deem-data/ArtiFact huggingface dataset:
Brief aan Philip Zilcken en Henriette Wilhelmina van Baak
Object type: letter
Date: 1929 – 1929
Materials: ink
Techniques: pen, writing
Location: paris
Artist: m.g.e. einthoven
Subjects: henriette wilhelmina van baak, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’

Vormt samen met RP-D-1982-43-EINTHOVEN-1B een doorlopende brief.
The Great Victory of Qurnam
Object type: print
Date: 1770 – 1770
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: battles,soldiers

The event shown is the 1759 battle of Qurnam in which Qing troops defeat the enemy at the end of the Qianlong Emperor’s East Turkestan campaign. Part of a set of sixteen, "The Great Victory of Qurnam" was commissioned by the Qianlong Emperor in 1765 to commemorate Manchu victories (1755-59) over the Eleuths, the Dzungars, and other Central Asian peoples in the present-day region of Xinjiang. Made under the direction of Charles-Nicolas Cochin (1715-1790), the prints, which follow reduced-scale copies of paintings by Jesuit artists working in Beijing, were etched and engraved in France from 1767 to 1774 by the finest printmakers at the court of Louis XV. The Chinese merchants of Canton (present-day Guangzhou) paid for the copper plates and two hundred sets of prints to be delivered to China, with only a few sets retained in Paris. The prints exemplify the fusion of Eastern and Western representational styles fostered within the Qing imperial painting academy. The European technique of chiaroscuro-the modeling of forms through the use of light and shading-has been visibly tempered, as has the use of one-point perspective. Instead, the scenes present panoramic views and strongly up-tilt ground planes. At the same time, howevery, they reflect European preferences for anatomical accuracy, a single light source, and the mathematically correct reduction of scale to create the illusion of recession.
Cravat
Object type: cravat
Date: 1900 – 1900
Materials: silk
Culture: american
Inwoners van Marken
Object type: sketchbook leaf
Date: 1875 – 1875
Materials: paper, pencil
Location: marken
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: standing figure, sitting figure, folk costume, regional costume
Inscriptions: annotation: ‘Marken’

De figuren, waaronder meisjes en mannen, dragen traditioneel Marker klederdracht en zijn in verschillende houdingen te zien. Blad 6 recto uit een schetsboek met 46 bladen.
Zutphen, daalder, 1688
Object type: coin
Date: 1688 – 1688
Materials: silver
Techniques: striking
Location: zutphen

Zilveren munt. Voorzijde: staande geharnaste ridder met geheven zwaard in rechterhand en gekroond wapenschild van Zutphen voor zich. Keerzijde: gekroond wapenschild van Zutphen, gehouden door twee leeuwen. Onder wapenschild waarde-aanduiding 30 ST.
Berlin. Potsdamerplatz u. Hôtel Fürstenhof
Object type: photograph
Date: 1908 – 1908
Materials: paper
Techniques: gelatin silver print
Location: berlin
Artist: Anonymous
Subjects: square, place, circus, etc.
Inscriptions: inscription: ‘Verlag der Neuen Photogr. Gesellschaft A.-G./ Steglitz-Berlin 1908/ Berlin. Potsdamerplatz u. Hôtel Fürstenhof/ 3657’
Twee putti ruziën om een palmtak
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: dresden
Subjects: quarrel, argument, trees: palm-tree, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Prent afkomstig uit de serie 'Opera Varia Historica, Poetica & Iconologica', uitgegeven in 1693. Deze serie omvat vrijwel het complete oeuvre van de kunstenaar en bestaat uit 48 prenten, voornamelijk ontwerpen voor plafonds.
Gezicht op een boulevard met voor een kar gespannen paarden en een vrouw met een kinderwagen
Object type: print
Date: 1884 – 1947
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: edgar chahine
Artist role: print maker
Artist dates: 1874 – 1947
Subjects: baby-carriage, pram, perambulator, horse, avenue, boulevard, promenade, esplanade
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Spotprent op de vluchtende kolonel Sar, 1705
Object type: cartoon
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: political caricatures and satires

Spotprent op de vluchtende kolonel Sar bij het doorbereken van de Vlaamse Linies op 4 augustus door de Staatse generaal Baron Sparre (of Spar). Met verzen in het Nederlands en Frans in de plaat. Prent nr. 6 (de Voorzichtigheid - la Prudence) in de serie van 7 prenten in de Koninklyke Almanach van 1705 in het prentwerk uitgegeven onder de verzameltitel 't Lust-Hof van Momus met de gebundelde series van spotprenten tijdens de jaren 1701-1713 van de Spaanse Successieoorlog.
Portret van Louis-Philippe de Ségur
Object type: print
Date: 1801 – 1825
Materials: paper
Techniques: lithograph
Location: london
Subjects: paris, politician, history and archaeology (+ portrait of scholar, scientist), historical persons, diplomacy, diplomat
Panel
Object type: textile
Date: 1900 – 1900
Materials: cotton, dye, textile
Techniques: printing block, printing, satin weave, weave
Location: england
Nederlandsche Courant, 12 juli 1784
Object type: newspaper
Date: 1784 – 1784
Materials: paper
Techniques: letterpress printing
Location: nieuwer-amstel
Subjects: newspaper, news-sheet

Exemplaar van de krant 'Nederlandsche Courant' van 12 juli 1784. Enkelbladig, beide zijden bedrukt. Bovenaan een vignet met de Vrijheid en Mercurius. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Officieele Nieuwsbladen.
Brooch
Object type: brooch
Date: 1860 – 1869
Materials: gold
Culture: american or european
Subjects: animals,women
Jar
Object type: jar
Date: 1601 – 1700
Materials: glaze, stonepaste
Techniques: luster painting
Location: iran
Vissen met pijl en boog
Object type: print
Date: 1582 – 1633
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: native peoples of the americas, fishing (sports) (+ bow and arrow)
Inscriptions: collector's mark: Lugt 2228

Oorspronkelijke Amerikanen vangen vis in een rivier door ze van op de oever met pijl-en-boog neer te schieten. De prent heeft een Latijns onderschrift en maakt deel uit van een serie van 54 prenten.
Portrait of Adrienne Le Couvreur
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: engraving
Location: france
Artist: pierre-imbert drevet
Artist nationality: french
Artist dates: 1697 – 1739
The land of Sleepy Hollow and the home of Washington Irving
Object type: book
Date: 1887 – 1887
Materials: cardboard, linen, paper
Techniques: photoaquatint, printing
Location: new york city
Artist: james leon williams
Artist role: fotograaf
Inscriptions: number: ‘No. 488’
Portret van Diederick Snyder
Object type: book illustration
Date: 1677 – 1677
Materials: paper
Techniques: engraving
Location: middelburg
Subjects: historical persons, amsterdam
Inscriptions: collector's mark: Lugt 2228

Portret van Diederick Snyder, de leider van een groep van twaalf Wederdopers die in 1535 naakt door Amsterdam liep, biddend en onheil verkondigend. Hij draagt een harnas en houdt een hellebaard vast. Zijn andere hand rust op een boek met sluitlinten. Op de achtergrond is afgebeeld hoe de mannen en vrouwen schreeuwend en naakt door de straten lopen.
Fragment
Object type: fragment
Date: 1601 – 1700
Materials: silk
Subjects: lions
Ontwerp voor programma bij theater L'Oeuvre met portret van schrijvers Oscar Wilde en Romain Coolus
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Artist: henri de toulouse-lautrec
Artist role: draughtsman, painter, print maker
Artist dates: 1864 – 1901
Subjects: paris, portrait of a writer
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt, collector's mark: Lugt 2760

Ontwerp voor programma bij theater L'Oeuvre met portret van schrijvers Oscar Wilde (rechts) en Romain Coolus (links). Het programma werd gebruikt voor een aankondiging van twee toneelstukken, Raphaël van Coolus en Salomé van Wilde.
Louis Blanc
Object type: photomechanical print
Date: 1873 – 1880
Materials: paper
Techniques: woodburytype
Artist: lopez
Subjects: politician, historical persons
A Bankrupt Cart, or The Road to Ruin in the East!
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,horses,carriages
Toscaanse boerderij
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: drypoint, etching
Location: italy
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist dates: 1876 – 1938
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Een Toscaanse boerderij, op de voorgrond een paar beesten, achter het huis een kerkje.
Portrait of an elderly lady with a gold wreath
Object type: panel painting, elderly lady with a gold wreath
Location: egypt
Subjects: portraits,women

Slightly turned shoulders and heads, naturalistic coloring, directional lighting, and use of shading and highlights to indicate volume are all elements of the Hellenistic naturalistic and illusionistic painting style. The paintings in this series (09.181.1-.8) were executed using the encaustic technique-pigment in a wax medium, which produces rich color with depth, rather like that in oil painting. Individual and family characteristics often seem to be incorporated in the panels, indicating that actual verisimilitude was desirable. They do not seem, however, to have been painted during life to hang in the home. Studies comparing the ages of mummies with their portrait panels indicate that most portraits were painted at or near death. It is possible that they were made to be carried in the procession (ekphora) of the deceased through a town or village, a Greek rite after which the body was taken to the embalmers for mummification, and the portrait panel was cut to fit in the mummy wrappings. As in other painted panel portraits depicting older women, this one shows the subject with earrings as her only ornament. Her gray hair falls in loose curls that are quite unrelated to imperial court fashion. Her face is strong, bony, and tanned. The strongly reddish colored tunic, typical for female portraits of the late first to early second century, and the similarity to male portraits of the Trajanic period, suggest a dating to that time.
Pauline Hall, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Snuffbox with six maritime scenes
Object type: snuffbox, painting
Date: 1770 – 1771
Materials: gold, paper
Artist: dominique-françois poitreau
Artist role: maker
Artist dates: 1711 – 1811
Subjects: human figures,boats

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Romeinse ruïnes en kustlandschappen (serie 1)
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ruin of a building ~ architecture, landscape with ruins, coast
Inscriptions: collector's mark: Lugt 2228

Links een zuil en een onder een ruïne van een Romeinse tempel gebouwd huis. Daarachter het strand met een fort en een boogvormige onderdoorgang in de rotsen. Twee bootjes liggen aan de kust. Prent maakt deel uit van een serie Romeinse ruïnes en kustlandschappen naar een prentserie van Willem van Nieulandt.
Sword Dancer
Object type: hanging scroll
Date: 1801 – 1900
Materials: ink, silk
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: swords,dancers
Phillip II, King of Spain
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: engraving
Location: belgium
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Sibylle Samienne
Object type: print
Date: 1635 – 1635
Techniques: engraving, etching
Artist: gilles rousselet
Artist role: artist
Artist nationality: french
Artist dates: 1614 – 1686
Subjects: portraits,women
Rekenpenning uit Neurenberg van het Rechenmeister-type
Object type: history medal
Date: 1550 – 1650
Materials: brass
Techniques: striking
Location: nuremberg
Artist: Anonymous

Messing penning, op de voorzijde een man achter een rekentafel binnen een veelpas, op de keerzijde een versierd vierkant met het alfabet in vier regels.
Scylla in avem Cyrim
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: scylla changed into a lark: when falling from minos' boat (or when throwing herself into the sea), scylla, daughter of nisus, is changed into a lark; she is then pursued by the hawk into which her father was transformed (ovid, metamorphoses viii 145), scrollwork, strapwork ~ ornament

Illustratie bij de Metamorfosen van Ovidius, afkomstig uit de publicatie: Posthius, Johannes. Tetrasticha in Ovidii metam. Frankfurt am Main: Georg Rab en Sigmund Feyerabend en erven Weigand Han, 1569. De voorstellingen en ornamentranden van deze boekillustraties zijn van twee aparte blokken gedrukt. Beide werden afzonderlijk van elkaar ook gebruikt voor andere publicaties, en de ornamentranden werden eveneens binnen deze publicatie meerdere keren gebruikt.
Raccoon, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: animals

Trade cards from the "Wild Animals of the World" series (N25), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1701 – 1800
Materials: silver alloy, gold, iron, silver
Culture: japanese
Location: japan
Subjects: birds
Three Textile Fragments
Object type: textile fragment
Date: 1700 – 1700
Materials: metal thread, silk
Techniques: brocade
Location: india
Subjects: flowers
H. Andreas
Object type: print
Date: 1640 – 1701
Materials: paper
Techniques: engraving
Location: paris
Artist: pierre landry
Artist role: print maker
Artist dates: 1630 – 1701
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll - portrait of male saint
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment from a kantharos: head vase
Object type: kantharos fragment, head vase
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

From the cuff of a plastic kantharos, head and part of upper torso of a draped woman to right, wearing a sakkos, chiton, and himation
Portret van William Richards
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Artist: john smith (prentmaker/ uitgever)
Artist role: print maker, publisher
Artist dates: 1652 – 1743
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 240
Reproductie van een gravure van een botanische tuin op de Exposition Nationale van 1880 in Brussel, door Armand Heins
Object type: photomechanical print
Date: 1881 – 1882
Materials: paper
Techniques: photograph
Location: brussels
Subjects: trade exhibition, industries fair, botanic garden, 'hortus botanicus', brussels
Inscriptions: name: ‘Heins’
Terracotta fragment of a Panathenaic prize amphora
Object type: panathenaic prize amphora fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Part of the lower part of the patterned garment of Athena?
Portret van een onbekende man
Object type: carte de visite
Date: 1900 – 1914
Materials: paper, cardboard
Techniques: gelatin silver print
Location: wuppertal
Artist: h. cleffmann
Artist role: fotograaf
Subjects: adult man, anonymous historical person portrayed
Inscriptions: inscription: ‘Vohwinkel.’
Fotoreproductie van een tekening, voorstellende een tafel met gereedschappen voor het maken van kleding
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: tools, aids, implements ~ crafts and industries, table, tools, aids, implements ~ crafts and industries: scissors
Eagle
Object type: decorative art
Date: 1890 – 1890
Materials: wood
Location: kittery point
Artist: john haley bellamy
Artist nationality: american
Artist dates: 1836 – 1914
Montivilliers
Object type: print
Date: 1903 – 1903
Materials: ivory, paper
Techniques: drypoint, etching
Location: scotland
Artist: david young cameron
Artist role: draughtsman, print maker
Artist nationality: scottish
Artist dates: 1865 – 1945
Brochure van pianohandel Stoker met de Domtoren van Utrecht
Object type: brochure
Date: 1898 – 1898
Materials: paper
Techniques: letterpress printing, lithograph
Subjects: shop, store, flowers, keyboard instruments, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Links een advertentie. Rechts het titelblad met bovenaan de tekst: 'Aangeboden door de firma Stoker bij de opening van haar magazijn te Utrecht'. In het midden de Domtoren van Utrecht geflankeerd door twee kaders met bloemen. Linksonder de fabriek van de firma Stoker in Hilversum en rechtsonder de gevel van het magazijn in Utrecht. Op verso het muziekstuk Gavotte.
Landschap met rustende boer bij een paard
Object type: drawing
Date: 1874 – 1918
Materials: paper, pencil, watercolor
Techniques: brush
Artist: martinus van andringa
Artist role: draughtsman
Artist dates: 1864 – 1918
Our Lady of Valvanera
Object type: painting
Date: 1770 – 1780
Materials: canvas, gold, oil
Culture: peruvian, cuzco
Artist: Anonymous
Artist role: artist
Subjects: birds,men,madonna and child

This painting depicts the miraculous discovery of the image of Our Lady of Valvanera by the repentant thief-turned-hermit Nuño Oñez, who kneels beside it in adoration. Hidden in the hollow of an oak tree since the time of the Muslim invasion of Spain, the location of the sacred image was revealed to the hermit in a vision. The fresh water spring that flows from beneath the tree and the bees that frame the opening in the trunk signal the hidden location. Although they are not part of the image’s miraculous origin story, the brightly colored tropical birds in the tree’s branches confirm the sacredness of the place. The discovery of the Virgin takes place in a lush mountainous landscape that evokes the Sierra de la Demanda of La Rioja, even though it is more likely inspired by Flemish pictorial models than true geography. The church in the middle ground to the left of the Virgin is the monastery of Valvanera, where the miraculous image is venerated.
Scarab Incised with Nefer Sign and Scrolls
Object type: scarab, nefer, scroll
Date: 1760 – 1670
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs

The majority of design scarabs of the late Middle Kingdom (late Dynasty 12–Dynasty 13, ca. 1850 –1640 B.C.) are decorated with symmetric compositions of protective hieroglyphs and/or scrolls. This scarab shows the sign for good and beautiful (nefer) with a decorative scroll design.
Margaret Rieche Richard
Object type: painting, miniature
Date: 1801 – 1817
Materials: enamel
Artist: dupuy
Artist role: artist
Artist nationality: german (?)
Artist dates: 1801 – 1817
Subjects: portraits,women
Saint Cloud; Study for the frieze at Saint-Vincent-de-Paul, Paris
Object type: drawing
Date: 1835 – 1864
Materials: chalk, paper
Location: france
Artist: hippolyte flandrin
Artist role: draftsman
Artist nationality: french
Artist dates: 1809 – 1864
Subjects: men,saints
Cover
Object type: textile
Date: 1675 – 1725
Materials: linen, silk
Techniques: backing, embroidery, weave, polychrome
Location: turkey
Standaard met potloden van Eberhard Faber
Object type: album leaf
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: number: ‘247’, stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’
Hamborg, Ville Imperiale d'Allemagne (...)
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om de Duitse havenstad Hamburg. Plaat nr. 139 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
Fotoreproductie van (vermoedelijk) een tekening getiteld 'Oberon en Titania'
Object type: photograph
Date: 1878 – 1878
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: munich
Subjects: faust, forest, wood, fairy, wedding anniversary celebration
Inscriptions: check stamp: ‘TS’, number: ‘30’

Onderdeel van Album met 30 fotoreproducties van tekeningen van het Faust-verhaal van J.W. von Goethe.
Chinese Magician
Object type: print
Date: 1738 – 1745
Techniques: etching
Artist: jean-baptiste perronneau
Artist role: artist
Artist nationality: french
Artist dates: 1715 – 1783
Subjects: men,snakes,magicians
Designs for Ornament
Object type: drawing
Date: 1721 – 1721
Materials: chalk, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: ornament
Spotprent op twee benoemingen, 1867
Object type: cartoon
Date: 1867 – 1867
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: amsterdam, jacob van heemskerck, maastricht

Spotprent op de benoeming van J.T. Buijs als secretaris van het Collegie van Visscherijen en op de herverkiezing van burgemeester Pijls in Maastricht, 1867. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 5, 2 februari 1867.
The Entombment, from The Passion
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Doos voor glasplaten van Wellington & Ward
Object type: box
Date: 1890 – 1890
Materials: cardboard
Techniques: printing
Location: elstree
Inscriptions: number: ‘3906AC’