deem-data/ArtiFact huggingface dataset:
David Netto M:D
Object type: print
Date: 1745 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Subjects: venice, handwriting, writing as activity, historical persons, physician, doctor (+ portrait of scholar, scientist), globe, rabbi
Inscriptions: collector's mark: Lugt 240
Traveling box with lotus scrolls
Object type: traveling box
Date: 1401 – 1433
Materials: gold, iron, lacquer, leather, wood
Culture: chinese

This extraordinary box, most likely made for a Tibetan visitor to the Chinese court, would have been used to carry belongings, both personal goods and gifts such as porcelains and textiles. The large lotus scrolls painted on the sides, and in particular the spiky blossoms, derive from Nepali artistic traditions that were introduced to China in the late thirteenth century. Such floral design also became a standard motif commonly found among early Ming imperial works in various media including cloisonné enamel.
Macaronies, Characters, Caricatures &c.
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: etching
Location: london
Subjects: caricatures (human types), print, e.g.: engraving, etching, lithograph
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Afkomstig uit de vierde serie van zes, getiteld: Macaronies, Characters, Caricatures &cd, uitgegeven door Matthew Darly in Londen tussen 1771 en 1773. De term 'macaroni' werd gebruikt in Engeland in de tweede helft van de 18de eeuw voor personen die op een overdreven wijze de laatste mode volgden. In zekere zin vormden zij de voorlopers van de dandy's.
La vallée des tombeaux
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: aquatint
Location: paris
Subjects: dale, valley, grave, tomb
Inscriptions: inscription: ‘Rittner & Goupil Boulevd Montmartre 15’, inscription: ‘Hr. Bossance Quai Voltaire 11’, inscription: ‘N.P. Lerebours Place du Pont Neuf 15’
Gezicht op een rivier in een stad
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: city-view in general; 'veduta', river
Kind tussen getemde leeuw en roofvogel bovenop cartouche met vers
Object type: titelprent, frontispice
Date: 1611 – 1650
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: dolphin ~ ornament, predatory birds: eagle, man and (wild) animal, beasts of prey, predatory animals: lion

Een kind of putto bedaart een leeuw en roofvogel. Zij zitten bovenop een cartouche met een vers in Latijn. Het schild is rijk geornamenteerd met krulwerk, twee cherubijnen en dolfijnen. Volgens het vers toont dit kind door het temmen van de dieren dat de mens door God de leiding over het dierenrijk heeft.
Seal Stone
Object type: seal
Date: 901 – 1100
Materials: gemstone
Techniques: incising
Location: iran

Early Islamic seal stones were made from a variety of stones that came in many shapes and forms. The undeciphered inscription on this pink carnelian stone is a single word and is probably a name. Personal seals served as an individual’s official signature in the Near East long before the advent of Islam. Among the many stones employed as seals, carnelian was by far the most popular, owing at least in part to its availability, toughness, and resistance to abrasion. It was also noted to be the favorite stone of the Prophet Muhammad.
Gevecht van Constantijn tegen Maxentius
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: historical persons, battle, fighting in general, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Table cover with fringe
Object type: tablecover
Date: 1885 – 1885
Materials: cotton
Techniques: weave
Culture: american
Subjects: flowers
Eetkamer met gedekte tafel
Object type: photograph
Date: 1880 – 1940
Materials: photographic support
Techniques: gelatin silver print
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: interior of the house, dining-room
Inscriptions: annotation: ‘'t Velthuys’
Portret van Lodewijk XII van Frankrijk
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris, historical persons, king
Inscriptions: collector's mark: Lugt 2228
Portret van een man, mogelijk een lid van de familie Beucker Andreae
Object type: photograph
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, anonymous historical person portrayed
Literary Illustration with Gentleman and Two Ladies in Interior
Object type: drawing and watercolor
Materials: chalk, graphite, ink, paper
Techniques: pen
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Castello San Angelo
Object type: print
Date: 1501 – 1600
Techniques: engraving
Location: rome
Artist: Anonymous
Artist role: artist
Subjects: castles,bridges,rome

Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence). It is likely that individuals who purchased the prints from Lafreri made their own selections and had them bound. For a history of the publication of the Speculum prints, see Peter Parshall, "Antonio Lafreri's Speculum Romanae Magnificentiae," Print Quarterly, 2001 (1-28).
Gezicht op de Hervormde Kerk te Purmerend tijdens de afbraak in 1893
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: purmerend
Subjects: church (exterior)
Inscriptions: annotation: ‘Toren v/d N.H. Kerk te Purmerlland gedurende de afbraak’, annotation: ‘Toren van de Kerk van de N.H. gemeente gedurende de afbraak/ April 1893/ Purmerland/ gem. Ilpendam’
Rapier
Object type: rapier
Date: 1567 – 1600
Materials: steel
Culture: spanish
Location: spain

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Young Man Riding a Giant Tortoise (parody of Urashima Taro)
Object type: print
Date: 1767 – 1768
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Gazette du Bon Ton, 1922 - No. 8 : Croquis No VI
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: printing, letterpress printing, photochemical processes
Location: london
Subjects: ear-rings (+ women's clothes), fashion plates, dress, gown (+ women's clothes), necklace (+ women's clothes)
Inscriptions: date

Japon met een groot zig-zag patroon en wijde mouwen. Croquis No VI uit Gazette du Bon Ton 1922, No. 8. Uitleg over de kleding op pagina "Description et explication des planches hors-texte et pages de croquis."
Glass mosaic bowl fragment
Object type: mosaic bowl, fragment
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent deep honey brown, purple, and opaque white. Vertical, flattened rim, with thickened inner lip; convex curving side, tapering downward, becoming thicker. Body decorated with spiral mosaic pattern formed from irregular sections of a single cane in brown ground with purple patches and white lines and streaks. Exterior polished, with pitting of surface bubbles and weathering in seams; dulling and creamy weathering on rim, interior, and edges.
Portret van Frederik Hendrik, prins van Oranje
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: delft, the hague, frederick henry (prince of orange), knighthood order, armour
Inscriptions: collector's mark: Lugt 240

Frederik Hendrik, prins van Oranje-Nassau in een harnas. Om zijn hals het ordeteken van de orde van de Kousenband. Prent uit een serie van 9 prenten met Oranjeportretten.
Pijpsleutel
Object type: pipe key
Date: 1300 – 1500
Materials: bronze
Location: france

Bronzen pijpsleutel, gelobde ring met vierpasvormige opening; baard van boven en onder ingesneden.
Sol, from Eight Pagan Gods
Object type: print
Date: 1592 – 1592
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered upper center: "Sol"; lower left: "Polidorus. Inve."; and lower right: "5 HG sculptor."
Girl Boarding a Boat
Object type: print
Date: 1767 – 1768
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Terracotta fragment of lekanis (covered dish)?
Object type: lekanis fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Fragment from a lekanis? with parts of four red glazed lines on one side and part of one red glazed line on the other
Spacer with Hathor head
Object type: spacer with hathor head, cobra and cat on marsh plant in openwork
Date: 1070 – 664
Materials: faience
Location: egypt
Subjects: hathor,cats,serpents

A spacer is an element intended to keep multiple strands of a bracelet or necklace from becoming tangled. One face of this openwork example depicts the Hathor emblem from the sistrum. To either side are uraeus cobras, the one on the left wearing the red crown of Lower Egypt and that on the right the white crown of Upper Egypt. Lotus buds and blossoms with cats appear to either side. Cats on the one hand represent the pacified leonine goddesses, but the composite emblem with cats has a close association with the goddess Mut. On the opposite face a god is seated on an open lotus, flanked by two winged uraei crowned with sun disks. Although the god on the lotus is usually an avatar of the sun-god, in particular a child representing the new-born sun, the god here is adult, fully anthropomorphic, and wears a double crown. This crown is worn by a number of gods, but also by Mut, although her presence on the lotus would be difficult to explain. The god holds a formal bouquet: this type of bouquet has a name related to the Egyptian word for life, and so is used here as a sportive writing of the life-sign usually held by a god. Technically, the spacer is astonishing: to produce it two panels cut free-hand in faience body material were joined by a rim and fired. .
Plate Two from Drawings of Several Movements by Soldiers
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Location: italy
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664

For the subject of this work, della Bella chose the movements of soldiers toward and through a town, which is recognizable as Arras. He dedicated the work to Henry du Plesseys, Count of Roche-Guyon, whose coat of arms appears in the first and second plates.
Titelpagina voor: F. van Mieris, Histori der Nederlandsche vorsten, 1732
Object type: titelblad, titelpagina
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: ghent, charles v (holy roman emperor and king of spain), (story of) mars (ares), faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa), personifications of countries, nations, states, districts, etc., (story of) thetis; 'thethi, ninfa del mare' (ripa), 'historia'; 'historia' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa), freedom, liberty; 'libertà' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 240

Allegorische voorstelling waarin Geschiedenis de Schilderkunst een schrijfveer in de hand geeft om de geschiedenissen van de Nederlandse vorsten op te tekenen. Ze wijst op een tapijt waarop de Nederlandse Maagd, vergezeld door Vrijheid, Geloof, Thetis, Mars en Mercurius en langs de randen medaillons waarin de portretten van Nederlandse vorsten. Links op de achtergrond een veldslag. Met een zevenregelig onderschrift in het Nederlands.
Gedicht op het zwaard waarmee Johan van Oldenbarnevelt in 1619 zou zijn onthoofd
Object type: manuscript
Date: 1744 – 1744
Materials: ink, paper
Techniques: writing
Location: netherlands
Artist: jacobus stamhorst
Artist role: dichter
Subjects: johan van oldenbarnevelt, rotterdam, dordrecht, print maker, frans greenwood
Inscriptions: date

Vers van Jacobus Stamhorst. Onderdeel van het boek met gedichten uit de jaren 1743-1745 op het zwaard waarmee Johan van Oldenbarnevelt in 1619 zou zijn onthoofd. Het zwaard was eigendom van Frans Greenwood.
Portret van Maria Elisabeth von Lattorff
Object type: print
Date: 1745 – 1757
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons - bb - woman, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 358, number: ‘2.6929’
Woman’s ceremonial robe
Object type: robe
Date: 1701 – 1750
Materials: metal thread, silk
Techniques: embroidery
Culture: chinese
Subjects: bats

In Chinese, the word for “bat” (fu 蝠) sounds like the one for “happiness” (fu 福), so this robe carries a symbolic message of good fortune. The roundels of five interlocking bats surrounding the Chinese character for “longevity” (shou 壽) refer to the “Five Happinesses”: longevity, health, wealth, virtue, and a natural death.
Prenten-magazijn voor de jeugd
Object type: print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: charlemagne (holy roman emperor), bishop st. eloi preaching, martyr(s) (often with palm-branches)
Inscriptions: collector's mark: Lugt 2228

Blad met 6 voorstellingen van gebeurtenissen uit de vaderlandse geschiedenis, met betrekking tot het Christendom. Boven elke voorstelling een titel en een jaartal, onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 196.
Frightened
Object type: print
Date: 1912 – 1912
Techniques: etching
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: female nudes
Keukeninterieur met links een man zittend aan een weefgetouw
Object type: print
Date: 1867 – 1904
Materials: paper
Techniques: etching, intaglio
Artist: leo van aken
Artist role: print maker
Artist dates: 1857 – 1904
Subjects: kitchen-interior, weaving-loom
Inscriptions: check stamp: ‘Les XIII’, collector's mark: Lugt 2228
Vignet Apotheek 't Goude Hert, Rotterdam
Object type: drawing
Date: 1878 – 1938
Materials: paper, pencil
Techniques: brush
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: hoofed animals: deer, names of organizations, companies, trade unions, etc., vignette
Silver fibula (safety pin)
Object type: fibula
Date: 400 – 301
Materials: silver
Culture: greek

Fibula with a double arc of solid metal.
Veldslag tussen Romeinen en Carthagers
Object type: print
Date: 1500 – 1536
Materials: paper
Techniques: engraving
Location: italy
Subjects: battle, hacking and thrusting weapons: sword, (story of) p. cornelius scipio africanus minor (p. cornelius scipio aemilianus), setting on fire (of conquered city), the soldier; the soldier's life, fighting
Inscriptions: collector's mark: Lugt 2228

Bartsch beschrijft deze prent als spiegelbeeldige kopie door Agostino Veneziano naar een prent mogelijk door Marco Dente (Bartsch 211). Volgens Oberhuber is het echter andersom en is de spiegelbeeldige versie een kopie naar deze prent van Agostino Veneziano.
De compositie gaat mogelijk terug op een tekening van Giulio Romano.
The Lady's Magazine, 1824, No. 1 : Walking Dress (...)
Object type: fashion print
Date: 1824 – 1824
Materials: paper
Techniques: engraving, hand coloring
Location: london
Subjects: clothing for the upper part of the body (shawl) (+ women's clothes), veil (+ women's clothes), dress, gown: walking dress (+ women's clothes), monocle, single lorgnette (+ female (human being) (not to be used where -aa- is prescribed)), head-gear (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), neck-gear ~ clothing (+ women's clothes)
Inscriptions: title: ‘Walking Dress.’, caption: ‘Invented by Miss Pierpoint. & engraved for the Lady's Magazine, No. 1, 1824.’

Vrouw in een wandeljapon met lange mouwen. Geplooide kraag. Accessoires: luifelhoed met sluier, om de hals een koord met lorgnet, handschoen, sjaal, schoenen. Prent uit het modetijdschrift The Lady's Magazine (1770-1837).
Textile Design with Overlapping Verical Strips of Undulating Rows of Dots and Zig-Zagging Ribbons
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made of overlapping vertical strips of undulating rows of dots of light tan color of different sizes with an offsetting shade of stipples of dark reddish-brown color, over a dark reddish-brown ground. Zig-zagging ribbons of white color stand out in the spaces between the vertical strips.
Galerij met bogen, mogelijk een kerkinterieur
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: paper, pencil
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: arcade ~ architecture

Blad 35 verso uit een schetsboek met 39 bladen.
Sunbonnet
Object type: sunbonnet
Date: 1835 – 1835
Materials: cotton
Culture: american
Portret van Mary Anderson en Mary Anne Stirling
Object type: photograph
Date: 1885 – 1890
Materials: paper
Techniques: carbon print
Location: london
Subjects: historical persons - bb - woman, portrait of actor, actress
Inscriptions: address: ‘57 & 61, Ebury Street, London.’
Pistool, zadel, kruithoorn en helm daterend uit 1580 in het Museum te Antwerpen
Object type: sketchbook leaf
Date: 1841 – 1841
Materials: ink, paper, pencil
Techniques: pen
Location: antwerp
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: helmet, saddle, firearms
Inscriptions: date and inscription: ‘1580/ kruithoorn/ pistool [..]/ zadel [...]/ museum Antwerpen 1841 -’

Blad 40 verso uit een schetsboek met 87 bladen.
“- I am sorry that I did not recognize you right away. I could not distinguish you from all the other roses!,” plate 55 from Tout Ce Qu'on Voudra
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Temple vase with dragons and clouds
Object type: vase
Date: 1501 – 1600
Materials: enamel, porcelain
Culture: chinese
Subjects: dragons,clouds

This vase was likely made as one of a pair for use as a flower container on a religious altar. The dragons are typical of Ming style, with thick, sinewy bodies and flowing manes.
Souvenir
Object type: souvenir
Date: 1773 – 1774
Materials: gold, ivory
Subjects: cupid

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
The Sick Doll
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: children's games and plays, living-room, parlour, sitting-room
Inscriptions: copyright notice: ‘Copyright.’, inscription: ‘P’
Site of proposed Quaker Bridge Dam and reservoir
Object type: photomechanical print
Date: 1883 – 1887
Materials: paper
Techniques: photograph
Location: new york city
Artist: p. de luze
Artist role: fotograaf
Subjects: river
Fotoreproductie van een tekening van het Bibliopolium van Johannes Müller aan de Kalverstraat te Amsterdam
Object type: reproduction
Date: 1884 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: interior of the house, façade (of house or building)
Inscriptions: number: ‘'21.101’, collector's mark: Lugt 2233, annotation: ‘Huis van Johannes Müller’, inscription: ‘Alexandre & Co./ Photographie Belge/ 182. Kalverstraat, Amsterdam’
Tobias snijdt de vis open
Object type: print
Date: 1547 – 1591
Materials: paper
Techniques: etching
Location: low countries
Subjects: tobias cuts up the fish and removes the heart, liver and gall
Inscriptions: collector's mark: Lugt 2228

Aan de bebouwde oever van een rivier geeft aartsengel Rafaël Tobias de opdracht om de zojuist door hem gevangen vis open te snijden om het hart, de lever en de gal eruit te halen. Linksvoor lopen Tobias en Rafaël over een pad. Tobias' hond vergezelt hen. Onderaan in de marge een verklarende, éénregelige tekst in het Latijn.
Portret van Johannes Immerzeel
Object type: print
Date: 1842 – 1843
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: publisher, johannes immerzeel, quill, ink-well, lens, table, book
Inscriptions: collector's mark: Lugt 2228

Prent uit: Immerzeel, Johannes. De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters : van het begin der vijftiende eeuw tot heden. Amsterdam: J.C. van Kesteren, 1842-1843.
L'illustration, 26 avril 1902, annonces, p. 5: Les Parisiennes en 1902 (...)
Object type: fashion print
Date: 1902 – 1902
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: cut flowers; nosegay, bunch of flowers, ensembles of pieces of clothing (suit) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: caption: ‘Nous sommes heureux d'être les premiers à présenter aux charmantes lectrices de l'Illustration quelques nouveaux modèles de costumes-tailleur que notre célèbre maison du High - Life Tailor vient de créer pour la saison s'été. Nous sommes persuadés que ces nouveaux modèles obtiendront autant de succès que les incomparables costumes-tailleur à 95 fr. qui ont modèles d'été qui a lieu en ce moment et dont la quantité et la richesse des costumes-tailleur à 95 fr. les émerveillera.’, inscription: ‘Les Parisiennes 1902’, title: ‘LES PARISIENNES EN 1902’, title: ‘L'ILLUSTRATION’

Drie mantelpakken voor de zomer van 'High-Life Tailor'. Verso p. 6 : diverse advertenties.