deem-data/ArtiFact huggingface dataset:
Molensteen met voorwerpen van een boer
Object type: print
Date: 1829 – 1875
Materials: paper
Techniques: lithograph
Artist: fortuné férogio
Artist role: print maker
Artist dates: 1805 – 1888
Subjects: wooden shoes, clogs, parts of machines: mill-stone, agricultural implements: sickle
Inscriptions: collector's mark: Lugt 2228a
Shrimp-Man
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1800 – 1899
A Company of Country Folk
Object type: painting
Date: 1642 – 1642
Materials: oil, panel
Artist: cornelis saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1681
Subjects: farmers, violin, fiddle - cc - out of doors, card games, dog
Inscriptions: signature and date, lower left, on the base of the pilaster: ‘C / Saft / Leven / 1642’, signature, with monogram, on the reverse (S and L ligated): ‘C SL’

A storm is brewing. The man at the left has clearly already had too much to drink yet is ordering more. The dangerous dagger of the man in blue signals trouble. The couple at the right makes love half-heartedly. And the portly mendicant friar absorbed in his card game … did he not take a vow of poverty? This will not end well.
Gezicht op Kasteel Cannenburch te Vaassen
Object type: photograph
Date: 1905 – 1905
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: vaassen
Artist: henri bickhoff
Artist role: fotograaf
Artist dates: 1866 – 1933
Subjects: castle
Inscriptions: inscription: ‘H. Bickhoff/ Amsterdam’, annotation: ‘Kasteel Cannenburgh/ (Vaassen) Ebe/ Erven J. [...] 1972’
Nose Ornament
Object type: nose ornament
Date: 300 – 600
Materials: gold
Culture: frías
Location: peru
Artist: frías artist(s)
Artist role: artist
Stamper van brons
Object type: beater
Date: 1700 – 1800
Materials: bronze
Techniques: casting
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘2’

Stamper van gegoten brons. Deze wordt naar de einden toe iets breder.
Portret van Floris II, graaf van Holland
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: floris ii (count of holland), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 964

Prent waarschijnlijk uit: Scriverius, Petrus. Hollandsche, Zeelandsche ende Vriesche Chronyck (...). Den Haag: Johann Veely en Jasper Doll, 1678, p. 117. Eerdere staat gebruikt in 'Oude Hollandsche Geschiedenissen (...)' van Wachtendorp, 1645.
Actress wearing costume with sword, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Portret van Barthélemy Louis Joseph Schérer
Object type: print
Date: 1803 – 1807
Materials: paper
Techniques: etching
Location: london
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
Jawbone
Object type: jawbone
Date: 1801 – 1900
Materials: bone
Culture: american
Location: united states
kwart daalder; dubbele reaal van achten van de Verenigde Amsterdamse Compagnie, 1601
Object type: kwart daalder
Date: 1601 – 1601
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: tussen waarde-aanduiding gekroond wapenschild van Holland, waarboven jaartal. Keerzijde: door twee leeuwen gehouden wapenschild van Amsterdam.
Drag #807
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Honey dish
Object type: honey dish
Date: 1850 – 1860
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Ripert. Thomas. 33 ans, né à Marseille. Cocher. Anarchiste. 5/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Zittende boer met kruik
Object type: print
Date: 1763 – 1768
Materials: paper
Techniques: roulette
Location: amsterdam
Subjects: sitting figure, jar, jug (used as drinking-vessel)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Vereerd aan mij zeer geachte vriend! den Heere M J Vischerin 's hage 14 juny 1784 Ploos v Amstel / Ad: v Ostade del Ploos van Amstel JC Fecit gedrukt in kleur 8 oct 1768 zie getuigschrift’, collector's mark: Lugt 2725

Voor deze prenttekening, 'Zittende boer met kruik', maakte Ploos van Amstel vier verschillende platen (A, B, C, en D). Er bestaan afdrukken van één, twee, drie of alle vier de platen in alle mogelijke combinaties. Zie gerelateerde objecten voor de hier gebruikte platen.
The Mousetrap
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658

Despite his brief lifespan, Cornelis Visscher gained notoriety in 17th-century Holland for his accomplished portraits and unusual depictions of Dutch peasant life. Though many of the latter were derived from paintings, The Mousetrap appears to be Visscher’s original design. In this closely cropped scene, he depicted a couple moments after they have successfully captured an unwelcome critter. The lit candle held by the man illuminates their triumphant expressions as well as the trap’s effectiveness, emphasizing the picture’s contrast.
Portret van Charles de Solier, comte de Morrette
Object type: print
Date: 1833 – 1909
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende staande man met onderscheidingen
Object type: photograph
Date: 1860 – 1899
Materials: ceramic, velvet
Techniques: photoceramics
Location: paris
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Subjects: anonymous historical person portrayed
Sample of Amethyst Quartz
Object type: jade carving material
Date: 1901 – 2000
Materials: quartz
Culture: chinese
Drawing Fragment (Verso) (from Sketchbook)
Object type: drawing
Date: 1854 – 1855
Materials: ink, paper
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Portret van Cornelis Trigland
Object type: print
Date: 1656 – 1686
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: amsterdam, the hague, functionaries and dignitaries ~ protestant churches
Inscriptions: collector's mark: Lugt 240

Portret van Cornelis Trigland, doctor in de theologie, predikant te Den Haag en onderwijzer van prins Willem III. Onderaan in de marge zijn naam en functies in het Latijn.
Beggars’ Bowl with a Gourd
Object type: bowl
Date: 1566 – 1566
Materials: ink, paper, silver, wood
Techniques: engraving, forging, turning
Location: low countries
Artist: Anonymous
Subjects: netherlands

When in 1566 nobles begged the governor, Margaret of Parma, to halt the persecution of the Protestants, someone reassured her with the words: ‘Fear not, my lady, they are nothing but beggars,’ called ‘gueux’ in French. The dissenting nobles immediately adopt the negatively meant geus as a badge of honour. Their symbols are the beggars’ bowl and pouch. Some of these bowls are fairly luxurious and were reserved for that reason.
Maria met kind
Object type: book illustration
Date: 1629 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: madonna: i.e. mary with the christ-child, fruits: apple, flowers: lily, bunch of grapes, angels

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. De prent wordt mogelijk al gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629. Ze komt in ieder geval voor in: Het Nieuwe Testament ons Salichmaeckers Jesu Christi. Amsterdam, P.J. Paets, 1646.
Gezicht op het Kartuizerklooster buiten Amsterdam
Object type: print
Date: 1752 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church, monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2233

Deze prent is ook ingebonden in enkele exemplaren van: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). 3 delen [folio-uitgave]. Amsterdam: Isaak Tirion en Yntema & Tieboel, 1760-1767, dl. 2 (Isaak Tirion, 1765). Komt echter niet voor in de lijst met in te binden prenten van deze uitgave (te vinden in dl. 3) - en is er dus ook niet voor bedoeld.

Zie ook RP-P-AO-24X-43-1, RP-P-AO-24X-43-2 en RP-P-AO-24X-44.
Entrance to the Great Temple, Luxor
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print
Location: egypt
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: collected by hugh edwards, egypt and palestine
Shard from the Neck of a Vessel
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: gandhara
Blad met 12 vignetten en 4 platen van de brand in de Amsterdamse Schouwburg, 1772
Object type: print
Date: 1772 – 1775
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: on fire, ablaze, theatre, theatrical performance
Inscriptions: collector's mark: Lugt 2228

Onversneden blad met 16 voorstellingen: 12 vignetten met spreekwoorden in krullijst en 4 platen van de brand in de Amsterdamse Schouwburg op 11 mei 1772.
Westzijde van Kasteel Hoensbroek
Object type: photograph
Date: 1903 – 1903
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hoensbroek
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle
Inscriptions: annotation: ‘Hoensbroek’, annotation: ‘Hoensbroek (L.)/ kasteel/ nov 1903’
Onderschotel, veelkleurig beschilderd met een landschap met een tuinvaas
Object type: platter
Date: 1774 – 1778
Materials: porcelain
Techniques: kiln, painted
Location: loosdrecht
Inscriptions: mark: ‘//’, mark: ‘/’

Tureen and stand. Porcelain. Loosdrecht c. 1774 - 1778. Factory of Joannes de Mol.
Mutsenslip (barbe) van Brusselse kloskant
Object type: lappet
Date: 1740 – 1750
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Barbe van kloskant, met geschulpte randen en afgerond uiteinde. De randen hebben bloemen en bladeren met drie keer een paar driehoekige rococo motieven met vulpatronen. Tussen de bovenste twee motieven komen drie grote bloemen uit schelp- of waaierachtige motieven. Het uiteinde heeft een dergelijk motief met daarboven een bloemtak. De twee tussenvelden zijn gevuld met overdwars geplaatse tak met twee grote bloemen.
Portret van Johannes Combach op 44-jarige leeftijd
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: historical persons
Inscriptions: date
Ontwerptekeningen voor de prentreeks van de intocht van Maria de' Medici te Amsterdam in 1638
Object type: design
Date: 1638 – 1639
Materials: chalk, ink, paper
Techniques: brush, pen
Location: northern netherlands
Artist: jan martszen de jonge
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1647
Subjects: cologne, maria de' medici, land forces (+ cavalry, horsemen), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', military celebrations, amsterdam

De stoet waarin Maria de Medici haar intocht in Amsterdam deed, op 31 Augustus 1638: Ruiters, in de bocht gezien; rechts toeschouwers te voet en te paard.
Harbor Scene
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: england
Artist: william roxby beverley
Artist nationality: english
Artist dates: 1811 – 1889
Portret van Cornelis Schiffer
Object type: print
Date: 1833 – 1891
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons (+ three-quarter length portrait)
Inscriptions: collector's mark: Lugt 2228
Military jacket
Object type: military jacket
Date: 1862 – 1862
Materials: leather, metal, silk, wool
Culture: british
Artist: c. webb
Artist role: manufacturer
Artist nationality: british
Subjects: navy

The initials on the epaulettes of this naval jacket stand for Medical Service. The title was replaced in 1872 with M.D. (Medical Department). The length on the epaulettes distinguishes rank, in this case the 2.5-inch length indicates the rank of assistant surgeon. This style of coat was introduced in 1832 and retained its identical form and materials throughout the Civil War. It was worn by Leonard C. McPhail in about 1862.
Ex libris van Ega Hofer
Object type: bookplate
Date: 1893 – 1945
Materials: paper
Techniques: hand coloring, lithograph
Location: bratislava
Artist: karl hugo frech
Artist role: print maker
Artist dates: 1883 – 1945
Subjects: birds
Inscriptions: signature: ‘K. Frech’, workshop stamp: ‘Karl Frech/ Maler-Graphiker/ Bratislava - Pressburg/ Simonyi Ivan Rad. 6.’
Napoli. Via Medina col monumento a V.E. II
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1910
Materials: cardboard
Techniques: autotype
Location: terni
Artist: Anonymous
Subjects: rome, monument, statue, square, place, circus, etc. (+ city(-scape) with figures, staffage), naples
München - Am Karlstor
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: munich
Artist: Anonymous
Subjects: square, place, circus, etc., city-gate
Landschap met reiziger bij een boom
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: etching
Location: france
Artist: charles macé
Artist role: draughtsman, print maker, sculptor
Artist dates: 1631 – 1665
Subjects: trees, landscape with ruins, 'en route', traveller under way, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Landschap met rechts van het midden een grillige boom; rechts daarvan loopt een reiziger met knapzak en een hond. In de bomen twee vogels met een tak in hun bek. Op de achtergrond een landschap met antieke bouwsels en een herder.
Ruïne van Kasteel de Haar te Haarzuilens, met Pierre Cuypers en Victor de Stuers
Object type: photograph
Date: 1892 – 1892
Materials: cardboard, photographic support
Techniques: albumen print
Location: kasteel de haar
Subjects: the hague, print maker, jonkheer victor eugène louis de stuers, draughtsman, pierre joseph hubert cuypers, ruin of a dwelling, house, castle, etc.
Inscriptions: annotation: ‘Ruine van het huis "de haar" / te / Haarzuilen / Na de ontgraving July 1892 / Aangezicht in een der zalen’, annotation: ‘Cuypers de Stuers’
Landschap met een bomenrij en huizen
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: city-view, and landscape with man-made constructions, trees
Kinderen rond een kijkkast
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: lithograph
Artist: s. dejour
Artist role: print maker
Subjects: peep-show
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Zeven jongens en meisjes hebben zich verzameld rond een kijkkast met bovenop een man met een bochel. Achter de kast staat de eigenaar. Voor de kijkkast leunt een portfolio met prenten tegen een stoel.
Koor van zingende mannen
Object type: print
Date: 1707 – 1732
Materials: paper
Techniques: etching
Artist: william hogarth
Artist role: draughtsman, painter, print maker
Artist dates: 1697 – 1764
Subjects: choir, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Tekst in het Engels op de papieren met bladmuziek. De heren repeteren 'Judith' door William Huggins met muziek door William Defesch dat werd uitgevoerd op 16 februari 1732.
La Vera Perfettione del Disegno di varie sorti di recami, page 15 (recto)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: ornament

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers that are printed upon a grid. Top register is decorated with coiling vines of leaves and flowers that form a heart shape at the bottom, attached to which are 2 symmetrical gargoyle figures. Bottom register is decorated with curving vines of flowers and grapes that emanate from 2 cornucopias below; interspersed throughout the vines are birds that feed off of the grapes and fruit in the cornucopias.
Ornamentele omlijsting
Object type: ornament print
Date: 1745 – 1808
Materials: paper
Techniques: etching
Location: rotterdam
Artist: gerard van nijmegen
Artist role: draughtsman, painter, print maker
Artist dates: 1735 – 1808
Subjects: palette, pencil
Inscriptions: collector's mark: Lugt 2228

Ornamentele omlijsting met links een palet met penselen en schilderstok en rechts een pen en papier.
Enkele schuiten
Object type: drawing
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: sailing-ship, sailing-boat
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1911
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: andré fontainas
Artist role: criticus, dichter
Artist dates: 1865 – 1948
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van een onbekende vrouw
Object type: photograph
Date: 1892 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘No...../ Photographie/ Artistique/ M. H. LADDÉ/ BOVEN DE FIRMA/ MERKELBACH & Co./ AMSTERDAM/ 57-59/ NIEUWENDIJK/ Het Cliché wordt voor verdere bestellingen bewaard.’
Textile Fragments
Object type: textile fragment
Date: 1401 – 1600
Materials: silk
Location: india
Subjects: mythical creatures

This silk textile composed of fifteen fragments, including two in a private collection, depicts three forms of the vyala, a mythological creature whose leonine body is combined with parts of other animals. This form had its origins in traditional Indian art, where it was used in architectural settings as a symbolic guard for Hindu temples. Here, all three vyalas are winged, and the central form has the head of an elephant.
Decoration for a Room in the House of Jacob de Flines in Amsterdam
Object type: painting
Date: 1687 – 1687
Materials: canvas, oil
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., pastorals, arcadian scenes

Gerard Lairesse (1641 - 1711) and Johannes Glauber (1646 - c. 1726). Italian landscape with shepherd and shepherdess.
Portret van Ferdinand II, koning van Napels
Object type: print
Date: 1589 – 1624
Materials: paper
Techniques: engraving, etching, letterpress printing
Artist: lucas kilian
Artist role: draughtsman, print maker
Artist dates: 1579 – 1637
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228

Deze prent is gebruikt in: Mazzella, Scipione, Kilian, Lucas en Custos, Dominicus. Der Neapolitanische Koenige Leben und Bildnisse (...). Augsburg: Lucas Kilian, 1624.
Portret van Charles Sluijt
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: etching, retroussage
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: head-gear, adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228, mark: ‘Antwerpsche Etsers 1880’
String of 8 Beads
Object type: bead, string
Date: 600 – 600
Materials: glass
Location: egypt