deem-data/ArtiFact huggingface dataset:
Dorp aan een waterkant
Object type: sketchbook leaf
Date: 1907 – 1907
Materials: paper, pencil
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), village, rowing-boat, canoe, etc.

Op het water een figuur in een roeiboot. Blad 16 recto uit een schetsboek met 24 bladen.
Sgra-Snyan
Object type: sgra snyan
Date: 1301 – 1600
Materials: gesso, skin, wood
Techniques: carving, gilding
Culture: tibetan
Location: tibet

The ancient "silk route", running from the Mediterranean to Sian in east central China, made Central Asia a meeting place of many cultures. This lute, an extraordinary example of musical exchange between East and West, is similar to instruments played by angels depicted in seventh-century Buddhist cave paintings. It offers some insight into the development of the modern sgra-snyan. The body, with two skin-covered chambers, is a rare example of an archaic transitional form that seems to point to the Afghan robab, and various Himalayan lute types. Decorative elements, such as green-colored skins, like those of the damarn, and the portraits of Buddha and musicians, rendered on painted ivory with gold leaf, are typical of fifteenth-century Tibet. The back, fingerboard, and pegbox reveal cartouches and palmettes reminiscent of seventeenth-century Persia. Tin leafing shows through as a silvery underlayer in a worn section of the instrument. Painted gesso adheres to the surface, the result of an ancient gilding process known as adoratura. Originally, there were six strings attached to this instrument, but the pegbox was shortened to accommodate five, with a possible sixth string attached to a side peg. Despite the appearance of Buddha and his musicians, the sgra-snyan was not used in religious settings, but accompanied secular song.
Bezoek van koningin-regentes Emma en prinses Wilhelmina aan Joh. Enschedé en Zonen in Haarlem
Object type: book illustration
Date: 1893 – 1893
Materials: paper
Techniques: engraving
Artist: walter
Artist role: draughtsman, print maker
Subjects: print maker, wilhelmina of the netherlands, the hague, emma (queen consort of the netherlands), queen, publishing, publisher, regent, substitute ruler; viceroy, haarlem

Prent uit: De lettergieterij van Joh. Enschedé en Zonen: gedenkschrift ter gelegenheid van haar honderdvijftig-jarig bestaan op 9 maart 1893. Haarlem: Joh. Enschedé en Zonen, 1893.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, draped male with kerykeion (Hermes?); to the left, top of an altar?
Jug
Object type: jug
Date: 2500 – 1900
Materials: terracotta
Culture: cypriot

Narrow-necked with handle and incised squares forming crosses.
Becu. Lucien. 27 ans, né à la Conté d'Abigny (Pas-de-Calais). Garçon de café. Pas de motif. 22/2/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
A Journey in Search of the Artist's Parents
Object type: album
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: mountains,landscapes
Ex libris van onbekend
Object type: bookplate
Date: 1750 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: firearms: rifle, beasts of prey, predatory animals: lion, armorial bearing, heraldry
Gilt-leather wall hanging (part of a set)
Object type: hanging
Date: 1650 – 1670
Materials: leather, varnish
Techniques: painting, silvered
Artist: de gecroonde son
Artist role: maker
Artist nationality: dutch
Subjects: fruit,putti,monkeys,flowers

Use of painted leather panels for the decoration of walls was long practiced in Spain. The first workshop to produce such decorative hangings in The Netherlands was established in Amsterdam by 1611. Typically Dutch is the use of molds to press a pattern in relief into the leather creating particularly sumptuous effects. Although generally known as gilt leather, silver leaf was applied to the prepared calf hides which were then covered by a yellow varnish making it resemble gilding. Among the garlands of fruits and flowers, are putti symbolizing the Five Senses.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1915 – 1915
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: fenna de meyier
Artist role: onderwijzer, schrijver
Artist dates: 1874 – 1943
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van Guillaume-Thomas François Raynal
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons
Inscriptions: date
Terracotta stemless kylix (drinking cup)
Object type: kylix
Date: 334 – 201
Materials: terracotta
Culture: greek, calenian or campanian or south italian
Subjects: heads

In relief, head of Arethusa Silver cups with medallions in low relief on the interior were favored luxury items in antiquity. Although few examples survive, terracotta versions suggest their appearance. This piece belongs to an important group featuring the head of Arethusa, taken from the reverse of a celebrated coin of Syracuse in Sicily. These "Arethusa cups" were made and found principally in Campania.
Oosters tapijt
Object type: oriental rug
Date: 1700 – 1700
Materials: cotton, wool
Location: asia minor

Oosters tapijt met in het midden op het middenveld eem blauwe ruit op een rode grond. In de hoeken palmetachige motieven op een blauwen grond. De rand is versierd met geometrische ruiten waarin een kruis.
Bomen en struikgewas
Object type: sketchbook leaf
Date: 1870 – 1931
Materials: chalk, paper
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: trees, shrubs

Blad 3 recto uit een schetsboek met 28 bladen.
Brief aan Philip Zilcken
Object type: letter
Date: 1870 – 1930
Materials: ink, paper
Techniques: pen, writing
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: brussels, helène lambertine hauzeur, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Groep jagers met hond op besneeuwd pad, vermoedelijk bij Arcachon
Object type: photograph
Date: 1897 – 1897
Materials: paper, photographic support
Techniques: gelatin silver print
Location: arcachon
Artist: delizy
Artist role: manufacturer
Subjects: hunting dogs, hunter, forest path or lane, snow

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Folio from a Bestiary and Herbal
Object type: folio from an illustrated manuscript
Date: 1600 – 1600
Materials: gold, paper, watercolor
Location: iran
Subjects: animals,flowers,leaves
Right Hand
Object type: hand
Date: 1401 – 1500
Materials: bronze
Culture: thai
Subjects: hands
Celeberrimi ad pacificandum Christiani nominis orbem legati Monasterium et Osnabrugas (...)
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Subjects: hildesheim, bisschop, abt, afgezant, adam adami, vrede van münster
Inscriptions: collector's mark: Lugt 2228

Portret van Adam Adami, afgevaardigde bij de onderhandelingen rond de Vrede van Münster, in ovaal met sierlijst. In de lijst zijn drie wapens verwerkt.
Een geduldproef
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., sick-bed, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 18 april 1897.
Lea Castle, Worcestershire, Picture Room, Looking West
Object type: drawing
Date: 1816 – 1816
Materials: watercolor
Artist: john carter
Artist role: artist
Artist nationality: british
Artist dates: 1748 – 1817
Subjects: interiors
Bag
Object type: bag
Date: 601 – 700
Materials: linen
Location: egypt
Porte Désilles te Nancy
Object type: stereoscopic photograph
Date: 1924 – 1924
Materials: glass, metal
Techniques: slide
Location: nancy
Artist: Anonymous
Subjects: triumphal arch
Verdediging van Derby onder George Walker 1689
Object type: history medal
Date: 1689 – 1689
Materials: iron
Techniques: casting

IJzeren afgietsel van een penning, op de voorzijde het borstbeeld van Walker, met omschrift, op de keerzijde de aanval op een stadspoort waarboven NO SURRENDER en afsnedetekst.
Geboomte
Object type: drawing
Date: 1939 – 2009
Materials: charcoal, paper
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: trees
Gezicht op een plein met een triomfzuil in Birr
Object type: photograph
Date: 1860 – 1860
Materials: paper, photographic support
Techniques: albumen print
Location: birr
Artist: Anonymous
Subjects: square, place, circus, etc., triumphal arch

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Ascension in an Initial V
Object type: cutting from an antiphonary
Date: 1342 – 1350
Materials: gold, parchment, paint
Artist: niccolò di ser sozzo
Artist role: artist
Artist nationality: italian
Artist dates: 1329 – 1363
Subjects: christ,saint peter,virgin mary
Netsuke of Boy with a Mask
Object type: netsuke
Date: 1801 – 1900
Materials: lacquer
Culture: japanese
Subjects: masks,boys
Fotoalbum met 46 foto's (Nederlands)
Object type: photograph album
Date: 1873 – 1873
Materials: cardboard, leather, metal, photographic support
Techniques: albumen print
Inscriptions: inscription: ‘Dienst Verspreide Rijkskollekties (...)’

Album met 46 foto's, voornamelijk portretten op cartes-de-visite.
Vrouw geeft een pelgrim water uit een kruik te drinken
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: pilgrim(s), giving drink, container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Voncken der liefde Jesu, van het godtbegerende zielenvier. Amsterdam: Pieter Arentsz (II), 1687, p. 30.
De spinster
Object type: print
Date: 1866 – 1890
Materials: paper
Techniques: engraving, etching, intaglio
Location: netherlands
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: spinning-wheel, spinning (manufacture of yarn)
Inscriptions: collector's mark: Lugt 2228

De spinster. Een oude vrouw, wol spinnend in de hoek van een kamer. Aan de muur hangt een haspel.
Sword guard (<i>Tsuba</i>) With the Motif of Plovers and Waves (波千鳥図鐔)
Object type: sword guard tsuba
Date: 1801 – 1900
Materials: copper, gold alloy, silver alloy, gold, iron, metal alloy
Culture: japanese
Location: japan
Subjects: birds
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, right shoulder, bent right arm, and part of upper torso of frontal male; part of an inscription, PAI[S]?, retr.
Landschap met rotsen en bomen in het Rocky Mountain National Park
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: autotype
Location: boston
Artist: frederick hastings chapin
Artist role: antropoloog, archeoloog, fotograaf, schrijver
Artist dates: 1852 – 1900
Subjects: landscapes, wildlife reserve, national park, mountains
Forearm Guard for the Left Arm
Object type: arm guard
Date: 1401 – 1600
Materials: gold, leather, pigment
Culture: mongolian or tibetan
Location: mongolia
Subjects: flowers

The ornament on this arm guard is very similar to that seen on Tibetan horse armor, but it is larger in scale and its style is bolder. Like other arm guards of this type, its decoration consists of gold leaf covered with an orange-toned shellac and painted with a black pigment, with a clear shellac glaze overall. All known examples of Tibetan forearm guards appear to be for the left arm, suggesting that they were never made in pairs but were used on the left arm only. There are two basic types. One has applied iron struts, like those on Tibetan shields and furniture, often with ornamental piercings. The second type, shown here, has no applied iron fittings. Instead, the leather surface is entirely covered with varnished and gilded decoration. The same style and technique of decoration is also found on Tibetan bow cases and quivers.
Twee vrouwen en een man
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Inscriptions: collector's mark: Lugt 514, collector's mark: Lugt 2036, collector's mark: Lugt 2228
Oktober
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: october and its 'labours' (+ with scorpio (october)), vintage, grape harvest
Inscriptions: collector's mark: Lugt 240

Een vrouw met een mand en een man druiven plukkend in een boomgaard. Linksboven een schorpioen.
Zittende vrouw op een waterkant met bomen
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: photograph
Location: nancy
Subjects: water course
Inscriptions: number: ‘Pl. III’, inscription: ‘sur un papier de couleur insolé derrière un phototype positif.’
De 53 stations van de Tokaido
Object type: print
Date: 1828 – 1835
Materials: paper
Techniques: woodcut, nishiki e
Location: japan
Artist: utagawa hiroshige (i)
Artist role: draughtsman, print maker
Artist dates: 1797 – 1858
Subjects: city-view, and landscape with man-made constructions, preparation of food - cc - in the open air, 'en route', traveller under way
Inscriptions: signature: ‘Hiroshige ga’

Een reiziger lopend door het dorp Minakuchi, waar vrouwen in de weer zijn met de productie van kanpyo (gedroogde slierten kalebas).
H. Benedictus biddend in een grot
Object type: drawing
Date: 1616 – 1656
Materials: chalk, paper
Artist: laurent de la hire
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1656
Subjects: benedict of nurcia, abbot of monte cassino and founder of the benedictine order; possible attributes: aspergillum, book, cup (sometimes broken), raven with loaf, sieve (or tray)

H. Benedictus, geknield en biddend voor een kruis in een grot. Ontwerp voor een prent.
Interieur van de beeldengalerij in Crystal Palace in Sydenham
Object type: stereograph
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: crystal palace
Artist: Anonymous
Subjects: gallery of sculptures
Terracotta fragments of skyphoi (deep drinking cups)
Object type: skyphos fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Three fragments with parts of palmettes with elongated central fronds
Ex libris met de mogelijke initialen JB of IB
Object type: bookplate
Date: 1700 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: flowers
Portret van Karel de Stoute, hertog van Bourgondië
Object type: book illustration
Date: 1636 – 1636
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: earl, charles the bold (duke of burgundy), historical persons

Prent uit: Scriverius, Petrus. Beschrivinge van Out Batavien (...). Amsterdam: Jan Evertsz Cloppenburgh II, 1636, p. 409.
Jardin a l'une des portes de Paris
Object type: print
Date: 1735 – 1805
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: garden
Inscriptions: watermark, collector's mark: Lugt 2166

In de tuin zijn verschillende figuren, waaronder een kind met een bal, een man met een boek, een man die de haren van een dier knipt en een man op een ladder. Genummerd: 35.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, reserved fragment with a very thin black glazed line
Candlestick
Object type: candlestick
Date: 1567 – 1600
Materials: iron
“- Inspite of all their assertions that their guns are only loaded with small shots, it is nonetheless annoying to be aimed at the head like this for three consecutive hours... I tremble at the thought that they might dream of an encounter with a rabbit...,” plate 13 from Émotions De Chasse
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: letterpress, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Gezicht op het Théâtre de la Porte Saint-Martin in Parijs na de brand door de Commune van Parijs
Object type: photograph
Date: 1871 – 1871
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: p. loubère
Artist role: fotograaf
Subjects: ruin of a building ~ architecture, theatre (building)
Inscriptions: monogram: ‘P.[L.]’
Portret van Ferdinand von Fürstenberg
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: abraham bloteling
Artist role: draughtsman, print maker, publisher
Artist dates: 1640 – 1690
Subjects: ferdinand van fürstenberg, coat of arms (as symbol of the state, etc.), archbishop, bishop, etc. (roman catholic), historical persons, armorial bearing, heraldry

Prent waarschijnlijk uit: Fürstenberg, Ferdinand von. Monumenta Paderbornensia ex Historia Romana (...). Amsterdam: Daniel Elsevier, 1672.
Set of five bowls (Mukozuke)
Object type: bowl
Date: 1615 – 1868
Materials: earthenware, glaze
Techniques: polychrome
Culture: japanese
Charles Goldsborough
Object type: painting, miniature
Date: 1802 – 1802
Materials: ivory, watercolor
Culture: american
Artist: robert field
Artist role: artist
Artist nationality: american, born england
Artist dates: 1764 – 1819
Subjects: men,portraits

Charles Goldsborough (1765-1834) was a Maryland statesman. This portrait dates from the year of his marriage in Baltimore to Sarah Yerbury.
George Motley Waud, mayor of Bradford
Object type: page
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Location: bradford
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: inscription: ‘Nov. 1876 to Nov. 1877.’
Headdress
Object type: headdress
Date: 1795 – 1805
Materials: cotton, glass, metal, paper, pearl, silk
Culture: russian
Subjects: diadems

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Diadems with open tops such as these were only worn my unmarried women in order to showcase their hair, considered a prize possession. Russian beliefs stated that evil could be worked against a married woman if her hair was exposed; therefore they were required to hide their hair under a full headdress.
Weiden met bomen en een hek
Object type: drawing
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Triomfboog van keizer Maximiliaan I
Object type: print
Date: 1515 – 1515
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: maximilian i (holy roman emperor), vienna, ferdinand i van habsburg (duits keizer), brussels, maria van hongarije (landvoogdes der nederlanden), prague, parental agreement ~ marriage, king, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Voor een gordijn staat Maximiliaan met de koning van Hongarije (Vladislav) en zijn broer (Sigismund). Tussen hen in twee jonge meisjes (Maria en Anna) en één jongetje (Ferdinand of Lodewijk). Bij hun voeten drie wapenschilden. Detail van de triomfboog van keizer Maximiliaan I.
Illustratie bij Canto VIII van Tasso's 'Gerusalemme Liberata'
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: ornaments ~ art, militant proselytizing: religious war, crusade, etc., ornament ~ cartouche, (scenes from) specific works of literature: tasso, gerusalemme liberata, knight
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van twintig prenten met ornamentele sierlijsten met daarin voorstellingen van scènes uit Tasso's 'Jeruzalem verlost', een episch gedicht geschreven door de Italiaanse dichter Torquato Tasso en voor het eerst gepubliceerd in 1581. Het verhaal vertelt grotendeels in fictie over de Eerste Kruistocht waarin de christenen, geleid door Godfried van Bouillon, de strijd aangaan met de moslims om het Beleg van Jeruzalem.
Rupia of 2 pardaos uit Goa, Portugees India van koningin Maria I, 1800
Object type: coin
Date: 1800 – 1800
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: hoofd naar rechts. Daaronder jaartal. Waarde-aanduiding: rvpia in omschrift. Keerzijde: gekroond versierd wapenschild van Portugal. Gladde rand.
Gun Lock (Percussion)
Object type: percussion lock
Date: 1840 – 1860
Materials: brass, iron
Location: netherlands
Artist: Anonymous
Inscriptions: inscription, on the lock: ‘16’

Percussieslot met messing huis en ijzeren hamer. Het huis moet in de lengterichting aan de rechterzijde tegen de slotverhevenheid bevestigd worden met twee bouten. De hamer draait om haar as tussen twee wangen en heeft een gat in de schacht voor het aftrektouw. Hij komt onder een hoek terecht op het slagpijpje, dat in een gat in het huis (het aambeeld) wordt gezet; de vlam komt aan de andere zijde het huis weer uit en komt in de pan terecht.
Vishnu
Object type: figure
Date: 651 – 700
Materials: stone
Culture: kashmiri
Subjects: kashmir,vishnu,hinduism

The rendering of musculature and handling of complex drapery make this a superb example of the sculptural sophistication of seventh-century Kashmiri art. The jewelry and crown styles are a response to Gupta-period conventions of sixth-century northern India.
Platter with a Fish
Object type: platter
Date: 301 – 500
Materials: bronze, silver
Culture: roman
Subjects: fish

In his great encyclopedia, the first-century Roman writer Pliny reports that tin plating, as seen on this platter, was invented by the Gauls. It was no doubt employed in this case to emulate silver. Numerous Gallic platters, both silver and tinned, with a fish engraved in the center still survive. The fish may have had Christian significance, but it is just as likely that it was strictly a decorative motif.