deem-data/ArtiFact huggingface dataset:
Denarius (Coin) Portraying Galerius Maximianus
Object type: coin
Date: 307 – 310
Materials: metal, silver
Culture: roman
Location: rome
Inscriptions: Obverse: IMP MAXIMIANUS P F AVG
Reverse: VIRTVS MILITVM

The front (obverse) of this coin portrays the Emperor Galerius Maximianus facing right and wearing a crown of laurels. On the back (reverse) is a gate comprised of three towers.

The fourth century was a time of tremendous political, social, and religious strife within the Roman Empire, but the imagery on these coins tells a story of an unbroken chain of powerful rulers. Diocletian (reigned 284–305) enacted a series of administrative, military, and monetary reforms that brought an end to the chaos of the third century. He divided the vast empire into western and eastern halves and assigned their administration to
four men, the Tetrarchy. Galerius was one of these four men (called tetrarchs) who together ruled the Roman Empire at this time. Each half was governed by two tetrarchs, one senior and one junior in status. Portraits of these rulers are generic-looking, without individualized features, to reinforce the unity of their joint rule.
Brief aan Max Wilhelm Carl Weber en Anne Antoinette Weber-Van Bosse
Object type: letter
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: anne antoinette weber-van bosse, amsterdam, painter, print maker, draughtsman, agnieta cornelia gijswijt, jan mankes, anne mankes-zernike, diseases
Acta Apostolorum
Object type: album leaf
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: peter and cornelius the centurion (acts 10), peter in the house of cornelius: the holy ghost descends upon cornelius and his family, who are baptized by peter

De centurio Cornelius knielt voor de apostel Petrus, maar Petrus maant hem om op te staan omdat hij ook maar een mens is. Op de achtergrond preekt Petrus voor Cornelius en de rest van zijn familie. De Heilige Geest daalt neer in de vorm van een duif. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Hand. 10:25. Deze prent maakt deel uit van een album.
Portret van de verzamelaar Jacques André Portail
Object type: print
Date: 1750 – 1769
Materials: paper
Techniques: printmaking
Location: paris
Subjects: draughtsman, jacques andré portail, drawing, sketch, historical persons, art collector
Inscriptions: collector's mark: Lugt 2228

Portretbuste van de verzamelaar Jacques André Portail met bril kijkend in een album met tekeningen ('Livre de desseins'').
Beleg van Grave, 1674
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: siege, position war, grave

Beleg van Grave door een Staatse leger onder Rabenhaupt, 23-24 juli 1674. Gezicht op de stad met soldaten gelegerd aan de tegenoverliggende oever, met een schipbrug over de Maas.
Wine Cup
Object type: cup
Date: 1740 – 1740
Materials: silver
Culture: american
Location: united states
Artist: samuel edwards
Artist role: maker
Artist nationality: american
Artist dates: 1705 – 1762

Made around 1740, this tall, stately wine cup once belonged to the West Church on Lynde Street in Boston, as indicated by its engraved inscription, "Belongs / To the Church / in Lynde Street, Boston." Its identical mate is now in the Museum of Fine Arts, Boston. The symmetrical, densely configured cartouche is slightly old-fashioned for this date, although consistent with the conservative nature of church plate. The provenance of the West Church’s silver reflects the changing fortunes of the congregation. The original church, a wood-frame structure built in 1737, was used as barracks by British soldiers in the years leading up to the Revolutionary War. Severely damaged during the War, the building was reconstructed in 1806. By the late nineteenth century, many affluent families had moved from Boston’s once-exclusive West End to the newly fashionable Back Bay. The Church disbanded its congregation in 1887; the building was closed in 1894; and the church silver was dispersed in 1892. This wine cup was given to the Dorchester Church, from which it was later sold to collector and Metropolitan Museum benefactor Alphonso T. Clearwater (1848–1933).
The World, Cage of Fools
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: human figures,ladders
Terracotta bowl
Object type: bowl
Date: 2650 – 2150
Materials: terracotta
Culture: helladic

Shallow bowl without decoration.
Titelpagina voor "Het Complete gegraveerde Werck door Reijnier Vinkeles, meest Proef, en veele Etsdrukken, 1ste Deel, Titels, Medaillons, Wapens, Vignetten"
Object type: print
Date: 1751 – 1816
Materials: paper, pencil
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Inscriptions: collector's mark: Lugt 240
Henry Irving as Philip II of Spain
Object type: painting
Date: 1872 – 1872
Materials: canvas, oil
Culture: american
Artist: james mcneill whistler
Artist role: former attribution
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,portraits
Band (from Woman's Trousers or Robe)
Object type: costume and accessory
Date: 1875 – 1900
Location: china
Uitgeleesene Gesichte van het Wijdvermaarde Loo als andere vorstelijke Huisen
Object type: print
Date: 1695 – 1705
Materials: paper
Techniques: etching, lithography
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: french or architectonic garden; formal garden, 'jeu de boules', greenhouse, orangery
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1516a

Prent uit een serie van 71 prenten met Rijnlandschappen, gezichten op vorstelijke paleizen en stadsgezichten uit Den Haag en Amsterdam. Dit is prent 44 uit de serie. Het landhuis Clingendael wordt in het onderschrift Huis van St. Annen-land genoemd omdat het destijds in bezit was van de Heer van St. Annaland.
Voorbereiding op de universiteit
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: riding-school, manège
Inscriptions: collector's mark: Lugt 2228

Derde prent uit een serie met 12 scènes uit 'een liederlijk leven'. De twaalf scènes werden samen op een plaat geëtst. De tweede staat van deze serie is gebruikt als illustratie in: 'Berliner genealogischen Calender auf das Jahr 1774'. Aan de hand van deze prentserie schreef Johann Christian Ludwig Haken (1767-1835) zijn briefroman 'Der Lüderliche'.
Situla with floral decoration
Object type: situla, floral decoration
Date: 1279 – 1213
Materials: silver
Location: egypt

Wine was a coveted drink starting in Egypt’s earliest days, though wine services do not have a long history there, as strainers were not found before the New Kingdom. The importance of wine grew during that period, as intoxicating drinks played a prominent role in festivals and in communal celebrations. When associated with Bastet and other feline goddesses, these drinks helped partakers emulate the drunkenness that brought about the goddesses’ pacification. Such practices probably occurred in festivals for Bastet in Tell Basta, where this and other vessels were found. The vessels were buried in two caches close to the temple, along with silver and gold jewelry, ingots, and lesser objects. Rare in antiquity, most silver and gold vessels were later melted down and reused for new projects. The Tell Basta hoards are thus exceptional finds. Situlae formed part of wine-drinking sets, apparently used for sipping wine. This silver example is decorated with leaves around the neck.
Fotoreproductie van vermoedelijk een prent van een kerkfaçade
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: paolo lombardi
Artist role: fotograaf
Artist dates: 1827 – 1890
Subjects: church (exterior), façade (of house or building), europe
Inscriptions: collector's mark: Lugt 3937
Fotoreproductie van Moutons dans le bois van Ch. Jacques
Object type: reproduction
Date: 1858 – 1863
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: trees, sheep, picture, painting
Heuvellandschap met vijver
Object type: print
Date: 1650 – 1723
Materials: paper
Techniques: etching
Location: paris
Artist: abraham genoels
Artist role: draughtsman, print maker
Artist dates: 1640 – 1723
Subjects: low hill country, meadow, pasture, pond, pool
Inscriptions: collector's mark: Lugt 240

Een heuvelachtig landschap met op de voorgrond een vijver. Op de achtergrond een weide.
Terugkeer van Karel V, Duits keizer in de Nederlanden, rekenpenning van de raad van Financiën
Object type: jeton
Date: 1548 – 1548
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain), low countries

Koperen penning. Voorzijde: Mercuriusstaf, geflankeerd door twee gevulde hoorns van overvloed binnen omschrift. Keerzijde: wimpel met opschrift onder vuurslag en vuursteen met vonken tussen zuilen van Herkules binnen omschrift
Henry Carl "Hank" Gastright, Pitcher, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Piece
Object type: piece
Date: 1701 – 1800
Materials: metal thread, silk
Culture: japanese
Subjects: butterflies,leaves
Dish
Object type: dish
Date: 1667 – 1733
Materials: earthenware
Techniques: glazing
Subjects: birds
David verlost een schaap uit de muil van een leeuw
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: david spares nabal's sheep
Inscriptions: collector's mark: Lugt 2228, number: ‘102’

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Rivierbedding
Object type: print
Date: 1944 – 1990
Materials: paper
Techniques: drypoint
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: river
Inscriptions: signature: ‘KEES STOOP’
Landscape with Rocks and Trees
Object type: print
Date: 1850 – 1878
Techniques: etching
Artist: théophile chauvel
Artist role: artist
Artist nationality: french
Artist dates: 1831 – 1909
Gezicht op de binnenplaats van het Leprozenhuis te Amsterdam
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: leprosarium, hospital, courtyard
Inscriptions: collector's mark: Lugt 1641b

Huidige staat van prent ook gebruikt in: Commelin, Casparus. Beschryvinge van Amsterdam (…). 2de druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe Antony van Aeltwijk en Hermanus Uytwerf, 1726, dl. 1, p. 556.

Eerste staat van prent (zonder opgewerkte lucht) ook gebruikt in: Commelin, Casparus. Beschryvinge van Amsterdam (…). Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge of Johannes Janssonius van Waesberge, Hendrick Boom of weduwe Dirk Boom, Abraham van Sanderen en Rembertus Goethals, 1693, dl. 1, p. 556. En in: Commelin, Casparus. Beschryvinge van Amsterdam (…). Amsterdam: weduwe Aart Dircksz. Oossaan, 1694, dl. 1, p. 556.
Col du St. Théodule
Object type: photograph
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: wallis
Artist: louis ghémar
Artist role: draughtsman, print maker
Artist dates: 1819 – 1873
Subjects: mountain climbing, mountaineering, mountain-range, snow peaks
Inscriptions: inscription: ‘Bruxelles’
Repose
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: adult woman, living-room, parlour, sitting-room
Inscriptions: copyright notice: ‘Copyright.’
Breslau, blick v.d. Universitätsbrücke
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: breslau
Artist: Anonymous
Subjects: river, university building, college
Raku Ware Teabowl with Image of Mount Fuji
Object type: vessel
Date: 1767 – 1800
Materials: stoneware
Techniques: glazing
Location: japan
Artist: raku ryōnyū
Artist nationality: japanese
Artist dates: 1756 – 1834
Twee ruiters op een bergweg
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: vicomte arthur-jean le bailly dinghuem
Artist role: print maker
Artist dates: 1839 – 
Subjects: riding a horse, ass, or mule; rider, horseman, rocks
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van twaalf prenten. Prent gedrukt op een versneden blad met op verso in litho de benen van Junon Somnifère.
Afbeelding der Vryheidsboom Geset Op den 4de maart 1795 op den Dam
Object type: drawing
Date: 1795 – 1795
Materials: paint, paper, pencil
Techniques: brush
Location: netherlands
Artist: Anonymous
Subjects: dancing around the tree of liberty
Inscriptions: collector's mark: Lugt 2228

De vrijheidsboom ingewijd op 4 maart 1795 op de Dam te Amsterdam.
Teb Photo Mounts, The loughton, The Totland, The Hendon
Object type: photomechanical print
Date: 1907 – 1912
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: photograph, 'passe-partout'
Portret van Willem C. Bauer
Object type: drawing
Date: 1875 – 1938
Materials: chalk, paper
Artist: rinus reus
Artist role: draughtsman
Artist dates: 1865 – 1938
Subjects: historical persons
Knopstoel vervaardigd van esdoornhout met gladde, gedraaide stijlen en dwarsregels, voorpoten en achterstijlen eindid in fijn gedraaide knoppen
Object type: miniature
Date: 1690 – 1710
Materials: wood, fiber
Location: amsterdam
Artist: Anonymous
Woman's Horned Toe Shoe
Object type: costume and accessory
Date: 1501 – 1600
Materials: leather
Location: england
Schetsen van een krijger en een gedeelte van een Kruisafname
Object type: drawing
Date: 1534 – 1606
Materials: ink, paper
Techniques: pen
Rouen
Object type: print
Date: 1801 – 1820
Materials: paper
Techniques: etching
Location: london
Subjects: church (exterior), market, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Cephalus en Procris
Object type: print
Date: 1547 – 1612
Materials: paper
Techniques: etching
Location: antwerp
Subjects: procris gives cephalus the dog (laelaps) and the magic spear she received from diana
Inscriptions: collector's mark: Lugt 2228

De jager Cephalus krijgt van zijn geliefde Pricris een pijl die nooit mist. In de achtergrond een landschap. De prent is deel van een serie over het mythologische verhaal van Cephalus en Procris.
Southern Barbarians
Object type: furniture
Date: 1634 – 1666
Materials: gold, ink, panel, paper
Location: japan
Artist: Anonymous

<BIG>一隻の巨大なポルトガルの商船が、船員を満載し、今にも長崎港に入ろうとしている。一方、陸では、現地の人々と西洋人たちが皆一様に到着を待ち構えている。その後、右隻で描かれるように、異国人たちは、町へ向かい、宣教師を含んだ同朋の人々が作った居留地を訪れようとしている。

このようなポルトガル人の日本上陸と活動を描いた屏風は、南蛮屏風と呼ばれる。「南蛮」という語は、ポルトガル人が、マレー半島のマラッカの貿易拠点など東南アジアより航行してきたことに由来する。

屏風は、祭礼や外交使節の行列と到着などを視覚的に詳しく記録する手段であった。南蛮人の一大場面を引き立てるため、画中のポルトガル人は、かなり奇異なる存在に描かれている。当初の南蛮屏風は、実際の出来事に触発されて描かれたかもしれないが、大半の作品は、シカゴ美術館の作品のように、必ずしも特定の出来事を描いたものでないことを留意すべきである。</BIG>

A large Portuguese trading ship (nao) with a full crew draws near to land, about to dock as locals and Westerners alike await its arrival at the port of Nagasaki on Japan’s southernmost island of Kyushu. Later, as depicted on the right screen, the foreigners have made their way into town and are about to call at the settlement set up there by their fellow countrymen, many of whom were Christian missionaries.

Such screens—presenting the arrival and activity of the Portuguese in Japan—are known as namban (southern barbarian) screens, the term applied to these visitors ever since they ﬁrst came to Japan from their Southeast Asian trading bases, some as far away as Malacca on the Malay Peninsula.

Because screens were the primary way to record the visual details of festivals, processions, and the arrival of foreign envoys, and to celebrate their pageantry, it is therefore not unusual that the screen format would have been preferred to depict the wondrous presence of the Portuguese. Although the namban screen genre may have been initially inspired by actual events, it should be stressed that most screens of this subject, like the Art Institute works, do not necessarily depict speciﬁc events.
Vijf wijze maagden in een landschap met de prediking door Johannes de Doper
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: assendelft
Subjects: representation of wise virgin(s), forest, wood, john the baptist preaching (perhaps christ among the bystanders)
Inscriptions: collector's mark: Lugt 240

Een boslandschap met op de voorgrond de vijf wijze maagden. Ze zitten rond een tafel met de olielampen en lezen uit de Bijbel en de tablet met de tien geboden. Naast hen kruiken met olie en voorwerpen van huiselijke vlijt. Links stuurt een engel twee reizigers weg. Op de achtergrond preekt Johannes de Doper op een open plek in het bos. De prent heeft een Latijns onderschrift.
Paradise Lost, from the Dance of Death
Object type: print
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: skeletons,male nudes,female nudes,violas
Madonna and Child
Object type: drawing and watercolor
Date: 1842 – 1842
Materials: board, graphite, ink, ivory, paper
Techniques: pen
Location: italy
Artist: style of raffaello sanzio, called raphael
Fotomechanische afdruk van een tekening van een kerk
Object type: album leaf
Date: 1954 – 1954
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: church (exterior), italy

Deze prent maakt deel uit van een album.
Fragment of a shirt
Object type: textile
Date: 1776 – 1800
Materials: linen, silk
Subjects: flowers,leaves
Light refreshment
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: autotype
Location: japan
Artist: Anonymous
Subjects: folk costume, regional costume
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware, glaze
Techniques: polychrome
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Portret van Chlotharius III, koning van Neustrië en Bourgondië
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, king
Inscriptions: number: ‘13’, collector's mark: Lugt 2228

Prent waarschijnlijk uit: Mézeray, François Eudes de. Chronyk van Vrankryk. [Vertaald uit het Frans door] G. v. Broekhuizen. Amsterdam: Timotheus ten Hoorn en Jan Bouman, 1685, dl. 1, p. 124.
Rechabeam verwerpt de raad der oudsten
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rehoboam's insulting reply: forsaking the warning of the wise old counsel- lors but following the young advisers' opinion, rehoboam not only refuses to lessen the taxes, but increases them
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
Portret van Franz Wenzel von Sinzendorf
Object type: print
Date: 1749 – 1796
Materials: paper
Techniques: engraving, etching
Artist: johann ernst mansfeld
Artist role: print maker
Artist dates: 1739 – 1796
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van de schrijver Allessandro Manzoni
Object type: print
Date: 1822 – 1845
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: historical persons, frame of painting, etc.
Inscriptions: collector's mark: Lugt 2228

Het portret is omlijst met een sierlijst. Bovenin de lijst een spiegel, lauwerkranst, boek, een masker, pijlen, een zwaard en een krans van sterren. Onderin de lijst staat zijn naam. Onder het portret de signatuur van de geportretteerde.
Portret van Albrecht Friedrich, Markgraaf van Brandenburg.
Object type: print
Date: 1550 – 1587
Materials: paper
Techniques: engraving
Location: antwerp
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: cape (+ men's clothes), codpiece (cover for the genitals), historical persons, head-gear: hat (+ men's clothes), neck-gear: collar (+ men's clothes), gloves, mittens, etc. (+ men's clothes), necklace (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228, caption: ‘Albrecht Friedrich von Gottes Gnaden Marggraf zu Brandenburch zu Preussen, zu Stetin Pomern der Cassulben und Wenden/ Hertzug Burggraff zu Nurnberg und furst zu Rugen etc.’

Kleding: Cape met uitstaande brede platte kraag. Geplooide lubbenkraag, opstaand tot oren. Vierdubbele ketting om de hals. Codpiece met strik. Handschoenen in de linkerhand. De hoed met ronde hoge bol en platte rand met pluimen ligt op tafel.
Wash Basin
Object type: wash basin
Date: 1700 – 1799
Materials: porcelain
Culture: chinese
Location: china