deem-data/ArtiFact huggingface dataset:
Cordial Glass
Object type: cordial glass
Date: 1865 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: new england glass company
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 1888
Towel
Object type: textile
Date: 1831 – 1831
Materials: cotton, linen, thread
Techniques: cutting, embroidery, weave, stitching
Location: united states
Artist: elizabeth bofgholder
Artist nationality: american
Artist dates: 1831 – 

This towel displays traditional German motifs (such as a peacock and birds in a nest) in a symmetrical arrangement. Made in Pennsylvania Dutch and German communities, towels of this type were typically made by older women, as they are technically more difficult and elaborate to create than samplers. The height of towel production for purely decorative use occurred during the 1830s.
Tuinontwerpen geassocieerd met de Dorische, Ionische en Korinthische bouworden
Object type: print
Date: 1583 – 1583
Materials: paper
Techniques: etching
Location: antwerp
Subjects: garden, french or architectonic garden; formal garden, labyrinth, maze ~ garden

Op de voorgrond staat een hoge boom in het midden van een rechthoekige parterre, omgeven door een balustrade. In het midden staat een boom. Links loopt een vrouw met een mand. De tuin is aangelegd volgens de Korinthische bouworde.
Almanak van het Amsterdamsch studenten-corps voor het jaar 1882
Object type: book
Date: 1882 – 1882
Materials: paper, cardboard, linen
Techniques: albumen print, engraving, letterpress printing
Location: amsterdam
Artist: d.g. van bommel
Artist role: boekbinder
Inscriptions: number: ‘2224’, company name: ‘D.G. van Bommel/ Boekbinder/ Amsterdam’, inscription: ‘gekocht dec 1964 f3,75/ bij Kok Amsterdam’
Pieter Schout on Horseback
Object type: painting
Date: 1660 – 1660
Materials: copper, oil
Artist: theodorus de keyser
Artist role: draughtsman, painter
Artist dates: 1596 – 1667
Subjects: equestrian state-portrait, riding a horse, ass, or mule; rider, horseman, historical persons
Inscriptions: signature and date, on the saddle, in ligated monogram: ‘TDK.1660’

Equestrian portraits were traditionally the reserve of princes. Accordingly, in the Netherlands very few equestrian portraits were made, except for the court. Only a handful of burghers had themselves immortalized on horseback. Pieter Schout was one such citizen who assumed a princely air. He was bailiff – administrative officer – of Hagestein on the River Lek.
Shawl
Object type: shawl
Date: 1810 – 1820
Materials: wool
Location: india
Sugar bowl (part of a tea set)
Object type: sugar bowl
Date: 1805 – 1805
Materials: hard paste porcelain
Subjects: buildings,landscapes,trees
Zeehaven met vissers en vishandelaren
Object type: print
Date: 1580 – 1629
Materials: paper
Techniques: engraving
Location: unknown
Subjects: harbour, sailing-ship, sailing-boat, sea and coastal fishery, merchant, salesman
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Haven met vissersboten. Op de voorgrond vissers, handelaren en bedelaars.
Sampler
Object type: sampler
Date: 1861 – 1861
Materials: cotton, linen
Metalen buste van de heilige Pantalus van Basel
Object type: page
Date: 1857 – 1862
Materials: photographic support
Techniques: salted paper print
Artist: jakob höflinger
Artist role: fotograaf
Artist dates: 1819 – 1892
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ metals ~ arts), saints
Gezicht op de Derrycunihy Waterfall bij Killarney
Object type: stereograph
Date: 1858 – 1859
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: waterfall
Inscriptions: name: ‘London Stereoscopic Company 54 Cheapside’, inscription, number: ‘L 20.’
Portrait of a Gentleman
Object type: painting, miniature
Date: 1835 – 1835
Materials: ivory, watercolor
Culture: american
Artist: thomas seir cummings
Artist role: artist
Artist nationality: american, born england
Artist dates: 1804 – 1894
Subjects: men,portraits
Terracotta jug with horse's head in relief
Object type: jug
Date: 480 – 350
Materials: terracotta
Culture: cypriot
Subjects: horses

Jug with horse's head, horizontal bands, and concentric circles.
Portret van Adriaan Braak
Object type: print
Date: 1785 – 1796
Materials: paper
Techniques: aquatint, etching
Location: paris
Artist: edme quenedey
Artist role: print maker
Artist dates: 1756 – 1830
Subjects: silhouette-apparatus, 'physionotrace', historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret is op het opzetvel een reproductie van de handtekening van de afgebeelde persoon geplakt. Physionotrace portret.
The day after the battle, from 'News of the day,' published in Le Charivari, May 25, 1869
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: corpses,men,death
Malta. Porte des Bombes
Object type: photomechanical print
Date: 1890 – 1903
Materials: cardboard
Techniques: photograph, writing
Location: milan
Subjects: city-gate
Inscriptions: poststempel, verso, gestempeld
Embroidered Case
Object type: case
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: flowers
Decorated Initial "I" with Leaves from a Choir Book
Object type: drawing and watercolor
Date: 1301 – 1400
Materials: gold leaf, paint, parchment
Techniques: cutting
Culture: european
Location: europe
Vrouw die een emmer leegt
Object type: print
Date: 1834 – 1875
Materials: paper
Techniques: woodcut
Subjects: wooden container: barrel, cask, bucket
Fragment (Dress Fabric)
Object type: textile
Date: 1501 – 1700
Materials: textile, velvet
Techniques: cutting, voiding
Location: italy
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1928 – 1928
Materials: cardboard, ink
Techniques: pen, writing
Location: toulon
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: painter, philip zilcken, toulon
Inscriptions: collector's mark: ‘RPK’
Dolman
Object type: dolman
Date: 1860 – 1870
Materials: silk, wool
Culture: american
Polishing Stone
Object type: polishing stone
Date: 1479 – 1458
Materials: stone
Location: egypt
Shoki Banner
Object type: print
Date: 1864 – 1864
Techniques: woodblock print, surimono
Location: japan
Artist: matsukawa hanzan
Artist role: artist
Artist nationality: japanese
Artist dates: 1820 – 1882

In this print, a portrait of the demon slayer Shoki appears on a fluttering banner. Raising a sword in his right hand, he wards off attackers with his outstretched left hand. Banners featuring Shoki traditionally appeared at the Boys’ Day festival, partly to celebrate the boys in a family and partly to guard against disease. Both Shoki and the color red were believed to be effective barriers against common and often deadly diseases like smallpox.

In addition to illustrating many books, Hanzan also created surimono prints for poetry groups active in the Osaka and Kyoto areas. He signed this work with the term oju, indicating that it was made in return for a friendly request, perhaps from Kiitsu, the leader of this poetry gathering.
Armstoel in het Rijksmuseum te Amsterdam
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: chair
Inscriptions: number: ‘XLV kat 173a 112’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’

Zie voor het originele object BK-KOG-601 of BK-KOG-602.
Portret van Dr. Abraham Kuyper
Object type: photograph
Date: 1880 – 1920
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: the hague, abraham kuyper, historical persons
New Year's Games, from the printed book Flowers of the Four Seasons (Shiki no hana)
Object type: woodblock print
Date: 1801 – 1801
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: women,playing
Leisure Time in an Elegant Setting
Object type: painting
Date: 1663 – 1665
Materials: canvas, oil
Artist: pieter de hooch
Artist role: artist
Artist nationality: dutch
Artist dates: 1629 – 1684
Subjects: interiors,girls,men,women,smoking,dogs

Like his contemporary Johannes Vermeer, Pieter de Hooch played a pioneering role in the advancement of genre painting in seventeenth century Holland. He was especially gifted as a painter of interiors--complex spatial arrangements stunningly beautiful in the manipulation of light. The Lehman picture is richly decorated with a marble floor and gilt-leather wall coverings, articulated by diffuse light from the window at left. The merry dialogue in the near ground is foiled by the mysterious encounter of a young man and elderly bearded figure in the antechamber and vestibule. De Hooch achieves extraordinary clarity and geometry in this grandly furnished chamber, qualities evocative of paintings he made in Amsterdam in the 1660s.
Meisje uit Edam, van voren
Object type: print
Date: 1620 – 1624
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: folk costume, regional costume

Staande jonge vrouw uit Edam, van voren gezien. Nr. 5 in een serie van acht jonge vrouwen in Noord-Hollandse klederdrachten. Met onderschrift van twee regels in het Latijn.
Candlestick
Object type: candlestick
Date: 1750 – 1770
Materials: brass
Location: england
Jug
Object type: jug
Date: 1852 – 1858
Materials: porcelain
Culture: american
Location: united states
Artist: united states pottery company
Artist role: maker
Artist nationality: american
Artist dates: 1852 – 1852
Incense Burner in the Form of a Duck
Object type: vessel
Materials: porcelain
Techniques: carving, molding, underglaze
Location: china
Subjects: ducks, plants, plant-derived motif, animals, lotus

In its subtle elegance, this incense burner reflects the refined sensibility of Song dynasty China’s cultural elite—members of the imperial court as well as newly affluent and well-educated classes of merchants and government officials. The basin of this incense burner, elevated on a lobed foot, contains an artichokelike lotus that opens into two tiers of small, pointed petals and supports a delicately carved waterfowl. Fragrant smoke would have wafted gently from the bird’s mouth and from two holes perforated between its feet. As Song poets and painters praised incense for its efficacy in dissipating gloom and stimulating artistic creativity, connoisseurs treasured its accoutrements as luxurious domestic furnishings. Pieces displaying the extraordinary quality of this incense burner are attributed to the kilns at Jingdezhen in southeastern Jiangxi province, which later became China’s preeminent center for ceramic production.
Gietmal uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: flask
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tools and instruments, lead casting, mould; countermould of mould NG-1979-168-H-2785, on the reverse handle fitting id. NG-1979-192-H-3074.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Exterior, tip of spear to right, rim of round shield; tip of spear to left; part of an inscription, NO
Goudgalon voor broek van J.R. Thorbecke
Object type: goudgalon
Date: 1850 – 1850
Materials: textile
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan rudolf thorbecke

J.R. Thorbecke's official uniform as minister of Home Affairs, c. 1850. After the French occupation new official dress was introduced for government and court functionaries. These uniforms were for special occasions. The higher the rank, the more ornate and ample the decoration, all precisely according to the regulations. The wearer footed the bill. In 1825 King William I introduced official dress for ministers. Thorbecke had these garments made, with tricorne and sword, around 1850, during his first ministry.
U.S. Weather Bureau and Naval Observatory
Object type: photomechanical print
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: chicago
Artist: Anonymous
Subjects: world fair, world exhibition, rowing-boat, canoe, etc.
Panel
Object type: textile
Materials: linen, wool
Techniques: weave
Culture: coptic
Location: egypt
Portret van een staande man met hoed in de hand en een zittende vrouw
Object type: album leaf
Date: 1869 – 1884
Materials: cardboard, photographic support
Techniques: albumen print
Location: deventer
Artist: g.c. hubers
Artist role: fotograaf
Artist dates: 1814 – 1884
Subjects: historical persons - bb - woman, historical persons, head-gear: hat
Inscriptions: inscription: ‘Photographie/ INSTANTANÉ/ Firma/ G.C. Hubers/ Korte/ Zandstraat/ DEVENTER/ Buiten de Noordenberg.’
Brief aan Philip Zilcken
Object type: letter
Date: 1879 – 1930
Materials: ink, paper
Techniques: pen, writing
Artist: lugné-poe
Artist role: acteur, theaterdirecteur, theatervormgever
Artist dates: 1869 – 1940
Subjects: painter, draughtsman, philip zilcken, the hague
Inscriptions: collector's mark: ‘RPK’
Bacchus
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: (story of) bacchus (dionysus), liber
Inscriptions: collector's mark: Lugt 2228

Bacchus heft zijn drinknap. Hij draagt een kroon van druiven en wingerdbladeren op zijn hoofd en een geitenhuid om zijn schouders. Achter hem een druiven etende sater. De bovenhoeken van de lijst zijn versierd met de hoofden van saters, de onderhoeken met drinkglazen.
New Künstlichs Modelbuch (Page 10 recto)
Object type: book print ornament architecture
Date: 1600 – 1600
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597
Subjects: human figures

Published by Bernhard Jobin, Strassburg (?). Illustrated title page, poem (2 pages), and 45 pages of designs.
Arnaud. Eugène. 47 ans, né à Villeveyrac (Hérault). Ferblantier. Anarchiste. 20/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Il Salvatore co'dodici Apostoli
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: etching
Location: rome
Subjects: adult christ together with apostles, evangelists, saints, etc., the twelve apostles (as a group), usually with books or scrolls (not in biblical context)
Inscriptions: date
Satirische voorstelling van apen als tandarts, assistent en patiënt
Object type: print
Date: 1875 – 1913
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: pierre peeters
Artist role: print maker
Subjects: monkeys, apes, (barber as) dentist
Inscriptions: annotation: ‘2em état/ [signatuur]/ epreuve unique du second etat AD [?]’

Geboorte- en sterfdatum van de prentmaker zijn onbekend. Daarom is voor de bepaling van de rechten van dit object gebruik gemaakt van de verwervingsdatum Rijksmuseum Amsterdam.
Schotel met de roeping van Petrus en Andreas
Object type: platter
Date: 1750 – 1770
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: inscription: ‘Matth 4 v 18’, seal: ‘130’

Schotel van faïence. In blauw op het plat de voorstelling van Mattheus 14 vers 18. Daar omheen een veelkleurige bloemenrand met putti en landschapjes in blauw.
Goudsche Kerkglazen
Object type: photomechanical print
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph
Location: gouda
Subjects: church-window, e.g. rose-window, annunciation of the birth of john the baptist to zacharias: while he is offering incense in the temple an angel (gabriel) appears to him, gouda
The First Fashion Magazine
Object type: fashion print
Date: 1789 – 1789
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (caraco) (+ women's clothes), buckle, coat (+ men's clothes), fashion plates, hacking and thrusting weapons: sword, skirt (+ women's clothes), neck-gear: collar (+ lace used for clothes), book - mm - book open, (military) uniforms, trousers, breeches, etc. (breeches) (+ men's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes), head-gear: bicorne, bicorn (+ men's clothes)

The Cabinet des Modes ou les Modes Nouvelles first appeared on 15 November 1785. As the first real fashion magazine, it was published on a regular basis and wholly dedicated to news from the world of fashion. It was available by subscription only and distributed both in France and abroad. Each eight-page edition contained three hand-coloured engravings. After a year in print, the magazine changed its name to Magasin des Modes Nouvelles Françaises et Anglaises. Instead of three loose sheets, it now included a single fold-out plate depicting clothes and accessories. Publication of the Magasin ceased abruptly in 1789; after this, it was most likely succeeded by the Journal de la Mode et du Goût.
Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39)
Object type: print
Techniques: aquatint, etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: crypts,cows

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. This is one of the few instances where he also developed the layers of tone, using aquatint and mezzotint to describe the gloomy crypt of a ruined Norman (Romanesque) abbey in Yorkshire. Light streams from the left to reveal cattle resting around a pillar beneath round-arched vaults, with a pool of water at right. Trees are glimpsed through an open doorframe, and the "A" above the image indicates Turner's category of Architectural landscape.
Jacobus Stuart (1566-1625), de latere koning Jacobus I van Engeland, op ongeveer tienjarige leeftijd
Object type: painting, miniature
Date: 1600 – 1699
Materials: glass, parchment, silver
Location: england
Artist: Anonymous
Subjects: jacobus i (koning van engeland)

Portret van Jacobus Stuart (1566-1625), de latere koning Jacobus I van Engeland, op ongeveer tienjarige leeftijd. Buste, aanziend, met gepluimde baret. Latere kopie voor een reeks vorstenportretten. Onderdeel van de collectie portretminiaturen.
Mlle Mourawieff et Mérante
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Pianokwartet
Object type: print
Date: 1893 – 1921
Materials: paper
Techniques: tone lithography
Artist: harrie kuyten
Artist role: print maker
Artist dates: 1883 – 1952
Subjects: small group of musicians, chamber orchestra, jazz band, grand piano, violin, fiddle, viola, violoncello; double bass
Inscriptions: collector's mark: Lugt 2233

Een pianokwartet met een contrabas, cello en viool. Deze prent maakt deel uit van een omslag met zes prenten.
Aryballos
Object type: aryballos
Date: 600 – 501
Materials: terracotta
Culture: etruria or italic
Portret van een man en vrouw, zittend in een decor
Object type: carte de visite
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons, head-gear: hat
Incense Burner
Object type: incense burner
Date: 1101 – 1200
Materials: bronze
Techniques: engraving
Location: iran
Portret van een jonge vrouw
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: bad ems
Artist: julius goebel
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘(...)/ Julius Goebel/ Photograph/ Bad Ems/ Haus Vichy’
Gezicht op de Academie van Wetenschappen te Moskou
Object type: photomechanical print
Date: 1957 – 1957
Materials: cardboard
Techniques: rotogravure
Location: moscow
Subjects: university building, college, ornamental fountain
Inscriptions: date

De titel op object staat in het Russisch.
De Vlaamse Brillenkramer, 1702
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: letterpress printing
Location: low countries
Artist: Anonymous
Subjects: court jester, court fool, pedlar

Blad met op een zijde een beschrijving in twee kolommen van de Franse nederlaag in de slag bij Luzarra, 15 augustus 1702. Op de andere zijde een spotprent van een oude dwaze (joodse?) kramer met een narrenkap, een tas met narren, een mand met narren in de hand en een staf waarop een nar zit. Bij de staf een bril. Vliegen zwermen om het hoofd van de kramer.
Decius Mus bij de uitlegging van de haruspices
Object type: print
Date: 1710 – 1740
Materials: paper
Techniques: engraving, etching
Location: vienna state
Subjects: armorial bearing, heraldry, (story of) decius mus
Inscriptions: collector's mark: Lugt 240
Piece
Object type: piece
Date: 1701 – 1800
Materials: metal thread, silk
Culture: japanese
Landschap met brug
Object type: sketchbook leaf
Date: 1823 – 1894
Materials: paper, pencil
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: bridge

Pagina 7 recto uit een schetsboek met 37 bladen.
Incense Burner
Object type: incense burner
Materials: glaze, porcelain
Culture: chinese
Stuiver voor Nederlands Indië uit Java,1810
Object type: coin
Date: 1810 – 1810
Materials: copper
Techniques: striking
Location: surabaya
Artist: louis napoleon (king of holland)
Artist role: koning
Artist dates: 1778 – 1846

Koperen munt. Voorzijde: tussen waarde/aanduiding I St ineen gestrengelde initialen L en N van Lodewijk Napoleon. Daarboven muntteken. Keerzijde: eenregelig opschrift, waaronder jaartal. Boven opschrift muntteken en onder jaartal muntmeesterteken Z [=muntmeester Zwekkert].
Stoet dames en heren op een bospad
Object type: print
Date: 1750 – 1751
Materials: paper
Techniques: etching
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist dates: 1725 – 1809
Subjects: forest path or lane (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Portret van een zwangere vrouw voor geschilderd decor
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: adult woman, anonymous historical person portrayed
Adam with a Lion
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: lions,adam

Adam, standing before a crouching lion, looks to the right and holds up the fruit in his right hand.