deem-data/ArtiFact huggingface dataset:
Portret van Lodewijk XV, koning van Franrijk
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: louis xv of france, historical persons, king
Inscriptions: collector's mark: Lugt 2228
Ex libris van Tho. Boycott
Object type: bookplate
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: date
Portret van de hertog van Alva
Object type: print
Date: 1585 – 1587
Materials: paper
Techniques: engraving, letterpress printing
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: fernando álvarez de toledo (3rd duke of alba), historical persons, knighthood order of the golden fleece

Portret van de hertog van Alva, landvoogd der Nederlanden, buste naar rechts, ordeketting van het Gulden Vlies om de hals, in ronde lijst met randschrift in het Latijn. Bedrukt op de achterzijde met twee bladzijden (p. 468 en 467) tekst in boekdruk in het Latijn. Portret toegevoegd aan de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
Portret van Ponzino Ponzoni
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving, letterpress printing
Location: milan
Subjects: historical persons

Prent uit Antonio Campo, Cremona fedelissima citta, et nobilissima colonia de Romani rappresentata in disegno col suo contado; et illustrata d'una breve historia, Milaan: Filippo Ghisolfi 1642, vol. 3, p. lviij.
Jacob van Ruysdael - Moeras
Object type: photomechanical print
Date: 1959 – 1959
Materials: cardboard
Techniques: color autotype
Location: moscow
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: date

De titel op object staat in het Russisch.
Aristide Bruant, dans son cabaret
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: men
From the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Design for the Parish Church of Merkershausen
Object type: drawing ornament architecture
Date: 1738 – 1738
Materials: chalk, graphite, ink, watercolor
Techniques: pen, wash
Artist: balthasar neumann
Artist role: artist
Artist nationality: german
Artist dates: 1687 – 1753
Subjects: architecture,churches
Buste van man met muts
Object type: print
Date: 1720 – 1792
Materials: paper
Techniques: mezzotint
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: head-gear: cap (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228
Kraan van koper waarvan het handvat is samengesteld uit drie 'ringen'
Object type: spigot
Date: 1590 – 1596
Materials: copper
Techniques: casting
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck
Inscriptions: mark

Kraan van koper waarvan het handvat is samengesteld uit drie 'ringen'. Compleet.
River Landscape with a View of Naarden
Object type: painting
Date: 1642 – 1642
Materials: oil, paint, panel, wood
Techniques: painting
Location: netherlands
Artist: salomon van ruysdael
Artist role: draughtsman, painter
Artist nationality: dutch
Artist dates: 1600 – 1670
Subjects: landscapes, work, water, trees, sky, sailing, rivers, river, net, men, landscape, labor, fisherman, clouds, church, bushes, building, boats, boatman, birds, bird
Inscriptions: Signed and dated: SvRuysdael 164[2]
Krijgsgevangen Duitsers
Object type: photograph
Date: 1905 – 1945
Materials: photographic support
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: prisoner of war (after the battle), netherlands

Duitse krijgsgevangenen bewaakt door Engelse? militairen.Op de voorgrond geallieerde militairen, erachter, pratend en rokend, Duitse krijgsgevangenen van de Wehrmacht, o.a de Luftwaffe.
Ottobre
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: etching
Location: rome
Subjects: the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months', farmers, scorpio (zodiacal sign of october), sowing, ploughing
Inscriptions: collector's mark: Lugt 240

Verbeelding van menselijke activiteit in de maand oktober. Landschap met boeren die zaaien en ploegen. Midden boven het symbool voor het sterrenbeeld schorpioen. Italiaans vers en titel in ondermarge.
Page from Ein new kunstlich Modelbuch...(Page 10v)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Doppendokter met honden met reclameteksten voor de straatcollecte van 11 november op de rug
Object type: album leaf
Date: 1930 – 1940
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, advertising, adult man, dog
Ex libris van Steuart of Coltness Bart.
Object type: bookplate
Date: 1650 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Deel van een artikel over Hongarije gekopieerd uit de 'Quarterly Review'
Object type: sketchbook leaf
Date: 1862 – 1864
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Inscriptions: annotation: ‘[...]’

Blad 52 verso uit een schetsboek met 65 bladen.
Portret van Johann von Hiller
Object type: print
Date: 1813 – 1843
Materials: paper
Techniques: etching
Location: zwickau
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Theudericus Francorum rex
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, ruler, sovereign

Prent ook gebruikt in: Eudes de Mézeray, François. Chronyk van Vrankryk. 6 dln. Amsterdam: Jan Bouman en Timotheum ten Hoorn, 1685, dl. 1.
Cartouche met kwabornament met twee dieren
Object type: ornament print
Date: 1640 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam

De dieren zijn links en rechts opgenomen in de rand.
Seated Harpokrates with the crown of Amun, named as "Harpokrates-the-great, the eldest, the first of Amun"
Object type: statuette, harpokrates
Date: 664 – 630
Materials: metal
Techniques: inlay
Location: egypt

The figure represents a child god in a seated/reclining position, wearing the double feather crown, complete with a streamer at the back. The crown associates him with the god Amun, a connection that is also made explicit in the inscription on the base. The child god, as here, is usually distinguished from adult gods by a range of iconographic clues: his nudity, the finger raised to the mouth (a child-like gesture), and a sidelock on the right side of his head. A channel at the top of the crown shows where the separately cast double feathers and sun disk would have been inserted. The sidelock was also cast separately and was then mechanically attached to the crown with a pin. These kinds of technical features give interesting clues about how the manufacturing process was broken down and organized. The irises of the eyes are silver, which gives them a wonderfully life-like appearance. Child gods grew in popularity and cult from the Third Intermediate Period onwards, rivaling even the most powerful and ancient gods, especially as temple offerings. Because of their profusion and many local forms, generally it is very difficult to assign precise identities to child gods, but an inscription on the base names this figure as Harpokrates. Horus the child (or Harpokrates) is best known as the son of Osiris and Isis, but in some cases, such as this one and 25.184.19, he is also referred to as the son of Amun. Such multi-layered associations are common to Egyptian religion, which had no strict canon perse and which, by this point in time, was built upon millennia of change and adaptation.
Helmet (<i>Spangenhelm</i>)
Object type: helmet i spangenhelm i
Date: 501 – 700
Materials: copper alloy, gold, steel
Culture: byzantine or germanic
France
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: aquatint
Location: paris
Subjects: city-view in general; 'veduta', landscape with bridge, viaduct or aqueduct
Inscriptions: inscription: ‘Hr. Bossance Quai Voltaire 11’, inscription: ‘N.P. Lerebours Place du Pont Neuf 15’, inscription: ‘Rittner & Goupil Boulevd Montmartre 15’
Flower spray
Object type: ornament
Date: 1800 – 1825
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: japan
Artist: Anonymous

Bloemtak van porselein bestaande uit drie takken met bladeren, twee bloemen en een knop, bij elkaar gehouden door een lint. Gedeeltelijk bedekt met onderglazuur blauw. Onderglazuur blauw met biscuit.
Portret van koning Karel II van Engeland
Object type: book illustration
Date: 1674 – 1674
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: karel ii (koning van engeland), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Domselaer, Tobias van. Het ontroerde Nederlandt, door de wapenen des konings van Vrankryk (…). 2 delen. Amsterdam: Marcus Willemsz. Doornick, 1674-1676, dl. 1 (1674), tussen p. 86 en 87.
Vishnu Standing between His Consorts, Lakshmi and Sarasvati
Object type: plaque
Date: 1601 – 1800
Materials: ivory
Culture: tamil nadu
Subjects: goddess,vishnu,hinduism

Vishnu periodically manifests himself on earth to save the world from cosmic dangers. His ten avatars are: Matsya, the fish; Kurma, the tortoise; Varaha, the boar; Narasimha, the man-lion; Vamana, the dwarf; Parasurama; Rama; Krishna; the Buddha; and Kalki, the avatar yet come. Here, he is raised on a pedestal and flanked by his two wives.
Java sparrow on plum branch
Object type: print
Date: 1830 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Schoppen twee
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: atalante and hippomenes (or meilanion)

Deze prent maakt deel uit van een kaartspel met 52 kaarten met voorstellingen uit de Metamorfosen van Ovidius. De serie is uitgedacht door Jean Desmarests de Saint-Sorlin in opdracht van Kardinaal Mazarin. Het kaartspel werd gemaakt voor de jonge Lodewijk XIV, samen met het Jeu des Reynes Renommées, Jeu de la Géographie en Jeu des Rois de France.
Model for an Overdoor Lunette with Putti and Fish for the Amsterdam Town Hall (now Royal Palace) at Dam Square
Object type: sculpture
Date: 1650 – 1651
Materials: terracotta
Techniques: modeling
Location: amsterdam
Artist: artus quellinus (i)
Artist role: draughtsman, print maker, sculptor
Artist dates: 1609 – 1668
Inscriptions: inscription, on the right fragment, above the cornucopia

Het fragment van de linker helft geeft een kind driekwart naar de toeschouwer gekeerd, staande op vruchten en zijdelings geleund tegen een hoorn van overvloed, waar een lint omheen is gewonden. Het heeft de armen om de staart van de vis geslagen. Het fragment van de rechter helft geeft een kind ruggelings gezien, klauterend tegen een hoorn en tegen de staart van een met de kop naar beneden gerichte vis.
Balustrade fragment
Object type: balustrade fragment
Date: 1667 – 1733
Materials: gilt, wood
Guthrie
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Skull of a soldier with arrow in his left eye socket
Object type: human remains, skull, arrow
Date: 1961 – 1917
Materials: wood
Location: egypt

During excavations in the 1920s on the west bank of modern Luxor, the Metropolitan Museum’s expedition found what turned out to be an ancient mass grave for at least fifty-nine soldiers. Their bodies showed evidence of violence, and from their wounds it was apparent that they died on the battlefield. Buried with the individuals were items of military equipment such as bows and arrows. Rather than being properly mummified and placed inside coffins, the soldiers were only wrapped in linen before they were buried in an unfinished tomb. The tomb was robbed in antiquity and during the robbers’ violent search for valuable objects the corpses were completely dismembered. Among the human remains found were fifty-nine skulls and other skeletal material as well as naturally mummified body parts that retained soft tissue. At the time of the excavation a system called partage, or division of finds, was standard practice. This meant that about half of the finds were allocated to the institution or individuals sponsoring the excavations, while the other portion remained the property of the Egyptian government. As part of the division of finds in 1927, the Museum received remains of two soldiers as well as objects found in the tomb, such as arrows and pieces of inscribed linen. The collection record here is for a skull of one of the individuals with an arrow in his left eye socket, underlining the horrors of war. The director of the excavations, Herbert Winlock, believed that these dead soldiers were connected with a specific historic event that led to the reunification of Egypt during Dynasty 11 under Mentuhotep II; he called them the "slain soldiers" of this pharaoh. However, a reevaluation of the evidence does not support this theory. On the corners of the linen sheets were inscriptions, some with the names that were popular later, in early Dynasty 12. The paleography of the inscription and the type of archer’s guard found in the grave also point to this date, which can perhaps be narrowed down to the reign of Senwosret I (the second king of Dynasty 12).
Wijzende man in harnas
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: brussels
Subjects: armour
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485

Een soldaat in harnas staat wijzend naast een geknielde man. Tussen hen in ligt een bijl. Onder de voorstelling een Franse tekst van vier regels.
Toilet box with key
Object type: toilet box with key
Date: 1743 – 1745
Materials: silver gilt
Artist: friedrich schwestermuller ii
Artist role: maker
Artist nationality: german
Artist dates: 1713 – 1752
Gezicht op Amsterdam vanaf Volewijk
Object type: drawing
Date: 1850 – 1850
Materials: paper, pencil
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', river
Inscriptions: inscription: ‘Amici Zie hier nog een naar de natuur [...] schenking (?) [...] / tot / Juni / ns: Herberg.’, date: ‘16 jan 1850’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 2.
Studieblad met mannen
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: standing figure, adult man
Inscriptions: workshop stamp: Lugt 291d, annotation: ‘[...]’

Pagina 14 uit een schetsboek met 19 bladen en 9 losse tekeningen.
Close Helmet
Object type: armor
Date: 1520 – 1530
Materials: steel
Location: nuremberg
Pair of Small Chalices
Object type: metalwork
Date: 1701 – 1733
Materials: pewter
Location: france
Kaart van het Koninkrijk Napels
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘F’
Textile fragment with pattern of pages with script and bunraku puppeteers
Object type: fragment
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: human figures
Small Dish with Waves, Shells, and Gourds
Object type: dish
Date: 1660 – 1690
Materials: ceramic glaze, glaze, porcelain
Techniques: underglaze
Culture: japanese
Livre de Feuilles et de Fleurs
Object type: titelprent, frontispice
Date: 1661 – 1661
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornaments ~ art, foliage ~ ornament, city-view in general; 'veduta', ornament ~ medallion, title-page, ornament ~ festoon, garland
Inscriptions: : ‘PARIS’, date: ‘1661’, privilege: ‘A Paris auec priuilege’, signature: ‘Baltazart Moncornet fecit’, collector's mark: Lugt 2228, signature: ‘Inuenté par Francois / le Febure’, number: ‘1’, collector's mark: Lugt 2760

Titelprent bestaande uit een ovaal medaillon van twee guirlandes van bloemen en bladeren met in het midden een tekst. Onderaan een zicht op Parijs.
Fragment
Object type: fragment
Date: 1501 – 1600
Materials: linen
Man met brief bij een notaris
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Location: germany
Subjects: contrast between important and unimportant people; the inferior before the superior, the weak before the mighty, notary
Inscriptions: collector's mark: Lugt 2228
Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló
Object type: altarpiece
Date: 1456 – 1458
Materials: alabaster
Culture: spanish
Location: spain
Artist: francí gomar
Artist role: artist
Artist nationality: spanish
Artist dates: 1443 – 1493
Subjects: saint paul

This massive structure, extending across five bays on two levels, was commissioned by don Dalmau de Mur y Cervelló, archbishop of Saragossa from 1434 to 1458/9, for an altar in the chapel of the archiepiscopal palace. The upper level (intended as the predella for the altarpiece or retable) contains five scenes: Saint Martin or Tours dividing his cloak with a beggar and Christ appearing to him in a dream (left panels); the Descent of the Holy Spirit (center panel); and Saint Thecla listening to the preaching of Paul (far right panel) and, after her conversion, being saved by divine intervention from burning fire (second panel from right). Each of the two outer panels on the lower left (or socle) shows a bearded figure carrying the coat of arms of the archbishop. The central shield on the reconstructed altar, festooned against a cross, depicts the Arma Christi (the instruments associated with the Crucifixion). The structure is made of alabaster, a soft yet compact stone with a translucent glow. The workability of the material allowed the sculptor, Francí Gomar, to create exquisite details. Only a few traces of the original painting and gilding remain. According to a 1458 contract, the painter Tomás Giner (active 1458-80) was commissioned to paint and gild panels intended to stand above the predella. The unusual combination of painted altarpieces with a stone predella may have been a necessary measure to speed completion of the ensemble before the archbishop's death.
Twee figuurstudies
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper, pencil
Location: scheveningen
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: head (human), adult woman, mind, spirit

De figuren slapen mogelijk. Pagina 71 uit een schetsboek met 37 bladen.
Violin, from the Musical Instruments series (N82) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,violins,musicians

Trade cards from the "Musical Instruments" series (N82), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
Filling Cartridges at the United States Arsenal, at Watertown, Massachusetts (from "Harper's Weekly," Vol. 5, no. 238, cover)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: american civil war,men,women,working

This comes from a group of wood engravings that Homer designed for "Harper's Weekly" early in his career. His biographer William Howe Downes noted that "the portentious year 1861 marks a decisive turning point...now twenty-five years of age, for several years [Homer] had been able to support himself by his black and white work and was ready to take advantage of the momentous historic events which followed fast upon the inauguration of President Lincoln in March 1861." Working for Harper's, the artist traveled to Washington DC and the front, also finding subjects in his native Massachusetts. Here men and women are shown preparing munitions. Related text on p. 450 describes this as: "a picture of the operation of Filling Cartridges at the United States Arsenal at Watertown, Massachusetts. At this establishment some 300 operatives are kept constantly at work making war material. The powder (of which the best is used, a large quantity of which came back from the Mexican war being thrown aside for fear it may not be good) is inserted in the cartridge by men, as shown in the lower picture. The bullet is inserted by girls, as shown in the picture above. At least seventy girls and women are kept constantly employed at Watertown in this avocation. The amount of cartridges turned out daily at this factory alone is enormous; and it is evident that, in the course of a few weeks, there will be no lack of this material of war, at all events."
Silhouetportret van Herman Muntinghe
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: unknown
Subjects: termunten, leeuwarden, professor in de theologie, herman muntinghe
Inscriptions: collector's mark: Lugt 2228

Silhouetportret van Herman Muntinghe, buste naar rechts.
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: men,monkeys
Ex libris van J.L. Pierson
Object type: print
Date: 1921 – 1921
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: view through a window, pen, book, owls
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 5i, collector's mark: Lugt 2760

Een uil met een pen in zijn snavel, zittend op een boek. Op de achtergrond zicht op een stad door drie boogvensters.
Brocade Textile
Object type: textile
Date: 1301 – 1400
Materials: silk
Culture: italian
Capital (one of a pair)
Object type: capital
Date: 1701 – 1800
Materials: marble
Bord, veelkleurig beschilderd met Deutsche Blumen, insekten en vruchten
Object type: plate dish
Date: 1750 – 1760
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Rond bord van beschilderd porselein. De rand is versierd met het Neuozier-patroon in reliëf. De beschildering bestaat uit Deutsche Blumen, insekten en vruchten. Het bord is gemerkt en hoort bij een servies (BK-17474-1 t/m BK-17474-253).
Stamp seal with griffin
Object type: stamp seal
Date: 2333 – 1668
Materials: copper alloy
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Subjects: griffins
Portret van een jonge vrouw
Object type: photograph
Date: 1886 – 1908
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: h. van der zijl
Artist role: fotograaf
Artist dates: 1852 – 1937
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘Photographie/ Parisienne/ H. van der Zijl/ Amsterdam/ 60 Nieuwendijk 60./ over Raamskooi en Kapelsteeg./ Gelieve op Voornaam H/ en Huisnummer 60 te Letten’
Fragment of a Cover
Object type: cover fragment
Date: 1801 – 1833
Materials: cotton, linen, metal thread, silk
Techniques: embroidery, weave
Location: turkey
Subjects: flowers