deem-data/ArtiFact huggingface dataset:
String of Beads
Object type: bead, string
Date: 801 – 1100
Materials: stone
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Landscape View at Yokohama (Yokohama fūkei)
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Subjects: human figures,bridges,landscapes
Denga uit Rusland van tsarina Elisabet I,1750
Object type: coin
Date: 1750 – 1750
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: dubbelkoppige gekroonde adelaar met gespreide vleugels en met in zijn poten scepter en bol met daarop kruis. Boven de adelaar een kroon. Keerzijde: binnen barok-versiering waarde-aanduiding in twee regels, waaronder jaartal. Kabelrand.
Ex libris van Frans Thuer
Object type: bookplate
Date: 1900 – 1904
Materials: paper
Techniques: planographic printing, printing block
Location: belgium
Subjects: stamp (~ postal matter), open door, book
Portret van een onbekende vrouw
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: historical persons - bb - woman (+ (full) bust portrait), snakes (+ ornamental variants of animals), head-gear: cap, pin
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit op een stoel en draagt een geruite sjaal over een kanten kraag. Bij de knoop zit een speld in de vorm van een slang. Op haar hoofd draagt zij een kapje versierd met bloemen.
Standing Bodhisattva, probably Avalokiteshvara
Object type: figurine
Date: 701 – 800
Materials: bronze
Culture: plai bat ii temple
Subjects: buddhism,bodhisattvas
I was a widow, from "Scenes from the Private and Public Life of Animals"
Object type: print
Date: 1837 – 1847
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Restanten van gebouwen aan de Straat met Graftombes (Via delle Tombe) in Pompei, met op de achtergond de Vesuvius
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: grave, tomb, excavation ~ archaeology, street, pompeii
Inscriptions: negative number: ‘4207’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.
Head of a Man with a Round Wig
Date: 1625 – 1500
Materials: limestone, paint
Location: egypt

This fragment depicts a man wearing a short hairstyle, rather similar to the bowl-like style seen on a few three-dimensional male representations from the 17th Dynasty to the very early 18th Dynasty. The statuette was originally supported by a round-ended back pillar. There are traces of paint across the surface, black on the hair and red on the face – two colors that are traditionally associated with hair and male complexion in ancient Egypt.
Arms of Pope Pius IV (Giovanni Angelo Medici of Milan, reigned 1559–65)
Object type: papal arm
Date: 1534 – 1566
Materials: marble
Subjects: coat of arms
Portret van een jonge vrouw met hoed
Object type: album leaf
Date: 1900 – 1913
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adolescent, young woman, maiden, head-gear, historical persons
Inscriptions: annotation: ‘Chère Ida/ (...)’
Amphitheater at Verona, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1560 – 1560
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: architecture,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 64 in the scrapbook.
Portret van Johanna van Castilië
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons - bb - woman, queen
Inscriptions: inscription: ‘1.’, inscription: ‘Oudste dogter van Ferdinandus den Katholijken koning van/ Kastilien en Arragon (...)’

De prent vertoont stilistische overeenkomsten met de serie portretten uitgegeven door Moncornet, bekend onder 'Recueil de portraits des rois, princes et seigneurs français et étrangers', ca. 1652.
Bokaal met deksel, van goud, met het wapen Dedel
Object type: goblet
Date: 1743 – 1743
Materials: gold
Location: the hague
Artist: Anonymous
Subjects: vine, rocaille ornament, armorial bearing, heraldry
Inscriptions: coat of arms, alloy mark, town mark, maker's mark, date letter: ‘W’

Cup. Gold. The Hague, 1743, maker's mark a bird.
Oude Delft W.Z. No. 169. Renaissance gevel
Object type: photograph
Date: 1900 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: delft
Artist: Anonymous
Subjects: urban housing, decorated gable
Inscriptions: inscription: ‘Het recht van reproductie dezer photo's wordt door den Uitgever voorbehouden.’, inscription: ‘Delft. 17e eeuw. Ingang met erker van later.’, number: ‘43’
Seated Peasant
Object type: print
Date: 1830 – 1875
Materials: ink, paper
Techniques: etching, printing
Artist: jean-françois millet
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: human figures
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, at the left, a laver; above, a strigil; bent arm and part of torso of a draped youth to right; Exterior, profiled ring foot; the resting surface of the foot is unglazed; the inner wall of the foot is glazed; the underside of the floor is decorated in concentric circles; the outermost band is in reserve, followed by a wide band of black glaze; a thin band of reserve and a thin band of black glaze borders the center which is in reserve, and has a black circle in the middle with a dot in the center
Jeune arabe
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: rotogravure
Location: tunis
Artist: Anonymous
Subjects: head-gear: turban, historical persons (portraits and scenes from the life)
Rank Badge with Golden Pheasant
Object type: rank badge
Date: 1701 – 1800
Materials: gold, hair, silk
Culture: chinese
Subjects: pheasants
whorl
Object type: whorl
Date: 700 – 601
Materials: amber
Culture: etruscan or italic
Dirham of Nasir al-Din Mahmud (r. 1201–22): Double-Headed Bird of Prey
Object type: coin
Materials: copper
Location: turkey

The period from the mid-twelfth to the mid-thirteenth century witnessed a growing regional economy in the Jazira which led to a profusion of unusually large and heavy copper coins depicting a myriad of figural imagery. Their large size (approx. 2.4–3 cm), the existence of figural imagery, and certain themes recall Byzantine copper coins which were used as petty coinage and which this new coinage complemented. The iconography of many of these coins relates to ancient Roman (cat. 14e), Greek, and Byzantine (cat. 14f) coins. Certain rare examples even copy coins from different periods (cat. 14f), while others have unusual iconography (cat. 14i or cat. 14k), the visual sources and artistic models of which remain difficult to identify. The nearly exact rendering of certain images suggests that mint makers had their models at hand. Ancient gold and silver currency was probably uncovered when rebuilding or erecting monuments, as many of the towns and cities occupied by the Artuqids and Zangids were important centers in antiquity.
Peony and Bamboo
Object type: hanging scroll
Date: 1768 – 1768
Materials: ink, paper
Culture: japanese
Artist: ike (tokuyama) gyokuran
Artist role: artist
Artist nationality: japanese
Artist dates: 1728 – 1784
Subjects: peonies,bamboo

Tokuyama Gyokuran was introduced to the world of the literati early in life. Her mother and adopted mother were both noted poets in Kyoto and were close to the early nanga artist Yanagisawa Kien (1704–1758), a painting teacher to Ike Taiga, whom Gyokuran later married in the early 1750s. Although she began painting well before her marriage, Taiga’s influence is apparent here in the technique used to create the broad, trailing contour line of the rock and the pointed bamboo leaves. Based on what is known of her stylistic development, this work is dated to around 1768.
Plate 5: The Tomb of Mausolus, from "The Seven Wonders of the World"
Object type: print
Date: 1608 – 1608
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: tombs,men,dogs,horses
Box
Object type: box
Date: 1782 – 1783
Materials: gold
Artist: nicolas-jean-baptiste choconain-delauney
Artist role: maker
Artist dates: 1775 – 1793
Creamer
Object type: cream pot
Date: 1830 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Het Mirakel van Amsterdam (kopie), 1345
Object type: print
Date: 1639 – 1699
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: office of the dead, amsterdam

De lijkdienst. De priester houdt het H. Sacrament omhoog. Rechts op de achtergrond redt een engel een ziel uit het vagevuur. Op de voorgrond links de doodskist onder een kleed, rechts knielende mannen. Prent nr. 16 uit de serie van 16 voorstellingen van Het Mirakel van Amsterdam, naar de gebeurtenissen op 15 maart 1345. Kopieën naar de reeks van Bolswert. Onder de voorstelling in de plaat gegraveerd een zesregelig vers in het Latijn, daaronder een zesregelig vers in boekdruk in het Nederlands.
's-Hertogenbosch. St. Jacob-Kazerne
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: den bosch
Artist: Anonymous
Subjects: soldiers and civilians, barracks, den bosch
Beeldhouwwerken op het kerkhof van Plougastel, gezien vanuit het zuiden
Object type: page
Date: 1850 – 1859
Materials: photographic support
Techniques: albumen print
Location: plougastel-daoulas
Artist: taylor
Artist role: fotograaf
Subjects: piece of sculpture, reproduction of a piece of sculpture, churchyard, cemetery
Inscriptions: number: ‘33’

Foto op tweede ongenummerde pagina na pagina 136.
Huis onder palmen
Object type: photograph
Date: 1863 – 1866
Materials: photographic support
Techniques: albumen print
Location: batavia
Subjects: detached house in city, batavia

Gezicht op een woonhuis onder palmen. Voor het huis een Europees paar bij een hobbelpaard, voor het huis een rijtuig met koetsier en twee paarden en Indisch personeel, waarschijnlijk te Batavia. Onderdeel van het tweede groene fotoalbum met foto's van Java, uit het bezit van apotheker Specht-Grijp, die in 1865 vanuit Batavia naar Nederland terugkeerde.
Woestijnlandschap met figuren
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil, watercolor
Techniques: brush
Location: algeria
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: desert, landscapes (+ landscape with figures, staffage), mountains

Op de achtergrond vermoedelijk het Atlasgebergte. Pagina 3 uit een schetsboek met 31 bladen.
Kuipers- en wijnverlatersgilde van Amsterdam, gildepenning van Roelof Bossemaker, meester kuiper
Object type: medal
Date: 1730 – 1730
Materials: copper
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Koperen penning. Voorzijde: dissel en passer binnen bladerkrans. Keerzijde: opschrift
Drie reliëfs over Firminus van Amiens in de Notre-Dame van Amiens
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Subjects: female saints, sculpture (+ relief ~ sculpture), notre-dame d'amiens
Inscriptions: inscription: ‘Clôtures de choeur histoire de S. Firmin’
Saint Francis Receiving the Stigmata
Object type: print
Date: 1503 – 1503
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: saint francis,crucifixion
Operatiekamer in een chirurgisch ziekenhuis in Helsinki
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: helsinki
Artist: Anonymous
Subjects: operating room
Inscriptions: number: ‘Pl. IX.’
Vase
Object type: vase
Date: 1755 – 1755
Materials: stoneware
Techniques: salt glaze
Subjects: flowers
Cup with a lady holding a bird
Object type: cup
Date: 1790 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: forming, gilding, turning, vitrification
Location: france
Artist: Anonymous

Kop van porselein met een cilindrische wand en aan de onderzijde naar binnen gebogen oor, beschilderd op het glazuur in blauw, rood, groen, geel, paars, zwart en goud. Op de buitenwand een gouden medaillon met daarin in grisalle een dame in een landschap, zittend op een rots. In haar ene hand heeft zij een stok, met de andere hand staat ze op het punt een vogel vrij te laten. Om het medaillon decoratieve banden met guirlandes, blad- en bloemranken. Gouden oor.
Pietà
Object type: pax
Materials: enamel, gilt bronze, silver
Techniques: enamel, filigree, painting
Subjects: virgin mary,cross,jesus,death

The style of the enamel painting is close to that of the Brescian Vincenzo Foppa (ca. 1427/30-ca. 1515).
Seated Bodhisattva
Object type: figure
Date: 967 – 1033
Materials: bronze
Culture: indonesian, java, ngandjuk
Subjects: buddhism,bodhisattvas
Voorstellingen van de meeste prominente gebouwen in Pisa
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: etching
Location: pisa
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

Prent 2 uit een reeks van 8 prenten met omslag.
Reproduction of Deux Nymphes et deux Amours regardant des colombes (Two Nymphs and Loves watching two doves)
Object type: print
Date: 1769 – 1900
Materials: ink
Techniques: printmaking, engraving
Artist: gilles demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1722 – 1776
Landschap met twee hengelende vissers in een boot op een vijver
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: pond, pool
Inscriptions: collector's mark: Lugt 2228
Aanzichten
Object type: ornament print
Date: 1559 – 1559
Materials: paper
Techniques: etching
Location: paris
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: architectural design or model, façade (of house or building)

Zes aanzichten van architectuur. Genummerd: XXXIIII. Onderdeel van 'De architectura Iacobi Androuetii du Cerceau' (1559): 69 etsen met 171 voorstellingen van architectuur en ornamentiek.
Gedenkteeken ter gedachtenis aan de plaats, waar wijlen Z.M. Koning Willem II overleden is, onthuld door Z.K.H. Prins Hendrik, den 17 Maart 1874
Object type: photograph
Date: 1874 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: tilburg
Artist: adrianus van beurden
Artist role: fotograaf
Artist dates: 1843 – 1915
Subjects: monument, statue
Inscriptions: collector's mark: Lugt 2233

Gedenkteken opgericht op de plaats waar het sterfhuis van koning Willem II in Tilburg heeft gestaan (gesloopt in 1873), onthuld door Prins Hendrik op 17 maart 1874. 25 jaar na het overlijden van de koning op 17 maart 1849. Zie ook de pendant.
Gil Blas en Fabricio ontvangen door Donna Hyacintha
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: gotha
Subjects: literature, aids for prayer, e.g. rosary, interior of the house, looking downwards
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor 'Gil Blas de Santillane' van Alain-René Lesage. Een latere staat gebruikt in: Almanac de Gotha (...). Gotha: C. W. Ettinger, 1784.
Portret van Richard Parkes Bonington
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: mezzotint
Location: london
Subjects: london, painter, print maker, richard parkes bonington, historical persons, portrait, self-portrait of draughtsman
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Human Miseries, from the Volpini Suite
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: lithography
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Signed recto, in plate, lower right, in image, in reddish-brown printing ink: "P Gauguin / 89 [in reverse]"; inscribed verso, lower left, in graphite: "43.1028 / R8013"
Wereldtentoonstelling te Antwerpen - Wijk Oud Antwerpen 1894
Object type: history medal
Date: 1894 – 1894
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde een burcht, met twee banieren waaraan wapenschilden, deels binnen een veelpas, met omschrift in gotische letters, op de keerzijde enkele gebouwen met tekstbanderol, omschrift in gotische letters en afsnedetekst.
Cream Pot (part of a set)
Object type: metalwork
Date: 1900 – 1900
Materials: silver
Location: providence
Inscriptions: Inscribed: "Charles Henry Aldrich/Helen Urania Roberts/1875 October Thirteenth 1900"
Water jar
Object type: water jar
Date: 1765 – 1765
Techniques: maiolica, glazing
Subjects: chinoiserie,men,horns,monkeys
View of Avignon (from Villeneuve les Avignon)
Object type: drawing and watercolor
Date: 1823 – 1869
Materials: gouache, graphite, gum arabic, paint, paper, varnish, watercolor
Techniques: scraping
Location: france
Artist: paul huet
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1869
Caricature of Canon Sorri
Object type: drawing and watercolor
Materials: ink, ivory, paper
Techniques: pen
Location: italy
Artist: angelo de rossi
Artist nationality: italian
Artist dates: 1671 – 1715
Textile fragment with repeating pattern of paired flowers and linked circles
Object type: fragment
Date: 1701 – 1900
Materials: silk
Culture: japanese
Landschap met huis tussen bomen achter hek
Object type: drawing
Date: 1864 – 1936
Materials: ink, paper, pencil
Techniques: pen
Artist: jan van essen
Artist role: draughtsman, print maker
Artist dates: 1854 – 1936
Fries met zes bustes in lauwerkransen
Object type: print
Date: 1541 – 1541
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: helmet, chest, bust, head-gear
Inscriptions: collector's mark: Lugt 2228

Bustes van drie mannen en drie vrouwen, en profil en per twee naar elkaar gericht.
Allegorie met Apollo die schrijver Publius Terentius Afer eert
Object type: book illustration
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: the hague
Artist: pieter van cuyck (i)
Artist role: print maker
Artist dates: 1689 – 1765
Subjects: apollo and the muses, apollo musagetes
Inscriptions: collector's mark: Lugt 2228

Allegorie met Apollo die Latijnse schrijver Publius Terentius Afer eert. De schrijver neemt een schriftrol en lauwerkrans in ontvangst van de god terwijl een engel op een bazuin blaast en op de achtergrond geleerden en de muzen op de berg Parnassus toekijken. In de marge Latijns opschrift in vier regels.
Tombeaux des princes et des grands capitaines et autres hommes illustres qui ont fleuri dans la Grande Bretagne vers la fin du XVIIe et le commencement du XVIIIe
Object type: print
Date: 1735 – 1741
Materials: paper
Techniques: engraving, etching
Subjects: politician, physicist, london, beasts of prey, predatory animals: lion, alertness, vigilance; 'guardia', 'vigilanza', 'vigilanza per difendersi & oppugnare altri' (ripa)
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een twintigdelige serie met prenten van grafmonumenten van illustere Britten naar schilderijen uit de collectie van de Duke of Richmond. De serie bestaat uit prenten door verschillende kunstenaars en werd eerst uitgegeven door Mac Swiny en daarna door Basan.
Dit betreft de prent voorafgaand aan het allegorisch grafmonument voor Robert Boyle, John Locke en Thomas Sydenham.
Harddraverij in het bos van Alkmaar
Object type: print
Date: 1826 – 1839
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: j.b. clermans
Artist role: print maker
Subjects: horse-racing, forest path or lane
Inscriptions: collector's mark: Lugt 2228

Te midden van rijen bomen ligt een renbaan met daarop twee ruiters te paard. Een van hen, net over de finish gekomen, heeft zijn cap afgenomen en zwaait ermee in de lucht. Links en rechts van de baan staan toeschouwers. Rechts een tent met daarin dames uit de gegoede burgerij. Een man staat bovenaan de trap met in zijn handen de beker voor de winnaar.