deem-data/ArtiFact huggingface dataset:
Tabernacle, XVIe siècle
Object type: page
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: leuven
Subjects: tabernacle ~ altar
Inscriptions: monogram: ‘JJvY’, inscription: ‘TABERNACLES. - PL. 2.’, inscription: ‘TABERNACLE en pierre (...)’
Pair of candlesticks
Object type: candlestick
Date: 1757 – 1759
Materials: silver
Artist: françois thomas germain
Artist role: maker
Artist nationality: french
Artist dates: 1726 – 1791

In the era before gas lighting and electricity, candles played a principal role in illuminating the domestic interior. The number of candles lit was an indication of the wealth and status of the owner: beeswax candles burned clean and had a pleasant smell but were quite expensive compared to those made of tallow. In late seventeenth-century France, a change in dining habits had a significant effect on the production of silver candlesticks. Entertainment was increasingly orientated towards the evening and as a result, elegant lighting became an important part of the interior decoration. This pair of candlesticks was made in 1757–59 by François Thomas Germain, the last member of the distinguished family of Parisian silversmiths, who took over the workshop of his father, Thomas Germain, in 1748. He was granted apartments in the Louvre and appointed “sculptor-silversmith to the king” by Louis XV. He continued the work of his father supplying the French court with tableware, candlesticks, and chandeliers, inkstands, and other items, generally in an ornate Rococo style. He also supplied splendid works to other European royalty, receiving commissions from both the Russian and Portuguese courts. These candlesticks are unusual in Germain’s oeuvre in their restraint: their decoration consists of incised lines combined with a graceful serpentine outline. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver as illustrated by this pair of candlesticks.
Madonna holding a lily branch with the Christ Child on her lap, seated on clouds, surrounded by cherub heads
Object type: print
Date: 1570 – 1615
Techniques: engraving
Artist: cherubino alberti (zaccaria mattia)
Artist role: artist
Artist nationality: italian
Artist dates: 1553 – 1615
Subjects: madonna and child
Rotslandschap met een rivier en een groep figuren
Object type: print
Date: 1594 – 1635
Materials: paper
Techniques: brush, engraving, etching
Artist: guilliam van nieulandt (ii)
Artist role: draughtsman, print maker
Artist dates: 1584 – 1635
Subjects: river, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., ruin of a building ~ architecture, church (exterior) - qq - small church, chapel
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, inscription: ‘53’

Op de voorgrond in een rotslandschap zit een groep herders, bestaande uit drie mannen, waarvan één een snaarinstrument bespeelt, een vrouw en een kind. Naast hen een kudde geiten. Een figuur met een hond steekt een houten brug over de rivier over. Links op de rotsen staat een kapel, links op de rotsen staat een ruïne van een klassieke tempel.
Design for a Cabinet with Two Central Shelves and Arched Doors
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
Portret van Noël-Étienne Sanadon
Object type: print
Date: 1723 – 1767
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor de publicatie: Zuverlässige Nachrichten von dem gegenwärtigen Zustande, Veränderung und Wachsthum der Wissenschaften. dl. 167. Leipzig: Johann Friedrich Gleditsch, 1753.
Floraal ornament
Object type: design
Materials: paper, pencil
Techniques: brush
Artist: theo colenbrander
Artist role: draughtsman
Artist dates: 1841 – 1930
Subjects: unidentifiable plant forms ~ ornament
Inscriptions: date
Reeks van dertien afbeeldingen van de dorpen en kastelen in de provincie Utrecht door de Fransen in 1672 verwoest
Object type: history print
Date: 1672 – 1676
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: isaac sorious
Artist role: print maker
Subjects: devastated, ruined place or city (~ warfare), rampjaar (disaster year)

Gebruikt als illustratie in: T. van Domselaer, Het Ontroerde Nederlandt, dl. II, Marcus Willemsz Doornick, Amsterdam 1676, p. 412/413. De reeks is ook als een losse serie uitgegeven met een titelprent die niet in het boek is opgenomen.
Tapestry Fragment with Plumed Figure
Object type: textile fragment
Date: 801 – 1300
Materials: animal fiber, cotton
Culture: lambayeque, sicán
Location: peru
Subjects: human figures
Lecomte du Nouy
Object type: photomechanical print
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Subjects: painter, sculptor, jean-jules-antoine lecomte du noüy, adult man, historical persons
Houthakker en de dood
Object type: design
Date: 1668 – 1740
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: woodgathering, woodgatherer, death as (rotting) corpse, fables of lafontaine (with title) : use 85(...)
Designs for a Theatre
Object type: drawing
Date: 1767 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: theatre,architecture
Balustrade met reliëf in de San Marco in Venetië
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: st. mark's basilica
Subjects: balustrade, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘P 10.’, number: ‘284’, number: ‘P.10’

Deze prent maakt deel uit van een omslag met 58 prenten op 50 bladen.
Cascade des Pelerins Chamounix. Savoie.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: bonneville
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: waterfall
Inscriptions: inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’, number: ‘34.’, inscription: ‘DBR’
Ewer
Object type: ewer
Date: 1701 – 1800
Materials: enamel
Techniques: enamel
Culture: chinese

The earliest securely dated Chinese cloisonné, in which colored glass paste is applied within metal enclosures and fired, dates from the reign of the Ming Xuande emperor (1426–35). However, cloisonné is recorded during the previous (Yuan) dynasty (1271–1368), and it has been suggested that the technique was introduced to China at that time via the western province of Yunnan, which under Mongol rule received an influx of Islamic people. The shape of this ewer, which was introduced to China in the early fifteenth century, also derives from Islamic metalwork
Stoel, neo-Boulle met Nederlands wapen op de kap
Object type: chair
Date: 1850 – 1850
Materials: brass, wood, shell
Techniques: damask
Location: france
Artist: Anonymous

Chair. Softwood, veneered with marquetry of brass and tortoiseshell on a red ground. Paris, c. 1839, by Eugène-Paul Caillaux. The chair forms part of a set of furniture bought by King William II when Prince of Orange from the Hague dealer C.I. Enthoven. The arms of the Netherlands are mounted on the back. On loan from H.R.H. Princess Juliana of the Netherlands.
Plaque of Vajrasattva
Object type: religious ritual object
Date: 1601 – 1700
Materials: bone
Techniques: carving
Culture: tibetan
Location: tibet
Le Satyre amoureux
Object type: print
Date: 1744 – 1816
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: jupiter, disguised as a satyr, approaches the sleeping antiope; the eagle may be standing nearby, satyr(s) (in general), (story of) antiope
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1601 – 1633
Techniques: lace
Back pillar of Torso with Aten cartouches
Object type: back pillar of torso, with aten cartouch
Date: 1353 – 1336
Materials: limestone
Location: egypt
Subjects: cartouches,hieroglyphs
Kaart van het graafschap Zutphen
Object type: map
Date: 1617 – 1617
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions, maps of cities, gelderland
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Linksboven de titelcartouche. Rechtsboven een cartouche met schaalstok: 2 Milliaria Germanica Communia. Rechtsonder een plattegrond van Zutphen, met rechts het stadswapen. De kaart is voorzien van een gradenverdeling langs de randen.
Moses Drawing Water from the Rock
Object type: drawing and watercolor
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: raymond de lafage
Gezicht op een boerderij in Friesland
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: leiden
Artist: Anonymous
Subjects: cow, farm (building)

Deze prent maakt deel uit van een album.
The Cardinal's Reception
Object type: print
Date: 1881 – 1881
Techniques: printmaking, photogravure
Artist: luis alvarez catalá
Artist role: artist
Artist nationality: spanish
Artist dates: 1836 – 1901
Subjects: men,women,party
Bates, Boston, National League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: lithography
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
't Dorp Leerbroek in Hollandt
Object type: print
Date: 1740 – 1760
Materials: paper
Techniques: etching
Location: netherlands
Artist: muyck
Subjects: village
Inscriptions: collector's mark: Lugt 2228

Gezicht op een straat in het dorp Leerbroek. Aan weerszijden van de straat woningen en rechts de kerk.
Ring
Object type: ring
Date: 1767 – 1800
Materials: gemstone, silver
Location: india
Heilige Familie met Johannes en Elisabeth
Object type: print
Date: 1600 – 1672
Materials: paper
Techniques: engraving
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 240
Dish
Object type: dish
Date: 1301 – 1400
Materials: stoneware
Techniques: glazing
Culture: chinese
Palestine - 179.- Mosquée El-Aksa
Object type: photograph
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: temple, shrine ~ islam, mohammedanism
Dryade
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photoaquatint
Location: halle an der saale
Artist: george einbeck
Artist role: painter
Subjects: (hama)dryads, forest- and tree-nymphs; 'driadi & hamadriadi' (ripa)
Ear Pick in the Shape of an Alligator
Object type: ear pick
Date: 1300 – 1001
Materials: bone
Culture: chinese
Subjects: crocodiles
Portret van César Franck
Object type: print
Date: 1870 – 1875
Materials: paper
Techniques: linocut
Location: netherlands
Artist: Anonymous
Subjects: liège, historical persons, portrait of composer
Pesteil Castle in Polminhac
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: printmaking, lithograph
Artist: eugène isabey
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1886
Subjects: castles

This is from the series of prints Eugène Isabey made for the 'Auvergne' chapter of the book 'Voyages pittoresques et romantiques dans l'ancienne France'.
Table
Object type: table
Date: 1700 – 1730
Culture: american
Location: united states
Portaal van de Sint-Laurentiuskerk in Neurenberg
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: nuremberg
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Duitsland en Oostenrijk en van kunstwerken.
The Abandoned
Object type: drawing
Date: 1902 – 1902
Materials: graphite
Techniques: stumping
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: women

Rodin began titling his drawings when he exhibited them at the 1900 Exposition Universelle. As with his sculptures, the titles remained flexible. Sometimes he appended more than one title to the same composition, enjoying the possibility of multiple meanings coexisting within a work. Other iterations of this drawing appear with inscriptions such as Psyché and Chanson de geste (epic poem).
Ornamenten
Object type: sketchbook leaf
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: ornaments ~ art

Blad 18 verso uit een schetsboek met 40 bladen.
Portret van David (II) Pareus
Object type: print
Date: 1588 – 1622
Materials: paper
Techniques: engraving
Artist: jacques granthomme
Artist role: print maker, publisher
Artist dates: 1550 – 
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription
God Closing the Door of Noah’s Ark
Object type: panel
Date: 1190 – 1190
Materials: glass, lead, metal, paint
Culture: french
Location: france
Subjects: god the father

The window depicting scenes from the story of Noah was originally located in the choir of the cathedral, but the original location of the Saint Martial panel is uncertain. Both panels were removed during restorations of the cathedral in the nineteenth century.
A Life
Object type: portfolio
Date: 1884 – 1898
Materials: cardboard
Techniques: etching
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: female nudes,crowd
Falcon statue serving as a sarcophagus for a sacred animal
Object type: statue, sarcophagus, falcon
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: falcons

This bronze falcon is hollow. X-rays have revealed animal bones on the interior, presumably those of a falcon, and an opening beneath the tail through which the animal body had been inserted. The opening is closed with a close-fitting bronze plate.
Heart Scarab of Senmes
Object type: heart scarab, senmes
Date: 1550 – 1295
Materials: stone
Location: egypt
Subjects: hieroglyphs,scarabs
Het Stadhuis van 's Gravenhage, na de Groenmarkt te zien
Object type: print
Date: 1745 – 1746
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: townhall

Prent ook gebruikt in: Tegenwoordige staat der Vereenigde Nederlanden, zesde deel. Behelzende het vervolg der beschryvinge van Holland. Met nieuwe kaarten en kunstige printverbeeldingen versierd / Hedendaagsche historie, of tegenwoordige staat van alle volkeren; XVIde deel (…). Amsterdam: Isaak Tirion, 1746, tussen p. 60 en 61.
Drawstring bag
Object type: drawstring bag
Date: 1904 – 1904
Materials: glass, silk
Culture: european, eastern
Subjects: men,donkeys
Gezichten op Venetië
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving, etching
Location: venice
Subjects: square, place, circus, etc., city-view, and landscape with man-made constructions, palace, public library, venice

Gezicht op het San Marco Plein in Venetië met links het Palazzo Ducale en rechts de Biblioteca Nazionale Marciana.
Wapenschild van Jean Rulant gecombineerd met dat van zijn vrouw
Object type: ornament print
Date: 1611 – 1625
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Border
Object type: border
Date: 1634 – 1666
Techniques: lace
Aan het altaar
Object type: painting
Date: 1870 – 1886
Materials: cardboard, oil
Artist: adolphe joseph thomas monticelli
Artist role: painter, print maker
Artist dates: 1824 – 1886
Subjects: interior of church, altar
Inscriptions: signature: ‘Monticelli’

Een man en vrouw staande voor het altaar.
Cordova - The Caliph's Tower from road.
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Subjects: fortress, tower, clock tower ~ monumental adornment
Inscriptions: name: ‘Frank M. Good's Spain’, number: ‘No. 307.’
Gloves
Object type: glove
Date: 1870 – 1889
Materials: leather
Culture: french
Covered bowl
Object type: covered bowl
Date: 1800 – 1899
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Klokvormige dekselkom van porselein, beschilderd op het glazuur in rood, groen, zwart en goud. De wand is bedekt met een geometrisch bladpatroon; op de rand een decoratieve band. De voetring is groen. Exportgoed voor Thailand in de Bencharong-stijl (vijf kleuren). Porselein met emailkleuren.
Landschap met ruïne
Object type: print
Date: 1837 – 1886
Materials: paper
Techniques: drypoint, engraving, etching, intaglio
Location: france
Artist: maxime françois antoine lalanne
Artist role: draughtsman, print maker
Artist dates: 1827 – 1886
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228
Portret van Ferencz Szapary
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Subjects: science and technology, historical persons
Inscriptions: collector's mark: Lugt 2228
Tomb Stela of Hetepsi
Object type: stela, hetepi
Date: 2323 – 2100
Materials: limestone
Location: egypt
Subjects: women,hieroglyphs

Hetepsi's stela was found in a pit for a burial in the general vicinity of the mastaba of Neferseshempepy, good name Senni, at Dendera, and her stela appears to be by the same hand as the decorations of that mastaba. Hetepsi bears the titles King's Sole Ornament and Priestess of Hathor Mistress of Dendera, and in her latter capacity she carries a sistrum in her hand.
Zur Maschinenkenntnis und zur Baukunst
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: germany
Subjects: physics, orders, order-books ~ architecture

Prent ook gebruikt in: Basedow, Johann Bernhard. Das Basedowische Elementarwerk. Ein Vorrath der besten Erkenntnisse zum Lernen, Lehren, Wiederholen und Nachdenken. Leipzig: Siegfried Lebrecht Crucius, 1774.
Bowl, with a depiction of ‘A Midnight Modern Conversation’ by William Hogarth (1697-1764)
Object type: bowl
Date: 1760 – 1760
Materials: porcelain
Techniques: painted
Location: meissen
Subjects: serving-dish, platter, carousal, drinking-bout, orgy, drunkenness, falling, tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.), drinking
Inscriptions: factory mark

By copying Hogarth’s A Midnight Modern Conversation on a punchbowl, an illusion of infinity is created, as it were (a scene within a scene within a scene, etc). After all, a comparable punchbowl features on the table in the scene depicted.
Wine Bottle
Object type: wine bottle
Date: 1739 – 1780
Techniques: glassblowing
Culture: american
Location: united states
Gezicht op de haven van Amsterdam
Object type: drawing
Date: 1820 – 1896
Materials: ink, paper, pencil
Techniques: brush
Location: amsterdam
Artist: kasparus karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1896
Subjects: harbour, tower, clock tower ~ monumental adornment, city-view in general; 'veduta', river, port of amsterdam
Inscriptions: signature: ‘k.karsen / Atelier Ed.Karsen’, inscription: ‘Port. 3 / 5000’, inscription: ‘Gezicht op Amsterdam (...) Ed. Karsen, 1934.’, collector's mark: ‘3’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Gezichten van het IJ op het westelijk gedeelte der stad, Blauwhoofd tot Nieuwebrug.
Inname van Stuhl-Weissenbruck door keizer Rudolf II
Object type: history medal
Date: 1601 – 1601
Materials: silver
Techniques: striking
Location: germany
Artist: Anonymous
Subjects: vienna, prague, rudolf ii van habsburg (duits keizer)

Zilveren ruitvormige penning. Voorzijde: wapenschild (gekruist zwaard en scepter) en kroon onder baldakijn met trap er voor. Keerzijde: inscriptie
Allegorische titelpagina met twee Dominicaanse martelaren
Object type: titelblad, titelpagina
Date: 1638 – 1650
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: saints, monastic orders, monastic life: dominicans

Twee Dominicaanse martelaren worden gelauwerd. De een heeft een sabel op zijn hoofd, de ander een zwaard in zijn borst. Op een troon zit in het midden de personificatie van het pausdom, met tiara en sleutels. Twee engelen overhandigen de martelaren een lauwerkrans en een palmtak. Op de achtergrond een grote menigte.
Vase with cover and base
Object type: vase with cover and base
Date: 1701 – 1800
Materials: gemstone
Culture: chinese
Subjects: flowers
Comb
Object type: comb
Date: 1401 – 1600
Materials: bone, wood, silk
Techniques: inlay
Culture: french
Crabapple, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fruit,boys,leaves

Trade cards from the "Fruits" series (N12), issued in 1891 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Right shoulder, extended right arm, and part of the torso of winged woman to right, wearing a chiton
Side chair
Object type: side chair
Date: 1760 – 1790
Materials: wood
Culture: american
Location: united states
Panel
Object type: panel
Date: 1501 – 1600
Materials: wood
Techniques: carving
Subjects: heads,men,profiles,women
Portret van Charles Le Brun
Object type: print
Date: 1818 – 1852
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, print maker, draughtsman, charles le brun, historical persons
Inscriptions: collector's mark: Lugt 2228
Rock Crystal Box
Object type: box
Date: 1701 – 1800
Materials: gold, quartz, gemstone
Techniques: inlay
Location: india

This intimately-sized container, carved from rock crystal, has gold inlay and is inset with rubies. While the original use of this object remains unknown, a similar piece in the collection, made in the same technique but without the hinge, was likely used as a perfume or lime container. Small precious objects were highly valued in Mughal court culture, as they were exchanged as gifts between nobles.
Portret van Carl Wilhelm Salomon Semler
Object type: print
Date: 1838 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: politician, official, official; civil servant; functionary (in general), historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Met vierregelig onderschrift in het Duits.
Croisée drapée fantaisie / Coupés et détails de la croisée
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery

Een venster met gedrapeerde gordijnen. Rechts details van de draperieën. Prent uit 306e Livraison.