deem-data/ArtiFact huggingface dataset:
Optocht van muizen met wandelstokken en buidels
Object type: boekillustratie ontwerp
Date: 1894 – 1894
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: rodents: mouse, walking-stick, staff, street
Inscriptions: number: ‘no 167’

De muizen, die uit jagen zijn geweest, lopen achter elkaar met gebogen koppen door een straat. Ze zijn droevig omdat één van de jagers is opgegeten door een kat. In de deuropeningen van de huizen in de straat staan muizen in hun ogen te wrijven. Ontwerp voor 'Het muizengezin en wat er verder voor viel', het vijfde hoofdstuk van de publicatie.
Het leven van Diana
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni girolamo frezza
Artist role: print maker
Artist dates: 1659 – 1748
Subjects: (story of) cupid, amor (eros), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Naar een fresco door Domenichino in het Palazzo Giustiniani-Odescalchi in Bassano di Sutri. Prent uit een reeks prenten met als onderwerp het leven van Diana.
Landschap met bouwval en enige boeren
Object type: drawing
Date: 1700 – 1800
Materials: chalk, ink, paper, pencil
Techniques: brush, pen
Artist: g.f. buijs
Artist role: draughtsman
Val van Icarus
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: death i.e. the fall of icarus (daedalus present)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Aysma, Joannes. Het ryck der goden, onder den eenige waare God, 2 delen. Amsterdam: Timotheus ten Hoorn, 1686, dl. I, p. 47.
Staande Christus met rijksappel en H. Geest
Object type: print
Date: 1730 – 1769
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: iven besoet
Artist role: print maker
Artist dates: 1720 – 1769
Subjects: adoration of the christ-child by the shepherds; mary and joseph present, 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet, 'portrait' of christ according to the letter of lentulus, the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38), holy ghost represented as a dove (in flames)
Inscriptions: collector's mark: Lugt 2228

Christus met rijksappel in handen staand in landschap en en duif als symbool van Heilige Geest boven zijn hoofd. In het landschap zijn twee scènes weergegeven die verwijzen naar het begin en het einde van het leven van Christus: de aanbidding van het Christuskind door de herders en de kruisiging van Christus op berg Golgotha met Maria treurend bij het kruis. Onder de voorstelling staat een citaat uit een apocriefe brief van Publius Lentulus aan de Romeinse Senaat over Christus.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, top of head of male to right; two letters of an inscription, HO [PAIS KALOS]; Exterior, two feet to left; animal hoof
Catapult Projectile from Montfort (Starkenberg) Castle
Object type: catapult projectile
Date: 1250 – 1250
Materials: limestone
Culture: kingdom of jerusalem
Location: israel

The area of Montfort, in upper Galilee near Acre, Isreal, was occupied by French Crusaders in the eleventh century. In the early thirteenth century it was acquired by the Teutonic Knights, a German crusading order, who strengthened the fortifications and renamed it Starkenberg. Mamluk forces took the castle by siege in 1271, leaving it in ruins. In 1925, Bashford Dean, curator of Arms and Armor, had high hopes that an excavation of the undisturbed site might unearth examples of arms and armor from the crusading era. Field work, organized by Dean and privately funded, was carried out in 1926. Relatively few martial artifacts were found, but the site did yield important architectural elements, pottery, glassware, and many other items from the daily life of the castle's former occupants. Among the military finds were several stone projectiles, including this example, which may have been hurled from a catapult into the castle by its besiegers in 1271.
Fox on the Prowl
Object type: print
Date: 1840 – 1849
Materials: paper
Techniques: lithograph
Location: switzerland
Artist: karl bodmer
Artist role: artist
Artist nationality: swiss
Artist dates: 1809 – 1893
Ornament met sfinxen en klok
Object type: ornament print
Date: 1628 – 1628
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: ornamental decoration ~ printed matter, book, clock

Ornament uit: Herman Hugo, Pia desideria emblematis, elegiis & affectibus S. S. Patrum illustrata, Antwerpen 1628. Volgens de titelpagina verscheen dit werk in Antwerpen bij Hendrick Aertssens, in werkelijkheid verscheen het in Amsterdam bij Pieter Jacobsz Paets (Dietz 2012, p. 58-59).
On Hemsö Island
Object type: print
Date: 1917 – 1917
Techniques: etching
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: female nudes,bathing
Munt ter gelegenheid van jubileum koning Willem I
Object type: print
Date: 1838 – 1840
Materials: paper
Techniques: relief engraving
Location: netherlands
Artist: jan dam steuerwald
Artist role: print maker, printer
Artist dates: 1805 – 1869
Subjects: the hague, william i of the netherlands, coin, king
Inscriptions: collector's mark: Lugt 2228

De voor- en achterzijde van een munt ter gelegenheid van het 25-jarig koningsschap van Willem I. Boven de gekroonde Hollandse maagd. Onder het portret van Willem I Frederik, koning der Nederlanden.
Kol Margit
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Twee portretten van een onbekende man ter illustratie van myxoedeem
Object type: page
Date: 1883 – 1888
Materials: linen, paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons, diseases
Inscriptions: inscription: ‘Plate II., Fig. 2./ Photograph of Mr. S. (Case IV.) which was taken recently’, inscription: ‘Plate II., Fig. 1./ Photograph of Mr. S. (Case IV.) which was taken when the disease was commencing’
Visitekaartje van prenthandelaar Victor Prouté te Parijs
Object type: visiting card
Date: 1876 – 1917
Materials: paper
Techniques: etching
Location: paris
Subjects: rowing-boat, canoe, etc., bridge
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Een man in een bootje op de Seine voor de Pont Royal, de Pont du Caroussel in de achtergrond.
Terracotta one-handled cup
Object type: cup, one handled
Date: 1300 – 1200
Materials: terracotta
Culture: helladic

Cup with one handle, bands, and conventional pattern.
Twee figuren onder een eik
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: trees: oak, forest path or lane, sitting on the ground, landscapes (+ landscape with figures, staffage), parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 240

Langs een bospad zitten twee figuren onder een eik. In de verte is een kerktoren te zien.
Etchings by E. Edwards
Object type: album leaf
Date: 1748 – 1806
Materials: paper
Techniques: etching
Artist: edward edwards
Artist role: painter
Artist dates: 1738 – 1806
Subjects: standing figure - aa - female human figure

Prent maakt deel uit van een serie van 51 prenten, bestaande uit twee delen met landschappen (36 prenten) en figuren en portretten (15 prenten), voor het eerst uitgegeven in Londen in 1790.
Gezicht op Enkhuizen met de toren van de Zuiderkerk en een telefoonmast
Object type: print
Date: 1905 – 1920
Materials: paper
Techniques: lithograph
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: telegraph pole, telephone pole, church (exterior), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
Gipsen afgietsel van een paneel en van twee friezen
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation, annotation: ‘M 0.63 breed - M 0.28 hoog / M 0.64 breed - 0.53 hoog / M 0.58 breed - M 0.28 hoog’
Medal
Object type: medal
Date: 1859 – 1859
Materials: copper gilt
Subjects: men,profiles
Franse edelman, op de rug gezien, gekleed volgens de mode van ca. 1630
Object type: costume print
Date: 1629 – 1650
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: cape (+ men's clothes), head-gear: hat (+ men's clothes), styles of hairdress, neck-gear: collar (+ women's clothes), europeans (with name), shoes, sandals (+ men's clothes), clothes, costume (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), hacking and thrusting weapons (foil), stockings, socks (+ men's clothes), head-gear: hat (+ feathers used for clothes)

Edelman, op de rug gezien, gekleed in korte schoudermantel over een wambuis met platte kraag. Kniebroek, schoenen met rozetten. Op zijn hoofd een hoed met brede rand en pluim, waaronder krullend haar, dat aan de linkerkant in een lange lok (moustache genaamd) op de schouder valt. Aan zijn linkerzijde een degen. De rechterarm uitgestrekt in een wijzend gebaar. Genummerd linksonder: i.
The Holy Family with Scriptural Scene in Background
Object type: print
Date: 1575 – 1642
Techniques: etching
Artist: guido reni
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1642
Subjects: holy family
Gezicht op het Piazza Barberini te Rome
Object type: photograph
Date: 1870 – 1880
Materials: photographic support
Techniques: gelatin silver print
Location: piazza barberini
Artist: Anonymous
Subjects: square, place, circus, etc., façade (of house or building)
Ornament
Object type: ornament
Date: 1501 – 1600
Materials: earthenware
Culture: french
The Watermill, after a painting by Ruisdaël
Object type: print
Date: 1782 – 1782
Techniques: drypoint, etching
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Subjects: watermills,men,trees,working
Portret van Johann Friedrich Seyffart
Object type: print
Date: 1721 – 1757
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: bookshelves, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Michael Bernhard Valentini
Object type: print
Date: 1700 – 1737
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: historical persons
Inscriptions: number: ‘361.’, inscription: ‘1657/ 1729’, collector's mark: Lugt 2228
L'Incendie
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: drypoint, engraving, intaglio
Location: paris
Subjects: rescue from fire
Inscriptions: collector's mark: Lugt 2228
Vorstendom Löwenstein-Wertheim-Rochefort, Dominicus-Konstantin, 3 kreuzer, 1800
Object type: coin
Date: 1800 – 1800
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: wapenschild. Keerzijde: waarde-aanduiding in twee regels, waaronder jaartal. Gladde rand.
Soldiers gathered in front of a church with priests and a crucifix
Object type: print
Date: 1834 – 1866
Techniques: lithograph
Artist: victor adam
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1866
Subjects: churches,soldiers,horses,cross,crucifixion
Notities
Object type: sketchbook leaf
Date: 1904 – 1904
Materials: ink, paper, pencil
Techniques: pen
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Inscriptions: annotation: ‘MBauer/ Zandvoort Holland/ Aerdenhout [...] Napels 23 Zondag Port-Said [...]’

Voorste schutblad uit een schetsboek met 56 bladen.
Witches Preparing for Sabbath
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: netherlands
Artist: attributed to andries stock
Artist nationality: netherlandish
Artist dates: 1572 – 1648
Inscriptions: Lettered lower left: "Jacques de Gheyn Inventor" and lower right: "Nicolaes de Clerck Excudebat."
Mi-gyaung
Object type: mi gyaung
Date: 1867 – 1900
Materials: gold leaf, wood
Culture: burmese
Location: myanmar
Subjects: crocodiles

In the ninth century, several Burmese musicians were sent to the Tang-dynasty court in China. Among the instruments they presented to the emperor were the saùng-gauk (harp), klene (mouth organ), and mi-gyaung, all chamber instruments. Mi-gyaung means " crocodile-zither" in Burmese. Similar box zithers exist throughout Southeast Asia and, although the shape is not maintained, the reptilian name persists as chakhe in Thailand or kacapi in Indonesia and the Philippines.
Pont de Rialto, Venise
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring, perforating
Location: venice
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Inscriptions: number: ‘N6-’, number: ‘No. 91’
Brick stamped with the Names of Amenhotep III
Object type: brick, amenhotep iii
Date: 1390 – 1352
Materials: mud
Location: egypt
Subjects: cartouches
Vrouw
Object type: drawing
Date: 1820 – 1830
Materials: chalk, paper
Location: the hague
Artist: Anonymous
Subjects: adult woman

Tekeningen waarschijnlijk ontstaan bij het Haagse kunstgenootschap ‘Tot Nut der Tekenkunst’, waar twee keer per week tekenavonden werden georganiseerd met geklede modellen.
Portret van Pierre-François-Joseph Bosquet
Object type: print
Date: 1855 – 1876
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: fortress, commander-in-chief, general, marshal, historical persons

Met midden onder een vignet met een gezicht op Fort Malachov.
Inuit Manner of Dress
Object type: drawing
Date: 1769 – 1769
Materials: chalk, graphite, ink
Techniques: brush, pen, wash
Artist: jean-baptiste le prince
Artist role: artist
Artist nationality: french
Artist dates: 1734 – 1781
Subjects: children,men,women,fish,family
Galerie Lucien Bonaparte
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: etching
Location: italy
Subjects: historical persons, hacking and thrusting weapons: sword
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Choix de gravures à l'eau-forte d'après les peintures et les marbres de la galerie de Lucien Bonaparte', uitgegeven in 1812 te Londen. De serie bestaat uit prenten naar schilderijen die zich destijds bevonden in de collectie van Lucien Bonaparte. Destijds werd het schilderij beschreven als een portret van 'Tiranno Cavalca' en toegeschreven aan Federico Barocci. Tegenwoordig wordt het schilderij toegeschreven aan Justus Sustermans.
Titelpagina voor: Placcaeten ordonnantien (...), 1648
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: personification of a city, town-patron(ess), justitia (justice) as roman personification, ruler, sovereign, prudentia (prudence) as roman personification
Inscriptions: collector's mark: Lugt 240

Een hertog op een troon. Op het baldakijn boven de troon staan diverse symbolen. De hertog wordt geflankeerd door een standbeeld van Gerechtigheid (Justitia) en van Voorzichtigheid (Prudentia). Met zijn rechterhand overhandigt hij een papier (zonder titel) aan een vrouwelijke personificatie van een stad. Zij is gekroond met een muurkroon. Een leeuw met het wapenschild van de hertogen van Brabant ligt aan haar voeten.
Rotterdam. Coolvest met molen
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: rotterdam
Subjects: windmill in landscape, canals, waters (in city)
Inscriptions: inscription: ‘NPG’, number: ‘12’
Actual View of Kata Bay, Kishu Province (Kishu kata no ura shinkei), from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”
Object type: print
Date: 1859 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
Ferret
Object type: ferret
Materials: copper alloy
Culture: frankish
Location: germany
Steatite scaraboid seal
Object type: scaraboid
Date: 700 – 668
Materials: stone
Culture: greek
Subjects: men,lions

Lion attacking man. The man's head is inside the jaws of the animal.
Fragment (Dress Fabric)
Object type: textile
Date: 1701 – 1800
Materials: textile, silk
Techniques: weave
Location: france
Subjects: flowers, ribbon
Votive Bed
Object type: votive bed
Date: 945 – 715
Materials: paint, pottery
Location: egypt

Three votive beds (31.3.108, 31.3.109 and a third in Cairo) and a small stela (31.3.110) were excavated in MMA tomb 825 at Deir el-Bahri. These are very well-preserved examples of a type of object that appeared only in Thebes between the 22nd and 26th Dynasties. Recent studies of the type and of MMA 31.3.108 in particular have revealed much about their significance and about their many interesting implications for understanding non-temple religious practices and artistic provision for the same. The decoration of these objects includes frontal standing nude females in boats with figureheads like sacred barks, Bes figures, and particular vegetation; some other examples include a kneeling female playing a lute. The decoration carries with it significations for female fertility, conception, and birth. However, it also seems likely that votive beds are associated with the Egyptian New Year festival, and the myth of the return of the absent goddess and the flood. This is indicated, for example, by the crown worn by the female figure, which is one usually worn by Anukis, a goddess linked to the return of the flood. The origin of the particular bed-form and the use of the objects are hardly clear, but based on analysis of find spots it has been suggested that the objects are associated with the coterie of temple women around the god Amun and the God’s Wives.
Card Number 242, Kiralfy Group, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
View of the Villa Medici and Sta Trinità dei Monti from Ingres's Studio in the Pavillon San Gaetano, Rome
Object type: drawing and watercolor
Date: 1819 – 1819
Materials: graphite, paper
Location: france
Artist: achille-etna michallon
Artist nationality: french
Artist dates: 1796 – 1822

A pupil of Jacques-Louis David and of the landscape painter Pierre-Henri de Valenciennes, Michallon was
the first to be awarded the Prix de Rome for historical landscape in 1817. He studied at the French Academy in Rome between 1818 and 1821; this view from Ingres’s famous studio sports a still life of the artist’s shaving equipment, hairbrush, and painter’s box.
The Clock Tower, Paris
Object type: print
Date: 1852 – 1852
Materials: chine, paper
Techniques: engraving, etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Hat
Object type: hat
Date: 401 – 800
Materials: wool
Location: egypt
Subjects: hats

Although frequently found in cemeteries, hats such as this example, are rarely recognizably depicted and thus their use is poorly understood. The bag-shaped hats are probably earlier than the tapered examples. The hat is worked in the sprang technique, which produced expandable networks.
24 Augustus van München naar Würzburg 283 K.M.
Object type: album leaf
Date: 1908 – 1935
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: city-view in general; 'veduta', outing, pleasure trip
Inscriptions: inscription

Albumblad met vier foto's met gezichten te München, Ingolstadt en Neurenberg, 24 augustus 1935. Onderdeel van het reisalbum van de familie Van den Broek 1935-1937.
Oprichting van de rekenkamer van Zeeland te Middelburg met Jacob Valk als eerste thesaurier
Object type: jeton
Date: 1594 – 1594
Materials: copper
Techniques: striking
Location: middelburg
Artist: Anonymous
Subjects: middelburg

Koperen penning. Voorzijde: gekroond wapenschild binnen omschrift. Keerzijde: opschrift
Korendragers- en -stortersgilde van Amsterdam, gildepenning van Jurrien Sigesmund Hilgendorff
Object type: medal
Date: 1793 – 1793
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: lichtelijk naar rechts gewende man met last op hoofd binnen sierrand. Keerzijde: opschrift
Underdress
Object type: underdress
Date: 1801 – 1833
Materials: metal thread, silk
Indische man en vrouw met kind bij de graanoogst
Object type: photograph
Date: 1912 – 1912
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: onnes kurkdjian
Artist role: fotograaf
Artist dates: 1851 – 1903
Subjects: harvest, field filled with a crop, dutch east indies, the

Onderdeel van Reisalbum met veertig foto's van Nederlands-Indië.
In de alpen
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: alps
Artist: Anonymous
Subjects: façade (of house or building), mountains
Inscriptions: inscription: ‘Stereoscoopjes (...) De Jong te Wormerveer.’, inscription: ‘De Jong's Cacao & Chocolade Wormerveer’
Portret van bisschop Johannes Malderus
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Artist: andreas bernardus de quertenmont
Artist role: draughtsman, print maker
Artist dates: 1750 – 1835
Subjects: johannes malderus, armchair, seat, archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 240

Malderus (geboren Jan van Malderen) was de vijfde bisschop van Antwerpen.
High-Backed Chair
Object type: chair
Date: 1401 – 1600
Materials: wood
Culture: french
Gelderschekade
Object type: photograph
Date: 1880 – 1895
Materials: photographic support
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: canal
Inscriptions: inscription: ‘Hendrik Groote. 43. Kalverstraat 43. Eastman Kodak Agency Darkroom at disposal.’

Onderdeel van Fotoalbum met opnames van het centrum van Amsterdam en reclameteksten voor winkels en bedrijven.
Ceiling Design of a Nereid Mounted on a Hippocamp with Putto
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: putti,hippocamps
Lace
Object type: lace
Date: 1801 – 1900
Materials: cotton
Culture: french
Anspachlaan te Brussel
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: belgium
Artist: Anonymous
Subjects: tramway, tram, street (+ city(-scape) with figures, staffage), brussels

De Anspachlaan te Brussel, vanuit de Beurs gezien naar het zuiden toe.
Attention.
Object type: print
Date: 1769 – 1820
Materials: paper
Techniques: stippling
Location: paris
Subjects: landscapes, vase ~ ornament - aa - stylized, anonymous historical person portrayed alone - bb - woman
Inscriptions: collector's mark: Lugt 2228