deem-data/ArtiFact huggingface dataset:
Model of a 3-Pounder Gun on a Slide for a Launch
Object type: demonstration model
Date: 1855 – 1855
Materials: bronze, copper, wood
Location: amsterdam
Inscriptions: inscription, on the slide: ‘SLOEPSAFFUIT. / tot / Houwitser 12 Dm tot Bronzen Kanon 3-pounder / 1/5 ware grootte.’

Model van een kanon op een schuifslede voor sloepen. De tromp is tulpvormig en afgewerkt met een sierraadring. De 28 cm lange loop heeft een kaliber van 14 mm en twee sierraadbanden; op het tappenstuk zijn twee eenvoudige dolfijnen gegoten. Op het kulas zit een druif. Het affuit is een dikke rechthoekige plank, aan de voorkant afgerond, en waarop twee wangen verbonden door een messing stang. De wangen hebben ellipsvormige gaten onderaan voor de broeking en de tappannen zijn met messing bekleed. Het affuit heeft een wervelbout die in de geul van de slede vaart, een eleveerschroef die op twee posities gezet kan worden, een voor houwitser en een voor een kanon, en een baksijzer. De slede is een lang frame met een geul in het midden en is aan beide uiteinden afgerond met een oog voor een spilbout. Aan de hoeken van de slede en het affuit zijn oogbouten gemonteerd. Schaal 1:5 (schaal op model).
Het Kindje gaat School
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: mother and baby or young child, being brought to school, first school-day
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Des menschen begin, midden en einde. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, p. 41.
Portret van een kind met een pop, achter haar een vrouw die een achtergronddoek vasthoudt
Object type: photograph
Date: 1883 – 1886
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: studio requisites ~ photographer, (playing with) dolls, mother and baby or young child

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Wall revetment fragment, marbled pattern
Object type: wall revetment fragment
Date: 100 – 100
Materials: glass
Location: egypt

Glass plaques imitating expensive marble or stones were used as wall coverings.
Kandelaber van wit marmer en verguld brons, met drie armen in de vorm van takken met bladeren, eindigend in rozeknoppen, opgehouden door gevleugelde putto
Object type: candelabrum
Date: 1900 – 1915
Materials: bronze, glass, marble
Techniques: gilding
Location: france
Artist: Anonymous

Kandelaber van wit marmer en verguld brons, met drie armen in de vorm van takken met bladeren, eindigend in rozeknoppen die als kaarsenhouder dienst doen. Ze worden opgehouden door een gevleugelde putto. Het voetstuk bestaat uit een ronde trommel, rustend op een vierkant plintstuk. De kandelaber is ingericht voor elektriciteit. Zie tevens: BK-1978-47-B.
Kaart van Java waarop de verdeling van het land onder de Javaanse vorsten is aangegeven
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: engraving, etching, hand coloring
Subjects: maps of separate countries or regions, java
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Bosch, Johannes van den. Atlas der overzeesche bezittingen van Zijne Majesteit den Koning der Nederlanden. Den Haag en Amsterdam: Gebroeders van Cleef, 1817.
Piece
Object type: piece
Date: 1640 – 1640
Materials: silk
Subjects: flowers
Reinaert de vos krijgt de zegen
Object type: print
Date: 1665 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: fable of reynard the fox

Belijn de ram zegent Reinaert de vos ter voorbereiding van zijn pelgrimstocht naar Rome.
Gezicht op het Küçüksu Paleis aan de Bosporus
Object type: photograph
Date: 1905 – 1905
Materials: paper, photographic support
Techniques: collodion silver print
Location: bosporus
Artist: Anonymous
Subjects: palace

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Louis XV: Peace Concluded at Aix-la-Chapelle
Object type: medal
Date: 1748 – 1748
Materials: gold
Artist: françois joseph marteau
Artist role: maker
Artist nationality: french
Artist dates: 1720 – 1759

France emerged victorious from The War of the Austrian Succession, a massive European-wide conflict that consumed the continent for eight brutal years. This medal was struck in 1749 to commemorate the war’s conclusion with the treaty signed in 1748 at Aix-la-Chapelle [Aachen]. Perhaps to evoke Aix-la-Chapelle’s ancient status as Europe’s first capital under the Holy Roman Empire, the French king, Louis XV (b. 1710; r. 1715-74), is portrayed wearing a ribbon fillet in emulation of portraits of the Roman emperors on classical coinage. Allusions to imperial numismatic traditions continue on the medal’s reverse. The female personification of enthroned Peace is similar to representations of the enthroned goddess Salus on the reverses of Roman coins. The medal’s inscription, SALUS GENERIS HUMANI recalls the goddess’s name and role as guardian of the Roman people’s well-being. Peace is surrounded by the munificent benefits that accrue to a people when war (symbolized by the military trophies and banners) is banished from her radiant light. In her right hand, Peace wields her emblem, the olive branch, like a scepter, and with the left, she offers the cornucopia of abundant prosperity. Under her benevolence, the arts and sciences (symbolized by books, an armillary sphere, and a compass and framing square) and commerce (symbolized by the anchor, caduceus, and bundle of trade goods) flourish. Little is known about the medalist and goldsmith, François Marteau, who with this work created one of the most elegantly resonant medals of Louis XV’s reign. Marteau brings a goldsmith’s precision to the detailed, nuanced engraving of both portrait and allegorical reverse. His syncopation of matte and reflective surfaces endow the medal with a jewel-like energy and sparkle. Marteau’s friend, Edme Bouchardon (1698-1762), sculptor to the king, provided the brilliant design for the medal’s reverse for which four preparatory drawings survive.
Lord Chelmsford
Object type: photomechanical print
Date: 1877 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait), officer
Portret van een man (lid van de familie Van Heerdt) te paard (ruiterportret), Baarn
Object type: photograph
Date: 1900 – 1925
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: lodewijk van de winkel
Artist role: fotograaf
Artist dates: 1856 – 1919
Inscriptions: signature: ‘L. v.d. Winkel / Rotterdam’
Paris. L'Hôtel-de-Ville
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: autotype
Location: paris
Artist: Anonymous
Subjects: river, townhall, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Jar with Partridge-Feather Mottles
Object type: vessel
Materials: glaze, iron, stoneware
Location: henan
Design for the Dining Room at Kirtlington Park, Oxfordshire
Object type: drawing
Date: 1747 – 1748
Materials: ink
Techniques: brush, pen, wash
Artist: john sanderson
Artist role: artist
Artist nationality: british
Artist dates: 1730 – 1774
Subjects: architecture,interiors,dining rooms
Terracotta kylix: Siana cup (drinking cup)
Object type: kylix, siana cup
Date: 575 – 575
Materials: terracotta
Culture: greek, attic
Artist: c painter
Artist role: artist
Subjects: shields,men,achilles,horses

Interior, gorgon Exterior, obverse, Achilles pursuing Troilos and Polyxena; reverse, horsemen The C(orinthianizing) Painter takes his name from the strong influence of Corinthian vase-painting on his style. He particularly favored the Siana cup, which afforded him an ample, regularly shaped surface over which to deploy mythological narratives. The C Painter has chosen a later moment in the Troilos story than the Painter of London B 76. The hare and bird emphasize the speed of Achilles' pursuit.
Christus en de Apostelen
Object type: print
Date: 1519 – 1519
Materials: paper
Techniques: woodcut
Location: straatsburg
Artist: hans baldung grien
Artist role: draughtsman, print maker
Artist dates: 1484 – 1545
Subjects: the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 240
Schroefdop en -fitting uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: verpakking
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Container, screw cap and fitting; fragm of stub and cap, id. NG 1980-27H119, corroded. Met zakje met gruis en steentjes.
S. Nicéphore et Ses Compagnons (St. Nicephorus and His Companions), February 25th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: london
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: paris, eugène delacroix, claude monet, rome, nicolas poussin, amsterdam, meindert hobbema, james abbott mcneill whistler, john ruskin, joseph mallord william turner, the hague, painter, draughtsman, philip zilcken, drawing, photography, cinematography
Inscriptions: collector's mark: ‘RPK’, watermark
A Portrait of Farhad Khan
Object type: illustrated album leaf
Date: 1680 – 1680
Materials: gold, paper, watercolor
Location: india
Subjects: men,portraits

The subject of this painting is identified in two places as Farhad Khan, and while little is known about this figure in history, his sumptuous golden garments reveal that he was a person of distinction. The artist has depicted Farhad Khan holding a rose, indicating his refined taste, and a sword, a common attribute in portraiture at the Islamic courts of India. Portraits of Africans in the Deccan are illustrated in the same manner as other courtiers in this period, and these paintings reflect the unique form of social mobility sometimes afforded in Islamicate systems of slavery. East African slaves held roles as military commanders and could rise to the rank of nobles with the ability to pass on titles and properties to heirs.
Three Soldiers and a Dog
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Gezicht van een man in profiel naar rechts
Object type: print
Date: 1700 – 1900
Materials: paper
Techniques: drypoint, roulette
Artist: Anonymous
Subjects: head (human) (+ sideview, profile)
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: animals
Portret van Hendrik IV, koning van Frankrijk en Navarra
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Subjects: hendrik iv (koning van frankrijk en navarra)
Inscriptions: inscription: ‘Hiero. Wierix’, collector's mark: Lugt 2228

De prent heeft een tweeregelig bovenschrift in het Latijn. In de marge een tweeregelig onderschrift in het Latijn.
Temple of Hachiman at Kamakura
Object type: page
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: temple, shrine ~ non-christian religions, façade (of house or building)
Inscriptions: inscription: ‘Hachiman is the name under which (...) The Temple dates from the end of the 12th century.’
Tafel
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: table

Een ovale tafel in de Hendrik II-stijl. Prent uit 61e Livraison.
Martelaarschap van Christus en de apostelen
Object type: print
Date: 1576 – 1580
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: john drinks from the poisoned chalice, given to him by the priest of diana of ephesus; john resuscitates two women who had already died from the poison, martyrdom of john in front of the porta latina: he is put in a cauldron of boiling oil, but remains unharmed, the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll - martyrdom, suffering, misfortune, death of male saint

Rechts op de voorgrond staat Johannes met een beker in de hand. Deze apostel stierf een natuurlijke dood, maar doorstond wel enige martelingen. Die zijn achter hem te zien: uiterst linksboven staat hij in een pan kokende olie, op het middenplan is te zien hoe hij een beker gif leegdrinkt. Onder de voorstelling een verklarende tekst in het Latijn. Deze prent maakt deel uit van een album.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed palmette; right calf and foot of a male to right; bit of drapery?
Mandolin
Object type: mandolin
Date: 1900 – 1900
Materials: ivory, metal, nickel, silver, wood, shell
Culture: american
Location: united states
Artist: angelo mannello
Artist role: maker
Artist nationality: american, born italy
Artist dates: 1858 – 1922

Neapolitan style bowlback mandolin with seventeen inlaid nickel-silver frets on a tortoiseshell fingerboard. The bowl is extraordinarily decorated wiht a rich design of checkerboard pattern ivory and tortoiseshell separated by nickel-silver strips, and a profuse decoration in ivory inlay depicting a naked woman, putti playing instruments, grotesques, and floral designs. These decorative motifs continue on the fingerboard and peghead of the instrument. The maker's name is inlaid around the oblong soundhole.
Lamp
Object type: lamp
Date: 501 – 800
Materials: ceramic
Culture: sasanian or islamic
Location: iran

This lamp is shaped like a small bowl. It has a flat base and a rounded rim with a pinched spout. It is made of a buff clay using a potter’s wheel. Scorch marks around the rim indicate that it was used in antiquity. This lamp was excavated at Qasr-i Abu Nasr, a Sasanian town near modern Shiraz, Iran. It was found in the western area of the site, where material dating to the Sasanian and Islamic periods was recovered. The simple form of this lamp makes it difficult to date precisely, as it has parallels in both Sasanian and early Islamic material. Lamps like this one were the primary lighting technology available to most people at Qasr-i Abu Nasr. Presumably some sort of plant oil, such as sesame or castor oil, was used as fuel. The simple form of the lamp made it easy to fill and clean. Since it has a flat base and no handle it was most likely intended to be placed on a table or shelf.
Histoire de l'abbaye de Gembloux, de l'ordre de Saint-Benoît
Object type: book
Date: 1882 – 1882
Materials: linen, paper, photographic support
Techniques: albumen print, decorated paper, printing
Location: namur
Artist: m. labbé toussaint
Artist role: abt, professor
Inscriptions: annotation: ‘Hommage [...] l'auteur/ 1200-’, date: ‘May 1988’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, handle palmette and bit of handle patch
Illuminated Initial and Saint
Object type: drawing
Date: 1830 – 1862
Materials: gold, gouache, graphite, ink, watercolor
Techniques: pen
Artist: freeman gage delamotte
Artist role: artist
Artist nationality: british
Artist dates: 1813 – 1862
Subjects: saints
Allatoona from the Etawah
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: american civil war,landscapes
Fragment lood en gruis uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Trees
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen
Artist: anonymous, italian, venetian, 15th to 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1400 – 1600
Subjects: trees
Terracotta kylix (drinking cup)
Object type: kylix, eye cup
Date: 510 – 510
Materials: terracotta
Culture: greek, attic
Artist: palmette eye-cups
Artist role: artist
Subjects: men,female nudes

Interior, seated youth holding fruit (quinces?) Exterior, obverse, flute girl peering into amphora (jar) Reverse, flute girl holding cup of special shape The decoration of vases used in symposia (drinking party) draws liberally on the erotic aspects of these events. The flute girl on the obverse investigates a pointed amphora; her flute case dangles rather provocatively from one leg. Her counterpart on the other side raises a particularly unusual type of kylix.
The Four Goats
Object type: print
Date: 1630 – 1633
Materials: paper
Techniques: etching, printing
Location: france
Artist: claude lorrain (claude gellée)
Artist role: artist
Artist nationality: french
Artist dates: 1604 – 1682
Ketting van zwarte houten kralen, afwisselend vier ronde en één ovale
Object type: chain
Date: 1900 – 1920
Materials: wood
Location: netherlands
Artist: Anonymous

Ketting van zwarte houten kralen, afwisselend vier ronde en één ovale.
Navajo Brave and his Mother. The Navajo were formerly a warlike tribe until subdued by U.S. Troops, in 1859-60. Many of them now have fine flocks, and herds of horses, sheeps and goats, No. 29 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Object type: photograph
Date: 1873 – 1873
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, mothers, sons, geographical explorations and surveys
Portret van Otto von Manteuffel
Object type: print
Date: 1830 – 1863
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: eyeglasses, spectacles, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van baron George Brydges Rodney
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, firearms: cannon, parts of ship's exterior: anchor

Tweede staat gebruikt in: Kok, Jacobus. Geschiedenissen der Vereenigde Nederlanden. Voor de vaderlandsche jeugd (...). Amsterdam: Johannes Allart, 1790, dl. 14.
Hilt of a Weapon
Object type: hilt
Materials: gold
Culture: indonesian, javanese
Omslag van: Maandblad der Vereeniging voor verbetering van vrouwenkleeding, No. 6, mei 1903
Object type: wrapper
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: ornaments ~ art, dress, gown
Inscriptions: collector's mark: ‘R:MVS.’

Staande vrouw in een versierde jurk met de handen voor haar lichaam gevouwen. Naast haar knielen twee vrouwen met palmtakken.
Judith, from "Heroes and Heroines of the Old Testament"
Object type: print
Date: 1597 – 1597
Techniques: engraving
Artist: nicolaes braeu
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1586 – 1600
Subjects: heads,men,judith
Nr. 4 Een der ezels van de Maatschappij
Object type: photograph
Date: 1912 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: curacao
Artist: Anonymous
Subjects: plantation, ass, donkey

Ezel behorend bij plantage Mount Pleasant op Curaçao. Onderdeel van het fotoalbum uit ca. 1912-1913 met 92 foto's van de plantages Peperpot en Dordrecht in Suriname en Mount Pleasant op Curaçao.
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: georges rodenbach
Artist role: dichter, schrijver
Artist dates: 1855 – 1898
Subjects: paris, paul verlaine, painter, draughtsman, philip zilcken, the arts of the stage: ballet, theatre, musical drama, motion picture, netherlands
Inscriptions: collector's mark: ‘RPK’
Title Page, The Caricature Magazine by G. M. Woodward, vol. 4
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,caricature

Tegg's "Caricature Magazine" first appeared in 1807 and each issue was given a different title page. This example reused a plate created in 1809, altered the text and the hand coloring (see 59.533.1224 for the earlier version). Two figures below may represent the artist Woodward and Tegg, with the man at left sketching a caricature and sitting below a framed image of a Masquerade and the word Humour; that at right holding a whip and sitting beneath a picture of a Country Dance and the word Satire. Laurels frame the title and publication details, with the latter topped with a swag lettered "Vive la Bagatelle," and a mask, here dark-skinned, held by cupids. Text further above reads "Ever Changing" and "Ever New."
Saint Peter and a Donor (recto); Saint Thomas (verso)
Object type: painting
Date: 1520 – 1520
Materials: oil, panel, wood
Techniques: painting
Location: northern netherlands
Artist: workshop of jacob cornelisz. van oostsanen
Artist nationality: netherlandish
Artist dates: 1470 – 1533
Subjects: saints, prayer, religious, religion, christianity, christian subjects, devotion, woman, man, century of progress, world's fairs, chicago world's fairs
Onenigheid met paus Paulus III en Hendrik II, koning van Frankrijk, rekenpenning van de raad van Financiën, ter ere van Karel V, Duits keizer
Object type: jeton
Date: 1547 – 1547
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: priest, paulus iii, ghent, charles v (holy roman emperor and king of spain), paris

Koperen penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: Jupitter werpt met bliksem Phaeton uit zonnewagen binnen omschrift.
March
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Overzicht kampongwoningen, gezien vanaf den kalkoven in W. richting. October 1926.
Object type: photograph
Date: 1910 – 1926
Materials: photographic support
Techniques: gelatin silver print
Location: east java
Artist: Anonymous
Subjects: colonial system, trade-company, making the overground structures (~ building activities), (non-fruit) products of plants or trees: sugarcane, representation of real building (either existing or having existed)
Inscriptions: inscription: ‘Overzicht kampongwoningen, gezien vanaf den kalkoven in W. richting. October 1926.’

Gezicht op de kampongwoningen op het fabrieksterrein, oktober 1926. Onderdeel van het fotoalbum met foto's van de opbouw van de suikerfabriek te Goenoengsari op Oost-Java door de Handels Vereniging Amsterdam 1926-1927.