deem-data/ArtiFact huggingface dataset:
Lute
Object type: lute
Date: 1669 – 1669
Materials: wood
Culture: italian
Location: italy
Artist: pietro railich
Artist role: maker
Artist nationality: german, active italy
Artist dates: 1615 – 1678

Railich built this instrument in a very particular time period when Renaissance tuning was incorporating new Baroque ideas. Therefore, it is difficult to know if it was conceived as a ten-course lute, following the old tradition, or as one of the new, innovative eleven-course lutes. The rather small body has twenty-one ribs made of snakewood. Like most of the lutes built before the eighteenth century, this instrument was modified to follow innovations in music. A repair label indicates that in 1720, Anton Fichtl of Vienna refurbished the instrument as a swan-neck lute. An interesting perforation on the bridge allows the instrument to change between eleven courses (the first two courses single) and ten courses (all double). This is the only known surviving eleven-course, swan-neck lute; the most common configuration is thirteen courses. (Jonathan Santa Maria Bouquet, 2009)
Anatomische studie van botten
Object type: drawing
Date: 1812 – 1861
Materials: ink, paper, pencil
Techniques: pen
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: (human) skeleton
Le Pérugin (Pietro Vanucci, dit). Portrait d'homme / Pietro Perugino. Portrait of a man
Object type: reproduction
Date: 1956 – 1956
Materials: cardboard
Techniques: color autotype
Location: moscow
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: date

De titel op object staat ook in het Russisch.
Tas van veelkleurig bedrukte trijp
Object type: bag
Date: 1890 – 1900
Materials: textile
Techniques: printing
Location: england
Artist: Anonymous

Tas van veelkleurig bedrukte trijp. Versierd met papavers en op de achtergrond grasjes. De tas is gevoerd met zalmkleurige zijde en heeft twee groenzijden toe-rijgbandjes.
Spoon
Object type: spoon
Date: 1701 – 1800
Materials: bone, brass, coral, mother of pearl
Two Girls in the Snow
Object type: painting
Date: 1890 – 1894
Materials: oil, panel
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adolescent, young woman, maiden, snow
Inscriptions: signature: ‘Isaac Israels’

An everday scene in Amsterdam in the winter: two warmly dressed factory workers or studio models. Israels painted them as if, during their break, they had briefly, hesitatingly, stopped before him. However, appearances can be deceptive. The pose of both women is carefully considered, and the black and red passages of their shawls and coats are contrasted to create a well-balanced composition, despite looking like the record of a fleeting moment.
De kleine apostelen
Object type: print
Date: 1632 – 1634
Materials: paper
Techniques: etching
Location: nancy
Subjects: martyrdom of john in front of the porta latina: he is put in a cauldron of boiling oil, but remains unharmed, the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll - martyrdom, suffering, misfortune, death of male saint

Bij een stadsmuur zit Johannes in een pot met kokende olie. Soldaten staan om hem heen. Boven deze scène is Johannes nogmaals afgebeeld, op een wolk in de hemel, een beker in de hand. Onder de voorstelling een onderschrift in Latijn. Deze prent is onderdeel van een reeks van 16 prenten, bestaande uit een titelblad en 15 voorstellingen van de martelingen die de apostelen hebben ondergaan.
Good Shepherd
Object type: statuette
Date: 1601 – 1800
Materials: ivory
Techniques: gilding, polychromy
Subjects: animals,birds,buddha,virgin mary,shepherds

This intriguing composition portraying the Christ Child as a shepherd dozing on a mountaintop is known in numerous examples, all believed to originate in the regions of India colonized by Portugal. A tree once stood behind the Child. The distinctive iconography has led some to see links to ancient Avestan beliefs or the traditional image of the Buddha. Most carvings of the theme feature a "Fountain of Life" beneath His feet and the Magdalen reclining in a niche at the base.
Kussensloop
Object type: pillowcase
Date: 1663 – 1663
Materials: linen
Location: northern netherlands
Inscriptions: date

Kussensloop van linnen met Hollandse kant aan drie zijden. Gemerkt kroon LVK 1663.
Gezicht op hoge hagen en het huis op het landgoed Clingendael
Object type: print
Date: 1682 – 1726
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden, statues, sculptures in garden
Inscriptions: collector's mark: Lugt 2228

Gezicht op vanuit het eerste bloemperk op hoge hagen en het huis op het landgoed Clingendael te Den Haag.
Print of a Portrait Medal of Louis XVI
Object type: print
Date: 1789 – 1790
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: kings,louis xvi
Water Well with Decoration of Water Fowl and Plants
Object type: water well
Date: 1601 – 1700
Materials: stone
Culture: chinese
Subjects: birds
Landschappen naar Esaias van de Velde
Object type: print
Date: 1610 – 1617
Materials: paper
Techniques: etching
Subjects: landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: Lugt 2227
The Last Token: A Christian Martyr
Object type: painting
Date: 1860 – 1915
Materials: canvas, oil
Artist: gabriel max
Artist role: artist
Artist nationality: austrian
Artist dates: 1840 – 1915
Subjects: women,leopards
Card Number 153, Miss Fuller, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Border fragment
Object type: textile
Materials: textile, cotton
Location: peru
Gezicht op de Tweede Muiderpoort te Amsterdam
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: city-gate
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Poorten, verzamelbladen, J. Tweede Muiderpoort.
Insertion
Object type: insertion
Date: 1600 – 1600
Techniques: lace
The Hudson, Storm King, 1871 (from Sketchbook)
Object type: drawing
Date: 1870 – 1870
Materials: graphite, paper
Culture: american
Artist: daniel huntington
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1906
Subjects: landscapes

The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. He sketched throughout the course of his life and his extant drawings number over a thousand. This page is from one of Huntington’s sketchbooks that contains forty-one drawings in graphite, some in a panorama format. The sketches are primarily of scenic locations in New York State including, Cornwall, Walton, and Mohonk subjects. Many of the drawings are dated 1871 and most are inscribed with the site represented.
Gebouw te Coniston, met op de achtergrond een berg
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: coniston
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: façade (of house or building), mountains
Inscriptions: number: ‘No 11’, name: ‘Registered. G. W. Wilson, Photographer, Aberdeen.’, number: ‘No. 560.’

Het object RP-F-F04847 is vermoedelijk tijdens dezelfde fotografeersessie gemaakt.
Portret van een onbekende vrouw naast een stoel
Object type: carte de visite
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, anonymous historical person portrayed
Pugillus facetiarum iconographicarum in studiosorum (...)
Object type: print
Date: 1608 – 1618
Materials: paper
Techniques: engraving
Location: straatsburg
Artist: jacob van der heyden
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1645
Subjects: 'album amicorum', 'stammbuch', city-view in general; 'veduta', morality, sledge, sleigh (winter sports)

Deze serie, getiteld ‘Pugillus facetiarum iconographicarum in studiosorum (…)’, bestond vermoedelijk uit 36 of meer prenten. Van deze serie zijn in ieder geval twee uitgaven bekend, uit 1608 en 1618. De prenten uit deze serie in de collectie van het Rijksmuseum (RP-P-1996-1 t/m RP-P-1996-36) zijn vermoedelijk afkomstig uit verschillende uitgaven, of uit de tweede uitgave. De inhoud van beide uitgaven verschilt, maar om de precieze inhoud van de verschillende uitgaven vast te stellen is meer onderzoek nodig. Er zijn geen volledige exemplaren van de eerste uitgave bekend.

Aan de hand van de analyse van een andere serie, ‘Jeucht spieghel’,* die kopieën van ‘Pugillus’ bevat en is uitgegeven in 1610 én de aanwezige exemplaren van prenten uit ‘Pugillus’ in een inmiddels verloren album amicorum uit 1610,** kan in ieder geval van een aantal prenten gesteld worden dat ze al voorkwamen in de uitgave van 1608. Dit geldt voor RP-P-1996-1 (de titelprent), RP-P-1996-5, RP-P-1996-6, RP-P-1996-7, RP-P-1996-8, RP-P-1996-9, RP-P-1996-10, RP-P-1996-11, RP-P-1996-12, RP-P-1996-13, RP-P-1996-14, RP-P-1996-15, RP-P-1996-16, RP-P-1996-17, RP-P-1996-18, RP-P-1996-19, RP-P-1996-24, RP-P-1996-28, RP-P-1996-29, RP-P-1996-33 en RP-P-1996-35.

Van één prent (RP-P-1996-31) kan vastgesteld worden dat die pas in de latere uitgave van 1618 voorkwam, omdat het kopie is van een prent uit weer een andere serie, ‘Academia sive speculum vitae scholasticae (…)’, die werd uitgegeven in 1612.***

Van de huidige prent is onduidelijk of hij al voorkwam in de uitgave van 1608.

* Z.G.H.P.H.S [Zacharias Heyns]. Jeucht spieghel. S.l.s.n., 1610. Voor een gedigitaliseerd exemplaar zie: https://archive.org/details/ned-kbn-all-00000628-001/page/n9/mode/2up.
** Zie: Erman, Wilhelm en Ewald Horn. Bibliographie der deutschen Universitäten, systematisch geordnetes Verzeichnis der bis Ende 1899 gedruckten Bücher und Aufsätze über das deutsche Universitätswesen. Leipzig en Berlijn: Verlag von B.G. Teubner, 1904, dl. 1, p. 826-832, no. 17328. https://archive.org/details/bibliographieder01ermauoft/page/826/mode/2up
*** Passe, Crispijn van de (I). Academia sive speculum vitae scholasticae (…). Arnhem: Johannes Janssonius [Jan Jansz.], 1612. Voor een gedigitaliseerd exemplaar zie: http://gallica.bnf.fr/ark:/12148/btv1b55005974h.
Vatican Reception of the Duke of Tuscany, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1570 – 1570
Techniques: engraving, etching
Artist: etienne dupérac
Artist role: artist
Artist nationality: french
Artist dates: 1535 – 1604
Subjects: men,ceremony,crowd,coat of arms,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 75 in the scrapbook.
Portret van Frederik, prins der Nederlanden
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: berlin, frederik (prins der nederlanden), knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: date

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Verderf-traps beeld-schrift ofte heiligh letteren dat is. Hieroglifica.
Object type: print
Date: 1520 – 1560
Materials: paper
Techniques: woodcut
Location: low countries
Artist: Anonymous
Subjects: proverbs, sayings, etc., weeping
Inscriptions: collector's mark: Lugt 2228a

Eén van acht moraliserende spreuken. Nooddruft zittend op de grond, huilend, veegt haar gezicht af aan een doek. Verschillende attributen liggen om haar heen. Tekst onder prent.
Waterfall in Rocky Landscape
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, scraping, wash
Location: united kingdom
Artist: octavius oakley
Artist nationality: english
Artist dates: 1800 – 1867
Fotoreproductie van een tekening van een mannenkop van Leonardo da Vinci
Object type: photograph
Date: 1851 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Subjects: drawing, sketch
Inscriptions: check stamp: ‘J.B. Philpot / Fotografo / Lungo d'Arno / 1187 / Firenze’, inscription: ‘5,=’, number: ‘P728’, inscription: ‘Da in Desagno/ di Leonardo da Vinci’
Portret van Henry van de Velde
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Artist: edvard munch
Artist role: print maker
Artist dates: 1863 – 1944
Subjects: antwerp, painter, print maker, draughtsman, henry van de velde (1863-1957), historical persons, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Kop van de Belgische architect en decoratief kunstenaar Henry van de Velde (1863-1957), van voren gezien. Munch ontmoette Van de Velde in Weimar, waar deze een kunstacademie leidde.
Portret van Arnold Marcel
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: mezzotint
Location: the hague
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: physicist, instrument maker, measuring-instruments, spectacle-maker, optician
Inscriptions: collector's mark: Lugt 2228

De wiskundige, natuurkundige en maker van vergrootglazen Arnold Marcel. Hij zit in zijn werkplaats, omringd met verschillende mathematische instrumenten.
Design for an urn (verso); Designs for two urns (recto)
Object type: drawing
Date: 1801 – 1900
Materials: chalk
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: urns
Pharmacy jar (albarello)
Object type: pharmacy jar
Date: 1540 – 1550
Techniques: maiolica, glazing
Subjects: women

Storage vessels were among the most frequently produced maiolica wares in late medieval and Renaissance Italy. Made in fairly standard shapes, they were designed to fit with dozens of others on a shelf, often in a pharmacy or shop. Their handles therefore tend to fit within the vessel’s profile, and the cylindrical albarello type is generally narrower at the middle than at the top or bottom, making it easy to grip. Other common features include inscriptions indicating contents and flanged lips to help secure cloth or paper seals. The decoration, usually more elaborate on one side than the other, can sometimes link pieces to a known dispensary or specific workshop or artist.
Saint Augustine
Object type: drawing and watercolor
Date: 1560 – 1560
Materials: chalk, paper
Location: italy
Artist: attributed to federico zuccaro
Artist dates: 1540 – 1609
Gezicht op een kerk in Sint-Petersburg
Object type: photograph
Date: 1860 – 1890
Materials: glass
Techniques: slide
Location: sint-petersburg
Artist: Anonymous
Subjects: russian orthodox church
Inscriptions: number: ‘5019’
Portret van Daniel-Charles-Gabriel de Tubières de Caylus
Object type: print
Date: 1700 – 1760
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, armorial bearing, heraldry

Onder de geportretteerde zijn wapenschild.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, right shoulder blade and part of upper back of male
Regentschap Grobogan
Object type: photograph
Date: 1910 – 1928
Materials: paper, photographic support
Techniques: drawing
Location: grobogan
Artist: Anonymous
Subjects: maps of separate countries or regions

Albumblad met een foto van een kaart van het regentschap Grobogan. Het blad is versierd met een schetsje van een hut onder palmen en randwerk om de foto. Onderdeel van het fotoalbum aangeboden aan J. Habbema door het Binnenlandsch Bestuur Corps van het Regentschap Grobogan, bij het beëindigen van zijn bestuur over het Regentschap, waarschijnlijk in 1928.
Prenten-magazijn voor de jeugd
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: shadow-play, shadow pictures (~ hand games)
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Franse maagd beweent de rampspoed van Frankrijk
Object type: book illustration
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cologne, print maker, maria de' medici, 'tableau vivant', personifications of countries, nations, states, districts, etc., symbols, allegories of peace, 'pax'; 'pace' (ripa), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', justice; 'forza alla giustitia sottoposta', 'giustitia', 'giustitia retta', 'giustitia rigorosa', 'impietà e violenza soggetta alla giustitia' (ripa), (story of) venus (aphrodite), amsterdam
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in:* Baerle, Caspar van. Medicea hospes, sive descriptio publicae gratulationis, qua Serenissimam, Augustissimamque Reginam, Mariam de Medicis (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van. Marie de Medicis, entrant dans Amsterdam : ou, histoire de la reception faicte à la Reyne Mere du Roy tres-Chrestien (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van en Joost van den Vondel. Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. Vertaelt uit het Latijn (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1639.

* Doorgaans zijn de prenten in de bovengenoemde publicaties rechtsonder genummerd (van de huidige prent is dat de derde bekende staat). Maar er zijn ook exemplaren waarin eerdere, ongenummerde, staten van de prenten (van de huidige prent de eerste en tweede bekende staat) zijn ingebonden.
Il gran Teatro di Venezia
Object type: print
Date: 1660 – 1736
Materials: paper
Techniques: engraving
Location: venice
Subjects: ambassador, other sovereign: doge, venice
Inscriptions: inscription: ‘f 1,50’

Gezicht in een galerij met rechts de bisschop en de doge van Venetië. Voor hen staan en knielen ambassadeurs. Op de voorgrond rechts een groep soldaten. Op de voorgrond links een groep toeschouwers. Titel in het Italiaans in ondermarge.
Design for Vis-à-vis/ Charabanc, no. 846
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, part of upper torso, and buttocks of a filleted youth with his right hand on his hip
Reliëf van de Borobudur
Object type: album leaf
Date: 1875 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: java
Artist: c. dietrich (fotograaf)
Artist role: fotograaf
Subjects: sculpture (+ relief ~ sculpture)