deem-data/ArtiFact huggingface dataset:
Paulus drijft de boze geesten uit in Efese
Object type: print
Date: 1629 – 1646
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: the ephesians burn the exorcists' books in public, seven exorcists, sons of sceva, are beaten by a man with an evil spirit, and flee, paul's handkerchiefs and aprons cure the sick and possessed

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. De prent wordt mogelijk al gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629. Ze komt in ieder geval voor in: Het Nieuwe Testament ons Salichmaeckers Jesu Christi. Amsterdam, P.J. Paets, 1646.
De voorstelling is gekopieerd naar een prent van Philips Galle naar Jan van der Straet, onderdeel van de serie getiteld Acta Apostolorum.
Portret van Unico Wilhelm van Wassenaer-Obdam
Object type: print
Date: 1759 – 1782
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: armour, historical persons, medals and other marks of military honour

Prent waarschijnlijk uit: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...). Amsterdam: Isaak Tirion, 1759, dl. 20. Ook gebruikt in latere edities (1770, 1782) van dit werk.
Boy letter-writer and girl in group
Object type: toy
Date: 1759 – 1759
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: boys,girls,flowers,writing
Page from the Mustard Seed Garden Manual of Painting
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Artist: wang gai
Artist role: artist
Artist nationality: chinese
Artist dates: 1645 – 1710
Subjects: hills,boats
Alice Dacre and Frankie Raymond, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van Catharina de Grote
Object type: print
Date: 1739 – 1803
Materials: paper
Techniques: engraving
Subjects: catharina de grote, knighthood order, historical persons - bb - woman, ruler, sovereign - bb - female ruler
Inscriptions: collector's mark: Lugt 2228
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Gebed in Latijn en Duits in een rolwerk omlijsting
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: scrollwork, strapwork ~ ornament
Inscriptions: number: ‘86’, collector's mark: Lugt 240, collector's mark: Lugt 2228

Prent gebruikt voor het gebedenboek: Solis, Virgil. Ein New Künstlich Betbüchlein. Neurenberg: Hieronymus Petri, 1568. Bij elke prent met een Bijbelse scène behoort een genummerde prent met een gebed in het Latijn en in het Duits. Het monogram VS is steeds verspreid over twee bij elkaar horende prenten.
Herder met kudde schapen
Object type: print
Date: 1498 – 1626
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: landscape with ruins, herd, flock
Inscriptions: collector's mark: Lugt 240

Een jonge herder met zomerhoed leidt zijn kudde schapen op een heuvel. Zijn hond kijkt toe op de voorgrond rechts. Op de achtergrond rechts een bosrijke heuvel en links een antieke ruïne en een wandelaar.
Spear with Sheath
Object type: spear with sheath
Date: 1501 – 1900
Materials: silver, wood
Culture: sumatran or acheen
Location: indonesia
Portret van de policitus Théodore Morin
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithography
Location: paris
Subjects: politician, historical persons
Inscriptions: check stamp: Lugt 5004, collector's mark: Lugt 2228
Belt Hook in the Shape of a Warrior and a Leopard
Object type: belt hook
Date: 300 – 1
Materials: gilt bronze
Techniques: inlay
Culture: north chinese
Subjects: men,leopards
Soldaat die de lont op de haan van zijn musket de juiste plek en vorm geeft (nr. 9), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met zijn linkerhand vasthoudt (nr. 9), ca. 1600. Met duim en middelvinger van zijn rechterhand geeft hij de brandende lont op de haan (onderdeel van het ontstekingsmechanisme) van zijn musket de juiste plek en vorm. Plaat 9 in de instructies voor het hanteren van het musket: Shorte instruction for the figures, so much concerneth the right use of muskett. Onderdeel van de illustraties in een Engelse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, The exercise of armes for calivres, muskettes and pikes after the ordre of Maurits Prince of Orange, 's-Gravenhage 1608. Krijgswezen rond 1600.
Portret van Ernst Steuerwald, hoogleraar Waterbouwkunde aan de Polytechnische School Delft
Object type: page
Date: 1884 – 1885
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: delft, engineer, historical persons, professor
Inscriptions: signature: ‘E. Steuerwald’

Foto op ongenummerde pagina tegenover pagina 403.
Portret van Daniel Vrijdag tussen twee boerinnen
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: the hague, amsterdam, print maker, draughtsman, daniël vrijdag, sitting figure - aa - female human figure, sleeping; unconsciousness - bb - out of doors, wooden shoes, clogs, farmers - aa - female farmer, farmer's wife, container made of plant material other than wood: basket
Inscriptions: collector's mark: Lugt 2228

Latere staat van de prent gebruikt in: Jacob Ernst Marcus, Etudes gravées. Amsterdam: S. de Grebber, 1826.
Untitled
Object type: photograph
Date: 1867 – 1900
Techniques: albumen print
Location: illinois
Artist: c. h. wareham
Porringer
Object type: porringer
Date: 1701 – 1733
Materials: silver gilt
Artist: johann christoph hünning i
Artist role: maker
Artist dates: 1637 – 1737
Scherf van een bord uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: porcelain
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Porcelain, plate, type 2; fragm of base, sim. NG 1980-27H507.
Untitled (Portrait of Three Woman and a Man)
Object type: photograph
Date: 1858 – 1858
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, portraits: child subject, families, family, people, portrait, portraits: multiple subjects
Vase
Object type: vase
Date: 1897 – 1900
Materials: earthenware
Culture: american
Location: united states
Artist: george e. ohr
Artist role: maker
Artist nationality: american
Artist dates: 1857 – 1918

In many ways George Edgar Ohr was the quintessential Arts and Crafts potter, combining artistic vision with extraordinary skill with his hands. Working in the seaside resort town of Biloxi, Mississippi, he dug the clay, processed and prepared it, threw the shape on the wheel, altered the piece according to his vision, mixed and applied his own glazes, fired the kiln, created his own style of advertising, and took his wares on the road. Ohr’s personal mantra was "no two alike," and he was as eccentric as his work was individualistic, with its manipulated forms on ultra-thin thrown vessels, crimping, ruffling, off-centering, and twisting, to create unprecedented forms for the 1890s. To these forms, he applied his own completely new and unusual glazes, applied by sponging, splashing, and spattering, resulting in works that in many ways anticipated the abstract art movements that would find form decades later. Dramatic extremes of contortion can be seen in Ohr’s vases, such as this one. With deep folds at the bottom, the vessel sags dangerously downward, giving the appearance of collapsed sheet metal. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known. The unparalleled work of George E. Ohr is well represented in the collection. Ellison was an early admirer, collector, and scholar of Ohr’s work and has written extensively on the artist.
Landscape with Haystacks
Object type: drawing and watercolor
Materials: crayon, paper
Location: france
Artist: constant troyon
Artist role: artist
Artist nationality: french
Artist dates: 1810 – 1865
Inscriptions: Inscribed verso, lower center, in graphite: “R / 533”
Rank Badge with White Crane
Object type: rank badge
Date: 1801 – 1833
Materials: silk
Culture: chinese
Subjects: cranes
The Cortege of the Rajah
Object type: drawing and watercolor
Date: 1895 – 1895
Materials: crayon, paper
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Rabbit
Object type: painting
Materials: ink, paper
Location: japan
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1892 – 1892
Materials: cardboard, ink
Techniques: pen, writing
Location: leiden
Artist: cornelis willem hendrik verster van wulverhorst
Artist role: print maker
Artist dates: 1862 – 1920
Subjects: paul verlaine, the hague, painter, draughtsman, philip zilcken, money
Inscriptions: collector's mark: ‘RPK’
Plate
Object type: plate
Date: 1828 – 1846
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: enoch wood & sons
Artist role: maker
Artist nationality: british
Artist dates: 1818 – 1846
Subjects: landscapes,shells,trains
Titelpagina voor: De Waterramp van 1855, door de leden der maatschappij 'Arti et Amicitiae' afgebeeld in Vier-en Twintig op Staal geetste Platen, 1855
Object type: titelblad, titelpagina
Date: 1855 – 1855
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Artist: Anonymous

Op verso een lijst van de vierentwintig prenten met naam van de makers en titels, zie ook RP-P-OB-89.128-25. Uitgegeven ten behoeve van de slachtoffers van de watersnood. Titelpagina voor: De Waterramp van 1855, door de leden der maatschappij 'Arti et Amicitiae' afgebeeld in Vier-en Twintig op Staal geetste Platen, 1855
Famille de Pécheur de Scheveningen / Costumes des Paysans dans l'Isle de Zuid-beveland
Object type: print
Date: 1840 – 1870
Materials: paper
Techniques: hand coloring, lacquer, lithograph
Location: netherlands
Artist: Anonymous
Subjects: folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228

Vissersgezin uit Scheveningen en boeren van Zuid-Beveland. Onderdeel van een serie van vier bladen met elk twee voorstellingen van Nederlandse regionale en lokale klederdrachten, ca. 1850.
Two Lansquenets
Object type: drawing
Date: 1513 – 1513
Materials: ink, paper
Techniques: brush, highlighting, pen
Artist: erhard altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1562
Subjects: men

Pictures of splendidly dressed soldiers in poses designed to show off their costumes and weaponry became extremely popular in Europe at the end of the fifteenth century. By the early sixteenth century, these military depictions were all the rage in southern Germany and Switzerland. Lansquenets were among the Swiss and German military hired by Emperor Maximilian I at the close of the sixteenth century.
A Saxon Prince on Horseback
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: princes,horses
Abklatsch van de krijttekening op pagina 17
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Pagina 16 uit schetsboek XLVIII met 62 pagina's.
Upright (Montant)
Object type: montant
Date: 1701 – 1800
Materials: wood
Techniques: carving, painting
Model of an Anchor
Object type: instruction model
Date: 1864 – 1864
Materials: iron
Location: marseille

Het securitas-anker was een verbeterde versie van het Hawkins patent anker en werd gepatenteerd door L.J. Vonk in Den Haag in 1853; de vorm van de ankerstok is gewijzigd. Het voldeed goed als daganker bij proefnemingen met de Wassenaer, maar later op de Zoutman in Japan bleek het niet te houden in moddergrond. Het was bovendien moeilijk te katten en te kippen.
De twaalf maanden, met dorpsgezichten
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: landscape symbolizing september, september and its 'labours', canals, waters (in village), libra (zodiacal sign of september), ferry, traffic on the water
Inscriptions: collector's mark: Lugt 964

Gezicht op een dorp aan een rivier, waarop een boot wordt ingeladen met manden en zakken; een dorp tussen Woerden en Alphen aan de Rijn, voorstellende de maand september. Bovenaan het bij deze maand behorende sterrenbeeld: weegschaal. Negende prent uit een serie van twaalf.
Brief aan Philip Zilcken
Object type: letter
Date: 1888 – 1888
Materials: ink, paper
Techniques: pen, printing, writing
Location: chiswick
Artist: william ernest henley
Artist role: criticus, dichter, redacteur
Artist dates: 1849 – 1903
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Small tray
Object type: tray
Date: 1750 – 1760
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: flowers
Tartars Hunting Deer (recto); Shell (verso)
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: samuel howett
Artist nationality: english
Artist dates: 1765 – 1822
Portret van Dodo zu Innhausen und Knyphausen
Object type: print
Date: 1620 – 1656
Materials: paper
Techniques: engraving
Subjects: germany, armour, historical persons
Inscriptions: collector's mark: Lugt 2228
Pitcher
Object type: pitcher
Date: 1865 – 1865
Materials: enamel, porcelain
Techniques: gilding, overglaze
Culture: american
Location: united states
Artist: boston china decorating works
Artist role: decorator
Artist nationality: american
Artist dates: 1860 – 1925
Hier ziet men 't / Krijgs rumoer, van / Vaandrik en tamboer
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: military music, standard-bearer, flag-bearer, (military) standard-bearer, drum (musical instrument)
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van een vaandeldrager en twee tamboers. De voorstelling is gevat in een sierlijst van bloemenranken, vazen en putti. Genummerd rechtsonder: No. 41.
Oliphant (side-blown horn)
Object type: horn
Date: 1490 – 1530
Materials: ivory
Culture: bullom or temne
Location: sierra leone
Artist: temne or bullom artist(s)
Artist role: artist

This oliphant is one of only six other side-blown horns carved by West African artists for a European clientele held in recorded collections. Oliphants were popular and valuable additions to European art collections, and several of them have been linked with some of Europe's most powerful courts of the time, including the houses of Habsburg, where they would have been prominently displayed in curiosity cabinets, or wunderkammer. Despite the limited number that survive today, fluted horns were frequently depicted on hunting scenes in tapestries of European nobility. The depiction and display of these intricately carved horns in early modern European courts demonstrates the value with which West African ivory carving was regarded globally. As a product of sixteenth and seventeenth century Afro-European exchange, this oliphant reflects Sapi artisans' understanding and mastery of ivory carving, musical technology, and European aesthetic preferences. The lozenge-shaped mouthpiece carved partway down the inner curve is a development of West African horn production, which contrasts with European horns that feature the mouthpiece at the tip. The depictions of zoomorphic forms like the crocodile head became increasingly popular in this region from the sixteenth century onward, as a response to European preferences for anthropomorphic and zoomorphic arts. The careful detailing of the crocodile’s teeth, scales, and eyes shows the technical skill of Sapi carvers. Thus, looked at as a whole, this oliphant speaks to an intense moment of intercultural trade in which West African artists deftly balanced regional techniques and technologies with global demand.
Overzicht van aan de Fransen verloren versterkte steden en belangrijke gebeurtenissen van het jaar 1672
Object type: print
Date: 1672 – 1674
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: lodewijk xiv (koning van frankrijk), maximiliaan hendrik van beieren, london, karel ii (koning van engeland), fortress, utrecht, deventer, nijmegen, grave, arnhem, rampjaar (disaster year)
Inscriptions: collector's mark: Lugt 2228

Prent met een overzicht van verschillende gebeurtenissen voorgevallen in 1672 en alle steden, vestingen en bouwwerken die in dat jaar in de oorlog aan de Engelsen, Fransen en aan de bisschop van Munster zijn verloren.
Portret van Eugène Sue
Object type: print
Date: 1834 – 1888
Materials: paper
Techniques: etching, engraving
Location: leipzig
Artist: alexander alboth
Artist role: print maker, printer
Artist dates: 1824 – 1888
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Seery (Hands Outstretched), Left Field, Indianapolis, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco
Object type: baseball card
Date: 1887 – 1887
Techniques: color lithograph, drawing
Artist: d. buchner & co., new york
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1900
Subjects: men,baseball,athletes

(Emmett) Seery (Hands Outstretched), Left Field, Indianapolis, trade card from the "Gold Coin" series (N284), issued by D. Buchner in 1887 to promote Gold Coin Chewing Tobacco. In the American Card Catalog, Burdick refers to the series as "Leading Baseball Players, Police Inspectors and Captains, Jockeys, and Actors." The images in this series do not always represent the specific athletes named.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Interior, chain of pomegranates from the tondo border; Exterior, bit of ivy
Jug
Object type: jug
Date: 2500 – 1900
Materials: terracotta
Culture: cypriot

Narrow-necked with handle and incised zigzags.
Scheepmakersgilde van Vlissingen
Object type: medal
Date: 1654 – 1654
Materials: brass
Techniques: casting
Location: flushing
Artist: Anonymous
Subjects: flushing

Messing penning. Voorzijde: schip in aanbouw met vlag op steven boven zaag tussen twee bijlen; boven schip: lam met vaandel binnen omschrift. Keerzijde: gekroonde fles met aan voorzijde en beide zijkanten afbeelding in relief van gezicht in cartouche tussen jaartal binnen omschrift
Portret van Miss Tilbury
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: woodburytype
Subjects: adult woman, historical persons
Inscriptions: signature: ‘[...] Tilbury’, inscription: ‘'I wonder how I look in this position?'/ Ruth's Romance’
Cupid's Magick Lantern
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: lanterns
Water buffalo with boy
Object type: figure
Date: 1750 – 1750
Materials: shell
Artist: whieldon type
Artist role: maker
Subjects: boys,buffalos
Portret van Théodore Barrière
Object type: page
Date: 1878 – 1878
Materials: paper
Techniques: woodburytype
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Subjects: paris, historical persons, portrait of actor, actress
Inscriptions: inscription: ‘Né à Paris, en 1823, mort en 1877.’
Picture Frame
Object type: frame
Date: 1870 – 1879
Materials: cardboard, glass, gypsum, wood
Techniques: gilding
Location: unknown
Artist: Anonymous

Lijst bij foto van een draailicht voor vuurtoren
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of a draped male with a stick; at the right, diskos bag?; below, heel of foot
Boerin die een document overhandigt aan een man met een bolhoed
Object type: sketchbook leaf
Date: 1919 – 1919
Materials: chalk, paper
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: head-gear: bowler hat, writing tools, farmers - aa - female farmer, farmer's wife, road, path
Inscriptions: signature and date: ‘o.v. 1919.-’

De twee figuren staan op een pad in een landelijke omgeving. De vrouw steekt het document uit naar de man, die een pak en bolhoed draagt, een paraplu onder de arm heeft geklemd en iets noteert in een opschrijfboekje. Pagina 21 uit een schetsboek met 28 bladen.
Portret van Alois Senefelder
Object type: print
Date: 1798 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: prague, print maker, printer, alois senefelder, historical persons, portrait, self-portrait of graphic artist, invention, discovery ~ science and technology
Statue of Juno with Scepter and Peacock
Object type: drawing and watercolor
Materials: chalk, paper
Location: belgium
Artist: jan claudius de cock
Etsen door John Sell Cotman
Object type: print
Date: 1809 – 1810
Materials: paper
Techniques: etching
Location: york
Subjects: abbey, monastery, convent ~ roman catholic church, gate, entrance
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Fragment
Object type: textile
Materials: cotton
Techniques: brocade, weave
Culture: chancay
Location: peru
Civita-Vecchia
Object type: print
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: harbour, sailing-ship, sailing-boat, rowing-boat, canoe, etc., sea (seascape) (+ landscape with figures, staffage), civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2166, watermark

Op het water liggen schepen en boten. Rechts staat een versterkt bouwwerk en groepen figuren met goederen aan de waterkant. Genummerd: 36.
Bust of a man in a wig, possibly a writer
Object type: ring
Date: 1701 – 1800
Materials: gold, gemstone
Subjects: men,profiles
Portret van Emmanuel-Théodose de La Tour d'Auvergne, hertog van Albret en kardinaal van Bouillon als buste
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: engraving
Location: france
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: emanuel theodius de la tour d'auvergne hertog van bouillon, historical persons
Inscriptions: collector's mark: Lugt 240
Lamp
Object type: lamp
Date: 801 – 1000
Materials: stone
Techniques: carving
Location: iraq