deem-data/ArtiFact huggingface dataset:
Coiffures, Poufs, Hats and Bonnets: Eleven Coiffures and Headdresses
Object type: fashion print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Artist: Anonymous
Subjects: clothing for the upper part of the body (+ women's clothes), border, ribbon, braid (+ women's clothes), styles of hairdress - aa - ~ women, head-gear: cap (+ women's clothes), fashion plates, necklace (+ women's clothes)
Inscriptions: inscription: ‘Nouvelle Coëffure dite la Frégate la Junon / Hérisson d'un nouveau gout orné de plumes fleurs et rubans avec des glands. / Chignon en Croix de Chevalier surmonté d'un Bonnet au fichu bordé de perles / Chignon noué en trois parts, surmonté d'un Bonnet au fichu’, address: ‘A Paris chez Esnauts et Rapilly, rue St\. Jacques à la Ville de Coutances. A.P.D.R.’, title: ‘6e Cahier de Modes Françaises pour les Coeffures, depuis 1776.’

Ladies’ hairstyles were ingenious works of art, built around a core of cushions and horsehair. Hair was piled high in curls and twists (chignons) and adorned with feathers, ribbons, artificial flowers, tulle and jewels to create various fancifully named poufs. Because the hair was dressed using animal fat and powdered with wheat flour, these poufs attracted all manner of insects. Far from hygienic, they moreover did not last long. When they went out, ladies protected their hairdos with a voluminous ribbed hood called a calèche 1. Hairdressers of the time, who styled themselves as artists, used prints to advertise their latest creations and craftsmanship 2 3.
Tile
Object type: tile
Date: 1620 – 1640
Materials: earthenware
Techniques: glazing
Subjects: men,horses
Opening van het Paleis voor Volksvlijt te Amsterdam 1864
Object type: history medal
Date: 1864 – 1864
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het aanzicht van het Paleis met afsnedetekst, op de keerzijde drie regels tekst.
Fragment diep bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: deep dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl with a flattened rim. Taotie mask and/or borders with diaper patterns. A central decoration of a bird on a rock near bamboo and a butterfly. Panels decorated with flowers and symbols.
Statuette of a female figure with a braid
Object type: statue, figurine, braid, foreigner, servant
Date: 1802 – 1650
Materials: stone
Location: egypt

This small figurine's tilted body achieves a sense of movement that is amplified by her raised arms (now broken) and sharply turned head. She wears a girdle, and her hair appears encircled by five bands and braided at the top, from which the braid falls straight downward and curves at the end. Similar figurines commonly carry jars or hold musical instruments. This figurine’s rare coiffure has been suggested to indicate her occupation or ethnicity, but it might be tied to her participation in a dance or a ritual associated with the goddess Hathor.
Frieze fragment
Object type: frieze part
Date: 1701 – 1800
Materials: gilt bronze
Drie opnamen van rituele gebruiken, mogelijk rond een uitvaart
Object type: photograph
Date: 1950 – 1960
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: ritual practices ~ non-christian religions, historical persons, dutch east indies, the
Gust of Wind
Object type: print
Date: 1871 – 1871
Materials: paper
Techniques: lithography
Location: france
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Studie
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945

Blad 27 verso uit een schetsboek met 44 bladen.
Portret van Albrecht von Wallenstein
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons

Prent met tekst op verso gebruikt in: Priorato, Geleazzo Gualdo. Historia della vita d'Alberto Valstain duca di Fritland (...). Lyon: Jean-Ayme Candy, 1643.
Staande en zittende figuur
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: chalk, paper
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, sitting figure
Inscriptions: kleurnotitie, handgeschreven

Pagina 84 uit een schetsboek met 67 bladen.
Portret van de heer Löwe
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Hamlet, Horatio, Marcellus and the Ghost
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: etching, stippling
Location: england
Artist: robert thew
Artist role: engraver
Artist nationality: british
Artist dates: 1758 – 1802

Henry Fuseli made a series of paintings depicting scenes from Shakespeare’s plays, which were reproduced as prints, including this engraving by Robert Thew. This image represents the fourth scene from the first act of Shakespeare’s Hamlet. The ghost of Hamlet’s father appears during the night and beckons him to a place where they can speak privately. Meanwhile, Horatio and Marcellus try to dissuade Hamlet from following for fear of his safety.
Vignet met Mercurius op de Troon der Welsprekendheid
Object type: book illustration
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: paris
Subjects: hermes logios, mercury as god of eloquence, vignette

Prent gebruikt voor: Tallemant, Abbé Paul. Panegyriques et harangues à la louange du Roy (...). Parijs: Pierre Le Petit, 1680.
Portretten van onbekende personen
Object type: album leaf
Date: 1920 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: adolescent, young woman, maiden, adult woman, adult man, child, (military) uniforms

Albumblad met portretten van volwassenen, waaronder een man in militair tenue, en van jonge meisjes. Onderdeel van Fotoalbum van de familie Petri.
New Reading, or Shakspeare [sic] Improved. Humbly Dedicated to the Keen Critic of Drury Lane, by a Poor Author
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching
Location: england
Artist: charles williams
Artist nationality: english
Artist dates: 1797 – 1830
Beleg van Zaltbommel, 1599
Object type: history print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: maurice (prince of orange), siege, position war

De belegering van de stad Zaltbommel door het Spaanse leger onder Mendoza en verdedigd door het Staatse leger onder Maurits, mei-juni 1599. Gezien vanuit de stellingen van de belegeraars.
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Bit of hair, left shoulder, and part of upper torso of a draped woman to left; around the handle root, an egg pattern
“I've got the cake”
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: photoaquatint
Location: new york city
Artist: walter george mitchell
Artist role: fotograaf
Artist dates: 1877 – 1935
Subjects: afternoon tea - cc - out of doors, girl (child between toddler and youth), (playing with) dolls
Cup with cover
Object type: cup with cover
Date: 1736 – 1795
Materials: gemstone, jade
Culture: chinese
Misericorde in de Oude Kerk te Amsterdam
Object type: print
Date: 1880 – 1929
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: misericords
Inscriptions: collector's mark: ‘31-154’ Lugt 1641b, collector's mark: ‘Koninklijk Oudheidkundig Genootschap / Amsterdam’

Links een man die zijn hoofd tegen een bakstenen muur stoot, rechts een man die zijn arm ophoudt. Rechtsboven genummerd: 8. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Oude Kerk, koorgestoelte.
Gazette du Bon Ton, 1914 - No. 6, Pl. 53: Carrosse automobile de grand gala
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph, pochoir
Location: paris
Subjects: fashion plates, automobile
Inscriptions: date

Een auto in de vorm van een koets, geschikt voor een gala. Planche 53 uit Gazette du Bon Ton 1914, No. 6. Uitleg over de auto op pagina "Explication des Planches".
Sint-Niklaas-Zilcken in 's Lands Kunst-Huis
Object type: cartoon
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: dordrecht, amsterdam, print maker, designer, jan veth, the hague, painter, draughtsman, philip zilcken, archbishop, bishop, etc. (roman catholic), the graphic arts, festivities on st. nicholas (eve) (december 5), graphic artist, netherlands
Inscriptions: date

Spotprent op Philip Zilcken naar aanleiding van het verschijnen van zijn boek over Moderne Hollandsche Etsers in 1896. Zilcken voorgesteld als Sinterklaas die staande op een toneel cadeautjes uitdeelt, links houdt Jan Veth het gordijn op. Verschenen in de bijvoegsel van 'De Kroniek' van 6 december 1896.
Wapentrofee
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, 'tropaion', i.e. decorative ornament ~ weapons

Wapentrofee, ornament met wapens en wapenrusting, overgenomen van de Zuil van Trajanus. Onderdeel (23e. Cah.er f.le 63) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.
Geseling van Christus
Object type: print
Date: 1550 – 1625
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een naakte man, van voren gezien, heeft twee gesels vast. Zijn linkerarm houdt hij in de lucht.
Heilige Bisschop
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: woodcut
Location: low countries
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), st. willibrord multiplies wine by putting his staff in the cask, bunch of grapes
Inscriptions: collector's mark: Lugt 2228

De heilige bisschop Willibrordus (?) steunt met zijn staf op een ton. Boven zijn hoofd hangen twee trossen druiven. Naast hem een knielende stichter.
Binnenplaats met drinkende mannen
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: france
Artist: jean baptiste denis lempereur
Artist role: print maker
Artist dates: 1740 – 
Subjects: open door, courtyard, drinking
Inscriptions: collector's mark: Lugt 240
River God with Cornucopia and Stone Jar, from Veelderleij niewe inventien...
Object type: print
Date: 1557 – 1557
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: johannes van doetecum and lucas van doetecum
Artist nationality: netherlandish
Artist dates: 1528 – 1605
Saint Judas Thaddeus, from The Apostles
Object type: print
Date: 1401 – 1500
Techniques: engraving
Artist: master es
Artist role: artist
Artist nationality: german
Artist dates: 1445 – 1467
Subjects: saints
Studie van de jas en arm van Geheimrat M. Kempner
Object type: drawing
Date: 1874 – 1925
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: historical persons, drapery, draped garment, 'gewandgebung'
Hollandse piekenierspot, zwart
Object type: helmet
Date: 1600 – 1699
Materials: iron
Location: netherlands
Artist: Anonymous
Inscriptions: number: ‘532’

Hollandse piekenierspot, ijzer, gezwart, samengesteld uit twee helften met klep die van voren en achteren iets omhoog gebogen is. Op de hoge helmbol een kam die aan de achterzijde eindigt in de pluimkoker. Rondom de basis van de helmbol veertien klinknagels. Rondom de klep achttien klinknagels. In de pluimkoker is een zwarte pluim bevestigd. Aan de voorzijde zit een rond gat. Binnenkant van de helm zit in de helmbol de gleuf van de middengraat.
Fragment of a Luster-Painted Open Vessel
Object type: fragment
Date: 801 – 1000
Materials: earthenware, glaze
Techniques: luster painting
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city was known in Arabic as al-Mada’in, or "the cities", for its extended area. Arab historians indulge in describing al-Mada’in/Ctesiphon’s grand monuments, which obsessed Muslim rulers and may have acquired a symbolic meaning related to its imperial past. This was the case of the Taq-i Kisra, an impressively-sized ivan (a vaulted hall with one side open) partially dismantled to reuse its bricks in caliphal buildings in the new capital Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the early Islamic period. Luster was an innovative technology developed by Iraqi-based craftsmen in the 9th century, as was this kind of opacified glaze. The glaze was obtained with different techniques, such as the addition of tin oxide, through undissolved quartz, gas bubbles, or crystallization processes that occurred during firing.
Kalender met een gezicht op de Tweede Muiderpoort
Object type: calendar
Date: 1899 – 1899
Materials: paint, paper
Techniques: line block
Location: amsterdam
Artist: Anonymous
Subjects: calendar, almanac, city-gate
Inscriptions: collector's mark: Lugt 1641b

Kalender van de stoomboekdrukkerij en kantoorboekhandel Blikman & Sartorius te Amsterddam. Links een gezicht op het hek van de Tweede Muiderpoort. Onderwerpsrubriek binnen de Atlas Amsterdam: Poorten, verzamelbladen, J. Tweede Muiderpoort.
2e Combat Naval (Second Naval Battle), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)
Object type: print
Date: 1614 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: battles,ships

According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.
Design for a Stage Set
Object type: drawing
Materials: ink
Techniques: brush, pen, wash
Artist: carlo zucchi the younger
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1796
Subjects: interiors,armor,stage design
Lamp
Object type: lamp
Date: 301 – 400
Materials: earthenware
Techniques: molding
Location: egypt

Small earthenware lamps, made from double molds, were the most commonly used source of light in daily Coptic life. A wick produced from plant fiber or linen fabric was placed in a reservoir filled with oil, generally castor or sesame oil, and illuminated. The flat top of this red earthenware lamp is decorated with circles enclosing pellets near the handle and palm branches near the spout.
Gezicht op bos en bergen in het Catskillgebergte
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photoaquatint
Location: catskill mountains
Artist: Anonymous
Subjects: forest, wood, mountains
Inscriptions: inscription: ‘“From an opening between the trees.”’
Portret van een staande jonge man
Object type: album leaf
Date: 1861 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: standing figure, historical persons, youth, adolescent
Inscriptions: number: ‘642A’, inscription: ‘(...)/ Photograaf/ van/ HH: MM:/ DEN KONING/ en/ KONINGIN/ der Nederlanden./ A. GREINER/ AMSTERDAM/ Nieuwendijk, L. 89.’
Bust of Seneca
Object type: sculpture
Date: 1500 – 1600
Materials: marble, stone
Techniques: carved
Culture: italian
Location: italy
Subjects: philosophers, busts, portraits: italian subject, roman, man, portraits: male subject, portraits, portrait
Bonk van 2 stuivers van Nederlands Indië,1819
Object type: coin
Date: 1818 – 1819
Materials: copper
Techniques: striking
Location: surabaya
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen rechthoekige munt. Voorzijde: binnen een rechthoekige lijst waarde-aanduiding 2 St. Keerzijde: binnen een rechthoekige lijst jaartal.
Drie kreuzer, noodmunt uit Praag op naam van Maria Theresia, gelagen tijdens het beleg
Object type: coin
Date: 1754 – 1754
Materials: tin
Techniques: striking
Location: prague
Artist: Anonymous
Subjects: vienna, maria theresia (rooms-duits keizerin), prague

Voorzijde: borststuk vrouw met diadeem naar rechts binnen omschrift. Keerzijde: gekroonde dubbelkoppige adelaar met wapenschild voor borst; daaronder: waardeaanduiding in cartouche binnen omschrift
Strook gemengde kant met golvend lint waaraan verschillende bloemen en bladeren
Object type: strip
Date: 1650 – 1699
Materials: linen
Techniques: lace, weave
Location: venice
Artist: Anonymous

Strook naturelkleurige gemengde kant: Venetiaanse lintjeskant. Langgerekt patroon met een over de volle breedte golvende rank waaraan palmetbloemen, knotsvormige bladeren, rozetbloem en vier verschillende palmetbloemen. De rank en de contouren van de motieven worden gevormd door een geweven lint. Binnen de contouren zijn verschillende (sier)gronden gemaakt met festonsteken. De motieven zijn met elkaar verbonden door een vierkante maasgrond (naaldkant). De bovenzijde is recht afgewerkt. De onderzijde is afgewerkt met een rechte picotrand met boogjes.
Portret van een man met snor in uniform
Object type: carte de visite
Date: 1867 – 1871
Materials: cardboard, photographic support
Techniques: albumen print
Location: belgium
Subjects: moustache, historical persons, (military) uniforms
Inscriptions: inscription: ‘Daveluy & Fils/ Photographes/ Bruges et Ostend/ Mention Honorable à l'Exposition Universelle de/ Paris 1867’
Flower girl ensemble
Object type: flower girl ensemble
Date: 1891 – 1891
Materials: silk
Culture: american
Christ with the Cross
Object type: drawing and watercolor
Date: 1530 – 1530
Materials: chalk, paper
Location: italy
Artist: circle of rosso fiorentino
Piece
Object type: piece
Date: 1720 – 1725
Materials: silk
Algoja
Object type: algoja
Date: 1867 – 1900
Materials: wood
Culture: indian
Location: india
Woman Feeding a Baby
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: nursing, suckling
Inscriptions: stamp, verso, stamped: Paper crane.

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Muurschildering van Christoffel uit de kerk van Opheusden
Object type: text sheet
Date: 1825 – 1875
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: mural painter, the giant and martyr christophorus; possible attributes: palm-tree (with bunches of dates, or withered), infant christ
Inscriptions: stamp: ‘Koninklijk Oudheidkundig Genootschap Amsterdam’

Brief over de muurschildering van Christoffel uit de kerk van Opheusden aan de heer Kist. Met een tekening naar de muurschildering van Christoffel uit de kerk van Opheusden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Muur- en gewelfschilderingen.
Fortitude, from a set of the Virtues
Object type: figure
Date: 1800 – 1800
Materials: earthenware
Techniques: glazing
Artist: wood & caldwell (enoch wood and james caldwell)
Artist role: maker
Artist dates: 1790 – 1818
Subjects: women
Een Jiurickscha
Object type: photograph
Date: 1890 – 1895
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: rickshaw, historical persons, sumatra
Hermione
Object type: reproduction
Date: 1854 – 1859
Materials: paper
Techniques: albumen print
Artist: henri de la blanchère
Artist role: fotograaf
Artist dates: 1821 – 1880
Subjects: actress (on the stage), picture, painting
Inscriptions: inscription: ‘Seigneur, dans cet aveu dépouillé d'artifice,/ J'aime à voir que du moins vous vous rendez justice,/ Et que, voulant bien rompre un noeud si solennel,/ VOus vous abandonnez au crime en criminel./ (Andromaque, acte IV, scène V.)’
Embroidered map sampler
Object type: sampler
Date: 1801 – 1900
Materials: canvas, cotton, silk, wool
Subjects: maps
Carp in gilt-bronze mount (one of a pair)
Object type: vase
Materials: gilt bronze, hard paste porcelain
Techniques: gilding

Japan exported figures of humans and animals early on in its trade with Europe, sending crates as early as 1659 to the Dutch market. Pairs of carp made in the seventeenth century survive in a variety of versions, some of which depict the story of Benkei, a 12th-century tale of a boy with supernatural strength who fought a giant carp. This pair probably represents a later Imari porcelain type from the early to mid-eighteenth century. The sensual, curling form of these carp would have been a topic of fascination for Rococo artists. The French artist Gabriel de Saint Aubin, who was an avid attendee at the great art sales of eighteenth-century Paris, depicted a pair of Japanese carp remarkably similar to this pair in his copy of the 1768 Gagnat sale catalog, which described the items in lot 22 as “Deux Carpes de porcelaine du Japon, sur leurs rochers vernissés en partie.”
Glass perfume bottle
Object type: perfume bottle
Date: 201 – 300
Materials: glass
Culture: roman

Translucent green. Rim folded out with beveled lip; tall cylindrical neck; globular body; flattened bottom with large circular pontil mark. Intact; many pinprick and larger bubbles; faint iridescence on exterior; patches of weathering and soil encrustation on interior.
Pair of evening gloves
Object type: glove
Date: 1900 – 1915
Materials: leather, metal, plastic
Location: netherlands
Artist: Anonymous

Evening gloves were generally longer than those for everyday use. They were worn on special occasions, with evening dresses and coats. Gloves for formal events varied in length: from just over the wrist, to well over the elbow.
Prospect of ye North side of Tangier regarding the mayne Sea from the hill as you come from Whitby or the West, toward the Towne
Object type: print
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: seas,landscapes

Series title, from a series including five additional Tangier views. View from Tangier onto York Castle and Peterborough Tower; in the foreground, three figures and a dog; on the left, the coast, with horses and carts, and the sea, with ships; in the distance, hills; ornate cartouche at top center.
Arnaud de Canteloup
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching, letterpress printing
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Du Chesne, François. Histoire de tous les cardinaux françois de naissance, ou qui ont esté promeus au cardinalat. Parijs: François Du Chesne, 1660.
Kop van een koe
Object type: print
Date: 1635 – 1688
Materials: paper
Techniques: etching
Subjects: cow, animals (+ head of an animal)
Inscriptions: collector's mark: Lugt 240
Portret van een man
Object type: album leaf
Date: 1861 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons
Inscriptions: inscription: ‘A. Greiner/ Photograf/ Nieuwendijk L.87/ Amsterdam’
Court of the Monastery of St Augustine, Bourges
Object type: print
Date: 1888 – 1888
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903