deem-data/ArtiFact huggingface dataset:
Allegorie op de Vrede van Amiens, 1802
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: printing, engraving, hand coloring
Location: netherlands
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), conqueror triumphing, triumphal entry of victor
Inscriptions: collector's mark: Lugt 2228

Allegorie op de Vrede van Amiens, op 27 maart 1802, die een einde maakte aan de oorlog tussen Groot-Brittannië en de Franse republiek, Spanje en de Bataafse Republiek. Centraal zweeft de Vrede door de wolken met een olijftak in de hand. Linksonder keert het afgematte leger terug binnen de vesting.
Kous met een ruitmotief in gerstekorrelsteek
Object type: stocking
Date: 1690 – 1710
Materials: linen
Location: amsterdam
Artist: Anonymous

De kous is gebreid van wit linnen, met een teenstuk, een kleine en een grote hiel, een kuit, middenachter een naad en ter hoogte van de enkel een ruitmotief in gestekorrelsteek.
Jan Catharinus Schüller op het terrein van de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: print maker, draughtsman, jan schüller, world fair, world exhibition
Inscriptions: annotation: ‘Vader’, annotation: ‘Met rijlaarzen etc’

Jan Catharinus Schüller op het terrein van de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904.
Volkswagen garage
Object type: photograph
Date: 1955 – 1975
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: repair shop, garage for repairs, supplies etc., automobile, germany

Albumblad met een foto van Glitsch voor een Volkswagen garage. Onderdeel van een fotoalbum over de diensttijd van Dieter Glitsch uit Hardegsen tijdens de Tweede Wereldoorlog en de jaren daarna.
Portion of Silk Gauze Sari
Object type: sari, silk gauze, portion of
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: birds,flowers,leaves
Capuchin
Object type: capuchin
Date: 1810 – 1810
Materials: silk
Culture: american
Metamorphoseon sive transformationum
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: italy
Subjects: canens in search of picus, who on account of his spurning circe had been changed into a woodpecker
Inscriptions: collector's mark: Lugt 240

Canens zweeft met twee fakkels boven een rivierlandschap zoekend naar Picus. Op de voorgrond rechts een riviergod (Tiber?) en de Lupa Capitolina die de tweeling Romulus en Remus zoogt. Titel in het Latijn in ondermarge.
Fribourg. La Chapelle de Lorette
Object type: stereograph
Date: 1906 – 1906
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: fribourg
Subjects: church (exterior) - qq - small church, chapel
Inscriptions: inscription: ‘Neue Photographische Gesellschaft A. G., Steglitz-Berlin 1906.’, number: ‘176’
Square
Object type: square
Date: 1801 – 1900
Materials: silk
Firenze - Galleria Uffizi - Venere de'Medici (Scultura Greca)
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: statues, paintings, etc. ~ objects of worship in greek religion, permanent exhibition, museum
Inscriptions: collector's mark: ‘AFE v S’
Twee tulpen met salamander
Object type: album leaf
Date: 1637 – 1637
Materials: paint, parchment, pencil, watercolor
Techniques: brush
Artist: jacob marrel
Artist role: draughtsman, painter
Artist dates: 1614 – 1681
Subjects: salamander (fabulous animal); salamander as spirit of fire, flowers: tulip

De tekening maakt deel uit van een album.
Mr. Baill.., plate 312 from Célébrités de la Caricature
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph, printing
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Spotprent op de Nederlandsche Maatschappij tot Bescherming der Dieren, 1865
Object type: cartoon
Date: 1865 – 1865
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: animals acting as human beings
Inscriptions: collector's mark: Lugt 2228

Spotprent op de premie uitgeloofd door de Nederlandsche Maatschappij tot Bescherming der Dieren aan bedrijven die de dieren zonder kwelling naar de slachtbanken brengen. Twee mannen trekken een rijtuig gemend door een aap en waarin dieren zitten en sigaren roken. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 42, 21 oktober 1865.
Border
Object type: border
Date: 1675 – 1700
Techniques: lace
Subjects: putti
Mahamayuri Vidyaraja
Object type: painting
Materials: cotton, ink
Location: china
Artist: Anonymous
Actress wearing feathered hat, from Stars of the Stage, Third Series (N131) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1891 – 1892
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: hats,portraits,women,actresses
Dier tussen twee bomen
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: trees, animals

Blad 19 verso uit een schetsboek met 33 bladen.
Drie vrouwen en een man, gekleed volgens de  mode van ca. 1580 in Kleef
Object type: album leaf
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: europeans: germans (+ women), europeans: germans (+ men), europeans: germans (+ costume), clothes, costume (+ men's clothes)
Inscriptions: number: ‘17’

Prent uit het boek 'Omnium pene Europae, Asiae, Aphricae atque Americae gentium habitus...', 1581. De prent maakt deel uit van een album.
Design for Frame with Trees and Trellises
Object type: drawing
Date: 1755 – 1755
Materials: chalk
Techniques: brush, incising, transfer, wash
Artist: johann oktavian salver
Artist role: artist
Artist nationality: german
Artist dates: 1732 – 1788
Subjects: birds,ornament
Connoisseurs
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,cupid,venus

Rowlandson here directs his visual wit against a group of elderly art enthusiasts who lean in appreciatively to examine a painting of Venus and Cupid. Their lecherous expressions, the voluptuous subject before them, and the biblical scene of Susanna and the elders on the wall behind all suggest that their devotion to art does not arise out of aesthetic appreciation alone. To create texture and shadow, the artist etched a network of fine lines, using touches of stipple to help define the forms. Rowlandson's publisher would have directed the watercolor additions.
Portret van Victor Hugo
Object type: carte de visite
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: paris, victor hugo, historical persons, portrait of a writer
Inscriptions: name: ‘Victor Hugo’
Bowl with Parrot Motif
Object type: vessel
Materials: ceramic glaze, glaze, stoneware
Location: korea
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Interior, bit of hair and forehead of youth to right; one letter of an inscription, pi
Gauntlet Dagger (Pata)
Object type: gauntlet dagger pata
Date: 1601 – 1700
Materials: iron, silver, steel
Culture: european or south indian
Prestige Stool: Lion Base
Object type: stool
Date: 1801 – 1900
Materials: wood
Culture: akan
Location: ghana
Subjects: lions
Rapier
Object type: rapier
Date: 1600 – 1600
Materials: iron, steel, metal
Culture: spanish
Location: spain

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Two Court Ladies with Fireworks
Object type: painting
Date: 1725 – 1725
Materials: ink, paper, watercolor
Culture: indian, rajasthani, bikaner
Subjects: women,fireworks
Zelfportret: B-1-1, 24 februari
Object type: drawing
Date: 1942 – 1942
Materials: paper, pencil
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman

Zelfportret van Cor van Teeseling: B-1-1, 24 februari. Getekend zelfportret van Cor van Teeseling driekwart zijn hoofd naar rechts gewend.
Grenadier op wacht bij een kazerne
Object type: drawing
Date: 1747 – 1747
Materials: gouache, paper, watercolor
Techniques: brush
Artist: cornelis troost
Artist role: draughtsman, painter, print maker
Artist dates: 1696 – 1750
Subjects: drum (musical instrument), firearms: rifle, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 1641

Grenadier op wacht bij een kazerne. Naast hem een rij geweren en twee trommels.
Terracotta statuette of woman with bird face
Object type: statuette of a woman with bird face
Date: 1450 – 1200
Materials: terracotta
Culture: cypriot
Subjects: birds,women

This figurine is typical of Cypriot coroplastic art of the Late Cypriot II and III periods. The type, with the pubic triangle accentuated and the breasts clearly shown, is likely of Syrian origin, but Cypriot sculptors created their own variations.
York
Object type: photograph
Date: 1902 – 1918
Materials: paper
Techniques: gelatin silver print
Location: london
Artist: Anonymous
Subjects: church (exterior), prospect of city, town panorama, silhouette of city
Great Harbour, Malta
Object type: photograph
Date: 1860 – 1910
Materials: paper
Techniques: albumen print
Location: malta
Artist: horatio agius
Artist role: fotograaf
Artist dates: 1844 – 1910
Subjects: harbour
Brief aan de heer Camarelli
Object type: letter
Date: 1871 – 1871
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: art trade, art shop, the graphic arts, exhibition ~ art, money
Inscriptions: collector's mark: Lugt 2233
Plate 5: Isaac telling Esau to hunt for meat at left and Jacob and Rebekah at right, from Genesis 27, after a lost fresco in the basamento of Bay 5 of the Vatican Loggia
Object type: print
Date: 1650 – 1677
Techniques: etching
Artist: pietro santi bartoli
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1700

This plate is bound with three series after Raphael's designs for the Vatican Stanze.
Funerary figure of Duamutef
Object type: funerary figure, duamutef
Date: 1100 – 332
Materials: glass, metal
Location: egypt

These elaborate composite glass figures of the Four Sons of Horus also show traces of gilding. The date of the figures is quite uncertain. They are likely to be pre-Ptolemaic given the strongly sectional use of color, but until a careful study is done of the style of such figures through time more cannot be said with any certainty.
Man met zeis zit voor een boerderij te Staphorst
Object type: print
Date: 1773 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: agricultural implements: scythe, farm (building)
Inscriptions: collector's mark: Lugt 2233, inscription: ‘Shorst in het Landt Drenthe’
The Presentation in the Temple
Object type: print
Date: 1540 – 1545
Techniques: drypoint, etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: temples,men,christ,virgin mary

In Mariette Album, folio 15, top
Bastian, 2nd Base, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Figur des Wilden Manns und Weibs so in Engelland gebracht
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: willem barendsz., jacob van heemskerck

Een bewoner van de poolstreken peddelt in een kajak en gooit harpoenen naar vogels op het water. Op de achtergrond een rotsachtig landschap met een vrouw met kind, een man die een kajak draagt, enkele tenten met mensen en een sledehond. De titel van de prent verwijst naar de man, vrouw en kind uit het noordoosten van Canada die de Engelse ontdekkingsreiziger Martin Frobisher in 1577 ontvoerde en mee naar Engeland nam. In: 'Warhafftige Relation. Der dreyen newen unerhörten seltzamen Schiffart so die Holländischen und Seeländischen Schiff....Anno 1594, 1595 und 1596 verricht' (1598).
Detail van het koorgestoelte in de dom van Bamberg
Object type: album leaf
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: interior of church
Inscriptions: number: ‘169’
Landschap met bomen
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: landscapes in the temperate zone
Die Hirschjagd
Object type: print
Date: 1767 – 1797
Materials: paper
Techniques: etching
Artist: carl wilhelm kolbe (i)
Artist role: print maker
Artist dates: 1757 – 1835
Subjects: riding a horse, ass, or mule; rider, horseman, low hill country, hoofed animals: deer (+ antlers; horn), stag-hunting, archer's weapons: arrow
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 547
Excae catur exercitus, dum eliseo manus inferre tentat
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: etching
Location: italy
Subjects: elisha leads the blind syrians into the city of samaria, in samaria elisha restores the sight of the syrians and causes the king of israel to feed them, and to let them return peacefully to syria
Inscriptions: number: ‘19’, collector's mark: ‘Hinloopen’

Elisa brengt het geblindeerde Syrische leger bij de koning van Israël. De koning van Israël staat op een verhoging en kijkt uit over de menigte soldaten op een groot plein. Titel en onderschrift in het Latijn in de ondermarge.
Male Nude with Left Arm Upraised, and a Further Study of His Head
Object type: drawing
Date: 1607 – 1656
Materials: chalk
Artist: aniello falcone
Artist role: artist
Artist nationality: italian
Artist dates: 1607 – 1656
Subjects: male nudes
Isaac van Goudoever, kolonel van het Witte regiment van de schutterij op de Dam
Object type: insignia
Date: 1787 – 1787
Materials: silver
Techniques: casting, embroidery, fastening
Location: netherlands
Artist: Anonymous
Subjects: kolonel, isaak van goudoever, dam

Eenzijdig zilveren ovaal draagteken met parelrand en opengewerkte strik. Voorzijde: borststuk man binnen omschrift. Keerzijde: blanco; op keerzijde zijn nog twee nagels zichtbaar, waarmee voor- en keerzijde aan elkaar zijn bevestigd
Dr. Arnold
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Ruïne Slot Teijlingen, Voorhout. Gevangenis Jacoba v. Beijeren
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: voorhout
Subjects: prison, jail, ruin of a dwelling, house, castle, etc.
Beeld van een naakte krijgsman met het lichaam van een dood kind
Object type: print
Materials: paper
Techniques: engraving
Location: rome
Subjects: death of a child, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 240

Beeld van een naakte krijgsman met zwaard en het lichaam van een dood kind over de schouder, staand in een nis.
Gardener with grapes scent bottle
Object type: scent bottle
Date: 1760 – 1760
Materials: copper, enamel
Subjects: boys
Landweg bij Hilversum
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: etching
Location: netherlands
Artist: jonkheer barthold willem floris van riemsdijk
Artist role: engineer, print maker
Artist dates: 1850 – 1942
Subjects: road, path, farm or solitary house in landscape
Inscriptions: inscription: ‘Hilversum 1892’, collector's mark: Lugt 2228

Aan een landweg bij Hilversum liggen twee huizen die worden overschaduwd door geboomte. Op de voorgrond zit een man aan de rand van de weg.
Landschap met herder in octagonaal kader
Object type: kopie naar prent
Date: 1582 – 1700
Materials: paper
Techniques: etching
Location: rome
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., (high) hill
Inscriptions: collector's mark: Lugt 240

Landschap met herder in octagonaal kader, kopie naar prent van Paul Bril met landschap spiegelverkeerd weergegeven.
Romeinse gebeeldhouwde reliëfs
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: paris
Subjects: military demonstrations, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', piece of sculpture, reproduction of a piece of sculpture, (story of) the emperor titus
Inscriptions: number: ‘29’

Reliëf met een triomftocht voor de Romeinse keizer Titus. Titus staat op een triomfwagen die wordt voortgetrokken door vier paarden. Tekst in het Latijn in ondermarge. Prent maakt deel uit van een album.
Landschap met jager en twee vechtende jongens
Object type: print
Date: 1834 – 1890
Materials: paper
Techniques: aquatint, drypoint, etching, retroussage
Artist: charles verlat
Artist role: painter, print maker
Artist dates: 1824 – 1890
Subjects: landscapes, hunter, fighting
Inscriptions: collector's mark: Lugt 2228
Side chair
Object type: side chair
Date: 1810 – 1820
Materials: wood
Techniques: gilding
Culture: american
Location: united states
Fruit dish (compotier coquille) (one of a pair) (part of a service)
Object type: fruit dish
Date: 1771 – 1771
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: birds,trees

The table services produced at Sèvres in the eighteenth century were highly prized and extremely expensive. They were not only purchased by the Crown and members of the aristocracy but also given by the king as diplomatic gifts to foreign courts and visiting dignitaries, and the esteem in which they were held did much to enhance the factory’s prestige and fortunes. Because the number of pieces composing a service was very large, the cost was enormous, but this did not deter many courtiers from ordering a dinner or dessert service, or both. One of the most celebrated services produced at Sèvres was delivered to Louis-René-Édouard, prince de Rohan-Guémenée (1734–1803), on September 7, 1772. All of the pieces were decorated with the rich turquoise ground color known as bleu céleste and with birds encircled by an elaborate gilt wreath of oak leaves and acorns. Many of the components of the service bear the initials LPR ( for Louis, prince de Rohan), executed in two tones of gilding. The service cost the substantial sum of 20,772 livres, which was roughly equivalent to twice the annual income of a successful doctor at the time. This fruit dish is one of twenty-three pieces from the Rohan service now in the Museum’s collection. Originally composed of 368 pieces, the service was small in size compared to other Sèvres services, but the rich use of gilding, the expensive ground color, and the initials in two tones of gold account for its high cost.
Fish and Lotus
Object type: hanging scroll
Date: 1613 – 1685
Materials: ink, silk
Culture: japanese
Artist: kano yasunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1614 – 1685
Subjects: fish,lotuses
Portret van Clovis III, koning van Austrasië
Object type: print
Date: 1630 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, ruler, sovereign
Vrouw in overpeinzing zittend voor raam
Object type: print
Date: 1515 – 1570
Materials: paper
Techniques: engraving
Subjects: the cross ~ symbols of christ, the (nude) human figure; 'corpo humano' (ripa) (+ thinking, meditating), angels
Inscriptions: collector's mark: Lugt 240

Kopie in spiegelbeeld naar prent van Marcantonio Raimondi. Raimondi baseerde zich mogelijk op een ontwerp van Raphael. Bij deze kopie ontbreekt de engel met het kruis.
Etat-major aan dek van Z.M. stoomschip 'Zoutman'
Object type: album leaf
Date: 1807 – 1865
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: crew ~ ship, parts of ship's exterior: deck, sailing-ship, sailing-boat (with name), steamship, motorship

Op een los in het album aangetroffen strook papier worden de personen aangeduid als (staand van links naar rechts) Dronkers, Van Loon, Crommelin, Boelen, Gouwe, Kamp, Lamie, Keus en Kraaienhof, Cornelissen, Heffeling, Van der Wijk en (zittend v.l.n.r.) Horner, Damme, Doorman, Vinkhuyzen, Joekes. Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Jug with female head
Object type: jug with female head
Date: 750 – 600
Materials: terracotta
Culture: cypriot

Jug with neck in form of modeled female head, and concentric circles.