deem-data/ArtiFact huggingface dataset:
Sofa
Object type: sofa
Date: 1805 – 1815
Materials: wood
Culture: american
Location: united states
Artist: duncan phyfe
Artist role: maker
Artist nationality: american, born scotland
Artist dates: 1770 – 1854

In its quality and condition, this scroll-back sofa is among the finest known examples of this classic New York form. The modern black horsehair and gilded tacks that cover the original period upholstery foundations replicate the look of the sofa when it first came out of the workshop.
Artisjok (Cynara cardunculus) en prikneus (Silene coronaria)
Object type: print
Date: 1604 – 1632
Materials: ink, paper, watercolor
Techniques: engraving, hand coloring
Location: cologne
Artist: Anonymous
Subjects: flowers: silene coronaria, rodents: squirrel, plants and herbs: artichoke

Artisjok en prikneus. Met een springende eekhoorn en een ornamentele plant. Figs. 25 en 26 op een blad met de hand genummerd 14. In: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Baksteen uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: brick clay product
Materials: brick
Location: netherlands
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Hele baksteen, bruinrood, rechthoekig. Brick.
Landau #595
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op een menigte bij Les Halles te Parijs
Object type: stereograph
Date: 1875 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: august frederik willem vogt
Artist role: fotograaf
Artist dates: 1871 – 1922
Subjects: market-hall
Inscriptions: number: ‘25479’, inscription: ‘Speciaal adres voor goede stereoscopen en fraaie stereoscopische-photo's. photographische kunst-inrichting Aug. F. W. Vogt, Amsterdam.’, number: ‘170’
Portret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1823 – 1839
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: the hague, william i of the netherlands, knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2166

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Portret van Benedikt Franz Johann von Hermann
Object type: print
Date: 1780 – 1833
Materials: paper
Techniques: engraving
Artist: jános blaschke
Artist role: print maker
Artist dates: 1770 – 1833
Subjects: austria, historical persons
Inscriptions: collector's mark: Lugt 2228
Lock of the Canal Saint-Martin
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Over de macht van vrouwen
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Subjects: solomon's idolatry, pernicious influence of women, 'femmes fatales'
Inscriptions: collector's mark: Lugt 2166

Koning Salomon zit op zijn troon, omringd door een gezelschap elegant geklede vrouwen. Een van hen bespeelt de luit. Een andere vrouw houdt hem een afgodsbeeld voor. Op de achtergrond links wordt een tempel voor een afgodsbeeld gebouwd
Sri Sri Durga
Object type: print
Date: 1875 – 1880
Materials: paper
Techniques: lithograph
Culture: indian or west bengali

The goddess Durga, wielding an array of weapons in her ten arms, slays the buffalo demon Mahisha, who now reveals himself in human form. Durga plunges a trident (trisula) into his chest, whilst her lion mount (vahana) mauls his arm. To her left stands Lakshmi who holds two flowers while on the right stands Saraswati holding a vina. Dancing in the lower left is Ganesha with his rat vehicle at his feet, while to the right Skanda sits astride his peacock. The ensemble is framed by a decorative arch supported on fluted columns. An inset painted panel evokes Victorian architectural decoration in the academic manner, but with Hindu deities replacing classical philosophers and muses. This early and extremely rare monochromatic print was refashioned a decade later into a widely popular chromolithographic version by the Jubilee Art Studio in Calcutta.
Yokohama Trade: Picture of Westerners Shipping Cargo
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Subjects: men,women,ships
Portrait of Frederick II of Prussia, after Antoine Pesne
Object type: drawing
Date: 1730 – 1808
Materials: graphite
Artist: johann georg wille
Artist role: artist
Artist nationality: german
Artist dates: 1715 – 1808
Subjects: men,portraits
Rekenpenning uit Dordrecht op de onthoofding van Egmont en Horne en op de voortzetting van de strijd 1579
Object type: jeton
Date: 1579 – 1579
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde twee ruiters en twee voetknechten in gevecht, met omschrift, op de keerzijde de lichamen van Egmont en Horne, hun hoofden op staken, met omschrift.
Censer with figures in landscape
Object type: censer
Date: 1707 – 1707
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: human figures,landscapes,censers

The thickly potted censer stands on three small feet and is painted with a continuous landscape of mountains and rivers. Three scholars are shown boating on one side while another two stand on a promontory overlooking the view. Signs of habitation are also found in the pavilion nestled along the sides of the river, and the two small thatched huts on the river banks. The full moon in the sky and the flying geese add a seasonal element to the scene as do the budding trees. It seems likely that the painting, rendered in dramatic shades of light and dark cobalt, represents a moment in either autumn or spring. A four character inscription in cobalt blue in a round cartouche on the bottom reads dinghai nian zhi (丁亥年之), a cyclical date with corresponds with 1708. There are no missing pieces.
Colijn als een Oosterse god
Object type: drawing
Date: 1920 – 1935
Materials: ink, paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: priest, hendrikus colijn, political parties, political caricatures and satires
Inscriptions: inscription: ‘De zwijgende god/ / De aanbidders - t Is toch maar zalvend hem te kunnen dienen.’

De drie christelijke partijen (Beumer, Schouten, Nolens) knielen voor een standbeeld van Colijn als een boos kijkende Oosterse god. Aan de voet van het beeld staat een kan petroleum. Ontwerp voor een politieke spotprent.
Plate
Object type: glass
Date: 1601 – 1633
Materials: enamel, glass
Location: bohemia
Child God
Object type: statuette, child god
Date: 664 – 630
Materials: metal
Location: egypt

The figure represents a child god in a seated/reclining position, wearing a large uraeus on his forehead, which alludes to his royal and divine status. The child god is distinguished from adult gods by a range of iconographic clues: his nudity, the finger raised to the mouth (a child-like gesture), and the thick sidelock on the right side of his head. A large suspension loop rests at the back of his neck. Child gods grew in popularity and cult from the Third Intermediate Period onwards, rivaling even the most powerful and ancient gods, especially as temple offerings. The best known is Horus the Child (Harpokrates), who was the son of Isis and Osiris, but many others existed, including Khonsu the Child, Ihy, and Harsiese, among others. Thus it is difficult to assign a precise identity to this statuette without an associated inscription.
The Septizodium, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1556 – 1556
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: buildings,ruins,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 47 in the scrapbook.
The Actor Ichikawa Monnosuke II in an Unidentified Role
Object type: print
Date: 1779 – 1779
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Portret van Ida van Braam
Object type: photograph
Date: 1895 – 1920
Materials: photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Subjects: historical persons - bb - woman
Terracotta fragments of a kylix: eye-cup (drinking cup)
Object type: kylix fragment, eye cup
Date: 433 – 567
Materials: terracotta
Culture: greek, attic

Exterior, one fragment has toes of a foot?; the second fragment has the ankle and foot of a figure to right?
Spittoon or Incense Burner
Object type: spittoon
Date: 1567 – 1633
Materials: brass
Techniques: casting, engraving
Location: india

Such baluster-shaped vessels are seen in paintings from the Deccan and Mughal periods, most often on the ground at a royal gathering or held by an attendant. One is included in the nearby painting Sultan Ibrahim ‘Adil Shah II Venerates a Sufi Saint. The spiral fluting is fairly typical of Deccani metalwork, though surviving examples in this shape are exceedingly rare.
Art of Writing, from Encyclopédie
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving
Location: france
Artist: aubin
Artist nationality: french
Artist dates: 1700 – 1799
Mausolee
Object type: ornament print
Date: 1629 – 1716
Materials: paper
Techniques: engraving
Location: paris

Bovenop het monument staan kariatiden in een cirkel; rechtsboven staat het cijfer 2.
Overlijden van Niklaas Jan Rouppe, burgemeester van Brussel
Object type: history medal
Date: 1838 – 1838
Materials: bronze
Techniques: striking
Location: brussels
Artist: adrien hippolyte veyrat
Artist role: medailleur
Artist dates: 1803 – 1883
Subjects: brussels

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift onder gekroond medaillonvan St. Michael binnen omschrift en sierrand
Mold
Object type: mold
Date: 301 – 700
Materials: marble
Culture: coptic
Location: egypt
Piece
Object type: piece
Date: 1872 – 1886
Materials: cotton
Subjects: roses,leaves
Bob Allen, Shortstop, Pittsburgh, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Candle extinguisher
Object type: candle extinguisher
Date: 1766 – 1767
Materials: silver
Artist: charles-françois lautran
Artist role: maker
Artist dates: 1677 – 1777
Vrouw en een compositiestudie
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Subjects: adult woman

Pagina 51 uit een schetsboek met 30 bladen.
Fotoreproductie van een prent naar een schilderij door Robert Smirke, voorstellend een scene uit Naar het u bevalt door William Shakespeare
Object type: photograph
Date: 1854 – 1867
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. XXIX. 115’

Te zien is een verbeelding van akte II, scene 7; Seven Ages Of Man.
Interieur van de eetkamer in de ambtswoning van de Javasche Bank te Batavia
Object type: album leaf
Date: 1921 – 1921
Materials: paper, cardboard
Techniques: gelatin silver print
Location: batavia
Artist: Anonymous
Subjects: interior ~ representation of a building, dining-room, batavia
Titisee, Zwarte Woud, Baden-Württemberg, Duitsland
Object type: photograph
Materials: paper
Techniques: gelatin silver print
Location: germany
Subjects: titisee-neustadt
Inscriptions: inscription: ‘SCHWARZWALD. Titisee von Süden.’, number: ‘2313’, inscription: ‘Verlag der Neuen Photogr.Gesellschaft A.-G.//Berlin-Stieglitz 1904’

Het Zwarte Woud ligt aan de Rijn en aan de Franse grens. Op de noordelijke oever van het meer, dat 1,3m2 km beslaat, ligt het gelijknamige kuuroord, tegenwoordig een onderdeel van de stad Titisee-Neustadt. Hier zien we Titisee vanuit het Zuiden.
Doorknob
Object type: doorknob
Date: 1850 – 1850
Materials: earthenware
Culture: american
Location: united states
Zes pence, noodmunt van Jacobus II, koning van Engeland, uit september 1689
Object type: coin
Date: 1609 – 1689
Materials: copper
Techniques: striking
Location: ireland
Artist: Anonymous
Subjects: jacobus ii (koning van engeland en schotland)

Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: kroon, waardoor twee gekruiste scepters steken tussen monogram van letters J en R; boven kroon Romeinse cijfer XXX, onder kroon opschrift "Sept" binnen omschrift
Schrijver Willem Sluiter wijst naar diverse voorwerpen en naar een huis waar een vrouw geschrokken is van de Dood die aanklopt
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: knocking at the door, death as skeleton
Inscriptions: collector's mark: Lugt 2228, number: ‘5’

Illustratie uit: Sluiter, Willem. Buiten- eensaem huis- somer- en winter-leven. Amsterdam: Gerbrandt Schagen, 1687, p. 48.
Inhuldiging van Wilhelmina als koningin der Nederlanden, penning uitgedeeld onder schoolkinderen
Object type: history medal
Date: 1898 – 1898
Materials: copper
Techniques: striking
Location: amsterdam
Artist: johannes albertus adolf gerritsen
Artist dates: 1840 – 1904
Subjects: print maker, wilhelmina of the netherlands, netherlands
Inscriptions: circumscription: ‘INGEHULDIGD 6 SEPTEMBER 1898’, circumscription: ‘WILHELMINA KONINGIN DER NEDERLANDEN’
Piece
Object type: piece
Date: 1834 – 1866
Materials: cotton
Subjects: flowers
Portret van een onbekende man
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Artist: david octavius hill
Artist role: fotograaf
Artist dates: 1802 – 1870
Subjects: adult man, historical persons
Het treffen bij Königstein
Object type: print
Date: 1813 – 1863
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerardus emaus de micault
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: warfare; military affairs (+ cavalry, horsemen)

Op een vlakte met boompartij vindt een veldslag met cavaleristen plaats. Op een heuvel op de achtergrond het fort Königstein.
Portret van Jane Hading
Object type: photomechanical print
Date: 1875 – 1884
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Du gymnase’
Terraced fields of rice, Sri Lanka
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: sri lanka
Artist: Anonymous
Subjects: sawahs, rice paddies
Inscriptions: title: ‘Ceylon./ Rice (paddy) fields’, number: ‘38’
Dish
Object type: dish
Date: 1685 – 1690
Materials: earthenware, glaze
Location: delft
Artist: rochus jacobsz. hoppesteijn
Artist role: plateelbakker
Artist dates:  – 1692
Subjects: chinese (+ other cultural aspects)
Inscriptions: mark: ‘RIHS(ineen)’

The leaf shape of this small dish was inspired by ko-sometsuke, porcelain produced in China in a great variety of forms in the early 17th century especially for the Japanese market. The decorations on it do not coincide with the leafshape. The Delft painter made them up, basing himself on Asian porcelain.
Fan
Object type: fan
Date: 1701 – 1800
Materials: ivory, paper
Subjects: men,women
Miss Mabel Love, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Bord, beschilderd met het Flügelmuster-decor
Object type: plate dish
Date: 1901 – 1901
Materials: porcelain
Techniques: painted
Location: meissen
Artist: konrad hentschel
Inscriptions: factory mark

Bord van beschilderd porselein. Het bord is beschilderd in groen en blauw met het Flügelmuster. Het bord hoort bij een servies (BK-1976-65-1 t/m BK-1976-65-34) en is gemerkt.
Man Leering
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: men,portraits
Portret van Pieter van den Broecke
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: antwerp, pieter van den broecke, historical persons, baton of general
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1585 uit Valentijn +16..’

Prent uit: Valentijn, François. Oud en nieuw Oost-Indien, vervattende een naaukeurige en uitvoerige verhandelinge van Nederlands mogentheyd in die gewesten (...). Dordrecht en Amsterdam: Johannes van Braam en Gerard onder de Linden, 1726, dl. 4.2.
Das Neue Opernhaus
Object type: carte de visite
Date: 1869 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: vienna
Artist: august angerer
Artist role: publisher
Subjects: opera house
Inscriptions: inscription: ‘Nachdruck vorbehalten.’, inscription: ‘Opera./ Wenen’
Cliff House and Seal Rock
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: houses,landscapes
Huizen en een poort in Westminster
Object type: drawing
Date: 1806 – 1806
Materials: paper, pencil
Artist: john linnell (ii)
Artist role: draughtsman, print maker
Artist dates: 1792 – 1882
Subjects: street (+ city(-scape) with figures, staffage)
Fan
Object type: fan
Date: 1869 – 1869
Materials: wood
Culture: american
Sallet and Buffe for a Rennzeug in the Saxon Fashion
Object type: sallet and buff
Date: 1570 – 1600
Materials: leather, steel
Culture: german
Location: germany
Diverses figures
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: paris
Subjects: adult man, clothes, costume (+ men's clothes), dog
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maakt deel uit van een serie van twaalf prenten met verschillende figuren, uitgegeven door Langlois in Parijs.
Morion-Cabasset
Object type: morion cabasset
Date: 1575 – 1575
Materials: brass, leather, steel
Culture: italian
Location: italy
Snow Plum
Object type: album leaf
Date: 960 – 1279
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: flowers
Dwarf (one of three)
Object type: figure
Date: 1760 – 1770
Materials: soft paste porcelain
Artist: doccia porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1737 – 1896
Subjects: human figures
War Eagle, from the Indian Chiefs series (N681) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: men,portraits

Trade cards from the "Indian Chiefs" series (N681), issued ca. 1888 to promote Old Fashion Fine Cut Tobacco.
Portret van Wladislaus IV van Polen
Object type: book illustration
Date: 1647 – 1647
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: wladislaus wasa (iv), historical persons, knighthood order of the golden fleece, ruler, sovereign

Prent waarschijnlijk uit: Wassenbergh, Everhard. Duytsche Florus, begrypende de Duytsche oorlogen, met den aenvangh van het (...). Amsterdam: Nicolaes van Ravesteyn, 1647.
Landschap bij Kortenhoef
Object type: drawing
Date: 1890 – 1890
Materials: chalk, paper
Location: kortenhoef
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: landscapes