deem-data/ArtiFact huggingface dataset:
Esemplario di lavori, page 9 (verso)
Object type: book print ornament architecture
Techniques: bookbinding, inlay, woodcut
Location: italy
Artist: nicolò zoppino
Artist role: publisher
Artist nationality: italian
Artist dates: 1478 – 1544
Subjects: ornament

Published by Nicolo Zoppino, Italian, active 16th century, Venice. From top to bottom, and left to right: Design composed of 3 horizontal registers: top illustrated with white '#' (upper left) and diamonds, center illustrated with diagonal bands of diamonds and 'x's, and bottom illustrated with horizontal interlace design.
Twee kinderen met een pop
Object type: design drawing
Date: 1870 – 1894
Materials: cardboard, graphite, paper
Location: paris
Artist: gustave joseph chéret
Artist role: sculptor
Artist dates: 1838 – 1894
Subjects: (playing with) dolls
Inscriptions: monogram: ‘JC’, inscription: ‘Croquis’, workshop stamp: ‘Joseph Chéret’
Madonna and Child
Object type: painting
Date: 1434 – 1466
Materials: gold leaf, paint, wood
Artist: sano di pietro (ansano di pietro di mencio)
Artist role: artist
Artist nationality: italian
Artist dates: 1405 – 1481
Subjects: madonna and child
Portret van legeraanvoerder Paolo Orsini
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: commander-in-chief, general, marshal, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ritratti et elogii di capitani Illustri. Che ne'secoli moderni hanno gloriosamente guerreggiato. Rome: Filippo de'Rossi en Vitale Mascardi, 1646, p. 80. Eerdere staat van prent in ieder geval ook gebruikt in: Ritratti et elogii di capitani Illustri. Rome: Pompilio Totti en Andrea Fei, 1635.
Dish
Object type: ceramic
Date: 1770 – 1775
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: worcester
Zittende man bij een ezel
Object type: drawing
Date: 1750 – 1809
Materials: chalk, ink, paper
Techniques: pen
Artist: david alphonse de sandoz-rollin
Artist role: draughtsman
Artist dates: 1740 – 1809
Subjects: ass, donkey
King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3)
Object type: print
Techniques: engraving, etching
Location: england
Artist: francis legat
Artist role: engraver
Artist nationality: british
Artist dates: 1755 – 1809
Subjects: kings,shakespeare,men,women

Legat's print reproduces Barry's tragic representation of King Lear mourning his daughter, the original nine by twelve foot canvas painted for Boydell's Shakespeare Gallery in 1786-7, now at Tate Britain. Four years residence in Rome two decades earlier gave the artist a deep admiration for Italian art, and his heroically scaled king recalls Michelangelo's Prophet Jeremiah from the Sistine Ceiling, while Kent's elegantly muscled form echoes Parmigianino. The setting includes chalk cliffs near Dover, mentioned in the play, and Druidic temples resembling Stonehenge. Setting aside the happy ending introduced by Naham Tate in 1681, an adaption that held the London stage through the early 19th century, Barry represents Shakespeare's original heartrending conception.
Candelabrum (one of a pair)
Object type: candelabrum
Date: 1742 – 1743
Materials: silver
Artist: david willaume ii
Artist role: maker
Artist nationality: british
Artist dates: 1693 – 1761

The modeler of these candlesticks, influenced by contemporary French designs, has endowed the usually static form with an organic, upward-sweeping energy. Although the rococo style in England developed its own distinctive character, it remained strongly associated with France and French taste.
Cup
Object type: cup
Date: 301 – 500
Materials: glass
Techniques: glassblowing, tooling
Location: iran
Stoel
Object type: miniature
Date: 1779 – 1779
Materials: silver
Location: amsterdam
Artist: jan bonket
Artist role: silversmith
Artist dates: 1727 – 1789
Subjects: chair

Stoel met gladde, kolfvormige zitting en voluutvormige voorpoten. De opengewerkte rugleuning wordt bekroond door een kuif. Het midden van de rugleuning wordt gevormd door een rozet en bladslingers. De stoel is gemerkt: stk.= Amsterdam, jrl.= 1779, mt.= Jan Bonket. De stoel hoort bij vijf identieke exemplaren (BK-NM-11177-169, BK-NM-11177-170, BK-NM-11177-171, BK-NM-11177-173 en BK-NM-11177-174).
Wilgen aan de sloot in de Binckhorst in Den Haag
Object type: print
Date: 1888 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: trees: willow, small canal, ditch, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
Glass perfume bottle
Object type: perfume bottle
Date: 101 – 300
Materials: glass
Culture: roman

Spindle-shaped unguentarium. Translucent pale blue green. Horizontal rounded rim with slight vertical lip on top edge; broad mouth; cylindrical neck with tooled indent around base; low, conical body with thick rounded edge at base; pushed-in bottom with central pontil mark. Intact, but crack running from rim to lower body; many bubbles and blowing striations; pitting, dulling, and brilliant iridescence with patches of brown enamel-like weathering.
Strainer
Object type: strainer
Date: 1279 – 1213
Materials: silver
Location: egypt

A horizontal band of decoration divides the body of this deep strainer into two parts. Above, the surface is smooth, while rows of tiny holes are punched into the lower part of the bowl. Such sieves would have been used for decanting wine.
[Disabled Union Soldiers Posed in Aid of the U.S. Sanitary Commission at the New York Metropolitan Fair]
Object type: carte de visite
Techniques: albumen silver print, glass negative
Artist: j. gurney & son
Artist role: photography studio
Artist dates: 1860 – 1874
Subjects: soldiers,american civil war,men,portraits

Organized in June 1861 and conceived and managed primarily by female volunteers, the privately funded United States Sanitary Commission helped soldiers with back pay and other logistical needs related to their convalescence. It raised money and distributed supplies to battlefield and camp hospitals through donations and hosting sanitary fairs that charged admission to the public. The April 1864 New York Metropolitan Fair raised more than $178,000. It featured a presentation of recently captured Confederate weapons and a “Picture Gallery” that included loans of paintings and sculptures from the city’s finest collections as well as works commissioned from Albert Bierstadt, Asher B. Durand, and John F. Kensett, among the most important artists of the era. Some visitors chose to support the patriotic cause in an even more direct way by purchasing carte-de-visite portraits of wounded soldiers who posed during the fair as part of a living tableau. The three Union soldiers here were survivor-representatives of “the blank horror and reality of war, in opposition to its pageantry,” as Gardner observed of the corpses in O’Sullivan’s photograph A Harvest of Death. The blind man, William R. Mudge, Second Massachusetts Infantry, was shot through the head and lost both eyes at the Battle of Chancellorsville, Virginia, on May 3, 1863. In Lynn, Massachusetts, before the war, he had been a photographer.
Claret
Object type: claret
Date: 1818 – 1818
Materials: glass
Culture: british
Location: england
Artist: pellatt & green
Artist role: maker
Artist nationality: american

William Bayard (1761–1826) commissioned this table service (2008.594.1-.53) in 1818 for his daughter Harriet (1799–1875) and her husband Stephen Van Rensselaer IV (1789–1868) from Pellatt & Green, London’s premier glasshouse. The fine lead glass and deep Regency cutting would have created a brilliant sparkle in their candlelit dining room, in Albany, New York. The set originally included dozens of drinking glasses, for claret, ale, and champagne, as well as decanters, wine coolers, tumblers, and finger glasses, all “elegantly cut in diamonds & Rings” according to the surviving bill of sale (2008.594.54a,b). In addition to its elegance and quality, the service is extremely rare in it’s documentation to the specific American family who owned it and to the English glasshouse that made it.
Twaalf maanden
Object type: print
Date: 1554 – 1641
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: july and its 'labours' (+ with zodiacal signs)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Bezigheden in de maand juli. Rechts de hertenjacht en links het oogsten van het graan. Linksboven in de lucht het dierenriemteken Leeuw.
Zilveren rijder van de VOC uit Holland, 1739
Object type: silver rider
Date: 1739 – 1739
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: geharnaste ridder met zwaard te paard naar rechts, waaronder gekroond wapenschild van Holland. Keerzijde: gekroond generaliteitswapenschild, waaronder cartouche, waarin monogram van de VOC. Jaartal in omschrift, boven kroon. Gladde rand.
Portret van een man met hoed en kraag
Object type: carte de visite
Date: 1888 – 1905
Materials: cardboard, photographic support
Techniques: albumen print
Location: almelo
Artist: derk jan boom
Artist role: draughtsman
Artist dates: 1853 – 1935
Subjects: historical persons, head-gear: hat
Inscriptions: inscription: ‘D.J. Boom/ Photograaf/ Portretteekenaar/ Almeloo’
Two Putti
Object type: drawing and watercolor
Date: 1590 – 1590
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: follower of francesco mazzola, called parmigianino
Ontwerp voor een leunstoel
Object type: sketchbook leaf
Date: 1934 – 1943
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: armchair, seat, sculpture
Inscriptions: annotation: ‘bovenkant leeuw 25 cm/ boven zit hij’

Tevens eens studie van een beeldhouwwerk van een liggende leeuw op een sokkel. Blad 18 recto uit een schetsboek met 19 bladen.
De Romeinse helden
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: gaius mucius scaevola before porsena: he thrusts his right hand into the flames (the body of the king's secretary who erroneously had been killed instead of porsena may be seen lying on the ground)
Inscriptions: collector's mark: Lugt 2228

De held Gaius Mucius Scaevola ten voeten uit, een zwaard in de rechterhand, de schede in de linkerhand. Op de achtergrond is te zien hoe hij zijn rechterhand voor koning Porsenna onverschrokken in het vuur steekt. Onder de voorstelling twee maal twee versregels in Latijn.
Portret van een onbekende man
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: historical persons
Inscriptions: inscription: ‘[...]aride Zajdh’, collector's mark: Lugt 2228
Easby Abbey
Object type: drawing
Date: 1801 – 1900
Materials: board, watercolor
Artist: thomas girtin
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1802
Subjects: abbeys,landscapes

Acquired as a work by Girtin, this watercolor is now considered a 19th-century British copy--the original on which it is based now resides in an American private collection.
Gezicht op de karpervijver en pergola van Buitenplaats Ouderhoek
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: french or architectonic garden; formal garden, garden pond, country-house
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent mogelijk uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in 100 heerlyke gezichten. Amsterdam: Jan Roman, s.a. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Andries en Hendrik de Leth, s.a [1729-1732]. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Jan Roman, s.a.
Brewing Tea in the Shade of Trees
Object type: hanging scroll
Date: 1820 – 1829
Materials: ink, paper
Culture: japanese
Artist: aoki mokubei
Artist role: artist
Artist nationality: japanese
Artist dates: 1767 – 1833

In this idyllic mountain landscape by the Kyoto-based potter and painter Aoki Mokubei, a group of literati gather to partake of sencha (steeped tea) according to Chinese fashion. A young servant tends to the ceramic stove, which heats a kettle of water. The painting evokes the Sinophile literati culture of Japan’s urban elite.
Design for Landau, No. 3655
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Huizen aan de weg van Rhoon naar Pernis
Object type: sketchbook leaf
Date: 1805 – 1869
Materials: paper, pencil
Location: pernis
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: city-view, and landscape with man-made constructions, rural housing, e.g. country-house, villa, cottage, road, path, rhoon
Inscriptions: date and inscription: ‘van Rhoon naar/ Pernis. 18 mei 69/ met J.D.A. [...] & H & J/ bij Pernis/ te Pernis gelukkig 1/4 voor 5 uur eene boot/ van Vlaardingen getroffen & onder hevige [...]bui met slagregen naar R. gestoomd.’

Blad 16 verso en 17 recto uit een schetsboek met 48 bladen.
Presentiepenning van het Sint Lucas- of Schildersgilde te Amsterdam, 1751
Object type: history medal
Date: 1751 – 1788
Materials: brass
Techniques: casting
Inscriptions: inscription: ‘1788 // LEENDERT / MULDER. // S’

Gegoten messing penning, op de voorzijde een Lucasschild gedragen door een os binnen een versierde cartouche, op de keerzijde een cartouche versierd met doodshoofd, onder en boven inscriptieruimtes, op naam van Leendert Mulder S 1788
Cahier van Studies van diversche Dieren
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: cow
Inscriptions: collector's mark: Lugt 2228

Prent vier uit een serie van acht.
Jan Kobell (III) is mogelijk de prentmaker van prent twee, vier, vijf en acht van de serie. Zie Moulijn, 1927.
Portret van twee jonge mannen in kostuum met degen
Object type: photograph
Date: 1876 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: bonn
Artist: j. westhoven
Artist role: fotograaf
Subjects: youth, young man, adolescent (+ two persons), historical persons, hacking and thrusting weapons: rapier
Inscriptions: inscription: ‘J. Westhoven/ MALER u. PHOTOGRAPH./ Bonn/ Franziscanerstrasse No 2./ Die Platte bleibt für Nachbestellungen/ reservirt.’, annotation: ‘H[...]/ [...]/ Scheepes/ z. f. E./ conv. juris[.]/ Otto Hesse/ [...] math[..]/ Carl Westh. [...] astron/ Bonn, d. 5 August/ 1876.’
Portret van een onbekend meisje
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching, intaglio, retroussage
Artist: adrien de witte
Artist role: print maker
Artist dates: 1850 – 1935
Subjects: historical persons, girl (child between toddler and youth)
Inscriptions: collector's mark: Lugt 2228
Wandelaar op een bospad
Object type: print
Date: 1850 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: h. van meerbeeck
Artist role: print maker
Subjects: walking-stick, staff, walking, forest path or lane
Inscriptions: collector's mark: Lugt 2228
Miniature Spear Thrower
Object type: spear thrower
Date: 701 – 1566
Materials: gilt, silver
Techniques: hammering
Culture: peruvian, north or central coast
Location: peru
Subjects: spears
Samson and the Lion, from "The Story of Samson"
Object type: print
Date: 1560 – 1580
Techniques: hand coloring, pochoir, woodcut
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: lions,samson

This hand-coloured print depicts an episode from the Old Testament story of Samson who had been given supernatural strength by God to combat his enemies and perform heroic feats. His weaknesses were unsuitable women and his hair, without which he was powerless. Here Samson is shown as a young man on his way to the city of Timnah in Canaan to meet a Philistine woman he had fallen in love with. On his way he was attacked by a lion. Without telling his parents, who accompanied him on his journey and are shown at the left, Samson tore the lion apart with his bare hands. The subject and the biblical passage from which the scene derives (Judges 14:6) is printed along the top of the print. The print was published by Denis Fontenay one of a number of publishers who worked on and around the rue de Mongtorgueil in Paris. The prints were made in large numbers and the process of colouring impressions with a stencil sped up the production. Today, however, few impressions are known. This is one of set of four prints representing the story of Samson purchased by the Museum in 2010.
Basilica di S. Pietro. L'Interno (Carlo Maderna e Michelangiolo)
Object type: photograph
Date: 1852 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Subjects: interior of church
Inscriptions: number: ‘Po. Io. No. 5911.’
Vazen, kannen en bokalen
Object type: print
Date: 1506 – 1538
Materials: paper
Techniques: etching
Location: germany
Artist: albrecht altdorfer
Artist role: draughtsman, print maker
Artist dates: 1480 – 1538
Subjects: mug, beaker, goblet
Inscriptions: number: ‘101’

Een dubbele bokaal, een schaal op een voet en een bokaal met een deksel, alle drie gedecoreerd met bladeren. Uit een serie van 22 bladen met vazen, kannen en bokalen.
Holy Family
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: james stuart
Artist role: artist
Artist nationality: british
Artist dates: 1713 – 1788
Vase
Object type: vase
Date: 1851 – 1900
Materials: copper alloy, silver
Techniques: inlay
Culture: japanese
Subjects: birds,waves

The jar among waves and birds is an unusual composition: its design mimics dripping glaze or overflowing liquid, and the tiny birds and fretwork pattern around the mouth are depicted in fine silver inlay. More than fifty pieces of Japanese metalwork are in the Moore collection, almost all made in the nineteenth century and most intended for the Western market.
Verhaal met voorstellingen van moord en doodstraf (F.1.)
Object type: book illustration
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: death penalty, execution, murder, fighting
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Verhaal in acht scènes met enkele voorstellingen van moord en doodstraf. Onder andere van vechtende ruiters, een man die aan de galg wordt vastgemaakt, een man die iemand doodt met een zwaard, een vrouw op een brandstapel, een vrouw aan een galg en van een vrouw die wordt geradbraakt. Linksboven: F. 1.
Jug with chip carving
Object type: jug
Date: 1580 – 1600
Materials: glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: siegburg
Artist: Anonymous
Subjects: lion's head ~ ornament

Kruik van steengoed op hoge voet met een bolvormig lichaam en wijde nek. Het C-vormige oor is bevestigd aan de nek en de buik. Profielen op de nek en de voet. Zowel de buik als de nek zijn versierd met kerfsnede, met daarbij op de nek driemaal een gedrukte en opgelegde leeuwenkop in reliëf. Siegburg.
Portion of an Orphrey Band with Coat-of-Arms
Object type: textile
Date: 1401 – 1500
Materials: animal substrate, gilt, linen, silk
Techniques: weave
Location: cologne
Subjects: coat of arms, royalty
Briefkaart aan Willem Bogtman
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: zundert
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: haarlem, willem bogtman, photography, cinematography
Ontwerp voor titelpagina voor: Stijn Streuvels, Reinaert de Vos, 1910
Object type: titelblad, titelpagina
Date: 1910 – 1910
Materials: paper
Techniques: letterpress printing, relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor titelpagina van: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.

Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Baluster
Object type: baluster
Date: 1734 – 1766
Tekening aan mevrouw Allebé
Object type: drawing
Materials: ink, paper
Techniques: pen, writing
Location: hilversum
Artist: Anonymous
Subjects: painter, draughtsman, haarlem, print maker, james de rijk, amsterdam, gerard arnold nicolaas allebé, portrait, self-portrait of painter, painter at work, in his studio, fishing (sports), knitting, historical persons (portraits and scenes from the life)

Tekening werd bewaard in een bruinleren omslag met goudopdruk `1836 Hulde aan Dr. G.A.N. Allebé 1886', met daarin brieven, tekeningen en gedichten afkomstig uit de familie van de schilder August Allebé.