deem-data/ArtiFact huggingface dataset:
Ongelijke liefde
Object type: print
Date: 1605 – 1630
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: purse, money-bag, one-sided courting; pursuit; difficult choice, married couple of unequal age, young versus old age; young and old, adolescent, young woman, maiden (+ old male (human being)), ugly old man
Inscriptions: collector's mark: Lugt 2228

Een oude man zit op een stoel en tast in zijn geldbuidel. Naast hem een jonge vrouw op een stoel. De oude man probeert de vrouw te kussen, maar zij draait zich weg van hem en houdt hem tegen. De prent heeft een Latijns en Nederlands onderschrift
100 Afbeeldinge der voornaamste gebouwen van Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: canals, waters (in city)

Prent verschenen in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Pieter Schenk (I), [1710-1711]. En in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, [1757-1766].*

*In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Lower legs and feet of a draped figure to right, seated on a diphros
Kammenbak met deksel met veelkleurige bloemen
Object type: container
Date: 1882 – 1882
Materials: earthenware, glaze
Techniques: vitrification
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘F BM’, mark: ‘sfinx // P. REGOUT & Co // MAASTRICHT // VESTA’

Bak met deksel van aardewerk met blauwzwart transferdecor, beschilderd met moffelkleuren en okerluster. De rechthoekige bak heeft afgeronde hoeken en een gewelfde wand. De bodem wordt door twee opstaande randen in drie vakken verdeeld. De wand met veelkleurige bloemen en bladeren. De uitstekende bovenrand van de wand is gedecoreerd met een abstract motief onder okerluster. Het rechthoekige, gewelfde deksel heeft langs de rand een band van veelkleurige bloemen en bladeren. Het deksel wordt bekroond door een knop in de vorm van omgekruld bladwerk.
Betrapt overspel
Object type: print
Date: 1753 – 1813
Materials: paper
Techniques: etching
Location: netherlands
Subjects: adultery revenged
Inscriptions: collector's mark: Lugt 2228

Een liefdespaar wordt verast door de echtgenoot van de vrouw. Deze bedreigt de twee met een sabel. Titelillustratie voor deel 7 van een boek over de perikelen van de liefde.
Vrouwelijke personificatie van werelddeel Afrika als vrouw met leeuwenvel zittend tussen leeuwen
Object type: print
Date: 1648 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: cornelis van dalen (ii)
Artist role: draughtsman, print maker
Artist dates: 1638 – 1664
Subjects: africa represented allegorically; 'africa' (ripa), beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Personificatie van werelddeel Afrika als vrouw met leeuwenvel zittend tussen leeuwen. Zij gebaart naar de hemel waar tekens van de dierenriem zichtbaar zijn. Volgens de titel om haar verontwaardiging te uiten. Op de voorgrond ligt een wapenrusting.
Purple Foxglove from the Plants series
Object type: album card
Date: 1862 – 1869
Techniques: lithograph
Artist: louis prang & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1800 – 1950
Subjects: plants
Fichu van linnenbatist, driehoekig en geschulpt, met een genopt fond en langs de randen afgezet met een versiering van bloemboeketten van witte katoen
Object type: womenswear
Date: 1800 – 1800
Materials: cotton, linen
Techniques: embroidered, weave
Location: netherlands
Artist: Anonymous

Fichu van linnen batist, driehoekig en geschulpt, met een genopt fond en langs de randen afgezet met een versiering van bloemboeketten van witte katoen. Versiering: het middenveld heeft een strooimotief van drie kleine noppen. In de schulpen zijn liggende bloemboeketten geborduurd afgewisseld met één staande bloem op de inwaartse punt. De harten van de bloemen en een parelrand daaronder zijn opengwerkt.
Sugar Sifter
Object type: sifter
Date: 1801 – 1900
Materials: silver
Culture: japanese
Limestone statuette of a male votary (worshipper)
Object type: statue of a votary, male, with pointed cap
Materials: limestone
Culture: cypriot
Subjects: men

The head, with a conical cap, may not belong with the body. The type of garment the figure wears is Greek.
Sheepshead, from the series Fishers and Fish (N74) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: knapp & company
Artist role: lithographer
Artist nationality: american
Subjects: fish

Trade cards from the "Fishers and Fish" series (N74), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
Leather Lamellar Armor
Object type: leather lamellar armor
Date: 1401 – 1700
Materials: gold, leather, pigment
Culture: eastern tibetan
Location: tibet
Brief aan Philip Zilcken
Object type: letter
Date: 1915 – 1915
Materials: ink, paper
Techniques: pen, writing
Location: baarn
Artist: karel johan lodewijk alberdingk thijm
Artist role: criticus, prozaschrijver
Artist dates: 1864 – 1952
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Length
Object type: length
Date: 1701 – 1800
Materials: metal thread, silk
Subjects: flowers

This French dress silk is a complex combination of textures and colors: silver and gold streamers and floral garlands meander across a background that features a brilliant green pattern of a small flowering vine. The textile employs six different metal-wrapped threads, plus twelve colors of silk. The layering of side-by-side streamers with floral sprays and garlands is typical of the 1760s, and the formula was used repeatedly with variations depicting ribbon, lace, or fur. Velvetlike chenille thread was sometimes used instead of metal thread. When made up into a woman's robe, the textile would have been further embellished with coordinating trim at the front opening of the gown and lace at the neck and sleeves. Trimmings and lace accessories added to the profusion of texture and the play of shiny and dull surfaces.
Gezicht op gebouwen in Amsterdam, mogelijk in de Reestraat
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street
Inscriptions: annotation: ‘voor de deur. Reestraat/ drie meisjes’

Gezicht op gebouwen in Amsterdam, mogelijk in de Reestraat. Pagina 33 en pagina 34 uit een schetsboek met 22 bladen vervaardigd te Amsterdam.
Dish with Lion among Chrysanthemums
Object type: dish
Date: 1101 – 1300
Materials: glaze, ivory, porcelain
Culture: chinese
Subjects: lions,flowers

In an attempt to meet demand from the court and elsewhere, in the twelfth century potters at the Ding kilns began to use molds rather than hand carving for the decoration of ceramics. Vessels created with molds, which produce both shape and design, have denser and more intricate patterns.
Brabantse Omwenteling, 1787-1790
Object type: cartoon
Date: 1787 – 1790
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: Anonymous
Subjects: collapsing building, brabant
Inscriptions: collector's mark: Lugt 2228

Spotprent op de opheffing van de seminaria door keizer Jozef II. Een scheef staande seminariegebouw staat in brand, pogingen van de groep personen links om het overeind te houden baten niet. Met tweeregelig vers in het Nederlands. Onderdeel van een grote groep van prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
De twaalf maanden
Object type: print
Date: 1694 – 1756
Materials: paper
Techniques: etching, hand coloring
Location: augsburg
Subjects: agricultural products and by-products: hay (+ harvesting ~ agricultural processes), july and its 'labours' (+ with scenes showing human occupations ~ seasons and months), rest during harvest (eating, dancing, making love, etc.)
Inscriptions: collector's mark: Lugt 2166

Een rustende hooier kijkt naar het veld achter hem waar mannen en vrouwen hooien. In de ondermarge twee keer een vierregelige tekst in het Latijn en Duits.
Christ Crucified between the Two Thieves: "The Three Crosses"
Object type: print
Date: 1653 – 1653
Materials: ink, paper
Techniques: engraving, drypoint
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Dime [=1/10 dollar] of 10 kuneta uit Hawaii of Sandwichs eilanden van Kalakaoewa I, 1883
Object type: coin
Date: 1883 – 1883
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: hoofd van de konnig naar rechts. Jaartal onderaan. Keerzijde: tussen twee samengebonden takken kroon, waaronder waarde-aanduiding: one dime in twee regels. Onderaan waarde-aanduiding: 10 kuneta. Gladde rand.
[(...)]eau de Blois
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: blois
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: colonnade, castle
Inscriptions: inscription: ‘Monuments Historiques’, number: ‘469’, name: ‘Mieusement photographe’

Onderdeel van Fotoalbum met opnames van monumenten in Frankrijk.
Prentbriefkaart aan Andries Bonger
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: royan
Subjects: lille, paris, print maker, émile bernard, amsterdam, andries bonger
Portret van Georg Erhard Hamberger
Object type: print
Date: 1723 – 1767
Materials: paper
Techniques: engraving
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: physicist, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2233

Prent gebruikt in: Deutsche Acta Eruditorum (...). Leipzig: Johann Gottlieb Gleditsch, 1737, dl. 214.
Veertien etsen van Michał Płoński
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: amsterdam
Artist: michał płoński
Artist role: print maker
Artist dates: 1778 – 1812
Subjects: reading, fashion designer, writing accessories
Inscriptions: collector's mark: Lugt 2228
Isabel Wachenheimer staand in donkere kleding voor het Joods sanatorium Etania in Davos, 1945-1947
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: davos
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon

Isabel Wachenheimer staand in donkere kleding voor het Joods sanatorium Etania in Davos.
Laan in de Jardin des Tuileries te Parijs, met op de achtergrond het Palais des Tuileries
Object type: stereograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: jardin des tuileries
Subjects: french or architectonic garden; formal garden, lane, alley
Inscriptions: inscription: ‘Jardin des Tuileries’
Side table (one of a pair)
Object type: side table
Date: 1740 – 1740
Materials: wood
Techniques: carving, gilding
Artist: matthias lock
Artist role: designer
Artist nationality: british
Artist dates: 1705 – 1760

This monumental pair of side tables (see also 2007.196.2) displays many similarities to an unfinished drawing by the designer and carver Matthias Lock (ca. 1710–1765) in the Victoria and Albert Museum, London. Although Lock is best known for his designs in an English version of the French Rococo style, this drawing is in the bold manner associated with the English Palladian movement. Propagated in early eighteenth-century England by the architect and designer William Kent and his patron Lord Burlington, this architectural style also affected furniture design. Characteristic are the large shell motifs, classical masks, lion's paws, curling acanthus leaves, and running Vitruvian scroll on these tables. Particularly beautiful is the varied surface treatment of the water gilding, with its burnished highlights, as seen, for instance, in the chiseled features of the satyrs carved at the knees of the cabriole legs, contrasting with the ring punched matte ground. Acquired for the Museum's dining room from Kirtlington Park, near Oxford, these side tables were originally part of a larger set (a nearly identical pair is still in the collection of the Detroit Institute of Arts).
Landschappen naar Domenico Campagnola
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: italy
Subjects: landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., village, herd, flock, fisherman
Inscriptions: collector's mark: Lugt 2228

Heuvellandschap met rivier. Op de achtergrond rechts een dorp. Links een herder en herderin met ossen. Op de voorgrond een visser aan de waterkant. Titel in het Latijn in ondermarge. Genummerd rechtsonder: 23.
Textile Fragment
Object type: textile fragment
Date: 201 – 400
Materials: linen, wool
Location: egypt
Portret van een onbekende jonge vrouw
Object type: carte de visite
Date: 1878 – 1886
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: louis robert werner
Artist role: fotograaf
Artist dates: 1834 – 1896
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed, amsterdam
Inscriptions: inscription: ‘L.R. Werner Amsterdam.’, inscription: ‘L.R. Werner/ voorheen P. Carstensen/ Amsterdam/ Nieuwendijk H.150./ Nabestellingen en Vergrotingen,/ ook van anderen Portretten, kunnen iederen tijd geleverd worden.’
Wine Bottle
Object type: wine bottle
Date: 1701 – 1800
Materials: clay, glaze
Techniques: overglaze
Culture: japanese
Prentbriefkaart aan Willem Bogtman
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: nice
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: willem bogtman, amsterdam, henriëtte roland holst-van der schalk, applied arts, arts and crafts; industrial design, diseases
View of Saint-Andéol
Object type: print
Date: 1774 – 1774
Techniques: drypoint, etching
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Subjects: animals,buildings,men,women,horses
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, part of the upper torso, bit of upper right arm, and left hand, on knee, of a draped symposiast reclining against two cushions; extended right arm and part of upper torso of a draped symposiast holding a kylix in his left hand
Portret van Ludwig Georg Winter
Object type: print
Date: 1805 – 1844
Materials: paper
Techniques: engraving
Subjects: knighthood order (red eagle order), historical persons
Inscriptions: collector's mark: Lugt 2228
Blackwork Print with a Latin Cross and Small Motifs
Object type: print
Date: 1620 – 1620
Techniques: embroidery
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652
Subjects: cross
Acht gipsen afgietsels van religieuze sculpturen
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation: ‘M 0.21 1/2 M 0.27 M 0.28 M 0.31 1/2 M 0.28 M 0.23 M 0.25 M 0.24’, annotation
Artist's Painting of a Hippopotamus
Object type: ostracon, figured, hippopotamus
Date: 1479 – 1425
Materials: limestone, paint
Location: egypt
Subjects: hippos

The hippopotamus on this ostracon was painted with the sure hand of a skilled artist who had no need of a grid. Other ostraca in the collection were clearly made as templates to be used when transferring an image to the wall of a tomb or a temple (see 36.3.252, 23.3.4), or as practice pieces (14.6.191, 30.8.234, 31.4.2). The purpose for this sketch and others (23.3.7, 23.3.33, 26.7.143) is less clear. Broadly speaking, the Egyptians viewed the world in terms of the opposing forces of order and chaos, and they recognized these forces in the creatures around them. In its benign aspect, the hippopotamus, standing upright, was used to represent the goddess Taweret (26.7.1193), the protector of children and pregnant women. But the hippo could also be a dangerous, destructive beast, and the Egyptians had great respect for its power. In its destructive aspect, the hippo was a stand-in for Seth, the god of chaos, and scenes of the king, or the god Horus, or even a deceased tomb owner harpooning a hippopotamus can be read as depictions of the triumph of order over chaos. In this small painting, however, the animal is not shown in an aggressive pose. In this case the image may simply be what meets the eye: a representation of a hippopotamus.
Piece
Object type: piece
Date: 1846 – 1848
Materials: cotton
Techniques: engraving, printing
Culture: american
Subjects: horses,flowers
Bronze statuette of Apollo
Object type: statuette of apollo with quiver
Date: 1 – 200
Materials: bronze
Culture: roman
Subjects: apollo

A quiver of arrows hangs from his back.
Dress
Object type: dress
Date: 1878 – 1878
Materials: silk
Culture: american
Journal des Dames et des Modes: Men’s Fashion
Object type: fashion print
Date: 1824 – 1824
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), neck-gear ~ clothing (cravat) (+ men's clothes), monocle, single lorgnette (+ male human being (not to be used where -a- is prescribed)), trousers, breeches, etc. (pantalon) (+ men's clothes), button (+ men's clothes), coat (+ men's clothes), fashion plates, shoes, sandals (+ men's clothes), gloves, mittens, etc. (+ men's clothes), stockings, socks (+ men's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Chapeau de soie. Habit de drap-zéphir garni de boutons de soie. Gilet et Pantalon de piqué. Cravate anglaise. Souliers de daim.’

The Journal des Dames et des Modes occasionally provided coverage of men’s styles. These illustrations give a good picture of trends in mens’ clothing from 1797 to 1825. During the 18th century, gentlemen wore culotte (knee-breeches) 1. These fell out of fashion with the elimination of strict class distinctions during the French Revolution, to be replaced by a type of long trouser(s) known as pantalon à la Hussarde 2. These were worn with hussar boots. ‘Pantaloons’ 3 were trousers pulled tight with an elastic strap under the instep. Carrick 4 coats with a double collar were popular, and in the evenings men wore a special dress cloak 5.
Tankard
Object type: tankard
Date: 1737 – 1744
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,flowers
Fragmenten koper uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, sheet metal fragments: worked, with rivets; fragm, sim. 80H2060, slightly curved, 2 rivets.
The Death of the VIrgin, from "The Life of the Virgin"
Object type: print
Date: 1511 – 1511
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: bedrooms,sadness,men,women,virgin mary,death
Plattegrond van Blaye
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: maps of cities

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, kaart 9 uit het deel 'Guyenne'.
Willem van Holland laat zich als poorter inschrijven te Utrecht, 1249
Object type: print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: earl, utrecht

Illustratie voor: J. van Lennep en W. Moll en J. ter Gouw, Nederlands geschiedenis en volksleven in schetsen, A.W. Sijthoff, Leiden ca. 1870. Staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti en Amicitiae.
Kop van een vrouw met opgestoken haar
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: head (human) (+ female (human being) (not to be used where -aa- is prescribed))

Achterste schutblad uit een schetsboek met 42 bladen.
Zittende hond bij een schuur
Object type: print
Date: 1810 – 1884
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes mock
Artist role: draughtsman, painter, print maker
Artist dates: 1800 – 1884
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Picture Book: Ogura Hill (Ehon Ogurayama) 絵本小倉山
Object type: illustrated book
Date: 1749 – 1749
Materials: ink, paper
Culture: japanese
Artist: nishikawa sukenobu 西川祐信
Artist role: artist
Artist nationality: japanese
Artist dates: 1671 – 1750
Subjects: men,hills
Monument voor de Slag bij Waterloo, 18 juni 1815, te Braine l' Alleu
Object type: book illustration
Date: 1826 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture

Monument voor de Slag bij Waterloo, 18 juni 1815, te Braine l' Alleu. Beeld van een leeuw op een voetstuk. Er omheen staat een aantal figuren.
Brief aan Héloïse Bernard-Bodin
Object type: letter
Date: 1802 – 1897
Materials: ink, paper
Techniques: pen, writing
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: héloïse bernard-bodin
Inscriptions: watermark

Brief gedateerd février 97 in latere hand.
Belt Buckle
Object type: belt buckle
Date: 601 – 700
Materials: brass, iron, silver
Techniques: inlay
Culture: frankish
Bebaarde man met boek onder zijn arm
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: paris
Subjects: adult man, book, beard
Scepter with Montu head
Object type: scepter
Date: 688 – 525
Materials: copper alloy
Location: egypt
Boerderij aan het water
Object type: print
Date: 1827 – 1879
Materials: paper
Techniques: drypoint, etching
Location: austria
Artist: remigius adrianus haanen
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1894
Subjects: farm or solitary house in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Een boerderij naast een bomenrij aan het water, twee boten aan de oever.
Mlle. Nordrum, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Chessmen, board, and box
Object type: chessman and box board
Date: 1767 – 1833
Materials: bone, ivory, wood
Subjects: chess

The shapes of the pieces, especially the urn-shaped bodies of the king and queen, are very typical of the second half of the eighteenth century. The shape of the horse heads continued into the beginning of the nineteenth century.
Boerderij beesten
Object type: print
Date: 1617 – 1681
Materials: paper
Techniques: etching
Artist: cornelis saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1681
Subjects: fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 240
Young Woman Dressing
Object type: print
Date: 1745 – 1758
Techniques: printmaking, woodblock print
Location: japan
Artist: yamamoto yoshinobu
Artist nationality: japanese
Artist dates: 1745 – 1758