deem-data/ArtiFact huggingface dataset:
Studie, mogelijk een architectuurdetail
Object type: sketchbook leaf
Date: 1906 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Inscriptions: annotation: ‘[...]’

Blad 27 verso uit een schetsboek met 27 bladen.
Bedouin, from World's Smokers series (N33) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,smoking

Trade cards from the "World's Smokers" series (N33), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Printer's samples included in set, as well. The printer's sample cards are on thinner card stock and do not have any printed text.
Landschap met rots aan het water
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: river (+ landscape with figures, staffage)

Gezicht op een boom en enkele huizen langs een rivier. Op de oever een roeiboot, twee personen en hoge rotsen.
Design for 2 seat Cabriolet Phaeton, no. 3128a
Object type: drawing
Date: 1875 – 1875
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Marioara Cranescu, Miss Roemenië 1929, reclame voor Club & Liga
Object type: photograph
Date: 1929 – 1929
Materials: paper
Techniques: gelatin silver print
Location: dresden
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Die schönsten/ Frauen der Welt/ dargestellt durch die Schön-/ heitsköniginnen aller Länder,/ finden Sie in 190 echten/ Bromsilber-Fotos, die nur den/ CLUB-und-LIGA-Packun-/ gen beiliegen. Eind prächtiges/ Sammel-Album erhalten Sie/ für 75 Pfennig vom Händler/ oder bei Einsendung von/ 75 Pfennig in Briefmarken/ von der Bilderstelle Lohse,/ Dresden A24, Nossener Str. 1./ Ges. gesch. Nachdruck verboten!’
Three Column Capitals
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Fragment schoengesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: shoe buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Buckle, chape buckle, shoe buckle; fragment of ring, plain, bulbous sides.
Een doopjurk van batist met borduurwerk
Object type: childrenswear
Date: 1850 – 1875
Materials: textile
Location: netherlands
Artist: Anonymous

Een doopjurk van batist met borduurwerk.
Portret van een man met baard in uniform
Object type: carte de visite
Date: 1860 – 1882
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: charles de trez
Artist role: painter
Artist dates: 1822 – 1899
Subjects: historical persons, (military) uniforms, beard
Inscriptions: number: ‘2’, inscription: ‘C. De Trez/ Photographe/ rue du Pont Neuf/ No 1/ Bruxelles’
Vessel with two spouts and carried by three figures
Object type: drinkvat
Date: 1600 – 1620
Materials: glaze, stoneware
Techniques: printing, firing, forming, relief, turning, vitrification
Location: raeren
Artist: Anonymous

Drink- of schenkvat van steengoed gedragen door drie mansfiguren en met een smalle nek en twee brede tuiten met zeef. De twee C-vormige oren zijn bevestigd aan de schouder en het lichaam; op de oren een dierfiguur. De kan is versierd met verticale banden met gestempelde cirkels. Op de schouder een band met gemodelleerde kantelen. Raeren.
Salt (one of a pair)
Object type: salt
Date: 1801 – 1833
Materials: glass
Levensgang
Object type: print
Date: 1936 – 1936
Materials: paper
Techniques: etching
Location: den bosch
Subjects: female sex; woman, adult man, walking
Inscriptions: collector's mark: Lugt 2228
Irises
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Artist: suzuki kiitsu 鈴木基一
Artist role: artist
Artist nationality: japanese
Artist dates: 1796 – 1858

In a marsh of brilliant blue irises in full bloom in summer, a pair of swallows frolic on the verdant bank in the right scroll, while a kingfisher sits perched on a stump on the left (Fig. 1). This brilliantly colored diptych on silk was created by the celebrated Edo-based painter Suzuki Kiitsu at the end of his career, when the artist was experimenting with a new modern style that combined the traditional graphic—almost decorative—expression of Rinpa painting with a turn toward Western realism. The effect is somewhat surreal and mesmerizing, similar to the visual impact of Irises and Moth from the Mary Griggs Burke Collection, which was created around the same time (Fig. 2, 2015.300.95). For viewers accustomed to the artist’s earlier works created with thickly applied mineral pigments, the first impression may be disconcerting, but it is a reminder that Kiitsu was active right up until the end of the Edo period, and he can be seen as pioneer of a hybrid style of painting that will later be associated with Nihonga, or modern “Japanese-style painting.” Kiitsu, son of a cloth dyer, was the principal pupil of the Rinpa revivalist Sakai Hoitsu (1761–1828), and worked closely with his master from the mid-1810s. Kiitsu assisted the master in the compilation of the Kōrin hyakuzu (One-Hundred Paintings by Kōrin), which served as textbook of the Rinpa idiom of painting and graphic design. Kiitsu left behind a large corpus of paintings, most of which are in style close to Hōitsu, keeping in mind that they probably collaborated on works at the end of the master’s life, and that he sometimes created works on Hōitsu’s behalf.. Kiitsu’s later works, as here, have a distinctive modern flavor.
Nieuwe Nederlandsche kinderprenten
Object type: popular print
Date: 1865 – 1875
Materials: paper
Techniques: letterpress printing, lithograph
Location: haarlem
Subjects: roof (of house or building), building-site, sawing (industrial process)
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over het bouwen van een huis. Van het kappen van bomen tot aan het plaatsen van het dak. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 34.
Tile
Object type: tile
Date: 1701 – 1800
Materials: earthenware
Techniques: glazing
Drie jongens buiten voor een boom
Object type: album leaf
Date: 1908 – 1912
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: boy (child between toddler and youth), netherlands
Portret van Devereux Knightley
Object type: print
Date: 1695 – 1742
Materials: paper
Techniques: engraving
Artist: john smith (prentmaker/ uitgever)
Artist role: print maker, publisher
Artist dates: 1652 – 1743
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240
Portret van Willem, prins der Nederlanden
Object type: print
Date: 1850 – 1894
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: paris, willem (prins der nederlanden)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Louis Joseph de Potter, verdediger van de onafhankelijkheid van België
Object type: insignia
Date: 1830 – 1830
Materials: copper, textile
Techniques: striking
Artist: Anonymous
Subjects: bruges, belgium

Koperen draagteken aan draagoog en zwart-geel-rood lint. Voorzijde: borststuk man binnen omschrift. Keerzijde: leeuw met vrijheidshoed op speer, zwaard en wapenschild binnen omschrift
Landschap met bomen
Object type: sketchbook leaf
Date: 1913 – 1916
Materials: paper, pencil, watercolor
Techniques: brush
Artist: jonkheer johannes ludovicus paulus bosch van drakestein
Artist role: draughtsman
Artist dates: 1865 – 1929
Subjects: trees

Blad 4 recto uit een schetsboek met 47 bladen.
Boerin met jongen
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: italy
Artist: antonio loraghi
Artist role: print maker
Subjects: mother and son(s) (family group), farmers
Inscriptions: collector's mark: Lugt 2228

Een boerin met haar zoon. De jongen houdt zijn hoed in zijn hand. In de lucht vliegen twee vlinders.
Gezicht op een straat in Amsterdam met een toren
Object type: sketchbook leaf
Date: 1914 – 1923
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, church (exterior), street, amsterdam
Inscriptions: kleurnotitie, handgeschreven

Gezicht op een straat in Amsterdam met een toren, mogelijk een kerktoren. Pagina 49 en pagina 50 uit een schetsboek met 43 bladen vervaardigd te Amsterdam.
Small Inset Side Bowl Depicting a Pair of Lizards in the Interior
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Botanical Studies (recto); Botanical Studies (verso)
Object type: drawing
Date: 1820 – 1820
Materials: graphite, watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: plants,botany
Relief fragments from procession of attendants
Object type: relief fragment, tomb of neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt

Neferu was most likely the first queen and perhaps also sister of Nebhepetre Mentuhotep II. Her plundered tomb, excavated by the Metropolitan Museum of Art between 1923 and 1931, lay outside the king's temple precinct at Deir el Bahri. It was visited as a shrine in the Eighteenth Dynasty, and at some point it was used as a quarry for the fine limestone covering the walls. The carving of Neferu’s surviving reliefs is varied in quality, with the finest example being a succession of female bearers (see 26.3.353g). The extenuated proportions of the figures, and the elaborate patterns contrasting with smooth planes, represent the height of the Eleventh Dynasty archaic style. The background was left unpainted, while the figures were either detailed or covered with orange, pink, purple, blue, green, white or black paint. This group of relief fragments is in raised relief, which predominated on the walls of the long passage leading from the entrance toward the inner chamber. The figures of attendants preserved in here approached representations of the queen from right and left, some carrying sun shades. For other reliefs from the tomb of Neferu, see 31.3.1 and 26.3.353*.
Overwinningen van Karel V, Duits keizer, in de oorlog tegen Frankrijk, rekenpenning van de raad van Financien
Object type: jeton
Date: 1521 – 1521
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain), netherlands, italy

Koperen penning. Voorzijde: Karel V in harnas, zittend in zeilbootje binnen omschrift. Keerzijde: leeuw, liggend voor gekroond wapenschild, geflankeerd door twee aan bijlen hangende harnassen binnen omschrift
Black-and-White Storage Jar with Abstract Geometric Motifs
Object type: vessel
Date: 1890 – 1899
Materials: ceramic, pigment
Techniques: modeling, painting
Culture: acoma pueblo
Location: new mexico
Subjects: geometric, water, storage, servingware, patterns, floral, plant-derived motif

In the American Southwest, there is an Indian ceramic tradition that began to take form in the early centuries A.D. and has continued unbroken to the present time. Characterized by its many superbly varied styles, the art has been sustained by diverse Pueblo peoples and some of their neighbors, whose ancient and more recent settlements have long been established in the arid regions of Arizona and New Mexico. Ceramic artist of the Ácoma Pueblo, west of Albuquerque, produced an especially distinguished series of vessels during the late nineteenth and early twentieth centuries.

This large olla is shaped with a truncated neck that slopes in a gentle curve to the high, rounded shoulder; the full, swelling body tapers smoothly down to the rounded bottom. A finely painted pattern of black-and white abstract designs covers the surface. The dominant decorative features are three medallions, each rimmed by black petals. Within each medallion, and divided by a central vertical strip adorned with zigzag triangles, are twin semicircular, double-ended bands filled with fine hatch marks; these, in turn, enclose inner designs of curving, triangular elements. The medallions themselves are separated by diamonds that frame hatched checkerboards, while complex triangular elements step down from the rim and up from the red-painted bottom. The austere color and multiple abstract motifs stem from past centuries of Anasazi (Ancestral Pueblo) ceramic styles. As is often seen in early works, the artist presents playful visual ambiguities between positive and negative space.
Onthulling van het standbeeld van Koning Willem II in Den Haag 1854
Object type: history medal
Date: 1854 – 1854
Materials: bronze
Techniques: striking
Location: utrecht
Artist: johan philip menger
Artist role: medailleur
Artist dates: 1818 – 1895

Bronzen penning, op de voorzijde het standbeeld met omschrift, op de keerzijde vijf regels tekst tusssen samengestrikte eiken- en lauwertakken, met omschrift.
Knekelhuis (ossuarium) van het Kapucijnenklooster in Rome
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: charnelhouse, ossuary, rome
Inscriptions: number: ‘78’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Italiaanse steden en van kunstwerken.
Oude man met een tulband en een baard
Object type: book illustration
Date: 1824 – 1858
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: head-gear: turban, beard
Inscriptions: collector's mark: Lugt 2228
[Japanese Woman in Traditional Dress Posing with Instrument]
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: musical instruments,portraits,women
Hoefsmid in gesprek met man
Object type: print
Date: 1824 – 1894
Materials: paper
Techniques: lithograph
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: farrier, shoeing-smith, horse, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Een hoefsmid in gesprek met een (voer)man met zweep. Links staat een opgetuigd paard. In de achtergrond is een hoefsmid aan het werk in de werkplaats.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, part of handle patch and start of handle root
Cicero at his Villa
Object type: print
Date: 1706 – 1778
Materials: paper
Techniques: etching
Location: london
Subjects: marcus tullius cicero, (story of) cicero, river, villa, landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage), mountains
Inscriptions: collector's mark: Lugt 2233
Life of Horace B. Claflin, from the Histories of Poor Boys and Famous People series of booklets (N79) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits

Miniature booklets from the "Histories of Poor Boys and Other Famous People" series (N79), issued in a set of 50 booklets in 1888 to promote W. Duke Sons & Co. brand cigarettes. Each booklet consists of 16 pages with covers and includes the rags to riches biography of a famous figure.
Servet van wit linnendamast
Object type: napkin
Date: 1890 – 1914
Materials: linen
Techniques: damask
Location: bielefeld

Wit linnen damasten servet met klimop- patroon, merk kroon H.
Brief aan Philip Zilcken
Object type: letter
Date: 1905 – 1905
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: antonius gerardus van hamel
Artist role: hoogleraar, theoloog
Artist dates: 1842 – 1907
Subjects: maurice pernot, the hague, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Judith met het hoofd van Holofernes
Object type: print
Date: 1621 – 1635
Materials: paper
Techniques: etching
Location: paris
Subjects: holofernes' head is put on a dish, and covered with a cloth
Inscriptions: collector's mark: Lugt 240

Judith legt het hoofd van Holofernes, dat ze zojuist met een zwaard afgehakt heeft, op een schaal die haar dienstmaagd voor haar ophoudt. Het ontzielde lichaam van Holofernes ligt achter haar in bed in een legertent. Onder de voorstelling een onderschrift in Latijn.
Onbekende naakte man, en profil met een geweer in een schiethouding
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: anatomy (non-medical), firearms
Inscriptions: inscription: ‘Schwerlinie. 1/10 der natürlichen Grösse. Projectionen der Gelenkmittelpunkte. Projectionen der Schwerpunkte von Kopf, Händen und Gewehr. Projection des Schwerpunkte des ganzen Körpers mit Gewehr.’, number: ‘Tab. IX.’
Titelprent voor een serie landschappen met daarop de lotgevallen van reizigers
Object type: print
Date: 1700 – 1725
Materials: paper
Techniques: etching
Location: paris
Subjects: landscapes, title-page, ornament ~ cartouche, globe

Deze prent maakt deel uit van een album.
Gezicht op bogen in het huis van Kajafas
Object type: photograph
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: arch, archivolt ~ architecture
Le Lutrin. Chant Premier.
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: head-gear, insignia of bishop, e.g. mitre, crozier, gorgoneion, head of medusa, organization, functionaries and dignitaries in roman catholic church; clergy in general
Inscriptions: collector's mark: Lugt 2228

Een groep geestelijken kijkt toe hoe een jonge misdienaar uit de biretta van de priester een papier pakt. De voorstelling is gedecoreerd met een ornamentele omlijsting die wordt bekroond door een Medusahoofd. Onderaan een opengeslagen liedboek en diverse attributen van een bisschop.
Edging
Object type: textile
Date: 1875 – 1900
Materials: hair, silk
Techniques: lace
Location: eastern mediterranean region
Le Sentiment contraire à la Pensée
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: cat, birds, open window
Inscriptions: collector's mark: Lugt 240
Design for Vis-à-vis/ Caleche, no. 745
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cup
Object type: cup
Date: 1700 – 1800
Materials: metal alloy
Techniques: amalgam gilded, casting
Location: tonkin
Artist: Anonymous
Subjects: verenigde oostindische compagnie, vietnam, kanton

Bekervormig kopje op voetring, buitenzijde zwart gemoffeld, binnenzijde (vuur-)vergulde suassa. bovenrand licht geschulpt met vijf verticale ribbels van rand tot voetring. Aan de buitenzijde vijf rechthoekige cartouches met uitgesneden versiering in verguld reliëf van takken met bladeren en bloemen, vogels en één cartouche met palmtakken en vruchten. Aan de buitenzijde langs de bovenrand een horizontale band met ingekerfde versiering. Aan weerszijden zijn vleugelvormige oren vastgeklonken, aan de onderzijde naar twee kanten uitlopend. Oren zijn gestileerde takken, deels glad en rond, die zich in tweeën splitsen, met (bloem-)knoppen en aan bovenzijde bloemen.