deem-data/ArtiFact huggingface dataset:
Design for a Frame for the Portrait of Armand Guéraud
Object type: print
Date: 1862 – 1862
Materials: board, chine, graphite, ivory
Techniques: burnishing, etching, scraping
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Lady Beating a Hand-Drum (Tzusumi) By the Side of The Incense Burner
Object type: woodblock print
Date: 1815 – 1815
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: women,drums,incense burners
Twee pratende mannen
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: etching
Location: brussels
Artist: frédéric théodore faber
Artist role: print maker
Artist dates: 1782 – 1844
Subjects: address, talk, lecture (~ meeting) - aa - in the open air
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228

Een zittende man in gesprek met een staande man met een schaal in zijn handen.
Uitnodiging voor een diner van Les Amis de l'Art Japonais, 22 december 1908
Object type: print
Date: 1908 – 1912
Materials: paper
Techniques: woodcut
Location: france
Artist: jean-francis auburtin
Artist role: draughtsman, painter
Artist dates: 1866 – 1930
Subjects: ornamental birds: parrot
Inscriptions: collector's mark: Lugt 2228

Papegaai. Uitnodiging voor een diner van Les Amis de l'Art Japonais, 22 december 1908.
Netsuke of Two Figures
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: men
Portret van Friedrich Wilhelm Herold
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Location: berlin
Artist: johann georg wolfgang
Artist role: graveur
Artist dates: 1662 – 1744
Subjects: mayor, historical persons
Inscriptions: inscription: ‘Herold Fried. Wilhelm’, collector's mark: Lugt 2228, number: ‘50’
Siebengebirge mit Bahnhof
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: zevengebergte
Artist: Anonymous
Subjects: dale, valley, landscapes with waters, waterscapes, seascapes (in the temperate zone), station; shelter (railway, tramway)
Inscriptions: number: ‘Nro. 83.’
Portret van Marie de Rohan, hertogin van Chevreuse
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk gebruikt voor: Iconographie française ou recueil des portraits des personnages les plus illustres qui ont paru en France depuis François premier jusqu'à la fin du règne de Louis XVI (…). Parijs: veuve Delpech, 1828. En/of voor: Iconographie française ou choix de deux cents portraits d'hommes et de femmes qui se sont acquis en France, depuis le règne de Charles VII jusqu'à la fin de celui de Louis XVI (…). Parijs: veuve Delpech, 1840.

Mogelijk komt de prent ook voor in eerdere en/of latere publicaties uitgegeven door veuve Delpech of haar opvolger Rosselin.
Villa Panfili fuori di Porta S. Pancrazio
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: garden, garden ornaments, villa, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Schrijvende vrouw en staande jongen
Object type: print
Date: 1808 – 1848
Materials: paper
Techniques: soft ground etching
Artist: pieter barbiers (iv)
Artist role: painter, print maker
Artist dates: 1798 – 1848
Subjects: handwriting, writing as activity, child, mother and baby or young child
Inscriptions: collector's mark: Lugt 2228

Een vrouw zit schrijvend aan tafel, waarbij een staande jongen
Descente d'Enée aux enfers
Object type: print
Date: 1696 – 1762
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: aeneas, guided by the sibyl, enters the underworld through the cave of avernus
Inscriptions: collector's mark: Lugt 2228
Gezicht in het Begijnhof te Amsterdam met de toren van de Engelse Hervormde Kerk
Object type: sketchbook leaf
Date: 1907 – 1907
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, parts of church exterior and annexes: tower

Gezicht in het Begijnhof te Amsterdam met de toren van de Engelse Hervormde Kerk. Pagina 46 uit een schetsboek met 46 bladen vervaardigd in Amsterdam, Rotterdam en Haarlem.
Gezicht op bewaarschool Het Smallepad
Object type: drawing
Date: 1884 – 1884
Materials: paper, pencil, watercolor
Techniques: brush
Location: amsterdam
Artist: johan george lodewijk rieke
Artist role: draughtsman, print maker
Artist dates: 1817 – 1898
Subjects: city-view in general; 'veduta', street, nursery school
Inscriptions: collector's mark: Lugt 800a, date: ‘geteekend 15 Augustus 1884’, inscription: ‘Bewaarschool voor kinderen / Smallepad’, number: ‘5/130’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 24.
The Witches
Object type: print
Date: 1510 – 1510
Techniques: woodcut, printing
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: animals,female nudes,witches

A masterpiece of German chiaroscuro, this woodcut is one of Hans Baldung Grien's best known prints, produced soon after his move to Strasbourg from Nuremberg, where he had worked as a journeyman with Albrecht Dürer from about 1503 to 1507. Although Baldung was not the inventor of the chiaroscuro woodcut—the credit for this must go to Hans Burgkmair—he was among the very earliest and most effective practitioners of the medium. The tone block for this woodcut is sometimes printed in an orange-brown, casting a hellish glow onto the scene; here the use of a gray tone block creates an atmosphere of nocturnal gloom from which the three witches emerge, gathered around the steaming cauldron of "flying unguent." The flickering highlights, where the white of the paper is exposed, give three-dimensional presence to forms that would otherwise be engulfed by the dark setting and, by continuing the modeling of the dark hatching strokes, powerfully define the volumes of the monumental nudes, the blasted tree, and the solid coils of steam that support the witches as they ascend in the night air. The interest in witchcraft in the German-speaking countries was especially strong at the beginning of the sixteenth century, heralded by the publication in 1487 of the Malleus Maleficarum (The Witches' Hammer) by Heinrich Kramer and Jacob Sprenger, which was reprinted fourteen times before 1520.
Nymph and Satyr
Object type: sculpture
Date: 1729 – 1729
Materials: ivory
Location: the hague
Artist: jan baptist xavery
Artist role: sculptor
Artist dates: 1697 – 1742
Subjects: satyr(s) (in general)
Inscriptions: signature and date, on the back of the plinth, incised: ‘J:B: XAVERY. 1729 F.’

Hij staat op het rechterbeen en met het linker gebogen op een rechthoekige plint met afgeschuinde hoeken en met de linkerarm steunt hij op een boomstronk, waartegen hij zijn linkervoet laat rusten. De rechterarm hangt slap langs het lichaam. In elke hand heeft hij een fluit. De naar links gewende kop, die lachend schuin naar beneden kijkt, heeft spitse oren, korte horentjes en bij de baard bokkeklieren. De schaamte wordt bedekt door een druiveblad. Op de rug een staartje.
Duit van de stad Utrecht, 1668
Object type: coin
Date: 1668 – 1668
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: gekroond stedelijk, horizontaal gearceeerd wapenschild, gehouden door twee leeuwen. Keerzijde: binnen een versierde vierpas opschrift in twee regels, waaronder jaartal.
Cup and saucer
Object type: cup and saucer
Date: 1750 – 1755
Materials: hard paste porcelain
Artist: doccia porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1737 – 1896
Subjects: musical instruments,putti

This and a second cup and saucer (1971.233.1, .2) join a teapot (46.103a, b) and sugar bowl (69.118a, b) with the same decoration acquired in 1969 and 1946. The service presents a free Italian adaptation of elements from the decorative vocabularies of the eighteenth century’s leading manufactories: the yellow-ground floral panels of Meissen and the putto scenes of Sèvres.
Lint op rol, wit satijn aan één kant glad en aan de andere zijde afgezet met een zwarte golvende rand
Object type: braid
Date: 1890 – 1935
Materials: cardboard, paper, textile
Techniques: weave
Location: nijmegen
Inscriptions: number: ‘Pon 05989’

Lint op rol, wit satijn aan één kant glad en aan de andere zijde afgezet met een zwarte golvende rand.
Wrapping Cloth, Pojagi
Object type: textile
Date: 1801 – 1900
Materials: cord, ribbon, silk
Techniques: weave
Location: korea
Drumstick holder from a drummers belt plate
Object type: element of musical instrument
Date: 1823 – 1823
Materials: copper
Location: netherlands
Artist: Anonymous
Study for a Picture
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: pen
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: human figures
The Triumph of Love, from "The Triumphs of Petrarch"
Object type: print
Date: 1480 – 1500
Techniques: engraving
Artist: francesco rosselli
Artist role: artist
Artist nationality: italian
Artist dates: 1448 – 1527
Subjects: men,women,cupid,horses

This representation of Love's conquest is based on Petrarch's 'Triumphs', a poem that had already been illustrated in manuscript illuminations, paintings, and in at least four other series of engravings. In his description of Cupid's procession, Petrarch compares the winged nude boy to a Roman victor who, bow in hand, is mounted on a chariot of fire pulled by four snow-white steeds. The poet's enumeration of Love's prisoners includes the hero Hercules—shown here carrying his column—and the philandering Jupiter, who is chained to the front of the chariot.
Buldog
Object type: page
Date: 1883 – 1888
Materials: paper
Techniques: photograph
Location: new york city
Subjects: dog (with name of kind)

Prent tegenover pagina 153, achter semi-transparante omslag.
Ring met inscriptie: SIE MOETEN MI LIEDEN UNDE LAETEN LEFEN, DIE MI BENIEDET UNDE NIET ON GEFEN
Object type: ring
Date: 1540 – 1560
Materials: gold
Location: northern netherlands
Artist: Anonymous

Ring van goud. In de vorm van een platte spiraal. Hierop in romeinse letters de inscriptie 'Sie moeten mi lieden unde laeten lefen die mi beniedet unde niet on gefen (laat hen, die mij benijden, mij dulden en laten leven, als ze me (maar) niets afnemen).
Portret van Maurits, prins van Oranje
Object type: print
Date: 1601 – 1652
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: maurice (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Brug over de Seine, Parijs
Object type: drawing
Date: 1903 – 1903
Materials: chalk, paper
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: bridge in city across river, canal, etc., paris
Berglandschap met meer te Latium
Object type: endleaf
Date: 1808 – 1857
Materials: paper, pencil
Location: latium
Artist: abraham teerlink
Artist role: draughtsman, painter
Artist dates: 1776 – 1857
Subjects: lake, mountain-range, snow peaks
Inscriptions: annotation: ‘Cer[...]/ dos’, collector's mark: Lugt 2228a

Voorste schutblad en blad 1 recto uit een schetsboek met 28 bladen.
Altar
Object type: altar
Date: 232 – 232
Materials: limestone
Location: syria
Subjects: altars

Inscription: 1 (For) Blessed Be His Name Forever, 2 the Good and Merciful, made 3 in thanksgiving Hagigu, son of 4 Yahiba, son of Yarhay, 5 (son of) Daka, for his life 6 and the life of his father 7 and his brothers. In the month of 8 Qinyan, the year 543. (232 CE) Transliteration: 1 bṙyk šmh lʿlmʾ 2 ṭbʾ wṙḥmnʾ ʿbd 3 wmwdʾ ḥggw bṙ 4 yhybʾ bṙ yṙḥy 5 dkʾ ʿl ḥywhy 6 wḥyʾ ʾbwhy 7 wʾḥwhy byṙḥ 8 qnyn šnt 5.100 9 +40+3 It was a common Palmyrene religious practice to dedicate stone altars to the worship of a specific god or gods. This example, like most Palmyrene altars, takes the shape of a pedestal with moldings at top and bottom. The top is carved in the shape of a bowl, evoking an incense burner, but it is not clear whether this bowl was actually meant to be used as it shows no signs of burning. Altars of this type are sometimes decorated with images carved in relief showing a deity or deities, worshippers, or attributes, such as a pair of raised hands with palms turned outward in a gesture of adoration. However, many are without figural dedication, as is this example. Its inscription indicates it was dedicated as a votive gift to the Palmyrene deity known as the "Nameless God," identified here only by positive epithets. The month and year when the altar was dedicated is recorded. The months of the Palmyrene calendar were based on the earlier Babylonian calendar, while the years were reckoned according to the Seleucid era, which began in 312 B.C.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, part of lower torso, genitals, and thighs of draped, ithyphallic male
Marcus Curtius Leaping into the Chasm
Object type: drawing and watercolor
Date: 1718 – 1718
Materials: chalk, ink, iron, paper
Techniques: brush, pen
Location: italy
Artist: giovanni paolo panini
Artist nationality: italian
Artist dates: 1691 – 1765
Inscriptions: Inscribed recto, lower left, in pen and brown ink: "J. P. Panini"; lower right, in pen and brown ink: "Pr. Mr. Mariette"; recto on Mariette mount, lower center:, in pen and black ink: "JOAN . PAULI / PANINI" [enclosed within a cartouche]; verso on mount, lower center, in pen and black ink: "Marcus Curtius"
Vrouw en twee kinderen bij een geit
Object type: stereograph
Date: 1906 – 1906
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
This is my "bullet," from 'News of the day,' published in Le Charivari, November 20, 1869
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,crowd
Bowl
Object type: bowl
Date: 1801 – 1833
Materials: stoneware
Culture: japanese
A Struggle for the Start, plate one from The Leicestershire Hunt
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: john dean paul
Artist nationality: english
Artist dates: 1775 – 1852
Optocht met een koets en militairen te paard
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk
Location: moscow
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, (military) uniforms
Inscriptions: kleurnotitie, handgeschreven

De koets en militairen maken deel uit van de stoet voor de kroning van tsaar Nicolaas II. Pagina 65 uit een schetsboek met 50 bladen.
Portret van een man
Object type: carte de visite
Date: 1877 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: jacob kuyper (1851-1919)
Artist role: fotograaf
Artist dates: 1851 – 1919
Subjects: historical persons
Inscriptions: inscription: ‘Photographisch Atelier/ J. Kuyper/ voorheen/ J. Breebaard/ ZAANDAM/ (westzijde bij de Kerk.)/ Salon Portretten naar alle bestaande/ Photographien./ De platen blijven voor nabestellingen/ bewaard.’
Brief aan Jan Veth
Object type: letter
Date: 1887 – 1887
Materials: ink
Techniques: pen, writing
Location: amsterdam
Artist: chap van deventer
Artist role: kunstcriticus, scheikundige, schrijver
Artist dates: 1860 – 1931
Subjects: rotterdam, george hendrik breitner, jan veth, amsterdam, painter, print maker, draughtsman, willem witsen, frederik van eeden, albert verwey, hein boeken, historical persons (portraits and scenes from the life), money, london
Inscriptions: collector's mark: ‘RPK’
Prayer Book
Object type: illustrated manuscript
Date: 1900 – 1900
Materials: ink, leather, paper, watercolor
Techniques: embossing
Location: nigeria
Koppen van een man met een muts
Object type: sketchbook leaf
Date: 1765 – 1775
Materials: paper, pencil
Artist: jean honoré fragonard
Artist role: draughtsman, painter, print maker
Artist dates: 1732 – 1806
Subjects: head (human)

Tevens een landschap. Blad 77 verso uit een schetsboek met 83 bladen.
Reproductie van een prent van een mythologische voorstelling
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: printing block
Artist: m. lefman
Artist role: clichémaker
Subjects: woman (showing herself) undressed, quasi-nude, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: inscription: ‘Fig. 78. - Impression phototypographique avec un cliché fait dans les ateliers de M. Lefman, par le procédé décrit ci-contre.’
Capriccio with Roman Ruins
Object type: drawing
Date: 1676 – 1730
Materials: gouache, paper
Artist: marco ricci
Artist role: artist
Artist nationality: italian
Artist dates: 1676 – 1730
Subjects: arches,ruins,lions
Verzoening tussen de Romeinen en de Sabijnen
Object type: album leaf
Date: 1653 – 1654
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: reconciliation of the sabines and the romans: the women, some holding their babies, others with their hair loose, and possibly encouraged by hersilia call for peace in the midst of the two fighting armies

De moeders van de Sabijnse maagden werpen zich tussen de twee vechtende legers van Sabijnen en Romeinen en doen een oproep tot vrede. Met een onderschrift in drie kolommen in het Latijn. De prent maakt deel uit van een album.
Portret van Miss Calhoun
Object type: page
Date: 1880 – 1885
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: signature: ‘[...] Calhoun’, inscription: ‘'And this is my wedding-day!'/ Diplomacy’
Crew of U.S. Steamsloop "Colorado," Shipped at Boston, June 1861 (from "Harper's Weekly," Vol. 5, p. 439)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: american civil war,men,sailors

This comes from a group of wood engravings Homer drew for "Harper's Weekly," some of which he did not sign. In 1861 Harper's hired the artist full-time to sketch Civil War subjects and he traveied to Washington DC and the front, also finding material in his native Massachusetts. Here he shows a group of sailors standing on a wooden dock. Related text describes this as: "a truthful picture of the crew of the United States steam frigate Colorado, which has lately sailed from Boston to join the blockading fleet. The men were all recruited and shipped at Boston, and we understand that an unusual proportion of them are American. Their physique goes to show that the race has not degenerated in that part of the country, and when occasion offers they will do full justice to the reputation which our gallant tars have won in many a fight and on many a sea."
Portret van Jan van Walré met een narrenstaf
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: haarlem, publisher, jan van walré, fool's cap, attributes of court jester
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Jan van Walré als Eerste Grootmeester der Ridderorde van Democriet ten geschenke aan den Heer K: Kaan van [H.J.?] Walré’

Portret van Jan van Walré met een narrenstaf en een zotskap, gemaakt ter herinnering aan zijn grootmeesterschap van het satyrisch dichtgenootschap Democriet uit Haarlem in 1807. Onder het portet de zinsspreuk 'Dicite ridendo verum'.
Coin Depicting the God Zeus
Object type: coin
Date: 100 – 1
Materials: bronze
Culture: greek
Location: greece
Subjects: gods (deities), zeus

The use of coins as a form of money was invented in western Asia Minor in the early 7th century BCE. At the time when the coins in this case were struck, Greece was made up of separate city-states that issued their own currency. Made of gold, silver, bronze, and electrum (a gold-silver alloy), coins were literally worth their weight, but their value varied according to the percentage of their precious metal content. Occasionally a city needed more money than it had in reserves. By reducing the amount of precious metal and substituting a base metal, a coin could be produced of the same weight but no longer of the same value. Some currency was only honored within its own city walls, but trustworthy money encouraged trade. Athens had the biggest economy, and its coin became the standard in the Greek world. The population was largely illiterate, but it could identify the place of origin of a coin by its imagery. Many of these images referred to myths that were associated with the history of the community and thus were well known to the populace from religious ceremonies and theatrical entertainment. The story of a city’s founding, a local hero, the city’s guardian deity, and even the reason for the city’s wealth were subjects for a coin’s insignia.
Bell-shaped cup with flower sprays and ornamental borders
Object type: kop en schotel, kop en schotel
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Kop en schotel met bloemen in encre de chine en een rand met bloemen in zwart en goud .
Portret van een man met baard
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, beard
Tricorne
Object type: tricorne
Date: 1750 – 1775
Materials: wool
Culture: french
Pair of sauceboats
Object type: sauceboat
Date: 1761 – 1762
Materials: silver
Artist: john parker
Artist role: maker
Artist nationality: british
Artist dates: 1759 – 1777
Fragment of a marble relief with a Nike
Object type: relief fragment with nike
Date: 434 – 401
Materials: marble
Culture: greek
Subjects: nike

This figure must represent a Nike (the personification of victory) for a few feathers of her right wing are visible carved in low relief on the background. The wind-blown drapery that clings to her body and the ridgelike folds that form beautiful curved patterns are typical of the elegant mannered art of the late fifth and early fourth centuries B.C. Although this twisting figure brings to mind those on the reliefs that decorated the Nike Parapet at the entrance to the Athenian Akropolis, it must have been part of a metope or relief from a building or other temple constructed at approximately the same period.
Tandradbaan tussen Ruvigliana en Monte Brè
Object type: photograph
Date: 1934 – 1934
Materials: photographic support
Techniques: gelatin silver print
Location: lugano
Artist: Anonymous
Subjects: rack railway, snow, mountains
Inscriptions: number: ‘36’
Portret van een onbekende man en vrouw in een fotostudio
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1920
Materials: paper
Techniques: gelatin silver print
Location: sneek
Subjects: historical persons not known by name
Inscriptions: inscription: ‘om Barm/ met vriendin’, stamp: ‘Foto de Jong/ Sneek, Klein Zand’
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: philip zilcken
Inscriptions: collector's mark: ‘RPK’