominent New York silversmith. It is almost identical to a set now in the Museum of the City of New York.
String of 5 Beads
Object type: bead, string
Date: 200 – 200
Materials: glass, gold foil
Location: egypt

Gold glass beads were a Hellenistic development. They were created by combining drawn tubes of colorless glass with gold foil. The earliest examples were finished bead by bead. These are all modern stringings; most ancient stringing patterns are lost as the string decays.
Siege Helmet
Object type: siege helmet
Date: 1625 – 1625
Materials: leather, steel
Culture: italian
Location: italy
Gondels op het Canal Grande voor de Rialtobrug te Venetië
Object type: photograph
Date: 1860 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: venice
Artist: paolo salviati
Artist role: fotograaf
Subjects: bridge in city across river, canal, etc., gondola
Inscriptions: inscription: ‘Venetie’
Tabula Moderna Secunde Porcionis Aphrice
Object type: print
Materials: paper
Techniques: woodcut
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Verovering van schansen in de omgeving van Groningen, 1593
Object type: history print
Date: 1593 – 1595
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: willem lodewijk graaf van nassau-dillenburg, fortifications, military engineering

Verovering van schansen in de omgeving van Groningen door het Staatse leger onder graaf Willem Lodewijk van Nassau, 30 augustus 1593. Gezicht op het gebied rond Groningen met de vestingen te Slochteren en Winschoten. De verdediging bij het Huis te Wedde wordt versterkt. Het leger van Verdugo gelegen boven Groningen. Met onderschrift van 12 regels in het Duits. Linksonder genummerd: 294. De prent maakt deel uit van een album.
Portret van Michael Niederstetter
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, book

Prent waarschijnlijk uit: Gleich, Johann Andreas. Annales ecclesiastici oder Gründliche Nachrichten der Reformations-Historie (...). Dresden en Leipzig: Raphael Christian Saueressig, 1730.
Candelabrum
Object type: candelabrum
Date: 1501 – 1600
Materials: wood
High Chest of Drawers
Object type: furniture
Date: 1750 – 1770
Materials: brass, wood
Location: salem
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Subjects: furniture
Inscriptions: Inscribed base right drawer, right side, in graphite: "Sally Kings draw she keeps her shifts in" and "Salem".

Small-scale case furniture is rare. Too large to have served as a cabinetmaker’s model and lacking locks on the drawers to protect valuables, the piece was made for use by a child. The high chest bears an 18th-century inscription in one of the small drawers that identifies it as the one in which the young owner, Sally King of Salem, kept her clothing. Born in Salem in 1783, Sally King was likely the second owner of the chest.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Part of the bottom of the bowl of a skyphos; the exterior has a band of reserve
Portret van Heliodor de Barea
Object type: print
Date: 1619 – 1652
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: minderbroeder, heliodor de barea
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovaal naar links van de Spaanse martelaar Heliodor de Barea, gehuld in een habijt. Op een banderol onder het ovaal staat de naam van de geportretteerde, gevolgd door een tweeregelige tekst in Latijn.
Grain serving vessel (dui)
Object type: grain vessel
Date: 500 – 401
Materials: bronze
Culture: chinese
Claude-Joseph Rouget de Lisle
Object type: medallion
Date: 1833 – 1833
Materials: bronze
Artist: pierre jean david d'angers
Artist role: maker
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Manchet van kloskant met symmetrisch patroon met drie grote en drie kleinere rozetbloemen
Object type: cuff
Date: 1910 – 1930
Materials: cotton
Techniques: lace
Location: le puy
Artist: Anonymous

Manchet van naturelkleurig kloskant: Cluny-kant. Trapeziumvormig model. Symmetrisch patroon met grote rozetbloemen onderaan het trapeziumvormig veld, één op elke hoekpunt en één in het midden onderaan. In het met een stervormige vlechtengrond met picots gevulde veld staan twee kleinere rozetbloemen, elk tussen drie bladeren. In het centrum van het veld staat een rechthoekig motief, mogelijk een bloempot, bekroond door voluten en een andere rozetbloem. Rondom het veld een schulpenrand van waaiervormige schulpen en spitsovale bladeren, beide versierd met 'reliëf-nerven' gemaakt in vormslag. De schulpen zijn geklost in netslag, de rozetbloemen en andere motieven in linnenslag.
Rebekka, de vrouw van Isaak
Object type: print
Date: 1595 – 1599
Materials: paper
Techniques: engraving
Subjects: rebekah draws water for the camels
Inscriptions: collector's mark: Lugt 240

Rebekka, de vrouw van de aartsvader Isaak. Op de achtergrond Eliëzer. Prent uit een serie van drie met afbeeldingen van de vrouwen van de drie aartsvaders uit het Oude Testament.
Groep mannen met hoeden en Mooren met tulbanden
Object type: sketchbook leaf
Date: 1660 – 1660
Materials: ink, paper
Techniques: brush, pen
Artist: wouter schouten
Artist dates: 1638 – 1704
Subjects: head-gear: turban (+ men's clothes), folk costume, regional costume (+ men's clothes), head-gear: hat (+ men's clothes), asiatic races and peoples (with name)
Inscriptions: annotation: ‘root topje laaken [...] mooren [...]’

Blad 9 recto van een katern van 10 bladen afkomstig uit een schetsboek.
Rebirth of the Nun Anyo
Object type: painting
Date: 1701 – 1733
Materials: gold, ink, panel, paper
Location: japan
Artist: Anonymous
Subjects: buddhism, religion
Ruskin road-makers at North Hinksey
Object type: photomechanical print
Date: 1806 – 1874
Materials: paper
Techniques: autotype
Location: north hinksey
Artist: henry w. taunt
Artist role: fotograaf
Artist dates: 1842 – 1922
Subjects: housing, public road in village
Lafayette
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Karel IV, hertog van Lotharingen knielt voor Lodewijk XIII, 1641
Object type: book illustration
Date: 1701 – 1701
Materials: paper
Techniques: etching, letterpress printing
Location: frankfurt am main
Subjects: karel iv hertog van lotharingen, lodewijk xiii (koning van frankrijk), kneeling figure
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Hiob Ludolff. Allgemeine Schau-Bühne der Welt. Deel II. Frankfurt am Main: Johann David Zunnern, 1701, p. 877.
Fragment pijpenkop
Object type: fragment
Date: 1750 – 1800
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: directeur, hoogleraar, caspar jacob christiaan reuvens

Fragment pijpenkop met eierkorf binnen acht stippen. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Chocolate cup and saucer
Object type: cup
Date: 1785 – 1785
Materials: porcelain
Techniques: painted
Location: doornik
Artist: Anonymous

Tournai
painted decoration: Porseleinfabriek Den Haag, 1785
soft-paste porcelain (pâte-tendre)
Dubbelloops vuursteendraailoopgeweer
Object type: superposee
Date: 1670 – 1680
Materials: horn, iron
Techniques: printing, cutting, engraving, filing
Location: maastricht
Artist: Anonymous
Inscriptions: inscription: ‘MASTRECK’, mark: ‘28’, mark: ‘M // D’
Terracotta tripod pyxis (box)
Object type: tripod pyxis
Date: 550 – 501
Materials: terracotta
Culture: greek, corinthian
Bulb Bowl
Object type: bowl
Date: 1723 – 1735
Materials: porcelain
Culture: chinese
Triptych Panel with the Crucifixion
Object type: triptych panel
Date: 1501 – 1533
Materials: copper, enamel
Techniques: painting
Culture: french
Location: france
Subjects: men,women,horses,christ
Jozef en de vrouw van Potifar
Object type: print
Date: 1515 – 1525
Materials: paper
Techniques: engraving
Location: italy
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: potiphar's wife catches joseph by his robe, usually while lying in bed; joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)
Inscriptions: collector's mark: Lugt 240

Prent naar ontwerp van Raphael voor fresco in het Vaticaan.
Prentbriefkaart aan Willem Bogtman
Object type: ansichtkaart, prentbriefkaart
Date: 1892 – 1938
Materials: cardboard, ink
Techniques: pen, photoaquatint, writing
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: haarlem, willem bogtman
Bataven vervoerd per boot / Bataafse nederzetting
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: poling, punting, founding a village
Inscriptions: collector's mark: Lugt 2228

Voorstellingen uit de vaderlandse geschiedenis. Boven: Een groep Bataven wordt met hun bezittingen per boot vervoerd. Op de oever staat naast een vrouw met drie kinderen een man met een speer in zijn hand. Onder: Een Bataafse nederzetting met op de voorgrond een man met speer en schild omringd door twee kinderen, een vrouw en dieren.
Portret van een zittende vrouw
Object type: album leaf
Date: 1865 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: haarlem
Artist: jan george mulder
Artist role: fotograaf
Artist dates: 1816 – 1895
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: inscription: ‘Photographisch/ Atelier/ van/ J. G. Mulder./ Lange Bagijnestraat/ Haarlem./ De plaat blijft tot nabestelling bewaard.’
De nieuwe Domoor
Object type: text sheet
Date: 1795 – 1795
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: chest, bust
Inscriptions: stamp, collector's mark: Lugt 1641

De Nieuwe Domoor is een blad met roddels dat iedere woensdag en vrijdag voor drie duiten uitgegeven werd. In de tekst wordt afgegeven op orangisten. Genummerd: No. 17. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Portretten, Portretten van Vorsten uit het huis van Oranje, Regeerende Vorsten, Stadhouders van Holland, Zeeland en West-Friesland.
Derde brief over het bedrog van de windhandel, 1720
Object type: pamphlet
Date: 1720 – 1720
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: isaac stokmans
Artist role: bookseller
Subjects: windhandel van 1720

Pamflet met een derde gedrukte brief van negen bladzijden waarin het bedrog van de windhandel wordt aangetoond, 1720. Pamflet achterin de gebonden eerste uitgave (304 B 10) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Tombe met obelisk en rookvaten
Object type: print
Date: 1755 – 1782
Materials: paper
Techniques: etching
Location: paris
Subjects: incense-burner ~ scents, perfumes, façade (of house or building), needle, obelisk (marking grave)

Een tombe met een zuil met medaillons, aan weerszijden van de tombe staan rookvaten.
Brief aan Jan Veth
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: pieter lodewijk tak
Artist role: politician
Artist dates: 1848 – 1907
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, andré jolles, augsburg
Inscriptions: watermark, collector's mark: ‘RPK’
Valentine
Object type: valentine
Date: 1850 – 1870
Materials: lace, paper
Techniques: embossing, open work
Artist: Anonymous
Artist role: artist
Dorpsgezicht met roeiboot
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: canals, waters (in village)

Gezicht op huizen en bomen langs het water. Naast het huis op de voorgrond enkele houten tonnen en op de oever een roeiboot.
Calisto Changed Into a Bear From Fable of Calisto
Object type: print
Date: 1547 – 1550
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: bears,trees
Monreale, Chiostro, capitello e colonna
Object type: photograph
Date: 1856 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: monreale
Artist: giuseppe incorpora
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: number: ‘N. 311’
A view of Bilnitz in Saxony one of the palaces of the king of Poland
Object type: print
Date: 1752 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Artist: Anonymous
Subjects: garden, civic architecture; edifices; dwellings
Inscriptions: watermark:, collector's mark: Lugt 2166
Portret van keizer Matthias
Object type: print
Date: 1612 – 1637
Materials: paper
Techniques: engraving, etching
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), 'cornucopia', horn of plenty, historical persons, ruler, sovereign, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), allegory, personification of good government
Inscriptions: collector's mark: Lugt 2228

Een allegorie op goede heerschappij. Tekst in het Latijn in de omlijsting, op de sokkels en in de cartouche.
Waterputten
Object type: ornament print
Date: 1574 – 1574
Materials: paper
Techniques: etching
Location: antwerp
Subjects: well
Inscriptions: number: ‘4’

Stadsplein met een ronde put onder een koepel met een lantaarn. De koepel steunt op drie pilasters, gedecoreerd met hermen. Aan de katrol hangt een aker. No. 4 uit serie van 24 kleine waterputten.
Portret van een jongen met hoed
Object type: album leaf
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: messrs. white
Artist role: fotograaf
Subjects: boy (child between toddler and youth), head-gear: hat
Inscriptions: inscription: ‘69 East St.Brighton’
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: painter, philip zilcken, diseases
Inscriptions: collector's mark: ‘RPK’
Standbeeld van Joost van den Vondel
Object type: print
Date: 1822 – 1880
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: cologne, joost van den vondel, monument, statue
Inscriptions: caption: ‘uit een dichtstate van W.I. Hofwijk’, collector's mark: Lugt 2228

Standbeeld van de dichter en toneelschrijver Joost van den Vondel. Hij staat met het hoofd naar rechts gewend, de rechterhand uitgestrekt. In de linkerarm een lier. Vondel is gekroond met een laurierkrans. Op de grond naast hem een toneelmasker, twee boeken en een rol.
Tentoonstelling in het Paleis voor Volksvlijt, Amsterdam
Object type: stereograph
Date: 1864 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: collection, exhibition, show
Inscriptions: retailer's mark: ‘Boek- & papierhandel/ T. Kouwenaar/ Amsterdam/ Kalverstraat E 27.’, monogram: ‘LDB’
Russian Peasants
Object type: print
Date: 1841 – 1841
Materials: chine, paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Allegory of America
Object type: drawing
Date: 1587 – 1589
Materials: chalk, ink
Techniques: heightening, incising, pen, wash
Artist: jan van der straet, called stradanus
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1523 – 1605
Subjects: animals,men,female nudes,trees
[Self-Portrait with Artist's Brother]
Object type: photograph
Date: 1840 – 1849
Techniques: daguerreotype
Artist: john adams whipple
Artist role: artist
Artist nationality: american
Artist dates: 1822 – 1891
Subjects: men,self-portraits
Drawn title page inscribed "Alfred Crowquill [Alfred Henry Forrester, 1804–1872], Original Designs for Pottery and Porcelain, ca. 1845–1855," with Drawing of Lily Cup
Object type: drawing
Date: 1845 – 1855
Materials: gouache, ink, watercolor
Techniques: pen
Artist: alfred henry forrester [alfred crowquill]
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1872
Subjects: lilies,cups
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1701 – 1900
Materials: stone, quartz
Culture: chinese
Kaart van Overijssel
Object type: map
Date: 1726 – 1750
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), peat-cutting, maps of separate countries or regions, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., fisherman
Inscriptions: collector's mark: Lugt 195

Linksonder cartouche met titel en het wapen van Overijssel. Daaromheen een turfsteker, een herder en een visser. Rechtsboven drie schaalstokken: Miliare Germanicum commune / 2 Duytse mylen van 15 in een graet inhoudende ijder 2000 Rijnlantse roeden, 2 uren gaens inhoudende 1500 Rijnlantse roeden, 2000 Rynlantse roeden. Rechtsonder een legenda. Gradenverdeling langs de randen.
Firescreen with Japanese design, from the Novelties series (N228, Type 3) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: birds,women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Plate 5: Bertoldo putting the jailor into the sack, from "Bertoldo, Bertoldino, and Cacasenno"
Object type: print
Date: 1705 – 1715
Techniques: etching
Artist: giuseppe maria crespi
Artist role: artist
Artist nationality: italian
Artist dates: 1665 – 1747
Winter Scene, Scênes D'hiver
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: quebec
Subjects: river, ferry, snow, sledge, sleigh (winter sports), québec
Inscriptions: inscription: ‘On the Cove Fields/ Sur les Glacis/ Ferryboat/ Baleâu-passeur’
Standaard met potloden van Eberhard Faber
Object type: album leaf
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’
Vrouw onderwijst over de levensfases van de mens, naast haar een aap en draaiorgelspeler
Object type: print
Date: 1910 – 1930
Materials: paper
Techniques: drypoint, etching, intaglio
Location: munich
Subjects: monkeys, apes, organ - cc - out of doors, the ages of man, male persons from classical history
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, number: ‘9.’

Op de tweede staat is de titel Immer die alte Leier (altijd hetzelfde lied) vermeld.
The Suetsumuhana Chapter from "The Tale of Genji" (Genji Suetsumuhana), from a series of Genji parodies
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
De Zeeslag voor Katwijk (linkerblad), 1653
Object type: drawing
Date: 1653 – 1653
Materials: paper, pencil
Techniques: brush
Subjects: brielle, maarten harpertszoon tromp, sailing-ship, sailing-boat, names of artefacts and man-made objects (buildings excluded), sea (seascape), battle (+ sailing-ships), navy (+ sailing-ships), historical events and situations, battle of scheveningen

Linkerblad van een grote voorstelling in drie bladen van de zeeslag bij Terheide (Zeeslag bij Katwijk) tijdens de Eerste Engelse Oorlog tussen de Staatse vloot onder Maarten Tromp en de Engelse vloot onder George Monck, 10 augustus 1653. Met de schepen Jonas in de Walvisch, en de Roo Leeu van N. Holland.
Tassel
Object type: tassel
Date: 1567 – 1633
Materials: metal thread, silk
Feline Bowl
Object type: bowl
Date: 1301 – 1533
Materials: stone
Culture: inca
Location: peru
Subjects: cats
Sherd
Object type: sherd
Date: 3100 – 2700
Materials: ceramic
Location: syria