deem-data/ArtiFact huggingface dataset:
Le Polynésien à flot
Object type: photomechanical print
Date: 1888 – 1890
Materials: paper
Techniques: photoaquatint
Location: la ciotat
Subjects: harbour, ships (in general)
Inscriptions: inscription: ‘La Ciotat’, inscription: ‘35 Boulevard des Capucines Paris’
Side Chair
Object type: side chair
Date: 1800 – 1810
Materials: wood
Culture: american
Location: united states
Weiland met twee koeien bij een sloot met eenden
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: etching
Location: netherlands
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Arrowhead
Object type: arrowhead
Date: 1401 – 1700
Materials: iron
Culture: tibetan
Location: tibet
Portret van Adriaan van Solingen
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, etching
Location: middelburg
Artist: george kockers
Artist role: goldsmith, print maker
Subjects: middelburg
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovale omlijsting naar links van Adriaan van Solingen, gynaecoloog en professor medicijnen te Middelburg. Onder het portret een drieregelig onderschrift.
Shelf for Cosmetic Boxes (Kuro-dana) with Pine, Bamboo, Cherry Blossoms, and Crests of the Matsudaira and Shimazu Families
Object type: cosmetic shelf
Date: 1801 – 1833
Materials: foil, gold, silver, wood
Techniques: hiramakie, lacquer, maki-e
Culture: japanese

This display shelf was created as one of the centerpieces of a wedding trousseau that probably included more than fifty lacquer accessories and pieces of furniture, thirty-one of which were acquired by The Met in 1910. It was commissioned to celebrate the marriage of Princess Taka (1809–1862), from the wealthy and influential Shimazu clan, and a son of the Matsudaira clan, which ruled over the Kuwana domain of Ise province (present-day Mie prefecture). The two family crests on the piece—the cross shape of the Shimazu and the stylized plum flower of the Matsudaira—symbolize the union. The shelves, decorated with an unusual combination of auspicious symbols (pine, bamboo, and cherry blossoms), held mainly cosmetic boxes, including the utensils for tooth blackening (haguro), a custom of high-ranking women after their weddings.
Impostures Innocentes, Ou Recueil D'Estampes D'Apres Divers Peintres Illustres (...)
Object type: print
Date: 1723 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: pero suckling cimon ('caritas romana')
Inscriptions: collector's mark: Lugt 2165

De prent werd na het overlijden van Picart door zijn weduwe uitgegeven in een gebundelde prentenserie: Picart, Bernard. Impostures Innocentes, Ou Recueil D'Estampes D'Apres Divers Peintres Illustres (...). Amsterdam: weduwe Bernard Picart, 1734.
Carpet
Object type: carpet
Materials: cotton, metal, silk, thread, wool
Techniques: tapestry, weave
Location: turkey

This type of prayer rug, with a stepped mihrab niche supported by columns and a lamp or flowers suspended from the center, was created in the town of Gördes. In the late seventeenth century, other weaving centers took up production of this design as well; in Ladik, where the tradition continued through the eighteenth century, they were most often completed in red, blue, yellow, and green, the borders had stemmed tulips, and columns became even more tapered. An inscription on this carpet dates it to 1774.
Fragment with a Dog, Hare, and a Bunch of Grapes
Object type: textile fragment
Date: 401 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Netsuke of Woman
Object type: netsuke
Date: 1701 – 1800
Materials: wood
Culture: japanese
Subjects: women
Saint Nicolas du Chardonnet in Parijs
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: etching
Artist: martin monnickendam
Artist role: draughtsman, painter, print maker
Artist dates: 1874 – 1943
Subjects: shop, store, church (exterior), paris
Inscriptions: collector's mark: Lugt 2228

Rechts de kerktoren. Links een gebouw met luifels en reclame op de gevel.
Terracotta bell-krater (bowl for mixing wine and water)
Object type: bell krater
Date: 440 – 440
Materials: terracotta
Culture: greek, attic
Artist: painter of london e 497
Artist role: artist
Subjects: men,women,orpheus,musicians,lyres

Obverse, Orpheus among the Thracians Reverse, libation scene Orpheus, the best known of the mythical musicians, is associated with Thrace in the northernmost part of Greece. After he had descended into the underworld to find his beloved wife, Eurydice, and had lost her, he withdrew into solitude. Feeling rebuffed, Thracian women set upon Orpheus and killed him. Here he is shown seated on a rock formation and engrossed in his music. The central figure, wearing typical Thracian dress, identifies the setting, while the woman who holds a sickle in her left hand foreshadows Orpheus's fate.
Oil Lamp
Object type: oil lamp
Date: 1301 – 1400
Materials: bronze
Culture: thai
Terracotta fragment of a mastoid (drinking cup with narrow base)
Object type: mastoid fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Head of a bearded satyr bending to right; part of the head and upper torso of a bearded satyr, with his right arm bent, looking back over his right shoulder; in the background, vines
Patch
Object type: textile
Date: 1000 – 1476
Materials: cotton, wool
Techniques: tapestry weave
Location: peru
Subjects: birds, animals, super/natural
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 66 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 3 horizontal registers. Top register is decorated with a pattern of upside-down flowers with stems that curve around them as if almost to entirely enclose them. Middle register is decorated with a pattern of quatrefoils; each contains a different 4-petaled flower. Bottom register is decorated with different shapes that frame various floral motifs.
The Burmah Medal, 1824–26
Object type: medal
Date: 1826 – 1826
Materials: bronze
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: soldiers,peacocks,elephants,lions
Mirrored cabinet
Object type: cabinet
Date: 1764 – 1764
Materials: amalgam, glass, wood, silver
Location: amsterdam
Artist: dirk froger
Artist role: silversmith
Artist dates: 1708 – 1780
Subjects: shore-birds and wading-birds: crane, ornaments ~ art
Inscriptions: town mark, date letter: ‘E’, maker's mark

The cabinetmaker wanted to give this large, heavy cabinet a Rococo shape, but did not succeed in avoiding straight angles and mouldings. Because the silver is marked with a ‘year letter’, this piece of furniture can be dated rather precisely.
Polish Dancer, from the Dancing Women series (N186) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancing,dancers

Trade cards from the "Dancing Women" series (N186), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Figuren in historisch kostuum
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, adult man, historical costume
Inscriptions: annotation: ‘Tribut’

Mogelijk kostuums voor een theaterstuk. Pagina 9 uit een schetsboek met 58 bladen.
Textielmarkt aan een rivier
Object type: album leaf
Date: 1903 – 1907
Materials: paper
Techniques: gelatin silver print
Location: kalimantan
Artist: Anonymous
Subjects: river, market, borneo

Textielmarkt bezocht door Europeanen en lokale inwoners aan de oever van een rivier op Borneo. Foto in het fotoalbum over de oliewinning op Borneo door de Koninklijke Nederlandsche Petroleum Maatschappij (KNPM) in de jaren 1903-1907.
Pascaerte van 't Vlie tot aen Boeckenes en Schuytenes
Object type: print
Date: 1675 – 1680
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: marine charts
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Paskaart van het Vlie. Linksonder de titelcartouche met bovenin het wapen van de familie Coop à Groen.
Terracotta oil lamp
Object type: lamp
Date: 201 – 300
Materials: terracotta
Culture: roman
Subjects: men,gladiators

Broneer Type 27. Unpierced handle. Mold-made. Discus: two gladiators in high relief; on left, standing, heavily-armed retiarius, facing right and holding long trident aslant, and, on right, kneeling opponent, also facing right; one filling hole at top right. Relief scroll pattern on shoulder, interrupted by a rectangular panel on either side. Undefined, flat base. Intact.
Corset
Object type: corset
Date: 1890 – 1890
Materials: bone, cotton, metal, silk
Culture: french
Artist: la réve
Artist role: manufacturer
Sint-Michaëlskerk te Zwolle
Object type: sketchbook leaf
Date: 1806 – 1864
Materials: paper, pencil
Location: zwolle
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: church (exterior)
Inscriptions: date and inscription: ‘Zwolle/ Jun. 64’

Blad 27 recto uit een schetsboek met 58 bladen.
Nieuwjaarswens van de gaslantaarnopstekers van Amsterdam voor het jaar 1848
Object type: new year card
Date: 1847 – 1848
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: gas-lamp (+ kindling a light; lit, burning light, lamp, candle), street lighting, street, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens van de Amsterdamse gaslantaarnopstekers voor het jaar 1848. Cartouche met een gezicht in een straat in Amsterdam waar enkele mannen bezig zijn de straatlantaarns aan te steken. Een andere man haalt geld op bij een huis. Links en rechts een staande vrouw met een fakkel en een olielantaarn, onderaan de Amsterdamse gasfabriek. Met gedicht in twee kolommen. Van de gaslantaarnopsteker: F. Leduc.
Bag
Object type: bag
Date: 1301 – 1600
Materials: animal fiber, cotton
Culture: peruvian
Location: peru
Polychrome velvet with a variation on a Medici emblem
Object type: fragment
Date: 1467 – 1500
Materials: metal thread, silk
Techniques: weave
Subjects: flowers

Woven and embroidered textiles commissioned by noble families were among the most expensive expressions of wealth and power during the Renaissance. The production of luxurious silks was tightly regulated in order to ensure quality, and the movements of weavers were sometimes restricted to prevent the loss of technical and artistic advantages to rival city-states such as Venice, Milan, and Genoa. This stylized floral velvet is woven with a variation on a motif found in the Medici family coat of arms: the seven balls called palle (here, in the center of the largest flower). The placement of the red velvet circles on a background of golden thread draws attention to this feature. The original use of these fragments is not known; they might have been part of a liturgical vestment or a secular fragment.
Dish (coppa)
Object type: dish
Date: 1530 – 1530
Techniques: maiolica, glazing
Artist: maestro giorgio andreoli
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1550
Subjects: madonna and child
Portret van een zittende man met bakkebaarden
Object type: carte de visite
Date: 1850 – 1869
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: hermanus philippus jacobus schuiten
Artist role: fotograaf, lijstenmaker
Artist dates: 1820 – 1869
Subjects: sideburns, sitting figure, historical persons
Inscriptions: inscription: ‘Atelier de Photographie/ H.PH.J. SCHUITEN/ AMSTERDAM’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, head, neck, and shoulder of a bearded man with a himation draped over his upper arm; Exterior, part of right foot and calf of male to left; part of shield?
Obol (Coin) Depicting the Goddess Athena
Object type: coin
Materials: metal, silver
Culture: greek
Location: taranto
Subjects: athena, mythological figures, lions, heracles

The front of this coin depicts the goddess Athena, facing right.

On the back, the mythical hero Herakles is shown strangling the Nemean lion.
Vogels
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: birds, song-birds: finch, lake (+ landscape with figures, staffage), walker and runner birds: rhea
Inscriptions: collector's mark: Lugt 2228

Een nandoe, enkele vinken en twee andere vogels in een landschap met een vijver. De prent maakt deel uit van een serie met vogels als onderwerp.
Florence
Object type: textile
Materials: cotton, dye, velvet
Techniques: printing block, cutting, printing, weave
Location: england
Artist: john henry dearle
Artist nationality: english
Artist dates: 1860 – 1932
Subjects: flowers, foliage, botanical
Inscriptions: Selvage (left): REGD MORRIS & COMPANY 449 OXFORD STREET LONDON.W

Rather than velvet, this upholstery fabric is velveteen, the distinction being that the pile for velveteen is made from supplementary wefts (horizontal fibers), rather than supplementary warps (vertical or longitudinal fibers). Velveteen, often made of cotton, has a less dense pile than velvet and usually is cheaper to produce. Printed designs on velveteen, such as this one, reflect modern efforts to imitate the luxurious sensation of velvet pile while offering consumers a more durable and less costly alternative.
De verdrijving van de verloren zoon
Object type: print
Date: 1540 – 1550
Materials: paint, paper, watercolor
Techniques: letterpress printing
Location: amsterdam
Artist: cornelis anthonisz.
Artist role: draughtsman, painter, print maker
Artist dates: 1499 – 1553
Subjects: when all his money is squandered the prodigal son is chased away by the harlots
Inscriptions: watermark: ‘kroon’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Eén van serie van zes. De zoon (Filius Prodigus) wordt door Armoede (Paupertas) verdreven, terwijl Bijgeloof (Superstitio) en Ketterij (Haeresis) hem de weg wijzen naar de Synagoge van Satan (Synagoga Sathanae). Daar knielt hij voor een man op een troon. Op de troon staat het woord Ziekte (Morbus), op de zuil Eigenwijsheid (Obstinatio). Prent uit reeks van zes houtsneden met de Geschiedenis van de verloren zoon met zesregelige Latijnse onderschriften in boekdruk. De houtsnede is handgekleurd waarbij de kostuums van de voorgestelde personen zijn aangepast / gemoderniseerd.
Kaart van het graafschap Namen
Object type: print
Date: 1666 – 1670
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions, smith, blacksmith, coat of arms (as symbol of the state, etc.) (+ province; provincial)
Inscriptions: collector's mark: Lugt 2228

Kaart van het graafschap Namen. In een balk boven de kaart de titel. Rechtsboven het wapen van Henegouwen, gedragen door twee putti bij een smederij. Rechtsonder twee putti met een schaalstok: 1 Duytsche Mijl van 15 in een Graad / 1 uur gaens.
Gold Foil on Wrist
Object type: gold foil on wrist, bracelet
Date: 1981 – 1885
Materials: gold foil
Pijpsleutel
Object type: pipe key
Date: 1400 – 1500
Materials: iron

Pijpsleutel met lange schacht en ovaal oog. De kleine baard loopt uit in drie tanden.
Portret van een onbekende man, aangeduid als Hubert
Object type: carte de visite
Date: 1892 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Hubert.’, address: ‘M. H. Laddé/ AMSTERDAM./ 57-59 Nieuwendijk.’, number: ‘6/ 84261’
Minbar van de Grote Moskee van Bursa
Object type: photograph
Date: 1894 – 1894
Materials: paper
Techniques: albumen print
Location: bursa
Subjects: temple, shrine ~ islam, mohammedanism, grand mosque of bursa
Inscriptions: number: ‘No 60’
Card Number 162, Marian Elmore, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
A Moroccan man seated on the ground
Object type: print
Date: 1860 – 1870
Techniques: etching
Artist: mariano fortuny, 1838–1874
Artist role: artist
Artist nationality: spanish
Artist dates: 1838 – 1874
Subjects: men
Na den slag bij Krügersdorp
Object type: cartoon
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: london, tortoises, turtles, personifications of countries, nations, states, districts, etc., beasts of prey, predatory animals: lion

Paul Kruger met de Nederlandse Maagd en de Nederlandse Leeuw tegenover een verslagen schildpad, de Engelse Jameson Raid voorstellende. Een leider van de Boeren, waarschijnlijk Piet Cronjë, staat met vlag en voet op de schildpad.
Giunone Regina
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: head (human), (story of) juno (hera), piece of sculpture, reproduction of a piece of sculpture
De verreeze Frederik Hendrik ouwerwets patroon der Verkeerde Barmhertigheid &c. &c. &c.
Object type: cartoon
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: the hague, frederick henry (prince of orange), merry-go-round, roundabout; chair o'plane, financial panic
Inscriptions: collector's mark: Lugt 2228

Een herrezen Frederik Hendrik verleent bij de wonderboom barmhartigheid aan de naakte en berooide actionisten door hen onder zijn mantel een schuilplaats te bieden. Dit is een verbeelding van een oud spreekwoord: zich dekken met de mantel van Frederik Hendrik, wat betekent: vrij zijn van vervolging op financieel gebied. In het midden verdrinken windhandelaren in een sloot, rechts een draaimolen. Met onderschrift in twee kolommen. Prent 60 in de serie Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Spotprent op de broederschap van het rode kruis [de Rozenkruisers]
Object type: print
Date: 1623 – 1653
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (professional) organization of artists, caricature of painting (+ meetings ~ arts), antichrist, painter working from clothed model
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Satire met het schilderen van de Antichrist, ca. 1650. Interieur van een herberg waarin een schilder het portret van de opgeroepen Antichrist of duivel schildert op het blote achterste van een voorover gebogen man met een kroon op het hoofd. De duivel staat op een rookwolk, hierbij een globe en tang. Links aan een tafel een man met een glas wijn, een luitspeler en een jonge vrouw. Achter de schilder een dwaas met een hoge hoed, grote kraag en grote neus. Daarachter staat een man met een model van een kasteel. Rechts kijkt een Hollandse matroos met bontmuts in de hand toe. In het onderschrift een vers van twee keer vijf regels. Het vers spreekt van een vergadering van het broederschap van het rode kruis [de Rozekruisers of Rozenkruisers], de kleding van twee van de personen is op de mouw versierd met een kruis. Waarschijnlijk heeft de voorstelling betrekking op de dichter Mattheus Gansneb Tengnagel.
Ōtsu-e of Thirteen Buddhist Deities
Object type: hanging scroll
Date: 1601 – 1700
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Subjects: buddhism,deities

The image of Thirteen Buddhist Deities was hung for memorials for the deceased held at fixed intervals over the days and years after death. Originally, a series of paintings depicting the deities individually was used, but this image combines them into one icon that could be employed repeatedly by less affluent families. The deities’ halos and mandorlas are woodblock printed with the same block, while a limited number of different blocks were used to give a measure of variety to the faces. The same block, for example, used for the head of the bodhisattva Jizō (Sanskrit: Kshitigarbha) was used for that of the King of Brightness, Fudō (Sanskrit: Achala) such that the latter loses his typically fierce countenance.
Franse etsen uit 1879
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: city-view in general; 'veduta'
Inscriptions: watermark, collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: ‘AFE v S’
Portrait of the Family of Dirck Jacobsz Bas (1569-1637), Burgomaster of Amsterdam, and Margriet Snoeck (1588-1645)
Object type: painting
Date: 1634 – 1635
Materials: canvas, oil
Artist: dirck van santvoort
Artist role: draughtsman, painter
Artist dates: 1610 – 1680
Subjects: amsterdam, mayor, mayor, burgomaster, historical persons - bb - woman, family group, especially parents with their child(ren), historical persons, dog
Inscriptions: inscription, on the banderoles above the coats of arms, top right: ‘5 Dirk. Bas / 6 Margriet. Snoek / 7 Agatha. Bas. / 8 Nicolas. Bas. / 9 Elisabet. Bas.’, inscription, on the banderoles above the coats of arms, top left: ‘1 Abrah. de Vischer / 2 Magtelda. Bas. / 3 de Vischer / 4 Iacob. Bas.’, coat of arms, top left (2x): three mermaids holding two mirrors, two above one, on a blue field, coat of arms, top right, second from left: canting arms of a pike on a blue field, coat of arms, top left (2x): divided vertically. 1: a silver eagle with an olive branch in its beak on a blue field. 2, divided horizontally: A, a silver stork on a blue field; B, three blue bars strewn with eleven miniature silver escutcheons, alternating with three red bars, coat of arms, top right (4x): divided vertically. 1: a silver eagle with an olive branch in its beak on a blue field. 2, divided horizontally: A, a silver stork on a blue field; B, three blue bars strewn with eleven miniature silver escutcheons, alternating with three red bars

Familieportret van het gezin van Dirck Bas Jacobsz, burgemeester van Amsterdam. In het midden zit Dirck Bas Jacobsz (1569-1637) met zijn tweede echtgenote Margriet Snoeck (1588-1645). De kinderen zijn staand ten voeten uit voorgesteld (van links naar rechts): Machteld Bas (gest. 1681) met haar man Abraham de Visscher (1605-1667) en hun zoontje met een hond, Jacob Bas Dircksz (1609-1656), Agatha Bas (1611-1658), Claes Bas (1616-1635) en Lysbeth Bas (1619-1680). Rechts- en linksboven staan de familiewapens met namen.
Fotoalbum met negentien bladen met foto's omgeven door pentekeningen
Object type: photograph album
Date: 1870 – 1890
Materials: paper
Techniques: albumen print, pen
Textile Fragment
Object type: textile fragment
Date: 301 – 400
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: horses
Onherkenbare schets
Object type: drawing
Date: 1610 – 1653
Materials: chalk, paper
Artist: simon de vlieger
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1653
Adolphe ou Le Jeune Homme Triste
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901