deem-data/ArtiFact huggingface dataset:
Fragment of a Bowl
Object type: fragment
Date: 1501 – 1700
Materials: earthenware, glaze
Location: iran

This fragment was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Imperial Court Robe
Object type: robe, imperial court
Date: 1821 – 1850
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Scene from a Drama "Hoshiai Nagoya" Performed at the Nakamura Theatre
Object type: woodblock print
Date: 1709 – 1709
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Subjects: men,actors
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, left buttock and thigh, and part of right thigh of male to left
Vijf regentessen aan een tafel
Object type: album leaf
Date: 1809 – 1809
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: old woman, picture, painting

Een groep kinderen meldt zich bij vijf oudere dames die aan een tafel zitten. Eén van de kinderen geeft een kus op de hand van een dame. In het vertrek hangen twee schilderijen. De prent maakt deel uit van een album.
Arnoldus, bisschop van Brix, wordt op de brandstapel verbrand
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the early christian churches, e.g. armenians, copts, syrians, archbishop, bishop, etc. (roman catholic), monk(s), friar(s), violent death by burning at the stake; pyre
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie Arnold, Godfried. Waare afbeelding der eerste christenen. Amsterdam: Jacobus van Hardenberg, Barent Visscher en Jacobus van Nieuweveen, 1700, dl. 2.
[Photo Collage: Man Holding Parcel]
Object type: carte de visite
Date: 1875 – 1875
Techniques: albumen silver print, lithograph
Artist: juan pedro chabalgoity
Artist role: artist
Artist nationality: uruguayan
Artist dates: 1848 – 1909

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
Shin, A Well-known Tea House Girl in Yokohama
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: portraits,women
Jesaja, Jeremia en Ezechiël
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the four major prophets (not in biblical context): isaiah, jeremiah, ezekiel, daniel, jeremiah (not in biblical context); possible attributes: book or scroll, 'the seething pot', isaiah (not in biblical context); possible attributes: branch with leaves, saw, scroll or book, ezekiel (not in biblical context); possible attributes: book or scroll, double wheel

De profeten Jesaja, Jeremia en Ezechiël staan naast elkaar in een landschap. Jesaja houdt een boek onder de arm en houdt een zaag in zijn hand, Jeremia houdt een staf en kruik in de handen, Ezechiël houdt de tempel in zijn hand, die hij in een visioen zag. Onder de voorstelling toelichtingen in het Latijn. Prent maakt deel uit van een album.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Interior, left knee and greaved calf of warrior to left
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: copper, gold alloy, gold, iron
Culture: japanese
Location: japan
Subjects: insects
Wearing Blanket
Object type: blanket
Date: 1865 – 1875
Materials: wool
Culture: navajo
Location: united states
Twee stukken 17de-eeuws Spaans kant uit de collectie van het Kunstgewerbemuseum in Dresden, Duitsland
Object type: photomechanical print
Date: 1888 – 1888
Materials: paper
Techniques: photograph
Location: dresden
Artist: Anonymous
Subjects: lace
Inscriptions: inscription: ‘E. KUMSCH, SPITZEN UND WEISS-STICKEREIEN DES XVI.-XVIII. JAHRH./ aus dem Königlichen Kunstgewerbe-Museum zu Dresden’, number: ‘Tafel 16.’

Deze prent maakt deel uit van een omslag met 49 prenten en een lijst van afbeeldingen.
Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji)
Object type: book
Date: 1804 – 1804
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Inscriptions: Jippensha Ikku (Author)
Bedcover
Object type: textile
Date: 1830 – 1830
Materials: cotton
Techniques: painting, weave
Location: united states
Subjects: chicago

During the early 19th century, a young woman’s education included such activities as painting (considered a craft rather than an art when executed by a woman). This bedcover utilizes the type of stenciling found in furniture and theorem painting of the period. The lightweight cotton fabric indicates that the textile would have only been used during the summer months.
Design for Half of a Ceiling Decoration, Fontainbleau
Object type: drawing ornament architecture
Date: 1867 – 1867
Materials: graphite, ink, paper
Techniques: pen, transfer, wash
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Clouard. Paul, Jules. 35 ans, né le 20/6/58 à Peugans (Manche). Rétameur. Anarchiste. 9/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Veduta del Dolo verso Padov (...)
Object type: print
Date: 1750 – 1760
Materials: paper
Techniques: etching
Location: venice
Artist: giovanni francesco costa
Artist role: draughtsman, painter, print maker
Artist dates:  – 1773
Subjects: river, gondola

Gezicht op Dolo richting Padua. Op de voorgrond stroomt de rivier de Brenta. Op het water varen gondels. Op de voorgrond ligt een gondel aangemeerd. Genummerd midden onder: XV en rechtsonder: Tom: II. Deze prent maakt deel uit van een album.
Portret van Alexander von Humboldt
Object type: print
Date: 1829 – 1840
Materials: paper
Techniques: engraving
Subjects: berlin, traveler, physics, historical persons
Inscriptions: collector's mark: Lugt 2228
Offer van Isaak
Object type: print
Date: 1500 – 1536
Materials: paper
Techniques: engraving
Location: italy
Subjects: the sacrifice of isaac (genesis 22)
Inscriptions: inscription: ‘L = C’, collector's mark: Lugt 240

Abraham staat op het punt om met zijn zwaard Isaak, die naast hem zit, te onthoofden. Een engel in de lucht grijpt het zwaard.
Standing Female Nude
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: photoaquatint
Location: munich
Artist: Anonymous
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: inscription: ‘Photographie nach dem Leben’, inscription: ‘Tafel I’
Tulpen in een kan
Object type: print
Date: 1872 – 1950
Materials: paper
Techniques: aquatint, etching
Artist: barbara elisabeth van houten
Artist role: draughtsman, print maker
Artist dates: 1862 – 1950
Subjects: flowers: tulip, flowers in a vase
Inscriptions: collector's mark: Lugt 2228
s' Gravenhage. Het Paleis van de Koningin.
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: palace

Onderdeel van Fotoalbum met opnames van steden in Noord- en Zuid-Holland en Utrecht.
Portret van een onbekende jonge vrouw met hoed
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, head-gear: hat

Prent op achtste ongenummerde pagina na pagina 96.
Bather Sponging Her Knee
Object type: drawing
Date: 1883 – 1884
Materials: charcoal, paper, pastel
Techniques: wash
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: female nudes,bathing
Fragment hout uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Dervish Leaning on a Staff
Object type: illustrated single work
Date: 1501 – 1600
Materials: gold, ink, paper, watercolor
Location: iran
Subjects: men
Portret van een onbekende familie op het strand van Scheveningen
Object type: photograph
Date: 1910 – 1935
Materials: photographic support
Techniques: gelatin silver print
Location: scheveningen
Artist: pieter van der neut
Artist role: fotograaf
Subjects: beach (as place of recreation), family relationships (first, second, third and fourth degree), generations, chair
Inscriptions: name: ‘P. v.d. Neut Photograaf Prins Willemstraat 6 Scheveningen’
Hoed, winterhoed, van zwart vilt met ongelijke randen, witte veren en zwarte strik in de vorm van een bloem
Object type: doll's clothing
Date: 1850 – 1910
Materials: felt, silk
Artist: Anonymous

Hoed, winterhoed, van zwart vilt, gevoerd met zwarte zijde. Model: vrij lage bol met ongelijke rand. Versiering met witte veren en een strik in de vorm van een bloem.
Grande colonnade de Louqsor (Égypte)
Object type: photograph
Date: 1870 – 1898
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: luxor
Subjects: colonnade
Inscriptions: negative number: ‘127’

Onderdeel van Reisalbum met 80 foto's van Egypte.
Portret van de arts en botanicus Frederick Ruysch
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, amsterdam, frederik ruysch, (human) skull, historical persons, medicine, medical science (+ portrait of scholar, scientist), professor, biology (+ portrait of scholar, scientist)

Frederik Ruysch (Den Haag 23 maart, 1638 — 22 februari, 1731): Nederlands anatoom, zoöloog en botanicus. Hij bracht de kunst van het balsemen van lijken op een ongekend hoog plan en werkte als professor in het Sint-Pietergasthuis en de Hortus Botanicus Amsterdam, waar hij studenten ontving. In 1661 trouwde hij met een dochter van Pieter Post, de architect.
Man in achttiende-eeuws kostuum aan een tafel
Object type: sketchbook leaf
Date: 1879 – 1884
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, adult man, table, historical costume

De man is van opzij gezien en zittend getekend. Tevens een studie van been met een halflange broek. Pagina 38 uit een schetsboek met 28 bladen.
Armchair
Object type: armchair
Date: 1667 – 1700
Materials: wood
Techniques: carving, gilding
Fotoreproductie van een detail van het fresco door Michelangelo in de Sixtijnse Kapel in Rome, voorstellend een voorouder van het Heiland
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: vatican
Artist: Anonymous
Subjects: painting (including book-illumination, miniature-painting) (+ plaster ~ arts), ancestors and parents of christ
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, inscription: ‘CWN.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’
Liggende koe, naar rechts
Object type: drawing
Date: 1786 – 1839
Materials: chalk, paper
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: cow
Portret van een vrouw in een wijduitstaande jurk, aangeduid als Fiorette
Object type: album leaf
Date: 1804 – 1863
Materials: paper, photographic support
Techniques: albumen print
Location: genoa
Artist: Anonymous
Subjects: adult woman, folk costume, regional costume, dress, gown

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Portret van Adriaan van Tetrode
Object type: print
Date: 1618 – 1671
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: bookshelves, historical persons, functionaries and dignitaries ~ episcopal protestant churches, book, armorial bearing, heraldry
Beauty with Letter
Object type: painting
Date: 1801 – 1900
Materials: ink, paper
Techniques: painting
Culture: japanese
Artist: kaigetsudō
Artist role: artist
Artist dates: 1650 – 1800
Subjects: women
Qui aime Bertrand aime son chien
Object type: cartoon
Date: 1840 – 1840
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), inn, coffee-house, public house, etc., training of dogs
Inscriptions: collector's mark: Lugt 2228a

Prent mogelijk uit: Le Charivari, 22 juli 1840.
Geboorte van Adonis
Object type: print
Date: 1544 – 1544
Materials: paper
Techniques: engraving
Location: italy
Subjects: birth of adonis: the tree splits open to release the baby; the naiads take care of him
Inscriptions: collector's mark: Lugt 240

Adonis wordt geboren uit een spleet in de stam van een boom (half vrouw half boom). De boom is zijn moeder Myrrha, die na een incestueuze relatie met haar vader Cinyras werd veranderd in een boom. Rond de boom staan Myrrha's min Lucina en de nimfen die voor Adonis zorgen. In de ondermarge vers in het Latijn.
Terracotta fragment of a nestoris (two-handled jar)?
Object type: nestoris fragment
Date: 440 – 420
Materials: terracotta
Culture: greek, south italian, lucanian
Artist: pisticci painter
Artist role: artist

Women seated on a chair, to right, wearing a chiton and himation, with a diadem in her hair
Exterieur van Lawrence Hall en Farnam Hall van Yale University te New Haven
Object type: page
Date: 1895 – 1895
Materials: paper
Techniques: photograph
Location: new haven
Artist: Anonymous
Subjects: university building, college, façade (of house or building)
Portret van Leonard Marius van der Goes in een studeervertrek
Object type: print
Date: 1652 – 1676
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: study; 'studiolo'; library, crucifix ~ personal devotion, watch
Inscriptions: collector's mark: Lugt 2228

Portret van de Amsterdamse priester en theoloog Leonard Marius van der Goes in een studeervertrek.
Fotoreproductie van een geschilderd mansportret
Object type: photograph
Date: 1855 – 1860
Materials: paper
Techniques: salted paper print
Location: germany
Artist: franz seraph hanfstaengl
Artist role: painter, print maker, printer
Artist dates: 1804 – 1877
Portret van Omar Pasha
Object type: print
Date: 1823 – 1880
Materials: paper
Techniques: lithograph
Location: mainz
Artist: Anonymous
Subjects: historical persons, equestrian statue, hacking and thrusting weapons: sword (+ during the battle)
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a krater (deep bowl)?
Object type: krater fragment
Date: 601 – 700
Materials: terracotta
Culture: etruscan

Black glazed fragment from a krater?
Fragment
Object type: textile
Materials: silk
Techniques: lampas
Culture: coptic
Location: egypt
Wijzende man op galloperend paard
Object type: print
Date: 1965 – 1980
Materials: paper
Techniques: etching
Location: netherlands
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Inscriptions: signature: ‘Aat Verhoog’
Plate 24 from  "Los Caprichos": Nothing could be done about It (Nohubo remedio)
Object type: print
Date: 1799 – 1799
Techniques: aquatint, burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,donkeys
De Veer Poort te Leerdam
Object type: print
Date: 1739 – 1817
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: winter sports, church (exterior), skates (winter sports), windmill, city-gate

Schaatsers en mensen met sleetjes vermaken zich op het ijs buiten de stadmuren van Leerdam. Op de achtergrond de Veerpoort. Rechtsboven genummerd: 5.
Soldaten, Oosterse personen en een hond
Object type: drawing
Date: 1633 – 1678
Materials: paper
Techniques: brush
Artist: jürgen ovens
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1678
Subjects: asiatic races and peoples, the soldier off duty, dog
Afbeeldingen der Monteeringen van de gewaapende Schutterye en Burgercorpsen in Neederland
Object type: titelblad, titelpagina
Date: 1789 – 1789
Materials: paper
Techniques: writing
Location: amsterdam
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2166

Titelblad met handgeschreven titel en vignet van wapens en vaandels. Onderdeel van een schetsboek met 41 gekleurde tekeningen van de monteringen van de gewapende schutterijen en burgercorpsen in Nederland, 1789.
Kalenderblad voor de louwmaand, januari, van een kalender van Kunstnijverheidsschool Quellinus
Object type: calendar leaf
Date: 1885 – 1925
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: g. de jong
Artist role: print maker
Subjects: calendar, almanac, fruits: pine-cone

Bij gebrek aan gegevens over de vervaardiger is voor de bepaling van de rechten van dit object gebruik gemaakt van de vervaardigingsdatum.
Vase
Object type: vase
Date: 1723 – 1735
Materials: glass
Culture: chinese
Proportiestudie van een vrouw
Object type: drawing
Date: 1856 – 1856
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions) - aa - female human figure, anatomy (non-medical) - aa - female human figure
Inscriptions: inscription: ‘ae [...] EF [...]/ Risida sopposta’

Voor-, achter- en zijaanzicht, met een detail van het hoofd.
Pair of Stirrups
Object type: armor
Date: 1601 – 1800
Materials: gilt bronze
Culture: spanish
Location: spain
Titelpagina voor: Heinrich Bocer, De bello et duello tractatus juris, 1607
Object type: titelblad, titelpagina
Date: 1607 – 1607
Materials: paper
Techniques: letterpress printing
Location: tübingen
Artist: johann alexander cellius
Artist role: printer, publisher
Artist dates: 1578 – 1624
Inscriptions: date

Titelpagina voor: Bocer, Heinrich. De bello et duello tractatus juris (...). Tübingen: Johann Alexander Cellius, 1607.
Emile Gauguin (1874–1955), the artist's son
Object type: bust
Date: 1877 – 1878
Materials: marble
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: boys

This portrait of Gauguin's young son Emile was made at the outset of the artist's career, under the tutelage of his landlord, the academic sculptor Jules-Ernest Bouillot. It was the only sculpture included in the fourth Impressionist exhibition in 1879, where it was praised as "a charming little [piece]...which attracted the interest of the public." Gauguin's emerging talent is evident in the handling of Emile's chubby cheeks and delicate curls. However, after making this likeness Gauguin gave up working in marble for more informal, and less expensive, materials, such as clay and wood.
Cup with flower sprays in panels on a ground of red diaper pattern
Object type: kop en schotel, kop en schotel
Date: 1750 – 1774
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Kop van porselein met rechte wand, beschilderd in onderglazuur blauw en op het glazuur rood, roze, groen, paars en zwart. Een cartouche in onderglazuur blauw met een bloemtak afgebeeld; de binnenwand met rood servetwerk met hierin uitgespaard vier kleinere cartouches met bloemtak. Een barst in de wan. Famille rose.
Kop, veelkleurig beschilderd met een landschap met figuren
Object type: cup
Date: 1777 – 1777
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mold mark: ‘15’, factory mark

Lage kop met oor, van beschilderd porselein. De kop is beschilderd met landschappen waarin figuren en langs de rand een brede strook groen vlechtwerk. De kop is gemerkt.