deem-data/ArtiFact huggingface dataset:
Card Number 214, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portrait of Sor Juana de Nuestra Señora de Guadalupe
Object type: painting
Date: 1797 – 1797
Materials: canvas, oil
Culture: new spain
Artist: domingo ortiz
Artist role: artist
Artist nationality: mexican

This painting exemplifies an unusual type of portraiture that is unique to colonial Mexico. It commemorates the ceremony during which a sixteen-year-old girl professed the vows of a Conceptionist nun and entered the Mexico City convent of Regina Coeli. She wears the profession regalia of the Order of the Immaculate Conception, including the characteristic nuptial crown and rings that identify her as a "bride of Christ." She is dressed in the distinctive habit of the order, popularly known as "blue nuns," after the color of their robes. Over her heart, she wears a large pictorial badge that depicts the Virgin Mary flanked by her parents, Saint Joachim and Saint Anne. The wearing of such badges was a practice unique to Conceptionist and Jeronymite nuns. She carries a small, dressed sculpture of the Christ Child who raises his right hand in blessing and, in the other hand, holds a blue globe that symbolizes his dominion over the world. The use of such images as devotional aids was widespread, especially among women, who often received them as gifts from their mothers or other female relatives. Sometimes called "crowned nuns," portraits like this one not only record the appearance of a young woman at the time of her religious profession, but they also portray the taking of a new name and identity. Sor Juana de Nuestra Señora de Guadalupe, formerly Juana Valdés, has assumed a religious identity as well as a patriotic one, whose new name references the patroness of New Spain. The portrait would have been displayed in the home of her parents, where it not only recalled the presence of an absent child but also served as a visible marker of the family’s piety, wealth, and social prestige.
Wilson verdeelt de koek
Object type: postcard
Date: 1919 – 1919
Materials: paper
Techniques: printing
Location: bussum
Subjects: staunton, washington d.c., president, staatsman, thomas woodrow wilson, vrede van versailles
Inscriptions: : ‘EURO...’, : ‘BELGIË: / MENIER WIELSON! GEEF MAIN / ZOO'N HIEL KLAIN BROKSKE / VAN LIMBURG ZULLE ?’

Centraal: rechthoekige tafel waarachter grote man (Wilson) in zwarte jas en met hoge hoed op, snijdend aan koek waarop opschrift. Verder 6 personen, 5 mannen en een vrouw met verschillende hoofddeksels op. Geheel in zwart en wit.
Pierre Bonnard, calling card
Object type: print, calling card
Date: 1889 – 1947
Techniques: engraving
Artist: Anonymous
Artist role: artist

F. C. Schang donated 64 artists’ calling cards to The Met between 1977 and 1989. The calling cards are housed in an album that also includes Schang’s collection of stamps and other related ephemera. Calling cards derived from a custom, originating in England, in which messages were inscribed on the backs of playing cards. Cards made for the express purpose of sharing hand-written messages were manufactured beginning in the eighteenth century; by the early-nineteenth century, calling cards had become a popular means for sending well wishes, holiday greetings, condolences, and messages of courtship. On this calling card , Bonnard expresses to the recipient that he is "very touched' by a review of his painting.
Gezicht op enkele gebouwen aan de Omval
Object type: drawing
Date: 1919 – 1919
Materials: chalk, gouache, paper
Techniques: brush
Location: amsterdam
Artist: tinus de jongh
Artist role: print maker
Artist dates: 1885 – 1942
Subjects: city-view in general; 'veduta', road, path, farm or solitary house in landscape
Inscriptions: signature: ‘TinusdeJongh’, collector's mark: Lugt 800a, signature and date: ‘14 maart 1919. / "TinusdeJongh"’, inscription: ‘[...]de Visschers huisje aan den Omval’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 8.
Glass needle
Object type: needle
Date: 1 – 100
Materials: glass
Culture: roman

Translucent light blue, with opaque white trail. Solid rod, circular in cross section, tapering at one end to point, the other worked into two prongs to form the eye of the needle and then joined and drawn up to a point. The head of the needle is decorated with an opaque trail, applied at point and wound spirally down, ending just below the eye. Intact, except for tip of the head of the needle; most of surfaces covered with thin whitish weathering. Although examples have been found in Roman contexts at sites spread across the entire Empire, their precise purpose remains unclear. They may have served as hairpins or, possibly, cosmetic applicators. They are unlikely to have been used as real needles.
Frankrijk, Derde Republiek, 10 centimes,1870 A
Object type: coin
Date: 1870 – 1870
Materials: bronze
Techniques: striking
Location: paris

Bronzen munt. Voorzijde: portret van een vrouw met krans en diadeem naar links.Jaartal onderaan. Keerzijde: binnen twee samengebonden takken waarde-aanduiding in twee regels, waaronder de letter A [=Parijs]. Gladde rand.
Portret van Johann Zeller
Object type: print
Materials: paper
Techniques: engraving
Subjects: historical persons, book, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Card 851, Lizzie Webster, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Weide en een standbeeld
Object type: drawing
Date: 1560 – 1560
Materials: ink, paper
Techniques: pen
Artist: hans bol
Artist role: draughtsman, print maker
Artist dates: 1534 – 1593
Subjects: river, monument, statue

Weide tussen hoge bomen en rechts een studie van een standbeeld van een vrouwelijk figuur.
Sprei van beschilderde katoen (sits), gevoerd met lichtgele zijde.
Object type: miniature
Date: 1690 – 1710
Materials: cotton, silk
Location: india
Artist: Anonymous

Sprei van beschilderde katoen (sits), gevoerd met lichtgele zijde, zonder tussenlaag; dessin gestreept met gestileerde motieven van bloemen, blokjes en schulpen, in blauw, rood, geel, donkerrood.
The War for the Union, 1862 – A Bayonet Charge (from "Harper's Weekly," Vol. VII)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: battles,soldiers,american civil war,men

In the summer of 1862 the Army of the Potomac mounted an assault on Richmond, Virginia, but was repulsed. This dramatic composition, designed by Homer, an artist-correspondent for Harper’s Weekly, describes fighting at Fair Oaks—or Seven Pines—on May 31, when Union forces were saved by last-minute reinforcements. One of Homer’s most ambitious war subjects, the dramatic composition represents soldiers in close combat roused to a fever pitch. The accompanying text stressed: Soldiers seldom actually cross bayonets with each other in battle. Before the regiment which is charging reaches its antagonist, the latter usually seeks safety in flight. All the strength and all the bravery in the world will not protect a man from being run through the body by a bayonet if he stands still while it approaches him. . . . At Fairoaks the rebels almost invariably broke and fled before our bayonets reached them. In one or two instances, however, there were hand-to-hand tussles. . . . One of them is realized in our picture.
Tronies
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: etching
Location: augsburg
Subjects: head (human)

Gebaseerd op de verschillende staten van de titelprent van deze serie (voor tweede staat zie RP-P-2002-384), is deze serie in ieder geval vier keer uitgeven. Voor het eerst in 1626 (jaartal vermeld op titelprent) en vervolgens in ieder geval drie keer door de Augsburgse uitgever Jeremias Wolf, die van 1686 tot 1724 actief was. Het is onduidelijk tot welke uitgave dit exemplaar behoort.
Geschiedenis van Abraham
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the meeting at the well: eliezer sees rebekah coming with a pitcher
Inscriptions: number: ‘40’

Eliëzer, de knecht van Abraham, ontmoet Rebekka bij de waterput. Zij laat hem drinken uit haar kruik. Rechts de kamelen en het gevolg van Eliëzer. Links komen de vrouwen uit de stad water halen bij de fontein. De fontein wordt bekroond door een riviergod. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Gen. 24. Deze prent maakt deel uit van een album.
Gezicht op de Onderwegkerk of Pietermankerk te Zwijndrecht
Object type: photograph
Date: 1892 – 1892
Materials: cardboard, photographic support
Techniques: albumen print
Location: zwijndrecht
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘'s Heer oudelands ambacht/ Noordwestzijde van de N.H. Kerk/ Juni 1892’, annotation: ‘Gem. Zwijndrecht/ Noordwestzijde van de N.H. Kerk/ 's Heer oudelands-Ambacht’
Ontwerp voor een deuromlijsting of schoorsteenmantel
Object type: design
Date: 1600 – 1699
Materials: chalk, paper
Artist: Anonymous
Subjects: architectural detail, ornamenting, decorating ~ applied arts
Rudolph II (1552–1612), Emperor of the Holy Roman Empire
Object type: thaler
Date: 1604 – 1604
Materials: silver
Subjects: kings,profiles,coat of arms
Vue d'Ostende
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching, intaglio
Artist: james ensor
Artist role: print maker
Artist dates: 1860 – 1949
Subjects: pier, quay, wharf, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
Man houdt twee paarden in toom
Object type: drawing
Date: 1891 – 1941
Materials: chalk, paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: horse, male sex; man
Initiaal D met twee kinderen waarvan een met banier
Object type: album leaf
Date: 1522 – 1526
Materials: paper
Techniques: woodcut
Location: basel
Artist: hans lützelburger
Artist role: print maker
Artist dates:  – 1526
Subjects: initial, cupids: 'amores', 'amoretti', 'putti'
Ornamentele rand met bladeren, vogels en zon
Object type: boekillustratie ontwerp
Date: 1910 – 1910
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: ornaments ~ art, sunrise, fable of reynard the fox
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910. Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Knife Handle (Kozuka) with Blade
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: silver alloy, gold, silver, steel
Culture: japanese
Location: japan
Subjects: men
Portret van Theodoor Rombouts
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Location: brussels
Subjects: antwerp, theodoor rombouts, historical persons, portrait, self-portrait of artist

Prent uit: Bullert, Isaac. Académie des Sciences et Arts contenant les vies et éloges his. des hommes illustres qui ont excellé en ces professions depuis environ quatre siècles. Brussel: Foppens, François, 1682.
Het boek werd in 1682 eveneens in Amsterdam uitgegeven door de erfgenamen van Daniel Elzevier.
Deze portretten dienen ter illustratie van de biografie van een kunstenaar of geleerde. De meeste portretten werden door Nicolas de Larmessin vervaardigd (162), 93 door De Boulonois en een derde door ongeïdentificeerde prentmakers. Dit betreft een illustratie op p. 485, deel II.
5 fanams voor Madras in India van de Engelse Oostindische Compagnie (EIC), (1808)
Object type: coin
Date: 1808 – 1808
Materials: silver
Techniques: striking
Location: chennai

Zilveren munt. Voorzijde: binnen cirkel, gevormd door ceintuur met gesp, waarde-aanduiding in het Engels: five fanams, op een regel waarde-aanduiding in Arabische lettertekens. Keerzijde: binnen cirkel, gevormd door lint, waarop waarde-aanduiding in het Tamil, in twee regels waarde-aanduiding in het Telugu. Bovenaan, tussen uiteinden van het lint, een ster. Kabelrand.
Portret van Henri de La Tour d'Auvergne
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching, letterpress printing
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, armour, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Thülden, Christian Adolph. Historiae nostri temporis ab Anno Christi 1652 usque ad 1657. Keulen: Johannes Antonius Kinchius, 1657.
The Shade of the Prophet Samuel Invoked by King Saul and Conjured by the Witch of Endor
Object type: drawing
Date: 1695 – 1695
Materials: chalk
Location: france
Artist: antoine coypel
Artist role: artist
Artist nationality: french
Artist dates: 1661 – 1722

Antoine Coypel was one of the leading French painters in the generation that straddled the seventeenth and eighteenth centuries. He was influenced by Charles Le Brun and the art of Italy, but also by the manner and colorism of Rubens. He received many commissions from the King as well as from Philippe II, Duc d’Orléans, the future Regent and held prestigious appointments including that of the Director of the Académie Royale and the First Painter to the King. This large, spontaneously executed sheet, full of brio and pentimenti, highlights the artist’s capacity for invention and taste for the theatrical. The episode depicted is from chapter 28 of the Book of Samuel in the Old Testament. On the eve of his battle with the Philistines at Gilboa, king Saul of Israel travels at night in disguise and with two male servants to Endor where there is a woman who is a medium. He asks her to summon the spirit of the prophet Samuel who predicts that Saul will be defeated and killed the following day. Coypel emphasizes the ominous mood by placing the figures against a backdrop of dark clouds, skulls, and owls. A small, preliminary sketch in red chalk at the Ecole des beaux-Arts, Paris (PM 1102) is an earlier idea for the same subject. No surviving painting is known.
Kasteel aan het water
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Location: netherlands
Artist: gijsbertus johannes verspuy
Artist role: print maker
Artist dates: 1823 – 1862
Subjects: castle, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Portret van Isabel Wachenheimer, in Duitsland of de Verenigde Staten
Object type: photograph
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon, historical persons - bb - woman
Objects from Theban Tomb MMA 840
Object type: object from theban tomb mma 840
Date: 1850 – 1700
Materials: gemstone, lapis lazuli
Location: egypt
Subjects: scarabs,boats

This group of objects was found in the plundered chamber reached by a shaft in the portico of a rock-cut tomb in the Asasif section of the Theban necropolis. Among the finds were parts of a rectangular wooden coffin with green hieroglyphs on a yellow background as well as a few remains of one or more model wooden boat(s), three scarabs (13.180.8- .10), two anhydrite toilet vessels (13.180.19a- .c, .20) and the group of jewelry items (13.180.1- .18a- .l) striking for the extensive use of silver. Dates that can be ascertained by stylistic comparisons to some of the objects range from the late Middle Kingdom (ca. 1850-1700 B. C.) to the late Second Intermediate Period (ca. 1580-1550 B. C.). A number of clay pots (28.3.239- .241 now in the Oriental Institute Museum, Chicago) from the area of the tomb but not with certainty identified as found inside the shaft and chamber from which the jewelry was obtained date to the late Second Intermediate Period.
Goblet (one of a pair)
Object type: goblet
Date: 206 – 9
Materials: earthenware, pigment
Culture: chinese

Instead of being glazed, some tomb pottery was decorated with pigments applied after firing to mimic the form and decor of vessels made of more precious materials such as lacquer or bronze.
Bottle vase
Object type: bottle vase
Date: 1801 – 1900
Materials: glaze, stoneware
Culture: chinese
Hanging up dyed cloth
Object type: print
Date: 1805 – 1805
Techniques: woodblock print, surimono
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Ivory pyxis (box with lid)
Object type: pyxis with erotes
Date: 1 – 100
Materials: ivory
Culture: roman
Subjects: birds,grapes,women,cupid

The box is decorated with playful cupids, and the lid with a portrait bust of a woman.
Tachibana - Fumonbon Kikusuiyoroi
Object type: print
Date: 1890 – 1900
Materials: paper
Techniques: woodcut
Location: japan
Subjects: armour, armorial bearing, heraldry

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Tankard
Object type: tankard
Date: 1767 – 1798
Materials: pewter
Culture: american
Location: united states
Artist: william j. elsworth
Artist role: maker
Artist nationality: american
Artist dates: 1746 – 1816
Primo libro di caccie varie
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: vatican city
Subjects: walker and runner birds: ostrich, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), bird hunting
Inscriptions: number: ‘2’, collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 45 jachtscènes (+ titelprent en opdracht).
Gezicht op de stad Corfu
Object type: ansichtkaart, prentbriefkaart
Date: 1895 – 1905
Materials: paper
Techniques: lithograph
Location: corfu
Artist: Anonymous
Subjects: prospect of village, silhouette of village

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Gezicht op Elgoibar met rechts de kerk van San Bartolomé
Object type: photograph
Date: 1904 – 1904
Materials: paper, photographic support
Techniques: gelatin silver print
Location: elgoibar
Artist: delizy
Artist role: manufacturer
Subjects: cattle, farmers, road, path

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Portret van Guillaume Adrien Gérard van Maanen
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: the hague
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: the hague, historical persons, portrait, self-portrait of painter

Een facsimile signatuur in de ondermarge.
Hotel Schwarzsee in Zermatt aan de voet van de Matterhorn
Object type: photomechanical print
Date: 1870 – 1930
Materials: paper
Techniques: photograph
Location: zurich
Artist: Anonymous
Subjects: mountain-top, peak, hotel, hostelry, inn
Inscriptions: number: ‘432.’
Trommel met deksel, ovaal, groengeverfd
Object type: tin
Date: 1700 – 1799
Materials: metal
Techniques: painted, tinning
Location: amsterdam
Artist: Anonymous

Een ovale, groengeverfde blikken trommel met scharnierende deksel met los in deksel aangebracht handvat; van binnen vertind.
Krijgers in antieke wapenuitrusting
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: etching
Location: ansbach
Subjects: armour, casting weapons: spear, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228
Plaque with Masked Figure
Object type: plaque
Date: 701 – 1200
Materials: gold
Culture: coclé, macaracas
Location: panama
Liggende man, mogelijk slapend
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult man (+ lying), the (nude) human figure; 'corpo humano' (ripa) (+ sitting), sleeping on the ground

Op de achtergrond een zittende figuur. Pagina 1 uit schetsboek XLII met 32 pagina's.
Sterfbed van de heilige Dominicus
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: dominic(us) guzman of calerueja, founder of the order of preachers (or dominican (black) friars; possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star - death, deathbed of male saint (+ mary)
Inscriptions: collector's mark: Lugt 2228

De heilige Dominicus sterft in zijn bed, omringd door zijn volgelingen. Een visioen boven hun hoofden toont de heilige Dominicus, getroond tussen Maria en Christus in. De prent heeft een Latijns opschrift en onderschrift en maakt deel uit van een prentserie voor een boek over het leven van de heilige Dominicus.
Gezicht op een oorlogsmonument en Hotel Bellevue te Bentheim
Object type: album leaf
Date: 1895 – 1903
Materials: cardboard
Techniques: photograph
Location: bentheim
Subjects: monument, statue, hotel, hostelry, inn
Inscriptions: inscription: ‘Gruss aus Bentheim/ Verlag B. Mieling, Phot., Bentheim/ Kriegerdenkmal/ Hôtel Bellevue/ [Platin OL. M. 768:02]’

Deze prent maakt deel uit van een album.
Twintig stuiver, noodmunt uit Amsterdam, geslagen tijdens het beleg uit het stedelijke zilver
Object type: twintig stuiver
Date: 1578 – 1578
Materials: silver
Techniques: striking
Location: amsterdam
Artist: roelant goverts pigge
Artist dates: 1534 – 1606
Subjects: amsterdam
Zelfportret
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: etching
Artist: ulrich halder
Subjects: ulrich halder, historical persons
Inscriptions: date