deem-data/ArtiFact huggingface dataset:
Klänge
Object type: book
Materials: paper
Techniques: printing, woodcut
Location: france
Artist: vasily kandinsky
Artist nationality: french
Artist dates: 1866 – 1944
Moppentrommel
Object type: miniature
Date: 1660 – 1690
Materials: silver
Location: amsterdam
Artist: hendrik van der star
Artist role: silversmith
Artist dates: 1619 – 1689
Subjects: container of metal: bucket, can, canister, drum, tin

Hoge, afgeronde rechthoekige mand. De mand loopt naar boven breed uit en heeft een vast hengsel. De wand van de mand is versierd met horizontale banden. De mand is gemerkt met een zespuntige ster in een cirkel en een dolfijn.
Magnolia
Object type: handscroll
Materials: paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: flowers
Portret van een onbekende man met baard, aangeduid als de heer Verheij
Object type: photograph
Date: 1861 – 1874
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons, old man, beard
Inscriptions: inscription: ‘Verheij’, inscription: ‘AG/ A. GREINER/ Photograf/ NIEUWENDIJK L. 87/ AMSTERDAM.’
St Jerome
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered upper right: "Alexandro Victorio Insigni Statuario et Architecto amicitiae ergo D. D. Jacobus Palma Invent. HGoltzius sculp."; lower right: "Cum privil. Sa. C. M. Anno 1596." and below image: "Vir pietatis amans ... subsidiumque petens. C. Schonaeus."
Vase
Object type: vase
Date: 1736 – 1795
Materials: stone, gemstone
Culture: chinese
Subjects: birds
Nymph Supported by Two Satyrs
Object type: print
Date: 1763 – 1763
Techniques: etching
Artist: jean honoré fragonard
Artist role: artist
Artist nationality: french
Artist dates: 1732 – 1806
Subjects: nymphs,satyrs,rabbits,leaves
Joh. 3 : 16 Alzo lief heeft God de wereld gehat / dat hy zijn zoone geeft / Op dat een eyglijk die in hem gelooft / niet sterft: maar eeuwig leeft!
Object type: popular print
Date: 1725 – 1780
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: mary and elisabeth, both pregnant, embracing, new testament, series of scenes from the life of christ, mary, joseph and the new-born christ (nativity)
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van verhalen uit het Nieuwe Testament, zoals de doop in de Jordaan, de Geseling van Christus en de Visitatie. Onder elke afbeelding een tweeregelig vers en een verwijzing naar de bijbehorende Bijbeltekst. Genummerd rechtsboven: **47.
Silver Statuette of St. Philip, from the "Wittenberg Reliquaries"
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: books,men,saints
Portret van Johann Reinhard I, graaf van Hanau-Lichtenberg
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: augsburg
Artist: jacob van der heyden
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1645
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
David
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: paris, brussels, draughtsman, jacques-louis david, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Groepsportret van onbekende mannen rond een houten ton
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: wooden container: barrel, cask, bucket, anonymous historical persons portrayed in a group, in a group-portrait
Saint Augustine
Object type: statue
Date: 1450 – 1475
Materials: gilt, limestone, paint
Culture: french
Subjects: men
King's College, Embankment Gate
Object type: print
Date: 1906 – 1906
Materials: ivory, paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Guri lacquer cup
Object type: cup
Date: 1271 – 1368
Materials: lacquer
Techniques: carving
Culture: chinese
View near Newport, Isle of Wight
Object type: print
Date: 1822 – 1822
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: rivers,dining,boats
Titvs Gracchvs
Object type: print
Date: 1528 – 1528
Materials: paper
Techniques: engraving
Location: munich
Artist: barthel beham
Artist role: print maker
Artist dates: 1502 – 1540
Subjects: battle
Inscriptions: collector's mark: Lugt 240

Fries met de overval op de romeinse volksleider Tiberius Gracchus welke plaatsvond in opdracht van romeinse senatoren. Door de grote kluwen figuren is niet altijd duidelijk wie tot welke partij behoort. De compositie gaf de kunstenaar de gelegenheid om vijfendertig naakte mannenfiguren in uiteenlopende houdingen weer te geven.
Jar in the Form of an Abstract Figure with Modeled Head
Object type: vessel
Date: 100 – 500
Materials: ceramic, paint, pigment
Culture: moche
Location: peruvian north coast
Gezicht in het Haagse bos
Object type: drawing
Date: 1610 – 1653
Materials: chalk, paper
Artist: simon de vlieger
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1653
Subjects: forest, wood
Portret van prinses Juliana met speelgoed
Object type: album leaf
Date: 1911 – 1911
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Subjects: the hague, juliana of the netherlands, historical persons - bb - woman, crown princess - bb - female ruler
Jay (one of a pair)
Object type: figure
Date: 1740 – 1745
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,insects

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…." [Elizabeth Sullivan, 2013]
Globular Ewer
Object type: vessel
Materials: porcelain
Techniques: glazing
Location: china
Saddle
Object type: saddle
Date: 1567 – 1700
Materials: bone, iron, leather, pigment, textile, wood
Culture: turkish
Location: turkey

This saddle is the only known Ottoman example of its type. The use of pierced leather decoration appliquéd on different colored grounds occurs on a small number of Ottoman objects––bow cases and quivers, canteens––of the sixteenth century. It appears that all of them were made for high-ranking officers.
Fucus æruginosus Turner. "Med. Sea Sisbon" New to Britain.
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants
Skyphos fragments, 4
Object type: skyphos fragment, 4
Date: 500 – 475
Materials: terracotta
Culture: greek, attic

Four joined fragments of a dancing woman among vines.
Ewer
Object type: ewer
Date: 1801 – 1900
Materials: metal, silver
Artist: franchi and son
Artist role: manufacturer
Subjects: mythical creatures,dolphins

This electrotype is after a seventeenth-century original (1617–18), at the time of reproduction the property of the Corporation of Norwich. En suite with salver (73.8.29).
Munt van twee cent van de VOC uit 1823
Object type: coin
Date: 1823 – 1823
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: dutch east indies, the
Inscriptions: inscription: ‘2’, inscription: ‘...NDIA / ..ATAV’, inscription: ‘Jacques Schulman / Numismaat / Keizersgracht 448 / Amsterdam-C.’

Koperen 2 cent VOC-muntje uit Nederlands-Indië uit1823. Voorzijde: opschrift. Keerzijde: wapen met leeuw erin, slecht te lezen / zien. Het muntje zit in een vierkant envelopje met opschrift.
Embroidered sampler
Object type: sampler
Date: 1682 – 1682
Materials: linen, silk

Samplers from Friesland, in the northwest of the Netherlands, are characterized chiefly by many alphabets and a tree of life motif. This sampler also features pierced and crowned hearts (some with birds flanking them and some without), checkerboards, and sewing pillows, motifs typical of samplers from the Netherlands. The year 1682, which was stitched in now faded thread near the bottom of the sampler, is most likely the year in which the maker completed her work.
Saint Francis with Françoise d'Anglure (one of a set of four)
Object type: panel
Date: 1529 – 1529
Materials: glass
Techniques: enamel, stain

Under the watchful eye of her patron saint, Francis of Assisi, Françoise d’Anglure kneels in prayer as her lapdog rests nearby. Her husband, Gérard de Haraucourt, is shown in a similar pose beside his protector, Saint Gérard, bishop of Toul. The couple’s heir, Hesse de Linange, commissioned the panels and their counterparts on the opposite wall, which depict himself and his wife, Madeleine de Grandpré. They were intended for the chapel of the church of the Franciscan convent of the Soeurs Grises in Ormes-et-Villes, Lorraine.
Hard gaat ie!
Object type: cartoon
Date: 1891 – 1891
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: alfaro reijding
Artist role: draughtsman, engineer
Artist dates: 1863 – 1930
Subjects: chariot, triumphal car, political caricatures and satires, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Gepubliceerd als bijvoegsel van 'Geïllustreerd Politie-Nieuws', 6 december 1891.
Wervelstorm op zee
Object type: sketchbook leaf
Date: 1848 – 1854
Materials: paper, pencil
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: whirlwind, cyclone, hurricane, typhoon, tornado at sea

Blad 30 recto uit een schetsboek met 58 bladen.
Twaalf ontwerpen voor juwelen
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: engraving
Location: germany
Vase
Object type: vase
Date: 1201 – 1300
Materials: jade
Culture: chinese
Subjects: flowers
Rue du comerce a Port Said
Object type: album leaf
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: port said
Subjects: shop, store, street (+ city(-scape) with figures, staffage)

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Marseille, Port Said, Aden, Bombay, Colombo, Singapore en Nederlands-Indië.
Kinai angya
Object type: book
Date: 1909 – 1919
Materials: paper
Techniques: woodcut, letterpress printing
Location: japan
Inscriptions: date

De Kinai regio is het gebied rond de steden Nara, Osaka, Kyoto en Kobe.
Fragment of satin with stamped, slashed and embroidered decoration
Object type: fragment
Date: 1601 – 1633
Materials: metal thread, silk
Ex libris van onbekend
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: etching
Location: england
Artist: Anonymous
Subjects: beasts of prey, predatory animals: lion, armorial bearing, heraldry
Medaillon en ornamenten
Object type: ornament print
Materials: paper
Techniques: etching
Location: paris
Subjects: interlace ~ ornament, ornament ~ medallion
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2228

Een ovaal medaillon gevuld met vlechtwerk, omringd door ornamenten.
Part of a dress border
Object type: border fragment
Date: 1601 – 1800
Materials: linen, silk
Premier livre de vases (...)
Object type: print
Date: 1729 – 1737
Materials: paper
Techniques: etching
Location: paris
Subjects: dolphin ~ ornament, vase ~ ornament
Inscriptions: collector's mark: Lugt 2228
Ontwerp voor een blik
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: containers
Inscriptions: annotation: ‘Rona’

Blad 43 recto uit een schetsboek met 59 bladen.
Duck
Object type: figurine
Date: 1662 – 1722
Materials: jade
Culture: chinese
Subjects: ducks
Maskerade van de Leidse studenten, 1865 (plaat 1)
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: students' pageant, costumes used in pageants, leiden

Historische gekostumeerde optocht van de studenten van de Leidse Hogeschool gehouden op 6 juni 1865 ter gelegenheid van het 290-jarig bestaan van de Hogeschool. De optocht verbeeldt de intocht van de Hollanders binnen Zierikzee op 12 augustus 1304. Eerste plaat met de groepen genummerd 1-15. Onderdeel van de serie van 16 aaneen geplakte bladen.
Serving Breakfast (Madame Baron and Mademoiselle Popo), from "Elles"
Object type: print
Date: 1896 – 1896
Materials: crayon, paper
Techniques: lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: women
Sword (Mandau) with Scabbard and Small Knife
Object type: sword mandau with scabbard
Date: 1701 – 1900
Materials: horn, rattan
Culture: dyak
Location: borneo
Le Journal des Dames et des Demoiselles, janvier 1884, No 2059b : Toilettes de Melle Adolphine Koenig (...)
Object type: fashion print
Date: 1884 – 1884
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: skirt (+ girls' clothes), head-gear (+ girls' clothes), boots (+ girls' clothes), coat (+ women's clothes), coat (+ girls' clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes), (bowling a) hoop
Inscriptions: address: ‘Bureaux de l'Administration, 33, Rue Blaes, Bruxelles.’, title: ‘Journal des Dames et des Demoiselles / et brodeuse illustrée réunis’, caption: ‘Toilettes de Melle Adolphine Koenig, r. Neuve S.t Augustin, 31 _ Etoffes pour deuil des Magasins de La Scabieuse, r. de la Paix, 10 _ Corsets Jupons & Tournures de P. de Plument, r. Vivienne, 33 _ Veloutine Fay r. de la Paix. 9 _ Parfums, Cosmetiques & Sapocétis de Guerlain, Parfumeur. r. de la Paix, 15, Paris. Lait Antéphélique pour le teint de Candés & Cie, Boul.d S.t Denis, 26.’

Twee vrouwen en een meisje met hoepel en stokje, staande bij een balustrade. Volgens het onderschrift: 'toilettes' van Adolphine Koenig. Hieronder enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Journal des Dames et des Demoiselles (1841-1902).
Galleria Giustiniana del Marchese Vincenzo Giustiniani I
Object type: print
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Artist: giovanni luigi valesio
Artist role: print maker
Artist dates: 1583 – 1633
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) venus (aphrodite)

Standbeeld van Venus, staande, haar draperieën bij elkaar houdend. Op de basis het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, top of head, forehead right eyebrow, nose and extended left arm, holding a kylix, of a draped, wreathed woman? to right; the kylix bears the inscription, KALE; extended arm and lower drapery of figure to left
Saint André
Object type: print
Date: 1726 – 1726
Techniques: engraving, etching
Artist: louis jacob
Artist role: artist
Artist nationality: french
Artist dates: 1712 – 1802
Subjects: men,saints
Seated Allegorical Figure of Divine Wisdom
Object type: drawing
Date: 1674 – 1677
Materials: chalk
Artist: carlo maratti
Artist role: artist
Artist nationality: italian
Artist dates: 1625 – 1713
Subjects: infants,women
Twee mannen proberen een oude kromme boom recht te trekken
Object type: book illustration
Date: 1635 – 1715
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: forester, trees, proverbs, sayings, etc., intention, purpose, aim
Inscriptions: collector's mark: Lugt 1641, stamp

Veel versies van dit embleem verschenen in verschillende uitgave van Spiegel van den Ouden ende Nieuwen Tydt. Zoals: Cats, Jacob. Spiegel van den Ouden ende Nieuwen-tijt, Bestaende uyt Spreeck-woorden (...). Dordrecht: Jacob Braat, 1647. Maar ook in andere publicaties (1665, 1671, 1715, 1722).
Ruit met het stenigen van de grijsaards uit de geschiedenis van Susanna
Object type: light window
Date: 1490 – 1490
Materials: glass, lead, pigment
Techniques: leading

The Stoning of an Old Men. Stained glass. Netherlands, c. 1500.
Ruiterportret van Lodewijk XV van Frankrijk
Object type: print
Date: 1719 – 1725
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: louis xv of france, equestrian state-portrait, historical persons, land forces
Inscriptions: collector's mark: Lugt 2228
Christus inryding in Jeruzalem
Object type: print
Date: 1681 – 1728
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: entry into jerusalem: people spreading their clothes before christ on the ass, and waving palm branches (matthew 21:1-11, 21:14-16; mark 11:1-11; luke 19:28-40; john 12:12-19)
Inscriptions: collector's mark: Lugt 2228

Prent voor: Hoet, Gerard, Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament, en andere boeken, bij de Heilige Schrift gevoegt, door Hoet, Houbraken, en Picart getekent en van de beste meesters in koper gesneden en met beschrijvingen uitgebreid, 3 delen, 's-Gravenhage, Pieter de Hondt, 1728
Kamp Tengah
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: landscape with bridge, viaduct or aqueduct, railway, train, station; shelter (railway, tramway), sumatra
Inscriptions: number: ‘11Z’

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Het huis Doorn
Object type: print
Date: 1773 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: castle, bridge

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 7, 8 of 9 (weduwe Isaak Tirion, 1773-1774), ill. 112. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 7, 8 of 9, ill. 112.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
River Stour
Object type: print
Date: 1830 – 1830
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: rivers,landscapes,trees,boats

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Terracotta kylix (drinking cup)
Object type: kylix
Date: 540 – 520
Materials: terracotta
Culture: greek, chalcidian
Artist: group of the phineus painter
Artist role: artist

Obverse and reverse, between eyes, nose; at handles, ears While certainly influenced by Attic models, Chalcidian eye-cups have a distinct elegance produced by their normally fine potting and and precise decoration. The small, concave foot that is often reserved rather than glazed also gives these works a light appearance. While noses do occur between eyes on Attic eye-cups, the inclusion of ears is a Chalcidian feature. The noses and ears evoke satyrs and associate the decoration, sparse though it is, with the world of Dionysos.
Brief aan Jan Veth
Object type: letter
Date: 1891 – 1891
Materials: ink, paper
Techniques: pen, writing
Artist: max liebermann
Artist role: draughtsman, print maker
Artist dates: 1847 – 1935
Subjects: jozef israëls, rotterdam, george hendrik breitner, dordrecht, amsterdam, designer, jan veth, arnhem, anton mauve, the hague, painter, jacob maris, isaac israels, karl stauffer, wilhelm von bode, publisher, j.h. schorer, hans herrmann, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’

Opgenomen in: Ernst Braun, Max Liebermann: Briefe 1869-1895, Baden-Baden: Deutscher Wissenschafts-Verlag, 2011, Band 1, p. 1174-175.
An Iron Forge
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, mezzotint
Location: england
Artist: richard earlom
Artist role: engraver
Artist nationality: british
Artist dates: 1743 – 1822

Joseph Wright of Derby's painting An Iron Forge was first exhibited in June 1772, and its publication as a mezzotint, executed by the master engraver Richard Earlom, followed six months later. The choice of subject reflects Wright's interest in unusual light effects and his connections to science and industry.
Cartouche met twee jongens
Object type: design
Date: 1657 – 1662
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: pieter jansz
Artist role: draughtsman
Artist dates: 1602 – 1672
Subjects: ornament ~ cartouche, cupids: 'amores', 'amoretti', 'putti'

Cartouche met twee jongens waarvan de een een ramshoorn vastheeft en de ander een speer. Ontwerp voor een prent.
Portret van Lorenz Heister
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Vue du Nouveau Salon de l'Orengerie de Honslardijck, du Coté du Parc
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: etching
Artist: pieter loofs
Artist role: print maker, publisher
Subjects: garden fountain, greenhouse, orangery
Inscriptions: collector's mark: Lugt 2228

De Oranjerie van Honselersdijk, gezien vanaf het park met fontein. Op de voorgrond figuren met paarden en honden.
1590 / Inneming van Breda
Object type: print
Date: 1853 – 1855
Materials: paper
Techniques: tone lithography
Location: netherlands
Subjects: traffic and transport (+ unloading)

Gebruikt als illustratie in: J.H. Eichman & H. Altmann, Vaderlandsche historieplaten voor scholen en huisgezinnen, Leiden, 1855. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller.