deem-data/ArtiFact huggingface dataset:
Man met muts
Object type: print
Date: 1748 – 1795
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Artist: jan chalon
Artist role: print maker
Artist dates: 1738 – 1795
Subjects: head-gear: cap (+ men's clothes), morphology of human expression (+ adult male (human being))

Een volwassen man met muts. Buste naar links.
Gezicht op het dorp Hoogwoud
Object type: drawing
Date: 1752 – 1752
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: haarlem
Subjects: church (exterior), windmill in landscape

Mogelijk een kopie naar de prent van Hendrik Spilman, zie RP-P-2019-510.
Bow tip
Object type: bow tip
Date: 2120 – 1981
Materials: wood
Location: egypt
Brief en de Wedgwood replica van de Portlandvaas
Object type: photograph
Date: 1868 – 1873
Materials: paper
Techniques: carbon print
Artist: joseph cundall
Artist role: fotograaf, schrijver
Artist dates: 1818 – 1895
Subjects: container of ceramics: jar, jug, pot, vase, letter, envelope

Foto op tweede ongenummerde pagina na pagina viii.
Palette shaped like a fish
Object type: palette, fish shaped
Date: 3650 – 3300
Location: egypt
Subjects: fish
A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the Finished Picture No. 12
Object type: book
Date: 1813 – 1814
Materials: paper
Techniques: aquatint, letterpress
Location: england
Artist: david cox, the elder
Artist role: artist
Artist nationality: english
Artist dates: 1783 – 1859
Penning met het portret van Karel II van Engeland
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: london, karel ii (koning van engeland), medal (considered as a piece of sculpture, regardless of its specific function)
Inscriptions: collector's mark: Lugt 2228

Penning met het portret van Karel II, koning van Engeland. Op de andere zijde het vertrek van de koning vanuit Scheveningen naar Engeland, op 2 juni 1660.
Spoon
Object type: spoon
Date: 1770 – 1780
Materials: silver
Culture: american
Location: united states
Artist: paul revere jr.
Artist role: maker
Artist nationality: american
Artist dates: 1734 – 1818

The turned-back handle on this tablespoon became fashionable by the last quarter of the eighteenth century. Earlier spoons had been engraved on the back of the handle with initials or armorial devices and laid on the table backside up. With the new fashion, engraving moved to the front, and the spoon was set backside down. The die-stamped cartouche and the feather edging along each side of the handle are consistent with the new styling. The dolphin engraved within the cartouche is the crest of the Sargent family of Massachusetts. Revere's business records indicate that he supplied silver to several members of that family. He also engraved a bookplate for Epes Sargent in 1764.
Portret van Jan Gysbert Moll
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons, the bible as a book
Inscriptions: collector's mark: Lugt 2228

Met zesregelig Nederlands vers als onderschrift.
Sheet, linen mark, medium spin, medium weave
Object type: linen mark
Date: 1492 – 1473
Materials: linen
Location: egypt
Portret van Louise de la Misericorde, alias Françoise de La Baume Le Blanc de la Vallière
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: paris
Inscriptions: collector's mark: Lugt 2228

Portret in ovale lijst van Louise Françoise de La Baume Le Blanc de la Vallière, nadat ze toegetreden was tot de orde van carmelieten en ze de naam Louise de la Misericorde had opgenomen. Ten halven lijve naar rechts. De prent heeft een Frans onderschrift.
Lezende vrouw op een bank
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: reading, europe
Inscriptions: number: ‘60’, inscription: ‘vlg’
Panel
Object type: textile
Date: 1880 – 1889
Materials: cotton, textile, silk, velvet
Techniques: cutting, weave, printing, satin weave
Location: france
Liefdespijl van Amor afgenomen door Venus
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: attributes of cupid: arrow(s), other birds: turtle dove, venus and cupid (cupid not being mere attribute)
Inscriptions: inscription: ‘1710:’, watermark
The Thrown Kiss (one of a pair)
Object type: figure
Date: 1765 – 1765
Materials: soft paste porcelain
Artist: bow porcelain factory
Artist role: factory
Artist nationality: british
Artist dates: 1747 – 1776
Subjects: women
Teabowl
Object type: teabowl
Date: 1825 – 1825
Materials: clay, glaze
Techniques: molding
Culture: japanese
Bishop (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Object type: drawing
Date: 1801 – 1900
Materials: chalk, paper
Techniques: stumping
Artist: isidore pils
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1875
Subjects: bishops
He buys the right to defeat me at his ease with a successful shot, from "Little Miseries of Human Life"
Object type: print
Date: 1843 – 1843
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: men,billiards
Reverse Copy of Le Ponte-Vecchio, a Florence (The Ponte-Vecchio, in Florence), from "Les Caprices"
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Teabowl
Object type: teabowl
Date: 1801 – 1900
Materials: clay, glaze
Techniques: overglaze
Culture: japanese
Cours de dessin-ornemens à L'usage des Eleves qui se destinent à l'étude des Beaux-Arts et à la pratique des Arts mécaniques. Formé de tous les meilleurs genres de modèles, antiques et modernes
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: palmette ~ ornament, acanthus ~ ornament
Inscriptions: collector's mark: Lugt 2228

Afgebeeld zijn vier soorten bladeren: feuille d'eau, palmet, acanthusblad en olijfblad. Bovenin een sierlijst. Genummerd rechtsboven: No. 1. Deze prent maakt deel uit van een omslag met een titelblad en zes prenten.
Lucht
Object type: print
Date: 1632 – 1670
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: air (one of the four elements), death i.e. the fall of icarus (daedalus present)
Inscriptions: collector's mark: Lugt 240

Twee mannen, waarvan er één op zijn buik ligt, kijken in de lucht naar de val van Icarus.
Panorama's van Padang
Object type: photograph
Date: 1900 – 1939
Materials: paper, photographic support
Techniques: photography
Location: padang
Artist: Anonymous
Subjects: landscapes in tropical and sub-tropical regions, sumatra, dutch east indies, the
Inscriptions: annotation: ‘Padang // rivier van Padang "Moeara"’

Padang is een grote stad op het eiland Sumatra, en één van de hoofdvestigingen van de Fraters van Tilburg in Nederlands-Indië. Op de onderste foto is de rivier die door Padang loopt aangeduid als de Moeara. De moderne naam voor deze rivier is Batang Arau.
Standing Court Official
Object type: sculpture
Materials: earthenware
Techniques: painting
Location: china
Muuranker, waarvan de schieter uitloopt in een gebogen lelie
Object type: schieter, schoter
Date: 1620 – 1620
Materials: iron
Location: unknown
Artist: Anonymous

Muuranker, bestaande uit veer en schieter. De schieter loopt uit in een gebogen lelie. Afkomstig uit Zwartsluis.
Portret van Hieronymus Zanchius
Object type: print
Date: 1604 – 1650
Materials: paper
Techniques: engraving
Location: the hague
Artist: Anonymous
Subjects: reformation (roman catholic church vs. protestantism), theologian, historical persons
Onderwijzeres met kinderen in de klas
Object type: print
Date: 1734 – 1774
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: teacher and pupil, open window
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Nederlandse10 cent,1938
Object type: coin
Date: 1938 – 1938
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: hoofd naar links. Keerzijde: binnen twee samengebonden eiketakken waarde-aanduiding 10 cents en jaartal. Kartelrand.
Lidmaatschapskaart van de Vaderlandsche Sociëteit te 's-Hertogenbosch, ca. 1787
Object type: membership certificate
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: (2) the hydra of lerna is killed by hercules, freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure), den bosch
Inscriptions: collector's mark: Lugt 2228

Lidmaatschapskaart van de Vaderlandsche Sociëteit te 's-Hertogenbosch, ca. 1787. Kaart waarop de naam van het lid niet is ingevuld. Met allegorische voorstelling waarin de Vrijheid met speer en stralende vrijheidshoed toeziet hoe Hercules de Hydra verslaat.
Gelijkenis van de zaaier
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: in time of the harvest the tares are bound and burned, but the wheat is gathered and put in the barn of the lord

De landheer, met een scepter in de hand, geeft de opdracht om de oogst binnen te halen. Het graan wordt geoogst en het onkruid wordt verzameld en verbrand. Een jongen houdt het kleed van de landheer vast. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 13:30. Deze prent maakt deel uit van een album.
Untitled (Portrait of a Woman)
Object type: photograph
Date: 1854 – 1854
Techniques: daguerreotype, photography
Location: united states
Artist: l. h. hale
Artist nationality: american
Artist dates: 1823 – 1885
Subjects: lundberg collection, portraits, portraits: female subject
Batakdorp op Sumatra
Object type: photograph
Date: 1880 – 1910
Materials: paper
Techniques: collodion silver print
Location: sumatra
Artist: Anonymous
Subjects: village, sumatra
Kanonnier der Artillerie Nationale Militie
Object type: costume print
Date: 1826 – 1826
Materials: paper
Techniques: engraving, etching, hand coloring
Location: netherlands
Subjects: (military) uniforms

Een Nederlandse kanonnier van de artillerie van de Nationale Militie. Staande met getrokken sabel, bij een stuk geschut. Plaat 57. Uniformvoorstelling in 'Vervolg van de Beschrijving hoedanig de Koninklijke Nederlandsche troepen' van J.F. Teupken, 1826.
Portret van een hond
Object type: album leaf
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: george lodewijk mulder
Artist role: fotograaf
Artist dates: 1841 – 1920
Subjects: dog
Inscriptions: inscription: ‘G.L. Mulder / Utrecht’, inscription: ‘Photogr. Atelier / G.L. Mulder / van Wijckskade H. 326 / Utrecht’
Three Female Bathers, Two in the Water, the Third Getting in by Herself
Object type: print
Date: 1742 – 1789
Materials: paper
Techniques: etching
Location: germany
Artist: johann heinrich tischbein (1722-1789)
Artist role: draughtsman, painter, print maker
Artist nationality: german
Artist dates: 1722 – 1789
Hoofd van een onbekende man, mogelijk een bedelaar
Object type: print
Date: 1883 – 1913
Materials: paper
Techniques: drypoint, etching
Artist: georges montenez
Artist role: print maker
Artist dates: 1873 – 1930
Subjects: adult man, beggar, beard
Inscriptions: inscription: ‘Derrion état; Premier prise de la Ste de Aquafortistes Belge’, collector's mark: Lugt 2228

In de inventaris getiteld: De bedelaar naar Wauters.
Beemster, brandspuitpenning met no. 32
Object type: fire engine medal
Date: 1751 – 1751
Materials: brass
Techniques: casting
Location: beemster
Artist: Anonymous
Subjects: beemster

Messing penning met gat erin. Voorzijde: wapenschild, gedragen door leeuw tussen jaartal. Keerzijde: brandspuit onder cartouche met cijfer 32 binnen slangerond
Landschap met een waterval en vier lopende figuren
Object type: print
Date: 1713 – 1768
Materials: paper
Techniques: etching
Location: switzerland
Artist: johann caspar ulinger
Artist role: painter, print maker
Artist dates: 1703 – 1768
Subjects: waterfall, forest, wood, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228
Wapens van Aegidius van den Bempden, Jan van de Poll, Lieve Geelvinck en Willem Six
Object type: print
Date: 1736 – 1744
Materials: paper
Techniques: etching
Location: haarlem
Subjects: amsterdam, lieve geelvinck, mayor, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 1641b

Centraal bovenaan genummerd: No. 4. Onder de prent is een verklarend bijschrift van de prent geplakt. Onderwerpsrubriek binnen de Atlas Amsterdam: Wapens regeringsleden.
Carnelian scarab
Object type: scarab
Date: 500 – 401
Materials: gemstone
Culture: greek
Subjects: animals,scarabs
Ontwerptekening voor een kamerwand
Object type: album leaf
Date: 1763 – 1826
Materials: paint, paper, pencil
Techniques: brush, pen
Artist: abraham van strij (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1753 – 1826
Subjects: garland, wreath, wall-covering
Inscriptions: collector's mark: Lugt 2228, inscription: ‘No. 619.’, inscription: ‘V: 8’

De tekeningen van Abraham van Strij zijn op een later moment ingevoegd in het album met tekeningen van Jurriaan Andriessen.
Le médecin malgré luy
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: (moliere) specific works of literature (with author, title), forest, wood
Inscriptions: collector's mark: Lugt 2228

Drie mannen wandelen over een pad door het bos. Degene die voorop loopt draagt een kruik. Scène uit het toneelstuk Le Médecin malgré lui (Dokter tegen wil en dank), van Molière.
Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria
Object type: drawing
Date: 1608 – 1608
Materials: ink
Techniques: pen
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700

Cartoon for embroidery of an orphrey, decorated with floral, bud and animal designs bearing Medici arms combined with Arms of House of Austria
Portret van Maarten Tromp
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: brielle, maarten harpertszoon tromp
Inscriptions: collector's mark: Lugt 2228

Portret van admiraal Maarten Harpertszoon Tromp op 41-jarige leeftijd met om zijn hals een medaillon. In de marge een heldendicht op Tromp.
Hoed van zwarte sisal en grosgrain, met losse voile
Object type: womenswear
Date: 1938 – 1945
Materials: fiber
Location: netherlands
Artist: Anonymous

Hoed van zwarte sisal en grosgrain. Kapothoed met 'geknoopte' kruin. Met twee kinnebanden en een losse voile.
Portret van Henri Garofalo
Object type: carte de visite
Date: 1860 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: italy
Artist: alphonse bernoud
Artist role: fotograaf
Artist dates: 1820 – 1889
Subjects: studio requisites ~ photographer, cigar, trousers, breeches, walking-stick, staff, historical persons, neck-gear ~ clothing, clothing for the upper part of the body, shoes, sandals, hairdress, beard, coat, cape, head-gear: top hat, italy
Inscriptions: address: ‘Naples Boschetto della Villa Reale. Florence S. Maria in Camp, 434.’, name: ‘Henri Garafolo’

Onderdeel van Fotoalbum met 48 cartes-de-visite aangeboden aan maarschalk graaf De Castellane.
Flask
Object type: flask
Date: 1700 – 1800
Techniques: glassblowing
Culture: american
Location: united states
Plate with Monkey, Bees, Magpie, and Deer
Object type: plate
Date: 1667 – 1733
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: birds,deer,monkeys,trees

Visual puns, often made by using homophones, are a popular design language in Chinese art. In addition to being a zodiac animal, the monkey also symbolizes a noble title, because it is pronounced the same as the word for marquis (hou) in Chinese. Here, monkey, bees, magpie, and deer are combined to convey “giving great wealth and bestowing a noble title” (jue lu feng hou). This handsomely painted blue-and-white dish therefore expresses two wishes for good fortune.
Man laat een paard uit een emmer drinken
Object type: design
Date: 1801 – 1801
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: jan anthonie langendijk dzn
Artist role: draughtsman, print maker
Artist dates: 1780 – 1818
Subjects: horse
Inscriptions: date: ‘1801’
Portret van een zittende vrouw met muts en boek
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: w.g. roberts
Artist role: fotograaf
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, head-gear: hat
Inscriptions: inscription: ‘From the art studio of/ W.G&gt; Roberts/ 96 Prince of Wales Road/ Kentish Town/ London, N.W.’
Dos-a-dos Phaeton # 3610
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kreupelhout en struiken
Object type: print
Date: 1825 – 1829
Materials: paper
Techniques: lithograph
Location: rotterdam
Artist: anthony jacobus offermans
Artist role: draughtsman, print maker
Artist dates: 1796 – 1872
Subjects: bush, shrubs ~ forest
Inscriptions: collector's mark: Lugt 2228
Glass jar
Object type: jar
Materials: glass
Culture: roman

Colorless with pale blue green tinge. Rounded, flaring, tubular rim, folded out and down, forming collar around neck; broad ovoid body; bottom pushed in to form hollow foot ring. On body, sixteen projecting roughly vertical ribs of differing lengths and shapes (some almost straight, others sinuous), four of which extend onto the neck below the collar. Intact, except for one small chip in one of the ribs; some bubbles and a few white glassy inclusions; slight brownish weathering and faint iridescence. Sealed within the rim are fine particles of dry, loose sand.
Portret van Thomas Pennant
Object type: print
Date: 1798 – 1859
Materials: paper
Techniques: engraving, etching
Artist: william home lizars
Artist role: print maker
Artist dates: 1788 – 1859
Subjects: botany (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228

Een facsimile signatuur in de ondermarge.
Gezicht op de kerk te Ravenstein
Object type: book illustration
Date: 1746 – 1746
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: church (exterior), public road in village
Inscriptions: collector's mark, collector's mark: Lugt 1641

Prent eerst gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 2 (1746). Later ook in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 2.
Standing Man with Hands Resting on Stick
Object type: drawing and watercolor
Materials: paper, pastel
Techniques: heightening, drawing
Location: england
Artist: henry stacy marks
Artist role: artist
Artist nationality: english
Artist dates: 1829 – 1898
Ex libris van Jacques Meurgey
Object type: bookplate
Date: 1901 – 1973
Materials: paper
Techniques: printing block
Location: france
Artist: Anonymous
Subjects: armorial bearing, heraldry
Pianoforte Guittar (Keyed cittern/English Guittar)
Object type: pianoforte guittar keyed cittern english guitar
Date: 1785 – 1785
Materials: bone, brass, ivory, wood
Culture: british
Location: united kingdom
Artist: christian claus
Artist role: maker
Artist nationality: german
Artist dates: 1783 – 1793

The English guittar [sic] was a six-course wire-strung cittern, most popular in Britain in the second half of the eighteenth century. Christian Claus was the first patent holder for the "pianoforte guittar", an invention which integrated a piano hammer mechanism into the body of the cittern. This novel instrument enjoyed tremendous popularity in the 1780s, but in 1789 Claus left London for New York (fleeing his creditors) and his competitors also ceased making them at around this time. There are a few pianoforte guittars by Claus that were made in New York. This instrument would have originally had six keys on the soundboard (the location is still visible) which, when pressed, would cause hammers to strike the strings through the sound hole. (Daniel Wheeldon, 2023)
The Sights of Dublin
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: charles samuel keene
Artist nationality: british
Artist dates: 1823 – 1891
Vier foto's met portretten, onder andere van Petrus Hermanus Bon en Guurtje van Leijden
Object type: photograph
Date: 1860 – 1900
Materials: paper, cardboard, celluloid
Techniques: albumen print
Location: zaandam
Subjects: amsterdam, historical persons not known by name - bb - woman, historical persons not known by name
Inscriptions: inscription: ‘P.H. Bon en/ zijn vrouw/ Guurtje Bon-/ van Leijden’, inscription: ‘L.R. Werner/ H.150/ Nieuwendijk/ Amsterdam’, inscription: ‘Photographie/ artistique/ Jb. Kuyper/ Vergrooting naar alle bestaande Photographien.’

Deze foto's maken deel uit van een album.