deem-data/ArtiFact huggingface dataset:
Twee Fransche Oorloghs-Schepen by die van Dort genoomen
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: pirate(ship), dordrecht

Illustratie uit een onbekend werk. Titel op achterzijde van de prent. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Twee vrouwen met bloemen
Object type: page
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Subjects: picking flowers, flowers

Boven: vrouw die bloemen plukt, onder: portret van een onbekende vrouw met bloemen in haar haar.
Portrait of an officer
Object type: medallion
Date: 1701 – 1900
Materials: mother of pearl, ribbon
Subjects: men,profiles
Cathedral Towers
Object type: photograph
Date: 1861 – 1861
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: mountains,landscapes,trees
Het Gast huys
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: hospital

Prent uit: Dapper, Olfert. Historische beschryving der stadt Amsterdam (...). 2 dln. Amsterdam: Jacob van Meurs, 1663, dl. 1, p. 404.
Later ook uitgegeven in: Zesen, Philip von. Beschreibung der stadt Amsterdam (...). Amsterdam: Joachim Noschen, 1664, p. 88.
A Coster Woman
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: philipp william may
Artist nationality: english
Artist dates: 1864 – 1903
Vase
Object type: vase
Date: 1801 – 1850
Materials: enamel, porcelain
Techniques: engraving, overglaze, painting
Culture: chinese
Subjects: flowers,leaves
Enquêteformulier ingevuld door Matthijs Quispel
Object type: questionnaire
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: dordrecht
Subjects: dordrecht, painter, draughtsman, matthijs quispel
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Cabinet de lecture au Japon
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: etching, intaglio
Artist: félix hilaire buhot
Artist role: draughtsman, print maker
Artist dates: 1847 – 1898
Subjects: japanese, public library
Inscriptions: annotation: ‘coll. [?] h. Regnault/ Buhot. Cabinet de lecture au Japon’, collector's mark: Lugt 2228
In Front of the House
Object type: print
Date: 1845 – 1845
Techniques: etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: ducks,houses,children,women
Portret van Marcus Antonius De Dominis
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: rome, scholar, philosopher, historical persons
Inscriptions: inscription: ‘1560-1624’
Fontein van Marforio in het Palazzo Nuovo te Rome, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: gods of the waters: the older dynasty (second series): children of oceanus, river and small water deities, ornamental fountain

De fontein van Marforio is een van de zes sprekende standbeelden van Rome waar de inwoners van de stad vanaf de zestiende eeuw hun politieke commentaar konden uiten door middel van plakkaten.
Stock Lock
Object type: stock lock
Date: 1700 – 1900
Materials: iron
Gold chain
Object type: chain
Date: 670 – 330
Materials: gold
Culture: roman
Portret van Mies Rosenboom-Merkelbach
Object type: glasnegatief, glasplaatnegatief
Date: 1920 – 1930
Materials: glass
Techniques: jos-pé print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Arrival at the Grape Press, plate four of four from Le Travaux de la Vendange
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: etching
Location: france
Artist: joseph-marie vien, the elder
Artist nationality: french
Artist dates: 1716 – 1809
Biografie van Gijsbert van Tienhoven
Object type: text sheet
Date: 1911 – 1911
Materials: paper
Techniques: letterpress printing
Subjects: gijsbert van tienhoven, historical persons, politician, e.g. party leader, amsterdam
Inscriptions: collector's mark: ‘19,19’ Lugt 1641b, name: ‘J.C. Matthes’

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [na 1800]. Drie bladzijden uit het tijdschrift Eigen Haard van 1911.
Battle between Romans and Barbarians
Object type: drawing and watercolor
Materials: graphite, ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: Unknown Veronese
Artist nationality: Italian
Mrs. Herbert Duckworth
Object type: photograph
Materials: glass
Techniques: albumen print
Location: england
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: portraits, portraits: female subject, photography, women

Julia Margaret Cameron began photographing at age forty-eight, after receiving a camera as a gift from her daughter and son-in-law. She soon became obsessed with photography, reveling in its messy magic and focusing more on the overall effects of her pictures than on technical perfection. Although she made portraits of some of the most important men of her day, Cameron’s female subjects helped her to explore the realm of mythology and imagination in highly allegorical and literary pictures. She delighted in dressing and posing friends, relatives, and servants as the Virgin Mary, Queen Esther, or Shakespeare’s faithful Cordelia. Julia Jackson, Cameron’s niece, was one of the few female sitters who posed for the photographer as herself. Known as a great beauty throughout her life, she was a favorite subject for Cameron, who took dozens of photographs of her over the course of ten years. In April 1867, shortly before Jackson’s wedding to her first husband, Herbert Duckworth, Cameron made a series of head-on portraits of the young bride-to-be that alternately reveal Jackson as noble, tender, and vulnerable. In this photograph, made after the wedding, Cameron captured Jackson’s mature beauty and extraordinary strength.
Gezicht op Oudewater
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: drypoint, etching, intaglio
Location: oudewater
Artist: eberhard cornelis rahms
Artist role: print maker, publisher
Artist dates: 1823 – 1907
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228

Gezicht op Oudewater met op de voorgrond weilanden en vee. Links de toren van de Sint Michaëlskerk en in het midden de toren van de Sint-Franciscuskerk.
Study of the Right Leg of a Male Child
Object type: drawing
Date: 1483 – 1520
Materials: chalk, ink
Techniques: pen, drawing
Artist: raphael (raffaello sanzio or santi)
Artist role: artist
Artist nationality: italian
Artist dates: 1483 – 1520
Subjects: feet,boys
Plattegrond van Limburg
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: fortified city, maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial)
Inscriptions: collector's mark: Lugt 195

Plattegrond van Limburg met gebouwen in vogelvluchtperspectief. Boven, in het midden, de titelcartouche met legenda 1-6. Linksboven het wapen van de koning van Spanje, rechtsboven het wapen van Limburg. Met Nederlandse tekst op verso.
Brief aan Philip Zilcken
Object type: letter
Date: 1877 – 1932
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Werkpaard
Object type: drawing
Date: 1894 – 1919
Materials: chalk, paper
Artist: wouter verschuur (1841-1936)
Artist role: draughtsman
Artist dates: 1841 – 1936
Subjects: horse
Reproductie van het schilderij Lachend meisje door een imitator van Johannes Vermeer
Object type: reproduction
Date: 1880 – 2023
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed alone - bb - woman, smiling, pearl; pearl necklace
Inscriptions: number: ‘50’
La Milletiere
Object type: print
Date: 1636 – 1650
Materials: paper
Techniques: engraving, etching
Artist: jean morin
Artist role: print maker
Artist dates: 1605 – 1650
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Ignis
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: fire (one of the four elements)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, title: ‘IGNIS’

Personificatie van vuur, een van de vier elementen, als een naakte jongeman met een bundel vuur in de hand.
Vase with Scholars in Landscape
Object type: vase
Date: 1667 – 1700
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: human figures
Briefkaart aan Anna Dorothea Dirks
Object type: postcard
Date: 1914 – 1914
Materials: cardboard, ink
Techniques: pen, writing
Location: laren
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: artist, anna dorothea dirks
Inscriptions: collector's mark: ‘RPK’
Glass cylindrical jug
Object type: jug
Date: 1 – 300
Materials: glass
Culture: roman

Translucent blue green, with same color handle. Rim folded out, up, and in, with flattened upper surface and lip around mouth; neck expanding downwards; shoulder slanting outwards with rounded edge; cylindrical body with slightly concave side tapering downwards; concave bottom; three-ribbed strap handle attached to shoulder, drawn up vertically, then turned in at an acute angle and trailed onto neck. Intact; few bubbles; dulling, slight pitting, iridescence, and small patches of weathering and soil encrustation on exterior, soil encrustation, weathering, and brilliant iridescence on interior.
Abklatsch van de krijttekening op pagina 13
Object type: sketchbook leaf
Date: 1892 – 1897
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 12 uit een schetsboek met 24 bladen.
Soldato armato
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Plaque with the throne name (Djedkare) of Shebitqo
Object type: plaque, shebitqo
Date: 707 – 690
Materials: faience
Location: nubia
Landscapes of the Four Seasons
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: hu yuan
Artist role: artist
Artist nationality: chinese
Artist dates: 1823 – 1886
Subjects: mountains,landscapes
Coach #3105
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ruit met een lelie
Object type: light window
Date: 1650 – 1675
Materials: glass, lead, pigment
Techniques: enamel painting
Artist: Anonymous

Een ruit met emailschildering van een lelie in voornamelijk blauw en oranjerood.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, hand holding a pair of spears?
Vrede van Breda, aan de wijkmeesters van Leiden wegens het beschrijven der haardsteden
Object type: history medal
Date: 1667 – 1667
Materials: gold
Techniques: striking
Location: leiden
Artist: arent schmeltzing
Artist role: medailleur
Artist dates:  – 1710
Subjects: leiden

Gouden penning. Voorzijde: opschrift boven gekroond wapenschild binnen omschrift. Keerzijde: schip boven opschrift binnen omschrift
Studie
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: pencil
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932

Pagina 83 uit een schetsboek met 58 bladen.
Marching Order, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from the "Parasol Drill" series (N18), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Box for Accessories (Tebako) with Chrysanthemum Boy (Kikujidō) Pattern
Object type: box
Date: 1601 – 1633
Materials: gold, lacquer, wood
Techniques: lacquer
Culture: japanese
Subjects: flowers

Stylized, single-layered chrysanthemum blossoms, rendered in perfect circles using a burnished maki-e technique, recall earlier Kamakura-period (1185–1333) lacquers. The bamboo ladle, flowers, and river depicted on the lid refer to Chrysanthemum Boy (Kikujidō), the Noh play based on a story from ancient China. In it, an emissary of the emperor in search of a source of healing waters encounters a young boy. Having been banished from court centuries before, the youth had continued to diligently copy a couplet from the Lotus Sutra, one of the most important scriptures of Buddhism, on chrysanthemum leaves. Unaware of the lapsed time and having drunk from the stream where dew drops from the chrysanthemums had fallen, he was freed from aging and illness. In the play, the miraculous water is offered to the emperor for a distinguished and long life.
Portret van Étienne Vacherot
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: letterpress printing, engraving
Subjects: paris, politician, scholar, philosopher, historical persons, portrait of a writer, politician, e.g. party leader
Inscriptions: monogram: ‘L.C.’

Prent uit: Le monde illustré (1870) dl. 14, p. 325.
Bizon, opposum en een pelikaan in een exotisch landschap
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: mammals, landscapes in the non-temperate zone, exotic landscapes, hoofed animals: bison, water-birds: pelican
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Hennepin, Louis. Nouvelle decouverte d'un tres grand pays situé dans l'Amerique, entre le Nouveau Mexique, et la mer Glaciale. Utrecht: Willem Broedelet, 1697.
The Night Attack, Part 4 [sic; actually 5]: The Retreat across Ryogoku Bridge (Youchi yon, Ryogoku hikitori), from the series "The Revenge of the Loyal Retainers (Chushingura)"
Object type: print
Date: 1834 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Heinrich August de la Motte Fouqué
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: berlin
Artist: daniel berger
Artist role: print maker
Artist dates: 1744 – 1824
Subjects: the hague, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Motte Fouqué, Heinrich August de la. Mémoires. 2 dln. Berlijn: François De LaGarde, 1788.
Milton Bucklin, Editor Judicious Advertising, Chicago, Illinois
Object type: reproduction
Date: 1904 – 1909
Materials: paper
Techniques: autotype
Location: hamilton
Artist: Anonymous
Subjects: adult man, historical persons
The Miraculous Draught of Fishes
Object type: print
Date: 1540 – 1550
Techniques: etching
Artist: anonymous, french, school of fontainebleau, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: men,women,fishing,boats
Houten standaard of kruk gedecoreerd met een plantmotief
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Inscriptions: collector's mark: ‘Kunstnijverheidschool Quellinus Amsterdam Frans Halsstraat 14.’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’, inscription: ‘LV. Kat 282 167’
Gezicht op de Schreiershoek
Object type: drawing
Date: 1865 – 1925
Materials: paper, pencil
Location: amsterdam
Artist: jan hillebrand wijsmuller
Artist role: painter, print maker
Artist dates: 1855 – 1925
Subjects: city-view in general; 'veduta', towers ~ fortified city, canal
Inscriptions: signature: ‘J.H.W.’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 10.
[Female portrait]
Object type: glass positive
Date: 1880 – 1889
Materials: glass
Artist: thomas eakins
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1916
Subjects: profiles,women
Schilderijlijsten
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: frame of painting, etc.

Blad 45 recto uit een schetsboek met 47 bladen.
Self-portrait open mouthed, as if shouting: bust
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: leiden, amsterdam, painter, print maker, rembrandt van rijn
Inscriptions: collector's mark: Lugt 240, monogram and date: ‘RHL 1630’
Sater met twee nimfen
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Location: antwerp
Subjects: non-aggressive, friendly or neutral activities and relationships of satyr(s), nymphs (in general); 'ninfe in commune' (ripa)
Inscriptions: collector's mark: Lugt 240
Lint van witte zijde, versierd met het gekroonde medaillonportret van Koning Willem III uitgevoerd in brocheerwerk
Object type: ribbon material
Date: 1849 – 1890
Materials: silk
Techniques: brocade, weave
Location: netherlands
Artist: Anonymous
Inscriptions: inscription

Lint van witte zijde, veriserd met brocheerwerk. Op het lint, dat langs de boven en onderrand is versierd met de driekleur, is het gekroonde medaillonportret van Koning Willem III aangebracht, waaronder het Nederlandse Rijkswapen.
Blad uit De Lof der Zotheid
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Location: gdansk
Subjects: rotterdam, desiderius erasmus, riding a horse, ass, or mule; rider, horseman, female sex; woman, folly, foolishness; 'pazzia', 'sciocchezza', 'stoltitia' (ripa), fool's cap, cupids: 'amores', 'amoretti', 'putti', other specific aspects of venus
Inscriptions: collector's mark: Lugt 2228

Blad met zeven omkaderde illustraties, elk behorend tot een apart tekstdeel. Afgebeeld zijn: de toewijding, de zotheid, Neotis, Cupido, Venus en de vrouw.
Rechtsboven genummerd: I.
Card Number 69, Irene Varonia, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Johann Zwinger
Object type: print
Date: 1759 – 1815
Materials: paper
Techniques: etching
Artist: heinrich pfenninger
Artist role: print maker
Artist dates: 1749 – 1815
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Fragment
Object type: fragment
Date: 1801 – 1900
Materials: cotton, silk
Subjects: flowers,leaves
The Holy Family Resting in a Wood, plate 23 from The Flight into Egypt
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Childs, 2nd Base, Philadelphia, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Herder met een schaapskudde op een pad
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., road, path, sheep, herd, flock

Blad 7 recto uit een schetsboek met 44 bladen.
Het beeld van Erasmus te Rotterdam beschoten door de Spanjaarden, 1572
Object type: design
Date: 1789 – 1791
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: rotterdam, desiderius erasmus, the (nude) human figure; 'corpo humano' (ripa), piece of sculpture, reproduction of a piece of sculpture, monument, statue, iconoclasm, historical events and situations

Spaanse soldaten onder Bossu beschieten het standbeeld van Erasmus te Rotterdam, 1572. Links een gebarende priester. Ontwerp voor een prent.
Plate 6: two male figures standing on a rock at right, a waterfall at center with another male figure on its left bank, from 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's)
Object type: print
Date: 1700 – 1725
Techniques: etching
Artist: franz joachim beich
Artist role: artist
Artist nationality: german
Artist dates: 1665 – 1745