deem-data/ArtiFact huggingface dataset:
Gezicht op het Spinhuis te Amsterdam
Object type: print
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching, letterpress printing
Artist: Anonymous
Subjects: prison, jail, gate, entrance, workhouse, penal camp, penitentiary, chain gang, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). 2 delen. Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge, Johannes Janssonius van Waesberge II, weduwe Dirk Boom I, Hendrick Boom en Rembertus Goethals, 1693. Of in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Latere staat ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. 2e druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.
World's Colombian Exposition Chocolate-Menier Pavilion, Chicago, Illinois, Plan, Elevation, and Section
Object type: architectural drawing
Date: 1893 – 1893
Materials: board, graphite, ink
Techniques: wash
Location: chicago
Artist: peter j. weber
Artist nationality: american, born germany
Artist dates: 1863 – 1923
Subjects: chicago
Portret van een onbekende vrouw
Object type: photograph
Date: 1892 – 1909
Materials: cardboard, paper
Techniques: albumen print
Location: leeuwarden
Artist: idanus hendrikus slaterus
Artist role: fotograaf
Artist dates: 1846 – 1921
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Photographie Instantanée/ J. H. SLATERUS/ Langemarktstraat/ tegenover het Station bij de/ nieuwe Veemarkt/ Let. W. No. 14./ LEEUWARDEN.’, inscription: ‘Renske?’
Twee mannenhoofden met mutsen
Object type: print
Date: 1904 – 1926
Materials: paper
Techniques: etching
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: head-gear, adult man
Inscriptions: collector's mark: Lugt 2228
The Hundred Guilder Print: the man seen on the back in the lower left corner
Object type: print
Date: 1753 – 1810
Materials: paper
Techniques: drypoint, etching
Subjects: christ preaching in the open

Fragment van versneden plaat van de Honderdguldenprent. De prent maakt deel uit van een album.
Soup Plate from a service for Madame du Barry
Object type: ceramic
Date: 1771 – 1771
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: sèvres
Artist: sèvres porcelain manufactory
Portret van Friedrich Gottlieb Klopstock
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: engraving
Artist: friedrich rossmässler
Artist role: print maker
Artist dates: 1775 – 1858
Subjects: clouds, historical persons
Inscriptions: date
Standard Bearer, Spain, 1853, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men,flags

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Coffeepot
Object type: coffeepot
Date: 1738 – 1739
Materials: silver
Artist: sébastien igonet
Artist role: maker
Artist dates: 1695 – 1796

Initially taken as a medicinal drink, the reception at the French court of Suleyman Aga Mustafa Raca, the envoy of the Ottoman Sultan Mehmet IV in 1669, made coffee drinking fashionable in France. Quickly becoming popular at all levels of society, the beverage was enjoyed in salons and coffee-houses. Coffee was brewed with finely powdered grounds in the Turkish manner and served from the same vessel. In contrast with the teapot, the spout on the coffee-pot, rising from the base of the neck of the vessel, was placed as high as possible, so that the coffee-grounds could settle and would not be poured into the cups. The more commonly found type of coffeepot has a pear-shaped body mounted on three feet, a flattened lid, a short spout, and a wooden handle, sometimes placed at a straight angle to the spout or directly opposite it. A three-legged pot could accommodate a burner placed between the feet to keep the beverage warm. As seen in this example by the Paris silversmith Sébastien Igonet, a different type of coffeepot was also known. Referred to as a Marabout or a Coquemar, this kind of pot was considerably smaller in size, had a bulbous body and a flat short base which would have been placed directly on a burner. Made in 1738–1739, this Marabout coffeepot with its unusual rope-twisted silver handle shows the Rococo style in its swirling lines of the body and lid and the vegetal knob on top. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years.She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver as illustrated by this coffeepot.
Ring with Circular Bezel with "Java Kuno" Inscription
Object type: ring
Materials: gold
Culture: indonesian, javanese
Pair of Spurs
Object type: armor
Date: 1367 – 1400
Materials: iron
Culture: european
Location: europe
Studieblad, onder andere met een landgoed aan een rivier
Object type: sketchbook leaf
Date: 1812 – 1880
Materials: paper
Techniques: pen
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: adult woman, river, adult man, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, bridge, country-house

Tevens een studie van een optocht van paarden met figuren in koetsen en figuurstudies van een oude man, een man met pet en een vrouw. Pagina 40 en 41 uit een schetsboek met 34 bladen.
Portret van een onbekende vrouw, mogelijk barones van Beaulieu
Object type: print
Date: 1875 – 1913
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: elisa weiler
Artist role: print maker
Subjects: adult woman, historical persons, border, ribbon, braid
Inscriptions: inscription: ‘portrait de mme la [barnne] de Beulieu’, collector's mark: Lugt 2228, inscription: ‘1er etat; trois epreuves’
Kerkgaan in Freiburg
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching, intaglio
Subjects: going to church, family group, especially parents with their child(ren)
Inscriptions: collector's mark: Lugt 2228
Monnik
Object type: sketchbook leaf
Date: 1845 – 1891
Materials: paper, pencil
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: monk(s), friar(s)

Blad 16 recto uit een schetsboek met 46 bladen.
Gesneden en vergulde lijst
Object type: frame
Date: 1840 – 1850
Materials: wood
Techniques: cutting, gilding
Location: switzerland

Gesneden en vergulde lijst in Rococo-stijl. Decoratieve bekroning ontbreekt. De gedeeltelijk matte en gedeeltelijk glanzende vergulding is oorspronkelijk.
Songs: "When jealous out of Season..."
Object type: print
Date: 1822 – 1822
Techniques: etching
Artist: henry alken
Artist role: artist
Artist nationality: british
Artist dates: 1785 – 1851
Subjects: satire,men,women

One sheet of a series of satires, designed as a song book. Composed of vignette scenes, each scene illustrating in a humourous fashion a single line from a popular song of the day. The imagery derives from hunting, shooting and horses, scenes from domestic life, fashion, town and country life, military and naval life.
Medea
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: letterpress printing
Location: frankfurt am main
Subjects: medea prays alone in the night; her chariot, drawn by winged dragons, is sent to enable her to pick magic herbs, scrollwork, strapwork ~ ornament

Illustratie bij de Metamorfosen van Ovidius, afkomstig uit de publicatie: Posthius, Johannes. Tetrasticha in Ovidii metam. Frankfurt am Main: Georg Rab en Sigmund Feyerabend en erven Weigand Han, 1569. De voorstellingen en ornamentranden van deze boekillustraties zijn van twee aparte blokken gedrukt. Beide werden afzonderlijk van elkaar ook gebruikt voor andere publicaties, en de ornamentranden werden eveneens binnen deze publicatie meerdere keren gebruikt.
Landschap met ruïne
Object type: print
Date: 1613 – 1695
Materials: paper
Techniques: etching
Location: paris
Artist: mariette
Artist role: publisher
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Bowl
Object type: bowl
Date: 801 – 1100
Materials: earthenware, glaze
Location: iran

This bowl was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Tetradrachm (Coin) Depicting the God Zeus
Object type: coin
Date: 359 – 336
Materials: metal, silver
Culture: greek
Location: macedonia
Subjects: zeus, mythological figures
Inscriptions: Reverse: [Φ] ΙΛΙΓ ΓΟΥ

The front of this coin depicts the god Zeus, facing right.

On the back a man rides horseback while holding a large palm frond.
Vooraanzicht van de kathedraal van Ávila
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: pencil
Location: avila
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, church (exterior)

Pagina 13 uit een schetsboek met 23 bladen.
Portret van drie vrouwen en een baby
Object type: carte de visite
Date: 1861 – 1874
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: studio requisites ~ photographer, family group, especially parents with their child(ren), historical persons, amsterdam
Inscriptions: negative number: ‘No. 18537’, address: ‘Nieuwendijk L.87 Amsterdam’, inscription: ‘4 geslachten Grm. Egeling-v Vloten, Jane de Vries Robbé, Mimi de Bijl Nachenius, Helena later geh. prof. Sissingh’, inscription: ‘de Bijl Nachenius’

Op de foto van links naar rechts: Johanna Maria van Vloten-Egeling, Martina Adriana Egeling-De Vries Robbé en Mimi de Vries Robbé-De Bijl Nachenius met Helena de Bijl Nachenius op schoot.
Portret van Alois Sandbichler
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: stippling
Location: berlin
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Design for Pony Phaeton, no. 3780
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fragment of a Bowl
Object type: fragment
Date: 1101 – 1300
Materials: stonepaste
Techniques: overglaze, painting
Location: iran
Subjects: women
Royat
Object type: cabinet photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: royat
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: city-view in general; 'veduta', hotel, hostelry, inn
Inscriptions: number: ‘119/ 1417’, initials: ‘N.D.’
Entombment
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: sadness,christ,virgin mary,entombment
Portrait of Joannes Neyen, General of the Order of Franciscan Friars, Ambassador in Trier
Object type: print
Date: 1608 – 1608
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: skulls,men,portraits

Jan Muller was one of the most sought-after Mannerist printmakers at the end of the sixteenth century. The son of an Amsterdam printer, printmaker, and publisher, he developed a style modeled on that of Hendrick Goltzius, the premier draftsman and printmaker in the northern Netherlands. At the beginning of the seventeenth century, he began to engrave portraits. A few were of artists and musicians, but most were of important political figures, reproducing painted portraits by various artists. Among the largest and most complex are the portraits of Prince Maurits (63.624.3), Albert, Archduke of Austria (22.42.1), Isabella Clara Eugenia (51.501.7561), and the present work, the Portrait of Jonannes Neyen, after a painting by Michiel van Mierevelt. In these Muller showed off his technical brilliance, replicating the sheen of the sitters’ armor or the luxurious fabrics of their clothing. The resulting prints won him great respect and a substantial income. In addition to his religious role as the leader of the Franciscans, one of the four great mendicant orders in the Catholic church, Neyen (1571-1628) was a diplomat in the service of Archduke Albert of Austria, the Hapsburg ruler of the Southern Netherlands. He played a significant role in establishing a cease fire in the war between the Dutch Republic and the Hapsburgs, rulers of Spain and the Southern Netherlands. It resulted in the Twelve Year Truce, signed in 1609, the year after this portrait was published.
Brocade Fragment
Object type: textile fragment
Date: 1501 – 1533
Materials: metal thread, silk
Techniques: brocade
Location: turkey
Studie, mogelijk een ornament
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945

Blad 17 recto uit een schetsboek met 44 bladen.
Saint Francis Receiving the Stigmata
Object type: print
Date: 1503 – 1503
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: saint francis
'T dorp Strijen
Object type: print
Date: 1791 – 1793
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', village
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ollefen, L. van. De Nederlandsche stad- en dorpbeschrijver. Amsterdam: H.A. Banse, 1793, dl 1.
Droevig omkomen van Woltemade te midden van zijne menschlievende pogingen
Object type: print
Date: 1830 – 1833
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: drowning, shipwrecked person, shipwreck, saving a person from drowning, cape of good hope
Inscriptions: collector's mark: Lugt 2228

Heldendood van de Zuid-Afrikaanse veeopzichter Wolraad Woltemade tijdens het redden met zijn paaard van veertien schipbreukelingen uit het wrak van het schip De Jonge Thomas in de branding voor de kust van Kaap de Goede Hoop, 1 juni 1773. Gemerkt rechtsonder: III. D. bl. 266.
Box
Object type: box
Date: 1770 – 1790
Materials: gold, shell
Subjects: men,portraits,women
Portret van een vrouw met muts en ketting
Object type: carte de visite
Date: 1857 – 1864
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘Photogr Atelier/ Wegner & Mottu/ Prinsengracht BB, 439/ Amsterdam’
Portret van William Shield
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: etching, lithograph
Location: london
Subjects: historical persons, portrait of composer
Inscriptions: collector's mark: Lugt 2228
Perspectival Cross-Section of a Venetian Palace
Object type: drawing
Date: 1830 – 1879
Materials: ink, metal
Techniques: brush, pen, wash
Artist: eugène-emmanuel viollet-le-duc
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1879
Subjects: human figures,palaces,boats,venice

In 1836 and 1837 the young architect Viollet-le-Duc traveled through Italy and became especially enamored with Venice, which he greatly preferred over Rome. He admired the way the principles of the Byzantine and the Gothic styles had merged with the classical tradition in Venetian architecture and how the overabundant Rococo seemed to have had little influence. Years later, when he had become a true champion of Neo-Gothic architecture, he treated Venice in his famous publication Entretiens sur l’architecture (Discourses on Architecture). In this preparatory sketch for plate 32, Le-Duc opens up the faade of the building to show the interior structure of a Venetian palace.
Les Singuliers et Nouveaux Portraicts... page 65 (recto)
Object type: book print ornament architecture
Date: 1588 – 1588
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: ornament

Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top to bottom, and left to right: Design is printed upon a grid and consists of 2 horizontal friezes. Each frieze is ornamented with a different curving vine of leaves and flowers.
Ontwerp voor een beklede canapé
Object type: design drawing
Date: 1823 – 1823
Materials: ink, paper
Techniques: brush, pen
Location: berlin
Artist: carl wilhelm marckwort
Artist role: draughtsman
Inscriptions: signature and date: ‘W.Marckwort. Berlin. 23’

Beklede canapé met een hoge en een lage zijleuning.
Neptune Between Two Sea Horses
Object type: print
Date: 1560 – 1580
Techniques: engraving
Artist: anonymous, italian?, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: neptune,fish
Reverse and Reduced Copy of La Mendiante aux Béquilles (The Female Beggar with Crutches), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: women
Zelfportret: B-1-1, 5 februari
Object type: drawing
Date: 1942 – 1942
Materials: paper, pencil
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman

Zelfportret van Cor van Teeseling: B-1-1, 5 februari. Getekend zelfportret van Cor van Teeseling driekwart met zijn hoofd achterover naar links gewend.
Textile Fragment
Object type: fragment
Date: 801 – 1000
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: faces
The Chicago Herald, American Posters of the Turn of the Century
Object type: print
Date: 1895 – 1895
Techniques: lithograph
Artist: william wallace denslow
Artist role: artist
Artist nationality: american
Artist dates: 1856 – 1915
Portret van Karel IV van Lotharingen
Object type: print
Date: 1625 – 1668
Materials: paper
Techniques: engraving
Location: france
Subjects: karel iv hertog van lotharingen, historical persons, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228
Bust of a Young Man
Object type: drawing
Materials: chalk
Artist: jean de saint-igny
Artist role: artist
Artist nationality: french
Artist dates: 1595 – 1647
Subjects: men,portraits
West Entrance, Eagle River Canon. D. and R.G.R.R.
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: colorado
Artist: william henry jackson
Artist role: fotograaf
Artist dates: 1843 – 1942
Subjects: ravine, chasm, abyss, canyon
Inscriptions: negative number: ‘834’

Onderdeel van Fotoalbum van een reis door de Verenigde Staten, Honolulu, Nederlands-Indië, Aden, Zanzibar en Zuidelijk Afrika.
Buffetkast
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Een buffetkast. Prent uit 16e Livraison.