deem-data/ArtiFact huggingface dataset:
Heilige Franciscus van Assisi in extase
Object type: print
Date: 1573 – 1610
Materials: paper
Techniques: etching
Location: italy
Artist: francesco vanni
Artist role: draughtsman, print maker, publisher
Artist dates: 1563 – 1610
Subjects: st. francis of assisi in ecstasy, string instruments (bowed)
Inscriptions: collector's mark: Lugt 240

De heilige Franciscus in extase met in zijn armen een crucifix en rechts een doodskop. Links op een wolkenpartij een engel met een strijkinstrument. Latijnse tekst in twee kolommen in ondermarge.
Design for Landau, No. 3131
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Textile Design with Vertical Rows of Alternating Lenses of Two Different Sizes Bordered by Pearls Separated by Vertical Scrolls of Ribbons Over a Stippled Background
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of vertical rows of alternating vertical lens-shapes of two different sizes bordered by pearls, separated by vertical scrolls of ribbons of light tan color with shades formed by stipples of dark reddish-brown color, over a light tan background with stipples of dark reddish-brown color. The larger lenses are of dark red color and are positioned over a star-like shape rendered with dark reddish-brown stipples; the smaller lenses are of black color with an off-setting shade of dark reddish-brown stipples of the same lens shape. The pearls are of white color with black outlines.
Shoes
Object type: shoe
Date: 1780 – 1799
Materials: leather
Culture: british
Tempels en kerken
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: etching
Location: orléans
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: temple, shrine ~ roman religion, exterior ~ representation of a building

Tempel van Venus met een centrale koepel en timpanen met schelpornament. Deze prent maakt deel uit van een album.
Cover
Object type: textile
Materials: cord, linen, textile, silk
Techniques: bookbinding, treatment, patterning, satin weave, weave
Location: france
Subjects: flowers
Pas in de loting gevallen
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: lithograph
Location: arnhem

Spotprent op slechte staat van de Nederlandse krijgsmacht, 1875. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 45, 1875.
Twee voorstellingen van een moeder met kind
Object type: drawing
Date: 1836 – 1896
Materials: chalk, paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: interior of the house, mother and child(ren), woman and child(ren) (family group)

Twee voorstellingen van een moeder met kind in een interieur. Verso: moeder met twee kinderen.
Cartouche met een Amor drijvend op zijn pijlenkoker
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornament ~ cartouche, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: Achilles Tatius, Les Amours de Clytophon. Parijs: Fevrier, Simon en Toussaint Quinet, 1635.
Terracotta fragment of a pot; unglazed on the inside
Object type: pot fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Part of the head of a wreathed youth to left
Design for Cabriolet or Victoria, no. 4124
Object type: drawing
Date: 1891 – 1891
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fotoreproductie van een tekening van bisschop Bienvenu Myriel uit Les Misérables van Victor Hugo
Object type: reproduction
Date: 1862 – 1862
Materials: photographic support
Techniques: albumen print
Location: paris
Subjects: literary characters and objects
Inscriptions: address: ‘A. FAUCHEUR & C. DANELLE 18, Bt. Pigalle.’, inscription: ‘(LES MISÉRABLES)’
Ontwerp van bureau met inlegwerk
Object type: print
Date: 1686 – 1724
Materials: paper
Techniques: etching
Location: augsburg
Subjects: writing-table, writing-desk, ornaments ~ art, unicorn, candlestick
Inscriptions: number: ‘No. 2.’, signature: ‘Ieremias Wolff excudit Aug. Vind.’, signature: ‘Berain Invent.’, signature: ‘Iohan Christoph Hafner Sculps.’

Ontwerp van een bureau met inlegwerk waarvan de zijkanten in de vorm van een console zijn versierd met een paneel. Het bureau rust op poten in de vorm van een klauw, die bekroond wordt met een adelaarskop. Op het bureau staan drie ontwerpen van serviesgoed. Boven het bureau zijn twee kandelaren; de linker met een bal met drie fleurs-de-lis en gekroond met de Franse kroon en de rechter versierd met eenhoorns. Bovenaan twee consoles en een ornamenteel motief met een masker van een leeuwskop. Prent maakt deel uit van een album. Hoogstwaarschijnlijk gespiegelde kopie naar Frans origineel.
Tegeltableau, beschilderd met kraanvogels en akeleien
Object type: tile
Date: 1896 – 1901
Materials: earthenware, wood
Techniques: painted
Location: amsterdam
Artist: bert nienhuis (i)
Artist role: designer
Artist dates: 1873 – 1960
Inscriptions: mark: ‘Boch Frères, La Louvière, A.’, monogram: ‘LN’

Tegeltableau in houten lijst, beschilderd met kraanvogels en akeleien in de kleuren groen, paars, licht- en donkerblauw, grijsbruin, wit en zwart op bruingele fond.
Fragment
Object type: fragment
Date: 1101 – 1300
Materials: linen
Jacket
Object type: jacket
Date: 1875 – 1875
Materials: silk
Culture: american
Aeneas vlucht met zijn familie uit Troje
Object type: print
Date: 1518 – 1518
Materials: paper
Techniques: woodcut
Location: italy
Subjects: 'pius aeneas': aeneas, leading ascanius, escapes from burning troy, carrying his father anchises with the penates; his wife creusa, who sets out with them, is lost on the way
Inscriptions: collector's mark: Lugt 2228

Aeneas loopt met zijn vader Anchises op de rug. In zijn linkerhand draagt Anchises de huisgoden (Penates). Achter Aeneas loopt zijn zoon Ascanius. Op de achtergrond het brandende Troje.
Volmaakt Schip
Object type: print
Date: 1759 – 1767
Materials: paper
Techniques: etching, letterpress printing
Location: netherlands
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Een volmaakt zeilschip. Onder de voorstelling een legenda.
Fotoreproductie van een geschilderd portret van Johanna Sara Pels
Object type: photograph
Date: 1890 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons - bb - woman
Outer Robe (Uchikake) with Phoenixes and Paulownia
Object type: outer robe
Date: 1901 – 1933
Materials: gold thread, silk
Techniques: dyeing, embroidery, painting, weave, resist
Culture: japanese
Subjects: phoenix

An uchikake is a lined silk robe with a wadded or padded hem, worn over another garment without a sash, usually for formal occasions or stage performances. Such outer robes often feature a layer of silk filaments between the outer “ground” fabric and the lining, and the wadded hem was intended to add weight to the lower edge of the garment, helping to preserve its straight line. This example was made as a wedding garment and accordingly displays a wealth of auspicious symbols in its decoration. In China the phoenix was a symbol of longevity and good fortune, appearing during times of prosperity and signaling the advent of good government. In Japan, paintings of phoenixes roosting on paulownia trees were a specialty of the Kano-school artists, and their designs were adapted to textile art as well.
Brief aan August Allebé
Object type: letter
Date: 1917 – 1917
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: august allebé, haarlem, print maker, draughtsman, sjoerd hendrik de roos, rotterdam, historical persons (portraits and scenes from the life), printed matter
Inscriptions: collector's mark: ‘RPK’
Albina herkent de ridder als Edmund
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: berlin
Subjects: literature, embracing each other, kissing, knight
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Mühlenpfordt, Georg. Scenen aus den Ritterzeiten. Kopenhagen: Christian Gottlob Proft, 1791.
Panel
Object type: textile
Date: 1601 – 1625
Materials: brick, cotton, textile
Techniques: embroidery, stitching
Location: england
Standing Herakles (?)
Object type: statuette of herakles
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: herakles
Opening van de spoorweg Haarlem-Amsterdam 1839
Object type: history medal
Date: 1839 – 1839
Materials: bronze
Techniques: striking
Location: utrecht
Artist: pierre wautier van de goor
Artist role: medailleur
Artist dates: 1783 – 1851

Bronzen penning, op de voorzijde locomotief De Hoop, met omschrift en afsnedetekst, op de keerzijde vier regels tekst onder de samengestrikte wapenschilden van Amsterdam en Haarlem.
The Same Elsewhere, plate 23 from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: engraving, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war
VOC, gulden, Zeeland, 1791
Object type: coin
Date: 1791 – 1791
Materials: silver
Techniques: striking
Location: middelburg

Zilveren munt. Voorzijde: tussen waarde-aanduiding I Gl. gekroond generaliteitswapenschild, waaronder cartouche, waarin monogram van de VOC. Keerzijde: Nederlandse maagd met speer, waarop vrijheidshoed, leunend op een bijbel op een altaar. Jaartal in afsnede. Kabelrand.
Mary Magdalen bathing the feet of Christ
Object type: panel or plaque
Date: 1501 – 1600
Subjects: apostles,christ,mary magdalene
Portret van Urban Gaubisch
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: printer, publisher, urban gaubisch, publishing, publisher (+ portrait of scholar, scientist), historical persons
Inscriptions: watermark
Zittende man en vrouw, de hoofden naar elkaar gewend
Object type: sketchbook leaf
Date: 1849 – 1917
Materials: pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: sitting figure (+ female (human being) (not to be used where -aa- is prescribed)), sitting figure (+ male human being (not to be used where -a- is prescribed))

Blad 23 recto uit een schetsboek met 35 bladen.
Tijger
Object type: print
Date: 1824 – 1827
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: beasts of prey, predatory animals: tiger
Portret van Ernst Adalbert von Harrach
Object type: print
Date: 1670 – 1674
Materials: paper
Techniques: engraving
Location: vienna
Subjects: vienna
Inscriptions: collector's mark: Lugt 2228

Portret van Ernst Adalbert von Harrach, aartsbisschop van Praag en prins-bisschop van Trente. Onderaan in de marge zijn titel in het Italiaans.
Casa di Marco Lucrezio (Pompei)
Object type: album leaf
Date: 1860 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ sculpture), villa, excavation ~ archaeology, pompeii
Inscriptions: number: ‘5327’

Onderdeel van Fotoalbum met opnames van opgravingen in Pompeï door Giorgio Sommer.
Vase with birds and flowers
Object type: vase
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: painting
Culture: chinese
Subjects: flowers,trees
Annie
Object type: print
Date: 1857 – 1858
Materials: paper, ink
Techniques: printmaking, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1789 – 1876
Materials: copper, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: fans
Esemplario di lavori, page 17 (verso)
Object type: book print ornament architecture
Techniques: bookbinding, inlay, woodcut
Location: italy
Artist: nicolò zoppino
Artist role: publisher
Artist nationality: italian
Artist dates: 1478 – 1544

Published by Nicolo Zoppino, Italian, active 16th century, Venice. From top to bottom, and left to right: First part of alphabet. Letters printed in black and separated by small black '+'.
Bell-shaped cup with a crowned, illegible monogram surrounded by two flower sprays
Object type: cup
Date: 1750 – 1774
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Klokvormige kop van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op de buitenwand tweemaal een gekroond, onleesbaar monogram omringd door twee bloemtakken; hiertussen bloemranken met daarin uitgespaard twee cartouches met een landschap en vier medaillons met planten. Een barst in de wand. Europese voorstelling in emailkleuren.
The Devil's Darling
Object type: print
Techniques: etching, hand coloring
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,devil,politics
Landscape in the Style of Ancient Masters: after Gao Kegong (1248-1310)
Object type: painting
Materials: ink, paper
Location: china
Artist: lan ying
Artist nationality: chinese
Artist dates: 1585 – 1664
Inscriptions: the 1st leaf

高彥敬尚書有雲林秋霽，是修其法，以吉偶詞長正之。壬午之日，瑛 。

Gao Yanjing (Gao Kegong, 1248-1310) painted the Autumn Clearing in the Misty Woods.  This is painted in the style of Gao; I ask for Mr. Jiou’s instruction. In the year of renwu [1642], Ying.

Artist's seals: 瑛, 田叔
Vermaak, ô jeugd! uw oog en geeft, / Als gy deez' prenten ziet en leest. / Beschouw hier fraaije beeldtenissen, / Die un beteekening niet missen
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: human types, farmers, street-trader, fisherman
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van verschillende figuren en beroepen. Onder elke voorstelling een tweeregelig vers. Genummerd rechtsboven: No. 215.
Kom uit V.O.C.-schip de 'Witte Leeuw'
Object type: bowl
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl with encrustation. The bottom is glazed with spiral marks visible. A six-character mark, hand-written in underglaze blue: ta ming jiajing.
Parasolden
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: lithograph
Location: paris
Subjects: trees: pine
Inscriptions: collector's mark: Lugt 2228a
Vestigi della antichita di Roma, Tivoli, Pozzuolo et altri Luochi
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: rome

Circus Maximus, gezien vanaf de Via Appia Antica. Figuren en dieren in de voorgrond. In de ondermarge twee regels tekst in het Italiaans. De prent maakt deel uit van een album.
Lot and His Family Fleeing from Sodom, from The Story of Lot
Object type: print
Date: 1555 – 1555
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Boslandschap
Object type: album leaf
Date: 1939 – 1939
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: gelderland
Artist: Anonymous
Subjects: family life at home, open-air recreation, gelderland
Inscriptions: inscription

Albumblad met een foto van een boslandschap in het natuurgebied De Vennebulten. Onderdeel van het familiealbum 1938-1939.
Geloof
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2542

Buste van de vrouwelijke personificatie van Geloof. Ze is gesluierd en houdt een kruis in de handen. De voorstelling is gevat in een cartouche, omringd door putti. In het kader in de marge een tweeregelig Bijbelcitaat uit Gal. 5 in het Latijn.
De vier delen van de dag
Object type: print
Date: 1645 – 1701
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: moonlight, cattle driving, cattle driver, night ~ landscape (sometimes titled 'nox')
Inscriptions: title: ‘NOX’, signature: ‘Berghem inventor’, collector's mark: Lugt 240, signature: ‘J. Visscher fecit’, address: ‘Justus Danckerts Excudit’

Gezicht op een heuvelachtig landschap bij nacht. De volle maan schijnt. Een herder en herderin te paard laten hun vee drinken uit een meer. Op de achtergrond een man in een bootje en de contouren van een dorp.
Souvenir aan het 25-jarig huwelijksfeest van den Heer Hendrik Willem Nijman en Mevrouw Catherina Maria Beijer, Amsterdam, 22 October 1882
Object type: book
Date: 1882 – 1882
Materials: cardboard, linen, paper
Techniques: albumen print, moire
Location: amsterdam
Artist: Anonymous
Insect-Shaped Pendant
Object type: costume and accessory
Materials: jade
Location: china
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three parts of the stems of kylikes
Liège. Le Conservatoire de Musique
Object type: photomechanical print
Date: 1892 – 1906
Materials: cardboard
Techniques: photograph
Location: liège
Artist: Anonymous
Subjects: further education (+ building ~ education, tuition), music, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), liège
Ex libris van De Surbeck
Object type: bookplate
Date: 1763 – 1840
Materials: paper
Techniques: engraving, etching
Location: switzerland
Artist: Anonymous
Subjects: beasts of prey, predatory animals: panther, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, inscription: ‘2227’, collector's mark: Lugt 2233
Man geeft een speech bij een diner
Object type: boekillustratie ontwerp
Materials: paint, paper, pencil
Techniques: brush
Artist: f. ockerse
Artist role: draughtsman
Subjects: dress, gown: dinner dress, evening meal, dinner, supper, person addressing a group, orator
Inscriptions: annotation: ‘10/ blz 185’, :, signature: ‘F/ OCKERSE’, collector's mark: Lugt 2228

Vier mannen zitten in avondkleding aan een tafel. Op tafel staan wijnglazen en een kandelaar. Eén man staat en spreekt het gezelschap toe.
[George Edward ?]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Portret van Gottlieb Dreher
Object type: print
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons, clothes for special purposes
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Gottlieb Dreher s/m Müller / z. f. E. Bern [...] 18 Aout 1857.’
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1701 – 1800
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Subjects: men
Ceremonial Knife (Tumi)
Object type: knife
Date: 1401 – 1600
Materials: copper
Techniques: casting
Culture: inca
Location: peru