deem-data/ArtiFact huggingface dataset:
Cottée. Edouard, Eugène. 37 ans, né à Paris XVle. Artiste-peintre. Vol par complicité. 6/2/92.
Object type: mugshot
Date: 1892 – 1892
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Courtesan and Pekingese Dog at New Year
Object type: print
Date: 1801 – 1833
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Man en vrouw eten pap
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: cereal, eating
Inscriptions: collector's mark: Lugt 2228

Man en vrouw zitten aan tafel en eten pap. Het Duitse vers in de marge onder zinspeelt op het eten van de voedzame pap waar een mens mager bij blijft.
Ledges above the Hallett glacier
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: autotype
Location: rocky mountain national park
Artist: frederick hastings chapin
Artist role: antropoloog, archeoloog, fotograaf, schrijver
Artist dates: 1852 – 1900
Subjects: landscapes, glacier, mountains
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, head of wreathed youth to left
Groupe de deux angelots (l'un regardant de face et l'autre vers la gauche)
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: diadems,angels
Chest-on-frame
Object type: chest on frame
Date: 1670 – 1700
Materials: wood
Culture: american
Location: united states

What purpose this small lift-top chest with a drawer on high legs was intended to serve is not entirely clear. It may have been what is designated in period inventories as a “chamber table,” used in a bedroom as a washstand or possibly to store chamber pots.
Frontespizio della Istoria Romana
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: hacking and thrusting weapons: dagger, murder, the soldier; the soldier's life, violent death by dagger, knife
Inscriptions: collector's mark: Lugt 2228, inscription: ‘C. Servilius Hala, aanvoerder der Ruiterij, doodt Spurius Melius, welke tracht te ontkomen aan den deur- / wachter die hem gevat heeft om hem voor den Dictator te voeren. Tevens wekt hij zijne partijgenooten op / tot opstand.’

Gaius Servilius Ahala doodt Spurius Maelius door hem te steken met een dolk. Een menigte Romeinen kijkt toe.
Goblet
Object type: glass
Date: 1725 – 1730
Materials: glass
Location: schleswig
Onbekende vorm in concretie uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: concretionary stone
Date: 1700 – 1735
Materials: stone
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

De concretie is oranje-bruin van kleur. Het is een niet identificeerbaar voorwerp. Concretion.
Study for "The Street Pavers": Two Workmen
Object type: drawing
Date: 1914 – 1914
Materials: graphite, ink, paper
Artist: umberto boccioni
Artist role: artist
Artist nationality: italian
Artist dates: 1882 – 1916
Studie van een aquarium met vissen
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: aquarium, bony fishes
Inscriptions: number: ‘231’, number: ‘9’
Kluizenaressen
Object type: print
Date: 1590 – 1612
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the penitent harlot mary of egypt (maria aegyptiaca); possible attributes: long hair, three loaves, anchorite, hermit
Inscriptions: number: ‘9’, collector's mark: Lugt 240

Prent uit: Sacra Eremus Ascetriarum, uitgever Boëtius Adamsz. Bolswert, 1612 of Hendrik Aertssen, Antwerpen 1619. Prent uit de serie van vijfentwintig kluizenaressen in deze uitgaven. In 1612 verscheen een ongebonden editie maar op basis van de gewijzigde opschriften en samenstelling van de serie kluizenaars wordt aangenomen dat de prenten van de uitgave 1619 ook in 1612 of iets daarvoor gedrukt werden. De serie kluizenaressen bleef vrijwel ongewijzigd in de ongebonden uitgave van 1612, dit compliceert de datering van de losse bladen in de collectie van het RMA, zie Roethlisberger 1993, p. 171-175.
Portret van drie vrouwen met kinderen op een strand
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1921
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: beach (as place of recreation), mother and child(ren), woman and child(ren) (family group)
Inscriptions: inscription: ‘Juli 1921’
Pagus Alagoae Australis
Object type: map
Date: 1645 – 1647
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: earl, johan maurits graaf van nassau-siegen, maps of cities

Illustratie in: Caspar Barlaeus, Rerum per octennium in Brasilia et alibi nuper gestarum sub praefectura J. Mauritii, Nassoviae, c. comitis... historia, Joannes Blaeu, Amsterdam 1647, plaat nr. 14, p. 40/41. Prent in het exemplaar in de collectie van de Rijksmuseum Research Library, standplaats 330 A 18.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 500
Materials: terracotta
Culture: greek, attic

Below the rim, dot ivy; part of a draped figure to left; vine; start of the handle root
Bas-relief à la partie postériaire du temple Dendérah
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: dendera
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: negative number: ‘206’

Onderdeel van Reisalbum met 80 foto's van Egypte.
Macbeth
Object type: print
Date: 1828 – 1828
Techniques: mezzotint
Location: england
Artist: thomas goff lupton
Artist role: engraver
Artist nationality: british
Artist dates: 1791 – 1873
Subjects: human figures,mountains
Portret van Sabina Dürr
Object type: print
Date: 1665 – 1721
Materials: paper
Techniques: engraving
Subjects: historical persons - bb - woman, pearl; pearl necklace, abstract ideas and concepts (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2228
Tafellaken
Object type: tablecloth
Date: 1800 – 1899
Materials: linen
Techniques: peeled fabric
Location: netherlands

Wit linnen tafellaken met een pellen patroon, merk HP 4 en K p poon.
Portret van François Bernard de Chauvelin
Object type: print
Date: 1786 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
A Gentleman and a Lady, from Das Bossenbüchlein
Object type: print ornament architecture
Date: 1582 – 1582
Techniques: engraving
Artist: mathais beitler
Artist role: artist
Artist nationality: german
Artist dates: 1582 – 1616
Subjects: men,women

A gentleman and a lady against a landscape with a farmhouse at left. The lady, at right, rests her hands on top of her stomach. From a set of 12 plates of vessel designs.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Part of the head of a bearded man to right
S. François (St. Francis), October 4th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saint francis

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Fotoalbum (leeg)
Object type: photograph album
Date: 1860 – 1900
Materials: cardboard, leather, metal, paper
Techniques: color on snow
Artist: Anonymous
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A808’

Fotoalbum met 48 pagina's met ieder een met gepreegde rand omkaderde passe-partout voor een carte-de-visite. Op de rug van het album is de naam Antoine Maitre gepreegd.
Paarden
Object type: print
Date: 1609 – 1642
Materials: paper
Techniques: etching
Artist: pieter bodding van laer
Artist role: draughtsman, painter, print maker
Artist dates: 1599 – 1642
Subjects: farmers, horse, dog (+ audible means of communication of animal(s): roaring, crying, singing, barking, mewing, neighing, chirping, etc.)
Inscriptions: collector's mark: Lugt 240

Een boer leidt zijn paard, in het midden een blaffende hond. De prent maakt deel uit van een zesdelige serie met voorstellingen van paarden.
Voorstelling van Britse soldaten in een veld nabij de Oranjerivier, Zuid-Afrika
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: the soldier; the soldier's life
Inscriptions: inscription, number: ‘45’, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’
Gold aureus of Claudius
Object type: aureus of nero
Date: 41 – 45
Materials: gold
Culture: roman
Subjects: men,profiles,horses

NERO CLAVDIVS DRVSVS GERMANICVS IMP, head of Drusus Nero (Claudius' father)/DE GERM, triumphal arch surmounted by equestrian statue and two trophies, celebrating Drusus' victories in Germany in 12–9 B.C. Lugdunum
Pignerol, Ville Forte d'Italie en Piemont (...)
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om de Italiaanse stad Pinerolo (Pignerol). Plaat nr. 347 in deel XIV van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit tweede deel met 271 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in het Frans.
Design for a Cabinet with Portrait Rondel
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
[Man Whittling a Stick]
Object type: photograph
Date: 1850 – 1855
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: performance,men,portraits

The "wily Yankee" was a popular mid-nineteenth-century stage character from American regional theater. With tricks of cunning and an exaggerated costume (top hat, wide striped pants), this stock player became the visual prototype for America's "Uncle Sam." The motif of the whittler relates to the character's role. Between acts, the Yankee remained on stage, whittled, and told parables. At times, he also flirted with both the women and men in the audience as he suggestively carved a stick at his crotch.
Colt Paterson Percussion Revolver, No. 5, Holster Model, serial no. 528
Object type: percussion revolver
Date: 1838 – 1840
Materials: ivory, silver, steel
Culture: american
Location: united states
Artist: samuel colt
Artist role: manufacturer
Artist nationality: american
Artist dates: 1814 – 1862

In 1835 and 1836, the American inventor and industrialist Samuel Colt (1814–1862) patented a revolutionary type of multishot pistol that is still used today. Colt's revolvers had a rotating cylinder that could be loaded with several rounds and fired quickly by cocking and releasing the hammer or, in later models, by simply pulling the trigger. Early Colt firearms used percussion ignition and had to be loaded with powder, bullets, and ignition caps in separate operations. After 1870, Colt models were produced for self-contained cartridges that are much like modern pistol ammunition. First manufactured by Colt's factory in Paterson, New Jersey (1836–42), from 1847, the revolvers were made at a much larger plant in Hartford, Connecticut. A special workshop at the Hartford factory employed highly skilled decorators and artisans, many of German origin. Their ornamental motifs, still popular in American gunmaking, centered on fine scrollwork. Animal and human figures and allegorical images were added to floral scrolls, sometimes enhanced with gold and silver inlay, particularly on deluxe firearms made for exhibition and display or as personal gifts from Colt to prominent individuals, including several heads of state.
Keizer Theodosius I laat zevenduizend bewoners van Thessaloniki afslachen
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: violent death by sword, the early christian churches, e.g. armenians, copts, syrians, massacre ~ war
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie Arnold, Godfried. Waare afbeelding der eerste christenen. Amsterdam: Jacobus van Hardenberg, Barent Visscher en Jacobus van Nieuweveen, 1700, dl. 2.
Bardowie
Object type: photograph
Date: 1868 – 1878
Materials: paper
Techniques: carbon print
Location: east dunbartonshire
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: castle, façade (of house or building)
Art - Goût - Beauté, Feuillets de l' élégance féminine, Novembre 1931, No. 135, 12e Année, p. 6
Object type: magazine
Date: 1931 – 1931
Materials: paper
Techniques: printing, photography
Location: paris
Subjects: gloves, mittens (long gloves) (+ women's clothes), bag (handbag) (+ women's clothes), lace (+ women's clothes), border, ribbon, braid (+ fur used for clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), clothing for the upper part of the body (shawl) (+ fur used for clothes)

Links: japon van zwarte zijde van Lucile Paray. Midden: japon van wit laken en nerts, van het modehuis Jenny. Rechts: japon van crêpe gegarneerd met wollen kant, van Worth. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Head of a King, possibly Amememhat IV
Object type: head, amenemhat iv
Materials: limestone
Location: egypt
Subjects: kings,heads,mk-kings

This small royal head is not easy to place in the history of Middle Kingdom art. The face is certainly reminiscent of images created late in the reign of Amenemhat III, but such resemblances are seen in many royal portraits created throughout late Dynasty 12 and Dynasty 13. There is one approach, however, that might lead to a tentative attribution of the head. Part of the lintel of a limestone shrine was found among the debris west of the pyramid of Amenemhat I (22.1.12), exhibited in gallery 109). It is inscribed with the name of Amenemhat IV. If there indeed existed a shrine for a statue of that king at the site, this head might once have been part of it. Except for small human faces on a row of uraei cobras, there is no other statue preserved showing the features of this son and successor of Amenemhat III.
Jérusalem. Tour de David avec ses grandes assises salomoniennes
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: louis de clercq
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1901
Subjects: buildings
Gezicht op het stadhuis van Nijmegen
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: nijmegen
Artist: Anonymous
Subjects: townhall
Inscriptions: number: ‘13.’
Napoli. Porta Capuana (Giuliano da Maiano)
Object type: photomechanical print
Date: 1906 – 1910
Materials: cardboard
Techniques: autotype
Location: terni
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), city-gate (+ city(-scape) with figures, staffage)
Landschap met twee ruiters
Object type: book illustration
Date: 1879 – 1927
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: riding a horse, ass, or mule; rider, horseman, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Prent uit: The babes in the wood. Londen: George Routledge & Sons, 1879. Of uit een later gepubliceerde (gebundelde) uitgave.
General Andrew Jackson
Object type: painting, miniature
Date: 1840 – 1840
Materials: ivory, watercolor
Location: united states
Artist: copy after miner kilbourne kellogg
Langham Place Chapel
Object type: print
Date: 1906 – 1906
Materials: ink, paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Twee jagers, staand naar rechts
Object type: drawing
Date: 1864 – 1936
Materials: ink, paper, pencil
Techniques: pen
Artist: jan van essen
Artist role: draughtsman, print maker
Artist dates: 1854 – 1936
Subjects: hunter
Halberd
Object type: halberd
Date: 1501 – 1533
Materials: steel, wood
Culture: swedish
Location: sweden
Apollo and the Cumean Sybil
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Location: italy
Artist: after salvator rosa
Chiyoda Castle (Album of Women)
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: women,dragons
Die neuen Bilderbücher
Object type: print
Date: 1920 – 1921
Materials: paper
Techniques: lithograph
Location: germany
Artist: lovis corinth
Artist role: print maker
Artist dates: 1858 – 1925
Subjects: martin luther
Inscriptions: collector's mark: Lugt 2228

Dit is plaat dertien uit de serie Die neuen Bilderbücher/ Dritte Folge/ Martin Luther/ Originallithographien von Lovis Corinth.
Silhouetportret van Hermannus Antonius van der Ven
Object type: print
Date: 1848 – 1862
Materials: paper
Techniques: hand coloring, lithograph
Location: zwolle
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd.’

Onder het portret de signatuur van de geportretteerde.
"Muslim Pilgrim to Mecca Meets a Brahman on the Road", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Object type: folio from an illustrated manuscript
Date: 1520 – 1525
Materials: gold, ink, paper, watercolor
Location: afghanistan
Artist: ala al-din muhammad
Artist role: calligrapher
Subjects: men,camels,horses
Slag bij Moncontour, 1569
Object type: print
Date: 1570 – 1570
Materials: paper
Techniques: etching, letterpress printing
Location: france
Artist: jean perrissin
Artist role: print maker
Artist dates: 1536 – 1611
Subjects: battle, fighting in general
Inscriptions: date

Slag bij Moncontour, 3 oktober 1569. Gezicht van de veldslag, rechtsonder verlaat het leger van de prins het slagveld. In het onderschrift de legenda A-L in het Frans. Ongenummerd.
Deksel van terrine, beschilderd met een regelmatig strooipatroon van rozetten in blauw en goud
Object type: tureen
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Deksel van porselein. De dekselrand geschulpt, een vrucht aan een tak met bladeren als knop. Beschilderd met een regelmatig strooipatroon van rozetten afwisselend in blauw en goud. Langs voet-, mond- en dekselrand van de terrine een bladslinger in goud naast een gouden bies met afhangend bladwerk. Oren en knop versierd met ornament in goud.
Reclame voor orgels van William H. Gerrish te Boston met gezicht op een kabinetorgel
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, organ
Inscriptions: inscription: ‘The Gerrish Cabinet Organ, (...) BOSTON.’
The death of Major Frs. Peirson 6th January, 1781 being an account of the battle of Jersey with an appendix of historical documents
Object type: book
Date: 1881 – 1881
Materials: linen, paper
Techniques: woodburytype
Location: jersey
Oever van de rivier Nith te Glencaple bij laag water
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: etching
Artist: frank short
Artist role: print maker
Artist dates: 1857 – 1945
Subjects: river bank, ladder
Inscriptions: signature: ‘Frank Short’, collector's mark: Lugt 2228
Falcon on ivy-covered pine branch
Object type: print
Date: 1830 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Katharina von Bora
Object type: print
Date: 1770 – 1870
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Uçetek Entari or Three-Skirt Robe
Object type: robe
Materials: fiber, metal thread, silk
Techniques: embroidery, weave
Location: balkans

This üçetek entari or three-skirt robe has a low neckline and long sleeves with elaborately decorated ends. It is characteristic of an Ottoman woman’s fashionable outfit of the later nineteenth century and worn by women of middle and upper classes on special occasions. The hanging sleeves of this robe are only seamed from the underarm to the elbow, which allows for the lining of fine patterned and embroidered turquoise wool to show through and create a colorful contrast with the red of the main fabric. The shirt that was worn underneath would also be partly visible along the arms or the neckline. A belt with a decorative girdle clasp or a fine sash would hold the entari together at the waist. While the overall shape corresponds to examples worn in Istanbul and other parts of Anatolia, the details of the robe present similarities with those of the Balkan tradition. These robes have long sleeves ending in split-palmette shaped cuffs with scalloped edges. Extensive use of passementerie trim bands made with metal thread is applied to mark the sections of the skirt, the robe’s edges, and the arms of the robe, and a fitted waist and a widening skirt. The wool twill of the garment is embellished with hüseyni embroidery known for its lavish use of silk, large amounts of metal thread, and applied sequins, which provides the garment with an attractive repeat pattern and a glittery appearance. The use of synthetic dyed silks in the embroidery suggests a dating of the last quarter of the nineteenth century. Such elaborately embroidered fabrics were produced in Kütahya in western Anatolia, and in other places and were particularly popular among Balkan communities.