deem-data/ArtiFact huggingface dataset:
Lunette met putti, leeuwen en hoornen des overvloeds in de oostelijke galerij van het Stadhuis op de Dam
Object type: print
Date: 1655 – 1665
Materials: chalk, ink, paper
Techniques: engraving, etching, pen
Location: amsterdam
Artist: hubert quellinus
Artist role: print maker
Artist dates: 1619 – 1687
Subjects: 'cornucopia', horn of plenty, beasts of prey, predatory animals: lion, cupids: 'amores', 'amoretti', 'putti', attributes of cybele
Inscriptions: inscription: ‘XCII’, collector's mark: Lugt 2228

Huidige staat van prent ook gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Artus Quellinus (I), 1655. En in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Frederik de Wit, 1665.

Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
Neptune and Caenis
Object type: statuette group
Date: 1567 – 1633
Materials: bronze, lacquer, patina
Artist: johann sadeler (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1550 – 1601
Subjects: women,neptune

Ovid (Metamorphoses, XII, 195–209) relates Neptune's rape of the maiden Caenis while she walked along the Thessalian shore. The god, sated, promised to grant her any favor in return. Anxious to avoid further attacks of the sort, Caenis asked to become a man. Duly transformed, Caenis took on the masuline name Caeneus. Representations of the subject are rare, but, much like the story of Hercules and Omphale, Ovid's tale of androgyny was certain to be relished by the Late Mannerists: It challenged them to capture the moment of transformation, for, even as she named her wish, says Ovid, Caenis's voice took on deeper male tones. In the bronze there is, accordingly, a certain masculinization of the female form. The composition is derived from an engraving, dated 1580, by Johann Sadeler the Elder, based in turn on a drawing by Bartholomaeus Spranger in the Museum Plantin-Moretus, Antwerp. The crisscrossing forms realized in the bronze were a quintessential feature of Spranger's brand of Mannerism. Born in Antwerp in 1546, Spranger traveled widely in Italy and worked for Maximilian II and Rudolph II in Vienna and in Prague, where he died in 1611. A later cast of this bronze, in which the figure of Caenis is more modestly draped and the rhythms of the waves are more repetitious, has been attributed to Hans Mont, a sculptor from Ghent who is known to have collaborated with both Giovanni Bologna and Spranger, but Mont's actual style is an unknown quantity.
Interieur van de schilderijengalerij in Strawberry Hill te Londen
Object type: photomechanical print
Date: 1869 – 1871
Materials: paper
Techniques: photograph
Location: strawberry hill
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: art collection, art gallery
The Graces on the Tomb of Watteau
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Writing Box with Design of Maple Leaves and Bugaku Hat from the Tale of Genji
Object type: writing box
Date: 1701 – 1800
Materials: gold, lacquer, mother of pearl, pottery
Techniques: glazing, inlay
Culture: japanese
Artist: ogawa haritsu (ritsuō)
Artist role: artist
Artist nationality: japanese
Artist dates: 1663 – 1747
Subjects: hats

A Bugaku hat and scattered maple leaves evoke the aura of the fictional prince Genji, the ideal Heian gentleman of sensitivity, elegance, and accomplishment. The images recall the episode in The Tale of Genji (Momijiga) in which the prince and his friend awe guests during an autumn festival at the palace with their dancing to "Waves of the Blue Sea," a piece that came into Japanese court music and dance from Tang China.
Portrait of a Man, possibly Jacob de Graeff, Alderman of Amsterdam in 1672
Object type: painting
Date: 1670 – 1670
Materials: canvas, oil
Artist: karel du jardin
Artist role: draughtsman, painter, print maker
Artist dates: 1626 – 1678
Subjects: historical persons
Inscriptions: signature and date: ‘K. du Iardin. fe 1670.’

Portret van een man, mogelijk Jacob de Graeff, schepen van Amsterdam in 1672. Kniestuk, leunend tegen een rots, de rechterhand rust op de kop van een windhond, rechts een dode haas.
De Trojaanse oorlog
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the wooden horse is brought into the city of troy, walls ~ fortified city
Inscriptions: number: ‘184’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Het Trojaanse paard wordt door een opening in de stadsmuur naar binnen gereden en door een man met een lans in de zijflank gestoken. Rechts op de voorgrond staat koning Priamus met zijn gevolg, bij de stadsmuur staan inwoners van Troje. Onder de voorstelling staat een regel tekst in het Latijn, rechts genummerd: 7. De prent maakt deel uit van een serie prenten over de Trojaanse oorlog.
Aachen-Burtscheid. St. Johann Baptist-Pfarrkirche
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1905
Materials: cardboard
Techniques: photograph
Location: dresden
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: date
The Adoration of the Magi
Object type: painting
Date: 1640 – 1650
Materials: copper, oil
Artist: bartholomeus breenbergh
Artist role: draughtsman, print maker
Artist dates: 1599 – 1657
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)

De aanbidding der koningen. De koningen en herders hebben zich rond de Heilige Familie verzameld bij een ruïne van een tempel. Rechts nadert een koning met in zijn handen een nautilusbeker.
VOC, ½  duit, stad Utrecht,1753. Afslag in zilver
Object type: coin
Date: 1753 – 1753
Materials: silver
Techniques: striking
Location: utrecht

Zilveren munt. Voorzijde: op balk, waaronder guirlande, staand, door twee leeuwen gehouden gekroond wapenschild van de stad Utrecht. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Kartelrand.
Portret van onbekende man, mogelijk genaamd 'Zisca’
Object type: print
Date: 1743 – 1807
Materials: paper
Techniques: etching
Artist: sawrey gilpin
Artist role: print maker
Artist dates: 1733 – 1807
Subjects: historical persons, weapons
Inscriptions: collector's mark: Lugt 2228

Het portretmedaillon wordt ondersteund door wapens en een boek.
Covent Garden Flower Women
Object type: page
Date: 1876 – 1877
Materials: paper
Techniques: woodburytype
Location: covent garden
Subjects: street-trader
Design for Pony Phaeton, no. 3162a
Object type: drawing
Date: 1875 – 1875
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Pendant: head of a woman
Object type: head of a woman to right
Date: 500 – 401
Materials: amber
Culture: italic
Saint Augustine and Two Angels Adoring the Crucifix
Object type: drawing and watercolor
Date: 1685 – 1695
Materials: chalk, ink, paper, lead, pigment
Techniques: heightening, pen
Location: italy
Artist: giuseppe passeri (passari)
Artist role: artist
Artist nationality: italian
Artist dates: 1654 – 1714
Subjects: diamond shapes, christian subjects, mythology, prints and drawings, saints, knots, crucifixions

One of the most sought-after painters in late 17th-century Rome, Passeri was also a prolific draftsman. The tenderly depicted venerating saint may be identified as Augustine, Bishop of Hippo (340–430), whose miter and crosier are held by two angels, while his numerous writings are represented by the open book at his feet. A sinner turned saint who lived long after the Crucifixion, Augustine could never have knelt at the Cross as this vision suggests.
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1925
Materials: ink, paper
Techniques: pen, writing
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: the hague, jozef israëls, dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, maastricht, jonkheer victor eugène louis de stuers
Inscriptions: collector's mark: ‘RPK’
The circumcision: small plate
Object type: print
Date: 1620 – 1668
Materials: paper
Techniques: etching
Artist: jan gillisz. van vliet
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1668
Subjects: story of noah
Inscriptions: collector's mark: Lugt 240

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Groepsportret van vijf studenten
Object type: photograph
Date: 1887 – 1887
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: israël david kiek
Artist role: fotograaf
Artist dates: 1811 – 1899
Subjects: anonymous historical persons portrayed in a group, in a group-portrait, leiden
Inscriptions: annotation: ‘Studenten Leiden’
Portret van Jakob Lampadius
Object type: print
Date: 1744 – 1744
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: historical persons

Prent waarschijnlijk uit: Baring, Daniel Eberhard. Descriptio Salae principatus Calenbergici locorumque adiacentium Oder Beschreibung (...). Lemgo: Johann Heinrich Meyer, 1744.
Ono no Komachi Washing the Copybook
Object type: print
Techniques: woodblock print
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Watch
Object type: watch
Date: 1801 – 1900
Materials: enamel, gold
Techniques: enamel
Subjects: women,lambs
Reconciliation, or the Return from Scotland
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs

A bride holds a handkerchief to her eye and enters a room with her husband. A servant pulls out a chair for her, which a dog tries to jump on. Her parents are at right. An early state before final lettering.
Grisaille Panel
Object type: panel
Date: 1325 – 1325
Materials: glass, metal, paint
Culture: french
Location: france
Virgin and Child, and Saint John the Baptist (recto); Summary sketches, possibly the Virgin and Child (verso)
Object type: drawing
Date: 1580 – 1590
Materials: chalk, oil
Techniques: heightening
Artist: jacob de backer
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1540 – 1600
Subjects: angels,madonna and child,saint john the baptist
Dame voor een spiegel
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: cut flowers; nosegay, bunch of flowers, mirror, making toilet - aa - (for) women
Inscriptions: collector's mark: Lugt 2228

Met haar rechterhand neemt zij bloemen uit een mandje voor zich op tafel.
Covered Jar (Hu) 东周时期鎏金错银壶
Object type: vessel
Materials: bronze, silver
Techniques: gilding, inlay
Location: china
Apollovijver bij het Paleis van Versailles
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: versailles
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ sculpture), ornamental fountain
Inscriptions: negative number: ‘36’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in België en Frankrijk.
Armoire
Object type: armoire
Date: 1710 – 1720
Materials: wood

This armoire came from the sacristy of the chapel of Château de Bercy (Seine) where it may have contained liturgical vestments.
Teatro delle Nobili et Virtuose Donne...
Object type: book print ornament architecture
Date: 1616 – 1616
Techniques: engraving, woodcut
Artist: isabella catanea parasole
Artist role: author
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: portraits,women,coat of arms

Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome. Engraved illustrated title page, dedication with woodcut initial letter, 44 pages of woodcut designs. Pages are numbered, but are not bound in the correct order.
Kruisiging met Maria, Maria Magdalena en Johannes
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: crucified christ with mary, john, and mary magdalene
Inscriptions: signature, date and inscription: ‘HGoltzius inventor et sculptor et excud. A o. 1585’, collector's mark: Lugt 240

In het midden van de compositie is Christus aan het kruis genageld. Aan de voet van het kruis zit Maria Magdalena. Maria en de apostel (later evangelist) Johannes flankeren het kruis. Jeruzalem op de achtergrond. Twee regels Latijn in marge onder prent.
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: fish,insects,butterflies
Portret van Wilhelmina, koningin der Nederlanden
Object type: photomechanical print
Date: 1908 – 1918
Materials: paper
Techniques: rotogravure
Location: amsterdam
Subjects: the hague, wilhelmina of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Stanhope
Object type: print
Date: 1919 – 1919
Materials: paper
Techniques: drypoint
Location: stanhope
Subjects: village square, place (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, annotation: ‘Martin Hardie’
De verkeerde wereld
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: 'mundus inversus', the reversed world, the topsy-turvy world, 'le monde bestourné', animals acting as human beings
Inscriptions: collector's mark: Lugt 2760

Blad met 36 voorstellingen van de verkeerde wereld, waar onder andere dieren zich als mensen gedragen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 322.
Landscape
Object type: drawing
Date: 1904 – 1904
Materials: crayon, paper, watercolor
Location: france
Artist: henri-edmond cross (henri-edmond delacroix)
Artist role: artist
Artist nationality: french
Artist dates: 1856 – 1910
Subjects: landscapes

A member of the neo-Impressionist circle around Seurat and Signac, Cross adopted their style of individual strokes of pigment, or "tâches." Here, he conveyed a sense of sparkling sunlight by letting areas of the paper shine through between touches of watercolor. This work, which was donated to the Museum by the artist and photographer Alfred Stieglitz, was exhibited at his New York gallery "291."
Portret van Lodewijk, graaf van Nassau
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: dillenburg, lodewijk graaf van nassau

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Fan
Object type: fan
Date: 1885 – 1890
Materials: feather, ivory
Culture: brazilian
Subjects: flowers
Titelpagina voor 'tVermakelijk lottooneel van Holland, 1707
Object type: text sheet
Date: 1707 – 1707
Materials: paper
Techniques: letterpress printing
Location: leiden
Artist: hendrik van damme (ii)
Artist role: publisher
Subjects: title-page, device (trade-mark of printer or publisher), flowers: rose
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Titelpagina voor 'tVermakelijk lottooneel van Holland. Tweede deel. Leiden bij Hendrik van Damme, 1707.
Figuren op een straat, waaronder een kind
Object type: sketchbook leaf
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: child, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Pagina 88 uit een schetsboek met 54 bladen.
Kinderkopje met tegendruk
Object type: drawing
Date: 1763 – 1833
Materials: chalk, paper
Artist: jordanus hoorn
Artist role: draughtsman
Artist dates: 1753 – 1833

Kinderkopje, met de tegendruk op hetzelfde blad.
David standing with crossed legs and holding the head of Goliath on a pedestal at left, a sword on the ground, after Reni
Object type: print
Date: 1635 – 1645
Techniques: engraving
Artist: gilles rousselet
Artist role: artist
Artist nationality: french
Artist dates: 1614 – 1686
Subjects: swords,heads,david

After a painting by Reni. Verso not visible as print is laid to another sheet of paper.
Soldiers on Horseback
Object type: drawing and watercolor
Materials: chalk, ivory, paper
Techniques: printmaking
Location: germany
Artist: johann heinrich roos
Artist role: draughtsman, print maker
Artist nationality: german
Artist dates: 1631 – 1685
Portret van Philipp Heilbrunner
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Natus (...) peperit.’

Tekst in het Latijn in de omlijsting en in de ondermarge.
Lieutenant Bowling pleading the cause of young Rory to his Grandfather
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men
Mannen op en rond een gedekte tafel
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult man, laid table: table-ware, table-decoration, etc.
Inscriptions: workshop stamp: Lugt 291d

Blad 28 recto uit een schetsboek met 25 bladen.
Pembury Mill, Kent (Liber Studiorum, part III, plate 12)
Object type: print
Techniques: etching
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: men,dogs,working

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Here we see the outlines of a design devoted to a rustic mill with a man inside filling sacks with flour. Outside, fellow workers load a cart while a dog sleeps in the foreground near a dripping waterwheel and dovecote.
Orest valt in de handen van een soldaat als Pylades hem arresteert. Elektra zit smekend naast hen
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, the meeting of orestes with electra at agamemnon's tomb, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor Gotter's vertelling 'Elektra; ein Trauerspiel'. Prent uit: Gedichte von Friedrich Wilhelm Gotter. Gotha bei Carl: Wilhelm Ettinger, 1788, dl. 2.
Beschrijving van het feest / dat na vier honderd jaren / tot Laurens Kosters eer / gevierd is aan het Sparen / Den 10den en 11den Julij 1820 en 3 / 't Is duidelijker en klaarder dan filosofie
Object type: text sheet
Date: 1823 – 1823
Materials: paper
Techniques: letterpress printing
Location: haarlem
Artist: Anonymous
Subjects: haarlem
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Programma in versvorm van het 400-jarig jubileum van de uitvinding van de boekdrukkunst door Coster, 10 en 11 juli 1823 te Haarlem. Gedicht in twee kolommen waarin de festiviteiten gepland voor 10 en 11 juli in versvorm worden beschreven. Onderaan drie afzonderlijke verzen. Bovenaan het wapen van Haarlem.
Portret van Johannes van Miggrode
Object type: print
Date: 1710 – 1780
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons, organization, functionaries and dignitaries in churches and in related institutions

Met vierregelig onderschrift in het Nederlands.
Gezicht op de Nieuwstraat te Dordrecht
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: nieuwstraat
Subjects: façade (of house or building), street
Inscriptions: annotation: ‘Dordrecht/ Huis 51. 53. 55. 61. 63’, annotation: ‘Dordrecht’
The trial of the killers of Tomas Hernandez Aguirre, from a broadside entitled 'El jurado de los asesinos del Sr. Tomás Hernábdez Aguirre. Defensa de los reos. La sentencia. Actitud de los criminales'
Object type: print
Date: 1892 – 1892
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: soldiers,prisoners,men

Image included in the broadsheet "Jurado del Chalequero," (Imprenta de A. Vanegas Arroyo, ca. 1892). Same image as 30.82.86.
Groepsfoto op het strand
Object type: photograph
Date: 1933 – 1944
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: Anonymous
Subjects: wim van den bosch, rotterdam

Een groep jongens op het strand. Waarschijnlijk een schoolklas met leraar. Onderdeel van het familiealbum 1933-1944.