deem-data/ArtiFact huggingface dataset:
Zeven platen van Waterloo en omgeving
Object type: print
Date: 1815 – 1825
Materials: paper
Techniques: etching, hand coloring
Location: low countries
Artist: Anonymous
Subjects: waterloo
Inscriptions: collector's mark: Lugt 2228

De Sint-Jozefskerk te Waterloo. Onderdeel van een serie van zeven platen met gezichten uit ca. 1820 van de omgeving waar de slag bij Waterloo plaatsvond op 18 juni 1815.
Gezicht op het interieur van het paviljoen van de Portugese koloniën op de Wereldtentoonstelling van 1885 in Antwerpen
Object type: page
Date: 1880 – 1885
Materials: paper
Techniques: autotype
Location: antwerp
Artist: Anonymous
Subjects: world fair, world exhibition, antwerp
Portret van Don Juan van Oostenrijk
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: don juan van oostenrijk, historical persons, knighthood order of the golden fleece, ruler, sovereign

Prent met andere tekst op verso gebruikt in: Baudart, Guillaume. Les guerres de Nassau (...). Amsterdam: Michel Colin, 1616.
Bodhisattva with Hands in Gesture of Teaching (Vitarkamudra)
Object type: sculpture
Date: 801 – 1000
Materials: bronze
Location: central java
Design for Vis-à-vis, no. 815
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Drie eenden
Object type: print
Date: 1923 – 1923
Materials: paper, ink
Techniques: woodcut
Artist: jo bezaan
Artist role: draughtsman, print maker
Artist dates: 1894 – 1952
Subjects: water-birds: duck
Inscriptions: number: ‘Nr. 6’, collector's mark: Lugt 2228, signature and date: ‘Jo Bezaan ´23’
Kachelplaat met een wapenschild
Object type: stove plate
Date: 1525 – 1575
Materials: iron
Techniques: casting
Location: unknown
Artist: Anonymous

Kachelplaat van gietijzer, verdeeld in twee zones. In de bovenste zone is een wapenschild afgebeeld met daarop drie pijlen, die vanuit het midden naar buiten wijzen. Daarboven een heraldische helm. De onderste zone twee bustes en profil met daartussen een pauw.
De liereman
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: parents with their children, hurdy-gurdy player - cc - out of doors, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2488

Op een stoep voor een deuropening in een stad zit een gezin waaronder twee jonge kinderen. Naast hen staat een straatmuzikant met een draailier. Rechts een gracht. Staat vóór de letter.
Portret van een jongen in matrozenpak, staand op een kade
Object type: print
Date: 1880 – 1920
Materials: cardboard
Techniques: chromolithography
Artist: Anonymous
Subjects: ensemble of pieces of clothing: sailor suit, boy (child between toddler and youth), historical persons, quay
Design for a Fountain with Rivergods and Nymphs
Object type: drawing
Date: 1511 – 1574
Materials: gouache, graphite, ink
Techniques: brush, highlighting, pen, wash
Artist: giorgio vasari
Artist role: artist
Artist nationality: italian
Artist dates: 1511 – 1574
Subjects: fountains,male nudes,female nudes,nymphs
Naakte man met opgeheven knots
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: france
Artist: Anonymous
Subjects: weapons for striking a blow: club, man (showing himself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2228
Lijst met uitgaven
Object type: sketchbook leaf
Date: 1849 – 1895
Materials: paper, pencil
Artist: willem koekkoek
Artist role: draughtsman
Artist dates: 1839 – 1895
Inscriptions: annotation: ‘Uitgaven/ f333/ Belasting f33/ Annemie f2.50/ weekgeld 25./ portwijn 1/ Annie zakgeld .25/ [...]’

Blad 55 verso uit een schetsboek met 57 bladen.
Portret van Gaspard de Coligny
Object type: print
Date: 1550 – 1600
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paris, politician, gaspard de coligny (ii), cherubs, i.e. children's heads with wings
Inscriptions: collector's mark: Lugt 2228

Hij draagt een geplooide hoed, de knopen van zijn mantel bestaan uit saterkoppen. Hij staat onder een rondboog versierd met drie cherubijnen.
La Foire d'Impruneta
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching
Location: nancy
Subjects: cosimo ii de' medici, (annual) fair, trade fair, village square, place, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Jaarmarkt op 18 oktober te Impruneta, een dorp nabij Florence: een grote menigte kraampjes, handelaren en bezoekers op een plein voor een kerk. Middenonder het wapen van de Medici. Onder de voorstelling een onderschrift in Latijn.
Frontispice pour le "Tombeau du comte Sidney Godolphin" (Frontispiece for the "Tomb of Earl Sidney Godolphin"), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men)
Object type: collection ornament architecture
Date: 1736 – 1736
Techniques: engraving, etching
Location: france
Artist: charles nicolas cochin ii
Artist role: artist
Artist nationality: french
Artist dates: 1715 – 1790
Subjects: tombs,women
The Cart Horse (from The Life of a Racehourse, or The High-Mettled Racer)
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: sadness,men,women,dogs,horses
Fragment van musketmaat voor musketbandelier
Object type: kruitmaat
Date: 1590 – 1596
Materials: brass
Techniques: striking
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Musketmaat voor musketbandelier, fragment bestaande uit messing huls, losse bodem en één oortje. Lederen bekleding ontbreekt. Standaardbeschrijving musketmaat: messing met leder bekleed. Voorzien van twee oogjes aan de zijkant om een koord door te doen waarmee de deksel werd vastgehouden en het maatje aan de bandelier werd gehangen. Een muskettiersbandelier had twaalf kruitmaatjes en een zakje met kogels. De kruitmaatjes bevatten een zorgvuldig afgepaste hoeveelheid buskruit voor één schot.
Microscopische weergave van quinquina peruviana How
Object type: page
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Subjects: microscope (+ scientific research)
Inscriptions: number: ‘XVII’
Igo Galema potestatvm V
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: igo galema
Inscriptions: collector's mark: Lugt 2228

De prent is ook als boekillustratie gebruikt in: Winsemius, P.W. Chronique ofte Historische geschiedenisse van Vrieslant (...). Franeker: Joannes Lamrinck, 1622.
Zeilboot omlijst met bramenstruik
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, shrubs: blackberry-bush
Bowl
Object type: vessel
Date: 34 – 33
Materials: glass
Techniques: casting
Culture: roman
Location: levant
Subjects: bowl, dining, drinking

This monochrome bowl has evenly spaced ribs radiating around lower portion of the bowl. The pale bluish-green color of the bowl occured naturally, as the result of iron and other oxides in the sand, one of the essential components used in making glass.

Initially affordable among only the wealthy, glass was used widely in the Roman world to create a variety of everyday objects such as those displayed here, including delicate cosmetic containers that held perfumes and oils and various forms of tableware designed for serving food and drink. Glass was also used to imitate precious stones in jewelry.
Terracotta protome of a woman
Object type: protome of a woman
Date: 500 – 500
Materials: terracotta
Culture: etruscan
Subjects: heads,women
Interieur van de dom van Worms
Object type: photograph
Date: 1900 – 1911
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: worms
Subjects: interior of church
Inscriptions: number: ‘3587’, number: ‘8016’
Portret van Johann Labrange
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: vienna
Artist: sebastian jenet
Artist role: draughtsman, print maker, publisher
Subjects: historical persons, officer
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie van achttien portretten voor: Widemann, Elias. Comitium Gloriae Centum Qua Sanguine Qua Virtute Illustrium Heroum Iconibus Instructum Et Excelmo. Ac Illustrissimo Heroi D.D. Joanni Christophoro Com: a Puchaim (...) Dicatum. Wenen: Matthaeus Cosmerovius, 1650.
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)
Object type: print
Date: 1810 – 1810
Techniques: engraving, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: infants,men,women
Verschillende bloemen, waaronder akelei en cyclaam
Object type: print
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: flowers
Inscriptions: collector's mark: Lugt 240

Linksboven een akelei en rechtsonder een cyclaam. Blad 17 van 21 genummerde bladen met titelblad afkomstig uit een serie van 24.
XX Elck zijn tijdt
Object type: album leaf
Date: 1614 – 1614
Techniques: engraving, printing
Location: the hague

XX Elck zijn tijdt. Eerste schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Dish with Camellias
Object type: dish
Date: 1901 – 1933
Techniques: underglaze
Culture: japanese
Subjects: flowers
Brief aan anoniem
Object type: letter
Date: 1817 – 1874
Materials: ink, paper
Techniques: pen, writing
Artist: jan hendrik van de laar
Artist role: draughtsman, print maker
Artist dates: 1807 – 1874
Subjects: anonymous historical person portrayed, antwerp
Portret van IJsbrand van Hamelsveld
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: utrecht, amsterdam, ijsbrand van hamelsveld
Inscriptions: collector's mark: Lugt 2228

Portret van IJsbrand van Hamelsveld, predikant en voorzitter van de Nationale Vergadering.
Tureluur bij nest
Object type: print
Date: 1878 – 1917
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: shore-birds and wading-birds
Inscriptions: collector's mark: Lugt 4731, collector's mark: Lugt 2228

Prent is een proefdruk voor kalenderblad april 1918.
Idem 2e gaanderij
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Subjects: borobudur

Gallery I, main wall, north side 41 (top): Relief 1a-78, Lalitavistara relief, The deceased mother of Siddhartha, in the form of the goddess Mahadevi, visits him while he is fasting and meditating. 44 (bottom): relief 1b-79, Avadana relief, Rudrayana story, Rudrayana learns about the misconduct of his son, the new King Cikhandin; King Cikhandin plans his assasination. Borobudur village, Magelang district, Central Java province, 778-824 AD.
Onbekende lezende man bij een bospad
Object type: photograph
Date: 1905 – 1920
Materials: paper, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: trees, reading, adult man, forest path or lane
S. Thomas d'Aquin (St. Thomas Aquinas), March 7th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Reverse Copy of La Course de Chevaux sur la Place Pitti a Florence (The Horse Race at the Piazza Pitti in Florence), from "Les Caprices", Series A, The Florence Set
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Portret van Johann Gottfried
Object type: print
Date: 1719 – 1763
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann benjamin brühl
Artist role: print maker
Artist dates: 1691 – 1763
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Fragment of Scarab Inscribed for Seti I
Object type: scarab, seti i, hieroglyph, royal title, epithet, ptah
Date: 1294 – 1279
Materials: stone
Techniques: glazing
Location: egypt

The underside of this scarab bears an inscription in four horizontal lines enumerating the royal titles, names and epithets of pharaoh Seti I (Dynasty 19, ca. 1294-1279 B.C.). The god Ptah is invoked in an inscription in the upper register, flanked by a pair of large wings. This is an elaborate version of a composition found on several scarabs of the Ramesside Period (Dynasty 19-20).
Vrouwenhoofd met hoed
Object type: sketchbook leaf
Date: 1890 – 1920
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head-gear: hat (+ women's clothes), head (human) - aa - female human figure

Blad 25 verso uit schetsboek X met 43 bladen.
Gezicht op het Aalmoezeniersweeshuis te Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: public welfare, orphanage, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)

Huidige staat van prent ook gebruikt in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Pieter Schenk (I), s.a. [1710-1711]. En in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, s.a. [1757-1766].*

*In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
De prenthandel van Luigi Valeriano Pozzi in de Galleria Vittorio Emanuele te Milaan
Object type: print
Date: 1788 – 1847
Materials: paper, watercolor
Techniques: brush, etching, hand coloring
Location: milan
Artist: luigi valeriano pozzi
Artist role: print maker, publisher
Artist dates: 1778 – 1847
Subjects: art trade, art shop
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Gezicht in de overdekte winkelgalerij, de Galleria Vittorio Emanuele, met op de gevel van een van de winkels de naam van Luigi Valeriano Pozzi. Tussen de winkels veel publiek.
Portrait of Christoffel van Swoll (Swol, Zwol), Governor-General of the Dutch East Indies
Object type: painting
Date: 1713 – 1718
Materials: oil, panel
Location: batavia
Artist: hendrik van den bosch
Artist role: painter
Subjects: amsterdam, colonial governor, historical persons, baton of general
Inscriptions: signature: ‘hendrik van den bosch van Batavia fecit’

The highest-ranking Dutch East India Company (VOC) official in Asia was the governor-general. He presided in the Castle of Batavia (now Jakarta, Indonesia), a fort built by the Dutch. The assembly hall in the Castle of Batavia was the centre of Dutch power in Asia. The walls were hung with portraits of all of the governors-general. Most of the 18th-century examples shown here were painted in Asia, often by anony¬mous artists.
Kaarte ende meetinge … van den eijlande Oudt en Nieuw Roosenburg, Blankenburg, Ruijge, en Lange Plaat, gelegen in de reviere de Maase, tusschen het landt van Holland, en de lande van Voorne en Putten …
Object type: map
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: maps of separate countries or regions, polder, reclaimed land
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Deel (derde van onder) van een kaart van het eiland Rozenburg, bestaande uit acht delen.
Dress
Object type: dress
Date: 1870 – 1870
Materials: linen
Culture: american
Manuscript Case
Object type: manuscript case
Date: 1801 – 1900
Materials: bone, horn, silk
Culture: european
Partial Shu Amulet
Object type: partial shu amulet
Date: 664 – 332
Materials: faience
Location: egypt
Verdreven Salzburgers
Object type: book illustration
Date: 1751 – 1751
Materials: paper
Techniques: etching
Subjects: historical events and situations
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Frederik de Grote. Mémoires pour servir a l'histoire de la maison de Brandebourg. Sanssouci, Frederik de Grote, 1751.
Landschap met een koets
Object type: print
Date: 1629 – 1688
Materials: paper
Techniques: etching, intaglio
Location: netherlands
Artist: philips koninck
Artist role: draughtsman, painter, print maker
Artist dates: 1619 – 1688
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, public road
Inscriptions: collector's mark: Lugt 240

Een landweg met een koets nabij een huis. In de verte twee molens en de contouren van een stad.
Twee penningen op de Vrede te Breda, 1667
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: medal (considered as a piece of sculpture, regardless of its specific function)

Zie de penningen in de collectie van het Rijksmuseum, Amsterdam: NG-VG-1-1025 en NG-VG-1-1016.
Glass cameo: Dionysos and a nymph
Object type: cameo
Date: 100 – 300
Materials: glass
Culture: roman
Subjects: dionysus,nymphs
Battle Scene (Waterloo)
Object type: drawing
Date: 1815 – 1866
Materials: chalk, gouache, ink, watercolor
Techniques: pen, wash
Location: france
Artist: hippolyte bellangé
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1866
Subjects: battles,soldiers,weapons,horses,death
Drie kinderen in een tuin
Object type: print
Date: 1730 – 1783
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: child, watering plants
Inscriptions: collector's mark: Lugt 2228
Apollo van Belvedère
Object type: print
Date: 1877 – 1903
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: (story of) apollo (phoebus)
Inscriptions: collector's mark: Lugt 2233

Maakte waarschijnlijk deel uit van een serie, zie RP-P-1927-164, RP-P-1927-165 en RP-P-1927-166.
Bowl
Object type: bowl
Date: 901 – 1000
Materials: earthenware, glaze
Techniques: incising, polychrome
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Jérusalem, Saint-Sépulcre, Détails du Clocher
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: buildings
Landschap met ruïne
Object type: print
Date: 1672 – 1747
Materials: paper
Techniques: etching
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228
Heilige Familie bij een bron
Object type: print
Date: 1584 – 1623
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 240

Maria zit bij een bron. Het Christuskind leunt tegen haar aan. Jozef staat rechts. Boven zweven engelen. Tekst in ondermarge.