deem-data/ArtiFact huggingface dataset:
Portret van Mehmet IV, sultan van het Ottomaanse Rijk
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: sultan, mehmet iv (sultan van het ottomaanse rijk)
Inscriptions: collector's mark: Lugt 2228

Portret in ornamentele, ovale lijst van sultan Mehmet IV. Ten halven lijve naar rechts. Onder het portret het wapenschild van het Ottomaanse Rijk. De prent heeft een Latijns onderschrift.
Gezicht van de Oude Zyds Capel, t' Amsterdam / Vue de la Chapelle du Vieux Quartier de la Ville, d' Amsterdam
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church (exterior) - qq - small church, chapel, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Deze prent is ook gebruikt in de zogenaamde Atlas van Fouquet.* Pierre Fouquet gaf vanaf 1760 stadsgezichten van Amsterdam - naar tekeningen van verschillende kunstenaars, gemaakt door verschillende prentmakers - uit. Deze prenten werden aanvankelijk los of in series verkocht. Zoals toen gebruikelijk kon de koper de prenten zelf laten inbinden. Hiertoe gaf Fouquet tussen 1778 en 1783 een titelblad, plattegrond en inhoudsopgave van de tot dusver 100 uitgegeven prenten uit (1). Gezien de inhoud afhankelijk was van wat de koper had verzameld verschilt de inhoud van de verschillende bewaarde Fouquetatlassen onder deze titel sterk. Ook zijn er exemplaren bekend waar tevens andere prenten aan zijn toegevoegd. Omdat er behoefte bleek aan uitleg bij de platen werd in 1783 een nieuwe versie van de atlas uitgegeven, aangevuld met tekst en twee prenten. De aangegeven volgorde veranderde maar de platen van de al eerder uitgegeven prenten bleven ongewijzigd. Deze uitgave werd in opdracht van Fouquet gedrukt bij Daniël Jean Changuion en Petrus den Hengst (2). Een tiental platen werd bijgewerkt en verscheen, met nieuw impressum, in het vervolg van Wagenaars geschiedenis van Amsterdam, uitgeven door Petrus Conradi en Folkert van der Plaats (3). Een aantal jaar na het overlijden van Fouquet kwam Evert Maaskamp met een nieuwe uitgave van de atlas, met verbeterde tekst en toevoeging van twee prenten. Op alle platen verwijderde hij het oude en liet hij zijn eigen impressum zetten (4).

De huidige staat van de prent komt voor in exemplaren van de onder (1) en (2) genoemde werken.

* Onder de Atlas van Fouquet of Fouquetatlas verstaan we de hieronder vermelde publicaties (1), (2) en (4).
(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 delen. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.
(3). Stijl, Simon. Amsterdam, in zyne geschiedenissen, voorregten, koophandel, gebouwen, kerkenstaat, schoolen, schutterye, gilden en regeeringe, beschreeven. Om te dienen ten vervolge op het werk van Jan Wagenaar (…). 10 delen. Amsterdam en Harlingen: Petrus Conradi en Folkert van der Plaats, 1788-1801.
(4). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam. Met derzelver beknopte beschryvingen. Amsterdam: Evert Maaskamp, 1805.

* Het aantal vermelde staten is gebaseerd op het aantal gevonden staten. Mogelijk zijn er meer staten van deze prent.
Tile Panel
Object type: tile panel
Date: 1601 – 1650
Materials: stonepaste
Techniques: glazing, painting
Location: syria
Subjects: flowers
Knife
Object type: knife
Date: 1701 – 1900
Materials: brass, silver, steel
Culture: indian or nepalese
Location: india
Lezende man
Object type: print
Date: 1805 – 1844
Materials: paper
Techniques: engraving, etching, intaglio
Location: france
Artist: ignace-joseph de claussin
Artist role: print maker
Artist dates: 1766 – 1844
Subjects: sitting figure, reading
Inscriptions: collector's mark: Lugt 2228
Mannelijk naakt, staand, de linkerarm geheven
Object type: drawing
Date: 1724 – 1724
Materials: chalk, paper
Artist: louis fabritius dubourg
Artist role: draughtsman, print maker
Artist dates: 1693 – 1775
Subjects: the (nude) human figure; 'corpo humano' (ripa)
The Villa Aldobrandini near Frascati
Object type: drawing
Date: 1783 – 1783
Materials: graphite, ink, paper
Techniques: brush, pen
Subjects: landscapes in the temperate zone, villa
Inscriptions: date

Like most of his fellow artists, Dupré worked not only in the city of Rome, but regularly ventured into the countryside. Here he is in Frascati, a town southeast of Rome. At the left is the 16th-century Palazzo Aldobrandini, and with some effort the silhouette of Rome can be discerned in the distance at the right.
Fragment of a ewer with a turquoise glaze
Object type: fragment
Date: 1100 – 1299
Materials: earthenware, glaze, quartz
Techniques: firing, turning, vitrification
Location: iran
Artist: Anonymous

Fragment van een kan van kwarts-fritgoed bedekt met een monochroom turquoise alkaliglazuur.
Ruïnes bij de Leuvehaven te Rotterdam, gezien vanaf de Karrensteeg
Object type: ansichtkaart, prentbriefkaart
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: j. nolte
Artist role: fotograaf
Subjects: city-view in general; 'veduta', devastated, ruined place or city (~ warfare), rotterdam, rotterdam blitz
Scene in the Campagna, part ViII, plate 38 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: bridges,women,rivers,landscapes,trees

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Say here added mezzotint to describe a timeless scene near Rome where a woman, stripped to the waist, dips her hands into a water tank near figures that tend sheep. At right a river flows towards a tower, a classical temple and bridge. The letters "EP" in the upper margin likely stand for Elevated Pastoral and were applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude.
Jugate heads of Germanicus (15 B.C.–19 A.D.) and Agrippina (d. 33 A.D.)
Object type: cameo
Date: 1601 – 1700
Materials: onyx
Subjects: men,profiles,women

Subjects from Roman history preoccupied collectors in the Baroque era. The twinned countenances of these famous couples, mounted as pendants, were in the Arundel collection in the seventeenth century and the Marlborough collection in the eighteenth. As is often the case with portrait cameos, the stones were manipulated so that their warmer gradations further a suggestion of flesh.
Five of Diamonds, Vater-Land, from Harlequin Cards, 2nd Series (N220) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,playing cards

Playing cards issued as trade cards from the "Harlequin Cards, 2nd Series" (N220), issued in 1889 to promote Kinney Tobacco Company.
Kaart van het graafschap Moers en van het Rijnland, 1610
Object type: print
Date: 1591 – 1595
Materials: paper
Techniques: engraving
Location: duisburg
Artist: joannes mercator
Artist dates: 1562 – 1595
Subjects: maps of separate countries or regions

Kaarten van het graafschap Moers en van de ligging van het graafschap in het Rijnland. Twee afzonderlijke kaarten op één blad gedrukt. Op de kaart van Moers een inzet met een plattegrond van de stad Moers, op de kaart van het Rijnland een inzet met een plattegrond van het kasteel Middelaar.
25 figuren
Object type: print
Date: 1763 – 1804
Materials: paper
Techniques: woodcut
Artist: johann friedrich gottlieb unger
Artist role: print maker
Artist dates: 1753 – 1804
Subjects: human types, quack, charlatan, mountebank, 'saltimbanco'
Inscriptions: collector's mark: Lugt 2228
Twilight in the Woods
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: anthonie waterloo
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1690
Subjects: landscapes
En Braendevünsmand / Ein Brandweinsbrenner
Object type: print
Date: 1805 – 1833
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: copenhagen
Subjects: brandy, brandywine, folk costume, regional costume, copenhagen (city)
Inscriptions: collector's mark: Lugt 2228
The circumcision: small plate
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: story of noah
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Head of a Leopard with the Name of Hatshepsut
Object type: game piece, leopard head with name of hatshepsut
Date: 1479 – 1458
Materials: jasper
Location: egypt
Subjects: leopards

Two jasper gaming pieces almost identical to this one are known. One is on loan to the Antikenmuseum Basel, the other is in the Egyptian Museum, Cairo. Presumably all three were part of a set used for playing senet and twenty squares, two board games popular in the New Kingdom. The leopard head has been carved with great detail. A cartouche with Hatshepsut's throne name, Maatkare, is visible on the top of its head, and "Hatshepsut, linked with Amun" is inscribed on the back of the neck.
Going Under (from the series A Life)
Object type: print
Techniques: aquatint, etching
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: women
Inscribed lintel from Perneb's mastaba
Object type: door lintel
Date: 2381 – 2323
Materials: limestone
Location: egypt
Subjects: hieroglyphs
Installatie van de Sultan van Boeton
Object type: photograph
Date: 1938 – 1938
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: celebes
Artist: Anonymous
Subjects: jet vonk, r.h. vonk, ceremonial celebration of installation of a ruler, colonial government
Inscriptions: inscription

Albumblad met zeven foto's (en twee lege plekken) elk met bijschrift, waarop o.a. assistent-resident Vonk, assistent-resident Monod de Froideville en de radja (Sultan van Boeton) in kroningsgewaad in 1938. Ter gelegenheid van de installatie van de nieuwe sultan van Boeton in 1938. Onderdeel van het familiealbum van Jet Vonk uit Celebes.
Jongen bij een knielend meisje
Object type: sketchbook leaf
Date: 1822 – 1880
Materials: charcoal, paper
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: boy (child between toddler and youth), girl (child between toddler and youth)

Blad 28 verso uit een schetsboek met 45 bladen.
Joachim Ludvig Phister
Object type: page
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Artist: harald paetz
Artist role: fotograaf
Artist dates: 1837 – 1895
Subjects: portrait of actor, actress
Figurative Kaart van de doorbraak te Kedichem benevens de Situatie der Rivier de Linge
Object type: book illustration
Date: 1809 – 1809
Materials: paper
Techniques: etching
Location: netherlands
Subjects: dike-break, maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ewijk, Hendrik. Geschiedkundig verslag der dijkbreuken en overstroomingen, langs de rivieren in het Koningrijk Holland, voorgevallen in louwmaand MDCCCIX. Amsterdam: Johannes Allart en Jacobus Ruys, 1809.
August in the Country – The Sea-Shore (from "Harper's Weekly," Vol. III)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: boys,men,women,crabs,beaches
Portret van Karl Meichelbeck
Object type: print
Date: 1734 – 1779
Materials: paper
Techniques: engraving
Subjects: bookshelves, historical persons, letter, envelope
Inscriptions: collector's mark: Lugt 2228
Herm met gezicht van meisje
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Artist: françois bourlier
Artist role: draughtsman, painter, print maker, publisher
Subjects: herms (garden ornaments), ornament ~ human parts, child

Herm met het hoofd van een jong meisje. Onderdeel van een groep van negen bladen van zes verschillende kopjes.
Twee paarden
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse

Pagina 61 en pagina 62 uit een als schetsboek gebruikte agenda met 80 bladen.
Jonge vrouw met vlechten geeft een kind borstvoeding
Object type: print
Date: 1927 – 1927
Materials: paper
Techniques: drypoint, soft ground etching, sugar lift
Artist: armand rassenfosse
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1934
Subjects: adolescent, young woman, maiden, feeding a baby
Inscriptions: monogram: Lugt 169, collector's mark: Lugt 2228
Veil
Object type: veil
Date: 1835 – 1835
Materials: silk
Culture: british
Subjects: flowers

Hat veils like this were worn both to veil the face modestly and also around the hat, off the face, to decorate the hat and facilitate flirtatious glances. The color of this one is particularly attention-getting. The motifs and their linear configuration, standard on veils of this type and period, show influence of Indian textile patterns.
Glass oinochoe (perfume jug)
Object type: oinochoe
Date: 334 – 268
Materials: glass
Culture: eastern mediterranean or italian

Translucent cobalt blue, with handle and pad-base in same color; trails in opaque yellow and opaque white. Applied slender trefoil rim-disk with long spout; cylindrical neck; narrow angular shoulder; straight-sided cylindrical body, expanding downward, and then curving in to applied circular pad-base with thick rounded edge and uneven flattish bottom; strap handle attached in pad to top of body over trail decoration, with horizontal tooling indent above pad, drawn up and round in a loop, arching above the rim-disk, and pressed onto back of rim-disk and top of neck. A fine yellow trail attached at edge of rim-disk; another unmarvered yellow trail wound spirally six and a quarter times around neck; a third yellow trail, marvered, begun on lower edge of shoulder and wound round on body, tooled into a close-set feather pattern and extending as far as the point of greatest diameter; mingling with it in alternating bands, white trails in eleven vertical panels with alternating upward and downward strokes; below this, a thick white trail would round in a spiral nearly three times; a fine yellow trail wound round edge of pad-base. Complete, but spout of rim-disk broken and repaired; dulling, pitting, and much of surface covered with creamy white weathering and iridescence. Among the rarer shapes of Mediterranean Group II vessels are the tall, slender oinochoe (pitcher/jug) with a trefoil spout and the lentoid aryballos with twisted glass canes running between the ring handles.
A Young Man Dressed as an Actor of the Ichikawa Family (by Shunsho), a Maid and a Geisha (by Shuncho)
Object type: print
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Madrid. Plaza Mayor
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: madrid
Artist: Anonymous
Subjects: square, place, circus, etc., monument, statue
Saucer
Object type: saucer
Date: 670 – 330
Materials: terracotta
Culture: roman
Lead figure of a woman
Object type: statuette of a woman
Date: 634 – 501
Materials: lead
Culture: greek, laconian
Subjects: women

Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia; over one hundred thousand, dating from the seventh century B.C. to the Classical period, were dedicated to the goddess Artemis Orthia in Sparta.
Portret van Ludwig Hölty
Object type: print
Date: 1816 – 1832
Materials: paper
Techniques: stippling
Location: zwickau
Artist: karl eduard weber
Artist role: draughtsman, painter, print maker
Artist dates: 1806 – 
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Solitude
Object type: painting
Date: 1818 – 1818
Materials: canvas, oil
Location: united states
Artist: joshua shaw
Artist nationality: american, born england
Artist dates: 1777 – 1860
Subjects: landscapes

Joshua Shaw was one of the earliest landscape painters to work in America, practicing in Baltimore and Philadelphia upon emigrating from England in 1817. Shaw excelled at painting Romantic scenes of imaginary Arcadian landscapes. In Solitude, a male figure reclines in the foreground, with the contemplative pose and seminude state of a poet or philosopher inspired by the beauty of nature. In addition to idealized compositions such as this one, Shaw painted landscapes in watercolor based on observations of various locales along the Eastern Seaboard. Shaw was a generation older than Thomas Cole and other artists of the country’s first school of landscape painting, the Hudson River School, which emerged in the second quarter of the 19th century.
Hat
Object type: figure
Date: 1865 – 1921
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: dorflinger glass works
Artist role: maker
Artist nationality: american
Artist dates: 1865 – 1881
Fragment of a terracotta kylix: band-cup
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Part of palmette tendril at handle.
Deksel van fontein in de vorm van een hoofd
Object type: decoratief object
Date: 1760 – 1775
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Inscriptions: mark: ‘figuratief teken klauw’, collector's mark: ‘collection JF Loudon’

Deksel van fontein in de vorm van een hoofd van veelkleurig beschilderde faïence.
Zelfportret van Henri Van der Haert
Object type: drawing
Date: 1840 – 1842
Materials: paper, pencil
Artist: henri van der haert
Artist role: draughtsman, print maker
Artist dates: 1790 – 1846
Subjects: louvain, ghent, print maker, henri van der haert, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: haarlem
Artist: anton l. koster
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1937
Subjects: rotterdam, johan hendrik van mastenbroek, painter, draughtsman, philip zilcken, family life, painting (including book-illumination, miniature-painting), venice
Inscriptions: collector's mark: ‘RPK’, address: ‘A.L. KOSTER/ Spruitenboschstraat 19/ Haarlem.’
Groepsportret
Object type: photograph
Date: 1865 – 1867
Materials: cardboard, photographic support, watercolor
Techniques: albumen print, aquarelle
Location: england
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, front steps, historical persons not known by name

Groepsportret van twee vrouwen en twee mannen zittend buiten op een trap. Foto op albumblad in album met 68 foto's merendeels met geaquarelleerde randversieringen. Het zijn voornamelijk portretten op carte-de-visite formaat.
Nomina ex quibus ea desumpta est Dionisius libro quinto
Object type: album leaf
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: italy
Subjects: ceremonial procession, parade, pageant ~ installation of a ruler, triumphal arch, carrying off the spoils of war
Inscriptions: inscription: ‘lib. 1. fol. 1 [...]’, number: ‘104’

Processie van wagens met oorlogsbuit die worden voortgetrokken door paarden. De processie gaat onder een triomfboog door. Titel in het Latijn in ondermarge. Prent maakt deel uit van een album.
Schetsen uit Utrecht
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: student life, utrecht

Blad met elf voorstellingen uit het studentenleven. Centraal twee gezichten in de Utrechtse universiteitsbibliotheek. Spotprent in de studentenalmanak van de Universiteit van Utrecht van het jaar 1857
Interieur van Westminster Abbey in Londen
Object type: photograph
Date: 1878 – 1890
Materials: photographic support
Techniques: albumen print
Location: london
Artist: francis godolphin osbourne stuart
Artist role: fotograaf
Artist dates: 1843 – 1923
Subjects: protestant churches and denominations, exterior ~ representation of a building, westminster abbey, london
Inscriptions: negative number: ‘229’

Onderdeel van Reisalbum Europese steden, vermoedelijk Zweeds.
The First Nakamura Nakazo in the Role of Kanshojo
Object type: woodblock print nishiki e
Date: 1780 – 1780
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors
Unfinished Bead
Object type: bead, amenemhat
Date: 1504 – 1447
Materials: faience
Location: egypt
Koning David speelt op de harp
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: david as musician, usually playing the harp, the church personified, 'ecclesia', usually with chalice and banner, angel(s) represented as child(ren)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Recueil de psaumes d'Hymnes et de cantiques. Berlijn: George Fréderic Starcke, 1791.
Scroll
Object type: scroll
Date: 1615 – 1868
Materials: ink, paper, pigment
Culture: japanese
Location: japan
Terracotta askos in the form of a duck
Object type: askos in the form of a duck
Date: 434 – 401
Materials: terracotta
Culture: greek, attic
Subjects: ducks
Inrō with Basket of Spring Flowers (obverse); Basket of Autumn Flowers (reverse)
Object type: inrō
Date: 1767 – 1833
Materials: gold, gold foil, lacquer, silver, wood
Techniques: hiramakie, inlay, lacquer
Culture: japanese
Subjects: flowers
Brief aan Philip Zilcken
Object type: letter
Date: 1913 – 1913
Materials: ink
Techniques: pen, writing
Location: haarlem
Artist: anton l. koster
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1937
Subjects: willy sluiter, philip zilcken, the graphic arts, travelling; tourism, exhibition ~ art, ghent, copenhagen (city), berlin
Inscriptions: collector's mark: ‘RPK’
Tabor Pipe
Object type: tabor pipe
Date: 1701 – 1800
Materials: ivory, wood
Culture: french
Location: france
[Warren Station, Front of Petersburg, Virginia]
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: tents,railways,american civil war,trains