deem-data/ArtiFact huggingface dataset:
Rapier with Extendable Handle
Object type: arm
Date: 1590 – 1600
Materials: metal alloy, metal, steel, wood
Culture: german
Location: germany
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander and cross squares; Exterior of the rim fragment, at the far left, part of the bent arm of a male?; youth, looking up, holding a red fillet in both hands; part of a circumscribed palmette; start of handle root; a second fragment has part of the belly, forelegs, and chest of a horse to right, and the cloak of a Thracian rider; a third fragment depicts part of the belly and foreleg of a horse to right, and the cloak from a Thracian rider; a fourth fragment shows two legs of a horse and the cloak from a Thracian rider; a fifth fragment shows neck and chest of horse with reins and the hindquarters and tail of a horse to right; a sixth fragment depicts the extended arm of a draped figure with a stick?; a seventh fragment, which is the smallest, has an unidentified subject
Geschilderd raam in de Grote Kerk te Schermerhorn
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: schermerhorn
Subjects: church-window, e.g. rose-window
Inscriptions: annotation: ‘Glasraam in de Ned. Herv. Kerk/ Schermerhorn’, annotation: ‘Schermerhorn/ glasraam in de Ned Herv. Kerk’
Portret van Joachim II Hector, keurvorst van Brandenburg
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Frederik de Grote. Mémoires pour servir a l'histoire de la maison de Brandebourg. Sanssouci, Frederik de Grote, 1751.
Reproduction of a Sarmatian collar
Date: 1801 – 1900

Electrotyping is a chemical process used historically to make high quality reproductions of works of art. During the Victorian era, one of the main producers was Elkington & Co. of Birmingham. They were licensed by the South Kensington Museum of London (now the Victoria & Albert Museum) to produce replicas of objects from royal treasuries and museums across Europe. The electrotypes approved by the Department of Science and Art, a British governmental agency, carry Messrs. Elkington’s mark in the form of an official stamp in metal. This modern electrotype is a copy of a gold collar in the Hermitage Museum, St. Petersburg. The original was found in 1864 in the Khokhlach kurgan (burial mound) in the vicinity of Novocherkassk, one of the largest cities of the Don region. It was part of a group of precious objects – a crown, collar, ornaments, cups, flacons or perfume-boxes – known as the “Treasure of Novocherkassk” and thought to be the burial of an elite Sarmatian woman in the first century A.D. Sarmatian objects are decorated with animal imagery comparable to the earlier Scythian “animal style” and frequently enhanced with colored inlays. The hinged collar is three rings with an open-worked frieze of fantastic animals on each side, originally inlaid with turquoise, coral and glass. In the nineteenth century, many museums collected copies of ancient and historical works of art with the aim of presenting outstanding works to a broader public and to serve as inspiration for artists and manufacturers. The Metropolitan Museum of Art, founded in 1870, began to acquire electrotypes in its first decade. In 1883, Henry Marquand, a collector and early patron of the Museum, funded a large purchase from Elkington & Co. of nearly three hundred pieces. Today, these works are part of many departments in the Museum and along with plaster casts reflect the history of collecting and the role of the museum as a locus for the teaching of art history.
Hieronymus Savonarola Ferrariensis
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Location: france
Artist: robert boissard
Artist role: print maker
Artist dates: 1570 – 1611
Subjects: priest, politician, historical persons, insects: fly
Inscriptions: inscription: ‘Ipsi optimatus (...)’, inscription: ‘De hoc Hironymo ita Lipsig in (...)’, collector's mark: Lugt 2228
Arrow with composite stone tip
Object type: arrow, arrowhead, adhesive
Date: 1479 – 1458
Materials: quartz, wood
Location: egypt

Fifteen arrows (36.3.213-.227) and two bows (36.3.211, .212) were included in a cache of weapons found on the slope of Sheikh Abd el-Qurna hill. The arrow shafts are made of reed. The tips are made of quartz flakes stuck with a resinous gum to a section of wood that is lashed to the reed shaft. Three feathers were lashed to the nock end of the shafts, but only traces of these are preserved.
Jager in de duinen, gebukt zittend
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: dune coast, hunting, chase
Woman's Informal Robe
Object type: woman's informal robe
Date: 1701 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: birds
Twee koeien
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: cow
Inscriptions: collector's mark: Lugt 2228

In een wei een liggende koe en een staande koe in een plas. Maakt deel uit van een prentalbum met een serie van acht dierstudies.
Houten retabel in de Sint-Annakerk te Oudergem
Object type: page
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: altar with altar-piece
Inscriptions: inscription: ‘RETABLE en bois (...)’, inscription: ‘RETABLES. PL. 6.’, monogram: ‘JJvY’
Study for an allegorical figure of Justice in the ceiling decoration of the Salon du Roi, Palais Bourbon; verso: studies of allegorical figures, and architectural sketches.
Object type: drawing
Date: 1833 – 1833
Materials: graphite, paper
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: human figures
Bulls, from "Eaux-Fortes Animaux & Paysages"
Object type: print
Date: 1860 – 1860
Techniques: etching
Artist: karl bodmer
Artist role: artist
Artist nationality: swiss
Artist dates: 1809 – 1893
Subjects: bulls
Albumblad met 17 plakplaatjes
Object type: album leaf
Date: 1880 – 1910
Materials: paper
Techniques: chromolithography
Artist: Anonymous
Subjects: children's games and plays, making music; musician with instrument

Albumblad met 17 plakplaatjes van kinderen die muziek maken. Onderdeel van het plakboek met 38 bladen gevuld met plakplaatjes, poesieplaatjes en uitgeknipte en ingeplakte fragmenten van prenten. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Varia.
View of the Lavandieres Bridge at the Peasant House
Object type: print
Date: 1734 – 1766
Techniques: etching
Artist: quentin pierre chedel
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1763
Subjects: houses,bridges,landscapes
The Virgin and St John the Evangelist
Object type: figure
Date: 1670 – 1670
Materials: ivory
Location: brussels
Artist: mattheus van beveren
Artist role: ivory carver, sculptor
Artist dates: 1630 – 1690

The figures of the Virgin and the Apostle John originally flanked a crucified Christ. The Virgin is represented with an expression of intense sorrow, while he gazes upwards in dismay. Her masterfully carved, flowing robes and her face were inspired by the Italian Baroque. John’s dynamic pose is derived from a famous sculptural group from Classical antiquity, the Laocoön.
Historische kaart van Nederland met de gebieden van de Bataven en Friezen
Object type: history print
Date: 1697 – 1700
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions, concordia as roman personification, justitia (justice) as roman personification, netherlands
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Maakt deel uit van 16 kaarten van het land van de Bataven en de Friezen eerst vervaardigd voor en opgenomen in Alting, Menso. Descriptio, secundum antiquos, agri Batavi & Frisii. 2 delen. Amsterdam: Henricus Wetstein, 1697-1700. Hergebruikt in Halma, François. Tooneel der Vereenigde Nederlanden, en onderhorige landschappen (...). 2 delen. Leeuwarden: Hendrik Halma, 1725.

Deze kaart is gebruikt in Halma's Tooneel der Vereenigde Nederlanden (1725) en is waarschijnlijk te vinden in deel 1, p. 337.
Scherf van een kan en een tegel uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: tile
Materials: earthenware, glaze, stoneware
Location: netherlands
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Scherf van een krakelée delftsblauwe tegel met roestaanslag en een scherf van een steengoed kan, welke van buiten roodbruin en van binnen lichtblauw is geglazuurd.
Geparkeerde auto's voor een automobielhandel op een gracht in Amsterdam
Object type: photograph
Date: 1914 – 1924
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: automobile

De autohandel van Dirk van der Mark aan de Keizersgracht 635 te Amsterdam. Het filiaal opende op 6 december 1913. Voor het pand staat een rij Amerikaanse Hupmobiles. Boven de autohandel was Schermzaal Giandomenici gevestigd.
The Dance of the Magdalene
Object type: print
Date: 1519 – 1519
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: men,women,mary magdalene,musicians

In this large and delicately engraved print, Mary Magdalene is depicted in her worldly life as a courtesan, prior to her conversion. In the foreground, among loving couples, she dances to the music of a piper and a drummer; a fool gestures to her from behind a tree on the left, mocking her sinful behavior. Just beyond, she is on horseback taking part in a hunt. Lucas provided few clues to the religious nature of the subject besides the halo surrounding her head and the minute depiction of her assumption into heaven (in the background to the right of the mountain). This episode in the Magdalene's life had few precedents in the visual arts but was popular in contemporary mystery plays.
Magnolia cup
Object type: cup
Date: 1767 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Prof. Fraser, Rev. Welsh, Rev. Hamilton, and Three Other Men
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Titelpagina voor: François Halma en Matthaeus Brouërius van Nidek, Tooneel der Vereenighde Nederlanden en onderhorige landschappen, 1725
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: leeuwarden
Subjects: brinio, coat of arms (as symbol of the state, etc.), personifications of countries, nations, states, districts, etc., beasts of prey, predatory animals: lion (+ animals used symbolically), netherlands
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2780

De Hollandse Maagd zit op een verhoogde troon, omringd door de personificaties van de zeven provincies. Ze houdt een kaart van de Nederlanden in de hand. Op de troon de titel van het boekwerk. Onder de troon de Nederlandse leeuw, met in zijn klauwen een bundel pijlen. Aan de bovenzijde portretmedaillons van Brinio, veldheer van de Cananefaten en Julius Civilis, leider in de Batavenopstand.
Visitatie
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: mary and elisabeth shaking hands
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
Wandbespanning met dessin van bijen
Object type: upholstered wall
Date: 1911 – 1915
Materials: linen
Techniques: damask
Location: eindhoven
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Donkerolijfgroene damasten wandbespanning met een dessin van honingbijen
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of an inscription, AIA?
Verhuizing met een kar
Object type: drawing
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: pouring, living-room, parlour, sitting-room
Inscriptions: inscription: ‘J Andriessen’, inscription: ‘4 Mai verhuisdag Dit is ook nogal een knappe verhuisboel (...)’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Schetsblad met studies van een tuinman
Object type: drawing
Date: 1867 – 1923
Materials: chalk, paper
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: gardening
Kar of ploeg
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: agricultural implements: plough, (farm) wagon, freight wagon, cart

Pagina 67 uit een schetsboek met 67 bladen vervaardigd in Drenthe.
Gezicht op het landgoed Plattenberg in Maarn, en de kinderen van Co Boelen met hun oom Herman Boelen in de tuin van Keizersgracht 678 in Amsterdam
Object type: photomechanical print
Date: 1919 – 1919
Materials: paper
Techniques: photograph, gelatin silver print
Location: amsterdam
Subjects: amsterdam, garden, villa

Groot Plattenberg was eigendom van Jacob Theodorus (Co) Boelen, Keizersgracht 678 was het woonhuis van het gezin Joan Boelen.
Vrijwillige verbranding van de weduwe
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: human sacrifice ~ non-christian religions, widow, asiatic races and peoples: indians
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Sprengel, Matthias Christian. Historisch-genealogischer Calender, oder, Jahrbuch der merkwürdigsten neuen Welt-Begebenheiten für 1786. Leipzig: Zur Messe bey Haude und Spener von Berlin, s.a.
Abraham en de drie engelen
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the promise of a son is renewed; sarah, overhearing it, laughs incredulously, abraham kneels before the angels
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De drie engelen bezoeken Abraham en zitten aan de tafel, die hij voor hen heeft gedekt. Zij beloven hem dat hij en Sara een zoon zullen krijgen. Abraham hoort het nieuws geknield aan. Sara luistert in de deuropening mee. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Gen. 18.
Design for an Elevation of a Gateway, Abbey at Rebais (Seine et Marne)
Object type: drawing
Materials: graphite, ink
Techniques: pen, drawing, wash
Artist: claude louis d'aviler
Artist role: artist
Artist nationality: french
Artist dates: 1764 – 1764
Subjects: architecture,doors,abbeys
Military Epaulets
Object type: military epaulet
Date: 1875 – 1880
Materials: wool
Culture: american
Subjects: army
Gezicht op een heilige tent te Caïro
Object type: photomechanical print
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: tent
Inscriptions: inscription: ‘No. 3./ De heilige tent van den profeet.’

Deze prent maakt deel uit van een album.
Portret van Oom Joop
Object type: drawing
Date: 1957 – 1957
Materials: chalk, paper
Location: netherlands
Artist: Anonymous
Subjects: old man
Inscriptions: inscription: ‘Voor Oom Joop / 17-8-'57 / Theo’
Portret van Samuel Freiherr von Cocceji
Object type: print
Date: 1752 – 1793
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: berlin, historical persons, cupids: 'amores', 'amoretti', 'putti'

Onder het portret een putto met een boek.
Abigaïl vraagt David om vergeving
Object type: print
Date: 1543 – 1543
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: city-view, and landscape with man-made constructions, meeting of david and abigail, who kneels before him
Inscriptions: collector's mark: Lugt 2228

Abigaïl knielt voor David neer en vraagt hem om vergeving voor het gedrag van haar man Nabal, die David voedsel weigerde. Achter David staan zijn medestrijders. Achter Abigaïl haar dienaren en dienaressen met voedsel. Italiaanse tekst in vier kolommen in ondermarge.
Landschap in de sneeuw: Ellis River bij Iron Mountain House, NH, Verenigde Staten
Object type: photograph
Date: 1899 – 1899
Materials: photographic support
Techniques: cyanotype
Artist: charlotte m. endicott
Artist role: fotograaf
Inscriptions: title: ‘ELLIS RIVER / IN FRONT OF IRON MT. HOUSE./ FEB. 22. 1899.’
Table decoration in the form of a peacock
Object type: figure
Date: 1787 – 1787
Materials: silver
Techniques: gilding
Subjects: peacocks
Amsterdamse Poort te Haarlem
Object type: sketchbook leaf
Date: 1907 – 1907
Materials: chalk, paper
Location: haarlem
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: towers ~ fortified city

Blad 25 verso en 26 recto uit een schetsboek met 41 bladen.
Bernardus Franciscus Suerman, vijftig jaar hoogleraar in de geneeskunde aan de universiteit van Utrecht, penning geslagen op last van de Senaat
Object type: honorary medal
Date: 1859 – 1859
Materials: silver
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: haarlem, utrecht

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen eikekrans
Snuff Bottle
Object type: snuff bottle
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: men,fishing
Water-Moon Avalokiteshvara
Object type: hanging scroll
Date: 1301 – 1400
Materials: gold, ink, silk
Culture: korean
Artist: unidentified artist
Artist role: artist
Subjects: moon,buddhism,avalokiteshvara,bodhisattvas

A popular deity in the Goryeo period, the Water-Moon Avalokiteshvara (Korean: Suwol gwaneum) helped prevent calamities and diseases and safeguard travelers. This scroll shows the resplendently attired bodhisattva in three-quarter view, seated on rocks along the coral-dotted sea. At the bodhisattva’s feet stands the boy pilgrim Sudhana (Korean: Seonjae dongja); the description of his encounter with the deity in the Flower Garland (Avatamsaka) Sutra provides the textual source for the painting. Commissioned by members of the royal and aristocratic families and executed by highly skilled painters, Goryeo Buddhist paintings gained fame in East Asia for their splendor. Their trademarks include delicate details, evident in this work in the transparent white veil, the lotus pattern on the red robe, and the gold-painted design on the garments.
The Duchray Valley, looking North from South end of syphon pipes
Object type: page
Date: 1879 – 1889
Materials: photographic support
Techniques: albumen print
Location: stirling
Subjects: dale, valley
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Wedding dress
Object type: wedding dress
Date: 1860 – 1860
Culture: american
Gezicht op de molen Rijn en Lek te Wijk bij Duurstede
Object type: sketchbook leaf
Materials: chalk, paper
Location: wijk bij duurstede
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: river, windmill, lower rhine region

Voorstudie voor de ets 'Molen aan het water, Wijk bij Duurstede, de rivier links', ca. 1906.
Militie vuurt op de oproerigen te Haarlem, 1750
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: anti-riot measures
Inscriptions: inscription: ‘De Militie vat post op de groote Markt te Haarlem’, collector's mark: Lugt 2228

Gebruikt als illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. 11, afb. 11.
Drawing of Two Confronted Griffons
Object type: drawing, fraktur
Date: 1770 – 1800
Materials: paper, watercolor
Culture: american
Location: united states
Subjects: griffins
Gold earring with pelta disc and pearl setting
Object type: earring with disc and pearl setting
Date: 201 – 300
Materials: gold, pearl
Culture: roman
Vrouw in een lange mantel op een besneeuwde bergpas, vermoedelijk in Frankrijk
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adult woman, road, path, mountain-range, snow peaks, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Henry de Beringhen Premier Ecuyer du Roy et Chevalier de ses Ordres Gouverneur des Citadelles de Marseille, 1710
Object type: print
Date: 1710 – 1710
Techniques: engraving
Artist: benoit audran the elder
Artist role: artist
Artist nationality: french
Artist dates: 1661 – 1721
Subjects: men,portraits,coat of arms
Drie metalen kandelabers, opgesteld op een tentoonstelling over religieuze objecten uit de middeleeuwen en renaissance in 1864 in Mechelen
Object type: photograph
Date: 1864 – 1864
Materials: photographic support
Techniques: albumen print
Location: mechelen
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: chandelier, candelabrum, mechelen
Inscriptions: number: ‘5 - 4 - 3’
Figure of Young Man or Woman in Bust-length, in Three-Quarter View
Object type: drawing
Date: 1700 – 1713
Materials: chalk, paper
Artist: carlo maratti
Artist role: artist
Artist nationality: italian
Artist dates: 1625 – 1713
Subjects: portraits
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of spear; part of lower torso and bent right greaved leg of a warrior with a round shield, wearing a chitoniskos
Conversation II
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching, soft ground etching
Location: london
Subjects: tasks performed by children - aa - girl, taming, domestication of animals; tamed or domesticated animal, dog
Inscriptions: collector's mark: Lugt 2228
His son, who looked like him in every way ..., from "Scenes from the Private and Public Life of Animals"
Object type: print
Date: 1837 – 1847
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Ex libris van Jan Walch
Object type: bookplate
Date: 1917 – 1917
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: nimbus, halo ~ radiance emanating from persons or things, head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 5i, inscription: ‘retouche: J / druk voor cliché / 1966 / 1 kopercliché met 100 afdr. op geg. papier’

Een figuur met aureool. Op de achtergrond gebouwen met torens.
Isabel Wachenheimer staand op een boot
Object type: photograph
Date: 1945 – 1956
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon

Isabel Wachenheimer in licht vest met bloemenmotief, staand op een boot met haar hand aan een verbindingskabel.
Grand Temple d'Isis à Philoe, Inscription Démotique; Nubie, plate 76 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie