deem-data/ArtiFact huggingface dataset:
Fotoreproductie van een gravure naar De wederopstanding door Pietro Perugino in het Vaticaan
Object type: photograph
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers
Reinforce for a Helmet (Gupfe)
Object type: pate defense
Date: 1545 – 1550
Materials: gold, steel
Culture: german
Location: germany
Slippers
Object type: slipper
Date: 1880 – 1880
Materials: leather, silk
Culture: american
Miniature Mask for a Canopic bundle
Object type: mask, canopic bundle, miniature
Date: 1427 – 1400
Materials: paint
Location: egypt
Subjects: masks

Small masks like this one were sometimes placed over the mummified canopic bundles containing the four internal organs that were removed during mummification.
Parasol met een dek van zwarte Chantilly-kant op witte tafzijde, gevoerd met witte ponjézijde, gesneden ivoren stok
Object type: parasol
Materials: ivory, metal, silk
Techniques: cutting, weave
Location: france
Artist: Anonymous

Parasol van zwarte Chantilly-kant met moesjes in het midden, schakelrand van medaillons en geschulpte buitenrand met hangende tulpen, dicht op elkaar geplaatst, op witte tafzijde. De voering is van witte ponjé-zijde versierd met een strook machinale blonde kant. De stok is van ivoor, gesneden als een knoestige stam, waaromheen zich ijle klimopranken slingeren in reliëf. Geen haak. Halverwege kan de stok losgeschroefd worden. Bovenop een ronde knop van ivoor.
Portret van Willem Kloos, Pet Tideman (in een schilderijenlijst) en Hein Boeken
Object type: glasnegatief, glasplaatnegatief
Date: 1895 – 1925
Materials: glass
Techniques: gelatin glass negative
Artist: wouterus gijsbertus hondius van den broek
Artist role: amateurfotograaf
Artist dates: 1867 – 1913
Subjects: the hague, willem kloos, hein boeken, hoorn (north holland), pet tideman, historical persons, frame of painting, etc.
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Subjects: birds,butterflies,flowers,leaves
Biedermeier frame
Object type: frame
Date: 1830 – 1840
Materials: wood
Techniques: veneering
Culture: german
Hanging gong
Object type: hanging gong
Date: 1662 – 1722
Materials: gemstone, jade
Culture: chinese
Denarius (Coin) Depicting the Mask of Pan
Object type: coin
Date: 48 – 48
Materials: metal, silver
Culture: roman
Location: italy
Subjects: mythological figures
Inscriptions: Obverse: PA (NSA)
Reverse: IOVIS  AXVR  C  VIBIVS  C  CN

The front (obverse) of this coin depicts the mask of the god Pan, facing right. On the back (reverse), the god Jupiter Axur is shown facing left.

During the first century BCE, powerful Roman families issued their own coinage, which often bore a personal icon. In this case the moneyer, a member of the Pansa family, used a mask of Pan in reference to the family’s name.
The Covered Bridge at Fribourg
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, heightening, pen, wash
Artist: claude louis châtelet
Artist role: artist
Artist nationality: french
Artist dates: 1753 – 1794
Subjects: human figures,houses,bridges,landscapes,trees
Design for Cabriolet Phaeton, no. 3128
Object type: drawing
Date: 1875 – 1875
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Return of the Cattle
Object type: painting
Date: 1773 – 1775
Materials: canvas, oil
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Subjects: farms,boys,men,women,cows
L'Epreuve
Object type: print
Materials: paper
Techniques: drypoint, soft ground etching
Location: france
Subjects: the (nude) human figure; 'corpo humano' (ripa), female sex; woman
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Verschenen in album met tien originele prenten bij tijdschrift: L'Epreuve, februari 1895, prent nr. 4
Vryheid en Gelykheid
Object type: print
Date: 1795 – 1796
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: paris, politician, jean-charles pichegru, herman willem daendels, fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: collector's mark: Lugt 2228

Allegorie op de Vrijheid en Gelijkheid, 1795. Opschrift in calligrafische letters, gevormd door staande mannen en vrouwen. Bovenaan blaast stralende Faam op haar bazuin bij de portretten van Daendels en Pichegru. Aan zijkanten en onderaan medaillons met allegorische figuren.
Design for the Decoration of the Surround of the Rear Sight of a Firearm
Object type: drawing
Date: 1797 – 1805
Materials: ink, paper, pencil
Techniques: wash
Culture: french
Location: france
Artist: nicolas noël boutet
Artist role: designer
Artist nationality: french
Artist dates: 1761 – 1833
Subjects: fruit,satyrs
Galvanoplastische reproductie van een schaal met een hert binnen omheining uit het Lüneburger Ratssilber
Object type: dish
Date: 1881 – 1881
Materials: copper, silver
Techniques: gilding
Location: berlin

Galvanoplastische reproductie van een schaal met zwellingen, waarop liggend hert op groen email, op hoge voet van verguld zilver.
Zuil van Marcus Aurelius op het Marsveld te Rome
Object type: photograph
Date: 1872 – 1882
Materials: photographic support
Techniques: albumen print
Location: marsveld
Artist: Anonymous
Subjects: square, place, circus, etc., triumphal column with helical friezes
Twee reuzen en twee gezichten van reuzen
Object type: drawing
Date: 1936 – 1940
Materials: paper, pencil
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Subjects: face, giants, colossi
Inscriptions: collector's mark: Lugt 2228

Deze tekening is mogelijk een ontwerp voor een illustratie bij het boek 'Gargantua en Pantagruel' van François Rabelais.
Egyptomania candelabrum (one of a pair)
Object type: candelabrum and stand
Date: 1802 – 1806
Materials: bronze
Techniques: gilding
Artist: alexis decaix
Artist role: maker
Artist nationality: british
Artist dates: 1778 – 1811
Subjects: sphinx

These candelabra were one component of an extraordinary Egyptian-style dining room that was designed between 1802 and 1806 for Goodwood House, near Chichester in southern England, the home of the dukes of Richmond. The enthusiasm in England for all things Egyptian was first ignited by Napoleon Bonaparte’s (1769–1821) North African campaign of 1798. Napoleon was accompanied there by a team of scholars who recorded their findings, and the resulting publication by Baron Vivant Denon (1747–1825) on the monuments of the Nile Valley had a marked influence on design.
Medaillon met keeshond en leeuw, ca. 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: fenced or walled garden; 'hortus conclusus', beasts of prey, predatory animals: lion, dog, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Medaillon met een keeshond en de Nederlandse Leeuw in de Hollandse Tuin, ca. 1787. De leeuw zegt "Als my een keeshond byt, dan brul ik op myn tyd".
Title page, from Peter's Pension by Peter Pindar, Esq.
Object type: print
Date: 1787 – 1787
Techniques: engraving
Artist: george kearsley
Artist role: publisher
Artist nationality: british
Artist dates: 1753 – 1790
Portret van een vrouw
Object type: carte de visite
Date: 1899 – 1899
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: london
Artist: h. luyken
Artist role: fotograaf
Inscriptions: date

Staande vrouw, buiten, met hekken en bomen op de achtergrond.
Ingang van het bos
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: brush, etching
Location: amsterdam
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: gate, entrance, forest, wood, brook
Inscriptions: collector's mark: Lugt 2228

Links stroomt een beek door een bos. Rechts loopt een pad en in de verte is de toegangspoort te zien.
Cabinet du Conseil in het Paleis van Versailles
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: versailles
Artist: jd
Artist role: fotograaf
Subjects: mirror, chandelier, candelabrum, palace, interior of the house
Inscriptions: collector's mark: Lugt 3937, number: ‘14.’
Nieuwjaarswens van de Amsterdamse nachtwacht voor het jaar 1847
Object type: new year card
Date: 1846 – 1847
Materials: paper
Techniques: hand coloring, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: night patrol, street, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens van de Amsterdamse nachtwacht (ratelwacht) voor het jaar 1847. Centraal het Politiebureau op de Oudezijds Achterburgwal 183-185 met de Spinhuissteeg. Met schaatsers op het ijs. Binnen een kader met kleine voorstellingen van het werk van de nachtwacht. Met een vers in twee kolommen. Namens de nachtwacht in kwartier No. 5 van de 1ste Sectie, Staalstraat.
Chasuble
Object type: chasuble
Date: 1890 – 1890
Materials: metal thread, silk
Subjects: flowers

Of modest design and execution, this is part of a larger set of vestments (38.86.1-.5) likely made and decorated in China for export to Europe. The set is dominated by the sage green palette of the light silk ground material. The floral motifs are embroidered with colorful- but very thin- silk threads, resulting in some losses exposing the rudimentary underdrawings. Originally, the surfaces would have been decorated with spangles and sequins, most of which have been lost.
Landschap met figuren langs een oever en een windmolen
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: etching
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), rowing-boat, canoe, etc., windmill in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Prent behoort mogelijk tot de prentserie: Recueil de Gravures à l'eau forte, dont plusieurs d'apres Hobbema, par P.F. de Noter. Gent: s.n., 1831.
Wine pot
Object type: wine pot
Date: 1870 – 1870
Materials: enamel, faience, glaze
Culture: japanese
Card Number 562, Amy Gordon, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
James "Hardie" Harding Henderson, Pitcher, Pittsburgh, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Portret van een jonge vrouw
Object type: album leaf
Date: 1892 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘No..../ Photographe/ Artistique/ M. H. Laddé/ boven de Firma/ Merkelbach & Co./ Amsterdam/ Nieuwendijk 57-59./ Het Cliche wordt voor verdere bestellingen bewaard.’
A.T. Stewart's Retail Store & Grace Church, New York
Object type: photograph
Date: 1875 – 1899
Techniques: albumen print
Location: new york city
Artist: Anonymous
Textile Fragment
Object type: textile fragment
Date: 300 – 600
Materials: linen, wool
Culture: coptic
Location: egypt
Subjects: human figures,animals
Fruitverkoopster
Object type: print
Date: 1741 – 1797
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: street-trader - bb - women engaged in trade and commerce, fruit
Inscriptions: collector's mark: Lugt 2228
Staande os
Object type: print
Date: 1778 – 1830
Materials: paper
Techniques: etching
Location: switzerland
Artist: johan jakob biedermann
Artist role: painter, print maker
Artist dates: 1763 – 1830
Subjects: ox
Inscriptions: collector's mark: Lugt 2228, watermark: ‘Thurneisen’
Print
Object type: print
Date: 1701 – 1733
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hishikawa morofusa
Artist role: artist
Artist nationality: japanese
Artist dates: 1685 – 1715
Subjects: books,women,reading
Portret van Catharina de Grote
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: sceptre, staff (symbol of sovereignty) - bb - female ruler, crown (symbol of sovereignty) - bb - female ruler
Inscriptions: collector's mark: Lugt 2228

Portret van Catharina de Grote, met voor het portret tsarenkroon en scepter.
Obsuratio solis et Lunae Stelle Cadentes coelorum commotio
Object type: book illustration
Date: 1625 – 1625
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: meteor, eclipse of the moon, solar eclipse
Inscriptions: collector's mark: Lugt 2228

Heuvellandschap met biddende en in paniek zijnde mannen tijdens een zon- en maansverduistering. Uit de lucht vallen sterren. Op de achtergrond de ruines van een stad.
"Tristram Shandy," Volume 4, page 112
Object type: print
Techniques: engraving, etching
Artist: simon francis ravenet, the elder
Artist role: artist
Artist nationality: french
Artist dates: 1706 – 1774
Subjects: infants,men,women
Beeld van een figuur in een mantel; het hoofd ontbreekt
Object type: figure
Date: 1400 – 1950
Materials: clay
S. Vultmar, abbé (St. Vultmar, Abbot), June 17th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Veues de Versailles
Object type: album leaf
Date: 1686 – 1686
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: french or architectonic garden; formal garden, water-works in garden

De prent maakt deel uit van een serie bestaande uit 87 genummerde prenten (volgens Hollstein). De serie is opgedeeld in de delen A t/m F.
Easby Abbey.  The Refectory
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: joseph cundall
Artist role: fotograaf, schrijver
Artist nationality: british
Artist dates: 1818 – 1895
Subjects: architecture,abbeys,ruins
Portret van Mathieu Molé
Object type: book illustration
Date: 1634 – 1688
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, mathieu molé, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en Jean-Luc Nyon, 1755-1765.
De voorbereidende tekening bevindt zich in de collectie van de Hermitage te Sint-Petersburg, inv.nr. 4617.
Plate
Object type: plate
Date: 1814 – 1814
Materials: earthenware
Culture: american
Location: united states
Artist: heinrich stofflet
Artist role: artist
Artist nationality: american
Artist dates: 1812 – 1830
Subjects: flowers
Ceramic Seated Female Figure
Object type: figure
Date: 1001 – 1600
Materials: ceramic, pigment
Culture: carchi
Location: ecuador
Subjects: women
Deksel, gedraaid van esdoornhout
Object type: lid
Date: 1675 – 1699
Materials: wood
Techniques: turning
Location: amsterdam
Artist: Anonymous

Deksel, met platte bovenkant, gedraaid van esdoornhout.
Banded agate ring stone
Object type: intaglio
Date: 300 – 101
Materials: stone
Culture: italic
Subjects: hermes

This banded agate ring stone represents Hermes wearing a chlamys, a winged cap and holding the kerykeion. The god is pulling a bearded figure from the ground, presumably a soul emerging from the shades. The image has been interpreted as a representation of Hermes in his role of Psychopompos (guide of the souls), escorting the souls of the dead to the banks of the River Styx.
Icones Prophetarum Veteris Testamenti
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the book of baruch

De schrijver van de profeet Jeremia, Baruch, in ovaal met Latijns randschrift.
Prentbriefkaart aan Jan Ponstijn
Object type: ansichtkaart, prentbriefkaart
Date: 1926 – 1926
Materials: cardboard, ink
Techniques: pen, rotogravure, writing
Location: paris
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: jan petrus ponstijn, picture, painting, temporary exhibition, 'salon'
Inscriptions: date
Memorial Picture
Object type: memorial picture
Date: 1803 – 1803
Materials: paper, silk, thread
Techniques: embroidery, painting
Culture: american
Location: united states
Artist: folwell school
Artist role: maker
Artist nationality: american
Subjects: monuments,men,women,trees,angels

The inscription on this mourning picture was copied from the notice of Daniel Goodman’s death that appeared in the Philadelphia newspapers. The sad figures may be meant to portray Mrs. Phoebe Goodman and her four surviving children. The embroiderer was probably one of Daniel’s sisters, perhaps the young lady who stands to the right of the monument.
Strook kloskant met gestileerde ronde bloem tussen twee dikke c-voluten
Object type: strip
Date: 1850 – 1899
Materials: linen
Techniques: lace
Location: beveren
Artist: Anonymous

Strook naturelkleurige kloskant: Beverse kant. De strook is aan één lange en twee korte zijden afgewerkt met een smallere strook Rijselse kant. Het zich herhalende en symmetrische patroon van de brede strook bestaat uit een gestileerde ronde bloem tussen twee dikke c-voluten, zoals bij een kandelaber met drie armen. Het zich herhalende patroon van de smalle strook bestaat uit een eenzijdig gebogen stengel met een waaiervormige bloem. De motieven zijn met elkaar verbonden door een fijne traliegrond, een tulegrond, die is bezaaid met vierkante moesjes. De motieven zijn gemaakt in linnenslag met veelal grote uitsparingen en dikkere en glimmende contourdraden. Er zijn verschillende siergronden toegepast, waaronder zogenoemde leerkens of 'laddertjes' gemaakt in vormslag, in de ronde bloem en in de voluten. De moesjes zijn ook gemaakt in vormslag. De bovenzijden van beide stroken zijn recht afgewerkt. De schulpjes langs de onderzijde van de smalle strook zijn afgewerkt met picots.
Agnes Huntington, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Christ on the Mount of Olives, from the Circular Passion
Object type: print
Date: 1509 – 1509
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: men,women,trees,christ
Koffiezaad Pepiniere Pernantian
Object type: photograph
Date: 1910 – 1913
Materials: photographic support
Techniques: gelatin silver print
Location: east sumatra
Artist: Anonymous
Subjects: plantation, fruits: coffee
Inscriptions: inscription: ‘Koffiezaad Pepiniere Pernantian’

Kwekerij met jonge koffieplanten op de plantage Pernantian. Met etiket onder de foto. Onderdeel van het fotoalbum over de plantages Brussel en Pernantian van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1910-1935.
Stad op schiereiland
Object type: print
Date: 1617 – 1660
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: harbour, peninsula
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2498

Gezicht op een stad op een schiereiland. Links een haven. Op de voorgrond een pier.
Zittende en een staande naakte jongeling
Object type: drawing
Date: 1513 – 1513
Materials: paint, ink, paper
Techniques: brush, pen
Subjects: standing figure, sitting figure

Pendant van "Twee naakte jongelingen, naast elkaar staand" (inv. nr. RP-T-1951-9).
Attributen van vissers en vogeljagers
Object type: print
Date: 1744 – 1791
Materials: paper
Techniques: etching
Location: france
Subjects: bird hunting, fishing (sports)
Inscriptions: collector's mark: Lugt 240

In een ovale omlijsting attributen van vissers en vogeljagers. Links lisdodden, visnetten, fuiken en een ton met vissen. Rechts een boom, vogels, een net en kooien. Midden boven hangt een mand met bloemen, midden onder dragen rocaille ornamenten de attributen.
The Apostle
Object type: print
Date: 1908 – 1908
Materials: chine, paper
Techniques: lithograph
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Loch Avon
Object type: page
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: scotland
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: lake, mountains
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Left forearm of a draped figure to left, with hand dipping oinochoe into a large vase; sprig of ivy
Ezel
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: colorado
Artist: Anonymous
Subjects: ass, donkey