deem-data/ArtiFact huggingface dataset:
Afbeelding van de Stadt London. Aenwijzende hoe verre de zelve verbrandt is, en wat plaetzen noch overgebleven zijn / Representation curieuse de l'embrasement de la Ville de Londres (...) / Delineation of the Citie London (...)
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: maps of cities, london

Plattegrond van Londen waarop is aangegeven het deel van de stad dat verwoest is tijdens de grote brand van 12-15 september 1666. Linksboven een inzet met het plan voor de herbouw. Onderaan een inzet met een gezicht op de brandende stad bij nacht. Onderaan teksten in 2 kolommen in het Nederlands, 2 kolommen in het Frans en 2 kolommen in het Engels met een beschrijving van de gebeurtenissen en een lijst van de verbrande straten en plaatsen binnen Londen.
Hara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Object type: print
Date: 1837 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Design for a Fountain
Object type: drawing
Date: 1834 – 1866
Materials: graphite, ink, watercolor
Techniques: pen
Artist: jean-baptiste louis plantar
Artist role: artist
Artist nationality: french
Subjects: fountains
Macbeth en Banquo ontmoeten de drie heksen
Object type: print
Date: 1825 – 1883
Materials: paper
Techniques: drypoint, etching, roulette
Artist: theodoor schaepkens
Artist role: draughtsman, print maker
Artist dates: 1810 – 1883
Subjects: macbeth
Inscriptions: collector's mark: Lugt 2228
Mlle. Thoringny, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Landschap met mannen op antieke vierkanten sokkel
Object type: print
Date: 1613 – 1695
Materials: paper
Techniques: etching
Subjects: landscape with ruins, pedestal of a piece of sculpture (perhaps in the form of a herm)

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Vase
Object type: vase
Date: 1901 – 1933
Materials: ceramic, glaze
Culture: korean
Amulet
Object type: necklace, bead
Date: 4200 – 4200
Materials: limestone
Culture: halaf
Location: mesopotamia
Arcadisch landschap
Object type: drawing
Date: 1700 – 1800
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Orange strainer
Object type: orange strainer
Date: 1713 – 1714
Materials: silver
Artist: james goodwin
Artist role: maker
Artist dates: 1706 – 1706
Loentje Furnée met kinderen op een strand
Object type: photograph
Materials: paper, cardboard
Techniques: gelatin silver print
Location: netherlands
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: beach (as place of recreation), netherlands

Deze foto's zijn onderdeel van een album.
Landschap met bomen
Object type: drawing
Date: 1861 – 1904
Materials: chalk, paper
Artist: théophile de bock
Artist role: draughtsman, painter, print maker
Artist dates: 1851 – 1904
Inscriptions: inscription: ‘.’
Vase
Object type: vase
Date: 1884 – 1886
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: reading artistic glass works
Artist role: maker
Artist nationality: american
Artist dates: 1884 – 1886
St. Jean d'Angely
Object type: album leaf
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: maps of cities

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, kaart 12 uit het deel 'Poictou'.
Kan van roodbakkend aardewerk, aan de binnen-en deels de buitenzijde voorzien van glazuur, met beschadigde rand, voet en oor
Object type: ewer
Date: 1500 – 1799
Materials: earthenware, glaze
Artist: Anonymous
Titelpagina voor: Edward Simson, Chronicon historiam catholicam complectens, 1729
Object type: titelblad, titelpagina
Date: 1729 – 1729
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: (story of) minerva (pallas, athena), eternity, 'aeternitas'; 'eternità','eternità o perpetuità' (ripa), symbolic representations, allegories and emblems ~ poetry; 'poesia' (ripa), 'historia'; 'historia' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: ‘J.A. Frederiks Architect Middelburg’, collector's mark: Lugt 2228

Minerva zit naast Geschiedenis en kijkt over haar schouder mee naar het boek waarin zij schrijft. Geschiedenis kijkt op naar drie allegorische vrouwfiguren (Waarheid, Poëzie en een derde figuur). Achter hen Vader Tijd, Faam en een tweehoofdige figuur die met een beitel een inscriptie slaat in een piramide. In de lucht vliegen vier putti, met eeuwigheidsymbolen in de handen, die het portret van schrijver Edward Simson meevoeren.
Oude man met een stok
Object type: print
Date: 1850 – 1850
Materials: paper, pencil
Techniques: etching
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: walking-stick, staff, old man
Inscriptions: collector's mark: Lugt 2228
Gasten in de waranda
Object type: album leaf
Date: 1934 – 1934
Materials: photographic support
Techniques: gelatin silver print
Location: tesserete
Artist: Anonymous
Subjects: historical persons
Textile Fragment
Object type: textile fragment
Date: 1800 – 1800
Materials: wool
Techniques: brocade
Location: iran
Fotoreproducties van 49 geschilderde portretten van onbekende vrouwen
Object type: page
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: berlin
Subjects: historical persons not known by name - bb - woman
Inscriptions: number: ‘No. 7.’
Fragment of a Beaker
Object type: fragment of a beaker
Date: 901 – 1000
Materials: glass
Techniques: cutting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
t' Fort aen de Nieuwerbrug
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: fortress, bastion, bulwark
Inscriptions: collector's mark: Lugt 195

Deze vestingplattegrond is afgesneden van een prent met daarop vier vestingplattegronden (t' Fort aen de Utermeerse Sluys, t' Fort by den Hinderdam, t' Fort aen de Nieuwerbrug en t' Fort aen de Goudse Sluys). Voor de rest van de plattegronden zie RP-P-AO-8-58, RP-P-AO-8-71 en RP-P-AO-10-56.

Als geheel is deze prent ook gebruikt in: Valckenier, Peter en Andreas Muller. Das verwirrte Europa (…). 3 delen. Amsterdam: Hendrik en Dirk Boom, Joannes van Someren en Jacob van Meurs, 1677-1683, deel 2 (Des verwirreten Europæ Continuation (…), 1680).
Portret van Gottfried Wilhelm Leibniz
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 51. Leipzig: Johann Gottlieb Gleditsch, 1717.
(10) [Gate of all Nations, Persepolis, Fars]
Object type: photograph
Techniques: albumen silver print
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: gates,ruins
Necklace
Object type: necklace
Date: 901 – 1000
Materials: enamel, gold, stone
Culture: byzantine
Zes toelichtingen bij voorstellingen over Abraham, Hagar, Isaak en Esau
Object type: album leaf
Date: 1653 – 1654
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: initial

Zes toelichtingen bij voorstellingen over Abraham, Hagar, Isaak en Esau, genummerd 28 tot en met 33. De tekst vangt aan met een gedecoreerde initiaal H. Het blad maakt deel uit van een album.
Isabel Wachenheimer in de laatste sneeuw in de Widenmayerstrasse en in de slaapkamer van de familie Wachenheimer, maart 1931, München
Object type: photograph
Date: 1903 – 1931
Materials: paper, photographic support
Techniques: gelatin silver print
Location: munich
Subjects: isabel wachenheimer-elon, family life at home, infant, baby
Inscriptions: inscription: ‘in der Widenmayerstrasse im letzten Schnee März 1931’

Albumblad met negen foto's. Alle foto's, Isabel Wachenheimer. Onderdeel van het fotoalbum met foto's van Isabel Wachenheimer als kind (1928-1931).
Trade Card for Thomas Harper, Copper Plate Printer and Stationer
Object type: print, trade card
Date: 1701 – 1800
Techniques: engraving
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Zeilschepen op open water en zeilschepen bij een kustlijn met huizen
Object type: sketchbook leaf
Date: 1834 – 1906
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Blad 4 recto uit een schetsboek met 20 bladen.
Wine Goblet
Object type: wine goblet
Date: 1867 – 1867
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Ball gown
Object type: ball gown
Date: 1887 – 1889
Materials: glass, silk
Culture: french
Child's Bedcover
Object type: costume and accessory
Date: 1720 – 1720
Materials: cotton, thread
Techniques: weave
Location: england
Single Spout Vessel in Form of Seated, Bearded Man Wearing a Cape
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Bruxelles
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: brussels
Artist: gustave choppinet
Artist role: fotograaf
Subjects: interior of the house, dining-room, brussels
Inscriptions: inscription: ‘27, avenue de la Porte de Hal/ MAISON DE M. VAN ROYE/ Salle à Manger, style Renaissance’, number: ‘PLANCHE 56’

Deze prent maakt deel uit van een omslag met 89 prenten en 5 tekstbladen.
Gold sanguisuga-type fibula (safety pin) with patterns in granulation
Object type: fibula, leech shaped
Date: 700 – 601
Materials: gold
Culture: etruscan

With granular pattern of zigzags and meanders.
Saturnus met zeis
Object type: print
Date: 1620 – 1670
Materials: ink, paper
Techniques: printmaking, etching, pen
Location: italy
Subjects: (story of) saturn (cronus), attributes of saturn: scythe
Inscriptions: inscription: ‘ofdruckzell van J.A. Sirano, constat, ii stuijver.’, collector's mark: Lugt 240

Saturnus met een zeis in de hand, zittend op een wolkenpartij.
Shoes
Object type: shoe
Date: 1760 – 1775
Materials: silk
Culture: french
Il y eut aussi des ETRES EMBRYONNAIRES
Object type: print
Date: 1885 – 1885
Techniques: printmaking, lithograph
Location: paris
Subjects: column, pillar ~ architecture, foetus
Inscriptions: collector's mark: Lugt 2228

Een zuil en twee bollen met een gezicht, waarvan één in een doosje. Vierde prent van zes uit het album "Hommage a Goya".
Bottle jug
Object type: bottle jug
Date: 1595 – 1595
Materials: stoneware
Techniques: salt glaze
Subjects: profiles
Two Stirrups
Object type: stirrup
Date: 1801 – 1900
Materials: iron
Culture: armenian or syrian
Location: armenia

This shape of stirrup, with its long rectangular footplate and wide flaring sides, is found in most of the Islamic world. Arab equestrian equipment spread in Africa and in the Near East alongside the spread of Islam itself, and was then adopted by local populations and adapted in their own styles.
Study for the Emperor Constantine Offering the Tiara to Pope Sylvester
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: after raffaello sanzio, called raphael
Briefkaart aan Wolbert J. Vroom
Object type: postcard
Date: 1925 – 1925
Materials: cardboard, ink
Techniques: pen, writing
Location: zundert
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: drawing, the graphic arts
Inscriptions: collector's mark: ‘RPK’
De tweede verdieping van een bordeel
Object type: page
Date: 1804 – 1804
Materials: paper
Techniques: woodcut
Location: edo
Artist: kitagawa utamaro
Artist role: print maker
Artist dates: 1753 – 1806

Achttiende en negentiende pagina van deel één van Utamaro`s boek: Gebeurtenissen in de lusthuizen gedurende het jaar.
Ange
Object type: print
Date: 1701 – 1800
Materials: ink
Techniques: printmaking, etching, printing
Artist: gilles demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1722 – 1776
Handschrift betreffende de familie De Hooghe
Object type: manuscript
Date: 1708 – 1799
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: amsterdam, haarlem, print maker, draughtsman, goldsmith, romeyn de hooghe, ghent
Inscriptions: collector's mark: Lugt 2233, watermark

Overzicht van leden van de familie De Hooghe die schepen in Gent zijn geweest.
Plate 8: the Baptism of Christ
Object type: print
Date: 1678 – 1678
Techniques: etching
Artist: giuseppe maria mitelli
Artist role: artist
Artist nationality: italian
Artist dates: 1634 – 1718
Portrait of a Young Woman
Object type: drawing
Date: 1822 – 1901
Materials: chalk, charcoal, gouache, linen, paper
Techniques: heightening
Culture: american
Artist: samuel worcester rowse
Artist role: artist
Artist nationality: american
Artist dates: 1822 – 1901
Subjects: portraits,women

A friend of Eastman Johnson's, Rowse worked in a manner similar to that of the better-known artist and, like Johnson, preferred to draw with charcoal and pastel rather than graphite. Unlike Johnson, however, Rowse was principally a lithographer and is not known to have used his drawings as studies for paintings.
Snuff Bottle with a Dragon and a Carp
Object type: vessel
Materials: cobalt, copper, porcelain
Techniques: painting, underglaze
Location: china
Brief aan jonkheer Hendrik Teding van Berkhout (1879-1969)
Object type: letter
Date: 1931 – 1931
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: mommie schwarz
Artist role: print maker
Artist dates: 1876 – 1942
Subjects: print room, haarlem, amsterdam, jonkheer hendrik teding van berkhout (1879-1969), drawing, the graphic arts, art collecting, money
Perugia. Portone del Palazzo Comunale
Object type: photomechanical print
Date: 1908 – 1914
Materials: cardboard
Techniques: photograph
Location: perugia
Artist: Anonymous
Subjects: palace
Waterval
Object type: sketchbook leaf
Materials: ink, paper, pencil
Techniques: pen
Location: krimml
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: waterfall
Inscriptions: kleurnotitie, handgeschreven

Blad 22 recto uit een schetsboek met 47 bladen.
Panel
Object type: panel
Date: 1799 – 1804
Materials: silk
Subjects: animals,men,profiles,insignia
Hollands riviergezicht
Object type: drawing
Date: 1847 – 1893
Materials: chalk, paper, watercolor
Techniques: brush
Artist: pieter louis hoedt
Artist role: draughtsman
Artist dates: 1832 – 
Subjects: river
Miniature nutmeg grater
Object type: nutmeg grater
Date: 1698 – 1699
Materials: silver
Artist: h.v., london
Artist role: maker
Artist dates: 1698 – 1699
Buddhist Divinity of compassion
Object type: photomechanical print
Date: 1920 – 1950
Materials: cardboard
Techniques: photograph
Location: oxford
Artist: Anonymous
Subjects: sculpture (+ wood, e.g.: panel ~ arts), representations ~ gods, demi-gods, heroes, etc. (hinduism, buddhism, jainism)
Portret van Maria van Hohenzollern-Sigmaringen
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: etching
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: brussels, print maker, maria van hohenzollern-sigmaringen (gravin van vlaanderen), historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228, signature: ‘BMichiels’, collector's mark: Lugt 2760
Shower at the Sumida River Embankment (Sumidagawa zutsumi hakuu no zu), from the series "Newly Selected Famous Places in Edo (Shinsen Edo meisho)"
Object type: print
Date: 1839 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Fries met elf vogels
Object type: ornament print
Date: 1520 – 1581
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous

Aan het linker uiteinde van het fries staat een boom. In het midden bijt een grote vogel een kleinere de hals door.
Vest
Object type: vest
Date: 1820 – 1820
Materials: silk
Culture: american or european
Toiletdoos met rocailles in reliëf, de binnenzijde beschilderd met figuren in een rivierlandschap
Object type: dressing case
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Toiletdoos van porselein. Op het lichaam aan knoppen hangende draperieën in reliëf, waaromheen rocailles geschilderd zijn in bietenrood. Gouden biezen.
Staand paard naar links gewend, voor een zeegezicht
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: etching
Location: italy
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: horse
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 28 prenten van paarden (+ titelprent en opdracht).
Saint Peter and Saint John at the Gate of the Temple, from "The Passion"
Object type: print
Date: 1513 – 1513
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: saint john the baptist,saint peter
Man Smoking a Pipe
Object type: painting
Date: 1650 – 1650
Materials: oil, panel
Artist: gerard dou
Artist role: draughtsman, painter
Artist dates: 1613 – 1675
Subjects: leiden, draughtsman, gerard dou, pipe ~ tobacco, book - mm - book open, portrait, self-portrait of painter
Inscriptions: signature: ‘GDou’

A young man leans on a window ledge, smoking a pipe and looking out at us. Dou was a master of illusionism. The open book on the sill seems to protrude from the window into our space, and the green curtain hanging from the copper rod is so realistically painted that we are tempted to draw it farther back. However, the painting’s small size gives away the deception.
Grappige Piet
Object type: print
Date: 1821 – 1829
Materials: paper
Techniques: engraving, etching, hand coloring
Artist: Anonymous
Subjects: types in 'commedia dell'arte': harlequin
Inscriptions: collector's mark: Lugt 1641, collector's mark: Lugt 1641a, stamp

Het karakter Grappige Piet is een type uit het straat- en kermisleven. De verbeelde man is wit maar heeft zijn gezicht zwart gemaakt. De man draagt verder een geruit pak. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De 18de eeuw (de revolutietijd). Mannen en vrouwen.
Église St. Méry
Object type: page
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: church (exterior)
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 55.’

Prent op tweehonderdnegentiende ongenummerde pagina.
Gooiende man
Object type: drawing
Date: 1653 – 1653
Materials: chalk, ink, paper
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690
Inscriptions: inscription: ‘fragment van een rekening of declaratie’

Voorstudie voor een illustratie in het Poëziealbum, folio 19.
Barque du Léman et la Dent du Mdi
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: geneva
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, lake, mountain-range, snow peaks
Ecce homo
Object type: print
Date: 1764 – 1803
Materials: paper
Techniques: printmaking, engraving
Location: paris
Subjects: christ alone (also called 'ecce homo')
Stofontwerpen - deel 15
Object type: book
Materials: gold powder, paper
Techniques: woodcut
Location: japan
Inscriptions: date
Man en twee ezels bij een poort
Object type: sketchbook leaf
Date: 1841 – 1841
Materials: paper, pencil
Artist: Anonymous
Subjects: ass, donkey, gate, entrance

Blad 19 recto uit een schetsboek met 33 bladen.
Köln. Eigelsteiner Thor
Object type: ansichtkaart, prentbriefkaart
Date: 1885 – 1902
Materials: cardboard
Techniques: photograph, writing
Location: cologne
Subjects: castle, city-gate
Inscriptions: postage stamp
Stamp seal (duck-shaped) with geometric design
Object type: stamp seal
Date: 1200 – 601
Materials: stone
Culture: syro-levantine
Location: levant or syria
Subjects: ducks