deem-data/ArtiFact huggingface dataset:
Inferno According to Dante
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: circle of baccio baldini
Artist nationality: italian
Artist dates: 1436 – 1487

The frightening depiction of Hell follows Dante’s use of contrapasso (suffer the opposite) in which the sinners’ penance is based on the nature of their crimes. The gluttons to Satan’s left, for example, face a dinner table, but the tormenting demons prevent them from eating.
This print is a copy of a mid-1330s fresco in Campo Santo, Pisa, by Francesco Traini. It was made by an unknown Florentine engraver before extensive renovations to the fresco in 1523 radically altered the composition.
Vijf verschillende tuchthuizen te Amsterdam
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: prison, jail, workhouse, penal camp, penitentiary, chain gang
Inscriptions: collector's mark: Lugt 1641b

Prent uit: Leuve, Roeland van. 's Waerelds koopslot of De Amsteldamse beurs. Amsterdam: Jacobus Verheyden (I), 1723. Of uit: Leuven, Roeland van. 's Waerelds koopslot Of de Amsteldamse beurs. Amsterdam: Gerrit Bouman, 1730.
Watch
Object type: watch
Date: 1801 – 1900
Materials: silver
Artist: ralph gout
Artist role: maker
Artist dates: 1770 – 1796
Two Seated Bearded Male Figures
Object type: drawing
Date: 1637 – 1713
Materials: paint, varnish
Techniques: brush
Artist: sigismondo caula
Artist role: artist
Artist nationality: italian
Artist dates: 1637 – 1724
Subjects: men
Apothecary Jar
Object type: apothecary jar
Date: 1800 – 1800
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Yun Shouping's Discussion on Brushwork
Object type: folding fan mounted a an album leaf
Date: 1901 – 2000
Materials: ink, paper
Culture: chinese
Artist: pan feisheng
Artist role: artist
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, straps, weights in field
Villanella Venetiana andando al Mercato
Object type: print
Date: 1650 – 1740
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: domenico bonavera
Artist role: print maker
Artist dates: 1640 – 
Subjects: carrying something in basket, bag, rucksack, etc., fowl (cock, hen, chicken, etc.), folk costume, regional costume, eggs, egg-dishes

Staande vrouw met een mand met kippen en een net met eieren. Titel in ondermarge. De prent maakt deel uit van een album.
Water Cress Gatherers, Rails Head Ferry Bridge, Twickenham, part XIII, plate 62 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: bridges,children,landscapes

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Lupton here added mezzotint to describe a a rural scene where awoman picks cress in a stream near two children. At the end of bridge, above, figures with baskets are bathed in a burst of bright sunlight, as a horse-drawn gig moves away down a road through the rain. The changeable weather and shifting light, characterisitic of an English summer, are Turner's ture subject, and the letter "P" in the plate indicates his category of Pastoral landscape.
Scènes uit het leven van de heilige Bonifatius
Object type: print
Date: 1640 – 1659
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: the martyr boniface, 'apostle of germany', and archbishop of mainz; possible attributes: axe in root of tree, book pierced by a sword, fountain (springing up from under his staff), whip

Scènes uit het leven van de heilige Bonifatius, platen VII en VIII. De heilige tussen bisschoppen en dopend. Vijfde prent in een serie prenten over het leven van de heilige Bonifatius, bestaande uit een grote afbeelding van de heilige gevolgd door 8 platen met telkens twee kleinere genummerde voorstellingen onder elkaar.
Sketchbook
Object type: drawing and watercolor
Date: 1590 – 1590
Location: italy
Artist: follower of cherubino alberti
Artist nationality: italian
Artist dates: 1542 – 1615
Console table
Object type: console table
Date: 1710 – 1720
Materials: marble, wood
Techniques: carving, gilding
Subjects: dragons

Supported on one or two legs, console tables need to be attached to the wall for stability and are considered to be part of the interior decoration of a room. They were made by a special group of joiners, menuisiers en bâtiments (litt. building carpenters) responsible for the fixed elements in the interior such as paneling, pier glasses and console tables. Unlike other members of the guild, these craftsmen were not required to stamp their output and for that reason it is rarely known who created such works. The apron of this early eighteenth-century console table displays symmetrical carving which is centered on a rosette framed by two scrolling acanthus leaves. The tips of these large leaves playfully touch the wings of two scaled dragons, their tails wrapped around the table’s cabriole legs which end in hoof feet. These fantastic creatures bear similarities to those regularly found in the compositions of the French sculptor Jean-Bernard Toro (1661–1731) celebrated for his ornamental designs.
Variarum Gentium Ornatus (Costumes of Different Nations)
Object type: costume print
Date: 1605 – 1610
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: cape (+ women's clothes), other clothing accessories (scissors) (+ women's clothes), other clothing accessories (purse) (+ women's clothes), other clothing accessories (knife) (+ women's clothes), moustache, codpiece (cover for the genitals), head-gear: hat (+ men's clothes), styles of hairdress - aa - ~ women, head-gear: hat (+ women's clothes), piece of clothing covering the breast or décolleté, dress, gown (+ women's clothes), shoes, sandals (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), whiskers, europeans: germans, belt, girdle, waistband (+ women's clothes), purse, money-bag (+ women's clothes), head-gear (with name) (+ women's clothes)
Inscriptions: collector's mark: Lugt 240, title: ‘Germanicvs habitvs’, caption: ‘Castra ferox sequitur scisso Germanus amictu, Indomitoque truces spirat ab ore minas. Militiaeque graues mensaque iocisque labores Temperat, et misto bella cruenta mero. Non tamen in niueae complexibus horret amicae, Grande supercilium nec magis illa timet. Nec Martis Cytherea feri despexit amorem, Et Germana suum mollit amatque virum.<BR />’

This series illustrates both the local scenery and the aristocratic fashions of Germany 1, France 2, Rome 3, Milan 4, the Netherlands 5 and Spain 6. Sometimes it is possible to spot famous monuments in the distance, such as Trajan’s Column in Rome. The inscriptions rarely refer to clothing, but plate 2 notes that the French constantly update their outfits – an oft-repeated stereotype of the period.
Groep mannen rondom kaart van het Duitse Rijk
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: standing figure, maps, atlases, oven ~ kitchen - cc - in the open air, germany
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Salmon, Thomas. Hedendaagsche historie of tegenwoordige staat van alle volkeren, IX Deel. Amsterdam: Tirion, Isaak, 1737.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 189 van dit album.
Wine taster
Object type: wine taster
Date: 1738 – 1738
Materials: silver
Artist: charles lagenet
Artist role: maker
Artist dates: 1732 – 1752
Standbeeld van Goethe in Frankfurt am Main, Duitsland
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: frankfurt am main
Artist: Anonymous
Subjects: draughtsman, johann wolfgang von goethe, monument, statue
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, top of a thrysos; part of handle patch, preserved to rim
Triomf van de Tijd
Object type: print
Date: 1574 – 1574
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: death as skeleton, saturn devouring his children, zodiac; the twelve zodiacal signs together, triumph of saturn; 'carro di saturno' (ripa)
Inscriptions: collector's mark: Lugt 2228

Saturnus als personificatie van de Tijd staat op zijn triomfwagen die voortgetrokken wordt door paarden. Hij verslindt zijn kinderen en zit op een zandloper staande voor een globe met de tekens van de dierenriem. Achter hem rijdt de personificatie van de Dood te paard. Daarachter Overwinning rijdend op een olifant. Op de grond liggen muziekinstrumenten, boek, hoofddeksels, geldkist en geldbeurs. In de boom hangt een klok. Links op de achtergrond een brandende stad. Onder de voorstelling drie tweeregelige verzen in het Latijn.
Fotoreproductie van (vermoedelijk) een prent voorstellend de voetwassing en -zalving door Maria Magdalena
Object type: reproduction
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: christ's feet are anointed by mary (magdalene)

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Ontwerp voor een tapijt
Object type: drawing
Date: 1854 – 1864
Materials: gouache, paper
Techniques: brush
Location: deventer
Artist: Anonymous
Subjects: ornaments ~ art
Inscriptions: number: ‘No 359 A.’, retailer's mark: ‘JHS.’

De presentatietekeningen BK-1971-77-1 t/m 86 zijn kopieën van de originele ontwerptekeningen. Ze werden gemaakt voor vertegenwoordigers van bijvoorbeeld magazijnen, die ze aan hun klanten konden tonen. De meeste tekeningen tonen een kwart van het dessin inclusief rand, middenpartij (de zogenaamde grond of fond) en centraal medaillon. Door het gebruik van spiegels kan de illusie van het gehele tapijt worden opgeroepen. Een deel van de tekeningen heeft een alfabetische opeenvolgende letter als kenmerk, de andere groep een cijfer.Waarschijnlijk is de reeks dessins met een letter eerder samengesteld dan de genummerde tekeningen.
The Pierrot
Object type: print
Date: 1889 – 1889
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Portret van Anthony Uyttenhoven
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 964

Prent waarschijnlijk uit: Fleming, Philippe. Oostende vermaerde, gheweldighe lanckduyrighe ende bloedighe belegheringhe, bestorminghe ende stoute aenvallen (...) Den Haag: Aert Meuris, 1621.
Lappet
Object type: lappet
Date: 1801 – 1900
Techniques: lace
L'heure du déjeuner
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: walking, adult woman (+ two persons)
Inscriptions: collector's mark: Lugt 2228
Design for the Marble Floor of the Dôme des Invalides, Paris
Object type: drawing
Date: 1691 – 1698
Materials: graphite, ink, watercolor
Techniques: pen
Artist: jules hardouin mansart
Artist role: artist
Artist nationality: french
Artist dates: 1646 – 1708
Portret van een onbekende man met bontmuts
Object type: print
Date: 1744 – 1780
Materials: paper
Techniques: etching
Location: moordrecht
Artist: simon klapmuts
Artist role: print maker
Subjects: head-gear: cap (+ men's clothes), old man, fashion, clothing (+ fur used for clothes)
Inscriptions: collector's mark: Lugt 2227

Portretbuste van een onbekende man met een bontmuts op het hoofd en een bontkraag.
Klok en drie vazen
Object type: photograph
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: clock, container of ceramics: jar, jug, pot, vase, ornament derived from plant forms
Inscriptions: number: ‘No 6 No 7 No 8 No 9’

Boven: klok gedecoreerd met voluten en guirlandes door M. Duval, onder: drie vazen gedecoreerd met bladmotieven en vrouwen.
Spechio di pensieri delle belle et Virtudiose donne, page 10 (recto)
Object type: book print ornament architecture
Date: 1546 – 1546
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: ornament

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top bottom, and left to right: Design composed of 9 horizontal registers that alternate between width (first register is wider, second is narrower, and so on). Each wide register begins with a white linear motif upon a square black background. The narrow registers are all decorated with a linear configuration of different patterns.
Portret van Dona Isabel de Requesens
Object type: print
Date: 1806 – 1860
Materials: paper
Techniques: lithograph
Location: dresden
Subjects: palace - aa - civic architecture: inside, adult woman, historical persons
Inscriptions: collector's mark: Lugt 2228

Het portret werd eerder geïdentificeerd als Jeanne d'Arragon.
Zelfportret: B-1-1, 28 februari
Object type: drawing
Date: 1942 – 1942
Materials: paper, pencil
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman
Inscriptions: signature and date: ‘Cor van Teeseling / 20-2-42 B-1-1’

Zelfportret van Cor van Teeseling driekwart, naar links kijkend: B-1-1, 28 februari.
Bowl with Eight Buddhist Treasures
Object type: bowl
Date: 1601 – 1633
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: lotuses
Ladle
Object type: ladle
Date: 1790 – 1800
Materials: silver
Culture: american
Location: united states
Artist: john burger
Artist role: maker
Artist nationality: american
Artist dates: 1783 – 1807
Dish
Object type: dish
Date: 1870 – 1870
Materials: glass
Artist: venezia-murano company
Artist role: maker
Artist nationality: italian
Artist dates: 1872 – 1909
Dwyer Brothers, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: profiles,women,jockeys

Trade cards from the "Racing Colors of the World" series (N22b), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not.
Terracotta juglet
Object type: jar
Date: 1375 – 1300
Materials: terracotta
Culture: minoan

The body is decorated with horizontal bands, and the shoulder is decorated with rays.
Compote
Object type: compote
Date: 1851 – 1855
Materials: glass
Techniques: cutting, engraving
Culture: american
Location: united states
Artist: joseph stouvenal and company
Artist role: maker
Artist nationality: american
Artist dates: 1851 – 1857
View of the Park at Versailles: Fishing in Pond Near Grove of Trees
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, drawing, transfer, wash
Location: france
Artist: pierre antoine mongin
Artist nationality: french
Artist dates: 1761 – 1824
Président Grévy (en 1880)
Object type: photograph
Date: 1880 – 1880
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: president ~ head of republic, historical persons, france
Pierrot en het reuzenei van Vogel Rok
Object type: drawing
Materials: paint, paper, pencil, watercolor
Techniques: brush
Artist: nelly bodenheim
Artist role: designer, draughtsman, print maker
Artist dates: 1874 – 1951
A Hitt at Backgammon
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,cats,games

A man and woman play backgammon. The woman at right is frantic with rage, and leans towards the man to seize his wig. Two candlesticks are overturned on the table and a cat meows at the back of her chair.
Peasant Family with Sheep and Dog
Object type: drawing and watercolor
Materials: chalk, gouache, ink, paper, paint, watercolor
Techniques: brush, pen, wash
Location: italy
Artist: Unknown Italian Artist
Artist nationality: Italian
Portret van Gaspar de Guzmán y Pimentel
Object type: print
Date: 1658 – 1669
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni battista bonacina
Artist role: print maker
Artist dates: 1615 – 1669
Subjects: rome, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Worker Shabti of Nauny
Object type: shabti, worker, nauny
Date: 1050 – 1050
Materials: faience
Location: egypt

Almost 400 small funerary figures known as shabtis were found with Nauny’s burial. These can be seen as avatars, meant to carry out agricultural labor on Nauny’s behalf in the afterlife. Of the 393 shabtis discovered, 355 were workers and 37 were overseers like this one. Recognizable by their long kilts and the flails that they hold, the overseer figures were meant to supervise the worker shabtis (see for example 30.3.26.10) that worked on Nauny’s behalf in the afterlife. On the back pillar, Nauny is named as as a king’s daughter and called an “Osiris,” transformed through the process of mummification and identified with the principal god of the dead. Nauny’s shabtis were divided between seven boxes. Five of these, with their shabtis, were given to The Met, while two were sent to the Egyptian Museum in Cairo.
Richard Brocklesby, physician
Object type: drawing
Date: 1764 – 1802
Materials: chalk, varnish
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Subjects: men,portraits
Fragment pijpenkop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 82; fragment, no hsm.
Ophélie, la cape bleue sur les eaux
Object type: painting
Date: 1900 – 1905
Materials: oil, paper, pastel
Location: france
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: drowned person, (scenes from) specific works of literature (with author, title), ophelia, seeking death, suicide
Inscriptions: signature: ‘Odilon Redon’

Around 1900 young artists exhibited at various independent societies. Les Vingt in Brussels was such an association, of which both James Ensor and Jan Toorop were members and where Redon was invited to show his work. His dreamy, visionary art is part of Symbolism. Here he depicted the fatal drowning of Ophelia, the lover of Hamlet from the Shakespearean tragedy of the same title.
Kandelaar met getordeerde stam en achtlobbige voet
Object type: candlestick
Date: 1625 – 1650
Materials: brass
Techniques: metalworking, screwed, soldering
Location: northern netherlands
Artist: Anonymous

De kandelaar is samengesteld uit de volgende uit plaat gedreven delen: de voet, de nodus, de stam, de vetvanger en de kaarsenpin. Om boven- en ondereind van de stam bevinden zich twee geprofileerde ringen. Op de brede, gewelfde, met acht lobben versierde voet is de vrij platte nodus geplaatst, waarvan de decoratie overeenkomt met die van de voet. De stam is getordeerd. De vetvanger heeft de vorm van een achtbladige rozet. De kandelaar heeft een gat aan de rand van de voet en daarboven een opening in de nodus. Stam en vetvanger zijn gesoldeerd.
A Knight of the Order of the Garter
Object type: drawing
Date: 1663 – 1671
Materials: chalk, paper, pastel
Artist: peter lely (sir)
Artist role: artist
Artist nationality: dutch, british
Artist dates: 1618 – 1680
Subjects: men,knights

This drawing by Lely, a painter trained in Holland who became a naturalized Englishman, represents a young knight pausing to bow during the great annual ceremonial procession that celebrates the Order of the Garter at Windsor. The work comes from a group considered among the most important Baroque drawings produced in England. Conveying the glamor of Charles II’s restoration court, the image survives as a haunting record of an ambitious, but unrealized, decorative scheme, most likely for a set of tapestries. Delicately applied chalks and pastel blend Lely’s native Dutch naturalism with the elegantly expressive line he admired in Sir Antony Van Dyck, to produce a style that established figure drawing in Britain.
Jager in gesprek met een boerin bij een waterput, naast hem een hond
Object type: watercolor
Date: 1797 – 1870
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: well, hunter, (high) hill, dog
Netsuke of Sage with Big Nose
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, metal
Culture: japanese
Subjects: men
Studie van een rog
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: cartilaginous fishes: ray
Inscriptions: number: ‘6’, number: ‘377’
Portret van een vrouw
Object type: album leaf
Date: 1876 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: friedrich julius von kolkow
Artist role: fotograaf
Artist dates: 1839 – 1914
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘(...)/ Fr. Jul von Kolkow/ Koninklyk Nederlandsch Hof-Photograph/ (...)/ GRONINGEN/ Groote Markt by de/ Martinitoorn./ Specialiteit in Vergrootingen’
Low Tide at Shinagawa (Shinagawa shiohi), section of a sheet from the series "Cutouts of Famous Places in Edo (Harimaze Koto meisho)"
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Make room for the young!, from 'News of the day,' published in Le Charivari, February 9, 1870
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Snuffbox with miniature of Hercules, Omphale and Cupid
Object type: snuffbox, painting
Date: 1789 – 1790
Materials: enamel, gold
Artist: joseph etienne blerzy
Artist role: maker
Artist nationality: french
Artist dates: 1750 – 1806
Subjects: cupid,hercules

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.