deem-data/ArtiFact huggingface dataset:
Staff (?)
Object type: staff
Date: 2000 – 1001
Materials: bronze
Location: levant
Gezicht op Zwolle, 1672
Object type: photograph
Date: 1900 – 1903
Materials: paper
Techniques: gelatin silver print
Location: france
Subjects: lodewijk xiv (koning van frankrijk), city-view, and landscape with man-made constructions, rampjaar (disaster year)

Niet in Frederik Muller; door het RPK toegevoegd nummer. Onderdeel van een groep van ca. 50 foto's van tekeningen van de Franse inval in de Nederlanden in 1672 door Adam Frans van der Meulen, bewaard in de Manufacture Nationale des Gobelins te Parijs.
Mannaregen
Object type: drawing
Date: 1890 – 1950
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: interior ~ architectural design or model, (decorated) ceiling, old testament

Rond 1525 is het gewelf in het koorgedeelte van de Ursulakerk te Warmenhuizen voorzien van renaissancistische schilderingen, waarschijnlijk vervaardigd door Jacob Cornelisz. van Oostsanen. Zij stellen het Laatste Oordeel en een viertal Oudtestamentische verhalen voor.
In 1891 zijn ze overgebracht naar het Rijksmuseum, maar na de grote kerkrestauratie rond 1960 weer in de kerk teruggeplaatst.
Tile
Object type: tile
Materials: earthenware
Techniques: glazing
Subjects: ships
Fragments
Object type: fragment
Date: 301 – 700
Materials: iron
Culture: coptic
Location: egypt
Portret van Martin Luther
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: priest, martin luther, theologian, historical persons, book - mm - book open
Inscriptions: signature: ‘S. [Bindixer?]’, collector's mark: Lugt 2228
Console table
Object type: wandtafel
Date: 1700 – 1700
Materials: wood
Techniques: gilding
Location: the hague
Artist: Anonymous
Subjects: constructive (architectural) parts ~ human beings, seasons of the year (esp. personifications); 'stagione', 'le quattro stagione dell'anno' (ripa), still life of plants, flowers and fruit, ornament ~ festoon, garland

The four legs of this table represent the Four Seasons. Because it is a console table meant to be placed against a wall, the two back figures are turned towards the front. The gilding of the table is very worn, so the red underlayer shows through in places. Originally, the piece must have looked as if it was made of gold, or silver gilt.
Design for Vis-à-vis, no. 634
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
[George Frederick Watts]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits,profiles
Portret van een onbekende man met een snor en een hoed
Object type: photograph
Date: 1907 – 1915
Materials: photographic support
Techniques: gelatin silver print
Location: great britain
Artist: Anonymous
Subjects: studio ~ photographer, adult man, head-gear: hat
Pair of two-light wall brackets
Object type: wall bracket
Date: 1750 – 1750
Materials: gilt bronze
Subjects: flowers

Gilt bronze was extensively used for different types of lighting ranging from standing candlesticks and candelabra to hanging chandeliers and lanterns. Wall lights, bras de lumière in French, were often placed on either side of mirrors to reflect the candlelight. The chasing and gilding of this pair is exceptionally fine. Sprays of roses, lilacs and anemones decorate the branches while the central stem consists of a cluster of poppies, a symbol of sleep, indicating that the pair may have been intended for a bedchamber.
L'eau-forte en 1877
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: sitting figure, landscapes
Inscriptions: collector's mark: Lugt 2760, collector's mark: ‘AFE v S’, collector's mark: Lugt 2228
Pont en Place de la Concorde in Parijs, gezien vanaf het Huis van Afgevaardigden
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: louis antoine pamard
Artist role: fotograaf
Artist dates: 1840 – 1893
Subjects: bridge in city across river, canal, etc., square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: negative number: ‘20’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in België en Frankrijk.
Officieren van de compagnie
Object type: photograph
Date: 1942 – 1943
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: breda
Artist: Anonymous
Subjects: barracks

Albumblad met vijf foto's van de officieren van de compagnie. Onderdeel van het fotoalbum van de Luftnachrichten-Regiment 211,1942-1943.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, at the left, calf of a figure to right; at the right, an unidentified object
Heilige Viviane weigert aan de Romeinse goden te offeren
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: etching
Location: italy
Subjects: female saints (with name), sacrifice
Inscriptions: collector's mark: Lugt 2228

Een groep vrouwen offert aan een beeld van de Romeinse god Jupiter, voor een galerij. De heilige Viviana keert de vrouwen en het beeld de rug toe. Opdracht in ondermarge.
Landschap
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes

Pagina 10 uit een schetsboek met 67 bladen vervaardigd in Drenthe.
Klein Trianon in de Franse tuin in het Kasteel van Versailles
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: versailles
Artist: Anonymous
Subjects: palace
Inscriptions: number: ‘15’
Jacob's Ladder
Object type: print
Date: 1655 – 1655
Techniques: engraving, drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,angels
Overzicht van het verloop van de zonsondergang gezien vanaf Mount Hamilton te Californië
Object type: photomechanical print
Date: 1893 – 1895
Materials: paper
Techniques: autotype
Location: lick observatory
Subjects: sunset, astronomy (and cosmography)
Inscriptions: date: ‘1893/ June 13/ June 14/ June 15/ June 16/ June 17/ June 18’
Standing Bodhisattva
Object type: headless figure
Date: 401 – 500
Materials: gypsum
Culture: afghan
Subjects: gandharan,buddhism,bodhisattvas
Twee vrouwen in gesprek
Object type: drawing
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: visiting; receiving guests; elegant company, cup and saucer
Inscriptions: :, collector's mark: Lugt 2228a, signature: ‘HANS./ BORREBACH’, annotation: ‘BING 8 pag 147 "Is die aardige jongen Uw nééf ...?"’, number:

Een vrouw met een kop en schotel in de hand kijkt naar een zittende vrouw met een hoed, handschoenen en bontkraag.
Side Chair
Object type: side chair
Date: 1865 – 1870
Materials: wood
Techniques: gilding
Culture: american
Location: united states
Ringelbeker
Object type: ringbeker
Materials: glass
Techniques: glassblowing
Location: germany
Artist: Anonymous

Concave, uit een draad gesponnen voet. Trechtervormige kelk, waaromheen spiraalsgewijs een geribde draad is gelegd. Halverweg de kelk drie ogen.
Pelgrim klopt aan bij een poort
Object type: titelblad, titelpagina
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: knocking at the door, pilgrimage, pilgrim(s) under way
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Bunyan, John. Eens christens reyse na de eeuwigheyt. Amsterdam: Johannes Boekholt, 1682.
Portret van F. Armand
Object type: print
Date: 1801 – 1847
Materials: paper
Techniques: etching
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Virtus in Actione consistit
Object type: bookplate
Date: 1784 – 1833
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, pieter gerardus witsen geysbeek
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Jasper intaglio: Seated Serapis on crocodile
Object type: intaglio
Date: 101 – 200
Materials: jasper
Culture: roman
Subjects: hawks,crocodiles,scarabs

On the obverse, Ouroboros enclosing Serapis on throne above a crocodile; above, scarab; below, mummy of Osiris carried on the back of a lion. On the reverse side, scarabs, hawks, goats, crocodiles, snakes, grouped in threes.
3e rencontre
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: berlin, william i of the netherlands, ruler in informal contact with his subjects, farmers - aa - female farmer, farmer's wife, interior of the house, mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2228

De koning in een eenvoudige boerenwoning sprekend met de boerin. Ondertussen legt hij enkele geldstukken op zijn stoel. Met drieregelig onderschrift.
Head of Apollo
Object type: tapestry fragment
Materials: silk, wool
Artist: manufacture nationale des gobelins
Artist role: manufactory
Artist nationality: french
Artist dates: 1662 – 1799
Subjects: heads,apollo
Gezicht op de Zuiderkerk te Amsterdam
Object type: print
Date: 1662 – 1706
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church (exterior), funerary ceremonial, churchyard, cemetery, grave digger
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Zuiderkerk.
Woman's Informal Robe
Object type: woman's informal robe
Date: 1767 – 1800
Materials: textile
Culture: chinese
Subjects: birds
Mrs. Herbert Duckworth ("She Walks in Beauty")
Object type: photograph
Techniques: albumen print
Location: england
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: collected by hugh edwards, portraits: female subject, photography, portraits
Inscriptions: Inscribed recto, on mount, upper left, in graphite: "2"; inscribed and signed recto, on mount, along bottom edge, below image, in brown ink: "From Life Registered Photograph Copy right [sic] Julia Margaret Cameron Freshwater Sep 74 / "She Walks in beauty""
Card Number 124, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Flagellation of Christ
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to lorenzo garbieri
Artist nationality: italian
Artist dates: 1580 – 1654
Expugnatio Fortissimae Urbis Bredae Ao.-1637
Object type: map
Date: 1637 – 1637
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: balthasar florisz. van berckenrode
Artist role: draughtsman, print maker, publisher
Artist dates: 1591 – 1645
Subjects: frederick henry (prince of orange), maps of separate countries or regions, siege, position war, maps of cities

De belegering en verovering van Breda door het Staatse leger onder Frederik Hendrik, 23 juli - 10 oktober 1637. Onderdeel van een ongemonteerde ensemble bestaande uit 9 bladen (en 2 hier ontbrekende tekstbladen). Blad middenmidden met de plattegrond van Breda.
Stick Seat Phaeton (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
On Duty, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from the "Parasol Drill" series (N18), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Hout- en personentrein van de Banka-tinwinning te Soengeiliat
Object type: album leaf
Date: 1914 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, mining, railway, tramway; rack railway (+ propulsion of vehicle, ship, etc. by steam), clearing ~ forest
Inscriptions: inscription

Albumblad met 2 foto's van de brandhout- en personentrein van de Banka-tinwinning te Soengeiliat. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Ste. Foi, vierge et martyre (St. Faith, Virgin and Martyr), October 6th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,women,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Brief aan Pieter Verloren van Themaat
Object type: letter
Date: 1878 – 1878
Materials: ink, paper
Techniques: pen, writing
Location: utrecht
Artist: Anonymous
Subjects: utrecht, pieter verloren van themaat, painter, print maker, draughtsman, josephus augustus knip, drawing, painting (including book-illumination, miniature-painting), exhibition ~ art, money
Glass bowl
Object type: bowl
Date: 201 – 400
Materials: glass
Culture: roman

Translucent pale green with blue tinge Rounded, vertical rim; collar below curving in to projecting horizontal rib; below sides curving in to bottom with kick and pontil scar at center. Intact, except for one very small chip in rim; pinprick bubbles and blowing striations; dulling, some pitting, and patches of iridescent weathering on exterior; some creamy brown weathering on interior.
Passepartout van Mathilde Wachenheimer-Wertheimer als jonge vrouw
Object type: photograph
Date: 1880 – 1895
Materials: photographic support
Techniques: gelatin silver print
Location: straatsburg
Artist: gerschel aîné
Artist role: fotograaf
Artist dates: 1828 – 1898
Subjects: sobibór, mathilde wachenheimer-wertheimer, straatsburg (frankrijk)

Passepartout van Mathilde Wachenheimer-Wertheimer als jonge vrouw, in lichte kleding.
Servet van wit linnendamast
Object type: napkin
Date: 1710 – 1710
Materials: linen
Techniques: damask
Location: flanders

Wit linnen damasten servet met de verovering van St. Venant, Doornik en Bethune onder Marlborough, Eugenius van Savoye en Johan Willem Friso. In een van de hoeken zijn de letters M.M. geborduurd.
Interieur van de afgebrande Hervormde Kerk te Harmelen
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: harmelen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church
Inscriptions: annotation: ‘Harmelen’, annotation: ‘N.H. kerk te Harmelen (U.)/ oostzijde v/d toren na den brand in juni 1900’
Collection Nilsson - Nouvelle Série
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons - bb - woman, portrait of dancer
Inscriptions: number: ‘No 214’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 480
Materials: terracotta
Culture: greek, attic

Interior, in field, aryballos and strigil; part of draped male; Exterior, part of double ground line
Glass pendant shaped like a jug
Object type: pendant in the form of a vase
Date: 201 – 400
Materials: glass
Culture: roman

Translucent blue; handle in translucent light blue; chips in opaque green, yellow, light blue, and white. Thick, rounded rim; narrow concave neck; squat, globular body; slightly convex bottom; loop handle applied to top of body, neck, and underside of rim. Chips applied randomly to body and marvered. Body intact, but lower half of handle missing; dulling, pitting, and weathering.
Gezicht op zee met een figuur op de rotsen
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: l. chastellain
Artist role: fotograaf
Subjects: sea (seascape)
Inscriptions: monogram: ‘C. Cie’
Schaapkooi
Object type: print
Date: 1806 – 1807
Materials: paper
Techniques: aquatint, etching
Location: antwerp
Subjects: sheep (+ indoors; in laboratory, factory, barn, etc.)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485

Een herder laat zijn kudde de schaapskooi in.
Stomacher
Object type: costume and accessory
Date: 1601 – 1700
Materials: metal thread, textile, silk
Techniques: embroidery, embroidered, weave, stitching
Location: england
Subjects: fashion, yellow (color), ribbon, pink (color), green (color), gold (color), flowers
Portret van Constantijn Huygens (I)
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the hague, constantijn huygens (i), book
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240
België, Leopold II, 2 francs, 1867
Object type: coin
Date: 1867 – 1867
Materials: silver
Techniques: striking
Location: brussels

Zilveren munt. Voorzijde: borstbeeld van de koning naar links. Keerzijde: tussen waarde-aanduiding op twee gekruiste staven, waarop keten van de leopoldsorde is gehangen,geplaatst gekroond wapenschild. Jaartal onderaan. Kartelrand.
Seated Faun
Object type: statuette
Date: 1540 – 1550
Materials: bronze
Artist: andrea briosco, called riccio
Artist role: artist
Artist nationality: italian
Artist dates: 1470 – 1532
Subjects: male nudes
Monument voor Christian Furchtegott Gellert
Object type: print
Date: 1736 – 1767
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: frans de bakker
Artist role: print maker
Subjects: grave, tomb and other grave-forms and grave-markers
Inscriptions: collector's mark: Lugt 2228

Stenen zuil met urn. Op de urn slapen twee putti, een derde decoreert een plaquette met een portretbuste van Gellert met bloemen.
Bassa spreekt zijn vonnis uit na de mislukte vluchtpoging van Adelheid en Karl
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, hacking and thrusting weapons: sword, head-gear: turban, interior of the house, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor G. F. W. Grossmann's 'Adelheid von Veltheim'. Een latere staat gebruikt in: Königlich Grosbritannischer genealogischer Kalender auf das Jahr 1784. Lauenburg: Berenberg, 1783.
Paste paper with overall pattern of red, blue, and yellow flowers
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
The Virgin
Object type: painting, banco panel
Date: 1445 – 1455
Materials: gold leaf, oil, paint, wood
Artist: spanish (catalan) painter
Artist role: artist
Artist nationality: spanish
Subjects: virgin mary