deem-data/ArtiFact huggingface dataset:
Headdress
Object type: headdress
Date: 1800 – 1800
Materials: metal, silk
Culture: french
Le pied à travers la chaussure
Object type: x ray
Date: 1896 – 1896
Techniques: gelatin silver print
Artist: dr. henri van heurck
Artist role: artist
Artist nationality: belgian
Artist dates: 1838 – 1909
Subjects: feet
Vier serimpies
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: the audience ~ art performance, folk costume, regional costume, group of women (folk dancing)

Op de achtergrond enkele toeschouwers. Pagina 22 en 23 uit een schetsboek met 74 bladen.
Study of Two Angels
Object type: drawing and watercolor
Date: 1661 – 1666
Materials: chalk, paper
Location: italy
Artist: mattia preti (il cavalier calabrese)
Artist role: artist
Artist nationality: italian
Artist dates: 1613 – 1699
Cup and saucer
Object type: cup and saucer
Date: 1790 – 1790
Materials: hard paste porcelain
Artist: royal porcelain manufactory, berlin
Artist role: manufactory
Artist nationality: german
Artist dates: 1763 – 9999
H. Maria Magdalena als boetvaardige zondares
Object type: print
Date: 1749 – 1799
Materials: paper
Techniques: etching
Artist: françois joseph lonsing
Artist role: print maker
Artist dates: 1739 – 1799
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 2228

De heilige Maria Magdalena, berouwvol met een crucifix in haar armen.
Inscribed balustrade or stela element, Aten cartouches
Object type: inscribed balustrade or stela element, aten cartouch
Date: 1353 – 1336
Materials: limestone
Location: egypt
Boeren op een dorpsmarkt
Object type: print
Date: 1924 – 1924
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: village, market
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Abklatsch van een tekening
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Mogelijk een man in een landschap. Pagina 63 uit een schetsboek met 38 bladen.
Schets met enkele bomen
Object type: drawing
Date: 1750 – 1809
Materials: paper, pencil
Artist: david alphonse de sandoz-rollin
Artist role: draughtsman
Artist dates: 1740 – 1809
Subjects: trees
Portret van Andreas Vesalius
Object type: book illustration
Date: 1587 – 1587
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Artist: bernhard jobin
Artist role: printer, publisher
Artist dates: 1545 – 1593
Subjects: brussels, historical persons, physician, doctor

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium (...). Straatsburg: Bernhard Jobin, 1587. Prent ook gebruikt in de Duitse editie, uitgegeven in hetzelfde jaar, en de 1590-editie. Prent ook gebruikt in latere publicaties.
Portret van drie onbekende mannen, waarvan één mogelijk David Octavius Hill, met een object
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Artist: david octavius hill
Artist role: fotograaf
Artist dates: 1802 – 1870
Subjects: adult man, anonymous historical person portrayed
Mask of a young person with an unusual hairstyle
Object type: mask, young person, unusual hairstyle
Materials: paint, plaster
Location: egypt

The plaster masks derive from pharaonic traditions, in which the mask served as a substitute for the head of the deceased and as a means of elevating him or her to immortal status. The derivation is often reflected in paintings and texts located on the mantle surrounding the head. Like the painted mummy portraits, the masks suggest strongly individualized appearances and affect Roman fashions in hairstyle, jewelry, and dress. They follow, however, a somewhat different pattern. For example, female masks may have coiffures that combine Roman arrangements of the upper part of the hair with long corkscrew locks that were considered typically Egyptian. Despite the seeming individuality of the masks, most faces were made in a mold. Distinguishing details were worked in the plaster with a spatula or knife. The ears were added separately, and sometimes eyes were inlaid with glass or stone. The mask was then frequently painted or gilded. The face-broad at the temple, with narrow slightly modeled eyes, an arched nose, and a delicate smile-seems to be that of a young person. Tight curls cover the top of the individual's head, while longer locks flow out onto the support on which the head rests. No earrings or other jewelry are worn that would make a female gender identification likely so it seems probable that the mask represents a young man who wears his hair longer in back.
Gonzalo Gustos herkent zijn zoon aan zijn ring
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: antwerp
Subjects: warfare; military affairs (+ cavalry, horsemen), tales and fairy tales, ring, recognizing
Inscriptions: number: ‘37’, collector's mark: Lugt 11, collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 40 prenten (+ titelprent) met voorstellingen uit het volksverhaal over de zeven infanten van Lara.
Brynan, Pitcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
On the Ramble, Near the Lake, from the series, Views in Central Park, New York, Part 3
Object type: print
Date: 1864 – 1864
Techniques: lithograph
Artist: louis prang & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1800 – 1950
Subjects: men,women,lakes
Terracotta oil lamp
Object type: lamp
Date: 101 – 200
Materials: terracotta
Culture: roman

Loeschcke Type 8. Mold-made, with ring handle. Plain, deeply concave discus; a single filling hole at center and with a band of two grooves and raised lines at edge of discus. On almost horizontal shoulder, around inner edge, a pattern of impressed circles containing raised dots. Incised ring base, and a slightly concave base. Intact.
Bacchanal with a Wine Vat
Object type: print
Date: 1470 – 1470
Materials: paper
Techniques: engraving
Location: italy
Artist: workshop of andrea mantegna

Andrea Mantegna was an artist with a deep interest in antiquity, and much of his work resembled Greco-Roman sculpture, which he translated into widely circulating and frequently copied engravings. This is the left half of a pair of prints; the adjoining print Bacchanal with Silenos (1956.1010) is also in the Art Institute’s collection. Mantegna’s frieze-shaped bacchanalian subjects portray the god of wine and his drunken revelers. Dionysos may be the standing youth on the left, who is being crowned with a wreath of grape leaves. His noble bearing and contrapposto stance link him particularly to ancient sculptures.
Saint Adoring the Madonna and Child
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: drawing, pen
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: angels,madonna and child,saints
Head of a Man with Furrowed Brow
Object type: sculpture
Date: 200 – 1
Materials: terracotta
Culture: greek
Location: greece
The Empress Kneels Before Saint Martin
Object type: roundel
Date: 1430 – 1430
Materials: linen, metal thread, silk
Culture: south netherlandish
Subjects: men,women,saints

This roundel originally formed part of an extensive series illustrating the life of St. Martin which decorated an altar frontal or a set of liturgical vestments. The silk and metallic threads produce a variety of textures and a sense of depth that animate the surface and the narrative. In the first scene St. Martin, on his way home to convert his parents, is assaulted by brigands-an encounter which resulted in the conversion of the attackers. In the other the wife of the emperor Maximian kneels before St. Martin. Please note that this textile object is exhibited on a rotating basis due to conservation requirements.
Gezicht op een werkplaats met borstelmachines in een papierfabriek in Turnhout
Object type: page
Date: 1901 – 1906
Materials: paper
Techniques: autotype
Location: turnhout
Subjects: machine driven by electricity, paper (writing material), workshop-interior
Inscriptions: inscription: ‘Fig. 13. - Turnhout: Machines à brosser.’, monogram: ‘AN’
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: compound weave
Culture: japanese
Subjects: hills
Edward Enoch "Jersey" Bakely, Pitcher, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Valentine
Object type: valentine
Date: 1850 – 1870
Materials: lace, paper
Techniques: chromolithography, embossing, gilding
Artist: Anonymous
Artist role: artist
St. Jerome Reading
Object type: print
Date: 1634 – 1634
Techniques: etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: reading,lions,trees,saint jerome
Portret van Cornelis Schrijver
Object type: book illustration
Date: 1861 – 1861
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Jonge, Johannes Cornelis de. Geschiedenis van het Nederlandsche zeewezen. Haarlem: Arie Cornelis Kruseman, 1861, dl. 4.
Document Sealings With the Throne Name of Thutmose III
Object type: sealing, thutmose iii, menkheperre, lion
Date: 1390 – 1352
Materials: mud
Location: egypt
Strook kloskant met golvende lijn
Object type: strip
Date: 1870 – 1870
Materials: linen
Techniques: lace
Location: sluis
Artist: Anonymous

Strook naturelkleurige kloskant: Valenciennes-kant. Op een traliegrond, een vierkante Valenciennes-grond, staan gestrooide stengelloze margrietjes tussen pailletten. Langs de rand loopt een golvende lijst met zigzag-lijn, aan weerszijden waarvan eenzijdig gerichte stengels met kelkbloempjes. De motieven zijn gemaakt in linnenslag met opengewerkte randjes en uitsparingen. Overstekende paren zorgen voor een versierend effect en in bloemharten staat een sneeuwvlok. De strook is gerimpeld aan een smallere strook met stengelloze margrietjes genaaid.
Le-Clerc
Object type: print
Date: 1790 – 1880
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: commander-in-chief, general, marshal, historical persons, horse
Inscriptions: collector's mark: Lugt 2228

Portret van een man te paard, volgens het onderschrift genaamd Le-Clerc, adjudant-generaal van het Franse leger in Italië.
Cuneiform tablet: receipt of unshorn sheep
Object type: cuneiform tablet
Date: 2060 – 2060
Materials: clay
Culture: neo-sumerian
Location: mesopotamia
Subjects: sheep
Panel (part of a set)
Object type: panel
Date: 1701 – 1800
Materials: wood
Subjects: flowers,leaves
Landschappen
Object type: print
Date: 1623 – 1653
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet), windmill, coast
Inscriptions: collector's mark: Lugt 240

Heuvelachtig landschap met graanvelden, een boerendorp en een molen. Rechtsachter een dorp aan zee. Prent uit een serie landschappen.
Portret van Louis-Guillaume Otto
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: engraving, roulette
Location: london
Artist: Anonymous
Subjects: paris, historical persons
Inscriptions: date
Knopstoel met matten zitting
Object type: chair
Date: 1690 – 1710
Materials: fiber, wood
Location: amsterdam
Artist: Anonymous
Portret van André le Nôtre
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Subjects: historical persons, portrait, self-portrait of architect, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 240
Gezichten te Pangkalpinang en Soengeislan
Object type: photograph
Date: 1907 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, opencast mine; strip mining, minerals and metals: tin
Inscriptions: inscription

Albumblad met vier foto's genummerd 109-112 van verschillende gezichten te Pangkalpinang en Soengeislan op Banka: gieten van tin, ondergelopen groeve, dorpsgezicht. Onderdeel van het Banka-Album met foto's over het eiland Banka en de tinwinning door het staatsbedrijf de Banka-tinwinning in de periode ca. 1907-1919.
Terracotta fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 520 – 510
Materials: terracotta
Culture: greek, attic
Artist: psiax
Artist role: artist

Exterior, part of a palmette with a red heart
L'Oeuvre gravé sur bois de Auguste Lepère
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: engraving
Location: paris
Subjects: square, place, circus, etc., prospect of city, town panorama, silhouette of city, paris
Inscriptions: collector's mark: Lugt 2228

Deze serie heeft als titel 'Le long de la Seine et des boulevards'. Deze serie is het vierde deel van het grotere geheel 'L'Oeuvre gravé sur bois de Auguste Lepère'.
Portret Ferdinand de Neufville
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Artist: robert nanteuil
Artist role: print maker
Artist dates: 1623 – 1678
Subjects: clergyman
Inscriptions: date

Buste naar links, in ovale lijst met randschrift. Wapen middenonder.
Gezicht op de Kleine Houtpoort, Haarlem
Object type: photograph
Date: 1855 – 1855
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: kleine houtpoort
The Third Ichikawa Yaozo in the Role of Otokodate Sukeroku
Object type: woodblock print nishiki e
Date: 1784 – 1784
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors,umbrellas
Ontwerp voor een muurlamp, in de vorm van een zeepaardje
Object type: drawing
Date: 1874 – 1945
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: ornament derived from animal forms, bony fishes: seahorse, electric lamp
Figuurstudies
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) (+ positions (of the human figure))

Blad 26 verso uit schetsboek V met 33 bladen.
Gezicht op de Halvemaansbrug
Object type: photograph
Date: 1863 – 1915
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘4’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel van Doelensluis tot Blauwbrug.
Façade van de Groene Moskee in Bursa
Object type: photograph
Date: 1888 – 1900
Materials: paper
Techniques: albumen print
Location: bursa
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘No 70’
Jongen in zeilboot bij opkomende zon
Object type: study for binding design
Date: 1890 – 1920
Materials: ink, linen
Techniques: printing
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, boy (child between toddler and youth), sunrise
Inscriptions: collector's mark: Lugt 2228
De Amsterdammer; weekblad voor Nederland
Object type: magazine
Date: 1914 – 1914
Materials: paper
Techniques: printing
Location: amsterdam
Artist: henri pierre leonard wiessing
Artist role: journalist
Artist dates: 1878 – 1961
Subjects: netherlands
Inscriptions: date

Nummer van een tijdschrift (no. 1941 van 'De Amsterdammer'), 8 genummerde pp in groene papieren omslag (van 4 pp) met vnl advertenties. Gedateerd; l.b.: Zondag 6 September 1914.
Het Clipperschip "Metalen Kruis" Amsterdam 1856
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: hand coloring
Location: amsterdam
Artist: charles binger
Artist role: print maker, printer
Artist dates: 1830 – 1916
Subjects: ship's portrait (+ propulsion of vehicle, ship, etc. by wind), amsterdam
Inscriptions: collector's mark: Lugt 2228

De klipper genaamd 'Metalen Kruis', gebouwd te Amsterdam door A. van der Hoog voor de boekhouders A. Poort & Co. en van stapel gelaten in september als onderdeel van de feestelijkheden rond de onthulling van het monument Gedenkteken aan de Volksgeest van 1830 en 1831 te Amsterdam op 27 augustus 1856.
Quart Decanter
Object type: quart decanter
Date: 1830 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Tangut Horseman
Object type: hanging scroll
Date: 1368 – 1700
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,horses
Boten op het water bij een ophaalbrug
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), bridge

Blad 12 recto uit een schetsboek met 50 bladen.
Serie 4: Franse, Duitse en Engelse Gebeurtenissen, 1576-1610
Object type: print
Date: 1603 – 1605
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: knighthood order, becoming a knight, knighting, london

Hertog Frederik van Württemberg door Jacobus I tot Ridder in de Orde van de Kousenband geslagen, 16 november 1603. In de voorstelling opschriften in het Duits. Met onderschrift van 14 regels en legenda A-E in het Duits. Linksonder genummerd: 347. De prent maakt deel uit van een album.
Portret van een paus
Object type: cabinet photograph
Date: 1878 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: vatican city
Artist: francesco de federicis
Artist role: fotograaf
Subjects: pope
Inscriptions: name: ‘F. De Federicis Roma Via Cesarini N. 8.’
Pan Teaching the Young Olympus to Play the Flute, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1540 – 1580
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: male nudes,flutes,satyrs,pan

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 81 in the scrapbook.
Bottle
Object type: bottle
Date: 1820 – 1840
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: triptolemos painter
Artist role: artist

Interior, right buttock, right leg, part of left calf and right forearm and hand of male; below, a pick; Exterior, feet, crossed at ankles; part of round shield and calf and heel of warrior; part of round shield, in three-quarter view, and two right feet
Jan Toorop. De profetesse
Object type: photomechanical print
Date: 1923 – 1935
Materials: cardboard
Techniques: photograph, writing
Location: amsterdam
Subjects: prophets, sibyls, evangelists, doctors of the church; persons ~ the bible (not in biblical context), adult woman (+ two persons)
Inscriptions: postage stamp
Gezicht op Goes
Object type: print
Date: 1719 – 1725
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter hendricksz. schut
Artist role: print maker
Artist dates: 1618 – 1660
Subjects: prospect of village, silhouette of village

Prent uit: Speculum Zelandiae dat is een beschryvinge ofte afbeelding der steden, ambachts-heerlijckheden, dorpen castelen, ridderlijcke hofsteden, huysen en gebouwen gelegen inde eylanden en de graeflijckheyt van Zeelandt. Amsterdam: weduwe Ottens en Zoonen, [1719-1725].
Eerdere staat/staten van prenten is/zijn gebruikt in eerdere uitgaven van 'Speculum Zelandiae' en in andere publicaties uitgegeven door Zacharias Roman en Nicolaes Visscher (I).

De eerste publicatie waarin de eerste staat van de prent rechtsonder voorkomt dateert uit 1656. De eerste publicatie waarin de eerste staat van de andere drie prenten voorkomt dateert uit 1657.
Katoenen muts met Zaans stikwerk, verdeeld in zes vakken, waarin cirkel- en ellipsvormige bloemmotieven; op de kruin een rozet met driehoeken en kleine bladeren
Object type: cap
Date: 1700 – 1750
Materials: cotton
Techniques: embroidered, quilting
Location: netherlands
Artist: Anonymous

Muts met Zaans stikwerk, verdeeld in zes vakken waarin cirkel- en ellipsvormige bloemmotieven. Op de kruin heeft het patroon een rozet met driehoeken en kleine bladeren.
Portret van Adrianus van Herwaarden
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Liggend paard
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse

Pagina 6 uit een schetsboek met 27 bladen.
Portret van schilder Giovanni Antonio Pordenone
Object type: print
Date: 1834 – 1842
Materials: paper
Techniques: engraving
Location: italy
Subjects: painter, print maker, draughtsman, pordenone, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Naar geschilderd zelfportret door Pordenone in de Galleria degli Uffizi te Florence.