deem-data/ArtiFact huggingface dataset:
Landschap met struikgewas en molen
Object type: zinkplaat
Date: 1850 – 1899
Materials: zinc
Techniques: etching
Artist: Anonymous
Tablecover: "Crazy"
Object type: quilt
Date: 1885 – 1885
Materials: cotton, silk
Culture: american
Location: united states
Dressing Glass and Box
Object type: dressing glass and box
Date: 1760 – 1790
Materials: brass, glass, wood
Techniques: veneering
Culture: american
Location: united states

Like their European counterparts, aspiring American colonists were intensely focused on their appearance, and adorned themselves in imported textiles, millinery, jewelry, footwear, and cosmetics. This interest in personal image led to the development of specialized furniture to assist in the rituals of self-fashioning. Dressing boxes with looking glasses—particularly with the bombé or swelled base like you see here—were common in England, but rarely made in North America before 1800. The bold scalloping of the frame’s crest and the dancing, flame-like appearance of the carved, gilded leafage at the center reveal the rococo taste popular at the time.
John H. "Honest John" Gaffney, Manager, Washington Nationals, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Portret van Carl Friedrich Solbrig
Object type: print
Date: 1838 – 1858
Materials: paper
Techniques: engraving
Subjects: historical persons, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Stolpkerk te Volendam
Object type: book illustration
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: church (exterior)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis
Zakdoek van linnen batist, voorzien van vier inzetten en een tussenzetsel van naaldkant (point coupé), rondom afgezet met een dito schulprand en miniatuurkwastjes (akers)
Object type: clothing
Date: 1500 – 1599
Materials: linen
Techniques: knotting, weave
Location: italy
Artist: Anonymous

Zakdoek van linnen batist, voorzien van vier inzetten en een tussenzetsel van fijne naaldkant (point coupé), rondom afgezet met een dito schulprand en miniatuurkwastjes (akers).
Landschap met de grindweg tussen Oss en Lithoijen
Object type: drawing
Date: 1855 – 1855
Materials: paint, paper, pencil
Techniques: brush
Artist: everhardus koster
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1892
Subjects: landscapes in the temperate zone, oss
Male head
Object type: head of a man
Date: 501 – 600
Materials: terracotta
Culture: cypriot
Subjects: heads,men

The mold-made, hollow head has retouched details. He has an ovoid face, a prominent chin and smiling lips.
Jug
Object type: jug
Date: 1870 – 1900
Materials: porcelain
Culture: british
Location: england
Subjects: george washington,men,mothers,women
Koffiekan met deksel, veelkleurig beschilderd met chinoiserieën en een trompe l'oeuil
Object type: coffee pot
Date: 1729 – 1729
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: label: ‘SAMMLUNG / Dr. FRANZ OPPENHEIMER’, number: ‘144.’

Coffee pot. Porcelain. Meissen, 1729.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of architrave, column capital, and shaft
Pair of Flintlock Pistols
Object type: pair of flintlock pistol
Date: 1760 – 1770
Materials: bronze, gold, horn, silver, steel, wood
Culture: german
Location: germany
Artist: johann andreas kuchenreuter
Artist role: gunsmith
Artist nationality: german
Artist dates: 1716 – 1795

Several generations of the Kuchenreuter family were highly successful gunsmiths whose patrons included the King of Bohemia, Napoleon, and the Tsar of Russia. Johann Andreas and his father Johann Jacob were among the most famous members of this gun-making dynasty.
Loterij van Grootebroek, 1694
Object type: print
Date: 1694 – 1695
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: raffle, lottery
Inscriptions: collector's mark: Lugt 240

De loterij gehouden voor de slachtoffers van de grote brand in het dorp Grootebroek (bij Enkhuizen) op 20 augustus 1694. Een man bezorgt een ketel en een verzegelde brief bij de prijswinnaars van de loterij.
Portret van Johannes Oecolampadius
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: engraving
Location: leipzig
Artist: gustav georg endner
Artist role: print maker
Artist dates: 1754 – 1824
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Plate 22: Emperor Charles V, victory at Pavia; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'
Object type: print, fete, ornament architecture
Date: 1636 – 1636
Techniques: engraving
Location: antwerp
Artist: jacob neeffs
Artist role: artist
Artist nationality: flemish
Artist dates: 1610 – 1670
Subjects: soldiers,swords,women,horses

On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp [1636], illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.
Historische optocht bij het tweede eeuwfeest van de Utrechtse Hogeschool, 1836 (plaat 5)
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: students' pageant, costumes used in pageants, battle of nieuwpoort
Inscriptions: collector's mark: Lugt 2228

Historische gekostumeerde optocht van de studenten van de Hogeschool van Utrecht op 16 juni 1836, bij de viering van het tweede eeuwfeest van de Utrechtse Hogeschool. De optocht verbeeldt de intocht van het Staatse leger in Oostende op 3 juli 1600, daags na de overwinning in de Slag bij Nieuwpoort. Vijfde plaat in een serie van tien ongenummerde platen, met de groepen genummerd 16-19.
Prospectus van de 'Onze koloniën' reeks van Hollandia-drukkerij te Baarn
Object type: uitgeversprospectus
Date: 1913 – 1913
Materials: paper
Techniques: lithograph
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: buddha, founder of buddhism
Inscriptions: collector's mark: ‘R:MVS.’
Ichikawa Danjūrō V in the Role of Shiromasu-baba
Object type: woodblock print nishiki e
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors

Ichikawa Danjūrō V, in the role of the old woman Shiromasu-baba, wears a straw raincoat and a very wide straw hat slung across his back. He leans upon a staff and carries a bamboo basket of young fronds of bracken. Following this scene, the actor made a quick costume change and reappeared, dressed in a gaudy robe, as Hōjō Tokimasa bearing the head of Shiromasu, whom he has just killed.
Venus wordt gelauwerd door goden
Object type: print
Date: 1510 – 1530
Materials: paper
Techniques: etching
Location: italy
Subjects: (story of) neptune (poseidon), (story of) venus (aphrodite)
Inscriptions: collector's mark: Lugt 240

Venus ligt naakt op een grote schelp. Ze wordt omringd door goden die een lauwerkrans op haar hoofd zetten.
Battery in the Malakoff
Object type: photograph
Date: 1855 – 1855
Techniques: albumen print
Location: scotland
Artist: james robertson
St John the Evangelist
Object type: sculpture
Date: 1540 – 1540
Materials: wood
Techniques: polychromy
Inscriptions: inscription, on the reverse, in white paint: ‘KU 1210’

Hij staat op een grondje met het gebogen linkerbeen naar voren, draagt in de linkerhand een boek aan de buidel en houdt de vingers van de rechterhand tegen de borst. Zijn gelaat vertoont diepe groeven rondom ogen en mond, het krullende haar staat van de slapen af. Over een tuniek met breed uitlopende mouwen hangt de ruime mantel, die onder de linkerarm is opgenomen. De mantel met opstaand kraagje is aan de rechter zijkant open. Beide voeten komen onder de mantel te voorschijn.
Clock and gunpowder horn
Object type: jingle
Date: 1590 – 1596
Materials: copper, iron
Techniques: forging
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

This clock was originally intended as merchandise for sale or as a gift. It was hung up in the ‘Save House’ as the only means of providing a sense of time during the long, polar nights. On 3 December 1596, it froze. Barentsz and Van Heemskerck shoved a parting letter into the gunpowder horn when they left. Three centuries later, the horn was rediscovered with the letter still inside. The letter cannot be exhibited due to its fragility.
Parc St. James et canal de Buckingham a Londres
Object type: opticaprent
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Artist: Anonymous
Subjects: public gardens, park (+ city(-scape) with figures, staffage), avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage), canal, palace, church (exterior)
Inscriptions: collector's mark: Lugt 2166, watermark:

Links het kanaal en in het midden The Mall. Op de achtergrond Saint Paul's Cathedral.
Vase
Object type: vase
Date: 1662 – 1722
Materials: glaze, porcelain
Culture: chinese

This vase is one of four, each with a subtly different shape, included in a set of eight accoutrements designed for display on a writing table. Such sets are thought to have been made as gifts for officials working at court.
Titelpagina voor: Johannes Janssonius, Het vyfde deel Des grooten atlas, Vervattende De VVater - Weereldt, 1657
Object type: titelblad, titelpagina
Date: 1657 – 1657
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: aaron (not in biblical context); possible attributes: attributes of aaron: censer, dressed as high priest or bishop, ointment jar, rod or flowering wand, moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, tables of the law, the soldier; the soldier's life, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Janssonius, Johannes. Het vyfde deel Des grooten atlas, Vervattende De VVater - Weereldt. Amsterdam: Janssonius, Johannes, 1657.
Titelpagina oorspronkelijk vervaardigd voor: Janssonius, Johannes. Cinquiesme Partie du Grand Atlas. Amsterdam: Janssonius, Johannes, 1657.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald.
Straatsmeden
Object type: photomechanical print
Date: 1876 – 1886
Materials: paper
Techniques: photograph
Location: angola
Subjects: open fire (in general), smith, blacksmith, street
Portret van Albrecht Daniel Thaer
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: engraving, etching
Subjects: albrecht daniel thaer, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Ontwerp voor kandelaar met twee putti
Object type: design drawing
Date: 1864 – 1894
Materials: pencil, paper
Location: paris
Artist: henri cameré
Artist role: designer
Subjects: chandelier, candelabrum
De graflegging
Object type: print
Date: 1512 – 1512
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: christ's entombment (possibly by angels)
Inscriptions: collector's mark: Lugt 2228a

Christus wordt door drie mannen in een graf gelegd. Drie vrouwen staan of knielen bij deze mannen. Rechts op de achtergrond staat Johannes de evangelist. Deze prent is onderdeel van een serie van 16 prenten met scènes uit het Lijdensverhaal.
Drie figuren op een straat
Object type: album leaf
Date: 1878 – 1878
Materials: paper, pencil
Artist: johannes hilverdink
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1902
Subjects: village street (+ city(-scape) with figures, staffage)
Inscriptions: signature and date: ‘Joh. H. 78’
S. Ignativs de Loiola
Object type: print
Date: 1586 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the founder of the jesuit order, ignatius of loyola; possible attributes: book (with 'ad majorem dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, ihs monogram, skull (with crown), tears in eyes, torch
Inscriptions: collector's mark: Lugt 2228

De heilige Ignatius van Loyola, stichter van de Jezuïetenorde toont een boek met de kloosterregels. Achter hem een Christusmonogram in vlammen, het symbool van de orde. Deel van een serie van afbeeldingen van de bekendste stichters van de kloosterorden.
Drie mannen in zeventiende-eeuws kostuum dansend in een voorhuis
Object type: painting
Date: 1700 – 1885
Materials: oil, panel
Location: netherlands
Artist: Anonymous
Subjects: communal rooms, group of men (folk dancing)

Interieur met drie dansende mannen die elkaars handen vasthouden en een rondedans maken. Rechts aan een tafel zit een man en wijst naar het trio. Op de trap kijkt een vrouw toe. Aan de achterwand hangen twee schilderijen.
Hosanna Rabba, ou le Grand Hosanna les dernier jour dela feste des Tabernacles
Object type: book illustration
Date: 1705 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: 'hoshana rabba' (seventh day of the 'sukkot' festival)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Cunaeus, Petrus. La republique des Hebreux, 3 delen. Amsterdam: Pieter Mortier, 1705, dl. III, p. 167.
Actress holding bouquet aloft, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Spotprent op de paus en kardinalen, 1731
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: rome, clemens xii, eyeglasses, spectacles, (aspects of) christian religion or the church (as institution) ridiculed, criticized, or caricaturized
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Spotprent op de paus en kardinalen, in verband met het verzet tegen de bezetting van Parma door Oostenrijk, na de dood van de hertog van Parma, juni 1731. De slechtziende paus (met drie brillen) wil een document ondertekenen maar wordt door kardinalen zand in de ogen geblazen. Op het blad onder de plaat de verklaring van de de cijfers 1-9 in het Nederlands, volgens de Haagse Courant van 13 juli 1731.
Limestone statuette of Bes
Object type: statuette of a satyr
Materials: limestone
Culture: cypriot
Subjects: bes

The nude figure has a round abdomen and small, protruding buttocks. The head is that of Bes, with her grimacing features, extended tongue, and lion ears.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 351
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, tendril from handle ornament?; legs and feet of a draped male to right with a stick; part of the frontal right calf and foot of a male
Graf van Agnes Sorel
Object type: print
Date: 1799 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Artist: gottfried engelmann
Artist role: print maker, printer, publisher
Artist dates: 1788 – 1839
Subjects: grave, tomb, ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Obligatie voor het bekostigen van een lening voor Reflex Compagnie ter waarde van duizend gulden
Object type: document
Date: 1895 – 1895
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: stock exchange, stock-market
Inscriptions: stamp: ‘SPECIMEN’, number: ‘841’

Obligatie met specimen-opdruk voor de naamloze vennootschap 'Maatschappij tot het fabriceeren van en het drijven van handel in Photographie-Artikelen Reflex Compagnie', gevestigd in Amsterdam. De obligatie bestaat uit een mantel en couponblad met daarop 20 coupons.
Portret van graaf Hans Adolf van Bentheim-Tecklenburg
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: engraving
Location: low countries
Artist: monogrammist hdm
Artist role: print maker
Subjects: earl, historical persons
Inscriptions: collector's mark: Lugt 964

Portret van graaf Hans Adolf van Bentheim-Tecklenburg in wapenrusting. Achter hem een draperie en rondom een omlijsting. Onder in de marge een tweeregelig onderschrift met de naam en titel van de geportretteerde.
Portret van Henri-Jules de Bourbon, prins van Condé
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: photograph
Subjects: historical persons
Inscriptions: date

Prent uit: Veilingcatalogus Frederik Muller & Co., 14 november 1905.
Bust of a Bodhisattva, possibly Maitreya
Object type: bust
Date: 101 – 300
Materials: stone
Culture: pakistani
Subjects: gandhara,bodhisattvas,maitreya

This handsome bust of a Bodhisattva, datable to the 2nd century AD, was produced as part of the architectural decoration of a major monastery in ancient Gandhara (present-day Peshawar district in northwestern Pakistan). The back of the piece is unfinished—originally it would have been attached to a niche or wall—a feature consistent with the vast majority of Gandharan figural sculptures; very few of which are fully in-the-round. This bodhisattva’s superbly rendered head is adorned with a slender moustache, an auspicious forehead mark (urna) and an Apollo-like hairstyle and topknot with jewel and pearl net ornamentation. The net of pearls with gemstones at the intersections culminates in a gemstone which secures the pearls looping over the topknot. The distinctive 'S' curls on the forehead is a signature motif of the Loriyan Tangai workshop, as are the strong facial features, with the subtle demarcation of planes for the nose eyebrows, and eyelids. This rendering points to an awareness of Mediterranean modelling conventions of the late Graeco-Roman tradition. Direct prototypes of Alexandrian art have been discovered further west at Begram, in Afghanistan, a likely source of the Hellenistic styling of the hair. Other features, such as the (now damaged) ear ornaments in the form of projecting lions, and the neck torque, are north Indian attributes that circulated in the shared territories of the Kushan empire that extended from Mathura to Gandhara. The monastic robe bulks into deep folds as it passes over the left shoulder.
Alb
Object type: alb
Date: 1801 – 1900
Materials: linen, metal thread
Techniques: lace
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of a tree trunk?; Exterior, left hip, left buttock, leg and tail of a satyr to left; tail, right buttock, and leg of a satyr to right; on the ground, a rock
Portret van Giuseppe Verdi
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Subjects: italy, adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine, 126, boulevard de Magenta.’
Serpent mouthpiece
Object type: mouthpiece
Date: 1800 – 1800
Materials: ivory
Location: europe
Artist: Anonymous
Belt Buckle in Shape of Horse
Object type: belt buckle
Date: 200 – 538
Materials: bronze
Culture: japanese
Subjects: horses
Mr. Grevil Verney
Object type: print
Date: 1690 – 1742
Materials: paper
Techniques: mezzotint
Location: london
Subjects: boy (child between toddler and youth), historical persons, globe
Inscriptions: collector's mark: Lugt 240
Vlag van Tripolitanië
Object type: drawing
Date: 1667 – 1670
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: france
Artist: Anonymous
Subjects: flag, colours (as symbol of the state, etc.)
Inscriptions: number: ‘267 / CCLXVII / 267’

Vlag van Tripolitanië (Tripolitania). Groene vlag met drie halve manen, met afgeronde vluchtzijde. Vlag op vlaggensteng en mastvoet. Afgebeeld op folio 134r. Onderdeel van een vlaggenboek met vlaggen uit Europa, Noord-Afrika, Nabije en Verre Oosten.
Plate
Object type: plate
Date: 1800 – 1810
Materials: hard paste porcelain

The Helena Woolworth McCann collection of Chinese-export porcelain is a lasting tribute to the knowledge and judgment of the collector whose name it bears. The objects in her collection, consisting of about 4,000 pieces, of which 441 were generously given to The Met, were made in China to the order of European and American clients during the seventeenth, eighteenth, and nineteenth centuries. Assembling such a comprehensive and distinguished group not only called for rare insight and informed taste, but required extensive travel and search in Europe. The typical collector of this material focuses on wares destined for one region: the Continent, England, or America. Mrs. McCann, however, collected without regard to the market, the resulting collection thus reflecting the variety and extend of the trade in Chinese porcelain throughout the Western world at the peak of its popularity. Following her untimely death in 1938, her children gave the collection to the Winfield Foundation, created in her memory for educational and charitable purposes. Today, Mrs. McCann's extraordinary collection of Chinese export porcelain is dispersed among twenty-six museums in the United States and one in Canada, and has been made accessible to the public as a source of pleasure and instruction. Pieces of her collection remain highlights of The Met's world-class holdings in Chinese-export porcelain.
Bed curtain border
Object type: border
Date: 1780 – 1820
Materials: linen, silk
Subjects: flowers
Four razors with ivory handles (part of a set)
Object type: razor
Date: 1848 – 1849
Materials: ivory, steel
Artist: hawcroft & pearson, england
Artist role: maker

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Design for a Vessel
Object type: drawing
Date: 1701 – 1800
Materials: graphite
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: vessels