deem-data/ArtiFact huggingface dataset:
Lidded vase with Medusa decoration and snake handles
Object type: lidded vase
Date: 1891 – 1891
Materials: bone china
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
Confederate Fortifications, Petersburg
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: fortification,american civil war
Sluiting van het Commercietractaat tussen de Verenigde Staten van Amerika en de Staten-Generaal der Verenigde Nederlanden te 's-Gravenhage
Object type: history medal
Date: 1782 – 1782
Materials: silver
Techniques: striking
Location: amsterdam
Artist: johan george holtzhey
Artist role: mintmaster
Artist dates: 1726 – 1808
Subjects: united states of america

Medal, after a design by I. van Baerl, struck in 1782 to mark the treaty of trade and friendship between the Republic and the United States.
Zie kind'ren! in deez' prent / hoe door een felle brand / Een kerkgebouw vernield / doch weder is tot stand / Voorstellende vier afdelingen
Object type: print
Date: 1831 – 1854
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: church (exterior), burning
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van verschillende toestanden van de Ronde Lutherse Kerk in Amsterdam, waaronder de kerk in brand op 18 september 1822, als een ruïne en opnieuw opgebouwd. Onder elke afbeelding een vierregelig vers en boven elke afbeelding een nummer en een titel. Genummerd rechtsboven: No. 51.
Fragments of a Tile Panel
Object type: tile panel
Techniques: cutting, glazing, polychrome
Location: iran
The Carriage
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: engraving, etching, roulette
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Gedempte Rozengracht, Amsterdam
Object type: stereograph
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: street
Inscriptions: inscription: ‘Ged. Rozengracht/ Amsterdam’
Portret van Charles van Beveren
Object type: print
Date: 1837 – 1896
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: mechelen, charles van beveren, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Intocht van militairen, mogelijk in Toulouse
Object type: album leaf
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: daylight paper print
Location: toulouse
Artist: Anonymous
Subjects: shop, store, marching away (troops), land forces

Onderdeel van Fotoalbum van een legeroefening in Zuidwest-Frankrijk in 1902.
Coin Depicting the Goddess Athena
Object type: coin
Date: 400 – 301
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Sculpturale bekroning van de Tomba di Can Signorio
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: florence
Subjects: piece of sculpture, reproduction of a piece of sculpture, grave-building, monumental tomb
Inscriptions: number: ‘94.’
Plate
Object type: plate
Date: 1534 – 1566
Materials: glass, gouache
Techniques: painting
Subjects: musical instruments,male nudes,female nudes,orpheus,eurydice
Vessel
Object type: vessel
Date: 501 – 700
Materials: mercury, silver
Techniques: gilding
Culture: sasanian
Location: iran
Reverse frame
Object type: frame
Date: 1600 – 1640
Materials: wood
Culture: italian
Portretten van koningen en koninginnen ten voeten uit
Object type: print
Date: 1546 – 1562
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: paris
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 151

Portret van Hendrik II, koning van Frankrijk, ten voeten uit naar rechts gekleed in harnas bij een tafel, daarop een helm. Rechtsboven zijn wapenschild.
The Mall
Object type: page
Date: 1869 – 1870
Materials: photographic support
Techniques: albumen print
Location: central park
Artist: george gardner rockwood
Artist role: fotograaf
Artist dates: 1832 – 1911
Subjects: avenue, boulevard, promenade, esplanade, public gardens, park
Ensemble
Object type: ensemble
Date: 1790 – 1790
Materials: linen, silk
Culture: french

The dualities and contradictions that characterized male fashion in the early Napoleonic period are captured in this spectacularly schizophrenic ensemble. Under the disintegrating forces of the French Revolution (1789-1794), the 18th century confidence, some might say smugness, in its uniformity of aesthetic beliefs was to disappear. The restless need for social and political reform, which began in the 1780s and was fostered through the works of the philosophes, resulted in new patterns of consumption and new forms of self-expression. For a time, however, the ideas, values and aesthetics of the Ancien Régime competed and co-existed with those of the founding Republic. This jockeying for position between the old and new elites gave birth to a variety of hybrid or transitional styles of dress, this suit being an outstanding example. Comprising a coat with narrow sleeves and a straight, cut-away skirt, a short vest or gilet and a pair of breeches that covered the legs below the knees, it recalls the cool Neoclassicism of the Enlightenment. At the same time, its simple lines and complete absence of decoration reflects the Anglomania that had been a feature of male fashions in France since the 1740s, but which came to the fore in the 1780s. The opulence and frenzied frivolity of Ancien Régime court dress or habits à la française, however, remain in its luxurious fabric and its lurid, effervescent color. Its stand-up collar is also a vestige of the old order, but its exaggerated height anticipates the style of the Incroyables. Like these giddy young men of the mid- to late 1790s, the wearer of this suit was almost certainly an élégant, an 'enlightened' aristocrat who hid his anti-Jacobin tendencies by adopting the puritanical design vocabulary of the republicans.
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, head and upper torso of helmeted warrior holding spear in right hand, and shield over his left forearm; above shield, part of an inscription, an eta; bearded warrior wearing helmet and holding spear over his head in his right hand, his round shield has a panther as a shield device; behind him, a shield, in profile, of a third warrior; three letters of an inscription, iota, sigma, kappa
Italian Landscape with Umbrella Pine in Foreground
Object type: drawing and watercolor
Materials: chalk, paper
Location: england
Artist: richard wilson
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1714 – 1782
Thronus Justitiae
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: leiden
Subjects: jethro's visit to moses: with zipporah and her two sons he comes to the desert where moses is encamped (exodus 18), juridical examples; exemplary judges; 'gerechtigkeitsbilder'
Inscriptions: collector's mark: Lugt 240

Jetro, de schoonvader van Mozes, bezoekt hem in de woestijn en geeft hem advies over de organisatie van de rechtspraak. De twee omhelzen elkaar. Jetro heeft Mozes' vrouw, zijn dochter Sippora, en haar twee zonen meegenomen. Zij staan rechts. Links spreekt Mozes recht over het volk Israël. Onder de voorstelling twee vierregelige verzen in het Latijn en een verwijzing naar de Bijbeltekst in Ex. 18.
String of 19 "Bes" Beads
Object type: necklace, bead
Date: 332 – 364
Materials: faience
Location: egypt
Ontzet van Coni, ter ere van Willem III, leider van het congres van 's-Gravenhage
Object type: copy
Date: 1691 – 1691
Materials: bronze
Techniques: striking
Location: amsterdam
Artist: jan luder (i)
Artist role: medailleur
Artist dates: 1648 – 1719
Subjects: william iii (prince of orange and king of england, scotland, and ireland), paris, vienna, eugenius van savoye
Miss Macaroni en haar geliefde voor de etalage van een prenthandel
Object type: print
Date: 1704 – 1773
Materials: paper
Techniques: mezzotint
Subjects: print, e.g.: engraving, etching, lithograph, art dealer (+ graphic arts), fan, fashion, political caricatures and satires, dog, shop-window, show-window, london
Inscriptions: collector's mark: Lugt 2228

Een man en een vrouw in modieuze kleding staan hand in hand voor de etalage van een prenthandel. De vrouw heeft haar gezicht verborgen achter een opengevouwen waaier. Naast hen spreken twee mannen over prenten die in de etalage hangen. Een hond pist tegen het been van een van hen.
Brandewijnskom van zilver op lage, ronde, onversierde cuppa met twee horizontale uitgezaagde oren. Vals.
Object type: brandy bowl
Date: 1746 – 1746
Materials: silver
Location: haarlem
Artist: jan verdoes
Artist role: jeweler
Inscriptions: mark

Brandewijnkom van zilver. Lage, ronde onversierde cuppa met twee horizontale oren, bestaande uit gezaagd, symmetrisch bandornament.
Portret van Jul. à Beijma
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: neck-gear ~ clothing (with name), book, historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een hoed, plooikraag en een mantel afgezet met bont. Zijn rechterarm leunt op een gesloten boek. Rechtsboven een wapenschild. Onder het portret zijn signatuur.
Collage van acht afbeeldingen van springende paarden met ruiter
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: jumping (horse in motion)
Inscriptions: inscription: ‘MOMENTBILDER/ aufgenommen mit/ Goerz-Anschütz' Moment=Klapp=Apparat/ und Goerz' Doppel=Anastigmat, Serie III./ Bitte wenden!’, monogram: ‘Bx’

Prenten tegenover pagina 72. Deze prenten maken deel uit van een reclameboodschap voor Goerz, een fabrikant van fotocamera's en lenzen.
Kroonlijst van Pantheon te Rome
Object type: print
Date: 1831 – 1847
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: other architectural details (cornice)

Details van de kroonlijst met acanthusbladeren van het Pantheon te Rome. Rechts boven Pl. 6 genummerd.
Gezicht op Hampton Court Palace, Londen
Object type: photomechanical print
Date: 1888 – 1914
Materials: paper
Techniques: autotype, chromophotolithography
Location: london
Artist: Anonymous
Subjects: palace

Deze prent maakt deel uit van een album.
Dress
Object type: dress
Date: 1880 – 1880
Materials: cotton
Culture: american
Morning Glories
Object type: print
Date: 1840 – 1849
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
L'Eclipse
Object type: print
Date: 1869 – 1869
Techniques: etching
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: windows,women
De Min veréént met zyden banden, De harten en verstanden
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: 'castità matrimoniale', 'fede maritale', 'matrimonio' (ripa)
Inscriptions: collector's mark: Lugt 2228

Een echtpaar wordt door een in de wolken gezeten allegorische vrouwenfiguur in de echt verbonden. De man en vrouw dragen beiden een brandend hart in de handen en worden bijgestaan door allegorische figuren en putti. De voorstelling is omkaderd met een ornamentele lijst.
La pronea del Cesarotti delineata ed incisa dal Matteini
Object type: album leaf
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: italy
Subjects: napoleon i (emperor of the french), monsters of mixed human and animal shape; 'mostri' (ripa) (+ hair, feathers), torch (+ kindling a light; lit, burning light, lamp, candle), angels

Onder de voorstelling een versregel in het Italiaans. Prent maakt deel uit van een album.
Fragment
Object type: fragment
Date: 1701 – 1733
Materials: silk
Artist: jean revel
Artist role: designer
Artist nationality: french
Artist dates: 1684 – 1751
Subjects: flowers,leaves
Flask
Object type: flask
Date: 1840 – 1860
Materials: gemstone, glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Artist: kentucky glass works
Artist role: maker
Artist nationality: american
Artist dates: 1850 – 1855
Subjects: eagles
Black Hawk, Sac and Fox, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N2), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Model of Brewers, Bakers, and Butchers
Object type: model, butcher, baker, brewer, cattle, cow
Date: 2030 – 1640
Materials: gesso, paint, wood
Location: egypt
Subjects: men,working,bakers,butchers

This composite model would have symbolically provided everything a tomb owner needed to eat. The figures at the right are butchers preparing the meat. The ones at the left are making bread and beer.
Coin Depicting the Goddess Kybele
Object type: coin
Date: 200 – 1
Materials: bronze, copper alloy, metal
Culture: greek
Location: smyrna
Inscriptions: Reverse: IMYPNA[lΩN] ∑Ω∑O∑

The front (obverse) of this coin depicts the head of the goddess Kybele, facing right. On the back (reverse), the goddess Aphrodite Stratonikis is depicted standing to the right with her left hand resting on a short column and supporting a figure of the goddess Nike.
Circus in Town, cor West Water and Grand Avenue, No. 932 from the series "Milwaukee and Vicinity"
Object type: photograph
Date: 1880 – 1889
Techniques: albumen print
Location: united states
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Portret van William Wade
Object type: print
Date: 1623 – 1648
Materials: paper
Techniques: engraving
Subjects: politician, historical persons, politician, e.g. party leader, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Granger, James. A Biographical History of England, from Herbert the Great to the Revolution (...). Londen: William Baynes & Son, 1824, dl. 2.
Portret van Hulderikus Zuinglius
Object type: print
Date: 1694 – 1755
Materials: paper
Techniques: engraving, etching
Subjects: hulderikus zuinglius
Inscriptions: collector's mark: Lugt 2228

Portretbuste naar rechts van Hulderikus Zuinglius, met baret. Rondom een ornamentele omlijsting, onder het portret de naam van de geportretteerde gevolgd door een zesregelig Nederlands vers.
Kelmscott Manor: In the Attics (No.2)
Object type: photograph
Date: 1896 – 1896
Materials: glass
Location: england
Artist: frederick h. evans
Artist role: fotograaf
Artist nationality: english
Artist dates: 1853 – 1943
Gezicht op een straat in Nanking
Object type: opticaprent
Date: 1755 – 1779
Materials: paper, watercolor
Techniques: brush, etching
Location: augsburg
Subjects: city-view, and landscape with man-made constructions, chinese
Inscriptions: collector's mark: Lugt 2228
Gezicht op ruïnes van gebouwen aan de Botersloot te Rotterdam
Object type: ansichtkaart, prentbriefkaart
Materials: photographic support
Techniques: photography
Artist: j. nolte
Artist role: fotograaf
Subjects: devastated, ruined place or city (~ warfare), street, ruin of a dwelling, house, castle, etc., rotterdam, rotterdam blitz
Flute
Object type: flute
Date: 1300 – 1500
Materials: ceramic
Culture: tairona
Location: colombia
Glass bowl fragment
Object type: fragment of a bowl
Date: 167 – 68
Materials: glass
Culture: greek

Translucent olive green. Triangular body fragment of thick-walled hemispherical bowl. Two parallel fine horizontal grooves on exterior surface; recessed area on interior at bottom. Broken on all sides, with weathering on two edges; pinprick bubbles; dulling, pitting, and iridescence, with small patches of creamy white weathering.
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: album leaf
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: paul preaches and tells his story to jews while guarded by soldiers

De apostel Paulus predikt de leer van Christus in Rome. Allerlei mensen luisteren naar hem. Soldaten bewaken Paulus. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Hand. 28:9. Deze prent maakt deel uit van een album.
Gezicht op Reims met de Kathedraal
Object type: cabinet photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: reims
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: city-view in general; 'veduta', church (exterior)
Inscriptions: number: ‘101/ 2178’, number: ‘101’
Cope
Object type: cope
Date: 1650 – 1700
Materials: metal thread, silk, silver
Techniques: dyeing

This splendid, semi-circular garment was intended to be worn, cloak-like, by the priest performing Catholic rites during church services. Glimpsed at the candle-lit altar as he prepared the tools of mass, the priest would have sparkled and shimmered, enveloped in exceedingly fine brocaded silk, with the repeat of its bold floral figurative design achieved by the complex interweaving of dyed yellow silk and precious silver-wrapped metal-threads, against a continuous ground of finer, silvered wire.
In Dove Dale
Object type: photograph
Date: 1880 – 1889
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Portret van Niccolò Fortiguerra
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: engraving, etching
Artist: claude antoine littret de montigny
Artist role: print maker
Artist dates: 1735 – 1775
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Timmerliedengilde van Maastricht, gildepenning van Augustinus Leppers
Object type: medal
Date: 1759 – 1759
Materials: brass
Techniques: casting, engraving
Artist: Anonymous
Subjects: maastricht

Messing penning met gat erin. Voorzijde: steekboor tussen beitel en bijl; daartussen jaartal binnen omschrift. Keerzijde: opschrift
The Fable of the Miller, His Son, and the Donkey No. 7
Object type: painting
Date: 1867 – 1868
Materials: canvas, oil
Culture: american
Artist: elihu vedder
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1923
Subjects: boys,men,donkeys

Vedder is best known for his visionary paintings that contain classical and allegorical allusions, which were precursors to the Symbolist movement in the United States. This series of paintings, however, has a literary theme based on a specific text—Aesop’s fable "The Miller, His Son, and the Donkey". Vedder used his beloved Italy as the setting of the classic fable, in which a hapless miller and his son attempt to appease passing critics, resulting in the death of their precious donkey.
De Courant / Het Nieuws van den Dag, 1944
Object type: newspaper
Date: 1944 – 1944
Materials: ink, paper
Techniques: printing
Location: amsterdam
Subjects: amsterdam
Inscriptions: date: ‘12 december 1944’

Artikel over dreigend voedseltekort. Open brief van 300 vrouwen aan de Amsterdamse burgemeester Voûte.
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1830 – 1890
Materials: graphite, ink
Techniques: pen
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: buildings,boats,stage design
Design for 4 seat Phaeton, no top, no. 3139c
Object type: drawing
Date: 1875 – 1875
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Hibiscus
Object type: print
Date: 1830 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Dorpsgezicht met Hervormde Kerk in Dorpsstraat  te Zegwaart
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: iven besoet
Artist role: print maker
Artist dates: 1720 – 1769
Subjects: zegwaart
Inscriptions: date

Dorpsgezicht met Hervormde Kerk in Dorpsstraat te Zegwaart. Op de prent is de kerk voor de afbraak in 1784 weergegeven. De toren bleef staan. Opvallend is de aanwezigheid van een spuithuisje voor de waterpomp en brandslang van de brandweer tegen de zijgevel van de kerk bij het koor. De prent werd later doorgeprikt om de voorstelling over te nemen.
Karel Willem Ferdinand, hertog van Brunswijk, penning aangeboden door de Staten van Holland en West-Friesland wegens het herstel van de orde in de Nederlanden
Object type: history medal
Date: 1787 – 1787
Materials: lead
Techniques: striking
Location: the hague
Artist: johann heinrich schepp
Artist role: sculptor
Artist dates: 1736 – 1811
Subjects: karel willem ferdinand hertog van brunswijk-wolfenbüttel, holland

Loden penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: lauwerkrans, eikenkrans en krans van grashalmen met elkaar verstrengeld binnen omschrift