deem-data/ArtiFact huggingface dataset:
Figure 26: Expression of painful attention and attention, attentive gaze.
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: guillaume-benjamin-amand duchenne de boulogne
Artist role: artist
Artist nationality: french
Artist dates: 1806 – 1875
Subjects: science,portraits,women
Ecce Homo with Ornamental Border showing the Triumph of Bacchus
Object type: print
Date: 1511 – 1511
Techniques: woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: bacchus,christ
Portret van Johanna van den Heuvel
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Pen gebruikt bij het ondertekenen van de protocollen van overdracht bij de verzelfstandiging van het Rijksmuseum
Object type: pen
Date: 1995 – 1995
Materials: alloy, cardboard, plastic
Location: france
Artist: waterman
Subjects: rijksmuseum amsterdam, amsterdam

Blauwgrijze rollerpen met goudkleurige randen aan het uiteinde, langs de vulling en de dop. Goudkleurige clip; zwarte vulling.
Tankard
Object type: tankard
Date: 1679 – 1680
Materials: silver
Artist: charles roades
Artist role: maker
Artist dates: 1677 – 1707
Wine taster
Object type: wine taster
Date: 1690 – 1690
Materials: silver
Artist: d.m.
Artist role: maker

Also known as a tasse à vin, a tâte-vin, or a tastevin, a wine taster was used by a wine merchant to assess the quality, clarity, and color of wine. The reflective properties, resistance to corrosion, and the fact that it would not taint the wine in any way, made silver the ideal material for a winetaster. Shallow in form, these bowls frequently have a convex bottom and are provided with a single ring handle and or thumbpiece. The polished surface, either left smooth or embellished with gadrooning and other decorations, would catch the light and reflect it throughout the wine so that it could be checked for impurities. Holding just a small amount of wine, silver wine tasters are often personalized with initials, names, and dates or coats-of-arms. This wine taster is the earliest in The Met’s collection. Characteristic of those made in Rouen, Normandy, it has a shell-shaped thumbpiece with a ring handle below. The engraved inscription "Charle Adan," presumably refers to the original owner. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, such as this wine taster from Rouen.
Souvenir spoon with Imperial double-headed eagle and St. Stephan's Cathedral in Vienna
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: churches,coat of arms
Personificatie van de regen boven een landschap
Object type: print
Date: 1921 – 1921
Materials: paper
Techniques: woodcut
Artist: henri jonas
Artist role: draughtsman, print maker
Artist dates: 1878 – 1944
Subjects: downpour, rain shower
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Kemp, Mathias. De zeven broeders. Maastricht: Leiter-Nypels, 1921.
Teabowl
Object type: teabowl
Date: 1817 – 1817
Materials: clay
Techniques: overglaze, underglaze
Culture: japanese
Artist: mitani rinsō
Artist role: artist
Artist nationality: japanese
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: antwerp
Artist: pol de mont
Artist role: dichter, prozaschrijver
Artist dates: 1857 – 1931
Subjects: lierre, print maker, jan van beers (schilder), the hague, draughtsman, philip zilcken, photography, cinematography
Inscriptions: collector's mark: ‘RPK’
Portret van Johannes Torrentius op 39-jarige leeftijd
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: johannes torrentius, historical persons, portrait, self-portrait of artist, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Case (Inrō) with Design of Shells
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie, roiro, maki-e
Culture: japanese
Artist: tōyō
Artist role: artist
Artist nationality: japanese
Artist dates: 1764 – 1771
Subjects: shells
Voorstelling op een podium
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: set, scenery ~ stage, performance

Pagina 45 uit een schetsboek met 74 bladen.
L'Enlèvement de Psyche
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: psyche is carried up to olympus by mercury, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760
Three vases, part of a garniture
Object type: vase
Date: 1735 – 1740
Materials: bronze, porcelain
Techniques: gilding, painted
Location: meissen
Inscriptions: factory mark: ‘AR’, inscription: ‘7//////’

Meissener Porzellan Manufaktur, after paintings by Jean Antoine Watteau (1684–1721), Meissen, c. 1735–1740, hard-paste porcelain, gilt bronze
Wineglass
Object type: wineglass
Date: 1767 – 1833
Materials: glass

The irregularities of form suggest that this may have been a trial piece.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, back of helmet, extended right arm, and part of upper back of warrior to left; above warrior's helmet, end of spear?; start of handle root and part of handle patch preserved to rim
In the Woods
Object type: painting
Date: 1855 – 1855
Materials: canvas, oil
Culture: american
Artist: asher brown durand
Artist role: artist
Artist nationality: american
Artist dates: 1796 – 1886
Subjects: forests

In this monumental painting, based on outdoor sketches made in New York’s Catskill Mountains during the summer of 1854, Durand focused on rendering the shadowy solitude of the deep woods. While the painting was on view at the National Academy of Design in 1855, the artist published his acclaimed "Letters on Landscape Painting." He wrote in evocative terms: "That is a fine picture which at once takes possession of you—draws you into it—you traverse it—breathe its atmosphere—feel its sunshine, and you repose in its shade without thinking of its design or execution, effect or color."
Christ in Limbo, from Passion of Christ
Object type: print
Date: 1575 – 1600
Materials: paper
Techniques: engraving
Location: belgium
Artist: jan sadeler, the elder
Artist nationality: flemish
Artist dates: 1550 – 1600

In this work the oval format has been utilized to show Christ emerging triumphantly from the jaws of Hell, rendered in a style akin to that of Hieronymus Bosch—the eyes of the gaping beast curl out from two sinuous monsters biting their own tails. Bannered staff in hand, Christ reaches toward a few of the worthy souls sequestered in Limbo until his Resurrection while avoiding the hovering demons above and lurking below.
Palatium Valerianu[m], from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity
Object type: print ornament architecture
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: architecture,buildings

Perspectival depiction of part of a palace, referred to as the ‘Palatium Valerianu[m]’ set in a stylized landscape. The building is characterized by a tower with a monumental aedicula on the left side. The right side of the building consists of three floors and three bays. The central bay is marked by an avant-corps which contains a sculpture in a niche on the ground floor level. The building is crowned by a large cupola with a pointed tip. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print, however, does not match any of the other prints in size. Its verso may contain a composition for a different subject.
Twee drinkers aan een tafel en een bediende
Object type: cut paper
Date: 1685 – 1685
Materials: paper
Techniques: snipping
Location: amsterdam
Artist: johannes van achelom
Artist role: knipkunstenaar

Witte knipsels op een zwart papier, samen met drie andere knipselkunstwerken op een blad geplakt in het Plakboek.
Émile Erckmann (French writer, 1822-1899) and Alexandre Chatrian (French writer, 1826-1890)
Object type: photograph
Date: 1876 – 1876
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: pierre petit
Artist role: fotograaf
Artist nationality: french
Artist dates: 1832 – 1909
Subjects: collected by hugh edwards, contemporaine littéraire
Town Hall
Object type: page
Materials: paper
Techniques: photograph
Location: summit hill
Artist: Anonymous
Subjects: townhall
Zijden brokaat met een 'kantpatroon'
Object type: silk textile
Date: 1720 – 1720
Materials: silk
Techniques: brocade
Location: france
Artist: Anonymous

Zijden brocaat met een 'kantpatroon'. Naturelkleurige en lichtbruine zijde en zilverkleurig metaaldraad (deels frisé). Op linnen gezet.
Composed Armor
Object type: composed armor
Date: 1500 – 1520
Materials: leather, steel
Culture: italian
Location: italy
Artist: guillem margot
Artist role: armorer
Artist nationality: flemish
Artist dates: 1505 – 1533
Drie naakte Parcen
Object type: print
Date: 1510 – 1557
Materials: paper
Techniques: engraving
Subjects: representations ~ goddesses, demi-goddesses, heroines, etc. (non-christian religions)
Inscriptions: collector's mark: ‘E’, collector's mark: Lugt 2228
Vier vignetten met de initialen HDB
Object type: drawing
Date: 1884 – 1952
Materials: pencil
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: coat of arms (as symbol of the state, etc.), magic mathematical figures; magic numbers, words, monograms
Inscriptions: collector's mark: ‘R:MVS.’
Llama, from Quadrupeds series (N41) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: animals

Large trade cards from the "Quadrupeds" series (N41), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N41 reproduces the cards from N21 in a larger size.
Inlay/bead blank with face
Object type: inlay, face
Date: 100 – 100
Materials: glass
Location: egypt

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards.
Reed Organ (Physharmonica)
Object type: reed organ physharmonika
Date: 1860 – 1860
Materials: brass
Culture: french
Location: france
Artist: alexander-françois debain
Artist role: maker
Artist nationality: french
Artist dates: 1809 – 1877

The physharmonica is a small version of the melodicon and harmonium. Designed in Vienna in 1821 by Anton Haeckl, the physharmonica stood in many parlors by the end of the nineteenth century. This example is attributed to the French builder Alexander Debain based on its similarities with other instruments by him (including Met example 1986.101). Debain was a builder of reed keyboard instruments including accordions, harmoniums, and physharmonicas. Technical description: Small rectangular mahogany chest with short ivory and ebony f-f3 keyboard on (narrow) top edge, single-fold wedge bellows on back, double-fold wedge reservoir on front, keys operate pallet valves on bellows side, admitting wind through internal duct to brass pressure reeds on reservoir side of chest; top 2 octaves have 2 sets of unison reeds, 1 set controlled by ivory stop knob above keyboard; 4 other stops open swell and exhaust valve; bellows pumped by trapezoidal velvet-covered pedal on solid flat base connecting 2 slender lyre supports to which chest is attached by wing nuts on 2 screws embedded in bottom of chest; brass mounts on side panels and front; side panels conceal spring latches hold valves and reed chambers closed.
Stadsgezicht met Koppelpoort te Amersfoort
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: drypoint, etching, intaglio
Location: netherlands
Artist: remmert dekker
Artist role: print maker
Artist dates: 1860 – 1911
Subjects: city-gate
Inscriptions: collector's mark: Lugt 2228

Stadsgezicht met Koppelpoort te Amersfoort in de sneeuw.
Portret van paus Pontianus
Object type: book illustration
Date: 1587 – 1587
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope, armorial bearing, heraldry

Prent uit: Ciccarelli, Antonio. Le vite de Pontefici di Antonio Ciccarelli (...). Rome: Domenico Basa, 1587. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Metal object, with initials "PR", for a church
Object type: drawing
Date: 1851 – 1900
Materials: gouache
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: insignia
Landscape in the Gooi District of Noord-Holland
Object type: painting
Date: 1807 – 1807
Materials: oil, panel
Artist: jan hulswit
Artist role: draughtsman, painter
Artist dates: 1766 – 1822
Subjects: city-walls, outskirts of city, amsterdam
Inscriptions: signature and date: ‘I. H. 1807’

Jan Hulswit (1766 - 1822). Landscape in the Gooi district of Holland, 1807.
Album of Flowers and the Moon (Kagetsu jō) 花月帖
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: mori tetsuzan 森徹山
Artist role: artist
Artist nationality: japanese
Artist dates: 1775 – 1841
Subjects: human figures
Lodewijk XII van Frankrijk en Anna van Bretagne, penning geslagen ter ere van hun bezoek aan de stad Lyon
Object type: copy
Date: 1500 – 1500
Materials: bronze
Techniques: casting
Location: lyon
Subjects: paris, lyon
Ingangspoort van het Arcispedale di San Spirito in Saxia te Rome
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: italy
Subjects: city-view, and landscape with man-made constructions, gate, entrance, hospital

Deze prent maakt deel uit van een reeks van 35 prenten met voorstellingen van gebouwen in Rome. Samen met vier andere reeksen vormt het de grote reeks: 'Il nuovo teatro di Roma moderna'.
Verlovings- of huwelijksportret van mevrouw M.C. Lucassen-Van Idsinga en de heer J. Lucassen
Object type: photograph
Date: 1907 – 1913
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: marriage, married couple, 'matrimonium'
Inscriptions: date: ‘Ca. 1907-ca.1913 (?)’, inscription: ‘Heer en mevrouw Lucassen-v.Idsinga’

Verlovings- of huwelijksportret van mevrouw Lucassen-Van Idsinga en de heer J. Lucassen. Rond uitgeknipt.
Base with bouquets and flower sprays
Object type: service set
Date: 1839 – 1839
Materials: glaze, gold, paint, porcelain
Techniques: embroidery, firing, forming, gilding, turning, vitrification
Location: paris

Voetstuk van een schaal (fruitschaal) van porselein met een gelobde rand, beschilderd op het glazuur in blauw, rood, roze, groen, geel, paars, zwart en goud. De ronde voet loopt door in een vierkant voetstuk. Versierd met boeketten van verschillende bloemen, strooibloemen en gouden lijnen.
Rembrandt's moeder als weduwe
Object type: print
Date: 1630 – 1700
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: widow
Inscriptions: collector's mark: Lugt 240

Oude vrouw zittend op een stoel, gekleed als weduwe met zwarte handschoenen. Ook wel bekend als de moeder van Rembrandt, Neeltje Willemsdr. van Zuydtbrouck.
Erxian
Object type: erxian
Date: 1801 – 1900
Materials: bamboo, hair, plastic, wood
Culture: chinese
Location: china
Rivierlandschap met liggende koe en een vrouw aan de oever
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: engraving, etching
Artist: charles emile jacque
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: river
Inscriptions: collector's mark: Lugt 964
Spoon
Object type: spoon
Date: 1745 – 1775
Materials: silver
Culture: american
Location: united states
Artist: thomas hamersley
Artist role: maker
Artist nationality: american
Artist dates: 1727 – 1781
Paus en zijn gevolg te paard
Object type: print
Date: 1521 – 1522
Materials: paper
Techniques: woodcut
Location: wittenberg
Artist: lucas cranach (i)
Artist role: draughtsman, print maker
Artist dates: 1472 – 1553
Subjects: pope, organization, functionaries and dignitaries in roman catholic church; clergy in general

De tegenhanger van deze prent is de voorstelling Intocht van Christus in Jerusalem, zie RP-P-OB-4459(R). Blad uit: Passional Christi und Antichristi, Wittenberg 1521-1522, Johann Grünenberg. In 1521-1522 verschenen veel verschillende uitgaven van dit populaire werk van Maarten Luther. In de collectie van het RMA bevindt zich de complete serie van zesentwintig afbeeldingen uit een van deze uitgaven. De pagina's zijn op een kleiner formaat gesneden, onder iedere voorstelling stond oorspronkelijk een aantal regels Duitse tekst. De bladen hebben allemaal op dezelfde plaats twee kleine gaatjes van vraat door ongedierte wat er op wijst dat ze behoren tot hetzelfde exemplaar.
English Couple (Igirisujin)
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshitora
Artist role: artist
Artist nationality: japanese
Artist dates: 1845 – 1880
Subjects: couples
Tile
Object type: tile
Date: 1601 – 1700
Materials: earthenware
Techniques: glazing
Subjects: bow and arrow,firearms,swords,men
Herderin met lam
Object type: sketchbook leaf
Date: 1751 – 1751
Materials: chalk, paper
Artist: lorenzo baldissera tiepolo
Artist role: draughtsman, print maker
Artist dates: 1736 – 1776
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., lamb

Bladzijde 111 uit een schetsboek met 158 bladzijden.
Kast met jalouziedeur en stijlen versierd met visgraatpatroon.
Object type: case furniture
Date: 1770 – 1770
Materials: brass, wood
Techniques: marquetry
Location: northern netherlands
Artist: Anonymous

Kast belijmd met roze- en palissanderhout. De gebolde jaloeziedeur draagt op de geschulpte onderregel beslag rond een sleutelgat en wordt geflankeerd door stijlen versierd met marqueterie in een visgraatpatroon. De overhoeks geplaatste hoekstijlen lopen over in de S-vormige voorpoten.
Shepherd and Shepherdess
Object type: glass
Date: 1767 – 1800
Materials: glass, metal
Techniques: lampwork
Location: france
Profil du Métier de Tisseur / Doorsnijding van het Getouw des Lakenweevers
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: engraving, etching
Artist: frans de bakker
Artist role: print maker
Subjects: textile industry and clothing industry, textile fabric, cloth
Inscriptions: collector's mark: Lugt 1641, stamp

Prent mogelijk uit: Noël-Antoine Pluche. Schouwtoneel der natuur, of Samenspraaken over de Bysonderheden der natuurlyke histori (...). [Vertaald uit het Frans door] Pieter le Clercq. 14 dln. Amsterdam: Salomon Schouten, 1737-1749, dl. 12, na p. 288.
Half model of a two or three-gun gunboat schooner
Object type: ship model
Date: 1803 – 1803
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Inscriptions: label, bottom right: ‘404’ former inventory label

De kanonneerschoener lijkt erg op de zogenaamde kanonneergaleien.
Terracotta miniature Panathenaic amphora
Object type: panathenaic amphora, miniature
Date: 400 – 400
Materials: terracotta
Culture: greek, attic
Artist: bulas group
Artist role: artist
Subjects: men,athena,athletes

Obverse, Athena Reverse, seated athlete The Bulas Group specialized in miniature versions of Panathenaic prize amphorae. The shape and the representation of Athena follow the models quite closely. The seated athlete holding what might be a fillet is a narrative vignette that would not have appeared on a prize vase.
Views in China Canton. The Temple of the Five Gennii...
Object type: stereograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print, hand coloring
Location: unknown
Artist: felice beato
Artist role: fotograaf
Artist dates: 1825 – 1909
Subjects: kanton
Inscriptions: title: ‘Views in China. 8 Canton. The Temple of the Five Gennii...’, annotation: ‘chi noch’
Nederland, 5 cent,1908
Object type: coin
Date: 1908 – 1908
Materials: nickel
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Nikkelen munt. Voorzijde: tussen twee eiketakken koninklijke kroon, waaronder banderol met landsaanduiding. Daaronder jaartal. Keerzijde: tussen twee samengebonden oranjetakken waarde-aanduiding 5 cents. Gladde rand.
Dwarf musician (one of a pair)
Object type: figure
Date: 1750 – 1750
Materials: faience
Techniques: glazing
Subjects: men,flutes

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Candelabra Grotesque with Heads of Dolphins and Dragons in the Center
Object type: print
Date: 1525 – 1550
Techniques: etching
Artist: lambrecht hopfer
Artist role: artist
Artist nationality: german
Artist dates: 1525 – 1550
Subjects: ornament,faces,female nudes,dragons