deem-data/ArtiFact huggingface dataset:
Saucer with an ornamental border
Object type: service set
Date: 1800 – 1824
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: france
Artist: Anonymous
Inscriptions: mark: ‘g’

Schotel van porselein, versierd met gouden banden waartussen een slingermotief dat wordt gevormd door halvemaanvormige schijven waarin punten. De schijven worden verbonden door driehoeken. Op de tussenliggende velden gouden sterren. Op het plat een bloemtak. Behoort tot een serie van twaalf kop-en-schotels (BK-16044-F-1-24), onderdeel van een koffie- en theeservies.
Voornaamste schilderijen van Engeland
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)
Inscriptions: collector's mark: Lugt 240

Prent hoort bij de serie 'The Most Capital Paintings in England', tussen 1763 en 1786 gepubliceerd door John Boydell.
Portret van Rudolf van Frankrijk
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228

Prent uit: Mézeray, François Eudes de. Chronyk van Vrankryk. [Vertaald uit het Frans door] G. v. Broekhuizen. Amsterdam: Timotheus ten Hoorn en Jan Bouman, 1685, dl. 1, p. 326.
"Flower Garden"
Object type: sample
Materials: silk
Artist: william morris
Artist role: designer
Artist nationality: british
Artist dates: 1834 – 1896
Terracotta amphoriskos (oil flask)
Object type: amphoriskos in the form of an almond
Date: 400 – 301
Materials: terracotta
Culture: greek, attic

The vase is in the shape of an almond. Almonds were important to the Greeks for their fruit and oil, which also served as a binder for perfumes.
Vest
Object type: vest
Date: 1795 – 1805
Materials: silk
Culture: european
Subjects: flowers
Great nebula in Andromeda
Object type: photomechanical print
Date: 1888 – 1888
Materials: paper
Techniques: autotype
Subjects: astronomical phenomena
Inscriptions: inscription: ‘Photographed by (...) Miss Herschel in 1783.’
Bracelet (?) fragments
Object type: bracelet fragment
Date: 3300 – 3100
Materials: shell
Location: egypt
Servet van linnen met pellenpatroon
Object type: napkin
Date: 1660 – 1680
Materials: linen
Techniques: twill, peeled fabric
Location: northern netherlands

wit linnen servet met pellen patroon, merk kroon RR WO 40 N 6
Gezicht op de poort van de molen Rijn en Lek te Wijk bij Duurstede
Object type: sketchbook leaf
Materials: chalk, paper
Location: wijk bij duurstede
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: windmill, street (+ city(-scape) with figures, staffage)

Voorstudie voor de ets 'Molenpoort, Wijk bij Duurstede', ca. 1908.
Soldaat op wacht met een musket die zijn lont naar zijn mond brengt om hem schoon te blazen (nr. 40), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: the hague
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat op wacht, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met zijn linkerhand vasthoudt bij de vork van het furket (musketvork) waar de loop op steunt (nr. 40), ca. 1600. Met zijn rechterhand brengt hij een brandende lont naar zijn mond om hem schoon te blazen. Plaat 40 in de instructies voor het hanteren van het musket: Corte onderrechtinghe op de figuerliicke afbeeldinghe, soo veel aengaet het recht ghebruyck vant Musquet. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, 's-Gravenhage, 1607. Krijgswezen rond 1600.
Sweret amulet
Object type: amulet, sweret
Date: 664 – 380
Materials: gold
Residence of Frederick Ayer, Pawtucket street
Object type: photomechanical print
Date: 1887 – 1892
Materials: paper
Techniques: photograph
Location: lowell
Artist: Anonymous
Subjects: villa, façade (of house or building)
Vrouw in kostuum voor een winkel tijdens de Oud-Hollandse feesten te Leiden
Object type: photomechanical print
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph
Location: haarlem
Artist: Anonymous
Subjects: shop, store, dress-up party, festivities, leiden
Inscriptions: date
Twee trommelaars te paard
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: france
Subjects: riding a horse, ass, or mule; rider, horseman, military band, warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life, horse
Inscriptions: collector's mark: Lugt 240

Prent uit een reeks van 19 prenten. Getekende voorstudie wordt bewaard in de Biblioteca Marucelliana te Florence (inv. nr. Vol. D, N. 56).
Bruchaesen. Etienne. 31 ans, né à Mag Levard (Hongrie). Tailleur d'habits. Anarchiste. 11/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Terracotta fragment of an oinochoe (jug) or olpe (jug)
Object type: oinochoe or olpe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic
Illustration for a Book: Scene of Men Disposing of Corpse in a Garden
Object type: drawing
Date: 1696 – 1770
Materials: chalk
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: human figures,gardens,corpses
Le Magnifique Carousel fait sur le fleuve de l'Arne à Florence pour le mariage du grand Duc
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: paris
Subjects: ships (in general), the story of the argonauts: the quest for the golden fleece
Inscriptions: collector's mark: Lugt 240
Julius
Object type: book illustration
Date: 1520 – 1525
Materials: paper
Techniques: hand coloring
Artist: Anonymous
Subjects: coat (+ men's clothes), dress, gown (+ women's clothes)

De maand juli: Boekblad: elegant geklede dame en heer, zittend in een vertrek op een bank. Bij hen twee kinderen. Drie figuren achter hen. In ovale lijst, welke is gevat in ornamentale architectonische omlijsting met middenonder een leeuw. In cartouche 4-regelig Frans onderschrift over de veertig-jarige leeftijd van de mens en de maand juli. Verso: kalender
Verschyde Playsante Geselschappen
Object type: print
Date: 1718 – 1757
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Subjects: garden fountain, head-gear: turban, pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.), cup of tea (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)
Inscriptions: collector's mark: Lugt 2228, number

Zeven landschappen met gezelschappen. Centraal een gezelschap van drie mannen met tulbanden, die drinken en een pijp roken.
Immortal Liu Hai
Object type: figure
Date: 1601 – 1700
Materials: bronze
Culture: chinese
Subjects: men
I Marmi
Object type: book
Date: 1552 – 1553
Techniques: printing, woodcut
Location: italy
Artist: antonio francesco doni
Artist role: author
Artist nationality: italian
Artist dates: 1513 – 1574
Subjects: human figures,houses,horses
Zeilschepen tijdens de start van de Ardrishaig Cup
Object type: album leaf
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Artist: james adamson
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: check stamp: ‘Adamson, Rothesay.H.B/ Copyright’, number: ‘2’
The Raising of Lazarus
Object type: painting
Date: 1630 – 1635
Materials: oil, paint, panel, wood
Techniques: painting
Location: netherlands
Artist: follower of rembrandt van rijn
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: resurrection scenes, christian subjects, christianity, religion, religious, religious scenes, religious figures, biblical, jesus, man, women, men, night, light, lighting
Shōrinji Temple
Object type: hanging scroll
Date: 1817 – 1817
Materials: ink, paper
Culture: japanese
Artist: okada beisanjin
Artist role: artist
Artist nationality: japanese
Artist dates: 1744 – 1820
Subjects: mountains,landscapes

By fancifully reinterpreting this Zen temple near Osaka as a Chinese retreat, Beisanjin cleverly reveals the heart and soul of the site, particularly its cultural heritage. A rice merchant in Osaka known for his love of learning, Beisanjin was an amateur painter whose quick flashes of insight were deeply admired by both his contemporaries and later literati artists. The patterned brushwork and overall energy of the painting surface reveal his study of Yuan-dynasty artists—notably Huang Gongwang (1269–1354)—and their successors.
Gezicht op de Arc de Triomphe, Parijs
Object type: album leaf
Date: 1928 – 1933
Materials: paper
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: triumphal arch
H. Thomas van Villanueva
Object type: print
Date: 1642 – 1685
Materials: paper
Techniques: engraving
Location: france
Subjects: giving alms or other charity, e.g.: handing out food, the augustinian friar thomas of villanueva, archbishop of valencia; possible attributes: beggars, cripples, purse
Inscriptions: collector's mark: Lugt 240

De heilige Thomas van Villanueva, gehuld in bisschoppelijk gewaad en omgeven door een stralenkrans, is omringd door armen en zieken die hij geneest. Hij pakt munten uit een geldbuidel en deelt deze uit. Rechts kijken twee geestelijken toe, in de lucht vliegt een engel met een kroon en lelies. In de marge een onderschrift in Latijn.
French Luxury, or Repos a la Francaise
Object type: print
Date: 1800 – 1820
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,sleeping,women,dogs,beds

A young woman sleeps on a bed in an abandoned posture, hugging a bolster and grasping the leg of a chair. A dog and a cat sleep at right.
Oceaanhaven Belawan
Object type: photograph
Date: 1922 – 1922
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: harbour, building-site
Inscriptions: date: ‘16/8-22’, annotation: ‘No. 186 / Het wegzuigen en wederopspuiten voor 1e 100 m. der zandbelasting’

Het wegzuigen en weer opspuiten van zand. Genummerd: 186. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Titelpagina voor: Adriaan Pietersz. Loosjes 'Rijkdom, middelbare stand en armoede', 1803
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bee-hive, agricultural implements: spade, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Titelpagina met drie putti met attributen in een berglandschap. Een putto staat bij landbouwwerktuigen, een andere staat naast een bijenkorf en de laatste heft zijn glas.
Korenlichtermansgilde van Amsterdam, gildepenning van Barend de Milde
Object type: medal
Date: 1812 – 1812
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: gekroonde korenlichter onder opschrift. Keerzijde: opschrift
Bas-Reliefs Provenant des Tombeaux de Xanthe
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: beasts of prey, predatory animals: lion, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘PL. XVI’, inscription: ‘Imprimeries réunies_Editeurs. Imp. Eudes, à Paris_3.’

Deze prenten maken deel uit van een omslag met twintig prenten op zeventien bladen en vijftien tekstbladen.
Le peignoir plisié
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Piece
Object type: piece
Date: 1501 – 1700
Materials: metal thread, silk
Subjects: flowers
Paris. Notre-Dame. Chimère
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: ornament ~ grotesque, church (exterior), chimera (lion/goat/snake); 'chimera' (ripa)
Portret van Peter Werenfels
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: engraving
Location: basel
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op een stoomboot in Worcester
Object type: page
Materials: paper
Techniques: photograph
Location: worcester
Artist: Anonymous
Subjects: ships (in general)
Portret van een onbekende vrouw, mogelijk een lid van de familie Onnen-van den Berg
Object type: photograph
Date: 1865 – 1903
Materials: paper, cardboard
Techniques: collodion silver print
Location: the hague
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: address: ‘La Haye/ WILLEMSTRAAT 2a’
Stucco Fragment
Object type: fragment
Date: 701 – 1200
Materials: plaster
Techniques: carving, painting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prom
Medal Louis XII, King of France (r. 1498–15155), and Anne of Brittany (1476–1514)
Object type: medal
Date: 1499 – 1499
Materials: copper alloy
Culture: french
Location: france
Subjects: men,profiles,women

Royal visits became the occasion for lavish civic festivities, and medals were produced to commemorate these events. A gold version of this double-sided medal was presented to Anne of Brittany when she arrived with Louis XII in Lyons in March 1500. The rule of the French king is glorified by the inscription: "In the blessed reign of Louis XII, a second Caesar, the entire Nation rejoices." The couple is portrayed in profile against fields sown with fleur-de-lis, emblem of the French monarchy, and ermine tails, emblem of Brittany, while the lion at the bottom refers to the city of Lyons.
Mitaine van witte gebreide katoen
Object type: mitt
Date: 1750 – 1800
Materials: cotton
Techniques: knitting
Location: zaanstreek
Artist: Anonymous

Mitaine van witte gebreide katoen, driehoekige handrug met ronde gehaakte schulpen. Ingebreid patroon van rasterwerk met ruit en bloemen.
Whale Oil Lamp
Object type: whale oil lamp
Date: 1860 – 1880
Materials: glass, lead
Techniques: glassblowing
Penning met portret van Hendrik II, koning van Frankrijk
Object type: design
Date: 1683 – 1733
Materials: chalk, paper
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: historical persons, medal (considered as a piece of sculpture, regardless of its specific function)
Plate with a cock on a rock near flowering plants
Object type: plate dish
Date: 1800 – 1899
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Bord van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel en zwart. Op het plat een haan op een rots bij bloeiende planten (pioen, aster) en een vlinder; op de rand een decoratieve band met krulwerk, servetwerk, bloemtakken en gestileerde lotusranken. Famille rose.
Forts Zeelandia and Provintia and the City of Tainan
Object type: pictorial map
Date: 1801 – 1900
Materials: ink
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: houses,cities,boats,ships,maps

This pictorial map depicts the Taiwanese coastal town of Tainan, where the Dutch built two forts around 1624, remnants of which still survive today. In addition to showcasing the European-style forts with their distinctive masonry architecture, the painting records a wealth of other details, including Chinese-style walled towns, farmhouses on stilts, and numerous vignettes of dailym life featuring both people in Chinese dress and half-naked indigenous people. Several versions of this composition—all painted on deerskin—are extant. Although each of the versions is somewhat different, the use of stamps or stencils to reproduce many of the pictorial elements suggests that, like Chinese painted wallpapers, it was created in a workshop for the Western market. While a precise date for the map's creation is difficult to pinpoint, the absence of foreign ships or figures indicates that the composition postdates the departure of the Dutch in 1662, and the presence of a city wall, which was not built until 1791, suggests that the painting, acquired at auction from a German collection in 1909, probably dates to the nineteenth century.
Beleg van Rheinberg door keurvorst Ernst van Beieren, 1586
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: rijnberg, keulse oorlog

Beleg van Rheinberg door keurvorst Ernst van Beieren, september 1586. Episode uit de Keulse Oorlog. Met onderschrift van 4 regels in het Latijn. Genummerd 188. Bedrukt op achterzijde met tekst in het Latijn.
Panorama de Jaffa
Object type: photograph
Date: 1880 – 1880
Techniques: albumen silver print
Artist: félix bonfils
Artist role: fotograaf
Artist nationality: french
Artist dates: 1831 – 1885
Subjects: buildings,cities
Wakamurasaki of the Kadotamaya
Object type: print
Date: 1800 – 1800
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: chōkōsai eishō
Artist role: artist
Artist nationality: japanese
Artist dates: 1793 – 1799
Subjects: women,fish
A Road in a Gorge near Naples
Object type: drawing
Date: 1782 – 1782
Materials: glaze, graphite, gum arabic, watercolor
Artist: thomas jones
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1742 – 1803
Subjects: roads,landscapes,cross

Jones belonged to a coterie of British artists who worked in Rome and Naples in the 1780s, developing innovative approaches to landscape. Watercolor’s subtle expressive potential allowed the creation of this exquisite light-filled image that the artist took back with him to London in 1783. Attracted to picturesque locations, he found a narrow cliff-lined road behind the Hospital of San Gennaro in Naples, described in his Memoirs as flanked with "Masses of Tuffa [volcanic rock], finely fringed with Shrubs of various hues and shades, and interspersed with grottoes or caverns, from whence stones for . . . building were excavated." Jones layered watercolor and gum to evoke the low golden light of a late afternoon, with the rays bathing a woman at prayer, a strolling workman, and a grazing donkey.
Portret van een onbekende vrouw, gemonteerd als ware het een buste
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: autotype
Location: glasgow
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, piece of sculpture, reproduction of a piece of sculpture
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of mouth and body of pot?
From the Old Judge series (N167) for Old Judge Cigarettes
Object type: print
Date: 1886 – 1886
Techniques: lithography
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: girls,portraits

The "Old Judge" series of trading cards (N167) was issued by Goodwin & Company in 1886 to promote Old Judge Cigarettes. It was the first cigarette card series from Goodwin & Co. The series portrays actresses, baseball players, and boxers. The Metropolitan Museum of Art owns 22 cards in the series.
Bust of Roman Matron
Object type: drawing and watercolor
Materials: charcoal, paper
Techniques: drawing, stumping
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Portret van Harry Pointer met drie katten
Object type: page
Date: 1880 – 1885
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: harry pointer, cat, historical persons
Portret van een man met snor
Object type: photograph
Date: 1884 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: bremen
Artist: georg brinker
Artist role: fotograaf
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Georg Brinker/ PHOTOGRAPH/ Bremen. Neustadt/ 100. Westerstrasse 100.’
Plegtige begrafenis van wylen H.M. Koningin weduwe der Nederlanden, 17 Maart 1865
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: tone lithography
Location: netherlands
Artist: Anonymous
Subjects: the hague, anna paulowna romanowa, cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

Begrafenisstoet van wijlen koningin Anna Paulowna, overleden op 1 maart, op de Grote Markt voor de Nieuwe Kerk te Delft op 17 maart 1865.
Portret van Hendrik Danielsz. Hooft
Object type: print
Date: 1769 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: amsterdam, hendrik danielsz. hooft, mayor, burgomaster, historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Oudeschans in Amsterdam met de Montelbaanstoren
Object type: sketchbook leaf
Date: 1887 – 1920
Materials: paper, pencil
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: bridge in city across river, canal, etc.

Pagina 9 uit een schetsboek met 12 bladen.
Stellung! Bedienung!
Object type: photograph
Date: 1940 – 1941
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, division of armed forces (+ artillery), firearms: cannon, netherlands
Inscriptions: inscription: ‘Stellung! Bedienung!’

Albumblad met drie foto's van een verdekte artilleriestelling en de Duitse soldaten die het bedienen. Onderdeel van het fotoalbum 'Kriegszeit in Holland' over de diensttijd in Nederland van Hans Heinemann van een Flak Regiment van de Luftverteidigungskommando van de Luftwaffe.
Portret van keizer Matthias
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: matthias van oostenrijk (rooms-duits keizer), historical persons, emperor, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Fan
Object type: fan
Date: 1767 – 1800
Materials: gilt, ivory, lace, mother of pearl