deem-data/ArtiFact huggingface dataset:
Vase
Object type: vase
Date: 1301 – 1500
Materials: clay
Culture: korean
[Group Portrait of Four Women, Two Men and Three Children in a Garden]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: franz antoine
Artist role: artist
Artist nationality: austrian
Artist dates: 1815 – 1886
Subjects: girls,men,portraits,women
Portret van Johannes Oosterdijk Schacht
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: hoogleraar, johannes oosterdijk schacht
Inscriptions: collector's mark: Lugt 2228

Johannes Oosterdijk Schacht, filosoof en hoogleraar geneeskunde te Utrecht. Onderaan in de marge een achtregelige tekst in het Latijn.
Lilies (Corey Memorial Window)
Object type: architectural fragment
Date: 1892 – 1895
Materials: glass
Location: corona
Artist: tiffany glass and decorating company
Artist role: artist
Artist nationality: american
Artist dates: 1894 – 1902
Subjects: chicago, architecture

This memorial window, dedicated to Francis Edwin Corey and his wife, Vernera Leonard Corey, is one of several that Louis Comfort Tiffany’s Tiffany Glass and Decorating Company designed for Christ Reformed Episcopal Church in Chicago. Tiffany used lilies in his stained glass a number of times; the Coreys may have been inspired to commission this design by the well-publicized Field of Lilies Window in Tiffany’s chapel at the 1893 World’s Columbian Exposition in Chicago. Lilies were also considered appropriate for commemorative works, since they symbolized resurrection. When Christ Reformed Episcopal Church was demolished in 1962, the Tiffany windows were moved to St. Andrew Reformed Episcopal Church in Tinley Park, Illinois. The two parts of the Corey Memorial Window are now displayed on either side of this wall.
Begrafenispenning van het Sint Joseph- of steenhouwersgilde te 's-Gravenhage 1710
Object type: medal
Date: 1710 – 1710
Materials: brass
Techniques: casting
Inscriptions: circumscription: ‘Ao - 1710’, inscription: ‘N 1’, circumscription: ‘(roos) Ao 1710 (roos)’

Gegoten messing penning, op de voorzijde Sint Joseph met steenhouwershamer tussen S en I en het jaartal, op de keerzijde een lijkbaar waarboven het jaartal en incuus nummer 1, met draaggat
Man voor een paardenkar
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: hamburg
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
's-Gravenhage. Regentesseplein en Kerk
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1903
Materials: cardboard
Techniques: lithograph
Location: leipzig
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, church (exterior)
Inscriptions: date
Portret van de Franse politicus Marie-Jean Hérault de Séchelles
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: stippled etching
Location: amsterdam
Artist: ludwig gottlieb portman
Artist role: print maker
Artist dates: 1772 – 1828
Subjects: paris, politician
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als illustratie in: Tafereelen van de staatsomwenteling in Frankrijk, deel 17, p. 130. Amsterdam: Johannes Allart, 1803.
Studie
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

Pagina 78 uit een schetsboek met 32 bladen.
Portret van Fidès Devries
Object type: carte de visite
Date: 1870 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: charles reutlinger
Artist role: publisher
Artist dates: 1816 – 1880
Subjects: historical persons - bb - woman, female singer
Inscriptions: inscription: ‘(...) Ch. Reutlinger/ Photographe/ 21, Boulevard Montmartre, 21/ Paris’, annotation: ‘[...]’, annotation: ‘Fides de Vries (Reutlinger’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, calf and part of foot of male to left; Exterior, part of right calf and foot of a male to left; knee, calf, and foot of a bent left leg of a male to left
Tien gezichten op Utrecht
Object type: print
Materials: ink, paper
Techniques: lithograph
Artist: dirkje kuik
Artist role: print maker
Artist dates: 1929 – 2008
Subjects: ruin of church, monastery, etc. - qq - small church, chapel, city-view in general; 'veduta' - ii - ideal city
Inscriptions: signature: ‘WDkuik’, title: ‘Buurkerk’, edition: ‘XVI’
Actress wearing fur collar and hat, from Stars of the Stage, Third Series (N131) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1891 – 1892
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Stars of the Stage, Third Series" (N131), issued in an unnumbered set of 25 cards in 1891-92 by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco.
Ex libris van Fanni en Toni Hofer
Object type: bookplate
Date: 1937 – 1937
Materials: paper
Techniques: etching
Location: hungary
Artist: endre vadász
Artist role: painter, print maker
Artist dates: 1901 – 1944
Subjects: painter, toni hofer, island, family life at home
Inscriptions: date
Portret van Adèle Isaac
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: woodburytype
Location: paris
Artist: wilhelm benque
Artist role: fotograaf
Artist dates: 1843 – 1903
Subjects: paris, historical persons - bb - woman, portrait of opera-singer
St.-Pétersbourg. État Major Général
Object type: photomechanical print
Date: 1904 – 1930
Materials: cardboard
Techniques: photograph
Location: sint-petersburg
Subjects: edifice, e.g.: public building, department store

Boven de Franse titel staat de titel in het Russisch.
Ex libris van Anne Therese Ph: d'Yve
Object type: bookplate
Date: 1748 – 1814
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Scarab Inscribed with a Geometric Pattern
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Gomboom in de Plantentuin van paleis Buitenzorg
Object type: photograph
Date: 1870 – 1908
Materials: cardboard, paper
Techniques: albumen print
Location: buitenzorg
Subjects: trees, botanic garden, 'hortus botanicus'
Inscriptions: check stamp: ‘Photographieen van Ned. Indië/ W & P/ Batavia’, inscription: ‘'s Lands Plantentuin/ Buitenzorg/ Gomboom’
Leven, passie en wederopstanding van Christus
Object type: print
Date: 1582 – 1671
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich ulrich
Artist role: draughtsman, painter, print maker
Artist dates: 1572 – 1671
Subjects: christ before king herod; sometimes a gorgeous robe is brought (luke 23:8-11)
Inscriptions: number: ‘38. - 64.’, collector's mark: Lugt 240
Purse
Object type: purse
Date: 1800 – 1810
Culture: european
Portret van een meisje leunend op stoel
Object type: cabinet photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: straatsburg
Artist: mathias gerschel
Subjects: child (at home) - aa - girl
Inscriptions: name: ‘Maison Gerschel Frères M. Gerschel 3. Rue de la Mésange. 3. Meisengasse 3. Maison du Café de la Mésange Im Hause Kaffe zur Meise Strasbourg.’
Boeren of dorpze kermis-vreugd
Object type: popular print
Date: 1725 – 1780
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: (annual) fair, trade fair, one pair dancing; man and woman dancing as a couple, pleasure fair and circus, instrumental popular music, shooting-the-bird (on a high pole)
Inscriptions: collector's mark: Lugt 2760

Kermis in een boerendorp. Met boeren die eten en drinken en dansen op de muziek van de muzikanten links. Op de achtergrond kraampjes en schieten op de papegaai. Onder de voorstelling een vers in vijf kolommen. Genummerd rechtsboven: *95.
Neustria. Britanniae et Normandiae Typus
Object type: album leaf
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche, cupids: 'amores', 'amoretti', 'putti'

Ronde cartouche met twee putti die wijzen naar de tekst Neustria. De cartouche is een fragment van een kaart van Normandië en Bretagne. De prent maakt deel uit van een album.
Het Groote Tafereel der Dwaasheid
Object type: cartoon
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Subjects: labyrinth, maze ~ garden, the way to destruction is broad and the gate is wide; the way to life is narrow and the gate is straight ~ doctrine of christ on love, etc. (matthew 7:13-14; luke 13:24), merchant, salesman

De oprechte en de geldzuchtige koopman. Links de oprechte koopman met Mercurius en Deugd voor de troon van de Waarheid, rechts de geldzuchtige koopman (de windhandelaar) met Bedrog en Schalkheid voor de troon van de Rijkdom. Op de balustrade bijbelcitaten. Op de achtergrond een tuin met een doolhof met de smalle en de brede weg. In het onderschrift de legenda 1-14 in het Nederlands. Apart gedrukt op het blad onder de plaat de titel en een vers van 2 kolommen. Prent in de gebonden vierde uitgave (304 B 12) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Taartvork van zilver
Object type: fork
Date: 1929 – 1929
Materials: silver
Location: schoonhoven
Artist: harm ellens
Artist role: print maker
Artist dates: 1871 – 1939
Inscriptions: mark

De platte vijftandige vork heeft een opengewerkte versiering van vlamachtige motieven.
St. Andrews. The College Church of St. Salvator
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: churches
A Dancing Bear
Object type: print
Date: 1800 – 1827
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: bears,men
Gezicht op Zwolle, vanuit het zuiden
Object type: drawing
Date: 1647 – 1657
Materials: paper, pencil
Inscriptions: annotation: ‘Zwolle’
Portret van Gonzalo Fernández de Córdoba
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons

Prent mogelijk uit: Thevet, Andre. Histoire des plus illustres et sçavans hommes de leurs siècles (...). Parijs: François Mauger, 1671, dl. 5, tussen p. 34 en 35.
Patriotse visie op slavernij
Object type: embroidery
Date: 1794 – 1794
Materials: silk, wood, yarns
Techniques: embroidered, gilding
Location: arnhem
Artist: louise van ommeren-hengevelt
Artist dates: 1757 – 1846
Subjects: liberation (of an enslaved person), abolition of slavery, fighting slavery
Inscriptions: signature and date: ‘L. van Ommeren / Geb. Hengevelt / 1794’, inscription: ‘Komt, daar onse harten bloeden / Dat hier onse daden spreken, / Op het zien van slavernij / Laten wij dit Muisje vrij.’

Patriots anti-slavernij borduurwerk door L. van Ommeren-Hengevelt, 1794 Aan het eind van de 18de eeuw keerden vooruitstrevende burgers in de Republiek zich tegen de slavernij. Het borduursel bestaat uit een Rijmpje en een voorstelling van een familie in een tuin rond een tafel waarop een muis in een muizenval.
Gideon selecteert manschappen bij de rivier
Object type: album leaf
Date: 1561 – 1561
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: those who lap water by putting their hand to their mouth are separated from those who kneel down to drink the water ~ selection of gideon's men

Na een eerste selectie zijn er nog steeds teveel manschappen en raadt God Gideon aan om de overige mannen mee te nemen naar de rivier. Driehonderd man likken het water op met hun tong en de overigen knielen om te drinken. God vertelde Gideon dat Israël met de hulp van de driehonderd man die het water oplikten, Israël zou gaan bevrijden. Onder de voorstelling een onderschrift in het Latijn. Prent maakt deel uit van een album.
Hollandse kostuums
Object type: costume print
Date: 1710 – 1755
Materials: paper
Techniques: etching
Artist: adolf van der laan
Artist role: draughtsman, print maker
Artist dates: 1689 – 1742
Subjects: europeans (with name) (+ costume), clothes, costume (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1967

Man ten voeten uit, gekleed volgens de Hollandse mode ca. 1710-1720, op trede van bordes. Met zijn rechterhand neemt hij zijn hoed af. De prent maakt deel uit van een zestiendelige serie prenten met voorstellingen van Hollandse kostuums.
School of Fishes
Object type: album leaf
Date: 1890 – 1892
Materials: ink, silk
Culture: japanese
Artist: seki shūkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1858 – 1915
Subjects: fish
Batavorum cum Romanis Bellum
Object type: print
Date: 1611 – 1612
Materials: paper
Techniques: etching, letterpress printing
Location: antwerp
Subjects: warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life

De voorhoede van de nieuwe Romeinse troepen draait zich om en keert terug. Onderschrift in het Nederlands en in het Latijn.
Chairmaker
Object type: figure
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: men
Studie van iris en cyclaam
Object type: drawing
Date: 1677 – 1755
Materials: paper, pencil, watercolor
Techniques: brush
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: flowers: cyclamen, flowers: iris
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1875 – 1875
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: mari ten kate
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1910
Subjects: publisher, printer, art trade, art shop, drawing, money
Inscriptions: collector's mark: Lugt 2233
Casteel Royal du Bois de Vincene
Object type: album leaf
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: castle

Prent origineel vervaardigd als boekillustratie voor: Zeiller, Martin. Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Frankreich, 13 delen. Frankfurt am Main: Caspar Merian, 1655-1661. De prent werd voor het eerst gepubliceerd in deel 1: Topographia Galliae, 1655.

De prent is langs de bovenrand van de voorstelling afgescheurd. De voorstelling is aan de bovenzijde aangevuld met een geschilderde lucht.
Kleine scènes uit het dagelijks leven
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: various human types
Inscriptions: collector's mark: Lugt 2228a

Prent maakt deel uit van een omslag met achttien prenten.
Fragment
Object type: textile
Date: 1601 – 1700
Materials: textile, linen, wool
Techniques: weave
Location: europe
Subjects: flowers
Brief aan Andries Bonger
Object type: letter
Date: 1908 – 1908
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: amsterdam, andries bonger, hector berlioz, applied arts, arts and crafts; industrial design, painting (including book-illumination, miniature-painting), sports, games and physical performances, money, switzerland
Inscriptions: watermark
Three Studies of a Lion
Object type: drawing
Date: 1815 – 1863
Materials: graphite, paper
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: lions
Traveling set
Object type: traveling set
Date: 1760 – 1760
Materials: leather, silver, steel
Techniques: gilding, tooling
Artist: i.f.
Artist role: maker
Artist nationality: hungarian
The Publican's Prayer
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: women,praying,chairs
Shawl
Object type: shawl
Date: 1834 – 1866
Materials: wool
Culture: indian
Interieur van een kamer in het Rijnlandshuis te Leiden
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: leiden
Artist: henricus jacobus tollens
Artist role: painter
Artist dates: 1864 – 1936
Subjects: interior of the house
Inscriptions: annotation: ‘Rijnlandshuis Leiden/ No.1’, inscription: ‘113’, inscription: ‘H.J. Tollens C. Hzn./ Ateliers voor Fotografie/ Dordrecht-Eindhoven’
The Bagpiper
Object type: print
Date: 1514 – 1514
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,bagpipes
Phaeton (unnumbered)
Object type: print
Date: 1870 – 1870
Techniques: lithograph
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bruxelles. Chaire de Vérité de Sainte-Gudule
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: brussels
Artist: Anonymous
Subjects: interior of church, pulpit, ambo, chancel
Violin
Object type: violin
Date: 1752 – 1752
Materials: wood
Culture: italian
Artist: lorenzo carcassi
Artist role: maker

This violin bears a label of Lorenzo Carcassi of Borgo from 1752, although this certainly incorrect. The instrument may be eighteenth century from either France or Holland. Description: medium grain spruce top, two-piece quarter sawn maple back, with a medium curl descending from the center seam. Red-brown varnish. Neck grafted at the base of the pegbox. Beech and ebony purfling. Short, rounded F-holes, arching high and full from the edges. Label and interior coated in reddish stain. Ebony taipliece and rosewood button and pegs, with gold inlay.
Gevleugelde naakte vrouw
Object type: sketchbook leaf
Date: 1751 – 1751
Materials: chalk, paper
Artist: lorenzo baldissera tiepolo
Artist role: draughtsman, print maker
Artist dates: 1736 – 1776
Subjects: female angels, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure

Mogelijk een vrouwelijke engel. Bladzijde 83 uit een schetsboek met 158 bladzijden.
Portret van Johann Christian Christoph Rüdiger
Object type: print
Date: 1785 – 1823
Materials: paper
Techniques: engraving
Location: halle an der saale
Artist: daniel beyel
Artist role: draughtsman, print maker
Artist dates: 1760 – 1823
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Judit met het hoofd van Holofernes
Object type: album leaf
Date: 1710 – 1714
Materials: paper
Techniques: engraving
Location: wolfenbüttel
Subjects: judith and her maidservant put holofernes' head in a sack

Tekst in het Duits en het Latijn in de ondermarge. Prent maakt deel uit van een album.
Bowl with cover
Object type: bowl with cover
Date: 1720 – 1725
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: chinoiserie,men,women,insects

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Verzorgster
Object type: print
Date: 1832 – 1888
Materials: paper
Techniques: etching
Location: netherlands
Artist: karel frederik bombled
Artist role: draughtsman, print maker
Artist dates: 1822 – 1902
Subjects: sleeping in chair, (other forms of) needlework, e.g.: crocheting, knitting, embroidering, nursing, tending the sick, lover (woman) alone (e.g. longing for the beloved), the (nude) human figure; 'corpo humano' (ripa) (+ old male (human being))
Inscriptions: collector's mark: Lugt 2228

Achterin de kamer zit een oude man in een stoel te slapen. Rechts op de voorgrond kijkt zijn verzorgster verveeld het raam uit. Haar borduurwerk ligt onberoerd naast haar op tafel. Door het raam kan men de contouren van een jongeling herkennen.
Roma. Castel S. Angelo
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: italy
Subjects: fortress, river, bridge
Inscriptions: mark: ‘C.A.R.’
Portret van Johann Konrad Schmidt
Object type: print
Date: 1768 – 1831
Materials: paper
Techniques: engraving
Location: basel
Subjects: historical persons, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 2228
Art - Goût - Beauté, Feuillets de l' élégance féminine, Noël 1928, No. 100, 9e Année, p. 41
Object type: fashion print
Date: 1928 – 1928
Materials: paper
Techniques: printing, lithograph, photography
Subjects: centre-piece, epergne, 'surtout', 'milieu-de-table', fashion plates

Tekst 'L'orfévre et l 'argentier' met een afbeelding van een 'milieu de table' (middenstuk) in zilver en marmer, van Lapparra. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Gezicht op de basaltgroeve Wilscheiderberg in Noord-Rijnland-Westfalen, Duitsland
Object type: photograph
Date: 1883 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: north rhine-westphalia
Artist: Anonymous
Subjects: quarry (+ stone), quarry
Inscriptions: number: ‘16.’
Portret van een staand meisje met pop in de hand
Object type: album leaf
Date: 1892 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: historical persons - bb - woman, girl (child between toddler and youth), (playing with) dolls
Inscriptions: inscription: ‘Fotografie/ Artistique/ M. H. Laddé/ Amsterdam/ Nieuwendijk 57-59/ boven de Firma MERKELBACH & Co/ Het Cliché wordt voor verdere bestellingen bewaard.’