deem-data/ArtiFact huggingface dataset:
Aldus vertoont zigh het Land omtrent Oran
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching, hand coloring, lacquer
Location: northern netherlands
Artist: Anonymous
Subjects: maps of cities

Kaart van de Algerijnse kust met de plaats Oran, onderaan een gezicht op de stad. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Bronzen beeld van een Japanse godheid (Sennin) op een leeuw
Object type: print
Materials: paper
Techniques: etching
Artist: henri charles guérard
Artist role: print maker
Artist dates: 1846 – 1897
Subjects: non-christian religions (including institutions, customs and antiquities), beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Gonse, Louis. Art Japonais. Parijs: A. Quantin, 1883, dl. 1, p. 16.
Het bronzen beeld bevond zich in de collectie van Henri Cernuschi.
Half Ground Plan, Half elevation for a Catafalque for a Duchess de Berri
Object type: drawing
Date: 1696 – 1756
Materials: ink
Techniques: pen, wash
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: architecture
Forêt de Compiègne
Object type: painting
Date: 1885 – 1885
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: berthe morisot
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1895
Subjects: landscapes, trees, green (color), france, forests, foliage, nature, leaves, leaf
Inscriptions: Stamped lower right: Berthe Morisot
Portret van Louise, prinses der Nederlanden
Object type: print
Date: 1850 – 1868
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: carl mayer
Artist role: print maker
Artist dates: 1798 – 1868
Subjects: the hague

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Portrait of Sultan Mustafa I (r. 1617–18; 1622–23)
Object type: illustrated album leaf
Date: 1667 – 1733
Materials: paper, watercolor
Location: turkey
Subjects: men,portraits

There are no known pictures of Mustafa painted during his lifetime and this small image appears as part of a later tradition of depicting the Ottoman sultans in series. Contemporary written descriptions of the sultan state that he had "a small but attractive face with a pale complexion and sorrowful expression, a sparse beard and large black eyes."
HEU NIMIUM VAECIS ERRANT CONNUBIA FATIS
Object type: cognizance
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: frankfurt am main
Artist: johann theodor de bry
Artist role: print maker
Artist dates: 1561 – 1623
Subjects: existence and modes of existence (+ emblematical representation of concept), blindfolded choice (of partner)
Inscriptions: collector's mark: Lugt 240, inscription: ‘Ich habe einen / Ich habe auch eine’, inscription: ‘HEU NIMIUM VAECIS ERRANT CONNUBIA FATIS’, number: ‘22’

In een grote mand zitten mannen en vrouwen als mogelijke huwelijkskandidaten. Naast de mand staan een man en een vrouw met een zak over hun hoofd: zo kunnen ze de gebreken van de huwelijkskandidaten niet zien. Ze kiezen ze blindelings. De vrouw links trekt een weduwnaar uit de mand die in zijn armen twee kinderen houdt. De man rechts heeft een vrouw te pakken. Embleem nr. 22 in Emblemata Saecularia, 1596 en nr. 43 in de tweede uitgave van 1611.
Fotoreproductie van een schilderij, voorstellende een portret van Gustaf Werner Holmberg
Object type: page
Date: 1873 – 1883
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: portrait, self-portrait of painter
Arthur Moos met sabel in het uniform van het Duitse leger, met het IJzeren Kruis op de borst, gezeten op een stoelleuning, december 1914
Object type: photograph
Date: 1912 – 1914
Materials: photographic support
Techniques: gelatin silver print
Location: stuttgart
Artist: hermann brandseph
Artist role: fotograaf
Artist dates: 1826 – 1915
Subjects: arthur moos
Inscriptions: company name: ‘Brandseph Stuttgart’

Arthur Moos met sabel in het uniform van het Duitse leger, met het IJzeren Kruis op de borst, gezeten op een stoelleuning.
Piece
Object type: piece
Date: 1601 – 1700
Materials: hemp, silk
Subjects: birds,flowers
Baryton
Object type: baryton
Date: 1779 – 1779
Materials: wood
Culture: czech
Location: czech republic
Artist: johann joseph stadlmann
Artist role: maker
Artist nationality: czech

The baryton is a bowed instrument similar to a bass viola da gamba with the addition of sympathetic strings. This is an unusual form of the instrument that has been attributed to the Viennese maker Johann Joseph Stadlmann. Joseph Haydn wrote 175 pieces for Prince Nikolaus Esterházy to play on his baryton. Most were for an ensemble that included viola, cello, and baryton. Description: Table of spruce in two pieces with two added wings, two divided C holes, no purfling but with channeling bouts, the upper end with a small ornamental scroll, the bar holding ten tuning pegs and ten string rests for the twenty sympathetic strings; a bridge, horizontally dividing the C holes, supports seven bowed strings; table indented at the lower bout for tailpiece pin; bass bar original, but heavily reinforced; string holder held in bar by friction and string tension; back of birch in two pieces, with deep channeling on the edge; ribs of plain birch; neck of maple in one piece extending to the pegbox and top, with a spruce "table" over the pegbox bearing small rosette of parchment in a four-point star; modern ebony fingerboard and tailpiece; pegs and tuning pins original; sympathetic strings, ten of copper and ten of steel wire, extend behind the fingerboard, the steel ones higher (for plucking?) and the copper lower, and pass through an engraved metal plate of simple pattern, and are fastened by nails; dark reddish-brown varnish with tortoise shell mottle on ribs and back.
Sword Guard (<i>Tsuba</i>) With Pine Motif (松図鐔)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold alloy, iron
Culture: japanese
Location: japan
Subjects: trees
Mlle. Beaumaine, Paris, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Tree Branches
Object type: drawing
Date: 1860 – 1900
Materials: graphite, watercolor
Artist: charles reginald aston
Artist role: artist
Artist nationality: british
Artist dates: 1832 – 1908
Subjects: trees

A native of Birmingham, Aston trained as an architect before turning to landscape painting. He traveled through Britain and to Italy seeking material, exhibited at the Royal Academy between 1862 and 1878, and joined the Institute of Painters in Water-Colours in 1882. The closely observed bark, moss, and foliage in this study communicate a reverence for nature, admiration for the teachings of John Ruskin, and an awareness of earlier Pre-Raphaelite nature studies. The lobed leaves growing in clusters that spring from artfully twisted branches belong to an ancient English oak.
Portret van Dootje met een baret
Object type: photograph
Date: 1934 – 1935
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, head-gear: beret
View of the Sultanpur area of Kullu, Himachal Pradesh, India
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: kullu valley
Subjects: dale, valley, city-view in general; 'veduta'
Inscriptions: caption: ‘SULTÁNPUR FROM THE MAIDÁN’
Man spettert water op de broek van een heer
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: paris
Artist: frédéric bouchot
Artist role: draughtsman, print maker
Artist dates: 1798 – 
Subjects: contrast between important and unimportant people; the inferior before the superior, the weak before the mighty, utilitarian, public pump or water fountain, paris
Inscriptions: collector's mark: Lugt 2228a

Een deftig geklede man scheldt op een arbeider, die een pomp opent en het water op de kuit van de heer laat spetteren.
Interieur van de Salon des Variétés
Object type: drawing
Date: 1863 – 1899
Materials: ink, paper, pencil
Techniques: brush
Location: amsterdam
Artist: Anonymous
Subjects: theatre, theatrical performance
Inscriptions: inscription: ‘De Salon des Variétés In de Nes. / van den Heer Duport. / Geopend 2 Sep (?) 1839. / Afgebroken omstr 1863.’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 11.
Interieur van de kathedraal van Burgos
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: paper, pencil
Location: burgos
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: interior of church
Inscriptions: annotation: ‘Burgos’

Pagina 48 uit een schetsboek met 30 bladen.
Portret van een onbekende vrouw met een boek aan tafel
Object type: photograph
Date: 1858 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: zierikzee
Artist: c. j. korsten
Artist role: painter
Artist dates: 1829 – 1914
Subjects: adult woman, anonymous historical person portrayed
Philippe Claude Tubières, Comte de Caylus
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: mezzotint
Location: france
Artist: jean baptiste andré gautier d'agoty
Artist nationality: french
Artist dates: 1740 – 1786
Saint Peter Martyr
Object type: print
Date: 1450 – 1460
Materials: metal, paper
Techniques: cutting, printing
Location: germany
Artist: Anonymous
Artist nationality: german
Artist dates: 1400 – 1499
Tekenaar over zijn werk gebogen
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching, intaglio
Artist: florimond buyck
Artist role: print maker
Subjects: draughtsman at work, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, annotation: ‘1er état’

Sterfdatum prentmaker onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
Horloge van goud met translucide email
Object type: jewellery
Date: 1795 – 1795
Materials: diamond, gold
Techniques: enameling
Location: paris

Gouden horloge met blauw translucide email, waarop een rozet met diamantjes.
Zeekust met een kasteel
Object type: drawing
Date: 1600 – 1699
Materials: ink, paper
Techniques: brush, pen
Artist: p. kuylaert
Artist role: draughtsman
Subjects: castle, beach
Gang
Object type: sketchbook leaf
Date: 1834 – 1906
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: corridor

Blad 25 recto uit een schetsboek met 46 bladen.
Marble lid of a spool pyxis
Object type: pyxis with lid
Date: 2700 – 2200
Materials: marble
Culture: cycladic

Cylindrical lid from a marble pyxis showing the usual four holes evenly spaced around the projecting ledge. The lid has a domed surface at top.
Studieblad, onder andere met een tekentafel, stoel en ramen
Object type: sketchbook leaf
Date: 1822 – 1880
Materials: paper, pencil
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: chimney, window, table

Tevens een studie van een haard met een schouw en borden. Blad 4 verso uit een schetsboek met 45 bladen.
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment, eye cup
Date: 525 – 515
Materials: terracotta
Culture: greek, attic

Exterior, part of eyebrow and eye with a black pupil and an oculus consisting of black bands
Line van den Berg tussen twee zonen
Object type: photograph
Date: 1923 – 1924
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: the hague, caroline louise van den berg-van den berg
Inscriptions: stamp: ‘-1. Dec. 1924’, inscription: ‘DEC 1924’, inscription: ‘April 1923’, name: ‘FOTO / BAYER’, inscription: ‘... Photo-Couleur, Leidschestraat 87, Amsterdam.’
Two Well-dressed Couples
Object type: drawing
Date: 1618 – 1618
Materials: chalk, ink, paper, watercolor
Techniques: brush, drawing, pen
Artist: adriaen pietersz van de venne
Artist role: draughtsman, painter, print maker
Artist dates: 1589 – 1662
Subjects: black velvet or satin mask, 'loup', 'cachenez' (+ women's clothes), baring the head, lifting one's hat, coat (+ men's clothes), head-gear: hat (+ men's clothes), head-gear: cap (+ women's clothes), neck-gear ~ clothing (with name) (+ women's clothes), skirt (+ women's clothes), dress, gown (+ women's clothes), shoes, sandals (+ men's clothes), neck-gear: collar (+ men's clothes), meeting, trousers, breeches, etc. (breeches) (+ men's clothes), stockings, socks (+ men's clothes)

Twee modieus geklede paren, elkaar groetend.
Baldakijn in de Sint-Pietersbasiliek te Rome
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: sint-pietersbasiliek
Artist: Anonymous
Subjects: canopy, baldachin
Inscriptions: number: ‘4281 A.’, collector's mark: ‘VOSMAER’
Captured Ordnance
Object type: lilla
Date: 1667 – 1667
Materials: bronze
Location: indonesian archipelago
Artist: Anonymous

After Java was brought entirely under Dutch rule during the Java War (1825–1830), the Dutch sought to gain control of the other Indonesian islands as well. Various military expeditions were mounted to force the rulers of these islands to recognize Dutch authority. These cannons were seized during those battles. One is an old Dutch East India Company cannon of 1667.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of a shield, seen from the inside
Square Bottle
Object type: bottle, square
Date: 1750 – 1750
Materials: enamel, glaze, porcelain
Techniques: polychrome
Culture: japanese
Subjects: flowers
Achttien kaarsenhouders
Object type: bobeche
Date: 1650 – 1750
Materials: brass
Techniques: casting
Location: netherlands
Artist: Anonymous

De geprofileerde cylindrische kaarsenhouder is in de wand voorzien van een rond gaatje. De ronde vetvanger heeft een platte, onversierde bodem.
Van de achttien stellen, welke werden gekocht, zijn twaalf kaarsenhouders en tien vetvangers aanwezig. Negen kaarsenhouders hebben eenzelfde vorm, drie wijken iets af.
Landscape with a rock wall, perhaps in Westmorland
Object type: drawing
Date: 1800 – 1849
Materials: paper
Techniques: brush, wash
Artist: peter de wint
Artist role: artist
Artist nationality: british
Artist dates: 1784 – 1849
Subjects: landscapes
Gym suit
Object type: gym suit
Date: 1890 – 1899
Materials: wool
Culture: american
Lucia Wilhelmina Piek-Jolles in een rijtuig, rijdend door een landschap nabij Groot Warnsborn bij Arnhem
Object type: photograph
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: arnhem
Artist: johanna margaretha piek
Artist role: fotograaf
Artist dates: 1870 – 1947
Subjects: amsterdam, adult woman
Onbekende man in een rijtuig met paard voor een landhuis
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: two-wheeled, animal-drawn vehicle, rural housing, e.g. country-house, villa, cottage, horse
B.U.É.K. Révész György
Object type: new year card
Date: 1932 – 1932
Materials: paper
Techniques: etching
Location: budapest
Artist: kornél révész
Artist role: print maker
Artist dates: 1885 – 1944
Subjects: wave, rowing facing forward, pushing, rowing-boat, canoe, etc.
Inscriptions: signature: ‘Révész’, workshop stamp: ‘Fecit/ Révész Kornél/ Budapest’, date: ‘1932’, inscription: ‘Révész = Fährmann’

Ex libris maakt deel uit van omslag met 64 ex libris op 34 losse opzetvellen, een catalogus en een tekstblad.
Herdruk van de satire op de aansporing tot deelneming in de (zogenaamde) vrijwillige 3% geldlening van 1844 (blad 9)
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: amsterdam, the hague, floris adriaan van hall, organization of trade and finance, taxes and financial administration

Bladzijde 9 met artikels 38-41 van het 'Vermeerderd, Verbeterd en de Volmaaktheid Overtreffend Nieuw Ontwerp van Wet van Behoud, Liefde en Redding'. Een enigszins aaangepaste herdruk van satire in zestien bladzijden op de aansporing tot deelneming in de (zogenaamde) vrijwillige 3% geldlening uitgeschreven in maart 1844 door minister F.A. van Hall. Voorzijde van een dubbelgevouwen blad bedrukt op alle zijden.
Ornamenten
Object type: album leaf
Date: 1644 – 1718
Materials: paper
Techniques: etching
Location: italy
Subjects: ornaments ~ art, capital (~ column, pillar), flowers ~ ornament

Twee kapitelen, een bloemornament en een ornamentkop. De prent maakt deel uit van een album.
Miniature Vase
Object type: vase
Date: 1736 – 1795
Materials: enamel, porcelain
Techniques: polychrome
Culture: chinese
Subjects: flowers,plants,leaves
Waterval, Glen Dhoon, Isle of Man
Object type: album leaf
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: great britain
Inscriptions: caption: ‘Dhoon Glen.’

Foto zit samen met RP-F-00-6312-1(V) en RP-F-00-6312-2(V) op één albumblad geplakt.
Shoe buckles
Object type: shoe buckle
Date: 1701 – 1800
Materials: metal
Culture: british
Dress
Object type: dress
Date: 1780 – 1780
Culture: german
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 5 mei 1900
Object type: invitation
Date: 1900 – 1905
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: criticizing and discussing art, art criticism, park, circle, club of artists, collecting and exhibiting products of the fine arts, public gardens, park
Inscriptions: collector's mark: Lugt 2228

Overgroeide trap en boog, in een park of tuin. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 5 mei 1900 in het Gebouw voor Kunsten en Wetenschappen te Utrecht van een portefeuille met werken.
Knife (<i>Moplah</i>)
Object type: knife i moplah i
Date: 1701 – 1900
Materials: brass, paste, steel, wood
Culture: indian, kodagu
Location: india
Phaeton (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Design for Dog Cart, no. 3995
Object type: drawing
Date: 1887 – 1887
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bourse ou Loge des Changes a Lyon
Object type: print
Date: 1745 – 1775
Materials: cardboard, paint, paper, watercolor
Techniques: brush, cutting, etching, perforating
Location: france
Subjects: stock exchange, stock-market, square, place, circus, etc. (+ city(-scape) with figures, staffage), stock exchange of lyon

In de prent is een aantal delen weggesneden waar vervolgens met penseel is getekend.
Portret van William Hookman Carpenter
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: etching
Artist: william carpenter
Artist role: print maker
Artist dates: 1818 – 1899
Subjects: london, museum personnel, historical persons
Inscriptions: annotation, collector's mark: Lugt 12
John Bull en de hoogverraders
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: historical persons, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 28 mei 1899.