deem-data/ArtiFact huggingface dataset:
Late Hours!
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,clocks
Adam en Eva in het paradijs
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: etching
Location: amsterdam
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: adam and eve in paradise (before the fall)
Inscriptions: collector's mark: Lugt 2228
Fall-front Secretary
Object type: fall front secretary
Date: 1833 – 1841
Materials: brass, glass, leather, wood
Techniques: veneering
Culture: american
Location: united states
Tegeltableau van twaalf tegels
Object type: tile
Date: 1775 – 1825
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Tegeltableau van 12 tegels (3 x 4) met een paars geschilderde voorstelling van een werkplaats waar rijtuigen worden gemaakt van de straatkant gezien. De voorstelling is omgeven door een eierlijst met rozetten in de hoeken. Zie pendant: BK-NM-5197.
Zes reproducties van gefotografeerde stadsgezichten uit Mainz, Rüdesheim, Bonn, Bacharach, Sankt Goar en de Burcht Rheinfels
Object type: album leaf
Date: 1905 – 1906
Materials: cardboard, paper
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Serie 21.’

Dergelijke prenten stonden bekend als 'zwartjes'. Men verkreeg ze bij aanschaf van bepaalde merken thee, cacao, sigaretten, beschuit, etc. om te verzamelen. Er waren speciaal voor de 'zwartjes' vervaardigde verzamelalbums in omloop.
Gezicht op Oirschot en de Grote Peel in Noord-Brabant
Object type: sketchbook leaf
Date: 1809 – 1868
Materials: paper, pencil, watercolor
Techniques: brush
Location: grote peel
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: city-view, and landscape with man-made constructions, adult man
Inscriptions: date and inscription: ‘oirschot/ 1 sept 68/ [...]/ bij [...] 3 Sept 68/ gezigt met/ [...] Peel N/B/ van de Waal/ [...] 5 sept 68/ met Felix’

Tevens studies van mannen. Blad 34 verso uit een schetsboek met 57 bladen.
Button or Bead
Object type: button or bead
Date: 801 – 1000
Materials: bone
Techniques: incising, tinting
Location: iran
Gezicht op het Rokin
Object type: photograph
Date: 1882 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘12,47’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Rokin, Rotterdammersloot, Rozengang, Rozengracht, Rozenstraat, Rusland, Rustenburgerstraat, Ruysdaelkade, Ruysdaelstraat, Ruyterkade (de), Ruyterweg (Admiraal de).
Woman's Ceremonial  Skirt (Tapis)
Object type: skirt
Date: 1801 – 1900
Materials: cotton, gold, thread
Culture: lampung
Location: indonesia
Tropical Scenery, Tropical Forest
Object type: photograph
Date: 1871 – 1871
Techniques: albumen silver print, glass negative
Artist: john moran
Artist role: artist
Artist nationality: american, born england
Artist dates: 1821 – 1903
Subjects: forests
Enamelled frame with angels holding coat-of-arms
Object type: frame
Date: 1201 – 1300
Materials: enamel
Techniques: enamel
Culture: french
Subjects: angels,coat of arms
Drawing Intended as Design for an Actor Print
Object type: print
Date: 1833 – 1847
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: fans,men,portraits
The Betrayal of Christ, from The Passion
Object type: print
Date: 1480 – 1480
Materials: paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Dish with the coat of arms of Hendrik Peter Godfried Quack and Isabella Gertraud von Carnap
Object type: platter
Date: 1790 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris
Artist: Anonymous

Schotel van porselein, beschilderd op het glazuur met goud. Op het plat het alliantiewapen van Hendrik Peter Godfried Quack en Isabella Gertraud von Carnap. De rand met een bloemrank en een gouden band.
Portret van de schrijver Franz Hoffmann
Object type: photograph
Date: 1860 – 1865
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: franz hoffmann, historical persons, portrait of a writer
Briefkaart uit krijgsgevangenenkamp Stalag IV B in Mühlberg a/d Elbe van sergeant D. van Maarseveen gebruikt als schuldbekentenis voor een lening
Object type: postcard
Date: 1940 – 1945
Materials: paper
Techniques: printing
Location: muhlberg
Subjects: the hague, dick w.b. van maarseveen, prisoner of war camp

Helft van een bedrukte dubbelgevouwen postkaart waarop een Zuidafrikaanse sergeant verklaart zeven 'postal orders' te hebben gegeven aan D. van Maarseveen die aan hem kunnen worden uitbetaald. Gedateerd: Stalag IV B, 20 april 1945.
Captain Army Service Corps, England, 1879, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: army,men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Nijlpaard
Object type: photograph
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: hoofed animals: hippopotamus
Inscriptions: inscription: ‘No. 3./ Nijlpaard.’
Table fork
Object type: table fork
Date: 1701 – 1800
Materials: horn, silver, steel
Looking Glass
Object type: looking glass
Date: 1795 – 1805
Materials: gesso, gilt, metal, wood
Culture: american
Location: united states
Landschap met Elisa, die de mantel van Elia ontvangt
Object type: print
Date: 1571 – 1571
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: elisha picks up elijah's cloak and goes back to the jordan
Inscriptions: collector's mark: Lugt 11

Elia zit in een wagen van vuur die getrokken wordt door vier paarden en die naar de hemel rijdt. Elisa knielt op de grond, de mantel van Elia naast zich. Op de achtergrond een door overstroming geteisterde stad.
Gezicht op een plein met fontein
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: j. trésorier
Artist role: fotograaf
Subjects: square, place, circus, etc., city-view in general; 'veduta', ornamental fountain
Inscriptions: inscription: ‘J. Trésorier/ Rue du Chapeau rouge 6/ et Rue Coileau 16 (bis)/ dans le jardin’
Drie straatgezichten in Chinatown, San Francisco
Object type: photograph
Date: 1900 – 1906
Materials: paper
Techniques: gelatin silver print
Location: san francisco
Artist: Anonymous
Subjects: street (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Reading Bulletin Board.’, inscription: ‘Dupont St./ Chinatown’

Twee opnamen van het Bulletin Board en een van Dupont Street in Chinatown, San Francisco.
Boerderij beesten
Object type: print
Date: 1617 – 1681
Materials: paper
Techniques: etching
Artist: cornelis saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1681
Subjects: cat
Inscriptions: collector's mark: Lugt 240
Portret van Toon Depuis
Object type: photograph
Date: 1910 – 1930
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: antwerp, sculptor, portrait, self-portrait of artist
Christopher Crabtree in the Suds: "Dear, dear what can the matter be"
Object type: print
Date: 1807 – 1807
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,interiors,men,women,dogs

In a washerwoman's parlor, hung with drying laundry, Christopher Crabtree steps into an over flowing tub, causing a woman and figures seated around a table to react with alarm. In a room at the top of a stair, another woman looks in and laughs as a washerwoman talks to a couple by a window. Mounted with four other scenes designed and etched by Rowlandson: 59.533.1022(2-3, 5-6) and title page 59.533.1022(1).
The Library
Object type: print
Date: 1813 – 1813
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: books,libraries,interiors,men,women,reading,dogs
Woman's Informal Robe
Object type: woman's informal robe
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: flowers
Double Bat-Head Figure Pendant
Object type: pendant
Materials: gold
Culture: coclé, parita
Location: panama
The Flight into Egypt
Object type: print
Date: 1820 – 1857
Techniques: engraving
Artist: jean bein
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1857
La province de Brabant avant l'invasion des romains : études archéologiques et topographiques
Object type: book
Date: 1871 – 1871
Materials: linen, paper, photographic support
Techniques: albumen print, printing
Location: brussels
Inscriptions: annotation: ‘50 €’, date: ‘JUNE 2003’
Portret van een zittende baby
Object type: carte de visite
Date: 1865 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: devon
Artist: john eastman palmer
Artist role: fotograaf
Subjects: infant, baby
Inscriptions: inscription: ‘Photographed by/ John E. Palmer/ 58, Union Street, Stonehouse/ Devon’
Cover
Object type: cover
Date: 1701 – 1800
Materials: silk
Subjects: flowers
Portret van Agostino Carracci
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: painter, draughtsman, agostino carracci, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2282
Please Remember The More Than 20,000 Black People Who Have Died From COVID-19
Object type: poster
Date: 2020 – 2020
Techniques: letterpress
Artist: amos kennedy
Artist role: artist
Artist nationality: american
Artist dates: 1948 – 9999
Piece
Object type: piece
Date: 1550 – 1600
Materials: silk
Plate with Female Bust
Object type: ceramic
Date: 1525 – 1525
Materials: earthenware
Techniques: maiolica, glazing
Culture: italian
Location: urbania
Inscriptions: B. AE
Fragment of a Human-Headed Heart Scarab
Object type: heart scarab, human face
Date: 1802 – 1550
Materials: stone
Location: egypt

Heart scarabs take the shape of a large scarab beetle, a symbol of regeneration. In this example the beetle’s head is replaced by a human face. The flat underside is inscribed with six horizontal lines of text. This inscription is a version of Book of the Dead spell 30B, the so-called heart scarab spell that magically "prevents the heart from creating opposition" and in which the deceased’s heart is directed not to tell lies about its owner. For the meaning of this spell and heart scarab amulets in general, see 30.8.1080. In the inscription here, the legs of all bird hieroglyphs have been omitted, a practice known from Dynasty 13 to early Dynasty 18.
Portret van een jongeman, staand voor een geschilderd achtergronddoek (balustrade met vaas)
Object type: photograph
Date: 1880 – 1900
Materials: metal
Techniques: ferrotyping
Location: united states
Artist: Anonymous
Ornamento delle belle & virtuose donne, page 18 (verso)
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: birds,ornament

Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right: Design is decorated with two central diamonds emanating from 2 plant stems at the bottom. Each diamond contains a double-headed bird. Surrounding the 2 central diamonds are other foliage elements and smaller birds.
Visit to a Flower Nursery
Object type: drawing
Date: 1791 – 1791
Materials: paper, watercolor
Techniques: brush
Artist: jacob cats (1741-1799)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1799
Subjects: landscape symbolizing april, flower nursery

In the 18th century a visit to a flower nursery was a popular spring outing. Fashionably attired ladies and gentlemen here stroll past seed boxes and racks with potted plants. People from Amsterdam, Leiden, and The Hague all came for this purpose to Haarlem, the centre of floristry.
This drawing is an illustration of the month of April from a series of the Twelve Months.
Ottomaanse koopman
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching, intaglio
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: ass, donkey, merchant, salesman
Inscriptions: collector's mark: Lugt 2228
Studioportret van een onbekende man
Object type: photograph
Date: 1875 – 1890
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: studio ~ photographer, adult man
Heilige Bruno in gebed
Object type: print
Date: 1623 – 1676
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: the founder of the order of the carthusians, bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s), personal devotion of st. bruno - male saint meditating, in ecstasy
Inscriptions: collector's mark: Lugt 2165

Maakt deel uit van een serie met 24 prenten (inclusief twee titelprenten), naar schilderijen door Lesueur vervaardigd tussen 1645-1648 voor de Chartreuse de Paris. De serie is getiteld: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur.
Drukkersmerk van Plantijn
Object type: printer's mark
Date: 1600 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: compasses, device (trade-mark of printer or publisher), constancy, tenacity; 'costanza', 'tenacità' (ripa), abstract ideas and concepts (+ personification)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Drukkersmerk voor de drukkerij Plantijn-Moretus in Antwerpen. In het midden een hand met een passer, een verwijzing naar het uithangbord van de drukkerij 'De gulden passer'. Op een banderol het motto van Christoffel Plantijn: Labore et constantia. Naast het motto staan een mannelijke en vrouwelijke personificatie met schep en crucifix.
Portret van Rembrandt
Object type: print
Date: 1788 – 1812
Materials: paper
Techniques: etching, intaglio
Artist: michał płoński
Artist role: print maker
Artist dates: 1778 – 1812
Subjects: leiden, painter, print maker, draughtsman, rembrandt van rijn, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Twee afbeeldingen van twee vrouwen op straat
Object type: photograph
Date: 1902 – 1912
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: street, carrying something on the head or on the shoulders
Inscriptions: number: ‘Fig. 2’
Bonnet
Object type: bonnet
Date: 1882 – 1882
Materials: metal, silk
Culture: french
Artist: madame henry
Artist role: designer

Made in Paris in October 1882, the contrast of the two-toned velvet as well the textures of the plush gives this fairly simple bonnet a luxurious and interesting appearance, and is exemplary of the 1880s vogue for richly textured upholstery-like textiles. Amelia Beard Hollenback (1844-1918) was the wife of the prominent financier and philanthropist John Welles Hollenback (1835-1927). The Hollenback family made frequently trips to Europe and traveled extensively throughout the United States.
Gevangenis te Soengeiliat
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers
Inscriptions: inscription: ‘Gevangenis te Soeng ei kiat’

Gezicht op de gevangenis van Soengeiliat op Banka. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
Broad Bracelet of Sithathoryunet
Object type: bracelet, sithathoryunet
Date: 1887 – 1813
Materials: gemstone, faience, gold, lapis lazuli
Location: egypt
Ptah, inscription obliterated except for the god's name
Object type: statuette, ptah
Date: 664 – 630
Materials: metal
Location: egypt

This statuette depicts Ptah, the chief god of Egypt's capital city Memphis and master craftsman of the gods. He is easy to identify by his tight-fitting cap, straight beard (different from the usual curved divine beard on other gods), and enveloping mummiform garment. The garment has a stiff upper edge along the back of the neck, a feature that occurs with some regularity also on Osiris statuettes, but its meaning is unclear. His hands emerge from long vertical slits in the cloak, which are visible on the chest. He also wears a broad collar with a faintly inscribed counterpoise and he carries a scepter. Commonly Ptah holds a scepter that combines the symbols for life (ankh), dominion (was), and stability (djed), but here he holds only the was scepter, hearkening back to earlier representations of the god. The inscription on the base is worn and damaged, although it does preserve the god's name as well as some other signs. Ptah was a benevolent and approachable god, characteristics that may have inspired his devotees to dedicate numerous representations of him in the Late and Ptolemaic Periods.
Titelpagina voor: G. Maggi, De tintinnabulis liber postumus, 1664
Object type: titelblad, titelpagina
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: pieter philippe
Artist role: print maker
Artist dates: 1635 – 1702
Subjects: church bell
Inscriptions: collector's mark: Lugt 2228

Landschap met een vrouw die onder een bel zit waarop de titel "De tintinnabulis liber postumus". Met een hamer slaat ze tegen de bel. Op haar schoot een kleinere bel.
Cambronne at Waterloo (Furnishing Fabric)
Object type: textile
Date: 1820 – 1825
Materials: cotton
Techniques: engraving, weave, printing
Location: france
Artist: hartmann et fils
Subjects: propaganda
View of the Palazza Madama, Rome (?)
Object type: drawing
Date: 1734 – 1766
Materials: chalk, paper
Techniques: stumping
Artist: charles michel ange challe
Artist role: artist
Artist nationality: french
Artist dates: 1718 – 1778
Subjects: buildings
Sculptuur van een Amazone te paard
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving, intaglio
Location: rome
Subjects: (story of) the amazons, piece of sculpture, reproduction of a piece of sculpture

Het beeld bevindt zich in het Museo archeologico Nazionale di Napoli. Deze prent maakt deel uit van een set van 79 prenten (+ titelprent) met voorstellingen van antieke sculpturen in Rome.
Ewer with Arabic Proverb, "Devotion Fortifies Action"
Object type: ewer
Date: 901 – 1000
Materials: earthenware, glaze
Location: uzbekistan

Slip-painting, the technique employed to decorate this ewer, was developed in Khurasan and Central Asia in the 10th century. It consists of diluting the pigment of the desired color in a slip (liquid clay), and of painting designs with the mixture: the adherence of the slip-painted designs to the surface of the vessel makes for a neat design, that does not run under the glaze. In this case, fine incisions of the black slip give definition to the design. The black slip-painting outlines a continuous motif of palmettes connected by a band with loops and an inscription in Kufic script. The text, typical of slip-painted vessels of this type, is an Arabic proverb and reads "devotion fortifies action".
Gezicht op Maarssen met huis Bolenstein en Vechtleven
Object type: print
Date: 1718 – 1757
Materials: paper
Techniques: etching
Subjects: river, rural housing, e.g. country-house, villa, cottage, maarssen

Naar prent in: Stopendaal, Daniel. De zegepraalende Vecht, vertoonende verscheidenen gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende. Amsterdam: Weduwe Nicolaas Visscher, 1719.
Michelangelo Buonarroti (?)
Object type: print
Date: 1530 – 1576
Techniques: engraving
Artist: lambert suavius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1576
Kerk aan een rivier
Object type: print
Date: 1682 – 1709
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: river, church (exterior), watermill in landscape, bridge
Inscriptions: collector's mark: Lugt 1641, stamp

Gezicht op een rivier in een stad met rechts een watermolen. Op de achtergrond een brug en een kerk. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Buitenleven.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: orleans painter
Artist role: artist

Interior, herm; youth running to left, holding jumping weights in both hands?
Maison J. et L. de Waele, frères
Object type: page
Date: 1874 – 1879
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: panelling, staircase, sculpture (+ relief ~ sculpture)
Inscriptions: inscription: ‘Livre d'or/ L'art et l'industrie Belges a l'exposition universelle de 1878.’, inscription: ‘Rue de l'Intendant, 33, a Molenbeek-Bruxelles’
Ontwerp voor een dessertbord van een porseleinen servies voor Pillivuyt
Object type: drawing
Date: 1889 – 1890
Materials: graphite, ink, paper, watercolor
Techniques: brush, pen
Location: sèvres
Artist: jules auguste habert-dys
Inscriptions: inscription: ‘vert pales AS N0 7 / " fonce AS " 5 / " 446 / " CF No. - 7’, number: ‘7’, inscription: ‘PL No. 4 / ass. à dessert’, inscription: ‘fait’, number: ‘N 6’, signature: ‘J. Habert-Dys’, inscription: ‘Nos. 1.2.3.4.5.6.7 / serie de complément / recue le 19 Août 1890’, number: ‘27’
Covered jar with hoo-birds in panels on a ground of lotus and floral scrolls
Object type: covered jar
Date: 1720 – 1770
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Dekselpot van porselein, beschilderd in onderglazuur blauw en op het glazuur rood, zwart en goud. Op de buitenwand bloemranken met hierin uitgespaard afwisselend een lotusrank en een cartouche met een hoo-vogel. Rond de voet een band met puntige bladmotieven. Imari.
Maffet Ledger: Drawing
Object type: drawing
Date: 1874 – 1881
Materials: crayon, graphite, paper, watercolor
Culture: cheyenne
Location: united states
Subjects: weapons,men,horses
Fragment
Object type: textile
Date: 1634 – 1666
Materials: fiber, gilt, gold, silk, silver gilt
Techniques: brocade, patterning, weave
Location: italy
A Broadman's Cottage
Object type: photograph
Date: 1886 – 1886
Techniques: platinum print
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Portret van een vrouw in een gestreepte jurk, leunend op een stoel
Object type: album leaf
Date: 1872 – 1873
Materials: cardboard, paper
Techniques: albumen print
Location: cumnock
Artist: j. ballantine
Artist role: fotograaf
Subjects: historical persons - bb - woman, chair
Inscriptions: inscription: ‘J. Ballantine/ PHOTOGRAPHER/ CUMNOCK’
Gezicht op de Marnixstraat met molen De Victor
Object type: photograph
Date: 1880 – 1898
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', windmill in landscape, the usual house or row of houses, street
Inscriptions: inscription: ‘gezicht naar de Marnixstraat naar de Molen de Victor aan de Marnixstraat / bij de Raampoort’, collector's mark: ‘10,9’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Maagdelievenstraat, Markenplein, Marnixstraat, Martelaarsgracht, Meeuwenlaan, Mennonietenpad, Meijerplein (Jonas Daniël), Mozes en Aäronstraat, Muidergracht, Muntplein.
Lidded jar
Object type: jar with lid
Date: 1600 – 1101
Materials: faience
Techniques: glazing
Location: mesopotamia