deem-data/ArtiFact huggingface dataset:
Portret van Selim III, sultan van het Ottomaanse Rijk
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, head-gear: turban
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 3996
Portret van een vrouw in hooggesloten jurk
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman
Napoli. Villa Comunale
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1910
Materials: cardboard
Techniques: autotype
Location: naples
Artist: Anonymous
Subjects: public gardens, park (+ city(-scape) with figures, staffage), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Karaf met bolvormig lichaam met ingestoken ziel, de hals met druipring en oor
Object type: miniature
Date: 1675 – 1699
Materials: glass

Karaf van helder kleurloos glas, bolvormig lichaam met ingestokenziel, rechte hals met druipring, doorlopend in oor eindigend in krul.
Procession of Monstrous Figures
Object type: print
Date: 1615 – 1615
Techniques: etching
Artist: wendel dietterlin, the younger
Artist role: artist
Artist nationality: german
Artist dates: 1614 – 1669
Subjects: monsters,carriages
Architect Submitting Designs to Patron
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: francesco fontebasso
Artist role: artist
Artist nationality: italian
Artist dates: 1707 – 1769
Notities
Object type: sketchbook leaf
Date: 1916 – 1916
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Inscriptions: annotation: ‘[...]’

Blad 71 verso uit een schetsboek met 72 bladen.
Flute
Object type: glass
Date: 1660 – 1680
Materials: glass
Location: netherlands
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, bent arm; Exterior, on left, foot?; on right, part of left foot and calf; behind foot, unidentified object
Ship at Sea
Object type: drawing
Date: 1867 – 1900
Materials: watercolor
Artist: albert ernest markes
Artist role: artist
Artist nationality: british
Artist dates: 1865 – 1901
Subjects: seas,seascapes,ships
Boot in het water
Object type: sketchbook leaf
Date: 1886 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: ships (in general), windmill in landscape, canals, waters (in city)

Op de achtergrond een molen, mogelijk De Victor. Pagina 27 uit een schetsboek met 18 bladen.
Portret van David Jorisz.
Object type: print
Materials: paper
Techniques: engraving, etching, letterpress printing
Subjects: bruges, david jorisz.
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Portret van David Jorisz., aan een tafel, waarop een exemplaar van het door hem geschreven 'Wonderboeck' ligt. Hij laat zijn hand, waarin hij een anjer vasthoudt, rusten op het boek. In de andere hand heeft hij een handschoen. Boven zijn hoofd staat het jaartal 1554 en zijn leeftijd vermeld. Onder en boven de prent Duitstalige tekst in boekdruk met een ornamentele omlijsting.
Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)
Object type: print
Date: 1799 – 1799
Techniques: aquatint, burnishing, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: satire,women
The Virgin holding a cloth above the sleeping Christ child, with musical angels and the infant Saint John the Baptist
Object type: print
Date: 1729 – 1729
Techniques: etching
Artist: nicolas pigné
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Composed Armor
Object type: composed armor
Date: 1550 – 1580
Materials: copper alloy, gold, leather, steel, textile
Culture: german
Location: italy
Artist: wolfgang grosschedel
Artist role: armorer
Artist nationality: german
Artist dates: 1517 – 1562

This armor is composed of elements from three different armors, all made in southern Germany for Spanish patrons. The helmet, arm defenses, gauntlets, and leg defenses belong to a large garniture made in 1554 for the future Philip II of Spain (reigned 1556–98) by the leading armorers of Landshut, Wolfgang Grosschedel (recorded 1517–1562) and his son Franz (recorded 1555–1579). The elements of Philip's armor are distinguished by their decoration of stylized cloud bands. The associated breastplate, probably made in Augsburg about 1550, is decorated with the cross used by the Spanish knightly orders of Alcantara and Calatrava. The backplate, also made in Augsburg about 1550, appears to be part of an armor for Fernando Alvarez de Toledo (1508–1583), third duke of Alba. The gorget (collar) is Italian, made about 1580.
Gezicht op de Nassaukade en het Oude Kerkpad in Amsterdam
Object type: cabinet photograph
Date: 1868 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andreas theodorus rooswinkel
Artist role: fotograaf
Artist dates: 1838 – 1909
Subjects: the usual house or row of houses, street
Inscriptions: annotation: ‘Oude Kerkpad - (Nassau Kade)’, annotation: ‘Oude Kerkpad’, retailer's mark: ‘GEBR. DOUWES./ ATELIER/ Grimburgwal 15/ AMSTERDAM.’
Het verhaal van Sorgheloos
Object type: print
Date: 1541 – 1541
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: small group of musicians, chamber orchestra, jazz band, ball, formal dance, carelessness, wealth, opulence; 'opulenza', 'richezza' (ripa), sluggishness, inertia; 'dapocaggine', 'pigritia' (ripa), more than one couple dancing
Inscriptions: number: ‘257 L(?)i’

Sorgheloos dansend met Weelde. Rechts op een verhoging zittende muzikanten. Ornamentele omlijsting rond voorstelling met het bal. Binnen omlijsting twee elfregelige gedichten in het Nederlands. Prent drie van serie van zes.
Steatite rectangular prism
Object type: seal
Date: 1900 – 1750
Materials: stone
Culture: minoan
Subjects: men,hieroglyphs,leaves

Two hieroglyphs, leaf fronds and flowers antithetically disposed; seated man.
Piece
Object type: piece
Date: 1767 – 1833
Materials: metal thread, silk
Subjects: flowers,leaves
Towel
Object type: textile
Date: 1850 – 1900
Techniques: embroidery
Location: turkey
Maltese, from the Dogs of the World series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: dogs

The "Dogs of the World" series of trading cards (N163) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The series of 50 cards depicts dogs of various breeds. The Metropolitan Museum of Art owns 23 of the series' 50 cards.
Mozes wijst op de moord op een oude man
Object type: print
Date: 1778 – 1785
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: violent death by sword, forethought, deliberation; 'previdenza', 'providenza' (ripa), moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, tables of the law, murder, robbery
Inscriptions: collector's mark: Lugt 2228

Latere staat bij: Gellert, Christian Fürchtegott. Fabelen en vertelsels. 3 dln. Amsterdam: Pieter Meyer, 1772-1774, dl. 1 (1772). De prenten bij deze publicatie werden later uitgegeven. De exemplaren uitgegeven door de weduwe Jacobus Loveringh & Johannes Allart tussen 1777 en 1778, de exemplaren uitgegeven door alleen Johannes Allart tussen 1778 en 1785.
Punch bowl
Object type: punch bowl
Date: 1702 – 1702
Materials: pewter
Artist: william eddon
Artist role: maker
Artist dates: 1650 – 1750
Subjects: coat of arms
If the Hunter has Cold Hands... the hare doesn't have cold feet, plate 22 from Émotions De Chasse
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Going In and Out Clever, plate four from Insidspensable Accomplishments
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: sir robert frankland
Artist nationality: english
Artist dates: 1784 – 1849
Subjects: dogs, animals
Prunted Beaker (Roemer)
Object type: glass
Date: 1700 – 1725
Materials: glass
Location: germany
Terracotta lebes gamikos (round-bottomed bowl with handles and stand used in weddings)
Object type: lebes gamikos
Date: 430 – 420
Materials: terracotta
Culture: greek, attic
Artist: washing painter
Artist role: artist
Subjects: women

Bride with attendants Scenes of brides such as this are basically variants of those showing women in their domestic interiors. The nuptial representations are distinguished by objects that are specific to weddings. In this scene, the loutrophoros carried by the woman at left is special. Loutrophoroi contained water for the nuptial bath; they were also used as grave-markers for women who died unmarried.
Servet met het wapen van Cornelis Hop
Object type: napkin
Date: 1700 – 1724
Materials: linen
Techniques: damask
Subjects: cornelis hop (ii)
Inscriptions: mark: ‘H’

Servet van linnendamast met het wapen van Cornelis Hop. Middenveld: symmetrische patroon van veelsoortige voluutranken met op de knooppunten geblokte verdikkingen. Daartussen een liggend ovaal schild met een wapen van Cornelis Hop (1685-1762), ambassadeur aan het hof van koning Lodewijk XV van Frankrijk: gevierendeeld, 1 en 4 kopvogel staande op bol (de vogel van 1 omgewend, die van 4 omziend); 2 en drie twee afgewende vleugels. Hartschild gedeeld: 1 een dwarsbalk, 2 rechts een vijfpuntige ster, links een gewende wassenaar. Het schild gedekt met vijfbladerige kroon. Schildhouders: rechts een afgewende adelaar, links een afgewende leeuw. Randen: wapentrofeeën. Hoeken: een rondas. Rondom blokkenrand.
Pfeffer, 2nd Base, Louisville, from Mayo's Cut Plug Baseball series (N300)
Object type: print, baseball card
Date: 1895 – 1895
Techniques: lithography
Artist: p.h. mayo & brother, richmond, virginia
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,baseball,athletes

Series of baseball cards from "Mayo's Cut Plug" series (N300), issued in 1895 by P.H. Mayo and Brother. Blank black back. Player is Fred Pfeffer with Louisville on uniform.
Jeu de Societe dans un Parc
Object type: print
Techniques: etching
Artist: jean honoré fragonard
Artist role: artist
Artist nationality: french
Artist dates: 1732 – 1806
Subjects: parks,boys,girls,women,playing
Mialaret, fabrikant van paraplu's, parasols en wandelstokken aan de Kalverstraat no. 28 te Amsterdam
Object type: adrespenning
Date: 1840 – 1880
Materials: brass
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: kalverstraat

Messing penning. Voorzijde: opschrift binnen omschrift. Keerzijde: opschrift binnen omschrift
3 pence uit Engeland van Victoria, 1874
Object type: coin
Date: 1874 – 1874
Materials: silver
Techniques: striking
Location: london

Zilveren munt. Voorzijde: gekroond hoofd van de koningin naar links [young head]. Keerzijde: binnen twee samengebonden eikentakken tussen jaartal waarde-aanduiding. Daarboven kroon. Gladdde rand.
Boar Spear
Object type: arm
Date: 1575 – 1600
Materials: wood, brass, steel
Culture: german
Location: saxony
Amor als tuinman / Verdronken paard
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: accidental death ~ water (+ variant), (story of) cupid, amor (eros), picking fruit, horse

Twee voorstellingen van één plaat. Links: Amor heeft zijn pijl en boog neergelegd en trekt een vrucht van een boom. Rechts: Een boer, wiens hart is doorboord met de pijl van Amor, begraaft met een schep zijn verdronken paard in een kuil. In de lucht vliegt Amor. De prenten maken deel uit van een serie prenten met liefdesemblemen.
Vogels bij een vogelbad
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: birds
Inscriptions: collector's mark: Lugt 2228
Fragment met oor van een pot (?) met Adam en Eva en de boom met de slang
Object type: fragment
Date: 1400 – 1950
Materials: earthenware
Artist: Anonymous

Fragment met oor van een pot (?) van groengeglazuurd aardewerk met Adam en Eva en de boom met de slang, in relief.
Kalama, Columbia River, Washington (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: rivers
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of draped figure; in field, torch holder
Portret van drie vrouwen
Object type: carte de visite
Date: 1898 – 1898
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rotterdam
Artist: lodewijk van de winkel
Artist role: fotograaf
Artist dates: 1856 – 1919
Inscriptions: annotation: ‘Ter herinnering aan 14 Oct. 1898’

Drie jonge vrouwen naast elkaar, en buste.
Snuffbox with pair of swans
Object type: snuffbox
Date: 1765 – 1770
Materials: copper, enamel
Artist: wenceslaus hollar
Artist role: engraver
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: swans
De Rajah
Object type: popular print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Artist: albert quantin
Artist role: printer, publisher
Artist dates: 1850 – 1933
Subjects: prisoner; in fetters, tales and fairy tales, ruler, sovereign
Inscriptions: : ‘marque de fabrique / deposée’, collector's mark: Lugt 2760

Blad met drie rijen met voorstellingen over een Indiase vorst (raja) die zijn gevangenen verschillende beproevingen laat doen. Onder elke afbeelding een onderschrift. Genummerd linksboven: Série 11. - No. 9.
Dish
Object type: dish
Date: 1534 – 1566
Materials: earthenware
Techniques: luster painting, glazing

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Sight
Object type: print
Date: 1720 – 1770
Techniques: engraving, etching
Location: france
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: boys,men,plants
Gezicht op de Sint-Lievensmonstertoren te Zierikzee, 1743
Object type: print
Date: 1747 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church (exterior), parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228

Gezicht op de toren van de Sint-Lievensmonsterkerk te Zierikzee, in de situatie omstreeks 1743.
La veste de Cygne (autre)
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: children,portraits
Allegory of Friendship (one of a pair)
Object type: decorative panel
Date: 1701 – 1800
Materials: canvas, oil
Artist: le riche
Artist role: artist
Artist dates: 1750 – 1810
Subjects: women,flowers,lyres

This panel and its companion (07.225.503a) are attributed the Manner of Le Riche based on stylistic similarities to the paintings in the Belvedere of the Petit Trianon by Le Riche, who worked on decorations at Versailles as "peintre des Bâtiments de la Reine" from 1780 onwards.
Brown paste paper book cover
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Ruïne van de ingang van de voornaamste zuilenstraat bij Palmyra, Syrië
Object type: photograph
Date: 1925 – 1925
Materials: cardboard, paper
Techniques: gelatin silver print
Location: unknown
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: syrië
Inscriptions: number: ‘4.’

Titel op object afkomstig uit inventaris (Verklaring der Photo's) behorend bij het album.
S 3 No 25. Bandoeng. Ingang Pieterspark met Protest: kerk.
Object type: stereograph
Date: 1900 – 1935
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: malang
Artist: neville keasberry
Artist role: fotograaf
Artist dates: 1866 – 1944
Inscriptions: signature: ‘Neville Keasberry, Malang (Java)’, inscription: ‘Stereoscopische Fotografie’
Plate 23: Cadmus Killing the Serpent (Draco a Cadmo interficitur), from Ovid's 'Metamorphoses'
Object type: print
Date: 1606 – 1606
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: men,serpents
Industry
Object type: painting
Date: 1845 – 1892
Materials: canvas, oil, paper
Artist: pierre victor galland
Artist dates: 1822 – 1892

De Industrie. Schets van de naakte vrouwelijke personificatie van de Industrie, gezeten op de wolken, naast haar producten van ceramiek.
The Angel Staying the Arm of Abraham
Object type: print
Date: 1510 – 1561
Techniques: engraving, etching
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Subjects: men,rams,trees,angels,abraham
Op weg naar het zuiden
Object type: print
Date: 1978 – 1978
Materials: paper
Techniques: screen printing in color
Artist: harrie a. gerritz
Artist role: draughtsman, painter, print maker
Artist dates: 1940 – 
Subjects: birds, trees: palm-tree
Inscriptions: dedication: ‘voor Piet’, collector's mark: Lugt 2228, inscription: ‘PC’

Zwarte vogel kijkend naar een palmboom binnen een rechthoek.
Vier Spanjaarden gooien hun koning met een laken in de lucht
Object type: cartoon
Date: 1872 – 1872
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: europeans: spaniards, caricatures (human types), king
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 9 april 1872.
Coelistellati Christiani haemisphaerium posterius
Object type: map
Date: 1660 – 1660
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: zodiac; the twelve zodiacal signs together, star-chart, star map
Inscriptions: collector's mark: Lugt 2228

Hemelkaart van de najaarshemelsfeer met de Christelijke sterrenbeelden, gebaseerd op de atlas van Julius Schiller uit 1627. In plaats van de gebruikelijke sterrenbeelden in de dierenriem zijn apostelen te zien. Links- en rechtsonder twee bollen waarin delen van de kaart van dichterbij te zien zijn. Links- en rechtsboven de titel. Rechtsonder genummerd: 23.
Krishna (dressed as a woman) Embracing Radha
Object type: painting
Date: 1801 – 1900
Materials: ink, paper
Techniques: wash
Culture: mewar
Subjects: men,women,krishna,radha
Pendant Figure
Object type: pendant
Date: 200 – 300
Materials: shell
Culture: colima
Location: mexico

Spondylus, the shell of a thorny oyster native to the warm coastal waters of the Pacific Ocean, is a vibrant red-orange color that caused it to become a highly valued material collected and traded in ancient Mesoamerica and beyond. Primarily used as a material for carving jewelry, its preciousness and value are confirmed by its repeated presence in the tombs of important individuals. This small sculpture, probably a pendant that hung on a necklace strung with spondylus beads, depicts a bare-chested male figure wearing a turban, earspools, armbands, and loincloth. Despite the challenge of working in a material with very limited depth, the carver of this object skillfully created the illusion of volume in the face and, to a certain extent, within the body of the figure.
Tafel, vervaardigd van beukenhout, met een rond blad
Object type: table
Date: 1800 – 1899
Materials: wood
Location: netherlands
Artist: Anonymous

Tafel, vervaardigd van beukenhout, het blad bestaat uit een ronde schijf met een opstaande rand en gedraaide ringen, waarin in een vierkant patroon negen gaten zijn geboord en daaromheen vier groter gaten, waarin de drie gedraaide poten met bollen en balusters zijn gestoken.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of round shield and spear of warrior
Ostracon
Object type: ostracon
Materials: ink, pottery
Location: egypt
Terracotta fragments of kylikes: Band or lip cups (drinking cups)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Four fragments each with part of a reserve band on the exterior
Portret van een man met snor en vlinderstrik
Object type: album leaf
Date: 1892 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Fotografie/ Artistique/ M. H. Laddé/ Nieuwendijk 57-59/ boven de Firma MERKELBACH & Co./ Het Cliché wordt voor verdere bestellingen bewaard.’
Enigma
Object type: print
Date: 1892 – 1892
Materials: ink, paper
Techniques: drypoint
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Annotaties
Object type: sketchbook leaf
Date: 1896 – 1897
Materials: chalk, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: size, annotation: ‘[...]’

Pagina 2 uit een schetsboek met 39 bladen.
Necklace of three strands
Object type: bead
Date: 900 – 801
Materials: glass, shell, stone
Culture: iranian
Location: iran
Chalice Cover
Object type: religious ritual object
Date: 1601 – 1625
Materials: lace, linen, thread
Techniques: cutting, drawing, embroidery, embroidered, lace, weave, stitching
Location: italy
Nederlands Indië, ½ stuiver Java, 1810
Object type: coin
Date: 1810 – 1810
Materials: copper
Techniques: striking
Location: surabaya
Artist: louis napoleon (king of holland)
Artist role: koning
Artist dates: 1778 – 1846

Koperen munt. Voorzijde: tussen waarde/aanduiding ½ St ineen gestrengelde initialen L en N van Lodewijk Napoleon. Daarboven muntteken. Keerzijde: eenregelig opschrift, waaronder jaartal. Boven opschrift muntteken en onder jaartal muntmeesterteken Z [=muntmeester Zwekkert].
Passio verbigenae quae redeptio Christ (...)
Object type: ornament print
Date: 1560 – 1600
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)

Uit serie van 14 ovalen met grotesken waarin scènes uit de passie zijn afgebeeld. Gearceerde achtergrond.