deem-data/ArtiFact huggingface dataset:
Oba with Animals
Object type: altar
Date: 1701 – 1900
Materials: brass
Culture: edo period
Location: nigeria
Subjects: weapons,swords,men,warriors

This work joins 1996.11 In the kingdom of Benin, ikegobo, or "altars to the hand," celebrate the accomplishments of exceptional individuals. The hand is associated with action and productivity, and is considered the source of wealth, status, and success for all those who depend on manual skill and physical strength. Altars of this kind are commissioned in terracotta, wood, or brass, depending on the status of the patron. This ikegobo is an important historical document associated with the reign of Akenzua I. In the early eighteenth century, rebellious chiefs challenged Akenzua's leadership and threatened the unity and stability of the kingdom. Ehenua, Akenzua's ezomo or military commander, played a central role in defeating these forces and restoring order to the kingdom. In recognition of his heroism and service, Akenzua presented Ehenua with an ikegobo illustrating his military triumph. The artist who created this work, composed of a series of units, used costume, scale, and composition to denote the relative status of the figures depicted on the frieze. A monumental image of Ehenua, dressed in full military regalia and clutching trophies of war, appears at the center of a group of diminutive soldiers, attendants, and priests. Two rows of musketeers above the frieze include Portuguese soldiers, an indication of the degree to which European powers were engaged in the support of Benin's leadership at this time. A separately cast sculptural group sitting in front of these soldiers portrays Oba Akenzua in the act of performing sacrifices to his ancestors so that Ehenua will prevail and triumph over his adversaries. Finally, a carved ivory tusk, now missing, was fitted onto the brass peg between the soldiers. While most Benin art left the kingdom as a result of the British Punitive Expedition of 1897, Ehenua's ikegobo remained in Benin in the possession of his descendants, who inherited the ezomo title. Its regular use across generations is a testament to its continued relevance and vitality.
Revue de la Mode, Gazette de la Famille,dimanche 1 février 1880, 9e année, No. 422: Eventails de la Parfumerie Ninon (...)
Object type: fashion print
Date: 1880 – 1880
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: corsage (+ women's clothes), flowers, ear-rings (+ women's clothes), dress, gown: evening dress (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), dress, gown: ball gown (+ women's clothes), lace (+ women's clothes), fashion plates, fan (+ women's clothes), bracelet, wristlet (+ women's clothes), necklace (+ women's clothes)
Inscriptions: caption: ‘Eventails de la Parfumerie Ninon, r. du 4 Septembre 31_Garnitures de la M.on Hallard & Martin 68, B.d Sébastopol_Corsets & Jupons de la M.on de Plument, 33 r, Vivienne_ Plissés éxécutés au métier Merle B.d Bonne Nouvelle 1_ Chaussures de la M.on Bernier-Laffon, 160,r. Montmartre.’, address: ‘13 et 15, Quai Voltaire, Paris’, title: ‘REVUE DE LA MODE / Gazette de la Famille’

Twee vrouwen in een interieur voor een sofa. Links: roze baljapon. Rechts: 'toilette pompadour', voor een bal of soirée, met halflange mouwen 'à sabot' van kant. Onder de voorstelling enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Revue de la Mode (1872-1913). Uitgebreide beschrijving van de kleding op pagina 44 "PLANCHE COLORIÉE".
Fragment
Object type: textile
Date: 1601 – 1635
Materials: silk, velvet
Techniques: cutting, weave, voiding
Location: italy
Teacup and saucer
Object type: teacup and saucer
Date: 1775 – 1775
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: birds,butterflies

This partial tea and coffee service is distinguished by its relative completeness and its two components (the coffee pot and the hot milk jug) signed by the painters who decorated them—Joseph Angele and Johann Heinrich Usinger, respectively—a rarity on 18th-century porcelain. [Jeffrey H. Munger, 2009]
Terracotta fragment of an oinochoe: chous (jug)?
Object type: chou fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Head and part of upper torso of a male to right with his himation draped over his right shoulder and arm
Onderscheydene militaire afbeeldsels / Différentes scènes militaires
Object type: print
Date: 1833 – 1856
Materials: paper
Techniques: letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over het leven van militairen. Onder elke voorstelling een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: 6.
God schept planten en bomen
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: gathering of the waters below the firmament; dry land appears and produces all kinds of plants
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie van twaalf prenten van de schepping. De prenten zijn deels naar ontwerpen van Rafaël voor de Loggia van Rafaël in het Vaticaan, en deels naar prenten door Nicolaes de Bruyn naar ontwerpen van Maerten de Vos (zie: Holl. Dutch. vol. 45 nr. 1-10).
Oval bowl
Object type: bowl
Date: 701 – 900
Materials: glaze, stoneware
Culture: chinese

As illustrated by this bowl, stonewares produced in the Changsha kilns of Hunan Province during the Tang dynasty sometimes reflect influences from the West. Its oval contours, which originated in Western Asian metalwork, traveled across Central Asia to China, where they were adopted by Tang-dynasty silversmiths. In turn, the Changsha potters have followed the Tang-silver shape as closely as their medium would allow. In particular, the rounded notched rim and raised ridges in the cavetto suggest lobation found in the metal prototypes.
Portret van François Chicoyneau
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Zuverlässige Nachrichten von dem gegenwärtigen Zustande, Veränderung und Wachsthum der Wissenschaften. dl. 81. Leipzig: Johann Friedrich Gleditsch, 1746.
Florrie West, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Gezicht op een wherry langs de oever
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: photograph
Location: norfolk
Artist: john payne jennings
Artist role: fotograaf
Artist dates: 1843 – 1926
Subjects: sailing-ship, sailing-boat, river
Portret van Johannes Verhulst
Object type: print
Date: 1837 – 1856
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: the hague, johannes verhulst, historical persons, portrait of composer
Inscriptions: collector's mark: Lugt 2228
Antwerpen
Object type: photograph
Date: 1860 – 1925
Materials: photographic support
Techniques: photograph
Artist: Anonymous
Subjects: antwerp
Verliefde ketellapper
Object type: drawing
Date: 1873 – 1932
Materials: chalk, paper
Artist: wilhelmus johannes steenhoff
Artist role: draughtsman, print maker
Artist dates: 1863 – 1932
Subjects: handicrafts ~ maintenance and repair, caricatures (human types), container of metal: bucket, can, canister, drum, tin
Portret van Michael Thomae
Object type: print
Date: 1665 – 1721
Materials: paper
Techniques: engraving
Subjects: crown (symbol of sovereignty), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Louis Seize Roi de France et de Navarre
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: england
Subjects: paris, lodewijk xvi (koning van frankrijk), historical persons, king
Inscriptions: collector's mark: Lugt 2228
Tenture d'entrée dans un salon
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Entree van een salon met gedrapeerde gordijnen. Prent uit 283e Livraison.
Ioseph
Object type: print
Date: 1577 – 1577
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: joseph (not in biblical context)
Inscriptions: collector's mark: Lugt 240

Boekillustratie voor Hillesem, Louis. Sacrarum antiquitatum monumenta. Antwerpen: Christoffel Plantin, 1577.
Folding stool (pliant) (one of a pair)
Object type: folding stool
Date: 1786 – 1786
Materials: wood, silk
Techniques: carving, painting
Artist: jean-baptiste-claude sené
Artist role: maker
Artist dates: 1748 – 1803

On May 1, 1786, Jean Hauré (active 1771–after 1796) received a commission for a set of furniture comprising forty pliants or folding stools, twelve regular stools, or tabourets, a folding screen, and a fire screen for Marie Antoinette's Salon des Jeux at Compiégne. Twenty-four of the X-shaped folding stools, all the tabourets, and both screens were then sent instead to the queen's gaming room at Fontainebleau. On September 3 of the same year Hauré was asked to supply an additional twenty-four pliants, twelve tabourets, a chamber screen, and a fire screen for Compiegne. Two of the pliants are now in the Museum's collection, a gift of the Wrightsmans, but whether they were part of the first or the second order and whether they remained at Compiegne or were sent to Fontainebleau is not known. As was the case with the secretary, this large set of furniture was the fruit of a collaborative effort, and the record of the commission provides a roll call of the artists: The beechwood frames were provided by Jean-Baptiste-Claude Sené, who was also paid for making a preliminary model. The sprigs and wreaths of ivy, beading, twisted-cord ornament, and lion's-paw feet were carved by the sculptor Nicolas Vallois (1738–1790) under Hauré's direction. Louis-François Chatard painted the furniture an off-white color, highlighting the decoration in gold. A metalworker named Courbin supplied the iron bolts placed at the crossing of the legs so that the stools could be folded, and one Chaudron gilded the rosette-shaped bosses on the ends of the bolts. Claude François Capin upholstered the stools and applied fringed borders. The firm of Pernon in Lyon wove the fabric for the original upholstery and the matching wall hangings, a ribbed silk chiné embellished with a bower of trees, floral garlands, and hollyhocks on a white ground.
Plattegrond van de fundering van de Blokhuizen in de Amstel
Object type: album leaf
Date: 1650 – 1650
Materials: ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: Anonymous
Subjects: building activities, plan ~ architecture

Met afmetingen en onderaan een schaalaanduiding. Tekening maakt deel uit van een album.
Miss Stella, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Claude de Lannoy, graaf de La Motterie, landvoogd van de provincie Namen
Object type: jeton
Date: 1636 – 1636
Materials: copper
Techniques: striking
Location: brussels
Artist: Anonymous
Subjects: namur

Koperen penning. Voorzijde: gekroond wapenschild, omhangen met de orde van het Gulden Vlies binnen omschrift. Keerzijde: gekroond wapenschild tussen jaartal binnen omschrift.
Ex libris van Thos. Galsford
Object type: bookplate
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Emma Abbott, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
A Rich Lady Visits a Poor Family
Object type: painting
Date: 1853 – 1853
Materials: canvas, oil
Artist: gerardus terlaak
Artist role: painter
Artist dates: 1820 – 1865
Subjects: family group, especially parents with their child(ren), contrast between rich and poor, family life at home, mother and baby or young child
Inscriptions: signature and date: ‘G. Terlaak 1853’

Een rijke dame bezoekt een arm huisgezin. Voor het bed van haar zieke man zit een jonge moeder met een kind op schoot en twee kinderen aan haar zijde. De vrouw kijkt omhoog. Achterin de kamer bij de wieg kijkt een jonge welgestelde dame toe.
Scarab Inscribed with the Name Amenhotep
Object type: scarab, amenhotep i
Date: 1525 – 1504
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Portico met globes
Object type: titelblad, titelpagina
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: monumental door, porch, 'aediculum', globe, star-globe
Inscriptions: collector's mark: Lugt 2228

Ionische portico met twee hemel- en een aardglobe. Links staat Claudius Ptolemaeus met een armillarium en een passer, rechts staat Marinus van Tyrus met een kaart.
Key
Object type: key
Date: 1 – 100
Materials: bronze
Culture: roman
Accommodation, or Lodgings to Let at Portsmouth!!
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,couples,men,women
Portrait of Mme Lisle and Mme Loubens
Object type: painting
Date: 1867 – 1867
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: portraits: female subject, chair, curtains, dresses, flowers, france, french, interior, portrait, portraits, portraits: european subject, portraits: french subject, portraits: multiple subjects, women
Inscriptions: Stamped lower right: Degas

Edgar Degas rarely accepted portrait commissions; his sitters were almost always family members or people within his social circle. The two women in this somber, unfinished painting were identified through preparatory drawings that label them as “Mme Lisle” (left) and “Mme Loubens” (right). Both were friends of artist Édouard Manet’s family; they likely met Degas at a gathering at Manet’s home. In an 1869 letter, artist Berthe Morisot lamented that Degas had abandoned her at one such soirée for the company of Madame Lisle and Madame Loubens, attesting to the group’s closeness.
Wineglass
Object type: wineglass
Date: 1800 – 1800
Materials: glass
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a closed shape
Verschillende mensen in een kapel
Object type: ornament print
Date: 1684 – 1711
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (public) prayer, parts of church interior: chapel

Een aantal gelovigen bidden, met de hoed in de handen, in een rijk versierde kapel. Een man en een vrouw lopen voorbij. Een jongen tilt de sleep van de vrouw.
Dwelling on the Water, Canton
Object type: photograph
Date: 1869 – 1869
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Subjects: buildings,children,women
De makelaars te Amsterdam
Object type: history medal
Date: 1612 – 1612
Materials: silver
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Zilveren penning. Voorzijde: pas opgerichte beursgebouw met daarboven vliegende Mercurius. Keerzijde: gekroond wapen van Amsterdam met twee leeuwen.
Lot flanked by his two daughters, one of them holding a decorated jug, after Reni
Object type: print
Date: 1771 – 1771
Techniques: engraving
Artist: domenico cunego
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1803
Subjects: men,women

After a painting by Reni. Part of the Schola Italica Picturae, a series of plates reproducing Italian paintings, published in England. Verso not visible as print is laid to another sheet of paper.
Portret van Charles Maurice hertog van Talleyrand-Périgord
Object type: print
Date: 1808 – 1868
Materials: paper
Techniques: engraving
Location: stuttgart
Subjects: paris, politician, charles maurice hertog van talleyrand-périgord, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Johannes Petrus Hasebroek
Object type: photograph
Date: 1869 – 1874
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: amsterdam, picture, painting
The Sleeping Tea-Boy (parody of Hokaso)
Object type: print
Date: 1767 – 1767
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, genitals and part of legs of male to right
Karel V, Duits keizer, rekenpenning van het bureau van de keizer
Object type: jeton
Date: 1555 – 1555
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain)

Koperen penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: tweekoppige adelaar onder kroon met wapenschild op borst binnen omschrift
Toscaanse zuilen en hoofdgestel
Object type: book illustration
Date: 1640 – 1640
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: tuscan order ~ architecture, orders, order-books ~ architecture

Prent uit: Vignola, Giacomo Barozzi da. Regola delli cinque ordini d'architettura (...). Amsterdam: Johannes Willemszoon en Cornelis Blaeu, 1640, p. 15.
Watermolen en bakoven, 13e eeuw
Object type: print
Date: 1857 – 1864
Materials: paper
Techniques: tone lithography
Location: haarlem
Artist: hendrik dirk kruseman van elten
Artist role: draughtsman, print maker
Artist dates: 1829 – 1904
Subjects: watermill, netherlands
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: W.J. Hofdijk, Ons voorgeslacht in zijn dagelyksch leven geschilderd, Kruseman, Haarlem 1859-1864.
Omslag voor: Zes landschappen
Object type: wrapper
Date: 1887 – 1887
Materials: paper
Techniques: pen lithography
Location: paris
Subjects: plants and herbs: reed, water-birds: duck
Inscriptions: collector's mark: Lugt 2228a

Omslag voor zes landschapsetsen met diverse soorten vogels.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Right halves of two kylix handles with part of wall of cup preserved
Piece
Object type: piece
Date: 1751 – 1800
Materials: silk
Dood van Cleopatra
Object type: print
Date: 1530 – 1565
Materials: paper
Techniques: engraving
Location: italy
Subjects: death of cleopatra: she commits suicide by holding to her breast an asp, which she has taken from a basket of figs
Inscriptions: collector's mark: Lugt 240

Cleopatra, koningin van Egypte, maakt een eind aan haar leven door zich te laten bijten door een giftige slang. Ze zit met in haar linkerhand de in haar borst bijtende slang, haar blik omhoog gericht.
Barneveld. Villapark
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: barneveld
Artist: Anonymous
Subjects: villa, street
M.tin Du Bellay
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Allegorie op goed bestuur en vrede
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: war and peace, king, good government
Inscriptions: collector's mark: Lugt 2228

Waarschijnlijk betreft dit een titelpagina voor een onbekend boek.
Glass spindle whorl
Object type: spindle whorl
Date: 1 – 200
Materials: glass
Culture: roman

Translucent cobalt blue. Tall, domed body, with slight flaring lip at base; flat bottom but with circular groove; vertical hole larger on bottom. Intact; some pitting, dulling, and creamy iridescent weathering. Made by winding trail in a spiral around rod.
View of a Convent on the Site of the House of Horace
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: lithograph
Location: france
Artist: claude thienon
Artist nationality: french
Artist dates: 1772 – 1846
Untitled
Object type: photograph
Date: 1839 – 1899
Techniques: daguerreotype
Location: unknown place
Artist: Anonymous
Artist dates: 1800 – 1899
Subjects: portraits, portraits: male subject, photography, formal portraits
Presentiepenning van het Korendragers en -stortersgilde te Amsterdam, 1693
Object type: medal
Date: 1693 – 1738
Materials: brass
Techniques: engraving
Inscriptions: inscription: ‘Cornelis / Teunis Moolenaar / Den 4 februarij / A° 1738’

Ronde plaat messing gegraveerd op de voorzijde korendrager naar rechts, met zak genummerd 4, op de keerzijde vier regels tekst, op naam van Cornelis Teunis Moolenaar 4 februari 1738
Sun, from "The Gods Who Preside Over the Planets"
Object type: print
Date: 1528 – 1528
Techniques: etching
Artist: master i.b.
Artist role: artist
Artist nationality: german
Artist dates: 1525 – 1530
Subjects: shields,weapons,lions
Set of Sword Fittings (Mitokoromono)
Object type: set of sword fitting mitokoromono
Date: 1667 – 1733
Materials: gold alloy, gold, ink, paper, silver
Culture: japanese
Location: japan
Artist: gotō tsūjō
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1664 – 1721

These mitokoromono feature a design of Tawaratota battling a giant centipede.
Portret van Pieter Bleeker
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: the hague, knighthood order, historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een militair uniform met epauletten en ordetekens op zijn borst en om zijn hals. Hij draagt zijn hoed met pluim in zijn linkerhand. Onder het portret zijn signatuur.
Portretten van beroemde personen
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: rome, the hague, william i of the netherlands, frans ii (rooms-duits keizer), berlin, frederik willem iii koning van pruisen, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 4088

Portretten van paus Gregorius XVI, Willem I (koning der Nederlanden), Ferdinand II (koning der Beide Siciliën), Mahmut II (sultan van het Ottomaanse Rijk), Nicolaas I Pavlovitsj (tsaar van Rusland), Frederik Willem III (koning van Pruisen), Karel Albert (koning van Sardinië) en Frans II (Rooms-Duits keizer).