deem-data/ArtiFact huggingface dataset:
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, filleted symposiast with a himation draped around his waist and legs, reclining on a kline, resting his lower back and bent left arm against two cushions, with his left hand holding a skyphos, and right hand resting on his knee, looking back to the bearded symposiast leaning on a cushion, whose himation is draped around his waist and legs, with his right hand resting on the upper back of the filleted youth, and his left hand holding a skyphos; in the field, above the head of the filleted youth, a basket; below the kline, a table; Obverse of the larger fragment, on a plinth, a kline and table; on the kline, part of a draped symposiast and two cushions; circumscribed palmette and tendrils; Reverse of the larger fragment, on a plinth, part of a kline and table; on the kline, part of a draped symposiast; Exterior of the smaller fragment, handle palmettes and tendrils; start of handle root; end of kline with part of draped symposiast
Qur'an Juz'
Object type: non illustrated manuscript
Date: 1550 – 1550
Materials: gold, ink, paper, watercolor
Location: iran
Gezicht op de dam in de haven van Dover
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: great britain
Artist: jacolette
Artist role: fotograaf
Subjects: harbour
Inscriptions: check stamp: ‘JACOLETTE, / DOVER’, inscription: ‘DOUVRES / Courelle de la jetée de l'Admirauté vue de la naisaance de la jetée’, inscription: ‘Douvres’

Foto uit een album met 35 topografische foto's van Britse kustplaatsen, waarop in pen militaire verdedigingswerken zijn aangegeven door een Franse militair.
Putti playing
Object type: print
Date: 1540 – 1556
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: eros
Mlle. Crouzet, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Steatite triangular prism
Object type: prism, triangular
Date: 2200 – 1750
Materials: stone
Culture: minoan
Portret van twee mannen in Volendamse klederdracht, zittend aan een tafel
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: volendam
Artist: george hidderley
Artist role: fotograaf
Subjects: sitting figure, folk costume, regional costume (+ men's clothes), pipe ~ tobacco, reading to somebody

Onderdeel van Fotoalbum met opnames van Volendam, Dordrecht, Gorinchem en Woudrichem.
Chinese begraafplaatsen
Object type: sketchbook leaf
Date: 1660 – 1660
Materials: ink, paper, pencil
Techniques: brush
Artist: wouter schouten
Artist dates: 1638 – 1704
Subjects: asiatic races and peoples (with name), landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc., landscapes (+ landscape with figures, staffage), china
Inscriptions: annotation: ‘[...]/ China/ [...]’

Blad 3 recto van een katern van 10 bladen afkomstig uit een schetsboek.
Gold coin
Object type: coin
Date: 312 – 306
Materials: gold
Culture: cypriot
Subjects: aphrodite

1/10th stater. Minted at Salamis by king Menelaus. Obv.: head of Aphrodite l., wearing turreted crown; behind, M. Rev.: male bust l., wearing peaked helmet. Axis 12.
Edging
Object type: edging
Date: 1600 – 1600
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Set of frieze panels
Object type: frieze panel
Date: 1701 – 1800
Materials: gilt, wood
Techniques: carving
Seated Woman
Object type: drawing and watercolor
Materials: chalk, crayon, ink, paper
Location: england
Artist: john hoppner
Artist role: artist
Artist nationality: british
Artist dates: 1758 – 1810
Maskerade gehouden door de leden van het Leidsche studentencorps den 15den Juni 1875 ter viering van den 300sten verjaardag der Leidsche Hoogeschool, voorstellende de Leidsche Hoogeschool, afgebeeld in de beroemdste en merkwaardigste mannen, die van hare stichting af hun naam aan den haren hebben verbonden
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: hand coloring, lithograph
Location: leiden
Subjects: students' pageant, costumes used in pageants, leiden

Historische gekostumeerde optocht van de studenten van de Leidse Hogeschool gehouden op 15 juni 1875 ter gelegenheid van het 300-jarig bestaan van de Hogeschool. De optocht verbeeldt de beroemdste mannen verbonden aan de Hogeschool. Veertiende plaat met de groepen genummerd 206-214. Onderdeel van de serie van 21 aaneen geplakte bladen.
Portret van een man in uniform met witte handschoenen in de hand
Object type: album leaf
Date: 1901 – 1908
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: utrecht
Artist: gerardus christiaan smeekes
Artist role: fotograaf
Artist dates: 1875 – 1948
Subjects: gloves, mittens, etc., historical persons, (military) uniforms
Inscriptions: inscription: ‘Gerard Ch. Smeekes/ Fotograaf/ UTRECHT/ Leidschekade 19./ Telefoon 1418./ Vergrootingen naar oude en verbleekte portretten./ specialiteit in buitenopnamen./ men lette vooral op het huisnummer.’
Beeld van Apollo in de westelijke galerij van het Stadhuis op de Dam
Object type: book illustration
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) apollo (phoebus), attributes of apollo
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Artus Quellinus (I), 1655.

Zie RP-P-AO-22-1-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-1-2 voor bijhorend register.
Zie RP-P-AO-22-1A, RP-P-AO-22-1B, RP-P-AO-22-1C, RP-P-AO-22-1D-1, RP-P-AO-22-1D-2, RP-P-AO-22-1E, RP-P-AO-22-1F, RP-P-AO-22-1G, RP-P-AO-22-1H, RP-P-AO-22-1I, RP-P-AO-22-1K-2, RP-P-AO-22-1K-3, RP-P-AO-22-1K-4, RP-P-AO-22-1K-5, RP-P-AO-22-1L-1, RP-P-AO-22-1L-2, RP-P-AO-22-1M-1, RP-P-AO-22-1M-2, RP-P-AO-22-1N-1, RP-P-AO-22-1N-2, RP-P-AO-22-1N-3, RP-P-AO-22-1N-4, RP-P-AO-22-1N-5, RP-P-AO-22-1O-1, RP-P-AO-22-1O-2, RP-P-AO-22-1O-3, RP-P-AO-22-1O-4, RP-P-AO-22-1P-1, RP-P-AO-22-1P-2, RP-P-AO-22-1P-3, RP-P-AO-22-1P-4, RP-P-AO-22-1Q-1, RP-P-AO-22-1Q-2, RP-P-AO-22-1Q-3, RP-P-AO-22-1Q-4, RP-P-AO-22-1R-1, RP-P-AO-22-1R-2, RP-P-AO-22-1R-3, RP-P-AO-22-1R-4, RP-P-AO-22-1R-5, RP-P-AO-22-1S-1, RP-P-AO-22-1S-2, RP-P-AO-22-1S-3, RP-P-AO-22-1S-4, RP-P-AO-22-1S-5, RP-P-AO-22-1T-1 en RP-P-AO-22-1T-2 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Frederik de Wit, 1665.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).

Zie BK-AM-51-19 voor een model van het beeld.
Roma - Via Appia e Sepolcro di Cecilia Metella con vista dei Colli Laziali
Object type: page
Date: 1895 – 1915
Materials: photographic support
Techniques: gelatin silver print
Location: lazio
Artist: Anonymous
Subjects: mausoleum, façade (of house or building)
Inscriptions: number: ‘332.’
Fish hacha
Object type: hacha
Date: 600 – 900
Materials: pigment, plaster, shell, stone
Culture: classic veracruz
Location: mexico
Artist: classic veracruz artist(s)
Artist role: artist
Subjects: fish
Dierstudies
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: shore-birds and wading-birds: ibis, shore-birds and wading-birds: heron
Inscriptions: number: ‘1.’, collector's mark: Lugt 2233

Rechts op de achtergrond een vogel op een tak.
Caritas Romana: Cimon voedt haar vader Pero
Object type: print
Date: 1624 – 1636
Materials: paper
Techniques: engraving
Location: rome
Subjects: pero suckling cimon ('caritas romana')
Inscriptions: collector's mark: Lugt 2228
Twee acrobaten
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Subjects: adult man, acrobat ~ circus

Een acrobaat zit met gespreide benen op de voeten van een acrobaat in kaarshouding. Blad 9 verso uit schetsboek XVI met 32 bladen.
Kast, laag model, versierd met marqueterie en bronzen beslag
Object type: case furniture
Date: 1750 – 1750
Materials: wood, bronze, marble
Techniques: gilding
Location: france
Artist: boucher

Kast versierd met marqueterie van palissander- en rozehout en andere houtsoorten op eikenhouten kern. De S-vormige poten zijn overhoeks geplaatst en dragen beslag. Het front bestaat uit twee gebogen deuren, waartussen een geholde middenstijl, en heeft, evenals de gewelfde zijkanten, panelen in marqueterie binnen asymmetrisch verguld bronzen beslag. De panelen zijn versierd met door een strik samengebonden boeketten. Gestempeld: BVRB JME (wellicht Boucher); eigendomsmerk onder marmeren blad. Zie: BK-16679-b.
Part of a Ceiling from the Tomb of Bakenrenef
Object type: ceiling, tomb of bakenrenef
Date: 664 – 610
Materials: limestone, paint
Location: egypt
Subjects: men,women,hieroglyphs

Bakenrenef, a vizier under Psamtik I, had a large tomb cut into the cliff at Saqqara. Because of the poor quality of the stone in this area, much of the tomb was lined with blocks of better stone into which the decoration was carved. The largest of the five rooms above the burial shaft was a hall with a shallow vaulted ceiling resting on six pillars. This group of carved blocks formed the northwest corner of the ceiling of this hall. The relief shows Bakenrenef at the left before the goddess of the Twelfth Hour of the Night. In the next vignette, moving right, he is worshiping the Eleventh Hour of the Night, whose figure is lost. These were the first two in a series of scenes showing the tomb owner before figures representing each of the twelve hours of the night. Othe opposite side of the room were corresponding scenes showing Bakenrenef before the twelve hours of the day. For a Curatorial Interpretation of this group of reliefs, see 11.150.50a–d-related.
View of a Steam Engine
Object type: photograph
Date: 1870 – 1880
Materials: paper
Techniques: photolithography
Location: france
Artist: Anonymous
Subjects: engineer, henry dupuy de lôme, france

Afbeelding van een dubbele drie cylinder diagonale stoommachine, ontworpen door de Franse ingenieur Henry Dupuy de Lôme, van bovenaf gezien.
Bottle with Peony and Rock
Object type: bottle
Date: 1701 – 1800
Materials: porcelain
Techniques: underglaze
Culture: japanese
Subjects: peonies
Pitcher
Object type: vessel
Date: 201 – 400
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Subjects: dining, drinking
Man en vrouw drinken koffie
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithography
Location: paris
Artist: aimé de lemud
Artist role: print maker
Artist dates: 1816 – 1887
Subjects: cup of coffee, drinking
Inscriptions: check stamp: Lugt 2140, collector's mark: Lugt 2228a
[Countess Canning with Guest, Government House, Allahabad]
Object type: photograph
Date: 1858 – 1858
Techniques: albumen silver print
Artist: john constantine stanley
Artist role: artist
Artist nationality: british
Artist dates: 1837 – 1878
Subjects: portraits,women
Jocular Character or Actor
Object type: sculpture
Date: 1675 – 1675
Materials: bronze
Techniques: casting
Location: leiden

Pieter Xavery (c. 1647 - 1674), attributed. Two busts of a man. Bronze.
Penningen van Alexander Sabina
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: trunked animals (with name) (+ animal riding), attributes of bacchus, medal (considered as a piece of sculpture, regardless of its specific function)
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Goeree, Wilhelmus. Voor-bereidselen tot de bybelsche wysheid, en gebruik der heilige en kerklijke historien, 3 delen. Amsterdam: Wilhelmus Goeree I, 1690, dl. I.
Fudo Myo-o
Object type: sculpture
Date: 1201 – 1300
Materials: gilt bronze, wood
Techniques: polychromy
Location: japan
Subjects: buddhism, religion

The name Fudo Myo-o means “the immovable or unshakable one.” He is one of five myo-o, or lords of light, whose threatening appearance guards the Law of Buddhism. He is equipped to guide the spiritual traveler past temptation on the path to enlightenment. Fudo’s bulging eyes, piercing stare, and protruding fangs express the intensity of his wrath against evil. Seated on a stylized rock formation that symbolizes his steadfastness, he once held his attributes, a rope and sword (these have been removed for conservation), which were used to subdue evil forces and to cut through the ignorance that is the source of suffering. This finely modeled figure reflects the highly detailed, realistic direction taken by Japanese sculptors in the Kamakura period (1185–1333).
Portret van Charles Eduard van Heerdt
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: the hague, historical persons, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 2228
Glass pendant in the form of a miniature jug
Object type: pendant in the form of a jug
Date: 301 – 433
Materials: glass
Culture: roman
View of the Park at Arcueil
Object type: drawing and watercolor
Date: 1744 – 1744
Materials: chalk, charcoal, fiber, paper
Location: france
Artist: jean-baptiste oudry
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1755
Terracotta fragments of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Interior, one of the larger fragments has part of the hair of a gorgoneion; one of the other larger fragments has a bit of the beard of a gorgoneion; Exterior of one the larger fragments, has part of the bow, hull, and mast of a ship to right, with a battering ram at the prow; pair of eyes, with vines as eyebrows; in between the eyes, nose; part of the upper left corner of a sail; another of the larger fragments has on the bottom left, the bow of a ship to right, with a battering ram at the prow; part of a pair of eyes, with vines as eyebrows; part of the bow, hull, mast, and sail of a ship to left, with a battering ram at the prow; a third fragment has, at the bottom left, part of the stern and mast of a ship to left; part of the handle; part of the stern, hull, mast, and sail of a ship to right; two rim fragments each have part of a sail and the mast of a ship; fragment of a bow of a ship to left with a battering ram at the prow; part of the battering ram of a ship to left; below, a thin band of reserve; reserved fragment with part of a line in white ground; reserved rim fragment; black glaze fragment with part of a reserve line; part of a handle; part of the foot; some of the fragments are burnt
Diana ontdekt de zwangerschap van Callisto
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: diana with her nymphs discovers the pregnancy of callisto, pregnancy
Inscriptions: collector's mark: Lugt 240

De naakte Diana met haar nimfen in de wildernis. Zij wijst beschuldigend naar Callisto, wier kleding door de nimfen opzij wordt getrokken om haar zwangerschap te onthullen. De prent heeft een Latijns onderschrift.
De Haven te Middelburg
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: street (+ city(-scape) with figures, staffage), harbour (+ number of persons ~ traffic and transport), middelburg

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Tobias and the Angel
Object type: drawing and watercolor
Materials: crayon, paper
Techniques: brush, wash
Location: france
Artist: style of laurent de la hyre
Insertion
Object type: insertion
Date: 1601 – 1800
Materials: linen, silk
Techniques: lace
Panel
Object type: panel
Date: 1201 – 1400
Materials: wood
Techniques: carving
Location: egypt
Gezicht op de Sint Nicolaaskerk en Schreierstoren in Amsterdam
Object type: print
Date: 1872 – 1943
Materials: paper
Techniques: etching
Artist: alex boom
Artist dates: 1862 – 1943
Subjects: city-view, and landscape with man-made constructions, sailing-ship, sailing-boat, building of church
Inscriptions: collector's mark: Lugt 2228
Theekopje van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein met 'bloem' decoratie in vakken; op standring en met gladde mondrand.
Object type: tea cup
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous

Kopje van melkglas met emailverf beschildering, imitatie Chinees blauw porselein met bloem versiering in vakken; op standring en met gladde mondrand.
Portret van Johann Winter von Andernach
Object type: book illustration
Date: 1590 – 1590
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Artist: bernhard jobin
Artist role: printer, publisher
Artist dates: 1545 – 1593
Subjects: historical persons, physician, doctor

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium (...). Straatsburg: Bernhard Jobin, 1590, p. 343. Prent voor het eerst verschenen in de eerste editie van 1587. Prent ook gebruikt in latere publicaties.
Fotoreproductie van een schilderij van Christus met kelk
Object type: reproduction
Date: 1885 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: christ with chalice, and bread or host
Inscriptions: inscription: ‘Van Moeder/ G.’, inscription: ‘Que votre tendresse est touchante,/ Seigneur, qui (...)’
Portret van A.L.G. Bosboom-Toussaint
Object type: carte de visite
Date: 1860 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: maurits verveer
Artist role: painter
Artist dates: 1817 – 1903
Subjects: the hague, anna louisa geertruyda bosboom-toussaint, historical persons, writer, poet, author
Inscriptions: inscription: ‘A.L.G. Bosboom-/ Toussaint’, inscription: ‘[...] vis à vis’, inscription: ‘M. Verveer,/ Photographe./ La Haye’
Portret van Alardus van Amsterdam
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: amsterdam, louvain, allard van amsterdam
Inscriptions: collector's mark: Lugt 2228

Portret van Alardus van Amsterdam, een beroemde humanist uit Amsterdam. Buste naar links. De prent heeft een Latijns boven- en onderschrift en maakt deel uit van een serie van beroemde Nederlandse en Vlaamse geleerden.
Drie afbeeldingen van een gezicht op Schloss Ritzebüttel, een gezicht op de slotgracht van Schloss Ritzebüttel en een stoomschip en twee zeilschepen die de haven verlaten
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: elbe
Subjects: moat ~ fortified city, castle, steamship, motorship
Inscriptions: inscription: ‘Originalaufnahmen von Wilh. Dreesen, Hof.-Photogr., Flensburg. 1894.’, number: ‘XXXIV.’

Deze prenten maken deel uit van een omslag met 126 prenten op 37 bladen en een tekstblad.
Seated Male Deity Holding Two Ritual Objects
Object type: figurine
Materials: bronze
Culture: indonesian
Subjects: deities
23 Livre de Lambris
Object type: ornament print
Date: 1738 – 1738
Materials: paper
Techniques: etching
Location: germany
Subjects: rocaille ornament, panelling, armour, open hearth, fire-place
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerde schouw met rocaille ornamenten, links en rechts geornamenteerde panelen met rocailles, putti en harnassen.
Halberd
Object type: halberd
Materials: steel, wood
Culture: german
Location: germany
Subjects: coat of arms
Reinaert de vos berispt de gewonde Bruun de beer
Object type: print
Date: 1665 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: fable of reynard the fox

De gewonde Bruun de beer zit met zijn poot bij zijn kop tegen een boomstam aan. Iets verderop staat Reinaert de vos.
Helm waarop de werken van Hercules gegraveerd zijn
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: etching
Artist: florimond buyck
Artist role: print maker
Subjects: helmet, most important deeds of hercules: the twelve labours
Inscriptions: collector's mark: Lugt 2228, annotation: ‘2ème état’

Sterfdatum prentmaker onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
Koningen en prinsen van Portugal
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: cornelis galle (i)
Artist role: print maker
Artist dates: 1576 – 1650
Subjects: koning, johan ii (koning van portugal), portugal
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Antonio Vasconcellos. Anacephalæoses id est, Svmma captia actorvm regvm Lvsitaniæ. Antwerpen: Petrus II en Joannes II Bellerus, 1621, of latere druk.
Running horse amulet
Object type: amulet, horse
Date: 200 – 200
Materials: gemstone
Location: egypt
Subjects: horses

This is one of a small group of animals carved in semiprecious stones from the Davis Collection that share share a general liveliness and more Hellenistic than Egyptian style. Alongside subjects that are familiar in Egyptian iconography such as a baboon and ducks, are others like a goat, dolphins, rhinoceros, galloping horse, and reclining hound that are more at home in the Greco-Roman sphere.