deem-data/ArtiFact huggingface dataset:
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware, glaze
Techniques: polychrome
Location: iran

This object was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
The Third Day, plate 4, from Creation of the World
Object type: print
Date: 1590 – 1590
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Inscriptions: Lettered upper center: "Dies. III." and lower center: "HG. excud."
Saucer (part of a service)
Object type: saucer
Date: 1760 – 1765
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Tiberinus verschijnt aan Aeneas
Object type: print
Date: 1663 – 1664
Materials: paper
Techniques: drypoint, etching
Location: italy
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: the river-god tiberinus appears to aeneas in his sleep, plants and herbs: reed
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: Lugt 2760

Tiberinus, de riviergod van de Romeinse rivier de Tiber, verschijnt aan Aeneas tijdens een droom. De riviergod links met zijn urn, een lange baard en rietstengels op het hoofd. Rechts slaapt Aeneas, leunend op zijn schild.
Bowl with pseudo-inscription and stripes
Object type: bowl
Date: 1200 – 1299
Materials: cobalt, earthenware, glaze, paint, quartz
Techniques: engraving, firing, turning, vitrification
Location: iran
Artist: Anonymous

Kom van kwarts-fritgoed, beschilderd met strepen in blauw onder transparant alkaliglazuur en met rand van in zwart gegrift pseudo-schrift.
Dood van Niobes kinderen
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: apollo and diana kill niobe's children
Inscriptions: collector's mark: Lugt 2228
Bruxella nobilissima Brabantiae civitas restauratum ano 1748
Object type: area plan
Date: 1640 – 1640
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: filips iv (koning van spanje), the archangel michael fighting the dragon (devil, satan), church (exterior), fortified city, maps of cities, brussels

Onderdeel van de plattegrond van de tweede uitgave (1748) van een wandkaart van Brussel, getiteld 'Bruxella nobilissima Brabantiae civitas restauratum ano 1748'. Deze wandkaart bestond uit deze plattegrond (gedrukt van zes platen, zie: RP-P-AO-17-73) met daaronder of daarboven een stadsgezicht (gedrukt van drie platen, zie: RP-P-AO-17-74), met langs de zijkanten een beschrijving van de stad en gezichten op gebouwen. De eerste uitgave verscheen in 1640 onder de titel 'Bruxella nobilissima Brabantiae civitas ano 1640'.
La Mode Illustrée, Journal de la Famille, 1882
Object type: magazine
Date: 1882 – 1882
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: fashion plates
Inscriptions: date
Bloodhound, from the Dogs of the World series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: dogs

The "Dogs of the World" series of trading cards (N163) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The series of 50 cards depicts dogs of various breeds. The Metropolitan Museum of Art owns 23 of the series' 50 cards.
Two Groups of Figures in a Landscape
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: after giovanni francesco barbieri, called guercino
Penningdoos
Object type: medal box
Date: 2012 – 2012
Materials: velvet, wood
Artist: Anonymous

Hoort bij reeks herdenkingsmunten die de staat met enige regelmaat uitgeeft en waarvan het Rijksmsueum steeds een exemplaar uit de eerste slag krijgt. Oplage eerste slag: maximum 140 exx; totale oplage: 12.500 exx.
Bumbass
Object type: bumbass
Date: 1867 – 1900
Materials: metal, skin, wood
Culture: american or german
Location: united states
Terracotta bottle
Object type: bottle
Date: 1900 – 1725
Materials: terracotta
Culture: cypriot

Lime, used to fill the grooved decoration, enhances the contrast between the surface of the vessel and the linear decoration.
Vaart met huizen en molen
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: etching
Artist: jan paul valkema blouw
Artist role: draughtsman, print maker
Artist dates: 1884 – 1954
Subjects: canal, windmill in landscape
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
The Holy Family with Saint John the Baptist and Angels
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Location: netherlands
Artist: possibly johannes glauber
Artist nationality: dutch
Artist dates: 1646 – 1726
Ex libris van Hein Vermeulen
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: netherlands
Artist: hein vermeulen
Artist role: print maker
Subjects: hein vermeulen, bible, book
Inscriptions: inscription: ‘ipse’
Serpentine conoid seal
Object type: seal
Date: 2400 – 2200
Materials: stone
Culture: minoan

Linear design of broken right angles.
De oprichters van het Kon Instituut van ingenieurs
Object type: book illustration
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: frederik willem conrad (ii), the hague, utrecht, engineer, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: S.n. Gedenkboek uitgegeven ter gelegenheid van het vijftigjarig bestaan van het Koninklijk Instituut van Ingenieurs 1847-1897. Den Haag: Van Langenhuysen, Gebroeders J. en H. van, 1897.
Groep mannen bij een spoorwegtunnel in aanleg bij West Meon
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: west meon
Artist: Anonymous
Subjects: working class, labourers, railway, train, underground road, tunnel, building-site

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Haar Koninglijke Hoogheid, Anna, Paulowna, Grootvorstin van / Rusland, Gemalinne van de Kroonprins der Nederlanden
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: the hague, anna paulowna romanowa, joséphine de beauharnais, equestrian state-portrait
Inscriptions: collector's mark: Lugt 2228

Portret van Josephine (keizerin der Fransen) te paard, hier als Anna Paulowna Romanowa bedoeld. De voorstelling is gevat in een sierlijst, met aan de bovenzijde een balustrade. Onder de afbeelding een vers in twee kolommen. Genummerd rechtsonder: No. 229.
And these two old wrecks consoled each other, from 'News of the day,' published in Le Charivari, May 15, 1866
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men
Henry, Pitcher, Philadelphia, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Tiraz Veil
Object type: tiraz fragment
Materials: silk
Techniques: weave
Location: egypt
Subjects: arabic

Two opposed, embroidered bands of Arabic inscription in kufic script are the centerpiece of this silk veil. The inscription retains the style of those on tiraz woven in Abbasid workshops, taken over by the Fatimids when they established themselves in Egypt in A.D. 969. It begins with an excerpt from the Shahada (Muslim testimony of faith), and includes the name of the Fatimid caliph for whom the tiraz was made, al‑‛Aziz (ruled A.D. 975–96), and that it was woven in the state workshop in Tinnis on the Nile Delta in the year A.H. 373/A.D. 983–84. Foliated letters ending in half‑palmettes and a narrow band featuring pairs of confronted birds and floral designs enliven the composition.
Gezicht op een haven met een toren aan de waterkant
Object type: opticaprent
Date: 1700 – 1799
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Artist: Anonymous
Subjects: harbour, sailing-ship, sailing-boat, tower, clock tower ~ monumental adornment, rowing-boat, canoe, etc., sea (seascape) (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2233
Bowl
Object type: bowl
Date: 1067 – 1200
Materials: earthenware, glaze
Techniques: luster painting
Location: egypt
Bottle
Object type: bottle
Date: 1200 – 801
Materials: ceramic
Culture: olmec
Location: mexico
Portret van Ewald Friedrich von Hertzberg
Object type: print
Date: 1763 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: poland, berlin, ewald friedrich von hertzberg (graaf), historical persons, politician, e.g. party leader
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Date: 1912 – 1912
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: naples
Subjects: naples, vittorio pica, the hague, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Rosstrappe, Bodethal. Harz
Object type: stereograph
Date: 1855 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: harz
Artist: adolph hecht
Artist role: fotograaf
Subjects: rock-formations
Inscriptions: number: ‘48’
Case (Inrō) with Design of Trees, Crow, and Moon
Object type: inrō
Date: 1701 – 1800
Materials: foil, gold, lacquer, metal, silver, wood
Techniques: fundame, inlay, maki-e
Culture: japanese
Subjects: birds,moon,trees

While the front of this inrō shows a solitary crow perched in a tree under a moonlit sky, the back shows a single bird at the foot of the same tree under a bright sun.
Engelse commandant met twee Hollandse lichtekooien, 1793
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: london, frederik (hertog van york en albany), soldiers and civilians, whore, prostitute, pickpocket - gg - female, urination
Inscriptions: collector's mark: Lugt 2228

Spotprent waarin een Engelse commandant, Frederik Augustus, hertog van York, gearmd loopt tussen twee Hollandse prostitués met ontblote borsten, waarvan één zijn zakken rolt. Links urineert een andere Engelsman tegen een kanon, in een legerkamp. Naar aanleiding van het optreden van het Coalitieleger in de Nederlanden in 1793.
Two Landsknechts
Object type: statuette
Date: 1534 – 1566
Materials: bronze, lacquer, patina
Subjects: soldiers

The two landsknechts, varying slightly in height and in costume, originally served as candle holders; candles were inserted in the holes in their raised hands. Bronze projections from the insteps of the taller soldier indicate that the figures belong to a common sixteenth-century type, of brass as well as of bronze, in which the feet often stood on flared stems riding from circular bases.[1] The folkloric designs were popular again in the nineteenth century; a thinly cast copy of one of our landsknechts appears on a candlestick in the reserves of the Louvre, paired with a variant model.[2] [James David Draper, The Jack and Belle Linsky Collection in the Metropolitan Museum of Art, New York, 1984, p. 165, nos. 82, 83] Footnotes: [1] V. Baur, Kerzenleuchter aus Metall, Munich, 1977, pls. 58–61; E. Turner, An Introduction to Brass, London, 1982, pl. 13. [2] G. Migeon, Catalogue des bronzes et cuivres du Moyen Age, de la Renaissance et des temps modernes, Paris, Musée National du Louvre, 1904, no. 119.
Aen de Nimphies vanden Amstel
Object type: text sheet
Date: 1640 – 1640
Materials: paper
Techniques: letterpress printing
Location: amsterdam

Nederlandstalig gedicht op de Nimfen van de Amstel op elf pagina's: pagina 5. Het blad maakt deel uit van een album.
Portret van een jongeman
Object type: photograph
Date: 1867 – 1872
Materials: cardboard, photographic support
Techniques: albumen print
Artist: johannes franciscus lomans
Artist role: fotograaf
Artist dates: 1837 – 1879
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘J.F. Lomans/ Firma/ Sellbach & Lomans/ Leeuwarden/ Grachtswal/ (...)’
Portret van Luíz Augusto de Almeida Macedo
Object type: page
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: j.c. rocha
Artist role: fotograaf
Subjects: historical persons, commander-in-chief, admiral
'T Hooge Heemraedschap van Delflant
Object type: print
Date: 1712 – 1735
Materials: paper
Techniques: engraving, etching
Location: delft
Subjects: maps of cities
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Onderdeel van de grote wandkaart 'T Hooge Heemraedschap van Delflant. De kaart zelf bestaat uit vijfentwintig bladen, de titelstrook is gedrukt van twee platen. Meerdere prentmakers hebben aan deze kaart gewerkt. In volgorde van meest gewerkte dagen zijn dit: Luggert van Anse (1091 dagen), Thomas Doesburgh (952 dagen), Jacobus Deur (806 dagen), Johannes Deur (683 dagen) en Pieter Sluyter (151 dagen). Sluyter was verantwoordelijk voor de versieringen, de anderen voor de rest. Wie precies aan welk blad heeft gewerkt is niet duidelijk. Pieter Haringh had het ontwerp voor de wapenschilden geleverd en Arnold Houbraken het ontwerp voor de rest van de versieringen.

Het drukken, uitgeven en verkopen van de kaart lag, zoals blijkt uit het privilege, in handen van het hoogheemraadschap. Voor zover bekend is de kaart in zijn geheel twee keer gedrukt, in 1712 en 1735. Het hoogheemraadschap beheerde de voorraad kaarten voor verkoop.

In een aantal atlassen van Covens & Mortier (Nieuwe atlas inhoudende de vier gedeeltens der waereld (...). 5 delen. Amsterdam: Covens & Mortier, s.a. [1721-1759], dl. 3) zijn de zevenentwintig bladen van de kaart en de overzichtskaart opgenomen. Het is dus vermoedelijk niet zo dat de kaart voor deze atlassen opnieuw werd gedrukt. Waarschijnlijk werd een aantal exemplaren bij het hoogheemraadschap afgenomen.
The Approach to Philae
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print
Location: england
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Gezicht op bont uit Noorwegen op de Wereldtentoonstelling van Antwerpen in 1894
Object type: page
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: luxembourg
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: world fair, world exhibition, handicrafts ~ animal material, skins, leather ~ building material, antwerp
Inlay Depicting a Falcon with Spread Wings
Object type: inlay, falcon
Date: 400 – 301
Materials: faience
Location: middle egypt
Subjects: falcons

This falcon with spread wings holding a shen ring - on parly preserved here - represents the god Horus Behdety. The figure of this god generally hovers protectively over the head of a king.
The Actor Nakamura Noshio I as a Dragon Maiden Disguised a Tamanami, in the Play Oyafune Taiheiki, Performed at the Ichimura Theater in the Eleventh Month, 1775
Object type: print
Date: 1775 – 1775
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Caster
Object type: caster
Date: 1770 – 1800
Materials: silver
Culture: american
Schimpdicht op het voorgenomen huwelijk van de voormalige koning Willem I, 1840
Object type: poem
Date: 1840 – 1840
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: the hague, berlin, william i of the netherlands, maastricht
Inscriptions: collector's mark: Lugt 2228

Gedrukt schimpdicht op het voorgenomen huwelijk van de voormalige koning Willem I met de katholieke H.R. rijksgravin Henriëtte d'Oultremont de Wégimont, 1840. Dubbelgevouwen blad bedrukt op alle vier (genummerde) bladzijden.
Kruisiging van Christus (middendeel)
Object type: print
Date: 1582 – 1582
Materials: paper
Techniques: engraving
Location: italy
Subjects: the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10, collector's mark: ‘Hinloopen’

Kruisdood van Christus op Golgota. Christus hangt aan het kruis, links en rechts van hem worden de twee misdadigers gekruisigd. Longinus staat op het punt zijn lans in de zijde van Christus te steken. Een groep mannen op paarden en ezels kijkt toe. De Maria's en Johannes treuren onder het kruis. Tekst in het Latijn in ondermarge.
Detailed Print of Yokohama Hon-chō and the Miyozaki Pleasure Quarter
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Subjects: buildings,boats
Portret van Rupert von Bodman
Object type: print
Date: 1656 – 1693
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting. Twee putti, bokken en planten om het portretmedaillon, onderaan twee stadsgezichten.
Design for a Clock: Summer and Autumn
Object type: drawing
Date: 1801 – 1900
Materials: gouache, graphite, ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: goats,clocks
Openwork stamp seal: figure holding snakes
Object type: stamp seal
Date: 2333 – 1668
Materials: copper alloy
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Subjects: snakes

Western Central Asia, now known as Turkmenistan, Uzbekistan, and northern Afghanistan, has yielded objects attesting to a highly developed civilization in the late third and early second millennium B.C. Artifacts from the region indicate that there were contacts with Iran to the southwest. Openwork copper or bronze stamp seals, often called "compartmented" seals, were cast in both geometric and figural patterns in Bactria-Margiana and are distinctive to that region. This copper-alloy example represents a male figure dressed in a short kilt and mountain boots with upturned toes. If his horned headdress is similar in meaning to examples found in Mesopotamia and Iran, the figure may be divine. The arrow-shaped forms emerging from his shoulders and under his arm may represent snakes or lightning bolts.
Marionettenspeler laat publiek in poppenkast kijken
Object type: print
Date: 1819 – 1836
Materials: paper
Techniques: lithograph
Location: paris
Subjects: view through a window from the outside, puppet and marionette show
Inscriptions: collector's mark: Lugt 2228a
Professor, Woman, Child and Dog in Cathedral Close
Object type: drawing and watercolor
Date: 1860 – 1865
Materials: gouache, paint, watercolor, paper
Location: england
Artist: joseph nash
Artist role: artist
Artist nationality: british
Artist dates: 1808 – 1878
Textile Fragment
Object type: textile fragment
Date: 1035 – 1094
Materials: linen, silk
Techniques: weave
Location: egypt
Subjects: arabic
Portret van Jean-Baptiste-Claude Delisle de Sales
Object type: book illustration
Date: 1796 – 1796
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: lyon, ornament ~ medallion, historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Delisle de Sales, Jean-Baptiste-Claude. De la Philosophie du Bonheur (...). Parijs: Jean-Baptiste-Claude Delisle de Sales, 1796, dl. 1.
Cartouche gedecoreerd met muziekinstrumenten
Object type: handelsetiket
Date: 1738 – 1772
Materials: paper
Techniques: engraving, hand coloring
Location: harderwijk
Subjects: wind instruments, string instruments (plucked), string instruments (bowed)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Een leeg cartouche gedecoreerd met diverse blaas- en snaarinstrumenten, bekroond met een orgel. Onderaan een engel met een harp. Mogelijk een handelsetiket.
Komfoor
Object type: miniature
Date: 1778 – 1778
Materials: silver
Location: amsterdam
Artist: jan bonket
Artist role: silversmith
Artist dates: 1727 – 1789

Komfoor op s-vormige poten. Bovenaan de poten zijn bloemen bevestigd die soortgelijk zijn aan de bloemen van de bijbehorende ketel. Tussen de poten lopen guirlandes. Het komfoor is niet gemerkt.
Bishop Blessing a Kneeling Man OR Meeting of Emperor Theodosius and Bishop Ambrose
Object type: drawing and watercolor
Date: 1600 – 1600
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to luigi benfatto
Artist nationality: italian
Artist dates: 1544 – 1609
Drie hurkende mannen
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: squatting, crouching figure
Vijfde slede
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: nicolaas van der worm
Artist role: draughtsman, print maker
Artist dates: 1757 – 1828
Subjects: brussels, sledge, sleigh (winter sports), commemoration of the founding of a university, leiden
Inscriptions: inscription: ‘afgemaekte Proefdruk / N vd worm’, collector's mark: Lugt 240

De vijfde slede in de optocht. Een slede met Louis de Boisot en een jongen met witbrood en een haring, getrokken door een paard en voorafgegaan door twee muzikanten en twee hellebaardiers. Onderdeel van een reeks van twaalf platen (vóór het nummer en op ander papier) van de sledevaart op 24 januari 1776 georganiseerd door het Leidse genootschap Veniam Pro Laude bij gelegenheid van het Tweede Eeuwfeest van het Leids Ontzet (3 oktober 1574) en de oprichting van de Universiteit van Leiden (8 februari 1575).