deem-data/ArtiFact huggingface dataset:
Rapier
Object type: rapier
Date: 1580 – 1580
Materials: gold, iron, steel, wood
Culture: italian
Location: italy

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Cloitre de l'Église Notre-Dame, à Tongres
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: lithograph
Location: brussels
Artist: alexander schaepkens
Artist role: draughtsman, print maker
Artist dates: 1815 – 1899
Subjects: parts of church interior: ambulatory
Inscriptions: collector's mark: Lugt 2228
Deutschland
Object type: stereograph
Date: 1868 – 1888
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: square, place, circus, etc., church (exterior)
Inscriptions: number: ‘No. 9.’
Fragment
Object type: fragment
Date: 1730 – 1730
Materials: metal thread, silk
Subjects: flowers,leaves
Het Dogenpaleis (Palazzo Ducale) in Venetië
Object type: color slide
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Location: italy
Artist: Anonymous
Subjects: dogepaleis
Inscriptions: annotation: ‘9H / f [?] 8 / 11" / Venise / Intr palais / des Doges / [in potlood:] 204’
Evening dress
Object type: evening dress
Date: 1900 – 1901
Materials: cotton, silk
Culture: french
Portret van Louis Mérante
Object type: page
Date: 1875 – 1885
Materials: paper
Techniques: woodburytype
Subjects: paris, choreographer, historical persons
Inscriptions: inscription: ‘Maitre de Ballet de l'Opera’
La gorge d'Evolena
Object type: print
Date: 1832 – 1890
Materials: paper
Techniques: engraving
Subjects: pack-animal, dale, valley, switzerland
Inscriptions: collector's mark: Lugt 2228
Serment de Daphnis sur les chevres
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: etching
Location: paris
Subjects: (story of) pan, daphnis (in greek mythology a shepherd who invented pastoral poetry, chloe
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit: Longus. Les amours pastorales de Daphnis et de Chloé, avec figures. Parijs: s.n., 1718.
Gold and glass earring with head of a dolphin
Object type: earring with head of dolphin
Date: 200 – 1
Materials: glass, gold, paste
Culture: greek
Subjects: dolphins
Den Grooten Figuer-Bibel (...)
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the erection of the cross: christ is nailed to the cross which lies on the ground
Inscriptions: number: ‘140’

Het kruis ligt op de grond. Soldaten nagelen Christus vast aan handen en voeten. Onder de voorstelling een vierregelig vers in het Latijn. Rechtsonder de letters: hh. Deze prent maakt deel uit van een album.
Card Number 51, Everson & Clayton, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-6), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the sixth subset, N145-6. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Gerard Meerman
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: official; civil servant; functionary (in general), historical persons, armorial bearing, heraldry
Inscriptions: inscription: ‘8/4/ 08’
Bloemen, kraanvogel en roerdomp
Object type: album leaf
Date: 1688 – 1698
Materials: paper
Techniques: engraving, etching, hand coloring, lithography
Location: netherlands
Subjects: shore-birds and wading-birds: crane, flowers: rose, flowers: carnation

Vier verschillende bloemen, waaronder een roos en een anjer. In het midden een vliegende kraanvogel (boven) en een vliegende roerdomp (onder). Deze prent maakt deel uit van een album.
Kookpot met opschrift: MARGRIETIEN BARTOLDS IN DEO SPES MEA ANO 1635
Object type: cauldron
Date: 1635 – 1635
Materials: bronze
Techniques: brazing, casting
Inscriptions: inscription: ‘MARGRIETIEN BARTOLDS IN DEO SPES MEA ANO 1635’

Cooking pot. Bronze. Netherlands, 1635.
Ceiling of Staircase, Palazzo Mattei
Object type: drawing
Date: 1750 – 1755
Materials: ink
Techniques: brush, pen, wash
Artist: sir william chambers
Artist role: artist
Artist nationality: british, born sweden
Artist dates: 1723 – 1796
Canali - Pompei
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: water-supply and draining, pipework (in house or building), pompeii
Inscriptions: number: ‘224.’
Rivierlandschap met een aantal huizen, twee figuren en een boot
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: rowing-boat, canoe, etc., river (+ landscape with figures, staffage), farm or solitary house in landscape
Stove Tile with Saint George and the Dragon
Object type: ceramic
Date: 1475 – 1500
Materials: ceramic, earthenware, glaze
Techniques: glazing
Culture: austrian
Location: germany
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment of a foot from an undetermined shape; the top outer edge of the foot has a band of red glaze; the resting surface is unglazed
Storyteller Figure
Object type: sculpture
Date: 100 – 800
Materials: ceramic, pigment
Techniques: modeling, painting
Location: jalisco
Subjects: people, ancestors, gestural, leaders

Ceramic figures in energetic poses and with lively expressions were made in the Ameca Valley, Jalisco. Like other West Mexican works of art, they were intended as offerings in tombs. The range of subjects depicted by these sculptures includes gesturing individuals whose hand positions communicated well-established meanings. This sign language has yet to be described and interpreted, but such excited figures may well be recounting legends or myths.
Tomombey, Soudaen van Syrien en Egipten, Smadelyk ter Doodt gebragt Anno 1517
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: violent death by hanging, city-gate
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Bos, Lambert van den. Treur-toonneel der doorluchtige mannen, of Op- en ondergang der grooten, 3 delen. Amsterdam: Jan Claesz ten Hoorn, 1698, dl. II.
Piece
Object type: piece
Date: 1730 – 1730
Materials: silk
Subjects: flowers,leaves
Plate
Object type: plate
Date: 1740 – 1750
Materials: hard paste porcelain
Subjects: coat of arms
Library table
Object type: library table
Date: 1735 – 1735
Materials: brass, gilt, wood
Artist: william kent
Artist role: artist
Artist nationality: british
Artist dates: 1685 – 1748

This table is related to a group of library tables possibly designed by the architect William Kent (1685–1748) and variously attributed to the cabinetmakers William Vile (ca. 1700–1767) and Benjamin Goodison (ca. 1700–1767) and the carver John Boson (ca. 1705–1743).
Trophées d'Armes Antique et moderne, seruant a toutes sortes d'ouuriers, pour l'enbelissement de leurs ouurages
Object type: ornament print
Materials: paper
Techniques: etching
Location: france

De titel staat in een cartouche omringd door wapentrofeeën.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Subjects: monkeys
Yokkaichi, Sanchokawa
Object type: print
Date: 1834 – 1834
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: men,trees,storms
Gezicht in Amsterdam
Object type: sketchbook leaf
Date: 1917 – 1917
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: city-view, and landscape with man-made constructions, civic architecture; edifices; dwellings, amsterdam

Pagina 5 en pagina 6 uit een schetsboek met 44 bladen.
Alexander welcoming Thalestris and the Amazons
Object type: print
Date: 1534 – 1566
Techniques: engraving
Artist: master fg
Artist role: artist
Artist nationality: italian
Artist dates: 1530 – 1560
Subjects: spears,alexander the great,amazons,horses
Figure of an actor(?)
Object type: figure
Date: 960 – 1279
Materials: pottery
Culture: chinese
Subjects: actors
Vue de Viétri, près Salerne
Object type: stereograph
Date: 1861 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: vietri sul mare
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: gulf, bay
Inscriptions: number: ‘89.’
Piece
Object type: piece
Date: 1401 – 1500
Materials: silk
Techniques: compound weave
Culture: japanese
Wager cup (Jungfrauenbecher)
Object type: wager cup
Date: 1620 – 1620
Materials: enamel, gilt, silver
Techniques: painting
Artist: hieronymus imhof
Artist role: maker
Artist dates: 1535 – 1635
Subjects: women

A “wager cup” challenges the user to drink from both ends without spilling. This example is made in the shape of a woman—her ornamented skirt forms one cup and the vessel held above her head the second. Once the larger cup is drained, the figure can be turned upright so one can drink from the smaller, swiveling beaker. Hidden in the 1630s to protect it from looting during the Thirty Years’ War (1618–1648), this object was rediscovered in the false wall of a Regensburg house in 1869.
Boekband met Maria en kind en Pieter en Paulus uit de Onze-Lieve-Vrouwebasiliek in Tongeren, opgesteld op een tentoonstelling over religieuze objecten uit de middeleeuwen en renaissance in 1864 in Mechelen
Object type: photomechanical print
Date: 1864 – 1866
Materials: paper
Techniques: photolithography
Location: antwerp
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: mary standing (or half-length), the christ-child sitting on her arm (christ-child to mary's left), book-cover, binding, mechelen
Inscriptions: number: ‘15’, number: ‘15 F.F.’, number: ‘-47’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the center of a kylix; complete stem and foot; at the juncture of the stem and the top of the foot, an incised ring; the outer edge and resting surface of the foot are reserved; the center of the underside of the foot is glazed
Jules Favre
Object type: print
Materials: paper
Techniques: letterpress printing, engraving
Subjects: lyon, politician, historical persons, politician, e.g. party leader

Prent uit: L'Illustration, 25 april 1868.
Jongen wordt terechtgewezen door een vrouw
Object type: boekillustratie ontwerp
Materials: ink, paper, pencil
Techniques: pen
Artist: heinrich m. krabbé
Artist role: draughtsman, print maker
Artist dates: 1868 – 1931
Subjects: boy (child between toddler and youth), interior of the house, index finger forwards, pointing, indicating
Inscriptions: :, collector's mark: Lugt 2228, annotation: ‘De Generaal pag 10 "Foei ventje, zei ze.’, signature: ‘K.’

In een interieur staat een jongen voor een jonge vrouw. De twee kijken naar een vrouw die tegenover hen staat en die vermanend haar vinger uitsteekt naar de jongen.
Bagpiper
Object type: figure
Date: 1745 – 1745
Materials: earthenware
Techniques: glazing
Artist: john astbury
Artist role: maker
Artist dates: 1688 – 1743
Subjects: men,bagpipes
Jug with foliate scrolls and colored borders
Object type: jug
Date: 1600 – 1699
Materials: cobalt, glaze, mineral, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: westerwald
Artist: Anonymous

Kruik van steengoed op hoge voet met een eivormige buik en wijde, korte nek. Het C-vormige oor is bevestigd aan de nek en de schouder. Op de nek en de voet profielen. Gedeeltelijk bedekt met kobaltblauw en mangaanpaars. Op de buik verticale banden met bladranken gedrukt en opgelegd in reliëf, afgewisseld met een blauwe of paarse band. Op de voet en nek blauwe lijnen. Enkele stukken reliëf ontbreken. Westerwald.
Vrouw met kind op de arm en een staand kind
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: france
Subjects: mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 240

Prent uit een reeks van 13 prenten inclusief titelprent.
Terracotta fragments of column-kraters (bowls for mixing wine and water)
Object type: column krater fragment
Date: 475 – 440
Materials: terracotta
Culture: greek, attic

Two black glaze fragments from column-kraters
Sleep
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Subjects: sleeping,women
Carpet
Object type: carpet
Date: 1567 – 1600
Materials: cotton, wool
Techniques: asymmetrically knotted pile
Location: iran
Peter W. Webber, Pitcher, Sioux City Corn Huskers, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Architettura con diversi ornamenti cavati dall' Antico
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: rome
Two Designs for Floral Panels of Ornament
Object type: drawing
Date: 1680 – 1780
Materials: graphite, ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: ornament
Silhouetportret van de heer Deeleman
Object type: print
Date: 1833 – 1870
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: friedrich heinrich wilhelm schröder
Artist role: draughtsman, print maker
Artist dates: 1818 – 1870
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Brief aan Jan Veth
Object type: letter
Date: 1919 – 1919
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: mozes isaac duparc
Artist role: jurist, referendaris
Artist dates: 1870 – 1925
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, christiaan pieter van eeghen (1880-1968)
Inscriptions: collector's mark: ‘RPK’
Groentemand
Object type: sketchbook leaf
Date: 1605 – 1678
Materials: ink, paper, pencil
Techniques: pen
Artist: paul de vos
Artist role: draughtsman
Artist dates: 1595 – 1678
Subjects: vegetables, container made of plant material other than wood: basket, dish, plate, saucer

Tekening in een vak van een raster. Tevens studies van schalen. Blad 12 verso uit een schetsboek met 15 bladen.
Deel van fries op schouw in Vroedschapskamer van het Stadhuis op de Dam
Object type: book illustration
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: musical instruments; group of musical instruments, 'cornucopia', horn of plenty, strife between virtues and vices, psychomachy, allegory, personification of good government, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Artus Quellinus (I), 1663.

Zie RP-P-AO-22-2-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-2-2 voor bijhorend register.
Zie RP-P-AO-22-2A, RP-P-AO-22-2B, RP-P-AO-22-2C-1, RP-P-AO-22-2C-2, RP-P-AO-22-2C-3, RP-P-AO-22-2C-4, RP-P-AO-22-2D-1, RP-P-AO-22-2D-2, RP-P-AO-22-2D-3, RP-P-AO-22-2E-1, RP-P-AO-22-2E-2, RP-P-AO-22-2E-3, RP-P-AO-22-2E-4, RP-P-AO-22-2F-1, RP-P-AO-22-2F-2, RP-P-AO-22-2F-3, RP-P-AO-22-2G, RP-P-AO-22-2H, RP-P-AO-22-2I, RP-P-AO-22-2K, RP-P-AO-22-2L, RP-P-AO-22-2M, RP-P-AO-22-2N, RP-P-AO-22-2O-1, RP-P-AO-22-2O-2, RP-P-AO-22-2O-3, RP-P-AO-22-2O-4, RP-P-AO-22-2O-5, RP-P-AO-22-2O-6, RP-P-AO-22-2O-7, RP-P-AO-22-2P-1, RP-P-AO-22-2P-2, RP-P-AO-22-2Q-1, RP-P-AO-22-2Q-2, RP-P-AO-22-2Q-3, RP-P-AO-22-2R-2, RP-P-AO-22-2R-3, RP-P-AO-22-2S, RP-P-AO-22-2T-1, RP-P-AO-22-2T-2, RP-P-AO-22-2T-3, RP-P-AO-22-2T-4, RP-P-AO-22-2V-1, RP-P-AO-22-2V-2, RP-P-AO-22-2W-1, RP-P-AO-22-2W-2, RP-P-AO-22-2X-1, RP-P-AO-22-2X-2 en RP-P-AO-22-2X-3 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Frederik de Wit, 1668.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
Enquêteformulier ingevuld door Abraham van Pelt
Object type: questionnaire
Date: 1802 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: nijmegen, print maker, draughtsman, abraham van pelt
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Gezicht op vermoedelijk een notenplantage op de Molukken
Object type: page
Date: 1883 – 1894
Materials: paper
Techniques: photograph
Location: moluccas
Artist: Anonymous
Subjects: plantation
Thames craft a scene from Millbank
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Location: paris
Subjects: river, lift-lock, canal lock - hh - ideal landscapes, windmill in landscape, ships (in general) - cc - more than one ship, bridge, thames
Inscriptions: collector's mark: Lugt 2228
Twee jonge vrouwen bij een villa
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: occupier and civilians, occupation ~ war, netherlands

Op een grasveld staan twee jonge vrouwen. Achter hen een een grote villa. Daarom heen bomen.
Gedeelte van de Nicolaaskerk te Wieuwerd
Object type: photograph
Date: 1888 – 1888
Materials: cardboard, photographic support
Techniques: albumen print
Location: wieuwerd
Subjects: church (exterior)
Inscriptions: annotation: ‘Wiewerd / N.H. Kerk / Baarderadeel’, annotation: ‘Wiewerd/ Wiewerd/ gem. Baarderadeel’
Westfaçade van de Opéra Garnier, Parijs
Object type: tissue stereograph
Date: 1874 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Subjects: opera house
Inscriptions: inscription: ‘Déposé’
Gezicht op de Royal Exchange, te Londen
Object type: print
Date: 1745 – 1775
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: street, exchange, bourse
Inscriptions: collector's mark: Lugt 2228
Twee eiken bij een houten huis
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: etching, intaglio
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: trees: oak, pool, puddle, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Prospect des Weihers gegen Hof anzusehen, zu Grafenhaag
Object type: print
Date: 1742 – 1801
Materials: paper, watercolor
Techniques: brush, etching
Location: germany
Subjects: parts of church exterior and annexes: chapel, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)

Op de voorgrond de Vijverberg. Links het Mauritshuis en het Binnenhof met de Hofkapel. Rechts het Buitenhof. Rechtsboven genummerd: 263. Linksonder genummerd: 65.
Landschap met water, palmbomen en gebouwen, Midden-Oosten
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: albumen print
Artist: pascal sébah
Artist role: fotograaf
Artist dates: 1823 – 1886
Subjects: midden-oosten
Inscriptions: signature: ‘J.P. Sebah’, number: ‘314’, inscription: ‘Village arabe aux Piramides [?]’

Landschap met water, palmbomen en gebouwen, Midden-Oosten.
Dido Killing Herself
Object type: print
Date: 1660 – 1660
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: swords,women
Group of Checkerboard Patterned Inlays
Object type: decorative art
Materials: glass
Culture: egyptian
Location: italy
Subjects: geometric, checkerboards

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
Valentine
Object type: valentine
Date: 1850 – 1860
Materials: paper
Techniques: cutting, embossing, gilding
Artist: Anonymous
Artist role: artist