deem-data/ArtiFact huggingface dataset:
Prick Spur
Object type: spur
Date: 1701 – 1900
Materials: gold, iron, metal alloy, leather
Culture: moroccan
Location: morocco

The prick spurs traditionally used in most of the Islamic world evolved directly from late Antique examples. They consist of straight U-shaped branches bearing a very long prick with a disc at its base. Here the original strap, partially preserved but reattached the wrong way, is adorned with gilded iron plaques. Traditionally, Moroccan riders take great pride in their horses and still frequently adorn them with shiny and colorful tack for parades and festivals. Wealthy riders would increase their prestige by covering their mount with luxurious material and equipping themselves with as luxurious matching accessories.
Landschap met links ruïnes
Object type: print
Date: 1625 – 1650
Materials: paper
Techniques: etching
Location: france
Artist: jean morin
Artist role: print maker
Artist dates: 1605 – 1650
Subjects: landscape with ruins, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een zesdelige serie met landschappen in cirkels, uitgegeven door Morin.
Dress
Object type: dress
Date: 1870 – 1879
Materials: silk
Culture: american
Glass bowl fragment
Object type: fragment of a bowl
Date: 201 – 400
Materials: glass
Culture: roman
Subjects: deer

Translucent pale yellowish green. Fragment of hemispherical body and bottom. Finely-engraved decoration comprises at least three bands, separated by two, probably horizontal grooves: on bottom, a circular medallion with an antlered stag facing right, flanked to either side by short, vertical cuts; a band with eight-rayed stars [or rosettes] (of which parts of four survive), enclosed in a continuous wavy line; the outer band on the upper side of the body is more elaborate comprising part of a circular medallion with the forelegs of an animal and, to its right, a lozenge filled with a geometric pattern (including stylized palmettes) and flanked between the corners with smaller circular medallions each containing an eight-rayed star. Broken; pinprick bubbles; dulling, pitting, and traces of iridescent weathering.
Gezicht op de krater van de Vesuvius na de erruptie van 1872, Italië
Object type: photograph
Date: 1873 – 1873
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: volcano, mount vesuvius
Inscriptions: number: ‘11’, number: ‘No 4127’, number: ‘92.’
Cuffs
Object type: cuff
Date: 1676 – 1700
Materials: linen
Culture: italian
Earring
Object type: earring
Date: 1701 – 1900
Materials: gold
Location: india
Portrait of a Lady
Object type: painting
Date: 1787 – 1787
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: joseph siffred duplessis
Artist role: artist
Artist nationality: french
Artist dates: 1725 – 1802
Subjects: portraits: female subject, fashion, portrait, portraits, woman
Briefkaart aan Jan Veth
Object type: postcard
Date: 1807 – 1890
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: designer, jan veth, maurits van der valk, painter, print maker, draughtsman, willem witsen, willem kloos, drawing, the graphic arts, painting (including book-illumination, miniature-painting), exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Figures carrying standards and trophies, from "The Triumph of Caesar"
Object type: print
Date: 1504 – 1504
Techniques: woodcut
Artist: jacob of strasbourg
Artist role: artist
Artist dates: 1494 – 1530
Subjects: soldiers,flags,trophies
Drie amors spelend met pijl en boog
Object type: print
Date: 1741 – 1765
Materials: paper
Techniques: etching
Location: paris
Subjects: cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Maakt mogelijk deel uit van een vierdelige serie met personificaties van de vier elementen met amors.
Gezicht op de Heuvelsekerk of Sint-Jozefkerk in Tilburg
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: buiksloot
Subjects: church (exterior)
Divers portraits
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: venice
Subjects: fishing net, folk costume, regional costume, fisherman
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een vissersvrouw staand aan de kust met een hengel en vissen in haar handen. Achter haar staat een visser met een net. Titel in ondermarge.
Kruisafneming
Object type: print
Date: 1671 – 1721
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: descent from the cross: christ is taken down from the cross, usually by nicodemus and joseph of arimathaea who are standing on the ladders (both arms of christ detached)
Inscriptions: collector's mark: Lugt 240
Portrait of Yongzheng Emperor (1723–1735)
Object type: hanging scroll
Date: 1801 – 1900
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: emperors,men,portraits
Actress in studio seaside scene, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Terracotta squat lekythos (oil flask)
Object type: lekythos
Date: 420 – 420
Materials: terracotta
Culture: greek, attic
Artist: washing painter
Artist role: artist
Subjects: male nudes,women,warriors
Langs de oevers van de Rhône
Object type: print
Date: 1832 – 1833
Materials: paper
Techniques: lithograph
Location: toulon
Artist: canquoin
Artist role: lithograaf
Subjects: ruin of a building ~ architecture, amphitheatre
Inscriptions: collector's mark: Lugt 2228a, check stamp: ‘BG’
Hoekkap van een bedgarnituur van gele gewaterde wol met groen passement en afhangende klosjes
Object type: bed covering
Date: 1795 – 1815
Materials: silk, wool
Techniques: moire
Location: northern netherlands
Artist: Anonymous

Een hoekkap voor bovenaan een gordijnstok, behorend bij bedgarnituur van gele gewaterde wol, omboord met groen passement met een geel motief en met een groen en geel boordsel met afhangende klosjes die met gele en groene zijde zijn omwonden.
Paneel van goudleer met Kruisiging
Object type: panel surface component
Date: 1655 – 1660
Materials: leather, wood

Paneel van goudleer, zilverkleurig, op eikenhouten drager, met de gekruisigde Christus met Maria, Johannes en Maria Magdalena. Op een banderol op het kruis de letters 'INRI' in het Hebreeuws, het Grieks en het Latijn, links van de onderzijde van het kruis het opschrift MORS REDEVIVA PIIS. Amsterdam, ca. 1658, door Willem van den Heuvel of Jacob Hamer. Op de achterzijde: in zwart: L 250 (vermoedelijk 18de-eeuwse hand) en in rood: CAT No 28.
Portrait of François Viète
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Bonbonmand van zilver, ovaal, in Lodewijk XVe stijl, met opengewerkte wand met bladmotieven
Object type: bonbonmand
Date: 1909 – 1909
Materials: silver
Location: schoonhoven
Artist: gerrit greup
Artist role: silversmith
Inscriptions: mark

Ovale bonbonmand van zilver, in Lodewijk XV stijl. De wand is opengewerkt met bladmotieven.
Seated Youth Facing Right, Seen from the Back
Object type: drawing
Date: 1560 – 1609
Materials: chalk
Techniques: highlighting
Artist: annibale carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1560 – 1609
Subjects: men
Ninsei-style Serving Containers (Mukōzuke)
Object type: container
Date: 1868 – 1912
Materials: enamel, stoneware
Techniques: overglaze
Culture: japanese
Subjects: flowers
Het Huis ten Bosch, 1782
Object type: reproduction
Date: 1890 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: palace
Inscriptions: inscription: ‘top. atlas RPK’, inscription: ‘v. Thiel, afb. 1’, inscription: ‘137 mm’, inscription: ‘Het Huis ten Bosch, 1782./ prent van C. Bogaerts, naar/ een teekening van H. Pothoven./ 's Gravenhage’, number: ‘2007’, collector's mark: Lugt 2228
Studies of the blossoms, fruits and trunk of an English oak (Quercus robur)
Object type: drawing
Date: 1788 – 1788
Materials: chalk, ink, watercolor
Techniques: pen
Location: germany
Artist: ludwig pfleger
Artist role: artist
Artist nationality: german
Artist dates: 1720 – 1793
Subjects: fruit,oaks
Exterieur van de Votivkerk in Wenen
Object type: photograph
Date: 1879 – 1879
Materials: cardboard, linen, paper
Techniques: albumen print
Location: vienna
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: collector's mark: ‘RIJKSSCHOOL VOOR KUNSTNIJVERHEID/ GROEP’
Becquet (J. Becquet, Sculptor)
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men
Design for a Stage Set
Object type: drawing
Date: 1830 – 1890
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: theatre,curtains,stage design
Le Procuratie niove e S. Ziminian V, from Vedute
Object type: print
Date: 1735 – 1744
Materials: paper
Techniques: etching
Location: italy
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
Gezicht op Nærøydalen in Aurland, Noorwegen
Object type: photomechanical print
Date: 1891 – 1891
Materials: paper
Techniques: photograph
Location: nærøydalen
Artist: Anonymous
Subjects: dale, valley
Inscriptions: number: ‘No 71.’, inscription: ‘ENERET’
Hollandse kraamkamer
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: bed with tester, cradle, crib, lying-in room
Inscriptions: collector's mark: Lugt 240

In de kraamkamer geeft een min de baby te eten, terwijl een andere vrouw toekijkt. Rechts ligt de moeder in een hemelbed. Naast haar zit haar man. Onderaan in de marge het wapenschild van Johann Goll van Frankenstein, die het originele schilderij in bezit had.
Cairo - Mosque Moerirt
Object type: photomechanical print
Date: 1907 – 1930
Materials: cardboard
Techniques: photograph
Location: cairo
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism
Vertrek van de engel Rafaël
Object type: album leaf
Date: 1556 – 1556
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the angel raphael disappears into the sky, the angel makes himself known; tobias and his family lie down, the healing of tobit: tobias puts the gall of the fish on his father's eyes

Tobit en Tobias knielen op de grond nadat de aartsengel Rafaël zich bekend heeft gemaakt. De engel Rafaël vliegt weg. Op de achtergrond geneest Tobias zijn vaders blindheid met de vissengal. Onder de voorstelling een verwijzing naar de Bijbeltekst in Tobit 12 in het Latijn. Prent maakt deel uit van een album.
The Martyrdom of St. Sebastian
Object type: print
Date: 1600 – 1600
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: bow and arrow,men,putti,saints

Jan Muller was one of the most sought-after Mannerist printmakers at the end of the sixteenth century. The son of an Amsterdam printer, printmaker, and publisher, he developed a style modeled on that of Hendrick Goltzius, the premier draftsman and printmaker in the northern Netherlands. The subject of this engraving, the Martyrdom of St. Sebastian, is a complicated one. Originally born in the mid-third century in what is now southern France, Sebastian became a member of the Prætorian Guard, the personal security detail for the Roman emperors. It was a period during which Christians were being vigorously persecuted by Rome, and when his superiors learned that he was not only a Christian but actively converting other soldiers, Sebastian was condemned to death. Here he is shown surrounded by the very soldiers he had served with, stripped and tied to a tree, with a single arrow through his chest. Above him flies an angel, carrying a palm branch and a wreath, and a beam of heavenly light shines onto his head – all signs of God’s protection, because although he was eventually gravely wounded and left for dead, Sebastian did not die. His abandoned body was found by Irene of Rome, who was married to a devout Christian and nursed him back to health. The engraving is based on a painting by Hans van Aachen, now in the St. Michaels Hofkirche, Munich. Van Aachen was a painter in the court of Emperor Rudolf II in Prague and traveled throughout Europe securing works for Rudolf’s collection. He and Muller could have met on one of his trips or been put in touch with each other through mutual connections.
Spouted jar
Object type: jar
Date: 2700 – 2400
Materials: ceramic
Location: northwestern anatolia
Vroedschapspenning van de stad 's-Hertogenbosch
Object type: council medal
Date: 1725 – 1725
Materials: silver
Techniques: striking
Location: den bosch
Artist: theodorus casparus van berckel
Artist dates: 1680 – 1734
Subjects: den bosch

Zilveren penning. Voorzijde: gezicht op stad vanaf de noordzijde en de Dieze met twee scheepjes; op voorgrond: gekroond wapenschild op twee gekruiste roedebundels met bijlen en twee palmtakken tussen monogram van de letters S en C binnen omschrift. Keerzijde: stadhuis boven cartouche met jaartal onder gevleugeld engelenkopje binnen omschrift.
Ex libris van Michael Gstür
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: engraving
Location: austria
Artist: johannes g. freund
Artist role: print maker
Subjects: armorial bearing, heraldry
Inscriptions: inscription: ‘J.G. Freund’
Piece
Object type: piece
Date: 1601 – 1700
Materials: linen, silk
Portrait of V. Cordus
Object type: print
Materials: paper
Techniques: engraving, etching
Location: belgium
Artist: Anonymous
Artist nationality: flemish
Gezicht op de Place de l'Hôtel-de-Ville te Parijs
Object type: stereograph
Date: 1850 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: square, place, circus, etc., townhall, façade (of house or building)
Inscriptions: number: ‘No. 105’
Coin Depicting a Goddess
Object type: coin
Date: 261 – 246
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Subjects: goddesses
Stringed Instrument (Qanbus)
Object type: stringed instrument qanbus
Date: 1867 – 1900
Materials: wood
Culture: arabian
Location: arabia
Gezicht op Syracuse
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: syracuse
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: island, prospect of city, town panorama, silhouette of city
Inscriptions: number: ‘2662’
The Awabi Fishers
Object type: woodblock print
Date: 1754 – 1806
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: children,female nudes,fishing
Studioportret van een onbekende actrice
Object type: photomechanical print
Date: 1877 – 1887
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: studio ~ photographer, portrait of actor, actress
Ontwerpen voor zilverwerk
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Subjects: jeweller, goldsmith, silversmith (+ precious metals ~ arts)
Inscriptions: : ‘2eme année / 18e Cahier’, collector's mark: Lugt 2228, signature: ‘Charpentier del’, collector's mark: Lugt 2760, signature: ‘Duhamel Sculp’, date: ‘10 mei 1787’

Veertien ontwerpen voor zilver servies. De ontwerpen zijn aangeduid met de letter A tot en met O. De prent is van het 18e cahier, 2e année, van een Frans tijdschrift.
Portret van Henry Stafford, hertog van Buckingham
Object type: print
Date: 1747 – 1781
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons

Prent uit: The Universal Magazine of Knowledge and Pleasure, 1747-1781.
Heraclitus, the Weeping Philosopher
Object type: painting
Date: 1630 – 1630
Materials: canvas, oil, paint
Techniques: painting
Culture: spanish
Location: spain
Subjects: philosophers, world, prayer, mourning, man, globes, crying
Close No. 193 High Street
Object type: photograph
Date: 1868 – 1868
Techniques: photogravure
Location: scotland
Artist: thomas annan
Artist role: fotograaf
Artist nationality: scottish
Artist dates: 1829 – 1887
Fotoreproductie van een schilderij, voorstellende een portret van een onbekend meisje
Object type: photograph
Date: 1882 – 1883
Materials: photographic support
Techniques: albumen print
Location: germany
Subjects: adolescent, young woman, maiden
Leer eerst uw opgelegde taak, / En kort den tijd dan met vermaak
Object type: popular print
Date: 1822 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: deventer
Subjects: child playing with animals
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van kinderen die spelen met dieren. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: N. 35.
Clara Want, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Luizenkam uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: louse comb
Materials: bone
Location: middelburg
Artist: Anonymous
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Benen kam, rechthoekig, tweezijdig met zeer fijne betanding. Gaaf maar modderig exemplaar. Lice comb.
Four Friends of Calligraphy: Lady Murasaki
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: books,women
Neptune
Object type: statuette
Date: 1701 – 1900
Materials: bronze
Artist: michel anguier
Artist role: artist
Artist nationality: french
Artist dates: 1612 – 1686
Subjects: neptune,seahorses
Koninklijke Academie van Wetenschappen en Letteren te Brussel
Object type: medal
Date: 1816 – 1816
Materials: silver
Techniques: striking
Location: brussels
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864
Subjects: the hague, berlin, william i of the netherlands, brussels

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen krans van olijftakken
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Two fronds from a palmette; drapery?
Jakuchū Picture Album (Jakuchū gajō} 若冲画帖
Object type: illustrated book
Date: 1900 – 1900
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: itō jakuchū 伊藤若冲
Artist role: artist
Artist nationality: japanese
Artist dates: 1716 – 1800
Subjects: frogs,flowers,leaves
The Triumph of Time (recto); Sketch of a Stag (verso)
Object type: drawing and watercolor
Date: 1517 – 1517
Materials: chalk, ink, paper
Techniques: pen
Location: netherlands
Artist: style of dirk vellert
Inscriptions: Inscribed verso, center, in graphite: "20"

This drawing relates to a stained-glass roundel by Dirk Vellert that survives today in Brussels. Since the subject belongs to a larger series of triumphs made popular by 14th-century poet Petrarch, it is likely that the drawing was also one of a series, which included not only the Triumph of Time, but also the Triumphs of Love, Fame, Death, and Chastity. Here Time is represented by the figure of an older man with crutches, who is crowned by an hourglass.
Man en vrouw in een café uitkijken over een straat
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: sitting figure, inn, coffee-house, public house, etc., street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven in potlood

Mogelijk zitten de figuren buiten op een terras. Tevens een studie van een vrouw met een hoed. Blad 19 recto uit een schetsboek met 50 bladen.
Shepherds and Sheep
Object type: painting
Date: 1630 – 1690
Materials: oil, wood
Artist: david teniers the younger
Artist role: artist
Artist nationality: flemish
Artist dates: 1610 – 1690
Subjects: men,dogs,goats,sheep,shepherds
Teil met twee handgrepen, versierd met blauwe golflijn op grijs fond
Object type: teil
Date: 1700 – 1799
Materials: wood
Techniques: painted
Location: amsterdam
Artist: Anonymous

Teil van lichtgrijs geschilderd hout versierd met blauw golflijn op de rand; twee handgrepen.
Fragment of a ship bell
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Acoustic, bell (ship's); fragment, sim. NG 1980-27H2954.
Double Capital Fragment
Object type: capital
Date: 1467 – 1500
Materials: stone
Culture: french
Subjects: trees

Like many objects from George Grey Barnard’s collection, this fragmentary double capital has had an eventful history. Originally made for an unidentified cloister, one side depicts the Temptation of Adam and Eve, with the serpent slithering up the trunk of the Tree of Knowledge, its human face appearing amid the branches. In the sixteenth century, Protestant iconoclasts disapproving of the imagery disfigured the serpent’s face and Adam’s entire body. Later still, the sculpture seems to have relocated to someone’s garden, where it was repurposed into a sundial. The dial’s weathered markings and the date (1728) are visible atop the block.
Portrait of Louis XVI, Marie Antoinette and The Dauphin
Object type: print
Date: 1791 – 1791
Techniques: etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: men,profiles,women
Pretty Teachings, plate 15 from Los Caprichos
Object type: print
Date: 1797 – 1799
Materials: paper
Techniques: aquatint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Brief aan Philip Zilcken
Object type: letter
Date: 1896 – 1896
Materials: ink
Techniques: pen, writing
Location: moscow
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van Hugo Wolf
Object type: print
Date: 1880 – 1928
Materials: paper
Techniques: etching, soft ground etching
Location: vienna
Artist: ferdinand schmutzer
Artist role: painter, print maker
Artist dates: 1870 – 1928
Subjects: portrait of composer
Inscriptions: collector's mark: Lugt 2228
Water coupe in the form of a flower
Object type: water coupe
Date: 1701 – 1800
Materials: jade
Culture: chinese