deem-data/ArtiFact huggingface dataset:
Portret van Daya Datta, Raja van Nurpur
Object type: indian miniature
Date: 1720 – 1720
Materials: paper
Techniques: brush
Location: nurpur
Artist: Anonymous
Inscriptions: inscription: ‘.’

Tegen een achtergrond van groen en donkergrijs staat een vorstelijk personage met profiel naar rechts; de linkerhand rust op de heft van zijn zwaard, in zijn rechterhand houdt hij iets ondefinieerbaars geklemd. De voorstelling is omlijst door een paar smalle gekleurde kaderlijntjes in zwart, wit en rood.
Embroidered Border Fragment
Object type: border fragment
Date: 300 – 101
Materials: animal fiber
Culture: nasca
Location: peru
Subjects: mythical creatures
Fotoreproductie van (vermoedelijk) een tekening van de Eiserne Jungfrau (IJzeren Maagd) uit Neurenberg
Object type: reproduction
Date: 1860 – 1890
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: instruments of torture, execution or punishment

Onderdeel van Reisalbum met foto's van Zwitserland, Oostenrijk, Italië en Duitsland.
Bust of a bearded man in a cap
Object type: cameo
Date: 1834 – 1866
Materials: gold, onyx
Artist: luigi saulini
Artist role: artist
Artist nationality: italian
Artist dates: 1819 – 1883
Subjects: men,profiles
Beleg van Bergen op Zoom, 1747
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: siege, position war, bergen op zoom
Inscriptions: inscription: ‘'t beleg van Berg op Zoom door de Franse ingenoomen den 16e September 1747,’, collector's mark: Lugt 2233

Zeer kleine voorstelling van het beleg van Bergen op Zoom door de Fransen in juli-september 1747.
Gezicht op Veere
Object type: book illustration
Date: 1615 – 1615
Materials: paper
Techniques: etching, letterpress printing
Location: arnhem
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Petit, Jean François le. Nederlantsche Repvblycke, bestaende inde staten so generale, als particuliere van 't hertochdom Gelder, graefschap van Hollant, West-vrieslandt, ende van Zeelandt, provincien van Utrecht, Vrieslant, Over-IJssel ende van Groeninghen (…). Arhnem: Jan Jansz., 1615, p. 176.
The Cropped Horse, from Series of Horses
Object type: print
Date: 1652 – 1652
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: paulus potter
Artist role: artist
Artist nationality: dutch
Artist dates: 1625 – 1654
Inscriptions: Lettered lower right: "Paulus Potter f: 1652."
Portret van Joannes Deknatel
Object type: print
Date: 1760 – 1762
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: norden, predikant, joannes deknatel
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve van Joannes Deknatel voor een gordijn en een boekenkast. Voor hem een plint waarop een bijbel.
Man met hoed op een stoel
Object type: sketchbook leaf
Date: 1874 – 1874
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: sitting figure (+ sideview, profile), head-gear: hat (+ men's clothes), chair
Inscriptions: date: ‘17 January 74’

Een man met een hoed zit op een stapel voorwerpen, die op een stoel ligt. In zijn hand mogelijk een leidsel. Blad 32 uit een schetsboek met 46 bladen.
Portret van Willem van Nassau-LaLecq
Object type: book illustration
Date: 1840 – 1884
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: willem van nassau-lalecq, huis nassau ottoonse linie
Inscriptions: collector's mark: Lugt 2228

Prent uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Amsterdam: J.F. Schleijer, 1840-1884.
Glass spoon
Object type: spoon
Date: 1 – 300
Materials: glass
Culture: roman

Translucent blue green. Fire-rounded, thick, uneven rim, forming end of handle; long hollow neck, tooled in around base, forming handle; body shaped into bowl of spoon with angular bottom and tubular edge. Intact, but small weathered chips in bottom edge of bowl; some elongated bubbles in neck; slight dulling and pitting, and faint weathering on exterior, some soil encrustation and iridescent weathering on interior. This spoon, which is said to have been found near the Sea of Galilee, was made from a single blown tube that was then tooled to shape the bowl and handle. Although rare, such glass spoons were probably produced throughout the Roman period, and they persisted even into Islamic times.
Musicians in an Interior
Object type: drawing
Date: 1606 – 1674
Materials: paper
Techniques: brush
Artist: leonaert bramer
Artist role: draughtsman, painter, print maker
Artist dates: 1596 – 1674
Subjects: one person playing keyboard instrument, small group of musicians, chamber orchestra, jazz band, cat, monkeys, apes, spinet, virginal, one person playing string instrument (bowed), ornamental birds: parrot, interior of the house, string instruments (bowed), dog

In the 17th century, being able to play several instruments was more important than perfectly mastering a single one. While making music together, one could then switch instruments. This drawing is probably a design for a mural intended for a music room. Unfortunately, we do not know where or if it was executed; almost all of Bramer’s interior paintings have been lost.
Post-mortemportret van een onbekend kind
Object type: photograph
Date: 1855 – 1900
Materials: cardboard, glass, iron, metal, paper, textile, wood
Techniques: ferrotyping
Artist: Anonymous
Subjects: child, the corpse
Deel van een kaart van Rijnland, met Amsterdam en omgeving
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, etching, hand coloring
Subjects: maps of separate countries or regions, amsterdam
Inscriptions: collector's mark: Lugt 195

Deel van een kaart van Rijnland, bestaande uit 27 delen.
Portret van de schilder Louis Hendrix
Object type: carte de visite
Date: 1866 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: belgium
Artist: Anonymous
Subjects: antwerp, painter, historical persons, portrait, self-portrait of painter, belgium
Inscriptions: inscription: ‘Louis Hendrix (peintre)/ 1866’
Portret van Dootje en Wilhelmina van Zijll de Jong
Object type: photograph
Date: 1934 – 1935
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, the hague, wilhelmina van zijll de jong, historical persons - bb - woman, sisters (second degree family relationships), netherlands
Three Comrades, plate five from Actualités
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: lithograph
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Coverlet
Object type: textile
Date: 1840 – 1845
Materials: textile, cotton, wool
Techniques: jacquard, weave
Location: indiana
Artist: hugh gilchrist
Artist nationality: american
Artist dates: 1806 – 1857
Subjects: coverlet
Hot water dish
Object type: hot water dish
Date: 1751 – 1775
Materials: pewter
Artist: thomas swanson
Artist role: maker
Artist dates: 1683 – 1783
Martelaren van Gorkum, 1572
Object type: print
Date: 1620 – 1660
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: nineteen friars of different orders are taken prisoner and hanged by 'watergeuzen' (beggars of the sea) after the capture of gorkum (in holland), brielle

Wreedheden bedreven aan de martelaren van Gorkum, 9 juli 1572. In de turfschuur te Den Briel worden de monniken en priesters door de watergeuzen gemarteld, hun neuzen en oren worden afgesneden en zij worden opgehangen aan de balken. Met onderschrift van 5 regels in het Latijn. Onder de voorstelling de wapens van het echtpaar Franco aan wie de prent is opgedragen.
Brief aan Mien Cambier van Nooten
Object type: letter
Date: 1939 – 1939
Materials: cardboard, ink
Techniques: pen, writing
Location: bennekom
Artist: dick ket
Artist role: draughtsman, print maker
Artist dates: 1902 – 1940
Subjects: amsterdam, the hague, arnhem, mien cambier van nooten, literature ~ arts, portrait, self-portrait of artist, diseases
Distelvlinder (Vanessa cardui)
Object type: watercolor
Date: 1700 – 1800
Materials: ink, parchment, watercolor
Techniques: brush, pen
Artist: pieter barbiers
Artist role: draughtsman, painter
Subjects: insects: butterfly
Series Chronologica et Imagines Regu Hispaniae ab Ataulpho ad Carolum II
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: historical persons, ruler, sovereign

Portret afkomstig van een grote prent, getiteld 'Series Chronologica et Imagines Regu Hispaniae ab Ataulpho ad Carolum II', bestaande uit tien bladen die samengevoegd konden worden, uitgegeven door Giovanni Giacomo de' Rossi in 1685.
Portret van een vrouw
Object type: album leaf
Date: 1908 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: haarlem
Artist: willem christiaan kroes
Artist role: draughtsman, painter
Artist dates: 1868 – 1954
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘W.C. Kroes/ Spaarne, 10/ Haarlem’
Venlo. Maria Kerk
Object type: photomechanical print
Date: 1913 – 1950
Materials: cardboard
Techniques: photograph
Location: venlo
Subjects: church (exterior)
Inscriptions: monogram: ‘L.D.’
Schutterspenning van Enkhuizen
Object type: marksman medal
Date: 1688 – 1688
Materials: silver
Location: enkhuizen
Artist: Anonymous

Zilveren schutterspenning van Enkhuizen. Voorzijde: de maagd van Enkhuizen die een wapenschild van de stad vasthoudt. Zonnestralen die door de wolken breken, met de vestingwerken van de stad in het verschiet. Keerzijde: een grote trofee waarvoor een schild staat met de letter E. Bovenaan staat in een banderol: Anno 1688.
Compositie met Oosterse man, vrouw met kind en vier hoofden van mannen
Object type: print
Date: 1805 – 1844
Materials: paper
Techniques: drypoint, engraving, etching
Location: france
Subjects: head (human), head-gear: turban, mother and child(ren), woman and child(ren) (family group)
Back curtain and coverlet for a bed
Object type: curtain and coverlet
Date: 1701 – 1733
Materials: canvas, silk, wood, wool
Techniques: damask
Carpet
Object type: carpet
Date: 1701 – 1800
Materials: wool
Techniques: pile
Location: turkey
Marie Studholme, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Medal commemorating International Congress on Tuberculosis, Washington
Object type: metalwork
Date: 1908 – 1908
Materials: bronze
Location: united states
Artist: victor david brenner
Artist nationality: american
Artist dates: 1871 – 1924
Mannenhoofd met snor
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human)

Blad 13 recto uit schetsboek VI met 33 bladen.
Plaque with the Holy Women at the Sepulchre
Object type: plaque
Date: 1140 – 1160
Materials: ivory
Culture: german
Location: germany
Subjects: men,women

Presented here are scenes from Gospel accounts of Jesus’ meetings with his followers after the Resurrection. Each plaque is composed of multiple pieces of walrus ivory carved in high relief. These plaques, along with others in Cologne, London, and Berlin, decorated the front of an altar or pulpit. They were originally set into a wood or metal framework and painted.
Menna and Family Hunting in the Marshes, Tomb of Menna
Object type: facsimile, menna tt 69, marsh hunting
Materials: paper, paint
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Subjects: birds,men,women,hunting,crocodiles,fish,family,boats

Copied from an original executed in painted plaster on the north wall of Menna's tomb chapel, this facsimile depicts the tomb owner fishing and fowling in the papyrus marshes. To viewer left, Menna holds decoy birds in one hand and raises a throwstick above his head with the other. On the right, he uses a long spear to catch two large fish, most likely Tilapia. In both vignettes, he is poised on the deck of a papyrus skiff, into which members of his family (unnamed here, but probably his wife and several of his children) have crowded. Both the papyrus thicket between the two figures of Menna and the water beneath his boats are teeming with wildlife, including birds, fish, even a crocodile and a small cat, the latter of which climbs up a papyrus stalk, hoping to catch one of the migratory birds that flies above. As they lay on the fringes of the Nile Valley, the marshes were considered liminal zones and the untamed creatures that inhabited them were identified with the enemies of maat, the proper order of the cosmos. By defeating these enemies, Menna was helping to ensure the maintenance of the Egyptian world. At the same time, this scene is rife with erotic overtones -- women wearing diaphanous dresses and holding lotuses, which are symbols of fertility; Tilapia, fish that carry their young in their mouth and thus also were linked with regeneration; and waterfowl such as ducks and geese, symbols of abundance and also mythologically tied to Egyptian creation stories. Thus Menna also helps to guarantee the daily re-iteration of creation and his own regeneration and rebirth.
Battle Before Troy
Object type: print
Date: 1535 – 1555
Techniques: etching
Artist: jean mignon
Artist role: artist
Artist nationality: french
Artist dates: 1535 – 1555
Subjects: battles,weapons,men,horses
Venus Discovering the Death of Adonis
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink
Techniques: brush, heightening, pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: birds,adonis,venus,death
A. Schelfhout
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: sea (seascape), ships (in general) - cc - more than one ship, coast
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Verboeckhoven, Eugène. Album lithographié par Paul Lauters d'après les dessins des principaux peintres du Royaume des Pays-Bas. Brussel: Antoine Dewasme-Pletinckx, 1829.
Covered Incense Box
Object type: incense box
Date: 1801 – 1900
Materials: glaze, porcelain
Culture: japanese
Interieur met gezin aan de maaltijd
Object type: print
Date: 1851 – 1893
Materials: paper
Techniques: etching
Subjects: interior of the house, cradle, crib, (family) meal
Inscriptions: collector's mark: Lugt 2228

In een interieur zitten een man en een vrouw tegenover elkaar aan een tafel waarop een schotel staat. Een wieg staat tussen hen in. Links drie etende kinderen.
Portret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1815 – 1864
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: the hague, berlin, william i of the netherlands
Inscriptions: collector's mark: Lugt 2228

Portret van Willem I Frederik. Hij staat voor een troon met in zijn rechterhand zijn hoed. Op de achtergrond Oorlog die een zwaard aan de Nederlandse Leeuw geeft en een veldslag. In de ondermarge zijn naam, zijn titel en zes regels Nederlandse tekst.
Brief aan Jan Veth
Object type: letter
Date: 1891 – 1891
Materials: ink, paper
Techniques: pen, writing
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: rotterdam, amsterdam, painter, print maker, draughtsman, george hendrik breitner, designer, jan veth, publisher, haarlem, frederik van eeden, criticizing and discussing art, art criticism, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Twee fotoreproductie van geschilderde portretten van John Milton en John Dryden
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Artist: Anonymous
Subjects: england, london, john dryden, john milton, historical persons, writer, poet, author
Inscriptions: inscription: ‘John Milton/ 1608-1674/ John Dryden/ 1631-1700’

Deze foto's maken deel uit van een album.
Verzameling gedecoreerde borden
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: dish, plate, saucer
Inscriptions: number: ‘Pl. 13’
Portret van Martinus Chemnitz
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: leiden
Artist: pieter van der aa (i)
Artist role: printer, publisher
Artist dates: 1659 – 1733
Subjects: historical persons

De prent maakt onderdeel uit van een grotere plaat met 24 portretten. Prent uit: Gottfried, Johan Ludwig en Simon de Vries. Historische kronyck: vervattende een nauwkeurige en volkomene beschrijvingh der aldergedenck waerdiste geschiedenissen des weerelds (...). Leiden: weduwe Joannes Brouwer en Jacobus van Meurs, 1660, dl. 2. Prent ook gebruikt in latere edities.
This poor King Louis XIV doesn't believe his eyes, from 'News of the day,' published in Le Charivari, August 21, 1871
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,louis xiv,horses
Portret van een onbekende man
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: photograph
Artist: ferdinand leys
Artist role: fotograaf
Subjects: historical persons
Inscriptions: inscription: ‘ART EN PHOTOGRAPHIE, No 3.’

Deze prent maakt deel uit van een omslag met 54 prenten op 52 bladen.
Portuguese Dancer, from the Dancing Women series (N186) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancers

Trade cards from the "Dancing Women" series (N186), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Snuffbox
Object type: snuffbox
Date: 1749 – 1750
Materials: gold
Subjects: flowers

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Partisan
Object type: partisan
Date: 1601 – 1700
Materials: gold, steel, wood
Culture: french
Location: france
Dish
Object type: dish
Date: 1830 – 1850
Materials: glass
Location: france
The Doctor's Punishment Put in Execution to the Small Entertainment of the Whole Village
Object type: drawing and watercolor
Materials: graphite, ink, paper, watercolor
Techniques: brush, pen
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1924 – 1924
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Dress
Object type: dress
Date: 1870 – 1874
Culture: american
Design for a Tomb for a Cardinal
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: tombs,men
Portico of the Temple of Julius, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Location: rome
Artist: Anonymous
Artist role: artist
Subjects: columns,ruins,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume I, plate 38 in the scrapbook.
Pattern penny of Queen Victoria
Object type: penny
Date: 1860 – 1860
Materials: copper gilt
Artist: joseph moore
Artist role: artist
Artist nationality: british
Artist dates: 1817 – 1892
Subjects: profiles,queen victoria
Portret van Anna Maria Johanna van Marle
Object type: photograph
Date: 1908 – 1915
Materials: cardboard, photographic support
Techniques: photography
Artist: Anonymous
Subjects: amsterdam, historical persons - bb - woman
Inscriptions: annotation: ‘Anna TvB-v.Marle’

Portret van Anna Maria Johanna Teding van Berkhout-van Marle.
Schelp en ornamenten met bladmotief
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: foliage ~ ornament, scallop, shell ~ ornament

Deze prent is gebruikt als ornament in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Portret van Ernst Casimir, graaf van Nassau-Dietz
Object type: print
Date: 1785 – 1796
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ernst casimir graaf van nassau-dietz
Inscriptions: collector's mark: Lugt 240

Latere staat prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XIV.