deem-data/ArtiFact huggingface dataset:
Herberg met feestende gasten
Object type: print
Materials: paper
Techniques: engraving
Location: leiden
Subjects: temperance, teetotalism, periodic celebrations, popular feasts (+ eating and drinking ~ festive activities)
Inscriptions: signature: ‘B. Dolendo fecit.’, collector's mark: Lugt 2228, caption: ‘Houdt doch Mate - in vrede leven’, signature: ‘Z: Dolen Inue.’

Bij een herberg zitten mensen op banken onder een afdak te feesten en te drinken. Twee mannen liggen naast een waterput op de grond en slapen hun roes uit. Langs de weg staat een reiziger met paard te praten met een van de feestgangers die uit een bierpul drinkt. De herberg ligt aan de rand van een stad naast de kerk. Onder de voorstelling een Nederlands vers over matigheid.
Scarab
Object type: scarab
Date: 1492 – 1479
Materials: faience
Location: egypt
Subjects: scarabs
Grand Temple d'Isis, à Philae, inscription démotique
Object type: photograph
Date: 1849 – 1851
Techniques: salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Landschap met water en een molen
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), windmill in landscape

Blad 25 verso uit een schetsboek met 42 bladen.
Portret van de heer W.F. van Stuyvesant Meyen, gepensioneerd schout bij nacht
Object type: carte de visite
Date: 1880 – 1905
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: utrecht
Artist: jean jacques antoine van winsen
Artist role: fotograaf
Artist dates: 1851 – 1927
Subjects: historical persons
Inscriptions: title: ‘25 september 1831 1 juli 1905 W.F. v. Stuyvesant Meyen gep. Schout bij nacht’, signature: ‘J.J. A. van Winsen Utrecht’, signature: ‘Photografisch Artistisch Atelier J.J.A. van Winsen Utrecht, Nieuwe Gracht 75 b/d Zuylenstraat.’

Carte-de-visite is onderdeel van een groep portretten aangeboden aan A.J. Nijland, verzamelaar van historieprenten.
Bowl
Object type: bowl
Date: 1501 – 1700
Materials: glaze, stonepaste
Techniques: painting
Location: iran
Thonies, vissersboten in de baai van Galle
Object type: drawing
Date: 1786 – 1786
Materials: paper, pencil, watercolor
Techniques: brush
Location: galle
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., sea and coastal fishery
Inscriptions: inscription: ‘Tonies geteekend te Gale op Ceylon op den 20 January 1786’, inscription: ‘Toni een soort van vaartuigen het welke de Ceylonsche Zwarten gebruiken om te visschen en om goederen te vervoeren na andere plaatsen’

Kleurtekening over twee pagina's van de verschillende soorten vissersboten die de inwoners van Ceylon gebruiken. Met diverse opschriften. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 146-147.
Dish
Object type: dish
Date: 1530 – 1530
Techniques: maiolica, glazing
Subjects: coat of arms
Autumn (one of a pair)
Object type: vase
Date: 1742 – 1745
Materials: marble
Artist: jean-baptiste pigalle
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1785
Subjects: animals,grapes,faces

This vase, along with its mate by Jean-Baptiste Pigalle, was part of a set of four designed for the royal Château de Choisy by the architect Ange-Jacques Gabriel. None of the vases, however, was ever sent to Choisy. The Museum's pair was given by Louis XV to the marquis de Marigny, the marquise de Pompadour's brother, who placed them in his own château at Ménars, where they remained until the beginning of this century. The other pair, decorated with the attributes of Spring, was made by Jacques Verbeckt and is divided between the Musée du Louvre in Paris and the château at Malmaison.
Landschappen met Bijbelse, mythologische scènes en jachttaferelen
Object type: print
Date: 1584 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ornamental birds, death i.e. the fall of icarus (daedalus present), dog (+ ornamental variants of animals), crustaceans: crab (+ ornamental variants of animals), rodents: mouse (+ ornamental variants of animals), cultivated land (+ landscape with figures, staffage), flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228

Landschap met akker. In de lucht Daedalus en Icarus. Icarus vliegt te hoog bij de zon, de was van zijn vleugels smelt en hij valt uit de lucht. Op de voorgrond kijkt een boer op van het ploegen, terwijl twee herders naar de lucht kijken en wijzen. De prent heeft een ornamentele lijst met bloemen en dieren. Hij maakt deel uit van een vierentwintigdelige serie van landschappen met Bijbelse, mythologische scènes en jachttaferelen.
Grand succès des cafés-concerts
Object type: leaflet
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: paris
Artist: v. michel
Artist role: print maker
Subjects: caricatures (human types), political caricatures and satires, the arts of the stage: ballet, theatre, musical drama, motion picture

Prent gebruikt voor: Psst...!, nr. 45, 10 december 1898. Psst..! was een politieke weekkrant met antisemitische en anti-Dreyfus cartoons.
Terracotta fragment of a lebes (deep bowl)?
Object type: lebes fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

On the shoulder, a band of pendant lotuses with dots in the interstices; heads of two helmeted warriors to right, and part of the mane of a horse to right
Tureen and Stand
Object type: metalwork
Date: 1773 – 1774
Materials: metal, silver
Location: france
Artist: jean-françoise dapcher
Inscriptions: Mark: JF surmounted by tower, dexter female head, A,K, lobed flower. Lid - A crowned, K crowned; Tureen - A crowned, maker's mark and, n rim, two discharge marks; Stand - A crowned K crowned (3 times), maker's mark (3 times), rosette, and, on rim, discharge mark; Inventory numbers: lid and stand: "No. 3.29 and 3.30"; tureen and liner: "No. 2.29 and 57.30"

Jean-François Dapcher, whose maker’s mark is on this early Neoclassical tureen, was a pupil of the great Parisian silversmith and goldsmith François-Thomas Germain (1726–1791). At the time the tureen was produced, Germain was on the run for bankruptcy, and forbidden by law from making or marking silver. This may have obliged him to leave his masterworks unsigned and opt for cover by his apprentice, Dapcher.

The Stroganov coat of arms, emblem of one of the grandest Russian noble families, is prominently featured on both sides of the tureen in an oval shield. The tureen was produced for Count Alexander Sergeyevitch Stroganov, Russian ambassador to London and Naples and a renowned collector and patron of the arts. Like most Russian nobles, Count Alexander loved French culture and commissioned luxurious objects from Parisian craftsmen. Only one other piece from this dinner service is known to have survived. Beef Stroganoff must have been named for a later member of the family as the recipe first appears in a cookbook only in 1861.
Angels' Head. Miss Frances Isabella Ker Gordon, in five Positions
Object type: photograph
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Subjects: picture, painting, angels
Kaart van het noordelijk deel van het graafschap Vlaanderen
Object type: map
Date: 1677 – 1720
Materials: paper
Techniques: engraving, etching, hand coloring
Artist: Anonymous
Subjects: maps of separate countries or regions, bruges

Kaart van het noordelijk deel van het graafschap Vlaanderen. In een balk boven de kaart, in het midden, de titel. Links hiervan een legenda. Rechts van de titel twee schaalstokken: 1 1/2 Gemeene Duytsche Mijlen van 15 in een Graad / 2 Fransche Mylen ofte Uren Gaans van 20 in een Graad. De kaart is voorzien van een coördinaten-net en een gradenverdeling.
Brief aan Philip Zilcken
Object type: letter
Date: 1873 – 1930
Materials: ink, paper
Techniques: pen, writing
Artist: jules destrée
Artist role: politician
Artist dates: 1863 – 1936
Subjects: the hague, painter, draughtsman, philip zilcken, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’, motto: ‘RPK’
Home of the Storm Gods, California
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: mountains,landscapes
Raam met voorstelling van de schilder Rembrandt
Object type: light window
Date: 1883 – 1884
Materials: glass, lead
Techniques: leading
Location: england
Artist: william francis dixon
Artist role: glasschilder, glazenier
Subjects: leiden, draughtsman, rembrandt van rijn
Portret van paus Johannes IV
Object type: print
Date: 1761 – 1775
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: rome, historical persons, pope

Prent waarschijnlijk uit: Effigies Romanorum pontificum a S. Petro ad Pium VI (...). 2 dln. Venetië en Bassano del Grappa: Giuseppe Remondini, 1775. Prent met tekst op verso gebruikt in: Platina (Bartholomaeus Sacchi). Storia delle vite dei pontefici da Platina e d'altri autori (...). Venetië: Domenico Ferrarin, 1760, dl. 1, p. 309.
Flounce
Object type: flounce
Date: 1734 – 1766
Techniques: lace
Subjects: flowers
Tennis Racket, from the Novelties series (N228, Type 5) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,tennis
Designs for a Sword of Honor to be presented by the City of London to Admiral Sir Frederick Beauchamp Paget Seymour, 1st Baron Alcester (1821–1895)
Object type: two design drawing
Date: 1882 – 1882
Materials: ink, paper
Techniques: brush, pen, wash
Culture: british
Location: england

Swords of honor are lavishly decorated weapons with ornate hilts and fittings made of gold and silver, usually set with jewels and enamels, which were commissioned by the Corporation of the City of London from leading jewelers, goldsmiths, and cutlers for presentation by the City to distinguished military heroes as rewards for extraordinary valor or service. A total of sixty-three swords of honor were presented between 1797 and 1982, with the practice peaking during the Napoleonic wars (33 swords) and the Victorian era (10 swords). These two drawings are the only known surviving examples of original designs for a City of London sword of honor made before the twentieth century. They were submitted by one of the ten documented entrants for the commission to create a sword of honor for presentation to Admiral Sir Frederick Beauchamp Paget Seymour (1821–1895) in 1882. Admiral Seymour had a long, distinguished, and extremely active naval career. The actions for which he was awarded a sword involved his position as commander of British forces in the Mediterranean from 1880 to 1883, specifically operations in Egypt, Turkey, Alexandria, and Dulcigno, which are named on the suspension bands of the scabbard in the sword designs. The sword's decoration seamlessly incorporates a balanced and well-conceived array of high and low relief sculpture in all of its components, with an iconographic program that presents a quintessential combination of individual and civic virtues. In addition to their rarity and historic significance, these drawings, executed with great skill and sensitivity, are excellent examples of British decorative art and design at the height of the Victorian era.
Portret van Anton van Bourgondië
Object type: book illustration
Date: 1565 – 1565
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: jan molijns
Artist role: print maker, publisher
Artist dates: 1498 – 
Subjects: helmet, helved weapons, polearms (for striking, hacking, thrusting): pike, armour, historical persons, armorial bearing, heraldry

Prent uit: Dit is die afcoemste ende genalogie der hertoghen ende hertoginnen van Brabandt, (...). Antwerpen: Jan Molijns, 1565.
Jupiter's Eagle Bringing Water of the Styx to Psyche
Object type: print
Date: 1540 – 1556
Techniques: engraving
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: eagles,psyche,dragons
Beau Séjour en portretten
Object type: photograph
Date: 1860 – 1866
Materials: cardboard, photographic support
Techniques: albumen print
Location: batavia
Subjects: historical persons not known by name - bb - woman, dyeing of cloth with pattern; batik-work, historical persons not known by name, batavia
Inscriptions: inscription: ‘Beau Séjour / Huis van den Heer Thibault’

Albumblad met zeven foto's. Centraal een gezicht tussen palmen op Beau Séjour, het huis van de heer Thibault in Batavia. Boven drie studioportretten van Indische vrouwen, onderaan portretten van een batikende vrouw, twee kinderen en een oude muzikant. Onderdeel van het tweede groene fotoalbum met foto's van Java, uit het bezit van apotheker Specht-Grijp, die in 1865 vanuit Batavia naar Nederland terugkeerde.
The Antiquary
Object type: painting
Date: 1855 – 1855
Materials: canvas, oil
Culture: american
Artist: edwin white
Artist role: artist
Artist dates: 1817 – 1877
Subjects: interiors,men
Brief aan August Allebé
Object type: letter
Date: 1898 – 1898
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: jan hendrik maschaupt
Artist role: painter
Artist dates: 1826 – 1903
Subjects: painter, andrzej graaf mniszech, amsterdam, print maker, draughtsman, august allebé, nicolaas van der waay, ferdinand leenhoff
Koeien bij een hek en een knotwilg
Object type: print
Date: 1816 – 1881
Materials: paper
Techniques: etching
Location: netherlands
Artist: albertus verhoesen
Artist role: draughtsman, painter, print maker
Artist dates: 1806 – 1881
Subjects: cow, meadow, pasture, windmill
Inscriptions: collector's mark: Lugt 2228

Een landschap met koeien bij een hek en een knotwilg. Links een rivier en aan de horizon een molen.
Nederland, gulden, 1845
Object type: coin
Date: 1845 – 1845
Materials: silver
Techniques: striking
Location: utrecht
Artist: william ii of the netherlands
Artist role: koning
Artist dates: 1792 – 1849

Zilveren munt. Voorzijde: borstbeeld naar links. Keerzijde: tussen waarde-aanduiding 1 G gekroond rijkswapenschild. Jaartal boven kroon. Randschrift.
Bronze thymiaterion (incense burner)
Object type: thymiaterion
Date: 325 – 275
Materials: bronze
Culture: etruscan
Subjects: birds
Straatgezicht in Harderwijk
Object type: drawing
Date: 1864 – 1864
Materials: chalk, paper
Techniques: brush
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: village street
Familieportret van onbekende leden van drie generaties in een tuin
Object type: cabinet photograph
Date: 1890 – 1910
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: three generations (family group), anonymous historical persons portrayed in a group, in a group-portrait
Fan
Object type: fan
Date: 1860 – 1869
Materials: metal, mother of pearl, paper
Culture: european
Subjects: men,women,flowers
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, strigil?, draped figure
Hollandia Regenerata
Object type: cartoon
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: london
Subjects: monkeys, apes, ornamental birds: parrot, dancing around the tree of liberty

Onderdeel van een in boekvorm uitgegeven serie van twintig spotprenten op de Provisionele Representanten van het Volk van Holland en de Bataafse Republiek in het algemeen in het jaar 1795. De serietitel 'Hollandia Regenerata' staat vermeld op de titelprent. Elke prent gevolgd door een tekstblad met een Bijbelcitaat in het Nederlands, een verklaring in het Frans en het Bijbelcitaat in het Engels. Waarschijnlijk uitgegeven in Londen door William Humphrey in 1795.
Frame
Object type: frame
Date: 1801 – 1900
Materials: gilt bronze, mother of pearl
Subjects: calendars
Portret van Louis-Nicolas Davout
Object type: print
Date: 1838 – 1841
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Galeries historiques de Versailles. Parijs: Charles Gavard, 1838-1841.
Abdijruïne van Aberbrothwick bij avond
Object type: drawing
Date: 1848 – 1848
Materials: paper, pencil, watercolor
Techniques: brush
Artist: david roberts
Artist role: draughtsman, painter
Artist dates: 1796 – 1864
Subjects: abbey, monastery, convent ~ roman catholic church, landscape with ruins (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Abbey of Aberbrothwick’
Johannes de Doper met kruis en lam
Object type: print
Date: 1637 – 1697
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan de bray
Artist role: draughtsman, print maker
Artist dates: 1627 – 1697
Subjects: john the baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff
Inscriptions: collector's mark: Lugt 240
Petronella Bon en Wilhelmus Scheffer op het San Marcoplein in Venetië
Object type: ansichtkaart, prentbriefkaart
Date: 1912 – 1920
Materials: paper
Techniques: gelatin silver print
Location: venice
Artist: Anonymous
Subjects: square, place, circus, etc., historical persons, doves, pigeons
Inscriptions: inscription: ‘Tante Nel en Oom Wim in/ Venetië’
Bij een bosvijver geven een man en een vrouw elkaar een hand
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: shaking hands, 'dextrarum junctio', forest, wood, pond, pool, father and son(s) (family group)
Inscriptions: collector's mark: Lugt 240
Studieblad met een baby, meisjeskoppen en armen
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper, pencil
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: head (human), arms, head-gear: cap (+ women's clothes), girl (child between toddler and youth), infant, baby

Blad 22 recto uit een schetsboek met 51 bladen.
Trophy of Marius, plate thirty-one from the Ruins of Rome
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: m. dubourg
Artist nationality: english
Artist dates: 1786 – 1838
Jan Lievens, A Landscape
Object type: photograph
Date: 1855 – 1858
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: drawing, sketch

Fotoreproductie van tekening in 'The Reveley Collection of Drawings at Brynygwin', afb. 22.
Rund
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: ox
Inscriptions: number: ‘100’

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Neu inventirte Hollaendische Camine, Erster Theil / Nouveau Livre de Chéminees Hollandoises Premiere Partie
Object type: ornament print
Date: 1709 – 1762
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: chimney, apollo shoots python, the dragon, rocaille ornament
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor een schoorsteen met een voorstelling van Apollo met pijlen en boog staande op de door hem overwonnen draak Python. De schoorsteenmantel is versierd met rocailleornamenten.
Lepel waarvan de steel bekroond wordt door een hertekop
Object type: spoon
Date: 1500 – 1700
Materials: brass
Techniques: casting
Location: europe
Artist: Anonymous
Inscriptions: quality mark

Spoon. Bronze. Italy, c. 1600.
Hunters on horses and on foot, with hounds pursuing a stag, and two buildings in a hilly landscape, from "Italian landscapes" (Diverse vedute designate in Fiorenza / Paysages italiens)
Object type: print
Date: 1618 – 1635
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: buildings,men,hunting,horses,landscapes
Portret van Anthony van der Woordt
Object type: print
Date: 1798 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: flushing, amsterdam, historical persons, portrait of a writer
Portret van Pieter Lodewijk Tak
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: middelburg, politician, pieter lodewijk tak, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘proefdruk / Jan Veth’

Dit portret werd uitgegeven als bijvoegsel bij De Kroniek op 19 oktober 1907.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, lower legs of figure?
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, head and shoulder of youth; Exterior, left foot; drapery and feet of a second figure sitting on a stool; part of handle palmette and tendrils
Draak/zeemonster
Object type: sculpture
Date: 1850 – 1875
Materials: dye, earthenware, glaze
Techniques: vitrification
Location: china
Artist: Anonymous

Draak/zeemonster, bestaande uit twee delen, verbonden met een houten staaf. De draak staat op zijn onderkaak, de staart steekt omhoog. Blauw, bruin, rood en wit geglazuurd en beschilderd.
Clarinet in C
Object type: clarinet in c
Date: 1836 – 1855
Materials: ivory, silver, wood
Culture: swiss
Location: switzerland
Artist: josef karl anton "charles" felchlin
Artist role: maker
Artist nationality: swiss
Artist dates: 1800 – 1855

The stamp on this instrument was – according to Langwill/Waterhouse – used by Josef Karl Anton Felchlin (born ?Schwyz 18 February 1800; died ?Bern 1855). He had a workshop in Bern between ca. 1836 and 1855. Overall size: 591 Bore: c-hole 13.8; f-hole 13.8 Conical part: 155 Technical description: Varnished boxwood (?) with ivory ferrules and silver keys. Six pieces: mouthpiece, barrel, upper section, middle section for the fingers of the right hand, lower section with keys, bell. Ebony mouthpiece grooved for cord. Slightly bulbous barrel. Square wooden rings. Speaker liner projects almost to the centre of the bore. Keys for E♭4/B♭5, C♯4/G♯5 and B♭3/F♮5 probably a later addition. Some remains of black colour on the keys indicate that the keys were also varnished black. Levers for L4, tone-hole and key for R4 mounted in a fusiform swelling. Straight F♯3/C♯5 lever without a guidance. Crude instrument that tries to look better than it is. L0: T; speaker. L1: T; throat A♮. L2: T. L3: T; E♭4/B♭5. L4: C♯4/G♯5; E3/B♮4; F♯3/C♯5. R1: T. R2: T. R3: T; B♭3/F♮5. R4: T; G♯3/E♭5. Keyhead type: flat square. Keymount type: turned wooden rings, swelling, screwed-in pillars. Inscribed on all pieces except for unstamped mouthpiece: star / lyre / "FELCHLIN / A BERNE" / star / "C". Inscription on bell hardly readable. (Heike Fricke, 2014)
Portret van Wilhelmina Buys-Mossel
Object type: album leaf
Date: 1899 – 1904
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: paul ferdinand götte
Artist role: fotograaf
Artist dates: 1867 – 1931
Subjects: historical persons - bb - woman
Inscriptions: address: ‘Amsterdam/ Keizersgracht 533.’
Plantage-eigenaar met honden op plantage Accaribo te Suriname
Object type: photograph
Date: 1916 – 1930
Materials: photographic support
Techniques: photography
Location: suriname
Artist: theodoor brouwers
Artist role: amateurfotograaf
Artist dates: 1874 – 1932
Subjects: amsterdam, theodoor brouwers, plantation, suriname
Inscriptions: inscription

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage.