deem-data/ArtiFact huggingface dataset:
Knife Hilt with Horse-Head Pommel
Object type: costume and accessory
Date: 1701 – 1800
Materials: gold, jade, gemstone
Location: india
Portrait medal of Scaramuccia Trivulzio (obverse); Prudence (reverse)
Object type: medal
Date: 1517 – 1517
Materials: bronze, copper alloy, patina
Culture: italian
Subjects: men,portraits,profiles

This medal belongs to the Milanese School, known for uniformly high-quality work and the evident influence of such artists as Leone Leoni and Jacopo da Trezzo. The subtle modeling has produced a sympathetic characterization of a man described by contemporaries as pious and learned. Scaramuccia di Gianfermo Trivulzio became an advisor to King Louis XII of France and was named Cardinal of Saint Cyriaco under Pope Leo X. On the reverse, an allegorical figure of Prudence holds a mirror in her left hand and compasses in her right. The mirror symbolizes not vanity but the wise man’s capacity to see himself honestly, and the compasses represent measured judgment. The dragon at her feet stands for the serpent referred to in Matthew 10:16: "Be ye wise as serpents."
Portret van een onbekende jongen
Object type: photograph
Date: 1891 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: rotterdam
Artist: pieter wilhelmus roemer
Artist role: fotograaf
Artist dates: 1838 – 1924
Subjects: boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘P. W. Roemer/ ROTTERDAM/ Stationsweg 42./ Muster geschützt 25’
Berglandschappen
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: etching
Location: haarlem
Subjects: landscapes
Inscriptions: date
Brief aan Philip Zilcken
Object type: letter
Date: 1918 – 1918
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: annie heyting-tjebbes
Subjects: august heyting, draughtsman, philip zilcken, the graphic arts, family life, the hague, japan
Inscriptions: collector's mark: ‘RPK’

Samen met deze brief is een vel met twee gedichten door August Heyting (RP-D-1982-43-HEYTING(A.)-DOC.2) verstuurd.
Het Oude Stadhuis te Amsterdam
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions, civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2233

Het Oude Stadhuis van Amsterdam, voor de verwoesting door de grote brand van 1652. Een groep mensen staat te wachten voor een zijgebouw. Op de voorgrond worden twee mannen aangesproken door een bedelaar.
Portret van Christoph Friedrich von Ammon
Object type: print
Date: 1830 – 1860
Materials: paper
Techniques: lithograph
Location: munich
Subjects: theologian, historical persons, functionaries and dignitaries ~ episcopal protestant churches
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 4100
Cup
Object type: cup
Materials: terracotta
Culture: etruscan

High foot with circles in relief and knobs on lip.
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 70 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: flowers

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 7 horizontal registers that are separated into halves. Each half-register is decorated with a different floral pattern.
Tak
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Artist: bastiaan de poorter
Artist role: painter, print maker
Artist dates: 1813 – 1880
Subjects: trees (+ branch, stick)

Achterste schutblad uit een gecombineerd album amicorum en schetsboek met in totaal 39 bladen.
Bowl
Object type: bowl
Date: 500 – 301
Materials: ceramic, pigment
Culture: paracas
Location: peru
Portret van een onbekende Groningse student in maskeradekostuum
Object type: photograph
Date: 1896 – 1900
Materials: paper, cardboard
Techniques: collodion silver print
Location: groningen
Artist: jan frederik blöte
Artist role: fotograaf
Artist dates: 1865 – 1956
Subjects: students' pageant, costumes used in pageants, anonymous historical person portrayed
Inscriptions: inscription: ‘J.F. Blöte/ Photograaf en retoucheur/ Groningen/ Oosterstraat D9a’
Misery
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,fear,men
Bottle or Flask
Object type: glass
Date: 1890 – 1890
Materials: glass
Location: new york
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Statuette of a woman
Object type: statuette of a woman
Date: 400 – 301
Materials: bronze
Culture: etruscan
Subjects: women
The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer
Object type: print
Date: 1515 – 1600
Techniques: engraving
Artist: anonymous, italian, 16th to early 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1640
Subjects: reading,madonna and child

Verso not visible as the print is laid to another sheet of paper.
Dish with landscape seen though an arch
Object type: dish
Date: 1700 – 1700
Materials: earthenware
Techniques: maiolica, glazing
Artist: siro antonio africa
Artist role: artist
Artist nationality: italian
Artist dates: 1663 – 1735
Subjects: arches,landscapes

Landscapes with architectural ruins feature prominently on maiolica dishes made in Pavia, a city in the Lombardy region of Italy, during the late seventeenth and early eighteenth century. The two figures painted in front of the arch resemble spectators at a performance, drawing attention to the hilltop city in the distance, as well as the ingenuity of the dish’s painter.
Lily Pendant
Object type: pendant, lily
Date: 1390 – 1352
Materials: faience
Location: egypt
Portrait of the Collector Josephus Augustinus Brentano
Object type: painting
Date: 1813 – 1813
Materials: canvas, oil, paint
Location: amsterdam
Artist: adriaan de lelie
Artist role: draughtsman, painter
Artist dates: 1755 – 1820
Subjects: amsterdam

The art collector Brentano is here presenting his finest pieces. His hand rests on a 15th-century Italian painting by Giovanni Bellini. The wall behind him is covered with Dutch 17th-century masterpieces. The landscape at the lower left by Adriaen van de Velde was acquired by the Rijksmuseum as early as 1822. On the right we see De Lelie, the painter of the portrait, conversing with his patron Brentano and leafing through a book of artists’ biographies.
Studies of Hands and Figures for the Salon du Roi, Palais Bourbon
Object type: drawing
Date: 1833 – 1838
Materials: graphite
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: hands,male nudes
Zuiderkerkhofpoort
Object type: drawing
Date: 1898 – 1898
Materials: ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: l.m. köhler
Artist role: draughtsman
Subjects: city-view in general; 'veduta', gate, entrance
Inscriptions: inscription: ‘Zuider Kerkhofs Poort (...) Schoof 5 [...] E / 5 [...]’, inscription: ‘Legaat Joh. M. Coffeng. 1966’, signature and date: ‘L.M. Köhler. / 16 Mei 1898.’, collector's mark: ‘5B’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstelgrachtje, Amstelkanaal (Noorder-), Amstelveld, Amstelstraat (Nieuwe),
Annadwarsstraat, Antoniebreestraat.
Portret van Aloysius Contareno
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, ruler, sovereign

Prent met andere tekst op verso gebruikt in: Theatrum Europaeum (...). Frankfurt am Main: erven Matthäus Merian I, 1652.
Lijst
Object type: frame
Date: 1450 – 1549
Materials: wood
Scarab from Rennefer's Burial
Object type: scarab, million of year, rennefer
Date: 1504 – 1447
Materials: faience
Location: egypt
Subjects: scarabs
Polishing wheel for carving jade
Object type: jade carving tool
Date: 1901 – 2000
Materials: wood
Culture: chinese

These wheels are made of soft materials and are used for polishing works of jade. They are first smeared with a paste made of fine abrasives and water, and then mounted on a spinning shaft driven by foot treadles. This setup frees both of the craftsman’s hands to manipulate the jade.
Schilder achter zijn ezel
Object type: print
Date: 1750 – 1850
Materials: paper
Techniques: soft ground etching
Location: germany
Artist: Anonymous
Subjects: painter at work, in his studio
Inscriptions: collector's mark: Lugt 2228
Zicht op Tivoli
Object type: print
Date: 1824 – 1826
Materials: paper
Techniques: lithograph
Location: paris
Subjects: low hill country (+ landscape with figures, staffage), prospect of village, silhouette of village (+ city(-scape) with figures, staffage), tivoli
Inscriptions: check stamp: Lugt 3431, collector's mark: Lugt 2228
Berglandschap
Object type: drawing
Date: 1906 – 1945
Materials: chalk, paper, pencil
Techniques: drawing
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: landscapes, mountains, italy
Inscriptions: collector's mark: Lugt 2228
CERVUS BELGRANDI. 1/2 nature
Object type: photomechanical print
Date: 1860 – 1869
Materials: paper
Techniques: photolithography
Location: paris
Subjects: animals (+ skeleton of an animal), palaeontology, france
Inscriptions: inscription: ‘Ville de Paris Ateliers photo & litho-photo. E. Lacan, dir. Procédé spécial photo-litho A. Bilordeaux’, number: ‘Pl. 20’

Voor plek prent in boek: zie nummer onder 'Opschriften / Merken'.
Volwassen man, zijn rechterhand zichtbaar
Object type: album leaf
Date: 1802 – 1802
Materials: paper
Techniques: drypoint, etching
Location: london
Subjects: morphology of human expression (+ adult male (human being))
Inscriptions: collector's mark: ‘B’, collector's mark: ‘RIJKS / MUSM’
Ornament with Decoration of Bird among Lotuses
Object type: ornament
Date: 918 – 1392
Materials: gold
Culture: korean
Subjects: birds
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706)
Object type: harquebusier's armor
Materials: gold, leather, steel, textile
Culture: british
Location: england
Artist: richard holden
Artist role: armorer
Artist nationality: british
Artist dates: 1658 – 1708

This armor can be identified by its decoration as having belonged to Pedro II (reigned 1683–1706). The decoration includes the crowned monogram PR for Pedro Rex (Pedro the King) and the cross of the commander of the Order of Christ, a hereditary office held by the kings of Portugal. Harquebusiers were armored cavalrymen generally equipped with a carbine (known as a harquebus) carried at the right side on a shoulder belt, a pair of pistols holstered at the front of the saddle, and a sword. This form of armor, consisting of a triple-barred helmet, a cuirass with a bulletproof reinforcing breastplate, and an elbow gaunlet, was commonplace in England up to about 1645. The armor of King Pedro is significant not only as a very late example of this type but also as the probable work of the London armorer Richard Holden. A very similar armor made by Holden in 1686 for James II of England (reigned 1685–88) is in the Royal Armouries in the Tower of London. The armor is shown with an associated buff coat (acc. no. 29.158.885). This sturdy leather defense, which provided effective protection against sword cuts, was worn throughout the seventeenth century, first in conjunction with armor and later alone.
Seated Man with Extended Left Arm
Object type: drawing and watercolor
Materials: crayon, graphite, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Un bureau d'attente d'omnibus, from Tirage Unique de Trente-Six Bois
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: charles maurand
Artist nationality: french
Artist dates: 1824 – 1904
Vase fragment
Object type: vase fragment
Date: 31 – 14
Materials: terracotta
Culture: roman
Subjects: men

Youth seated on column-shaped support.
Dupondius (Coin) Portraying Germanicus Caesar
Object type: coin
Date: 15 – 19
Materials: bronze, copper alloy, metal
Culture: roman
Location: rome
Inscriptions: Obverse: GERMANIICVS CAESAR
Reverse: SIGNIS RECEPT DE VICTIS GERM  S  C
"Standards recaptured from the conquered Germans."

The front of this coin portrays the Roman general Germanicus in his triumphal quadriga.
On the back, Germanicus is shown standing.
Kaart van het Hoogheemraadschap van de Krimpenerwaard (vijfde deel van kaart)
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Artist: johannes leupenius
Artist role: draughtsman, painter, print maker
Artist dates: 1646 – 1693
Subjects: maps of separate countries or regions, maps of cities

Vijfde deel van de kaart van de eerste druk van 'Het Hooge Heemraadschap vande Crimpenre Waard', een wandkaart (bestaande uit een zesdelige kaart en een wapenrand) van het Hoogheemraadschap van de Krimpenerwaard.
Effigies Nomina et Cognomina S.D.N. Alexandri Papae VII et RR. DD. SRE. Cardd (...).
Object type: print
Date: 1675 – 1690
Materials: paper
Techniques: engraving
Location: rome
Subjects: rome, cardinal

Portret van kardinaal Cesare Rasponi. Linksboven het wapen van paus Alexander VII en rechtsboven het wapen van de kardinaal. Onderaan een onderschrift in het Latijn. De prent maakt deel uit van een album.
Hat
Object type: hat
Date: 1801 – 1900
Culture: american
Vessel
Object type: vessel
Materials: ceramic
Culture: egyptian
Location: egypt
Subjects: dining, drinking
Beggar leaning on a stick, facing left
Object type: print
Date: 1719 – 1780
Materials: paper
Techniques: etching
Artist: françois vivares
Artist role: print maker
Artist dates: 1709 – 1780
Subjects: beggar
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt. Prent gebruikt in: A collection of 200 original etchings. Londen: J.M. Creery, [1816].
Beeld van een leeuw bij een gebouw met een zuilengalerij
Object type: sketchbook leaf
Date: 1877 – 1932
Materials: pencil
Location: paris
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: column, pillar ~ architecture, monument, statue, beasts of prey, predatory animals: lion
Inscriptions: kleurnotitie, handgeschreven

Pagina 81 uit een schetsboek met 68 bladen.
Netsuke of Foreigner Carrying a Dog
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: men
Adam and Eve
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: etching
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Océanie: Îlots à Uvea (Wallis): Pêche aux Palmes, 1845 (Oceania: Fishing, near islands with palms in the Uea or Wallis Group, 1845), from "The Voyage to New Zealand (1842–46)"
Object type: print
Date: 1863 – 1863
Techniques: drypoint, etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: fishing,ships
Plattegrond van de figuratieve kaart van Den Haag (eerste deel)
Object type: area plan
Date: 1665 – 1667
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), the hague
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Archief Ministerie van Oorlog Afdeeling Genie’

Deze prent is onderdeel van een plattegrond van Den Haag. Deze staat van de plattegrond werd oorspronkelijk uitgegeven met een sierrand, bestaande uit een gezicht op de stad en veertien kleinere gezichten in en om Den Haag, en vormde zo de zogenaamde figuratieve kaart van Den Haag.

Voor de prenten die de rand vormen, zie: RP-P-AO-12-8, RP-P-AO-12-8-2, RP-P-OB-50.201, RP-P-OB-50.202, RP-P-OB-50.203, RP-P-OB-50.204, RP-P-OB-50.205, RP-P-OB-50.206, RP-P-OB-50.207, RP-P-OB-50.208, RP-P-OB-102.387, RP-P-OB-50.209, RP-P-OB-50.210, RP-P-OB-50.211, RP-P-OB-50.212, RP-P-OB-50.213, RP-P-AO-12-5-4 en RP-P-OB-50.214.
Sinte Ioris
Object type: print
Date: 1700 – 1725
Materials: paper
Techniques: woodcut
Location: southern netherlands
Subjects: the warrior martyr george (georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword - miraculous activities and events ~ male saint, archer's weapons
Inscriptions: collector's mark: Lugt 2760

Paneel met Sint Joris die de draak verslaat, bovenaan een kruisboog met twee paren gekruiste pijlen, Sint-Jorisdoelen.
Architectural Interior
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: interiors,chairs,tables
Viaduct bij Pont du Loup
Object type: photograph
Date: 1903 – 1903
Materials: paper, photographic support
Techniques: gelatin silver print
Location: pont du loup
Artist: delizy
Artist role: manufacturer
Subjects: prospect of village, silhouette of village, landscape with bridge, viaduct or aqueduct

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Fabel van de leeuw en de vos
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: prague
Artist: aegidius sadeler (ii)
Artist role: draughtsman, print maker
Artist dates: 1568 – 1629
Subjects: goat (+ dying animal; death of animal; dead animal), ass, donkey, fables, beasts of prey, predatory animals: lion, beasts of prey, predatory animals: fox

Een leeuw verslindt een ezel. Naast de ezel ligt een dode geit. Op een heuveltje kijkt een vos toe. De fabel beschrijft hoe koning leeuw alle dieren uitnodigt naar het paleis. De vos vertrouwt de leeuw niet en wacht voor de ingang van het paleis af. Hij ontdekt dat geen van de andere dieren het paleis terug verlaat. De moraal van het verhaal leert dat men tirannieke vorsten nooit mag vertrouwen.
Reproductie van een prent van vier vliegende vogels en een tak met bloesem, met het gedicht Avril van François Coppée, door Hector Giacomelli
Object type: page
Date: 1871 – 1876
Materials: paper
Techniques: chromolithography, photograph
Subjects: birds, april ~ other concepts
Architettura con diversi ornamenti cavati dall' Antico
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: italy
Hanging
Object type: hanging
Date: 1567 – 1600
Materials: linen, wool
Subjects: coat of arms
Kleine mens (karikatuur) met fles en glas
Object type: print
Date: 1621 – 1625
Materials: paper
Techniques: engraving, etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: little people, glass, rummer, container of glass: bottle, jar, vase, bottle of wine, glass of wine
Inscriptions: collector's mark: Lugt 240

Een kleine mens (karikatuur), van voren gezien, een hoge hoed met twee veren op het hoofd, in de rechterhand een fles, in de linkerhand een glas. Deze prent is onderdeel van een serie van 21 prenten met groteske figuren; vrijwel al die figuren zijn karikaturen van kleine mensen, velen zijn gebocheld.
Portret van een jonge man in uniform
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: bourg-en-bresse
Artist: désiré duval
Artist role: fotograaf
Artist dates: 1865 – 1930
Subjects: historical persons, youth, adolescent, (military) uniforms
Inscriptions: inscription: ‘Ancne Mai or/ Gaudichon/ D. Duval/ Successeur/ 1./ Place Joubert/ Bourg (Ain)/ Atelier de Pose a la Lumière Artificielle/ Tous les Clichés étant conservés on peut avoir/ de nouvelles Cartes sans poser de nouveau.’
Staand kind
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: child

Blad 3 recto uit een schetsboek met 47 bladen.
Card Number 568, Myra Ward, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Bruges Hotel-de-Ville
Object type: cabinet photograph
Date: 1864 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: brugge
Subjects: townhall
Inscriptions: number: ‘118’
Bos
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: photograph
Artist: léon sneyers
Artist role: architect, fotograaf
Artist dates: 1877 – 1949
Subjects: forest, wood
Inscriptions: inscription: ‘ART EN PHOTOGRAPHIE, No 10’

Deze prent maakt deel uit van een omslag met 54 prenten op 52 bladen.
Gezicht op de haven van Bordeaux
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: bordeaux
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: harbour, ships (in general)
Inscriptions: number: ‘1943.’
Peaceable Kingdom
Object type: painting
Date: 1830 – 1832
Materials: canvas, oil
Culture: american
Artist: edward hicks
Artist role: artist
Artist nationality: american
Artist dates: 1780 – 1849
Subjects: women,cows,lambs,leopards,lions,ox

The Quaker minister and painter Edward Hicks is best known for his Peaceable Kingdom pictures, of which sixty-two exist. The paintings represent a messianic prophecy in the book of Isaiah (11:6): “The wolf also shall dwell with the lamb, and the leopard shall lie down with the kid; and the calf and the young lion and the fatling together; and a little child shall lead them.” During the 1820s, a severe rift formed within the Society of Friends. In this version of Hicks’s favorite motif, the split is represented by the shattered tree trunk, and the desire for peace between the factions by the menagerie of discordant beasts lying down in perfect harmony. The lion and his companion, the ox, were, for Hicks, symbols of redemption.
The Port of London England
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshitora
Artist role: artist
Artist nationality: japanese
Artist dates: 1845 – 1880
Subjects: horses,carriages,ships,london
Frederik Hendrik doet zijn Eed als Stadhouder
Object type: history print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: netherlands
Subjects: delft, frederick henry (prince of orange), new ruler taking the oath, popular representation ~ government, the hague
Inscriptions: date

Gebruikt als illustratie in: Jacobus Kok, Vaderlandsch Woordenboek, Johannes Allart, Amsterdam 1785-1799, 35 delen, dl. XVI, pl. I.
Handschoen van grijs, beige zeemleer
Object type: glove
Date: 1900 – 1915
Materials: leather
Location: western europe
Artist: Anonymous

Rechterhandschoen van grijs, beige zeemleer. Op de rug drie uitstralende koorden.
De beroemde bas Boris Christoff
Object type: photomechanical print
Date: 1954 – 1954
Materials: cardboard, ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: rome, portrait of opera-singer
Inscriptions: signature: ‘Boris Christoff/ Roma 1954’, inscription: ‘Boris Christoff werd geboren op (...)’
Ewer
Object type: ewer
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states

Named in reference to the ancient marble quarry on the Greek island of Parros, parian has higher proportion of feldspar than conventional porcelain, resulting in a vitrified biscuit body that resembles white statuary marble. Stylish and affordable, parian statuary and hollowware were extremely popular household ornaments in the mid-nineteenth century. This vessel was likely made by the United States Pottery Company, which exhibited parian to great acclaim at the 1853 Crystal Palace Exhibition in New York.