deem-data/ArtiFact huggingface dataset:
Coursing Extraordinary
Object type: print
Techniques: lithograph
Artist: john doyle
Artist role: artist
Artist nationality: irish
Artist dates: 1797 – 1868
Subjects: animals,dogs,caricature
Twee zittende jongens en een staande man
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: standing figure, boy (child between toddler and youth) (+ sitting)

De man is mogelijk Indisch. Blad 21 verso uit schetsboek V met 33 bladen.
Life of Reverend T. De Witt Talmage, from the Histories of Poor Boys and Famous People series of booklets (N79) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 440 – 420
Materials: terracotta
Culture: greek, attic

Exterior, circumscribed palmette with elongated central frond
The Courtesan Kosa with the King's Charioteer: Folio from a Kalpasutra Manuscript
Object type: folio
Date: 1401 – 1500
Materials: gold, ink, paper, watercolor
Culture: indian
Subjects: men,women

Sthulabhadra became a great acharya and eventually the head of the sangha (community of monks and nuns). This moralizing story celebrates the charioteer's archery skills and Kosa's unsurpassed qualities as a dancer, neither of which could match the spiritual accomplishments of Sthulabhadra.
The Actor Iwai Hanshiro IV as Yae (?), in the Play Sugawara Denju Tenarai Kagami (?), Performed at the Kiri Theater (?) in the Seventh Month, 1788 (?)
Object type: print
Date: 1788 – 1788
Techniques: woodblock print
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Landschap met een sculptuur
Object type: design
Date: 1715 – 1798
Materials: paper, pencil
Artist: dionys van nijmegen
Artist role: draughtsman, painter
Artist dates: 1705 – 1798
Cap band
Object type: cap band
Date: 1601 – 1800
Techniques: lace
Plate 8 depicting the trades of Rome,here including vendors of coral, images, lemons etc., from the "Descrición de las artes que se llaman para los calles de la ciudad de Roma"
Object type: print
Date: 1770 – 1800
Techniques: engraving, hand coloring
Artist: remondini
Artist role: publisher
Artist nationality: italian
Artist dates: 1650 – 1860
Zeilboten en een straatgezicht
Object type: sketchbook leaf
Date: 1849 – 1895
Materials: paper, pencil
Artist: willem koekkoek
Artist role: draughtsman
Artist dates: 1839 – 1895
Subjects: sailing-ship, sailing-boat, street
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 27 verso en 28 recto uit een schetsboek met 35 bladen.
Iwai Hanshirō IV as Shigenoi in the Play "Koinyōbō Somewake Tazuna"
Object type: print
Date: 1794 – 1794
Materials: ink, mica, paper
Techniques: woodblock print
Culture: japanese
Artist: tōshūsai sharaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Subjects: men,women,actors
In the Yarmouth River
Object type: photograph
Date: 1887 – 1887
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Kalenders voor januari, mei en juli 1904
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: calendar, almanac, song-birds: swallow, ornamental birds: peacock, other birds: kingfisher
Inscriptions: collector's mark: Lugt 2233
Necklace (champakali)
Object type: champakali
Date: 1750 – 1750
Materials: gold, pearl
Location: surat
Artist: Anonymous

Een halsketen (champakali) van goud. In het midden een hartvormige hanger, ingelegd met rode en groene steentjes, waaraan een parel hangt. De ketting bestaat uit gouden kralen in de vorm van een gouden oog met een ingelegd rood steentje, waaraan een gouden gerstekorrel hangt.
Wijwaterbak met de Heilige Familie
Object type: print
Date: 1677 – 1692
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, holy family, and derived representations, holy water font

Wijwaterbak met op de achterplaat Maria met het Christuskind op schoot. Bij hen staat Jozef. Engelen bieden bloemen aan. Uit serie van 6 bladen met kopieën naar de serie Inuentions pour faire des plaques ou des Aubenistiers seruans aux Orfeures van Jean Lepautre. Ontwerpen voor wijwaterbakken. Prent maakt deel uit van een album.
Kasteel op een rots tussen de bergen
Object type: sketchbook leaf
Date: 1840 – 1840
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscape with tower or castle, rocks, mountains
Inscriptions: kleurnotitie, handgeschreven

Blad 5 verso uit een schetsboek met 63 bladen.
Gezigt op het Stationsterrein te Samarang op de Venarang en de woning van den Stationschef
Object type: photograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Artist: carl emanuel friedrich lang
Artist role: draughtsman, print maker
Artist dates:  – 1906
Subjects: colonial system, railway-traffic, station; shelter (railway, tramway), building-site, java

Gezicht op het stationsterrein te Semarang, met enkele open gebouwen bedekt met atap en de woning van de stationschef. Albumblad met opgeplakte foto, onderdeel van het fotoalbum over de aanleg van de spoorlijn Semarang - Kedoeng Djattie (Kedungjati) op Java in 1865.
Brass instrument fragment from the wreck of the East Indiaman Hollandiaship
Object type: wind instrument
Date: 1700 – 1743
Materials: copper
Location: leipzig
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
In vlakken verdeelde cirkel
Object type: sketchbook leaf
Date: 1930 – 1930
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: circle (~ planimetry, geometry)
Inscriptions: annotation: ‘[...]’

Blad 7 recto uit een schetsboek met 20 bladen.
Figuren bij een hexagonaal gebouw in een landschap
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 240

Figuren bij een hexagonaal gebouw in een landschap. Eerste prent uit een serie van achttien.
Plate 12: Psyche's sisters persuade her a serpent is sleeping with her, from "The Fable of Cupid and Psyche"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: women,psyche
Hengelaar bij schuurtje aan het water
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: angling
Inscriptions: collector's mark: Lugt 2228
Vue des Ruines de la rue de l'Eglise de la Magdelaine montant à la Court
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: devastated, ruined place or city (~ warfare), brussels
Inscriptions: collector's mark: Lugt 2228

Voorstelling van de ruïnes in de Magdalenasteenweg te Brussel na het bombardement door de Fransen, 13-15 augustus 1695. Twaalfde prent in de reeks van twaalf.
Vase with Dragon-Shaped Handle and Two Loop Handles
Object type: vessel
Materials: glaze, stoneware
Location: china
Zeeman in gesprek met een jonge vrouw
Object type: print
Date: 1772 – 1791
Materials: paper
Techniques: aquatint, printmaking, etching
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: adolescent, young woman, maiden, sailor, conversation, dialogue; conversation piece

De prent verscheen vanaf 1818 tevens als onderdeel van een 33-delige reeks prenten door Mathias de Sallieth, samengebonden in: Perkois, Jacobus, Prins, Johannes Huibert. Verzameling van verschillende gekleede mans- en vrouwenstanden, ter oefening van jonge schilders en liefhebbers. Rotterdam: Johannes Immerzeel, 1818. Alle verso-bladen uit dit prentalbum zijn blanco.
Studieblad met villa's
Object type: drawing
Date: 1873 – 1882
Materials: ink, paper
Techniques: pen
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: villa
Inscriptions: collector's mark: Lugt 2228, workshop stamp: Lugt 291d
Deel van een beschrijving van de stad Haarlem
Object type: text sheet
Date: 1652 – 1652
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: johannes willemszoon blaeu
Artist role: printer, publisher
Artist dates: 1596 – 1673
Subjects: haarlem

Tekst gebruikt in: Blaeu, Johannes Willemszoon. Toonneel der steden van de Vereenighde Nederlanden. 2 delen. Amsterdam: Johannes Willemszoon Blaeu, 1652, dl. 1.

Zie ook RP-P-AO-9-8-1-1.
Noortwyker-Hout 1631
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: prospect of village, silhouette of village, church (exterior), ruin of church, monastery, etc., two-wheeled vehicle drawn by one animal
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 69.
Drie vossenkoppen
Object type: drawing
Date: 1866 – 1939
Materials: chalk, paper
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: beasts of prey, predatory animals: fox
Evénemens de la Belgique Dessinés sur les lieux par des témoins oculaires, Bruxelles, à la Lithographie de Jobard
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: barricades ~ riot, brussels

Onderdeel van een groep van prenten uit verschillende andere series verwant aan de platen in het recueil over de gebeurtenissen tijdens de Belgische Revolutie in Brussel, Antwerpen en andere steden in de periode 25 augustus 1830 tot 27 maart 1831. Uitgegeven in de serie van 23 prenten getiteld: Evénemens de la Belgique Dessinés sur les lieux par des témoins oculaires, Bruxelles, à la Lithographie de Jobard, éditeur, [1831].
Vork van zilver
Object type: fork
Date: 1821 – 1821
Materials: silver
Artist: a. keun
Artist role: silversmith
Inscriptions: mark

Vork van zilver, met 3 tanden. De platte, gebogen steel verbreedt zich naar het afgeronde uiteinde.
Fable: The Envious Man and the Covetous
Object type: print
Materials: paper
Techniques: printing, woodcut
Location: england
Artist: thomas bewick
Artist role: draughtsman, painter, print maker
Artist nationality: british
Artist dates: 1753 – 1828
Le Journal des Dames et des Demoiselles, 1875, No. 1241c : Jupons et Corsets (...)
Object type: fashion print
Date: 1875 – 1875
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: bag (+ girls' clothes), trousers, breeches, etc. (breeches) (+ boys' clothes), boots (+ boys' clothes), head-gear (+ girls' clothes), clothing for the upper part of the body (+ boys' clothes), boots (+ girls' clothes), head-gear (+ boys' clothes), belt, girdle, waistband (+ boys' clothes), ensembles of pieces of clothing (matelot) (+ boys' clothes), head-gear (+ women's clothes), fashion plates, skirt (+ women's clothes), dress, gown (+ women's clothes), (bowling a) hoop, (playing with) dolls
Inscriptions: caption: ‘Jupons et Corsets de P. de Plument, r, Vivienne, 33. Lait Antéphélique de Candés et Cie_ Eau Gauloise de Mme V. Rolende.r. de Provence .4 Parfums Oriza de L.Legrand.r. St Honoré.207’, address: ‘Bruxelles, Rue Blaës,33’, title: ‘Le Journal des Dames et des Demoiselles’

Vrouw met drie kinderen buiten, zij is gekleed in een japon uit geruite en gele stof met tournure en draagt een hoed. De jongen is gekleed in een matrozenpak. De twee meisjes dragen japonnen met jasjes. De rok van het oudere meisje is aan de achterkant opgetrokken. Het jongere meisje heeft een rok met knopen en strepen op het jasje. Onder de voorstelling enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Journal des Dames et des Demoiselles (1841-1902).
The Good Samaritan Putting the Traveller on His Donkey, from "The Parable of the Good Samaritan"
Object type: print
Date: 1554 – 1554
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: suffering,men,donkeys

At left, the Good Samaritan lifts the limp body of the traveller onto the donkey. In the background at right, the inn with figures out front and a well. Plate 3 from a series of four engravings depicting Luke 10:30–35.
Dorpshuis, waarschijnlijk te Laren
Object type: drawing
Date: 1876 – 1954
Materials: chalk, paper
Location: laren
Artist: jacobus gerardus veldheer
Artist role: draughtsman, print maker
Artist dates: 1866 – 1954
Inscriptions: monogram, signature: ‘J.G.Veldheer’
Optocht bij antieke tempel
Object type: print
Date: 1774 – 1849
Materials: paper
Techniques: aquatint, etching
Location: italy
Artist: luigi ademollo
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1849
Subjects: triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', temple, shrine ~ roman religion
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Voor een antieke tempel en een obelisk langs gaat een optocht van mannen die een vuurbekken dragen, muzikanten, soldaten te paard, een vrouw in een overhuifde wagen, mensen met kannen, manden en rammen.
The York-Minuet
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: men,women,dancing,caricature

Caricature showing the Duchess of York (Frederica Charlotte Ulrica Catherine of Prussia) dancing with the Duke of York, apparently referring to their recent marriage. The Duchess was known for her small feet.
Herderin met spintol aan de oever van een rivier
Object type: print
Date: 1643 – 1742
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: cow, sailing-ship, sailing-boat, river, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., spindle

Aan de oever van een brede rivier staat een herderin met een spintol temidden van het vee. Op de achtergrond een dorp met haven en een schip op de rivier.
Interieur, met dame gezeten in een fauteuil
Object type: photograph
Date: 1910 – 1940
Materials: glass
Techniques: autochrome process
Artist: Anonymous
Subjects: interior of the house
Side chair (one of a pair)
Object type: side chair
Date: 1775 – 1775
Materials: wood, silk
Techniques: carving, gilding, moire
Artist: jean-jacques pothier
Artist role: maker
Artist dates: 1750 – 1780

Made by Jean-Jacques Pothier around 1775, these chairs are known as cabriolets. Introduced around 1760, their name derives from a new light one-horse driven carriage, called “cabriolet”. Pothier became master in Paris in 1750. In his workshop, first located in the rue Mazarine and then in the rue de Bourbon, he executed his best pieces in the neoclassical style which are very close to the works by Georges Jacob. This type of light chair, first mostly used in the apartments of women, was easy to move. The oval-shape back is reminiscent of antique medallions. The straight legs carved with twisted flutes, terminating in peg-top feet and connected to the seat by cubical blocks, are characteristic of the neoclassical taste which was in vogue during Louis XVI’s reign.
Heh amulet with the Name of Amenhotep III
Object type: amulet, heh hieroglyph, amenhotep iii
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: hieroglyphs
Piece
Object type: piece
Date: 1858 – 1858
Materials: silk
Subjects: leaves
Portret van een onbekende vrouw met een kopje in haar hand en een schotel in haar schoot
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: historical persons not known by name - bb - woman, cup and saucer
Falstaff in the Buck Basket (Shakespeare, Merry Wives of Windsor, Act 3, Scene 3)
Object type: print
Techniques: engraving
Artist: peter simon
Artist role: engraver
Artist nationality: british
Artist dates: 1764 – 1813
Subjects: shakespeare,men,women

Peters's image centers on a misadventure of Sir John Falstaff suffered as he attempts to seduce two knowing Windsor housewives. The image was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805–his print sales plummeted when Napoleon blocaded European ports. This impression comes from an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon and art scholar who acquired Boydell's heavily worn plates and had them reworked. His New York edition was printed on thick cream paper with small numbers added in the lower left margin, this being number 12.
J. Kampinga. Oud-pedel van den Senaat van V.A.P.
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: beadle, historical persons

Prent op derde ongenummerde pagina na pagina 150.
Cushion Cover
Object type: cushion cover
Date: 1667 – 1700
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Landschap met martelaarschap van de heilige Stefanus
Object type: print
Date: 1590 – 1633
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: the stoning of stephen; the witnesses lay down their clothes at saul's feet
Inscriptions: collector's mark: Lugt 2228

Landschap met martelaarschap van de heilige Stefanus waarbij hij gestenigd wordt door een menigte die hem achtervolgt. Linksonder bijbeltekst in zes regels Latijn uit Handelingen 7:55.
Bonbonnière
Object type: bonbonnière
Date: 1765 – 1770
Materials: copper, enamel
Kelkglas met de wapens van Rotterdam, Schiedam, Dordrecht en Delft
Object type: goblet
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing
Location: rotterdam
Artist: Anonymous

Coats of arms of Rotterdam, Schiedam, Dordrecht and Delft, c. 1725 - 1750. A.J. Enschedé bequest, 1896.
Plate 8: Bertoldino, enraged by the croaking frogs, throws his strongbox into the fish pond, from "Bertoldo, Bertoldino, and Cacasenno"
Object type: print
Date: 1705 – 1715
Techniques: etching
Artist: giuseppe maria crespi
Artist role: artist
Artist nationality: italian
Artist dates: 1665 – 1747
Raising Loans from Navis Stultifera (Ship of Fools), Plate 24 from Woodcuts from Books of the 15th Century
Object type: print
Materials: paper
Techniques: letterpress, woodcut
Location: switzerland
Artist: master of the bergmann press
Artist dates: 1400 – 1499
Naakte vrouw met lauwerkrans schrijft op een plaat
Object type: print
Date: 1843 – 1898
Materials: paper
Techniques: drypoint
Artist: félicien rops
Artist role: draughtsman, print maker
Artist dates: 1833 – 1898
Subjects: writing tablets, woman (showing herself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Skirt from a Court Gown
Object type: costume and accessory
Date: 1805 – 1815
Materials: gold, lace, metal, paper, textile, silk
Techniques: lace, embroidery, embroidered, forming, satin weave
Location: france
Subjects: lilies, flowers

While early 19th century fashion tended to lighter fabrics and less decoration than that of the previous century, dress for formal occasions such as appearances at court continued to be subject to strict rules, as exemplified by this garment. The trio of lilies at the center of the skirt are a symbol of French royalty. The textures of the different metal threads applied to the shining satin fabric each reflect light slightly differently.
Gezicht op Parijs, gezien vanaf het Louvre
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Artist: Anonymous
Subjects: city-view in general; 'veduta', paris
Verhaal van Jozef
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: joseph relates his first dream
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1967

Prent uit serie van zes prenten met het verhaal van Jozef. De serie is geïnspireerd op een vergelijkbare reeks van Lucas van Leyden.
Spice box with grater
Object type: spice box
Date: 1730 – 1730
Materials: silver
Artist: nicolas ii boullet
Artist role: maker
Artist nationality: french
Artist dates: 1675 – 1758

The hinged compartments of this box contained dry spices for the table such as cloves, pepper, mustard, and salt. At the center is a cylindrical grater that could hold a nutmeg to be freshly ground over an otherwise bland meal. Such boxes, with their bold moldings and faceted profiles, might have been supplied as part of a large table centerpiece, or surtout. The other components of a surtout include a large central vessel with branches for candles, matching cruets for oil and vinegar, and four spice boxes. The perfectly symmetrical table arrangement emphasized the geometric form of the boxes. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver as illustrated by this spice box.
Landscape and Lagoon, New Rochelle
Object type: drawing
Date: 1884 – 1884
Materials: chalk, graphite, paper
Techniques: heightening
Culture: american
Artist: david johnson
Artist role: artist
Artist nationality: american
Artist dates: 1827 – 1908
Subjects: landscapes

The often sublime, expansive topography characteristic of Johnson’s work as a Hudson River School painter was replaced late in his career by compositions of flat terrain, often, as in this drawing, dominated by a few large trees bordering a body of water in the foreground and admitting only a glimpse of a distant prospect at either side. This drawing was undoubtedly the model for the Museum’s painting “Bayside, New Rochelle, New York” (15.30.65). The site is characteristic of those that Johnson--following French Barbizon taste--preferred as subjects in his later career: domesticated, undramatic, and riparian. This image reflects the quiet, genteel refuge New Rochelle had been, before the arrival of an amusement park in the mid-1880s, which drew thousands of visitors from the metropolitan area each summer.
Vier scènes uit het leven van de profeten Achia en Elia
Object type: print
Date: 1604 – 1604
Materials: chalk, paper
Techniques: engraving
Location: assendelft
Subjects: jeroboam's wife in disguise visits the old and blind ahijah, but he, having been warned by god, recognizes her; he predicts the death of her son and israel's punishment for jeroboam's sin
Inscriptions: collector's mark: Lugt 2228

De profeet Achia zit bij een boom naast een ruïne. Rondom hem fragmenten van de onheilsprofetie die hij de vrouw van koning Jerobeam voorspelde. In de linkeronderhoek wordt een van de zonen van koning Jerobeam door honden verscheurd. Op de achtergrond wordt een van de zonen van koning Jerobeam door roofvogels opgegeten.