deem-data/ArtiFact huggingface dataset:
Pantheon Rome, from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity
Object type: print ornament architecture
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: architecture,buildings

Perspectival depiction of the side view of a building referred to as the ‘Aerarii Publici Rome’, the public treasury of Rome. The main body of the building is circular in shape interrupted at regular intervals by semi-circular absidioles and an avant-corps on the front side (here seen on the left). The avant-corpse consists of a monumental staircase that leads up to the fourth floor of the building. A separate staircase leads to the top of the building, which is crowned by a dome with a balustrade. While the building is meant to represent the public treasury of Rome, thought to have been located on the Capitoline Hill near the Temple of Saturnus, very few architectural elements remain to indicate what the building may have looked like, and this rendition was likely created as an ekphrasis. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as the 'Pinaculu Termar'.
Tandwiel voor rietloskraan
Object type: photograph
Date: 1931 – 1931
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: colonial system, machines; parts of machines; tools and appliances, (non-fruit) products of plants or trees: sugarcane, interior of industrial structures (regardless of the materials processed or the products made, java
Inscriptions: date

Gietstalen tandwiel voor een rietloskraan, vervaardigd in 1931 en bestemd voor de Suikerfabriek Ketanggoenan West. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja bestemd voor de Nederlandse suikerindustrie op Java, uit de periode 1917-1938.
Box for Personal Accessories (Tebako) with Autumn Grasses
Object type: box
Date: 1601 – 1633
Materials: gold, silver, wood
Techniques: hiramakie, lacquer
Culture: japanese
Subjects: flowers

Autumn flowers and grasses, principally chrysanthemums, pampas grass, and bush clover, embellish the lid of this box. Scattered across these plants are five stylized paulownia crests that echo the larger ones adorning the box’s sides. By the late sixteenth century, Kyoto had become the most important center of Japanese lacquer art. It was at this moment that the military leader Toyotomi Hideyoshi (1537–1598) changed the way maki-e (“sprinkled picture”) decoration was used, ordering that it be applied to large furniture, household objects, and other objects not normally worthy of such luxurious treatment. Craftsmen created innovative, bold designs without complicated underdrawings and covered large surfaces in a comparatively short time. This flamboyant style was named Kōdaiji, after the temple in Kyoto dedicated to Hideyoshi and his wife, Nene.
From the Dogs series (N47) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: dogs

Trade cards from the "Dogs" series (N47), issued ca. 1888 by Allen & Ginter to promote Virginia Brights Cigarettes.
Studie, mogelijk een landschap met bomen
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: trees, landscapes

Studie, mogelijk een landschap met bomen. Blad 10 recto uit een schetsboek met 34 bladen.
Meisje op Engels strand, Sandown, Isle of Wight
Object type: photograph
Date: 1920 – 1935
Materials: glass
Techniques: autochrome process
Location: isle of wight
Artist: clifton r. adams
Artist role: fotograaf
Artist dates: 1890 – 1934
Subjects: beach (as place of recreation)
Grafsteen van Liduina van Schiedam in de Sint-Liduinakerk
Object type: page
Date: 1859 – 1877
Materials: paper
Techniques: albumen print
Location: schiedam
Artist: Anonymous
Subjects: gravestone, tombstone
Bruiloft te Kana
Object type: print
Date: 1599 – 1603
Materials: paper
Techniques: engraving
Location: paris
Subjects: the marriage-feast at cana (john 2:1-11), (dinner-)service displayed on sideboard, laid table: table-ware, table-decoration, etc.
Inscriptions: collector's mark: Lugt 2228

Christus aan een tafel, omringd door vele figuren, tijdens de bruiloft te Kana. Links bespreekt een bediende met de bruidegom dat er geen wijn meer is. Rechts op de voorgrond worden op het verzoek van Christus zes kruiken met water gevuld, dat zal veranderen in wijn.
Mlle. Vondrais, Paris, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Portret van Hiëronymus van Praag
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons
Clarinet in F
Object type: clarinet in f
Date: 1856 – 1856
Culture: german
Location: germany
Artist: august t. a. knochenhauer
Artist role: maker
Artist nationality: german
Artist dates: 1796 – 1866

August T. Knochenhauer (born Potsdam 15 April 1796) trained at Griesling & Schlott in Berlin and also worked in Dresden. He was foreman for the Weisse firm in Berlin in 1819. In 1826, Knochenhauer established his own firm in Berlin and was appointed Court maker in 1841. In the same year he got an appointment as Hofinstrumentenmacher ‘on account of his excellent flutes, clarinets’. The Prussian eagle in his stamp suggests that these instruments were made after this date. G.A.R. might be the Garde du Corps of the King of Prussia and 1856 the year when the instrument was purchased for the army. Overall size: 844 Sounding length: ca. 870 Bore: c-hole ca. 16.0 Technical description: Boxwood with ivory ferrules and brass keywork. Five pieces: mouthpiece, barrel, upper section, lower section, bell. Unstamped blackwood mouthpiece not grooved for cord. Curved barrel to shorten the distance between player and instrument. Rudiments of square and round rings. Straight speaker, speaker liner projects about 4 mm into bore. Integral wooden thumb rest. F♯3/C♯5 guided thoroughly. Bell with a wooden rim. All flaps bevelled. L0: T; speaker. L1: T; throat A♮; throat A♭. L2: T; F4/ C6. L3: T; E♭4/B♭5. L4: C♯4/G♯5; E3/B♮4; F♯3/C♯5. R1: T; side trill key for throat A-B♮ and B♭-C. R2: T. R3: T; B♭3/F♮5; side B♮3/F♯5. R4: F3/C5; G♯3/E♭5. Keyhead type: flat square. Keymount type: rudiments of turned wooden rings, blocks. Inscribed on barrel, upper section, lower section, and bell with Prussian Eagle / KNOCHENHAUER / BERLIN"; on barrel and lower section also "G.A.R. / 1856" / flower.
Bowl
Object type: bowl
Date: 900 – 30
Materials: terracotta
Culture: greek or lydian
Figurlicher Abbildung von dem streit / gehalten gegen die spanische Galehen / in welchem die Hollender obgelegen (...)
Object type: print
Date: 1602 – 1604
Materials: paper
Techniques: etching, letterpress printing
Location: germany
Artist: Anonymous
Subjects: battle (+ naval force), warfare; military affairs (+ oared ships, e.g.: galley), trireme, galley, english channel

Zeeslag waarbij de zes Spaanse galeien van Spinola in het Kanaal worden verslagen door de Staatse vloot, 3 oktober 1602. Op de voorgrond kan een deel van de bemanning van de gezonken schepen de Vlaamse kust bereiken. Links in de verte de Engelse kust met de plaats Dover, rechts Oostende. Met titel en opschrift van 7 regels in het Duits apart gedrukt boven de prent.
Petit Courrier des Dames  1824 (260)
Object type: fashion print
Date: 1824 – 1824
Materials: paper
Techniques: engraving
Artist: barrau
Artist role: print maker
Subjects: fashion plates

Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Lynmouth from the Sea
Object type: photograph
Date: 1860 – 1894
Techniques: albumen print
Location: england
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Acrobaat in handstand
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Subjects: head (human), monocycle, acrobat ~ circus, standing on the head or on the hands

Hij steunt mogelijk op een eenwieler. Verder twee studies van hoofden. Blad 24 verso uit schetsboek XVI met 32 bladen.
Cuneiform tablet: quittance for dates, Esagilaya archive
Object type: cuneiform tablet
Date: 540 – 540
Materials: clay
Culture: babylonian
Location: mesopotamia
Julia Hisson Rôle de Sélika (dans l'Africaine)
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Artist: pierre petit
Artist role: fotograaf
Artist dates: 1832 – 1909
Subjects: portrait of opera-singer
Inscriptions: number: ‘No 37.’, inscription: ‘Journal hebdomadaire paraissant le Jeudi Du 29 Janvier au 4 Février 1874’
Fred "Dandelion" Pfeffer, 2nd Base, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
A Farmhouse with a Thatched Roof and Trees Beside a River
Object type: drawing
Date: 1825 – 1865
Materials: chalk, paper
Artist: constant troyon
Artist role: artist
Artist nationality: french
Artist dates: 1810 – 1865
Subjects: houses,trees
A bacchante holding a sword in her left arm and a branch with fruit in her right hand, set against a black background inside a rectangular frame
Object type: print
Date: 1795 – 1820
Techniques: engraving
Artist: antonio ricciani
Artist role: artist
Artist nationality: italian
Artist dates: 1775 – 1847
Subjects: swords,fruit,bacchantes

From a series of engravings depicting wall paintings from Herculaneum, made by various engravers and intermediary draughtsman, all pulblished by Agapito Franzetti.
Covered tureen with groups of flowers and ornamental border
Object type: tureen
Date: 1800 – 1899
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schaal met deksel van porselein beschilderd in famille rose met lambrequins en bloemen.
Weg van buitenzorg naar de vallei van de Salak (residentie Buitenzorg)
Object type: print
Date: 1869 – 1869
Materials: paper
Techniques: lithograph, hand coloring
Location: amsterdam
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: landscapes in tropical and sub-tropical regions, java
Inscriptions: collector's mark: Lugt 2228

Op de weg drie ruiters, links enkele huizen met daken van stro. De prent maakt deel uit van een omslag met een tekstblad en 24 losse prenten.
Amulet, Waisted by Triple Wire Twist
Object type: necklace, bead
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Portret van Johann Paul Hocher
Object type: print
Date: 1667 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: vienna, politician, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Weingarten, Johann Jacob von. Fürstenspiegel. Praag: Johann Arnold, 1673.
Doorway from Chalkley Hall, Frankford, Pennsylvania
Object type: doorway
Date: 1776 – 1776
Materials: granite, iron, wood
Culture: american
Location: united states

This granite and wood doorway was the former entrance to Chalkley Hall, a house formerly located at Frankford, Pennsylvania, near Philadelphia. The main portion of the house, including the doorway, was erected in about 1776 for Abel James, a Philadelphia merchant. It was attached to a smaller, lower wing built in 1723 by Thomas Chalkley, merchant, ship owner, and Quaker missionary, whose daughter married Abel James. The house, built of cut Manchester stone brought as ballast from England, marked the culmination of English Georgian design in the Philadelphia area. Its front facade was nearly identical in detail to John Hawks' 1767 plan and elevation for Governor Tryon's Palace at New Bern, North Carolina. While it is impossible to attribute the Philadelphia structure to Hawks, it is known that he was in Philadelphia just prior to the construction of Chalkley Hall. Regardless of its designer, Chalkley Hall's granite portal is one of the most imposing in America.
View of New York taken from Weehawken (Amérique Septentrionale - État de New-York)
Object type: print
Date: 1826 – 1826
Techniques: lithograph
Artist: isidore-laurent deroy
Artist role: artist
Artist nationality: french
Artist dates: 1797 – 1886
Subjects: roads,horses,carts,new york city
Sir Stafford Northcote
Object type: photomechanical print
Date: 1876 – 1881
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: politician, politician, e.g. party leader
Mercurius als god van de geleerdheid en handel
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: scrollwork, strapwork ~ ornament, specific aspects, allegorical aspects of mercury; mercury as patron, foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2228

De vliegende Mercurius, met een zak geld in de hand, als beschermer van de geleerdheid en de handel. Links een studeerkamer en rechts schepen op zee. Boven de prent het devies: Erudit et Ditat (Leer en verrijk).
Aus A. Hendschel's Skizzenbuch
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: frankfurt am main
Subjects: soap, merchant, salesman
Inscriptions: monogram: ‘AH’, number: ‘44’

Deze foto maakt deel uit van een omslag met 50 foto's op 48 bladen, een lijst van afbeeldingen en een titelblad.
Vignet van Elias Geschier te Haarlem
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), male persons from the old testament (with name) (not in biblical context), crown (symbol of sovereignty), vignette, haarlem
Inscriptions: collector's mark: Lugt 240

De profeet Elia bij een brandend offerblok in een ovaal met randschrift. Midden boven een kroon en het wapen van de stad Haarlem.
Mohammedaanse buiging en begroeting
Object type: drawing
Materials: ink, paper, pencil
Techniques: brush
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: ritual practices ~ islam, mohammedanism, religious functionaries ~ islam, mohammedanism, batavia
Inscriptions: inscription: ‘Mahumedaansch sumbajang, of godsdienstige buyging in haare Muskigit (tempel) met het aangezigt na Mecka gekeerd. Eerst met beyde handen aan bydeooren gevat dan kruys over elkander op de borst en buyk dan op de dyen, by de knien voor overgeboogen dan geknield, en vooroover op het aangezigt geboogen, dan weer opgestaan...’

Zwartwittekening van mannelijke moslims in gewaden en met tulband en hun manier van bidden naar Mekka en de manier van begroeten van de imam. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 85.
Omlijsting voor het muziekstuk 'Musette' van Willem F. Siep
Object type: drawing
Date: 1896 – 1896
Materials: paint, ink, paper
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: bagpipe, musette, flowers ~ ornament
Inscriptions: collector's mark: ‘R:MVS.’

Het muziekstuk met omlijsting werd gepubliceerd in: Woord en Beeld. Geïllustreerd maandschrift, juni 1896.
A.J.M. Mulder staand in de toegang van het schip van Nederlands-Hervormde kerk in Aardenburg
Object type: photograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: aardenburg
Artist: a.j.m. mulder
Artist role: engineer
Artist dates: 1856 – 1936
Subjects: engineer, a.j.m. mulder, historical persons, portrait, self-portrait of photographer
Inscriptions: annotation: ‘Aangezicht van den / toegang in den zuid= / hoek van het schip / Aug. 1909 / Aardenburg’, annotation: ‘V.L. v.d. Vinne’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, draped figure holding an unidentified object in the left hand; part of a draped figure with right hand on hip
Stamp seal (cubical with loop handle) with monsters and anthropomorphic figure
Object type: stamp seal
Date: 900 – 601
Materials: stone
Culture: urartian
Location: mesopotamia
Allegory of America, from "The Four Continents"
Object type: print
Date: 1602 – 1676
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: spears,women
Rynkom 1630
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: four-wheeled vehicle drawn by one animal, farmers, dog
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 279.
Asakusa River, Great Riverbank, Miyato River (Asakusagawa Okawabata Miyatogawa), No.60 from the series “One Hundred Famous Views of Edo (Meisho Edo hyakkei)”
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Fotoreproductie van een schilderij, voorstellende een portret van Alexander Hill
Object type: photograph
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: number: ‘303’
Gezichten op de Rijn
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: river, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van 36 prenten, waarbij het eveneens mogelijk was deze te laten samenbinden tot een album.
When the Day's Work is Done
Object type: photograph
Techniques: photogravure
Location: england
Artist: henry peach robinson
Artist role: artist
Artist nationality: british
Artist dates: 1830 – 1901
Room Design Showing Plan and Three Wall Elevations
Object type: drawing
Date: 1740 – 1760
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: architecture
Vue de la Cathedrale de Syracuse, ancien temple de Minerve
Object type: print
Date: 1812 – 1850
Materials: paper
Techniques: aquatint, lithography
Subjects: city-view in general; 'veduta', (story of) minerva (pallas, athena), church (exterior)
Inscriptions: collector's mark: Lugt 2228
Man's Shoulder Bag
Object type: costume and accessory
Materials: cotton, glass, velvet, wool, thread
Techniques: weave
Location: great lakes region
Artist: maker unknown
Artist nationality: potawatomi
Inscriptions: Inscribed verso, right-middle, on strap, in black marker: "F.J. JOHNSON"; crossed out inscription verso, top-left, on strap, in black marker.
Ball of weaving thread
Object type: ball, weaving thread
Date: 1295 – 1070
Materials: fiber, linen
Location: egypt
Cartes-de-visite
Object type: photograph
Date: 1859 – 1890
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Artist: camille leon louis silvy
Artist role: fotograaf
Artist dates: 1834 – 1910
Subjects: sitting figure - aa - female human figure, historical persons, book
Inscriptions: inscription: ‘Photographed by/ S. Silvy/ 38 Porchester Terrace/ Bayswater W.’

Cartomanie was a collecting craze. From 1855 hundreds of thousands of these portraits were annually sold worldwide. People had photographs taken of their loved ones, including their pets, and kept them in an album. Portraits of kings, writers, artists, actors, and statesmen were also collected. Photography was no longer the preserve of the wealthy; farmers and maidservants now also stood before the camera.
Collar
Object type: collar
Date: 1700 – 1943
Materials: cotton
Culture: american
Cup with hedges, bamboo, prunus and hoo-bird
Object type: cup
Date: 1670 – 1690
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Kop van porselein, beschilderd op het glazuur in blauw, rood, groen, geel, zwart en goud met bamboe, prunus en nog een plant bij gebonden heggen, en een hoo-vogel. Bruine rand. Een chip en een barst in de rand. Kakiemon.
Unlined Summer Kimono (Hito-e) with Crickets, Grasshoppers, Cricket Cages, and Pampas Grass
Object type: summer kimono
Date: 1901 – 1933
Materials: textile, paste, silk
Techniques: dyeing, embroidery, painting, resist
Culture: japanese
Subjects: plants

In Japan, insects beloved for their chirping song were sometimes caught or purchased and kept in cages. This robe features a variety of insects in cages amid pampas grass, evoking cool autumn days, which are often depicted on summer kimonos. The pampas grass, cages, crickets, grasshoppers, and bell-ring insects (suzumushi) are rendered using paste-resist dyeing (yūzen) and embroidery. Variations in the application of the ground dye and scattered, glinting gold embroidery evoke the quality of light at the end of an autumn day. This design was already popular in the early Edo period and is depicted in the first volume of the On-hiinagata (1667), the earliest woodblock-printed book of patterns for kosode.
Toren van de Hervormde Kerk te Puttershoek
Object type: photograph
Date: 1889 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: poortugaal
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: parts of church exterior and annexes: tower
Inscriptions: annotation: ‘Putershoek Z.H./ Toren v/d N.H. kerk’, annotation: ‘Toren v.d. N.H. Kerk/ Puttershoek Z.H.’
Gezicht op de kloof bij Blackgang Chine
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: blackgang
Artist: j.w. nicholson
Artist role: fotograaf
Subjects: ravine, chasm, abyss, canyon
Inscriptions: inscription: ‘Nicholson's Isle of Wight Series’
Plattegrond van Amsterdam (blad middenboven)
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 2228

Grote plattegrond van de stad Amsterdam uit 1625. Linksboven een gezicht op de stad en rechtsboven een kaart van de omgeving. Rechts een lijst met de namen van straten aan de Oude en de Nieuwe stadszijde. De plattegrond is samengesteld uit negen platen, waarvan twee ontbreken. Dit is het blad middenboven met het begin van de Overtoom en het Begijnenhof.