deem-data/ArtiFact huggingface dataset:
Portret van John Churchill, hertog van Marlborough
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: engraving
Location: germany
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: john churchill (1e hertog van marlborough), armour, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Neu-eröffneter Welt- und Staatsspiegel, vol. 13, 1710. Of uit: Bonneval, Claude Alexandre de. Merckwürdiges Leben des Grafen von Bonneval (...). S.l.s.n., 1738.
View near Bruges (Vue Prés [sic] de Bruges)
Object type: print
Date: 1746 – 1830
Techniques: engraving, etching
Artist: martin de monchy
Artist role: artist
Artist nationality: french
Artist dates: 1746 – 1815
Subjects: horses,landscapes,trees,carriages
Portret van August, graf von Platen
Object type: print
Date: 1835 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2233
Valentine's Series
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1930
Materials: cardboard
Techniques: lithograph
Location: great britain
Subjects: garden, palace
Portret van een onbekend meisje met pop
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: batavia
Subjects: anonymous historical person portrayed - bb - woman
Portret van Sancho d'Avila
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: ranks in the army, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Strada, Famiano. De Bello Belgico. Venetië: s.n., 1730, dl. 1, p. 394.
Mission Ridge Scene of Sherman's Attack
Object type: photograph
Date: 1864 – 1866
Techniques: albumen print, photography
Location: united states
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: collected by hugh edwards, sherman's campaign 1866, documentary
Inscriptions: Printed recto, on album page, lower center, below image, in black ink: "Photo. from nature By. G. N. Barnard. / MISSION RIDGE SCENE OF SHERMAN'S ATTACK."; unmarked verso
Lendensloop
Object type: lendensloop
Date: 1875 – 1900
Materials: linen
Location: northern netherlands
Cover for 'Un Casamiento de Indios', a wedding procession following a bride and groom
Object type: print
Date: 1890 – 1910
Materials: metal, paper
Techniques: engraving, letterpress, printing
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,women,weddings,processions
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 434 – 401
Materials: terracotta
Culture: etruscan

Handle attachment; part of an olive sprig
Cream jug
Object type: cream jug
Date: 1601 – 1700
Materials: pewter
Perseus en het zeemonster
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: pegasus, the winged horse, (story of) perseus
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Perseus zweeft hangend aan het gevleugelde paard Pegasus door de lucht. Hij houdt het afgehakte hoofd van Medusa boven het zeemonster waaraan Andromeda is geofferd.
Portret van Franz Krommer
Object type: print
Date: 1779 – 1850
Materials: paper
Techniques: engraving
Location: leipzig
Artist: karl traugott riedel
Artist role: print maker
Artist dates: 1769 – 1832
Subjects: vienna, musician, historical persons, portrait of composer
Inscriptions: number, collector's mark: Lugt 2228
Ontwerp voor de constructie van het dak van de Burgerzaal in het Stadhuis op de Dam
Object type: print
Date: 1600 – 1650
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: roof (of house or building), townhall, plan ~ architecture
Inscriptions: collector's mark: ‘17.39’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, van binnen: Kap, Plattegronden, Betimmering. Genummerd rechtsonder: 3.
Twee tulpen met drie insecten
Object type: album leaf
Date: 1637 – 1637
Materials: paint, parchment, pencil, watercolor
Techniques: brush
Artist: jacob marrel
Artist role: draughtsman, painter
Artist dates: 1614 – 1681
Subjects: flowers: tulip

De tekening maakt deel uit van een album.
For the Daughters of Soldiers Killed on the Field of Honor, plate thirteen from Actualités
Object type: print
Date: 1915 – 1915
Materials: paper, stone
Techniques: lithograph, scraping
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Man seen from the Front, holding a Rope in his right Hand
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: male nudes
Blue-Ground Dish with Floral Design
Object type: dish
Date: 1550 – 1560
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: turkey
The Pool at Jas de Bouffan
Object type: painting
Date: 1885 – 1886
Materials: canvas, oil
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Subjects: gardens,landscapes

Cézanne’s affection for his family’s estate, Jas de Bouffan, near Aix, is reflected in the many views he painted of the property over a quarter century. He depicted the road at the lower right in this composition several times in the mid-1880s. Bordered with chestnut trees, it led from the back of an eighteenth-century house to landscaped gardens. Near the rail dividing the areas was a pool for collecting water and a washing trough, visible in the middle ground. The pool was flanked by waterspouts in the shape of lions, one of which may be seen here from behind.
Allemagne
Object type: stereograph
Date: 1864 – 1864
Materials: cardboard, paper
Techniques: albumen print
Location: koblenz
Artist: hippolyte jouvin
Artist role: fotograaf
Artist dates: 1825 – 1889
Subjects: palace
Inscriptions: number: ‘515’
Bead
Object type: bead
Date: 701 – 1300
Techniques: cutting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Fragment of the Top and Side Surfaces of Siptah's Canopic Chest
Object type: canopic box, siptah, top surface, inner surface, jar lip
Date: 1194 – 1188
Materials: stone
Location: egypt
Fanny Gillette, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Landschap met vervallen huis aan een rivier
Object type: drawing
Date: 1684 – 1724
Materials: chalk, graphite, ink, paper
Techniques: brush, pen
Artist: jacob akersloot
Artist role: draughtsman
Subjects: landscape with ruins, city-walls, river (+ landscape with figures, staffage), civic architecture; edifices; dwellings
Fragments
Object type: textile
Materials: textile, gold, paint
Techniques: slit, tapestry
Culture: nazca or wari
Location: peru
Woman with Pet Monkey
Object type: print
Date: 1767 – 1768
Techniques: woodblock print, hashira
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Fragment
Object type: textile
Date: 1645 – 1675
Materials: textile, silk
Techniques: damask, weave
Location: france
Reversspeld van een uitgezaagd dubbeltje met de beeldenaar van Wilhelmina
Object type: lapel pin
Date: 1940 – 1950
Materials: silver
Techniques: sawing
Location: netherlands
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands

Reversspeld van een uitgezaagd dubbeltje met de beeldenaar van Wilhelmina.
Geaderd stijfselverfpapier met kleurvlekken in paars, rood en geel
Object type: paste paper
Date: 1700 – 1900
Materials: paper
Techniques: starch dyeing
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760
Twee vrouwen werken op het land
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: agriculture (+ women (labourers))
Inscriptions: monogram: ‘BX’, inscription: ‘Berlin’
Palace of Westminster gezien vanaf de Theems, Londen
Object type: photograph
Date: 1870 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: exterior ~ representation of a building, lower house, parliament, chamber
Inscriptions: inscription: ‘PHOTOGRAPHERS TO H.R.H. THE PRINCE OF WALES,/ AND/ TO H.R.H. THE DUKE OF EDINBURGH./ BERLIN/ LONDON/ DUBLIN/ NEW YORK/ SOLE PHOTOGRAPHERS TO THE INTERNATIONAL EXHIBITION 1862/ THE LONDON/ STEREOSCOPIC & PHOTOGRAPHIC/ COMPANY/ 110 & 108, REGENT STREET,/ AND/ 54, CHEAPSIDE./ THIS NEGATIVE IS PRESERVED FOR FURTHER COPIES./ ENLARGEMENTS CAN AT ANY TIME BE PRODUCED/ WITHOUT ANOTHER SITTING.’
Lunette met putti, fasces, adelaars en slangen in de Burgerzaal van het Stadhuis op de Dam
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: predatory birds: eagle, mirror, cupids: 'amores', 'amoretti', 'putti', attributes of jupiter: thunderbolt
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Artus Quellinus (I), 1655.

Zie RP-P-AO-22-1-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-1-2 voor bijhorend register.
Zie RP-P-AO-22-1A, RP-P-AO-22-1B, RP-P-AO-22-1C, RP-P-AO-22-1D-1, RP-P-AO-22-1D-2, RP-P-AO-22-1E, RP-P-AO-22-1F, RP-P-AO-22-1G, RP-P-AO-22-1H, RP-P-AO-22-1I, RP-P-AO-22-1K-1, RP-P-AO-22-1K-2, RP-P-AO-22-1K-3, RP-P-AO-22-1K-4, RP-P-AO-22-1K-5, RP-P-AO-22-1L-1, RP-P-AO-22-1L-2, RP-P-AO-22-1M-1, RP-P-AO-22-1M-2, RP-P-AO-22-1N-1, RP-P-AO-22-1N-2, RP-P-AO-22-1N-3, RP-P-AO-22-1N-4, RP-P-AO-22-1N-5, RP-P-AO-22-1O-1, RP-P-AO-22-1O-2, RP-P-AO-22-1O-3, RP-P-AO-22-1O-4, RP-P-AO-22-1P-1, RP-P-AO-22-1P-2, RP-P-AO-22-1P-3, RP-P-AO-22-1P-4, RP-P-AO-22-1Q-1, RP-P-AO-22-1Q-2, RP-P-AO-22-1Q-3, RP-P-AO-22-1Q-4, RP-P-AO-22-1R-1, RP-P-AO-22-1R-2, RP-P-AO-22-1R-3, RP-P-AO-22-1R-4, RP-P-AO-22-1R-5, RP-P-AO-22-1S-1, RP-P-AO-22-1S-2, RP-P-AO-22-1S-3, RP-P-AO-22-1S-4, RP-P-AO-22-1S-5 en RP-P-AO-22-1T-2 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Frederik de Wit, 1665.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
Illustraties bij Dibdin
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: london
Subjects: disabled soldier, chair
Inscriptions: collector's mark: Lugt 2228

De voorstelling illustreert een stuk van de schrijver Charles Dibdin. Met tweeregelig onderschrift.
Journal des Dames et des Modes, Costume Parisien, 18 novembre 1798, An 7, (73.) : Toilette du Matin.
Object type: fashion print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: handkerchief (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), head-gear (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), stockings, socks (+ women's clothes)
Inscriptions: caption: ‘Toilette du Matin. / Tuileries, 7. Brumaire.’, title: ‘Costume Parisien.’

Vrouw, lopend naar rechts, op de rug gezien, gekleed in een 'toilette' voor in de ochtend. Zij draagt een japon met lange mouwen. Grote sjaal om de schouders. Kousen met gekleurde klinken. Accessoires: hoed, zakdoek, platte schoenen met puntige neuzen en gekruiste banden. Volgens het onderschrift is deze voorstelling naar het leven getekend in de 'Tuileries, 7. Brumaire'. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Sellèque, Parijs, 1797-1839.
Portret van Mustafa I
Object type: print
Date: 1622 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, other sovereign (with title)

Met zesregelig onderschrift in het Latijn en tekst in het Latijn rondom het portret.
Portret van Johann Michael Sailer
Object type: print
Date: 1800 – 1817
Materials: paper
Techniques: etching
Location: lucerne
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228
Octagonal cup with flower scrolls in panel decoration
Object type: cup
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: china
Artist: Anonymous

Kop van porselein, achtkantig, zonder oor. Beschilderd in onderglazuurblauw met een symmetrisch decor van een bloem en voluuttakken, dat zich op elk vak herhaalt. Langs de binnenzijde van de mondrand een geometrische lijst van schuine lijnen. Op de bodem een achthoek, waarin een bloem.
Vlag met het wapen van Nederland
Object type: album leaf
Date: 1865 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: george lodewijk mulder
Artist role: fotograaf
Artist dates: 1841 – 1920
Subjects: coat of arms (as symbol of the state, etc.), flag, colours (as symbol of the state, etc.)
Inscriptions: name: ‘G.L. Mulder Utrecht’, inscription: ‘Photogr Atelier/ G.L. Mulder/ van Wijckskade H. 326/ Utrecht’
Haarlemse schutterij bezet Heusden, 1625
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving, etching
Subjects: siege, position war, bridge, two-wheeled vehicle drawn by one animal
Inscriptions: collector's mark: Lugt 240

Gezicht op de poort en twee bruggen te Heusden, terwijl deze plaats bezet wordt door de Haarlemse schutterij. Op de voorgrond een stoet met vele met paarden bespannen karren en ruiters.
Portret van een jongen op een speelgoed paard met wielen
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: metz
Artist: jean bourens
Artist role: fotograaf
Subjects: boy (child between toddler and youth), historical persons, rocking-horse
Inscriptions: inscription: ‘J. BOURENS/ Photographe/ Rue Serpenoise/ Nos 27 et 29/ METZ/ Les Clichés sont conservés pendant 3 ans’
Twee gezichten op een begrafenisceremonie voor de slachtoffers van het Japanse leger op de begraafplaats te Chinchow
Object type: page
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: chinchow
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: priest ~ shinto, funerary ceremonial
Inscriptions: inscription: ‘The fall of Kinchow.’

Boven een gezicht op het altaar met daarnaast een shintopriester, onder een gezicht op de ceremonie.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, head of horse to right
Pefroen, die bloed, doos lys gedwongen / Meer dan een onnoozelen jongen / Verbeterd eindlyk 't slechte wyf; / Door digte slagen op haar lyf
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: colour, letterpress printing
Location: zaltbommel
Subjects: adultery, satyr play, farce
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen uit de klucht 'Pefroen met het schaapshoofd' van Ysbrand Vincent uit 1691. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 328.
Ornament or Head of a Pin
Object type: ornament or head of a pin
Date: 601 – 800
Materials: bone, paint
Techniques: incising, inlay
Location: egypt
Subjects: birds
Six of Diamonds, from the Transparent Playing Cards series (N220) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the series "Transparent Playing Cards" (N233), issued in 1888 to promote Kinney Bros. Cigarettes for Kinney Tobacco Company. Some card versos state that there are 52 cards included in the deck whereas other versos confirm the number at 53. Each card verso reads, "Hold to the light/ Read your fortune."
Toujours Chic Les Deshabillés, Hiver 1921-1922: Rayon-d'or
Object type: fashion print
Date: 1921 – 1922
Materials: paper
Techniques: letterpress printing, pochoir
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

Prent uit Catalogus "Toujours Chic" waarin een overzicht van de wintermode 1921-1922.
De dienstmaagd bij het huwelijksaanzoek van Reinier Adriaansz
Object type: drawing
Date: 1766 – 1815
Materials: chalk, paper
Artist: jacob van strij
Artist role: draughtsman, painter, print maker
Artist dates: 1756 – 1815
Subjects: (scenes from) specific works of literature (with author, title), comedy
Inscriptions: signature: ‘J v Stry’

Kopie naar een schilderij van Cornelis Troost: Jan Claasz of de Gewaande dienstmaagd; 1e bedrijf 6de toneel, Tjerk Heindrikze en Stoffel Thyssen komen bij Jan Jasperse en zijn vrouw Diwertje om de hand van hun dochter te vragen voor Reinier Adriaansz.
[Interior of Taj Mahal, Agra]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,interiors
Album
Object type: photograph album
Date: 1880 – 1920
Materials: cardboard, paper, photographic support
Artist: Anonymous
Subjects: head-gear, child, trade games, imitative games, imitating adults

Verzamelalbum met 12 pagina's welke elk zes passe-partouts gevuld met foto's of fotomechanische afdrukken bevatten, in totaal 73 opnamen. Het album bevat portretten van voornamelijk kinderen en een enkele keer een jonge vrouw. De foto's of fotomechanische afdrukken konden bij verschillende producten of winkels verzameld worden. Op het voorplat is een foto van een meisje geplakt.
From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from the "Girls and Children" series (N64), issued in 1886 to promote Virginia Brights Cigarettes distributed by Allen & Ginter. This series was printed with blank card versos.
Fragment
Object type: fragment
Date: 1600 – 1600
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Standing Beauty
Object type: hanging scroll
Date: 1701 – 1800
Materials: ink, paper
Culture: japanese
Artist: kondo katsunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1716 – 1736
Subjects: women
The Eastern Journey of the Celebrated Poet Ariwara no Narihira
Object type: print
Date: 1806 – 1806
Techniques: woodblock print, surimono
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849

This picture is based on the ninth scene in Tales of Ise. Finding life uncomfortable in the capital, Kyoto, the poet traveled east with some friends. They took a river ferry near Mount Fuji and saw a flock of strange birds. In answer to their questions, the ferryman replied, “It is a capital bird, of course.” Stopping on the bank, the poet made this request:

If you are in truth
What your name seems to make you,
I will put it to you,
Capital-bird, this question:
Do things go well with my love?
(Translated by Steven Carter)
Goat
Object type: drawing and watercolor
Date: 1803 – 1890
Materials: graphite, paper
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Subjects: goats, animals, circles, prints and drawings
Gezicht op de Binnen-Amstel en de Halvemaansbrug
Object type: photograph
Date: 1863 – 1915
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, ships (in general), bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘4’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel van Doelensluis tot Blauwbrug.