deem-data/ArtiFact huggingface dataset:
Fotoreproductie van een portret van Johann Sebastian Bach door Carl Jaeger
Object type: photograph
Date: 1865 – 1875
Materials: photographic support
Techniques: albumen print
Subjects: composer
Inscriptions: name: ‘C. Jäger’
De l'Épée
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Twee Joden en een zittende Arabier
Object type: sketchbook leaf
Materials: paper, pencil
Location: jerusalem
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, africans, folk costume, regional costume, the jews, jewish life, carrying something on the head or on the shoulders

De figuren dragen traditioneel kostuum. Pagina 6 uit een schetsboek met 36 bladen.
Untitled (Portrait of a Man)
Object type: photograph
Date: 1855 – 1855
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, portraits: male subject, male, photography
Portret van een onbekende jonge man
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: strängnäs
Artist: anders anderzon
Artist role: fotograaf
Artist dates: 1834 – 1916
Subjects: youth, adolescent, anonymous historical person portrayed
Nimf en sater met schietlood
Object type: print
Date: 1590 – 1595
Materials: paper
Techniques: engraving
Location: italy
Artist: agostino carracci
Artist role: draughtsman, painter, print maker
Artist dates: 1557 – 1602
Subjects: fathoming, sounding (+ variant), nymphs (in general); 'ninfe in commune' (ripa), satyr(s) (in general)
Inscriptions: collector's mark: Lugt 240

Een naakte nimf ligt op een bed. Een sater staat naast het bed en laat een schietlood bij de schaamstreek van de nimf pendelen. Een putto kijkt van achter een gordijn toe. Onder het bed ligt een spinnende kat. In het venster hangt een vogelkooi met een vogel.
Fruitschaal met tomaten
Object type: photomechanical print
Date: 1916 – 1921
Materials: paper
Techniques: rotogravure
Subjects: foodstuffs; still life of foodstuffs
Portret van Sophia Loren; onderdeel van het kwartet Italian Filmstars uit een kwartetspel
Object type: photomechanical print
Date: 1960 – 1970
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: portrait of actor, actress
Terracotta Statuette of a Male Dwarf
Object type: statuette, dwarf
Date: 200 – 101
Materials: terracotta
Culture: greek
Subjects: men

Figure of a grotesque with feet apart and arms reaching up.
Dirk van Hasselt Steeg te Amsterdam
Object type: drawing
Date: 1870 – 1926
Materials: paint, ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: lane, alley, amsterdam
Vuursteen van een handwapen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: gunflint
Date: 1700 – 1743
Materials: stone
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Hand weapon, flint; fragm, sim. NG 1980-27H3128.
Bronzen fontein in de tuin van de Royal Horticultural Society
Object type: print
Date: 1866 – 1900
Materials: paper
Techniques: engraving
Artist: Anonymous

Fontein bestaande uit drie bassins, tegen de voet zitten meerdere figuren. Rondom de fontein lopen mensen.
Two Male Figures with a Horse (after the Parthenon Frieze?) (from Sketchbook)
Object type: drawing
Date: 1860 – 1860
Materials: graphite, paper
Culture: american
Artist: john quincy adams ward
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910
Subjects: men,horses

Ward, a student of Henry Kirke Brown, became known as the "Dean of American Sculpture." This page is from a sketchbook, which provides an intimate look at the artist’s working methods. Ward’s sketches include several classically influenced figures mingled with American Indians on horseback as well as a number of bison.
Portret van een jongen met een hond
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: boy (child between toddler and youth), historical persons, dog
Portret van een onbekende vrouw
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: dornach
Subjects: historical persons not known by name - bb - woman
Inscriptions: inscription: ‘BULLETIN DE L'ASSOCIATION BELGE DE PHOTOGRAPHIE’
Gezicht op het Oostenrijkse deel van de Wereldtentoonstelling van Antwerpen in 1894
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: luxembourg
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: counter ~ shop, world fair, world exhibition, container of ceramics: jar, jug, pot, vase, dish, plate, saucer, antwerp

Prent op derde ongenummerde pagina na pagina 42.
Portret van Arthur Wellesley, hertog van Wellington
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: tone lithography
Subjects: walmer castle, arthur wellesley of wellington, adult man, historical persons
Inscriptions: collector's mark: Lugt 2166, watermark: ‘M. de I.A. Huber’

Prent behoort mogelijk tot de serie 'Les Oeuvres Lithographiques, choix de dessins d'après les grands maitres de toutes les Ecoles, tirées du Musée de S.M. le roi de Bavière par Strixner, Piloty et Cie'. Deze serie werd door J. Stunz in München in 72 delen van elk zes bladen gepubliceerd tussen 1810 en 1816; in totaal 432 prenten. Later is hierop nog een vervolg uitgebracht met prenten naar schilderijen.
Gezicht op een door paarden getrokken kar op een pad
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: p. steiner
Artist role: fotograaf
Subjects: animal traction, animal-drawn vehicle (carriage etc.), trees, road, path
Plafonds
Object type: ornament print
Date: 1655 – 1657
Materials: paper
Techniques: etching
Location: france
Portret van Jacob de Witt
Object type: print
Date: 1877 – 1879
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: dordrecht
Inscriptions: collector's mark: Lugt 2228

Illustratie in: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. 5 delen, Amsterdam: Schleijer, J.F. 1840-1884, dl. 4.1, p. 129.
Calaber
Object type: print
Date: 1577 – 1581
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: horse
Inscriptions: collector's mark: Lugt 2228a

Lopend paard. Op de achtergrond een stad in een bergachtig landschap. Onder de voorstelling vier regels Latijn. Deze prent is onderdeel van een serie van veertig prenten van verschillende soorten paarden.
The Fallen Tree Trunk
Object type: print
Materials: paper
Techniques: etching
Location: austria
Artist: martin von molitor
Artist role: artist
Artist nationality: austrian
Artist dates: 1759 – 1812
Plate 5: a barefoot peasant on horseback crossing a river, another peasant on horseback and leading a horse on a bank to right in the background, from "Diversi Capricci"
Object type: print
Date: 1644 – 1647
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,horses,rivers
Sucerie
Object type: print
Date: 1667 – 1671
Materials: paper
Techniques: etching
Location: paris
Subjects: master ~ enslaved person, plantation, indigenous peoples of the caribbean, slavery; serfs and enslaved persons, sugar

Gezicht op een suikerraffinaderij of suikerbakkerij op de Franse Antillen, waar tot slaaf gemaakte mannen werken. Rechtsboven de molen waar het suikerriet wordt gebroken, tot pulp geplet en waar er siroop van wordt gebrouwen. In het midden links de ovens waar de suiker wordt gekristalliseerd en in kegels wordt gegoten tot suikerbroden. Links op de achtergrond wordt op een suikerrietplantage het suikerriet geoogst, dat door mannen naar de raffinaderij wordt gedragen. Over de gehele prent zijn verschillende planten en bomen weergegeven voorzien van nummers die onderin de marge in het Frans worden toegelicht. Prent maakt deel uit van een album.
Drachm Baeotia 500 B.C. / Athenian, 800 B.C., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Cape
Object type: cape
Date: 1830 – 1839
Materials: cotton
Culture: french
Pair of armchairs (part of a set)
Object type: armchair
Date: 1770 – 1780
Materials: wood, gilt, silk
Techniques: carving

These are from a set of two armchairs, two window stools, and a settee in the French taste supplied to Edward Morant for Brockenhurst Park, Hampshire.
Mlle. Dutramel, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Shaffron (Horse's Head Defense)
Object type: shaffron horse's head defense
Date: 1501 – 1700
Materials: copper alloy, iron, leather
Culture: mongolian or tibetan
Location: tibet

Tibetan shaffrons of any type are extremely rare. This example, despite its damaged condition, shows some distinctive features that are not found on any other known examples, particularly the decorative enframements encircling the eyes and the use of embossed plates representing the nostrils. These unique elements extend our knowledge of the variety that once existed in the decoration and construction of shaffrons and of Himalayan horse armor. The ground of the shaffron is a shaped piece of leather with two openings for the eyes. Each eye openings is bordered by an iron frame in the shape of an eye with eyelashes in the form of pierced scrollwork all around the edges. At the bottom center of the shaffron there are a two embossed horseshoe-shaped plates, with similar pierced edges, representing nostrils. At the center of the edges on the right and left sides there is a flat triangular plate pierced with scrollwork and bordered with a copper alloy trim. There are traces of red shellac visible through the piercings of the scrollwork of the side plates. The design of the scrollwork on the eyelashes, around the nostrils, and on the side plates is enhanced by incised lines. Most of the remainder of the exterior leather surface is covered by rows of small square iron plates that overlap at their corners. Each plate has a dome embossed in its center and a hole pierced through each corner. The points of the corners where the adjacent square plates meet are each covered by a separate hollow hemispherical dome or boss. These bosses have a transverse interior bar, over which a leather lacing is threaded to sew the bosses through the leather ground and thereby secure the plates in place. The exterior edge of the leather ground is covered with a border of leather trim all around. There are three flat leather straps on the proper right side and the remains of three corresponding straps on the left side; these would have been used to tie the shaffron to a horse's head. The reverse of the leather ground is plain and uncovered, showing the pattern of the leather laces that by which the iron plates are stitched to the exterior. There is a section of leather missing from the ground at the top proper right of the shaffron. The shaffron is worn overall; several iron bosses are missing; the shaffron has been cut in half longitudinally up the center and stitched back together during its working lifetime, possibly to fit it to a horse with a smaller head than it was originally made for; originally there would have been a central longitudinal iron plate in the center, which presumably was removed when the shaffron was narrowed.
Passie van Christus
Object type: print
Date: 1613 – 1622
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: mockings of christ, who may be blindfolded

De geblinddoekte Christus wordt door vier mannen bespot. Op de voorgrond een kruik.
Untitled (Portrait of a Man)
Object type: photograph
Date: 1850 – 1859
Techniques: daguerreotype, photography
Location: united states
Artist: l. h. hale
Artist nationality: american
Artist dates: 1823 – 1885
Subjects: lundberg collection, portraits, portraits: male subject, male, portrait
Friedenskirche en Schloss Sanssouci, Potsdam
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper, photographic process
Location: zurich
Artist: Anonymous
Subjects: palace, french or architectonic garden; formal garden, church (exterior)
Inscriptions: title: ‘1948. P.Z.- Potsdam. Schloss Sans-Souci.’, inscription: ‘Woensdag/ den 14de/ Aug 1901’, title: ‘Friedenskirche (Potsdam)/ mit Mausoleum Kaiser Friedrichs III.’

Deze fotomechanische afdrukken maken deel uit van een album.
Verschillende bedrijven uit het menselijke leven door apen voorgesteld
Object type: print
Date: 1635 – 1690
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: animals acting as human beings
Inscriptions: collector's mark: Lugt 240

Twee apen zitten op de grond en zijn aan het kaarten. De rechtse draagt een hoed met een hanenveer. Prent uit een serie van zes prenten en een titelprent waarin verschillende menselijke bezigheden door apen voorgesteld worden.
Bust of Harlequin
Object type: toy
Date: 1770 – 1779
Materials: soft paste porcelain
Artist: derby porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 1785
Subjects: masks,men
Whale Oil Lamp
Object type: whale oil lamp
Date: 1825 – 1850
Materials: glass
Landschap met kaartspelende mannen
Object type: print
Date: 1666 – 1695
Materials: paper
Techniques: etching
Artist: jean pesne
Artist role: print maker
Artist dates: 1623 – 1700
Subjects: landscapes, ass, donkey, card games
Inscriptions: collector's mark: Lugt 240
Rivierlandschap
Object type: print
Date: 1760 – 1818
Materials: paper
Techniques: etching
Artist: johann michael frey
Artist role: print maker
Artist dates: 1750 – 1818
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 2228
Cope
Object type: textile
Date: 1500 – 1500
Materials: silk, velvet
Techniques: cutting, satin weave
Location: venice

This luxurious expanse of velvet and embroidery is a cope, a type of priestly vestment. Because its heaviness and flared shape restricted the use of the arms, the garment was worn mostly for processions. This example no longer has the richly embroidered band that outlined the front edges when draped over the priest's shoulders or the central, decorative hood. However, the quality of the silk fabric itself speaks to the priest's status. Two distinct layers of velvet pile create the design of crowns, rosettes, and knots, and the deep crimson color was produced by a costly imported dye called kermes.
-The Deering Family Galleries, Medieval and Renaissance Art
Le Comédien Masqué Jouant de la Guitare (The Masked Comedian Playing the Guitar), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Object type: print
Date: 1616 – 1622
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: masks,guitars,musicians
Cuneiform tablet: promissory note for silver for establishment of a harranu-partnership, Egibi archive
Object type: cuneiform tablet
Date: 550 – 550
Materials: clay
Culture: babylonian
Location: mesopotamia
Portret van Cornelis Cornelisz. van Haarlem
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: haarlem, painter, draughtsman, cornelis cornelisz. van haarlem, portrait, self-portrait of painter

Portret ten halven lijve naar rechts van Cornelis Cornelisz. van Haarlem. Onder het portret zijn naam en vier regels in het Latijn. Prent uit deel 3 van de serie Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies. Serie van 72 kunstenaarsportretten vervaardigd door Hendrick Hondius I, Simon Frisius, Andries Jacobsz. Stock en Robert de Baudous.
Les Angles I
Object type: print
Date: 1912 – 1913
Materials: paper
Techniques: drypoint
Location: netherlands
Subjects: low hill country, village
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 5i

Het dorp Les Angles, gelegen op een heuvel nabij de stad Avignon in het zuiden van Frankrijk.
Bowl
Object type: bowl
Date: 1101 – 1300
Materials: glaze, stonepaste
Techniques: gilding, overglaze, painting
Location: iran

In one group of ceramics, potters combined the technique of mina'i painting with decoration in low relief, which is further highlighted by gilding, to create an even more sumptuous effect.
Leather Case for Traveling Set of Cutlery (Nécessaire de Voyage)
Object type: metalwork
Date: 1761 – 1763
Materials: leather
Location: augsburg
Onderboezem, muur en klein ornament
Object type: drawing
Date: 1866 – 1900
Materials: paper, pencil
Techniques: drawing
Artist: Anonymous

Op de schoorsteenplaat staat een klok tussen twee kandelaars in de vorm van vrouwelijke figuren, de een met vleugels, de ander zonder. Rechts van de onderboezem is een muur te zien met houten lambrisering, rechtsboven een klein ornament met een schild.
Fotoreproductie van vermoedelijk een tekening van een boerin met oogst boven haar hoofd en twee geiten erbij
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: farmers - aa - female farmer, farmer's wife
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1894 – 1894
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: andré jolles
Artist role: journalist, kunsthistoricus, letterkundige
Artist dates: 1874 – 1946
Subjects: politician, jacob nicolaas van hall, the hague, painter, draughtsman, philip zilcken, italy
Inscriptions: collector's mark: ‘RPK’
L'eau-forte en 1880
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: ‘AFE v S’, watermark
Arm Guard from a Suit of Armor
Object type: armor
Date: 1701 – 1800
Materials: gold, steel
Techniques: engraving, inlay
Culture: islamic
Location: iran
Euterpe, from "Twelve Muses and Goddesses"
Object type: print
Date: 1540 – 1545
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: musical instruments,muses
Box
Object type: box
Date: 1601 – 1700
Materials: gold, lacquer
Culture: japanese
Head of a soldier in profile, with a sword handle
Object type: drawing
Date: 1794 – 1794
Materials: chalk, ink
Techniques: pen
Artist: baron dominique vivant denon
Artist role: artist
Artist nationality: french
Artist dates: 1747 – 1825
Subjects: soldiers,hilts,men,profiles
Noordzijde van de abdijkerk te Aduard
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: aduard
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Aduard’, annotation: ‘Aduard noordzijde der N.H. kerk/ juni 1900’
Portret van Justus Möser
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: letterpress printing, engraving
Location: leipzig
Subjects: historical persons, lawyer, attorney at law, portrait of a writer

Bladzijde uit: Bechstein, Ludwig. Zweihundert deutsche Männer in Bildnissen und Lebensbeschreibungen. Leipzig: Georg Wigand, 1854. Prent met andere tekst gebruikt in: Gaedertz, Karl Theodor. Dreihundert Bildnisse und Lebensabrisse berühmter deutscher Männer. Leipzig: Georg Wigand, 1890. Bij de uitgave uit 1890 staat op de titelpagina vermeld dat de prenten zijn gemaakt door Hugo Bürkner.
Portret van Sophia Dorothea van Hannover, koningin van Pruisen
Object type: print
Date: 1714 – 1715
Materials: paper
Techniques: mezzotint
Location: london
Subjects: berlin, historical persons, princess
Inscriptions: collector's mark: Lugt 240
Krishna op zijn troon
Object type: drawing
Date: 1800 – 1900
Materials: paper
Techniques: brush
Location: nepal
Artist: Anonymous
Terracotta jug
Object type: jug
Date: 220 – 250
Materials: terracotta
Culture: roman
Subjects: men

Narrow mouthed jug with one handle, and in stamped relief a man, animal, and leaves. The distinctive shape, fabric, and decoration of this vessel mark it as a product of the North African pottery industry, based in what is now Tunisia, which exported its wares widely throughout the Mediterranean.
Psyche et L'Armour (The Story of Cupid and Psyche) (Furnishing Fabric)
Object type: textile
Date: 1790 – 1790
Materials: cotton
Techniques: painting, weave, printing
Location: nantes
Artist: gorgerat frères et cie
Artist nationality: french
Artist dates: 1783 – 1815
Subjects: mythology
Seated Man with a Pipe
Object type: drawing
Date: 1662 – 1662
Materials: chalk, paper
Techniques: drawing
Artist: cornelis saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1681

Vermoedelijk eigenhandige kopie van RP-T-1989-104. Het adres en stempel op de verso tonen aan dat de kunstenaar dit blad naar zijn broer Herman Saftleven in Utrecht stuurde. Beide bladen hebben hetzelfde watermerk.
Monumenten en feestelijkheden tijdens intocht van Karel IV in Nancy, 1641
Object type: ornament print
Materials: paper
Techniques: etching
Subjects: karel iv hertog van lotharingen, ornaments ~ art, letter combinations such as letterword, anagram, letter square, monogram, etc.

Een fries met een medaillon met het monogram van Karel IV omgeven door een lauwerkrans. Links en rechts vlaggen, wapens en een putto blazend op een bazuin.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, forehead, left eyebrow, eye, nose, and hands of a wreathed satyr playing the aulos
Boere-Ban en Arrier-Ban, Wannende de Franse Pluimen en Laurieren / Le Rustique-Ban & Arrier-Ban, où est le Vanneur des Plumes & Lauriers des Nouveaux Heros en France
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: farmers, political caricatures and satires

Spotprent op de Franse boerensoldaten die als het op vechten aankomt vluchten naar het kakhuis. Staande Franse boer met vlegel en wan, achter hem blaast een boer met een zeis op een hoorn. In de plaat verzen en opschriften in het Nederlands, op het blad aan weerszijden van de plaat verzen in het Nederlands en Frans. Blad nr. 13 (genummerd rechtsboven) in de serie van 25 bladen getiteld: Byvoegsel tot de Koninglyke Almanach, genaamd het Gulde-Jaar der Bondgenooten, 1706. Onderdeel van het prentwerk uitgegeven onder de verzameltitel: 't Lust-Hof van Momus, met de gebundelde series van spotprenten tijdens de jaren 1701-1713 van de Spaanse Successieoorlog.
Etta, from the Ballet Queens series (N182) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancers

Trade cards from the "Ballet Queens" series (N182), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.