deem-data/ArtiFact huggingface dataset:
Das Museum zu Cassel
Object type: print
Date: 1831 – 1863
Materials: paper
Techniques: engraving
Location: kassel
Subjects: permanent exhibition, museum
Inscriptions: collector's mark: Lugt 2228
Ice Cream Slicer and 10 Ice Cream Spoons
Object type: ice cream slicer and spoon
Date: 1863 – 1863
Materials: silver, silver gilt
Culture: american
Location: united states
Artist: kidney, cann & johnson
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1867

The mid-nineteenth century witnessed an efflorescence of creativity in the American silver industry, fueled by the burgeoning middle class’s increasing demand for refined luxury goods. Silversmiths devoted considerable time and creative energy to generating an endless variety of new designs and patterns. During the 1860s and 1870s silver flatware ornamented with portrait medallions inspired by antique coins and cameos enjoyed widespread popularity, with virtually every American silversmith producing their own proprietary "medallion" pattern. Although unmarked, other examples of this pattern document that it was created by either Kidney & Johnson, its predecessor firm Kidney, Cann & Johnson, or its successor S. H. Johnson, silversmiths active in New York City from about 1863 into the 1870s. Prior to the nineteenth century, ice cream had been a luxury available only to the most elite echelons of society; however, with the invention of insulated ice houses and advances in steam power, an American ice cream industry was born. During the second half of the nineteenth century, increasing numbers of Americans were able to enjoy ice cream, and they sought to celebrate the privilege and joy of consuming the frozen treat by designating specialized flatware, such as this set, for the purpose.
Koninklijke Pruisische familie
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: berlin, frederik willem iii koning van pruisen, chest, bust, literature, family, relationship, descent, family of the sovereign
Dish with a man and a woman
Object type: dish
Date: 1530 – 1540
Materials: earthenware, glaze
Techniques: maiolica
Location: urbino
Artist: Anonymous
Subjects: couple of lovers
Inscriptions: inscription: ‘PANNTASILEA DIVA MIA BELLA.’

Schaal op voet van veelkleurig beschilderde majolica. Op blauwe grond beschilderd met de borstbeelden van een jonge vrouw en een man met baard. Beide dragen een muts. De kleding van de vrouw is rijk versierd. Langs de bovenrand loopt een banderolle met opschrift "PANNTASILEA DIVA MIA BELLA" (Penthesileia, mijn goddelijke schone). De schaal is voorzien van extra decoratie in metaal-luster in goud en rood.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Bit of reserve; five bands of black glaze which are worn; below, black glaze
Letter by Li Zhi
Object type: folding fan mounted a an album leaf
Materials: ink, paper
Culture: chinese
Artist: bada shanren (zhu da)
Artist role: artist
Artist nationality: chinese
Artist dates: 1626 – 1705

In 1693 Zhu Da began studying works from the Chunhuage tie, a collection of rubbings of early calligraphies compiled in 992. This fan transcribes on piece from that collection, a letter from Li Zhi, who later became the emperor Tang Gaozong (r. 650–83). Zhu Da's writing freely departs from Li Zhi's original: done with plump "centered-tip" brushstrokes, Zhu's characters possess a simple, unaffected archaic flavor that is unmistakably his own. Zhu Da's transcription of Li Zhi's letter reads: Uncle, you possess a great many artistic talents and you are an outstanding, compassionate teacher. Your son Ai has thus received an exemplary education and he is receptive and diligent, especially in calligraphy. When I heard that he had lately become particularly fond of the "Flying white" technique, I playfully took up my brush to amuse him. What I wrote is far from the graceful forms of the Six Calligraphic Modes and remiss in elegant diction. Yet, soon afterward I received your letter in which you so generously praised my work. In truth, the work is mere "ink traces" and does not deserve such attention. Reading your letter repeatedly only added to my embarrassment.
Portret van François-Hercule de Valois, hertog van Anjou
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: françois-hercule de valois (hertog van anjou)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796.
Bern, Dudelsackpfeifferbrunnen
Object type: photomechanical print
Date: 1919 – 1930
Materials: paper
Techniques: photograph
Location: zurich
Artist: Anonymous
Subjects: ornamental fountain
Inscriptions: number: ‘1424.’
Panel
Object type: textile
Date: 1801 – 1825
Materials: linen
Techniques: embroidery, weave
Location: russia
Portret van een onbekende Chinese jongen
Object type: album leaf
Date: 1875 – 1890
Materials: cardboard, paper
Techniques: albumen print
Artist: c. dietrich (fotograaf)
Artist role: fotograaf
Subjects: boy (child between toddler and youth), anonymous historical person portrayed alone
Tortures of the Damned
Object type: folio
Date: 1800 – 1800
Materials: ink, paper, watercolor
Culture: indian
Subjects: men
Mademoiselle Isabelle Lemonnier
Object type: drawing and watercolor
Materials: crayon, paper
Location: france
Artist: attributed to édouard manet
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: century of progress, world's fairs, chicago world's fairs
McLean's Monthly Sheet of Caricatures or the Looking Glass. No. 30
Object type: cartoon
Date: 1832 – 1832
Materials: paper
Techniques: hand coloring, lithograph
Location: england
Subjects: politician, willem iv hendrik (koning van het verenigd koninkrijk en hannover), dancing around the maypole, political caricatures and satires

Politieke spotprent waarin premier Charles Grey en zijn ministers dansend om de meiboom van hervorming verstoord worden door een harde wind aangeblazen door de koppen van drie politieke tegenstanders in de wolken, 1832. Koning Willem IV met tamboerijn en fluit kijkt verstoord naar boven.
Portret van een zittende man en een staande vrouw met medaillon
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: dresden
Artist: franz koebcke
Artist role: fotograaf
Subjects: sitting figure, historical persons - bb - woman, historical persons, standing figure - aa - female human figure
Inscriptions: inscription: ‘FRANZ KOEBCKE/ MALER und HOFPHOTOGRAPH/ S. Hoheit des Herzogs v. Sachsen-Meiningen/ MOLTKE-PLATZ 4/ parterre/ DRESDEN./ Die Platten beliben fü Nachbestellungen aufbewahrt und/ können jederzeit Abzüge sowies Vergrösserungen davon/ geliefert werden.’
Holy Family in an Oval Frame
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: woodcut
Location: germany
Artist: ludolph büsinck

Büsinck worked in Paris from 1623 to 1630, and was the first artist in France to make chiaroscuro woodcuts. He created about twenty-four in that period, mostly of religious or genre subjects by Georges Lallemand. His works show the influence of Hendrik Goltzius.
Gruftblatt, plate 24 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal Arch
Object type: print
Materials: ink, paper
Techniques: woodcut
Location: germany
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
The Barber's Shop
Object type: print
Techniques: etching, wash
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,fishing,boats

A large man sits at center covered with a cloth, having his hair dressed by a barber and a boy. Another customer at right wears a cap and is covered by a cloth as he is shaved. A third figure, just released from the attentions of the barber, dabs at his neck, directed by a boy. At far left, a tall thin man and short portly man both look in a mirror and tie their neckcloths. Near them a seated bald man looks up from his paper in concern as two dogs fight over his wig which has fallen from a stand.
Spiraea aruncus (Tyrol)
Object type: photogram
Date: 1851 – 1854
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants

This botanical study is the first work by the British artist Anna Atkins and the earliest photograph by a woman to enter the Museum's collection. The cyanotype of several sprigs of a Tyrolean flowering shrub (Spiraea aruncus) is one of 160 plates removed in 1981 from a unique album, Cyanotypes of British and Foreign Flowering Plants, inscribed by the artist in 1854 as a gift to her family friend and collaborator, Anne Dixon, second cousin of the novelist Jane Austen. The cyanotype process, invented in 1842 by Sir John Herschel, is also commonly known as the blue-print process used (until recently) by architects to duplicate their line drawings. Spiraea Aruncus (Tyrol) is a superb example of Atkins's cameraless photograms of algae and plant specimens that the artist herself gathered or received from other amateur scientists. A continuation of the longstanding tradition of botanical illustration in all media, it is directly related to the earliest cameraless studies by Atkins's family friend William Henry Fox Talbot, the inventor of paper photography. Combining rational science with art, the study is an effective, graphically bold image worthy of the daughter of the first Keeper of the Department of Natural History and Modern Curiosities at the newly established British Museum.
Hussard, France, from the Famous Ships series (N50) for Virginia Brights Cigarettes
Object type: photograph
Date: 1895 – 1895
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: ships

Trade cards from the "Famous Ships" series (N50), issued in 1895 by Allen & Ginter to promote Virginia Brights Cigarettes. Full series consists of 48 unnumbered cards.
Covered incense burner
Object type: covered incense burner
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: animals
Onderhandeling tussen afgevaardigden van Amsterdam en graaf Willem Frederik bij Hofstede Welna aan de Amstel, 1650
Object type: history print
Date: 1747 – 1759
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: arnhem, william ii (prince of orange), peace negotiations

Onderhandeling tussen twee afgevaardigden van de stad Amsterdam en stadhouder Willem Frederik voor Hofstede Welna aan de Amstel, 29-30 juli 1650. Rechts het Statenjacht.
Apparaat om fotomechanische reproducties te maken
Object type: photomechanical print
Date: 1922 – 1932
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: photographic apparatus
Inscriptions: inscription: ‘Marinoni 96, Rue d'Assas, Paris Téléphone: danton, 64-60 A 64-62 La reportaddor Machine a reports photomécaniques’
Een passagiersschip bij de oever van een rivier, Zuid-Oost Azië
Object type: photograph
Date: 1907 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: southeast asia
Artist: jan adriani
Artist role: fotograaf
Subjects: ships (in general)
Galleria Giustiniana del Marchese Vincenzo Giustiniani I
Object type: album leaf
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Artist: joan comin
Artist role: print maker
Subjects: piece of sculpture, reproduction of a piece of sculpture, single muses

Een standbeeld van een muze met masker en blaasinstrument in haar handen. Wellicht Thalia. Op de basis het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Mercurius verlaat Antwerpen; intocht van Ferdinand te Antwerpen in 1635 (nr. 34)
Object type: print
Date: 1640 – 1642
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: specific aspects, allegorical aspects of neptune; neptune as patron, specific aspects, allegorical aspects of mercury; mercury as patron, other decorative structures (~ triumphal entry, etc.)
Inscriptions: collector's mark: Lugt 240, inscription: ‘Mercurio mercimo niorym praesidi P. / Ne, precor, hinc volvcres flectat cyllenius alas, o princeps, cultamo sibi ne deserat urbem, et fugitiva meo redeant commercia scaldi.’

Mercurius verlaat Antwerpen. Door de oorlog en de afsluiting van de Schelde dreigt de handel in Antwerpen onder te gaan. Mercurius met links de slapende riviergod van de Schelde, rechts de stedemaagd van Antwerpen. Met onderschrift van drie handgeschreven regels in het Latijn. De centrale voorstelling op het toneel van Mercurius, opgesteld op de Sint-Jansbrug. Blad nr. 34 in een geheel van 43 platen die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Antwerpen op 5 mei 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreren.
Portret van Christiaan Huygens
Object type: book illustration
Date: 1760 – 1769
Materials: paper
Techniques: printmaking
Location: france
Subjects: the hague, draughtsman, physicist, christiaan huygens (ii), historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Prent uit: Saverien, Alexandre. L'Histoire des Philosophes modernes, avec leur portrait gravé dans le goût du crayon, d'apres les desseins des plus grands peintres. Parijs: Jean Charles François, 1760-1761.
Ruïnes aan het Oostplein, gezien vanaf de Nieuwe Markt
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: j. nolte
Artist role: fotograaf
Subjects: devastated, ruined place or city (~ warfare), ruin of a dwelling, house, castle, etc., rotterdam, rotterdam blitz
Inscriptions: annotation: ‘Gezicht van de Nieuwe Markt/ naar het Oostplein.’
Rivierlandschap met rotsen
Object type: print
Date: 1737 – 1809
Materials: paper
Techniques: etching
Subjects: river, rock-formations, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228a

Gezicht op een Tiroler landschap met rotsformaties en een rivier. Op de voorgrond enkele figuren. Prent uit een serie van acht prenten met Tiroolse landschappen.
View at Rome
Object type: drawing
Date: 1774 – 1775
Materials: graphite, ink, iron
Techniques: printmaking, drawing
Artist: richard cooper ii
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1740 – 1822
Twee penningen
Object type: book illustration
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: willem swidde
Artist role: print maker
Artist dates: 1660 – 1697
Subjects: coin, capture of the spanish treasure fleet

Medailles geslagen ter gelegenheid van de verovering van de Zilvervloot door Piet Heyn, voor- en achterzijde. In de linkerbenedenhoek gesigneerd "Fig. 55".
Apotheek van J. van Gorkum & Co.
Object type: photograph
Date: 1886 – 1886
Materials: photographic support
Techniques: albumen print
Location: jogjakarta
Artist: kassian céphas
Artist role: fotograaf
Artist dates: 1845 – 1912
Subjects: pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, edifice, e.g.: public building, department store

Een Europees gezin met kinderen voor de apotheek van J. van Gorkum & Co, op de hoek van de Lodji Ketjil Koelon en Apotheekstraat, tegenwoordig de Jalan Sriwedari en de Jalan Diloto, in Jogyakarta. Onderdeel van het fotoalbum aangeboden aan J.M. Pijnacker Hordijk bij zijn vertrek uit Jogyakarta in 1886.
Glass ribbed bowl
Object type: bowl, ribbed
Date: 67 – 100
Materials: glass
Culture: roman

Translucent honey brown. Slightly outsplayed rim with almost pointed top edge and plain inward-sloping band below, deep convex side curving in to slightly concave bottom. On interior, a single broad and deep horizontal groove below rim, and a band of three (?) narrow, close-set shallow grooves around middle of body; on exterior, seventeen long, vertical ribs with flattened tops, tapering downwards, and extending to edge of bottom. Broken and repaired with numerous cracks and one chip missing from rim; many pinprick bubbles; dulling, deep pitting, and patches of brilliant iridescence. Rotary grinding marks on interior and on plain band below rim on exterior.
Duingezicht
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: dune coast

Op de achtergrond de zee. Blad 3 verso uit schetsboek XIV met 17 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, left forearm and hand of draped figure
Bronze head of a youth
Object type: head of a youth
Date: 200 – 200
Materials: bronze
Culture: etruscan or roman
Subjects: heads

Head of a youth with short wavy hair.
Portretten van Adriaan Brouwer, Jurriaen Ovens en Cornelis Bega
Object type: design
Date: 1708 – 1780
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: jürgen ovens, antwerp, painter, adriaen brouwer, cornelis pietersz. bega, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Portret van een onbekende man
Object type: frame
Date: 1880 – 1900
Materials: cardboard, glass, paper, wood
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, anonymous historical person portrayed
Figure of a reclining girl
Object type: figure
Date: 1770 – 1780
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: höchst
Inscriptions: mark: ‘wiel/ No. 179 RI’

Figure. Porcelain. Höchst, c. 1770 - 1780. Given by C.P. van Eeghen, 1908.
Oudemanhuispoort aan de Kloveniersvoorburgwal te Amsterdam
Object type: photograph
Date: 1911 – 1911
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: kloveniersburgwal
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: gate, entrance
Inscriptions: annotation: ‘Oude manhuispoort Kloveniersburgwal Amsterdam Maart 1911/ Amsterdam’
Woman's Short Informal Robe
Object type: woman's informal robe
Date: 1900 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: birds
Allegorie op de installatie van Willem V als erfstadhouder, 1766
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: the hague, william v (prince of orange), (story of) hercules (heracles), 'sapientia' and the seven virtues, i.e. the three theological and the four cardinal virtues, beasts of prey, predatory animals: lion, father time, man with wings and scythe, abundantia (abundance) as roman personification
Inscriptions: collector's mark: Lugt 2228

Allegorie op de installatie van prins Willem V als erfstadhouder op achttienjarige leeftijd op 8 maart 1766. Centraal de prins zittend op zijn troon, rechts verslaat Hercules de serpenten, links de verzamelde zeven deugden. Boven de troon vliegt de Faam en openbaart Vader Tijd zeven cherubijnen met een grote lauwerkrans, rechts schenkt de Overvloed rijkdommen. Op de voorgrond de Nederlandse Leeuw. In het onderschrift in 4 regels de opdracht aan de stadhouder.
Dish with flower sprays and figures in an interior and in a landscape
Object type: platter
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Schotel, op bolle plat bloemen en mannen rond een tafel, rand; figuren in- en buitenshuis.
Gilt Bronzes. Vittoz
Object type: photograph
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: london
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, london
Jar
Object type: vessel
Materials: stone
Culture: egyptian
Location: egypt
Subjects: jar
Zeskantige tegel
Object type: tile
Date: 1300 – 1450
Materials: earthenware, glaze
Location: france
Artist: Anonymous
't Slot te Woerden
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: castle
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Blaeu, Johannes Willemszoon. Toonneel der steden van de Vereenighde Nederlanden. 2 delen. Amsterdam: Johannes Willemszoon Blaeu, 1652, dl. 1.
Cuffs
Object type: cuff
Date: 1734 – 1766
Materials: linen
Culture: french
Fig. 6 'De Ivglande' in De Boodts herbarium van 1640
Object type: text sheet
Date: 1640 – 1640
Materials: ink, paper
Techniques: letterpress printing
Location: bruges
Artist: anselmus boëtius de boodt
Artist role: draughtsman
Artist dates: 1550 – 1632

Beschrijving bij Fig. 6 op p. 11 in: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Fragment of Dish
Object type: fragment of a dish
Date: 801 – 1000
Materials: alabaster
Techniques: carving, painting
Location: iran
Jérusalem. (Environs) Tombeau des Rois
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: louis de clercq
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1901
Subjects: tombs
Jesus before Pilate
Object type: print
Date: 1677 – 1677
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: men,women,jesus

Christ is brought from the left towards Pilate's house. Pilate stands on steps outside his door and looks down on Christ. Various church vessels are scattered on the ground.
Genezing van de blindgeborene
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: johann caspar lavater, healing of a man born blind: christ touches his eyes with an 'ointment' of dust and spittle (john 9)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Lavater, Johann Caspar. Jesus Messias, Oder die Evangelien und die Apostelgeschichte in Gesängen. 4 dln. Winterthur: s.n., 1784, dl. 2.
Omslag voor twintig prentbriefkaarten van Milaan
Object type: wrapper
Date: 1900 – 1950
Materials: cardboard, ink
Techniques: pen
Artist: Anonymous
Rand van een bos
Object type: sketchbook leaf
Date: 1810 – 1874
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: fringe, edge of the wood
Inscriptions: date and inscription: ‘[...] Het Bosch in October’

Blad 47 verso uit een schetsboek met 47 bladen.
Silhouetportret van een onbekende man, mogelijk H.P. Stambke
Object type: silhouette
Date: 1800 – 1820
Materials: paper
Techniques: snipping
Artist: Anonymous
Subjects: historical persons not known by name
Inscriptions: stamp, collector's mark: Lugt 1641

Silhouetportret naar links. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Silhouetportretten.
Brokken concretie met hout- en touwfragmenten en spijkers uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: concretionary stone
Date: 1700 – 1743
Materials: stone, iron, fiber, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Pair of earrings
Object type: earring
Date: 1701 – 1800
Materials: gemstone, gold
The Ship "John W. Brewer"
Object type: painting
Date: 1845 – 1845
Materials: canvas, oil
Culture: american
Artist: chinese painter
Artist role: artist
Artist nationality: american
Subjects: ships