deem-data/ArtiFact huggingface dataset:
The Fourth Oriental Head
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: monogram: ‘Rt’, mark: Lugt 2228

This set of etchings is traditionally called the ‘Four Oriental Heads’. Rembrandt did not etch them from life, but rather after prints his Leiden friend and colleague Jan Lievens made around 1631. He did not do this simply because he admired Lievens’s work. On three of the four prints, Rembrandt noted that he had geretuckeerd (meaning both adapted and improved) them.
Dankzegging door graaf Johan Maurits na het ongeluk op de brug van Franeker, 1665
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: earl, johan maurits graaf van nassau-siegen, collapsing building, bridge, accident with horse (or kindred animal), one person praying
Inscriptions: collector's mark: Lugt 2165, collector's mark: Lugt 573, collector's mark: Lugt 12

Dankzegging door graaf Johan Maurits na zijn redding na het ongeluk op de brug van Franeker, 1665, 6 januari 1665. De graaf knielt bij de ingestorte ophaalbrug.
The North Shore of the Dead Sea
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print
Location: england
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: collected by hugh edwards, egypt and palestine
Hanger, voornamelijk gevormd door filigrein Zeeuwse knopen
Object type: pendant jewelry
Date: 1885 – 1900
Materials: gold
Techniques: filigree
Location: netherlands
Inscriptions: mark

Hanger van goud in de vorm van een kruis. Het uit dun goud geperste kruis is versierd met filigrein, voornamelijk bestaand uit Zeeuwse knopjes. In het midden een ovale verhoging met een S-vormige versiering. Gemerkt: eikeblaadje.
Portret van Franz Ferdinand graaf Kinsky
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: engraving
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons

Prent mogelijk uit: Die Europäische Fama (...). Leipzig: Johann Friedrich Gleditsch, 1730, dl. 327.
Kopie naar een voorstelling met twee monniken
Object type: sketchbook leaf
Date: 1864 – 1880
Materials: ink, paper, pencil
Techniques: brush
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: monk(s), friar(s)
Inscriptions: annotation: ‘Copie’

Blad 30 recto uit een schetsboek met 98 bladen.
Nicolavs Grvdivs Brabantvs
Object type: print
Date: 1604 – 1608
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: dichter, nicolaus grudius
Inscriptions: caption: ‘Foppens 916’, collector's mark: Lugt 2228

Portret van Nicolaas Grudius, Leuvense dichter en humanist. In profiel naar rechts. De prent heeft een Latijns boven- en onderschrift en maakt deel uit van een serie van bekende schrijvers uit de Nederlanden.
Wall Plaque
Object type: wall plaque
Date: 1895 – 1895
Materials: metal
Three Brothers, Front View,  4480 Feet
Object type: photograph
Date: 1861 – 1861
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: mountains,landscapes
Passageway, Rouen
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Ottavio Farnese, Duke of Parma and Piacenza
Object type: bust
Materials: bronze, marble
Artist: pastorino di giovan michele de' pastorini
Artist role: artist
Artist dates: 1508 – 1592
Subjects: men,portraits

The Calabrian provenance was furnished by Wilhelm von Bode, writing March 4, 1922, to an unknown addressee, possibly the dealer Edward Gans. It is to be taken with more than a grain of salt, as is Bode’s acceptance of someone’s proposal of Benvenuto Cellini (!) as the maker.[1] Ottavio Farnese (1524–1586), grandson of Pope Paul III and duke of Parma and Piacenza, wears the insignia of the Golden Fleece on the cord around his neck. It was awarded to him by Emperor Charles V in 1547 but returned in 1552 after a squabble. The identification originated with Goldsmith and Raggio and seems correct on the basis of the great triple portrait of Ottavio and his brother, Cardinal Alessandro Farnese, flanking the pontiff in the Capodimonte.[2] The facture of the bust cannot, however, date from the Renaissance, and is a reminder to tread cautiously when dealing with miniature busts of any century, for they can be produced at little cost and considerable profit, especially when portraying famous personages. Goldsmith and Raggio note the “impressionistic” modeling, which should have been a warning. Indeed, the modeler responsible got carried away wanting to capture the dash and “painterly” scumbling of a virtuoso, leaving the hair and armor virtually unrecognizable while wanting the eyes to seem sharply focused (yet they do not). Their attribution to Pastorino dei Pastorini is a disservice to that gifted, conscientious medalist. The molten metal was erratically poured, and horrid flaws and gaping holes resulted, especially visible in the chin and neck, somewhat mitigated by the filling of the interior with another metal. Probably from the same careless late workshop is a similar bust, lacking the fleece, paired with that of a woman in seventeenth-century attire, once owned by Captain Charles C. Dent of Breiningsville, Pennsylvania.[3] -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. Translation of transcript in ESDA/OF. 2. The identification of Ottavio in the painting seems to have been their main thrust. 3. Photographs in ESDA/OF.
Stadhuis in Compiègne
Object type: cabinet photograph
Date: 1870 – 1890
Materials: paper, cardboard
Techniques: gelatin silver print
Location: compiègne
Artist: a. dupré
Artist role: fotograaf
Subjects: townhall
Inscriptions: inscription: ‘A. Dupré/ photographe/ AD/ Rue Solférino, 39,/ Compiègne’
Ishiyama Temple in Omi Province, No. 13 on the Saikoku Pilgrimage Route (Saikoku junrei jusanban Koshu Ishiyamadera), from the series "The Miracles of Kannon (Kannon reigenki)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Stamp seal (octagonal pyramid) with animal contest
Object type: stamp seal
Date: 600 – 301
Materials: stone
Culture: achaemenid
Location: mesopotamia
Wineglass (pastiche)
Object type: wineglass
Date: 1601 – 1700
Materials: glass
Techniques: glassblowing, molding
Culture: italian or northern european
Reliefs from a Chapel of Ramesses I
Object type: relief, ramesses i chapel, south wall
Date: 1295 – 1294
Materials: limestone
Location: egypt
Hat Fragments
Object type: fragment
Date: 301 – 400
Materials: linen, wool
Culture: coptic
Location: egypt
Jesaja houdt aanklacht tegen Jeruzalem
Object type: print
Date: 1538 – 1543
Materials: paper
Techniques: woodcut
Subjects: canticles, lamentations and consolations of isaiah

Dit houtblok werd niet gebruikt in de eerste uitgave van Biblia Utriusque Testamenti iuxta Vulgatam Translationem, Lyon, M. en G. Trechsel (voor Hugo à Porta) 1538 maar in een latere druk. Zie Hollstein German 100, nr. 72.
Portret van Jan II Kazimierz
Object type: print
Date: 1648 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) apollo (phoebus), (story of) jupiter (zeus)
Inscriptions: collector's mark: Lugt 2228

Portret in een ovale lijst van Jan II Kazimierz, koning van Polen. Buste naar rechts. Het portret staat in een rechthoekig kader tussen twee klassieke goden, Jupiter en Apollo. Ze houden een lauwerkrans boven het portret.. De prent heeft een Latijns onderschrift met de naam van de geportretteerde.
La première faveur / The first favor
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: types in 'commedia dell'arte': pierrot, mask, party clothes, festive attire, lovers; courting, flirting
Inscriptions: collector's mark: Lugt 964, check stamp: Lugt 3987
Bust of a Woman with Veil
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1700 – 1799
Thanksgiving Day—Ways and Means and Thanksgiving Day—Arrival at the Old Home
Object type: print
Materials: paper, wood
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Jizō Bosatsu
Object type: hanging scroll
Date: 1667 – 1698
Materials: gold paint, ink, paper
Culture: japanese
Artist: hanabusa itchō
Artist role: artist
Artist nationality: japanese
Artist dates: 1652 – 1724
Subjects: bodhisattvas

This image of the bodhisattva Jizō (Sanskrit: Kshitigarbha), a savior for deceased children, demonstrates how artists of various backgrounds often had a sideline doing religious paintings. This early work by Hanabusa Itchō was created when he still viewed himself as a follower of the academic Kano school. Best known as a brilliant observer of life in Edo (present-day Tokyo), his genre paintings often display a humorous touch.
Portret van Johannes Kinker
Object type: print
Date: 1811 – 1841
Materials: paper
Techniques: engraving, etching
Subjects: amsterdam, johannes kinker, historical persons
Vase with figures
Object type: vase
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: human figures
Heilige Bruno in gebed in Calabrië
Object type: print
Date: 1623 – 1676
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: the founder of the order of the carthusians, bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s), personal devotion of st. bruno - male saint meditating, in ecstasy, calabria
Inscriptions: collector's mark: Lugt 2165

Maakt deel uit van een serie met 24 prenten (inclusief twee titelprenten), naar schilderijen door Lesueur vervaardigd tussen 1645-1648 voor de Chartreuse de Paris. De serie is getiteld: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur.
De apostel Andreas
Object type: print
Date: 1508 – 1512
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll
Inscriptions: collector's mark: Lugt 2228a
Timballiers Romains
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: france
Subjects: tournament, drum-head court-martial, horse, festivities
Inscriptions: inscription, collector's mark: Lugt 2228

Prent uit: Perrault, Charles. Courses de testes et de bague faites par le Roy et par les princes et seigneurs de sa cour en l'année M.DC.LXII. Parijs: Imprimerie Royale, 1670. De prenten illustreren de door Lodewijk XIV georganiseerde festiviteiten in juni 1662 te Tuileries, zoals steekspelen met figuren in verschillende kostuums.
Mandolin, from the Novelties series (N228, Type 5) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Portrait of a Young Woman Wearing a Cloak and Bonnet
Object type: drawing
Date: 1850 – 1850
Materials: graphite
Artist: théodore chassériau
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1856
Subjects: portraits,women

In this beautiful image, Chassériau devoted more attention to the woman’s garments and accessories than to her features—the opposite approach his teacher, Ingres, took in portrait drawings. An array of vigorous lines describes the voluminous folds of her cloak, while her face, framed by a bonnet, appears almost ghostly by comparison, rendered in the faintest graphite shading.
Ceremonial Scarf (bufando or ufanta)
Object type: religious ritual object
Date: 1850 – 1900
Materials: cotton, wool
Techniques: crochet, cutting, embroidery, weave, stitching
Culture: aymara
Location: bolivia
Skeletons of the good defenders
Object type: print
Date: 1900 – 1910
Materials: metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons
Portret van Charles de Bourbon
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, other sovereign (with title)

Prent waarschijnlijk uit: Désormeaux, Joseph-Louis-Ripault. Histoire de la maison de Bourbon. Parijs: L'Imprimerie Royale, dl. 5, 1788.
Mauvaise gloire
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: classical history (+ (full) bust), crowning with laurel
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Buste van een man met een lauwerkrans, een tweede hoofd linksboven.
Pendant Cross
Object type: costume and accessory
Date: 1601 – 1700
Materials: gemstone, gold
Culture: spanish or spanish colonial
Location: spain
Timmerliedengilde van Rotterdam, gildepenning met no. 103 en no. 9
Object type: medal
Date: 1600 – 1700
Materials: brass
Techniques: casting, engraving
Location: rotterdam
Artist: Anonymous
Subjects: rotterdam

Guilds were urban organisations of people in specific occupations. The guild represented the interests of the profession. Each member had a token as proof of membership. The person’s name was engraved on one side of the token, often together with the arms of the guild or of the city in which it was based. The other side carried a motif signifying the occupation represented by the guild.
Deur v. d. sacristie i. d. Domkerk te Utrecht
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: utrecht
Subjects: gate, entrance, interior of church
Nieuwe kaarte vertoonende den geheelen Alblasserwaardt met de Vyf Heeren Landen samen groot 33110 mergen, waar in de inundatien sedert het jaar 1500 en voornamentlyk die van februarii 1726, mitsgaders de gemaakte hulpgaten, worden aangewezen
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: dordrecht
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195

Kaart van de Alblasserwaard en de Vijfheerenlanden, waarop overstromingen sinds 1500 staan aangegeven. Linksboven de titelcartouche. Linksonder een cartouche met twee schaalstokken: Schaale van 1400 Zuyt-Hollandse roeden; 3 Duytsche mylen van 15 in een graadt. Rechtsonder een inzetkaart met de doorbraak van de dijk bij Kedichem in 1726. Rechtsboven op de inzetkaart een schaalstok: Schaale van 20 Zuyt Hollantse roeden.
Chimneypiece in the Egyptian style: Giant figures supporting the lintel, flanked by chairs, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...)
Object type: print
Date: 1769 – 1769
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: fireplaces
Kabeltoren Noord
Object type: photograph
Date: 1905 – 1910
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jacob evert wesenhagen, railway, tramway; rack railway, suriname
Inscriptions: inscription: ‘Kabeltoren Noord’

De kabeltoren aan de noordzijde van de Surinamerivier. Foto in het fotoalbum over de aanleg van de Lawaspoorweg in Suriname in de jaren 1903-1912. Onderdeel van een groep objecten afkomstig van de familie Wesenhagen in Suriname.
Pair of Prick Spurs
Object type: armor
Date: 1701 – 1900
Materials: iron, steel
Techniques: gilding
Location: algeria
A Cup of Sake before Bed (Toko sakazuki), the sixth sheet of the series "Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)"
Object type: print
Date: 1769 – 1769
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Coupe #659
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Overlapping Bangle
Object type: bangle
Materials: bronze
Culture: thai
Traveling spoon and fork
Object type: spoon and fork combination
Date: 1833 – 1833
Materials: silver
Artist: joseph-baptiste fuchs
Artist role: maker
Artist dates: 1775 – 1875
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, lower drapery and part of foot of figure to right; bit of tendril from handle ornament
Ornament van een kaart van Friesland
Object type: ornament print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: folk costume, regional costume

Man en vrouw in Friese klederdracht. Het ornament is een fragment van een kaart van Friesland. De prent maakt deel uit van een album.
Zeil- en roeiboten op het water
Object type: sketchbook leaf
Date: 1919 – 1921
Materials: chalk, paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), windmill in landscape

Op de achtergrond een landschap met molens. Blad 8 verso en 9 recto uit een schetsboek met 42 bladen.
Deel van een geweer en een losse veiligheidspal
Object type: page
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: liège
Artist: edouard magis
Artist role: fotograaf
Artist dates: 1828 – 1906
Subjects: firearms: rifle
Inscriptions: inscription: ‘Carabines de guerres systèmes Fougeroux’, number: ‘Planche 8.’
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: iron
Culture: japanese
Location: japan
Subjects: birds
Groepsportret van vier onbekende mannen rond een tafel
Object type: cabinet photograph
Date: 1890 – 1915
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: groningen
Subjects: table, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Photografische Kunst-Inrichting va S. Sanders & Zoon, Haddingestraat No. 45, Groningen (...) Specialiteit in lijsten.’
Strolling Actresses Dressing in a Barn
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: interiors,cats,monkeys,dressing,drinking,actresses
Woman's necktie
Object type: necktie
Date: 1870 – 1880
Materials: silk
Subjects: insects,flowers
Hairpin
Object type: hairpin
Date: 1300 – 1001
Materials: bone
Culture: chinese
Plate 8, from Landscapes with Scenes from the Old and New Testament and Ovid’s Metamorphoses
Object type: print
Date: 1574 – 1574
Materials: ink, paper
Techniques: etching
Location: belgium
Artist: hans bol
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1534 – 1593
Inscriptions: Lettered lower right: "8"
The Yoshiwara Parade in Autumn
Object type: print
Date: 1793 – 1793
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: chōbunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Subjects: girls,women
Selene en Endymion
Object type: drawing
Date: 1791 – 1791
Materials: ink, paper
Techniques: brush, pen
Artist: christiaan josi
Artist role: draughtsman, print maker, publisher
Artist dates: 1765 – 1828
Subjects: diana (luna) visiting the sleeping endymion
Portret van Adolph Knigge
Object type: print
Date: 1818 – 1832
Materials: paper
Techniques: engraving
Location: zwickau
Artist: anton wachsmann
Artist role: print maker
Artist dates: 1765 – 1836
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt door de serie 'Bildnisse der berühmtesten Menschen aller Völker und Zeiten', uitgegeven door de gebroeders Schumann in 1818-1832 te Zwickau.
Portret van Otto Derk Gordon
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: utrecht, otto derk gordon
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Deel XV.
Groepsportret van onbekende militairen van de negende compagnie
Object type: photograph
Date: 1919 – 1919
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, anonymous historical persons portrayed in a group, in a group-portrait, netherlands