deem-data/ArtiFact huggingface dataset:
Abraham's offer van Isaac
Object type: drawing
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: gerard ter borch (i)
Artist role: draughtsman, print maker
Artist dates: 1584 – 1662
Subjects: the sacrifice of isaac (genesis 22)

Voorstudie voor schilderij. Nauw verwant aan schilderij in Provinciaal Overijssels Museum, Zwolle, "Het offer van Isaac".
Hohkönigsburg. Die Vorhalle und der innere Burghof
Object type: photomechanical print
Date: 1908 – 1913
Materials: cardboard
Techniques: photograph
Location: alsace
Artist: Anonymous
Subjects: castle, vestibule, hall
Head of a King with a Nemes Headdress
Object type: head of a king with a nemes headdress
Date: 400 – 201
Materials: limestone
Location: egypt

Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. Personifications of kingship, figures that may represent the now emerging demigods Imhotep and Amenhotep Son of Hapu, and popular gods like Harpokrates or Isis, are heavily represented within the corpus. Taken together, the figures represented and the other features indicate the reliefs and sculptures of this class, sometimes called by Egyptologists "sculptor’s models / votives," were the material of a donation practice, perhaps connected with the prolific temple building of these centuries. Unfortunately there is little to illuminate us about the mechanics of such a donation practice.
Tea service with tray (déjeuner Bolvry)
Object type: cup
Date: 1779 – 1779
Materials: porcelain, silver
Techniques: gilding, painted
Location: sèvres
Subjects: birds
Inscriptions: mark: ‘Ma’, factory mark, mark: ‘HP’, painter's mark: ‘F.’

The Sèvres factory succeeded in making true hard-paste porcelain containing kaolin (white clay) only in 1769. Many new patterns were developed for this kind of porcelain. The painted decoration of this service was influenced by patterned calico fabric (chintz) from India and by enamel from China.
"Mihrab Vents His Anger Upon Sindukht", Folio 83v from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1525 – 1530
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: men,women,horses

When Mihrab of Kabul first heard of his daughter Rudaba’s secret love affair with Zal, he wanted to kill her, but his wife Sindukht persuaded him that Sam, Zal’s father, had agreed to the alliance. Now, when Mihrab learned that Shah Manuchihr had ordered Sam to destroy his house, Mihrab’s anger arose anew against his wife for falsely quelling his former fears. Sindukht then suggested that she visit Sam at his camp, bringing gifts from Mihrab’s treasury. Desperate to save his kingdom, Mihrab allowed his wife to undertake the mission. The decorous depiction of Sindukht and Mihrab in her chamber gives little indication of the heated emotions of their exchange.
Design for Phaeton, no. 635
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Nikolai Grigorjewitsch Repnin-Wolkonski
Object type: print
Date: 1813 – 1825
Materials: paper
Techniques: stippling
Location: berlin
Subjects: russia, knighthood order, historical persons, (military) uniforms
Inscriptions: collector's mark: Lugt 2228
Kinderen der zee
Object type: print
Date: 1872 – 1909
Techniques: printmaking, etching
Location: netherlands
Subjects: children's games and plays, sea (seascape)
Inscriptions: collector's mark: Lugt 2228

Vier kinderen spelen met een speelgoed zeilbootje in het water aan het strand. De oudste jongen draagt een kind op zijn rug. In marge een vliegende meeuw.
Chasse au Lion (du Palais d'Assourbanipal)
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photoaquatint
Location: babylon
Subjects: lion hunt, sculpture (+ relief ~ sculpture)
Inscriptions: inscription: ‘Imprimeries réunies_Editeurs. Imp. Eudes, à Paris_3.’, number: ‘PL. XIV’

Deze prent maakt deel uit van een omslag met twintig prenten op zeventien bladen en vijftien tekstbladen.
Geschiedenis van Petrus en Johannes
Object type: print
Date: 1558 – 1558
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: peter, john and the healed man enter the temple, where peter delivers a sermon
Inscriptions: collector's mark: Lugt 2228

Petrus en Johannes lopen met de genezen bedelaar de tempel in. De gelovigen in de tempel zijn verbaast als zij in de bedelaar de verlamde man die altijd voor de deur van de tempel lag herkennen.
Twede Heidinne / Seconde Bohemienne
Object type: print
Date: 1786 – 1796
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: wandering communities: romani or roma, feeding a baby
Inscriptions: collector's mark: Lugt 2028, collector's mark: Lugt 2228

Een moeder geeft haar kind te eten. De vrouw is in de titel aangeduid als behorend tot de ‘heidens’ of ‘heidenen’, een eigentijdse benaming voor Roma.
Beek met waterval bij Bois Marteau
Object type: sketchbook leaf
Date: 1851 – 1851
Materials: paper, pencil
Location: marteau
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: landscapes, waterfall
Inscriptions: date: ‘NOV 13 , ,,’, annotation: ‘Bois Marteau’

Blad 7 verso uit een schetsboek met 25 bladen.
Door Rasp
Object type: door rasp
Date: 1401 – 1600
Materials: iron
Culture: german
Landschap in de sneeuw: Doublehead, gezien vanaf een weg nabij Gale's, NH, Verenigde Staten
Object type: photograph
Date: 1899 – 1899
Materials: photographic support
Techniques: cyanotype
Artist: charlotte m. endicott
Artist role: fotograaf
Inscriptions: title: ‘DOUBLEHEAD / FROM ROAD, NEAR GALE'S / FEB. 21. 1899’
Model of an Optical Telegraph
Object type: instruction model
Date: 1795 – 1800
Materials: iron, lead, paper, fiber, wood
Location: netherlands
Artist: Anonymous

Model van een optische (licht) telegraaf op een houten voet, in zeer slechte staat. Boven aan een mast is een houten projector-bord gehangen met zeventien uitgezaagde geometrische figuren in twee rijen. Dezelfde figuren zijn op een met papier beplakt bedieningsbord beneden getekend. De uitgezaagde figuren boven zijn afgedekt met loden kleppen, die met touwtjes gaande door de corresponderende figuren beneden opgetild kunnen worden, zodat de figuur licht doorlaat. Op het papier beneden worden zes en dertig figuur-combinaties aangegeven. Vier dienstseinen zijn in het Nederlands toegelicht. Aan de voet is een etiket met het nummer 3 aangebracht.
Portret van een man met een stropdas
Object type: photograph
Date: 1916 – 1916
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Location: amsterdam
Artist: guillame maximilien zimmermann
Artist role: fotograaf
Artist dates: 1873 – 1951
Subjects: adult man, neck-gear ~ clothing, amsterdam
Inscriptions: inscription: ‘9091 Vrijdag’, name: ‘W. Zimmerman Amsterdam’, date: ‘1916’
Beker van ijsglas
Object type: cup
Date: 1550 – 1650
Materials: glass, silver
Techniques: façon de venise, glassblowing
Location: low countries
Artist: Anonymous

Beker van ijsglas, met ingestoken bodem. Geribde standring van helder glas. Bekervormig lichaam. Langs de bovenrand een zilveren montuur.
Man Crossing Log Bridge over Torrent
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: jan van eyck
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1390 – 1441
Gezicht op de Notre-Dame in Parijs
Object type: stereograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: church (exterior)
Inscriptions: name: ‘LeCocq-Frene Estampes Photographies Plans et Guides pour Voyageurs Vues pr. Stereoscope’, annotation: ‘zelf gekocht in Parijs 27 Augustus 1860’, inscription: ‘(Cote de) Notre Dame’
Southern landscape with a building
Object type: drawing
Date: 1855 – 1858
Materials: graphite, watercolor
Artist: heinrich dreber
Artist role: artist
Artist nationality: german
Artist dates: 1822 – 1875
Subjects: buildings,landscapes,trees
Tombeau de Hugues de Launoy et de Marguerite de Molembais
Object type: print
Date: 1750 – 1850
Materials: paper
Techniques: etching
Location: france
Subjects: lille, effigy, 'gisant' (portrait-figure on closed coffin or in 'castrum doloris'), transi, historical persons
Inscriptions: collector's mark: Lugt 2233

Mogelijk een prent uit een onbekend boek.
Rennende leerlingen van Schule Schloss Salem bij een groepsdiscipline-oefening
Object type: photograph
Date: 1929 – 1929
Materials: photographic support
Techniques: gelatin silver print
Location: salem
Artist: Anonymous
Subjects: youth, adolescent, running, education

Onderdeel van Fotoalbum van Schule Schloss Salem.
Presentiepenning van het Sint Joseph- of Timmerliedengilde te Amsterdam
Object type: history medal
Date: 1600 – 1800
Materials: brass
Techniques: casting
Inscriptions: inscription: ‘Jacobus / Keyserswaart ??’

Gegoten messing penning met oog en draagring, verzilverd, op de voorzijde Joseph met stok en Maria met Jezus op ezel naar links, onderaan IOSEPH, op de keerzijde gekroond wapenschild van Amsterdam met dragers boven een inscriptieruimte, op naam van (inscriptie grotendeels weggekrast) Jacobus Keyserswaart
Virgin and Child
Object type: painting
Date: 1620 – 1620
Materials: oil, wood
Artist: anthony van dyck
Artist role: artist
Artist nationality: flemish
Artist dates: 1599 – 1641
Subjects: madonna and child,nursing
Fichu
Object type: fichu
Date: 1801 – 1833
Culture: spanish
Die Hochzeit Alexander des Großen in Susa
Object type: page
Date: 1875 – 1880
Materials: photographic support
Techniques: albumen print
Subjects: (story of) alexander the great
Reproductie van het schilderij Het mirakel van de gebroken zeef, meerkleurig
Object type: print
Date: 1889 – 1894
Materials: paper
Techniques: chromolithography
Subjects: kitchen

Prent op elfde ongenummerde pagina na pagina 104.
Bord, met op het plat een oosters landschap met ruiterstandbeeld
Object type: plate dish
Date: 1860 – 1890
Materials: creamware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘P. REGOUT // 17 // MAASTRICHT’, mark: ‘Staffordshire knot // MAASTRICHT // PETRUS REGOUT // WILLEM DE ZWIJGER’

Bord van aardewerk met blauw transferdecor. Op het plat een oosters landschap met ruiterstandbeeld. De rand met cartouches, afwisselend gevuld met boeketten en gebouwen. Tussen de cartouches hekwerk.
Portret van Ludwig Franz von Bilderbeck
Object type: print
Date: 1800 – 1842
Materials: paper
Techniques: etching
Location: mannheim
Subjects: paris, historical persons, portrait of a writer
Gezicht op het Oudekerksplein te Amsterdam
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: street (+ city(-scape) with figures, staffage)

Gezicht op het Oudekerskplein te Amsterdam. Rechts de Oude Kerk. Onderdeel van Fotoalbum met 35 foto's van Amsterdam, personen en dieren.
Square-Headed Bow Brooch
Object type: brooch
Date: 551 – 600
Materials: niello, silver gilt
Culture: frankish

The bow brooch was a component of many Germanic women's dress. In Frankish territory brooches were generally worn in pairs, as decorative elements on a strap hanging from the belt. The bow refers to the bend or curve that links two terminals.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, bent arm, with hand holding spear or javelin, and part of upper torso of male
Duitse militair met konijnen
Object type: photograph
Date: 1940 – 1944
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, recreation ~ the soldier off duty, bridge, quay, rodents: rabbit, netherlands

Albumblad met vier foto´s van een Duitse militair met konijnen in een hok en van een kade en een brug. Onderdeel van het fotoalbum Bewaking bunkers.
Hertog van Mantua met de zes voornaamste Romeinse goden
Object type: print
Date: 1589 – 1626
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: (story of) neptune (poseidon), (story of) hercules (heracles), (story of) apollo (phoebus), (story of) minerva (pallas, athena), (story of) jupiter (zeus), river-gods, (story of) venus (aphrodite), ruler, sovereign, gods ~ classical mythology
Inscriptions: collector's mark: Lugt 240

De hertog van Mantua staat, in een harnas, naast een boom. Hij wordt aan weerszijden geflankeerd door drie heidense goden (Minerva, Apollo, Neptunus, Jupiter, Venus en Hercules). Op de voorgrond een leeg wapenschild, twee riviergoden en een zittende vrouwenfiguur op een stapel wapens.
Gebouw aan een grasveld, mogelijk op de campus van St. Johnsbury Academy in Vermont
Object type: photograph
Date: 1905 – 1915
Materials: paper
Techniques: cyanotype
Location: st. johnsbury
Artist: Anonymous
Subjects: university building, college
In 't Jaar 1786 en 1787
Object type: drawing
Date: 1789 – 1810
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: patriots (1780-1795)

Patriotse legers in beweging, 1786 en 1787.
Textile fragment with pattern of pine, cranes, and auspicious symbols
Object type: fragment
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: cranes,leaves,trees
Dora, Be Zelderman, Liesbeth, drieling Arntzenius en Ernst v/d Minne
Object type: photograph
Date: 1860 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: the hague, ernst van der minne
Man met beschermengel
Object type: print
Date: 1655 – 1683
Materials: paper
Techniques: etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: guardian angel

Maakt deel uit van een negendelige serie.
Portrait of a poet
Object type: portrait
Date: 1767 – 1833
Materials: terracotta
Artist: johann valentin sonnenschein
Artist role: maker
Artist nationality: swiss, born germany
Artist dates: 1749 – 1828
Subjects: men,portraits,poets
Gezicht op Oud-Arnemuiden
Object type: book illustration
Date: 1696 – 1728
Materials: paper
Techniques: engraving, etching
Location: middelburg
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), church (exterior), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 195

Oorspronkelijk van één plaat gedrukt met één andere voorstelling (zie RP-P-AO-15-152-3). Prent in zijn geheel verschenen in een aantal publicaties, zie hieronder.

Doordat deze prent binnen de plaatrand is afgesneden kan de staat niet precies bepaald worden.

Eerste bekende staat van hele prent is een proefdruk, zie RP-P-AO-15-152-1.

Tweede bekende staat van hele prent (rechtsboven genummerd) ook gebruikt in: Smallegange, Mattheus. Nieuwe Cronyk van Zeeland (…). Middelburg en Amsterdam: Johannes Meertens en Abraham van Someren, 1696.

Derde bekende staat van hele prent (geen nummering rechtsboven) ook gebruikt in: Heussen, Hugo Franciscus van. Oudheden en gestichten van Zeeland (…). 2 delen. Leiden: Christiaan Vermey, 1722, dl. 1. En in: Aa, Pieter van der. La galerie agreable du monde (...). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 21.
Gezicht op Heerlen
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: paper, pencil, watercolor
Techniques: brush
Location: heerlen
Artist: jonkheer johannes ludovicus paulus bosch van drakestein
Artist role: draughtsman
Artist dates: 1865 – 1929
Subjects: city-view, and landscape with man-made constructions
Inscriptions: signature and date: ‘LBvD96’

Blad 9 recto uit een schetsboek met 58 bladen.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Juin 1929, No. 106, 9e Année, p.19
Object type: magazine
Date: 1929 – 1929
Materials: paper
Techniques: printing, photography
Subjects: bow (ornamental part of clothing) (+ women's clothes), dress, gown: evening dress (+ women's clothes), cigarette, fashion plates, head-gear: hat (+ women's clothes), fan (+ women's clothes)

Twee vrouwen in japon van gedrukte crêpe, van Drecoll-Beer. Zittende vrouw met een grote waaier in de hand, gekleed in een avondjurk van zwarte tafzijde, van Redfern. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
The Actors Ichimura Uzaemon VIII as Onio Shinzaemon and Onoe Kikugoro I as the courtesan Usugumo in the play "Nanakusa Wakayagi Soga," performed at the Ichimura Theater in the first month, 1744
Object type: print
Date: 1744 – 1744
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyomasu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1706 – 1763
Small cilindrical vase with a flowering plant near a rock
Object type: vase
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Kleine, cilindrische vaas van porselein met een korte nek en platte rand, beschilderd in onderglazuur blauw. Op de wand een bloeiende planten (camelia) bij een rots en twee vliegende insecten. Op de schouder een band met een spiraalpatroon. De nek met twee bloemtakken. Een scherf uit de hals. Blauw-wit.
Cape
Object type: cape
Date: 1885 – 1885
Materials: silk
Culture: american
Covered Bowl
Object type: ceramic
Date: 1734 – 1766
Materials: earthenware, iron
Techniques: glazing
Location: venice
Voyage Pittoresque aux Etats-Unis de l'Amerique. Par Paul Svignine. En 1811, 1812, et 1813. (Title Page from Svinin's Portfolio of Watercolors)
Object type: drawing
Date: 1813 – 1813
Materials: ink, paper
Culture: american
Artist: pavel petrovich svinin
Artist role: artist
Artist nationality: russian
Artist dates: 1787 – 1839
Card Number 331, Leslie, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Marble head of Aphrodite?
Object type: head of aphrodite
Date: 200 – 1
Materials: marble
Culture: greek
Portret van Johann, aartshertog van Oostenrijk
Object type: print
Date: 1848 – 1855
Materials: paper
Techniques: tone lithography
Location: mainz
Subjects: maps, atlases, hand on breast (or stomach), slipped into opening of vestment, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Coach #3145
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Madrigal
Object type: print
Date: 1850 – 1855
Techniques: lithograph
Artist: henri-charles-antoine baron
Artist role: artist
Artist nationality: french
Artist dates: 1816 – 1885
Subjects: men,women,trees