deem-data/ArtiFact huggingface dataset:
Cleopatra
Object type: print
Date: 1720 – 1720
Techniques: engraving
Artist: johann jakob frey the elder
Artist role: artist
Artist nationality: swiss
Artist dates: 1681 – 1752
Subjects: cleopatra,portraits
Prophète
Object type: drawing and watercolor
Date: 1885 – 1885
Materials: chalk, charcoal, paper
Techniques: drawing, scraping, stumping
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Inscriptions: Signed: "Odilon Redon"
Drie dolfijnen en een dode krokodil
Object type: print
Date: 1625 – 1629
Materials: paper
Techniques: etching, letterpress printing
Location: nancy
Subjects: crocodiles, swimming mammals: dolphin
Inscriptions: collector's mark: Lugt 240

Voorstelling van twee volwassen dolfijnen en een babydolfijn, die zwemmen in de buurt van een strand waarop een dode krokodil ligt. Boven en onder deze prent Latijnse en Franse teksten in boekdruk. Dit blad is onderdeel van de embleemserie 'Leven van Maria in emblemen'. De eerste staat van deze serie behelst naast een titelpagina en 26 emblemen ook drie bladen met lofzangen op Maria in boekdruk zonder afbeelding.
Strung Rattle
Object type: strung rattle
Date: 1867 – 1900
Materials: cord, shell
Culture: central african
Catafalque of Charles XI, King of Sweden, Riddarholm Church, Stockholm
Object type: print, fete, ornament architecture
Date: 1700 – 1700
Techniques: etching
Artist: sébastien leclerc (i)
Artist role: artist
Artist nationality: french
Artist dates: 1637 – 1714
Subjects: interiors,churches,skeletons,funerals

View of Riddarholm church decorated for the funeral of Charles XI, King of Sweden. Catafalque surmounted by the allegory of Eternity and surrounded by four pillars of light. At lower center, two winged skeletons flank a cartouche with the coat of arms of Sweden.
Quadruple Bell
Object type: quadruple bell
Date: 1867 – 1900
Materials: wood
Culture: gabonese
Location: gabon

Wooden quadruple bells with multiple clappers are unusual and not well documented. Judging from the decoration, this example was probably made in the Calabar region (Gabon, Cameroon, and the southwestern coast of Nigeria). Instruments made of sonorous materials (idiophones) comprises the largest and most widespread type in sub-Sahara Africa. Names of identical instruments change from region to region. Some instruments and the music linked to them have traveled beyond the African homeland to North and South America and the Caribbean. Idiophones are sounded by shaking (rattle, sistrums), beating together (iron clappers), or striking (xylophones, slit gongs, bells). they reinforce the rhythmic foundation of a piece, provide a melodic line, signal by imitating spoken languages, or perform rhythmic, melodic and communicative roles simultaneously.
Gold Foil incised with Standing Image of Goddess Sri
Object type: gold foil
Materials: gold
Culture: indonesian, javanese
Poort met hekwerk
Object type: print
Date: 1737 – 1806
Materials: paper
Techniques: etching
Location: augsburg
Subjects: welding (industrial process), fence, wall, paling, gate, entrance
Inscriptions: collector's mark: Lugt 2228

Een poort met smeedijzeren hekwerk met bloemmotieven.
Gezicht op de Dam te Amsterdam met rijtuigen
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, palace, church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage), royal palace of amsterdam

Gezien vanaf de Beurs van Zocher. Op de achtergrond het Koninklijk Paleis en de Nieuwe Kerk. Pagina 55 en pagina 56 uit een schetsboek met 32 bladen.
Vrouw zittend op een zeedraak in de golven met bloemen in haar hand
Object type: print
Date: 1610 – 1665
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: monsters of the sea
Inscriptions: collector's mark: Lugt 2228

Zie de grote wandkaart "T Graefschap Holland" (1639), uitgegeven door Jacob Aertsz Colom. Hierop komt deze vrouw samen met een man (zie RP-P-1944-411) voor, beiden gezeten op zeedieren. Zie tevens de rijk ingekleurde, tot atlas gebonden, tweede editie uit 1647.
Microscoopopname van cholera en een fotoreproductie van een tekening daarvan
Object type: page
Date: 1875 – 1885
Materials: paper
Techniques: photograph
Artist: émile van ermengem
Artist role: bioloog, fotograaf
Artist dates: 1851 – 1932
Subjects: diseases affecting the whole body, microscope
Inscriptions: inscription: ‘Fig. 1.- Formes diverses observées dans des préparations de cultures pures et anciennes du bacille-virgule de Koch (...) Fig. 2. - Photogramme V.-Culture pure du bacille-virgule de Koch (...)’, number: ‘Pl. XIII. Fig. 1. Fig. 2.’
Zittende vrouw op de rug gezien
Object type: costume print
Date: 1702 – 1765
Materials: paper
Techniques: etching
Subjects: dress, gown: robe volante (+ women's clothes), fashion plates, skirt (+ women's clothes)

Zittende vrouw op de rug gezien. Zij draagt een losvallende mantel of japon om de schouders. De prent maakt deel uit van een serie van vijf kostuumprenten.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, lower legs of warrior with round shield and greave; foreleg of horse
Gebouwen te Löbtau
Object type: drawing
Date: 1876 – 1951
Materials: chalk, paper
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: public road, germany
Band van de Binnenlandse Strijdkrachten
Object type: band
Date: 1945 – 1945
Materials: textile
Location: netherlands
Artist: Anonymous
Inscriptions: : ‘ORANJE’

Blauwe band van de Binnenlandse Strijdkrachten met aan weerszijden twee witte linten om de band om de bovenarm te kunnen strikken. Over de band loopt in de gehele breedte een oranje streep met aan weerszijden een witte rand. In het oranje deel staat met zwarte inkt 'ORANJE' geschreven, darnaast staat in een staande rechthoek een zwarte klimmende leeuw.
Gezicht op Delagoa Bay in Mozambique
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: maputo
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Torenspits tussen de bomen
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: spire (of tower on house or building)

Blad 20 recto uit een schetsboek met 76 bladen.
Triumfen in de vlucht / Kastelen in de Lucht
Object type: cartoon
Date: 1706 – 1706
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Subjects: paris, political caricatures and satires

Spotprent op het verlies van Menen en de komst van de hertog van Vendôme vanuit Italië naar Brabant, 1706. Carremans, de bevelhebber te Menen, staande op een toren beklaagt de overgave van de stad op 22 augustus 1706. Vendôme in een strijdwagen getrokken door Franse hanen. Met verzen in het Nederlands in de plaat en lange verzen in het Nederlands en Frans op het blad gedrukt aan weerszijden van de plaat. Onderdeel van een reeks van 19 spotprenten op de Fransen en bondgenoten uit het jaar 1706.
Graftombe in een vijver
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: etching
Location: rome
Artist: abraham genoels
Artist role: draughtsman, print maker
Artist dates: 1640 – 1723
Subjects: well, grave, tomb, pastorals, arcadian scenes, pond, pool (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Een arcadisch landschap met een vijver. In de vijver staat op vier pilaren een graftombe. Op de achtergrond een waterbron met reizigers.
Saint Andrew
Object type: relief and pilaster
Date: 1491 – 1491
Materials: marble
Artist: andrea bregno
Artist role: artist
Artist nationality: italian
Artist dates: 1418 – 1503
Subjects: men,saints

Preserved with the relief are the separately carved pilasters that accompanied it on an altar that stood in the old basilica of Saint Peter's, Rome. The altar, with figures of the apostles Paul (left), Peter (center), and Andrew (right), was erected in 1491 at the expense of a French prelate Guillaume du Perrier and was dismantled in 1606 when the basilica was enlarged.
A standing hurdy-gurdy player
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: barrel-organ player
Inscriptions: collector's mark: Lugt 240

Initially, Rembrandt was fascinated above all by pathetic wretches compelled to beg for alms. Later, he also developed an interest in other colourful city folk, which he usually depicted in the same minuscule format. In these six etchings, he portrayed a quack in outmoded clothing, two Polish soldiers, two street musicians (an organ grinder and a fiddler) and a skater.
Munchener platen
Object type: popular print
Date: 1820 – 1843
Materials: paper
Techniques: letterpress printing, engraving
Location: geldern
Subjects: birds
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van vogels, waaronder een koekoek, een puttertje, een kemphaan, een ijsvogel, een kwikstaartje en een kruisbek. Onder de afbeeldingen een onderschrift. Genummerd midden onder: Nro. 92. Genummerd rechtsboven: 92.
Ronde broche van hout met bloemdecoratie
Object type: brooch
Date: 1945 – 1945
Materials: metal, wood
Techniques: painted
Location: netherlands
Artist: Anonymous
Inscriptions: : ‘Dicky D. 4-10-'45’

Ronde convexe broche van hout met veelkleurig geschilderde bloemdecoratie op grijze grond, voorzien van een haaksluiting.
Venus als tussenpersoon voor Aeneas bij de goden
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: (story of) jupiter (zeus), gods of the waters: neptune and his environment, personification of the night, 'nox'; 'notte', 'carro della notte', 'serenità della notte' (ripa), the story of aeneas' wanderings to italy (virgil, aeneid), (story of) cupid, amor (eros), (story of) venus (aphrodite), father time, man with wings and scythe
Inscriptions: date

Serie prenten naar schilderijen van Coypel met als thema de Aeneas van Virgilius, in de Galerie van het Palais Royal.
Handel
Object type: drawing
Date: 1755 – 1755
Materials: paper, pencil
Artist: hermanus van jeverde
Artist role: draughtsman
Subjects: allegory of trade; 'commertio della vita humana' (ripa)
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor een tabaksdoos of schotel met allegorie van de handel. In een ronde omlijsting met rocailles, goden en diverse attributen behorend bij kunsten staat Mercurius in een landschap. Links en rechts van Mercurius een ton, hond en een haan. Rechts blaast een figuur in het water op een hoorn, in de achtergrond varen schepen. Boven Mercurius vliegt een engel met een vaandel met tekst Negotie.
Coin
Object type: coin
Date: 970 – 997
Materials: silver
Location: iran

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Scènes grotesques
Object type: cartoon
Date: 1839 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), shaving, being shaved
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 12 oktober 1839.
The Dancers with a Flute and a Tamborine, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

In the 17th century, the word capriccio generally indicated a musical composition that thwarted listeners’ expectations with sudden changes in tempo, rhythm, or structure that appeared to be made according to the performer’s whim, or caprice. Jacques Callot borrowed the term to describe a series of etchings with a wide variety of diverting subjects including peasants, architectural sites, military maneuvers, and musicians. Among other motifs, he depicted two pairs of dancers frolicking and playing musical instruments and a shepherd playing a flute.
Strip
Object type: strip
Techniques: lace
Subjects: flowers

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Infantry, Algeria, 1853, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Studieblad met karren en figuren te Middelburg
Object type: sketchbook leaf
Date: 1856 – 1861
Materials: paper, pencil
Location: middelburg
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: hand-cart, adult woman, adult man, horse, (farm) wagon, freight wagon, cart, middelburg
Inscriptions: annotation: ‘Middelburg’

Studieblad met hand- en paardenkarren en figuren te Middelburg. Blad 4 uit een schetsboek met 44 bladen vervaardigd in Zeeland en Utrecht.
May from a set of The Months of Lucas
Object type: tapestry
Materials: silk, wool
Artist: master of the months of lucas
Artist role: designer
Artist nationality: netherlandish
Artist dates: 1535 – 1535
Subjects: men,women,dogs,horses
Prelaten en bisschoppen van Utrecht
Object type: print
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: heilige, gregorius van utrecht, merovingische en karolingische tijd in nederland
Inscriptions: collector's mark: Lugt 240

De heilige Gregorius afgebeeld als een bisschop met geborduurde albe en kap, mijter en kromstaf die een arme man een aalmoes geeft. Met Latijns onderschrift. Prent uit een serie van twaalf prenten met prelaten en bisschoppen van Utrecht door Cornelis en Frederick Bloemaert.
Rest, a Landscape with Figures and Cattle, after Nicolaes Berchem
Object type: print
Date: 1871 – 1871
Techniques: printmaking, etching
Location: paris
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Subjects: women,cows,sheep
Grotesque ornament comprising a swag and a repeated band
Object type: drawing
Date: 1545 – 1560
Materials: ink
Techniques: pen
Artist: andrés de melgar
Artist role: artist
Artist nationality: spanish
Artist dates: 1554 – 1554
Labors of the Months
Object type: embroidered picture
Date: 1626 – 1650
Materials: canvas, metal thread, silk, wool
Techniques: embroidery, stitching
Subjects: birds,men,women,cows,deer,lions,rabbits
Graflegging
Object type: print
Date: 1656 – 1706
Materials: paper
Techniques: engraving, etching
Subjects: christ's entombment (possibly by angels)
Inscriptions: number: ‘32’, collector's mark: Lugt 240
Repeating Watch with a Striking Mechanism
Object type: jewellery
Date: 1800 – 1815
Materials: gold
Location: geneva

Herenhorloge van goud, kwartierrepetitie en waaierkamspeelwerk. Geguillocheerde achterdeksel.
Fragment
Object type: textile
Materials: linen, wool
Techniques: compound weave
Location: egypt
Berlin. Das National Denkmal
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: albumen print
Location: berlin
Artist: friedrich albert schwartz
Artist role: fotograaf
Artist dates: 1836 – 1906
Subjects: berlin, wilhelm i (keizer van duitsland), monument, statue
Inscriptions: title: ‘298. Berlin. Das National Denkmal’, check stamp: ‘Artist.-Photogr. Gesellschaft/ F. Albert/ Berlin-W.’
Ensemble
Object type: ensemble
Date: 1872 – 1872
Materials: cotton, leather, silk
Culture: american
Het Karthuizers Klooster, buiten Amsterdam, Zoo als het zich in Welstand vertoonde in den Jaare 1496
Object type: print
Date: 1752 – 1789
Materials: paper
Techniques: engraving, etching
Subjects: shore-birds and wading-birds: stork, nun(s), cloisters ~ monastery
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Roomsch-Katholieken, Kloosters.
High Chest of Drawers
Object type: furniture
Date: 1755 – 1785
Materials: wood
Location: newport
Artist: attributed to john goddard
Artist nationality: american
Artist dates: 1723 – 1785
Subjects: furniture

Along with Philadelphia and Boston, Newport, Rhode Island, was one of the three leading furniture-making centers in colonial America. Newport benefited from its location on coastal trade routes between England and the West Indies, and its merchants were among the wealthiest and most influential figures in the colonies. The finest Newport furniture came from the Goddard and Townsend shops, whose most notable pieces were completed before the Revolution. This high chest is attributed to John Goddard. Goddard's marriage to the daughter of Job Townsend joined the two families, beginning a virtual furniture-making dynasty that remained active into the following century.
Textile
Object type: textile
Date: 1701 – 1800
Culture: china or japan
Subjects: flowers
Dress
Object type: dress
Date: 1868 – 1868
Materials: silk
Culture: american

In this transitional dress with corsetted waistline still established high on the rib cage, the proportion was derived from the arms: pushed-down shoulders created a sloping line until the torso became almost diamond shaped at the back. The "coat" sleeves of 1860s, with widened elbows falling at or below the waist, were a visual contrast to the high waist.
Seven papyrus fragments
Object type: papyrus
Date: 1981 – 1640
Materials: ink, papyrus
Location: egypt
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, hand holding fillet; Exterior, legs of male moving right
Portret van paus Stefanus I
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: engraving, etching
Location: bassano del grappa
Subjects: rome, historical persons, pope

Prent uit: Effigies Romanorum pontificum a S. Petro ad Pium VI. feliciter regnantem (...). 2 dln. Venetië en Bassano del Grappa: Giuseppe Remondini, 1775.
Kaartspelers
Object type: tracing
Date: 1777 – 1777
Materials: chalk, paper
Location: amsterdam
Subjects: playing-cards

Een kaartspeler met speelkaarten in de hand en op tafel. Op de achtergrond een man. De calque ligt los in een album, zie blad 26.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, draped figure to left with right arm extended
Bacchus
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: ernest meissonier
Artist role: artist
Artist nationality: french
Artist dates: 1815 – 1891
Portret van de patholoog Auguste-François Chomel
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Calvinus
Object type: print
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons, writing and letters
Inscriptions: collector's mark: Lugt 2233

Calvijn met een schrijfveer in zijn hand, zittend achter een tafel waarop boeken liggen.
Tents and Military Gear, Camp de Châlons
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print
Location: france
Artist: gustave le gray
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1884
Subjects: paris, documentary
The Actor Nakamuro Tomijuro as a Mounted Warrior
Object type: lacquer print
Date: 1740 – 1740
Techniques: urushi, woodblock print
Culture: japanese
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Subjects: human figures,horses,actors
Parijsche masquerades
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: masquerade, masked ball
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van verklede personen. Genummerd rechtsboven: No. 2.
Water Pipe Part
Object type: water pipe part
Date: 1701 – 1800
Materials: copper alloy, steel
Techniques: engraving, gilding, silvered
Location: iran
Portret van Lodewijk XV
Object type: print
Date: 1729 – 1755
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: louis xv of france, historical persons, king
Inscriptions: collector's mark: Lugt 2228
Recueil de portraits (...)
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: paris
Artist: étienne desrochers
Artist role: print maker, publisher
Artist dates: 1668 – 1741
Subjects: france, historical persons, king
Inscriptions: collector's mark: Lugt 2228

Behoort waarschijnlijk tot een serie portretten, grotendeels door Etienne Desrochers, getiteld: 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes que dans Belles-Lettres et les Arts, comme aussi la famille royale de France et autres cours étrangères'. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985. Echter was Desrochers reeds enkele jaren eerder begonnen met het uitgeven van de serie. Na de dood van Desrochers werd de serie voortgezet door Gilles Edme Petit. Een latere staat werd uitgegeven door Jean François Daumont in Parijs.