deem-data/ArtiFact huggingface dataset:
Portret van Lodewijk VI, koning van Frankrijk
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paris, sceptre, staff (symbol of sovereignty), historical persons, head-gear: beret, king

Prent voor het eerst gebruikt in: Cronica Breve de i fatti illustri de're di Francia, con le loro effigie dal naturale cominciando da Faramondo (...). Venetië: Bernardo Giunti, 1588. Prent in ieder geval ook gebruikt in de editie van 1590 en mogelijk ook in een Franse uitgave van 1597.
Interieur van het Baptisterium van de arianen te Ravenna
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: baptisterium van de arianen
Subjects: baptismal font, interior ~ representation of a building
Inscriptions: number: ‘P.e I.a N.o 19043.’, annotation:, collector's mark: Lugt 3937
Table cover
Object type: table cover
Date: 1501 – 1600
Materials: linen
Techniques: embroidery
Venus
Object type: statuette
Date: 1701 – 1800
Materials: marble
Artist: claude desbatisse
Artist role: artist
Artist nationality: french
Artist dates: 1661 – 1761
Subjects: venus
Limestone plinth with the remains of a group of Herakles and the Hydra
Object type: statue base with herakles and hydra
Materials: limestone
Culture: cypriot
Subjects: feet
Opgerold liggende, slapende kat
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper, pencil
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: cat
Cundi Bodhisattva
Object type: sculpture
Materials: porcelain
Location: china
Miss Paulin, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Panel
Object type: textile
Date: 1752 – 1755
Materials: textile, silk
Techniques: brocade, satin weave, weave
Location: spitalfields
Subjects: floral arrangements
Portret van Paris von Salzburg
Object type: print
Date: 1606 – 1662
Materials: paper
Techniques: engraving, etching
Subjects: cardinal, historical persons, insignia of cardinal, e.g. hat, mantle
Inscriptions: annotation: ‘G.H.G.I.’, collector's mark: Lugt 2233

Tekst in het Latijn in de omlijsting en in de ondermarge.
Vier dansende vrouwen
Object type: print
Date: 1497 – 1550
Materials: paper
Techniques: engraving
Location: italy
Subjects: dancing, female sex; woman
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10

Herkomst collectie Hinloopen B 25 f 85-89 volgens aantekening op opzetkarton.
Basket
Object type: ceramic
Date: 1770 – 1770
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: worcester
Whatley
Object type: photograph
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: whatley
Artist: Anonymous
Subjects: trees, places and objects of worship ~ celtic religion, rural housing, e.g. country-house, villa, cottage

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Hoogreliëf uit het koor van de Dom van Florence, met jonge zangers en dansers, door Luca della Robbia
Object type: photograph
Date: 1870 – 1894
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Subjects: musician at work, vocal music, singing, sculpture
Inscriptions: inscription: ‘Lucca d. Robbia’, inscription: ‘No. 1344 Florence, Ste. Marie aux fleurs’, collector's mark: Lugt 3937, check stamp: ‘[...]’, check stamp: ‘Mieusement/ Photographe’, inscription: ‘L a L/ I/ 48C73’, stamp: ‘Kunstboekhandel/ J.A.G. de Leur/ Photograaf-uitgever/ Huigenspark 40b/ Den Haag’

Tegenwoordig staat dit reliëf in het Museo dell'Opere del Duomo.
Revue für Architektur in Belgien
Object type: reproduction
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: dresden
Artist: ernest dieltiens
Artist role: architect
Artist dates: 1848 – 1920
Subjects: orphanage, plan ~ architecture
Inscriptions: inscription: ‘1re. annèe.’, number: ‘Pl. 31.’

Deze prent maakt deel uit van een omslag met 110 prenten op 90 bladen en 18 tekstbladen.
Textile
Object type: textile
Date: 1401 – 1500
Materials: linen
Culture: german
Ruth gleaning
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: ruth gleaning

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Head of Buddha
Object type: head
Date: 301 – 400
Materials: plaster
Culture: gandhara
Subjects: gandhara,heads,buddhism,buddha
Fotoreproductie van een gravure van De kruisiging door Schelte Adamsz. Bolswert, naar het schilderij door Peter Paul Rubens
Object type: reproduction
Date: 1853 – 1858
Materials: photographic support
Techniques: albumen print
Location: brussels
Subjects: crucified christ with mary, john, and mary magdalene - dd - the three crosses
Inscriptions: number: ‘Vol. 1er. No 31.’
Stoel met schelpmotief
Object type: furniture
Date: 1700 – 1750
Materials: wood
Location: northern netherlands
Artist: Anonymous

Stoel van notenhout. Het meubel heeft op de zitting een op los raam aangebrachte bekleding en op de rug een rietbespanning. Het rust op overhoeks geplaatste, S-vormige poten; de voorpoten zijn op de zwelling versierd met een schelp en een klokje. Het rugraam is licht horizontaal gehold en heeft in het bovengedeelte gestrekt S-vormige hoekstijlen. De bovendorpel vertoont gebroken C-voluten ter weerszijden van een opengewerkt middenstuk met schelpmotief boven een lambrekijn en klokjes.
Schetsblad met koppen en herten
Object type: drawing
Date: 1862 – 1862
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head (human), hoofed animals: deer
Inscriptions: collector's mark: Lugt 2228

Schetsblad met koppen en herten. Getekend op de voorzijde van een deel van een drukwerk gericht aan Tavenraat en gedateerd 17 juli 1862.
Copper Animal Plaque
Object type: plaque
Date: 300 – 200
Materials: copper
Techniques: hammering
Culture: vicús
Location: peru
Subjects: animals
Crossing the Ford
Object type: painting
Date: 1848 – 1848
Materials: canvas, oil
Location: united states
Artist: george inness
Artist nationality: american
Artist dates: 1825 – 1894
Subjects: landscapes
Inscriptions: Signed on reverse of canvas: "Geo. Inness 1848"
Een avond op het land
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: farmers, agriculture
Inscriptions: collector's mark: Lugt 2760

Blad met 5 voorstellingen over het boerenleven en pastorale taferelen, waaronder het slijpen van de zeis, vaders thuiskomst, een schaapherder, een biddende landman en dieren aan de drinkbak. Onder elke afbeelding een vers. Genummerd rechtsboven: No. 35.
Overval op een klooster te Nîmes door de hugenoten, 1567
Object type: history print
Date: 1570 – 1570
Materials: paper
Techniques: etching, letterpress printing
Location: france
Subjects: massacre ~ war

Overval te Nîmes door de hugenoten, 1 oktober 1567. Moordpartij op de binnenplaats van een klooster, lijken worden in de waterput gegooid. In het onderschrift de legenda A-G in het Frans. Ongenummerd.
[Actress wearing dress with ornate lace collar], from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Knife (Kukri) with Two Sheaths, Two Small Knives, and Two Sharpening Pouches
Object type: knife kukri with sheath, two small knife and pouch
Date: 1701 – 1900
Materials: gold, horn, leather, steel, velvet
Culture: gurkha or indian or nepalese
Location: india
Portret van een onbekende man in een militair uniform
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: java
Subjects: (military) uniforms, historical persons not known by name, java
Inscriptions: inscription: ‘Woodbury & Page/ Photographers/ Java.’
Nova Fontium Delineatio
Object type: print
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: garden fountain

Op de achtergrond kleinere bassins en parterres. Tegenzijdige kopie naar blad uit serie Liure de fontaines uitgegeven door Daniel Marot.
Sarah Bernhardt
Object type: drawing and watercolor
Date: 1898 – 1898
Materials: chalk, paper
Location: czech republic
Artist: alphonse marie mucha
Artist nationality: czech
Artist dates: 1860 – 1939
Inscriptions: Mucha stamp, lower right, in black ink

Collection stamp, lower right corner, in green ink
Sierstuk met vaas en bloemen
Object type: cut paper
Date: 1740 – 1770
Materials: paper
Techniques: cutting, snipping
Location: netherlands
Artist: Anonymous
Mountain Landscape with Lake in Foreground [Mount Tacoma?] (from Sketchbook X)
Object type: drawing
Date: 1885 – 1885
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: lakes,mountains,landscapes,trees

This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Bell-shaped cup with bouquets and floral scrolls on a diaper-patters ground
Object type: covered cup
Date: 1775 – 1799
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Klokvormige dekselkop van porselein, beschilderd op het glazuur in rood, roze, groen, zwart en goud. Op de wand een boeket met verschillende bloemen, omgeven door vier kleinere boeketten; de rand met bloemranken in langwerpige cartouches uitgespaard in een achtergrond van servetwerk. Famille rose.
Female Figure holding a Cushion
Object type: print
Date: 1643 – 1643
Techniques: engraving
Location: germany
Artist: monogrammist vcp
Artist role: engraver
Artist nationality: italian (?)
Artist dates: 1640 – 1650
Subjects: women
Design of fireworks: the rocket in its propelling capsule
Object type: drawing
Date: 1650 – 1750
Materials: graphite, ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: fireworks
Getal 1
Object type: photomechanical print
Date: 1904 – 1904
Materials: paper
Techniques: printing block
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’

Het getal is gebruikt voor: Veth, Jan. Jozef Israëls en zijn kunst. Arnhem en Nijmegen: Gebroeders E&M Cohen, 1904.
Gezicht in Amsterdam, mogelijk het Rokin
Object type: sketchbook leaf
Date: 1909 – 1912
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, bridge in city across river, canal, etc.

Gezicht in Amsterdam, mogelijk het Rokin. Pagina 65 en pagina 66 uit een schetsboek met 46 bladen vervaardigd te Amsterdam.
Toilet jar
Object type: cosmetic jar
Date: 1981 – 1802
Materials: stone
Location: egypt
Frame
Object type: frame
Date: 1701 – 1800
Materials: wood
Techniques: carving
Subjects: men,portraits
Metamorfosen van Ovidius
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: italy
Subjects: apollo in vulcan's forge revealing venus' love-affair with mars
Inscriptions: collector's mark: ‘Hinloopen’

Apollo verschijnt in de smidse van Vulcanus. Vulcanus en zijn assistent kijken op van hun werk. Titel in het Latijn in ondermarge.
Portret van Winand Staring
Object type: photomechanical print
Date: 1882 – 1970
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: historical persons, geology (+ portrait of scholar, scientist)

Fotomechanische afdruk uit een onbekende publicatie.
Actress on fur rug, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
[The Opera Ball]
Object type: photograph
Techniques: gelatin silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Graftombe van de rechters, bij Jeruzalem ["Tombeau des Juges/Tomb of the Judges"]
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Inscriptions: inscription: ‘1221. Tombeau des Juges. - Tomb of the Judges.’, inscription: ‘Bonfils’

Graftombe van de rechters, bij Jeruzalem ["Tombeau des Juges/Tomb of the Judges"].
Portret van Dominicus Beer
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: engraving, letterpress printing
Location: nuremberg
Subjects: historical persons, angels, armorial bearing, heraldry
Inscriptions: date

Met midden boven het portret zijn wapenschild.
Medallion
Object type: medallion
Date: 1701 – 1900
Materials: silk
Culture: chinese
Subjects: butterflies
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, shoulder of draped figure; two sticks?; part of arm of a second figure?
Pyramus en Thisbe
Object type: drawing
Date: 1573 – 1573
Materials: ink, paper
Techniques: brush, pen
Artist: hans bol
Artist role: draughtsman, print maker
Artist dates: 1534 – 1593
Subjects: (high) hill, thisbe discovers the dying pyramus (the scene may be represented near a fountain)
Inscriptions: date
Drawing Room Cabinet
Object type: furniture
Date: 1871 – 1872
Materials: wood, brass
Techniques: gilding, lacquer
Location: lancaster
Artist: bruce james talbert
Subjects: furniture

This drawing-room cabinet was conceived by Bruce James Talbert, a prolific designer in Victorian Britain who drew inspiration from such widely divergent sources as Gothic architecture and Japanese art. Like many of his colleagues in the second half of the 19th century, Talbert often wrestled with how to foster fine design and craftsmanship in the face of increasing industrialization and mechanization. He simplified and popularized the Gothic style first advocated by Augustus Pugin earlier in the century, and offered his designs to furniture manufacturers such as Gillow and Company of Lancaster, who made the Art Institute’s cabinet.

Talbert advocated honesty in construction and designed many pieces that combine a strongly rectilinear form with a refined sense of detail. Here, the carved Gothic elements of the perimeter of the sideboard provide the structure for delicate marquetry panels depicting abstract, geometrical designs and Japanese-inspired vases of flowers.

The cabinet was made for railroad magnate Sir James A. Ramsden, who commissioned it for his Gothic Revival mansion, Abbots Wood, in the northern English county of Cumbria. The central, arched crest displays the owner’s monogram JAR and inlaid ebony letters below spell out ABBOTSWOOD within squares of maple.
Ronde Lutherse kerk en enige huizen te Amsterdam
Object type: drawing
Date: 1828 – 1897
Materials: paper, pencil, watercolor
Techniques: brush
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: church (exterior), public road
Tall clock
Object type: tall clock
Date: 1789 – 1789
Materials: wood
Culture: american
Location: united states
Artist: john townsend
Artist role: maker
Artist nationality: american
Artist dates: 1732 – 1809

This clock case is eloquent testimony that John Townsend's later block-and-shell pieces were among his most masterful achievements. It is also the only signed Townsend piece with stop-fluted quarter columns and its original reeded-urn finials. The clock movement and dial are by William Tomlinson of London (active 1733). William Claggett's death in 1749 left Newport without a master clockmaker, so it is not surprising that some of the finest tall clock cases made there house movements by English makers. In his will, Townsend left his son, John, his own clock "made by Storr of London" (Marmaduke Storr, active 1755-79).
Scheenbeen van schaap of geit uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: bone
Date: 1700 – 1743
Materials: bone
Artist: niet van toepassing
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Ensemble
Object type: ensemble
Date: 1815 – 1820
Materials: cotton, glass, silk
Culture: indian
Studieblad, onder andere met een figuur bij een poort
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, arch, archivolt ~ architecture
Inscriptions: annotation: ‘Tribu[..]t’

Pagina 42 uit een schetsboek met 58 bladen.
Portret van twee mannen in Volendamse klederdracht, zittend aan een tafel
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: volendam
Artist: george hidderley
Artist role: fotograaf
Subjects: sitting figure, pipe ~ tobacco, folk costume, regional costume, reading to somebody

Onderdeel van fotoalbum met opnames van Volendam, Dordrecht, Gorinchem en Woudrichem.
Portret van Adriaan Pauw  (1516-1578)
Object type: book illustration
Date: 1826 – 1886
Materials: paper
Techniques: etching, engraving
Location: amsterdam
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: head-gear: cap (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Portret van de Amsterdamse schepen Adriaan Pauw (1516-1578). Onder het portret zijn naam. Erboven de vermelding "tegenover den tijtel".
The Continuation, Sirs, of the Forecasts
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: engraving, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
The Sudarium
Object type: print
Date: 1460 – 1465
Materials: ink, paper, watercolor
Techniques: brush, hand coloring, pen
Location: germany
Artist: Anonymous
Artist nationality: bavarian
Artist dates: 1400 – 1499

Communion bread came in different shapes in Renaissance Europe, and this variety is particularly clear from depictions of the Last Supper, when Christ symbolically offers his body to his disciples. In this metalcut series on the life of Christ, the shape of the bread—the traditional Bretzel, or pretzel—betrays that the prints were made in Bavaria. While the handwritten text on the verso of the adjoining sheet in the booklet (once comprising nineteen metalcuts) does not mention the pretzel, it is handcolored in a warm, doughy yellow. A similar glow suffuses the head-on Sudarium at center, an unusually abstract inclusion for an image of the Passion.

The fifteen metalcuts, or "dotted prints," that form this Passion suite constitute one of the most complete block books in existence. It is possible that the series at one time included as many as nineteen images, each exquisitely hand-colored with the biblical text inscribed on the reverse. The stars, shells, and other repeating patterns were produced by hammering metal punches, such as those used by goldsmiths and armorers, into the soft metal plates.
Landschap met Davids mannen die Nabal om voedsel vragen
Object type: print
Date: 1601 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: david spares nabal's sheep, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Davids knechten komen bij Nabal, die onder een boom zit, en vragen hem om voedsel. Nabal weigert de mannen en David eten te geven. Op de achtergrond scheren de knechten van Nabal zijn schapen. Links in het landschap een kasteel. Bijbelverwijzing middenonder: 1 Sam. 25:4.
Fragment
Object type: textile
Date: 200 – 600
Materials: animal fiber, cotton, wool
Techniques: treatment, weave, tapestry weave
Culture: nazca culture
Location: peru
Le Jardin
Object type: print
Date: 1876 – 1952
Materials: paper
Techniques: woodcut
Artist: jacobus gerardus veldheer
Artist role: draughtsman, print maker
Artist dates: 1866 – 1954
Subjects: garden, courting
Inscriptions: collector's mark: Lugt 2228
Overlijdensbericht aan Philip Zilcken
Object type: overlijdensbericht, overlijdensadvertentie
Date: 1904 – 1904
Materials: paper
Techniques: printing
Location: the hague
Artist: Anonymous
Subjects: the hague, painter, print maker, draughtsman, philip sadée, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Landschap met de barmhartige Samaritaan
Object type: print
Date: 1594 – 1635
Materials: paper
Techniques: engraving, etching
Subjects: landscapes in the temperate zone, a samaritan tending the wounds of the traveller
Inscriptions: collector's mark: Lugt 2228

In een Italiaans kustlandschap verzorgt de barmhartige Samaritaan de gewonde reiziger. Naast hen staat de ezel van de Samaritaan. Naar het Bijbelverhaal uit Luc. 10: 25-37.
A Lacquer Bowl
Object type: surimono
Date: 1815 – 1820
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: bowl

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Elevated limestone islet, inner harbor of Suva.
Object type: page
Date: 1885 – 1899
Materials: paper
Techniques: photograph
Location: boston
Subjects: harbour, island
Inscriptions: number: ‘Plate 32.’, name: ‘Max Agassiz, Photo.’, name: ‘The Heliotype Printing C. Boston’
De slapende sfinx
Object type: print
Date: 1796 – 1797
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: napoleon i (emperor of the french), sphinx (lion/woman); 'sfinge' (ripa) - aa - female human figure, art, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, inscription: ‘La grande effigge’

Een reusachtige sfinx ligt languit op ruïnes, mensen en gebouwen verpletterend. Links een veldtocht, rechts een zeeslag, achter de sfinx een optocht met Napoleon Bonaparte voorop. Op de voorgrond karren om beelden te transporteren. Een allegorie op de Franse veldtochten in Italië en de plundering van kunstschatten.