deem-data/ArtiFact huggingface dataset:
Brief aan Jan Ponstijn en Henriëtte Johanna Petronella van Hilten
Object type: letter
Date: 1936 – 1936
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: henriëtte johanna petronella ponstijn-van hilten, jan petrus ponstijn, recovery, convalescence of sick person
Inscriptions: date
The Covent Garden Night Mare
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Dressing gown
Object type: dressing gown
Date: 1841 – 1841
Materials: cotton
Culture: british
Iron andiron
Object type: fire, andiron
Materials: iron
Culture: etruscan

The ends of the andiron are decorated with stylized animal heads.
Koto and New Year’s Offering, illustration for The Akoya Beach Shell (Akoyagai), from the series "A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase)"
Object type: print
Date: 1821 – 1821
Materials: pigment
Techniques: woodblock print, surimono
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso)
Object type: painting
Date: 1460 – 1464
Materials: oil, paint, panel, wood
Techniques: painting
Location: belgium
Artist: rogier van der weyden
Artist nationality: netherlandish
Artist dates: 1399 – 1464
Subjects: portraits: male subject, portrait, prayer, jewelry, man, coat of arms, tower, shields, tassels, blue, blue (color), gold (color), portraits, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed verso: coat of arms of Jean Gros; 1 GRACES . A DIEV. (on banderole); JG (flanking escutcheon)

This portrait once formed one half of a folding, portable diptych. The sitter—identifiable through his coat of arms, personal motto, and initials on the back of the panel—is Jean Gros, an administrator to the future duke of Burgundy. His prayerful gaze was originally directed at another panel with an image of Mary and the infant Jesus, now in the Musée des Beaux-Arts in Tournai, Belgium. Gros’s coat of arms is on the back of that panel as well.

This type of diptych, which was intended to suggest continuous prayer and to record the donor’s features, was probably first made for princes around 1400. Rogier van der Weyden revitalized the portrait tradition in the mid-15th century, creating similar diptychs for patrons at the highest level of the Burgundian court. In commissioning one for himself, Gros was displaying his ambition and his close associations with the court.
Een waterval in de bergen
Object type: drawing
Date: 1786 – 1857
Materials: chalk, paper
Subjects: waterfall, mountains, italy

Tekening uit een groep tekeningen van landschappen en stadsgezichten in Italië (Rome, Tivoli, Civita Castellana en Pozzuoli).
't Huys Den Engh
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: castle, landscape with tower or castle

Prent uit: De Ridder-matige Huysen en Gesichten in de Provincie van Utrecht. Amsterdam: Joachim Ottens, [ca. 1710].
Kind van de familie Jelgerhuis-Swildens in een tuinstoel te Pandjang Djati op Sumatra
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: garden, child, sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Portret van Johann Carl August Musäus
Object type: print
Date: 1749 – 1796
Materials: paper
Techniques: engraving, etching
Artist: johann ernst mansfeld
Artist role: print maker
Artist dates: 1739 – 1796
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Ariadne
Object type: print
Date: 1899 – 1899
Materials: chine
Techniques: lithograph
Location: france
Artist: henri fantin-latour
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1904
Marketplace in Pontoise
Object type: drawing
Date: 1886 – 1886
Materials: graphite, ink, paper
Techniques: pen
Artist: camille pissarro
Artist role: artist
Artist nationality: french
Artist dates: 1830 – 1903
Subjects: markets

In the 1880s Camille Pissarro briefly experimented with the avant-garde dotted technique of Neo-Impressionism. To his son Lucien he wrote in December 1886: “I have done two ink drawings in dots…They came out not badly. Now if I could get them published in a review, that would bring in a few sous…The dot is still capable of frightening our charming bourgeois!” The uniform blackness of the dot technique naturally lent itself to printmaking, the patterns of dots mimicking the grainy surface of aquatints or the stippling of engravings. Yet, despite the popularity of dotted ink drawings, many of which were reproduced in contemporary journals, Pissarro never made prints using this idiosyncratic technique.
Bandontwerp voor: Ina Boudier-Bakker, Machten, 1902
Object type: drawing
Date: 1902 – 1902
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’

Bandontwerp voor: Boedier-Bakker, Ina. Machten. Amsterdam: Van Kampen, 1902.
Portret van Cornelis Pijnacker
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: cornelis pijnacker, historical persons, professor, map making

Prent uit: Rothscholtz, Friedrich. Icones virorum omnium ordinum eruditione: omnique item genere et varietate artium de republica litteraria et speciatim de Academiis et Gymnasiis (...). Neurenberg: erven Johann Daniel Tauber, 1725, dl. 1 of 2.
Kussensloop
Object type: pillowcase
Date: 1831 – 1875
Materials: linen
Location: northern netherlands
De doornenkroning
Object type: print
Date: 1517 – 1517
Materials: paper
Techniques: woodcut
Location: low countries
Artist: jacob cornelisz van oostsanen
Artist role: draughtsman, painter, print maker
Artist dates: 1475 – 1533
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)
Inscriptions: collector's mark: Lugt 2165

Uit serie van twaalf prenten. Mannen duwen met stokken doornkroon op hoofd Christus. Rond voorstelling ornamentele omlijsting. Onderaan kader met tekst in het Latijn. Gedrukt van meerdere blokken.
Zittende soldaat
Object type: drawing
Date: 1820 – 1830
Materials: chalk, paper
Location: the hague
Artist: Anonymous
Subjects: private soldier

Tekeningen waarschijnlijk ontstaan bij het Haagse kunstgenootschap ‘Tot Nut der Tekenkunst’, waar twee keer per week tekenavonden werden georganiseerd met geklede modellen.
[Charles Edward Stuart, also known as Charles Manning Allan]
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Snuffbox with portrait of a woman
Object type: snuffbox, painting
Date: 1776 – 1777
Materials: enamel, gold
Artist: joseph etienne blerzy
Artist role: maker
Artist nationality: french
Artist dates: 1750 – 1806
Subjects: portraits,women

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer. This miniature is set in a gold-and-enamel box made by Joseph Étienne Blerzy (apprenticed 1750, master 1768, working 1806) in Paris in 1776–77. The box bears five marks, among them the maker’s mark JEB and the Paris marks for 1775–81. The sitter’s costume dates about 1710. The portrait, which is in the style of Charles Boit (1663–1727) or Christian Friedrich Zincke, may have been done at that time and would therefore be earlier than the box. But, given the curious disproportion between the head and the bust, it may be a later pastiche which was made for setting in the box.
Nocturne in Green and Gold
Object type: painting
Materials: canvas, oil
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Galatea riding in a shell pulled through the water by dolphins, a cupid below and four more above, at left a triton embracing a nymph and behind them a man on horseback blowing a conch, at right a figure blowing a horn and  behind him a nymph riding on a centaur
Object type: print
Date: 1515 – 1527
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: cupid,galatea,centaurs,nymphs,dolphins
Weg langs de rooms-katholieke kerk van Soerabaja
Object type: album leaf
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: fence, wall, paling, street, surabaya

Onderdeel van Herinneringsalbum met foto's van Soerabaja.
Mogt gij begeerig zijn het krijgsmansambt te leeren, / Men zal ook ieder held met eigen naam vereeren. / Beschouw dan wat men hier voor u heeft afgenaald, / En wat elkeen verrigt wordt tevens aangehaald
Object type: print
Date: 1856 – 1900
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: firearms: cannon (+ handling of weapons), warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen van militaire taferelen, zoals een militair te paard en een soldaat die een kanon afvuurt. Onder elke afbeelding een tweeregelig vers. Genummerd midden boven: n. 124.
Een slapende hond
Object type: drawing
Date: 1589 – 1657
Materials: chalk, paper
Artist: frans snijders
Artist role: draughtsman, painter
Artist dates: 1579 – 1657
Subjects: dog (+ sleeping animal(s))
Broadsheet relating to the causes of the earthquake on 2 November 1894
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: letterpress
Artist: Anonymous
Artist role: artist
Gates, City, London
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: gates,london
Zittende jonge vrouw en putti met graveergerei
Object type: print
Date: 1881 – 1909
Materials: paper
Techniques: etching
Artist: charles théodore bernier
Artist role: print maker
Artist dates: 1871 – 1950
Subjects: cupids: 'amores', 'amoretti', 'putti', craftsman ~ applied arts, engraving
Inscriptions: collector's mark: Lugt 2228
Fragment
Object type: fragment
Date: 1601 – 1700
Materials: metal thread, silk
Subjects: flowers,leaves
Gezicht op de Dom van Limburg an der Lahn
Object type: photomechanical print
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: photograph
Location: limburg an der lahn
Artist: Anonymous
Subjects: river, church (exterior)
Inscriptions: inscription: ‘Limburg a/d Lahn’

Deze fotomechanische afdruk maakt deel uit van een omslag.
Paste paper with red, purple, yellow, and green design
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Straatverkopers in Bologna
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: italy
Artist: giuseppe maria mitelli
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1634 – 1718
Subjects: carrying something in basket, bag, rucksack, etc., street-trader, container of ceramics: jar, jug, pot, vase, stumbling
Inscriptions: collector's mark: Lugt 2228

Een straatverkoper met een grote mand met vaatwerk op zijn rug. De man krabbelt weer op nadat hij op straat gevallen is. Twee stuks vaatwerk liggen gebroken voor hem op straat. Italiaans vers in ondermarge.
Brief aan Jan Veth
Object type: letter
Date: 1905 – 1905
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jacob pieter moltzer
Artist role: jurist
Artist dates: 1850 – 1907
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, utrecht, wilhelmus johannes steenhoff, diseases
Inscriptions: collector's mark: ‘RPK’, name: ‘J.P.MOLTZER.’, watermark
Portret van Georg Volckamer
Object type: print
Date: 1595 – 1633
Materials: paper
Techniques: engraving
Location: germany
Artist: hans troschel
Artist role: draughtsman, print maker
Artist dates: 1585 – 1628
Subjects: mayor, anthropomorphic ornament, gloves, mittens, etc., historical persons
Inscriptions: collector's mark: Lugt 2228
Panel
Object type: textile
Date: 1775 – 1825
Materials: textile, silk, thread
Techniques: embroidery, embroidered, weave, stitching
Location: france
Karnā  (Trumpet)
Object type: karnā trumpet
Date: 1867 – 1900
Materials: brass
Culture: indian
Location: india

Turhā and Karnā are straight trumpets which came to India with the spread of Islam. They are used in the royal Muslim naubat (wind and drum) temple and procession ensembles.
Nabby's Point
Object type: woodcut, print
Date: 1913 – 1913
Materials: paper
Techniques: woodcut
Culture: american
Location: united states
Artist: arthur wesley dow
Artist role: artist
Artist nationality: american
Artist dates: 1857 – 1922
Theatrum biblicum (...)
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: one leper, a samaritan, sent to the priest by christ, returns and kneels before him, christ sends ten lepers to the priest (luke 17:11-19)
Inscriptions: collector's mark: Lugt 2228

Christus trekt door het grensgebied van Samaria en Galilea. In een dorp ontmoet hij tien melaatsen die hij geneest. Links op de achtergrond is te zien hoe slechts één van hen, een Samaritaan, neerknielt aan Christus' voeten om hem te bedanken. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Luc. 17:12.
Mozes wordt geadopteerd door de dochter van de farao
Object type: print
Date: 1550 – 1625
Materials: paper
Techniques: engraving
Artist: pieter jalhea furnius
Artist role: print maker
Artist dates: 1540 – 1626
Subjects: when moses is old enough, his mother brings him to pharaoh's daughter, who adopts him

De dochter van de farao zit op een stoel en tilt de kleine Mozes van de grond. Mozes' moeder zit er geknield naast, op de achtergrond zijn dienstmaagden in de weer. Onder de voorstelling staat een regel tekst in het Latijn.
Stamp seal (rounded triangular base with loop handle) with anthropomorphic figure and animals
Object type: stamp seal
Date: 900 – 601
Materials: stone
Culture: syro-anatolian
Location: northern syria or southeastern anatolia
Bruiloftsmaal te Kana
Object type: print
Date: 1626 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ orders (six) jars to be filled with water ~ marriage-feast at cana
Inscriptions: collector's mark: Lugt 2228

De bruiloftsgasten zitten aan tafel. Christus zit linksvoor en zegent de vaten met water die zullen veranderen in wijn. Met een Latijns onderschrift.
Meijer's prenten
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: children's games and plays, child, child playing with animals
Inscriptions: collector's mark: Lugt 2760

Blad met 7 voorstellingen van kinderbezigheden, waaronder vegen, spelen met een paard, schilderen en dieren voederen. Onder elke afbeelding een vers. Genummerd rechtsboven: No. 48.
Gezicht op Eisenach
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: etching
Location: heidelberg
Subjects: prospect of village, silhouette of village, (high) hill - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 2228
Diverse gezichten op Lyon
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Subjects: city-view, and landscape with man-made constructions, bastion, bulwark, lyon
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van dertien prenten.
Bronze lunate razor
Object type: razor, lunate
Date: 900 – 701
Materials: bronze
Culture: italic

Objects resembling this one have often been found in male burials throughout Italy. They were perhaps used to trim hair rather than to shave beards. The small perforated appendage, a frequent feature on these crescent-shaped razors, allowed them to be suspended from a fibula.
Suikertang
Object type: miniature
Date: 1776 – 1811
Materials: silver
Location: amsterdam
Artist: hendrik duller
Artist role: silversmith
Artist dates: 1749 – 1820

Suikertang met twee benen. De rand van de tang is geschulpt en de benen zijn gegraveerd. De suikertang is niet gemerkt. De suikertang wordt bewaard in een suikerkom (BK-NM-11177-142-p) en als onderdeel van een theeservies (BK-NM-11177-142).
Hearing (Auditus), from "Quinque Sensuum"
Object type: print
Date: 1655 – 1655
Techniques: engraving
Artist: franz cleyn
Artist role: artist
Artist nationality: german
Artist dates: 1582 – 1658
Subjects: women,female nudes,bagpipes,lutes,deer

Horizontal panel with the personification of Auditus (Hearing) shown as a female figure playing the lute beneath an arch at center. The arch is formed by the figures of two nudes turning into trees (Actaeon at left and Diana at right) and reaching to support a plaque at top center. Flanking the central scene are a horse (at left) and a stag (at right). Pairs of winged putti are shown at the bottom left and right corner, with the two at left holding an open book and those at right playing the bagpipe while seated on an orb. The series, consisting of a title and five plates with the senses personified by female figures, is titled 'Quinque sensuum descriptio, in eo picturae genere quod (Grottesche) vocant Itali' (Description of the Five Senses in that kind of painting that the Italians call grotesque). This set belongs to the 3rd edition, published in London by Robert Walton after 1646 (ca. 1655). An inscription on the title plate (45.101.1) credits Walton as the publisher ('SOULD BY RO: WALTON), but there are visible traces of the name and address of the publisher of previous editions.
The Three Marys, by A. Carracci
Object type: page
Materials: photographic support
Techniques: albumen print
Subjects: the holy women (the three maries) on their way to or at the tomb, to anoint christ's body
Inscriptions: number: ‘3’, inscription: ‘In the Collection of The Earl of Carlisle./ London, Published Decr, 1857, by P. & D. Colnaghi & Co, 13 & 14, Pall Mall East & T. Agneur & Sons, Manchester./ For the Proprietors.’, number: ‘No. 100/ ANCIENT.’
Portrait de la maison royale de Fontaine Belleau
Object type: album leaf
Date: 1614 – 1614
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Subjects: cologne, print maker, maria de' medici, lodewijk xiii (koning van frankrijk), palace, french or architectonic garden; formal garden, bird's eye view ~ representation of building
Inscriptions: date

Gezicht op het paleis en de tuinen van Fontainebleau. Linksboven het wapenschild van Lodewijk XIII, koning van Frankrijk. Rechtsboven het wapenschild van zijn moeder Maria de' Medici. Linksonder een index in het Frans. Prent maakt deel uit van een album.
Zes illustraties betreffende de begrafenis van een meisje
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: funerary ceremonial
Inscriptions: collector's mark: Lugt 2228
Relligionis et hospitis colloquium / Dialogue de la religion en du passant
Object type: propagandaprent
Date: 1577 – 1579
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: death as skeleton, allegorical representations ~ religion; 'religione', 'religione de ss. mauritio e lazaro', 'religione vera christiana' (ripa)

Gevleugelde stralende personificatie van Religie vertreedt de Dood in de vorm van een geraamte met zeis en met een been in het graf. Religie leunt op een houten kruis en houdt in een hand een opengeslagen boek aangeduid als het evangelie van de vrede, in de andere hand toom of teugels. Tegen een landschap geteisterd door oorlog. In het onderschrift een samenspraak in de vorm van vraag en antwoord tussen de Mens en Religie, in 3 kolommen in het Nederlands, Latijn en Frans.
Sealing
Object type: sealing
Date: 1981 – 1640
Materials: clay
Location: egypt
Ontwerpen van klokken
Object type: album leaf
Date: 1686 – 1724
Materials: paper
Techniques: etching
Location: augsburg
Subjects: (story of) neptune (poseidon), ornaments ~ art, clock, ornament ~ cartouche, venus and cupid (cupid not being mere attribute)
Inscriptions: signature: ‘Iohann Christoph Haffner Sculpsit’, signature: ‘Ieremias Wolff excudit Aug. Vind.’, number: ‘No. 1.’

Drie ontwerpen van klokken met daaronder drie cartouches met Neptunus en Venus en Amor. Prent maakt deel uit van een album. Hoogstwaarschijnlijk gespiegelde kopie naar Frans origineel.
The Good Samaritan
Object type: print
Date: 1633 – 1633
Techniques: drypoint, engraving, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: inns,wells,boys,men,dogs,horses,parables

This etching depicts the final scene in the parable of the Good Samaritan (Luke 10:25–37) in which the Samaritan stopped to help a traveler who had been attacked by robbers. Here he has brought the wounded man on horseback to an inn and pays for the man's care and lodging. This is one of two etchings in which Rembrandt reproduced his own paintings. The Good Samaritan repeats with a number of variations the composition of his painting in the Wallace Collection, London. Among Rembrandt's additions here to the largely empty foreground that appeared in the painting is the defecating dog that adds a note of everyday reality to the biblical scene.
The Decapitation of a Male Saint
Object type: drawing
Date: 1686 – 1775
Materials: chalk
Techniques: brush, wash
Artist: carlo innocenzo carloni
Artist role: artist
Artist nationality: italian
Artist dates: 1686 – 1775
Subjects: saints,crowd
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, handle with part of handle patch
Portret van Ernst I, aartshertog van Oostenrijk
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving, letterpress printing
Location: augsburg
Subjects: historical persons

Prent uit: Henning, Marcus. Tirolensium Principum Comitum. Augsburg: Johannes Praetorius, 1599.
Grond tekening der Stad Delft
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities, delft
Inscriptions: date

Prent uit: Tegenwoordige Staat der Vereenigde Nederlanden (...). Amsterdam: Isaak Tirion, 1742, dl. 4, p. 429.