deem-data/ArtiFact huggingface dataset:
Bit Boss with the Rape of Europa
Object type: bit bos
Date: 1601 – 1650
Materials: copper alloy, gold
Culture: dutch or german
Location: netherlands
Subjects: human figures,animals

This ornamental boss, made of gilded bronze, originally decorated one of the sides of a horse bit. Its center is decorated with a scene in relief showing the abduction of the princess Europa by Jupiter as a bull, followed by a flying Cupid shooting an arrow at her breast. The rim is cast with imitation pearls, diamonds and fleur-de-lis. The scene seems partly inspired by the Rape of Europa engraved ca. 1590 by Hendrick Goltzius, while the bull also recalls the same event represented on a mid-17th century Netherlandish bronze plaque made by an anonymous goldsmith, today in the Rijksmuseum, Amsterdam, which was freely inspired by Titian's painting on the same subject (known through prints). While at this time most of the bronze bit bosses were mass produced by founders, the quality of the relief and chasing here indicate that this piece is rather the work of a talented goldsmith. The original bit and its ornaments must have been a unique luxury piece commissioned by a wealthy rider.
Hitiaa Lake. Tahiti
Object type: page
Date: 1880 – 1880
Materials: paper
Techniques: photograph
Location: tahiti
Artist: henry stuart-wortley
Artist role: fotograaf, kolonel
Artist dates: 1832 – 1890
Subjects: lake, trees: palm-tree
Inscriptions: number: ‘No. 12.’
Vrede van Breda
Object type: history medal
Date: 1667 – 1667
Materials: silver
Techniques: striking
Location: amsterdam
Artist: christoffel adolphi
Artist role: medailleur
Artist dates: 1630 – 1684
Subjects: breda, vrede van breda (1667)

Zilveren penning. Voorzijde: Nederlands en Brits admiraalsschip. Keerzijde: twee gekroonde wapenschild, samengebonden onder krans, met gekruiste palm- en olijftak boven wimpel met opschrift
Exterieur van Dwight Hall van Yale University te New Haven
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: new york
Artist: Anonymous
Subjects: university building, college, façade (of house or building)
Landschap met een wagen bij een herberg/ Figuren bij een tent
Object type: print
Date: 1653 – 1703
Materials: paper
Techniques: drypoint, etching
Subjects: chimney, tent, ass, donkey, distaff, lying on one side, with uplifted upper part of the body and leaning on the arm, hotel, hostelry, inn, (farm) wagon, freight wagon, cart
Inscriptions: collector's mark: Lugt 2166

Twee afbeeldingen op een blad. Links een landschap met een wagen bij een herberg. Rechts een zittende vrouw met een spinrok in de hand in gesprek met een liggende man, leunend op zijn elleboog, voor een tent. In de tent nog een derde figuur.
Nail
Object type: nail
Date: 401 – 800
Materials: bronze
Location: palestine
Bowl
Object type: bowl
Date: 3900 – 100
Materials: bronze
Culture: cypriot
Portret van Daniel Finch, 2e graaf van Nottingham
Object type: print
Date: 1741 – 1743
Materials: paper
Techniques: engraving, etching, pen
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: staatsman, daniel finch (2e graaf van nottingham)
Inscriptions: collector's mark: Lugt 240, name: ‘The Earl of Nottingham’

Prent ook gebruikt in: Thomas Birch. The heads of illustrious persons of Great Britain : engraved by Houbraken, and Vertue, with their lives and characters. London: John en Paul Knapton, 1743-1751.
Reproductie van een schilderij van een collie
Object type: page
Date: 1883 – 1888
Materials: paper
Techniques: photograph
Location: new york city
Subjects: dog (with name of kind)

Prent tegenover pagina 51, achter semi-transparante omslag.
Covered Salt
Object type: salt
Date: 1830 – 1840
Materials: glass
Culture: american
Location: united states
Booth at a Fair
Object type: print
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: human figures
Brug over een rivier te Taroetoeng op Sumatra
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: bridge in city across river, canal, etc., sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Reverse Copy of Le Débarquement des Troupes (The Landing of the Troops)
Object type: print
Date: 1601 – 1700
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Gold stater
Object type: stater
Materials: gold
Culture: greek
Subjects: alexander the great,profiles,coins

Gold coins of this type were minted for over forty years at the two principal royal mints in Macedon, Pella and Amphipolis. The trident and details of the horses' legs on this coin indicate that it was minted at Amphipolis in the years immediately after the death of Alexander the Great.
Gezelschap in twee roeiboten
Object type: photograph
Date: 1865 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: rowing-boat, canoe, etc., france
Carved bowl
Object type: bowl
Date: 500 – 600
Materials: ceramic, pigment, plaster
Culture: maya
Location: guatemala or mexico
Artist: maya artist(s)
Artist role: artist
Chapel Ruins
Object type: drawing and watercolor
Date: 1872 – 1872
Materials: graphite, paper, watercolor
Location: england
Artist: charles john hills
Tutocanula, or El Capitan, 3600 ft., from the foot of the Mariposa Trail, Yosemite Valley, Mariposa County, Cal., No. 45 from the series "Watkins' Pacific Coast"
Object type: photograph
Date: 1861 – 1876
Techniques: albumen print
Location: united states
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Rijen met letters van het alfabet, mensen, dieren en voorwerpen
Object type: drawing
Date: 1880 – 1910
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: human life and its ages (young, adult, old, etc.), animals, letters, alphabet, script
Inscriptions: :, collector's mark: Lugt 2228a
Chemise
Object type: chemise
Date: 1830 – 1839
Materials: linen
Culture: american or european
Souvenir spoon
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt
Subjects: coat of arms
Ortie
Object type: photomechanical print
Date: 1890 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: plants and herbs: nettle
Inscriptions: number: ‘IX’
Annotaties
Object type: sketchbook leaf
Date: 1898 – 1902
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘10. Hercules Seghers/ [...]/ B. v. M. K./ Heerengr. 503./ [...]’, collector's mark: Lugt 2228, number: ‘5’

Pagina 1, voorste schutblad, uit een schetsboek met 42 bladen.
Titelprent voor de serie Anweisung zum zeichnen
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving
Location: augsburg
Artist: johann daniel herz (i)
Artist role: print maker, publisher
Artist dates: 1693 – 1754
Subjects: drawing
Inscriptions: collector's mark: Lugt 2233

Titelprent voor: Herz, Johann Daniel. Naturae artis studio feliciter repraesentatae (...). Augsburg: Johan Daniel Herz, [1723].
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1900
Materials: silver alloy, silver
Culture: japanese
Location: japan
Subjects: mountains
Gezicht op Namen
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Van Hasselt, André. Voyage aux bords de la Meuse. Brussel: Société des Beaux-Arts, 1839-1841. Deze publicatie bevat 36 litho's.
A blind hurdy-gurdy player and family receiving alms
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: drypoint, etching
Inscriptions: signature and date: ‘Rembrandt f. 1648’, inscription: ‘Coppier’
Familiestuk bestaande uit een man, vrouw en twee kinderen met een lam
Object type: drawing
Date: 1644 – 1676
Materials: chalk, paper
Artist: jan van noordt (1623-1676)
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1676
Subjects: family group, especially parents with their child(ren) (with number of children)
Kerk
Object type: sketchbook leaf
Date: 1839 – 1872
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: church (exterior)

Blad 23 verso uit een schetsboek met 73 bladen.
Gamelan poserend op een landweg
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Subjects: more than one musician with instrument, anonymous historical persons portrayed in a group, in a group-portrait
Untitled (From the Lorelei)
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: rhine
Artist: Anonymous
"Ah, go hit a feller yer size!," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys

Trade cards from the "Terrors of America" series (N136), issued in a set of 50 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The original lithographs for the series were created by Knapp & Company, N.Y. This is the second time that Duke released the "Terrors of America" series. The cards of the first set (N88) are smaller than N136 cards.
Stand for a bowl with cover (plateau)
Object type: stand
Date: 1769 – 1770
Materials: silver gilt
Artist: jacques-pierre marteau
Artist role: maker
Artist dates: 1679 – 1779
Terracotta fragments of calyx-kraters (bowls for mixing wine and water)
Object type: calyx krater fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glaze fragments from calyx-kraters
The Mouse Catchers
Object type: figure group
Date: 1745 – 1750
Materials: soft paste porcelain
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: children,men,women,mice

Genre sculpture at Capodimonte has a directness and reality quite distinct from that produced at other Continental porcelain factories. Capodimonte figures are not the picturesque street peddlers of Edme Bouchardon’s Cris de Paris; nor are they the idealized lovers and children inspired by Boucher, J. E. Nilson, and their followers. They are, rather, genuine peasants, tradesmen, and young couples encountering daily life, portrayed unsentimentally but with sympathy and humor. In this group, one of only two known examples of the model, the routing of mice from a linen chest is depicted in a manner in which energy and apprehension are charmingly combined. From the modeling of the figures with their small heads, and the spare painting, it would seem that the group dates from the early period of the factory’s work and perhaps anticipates a later one in a similar vein, the Rabbit Catchers.
Berglandschap met een huis op een top, vermoedelijk in de Pyreneeën
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: pyrenees
Artist: Anonymous
Subjects: mountains (+ landscape with figures, staffage)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Piece from a Kosode with Chrysanthemums and Waves
Object type: piece from a kosode
Date: 1615 – 1868
Materials: metal thread, silk
Techniques: dyeing, embroidery, painting, weave, resist
Culture: japanese
Subjects: flowers
Barbier Philippo Martioli wordt in het bijzijn van zijn vakgenoten gegegeseld
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: flogging, scourging (in public), barber, barbershop
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Leti, Gregorio. Het leeven van Sixtus den Vyfden, paus van Rome, 2 delen. Gillis en Johannes Janssonius van Waesberge en wed. Steven Swart, 1697, dl. II.
The interior of the church of Einsiedeln
Object type: photomechanical print
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Location: einsiedeln abbey
Artist: Anonymous
Subjects: interior of church
Portret van een man, aangeduid als Hartman
Object type: photograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Inscriptions: annotation: ‘Hartman’
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1901
Materials: ink, paper
Techniques: pen, writing
Artist: jacoba cornelia jolles-singels
Artist role: schrijver
Artist dates: 1847 – 1901
Subjects: designer, jan veth, den bosch, amsterdam, painter, print maker, draughtsman, antoon derkinderen, utrecht, antonie cornelis loffelt, paris, lugné-poe, rotterdam, herman heijermans
Inscriptions: monogram: ‘JS’, collector's mark: ‘RPK’
Rituelen van oorspronkelijke bewoners van Mexico rond de eeuwwisseling
Object type: book illustration
Date: 1721 – 1721
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: ritual practices ~ american indian religions, temple, shrine ~ american indian religions, indigenous peoples of central america
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Picart, Bernard. Naaukeurige beschryving der uitwendige godtsdienst-plichten, kerk-zeden en gewoontens van alle volkeren der waereldt, deel IÍI. [Vertaald in het Nederlands door] Moubach, Abraham. Den Haag, Amsterdam, Rotterdam: Rutgert Alberts, Hermannus Uytwerf, Jan Daniel Beman, Isaac van der Kloot, 1727-1738.
Coupé # 688
Object type: drawing
Date: 1850 – 1870
Materials: watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Historische optocht bij het tweede eeuwfeest van de Utrechtse Hogeschool, 1836 (plaat 7)
Object type: print
Date: 1837 – 1837
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: students' pageant, costumes used in pageants, battle of nieuwpoort
Inscriptions: date

Historische gekostumeerde optocht van de studenten van de Hogeschool van Utrecht op 16 juni 1836, bij de viering van het tweede eeuwfeest van de Utrechtse Hogeschool. De optocht verbeeldt de intocht van het Staatse leger in Oostende op 3 juli 1600, daags na de overwinning in de Slag bij Nieuwpoort. Zevende plaat in een serie van tien ongenummerde platen, met de groepen genummerd 24-28.
Langestraat te Alkmaar, ca. 1790
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: engraving, etching, hand coloring
Location: netherlands
Subjects: stadhuis, alkmaar, grote of sint-laurenskerk, langestraat
Inscriptions: inscription: ‘chez E: Maaskamp à Amsterdam’

Huidige staat van prent uitgegeven als onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden, getiteld 'Tableau des principales vues des palais et édifices : représentations et des coutumes et usages, dans les provinces septentrionales du Royaume des Pays-Bas'.

Eerdere staat gebruikt in: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Berlijn. Woonhuizen
Object type: photograph
Date: 1900 – 1950
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: berlin
Krant met een artikel over de begrafenis van Willem III, koning der Nederlanden, op 4 december 1890
Object type: newspaper
Date: 1890 – 1890
Materials: paper
Techniques: letterpress printing
Location: rotterdam
Subjects: willem iii (koning der nederlanden), funerary ceremonial
Inscriptions: date
Every toss loses, from "News of the Day"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,women,playing
Head of a Bearded Man Wearing a Hood in Profile Facing Left
Object type: drawing
Date: 1636 – 1638
Materials: ink
Techniques: pen
Artist: cavaliere d'arpino (giuseppe cesari)
Artist role: artist
Artist nationality: italian
Artist dates: 1568 – 1640
Subjects: men,profiles

A late, very characteristic and powerful head study by the gifted Cavaliere d'Arpino, a consumate draftsman and the last great exponent of Roman Mannerism, this sheet marks a new addition to the artist’s rare catalogue of pen drawings. Executed in large scale, this expressive head study of a bearded man in profile wearing a heavy hood was identified by Herwarth Röttgen (2002) as the head of a Roman priest seen at right in Arpino’s ‘Numa Pompilio Instituting the Cult of the Vestal Virgins’, frescoed at the Palazzo dei Conservatori, Rome, in 1636-38. The design, however, recurs in other works by the artist, like in that of the Benedictine monk in the right background of the Arpino's ‘Pietà’ in the Abbey of Montecassino of 1616. (F.R.)
Studie naar een standbeeld van Cupido die zijn boog spant
Object type: drawing
Date: 1765 – 1781
Materials: chalk, paper
Artist: jean grandjean
Artist role: draughtsman, print maker
Artist dates: 1752 – 1781
Subjects: piece of sculpture, reproduction of a piece of sculpture, cupid making his bow
Panels depicting the Four Seasons
Object type: panel
Date: 1775 – 1775
Materials: gilt, wood
Techniques: carving
Artist: françois joseph belanger
Artist role: maker
Artist nationality: french
Artist dates: 1744 – 1818
Subjects: garlands,faces,men,leaves,trophies
Mrs. Warren Rogers (Julie Francoise Gabrielle d'Anterroches)
Object type: painting, miniature
Date: 1839 – 1839
Materials: ivory, watercolor
Culture: american
Artist: theodore lund
Artist role: artist
Artist nationality: american
Artist dates: 1810 – 1895
Subjects: portraits,women

The sitter, the daughter of Joseph Louis, chevalier d'Anterroches, of France, and Mary Vanderpoel of Elizabethtown, New Jersey, married Warren Rogers (1981.447.3).
Vue perspective des Environs de Leyden en Hollande
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: ass, donkey, castle, horse, postman, lane, alley, leiden
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Perspectiefprent met twee lanen langs een kasteel in de buurt van Leiden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Vervoermiddelen te land en te water, Vervoermiddelen te land, Rijtuigen en Statiekarossen.
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1894
Materials: ink
Techniques: pen, writing
Artist: martinus cornelis lebret
Artist role: verzamelaar
Artist dates: 1833 – 1894
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, allard pierson, h.l. berckenhoff, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Portret van Christian Thomasius
Object type: book illustration
Date: 1713 – 1713
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: christian thomasius, scholar, philosopher, historical persons

Prent uit: Deutsche acta eruditorum. Leipzig: Johann Friedrich en Johann Gottlieb Gleditsch, 1713, dl. 8.
Dish
Object type: dish
Date: 1701 – 1800
Materials: pottery
Stoomschip te water en gezicht op een meer of rivier, mogelijk nabij de Niagarawatervallen
Object type: photograph
Date: 1902 – 1902
Materials: paper
Techniques: gelatin silver print
Location: north america
Artist: jan van der mey
Subjects: river bank, lake, steamship, motorship

Deze foto's maken deel uit van een album.
Rumoerige schoolklas met kikkers op de vloer
Object type: print
Date: 1904 – 1953
Materials: paper
Techniques: woodcut
Artist: jo bezaan
Artist role: draughtsman, print maker
Artist dates: 1894 – 1952
Subjects: tailless amphibians: frog, teacher and pupil, human figure at (open) window, seen from inside
Inscriptions: collector's mark: Lugt 2228
Erepoort in Paramaribo, opgericht ter gelegenheid van de opening van de Lawaspoorlijn (Landsspoorweg) op 28 maart 1905
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: paramaribo
Artist: eugen klein
Artist role: fotograaf
Artist dates: 1869 – 1927
Subjects: gate, entrance, railway, train, festivities on events of national importance

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Pitcher
Object type: pitcher
Date: 1801 – 1900
Subjects: musical instruments,women
Bedelaar lopend op straat
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: engraving, intaglio
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: container of textile material: bag, sack, beggar
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een bebaarde man met kromme rug, wandelend over straat met een zak in hand. Zijn jas hangt open en hij draagt een hoed. Op de achtergrond een vrouw in een mantel en een rij huizen.
Kaart van het gebied rond de verdronken Zuid-Hollandse Waard
Object type: map
Date: 1650 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: maps of separate countries or regions

Kaart van het gebied rond de verdronken Zuid-Hollandse Waard – ook wel de Biesbos genoemd – ontstaan na de Sint-Elisabethsvloed van 1421. Oriëntatie: noorden rechts. Links- en rechtsonder genummerd: 22.