deem-data/ArtiFact huggingface dataset:
Swanenburg, gemeenlandshuis van Rijnland
Object type: titelprent, frontispice
Date: 1654 – 1654
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bird's eye view ~ architectural design or model, plan ~ architecture
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Swanenburg, het gemeenlandshuis van het hoogheemraadschap van Rijnland, gelegen naast de sluizen van Halfweg, tussen Amsterdam en Haarlem. Boven in het midden een gezicht op Swanenburg in vogelvluchtperspectief, met daaronder de wapenschilden van de dijkgraaf en hoogheemraden van Rijnland. Onder de plattegrond van het huis en de omgeving met boven de sluizen de Haarlemmermeer en onder het IJ. Linksonder de legenda A-X en een schaalstok: 15 R. roeden. Rechtsonder genummerd: 1.
Landschap met reizigers en Heilige Familie
Object type: print
Date: 1663 – 1695
Materials: paper
Techniques: etching
Artist: pierre drevet
Artist role: print maker, publisher
Artist dates: 1663 – 1738
Subjects: landscapes, holy family, and derived representations
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Valance
Object type: valance
Date: 1576 – 1600
Materials: canvas, silk, wool
Subjects: men,women,angels
Denarius (Coin) Portraying Ahenobarbus
Object type: coin
Date: 41 – 41
Materials: metal, silver
Techniques: striking
Culture: roman
Location: roman empire
Inscriptions: Obverse: AHENOBAR
"Ahenobarbus"
Reverse: CN DOMITIV(S) IMP

On the front of this coin Ahenobarbus is portrayed facing right.

On the back the prow of a ship is surmounted by a trophy.
Coin
Object type: coin
Materials: silver
Location: zaranj
Portret van Conrad Schlosser
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving, etching
Artist: christoph melchior roth
Artist role: print maker
Artist dates: 1720 – 1798
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Würfel, Andreas. Diptycha ecclesiae Sebaldianae (...). Neurenberg: Christoph Melchior Roth, 1756.
Gezelschap in tuin
Object type: photograph
Date: 1911 – 1912
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: andries augustus boom, suriname

Maria Gonggrijp en Andries Boom zittend in een tuin samen met een andere man en vrouw. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Sampler
Object type: textile
Date: 1801 – 1900
Materials: linen, textile, silk
Techniques: embroidery, weave, stitching
Location: united states
Artist: ann morris
Artist nationality: american
Artist dates: 1800 – 1899
Kolossen van Memnon
Object type: stereograph
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Location: thebes
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: monument, statue, king, thebes
Inscriptions: number: ‘XXI’, name: ‘Frith’
Le Château III
Object type: print
Date: 1942 – 1942
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: riding a horse, ass, or mule; rider, horseman, low hill country, landscape with tower or castle
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2228
Wapenschild van de gebroeders Simon en Otto, graven van Lippe
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: unknown
Artist: simon van de passe
Artist role: print maker
Artist dates: 1595 – 1647
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Wapenschild van Simon en Otto, graven van Lippe. Daaronder in een met bustes van sfinxen versierd cartouche hun devies in het Latijn en een kader met de namen van de gebroeders in het Latijn.
Souvenir
Object type: souvenir
Date: 1768 – 1769
Materials: gold, ivory
Subjects: flowers

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Monnik met een baard
Object type: sketchbook leaf
Date: 1822 – 1880
Materials: chalk, charcoal, paper
Techniques: stumping
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: monk(s), friar(s)

Blad 38 verso uit een schetsboek met 45 bladen.
La Feuille sans Titre , no. 142
Object type: fashion print
Date: 1777 – 1777
Materials: ink, paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: fashion plates, hairdress - aa - ~ women
Inscriptions: collector's mark: Lugt 2228

Tijdschrift van 22 juni 1777 bestaande uit vier bladzijden tekst met halve kolom over mode met in de tekst een illustratie van een haardracht met het onderschrift 'à L'aigrette Parasol. f. XI.'
Untitled (Portrait of a Standing Man)
Object type: photograph
Date: 1860 – 1869
Techniques: photography, tintype
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: portraits: african american subject, lundberg collection, african american, portraits, male, men, portraits: male subject, portrait
Krishna bestrijdt de slang Kalya terwijl vier herdersjongens toekijken
Object type: indian miniature
Date: 1614 – 1640
Materials: paper
Techniques: brush
Location: mewar
Artist: Anonymous
Quatriregio (Four Realms)
Object type: book
Techniques: printing, woodcut
Location: italy
Artist: federico frezzi
Artist role: author
Artist nationality: italian
Artist dates: 1346 – 1416
Subjects: centaurs,nymphs,diana,satyrs

Like the Hypnerotomachia Poliphili, which this novel resembles in its length and the extent of its illustrations, the Quatriregio contains references to the world of pagan mythology. In the first of four realms traversed by the narrator, the realm of Cupid or love, we encounter Diana, Venus, Juno, Vulcan at his forge, and Neptune leading a marine procession. In the pages seen here, the narrator observes as the sylvan deities—satyrs, centaurs, and dryads—join the nymphs of Diana to celebrate the festival of the goddess. The illustration on the right shows the nymphs paying homage to their queen, the goddess of the hunt. As is characteristic of Florentine art, the flowing hair and drapery of the nymphs recall depictions of bacchantes in ancient Greek and Roman relief sculpture. The satyr carrying another on his back also draws on an ancient model, a Roman sarcophagus that was well known to artists, inspiring, for example, the piggyback figures in Mantegna's Bacchanals (29.44.15; 1986.1159). In spite of these classical elements, this poem, composed around 1400 by a Dominican monk, has a clear didactic aim. As the pilgrim travels into other realms, he will enter an almost purely Christian universe.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, hair and part of chest of a barbiton player, holding a plektron in his right hand and the strings of the barbiton in his left hand
Figure
Object type: figure
Date: 901 – 1200
Materials: ivory
Techniques: carving, incising
Location: iran
Soup tureen
Object type: soup tureen
Date: 1759 – 1760
Materials: silver
Subjects: pomegranates,coat of arms
Diversarum Nationum habitus (...)Padua, 1592
Object type: print
Date: 1592 – 1594
Materials: paper
Techniques: engraving
Location: italy
Gezicht op het San Marcoplein
Object type: print
Date: 1671 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: san marcoplein
Inscriptions: collector's mark: Lugt 2228
Beaker
Object type: beaker
Date: 1730 – 1730
Materials: glass
Subjects: men,hunting,deer,dogs
Goldie Simpson, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Terracotta lebes gamikos (jar with lid, foot, and handles associated with weddings)
Object type: lebes gamikos
Date: 340 – 320
Materials: terracotta
Culture: greek, south italian, apulian
Artist: group of new york 28.57.10
Artist role: artist
Subjects: birds,palmettes,male nudes,women,eros,wreaths

Obverse and reverse, youths, women, and Erotes A finely attired lady sits on a high-backed chair with footstool as the youth before her offers a wreath and fillet (band). He stands in front of a laver. The attendant behind the chair holds the lady's mirror. Above, Erotes carry more festive paraphernalia and play with a swan. The decoration complements the nuptial associations of the shape. The lid is missing.
Vase (one of a pair)
Object type: vase
Date: 1767 – 1800
Materials: pottery
Artist: humphrey palmer
Artist role: maker
Artist dates: 1760 – 1778
Subjects: animals
Allegorisch randwerk voor twee ovale portretten
Object type: drawing
Date: 1708 – 1780
Materials: chalk, paper
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Portret van Joachim von Gravenegg
Object type: print
Date: 1644 – 1686
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2233

Met vijfregelig onderschrift in het Latijn.
Footed Bowl with Eagle Emblem
Object type: footed bowl
Date: 1234 – 1266
Materials: glass
Techniques: glassblowing, enamel, gilding, molding
Location: syria
Subjects: human figures,eagles,arabic
Gezicht op Genzano
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: genzano di roma
Artist: Anonymous
Subjects: prospect of village, silhouette of village

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
Boni et mali scientia
Object type: print
Date: 1583 – 1583
Materials: paper, parchment
Techniques: engraving, hand coloring
Location: antwerp
Subjects: abel (alone) at work, herding, cain (alone) at work, farming, herd, flock, ploughing

Kaïn ploegt een veld met een trekos. Abel zorgt voor een kudde koeien en schapen. Op de achtergrond rechts de hut van Adam en Eva. Onder de voorstelling een verklarende tekst in het Latijn. Deze prent maakt deel uit van een album.
Albumblad met 15 plakplaatjes
Object type: album leaf
Date: 1880 – 1910
Materials: paper
Techniques: chromolithography
Artist: Anonymous
Subjects: children's games and plays

Albumblad met 15 plakplaatjes van spelende kinderen, centraal een elegante jonge vrouw. Onderdeel van het plakboek met 38 bladen gevuld met plakplaatjes, poesieplaatjes en uitgeknipte en ingeplakte fragmenten van prenten. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Varia.
Vijf taferelen uit de klassieke mythologie
Object type: lantern slide
Date: 1700 – 1790
Materials: glass, wood
Techniques: painted
Location: netherlands
Artist: Anonymous
Subjects: (7) the cretan bull is captured by hercules, orpheus playing the lyre: trees and rocks move, beasts and birds are enchanted, lycian farmers changed into frogs: latona changes lycian farmers into frogs, because while they were weeding a marsh, they prevented her and her children from quenching their thirst (ovid, metamorphoses vi 369)

Vijf glazen met taferelen uit de klassieke mythologie in een houten vatting. Het glas uiterst links: Orpheus speelt op een Renaissanceviool, om hem heen zitten een hert en twee honden te luisteren. Het glas rechts daarvan: man met speer en in klassieke wapenrusting, in gevecht met een draak. Het middelste glas: man met een rode doek omgeslagen achtervolgt met zwaard een vrouwfiguur met vleugels in plaats van armen (waarschijnlijk een harpij, achtervolgd door Boreas of Jason). Het glas rechts daarvan: een vrouw, met een verschrikt kind in haar armen, wijst naar mannen met kikvorshooefden in een poel met riet. (Waarschijnlijk de landmannen die door de godin Latona in kikkers werden veranderd nadat ze haar hadden beledigd.) Het glas uiterst rechts: Hercules vangt de stier van Kreta. Hercules heeft het hoofd van de stier tegen de grond gewerkt en zit met zijn knie op diens nek.
Buckle with Hebe and Eagle
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 –
Miser's purse
Object type: miser's purse
Date: 1851 – 1875
Materials: metal
Culture: american
Design for 4 Seat Phaeton, no. 3617
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gueridon van palissanderhout op poten van ivoor
Object type: miniature
Date: 1676 – 1676
Materials: ivory, wood
Location: amsterdam
Artist: Anonymous

Gueridon, vervaardigd van palissanderhout op drie poten van ivoor. De gueridon is geheel opgebouwd uit gedraaide onderdelen. Een rond blad met opstaande geprofileerde rand met verdikking in het midden, een geprofileerde stam en idem schijfvormige grondplaat op bolpootjes.
Portret van een geestelijke
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: francisco contreras
Artist role: fotograaf
Subjects: adult man, historical persons, organization, functionaries and dignitaries in churches and in related institutions
Inscriptions: inscription: ‘S. Matias/ F. Contreras/ Granada/ Fotografo’
Grèce. Tombeau d'Agamemnon (Mycène)
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: grave, tomb

Voor de Franse titel staat de titel in het Grieks.
Wedding ensemble
Object type: wedding ensemble
Date: 1870 – 1870
Materials: leather, silk
Culture: american
Artist: courvoisier
Artist role: manufacturer
Artist nationality: french
Portret van een onbekende jonge vrouw met hoed
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1918
Materials: paper
Techniques: gelatin silver print
Location: sneek
Artist: lambertus van der feer
Artist dates: 1867 – 1920
Subjects: historical persons not known by name - bb - woman, head-gear: hat
Inscriptions: inscription: ‘L. van der Feer Pzn. Fotograaf, Sneek-Bolsward.’, number: ‘18’
Over-and-Under Percussion Pistol bearing the Crest of the Polhill Family
Object type: percussion pistol
Materials: brass, gold, platinum, steel, wood
Culture: british
Location: england
Artist: joseph egg
Artist role: gunsmith
Artist nationality: british, born france
Artist dates: 1775 – 1837

Joseph Egg, one of the preeminent gunmakers in London in the early 19th century, specialized in double-barreled pistols, of which this is a good example. Originally fitted with flintlocks, it was later converted by a different gunsmith to percussion locks, a more advanced mechanism, probably in the 1820s or 1830s. Conversion was a common and economical method of updating a firearm as technology advanced. The crests engraved on the butt cap and grip escutcheon indicate that it belonged to a member of the Polehill family of Sussex and Kent.
Three Waka Poems
Object type: hanging scroll
Date: 1301 – 1333
Materials: ink, paper
Culture: japanese
Artist: jōben
Artist role: artist
Artist nationality: japanese
Artist dates: 1256 – 1356
Innsbruck, Inneres der Hofkirche
Object type: photograph
Date: 1924 – 1950
Materials: paper
Techniques: gelatin silver print
Location: innsbruck
Artist: Anonymous
Subjects: statues, paintings, etc. ~ objects of worship in roman religion, interior of church
Panorama vom Starnberger See
Object type: photomechanical print
Date: 1901 – 1905
Materials: cardboard
Techniques: lithograph, writing
Location: leipzig
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, lake, mountains
Titelpagina voor: Isaac de Larrey, Histoire d'Angleterre d'Ecosse et d'Irlande, s.a.
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: jupiter, usually in the shape of a white bull, abducts europa and carries her across the water, personifications of countries, nations, states, districts, etc., justitia (justice) as roman personification
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De ontvoering van Europa door Jupiter in de gedaante van een stier. Britannia, gepersonifieerd door Themis als personificatie van Gerechtigheid, zit met weegschaal en zwaard getroond tussen twee zuilen onder een draperie en kijkt toe. Links zit een vrouw naast een brandend altaar. Rechts staat een vrouw met lans met vrijheidshoed. In de achtergrond een vloot.
Portret van Griet en Dirk Meijer
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1920
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons
Inscriptions: inscription: ‘griet en dirk/ Meijer’
Portret van paus Urbanus VIII op 69-jarige leeftijd
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: rome, clergyman, urbanus viii, historical persons, pope
Inscriptions: collector's mark: Lugt 240
Gezichten in de Pyreneeën
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: tone lithography
Location: paris
Artist: eugène cicéri
Artist role: print maker
Artist dates: 1813 – 1890
Subjects: brook, mountains (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a
Louis XIII, King of France (b. 1601, r. 1610–43)
Object type: medal
Date: 1626 – 1626
Materials: bronze
Artist: guillaume dupré
Artist role: artist
Artist nationality: french
Artist dates: 1579 – 1640
Subjects: kings,profiles
Portret van de schrijfster Maria van Zeggelen aan schrijftafel
Object type: photograph
Date: 1910 – 1920
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: maria christina van zeggelen, historical persons, author, poet writing, netherlands, dutch east indies, the
Inscriptions: inscription: ‘Aan d moesjka van Themka [?]’
Slapende vrouw met hoge muts
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: old woman, head-gear: cap, sleeping; unconsciousness

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De regeering van Willem I. Mannen en vrouwen.
Snuffbox with military scenes
Object type: snuffbox, painting
Date: 1770 – 1770
Materials: enamel, gold
Artist: i.i.h.
Artist role: maker
Subjects: men,horses,flowers
Bracelet
Object type: bracelet
Date: 1840 – 1840
Materials: glass, gold
Culture: british
Sleeve ruffle (Engageante)
Object type: sleeve trimming
Date: 1701 – 1800
Techniques: lace
Scarab Incised with Hieroglyphs and Geometric Motif
Object type: scarab, geometric motif, oval, nefer hieroglyph
Date: 1802 – 1640
Materials: faience
Location: egypt
Subjects: scarabs

Some Middle Kingdom scarabs show a decorative oval motif, often accompanied by hieroglyphs. On this late Middle Kingdom scarab from Lisht, the hieroglyph for good and beautiful (nefer) is placed on either side of it. The meaning of the oval motif remains unclear, but the signs and symbols with which it is associated on seal-amulets have a positive and protective nature.
Portret van een onbekende man en vrouw
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, glass, metal, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, adult man, anonymous historical person portrayed, couple of lovers
Tafellaken met taferelen uit de Spaanse Successieoorlog
Object type: tablecloth
Date: 1706 – 1706
Materials: linen
Techniques: damask
Location: flanders

Wit linnen damasten tafellaken met taferelen uit de Spaanse Successieoorlog en de inweving "PRINC ET DVX DE MARLOBORVGH BELGIVM DEBELLAVIT" en "ANVERS", "MALINIS", "BRVSSEL", "LOVEN", "GENDT", "BRVGGE", "OSSTENDE" en "MEENEN".
Wachtend rijtuig in een park
Object type: watercolor
Date: 1872 – 1931
Materials: chalk, paper
Techniques: brush
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, public gardens, park, dog
Interieur met breiend meisje
Object type: watercolor
Date: 1868 – 1868
Materials: chalk, paper, watercolor
Techniques: brush
Artist: jacob taanman
Artist role: draughtsman, print maker
Artist dates: 1836 – 1923
Inscriptions: date: ‘68’
Saltcellar
Object type: saltcellar
Date: 1601 – 1633
Techniques: maiolica, glazing
Terracotta rim fragment with white inlay
Object type: vase fragment
Date: 1800 – 1700
Materials: terracotta
Culture: minoan

From Knossos, Crete Fragment of rim with white inlay.