deem-data/ArtiFact huggingface dataset:
Kanonnier
Object type: book illustration
Date: 1573 – 1573
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: firearms: cannon, warfare; military affairs, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Zowel de voorstelling als de ornamentrand werd gebruikt voor verschillende edities van Leonhardt Fronspergers Kriegsbuch.
Chushingura Act III
Object type: print
Date: 1800 – 1800
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: theatre,men,women

Utamaro uses the "E-kyodai" format here also to combine two scenes to humorous effect. Although both scenes in this work depict physical conflicts, they are conflicts of a radically different character. The upper cartouche contains a scene from "Chushingura," one of the most popular Kabuki plays, in which one feudal lord attacks another with a sword within the confines of Edo Castle, a grave breach of decorum that will lead to dire consequences. The conflict in the larger image, however, is merely a domestic love quarrel in which a man attempts to hit his nagging wife with a piece of kitchen equipment. In the spirit of jocular parody, Utamaro likens this petty household turmoil to the great tragic political drama "Chushingura."
Tekenaar voor boerderij
Object type: print
Date: 1765 – 1769
Materials: paper
Techniques: etching, roulette
Location: amsterdam
Artist: cornelis ploos van amstel
Artist role: draughtsman, print maker
Artist dates: 1726 – 1798
Subjects: draughtsman at work, farm (building)
Inscriptions: collector's mark: ‘RIJKS / MUSM’

Een tekenaar zit op een bank voor een boerderij. Twee mensen leunen op de onderdeur. De prent ligt los in een album, zie blad 58.
Mannen met elkaar pratend op een veemarkt
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: cattle, adult man (+ standing), market-hall
Armchair (Bergère à la Reine)
Object type: furniture
Date: 1750 – 1765
Materials: wood
Techniques: gilding
Location: france
Artist: jacques chenevat
Subjects: furniture
Study of Eleven Heads
Object type: drawing
Date: 1567 – 1633
Materials: chalk, graphite, ink, paper
Techniques: pen
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Subjects: faces,heads,men

This drawing is from a group of studies intended as a repertoire of figures for practice and reference. It is one of the most significant and most intact of several such sheets composed by de Gheyn, who worked primarily as a printmaker and draftsman, and was trained by Hendrick Goltzius. The drawing combines images from life (the young man viewed from several angles, blowing a conch shell) with those invented by the artist (the Medusa head and the two strange, long-haired figures, possibly Gypsies, in the center). The varied style of drawing suggests that de Gheyn created the sheet during at least two distinct periods in his career. As technical analysis reveals that he used three different types of ink, he may even have made the drawings on three separate occasions.
Portret van Heinrich Johann, graaf van Dunnewald
Object type: print
Date: 1635 – 1695
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: christiaan hagen
Artist role: draughtsman, print maker
Artist dates: 1635 – 1707
Subjects: battle (+ cavalry, horsemen), military clothing and other equipment (uniforms, cap, armour, helmet, etc.)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Heinrich Johann, graeff von Dünnewald, General Maior beij der keijzerlichen armée.’

Portret van Heinrich Johann, graaf van Dunnewald, gekleed in een harnas met in zijn rechterhand een commandostaf. Op de achtergrond is een ruiterslag afgebeeld. Onder zijn portret een plint, waarop in een handschrift in pen zijn naam en titel in twee regels in een cartouche.
Pair of Teabowls with Bamboo
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting, underglaze
Location: china

These eggshell-thin bowls represent an exquisite example of the technique known as doucai (dovetailing or contending colors), in which underglaze-blue outlines are partly filled with overglaze enamel colors. Outlines of bamboo were painted in cobalt and covered with a transparent glaze before firing. The leaves were then colored with pale green, yellow, and red enamels, and the bowls refired at a lower temperature.

Bamboo, which remains green throughout the year and whose hollow stems bend without breaking, has traditionally been viewed in China as a poignant image of human resilience. The elegant depiction of nature on these teabowls was undoubtedly inspired by China’s long tradition of bamboo paintings on silk and paper.
Cup and saucer in the style of Worcester
Object type: cup and saucer
Date: 1801 – 1900
Materials: hard paste porcelain
Artist: edmé samson
Artist role: maker
Artist nationality: french
Artist dates: 1810 – 1891
Subjects: birds,insects
Plate 103: Neptune Sending a Deluge to Troy (Neptunus ob violatum a Laomendonte pactum eluviem Troianis agris immittit), from Ovid's 'Metamorphoses'
Object type: print
Date: 1606 – 1606
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: weapons,neptune
La Famille du graveur
Object type: print
Date: 1898 – 1898
Techniques: woodcut
Artist: maurice delcourt
Artist role: artist
Artist nationality: french
Artist dates: 1877 – 1916
Subjects: children,women,desks
Portrait of Christoph Mondragon
Object type: drawing
Date: 1601 – 1700
Materials: board, chalk, down
Techniques: brush, incising, wash
Artist: anonymous, flemish, 17th century
Artist role: artist
Artist nationality: flemish
Artist dates: 1600 – 1700
Subjects: men,portraits
Nautilus cup
Object type: nautilus cup
Date: 1801 – 1900
Materials: shell, silver gilt
Artist: friedrich hillebrand
Artist role: artist
Artist nationality: german
Artist dates: 1580 – 1608
Subjects: spears,men,horses
Jongen met hoed vol druiven
Object type: print
Date: 1825 – 1836
Materials: paper
Techniques: hand coloring
Location: london
Subjects: thief, bunch of grapes
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 634b
Tubular Jetty, Mouth of the Adour, Port of Bayonne
Object type: photograph
Date: 1892 – 1892
Techniques: albumen silver print, glass negative
Artist: louis lafon
Artist role: artist
Artist nationality: french
Artist dates: 1870 – 1899
Subjects: industry
Verfrissing in het zwembad
Object type: photograph
Date: 1942 – 1942
Materials: photographic support
Techniques: photography
Location: overveen
Subjects: overveen, tweede wereldoorlog

Een grote groep mensen aan de kant van het zwembad: het Stoop's bad, midden in de oorlog!
Gevangenneming van Philips van Marnix door de Spanjaarden bij Maaslandsluis, 1573
Object type: design
Date: 1783 – 1785
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: brussels, leiden, politician, filips van marnix van sint-aldegonde, historical persons, prisoner of war (after the battle), historical events and situations

Gevangenneming van Filips van Marnix, heer van Sint-Aldegonde, door de Spanjaarden in Maaslandsluis, november 1573. Filips omringd door Spaanse soldaten, verdedigt zich met het zwaard. Ontwerp voor een prent.
Bron van Svinngarn en runensteen in Sigtuna
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Subjects: sigtuna, svinnegarn

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Fan
Object type: fan
Date: 1870 – 1870
Materials: ivory, mother of pearl, silk, steel
Techniques: lace
Artist: a. rodien
Artist role: manufacturer
Subjects: butterflies
Zomer
Object type: print
Date: 1563 – 1563
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: summer, 'aestas'; 'estate' (ripa), summer landscape; landscape symbolizing summer (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months), summer landscape; landscape symbolizing summer (the four seasons of the year) (+ with zodiacal signs of the summer season)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

In de voorgrond de personificatie van de Zomer: een volwassen man, gekroond met een korenkrans. In zijn handen enkele korenaren. Op de achtergrond zomertaferelen: hooiende en oogstende boeren. Schapen die worden gewassen en geschoren en een herder met zijn schapen. Boven in de lucht de drie astrologische tekens van de zomer: Kreeft, Leeuw en Maagd. De prent heeft een Latijns onderschrift en is deel van een vierdelige serie over de vier seizoenen.
Boom op Curaçao
Object type: photograph
Date: 1908 – 1910
Materials: photographic support
Techniques: photography
Subjects: andries augustus boom
Inscriptions: inscription: ‘A.A. Boom / A. Statinus Muller. Agent v/d K.W.I.M. ... Aug. 1910 Curaçao.’

Andries Boom poserend met de plaatselijke agent van de K.W.I.M. en de commandant van de politie, augustus 1910 Curaçao. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Fragment of Sprang Work
Object type: fragment
Date: 1450 – 1500
Materials: silk
Incense burner
Object type: incense burner
Materials: glaze, porcelain
Culture: chinese
Portret van een onbekend meisje
Object type: frame
Date: 1855 – 1870
Materials: glass, metal, paper, wood
Techniques: ambrotype
Artist: Anonymous
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Berkenrode
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: villa

Prent uit: Rademaker, Abraham, Matthaeus Brouërius van Niedek en Isaac Le Long. Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen. Amsterdam: Willem Barents, 1725, ill. nr. 56.

Of uit de heruitgave van 1727-1733.
De schipbrug in de Schelde, 1585
Object type: history print
Date: 1649 – 1651
Materials: paper
Techniques: etching
Location: rome
Artist: Anonymous
Subjects: rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), pontoon bridge, antwerp

Gebruikt als illustratie in: F. Strada, De Bello belgico decades duae auctiores et correctiores cum figuris encis prodeunt a Famiano Strada Soc: Jesu Romano Moguntiae 1651.
Kopie naar de anonieme prent in de oorspronkelijke editie van 1647, zie FMH 454A/19 en FMH 906.
Sheet with brown floral pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Pair of single-light wall brackets
Object type: wall bracket
Date: 1750 – 1750
Materials: wood
Techniques: carving, gilding, painting
Subjects: flowers
Badge with Madonna and Infant
Object type: pilgrim's badge
Date: 1467 – 1533
Materials: alloy, lead, tin
Culture: british
Subjects: madonna and child
Lucas en Agathe in het bos van Sénart
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel berger
Artist role: print maker
Artist dates: 1744 – 1824
Subjects: hendrik iv (koning van frankrijk en navarra), literary characters and objects, forest, wood
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Genealogischen Calender für West-Preussen auf das Jahr 1775, uitgegeven op kosten van de Konigliche Academie der Wissenschaften.
Deze prent maakt deel uit van een serie van twaalf prenten, gedrukt van een koperplaat. De prenten tonen scènes uit het toneelstuk 'La partie de chasse de Henri IV' (1767) van Charles Collé.
Tankard
Object type: tankard
Date: 1701 – 1800
Materials: pewter
Denarius (Coin) Portraying Julia Mamaea
Object type: coin
Materials: metal, silver
Techniques: striking
Culture: roman
Location: rome
Subjects: goddesses, gods (deities)
Inscriptions: Obverse: IVLIA MAMAEA AVG
Reverse: VENVS VICTRIX
"Venus Victorious"

The front (obverse) of this coin portrays the bust of Julia Mamaea, the mother of Roman Emperor Alexander Severus, facing to the right, draped, and diademed. On the back (reverse), the goddess Venus stands front, head left, helmet in right hand, spear in left, shield resting against her leg.

Coins recorded the ever-changing hairdos of the royal ladies in Rome and carried the new fashions to the far corners of the empire.
Maeson de ville de Maestricht / Het Stad-huys van Maestricht
Object type: print
Date: 1700 – 1750
Materials: paper
Techniques: etching
Artist: jacobus harrewijn
Artist role: print maker
Artist dates: 1660 – 1740
Subjects: townhall, exterior ~ architectural design or model, maastricht
Gezicht op de Amstelbrug en de Weesperpoort te Amsterdam
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bridge, city-gate
Inscriptions: collector's mark: Lugt 1641b

Huidige staat van prent ook gebruikt in: Fockens, Melchior. Beschrijving Der wijdt-vermaarde Koop-stadt Amstelredam, Van haar eerste beginselen, zedert den Jare 1203. oude Voorrechten, verscheyde Vergrootingenoude Voor-rechten, en verscheyde Vergrootingen (…). 3de druk. Amsterdam: Marcus Willemsz. Doornick, 1664. En in: Zesen, Philipp von. Beschrybung der Weidtberuhmde Kauf-Stadt Amstelredam / Beschreibung der Stadt Amsterdam darinnen von derselben ersten ursprunge bis auf gegenwartigen zustand (…). Amsterdam: Marcus Willemsz. Doornick, 1664. Tweede bekende staat (met toevoeging Franse titel) ook gebruikt in: Domselaer, Tobias en Isaac Commelin. Beschryvinge van Amsterdam : haar eerste oorspronk uyt den huyze der heeren van Aemstel en Aemstellant (…). 6 dln. Amsterdam: Marcus Willemsz van Doornick, 1665. Derde bekende staat (versneden tot twee platen, Amstelbrug linksboven genummerd: 69; Weesperpoort rechtsboven genummerd: 68) ook gebruikt in verschillende latere zeventiende- en achttiende-eeuwse publicaties.
Ribbed tankard
Object type: cup
Date: 1550 – 1599
Materials: engobe, glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: raeren
Artist: Anonymous

Bierpul van steengoed met een cilindrisch, naar onder toe spreidend lichaam en C-vormig oor. Bedekt met een bruine engobe. Onder de rand en boven de voet een brede, geribde band. Raeren.
The Silver World  (Gin sekai) 銀世界
Object type: illustrated book
Materials: ink, paper
Techniques: polychrome, woodblock print
Culture: japanese
Artist: 喜多川歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: human figures,moon,trees,snow

This book, part of a series on the theme of snow, moon, and flowers, contains seventy-eight kyōka about snow. Here, Chinese boys are playing in the snow, which is delicately emphasized by an embossing technique.
Gelderland, Philips II, oord, 1589
Object type: coin
Date: 1589 – 1589
Materials: copper
Techniques: striking
Location: gelderland
Artist: philip ii of spain
Artist role: koning
Artist dates: 1527 – 1598

Koperen munt. Voorzijde: gekroond bourgondisch wapenschild. Keerzijde: portret van Philips II naar links. Jaartal in omschrift.
Gezicht op de façade van de Notre-Dame van Amiens
Object type: print
Materials: paper
Techniques: etching
Artist: charles john watson
Artist role: print maker
Artist dates: 1846 – 1927
Subjects: parts of church exterior and annexes: façade, notre-dame d'amiens
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Gezicht op Maagdenburg
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: prospect of village, silhouette of village, shooting-the-bird (on a high pole)
Inscriptions: collector's mark: Lugt 2165

Panorama van Maagdenburg, gezien van de overzijde van de Elbe naar het westen, met onder andere de Dom van Maagdenburg en de Sint-Johanneskerk. Linksboven het keizerlijke wapen van het Heilige Roomse Rijk en rechts het stadswapen van Maagdenburg. Links op de voorgrond een groep figuren bezig met vogelschieten, waarbij een schutter met zijn kruisboog een houten vogel van een paal tracht te schieten. Rechtsonder een stadsplattegrond van Maagdenburg.
Versailles. Galerie des Batalles
Object type: photograph
Date: 1880 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: kasteel van versailles
A muse standing in a niche, left arm resting in a ledge
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: muses
Portret van een onbekend meisje met klarinet
Object type: photograph
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: clarinet, bassoon, oboe, shawm (+ artist at work)
Inscriptions: inscription: ‘3.50’
Hollandiae septentrionalis & Frisiae occidentalis accuratissima delineatio
Object type: map
Date: 1726 – 1750
Materials: paper, pencil, watercolor
Techniques: brush, engraving, etching
Location: amsterdam
Artist: Anonymous
Subjects: 'cornucopia', horn of plenty, maps of separate countries or regions, (story of) mercury (hermes), river-gods, satyr(s) (in general)
Inscriptions: collector's mark: Lugt 195

Linksonder twee schaalstokken: Milliaria Germanica communia / Duytsche mylen 15 in een graat; Milliaria Gallica communia / France mylen, of uuren gaans. Rechtsonder de titelcartouche met daaromheen verschillende figuren waaronder een man met een paard, saters, putti, Mercurius die de hoorn des overvloeds aanneemt van een vrouwfiguur, en een riviergod. Daaronder een inzetkaart van het Waddengebied met een schaalstok: Gemeene Duytsche mylen. Gradenverdeling langs de randen. Met gekleurd rooster.
A butcher riding a donkey, from a group of drawings depicting Peruvian dress
Object type: drawing
Date: 1848 – 1848
Materials: watercolor
Artist: francisco (pancho) fierro
Artist role: artist
Artist nationality: african peruvian
Artist dates: 1807 – 1879
Subjects: men,women

For comment on the group of drawings to which this belongs, see 38.145.451.
Plate
Object type: plate
Date: 1700 – 1780
Materials: glaze, porcelain
Culture: japanese
Subjects: flowers
See 26.8.61a
Object type: fish bead, part of 26. 8. 61a
Date: 1479 – 1425
Materials: gold
Location: egypt
Poncho
Object type: costume and accessory
Date: 1300 – 1550
Materials: animal fiber, wool
Techniques: interlocking, tapestry, weave
Location: peru
Subjects: geometric, status, offering, birds, fish

At least three weavers worked together to create this large textile. Their collaboration can be perceived in subtle vertical junctures in the threads, which appear at points throughout the gridded background. These lines divided their individual working areas. Ponchos were male garments, and this laboriously made example was likely a prestigious offering in the burial of an important man.
Portret van een baby, zittend in een fauteuil
Object type: carte de visite
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: winschoten
Artist: b.j. pottjewijd
Artist role: fotograaf
Artist dates: 1859 – 1941
Subjects: sitting figure, historical persons, infant, baby ~ the ages of man, chair
Inscriptions: inscription: ‘(...)/ Photographie/ B. J. Pottjewijd/ Winschoten./ Het negatief blijft voor nabestelling bewaard./ Vergrootingen in alle afmetingen.’
Jar Inscribed for the Mayor of Thebes Sennefer
Object type: jar, sennefer
Date: 1427 – 1400
Materials: stone
Location: egypt
Subjects: hieroglyphs
Portretten van ambassadeurs van de Vrede van Munster
Object type: print
Date: 1648 – 1670
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: diplomaat, adriaen clant, vrede van münster
Inscriptions: collector's mark: Lugt 2228

Buste naar rechts van Adriaen Clant in een ovaal. Onder het portret vijf regels in het Latijn. Prent uit een serie portretten van ambassadeurs betrokken bij het vredesverdrag van Munster.
[Kitchen and Stables of Government House, Calcutta]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: john constantine stanley
Artist role: artist
Artist nationality: british
Artist dates: 1837 – 1878
Subjects: buildings,cities
Voorzichtigheid en Rechtvaardigheid
Object type: print
Date: 1537 – 1537
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues
Inscriptions: collector's mark: Lugt 2228

Voorzichtigheid (Prudentia) en Rechtvaardigheid (Justitia) zitten naast elkaar op een stenen blok. Prudentia bekijkt zich in de spiegel, een slang windt zich om haar arm. Justitia is geblinddoekt en houdt een zwaard en een wegschaal in haar handen.
Fragment
Object type: textile
Date: 1201 – 1300
Materials: animal substrate, gilt, linen, silk
Techniques: weave
Location: spain
Subjects: dogs, animals
Painted Banner (Thangka) with Guru Dragpur, a Wrathful Form of Padmasambhava
Object type: painting
Date: 1701 – 1900
Materials: textile, pigment, silk
Culture: tibetan
Location: tibet
Portret van Heinrich Bäthig
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: lithograph
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Saint Gregory surrounded by other saints, in front of an archway with putti holding garlands overhead
Object type: print
Date: 1700 – 1750
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: men,women,saints,insignia
Ewer and basin
Object type: bekken schaal
Date: 1765 – 1765
Materials: silver
Techniques: gilding
Location: paris
Subjects: ornament ~ festoon, garland
Inscriptions: date letter, duty mark, duty mark, duty mark, duty mark, date letter, duty mark, maker's mark

The ewer and basin were part of a toilet service that King Charles III of Spain gave Marie Louise of Parma, who married his eldest son in 1765. These are the only parts of the service that have been preserved. The ewer was used to pour water into the basin for the lady’s toilet.
Maria en het slapende Christuskind
Object type: print
Date: 1655 – 1700
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: collector's mark: Lugt 2228
Ex libris van Gianni Mantero
Object type: bookplate
Date: 1907 – 1979
Materials: paper
Techniques: woodcut
Location: austria
Artist: erna levy friedländer
Artist role: print maker
Artist dates: 1890 – 1979
Subjects: gianni mantero, face, mason at work
Twee zwaardvechters
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: engraving, etching
Location: groningen
Subjects: fencing (sport)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee naakte zwaardvechters. De prent maakt deel uit van een serie over twee zwaardvechters in een tweekamp.
Scarab
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Subjects: scarab beetle, insects
Miss Oteri, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Brief aan Philip Zilcken
Object type: letter
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: thérèse schwartze
Artist role: draughtsman, painter, print maker
Artist dates: 1851 – 1918
Subjects: the hague, philip zilcken, germany, belgium
Inscriptions: collector's mark: ‘RPK’, watermark