deem-data/ArtiFact huggingface dataset:
Vier leraren op een bank met kinderen daarvoor
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Subjects: teacher and pupil, book, clock

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.

Deze prent is ook gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Apostel Judas Thaddeus
Object type: print
Date: 1475 – 1500
Materials: paper
Techniques: engraving
Artist: meester fvb
Artist role: print maker
Subjects: the apostle simon zelotes (or simon the canaanite); possible attributes: book, saw, scroll
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Afdruk van versleten plaat. Apostel blootsvoets met zaag en boek.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, in the field, part of a basket?; below, drapery?
Pauwies
Object type: print
Date: 1926 – 1926
Materials: paper
Techniques: woodcut
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Inscriptions: signature: ‘jessurun de mesquita’

Vogel met kromme snavel en ellipsvormig lichaan en krullen op het hoofd, staand op tak.
Portrait of the Artist
Object type: painting
Date: 1786 – 1786
Materials: canvas, oil
Culture: american
Artist: gilbert stuart
Artist role: artist
Artist nationality: american
Artist dates: 1755 – 1828
Subjects: men,self-portraits

Preserved on a label found on the back of this picture are excerpts from a letter dated December 6, 1884, in which Jane Stuart, the artist's youngest daughter, wrote of the work and her father, "He painted a small sketch of himself for my mother (in London after great persuasion) but could not be induced to finish it." This suggests that the portrait was painted when Stuart was about age thirty, shortly after his marriage to Charlotte Coates on May 10, 1786. Stuart's sketchily indicated tousled hair and sunken eyes emphasize both his proud and irritable character and his working method.
Vooraanzicht van de Rooms Katholieke kerk De Pool te Amsterdam
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), amsterdam
Inscriptions: date

Prent uit: De Mercurius, 85 (1805), p. 478.
De Rooms Katholieke kerk van de Heilige Anna, genaamd De Pool, aan de Buitenkant 30, later Prins Hendrikkade 188.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: silver alloy
Culture: japanese
Location: japan
Subjects: fish
Pettitt Series Keswick
Object type: photograph
Date: 1858 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: cumbria
Artist: alfred pettitt
Artist role: fotograaf
Artist dates: 1820 – 1880
Subjects: lake
L'Infirmerie de l'hospital de la charité de Paris.
Object type: print
Date: 1642 – 1643
Materials: paper
Techniques: engraving, etching
Subjects: physician, doctor, hospital, charitable works, paris
Inscriptions: collector's mark: Lugt 2228
Zelfportret van Odulf Troost
Object type: print
Date: 1830 – 1854
Materials: paper
Techniques: etching
Artist: odulf troost
Artist role: print maker
Artist dates: 1820 – 1854
Subjects: hoegaarden, antwerp, print maker, odulf troost, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
View on main entrance from Boustead Institute
Object type: photograph
Date: 1890 – 1905
Materials: photographic support
Techniques: albumen print
Location: singapore
Subjects: tramway, tram, gate, entrance, street (+ city(-scape) with figures, staffage), police, singapore

Het Boustead Institute, genoemd naar zakenman en filantroop Edward Boustead (1800–1888), was een in Tanjong Pagar gevestigd zeemanshuis voor voormalige en bezoekende zeelieden.
Portable equatorial or equinoctial sundial
Object type: portable equatorial sundial
Date: 1747 – 1747
Materials: brass
Artist: angelus lusuergh
Artist role: maker
Artist dates: 1700 – 1800
Subjects: sundials
Basement gedecoreerd met een reliëf met vier engelen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: base (~ column, pillar), angels, sculpture (+ relief ~ sculpture), europe
Inscriptions: number: ‘6034.’, collector's mark: Lugt 3937
Tunic
Object type: costume and accessory
Materials: cotton, wool
Techniques: interlocking, weave
Culture: huari or nazca
Location: peru
El-Nâcérah, Dattiers, Rives du Nil et Barques
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: rivers,landscapes
Kneeling Female Figure
Object type: figure
Date: 1401 – 1533
Materials: stone, pigment
Culture: mexica, aztec
Location: mexico
Subjects: women
Gezicht op het Mena House Hotel nabij Caïro
Object type: photograph
Date: 1887 – 1900
Materials: paper
Techniques: albumen print
Location: cairo
Subjects: pyramid (historical grave form), hotel, hostelry, inn
Inscriptions: number: ‘No 325’
National Gallery. Vermeer. A lady standing at the virginals
Object type: reproduction
Date: 1902 – 1950
Materials: cardboard
Techniques: color autotype
Location: london
Subjects: permanent exhibition, museum, picture, painting
Panthéon à Paris
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: aquatint
Location: paris
Subjects: façade (of house or building), dome ~ architecture, grave, tomb and other grave-forms and grave-markers
Inscriptions: inscription: ‘N.P. Lerebours Place du Pont Neuf 15’, inscription: ‘Rittner & Goupil Boulevd Montmartre 15’, inscription: ‘Hr. Bossance Quai Voltaire 11’
Soldaten plunderen een huis
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: woodcut
Location: paris
Subjects: plundering ~ soldiers, interior of the house
Inscriptions: collector's mark: Lugt 2233, workshop stamp: ‘Hermann: Paul’
Double Birds on Knobbed Pole
Object type: decorative art
Materials: bronze
Culture: greek
Location: thessaly
Subjects: bird

This precious bronze object is a votive, or devotional gift, made as an offering to the gods. They come in many forms, such as animals, beads and brooches. Many seem once to have been attached to something else. Votives were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were ceremonially buried to make room for more offerings.
Beeld van Benito Mussolini
Object type: drawing
Date: 1935 – 1945
Materials: ink, paint, paper, pencil
Techniques: brush, letterpress printing, pen
Artist: cornelis veth
Artist role: draughtsman, print maker
Artist dates: 1880 – 1962
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
The Actor Ichikawa Monnosuke II as Soga no Goro Tokimune in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?)
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Elijah fed by the ravens
Object type: painting
Date: 1634 – 1634
Materials: copper, oil
Artist: roelant savery
Artist role: draughtsman, painter, print maker
Artist dates: 1576 – 1639
Subjects: elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food
Inscriptions: signature and date, bottom right: ‘Roeland / Savery FE 16[3?]4’

Roelant Saverij (1578 - 1639). Elijah fed by the ravens, 1634. This woodland scene inhabited by animals depicts a story from the Old Testament. Elijah withdrew from the world and lived the life of a hermit, surviving on bread brought to him by ravens. At centre right we see Elijah; the ravens are more difficult to distinguish. Roelant Saverij came from Flanders, the cradle of landscape art. He was a court painter in Prague and from 1618 on was active in Utrecht. Painted on copper. Purchased in 1885.
Vase
Object type: vase
Date: 1801 – 1850
Materials: enamel, glaze, porcelain
Techniques: incising, overglaze, painting, polychrome
Culture: chinese
Subjects: flowers,trees
Gold loop earring
Object type: earring loop type, plain
Date: 7000 – 330
Materials: gold
Verhaal van Romulus en Remus
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: romulus as king of rome
Inscriptions: number: ‘144.’, collector's mark: Lugt 11, number: ‘145.’

Maakt deel uit van een 14-delige serie met scènes uit het verhaal van Romulus en Remus naar ontwerpen door de familie Carracci voor het Palazzo Magnani te Bologna. Prent 1 t/m 7 zijn in prent gebracht door Lepautre en Boulanger en prent 8 t/m 14 door De Châtillon.
Gezicht uit de Leuvehaven naer de Nieuwe Hoofdpoort te Rotterdam
Object type: print
Date: 1746 – 1814
Materials: paper
Techniques: etching
Location: netherlands
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: leuvehaven, hoofdpoort
Inscriptions: collector's mark: Lugt 2228
Galloon
Object type: galloon
Date: 1701 – 1800
Materials: cotton
Subjects: flowers,leaves
Monsieur Suisse
Object type: painting
Date: 1861 – 1861
Materials: canvas, oil
Artist: gustave courbet
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1877
Subjects: men,portraits
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: unknown fabric

Black glazed rim fragment from a kylix, with the start of the handle root
Jane Essler
Object type: photomechanical print
Date: 1872 – 1879
Materials: paper
Techniques: woodburytype
Subjects: paris, historical persons - bb - woman
Inscriptions: inscription: ‘(Dans le Drack) Comedie de G. Sand et Plouvier’
Steelyard Weight with a Bust of a Byzantine Empress and a Hook
Object type: steelyard weight and hook
Date: 400 – 450
Materials: brass, copper alloy, lead
Culture: byzantine
Subjects: women

Steelyard weights often took the shape of busts of Byzantine empresses. This unusually detailed image may depict an empress of the Theodosian dynasty, which ruled from 379 to 450. The weight—itself about five pounds, or seven Byzantine litrae—would have been used for heavier goods.
Portrait of an unknown man with a turban from the Yusufzai Pathan tribe of Hazara, Khyber Pakhtunkhwa, Pakistan
Object type: photograph
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Location: hazara
Artist: Anonymous
Subjects: head-gear: turban, human races; peoples; nationalities
Inscriptions: number: ‘(242)’, inscription: ‘SOONNEE MUSSULMAN./ HAZARA.’
Wild Rose: Poetry, from the series Floral Beauties and Language of Flowers (N75) for Duke brand cigarettes
Object type: print
Date: 1892 – 1892
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: women,flowers

Trade cards from the "Floral Beauties and Language of Flowers" series (N75), issued in a set of 50 cards in 1892 to promote the W. Duke Sons & Co. branch of the American Tobacco Company.
Champs de narcisses au-dessus de Montreux
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: munich
Artist: hoffmann
Subjects: meadow, pasture, flowers: narcissus, mountains
Bord van Engels hardgebakken aardewerk, Boch.
Object type: plate dish
Date: 1775 – 1810
Materials: earthenware
Location: luxembourg

Rond bord van hardgebakken aardewerk. Het bord heeft een geschulpte rand en is beschilderd met klaverbladboeketten en takken. Langs de rand loopt een blauwe streepjesbies. Het bord is gemerkt.
Large Export Copper-Red 'Floral' Bottle Vase
Object type: vessel
Materials: iron, porcelain
Techniques: painting, underglaze
Location: china
The Virgin Appearing to Saint John, from "The Apocalypse"
Object type: print
Date: 1498 – 1498
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: saint john the baptist,virgin mary,jesus,apocalypse
Armchair
Object type: armchair
Date: 1870 – 1875
Materials: brass, wood
Techniques: gilding, tapestry, veneering
Culture: american
Location: united states
Artist: pottier and stymus manufacturing company
Artist role: maker
Artist dates: 1858 – 1919
Subjects: sphinx

William Stymus, an American, and Auguste Pottier, a Frenchman, met as foremen at the cabinetmaking firm Rochefort and Skarren. Pottier trained as a sculptor in Paris, while Stymus had a background in upholstery. The scope of their partnership extended beyond furniture making to include antique dealing and interior decoration. The brass mounts on this chair likely were created in the furnace at their six-story factory. They also produced tapestry and embroidery, although the finely woven Aubusson upholstery on this chair, faded from its original brilliant turquoise to a tan, probably was imported from France by a representative of the firm based in Paris to procure the "latest novelties." While a number of New York cabinetmakers produced Egyptian revival furniture with motifs such as sphinx heads, animal feet, palmettes, and lotus leaves during the 1870s, the firm of Pottier and Stymus is most often associated with the style. This armchair and a matching side chair (1970.35.2) are not marked or labeled, but the attribution to Pottier and Stymus is supported by the cabinetmaker Ernest Hagen's description of their work "with brass gilt sphinx heads on the sofas and armchairs, gilt engraved lines all over with porcailaine [sic] painted medallions on the backs, and brass gilt bead moldings nailed on." These chairs were probably part of a larger suite; a matching armchair is owned by the Art Institute of Chicago and another matching side chair is in the Virginia Museum of Fine Arts. At their Lexington Ave factory, described in a French-language paper as a "wonderland," Pottier & Stymus employed carvers, brass moulders, designers, and even architects. Their many lucrative commissions included New York’s most luxurious hotels, millionaires’ mansions around the country, the White House, and even the Presidential residence at Chapultepec in Mexico City.
Drie vrouwen in gesprek
Object type: print
Date: 1758 – 1808
Materials: paper
Techniques: etching
Location: leiden
Artist: christina chalon
Artist role: draughtsman, print maker
Artist dates: 1748 – 1808
Subjects: human races; peoples; nationalities (+ women), mother and child(ren), woman and child(ren) (family group) (with number of children)
Inscriptions: collector's mark: Lugt 240

Drie vrouwen staan bij elkaar en zijn druk in gesprek. Een van de vrouwen heeft een kind aan de hand.
Minister Postuma en het regeringsvarken
Object type: drawing
Date: 1914 – 1918
Materials: ink, paper, pencil
Techniques: pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: politician, pig, political caricatures and satires, netherlands

Minister Folkert Posthuma als boer trekt aan de staart van een varken aangeduid als het 'regeeringsvarken'. Ontwerp voor een politieke spotprent.
Teapot
Object type: teapot
Date: 1790 – 1790
Materials: clay, enamel, gold
Culture: japanese
Artist: rantei
Artist role: artist
Artist nationality: japanese
Brougham #3769
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Laban Searching for his Gods, after Etienne Jeaurat
Object type: print
Date: 1739 – 1739
Techniques: etching
Artist: michel aubert
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1757
Design for Wagon, no. 823
Object type: drawing
Date: 1860 – 1860
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ontwerp voor In Holland staat een Huis: silhouet van een wieg
Object type: drawing
Date: 1884 – 1917
Materials: paper, pencil
Techniques: brush
Artist: nelly bodenheim
Artist role: designer, draughtsman, print maker
Artist dates: 1874 – 1951
Subjects: 83(van looy, in holland staat een huis)
Portret van een onbekende man
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: johannes leonardus van der heijden
Artist role: fotograaf
Artist dates: 1856 – 1937
Subjects: moustache, adult man, historical persons
Inscriptions: inscription: ‘Johs L. v.d. Heijden/ AMSTERDAM Singel 435./ MUSTERSCHUTZ A.L.’
Gezichten op de omgeving van Brussel
Object type: print
Date: 1825 – 1827
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: abbey, monastery, convent ~ roman catholic church, landscape with ruins, monk(s), friar(s)

Prent maakt waarschijnlijk deel uit van een serie met gezichten op de omgeving van Brussel. Over deze serie is verder niets bekend. Het betreft voornamelijk landschappen en gebouwen.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1897 – 1897
Materials: cardboard, ink
Techniques: pen, writing
Location: leiden
Artist: cees verster
Artist role: conservator
Subjects: publisher, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic

Two palmettes with ribbed central fronds and tendrils
Overwintering op Nova Zembla, 1596-1597
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: willem barendsz., amsterdam, jacob van heemskerck, beasts of prey, predatory animals: polar bear, island (in polar regions), icefield
Inscriptions: date

Vier scènes uit de overwintering op Nova Zembla, 1596-1597. De bemanning aangevallen door ijsberen, het redden van goederen uit het schip, het schieten en slachten van een ijsbeer, het klaarmaken van de sloepen voor vertrek.
Portrait of a Young Woman
Object type: painting
Date: 1801 – 1801
Materials: canvas, oil
Culture: american
Artist: mather brown
Artist role: artist
Artist nationality: american
Artist dates: 1761 – 1831
Subjects: girls,portraits,pianos

Mather Brown was born in Boston, son of a clockmaker and descendent of several famous New England divines, including Cotton Mather and Increase Mather. After working as an itinerant portraitist in New England, Brown went to London in 1780 to study with Benjamin West. He became a fashionable portraitist in various provincial English cities. The stylishly dressed young girl looks up from her music at the piano, which bears the 1797 label of the London firm of Kirkman.
Étang de Commelles
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: shrubs, lake