deem-data/ArtiFact huggingface dataset:
Portret van een zittende peuter
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: france
Artist: Anonymous
Subjects: sitting figure, historical persons, tot, toddler ~ the ages of man
Waistcoat
Object type: waistcoat
Date: 1760 – 1780
Materials: cotton
Culture: french
Panel (Former Fragment of Man's Coat)
Object type: textile
Materials: silk
Techniques: bookbinding, damask, painting, satin weave, tapestry weave, weave
Culture: manchu
Location: china
Tea caddy
Object type: tea caddy
Date: 1740 – 1750
Materials: stoneware
Techniques: salt glaze
't Suynighe Waertje en De Goelijcke Waerdin
Object type: print
Date: 1612 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: head-gear, farmers
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 700

Prent uit een serie van 36 prenten met koppen van boeren en boerinnen.
Portret van Willem Nicolaï
Object type: page
Date: 1888 – 1896
Materials: paper
Techniques: photograph
Location: haarlem
Subjects: leiden, the hague, historical persons, portrait of a musician
Portret van Thomas Frye
Object type: print
Date: 1760 – 1829
Materials: paper
Techniques: engraving, etching
Artist: johann nusbiegel
Artist role: print maker
Artist dates: 1750 – 1829
Subjects: london, thomas frye, historical persons
Inscriptions: collector's mark: Lugt 2228
Diptych of the Virgin and Child Enthroned and the Crucifixion
Object type: painting
Date: 1280 – 1280
Materials: panel, paint, wood
Techniques: gilding, painting
Culture: italian
Location: italy
Subjects: virgin and child/madonna and child, inscription, angels, biblical, christian subjects, christianity, crucifixions, religion, religious, saints, throne, virgin mary, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed: left wing:  S. RAPAEL [Raphael] (upper left, in red pigment), S. GABRIEL (upper right, in red pigment), FL [ . . .] (vertically, below center left, in red pigment); right wing: IC CR (on cross, in gold pigment), MP OY (center left, in red pigment), [ . . . ] (center right, in red pigment, smudged)

This diptych, a hinged and portable work used for private devotion, was probably made in the Latin Kingdom established in the Holy Land by the Crusaders. In style, technique, and the use of both Latin and Greek inscriptions, it shows a mixture of Eastern and Western elements. The diptych may have been made by an Italian craftsman, possibly working in the coastal city of Acre, which was the capital of a reduced crusader kingdom in the late 13th century. This type of private devotional work, and related Byzantine models imported back into Western Europe, exerted a powerful influence on later painting in Italy, France, and the Low Countries.
Double moon flask
Object type: moon flask
Materials: earthenware
Techniques: glazing
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
Oakley Cottage
Object type: photograph
Date: 1853 – 1856
Techniques: albumen silver print
Artist: john dillwyn llewelyn
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1810 – 1882
Subjects: houses,men,horses,carriages
Rivierlandschap waarin een schuit door vier paarden wordt voortgetrokken
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river, boat propelled by man or animal
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Huygen, Pieter. De beginselen van Gods koninkryk in den mensch uitgedrukt in zinnebeelden. Amsterdam: wed. Arentsz. Pieter (II), 1689, p. 74.
A Cardinal's Procession
Object type: painting
Date: 1621 – 1621
Materials: copper, oil
Artist: ottavio leoni (il padovano)
Artist role: artist
Artist nationality: italian
Artist dates: 1578 – 1630
Subjects: men,processions

Presumably painted to commemorate an important event in the life of the cardinal depicted, this scene and its figures, largely portraits, have yet to be identified. The lion and eagles on the silver and gold mace in front of the central figure probably reference the cardinal’s coat of arms. The ancient and modern architecture does not align with any known buildings.
Vlucht van Hugo de Groot uit Amsterdam in 1632
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: hugo de groot
Inscriptions: inscription: ‘32’

De vlucht van Hugo de Groot uit Amsterdam in de nacht van 14 april 1632. Hugo de Goot vaart in een roeibootje weg van de kade bij de Schreierstoren. Familie en vrienden nemen afscheid. De prent maakt deel uit van een album.
Terrein met houtopslag te Moengo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Terrein met spoorlijn en houtopslag te Moengo. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Journal des Dames et des Modes, Costume Parisien, 18 août 1804, An 12, (576): Chapeau Moitié Paill (...)
Object type: fashion print
Date: 1804 – 1804
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), head-gear (straw hat) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes)
Inscriptions: caption: ‘Chapeau Moitié Paille sur un Bonnet.’, title: ‘Costume Parisien.’

Vrouw met op het hoofd een strohoed met een bol van stof op een muts. Zij draagt een japon met korte mouwen en sleep. Om de hals een lange sjaal, bij de zoom versierd met een bloemmotief. Verdere accessoires: lange handschoenen, armband om de rechterbovenarm, waaier, platte schoen. Met de rechterhand houdt ze de sleep van haar japon op. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Doven aan het werk als schoen- en meubelmakers en gezicht op het gebouw van dovenvereniging Door Liefde Saâmgebracht
Object type: photomechanical print
Date: 1915 – 1915
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: carpenter, deaf, deafness, civic architecture; edifices; dwellings, shoe-maker, cobbler
Inscriptions: collector's mark: Lugt 1641b, signature: ‘H.I.B.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: V. Ziekenhuizen: Ver. voor Ziekenverpleging aan de Prinsengracht.
Gelderland, duit, 1767
Object type: duit
Date: 1767 – 1767
Materials: copper
Techniques: striking
Location: harderwijk

Koperen munt. Voorzijde: binnen weelderige rococo-versiering in drie regels D/GEL/RIAE, daaronder jaartal en muntmeesterteken. Keerzijde: gekroond Gelders wapenschild.
Gezicht op Hopt House in de Grand Canyon
Object type: album leaf
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: grand canyon
Artist: Anonymous
Subjects: civic architecture; edifices; dwellings
Inscriptions: annotation: ‘Grand Canyon’
The Girl at the Window
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: burnishing, drypoint, roulette
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Nightshirt
Object type: nightshirt
Date: 1850 – 1915
Materials: linen
Culture: american or european
Piece
Object type: piece
Date: 1501 – 1600
Materials: wool
Portret van een man in jachtkleding, aangeduid als Sweys (oude)
Object type: carte de visite
Date: 1860 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: studio requisites ~ photographer, hunter, historical persons, clothes for special purposes
Inscriptions: inscription: ‘Sweys (oude)’, address: ‘Amsterdam, Kalverstraat D26; Utrecht, Leidsche Straatweg’

Onderdeel van Fotoalbum van een Nederlandse familie met 50 cartes-de-visite.
"Belmead" Center table
Object type: furniture
Date: 1846 – 1846
Materials: marble, wood
Location: new york city
Artist: alexander jackson davis
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: furniture

In 1845 Alexander Jackson Davis designed Belmead, a magnificent Gothic Revival villa, for the prominent builder Philip St. George Cocke of Powhatan County, Virginia. In addition to designing Belmead’s exterior, Davis also designed furniture for the interior, notably a parlor set that included the side chairs (1998.565.1-2). The table descended in the Cocke family along with the parlor set and, remarkably, retains its original marble top and intricately carved tracery lantern. Fitted between the supporting columns, the tracery was installed before the cabinetmaker assembled the table.
Paneelvulling met putti met guirlandes ter weerszijden van een lier
Object type: drawing
Date: 1683 – 1733
Materials: paint, ink, paper
Techniques: brush, pen
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: ornaments ~ art
Man met opgeheven bijl
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: adult man, tools, aids, implements ~ crafts and industries: axe

Pagina 35 uit een schetsboek met 49 bladen.
Liebste kinder
Object type: letter
Date: 1829 – 1829
Materials: ink, paper
Techniques: folding, writing
Location: germany
Artist: henriëtte solger-gravin van der gröben
Artist role: schrijver
Subjects: the hague, johan rudolf thorbecke, germany
Inscriptions: date

Brief aan de kinderen van 3 pagina's in zwarte inkt geschreven. Vel gevouwen in omslag en vloeipapier.
Drag # 3261
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Musée du Louvre; collection des dessins, Le Remouler, par Watteau, from "Le Magasin Pittoresque"
Object type: print
Date: 1852 – 1852
Techniques: engraving
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: men,machines
Standing Female Nude
Object type: sketchbook leaf
Date: 1892 – 1892
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: standing figure - aa - female human figure (+ nude human being)
Inscriptions: signature: ‘G.H. Breitner’

Pagina 3 uit een schetsboek met 20 bladen.
Standing Monkey Amulet
Object type: amulet, monkey, serpent tail
Date: 664 – 332
Materials: faience
Location: egypt
Subjects: monkeys
Card Number 112, Clara Ellison, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Interieur van de bibliotheek van de Ateneo de Madrid
Object type: print
Date: 1850 – 1900
Materials: paper
Techniques: engraving
Artist: a. soler
Artist role: print maker
Subjects: public library, heating stove, lectern ~ reading
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

De boeken zijn verdeeld over drie niveaus, de bovenste niveaus zijn bereikbaar zijn door middel van een balustrade. In de bibliotheekzaal staan lessenaars. In het midden een kachel met ervoor een man en een vrouw. Tekst op verso.
Tontine Building, Trongate
Object type: photograph
Date: 1868 – 1868
Techniques: photogravure
Location: scotland
Artist: thomas annan
Artist role: fotograaf
Artist nationality: scottish
Artist dates: 1829 – 1887
Microscopische opname van diatomeeën
Object type: album leaf
Date: 1887 – 1888
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: marinus pieter filbri
Artist role: instrument maker
Artist dates: 1852 – 1917
Subjects: algae, seaweed, netherlands
Inscriptions: inscription: ‘No. 41. Benaming Diatomeen Pleur.Aug., vergroting (?), pose -, bemerking -’, number: ‘41’
Journal der Moden 1786. T. V
Object type: magazine
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: gotha
Subjects: fashion plates
Zittende en liggende hond
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: printmaking, etching
Location: amsterdam
Subjects: dog
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen op een blad. Boven een zittende hond. Onder een liggende hond.
Cross Fragment with Saint John the Theologian
Object type: cross fragment
Date: 1001 – 1100
Materials: copper alloy, iron
Culture: byzantine
Location: probably constantinople
Subjects: cross

A depiction of Saint John the Theologian decorates the face of the surviving upper arm of a large cross. An elegant, small cross is inscribed in a medallion on the reverse. Such crosses would have been carried in processions or installed on an altar, possibly one dedicated to the saint.
Square
Object type: square
Date: 1701 – 1800
Materials: linen, metal thread, silk
Subjects: human figures,flowers,leaves
Berglandschap
Object type: sketchbook leaf
Date: 1901 – 1927
Materials: chalk, paper
Location: germany
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: mountains

Berglandschap. Vooraan mogelijk water. Blad 3 uit een schetsboek met 45 bladen.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, branches with leaves; part of an inscription, an iota
Ontmoeting van prins Blücher von Wahlstatt en Lord Wellington bij La Belle Alliance
Object type: print
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: walmer castle, arthur wellesley of wellington
Inscriptions: collector's mark: Lugt 2228

De Pruisische Prins Blücher von Wahlstatt en de Engelse Lord Wellington schudden elkaar de hand bij La Belle Alliance, het voormalig hoofdkwartier van de verslagen Napoleon op 18 juni 1815. Op de achtergrond de rokende puinhopen van het slagveld. Met een verklarend onderschrift.
Table fork
Object type: table fork
Materials: silver, steel
Card Number 304, Jenny Bartine, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso)
Object type: drawing
Date: 1612 – 1650
Materials: chalk, paper
Artist: pietro testa
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1650
Subjects: male nudes,running
String of beads
Object type: bead, string
Date: 4400 – 3800
Materials: stone
Techniques: glazing
Location: egypt
Dienstbode uit Vlaanderen, gekleed volgens de mode van ca. 1550
Object type: costume print
Materials: paper
Techniques: engraving
Location: venice
Artist: enea vico
Artist role: draughtsman, print maker
Artist dates: 1523 – 1567
Subjects: fashion plates, head-gear: hat (+ women's clothes), maid ~ house personnel, apron (+ women's clothes)

Vrouw met mand aan de arm, naar rechts, ronde hoed op het hoofd. Prent uit album 'Diversarum gentium nostrae aetatis habitus'.
Meeting in the Woods of Boulogne, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich guttenberg
Artist nationality: german
Artist dates: 1749 – 1818
Two fragments of a limestone sarcophagus lid with snakes
Object type: statuette of a snake, coiled
Date: 500 – 451
Materials: limestone
Culture: cypriot
Subjects: snakes

The two nonjoining fragments belong to the lid of a large sarcophagus with a molded edge. There is the coiled body of a snake on each fragment.
Epitaaf met portret van Bernhard von Zech
Object type: print
Date: 1720 – 1733
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons, epitaph, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 357
Portret van Claude de Forbin
Object type: print
Date: 1747 – 1837
Materials: paper
Techniques: engraving
Location: france
Artist: jean baptiste de lorraine
Artist role: print maker
Artist dates: 1737 – 
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een staande man met hoge hoed
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, head-gear: top hat
Petit Courrier des Dames, 1823, No. 133 : Robe d'étoffe moiré (...)
Object type: fashion print
Date: 1823 – 1823
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: bow (ornamental part of clothing) (+ women's clothes), ear-rings (+ women's clothes), head-gear: toque (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), fashion plates, dress, gown (+ women's clothes), stool, fan (+ women's clothes), bracelet, wristlet (+ women's clothes), necklace (+ women's clothes)
Inscriptions: title: ‘Modes de Paris.’, title: ‘Petit Courrier des Dames.’, address: ‘Rue Meslée No.25.’, caption: ‘Robe d'étoffe moirée garnie de ruches de tulle a la neige et de noeuds de satin; Echarpe de blonde de soie; Toque de tulle ornée de plumes et de satin. des magasins de Mm.Mure.’

Japon van 'etoffe moirée', versierd met ruches van 'tulle a la neige' en strikken van satijn. Sjaal van zijden Blonde (kloskant). Toque van tule versierd met veren en satijn, uit de winkels van M.m Mure. Verdere accessoires: oorbellen, collier, armbanden om beide polsen, lange handschoenen, schoen met strik. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Portret van François Adhémar de Monteil
Object type: print
Date: 1636 – 1696
Materials: paper
Techniques: engraving
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 240
Amsterdamse schutterij trekt Turnhout binnen, 1831
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: jacob coldewijn
Artist role: print maker
Artist dates: 1796 – 1855
Subjects: capture of city (after the siege)

De Amsterdamse schutterij trekt door de stadspoort Turnhout binnen, 4 augustus 1831. Rechts vluchten enkele inwoners.
Portret van Joost Sijbrandtsz. Buyck
Object type: print
Date: 1588 – 1628
Materials: paper
Techniques: engraving
Artist: jan harmensz. muller
Artist role: draughtsman, print maker
Artist dates: 1571 – 1628
Subjects: mayor, mayor, burgomaster, historical persons
Inscriptions: collector's mark: Lugt 2228
Leaving Constantinople (from Sketchbook)
Object type: drawing
Date: 1904 – 1904
Materials: graphite, paper
Culture: american
Artist: mary newbold sargent
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: landscapes,boats
Allegorieën van het christelijke geloof
Object type: print
Date: 1598 – 1604
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: house built upon a rock; house built upon sand ~ doctrine of christ on love, etc. (matthew 7:24-27; luke 6:47-49)
Inscriptions: collector's mark: Lugt 240, monogram: ‘HG’

Serie van tien (oorspronkelijk twaalf) allegorieën van het christelijke geloof. Elk van de allegorieën bestaat uit een centrale voorstelling met daaromheen een omlijsting waarin citaten uit de bijbel gecombineerd zijn met de verbeelding van bepaalde gebeurtenissen uit de bijbel. In de marge onderaan twee regels Latijn en het nummer 7.