deem-data/ArtiFact huggingface dataset:
Portret van de jurist Justinianus Moser
Object type: print
Date: 1615 – 1679
Materials: paper
Techniques: engraving
Location: innsbruck
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: jurist, justinianus moser
Inscriptions: collector's mark: Lugt 2228

Portret van de jurist Justinianus Moser op 62-jarige leeftijd, met brief in zijn hand. Rechts het familiewapen, onder het portret zijn naam en titels.
Fotoalbum met 137 foto's, gemaakt in Nederland, Noorwegen en Spitsbergen tijdens een reis met de S.Y. Sapphire, 22 juni tot 6 augustus 1901
Object type: slip in album
Materials: paper, cardboard, ink, textile
Techniques: pen
Location: great britain
Artist: Anonymous
Subjects: j. tooth, f. green (fotograaf), duchess of bedford, i. marshall, london, politician, mary russell, netherlands, norway
Inscriptions: number: ‘5’, stamp: ‘L d H’, inscription: ‘Holland, Norway and Spitsbergen in the S.Y. Sapphire. June 22nd to Aug:st 6th, 1901’

Insteekalbum met 20 pagina's en 137 foto's van een reis naar Marken, Noorwegen en Spitsbergen op de S.Y. Sapphire. De eerste twee foto's zijn op de binnenzijde van het voorplat geplakt. Het reisgezelschap bestaat uit de Duke of Bedford [=Herbrand Arthur Russell, 11th Duke of Bedford, 1858-1940], Mr. Findlay, Miss Marshall, Miss Tooth, Miss Russell, Lord Tavistock [=Hastings Russell, oudste zoon van de Duke of Bedford], Miss Green, Duchess of Bedford [=Mary du Caurroy Tribe]. Vrijwel alle mensen in deze groep fotografeerden. Met initialen boven de foto's is duidelijk gemaakt wie wat maakte. Vrijwel alle foto's hebben handgeschreven bijschriften, waarbij het soms gaat om citaten uit gedichten en toneelstukken.
Eettafel met intern verlengstuk
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: table
Pear-shaped ewer with horsemen among floral scrolls
Object type: ewer
Date: 1170 – 1200
Materials: earthenware, glaze, luster, paint, quartz
Techniques: firing, turning, vitrification
Location: kashan
Artist: Anonymous

Kwarts-fritgoed kan gedecoreerd met ruiters en bloemranken in luster op ondergrond van opaal wit tin-lood-alkaliglazuur.
Two Scale Balance Beams
Object type: scale balance
Date: 801 – 1100
Materials: copper
Techniques: casting
Culture: lambayeque, sicán
Location: peru
Goblet with cover
Object type: goblet with cover
Date: 1850 – 1850
Materials: glass
Subjects: men,horses
Titcomb, Pitcher, New York, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Fragment of a terracotta kylix
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, part of the meander; Exterior, right half of a handle, a bit of the handle patch, and part of a handle palmette, with an elongated central frond
Soldaten in een herberg
Object type: print
Date: 1658 – 1727
Materials: paper
Techniques: mezzotint
Subjects: inn, coffee-house, public house, etc., pipe ~ tobacco, recreation ~ the soldier off duty
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

In een herberg zitten vier soldaten te praten en te roken rond een omgekeerde mand. Twee andere soldaten verlaten het vertrek. Aan de muur hangt een prent.
Christus geneest de blindgeborene
Object type: print
Date: 1580 – 1590
Materials: gold, paper, silver
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: healing of a man born blind: christ touches his eyes with an 'ointment' of dust and spittle (john 9)

Christus geneest een man die blind geboren is. Onderdeel van de prentserie over het leven van Christus: Vita Iesu Salvatoris varijs iconibus ab Adriano Collaert expressa. In prentalbum met twee reeksen van respectievelijk 34 en 25 gravures met scènes uit het leven en het lijdensverhaal van Christus.
Portret van Jean Étienne Championnet
Object type: print
Date: 1810 – 1864
Materials: paper
Techniques: lithograph
Artist: gottfried küstner
Artist role: print maker, printer, publisher
Artist dates: 1800 – 1864
Subjects: ranks in the army, historical persons
Inscriptions: collector's mark: Lugt 2228
Troncs de chênes
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: lithograph
Location: paris
Subjects: trees: oak (+ stem, trunk)
Inscriptions: collector's mark: Lugt 2228
Heilige Dorothea
Object type: print
Date: 1519 – 1520
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: the virgin martyr dorothea of caesarea; possible attributes: basket of roses and apples, child with basket of roses, garland of roses, roses in hand or lap
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Op een eerdere staat van deze prent is niet de heilige Dorothea, maar de heilige Ursula voorgesteld: een dame met pijlen bij zich, in plaats van een rozentak en een kind. Klinkert, C.
Ryde-The Pier
Object type: stereograph
Date: 1850 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: ryde
Artist: Anonymous
Subjects: hand-cart, pier, quay, wharf, anonymous historical persons portrayed in a group, in a group-portrait
Laura Burt, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Portret van Frederik Willem III van Pruisen
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: frederik willem iii koning van pruisen, historical persons, (military) uniforms, king
Band
Object type: textile
Date: 1000 – 1476
Materials: cotton
Techniques: embroidery, interlacings, tapestry weave, stitching
Location: peru
Artist: rimac
Subjects: super/natural
De triomf van Christus
Object type: print
Date: 1581 – 1623
Materials: paper
Techniques: engraving
Location: germany
Subjects: adam and eve (not in biblical context), triumphant christ, e.g. on triumphal chariot, groups of prophets, usually holding books or scrolls (isaiah, jeremiah, ezekiel, daniel, hosea, joel, amos, obadiah, jonah, micah, nahum, habakkuk, zephaniah, haggai, zechariah, malachi)
Inscriptions: collector's mark: Lugt 240

Triomfstoet waarin Christus zit op een zegewagen, die wordt geduwd door de vier kerkvaders. De stoet wordt geopend door Adam en Eva, waarachter Noë, David, andere koningen, de Sybillen en de profeten. Johannes de Doper draagt het kruis. Achter hem de symbolen van de evangelisten. De triomfwagen van Christus wordt gevolgd door de apostelen, martelaren en heiligen (zoals Christoffel) en afgesloten door monniken. Met onderschrift en uitleg in het Latijn.
Pectoral
Object type: pectoral
Date: 800 – 500
Materials: gold
Culture: chavín
Location: peru
Artist: chavín artist(s)
Artist role: artist

Gold objects in the Chavín style are the earliest significant works in gold known from Peru. The style is associated with the north, particularly the Jequetepeque and Lambayeque valleys and adjacent highlands, where impressive gold objects have been found in burials of high-ranking individuals. Primarily personal ornaments of longstanding use in the area, they include adornments for the neck, chest, ears, and nose. This pectoral, of generalized cross shape, was probably attached to a backing through the paired holes in the center. It is made of hammered sheet gold and features repoussé profile bird heads in mirror image on the horizontal projections. When rotated ninety degrees, the profile heads, with their strongly curved beaks, become a single frontal image of a broad-nosed, jawless creature. Multiple readings of designs and the sharing of design components are characteristic of Chavín art. Fanged faces, referring to felines and snakes, and elements of raptors are commonly part of such complex compositions.
The Actor Matsumoto Koshiro III as Matsuo-maru in the Play Ayatsuri Kabuki Ogi, Performed at the Nakamura Theater in the Seventh Month, 1768
Object type: print
Date: 1768 – 1768
Techniques: woodblock print
Location: japan
Artist: attributed to katsukawa shunsho 勝川 春章
Artist nationality: japanese
Artist dates: 1726 – 1792
Textile Fragment
Object type: textile fragment
Date: 201 – 400
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: warriors
Ex libris van Barend van den Kieboom
Object type: bookplate
Date: 1885 – 1922
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: dordrecht, barend van den kieboom, canal, church (exterior)
Seated limestone kourotrophos
Object type: statuette of a woman nursing
Date: 450 – 401
Materials: limestone
Culture: cypriot
Subjects: infants,women

Seated "nursing mother" on a high-backed throne.
Hippopotamus in a Marsh Scene, Tomb of Amenehhat
Object type: facsimile, amenemhat tt 82
Materials: paper, paint
Location: egypt
Artist: charles k. wilkinson
Artist role: artist
Artist dates: 1897 – 1986
Subjects: animals,hippos
Portret van de dochter van de kunstenaar
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van twee katten
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: cat, historical persons
Cœnotaphiorum (25)
Object type: collection ornament architecture
Date: 1563 – 1563
Techniques: etching
Artist: hans vredeman de vries
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1527 – 1606
Subjects: monuments,annunciation

Two designs for funeral monuments to be placed onto a wall. The monument on the left is characterized by a large painting of the Annunciation in the central compartment and a smaller depiction of God holding up the body of Christ (Gnadenstuhl). The monument on the right shows effigies of four kneeling men in front of a painting of the Last Judgement. a Latin inscription is added on a small panel below. Below the image as a whole a Latin inscription is added, consisting of eight lines divided over two columns.
Cathédrale a Palerme
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: palermo
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: church (exterior)
Inscriptions: number: ‘1244’
Textile with Trellis Pattern
Object type: textile
Date: 1401 – 1500
Materials: silk
Culture: german
Ex libris van Herz Ilonka
Object type: bookplate
Date: 1934 – 1934
Materials: paper
Techniques: printing block
Location: hungary
Artist: Anonymous
Subjects: flowers, adult woman
Inscriptions: monogram: ‘ID’, inscription: ‘1 / Dorogi 1934 / Phototyp’
God Vishnu Measures the Universe in Three Strides (Trivikrama)
Object type: sculpture
Date: 1101 – 1200
Location: odisha
Portret van Gottfried Wilhelm Leibniz
Object type: print
Date: 1760 – 1775
Materials: paper
Techniques: engraving
Location: france
Subjects: ornament ~ medallion, historical persons, scholar, philosopher (+ portrait of scholar, scientist)

Met onderschrift en vierregelig vers in het Frans.
Portret van Janus Secundus
Object type: print
Date: 1600 – 1750
Materials: paper
Techniques: engraving, etching
Subjects: the hague, janus secundus, historical persons, portrait of a writer, writer, poet, author

Met vierregelig onderschrift in het Latijn.
Portret van Anthoine Brun
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: historical persons, armorial bearing, heraldry

Prent uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Haarlem: Jan de Haan, 1879, dl. 4-1.
Sculptuur van Amor en Psyche in de Capitolijnse Musea, Italië
Object type: photograph
Date: 1863 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: michèle mang
Artist role: fotograaf
Artist dates: 1840 – 1909
Subjects: piece of sculpture, reproduction of a piece of sculpture, cupid and psyche as lovers
Inscriptions: number: ‘111’
Bust of a Man with a Jabot
Object type: drawing and watercolor
Date: 1810 – 1810
Materials: crayon, paper
Location: france
Artist: jacques-louis david
Artist role: draughtsman, painter
Artist nationality: french
Artist dates: 1748 – 1825
Portretten van ambassadeurs van de Vrede van Munster
Object type: print
Date: 1648 – 1670
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maximiliaan (graaf van trauttmansdorff), vrede van münster
Inscriptions: collector's mark: Lugt 2228

Buste naar links van Maximiliaan, graaf van Trauttmansdorff. Onder het portret tien regels in het Latijn. Prent uit een serie portretten van ambassadeurs betrokken bij het vredesverdrag van Munster.
Actress with long hair seated with flower on lap, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Marie Jansen, Erminie Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 6), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes. Type 4 cards from the N45 series contain four miniature portraits of actresses on one card. Type 6 cards are a bit larger in dimension than the other types in the N45 series.
Glass Fragment
Object type: fragment
Date: 301 – 400
Materials: glass
Culture: coptic
Location: egypt
Possibly a Spool Handle
Object type: a spool handle
Date: 767 – 833
Materials: bone
Techniques: carving, incising
Location: iran

This bone object was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Bowl
Object type: bowl
Date: 901 – 1100
Materials: glaze, ivory, porcelain
Culture: chinese
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1904 – 1904
Materials: cardboard, ink
Techniques: pen, writing
Location: hilversum
Artist: johannes de koo
Artist role: auteur
Artist dates: 1841 – 1909
Subjects: the hague, painter, print maker, draughtsman, jozef israëls, philip zilcken, literature ~ arts
Inscriptions: collector's mark: ‘RPK’
Vouwwaaier van fijne zijden zwarte gaas waaraan zwarte stroken, op een zwart kunststof montuur
Object type: vouwwaaier
Date: 1920 – 1930
Materials: copper, plastic, silk
Techniques: cutting, sewing, weave
Location: paris
Artist: coco chanel
Artist role: modeontwerper
Artist dates: 1883 – 1971

Vouwwaaier van fijne zijden zwarte gaas, waaraan zwarte stroken in de lengte zijn genaaid. De uiteinden hebben een puntige een vorm. De randen van de stof zijn gerafeld gelaten. Het montuur telt 14 niet aaneengesloten benen en is, net als de waaierring, van zwart kunststof vervaardigd.
Evangeliarium met ivoren decoratie
Object type: photomechanical print
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: sculpture
Inscriptions: monogram: ‘JJvY’, inscription: ‘SCULPTURE en ivoire (...)’, inscription: ‘SCULPTURES. PL. 25.’
Decorative attachment in the form of a head wearing an elephant headdress
Object type: head, elephant headdress
Materials: bronze
Location: egypt
Subjects: heads

Many artworks of the Roman Period in Egypt represent the taste of wealthy urban merchant and rich farming classes of Roman Egypt. Wide trade of luxury works is evident, and Greco-Roman style dominates. Since Egyptian pharaohs had first authorized Greek trading colonies and employed Greek mercenaries in the seventh century BC., there was a considerable Greek presence in Egypt. With Alexander's conquest, Macedonian Greek Ptolemies ruled as successors to the pharaohs, and Ptolemaic Greek and eastern Mediterranean soldiery was heavily settled in parts of Egypt. Although the Ptolemaic kings maintained traditional Egyptian religious and political forms, elite society, of mixed Greek and Egyptian descent, aspired to Greek culture in many respects. With the replacement of a Ptolemaic pharaoh in Memphis and Alexandria by a Roman emperor in Rome, the status of Greek culture and art, if anything, increased. However, multiple cultural influences were t play, and their reconciliation differed, depending on the identity of the patron and on whether personal, public, religious, or funerary purposes were in question. The elephant headdress was associated with Alexander the Great because of his conquest of India. It also appears on images of his Ptolemaic successors and in the Roman Period on female personifications of Alexandria on coins.
Drie sculpturen, vier reliëfs en een paneel
Object type: album leaf
Date: 1920 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: adult woman, adult man, saints, piece of sculpture, reproduction of a piece of sculpture, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘43 - 44 - 45/ 46 - 47/ 49/ 48 - 50’

Afgebeeld zijn sculpturen van een vrouw, een man en een abstract geheel. Op de reliëfs zijn mannen te paard, een heilige met lam, konijnen en vogels en mannen afgebeeld. Deze foto's maken deel uit van een album.
Le Charivari, sept. 1841 : Modes. Pantalon de tricot (...)
Object type: fashion print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Location: paris
Artist: Anonymous
Subjects: trousers, breeches, etc. (pantalon) (+ men's clothes), baring the head, lifting one's hat, coat (+ men's clothes), fashion plates, head bent forward; bowing
Inscriptions: title: ‘MODES.’, caption: ‘Pantalon de tricot; Redingote du matin de HUMANN. Chapeaux de JAY.’

Twee mannen die naar elkaar buigen. Lange broek van tricot. Redingote voor de ochtend van Humann. Hoeden van Jay. Verso: bespreking van het kostuum onder het kopje 'MODES'.
Huwlyks Ceremonien / Ceremonies Nuptiales des Indiens et autres
Object type: print
Date: 1682 – 1733
Materials: paper
Techniques: etching
Location: leiden
Subjects: (civil) marriage ceremonies

Landschap met huwelijksceremonieën van verschillende volkeren in Oost- en West-Indië. Links een slaapnet en een man die een speer op een vrouw richt. Met een legenda in het Nederlands en het Frans. De prent maakt deel uit van een album.
Portret van Eugène Lanchir
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: rambervillers
Artist: alphonse locquier
Artist role: fotograaf
Subjects: historical persons
Inscriptions: name: ‘Eugène Lanchir - Adjudant/ au 17e chasseurs/ +1936’
Japanse vrouw in gekleurde kimono met bloem in het haar
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1920
Materials: paper
Techniques: photograph, hand coloring
Artist: Anonymous
Subjects: historical persons - bb - woman, folk costume, regional costume

Deze prent maakt deel uit van een album.
Brits Landschap met schapen
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: autotype
Subjects: sheep, city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘GB. IV.’, inscription: ‘Peace by Alexander Keighley’
Sampler
Object type: textile
Date: 1704 – 1704
Materials: linen, silk, thread
Techniques: embroidery, laid work, weave, stitching
Location: united states
Artist: lucy garland
Artist nationality: american
Artist dates: 1704 –
Florence: place of the signoria
Object type: photograph
Date: 1872 – 1882
Materials: photographic support
Techniques: albumen print
Location: piazza della signoria
Artist: Anonymous
Subjects: square, place, circus, etc., façade (of house or building)
Fauteuil en stoel
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Femme de qualité en Echarpe
Object type: costume print
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: paris
Subjects: piece of clothing covering the breast or décolleté (stomacher) (+ women's clothes), fashion plates, skirt (+ women's clothes), head-gear: fontange (+ women's clothes), fan (+ women's clothes), dress, gown: manteau (+ women's clothes), apron (+ women's clothes), neck-gear ~ clothing (+ women's clothes)
Inscriptions: privilege: ‘avec privilege du Roy se vend a Paris sur le Quay Pelletier a la pomme d'or au premier appartement’, title: ‘Femme de qualité en Echarpe’

Vooraanstaande vrouw gekleed in een manteau met sleep en engageantes. Zij draagt een devant-de-gorge (borststuk), doorzichtige sjaal afgezet met een versierde rand en franjes, rok en sierschort. Op het hoge kapsel een fontangemuts met slippen. Accessoires: oorbellen, dunne sjaal afgezet met franjes, lange handschoenen en waaier. De prent maakt deel uit van een reeks van 73 kostuumprenten, getekend door J. D. de Saint-Jean, Parijs, 1683-1694.