deem-data/ArtiFact huggingface dataset:
Saint Margaret
Object type: statue
Date: 1470 – 1480
Materials: gesso, metal, paint, wood
Culture: austrian
Location: trentino-alto adige
Artist: michael pacher
Artist role: artist
Artist nationality: austrian or german
Artist dates: 1430 – 1498
Subjects: women,dragons,saints

According to legend, St. Margaret was imprisoned for refusing to marry the governor of Antioch. Satan appeared to her in the form of a dragon and swallowed her as she clutched a cross in prayer; she then ripped open his belly with the cross and emerged unscathed. The statue may have held a cross in one of her now-missing hands; the vanquished dragon lies at her feet. This massive figure probably came from the central shrine of a large polychromed altarpiece.
Portret van Gijsberta Johanna Bousquet
Object type: reproduction
Date: 1882 – 1970
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Amazonian Dancer, from the Dancing Women series (N186) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancers

Trade cards from the "Dancing Women" series (N186), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Latch Lock, Key, and Catch
Object type: latch lock, key, and catch
Date: 1700 – 1800
Materials: iron
Culture: american
Location: united states
Perseus
Object type: sketchbook leaf
Date: 1701 – 1701
Materials: chalk, paper
Artist: jacob toorenvliet
Artist role: draughtsman, painter, print maker
Artist dates: 1640 – 1719
Subjects: (story of) perseus

Het heft van een zwaard steekt uit de plooien van het gewaad van Perseus. Met zijn rechterhand houdt hij een stok omhoog. Blad 4 recto uit een schetsboek met 63 bladen.
Bass Clarinet in C
Object type: bass clarinet in c
Date: 1810 – 1810
Materials: brass, wood
Culture: italian
Location: italy
Artist: nicola papalini
Artist role: maker
Artist nationality: italian

Not much is known about Nicola Papalini, the inventor and maker of this serpent shaped bass clarinet. He was reportedly trained as a wood carver rather than an instrument maker. Including the present instrument there are six surviving bass clarinets by Papalini with this unique shape in museum collections in Leipzig (1558), Brussels (940), MFA Boston (17.1879), Paris (E.760) and Rome (617). Overall size: 680 Technical description: Olive wood with brass keys and wooden ferrules. Four pieces: mouthpiece, crook with non-removable barrel, one-piece body, upturned wooden bell. Cocus wood mouthpiece marked for a ligature. To make the body, two halves had been pinned together, which is a method from Cornett construction. The method of closing tone holes with finger joints comes from racket fingering. This instrument is almost identical to the specimen that is kept in Brussels (940), with the only difference that the present instrument has enlarged finger holes which makes it more difficult to play. The tone hole for the lower joint of L1 will produce throat G♯ when opened. The double tone hole for L1 will probably give E4/B 5 and F4/C6. The tone hole for the lower joint of R1 will give C♯4/G♯5 when opened. The double tone hole for R3 will produce G♯3/E♭5. L0: T; speaker. L1: T; T; T (throat A♭ ); throat A♮. L2: T. L3: T. L4: E3/B♮4; F♯3/C♯5. R0: T (B♮3/F♯5); C3. R1: T (C♯4/G♯5); T. R2: T. \\\\R3: T; T(G♯3/E♭5). R4: T. Keyhead type: flat square. Keymount type: blocks No inscriptions Playing accessories: one reed and a cord. (Heike Fricke, 2014)
Glass dish with gilding
Object type: dish
Date: 200 – 101
Materials: glass
Culture: greek

Colorless with pale yellowish tinge. Plain rounded rim; straight side tapering diagonally downward; slightly concave bottom. On interior, a band below rim, comprising two horizontal grooves, the upper narrow and the lower broader, and halfway down side a broader band comprising a fine groove, followed below by a broader groove, then a ridge, undercut below with another broad groove, and finally another narrow groove. On exterior, traces of gilding on sides and bottom. Broken and repaired, with four small areas of fill; many pinprick and a few larger bubbles; dulling, pitting, iridescence, and small patches of creamy brown weathering. Rotary grinding marks on interior and exterior. This dish finds its closest parallels among the so-called Canosa Group of Hellenistic glass tableware and, like them, it probably comes from South Italy.
Portret van Johannes Crellius
Object type: print
Date: 1643 – 1691
Materials: paper
Techniques: engraving
Artist: lambert visscher
Artist role: draughtsman, print maker
Artist dates: 1640 – 1679
Subjects: beard
Inscriptions: collector's mark: Lugt 2228

Johannes Crellius op 43-jarige leeftijd. Hij draagt een korte baard en snor en is gekleed in een toga. Op de stenen sokkel waarop het portret rust zijn naam en een lofdicht in Latijn.
Helmet
Object type: helmet
Date: 1551 – 1600
Materials: copper alloy, gold, steel
Culture: turkish
Location: ottoman empire

This example was originally fitted with a brim and a sliding nasal bar, cheek pieces, and a nape defense. A complete helmet of this type is also in the Metropolitan Museum's collection (acc. no. 36.25.126). The decoration around the rim consists of lotus blossoms and split leaf palmettes on intertwining stems. Similar foliate ornament is found on Ottoman textiles, ceramics, and metalwork of the period.
Schoeneck, 1st Base, Indianapolis, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Gezicht op de Munttoren met op de voorgrond dekschuiten op de Amstel
Object type: cabinet photograph
Date: 1877 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andreas theodorus rooswinkel
Artist role: fotograaf
Artist dates: 1838 – 1909
Subjects: freight vessel, canals, waters (in city), façade (of house or building), city-gate, prospect of city, town panorama, silhouette of city, amsterdam
Boerderij aan het water
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: haarlem
Artist: leendert overbeek
Artist role: draughtsman, painter, print maker
Artist dates: 1752 – 1815
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Fragment of a Jar
Object type: fragment
Date: 801 – 900
Materials: earthenware, glaze
Techniques: polychrome
Location: iran
Oorlogsmonument ter nagedachtenis van een slag tijdens de Tweede Boerenoorlog in Zuid-Afrika
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: south africa
Subjects: monument, statue
Inscriptions: name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’, number: ‘194’
Chapelle triptique
Object type: page
Date: 1871 – 1876
Materials: cardboard
Techniques: woodburytype
Artist: Anonymous
Subjects: sculpture (+ relief ~ sculpture)
Inscriptions: inscription: ‘Exposition d'objets d'art religieux de Lille’, inscription: ‘Appartenant à M. Aug. Ozenfant, Lille’, inscription: ‘Pl. XX.’
Mäabo-berg 17-02-05
Object type: photograph
Date: 1905 – 1905
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: jacob evert wesenhagen
Artist role: amateurfotograaf, arts
Artist dates: 1862 – 1924
Subjects: jacob evert wesenhagen, railway, tramway; rack railway, suriname
Inscriptions: inscription: ‘Mäaboberg’

Gezicht op de Maäbo Heuvel. Foto in het fotoalbum over de aanleg van de Lawaspoorweg in Suriname in de jaren 1903-1912. Onderdeel van een groep objecten afkomstig van de familie Wesenhagen in Suriname.
Bouquet
Object type: toy
Date: 1760 – 1760
Materials: soft paste porcelain
Artist: saint james's factory
Artist role: maker
Artist nationality: british
Artist dates: 1749 – 1759
Subjects: butterflies,flowers
Saucer with panels in the shape of a flowerhead filled with flower sprays
Object type: platter
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark
Chicomecoatl goddess
Object type: figure
Date: 1325 – 1521
Materials: stone
Culture: mexica, aztec
Location: mexico
Artist: mexica artist(s)
Artist role: artist
Subjects: deities

Among the many female deities worshipped by the Aztecs, those responsible for agricultural fertility held a prominent place. This sculpture depicts Chicomecoátl (seven serpents), a goddess of sustenance, especially of edible plants and corn. She is shown standing on bare feet wearing a long skirt held in place with a belt, and holding in her right hand two maize ears. Her head and most of her body are covered by a towering quadrangular headdress adorned with twisted elements across the front and rosettes at the corners. Taller than the figure itself, the headdress is known as amacalli ("paper house"); it is the most typical attribute of the corn goddess. During Aztec religious rituals, actual "paper house" headdresses were elaborate constructions made of brightly colored stiff bark paper. They were worn by corn goddess impersonators. The sculpture is carved from a narrow stone slab in a flat, angular style. The only projecting, rounded forms are the cobs and the figure's face, which peers out from the opening in the headdress as if looking through the open door of a house front. Small fertility figures, often artistically undistinguished, were mass produced during Aztec times and probably served as household idols.
Portret van Raffaellino da Reggio
Object type: print
Date: 1572 – 1700
Materials: paper
Techniques: engraving, snipping
Artist: Anonymous
Subjects: raffaellino da reggio, historical persons, portrait, self-portrait of painter
Christ Appearing to Mary Magdalene (Noli Me Tangere)
Object type: textile
Date: 1540 – 1545
Materials: silk, wool
Techniques: interlocking, weave
Location: belgium
Artist: design attributed to michiel coxcie or giovanni battista lodi da cremona
Artist dates: 1499 – 1592
Robert Macaire bij zijn stervende oom
Object type: cartoon
Date: 1837 – 1837
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Subjects: caricatures (human types), last words and last favours, nuncupate
Inscriptions: collector's mark: Lugt 2228a

Robert Macaire beweert tegen zijn oom dat hij zijn leven gebeterd heeft.
Elderly Man Dancing with a Younger Woman
Object type: drawing
Date: 1625 – 1625
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: adriaen pietersz van de venne
Artist role: draughtsman, painter, print maker
Artist dates: 1589 – 1662
Subjects: one pair dancing; man and woman dancing as a couple, farmers, farmers - aa - female farmer, farmer's wife
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: solomon supervising the work ~ temple of solomon, building-site

Koning Salomo laat de tempel in Jeruzalem bouwen. Hij staat links op de voorgrond met een scepter in zijn hand. Op de achtergrond de bouwplaats. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 1 Kon. 6:1. Deze prent maakt deel uit van een album.
Teapot
Object type: teapot
Date: 1800 – 1800
Materials: clay, enamel, glaze, gold leaf
Culture: japanese
Artist: shuhei
Artist role: artist
Artist nationality: japanese
Artist dates: 1788 – 1839
Eigendomsmerk van V.E.
Object type: bookplate
Date: 1911 – 1944
Materials: paper
Techniques: engraving
Location: debrecen
Artist: endre vadász
Artist role: painter, print maker
Artist dates: 1901 – 1944
Subjects: painter, endre vadász, sitting figure, reading, landscapes, sun as celestial body
Inscriptions: workshop stamp: ‘Vadasz Endre / Debrecen / Arany János u. 19.’
Sample
Object type: textile
Date: 1801 – 1900
Materials: silk, fiber
Techniques: jacquard, weave
Location: france
Tartare de Crimée, plate 84 from "Recueil de cent estampes représentent differentes nations du Levant"
Object type: print
Date: 1714 – 1715
Techniques: engraving, etching
Artist: jean baptiste vanmour
Artist role: artist
Artist nationality: french
Artist dates: 1671 – 1737
Subjects: bow and arrow,men
Diverse spotprenten over de Engelse bevolking
Object type: cartoon
Date: 1830 – 1838
Materials: paper
Techniques: lithograph
Location: london
Subjects: riding a horse, ass, or mule; rider, horseman, adult man, galloping horse, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie met spotprenten. Over deze serie is verder niets bekend. Het betreft voornamelijk voorstellingen over de Engelse bevolking.
Zittend vrouwelijk naakt, voorovergebogen
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: ink, paper
Techniques: pen
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: sitting figure - aa - female human figure

Blad 23 recto uit schetsboek IV met 27 bladen.
Drie ontwerpen voor zwaardscheden
Object type: ornament print
Materials: paper
Techniques: etching
Location: amsterdam
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: ornaments ~ art, foliage ~ ornament, hacking and thrusting weapons: sword (+ variant), ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Afgesneden binnen ontwerp: bovenaan hoort nog nummer 3 te staan en onderaan het monogram MB.
Toboku, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Page from a Notebook with Ritual Symbols
Object type: painting
Date: 1801 – 2000
Materials: ink, paper, watercolor
Location: mongolia
Innsbruck. Innbrücke
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1930
Materials: cardboard
Techniques: photograph
Location: innsbruck
Subjects: canals, waters (in city), bridge in city across river, canal, etc., mountains
Mannen in historisch kostuum
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, adult man, historical costume

Mogelijk kostuums voor een theaterstuk. Pagina 101 uit een schetsboek met 58 bladen.
Christus en de Samaritaanse vrouw
Object type: book illustration
Date: 1480 – 1500
Materials: paper
Techniques: woodcut
Subjects: christ and the woman of samaria: sitting at jacob's well he asks her for a drink from her jug

Eén blad van 113 uit Ludolphus de Saxonia, "Dit es dleué ons liefs heeren ihesu christi". Anonieme Nederlandse vertaling. Uitgegeven door Henrick Eckert van Homberch te Antwerpen in 1503. Botke, K. Deze 113 houtsneden, die meestal reeds in vroege Nederlandse boeken gebruikt zijn, worden toegeschreven aan de tweede Meester van Delft, de Meester van de Delbecq-Schreiber-passie en de Meester van de Virgo inter Virgines. In Conway (1884) en in "De gulden passer"(1951) zijn ook eerdere versies opgenomen. Botke, K.
Penning met een landschap waarover de zon haar stralen uitstort
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: lodewijk xiv (koning van frankrijk), ornaments ~ art, landscapes, sun as celestial body
Inscriptions: number: ‘11.’, collector's mark: Lugt 2233

Penning met de voorstelling van de zon, die schijnt over een landschap, waarop het koren groeit. Met het devies: Foecundis Ignibus Ardet. De voorstelling symboliseert de rol van Lodewijk XIV, koning van Frankrijk, als beschermer van de kunsten. Rondom banieren en wapenornamenten.
Text Leaf from a Book of Hours
Object type: drawing and watercolor
Date: 1430 – 1430
Materials: gold leaf, ink, parchment, paint
Techniques: cutting
Culture: french
Location: france
Washington, D.C.
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: cities,american civil war
Allegorie op de hebzucht
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: paris
Subjects: money-lender, usurer, fashion
Inscriptions: collector's mark: Lugt 964

Latere staat van prent verschenen in: Les Beaux-Arts. Illustration des arts et de la littérature. Deel 3. Parijs: Léon Curmer, 1844.
Rolsloop
Object type: rolsloop, rolkussenovertrek
Date: 1852 – 1872
Materials: linen
Location: northern netherlands

Rolsloop van linnen met een gesloten uiteinde met een los sluitstuk, merk HW4.
Portret van René Hérault
Object type: print
Date: 1730 – 1735
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: rouen, rené hérault
Inscriptions: collector's mark: Lugt 240

Portret van René Herault in een ovale omlijsting met tekst. Onderaan een wapenschild.
Lobed dish with flowers and birds (one from a set)
Object type: dish
Date: 1267 – 1400
Materials: silver
Techniques: chasing, gilding
Culture: chinese

Vessels such as these were used mainly for formal entertaining. It was likely to have been made in one of the cities along the lower reaches of the Yangzi River. The vessel has the same shape as contemporaneous works in porcelain and lacquer.
Vue prise de Pincia
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: parts of church exterior and annexes: dome, garden pond, prospect of city, town panorama, silhouette of city, rome
Coffeepot
Object type: coffeepot
Date: 1800 – 1800
Materials: silver
Culture: american
Location: united states
Artist: christian wiltberger
Artist role: maker
Artist nationality: american
Artist dates: 1766 – 1851
Subjects: eagles

This handsome tea and coffee service (1980.503.1--.4), although unmarked, has been attributed to the Philadelphia silversmith Christian Wiltberger on the basis of style. Stately and dignified, with its fluted forms and generous proportions, it represents the fully matured Neoclassical style. The service belonged to Eleanor Parke (Nelly) Custis (1779–1852), granddaughter of Martha Washington, who married George Washington's nephew Lawrence Lewis (1767–1839) on February 22, 1799. Family tradition holds that the service was a gift from General Lafayette and his son, who were close friends of the family. In addition to the matching bands of bright-cut ornament, each piece is engraved with the Lewis crest and with the script monogram "LEPL" for Lawrence and Eleanor Parke Lewis. In place of the customary urn or flame-shaped finial, cast eagles surmount three of the pieces, especially appropriate for America's first family.
Plate 5, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"
Object type: print
Date: 1660 – 1713
Techniques: etching
Artist: alexis loir
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1713
Subjects: birds,ornament,men,putti

Plate 5 of a series of designs for braziers, tables and other silverware works. The main design on the left side is supported by a winged child half figure holding up a garland. The other brazier design on the same side features a half figure hiding its face. On the right side, the main design features a male figure with his foot resting on a helmet. The other designs on that side feature a winged lion, upper design, and a female half figure seen in profile, lower design. Finally, there are grotesque masks on the left side.
A man bending down to look at a woman with a sign on her back, illustration for 'El Abanico (The Admirer)'
Object type: print
Date: 1880 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,women
Navolging van het edict van 1633
Object type: costume print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: making toilet, dandy, beau, head-gear: hat (+ men's clothes), clothes, costume (+ men's clothes), neck-gear: collar (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes)
Inscriptions: collector's mark: Lugt 240, caption: ‘Que ce m'est une chose estrange / De remarquer combien me change / Cet habillement reformé / Que i'ay de mal à m'en defendre / Et qu'il me fache de le prendre / Pour ne l'avoir accoustumé / Je violente ma nature / Me voyant en cette posture / Et demeure tout interdit / Mais de quoy me sert cette pleinte / Si par raison ou par contreinte / Il faut obeir à l'édit ! / Il est juste qu'on s'accommode / Au temps, au païs, à la mode / Sans chercher de preuve plus ample / Que celle qui lui dans l'exemple / De Louys le plus grand des Roys.’

In 1633 werd een edict van Lodewijk XIII afgekondigd waarin het dragen van kant aan kragen, manchetten en canons werd verboden. Dit was bedoeld als bescherming tegen de import van deze en andere kostbare stoffen. De hoveling hier, die toilet maakt voor de spiegel, is gekleed volgens de sobere regels van dit Edict. Hij staat met zijn voeten op een kanten kraag. Nu draagt hij een eenvoudig glad model. De hoge taille is versierd met strikken die geen functie meer hebben, want de broek is nu aan een broekband bevestigd, die van voren met een strik is gesloten. De lange haarlok, die eindigt in een strik, hangt op zijn linkerschouder. Deze heet 'cadenette' naar de uitvinder, de heer cadenet. Achter hem, op een stoel, liggen mantel en hoed. Onderschrift in het Frans waaruit duidelijk wordt dat de man zich niet prettig voelt in de 'reformkleding', maar gehoorzaam wil zijn aan de koning van Frankrijk.
Covered vase
Object type: covered vase
Date: 1867 – 1900
Materials: quartz
Culture: chinese
Panel
Object type: panel
Date: 1567 – 1633
Materials: cotton, metal thread, silk
Techniques: backing
Culture: chinese
Subjects: bodhisattvas
Conceptbrief aan anoniem en conceptbrief aan de heer Wierink
Object type: letter
Date: 1848 – 1927
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, family life, money
Roeiboten, soldaten en gewonden bij een oever, mogelijk landing van de watergeuzen te Den Briel
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: medical aid and nursing of the sick and wounded, capture of city (after the siege), rowing-boat, canoe, etc., windmill in landscape, brielle
Inscriptions: collector's mark: Lugt 2228
River of Omue and Bridge of Oda
Object type: print
Date: 1700 – 1700
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: bridges,horses,rivers,trees,crowd
Passie van Christus
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ's prayer in the garden of gethsemane during the night
Inscriptions: collector's mark: Lugt 2228

Christus bidt in de hof van Getsemane. Uit de hemel verschijnt een engel met een kelk. Op de voorgrond slapen Petrus, Johannes en Jacobus. Op de achtergrond leidt Judas soldaten door de poort naar binnen. In de marge een onderschrift in het Latijn dat verwijst naar de voorstelling.
Landschap met ruiters
Object type: drawing
Date: 1630 – 1663
Materials: chalk, paper
Techniques: etching
Location: amsterdam
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: riding a horse, ass, or mule; rider, horseman, low hill country

Zie RP-P-OB-61.381(R) voor rectozijde. Zie Hollstein voor een volledig overzicht van de verschillende edities.