deem-data/ArtiFact huggingface dataset:
Turned cup and cover with inserts and original case
Object type: cup
Date: 1620 – 1650
Materials: wood
Techniques: carving, stain
Artist: unidentified
Artist role: maker

Made with a technologically advanced lathe, this turned goblet, with a large set of inserted cups and its custom case, would have been at home in a courtly Kunstkammer, or art cabinet, of the Northern Renaissance. Collectors not only valued works of art like this cup for their beauty, but also for the artistic and technological advancement required for their production. Scientific and artisanal knowledge was equated with the practical wisdom, self-mastery, and moral virtue required of a successful leader. A lathe (and an artisan) able to produce such precise ornamentation would have been rare, and this cup may have been made either by the master turners in the Alpine town of Berchtesgarden or the workshop of the Danish King Christian IV.
Portal from the Church of San Leonardo al Frigido
Object type: portal
Date: 1175 – 1175
Materials: marble
Culture: italian
Location: italy
Artist: biduinus
Artist role: artist
Artist nationality: italian
Artist dates: 1175 – 1200
Subjects: donkeys,lions,apostles,jesus,annunciation,visitation

This door marked the main entrance of a small church dedicated to Saint Leonard that is located on the Frigido River. Apparently, an Antique sarcophagus was reused for the supporting jambs on the sides of the door and was carved to show scenes of the Annunciation and the Visitation on the left and a large figure of Saint Leonard of Noblat, patron saint of prisoners, on the right. On the lintel above is Jesus’ Entry into Jerusalem, a scene particularly appropriate for the location of the church, on a main road that pilgrims followed through Italy en route to the Holy Land. While the style of the scene recalls Early Christian tomb reliefs, the same subject was famously carved over the door of the church of the Holy Sepulcher in Jerusalem in the Crusader era. The doorway was created in the workshop of Biduinus, a sculptor whose name is known from his signature on several monuments preserved in the Pisa-Lucca area.
Twee figuren, waarvan één een hand naar de ander uitsteekt
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: leading someone by the hand or wrist - aa - both arms or hands, anatomy (non-medical)

Blad 19 recto uit een schetsboek met 68 bladen.
Blad met twee portretten van Justinus Andreas Christian Kerner en afbeeldingen van landschappen en stadsgezichten
Object type: sheet
Date: 1850 – 1900
Materials: paper
Techniques: letterpress printing, snipping, engraving
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: number: ‘3.’

Met facsimile handtekening van de geportretteerde.
Gefacetteerde steel van een fluitglas uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: drinking glass
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Glass, stem glass, steel, faceted; fragment, solid, inverted baluster, octagonal faceted, with flattened knops on both ends, broken, solid.
Familiewapen met roos
Object type: drawing
Date: 1770 – 1808
Materials: ink, paper, pencil
Techniques: brush
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: armorial bearing, heraldry

Medaillon met een familiewapen met een roos groeiend vanuit een hart.
Sheet with overall dot, floral, and vine pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Mannen en vrouwen op straat
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: volendam
Artist: george hidderley
Artist role: fotograaf
Subjects: adult woman, adult man, historical persons, street
Two Beauties
Object type: hanging scroll
Date: 1801 – 1804
Materials: ink, silk
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: women

Utamaro, the well-known ukiyo-e painter and printmaker, was a disciple of the Kano artist Toriyama Sekien (1712–1788). In this work, a well-dressed girl from a wealthy merchant family is contrasted with a seated woman wearing a simple cotton kimono that is open at the breast. In the Chinese-style couplet inscribed at the upper left by Ubu Kanjin, two butterflies stand in for the two beauties: It is strange how a pair of butterflies Come fluttering towards me, fly away, then return. Perhaps they wish to enter through my gauze window. It is as if a spring breeze is forcing open the window And filling the room with the spirit of spring.
Tonsure of Mahavira: Folio from a Kalpasutra Manuscript
Object type: manuscript
Date: 1461 – 1461
Materials: gold, ink, paper, watercolor
Culture: indian
Subjects: men
Ontwerp voor een penning (?) van gips met een paard
Object type: design
Date: 1876 – 1947
Materials: gypsum
Location: netherlands
Artist: lambertus zijl
Artist role: designer, draughtsman
Artist dates: 1866 – 1947

Ontwerp voor een penning (?) van gips met een paard.
Bowl
Object type: bowl
Date: 1701 – 1800
Materials: stonepaste
Techniques: glazing
Location: iran
Subjects: birds
Prognosticatie van het einde van de wereld, ca.1663
Object type: print
Date: 1644 – 1645
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: story of noah, comet, dice, heraclitus, the weeping philosopher, and democritus, the laughing philosopher

Allegorisch blad met de prognosticatie van het einde van de wereld, ca. 1663. Bovenaan een voorstelling waarin links de wereldlijke en geestelijke vorsten dobbelen over het lot van de burger en boer. Rechts het burgerlijk leven en de wereld op stelten. Op de achtergrond oorlogen ter land en ter zee, in de hemel de acht goden van de planeten en de komeet van 1628. Centraal de filosofen Democritus en Heraclites bij een wereldbol onder een narrenkap. Hieronder een blad vastgeplakt met aan weerszijden in pilasters en onderaan kleine voorstellingen gemerkt A-Y uit het verhaal van Noach en de Zondvloed en hemelverschijnselen uit de afgelopen jaren 1660-1663; in het midden de verklarende teksten.
Holy Family
Object type: photomechanical print
Date: 1904 – 1940
Materials: cardboard
Techniques: photograph
Location: new york city
Subjects: madonna: mary sitting or enthroned, the christ-child in her lap (or in front of her bosom) (mary sometimes represented half-length), holy family, and derived representations
Brief aan Cornelis Gerardus 't Hooft
Object type: letter
Date: 1909 – 1909
Materials: ink
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: dordrecht, amsterdam, painter, draughtsman, cornelis gerardus 't hooft, artist's model, sitter, drawing, historical persons (portraits and scenes from the life), money
Inscriptions: collector's mark: ‘RPK’, watermark
Do Not this Votive Offering Spurn (valentine)
Object type: print
Date: 1850 – 1859
Materials: paint, paper, silver
Techniques: embossing, hand coloring, lithograph
Location: united states
Artist: Anonymous
Artist nationality: american or english
Artist dates: 1800 – 1899
Ploegende boeren bij een vestingstad
Object type: album leaf
Date: 1490 – 1537
Materials: paper
Techniques: letterpress printing
Subjects: fortified city, ploughing
Tea chest with crest of Alexander Hamilton
Object type: tea chest
Date: 1767 – 1800
Materials: gold, lacquer
Techniques: painting
Culture: chinese
Subjects: leaves,chests
Twaalf landschappen
Object type: print
Date: 1640 – 1670
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscape with ruins, monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2228

Glooiend landschap met een vervallen muur en een poort in een boog. Op de voorgrond vier monniken en een landweg met een wandelaar. De prent maakt deel uit van een serie van twaalf landschappen.
Kinderscenen
Object type: reproduction
Date: 1875 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: child, open window, doves, pigeons
Beroemde mannen aan de universiteit van Leiden
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: jacobus trigland (i), theologian, historical persons, portrait of a writer
Inscriptions: number: ‘44’, inscription: ‘KB’
S. Iacobvs Maior
Object type: print
Date: 1570 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword - martyrdom, suffering, misfortune, death of male saint, the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De apostel Jakobus de Meerdere in een ovaal medaillon. Hij houdt een pelgrimsstaf vast. Op de achtergrond zijn marteldood door onthoofding.
Gezicht op Place Turenne te Sedan
Object type: photomechanical print
Date: 1880 – 1910
Materials: cardboard, paper
Techniques: photograph
Location: sedan
Artist: e. genin
Artist role: fotograaf
Subjects: square, place, circus, etc., anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘La place Turenne est l'une des pricipales de la ville de Sedan (...)’
Alabaster flask with stopper
Object type: flask with stopper
Date: 200 – 68
Culture: cypriot

In the Hellenistic period stone and glass vessels shared many of the same shapes and uses. Some cast glass alabastra, for example, have stoppers that are similar to this alabaster flask. Glass, however, gradually came to supplant the use of stone for such perfume bottles during the first century B.C.
Crozier
Object type: decorative art
Date: 1301 – 1400
Materials: gilt bronze, ivory
Techniques: gilding, polychromy
Culture: italian
Location: italy
Kasteel de Haar. Kamer v/d baronnes
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1930
Materials: paper
Techniques: collodion silver print
Location: haarzuilens
Artist: Anonymous
Subjects: castle, interior of the house, bed
Inscriptions: monogram: ‘M.R.A. U.’, monogram: ‘EBvA’
Porpoise, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fish,ships

Trade cards from the "Fish from American Waters" series (N39), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Strijdende soldaten
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: division of armed forces (+ during the battle), division of armed forces (+ infantry), four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: workshop stamp: Lugt 291d

Links wagens. Blad 29 recto uit een schetsboek met 25 bladen.
Stapel boomstammen op een veld
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: trees (+ branch, stick)

Blad 25 verso uit een schetsboek met 34 bladen.
Staande koe
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: etching
Artist: eugène verboeckhoven
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1798 – 1881
Subjects: cow
The Right Hand of God Protecting the Faithful against the Demons
Object type: leaf from manuscript, illumination
Date: 1452 – 1460
Materials: gold leaf, parchment, paint
Artist: jean fouquet
Artist role: artist
Artist nationality: french
Artist dates: 1425 – 1478
Subjects: cities,men,demons

The "Hours of Étienne Chevalier" is one of the most famous and lavishly illuminated manuscripts of the fifteenth century. It was painted for the treasurer of France by Jean Fouquet, court artist to kings Charles VII and Louis XI, who worked not only as a miniaturist but also as a panel painter. The Lehman miniature decorates the page that contains the opening words of the evening prayer (vespers) for the Hours of the Holy Spirit. It shows the faithful standing in the foreground on a terrace, looking up at the hand of God, as demons flee to the left and right. The subject is highly unusual, as is the topographically accurate depiction of medieval Paris, in which the cathedral of Notre Dame, the spire of Saint-Chapelle, the Pont Saint-Michel, and other monuments of the Île de la Cité (including the Hôtel de Nesle, where the figures stand) are immediately recognizable.
Farm at Twisk
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: autotype
Location: twisk
Artist: george christopher davies
Artist role: fotograaf, geoloog
Artist dates: 1849 – 1922
Subjects: farm (building)
Portret van een onbekende vrouw in Elzasser klederdracht
Object type: print
Date: 1841 – 1910
Materials: paper
Techniques: etching
Artist: léopold flameng
Artist role: print maker
Artist dates: 1831 – 1911
Subjects: anonymous historical person portrayed alone - bb - woman, folk costume, regional costume
Inscriptions: annotation: ‘L'Alsace Lorraine / ep. d'artiste’
Ornament
Object type: sketchbook leaf
Date: 1890 – 1922
Materials: ink, paper
Techniques: pen
Artist: johanna van de kamer
Artist dates: 1873 – 1922
Subjects: ornaments ~ art

Blad 20 verso uit een schetsboek met 49 bladen.
Portret van David Teniers (II)
Object type: print
Date: 1651 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, brussels, painter, print maker, draughtsman, david teniers (ii)
Inscriptions: collector's mark: Lugt 2228

Portret van de schilder en prentmaker David Teniers (II).
Design for a ceiling with trompe l'oeil balustrade and sky
Object type: drawing ornament architecture
Date: 1869 – 1869
Materials: graphite, ink, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: architecture,sky
Edging
Object type: edging
Date: 1701 – 1733
Materials: lace
Techniques: lace
Subjects: flowers
Sculptuur van een zittende figuur
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: sitting figure, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘PL. XV’, inscription: ‘Imprimeries réunies_Editeurs. Imp. Eudes, à Paris_3.’

Deze prent maakt deel uit van een omslag met twintig prenten op zeventien bladen en vijftien tekstbladen.
Een haantje met een bok, een vogeltje daarneven, Hoe gy ze ook gebruikt, dat is my on het even
Object type: print
Date: 1551 – 1555
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: animals, birds, he-goat, billy-goat, fowl (cock, hen, chicken, etc.)

Voor het drukken van deze prent is gebruik gemaakt van bestaande houtblokken die in de zestiende eeuw gebruikt werden voor de befaamde natuurhistorische boeken van de Zwitser Conrad Gessner. Minstens een deel van de houtblokken voor de illustraties van Gessners werk bevond zich in de achttiende en vroege negentiende eeuw in Nederland. Daar werden ze benut voor het drukken van cents- of volksprenten. Opvallend is dat de dieren in de tekstjes die onder de afbeeldingen werden toegevoegd vaak anders zijn geduid dan bij Gessner.

De bok komt voor in verschillende publicaties van Gessner, alsmede herdrukken daarvan, zoals het eerste deel van Historiae animalium (eerste uitgave 1551), Icones animalium quadrupedum (eerste uitgave 1553) en Thierbuch (eerste uitgave 1563).

De vogel en haan komen voor in het derde deel van Gessners Historiae animalium (eerste uitgave 1555), zijn Icones avium (eerste uitgave 1555) en Vogelbuch (eerste uitgave 1557).
Dr. Ferdinand Hebra
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: eyeglasses, spectacles, moustache, adult man, historical persons
Inscriptions: check stamp: ‘Kunsthandlung L.T. Neumann in Wien’, collector's mark: Lugt 2228
Kruidenier
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers
Inscriptions: inscription: ‘Soengeiliat’

Kruidenier te Soengeiliat op Banka. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
Overlijden van Hertog Frederick van York 1827
Object type: history medal
Date: 1827 – 1827
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het borstbeeld van Frederick naar links met omschrift, op de keerzijde een grafurn met op- en omschrift.
Straatgezicht in Barrême
Object type: photograph
Date: 1903 – 1903
Materials: paper, photographic support
Techniques: gelatin silver print
Location: barrême
Artist: delizy
Artist role: manufacturer
Subjects: prospect of village, silhouette of village, square, place, circus, etc. (+ city(-scape) with figures, staffage)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Arcus pub. ad pontem viteum
Object type: print
Date: 1549 – 1550
Materials: paper
Techniques: woodcut
Artist: pieter coecke van aelst (i)
Artist role: draughtsman, print maker
Artist dates: 1502 – 1550
Subjects: philip ii of spain, 'tableau vivant', triumphal arch, antwerp

Illustratie in: Spectaculorum in susceptione Philippi Hisp. Prin. Divi Caroli. V. Caes. F. ann 1549 Antverpiae aeditorum, mirificus apparatus. Tekst van Cornelius Grapheus, opgedragen aan Filips II, uitgegeven met keizerlijke privilege door Pieter Coecke van Aelst, gedrukt door Gillis van Diest. Boek in de bibliotheek met signatuur: 325 B 13.
Caire Mosquee Arboughak [?]
Object type: photograph
Date: 1870 – 1910
Materials: paper
Techniques: albumen print
Location: cairo
Subjects: necropolis
Inscriptions: number: ‘No 345’
La Pratique de l'Aiguille, page 71 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: ornament

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design composed of 2 friezes of lace patterns that are printed upon a solid black background. Both friezes are decorated with patterns characterized by a series of linear and geometric motifs.
Cup and Cupstand
Object type: vessel
Materials: bronze, glaze, stoneware
Techniques: glazing
Location: china
Aeneas draagt zijn vader Anchises uit het brandende Troje
Object type: album leaf
Date: 1642 – 1653
Materials: chalk, paper
Techniques: pasting
Subjects: (story of) aeneas, (story of) anchises, the fall of troy; troy burning
Inscriptions: number: ‘55’, inscription: ‘Adam Eishemer.’

Het originele schilderij bevindt zich in de collectie van de Alte Pinakothek in München.
Ram with lotus-shaped manger
Object type: vessel, ram with lotus bowl
Materials: faience
Location: fayum
Subjects: rams,lotuses

This charming ram, with its almost prehensile muzzle, feeds from a lotus-form trough. The traditional Egyptian gods Amun or Khnum were identified with curly-horned rams, but by this time several other divinities were as well. In terracotta statuettes and on coins Harpokrates can be seen riding a ram or sitting upon a lotus flower, the latter symbolic of rebirth. Perhaps this faience composition alludes to Harpokrates, who was an immensely popular god of fecundity and rebirth during the Roman era. With the masks 26.7.1020-.1021, the ram is said to have been part of a find of numerous faience objects at Arsinoe, capital of the Fayum region.
Schouw met vazen
Object type: ornament print
Date: 1731 – 1775
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: vase ~ ornament, open hearth, fire-place

Schouw met rocaille ornamenten en twee vazen. Uitgeversnummer 164.
Celebration of the Fish on the Departure of the Ship's Boy (The Fish)
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Location: france
Artist: charles françois daubigny
Artist nationality: french
Artist dates: 1817 – 1878
The World of Fashion, 1836
Object type: fashion print
Date: 1836 – 1836
Materials: paper
Techniques: etching, hand coloring
Artist: Anonymous
Subjects: handkerchief (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), coat (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), neck-gear ~ clothing (+ women's clothes)

De laatste en nieuwste modes uit 1836. Japon met lange geplooide mouwen. Mantel met bloem-en bladmotief. Wijd uitlopende mouwen. Bijpassende schoudermantel(?) met slippen, uitlopend in kwasten. Japon met kleine schoudermantel, afgezet met geplooide strook stof. Slippen naar achteren gedrapeerd. Accessoires: luifelhoed met veren, muts met lint, handschoenen, zakdoek, schoenen met vierkante neuzen. Prent uit het modetijdschrift The World of Fashion (1824-1891).
Spotprent op het Statistisch Congres, 1869
Object type: cartoon
Date: 1869 – 1869
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: algebra and statistics

Spotprent op het Statistisch Congres. Een statisticus maakt een tabel ter voorbereiding op het congres. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 35, 1869.
Miss Wade, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Traeth Mawr in the Road to Caernarvan from Fistiniog, plate six from Twelve Views in Wales
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: aquatint
Location: england
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist nationality: british
Artist dates: 1731 – 1809
Heilige familie
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 240

Het Christuskind, op de schoot van Maria, wijst naar een bloem die Jozef hem toont. Onder de voorstelling een onderschrift in Latijn.
Gezicht op Lyon
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta', lyon

Deze prent maakt deel uit van een album.
Decorated Initial "Q" with Three Balls and Six Leaves from a Choir Book
Object type: drawing and watercolor
Date: 1301 – 1400
Materials: gold leaf, paint, parchment
Techniques: cutting
Culture: european
Location: europe