deem-data/ArtiFact huggingface dataset:
Amulet of Bes with tambourine
Object type: pendant, be, tambourine
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: musical instruments,bes
Steer a straight (...) wisom your port.
Object type: bookplate
Date: 1914 – 1914
Materials: paper
Techniques: engraving, etching
Location: england
Artist: alfred james downey
Artist role: print maker
Subjects: bookshelves, view through a window, ships (in general), book, globe
Inscriptions: date
Reliquary
Object type: metalwork
Date: 1851 – 1851
Materials: bronze, gilt bronze
Location: paris
Artist: eugène emmanuel viollet-le-duc
Kalligrafische titelprent en putti, vogels en saters in krulwerk
Object type: titelprent, frontispice
Date: 1616 – 1616
Materials: paper
Techniques: engraving
Location: flushing
Subjects: calligraphy
Inscriptions: collector's mark: Lugt 2166

Een kalligrafische titel met geornamenteerde initiaal O, omlijst door krulwerk. Bovenaan een vaas geflankeerd door twee putti. De putti rechts heeft een schrijfveer vast. Daarbij twee saters en twee vogels in krulwerk. De prent maakt deel van een album.
Deventer. Le Waag
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Location: deventer
Artist: Anonymous
Subjects: weigh-house
Inscriptions: number: ‘9’, number: ‘2’
Portret van Frederik Hendrik, prins van Oranje
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: lucas kilian
Artist role: draughtsman, print maker
Artist dates: 1579 – 1637
Subjects: delft, frederick henry (prince of orange)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Groepsportret van leden van roeivereniging Laga tijdens een diner op de sociëteit van het Delftsch Studenten Corps
Object type: photograph
Date: 1917 – 1917
Materials: paper, cardboard
Techniques: gelatin silver print
Location: delft
Artist: j.c.c. witte
Artist role: fotograaf
Subjects: rowing facing backward, pulling
Inscriptions: inscription: ‘Laga 1917/ 29 Juni./ v.l.n.r./ A.M.M./ Tideman/ Heyting/ V.d. Vegte/ [...]/ Guldenaar/ Boele/ Termijtelen/ Gerst/ de Vries/ Vist/ Amerschot/ Kennel./ Bolderdijk/ Groenemeer/ Polis/ vooraan. Berenschot/ Spillemaan Bilgen/ Staring.’
Portret van een onbekende oude vrouw
Object type: print
Date: 1884 – 1936
Materials: paper
Techniques: drypoint
Artist: francis dodd
Artist role: print maker
Artist dates: 1874 – 1949
Subjects: historical persons, old woman
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Sabare woman’
Portret van Marie Magnier, actrice
Object type: photograph
Date: 1890 – 1900
Materials: paper, photographic support
Techniques: carbon print
Location: france
Artist: Anonymous
Subjects: portrait of actor, actress, france

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Lever de soleil, environs de Clifton
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: etching
Location: paris
Subjects: river, mountains - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit een veilingcatalogus: "Catalogue des Tableaux anciens composant la très importante collection de Monsieur le Baron de Beurnonville", uitgegeven in 1881 te Parijs door Pillet en Dumoulin. De veiling vond plaats op 9 tot en met 14 en 16 mei 1881.
Drie dames in de loge van een theater
Object type: print
Date: 1835 – 1875
Materials: paper
Techniques: etching
Subjects: boxes, loges ~ theatre, etc.
Inscriptions: collector's mark: Lugt 2228
Overdoor (Dessus de porte)
Object type: overdoor
Date: 1701 – 1800
Materials: wood
Techniques: carving, painting
Subjects: musical instruments,infants,flutes
Fotoreproductie van een schilderij, voorstellende een gezelschap met jachtgeweren in een interieur
Object type: photograph
Date: 1881 – 1883
Materials: photographic support
Techniques: albumen print
Location: germany
Subjects: firearms: rifle, interior ~ representation of a building
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Part of a palmette with tendrils; below, a black glazed line framed by two thin red glazed lines at the top and bottom; below, black glaze
Les monuments principaux de la France
Object type: page
Date: 1875 – 1875
Materials: paper
Techniques: photoaquatint, printing
Inscriptions: inscription: ‘Eglise Saint-Trophime a Arles (...) Arc de Triomphe du Carrousel, Paris.’
"Mush-fakers" and ginger-beer makers
Object type: photomechanical print
Date: 1876 – 1877
Materials: paper
Techniques: woodburytype
Location: london
Subjects: street-trader, umbrella, beer, ale, london
“- I am glad that we are not scientists, otherwise Monsieur would also invite us to taste this camel hump he ordered from Algeria… I'd rather enjoy a meal of veal hump!,” plate 8 from La Sopciété D'acclimatation
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: letterpress, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Gymnastic, from the Occupations of Women series (N502) for Frishmuth's Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: frishmuth's tobacco company
Artist role: publisher
Artist nationality: american
Subjects: women,athletes

The "Occupations of Women" series of trading cards (N502) was issued by Frishmuth's Tobacco Company in 1889 to promote the company's tobacco products. This series uses similar images to Goodwin Tobacco's 1887 series "Occupations for Women" (N166).
Liggend mannelijk naakt, de armen naar achteren en het rechterbeen opgetild
Object type: drawing
Date: 1793 – 1793
Materials: chalk, paper
Bisschopssleutel
Object type: key
Date: 1400 – 1950
Materials: bronze

Platte sleutel zgn. "bisschopssleutel" met twee omgekeerde kruisvormen in de zeshoekige greep uitgehakt en met een tweeledige baard.
Portret van Benedictus Oxenstierna
Object type: print
Date: 1648 – 1650
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, diplomacy, diplomat

Met vierregelig onderschrift in het Latijn.
Vase
Object type: vase
Date: 1730 – 1730
Materials: clay, enamel, glaze, gold
Culture: japanese
Pelerine
Object type: pelerine
Date: 1775 – 1825
Culture: british
Servet van linnendamast
Object type: napkin
Date: 1850 – 1950
Materials: linen
Techniques: damask
Location: eindhoven
Artist: Anonymous

Linnen damasten servet met een hert in het midden en eiketakken in de randen.
Notities
Object type: sketchbook leaf
Date: 1840 – 1841
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Inscriptions: kleurnotitie, handgeschreven: de notities verwijzen naar de schets op pagina 38 verso

Blad 39 recto uit een schetsboek met 41 bladen.
Belegering, van Nicosia, door de Turken
Object type: history print
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: asiatic races and peoples: turks
Inscriptions: collector's mark: Lugt 2228

Het Ottomaanse leger heeft een bres geslagen in een van de muren van de stad Nicosia in Cyprus. De Ottomaanse soldaten stromen de stad binnen en vallen de resterende verdedigers van de stad aan.
Border
Object type: border
Date: 1601 – 1700
Techniques: embroidery
Subjects: birds,flowers
Het vertrek van generaal van Swieten naar Atjeh, 1873
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: militair, jan van swieten, atjeh, eerste atjehexpeditie

Het vertrek van generaal Jan van Swieten naar Atjeh op 16 juli 1873. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 29, 1873.
Portret van de gouverneur generaal van Suriname, Reinier Frederik Baron van Raders
Object type: photograph
Date: 1852 – 1852
Materials: cardboard, gouache, paper, photographic support, watercolor
Techniques: aquarelle, salted paper print
Artist: Anonymous
Subjects: reinier frederik baron van raders
Portret van de onderwijzer Pieter Daniel Anslijn
Object type: carte de visite
Date: 1850 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Inscriptions: annotation: ‘Onderwijzer/ P. D. Anslijn’

Carte-de-visite is onderdeel van een groep portretten aangeboden aan A.J. Nijland, verzamelaar van historieprenten, in augustus 1878.
Onderdeel kraan uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: tap
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tap, part of tap; fragm, end, id. NG 1979-521H.
Molded Dish with Chrysanthemum Design
Object type: dish
Date: 1650 – 1650
Materials: enamel, porcelain
Techniques: overglaze, painting
Culture: japanese
Subjects: flowers

This dish, with its sophisticated shape and complex design of a chrysanthemum flower seen from both the front and the back, exemplifies early porcelain in the Ko Kutani style, produced in the former Hizen domain. The Chinese character for good fortune (fuku in Japanese) marks the inside of the foot.
Gezicht op het Forum Romanum in Rome met links de zuilen van de Tempel van Saturnus
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: forum romanum
Artist: Anonymous
Subjects: ruin of a building ~ architecture, square, place, circus, etc. (+ city(-scape) with figures, staffage), prospect of city, town panorama, silhouette of city

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
Animal figurine
Object type: sculpture
Date: 201 – 700
Materials: ceramic
Culture: sasanian
Location: iran
Subjects: animals
Maniakken
Object type: cartoon
Date: 1841 – 1841
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), bird in a cage
Inscriptions: collector's mark: Lugt 2228a

Prent mogelijk uit: Le Charivari, 5 november 1841.
Portret van een jonge vrouw, vermoedelijk een actrice
Object type: carte de visite
Date: 1857 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Artist: karoly koller
Artist role: fotograaf
Artist dates: 1838 – 1889
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘KOLLER K. TANAR/ cs. k. udvari fényképész/ BUDAPEST/ Harminczad utza 4./ (...)/ PROFESSOR K. KOLLER/ k. königl. Hofphotograph/ BUDAPEST/ Dreissigstgasse No4./ Minden utánzás tilos./ Jede Vervielfältigung vorbehalten.’, number: ‘75’
The Arsenal; two soldiers conversing with two women on the right as a group of soldiers look on from the left; set design from 'Il Fuoco Eterno'
Object type: print, fete, ornament architecture
Date: 1674 – 1674
Techniques: etching
Artist: mathäus küsel
Artist role: artist
Artist nationality: german
Artist dates: 1621 – 1682
Subjects: soldiers,armor,shields,weapons,women

One of twelve plates depicting the stage sets designed by Lodovico Burnacini for 'Il Fuoco Eterno Custodito Dalle Vestali', an opera celebrating the birth of Maria Anna Antonia, Archduchess of Austria in 1672. The Archduchess was the daughter of Emperor Leopold I and his second wife Claudia Felicitas, heiress of Tirol. Composed by Antonio Draghi with a libretto by Nicoló Minato, the opera was performed in the Hoftheater in Vienna on October 30, 1674.
Shekel (Coin) Depicting the God Melkarth
Object type: coin
Date: 31 – 30
Materials: metal, silver
Culture: phoenician
Location: tyre
Subjects: deities, mythological figures
Inscriptions: Reverse: ΤΥΡΟΥ ΙΕΡΑΣ ΚΑΙ ΑΣΥΛΟΥ

The front of this coin depicts the god Melkarth (also spelled Melkart, Melqart), the Tyrian version of the Greek hero Herakles, wearing a crown of laurels.

On the back an eagle stands facing left, a palm branch visible over its right wing. The inscription translates to "of Tyre the holy and inviolable."
Seed Jar
Object type: jar
Date: 1301 – 1600
Materials: ceramic
Culture: caddoan
Location: united states
A Table D'Hote or French Ordinary in Paris
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs,dining

Guests of a dinner sit at a long narrow table in a magnificent room with an ornate ceiling. Two men and a young woman serve wine, one drawing a cork, the others spilling wine over the guests. Another waiter spills soup in an elderly guest's face. A woman and a little girl with a begging dog play tambourine and triangle at left.
Page from Ein new kunstlich Modelbuch...(Page 26r)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Vork met het helmteken Clifford
Object type: fork
Date: 1806 – 1806
Materials: silver
Location: amsterdam
Artist: roelof helweg
Artist role: silversmith
Artist dates: 1758 – 1843
Inscriptions: date letter: ‘X (=1806)’, town mark: ‘Amsterdam’, maker's mark: ‘RH in ovaal’, alloy mark: ‘Hollandse leeuw’

De viertandige vork is aan zowel boven- als onderzijde door middel van enkel lof verbonden met de platte, gebogen steel, die zich verbreedt naar het spatelvormige uiteinde. Boven- en onderzijde van de steel worden omgeven door een dubbele filetrand, die bij het uiteinde ingezwenkt is. Op de onderzijde van de spatel is het helmteken Clifford gegraveerd.
Toverlantaarnplaatjes
Object type: lantern slide
Date: 1800 – 1900
Materials: glass, paint
Artist: Anonymous

Een toverlantaarnplaat waarop staat afgebeeld een soldaat met een speer, een ruiter, een boogschutter die een appel van het hoofd van een staande man schiet en een zeilboot.
Lorgnette Fan
Object type: fan
Date: 1767 – 1833
Materials: textile, ivory
Grogoldoos
Object type: box
Date: 1930 – 1994
Materials: cardboard, felt, linen
Techniques: batik, various techniques
Location: netherlands
Artist: willem woutherus schüller
Artist role: samensteller
Artist dates: 1932 – 2022

Willem Wouterus Schüller stelde in het voorjaar van 1994, tijdens zijn opname en daaropvolgende dagbehandeling in de werkplaats van de ergo-therapie (afdeling psychiatrie in het St Lukasziekenhuis, Amsterdam) de inhoud van deze doos samen. Schüllers ontwerp werd vervolgens uitgevoerd door Atelier Ada Teitler-Terweij in Amsterdam. De zogenoemde Grogoldoos (Grogol is de naam van het burgerkamp waar Schüller geïnterneerd was tijdens de Japanse bezetting van Indonesië) is een product van therapie, een poging van Schüller om zijn traumatische ervaringen tijdens en herinneringen aan de oorlog in Indië/Indonesië een plaats te geven. Heel concreet gebeurde dat door 90 voorwerpen/documenten in verschillende plateau’s, kleinere doosjes en enveloppen onder te brengen. Die voorwerpen/documenten zijn afkomstig uit het kamp, maar zijn ook van eerdere en latere datum, waaronder de eerste maanden na Japanse capitulatie. Op het papieren vlakje onder de leporello van stof in balpoint: "Schat! De doos vooral dichtlaten als het je enerveert. Liefs xxx An" De Grogoldoos is getoond op de tentoonstelling Beelden van de Japanse bezetting van Indonesië in het Rijksmuseum, 1999.
Portret van een vrouw in jurk met borduursels
Object type: album leaf
Date: 1880 – 1905
Materials: cardboard, photographic support
Techniques: albumen print
Location: surabaya
Artist: herman salzwedel
Artist role: fotograaf
Subjects: historical persons - bb - woman, embroidery (ornamentation)
Inscriptions: inscription: ‘(...)/ ATELIER/ van/ H. SALZWEDEL/ SOERABAYA/ JAVA./ Het cliché blijft voor nabestelling bewaard.’
Francesco I d'Este Builds the Palazzo di Sassuolo, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Object type: print
Date: 1659 – 1659
Techniques: etching
Location: italy
Artist: bartolomeo fenice (fénis)
Artist role: artist
Artist nationality: italian
Subjects: buildings,men

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.
Jonge vrouwen op de hoek van de Nieuwezijds Voorburgwal en de Paleisstraat te Amsterdam
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adolescent, young woman, maiden, street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘[...]/ schemeravond/ N.Z Voorburgwal/ [...] Paleis’

Pagina 26 uit een schetsboek met 31 bladen.
Vision, plate eight from In Dreams
Object type: print
Date: 1879 – 1879
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Christ Crowned with Thorns from The Passion
Object type: print
Techniques: engraving
Artist: israhel van meckenem
Artist role: artist
Artist nationality: german
Artist dates: 1435 – 1503
Subjects: interiors,weapons,suffering,men,dogs,christ,crowd
Getal 48
Object type: design
Date: 1904 – 1904
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’

Het getal is gebruikt voor: Veth, Jan. Jozef Israëls en zijn kunst. Arnhem en Nijmegen: Gebroeders E&M Cohen, 1904.
Zittend boerenmeisje met naast zich een jongetje
Object type: drawing
Date: 1832 – 1880
Materials: paper, pencil
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Self-Portrait
Object type: painting
Date: 1887 – 1887
Materials: board, oil, paint, panel, wood
Techniques: painting
Location: netherlands
Artist: vincent van gogh
Artist role: artist
Artist nationality: dutch
Artist dates: 1853 – 1890
Subjects: portraits, red (color), blue (color), green (color), orange (color), artist, self-portraits, emotions, men, suits, beards

In 1886 Vincent van Gogh left his native Holland and settled in Paris, where his beloved brother Theo was a dealer in paintings. Van Gogh created at least twenty-four self-portraits during his two-year stay in the energetic French capital. This early example is modest in size and was painted on prepared artist’s board rather than canvas. Its densely dabbed brushwork, which became a hallmark of Van Gogh’s style, reﬂects the artist’s response to Georges Seurat’s revolutionary pointillist technique in A Sunday on La Grande Jatte—1884. But what was for Seurat a method based on the cool objectivity of science became in Van Gogh’s hands an intense emotional language. The surface of the painting dances with particles of color—intense greens, blues, reds, and oranges. Dominating this dazzling array of staccato dots and dashes are the artist’s deep green eyes and the intensity of their gaze. “I prefer painting people’s eyes to cathedrals,” Van Gogh once wrote to Theo. “However solemn and imposing the latter may be—a human soul, be it that of a poor streetwalker, is more interesting to me.” From Paris, Van Gogh traveled to the southern town of Arles for fifteen months. At the time of his death, in 1890, he had actively pursued his art for only five years.

This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.
Portret van Pieter Pietersz. Barbiers
Object type: print
Date: 1842 – 1851
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: amsterdam, draughtsman, pieter pietersz. barbiers, historical persons
Inscriptions: collector's mark: Lugt 2228
Landschap met molen en boot
Object type: print
Date: 1855 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), rowing-boat, canoe, etc., windmill in landscape
Inscriptions: collector's mark: Lugt 2228
Fragment of a sampler
Object type: sampler fragment
Date: 1701 – 1800
Materials: cotton, wool
Gobular vase
Object type: vase
Date: 1734 – 1766
Materials: glaze, porcelain
Culture: chinese
Sconce
Object type: wall light
Date: 1881 – 1882
Materials: brass, glass, mother of pearl, stone
Culture: american
Location: united states
Artist: george a. schastey & co.
Artist role: maker
Artist nationality: american
Artist dates: 1873 – 1897

In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent changes to the decorations. Following Mr. Rockefeller’s death in 1937, the house was demolished, yet some furnishings, large-scale architectural elements, and three interiors were preserved, and the rooms were donated to local museums by John D. Rockefeller Jr. This wall bracket was installed in Worsham’s elaborately decorated dressing room, one of the preserved interiors now installed in The American Wing (Gallery 742). This fixture and the others that illuminated the space were part of a decorative program designed by Schastey that encompassed every aspect of the room, including the architectural woodwork, stenciled wall-treatment, painted ceiling and frieze, textiles, and other furnishings. Each brass fixture features unusual panels inlaid with mother-of-pearl floral motifs, echoing the room’s overall decor. When originally installed, they were lit by gas. The flickering glow of the gas flame through the opalescent glass shades subtly played on the room’s large mirrors, the highly polished wood surfaces, mother-of-pearl inlay, and the gold-and-silver-stenciled walls. The lighting fixtures were later electrified under the Rockefeller family’s ownership.
Compositie met heksen
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: groups of witches, macbeth
Inscriptions: collector's mark: Lugt 2166

Linksonder Macbeth en zijn vriend Banquo, rechtsboven de drie heksen die voor elk van hen voorspellingen in petto hebben.
Het gesprek
Object type: print
Date: 1646 – 1650
Materials: paper
Techniques: etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: female sex; woman, conversation, dialogue; conversation piece, male sex; man

Een man en vrouw zijn met elkaar in gesprek in een dorp. De vrouw draagt over haar boerenkleding een huikje.