deem-data/ArtiFact huggingface dataset:
Kwitantie voor onbekend
Object type: ontvangstbewijs, kwitantie
Date: 1874 – 1874
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: Anonymous
Subjects: drawing, money
Inscriptions: collector's mark: Lugt 2233
Picturesque Ramblings in Old England
Object type: stereograph
Date: 1854 – 1880
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Location: england
Subjects: cow
Inscriptions: name: ‘The London Stereoscopic Company 54. Cheapside’, number: ‘44’
Heilige familie met Johannes en de H. Catherina
Object type: print
Date: 1634 – 1679
Materials: paper
Techniques: etching
Location: france
Artist: nicolas pierre loir
Artist role: painter, print maker
Artist dates: 1624 – 1679
Subjects: the virgin martyr catherine of alexandria; possible attributes: book, crown, emperor maxentius, palm-branch, ring, sword, wheel, holy family with john the baptist (as child)
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een twaalfdelige serie met Heilige families en afbeeldingen van Maria met kind en Johannes de Doper.
Drie ornamenten
Object type: drawing
Date: 1866 – 1900
Materials: paper, pencil
Techniques: drawing
Artist: Anonymous
Inscriptions: annotation: ‘de Grond zwart / Arabesken licht bruin / Schaduw donker en / lichte partijen geel / met mat groen en rood / hier en daar / voor Renaissance.’

Rechts een bladrank waarbij twee voluten uitlopen in fantasiedieren.
Sergeantshellebaard
Object type: halberd
Date: 1650 – 1700
Materials: iron, wood
Location: low countries
Artist: Anonymous
Subjects: low countries

Korte kling met een sterke taps toelopende vorm met een scherpe middengraat; onderin twee doorboringen. Zeshoekig taps toelopend huis met bovenaan een schijfvormige knop en een ringvormig profiel onder. Het huis heeft een dwars doorgaande spleet waar de bijl en haak, die tot één geheel gesmeed zijn, doorheen zijn gestoken. Dit geheel is vastgezet met twee plat gevijlde klinknagels. Zowel de bijl als de haak hebben kommavormige uitsnijdingen. Aangeklonken veren. Ronde (essenhouten) stok (zwartgeverfd) zonder schoen.
Portret van Willem Geefs
Object type: print
Date: 1820 – 1874
Materials: paper
Techniques: lithograph
Artist: gustave wappers
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1874
Subjects: antwerp, willem geefs, portrait, self-portrait of sculptor, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166
Portret van Leonardo Bruni
Object type: album leaf
Date: 1549 – 1577
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: historical persons, portrait of a writer, scholar, philosopher (+ portrait of scholar, scientist)

Prent gebruikt in: Giovio, Paolo. Elogia Virorum literis illustrium (...). Bazel: Peter Perna, 1577.
Pouch
Object type: pouch
Date: 1830 – 1860
Materials: glass, linen
Culture: american
Subjects: birds,horses
Vuë générale de la ville de Paris, prise de la hauteur du village de Chaillot
Object type: print
Date: 1700 – 1799
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: city-view in general; 'veduta', paris

In de ondermarge een regel Franse tekst.
Wapen van de familie De' Medici
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Location: florence
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: crown (symbol of sovereignty), mask, mascaron ~ ornament, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233

Gebruikt als illustratie (van frontispice) in: Vieri Cerchi, 'Delle lodi di Don Francesco Medici de' principi de Toscana' (Florence: Cosimo Giunti, 1614). Klinkert, C.
Book cover with curved blue pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Reproductie van De vier continenten door Peter Paul Rubens
Object type: reproduction
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Subjects: continents represented allegorically, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Beilage zu Eder's Jahrbuch für 1899.’, inscription: ‘Kaisel. Gallerie Wien’
Gelijkenis van de werkers in de wijngaard
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the labourers in the vineyard ~ parable of christ (matthew 20:1-16), at the end of the day the lord pays all the labourers equally; those that worked all day object
Inscriptions: serial number: ‘3’, number: ‘101’

Dagloners werken in een wijngaard waar zij spitten en hout verwijderen. Links krijgen de dagloners hun salaris uitbetaald. Degenen die pas later op de dag zijn komen werken krijgen evenveel als degenen die vroeg op de dag zijn begonnen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 20:1. Deze prent maakt deel uit van een album.
Betaalpenning van 12½ cent uit Den Haag
Object type: history medal
Date: 1900 – 1940
Materials: metal alloy
Techniques: striking

Koper-nikkelen penning, op de voorzijde een parelcirkel met een palingetende ooievaar boven de numerieke waarde, de keerzijde blanco met centraal een regel tekst.
Lithografisch album 1830
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Artist: nicolas toussaint charlet
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1792 – 1845
Subjects: old man, wise man, the soldier off duty, education
Inscriptions: collector's mark: Lugt 2228a
Lucas schrijft zijn evangelie
Object type: print
Date: 1709 – 1709
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: the evangelists writing - ii - the evangelists without their symbols, the apostle paul of tarsus; possible attributes: book, scroll, sword
Inscriptions: collector's mark: Lugt 2233

De evangelist Lucas schrijft zijn evangelie. Achter hem de apostel Paulus, die hij vergezelde op diens reizen naar Griekenland en Rome.
Fragment
Object type: fragment
Date: 1701 – 1800
Materials: silk
Subjects: flowers
Ruiters in de duinen
Object type: letter
Date: 1888 – 1888
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: land forces (+ cavalry, horsemen), dunes (sea not visible); in the dunes (+ landscape with figures, staffage)
Inscriptions: annotation: ‘Ruiters in de duinen’, signature: ‘G.H. Breitner’, workshop stamp: Lugt 291d, collector's mark: Lugt 2228, annotation: ‘27/3 1888/ Amice,/ Ik heb gisteren niet aan/ je verzoek kunnen voldoen./ [...]’

Verso een brief van E.J. van Wisselingh, kunsthandelaar te Den Haag.
Incense Burner in the Shape of a Rooster
Object type: incense burner
Date: 1701 – 1800
Materials: copper alloy, enamel
Techniques: gilding, silvering
Culture: japanese
Subjects: roosters
The Annunciation, from The Life of the Virgin
Object type: print
Materials: ink, paper
Techniques: woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Loop-handled circular seal
Object type: stamp seal
Date: 5000 – 3001
Materials: mineral, stone
Location: northern syria, mesopotamia or western iran
Beggar
Object type: figure
Date: 1760 – 1760
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: men,dogs
Portret van de schilder Hieronymus Cock
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: antwerp, print maker, publisher, hieronymus cock, portrait, self-portrait of painter, death's head, skull (symbol of death)

Hij wijst op een schedel. In de marge een achtregelig onderschrift in het Latijn.
Evening bonnet
Object type: evening bonnet
Date: 1892 – 1892
Materials: cotton, feather, silk
Culture: american
Artist: journeay & burnham
Artist role: department store
Artist nationality: american
Gezicht op de westelijke vleugel van het Mosteiro dos Jerónimos in Lissabon
Object type: album leaf
Date: 1863 – 1890
Materials: paper
Techniques: albumen print
Location: lisbon
Artist: francisco rocchini
Artist role: fotograaf
Artist dates: 1822 – 1895
Subjects: building-site
Teapot
Object type: teapot
Date: 1876 – 1876
Materials: porcelain
Culture: american
Location: united states
Artist: karl l. h. müller
Artist role: designer
Artist nationality: american
Artist dates: 1820 – 1887
Subjects: flowers

Made as a prototype for a porcelain service exhibited at the 1876 Philadelphia Centennial Exhibition, this tea set depicts troubling imagery on the finials of the teapot and sugar bowl in the form of heads of an Asian and a Black man. While designer Karl Muller’s intent was undoubtedly to present well-known iconography for tea and sugar—a goat is also depicted on the handle of the creamer—the representations reveal the pervasiveness of racist thought in 19th-century America. The Black head also underscores how the commodity of sugar was inextricably linked to the exploitation of enslaved labor, especially in the Atlantic World.
Portret van Jacob Abraham Uitenhage de Mist op 54 jarige leeftijd
Object type: print
Date: 1803 – 1850
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: voorburg, historical persons
Inscriptions: collector's mark: Lugt 2227
Koninginnedag
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Park met tenten, feestelijkheden tijdens de viering van Koninginnedag op 31 augustus te Paramaribo. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Urformen der Kunst
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘29’

facher Vergrößerung. Afkomstig uit losbladige uitgave.
Standing Pilgrim Friar
Object type: drawing
Date: 1705 – 1720
Materials: gouache, paper
Techniques: brush, highlighting, wash
Artist: alessandro magnasco
Artist role: artist
Artist nationality: italian
Artist dates: 1667 – 1749
Subjects: men
Portret van Johann Carl Naeve
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving
Artist: johann georg mentzel
Artist role: print maker
Artist dates: 1677 – 1743
Subjects: historical persons, wig
Inscriptions: collector's mark: Lugt 2228
Composita,from Theatrum Vitae Humanae (The Ages of Man)
Object type: print
Date: 1577 – 1577
Materials: paper
Techniques: engraving, letterpress
Location: belgium
Artist: jan wierix
Artist nationality: flemish
Artist dates: 1549 – 1618
Inscriptions: Lettered, lower center: "Usque an. 16." and "I. Composita / En genus ... incusare potentem."; and below plate, in letterpress: "De Nature brengt ... le peut rendre."
Landweg langs een rivier
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: low hill country, river, pedlar, road, path, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 240

Rechts stroomt een rivier. Links voert een steile landweg tussen enkele bomen door. In de verte zijn een wandelaar en een marskramer weergegeven.
Sitar
Object type: sitar
Date: 1867 – 1900
Materials: wood
Culture: indian
Location: india

Small sitar with a carved wooden body.
Fragment of a Carved Panel with Stars
Object type: fragment
Date: 701 – 1200
Materials: plaster
Techniques: carving, painting
Location: iran
Pair of feet
Object type: foot
Date: 1601 – 1800
Materials: gilt bronze
Aenspraeck van den Koningh van Engelandt, ghedaen in het Parlament den 19. October 1665
Object type: pamphlet
Date: 1665 – 1665
Materials: paper
Techniques: printing
Artist: karel ii (koning van engeland)
Artist role: koning
Artist dates: 1630 – 1685
Subjects: london, karel ii (koning van engeland)

Eénzijdig bedrukt blad papier, met nederlandstalige tekst ("uyt het engels Over geset"), l.b. versierde I.
On la tire aujourd'hui
Object type: cartoon
Date: 1800 – 1899
Materials: paper, watercolor
Techniques: etching, hand coloring
Artist: le singe
Artist role: print maker
Subjects: raffle, lottery, foundling (and adoption), street-trader, selling, public road
Inscriptions: collector's mark: Lugt 2228

Straatscène in Parijs: een straatverkoper verkoopt loten aan een modieus gekleed stel voor de trekking van de dag van de loterij ten bate van te vondeling gelegde kinderen.
Nederlands poëziealbum met vijf portretten
Object type: photograph album
Date: 1880 – 1910
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, drawing, hand coloring, rotogravure
Location: netherlands
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, road, path, portrait of actor, actress
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 843’

Poëziealbum met in totaal vier foto's en een fotomechanische afdruk. Het album bevat een foto van een bospad, drie miniatuurportretten van jonge vrouwen op postzegelformaat en een portret van actrice Annie van Ees tijdens een scène van een toneelstuk. Alle afbeeldingen zijn gemaakt door een anonieme fotograaf of vervaardiger. Verder bevat het album vele handgeschreven gedichten en (deels gekleurde) tekeningen.
Groep naakte jongens op een terras
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Subjects: youth, adolescent, terrace
Fragment
Object type: textile
Date: 1601 – 1625
Materials: gilt, silk, velvet
Techniques: cutting, patterning, weave, voiding
Location: italy
Tinnen soldaatjes in Pruissisch uniform uit de tijd van Frederik de grote
Object type: toy
Date: 1700 – 1800
Materials: tin
Techniques: casting, polychromy
Location: germany

Collectie tinnen soldaatjes bestaande uit 18 man voetvolk, waaronder één officier, één vaandeldrager, één fluitspeler en één tamboer; 8 man ruiterij, waaronder één met trompet en één met trommels: van de laatste de voet afgebroken en de armen beschadigd. Kleuren: grijs (tin), blauw, rood, zwart en goud.
Fichu
Object type: fichu
Date: 1799 – 1821
Culture: european
Begging for Alms
Object type: print
Date: 1771 – 1771
Techniques: woodblock print
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Bedelaars
Object type: print
Date: 1798 – 1806
Materials: paper
Techniques: etching
Location: paris
Subjects: clothed in rags, person with a physical disability, beggar
Dead Hare
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Inscriptions: Inscribed recto lower right, in plate, below image: “Peeter Boel pinxit, W Hollar fecit, 1649.”
Street Singers
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Maria, Sterre der Zee
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: madonna: i.e. mary with the christ-child, monument, statue
Inscriptions: collector's mark: Lugt 2228

Op de achtergrond de Onze-Lieve-Vrouwe-Basiliek en de De Mérodekapel, de locatie van de sculptuur.
Portret van Franklin
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Artist: alphonse farcy
Artist role: print maker
Artist dates: 1817 – 
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, inscription: ‘Franklin’
Jerkin
Object type: jerkin
Date: 1570 – 1580
Materials: metal thread, silk
Culture: european

Working in tandem, curators and conservators combine theory and science to produce a more complete understanding of historical artifacts. Testing on this sixteenth century jerkin by Conservator Christine Paulocik has shown that all of the applied adornment - including the padding at the shoulders, silk tufts, and metallic bobbin lace - is original to the garment. Decorative buttons made of boxwood at center front give the illusion of a closure, when in reality the wearer would have required help getting dressed due to the laced closure located at the center back. The use of boxwood buttons turned on a lathe is consistent with technology and materials of the period. The loss of velvet pile is likely a result of an iron mordant used in the dying process.
Landschap met kluizenaar rustend bij een grote boom
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: etching
Artist: ferdinand kobell
Artist role: artist, painter, print maker
Artist dates: 1740 – 1799
Subjects: (high) hill, anchorite, hermit
Inscriptions: collector's mark: Lugt 2228
Twee bloemenvazen op tafels
Object type: drawing
Date: 1891 – 1941
Materials: paper, pencil
Techniques: brush
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: flowers in a vase
Inscriptions: collector's mark: Lugt 2228
Fall Creek, Ithaca, N.Y. 2d, or Forest Fall, 60 feet high, from the dam
Object type: photograph
Date: 1860 – 1865
Techniques: albumen print
Location: ithaca
Artist: j. c. burritt
Artist nationality: american
Artist dates: 1860 – 1869
Portrait of a Man, Possibly Jean de Langeac (died 1541), Bishop of Limoges
Object type: painting
Date: 1539 – 1539
Materials: oil, wood
Artist: netherlandish painter
Artist role: artist
Artist nationality: netherlandish
Subjects: men,portraits,hourglass

The face, hands, and still life elements are the least affected parts of this much damaged painting. Previously attributed to the British school, the picture is more likely the work of a Flemish painter active in France. The signet on the table shows the Langeac coat of arms against a bishop's crozier, and the sitter is probably Jean de Langeac, Bishop of Limoges. Langeac went to Scotland and England in 1536, but there is no record of his having been there after August, 1537, when he returned to France. In 1539, the year in which this portrait was painted, he became the French ambassador to Rome.
Portret van Johan Evertsen
Object type: print
Date: 1655 – 1673
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: flushing, battle (+ naval force), historical persons, commander-in-chief, admiral

Met vierregelig lofdicht in het Nederlands.
The Kiss at Würtemberg
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Boom van Jesse
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: tree of jesse: genealogical tree showing christ's ancestors, sprouting from jesse's loins

Prent in: s.n. Aldernouwkeurigste verhandelinge der geschiedenissen van het Nieuw Testament (...). Antwerpen: Cornelis Marten Spanoghe, 1783, p. 14-15.
Fragment
Object type: fragment
Date: 1801 – 1900
Materials: wool
Terracotta fragments of skyphoi (deep drinking cups)
Object type: skyphos fragment
Date: 475 – 440
Materials: terracotta
Culture: greek, attic

Two fragments with parts of tendrils and palmette fronds
Winkels aan de oever van een water
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: water course (+ landscape with figures, staffage)
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic
Artist: chairias painter
Artist role: artist

Interior, head, shoulders, and part of upper extended arms of filleted youth to right; in field, hanging on wall, part of a fillet and an unidentified object; behind youth's head, two letters of an inscription, IS
Ex libris van Henk Baard
Object type: bookplate
Date: 1930 – 1930
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: hendricus petrus baard, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2228, inscription: ‘Verz. Albertine / Hilversum.’

Een zeilschip met de naam 'Perseverando' op zee.
Grazende schapen
Object type: drawing
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: sheep
Skyphos (Drinking Cup)
Object type: vessel
Date: 450 – 400
Materials: terracotta
Culture: greek
Location: athens
Piece
Object type: piece
Date: 1830 – 1830
Materials: cotton
Subjects: flowers,leaves
Head of Pierrot
Object type: toy
Date: 1758 – 1759
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: heads
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, bit of lower torso, genitals, bent right leg, with greave, and left leg, with greave, of fallen warrior; above warrior, unidentified object; part of an inscription, [K]ALO[S]
Brief aan Max Wilhelm Carl Weber en Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1862 – 1927
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: amsterdam, anne antoinette weber-van bosse, anna allebé, diseases
Viewing a waterfall from a mountain pavilion
Object type: hanging scroll
Date: 1700 – 1700
Materials: ink, silk
Culture: chinese
Artist: li yin
Artist role: artist
Artist nationality: chinese
Artist dates: 1650 – 1825
Subjects: landscapes,trees

Li Yin was a professional painter from Yangzhou, a commercial city located on the Grand Canal just north of the Yangzi River in Jiangsu Province. During the late seventeenth and the eighteenth centuries, Yangzhou’s prosperity supported a number of artists. Li, together with his better-known contemporary Yuan Jiang (act. 1680–1730), worked in a studio of painters that specialized in intricately described visions of palatial architecture set within sumptuous blue-and-green landscapes. In reviving the monumental landscape style of the Tang and Song dynasties, Li Yin and Yuan Jiang also catered to a taste for large-scale hanging scrolls and multipanel screen paintings to decorate the ostentatious mansions of Yangzhou’s mercantile elite.
Gedecoreerde eikenhouten zijkanten van een koorbank in de Grote Kerk in Breda
Object type: photomechanical print
Date: 1875 – 1880
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: seats of the clergy, choir-stalls
Inscriptions: monogram: ‘JJvY’, inscription: ‘LITT. J. - PL. 2.’, inscription: ‘Jovées en bois (...)’
Pouch
Object type: pouch
Date: 1830 – 1860
Materials: glass, leather, linen
Culture: german
Subjects: flowers