deem-data/ArtiFact huggingface dataset:
Side Chair
Object type: side chair
Date: 1858 – 1858
Materials: wood
Culture: american
Location: united states
Artist: foster & lee
Artist role: maker
Artist nationality: american
Artist dates: 1808 – 1908
Patriotten te Heusden
Object type: insignia
Date: 1784 – 1784
Materials: silver
Techniques: striking
Location: heusden
Artist: Anonymous
Subjects: patriots (1780-1795)

Zilveren ovale draagteken met gat erin. Voorzijde: gekroond wapenschild boven wimpel met opschrift en jaartal binnen kabelrand. Keerzijde: vrouw, voorstellende Vrijheid, met hoed op speer, zittend naast altaar; afsnede: opschrift.
Pohled na cast pojizerské slinice dle obrazu, vystaveného v pavilonu zemského výboru
Object type: photomechanical print
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: czech republic
Subjects: public road, mountains
Complete Double Saddle Bag (Khorjin)
Object type: saddle bag
Date: 1801 – 1900
Materials: wool
Techniques: brocade, weave
Location: northwestern iran
Verzoening van B. en W. en de Amsterdamsche Gemeenteraad
Object type: photomechanical print
Date: 1903 – 1903
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Subjects: personification of a city, town-patron(ess), reception, cocktail party, politician, e.g. party leader, political caricatures and satires, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Verkiezingen Gemeenteraad.
The Diligent Worker Aspiring to the Righteousness of the Lord, from The Reward of Labour and Diligence, plate 3
Object type: print
Date: 1572 – 1572
Techniques: engraving
Artist: philips galle
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1537 – 1612
Subjects: men,women
Torenwachters kermiswensch. aan de inwoners van Amsterdam. Wester Kerks-toren
Object type: print
Date: 1841 – 1864
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: parts of church exterior and annexes: tower

Nieuwjaarswens van de torenwachters van de Westerkerkstoren te Amsterdam. Bovenaan een gezicht op een kerktoren. Daaronder centraal een gedicht in twee kolommen. Onderaan een toezang in drie kolommen. Aangeboden door de torenwachters: H. Happé en J.F.B. Richard. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Chiyoda Castle (Album of Women)
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: women,mountains,benches
Wall painting from the west wall of Room L of the Villa of P. Fannius Synistor at Boscoreale
Object type: wall painting
Date: 50 – 40
Techniques: fresco
Culture: roman
Subjects: masks,garlands,fruit,bulls,snakes
Foto van een machine gemaakt door de Mansfield Machine Works, Mansfield, Ohio
Object type: cabinet photograph
Date: 1860 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: mansfield
Artist: Anonymous
Border (one of two)
Object type: border
Date: 1801 – 1900
Materials: lace, linen
Techniques: gros point, lace
Portret van keizer Wilhelm II
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: wilhelm ii (keizer van duitsland), historical persons, ruler, sovereign
Verzamelaar van prenten
Object type: print
Date: 1888 – 1945
Materials: paper
Techniques: etching, intaglio
Subjects: print, e.g.: engraving, etching, lithograph, art collector (+ graphic arts)
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Een man met bolhoed bladert door een map met prenten. Aan de muur hangen prenten.
New London cries or all the talents making themselves useful!
Object type: print
Materials: paper
Techniques: etching, hand coloring
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1770 – 1799
Exterieur van de Grote Moskee (Masjid Raya Al Mashun) in Medan
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: medan
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Border
Object type: border
Date: 1501 – 1600
Techniques: embroidery
Subjects: human figures,animals

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Gezicht op de Urnersee, met op de achtergrond de Urirotstock
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: uri
Subjects: mountain-top, peak, lake
Inscriptions: number: ‘308’, inscription: ‘Wehrli A.-G. Kilchberg-Zürich’
One of the Advantages of a Low Carriage
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Meir Wachenheimer met een glas in zijn handen en zijn echtgenote Mathilde Wachenheimer-Wertheimer met een paraplu om haar arm en een tas in haar hand, lopend over straat
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: meir wachenheimer, sobibór, mathilde wachenheimer-wertheimer
Two Mounted Warriors
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: england
Artist: attributed to john deare
Artist nationality: english
Artist dates: 1759 – 1798
Saint Lucy and Her Mother at the Shrine of Saint Agatha; Saint Lucy Giving Alms; Saint Lucy before Paschasius; Saint Lucy Resisting Efforts to Move Her
Object type: painting, part of an altarpiece
Date: 1367 – 1398
Materials: gold leaf, paint, wood
Artist: giovanni di bartolommeo cristiani
Artist role: artist
Artist nationality: italian
Artist dates: 1367 – 1398
Subjects: soldiers,men,women,cows,angels,saints
Portret van Johann Paulus Weinmann
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: etching
Location: augsburg
Subjects: historical persons, book, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Grondwetsherziening na kiesrechtwijziging!
Object type: cartoon
Date: 1882 – 1882
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: personifications of countries, nations, states, districts, etc.

Politieke spotprent met de Nederlandse Maagd door minister van Lynden van Sandenburg met een kluitje in het riet gestuurd. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 38, 1882.
View of the Palazzo Odescalchi, from Views of Rome
Object type: print
Date: 1750 – 1759
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Meander with checkerboard square
Bekende tijdgenooten naar het leven geschetst
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: haarlem, historical persons
Inscriptions: collector's mark: Lugt 2228

Een portret van Caspar Josefus Martinus Bottemanne op drieënzeventigjarige leeftijd, de zesde bisschop van het bisdom Haarlem.
Portret van Joachim Patinier
Object type: print
Date: 1521 – 1521
Materials: paper
Techniques: engraving
Location: prague
Subjects: antwerp, painter, draughtsman, joachim patinir
Inscriptions: inscription: ‘S. W. Ab. 194’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret van de schilder Joachim Patinier.
Burgonet for a Cuirassier
Object type: burgonet
Date: 1620 – 1630
Materials: steel
Culture: french
Location: france

The surfaces are somewhat crudely etched with an overall pattern of strapwork cartouches enclosing trophies, all set against a cross-hatched ground. The decoration and the distinctive profile of the helmet are typically French. The baluster-shaped finial at the apex and large rayed washer below it are features also found on contemporary Flemish helmets and appear to be a conscious revival of the applied helmet ornaments depicted in Burgundian tapestries of the late fifteenth century. This example once belonged to the celebrated English painter Sir Richard Cosway, R.A. (1740–1821), who collected arms and armor as studio props for his history paintings.
Dish with Floral Scrolls
Object type: vessel
Materials: stoneware
Techniques: carving, incising, underglaze
Location: china
Fragment of a Composition: Attendants Bearing Flagons
Object type: drawing and watercolor
Materials: chalk, paper, oil, paint
Techniques: brush, wash
Location: italy
Artist: attributed to biagio pupini, called dalle lame
Artist nationality: italian
Artist dates: 1511 – 1551
Inscriptions: Inscribed verso, upper center, in pen and brown ink: "20 Nov. 1813"; lower center, in graphite: "Polidoro / / da Caravaggio / 3 / - / -"; upper center on mount, in graphite: "Romano"
Annie Russell, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Vooruitgang en Vastheid van Beginselen
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: medal (considered as a piece of sculpture, regardless of its specific function), student life, father time, man with wings and scythe, amsterdam

Vader Tijd met twee gedenkpenningen. Naar aanleiding van de voorgestelde verandering van het Athenaeum Illustre in een Gemeentelijke Universiteit. Spotprent in de studentenalmanak van de Universiteit van Amsterdam van het jaar 1862.
Young Woman Bathing
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: drypoint, etching, roulette
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Cuffs
Object type: cuff
Date: 1801 – 1825
Materials: linen
Culture: belgian
Terracotta cup with barbotine decoration
Object type: cup
Date: 34 – 66
Materials: terracotta
Culture: roman

Two-handled with a row of leaf-shaped plastic decorations; barbotine decoration.
Bonbonnière: Head of a Turk
Object type: metalwork
Date: 1765 – 1765
Materials: copper, enamel, metal
Techniques: polychrome
Location: england
Onderzeeër op zee
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: netherlands
Artist: Anonymous
Subjects: submarine, sea (seascape), netherlands

Deze prent maakt deel uit van een album.
Box with cover
Object type: box with cover
Date: 1736 – 1795
Materials: jade
Culture: chinese
Shawl
Object type: shawl
Date: 1850 – 1850
Materials: wool
Culture: british

This is an elegant example of a European adaptation of the boteh motif. The many forms it takes on this shawl are indicative of the flexibility of this ancient pattern. The shawl held a place as a high fashion accessory for a relatively large period between the end of the 18th century to the 1870s. These accessories were originally adopted by men with exposure to India and Persia through the Trading Companies. The changing fashions near the end of the 18th century brought a renewed interest in Indian and Persian shawls as a form of warmth over the thin muslins of fashionable Empire silhouette dresses. The shawls came in many designs which generally incorporated the boteh form. This form, which is mostly known as the paisley now, is an ancient Persian design based upon the tree of life and inspired by buds, cones and palm fronds. These objects were hand woven and extremely costly which inspired European manufacturers to attempt to produce cheaper copies for the masses. The primary center for machine woven reproduction Indian shawls became Paisley, Scotland. The shawls from this location were so prominent on the market that the style and boteh form of the shawls has been generally referred to as paisleys since. The invention of the Jacquard loom in 1801 increased productivity and reduced costs even further after its first use in Paisley in the 1820s. Other designs of shawls were also produced at this time, albeit they never reached the popularity of the Indian, Persian and Paisley shawls. In the 1870s the shawl lost popularity due to its immense size and the reducing expanse of skirts to help support them. Many of the original Indian and Persian shawls had been retained as heirlooms through generations due to their cost while cheaper reproductions were sometimes altered into a more fashionable bustle silhouette mantle.
Canal with floating houses Puthia (Siam)
Object type: photograph
Date: 1860 – 1890
Materials: glass
Techniques: slide
Location: puthia
Artist: Anonymous
Subjects: canals, waters (in village), houseboat
Inscriptions: number: ‘1463’
Wapen van het Huis Nassau
Object type: print
Date: 1635 – 1694
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
De heilige Kunigunda bewijst haar onschuld
Object type: drawing
Date: 1585 – 1634
Materials: ink, paper
Techniques: brush, pen
Artist: johann mathias kager
Artist role: draughtsman, print maker
Artist dates: 1575 – 1634
Subjects: the trial by ordeal of st. cunegunda: accused of marital infidelity, she walks over red-hot ploughshares unharmed; usually her husband king henry ii present

De heilige Kunigunda bewijst haar onschuld aan overspel door voor haar echtgenoot H. Hendrik van Duitsland over roodgloeiende ploegscharen te lopen. Ontwerp voor een prent.
Houtsprokkelaars in het bos
Object type: print
Date: 1809 – 1875
Materials: paper
Techniques: lithograph
Artist: frans breuhaus de groot
Artist role: draughtsman, print maker
Artist dates: 1796 – 1875
Subjects: woodgathering, woodgatherer, forest, wood
Inscriptions: collector's mark: Lugt 2228

De man zit gebukt op een pad in het bos bij een bos hout. De vrouw staat ernaast.
Rebel Works in Front of Atlanta, Georgia No. 5
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: american civil war,landscapes
Gezicht op de Kaiser-Wilhelm-Strasse en de markthallen, Berlijn
Object type: album leaf
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: berlin
Artist: Anonymous
Subjects: street, market-hall, berlin
Inscriptions: title: ‘Vor der Central-Markthalle am Alexanderplatz.’, inscription: ‘Vrijdag den 16de Aug 1901’

Deze fotomechanische afdruk maakt deel uit van een album.
Harness Ornaments
Object type: harness ornament
Date: 501 – 700
Materials: gold, iron
Culture: japanese
Location: japan
Portret van Lucas Egeling
Object type: drawing
Date: 1792 – 1867
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: abram van der horn
Artist role: draughtsman, print maker
Artist dates: 1782 – 1867
Subjects: historical persons
Mrs. Mary Arthur
Object type: painting
Date: 1900 – 1900
Materials: canvas, oil
Culture: american
Artist: thomas eakins
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1916
Subjects: portraits,women,knitting

This bust-length portrait depicts the seventy-six-year-old mother of Eakins’s artist-friend Robert Arthur. As a representation of an elderly model absorbed in an old-fashioned task, the work recalls Eakins’s The Writing Master, a portrait of his father, hanging nearby. Here, as in the earlier painting, the artist used strong contrasts of light and dark to define forms and highlight the hands and face, suggesting both manual dexterity and the wisdom of age. Its austere palette and quiet eloquence also reveal Eakins’s study of works by the seventeenth-century masters Rembrandt, Ribera, and Velázquez.
Schildhouder in Romeins kostuum
Object type: design
Date: 1576 – 1576
Materials: paint, paper
Techniques: brush
Artist: joachim wtewael
Artist role: draughtsman, painter
Artist dates: 1566 – 1638
Subjects: helmet, protective weapons: shield, standing on one leg
Shanklin
Object type: photograph
Date: 1897 – 1930
Materials: paper
Techniques: printing
Location: isle of wight
Artist: Anonymous
Subjects: beach (as place of recreation), public road in village, travelling; tourism, isle of wight

Pagina 11 met 3 foto's van het strand, Chine Road en een dorpsstraat in Shanklin en een bijschrift. Onderdeel van Fotografische reisreportage van het eiland Wight.
Studies van vissen
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: bony fishes
Inscriptions: number: ‘633’, number: ‘8’
The Blessed Aloysius Gonzaga in Ecstasy
Object type: drawing
Date: 1629 – 1629
Materials: ink
Techniques: brush, pen, wash
Artist: anthony van dyck
Artist role: artist
Artist nationality: flemish
Artist dates: 1599 – 1641
Subjects: saints
Gezicht op enkele panden aan de Herengracht
Object type: photograph
Date: 1860 – 1920
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses
Inscriptions: collector's mark: ‘8’ Lugt 1641b, inscription: ‘Heerengracht [...] / +- 1[...]20’

Onderwerpsrubriek binnen de Atlas Amsterdam: Haarlemmerplein, Halvemaansteeg, Handboogstraat, Handelskade, Haringpakkerij, Hartenstraat, Hasseltsteeg (Dirk van), Heerengracht.
Kelmscott Manor: The Garden Front
Object type: photograph
Date: 1896 – 1896
Materials: glass
Location: england
Artist: frederick h. evans
Artist role: fotograaf
Artist nationality: english
Artist dates: 1853 – 1943
Saint Thomas of Villanova
Object type: print
Date: 1658 – 1658
Techniques: etching
Artist: ginevra cantofoli
Artist role: artist
Artist nationality: italian
Artist dates: 1608 – 1672
Vue generale de Cordoue prise de la Tour de la Mosquée
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: córdoba
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: number: ‘2435.’
Design for a Chair Seat Cover with a Classical-Inspired Vase with Two Handles, Two Exotic Birds and Two Half-Human Grotesque Figures Inside an Ornamental Frame with Two Cornucopias Holding Bundles of Leaves and Fruits and Decorated Scrolls of Leaves and Flowers
Object type: drawing ornament architecture
Date: 1870 – 1900
Materials: gouache, watercolor
Artist: anonymous, french, 19th century
Artist role: designer
Artist nationality: french
Artist dates: 1800 – 1900

Rectangular sheet of paper with a design for a chair seat cover from the second half of the nineteenth century that forms part of the Classical and Renaissance Revival that took place during this period, where the interest in the art and architecture from Ancient Rome and the 15th and 16th centuries, propelled by archaeological discoveries in Greece, Italy and Egypt that took place from about 1850. Classical and Renaissance pieces were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and the inclusion of grotesques and moresques, became a central part of the designs produced during this nineteenth-century Revival. This design is made up of a Classical-style vase rendered with shades of yellow to imitate a golden finish, with a horizontal decoration colored with two shades of blue and two scrolling handles colored with the lighter shade of blue, within an ornamental frame, also simulating a golden finish. The frame is composed of scrolls and two cornucopias that emerge from the vase and form the bottom half of the frame, which hold leaves and fruits, possibly apples or apricots, from which scrolling leaves and vegetal motifs stem out to decorate the upper half ornamental frame. The leaves are all colored with green, the fruits with shades of orange, and the scrolling leaves and flowers with green, carmine, pink and blue. Two exotic birds with brown, orange and gree feathers stand above the handles of the vase, and two half-human grotesque figures, rendered with brownish-gray color to simulate possibly a copper finish, stand over the cornucopias, with one hand holding the handles of the vase and the other the tails of the birds. A pink textile hangs scrolling around the cornucopias at the bottom of the frame. The background of the design is of green color inside a gray frame. The design is placed on the same paper as a similar chair back cover (49.50.197(a)), possibly meant to be part of the same chair as this.
The Good Samaritan
Object type: painting
Materials: canvas, oil
Artist: alexandre-gabriel decamps
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1860
Subjects: towns,men,women,horses
Pair of firedogs (chenets)
Object type: firedog
Date: 1780 – 1785
Materials: gilt bronze
Septem Dona Spiritus Sancti
Object type: print
Date: 1653 – 1654
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: 'consilium', counsel ~ one of the seven gifts of the holy ghost

In een nis de vrouwelijke personificatie van de gave van raadgeving, een van de zeven gaven van de Heilige Geest. Ze draagt een kroon van bladeren en heeft een sleutel en een hart aan twee halskettingen om haar nek. In haar rechterhand heeft ze een weegschaal. Onderaan de Bijbeltekst uit Spreuken 27:9 en Wijsheid van Jezus Sirach 32 in het Latijn. De prent maakt deel uit van een album.
Kitchen
Object type: painting
Date: 1859 – 1859
Materials: oil, panel, paper
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: kitchen-interior, kitchen-maid, kitchen servant
Inscriptions: signature: ‘M.M.’, inscription: ‘Dit is van Jaap. 6 Maart 1913. M. Maris. London.’

Maris painted this small oil study in his Hague period, when kitchen interiors with through-views in the style of the 17th-century Dutch painter Pieter de Hooch were popular. Maris here practiced with the backlight pouring in through the window and casting the woman at the sink and the objects in the kitchen in shadow. Cleverly placed highlights give the interior greater depth and volume.
Model Draping
Object type: print
Date: 1889 – 1889
Materials: graphite, ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: male nudes
Dress
Object type: dress
Date: 1805 – 1810
Materials: cotton
Culture: american
Le petit Russe
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: boys,portraits
Portretmedaillon in marmer van Johannes Christoffer Mittscherlich
Object type: sculpture
Date: 1785 – 1785
Materials: marble, wood
Location: amsterdam
Artist: christoffel mittscherlich
Artist role: silversmith
Artist dates: 1740 – 1793

Portretmedaillon in marmer van Johannes Christoffer Mittscherlich op ongeveer vierjaarige leeftijd. In 19de eeuwse verguld houten lijst.
Young Woman Performing Sanbaso Dance
Object type: print
Date: 1775 – 1775
Techniques: woodblock print, hashira
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790