deem-data/ArtiFact huggingface dataset:
Fotoreproductie van een schilderij, voorstellende een portret van John Burns
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: number: ‘96’
Terracotta fragments of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

One fragment has part of a draped male with a spear?; the second fragment has at the left, a round shield?; two horses of a chariot to right; behind the hindquarters of the harnessed horses, hand holding a stick or spear of a draped male to left
Scarab with Figure Upholding a Sacred Boat
Object type: scarab, sacred boat, thutmose iii
Date: 1479 – 1425
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs,boats
Ezra Abbot
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons, writer, poet, author
Tab
Object type: tab
Date: 1644 – 1911
Materials: metal thread, silk
Techniques: bookbinding
Culture: chinese
Subjects: flowers,trees
Blad met rank met bloemen en vruchten
Object type: printed paper
Date: 1700 – 1850
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met rank met bloemen en vruchten. Mogelijk gebruikt als omslag.
Eagle on a Rock; Flowering Azaleas
Object type: print
Date: 1800 – 1800
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: eagles,flowers
Stadhuis en Waag te Monnikendam
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: weigh-house
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Simurgh attacking a gaja-simha (elephantlion)
Object type: indian miniature
Materials: paper
Techniques: brush
Location: india
Artist: Anonymous

Persia or Mughal India.
Purchased from Mr E. Isacco, Galerie Marco Polo, Paris
Drie foto's, waarvan een prentbriefkaart, van Lungern
Object type: album leaf
Date: 1907 – 1924
Materials: paper
Techniques: gelatin silver print
Location: obwalden
Subjects: village, lake
Inscriptions: inscription: ‘Lungern See’, inscription: ‘Lungern’

Deze foto's maken deel uit van een album.
Friar
Object type: toy
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: men
Vier reliëfs met de temperamenten naar prenten van Marten de Vos
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper, ink
Techniques: photograph
Location: europe
Artist: Anonymous
Subjects: 32a1	the four temperaments; 'complessione' (ripa), sculpture (+ relief ~ sculpture), europe
Inscriptions: collector's mark: Lugt 3937, inscription: ‘naar prenten met de 4 temperamenten door Re[...] Sadelen I Planetes.’, inscription: ‘Ba[...] National Museum’, number: ‘No: 64.’
Terrace Steps
Object type: print
Date: 1813 – 1813
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,stairs,men,women
Koning David ziet de engel des doods
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: david sees the avenging angel in jerusalem; he prays to god
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
Gezicht op een poort nabij Wépion
Object type: photograph
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: wépion
Subjects: gate, entrance
Coach #3662
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Hoge klokvormige oorkop (De Caluwe bakafval)
Object type: bakafval
Date: 1700 – 1725
Materials: earthenware
Techniques: firing
Location: delft
Artist: jacobus de caluwe
Artist role: plateelbakkerij
Artist dates:  – 1730

Toegeschreven aan Jacobus de Caluwe, omdat dit voorwerp samen met gemerkte stukken (‘Jacobus De Caluwe’ en rennend hert) gevonden is op de plaats waar zich De Caluwes tweede werkplaats bevond. Er is een duidelijke stilistische overeenkomst tussen de gemerkte en niet gemerkte voorwerpen uit deze archeologische vondst.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Tendrils from palmette ornament
The villa at Nancy in the background, two putti holding a drapery at top center, from "Various views of remarkable palaces in Italy and France" (Diverses vues d'endroits remarquables d'Italie et de France)
Object type: print
Date: 1649 – 1651
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: towns,putti
Seal
Object type: seal
Date: 600 – 501
Materials: bronze
Culture: chinese
Wolken boven enkele gletsjers
Object type: sketchbook leaf
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: clouds, glacier
Inscriptions: kleurnotitie, handgeschreven

Blad 42 verso uit een schetsboek met 47 bladen.
Comitatus Flandriae nova Tabula
Object type: book illustration
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching, hand coloring, letterpress printing
Subjects: maps of separate countries or regions

Prent gebruikt in: Mercator, Gerard, en Jodocus Hondius. Atlas Novus sive descriptio Geographica totius Orbis Terrarum, Tabulis Aeneis Luculentissimis & Accuratissimis Exornata, Tribus Tomis Distinctus. Amsterdam: Henricus Hondius, 1638. Of: Mercator, Gerard, en Jodocus Hondius. Atlas Novus sive descriptio Geographica totius Orbis Terrarum, Tabulis Aeneis Luculentissimis & Accuratissimis Exornata, Tribus Tomis Distinctus. Amsterdam: Johannes Janssonius, 1638.
Portret van een vrouw
Object type: photograph
Date: 1857 – 1879
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: ferdinand mulnier
Artist role: painter
Artist dates: 1817 – 1891
Subjects: historical persons - bb - woman
Inscriptions: address: ‘25, Boulevart des Italiens.’
Card Number 112, Gertrude, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: girls,portraits,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Panel
Object type: textile
Date: 1738 – 1742
Materials: silk
Techniques: brocade, patterning, weave
Location: france
Terracotta rim fragment of a stemless? kylix (drinking cup)
Object type: kylix fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic

Interior, legs and foot of a draped woman to left
Box
Object type: box
Date: 1660 – 1685
Materials: wood
Culture: american
Location: united states
Artist: john thurston
Artist role: maker
Artist nationality: american
Artist dates: 1607 – 1685

Small, rectangular oak boxes with hinged lids were common in seventeenth-century households, where they held important items such as documents, writing implements, books, jewelry, and currency. Like chests with carved decoration, boxes displayed a vocabulary of stylized plant forms and simple geometric shapes. Foliated S-scrolls, as single elements or paired—as on the front of this box and the sides of the cabinet to its right—were widely used.
Cabriolet
Object type: ornament print
Date: 1740 – 1758
Materials: paper
Techniques: engraving
Location: paris
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: collector's mark: Lugt 2228

Cabriolet op twee wielen met bloemmotief. Een cabriolet is een open rijtuig.
Twee ezels aan het strand
Object type: print
Date: 1864 – 1902
Materials: paper
Techniques: etching, intaglio
Artist: paul parmentier
Artist role: print maker
Artist dates: 1854 – 1902
Subjects: ass, donkey, beach, donkey-riding (on the beach)
Inscriptions: collector's mark: Lugt 2228
Head of a Bald and Bearded Old Man in Profile, from 'Various heads and figures' (Diverses tétes et figures)
Object type: print
Date: 1650 – 1650
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,profiles
Venus Visiting the Forge of Vulcan
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: pen
Artist: pauwels franck, called paolo fiammingo
Artist role: artist
Artist nationality: flemish
Artist dates: 1540 – 1596
Subjects: human figures,venus,vulcan
Desk (bonheur du jour)
Object type: desk
Date: 1770 – 1770
Materials: wood, gilt bronze, soft paste porcelain
Artist: martin carlin
Artist role: maker
Artist nationality: french
Artist dates: 1725 – 1785

This type of elegant lady’s writing desk was called a bonheur-du-jour, literally “happiness of the day” which may refer to the joys of letter writing. Eleven of these desks are known of which The Met has four in its collection: see also 58.75.48; 58.75.49; and 1982.60.54. They are all either signed by the ébéniste Martin Carlin, as in this case, or are attributed to him. Carlin specialized in the production of small, precious pieces of furniture, working mainly for the marchand-mercier (dealer in luxury goods) Simon-Philippe Poitier Poitier, and for his partner and successor Dominique Daguerre, who provided him with designs, porcelain plaques, lacquer panels and gilded bronzes for mounting. Supported on slender cabriole legs, the desk has three drawers in the upper section. The single drawer in the lower section, its keyhole is concealed behind the hinged circular wreath and patera pull, contains on the right, a loose container for writing materials with the original gilt-metal inkwell, a pounce pot (for sand to blot excess ink) and a trough for a sponge, and on the left, the main compartment with a hinged writing panel inset with modern red leather, which could be lifted in order to store writing implements. The container for the writing materials has a dealer’s inscription in black ink underneath: 1 piece en soudurre forte. Such inscriptions are not uncommon on furniture ordered by Poirier. The inscription probably gives instructions to the silversmith or supplier of writing materials to whom the empty container was sent to be fitted with metal accessories. All of the known desks are mounted with seventeen Sevres porcelain plaques painted with floral decoration within an apple-green and gold tooled border. The majority of plaques on this desk are painted on the reverse in blue with the date-letter r for 1770 within crossed LL’s and have the marks of four flower painters. This bonheur-du-jour and the other one in the Linsky collection (1982.60.54) were in Spencer House, London, by 1862 and were exhibited at an exhibition at the South Kensington Museum when they were mistakenly described as a pair. They were acquired by Lord Astor for Cliveden where they remained until their sale to Mr. and Mrs. Linsky.
Wedding of Hendrik Tigges and Magdalena Anna Poursoy
Object type: family medal
Date: 1802 – 1802
Materials: silver
Techniques: engraving, striking
Location: amsterdam
Subjects: hendrik tigges, magdalena anna poursoy, jan christoffel tigges

In the past, important events were graced with a medal, especially in well-to-do families. The occasion for this was usually a birth, wedding, or death. These medals not only remained in the family as a memento, but were also given to the guests at the baptism, wedding party, or funeral. Sometimes they were purely private in character, such as the gold medal a grandfather gave to his grandson.
Oil lamp
Object type: lamp
Date: 1900 – 1900
Materials: ceramic
Location: levant
Douanepost aan het kanaal Luik-Maastricht
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: maastricht
Artist: théodor weijnen
Artist role: fotograaf
Artist dates: 1835 – 1904
Subjects: canal
Inscriptions: annotation: ‘Holl. Duanepost aan het kanaal/ Luik-Maastricht tusschen/ petit lanaye en Maastricht’, inscription: ‘Theodor Weijnen/ Maestricht’
Magic wand
Object type: magic wand
Date: 2124 – 1504
Materials: ivory
Location: egypt
Subjects: animals
Zittende vrouw met een hoed
Object type: sketchbook leaf
Date: 1892 – 1893
Materials: paper, pencil
Artist: alfred william rich
Artist role: draughtsman
Artist dates: 1856 – 1921
Subjects: sitting figure - aa - female human figure, head-gear: hat (+ women's clothes)

Blad 83 recto uit een schetsboek met 86 bladen.
Hemidrachm (Coin) Depicting the God Zeus Amarios
Object type: coin
Date: 280 – 146
Materials: metal, silver
Culture: greek
Location: greece

The front (obverse) of this coin depicts the head of Zeus Amarios, facing to the right. On the back (reverse) is a monogram symbol of the Achaean League within a laurel wreath.

Zeus Amarios, along with Demeter Panachaia, were the protecting deities of the Achaean League, which was first formed in the fifth century BCE as a confederation of Greek city-states in the Peloponnese of Greece. Temples to both deities were situated side by side at Aegium, in the northwestern Peloponnese, where the main assemly of the League held its meeting. A second Achaean League was established in 280 BCE but was later conquered and dissolved by the Romans in 146 BCE.
Design for a Stage Set at the Opéra, Paris: Church Interior
Object type: drawing
Date: 1830 – 1890
Materials: graphite
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: interiors,churches,stage design
Beker
Object type: cup
Date: 1927 – 1927
Materials: wood, silver
Location: voorschoten
Artist: carel begeer
Artist role: designer
Artist dates: 1883 – 1956

Beker behorende bij een vierdelig avondmaalservies. De beker rust op een vlakke voetplaat met opstaande rand, en is opgebouwd uit één cilinder. De mondrand is aangeduid met een gebold gedeelte.
Textile Fragment
Object type: textile fragment
Date: 501 – 600
Materials: linen, wool
Culture: coptic
Location: egypt
Subjects: human figures,lions
Studie
Object type: sketchbook leaf
Date: 1905 – 1905
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922

Blad 18 verso en 19 recto uit een schetsboek met 42 bladen.
Vijf Japanse vazen
Object type: page
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Subjects: container of ceramics: jar, jug, pot, vase
Inscriptions: inscription: ‘No.1 Garniture de cinq pièces en porcelaine du japon Haut. 85 cent’
Paleisinterieur met grote kandelaar en beschilderde wanden
Object type: photomechanical print
Date: 1887 – 1887
Materials: cardboard, paper
Techniques: photograph
Location: herrenchiemsee
Subjects: palace - aa - civic architecture: inside
Inscriptions: inscription: ‘München’, number: ‘37’, check stamp: ‘Jos. Albert/ München’, date: ‘1887’
Hill Jar
Object type: jar
Date: 206 – 220
Materials: earthenware
Culture: chinese
Negentien foto's van een onbekend gezin met jonge kinderen, waaronder snelfoto's, studioportretten en een foto in een tuin
Object type: frame
Date: 1910 – 1925
Materials: paper, cardboard, glass, metal, pressure sensitive tape, textile, wood
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), tot, toddler ~ the ages of man, historical persons not known by name
Inscriptions: number: ‘8’
Pilgrim Bottle
Object type: pilgrim bottle
Date: 618 – 907
Materials: pottery
Culture: chinese
Kohl stick
Object type: kohl stick
Date: 1550 – 1295
Materials: glass
Location: egypt
Portret van Inigo Jones
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: engraving
Location: london
Subjects: london, inigo jones, historical persons, portrait, self-portrait of architect
Inscriptions: collector's mark, collector's mark: Lugt 2926
Portret van Bernard Cabanon
Object type: book illustration
Date: 1820 – 1821
Materials: paper
Techniques: engraving, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tardieu, Ambroise. Portraits des députés, écrivains et pairs constitutionnels, défenseurs invariables de la charte et de la loi des élections du 5 février 1817. Parijs: Tardieu, Ambroise, 1820-1821.
Beschrijvinghe vande Italiaensche Letter
Object type: text sheet
Date: 1605 – 1605
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: calligraphy
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Folio C2r met een vervolg van de beschrijving van de Italiaanse letteren en een schrijfvoorbeeld met vier regels tekst in vier handen, getiteld: Quattro maniere principale della lettera Italiana. Het blad maakt deel uit van een album.
Biddende heilige
Object type: print
Date: 1798 – 1853
Materials: parchment
Techniques: etching
Location: amsterdam
Artist: pieter holmes
Artist role: print maker
Artist dates: 1788 – 1853
Subjects: st. aloysius gonzaga in ecstasy before an altar with crucifix
Inscriptions: collector's mark: Lugt 2228

De heilige Aloysius Gonzaga met een crucifix in zijn hand. Zijn andere hand houdt hij op een schedel die voor hem op een tafel ligt, naast een lelie en een kroon. Hij wordt beschenen door lichtstralen. Onder de voorstelling twee regels in het Nederlands.
Aanbidding der koningen
Object type: drawing
Date: 1600 – 1699
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: quirinus van banken
Artist role: draughtsman
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Graflegging van Christus
Object type: print
Date: 1627 – 1669
Materials: paper
Techniques: engraving
Location: venice
Subjects: christ's entombment (possibly by angels)
Inscriptions: collector's mark: Lugt 240

Deze prent maakt onderdeel uit van een serie van vijf prenten naar verloren gegane fresco's door Pordenone in het klooster van de Santo Stefano te Venetië.
De prent is buiten de plaatrand afgesneden en op een blad geplakt voorzien van een imitatieplaatrand.
Twee zittende figuren en engelen op wolken
Object type: drawing
Date: 1661 – 1666
Materials: chalk, paint, paper
Artist: mattia preti
Artist role: draughtsman
Artist dates: 1613 – 1699
Subjects: sitting figure, lower angel(s), male saints (with name)

Twee zittende figuren (de heilige Nicasius van Reims) en engelen op wolken.
Three vases, part of a garniture
Object type: vase
Date: 1735 – 1740
Materials: bronze, porcelain
Techniques: gilding, painted
Location: meissen
Artist: johann christoph leibnitz
Inscriptions: mold mark: ‘XII (Rückert 1996, afb. 6, nr. 40)’, factory mark: ‘AR’

Meissener Porzellan Manufaktur
after paintings by Jean Antoine Watteau (1684–1721)
Meissen, c. 1735–1740
hard-paste porcelain, gilt bronze
Man met stok en mand
Object type: print
Date: 1630 – 1706
Materials: paper
Techniques: etching
Location: netherlands
Subjects: head-gear: hat (+ men's clothes)

Een man met een hoed op het hoofd en in de handen een mand en een stok. De prent maakt deel uit van een serie van 32 prenten met genretaferelen.
Buste van een man
Object type: drawing
Date: 1630 – 1667
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667

Tekening naast twee andere tekeningen in het Familie-plakboek geplakt. Vrije kopie naar Rembrandts ets 'Man met kalotje: buste' uit 1630 (B. 304).
Rol met crème zijden satijnlint
Object type: ribbon material
Date: 1925 – 1925
Materials: cardboard, silk
Techniques: satin binding
Location: nijmegen
Slingerglas met klokvormige kelk
Object type: slingerglas
Date: 1750 – 1775
Materials: glass
Techniques: glassblowing, vetro a retorti

Slingerglas met conische voet en balustroïde stam. In de stam opaak witte slingers rond witte netwerkspiraal. Klokvormige kelk.