deem-data/ArtiFact huggingface dataset:
Priest's Robe (Shichijō)
Object type: robe, priest's
Date: 1700 – 1700
Materials: metal thread, silk
Culture: japanese
Eye inlay from coffin
Object type: inlay, eye, k
Materials: faience, glaze
Location: egypt
Fotoreproductie van een portret van Venus door Titiaan
Object type: photograph
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Artist: hanns hanfstaengl
Artist role: print maker
Artist dates: 1820 – 1885
Subjects: (story of) venus (aphrodite), picture, painting
Margerand. Claude. 32 ans, né le 24/3/61 à Beaujeu (Rhône). Cordonnier. Anarchiste. 3/7/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Cup
Object type: cup
Date: 1763 – 1771
Materials: soft paste porcelain
Artist: tournai
Artist role: factory
Artist nationality: belgian
Subjects: lions,trees
Brug
Object type: sketchbook leaf
Date: 1825 – 1907
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: willem springer jr.
Artist role: draughtsman
Artist dates: 1815 – 1907
Subjects: bridge

Pagina 83 uit een schetsboek met 86 pagina's.
Elegant gezelschap in een landschap
Object type: print
Date: 1734 – 1734
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: garden of love, court of love, 'fête galante'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Medallion
Object type: medallion
Date: 1644 – 1911
Materials: metal thread, silk
Culture: chinese
Subjects: men,women,flowers
Voorpagina van een liedboek van Cornelia van Echten
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: musical instruments; group of musical instruments, amsterdam
Inscriptions: collector's mark: Lugt 1641, stamp

Voorpagina van een van Cornelia van Echten verkocht bij P.D. Schoonebeek op de Gravestraat tot Amsterdam. Om de titel verschillende muziekinstrumenten. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Koophandel, Veilingen, Makelaardij en Verzekeringswezen, Oude adreskaarten van winkels en fabrieken, reclame.
La Desolation Espagnolle / De Spaanse Desolatie
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: arrest (of criminal)

Gevangenneming van de markies van Leganez te Madrid op 15 juni 1705. Onderdeel van de onderdrukking op last van Filips V van een vermoede samenzwering van Spaanse edelen. Op het blad onder de plaat teksten in het Frans en Nederlands. Onderdeel van een groep afzonderlijke spotprenten op Lodewijk XIV tijdens de Spaanse Successieoorlog, ca. 1701-1713.
Scherven van flessen uit het wrak van de Oostindiëvaarder Hollandia
Object type: bottle
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Artist: Anonymous
Mustard pot
Object type: mustard pot
Date: 1748 – 1749
Materials: silver
Artist: guillaume egée
Artist role: maker
Artist dates: 1659 – 1759
Bodhisattva Manjushri
Object type: figure
Date: 1403 – 1424
Materials: copper alloy, gilt
Culture: chinese
Subjects: swords,buddhism,bodhisattvas,manjushri

This statue portrays Manjushri with four arms, the ultimate manifestation of transcendent wisdom and a well-worshipped bodhisattva in the Ming court. Inscribed on the lotus throne is a reign mark indicating that the statue is as a product of the imperial workshop and was made as a gift bestowed to Tibetan Buddhist monasteries.
20-franc piece, Napoleon I
Object type: franc
Date: 1811 – 1811
Materials: gold
Artist: jean-pierre droz
Artist role: artist
Artist nationality: french
Artist dates: 1746 – 1823
Subjects: napoleon i,profiles
Ste. Basilisse et Ste. Anastasie (St. Basilissa and St. Anastasia), April 15th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,women,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Cap
Object type: cap
Date: 1701 – 1800
Materials: silk
Location: turkey
Subjects: hats
Standaard met potloden van Eberhard Faber
Object type: photograph
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’, number: ‘246’
Venezia
Object type: photograph
Date: 1906 – 1920
Materials: photographic support
Techniques: photography
Location: venice
Artist: tensi
Artist role: publisher
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), church (exterior), ships (in general) - cc - more than one ship, venice
Albumblad met twee prenten van schalen
Object type: album leaf
Date: 1563 – 1563
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: dish, plate, saucer
Inscriptions: date

Albumblad met twee uitgeknipte prenten van ornamentele schalen.
Portret van Henri Chatelain
Object type: print
Date: 1743 – 1757
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: paris, amsterdam, fides (faith) as roman personification, historical persons, book, caduceus (staff with two snakes, attribute of mercury), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Bergqvara / Brokinn
Object type: album leaf
Date: 1707 – 1707
Materials: paper
Techniques: etching
Location: stockholm
Subjects: housing
Inscriptions: date

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Richard Watson Gilder, Helena de Kay Gilder, and Rodman de Kay Gilder
Object type: sculpture
Materials: plaster
Culture: american
Artist: augustus saint-gaudens
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1907
Subjects: girls,men,profiles,women,family

Among Saint-Gaudens's most technically innovative sculptures is a charming series of low-relief portraits of artists and friends completed during the late 1870s in Paris. This example, a compact rectangular portrait of the Gilder family, was the sculptor's most ambitious to date. It depicts the sitters in shoulder-length profile with Richard Gilder facing his wife Helena and two-year-old son Rodman. In 1879, the Gilders took an extended trip to Europe. In May, they sat for Saint-Gaudens in Paris for this family portrait, the sculptor's first multifigure relief. Gilder (1844–1909) was a close friend of Saint-Gaudens and an intimate of New York's genteel circle. He used his position at Scribner's Monthly and, after 1881, as editor of Century Illustrated Monthly Magazine to proselytize for younger, French-trained, American sculptors, Saint-Gaudens being his favorite. Gilder's wife, Helena de Kay (1846–1916), was a talented painter and a founder of the Art Students League and the Society of American Artists. Rodman de Kay Gilder (1877–1953) became an author and married Comfort Tiffany, a daughter of Louis Comfort Tiffany. Later, in September 1879, Saint-Gaudens began extracting Rodman's likeness from the family relief to make an individual portrait (1994.50).
Basreliëf van den tempel (noordzijde) 1e gaanderij. Panataran (r. Kediri)
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Candi Panataran (Temple Complex), main Temple; Krishnayana relief no 10 (Jarasamdha and Suniti come to meet Rukmini after which a female messenger has a meeting with Krishna), second narrative register north side. Panataran, Blitar district, East Java province 1323-1347 AD.
Portrait of Maria van Oosterwijck (1630-1693)
Object type: painting
Date: 1671 – 1671
Materials: canvas, oil
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: painter, historical persons - bb - woman, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: signature and date, bottom left: ‘W vaillant 1671’

Maria van Oosterwijck is portrayed here as a pious and accomplished artist. The palette and brushes allude to her profession, while the Bible symbolizes her virtue and piety. Van Oosterwijck’s flower still lifes garnered her fame at home and abroad. Her work could be found in the art collections of Emperor Leopold I, Louis XIV, and the English royal couple William III and Mary Stuart.
Reproductie van een tekening van E. Burketti uit 1893 waarin een deel van het Forum Romanum wordt gereconstrueerd, Piazza del Foro Romano, Italië
Object type: photograph
Date: 1893 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: rome
Inscriptions: signature and date: ‘E. Burketti 1893’, inscription: ‘Rome’

Reproductie van een tekening van E. Burketti uit 1893 waarin het oude Rome (Forum Romanum) wordt gereconstrueerd: onderaan zijn de bijschriften te zien bij de oude gebouwen.
Fragment
Object type: textile
Materials: silk
Techniques: weave
Culture: islamic
Location: egypt

In early and medieval times (from the late 7th century to about 1200), throughout the Islamic world, state-owned factories produced textiles both for use at court and for commercial sale. Known as tiraz (after the word for embroidery, suggesting the original technique), these textiles were intended as furnishing fabrics or robes, to be conferred as royal gifts. early examples were decorated with narrow bands of ornament and inscriptions that often included the name of the patron and the location of the factory. Later examples tend to be more decorative.
A Triton Carrying off a Nymph, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: triton,nymphs

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 151 in the scrapbook.
Bottle, Seated Figure
Object type: bottle
Date: 1 – 300
Materials: ceramic, pigment
Culture: moche
Location: peru
Subjects: human figures
Brief aan Philip Zilcken
Object type: letter
Date: 1913 – 1913
Materials: ink, paper
Techniques: pen, writing
Location: groningen
Artist: dirk de vries lam
Artist role: draughtsman, painter
Artist dates: 1869 – 1937
Subjects: the hague, philip zilcken, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’, watermark
Sculptor's Model of a Left Arm, Shoulder and a Section of the Back, after Dusk (Medici Chapel, San Lorenzo, Florence)
Object type: model
Date: 1560 – 1570
Materials: terracotta
Techniques: molding
Location: florence
Artist: johan gregor van der schardt
Artist role: sculptor
Artist dates: 1530 – 1581

This group of small models of parts of the body are carefully copied after famous sculptures, in particular by Michelangelo, in Florence and Rome. They came from the workshop of the Nijmegen sculptor Johan Gregor van der Schardt, who had a successful career in Italy, Nuremberg, and Copenhagen. They are extremely rare examples of the, in part autograph, study material of a 16th-century sculptor.
Ceramic Fragment
Object type: fragment
Date: 1101 – 1300
Materials: stonepaste
Techniques: painting, underglaze
Location: saudi arabia
Female bust in an oval medallion draped with a garland (one of a pair)
Object type: overdoor panel
Date: 1770 – 1775
Materials: canvas, oil
Artist: french painter
Artist role: artist
Artist nationality: french
Subjects: garlands,profiles,women,roses

This overdoor panel is one of a pair with 07.225.505b.
Departmental Column to the Soldiers of the Revolution, 1800
Object type: medal
Date: 1800 – 1800
Materials: gilt bronze
Techniques: struck
Artist: paris mint
Artist role: manufactory
Artist dates: 864 – 

This medal was struck for the Metropolitan Museum of Art at the Paris Mint at the request of the donor, Hon. Levi P. Morton, formerly U.S. Minister to France.
Chessmen (32)
Object type: chessman
Date: 1801 – 1900
Materials: wood
Subjects: chess
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Exterior, part of the hair of a filleted woman to left
Wereldwijde stadsgezichten
Object type: print
Date: 1637 – 1638
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: harbour, coat of arms (as symbol of the state, etc.), city-view, and landscape with man-made constructions, enkhuizen

Rechtsboven genummerd: E40. Bovenin staat het Latijnse motto 'O fortuna, non es omnibus una'. Onder de prent twee emblematische verzen: twee regels in het Latijn en vier regels in het Duits.
Manuscript Leaf from a Royal Psalter
Object type: psalter
Date: 1250 – 1270
Materials: gold, parchment, paint
Culture: british
Location: england
Auditorium van het fysisch laboratorium van de Universiteit van Amsterdam
Object type: photomechanical print
Date: 1902 – 1902
Materials: cardboard, paper
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: university building, college
Inscriptions: stamp: ‘HISTORISCHE COMMISSIE DER UNIVERSITEIT VAN AMSTERDAM’

Deze prent maakt deel uit van een omslag met vijftien lichtdrukken op twaalf kartonnen bladen.
Fragment
Object type: fragment
Date: 1567 – 1600
Materials: metal thread, silk
Aryballos (perfume jar)
Object type: jar
Date: 600 – 501
Materials: faience
Location: egypt
Landschap met een sloot en een landweg
Object type: drawing
Date: 1661 – 1693
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: gerrit grasdorp
Artist role: draughtsman
Artist dates: 1659 – 1716
Subjects: landscape with bridge, viaduct or aqueduct, meadow, pasture, angling

Landschap met een sloot tussen een weide en een landweg.
Fotoreproductie van een schets van een dienstmeid in een storm door Albert Hendschel
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: frankfurt am main
Subjects: storm, kitchen-maid, kitchen servant
Inscriptions: number: ‘15’, monogram: ‘AH’

Deze foto maakt deel uit van een omslag met 50 foto's op 48 bladen, een lijst van afbeeldingen en een titelblad.
Gezicht op Sestri Levante en de Ligurische Zee
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: sestri levante
Subjects: city-view in general; 'veduta', sea
Inscriptions: monogram: ‘BX’
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: cotton, wool
De kleine kunstliefhebbers
Object type: painting
Date: 1840 – 1886
Materials: oil, panel
Artist: hippolyte michaud
Artist role: painter
Artist dates: 1813 – 1886
Subjects: criticizing and discussing art, art criticism, drawing, sketch, person stimulating the arts; art lover, connoisseur, maecenas, patron, art collecting, child between toddler and youth (of undetermined sex)
Inscriptions: signature: ‘H. Michaud Pinx.’

De kleine kunstliefhebbers. In een schildersatelier bekijken twee naakte kindertjes een portefeuille met tekeningen. Links een palet met penselen, tegen de muur een groot schilderij.
Necklace of stone beads
Object type: necklace
Date: 901 – 1533
Materials: stone
Culture: guerrero
Location: mexico
Duitsland, 3 Reichsmark, 1929 A
Object type: coin
Date: 1929 – 1929
Materials: silver
Techniques: striking
Location: berlin

Zilveren herdenkingsmunt van het 10-jarig bestaan van de Grondwet. Voorzijde: hoofd van Hindenburg naar links. Waarde-aanduiding in omschrift. Keerzijde: eed afleggende hand. In afsnede data 11. August 1919-1929. Daaronder letter A. Randschrift.
Portret van Adam Friedrich Glafey
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Glafey, Adam Friedrich. Historia Germaniae Polemica (...). Leipzig: Christoph Riegel, 1722, tegenover de titelpagina.
Noa Noa (Fragrant), from the Noa Noa Suite
Object type: print
Materials: paper, ink, ivory
Techniques: woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Monogrammed upper center, in image: "P G O"; inscribed lower left, below image, in graphite: "Paul Gauguin fait"; lower right, below image, in graphite: "Pola Gauguin imp."; inscribed upper right, above image, in graphite: "no. 50"
Molen draaierij
Object type: photograph
Date: 1925 – 1935
Materials: photographic support
Techniques: photography
Location: surabaya
Artist: Anonymous
Subjects: colonial system, factory-interior, machine shop, machines; parts of machines; tools and appliances, java

Fabriekshal met de molendraaierij te Soerabaja, ca. 1930. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Jogyakarta, uit de periode 1908-1942.
Mlle. Decroizee, Paris, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Anna Wallenberg
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Lion amulet
Object type: amulet, lion
Date: 2110 – 2030
Materials: ivory
Location: egypt
Subjects: lions
Ons Salon
Object type: photograph
Date: 1923 – 1923
Materials: paper, cardboard
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: living-room, parlour, sitting-room, surabaya
Inscriptions: inscription: ‘Ons Salon. S'baia, 20/5 '23/ II’
The Impoldering of Walcheren after the Second World War
Object type: medal
Date: 1946 – 1946
Materials: bronze
Location: arnhem
Artist: albert diekerhof
Artist role: sculptor
Artist dates: 1917 – 1997
Subjects: walcheren, bevrijding tweede wereldoorlog
Inscriptions: circumscription: ‘Walcheren verdronk voor Europa's bevrijding October 1944’, signature: ‘AD’, inscription: ‘Door / kunde, maar door / wilskracht allermeest, / werd 't eiland Walcheren / uit den vloed geborgen, / een schip geteisterd door / een wild tempeest, maar / zeilree toch naar / 't / vredig licht van / morgen. / Februari / 1946’

Flood Disaster Medals. Much of the Netherlands lies below sea level. The threat of flooding is thus ever-present. Dikes, dams and polders were created to control the water. Still, these safety measures sometimes failed. Each century witnessed disastrous floods, with levees breaching and the countryside being inundated. The North Sea Flood of 1953 led to the construction of the Delta Works. Thanks to this major intervention the country has since remained dry.
Vrouw en kind in bos
Object type: print
Date: 1809 – 1872
Materials: paper
Techniques: lithograph
Subjects: forest, wood, mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2228

Een vrouw met mand loopt met een kind met een stok op een pad in een bos.
Dish
Object type: dish
Date: 1800 – 1800
Materials: earthenware
Felix Jenewein
Object type: reproduction
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: rocky coast, bystanders at the foot of the cross, among whom mary, mary magdalene and john the evangelist; mary may be shown swooning
Dish
Object type: dish
Date: 1101 – 1300
Materials: stonepaste
Techniques: luster painting
Location: iran
Subjects: men
Servet, damastweefsel met een pellenpatroon
Object type: napkin
Date: 1600 – 1699
Materials: linen
Location: netherlands
Artist: Anonymous

Servet, damastweefsel met pellenpatroon, geknipt uit een groter stuk linnen, niet omgezoomd.
Veld van twaalf tegels met bloempotten
Object type: tile
Date: 1610 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van twaalf tegels (3 x 4) elk met een veelkleurige (blauw, oranje, groen en geel) bloempot met goudsbloemen. In de hoeken, een kwart rozet.
Portret van Guillaume Louis Ternaux
Object type: print
Date: 1820 – 1821
Materials: paper
Techniques: engraving, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tardieu, Ambroise. Portraits des députés, écrivains et pairs constitutionnels, défenseurs invariables de la charte et de la loi des élections du 5 février 1817. Parijs: Tardieu, Ambroise, 1820-1821.
Portret van Christian August Crusius
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Piece
Object type: piece
Date: 1501 – 1600
Materials: metal thread, silk
Subjects: flowers