deem-data/ArtiFact huggingface dataset:
Kakatoës
Object type: drawing
Date: 1790 – 1814
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush
Location: southern netherlands
Artist: Anonymous
Subjects: ornamental birds: cockatoo

Grote geelkuifkaketoe, zittend in een hoepel. Genummerd rechtsboven: 16. Linksboven gemerkt met een rood sterretje. Onderdeel van het tweede album met tekeningen van vogels. Vierde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Palembang, Sumatra, sultan Mohammed Beha ed-din, pitji, A.H. 1193 (1779)
Object type: coin
Date: 1779 – 1779
Materials: tin
Techniques: casting
Location: palembang

Tinnen munt. Voorzijde: drieregelig opschrift in Arabische lettertekens, waartussen jaartal in Islamitische jaartelling. Keerzijde, glad.
Mug
Object type: mug
Date: 1767 – 1800
Materials: glass
Subjects: women,trees
Het Tsaar Peterhuisje met figuren
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: peter i de grote (tsaar van rusland), rural housing, e.g. country-house, villa, cottage
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De deur van het huisje staat open. Ervoor zit een lezende man. Naast hem staat een bijl. Voor het huisje staat een man op de rug gezien.
Slag bij Hasselt, 1831
Object type: print
Date: 1831 – 1832
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Artist: willem hendrik hoogkamer
Artist role: draughtsman, print maker
Artist dates: 1790 – 1864
Subjects: william ii of the netherlands, berlin, frederik (prins der nederlanden), battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Overwinning van de Nederlandse troepen in de slag bij Hasselt op 8 augustus 1831. In het midden de prins van Oranje en prins Frederik te paard omringd door hun staf. Op de voorgrond een groep optrekkende vrijwillige jagers. In de verte de torens van de stad Hasselt. Zie ook de pendant. Bij de prent behoort een afzonderlijke verklaring.
Terracotta fragments of a psykter (vase for cooling wine)
Object type: psykter fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

One fragment has at the top, a chain of pomegranates; below, part of a lyre; tip of nose, mouth, neck, and shoulder of a bearded man to left ;a second fragment has part of a chain of pomegranates, and below, bit of the crossbar of a lyre?; the two other fragments have a band of tongues, alternating in added red and black glaze, and below, a chain of pomegranates
Kandelaar van messing
Object type: candlestick
Date: 1600 – 1700
Materials: brass
Techniques: casting, turning

Het voorwerp, dat in één geheel gegoten is, heeft een ronde voet, een enigszins bol- en balustervormig geprofileerde stam, een ronde vetvanger en een bij de aanzet geprofileerde kaarsenpin. Binnenin wordt de ronde holle stam gemarkeerd door vier groeven op onderling gelijke afstand, dienende om de draaibank houvast te verschaffen. Het object vertoont kleine verschillen met kandelaar BK-NM-2289-A.
Picture Book of New Designs for the Various Crafts (Shōshoku ehon Katsushika shin hinagata) 諸職絵本葛飾新鄙形
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai 葛飾北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: horses
Saint Remi (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Object type: drawing
Date: 1801 – 1900
Materials: chalk, paper
Techniques: stumping
Artist: isidore pils
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1875
Subjects: men,saints
Chair seat cover
Object type: cover
Date: 1734 – 1766
Materials: canvas, silk, wool
Subjects: human figures,flowers,boats
Fragment
Object type: textile
Date: 1708 – 1709
Materials: gilt, metal, silk
Techniques: brocade, satin weave, silvered, weave
Location: france
Aankomst van de Bataven hier te lande, ca. 55-10 v.C.
Object type: history print
Date: 1700 – 1755
Materials: paper
Techniques: etching
Location: netherlands
Subjects: extinct, 'historical' peoples (with name), netherlands

De aankomst van de Bataven hier te lande. In ornamentele omlijsting geflankeerd door riviergoden van de Rijn en Waal.
Silver swivel ring with agate scarab in gold setting
Object type: ring with scarab
Date: 700 – 468
Materials: stone, silver
Culture: cypriot or phoenician
Subjects: scarabs

Swivel ring with agate scarab; engraving decayed. The motif on the scarab's bezel is no longer distinguishable.
Two Venetian magistrates standing in front of the Palazzo Ducale, from the 'Divers portraits gravés à l'eau-forte et dediés à M.Dominique Corvi'
Object type: print
Date: 1775 – 1775
Techniques: aquatint, etching
Artist: giovanni david
Artist role: artist
Artist nationality: italian
Artist dates: 1749 – 1790

This print, that depicts two Venetian magistrates standing in front of the Palazzo Ducale (Venice), is from a series of twelve 'Divers portraits' dedicated to Domenico Corvi, David's teacher in Rome. All of the figures pertain to Venice and its environs and reflect the sophistication and theatricality that characterized the city's culture in the eighteenth century. Along the bottom of this print is an inscription taken from the work of the French satirist Nicolas Boileau-Despréaux (published from 1666) that addresses society's morals and customs.
Evening bow tie
Object type: evening bow tie
Date: 1890 – 1890
Materials: silk
Culture: american
Panel
Object type: textile
Date: 1850 – 1850
Materials: cotton
Techniques: weave, printing
Location: england
Livery
Object type: livery
Date: 1801 – 1833
Materials: cotton
Culture: italian
View of the Pyramidal Tomb of Cestius, from Views of Rome
Object type: print
Date: 1750 – 1759
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
The Triumph of Chastity, plate two from The Triumphs of Petrarch
Object type: print
Date: 1539 – 1539
Materials: paper
Techniques: engraving
Location: germany
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550

German engraver Georg Pencz may have initially seen Petrarch’s popular Triumphs poems interpreted in Italy as a series of prints from Francesco Rosselli’s Florentine workshop, or perhaps on a decorated cassone (marriage chest). The topic may have been seen as especially appropriate for the latter, as Chastity’s victory over Love is so absolute. In fact, in Pencz’s rendition, the blindfolded Cupid has been duly trussed and attached to the front of Chastity’s triumphal car as a figurehead and warning to lovers in her wake.
Galleria Giustiniana del Marchese Vincenzo Giustiniani I
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Subjects: rome, vincenzo giustiniani (1564-1637), (story of) diana (artemis), piece of sculpture, reproduction of a piece of sculpture

Standbeeld van Diana. Op de sokkel het wapenschild van Vincenzo Giustiniani. Prent uit een publicatie met reproductieprenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Titelpagina voor: Dirk Smits, Israëls Baälfegorsdienst, of Gestrafte wellust, 1737
Object type: titelblad, titelpagina
Date: 1737 – 1737
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: snakes, the moabite women lead the israelites into the worship of baal-peor, lust, luxury, 'luxuria'; 'lussuria' (ripa) ~ personification of one of the deadly sins, the new tables of the law (exodus 34)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Wellust voert een jonge man aan de hand mee en verleidt hem om van het goede pad af te wijken. Ze stapt met haar voet op de tafelen der wet. In de lucht kijkt de Wraak toe, met een zwaard en toorts in de handen. Links op de voorgrond een slang en op een steen de titel. Op de achtergrond de verering van Baäl en wellustige figuren.
King's attendant
Object type: crèche figure
Date: 1751 – 1800
Materials: brass, gold, metal thread, textile, silk, silver, terracotta, fiber, velvet, metal
Techniques: polychrome
Artist: giuseppe sanmartino
Artist role: maker
Artist nationality: italian
Artist dates: 1720 – 1793
Subjects: men

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
[Departure for the huntTomb of Khan of Khiva]
Object type: photograph
Techniques: salted paper print
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: horses,mountains
Fragment van een pijpenkop uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: pipe bowl
Materials: clay
Techniques: firing
Location: gouda
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Een kop zonder steel van een aarden Goudse pijp, blauw-wit gelig van kleur. Hielmerk WS. Licht beschadigd. Fragments of bowls and stems.
Hogesluis en het Paleis voor Volksvlijt, Amsterdam
Object type: stereograph
Date: 1883 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: bridge in city across river, canal, etc., edifice, e.g.: public building, department store
Inscriptions: inscription: ‘61. Hoogesluis te/ Amsterdam’
Gezicht in het Haagse Bos
Object type: photograph
Date: 1923 – 1923
Materials: photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: forest, wood
Inscriptions: annotation: ‘Haagse bos’

Gekocht als serie van 6 foto's (RP-F-2005-40 t/m 45) die verkocht werden als 'Haagse Bos, 1923'
Spotprent op Napoleon
Object type: drawing
Date: 1800 – 1900
Materials: chalk, paper, pencil
Subjects: napoleon i (emperor of the french), historical persons, barber, barbershop, political caricatures and satires
Inscriptions: inscription: ‘messieurs avec quels Rasoir me faite vous la barbe. Sire Rasoir anglais.’
Apollo Granting Phaeton Permission to Drive the Chariot of the Sun
Object type: painting
Date: 1690 – 1695
Materials: canvas, oil, paint
Techniques: painting
Location: austria
Artist: johann michael rottmayr
Artist role: artist
Artist nationality: austrian
Artist dates: 1654 – 1730
Subjects: mythological figures, women, textile, sun, sky, red (color), nudes, mythology, mythical, musical instruments, men, horses, harps, gods (deities), clouds, chariots
Fragment van gordijn van rood zijdedamast met een Chinees patroon
Object type: fragment
Date: 1830 – 1870
Materials: silk
Techniques: damask
Location: china
Artist: Anonymous

Fragment van gordijn van rood zijdedamast met Chinees patroon met krullende takken met bladeren en bloemen. Zonder ringen, slechts één verticale boord (gordijn over hele lengte gedeeltelijk afgetornd). Gevoerd met rode zijde.
Familie van Eustachius van Rome
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: the roman soldier and hunter eustace (eustachius, eustathius); possible attributes: banner, bull of brass, cuirass, hunting horn, lance, stag's head with crucifix, sword, two sons, wife - apotheosis, glory, triumph of male saint, family, descendance
Inscriptions: collector's mark: Lugt 2228
Paardrijden
Object type: print
Date: 1815 – 1842
Materials: paper
Techniques: lithograph
Location: arnhem
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van ruiters te paard. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 10.
Revue de la Mode, Gazette de la Famille, dimanche 26 mars 1882, 11e année, No. 534: Gants de la Ville de Lyon (...)
Object type: fashion print
Date: 1882 – 1882
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: corsage (+ women's clothes), flowers, pendant, trinket, 'breloque' (+ women's clothes), diadem, tiara (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), dress, gown: ball gown (+ women's clothes), lace (+ women's clothes), fashion plates, fan (+ women's clothes), bracelet, wristlet (+ women's clothes)
Inscriptions: caption: ‘Gants de la Ville de Lyon, 6, r. de la Ch.sée d'Antin. Corsets & Jupons de la M.on de Plument, 33, r. Vivienne. Rubans & Garnitures de la M.on Hallard & Martin, 68, B.d Sébastopol.’, address: ‘13 & 15, Quai Voltaire, Paris’, title: ‘REVUE DE LA MODE / Gazette de la Famille’

Twee vrouwen in een interieur. Links: baljapon van hemelsblauwe 'satin merveilleux' (satijn) en brocatel, gegarneerd met kant. Rechts: baljapon van roze 'surah' en brocatel 'Pompadour' en/of bedrukte moiré. De lange handschoenen komen uit Lyon. Onder de afbeelding enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Revue de la Mode (1872-1913). Uitgebreide beschrijving van de kleding op pagina 110 "PLANCHE COLORIÉE".
Wooded Shore at the King's Lake (Königssee)
Object type: drawing
Date: 1801 – 1850
Materials: paint
Artist: johann heinrich schilbach
Artist role: artist
Artist nationality: german
Artist dates: 1798 – 1851
Subjects: lakes,mountains,trees
Titelpagina voor: Kornelis Westerbaen, Algemeene histori, 1744
Object type: titelblad, titelpagina
Date: 1744 – 1744
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: personifications of countries, nations, states, districts, etc., (story of) aeneas, rome (one of the four world empires)
Inscriptions: collector's mark: Lugt 2228

De personificatie van het Romeinse Rijk zit met een beeld van Victoria in haar hand en kronen bij haar voeten. Voor haar staan personificaties van het vroege en late Romeinse Rijk. Naast haar staan een man met boekrol en een groep soldaten. In de achtergrond verbeelden een woning met rieten dak en een toren en portaal de vroege en late periode van het Rijk. In de omlijsting van de cartouche scènes die te maken met de geschiedenis van het Rijk en portretmedaillons van Aeneas en mogelijk historicus Pompeius Tragus.
Horlogekast met twee stroken
Object type: print
Materials: paper
Techniques: engraving
Location: france

Horlogekast met Susanna en de Ouderlingen. Eerste editie, tweede druk.
See 26.3.353g
Object type: relief fragment, tomb of neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt
Poort van het Koninklijk Weeshuis te Buren
Object type: photograph
Date: 1895 – 1916
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: buren
Artist: hendrikus jacobus van den anker
Artist role: fotograaf
Artist dates: 1875 – 
Subjects: orphanage
Inscriptions: inscription: ‘H.J. v.d. Anker/ Zaltbommel’, annotation: ‘Poort of hoofdingang van het Weeshuis te Buren’, annotation: ‘Weeshuis/ Buren’
Haardsteen met voorstelling van de beide ouderlingen uit de geschiedenis van Suzanna, die ter steniging worden weggeleid
Object type: hearthstone
Date: 1875 – 1900
Materials: earthenware
Location: netherlands
Artist: Anonymous

Haardsteen met voorstelling van de beide ouderlingen uit de geschiedenis van Suzanna, die ter steniging worden weggeleid. Links draagt een jongen een mand met stenen aan.
Bands
Object type: band
Date: 1401 – 1600
Materials: linen
Techniques: lace

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of
Tankard
Object type: tankard
Date: 1785 – 1795
Materials: silver
Culture: american
Location: united states
Artist: david tyler
Artist role: maker
Artist nationality: american
Artist dates: 1760 – 1804
La nouvelle église, Christiania
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: oslo
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: number: ‘56.’
Bust of Balthasar Moretus II
Object type: photomechanical print
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: printer, balthasar moretus (ii), chest, bust, sculpture
Page Three, from Letter on the Elements of Etching
Object type: print
Date: 1864 – 1864
Materials: paper, ivory
Techniques: etching
Location: france
Artist: adolphe martial potémont
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1883
Kildeer Plover, from the Game Birds series (N40) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds,boats

Trade cards from the "Game Birds" series (N40), issued in 1888-90 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N40 reproduces the cards from N13 in a larger size.
Portret van Gottfried Wilhelm Leibniz
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: mezzotint
Location: vienna
Subjects: scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228
Cylinder seal
Object type: cylinder seal
Date: 1900 – 1501
Materials: mineral
Culture: babylonian
Location: mesopotamia
Subjects: animals

Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. At the center of the impression, a worshipper in a ceremonial robe offers a goat to the sun god. Behind the sun god stands a lion demon holding a captive upside down, and a god with a scimitar. A suppliant goddess stands behind the worshipper. Presentation scenes – featuring a worshipper before a deity or ruler – were common motifs on seals of the Old Babylonian period. The use of hematite, a dark colored hard stone, is another characteristic of seal production in this period.
Terracotta lebes gamikos (round-bottomed bowl with handles and stand used in weddings)
Object type: lebes gamikos
Date: 440 – 430
Materials: terracotta
Culture: greek, attic
Artist: painter of london 1923
Artist role: artist
Subjects: women,nike

Obverse, seated woman and attendants Reverse, two women At each handle, Nike Of particular interest in this representation is the pyxis carried by the woman at the far left. Pyxides are small boxes that contained personal items such as toilet articles. Terracotta examples exist in the greatest quantity, but during the late fifth and fourth centuries B.C., they were also made of marble and often included as offerings in graves.
Mynah Bird and Bamboo
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: zhao yong
Artist role: artist
Artist nationality: chinese
Artist dates: 1289 – 1360
Subjects: birds,bamboo
The Spanish Gypsy 'Preciosa'
Object type: print
Date: 1642 – 1642
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Steeg Scheveningen
Object type: print
Date: 1873 – 1931
Materials: paper, ink
Techniques: drypoint
Artist: etienne bosch
Artist role: print maker
Artist dates: 1863 – 1933
Subjects: scheveningen
Inscriptions: collector's mark: Lugt 2228, edition: ‘1e et. 10/40’, signature: ‘EBosch’

Gezicht op een steeg en enkele huizen, met op de voorgrond een vrouw in een lange rok.
Design: Children, from Encyclopédie
Object type: print
Date: 1762 – 1777
Materials: paper
Techniques: engraving, etching
Location: france
Artist: benoît-louis prévost
Artist nationality: french
Artist dates: 1735 – 1809
Neues Zierathen Buch
Object type: ornament print
Materials: paper
Techniques: engraving
Location: wemding
Artist: Anonymous
Subjects: auricular ornament, lobe style ~ ornament

Deze prent maakt deel uit van een album.
[Margaret Gillies]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: portraits,women
Document
Object type: document
Date: 1575 – 1625
Materials: ink, paper
Techniques: writing
Artist: maurice (prince of orange)
Artist role: legeraanvoerder, stadhouder
Artist dates: 1567 – 1625
Subjects: the hague, maurice (prince of orange)

Handtekening in bruine inkt (van prins Maurits van Oranje), op uitgeknipt blaadje papier. Gesigneerd: Maurice de Nassau. Opschrift: 'Vostre tres affectionne et vous farre .....'.
Pesto
Object type: drawing and watercolor
Materials: board, gouache, graphite, paint, paper, watercolor
Techniques: brush, drawing, stumping
Location: scotland
Artist: william leighton leitch
Artist role: artist
Artist nationality: scottish
Artist dates: 1804 – 1883