deem-data/ArtiFact huggingface dataset:
Dagger (Kindjal) with Sheath
Object type: dagger kindjal with sheath
Date: 1840 – 1850
Materials: niello, silver, steel, wood
Culture: caucasian
Location: caucasus

This dagger has two central grooves in its steel blade. The handle and sheath have been decorated in niello, a black substance containing silver, copper, lead, and sulphur, that is a striking contrast to the silver ground. In the Caucasus, daggers such as this one were inseparable companions of Caucasian men and used for a variety of purposes, such as weapons, cork screws, and paper cutters, as well as dance accessories. Nineteenth-century photographs of Caucasian men in native dress frequently include such daggers, which are attached to their belts in a diagonal manner.
Portretten van hedendaagse kunstenaars uit het Verenigd Koninkrijk der Nederlanden
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: ghent, rome, painter, jean baptiste louis maes canini, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 12
Bospad en figuren die koeien melken en voer geven
Object type: sketchbook leaf
Date: 1843 – 1844
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: cow, forest path or lane
Inscriptions: kleurnotitie, handgeschreven

Blad 38 recto uit een schetsboek met 38 bladen.
Glass jug
Object type: jug
Date: 101 – 300
Materials: glass
Culture: roman

Small, one-handled jug Colorless with pale green tinge; handle in same color. Uneven rim folded out, round, and partially in, with beveled outer edge; flaring mouth; short cylindrical neck, curving out at base to bulbous body with convex sides; flat but slightly uneven bottom; handle attached as pad to body, drawn out, up, and round, and trailed on to top of neck and outer edge of rim with loop above rim. Intact; some large bubbles, blowing striations, and glassy inclusions; dulling, some pitting, and iridescence, with areas of creamy weathering.
Schetsboek met 9 bladen
Object type: sketchbook
Date: 1881 – 1883
Materials: cardboard, chalk, linen, paper, pencil
Techniques: marbling
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: saddle and bridle (saddlery)
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Haag./ 1885./ T./ Diversen/ losse/ bladen/ Diversen/ 54 betekende bladzijden/ 10 blz voluit geteekend/ rest atelier/ stempel.’, workshop stamp: Lugt 291d

Schetsboek bestaande uit 9 bladen met paardentuig en militaire uitrustingen.
Festoen met een opengebarsten granaatappel in het midden
Object type: print
Materials: paper
Techniques: etching
Location: amsterdam
Ceramic Fragment
Object type: fragment
Date: 601 – 800
Materials: earthenware
Techniques: glazing
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Martyrdom of a Female Saint (Agnes?)
Object type: drawing
Date: 1605 – 1609
Materials: charcoal, gouache, ink, paper
Techniques: brush, highlighting, pen, wash
Artist: camillo procaccini
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1629
Subjects: animals,spears,infants,women,saints

This highly finished modello, drawn with richness of materials, was recognized as the work of Camillo Procaccini by Philip Pouncey in 1953 and identified by Nancy Ward Neilson in 1968 as a study for a painting of the same subject by Camillo in the Santuario dell'Addolorata at Rho (near Milan), datable around 1605-1609 (Neilson 1979, p. 63, fig. 142). In both the painting and the drawing the Castel Sant'Angelo seen at right identifies the place of martyrdom as Rome: the victim could be Saint Agnes. The Museum owns a second drawing for the same composition, a detailed study in red chalk for the face of the Roman soldier seen at left (acc. no. 1975.131.19).
Mirror Handle with a Woman Holding a Mirror
Object type: mirror handle
Date: 100 – 100
Materials: bronze
Culture: gandhara
Subjects: gandhara,women
Sculpturen van dansende man en vrouw
Object type: stereograph
Date: 1855 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: one pair dancing; man and woman dancing as a couple, sculpture
Zwaan in een waterplas
Object type: print
Date: 1874 – 1909
Materials: paper
Techniques: drypoint, etching
Artist: omer coppens
Artist role: print maker
Artist dates: 1864 – 1926
Subjects: landscapes, water-birds: swan
Inscriptions: inscription: ‘3em Etat definitif; ... a 5 exemplaire’, inscription: ‘6 un cygne sur leau’, collector's mark: Lugt 2228
Titelpagina voor: D'annales de la province et comté d'Hainau, 1648
Object type: titelblad, titelpagina
Date: 1648 – 1648
Materials: paper
Techniques: etching
Artist: jean de la barre
Artist role: print maker
Artist dates: 1603 – 1668
Subjects: filips iv (koning van spanje)
Inscriptions: collector's mark: Lugt 2228

De personificatie van de provincie en het graafschap Henegouwen, in de gedaante van een vrouw, zittend op een leeuw met een scepter en een stedekroon op het hoofd. Achter haar de wapens van Henegouwen, Oosterbant, Valenciennes en Brabant. Links staat de beschermheilige van de stad Bergen, Waldetrudis, en rechts haar echtgenoot, de graaf van Henegouwen, Vincentius Madelgarius. Op de achtergrond een architecturale omlijsting met borstbeelden van diverse heersers, centraal geplaatst het beeld van Filips IV van Spanje. Geheel bovenin het tetragram.
Gebouw van de Generale Staf en de Alexander kolom gebouwd aan de Hermitage
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: unknown
Vue générale du Jardin des Plantes, à Bordeaux
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: bordeaux
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: botanic garden, 'hortus botanicus'
Inscriptions: number: ‘1933’
Portret van Pierre-Jules Baroche
Object type: print
Date: 1840 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: ‘Franz Radest[...]’
Portrait of Dr. John Allen, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Portret van actrice Eugénie Doche
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Calligraphic Folio with Persian Verses
Object type: non illustrated album leaf
Date: 1601 – 1700
Materials: gold, paper, watercolor
Location: india
Subjects: animals,persian,calligraphy

Six lines of Persian poetry in nasta’liq appear in the central panel. The borders of this folio are executed with stenciling and marbling, through which figures of seated animals appear against a speckled ground.
Netsuke of a Man and an Egg
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: birds,men,axes,eggs
Výstavny zemedelské rady pro královstvi Ceské
Object type: page
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: memorial medal
Landschap met de molen van Wijk bij Duurstede
Object type: painting
Date: 1885 – 1923
Materials: oil, panel
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: watermill in landscape, wijk bij duurstede
Inscriptions: signature: ‘W.W.’

Landschap met de molen van Wijk bij Duurstede, rechts een rivier.
Quatre-vingt-dix ans
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, old man
Inscriptions: collector's mark: Lugt 964

Prent gebruikt voor: Journal des gens du Monde.
Fan
Object type: fan
Date: 1700 – 1723
Materials: gold, mother of pearl, paint, parchment
Subjects: men,women
Menukaart Château de Haarzuylens déjeuner
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: woodcut
Subjects: ornaments ~ art

Menukaart voor een ontbijt op kasteel De Haar in Haarzuilens.
Christ Crucified between the two Thieves: 'The Three Crosses'
Object type: print
Date: 1653 – 1653
Materials: parchment
Techniques: drypoint
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the crucifixion of christ: prelude to christ's death on the cross (matthew 27:34-44; mark 15:23-32; luke 23:33-43; john 19:18-24)
Inscriptions: collector's mark: Lugt 2228

Christ hangs from the Cross between two thieves and is surrounded by apostles, his mother, followers and soldiers. This monumental sheet is the pendant to Christ Presented to the People (on the opposite partition wall). Just as there, this scene is fully executed in drypoint, which had almost never been done before. Moreover, Rembrandt pulled the print on costly vellum.
Evangelist Johannes
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1933
Materials: paper
Techniques: gelatin silver print, writing
Location: dresden
Artist: Anonymous
Subjects: evangelists, usually with books or scrolls (not in biblical context) - ii - the evangelists without their symbols
Inscriptions: collector's mark: ‘AFE v S’
Steun behorend bij een bronzen penning
Object type: steun
Date: 1950 – 1950
Materials: metal
Location: zoetermeer
Subjects: djatiroto, suikeronderneming, handels vereeniging amsterdam, jatiroto, malang, tweede wereldoorlog, nederlandse militaire acties in indonesië (1945-1949)
Inscriptions: inscription: ‘QUO PATET ORBIS’, inscription: ‘AANGEBODEN<BR />DOOR DE<BR />N.V. HANDELSVEREENIGING<BR />"AMSTERDAM" TER HERINNERING AAN DE<BR />BEVRIJDING VAN DE<BR />SUIKERFABRIEK DJATIROTO<BR />22 JULI 1947’, inscription: ‘JE MAINTIENDRAI’

Metalen steuntje behorend bij een bronzen penning.
Feestelijk ontvangst Prins Maurits
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: tone lithography
Location: amsterdam
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: the hague, maurice (prince of orange), samuel coster, crowd, mob, being welcomed ~ travelling, city-walls
Inscriptions: collector's mark: Lugt 2228

In de voorgrond ligt een boot in het water. Voor een versierde stadpoort wordt prins Maurits welkom geheten door Samuel Coster. Om hen heen staat een menigte.
Afschrift van de resolutie over de vervolging van de uitgever van de Latynsche en Nederduitsche keurdichten, 1735
Object type: manuscript
Date: 1735 – 1735
Materials: paper
Techniques: writing
Location: northern netherlands
Artist: Anonymous
Subjects: willem iv (prins van oranje-nassau)
Inscriptions: collector's mark: Lugt 2228

Afschrift van de resolutie van het Hof van Holland over de vervolging van de uitgever van de Latynsche en Nederduitsche keurdichten, op last van de Staten van Holland, 20 september 1735. Twee dubbelgevouwen bladen, beschreven op vier bladzijden. Wegens de publicatie van de spotprent op prins Willem IV.
Cad. ex lib. D. Dumoustier De Cranchy pbri. archid. (...)
Object type: bookplate
Date: 1600 – 1749
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Jar
Object type: jar
Date: 201 – 700
Materials: ceramic
Culture: sasanian
Location: mesopotamia

Plain unglazed ceramics, like this jar, are the most common type of pottery found during the Sasanian period. These plain vessels were part of the everyday household materials. Ceramics during this period were mostly wheel-made. The two handles on this jar have been broken, but would have extended from the rim to the shoulder of the jar. It was excavated from a house at the site of Ma’aridh II in the Ctesiphon area. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. Over the course of the excavations in the Ctesiphon area, six houses from a series of small mounds called el Ma’aridh were excavated. These houses follow typical Sasanian design with a mix of square and elongated rooms. Ma’aridh II is a large house that is entered through a small entry way rather than directly from the street. The house is divided into a utilitarian, or service, sector on the eastern side of the building, and a monumental decorated space to the west of the entryway. The western rooms were decorated with pillars, a double horseshoe archway, and stucco reliefs. A long barrel vaulted arched room, 19 meters in length, was probably the most important room of the house. It was entered through a smaller room with four pillars. This large house, with the excavated portion revealing more than 1800 square meters, represents an elite household. Excavation Number: O.1449
Piece
Object type: piece
Date: 1715 – 1720
Materials: metal thread, silk
Subjects: leaves

Panels such as this—with its extraordinary patterns in long repeats—were called "bizarre" by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving.
Vader, moeder, zuster, broeder
Object type: popular print
Date: 1882 – 1905
Materials: paper
Techniques: letterpress printing, printing block, engraving
Location: arnhem
Subjects: family, descendance, sisters (second degree family relationships), children (first degree family relationships), parents (first degree family relationships), brothers (second degree family relationships)
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van leden van het gezin: vader, moeder, broer en zus. Tussen de afbeeldingen versjes in boekdruk. Genummerd rechtsboven en linksonder: No. 24.
Landschap met kasteelruïne
Object type: print
Date: 1870 – 1909
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: annotation: ‘1et Etat’, annotation: ‘2 epreuves de c'est etat’, collector's mark: Lugt 2228

Sterfdatum prentmaker onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
Handgeschreven inventaris
Object type: album leaf
Date: 1637 – 1637
Materials: paper
Techniques: pen
Location: amsterdam
Artist: michiel hinloopen
Artist dates: 1619 – 1708

Inventaris maakt deel uit van een album.
Fuitte de la Pineau Van der Noot et Van Eupen
Object type: cartoon
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Location: brussels
Artist: Anonymous
Subjects: brussels, politician, antwerp, priest, brabant
Inscriptions: collector's mark: Lugt 2228

Spotprent waarin Hendrik van der Noot en Petrus van Eupen met blote billen de kar trekken waarin Madame Pinau (Pineau) rijdt. Rechts trekken keizerlijke troepen de stad Brussel binnen. Met vierreglig Frans vers. Onderdeel van een grote groep van prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
George Washington
Object type: bust
Date: 1825 – 1825
Materials: ceramic, glass, paste
Location: england
Subjects: george washington,profiles
Pilgrim Flask
Object type: ampulla
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Vieille femme lisant
Object type: print
Date: 1867 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: reading, old woman
Inscriptions: collector's mark: Lugt 2228
Figuren naar Annibale Carracci
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: head (human), head-gear (with name)
Inscriptions: collector's mark: Lugt 2228
Wolkenlucht boven een landschap
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: clouds, landscapes in the temperate zone

Pagina 26 en pagina 27 uit schetsboek XXIX met 44 pagina's.
L'Oeuvre d'Antoine Watteau
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: etching
Location: paris
Subjects: chinese, sitting on the ground - aa - female human figure

Maakt deel uit van een serie van 271 platen, inclusief twee titelprenten, naar schilderijen door Watteau en verzameld door Jean de Jullienne. Sommige platen werden reeds tijdens Watteau's leven vervaardigd en de rest kwam pas na zijn dood tot stand. In 1734 werd het eind van de serie aangekondigd. Deze plaat betreft nr. 237 van de serie.
Maakt eveneens deel uit van een subgroep van twaalf prenten, getiteld 'Diverses Figures Chinoises et Tartares Peintes par Watteau (...)'.
Drum
Object type: drum
Date: 618 – 907
Materials: pottery
Culture: chinese
Subjects: drums
over naar ... lieve
Object type: album leaf
Date: 1971 – 1972
Materials: paper
Location: the hague
Subjects: the hague

Albumblad met opschrift in wrijfletters, verwijzend naar de naam van de voorstelling 'Lieve Neef - Lieve Nicht'. Onderdeel van het fotoalbum van cabaretvoorstellingen COC 1968-1974, afdeling Den Haag.
Exemplaar van de speciale editie van de Picture Post tgv de kroning van koningin Elizabeth II, 6 juni 1953
Object type: print
Date: 1953 – 1953
Materials: paper
Location: london
Subjects: coronation of a ruler - bb - female ruler, london

Exemplaar van de speciale editie van het tijdschrift 'Picture Post' van 6 juni 1953, ter gelegenheid van de kroning van koningin Elizabeth II op 2 juni 1953.
Aigentliche wahrhaffte Delineation unnd Abbildung aller fürstlichen Auffzüg und Rütterspilen
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Subjects: performance in the open air (pleasure fair), horses (circus performance)

Genummerd: 29. Deze prent maakt deel uit van een album.
Blinde man aan de maaltijd
Object type: print
Date: 1651 – 1652
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: container of ceramics: jar, jug, pot, vase (+ broken, damaged), blind, blindness, spoon, head held in the hand(s), with elbows leaning on an elevation or on the knees
Inscriptions: collector's mark: Lugt 240

In een vertrek zit een boer aan een tafel waarop hij zijn hand met lepel, laat rusten. Op de tafel staan een schaal met eten en een gebroken kruik. Op de achtergrond een vrouw en twee mannen.
Man steekt zijn pijp op
Object type: print
Date: 1734 – 1785
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: pipe ~ tobacco, candlestick
Inscriptions: collector's mark: Lugt 2228

Een jonge man steekt zijn pijp op met een kaars. Hij zit op een stoel aan een tafel waarop een kan.
Compositiestudie
Object type: drawing
Date: 1860 – 1860
Materials: paper, pencil
Techniques: brush
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Bankbiljet van tweehonderd miljoen Zimbabwaanse dollars
Object type: tweehonderd miljoen dollar
Date: 2008 – 2008
Materials: paper
Techniques: printing
Subjects: zimbabwe
Military tail coat
Object type: military tail coat
Date: 1890 – 1890
Materials: wool
Culture: american
Ein new getruckt model Büchli...Page 18, recto
Object type: book print ornament architecture
Date: 1529 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: ornament

Published by Schoensperger, Augsburg. Title page, 45 pages of designs for weaving and embroidery, and 5 manuscript pages of weaver's notations at back.
Fragment van Baccio da Montelupo's Christus te Florence (brons)
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: christ as adult, sculpture, the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: date

Prent uit het bijvoegsel van: De Kroniek 1 (1895), 10 maart 1895.
Wineglass fragment
Object type: wineglass fragment
Date: 1701 – 1733
Materials: glass
Adonis à Venere amatus
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: scrollwork, strapwork ~ ornament, venus trying to prevent adonis from going hunting, venus and adonis as lovers

Illustratie bij de Metamorfosen van Ovidius, afkomstig uit de publicatie: Posthius, Johannes. Tetrasticha in Ovidii metam. Frankfurt am Main: Georg Rab en Sigmund Feyerabend en erven Weigand Han, 1569. De voorstellingen en ornamentranden van deze boekillustraties zijn van twee aparte blokken gedrukt. Beide werden afzonderlijk van elkaar ook gebruikt voor andere publicaties, en de ornamentranden werden eveneens binnen deze publicatie meerdere keren gebruikt.
Diverses Especes de Poissons d'eau douce
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: fishes
Inscriptions: collector's mark: Lugt 2228

In het gras langs een rivier liggen drie vissen. Op de achtergrond twee vissers op de rivieroever.