deem-data/ArtiFact huggingface dataset:
Stadsgezicht met Domkerk te Utrecht en allegorie met Minerva en deugden
Object type: print
Date: 1750 – 1790
Materials: paper
Techniques: etching
Location: utrecht
Subjects: temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, (story of) minerva (pallas, athena), utrecht
Inscriptions: collector's mark: Lugt 2228

Een stadsgezicht met de Domkerk te Utrecht staat centraal in een omlijsting met Minerva in gezelschap van drie deugden: Voorzichtigheid, Matigheid en Rechtvaardigheid. De lijst wordt bekroond met personificaties van waarheid en trouw aan weerszijden van twee putti met een schild met wapen en motto van de Utrechtse universiteit.
Ontwerp voor Jan Ligthart kalender voor 1918
Object type: drawing
Date: 1874 – 1945
Materials: paint, paper, pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: calendar, almanac, historical persons
Portret van François-Michel le Tellier, markies van Louvois
Object type: print
Date: 1602 – 1666
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris, françois-michel le tellier (markies de louvois)
Inscriptions: collector's mark: Lugt 2228
Portret van Gerda Henny
Object type: print
Date: 1914 – 1914
Materials: paper
Techniques: woodcut
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945
Subjects: gerda henny
Inscriptions: collector's mark: Lugt 2228

Haar bovenlip is omhoog gekruld waardoor haar tanden te zien zijn. Onderaan de tekst 'aan boord der kleist'.
Miguel de Vasconcelos wordt ontdekt in een kast en vermoord door woedende Portugezen, 1640
Object type: book illustration
Date: 1701 – 1701
Materials: paper
Techniques: etching, letterpress printing
Location: frankfurt am main
Subjects: violent death by firearms
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Hiob Ludolff. Allgemeine Schau-Bühne der Welt. Deel II. Frankfurt am Main: Johann David Zunnern, 1701, p. 801.
Plattegrond van het kasteel van Sainte-Anne
Object type: area plan
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: castle, landscape with tower or castle

Deze prent maakt deel uit van een album.
Twee vrouwenhoofden
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human) - aa - female human figure

Boven nog een hoofd. Blad 13 recto uit schetsboek XIII met 25 bladen.
Brieflezende vrouw
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: henri van seben
Artist role: print maker
Artist dates: 1825 – 1913
Subjects: reading, letter, envelope
Inscriptions: collector's mark: Lugt 2228

In een interieur leest een vrouw een brief bij het licht van een kaars. Bij de open deur staat de briefbezorger.
Twee schapen en een geit
Object type: print
Date: 1638 – 1652
Materials: paper
Techniques: etching
Location: amsterdam
Artist: barend graat
Artist role: draughtsman, print maker
Artist dates: 1628 – 1709
Subjects: ram, he-goat, billy-goat, ewe
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2610

De tweede staat is ook afgrdrukt in: Het geheele werk van den vermaarden landschap schilder Anth. Waterloo: bestaande in 136 landschappen, alle door hem zelf konstig geteekent en in 't koper gemaakt. Amsterdam 1652.
Strijkstokken
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: haarlem
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: string instruments (bowed)
Inscriptions: collector's mark: Lugt 2228

Twee rechterhanden, die beiden een strijkstok vasthouden.
Reisverslag van medio augustus 1880
Object type: sketchbook leaf
Materials: chalk, pencil
Location: novaya zemlya
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: nova zembla expedities 1880
Inscriptions: annotation: ‘[...]’

Blad 33 verso uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Album met tekeningen van Suriname, p.4 (50)
Object type: album leaf
Date: 1859 – 1859
Materials: ink, paper, pencil, watercolor
Techniques: brush
Location: suriname
Artist: jacob marius adriaan martini van geffen
Artist dates: 1821 – 1866
Subjects: suriname
Inscriptions: signature and date: ‘gedateerd recto r.o.:1859’
Handkerchief
Object type: handkerchief
Date: 1882 – 1882
Materials: cotton
Culture: american
Stadhuis van Wroclaw, Polen
Object type: stereograph
Date: 1878 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: wroclaw
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: square, place, circus, etc., townhall
Inscriptions: number: ‘7.’
Twee gerechtelijke portretten van een onbekende man, na zijn arrestatie en na zijn dood in het mortuarium
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Subjects: historical persons, law and jurisprudence
Portrait of Augustus II, Elector of Saxony, King of Poland, and Grand Duke of Lithuania
Object type: portrait
Materials: copper, diamond, gemstone, enamel, gilt, pearl, silver
Artist: georg friedrich dinglinger
Artist role: enameler
Artist nationality: german
Artist dates: 1666 – 1720
Subjects: men,portraits

The enameller Georg Friedrich Dinglinger (1666–1720), the creator of the present portrait, and Georg Christoph Dinglinger (1668–1728), who specialized in cutting and setting jewels, were brothers of the famous court goldsmith, Johann Melchior Dinglinger (1664–). The latter was one of Europe's greatest goldsmiths, whose major works for the elector of Saxony, Augustus the Strong, survived in the Grünes Gewölbe (the "Green Vaults"), Dresden. Dinglinger was the last goldsmith to work on the grand scale of Benvenuto Cellini and Wenzel Jamnitzer.
Edging
Object type: edging
Date: 1701 – 1800
Techniques: lace
Subjects: animals,birds
Terracotta rim fragment of an undetermined shape
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from an undetermined shape; sheared
Breeches
Object type: breech
Date: 1805 – 1805
Materials: bone, leather, shell
Culture: french
Apron
Object type: apron
Materials: silk
Culture: british
Wedding stockings
Object type: wedding stocking
Date: 1834 – 1866
Materials: silk
Culture: american
Walter Gratz, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: profiles,women
Allegorie op aartshertog Leopold Willem van Oostenrijk
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: vienna, leopold willem van oostenrijk (landvoogd der zuidelijke nederlanden), art (+ the work of art and its production), historical persons, specific aspects, allegorical aspects of minerva; minerva as patroness

De godin Minerva staat bij een portretbuste van aartshertog Leopold Willem van Oostenrijk op een sokkel. Rond het portret een lauwerkrans met schildersbenodigdheden, een vuurwapen en een tekstband met de Latijnse vertaling van 'krachtig' en 'innemend'; een verwijzing naar de titels van de twee schilderijen van Titiaan die vooraan door putti worden vastgehouden. Op de sokkel een tienregelige opdracht aan de aartshertog en een zesregelig lofdicht, beide in het Latijn. Op de achtergrond een klassiek gebouw met mannenbusten. Onderaan een reclame voor handelaar Abraham Teniers in vier talen. Deze prent maakt deel uit van een album.
Gezicht op Semna
Object type: page
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Location: semna
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: landscapes
Inscriptions: inscription: ‘General View’, number: ‘LXXXV’, name: ‘Frith’
Portret van Niccolò Machiavelli
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 12, collector's mark: Lugt 2165

Naar een schilderij door Santi di Tito in Palazzo Vecchio te Florence.
Kom van tin met ringvormige oren
Object type: bowl
Date: 1400 – 1600
Materials: tin
Techniques: casting, turning
Location: leiden
Artist: Anonymous
Inscriptions: quality mark

Porringer. Pewter. Marked on the base with the arms of Leiden. Leiden, c. 1500 - 1550.
"Bahram Gur Hunts the Onager", Folio from a Shahnama (Book of Kings)
Object type: folio from an illustrated manuscript
Date: 1330 – 1340
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: animals,men,hunting
Male Papaya Tree
Object type: illustrated single work
Date: 1790 – 1800
Materials: paper, watercolor
Location: india
Subjects: trees

The forests of India, some of the richest resources of the British colonies, helped to increase interest in the study of natural history and scientific collecting, including among Indian artists working for British patrons. This work comes from the album of Major James Nathanial Rind (d. 1814), a colonial officer known to have had a keen interest in flora and fauna. Commissioned into the Bengal Marines in 1778, Rind later transferred to the 18th Regiment of the Bengal Native Infantry. Between 1785 and 1789, he was based at Calcutta and was among the officers involved in a survey of India. This botanical study of a papaya tree shows the male flowers, whose pollen can fertilize nearby female flowers and yield fruit.
Gezicht op het Hercules monument in het Bergpark Wilhelmshöhe
Object type: print
Date: 1770 – 1826
Materials: ink, paper
Techniques: etching, writing
Location: gottingen
Subjects: 'album amicorum', 'stammbuch', landscape with monument
Inscriptions: tekst, verso, handgeschreven

Handgeschreven tekst in het Duits op het verso.
Bladen met knipplaatjes en decoratieve randen
Object type: print
Date: 1750 – 1750
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: paris
Artist: Anonymous
Subjects: flowers, cut flowers; nosegay, bunch of flowers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Drie rijen met grote en kleine boeketten, deels gebonden met een strik. Een van 39 bladen met knipplaatjes en decoratieve randen.
Het vergaan van de aarde
Object type: book illustration
Date: 1625 – 1625
Materials: paper
Techniques: etching
Location: haarlem
Subjects: last judgement
Inscriptions: collector's mark: Lugt 2228

Illustratie in: Peil, Johann. Tabula processum seu ordinem ultimi divini et criminalis judicii exhibens. Kleef: Gerhardus Verstegen, 1625, p. 72.
Chamber Organ
Object type: chamber organ
Date: 1845 – 1860
Materials: wood
Culture: american
Location: united states
Artist: george clisbee
Artist role: maker
Artist nationality: american
Artist dates: 1828 – 1885

The chamber organ is a moderately-sized piped organ. It typically has a single manual, a limited number of stops, and a limited pedalboard or no pedals at all. It is generally intended for use in small chapels, in homes, or other intimate rooms. As it is capable of long sustained tones, it is sometimes preferable to harpsichord as a continuo instrument in chamber ensembles. Such instruments might also be used in small churches, like those found in small towns and villages throughout the United States in the nineteenth century. Chamber organs were largely usurped by reed organs after the middle of the century. Technical description: One 53-note manual F-a3 with ivory naturals, ebony sharps; disposition from rear of chest, with basses arranged at sides: 8' Stopped Bass F-c, 8' Stopped Flute from c# (open from a#2), 4' open Principal (four bass pipes on each side), 8' Flute stopped f-cl, open from c#1 (probably common 8' stopped bass F-f); two wood knobs with ivory center dot apparently control two front registers; no slide for back register; all pipes of conifer (possibly spruce) with hardwood caps; stoppers tapered except for bass stoppers which are untapered; no nicking, open feet, open pipes tuned with soft metal blades at top; single-fold feeder under chest operated by single pedal at front; single-fold reservoir on top of case, connected by wood ducts to feeder; from c#, trackers fan out to pallet box at back of chest; bass (F-c) has eight rollers and must always be on since pallet box has only 45 notes; stop action for two front registers uses two heavy wood connections apparently milled from single piece which also forms shank and knob; four miscellaneous springs below bass end of chest perhaps meant to lighten action on stiff notes; case possibly mahogany, heavily varnished, center front of half-round, gold-painted dummy pipes with fabric (possibly silk)behind, also the same fabric in side panels; supported by heavy curved legs, front two having carved leaf motif on front; machine-carved scallop motifs flank keyboard. (Laurence Libin 1997) .
Enkhuizen. De Drommedaris
Object type: photomechanical print
Date: 1909 – 1912
Materials: cardboard
Techniques: photograph
Location: enkhuizen
Subjects: city-view, and landscape with man-made constructions, canals, waters (in city), bridge in city across river, canal, etc., city-gate, enkhuizen
Staande man met armen over elkaar
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: leiden
Subjects: the (nude) human figure; 'corpo humano' (ripa) (+ old male (human being)), tools, aids, implements ~ crafts and industries: knife, arms crossed over the breast
Inscriptions: collector's mark: Lugt 2233

Een oude man met een hoed. Hij heeft zijn armen over elkaar en draagt een mes aan zijn zijde.
Tulpen
Object type: drawing
Date: 1856 – 1909
Materials: paper, pencil, watercolor
Techniques: brush
Artist: sientje mesdag-van houten
Artist role: draughtsman, painter
Artist dates: 1834 – 1909
Subjects: flowers: tulip
Hugo Everhardus Cratz (...) legatus Primarius etc.
Object type: print
Date: 1623 – 1660
Materials: paper
Techniques: engraving
Artist: pieter de bailliu (i)
Artist role: print maker
Artist dates: 1613 – 1660
Subjects: regensburg, bisschop, diplomaat, hugo everhard cratz (graaf van scharfenstein)
Inscriptions: collector's mark: Lugt 240
Portret van Victor Hugo
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: etching
Artist: david goerig
Artist role: print maker
Subjects: paris, victor hugo, historical persons, old man
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1 sts staat; (...) Goerig sculps’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 490
Materials: terracotta
Culture: greek, attic

Exterior, part of a round shield; part of an inscription, ASO
Titelpagina voor: Kunstkronijk, 1868
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: tools, implements of painter, book, decorating 'en relief', appliquéing, lute, and special forms of lute, e.g.: theorbo
Inscriptions: inscription: ‘No. 66/ Anatomie &/ Proportie door J.E.J. vd Berg.’

Met vignet van een reliëf met daarvoor een schilderspalet, een luit, een kan en boeken.
Purse
Object type: purse
Date: 1790 – 1810
Materials: linen, paper, silk, wool
Culture: american
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three complete kylix handles with handle patch
Huis te Bemmel
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Location: bemmel
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: castle
Inscriptions: annotation: ‘huis te Bemmel.’

Huis te Bemmel gezien vanaf zijkant met links ingang en brug over gracht. Boven kleine schets van luik met notitie kleuraanduiding. Blad 8 recto uit een schetsboek met 69 bladen.
Set of Ten Belt Plaques
Object type: belt plaque
Date: 267 – 333
Materials: gilt bronze
Culture: chinese
Roslin Chapel, South Porch
Object type: photograph
Date: 1856 – 1856
Techniques: glass negative, salted paper print
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: architecture,chapels

Roger Fenton is a seminal figure in the history of British photography as much for his advocacy of the highest standards for the new medium through the founding of the Photographic Society in London in 1853 as for his own artistic achievements. In his early years he pursued, simultaneously, studies in both law and painting in London and in Paris. As a photographer he achieved public recognition mainly as an accredited photographer of the Crimean War, in 1855. Fenton was very much aware of the technical advances being made in France. He was also impressed by the concern of the French government for the preservation of historic sites, and the commissioning, in 1851, of photographic surveys of the country's architectural heritage. As such patronage did not exist in Great Britain, Fenton made his architectural studies on his own initiative, traveling extensively throughout England, Scotland, and Wales. Fenton photographed Rosslyn Chapel, a site celebrated in verse by such poets as Sir Walter Scott, Wordsworth, and Lord Byron, during his first photographic expedition to Scotland. Erected in 1466 by William St. Clair, earl of Rosslyn, the chapel, a striking example of Late Gothic ornamentation, is the choir of a collegial church that was never completed. In Fenton's image the wall rises as a forbidding mass, abruptly blocking one's path; the narrow portal, however, allows the eye to enter and bore through the dark interior before reaching the sunlit countryside beyond. In this interplay between mass and space, dark and light, Fenton brings to his picture the very tensions of the architecture he describes. The print bears the photographer's rare signature.
Stadsgezicht
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Subjects: city-view in general; 'veduta'
Inscriptions: monogram: ‘C. Cie’
Liederen te zingen bij het Jaarverslag van de Diaconie-Scholen der Nederd. Herv. Gemeente (...)
Object type: text sheet
Date: 1904 – 1904
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Inscriptions: stamp, collector's mark: Lugt 1641

Liedboek voor de presentatie van het jaarverslag van de Diaconie-scholen, 1904. Heb boek bestaat uit vier gevouwen pagina's en is op alle zijde bedrukt. Op de eerste twee pagina's zijn diverse liedtekst gedrukt en op de laatste twee bladen staan een aankondiging van de komende collecte. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Ned. Hervormden, (Oudtijds Gereformeerden).
Zelfportret
Object type: print
Date: 1861 – 1889
Materials: paper
Techniques: etching, intaglio
Location: vienna
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Drômos et Philônes, Grand Temple d'Isis à Pilônes; Nubie, plate 72 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Portret van Albertus Voget
Object type: print
Date: 1716 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: utrecht, albertus voget
Inscriptions: collector's mark: Lugt 240

Portret van Albertus Voget, predikant en hoogleraar in de theologie, in een ornamentele lijst. Onder het portret een zesregelig vers in het Latijn en in het Nederlands.
Portret van August von Braunschweig-Lüneburg, hertog van Braunschweig-Wolfenbüttel
Object type: print
Date: 1650 – 1699
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: august von braunschweig-lüneburg (hertog van braunschweig-wolfenbüttel), armour, historical persons
Gezicht op het Polderhuis
Object type: drawing
Date: 1880 – 1880
Materials: ink, paper, watercolor
Techniques: brush, pen
Subjects: city-view in general; 'veduta', canal, inn, coffee-house, public house, etc., bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Port. 12-307’, signature, date and inscription: ‘Wilm S. 80 / Wetering Barrière’, collector's mark: ‘12’ Lugt 1641b, inscription: ‘de Wetering barrière gezien van de / Buitensingel’

Onderwerpsrubriek binnen de Atlas Amsterdam: Sarphatistraat, Schans.
Twee foto's van de kathedralen van Wells en Worcester
Object type: album leaf
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Location: england
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: inscription: ‘Warwick Castle./ St Mary's Church, Warwick.’

Deze foto's maken deel uit van een album.
Indiase draagstoel
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: (carrying a person in a) sedan-chair, asiatic races and peoples: indians
Inscriptions: kleurnotitie, handgeschreven

Twee mannen dragen de stoel, waarin een figuur zit op kussens. Pagina 82 uit een schetsboek met 62 bladen.
Kale bomen
Object type: print
Date: 1944 – 1990
Materials: paper
Techniques: etching
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: trees

Kale bomen van verschillende lengtes aan lage horizon.
Portret van Cornelius Catharinus Nicolaas Krom
Object type: print
Date: 1869 – 1882
Materials: paper
Techniques: lithograph
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Bloeiende Amerikaanse Aloë, 1757
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: plants; vegetation (+ flowers, blossom, blossoming)
Inscriptions: collector's mark: Lugt 2228

Een Amerikaanse Aloë of Agave die in de zomer van 1757 gebloeid heeft bij de Leidse bloemenkweker Jacobus Schuurmans Stekhoven. In het onderschrift de titel en opdracht aan de Leidse botanist David van Royen. Bij de prent behoort een blad met uitleg.
Grazende koe in een weiland
Object type: drawing
Date: 1842 – 1842
Materials: chalk, paper
Techniques: brush
Artist: jan simon voddigel
Artist role: draughtsman
Artist dates: 1820 – 1862
Subjects: cow, meadow, pasture, sheep

Een grazende koe in een weiland met op de achtergrond twee schapen.
Liggende koe
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
[Montage of Ecclesiastical Figures Posed in Political Satire]
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: satire,men,politics
Studiebeelden en fragmenten
Object type: album leaf
Date: 1807 – 1816
Materials: paper
Techniques: etching
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: adult woman, landscapes in the temperate zone
Inscriptions: date

Deze prent maakt deel uit van een album.
Gezicht op slot Hässelbyholm
Object type: album leaf
Date: 1670 – 1674
Materials: paper
Techniques: etching
Subjects: housing

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).