deem-data/ArtiFact huggingface dataset:
Figurine
Object type: print
Date: 1656 – 1657
Materials: paper
Techniques: drypoint, etching, intaglio
Location: italy
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: walking-stick, staff, the soldier; the soldier's life
Inscriptions: number: ‘33’, collector's mark: Lugt 240

Deze prent maakt deel uit van de serie 'Figurine', bestaande uit een titelprent en 80 prenten van klein formaat met voorstellingen van mannelijke en vrouwelijke figuren. Rosa produceerde de serie waarschijnlijk gedurende de jaren 1656 en 1657.
Hercules at the Crossroads (Jealousy)
Object type: print
Date: 1498 – 1498
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

Renaissance humanists were fascinated by antiquity— its mythic heroes, surviving architecture, coins, and sculpture. Noblemen even demanded that the historians inflating their family trees make them stretch all the way back to Hercules and other demigods. Historical figures were occasionally given mythological nicknames, like the Protestant reformer Martin Luther, who was sometimes known by his supporters as the “German Hercules.” These two Hercules prints by Albrecht Dürer fed the fascination with this hero’s legendary strength, dogged perseverance in the 12 Labors, and tragic, inescapable fate.
The Flight into Egypt; the holy family walking with the young John the Baptist, trees behind them, in an octagonal frame, after Reni
Object type: print
Date: 1720 – 1786
Techniques: engraving
Artist: claude augustin duflos le jeune
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1786
Subjects: christ,holy family,saint john the baptist,saint joseph,virgin mary

After a painting by Reni. Verso is not visible as print is laid to another sheet of paper.
Architectural Support with Quarreling Figures
Object type: support
Date: 1524 – 1525
Materials: wood
Culture: french
Location: england
Portret van Christian Friedrich Gessner
Object type: print
Date: 1710 – 1756
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: printer, publisher, theologian, historical persons
Dankbetuiging met portret van C.P. de Groot op een driewieler
Object type: photograph
Date: 1900 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: mourning card, death notice, obituary, tricycle, historical persons
Schouderstuk van een harnas
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: harness
Inscriptions: workshop stamp: ‘Mieusement/ Photographe’, collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers Amsterdam’ Lugt 3937, number: ‘Cluny 15’
Seated woman holding brush and poem card
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Portret van Bernard Picart
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: paris, amsterdam, print maker, draughtsman, bernard picart, print, e.g.: engraving, etching, lithograph, historical persons, book, portrait, self-portrait of artist, tools, implements of printer, gem, gemstone (+ relief ~ sculpture)
Inscriptions: collector's mark: Lugt 2228

De tekenaar en graveur Bernard Picart zit aan een tafel en draagt een geborduurde jas. Hij wijst op zijn prent uit 1709 met daarop de antieke gesneden steen die toen bekend stond als 'Cachet de Michel Ange' maar naar een gegraveerde edelsteen van Pyrgoteles gemaakt is. Naast de prent liggen enkele graveursgereedschappen. Achter hem een groot aantal boeken.
Vijf zeilschepen op zee tijdens een storm
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: etching
Location: vienna
Artist: johann wilhelm baur
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1642
Subjects: sailing-ship, sailing-boat, storm at sea
Inscriptions: collector's mark: Lugt 2228

Derde prent uit de serie 'Schepen in stormachtig weer', bestaand uit vier genummerde prenten. Van deze serie bestaan ook latere drukken, uitgegeven te Augsburg door Joachim Wolf en de erven van Johann Michael Probst.
Gezicht op een bospad met zitbank
Object type: page
Date: 1886 – 1891
Materials: paper
Techniques: autotype
Location: berlin
Subjects: bench, forest path or lane
Inkwell
Object type: inkwell
Date: 1807 – 1813
Materials: pewter
Culture: american
Location: united states
Artist: thomas danforth, iii
Artist role: maker
Artist nationality: american
Artist dates: 1756 – 1840
Portret van James Poro en Matthew Poro
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, siamese twins

Prent waarschijnlijk uit: The Gentleman's Magazine 47 (1777), januari 1777.
Broadside with 48 scenes depicting the story of Little Robinson
Object type: print
Date: 1860 – 1870
Techniques: etching, lithograph
Artist: antonio bosch
Artist role: publisher
Artist nationality: spanish
Artist dates: 1860 – 1880
Subjects: men,women
Jeweled Bracelet (one of pair)
Object type: bracelet
Date: 500 – 700
Materials: gemstone, glass, gold, pearl, quartz, silver
Culture: byzantine
Location: probably constantinople

These elaborately decorated bracelets have richly jeweled exteriors and finely detailed opus interrasile patterns on their interiors. The luminous beauty of pearls was highly prized in the Byzantine world.
Terracotta fragment of an olpe (jug)
Object type: olpe fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Fragment from the checkered mouth of an olpe; on the neck, a band of degenerate ivy; below, a meander
Portrait of Carel Rabenhaupt, Lieutenant-General
Object type: painting
Date: 1670 – 1670
Materials: canvas, oil
Location: northern netherlands
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons

Portret van Carel Rabenhaupt (1602-75). Luitenant-generaal, speelde een hoofdrol bij de verdediging van Groningen en de inname van Coevorden (1672). Buste, in wapenrusting, naar rechts.
Les plat-fonds ou les tableaux des galeries / De plafonds of gallerystukken
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: triumph of joseph: dressed in a royal attire he rides in one of pharaoh's chariots, preceded by a herald
Inscriptions: collector's mark: Lugt 240, date: ‘1747’

In koninklijk gewaad zetelt Jozef in een wagen van Farao. Onder de octagonale voorstelling een vers in het Latijn uit Gen. 41:43.
Slippers
Object type: slipper
Date: 1780 – 1789
Materials: silk
Culture: european
Valerius, een man zonder armen houdt een degen op met zijn voet
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: human monstrosities ~ freak show, hacking and thrusting weapons: rapier
Inscriptions: collector's mark: Lugt 1641, stamp

Onder de voorstelling een tweeregelig vers. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Volksfeesten. Kermistypen, wondermenschen en dergelijken.
Fotoreproductie van een schilderij van Lodovico Mazzolino, 'De kindermoord' (coll. Mauritshuis)
Object type: photograph
Date: 1886 – 1886
Materials: cardboard, paper, photographic support
Techniques: carbon print
Staande werkpaarden
Object type: drawing
Date: 1660 – 1660
Materials: chalk, paper
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: annotation: ‘7’

Blad uit serie van 8 tekeningen van werkpaarden, waarschijnlijk naar het leven getekend.
Kris
Object type: kris
Date: 1501 – 1900
Materials: diamond, gold, steel
Culture: javanese
Location: indonesia
Sealing wax case (étui)
Object type: étui
Date: 1785 – 1786
Materials: enamel, gold
Artist: georges-antoine croze
Artist role: maker
Artist dates: 1777 – 1790

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Vier standen van het hoofd
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: head (human) (+ front view), head (human) (+ sideview, profile)
Inscriptions: collector's mark: Lugt 2228

Door het hoofd zijn lijnen gestrokken. Het hoofd linksboven kijkt naar links, het hoofd rechtsboven kijkt de beschouwer frontaal aan. Het hoofd linksonder kijkt naar beneden, het hoofd daarnaast is naar boven weggedraaid.
Dr. François Maalzon
Object type: print
Date: 1790 – 1796
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: staatsman, medicus, françois maelson
Inscriptions: collector's mark: Lugt 2228

Prent oorspronkelijk gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59. Maar hier naam uitgever verwijderd, waarschijnlijk gebruikt in latere editie. Zie Van Someren 8d.
Jar
Object type: jar
Date: 201 – 700
Materials: ceramic
Culture: sasanian
Location: mesopotamia
Self-portrait with long bushy hair: head only
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn
Inscriptions: collector's mark: Lugt 240
Fragment en scherf van een kelderfles en scherven van wijnflessen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Case bottle, fragm of base, corner, sim. NG 1980-27H1872b.
Mr. Deminière
Object type: costume print
Date: 1840 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: the hague
Artist: elias spanier
Artist role: print maker, printer
Artist dates: 1821 – 1863
Subjects: the ballet, ballet performance, choreographer, historical costume

Mr. Deminière, de Franse balletmeester of hofdansmeester aan het koninklijke hof, in historisch kostuum. Voorstelling toegevoegd aan het plaatwerk over het gekostumeerd bal gehouden op het paleis van de prins van Oranje (de latere koning Willem III) in Den Haag op 26 februari 1845.
Mrs. Nicholas Fish (Elizabeth Stuyvesant)
Object type: painting, miniature
Date: 1848 – 1848
Materials: ivory, watercolor
Culture: american
Artist: john carlin
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1891
Subjects: portraits,women

The sitter was a descendant of the Dutch governor of New Amsterdam, Peter Stuyvesant.
Hood
Object type: hood
Date: 1865 – 1870
Materials: cotton, silk, wool
Culture: british
Chinese Child on a Hobby Horse
Object type: ornament
Date: 1767 – 1800
Materials: porcelain
Techniques: underglaze
Culture: japanese
Figuur in een bos met hoge bomen
Object type: print
Date: 1850 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: h. van meerbeeck
Artist role: print maker
Subjects: forest, wood (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
La Pratique de l'Aiguille, page 37 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: fruit,stars

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design is printed upon a grid and is decorated with a large central square framing a 4 pointed star that is surrounded by intertwining vines of leaves and fruit that emanate from each corner of the square. The central element is decorated with a border of foliage.
Plate 30 of 38 from Oeuvres de J. B. Huet
Object type: print
Date: 1796 – 1799
Materials: paper
Techniques: etching
Location: france
Artist: jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
koning Ninus ter dood veroordeeld
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) queen semiramis

De tot koningin gemaakte maîtresse Semiramis geeft vanaf haar troon opdracht om de rechtmatige koning Ninus terecht te stellen. Een soldaat bindt zijn handen, een tweede soldaat staat klaar met een dolk in de aanslag. De hovelingen kijken vanaf de achtergrond toe.
Female figurine kneading dough(?)
Object type: statuette of a woman kneading dough
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: women

The figurine is handmade and solid. She has a cylindrical lower body that merges with a round splaying base. She bends forward from the hips at a right angle and again slightly upward in the middle of her back.
Leukothea, Goddess of Sailors, from the Goddesses of the Greeks and Romans series (N188) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: profiles,goddess

Trade cards from the "Goddesses of the Greeks and Romans" series (N188), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Op een heuvel zit een herderin en staat een herder
Object type: print
Date: 1643 – 1692
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan de visscher
Artist role: print maker
Artist dates: 1633 – 1712
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, landscape with tower or castle - ii - ideal landscapes
Inscriptions: collector's mark: Lugt 2228
Fragment van een schotel met geelbakkende scherf, met aan de voor- en achterzijde resten van lichtblauw glazuur, beschilderd met donkerblauw glazuur
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Necklace
Object type: necklace
Date: 1801 – 1900
Materials: coral, metal
Culture: tibetan

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Teapot
Object type: teapot
Date: 1705 – 1720
Materials: earthenware, metal, glaze
Location: delft
Artist: pieter adriaensz. kocx
Subjects: ornament derived from plant forms
Inscriptions: mark: ‘PAK(ineen) in rood’, collector's mark: ‘collection JF Loudon’

Trekpot van faïence. Veelkleurig beschilderd met blad- en bloemdecoraties.
Basrelief op het voetstuk eener pendopo (?) (westzijde). Panataran (r. Kediri)
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Candi Panataran (Temple Complex), Pendopo Terrace, unidentified reliefs 70-74 (sri Tanjung story; inscription between no. 71-72 reads mahisaputah), west side. Panataran, Blitar district, East Java province, 1375 AD
Vignet met engel
Object type: ornament print
Materials: paper
Techniques: etching
Subjects: ornaments ~ art, vignette, angels

Prent uit: Bardin, Philippe. Le Triomphe De Son Altesse Charles IIII (...). Nancy: Poirel, Dominique, Charlot Anthoine en Charlot Claude, 1664.
Textielkaart
Object type: voucher
Date: 1940 – 1945
Materials: paper
Techniques: printing
Subjects: netherlands

Bonkaart voor textiel ('VA905 Textielkaart) voor een klein gedeelte aangebroken. Op de achterkant: met paars potlood geschreven: H.J.M. van Dungen Sr, Warmondstraat 152 hs, Amsterdam-W.
Model of Tiger
Object type: figure
Date: 1281 – 1368
Materials: stoneware
Culture: chinese
The Oiran Kasugano of Ogiya on Parade under Blossoming Cherry Trees
Object type: print
Date: 1788 – 1788
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: women,trees
Portret van Robert Dudley, graaf van Leicester
Object type: print
Date: 1601 – 1604
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: karel van sichem
Artist role: print maker
Artist dates: 1575 – 1604
Subjects: robert dudley (1st earl of leicester)
Inscriptions: collector's mark: Lugt 240

Portret van Robert Dudley, graaf van Leicester. Staande, ten voeten uit, op de grond een kroon, familiewapen en helm. Op de achtergrond schepen voor de kust.
Ponte Rotto te Rome
Object type: print
Date: 1631 – 1691
Materials: paper
Techniques: colour, etching
Location: paris
Subjects: landscape with ruins, bridge

Gezicht op een deel van de resten van de Ponte Rotto die over de rivier de Tiber gaat te Rome. Titel in het Italiaans en het Frans in de ondermarge. Prent maakt deel uit van een album.
Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors Paul Volkmayr and Sebald Schreyer (verso)
Object type: drawing and watercolor
Date: 1485 – 1490
Materials: paper, parchment
Techniques: woodcut
Location: germany
Artist: Anonymous
Artist nationality: german
Artist dates: 1400 – 1499

This Crucifixion woodcut was printed on precious vellum, and illuminated with textured gold leaf and opaque pigment to resemble an illuminated manuscript page. It boasts not one, but two donor portraits and the date, 1490, on its verso. Paul Volkmayr and Sebald Schreyer, whose presence also decorated another woodcut in 1501, may have commissioned them all as frontispieces or bookplates for ecclesiastical volumes they gave to the Church of Saint Sebald in Nuremberg. Two more impressions of this sheet survive (Bamberg, Germany; Metropolitan Museum of Art, New York), both including a variation on this opulent dedication miniature.
Studie
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913

Blad 38 recto uit een schetsboek met 38 bladen.
Die Schlossbrücke
Object type: photograph
Date: 1878 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: bridge
Inscriptions: number: ‘4.’
Pendant Ornament
Object type: pendant or ornament
Date: 206 – 220
Materials: jade
Culture: chinese
Incense Burner in Shape of Quail
Object type: incense burner
Date: 1801 – 1900
Materials: gold, iron, silver
Techniques: inlay
Culture: japanese
Subjects: birds
Portret van Michiel Adriaenszoon de Ruyter
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: flushing, michiel adriaenszoon de ruyter, sailing-ship, sailing-boat, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, inscription: ‘et excudit Amserdame’

Admiraal Michiel Adriaenszoon de Ruyter in een harnas met om zijn hals een keten waaraan een medaillon. Hij heeft de commandostaf in zijn hand. Op de achtergrond een schip, een vlag en zijn familiewapen. In de marge zijn naam, titels en familiewapen.
Goten Hill at Shinagawa (Shinagawa Gotenyama), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Twee bomen
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: etching
Location: nieuwer-amstel
Artist: elias stark
Artist role: draughtsman, print maker
Artist dates: 1849 – 1933
Subjects: trees
Inscriptions: collector's mark: Lugt 2228
Portret van een meisje, staand bij een tafel met plant
Object type: album leaf
Date: 1860 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: veendam
Artist: petrus wagenaar
Artist role: fotograaf
Artist dates: 1819 – 1896
Subjects: plants (in general), historical persons - bb - woman, girl (child between toddler and youth), table, standing figure - aa - female human figure
Inscriptions: inscription: ‘Photographisch/ Atelier/ van/ P. Wagenaar./ Oosterdiep/ Veendam/ De plaat blijft 4 weken tot nabestelling bewaard.’
Brief aan Max Wilhelm Carl Weber en Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: anne antoinette weber-van bosse, paris, print maker, draughtsman, jean auguste dominique ingres, criticizing and discussing art, art criticism
Pest te Napels, 1656
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: leiden
Subjects: plague, naples
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. II, p. 541.
Antieke buste
Object type: print
Date: 1825 – 1891
Materials: paper
Techniques: engraving
Artist: jean théodore joseph linnig
Artist role: draughtsman, print maker
Artist dates: 1815 – 1891
Subjects: chest, bust
Inscriptions: annotation: ‘gravé d'après l'antique par Joseph Linnig’, collector's mark: Lugt 1485, collector's mark: Lugt 2228
Portret van Hendrik Valkenburg
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: amsterdam, painter, draughtsman, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Een portret van kunstenaar Hendrik Valkenburg op zeventigjarige leeftijd, met een schildersezel in zijn hand.
Vier jaargetijden
Object type: print
Date: 1648 – 1664
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 240

Prent uit serie van vier prenten met de vier jaargetijden.