deem-data/ArtiFact huggingface dataset:
Huis langs een bomenlaan te Deurne
Object type: sketchbook leaf
Date: 1807 – 1897
Materials: chalk, paper
Location: deurne
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: road, path, the usual house or row of houses
Inscriptions: date and inscription: ‘Deurne/ 25 July’

Blad 3 verso en 4 recto uit een schetsboek met 44 bladen.
Anthony's Instantaneous Views
Object type: stereograph
Date: 1864 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: ferry, new york (city)
Inscriptions: seal: ‘Proprietary 2 Cents’, number: ‘894’, address: ‘American and Foreign Stereoscopic Emporium, 501 Broadway, New-York.’
Glass pendant  in the shape of a Black African's head
Object type: head pendant
Date: 134 – 1
Materials: glass
Culture: greek, eastern mediterranean
Subjects: heads

Deep cobalt blue, appearing black. Head of a youth with tight curled hair, deep-set eyes, broad nose, full cheeks, thick lips, and long neck; suspension loop projecting from top of head, pierced through sideways. Molded in a two-part mold with continuous seam running down sides of head and under neck. Head complete but most of loop missing; some pitting, but black weathering and brilliant iridescence covering most of head.
Coat
Object type: coat
Date: 1785 – 1785
Materials: silk, wool
Culture: american or european
The Trellised Fountain, frontispiece from Paysages Dédiés à M. Warelet
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Location: switzerland
Artist: salomon gessner
Artist role: painter, print maker
Artist nationality: swiss
Artist dates: 1730 – 1788
Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 12r)
Object type: book print ornament architecture
Date: 1532 – 1532
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament,griffins

Published by Peter Guentel, Cologne. The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs.
Vaals
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: vaals
Artist: Anonymous
Subjects: the family travelling, on holiday, outing, pleasure trip
Inscriptions: inscription

Albumblad met vier foto's bij het Drielandenpunt bij Vaals. Onder de foto's uitgeknipte papiertjes met getypte opschriften. Onderdeel van het eerste fotoalbum met foto's van de twee fietstochten van vader en zoon door Nederland in september 1939 en juli 1940 en een autotrip met het gezin door Nederland, België en Luxemburg in juni 1949.
Schetsboek met 4 bladen
Object type: sketchbook
Date: 1875 – 1923
Materials: cardboard, chalk, linen, paper, pencil
Location: netherlands
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Dit boek bevat ook enkele blanco pagina's.
Jonge Bacchus
Object type: print
Date: 1657 – 1707
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrik bary
Artist role: draughtsman, print maker
Artist dates: 1640 – 1707
Subjects: (story of) bacchus (dionysus), liber
Inscriptions: collector's mark: Lugt 240

Een jonge Bacchus met een halfgevuld glas in zijn hand. Onder de voorstelling een vers van twee regels in het Nederlands.
Ontwerp voor een kamerbeschildering met allegorie op de Lucht
Object type: design
Date: 1677 – 1755
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: air (one of the four elements), mercury beheads argus, argus' eyes changed into peacock's 'eyes' (ocelli): juno sets argus' eyes on her peacock, after argus, while watching io, has been slain by mercury (ovid, metamorphoses i 723)
Inscriptions: inscription: ‘Mercurius presenteert het hoofd van Argus aen Juno, die met alle de Oogen haar paauwe staarte Versiert’

Allegorie op de Lucht: Mercurius geeft het hoofd van Argus aan Juno.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1615 – 1868
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Subjects: flowers
Twee bordurende vrouwen op een terras en een vrouw met hond op een bank
Object type: photograph
Date: 1907 – 1911
Materials: paper, cardboard
Techniques: collodion silver print
Location: moscow
Artist: Anonymous
Subjects: historical persons - bb - woman, terrace, dog
Inscriptions: inscription: ‘- Moscou - Juillet 1911.’, inscription: ‘- Moscou - sur la terrasse - Juillet 1911.’

Deze foto's maken deel uit van een album.
Achterste deel van neushoorn Clara
Object type: sketchbook leaf
Date: 1751 – 1751
Materials: chalk, paper
Artist: lorenzo baldissera tiepolo
Artist role: draughtsman, print maker
Artist dates: 1736 – 1776
Subjects: london, hoofed animals: rhinoceros

Studie naar de neushoorn Clara, die vanaf 1746 een rondreis door Europa maakte (zie documentatie).
Armor (<i>Gusoku</i>)
Object type: armor i gusoku i
Date: 1701 – 1733
Materials: copper, gold, iron, lacquer, silk
Culture: japanese
Location: japan
Artist: myōchin munesuke
Artist role: armorer
Artist nationality: japanese
Artist dates: 1688 – 1735
Daisy Boynton, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Wilhelmina
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, paper
Techniques: photography
Location: the hague
Artist: kameke
Artist role: painter
Subjects: the hague, print maker, wilhelmina of the netherlands, netherlands

Koningin Wilhelmina op jeugdige leeftijd, zij zit op een canapé. Foto op karton.
Crucifix with Saint Anthony of Padua
Object type: cross
Date: 1501 – 1800
Materials: alloy, brass, cord, fiber, lead, tin, wood
Culture: kongo
Location: angola
Artist: kongo artist
Artist role: artist
Subjects: men,christ,saint anthony,cross
Liu Chen and Ruan Zhao Entering the Tiantai Mountains
Object type: handscroll
Date: 1271 – 1333
Materials: ink, paper
Culture: chinese
Artist: zhao cangyun
Artist role: artist
Artist nationality: chinese
Artist dates: 1267 – 1333
Subjects: men

Painted by a member of the Song royal family who lived through the Mongol conquest, this handscroll, which revives the monochrome drawing style of the scholar-artist Li Gonglin (ca. 1041–1106), chronicles the legend of two men of the Han dynasty who stumble upon a magical realm of immortals. Returning home after what seemed like half a year, they discover that seven generations have come and gone and that they are alone in the world. The men’s loss of home and paradise evokes the disorientation and alienation felt by many of the Chinese elite following the fall of the Song dynasty in 1279. What little we know of the artist is contained in the colophons mounted after the painting. The first, by Hua Youwu (1307–after 1386), describes Zhao Cangyun as an artist known for “boneless” (without outlines) ink-wash landscapes and delicate figure paintings. Hua also states that the artist was more famous in his youth than his fellow clansmen Zhao Mengjian (1199–before 1267) and Zhao Mengfu (1254–1322). As Zhao Cangyun withdrew to the mountains and lived as a recluse, never marrying or serving as an official, no documentation, except this scroll, survives.
Fragment plaatwerk van koper uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: scheepswrakvondst
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Tales of Ise
Object type: book
Date: 1608 – 1608
Techniques: woodblock print
Location: japan
Artist: Anonymous
Artist nationality: japanese
Celery Dish
Object type: celery dish
Date: 1849 – 1858
Materials: earthenware
Culture: american
Location: united states
Artist: lyman, fenton & co.
Artist role: maker
Artist nationality: american
Artist dates: 1849 – 1849
Triumphal procession to Antwerp
Object type: print, fete, ornament architecture
Date: 1684 – 1684
Techniques: etching
Artist: jan luyken
Artist role: artist
Artist nationality: dutch
Artist dates: 1649 – 1712
Subjects: churches,crowd
Fantastic Hairdresses with Fruit and Vegetable Motifs
Object type: drawing
Date: 1701 – 1800
Materials: board, canvas, watercolor
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: fruit,vegetables,women
Raised relief fragment with part of an inscription
Object type: relief, tomb of nespekashuty
Date: 664 – 610
Materials: limestone
Location: egypt
Panorama van de Rots van Gibraltar gezien vanaf een pier
Object type: panorama
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: gibraltar
Artist: Anonymous
Subjects: rock-formations, prospect of city, town panorama, silhouette of city

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Spanje en Marokko.
Covered Cup
Object type: covered cup
Materials: gilt, porcelain
Techniques: overglaze, painting
Culture: chinese
Subjects: men,sheep
Wandelend boerenpaar
Object type: kopie naar prent
Date: 1646 – 1745
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: farmers
Inscriptions: collector's mark: Lugt 240
Fotoreproductie van een schilderij van een man en een vrouw tijdens een wandeling door Adolphe Weisz
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Artist: adolphe weisz
Artist role: painter
Artist dates: 1838 – 
Subjects: adult woman, strolling, adult man
Inscriptions: inscription: ‘PHOTOGRAPHISCHE GESELLSCHAFT/ BERLIN’, inscription: ‘2016 - A. Weisz. - I F C/ Vacances de Pâques.’
Portret van Gottlieb von Haeseler
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Subjects: city-view in general; 'veduta', historical persons, book, armorial bearing, heraldry
Inscriptions: date
Mukojima no Zu (Hira-Iwa)
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: gates,houses,men,women,trees
Twee mannen bekijken een boom
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: trees, cortege, funeral procession, housing
Inscriptions: collector's mark: Lugt 240

Illustratie uit: Luyken, Jan. De onwaardige wereld, vertoond in vyftig zinnebeelden, met godlyke spreuken en stichtelyke verzen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1710, p. 54.
Headcloth (Iket Kepala)
Object type: costume and accessory
Date: 1867 – 1900
Materials: cotton, wax
Techniques: drawing, dyeing, weave, resist
Location: java

Here is another variant of the semen design favored at the central Javanese courts. The bodies of large-winged birds, referring to Garuda, along with smaller birds, fruit, and flowers, are arranged radially against a ground of finely dotted foliage and vines. The palette is dominated by the characteristic reddish-brown soga dye, made from the bark of the soga tree.
Cup (one of six) (part of a set)
Object type: cup
Date: 1820 – 1830
Materials: hard paste porcelain
Subjects: men,women,horses,sheep
Covered bowl with floral pattern
Object type: covered bowl
Date: 1767 – 1833
Materials: cobalt, enamel, porcelain
Techniques: painting, underglaze
Culture: chinese
Kerchief
Object type: kerchief
Date: 1701 – 1800
Materials: cotton
Culture: european
Corset
Object type: corset
Materials: cotton, leather, metal, silk
Culture: french
Artist: la sirene
Artist role: manufacturer
Artist nationality: french
Gift Cloth (Fukusa)
Object type: gift cloth
Date: 1701 – 1800
Materials: metal thread, silk
Culture: japanese
Subjects: birds,flowers
Cartouche met kalligrafie, rolwerk loopt onderaan uit in hermen
Object type: ornament print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: scrollwork, strapwork ~ ornament, pedestal of a piece of sculpture (perhaps in the form of a herm), ornament ~ cartouche, calligraphy
Inscriptions: inscription: ‘JO (?)’, inscription: ‘15a 5-4-'77’

Blad XV. Cartouche met tekst No misfortune shall happen.... Het rolwerk loopt linksonder uit in een mannelijke, rechtsonder in een vrouwelijke herme. Beiden blazen wolkjes uit een hoorn die een uitloper van hun neus is. Uit serie van 21 genummerde cartouches met kalligrafie in een omlijsting van rol- en beslagwerk met grotesken, guirlandes en mascarons.
Thooneel der Steden ende Sterckten van 't Vereenight Nederlandt met d'aengrensende Plaetsen
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: etching
Location: antwerp
Artist: gaspar bouttats
Artist role: print maker
Artist dates: 1640 – 1695
Subjects: prospect of city, town panorama, silhouette of city, bergen op zoom
Inscriptions: inscription: ‘Bergen-op-Zoom’, collector's mark: Lugt 2228

Gezicht op de stad Bergen-op-Zoom. Op de voorgrond, buiten de stadsmuren, de rivier de Schelde met enkele vissersboten. Boven het stadsgezicht een cartouche met de naam van de stad en het wapenschild.
Straatgezicht
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: pencil
Location: tunisia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: street

Pagina 118 uit een schetsboek met 67 bladen.
Spoon
Object type: spoon
Date: 1701 – 1800
Materials: brass, coral, ivory, shell
Brief aan Jan Veth
Object type: letter
Date: 1912 – 1912
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: cornelis gerardus t hooft
Artist role: draughtsman, painter
Artist dates: 1866 – 1936
Subjects: ferdinand bol, designer, jan veth, leiden, rembrandt van rijn, painting (including book-illumination, miniature-painting), berlin
Inscriptions: collector's mark: ‘RPK’, watermark
Bottle with Bulbous Neck
Object type: bottle
Date: 1301 – 1400
Materials: terracotta
Culture: thai
de allerlaatste Mohikaner
Object type: drawing
Date: 1874 – 1874
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: rodents: hare
Inscriptions: collector's mark: Lugt 2228, date and inscription: ‘naar dooden Haas (natuurlijk) getracht loopende studie te teekenen / de allerlaatste Mohikaner - 31/1/74.’
Gevel van de Kweekschool voor de Zeevaart
Object type: drawing
Date: 1741 – 1801
Materials: ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: anthony ziesenis
Artist role: draughtsman
Artist dates: 1731 – 1801
Subjects: gate, entrance
Inscriptions: collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 2.
Design for a Round Pedestal Table
Object type: drawing
Date: 1801 – 1833
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: tables
Male nude supporting a wreath on his head
Object type: statuette
Date: 1567 – 1633
Materials: bronze, lacquer
Subjects: male nudes,wreaths

The model was possibly intended as a furniture mount, serving, for example, in the manner of a telamon between two zones of a cabinet. The rather labored contrapposto suggests a late School of Fontainebleau origin. A variant with a bit of drapery falling over the figure’s shoulder was in the collection of Sir Ivor C. Proctor-Beauchamp.[1] The number 212 engraved on the back of the right lef of our bronze corresponds to the entry in the inventory of the French royal collections ordered by the National Assembly: “Une homme ayant les deux mains dur la tête, haut de huit puces et demi, modern, estimé cent vingt livres.”[2] [James David Draper, The Jack and Belle Linsky Collection in the Metropolitan Museum of Art, New York, 1984, pp. 168–69, no. 86] Footnotes: [1] Sale, Sotheby’s, London, June 10, 1969, no. 71. [2] J. M. Bion, C. G. F. Christin, and F. P. Delattre, Inventaire des diamans de la Couronne…perles, pierreries, tableaux, pierres gravées, et autres conumens des arts et des sciences existans au Garde-Meuble, imprimé par ordre de l’Assemblée Nationale, II, Paris, 1791, p. 262, no. 212.
Zittende boer met kruik
Object type: print
Date: 1763 – 1768
Materials: paper
Techniques: etching, roulette
Location: amsterdam
Subjects: sitting figure, jar, jug (used as drinking-vessel)
Inscriptions: collector's mark: Lugt 2228

Voor deze prenttekening, 'Zittende boer met kruik', maakte Ploos van Amstel vier verschillende platen (A, B, C, en D). Er bestaan afdrukken van één, twee, drie of alle vier de platen in alle mogelijke combinaties. Zie gerelateerde objecten voor de hier gebruikte platen.
Vier details van een medulla oblongata van een mens
Object type: page
Date: 1854 – 1864
Materials: paper
Techniques: photolithography
Artist: john dean
Artist role: fotograaf
Artist dates: 1831 – 1888
Subjects: brains
Inscriptions: number: ‘Plate VI. Fig. 21. Fig 22. Fig. 23. Fig. 24.’
Portret van een vrouw met twee kinderen
Object type: carte de visite
Date: 1878 – 1892
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: haarlem
Artist: marius n.f. rotteveel
Artist role: fotograaf
Subjects: studio requisites ~ photographer, mother and baby or young child, haarlem
Inscriptions: address: ‘Jansweg 13 Haarlem’

Onderdeel van Album met 28 foto's van een Nederlands-Surinaamse familie.
Landschap met rivier, boten en huizen
Object type: print
Date: 1843 – 1853
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: repairing, caulking, careening (~ ship), river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Rechts op de oever is een man bezig een boot te teren. Op de rivier vaart een roeiboot met twee mannen en drie vrouwen.
Andiron
Object type: andiron
Date: 1601 – 1700
Materials: copper alloy, patina
Techniques: casting
Artist: niccolò roccatagliata
Artist role: artist
Artist nationality: italian
Artist dates: 1593 – 1636
Subjects: firearms,men
Heilig Graf in Jeruzalem
Object type: titelblad, titelpagina
Date: 1821 – 1821
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: christ, grave, tomb
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Forbin, L.N.P.A. de. Reis naar de Levant gedaan in de jaren 1817 en 1818. Haarlem: Loosjes Pz., weduwe Adriaan, 1821.
Mug
Object type: mug
Date: 1850 – 1870
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Bottle-Shaped Vase (Meiping) with Phoenixes amid Clouds
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting
Location: china
Beneath the Wing of a Shadow the Black Creature was Biting Energetically, plate 4 of 6
Object type: print
Date: 1891 – 1891
Materials: chine, ink, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Staande man naar links
Object type: print
Date: 1700 – 1900
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: standing figure
Reliëf, voorstellende een personificatie van de dag
Object type: cabinet photograph
Date: 1879 – 1879
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: day of 24 hours, natural day, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘25’
Portret van Aegidius Sadeler
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: antwerp, prague, draughtsman, aegidius sadeler (ii), pendant, trinket, 'breloque'
Inscriptions: collector's mark: Lugt 2228

Busteportret van Aegidius Sadeler. Hij draagt een keten met een medaillon. In de marge de naam van de geportretteerde en een achtregelig onderschrift in het Frans.
Portret van paus Pius IX
Object type: print
Date: 1846 – 1899
Materials: paper
Techniques: tone lithography
Location: arnhem
Subjects: rome, historical persons, pope
Inscriptions: collector's mark: Lugt 2228
Paulus bidt bij het strand van Tyrus
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: paul in tyre; prayer and leave-taking on the shore
Inscriptions: number: ‘3’, caption: ‘Paulus gebed aan den oever buijten Tirus’, collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor Arnold, Godfried. Waare afbeelding der eerste christenen. Amsterdam: Jacobus van Hardenberg, Barent Visscher en Jacobus van Nieuweveen, 1700, dl. 1.
Onze lampions
Object type: album leaf
Date: 1902 – 1938
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: wilhelmina of the netherlands, utrecht, bernhard (prins der nederlanden), beatrix (koningin der nederlanden), the hague, juliana of the netherlands, public festivities on the occasion of royal events, dutch east indies, the
Inscriptions: annotation: ‘Onze lampions’

De Oranjefeesten werden vermoedelijke gehouden ter gelegenheid van het huwelijk tussen Juliana en Bernhard (07-01-1937) en/of de geboorte van Beatrix (31-01-1938). Fr. M.T. Horsten (zie documentatie) meldt dat de fraters van Tilburg zich in Indië niet onbetuigd lieten bij 'Vaderlandse feestelijke gelegenheden', zowel op Celebes als Sumatra.
Gunners, suspicious of an approaching "Taube", don masks as protection against German gas shells
Object type: stereograph
Date: 1914 – 1918
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: private soldier, violent death by gassing; asphyxiation
Inscriptions: number: ‘7’, inscription: ‘By Royal command to their Imperial majesties King George V and Queen Mary’
Jachttafereel omringd door florale ornamenten
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: hunting, chase
Inscriptions: date
Twaalf Sibillen
Object type: print
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: christoffel van sichem (i)
Artist role: print maker, publisher
Artist dates: 1546 – 1624
Subjects: persian sibyl
Inscriptions: collector's mark: Lugt 2228

Prent tevens gebruikt in: (Onuphrius Panvinius). Beschryvinghe ende heerelĳcke afbeeldinghe der twaelf Sibyllen. Vertaald uit het Latijn door R. Lubbaeus. Amsterdam: C. van Sichem, 1608.