deem-data/ArtiFact huggingface dataset:
Ex libris van Antoni Około-Kułak
Object type: bookplate
Date: 1900 – 1940
Materials: paper
Techniques: woodcut
Location: poland
Artist: stanislaw zalinski
Artist role: print maker
Subjects: book, oil-lamp, armorial bearing, heraldry
Inscriptions: workshop stamp: ‘Stan. Zgalinski / bois-holo’
Bomen in bloei
Object type: sketchbook leaf
Date: 1913 – 1916
Materials: paper, pencil, watercolor
Techniques: brush
Artist: jonkheer johannes ludovicus paulus bosch van drakestein
Artist role: draughtsman
Artist dates: 1865 – 1929
Subjects: trees

Blad 10 recto uit een schetsboek met 47 bladen.
Clement VIII (Pope, 1592–1605)
Object type: medal
Date: 1598 – 1598
Materials: bronze
Artist: giorgio rancetti
Artist role: artist
Artist dates: 1545 – 1611
Subjects: men,profiles,popes

Medal struck to commemorate the reversion of the Duchy of Ferrara to the Pope in 1598.
Front and Side Views of Breakfronts
Object type: drawing
Date: 1841 – 1884
Materials: ink
Techniques: pen
Artist: charles hindley and sons
Artist role: artist
Artist nationality: british
Artist dates: 1841 – 1917
Subjects: furniture
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of a draped figure to right
Maria met kind
Object type: print
Date: 1602 – 1640
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2227
Wall fountain
Object type: wall fountain
Date: 1734 – 1766
Materials: marble
Subjects: fountains
Twee studies van een paardenhoofd
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: l. samijn
Artist role: printer, publisher
Subjects: animals (+ head of an animal), horse
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een omslag met een serie van tien paardenstudies.
Portret van een vrouw met pijpenkrullen bij een tafel met reukwaterfles
Object type: carte de visite
Date: 1867 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: emanuel lorjé
Artist role: fotograaf
Artist dates: 1845 – 1875
Subjects: perfume bottle, historical persons - bb - woman
Inscriptions: inscription: ‘E. Lorjé. Phot:’
Overlijden van Willem IV
Object type: history medal
Date: 1751 – 1751
Materials: copper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: willem iv (prins van oranje-nassau)

Koperen penning met gat erin. Voorzijde: lijkkist onder opschrift boven jaartal; daaronder persoon met twee voorwerpen in omhoog gestoken handen. Keerzijde: baaren onder opschrift boven doodshoofd
Ostracon with sketch of a running lion
Object type: ostracon, figured, lion running
Date: 1295 – 1070
Materials: ink, limestone
Location: egypt
Subjects: lions

The courtyard rubbish outside Nespekashuty's tomb reflects long periods of use, a situation which complicates the dating and understanding of the painted ostraka found there. A recent stylistic study has allowed some of them to be grouped chronologically, however. The horse (23.3.33) and leaping lion (23.3.28) are done with red preliminary sketches, finalized with a thin, supple black line; this technique resembles that of the Ramesside artists from Deir el Bahri. The incised crocodile (23.3.30) relates best to ostraka known from the Ptolemaic Period. A third group, including a calf (23.3.27), blind harpist (23.3.31), and floral capitals (23.3.34, 23.3.35) appears to be contemporary with the tomb of Nespekashuty. On these, the preliminary drawing was executed in a pale red ink that was overlaid with a final line in darker red; wide contour lines were created by short overlapping strokes. The technique resembles that noted in preliminary drawings on the walls of the first chamber of Nespekashuty's tomb. These ostraka then may be discarded preliminary sketches for the tomb decoration.
Tentoonstelling van landbouw, nijverheid en veeteelt te Batavia
Object type: history medal
Date: 1893 – 1893
Materials: bronze, paper, textile, velvet, wood
Techniques: striking
Location: brussels
Artist: alphonse michaux
Artist role: medailleur
Artist dates: 1860 – 1928
Subjects: batavia
Briefkaart aan Jan Veth
Object type: postcard
Date: 1896 – 1896
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: chap van deventer
Artist role: kunstcriticus, scheikundige, schrijver
Artist dates: 1860 – 1931
Subjects: painter, draughtsman, designer, jan veth, lodewijk van deyssel
Inscriptions: collector's mark: ‘RPK’
Landschap met bomen en een hek
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes, fence, wall, paling

Blad 13 verso uit een schetsboek met 31 bladen.
Poke bonnet
Object type: poke bonnet
Date: 1845 – 1855
Culture: american
Hammered Copper Pin (tupu)
Object type: pin
Date: 701 – 1566
Materials: copper, silver gilt
Culture: peruvian
Location: peru
Twee zijden van een Etruskische sarcofaag van terracotta
Object type: page
Date: 1869 – 1874
Materials: photographic support
Techniques: albumen print
Artist: stephen thompson
Artist role: fotograaf, schrijver
Artist dates: 1831 – 1893
Subjects: sarcophagus, harpy (fabulous bird); 'arpie' (ripa), sculpture (+ relief ~ sculpture)
Annibale Carracci Introduces Painting to Apollo and Minerva
Object type: print
Date: 1674 – 1674
Techniques: engraving, etching
Artist: pietro aquila
Artist role: artist
Artist nationality: italian
Artist dates: 1650 – 1700
Subjects: men,women,apollo,putti,minerva

This print appeared as a frontispiece to a book of etchings depicting the frescoes painted by Annibale Carracci in the Farnese Gallery in Rome. Like the publication of the book itself, this frontispiece was part of a concerted effort to raise the painter, active at the turn of the seventeenth century, to mythical status. Here we see Annibale accompanied by Genius bringing Painting out of a dark cave (symbolic of the obscurity and darkness into which painting was said to have fallen in the late sixteenth century) into that exalted and luminous realm where she could be welcomed by Apollo and Minerva. The idea is very much like that of Pietro Testa's etching, 'The Triumph of Painting on Parnassus', in which Painting is welcomed on Parnassus, and Maratti's design may also have received inspiration from Testa's later and more personal interpretation of the theme, in which the artist is accompanied, as here, by a figure with a flaming torch. The river god nearest Annibale signifies the city of Rome, where Annibale's Farnese Gallery gave the greatest proof of his genius. The other river god stands for Bologna, where Annibale was born and, together with his brother and cousin, founded an influential academy of art. Giovanni Pietro Bellori, the antiquarian and art critic who had organized the publication with de' Rossi and written the accompanying text, had recently published a series of artists' lives that also sought to promote Annibale as the ideal painter whose revival of the tradition of Raphael should be a model for all artists. Carlo Maratti, the successful painter and leader of the Roman Academy who designed this allegory, had been trained in the Carracci tradition, and wished to uphold that tradition in the face of other artistic trends prominent in Rome. The highly skilled Sicilian printmaker Pietro Aquila was a friend of Maratti and frequently collaborated with Bellori.
Bowl
Object type: bowl
Date: 1701 – 1800
Materials: glaze, porcelain
Culture: chinese
Artist: chinese
Artist role: artist
Hoofd van een vrouw met een Monnickendammer muts
Object type: sketchbook leaf
Date: 1892 – 1893
Materials: paper, pencil
Artist: alfred william rich
Artist role: draughtsman
Artist dates: 1856 – 1921
Subjects: folk costume, regional costume (+ women's clothes)
Inscriptions: annotation: ‘Monnickendam’

Blad 19 recto uit een schetsboek met 86 bladen.
Chisel
Object type: chisel
Date: 1479 – 1458
Materials: bronze, copper alloy
Location: egypt
Heilige Barbara
Object type: print
Date: 1455 – 1503
Materials: paper
Techniques: engraving
Location: bocholt
Artist: israhel van meckenem
Artist role: print maker
Artist dates: 1440 – 1517
Subjects: the virgin martyr barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, dioscuros (her father), peacock feather, sword, torches, mason's tools, tower
Inscriptions: collector's mark: Lugt 2228a

De Heilige Barbara staat naast een toren, een kelk met een hostie in de ene hand, een palmtak in de andere hand.
The Victory Banner (Dhwaja), from a Set of Initiation Cards (Tsakali)
Object type: religious ritual object
Date: 1301 – 1500
Materials: ink, paper, watercolor
Culture: tibetan
Location: tibet
Kaart met het ontzet van Leiden, 1574
Object type: print
Date: 1703 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Artist: coenraet decker
Artist role: print maker
Artist dates: 1650 – 1685
Subjects: raising the siege with outside assistance, relief, maps of separate countries or regions, battle, leiden

Eerdere staat ook gebruikt in: Goris, Johan. Hugo de Groots Nederlandtsche Jaerboeken en Historien. Amsterdam: weduwe Johan van Someren, Abraham Wolfgang en Hendrik en Dirk Boom, 1681, tussen p. 48 en 49. En in: P.C. Hoofts Nederlandsche historien, seedert de ooverdraght der heerschappye van kaizar Karel den Vyfden op koning Philips zynen zoon, tot het einde der landtvooghdye des graven van Leicester. 4e druk. 2 delen. Amsterdam: Hendrik Wetstein en Pieter Sceperus, Leiden: Daniel van den Dalen en Utrecht: Willem van de Water, 1703, dl. 1, tussen p. 394 en 395.

Latere staat ook gebruikt in: Clerc, Jean le. Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 […]. 3 delen. Amsterdam: Zacharias Chatelain, 1730, dl. 1, tussen p. 60 en 61.
Munchener platen
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: munich
Subjects: puppet, punch and judy, puppet and marionette show
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van poppenkastpoppen. Onder de afbeeldingen tekst voor een poppenkastvoorstelling. Genummerd midden onder: Nro. 58. Genummerd rechtsboven: 58.
Pair of trembleuse stands
Object type: trembleuse stand
Date: 1765 – 1765
Materials: silver
Dish
Object type: dish
Date: 201 – 700
Materials: glass
Culture: sasanian
Location: mesopotamia

This small glass vessel is mostly preserved, with shallow, slightly sloping sides and a preserved pontil mark on its bottom. A pontil mark is left behind from the place where a rod would have been attached to the hot glass. Having this type of mark indicates that the glass was blown freehand and not in a mold (which does not use the rod). Originally a clear glass, this piece is covered with an opaque greenish yellow oxidation. Glass found in excavations has often gone through a process of decay that changes its surface color. Glass was widely produced and used during the Sasanian period. Although colorless glass was highly valued, the majority of glass finds are slightly tinted, usually greenish or yellow tint, although reddish and brown tints also occur. Glass finds from this period include a variety of types such as small cosmetic containers, serving vessels, and drinking glasses. This piece was excavated from a house at the site of Ma’aridh II in the Ctesiphon area. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. Over the course of the excavations in the Ctesiphon area, six houses from a series of small mounds called el Ma’aridh were excavated. These houses follow typical Sasanian design with a mix of square and elongated rooms. Ma’aridh II is a large house that is entered through a small entry way rather than directly from the street. The house is divided into a utilitarian, or service, sector on the eastern side of the building, and a monumental decorated space to the west of the entryway. The western rooms were decorated with pillars, a double horseshoe archway, and stucco reliefs. A long barrel vaulted arched room, 19 meters in length, was probably the most important room of the house. It was entered through a smaller room with four pillars. This large house, with the excavated portion revealing more than 1800 square meters, represents an elite household. Excavation Number: O.1512
Portret van een zittende vrouw met witte muts
Object type: carte de visite
Date: 1860 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: zwolle
Artist: mozes cohen
Artist role: fotograaf
Artist dates: 1821 – 1899
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘M. Cohen/ Photographe/ DIEZERSTRAAT/ ZWOLLE/ Van deze Photographie/ kunnen steeds nabesteld worden.’
Nu moet ik met myn Haan, bedaard naar Elba gaan
Object type: cartoon
Date: 1814 – 1814
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: wijnand esser
Artist role: draughtsman, print maker
Artist dates: 1779 – 1860
Subjects: napoleon i (emperor of the french), riding on animal other than horse, ass, or mule, fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 2228

Spotprent op de verbanning van Napoleon naar Elba, mei 1814. Napoleon berijdt de Franse Haan.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Exterior, maenad with sakkos, chiton, and animal skin; thrysos; hand and forearm of a figure holding krotala
Thronus Justitiae duodecim pulcherrimis tabulis artificiosissime aeri incisis illustratus
Object type: album leaf
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: bias weeps when he has to condemn a man, juridical examples; exemplary judges; 'gerechtigkeitsbilder'

Terwijl het doodvonnis over een veroordeelde wordt voorgelezen, huilt rechter Bias uit empathie met de veroordeelde en zijn familie. De man smeekt de rechter, maar Bias laat het recht zegevieren ondanks zijn bewogenheid. Onder de voorstelling twee vierregelige verzen in het Latijn. De prent maakt deel uit van een album.
Drie opnames van kapitelen van het stadhuis van Brussel
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: photograph, photolithography
Location: brussels
Subjects: capital (~ column, pillar)
Inscriptions: monogram: ‘JJvY’, inscription: ‘Chapiteaux en pierres (...)’, inscription: ‘LITT. C. - PL. 34’
Amenissimae aliquot requculae
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: well, landscape with ruins, farm or solitary house in landscape

Oorspronkelijk vormden de eerste staten van de prenten een serie bestaande uit twee delen van elk 26 prenten. De latere staten vormden een serie van vijf delen van elk twaalf prenten.
Portret van Johann Rudolf Werdmüller
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: etching
Location: switzerland
Artist: rudolf füssli (der jüngste)
Artist role: print maker
Artist dates: 1737 – 1806
Subjects: painter, historical persons, portrait, self-portrait of painter

Prent waarschijnlijk uit: Füssli, Johann Caspar. Geschichte und Abbildung der besten Mahlern in der Schweitz. Zürich: David Gessner, 1755, dl. 1.
Buffalo, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: buffalos

Trade cards from the "Wild Animals of the World" series (N25), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Maria met slapende Christus maant Johannes de Doper tot stilte
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: christ-child sleeping ~ madonna-representations
Inscriptions: collector's mark: Lugt 12, check stamp: Lugt 4211
Owl
Object type: figure
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: owls
Portret van Axel Elmlund
Object type: carte de visite
Date: 1865 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: stockholm
Artist: gösta florman
Artist role: fotograaf
Artist dates: 1831 – 1900
Subjects: historical persons, portrait of actor, actress
Inscriptions: annotation: ‘Axel Elmlund/ 1838 - 1901’, inscription: ‘Gösta Florman/ STOCKHOLM/ 28A Regeringsgatan 28 A.’
Towel Cover
Object type: towel
Date: 1876 – 1876
Materials: linen
Techniques: weave
Culture: american
Plate
Object type: plate
Date: 1818 – 1846
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: enoch wood & sons
Artist role: maker
Artist nationality: british
Artist dates: 1818 – 1846
Subjects: buildings,flowers,carriages
Carnelian ring stone
Object type: intaglio
Date: 300 – 101
Materials: gemstone
Culture: italic
Subjects: men,profiles
Waistcoat
Object type: waistcoat
Date: 1701 – 1800
Materials: linen
Culture: french
Vase
Object type: vase
Date: 1601 – 1700
Materials: glaze, stonepaste
Techniques: painting
Location: iran
Subjects: birds,flowers

This vase is typical of the objects that were displayed in open niches in reception rooms of upper-class Syrian residences during the Ottoman period
Vaas met op bruin fond veelkleurige beschildering van bloemtakken
Object type: kaststel
Date: 1770 – 1800
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: Anonymous

Garniture. Delftware. Delft, c. 1780 - 1810. E. van Hoboken bequest, 1925.
Portret van Lucius Cary
Object type: print
Date: 1630 – 1700
Materials: paper
Techniques: etching, engraving
Location: england
Artist: Anonymous
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Javert
Object type: reproduction
Date: 1862 – 1862
Materials: photographic support
Techniques: albumen print
Location: paris
Subjects: literary characters and objects
Inscriptions: address: ‘A. FAUCHEUR & C. DANELLE 18, Bt. Pigalle.’, inscription: ‘(LES MISÉRABLES)’
Portret van prins Don Carlos van Spanje
Object type: print
Date: 1554 – 1556
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: carlos van spanje (prins)
Inscriptions: collector's mark: Lugt 2228

Portret van prins Don Carlos van Spanje, de eerste zoon van Filips II van Spanje. Buste naar links, in ovaal met randschrift.
Hals met kurk van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: wine bottle
Date: 1700 – 1743
Materials: cork, glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, neck, onion-shaped bottle or bottle with vertical side; vs-string rim, cork level with mouth.
Willem de II Graaf van Holland en Roomsch Koning, Word ophet ys, door de boeren dood geslagen
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: earl, violent death, being killed; being mishandled and maltreated; seeking death, attempt, political murder
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Bos, Lambert van den. Treur-toonneel der doorluchtige mannen, of Op- en ondergang der grooten, 3 delen. Amsterdam: Jan Claesz ten Hoorn, 1698, dl. I.
De Zondagswet en het Linksche Absenteisme
Object type: cartoon
Date: 1900 – 1930
Materials: ink, paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: voorschoten, haarlem, the hague, politician, eeltjo aldegondus van beresteijn, political caricatures and satires
Inscriptions: inscription: ‘De Zondagswet en het Linksche Absenteisme / Min. Ruys: Zie je, als jullie er niet benne, haal ik mijn schatje binnen!’

Minister Ruijs de Beerenbrouck met een oude vrouw aangeduid als de Zondagswet. Vanachter een schutting kijken vijf linkse politici (Beresteyn, Otto, Treub, Troelstrat en Wijnkoop) toe. Ontwerp voor een politieke spotprent.
Le Follet, 1854, No. 1891 : Chapeaux de Baudraud (...)
Object type: fashion print
Date: 1854 – 1854
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: flowers, gloves, mittens (short gloves) (+ women's clothes), head-gear (fanchon) (+ women's clothes), clothing for the upper part of the body (mantelet) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, walking the dog, parasol, sunshade (+ women's clothes)
Inscriptions: address: ‘Boulevart S.t Martin, 69 / 8, Argyll Place, Regent Street, Londres.’, caption: ‘Chapeaux de Baudrand- Plumes et fleurs, Baptiste, r. Chévenot,8 - Robes et mantelet, M.me Inger, r. de la Bourse,4. Passementeries, Ville de Lyon, r. Chaussée d'Antin,6 - Etoffes du Page, r. Vivienne, 16. Parfumeries, Société Hygiénique, r. de Rivoli, 65.’, title: ‘Le Follet’

Twee vrouwen, van wie één met parasol, met een hondje in een tuin. Volgens het onderschrift: hoeden van Baudrand. Japonnen en mantelet van Inger. Hieronder enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Le Follet Courrier des Salons (novembre 1829- octobre 1882).
Orchid: Trust, from the series Floral Beauties and Language of Flowers (N75) for Duke brand cigarettes
Object type: print
Date: 1892 – 1892
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: women,orchids

Trade cards from the "Floral Beauties and Language of Flowers" series (N75), issued in a set of 50 cards in 1892 to promote the W. Duke Sons & Co. branch of the American Tobacco Company.
Vadertje Tijd
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: engraving, letterpress printing
Location: london
Subjects: father time, man with wings and scythe
Inscriptions: : ‘To man's false opticks, from his folly false, (...)’

Prent maakt deel uit van een boek, bladzijde 24. Tekst in het Engels op recto en verso.
G Vases en travers, cartouche
Object type: ornament print
Date: 1768 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: vase ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een geornamenteerde vaas met bloemmotieven en een vrouwelijke gevleugelde halffiguur. Daaronder een rechthoekige lijst met een leeuw en drie medaillons met de pauselijke tiara op een boek, een kroon en wapens en dieren bij een boom. Prentnummer 33.
Edging
Object type: edging
Date: 1801 – 1900
Materials: silk
Techniques: lace
Plate with Vase and Flowers
Object type: plate
Date: 1700 – 1700
Materials: enamel, glaze, porcelain
Techniques: painting
Culture: japanese
Subjects: flowers
Portret van een man
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: moustache, adult man, historical persons