deem-data/ArtiFact huggingface dataset:
View of Batavia
Object type: painting
Date: 1662 – 1662
Materials: canvas, oil
Artist: andries beeckman
Artist role: painter
Subjects: market, trees: palm-tree
Inscriptions: signature, bottom right, on the upturned boat (A and B ligated): ‘ABeeckman F’

These people would never have all been together at the same time! Beeckman was trying to give an overview of the different ethnic groups in Batavia. They include Japanese, Indians, ‘mardijkers’ – formerly enslaved people, recognizable by their striped clothing – and a Dutch-Eurasian couple and their enslaved servant with a pajong (sunshade). A Javanese woman sells fruit, a Chinese person is fishing and Moluccans play football with a rattan ball. This painting hung in the assembly room of the Dutch East India Company (VOC) headquarters in Amsterdam.
Piece
Object type: piece
Date: 1770 – 1770
Materials: silk
Subjects: flowers
Kantkloskussen, overtrokken met witte en blauw-groene zijde, afgezet met goud- en zilverdraad
Object type: kantkloskussen
Date: 1750 – 1800
Materials: metal thread, board, silk
Location: amsterdam
Artist: Anonymous

Kantkloskussen vervaardigd van karton. De zachte vulling is overtrokken met linnen en daaroverheen met blauw-groene zijde, afgezet met metaalgalon, dat is vastgezet met spelden. De achter- en zijkanten van het kussen zijn overtrokken met zijde met goud- en zilverdraad. De onderzijde van het kussen is van witte zijde.
Man staat voorovergebogen in de branding
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: r. michelly
Artist role: fotograaf
Subjects: adult man, sea (seascape), surf, breakers
Teapot and tray
Object type: teapot tray
Date: 1725 – 1725
Materials: silver, wood
Artist: bowles nash
Artist role: maker
Artist dates: 1720 – 1720
Subjects: coat of arms
Troyes. Cathédrale
Object type: photograph
Date: 1880 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: kathedraal van troyes
Bordenrek, vervaardigd van bordpapier en hout
Object type: miniature
Date: 1676 – 1676
Materials: board, wood
Location: amsterdam
Artist: Anonymous

Bordenrek, vervaardigd van bordpapier en hout, crèmekleurig gelakt en versierd met zwarte stippen en balken. Bovenaan de zijwanden zijn ophangogen aangebracht, waardoorheen touwen.
Ornament met edelstenen en hemelglobe
Object type: print
Date: 1597 – 1667
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: ornamental decoration ~ printed matter, book

Afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam.
In het Land van Rembrandt
Object type: cartoon
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: wilhelmina of the netherlands, painter, otto eerelman, equestrian state-portrait, political caricatures and satires, painter working from clothed model
Inscriptions: date

Spotprent op de schilder Eerelman die het ruiterportret van de jonge Wilhelmina schildert. Eerelman voorgesteld als Velasquez staande voor zijn ezel, linksvoor op de grond een portret van mevrouw Carré te paard. Onderaan vier regels tekst. Verschenen in de bijvoegsel van 'De Kroniek' van 7 april 1895.
Landschap met drie mannen op een rots
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: rock-formations (+ landscape with figures, staffage)

Bergachtig landschap met een vervallen hut onder twee bomen. Op de voorgrond een man en een vrouw en op de achtergrond drie personen op een rots.
Portret van Johann Harpprecht
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: frankfurt am main
Subjects: historical persons, lawyer, attorney at law

Prent uit: Bibliotheca chalcographica. Frankfurt am Main: Johannes Ammon, 1650, dl. 6.
Brief aan Jan van Wely
Object type: drawing
Date: 1605 – 1605
Materials: ink, paper
Techniques: pen, writing
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: old man (+ three-quarter view)
Inscriptions: seal, collector's mark: Lugt 2233, collector's mark: Lugt 2228a, watermark

De brief begeleide een mantel welke Goltzius aan Van Weely retourneerde.
Gezicht op een plantsoen op de Champs-Élysées in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: plantation, street
Inscriptions: number: ‘No. 68 XXV’, inscription: ‘Champs Elysées, Paris instantané’
Portret van August Wilhelm von Braunschweig-Lüneburg
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: mezzotint
Location: london
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 240
Gezicht op Il Babuino te Rome
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: gustave eugène chauffourier
Artist role: fotograaf
Artist dates: 1845 – 1919
Subjects: (story of) silenus, sculpture
Inscriptions: collector's mark: Lugt 3937, inscription: ‘Roma’, number: ‘2748’
String of beads
Object type: bead, string
Materials: glass
Location: egypt

This collection of ancient beads of varied sizes, colors, and styles is grouped together on a modern string. There are plain examples, mottled beads that appear to imitate stone, several beads of gilded glass, and a number of "eye" beads decorated with concentric circles.
Grand Canyon, Colorado River, Near Paria Creek, Looking West
Object type: photograph
Date: 1872 – 1872
Techniques: albumen silver print, glass negative
Artist: william h. bell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910
Subjects: rivers
Interior with Pink Wallpaper II, plate six from Landscapes and Interiors
Object type: print
Date: 1899 – 1899
Materials: paper, ivory
Techniques: lithograph
Location: france
Artist: edouard jean vuillard
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1868 – 1940

Bright colors and dense patterns provide an intimate glimpse into the artist’s home while figures absorbed in their daily activities suggest an air of distance and mystery. Édouard Vuillard is best known today for his depictions of Parisian interiors, often populated by his friends and family. At the time Landscapes and Interiors was published, however, collectors were not eager to purchase the series, perhaps due to its personal and private subject matter; 20 years after it was produced, the influential art dealer Ambroise Vollard had not yet sold the edition of 100.
Panels of velvet
Object type: panel
Date: 1567 – 1633
Materials: silk, velvet
Techniques: cutting, voiding
J.C. Lavater
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving
Location: the hague
Subjects: johann caspar lavater
Inscriptions: collector's mark: Lugt 2228

Buste naar links van Johann Kaspar Lavater in een ovaal medaillon met bovenaan een strik. Onder het portret een richel waarop zijn naam.
Study for the Figure of Stratonice
Object type: drawing
Date: 1834 – 1840
Materials: chalk, charcoal, graphite
Techniques: incising, transfer
Location: france
Artist: jean auguste dominique ingres
Artist role: artist
Artist nationality: french
Artist dates: 1780 – 1867
Subjects: women
Portret van Elias Vegel
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: engraving, etching
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn op de sokkel en in de marge bovenin. Christelijke iconografie in de omlijsting, waaronder de vier evangelisten.
Sculptuur van paardenhoofd in het Museo Archeologico Nazionale te Napels
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: piece of sculpture, reproduction of a piece of sculpture, horse
Inscriptions: inscription: ‘11’, collector's mark: ‘VOSMAER’, number: ‘[...]’
Portret van Heinrich Adrian Graf von Borcke
Object type: print
Date: 1769 – 1828
Materials: paper
Techniques: etching
Artist: eberhard siegfried henne
Artist role: print maker
Artist dates: 1759 – 1828
Subjects: knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), historical persons
Inscriptions: collector's mark: Lugt 2228
Statuette of cat
Object type: statuette, cat
Date: 664 – 332
Materials: marble
Location: egypt
Subjects: cats
Botheration
Object type: print
Techniques: etching
Artist: samuel alken
Artist role: etcher
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,men
Martin Luther as an Augustinian Monk
Object type: print
Date: 1520 – 1520
Techniques: engraving
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: martin luther,men,portraits,monks

This small engraving shows Martin Luther as a monk of the Augustinian Order, which he joined in 1506. Lucas Cranach was a close friend and staunch supporter of Luther, who, in addition to producing some of the most lifelike images of the man, conveyed an abiding Lutheran spirit in many of his paintings and prints. This image was produced in 1520, the year Luther published a series of pamphlets in which he questioned the church's sale of indulgences and denied the supremacy of the pope. Cranach supervised the printing of the pamphlets. The Medieval Latin inscription that runs beneath the image implies that, though Luther's reflections may be eternal, this piece of paper, its subject, and its artist will all pass away. Directly below the date in Roman numerals, Cranach included his insignia of a crowned winged serpent with a ring in its mouth, which was based on the coat of arms conferred on the artist by Elector Frederick the Wise in 1508. Numerous states of the engraving exist. They vary both in the density of their inking and in the visibility of a mysterious profile of a bearded man in the upper left corner of the composition, clearly visible in a few existing impressions of the first state of this print. It was burnished away in this more common second state.
Plate 1, Outlines of Figures, Landscapes and Cattle...for the Use of Learners
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dogs,horses,carriages
Vrouw, man en twee kinderen bij een bewusteloze vrouw in een slaapkamer
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: death of an adult person, weeping, one person praying, bedroom
Inscriptions: collector's mark: Lugt 240

Proefdruk van een prent die ook gebruikt is als illustratie bij het verhaal 'Germeuil' voor: Baculard d'Arnaud, F.T.M. de. Zedelijke verhaalen, deel 6. Amsterdam: A. Mens Jansz., 1781.
Platen van grafzerk Gijsbert Willemsz. Raet
Object type: print
Date: 1865 – 1878
Materials: paper
Techniques: etching
Location: netherlands
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: gravestone, tombstone

Vier geelkoperen platen van de grafzerk van Gijsbert Willemsz. Raet, priester aan de St. Johanneskerk te Gouda. Met symbolen van de vier evangelisten.
One of a pair of boxes with elephants
Object type: box with cover
Date: 1736 – 1795
Materials: lacquer
Techniques: carving
Culture: chinese
Subjects: men

Marks on the inside and bottom of these boxes indicate that they were produced in the imperial workshop and titled “Peaceful Boxes of Treasure” (shengping baohe). Each cover is decorated with two attendants and a caparisoned elephant bearing a basin of treasures. The facial features of the attendants indicate that they are non-Chinese people. This scene envisions the traditional Chinese fantasy of foreign countries bringing treasures to pay tribute in times of peace. As an exotic and auspicious animal, the elephant is always featured in this visual pun.
Facsimile of card verso from the Races of Mankind series (T181) issued by Abdul Cigarettes
Object type: print
Date: 1881 – 1881
Techniques: color lithograph
Artist: abdul cigarettes
Artist role: publisher
Artist nationality: american
Artist dates: 1881 – 1881
Portret van een man met bakkenbaarden
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: wardle
Artist role: fotograaf
Subjects: sideburns, adult man, historical persons
Inscriptions: inscription: ‘Wardle/ Photographer/ 34, Victoria St West/ Grimsby’
Vrouw zittend bij de haard
Object type: print
Date: 1860 – 1907
Materials: paper
Techniques: drypoint, etching, retroussage
Artist: theodoor verstraete
Artist role: painter, print maker
Artist dates: 1850 – 1907
Subjects: adult woman, open hearth, fire-place, head held in the hand(s), with elbows leaning on an elevation or on the knees
Inscriptions: collector's mark: Lugt 2228
Epitaph for Huangfu Dan (died 604)
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: chinese
Dish
Object type: dish
Date: 1540 – 1540
Techniques: maiolica, glazing
Subjects: men,profiles
Maria met Christuskind bij wieg
Object type: print
Date: 1590 – 1632
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: cradle, crib, christ-child looking or turning to mary ~ madonna-representations
Inscriptions: collector's mark: Lugt 240

Maria met het Christuskind, zittend bij een wieg.
Petit Courrier des Dames, 31 décembre, 1834, No. 1122 : Costumes d'enfans (...)
Object type: fashion print
Date: 1834 – 1834
Materials: paper
Techniques: engraving, hand coloring
Location: london
Artist: Anonymous
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), trousers, breeches (+ boys' clothes), head-gear: hat (+ boys' clothes), trousers, breeches (+ men's clothes), coat (+ men's clothes), coat (+ boys' clothes), fashion plates, walking-stick, staff, cane (+ men's clothes)
Inscriptions: address: ‘Boulevard des Italiens No. 2 1 près le passage de l'Opéra. / Mess.rs S & J. Fuller No. 34 Rathbone Place London.’, title: ‘Modes de Paris’, title: ‘Petit Courrier des Dames.’, caption: ‘Costumes d'enfans, Rédingotes habilliées avec Gilet en Velours à desseins Nouveaux de Mr Blanc. Md de Nouveatés en Gilets. Palais Royal Gallerie de Valois, 159, à Jean de Bourgogne.’

Kinderkleding. 'Redingotes habillées' met vest van fluweel met nieuwe dessins van Mr Blanc, 'Md Nouveautés en Gilets'. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Netsuke of Acrobat
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: human figures,acrobats
Slipper Chair
Object type: slipper chair
Date: 1855 – 1855
Materials: wood
Culture: american
Location: united states
Artist: john henry belter
Artist role: maker
Artist nationality: american
Artist dates: 1804 – 1863
Nomads hunting with falcons
Object type: fan mounted a an album leaf
Date: 1201 – 1233
Materials: ink, silk
Culture: chinese
Artist: chen juzhong
Artist role: artist
Artist nationality: chinese
Artist dates: 1200 – 1230
Subjects: falcons,men,hunting,horses

Chen Zhuzhong specialized in depicting nomadic horsemen and their lives on the steppes. This exquisite fan painting, in which the hairstyles, costumes, and saddle trappings of the Khitan people are faithfully rendered, may be dated stylistically to Chen's period of activity or somewhat later. The horseman galloping away in pursuit of his quarry recalls a similar figure in Eighteen Songs of a Nomad Flute.
Zes ontwerpen voor zwikvullingen met zwevende engelen
Object type: drawing
Date: 1563 – 1615
Materials: chalk, paper
Artist: cherubino alberti
Artist role: draughtsman, print maker
Artist dates: 1553 – 1615
Inscriptions: collector's mark: Lugt 788b
Gezicht op de Waag te Leiden
Object type: photomechanical print
Date: 1880 – 1910
Materials: paper
Techniques: photograph
Location: dresden
Subjects: weigh-house, street (+ city(-scape) with figures, staffage), leiden
Inscriptions: inscription: ‘4787. Leiden.’
Brush Washer
Object type: brush washer
Date: 1713 – 1722
Materials: glaze, porcelain
Culture: chinese
Design for Cabriolet or Victoria, no. 3558a
Object type: drawing
Date: 1879 – 1879
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Afscheidneming Hunner Doorluchtige en Koningklyke Hoogheden van den Ed: Achtb: Magistraat der Stad Amsteldam, en Vertrek van den Buiten Amstel, den 4den Juny 1768
Object type: print
Date: 1769 – 1773
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), public festivities on the occasion of royal events, amsterdam
Inscriptions: collector's mark: Lugt 2228

De stadhouder Willem V en prinses Wilhelmina van Pruisen nemen afscheid van het magistraat van Amsterdam bij de herberg De Berebijt aan de Buitenamstel, 4 juni 1768. Onderdeel van een prentserie met titelprent en 14 platen van de inhaling van de prins en prinses te Amsterdam, 30 mei - 4 juni 1768.
Portret van Charlotte Percy, hertogin van Northumberland
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: mezzotint
Subjects: historical persons
Brief aan Jan Veth
Object type: letter
Date: 1900 – 1900
Materials: ink
Techniques: pen, writing
Location: kraaiveld
Artist: louwrens hanedoes
Artist role: painter, print maker
Artist dates: 1822 – 1905
Subjects: dordrecht, draughtsman, designer, jan veth
Inscriptions: address: ‘Kraaiveld,’, collector's mark: ‘RPK’
Golden Gate Bridge, San Francisco, Verenigde Staten, in aanbouw
Object type: photograph
Date: 1936 – 1936
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: united states
Artist: wouter cool
Artist role: engineer
Artist dates: 1877 – 1947
Subjects: bridge
Inscriptions: title: ‘BRUG OVER DE GOLDEN GATE / SAN FRANCISCO’
Stadsgezicht
Object type: drawing
Date: 1888 – 1888
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: city-view, and landscape with man-made constructions, civic architecture; edifices; dwellings, amsterdam
Inscriptions: collector's mark: Lugt 2228
Het adres der Hervormde predikanten tegen Kuyper's wetsvoorstel
Object type: cartoon
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, abraham kuyper, prime minister, political demonstration, university, functionaries and dignitaries ~ protestant churches, political caricatures and satires

Premier Kuyper spreekt vanuit een raam op de eerste verdieping van het gebouw van de Vrije Universiteit aan de Keizersgracht 162 tegen een massa woedende hervormde predikanten uit Amsterdam, Leiden en Rotterdam, beneden op straat die boos zijn over de universiteit.
Armchair
Object type: armchair
Date: 1501 – 1700
Materials: leather, wood
Subjects: coat of arms
Hard Woman
Object type: print
Date: 1898 – 1898
Materials: paper, zinc
Techniques: drypoint
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Zelfportret
Object type: print
Date: 1807 – 1857
Materials: paper
Techniques: etching
Artist: cornelis kruseman
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1857
Subjects: amsterdam, draughtsman, cornelis kruseman, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Onder het portret een facsimile van de handtekening van de geportretteerde.
Portret van keizer Matthias
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: matthias van oostenrijk (rooms-duits keizer), crown (symbol of sovereignty), orb (symbol of sovereignty; sphere with cross on top), sceptre, staff (symbol of sovereignty), emperor
Inscriptions: collector's mark: Lugt 2228

Matthias van Oostenrijk, keizer van het Heilig Roomse Rijk. Hij houdt in zijn linkerhand de rijksappel vast. In zijn rechterhand de keizerlijke scepter. Op een tafel naast hem de keizerlijke kroon.
Fotoreproductie van een schilderij, voorstellende een portret van Margaret Smythe
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: anonymous historical person portrayed (+ (full) bust portrait)
Inscriptions: number: ‘336’
Portret van Fadrique Álvarez de Toledo, hertog van Alva
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: delft
Subjects: historical persons
Inscriptions: inscription: ‘(...)’

Prent uit: Gysius, Johannes. Oorspronck ende voortgang der Neder-landscher beroerten. Delft: Jan Andriesz Cloeting, 1626, p. 479. Prent eerder gebruikt in de 1616-editie en de Latijnse vertaling uit 1619 van dit werk.
Kruimelschuiver
Object type: crumber
Date: 1906 – 1906
Materials: silver
Location: brussels
Artist: philippe wolfers
Artist role: designer, goldsmith
Artist dates: 1858 – 1929

Crumb-pan and brush. Silver. Brussels, c. 1900 - 1905, by Wolfers Frères, designed by Philippe Wolfers.