deem-data/ArtiFact huggingface dataset:
Statue, from the Novelties series (N228, Type 4) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: profiles,women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Vaas met van schouder afhangende bloemkelk
Object type: vase
Date: 1900 – 1900
Materials: porcelain
Techniques: painted, pâte sur pâte
Location: denmark
Artist: karl lindström
Inscriptions: mark: ‘fabrieksmerk en letters KL (in groen) ; 40355 en EG (ingestempeld); een gedeeltelijk leesbaar merk met 6 en L.’

Vaas van porselein, versierd in pâte-sur-pâte in roze en groen met aan weerszijden een van de geheel groene schouder, afhangende bloemkelk.
Portret van twee onbekende mannen met twee honden
Object type: cabinet photograph
Date: 1875 – 1905
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: johannes leonardus van der heijden
Artist role: fotograaf
Artist dates: 1856 – 1937
Subjects: anonymous historical persons portrayed in a double portrait, dog
Inscriptions: address: ‘Singel 435/ Hoek Heiligenweg.’
Portret van een Roemeens-Orthodoxe priester met bijbel
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: bucharest
Artist: carol popp de szathmari
Artist role: fotograaf
Artist dates: 1812 – 1887
Subjects: orthodox churches, historical persons, the bible as a book
Inscriptions: inscription: ‘CHARLES SZATHMARI/ Peintre et Photographe de la Cour/ DE SALE PRINCE REGNANT/ des Principautées unies Roumaines./ (...)/ BUCAREST.’
Portret van Atanasio Rodulfi
Object type: print
Date: 1606 – 1686
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 2228
Moord op Willem van Oranje, 1584
Object type: history print
Date: 1824 – 1898
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: delft, louise de coligny, william i (prince of orange), attempt, political murder

De prins van Oranje te Delft vermoord door Balthasar Gerards, 10 juli 1584. Willem van Oranje zit onderaan de trap, zijn vrouw knielt aan zijn zij, links is nog net de voet van de vluchtende dader te zien. In het onderschrift de laatste woorden van prins: Mon Dieu! ayez pitié de mon âme! Mon Dieu! ayez pitié de ce pauvre peuple! Bedrukt op achterzijde met tekst in het Nederlands.
Fotoreproducties van 25 geschilderde portretten en taferelen met onbekende mensen
Object type: page
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: berlin
Subjects: anonymous historical person portrayed
Inscriptions: number: ‘No. 1.’
Vue Générale d'Esneh, Haute-Egypte, plate 64 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Seated Nude Looking Down
Object type: drawing
Date: 1916 – 1916
Materials: graphite, paper
Artist: amedeo modigliani
Artist role: artist
Artist nationality: italian
Artist dates: 1884 – 1920
Subjects: female nudes
Head of an Old Man with Beard
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: woodcut
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Aankomst van Christus in Betanië
Object type: album leaf
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the sisters of the dying lazarus send to christ for help

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. Ze wordt voor het eerst gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629.
De voorstelling is gekopieerd naar een prent van Johannes Wierix voor: Nadal, Jerónimo. Evangelicae Historiae Imagines. Antwerpen, M. Nutius, 1593.
Souvenir
Object type: souvenir, painting
Date: 1789 – 1789
Materials: enamel, gold, ivory, mother of pearl
Artist: jacques joseph de gault
Artist role: artist
Artist nationality: french
Artist dates: 1738 – 1812
Subjects: female nudes,dancing,cupid,angels

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Tudor House Fronts
Object type: drawing and watercolor
Date: 1867 – 1900
Materials: graphite, paint, paper, watercolor
Location: england
Artist: attributed to john sell cotman
Artist nationality: british
Artist dates: 1782 – 1842
Brief aan Jan Veth
Object type: letter
Date: 1904 – 1904
Materials: ink, paper
Techniques: pen, writing
Location: laren
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: dordrecht, designer, jan veth, den bosch, amsterdam, painter, draughtsman, antoon derkinderen, the hague, theo van hoytema, wally moes, artist's model, sitter, drawing, the graphic arts, the monumental arts, anonymous historical person portrayed
Inscriptions: collector's mark: ‘RPK’, watermark
Portret van Udalricus
Object type: print
Date: 1608 – 1671
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: styles of hairdress (lovelock), lace (+ men's clothes), historical persons, clothing for the upper part of the body (doublet) (+ men's clothes), neck-gear: collar
Inscriptions: inscription: ‘Dit portret behoort tot een stel waarvan er/ 8 stuks bestaan, van de vorsten van Oost-Duitsland/ alle naar de schilderijen van A. Andriessen/ en gegraveerd door C. Koning’, collector's mark: Lugt 2228, watermark, collector's mark: Lugt 2760

Portret van Udalricus (Ulrich II), graaf van Oost-Friesland, in ovale omlijsting. Zijn kapsel is kort aan de ene kant en valt aan de andere kant in een lange 'liefdeslok' over de schouder. Hij draagt een platte brede kanten kraag. Onder het portret een opdracht door de uitgever.
Portret van Theodor Zwinger
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: scholar, philosopher, historical persons, physician, doctor

Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Legaat van J.H. Hoeufft ter bevordering van de beoefening der Latijnse poezie
Object type: medal
Date: 1843 – 1844
Materials: bronze
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: dordrecht, jacob hendrik hoeufft (1756-1843), amsterdam

Bronzen penning. Voorzijde: vrouw in antieke kledij, voorstellende Muze, houdt lier in linkerhand en kroont met lauwerkrans in uitgestrekte, geheven rechterhand een op haar toelopende man, die rol papier aanbiedt binnen omschrift. Keerzijde: opschrift binnen krans van olijftakken
Veues de Versailles
Object type: album leaf
Date: 1686 – 1686
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: trellis, french or architectonic garden; formal garden

Poort van latwerk met bovenop vier tuinvazen voor een heg in de tuinen van Versailles. Rechtsonder het serienummer: D4. Prent maakt deel uit van een album.
Pedestal with hooves (one of a pair)
Object type: pedestal
Materials: gilt, marble, metal

A variegated marble pedestal of square-based and tapered form, featuring gilt metal hooves, paired with 2019.283.35.
Landscape of the Four Seasons (Eight Views of the Xiao and Xiang Rivers)
Object type: screen
Date: 1501 – 1533
Materials: ink, panel, paper
Culture: japanese
Artist: sōami
Artist role: artist
Artist nationality: japanese
Artist dates: 1485 – 1525
Subjects: mountains,landscapes

Sōami was the last of three generations of painters and connoisseurs (Nōami, Geiami, Sōami) who served as artistic advisers to the Ashikaga shoguns in Kyoto. Like other ink painters of his time, the artist took Chinese landscapes—often rendered on small album leaves—as inspiration for large-scale, panoramic screens and sliding doors that set a contemplative mood in the mansions and temples of the capital. These screens refer to the landscape of southern China, probably known to the artist through a handscroll prized by the Ashikaga shoguns, Eight Views of Xiao and Xiang, painted by Muqi, a thirteenth-century Chinese monk-painter. Vignettes of daily life are here unified into a monumental ink landscape showing the progression of the four seasons, beginning with misty spring at far right and ending with wintry, snow-covered rooftops at far left. In this, Sōami conformed to a long-standing preference in Japanese interior decoration for seasonal imagery, which was rooted in the art and poetry of the Heian period (794–1185).
Scarab of Sebekhotep III
Object type: scarab, sebekhotep iii, hieroglyph
Date: 1748 – 1741
Materials: glaze, stone
Location: egypt

This scarab is inscribed with the prenomen and nomen of pharaoh Sebekhotep III (Dynasty 13, ca. 1748-1741 B.C.) and specifies his genealogy by mentioning his mother, Iuhetibu.
Heiligen
Object type: print
Date: 1611 – 1647
Materials: paper
Techniques: engraving
Artist: michel van lochom
Artist role: print maker, publisher
Artist dates: 1601 – 1647
Subjects: dominic(us) guzman of calerueja, founder of the order of preachers (or dominican (black) friars; possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star
Inscriptions: collector's mark: Lugt 2228

Portret van de heilige Dominicus, stichter van de Dominicanen.
Christ Crowned with Thorns, from "The Small Passion"
Object type: print
Date: 1509 – 1509
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,christ,punishment
At Last She Sees Clearly (Ya ve claro)
Object type: drawing
Date: 1807 – 1845
Materials: ink
Techniques: pen
Artist: leonardo alenza y nieto
Artist role: artist
Artist nationality: spanish
Artist dates: 1807 – 1845
Subjects: women
Portret van Pieter Herbert van Lawick van Pabst
Object type: print
Date: 1832 – 1873
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: wilhelmus cornelis chimaer van oudendorp
Artist role: print maker
Artist dates: 1822 – 1873
Subjects: official, historical persons (+ head (and shoulders) (portrait)), knighthood order
Inscriptions: collector's mark: Lugt 2228

De geportretteerde is en face afgebeeld. Op de borst draagt hij het kruis van de ridderorde van de Nederlandse Leeuw. Onder het portret zijn signatuur.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, kylix; part of an inscription, S [K]ALOS
Portret van Willem, prins der Nederlanden
Object type: print
Date: 1858 – 1871
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: the hague, paris, willem (prins der nederlanden)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Plate from l'Assommoir (women ironing, man seated before a woodstove)
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: drypoint
Location: france
Artist: gaston la touche
Artist nationality: french
Artist dates: 1854 – 1913
Adoration of the Magi
Object type: christmas crib in box
Date: 1801 – 1900
Materials: foil, glass, paper, tin
Subjects: adoration of the magi
Titelpagina voor: Ferdinand de Galardi, a tyrannie heureuse ou Cromwel politique, 1671
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: engraving
Location: leiden
Subjects: london, karel i (koning van engeland), oliver cromwell, riding a horse, ass, or mule; rider, horseman, violent death by beheading
Inscriptions: collector's mark: Lugt 2228

Oliver Cromwell als bevelhebber te paard met op de achtergrond de onthoofding van Karel I van Engeland. De voorstelling is gevat in een kader met boven en onder cartouches met teksten in het Latijn. Langs de zijkanten van het kader tien cirkels met daarbinnen teksten in het Latijn.
The Actor Nakamura Utaemon III as Inanoya Hanbē
Object type: woodblock print
Date: 1820 – 1820
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: shunkōsai hokushū 春好斎北洲
Artist role: artist
Artist nationality: japanese
Artist dates: 1808 – 1832
Subjects: men,actors

One of the great “all-around actors” (kaneru yakusha) of the Osaka stage who could play any type of role—male or female, hero or villain—Nakamura Utaemon III (1778–1838) is captured in a dramatic bust portrait of the townsman turned samurai Inanoya Hanbē. The accompanying poem, probably by a member of a fan club, praises the actor: Mirukara ni horeke mo sasuga meijin no shi-uchi wa sate mo yoi otokoburi —Suihendo Even at first glance, he’s so captivating— truly a skilled actor, whose technique, it’s true, makes him seem so dashing. (Trans. John T. Carpenter)
Plaque with Agnus Dei
Object type: plaque
Date: 1301 – 1400
Materials: enamel, silver
Culture: catalan
Location: spain

These plaques depict the Eagle of John (top), the Ox of Luke (left), the Lion of Mark (right), and the Agnus Dei, or Lamb of God (center).
Aktetas van minister J. van den Tempel, geschonken door Koningin Wilhelmina
Object type: aktetas
Date: 1941 – 1941
Materials: leather
Location: great britain
Subjects: politician, london

Rechthoekige bruine tas met over 3 zijden een rits en 2 handgrepen aan de bovenzijde. Op een zijkant, m.b. in gestikt kader, in vergulde letters, de initialen van de eigenaar.
Tentoonstelling van de Maatschappij van Landbouw te Joure
Object type: medal
Date: 1857 – 1857
Materials: bronze
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: leeuwarden, joure

Bronzen penning. Voorzijde: opschrift binnen eikekrans. Keerzijde: blanco
Portret van Jean de La Bruyère
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: paris, historical persons, portrait of a writer
Inscriptions: date

Met vierregelig vers in het Frans onder het portret.
Ewer
Object type: ewer
Date: 1101 – 1200
Materials: earthenware
Techniques: glazing, luster painting
Location: iran
Subjects: human figures
The Riding School
Object type: painting
Date: 1658 – 1660
Materials: canvas, oil
Artist: philips wouwerman
Artist role: draughtsman, painter
Artist dates: 1619 – 1668
Subjects: landscape with ruins, riding-school, manège
Inscriptions: signature, with monogram, lower right (letters of first name ligated): ‘PHils W’

Wouwerman is known for his paintings of army camps, cavalry battles and hunting scenes, in which deftly
painted horses always play an important role. Thanks to his eye for detail, these paintings are very lively and anecdotal. In this painting, too, emphasis lies on narrative detail: some horses are being saddled, while a woman and child just manage to avoid being kicked by one of the animals.
Textile Design with Alternating Vertical Stripes of Undulating Ribbons Outlined with Branches and Circles Over a Background of Shifting Scales with Stripes
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating vertical stripes of undulating ribbons of white color outlined with branches of black color and circles of dark red color with black outlines, over a background of shifting scales with stripes rendered with different concentrations of stipples of dark reddish-brown color over a light tan ground.
Heraldische adelaar
Object type: print
Date: 1877 – 1909
Materials: paper
Techniques: etching
Artist: marie danse
Artist role: print maker
Artist dates: 1867 – 1942
Subjects: predatory birds: eagle
Inscriptions: collector's mark: Lugt 2228

Bij de adelaar staat de spreuk: "Quand mème!".
Terracotta fragment of a krater
Object type: krater fragment
Date: 550 – 501
Materials: terracotta
Culture: greek, corinthian

Goat to right; below, two bands of red glaze and black glaze
Haven van Korfoe
Object type: page
Date: 1905 – 1910
Materials: paper
Techniques: photograph
Location: corfu
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: harbour
Inscriptions: number: ‘8.’
Vrouw in klederdracht
Object type: print
Date: 1797 – 1836
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: adolescent, young woman, maiden, head-gear
Inscriptions: collector's mark: Lugt 2228

Een jonge vrouw in landelijke klederdracht.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of a band of reserved diamonds
Portret van Pierre de Ronsard
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Illustrations du Cours de Littérature de la Harpe, ou collection de 400 portraits destinés à l'ornement de cet ouvrage. Parijs: Boblet, 1830.
Clearing Weather at Shibaura
Object type: print
Date: 1838 – 1838
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: boats
Portret van een jongen, leunend tegen een tafel met plant
Object type: album leaf
Date: 1886 – 1904
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: brighton
Artist: henry thomas edwards
Artist role: fotograaf
Artist dates: 1857 – 1935
Subjects: boy (child between toddler and youth), historical persons, table, leaning figure
Inscriptions: inscription: ‘H. Edwards/ 11, LEWES Rd/ Brighton.’, number: ‘10317’
Veue du Port et des Environs de Ville France (...)
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of separate countries or regions

Kaart van de Franse kuststad Villefranche-sur-Mer en omgeving. Plaat nr. 175 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
Brougham #4063
Object type: drawing
Date: 1890 – 1890
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Figuren en een kraam voor een huis bij een stadsmuur
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: aquatint, etching
Artist: jean baptist leprince
Artist role: draughtsman, print maker
Artist dates: 1734 – 1781
Subjects: stall, booth (~ market), city-walls, hut, cabin, lodge
Inscriptions: date
De blijde tijding
Object type: drawing
Date: 1900 – 1900
Materials: pencil, paper
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: ornament ~ starforms

Ontwerp voor een gedenkboek ter gelegenheid van het huwelijk van Koningin Wilhelmina en Hertog Hendrik.