deem-data/ArtiFact huggingface dataset:
Smallsword with Scabbard
Object type: smallsword with scabbard
Materials: gold, skin, steel, textile, wood
Culture: french
Location: france

By the early seventeenth century, the rapier, a long slender thrusting sword, began to dominate as the gentleman’s weapon of choice. During the course of the century, however, as civilian fencing techniques became more specialized and refined, the rapier developed into a lighter, trimmed-down weapon known by about 1700 as the smallsword. Smallswords, often richly decorated, remained an integral part of a gentleman’s wardrobe until the wearing of swords in civilian settings went out of fashion at the end of the eighteenth century, at which time pistols were replacing swords as arms most frequently used in personal duels. The majority of smallsword hilts are made of silver or steel, but many also employ a wide variety of luxurious materials, such as gold, porcelain, and enamel. At their best, smallswords combine the crafts of swordsmith, cutler, and jeweler to create an elegant weapon that was also a wearable work of art.
Toren van Babel
Object type: album leaf
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: the building of the tower of babel; nimrod may be present, supervising or assisting the construction, the tower of babel

Landschap met de Toren van Babel in aanbouw. De prent maakt deel uit van een album.
Reproductie van een ontwerp met Maria op haar knieën naast Christus
Object type: photomechanical print
Date: 1859 – 1864
Materials: paper
Techniques: photolithography
Location: paris
Subjects: christ-child ~ types of adult christ, mary kneeling (on the ground), the christ-child in front of her
Inscriptions: name: ‘P. Poitevin./ Daumont Perf’
Shepherd lovers
Object type: group
Date: 1742 – 1745
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: lovers,sheep,trees,shepherds
The Oberland and its glaciers : explored and illustrated with ice-axe and camera
Object type: book
Date: 1866 – 1866
Materials: cardboard, linen, paper
Techniques: albumen print, printing
Location: london
Reproductie van een tekening van de Inname van Den Briel
Object type: photomechanical print
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: siege, brielle
Inscriptions: inscription: ‘No. 6./ Inneming van den Briel.’

Deze prent maakt deel uit van een album.
Benen fragment uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: bone
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, tubes and tube-shaped fragments; straight, exterior rectangular in section, tapering to square, straight ends, hollow core, oval, tapering.
Embroidered picture
Object type: embroidered picture
Date: 1634 – 1666
Materials: canvas, metal thread, silk, wool
Subjects: men,women,insects,snails,flowers
Handtekening van een bankier (mogelijk Abraham Carel Wertheim) van de bank Lippmann, Rosenthal & Comp. te Amsterdam
Object type: print
Date: 1859 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: banker, bank
Groningen - Stadhuis
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: photograph
Location: buiksloot
Artist: johan marinus schalekamp
Artist role: publisher
Artist dates: 1844 – 1912
Subjects: townhall

Afdruk uit: Nederland in Beeld. Buiksloot: J.M. Schalekamp, 1896.
Den dappren krijgers, die gij hier in prent aanschouwt, / Werd vrijheids edle zaak vereerend toevertrouwd [(...)]
Object type: popular print
Date: 1822 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 2 rijen met voorstellingen van militairen. Boven acht voorstellingen van voetsoldaten. Onder vier voorstellingen van militairen te paard. Genummerd rechtsboven: N. 33.
"The Final Joust of the Rooks: Gudarz Versus Piran", Folio 346r from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1525 – 1530
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: men,horses

The artist has captured the essentials of this tragic story with delicate sensitivity. The Iranian Gudarz has wounded the old Turanian warrior Piran, but in respect for his seasoned enemy, has offered him safe passage to the Turanian army. Piran, seen through a gap in the rocks, refuses this, preferring the inevitable warrior’s death to surrender. The grooms in the foreground frame the scene, in which the poses of the two adversaries—Gudarz in pursuit, Piran skulking up the mountain—give visual expression to the essential dilemma of the story.
Dress
Object type: dress
Date: 1799 – 1800
Materials: cotton, linen
Culture: american
Engageante van naaldkant met een a-symmetrische bloemtak in een symmetrische lijst
Object type: engageante
Date: 1775 – 1775
Materials: linen
Techniques: lace
Location: france
Artist: Anonymous

Engageante van naturelkleurige naaldkant: Argentan-kant. Het patroon bestaat uit een a-symmetrische bloemtak in een symmetrische lijst. Onder de bloemtak twee lange takken die een v vormen. Aan weerszijden van de lijst staat een ovaal medaillon met een bloempje in het centrum. Met uitzondering van één grotere bloem in de centrale bloemtak bestaan de andere motieven uit dunne met picots bezette takken, met daaraan kleine blaadjes, bloempjes, trosjes bessen en 'snoeren' van opengewerkte en gepicoteerde cirkeltjes. De motieven zijn opgebouwd uit festonsteken en voorzien van reliëfcontouren. De motieven zijn met elkaar verbonden door een grond met mazen die dicht omnaaid zijn met festonsteken, een Argentan-grond. Siergrondjes en siersteken zijn toegepast in verschillende blaadjes, cirkeltjes en in de bloembladeren van de centrale bloem. Langs de randen zijn aaneengeschakelde langwerpige veldjes gevuld met een fijnere maasgrond, de veldjes worden afgebakend door bladertakjes, hartvormige blaadjes en cirkeltjes.
The Abbot, from "The Dance of Death"
Object type: print
Techniques: woodcut
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Subjects: skeletons,men
Portret van een Zeeuwse boer
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: woodcut
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: historical persons, farmers
Inscriptions: collector's mark: Lugt 2228
Skiddaw from Derwentwater
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: Anonymous
Ancient Sarcophagus Relief with the Labors of Hercules
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to girolamo sellari, called girolamo da carpi
Artist nationality: italian
Artist dates: 1501 – 1556
Inscriptions: Inscribed recto, upper center, in pen and brown ink: "Aper Erimantheus"; left corner, in pen and brown ink: "Hydra Lernaea"; lower left across margin, in pen and brown ink:" ...xh[?] / ...ablara / Herculis Attila, de sui [?] vide Hygm. / Leo Nemaeus."; lower center, in pen and brown ink: "Per / Her"; lower right, in pen and brown ink: "ceruus [?] pernix / auratis anisibus [?]"; inscribed verso, upper left in graphite: "7"; upper right, in graphite: "9"
String of beads
Object type: bead, string
Date: 30 – 364
Materials: glass
Location: nubia
LXXII. Van Boetselaer weigert de Willemstad over te geven
Object type: text sheet
Date: 1853 – 1861
Materials: paper
Techniques: letterpress printing
Location: haarlem
Subjects: the hague, siege, position war
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een vierreglig vers over de weigering door Carel Baron van Boetzelaer om Willemstad aan de Fransen over te geven, februari-maart 1793. Met tekst op verso.
Moeder met een baby op schoot
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: mother and baby or young child, dog

Tevens een studie van een liggend dier, vermoedelijk een hond. Blad 29 recto uit een schetsboek met 30 bladen.
Gezicht op de Notre-Dame van Parijs
Object type: page
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: church (exterior)
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 16.’

Prent op eenenzestigste ongenummerde pagina.
Gown
Object type: womenswear
Date: 1790 – 1810
Materials: cotton, linen, metal, silk
Techniques: weave
Location: netherlands
Artist: Anonymous

At the end of the 18th century the wide skirts became narrower, and the waistline was raised to under the bosom. The narrow sleeves were so long that they extended to the middle of the hand. They were set in far at the back to a typical lozenge-shaped panel, the shape of which is emphasized by ornamental stitching in a colour that contrasts with the red silk of the dress.
A Woman Standing by a Seated Man
Object type: print
Date: 1616 – 1677
Techniques: etching
Artist: thomas wijck
Artist role: artist
Artist nationality: dutch
Artist dates: 1616 – 1677
Subjects: buildings,men,women
Spindle whorl
Object type: whorl
Date: 5000 – 2001
Materials: ceramic
Culture: iranian
Location: iran

This ceramic spindle whorl was excavated in 1937 at a prehistoric site in the vicinity of Nishapur in northeastern Iran. While Nishapur itself was founded by the Sasanian king Shapur I (reigned ca. A.D. 241-272), this whorl shows that human habitation there goes back to the prehistoric period. Furthermore, the prehistoric pottery from Nishapur has close affinities with ceramic materials from Central Asia rather than with contemporary sites in Iran, meaning that in this period its inhabitants were likely culturally linked to their neighbors to the east. At the same time, Nishapur’s location on what later became known as the Great Khorasan Road suggests that it was part of the trade network that facilitated the import of precious stones such as lapis lazuli, carnelian and turquoise from Central Asia to Mesopotamia. Spindle whorls were used to make thread. A dowel was inserted through the hole, to which plant fibers or wool were attached. The whorl was then spun in order to twist and compress the fibers into a thread.
Le courage militaire - Figure destinée a un monument qui doit être érigé a Nantes, au général de Lamoriciere.
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Artist: charles marville
Artist role: print maker
Artist dates: 1816 – 1879
Subjects: the soldier; the soldier's life, sculpture
Inscriptions: inscription: ‘Paul Dubois/ Galerie Contemporaine, Littéraire, Artistique/ 126, boulevard de Magenta, Paris.’
Cartouches in omlijstingen van rolwerk met grotesken, guirlandes en mascarons
Object type: ornament print
Date: 1613 – 1657
Materials: paper
Techniques: engraving
Location: france
Stucco relief panel
Object type: stucco relief
Date: 51 – 100
Materials: plaster
Culture: roman
Subjects: male nudes

The powerfully-built nude youth stepping to the right may be a follower of Dionysos, for he wears an animal skin over his left shoulder. He carries a pedum (shepherd's crook) in his right hand and a hare is suspended from his left.
Plate
Object type: plate
Date: 1750 – 1760
Materials: hard paste porcelain
Artist: abraham bloemaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1566 – 1651
Subjects: birds,men,fishing,trees

The scene on this plate is copied from a design by Abraham Bloemaert (1564–1651) included in his drawing book and first engraved by his son Cornelis II (ca. 1603–ca. 1680). The scene as shown on this and other examples is, however, taken from a reverse copy, perhaps that published by the unidentified Casp.
A Reconstructed View of the Palace on the Palantine Hill
Object type: drawing
Date: 1704 – 1704
Materials: chalk, ink
Techniques: brush, pen, drawing, wash
Location: italy
Artist: jan goeree
Artist role: artist
Artist nationality: dutch
Artist dates: 1670 – 1731
Subjects: eagles,palaces,profiles
Aan zee (Katwijk)
Object type: drawing
Date: 1976 – 1976
Materials: ink, paper
Techniques: pen
Artist: rein dool
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1933 – 
Subjects: beach (as place of recreation), lying figure
Inscriptions: signature and date
Miss Morris, from the Actresses series (N246), Type 2, issued by Kinney Brothers to promote Sporting Extra Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actresses" (N246), issued ca. 1890 by Kinney Brothers Tobacco to promote Sporting Extra Cigarettes. There are two types of cards in the series, varying by size.
Wine taster
Object type: wine taster
Date: 1687 – 1688
Materials: silver
Artist: s. h., london
Artist role: maker
Artist dates: 1683 – 1683
Zeegezicht met steile rotsen op de voorgrond, Japan
Object type: photograph
Date: 1907 – 1907
Materials: paper, photographic support
Techniques: gelatin silver print
Location: japan
Artist: jan adriani
Artist role: fotograaf
Subjects: sea (seascape)
De zieken bij de vijver van Bethesda
Object type: drawing
Date: 1630 – 1684
Materials: chalk, paper
Techniques: brush
Artist: domenico maria canuti
Artist role: draughtsman, print maker
Artist dates: 1620 – 1684
Subjects: sick people lying near the pool of bethesda ~ christ healing paralytics (john 5:1-9)
Three Saints (Alternate Study for Chapel Windows, Caldwell House, Newport)
Object type: watercolor
Date: 1886 – 1887
Materials: gouache, paper, watercolor
Techniques: cutting
Culture: american
Artist: john la farge
Artist role: artist
Artist nationality: american
Artist dates: 1835 – 1910
Subjects: saints
Honden jagen op vogels
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: hunting dogs, bird hunting
Inscriptions: collector's mark: Lugt 2228

Prent naar schilderij van Abraham Daniëlsz Hondius, gedateerd 1868.
Dish
Object type: dish
Date: 1601 – 1700
Materials: earthenware
Techniques: luster painting, glazing

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Ontwerpen voor bloemschikkingen met lier
Object type: ornament print
Date: 1760 – 1760
Materials: paper
Techniques: engraving
Subjects: ornaments ~ art, lyre, cithara, psaltery, flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228, number: ‘No 26’, signature: ‘I.G. Hertel exc. A:V:3’, collector's mark: Lugt 2760, signature: ‘Bachelier inv.’

In Katalog der Ornamentstich-Sammlung der Staatlichen Kunstbibliothek Berlin wordt vermeld dat dit blad onderdeel is van een tweede uitgave en een tegendruk is van de eerste uitgave.
Sculptuur van twee vrouwen die Mozes in mandje vinden
Object type: stereograph
Date: 1855 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: charles e. goodman
Subjects: sculpture, the finding of moses: pharaoh's daughter comes to bathe with her maidens in the river and discovers the child floating on the water
Poche legna, una sega, e paglia e strame / Senza molto sudor fatica e stento (...)
Object type: print
Date: 1700 – 1850
Materials: paper
Techniques: engraving
Location: italy
Subjects: craft-production, skilled handiwork, stool, crafts and industries, spinning (manufacture of yarn), sawing (industrial process)
Inscriptions: collector's mark: Lugt 240

Zicht in een keuken met een stoelenmaker, een spinster en een zagende man. Rechts staat een ketel op het vuur. In de ondermarge de titel.
Portret van de schilder Pierre Jean Van der Ouderaa
Object type: photograph
Date: 1866 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Subjects: antwerp, painter, pierre jean van der ouderaa, historical persons, portrait, self-portrait of painter
Inscriptions: inscription: ‘(peintre)/ 1841-1915/ A'pen’, inscription: ‘Piet Van der Ouderaa/ 1866.’, inscription: ‘Etablissement Photographique/ de/ Stalins & Janssens/ 38, Rempart du Lombard, 38/ Anvers.’, inscription: ‘Stalins & Janssens, Phot.’
The Warrior Kusunoki Masashige (1294-1336) Bidding Farewell to His Son Masatsura
Object type: print
Date: 1780 – 1789
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsei
Artist nationality: japanese
Artist dates: 1780 – 1789
Vase of Archaistic Design
Object type: vase
Date: 1662 – 1722
Materials: bronze
Culture: chinese
Dish
Object type: dish
Date: 1601 – 1700
Materials: earthenware
Techniques: glazing
Subjects: lions
Kindermuts met bol van satijn afgezet met dubbele rand van geplisseerde zijde waartussen etskant, versierd met twee grote en twee kleine satijnen rozen
Object type: cap
Date: 1890 – 1910
Materials: cotton, textile, silk
Techniques: lace, pleated, sewing
Location: netherlands
Artist: Anonymous

Kindermuts met bol van satijn afgezet met dubbele rand van geplisseerde zijde waartussen etskant, versierd met twee satijnen rozen. De bol bestaat uit één geheel met aangezette rand van vlieseline en is gevoerd met wit glaskatoen. Op de smalle rand tussen de bol en de rand is aan de uiteinden een roos van satijn aangebracht. Halverwege het gezicht aan weerskanten een kleinere roos van satijn waarvan aan een gedraaid zijden koordje een rozenknop(/) afhangt. De rand die het gezicht omgeeft, bestaat uit geplisseerde zijde en een strook etskant.
Ex libris van Jac. B. Knol
Object type: bookplate
Date: 1932 – 1932
Materials: paper
Techniques: printing block
Location: netherlands
Artist: jac. b. knol
Artist role: verzamelaar
Subjects: jac. b. knol, sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster), coin, armorial bearing, heraldry
Inscriptions: date
Jar
Object type: jar
Date: 1101 – 1200
Techniques: carving, glazing
Location: egypt
Meisje ondergaat een behandeling voor problemen met haar ruggengraat
Object type: page
Date: 1884 – 1889
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: girl (child between toddler and youth), medical examination, medical treatment
Extract wt een Missive wt Maestricht / in date den 17. Martij 1638
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: letterpress printing
Location: the hague
Artist: ludolph breeckevelt
Artist role: publisher
Subjects: maastricht
Inscriptions: date

Gedrukt bericht van de ontdekte samenzwering om Maastricht aan de Spanjaarden te verraden, 1638.
Maria Sacchi Reading
Object type: print
Date: 1907 – 1907
Materials: ink
Techniques: drypoint, printing
Artist: umberto boccioni
Artist role: artist
Artist nationality: italian
Artist dates: 1882 – 1916
Subjects: women,reading
Untitled Valentine (Antique Figures and Birds)
Object type: drawing and watercolor
Date: 1860 – 1860
Materials: paper
Techniques: collage, cutting, embossing
Location: england
Artist: john windsor
Artist nationality: english
Artist dates: 1800 – 1899
Buitenplaats van Antoni
Object type: sketchbook leaf
Date: 1876 – 1877
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), country-house
Inscriptions: annotation: ‘Gezigt na bij de Buitenplaats van/ Antoni./ Apol [...] 30 bij 120’

Tevens een studie van een landschap met water nabij de buitenplaats. Blad 34 verso en 35 recto uit een schetsboek met 41 bladen.
Spindle Whorl or Gaming Piece or Ornament
Object type: spindle whorl or gaming piece or ornament
Date: 701 – 1000
Materials: stone
Techniques: incising
Location: egypt
Subjects: games
Lichtreclame op de gevel van het warenhuis Les Grands Magasins du Louvre, Parijs, vermoedelijk ontworpen door Fernand Jacopozzi
Object type: stereograph
Date: 1912 – 1922
Techniques: autochrome process
Artist: léon gimpel
Subjects: paris
Patent ice making machine
Object type: page
Date: 1856 – 1861
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: machines; parts of machines; tools and appliances
Inscriptions: inscription: ‘THIS MACHINE IS CAPABLE OF CONVERTING 269 GALLONS OF SPRING OR/ RIVER WATER INTO BLOCKS OF SOLID ICE WITHOUT THE USE OF CHEMICALS. / PAGE 777’
Studieblad met zes hoofden in twee rijen boven elkaar
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: etching
Location: netherlands
Artist: d. van den bosch
Artist role: print maker
Subjects: postures of the head
Inscriptions: collector's mark: Lugt 2227
Tea caddy spoon
Object type: tea caddy with spoon
Date: 1790 – 1791
Materials: silver
Subjects: flowers
De Gas-opsteker der Stads-lantaarnen, aan de ingezetenen der stad Amsterdam
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: gas-lamp, gas supply, digging (industrial process), street lighting, amsterdam

Kermiswens van de Amsterdamse gaslantaarnopstekers voor het jaar 1873. Centraal een vers in twee kolommen. Bovenaan de Dam met de beurs van Zocher te Amsterdam. Onderaan de Hollandsche Gasfabriek en twee gasfitters aan het werk. Van de gaslantaarnopsteker: J. Klein. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Plaque: The Good God, Lord of the Two Lands, Menkheperure (Thutmose IV)/lion with round sign
Object type: costume and accessory
Materials: ceramic
Culture: egyptian
Location: egypt
Subjects: hieroglyphs, sphinxes, pharaohs, kings, king, cartouches
Bomen in een vlak landschap
Object type: drawing
Date: 1773 – 1843
Materials: paper, pencil
Artist: georges michel
Artist role: draughtsman
Artist dates: 1763 – 1843
Subjects: groups of trees

Een van 120 tekeningen, afkomstig uit een 19e eeuws album met tekeningen van Georges Michel.
Satsuma, section of sheet no. 18 from the series "Cutout Pictures of the Provinces (Kunizukushi harimaze zue)"
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Grote of Sint-Catharijnekerk te Bielle
Object type: photograph
Date: 1885 – 1905
Materials: cardboard, photographic support
Techniques: albumen print
Location: brielle
Subjects: church (exterior), tower (of house or building)
Inscriptions: annotation: ‘Brielle/ N.H. Kerk’, annotation: ‘De Ned. Herv. Kerk (H. Catharina)/ den Briel’