deem-data/ArtiFact huggingface dataset:
Design for 4 seat Phaeton, no top, no. 3937
Object type: drawing
Date: 1885 – 1885
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Acht berouwvolle zondaars uit het Oude en Nieuwe Testament
Object type: print
Date: 1595 – 1596
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: male persons from the old testament (with name) (not in biblical context) - personal devotions of male persons from the old testament, e.g. vision, prayer, penitence, story of the conversion of paul (acts 9:1-18)

Paulus, biddend aan een tafel, voor hem een lelie in een vaas en een zwaard. Op de achtergrond is een scène uit zijn leven verbeeld: het moment van zijn bekering na een val van zijn paard. Onder de voorstelling een tweeregelige Latijnse tekst. Deze prent is onderdeel van een serie van acht berouwvolle zondaars; elke prent in deze serie bestaat uit een beeltenis van een zondaar, boven hem/haar een aantal (musicerende) engeltjes in een wolkenkrans, op de achtergrond een scène uit het leven van de betreffende zondaar, onder de voorstelling twee regels tekst in Latijn.
De Mont Blanc, tijdens een vakantie van Eugen Wachenheimer en zijn echtgenote Else Wachenheimer-Moos door Zwitserland, augustus 1927, Mont Blanc
Object type: photograph
Date: 1908 – 1927
Materials: paper, photographic support
Techniques: gelatin silver print
Location: switzerland
Subjects: mountain-range, snow peaks, switzerland
Inscriptions: inscription: ‘die Mont Blanc gruppe’

Albumblad bevat een foto van landschap zonder personen. Uit album half formaat, blauw kunstlederen omslag met koordbinding.
Portret van Maria Favart in Adrienne Lecouvreur
Object type: photomechanical print
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Location: brussels
Subjects: paris, portrait of actor, actress
Inscriptions: number: ‘No 35.’
Religieuze allegorie
Object type: print
Date: 1500 – 1599
Materials: paper
Techniques: woodcut
Location: germany
Artist: Anonymous
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, unbelief, 'infidelitas', the (seven) acts of mercy, tree as a scheme of relations, diagram in form of a tree
Inscriptions: collector's mark: Lugt 2228

Tegenstelling tussen de boom van Liefde groeiend uit Geloof en de boom van Ondankbaarheid groeiend uit Ongeloof.
Fire Fans
Object type: costume and accessory
Date: 1601 – 1700
Materials: cardboard, linen, silk, wood, wool, thread
Techniques: embroidery, embroidered, weave, stitching
Location: france
Subjects: men, animals, birds
Geldzaken en grammatica
Object type: print
Date: 1768 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: 'grammatica' (~ trivium); 'grammatica' (ripa), clock, money
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerde pendule met guirlandes, takken en een vaas. Daaronder een lijst met links een dierenkop met zwaard en granaatappel, in het midden een schip met een caduceus op munten en rechts stroomt water vanuit een vaas op druivenranken. Prentnummer 95.
Portret van Karel Lodewijk van de Palts
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Location: heidelberg
Artist: jan van somer
Artist role: draughtsman, print maker
Artist dates: 1645 – 1699
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Karel Lodewijk, keurvorst van de Pals. Onderaan in de marge zijn familiewapen, naam en titels.
Samuel Washington "Sam" Wise, Shortstop, Washington Nationals, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Jean Buysson a. Nemorino
Object type: ansichtkaart, prentbriefkaart
Date: 1908 – 1908
Materials: paper
Techniques: gelatin silver print
Location: munich
Subjects: amsterdam, paris, historical persons (portraits and scenes from the life)

Portret van Jean Buysson als Nemorino in L'elisir d'amore.
Portrait of Jean Monnet
Object type: print
Date: 1765 – 1765
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: men,portraits
Fotoreproductie van een gravure van Constantijn de Grote door Marcantonio Raimondi
Object type: page
Date: 1848 – 1853
Materials: photographic support
Techniques: salted paper print
Subjects: the roman emperor constantine the great; possible attributes: crown, sceptre, standard (labarum) with chi-rho monogram or cross
Tea Bowl with Cross Design
Object type: bowl
Date: 1801 – 1833
Materials: clay, glaze
Techniques: inlay
Culture: japanese
The Virgin with the Christ Child and the young Saint John the Baptist holding a bird at right, an oval composition
Object type: print
Date: 1630 – 1680
Techniques: etching
Artist: lorenzo loli
Artist role: artist
Artist nationality: italian
Artist dates: 1607 – 1691
Subjects: christ,saint john the baptist,virgin mary

Verso not visible as print is laid to another sheet of paper.
Twee gezadelde en bepakte ezels
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: ass, donkey

Blad 19 recto uit een schetsboek met 42 bladen.
Gezicht op een theater te Pompeï
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: theatre (building) - aa - open-air performances, pompeii
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, inscription: ‘Pompeji.’, inscription: ‘CWN.’, number: ‘1220.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’
Portret van Johannes Stumpf
Object type: print
Date: 1651 – 1669
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2233

Met zesregelig onderschrift in het Latijn.
Binnenplaats met oudere man, vrouw en twee jongere mannen
Object type: drawing
Date: 1694 – 1766
Materials: paper
Techniques: brush, pen
Artist: matthijs balen (1684-1766)
Artist role: draughtsman, painter, print maker
Artist dates: 1684 – 1766
Subjects: family, relationship, descent, courtyard

Waarschijnlijk een Bijbels tafereel, mogelijk Isaak en zijn zonen of Jakob die hoort dat Jozef dood is.
Twee gedenktekens
Object type: photograph
Date: 1920 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: other memorial structures
Inscriptions: number: ‘39 - 40’

Deze foto's maken deel uit van een album.
Malkos Raga: Page from a Dispersed Ragamala Series (Garland of Musical Modes)
Object type: folio
Date: 1640 – 1650
Materials: ink, paper, watercolor
Culture: indian, rajasthan, marwar
Subjects: musical instruments,men,women

This painting perfectly illustrates the Malkos raga text, which describes a lord attended by a woman with a fly whisk who is entertained by others that play heavenly music like gandharvas; he wears a necklace of elephant pearls and has a gold crest on his head. The text emphasizes that he is saturated with love and that his mind is happy. Here, the artist skillfully integrated these elements in composition that perfectly resonates with the mood of this raga.
Pennsylvania Light Artillery, Battery B, Petersburg, Virginia
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: army,soldiers,cannons,american civil war

Civil War photographers were most effective at chronicling things that did not move, such as heavy mortars, bridges, tents, and ruins—subjects that cameras had more or less successfully recorded since the medium’s birth twenty years earlier. The essential problem for a war photographer interested in frontline drama was not lack of daring but the long times (two to five seconds depending on the amount of sun) required to properly expose a large-format collodion-on-glass negative typically used in the field. Here, in Petersburg, Virginia, Timothy H. O’Sullivan attempted something extraordinary for the period—an action shot. Whether or not Battery B was truly under fire or just drilling is moot, as the photograph is a welcome exception that offers a lyrical view of the poetics of battlefield artillery.
Jar with cover
Object type: jar with cover
Date: 1501 – 1600
Materials: glass

The lid for this transparent glass jar has been removed to facilitate the comparison of the different materials employed. The goldsmith, compared with the glassblower, is only able to work on the silver’s surface.
Piece
Object type: piece
Date: 1601 – 1700
Techniques: lace
Subjects: flowers,leaves
La Nymphée in les Jardins de la Fontaine te Nîmes
Object type: photograph
Date: 1866 – 1877
Materials: cardboard, paper
Techniques: albumen print
Location: nîmes
Artist: louis huguet
Artist role: fotograaf
Artist dates: 1840 – 1877
Subjects: colonnade
Inscriptions: inscription: ‘Nîmes’
Soup plate
Object type: soup plate
Date: 1740 – 1750
Materials: hard paste porcelain
Subjects: animals,arrows,spears,women
Platter
Object type: platter
Date: 1814 – 1830
Materials: soft paste porcelain
Artist: crown derby
Artist role: maker
Artist nationality: british
Artist dates: 1750 – 9999
Subjects: flowers
Vase
Object type: vase
Date: 1685 – 1690
Materials: earthenware, glaze
Location: delft
Artist: rochus jacobsz. hoppesteijn
Artist role: plateelbakker
Artist dates:  – 1692
Subjects: birds

Vaas van faience met op het Chinese porselein geïnspireerde bloemen. Delfts aardewerk, gemerkt RS.
Portret van Carl Ludwig Fernow
Object type: print
Date: 1818 – 1832
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: martin esslinger
Artist role: print maker
Artist dates: 1793 – 1841
Subjects: historical persons

De serie werd in 35 delen uitgegeven tussen 1818 en 1832.
Studieblad met wandelende figuren
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: human types; peoples and nationalities
Inscriptions: collector's mark: Lugt 2228
Sappeur van het Genootschap tot Nut der Schutterij te Amsterdam, 1787
Object type: drawing
Date: 1787 – 1787
Materials: paper
Location: amsterdam
Artist: Anonymous
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), amsterdam

Sappeur, staande met een bijl in de linkerhand rustend op de schouder. Rechts een detail van de sabelkwast en het uiteinde van de epaulet. Onderdeel van het album met veertien ingeplakte gekleurde tekeningen van de uniformen van schutters van het patriotse Genootschap tot Nut der Schutterij te Amsterdam in het jaar 1787.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Part of the upper torso of a draped figure to right, holding a staff in the right hand; round shield and thighs of a warrior
Ridderkruis 4e klasse van de Militaire Willemsorde voor moed, beleid en trouw, op gouden gesp
Object type: honorary medal
Date: 1815 – 1831
Materials: gold, silver, textile
Techniques: gilding
Artist: Anonymous

Zilveren draagteken met verguldsel, email en lint, op gouden gesp.
Le carquois épuisé (The Empty Quiver)
Object type: print
Date: 1775 – 1775
Materials: ink, paper
Techniques: engraving, etching
Location: france
Artist: nicolas delaunay
Artist role: draughtsman, print maker, printer, publisher
Artist nationality: french
Artist dates: 1739 – 1792
Le Porte-Étendard (The Standard Bearer), from "Les Caprices" Series B, The Nancy Set
Object type: print
Date: 1617 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Squashed pewter jug from the wreck of the Dutch East Indiaman Hollandia
Object type: ewer
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Jug, squashed, lid missing; baluster-shaped, circular base and top, circular footring, conical spout, harp-shaped handle, lens-shaped in section with double-bladed hinge, thumbpiece missing, linear engraving around rim.
Ontsnapte offerstier valt een groep herders aan
Object type: album leaf
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: paris
Subjects: bull, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., animal sacrifice ~ roman religion

Prent uit: Du Perret. La Cour d'amour, ou les Bergers galants. Parijs: Thomas Jolly, 1667.
Prie-dieu
Object type: prie dieu
Date: 1734 – 1766
Materials: wood
Subjects: coat of arms
San Lorenzo, Library, portal, section (recto) San Lorenzo, Library, Ricetto, portal, elevation (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Opera..Triumphi, Soneti, & Canzone..
Object type: book
Techniques: printing, woodcut
Location: venice
Artist: francesco petrarca
Artist role: author
Artist nationality: italian
Artist dates: 1304 – 1374
Subjects: men,women,cupid,horses
Annunciatie met de zes profeten en engelenkoren
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: engraving, etching
Location: cologne
Subjects: adam and eve (not in biblical context), groups of prophets, usually holding books or scrolls (isaiah, jeremiah, ezekiel, daniel, hosea, joel, amos, obadiah, jonah, micah, nahum, habakkuk, zephaniah, haggai, zechariah, malachi), the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation), angels, god the father (as bearded old man) enthroned, usually with crown or tiara, and with sceptre and/or globe
Inscriptions: number: ‘40’, collector's mark: Lugt 2228

De maagd Maria wordt bezocht door de engel Gabriël. Hij verkondigt haar de geboorte van een zoon die Christus zal heten. Boven in de hemel God de Vader en de duif als symbool voor de Heilige Geest, omringd door de engelenkoren. Aan weerszijden van de annunciatievoorstelling drie profeten van het Oude Testament. Bovenaan links Adam, bovenaan rechts Eva. De prent heeft een Latijns onderschrift.
Scherven van kommen uit V.O.C.-schip de 'Witte Leeuw'
Object type: bowl
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven kraakporselein uit V.O.C.-schip de 'Witte Leeuw'.
Schermutseling tussen ruiters
Object type: drawing
Date: 1600 – 1650
Materials: chalk, paper
Techniques: brush
Artist: jan martszen de jonge
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1647
Subjects: battle (+ cavalry, horsemen)
The Temple of Minerva Medica, plate 23 from Liber Studiorum
Object type: print
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Kinderen in zee (Noordzeekust), Nederland of Duitsland
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Subjects: beach (as place of recreation), netherlands, germany

Kinderen in zee (Noordzeekust), Nederland of Duitsland, met op de achtergrond een dam waar mensen zitten.
The Third Princess (Nyosan no miya)
Object type: print
Date: 1792 – 1792
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Wall tile
Object type: wall tile
Date: 1601 – 1800
Materials: earthenware
Techniques: luster painting, glazing
Subjects: birds,coat of arms

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Terracotta rhyton (vase for libations or drinking)
Object type: rhyton in the form of a deer's head
Date: 350 – 300
Materials: terracotta
Culture: greek, south italian, apulian
Artist: patera-ganymede workshop
Artist role: artist
Subjects: eros,deer

The rhyton is in the shape of a deer's head. On the cuff is a seated Eros with a bowl of fruit.
Fan
Object type: fan
Date: 1700 – 1735
Materials: gilt, ivory, lacquer, paint
Subjects: men,women,cupid
De verwoeste City Hall in San Francisco na de aardbeving van 1906
Object type: photograph
Date: 1905 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: san francisco
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: san francisco, aardbeving san francisco 1906

De na de aardbeving van 1906 verwoeste City Hall in San Francisco. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Man wearing a close cap: bust (the artist's father?)
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: leiden
Inscriptions: monogram and date: ‘RHL 1630’, collector's mark: Lugt 2165
Three Muses seated below a flying putto who grasps a lyre with both hands, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau
Object type: print
Date: 1560 – 1569
Techniques: engraving
Artist: giorgio ghisi
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1582
Subjects: musical instruments,reading,muses
Turfstekers
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: peat (soil type), peat-cutting, open hearth, fire-place
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee turfstekers in een schuit. Op de kant eveneens een turfsteker. Rechts wordt de turf gebruikt als brandstof in de haard van een huis. Onderaan een verklarende tekst bij de letter T.
Teapot
Object type: teapot
Date: 1760 – 1760
Materials: enamel, stoneware
Techniques: salt glaze
Subjects: castles
Tankard
Object type: metalwork
Date: 1868 – 1874
Materials: silver
Location: new york
Artist: kidney & johnson
Jonge geitenhoedster zittend in het veld
Object type: print
Date: 1857 – 1935
Materials: paper
Techniques: drypoint, soft ground etching
Location: berlin
Artist: max liebermann
Artist role: draughtsman, print maker
Artist dates: 1847 – 1935
Subjects: adolescent, young woman, maiden, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., goat
Inscriptions: inscription: ‘12833’, inscription: ‘Ziegenhirtin’, collector's mark: Lugt 2228, signature:, inscription: ‘#13764’
Maart
Object type: ornament print
Date: 1705 – 1766
Materials: paper
Techniques: etching
Location: augsburg
Subjects: woodcutting, woodcutter ~ forestry, march and its 'labours'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

In een rocaille cartouche een houthakker in het bos. Rondom de voorstelling rocaille ornamenten, een ram en het bijbehorende teken van de dierenriem. Uitgeversnummer 74.
Mogol laat zich van zijn paleis naar de tuin dragen
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: (carrying a person in a) sedan-chair, asiatic races and peoples: indians
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Sprengel, Matthias Christian. Historisch-genealogischer Calender, oder, Jahrbuch der merkwürdigsten neuen Welt-Begebenheiten für 1786. Leipzig: Zur Messe bey Haude und Spener von Berlin, s.a.