deem-data/ArtiFact huggingface dataset:
Mannen in gesprek over hun adelijke afstamming
Object type: print
Date: 1777 – 1821
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: family lineage, pedigree, genealogical tree or table, table, debate, discussion (~ meeting), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Mannen rond een tafel voeren een discussie over adellijke titels, terwijl ze op een papier wijzen, waarop een stamboom is afgebeeld. Op de grond een boek met wapenschilden.
Ontwerp voor illustratie voor De Kolossus der Negentiende Eeuw door P.J. Andriessen (Textill., blz. 174); scène uit het leven van Napoleon
Object type: design
Date: 1877 – 1942
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: george lodewijk de wetstein pfister
Artist role: draughtsman
Artist dates: 1867 – 1942
Subjects: napoleon i (emperor of the french), (andriessen, de kolossus der negentiende eeuw) specific works of literature (with author, title), historical persons, illustration ~ printed matter, book, historical events and situations
Congaster / La prinssese de paris
Object type: drawing
Date: 1639 – 1639
Materials: paint, parchment, pencil, watercolor
Techniques: brush
Artist: jacob marrel
Artist role: draughtsman, painter
Artist dates: 1614 – 1681
Subjects: flowers: tulip, molluscs (+ shell, snail-shell etc.), insects: cricket
Inscriptions: date

De tekening maakt deel uit van een album.
Riviergod
Object type: print
Date: 1772 – 1773
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: river personified, 'fiumi' (ripa), piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts), antwerp

Sculptuur van een riviergod. Beeld gemaakt door Corneille van Dael, Guilleaume Roef en François Meulemeester op de Beestenmarkt. Genummerd linksboven in de plaat: 8. Onderdeel van de verzameling van figuren en beelden gemaakt van sneeuw in de straten van Antwerpen in januari 1772.
Militair
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Location: london
Artist: a.c. cooper
Artist role: fotograaf
Subjects: london

Geposeerde foto van een Nederlandse militair staand voor een gordijn. Hij richt zijn karabijn. Het onderste deel van zijn benen is niet zichtbaar. Cor Visser wilde waarschijnlijk deze foto gebruiken bij een van zijn tekeningen.
Portret van een onbekend meisje
Object type: print
Date: 1873 – 1910
Materials: paper
Techniques: etching
Artist: piet van engelen
Artist role: print maker
Artist dates: 1863 – 1924
Subjects: historical persons, girl (child between toddler and youth)
Inscriptions: collector's mark: Lugt 2228
Land Snail (Katatsumuri); Giant Katydid (Kutsuwamushi), from the Picture Book of Crawling Creatures (Ehon mushi erami)
Object type: woodblock print
Date: 1788 – 1788
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: vegetables,insects,snails

Ehon mushi erami (Picture Book of Crawling Creatures) is illustrated with fifteen designs of insects and other garden creatures by Utamaro. Published by Tsutaya Jūzaburō , the poems were selected and introduced by a preface written by the poet and scholar Yadoya no Meshimori (Rokujuen; 1753–1830), who later became head of the influential Go-gawa poetry group. Several of the top kyōka poets of the day were invited to contribute.
Robinson's Arch, Jerusalem
Object type: photograph
Date: 1844 – 1844
Techniques: daguerreotype
Artist: joseph-philibert girault de prangey
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1892
Subjects: architecture

Girault here deploys a figure (a man with one foot propped on a pile of rubble) to accentuate his subject: the stump of an arch identified in 1838 by the scholar Edward Robinson. Excavations in the twentieth century revealed that the once-wide stone arch had supported a monumental staircase at the southwestern corner of the Temple Mount, or Haram al-Sharif, connecting it to the lower market.
Strand met ezels
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, paper
Techniques: gelatin silver print
Location: netherlands
Artist: frits freerks fontein fz.
Artist role: fotograaf
Artist dates: 1882 – 1928

Weston-Super-Mare is een badplaats in Groot-Brittannië. Foto uit album 'Photographieën".
De dode Christus met Maria en rouwende discipelen
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Artist: pieter feddes van harlingen
Artist role: painter, print maker, publisher
Artist dates: 1586 – 1623
Subjects: lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Inscriptions: date
Portret van Gijsbert Carel Rutger Reinier van Brienen van Ramerus
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: gijsbert carel rutger reinier van brienen van ramerus
Inscriptions: collector's mark: Lugt 2233

Portret van Gijsbert Carel Rutger Reinier van Brienen van Ramerus, commandeur in de Militaire Willems-Orde.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, squatting boxer holding long straps; wreathed judge wearing a himation, holding a wand in his right hand; boxer, seated on the ground, binding his hands
Gig # 3148
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Johanna van Oostenrijk
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons - bb - woman, nobility and patriciate; chivalry, knighthood
Artis Perspectivae (...)
Object type: ornament print
Date: 1568 – 1568
Materials: paper
Techniques: etching
Location: antwerp
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche, ornamental fountain
Inscriptions: date

De titel van de prentserie 'Artis Perspectivae' op een cartouche in een ornamentele lijst. Rechts en links een vat met een kikker en een vogel op de rand.
Helmet mask
Object type: mask
Materials: wood
Culture: kuba
Location: democratic republic of the congo
Artist: ngeende-kuba artist
Artist role: artist

This imposing helmet mask in wood represents the head of a male dignitary. The master carver responsible for this powerful creation experimented with the expression of the head’s volume, angling it backwards at a 45° angle. Every element in the definition of the facial features and hair emphasize this dynamic approach. Deeply set under a bulging forehead, the narrow eyes are slanted and stretched towards the temples. The tip of the prominent nose points slightly downwards and the nostrils are flared and precisely defined. The angles of the arrow-shaped mouth stretch upwards. As a result, the mouth is parallel to the edge of the beard that defines the lower extremity of the mask. The wide trapezoid forehead is framed by a distinctive coiffure, which both projects backwards and angles back sharply towards the temples. The surface of the mask is intensely textured, from representations of keloids on the temples and forehead, to rows of holes of varying dimensions under the eyes, along the beard, at the jointure between the hair and forehead, and at the top of the head, as well as metal strips along the nose. Close examination reveals several layers of pigments over the entire surface and X-rays attest to the presence of metal points embedded under the surface. These metal points must have previously held sheets of metal or fabric and beads stretched over the mask’s surface. All these details point to the mask’s age and extensive and varied use, its long history embedded into its layered surface. Now covered entirely in black pigment, it can be associated to a genre of mask known as Bongo. Specialist David Binkley has described how Bongo masks take a variety of shapes but are distinctive for being painted an intense black. Bongo masks appear during initiation rites and at funerals. Concealing a dancer’s identity, the wooden helmet mask would have been accompanied by a skirt and collar made from freshly cut raffia palm leaves. The erratic and unpredictable movements during the masked performance suggest the untamed forest world where many potential dangers lie for the inexperienced. While Kuba artists produced little free-standing figurative sculpture, they placed an emphasis on two distinctive art forms: an unparalleled variety of decorative arts made for personal use as indicators of success and achievement, and an extremely rich range of masks directly associated with men’s societies. These societies’ primary purpose are the enculturation of youth into the core values of society and the veneration of deceased members of a community.
Portret van David Cohen d'Azevedo
Object type: print
Date: 1780 – 1829
Materials: paper
Techniques: etching
Location: amsterdam
Artist: hendrik willem caspari
Artist role: draughtsman, print maker
Artist dates: 1770 – 1829
Subjects: david cohen d'azevedo
Inscriptions: collector's mark: Lugt 2228

Portret van van David Cohen d'Azevedo, de opperrabijn van de Portugees-joodse gemeente in Amsterdam. Buste naar links. Cohen draagt een steek op het hoofd en leest een boek. In de achtergrond een boekenkast.
Portret van Henry Petty-Fitzmaurice
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: politician, historical persons
Inscriptions: monogram, collector's mark: Lugt 2228
Broadside relating to Aurelio Cabellero who died from vomiting
Object type: print
Date: 1890 – 1900
Materials: metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: illness,suffering,men
Fauchard
Object type: fauchard
Date: 1501 – 1600
Materials: steel, wood
Culture: italian
Location: italy
Temperantia
Object type: print
Date: 1580 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: john the baptist baptizing, temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues, the building of the ark, and the embarkation (genesis 7:5-9)
Inscriptions: collector's mark: Lugt 2760, number: ‘27’, collector's mark: Lugt 2228

Landschap met de vrouwelijke personificatie van Matigheid (Temperantia), een van de vier kardinale deugden. In haar handen draagt ze een kruik met vloeistof die ze overgiet in een schaal. Links op de achtergrond de ark van Noach en God de Vader die aan de hemel verschijnt. Rechts op de achtergrond de doop in de Jordaan. In de marge een tweeregelig onderschrift in het Latijn. Zevende prent uit een serie met deugden.
Brush washer with twin dragons
Object type: brush washer
Date: 1301 – 1400
Materials: copper alloy
Culture: chinese
Subjects: dragons

This charming bronze was designed as a brush washer for holding water to dampen writing brushes or to dilute the ink tone when writing or painting. A pair of sinuous dragons cast along the rim enlivens this modest vessel.
Settlement on a Hill
Object type: drawing
Date: 1520 – 1520
Materials: ink, paper
Techniques: pen
Artist: domenico campagnola
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1564
Inscriptions: collector's mark: Lugt 4181

Domenico Campagnola built up the composition of this hilly landscape diagonally from left to right. Typical of his drawing style is the way in which he suggested shadows with parallel hatching. He left some parts completely empty, such as the sky and passages of the foreground. He had adopted this way of drawing from Titian, one of the great innovators of 16th-century landscape art.
Shoes
Object type: shoe
Date: 1830 – 1830
Materials: leather, silk
Culture: american
Might not the Pupil Know More?, plate 37 from Los Caprichos
Object type: print
Date: 1797 – 1799
Materials: paper
Techniques: aquatint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Portret van admiraal Jan Hendrik van Kinsbergen
Object type: print
Date: 1788 – 1837
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: jonkheer jan hendrik van kinsbergen
Inscriptions: collector's mark: Lugt 2228

Jan Hendrik van Kinsbergen, vice-admiraal en buitengewoon maarschalk der Hollandse zeemacht, met een hand in de zij.
Parrot (Omu), from the series "Floating World Versions of the Seven Komachi (Ukiyo Nana Komachi)"
Object type: print
Date: 1780 – 1780
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of an inscription, L
A Park Landscape
Object type: print
Date: 1783 – 1789
Materials: ink
Techniques: aquatint, etching, printing
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: compound weave
Culture: chinese
Subjects: flowers,leaves
The Actors Otani Hiroemon III as Shinagawa Okaminosuke (right), and Ichikawa Danjuro V as Arashishi Otokonosuke (left), in the Play Fuki Kaete Tsuki mo Yoshiwara (Rethatched Roof: The Moon also Shines Over the Yoshiwara Pleasure District), Performed at the Morita Theater in the Eleventh Month, 1771
Object type: print
Date: 1771 – 1772
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Harlequin
Object type: figure
Date: 1770 – 1770
Materials: soft paste porcelain
Artist: cozzi manufactory
Artist role: factory
Artist nationality: italian
Artist dates: 1764 – 1812
Subjects: human figures,masks,clowns
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, lower torso, genitals, part of upper thighs and extended right arm of male, with right hand touching the buttocks of the male in front of him
Dorpsgezicht met kerk te 's-Gravenzande
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Location: s-gravenzande
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: public road in village
Inscriptions: annotation: ‘'s-Graevezande.’

Blad 12 recto uit een schetsboek met 78 bladen.
Landschap met in de verte een kasteel
Object type: print
Date: 1637 – 1674
Materials: paper
Techniques: etching
Artist: jean vaillant
Artist role: print maker
Artist dates: 1627 – 1668
Subjects: landscape with tower or castle, forest path or lane
Inscriptions: collector's mark: Lugt 2288

Landschap met bomen en in de verte een kasteel. Zesde prent uit een serie van zes prenten met landschappen.
A5: Massachusetts Drawing Room, 1768
Object type: miniature room
Date: 1940 – 1940
Location: united states
Artist: narcissa niblack thorne
Henricus Wilhelmus Couwenberg kopieert een schilderij
Object type: print
Materials: paper
Techniques: lithograph
Subjects: the hague, amsterdam, print maker, draughtsman, henricus wilhelmus couwenberg, drawing, sketch, picture within picture, artist (in general) making preliminary designs, sketching, picture, painting
Inscriptions: collector's mark: Lugt 2228

De graveur Henricus Wilhelmus Couwenberg bezig op het kasteel te Windsor met het kopiëren van het schilderij 'Mignon en de oude harpenaar' van Ary Scheffer uit 1844.
Twee details van Hôtel de Lasbordes te Toulouse, links een venster gedecoreerd met mensfiguren en rechts een deur gedecoreerd met plantmotieven en een vrouwenhoofd
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: toulouse
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: window, ornament ~ human monstrosities, door, ornament derived from plant forms
Inscriptions: name: ‘Monsters worden door de Representant J. A. G. de Leur den Haag op franco aanvrage verzonden’, collector's mark: Lugt 3937, number: ‘No. 846’
Salt box
Object type: salt box
Date: 1567 – 1600
Materials: pewter
Subjects: putti,coat of arms

Pewter was the cheaper alternative to silver, which remained unattainable to most people during the sixteenth century. In contrast, by the 1530s, all except the poorest members of society owned at least a couple of pewter household wares. Composed mainly of tin, usually with small amounts of lead or copper (in ratios regulated by local guilds), pewter was soft, malleable, and easily ornamented with engraved decoration, as here. A vessel like this one—which would originally have included a lid—was made from molds, which were apparently regularly lent between pewterers and brass casters in Augsburg and Nuremberg. [Elizabeth Cleland, 2017]
Box and Cover
Object type: decorative art
Materials: enamel, wood
Techniques: polychrome
Location: germany
Tour de souris, Rhin et château de Ehrenfels à Bingen, Prusse
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: bingen
Artist: Anonymous
Subjects: river, landscape with tower or castle
Inscriptions: number: ‘121’
[Rustic Cottage with Figures and Carts]
Object type: photograph
Date: 1855 – 1855
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: human figures,architecture,houses
Berglandschap met sparren in Wanga Valley, India
Object type: photograph
Date: 1863 – 1864
Materials: paper
Techniques: albumen print
Location: british india
Artist: samuel bourne
Artist role: fotograaf
Artist dates: 1834 – 1912
Subjects: trees: pine, mountains
Inscriptions: number: ‘4’, number: ‘261’
Protection lithographique au rouleau
Object type: photomechanical print
Date: 1922 – 1932
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: print, e.g.: engraving, etching, lithograph, photographic apparatus
Inscriptions: number: ‘Fig. 175.’
The Four Seasons of Love
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Toegangspenning tot de Hortus Medicus te Amsterdam 1696
Object type: history medal
Date: 1696 – 1699
Materials: copper
Techniques: casting
Inscriptions: circumscription: ‘MAXIMUS AEGRIS AUXILIATOR ADEST’, circumscription: ‘HORTI MED AMSTEL LIBER INGRESSUS’, inscription: ‘H’

Gegoten koperen penning met op de voorzijde Aesculapius en op de keerzijde een altaar waarop het gekroonde stadswapen, een caduceus en cornucopiae waaruit kruidentakken, zonder inscriptie
Terracotta fragment of a dinos or column-krater  (bowl for mixing wine and water)
Object type: column krater or dinos fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

On top of the rim, lower drapery and leg of a woman to left (maenad?); tail, genitals, and legs of a satyr to right; lower drapery and legs of a woman to left (maenad?); on the exterior, of the rim, a band of ivy
Van Speyk brengt zijn boot tot ontploffing
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: amsterdam, antwerp, jan van speyk, projectiles, explosives, etc. (+ naval force), manual signalling with flags
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd.’

Belgische soldaten zijn aan boord van de boot geklommen en overmeesteren de Nederlandse soldaten. Rechts van het midden staat Van Speyk met zijn linkerhand in de lucht, klaar om de boot tot ontploffing te brengen. Links bij een kanon ligt een soldaat met zijn ogen op de hemel gericht. In het midden zwaait een soldaat met de Nederlandse vlag.
Titelpagina voor: Olfert Dapper, Tweede en Derde Gesandschap na het Keyserryck van Taysing of China, 1671
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: chinese, throne, emperor, house personnel, servants
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een Chinese keizer zit in kleermakerszit onder een baldakijn op een troon. Rondom staan bedienden met een wierookvat, een boek, een aap en een dienblad met eten. Links wordt bij een knielende figuur het haar afgeknipt. Op de voorgrond staan twee figuren met een knots in een boot, in het water liggen twee geketende figuren.
Nude Study III
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, legs and left forearm with hand holding a diskos, of athlete, to left; goal post; above goal post, jumping weights, hand holding javelin or spear
Photographic groups of eminent personages
Object type: book
Date: 1883 – 1883
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing
Artist: Anonymous
Inscriptions: name: ‘ex libris SFJ’
Groepsportret van man, vrouw en kind in een tuin
Object type: photograph
Date: 1895 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), garden, anonymous historical person portrayed, france