deem-data/ArtiFact huggingface dataset:
Act III (Sandanme), from the series "Perspective Pictures of the Storehouse of Loyal Retainers (Uki-e kanadehon Chushingura)"
Object type: print
Date: 1791 – 1794
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: kitao masayoshi (kuwagata keisai)
In het koeliedepôt
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: working class, labourers, suriname

Contractarbeiders uit Brits-Indië in één van de barakken in het zgn. ‘koeliedepot’, het centrale verzamelpunt voor immigranten in Paramaribo. Onderdeel van het fotoalbum Souvenir de Voyage (deel 5), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Enquêteformulier ingevuld door Louis De Winter
Object type: questionnaire
Date: 1840 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Subjects: antwerp, painter, louis de winter
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Plate 12, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fans,women

Trade cards from the "Fans of the Period" series (N7), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Curaçaaosche Schutterij; Officier, Onder-Officier en Schutter
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: (military) uniforms

Nederlandse officier, onderofficier en schutter van de Curaçaosche Schutterij. Plaat 67. Uniformvoorstelling in 'Vervolg van de Beschrijving hoedanig de Koninklijke Nederlandsche troepen' van J.F. Teupken, 1826.
Gezicht op de katholieke Sint-Catharinakerk in Sint-Petersburg
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: louis gothe
Artist role: fotograaf
Subjects: church (exterior), façade (of house or building)
Inscriptions: number: ‘65.’, inscription: ‘Ansichten von St. Petersburg.’
Fragment
Object type: fragment
Date: 1801 – 1900
Techniques: lace
Subjects: leaves
Necklace
Object type: necklace
Date: 1801 – 1900
Materials: jade, silver
Culture: tibetan
Plattegrond van de eerste verdieping van de Koepelkerk te Amsterdam
Object type: area plan
Date: 1881 – 1881
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: floor plan ~ architectural design or model, building of church
Inscriptions: collector's mark: Lugt 1641b

Rechtsonder: Bl. IV. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Koepelkerk (Leidsebosje).
Winterkoninkje op maretak
Object type: print
Date: 1878 – 1917
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: plants and herbs: mistletoe, song-birds: wren
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4731

Prent is een proefdruk voor kalenderblad december 1918.
Jean Besly
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Location: france
Subjects: historical disciplines; philology (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2074, collector's mark: stempel R. Vroom

Kopie naar prent van Jaspar Isaac. Het portret van deze historicus uit de Franse provincie Poitou werd gepubliceerd in: Fillon, Benjamin & O. de Rochebrune, Poitou et Vendée, études historique et artistique (Delteil & Wright 1924, nr. 82).
Twee kapstokken
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: mirror, hanging clothes

Twee kapstokken met spiegel in de art nouveaustijl. Prent uit 326e Livraison.
Vase
Object type: vase
Date: 1897 – 1900
Materials: earthenware
Culture: american
Location: united states
Artist: george e. ohr
Artist role: maker
Artist nationality: american
Artist dates: 1857 – 1918

In many ways George Edgar Ohr was the quintessential Arts and Crafts potter, combining artistic vision with extraordinary skill with his hands. Working in the seaside resort town of Biloxi, Mississippi, he dug the clay, processed and prepared it, threw the shape on the wheel, altered the piece according to his vision, mixed and applied his own glazes, fired the kiln, created his own style of advertising, and took his wares on the road. Ohr’s personal mantra was "no two alike," and he was as eccentric as his work was individualistic, with its manipulated forms on ultra-thin thrown vessels, crimping, ruffling, off-centering, and twisting, to create unprecedented forms for the 1890s. To these forms, he applied his own completely new and unusual glazes, applied by sponging, splashing, and spattering, resulting in works that in many ways anticipated the abstract art movements that would find form decades later. Ohr considered the groundbreaking shapes of his pottery to be his primary achievement, yet his glazes were an equally distinctive contribution, as seen in this vase. The bright blue glaze on this vase is complemented with a surprising, delicately dappled polychrome interior, visible only upon close inspection. Such treatment is typical of the artist’s work, and the exterior glazes often contrast dramatically with their interiors. Also noteworthy is the form of this vase. Its irregular shape is dominated by the exaggerated bulge from the center off to one side, resembling an aberrant growth or burl of a tree. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known. The unparalleled work of George E. Ohr is well represented in the collection. Ellison was an early admirer, collector, and scholar of Ohr’s work and has written extensively on the artist.
Four sheep, one sheep stands among three others lying on the ground next to a shed with thatched roof and open door
Object type: print
Date: 1658 – 1658
Techniques: etching
Artist: karel dujardin
Artist role: artist
Artist nationality: dutch
Artist dates: 1622 – 1678
Subjects: sheep,trees
Portret van Frederik I, koning van Pruisen
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: berlin, frederik i koning van pruisen, coat of arms (as symbol of the state, etc.) (+ city; municipal)
Inscriptions: collector's mark: Lugt 2228
Twee mannen aan een strand beschouwen een kompas
Object type: book illustration
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ships (in general), compass, coast
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Jan Huygen. Stichtelyke rymen op verscheiden stoffen. Amsterdam: Gedrukt door Jacobus van Herdenberg voor Jan Huygen, 1700, p. 112.
Reliëf met bladmotieven en een schaal met fruit
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: fruits and vegetables ~ ornament, dish, plate, saucer, ornament derived from plant forms, sculpture (+ relief ~ sculpture), europe
Inscriptions: number: ‘18’, collector's mark: Lugt 3937
Beurspoortje
Object type: stereograph
Date: 1859 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: canals, waters (in city)
Inscriptions: number: ‘No. 218’
Mold for big ring ornaments
Object type: mold
Date: 1390 – 1352
Materials: pottery
Location: egypt
Partisan
Object type: partisan
Date: 1590 – 1590
Materials: brass, steel, wood
Culture: italian
Location: italy
Fontein met dolfijnen in de tuinen van Villa Doria Pamphilj te Rome
Object type: print
Date: 1653 – 1691
Materials: paper
Techniques: etching
Location: rome
Subjects: swimming mammals: dolphin, ornamental fountain, rome

Genummerd rechtsonder: 24. De prent maakt deel uit van een album.
Wensbrief met twaalf maanden
Object type: print
Date: 1792 – 1847
Materials: ink, paper
Techniques: calligraphy, colour, etching, pen
Location: amsterdam
Subjects: the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'
Inscriptions: inscription: ‘Zeer / Geliefde grootvader! / Terwijl wij 't nieuwe jaar beleven ...’

Wensbrief met beschreven cartouche binnen een decoratief kader met voorstellingen van de twaalf maanden van het jaar en de bijbehorende activiteiten. Handgeschreven bericht in kalligrafie (Nieuwjaarswens) door Petronella Kraan aan haar grootvader. Genummerd rechtsboven: No. 7.
Fairfax Court-House
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, gardner's photographic sketch book
Frog Pendant
Object type: frog pendant
Date: 1001 – 1600
Materials: gold
Culture: chiriqui
Location: costa rica
Subjects: frogs
Geseling
Object type: page
Date: 1521 – 1521
Materials: paper, parchment
Techniques: engraving, hand coloring
Location: leiden
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: date

Christus is vastgebonden aan een zuil en wordt gegeseld met een zweep en roe door twee mannen. Deze prent maakt deel uit van een handgeschreven gebedenboek.
Stamper van gietijzer
Object type: beater
Date: 1591 – 1591
Materials: iron
Techniques: casting
Location: mechelen
Artist: peeter van den ghein (ii)
Artist role: brazier
Artist dates: 1525 – 1598

Mortar and pestlewith inscription: PETER V ANDEN GHEIN ME FECIT MCCCCCLXXXXI. Bronze. Mechelen, 1591, Peter van den Ghein II.
Druggist's Scales
Object type: scale
Date: 501 – 700
Materials: copper alloy
Culture: roman
Brandend hart op een altaar aanbeden
Object type: book illustration
Date: 1715 – 1715
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: heart, altar, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Een vrouw staat in aanbidding voor een altaar waarop een groot hart brandt, symbool voor de goddelijke liefde. Op het door vlammen omringde hart prijkt het Alziend Oog, in de lucht zweven engeltjes. Naast de vrouw strooien engelen bloemen en versieren het altaar.
A nice distinction or a Hume-iliating rejoinder to a warlike ap-Peel!
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: london
Subjects: political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Spotprent met centraal Sir Robert Peel en Joseph Hume. Uitgegeven als nr. 384 in de serie HB Sketches.
Omslag Album d'Art als supplement bij tijdschrift L'Epreuve
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: paris
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Het tijdschrift L'Epreuve verscheen maandelijks van december 1894- december 1895 en besteedde aandacht aan kunst en literatuur. Deze omslag met titel L'Epreuve Album d'Art bevatte tien originele prenten van bekende kunstenaars als losse bijlage of supplement.
Achttien edelen te Brussel onthoofd, 1568
Object type: album leaf
Date: 1568 – 1572
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: on the scaffold or place of execution

De onthoofding van achttien edelen, onder wie de twee gebroeders van Batenburg, op een schavot op de Paardenmarkt te Brussel, 1 juni 1568. Met onderschrift van 8 regels in het Duits. Linksonder genummerd: 56. De prent maakt deel uit van een album.
Stockings
Object type: stocking
Date: 1900 – 1900
Materials: silk
Culture: american
Artist: j. & j. slater
Artist role: designer
Artist nationality: american
Gezicht op de Kloveniersburgwal
Object type: cabinet photograph
Date: 1868 – 1909
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: andreas theodorus rooswinkel
Artist role: fotograaf
Artist dates: 1838 – 1909
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses
Inscriptions: collector's mark: ‘9.94’ Lugt 1641b, inscription: ‘Kloveniersburgwal’, stamp: ‘A.T. Rooswinkel / Photographe / Amsterdam.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
Figuren uitkijkend over Château d'If bij Marseille
Object type: sketchbook leaf
Date: 1899 – 1899
Materials: chalk, paper
Location: marseille
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: fortress, city-view, and landscape with man-made constructions, sitting figure
Inscriptions: annotation: ‘Château d'If.’

Pagina 28 uit een schetsboek met 42 bladen.
Bridal Bedcover
Object type: textile
Date: 1877 – 1877
Materials: cotton, gilt, metal, panel, textile, silk
Techniques: embroidery, embroidered, laid work, lining, satin weave, weave
Location: turkey
Mill at St. Maurice
Object type: print
Date: 1824 – 1827
Materials: paper
Techniques: lithograph
Location: france
Artist: louis jules frederic villeneuve
Artist role: print maker
Artist nationality: french
Artist dates: 1796 – 1842
Snuifdoos
Object type: design drawing
Date: 1760 – 1770
Materials: graphite, ink, paper
Techniques: brush, pen
Location: paris
Artist: Anonymous

Ontwerp voor het deksel van een ovale snuifdoos met een buste van Bacchus.
Varkenskot met twee varkens
Object type: print
Date: 1845 – 1877
Materials: paper
Techniques: etching, roulette
Location: amsterdam
Subjects: pig
Fragment of relief
Object type: relief, amenemhat i
Date: 1981 – 1952
Materials: limestone
Location: egypt
Subjects: human figures
Fotoreproductie van een schilderij van paard en wagen op een weg in een stad door Otto Bache
Object type: page
Materials: photographic support
Techniques: albumen print
Subjects: horse, four-wheeled vehicle drawn by two animals
Inscriptions: inscription: ‘Dansk Kunstner’, inscription: ‘Efteraars morgen./ Originalet tilhör Herr C. Foltmar i Kjöbenhavn.’
Ste. Zoé, martyre (St. Zoe, Martyr), July 5th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,women,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Landschap met onder een grot doorlopende rivier
Object type: print
Date: 1744 – 1744
Materials: paper
Techniques: etching
Artist: christian ludwig von hagedorn
Artist role: painter, print maker
Artist dates: 1712 – 1780
Subjects: cave, grotto, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240
Twee oude vrouwen in gesprek
Object type: print
Date: 1648 – 1654
Materials: paper
Techniques: etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: old woman, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 240

In een dorpsstraat zijn twee oude vrouwen met elkaar in gesprek, enkele figuren staan bij een winkeltje op de achtergrond
Fragment
Object type: textile
Date: 1801 – 1900
Materials: cotton
Techniques: weave, printing
Location: netherlands
Simon Lomnicki a Budcze
Object type: print
Date: 1772 – 1799
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: prague, historical persons
Inscriptions: collector's mark: Lugt 2228
Dancer Bowing (Second State)
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: female nudes

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art.
Ketters uit Orléans naar de brandstapel gevoerd
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: execution of heretic, e.g. by burning at the stake, 'auto-da-fé', (person under sentence of death) on the way to the scaffold or place of execution
Inscriptions: collector's mark: Lugt 2228, number: ‘41’
Verkavelingsplattegrond in Tiel bij de Oude Tielseweg
Object type: drawing
Date: 1850 – 1900
Materials: ink, linen, pencil, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: urban housing

Plattegrond in Tiel met schematisch de verkaveling en straten weergegeven, met namen van grondbezitters.
Frederic Henric Prince van Orange, doet zyn Eedt als Stadthouder op de Rolle
Object type: print
Date: 1732 – 1733
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: delft, frederick henry (prince of orange), new ruler taking the oath, popular representation ~ government, the hague

Kopie naar de prent in: I. Commelin, Frederick Hendrick van Nassauw Prince van Orangien : zyn leven en bedryf, Jodocus Janssonius, Amsterdam 1651, fol. 7 (FMH 1549). Gebruikt (met een Franse titel) als illustratie in: Memoires de Frederic Henri Prince d'Orange. Qui contiennent ses Expéditions Militaires depuis 1621. jusqua l'Année 1646. Enrichis du portrait du prince et de figures, representant ses actions les plus memorables dessinées et gravées par Bernard Picart, Pierre Humbert, Amsterdam 1733. Exemplaar in de collectie van de Rijksmuseum Research Library met signatuur 550 E 7.
Bedelaars
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: engraving
Location: hilversum
Artist: pieter dupont
Artist role: draughtsman, print maker
Artist dates: 1870 – 1911
Subjects: walking-stick, staff, beggar

Twee wandelende mannen met hoed en wandelstok. Rechts op de achtergrond een kerktoren.
Portret van Tiberius Dominikus Wocher
Object type: print
Date: 1768 – 1797
Materials: paper
Techniques: engraving, etching
Location: great britain
Artist: john hall
Artist role: print maker
Artist dates: 1739 – 1797
Subjects: painter, tiberius dominikus wocher, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Hollow-Base Projectile Point
Object type: arrowhead, projectile point, hollow base
Materials: stone
Location: egypt
Lien zit aan een bureau tegenover een man
Object type: boekillustratie ontwerp
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: writing-table, writing-desk, adolescent, young woman, maiden, conversation, dialogue; conversation piece
Inscriptions: :, annotation: ‘LIEN 2 pag 51 Ik ...ik...ik weet het niet... denkt U dat het gáán zal?’, collector's mark: Lugt 2228a, signature: ‘HANS/ BORREBACH’

In een ruimte waarin een kast met archiefdozen staat zit Lien tegenover een man aan een bureau. Op het bureau liggen boeken en papieren.
An Incident from the Tales of Ise (Ise Monogatari)
Object type: print
Date: 1790 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitao shigemasa
Artist role: artist
Artist nationality: japanese
Artist dates: 1739 – 1820
Subjects: girls,men,women,trees
Pouch
Object type: pouch
Date: 1851 – 1875
Materials: glass, silk
Culture: german
Subjects: roses
Toegangsportaal van Palais Batthyány te Wenen
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: vienna
Artist: Anonymous
Subjects: gate, entrance, façade (of house or building)
Inscriptions: inscription: ‘I. Bankgasse 2’, number: ‘VII.’
Rest on the Flight into Egypt
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: etching, intaglio
Location: bologna
Artist: camillo procaccini
Artist role: painter
Artist dates: 1555 – 1629
Subjects: rest on the flight into egypt
Inscriptions: collector's mark: Lugt 240

Maria zit met het Christuskind op schoot onder een boom. Jozef buigt over hen heen. Op de achtergrond staat de ezel te grazen.
Honden in een landschap
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: etching
Artist: johan le ducq
Artist role: draughtsman, print maker
Artist dates: 1629 – 1677
Subjects: riding a horse, ass, or mule; rider, horseman, landscapes (+ landscape with figures, staffage), dog
Inscriptions: collector's mark: Lugt 240

Een liggende en staande hond in een landschap, in de verte een figuur te voet en een te paard. De prent maakt deel uit van een achtdelige serie prenten met voorstellingen van honden in een landschap.
Slapende herderin
Object type: print
Date: 1638 – 1658
Materials: paper
Techniques: engraving, etching
Subjects: pig, landscapes, sleeping; unconsciousness, goat, mountains
Inscriptions: collector's mark: Lugt 240

In een landschap ligt een herderin onder een boom tegen een hek aan te slapen. Naast haar liggen twee geitjes en voor haar drie zwijnen. Op de achtergrond zijn bergen te zien.