deem-data/ArtiFact huggingface dataset:
Portret van Stanisław Łubieński
Object type: book illustration
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons

Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Triomfen van Karel V
Object type: history print
Date: 1614 – 1614
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: ghent, charles v (holy roman emperor and king of spain), building of church
Inscriptions: collector's mark: Lugt 2228

Keizer Karel V in overleg met de architecten van het klooster dat hij laat bouwen om hier van zijn regeringsperiode uit te kunnen rusten. Op de achtergrond bouwwerkzaamheden. Met onderschrift van vier regels in het Latijn. Deze prent is onderdeel van een reeks van acht prenten, elk een triomf van Karel V voorstellende.
The Lamentation over the Dead Christ
Object type: print
Date: 1545 – 1550
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: men,women,christ,lamentation

In Mariette Album, folio 22, top
Léon Michel Gambetta 1838-1882
Object type: history medal
Date: 1882 – 1900
Materials: brass
Techniques: striking

Vergulde penning met oog en draagring, op de voorzijde het borstbeeld van Gambetta half naar rechts met omschrift, op de keerzijde acht regels tekst.
Neck-amphora
Object type: neck amphora
Date: 520 – 520
Materials: terracotta
Culture: greek, attic
Artist: antimenes painter
Artist role: artist
Subjects: shields,men,women,centaurs
Trees in a Forest (from Sketchbook)
Object type: drawing
Date: 1858 – 1916
Materials: graphite, ink, paper
Culture: american
Artist: henry ward ranger
Artist role: artist
Artist nationality: american
Artist dates: 1858 – 1916
Subjects: forests,trees

This sketchbook contains thirty-one undated drawings in graphite and ink of Noank and Lyme, Connecticut subjects. Beginning in 1899, Ranger became a leading member of the artists’ colony at Old Lyme, Connecticut, where a group of painters influenced by the Barbizon and impressionist styles gathered in the summer at the home of Florence Griswold. Ranger later acquired a country home in Noank, on Long Island Sound, near New London, Connecticut, and did much of his sketching there.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, legs of male to right; part of a circumscribed palmette
Schets van twee figuren
Object type: drawing
Date: 1832 – 1897
Materials: chalk, paper
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Inscriptions: inscription: ‘.’
Portret van een onbekende vrouw
Object type: photomechanical print
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Subjects: adult woman
Christi Iesu vitae admirabiliumque actionum speculum a Philippo Gallaeo apparatum Bened. Ariae Montani singuloribus distichis instructum
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: christ before pontius pilate (matthew 27:11-26; mark 15:2-15; luke 23:2-7, 23:13-25; john 18:28 - 19:16)
Inscriptions: watermark: ‘gotische letter P’

Onderdeel van een album met een titelprent en een serie van 50 prenten betreffende het leven en de passie van Christus.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, circumscribed palmette; part of draped figure
Infantry, Mexico, from the Military Uniforms series (T182) issued by Abdul Cigarettes
Object type: print
Date: 1881 – 1881
Techniques: color lithograph
Artist: abdul cigarettes
Artist role: publisher
Artist nationality: american
Artist dates: 1881 – 1881
Subjects: soldiers
Small vase
Object type: vase
Date: 1767 – 1800
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Artist: chinese
Artist role: artist
Subjects: flowers
Portret van Alexandre-Jean-Baptiste-Guy de Gisors
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Lintwerkersgilde van 's-Hertogenbosch, gildepenning met no. 33
Object type: medal
Date: 1736 – 1736
Materials: brass
Techniques: engraving
Location: den bosch
Artist: Anonymous
Subjects: den bosch

Ovale messing penning aan draagoog. Voorzijde: gehelmde St. Maarten te paard snijdt zijn mantel doormidden; voor hem op grond zit half geklede man, wiens stok op grond ligt, met uitgestrekte armen binnen gearceerde rand. Keerzijde: een aantal op elkaar geplaatste rollen lint op een tafel onder kroon tussen opschrift No. 33 binnen omschrift.
Abbaye de Middelbourg
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church, exterior ~ representation of a building
Handschoen van blauwe suède
Object type: glove
Date: 1950 – 1960
Materials: leather
Location: france
Artist: Anonymous

Linkerhandschoen van blauwe suède, op de rug drie uitstralende koorden en bij de pols een split.
Sari
Object type: sari
Date: 1801 – 1833
Materials: wool
Location: india
Portret van een onbekend meisje, aangeduid als Lily, zittend aan tafel
Object type: carte de visite
Date: 1876 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: jönköping
Artist: noach brynolf ögren
Artist role: fotograaf
Artist dates: 1845 – 1877
Subjects: sitting figure, girl (child between toddler and youth), table, anonymous historical person portrayed
Inscriptions: signature: ‘O. B. Ögren’, inscription: ‘JÖNKÖPING.’, inscription: ‘Lily Itån/ 18 oktb 1876’
Herinnering aan de Tentoonstelling tot bevordering van veiligheid en gezondheid in fabrieken en werkplaatsen in 1890, aangeboden ter plaatsing in het Museum van voorwerpen tot voorkoming van ongelukken en ziekten in fabrieken en werkplaatsen, te Amsterdam
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: photograph, handicrafts and industries, amsterdam
Inscriptions: collector's mark: Lugt 2228

Herinneringsplaat van de Tentoonstelling tot bevordering van veiligheid en gezondheid in fabrieken en werkplaatsen, Amsterdam 1890. Ingelijste foto's en diploma's.
Portret van Joseph Francois Kluyskens
Object type: print
Date: 1800 – 1846
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: adult man, historical persons, book - mm - book open
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘J. Pellizzaro Italien a Gand’, inscription: ‘v.S. 2981’
Den wech des eeuwich levens
Object type: book illustration
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the life of man
Inscriptions: collector's mark: Lugt 2228

Een man twijfelt over zijn levenswandel bij een splitsing van twee wegen. De ene weg van een leven in deugd leidt naar de eeuwigheid en de andere weg van een leven in zonde leidt naar de hel. Hij moet overwegen of hij spijt krijgt van zijn keuze na zijn dood, aldus het meditatievoorschrift in de uitgave.
Theeservies van steengoed met zoutglazuur
Object type: tea service
Date: 1901 – 1901
Materials: stoneware
Techniques: firing, vitrification
Location: amsterdam
Artist: joseph mendes da costa (1863-1939)
Artist role: print maker
Artist dates: 1863 – 1939
Inscriptions: date: ‘1901’, maker's mark: ‘JMD’

Theeservies van steengoed met zoutglazuur, bestaande uit een theepot, komfoor, bak, melkkan en suikerpot
Schepen op de Nieuwe Vaart in Amsterdam
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: canals, waters (in city)
Inscriptions: inscription: ‘Amsterdam/ Nieuwe Vaart’, inscription: ‘75 Ct’
Portretten van vier Senaatsleden van de staat New York
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ head (and shoulders) (portrait))
Inscriptions: annotation, number: ‘194’

Linksboven William B. Woodin, rechtsboven James Hervey Loomis, linksonder Benjamin H. Williams, rechtsonder Loren B. Sessions.
Kapitelen, gevonden bij opgravingen op de binnenplaats van het seminarie te Rolduc
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: rolduc
Subjects: capital (~ column, pillar)
Inscriptions: annotation: ‘Kapiteelen gevonden bij het doen van / opgravingen op de binnenplaats van het / Instituut te Rolduc oct 1890’, annotation: ‘Rolduc’
Bankbiljet van twee Zuid-Afrikaanse rand
Object type: waardepapier
Date: 1981 – 1990
Materials: paper
Techniques: printing
Subjects: batavia
Portret van Emile Lévy
Object type: photomechanical print
Date: 1872 – 1879
Materials: paper
Techniques: woodburytype
Artist: pierre petit
Artist role: fotograaf
Artist dates: 1832 – 1909
Subjects: paris, painter, emile lévy, historical persons
Plafonds à la moderne
Object type: ornament print
Date: 1634 – 1716
Materials: paper
Techniques: etching
Location: paris
Inscriptions: collector's mark: Lugt 2342

In het midden een leeg rond vlak omringd door kleine panelen met bladranken en portretmedaillons. Uit tweede editie.
Portret van Christoph Sigismund Donauer op 43-jarige leeftijd
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Subjects: christoph sigmund i donauer, historical persons, organization, functionaries and dignitaries in churches and in related institutions
Inscriptions: collector's mark: Lugt 2228
Two Studies of a Seated Peasant Woman (recto); Study of a Young Girl Wearing a Hat (verso)
Object type: drawing and watercolor
Date: 1869 – 1869
Materials: chalk, charcoal, paper
Location: france
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1814 – 1875
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, hind legs and tail of horse; Exterior, parts of legs of three or four figures
Sketch in Picardy
Object type: drawing and watercolor
Date: 1895 – 1895
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: philip william may
Artist nationality: english
Artist dates: 1864 – 1903
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Exterior, three fronds of a palmette with a red heart
Study for Chapel of the Philanthropic Society, from Microcosm of London
Object type: drawing and watercolor
Date: 1809 – 1809
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Man in een fauteuil
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Techniques: stumping
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult man (+ sitting), armchair, seat

Blad 28 recto uit schetsboek IX met 28 bladen.
Caroline van Brandenburg-Ansbach in het kraambed
Object type: book illustration
Date: 1727 – 1727
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: london, george ii augustus (koning van groot-brittannië), visiting the new mother, lying-in visit
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Caroline van Brandenburg-Ansbach, de latere koningin van Groot-Brittannië, ligt in het kraambed. Naast haar ligt haar pasgeboren dochter Louise van Hannover. Verschillende hofdames staan aan haar bed. Linksvoor staat haar man, de latere koning George II. Linksonder een vijfregelige tekst in het Nederlands met een toelichting op de voorstelling en rechts een vergelijkbare, vierregelige toelichting in het Latijn.
Portret van Anna Maria van Schurman
Object type: book illustration
Date: 1755 – 1765
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: cologne, draughtsman, anna maria van schurman, theologian, historical persons - bb - woman, scholar, philosopher, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en Jean-Luc Nyon, 1755-1765, dl. 4.
Fotoreproductie van een prent door Joseph Steinmueller van de Madonna del Prato door Rafaël
Object type: page
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Subjects: madonna: i.e. mary with the christ-child
Paris - La Tour Eiffel - Perspective
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1930
Materials: photographic support
Techniques: photography, writing
Subjects: city-view, and landscape with man-made constructions, canals, waters (in city), names of historical buildings, sites, streets, etc., paris, eiffel tower
Inscriptions: postage stamp
Briefkaart aan Anna Dorothea Dirks
Object type: postcard
Materials: cardboard, pencil
Techniques: writing
Location: laren
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: artist, anna dorothea dirks, drawing
Inscriptions: collector's mark: ‘RPK’
Flintlock Pistol
Object type: flintlock pistol
Date: 1770 – 1770
Materials: brass, horn, steel, wood
Culture: british
Location: england
Artist: james grice
Artist role: gunsmith
Artist nationality: british
Artist dates: 1790 – 1800

This pistol features a two stage, engraved brass barrel, engraved steel lock, and brass mounts with a trophy of arms adorning the pommel. The Grice family of gunmakers was based in Birmingham but marked some of their products as having been made in London, presumably to capitalize on that city’s prestige as one of the most important centers of gunmaking in Europe.
Fears, plate seven from A Glove
Object type: print
Date: 1881 – 1881
Materials: ivory, paper
Techniques: printmaking, etching
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Glass Refuse
Object type: costume and accessory
Materials: glass
Culture: egyptian
Location: egypt
Evangelische jubelprent bij het tweede eeuwfeest van de reformatie, 1717
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: priest, martin luther, the three theological virtues
Inscriptions: collector's mark: Lugt 2228

Evangelische jubelprent bij de viering van het tweede eeuwfeest van de reformatie, 31 oktober 1717. Centrale voorstelling met Luther en Melanchton bij een altaar waarop het Goddelijke Vuur de Valse Leer verbrandt, in een omlijsting versierd met portretten van Hus en Luther, drie scènes uit het leven van Luther, bijbelse leiders en de personificaties van de Waarheid, Geloof, Hoop, Liefde en Standvastigheid. Gedrukt op het blad aan weerszijden van de plaat de verklaring van de voorstelling.
Manem, dit Monem de Bretauville.
Object type: carte de visite
Techniques: gelatin silver print, glass negative
Artist: e. zarski
Artist role: artist
Artist nationality: french
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Jérusalem, Piscine de Siloe, Vue générale
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: landscapes
Ceiling Pattern, Tomb of Qenamun
Object type: facsimile, qenamun tt 162, ceiling
Date: 1479 – 1400
Materials: paper, paint
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965

This painting is the artist's restoration of a ceiling pattern in the tomb of Kenamun (TT 162) at Thebes.
Dress
Object type: dress
Date: 1820 – 1820
Materials: cotton
Culture: american

This historical dress served as an inspiration for a 1950's muslins designed for Mrs. William Randolph Hearst, Jr., by Charles James (2009.300.2775). The donor, who was a life-long muse and friend of James, often brought him historical fashions to reinterpret. The results were imaginative and unique although it is unclear of the final results were ever worn. Austine Hearst was the third wife of William Randolph Hearst, Jr. (1908-1993), son of William Randolph Hearst (1863-1951), turn of the century newspaper mogul. She spent the war years hosting a radio show and writing a newspaper column about young society, which was picked up for national syndication after the war. She married Hearst in 1948, after a seven year marriage to Igor Cassini (1915-2002), brother of the fashion designer Oleg Cassini (1913-2006). She continued as a columnist until after her children were born in the early 1950s. The Hearsts were invited to parties at the White House, Truman Capote's infamous 1966 Black and White Ball and interviews with foreign dignitaries, to name a few. She was continuously on the International Best Dressed List throughout the 1950s and was inducted into the Best Dressed List International Hall of Fame in 1959. She first became a donor to the Brooklyn Museum in 1953 at the request of friend and designer, Charles James. Her first donation was comprised of James muslins and dresses. Thereafter, she regularly donated garments by famous designers such as Christian Dior, Madame Alix Grès and Arnold Scaasi, among others. The Empire silhouette is readily identified with its origins in the chiton of ancient Greco-Romans, which was a tubular garment draped from the shoulders and sometimes belted beneath the bust. Several re-interpretations have occurred throughout costume history but none have been as notable as the period bridging the rectangular panierred skirts of the 18th century and the conical hoop skirts of the 19th century. The neoclassic style was adopted in all forms of decoration after the French Revolution and was upheld during the Napoleonic Wars partly due to Napoleon Bonaparte's (1769-1821) alliance with Greco-Roman principles. In fashion, the style began as children's wear made from fine white cotton, but was adopted by women in the form of a tubular dress with skirts that were gathered under the bust with some fullness over a pad at the back. As the style progressed the skirts began to flatten at the front and solely gather from the bodice at the center back. The style persisted until the 1820s when the waist slowly lowered and the skirts became more bell shaped.
Philipp[us] pater / Philipp[us] filius
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: emperor, king
Inscriptions: inscription: ‘7’

Een bloemkelk met twee koningen. In hun handen hebben zij een scepter. De voorstelling is onderdeel van de opeenvolging Romeinse keizers in de Liber Chronicarum. De tekst identificeert de man als keizer Philippus I Arabs en zijn zoon Philippus II. De prent maakt deel uit van een album.
Harness or bridle ornament (?)
Object type: harness or bridle ornament
Date: 900 – 801
Materials: bronze
Culture: iranian
Location: iran
Kastscharnier
Object type: scharnier
Date: 1590 – 1596
Materials: iron
Techniques: forging
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Scharnier vermoedelijk een openhouder. Heeft vermoedelijk deel uitgemaakt van een kist.
Design for a Clock
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: simon schijnvoet
Artist role: artist
Artist nationality: dutch
Artist dates: 1653 – 1727
The Western Electric Company's multiple switch board at the Manchester Telephone Exchange
Object type: page
Date: 1879 – 1889
Materials: paper
Techniques: photograph
Location: manchester
Artist: Anonymous
Subjects: telephone, exterior ~ representation of a building
Landschap met sawah, voormalig Nederlands-Indië
Object type: photograph
Date: 1890 – 1911
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: onnes kurkdjian
Artist role: fotograaf
Artist dates: 1851 – 1903

Landschap met sawah, voormalig Nederlands-Indië. Enkele huisjes aan de rand van de rijstvelden. Bergen op de achtergrond.
Drie kinderen in een box
Object type: photograph
Date: 1929 – 1929
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: kabanjahe
Subjects: colonial system, play-pen, patient, sick person, infant, baby ~ the ages of man, sumatra

Medische foto van drie kinderen van 12 en 16 maanden van de afdeling pediatrie die in een box in de tuin leren lopen. Datum foto: 18 november 1929. Foto geplakt op voorgedrukt kartonnen blad ingebonden in het fotoalbum over het Hospitaal Batak Instituut te Kabanjaheh op Sumatra in de jaren 1926-1929.
Verheffing van de prins van Oranje tot stadhouder
Object type: history medal
Date: 1747 – 1747
Materials: silver
Techniques: striking
Location: the hague
Artist: nicolaas van swinderen
Artist role: jeweler
Artist dates: 1705 – 1760
Subjects: willem iv (prins van oranje-nassau)

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: trophee, opgebouwd uit vaandels, wapentuig, trommen en een met oranjetakken omwonden zuil, waaraan wapenschild bevestigd is binnen omschrift; afsnede: opschrift
Vier gezichten van opzij
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: face (+ sideview, profile)
Inscriptions: collector's mark: Lugt 2228

De gezichten zijn afkomstig van klassieke sculpturen. De figuur rechtsonder draagt een baard en een helm. Genummerd rechtsboven: No. 7.
Group of Six Geisha Under the Cherry Trees on Gotenyama
Object type: woodblock print
Date: 1785 – 1785
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: men,women,trees
Preanger regentschappen
Object type: drawing
Date: 1819 – 1819
Materials: paper, watercolor
Techniques: brush, pen
Artist: jannes theodorus bik
Artist role: draughtsman
Artist dates: 1796 – 1872
Subjects: city-view, and landscape with man-made constructions, landscapes in the temperate zone, cultivated land, mountains
Inscriptions: inscription: ‘Negory Lelles Preanger regentschappen J.T. Bik 1819’
Gezicht op de Kornhaus brug te Bern
Object type: photograph
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Location: zermatt
Artist: Anonymous
Subjects: landscape with bridge, viaduct or aqueduct
Inscriptions: inscription: ‘No. 3./ Bern (Kornhausbrug).’
Incense Burner
Object type: incense burner
Date: 1780 – 1780
Materials: enamel, porcelain
Techniques: polychrome
Culture: japanese