deem-data/ArtiFact huggingface dataset:
Glass base fragment of a cylindrical bottle
Object type: fragment of a base
Date: 101 – 300
Materials: glass
Culture: roman

Translucent light blue green. Fragment with only small parts of sides of cylindrical body remaining; round bottom with central pontil scar. Base stamp comprising Latin inscription between two concentric lines and raised circular band around hollow center. Complete bottom, broken from body with jagged edges; pinprick and larger bubbles; faint iridescent weathering. The fragment bears a stamp with the name of the maker, Q(uintus) Casius Nocturnus. All of the recorded bottles with his stamp have been found in northeastern France (Côte-d’Or), except for this piece, which would appear to have come from Cyprus.
Marina Palermo
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: palermo
Artist: Anonymous
Subjects: gulf, bay, quay, mountains
Inscriptions: number: ‘No. 1320’
Kaart van dijkdoorbraak te Rijswijk, 1809
Object type: book illustration
Date: 1809 – 1809
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: dike-break, maps of separate countries or regions

Prent uit: Ewijk, Hendrik. Geschiedkundig verslag der dijkbreuken en overstroomingen, langs de rivieren in het Koningrijk Holland, voorgevallen in louwmaand MDCCCIX. Amsterdam: Johannes Allart en Jacobus Ruys, 1809.
Le repos
Object type: print
Date: 1729 – 1769
Materials: paper
Techniques: etching
Location: paris
Artist: pierre françois beaumont
Artist role: print maker
Artist dates: 1719 – 1769
Subjects: river, resting - bb - out of doors, landscapes - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 2028, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Belt hook
Object type: belt hook
Date: 400 – 201
Materials: bronze, gold, silver
Techniques: inlay
Culture: chinese
Landscape
Object type: folding fan mounted a an album leaf
Date: 1501 – 1600
Materials: gold, ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: mountains,landscapes
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, cross square with dots in corners; Exterior, lower drapery and legs of male to left
Boer, mogelijk zaaiend
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: farmers, sowing

Pagina 27 uit een schetsboek met 67 bladen vervaardigd in Drenthe.
Brief aan August Allebé
Object type: letter
Date: 1891 – 1891
Materials: ink, paper
Techniques: pen, printing, writing
Artist: jérôme alexander sillem
Artist role: politician
Artist dates: 1840 – 1912
Subjects: maastricht, conservator, henri goovaerts, amsterdam, print maker, draughtsman, august allebé, jac van looij, utrecht, etha fles, criticizing and discussing art, art criticism, painting (including book-illumination, miniature-painting), italy, spain
Inscriptions: name: ‘J.A. SILLEM’
Pestle
Object type: pestle
Date: 1301 – 1400
Materials: bronze
Techniques: gilding
Location: iran
Stilleven met boek, briefopener en mandje
Object type: drawing
Date: 1789 – 1859
Materials: chalk, paper
Artist: pieter de goeje
Artist role: draughtsman, print maker
Artist dates: 1789 – 1859
Subjects: book, still life of miscellaneous objects
Teapot
Object type: teapot
Date: 1753 – 1753
Materials: silver, wood
Artist: jean-martin winoc du moulin
Artist role: maker
Artist dates: 1727 – 1766

With the importation into Europe of tea from the Far East, coffee from the near East, and chocolate from the Americas, special vessels for the brewing and serving of these new beverages were required. At first all three of these beverages were regarded as medicinal which limited their popularity and only gradually did these drinks gain acceptance in the home. Tea drinking was introduced in France toward the end of the seventeenth century. By 1687 silver pots for the serving of tea are listed in the inventory of Louis XIV’s plate. Very few such early French teapots are known to survive other than one marked by the silversmith I.C., Paris of 1699/1700, also in the Met’s collection (48.187.78) In fact, silver teapots are not at all common in France as compared to Great Britain and those that exist are frequently made in Lille and its surroundings. Mrs. Wentworth acquired several mid-eighteenth-century French teapots, such as this one made in Bergues in Northern France but hall-marked in Lille. The vessel has a pear-shaped body consisting of eight panels that are continued on the cover. A small floral finial surmounts the lid. The swan’s neck spout terminates in an animal’s head. A series of small holes on the inside of the pot serves as a built-in strainer keeps the tea leaves from blocking the spout. Since tea was served hot, the pot had to be constructed so that it would not be too hot to pour, and most vessels were therefore supplied with a wooden handle. Here the handle is attached with two threaded cylinders. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver as illustrated by this teapot.
Cauterets (op weg naar Termes de Raillère)
Object type: photograph
Date: 1906 – 1906
Materials: paper, cardboard
Techniques: gelatin silver print
Location: cauterets
Artist: françois buys
Artist role: advocaat, amateurfotograaf
Artist dates: 1871 – 1934
Subjects: road, path, mountains
Inscriptions: number: ‘19’

Deze foto maakt deel uit van een groep van 49 foto's.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, head of a filleted youth to left, wearing a himation
Servet van wit linnen
Object type: napkin
Date: 1731 – 1731
Materials: linen
Location: northern netherlands
Inscriptions: date

Wit linnen servet met kruiswerkpatroon "lavendel" of "kaffen Roosjes". Merk kroon WG 30 en 1731.
Netsuke of Daikoku and His Bag Dancing with a Man
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, metal
Culture: japanese
Japanse graven
Object type: photograph
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Location: japan
Artist: Anonymous
Subjects: grave, tomb
Inscriptions: inscription: ‘No. 6./ Japansche graven.’
Gezicht op een stadspoort met paard en wagen
Object type: album leaf
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: four-wheeled vehicle drawn by three animals, landscapes in the temperate zone, city-gate

Gezicht op een stadspoort met daarvoor een wagen getrokken door drie paarden. Links bij een boom grazen twee paarden. De prent maakt deel uit van een album.
Titelpagina voor: W. Perkins, Alle de werken, deel 2, 1662
Object type: titelblad, titelpagina
Date: 1662 – 1662
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the three theological virtues, moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, tables of the law, angel(s) represented as child(ren), 'portraits' of christ
Inscriptions: collector's mark: Lugt 2228

Portret van William Perkins in een ovaal cartouche dat wordt vastgehouden door twee putti. Rechts van het portret Christus en links Mozes. Bovenaan houden twee putti een banderol vast met de titel, waarop: derde en laatste deel. Daaronder enkele figuren op een wolkendek, waaronder de drie theologische deugden geloof, hoop en liefde.
Fragment of a Pulpit (Minbar)
Object type: fragment of a pulpit
Materials: wood
Techniques: carving, painting
Location: iran
Subjects: arabic

This fragment comes from a minbar, or pulpit, from which announcements and Friday sermons were delivered to the Muslim community. This section with part of a Qur'anic verse inscribed on it would have formed part of the minbar’s side. The patron of the minbar, Abu Bakr b. Muhammad, was related to Sultan Sanjar.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, bent right arm and part of torso of draped figure
Male figure in a nemes and shendyt kilt
Object type: statuette, nemes, raised arm
Materials: bronze
Subjects: men

The figure has no uraeus. This and other features suggest it is an Egyptianizing figure from the Roman period.
National Museum München. Dachauer Saal
Object type: photomechanical print
Date: 1885 – 1905
Materials: cardboard
Techniques: photoaquatint
Location: munich
Subjects: permanent exhibition, museum
Gracht met ophaalbrug in een stad
Object type: print
Date: 1613 – 1617
Materials: paper
Techniques: engraving, etching
Subjects: canals, waters (in city)
Inscriptions: collector's mark: Lugt 240
Caricature villageoise No. 2 / Le contrat
Object type: cartoon
Date: 1750 – 1820
Materials: paper
Techniques: etching, hand coloring
Location: france
Subjects: fool, simpleton, numskull, notary, civil law, villagers; villeins (dutch: 'dorpers')
Inscriptions: collector's mark: Lugt 2228

Spotprent met een groep dorpelingen verzameld voor een notaris die aan een staande jongeman een tekst voorleest.
Gezicht op Paleis Huis ten Bosch in Den Haag
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: Anonymous
Subjects: palace, the hague
Same richt zijn pijl en boog op een wolf en een beer
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: europeans: sami, archer's weapons: arrow, beasts of prey, predatory animals: bear, beasts of prey, predatory animals: wolf, sápmi
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Scheffer, Johannes. Waarachtige en aen-merkens-waardige historie van Lapland. Amsterdam: Jan Claesz ten Hoorn, 1682.
Rank Badge with Egret
Object type: rank badge
Date: 1767 – 1800
Materials: metal thread, silk
Techniques: tapestry
Culture: chinese
Subjects: bats,birds

The egret corresponds to the sixth civil rank. Tapestry-woven (kesi) in colorful silk with gold thread for the background, this rank badge shows the egret surrounded with waves, rocks, clouds, bats, and flowering plants, including a peach tree, connoting longevity. Below the waves is a stylized water pattern (li shui), which first began to appear on rank badges in the eighteenth century.
Lappets (2)
Object type: lappet
Date: 1734 – 1766
Materials: linen
Techniques: lace
Subjects: flowers

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of thirty-eight laces recently given to the Museum by her nieces, Mrs. Donald P. Spence and The Lady Reigate, in memory of her sister, their mother, Mrs. William Redmond Cross. These represent a selection of the finest of Miss Newbold's personal lace collection, a collection probably made at the time she was active in lace circles in New York about the last decade of the nineteenth and early part of the twentieth century, under the guidance of Marian Hague, a distinguished connoisseur and collector herself. This period witnessed the last peak of appreciation of and connoisseurship in an art form that had been in tremendous vogue from its beginnings in the fifteenth century. And it was the last period in which fine laces were available in any number. Among choice examples of the great lace types represented in Miss Newbold's small collection are: early Italian pieces combining cut-work, pulled work, reticella, embroidery on linen ground; Sicilian polychrome silk filet; seventeenthcentury Venetian points (point de Venise à reseau and the widely known rose point de Venise); famous French needlepoints (Point de Paris, Argentan, Alençon); French and Flemish bobbin laces (Binche, Valenciennes, Brussels, Point d'Angleterre, and Point de Gaz); and a beautiful cap crown of Argentella (1979.310.9), a rare eighteenth-century European lace whose place of origin has never been surely determined.
Priesteres geeft Polia en Poliphilo fruit uit de boom die in het altaar groeide
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: altar ~ non-christian religions, priest ~ greek religion - ee - priestess, (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, picking fruit

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, recto fol. 82.
Piece
Object type: piece
Date: 1880 – 1880
Materials: silk
Subjects: leaves
Blanche Roosevelt, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from "World's Beauties," Series 2 (N27), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
James Johnston of Straiton (died 1841)
Object type: painting
Date: 1776 – 1823
Materials: canvas, oil
Artist: sir henry raeburn
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1756 – 1923
Subjects: men,portraits
Scurrying Home
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: halle an der saale
Subjects: church (exterior), beach
Inscriptions: monogram: ‘[...]’, inscription: ‘Nachdruck verboten’
Set of five keyhole escutcheons
Object type: keyhole escutcheon
Date: 1601 – 1800
Materials: gilt bronze
Huifkar in de Campagna
Object type: drawing
Date: 1765 – 1765
Materials: chalk, ink, paper, watercolor
Techniques: brush, pen
Artist: hubert robert
Artist role: draughtsman, print maker
Artist dates: 1733 – 1808
Subjects: hunting dogs, hunter, covered wagon, hooded wagon
Inscriptions: collector's mark, verso, lower right: Lugt 2228, monogram and date, recto, lower right, pen and brown ink: ‘H. R E. F. 1765’
De mobilisatiekindertjes aan de grenzen
Object type: cartoon
Materials: paper
Techniques: letterpress printing, lithograph
Artist: willy sluiter
Artist role: draughtsman, painter, print maker
Artist dates: 1873 – 1949
Subjects: mobilization of troops; call to arms, infant, baby
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een man van de burgerlijke stand tilt een baby op en houdt het kind voor een hond. Een vrouw en twee militairen achter een boom staan toe te kijken. Onder de voorstelling het opschrift: 'Onderzoek naar het vaderschap: het militaire zal het militaire herkennen.'
Pendant with Striated Multicolored Bead
Object type: pendant
Materials: gold
Culture: indonesian, javanese
Algerijnse mannen in een kring
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil, watercolor
Techniques: brush
Location: algeria
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: africans, adult man, folk costume, regional costume
Inscriptions: kleurnotitie, handgeschreven

De figuren dragen traditioneel Noord-Afrikaans kostuum. Mogelijk maken zij deel uit van een Bedoeïenengemeenschap. Pagina 13 uit een schetsboek met 31 bladen.
Avrea aeneis permutata
Object type: album leaf
Date: 1582 – 1593
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: hunting dogs, hunter, forest, wood, blowing the hunting horn, old testament, esau, returning hungry from the hunt, sells his first birthright to jacob for a pottage of lentils

In een huis tegen een heuvel zit Esau, gekleed als jager, aan tafel. Tegenover hem staat Jakob. Hij koopt met het bord linzensoep voor hem het eerstegeboorterecht van Esau (Gen. 25:31). In het landschap jagers en jachthonden. De prent maakt deel uit van een album.
Sleigh Seat
Object type: sleigh seat
Date: 1800 – 1800
Culture: american
Location: united states
Kudde schapen voor een stal
Object type: photomechanical print
Date: 1885 – 1895
Materials: paper
Techniques: photograph
Subjects: sheep, cattle-breeding, livestock industry
Portret van Anna Jacobina Forster
Object type: print
Date: 1802 – 1829
Materials: paper
Techniques: engraving, etching
Artist: johann nusbiegel
Artist role: print maker
Artist dates: 1750 – 1829
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Partisan
Object type: partisan
Date: 1630 – 1630
Materials: metal thread, steel, textile, wood
Culture: german
Location: germany
Subjects: coat of arms
Haardsteen met voorstelling van Sint Joris te paard
Object type: hearthstone
Date: 1525 – 1575
Materials: earthenware
Location: southern netherlands
Artist: Anonymous

Haardsteen met voorstelling van Sint Joris te paard, met onder hem de verslagen draak liggend op de rug.
Fragment
Object type: fragment
Date: 1701 – 1800
Materials: metal thread, silk
Subjects: birds
Jozua ontvangt de Gibeonieten
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the ruse of the gibeonites (joshua 9)
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
De lijkdienst, 16
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: office of the dead

De lijkdienst. De priester houdt het H. Sacrament omhoog. Rechts op de achtergrond redt een engel een ziel uit het vagevuur. Op de voorgrond links de doodskist onder een kleed, rechts knielende mannen. Prent nr. 16 uit de serie van 16 voorstellingen van Het Mirakel van Amsterdam, naar de gebeurtenissen op 15 maart 1345. Onder de voorstelling twee zesregelige verzen in het Latijn en Nederlands.
Binnenplaats van Ightham Mote vlakbij Ightham
Object type: photomechanical print
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Location: ightham
Subjects: rural housing, e.g. country-house, villa, cottage, courtyard
Onbekende jongen met boeket in zijn handen, reclame voor Kahrel's Thee Groningen
Object type: photograph
Date: 1895 – 1910
Materials: paper
Techniques: gelatin silver print
Location: groningen
Artist: Anonymous
Subjects: boy (child between toddler and youth)

Dergelijke foto's stonden bekend als 'zwartjes'. Men verkreeg ze bij aanschaf van bepaalde merken thee, cacao, sigaretten, beschuit, etc. om te verzamelen. Er waren speciaal voor de 'zwartjes' verzamelalbums in omloop.
For to Be a Farmer's Boy
Object type: drawing and watercolor
Date: 1887 – 1887
Materials: glaze, gouache, graphite, paint, paper, watercolor
Techniques: aquarelle, heightening, scraping
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: labor, work, children, farm life, people
Inscriptions: Signed recto, lower right, in black watercolor: "Winslow Homer/1887" [over old signature, blotted out: "Winslow Homer/1887"]

For to Be a Farmer’s Boy was painted at Prout’s Neck, Maine, and is one of several watercolors in which Homer returned to his earlier theme of rural American childhood. Although the sky has faded and appears empty, X-ray fluorescence spectroscopy and FTIR analyses have yielded evidence that the artist originally painted the sky with dilute washes of chrome yellow and pink madder (both fugitive pigments), with a minute amount of vermilion, to create a glowing orange sunset. Thus, the watercolor originally showed a young boy pausing in his work of harvesting pumpkins to gaze off toward the setting sun, recalling the work of French Barbizon School artists, who influenced Homer in his early career. Their pictures of peasants pausing for a moment of contemplation at the end of their workday resonated with Homer, who showed a lifelong preference for depicting workers.

Homer derived the title from an anonymous Old English song: “Though little, I’ll work as hard as a Turk, / If you’ll give me employ /To plow and sow, and reap and mow, / And be a farmer’s boy.” Interestingly, a longer version of the song includes the line “The sun went down behind yon hills,” thereby supporting findings that the watercolor originally depicted an orange sunset.
The New Parliament Pudding or John Bull's Treat
Object type: print
Date: 1832 – 1832
Techniques: hand coloring, lithograph
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: satire,men,drinking,politics

John Bull stands at left, while a group of men sit around a table on which rests a huge pudding. Its platter is labeled: "The Reform Parliament". From the pudding rises a steam of "Whiggism". Holly leaves stuck in its top contain the faces of politicians.
Fan
Object type: fan
Date: 1815 – 1840
Materials: horn
Subjects: houses
Abraham and the three Angels
Object type: plaquette
Date: 1501 – 1600
Materials: gilt bronze
Artist: peter flötner
Artist role: artist
Artist nationality: german
Artist dates: 1485 – 1546
Subjects: houses,men,forests,angels
Edging
Object type: edging
Date: 1850 – 1850
Techniques: lace
Jason
Object type: print
Date: 1530 – 1580
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hans collaert (i)
Artist role: draughtsman, print maker
Artist dates: 1520 – 1581
Subjects: (story of) jason
Inscriptions: collector's mark: Lugt 240

Jason, de Griekse held die het Gulden Vlies bemachtigde met de Argonauten, in een nis. Hij draagt een harnas en heeft een staf in zijn handen. De prent is deel van een serie met ontwerpen van bekende personen uit de Bijbel, de mythologie en de Oudheid als onderwerp.
[Amateur Snapshot Album]
Object type: album
Date: 1890 – 1892
Materials: photographic print
Artist: Anonymous
Artist role: artist
Subjects: buildings,interiors,street scene

The Kodak Number One camera, first marketed in 1888, made photography a viable hobby for even the least technically inclined. Pre-loaded with film, its shutter fixed at one speed and focal range at one setting, and innocent of even the crudest viewfinder, the "detective" camera prompted millions to translate their daily experience into pictures. "Snapshots"-a marksman's term denoting a spontaneous shot at a moving target-became the common coin of memory; the photo album, formerly filled with commercial views and studio portraits, became a lively visual diary reflecting the events and affinities of a unique life. One such album from Corning, New York, chronicles a youthful fondness for the pets Max and Fritz, the popular new hobby of candid sidewalk portraiture, and a backyard treehouse folly called "The Roost." These prints are homemade cyanotypes, or blueprints-a relatively simple and permanent process employing iron salts that dates from photography's earliest days.