deem-data/ArtiFact huggingface dataset:
Bowl
Object type: bowl
Date: 767 – 900
Materials: earthenware, glaze
Techniques: polychrome
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Cleopatra Bitten By an Asp
Object type: print
Date: 1535 – 1555
Techniques: etching
Artist: jean mignon
Artist role: artist
Artist nationality: french
Artist dates: 1535 – 1555
Subjects: cleopatra,women,female nudes,snakes
The Inume Pass in Kai Province (Kōshū Inume tōge), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,horses,volcanoes,trees
Buste van een man met baard (Christus?)
Object type: figuurstudie
Date: 1819 – 1881
Materials: chalk, paper
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881

Academiestudie naar een geschilderd of getekend werk.
Sluitzegel Gemeentebestuur van Amsterdam / Afdeeling Gemeenteblad
Object type: vignette
Date: 1920 – 1950
Materials: gum, paper
Techniques: offset printed
Location: netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), sailing-ship, sailing-boat, trade mark, trade token, trade sign, trade card, amsterdam

Sluitzegel Gemeentebestuur van Amsterdam / Afdeeling Gemeenteblad: zeilschip met het stadswapen van Amsterdam.
Prosp. dess Pallasts de Chevreuse wie solcher von aussen an zusehen
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: hôtel, i.e. small palace in city

Prent origineel vervaardigd als boekillustratie voor: Zeiller, Martin. Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Frankreich, 13 delen. Frankfurt am Main: Caspar Merian, 1655-1661. De prent werd voor het eerst gepubliceerd in deel 1: Topographia Galliae, 1655.

De prent is langs de bovenrand van de voorstelling afgescheurd. De voorstelling is aan de bovenzijde aangevuld met een geschilderde lucht.
Portret van John Manuel
Object type: photograph
Date: 1938 – 1938
Materials: paper
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: inscription: ‘MUST CREDIT I.N.P. SOUND PHOTO’, inscription: ‘CENTRAL PRESS/ ASSOCIATION/ JUN 6 1938/ REFERENCE DEPT.’, number: ‘1860’, inscription: ‘SOUNDPHOTO...SOUNDPHOTO<BR />.....WATCH YOUR CREDIT..INTERNATIONAL NEWSPHOTO<BR />SLUG (MANUEL)<BR />PRINCTON, FLA........PLALYER OF A STELLAR ROLE IN THE INVESTIGATION OF THE KIDNAPPING OF JAMES B. CASH, JR., IS JOHN MANUEL (ABOVE), THE NEGRO TO WHOM THE KIDNAPPERS SHOUTED INSTRUCTIONS WHEN THEY DROPPED A NOTE DEMANDING RANSOM AT HIS SHACK. YESTERDAY MANUEL WAS AT THE FEDERAL BUREAU OF INVESTIGATION HEADQUARTERS HIDDEN BEHIND A SCREEN WHILE G-MEN QUESTIONED A SCORE OF MEN. HIS PART WAS TO DETECT, IF POSSIBLE, THE VOICE WITH THE ''FOREIGN ACCENT'' THAT SHOUTED TO HIM LAST SATURDAY NIGHT WHEN 5-YEAR-OLD JIMMY CASH WAS SNATCHED FROM HIS HOUSE.<BR />w.6-3-38-2.30’

John Manuel was getuige van de ontvoering van James B. Cash.
Half-length Figure of St. Andrew in an Oval
Object type: drawing
Date: 1616 – 1668
Materials: chalk, ink, paper
Techniques: pen, drawing
Artist: antonio del castillo y saavedra
Artist role: artist
Artist nationality: spanish
Artist dates: 1616 – 1668
Subjects: apostles,saints
Javaanse drager met vruchten
Object type: photograph
Date: 1860 – 1880
Materials: photographic support
Techniques: albumen print
Location: batavia
Subjects: carrying something with carrying-pole, fruit, java, batavia

Een Javaanse drager met vruchten, fruitverkoper, hurkend op straat, op Java. Ingeplakte foto in het fotoalbum getiteld: Gezichten van Java.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, copper alloy, gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: men
Tile
Object type: tile
Date: 1560 – 1600
Materials: earthenware
Techniques: glazing
Subjects: flowers
Christ driving the money changers from the temple
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: purification of the temple ('first' and 'second'): christ driving the money-changers from the temple with a whip (matthew 21:12-13; mark 11:15-17; luke 19:45-46; john 12:12-19)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 654, signature and date: ‘Rembrandt f. 1635’, collector's mark: Lugt 533 b

With a theatrical sense of drama, Rembrandt captures Christ cleansing the Temple with a whip he made of cords. An ox running amuck drags its owner along, and a woman selling a basket of doves takes to her heels. The money-changers must bear the brunt: Christ overturns their table. This is indeed how it is described in the Bible.
Gezicht op Parijs
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: paris
Subjects: prospect of city, town panorama, silhouette of city, paris

Prent tegenover pagina 20, achter semi-transparante omslag.
Principes de dessein
Object type: album leaf
Date: 1700 – 1700
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: model-books ~ implements of painter, tools, implements of draughtsman

Negen tekenvoorbeelden van handen, armen en voeten van mannen, vrouwen en kinderen. Alle negen prenten zijn linksonder genummerd van 28 t/m 36. Deze negen prenten maken deel uit van een album.
Boerenerf met enige figuren, rechts een schuur en grote boom
Object type: drawing
Date: 1839 – 1904
Materials: paper, watercolor
Techniques: brush
Artist: hendrik dirk kruseman van elten
Artist role: draughtsman, print maker
Artist dates: 1829 – 1904
Ringvormige fragmenten uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, rings or ring-shaped fragments; id. 80H946.
Tsuchiyama, from the series The Fifty-three Stations of the Tōkaidō Road
Object type: print
Date: 1901 – 1933
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,streets,mountains
Robe
Object type: robe
Date: 1601 – 1700
Materials: gold leaf, metal, silk
Techniques: tapestry
Culture: tibetan
Kunst-Album door W. P. van Geldorp
Object type: print
Date: 1869 – 1869
Materials: paper
Techniques: lithograph
Location: rotterdam
Inscriptions: date
Conus magnus shell from the wreck of the Dutch East India ship Witte Leeuw
Object type: conus magus
Date: 1613 – 1613
Materials: shell
Artist: niet van toepassing
Subjects: verenigde oostindische compagnie, sint-helena

Schelp uit V.O.C.-schip de 'Witte Leeuw'.
Decoraties voor het stadhuis tijdens het huwelijk van Napoleon
Object type: print
Date: 1810 – 1823
Materials: paper
Techniques: engraving, etching, roulette
Location: paris
Subjects: symbolic representations, allegories and emblems ~ poetry; 'poesia' (ripa)
Inscriptions: collector's mark: Lugt 2228

Serie naar de figuren die als decoratie gebruikt zijn in het stadhuis, tijdens het huwelijk van Napoleon I Bonaparte en Marie Louise van Oostenrijk in 1810.
Balustervormige schenkkan van tin
Object type: ewer
Materials: tin
Location: low countries
Artist: Anonymous
Inscriptions: inscription: ‘ANNO 1637’, quality mark

Schenkkan van tin, balustervormig met omgebogen onderrand. De hals eindigt in een brede van voren uitgebogen platte rand. Het platte deksel, gedeeltelijk rond, aan de voorkant hoekig, is door een scharnier aan het rechthoekig gebogen oor bevestigd. Inggrift op het deksel: drie cirkerls, op de buik ANNO 1637 in onbeholpen gravure. Gemerkt op de bodem: gekroond wapen en de letters A.R.....(rest niet leesbaar). Wapen Delft, Maassluis, Brielle ?
Menas van Alexandrië
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: saints
Inscriptions: inscription: ‘73’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 127v.
Man leunend op stok en vrouw met mand
Object type: print
Date: 1779 – 1779
Materials: paper, pencil
Techniques: etching
Location: leiden
Subjects: standing figure, leaning figure
Inscriptions: collector's mark: Lugt 240, number: ‘Etsdr. 14. 15.’

Twee voorstellingen: boven een man met een hoed leunende op zijn stok en onder een vrouw met een mand, een arm in haar zij.
Engelenburcht
Object type: album leaf
Date: 1606 – 1606
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: rome

De Engelenburcht, oorspronkelijk Moles Hadriani ('het gevaarte van Hadrianus'), het grote mausoleum van keizer Hadrianus. In de ondermarge vier regels tekst in het Italiaans. De prent maakt deel uit van een album.
Plate (part of a service)
Object type: plate
Date: 1765 – 1765
Materials: hard paste porcelain
Subjects: animals,flowers,coat of arms
Rank badge with tiger
Object type: rank badge
Date: 1767 – 1800
Materials: silk, thread
Techniques: embroidery
Culture: chinese
Subjects: bats,tigers

Government officials of the Ming and Qing dynasties wore square badges sewn on the front of their robes. These badges were embroidered with birds for civil officials and animals for military officers—each creature corresponding to a specific rank. A symbol of authority and bravery, the tiger adorned the badge of a senior commander (Rank 3) in the Ming and that of a regimental vice commander (Rank 4) in the Qing.
Portret van Rafaël
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Subjects: rome, painter, rafaël, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Vijfentwintigjarig bestaan van het gymnasium te Alkmaar 1929
Object type: history medal
Date: 1929 – 1929
Materials: bronze
Techniques: striking
Artist: a köhler
Artist role: modelleur

Bronzen penning, op de voorzijde een poort tussen twee woorden in griekse letters, op de keerzijde zes regels tekst onder een Alkmaars wapenschild.
Eczema cruris
Object type: page
Date: 1870 – 1881
Materials: paper
Techniques: photograph, hand coloring
Location: new york city
Subjects: skin and venereal diseases, adult man
Elsje Christiaens Hanging on a Gibbet
Object type: drawing
Date: 1664 – 1664
Materials: ink
Techniques: brush, pen, wash
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: girls,axes

Elsje Christiaens, an 18-year old woman from Jutland was executed in May 1, 1664, just two weeks after her arrival in Amsterdam in April of that year. In a violent argument over unpaid rent, Elsje hit her landlady over the head with an ax and knocked her down the cellar stairs. She was exposed to viewers on the gibbet in the gallows field outside of Amsterdam along with the ax, the instrument of her crime. With intense scrutiny, Rembrandt drew her lifeless body in quick angular lines. Remarkably, the Met possesses the two known drawings by Rembrandt of this event.
Bibliotheektrap
Object type: stair
Date: 1400 – 1950
Materials: wood
Artist: Anonymous
Portret van Carlo Giuseppe Imbonati
Object type: titelblad, titelpagina
Date: 1694 – 1694
Materials: ink, paper
Techniques: engraving, etching, pen
Location: rome
Subjects: hebrew script, theologian, historical persons, monastic orders, monastic life: cistercians
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Imbonati, Carlo Giuseppe. Bibliotheca Latino-Hebraica, sive de Scriptoribus latinis, qui ex diversis nationibus contra Judaeos vel de re hebraica utcumque scripsere (...). Rome: Sacra Congregatio de Propaganda Fide, 1694.
Annotaties
Object type: sketchbook leaf
Date: 1887 – 1892
Materials: paper
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Inscriptions: annotation: ‘W.F./ T. 58’

Schutblad A, voorste schutblad, uit een schetsboek met 17 bladen.
Crimson Topaz, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of the Tropics" series (N38), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes. This series is a physically larger version of the "Birds of the Tropics" set (N5), including the corresponding small card design with other pictorial matter added.
Medea and Jason, from Greek Heroines
Object type: print
Date: 1539 – 1539
Materials: paper
Techniques: engraving
Location: germany
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Portret van Zaga Christ
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: politician, historical persons, politician, e.g. party leader

Prent waarschijnlijk uit: Rocolos, Jean-Baptiste de. Geschichte merkwürdiger Betrüger. Halle: J.J. Curts, 1761, dl. 2, p. 89.
Tekst bij het portret van Willem I Frederik, koning der Nederlanden
Object type: text sheet
Date: 1825 – 1825
Materials: paper
Techniques: letterpress printing
Location: brussels
Subjects: the hague, william i of the netherlands
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Theatrum Orbis Terrarum
Object type: album leaf
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche, mask, mascaron ~ ornament

De cartouche is gekopieerd naar een prent van een anonieme graveur naar het ontwerp van Hans Vredeman de Vries, onderdeel van een serie van rolwerkcartouches met grotesken uit circa 1555-1560.
Vest
Object type: vest
Date: 1842 – 1842
Culture: american or european
Casa di Meleagro
Object type: photograph
Date: 1864 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: urban housing, ruin of a building ~ architecture, landscape with ruins
Inscriptions: number: ‘5072.’, collector's mark: ‘VOSMAER’
The Chariot of Aurora
Object type: painting
Date: 1760 – 1769
Materials: canvas, oil
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: apollo,bacchus,swans,horses,goddess,chariots

This oil sketch was probably presented as a proposal by Tiepolo for the decoration of a ceiling in the royal palace in Madrid. Tiepolo was summoned to Spain in 1762 to decorate the throne room, but a ceiling representing Aurora was painted in the queen’s bedroom in 1763 by Tiepolo’s German rival, Anton Raphael Mengs. Here, Aurora, goddess of dawn, crosses the sky in her chariot, accompanied by the Hours and heralded by Apollo; the figure of Time is on the right. Allegories of abundance appear in the form of Ceres, who holds a sheaf of wheat, and Bacchus, who wears a crown of leaves.
Icones ad vivum delineatae et expressae virorum clariorum
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: engraving
Location: leiden
Subjects: lille, leiden, dominicus baudius, historical persons, writer, poet, author
Inscriptions: inscription: ‘P. Mariette 1644’

Prent met tekst op verso verschenen in de 1613- en de 1617-editie van deze prentserie. Prent ook gebruikt in: Meursius, Joannes. Athenae Batavae sive de urbe Leidensi, & Academia, (...). Leiden: Andries Clouck en de gebroeders Elzevier, 1625, ook met tekst op verso.
Diverse jacht- en strijdscènes
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: etching
Location: italy
Subjects: hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), ox
Inscriptions: number: ‘5’

Landschap met jagers te paard die wilde ossen vangen met behulp van speren en touwen. Tekst in het Latijn in ondermarge.
Heerenstraat, Paramaribo
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘40. / Heerenstraat, Paramaribo.’

Gezicht in de Heerenstraat te Paramaribo, op de voorgrond een groep meisjes. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Interieur met drie figuren rondom een tafel
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Techniques: stumping
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: sitting figure, table, interior of the house

Blad 47 recto uit een schetsboek met 53 bladen.
Verovering van de Kattenburgerbrug, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: battle (+ citizen soldiery, civil guard, citizen militia)
Inscriptions: collector's mark: Lugt 2228

De verovering van de Kattenburgerbrug naar het eiland Kattenburg op de opstandige Oranjegezinden door de gewapende Amsterdamse burgers, 30 mei 1787. Links een deel van 's Lands Zeemagazijn.
Vertical Panel with Scrolling Tendrils Rising from Center
Object type: print ornament architecture
Date: 1517 – 1561
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: leaves
Les offres réciproques
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: johann georg wille
Artist role: draughtsman, print maker
Artist dates: 1715 – 1808
Subjects: cooking food, waffles
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie van onbekende omvang naar Nederlandse en Duitse schilderijen. Op sommige prenten staat linksboven aangegeven welk nummer in de serie het betreft.
Scherven van kannen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: ewer
Date: 1700 – 1743
Materials: stoneware
Location: cologne
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Stoneware, Rhenish, Frechen-ware, jug; fragm of base, sim. NG 1980-27H1842, fragm of body.
Insertion
Object type: textile
Date: 1900 – 1900
Materials: cotton, thread
Techniques: cutting, lace, weave, stitching
Location: bologna
Artist: aemilia ars workshop
Artist dates: 1898 – 1914
Strook gehaakte kant met driehoekig bloemmotief gemaakt met open cirkels
Object type: strip
Date: 1890 – 1909
Materials: cotton
Techniques: crocheted lace, irish crochet lace
Location: ireland
Artist: Anonymous

Het is een aanname dat deze Ierse gehaakte kant ook daadwerkelijk in Ierland is gemaakt. Ierse gehaakte kant kent zijn oorsprong rond 1760 en kwam vanaf 1840 in ontwikkeling. Aangezien volgens Martine Bruggeman (Kant in Europa) de Ierse haakindustrie aan het eind van de 19e eeuw gereorganiseerd werd en in populariteit groeide, is het hier beschreven stuk gedateerd rond 1890, tot 1909 vanwege de datering in het eerste decennium van populariteit van Ierse gehaakte kant volgens het Kantlexicon (Johan Coene).
Pijpsleutel
Object type: pipe key
Date: 1600 – 1600
Materials: iron

Pijpsleutel waarvan het ringvormig oog boven de schijf op het kapiteel een puntige verhoging insluit. Korte schacht.
Landschap met boerenwoning
Object type: print
Date: 1810 – 1864
Materials: paper
Techniques: etching
Location: borgerhout
Artist: jacques van gingelen
Artist role: print maker
Artist dates: 1801 – 1864
Subjects: river, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Landschap met boerenwoning. Op de voorgrond een rivier.
Riding habit
Object type: riding habit
Date: 1897 – 1897
Materials: wool
Culture: american
Artist: frederick loeser & company
Artist role: department store
Artist nationality: american
Artist dates: 1860 – 9999
Wandelstok van hout met saterkop op knop
Object type: womenswear
Date: 1700 – 1750
Materials: wood
Location: europe
Artist: Anonymous
Subjects: friesland

Wandelstok van ijzerhout (?). De knop bestaat uit een gesneden saterkop met de stok verbonden door een ornament. Knop en stok uit één stuk.
Portret van Laurens Reael
Object type: book illustration
Date: 1763 – 1763
Materials: paper
Techniques: etching, letterpress printing
Location: the hague
Subjects: laurens reael, helmet, historical persons, book, attributes of neptune: trident
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bois, J.P.L. du. Vies des gouverneurs généraux (...). Den Haag: Pieter de Hondt, 1763.
Pot
Object type: kaststel
Date: 1740 – 1780
Materials: faience
Location: delft
Inscriptions: mark: ‘LPK’

Deksel van pot van faience. Blauw beschilderd met bloemendecoraties. De pot is onderdeel van een kaststel.
Man Seated on a Chair
Object type: drawing
Date: 1855 – 1855
Materials: graphite
Artist: frederic, lord leighton
Artist role: artist
Artist nationality: british
Artist dates: 1830 – 1896
Subjects: men