deem-data/ArtiFact huggingface dataset:
Standing Male with Tablet; separate sketch of right arm
Object type: drawing and watercolor
Date: 1873 – 1877
Materials: graphite, paper
Location: england
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Pasteipot, rond, met deksel en oor, behorend bij een servies met geslingerd lintmotief met bladertakken, bloemboeketten en gestrooide bloemtakken
Object type: pot
Date: 1780 – 1820
Materials: porcelain
Location: amsterdam

Pasteipot, rond, met deksel en oor, behorend bij een servies van porselein met geslingerd motief in paars en goud met groene bladertakken, bloemboeketten en gestrooide bloemtakken. Randen lichtgegolfd met decoratie in goud met paars bladmotief waartussen groen gekruist bladmotief. Gemerkt: M.O.L. en AMSTEL. Serie van elf stuks. Knop van deksel ontbreekt.
Portret van professor A.A. van Heusden
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: breda
Subjects: studio requisites ~ photographer, historical persons
Inscriptions: inscription: ‘Professor Dr. A.A. Van Heusden geb. 25 februari 1808 overleden 16 April 1874’
[William H. Robinson?]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Alkoof met draperieën
Object type: drawing
Date: 1886 – 1899
Materials: paper, pencil
Artist: Anonymous
Subjects: decorations (interior of the house), hangings and drapery
Inscriptions: annotation: ‘[...] hoog 4.07 [...] hoog 1.97’
Decorontwerp met een paleis
Object type: album leaf
Date: 1750 – 1750
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: set, scenery ~ stage, palace

Deze prent maakt deel uit van een reeks van ten minste dertien prenten met decorontwerpen.
Snuff Bottle with Gold Speckles
Object type: snuff bottle
Date: 1767 – 1800
Materials: glass
Culture: chinese
Spotprent op de luiheid van de landsknecht
Object type: cartoon
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: official; civil servant; functionary (in general), sluggishness, inertia; 'dapocaggine', 'pigritia' (ripa)
Inscriptions: collector's mark: Lugt 2228, : ‘Salom. (...)’

Spotprent op de luiheid van de landsknecht. Rechtsvoor zit 'Hauptman Lentz' op een stoel. Links wordt een man in een kruiwagen naar hem toe gereden door 'der Sommer'. Deze luiaard wil bij hem in dienst. Onder een baldakijn een administrateur aan een tafel met open boek voor zich. Links ligt 'Fendrich Hans Unfleisch' op de grond te slapen. Titel in cartouche: 'Der Lentz nimbt Knecht an'. Andere verklarende teksten op banderollen in de voorstelling. Vertaalde titel: wij dommen volgen de luiheid en de slaperigheid.
Woodwork and ceiling from the Tapestry Room from Croome Court
Object type: period room
Date: 1760 – 1769
Materials: plaster, wood
Techniques: tapestry
Artist: robert adam
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1728 – 1792

Lancelot "Capability" Brown (1718–1783) was responsible for the plan of the grounds at Croome Court and for the design of the house, which was his first essay in architecture. Parts of the interior were executed from Brown's designs between 1751 and 1760, when Robert Adam (1728–1792) replaced him as architect of Lord Coventry. The Tapestry Room was on the main floor of the house, facing the south, and lay behind the two windows on the far side of the columnar portico, as shown in the painting of 1758 by Richard Wilson (1714–1782). Adam's pen-and-ink design for the ceiling is dated January 1763, the year the plasterwork was carried out by Joseph Rose (1746–1799). The names of the other craftsmen who worked on the architectural elements of the room are recorded in the building and furnishing accounts for the house, which have survived. The carving of the window and door frames, baseboard, and chair rail was executed by Sefferin Alken (act. 1744–83). The lapis lazuli tablet in the chimneypiece entabulature was provided by Joseph Wilton (1722–1803); John Wildsmith (act. 1746–69) carved the marble chimneypiece itself in 1760. The oak floor is the original and was laid down at the Museum following a diagram made while it was still in situ. The Tapestry Room from Croome Court, Worcestershire, the seat of the Earls of Coventry, was begun in 1763 and finished in 1771. The sixth Earl of Coventry (1722–1809) commissioned these tapestries for Croome Court from Jacques Neilson's workshop at the Royal Gobelins Manufactory in Paris in August 1763. Portraying scenes from classical myths symbolizing the elements, the medallions are based on designs by François Boucher. Portraying scenes from classical myths symbolizing the elements, the medallions are based on designs by François Boucher. The set was delivered and in place by June 1771. The group was the first using this design to be woven with a crimson background and it may have been the first made specifically to extend around four walls of a room without architectural frames.
Mercurius doodt Argus
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: mercury beheads argus

Nadat hij hem in slaap gespeeld heeft met zijn fluit, doodt Mercurius de honderdogige Argus, die in opdracht van Juno de koe Io bewaakte. Onder de voorstelling twee keer twee regels Latijnse tekst. Deze prent is onderdeel van een serie van 52 prenten die verhalen uit Ovidius' Metamorfosen verbeelden. Deze serie valt uiteen in drie genummerde reeksen: twee van 20 prenten en één van 12 prenten. Deze prent behoort tot de eerste reeks.
A woman reading a note while a man in the background looks over his shoulder at her, illustration for 'Coleccion de Cartas Amorosas Cuaderno No. 7'
Object type: print
Date: 1880 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,portraits,profiles,women,reading
Monreale, Chiostro, angolo
Object type: photograph
Date: 1856 – 1914
Materials: paper
Techniques: albumen print
Location: monreale
Artist: giuseppe incorpora
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: number: ‘N. 288’
Straat en figuurstudie
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: head (human), street

Pagina 122 uit een schetsboek met 62 bladen.
Christ among the Doctors, from "The Life of the Virgin"
Object type: print
Date: 1511 – 1511
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,virgin mary,jesus,doctors
The New York Sunday World, November 17th
Object type: poster
Techniques: lithograph
Artist: george frederick scotson-clark
Artist role: artist
Artist nationality: american
Artist dates: 1873 – 1973
River Goddess Ganga with Attendants
Object type: sculpture
Date: 801 – 900
Materials: stone
Location: india
Stucco Fragment
Object type: fragment
Date: 701 – 1200
Materials: plaster
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Frankenstein Trestle and Train, P. & O. R.R. Crawford Notch, N.H.
Object type: photograph
Date: 1867 – 1900
Techniques: albumen print
Location: new hampshire
Artist: b. w. kilburn
Artist nationality: american
Artist dates: 1827 – 1909
Guard Rattle with Bells
Object type: guard rattle with bell
Date: 1867 – 1900
Materials: textile, glass, leather, shell
Culture: syrian
Location: syria

When attached to a belt and draped over the hip the small bells on this beaded dance accessory accentuates the movement of the dancer.
Landschap met Diana en een nimf
Object type: print
Date: 1673 – 1695
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: companions, nymphs of diana; 'ninfe di diana' (ripa), (story of) diana (artemis), landscapes
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Coverlet
Object type: textile
Date: 1832 – 1832
Materials: textile, cotton, wool
Techniques: jacquard, weave
Location: united states
Artist: attributed to david d. haring
Artist nationality: american
Artist dates: 1800 – 1889
Subjects: birds, vines, vase, roosters, foliage, flowers, eagles, dates, buildings, bird, coverlet
Inscriptions: Inscription: HTH  March 8  1832
Portret van Anna Paulowna Romanowa (koningin der Nederlanden)
Object type: print
Date: 1816 – 1840
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: the hague, anna paulowna romanowa, coat (+ fur used for clothes), pearl; pearl necklace (+ women's clothes)

Portret van Anna Paulowna Romanowa (koningin der Nederlanden), met parelsnoer en bontmantel.
Pair Statue of Amenemhat and Ahmose-Baketamun
Object type: statue, pair, amenemhat, ahmose baketamun
Date: 1478 – 1425
Materials: stone
Location: southern upper egypt
Subjects: hieroglyphs

This pair statue depicts a man named Amenemhat and his wife, Baketamun. The deities invoked in the inscription are all from the region of Aswan: Khnum, god of the first cataract; Anuket, goddess of the southern end of the cataract; and Satis, Mistress of Elephantine and daughter of Khnum. This suggests Amenemhat was from Aswan, at the southern border of Egypt.
Portrait of Charles Hayem
Object type: print
Date: 1876 – 1876
Techniques: drypoint
Artist: marcellin desboutin
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1902
Subjects: men,portraits

In his prints, Desboutin usually built the image over several successive states, often manipulating the inking, and signing or dedicating various versions to his friends – such as he did in this portrait of the collector Charles Hayem. This impression is a previously unrecorded state. The inscription below the loosely-outlined portrait in English reads: "to the friend Degas / the very first proof / M. Desboutin / April [18]76." If correct, then the inscription would mean that this print was not only likely owned by the painter Edgar Degas, but also should be dated 1876 rather than the commonly presumed date of 1877.
Kinderen voor Kapel de Liefde in de Bilderdijkstraat te Amsterdam
Object type: photograph
Date: 1910 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: church (exterior) - qq - small church, chapel, amsterdam

Onderdeel van Album met foto's van Amsterdam en omgeving.
An Evening Party
Object type: print
Techniques: engraving, etching
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Subjects: men,women,party
Man in fauteuil met vrouw bij open raam
Object type: print
Date: 1833 – 1881
Materials: paper
Techniques: lithography
Location: paris
Subjects: armchair, seat, standing figure - aa - female human figure, open window, head held in the hand(s), with elbows leaning on an elevation or on the knees, sitting on an elevation
Pair of Cuff Bands
Object type: textile
Materials: wool
Techniques: weave
Culture: coptic
Location: egypt
Plattegrond van Zaltbommel
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities

Prent uit: Guicciardini, Lodovico. Belgicae sive inferioris Germaniae Descriptio (...). Amsterdam: Jacob van Meurs, 1660.
Giving water to a wounded pal beside a Hun blockhouse shattered in our advance at Hooge, Ypres
Object type: stereograph
Date: 1914 – 1918
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: ieper
Subjects: private soldier, medical aid and nursing of the sick and wounded on the battlefield
Inscriptions: inscription: ‘By Royal command to their Imperial majesties King George V and Queen Mary’, number: ‘38’
Gezicht op een woning in afbraak te Den Haag
Object type: photograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: façade (of house or building), street (+ city(-scape) with figures, staffage), the hague
Inscriptions: annotation: ‘'s Gravenhage (Z.H.)/ Hofspui - huis/ februari 1902’, annotation: ‘Huis Hofspui in afbraak/ Feb. 1902/ s' Gravenhage’, collector's mark: Lugt 2228
Twee bureaus
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: writing-table, writing-desk

Twee damesbureaus in de Lodewijk XV-stijl. Prent uit 30e Livraison.
Post-mortemportret van een onbekend zesjarig meisje, aangeduid als May
Object type: photograph
Date: 1865 – 1865
Materials: paper
Techniques: salted paper print
Artist: henri pronk
Artist role: fotograaf
Artist dates: 1813 – 1893
Subjects: historical persons, girl (child between toddler and youth)
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: copper, gold alloy, silver alloy, enamel, gold
Culture: japanese
Location: japan
Subjects: leaves
Anna van Jezus
Object type: print
Date: 1611 – 1647
Materials: paper
Techniques: engraving
Subjects: ostensorium, monstrance, specific types of crucified christ (in non-narrative context), monastic orders, monastic life ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228

De karmelietes Anna van Jezus is met een brandend hart in haar handen geknield voor een monstrans op een altaar. Ze wordt beschenen door een bundel licht, afkomstig van de gekruisigde Christus die in de monstrans is afgebeeld.
Band
Object type: band
Date: 1701 – 1800
Materials: cotton, linen
Vest
Object type: vest
Date: 1840 – 1849
Culture: american or european
Sint-bernard
Object type: photomechanical print
Date: 1883 – 1888
Materials: paper
Techniques: photograph
Location: new york city
Subjects: dog (st.bernard)

Prent tegenover pagina 325, achter semi-transparante omslag.
Christi Iesu vitae admirabiliumque actionum speculum a Philippo Gallaeo apparatum Bened. Ariae Montani singuloribus distichis instructum
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: the erection of the cross: christ is nailed to the cross which lies on the ground
Inscriptions: watermark: ‘gotische letter P’

Onderdeel van een album met een titelprent en een serie van 50 prenten betreffende het leven en de passie van Christus.
Book cover with overall pattern of stars and dots
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: chicago
Artist: stahmer
Artist role: fotograaf
Subjects: adult woman
Portret van Willem Johann Martens
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: amsterdam, draughtsman, willem johann martens, historical persons
Religieus draagteken met S. Venantius
Object type: history medal
Date: 1700 – 1800
Materials: brass
Techniques: casting

Achthoekige messing penning aan draagoog, op de voorzijde Sint Venantius in harnas staand met vlag, met omschrift, op de keerzijde Maria met Kind boven huis in rivier, met omschrift.
Untitled (Young Girl Holding Photograph)
Object type: photograph
Date: 1839 – 1899
Techniques: daguerreotype
Artist: Anonymous
Artist dates: 1800 – 1899
Elles (portfolio cover)
Object type: print
Date: 1896 – 1896
Materials: crayon, paper
Techniques: brush, lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: hats,hair,women
Balans van Europa
Object type: text sheet
Date: 1804 – 1814
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: derk anthony van de wart
Artist role: draughtsman, painter, print maker
Artist dates: 1767 – 1824
Subjects: napoleon i (emperor of the french)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark

Tekstblad met een vers van veertien regels, met een verklaring van de voorstelling van de spotprent op de val van Napoleon getiteld de Balans van Europa, april 1814.
Cupid and Psyche
Object type: textile
Date: 1801 – 1825
Materials: linen, textile, silk
Techniques: embroidery, painting, weave, stitching
Location: united states
Riding habit
Object type: riding habit
Date: 1893 – 1895
Materials: silk, wool
Culture: american
Portret van Ulrika Eleonora van Denemarken
Object type: print
Date: 1652 – 1707
Materials: paper
Techniques: engraving
Location: unknown
Artist: gerard edelinck
Artist role: print maker
Artist dates: 1640 – 1707
Subjects: koningin, ulrika eleonora van denemarken (koningin van zweden)
Inscriptions: collector's mark: Lugt 240

Ulrika Eleonora van Denemarken (1656-1693), koningin van Zweden, zittend afgebeeld met haar hand boven een op een kussen gelegen kroon. Onderaan de voorstelling een cirkelvormig cartouche met een wapen.
Portret van Floris van Montmorency
Object type: book illustration
Date: 1614 – 1627
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228

Prent is bijna identiek met de prenten uit uitgaves van: Meteren, Emanuel van. Eigentlich und volkomene historische Beschreibung des Niderlendischen Kriegs uit 1614 [zonder nummer 11] en 1627 [zonder randwerk].
Jug with coat of arms in medallions
Object type: jug
Date: 1550 – 1599
Materials: glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: raeren
Artist: Anonymous

Kruik van steengoed op standring met een cilindervormig lichaam met ronde schouder en wijde, geribde nek. Het C-vormige oor is bevestigd aan de nek en de schouder. Op de buik in reliëf drie gedrukte en opgelegde medaillons met in elk een ander wapen. Het middelste medaillon wordt geflankeerd door leeuwen en bladranken. De schouder en het onderste deel van de buik zijn verdeeld in ingegrifte vakken. Raeren.
The Thinker
Object type: statue
Materials: bronze
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: contemplation,men,male nudes

The Thinker was made to sit over the lintel of Rodin’s monumental bronze doorway, The Gates of Hell, contemplating the fate of the damned. Independent bronzes of The Thinker became popular, especially among American patrons. Thomas Fortune Ryan, principal founder of the Rodin collection at The Met, commissioned this cast from the sculptor’s studio. In a real sense, The Thinker is Rodin. Brutishly muscled yet engrossed in thought, coiled in tension yet loose in repose, the sculpture, according to one early twentieth-century critic, embodies both "dream and action."
Jonatan en zijn wapendrager doden Filistijnen
Object type: print
Date: 1705 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: jonathan smites the philistine garrison at geba
Inscriptions: caption: ‘I Sam. XIV, 13./.../Slachting eeniger Filistynen door Jonathan.’, signature: ‘M.Pool sculps.’, signature: ‘B.Picart delin.’, collector's mark: Lugt 2228

Prent oorspronkelijk bedoeld voor: Figures de la Bible. Amsterdam: Bernard Picart, 1720. Prent ook gebruikt in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (...) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (...) en met beschrijvingen uitgebreid. Den Haag: Pieter de Hondt, 1728.