deem-data/ArtiFact huggingface dataset:
The Morning Bouquet, Tears, plate three from Love
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: maurice denis
Artist role: print maker
Artist nationality: french
Artist dates: 1870 – 1943

These 12 prints come from Love, a series of color lithographs that form a disjointed narrative about a woman who experiences love, although it is unclear if she is falling in love with a man, nature, or her faith. Each soft and dreamlike image is paired with a caption of fragmented poetry that serves as its title, but these phrases do not directly describe their corresponding images. Maurice Denis, who was also a writer, crafted these puzzling yet evocative captions to add layers of meaning through the interplay of text and image.
Bowl
Object type: bowl
Date: 960 – 1279
Materials: glaze, stoneware
Culture: chinese
Kameyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"
Object type: print
Date: 1806 – 1806
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
S. Conrad, évêque (St. Conrad, Bishop), November 26th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,bishops,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Nakamura Shikan III als Fukumasuya Monbei
Object type: print
Date: 1801 – 1841
Materials: paper
Techniques: woodcut
Location: osaka
Artist: hasegawa sadanobu (i)
Artist role: print maker
Artist dates: 1809 – 1874
Subjects: portrait of actor, actress

Nakamura Shikan III als Fukumasuya Monbei in het toneelstuk ‘Keisei Yanagizakura’, Naka Theater, januari 1841.
Aanspraak aan de Doelisten, 1748
Object type: text sheet
Date: 1748 – 1748
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: kloveniersdoelen, pachtersoproer (1747-1750)
Inscriptions: collector's mark: Lugt 2228

Tekstblad met de tekst van de aanspraak gedaan aan de Patriotten (Doelisten) die in de openbare vergadering in de Kloveniersdoelen te Amsterdam op 9 augustus 1748 bijeen zijn geweest. Blad op beide zijden bedrukt.
Penning met het portret van Martin Luther
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: priest, martin luther, theologian, historical persons, medal (considered as a piece of sculpture, regardless of its specific function)

Prent waarschijnlijk uit: Europische Mercurius (...). 41 (1730), dl. 1.
Terracotta oil lamp
Object type: lamp
Date: 100 – 1
Materials: terracotta
Culture: greek

Mold-made, with ring handle. Plain, concave discus, with central filling hole and raised edge. On the convex-curving shoulder, a vine tendril ending in a bunch of grapes at front; a small frond decorates the base of the nozzle, which has pointed sides around the large wick hole; on handle, a central cable pattern flanked by parallel incised lines, with a cross bar at back; squat, carinated body. Raised, broad base ring, and flat base. Intact.
Bed valance
Object type: bed valance
Date: 1701 – 1800
Materials: linen
Subjects: animals
Rok met queue en sleep van paars fluweel, versierd met veelkleurige florale applicaties.
Object type: skirt
Date: 1893 – 1893
Materials: silk, velvet
Techniques: appliqué
Location: amsterdam

Rok horend bij een japon van paars fluweel. Rok met fluwelen voorbanen; sleep en achterbanen van paarse zijde met opgeweven fluwelen bloemtakken. De voering is van paarse zijde en voorzien van drie stroken.
Diverse klederdrachten van Russische geestelijken
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Artist: jean baptist leprince
Artist role: draughtsman, print maker
Artist dates: 1734 – 1781
Subjects: russian orthodox church, archbishop, bishop, etc. (roman catholic)
Inscriptions: date
S. Iohannes
Object type: print
Date: 1591 – 1629
Materials: paper
Techniques: engraving
Location: prague
Inscriptions: collector's mark: Lugt 2228

Apostel en evangelist Johannes staat met boek en vishengel met gevangen vis naast adelaar. Onder de voorstelling staat een Latijnse regel uit de apostolische geloofsbelijdenis.
Hiratsuka: Ferryboats on the Banyu River (Hiratsuka, Banyugawa watashibune), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Object type: print
Date: 1837 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, after Reni
Object type: print
Date: 1590 – 1610
Techniques: etching
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: angels,holy family,saint john the baptist,virgin mary,jesus

Copy after Reni. Verso not visible as print is laid to another sheet of paper.
Earring
Object type: earring
Date: 34 – 66
Materials: gold, gemstone
Culture: sarmatian
Head of a Horse
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: drawing, stumping
Location: france
Artist: style of charles parrocel
Pitcher
Object type: pitcher
Date: 1880 – 1889
Materials: earthenware
Culture: american
Location: united states
Artist: chelsea keramic art works
Artist role: manufacturer
Artist nationality: american
Artist dates: 1872 – 1889

The Chelsea Keramic Art Works was the first American ceramics firm to designate itself an "art pottery." It was founded in Chelsea, Massachusetts, by members of the Robertson family, all of whom had honed their skills in the ceramics industry in Britain before coming to this country. Hugh Robertson, the guiding force behind the pottery, created work that was not only inspired by classical Greek pottery but also by forms and decoration that align with English Reform design. This pitcher, with a pale olive-green glaze, has an angular profile resonant with the British designer Christopher Dresser’s innovative shapes, such as the pottery he designed for the English firms Watcombe and Linthorpe, as well as the glass and metalwork he conceived for various manufacturers. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known.
Seiobo (Queen Mother of the West) and tortoise, from an untitled hexaptych depicting a pair of folding screens
Object type: print
Date: 1825 – 1825
Techniques: woodblock print, surimono
Location: japan
Artist: ryuryukyo shinsai
Artist role: draughtsman, print maker
Artist nationality: japanese
Artist dates: 1764 – 1820
Subjects: mothers, parents
Portret van Adrianus François Goudriaan
Object type: print
Date: 1834 – 1850
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: knighthood order, historical persons (+ (full) bust portrait)
Design for a Vase
Object type: drawing
Date: 1828 – 1840
Materials: ink
Techniques: pen
Artist: j. hulme
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1880
Subjects: men,horses,chariots,vases
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 600 – 501
Materials: terracotta
Culture: greek, corinthian
Groenburgwal met de Zuiderkerk, Amsterdam
Object type: stereograph
Date: 1857 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: canals, waters (in city)
Inscriptions: inscription: ‘75Ct’, inscription: ‘Groenburgwal, Z.Kerk’
Armor (<i>Gusoku</i>)
Object type: armor i gusoku i
Materials: copper, gold alloy, felt, gold, hair, iron, lacquer, leather, linen, silk
Culture: japanese
Location: japan
Artist: hiromichi miura
Artist role: restorer/conservator
Artist nationality: japanese
Artist dates: 1938 – 

The breastplate of this armor is overlaid with a tooled, gilded, and painted piece of leather likely imported from Holland, reflecting the growing interest in European culture and goods in Japan in the eighteenth century, and the creative ways in which this interest was manifested in armorers’ art. Decorative European leather, often originally intended as a wall covering, was used to embellish a range of equipment, including sword mountings and equestrian tacks.
Pocket watch
Object type: chatelaine
Date: 1755 – 1755
Materials: gold
Location: paris

Op de gouden chatelaine staan een voorstelling van een herder en een herderin. Hoort bij een gouden horloge (BK-NM-11238-1).
Komeet, waarschijnlijk komeet Halley
Object type: print
Date: 1759 – 1799
Materials: paper
Techniques: engraving, etching, hand coloring
Artist: Anonymous
Subjects: comet
Inscriptions: stamp, inscription: ‘Deze Comeet heeft zig in 1682 vertoont zoo als hij hier is, en in 1756 in Junij weder.’, collector's mark: Lugt 1641

Een komeet, waarschijnlijk komeet Halley. Deze komeet verschijnt ongeveer iedere 76 jaar. In Nederland was deze komeet te zien in 1682 en 1759. Rechtsonder genummerd met pen: 244. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Onderwijs en Wetenschappen, Astrologen (Natuurkunde en Astronomie).
Erepoort bij de Grote Brug, 1751
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: caspar jacobsz. philips
Artist role: draughtsman, print maker
Artist dates: 1732 – 1789
Subjects: the hague, willem iv (prins van oranje-nassau), triumphal arch
Inscriptions: collector's mark: Lugt 2228

De erepoort geplaatst bij de Grote Brug. Op de boog portretten van stadhouder Willem IV en zijn voorgangers, met standbeelden van Godsdienst en Vrijheid. Onderdeel van de illustraties van de feestelijke inhuldiging van stadhouder Willem IV als markgraaf van Veere op 1 juni 1751.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic

Wreathed satyr, looking over his right shoulder, with his right arm extended, and his left leg bent, holding a thrysos in his left hand; below the rim, to the right and left of the satyr's head, part of an inscription, [K]ALOS; one complete handle preserved
Tripod Cauldron (Ding)
Object type: cauldron
Date: 206 – 9
Materials: earthenware, pigment
Culture: chinese

Instead of being glazed, some tomb pottery was decorated with pigments applied after firing to mimic the form and decor of vessels made of more precious materials such as lacquer or bronze.
Treurende putto bij een geruïneerde zuil
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: hourglass, serpent ouroboros, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Treurende putto met een geketende leeuw bij een geruïneerde zuil. Om de zuil een slang die in zijn eigen staart bijt, een symbool voor eeuwigheid. Aan de voet van de zuil een fakkel en een zandloper.
Panel with the Crown of Thorns
Object type: panel
Date: 1501 – 1533
Materials: wood
Culture: french
Location: france
Subjects: suffering,men,jesus

Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels (50.147.1–38) are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.
A fine charge by the Leicesters baffles the Kaiser's bid to wipe out the Old Contemptibles, Ypres
Object type: stereograph
Date: 1914 – 1918
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: ieper
Subjects: private soldier, charge ~ battle
Inscriptions: number: ‘23’, inscription: ‘By Royal command to their Imperial majesties King George V and Queen Mary’
Furansujin (Frenchman)
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshikazu
Artist role: artist
Artist nationality: japanese
Artist dates: 1845 – 1870
Subjects: girls,men,women,ships,chairs
Ontwerp voor een titelpagina voor: Emilie C. Knappert, Kijkjes in de plantenwereld, 1893
Object type: design
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: flowers
Inscriptions: :, collector's mark: Lugt 2228a

Ontwerp voor de titelpagina voor: Knappert, Emilie C. Kijkjes in de plantenwereld. Loman & Funke: Amsterdam, 1893.
Underglaze-blue and red 'immortals' dish
Object type: vessel
Date: 1801 – 1900
Materials: porcelain
Techniques: painting, underglaze
Location: china
Portret van Frederik III van Brandenburg-Bayreuth
Object type: print
Date: 1731 – 1788
Materials: paper
Techniques: engraving, etching
Artist: johann esaias nilson
Artist role: draughtsman, print maker, publisher
Artist dates: 1721 – 1788
Subjects: 'musica', symbolic representations, allegories and emblems ~ music; 'musica'(ripa), historical persons, weapons, attributes of minerva, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Hier kunt ge ô lieve jeugd, uit spelen zelfs iets leeren, / zoek nuttig tydverdryf, reeds by het vroeg begin, / En wil in 't zoet vermaak, de eed'le deugd waardeeren, / Dan kroont u 's hemels gunst, en uwer oud'ren min
Object type: print
Date: 1842 – 1866
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: weduwe c. kok geboren van kolm
Artist role: printer, publisher
Subjects: children's games and plays, (flying a) kite, games using special objects (marbles, top, hoop, etc.), jumping-rope games
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van kinderspelen, waaronder touwtjespringen, vliegeren en tollen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 15.
Armstoel
Object type: armchair
Date: 1500 – 1600
Materials: wood
Techniques: gilding
Location: italy
Artist: Anonymous

Armstoel van notenhout, gedeeltelijk verguld. De voorpoten eindigen als stutten, die bovenaan met bladconsoles versierd zijn, en die de armleggers, eindigend in voluten, steunen. De uitgezaagde voorsport, voorzitregel en rugsporten zijn versierd met ondermeer gestoken bladmotieven, rozetten en voluten. De rugstijlen, bekroond met bladmotieven, hellen achterwaarts. De bovensport van de rug draagt een wapenschild met bloemen, kogels en een ster. De poten zijn vierkant. Zie tevens BK-16646-a, b en d.
32 voorstellingen van cellen
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: lithograph
Artist: w. glówczewski
Artist role: clichémaker
Subjects: biology
Inscriptions: inscription: ‘A. Atari ad nat del’
Ruine in der Nähe von Rom / Ruines, des environs de Rome
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: etching
Location: dresden
Artist: philipp veith
Artist role: draughtsman, print maker
Artist dates: 1768 – 1837
Subjects: city-view, and landscape with man-made constructions, landscape with ruins, rome
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 3976
Schloss Moyland nabij Kleef
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: bedburg-hau
Artist: Anonymous
Subjects: castle
Inscriptions: collector's mark: ‘Vosmaer’
Her Majesty's Fleet: Evening
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Vuurbok met vaas en medaillon
Object type: ornament print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: andiron, fire-dog, ornament ~ medallion, vase ~ ornament
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerde vuurbok met een vaas met slangen en bloemen en een rond medaillon met een draak.
Tile
Object type: tile
Date: 1701 – 1800
Techniques: glazing
Subjects: men,drums
Pear-shaped bottle vase with flowering plants, birds and insects near a rock
Object type: vase
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: china
Artist: Anonymous
Subjects: birds, ornament derived from plant forms

Flesvormige vaas van porselein met een geribd, peervormig lichaam, ringvormige verdikking in de nek, aan de bovenkant spreidend, beschilderd in onderglazuur blauw. Op de buik een bloeiende plant met vogels en insecten bij een rots. De ringvormige verdikking en de nek met bloemtakken. Blauw-wit.
Gezanten uit Keulen brengen Civilis geschenken, 69-70
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: extinct, 'historical' peoples (with name), netherlands

Gezanten uit Keulen brengen Civilis geschenken. Prent nummer 21 in de serie prenten over de Bataafse Opstand: Batavorum cum Romanis bellum / à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, auctore Othone Vaenio Lugdunobatava = De Batavische oft oude Hollandtsche oorloghe teghen de Romeynen. Otto Vaenius, Antwerpen 1612. Onderaan twee verzen van vier regels in het Nederlands en in het Latijn. Zonder tekst op achterzijde.
Isabel op ski's
Object type: album leaf
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: lenzerheide
Subjects: leiden, isabel wachenheimer-elon, skis (winter sports), the family travelling, on holiday, snow
Inscriptions: date

Albumblad met een foto van Isabel Wachenheimer staande op ski's. Onderdeel van het fotoalbum met vakantiefoto's Lenzerheide, 1934.
Furniture elements
Object type: furniture element
Date: 900 – 701
Materials: glass
Culture: assyrian
Location: syria

These dark blue strips of glass were found at Arslan Tash, together with a large group of carved ivory furniture inlays. The color of these pieces suggests that a metal ore such as copper or cobalt was added to the glass matrix. They may have been intended to imitate lapis lazuli, a dark blue semiprecious stone mined in northeastern Afghanistan that was prized by the Assyrians. These pieces were probably manufactured by Phoenician craftsmen who were expert at inlaying glass into ivories. Two pieces take the shape of long feathers, although the tip of one does not survive. These pieces may have been inlaid into cloisons (walled cells) within the wing of a fantastic creature such as a sphinx on a carved ivory furniture inlay, which was then joined to a piece of wooden furniture. The two rectangular strips may have been set directly into a piece of furniture. Arslan Tash, ancient Hadatu, was an Aramaean town located in northern Syria just east of the Euphrates River, close to the modern Turkish border. French archaeological excavations at the site in 1928 revealed city walls and gates in addition to a palace and temple that were built when the Neo-Assyrian king Tiglath-Pileser III (744-721 B.C.) turned the town into a provincial capital and military outpost. During the excavations, over one hundred ivory furniture inlays were found in a building near the palace. Gold foil, paint, and semiprecious stone and glass inlay embellishments enlivened these magnificent works of art. Today, the ivories and decorative elements from Arslan Tash are housed in museums in Paris, Aleppo, Jerusalem, Karlsruhe, and Hamburg, as well as The Metropolitan Museum of Art.
Bowl Incised with Trophy Head Figures
Object type: bowl
Date: 300 – 201
Materials: ceramic, pigment
Culture: paracas
Location: peru
Profiel van de Diemerzeedijk met scheur
Object type: print
Date: 1729 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: dike-break, prospect of village, silhouette of village, sailing-ship, sailing-boat, dikes, levee
Inscriptions: collector's mark: Lugt 195

Rond 1730 waren de houten palen van de Diemerzeedijk ernstig aangetast door paalworm. In 1737 zouden de houten palen worden vervangen door stenen. Landmeter A.D. Mutsert maakte een aantal tekeningen van de toenmalige Diemerzeedijk en Diemerlanddijk en mogelijke verbeteringen, waarvan ook prenten zijn gemaakt. De huidige prent is daar een van.

Zie ook RP-P-AO-8-38 en RP-P-AO-8-39.
Drachm (Coin) Depicting a Gorgon
Object type: coin
Date: 500 – 468
Materials: metal, silver
Culture: greek
Location: greece
Subjects: goddesses

The front of this coin depicts the head of a Gorgon.

The back features a simple, geometric design.
The Quack
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: children,men,women
Standbeeld van Joseph Brotherton in Peel Park in Salford, Engeland
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: salford
Subjects: monument, statue
Inscriptions: inscription: ‘Peel Park, Salford.’
Sampler
Object type: sampler
Date: 1634 – 1666
Materials: canvas, metal thread, silk
Techniques: laid work, stitching
Subjects: birds,boars,butterflies,snails,flowers

The term "spot sampler" has come to refer to compositions like this one in which the motifs are scattered in somewhat random fashion over the surface of the foundation fabric. These samplers are rarely signed or dated, and often their motifs are only partially worked, leading to the conclusion that this type of sampler was made as a personal stitch reference for its maker, and not for display, as signed schoolgirl samplers were. The geometric motifs on this sampler are the type that would have been used to decorate small purses, cushions, and other accessories. The fruits, flowers, and animals rendered in tent stitch are the type of motif that would have been worked in large quantities and then cut out and applied to another fabric background, such as a satin or velvet. They were then often outlined with silver or gold metal threads. The small floral motifs are often called "slips," a term that also describes cuttings from plants.
Fotoalbum (leeg)
Object type: slip in album
Date: 1860 – 1900
Materials: cardboard, leather, metal, paper
Techniques: color on snow
Artist: Anonymous
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 888’

Fotoalbum met veertig pagina's met op iedere pagina naast elkaar twee met gouden lijnen omkaderde passe-partouts voor cartes-de-visite. Onder iedere passe-partout staat de afkorting "A. L. Bté S. G. D. G." vermeld.
Scherven van diep bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl with a flattened rim. Taotie mask and/or borders with diaper patterns. A central decoration of a grasshopper on a rock next to a peony. Panels decorated with flowers and fruits.