deem-data/ArtiFact huggingface dataset:
Plattegronden van de Oude Kerk met omtrek van het ontwerp voor een koepelkerk op de Botermarkt te Amsterdam
Object type: area plan
Date: 1700 – 1705
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: church (exterior), interior of church, architectural design or model, plan ~ architecture

Notaris, advocaat en kerkmeester van de Oude Kerk Nicolaas Listingh maakte rond 1700 een ontwerp voor een nieuwe koepelkerk op de Botermarkt (het huidige Rembrandtplein). Naast een houten maquette, die nog steeds te zien is in de Oude Kerk, liet hij ook op eigen kosten een serie van zeventien prenten van zijn ontwerp maken ('Nievv desseyn tot een Seer Groote, Stercke, en om te hooren, heel bequame Coupel-Kerck (…)'). De huidige prent is daar onderdeel van. Deze prenten zouden zijn gemaakt door Daniël Stopendaal.*

*Long, Isaac le. Historische beschryvinge van de reformatie der stadt Amsterdam (…). Amsterdam: Johannes van Septeren (I), 1729, p. 572.
Gezicht op de Amstel en de achterzijde van de Oude Doelenstraat, Amsterdam
Object type: photograph
Date: 1860 – 1885
Materials: glass
Techniques: slide
Location: amsterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: urban housing
View of the Tafelberg
Object type: drawing
Date: 1795 – 1795
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: jacob cats (1741-1799)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1799
Subjects: landscapes in the temperate zone

This panorama invites viewers to lose themselves in it. In the kilometres-wide landscape we come across travellers, hunters and a shepherd with his flock of sheep. With its view – on one side stretching over the heaths and on the other over fields with the Utrecht Hill Ridge in the distance – the Tafelberg was a popular destination for day-trippers.
Vase
Object type: vase
Date: 1801 – 1850
Materials: ceramic glaze, glaze, porcelain
Culture: chinese
Den Grooten Figuer-Bibel (...)
Object type: album leaf
Date: 1646 – 1646
Materials: paper
Techniques: letterpress printing
Location: alkmaar

Tekstblad bij een serie prenten over Christus op het Loofhuttenfeest. Linksboven initiaal I. Dit blad maakt deel uit van een album.
Portret van Carl Johann Jakob Schulthess
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: zurich
Artist: Anonymous
Subjects: draughtsman, carl johann jakob schulthess, historical persons, portrait, self-portrait of artist

Prent waarschijnlijk uit: Neujahrsblatt 16 (1856).
Liber Chronicarum
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: king, persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘321’

Een bloemkelk met een koning. Hij heeft een rijksappel en een scepter in zijn handen. De voorstelling is onderdeel van de opeenvolging van de koningen van Israël in de Liber Chronicarum. De tekst identificeert de man als Ela. De prent maakt deel uit van een album.
Militaire trofeeën van de Grenadiers van Asper
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: etching
Subjects: trophy ~ battle, war, firearms: cannon
Inscriptions: collector's mark: Lugt 2228
Olizawjotonil, Wchod w mjotsot. Dwa minareta
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: albumen print
Location: caucasus
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘3320’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Georgië, Sint-Petersburg en Moskou.
Portret van Bartel Louwer
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons
Inscriptions: date

Zonder omlijsting is de prent gebruikt in: Schijn, Hermannus. Geschiedenis dier christenen, welke in de Vereenigde Nederlanden onder de protestanten mennoniten genaamd worden. Amsterdam: Kornelis de Wit, 1743.
Portret van keizer Otho
Object type: book illustration
Date: 1746 – 1746
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: coin
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als illustratie in: Westerbaen, Kornelis, Algemeene histori van het begin der wereld af tot den tegenwoordigen tijd toe, deel XII. Utrecht: Herman Besseling, 1746.
Ornament for Headdress
Object type: headdress ornament
Date: 1701 – 1900
Materials: feather, gemstone, gold, jade, pearl
Culture: chinese
Plattegrond van door amateurfotografenvereniging P.C.U.K. bezochte steden in Nederland en België
Object type: album leaf
Date: 1912 – 1912
Materials: ink, paper
Techniques: letterpress printing, writing
Location: great britain
Artist: Anonymous
Subjects: maps, atlases, netherlands, belgium

De plaatsen die door de leden van de Britse amateurfotografenvereniging P.C.U.K. tijdens hun excursie naar Nederland bezocht werden, zijn rood onderstreept. Onderdeel van Fotoalbum van de excursie naar Nederland van de Britse amateurfotografenvereniging P.C.U.K.
Uomo lepcha, d'anni 38
Object type: photograph
Date: 1881 – 1886
Materials: photographic support
Techniques: albumen print
Location: india
Artist: paolo mantegazza
Artist role: antropoloog, professor
Artist dates: 1831 – 1910
Subjects: adult man (+ front view), adult man (+ sideview, profile)
De Saramacca (gen. van Groningen). (17 octr. '95)
Object type: photograph
Date: 1895 – 1895
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: river (+ landscape with figures, staffage), suriname
Inscriptions: inscription: ‘De Saramacca (gen. van Groningen). (17 octr. '95)’

Riviergezicht met een boot op de Saramacca. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Self-Portrait
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: england
Artist: imitator of sir william beechey
Portret van Henriette Triller
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: engraving, etching
Location: leipzig
Subjects: henriette triller, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Letter
Object type: letter
Date: 1767 – 1833
Die Eroberung Jericho's
Object type: photograph
Date: 1851 – 1861
Materials: photographic support
Techniques: albumen print
Location: berlin
Artist: gustav schauer
Artist role: painter, publisher
Artist dates: 1826 – 1902
Subjects: the fall of jericho (joshua 6)
Inscriptions: inscription: ‘38. Bild. 10. Loge. No. 2.’
Ontwerp voor een doopvont, met een bovenaanzicht en twee varianten van een vooraanzicht
Object type: design drawing
Date: 1810 – 1810
Materials: graphite, ink, paper
Techniques: brush, pen
Location: paris
Artist: Anonymous
Inscriptions: watermark, number: ‘No 309’

De rand vertoont twee doopscènes en een normale en een dubbelkoppige adelaar, vermoedelijk voor keizer Napoleon I en keizerin Marie-Louise. Zie ook RP-T-2019-346.
Twee vrouwen met op de voorgrond een dirigent
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: vocal music, singing, conductor ~ music, europe
And Man Appeared; Questioning the Earth From Which He Emerged and Which Attracted Him, He Made His Way Toward Somber Brightness, plate 8 of 8 from "Les Origines"
Object type: print
Date: 1883 – 1883
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Ball
Object type: ball
Date: 1401 – 1600
Materials: brass
Techniques: casting
Culture: inca
Location: peru
Buddha Seated in Meditation
Object type: figure
Date: 1501 – 1600
Materials: copper alloy
Techniques: gilding
Culture: sri lankan, western regions
Subjects: buddhism,buddha

This majestic Buddha is one of the finest products of sixteenth-century Sri Lankan Buddhist art. The figure is seated on a lotus-vine pedestal, deep in meditation. Numerous auspicious marks (lakshana) on his body signify his Buddhahood. Convention dictates thirty-two mahapurusalakshana and eighty lesser marks, such as the forehead mark (urna), flame protuberance (ushnisha), extended earlobes and locks of hair, and lotuses on the hand and feet.
An Arrangement of Morning Glories
Object type: print
Date: 1796 – 1796
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Portret van een man met een stropdas
Object type: photograph
Date: 1891 – 1910
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: the hague
Artist: henri de louw
Artist role: fotograaf
Artist dates: 1851 – 1944
Subjects: adult man, neck-gear ~ clothing, historical persons not known by name, the hague
Inscriptions: address: ‘Prinsestraat 99 's Gravenhage.’

Onderdeel van Fotoalbum van de families Matthes, Doorman en Van Thiel.
Reproductie van een geschilderd portret van Friedrich von Schiller
Object type: photomechanical print
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: friedrich von schiller, historical persons, portrait of a writer
Inscriptions: inscription: ‘No. 2./ Schiller.’

Deze prent maakt deel uit van een album.
Portret van een onbekende man, mogelijk G.J. Witteveen
Object type: print
Date: 1850 – 1910
Materials: paper
Techniques: etching
Artist: fr. van groeningen
Artist role: print maker
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228

Aangezien geboorte- en sterfdatum van de kunstenaar onbekend zijn, is voor de rechtenbepaling van dit object de verwervingsdatum gehanteerd.
François Joseph Charles, duke of Reichstadt Son of Napoleon Bonaparte
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: etching
Location: london
Subjects: paris, vienna, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Pear-Shaped Jar
Object type: jar
Date: 1201 – 1250
Materials: glaze, stonepaste
Techniques: painting
Location: syria
Gezicht op de boot Lacaze-Duthiers van het Laboratoire Arago
Object type: photomechanical print
Date: 1890 – 1900
Materials: paper
Techniques: autotype
Location: france
Subjects: ships (in general)
Inscriptions: number: ‘Fig. 41.’
Conferva implexa
Object type: page
Date: 1843 – 1853
Materials: photographic support
Techniques: cyanotype
Location: united kingdom
Artist: anna atkins
Artist role: fotograaf
Artist dates: 1799 – 1871
Subjects: algae, seaweed
Sketches of Robed Male Prophet
Object type: drawing and watercolor
Materials: chalk, graphite, paper, lead, pigment
Techniques: heightening
Location: france
Artist: attributed to nicolas mignard
Artist nationality: french
Artist dates: 1606 – 1668
Studioportret van een onbekende vrouw
Object type: photograph
Date: 1895 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: adult woman
Twee dierstukken
Object type: sketchbook leaf
Date: 1605 – 1678
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: paul de vos
Artist role: draughtsman
Artist dates: 1595 – 1678
Subjects: cat, interior of the house, dog

Scène met kat die naar een hond blaast die een stuk voedsel eet bij een keukentafel. Tevens een studie van twee apen en een vogel die een een vaas, schaal en diverse kleinere voorwerpen op een tafel hebben omgegooid. Blad 7 recto uit een schetsboek met 15 bladen.
Intérieur du parc a Bruxelles / Position des troupes le 25 7bre. 1830
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Gevechten bij het Koninklijk Paleis te Brussel, 25 september 1830. Onderdeel van een recueil met platen over de gebeurtenissen tijdens de Belgische Revolutie in Brussel, Antwerpen en andere steden in de periode 25 augustus 1830 tot 27 maart 1831.
Large Sailing Vessel and Rowing Boat
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: reinier nooms
Artist role: artist
Artist nationality: dutch
Artist dates: 1623 – 1664
Subjects: boats,ships
Platter
Object type: platter
Date: 1801 – 1833
Materials: hard paste porcelain
Subjects: flowers
Portret van een jonge vrouw in jurk
Object type: photograph
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Bands (From Tunic Cuff)
Object type: textile
Materials: wool
Techniques: weave
Culture: coptic, egyptian
Location: egypt
Plate with ladies in a garden
Object type: plate
Date: 1667 – 1733
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: women
Portret van Nicolaas Christiaan Kist
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: leiden, historical persons, medals and other marks of military honour
Inscriptions: date

Onder het portret een facsimile van de handtekening van de geportretteerde.
Poppenkast te Rome
Object type: print
Date: 1613 – 1667
Materials: paper
Techniques: etching
Artist: cornelis de wael
Artist role: draughtsman, print maker
Artist dates: 1592 – 1667
Subjects: church (exterior), puppet and marionette show
Inscriptions: collector's mark: Lugt 2228

Toeschouwers kijken naar een poppenkast op een plein in Rome. Op de achtergrond knielen een moeder en een kind in gebed op de trappen van een kerk.
Panorama de Bozen, Tyrol
Object type: stereograph
Date: 1863 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: bolzano
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘61’
Knoop van parelmoer uit het wrak van de in 1735 vergane Oost-Indiëvaarder 't Vliegend Hart
Object type: button
Materials: mother of pearl
Location: middelburg
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie
De twee groote Synagogen der Hoogduitsche Jooden, en het Oude Zyds-Huiszitten-Aalmoesseniers-Huis, van agteren, in 't verschiet
Object type: print
Date: 1718 – 1830
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2228

Links liggen de Nieuwe Synagoge en de Grote Synagoge aan het water. In de verte is de achterzijde van de Oudezijds Huiszittenhuis te zien.
Design for Omnibus or Wagonette, no. 3749
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Mars, from The Seven Planets
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: belgium
Artist: jan sadeler, the elder
Artist nationality: flemish
Artist dates: 1550 – 1600
Inscriptions: Lettered lower left: "Joan. Sadler scalp. et excud. / M. de Vos figuravit."
Cassandra, Frontispiece, Vol. 5
Object type: print
Date: 1725 – 1725
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: weapons,men,women
Card 454, Pauline Markham, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,smoking,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Runderen in een weiland
Object type: sketchbook leaf
Date: 1828 – 1894
Materials: paper, pencil, watercolor
Techniques: brush
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: trees, landscapes, meadow, pasture, artist (in general) making preliminary designs, sketching, bovine cattle

Pagina 40 verso uit een schetsboek met 54 bladen.
Glass jar with four handles
Object type: jar, handled
Date: 301 – 500
Materials: glass
Culture: roman

Translucent manganese purple; handles in translucent pale green. Rim slightly outsplayed, with rounded vertical lip; below hollow folded flange; funnel-shaped neck; uneven, slightly pushed-in shoulder; body with convex side, tapering downwards to small, pushed-in bottom with small pontil mark; four handles applied in large pads to top of side, drawn up vertically, turned in at a right angle, then folded upwards over flange to top of rim. Part of rim and top of one handle missing, with weathered edges, but body complete; some bubbles and blowing striations; dulling, deep pitting, patches of weathering, and brilliant iridescence on exterior, whitish weathering covering much of interior.
Orvieto. Palazzo del Capitano del Populo (lato nord)
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1910
Materials: cardboard
Techniques: photograph
Location: terni
Artist: Anonymous
Subjects: palace, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Design for Coupé, no. 3367
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Twee Europese mannen voor huis, Langkat Sumatra
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: bindjai
Subjects: sumatra
Refectory
Object type: page
Date: 1870 – 1880
Materials: paper
Techniques: albumen print
Location: san lazzaro degli armeni
Artist: Anonymous
Subjects: refectory ~ monastery
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: chinese
Subjects: butterflies
Portret van Simon Anton Erp-Brockhausen op 54-jarige leeftijd
Object type: book illustration
Date: 1667 – 1667
Materials: paper
Techniques: engraving
Artist: matthias van sommer
Artist role: draughtsman, print maker
Subjects: historical persons, armorial bearing, heraldry

Prent waarschijnlijk uit: [Somer, Matthias van]. Hasce omnium electorum principum ac statuum Sacri Romani Imperii ad comitia praesentia legatis ac deputatis icones (…). Regensburg: [Matthias van Somer], 1667.
Scarab Inscribed With a Protective Motif
Object type: scarab, lion headed sphinx
Date: 1550 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: birds,sphinx,scarabs

The scarab's base depicts a falcon-headed sphinx wearing the "atef" crown while subduing an enemy of Egypt. The falcon represents Re-Harakhty - the god Horus when he is merged with the sun.
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

On the top of the mouth, an egg pattern; below the rim, a ribbon pattern
Portrait of Madame Perregaux
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: lithograph
Location: france
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863