deem-data/ArtiFact huggingface dataset:
Trajan's Column, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1581 – 1586
Techniques: etching
Location: rome
Artist: giovanni ambrogio brambilla
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1599
Subjects: human figures,monuments,horses,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 99 in the scrapbook.
Card Number 246, Lester, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
The Smokers
Object type: painting
Date: 1636 – 1636
Materials: oil, wood
Artist: adriaen brouwer
Artist role: artist
Artist nationality: flemish
Artist dates: 1605 – 1638
Subjects: men,smoking,tankards

Despite his early death, Brouwer’s talent and flair for human comedy earned him the esteem of fellow artists, and he had a lasting influence on genre painting. In this famous picture, Brouwer himself (center foreground) plays one of his typical revelers, seemingly surprised by the viewer’s intrusion on the scene. In addition to his comic genius, Brouwer masterfully displays a range of ephemeral effects, ranging from curling smoke to grimaces.
Card Number 24, Hastings, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Dominikus Vigilius von Spaur
Object type: print
Date: 1609 – 1750
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: politician, historical persons, politician, e.g. party leader

Met negenregelig onderschrift in het Latijn.
Fotoreproductie van een schilderij van de frontlinie met kanonnen door Étienne Prosper Berne-Bellecour
Object type: reproduction
Date: 1872 – 1884
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: firearms: cannon, picture, painting
Ophaalbrug in Amsterdam, mogelijk bij de Zandhoek
Object type: sketchbook leaf
Date: 1887 – 1887
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: bridge in city across river, canal, etc.

Pagina 38 uit een schetsboek met 29 bladen.
Headcloth (Iket Kepala)
Object type: costume and accessory
Date: 1867 – 1900
Materials: cotton, wax
Techniques: drawing, dyeing, weave, resist
Location: java

The palette and design details of this man's headcloth differ from those of the four pieces shown to the left (1926.24, 1926.22, 1926.5, and 1926.4). Here the overall effect is darker, thanks to the deeper red tone of the soga. Also, there are numerous bracket-like white lines arranged in a radially symmetrical fashion, which suggest mountain peaks. These form a pleasing pattern in their own right and provide welcome contrast to the otherwise somber palette. Such differences may well indicate production at a different central Javanese court.
Spotprent met minister Heemskerk, 1887
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: tweede kamerlid, minister van binnenlandse zaken, minister van justitie, jan heemskerk azn

Spotprent met minister Heemskerk die op het strand uitrust. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 25, 1887.
De Crisis
Object type: cartoon
Date: 1913 – 1913
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: cat, political parties, political caricatures and satires

Politieke partijen als katten die in een keuken naar een stuk spek aangeduid als 'Ministerie' kijken. Naar aanleiding van de moeizame formatie van een nieuwe regering na de Tweede Kamerverkiezingen van juni 1913.
Gewicht van sluitgewicht uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sluitgewicht, pijlgewicht
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Weight, cupweight, cup; fragment, bottom of cup, id. NG 1980-27H2775, corroded, no marks legible.
Basin with double-headed eagle
Object type: wash basin
Date: 1680 – 1700
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Subjects: birds

The form of this impressive basin (lebrillo), with a flat bottom and flared sides, relates to traditions of Islamic pottery produced in Spain. The artist has adapted the familiar two-headed eagle of the European Hapsburg dynasty to a blue-and-white design scheme inspired by Chinese porcelain. The visible convergence of far-flung artistic traditions in this unusual object hightlights the global processes that contributed to a distinctive local Mexican ceramic style.
Vertical Panel with a Half-Length Female with Leaves as Arms
Object type: print
Date: 1520 – 1561
Techniques: engraving
Artist: jacob binck
Artist role: artist
Artist nationality: german
Artist dates: 1494 – 1569

Ornament panel with half-length female figure wearing a crown with wing-like leaves instead of arms.
Shabti of Nebneheh
Object type: shabti of nebneheh
Materials: faience
Location: egypt

Shabtis were figurines, most often found with burials, meant to work on behalf of the deceased in the afterlife. The duplex wig of this small shabti suggests that it dates to the later New Kingdom, when such hairstyles were popular. The inscription identifies the owner, Nebneheh, as an "illuminated one" and an Osiris, meaning that he has become an effective spirit associated with the principal god of the dead.
Silhouette of Mrs. Chapman, mother of the artist
Object type: cut paper
Date: 1803 – 1821
Materials: paper
Techniques: cutting
Artist: moses chapman
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1821
Subjects: women
Souvenir spoon with view of a broad street in Vienna and monument
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt
Subjects: coat of arms
Legged Box with Design of Bush Clover along a Stream
Object type: legged box
Date: 1701 – 1800
Materials: gold, lacquer, silver
Techniques: maki
Culture: japanese
Subjects: trees
Schets van een landschap
Object type: drawing
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Christ Stripped of His Garments
Object type: drawing and watercolor
Materials: chalk, ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: lorenzo garbieri
Artist nationality: italian
Artist dates: 1580 – 1654
Inscriptions: Inscribed verso, upper center, in pen and brown ink (in Gabburri hand): "Originale di Lorenzo Garbieri Scolaro dei Caracci, Bolognese/ detto il Nipote dei Caracci"; upper center, in graphite: "b. 1580 d 1654"; inscribed verso, center on mount, in graphite: "Lorenzo Garbieri, called the "Nepote"/ born at Bologna 1580 + 1640. Brought up in the school of Lodovico Carracci, of whose style he was one of the most successful imitators.  He selected the most austere and gloomy subjects.  To the style of the Carracci he added something of the vigorous &  light shadows of Caravaggio/ Bryant/ from Collect. of Dr. Bates, Birmingham"
Fotoreproductie van een tekening, voorstellende een interieur van het Tsaar Peterhuisje te Zaandam
Object type: reproduction
Date: 1808 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: zaandam
Artist: dirk engel (fotograaf)
Artist role: fotograaf
Artist dates: 1829 – 1888
Subjects: housing, interior ~ representation of a building
Inscriptions: inscription: ‘Czaar Peterhuisje Zaandam Aug 1874.’, name: ‘Photographie van D. Engel Zaandam’
They Make Use of Them, plate 16 from The Disasters of War
Object type: print
Materials: paper
Techniques: engraving, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war
Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini)
Object type: sculpture
Date: 801 – 1000
Materials: brass, silver
Techniques: inlay
Location: kashmir
Schepen op de vaart bij Papendrecht
Object type: print
Date: 1876 – 1910
Materials: paper
Techniques: lithograph
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: canal, ships (in general)
Inscriptions: collector's mark: Lugt 2228

Rechtsonder een remarque met een zeilboot.
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1925
Materials: ink, paper
Techniques: pen, writing
Location: bussang
Artist: etha fles
Artist role: print maker
Artist dates: 1857 – 1948
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, printed matter
Inscriptions: collector's mark: ‘RPK’

Brief gedateerd 14 aug door schrijver, met toevoeging 1900 in latere hand.
Portret van Roemer Visscher
Object type: print
Date: 1790 – 1858
Materials: paper
Techniques: stippled etching
Location: amsterdam
Subjects: roemer visscher
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 963

Portret van koopman en dichter Roemer Visscher op 71-jarige leeftijd, zittend bij een tafel.
A brook with a grotto and a boat
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: signature and date: ‘Rembrandt . 1645’, mark: Lugt 2228 a
Sutra Cover
Object type: textile
Materials: gold leaf, paper, silk
Techniques: bookbinding, interlacing, lacquer, patterning, weave
Location: china
The Judgment of Solomon, from "Scenes from the Old Testament"
Object type: print
Date: 1526 – 1536
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: kings,infants,men,women
Plechtige ontvangst van het Nederl. Taal- en Letterkundig congres te Dordrecht
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: politician, e.g. party leader, drinking, dordrecht
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 22 augustus 1897.
L'Hommage de l'Amérique á la France (America's Tribute to France) (Furnishing Fabric)
Object type: textile
Date: 1780 – 1780
Materials: cotton
Techniques: weave, printing
Location: jouy-en-josas
Artist: design attributed to jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
Subjects: red (color), angels, plants, ships, indigenous, white (color)
Carpet Fragment
Object type: textile
Date: 1870 – 1879
Materials: textile, wool
Techniques: weave
Location: united states
Vrouw op een ligbed met putti en een leeuw
Object type: print
Date: 1783 – 1851
Materials: paper
Techniques: etching
Location: netherlands
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een vrouw op een ligbed tussen de wolken omringd door putti en een leeuw.
Schets
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: aquarium
Inscriptions: number: ‘526’, number: ‘4’

Mogelijk een studie van een aquarium. Met een aantekening.
The Evacuation of Fort Sumter, April 1861
Object type: carte de visite
Techniques: albumen silver print, glass negative
Artist: alma a. pelot
Artist role: artist
Artist nationality: american
Artist dates: 1850 – 1869
Subjects: soldiers,cannons,american civil war
Portret van M.S. Hermann
Object type: print
Date: 1758 – 1803
Materials: paper
Techniques: etching
Location: germany
Artist: johann heinrich wiese
Artist role: painter, print maker
Artist dates: 1748 – 1803
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op de haven van Brugge
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: harbour, ships (in general), bruges
Inscriptions: watermark
Blad, ovaal, behorend bij chrismatorium
Object type: blad
Date: 1774 – 1774
Materials: silver
Location: ghent
Artist: p.i. dupret
Artist role: silversmith
Inscriptions: mark

Chrismatory. Silver.Ghent, 1774, by P.I. Dupret.
Atlante Museo di Napoli
Object type: photograph
Date: 1874 – 1879
Materials: photographic support
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: (story of) atlas, sculpture
Inscriptions: workshop stamp: ‘Giorgio Sommer/ Largo Vittoria/ Napoli’, number: ‘1[...]’
View of the upper storey of the Cages for Wild Animals built by the Emperor Domitian, associated with the Flavian Amphitheater and commonly called the Curia Hostilia, from Views of Rome
Object type: print
Date: 1750 – 1759
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Standing male figurine of an "Assyrian" type
Object type: statuette of a man, assyrian type
Materials: terracotta
Culture: cypriot
Subjects: men

Mold-made figurines like this one are usually categorized as Assyrian or Phoenician.This figurine is the largest of its type ever found.
Portretten van prominente figuren
Object type: print
Date: 1642 – 1694
Materials: paper
Techniques: engraving, etching
Artist: nicolas de larmessin (i)
Artist role: print maker, publisher
Artist dates: 1632 – 1694
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Moeder houdt haar dochter vast, die op de vensterbank zit
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: etching
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: mother and baby or young child
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Ex libris van Maria Amélia
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: portugal
Artist: Anonymous
Subjects: flowers
Nieuwjaarswens van de Amsterdamse courantombrengers voor het jaar 1861
Object type: new year card
Date: 1860 – 1861
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: january 1 (~ festivities), tea-pot; samovar, (flying a) kite, russia, japan
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens namens de ombrengers van couranten (krantenbezorgers) te Amsterdam voor het jaar 1861. Bovenaan drie vignetten aan boeken ontleend, met centraal een nieuwjaarsfeest in Japan, links Russische thee- en koffieverkopers, rechts een Russische boerenfamilie. Onderaan een gedicht in drie kolommen. Van de courantombrenger: C. v.d. Elsakker.
Wapenschild met een leeuw en drie rozen
Object type: print
Date: 1597 – 1656
Materials: paper
Techniques: engraving
Subjects: flowers: rose, beasts of prey, predatory animals: lion, armorial bearing, heraldry
Foto ontbreekt
Object type: photograph
Date: 1928 – 1943
Materials: photographic support
Techniques: gelatin silver print
Giettang voor musketkogels uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: bullet mould
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Met deze bronzen kogeltang kunnen 13 loden kogels tegelijk worden gegoten. De diameter van de kogels is 16 mm (zijn kogels van 14 in 't pond, het standaardkaliber voor VOC-musketten).
Gezicht op het Mauritshuis en de Hofvijver te Den Haag
Object type: opticaprent
Date: 1742 – 1801
Materials: paper, watercolor
Techniques: brush, etching
Location: augsburg
Subjects: canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)

De serie “Den Haag”, met het nummer 19, bevat vier prenten met de nummers 21-24, waarvan dit nummer 24 is.
Metamorfosen van Ovidius
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: jupiter, usually in the shape of a white bull, abducts europa and carries her across the water
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’

Jupiter, in de gedaante van een witte stier, voert Europa weg door de zee. Haar wanhopige dienstmaagden blijven achter op het strand. In de ondermarge een vierregelige toelichting, in twee kolommen, in het Latijn.
The Famous Practical Jokers Yajirobei at a Wayside Restaurant
Object type: woodblock print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: food,restaurants,men,women
Gedecoreerde initiaal R
Object type: boekillustratie ontwerp
Materials: ink, paper
Techniques: brush, pen
Artist: edzard koning
Artist role: draughtsman, print maker
Artist dates: 1869 – 1954
Subjects: plants; vegetation, initial
Inscriptions: collector's mark: Lugt 2228, inscription: ‘hoofdst. IX’

Mogelijk een ontwerp voor: Eeden, Frederik van. De kleine Johannes. Den Haag: Mouton & Co., 1898. Niet gebruikt in de definitieve uitgave.
Portret van paus Hormisdas
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rome, historical persons, pope
Inscriptions: inscription: ‘4’

Prent uit: Hazart, Cornelius. Triomph der pausen van Roomen over alle hare benyders ende bestryders (...). Antwerpen: Michiel Cnobbaert, 1679, dl. 1. Prent ook gebruikt in andere publicaties van deze uitgever. Zie bijvoorbeeld: Propylaeum ad acta sanctorum maii sub felicissimus auspiciis Innocentii XI (...). Antwerpen: Michiel Cnobbaert, s.a.
Filips van Marnix, heer van Sint-Aldegonde, leest zijn Wilhelmuslied voor aan Willem I (prins van Oranje)
Object type: book illustration
Date: 1865 – 1870
Materials: paper
Techniques: etching, engraving
Location: amsterdam
Subjects: delft, william i (prince of orange), brussels, leiden, filips van marnix van sint-aldegonde, maps, atlases, book, globe
Inscriptions: collector's mark: Lugt 2228

Willem de Zwijger zit in een armstoel en luistert naar Filips van Marnix, die een tekst voorleest vanaf een vel papier. Hij houdt een schrijfveer in de hand. Zes andere heren staan of zitten om hen heen en kijken aandachtig toe. Aan Willems voeten staat een krukje, waarop en waarnaast lijvige folianten liggen. Aan de muur hangt een landkaart. Op een kastje staat een globe.
Strook machinale kant met drie rijen bloemtakken en w-vormige motiefjes langs de onderzijde
Object type: strip
Date: 1850 – 1850
Materials: cotton
Techniques: lace
Location: france
Artist: Anonymous

Strook naturelkleurige machinale kant: machinale Alençon-kant. De strook is iets gebogen van vorm. Het zich herhalende patroon bestaat uit drie rijen bloemtakken met steeds één moesje tussen de bloemtakken in de bovenste twee rijen. De opeenvolgende bloemtakken in de bovenste rij bestaan uit één bloem met twee blaadjes. In de middelste rij hangen er steeds drie bloemen aan de bloemtakken. De onderste bloemtakken zijn het grootst met drie bloemen en een bloemknop in de top. Langs de onderrand liggen w-vormige motiefjes waartussen cirkeltjes gemaakt met een siergrond, een machinale rozengrond. De motieven zijn voorzien van contourdraden en zijn met elkaar verbonden door een zeshoekige maasgrond, een machinale Alençon-grond. De bovenzijde van de strook is recht afgewerkt. De flauw geschulpte onderzijde komt voort uit het patroon met de w-vormige motiefjes en cirkeltjes en is afgewerkt met picots.
Nervi. Il Chiosco
Object type: photomechanical print
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph, writing
Location: leipzig
Subjects: rocky coast, rural housing, e.g. country-house, villa, cottage
Inscriptions: date
Witch Knife (<i>Drudenmesser</i>)
Object type: knife
Date: 1801 – 1900
Materials: bone, brass, horn, pigment, steel
Culture: austrian or italian
Location: italy
Portrait of a Woman, Said to Be Lady Agnes Anne Wrothesley
Object type: painting, miniature
Date: 1791 – 1791
Materials: ivory
Artist: horace hone
Artist role: artist
Artist nationality: british
Artist dates: 1749 – 1825
Subjects: portraits,women
Band
Object type: band
Date: 401 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Kind spelend met een schep
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: child, playing toddler; child amusing itself

Het kind draagt een cape en pet. Blad 8 verso uit een schetsboek met 25 bladen.
Courtesan with her Pet
Object type: print
Date: 1769 – 1769
Techniques: woodblock print, hashira
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770