deem-data/ArtiFact huggingface dataset:
Landschapstuinen in Chinees-Engelse stijl
Object type: album leaf
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: garden buildings, garden cascade
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De serie 'Jardins anglo-chinois à la mode' verscheen in totaal in 21 zogeheten 'cahiers' (afleveringen). De huidige prent komt uit het vierde 'cahier'. Het Rijksmuseum Amsterdam bezit drie banden met daarin in totaal zes 'cahiers' van deze reeks. In de documentatie wordt verwezen naar een in de bibliotheek van het Rijksmuseum Amsterdam aanwezige facsimile van het complete werk.
Hinged Cuff Bracelet
Object type: bracelet, cuff
Date: 1479 – 1425
Materials: gemstone, glass, gold
Location: egypt

Three pairs of hinged bracelets (26.8.125–.130) are associated with the tomb of three foreign wives of Thutmose III. They are all made of burnished gold inlaid with carnelian and glass that was originally turquoise and dark blue, but has faded. Each is inscribed on the inner surface with the cartouches and epithets of Thutmose III suggesting that they were a gift of the king.
Charles d'Albert d'Ailly, duc de Chaulnes
Object type: print
Date: 1676 – 1676
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits
Journal des Dames et des Modes 1824, Costume Parisien (2231)
Object type: fashion print
Date: 1824 – 1824
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: fashion plates, clothes, costume (+ women's clothes)
Inscriptions: date

Prent uit het tijdschrift Journal des Dames et des Modes, 1824.
Paarden en koppen
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types), horse
Portretmedaillon van Christian Andreas Cothenius
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching
Artist: jan willem paulus
Artist role: print maker
Subjects: berlin, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, head, neck, shoulders, and extended left arm of a wreathed maenad wearing a nebris over her chiton; right hand and forearm of a satyr?
The Uneven One with a Cane, from Varie Figure Gobbi
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Altaar in de Couvent des Dominicains te Nancy
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: paris
Subjects: cloisters ~ monastery, altar
Inscriptions: inscription: ‘Chapelle des dames Dominicaines (externat de Ste-Rose)/ Le maitre-autel, (oeuvre de Vallin (XIXe siècle)’

Deze prent maakt deel uit van een omslag met 103 prenten op 101 bladen en een titelblad.
Jefta offert zijn dochter
Object type: print
Date: 1616 – 1636
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: fulfilment of jephthah's vow to the lord: jephthah's daughter is sacrificed

Onder toeziend oog van een schare mensen offert Jefta zijn dochter, waarmee hij zijn belofte aan God inlost. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Ri. 11:39. Deze prent maakt deel uit van een album.
De ontbinding der Eerste Kamer
Object type: cartoon
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, abraham kuyper, violent death ~ beheading by guillotine, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 24 juli 1904.
Papkom
Object type: miniature
Date: 1600 – 1700
Materials: silver
Location: netherlands
Artist: Anonymous

Ronde papkom op een voet met platte horizontale oren. De kom is door insnoeringen zeslobbig. De twee oren zijn plat, horizontaal en opengewerkt. De voet is gelobd en loopt wijd uit naar beneden. De bodem aan de binnenkant is gedecoreerd met een zespuntige ster. De kom is gemerkt met een bijltje.
The Parody, or Mother Cole and Loader
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,mothers
Brief aan Philip Zilcken
Object type: letter
Materials: cardboard, ink
Techniques: pen, writing
Location: charleroi
Artist: jules destrée
Artist role: politician
Artist dates: 1863 – 1936
Subjects: the hague, painter, draughtsman, philip zilcken, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
General Robert E. Lee, from Leaders series (N222) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,profiles,horses,generals

Trade cards from the "Leaders" series (N222), a set of 25 cards issued in 1888 to promote Kinney Tobacco Company.
Portret van Pieter de Huybert
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: historical persons

Prent gebruikt in: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (...). 21 dln. Amsterdam: Isaak Tirion, 1749-1759, dl. 15. Prent ook gebruikt in latere edities van dit werk.
Vase (New World)
Object type: vase
Date: 1886 – 1889
Materials: porcelain
Techniques: enamel, gilding
Culture: american
Artist: joseph s. potter
Artist role: artist
Artist nationality: american
Artist dates: 1822 – 1904
Wetter (Hessen-Nassau). Fuhrstraβe
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1927
Materials: cardboard
Techniques: photograph, writing
Location: wetter
Subjects: church (exterior), street
Portret van Pietro della Valla
Object type: print
Date: 1669 – 1740
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: gilliam van der gouwen
Artist role: print maker
Artist dates:  – 1740
Subjects: rome
Inscriptions: collector's mark: Lugt 2228

Portret in een ovale lijst van de Italiaan Pietro della Valla, een bekende reiziger van de Oriënt.
Modelbuch aller Art Nehens vn Stickens (Page 9r)
Object type: book print ornament architecture
Date: 1535 – 1535
Techniques: woodcut
Location: germany
Artist: christian egenolff
Artist role: publisher
Artist nationality: german
Artist dates: 1502 – 1555
Subjects: ornament

Published by Christian Egenolff, German, 1502-1555, Frankfort am Mayn. Illustrated title page, 26 pages of designs including 4 pages of animals and fish at the end.
Marbled bowl
Object type: bowl
Date: 960 – 1127
Materials: stoneware
Techniques: firing, turning
Location: china
Artist: Anonymous

Kom van gemarmerd steengoed in bruin en crème. Cizhou[?].
Begroeide helling
Object type: letter
Date: 1773 – 1843
Materials: chalk, paper
Artist: georges michel
Artist role: draughtsman
Artist dates: 1763 – 1843
Subjects: low hill country

Een van 120 tekeningen, afkomstig uit een 19e eeuws album met tekeningen van Georges Michel.
Beaker
Object type: beaker
Date: 1601 – 1700
Materials: gilt, silver
Subjects: faces
Hand Cannon
Object type: hand cannon
Materials: brass, gold, iron, silver, wood
Culture: japanese
Location: japan
Artist: kazuki nobumichi
Artist role: gunsmith
Artist nationality: japanese
Artist dates: 1750 – 1850
Subjects: cannons,fish

The decoration on the barrel shows carp ascending a waterfall, symbolic of success in life.
Kast met rocaille ornamenten
Object type: ornament print
Date: 1705 – 1775
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: ornamental cupboard
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerp voor een kast met twee deuren onder en boven en drie lades in het midden. Gedecoreerd met rocaille ornamenten. Uitgeversnummer 42.
Koning David ziet de engel des doods
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: god punishes israel with three days of plague; the avenging angel with his sword drawn goes through the land; seventy thousand men are killed
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. I.
Sikakamp gezien van Dam naar Paramaribo
Object type: photograph
Date: 1905 – 1910
Materials: photographic support
Techniques: photography
Location: suriname
Artist: jacob evert wesenhagen
Artist role: amateurfotograaf, arts
Artist dates: 1862 – 1924
Subjects: jacob evert wesenhagen, railway, tramway; rack railway, suriname
Inscriptions: inscription: ‘Sikakamp gezien van Dam naar Paramaribo’

De nieuwe spoorbaan bij Sikakamp. Foto in het fotoalbum over de aanleg van de Lawaspoorweg in Suriname in de jaren 1903-1912. Onderdeel van een groep objecten afkomstig van de familie Wesenhagen in Suriname.
Christus, de twaalf apostelen en de heilige Paulus
Object type: print
Date: 1591 – 1592
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the apostle james the less, first bishop of jerusalem; possible attributes: book, fuller's club, scroll
Inscriptions: collector's mark: Lugt 2228

Deze prent is onderdeel van een serie van 14 prenten, elk bestaand uit een beeltenis ten voeten uit van een apostel, Christus of Paulus met typerende attributen en een onderschrift in Latijn.
Panel with the Scourging of Christ
Object type: panel
Date: 1500 – 1500
Materials: wood
Culture: french
Subjects: men,christ

Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels (50.147.1–38) are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.
Kneeling Monastic Saint with Raised Arms
Object type: drawing and watercolor
Date: 1500 – 1525
Materials: chalk, paper
Techniques: heightening
Location: italy
Artist: circle of giovanni antonio sogliani
Inscriptions: Inscribed verso, upper center on mount, in pen and bronw ink: "Andrea del Sarto"; upper center on mount, in graphite: "Sogliano"; lower center on mount, in pen and brown ink: "Andrea del Sarto"; lower center on mount, in graphite: "Sogliani"
Roof van Europa
Object type: print
Date: 1622 – 1648
Materials: paper
Techniques: printmaking, etching
Location: italy
Artist: simone cantarini
Artist role: draughtsman, print maker
Artist dates: 1612 – 1648
Subjects: jupiter, usually in the shape of a white bull, abducts europa and carries her across the water, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Jupiter, in de gedaante van een stier, voert Europa op zijn rug mee door de zee. In de lucht zweven putti. De dienstmaagden van Europa staan op de kust.
Two Studies of Gesina
Object type: drawing
Date: 1645 – 1660
Materials: chalk, ink, paper, pencil
Techniques: brush
Location: zwolle
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Inscriptions: annotation: ‘Ger.Jr.’
Copy of L'Homme Vu de Dos, Avec un Grand Épée (Man Viewed from Behind, With a Large Sword), from "Les Caprices" Series A, The Florence Set
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: men
Arrival of the Ambassadors at the Royal Palace in Rijswijk, 1697
Object type: history print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: the hague
Subjects: being welcomed ~ travelling, arrival and return ~ travelling
Inscriptions: collector's mark: Lugt 2228

Aankomst van de koetsen met de ambassadeurs bij het Huis ter Nieuburch te Rijswijk voor de vredesonderhandelingen, 20 mei 1697. In het onderschrift titels en legenda's 1-10 in het Frans en Nederlands. Onderdeel van de serie van vijftien prenten over het Huis ter Nieuburch in Rijswijk en de daar gehouden vredesonderhandelingen resulterend in de Vrede van Rijswijk gesloten op 20 september 1697.
Spoon
Object type: spoon
Date: 1705 – 1715
Materials: silver
Culture: american
Location: united states
Artist: samuel vernon
Artist role: maker
Artist nationality: american
Artist dates: 1683 – 1737
Joannes Bonifacius Rhodiginus I.C. Assessor, et Historicus.
Object type: book illustration
Date: 1630 – 1630
Materials: paper
Techniques: engraving, letterpress printing
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘S.T.’

Mogelijk prent uit: Prent uit: Tomasini, Jacopo Filippo. Jacobi Philippi Tomasini Patavini Illustrium Virorum Elogia Iconibus Exornata (...). Padua: Donato Pasquardi, 1630.
Florence. Beeldhouwwerken
Object type: wrapper
Date: 1900 – 1950
Materials: cardboard, ink
Techniques: pen
Artist: Anonymous
Omslagontwerp voor: Geïllustreerde prijscourant v.d. Burg & Thomas te Rotterdam
Object type: drawing
Date: 1884 – 1952
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: tools, implements of painter
Inscriptions: number: ‘46’, annotation: ‘motto verftube.’, collector's mark: ‘R:MVS.’

Twee verftubes met gezichten staan als wachters bij een poort. Ze dragen elk een waaierkwast waartussen een banier is gespannen met de tekst 'v.d. Burg & Thomas Rotterdam'. Kleinere verftubes, eveneens met gezichten, lopen richting de gecreëerde poort.
Offering table with statuette of Sehetepib
Object type: offering table, with statuette of sehetepib
Date: 1850 – 1775
Materials: limestone
Location: egypt
Subjects: human figures
Fragment of a Hanging
Object type: fragment of a hanging
Date: 401 – 500
Materials: wool
Techniques: tapestry, weave
Location: egypt
Subjects: human figures,animals
Ice Cream Dish from Mackay Service
Object type: ice cream dish
Date: 1878 – 1878
Materials: silver, silver gilt
Culture: american
Artist: tiffany & co.
Artist role: manufactory
Artist dates: 1837 – 9999

This silver ice cream dish and accompanying plates are part of one of the most renowned and lavish dinner services ever created in America. Commissioned in 1877 by John W. (1831-1902) and Marie Louise Hungerford (1843-1928) Mackay, the dinner service for twenty-four consisted of over 1,250 pieces. A poor Irish immigrant with little education, John W. Mackay became one of the wealthiest men in America when he and three partners, James Fair, James Flood, and William O’Brien, struck a silver deposit known as "The Big Bonanza" at Nevada’s Comstock Lode in 1873. During a visit to the mine, Marie Louise asked her husband for a silver dinner service "made by the finest silversmith in the country." Her husband responded, "You shall have it. I like the notion of eating off silver brought straight from the Comstock." He proceeded to have a half ton of silver delivered from the mine to Tiffany & Co., where two hundred men worked for almost two years to complete the commission. In 1878 the service was sent to be featured in Tiffany’s award-winning display at the Paris Exposition Universelle before being delivered to the Mackay’s home at 9 Rue de Tilsitt near the Arc de Triomphe. In an era of extravagant social affairs, Mrs. Mackay’s dinners and balls were legendary. Identified in firm records as "Indian," "Persian," and "Sou Chow" in style, the Mackay service reflects the sophisticated and innovative design sensibilities of Edward C. Moore, the head of Tiffany’s silver division, and the team of designers, chasers, and craftsmen who conceived and realized this commission. The descriptor "Sou chow" was used at Tiffany for designs featuring elaborately chased decoration inspired by Chinese, Japanese and Indian sources, all of which were extensively represented in the vast collection of works of art Moore assembled to inspire and educate himself and his staff. The masterfully chased ornament featuring a dense composition of flowers flowing into sinuous elephant trunk feet embodies Gilded Age extravagance and would have offered a dazzling finale to a meal served on a sea of silver featuring an inventive combination of Asian, Near Eastern, and Indian artistic vocabularies and aesthetic sensibilities.
Study for The Magdalen Chapel, from Microcosm of London
Object type: drawing and watercolor
Date: 1809 – 1809
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
The Holy Family
Object type: painting
Date: 1512 – 1513
Materials: oil, wood
Artist: joos van cleve
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1485 – 1541
Subjects: fruit,grapes,women,holy family,virgin mary,jesus,nursing

Joos based this depiction of the Virgin and Child on a celebrated work by Jan van Eyck, but with the addition of a figure of Saint Joseph. The fruits and wine allude to Christ’s incarnation and sacrifice, yet, presented as part of everyday life, they also testify to the emerging genre of still-life painting. The combination of quotidian domestic intimacy and symbolic meaning must have had mass appeal, since many variations of this painting were produced for sale on the open market.
Englisches Geschwader im Hafen von Bergen
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: albumen print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘4’, number: ‘13’

De afdruk van de foto is rond, het papier vierkant
Little Girl with Cherries
Object type: print
Date: 1738 – 1738
Techniques: etching
Location: paris
Artist: charles nicolas cochin i
Artist role: artist and publisher
Artist nationality: french
Artist dates: 1688 – 1754
Subjects: cherries,girls,baskets
Watch
Object type: watch
Date: 1815 – 1830
Materials: gold, pearl
Jug
Object type: vessel
Date: 1 – 300
Materials: glass
Techniques: glassblowing
Culture: roman
Location: eastern mediterranean region
Terracotta fragment of a krater (deep bowl)
Object type: krater fragment
Date: 400 – 301
Materials: terracotta
Culture: greek or south italian

Two hands, to right; genitals and thighs of a male to left
Omgeving Luxemburg
Object type: album leaf
Materials: paper, photographic support
Techniques: gelatin silver print
Location: clervaux
Artist: Anonymous
Subjects: the family travelling, on holiday, outing, pleasure trip
Inscriptions: inscription

Albumblad met vier foto's in de omgeving van Luxemburg, Bouillon en Arlon. Onder de foto's uitgeknipte papiertjes met getypte opschriften. Onderdeel van het tweede fotoalbum met foto's van familievakanties in Nederland, België, Luxemburg en Frankrijk in 1950-1951.
Man die van een trap springt
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: jumping down
Inscriptions: number: ‘Fig. 20.’
Primo libro di caccie varie
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: italy
Subjects: hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), hunt ~ mammals, trunked animals: elephant
Inscriptions: collector's mark: Lugt 2165

Landschap met jagers jagend op olifanten. Op de voorgrond links mannen die slagtanden van dode olifanten op een dromedaris laden. Op de voorgrond rechts hakken mannen de slagtanden van een dode olifant af.
Apis
Object type: figurine, apis
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: bulls

The worship of the Apis bull is attested as early as Dynasty I. Arguably the Apis, unlike many sacred animals in Egypt, was not just favored by a certain deity, but was considered a deity in his own right. A single living representative was stabled near the Ptah temple in Memphis. The bull selected for this important role had certain colorful markings, such as a white triangle on the forehead, and black patches resembling winged birds or scarabs on the body. The bull is often shown, as here, wearing a large sun disc, a banded collar, and a decorated rectangular cloth on its back. Similar markings are easily visible on Apis 17.190.62. The Apis bull participated in ceremonies of fertility and regeneration. When it died, it was embalmed and buried with all honors; at that time, a new bull bearing the requisite markings was selected. Beginning with the reign of Amenhotep III (1390–1352 B.C.) in Dynasty 18, the place of Apis burials gradually became a huge and growing underground system of chambers called the Serapeum in the Memphite necropolis, Saqqara. The bull was so revered that even the mothers of Apis bulls had their own cult and burial place.
Tableau synoptic des traits physionomiques: pour servir a l'étude du "portrait parlé"
Object type: photograph
Date: 1909 – 1909
Techniques: gelatin silver print
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: eyes,mouths,men,portraits,profiles

Nineteenth-century police headquarters were host to disorganized "rogues’ galleries" swollen with photographic portraits of criminals, which turned even the simplest of searches into a Sisyphean labor. As a response, police clerk Alphonse Bertillon introduced a rigorous system of classification, or signalment, to help organize archives, a process that included not only quantitative anthropometric measurements of the head, body, and extremities but also qualitative descriptions of the face. Photography’s potential for exactitude made it a crucial tool for Bertillon’s system, and his portrait parlé—the basis for today’s mugshot—posited a powerful analogy between a photographic likeness and the ink fingerprint. Akin to a cheat-sheet for police clerks, this composite photograph illustrates how the mugshot could yield a series of classifications, dividing the male criminal’s face into discrete units of information. Such points of identification include the precise differentiation between left ear and right, the angle of inclination of the chin, and the pattern of the folds on the brow. Although intended merely as a filing aide, this image of the human face in all its striations of repetition and difference renders surveillance as a terrifying manifestation of the modern sublime.
Chirurgijnsgilde te Amsterdam, toegangspenning voor de hortus medicus van Willem van Campen
Object type: toegangspenning
Date: 1725 – 1725
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: Dood, afgebeeld als geraamte, in bloemenveld met zeis in rechterhand en met linkerhand op zandloper, die op sokkel staat. Keerzijde:vaas met bloemen tussen jaartal; op vaas:wapenschild boven cartouche met opschrift binnen omschrift.
Venus helpt Aeneas te genezen
Object type: print
Date: 1655 – 1728
Materials: paper
Techniques: engraving, etching
Subjects: aeneas is wounded; venus secretly puts a healing plant in the water with which japyx is bathing the wound
Inscriptions: collector's mark: Lugt 240