deem-data/ArtiFact huggingface dataset:
Cilindrical bottle vase with auspicious symbols, scrolls and petal borders
Object type: bottle
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

AK-NM-6805 Vaas

• Blauw-wit Kangxi-porselein
• Lambrequin- of ruyi-ornament
• Onderdeel van Royers porseleincollectie

Deze vaas heeft, net als AK-NM-6800, de Kangxi-vorm van de rolwagen uit de Overgangsperiode. Ook de gestileerde bananenbladeren op de hals en op het lichaam, hier wel gereduceerd tot vrij levenloze driehoekjes, zijn elementen die voorkomen op de Overgangs-rolwagens. Het is boeiend om te zien hoe tussen die bananenbladeren op de buik grotere velden zijn geschilderd die doen denken aan de bekende lambrequin-banden zoals bijvoorbeeld op de dekselpot AK-NM-6778-A.
Als we ervan uitgaan dat de decoratie van het porselein (ornamentaal, niet verhalend) zich ontwikkelde van de drukte en volte van het Kraakgoed naar de rust van wat Daniël Marot (1660-1752) op zijn schoorstenen tekende, dan is dit weer een boeiende tussenvorm. Die smalle bandjes boven en onder aan de buik kennen we al uit de Overgangsperiode [Ayers 2016, vol. I, nrs. 233-234]. Die houden we er nog even in, moeten ze gedacht hebben. Maar blijkbaar werd er ook al gewezen naar die proto-lambrequins. Dat vinden we mooi. Doe dat er maar bij. En als de leegte je toch wat beangstigt, kun je er altijd nog wat gelukssymbolen tussen schilderen. Vraag en aanbod kunnen mijns inziens niet anders dan tastenderwijs bij elkaar gekomen zijn.

Bronnen:
John Ayers, Chinese and Japanese works of art in the collection of Her Majesty The Queen, Londen, 2016.
Cup with cover
Object type: cup with cover
Date: 1801 – 1900
Materials: silver gilt
Artist: hans (?) jamnitzer
Artist role: maker
Artist dates: 1561 – 1603
Subjects: birds,jupiter
Keizerlijke vloot passeert Saint-Germain
Object type: print
Date: 1840 – 1841
Materials: paper
Techniques: lithograph
Location: paris
Subjects: napoleon i (emperor of the french), re-burial, ships (in general), coffin
Inscriptions: stamp: Lugt 1397c, collector's mark: Lugt 2228

Deze serie bevat 24 prenten in klein formaat, die een vereenvoudiging zijn van eerder uitgegeven prenten in groot formaat. In 1840 werden de stoffelijke resten van Napoleon op initiatief van Adolphe Thiers en koning Louis-Philippe van Sint-Helena overgebracht naar Parijs (Le retour des cendres). De tekening voor de steendruk is naar het leven gemaakt ('dessiné d'après nature').
Emblemata Sacra è praecipuis utriusque testamenti historiis concinnata (Oude Testament)
Object type: print
Date: 1582 – 1593
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: hoofed animals: camel, well, rebekah offers eliezer a drink from her pitcher
Inscriptions: inscription: ‘Elièzer Serviteur d'Abraham demande Rebecca en mariage pour Isaac’

Bij de bron laat Rebekka Eliëzer uit haar kruik drinken. Links tien kamelen. In de verte komen drie vrouwen met kruiken aanlopen (Gen. 24:4). Met een motto in het Latijn boven de voorstelling en een vierregelig onderschrift in het Latijn onder de prent. De prent maakt deel uit van een album.
Portret van Nicolas Poussin
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: rome, painter, draughtsman, nicolas poussin, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Vrouwen in een kleedkamer
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: dressing-room ~ stage, adult woman (+ four persons)

Mogelijk in Theater Scala te Den Haag. Blad 24 verso uit schetsboek III met 36 bladen.
Portret van een onbekende jongen
Object type: photograph
Date: 1900 – 1914
Materials: paper, cardboard
Techniques: gelatin silver print
Location: lyon
Subjects: boy (child between toddler and youth), anonymous historical person portrayed
Inscriptions: inscription: ‘Reproductions/ Agrandissements/ Traveaux Photographiques/ Les Clichés sont conservés No........’
One of the group of Pagosa Hot Springs, showing incrustation on the surface. Much prized by the Indians and miners on account of supposed healing qualities. Principal mineral element, Sulphate of Soda, No. 38 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Object type: photograph
Date: 1874 – 1874
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, geographical explorations and surveys
St. Peter's, drum, plan, at two levels (recto) compass (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Vrouw op een sofa
Object type: stereograph
Date: 1852 – 1858
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: adult woman
Inscriptions: number: ‘2002/ 107’
Bronze statuette of Herakles
Object type: statuette of herakles with fillet
Date: 300 – 1
Materials: bronze
Culture: italic
Subjects: herakles
Fragment of Bowl
Object type: fragment
Date: 701 – 1200
Materials: earthenware
Techniques: carving, glazing
Location: iran

This object was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Fragment of a Band
Object type: band fragment
Date: 401 – 500
Materials: linen, wool
Techniques: embroidery, weave
Location: egypt
Ambonese vrouwen
Object type: photograph
Date: 1951 – 1955
Materials: photographic support
Techniques: photography
Location: netherlands
Artist: e. de vries (fotograaf)
Artist role: fotograaf
Subjects: netherlands

Groep Ambonese vrouwen staat rond een ronde wasbak met in het midden een aantal kranen. Zij krijgen van een Nederlandse vrouw aanwijzingen
Textile panel
Object type: textile panel
Date: 1650 – 1699
Materials: linen, silk
Subjects: flowers,leaves
Venus and Cupid
Object type: print
Date: 1766 – 1766
Materials: ink
Techniques: aquatint
Artist: jean claude richard, abbé de saint-non
Artist role: artist
Artist nationality: french
Artist dates: 1727 – 1791
Subjects: cupid,venus
Madras, India, Engelse Oostindische Compagnie (EIC), 2 fanams, (1808)
Object type: coin
Date: 1808 – 1808
Materials: silver
Techniques: striking
Location: chennai

Zilveren munt. Voorzijde: binnen cirkel, gevormd door ceintuur met gesp, waarde-aanduiding in het Engels: double fanam, op een regel waarde-aanduiding in Arabische lettertekens. Keerzijde: binnen cirkel, gevormd door lint, waarop waarde-aanduiding in het Tamil, in twee regels waarde-aanduiding in het Telugu. Bovenaan, tussen uiteinden van het lint, een ster. Kabelrand.
Boy and Monkey Playing
Object type: print
Date: 1770 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: boys,playing,monkeys
Portret van Gerard baron van Swieten
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: vienna
Inscriptions: collector's mark: Lugt 2228

Portret van Gerard baron van Swieten, medicus en hoogleraar te Leiden en Wenen.
Gezicht op de Sint-Bavokerk, vanuit het zuidoosten
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: church (exterior), public funeral
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Ampzing, Samuel. Beschryvinge ende lof der stad Haerlem in Holland […]. Haarlem: Adriaen Roman (I), 1628.
Terugkeer uit de Babylonische ballingschap
Object type: book illustration
Date: 1706 – 1706
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: return from the babylonian captivity
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Schabaalje, Jean Philipsz. De vermeerderde lust-hof des gemoeds. Amsterdam: Jan Rieuwertsz. (II) en Barent Visscher, 1706, p. 277.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, silver alloy, gold, iron, silver
Culture: japanese
Location: japan
Subjects: men
Zittende schaapherder
Object type: print
Date: 1885 – 1886
Materials: paper
Techniques: etching
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: meadow, pasture, shepherd's crook

Schaapherder en profil naar rechts in een weiland.
Decanter with scene of children harvesting grapes (Autumn) (one of a pair)
Object type: decanter with stopper
Date: 1870 – 1880
Materials: glass
Techniques: engraving
Subjects: grapes,putti
Bantama
Object type: print
Date: 1921 – 1921
Techniques: lithograph
Location: potsdam

The third Bauhaus portfolio is devoted to German artists. Der Sturm –the magazine founded by Herwarth Walden, who had an eponymous gallery –was a source for Feininger’s choice of artists. Rudolf Bauer made illustrations for this magazine and taught at Walden’s art academy. The lines and the hatchings in the lithograph Bantama make an explosive impression.
Harris C. Hartwell
Object type: page
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Fotoreproductie van (vermoedelijk) een schilderij met een tafereel bij een put
Object type: photograph
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: well

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Fotoreproductie van het fresco Jupiter en Amor in de Loggia di Psiche, Villa Farnesina te Rome
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: picture, painting, rome
Inscriptions: number: ‘3328.’, collector's mark: ‘VOSMAER’
Ontvangstbewijs aan Johan Hendrik Weissenbruch
Object type: ontvangstbewijs, kwitantie
Date: 1834 – 1834
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: hendrikus van de sande bakhuyzen
Artist role: draughtsman, painter, print maker
Artist dates: 1795 – 1860
Subjects: painter, johan hendrik weissenbruch, workshop, studio of the artist (in general), money, the hague
Inscriptions: collector's mark: Lugt 2233
Back of a Woman (from McGuire Scrapbook)
Object type: drawing
Date: 1857 – 1857
Materials: graphite, paper
Culture: american
Artist: shepard alonzo mount
Artist role: artist
Artist nationality: american
Artist dates: 1804 – 1868
Subjects: women

The simple and sensuous drawing has been linked to the figure of a lightly clad female bather included almost furtively in a corner of the artist’s painting “Landscape and Figures” (1857; Museums at Stony Brook, New York), one of the artist’s small, idyllic interpretations of Long Island scenery. However, both the scale and the pose of the figure relate it more plausibly to the artist’s stock-in-trade: portraits of young women, many of whom Mount represented in the low-cut gowns fashionable in the early Victorian period.
Gezelschap rond een tafel
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous

Interieur met een gezelschap van zeven personen rond een tafel. Onderdeel van een groep van 5 foto's en 19 stereofoto's gemaakt door een onbekende amateurfotograaf rond 1900 in Amsterdam, de Ardennen en Denemarken.
Tekstblad met een lofdicht op Jan Cornets de Groot
Object type: print
Date: 1750 – 1800
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2228

Recto en verso een tekstblad met een lofdicht op de bestuurder Jan Cornets de Groot (18de eeuw).
Santo Stefano Rotondo te Rome
Object type: drawing
Date: 1689 – 1689
Materials: ink, paper
Techniques: pen
Artist: monogrammist pl (tekenaar)
Artist role: draughtsman
Subjects: church (exterior), rome
Inscriptions: : ‘Veue de l'Eglise saint Estienne de Rome’
Tenjin Traveling to China
Object type: hanging scroll
Date: 1787 – 1788
Materials: ink, paper
Culture: japanese
Artist: nagasawa rosetsu 長澤蘆雪
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1799

This painting depicts the statesman-poet-scholar Sugawara Michizane (845–903) as Tenjin, the deified being he became following his unjust death in exile, and the calamities his angry spirit inflicted upon the imperial court in Kyoto. After his deification, Michizane was revered as a god of agriculture and patron of the falsely accused. One guise in which he is often represented is that of “Totō Tenjin,” or Tenjin on his way to China to visit a Zen Buddhist master. Rosetsu’s vision of Totō Tenjin reflects the artist’s early style, when he was strongly influenced by the deliberate, naturalistic mode of his master, Maruyama Ōkyo (1733–1795), founder of the Maruyama school.
Zittende naakte jongen
Object type: drawing
Date: 1874 – 1925
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Dress
Object type: dress
Date: 1899 – 1899
Materials: silk
Culture: french
Artist: doeuillet
Artist role: design house
Christus zegent de kinderen
Object type: drawing
Date: 1776 – 1781
Materials: chalk, paper
Artist: benjamin west
Artist role: draughtsman
Artist dates: 1738 – 1820
Subjects: christ blessing children brought by their mothers, usually with some disciples disapprovingly looking on (matthew 19:13-15; mark 10:13-16; luke 18:15-17)

Voorstudie voor het schilderij in de Royal Academy of Arts te Londen.
Case (Inrō) with Design of Tortoises Swimming
Object type: inrō
Date: 1701 – 1900
Materials: gold, lacquer
Techniques: fundame, roiro
Culture: japanese
Subjects: turtles
The Castle Above the Meadows, plate 8 from Liber Studiorum
Object type: print
Materials: ivory, paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Deer amid Pine Trees
Object type: hanging scroll
Date: 1801 – 1900
Materials: ink, silk
Culture: korean
Artist: unidentified artist
Artist role: artist
Subjects: deer,trees

Depicting idyllic landscapes, the two scrolls displayed here celebrate auspicious imagery, especially deer and pine trees. Originally they were probably part of a set featuring the ten symbols of longevity. The blue and green landscape setting also carries a favorable meaning: it evokes an archaic style associated with a golden age in China to which later artistic traditions throughout East Asia often alluded. The pictorial theme of the ten symbols of longevity was especially fashionable in Korea during the Joseon dynasty, and most extant works date to the nineteenth century. Painted or embroidered folding screens on the subject were initially produced for the royal court to display at palace events. The appealing motifs also filtered into folk paintings.
Two figures in a scene of childbirth
Object type: statuette of a votary offering a child
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: women

Both figures are handmade and solid. The face of the larger figure was made in a worn mold, and is flat and rough. One female figure holds another, supporting her in childbirth.
Kop van een stier
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching
Location: netherlands
Subjects: calf
Inscriptions: collector's mark: Lugt 2228
Portret van Lebrecht Friedrich Benjamin Lentin
Object type: print
Date: 1795 – 1804
Materials: paper
Techniques: etching
Location: berlin
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228

Met tekst in het Duits onder het portret.
Gezicht van een vrouw
Object type: sketchbook leaf
Date: 1890 – 1920
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: face (+ female (human being) (not to be used where -aa- is prescribed))

Blad 3 verso uit schetsboek X met 43 bladen.
Court shoes
Object type: court shoe
Date: 1780 – 1800
Materials: hair, leather, linen, metal, silk
Culture: french

Early men's shoes in good condition are scarce, and this pair of court shoes presents several interesting features. The red heel was an aristocratic conceit stemming from the 17th century, and worn throughout the next century. By the end of the 18th century, ornate jeweled buckles were no longer fashionable for street wear, but were still worn at court. Shoes which laced closed with a tie thus replaced latchet shoes, in which a buckled strap provided the fastening. These shoes have been altered to make them suitable for court wear: they are constructed with a tie closure, but the retardataire strap has been added to accommodate the buckle.
Meubilair
Object type: furniture
Date: 1800 – 1900
Materials: wood
Location: northern netherlands
Artist: Anonymous

Rond voetstuk van hout voor een porseleinen vaas, rustend op drie leeuweklauwen, waartussen dubbele festoenen met een schelp in het midden. De geprofileerde bovenrand is versierd met een bladmotief.
Gezicht op de Saint Mary's Church in Prestbury
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: prestbury
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: number: ‘232.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, part of right forearm and hand of figure over an altar; part of an inscription, [KLEOME]LOS KALOS
Annotaties
Object type: sketchbook leaf
Date: 1892 – 1892
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘11 Augs. 92/ Gezien./ [...]/ N. Ziekenhuis/ en dan de v. Lennepstraat bij avond/ en het heiwerk v.d. nieuwe brug’

Pagina 7 uit een schetsboek met 20 bladen.
Engel met opgeheven doek
Object type: print
Date: 1608 – 1688
Materials: paper
Techniques: engraving
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: angels
Inscriptions: collector's mark: Lugt 240
Cover for 'El Brindador Popular', a man raising a toast to a group of people seated around a table
Object type: print
Date: 1880 – 1910
Materials: ink, metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,drinking,tables
Head of Akhenaten with back pillar inscribed with Aten names
Object type: head of akhenaten, back pillar, aten name
Date: 1353 – 1336
Materials: limestone
Location: egypt
Subjects: hieroglyphs
Moeder met twee kinderen
Object type: sculpture
Date: 1881 – 1881
Materials: clay
Artist: eugène lacomblé
Artist role: draughtsman, painter, sculptor
Artist dates: 1828 – 1905
Ewer
Object type: ewer
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: grapes,leaves

Named in reference to the ancient marble quarry on the Greek island of Parros, parian has higher proportion of feldspar than conventional porcelain, resulting in a vitrified biscuit body that resembles white statuary marble. Stylish and affordable, parian statuary and hollowware were extremely popular household ornaments in the mid-nineteenth century. This vessel was likely made by the United States Pottery Company, which exhibited parian to great acclaim at the 1853 Crystal Palace Exhibition in New York.
Portret van Fernando Joaquín Fajardo-Zúñiga-Requesés
Object type: print
Date: 1675 – 1679
Materials: paper
Techniques: engraving
Location: rome
Artist: albertus clouwet
Artist role: print maker
Artist dates: 1636 – 1679
Subjects: zaragoza, madrid, hertog, fernando joaquín fajardo-zúñiga-requesés y álvarez
Inscriptions: collector's mark: Lugt 2228

Portret in ovale lijst van Fernando Joaquín Fajardo-Zúñiga-Requesés y Álvarez de Toledo, markies van Los Vélez en Molina en vanaf 1675 onderkoning van Napels (waarschijnlijk ook de aanleiding tot het maken van deze prent). Buste naar rechts. Boven het portret verschillende banderollen met Latijnse teksten. Onderaan de prent zijn wapenschild en een Latijns onderschrift.
Les terres du ciel
Object type: book
Date: 1884 – 1884
Materials: cardboard, linen, paper
Techniques: photograph, engraving, lithograph, printing, marbled paper, marbling
Location: paris
Artist: camille flammarion
Artist role: astronoom, schrijver
Artist dates: 1842 – 1925
Ruiter
Object type: lithographic stone
Date: 1970 – 1990
Materials: stone
Techniques: lithograph
Artist: Anonymous
Portret van een jonge man met pijp
Object type: sketchbook leaf
Date: 1803 – 1840
Materials: chalk, paper
Artist: s. altmann
Artist role: painter, print maker
Artist dates: 1822 – 1890
Subjects: pipe ~ tobacco, anonymous historical person portrayed

Blad 15 verso uit een schetsboek met 24 bladen.
Bottle in the shape of a double gourd
Object type: bottle
Date: 1801 – 1900
Materials: gemstone
Culture: chinese
Subjects: gourds

The double gourd holds considerable appeal among the Chinese. In addition to its peculiar shape, it is associated with the fantasy world: immortals and legendary figures are believed to use double gourds to carry medicines with magic power. Numerous baby gourds hanging from a single vine, as shown on this bottle, allude to multiple offspring and a continuation of the family line.