deem-data/ArtiFact huggingface dataset:
Icon Synoptica Sac. Rom. Imp. Electorum, Ducum, Principum
Object type: print
Date: 1727 – 1782
Materials: paper
Techniques: etching, hand coloring
Subjects: chronology, history, prince, government, the state; 'politica', 'auttorità o potestà' (ripa)
Inscriptions: collector's mark: Lugt 2228

De tekst duidt de adellijke samenstelling van het Heilig Roomse Rijk aan, naast de figuur twee legenda's.
Een Fries en een Gronings meisje
Object type: costume print
Date: 1823 – 1823
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Subjects: folk costume, regional costume, clothes, costume

Gebruikt als illustratie in: Evert Maaskamp, Afbeeldingen van de kleedingen, zeden en gewoonten in de noordelijke provincien van het Koningrijk der Nederlanden, met den aanvang der negentiende eeuw = Tableaux des habillemens, mœurs et coutumes dans les provinces septentrionales du Royaume des Pays-Bas, au commencement du dix-neuvième siècle. Amsterdam: Evert Maaskamp, 1829 [heruitgave van de oorspronkelijke platen eerst verschenen in 1803-1807].
Reliëf in de San Pietro te Perugia
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: perugia
Artist: c. polozzi
Artist role: fotograaf
Subjects: door
Inscriptions: number: ‘N. 17.’
Plate
Object type: plate
Date: 1796 – 1801
Materials: hard paste porcelain
Artist: imperial porcelain manufactory, st. petersburg
Artist role: manufactory
Artist nationality: russian
Artist dates: 1744 – 9999
Subjects: flowers
Ostrakon with a Letter to Bishop Pesenthius
Object type: ostrakon
Date: 600 – 600
Materials: ink, pottery
Culture: coptic
Location: egypt
Attendant bodhisattva
Object type: figure
Date: 501 – 533
Materials: limestone
Culture: chinese
Subjects: human figures
Koningsbrug in Rotterdam
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: lithograph
Location: rotterdam
Artist: matthijs willem gerardus michielsen
Artist role: print maker
Artist dates: 1824 – 1876
Subjects: sailing-ship, sailing-boat, bridge in city across river, canal, etc., beam, log of wood, rotterdam
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd.’

Over de ijzeren draaibrug lopen en rijden mensen en rijtuigen. Rechts varen twee figuren op boomstammen onder de brug door. Links en rechts steken de masten van zeilschepen boven de boomtoppen uit. Genummerd rechtsboven: Pl. 44.
Ralph Griffiths
Object type: cameo medallion
Date: 1767 – 1800
Artist: josiah wedgwood
Artist role: artist
Artist nationality: british
Artist dates: 1730 – 1795
Subjects: men,profiles
Dagblad van 's Gravenhage. Maandag, den 3 December. No. 144. 1838
Object type: newspaper
Date: 1838 – 1838
Materials: paper
Techniques: letterpress printing
Location: the hague
Artist: p.e. van staden
Artist role: printer, publisher
Subjects: the hague, william i of the netherlands
Inscriptions: collector's mark: Lugt 2228

Exemplaar het 'Dagblad van 's Gravenhage' van 3 december 1838, met berichten over de viering van het vijfentwintigjarige regeringsjubileum van koning Willem I in november 1838. Dubbelgevouwen blad bedrukt op alle zijden.
Adam en Eva in het paradijs
Object type: print
Date: 1948 – 1948
Materials: paper
Techniques: linocut
Artist: emile othon friesz
Artist role: print maker
Artist dates: 1879 – 1949
Subjects: genesis from the creation to the expulsion from paradise, and later years of adam and eve
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Hoofd van man met baard, de ogen zien opzij naar boven
Object type: drawing
Date: 1705 – 1754
Materials: chalk, paper
Techniques: brush
Artist: jacob de wit
Artist role: draughtsman, painter, print maker
Artist dates: 1695 – 1754
Subjects: face

Deze tekening is vervaardigd naar een tekening door Hendrick Goltzius in Museum Boijmans Van Beuningen in Rotterdam, Portret van een man met baard (inv.nr. HG 12 (PK)).
Bouwfragment met vier vloertegels
Object type: architectural element
Date: 1560 – 1600
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Vier vloertegels (2 x 2) met een veelkleurige (blauw, oranje, oranjebruin, groen en paars) decoratie gevormd door de vier tegels bestaande uit een rozet omgeven door bladeren langs de vier hoofdassen binnen een vierkant met afgeschuinde hoeken.
Portret van G. Marshall, R. Schuman en E. Bevin bij onderhoud in Parijs
Object type: photograph
Date: 1948 – 1948
Materials: photographic support
Techniques: gelatin silver print
Artist: rene helier
Artist role: fotograaf
Subjects: politician, paris
Inscriptions: stamp: ‘Copyright INP International News Photos Paris...’, stamp: ‘Copyright Photo press Belgium S.A. ...’
In the Corridors of the Court House
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jean louis forain
Artist nationality: french
Artist dates: 1852 – 1931
Seated Female Nude
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Techniques: stumping
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ sitting)

Met opgeheven rechterarm. Blad 5 verso uit schetsboek IX met 28 bladen.
Portret van Lodewijk I van Orléans
Object type: book illustration
Date: 1617 – 1617
Materials: paper
Techniques: engraving, letterpress printing
Location: delft
Subjects: paris, earl, ornament ~ medallion, historical persons
Inscriptions: inscription: ‘n. 1371/ verslagen 1407’

Prent uit: Tooneel der beroemder hertogen princen graven ende krygs-helden van christenrijck binnen deze drij laetste eeuwen. Delft: Nicolaes de Clerck, 1617, p. 519. De prent is mogelijk ook gebruikt in edities van Van Meterens 'Nederlandsche historien'.
Studies of a Man's Head and of His Hands
Object type: drawing
Date: 1592 – 1599
Materials: chalk, paper
Techniques: highlighting
Artist: federico barocci
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1612
Subjects: hands,heads,men

These large studies of heads and hands, broadly modeled in colored chalks, were preparatory for the figure of an apostle seated at the table near Christ in Barocci’s monumental canvas The Last Supper. The painting was an important commission by Guidobaldo II Della Rovere, Duke of Urbino and Pesaro, and was executed by Barocci between 1592 and 1599 for the Chapel of the Holy Sacrament in the Urbino Cathedral, where it still hangs. Here, the use of black, white, and peach chalks on blue paper and the sculptural quality of the forms are typical of the artist, who was among the most prolific draftsmen of all time. The Last Supper was one of Barocci’s last paintings, for which he produced more than fifty drawings, a fact that attests to the meticulous care of his creative process.
Relief
Object type: relief
Date: 1467 – 1533
Materials: marble
Subjects: profiles,women
Stoel van notenhout, bekleed met rood fluweel
Object type: chair
Date: 1676 – 1676
Materials: linen, silk, wood
Artist: Anonymous

Stoel van notenhout met getorste poten en dwarssporten, met elkaar verbonden in huizen, lage rugleuning, vervaardigd uit een stuk notenhout. De zitting en rug bekleed met bordeaurode zijdefluweel, afgezet met smal, zijden passement met lussen en breder passement met losse franje. Zitting gevuld op linnen onderlaag. Achterstijl tussen zitting en rug eveneens bekleed met fluweel.
Drawstring bag
Object type: drawstring bag
Date: 1810 – 1820
Materials: cotton, glass
Culture: french
Untitled (Portrait of Seated Infant)
Object type: photograph
Date: 1850 – 1899
Techniques: albumen print
Artist: s. a. thomas
Artist nationality: america
Artist dates: 1800 – 1899
Studieblad met figuren
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: anatomy (non-medical)
Inscriptions: kleurnotitie, handgeschreven

Pagina 4 uit een schetsboek met 56 bladen.
Zittende boer
Object type: sketchbook leaf
Date: 1876 – 1879
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: sitting figure, farmers

Blad 25 verso uit een schetsboek met 33 bladen.
Et dire qu'on nous interdit d'entrer..., from Les Boursicotières, published in Le Charivari, October 2, 1856
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: women
Saint Andrew kneeling and adoring the cross
Object type: print
Date: 1768 – 1768
Techniques: engraving, etching
Artist: carlo faucci
Artist role: artist
Artist nationality: italian
Artist dates: 1729 – 1784
Portret van een meisje met een zwarte kat
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: f. taylor
Artist role: fotograaf
Subjects: cat, historical persons, girl (child between toddler and youth)
Inscriptions: name: ‘F. Taylor’
Gezicht op de Keizersgracht in Amsterdam
Object type: photograph
Date: 1855 – 1855
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: keizersgracht, onze-lieve-vrouwekerk

tussen de Raadhuisstraat en de Reestraat, met rechts de Onze Lieve Vrouwekerk
Folge 6: Niederländische Ereignisse der Jahre 1571-1576
Object type: album leaf
Date: 1573 – 1583
Materials: paper
Techniques: etching
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: capture of city (after the siege), geertruidenberg

Prent gebruikt in: Aitsinger, Michael. De Leone Belgico ejusque topographica atque historica descriptione liber (...). S.l.s.n., 1583.
Tile with Niche Design
Object type: tile
Date: 1101 – 1200
Materials: stonepaste
Techniques: carving, glazing, molding
Location: iran
The Grocer’s Shop
Object type: painting
Date: 1715 – 1715
Materials: oil, panel
Artist: frans van mieris (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1689 – 1763
Subjects: shop, store, persons engaged in trade and commerce - bb - women engaged in trade and commerce, human figure at (open) window, seen from outside, marketing, shopping (~ household management)
Inscriptions: signature and date: ‘F. V. Mieris. Fec. Aº 1715.’

The painter of this scene, Frans II, was the youngest member of the artistic Van Mieris family. He followed firmly in the footsteps of his grandfather Frans I and his father, Willem. Hence, this painting can serve as a pendant to The Poultry Seller painted by his father (on view elsewhere on this wall). The egg basket at the upper right appears to have descended through the generations.
Esemplario di lavori, page 15 (recto)
Object type: book print ornament architecture
Techniques: bookbinding, inlay, woodcut
Location: italy
Artist: nicolò zoppino
Artist role: publisher
Artist nationality: italian
Artist dates: 1478 – 1544
Subjects: ornament

Published by Nicolo Zoppino, Italian, active 16th century, Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers: top illustrated with snowflake pattern, and bottom illustrated with 8-petaled flower from which stem curving vines and leaves.
The Dream after the Ball
Object type: painting
Date: 1860 – 1884
Materials: canvas, oil
Artist: hans makart
Artist role: artist
Artist nationality: austrian
Artist dates: 1840 – 1884
Subjects: girls,women
Landschap met brug
Object type: photograph
Date: 1859 – 1864
Materials: paper
Techniques: albumen print
Location: great britain
Artist: Anonymous
Subjects: river, bridge, great britain
Vase (vase gothique Fragonard) (one of a pair)
Object type: vase
Materials: enamel, gilt bronze, gold, hard paste porcelain
Techniques: polychrome
Artist: alexandre evariste fragonard
Artist role: designer
Artist nationality: french
Artist dates: 1780 – 1850
Subjects: men,putti
The Last Supper, from The Small Passion (copy)
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: apostles,jesus,last supper
Portret van een onbekende vrouw
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, glass, leather, metal, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, anonymous historical person portrayed
Two Grotesque Heads
Object type: print
Date: 1640 – 1649
Techniques: etching
Artist: anonymous, netherlandish, 17th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1600 – 1700
Subjects: heads,men,profiles,women

Seemingly in an animated conversation, these figures alternately fascinate and repel us, while also begging us for empathy. The decrepit man wears a monk’s habit, and the ugly woman’s old-fashioned, eccentric costume seductively bares her bosom. This print, formerly attributed to Wenceslaus Hollar, was executed in a much larger scale than the original drawings of grotesque figures by Leonardo. In contrast, when making his copies, Hollar usually respected the scale of motifs in Leonardo’s drawings.
Tea Caddy
Object type: metalwork
Date: 1896 – 1896
Materials: silver
Location: baltimore
Artist: jacobi and jenkins
Subjects: dining, drinking
Inscriptions: Inscribed at bottom "FP" (script).

Mark (on neck) "JACOBI & JENKINS STERLING" (Wm. F. Jacobi and Talbot Jenkins).
Glass astragal (knucklebone)
Object type: astragal
Date: 300 – 101
Materials: glass
Culture: greek

Translucent cobalt blue. Shaped like the knucklebone of a sheep or goat. Solid with continuous mold seam along sides and ends. Intact, but slight chipping at one end; pinprick and larger bubbles; dulling and patches of faint weathering. In antiquity, one of the most popular games of chance was played with astragaloi, knucklebones of sheep and goats. They could be used like dice or like jacks, thrown in the air and caught on the back of the hand. Knucklebones have been found in tombs where they must have been intended to help the deceased while away endless time.
Relief of female attendant with sunshade - see 26.3.353-3
Object type: relief, female attendant with sunshade, neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt
Subjects: women
Engeland en de Congo
Object type: cartoon
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: leopold ii (koning der belgen), imperialism, personifications of countries, nations, states, districts, etc., political caricatures and satires

John Bull (Engeland) preekt vanachter een balie, waarop een Bijbel, rum, wapens en kogels staan, aan de Belgische koning Leopold II dat je het beste kunt koloniseren met moraliteit. Op de achtergrond een kaart van Afrika met Kongo.
Gnarled Trees near the Water
Object type: drawing
Date: 1605 – 1610
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: roelant savery
Artist role: draughtsman, painter, print maker
Artist dates: 1576 – 1639
Subjects: dog

In this drawing Savery renders oddities of nature in an almost hair-raising manner. His gnarled trees resemble demonic creatures possessed by a will of their own. The drawing is squared in black chalk so that it can be transferred to a larger format. Perhaps it was intended as a preliminary study for a drawing or painting of larger dimensions
Gezicht op een weidelandschap te Cumnor
Object type: page
Date: 1907 – 1912
Materials: paper
Techniques: autotype
Location: cumnor
Artist: henry w. taunt
Artist role: fotograaf
Artist dates: 1842 – 1922
Subjects: meadow, pasture
Inscriptions: inscription: ‘'This rude Cumnor ground, its fir-topped Hurst.'’
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of the right calf and foot of a draped figure to left
Coin Portraying Emperor Constans or Emperor Constantius II
Object type: coin
Date: 324 – 361
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Subjects: portrait
Inscriptions: Obverse: FL IVL Constan...

The front (obverse) of this coin portrays the bust of an emperor, probably Constans or Constantius II. The back (reverse) depicts a military standard between two soldiers.
Bull Fight, from the Games and Sports series (N165) for Old Judge Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,women,bulls,horses

The "Games and Sports" series of trading cards (N165) was issued by Goodwin & Company in 1889 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
Comines
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk gebruikt voor: Iconographie française ou recueil des portraits des personnages les plus illustres qui ont paru en France depuis François premier jusqu'à la fin du règne de Louis XVI (…). Parijs: veuve Delpech, 1828. En/of voor: Iconographie française ou choix de deux cents portraits d'hommes et de femmes qui se sont acquis en France, depuis le règne de Charles VII jusqu'à la fin de celui de Louis XVI (…). Parijs: veuve Delpech, 1840.

Mogelijk komt de prent ook voor in eerdere en/of latere publicaties uitgegeven door veuve Delpech of haar opvolger Rosselin.
D. Velasquez: Männliches Bildniss
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: albumen print
Location: berlin
Subjects: historical persons
Two illustrations to Menasseh Ben Israel's 'Piedra Gloriosa'
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: daniel's visions (daniel may be shown having his visions explained, e.g. by the archangel gabriel), king nebuchadnezzar dreams of a great statue
Inscriptions: signature and date: ‘Rembrandt f 1655’, inscription: ‘1st state rariss. 6.6.0 - Tiffin’, mark: Lugt 2228
Belegeringh der stadt Graef
Object type: history print
Date: 1684 – 1684
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: coenraet decker
Artist role: print maker
Artist dates: 1650 – 1685
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), siege, position war, capture of city (after the siege), maps of cities, surrender ~ war, grave
Inscriptions: date

Het beleg en de verovering van Grave door Willem III, 25 juli tot 29 oktober 1674. Gezicht op de belegering van de stad aan de Maas. Op de voorgrond overhandigt een afgevaardigde van de stad het verzoek om overgave aan Willem III. Linksboven een legenda A-N en 1-7, rechtsboven een legenda 8-23.
Passie van Christus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: christ collapsing ~ carrying of the cross
Inscriptions: number: ‘140’

Christus valt tijdens het dragen van zijn kruis naar Golgota. Simon van Cyrene helpt hem met het dragen van het kruis. Een Romeinse soldaat spoort hem aan om op te staan. Een vrouw en haar kleine kind kijken bedroefd toe. Onder de voorstelling een vierregelig vers in het Latijn. Deze prent maakt deel uit van een album.
Small tureen
Object type: tureen
Date: 1760 – 1760
Materials: porcelain
Techniques: painted
Location: weesp

Weesper porseleinfabriek
Weesp, c. 1760
hard-paste porcelain
Horse bit cheekpiece in form of a horse
Object type: horse bit cheekpiece
Date: 800 – 601
Materials: bronze
Culture: iranian
Location: iran, probably from luristan
Subjects: horses
Discours de la Religion des Anciens Romains... Discours sur la Castramentation et Discipline Militaire des Anciens Romains...
Object type: book
Date: 1581 – 1581
Techniques: woodcut
Location: france
Artist: guglielmo du choul
Artist role: author
Artist nationality: french
Artist dates: 16 – 16
Subjects: eagles,men,horses
panel
Object type: textile panel
Materials: silk
Culture: french or italian
Brush Holder (Fude-zutsu)
Object type: brush holder
Materials: iron, gold, metal alloy, silver
Techniques: inlay, relief
Culture: japanese
Subjects: spiders

On the patinated cast-iron surface of this vessel, various metal alloys are inlaid in relief to create effects of light and color. Moonlight seems to glisten on the web executed in shibuichi (an alloy of roughly three parts copper and one part silver) that fans out over the cylindrical form. A spider, in patinated shibuichi, scurries toward the outer edge of the web, where a dragonfly of inlaid copper alloy and silver with gilt copper eyes is caught on the other side. In response to sociocultural changes in the 1870s, Japanese craftspeople began to produce fine ornamental wares like this one with a focus on the Western market.
Still Life of Grapes and Peaches
Object type: painting
Date: 1617 – 1617
Materials: oil, wood
Artist: panfilo nuvolone
Artist role: artist
Artist nationality: italian
Artist dates: 1578 – 1651
Subjects: fruit,grapes,peaches,still life

The simplicity of this fastidiously executed still life is deceptive. It includes the artist’s reflection in the base of the stemmed dish and alludes to the passage of time through the spotting on the fruit and the bees pursuing the sweet smell of decay.
Karikatuur van een zitting van het tribunaal
Object type: cartoon
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: paris
Subjects: caricatures (human types), political tribunal, court session (court of justice), political caricatures and satires

De rechter geeft de beschuldigde politicus de gelegenheid om zich te verdedigen, maar drie juristen snoeren hem letterlijk de mond.
Sketches of Grazing Bull, Cow's Head (recto); Seated Cow in Profile (verso)
Object type: drawing and watercolor
Materials: charcoal, paper
Location: united kingdom
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Portret van Isabella Clara Eugenia, infante van Spanje
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: infante van spanje isabella clara eugenia, neck-gear ~ clothing (with name) (+ women's clothes), fan
Inscriptions: collector's mark: Lugt 240

Portret van Isabella Clara Eugenia, infante van Spanje en landvoogdes van de Nederlanden, zittende in een stoel. Zij draagt een kanten kraag en houdt een waaier in haar handen.
Landscape after Zhang Sengyu
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: tang dai
Artist role: artist
Artist nationality: chinese
Artist dates: 1736 – 1795
Ex libris van Imréné Biró
Object type: bookplate
Date: 1932 – 1932
Materials: paper
Techniques: printing block
Location: budapest
Subjects: fantastic plants, fabulous vegetation, book, standing figure - aa - female human figure
Inscriptions: date

Ex libris maakt deel uit van omslag met 64 ex libris op 34 losse opzetvellen, een catalogus en een tekstblad.
Drietallen gezichten rond Haarlem
Object type: book illustration
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: haarlem
Subjects: trees, open-air recreation, lane, alley, haarlem

Prent gebruikt in: Verzaameling van 66 aangenaame gezichten in de vermakelyke landsdouwen van Haarlem, nieuwlings naar 't leeven getekend door de beroemde konstenaars H. Spilman en C.V. Noorde : nevens eene afbeelding van het laatst angelegde Bosch in het Haarlemsche Hout. Haarlem: J. Bosch, 1763.
Portrait of Johan de Witt (1625-72), Grand pensionary of Holland
Object type: painting
Date: 1660 – 1700
Materials: canvas, oil
Subjects: the hague, politician, johan de witt, historical persons

Portret van Johan de Witt, raadpensionaris van Holland. Buste naar rechts.
Vase
Object type: vase
Date: 1701 – 1800
Materials: bronze
Culture: chinese