deem-data/ArtiFact huggingface dataset:
Het Derde Eeuwfeest der Kerk Hervorming 1817
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: aquatint, engraving, etching
Location: netherlands
Subjects: martin luther, monument, statue, the all-seeing eye, triangle with eye ~ symbol of god the father, fame; 'fama', 'fama buona', 'fama chiara' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Monument voor het derde eeuwfeest van de Hervorming, 1517-1817. Allegorische voorstelling met centraal een piramide met een portret van Martin Luther. Hierbij de Faam die op haar bazuin blaast. Vader Tijd schrijft het opschrift op de piramide. Boven de piramide het Alziende Oog. Links en rechts putti in de wolken met boeken. Onderaan Luther die zijn stellingen verdedigt op de Rijksdag in Worms (1521). Links de Nederlandse leeuw met pijlenbundel en wapen.
Strook gehaakte kant met getorst takje en stervormige bloem
Object type: strip
Date: 1890 – 1909
Materials: cotton
Techniques: crocheted lace, irish crochet lace
Location: ireland
Artist: Anonymous

Het is een aanname dat deze Ierse gehaakte kant ook daadwerkelijk in Ierland is gemaakt. Ierse gehaakte kant kent zijn oorsprong rond 1760 en kwam vanaf 1840 in ontwikkeling. Aangezien volgens Martine Bruggeman (Kant in Europa) de Ierse haakindustrie aan het eind van de 19e eeuw gereorganiseerd werd en in populariteit groeide, is het hier beschreven stuk gedateerd rond 1890, tot 1909 vanwege de datering in het eerste decennium van populariteit van Ierse gehaakte kant volgens het Kantlexicon (Johan Coene).
Armstoel met blauwe bekleding en rechte rug met opengewerkte middenstijl
Object type: chair
Date: 1775 – 1800
Materials: cardboard, wood, paper, silk
Location: amsterdam
Artist: Anonymous

Armstoel van mahoniehout met een rechte rug, rechte opengewerkte middenstijl en strakke taps toelopende poten. De losse zitting is bekleed met blauwe zijden damast.
Fragment zijdefluweel met palmetten en arabesken
Object type: zijdefluweel
Date: 1600 – 1699
Materials: ciselé velvet, silk, velvet
Techniques: weave
Location: italy
Artist: Anonymous

Een fragment van zijdefluweel met uitsparingen. Op een bruin, gele zijden grond zijn in paars fluweel horizontaal gerijde palmetten en arabesken getekend.
Funerary Sandals
Object type: sandal
Materials: dye, leaf
Location: egypt
Portret van een onbekende kleine man en een onbekende kleine vrouw
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: barcelona
Artist: rafael areñas
Artist role: fotograaf
Artist dates: 1846 – 1891
Subjects: adult woman, little people, adult man, historical persons
Inscriptions: inscription: ‘RAFAEL AREÑAS, FOTÓGRAFO/ DE S. S. M. M. LOS REYES DE ESPAÑA Y PORTUGAL./ Gaballero de la Real Urden de Isabel la Católica,/ BURDEOS AMSTERDAM PARIS VILLANEUVA [...] y Miembro de la Sociedad Francesa de Fotografia./ HOSPITAL, 27 Y 29, BARCELONA.’

Portret van een onbekende man en een onbekende vrouw (kleine mensen).
Galerie Militaire / Au combat de Vêvres, sur les bords de la Dyle, le brave Colonel du 44e saisit un drapeau (...)
Object type: print
Date: 1817 – 1819
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Niet in Frederik Muller; door het RPK toegevoegd nummer. Uitgegeven in de reeks: Galerie Militaire (ou Galerie des Militaires français qui, à différentes épouques, se sont signalés par leur courage), G. Engelmann, Parijs 1818-1819.
Het laatste pauselijke wapenbord opgeruimd
Object type: cartoon
Date: 1877 – 1877
Materials: paper
Techniques: lithograph
Location: netherlands

Spotprent . Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 7, 1877.
The Morning Before the Massacre of St. Bartholomew (from "Once a Week," August 16, 1862)
Object type: print
Techniques: engraving
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women
Portretbuste van Anne de Pisseleu d'Heilly, hertogin van Étampes
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, pearl; pearl necklace, veil

Linksboven: II Deel. Rechtsboven: Pag. 635.
Lydia Thompson, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Evening Bell at Mii Temple (Mii bansho), from the series "Eight Views of Omi (Omi hakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
De bluffer
Object type: popular print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: monogrammist g.j.
Artist role: print maker
Subjects: weakness, powerlessness, helplessness; 'infermità' (ripa), comedy, courage, bravery, valiance, manliness; 'ardire magnanimo et generoso', 'gagliardezza', 'valore', 'virtù heroica', 'virtù dell'animo e del corpo' (ripa)
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen over Meneer Swets die graag in het café opschept over zijn moed. Zijn vrienden stellen hem op de proef en beroven hem. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 312.
Hurkende jongen in een tuin, Buitenzorg
Object type: print
Date: 1921 – 1921
Materials: paper
Techniques: etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: garden, head-gear: hat, sitting on the ground
Jug with three handles
Object type: jug
Date: 1550 – 1599
Materials: engobe, glaze, stoneware
Techniques: firing, forming, turning, vitrification
Location: raeren
Artist: Anonymous

Kruik van steengoed op gegolfde voet met een eivormig lichaam en wijde nek. Drie C-vormige oren bevestigd aan de nek en de schouder. Profiel op de nek. Bedekt met een bruine engobe. De kruik is versierd met draairingen op de buik en nek. Raeren.
Notitie
Object type: sketchbook leaf
Materials: paper, pencil
Location: lindenfels
Artist: geo poggenbeek
Artist role: draughtsman, painter, print maker
Artist dates: 1853 – 1903
Inscriptions: annotation: ‘Lindenfels/ (zum L.Haus’

Blad 13 verso uit een schetsboek met 69 bladen.
Zoo deze prent, o lieve jeugd, voldoet aan uwensmaak, / dan kunt gij verzekert wezen, dat ik weer hervat mijn taak
Object type: print
Date: 1830 – 1892
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: gerrit oortman
Artist role: print maker
Artist dates: 1781 – 1822
Subjects: human types, pipe ~ tobacco, mother and baby or young child, fighting

Blad met 8 voorstellingen van verschillende figuren en bezigheden. Onder elke afbeelding een vierregelig vers Genummerd rechtsboven: No. 36.
Kwatrijnen bij voorstellingen van een burgervrouw en een koppelaarster
Object type: album leaf
Date: 1641 – 1641
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Inscriptions: date

Drie keer twee kwatrijnen in het Frans, Nederlands en Engels bij voorstellingen van een burgervrouw en een koppelaarster. Het blad maakt deel uit van een album.
Rouen (Hôtel Boutheroulde)
Object type: photograph
Date: 1870 – 1894
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Subjects: hôtel, i.e. small palace in city
Inscriptions: collector's mark: Lugt 3937, stamp: ‘kunstboekhandel/ J.A.G. de Leur/ photograaf - uitgever/ Huigenspark, 40b./ Den Haag’, inscription: ‘No. 809 Rouen (Hôtel Boutheroulde)’, check stamp: ‘Mieusement/ Photographe’
Halberd
Object type: halberd
Date: 1530 – 1530
Materials: steel, wood
Culture: italian
Location: italy
Portrait of a Lady
Object type: painting, miniature
Date: 1800 – 1800
Materials: ivory, watercolor
Culture: american
Artist: robert field
Artist role: artist
Artist nationality: american, born england
Artist dates: 1764 – 1819
Subjects: portraits,women
Tabularium - Circus Maximus.
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, paper, ink
Techniques: photograph
Location: munich
Artist: franz seraph hanfstaengl
Artist role: painter, print maker, printer
Artist dates: 1804 – 1877
Subjects: archive, grounds, fields and accomodations for sports, games and physical performances (+ out of doors (sports, games, etc.)), exterior ~ representation of a building, treadmill, prospect of city, town panorama, silhouette of city, rome

Onderdeel van Panorama van het oude Rome.
Portret van een onbekend meisje in landschap
Object type: print
Date: 1919 – 1919
Materials: paper
Techniques: lithograph
Artist: johanna haverkamp-mackwirth
Artist role: print maker
Artist dates: 1874 – 1945
Subjects: landscapes in the temperate zone, girl (child between toddler and youth), flowers: rose
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 733

Naast het gezicht van het meisje groeien rozen. Achter haar is een landschap met boerderij te zien.
Edith Kingdon, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
A horseman and his wife, seated side-saddle behind him, riding towards the right, other horsemen and footsoldiers in the background, from "Various cavalry exercises" (Diverses exercices de cavalerie)
Object type: print
Date: 1642 – 1645
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,women,horses
[View of a Church and Grounds]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: architecture,churches
The Crucifixion
Object type: tapestry
Materials: silk, silver gilt, thread, wool
Artist: bernard van orley
Artist role: designer
Artist nationality: netherlandish
Artist dates: 1492 – 1542
Subjects: angels,christ,crucifixion

With the crucified Christ anchoring the composition, a host of angels fills a turbulent sky, holding the symbols of the Passion. Below, John the Evangelist strides in from the left; at the right, Mary Magdalene, richly-dressed fitting to the popular perception of her as a reformed courtesan, elegantly crumples forward with hand-wringing grief. Also weeping, the Virgin Mary gazes up at her son, and a third holy woman, possibly Mary of Cleophas, embraces the cross. The painterly detail of the tapestry’s design extends to the minutely observed background landscape, in which the bracketing episodes of the carrying of the cross and the entombment can be glimpsed flanking the central scene. To this the virtuoso tapestry-weavers, clearly at the pinnacle of their profession, have brought a material sumptuousness which would have glimmered in the candlelight and which serve to rank this tapestry amongst the richest survivals of the period.
A Dictamnus
Object type: drawing
Date: 1620 – 1630
Materials: gouache, watercolor
Artist: balthasar van der ast
Artist role: artist
Artist nationality: dutch
Artist dates: 1593 – 1657
Subjects: flowers,leaves
King David Receiving the Cistern Water of Bethlehem
Object type: painting
Date: 1515 – 1520
Materials: canvas, oil, paint, panel
Techniques: painting
Location: belgium
Artist: master of the antwerp adoration group
Artist nationality: netherlandish
Artist dates: 1520 – 
Subjects: religious, religious scenes, religious figures, kings, king, christianity, christian subjects, religion

This scene and that of King Solomon Receiving the Queen of Sheba are particularly fine examples of the decorative style practiced in Antwerp by a group of largely anonymous artists now dubbed Antwerp Mannerists. The paintings originally formed the interior of the wings of a folding triptych with the Adoration of the Magi as its center. Both show gifts being presented to a ruler on his throne and would have been understood as Old Testament prefigurations of the submission of the nations to Christ as king, the theme of the lost Adoration panel. They also provided an excuse for the artist to depict exotic costumes, architecture, and luxury goods—the hallmarks of the Antwerp Mannerist style.
Lucretia, plate one from The Nine Worthies
Object type: print
Date: 1595 – 1595
Materials: ink, paper
Techniques: engraving
Location: belgium
Artist: nicolaes de bruyn
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1656
Inscriptions: Lettered lower left: "Nicolaes de B feci" and below image: "Inter ethnicas hae tres nobilitatis palmam ferunt / Lucretia / Assuerus londerseel excudebat"
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Object type: print
Date: 1637 – 1638
Techniques: etching
Artist: pietro testa
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1650
Gevolgen van de omgang met Bacchus en Venus
Object type: drawing
Date: 1566 – 1629
Materials: oil, paper
Techniques: grisaille
Artist: otto van veen
Artist role: draughtsman, painter
Artist dates: 1556 – 1629
Subjects: (story of) bacchus (dionysus), liber, the mind affected by drink, drugs or stimulants, (story of) venus (aphrodite), lovesick lover
Vest met diepe V-hals met sjaalkraag van zwarte wol
Object type: main garment
Date: 1910 – 1915
Materials: wool
Location: utrecht

Adres: Bunschoten en de Gooijer/hofleveranciers/Utrecht; in inkt gemerkt: jhr. Gevers/cie. 5658.
Maria met kind
Object type: print
Date: 1707 – 1707
Materials: paper
Techniques: engraving, etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: mary sitting or enthroned, the christ-child in front of her, standing in her lap (or in front of her bosom)
Inscriptions: inscription: ‘Jacob Folkema Sculp out 15 jaer 1707’, collector's mark: Lugt 2228, inscription: ‘Filia mea, ecce tibi ostendo, et dono electam meam’

Maria met het ingebakerde Christuskind, staand op haar schoot. Onder de voorstelling staat in de marge een handgeschreven onderschrift in het Latijn.
Bevalligheyt
Object type: book illustration
Date: 1681 – 1737
Materials: paper
Techniques: etching
Location: leiden
Artist: françois van bleyswijck
Artist role: draughtsman, print maker
Artist dates: 1671 – 1746
Subjects: grace, charm; 'gratia', 'venustà' (ripa)
Inscriptions: collector's mark: Lugt 2228

Embleem met allegorie op bevalligheid verbeeld als vrouw met rozen en vogel in haar handen. In een landschap kijkt een man naar zijn spiegelbeeld in het wateroppervlak van een fontein en mannen dansten rond de buste van een vrouw. Onder de voorstelling en op het verso staat een gedicht over bevalligheid.
Childebert Ier Roi de francs
Object type: book illustration
Date: 1838 – 1841
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228

Prent uit: Galeries historiques de Versailles. Parijs: Charles Gavard, 1838-1841.
The Hospice of Saint John, Toledo
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: board, charcoal, paper, wood
Techniques: drawing, stumping
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Studie
Object type: sketchbook leaf
Date: 1882 – 1885
Materials: pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

Pagina 5 uit een schetsboek met 34 bladen.
Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso)
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink, paper
Techniques: pen
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: infants,men,women,madonna and child,saints
Het Hemelare te St-Michielsgestel
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: sint-michielsgestel
Artist: Anonymous
Subjects: villa
Inscriptions: number: ‘12’, inscription: ‘III/ [...] " 20’, number: ‘No 3/20 Serie I 8’, annotation: ‘Het Hemelrijk/ s' Michiels Gestel’, name: ‘Johan v Leen [?]’
Table
Object type: table
Date: 1725 – 1725
Materials: marble, wood
Techniques: carving, painting
Tile
Object type: tile
Date: 1701 – 1800
Materials: faience
Subjects: arrowheads,fish
Landscape with a Natural Arch and a Waterfall
Object type: drawing
Date: 1601 – 1733
Materials: graphite
Artist: felix meyer
Artist role: artist
Artist nationality: swiss
Artist dates: 1653 – 1713
Subjects: waterfalls,landscapes,trees
Landschap
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: paper, pencil
Subjects: landscapes
Inscriptions: annotation: ‘infanterie [...]’

Pagina 27 uit een schetsboek met 83 bladen.
Portret van actrice Camilla Spira
Object type: photograph
Date: 1930 – 1950
Materials: photographic support
Techniques: gelatin silver print
Artist: lindner
Artist role: fotograaf
Subjects: berlin
Duyfje en Willemijntjes Pellegrimmagies
Object type: popular print
Date: 1761 – 1765
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: pilgrimage, pilgrim(s) under way
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van de bedevaart van Duyfken en Willemijn. Onder elke afbeelding een onderschrift.
Een hond bijt een andere zittende hond in de rug
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper
Techniques: brush
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: dog
Portret van een vrouw met een opgestoken haarvlecht
Object type: photograph
Date: 1868 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: hannover
Artist: hermann günther
Artist role: fotograaf
Subjects: historical persons, styles of hairdress - aa - ~ women, clothing for the upper part of the body, border, ribbon, braid, necklace, ear-rings
Inscriptions: address: ‘Hannover Marien-Strasse No. 7.’

Onderdeel van Fotoalbum met 36 cartes-de-visite van Nederlandse personen.
A Heath
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: mezzotint
Location: england
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: landscapes
Saucer
Object type: saucer
Date: 1801 – 1900
Materials: bronze, gold
Techniques: inlay
Culture: japanese
Scarab: Wish Formula (?)
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Subjects: scarab beetle, men, plants
Gelderland, duit, 1755
Object type: coin
Date: 1755 – 1755
Materials: copper
Techniques: striking
Location: harderwijk

Koperen munt. Voorzijde: binnen versiering in drie regels D/GEL/RIAE, daaronder jaartal en muntmeesterteken. Keerzijde: gekroond Gelders wapenschild.
Petronella de Lange (1779-1835), Wife of Jonkheer Theodorus Frederik van Capellen
Object type: painting
Date: 1835 – 1835
Materials: oil, panel
Artist: jacob joseph eeckhout
Artist role: draughtsman, print maker
Artist dates: 1793 – 1861
Subjects: nijmegen, brussels
Inscriptions: signature and date: ‘J.J. Eeckhout 1835’

Portret van Petronella de Lange, echtgenote van Jonkheer Theodorus Frederik van Capellen. Buste in een zwarte zijden japon. Op het hoofd een tulbandachtig hoofddeksel. Pendant van SK-A-4058.
Spiral
Object type: spiral
Date: 3900 – 100
Materials: gold
Culture: cypriot
Theemuts van groen-zwart gestreept brei- of vlechtwerk
Object type: theemuts
Date: 1890 – 1920
Materials: cotton, silk
Techniques: braiding, weave
Location: netherlands
Artist: cornelia elisabeth siewertsz van reesema
Artist role: artisan
Artist dates: 1881 – 1954

Theemuts van groen-zwart gestreept brei- of vlechtwerk, gevoerd met groen zijde en aan de binnenzijde met bruinoranje katoen. Enkele gaten en gevlekt zowel aan de buiten- als binnenzijde.
Ex libris van C.H.J. van Haeften
Object type: bookplate
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: book, owls
Back of an Egyptian canopic vase, from "Speculum Romanae Magnificentiae"
Object type: print
Techniques: etching
Artist: etienne dupérac
Artist role: artist
Artist nationality: french
Artist dates: 1535 – 1604
Subjects: vases

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 7 in the scrapbook.
Portret van James Cook
Object type: print
Date: 1821 – 1848
Materials: paper
Techniques: etching
Location: london
Subjects: james cook, historical persons
Inscriptions: collector's mark: Lugt 2228
Landschap met familie op een landweg
Object type: book illustration
Date: 1879 – 1927
Materials: paper
Techniques: wood engraving
Location: london
Subjects: riding a horse, ass, or mule; rider, horseman, carrying a child on the hip, astride, road, path

Prent uit: The babes in the wood. Londen: George Routledge & Sons, 1879. Of uit een later gepubliceerde (gebundelde) uitgave.
Concilie
Object type: print
Date: 1700 – 1899
Materials: paper
Techniques: engraving
Location: france
Artist: Anonymous
Subjects: council, synod ~ roman catholic church
Inscriptions: collector's mark: Lugt 240
Design for Loo-Table
Object type: drawing
Date: 1835 – 1900
Materials: ink
Techniques: pen
Artist: robert william hume
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1904
Subjects: tables
Portret van Dirk Seimens van Binnevest
Object type: print
Date: 1774 – 1776
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: dirk seimens van binnevest
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1120

Proefdruk van de prent volgens Ver Huell gebruikt in: Josua van Iperen, Kerkelyke historie van het psalm-gezang der christenen (...) en inzonderheid van onze verbeterde Nederduitsche psalmberyminge. Amsterdam: wed. Loveringh en Allart, 1777. Deel 2: J. Allart, 1778.