deem-data/ArtiFact huggingface dataset:
Brief aan Lambertus Hardenburg en Jan Weissenbruch, commissarissen van de kunstbeschouwing in Pulchri Studio
Object type: letter
Date: 1847 – 1847
Materials: ink, paper
Techniques: pen, writing
Artist: johannes mock
Artist role: draughtsman, painter, print maker
Artist dates: 1800 – 1884
Subjects: the hague, painter, print maker, jan weissenbruch, draughtsman, lambertus hardenberg (1822-1900), criticizing and discussing art, art criticism
Coif
Object type: coif
Date: 1600 – 1630
Materials: linen, metal thread, textile, silk
Techniques: embroidery, stitching
Dode vogel met schedel
Object type: zinkplaat
Date: 1940 – 1948
Materials: zinc
Techniques: aquatint, etching
Artist: jan petrus ponstijn
Artist role: draughtsman, print maker
Artist dates: 1883 – 1970
Beleg van Coevorden, 1592
Object type: history print
Date: 1600 – 1601
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), siege, position war

Gebruikt als illustratie in: J.J. Orlers, De oorlochs-daden vanden doorlichtigen vorst Mavrits van Nassav. Of den nievven vermeerden Nassavschen lauren-crans: Warachtige beschrijvinghe van alle de belegeringhen ende victorien, te water ende te lande. Die God almachich[!], tot welvaren der Vereenichde Nederlanden te wege gebracht ende gegeven heeft, J.J. Orlers en H. van Haestens, Leiden 1619.
Miscellaneous coin jewellery
Object type: lapel pin
Date: 1940 – 1950
Materials: silver
Techniques: sawing
Location: netherlands
Artist: Anonymous
Subjects: print maker, wilhelmina of the netherlands

Silent Resistance –War and Liberation Jewellery
During the Second World War, small pieces of jewellery were worn in the Netherlands as a silent protest against the German occupier. In April 1941, Dutch coins were officially confiscated for the war industry. As jewellery did not have to be surrendered, coins were quickly transformed into rings, brooches, pins and bracelets.
A portrait of Queen Wilhelmina was worn as a sign of resistance, as well as a token of loyalty to the royal family. Margriet Francisca, the third daughter of Princess Juliana and Prince Bernard, was born
in Canada in January 1943. The pin with the three yellow chicks refers to the three young princesses Beatrix, Irene and Margriet and the steadfastness of the Dutch royal family. After the liberation, coins and silver were used for jewellery conveying messages of hope for a peaceful future.
Kan versierd met uil
Object type: ewer
Date: 1907 – 1907
Materials: earthenware
Techniques: sgraffito
Location: leiderdorp
Inscriptions: mark: ‘Brouwers Aardewerk (ingedrukt, cirkelvormig) rondom monogram en Holland, modelnummer 116 en O 7 (?).’

Kan met oor van aardewerk, versierd in tabeer/sgrafitto-techniek met een uil, blauw op zwarte grond.
Jar of Pepi I
Object type: jar, pepi i
Date: 2289 – 2255
Materials: stone
Location: egypt

The thick walls of stone vessels helped to keep cool the valuable cosmetic oils and ointments they frequently held, and their exquisite workmanship and high quality underlined the precious nature of the contents. The inscription on this vase refers to the first hebsed (a royal renewal festival celebrated ideally at 30 years of reign) of Pepi I. The name of a queen (Mery-re, perhaps short for Ankhnesmeryre, the name of two known wives) has been added secondarily below.
Seated Monk Holding Book
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: probably domenico fiasella
Artist nationality: italian
Artist dates: 1589 – 1669
Scherven porselein uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven porselein van kom uit V.O.C.-schip de 'Witte Leeuw'. Eén fragment bestaat uit twee aan elkaar gelijmde fragmenten.
Wheellock Carbine
Object type: wheellock carbine
Date: 1610 – 1615
Materials: brass, gold, pigment, steel, wood
Culture: french
Location: france

Painted decoration on gunstocks was not a common form of firearms decoration. Very few examples survive today, and this is possibly the finest. The size of this gun suggests it may have been made for Louis XIII when he was a young boy. It is from the French Royal Arms Collection, inventory number 52.
Small bell
Object type: bell
Date: 500 – 300
Materials: bronze
Culture: china or vietnam
Tweede glas / Seconde vitre
Object type: text sheet
Date: 1738 – 1754
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Inscriptions: collector's mark: Lugt 2228

Toelichting bij het door Pieter Tanjé in prent gebrachte tweede glasraam in de Sint-Janskerk Gouda: Inname van Damiate. Twee kolommen tekst in het Nederlands en Frans.
N. Ambreville
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: photograph
Location: brussels
Subjects: brussels, portrait of actor, actress
Christus en de overspelige vrouw
Object type: print
Date: 1738 – 1815
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: pharisees bring a woman accused of adultery before christ (john 8:2-11)
Inscriptions: collector's mark: Lugt 2228

Christus en de Farizeeën staan rond een overspelige vrouw in een tempel. Tekst in het Engels in ondermarge.
Heinrich Herzog von Bordeaux
Object type: print
Date: 1830 – 1895
Materials: paper
Techniques: engraving
Artist: andrew duncan
Artist role: print maker
Artist dates: 1795 – 1855
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Design for Dog Cart (French?)
Object type: drawing
Date: 1880 – 1880
Materials: gouache, ink, watercolor
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op een deel van de Ponte Rotto, te Rome
Object type: print
Date: 1648 – 1712
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bridge

De brug werd voorheen Pons Aemilius en Pons Sancte Marie genoemd. Rechtsonder genummerd: 2.
South side of Brayesworth Church, Suffolk
Object type: print
Date: 1805 – 1811
Materials: paper
Techniques: etching
Location: york
Subjects: child, church (exterior), gate, entrance
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Eendracht der Verenigde Provinciën bij de dood van Willem III
Object type: history medal
Date: 1702 – 1702
Materials: silver
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: william iii (prince of orange and king of england, scotland, and ireland)

Zilveren penning. Voorzijde: leeuw met zwaard en speer met daaraan pijlenbundel en vrijheidshoed binnen gesloten omheining, binnen omschrift. Keerzijde: zeven potten drijvend op zee, terwijl zwaar onweer drijgt binnen omschrift.
Anatomische studie van de binnenkant van het hoofd
Object type: book illustration
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: head (internal) (+ front view)
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Bidloo, Godefridus. Anatomia humani corporis centum & quinque tabulis, per art. G. de Lairesse ad vivum delineatis, de monstrata, veterum recentiorumque inventis explicata plurimisque, hactenus non detectis, illustrata. Amsterdam: Weduwe Joannes van Someren, Hendrick Boom en erven Dirk Boom, 1685.
Portret van Jacques-Joseph Haus
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Subjects: ghent, historical persons, professor (+ portrait of teacher, professor)
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Hess, Marcel. Iconographie des professeurs des universites des Pays-Bas. Brussel: Van Someren, 1827.
Groepsportret van Charles van Bergen, mevrouw Van Manen, Henriëtte van Bergen en Eddy van Manen, Cambridge
Object type: album leaf
Date: 1906 – 1932
Materials: paper
Techniques: gelatin silver print
Location: cambridge
Artist: Anonymous
Subjects: palembang (city), university diploma, historical persons, student
Inscriptions: inscription: ‘l.n.r. Charles v. Bergen, Mevr. v. Manen, Mevr. v. Bergen,/ Eddy v. Manen.’
De kerkruïne te Bergen
Object type: drawing
Date: 1819 – 1819
Materials: chalk, paper
Techniques: brush
Artist: albertus brondgeest
Artist role: draughtsman, print maker
Artist dates: 1786 – 1849
Subjects: ruin of a building ~ architecture, church (exterior)
Houtsprokkelaar
Object type: drawing
Date: 1839 – 1839
Materials: paper, pencil
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873
Subjects: woodcutting, woodcutter ~ forestry, folk costume, regional costume, arnhem
Standing Female Figure with Right Hand Raised
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: john michael rysbrack
Artist role: artist
Artist nationality: flemish
Artist dates: 1694 – 1770
4e Tribulation. Sauve-toi Polite c'est van der Snuyf
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: southern netherlands
Artist: jean-louis van hemelryck
Artist role: print maker
Subjects: the soldier; the soldier's life, interrupted meeting, lovers caught by surprise, belgium
Inscriptions: collector's mark: Lugt 2228

De minnaar van de vrouw vlucht uit het raam als Van der Snuyf onverwacht thuiskomt. Onderdeel van een serie van ca. 24 spotprenten uit 1828 op de wanverhoudingen binnen de Belgische schutterijen door de maatschappelijke ongelijkheid binnen het korps, na de reorganisatie ingevoerd op 11 april 1827.
Seated Amida
Object type: figure
Date: 618 – 907
Materials: marble, paint
Culture: chinese
Subjects: buddha
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1901 – 1901
Materials: cardboard, ink
Techniques: pen, writing
Location: astène
Artist: emile claus
Artist role: print maker
Artist dates: 1849 – 1924
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Giorgio de Castiglione
Object type: photograph
Techniques: gelatin silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: boys,cats
Magasin des Modes Nouvelles Françaises et Anglaises, 10 juin 1787, Pl. 1
Object type: fashion print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: corsage (+ women's clothes), flowers, gloves, mittens (long gloves) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), skirt (+ women's clothes), dress, gown (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)

Lopende vrouw naar rechts, gekleed in een gestreepte japon met sleep. Hieronder draagt zij een puntig lijfje, rok met geschulpte zoom en kousen. De fichu is voor gekruist en op de rug vastgemaakt. Accessoires: grote hoed van vilt met twee veren, bloemcorsage, lange handschoenen, schoenen met hakken. De prent maakt deel uit van het 21e Cahier, 2e année, uit de serie Magasin des Modes Nouvelles Françaises et Anglaises. De serie bestaat uit 172 modeprenten, uitgegeven door Buisson, Parijs, 20 november 1786 - 21 décembre 1789.
Cathédrale de Chartres - Portail Royal (XIIe siècle)
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: chartres
Subjects: church (exterior), statues, paintings, etc. ~ objects of worship in roman religion
Inscriptions: collector's mark: ‘AFE v S’
Amulet of a Hawk
Object type: costume and accessory
Materials: ceramic
Culture: egyptian
Location: egypt
Amsterdam, brandspuitpenning van wijk 14, vierkant
Object type: medal
Date: 1700 – 1799
Materials: metal
Location: amsterdam
Artist: Anonymous

Vierkante metalen penning. Voorzijde: gekroond stadswapen met twee leeuwen als schildhouders, daaronder een letter en een cijfer van de wijk. Keerzijde: een brandspuit. Erboven gegraveerd een cijfer.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, three fragments with tendrils and leaves from handle ornament and the start of the handle root
Gevangenis aan het Place de la Kasbah, Tanger
Object type: photograph
Date: 1890 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Location: tanger
Artist: Anonymous
Subjects: prison, jail
Inscriptions: number: ‘5a’, inscription: ‘Tánger’
Bowl or Deep Plate
Object type: bowl or plate
Date: 1801 – 1900
Materials: silver
Culture: french
Girdle Clasp
Object type: girdle clasp
Date: 1299 – 1923
Materials: coral, gold, pearl
Location: turkey
See 2006.82.1
Object type: relief fragment
Date: 1550 – 1295
Materials: limestone, paint
Location: egypt

This painted relief depicts part of a throne with a feather pattern. Two fragments (X.631.3 and 2006.82.1) have been joined here.
Weg langs een lantaarn en bebouwing
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: etching, intaglio
Artist: françois maréchal
Artist role: print maker
Artist dates: 1861 – 1945
Subjects: street lighting, public road
Inscriptions: collector's mark: Lugt 2228
Stoomschip
Object type: photograph
Date: 1885 – 1910
Materials: paper
Techniques: gelatin silver print
Location: indonesia
Artist: Anonymous
Subjects: steamship, motorship, indonesia
Inscriptions: number: ‘6’
Christ on the Cross (Schr. 2789a)
Object type: print
Date: 1401 – 1500
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: christ,cross,crucifixion
The Union of Utrecht
Object type: painting
Materials: oil, panel
Artist: joseph-denis odevaere
Artist role: painter, print maker
Artist dates: 1778 – 1830
Subjects: delft, william i (prince of orange), provincial government, president ~ head of republic, throne-room, national government, union of utrecht
Inscriptions: inscription: ‘L'auteur à son ami Mr. Rey. Les députés des provinces presentent le traité d'Utrecht à Guillaume le Taciturne. Peint en grand pour son S.M. le roi des P.B. par J. Odevaere peintre de S.M.’

Presentation of the Charter of the Union of Utrecht to Prince William of Orange, by J.D. Odevaere, 1814/15. This painting is a study for a large canvas which the Bruges artist Odevaere (1776-1830) was commissioned to paint by King William I. It alludes to the historical unity of North and South under the House of Orange. In January 1579 a number of northern provinces signed a treaty of alliance against Spain. Later, this Union was recognised as the cornerstone of the Republic. During the unification of North and South under William I the significance of the Union grew. Since some of the southern provinces had signed the treaty, the Union came to symbolise the ties between North and South. However, the role attributed by the artist to Prince William of Orange is incorrect. The document was never presented to the Prince. He had strong reservations about the text and only acquiesced to the treaty months after it had been signed.
Portret van Frederik Willem III te paard
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: frederik willem iii koning van pruisen, riding a horse, ass, or mule; rider, horseman, adult man, historical persons, horse
Inscriptions: collector's mark: Lugt 2228
Portret van Jan Konijnenburg
Object type: print
Date: 1789 – 1822
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: amsterdam, jan konijnenburg
Inscriptions: collector's mark: Lugt 2228

Rond portret van Jan Konijnenburg, predikant en hoogleraar aan het Remonstrants Seminarium in Amsterdam. Buste naar links. Konijnenburg heeft een zwarte jas aan met een hoge kraag. De prent heeft een onderschrift met naam geportretteerde.
Spotprent bij het lied: The Nightingale-Club
Object type: cartoon
Date: 1825 – 1825
Materials: paper
Techniques: engraving
Location: london
Subjects: inn, coffee-house, public house, etc., pipe ~ tobacco, vocal music, singing, political caricatures and satires

Herbergscène met rokende, drinkende en zingende lieden rond een tafel. Spotprent bij een blad met de tekst van het lied: The Nightingale-Club. Illustratie (p. 1/2) genomen uit een uitgave van de liederenbundel: The Universal Songster, or Museum of Mirth, vol. I., eerst verschenen in 1825.
Jérusalem. (Environs) St Jean du Désert
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: louis de clercq
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1901
Subjects: architecture,ruins
Verdedigings- en aanvalswerken in gebruik in de zeventiende eeuw
Object type: print
Date: 1843 – 1849
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: the hague, frederick henry (prince of orange), fortifications, military engineering

Verdedigings- en aanvalswerken in gebruik in de zeventiende eeuw, bijvoorbeeld bij het beleg van Den Bosch door het Staatse leger onder Frederik Hendrik, van 1 mei tot 17 september 1629. Verschillende figuren genummerd 1-19.
Adams sterfbed
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: death of adam
Inscriptions: collector's mark: Lugt 2228

Proefdruk voor boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel I. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Plan de la Ville et Citadelle d'Anvers (...)
Object type: area plan
Date: 1650 – 1719
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities, antwerp
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Plattegrond van Antwerpen en de Citadel. Met ingezette kaart van het markizaat Antwerpen.
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 29 december 1903
Object type: print
Date: 1903 – 1912
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts, water course
Inscriptions: collector's mark: Lugt 2228

Sloot met brug. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 29 december 1903 van tekeningen van dhr. W. Oppenoorth, kunstschilder te Den Haag.
Andries Snoek
Object type: print
Date: 1787 – 1851
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rotterdam, amsterdam, mask, portrait of actor, actress
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Tooneel, Portretten van toneelspelers.
The Four Regents, the Secretary and the House Father of the Lepers' House of Amsterdam, 1773
Object type: painting
Date: 1773 – 1773
Materials: canvas, oil
Artist: jacobus luberti augustini
Artist role: draughtsman
Artist dates: 1748 – 1822
Subjects: board, esp. governors, trustees, etc. (dutch: 'regenten')
Inscriptions: signature and date: ‘Jacobs Augustini Luberti Pinx. 1773’

De vier regenten van het Leprozenhuis te Amsterdam in het jaar 1773. Groepsportret rond een tafel: R.J. van den Broeke, H. van Veen, J. Veening, M. van Son, de binnenvader H. Linteloo en D. Nolthenius.
Portret van een onbekende vrouw
Object type: photograph
Date: 1877 – 1897
Materials: cardboard, paper
Techniques: albumen print
Location: utrecht
Artist: lodewijk hendrikus serré
Artist role: fotograaf
Artist dates: 1847 – 1897
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: address: ‘NACHTEGAALSTRAAT, over het Park Tivoli/ Utrecht/ 's Hage, Tiel en Arnhem.’, inscription: ‘Voor nabestelling blyft de plaat bewaard.’
Ewer
Object type: ewer
Date: 1101 – 1300
Materials: stonepaste
Techniques: luster painting, molding, painting, underglaze
Location: iran
Kringloop van het menselijk handelen
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: carefulness, diligence; 'diligenza' (ripa)
Inscriptions: collector's mark: Lugt 2228

De vrouwelijke personificatie van Arbeidzaamheid (Sedulitas), met een spinrokken. Ze wordt vergezeld door een kip met kuikens, die symbool staan voor vlijtig werken. Op de achtergrond zijn vrouwen vlijtig aan het weven en spinnen. De voorstelling heeft een omlijsting met een randschrift in het Latijn die is gevat in een rijk gedecoreerd cartouche. Eerste prent uit een serie van acht met de kringloop van het menselijk handelen.
Blad met horizontaal banenpatroon van uitgespaarde motieven en stippen
Object type: printed paper
Date: 1750 – 1950
Materials: paint, lacquer, paper
Techniques: printing block, lacquer
Artist: Anonymous
Subjects: ornament ~ geometric motifs
St. Matthew, from "Les Grands Apôtres Debout, Représentant Le Sauveur, La Bienheureuse Marie et Les Saints Apôtres" (The Large Standing Apostles, Representing The Savior, The Blessed Mary and The Apostles)
Object type: print
Date: 1631 – 1631
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Portret van Heinrich Petreus
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: schrijver, rechtsgeleerde, heinrich petreus

Gemaakt voor: J.J. Boissard, Icones virorum illustrium doctrina &c eruditione praestanti um contines. Frankfurt am Main: de Bry, 1597-1599.
A Harlot's Progress, Plate 2
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: interiors,men,women,monkeys,servants