deem-data/ArtiFact huggingface dataset:
Caddy with cover
Object type: caddy with cover
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: abraham seuter
Artist role: decorator
Artist nationality: german
Artist dates: 1689 – 1747
Subjects: portraits,women
Uitvinding van de tekenkunst
Object type: print
Date: 1738 – 1815
Materials: paper
Techniques: etching
Subjects: the origin of painting and drawing, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een meid schildert de omtrek van de schaduw van haar minnaar op een doek dat wordt gedragen door drie putti.
Twee reizigers in een woestijn
Object type: print
Date: 1695 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: foot-print, track, desert (+ landscape (in the non-temperate zone) with figures, staffage), sand (soil type), 'en route', traveller under way, abstract ideas and concepts
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Weigel, Christoph. Ethica Naturalis seu Documenta Moralia e Variis rerum Naturalium proprietatibus Virtutum Vitiorumq symbolicis imaginibus collecta. Neurenberg: Christoph Weigel: c. 1700.
Opening van de Beurs te Londen 1844
Object type: history medal
Date: 1844 – 1844
Materials: tin
Techniques: striking
Location: birmingham

Tinnen penning, op de voorzijde de geconjugeerde borstbeelden van Victoria en Albert met omschrift, op de keerzijde het beursgebouw met omschrift en vijf regels afsnedetekst.
Portret van Hendrik Tilly
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: hendrik tilly
Inscriptions: collector's mark: Lugt 2228

Portret van Hendrik Tilly op 102-jarige leeftijd. Hij woonde in het Aalmoezeniershuis van Haarlem.
Bord
Object type: plate dish
Date: 1867 – 1867
Materials: creamware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: mark: ‘PETRUS REGOUT // MAASTRICHT 5’

Bord van aardewerk, met blauw doorlopend bloemendecor, behorend tot een kinderservies.
De Chinese generaal Lin Ch'ung (Tenyûsei Hyôshitô Rinchû)
Object type: surimono
Date: 1827 – 1827
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: hacking and thrusting weapons: sword
Inscriptions: collector's mark, verso, stamped: Lugt 2228, collector's mark, passe-partout, bottom left, printed: JABdH with a rooster.

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Les principaux edifices et vues de la ville de Rotterdam
Object type: print
Date: 1715 – 1730
Materials: paper
Techniques: etching
Artist: jacobus harrewijn
Artist role: print maker
Artist dates: 1660 – 1740
Subjects: harbour, sailing-ship, sailing-boat, city-gate
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Prent vermoedelijk eerst met dertien andere stadsgezichten uitgegeven als onderdeel van de sierrand van – in ieder geval de derde staat en mogelijk ook de tweede van – de plattegrond 'Tabula Roterodami Novissima' (zie RP-P-AO-13-11).

Later nog een keer als onderdeel van een prentserie uitgegeven: Les principaux edifices et vues de la ville de Rotterdam. Le tout fidèlement dessiné sur les lieux. Leiden: Pieter van der Aa, s.a. [adres 'dans l'Academie', dus 1715-1730].

De platen zijn voor zover na te gaan ongewijzigd gebleven.
Drie strandscènes
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1930
Materials: cardboard
Techniques: chromolithography
Subjects: historical persons - bb - woman, swimming (movement in water), beach
Inscriptions: monogram: ‘E.P.’

Deze prenten maken deel uit van een album.
Titelpagina van Adriaan Spinniker 'De Werken en Vergelding Der Barmhertigheid En Ombarmhertigheid' 1711
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues - mm - virtues triumphant, greed, covetousness, cupidity; 'cupidità' (ripa)
Inscriptions: collector's mark: Lugt 2228

Een grote steen wordt geflankeerd door een personificatie van Barmharigheid, met een vlam op het hoofd, en een personificatie van Gierigheid, geketend aan een wereldbol waarop een pad zit.
Portret van Petronella Hermina Bon
Object type: carte de visite
Date: 1893 – 1900
Materials: paper, cardboard
Techniques: collodion silver print
Location: north holland
Artist: coenraad jacob snooij
Artist role: publisher
Artist dates: 1874 – 1972
Subjects: amsterdam, historical persons - bb - woman
Inscriptions: inscription: ‘Photographie C.J. Snooij’, inscription: ‘Petronella/ Hermina Bon’
Portret van Ferdinand van Oostenrijk
Object type: book illustration
Date: 1868 – 1868
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, armour, historical persons, armorial bearing, heraldry

Prent waarschijnlijk uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Amsterdam: C.L. Schleijer & zoon, 1868, dl. 3-5.
Huis met beek eronder in Frankrijk, op de voorgrond een vrouw met een drinkend rund
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: brook, giving water, feeding (cattle), watermill, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Hond met halsband
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: etching
Subjects: collar (of a dog), dog
Inscriptions: collector's mark: Lugt 2228, inscription: ‘El n'existe qu'une épreuve de cit état; Mons 1897; 1er état’
Dish with Bird-and-Flower Design
Object type: dish
Date: 1601 – 1633
Materials: iron, stoneware
Techniques: underglaze
Culture: japanese
Subjects: birds,flowers,leaves
Claude Bernard
Object type: photograph
Date: 1876 – 1876
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: valery
Artist nationality: french
Artist dates: 1800 – 1899
Subjects: collected by hugh edwards, contemporaine littéraire
Marekerk te Leiden
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: drypoint
Location: england
Artist: muirhead bone
Artist role: artist, print maker
Artist dates: 1876 – 1953
Subjects: church (exterior), canals, waters (in city), leiden
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, signature: ‘Muirhead Bone’

Gezicht op de Marekerk te Leiden, vanaf de overzijde van de gracht. Op de gracht aan aantal boten.
Koeien bij een rij bomen
Object type: sketchbook leaf
Date: 1876 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: cow

Blad 17 recto uit een schetsboek met 34 bladen.
Sleutel
Object type: key
Date: 1400 – 1950
Materials: bronze
Location: france

Sleutel met platte klokvormige greep, versierd met ingegroefde bladmotief en bekroond door een oog.
Boek met legeropstellingen
Object type: book
Date: 1690 – 1710
Materials: gold, leather, paper
Location: amsterdam
Artist: Anonymous

Boek met legeropstellingen. Ingebonden in roze gekleurd schapenleer met goudopdruk.
View of the glacier near Sonamarg, Jammu & Kashmir, India
Object type: photograph
Date: 1864 – 1864
Materials: paper
Techniques: albumen print
Location: jammu and kashmir
Artist: samuel bourne
Artist role: fotograaf
Artist dates: 1834 – 1912
Subjects: glacier, mountains
Inscriptions: number: ‘984’, inscription: ‘Glaciers near Sonamurgh/ Cashmere’
Vis-à-vis #3996
Object type: drawing
Date: 1887 – 1887
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Isabel Wachenheimer voor een kinderwagen en met een pop in haar armen, april-mei 1935, Stuttgart
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: stuttgart
Artist: Anonymous
Subjects: isabel wachenheimer-elon

Isabel Wachenheimer voor een kinderwagen en met een pop in haar armen.
The Dhu Loch Avenue, Inverary.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: inveraray
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: forest path or lane
Inscriptions: number: ‘No. 678 A.’
Solidus
Object type: solidus
Date: 381 – 383
Materials: gold
Culture: byzantine
Subjects: emperors,men
The Descent from the Cross by Torchlight
Object type: print
Date: 1654 – 1654
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Jacht op olifanten te Pegu, 1604
Object type: print
Date: 1644 – 1646
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: hunting, chase, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery, trunked animals: elephant

De oorspronkelijke platen eerst gebruikt in: Kort en¯ warachtich verhael vande heerlicke victorie (...) by de twaelf schepen afghevaren uyt Hollandt, ondert' ghebiedt vanden generael (...) Steven Verhaghen, in de eylanden vande Moluckes (Jan Jansz, Rotterdam, 1606) in de uitgave van De Bry, Petits Voyages, 1607. Deze kopieën gebruikt in: Beschrijvinghe van de tweede Voyagie, Ghedaen met 12. Schepen naer d'Oost-Indien. Onder den Heer Admirael Steven vander Hagen. Deze tekst opgenomen in : I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: 8.
Tumbler
Object type: tumbler
Date: 1789 – 1789
Materials: silver
Culture: french
Location: france
Artist: denis colombier
Artist role: maker
Artist dates: 1776 – 1806

This French tumbler was owned by Elias Hasket Derby, a merchant in Salem, Massachusetts. Derby ordered twelve matching tumblers from Boston silversmith Paul Revere (58.3.1-.4).
Portret van Georg Heinrich Sieveking
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: engraving
Location: altona
Artist: leo wolf
Artist role: draughtsman, print maker
Artist dates: 1755 – 1840
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Balkonzimmer im Königl. Palais, Berlin
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: palace, berlin
Inscriptions: number: ‘No. 105’
Glass perfume bottle
Object type: perfume bottle, marbled
Date: 1 – 100
Materials: glass
Culture: roman

Translucent purple, with opaque white trails. Rounded and partially folded rim; flaring mouth; cylindrical neck, expanding downwards; globular body; concave bottom. Striped mosaic pattern of applied double trail wound round in a spiral on a purple ground. Intact; pitting, dulling, iridescence, and whitish weathering.
Pacieco opgehangen te Vlissingen, 1572
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: violent death by hanging, death penalty, execution, flushing

Prent waarschijnlijk uit: Le Clerc, Jean. Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten. Amsterdam: Zacharias Chatelain, 1730, dl. 1, p. 35-36.

Eerdere staat gebruikt in: Bor, Pieter Christiaensz. Oorsprongk, begin, en vervolgh der Nederlandsche Oorlogen (...), Amsterdam: weduwe van Joannes van Someren, Abraham Wolfgangh, Hendrick en Dirk Boom, 1681, dl. 1 (1679), p. 370.

Eerdere staat ook gebruikt in: Hooft, Pieter Corneliszoon. Nederlandsche historien; Seedert de Ooverdraght der Heerschappye van Kaizar Karel den Vyfden op Koning Philips zynen Zoon (...). Amsterdam: Henrik Wetstein en Peter Sceperus, 1703, dl. 1, p. 236-237.
Raampartij met gordijnen
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, door, hangings and drapery

Een raampartij met een deur en twee vensters met gedrapeerde gordijnen. Daar onder details van de draperieën. Prent uit 317e Livraison.
Portrait of the Painter Giovanni Battista Piazzetta
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving
Location: venice
Artist: giovanni marco pitteri
Artist role: print maker
Artist nationality: italian
Artist dates: 1702 – 1786
Heilige Mattias met bijl
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: fides (faith) as roman personification, archer's weapons: bow and arrow, armour, the apostle and martyr matthias; possible attributes: axe, book, cross, halberd, scroll, sword, indigenous peoples of north america, armorial bearing, heraldry, smoking pot as symbol of 'vanitas'

Prent maakt deel uit van een prentbijbel.
Twee mannen die hout zagen in een weiland, kippen en een kleine piano
Object type: sketchbook leaf
Date: 1885 – 1931
Materials: chalk, paper
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: grand piano, adult man, meadow, pasture, fowl (cock, hen, chicken, etc.), tools, aids, implements ~ crafts and industries: saw

Blad 21 verso uit een schetsboek met 28 bladen.
Twee koeien onder een boom aan het water
Object type: drawing
Date: 1741 – 1795
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: cow
Pair of vases
Object type: vase
Date: 1780 – 1800
Materials: hard paste porcelain
Artist: imperial porcelain manufactory
Artist role: manufactory
Artist nationality: austrian
Artist dates: 1744 – 1864
Subjects: women,cupid
Portret Jean Nocret
Object type: print
Date: 1704 – 1738
Materials: paper
Techniques: engraving, etching
Subjects: painter, jean nocret, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Portret van de schilder Joannes (Jean) Nocret (1615-1672), ten halven lijve, met palet en penseel in de hand, staand voor zijn ezel. Naar een geschilderd zelfportret. Met onderschrift in Latijn.
Huizen en watermolen tussen hoge bomen
Object type: drawing
Date: 1580 – 1638
Materials: ink, paper
Techniques: pen
Artist: gillis claesz de hondecoeter
Artist role: draughtsman, painter
Artist dates: 1575 – 1638
Subjects: watermill in landscape
Jerusalem. General view from the Mount of Olives
Object type: page
Date: 1860 – 1865
Materials: photographic support
Techniques: albumen print
Location: olijfberg
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: city-view in general; 'veduta'
Storage jar (albarello) depicting a dog
Object type: storage jar
Date: 1470 – 1500
Techniques: maiolica, glazing
Subjects: birds,dogs

Not all inscriptions appearing on maiolica storage vessels specify their contents. In this case, the words are a warning: "Laga me stare e no me tocare" (Let me be and do not touch me). Although unambiguous in sentiment, the statement is rather mysterious without its original context. It may refer to the angry-looking dog on the exterior of the jar, or possibly to poisonous materials contained within.
Blindman's Bluff: Page From a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu)
Object type: folio
Date: 1715 – 1720
Materials: gold, ink, paper, watercolor
Culture: mewar
Subjects: men,cows,landscapes,krishna,games

During the eighteenth century, artists continued to use the bright colors, flat shapes, frontal compositions, and stylizations typical of seventeenth-century Mewari painting- but only in illustrations of religious and literary texts, possibly because the old style was considered well suited to the mythological realm. As is apparent from this picture of Krishna's childhood games, the one innovation that was introduced into such manuscript paintings in the eighteenth century was the sporadic evocation of a deeper, more tangible space. The individual objects still appear two-dimensional here, but they are freed from the ground plane and arranged against a high horizon in a manner that suggests spatial recession. Although the implied depth is reinforced by overlapping trees, the diagonal slant of the river, and flat planes of color, the use of profiles and the fairly rigid frontality do not let viewers forget that they are looking at a two-dimensional, decorated surface.
The Standing Sheep with Two Lambkins
Object type: print
Date: 1682 – 1682
Techniques: etching
Artist: jan van der meer the younger
Artist role: artist
Artist nationality: dutch
Artist dates: 1656 – 1705
Subjects: sheep
"Drawing Room of the Plas. Spa"
Object type: drawing
Date: 1838 – 1838
Materials: graphite, watercolor
Artist: julien muère
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: interiors,women,chairs,tables
Wenceslaus Sturem
Object type: print
Date: 1746 – 1799
Materials: paper
Techniques: engraving, etching
Location: prague
Artist: jan balzer
Artist role: print maker
Artist dates: 1736 – 1799
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Jona wordt door de vissers overboord gegooid
Object type: book illustration
Date: 1703 – 1762
Materials: paper
Techniques: etching, letterpress printing
Location: haarlem
Subjects: the sailors reluctantly throw the prophet jonah into the sea
Inscriptions: collector's mark: Lugt 2228

De prent op het verso komt een eerste keer voor als boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel I. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Stilleven met een boeket in een vaas en schelpen
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: still life of related objects, flowers in a vase
Inscriptions: inscription: ‘[...]’
The Garden of Palazzo Contarini dal Zaffo
Object type: painting
Materials: canvas, oil, paint
Techniques: painting
Location: italy
Artist: francesco guardi
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1793
Subjects: venice, italy, water, landscape, building, buildings, clouds, figures, flowers, foliage, house, houses, italy, men, ships, sky, trees, women, gardens

A member of a family of painters in Venice, Francesco Guardi is renowned for his lively views of the most recognizable monuments of this picturesque city and for his engaging architectural fantasies, or capricci. Wealthy travelers making the grand tour of Europe—considered an essential part of an education for upper-class men—provided an important market for such views. In this case, however, the patron was not a foreigner passing through Venice, but John Strange, who lived in the city on the lagoon as the British resident, or representative.

This view of the garden of a private house in Venice was highly unusual for Guardi. On the right is the rear facade of the Palazzo Contarini dal Zaffo; the front faces the Grand Canal. The artist’s main subject here is the palace’s formal garden, a luxury in Venice’s crowded urban environment. Elegant couples stroll through the garden’s geometric parterres. Guardi’s attention to the play of light further animates the scene—a shadow cast by an unseen building in the foreground divides the composition and contrasts with the bright light reflected off the facade of the residence and the distant, shimmering lagoon on the left.

These observations of light and place probably reflect the aesthetic interests of Strange, who commissioned the painting from Guardi as one of a set of four remarkably original views. Two of the four paintings show Strange’s own villa on the mainland. What connection Strange may have had to the Palazzo Contarini dal Zaffo is unclear.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1801 – 1900
Materials: copper, gold, iron, silver
Culture: japanese
Location: japan
Subjects: men
Spieghel der schrijfkonste
Object type: album leaf
Date: 1605 – 1605
Materials: paper
Techniques: letterpress printing
Location: rotterdam
Artist: jan van de velde (i)
Artist role: painter
Artist dates: 1568 – 1623

Tekstblad met een instructie hoe je een goede rietpen maakt, pagina 2 van 2. Het tekstblad maakt deel uit van een album.
Plaque with Christ with Adam and Eve in Limbo
Object type: plaque
Date: 1301 – 1400
Materials: enamel, silver
Culture: catalan
Location: spain
Subjects: adam,eve

These plaques depict the Heavenly Coronation of the Virgin (top), the Virgin in mourning (left), Saint John in mourning (right), and the Descent into Limbo (bottom).