deem-data/ArtiFact huggingface dataset:
Spoon
Object type: spoon
Date: 1743 – 1745
Materials: silver gilt
Artist: johann beckert v
Artist role: maker
Artist nationality: german
Artist dates: 1749 – 1777
Subjects: flowers
Tabakspijp.
Object type: pipe
Date: 1400 – 1950
Materials: earthenware, clay
Artist: Anonymous

Tabakspijp, op de steel: losanges, waarin een lelie stempel lelie, daaronder ?
Gezicht op de ruïne van Slot Teylingen
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Subjects: landscape with ruins, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2233
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of a draped figure
Guts of holle beitel met schuin uitlopende snede en een beitel met randlijst
Object type: chisel
Date: 1590 – 1596
Materials: iron
Techniques: forging
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Gouges or hollow chisels
Aglaé en Bonifatius van Tarsus
Object type: print
Date: 1843 – 1905
Materials: paper
Techniques: etching
Location: paris
Subjects: couple of lovers
Inscriptions: collector's mark: Lugt 2228
Sterfbed van Prins Maurits, 1625
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, maurice (prince of orange), deathbed

Illustratie voor: J. Fokke. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1783-1795, 25 delen. deel VII pl. VI.
Kerkvader Hieronymus
Object type: print
Date: 1580 – 1629
Materials: paper
Techniques: engraving
Location: unknown
Subjects: st. jerome as doctor of the latin church in his study with book, pen and ink; lion and cardinal's hat beside him
Inscriptions: collector's mark: Lugt 240

De H. Hieronymus, schrijvend aan een tafel. De leeuw, zijn persoonlijk attribuut, zit naast hem. De prent heeft een Latijns onderschrift.
Caprice in purple and gold, No. 2: The Golden Screen
Object type: reproduction
Date: 1920 – 1950
Materials: cardboard
Techniques: photograph
Location: washington d.c.
Subjects: adult woman (+ sitting), painting (including book-illumination, miniature-painting), screen, folding screen
Genso and Yokihi
Object type: print
Date: 1820 – 1820
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: men,women,flutes
Een Drieluik gewijd aan de nagedachtenis der Amsterdamsche dienstdoende Schutterij
Object type: photomechanical print
Date: 1907 – 1907
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Subjects: politician, military service (+ citizen soldiery, civil guard, citizen militia), drum (musical instrument), firearms: rifle, rocking-horse, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan de Schutterij.
Papyrus Fragments
Object type: fragment
Date: 301 – 700
Materials: ink, papyrus
Culture: coptic
Location: egypt
Subjects: documents
The card player
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: card games
Inscriptions: signature and date: ‘Rembrandt f 1641’, mark: Lugt 2228, mark: Lugt 2009
Little Lie-A-Bed's Sad Breakfast
Object type: drawing and watercolor
Date: 1900 – 1900
Materials: graphite, paint, paper, watercolor
Location: sweden
Artist: carl olof larsson
Artist nationality: swedish
Artist dates: 1853 – 1919
Ring, filigree
Object type: ring, filigree
Date: 7000 – 330
Materials: gemstone, gold
Ware Af-beeldinge van 't genereux exploit, uitgevoert door 's Landts Oorlogs-Vloot, op de Riviere van Chattam of Rochester; den 19, 20, 21, 22, en 23 Juny 1667
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Subjects: flushing, michiel adriaenszoon de ruyter, willem joseph baron van gendt, battle (+ naval force), capture of city (after the siege), raid on the medway

Blad met centraal twee voorstellingen en aan weerszijden zes kleine scènes 1-6 van de gebeurtenissen tijdens de tocht naar Chatham. Bovenaan de vernietiging van de Engelse vloot op 20 juni 1667 door de Staatse vloot onder Michiel Adriaenszoon de Ruyter, met een portret van Willem Joseph Baron van Ghendt. Onder een voorstelling van de verovering van het eiland Sheppey met het fort en magazijn te Sheerness door de troepen van kolonel Dolman. Onderaan een beschrijving van de gebeurtenissen in 4 kolommen met hierbij de legenda's voor de centrale platen 1-24 en 1-16 en de zijplaat A-CC in het Nederlands. De drie scènes 4-6 aan de rechterzijde gedrukt op een apart blad maar vastgeplakt aan het geheel.
Portret van Menno, baron van Coehoorn
Object type: print
Date: 1665 – 1688
Materials: paper
Techniques: engraving, etching
Artist: cornelis apeus
Artist role: print maker
Artist dates: 1634 – 
Subjects: the hague, historical persons
Pair of Stirrups
Object type: pair of stirrup
Date: 1801 – 1900
Materials: bronze
Culture: chinese or korean
Location: korea or china
Design for a Frieze in Fontainebleau Style
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: heightening, pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: women,horses
Musician with goat
Object type: group
Date: 1755 – 1755
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: men,goats
Concert voor de sultan
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: listening to music, head-gear: turban, more than one musician with instrument
Inscriptions: inscription: ‘SB (monogram) (?)/ f 660,,10,-’, collector's mark: Lugt 240

Dame achter klavecimbel, zingend en spelend uit een muziekboek voor haar. Links een cellist en twee violisten. Rechts zit de sultan in een leunstoel, omringd door overige figuren, te luisteren. Naast de sultan zit een elegant geklede dame.
Goslar. Brusttuch
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: halberstadt
Subjects: restaurant, hotel, hostelry, inn
Clemantis (Clemantis Flammula), from the Flowers series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: flowers

The "Flowers" series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
's Gravenhage, 30 April 1940
Object type: photograph
Date: 1940 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: utrecht, bernhard (prins der nederlanden), beatrix (koningin der nederlanden), the hague, juliana of the netherlands, family of the sovereign
Study Pavilion and Plum Trees: Page from The Mustard Seed Garden Manual of Painting
Object type: print
Materials: ink, paper
Techniques: polychrome, woodblock print
Culture: chinese
Artist: li cheng
Artist role: artist
Artist nationality: chinese
Artist dates: 919 – 967
Subjects: human figures,trees
Design for Vis-à-vis, no. 142
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van de Augustijn Gregorius Ariminensis
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: monastic orders, monastic life ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor: C. Curtius, Virorum illustrium ex ordine Eremitarum D. Augustini elogia , Antwerpen: J. Cnobbaert, 1636.
Gezicht op de vallei van Meran in Tirol
Object type: drawing
Date: 1828 – 1892
Materials: chalk, paper, watercolor
Techniques: brush
Artist: charles william meredith van de velde
Artist role: draughtsman
Artist dates: 1818 – 1898
Subjects: dale, valley

Gezicht op de vallei van Meran in Tirol met zicht op ruïne Brunnenburg en het dorp Tirol.
Boer met twee paarden bij een drinkbak
Object type: drawing
Date: 1800 – 1900
Materials: chalk, paper
Artist: Anonymous
Subjects: horse
Ceremonial Spearhead (<i>Mdung Rtse</i>)
Object type: spearhead mdung rtse
Date: 1601 – 1800
Materials: gold, iron
Culture: tibetan
Location: tibet

The decoration of this spearhead is crisply engraved and its entire exterior surface is finely crosshatched and damascened in gold, including the undecorated areas. The motifs include a symmetrical arrangement of stylized flames running up both sides of the blade, with a simplified version of the Sword of Wisdom along the central ridge.
Ragini Setmalar, Page from a Jaipur Ragamala Set
Object type: painting
Date: 1750 – 1770
Materials: gold, paper, watercolor
Location: rajasthan
Subjects: music, musicians
Portret van Godefroy de La Tour d'Auvergne
Object type: print
Date: 1760 – 1790
Materials: paper
Techniques: engraving
Location: paris
Artist: charles nicolas cochin (ii)
Artist role: draughtsman, print maker
Artist dates: 1715 – 1790
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Portret van Jacobus I, koning van Engeland
Object type: print
Date: 1603 – 1614
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: christoffel van sichem (i)
Artist role: print maker, publisher
Artist dates: 1546 – 1624
Subjects: jacobus i (koning van engeland)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1337

Portret van Jacobus I, koning van Engeland, hier geportretteerd als koning Jacobus VI van Schotland en Engeland. Hij draagt een harnas met sjerp en een kanten kraag. In het ovaal rondom het portret zijn naam en titel.
Opstand van de façade van een gebouw
Object type: sketchbook leaf
Date: 1864 – 1864
Materials: ink, paper, pencil
Techniques: pen
Artist: willem springer jr.
Artist role: draughtsman
Artist dates: 1815 – 1907
Subjects: façade (of house or building)

Pagina 73 uit een schetsboek met 164 pagina's.
Roma fateitalia
Object type: photograph
Date: 1962 – 1962
Materials: paper, photographic support
Techniques: gelatin silver print
Location: rome
Subjects: the hague, juliana of the netherlands, italy
Inscriptions: annotation: ‘I reali d'olanda... di passaggio’, stamp: ‘Copyright ANEFO Kerkstraat 310 Ams’
Glass bead
Object type: bead
Date: 301 – 600
Materials: glass
Culture: byzantine or roman

Uncertain color, appearing black; trail in opaque yellow. Globular, pierced with large hole; zigzag trail decoration around sides. Intact; some dulling and faint iridescent weathering.
Numismata virorum illustrium ex Barbadica gente
Object type: print
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: coat of arms (as symbol of the state, etc.), agreement, unity; 'concordia', 'concordia insuperabile', 'concordia militare', 'concordia di pace', 'unione civile' (ripa), fishes
Inscriptions: collector's mark: Lugt 2228

Een console met de personificatie van Burgerlijke Eendracht, weergegeven als een vrouw met in haar rechterhand een olijftak omkrultd met een mirtekrans. In haar andere hand heeft ze een vis. Daarbij een bord met twee wapenschilden. Rechts het wapen van de familie Barbarigo met daarboven een dogehoed. Links het pauselijk wapen van Alexander VI. De prent maakt deel uit van een album.
Boerenbruiloft
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: etching
Location: antwerp
Subjects: wedding feast, wedding meal
Inscriptions: collector's mark: Lugt 240
Gezicht op de ruïnes van de abdij van Clonthuskert
Object type: book illustration
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: london
Subjects: abbey, monastery, convent ~ roman catholic church, landscape with ruins
Inscriptions: date

Prent verschenen in: Grose, Francis. The antiquities of Ireland, dl. 2. Londen: S. Hooper, 1795.
Beeld van 'Laocoon de Rome'
Object type: photograph
Date: 1860 – 1862
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: guillaume benjamin amand duchenne
Artist role: fotograaf, medicus
Artist dates: 1806 – 1875
Subjects: face, physiology and anatomy ~ nervous system, neurology, physiology and anatomy, morphology of facial expression, piece of sculpture, reproduction of a piece of sculpture, physiognomy, experiment, test ~ science and technology, france

Ongenummerde pagina met foto 70 uit Mécanisme de la physionomie humaine ou analyse électro-physiologique de l'expression des passions (Atlas).
Saddle (Kura)
Object type: saddle kura
Date: 1701 – 1733
Materials: horn, ivory, lacquer, wood
Culture: japanese
Location: japan
Shrine sistrum of King Apries
Object type: music, sistrum, hathor emblem, bat
Date: 589 – 570
Materials: faience
Location: egypt
Subjects: musical instruments,women,hieroglyphs

This sistrum exemplifies the developed form of the naos sistrum as it is known from the Middle Kingdom. Above the handle appears the face of a woman with cow ears wearing a straight wig. A cornice above her head carries a naos, or shrine, whose center is open, except for the uraeus appearing in the opening. Tall inward spiraling elements appear on either side of the shrine. The face is the fetish of the goddess Bat, a frontal female face with cow ears and tall horns; the tall volutes beside the shrine seem to be derived from Bat’s tall horns. Although Bat was a separate goddess until the Dynasty 11, probably her similar identity as a cow goddess along with other factors led to the adoption of her fetish for the naos sistrum that was already associated with Hathor. Following that convergence, the head with wig and naos is generally referred to as the Hathor emblem. Frontal countenances with their direct gaze have great potency in many cultures: the developed naos-sistrum was an empowered substitute for Hathor, and for other great goddesses who shared dangerous and generative powers. The sistrum is inscribed on both sides for the pharaoh Apries, referring to shaking the sistrum and making jubilation for a goddess who is probably Tefnut.
Portret van professor Lindner
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1950
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons
Inscriptions: inscription: ‘Prof Lindner, [...]’
Triumph of Love: four horses draw a carriage with Cupid standing upon a smoking platform, preceded by gods and goddesses on foot, a temple with gabled pediment at crest of hill beyond, from "The Triumphs of Petrarch"
Object type: print
Date: 1539 – 1539
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: temples,cupid,gods,goddess,carriages
Schutterij van Haarlem, schutterspenning van het Blauwe Vaandel
Object type: marksman medal
Date: 1650 – 1750
Materials: brass
Techniques: casting
Location: haarlem
Artist: Anonymous
Subjects: haarlem

Messing penning. Voorzijde: gekroond wapenschild op twee gekruiste palmtakken boven letters B en V. Keerzijde: gehelmde St. Joris te paard met schild in linkerhand doodt met speer ter aarde liggende draak
Fragment van een borduursel
Object type: embroidery
Date: 1500 – 1600
Materials: gold thread, linen, textile, silk
Techniques: embroidered
Location: netherlands
Artist: Anonymous

Fragment van een geborduurde praetexta of aurifries van een dalmatiek. Het fragment bestaat uit rood satijn op een linnen voering. Het borduurwerk heeft rinceaux van goud en zijde in de kleuren geel en groen. Het fragment hoort bij twee fragmenten met invnrs. BK-NM-1239-B-1 en BK-NM-1239-B-2.
Hortulus Anime
Object type: print
Date: 1518 – 1518
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: hans springinklee
Artist role: print maker
Artist dates:  – 1540
Subjects: st. george and the dragon: dressed in armour and mounted on a (white) horse he brandishes his sword (his lance lies already broken on the ground); the princess nearby may be shown praying or fleeing

De heilige Joris zit geharnast te paard en doodt de draak. Links op de achtergrond de prinses. Prent maakt deel uit van een album.
Netsuke of a Man and Two Demons
Object type: netsuke
Date: 1701 – 1900
Materials: ivory
Techniques: inlay
Culture: japanese
Subjects: demons
Beleg van Mons, 1709
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: maps of separate countries or regions, siege, position war

Kaart van het beleg en inname van Mons (Bergen) door de Geallieerden, 25 september - 22 oktober 1709. Rechtsonder een cartouche met de titel, versierd met wapens, vaandels en enkele lichamen van verslagen vijandelijke soldaten. Aan de linkerzijde de verklaring 1-58 en A-I in het Frans. Onderdeel van een gebundelde verzameling van plannen van veldslagen en steden vermaard in de Spaanse Successieoorlog.
Shahsevan Double Saddle Bag
Object type: saddle bag
Date: 1850 – 1850
Materials: cotton, wool
Location: iran
Turnera e petiolo florens, foliis serratis. Hort. Cliff. 112. sp. 1
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: etching, letterpress printing
Location: warmond
Subjects: flowers, plants and herbs

Prent gebruikt als illustratie in: Linnaeus, Carolus. Hortus Cliffortianus plantas exhibens quas in hortis tam vivis quam siccis, Hartecampi in Hollandia, coluit (...) Georgius Clifford. Amsterdam: sine nomen, 1738.
Portret van Abraham Valentijn
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: kapitein, abraham valentijn
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Landschap met een kasteel
Object type: print
Date: 1560 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: city-view in general; 'veduta', landscape with tower or castle (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2241

Een landschap met rechts een kasteel langs een weg. Op de achtergrond een stad. Rechts verzamelen mensen sprokkelhout.
Studie, mogelijk van bebouwing
Object type: sketchbook leaf
Date: 1888 – 1891
Materials: chalk, paper
Location: london
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: civic architecture; edifices; dwellings

Pagina 16 uit een schetsboek met 19 bladen.
Jewelry Elements for a Broad Collar
Object type: bead, terminal, pendant
Date: 1353 – 1336
Materials: faience
Location: egypt
Subjects: fruit

These faience necklace elements were excavated at Amarna. The beads include palm fronds (green); lotus petals (white); dates (green, blue, and red); bunches of grapes (dark blue); cornflowers (green, blue, and white); persea fruit (yellow); and dom-palm fruit (red). The individual beads were made in molds and small ring beads were attached later to allow stringing. The elements shown here were intended for a collar necklace, so rings were attached at top and bottom so that the beads could interlock two strings. The triangular necklace terminal in the shape of a lotus blossom was pierced with holes for the necklace threads before it was fired. These elements come from houses in the North Suburb of Amarna where there were areas with a high density of faience molds and pendant suggesting production took place in the area.
Graf van Johannes Malderus
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: johannes malderus, archbishop, bishop, etc. (roman catholic), historical persons, grave, tomb, armorial bearing, heraldry
Inscriptions: inscription: ‘pag. 132’
Steigerend paard
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: horse
Inscriptions: collector's mark: Lugt 240
Tomb of Joseph I, Emperor of Hungary, King of Bohemia
Object type: print
Date: 1700 – 1769
Techniques: engraving, etching
Artist: alexander galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1687 – 1769
Subjects: architecture,tombs,coat of arms
Miss Williamson, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Macht van de Zeven Verenigde Nederlanden
Object type: jeton
Date: 1613 – 1613
Materials: silver
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: netherlands

Zilveren penning. Voorzijde: bundel van zee met lint samengebonden pijlen binnen omschrift. Keerzijde: opschrift
Brief aan E.H. Schüller-Audretsch
Object type: letter
Date: 1915 – 1915
Materials: ink, paper
Techniques: pen, writing
Location: rotterdam
Artist: Anonymous
Subjects: painter, print maker, draughtsman, jan schüller, family life, diseases
Cisterns, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1760 – 1760
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CLI in the third edition of 1762, but created as early as 1760 according to the Act of Parliament on the print itself.