deem-data/ArtiFact huggingface dataset:
Siège de la Rochelle en 1628. Représenté dans le moment ou les assiégeants anoncent par des Salves d'Artillerie la soumission entiere de cette Ville
Object type: history print
Date: 1794 – 1796
Materials: paper
Techniques: etching
Location: france
Subjects: armand-jean du plessis hertog van richelieu, capture of city (after the siege), cannon shots (military salute)

De overgave van de opstandige Franse stad La Rochelle na beleg door het Staatse leger en het koninklijke Franse leger onder kardinaal Richelieu van september 1627 - oktober 1628. De overgave van de stad op 28 oktober 1628 wordt gevierd door het afvuren van een salvo door artillerie en schepen op het water. Gemerkt linksboven Pl. IV.
Fotoreproductie van een schilderij, voorstellende Johannes de Doper
Object type: reproduction
Date: 1883 – 1888
Materials: photographic support
Techniques: albumen print
Artist: carlo naya
Artist role: fotograaf
Artist dates: 1816 – 1882
Subjects: john the baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff, lamb
Kaart van het Heilige Land, bestaande uit twee delen
Object type: area plan
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: maps of separate countries or regions, the book exodus: story of moses and aaron, maps of cities, the temple (in general) ~ jewish religion
Inscriptions: collector's mark: Lugt 2228

Kaart van het Heilige Land. Op de kaart is de exodus uit Egypte aangegeven, alsmede verschillende Bijbelse plaatsen en steden. Onder, in het midden, een inzet met een plattegrond van Jeruzalem, waarop de belangrijkste tempels en gebouwen zijn aangegeven. Verder zijn rond de kaart verschillende Bijbelse objecten, gezichten op tempels en andere religieuze voorstellingen te zien.
Tapestry (Bear Hunt and Falconry from a Hunts Series)
Object type: textile
Date: 1525 – 1525
Materials: silk, wool, thread
Techniques: slit, weave
Culture: franco-flemish
Location: belgium
Subjects: dogs, animals

This scene, the center section of a larger tapestry, depicts the dramatic pursuit of a bear, with falconers conducting a much tamer hunt in the background. Enthusiasm for hunting was widespread among the European aristocracy, and this popular pastime was a common subject for late medieval tapestries. Hunting was not simply a diversion for the privileged, but was also fundamental to the education of a nobleman, testing his intellectual and physical prowess. Hunts, which often took place over several days, were social occasion for both men and women. The women were often spectators, as this tapestry shows.
Verheven Porte in Istanboel
Object type: photograph
Date: 1888 – 1900
Materials: paper
Techniques: albumen print
Location: istanbul
Subjects: gate, entrance
Inscriptions: number: ‘195.’
Een benauwde droom van burgemeester Vening Meinesz
Object type: photomechanical print
Date: 1892 – 1892
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Subjects: harlingen, dream, firemen, political caricatures and satires, amsterdam
Inscriptions: collector's mark: Lugt 1641b, signature: ‘R&Hz.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Bestrating, bruggen, wegen.
Jar
Object type: jar
Date: 1550 – 1458
Materials: pottery
Location: egypt
Bronzen objecten uit Japan uit de verzameling van Emil Riebeck, op de binnenplaats van het Kunstgewerbemuseum in Berlijn
Object type: photomechanical print
Date: 1884 – 1884
Materials: paper
Techniques: photograph
Location: berlin
Artist: hermann rückwardt
Artist role: fotograaf
Artist dates: 1845 – 1919
Subjects: permanent exhibition, museum, dish, plate, saucer
Inscriptions: number: ‘Taf. XX.’, address: ‘Photographische Aufnahme und Lichtdruck von HERMANN RÜCKWARDT, Königl. Hof-Photograph, Berlin SW.(11,) Dessauerstr. 4.’, number: ‘Format IV., No. 2421.’

Deze prent maakt deel uit van een omslag met 21 prenten en 1 tekstblad.
Fragment van een schotel met geelbakkende scherf, met aan de voor- en achterzijde wit glazuur, waarop aan de voorzijde in blauw, oranje en groen strepen en bloemvormen zijn geschilderd
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Hoofd van een vrouw met gesloten ogen
Object type: drawing
Date: 1915 – 1940
Materials: paper, pencil
Artist: tinus van doorn
Artist role: painter, print maker
Artist dates: 1905 – 1940
Subjects: head in normal upright position, eyes closed
Inscriptions: stamp: ‘Rotterdam’, inscription: ‘16’, collector's mark: Lugt 2228
Tile, marsh scene
Object type: tile fragment, marsh scene
Date: 1353 – 1336
Materials: faience
Techniques: polychrome
Location: egypt
Subjects: plants
Noli me tangere
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: engraving
Location: netherlands
Artist: petrus johannes arendzen
Artist role: draughtsman, print maker
Artist dates: 1846 – 1932
Subjects: mary magdalene kneeling before christ, who is usually represented as a gardener with a hoe and/or a spade; 'noli me tangere'
Inscriptions: inscription: ‘PJ Arendzen 20 Februari 1864’

kopie naar Jacob Matham, naar H. Goltzius Bartsch 103/Hollstein 62
The Debacle of de Lesseps, Panama
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Hot water jug
Object type: hot water jug
Date: 1775 – 1780
Materials: metal, wood
Dijkdoorbraak bij Dreumel, 1855
Object type: print
Date: 1832 – 1880
Materials: paper, pencil
Techniques: etching
Location: amsterdam
Artist: willem gruyter jr.
Artist role: draughtsman, print maker
Artist dates: 1817 – 1880
Subjects: dike-break
Inscriptions: collector's mark: Lugt 2165

Landschap met dijkdoorbraak bij Dreumel tijdens de watersnoodramp in 1855.
Markt in Bône (Algerije)
Object type: album leaf
Date: 1890 – 1900
Materials: paper, photographic support
Techniques: daylight paper print
Location: bône
Artist: Anonymous
Subjects: market, goat

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Andiron
Object type: andiron
Date: 1700 – 1700
Materials: brass, iron
Location: spain
Dram Cup
Object type: cup
Date: 1680 – 1700
Materials: silver
Culture: american
Location: united states
Artist: jacob boelen
Artist role: maker
Artist nationality: american
Artist dates: 1657 – 1729
Bonnet
Object type: bonnet
Date: 1830 – 1835
Materials: paper, silk
Culture: american or european
Inhoudsmaat van 1/2 hectoliter
Object type: inhoudsmaat droge waren
Date: 1825 – 1825
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Gebedsnoot, gevat in banden van zilver met bladrozetten
Object type: prayer nut
Date: 1500 – 1549
Materials: nut, silver
Location: northern netherlands
Artist: Anonymous

Gebedsnoot, gevat in banden van zilver met bladrozetten. Door de hoofdas loopt een draaiende spil, waaromheen een perkamenten blad is gewikkeld, beschreven met de Tien Geboden.
Lord Cairns
Object type: page
Date: 1876 – 1881
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait), politician, e.g. party leader
Figuren op een brug in Amsterdam
Object type: drawing
Date: 1886 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), amsterdam
Inscriptions: annotation: ‘v d Haag n. Amsterdam [met treintijden?]/ 91 Startburg[?]/ Eilers’, workshop stamp: Lugt 291d
Glass pendant in the form of a jar
Object type: pendant
Date: 201 – 400
Materials: glass
Culture: roman

Uncertain color, appearing opaque black; loop and base in same color; chips in opaque red, yellow, light blue, and white. Globular body; disk-shaped pad base, with slightly concave bottom; thick circular suspension loop applied at top. Chips applied randomly to body and marvered. Intact, but chipped on one side; dulling, pitting, and faint weathering.
"The Shah's Wise Men Approve of Zal's Marriage", Folio 86v from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1525 – 1530
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: men

Zal was the son of Sam of the house of Nariman, the ruling family of Sistan who had been vassals and faithful supporters of the Iranian crown for a long time. During his travels to the east, Zal fell in love with the beautiful Rudaba, daughter of the ruler of the rival kingdom of Kabul. But when he expressed his desire to marry her, Shah Manuchihr became very concerned about the future of the Iranian kingdom and reacted negatively to his plans. Upon Sam's insistence, however, the shah asked the advice of his sages and astrologers. Luckily the stars and the wise men gave a positive verdict: not only would the marriage be a felicitous event, but the union of the Iranian prince and the Indian princess would bear the most important Iranian hero, Rustam. This is a lavish enthronement scene, a rather common iconographic subject in the Persian tradition. The artists used this occasion to construct an elaborate interior space, whose tiled surfaces and painted walls probably closely resemble contemporary royal interiors. They also included references to two other important elements of Iranian royal architecture: fountains and gardens.
The Triumph of Sentiment
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dogs,axes
The Frontispiece to Liber Studiorum
Object type: print
Materials: paper
Techniques: etching, mezzotint
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851

J. M. W. Turner’s paintings epitomized the sublime, a sense of awe-inspiring beauty beyond simple loveliness. His evocative etching and mezzotint print series, the Liber Studiorum (1807–19), was just as influential. Printed in sepia lines and tonal areas evoking Old Master drawing ink and modeling, Turner’s series of 71 prints is an extended ode to the landscape. The letters above each work designate the subject type, including architectural (A), pastoral (P) and elevated pastoral (EP), and historical (H), marine (M), and mountainous (M). Turner’s exhaustive categories inspired John Constable to produce a further-specialized mezzotint series of 22 English landscapes.
Wapenschilden van Amsterdam
Object type: book illustration
Date: 1523 – 1523
Materials: paper
Techniques: woodcut
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), amsterdam
Inscriptions: date

Linksboven het devies Plus Ultra van keizer Karel V. Rechtsboven een andreaskruis met daarboven de keizerskroon, beiden onderdelen van het wapen van Amsterdam. Linksonder de Hollandse leeuw. Rechtsonder het schild met drie andreaskruizen en de keizerskroon. In het midden een hostie in het vuur, verbeelding van het mirakel van Amsterdam. Prent maakt deel uit van een boek.
Portret van Johann Carl von Thüngen
Object type: print
Date: 1670 – 1709
Materials: paper
Techniques: etching
Location: augsburg
Subjects: trees: palm-tree (+ branch, stick), armour, historical persons, firearms: cannon, symbols, allegories of war; 'guerra' (ripa), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Met een niet uitgewerkte correctie op het linkeroog in de vorm van een zwart vlak.
Sword-Hilt Collar (Fuchi)
Object type: sword hilt collar fuchi
Date: 1701 – 1800
Materials: gold, iron, silver
Culture: japanese
Location: japan
Een pen van staaldraad, U-vormig met een schuifplaatje, voor haarspeld-haakwerk, guimpewerk of hairpinwork
Object type: handwerkgerei
Date: 1900 – 1900
Materials: steel
Techniques: forging
Location: netherlands
Artist: Anonymous

Een pen van staaldraad, U-vormig met een schuifplaatje, voor haarspeld-haakwerk, guimpewerk of hairpinwork.
Repose in Egypt, Holy Family seated while an angel pulls at tree branches, copy after Cantarini
Object type: print
Techniques: etching
Artist: simone cantarini
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1648
Subjects: trees,angels,holy family
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, architrave, column capital, and part of shaft; right hand holding a staff; in between the column and the hand, part of an inscription, a lambda
Death of Margaret of Burgundy Strangled in Prison
Object type: print
Date: 1820 – 1820
Techniques: lithograph
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Terracotta tankard
Object type: tankard, fragmentary
Date: 734 – 701
Materials: terracotta
Culture: greek, attic

From the Hymettos deposit (see 30.118.1)
Edging
Object type: textile
Date: 1601 – 1650
Materials: linen, thread
Techniques: lace
Location: unknown
Laken. Merk: kroon WG2 en HW12.
Object type: beddenlaken, laken object
Date: 1723 – 1769
Materials: linen
Location: northern netherlands
Artist: Anonymous

Laken van wit linnen, merk kroon WG 2 HW1 2
Bell-shaped cup with flower sprays and a butterfly
Object type: cup
Date: 1790 – 1800
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Kop van porselein, met bijbehorende schotel (B). Met polychrome beschildering van strooiboeketten en vlinders in de kleuren rood, paars, blauw, geel, groen en zwart; de randen met bruin. Opmerking: in China gebakken en in Chelsea gedecoreerd.
Lezende broeder en een priester bij een altaar
Object type: drawing
Date: 1657 – 1657
Materials: paper, watercolor
Techniques: brush
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690
Bestorming door protestanten van de Sint-Bavokerk in Haarlem
Object type: print
Date: 1752 – 1752
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: amsterdam
Subjects: interior of church, plundering of churchbuilding, convent, etc.

Prent uit: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden, inzonderheid die van Holland (...). 23 dln. Amsterdam: Isaak Tirion, 1752, dl. 7, p. 210.
Portret van Victor de Stuers
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: maastricht, the hague, politician, victor de stuers, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Odparováni repovych stav
Object type: page
Date: 1891 – 1891
Materials: paper
Techniques: autotype
Location: prague
Subjects: machines; parts of machines; tools and appliances
Pin van archiefkist van ijzer
Object type: key
Date: 1700 – 1800
Materials: iron
Techniques: forging
De Nederlanden door Frankrijk overwonnen
Object type: history medal
Date: 1672 – 1722
Materials: bronze
Techniques: striking
Location: paris
Subjects: lodewijk xiv (koning van frankrijk), utrecht, gelderland, rampjaar (disaster year)

Bronzen penning. Voorzijde: borststuk man (Lodewijk XIV) met lauwerkrans binnen omschrift. Keerzijde: treurende Nederlanden met anker gezeten bij bekroonde paal waaraan leeuwehuid en bundel van zeven pijlen hangen binnen omschrift.
Gezicht op de Delftse vaart bij de Hoornbrug bij Den Haag
Object type: stereograph
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: bridge
Inscriptions: inscription: ‘No. 71./ DE DELFTSCHE VAART/ BIJ/ de Hoornbrug./ A. JAGER, WATER 110, TE AMSTERDAM.’
Pietà
Object type: print
Date: 1596 – 1596
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: virgin mary,jesus
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

At the bottom left, ivy from panel ornament; Amazon to left, wearing a chitoniskos, with a baldric; in the left hand, a shield, seen from the inside; in the right hand, a spear; at the bottom right, part of the spear and bent leg of a second warrior to left
Zeegezicht
Object type: photomechanical print
Date: 1900 – 1905
Materials: paper
Techniques: autotype
Subjects: sea (seascape)
Inscriptions: inscription: ‘GB. XXIII.’, inscription: ‘Land & sea by W.J. Day’
Palatium M. Agrippa, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Object type: album print ornament architecture
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: architecture,arches

Frontal view of the façade of the palace of Emperor Marcus Agrippa, as indicated by the inscription ‘Palatium M. Agrippa’ in the lower left corner. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this rendition is based on a specific building in Rome, or whether the printmaker is relying on his imagination, based on a description of the palace in an historic source. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print, however, does not match any of the other prints in size. Its verso may contain a composition for a different subject. This group of prints was purchased as part of an an album in 1926, but taken apart by the Museum in 1934. The album appears to have been compiled in the 17th century, although the majority of prints date from the 16th century. The larger part of the prints is focused on mythological subjects and objects and architecture from Antiquity. The album was part of the collection of the architect Hippolyte Destailleur and was sold in the sale of his books and prints in 1895. The Museum acquired the album at G. Rapilly & Fils in 1926. Where the album had been kept in the mean time is unclear and several prints were taken out in this period. The museum's numbering does not reflect the order of the original album, but Destailleur's numbering system is retained on the inidividual sheets, allowing for the reconstruction of its original content.
Silver swivel ring with glazed steatite scarab in a gold setting
Object type: ring with scarab
Date: 800 – 601
Materials: gold, silver, stone
Techniques: glazing
Culture: phoenician

Swivel ring with Egyptian glazed steatite scarab with double footed ankh sign between crowned uraeus snakes. The type of ring is Phoenician in origin. Both the scarab and the technique of glazing steatite are connected with Egypt. Like the pendants with scarabs, the swivel rings were very widely distributed.
Les Travaux d'Ulysse
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: sequel to the death of the suitors (homer, odyssey xxiv)

De familieleden van de door Odysseus gedode vrijers tillen de lijken weg om ze te begraven. De prent maakt deel uit van een album.
Textile Design with Alternating Rows of Circles Framed by Pearls over a Checked Background
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of a chacked backgroud colored with light tan and dark reddish-brown decorated with alternating rows of circles framed by pearls. The circles are colored alternatingly with orange and purple, outlined with red; the pearls are colored with white.
Johann Jacob Schüblers Vierdte Ausgab seines vorhabenden Wercks, Worinnen vorgestellet werden Neu-inventirte Schreib-Tische (...)
Object type: ornament print
Date: 1709 – 1724
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: writing-table, writing-desk, open window
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Schübler, Johann Jacob. Erste [-Zwanzigste] Ausgabe seines vorhabenden Wercks (...). Augsburg: Wolf, erven Jeremias, [na 1724]
Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 13 (recto)
Object type: book print ornament architecture
Date: 1620 – 1620
Techniques: woodcut
Artist: cesare vecellio
Artist role: author
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Written by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, published by Alessandro de' Vecchi. From top to bottom, and left to right: Design is in the shape of a triangle with the top left corner left blank. It is decorated with a series of vases of flowers surrounded by foliage elements.
Landschap met een kind als herder
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: france
Subjects: christ as good shepherd
Een plezierreisje per rijwiel
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: riding, cycling (recreation), bicycle
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen over de twee vrienden Jeph en Leopold die samen een stuk gaan fietsen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 181.
Design for a Console Table
Object type: drawing
Date: 1770 – 1785
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: tables
Ada Rehan, from the Actresses series (N246), Type 1, issued by Kinney Brothers to promote Sporting Extra Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actresses" (N246), issued ca. 1890 by Kinney Brothers Tobacco to promote Sporting Extra Cigarettes. There are two types of cards in the series, varying by size.
Porsters Nieuwjaarswensch (...) aan hare geachte Begunstigers (...) 1865
Object type: new year card
Date: 1864 – 1865
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: canals, waters (in city) - ii - ideal city, government services, public services, skates (winter sports), waking up, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens van de Amsterdamse porsters (wekkers) voor het jaar 1865. Gezicht op de Buitenkant te Amsterdam met het gebouw Zeemanshoop, een vrouw loopt met een hond over straat en een man klopt bij een huis aan de deur. Bovenaan een allegorisch vignet met het stadswapen. Onderaan enkele schaatsers op het ijs. Met een vers in twee kolommen. Namens de porster wed. Hekker.
Kesa
Object type: textile
Materials: gold leaf, paper, silk, silver
Techniques: bookbinding, interlacing, lacquer, lining, patterning, weave, satin weave
Location: japan