deem-data/ArtiFact huggingface dataset:
Fragments of a Trellis Pattern Carpet
Object type: carpet fragment
Date: 1650 – 1650
Materials: silk, wool
Techniques: asymmetrically knotted pile
Location: india
Subjects: flowers

The original length of this carpet was an impressive thirty feet, indicating its use in a royal building for hosting audiences or other special occasions. Similar trellises enclosing blossoms were also painted on the walls and ceilings of such buildings, and floral friezes covered the dadoes and facades, creating a world of sumptuous flowers surrounding the emperor. Kashmir, with its pashmina shawlweaving tradition, is probably the source of pashmina carpets such as this, but workshops in Lahore also produced many imperial-grade carpets in the mid-seventeenth century.
Mre. Jean Law con.er du roy en tous ces con.ils controleur gnal des finances
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: econoom, john law, windhandel van 1720

Portret van John Law, staande ten voeten uit, op de achtergrond een tuin met fontein. In het onderschrift een vierregelig vers in het Frans. Blad in de gebonden eerste uitgave (304 B 10) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Cup with Handle
Object type: cup
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Yamantaka, Destroyer of the God of Death
Object type: thangka
Date: 1701 – 1733
Materials: textile
Culture: tibetan
Subjects: skulls,men,buddhism,deities

This image of a wrathful protector of Buddhism would have been an awesome presence in the dimly lit interior of a Tibetan monastery. Yamantaka is a violent aspect of the Bodhisattva Manjushri, who assumes this form to vanquish Yama, the god of death. By defeating Yama, the cycle of rebirths (samsara) that prevents enlightenment is broken. Yamantaka, who shares many attributes with Mahakala, is identified by his blue skin and the array of attributes displayed here. He is encircled by five smaller manifestations, each a Yama-conqueror riding a buffalo. An inscription on the reverse indicates the work was commissioned in honor of the donor’s lama. Flanking the uppermost Yama-conqueror are two pairs of lamas, tentatively identified as the Panchen Lama (left) and Atisha accompanied by attending lamas.
Content with Thee My Dear Valentine (valentine)
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: ink, paper, watercolor
Techniques: collage, cutting, embossing, pen
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Hair ornament
Object type: hair ornament
Date: 0 – 0
Materials: gilt, lacquer, wood
Culture: chinese
Valance (Furnishing Fabric)
Object type: textile
Date: 1770 – 1779
Materials: cotton
Techniques: treatment, weave, printing
Location: crayford
Artist: john munns
Artist nationality: english
Artist dates: 1768 – 1784
Ontwerp voor een glas in loodraam met een bloemvorm met rolwerk
Object type: drawing
Date: 1907 – 1930
Materials: ink, pencil, paper
Techniques: brush, pen
Location: amsterdam
Artist: Anonymous
Subjects: ribbon, scroll, banderole ~ ornament
Inscriptions: collector's mark: ‘R:MVS’, inscription
Portret van Johann Jacob Bodmer
Object type: print
Date: 1814 – 1829
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Afkomstig uit de portretserie 'Zeitgenossen', uitgegeven tussen 1829 en circa 1840.
Terracotta oinochoe (jug)
Object type: oinochoe
Date: 450 – 450
Materials: terracotta
Culture: greek, attic
Artist: painter of louvre ca 1694
Artist role: artist
Subjects: male nudes,satyrs

Two satyrs The significant element in the interchange between the two satyrs is the skyphos (deep drinking cup) held by one of them. It may be full of wine. It may also be empty and about to be used as a chamber pot. Although Greek vases were designed to fulfill a specific purpose, they lent themselves to any number of other uses.
Portret van Georg Spalatin
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann benjamin brühl
Artist role: print maker
Artist dates: 1691 – 1763
Subjects: priest, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Fortgesetzte Sammlung Von Alten und Neuen Theologischen Sachen (...) Zweyter Beytrag Auf das Jahr 1730. Leipzig: erven Johann Friedrich Braun, 1730.
Le Cte. de Bourmont
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 4733
Portrait of four unknown men from the Khanzada Rajput community with agricultural attributes, Rajasthan, India
Object type: photograph
Date: 1860 – 1874
Materials: photographic support
Techniques: albumen print
Location: rajputana
Subjects: agricultural implements, human races; peoples; nationalities
Inscriptions: number: ‘347.’, inscription: ‘KHANZADAS/ MUSSULMANS./ RAJPOOTANA.’
Louise Brongniart
Object type: bust
Materials: marble
Artist: jean antoine houdon
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1828
Subjects: girls,portraits

Among the numerous busts Houdon showed at the Salon of 1777 were a pair of Louise Brongniart and her brother Alexandre, both children of the distinguished Neoclassical architect Alexandre-Théodore Brongniart (1739–1813). The originals, now believed to be the terracottas in the Louvre, were among the sculptor's most popular creations and that of the five-year-old Louise, in particular, was reproduced well into the twentieth century. The Museum's marble, with a kerchief headdress elaborating the knotted scarf that binds Louise's hairdo in the original, is now thought to be one of numerous later variants. Also unique to this example is the ruffled fichu that emphasizes the little girl's simply truncated exposed chest.
A man in a hat kidnapping a child from a broadside entitled 'Los roba-chicos en acción'
Object type: print
Date: 1880 – 1910
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: children,men,donkeys,wagons
Admiral Second Rank, Japan, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "Naval Flags" series (N17), issued ca. 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Guardian Protector of the East (Dongfang chiguo tianwang)
Object type: figure
Date: 1001 – 1200
Materials: bronze, gilt, wax
Techniques: casting
Culture: chinese
Subjects: men,buddhism,demons

Guardians, particularly the four associated with the cardinal directions, play an important role in Buddhism and are most frequently shown within larger groupings of divinities. Here, the Guardian Protector of the East sits upon a demon symbolic of the obstacles that must be overcome to attain enlightenment, such as egoism and greed. In most Chinese imagery, the Guardian of the East brandishes a sword, but he is shown with a bow and arrow in the southwest province of Yunnan, which from the tenth to the thirteenth century was under the control of the independent Dali kingdom. The inclusion of arsenic in the copper alloy used to cast this sculpture is also typical of Yunnan.
Gezicht op de Palingbrug in Antwerpen
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: etching
Location: antwerp
Subjects: city-view in general; 'veduta', antwerp
Inscriptions: collector's mark: Lugt 2228

Prent uit: Mertens, F.H. Album historique de la ville d'Anvers [...]. Antwerpen: J.E. Buschmann, 1868.
Zes gezichten op Mars
Object type: page
Date: 1899 – 1900
Materials: paper
Techniques: autotype
Subjects: mars (planet)
Inscriptions: inscription: ‘5e année. Pl. IX.’
Spittoon (Zhadou)
Object type: vessel
Materials: stoneware
Techniques: glazing
Location: china
Portrait of a Man
Object type: painting
Date: 1862 – 1862
Materials: canvas, oil
Artist: gustave courbet
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1877
Subjects: men,portraits
Fotoreproductie van een getekend ruiterportret van Jan Filips Eugeen van Merode als veldmaarschalk, door Jacob van Schuppen
Object type: photograph
Date: 1903 – 1908
Materials: paper
Techniques: collodion silver print
Location: batenburg
Artist: benjamin charlé
Artist dates: 1845 – 1925
Subjects: equestrian state-portrait

Foto op tweeëndertigste ongenummerde pagina.
Plaque from a Book Cover or Portable Altar with Saint Thomas and the Lion of Saint Mark
Object type: plaque fragment
Materials: copper alloy, enamel, gilt
Techniques: enamel
Culture: south netherlandish
Location: netherlands
Subjects: saints
Sprinkhanen en vlinders
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: insects: butterfly, insects: grass-hopper
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van de twaalfdelige serie (incl. titelprent) met verschillende insecten: "Muscarum Scarabeorum".
Saucer
Object type: saucer
Date: 1150 – 1150
Materials: clay
Culture: korean
Twee dames op de fancy-fair in het Paleis voor Volksvlijt ten bate van de slachtoffers van de watersnood van 18 februari 1881
Object type: drawing
Date: 1881 – 1881
Materials: ink, paper, pencil
Techniques: brush, lithograph
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: flood, poster
Inscriptions: signature: ‘Wilm S.’, inscription: ‘in [...] 2001 bij k[...] ingesneden / en gerestaureerd’

Onderwerpsrubriek binnen de Atlas Amsterdam: 1881-1886.
Staande figuur met staf in oosterse kleding
Object type: sketchbook leaf
Materials: chalk, paper
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, standing figure, walking-stick, staff, adult man

Zijaanzicht van man met baard en tulband. Pagina 78 uit een schetsboek met 51 bladen.
"He": Mt. Fuji, Suruga Province, from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Object type: print
Date: 1772 – 1773
Techniques: woodblock print, koban
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Geboorte van prinses Juliana 1909
Object type: history medal
Date: 1909 – 1909
Materials: bronze
Techniques: striking
Location: rome
Artist: pier pander
Artist role: designer, draughtsman, sculptor
Artist dates: 1864 – 1919

Kleine eenzijdige bronzen plaquette waarop Koningin Wilhelmina met kind ten halven lijve boven een omkaderde tekst.
Caricatured figure from Siam, 1/4 Tikal, from the series Coins of All Nations (N72, variation 2) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Omslag voor Origineele Beesten Studien op Steen getekend na Potter, Van de Velde, Berghem, en andere Oude Hollandsche Meesters
Object type: wrapper
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Inscriptions: inscription: ‘1ste’, collector's mark: Lugt 2228
Icones Excellentissimarum Picturarum (...)
Object type: print
Date: 1678 – 1691
Materials: paper
Techniques: engraving
Artist: monogrammist ibh (17e-18e eeuw)
Artist role: print maker
Subjects: sant'agostino

Titelprent voor een serie van 9 prenten.
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: 11i611(issaschar), 11i611(zebulon)

Links stamvader Zebulon, de tiende zoon van Jakob. Hij is gekleed als visser. Op de grond naast hem een anker. Op de achtergrond de zee en een strand, een verwijzing naar de woonplaats van Zebulon. Rechts stamvader Issachar, de negende zoon van Jakob. Naast hem ligt een ezel, een verwijzingen naar Issachar als een 'sterke ezel'. Onder de voorstellingen een verwijzing in het Latijn naar de Bijbeltekst. Deze prent maakt deel uit van een album.
String of Cylindrical Beads
Object type: bead, string, cylinder
Date: 1550 – 1295
Materials: faience
Location: northern upper egypt
Eene groep Atjehers
Object type: photograph
Date: 1891 – 1894
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: asiatic races and peoples (indonesians), historical persons, hearth and stove
De vier seizoen naar schilderijen van Jan van Goyen
Object type: print
Date: 1790 – 1820
Materials: paper
Techniques: etching
Location: netherlands
Subjects: pump, river (+ landscape with figures, staffage), farm (building)
Inscriptions: collector's mark: Lugt 2827, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Rivierlandschap met links een zeilschuit op het water. Rechts verschillende figuren bij een boerderij met hooischuur, een man pompt water met de pomp. Prent uit een serie van de vier seizoenen.
Portret van Karel Alexander van Brandenburg-Ansbach
Object type: print
Date: 1824 – 1832
Materials: paper
Techniques: stippling
Subjects: politician, karel alexander van brandenburg-ansbach, historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, six kylix fragments with part of line border of tondo
Page from Ein new kunstlich Modelbuch...(Page 46r)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Habiti antichi, et moderni di tutto il mondo...
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: asiatic races and peoples: turks, cortege, funeral procession

De begrafenis van een Turk. De kist wordt gedragen door vier mannen. In ornamentrand
Toren der moskee van Sidi El Haloei
Object type: photograph
Date: 1927 – 1927
Materials: paper, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘14.’
Rübeland von Osten
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: hermann selle
Artist role: fotograaf
Subjects: village
Inscriptions: inscription: ‘No. 23. Harz. Rübeland an der Bode./ Rübeland ist ein grosses braunschweigisches Hüttenwerk (...) die Arbeiter ruft. (W.Riehl)’, inscription: ‘Hof-Photograph. Potsdam.’, number: ‘No. 23.’
Male Figure Running
Object type: drawing
Date: 1582 – 1647
Materials: ink
Techniques: pen
Artist: giovanni lanfranco
Artist role: artist
Artist nationality: italian
Artist dates: 1582 – 1647
Subjects: men,running
Juno en de Furiën bij de poort van de Hades
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: italy
Subjects: juno descends into hades to ask the furies to drive athamas mad
Inscriptions: collector's mark: ‘Hinloopen’

Juno staat met haar pauw voor de poort van de Hades en vraagt de Furiën om Athamas gek te maken. Titel in het Latijn in ondermarge.
Portret van een man met zwaard en sigaar in uniform met medailles
Object type: album leaf
Date: 1862 – 1863
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: historical persons, hacking and thrusting weapons: sword, medals and other marks of military honour, (military) uniforms
Inscriptions: annotation: ‘opdracht aan kapitein Lemoine/ aide du camp gen v Casteel 1862’, inscription: ‘Atelier de Photographe de/ J. Hallez/ a Dinant/ Admis à l'Exposition internationale de Bruxelles 1875 e à l'Exposition de Paris 1876’, annotation: ‘A mon meilleur ami/ Alexandre Lemoine/ Captaine Aide-de-Camp de général Van Casteel/ Bruxelles, 14 avril 1862/ [...]’
Iconographie
Object type: print
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: álvaro de bazán, armour

Deze prent maakt deel uit van een album.
Le Château de Versailles et l'Orangerie
Object type: photograph
Date: 1887 – 1900
Materials: paper
Techniques: albumen print
Location: versailles
Subjects: winter-garden, conservatory, palace, greenhouse, orangery
Inscriptions: number: ‘14’, inscription: ‘No 258 Le Château de Versailles et l'Orangerie. X. Phot.’

Tussen 1887 en ca. 1900 werkten Neurdein frères onder andere onder de naam 'X phot.'.
Frizes, feuillages ou tritons marins antiques et modernes
Object type: ornament print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: france

In het onderste fries spelen putti met een griffioen tussen een zware acanthusrank.
Horseman
Object type: statue of a warrior
Date: 400 – 201
Materials: terracotta
Culture: cypriot
Subjects: men

The figurine is handmade and solid, with a mold-made face. The nude, bearded figure is preserved to the hips, where there is a clean horizontal break from the rest of the figurine, which must have been a horse-and-rider group.
Systema solare et planetarium ex hypothesi Copernicana secundum (...)
Object type: print
Date: 1702 – 1742
Materials: paper
Techniques: engraving, etching, hand coloring
Location: nuremberg
Subjects: earth, world as celestial body, telescope, solar eclipse, planets; planetary system, solar system
Inscriptions: collector's mark: Lugt 2228

Hemelkaart van het heliocentrische stelsel van Nicolaas Copernicus. In de buitenste ring de dierenriem. De titel in een banderol boven de kaart. Rechtsonder een voorstelling van Urania bij weergaven van de stelsels van Ptolemaeus, Copernicus en Brahe. Linksonder een voorstelling waar wordt uitgelegd hoe een zonsverduistering tot stand komt. Om de voorstelling heen putti met astronomische en meetkundige instrumenten. Linksboven de Zon, Jupiter en Saturnus, ter vergelijking van de relatieve grootte.
Female head
Object type: sculpture
Date: 800 – 601
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: women

This carved head was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. Originally, this piece may have been part of a composite statuette made of various materials and overlaid with gold foil. The surface is heavily worn and the ivory has split vertically down the face. The large eye sockets were intended to hold colored inlays, as were the rectangular cavities in the wig, although these no longer survive. Traces of a choker, a short necklace worn by women in ancient Near Eastern art, can be seen carved in relief on the neck. The figure’s beardlessness and the choker suggest this is a female depiction, although it is not clear whether a woman or a deity is represented. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Coat of Arms with an Eagle Surrounded by Foliage
Object type: print ornament architecture
Date: 1543 – 1543
Techniques: engraving
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: eagles,leaves,coat of arms

Design for a coat of arms with an eagle. Above the escutcheon, a crowned helm with ibex horns and a feather.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic
Birth and Baptismal Certificate
Object type: birth and baptismal certificate, fraktur
Date: 1780 – 1780
Materials: ink, paper, watercolor
Culture: american
Location: united states
Subjects: flowers
Side chair
Object type: side chair
Date: 1726 – 1750
Materials: wood
Techniques: carving
Christmas Time, from "Illustrated London News"
Object type: print
Techniques: engraving
Artist: harvey orrin smith
Artist role: engraver
Artist nationality: british
Artist dates: 1847 – 1870
Subjects: boys

A boy wrapped against the cold carries a basket of holly, a sprig tucked into his hat, and stands in a wintry coastal landscape. Harvey Orrin Smith's wood engraving for the "Illustrated London News" is based on a painting by William Hemsley, a London genre painter and son of an architect who initially followed his father’s profession, then switched gears and taught himself to paint. Regarded by his contemporaries as a "painter of cottage life," Hemsley's small-scale genre subjects often focus on children, a mode established by Frederick Daniel Hardy. These were shown at the Royal Academy, British Institution and Society of British Artists—Hemsley belonged to the latter and served as vice president.
Portret van Jacobus Edelheer
Object type: print
Date: 1632 – 1632
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: louvain, politician, jacobus edelheer, historical persons

Prent is geknipt uit een blad met portretten van tien Brabantse afgevaardigden bij de vredesbesprekingen in 1632. Onder de portretten staat een tekst met als titel: Af-beeldinge van de Vrede-maeckers / Ofte Gedeputeerden uyt Brabant, gekomen in 'sGraven-Hage den 4. Decembris 1632.
Hairpin
Object type: hairpin
Date: 1 – 400
Materials: glass
Culture: roman
Gezicht op de Hooibrug bij Muiden
Object type: drawing
Date: 1778 – 1778
Materials: ink, paper
Techniques: brush, pen
Location: muiden
Artist: hermanus petrus schouten
Artist role: draughtsman, painter, print maker
Artist dates: 1747 – 1822
Subjects: canal, village, road, path, bridge in village across river, canal, etc.
Inscriptions: inscription: ‘Hooy-brug aan de Muyder-vaart’, signature and date: ‘HSchouten f. / 1778’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 36.
Twenty-One Pebbles
Object type: pebble
Date: 1902 – 1902
Materials: jade
Culture: chinese or turkestani