deem-data/ArtiFact huggingface dataset:
Madame Dudevant, genannt George Sand
Object type: print
Date: 1829 – 1839
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: paris, george sand, adult woman, historical persons
Inscriptions: inscription: ‘Portr. 61475/ Dudevant. LB XXIV 445729’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

De schrijfster George Sand (1804-1876) in mannenkostuum. Buste naar rechts.
Portret van Giuseppe Garibaldi
Object type: print
Date: 1822 – 1899
Materials: paper
Techniques: etching
Artist: georg otto
Artist role: print maker
Subjects: historical persons, hacking and thrusting weapons: sword
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485, collector's mark: Lugt 2228
Le Magasin de Meubles / Meuble
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Een buffetkast. Prent uit 59e Livraison.
De generale tuin met de stadt Lochem, de Ese, en Alme in 't verschiet / Magnus hortus cum prospectu ad urbem Lochemium Esam et Almam
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: palace, french or architectonic garden; formal garden

Prent is uitgeven door Pieter Schenk (I) als onderdeel van de zestiendelige prentserie 'Praetorium Dieranum', ca. 1700.
Later is de prent ook gebruikt in: Schenk, Pieter (I). Paradisus Oculorum: sive conspectus degantissimi centum (...). Jacobus Romanus, ca. 1700.
Solomon's Idolatry
Object type: print
Date: 1514 – 1514
Materials: paper
Techniques: engraving
Location: netherlands
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533

King Solomon, famed for possessing “the wisdom of God,” kneels at the feet of an idol of Moloch, a pagan god represented as a nude man astride an orb, holding an animal skull. One of Solomon’s 700 wives and 300 concubines points to the statue, instructing Solomon to adore Moloch. By adorning the domineering woman with a feathered hat, Lucas van Leyden emphasized her foreignness and dangerously heretical beliefs. Despite Solomon’s wisdom, his female consort, possibly the Queen of Sheba, turns his heart away from God.
Portret van Marie-Thérèse-Étiennette Bourgoin
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: letterpress printing, printing block
Subjects: paris, historical persons - bb - woman, portrait of actor, actress

Prent uit: Gazette des beaux-arts, 1894.
Reliëf met Marcus Aurelius en de overwonnen barbaren
Object type: drawing
Date: 1677 – 1677
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: augustinus terwesten (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1649 – 1711
Subjects: piece of sculpture, reproduction of a piece of sculpture, triumph of marcus aurelius, the roman emperor
Hot milk jug
Object type: hot milk jug
Date: 1727 – 1728
Materials: silver
Artist: james ker
Artist role: maker
Artist dates: 1675 – 1775

Although politically united, England and Scotland had distinctive social customs, a fact reflected in their silver works. Scottish silver and gold design remained independent of London styles and fashions until the mid-eighteenth century. The completely spherical "bullet" teapot (see 64.141.88), along with matching milk jug and sugar bowl, was an especially Scottish, particularly Edinburgh preference. These three objects, made by three Edinburgh goldsmiths within a few years of each other, exemplify the broad demand for this shape. Characteristic also is the restrained narrow band of engraved ornament on all three pieces.
Bowl with Stylized Medallions
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting, underglaze
Location: china
Ornamental Panels
Object type: print
Materials: paper
Techniques: printing, woodcut
Location: switzerland
Artist: hans rudolf manuel deutsch
Artist nationality: swiss
Artist dates: 1525 – 1572
Interieur van de Wasserkirche te Zürich, 1673
Object type: book illustration
Date: 1848 – 1848
Materials: paper
Techniques: aquatint, etching
Location: zurich
Artist: franz hegi
Artist role: draughtsman, painter, print maker
Artist dates: 1774 – 1850
Subjects: public library, lectern ~ reading
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228

De kerk is opgedeeld in twee verdiepingen; deze prent toont de onderste verdieping die wordt gebruikt als bibliotheek. De wanden zijn bedekt met boekenkasten en in het midden staan zes lessenaars. Rechts plaatst een man op een trapje een boek terug in de kast.
Ontwerp voor een nieuw beursgebouw in Amsterdam: perspectiefgezicht van ontwerp 150
Object type: book illustration
Date: 1886 – 1886
Materials: paper
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: market-hall

Prent uit: Bouwkundig tijdschrift 6, deel 32 der bouwkundige bijdragen (1886), pl. 8.
Portret van Christian Weise
Object type: print
Date: 1690 – 1733
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: quill, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Winfield Scott, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: historical figures,men,generals

Trade cards from the "Great Generals" series (N15), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Portret van Andreas Hyperius
Object type: print
Date: 1600 – 1649
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Françoise-Louise de La Baume Le Blanc, hertogin van La Vallière
Object type: print
Date: 1667 – 1674
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, historical persons
Inscriptions: inscription: ‘ACM’, collector's mark: Lugt 2228, inscription: ‘Son plus beau portrait/ HdG. 374’, collector's mark: Lugt 2004, inscription: ‘P 88/ Man.-’
Á travers les rues
Object type: album leaf
Date: 1896 – 1896
Materials: paper
Techniques: photograph
Location: châteaudun
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, paris

Prenten op eenendertigste ongenummerde pagina.
Kneeling Figure
Object type: sculpture
Date: 1333 – 1001
Materials: mineral
Location: china
Subjects: figures (representations), chinese, sichuan

This starkly poignant figure, probably a male, kneels with his hands bound behind him with two rounds of thick rope. Parted down the middle, his hair resembles an open book; finely incised parallel lines suggest that it has been meticulously combed, and a long double braid hangs down his back. His facial features are defined by raised eyebrows, high cheekbones, a tight mouth that curves slightly downward, and large pierced ears that project perpendicularly from his head. Evoking fierceness and shock, the man stares blankly ahead—like a subdued victim anticipating a terrifying, painful punishment. Figures with proportions and features similar to this sculpture have recently been unearthed at sites in southwestern Sichuan Province that date to the second millennium BC. Whereas those images were carved from more roughly textured stones and sometimes preserve traces of pigment, this example’s smooth, blackish-green surface appears unique. Scientific analyses indicate that the sculpture was probably darkened by burning before burial and, upon rediscovery, was polished and saturated with wax.
Jeugd van Christus
Object type: album leaf
Date: 1589 – 1626
Materials: paper
Techniques: engraving, hand coloring
Location: leiden
Subjects: holy family, and derived representations, holy kinship, extended representations of 'anna selbdritt' (joseph and joachim, three husbands, three daughters with seven children)
Inscriptions: number: ‘7’

De Heilige Familie met de heilige Anna en andere vrouwen, mannen en kinderen in een huiskamer. Maria zit in het midden met het Christuskind op haar schoot. Anna aanbidt het Kind. Twee andere vrouwen met kleine kinderen zitten aan weerszijden van Maria. Jozef leunt links tegen een pilaar. Onder de voorstelling een tekst in het Latijn. Deze prent maakt deel uit van een album.
Titelpagina voor: Spelen van sinne waer inne alle oirboirlijcke ende eerlijcke handwercken ghepresen ende verhaelt worden tot grooter stichtinghe ende onderwijsinghe van eene yeghelijcken van wat staten hy is. Ghespeelt met octroy der Co. Ma. binnen de Stadt van Antwerpen op Thaech-spel naer Dlandt-Juweel, by die vier cameren van Rhetorijcke die hen daer ghepresenteert hebben den vierentwintichsten dach Augusti int Jaer ons Heeren 1561.
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: Anonymous
Subjects: antwerp, leiden, printer, publisher, willem silvius, device (trade-mark of printer or publisher)

Illustratie in het volgende werk in dezelfde band: Spelen van sinne waer inne alle oirboirlijcke ende eerlijcke handwercken ghepresen ende verhaelt worden tot grooter stichtinghe ende onderwijsinghe van eene yeghelijcken van wat staten hy is. Ghespeelt met octroy der Co. Ma. binnen de Stadt van Antwerpen op Thaech-spel naer Dlandt-Juweel, by die vier cameren van Rhetorijcke die hen daer ghepresenteert hebben den vierentwintichsten dach Augusti int Jaer ons Heeren 1561. Op de questie: Welck handtwerck, oirboirlijcste is van doene, en eerlijcste nochtans seer cleyn gheacht? Tot Antwerpen, by M. Willem Silvius, 1562, titelpagina. In het exemplaar in de Rijksmuseum Research Library, signatuur: 325 D 20.
Piece
Object type: piece
Date: 1700 – 1700
Materials: metal thread, silk
Culture: japanese
Subjects: flowers
The Amateur Photographer
Object type: print
Materials: paper
Techniques: letterpress, lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Valentine
Object type: valentine
Date: 1850 – 1879
Materials: graphite, ink, lace, paper
Techniques: chromolithography, cutting, embossing, open work
Artist: Anonymous
Artist role: artist
[Young Woman, Nude, Full Figure in Profile]
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: female nudes
Holland, oord op naam van Philips II, 1573
Object type: oord, oortje
Date: 1573 – 1573
Materials: copper
Techniques: striking
Location: dordrecht

Koperen munt. Voorzijde: gekroond wapenschild van Holland op stokkenkruis. In omschrift naam van Philips II en jaartal. Keerzijde: Hollandse maagd met opgestoken rechterarm, zittend in een tuin met gesloten omheining.
Gezicht op de Hippodroom van Domitianus
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: palatine hill
Artist: Anonymous
Subjects: ruin of a building ~ architecture
Inscriptions: number: ‘1129.’, collector's mark: ‘VOSMAER’
Portret van twee meisjes
Object type: photograph
Date: 1877 – 1897
Materials: cardboard, photographic support
Techniques: albumen print
Artist: lodewijk hendrikus serré
Artist role: fotograaf
Artist dates: 1847 – 1897
Subjects: historical persons, girl (child between toddler and youth)
Inscriptions: inscription: ‘L. H. Serré/ Photographe/ Utrecht, Nachtegaalstraat/ voor het park Tivoli, No 20 en 's Hage (...)’
Opstanding van de doden in een rolwerk omlijsting
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: scrollwork, strapwork ~ ornament, resurrection of the dead ~ last judgement
Inscriptions: number: ‘86’, collector's mark: Lugt 2228, collector's mark: Lugt 240

Prent gebruikt voor het gebedenboek: Solis, Virgil. Ein New Künstlich Betbüchlein. Neurenberg: Hieronymus Petri, 1568. Bij elke prent met een Bijbelse scène behoort een genummerde prent met een gebed in het Latijn en in het Duits. Het monogram VS is steeds verspreid over twee bij elkaar horende prenten.
Gezicht op Köln
Object type: drawing
Date: 1828 – 1828
Materials: ink, paper, pencil
Techniques: pen
Artist: jakob dietzler
Artist role: draughtsman
Artist dates: 1789 – 1855
Subjects: river (+ landscape with figures, staffage), prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage), cologne
Three dessert spoons
Object type: dessert spoon
Date: 1734 – 1766
Materials: silver gilt
Artist: john pittar
Artist role: maker
Artist dates: 1778 – 1778
Opdracht voor de prentreeks: Afbeeldingen van den Schouwburg te Amsterdam, 1774
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: print maker, jacob eduard de witte
Inscriptions: collector's mark: Lugt 2228

Opdracht aan de burgemeesters, oud-burgemeesters en raden van de stad Amsterdam van de prentreeks met veertien platen van de nieuwe Schouwburg te Amsterdam, 1774. Lijst van namen, bovenaan het stadswapen van Amsterdam.
Les forces de l'Europe, ou description des principales villes, avec leurs fortifications : dessignées par les meilleurs ingenieurs, particulierement celles (...) de la France, dont les plans ont esté levez par M. de Vauban
Object type: print
Date: 1695 – 1697
Materials: paper
Techniques: etching
Location: paris
Subjects: maps of cities

Plattegrond van de Franse havenstad Dieppe, gebombardeerd door de geallieerden in juli 1694. Onderdeel van het achtste deel (1697) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
An Accouchment
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: charles williams
Artist nationality: english
Artist dates: 1797 – 1830
Beaulieu. Henri, Félix, Camille. 23 ans, né le 30/11/70 à Paris Ve. Comptable. Anarchiste. 23/5/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Landschap met een plas voor een boompartij
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Artist: henri joseph harpignies
Artist role: draughtsman, print maker
Artist dates: 1819 – 1916
Subjects: landscapes, pond, pool
Inscriptions: date
De Zomer
Object type: print
Date: 1762 – 1804
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: summer, 'aestas'; 'estate' (ripa)
Inscriptions: collector's mark: Lugt 2228
Rekenpenning uit Utrecht op de benoeming van Prins Maurits tot stadhouder 1589
Object type: jeton
Date: 1589 – 1589
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde een zaaiende boer met omschrift, op de keerzijde een oogstende boer met omschrift.
Our Scouts and Guides in 1863 at Baton Rouge, Louisiana
Object type: carte de visite
Date: 1863 – 1863
Techniques: albumen silver print, glass negative
Artist: mcpherson & oliver
Artist role: artist
Artist nationality: american
Artist dates: 1863 – 1865
Subjects: american civil war,men,portraits

At war’s start, Lincoln did not want to arm free men of color or former or runaway slaves in the war effort. Eventually, his military strategists and prominent abolitionists persuaded him to accept the enlistment of African American soldiers. By late 1863 some 37,000 had enlisted in the Union army, in fifty-eight segregated regiments known as the United States Colored Troops. Another 3,200 served in the Union navy on fully integrated warships. This portrait of two former slaves employed as Union army guides and scouts was made in a picture tent at an encampment along the Mississippi River.
Vase with cover
Object type: vase with cover
Date: 1667 – 1733
Materials: earthenware
Techniques: luster painting, glazing

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter. The lavish use of cobalt blue and of carnations and tree-of-life motifs resembling those on Turkish Iznik pottery was common in later Valencian wares. (For a related Valencian vase with cover, see 56.171.97a, b.)
Buste van de heer M.P. Voûte
Object type: bust
Date: 1927 – 1927
Materials: marble
Location: rome
Artist: maja van panhuys
Artist role: draughtsman, sculptor
Artist dates: 1870 – 1944
Subjects: mari paul voûte
Inscriptions: date

Frontaal borstbeeld van een kale heer met snor en sikbaard, en het hoofd licht zijwaarts geknikt, rustend op voluutvormige steun, die eindigt in een ronde getrapte voet. Inscriptie op de voluut: PAUL VOUTE en gesigneerd: Fecit Maja Serger van Panhuys, Roma 1927. Bij de buste hoort een sokkel (BK-2016-15-2 en -3).
Negen Chinese vogels
Object type: ornament print
Date: 1742 – 1750
Materials: paper
Techniques: etching
Location: france
Subjects: birds
Inscriptions: title: ‘LIVRE // des differentes éspeces // d'OISEAUX de la CHINE // Tirés du Cabinet du Roy’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Titelprent van een vijftiendelige serie met prenten van vogels uit China.
Martyrdom of Saint Philip, from "The Little Apostles" (Les Petits Apôtres)
Object type: print
Date: 1632 – 1632
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: apostles,crucifixion
Parkwagen met uitrusting
Object type: page
Date: 1859 – 1864
Materials: paper
Techniques: photolithography
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: inscription: ‘Topographisch Bureau Ministerie van Oorlog.’, inscription: ‘PROEVE VAN PHOTOLITHOGRAPHIE./ (Zonder Retouche)’
Reproductie van een prent van een gedecoreerd portret van Gérard de Lairesse
Object type: reproduction
Date: 1871 – 1880
Materials: paper
Techniques: woodburytype
Location: liège
Subjects: liège, painter, print maker, draughtsman, gerard de lairesse, historical persons, portrait, self-portrait of painter
Inscriptions: name: ‘J. HERMAN, INV.’, inscription: ‘IMAGERIE FRANKLIN No 9.’, inscription: ‘NÉ A LIÈGE EN 1640, MORT A AMSTERDAM LE 28 JUILLIET 1711/ Doué d'une prodigieuse facilité, DE LAIRESSE s'adonna avec un égal succès à la peinture et à la gravure à l'eau forte et au burin./ Il passa une grande partie de sa vie en Hollande, ouvrit à Amsterdam une académie de peinture/ et mérita le surnom de POUSSIN HOLLANDAIS.’, name: ‘EM. TASSET, SC.’

Deze prent maakt deel uit van een album.
Klinisch leslocaal Ziekeninrichting Salemba
Object type: photograph
Date: 1918 – 1919
Materials: photographic support
Techniques: gelatin silver print
Location: batavia
Artist: Anonymous
Subjects: further education (+ building ~ education, tuition), hospital, batavia
Inscriptions: inscription: ‘Klinisch leslocaal Ziekeninrichting Salemba’

Het klinisch leslokaal van het ziekenhuis de Centrale Burgerlijke Ziekeninrichting op Salemba, Weltevreden. Onderdeel van het fotoalbum van de Eerste Waterstaatsafdeling op West-Java 22 maart 1915 - 30 juli 1919.
Tafereelen uit de omstreken der stad Arnhem
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: engraving
Subjects: river
Inscriptions: collector's mark: Lugt 2228
Amulet of Harpokrates
Object type: amulet, harpokrates
Materials: lapis lazuli
Location: egypt
Landscape (St. Remy)
Object type: photograph
Date: 1936 – 1936
Materials: photographic support
Techniques: photography
Location: cleveland
Subjects: low hill country
Portretten van onbekende personen
Object type: album leaf
Date: 1910 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: adult woman, adult man, marriage, married couple, 'matrimonium', muff (+ fur used for clothes)

Albumblad met portretten van een bruidspaar met bruidsmeisjes en van jonge vrouwen. Onderdeel van Fotoalbum van de familie Petri.
Banderol van koper uit de collectie van de Soeurs de Notre-Dame de Namur, opgesteld op een tentoonstelling over religieuze objecten uit de middeleeuwen en renaissance in 1864 in Mechelen
Object type: page
Date: 1864 – 1866
Materials: paper
Techniques: photolithography
Location: antwerp
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: banderole, mechelen
Inscriptions: number: ‘4’, number: ‘-16’, number: ‘4’
Glass mosaic ribbed bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Thin-walled body fragment. Translucent honey brown, deep purple or blue (?), and opaque white. Outsplayed, concave curving neck. Ribbon mosaic pattern formed from sections of a single cane in brown ground with irregular wavy white and colored threads in parallel lines; on exterior, single rib with flattened top and angled edges, tapering downward. Horizontal grinding marks on both surfaces. Pitting, dulling, and creamy iridescent weathering on both surfaces and jagged edges.
"The Execution of Mazdak", Folio from a Shahnama (Book of Kings)
Object type: folio from an illustrated manuscript
Date: 1330 – 1340
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: men,women,execution
Landschap met grafmonument
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: grave-building, monumental tomb

Landschap met grafmonument. In de ondermarge de tekst: Tot aandenken.