deem-data/ArtiFact huggingface dataset:
Gezicht op Amsterdam-Noordoost. Uitzicht vanaf het Paleis op de Dam
Object type: stereograph
Date: 1864 – 1864
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: gaston braun
Artist role: fotograaf
Artist dates: 1845 – 1928
Subjects: city-view in general; 'veduta', amsterdam
Inscriptions: number: ‘No 3936.’, name: ‘J. C. MEERBURG,’, stamp: ‘S. A. MEERBURG/ LEIJDEN’
William S. Hall
Object type: photomechanical print
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Vader doodt zijn zoon
Object type: print
Date: 1553 – 1553
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: the (nude) human figure; 'corpo humano' (ripa) (+ killing)
Inscriptions: date

Herkinbald (Archimbald) liggend in bed, steekt zijn neef in de hals met een mes. Hij was een van de voorvaders van de graven van Bourbon. Boven het bed een cartouche met een drieregelige tekst in het Latijn.
Medaillon met het portret van Pompeius de Grote
Object type: print
Date: 1789 – 1809
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) gnaeus pompeius magnus, pompey the great
Inscriptions: collector's mark: Lugt 240

Latere staat prent ook gebruikt als boekillustratie in: Plutarchus [bewerkt door E. Wassenbergh en H. Bosscha]. De levens van doorluchtige Grieken en Romeinen, onderling vergeleeken (...). 12 dln. Amsterdam: Johannes Allart, 1789-1809.
Gezicht op Bonn en het Siebengebirge
Object type: sketchbook leaf
Date: 1860 – 1865
Materials: paper, pencil
Location: bonn
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: city-view, and landscape with man-made constructions, mountains
Inscriptions: annotation: ‘Bonn./ Siebengebergte’

Blad 4 recto uit een schetsboek met 55 bladen.
The Star of the Kings: a night piece
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: twelfth night, usually falling on the eve of january 6
Inscriptions: mark: Lugt 514

Driekoningen: een nachtstuk. Een groep kinderen met een verlichte ster bij een oude man op Driekoningenavond.
Nádoby kristalové. XVI. stol
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: prague
Subjects: pots, jars: chalice (calice), container of glass: bottle, jar, vase
Duit van Nederlands Indië,1821
Object type: coin
Date: 1821 – 1821
Materials: copper
Techniques: striking
Location: surabaya
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen munt. Voorzijde: tussen waarde-aanduiding 5 1/16 G. gekroond generaliteitswapenschild. Keerzijde: tweeregelig opschrift, waarboven muntteken en waaronder jaartal. Gladde rand.
The hog
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: signature and date: ‘Rembrandt f 1643’, collector's mark: Lugt 240
Portret van Gideon Ernst von Laudon
Object type: print
Date: 1787 – 1829
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Autumn; Study for an Engraving
Object type: drawing
Materials: chalk, gouache, ink
Techniques: brush, heightening, pen, wash
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: fruit,men,women,autumn,drinking

This is the preliminary drawing for the third print in the series of seasons which Goltzius published around 1594. The strong pen and ink outlines and the tonal values indicated with wash were meant to guide the engraver, who was expected to translate the washes into patterns of burin lines. Jan Saenredam, who worked for Goltzius from around 1589 to 1601, was most likely the engraver of the print. Autumn is represented here by figures dressed in sixteenth-century garb. The wreath of vines on the head of the boy on the right, and the pointed ear of the man in the center (which is more pronounced in the final print), indicate that they are Bacchus, the ancient god of wine, and a satyr.
Fotoreproductie van (vermoedelijk) een schilderij van een moeder bij een wieg
Object type: reproduction
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: cradle, crib, mother and baby or young child
Inscriptions: check stamp: ‘[...]’, check stamp: ‘B. Brooks Oxford Copyright’

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
The Laundress: "La Blanchisseuse de la place Dauphine"
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Two Genii with a Skull and Grasshoppers
Object type: print ornament architecture
Date: 1594 – 1594
Techniques: engraving
Artist: nicolaes de bruyn
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1656
Subjects: insects,vases

Two putti reclining inwards, leaning on a skull at center. Above, an ornament with a putto mask, flanked by two grasshoppers. In upper left and right corners, vases with flowers. From a series of six plates.
Schah-Abbas
Object type: book illustration
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: london
Artist: george cooke
Artist role: print maker
Artist dates: 1781 – 1834
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Prent uit: The Historic Gallery of Portraits and Paintings (...). Londen: Vernor, Hood & Sharpe, 1808, dl. 3.
Wine bottle
Object type: wine bottle
Date: 1780 – 1780
Materials: enamel, faience
Techniques: relief
Culture: japanese
Sleutel bij de prent: Plegtige ter aarde bestelling van H.M. de Koningin der Nederlanden, op den 26 October 1837
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: berlin, wilhelmina frederica louisa (koningin der nederlanden), cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

Sleutel bij de prent van de begrafenisstoet van koningin Wilhelmina van Pruisen onderweg van Den Haag naar Delft, 26 oktober 1837. Met verklaring van de voorstelling in nummers 1-23.
The Lamentation
Object type: painting
Date: 1550 – 1550
Materials: copper alloy, oil
Culture: dutch
Artist: netherlandish
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1545 – 1555
Subjects: christ,virgin mary,lamentation

This poignant image depicts Christ’s limp, dead body surrounded by mourners, including his mother, Mary Magdalen with her jar of ointment, and John the Evangelist. Both support and frame are made of metal; a hook at the structure’s top facilitates display and its size suggests that the object was easily transportable. The picture’s dimensions and delicate brushwork invite close viewing and emphasize the nearness required for the devotional aid to achieve its intended impact. Paint losses are scattered across the image, muting its emotional content, while a discolored varnish further obscures finer details like the buildings in the background or the delicate threading of the Mary Magdalen’s garment.
Portret van Fernando Francesco d'Avalos
Object type: book illustration
Date: 1577 – 1577
Materials: paper
Techniques: letterpress printing
Location: basel
Subjects: naples, helmet, commander-in-chief, general, marshal, armour, historical persons, baton of general

Prent uit: Müller, Theobald. Eigentliche und gedenkwürdige Contrafacturen oder Anbildungen wolverdienter unnd Weitberümter Kriegshelden, (...). Bazel: Peter Perna, 1577. Prent eerder verschenen in: Giovio, Paolo. Elogia virorum bellica virtute illustrium (...). Bazel: Peter Perna, 1575. Prent ook gebruikt in latere publicaties.
Physician, from the Occupations for Women series (N166) for Old Judge and Dogs Head Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: women,doctors

The "Occupations for Women" series of trading cards (N166) was issued by Goodwin & Company in 1887 to promote Old Judge and Dogs Head Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series, as well as three duplicate cards.
Portret van een African American man, geknipt in een hartvorm
Object type: photograph
Date: 1930 – 1950
Materials: paper
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: united states of america
Wall Elevation with a Secretaire, from 'Schreibtische'
Object type: print ornament architecture
Date: 1748 – 1770
Techniques: etching
Artist: franz xavier habermann
Artist role: artist
Artist nationality: german
Artist dates: 1721 – 1796
Subjects: ornament,putti,clocks,desks

Wall elevation in Rococo style with a secretaire in the center. The secretaire is crowned by a clock and is flanked by pedestals. The one on the left carries a vase, while on the one on the right two putti are placed.
Cherry Blossoms at Yoshino (Yoshino), from the series Snow, Moon, and Flowers (Setsugekka)
Object type: woodblock print
Date: 1833 – 1833
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: men,horses,trees

The most famous place in Japan for viewing cherry blossoms is Mount Yoshino in the Kii peninsula, far from Kyoto and Nara. Instead of the standard device of bands of mist separating the foreground from the background, here clusters of cherry blossoms hover in the middle ground. The other two prints in the series are Snowscape by the Sumida River and Moonlight on the Yodo River. The signature, Saki no [or Zen no] Hokusai Iitsu hitsu, indicates that the print was made during Hokusai's Iitsu period (ca. 1820–33).
Trellis
Object type: wallpaper
Date: 1864 – 1864
Techniques: printing
Artist: william morris
Artist role: designer
Artist nationality: british
Artist dates: 1834 – 1896
Subjects: birds,flowers,leaves

This was William Morris's first wallpaper design, conceived in 1862 shortly after the formation of Morris, Marshall, Faulkner, and Company. The pattern communicates an essential naturalism, weaving a vine-like rose bush through a trellis. The imagery was inspired by a trellised rose in Morris's garden at the Red House, Bexleyheath, Kent. The architect Phillip Webb, who designed the latter house, also collaborated here by designing the blue jays. Delays in production meant that the pattern became the third that the company offered for sale, in 1864. Here, a gray trellis, pink roses and blue birds are printed against a cream ground. The company also offered variation with blue or gray backgrounds from 1868.
Shall I be popular, then?
Object type: cartoon
Date: 1894 – 1904
Materials: paper
Techniques: line block
Location: england
Artist: edward linley sambourne
Artist role: draughtsman
Artist dates: 1844 – 1910
Subjects: politician, taxes and financial administration, political caricatures and satires

Spotprent op de Britse minister van Financiën (Chancellor of the Exchequer) Michael Hicks Beach die moet kiezen waar te bezuinigen. Spotprent uit het Engelse satirische tijdschrift Punch, ca. 1894-1904.
Fragment van een haardsteen met afbeelding van de evangelist Marcus
Object type: hearthstone
Date: 1525 – 1575
Materials: earthenware
Location: antwerp
Artist: Anonymous

Haardsteen met een afbeelding van de evangelist Lucas, met een schrijfstif in de hand zittend in een landschap. Hij wordt vergezeld door een liggende os.
Kinderen op een wip en vrouwen voor een koets in een tuin
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: bus, coach, seesaw, europe
Inscriptions: number: ‘14 40 371’
The Nocturnal Review
Object type: print
Materials: chine, paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Benodigdheden voor het schuiven van opium
Object type: album leaf
Date: 1920 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: opium, trade and smuggling of drugs, policeman, constable, dutch east indies, the

Albumblad met twee foto's van pijpen en andere benodigdheden voor het schuiven van opium. Onderdeel van het fotoalbum uit 1930 met politiefoto's over de opiumsmokkel in Indië.
Design for the Decoration of the Grip of a Pocket Pistol
Object type: drawing
Date: 1797 – 1805
Materials: ink, paper, pencil
Techniques: wash
Culture: french
Location: france
Artist: nicolas noël boutet
Artist role: designer
Artist nationality: french
Artist dates: 1761 – 1833
Subjects: ornament,griffins
Portret van Wilhelmina, koningin der Nederlanden, en Hendrik van Mecklenburg-Schwerin
Object type: photograph
Date: 1906 – 1906
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: the hague, print maker, wilhelmina of the netherlands, hendrik (prins der nederlanden (1876-1934))

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Lucretia en Sextus
Object type: print
Date: 1571 – 1571
Materials: paper
Techniques: engraving
Location: rome
Subjects: (story of) lucretia
Inscriptions: collector's mark: Lugt 2228

Sextus valt Lucretia, die naakt op een hemelbed ligt, aan met een dolk en dwingt haar zich aan hem te onderwerpen.
Verlichte gracht te Amsterdam
Object type: photograph
Date: 1923 – 1923
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, public festivities at other royal events, not meant or mentioned above (+ illumination, fire-works ~ festive activities), canal, amsterdam

Illuminatie op de gracht te Amsterdam bij 25-jarig regeringsjubileum van koniging Wilhelmina, 1923.
Miniature Hammered Silver Bottle with Blue Bead
Object type: bottle
Date: 701 – 1600
Materials: gilt, silver
Culture: peruvian
Location: peru
Panel
Object type: panel
Date: 1467 – 1500
Materials: metal thread, silk
Kid
Object type: crèche figure
Date: 1751 – 1800
Materials: metal, terracotta
Techniques: polychrome
Subjects: goats

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Christmas Out of Doors (from "Harper's Weekly," Vol. II)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: men,women,christmas
Fotoreproductie van de gravure Il ne faut jurer de rien
Object type: page
Date: 1852 – 1867
Materials: paper
Techniques: albumen print
Artist: collin
Subjects: print, e.g.: engraving, etching, lithograph
Presenteerblad
Object type: salver
Date: 1905 – 1905
Materials: silver
Location: germany

Presenteerblad van zilver, ovaal met naar buiten gewelfde opstaande rand en uitzwenkende, hoge handvatten.
Study: Head of a Young Girl Facing to the Left
Object type: drawing and watercolor
Materials: chalk, crayon, paper, pastel
Location: france
Artist: carle van loo
Artist nationality: french
Artist dates: 1705 – 1765
Candlestick
Object type: candlestick
Date: 1760 – 1770
Materials: enamel, glass
Culture: british
Location: england
Artist: michael edkins
Artist role: maker
Subjects: flowers
Portret van een vrouw met parelsnoer
Object type: print
Date: 1637 – 1638
Materials: paper
Techniques: etching
Location: london
Subjects: anonymous historical person portrayed alone - bb - woman, pearl; pearl necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 240

De prent maakt deel uit van een zesdelige serie met vrouwenportretten in achthoekige lijsten.
Covered jar with a bluish white glaze
Object type: covered jar
Date: 1279 – 1368
Materials: glaze, stoneware
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Dekselpot van steengoed met een bolvormige wand, bedekt met een gecraqueleerd, transparant glazuur met een blauwwitte tint. Op het glazuur onregelmatige vlekjes. Voetring ongeglazuurd. Qingbai.
Leiden. Juridische Collegekamer. Rapenburg No. 25
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: leiden
Subjects: university building, college, leiden
Portret van Johann Ludwig Ewald
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Bokaal, incompleet
Object type: goblet
Date: 1700 – 1799
Materials: glass
Techniques: gilding, grinding
Location: germany
Artist: Anonymous

Incomplete bokaal. Met scherven (BK-NM-10754-119-1-1). Met bijbehorende deksel (BK-NM-10754-119-2).
Kom met deksel van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; kelkvormig kom met bloemmotieven tussen verticale lijnen, bolle deksel met knop.
Object type: bowl
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous

Kom met deksel van melkglas met blauwe emailverf beschildering, imitatie Chinees blauw porselein; kelkvormige kom met decoratie van bloemmotieven tussen verticale lijnen, waarop een bolle deksel met knop, versierd met doorlopende bloemrank.
Tälsäm or yä bərana kətab (healing scroll)
Object type: scroll
Date: 1701 – 1900
Materials: cotton, ink, parchment, pigment
Culture: tigrinya
Location: ethiopia
Artist: northern highlands däbtära (religious scholar)
Artist role: artist
Subjects: scrolls,faces

In Ethiopia customized protective scrolls that interweave sacred imagery with textual prayers have been prescribed by traditional healers for over two thousand years. These were carried on the person of the individual to whom they were specifically dedicated to shield them from harm. Often the customized content of a scroll is astrologically determined. In Ethiopia as in ancient Greece, each human being has a corresponding zodiac sign associated with a particular destiny and talismanic character. The iconography of the scrolls thus alternate between talismanic "seals" and representations of saints, angels and archangels shown in the act of fighting demons. The seals are modeled on the seal of God that was revealed to King Solomon and feature geometric patterns intertwined with stylized representations of multiple visages and eyes that indicate prayers for divine intervention.
Voyage en Italie, en Sicile et à Malte - 1778
Object type: drawing
Date: 1778 – 1778
Materials: chalk, paper, pencil
Techniques: brush
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Draagkorf
Object type: miniature
Date: 1757 – 1757
Materials: silver
Location: amsterdam
Artist: johannes van somerwil (i)
Artist role: silversmith
Artist dates: 1715 – 1764
Subjects: container of metal: bucket, can, canister, drum, tin
Inscriptions: date letter: ‘X (= 1757)’, town mark: ‘Amsterdam’, maker's mark: ‘boom in schild (Voet 443)’

Ovale, wijduitlopende marktemmer op een voet. De emmer heeft een vast hengsel en hij heeft gegraveerde lijnen langs de randen.
Earthworm and black cricket on creeping saxifrage
Object type: page
Date: 1788 – 1788
Materials: paper
Techniques: woodcut
Location: edo

Pagina 16b en 17a in deel twee van het Insectenboek van Utamaro.
Zuidwestzijde van de Petruskerk te Zuidbroek
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: zuidbroek
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Zuidbroek/ N.H. kerk gezien van af het zuidwesten/ sept 1893’, annotation: ‘Zuidbroek’
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: kilburn
Artist: ernestine hadkinson
Artist dates: 1863 – 1928
Subjects: flushing, designer, agathe wegerif-gravestein, the hague, draughtsman, philip zilcken, money
Inscriptions: collector's mark: ‘RPK’
Liber Chronicarum
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘344’

Een bloemkelk met een bebaarde man en vrouw met halo. De voorstelling is onderdeel van de stamboom van Johannes de Doper in de Liber Chronicarum. De tekst identificeert de vrouw als Ismeria, de zus van Maria's moeder, de heilige Anna. De prent maakt deel uit van een album.
Opera Nova Universali intitulata Corona di racammi
Object type: book print ornament architecture
Techniques: woodcut
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573
Subjects: human figures,birds,ornament

Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice. Illustrated title page signed "G.A.V." on border, 15 pages of designs composed of squares with dots, 60 pages of designs for embroidery &c.
Jonk van een Japanse prins
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: chromolithography
Location: the hague
Subjects: prince, rowing-boat, canoe, etc., japan
Vignet strijd op Sint-Eustatius in 1781
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: fortifications, military engineering, freedom, liberty; 'libertà' (ripa) (+ symbolical representation of concept)
Inscriptions: collector's mark: Lugt 1641