deem-data/ArtiFact huggingface dataset:
Twee prentbriefkaarten met een groepsportret van de koninklijke familie en een dubbelportret van koningin Wilhelmina en prins Hendrik
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1901
Materials: cardboard
Techniques: photograph
Location: lensahn
Subjects: print maker, wilhelmina of the netherlands, the hague, hendrik (prins der nederlanden (1876-1934)), historical persons - bb - woman, family group, especially parents with their child(ren), historical persons, queen
Inscriptions: inscription: ‘Het Koninklijke Bruidspaar.’, inscription: ‘De Vorstelijke Familie te Lensahn.’

Het groepsportret werd genomen te Lensahn in Hofstein op 4 november 1900. Van links naar rechts staand: Hertog-regent Johann Albrecht, Koningin Wilhelmina der Nederlanden, Hertog Hendrik van Mecklenburg, Groothertog Frederik August van Oldenburg, Hertog Paul Frederik van Mecklenburg, Hertogin Sophie Charlotte van Oldenburg, Hertog Adolf Frederik van Mecklenburg. Zittend: Koningin Emma, Groothertogin Marie van Mecklenburg, Erf-Groothertog Nicolaas van Oldenburg, Groothertogin Elisabeth van Oldenburg en Groothertog Frederik Frans IV van Mecklenburg. Deze prenten maken deel uit van een album.
Vrouw maakt stiltegebaar in een deuropening
Object type: drawing
Materials: ink, paper
Techniques: pen
Artist: d. viel
Artist role: draughtsman
Subjects: open door, putting a finger to the lips, 'silentium'; 'silentio' (ripa)
Inscriptions: signature: ‘D. Viel.’, :, collector's mark: Lugt 2228, annotation: ‘Hoe Dientje anders werd’

Een vrouw staat in een deuropening en houdt haar wijsvinger voor haar lippen. Ze maant Dientje, die voor de deur op de stoep staat, tot stilte.
Clown die balanceert op stoelen
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: clown, europe
Inscriptions: number: ‘17814’
Abgeordneter von Beckerath
Object type: print
Date: 1825 – 1875
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Head Quarters at Harrison's Landing
Object type: print
Date: 1862 – 1862
Techniques: lithograph
Artist: anonymous, american, 19th century
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: soldiers,american civil war,men,drinking
Wakashu (Male Youth)
Object type: hanging scroll
Materials: paper
Culture: japanese
Artist: unidentified artist
Artist role: artist

With an elegant, patterned robe (kosode), gentle facial features enhanced by a powdered complexion, and delicate hands, this figure may appear at first glance to be a female performer frozen in movement. The hair tied back at the forehead, however, suggests that this is actually a male youth (wakashu) cross-dressed as a stylish woman.
Strip
Object type: strip
Date: 1801 – 1900
Materials: linen, wool
Lyk-staetsie van zyne doorluchtigste Hoogheid den Heere Willem [IV] Carel Hendrik Friso, Prince van Orange en Nassau (...) gehouden den IV Februari 1752
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching, hand coloring
Location: northern netherlands
Subjects: the hague, willem iv (prins van oranje-nassau), military parade, pageant (+ infantry), cortege, funeral procession, delft
Inscriptions: collector's mark: Lugt 2228

De Zwitserse Garde. In de marge het onderschrift in Nederlands, Frans en Duits. Onderdeel van een serie van 41 platen van de begrafenisstoet van stadhouder Willem IV te Delft op 4 februari 1752. Genummerd rechtsboven: 6.
Gezicht op de Punta della Dogana en de Basilica di Santa Maria della Salute in Venetië
Object type: photograph
Date: 1855 – 1870
Materials: paper
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: city-view in general; 'veduta', church (exterior), canals, waters (in city)
Rotterdam. De beide Maasbruggen
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Verzoeking in de woestijn
Object type: print
Date: 1582 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: 'command these stones to become loaves of bread' ~ temptation of christ in the wilderness, ornamental birds, forest, wood, 'all these will i give you' (= the glory of the world) ~ temptation of christ in the wilderness, monkeys, apes (+ ornamental variants of animals), flying mammals: bat (+ ornamental variants of animals), flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228

Boslandschap. Op de voorgrond verzoekt de duivel Christus twee stenen in broden te veranderen. Op de achtergrond de bergtop waar Satan Christus voor een derde keer op de proef stelt. De prent heeft een ornamentlijst met bloemen en dieren. Hij maakt deel uit van een vierentwintigdelige serie van landschappen met Bijbelse, mythologische scènes en jachttaferelen.
Man met tweekantige steek, oorring en wandelstok
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: etching, intaglio
Location: france
Subjects: head-gear: bicorne, bicorn, moustache, fan, ear-rings
Inscriptions: date
Terracotta sculptuur van een dansende priesteres van Bacchus
Object type: photomechanical print
Date: 1852 – 1857
Materials: paper
Techniques: photolithography
Location: paris
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts), maenad(s), female bacchant(es)
Inscriptions: number: ‘XXIV.’
A Southern Rider, from "Some American Riders," for "Harper's New Monthly Magazine," August 1891
Object type: block
Date: 1891 – 1891
Artist: frederic remington
Artist role: artist
Artist nationality: american
Artist dates: 1861 – 1909
Subjects: animals,men,horses
Landschappen met dieren
Object type: print
Date: 1643 – 1706
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228

Titelprent voor de 12-delige serie 'Diversa Animalia' met prenten van verschillende dieren in landschappen. De titel wordt geflankeerd door een herderin en een herder. Op de titel staat een koe.
Stadsgezichten te Goch, 1746
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: etching
Subjects: city-view in general; 'veduta', landscapes with waters, waterscapes, seascapes (in the temperate zone), cultivated land
Inscriptions: collector's mark: Lugt 240

Twee gezichten op de Duitse stad Goch. Op de voorgrond akkers (boven) en rivier de Niers (onder). Twee voorstellingen van één plaat.
Portret van een meisje, staand bij een bureau
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘Photogrpahie/ Bertall/ & Cie./ Rue Boissy d'Anglas, 33/ Ancienne Rue de la Madeleine’
Evening dress
Object type: evening dress
Date: 1809 – 1809
Materials: cotton
Culture: french
Subjects: stars

Fine Indian mull was cherished in this period where the sheer quality was the most important aspect of everyday dress. This particular mull gown, with its tambour embroidery, would have been highly valued by its owner. The Empire silhouette is readily identified with its origins in the chiton of ancient Greco-Romans, which was a tubular garment draped from the shoulders and sometimes belted beneath the bust. Several re-interpretations have occurred throughout costume history but none have been as notable as the period bridging the rectangular panierred skirts of the 18th century and the conical hoop skirts of the 19th century. The neoclassic style was adopted in all forms of decoration after the French Revolution and was upheld during the Napoleonic Wars partly due to Napoleon Bonaparte's (1769-1821) alliance with Greco-Roman principles. In fashion, the style began as children's wear made from fine white cotton, but was adopted by women in the form of a tubular dress with skirts that were gathered under the bust with some fullness over a pad at the back. As the style progressed the skirts began to flatten at the front and solely gather from the bodice at the center back. The style persisted until the 1820s when the waist slowly lowered and the skirts became more bell shaped.
Towel border
Object type: border
Date: 1800 – 1850
Materials: linen, silk
Subjects: human figures,animals
Bewapend figuur wijst naar een monument in een landschap met Romeinse ruïnes
Object type: titelprent, frontispice
Date: 1673 – 1673
Materials: paper
Techniques: etching
Artist: johann oswald harms
Artist role: print maker
Artist dates: 1643 – 1708
Subjects: trees: cypress, landscape with ruins (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van negen prenten.
Showcase on stand (Scarabattola)
Object type: showcase on stand
Date: 1667 – 1700
Materials: glass, wood
Techniques: carving, gilding, painting
Subjects: men,putti
Fibula, fragment
Object type: fibula, fragment
Date: 7000 – 30
Materials: bronze
Culture: greek, cypriot
Kachelplaat met de Annunciatie
Object type: stove plate
Date: 1575 – 1625
Materials: iron
Techniques: casting
Location: germany
Artist: Anonymous
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)
Inscriptions: inscription: ‘GABRIE[L] / [...]’

Kachelplaat van gietijzer, verdeeld in twee zones. In de bovenste zone is een voorstelling van de Annunciatie, waarbij de engel links aan Maria haar zwangerschap verkondigd. Bovenaan het tafereel zijn enkele bogen te zien, onder één daarvan staat een vaas met een lelie. De onderste zone is voorzien van een cartouche met opschrift: GABRIEL.
Portret van een onbekende vrouw met een hond
Object type: cabinet photograph
Date: 1880 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: london
Artist: frederick william wood
Artist role: fotograaf
Artist dates: 1870 – 1947
Subjects: adult woman, dog
Inscriptions: inscription: ‘Day & Electric Light Studios (...) customers own prices.’
Greenwich Park
Object type: print
Date: 1859 – 1859
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed in plate, lower left, in image: "Whistler"
Edging
Object type: edging
Date: 1801 – 1900
Materials: cotton, metal thread
Techniques: lace
Study for San Francisco
Object type: drawing and watercolor
Date: 1855 – 1856
Materials: graphite, paper
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Studieblad met zes koppen
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: netherlands
Artist: cornelis kruseman
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1857
Subjects: drawing, sketch, head (human)
Inscriptions: collector's mark: Lugt 2228

Studieblad met zes verschillende koppen van mannen en vrouwen.
Set of four chutes
Object type: chute
Date: 1701 – 1800
Materials: gilt bronze
Fragment
Object type: fragment
Date: 1818 – 1818
Materials: metal thread, silk
Subjects: flowers,leaves
Gezicht op de Kathedraal van de Maria-Tenhemelopneming te Palermo
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: palermo
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: church (exterior)
Inscriptions: number: ‘1245’
Saucer
Object type: saucer
Date: 1801 – 1900
Materials: hard paste porcelain
Subjects: human figures,trees,boats
Houten panelen in de Frans I vleugel van het Kasteel van Blois
Object type: photomechanical print
Date: 1870 – 1875
Materials: paper
Techniques: woodburytype
Location: tours
Subjects: panelling, castle
Inscriptions: number: ‘PL. 45.’
Netsuke of Mouse in a Bag
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: mice
Fontaneldoek van linnen met een strook Mechelse kant, met golvende rand en open bessen aan een tak
Object type: childrenswear
Date: 1700 – 1800
Materials: linen
Techniques: lace
Location: europe
Artist: Anonymous

Fontaneldoekje van linnen met strookje kloskant (Mechelen) met golvende rand en open besjes aan een takje.
Master Lambton
Object type: print
Materials: paper
Techniques: engraving, mezzotint, printing
Location: england
Artist: samuel cousins
Artist role: engraver
Artist nationality: british
Artist dates: 1801 – 1887
Zacharias en Elisabet
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘346’

De houtsnede wordt gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 94r.
Ganesha Transcribing the Mahabharata
Object type: lithograph
Date: 1878 – 1883
Materials: glaze, watercolor
Techniques: hand coloring, lithograph, printing
Culture: indian or west bengali

Ganesha sits in a templelike space holding a bag of sweets; he is accompanied by a rat, which is his vehicle (vahana). This depiction is unusual in that it emphasizes his intellect and the role he played in transcribing the great religious epic, the Mahabharata, as dictated by the sage Vyasa. Ganesha is shown in the white robes of a learned Brahman, writing with a pen, rather than with his broken tusk, as is more commonly seen. By the late nineteenth century, mass-produced lithographs—like this lavish, hand-colored example—became widely available and found their way into household shrines across India. Images of Ganesha were especially popular.
Portret van Hendrik van Harcourt
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: hendrik van lotharingen (graaf van harcourt), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Haarlemmerdijk in Amsterdam, met op de voorgrond de Haarlemmersluis
Object type: photograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: street
Inscriptions: inscription: ‘38 HAARLEMMERDIJK/ Boekhandel. - C. F. Stemler. - Amsterdam.’, annotation: ‘De Haarlemmersluis met Haarlemmerdijk.’
De wonderbare vischvangst
Object type: popular print
Date: 1902 – 1902
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: epinal
Artist: Anonymous
Subjects: fishing (sports), father and son(s) (family group)
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen over Pierken en zijn vader die samen gaan vissen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 68.
Iacobus Androuetius Du Cerceau inventor ante annos non paucos conscripsit (...)
Object type: print
Date: 1525 – 1594
Materials: paper
Techniques: etching
Location: france
Inscriptions: collector's mark: Lugt 240

Blad uit serie met architectuurfantasieën en grotesken met fabelwezens, guirlandes, kandelabers en mascarons.
Roma. S. Pietro e il Vaticano
Object type: reproduction
Date: 1910 – 1930
Materials: cardboard
Techniques: photograph
Location: terni
Artist: Anonymous
Subjects: square, place, circus, etc., city-view, and landscape with man-made constructions, church (exterior)
Oinochoe (Pitcher) in the Shape of a Female Head
Object type: vessel
Date: 450 – 450
Materials: ceramic, terracotta
Culture: greek
Location: athens
Artist: attributed to the canessa class

Three manufacturing techniques were employed to produce this vessel. The lower portion, in the shape of a woman’s face, was made in a mold; the shoulder, neck, and mouth of the pitcher were formed on a potter’s wheel; and the handle was fashioned by hand. The woman's flesh and thick, centrally parted hair are the natural color of the clay, but her brows and the contours of her eyes and irises are drawn in black. Her sclerae are white, and her irises are brown.
Portret van koning Willem III met prinses Wilhelmina
Object type: album leaf
Date: 1881 – 1881
Materials: cardboard, paper
Techniques: autotype
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, brussels, willem iii (koning der nederlanden), father and daughter(s) (family group), historical persons, king

Deze fotomechanische afdruk maakt deel uit van een album.
Jérusalem, Vallée de Josaphat, Fronton du Tombeau de Josaphat
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture
Linkerkinderhandschoen van wit glacéleer met opslagen van machinale kant: imitatie Valenciennes
Object type: childrenswear
Date: 1900 – 1910
Materials: glazing, lace
Techniques: lace
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘4 1/4’

Linkerkinderhandschoen van wit glacéleer met opslagen van machinale kant: imitatie Valenciennes. Kort model, knoopsluiting.
Cupid on a tiger
Object type: print
Date: 1652 – 1652
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: cupid,tigers

Cupid riding a tiger, running towards right, holding on to a band wound around its neck. From a series of six plates, etched by Hollar after drawings by Giulio Romano from the collection of Nicolas Lanier, designs for stucco medallions at the Palazzo Te in Mantua.
Staande figuur, de armen over elkaar
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Design for Decorative Panels with Hunting Scenes Inset
Object type: drawing
Date: 1854 – 1854
Materials: watercolor
Artist: j. s. pearse
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: animals,hunting
Portret van Johann Rudolf Engau
Object type: print
Date: 1738 – 1757
Materials: paper
Techniques: engraving
Location: germany
Subjects: bookshelves, historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta column-krater (bowl for mixing wine and water)
Object type: column krater
Date: 460 – 460
Materials: terracotta
Culture: greek, attic
Artist: orchard painter
Artist role: artist
Subjects: women,hermes,poseidon

Obverse, Hermes and Poseidon pursuing women Reverse, youth between two women, one carrying a torch The amorous escapades of the Greek gods are familiar subjects on vases. The depiction on the reverse is more sober; the torch indicates the time of day. Both scenes are directly pertinent to the symposium, where the vase would have been used.
Engeland, George IV, ½ penny, 1826
Object type: coin
Date: 1826 – 1826
Materials: copper
Techniques: striking
Location: london

Koperen munt. Voorzijde: gelauwerd hoofd van de koning naar links. Jaartal in omschrift onderaan. Keerzijde: gezeten Brittannia met wapenschild met drietand, naar rechts. In afsnede klaverblad, roos en distel. Gladde rand.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1905 – 1905
Materials: cardboard, ink
Techniques: writing
Location: the hague
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: the hague, philip zilcken, the graphic arts, temporary exhibition, 'salon', venice
Inscriptions: collector's mark: ‘RPK’
Card Number 150, Adelina Detchon, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
"The Return"
Object type: drawing
Date: 1767 – 1900
Materials: chalk, graphite
Location: germany
Artist: johannes riepenhausen
Artist role: artist
Artist nationality: german
Artist dates: 1788 – 1860
Subjects: children,men,women,dogs
Portret van Jean Antoine Watteau
Object type: print
Date: 1708 – 1755
Materials: paper
Techniques: etching
Subjects: print maker, draughtsman, jean antoine watteau, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Portret van Andreas Frommann
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving
Location: germany
Subjects: historical persons
Inscriptions: date

Met achtregelig onderschrift in het Latijn onder het portret.
Gemeentelandshuis. Oude Delft W.Z. No. 167. Voorgevel
Object type: photograph
Date: 1900 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: delft
Artist: Anonymous
Subjects: gemeenlandshuis
Inscriptions: number: ‘11’, inscription: ‘Het recht van reproductie dezer photo's wordt door den Uitgever voorbehouden.’, inscription: ‘Delft. Begin 16e eeuw.’
Portret van een oude Russische boer
Object type: album leaf
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons, farmers
Inscriptions: inscription: ‘No. 3./ Oude boer.’
Vrouw poseert met de handen op de heupen
Object type: boekillustratie ontwerp
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: hand on the hip - aa - both arms or hands, standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228a, annotation: ‘teken pag 54/ 4/ geen onderschrift’, :

Een staande vrouw, gekleed in een broek tot op de kuiten en een top met blote buik, poseert met beide handen op de heupen en kijkt opzij.
Druipsteengrot
Object type: sketchbook leaf
Date: 1841 – 1865
Materials: paper, pencil, watercolor
Techniques: brush
Artist: petrus johannes schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1865
Subjects: stalactitic cave

Pagina 11 uit een schetsboek met 80 pagina's.
Frets, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1754 – 1754
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: ornament

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CLI in the 1754 and 1755 editions, renumbered as plate CXCII in the 1762 edition.
De tempel Salomons
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: engraving, etching
Location: kampen
Subjects: ark of the covenant ~ jewish religion, tabernacle, 'mishkan' ~ jewish religion, temple of solomon (1 kings 5-9; 2 chronicles 2-7), the seven-branched candlestick ~ temple of solomon, two cherubs placed within the inner sanctuary ~ temple of solomon
Inscriptions: inscription: ‘PJ. Arendzen October 1864’

De tempel van Salomon, onder het gebouw twee beelden van Koning Salomon en de Hogepriester met een os. In het midden zes objecten uit de tempel: de tafel der toonbroden, de Ark des Verbonds, het reukaltaar, de gouden kandelaar, het altaar van het brandoffer en de tabernakel.
Arita-Ware Apothecary Bottle
Object type: ceramic
Date: 1670 – 1680
Materials: porcelain
Techniques: underglaze
Location: japan