deem-data/ArtiFact huggingface dataset:
Mary, Queen of Scots
Object type: print
Date: 1851 – 1900
Techniques: photogravure
Artist: françois clouet
Artist role: artist
Artist nationality: french
Artist dates: 1536 – 1572
Subjects: portraits,women,mary queen of scots

After a painting by François Clouet in the Royal Collection (RCIN 403429). This photogravure of a wood engraving appeared in Laurence Hutton, "The Portraits of Mary, Queen of Scots" in The Century, vol. 37 (1889), p. 618 (with the portrait titled "Janet's La Reine Blanche").
Vismarkt in de haven van Bergen, Noorwegen
Object type: stereograph
Date: 1898 – 1935
Materials: paper
Techniques: gelatin silver print
Location: bergen
Subjects: fishes, market, selling
Inscriptions: number: ‘5.4.’
Tile
Object type: tile
Date: 1640 – 1660
Materials: earthenware
Techniques: glazing
Subjects: birds
Antieke vazen
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: rome
Subjects: bucranium ~ ornament, vase ~ ornament, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

De 'Vasi'-reeks telt 110 prenten, verspreid over twee volumes met elk een eigen titelprent. Piranesi werd voor deze reeks geholpen door verschillende assistenten uit zijn werkplaats, waaronder zijn zoon Francesco die ook nog eens 8 platen toevoegde aan de reeks in 1779-1780.
Kolentrein in het bos achter The Art Building op de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: jan schüller
Artist role: draughtsman, painter, print maker
Artist dates: 1871 – 1915
Subjects: world fair, world exhibition
Inscriptions: annotation: ‘Spoorbrug met kolentrein // in ’t Bosch achter Art Building’

Kolentrein in het bos achter The Art Building op de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904.
Liège. Palais de Justice
Object type: photomechanical print
Date: 1909 – 1913
Materials: cardboard
Techniques: autotype
Location: antwerp
Subjects: court building, square, place, circus, etc. (+ city(-scape) with figures, staffage), liège
Shawl
Object type: costume and accessory
Date: 1850 – 1850
Materials: silk, wool
Techniques: compound weave, printing
Location: france
Subjects: fashion
Design for Landau, No. 3296
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, key; Exterior, right calf of figure, spear or javelin?
Teapot with panel decoration with flowering plants, figures and silver mounts
Object type: teapot
Date: 1610 – 1630
Materials: cobalt, glaze, paint, porcelain, silver
Techniques: firing, turning, vitrification
Location: amsterdam
Artist: Anonymous

Ketel met een s-vormige tuit en een klokvormige deksel; het oorspronkelijke staande handvat is vervangen door een zilveren montuur, vervaardigd door Arnoldi & Wielick, Amsterdam 1850. Gedecoreerd in onderglazuur blauw met in reliëf aangegeven velden. De velden zijn afwisselend gevuld met een dame op een terras en bloeiende planten.
Portret van Guy-Jean-Baptiste Target
Object type: print
Date: 1792 – 1808
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: politician
Inscriptions: collector's mark: Lugt 2228
Honden met reclameteksten voor verkiezingen op het Koningsplein te Amsterdam
Object type: album leaf
Date: 1930 – 1940
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: advertising, street, dog
Inscriptions: annotation: ‘verkiezings/ reclame/ Koningsplein/ A'dam’
Rocking Melodeon
Object type: rocking melodeon
Date: 1847 – 1847
Materials: textile, leather, metal, wood

The "rocking" melodeon or organ received this moniker because it had to be pumped up and down (the keyboard therefore rocking) in order to pump the bellows to sound the reeds. The instrument was typically set on a table to play. Instead of keys, this instrument has two rows of buttons. These buttons are in an arrangement like a traditional keyboard, with a row of naturals and a second row of accidentals arranged in alternating groups of two'ss and three's.
Rustic retreat among fishermen
Object type: hanging scroll
Date: 1401 – 1500
Materials: ink, silk
Culture: chinese
Artist: zhou wenjing
Artist role: artist
Artist dates: 1430 – 1463
Subjects: fishing,rivers,boats

Zhou Wenjing served as a court painter in the Beijing imperial palace. His artistic abilities became known when he was summoned to court as a soothsayer and won first prize in a painting competition sponsored by the Xuande emperor (r. 1426–35). Zhou was still active as a court painter in 1463. This small hanging scroll elucidates Ming accounts describing how Zhou Wenjing followed the styles of both the Southern Song Academy master Xia Gui (act. ca. 1190–1225) and the Yuan scholar-painter Wu Zhen (1280–1354). The painting's large proportion of empty space, the intimate focus, and the use of mineral colors on silk recall the highly selective "one-corner" landscapes of the Song Academy. Zhou's intentionally naive rendering of figures and calligraphic treatment of foreground grasses and foliage patterning, however, are derived from scholar paintings of the late Yuan. This painting probably decorated a small panel or screen in the living quarters of the palace.
Gezicht op buitenplaats Buitenrust en gezicht op de tuinen van buitenplaats Buitenrust
Object type: book illustration
Date: 1725 – 1768
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden, country-house, amsterdam
Inscriptions: check stamp: ‘Archief Ministerie van Oorlog Afdeeling Genie’

Prent gebruikt in: Niedek, Mattaeus Brouërius. Het verheerlykt Watergraafs- of Diemermeer by de stadt Amsterdam (...). Amsterdam: Andries en Hendrik de Leth, 1725. Of in: Niedek, Mattaeus Brouërius. Het verheerlykt Watergraafs- of Diemermeer by de stadt Amsterdam (...). Amsterdam: Pieter Jan Entrop, 1768.
Design for an Urn
Object type: drawing
Date: 1770 – 1790
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: men,satyrs,horses,urns
Head of an old man facing right, from "Large Oriental Heads"
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664
Subjects: men,portraits
Mislukte aanslag op het leven van Willem III en executie van Barthold Granval
Object type: history medal
Date: 1692 – 1692
Materials: bronze
Techniques: casting
Location: nijmegen
Artist: jan boskam
Artist dates: 1687 – 1708
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)

Bronzen penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: monument met opschrift waarop beul een misdadiger martelt, aan weerszijden lichaamsdelen aan spiezen boven opschrift; afsnede: datum
Francis Parkman
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: southworth and hawes
Artist role: photography studio
Artist nationality: american
Artist dates: 1843 – 1863
Subjects: men,portraits
Basin with Spout
Object type: metalwork
Date: 1750 – 1750
Materials: pewter
Location: england
Francesco I d'Este Takes Particular Care to Ensure that Justice is Observed, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Object type: print
Date: 1659 – 1659
Techniques: etching
Location: italy
Artist: bartolomeo fenice (fénis)
Artist role: artist
Artist nationality: italian
Subjects: men

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.
Miss Wilson, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses
[Photo Collage: Man with Prosthetic Leg]
Object type: carte de visite
Date: 1875 – 1875
Techniques: albumen silver print, lithograph
Artist: juan pedro chabalgoity
Artist role: artist
Artist nationality: uruguayan
Artist dates: 1848 – 1909

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
Wherry leaving Coldham Hall
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: photograph
Location: surlingham
Artist: john payne jennings
Artist role: fotograaf
Artist dates: 1843 – 1926
Subjects: sailing-ship, sailing-boat, river
Cup decorated with horned animals
Object type: cup
Date: 4000 – 3600
Materials: ceramic, paint
Location: central iran
Subjects: animals
Vue prise au Village d'Abou-hor (Tropique du Cancer)
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,ruins,villages

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Shabti of Nebhor
Object type: shabti, nebhor
Date: 1070 – 712
Materials: faience
Location: egypt
Portret van H. Laatsman
Object type: carte de visite
Date: 1862 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: haarlem
Subjects: historical persons
Inscriptions: address: ‘Chs. Binger & Cie./ Zijlstraat/ HAARLEM.’
De Sumida rivier in sneeuw
Object type: print
Date: 1831 – 1835
Materials: paper
Techniques: woodcut, nishiki e
Location: tokyo
Artist: katsushika hokusai
Artist role: draughtsman, print maker
Artist dates: 1760 – 1849
Subjects: river, snow, temple, shrine ~ non-christian religions
Inscriptions: collector's mark: Lugt 2972a

Rivierlandschap met besneeuwde oever; op de voorgrond een vissersboot en een heiligdom onder een pijnboom.
Tegel
Object type: tile
Date: 1700 – 1850
Materials: earthenware
Location: maghreb
Artist: Anonymous

Tegel beschilderd met een bloemrank diagonaal geplaatst.
Cream Pot with Lid
Object type: ceramic
Date: 1786 – 1786
Materials: enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: frankenthal
Artist: frankenthal porcelain factory
Artist nationality: german
Artist dates: 1755 –
Garrulus, Gey (The Jay), from "Livre d'Oyseaux" (Book of Birds)
Object type: print
Date: 1655 – 1660
Techniques: etching
Location: france
Artist: albert flamen
Artist role: artist
Artist nationality: flemish
Artist dates: 1615 – 1688
Subjects: birds
The adventures of a sailor boy : being tales of the sea and exploits of the British navy
Object type: book
Date: 1862 – 1862
Materials: cardboard, leather, paper
Techniques: albumen print, chromolithography, printing
Location: london
Somige Eenvoldige Vruchten en Spitsen: titelblad
Object type: titelprent, frontispice
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: scrollwork, strapwork ~ ornament, water-birds: swan, ornament ~ cartouche

Cartouche van rolwerk met twee zwanen bovenaan. Ovaal schild in het midden waarop de tekst van de titel. Kopie van serie met dezelfde titel, uitgegeven door Michiel le Blon. Titelblad uit serie van 14 bladen met voorbeelden voor gegraveerde decoratieranden van bekers in de vorm van driehoeken bestaande uit ranken, Schweifwerk, guirlandes met putti, dieren, vogels en maskers.
Modèles de voitures Louis XV
Object type: ornament print
Date: 1740 – 1758
Materials: paper
Techniques: engraving
Location: paris
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: collector's mark: Lugt 2228

Calèche met afdak. Een calèche is een open rijtuig met halve, inklapbare bank.
Standing Sheep and Two Lambs
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan van der meer (ii)
Artist role: draughtsman, print maker
Artist nationality: dutch
Artist dates: 1656 – 1705
Montecassino. Morte di S. Benedetto. Affresco nella Cappella del Crocifisso (Scuola Beur.)
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1910
Materials: cardboard
Techniques: photograph
Location: terni
Artist: Anonymous
Subjects: interior of church, picture, painting
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1601 – 1700
Materials: iron, silver
Culture: japanese
Location: japan
Subjects: men,boats
Omslagontwerp voor: Paul Fierens, L'art hollandais contemporain, 1933
Object type: boekomslag ontwerp
Date: 1931 – 1933
Materials: chalk, paint, paper
Techniques: brush
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: face (+ sideview, profile), the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure

Ontwerp voor omslag van: Fierens, Paul. L'art hollandais contemporain. Parijs: Le Triangle, [1933].
The Pinnacle of the Right Portal; and a Trumpeter and Standard from the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18
Object type: print
Date: 1515 – 1515
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

The Order of the Golden Fleece and the standard with a griffon are by Albrecht Dürer; the remainder of the pinnacle and the trumpeter are by Hans Springinklee
Exterieur van de rechtbank te Hoorn
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: hoorn
Artist: Anonymous
Subjects: court building, façade (of house or building)
Inscriptions: collector's mark: Lugt 3937, inscription: ‘Laatste tijdperk. (pilasters tot op den grond)’, inscription: ‘HOLLANDE Hoorn. Tribunal’
Portret van een jonge vrouw
Object type: photograph
Date: 1890 – 1918
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: edam
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘Photographische/ Ateliers/ J. Siewers & Zoon/ Edam/ Hilversum./ Specialiteit in vergrootingen.’
Colonnade at the Qutb complex in Delhi, India
Object type: album leaf
Date: 1862 – 1863
Materials: paper
Techniques: albumen print
Location: delhi
Subjects: colonnade, ruin of a building ~ architecture
Inscriptions: title: ‘Ruins Old Delhi’

Onderdeel van Reisalbum met opnames van bezienswaardigheden in India, Duitsland, Zwitserland en Frankrijk.
Madonna and Child
Object type: painting
Date: 1370 – 1379
Materials: gold leaf, paint, wood
Artist: paolo di giovanni fei
Artist role: artist
Artist nationality: italian
Artist dates: 1369 – 1411
Subjects: madonna and child,nursing
Reproductie van een tekening van de mislukte Aanval op Lochem
Object type: reproduction
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: (military) attack, hay-wagon, city-gate
Inscriptions: inscription: ‘No. 10./ Mislukte aanval op Lochem.’

Deze prent maakt deel uit van een album.
Vase with "Old Bogey" pattern
Object type: vase
Date: 1867 – 1867
Materials: bone china
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904

This vase shows Christopher Dresser’s prolific work on behalf of Minton, the largest industrial manufacturer of ceramics in Victorian England. This design was shown at the 1867 Exposition Universelle in Paris. In his 1873 publication, The Principles of Decorative Design, Dresser described the strange horned and winged creature on this vase as "Old Bogey," which may allude to the fascination with the Occult that swept through Victorian England at the time. Indeed, "Old Bogey" was used as a term to refer to Satan, and could be found in the illustration of Eliphas Lévi’s book, Dogme et Rituel de la Haute Magie (1855).
Visvangst op het strand
Object type: print
Date: 1648 – 1670
Materials: paper
Techniques: etching
Location: paris
Subjects: fishes
Inscriptions: collector's mark: Lugt 2749, number: ‘6854/5’, number: ‘480’, number: ‘6’, number: ‘53/5’

Verschillende vissen op een hoop. Op de achtergrond twee personen op het strand en boten op een woelige zee.
Gordijn van groen-blauwe zijde aan roede
Object type: miniature
Date: 1750 – 1750
Materials: copper, silk
Location: france
Artist: Anonymous
George III, Queen Charlotte, the Prince of Wales and others in a Picture Gallery near Windsor Castle
Object type: print
Techniques: etching, printing
Location: england
Artist: johann heinrich ramberg
Artist role: artist
Artist nationality: german
Artist dates: 1763 – 1840

Portraits of George III, Queen Charlotte and their children adorn this delicately colored fan leaf that celebrates royal patronage of the arts. The group stands in a picture gallery near Windsor Castle (the latter is seen through the open door at right). Lit from above by a skylight, the room is closely hung with works by Canaletto and Benjamin West that are part of the royal collection. The printing was executed à la poupée, a method in which colors are carefully dabbed onto the plate with small rags. Mounted as a fan, it would have signaled the user's royalist loyalties.
Amulet of a Cobra
Object type: costume and accessory
Materials: ceramic, faience
Culture: egyptian
Location: egypt
Purse
Object type: purse
Date: 1801 – 1900
Materials: silk
Culture: chinese
Fauchard
Object type: fauchard
Date: 1501 – 1600
Materials: steel, textile, wood
Culture: italian
Location: italy
Subjects: coat of arms
Medaillons met de verovering van de citadel van Antwerpen in 1577
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, torment; 'tribulatione' (ripa), fidelity; 'fedeltà' (ripa), triumph of venus; 'carro di venere' (ripa), piety, 'pietas', 'timor dei' ~ the three theological virtues
Inscriptions: date

Het verbond tussen Liedekercke, Roeck en Bourse, om de Citadel van Antwerpen te veroveren, 1 augustus 1577. Interieur waarin de drie mannen een eed afleggen. Links Trouw (Fiducia) en Liefde (Charitas), in de wolken de triomfwagen van Venus. Voorstelling in een rond medaillon met ornamentele allegorische omlijsting met bovenaan de zittende vrouwelijke personificaties van Kwelling (Tribulatio) en Vroomheid (Pietas). Onderaan een cartouche met 2 verzen van elk 6 regels in het Frans en Nederlands.
Twee figuren bij een brandend altaar
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, house-altar ~ roman religion

Ornamentprent met centraal twee figuren bij een brandend altaar, met andere altaren en reliëfwerk. Onderdeel (6e. Cah. N. 4) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.