deem-data/ArtiFact huggingface dataset:
Onze Lieve Vrouw van Loreto
Object type: print
Date: 1603 – 1607
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: leo xi, madonna: mary standing (or half-length), christ-child close to her bosom (+ angel(s)), legends and miracles ~ mary, insignia of the pope, e.g. tiara, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2794, collector's mark: Lugt 567

Maria met het Christuskind in de armen in haar mantel. Ze draagt een tiara. Het Kind is gekroond en houdt een rijksappel in de hand. Twee engelen beschijnen hen met het licht van hun kaarsen. Op de verhoging het wapenschild van paus Leo XI.
Papegaai en vier figuren
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: drypoint, etching
Location: karlsruhe
Artist: hans thoma
Artist role: painter, print maker
Artist dates: 1839 – 1924
Subjects: ornamental birds: parrot
Inscriptions: collector's mark: Lugt 2228, inscription: ‘f 65-’, collector's mark: Lugt 2760, collector's mark: Lugt 602, collector's mark: Lugt 733, number: ‘No. 5’
Island of Capri
Object type: photograph
Date: 1872 – 1882
Materials: photographic support
Techniques: albumen print
Location: capri
Artist: Anonymous
Subjects: island, city-view in general; 'veduta', rocky coast, capri
Some artists are taking advantage of this year's permission to exhibit more than three paintings, plate 400 from Actualités
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Presentiepenning van het Kruideniers-, apothekers- en drogistengilde te Middelburg, 1677
Object type: history medal
Date: 1677 – 1677
Materials: brass
Techniques: casting
Inscriptions: circumscription: ‘(burcht) D HR IAN LAMPSIN OR DEKEN OMAR V VISVLIET DEKEN IOANS SCHEFFENS OUN DEKN’, inscription: ‘8’, circumscription: ‘(roos) CS STEVENSEN ET COCK IS VANDE SANDE S DRABBE BELEDERS’

Gegoten messing penning, op de voorzijde een vijzel waarop het Generaliteitswapen en CONCORDIA, omringd door drie potten en een lint met 1677, met omschrift, op de keerzijde een balans waar omheen een rol tabak, een suikerbrood en een volle baal, onderaan gegraveerd het cijfer 8, met omschrift
Creamer
Object type: ceramic
Date: 1815 – 1815
Materials: bone china, ceramic, enamel, porcelain
Techniques: gilding, polychrome
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" printed in red and "685" almost invisible; also in red on bottom as "Kirkby Mill. Nottshire" and "V. nr L. Eaton Derbyshire".
Scarab: Wish Formula of Amon-Re
Object type: costume and accessory
Materials: ceramic
Culture: egyptian
Location: egypt
Subjects: hieroglyphs, insects
De steen en kaart, Veel onheil-baard
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching, letterpress printing
Artist: cornelis huyberts
Artist role: print maker
Artist dates: 1669 – 1709
Subjects: card games, dice-games, playing-cards, gaming den, gambling den
Inscriptions: collector's mark: Lugt 1641, stamp

Prent uit: Graauwhart, Hendrik. Voorbeeldelyke zeede-lessen, genoomen uyt den eersten toestand des werelds (...). Amsterdam: Johannes Ratelband, 1725. Prent ook gebruikt voor eerdere en (1709) latere uitgave (1756, 1761 en 1764).
Poems about Cherry Blossoms, one of the “Murasame Fragments” (Murasame-gire)
Object type: hanging scroll
Date: 1301 – 1333
Materials: ink, paper
Techniques: dyeing
Culture: japanese
Artist: nijō tameyo
Artist role: artist
Artist nationality: japanese
Artist dates: 1250 – 1338

This early medieval transcription from the imperially commissioned Collection of Poems Ancient and Modern (Kokin wakashū) showcases bold, crisp calligraphy in kana, with smooth transitions between thick and thin strokes. It is one of the rare surviving Murasame-gire, literally the “Passing Shower Fragments,” named for their distinctive paper with purple-dyed patterns. These cherished fragments were often displayed at tea gatherings. The waka begins at the sixth column from the right, reading: ひとはいさ 心もしらず ふるさとは 花ぞ昔の かにゝほひける As for people, I can’t plumb what’s in their hearts, but when in a familiar place, the blossoms allow me to enjoy the fragrance of the fond past.
A Stag Lying Down (on a base): The Head of a Crocodile
Object type: drawing
Date: 1770 – 1770
Materials: chalk, ink
Techniques: pen, wash
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Subjects: crocodiles,deer
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Two rim fragments from kylikes with offset lips
Horseman and Hunter in the Woods of Doorwerth, Near Arnhem
Object type: drawing and watercolor
Date: 1670 – 1670
Materials: chalk, ink, iron, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: lambert doomer
Artist role: artist
Artist nationality: dutch
Artist dates: 1624 – 1700
Inscriptions: Inscribed verso lower left, in pen and black ink: "Int Bos van de / Dore Waart"

This elaborate work demonstrates the full embrace of drawing as an art form in its own right. Lambert Doomer visited the site represented here earlier in his career, and on that occassion he created a less refined, though similarly accurate rendering of its topography. Over a decade later, he returned to the subject and endowed it with a sense of enchantment. The artist alternated thin passages of ink wash with bald areas of the paper support (the reserve) to create an effect of dappled light. In the dense grove of trees at upper right, Doomer articulated the light passing between the tree trunks like so many openings in a mesh screen.
Menukaart voor een diner op 20 juli 1898
Object type: menu, menukaart
Date: 1898 – 1898
Materials: paper
Techniques: blind stamped, letterpress printing
Artist: Anonymous
Subjects: flowers

Bij gebrek aan gegevens over de vervaardiger is voor de bepaling van de rechten van dit object gebruik gemaakt van de vervaardigingsdatum.
Naald uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: needle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tools and instruments, sewing and sailmaking, sailmaker's needle; sim. NG 1979-187H394 ending in 4 splayed strips. Pin.
Andrews, Center Field, Philadelphia, from the Kalamazoo Bats series (N690) issued by Chas. Gross & Co. to promote Kalamazoo Bats
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: chas. gross & co.
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from the "Kalamazoo Bats" series (N690), issued by Chas. Gross & Co. in 1887 to promote Kalamazoo Bats.
Natuurlijke geschiedenis
Object type: popular print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: commercial fishery, street-trader, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen over het vangen en het verkopen van vis. Boven elke voorstelling een titel en onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 167.
Upright Landscape
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: sailing,landscapes,plants,boats
Twee reliëfs met bloemmotieven in de abdij van Mont-Saint-Michel
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: mont-saint-michel
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: interior of church, flowers ~ ornament, sculpture (+ relief ~ sculpture)
Inscriptions: inscription: ‘MONUMENTS HISTORIQUES’, number: ‘No. 1209.’, name: ‘MIEUSEMENT<BR />PHOTOGRAPHE’
Vorstelijke waardeering
Object type: cartoon
Date: 1891 – 1891
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), napoleon i (emperor of the french), banquet of elegant company (+ toast at meal, banquet), spirit, ghost, political caricatures and satires

De Duitse keizer Wilhelm II brengt tijdens een galadiner in Erfurt een toast uit. De schim van Napoleon luistert mee.
Portret van Johann Carl Sigmund Kiefhaber
Object type: print
Date: 1782 – 1818
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Textile Sample Book
Object type: sample book
Date: 1849 – 1863
Artist: m. coudurier
Artist role: maker
Artist nationality: french
Portret van Paulus Gyöngyösi
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: letterkundige, paulus gyöngyösi
Inscriptions: collector's mark: Lugt 240

De Hongaarse arts en letterkundige Paulus Gyöngyösi, schrijvend met een ganzenveer, zittend achter een bureau. Gyöngyösi kijkt naar links, met opgeheven vinger. Onder het portret staan onder zijn naam en titels vier regels tekst, geheel in het Latijn.
Conductor for the Monkey Band
Object type: ceramic
Date: 1765 – 1765
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: meissen

In 1733, the sculptor Johann Joachim Kändler became the chief modeler at the Meissen Porcelain Manufactory, a position he held until his death in 1775. Kändler, along with his assistant Peter Reinicke, devised novel and innovative forms and figures for Meissen porcelain. One of the most admired products of the factory were the monkey bands, witty examples of 18th-century singerie: subjects in which monkeys literally “ape” the behavior of supposedly more sophisticated humans.

The first version of the monkey band was designed in 1753 and Madame de Pompadour, mistress of King Louis XV of France and a discerning patron of the arts, ordered a set at Christmas of that year. The group was so popular that it was reissued in the early 1760s. The Art Institute’s monkey band comes from this second edition.

In addition to a conductor and two female singers, the orchestra consists of musicians playing wind, string, and percussion instruments. There are also two instruments that were associated with rustic rather than courtly music: the bagpipe and the hurdy gurdy, in which the sound is produced by turning a hand crank that rotates a wheel that bows a set of strings.
Mat
Object type: mat
Date: 1801 – 1900
Materials: linen
Techniques: embroidery
Fotoreproductie van een portret van Richard Cobden door vermoedelijk Lowes Cato Dickinson
Object type: photomechanical print
Date: 1881 – 1891
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: politician, manufacturer, official; civil servant; functionary (in general)
Inscriptions: name: ‘Lowes Dickinson 1861’
Double Diptych Icon Pendant
Object type: icon
Date: 1701 – 1733
Materials: pigment, paint, wood
Culture: amhara or tigrinya
Location: ethiopia
Subjects: dragons,horses,christ,saint george,virgin mary,crucifixion

In the seventeenth century, Ethiopian artists were increasingly exposed to forms of expression from Europe. During this period, double-sided diptychs became popular among the nobility as pendant icons worn suspended by a cord around the neck. The subject matter depicted on this example is a standard program for this genre of personal icon, as are the intricately carved cruciform designs that enhance the exterior surfaces of the protective covers. This icon is a classic example of the painting style developed during the late seventeenth century at Gondar, the trading center where King Fasiladas (r. 1632–67) established his capital. Portrayed frontally with slightly turned heads and simple, iconic gestures, the figures are superimposed upon neutral backgrounds. Bodies are delineated with thick black outlines, while faces are composed of flat areas of pink and orange. Curving lines and attenuated arcs are employed to evoke the folds of draped robes and mantles. The double-sided pendant contains four painted surfaces depicting Christian subject matter. On one side of the main panel, the Virgin Mary appears seated, holding Christ and flanked by archangels carrying swords. Grasping the Book of the Gospel and making a gesture of benediction, the Christ Child gazes lovingly at his mother, who in turn stares out toward the viewer. On the outer panel (the interior surface of the cover), Saint George appears on horseback slaying the dragon. This combination of saints was extremely popular in Ethiopian religious painting, and served to emphasize the close relationship between the Virgin Mary and Saint George, the soldier of God who was her constant companion. The opposite side of the icon illustrates the Crucifixion, with Mary and Saint John standing sorrowfully to either side of Christ. The outer panel illustrates the Resurrection, in which a monumental Christ raises the diminutive figures of Adam and Eve by their arms. A flag of victory to Christ's right indicates this triumph over death.
Visitekaartje aan Philip Zilcken
Object type: visiting card
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: voorschoten
Artist: hendrikus hubertus van kol
Artist role: engineer, politician
Artist dates: 1852 – 1925
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portrait of Emperor Jahangir
Object type: painting
Date: 1800 – 1800
Materials: gold, paper, watercolor
Culture: mughal
Location: india
Cristi,... v'là-t-y un boeuf qui est bien fait!..., from Exposition de 1859, published in Le Charivari, May 4, 1859
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: hats,men,portraits,profiles,women
Kensington Gardens, No. I (small plate)
Object type: print
Date: 1859 – 1859
Materials: ivory, paper
Techniques: drypoint, etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Profile of actress wearing unstructured hat, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,profiles,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Bronze statuette of a mouse
Object type: statuette of a mouse from a lamp
Date: 1 – 300
Materials: bronze
Culture: roman
Subjects: mice

Statuette of a mouse from a lamp.
Returned from a Fox Chase
Object type: print
Date: 1787 – 1787
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,dogs,drinking
Voorwerpen uit de heidense offerdienst
Object type: drawing
Date: 1708 – 1780
Materials: chalk, paper
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: ritual objects and ritual means ~ non-christian religions, places and objects of worship ~ non-christian religions
PADOVA - Cappella degli Scrovegni all'Arena. Le Virtù. La Giustizia.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: scrovegnikapel
Artist: giotto de bondone
Artist role: painter, sculptor
Artist dates: 1266 – 1337
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues
Inscriptions: collector's mark: Lugt 3937, number: ‘No. 19430.’
Anderlecht
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: brussels
Subjects: study; 'studiolo'; library
Inscriptions: inscription: ‘Maison Flamande/ à M. J. VANDEN PEEREBOOM/ Ministre des chemins de fer, postes et télégraphes/ Le Cabinet de Travail’, number: ‘PLANCHE 27’, name: ‘F. Malfait, Exéc.’

Deze prent maakt deel uit van een omslag met 89 prenten en 5 tekstbladen.
Gezicht op de Kloveniersburgwal tussen de Hoogstraat en de Nieuwmarkt
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses, street
Inscriptions: collector's mark: ‘9.83’ Lugt 1641b, inscription: ‘Kloveniersburgwal / tusschen Hoogstraat nieuwmarkt even zijde.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
Prosapia
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: cologne
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh), family life
Inscriptions: collector's mark: Lugt 240

De drie koningen hebben een ster gevolgd tot aan de stal. Ze groeten het Christuskind en bieden geschenken aan. De tweede prent van een achtdelige serie met scènes uit het leven van Christus die zijn belangrijkste deugden verbeelden.
Deux enfants de la Nordhollande
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: etching
Location: zaandam
Subjects: girl (child between toddler and youth), (playing with) dolls
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Maaskamp, Evert. Tableau des principales vues des palais et édifices : représentations et des coutumes et usages, dans les provinces septentrionales du Royaume des Pays-Bas. Amsterdam, 1824.
Kaart van het Hoogheemraadschap van Rijnland (tweede deel)
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: engraving, etching
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 195

Deze prent behoort tot de tweede druk (1687) van 'T' Hoogheymraedschap van Rhynland', een wandkaart van het Hoogheemraadschap van Rijnland bestaande uit een kaart van het gebied en een sierrand.

Van deze kaart zijn voor zover na te gaan drie verschillende drukken bekend, uit respectievelijk 1647, 1687 en 1746.

Het kaartdeel is gedrukt van twaalf platen die voor elke druk zijn aangepast. Het vijfde blad van het kaartdeel (RP-P-AO-10-8H) is in of na 1766 nog een keer bijgewerkt en los uitgegeven. Hierdoor zijn van het vijfde blad vier staten bekend en van de overige bladen drie. Zie documentatie voor meer informatie.

Bij de eerste en tweede druk hoort een sierrand met daarop de titel, wapenschilden en octrooiverleningen. Delen van de zijkant van de rand van de eerste druk zijn voor de tweede druk herbruikt, terwijl andere delen van de zijkanten en de hele bovenkant nieuw zijn gemaakt door Romeyn de Hooghe. De derde druk heeft slechts een nieuw gemaakte titelstrook langs de bovenkant.
Verklaringe van de arminiaensche schans tot Leyden
Object type: text sheet
Date: 1618 – 1618
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: johannes tangena (16e en 17e eeuw)
Artist role: publisher
Subjects: breestraat, arminiaanse schans te leiden, remonstranten en contraremonstranten
Inscriptions: collector's mark: Lugt 240

Tekstblad behorend bij de voorstelling van de arminiaanse schans te Leiden. De schans werd op 5 oktober 1617 in de Breestraat bij het stadhuis opgericht om de remonstrants gezinde vroedschap en waardgelders te beschermen. Het blad behoort bij de heruitgave van de prent, die verscheen met de naam van de uitgever en de datering 1618. Het Nederlandse onderschrift is gedrukt over drie kolommen en geeft een beschrijving van de gebeurtenissen tot 20 oktober 1618 toen de schans is afgebroken en een verklaring van de letters in de voorstelling (zie RP-P-OB-77.267).
Brand van de schouwburg aan de Keizersgracht te Amsterdam, 1772
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: on fire, ablaze, theatre (building), fire-fighting
Inscriptions: collector's mark: Lugt 2228

Gezicht op de laaiende brand in de Amsterdamse Schouwburg op 11 mei 1772, gezien vanaf de overzijde van de Keizersgracht. Vanaf het dak rechts wordt getracht het vuur te blussen. Op straat vele toeschouwers.
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 200 – 1
Materials: glass
Culture: greek, eastern mediterranean

Translucent light blue with greenish tinge; opaque white trails; handles of indeterminate color (blue?). Uneven, coiled rim-disk with rounded outer lip; fusiform body, with uneven, misshapen sides, expanding downward, then tapering in to pointed bottom; two uneven lug handles applied at top of body over trail with horizontal tooling indents above and below. Trail applied unevenly around rim and trailed off below; another trail attached near bottom, drawn up in a spiral to point of carination, tooled into an irregular feather pattern around side with six upward and five downward strokes, and wound round again in spiral ending below rim. Intact; many bubbles; dulling, pitting, and faint iridescence.
Drop pendant
Object type: pendant
Date: 3850 – 3500
Materials: ivory
Location: egypt

Discovered in the grave of a child, this pendant, along with a second similar but smaller example (09.182.2b), is carved from elephant ivory, a luxury material that would have been imported from the far south. With this burial were also vessels, baskets, clay and carnelian beads, three small copper tools, and fragments of a clay figurine (see 09.182.1-8). The quantity and variety of these objects indicate that this child was born into a wealthy, powerful family.
Sample
Object type: sample
Date: 1801 – 1833
Materials: cotton, silk
Pillow Cover
Object type: textile
Date: 1600 – 1600
Materials: coral, linen, panel, textile
Techniques: embroidery, cutting, drawing, lace, patterning, weave, stitching
Location: italy
Bord, gevonden bij V.O.C.-schip Witte Leeuw, mogelijk afkomstig van Zeelelie
Object type: plate dish
Date: 1775 – 1800
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Bord gevonden bij V.O.C.-schip de 'Witte Leeuw', 45% aanwezig. Nanking-ceramiek bord. Dit object is 18e-eeuws en kan dus niet van de vracht van de Witte Leeuw zijn. Onduidelijk is of het object van de site komt of dat het later is vermengd, mogelijk met materiaal van de Zeelelie.
Boer lopend over een akker met paard en hooiwagen
Object type: print
Date: 1833 – 1870
Materials: paper
Techniques: etching, roulette
Subjects: horses and kindred animals, adult man, hay-wagon, two-wheeled vehicle drawn by one animal
Inscriptions: mark: ‘Peint par Van[perinne].’, collector's mark: Lugt 2228

Prent verschenen in: De Vlaamsche School 16 (1870).
Bruges. Intérieur de l'Église de Jerusalem. L'Autel / Brugge. Binnenzicht der Jerusalemkerk. De Altaar.
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: bruges
Subjects: interior of church, altar
Geblesseerde Hector wordt terug gedragen langs de muren van Troje
Object type: print
Date: 1532 – 1572
Materials: paper
Techniques: engraving
Location: fontainebleau
Subjects: hector - suffering, misfortune
Inscriptions: collector's mark: Lugt 240

Betreft een prent naar een fresco door Primaticcio voor de vestibule van de Porte Dorée te Fontainebleau. De voorbereidende tekening door Primaticcio bevindt zich in de collectie van het Musée du Louvre te Parijs, inv.nr. 8567.
Scarab Depicting Queen Tiye
Object type: scarab, queen tiye
Date: 1390 – 1352
Materials: stone
Techniques: glazing
Location: egypt
Subjects: queens,hieroglyphs,scarabs