deem-data/ArtiFact huggingface dataset:
Fragment van koperen beslag uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Beroemde restaurants in de Oostelijke hoofdstad
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: woodcut, nishiki e
Location: japan
Subjects: female impersonation by actor, old woman, portrait of actor, actress
Inscriptions: date
Court ensemble
Object type: court ensemble
Date: 1804 – 1814
Materials: metal thread, silk
Culture: french
Ville d'Avray: Boat Under the Willows (Morning Effect)
Object type: print
Date: 1857 – 1857
Techniques: etching
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Subjects: rivers,landscapes,trees,boats
Jubilé Koninklijke Militaire Academie Breda 1828-1903
Object type: photomechanical print
Date: 1903 – 1903
Materials: cardboard
Techniques: hand coloring, printing block, writing
Location: breda
Artist: adriaan wouter den doop
Artist role: print maker
Artist dates: 1855 – 1912
Subjects: coat of arms (as symbol of the state, etc.), garland, wreath, personification of a city, town-patron(ess), military academy
Inscriptions: postage stamp
Oude vrouw gezeten aan een gedekte tafel in een keuken
Object type: print
Date: 1885 – 1885
Materials: paper, pencil
Techniques: etching, intaglio, roulette
Artist: t. van riet
Artist role: print maker
Subjects: old woman, kitchen-interior, laid table: table-ware, table-decoration, etc.
Inscriptions: collector's mark: Lugt 2228
Straatgezicht in kleine stad
Object type: album leaf
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: street, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Half Panel Sleigh #3806
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Arm van een kaarsenkroon
Object type: chandelier
Date: 1700 – 1800
Materials: brass
Techniques: casting, screwed, turning
Location: northern netherlands
Artist: Anonymous

De S-vormige arm loopt naar de stam toe uit in een gestileerde dolfijnenkop en naar buiten toe in een verdikking, waarin het schroefgat is aangebracht. Daarop is de ronde geprofileerde en met gegroefde ringen versierde kaarsenhouder met de aan de onderkant geprofileerde en met gegroefde ringen versierde vetvanger geschroefd. De arm, de vetvanger en de kaarsenhouder zijn met behulp van dezelfde modellen gegoten als de overige armen, vetvangers en kaarsenhouders.
Dit is de vijfde arm van de middelste standring, gemarkeerd op de nok met vijf punten.
Limestone temple boy
Object type: statuette of a temple boy
Date: 434 – 401
Materials: limestone
Culture: cypriot
Subjects: boys

Creeping figure holding tortoise.
Gezicht op Maassluis
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: ships (in general), church (exterior), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Deze prent komt uit: Koster, E. 'E. Koster's schetsboek: Nederlandsche Stads- en Havengezichten, uitgegeven onder medewerking van de maatschappij Arti et Amicitiae, Amsterdam, F. Buffa en Zn., e.a.' Amsterdam 1858.
The Actor Ichimura Uzaemon IX as the Potter Tsuchihei in the Play Higashiyama Momiji no Kadode, Performed at the Ichimura Theater in the Ninth Month, 1778
Object type: print
Date: 1778 – 1778
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Pendant in the form of a Latin Cross
Object type: pendant
Date: 1867 – 2000
Materials: gemstone, gold
Culture: byzantine
Subjects: cross
Full-Length Draped Figure of Woman
Object type: drawing and watercolor
Date: 1580 – 1600
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: circle of federico zuccaro
Cap
Object type: cap
Date: 1801 – 1900
Materials: cotton
Culture: american
Koperplaat met een kaart van de Landen van Heusden en Altena
Object type: copper plate
Date: 1798 – 1798
Materials: copper
Techniques: engraving
Portret van Adolff de Mey
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: (story of) hercules (heracles), symbols, allegories of peace, 'pax'; 'pace' (ripa), (story of) apollo (phoebus), attributes of hercules, owls, attributes of apollo
Inscriptions: collector's mark: Lugt 2228, inscription: ‘3f’

Busteportret van Adolff de Mey. Rechtsonder: 94. Het portret is gevat in een ovale omlijsting met het wapenschild van de geportretteerde en een randschrift in het Latijn. Op de omlijsting een duif met een olijftak en een uil. De omlijsting wordt geflankeerd door standbeelden van Apollo en Hercules. Op de voorgrond hun attributen. In de cartouche een vijfregelig onderschrift in het Latijn. Prent uit een serie portretten naar schilderijen van Anselmus van Hulle van alle gedelegeerden bij de vredesonderhandelingen te Münster en Osnabrück.
Sampler
Object type: sampler
Date: 1813 – 1813
Materials: canvas, wool
Stockings
Object type: stocking
Date: 1800 – 1800
Materials: silk
Culture: british
Tapestry lining for tester (ciel for lit à la duchesse en impériale)
Object type: tapestry lining for tester
Date: 1780 – 1790
Materials: silk, wool
Artist: beauvais
Artist role: factory
Subjects: flowers

As its full-size domed canopy is suspended from the ceiling rather than supported on posts, this tester bed, which bears the stamp of the menuisier Georges Jacob, is a type called lit à la duchesse en impériale. Its original but now fragile hangings, woven in 1782–83 at the Beauvais tapestry manufactory after designs by Jean-Baptiste Huet (1745–1811), have been replaced by modern silk damask, except for the lining of the interior dome. French eighteenth-century beds tended to be lofty, as it was customary to pile them with three or more mattresses filled with straw, wool, horsehair, or feathers. Tobias Smollett (1721–1771) noted in 1766, “French beds are so high, that sometimes one is obliged to mount them by the help of steps.”[1] The custom of receiving visitors while reposing in a large and elegantly fitted out bed was practiced in France during the eighteenth century mostly by aristocratic women. The Museum’s imposing piece of furniture with its exquisitely carved floral decoration, the work of an unknown carver, must have formed a splendid backdrop for such official calls or congratulatory visits. In 1791 the bed is documented as standing in the large bedchamber of Guyonne-Marguerite de Durfort de Lorge, duchesse de Choiseul-Praslin (1737–1806), at her Parisian home, the Hôtel de Belle Isle. Following the turmoil of the Revolution and the political changes of the early nineteenth century, the bed was sold in Paris in 1830. It became part of the famous collections at Hamilton Palace, South Lanarkshire, Scotland, the residence of Alexander Hamilton Douglas, tenth Duke of Hamilton (1767–1852), where it was placed in one of the state rooms. The duke’s grandson sold the contents of the palace, including the bed, at a highly anticipated auction that took place in 1882. Through the intermediation of several dealers, the bed was acquired in 1897 by the financier and railroad executive George J. Gould (1864–1923). His wife, the former actress Edith M. Kingdon (1864–1921), used it in her bedroom of their New York town house. [Daniëlle Kisluk-Grosheide, 2010] Footnotes: [1] Tobias George Smollett. Travels through France and Italy. London, 1766. New ed.: Introduction by James Morris. Travellers' Classics 11. Fontwell, Sussex, 1969, p. 43.
The Fall of Babylon, from Illustrations of the Bible
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: etching, mezzotint
Location: england
Artist: john martin
Artist role: artist
Artist nationality: british
Artist dates: 1789 – 1854

The visionary Romantic painter John Martin’s Illustrations of the Bible (1831–35) boasts some of the most dramatic mezzotints of the 19th century. This series enthusiastically embraced J. M. W. Turner’s “historical” category from the Liber Studiorum (1807–1819). Yet “Mad” Martin eschewed Turner’s sepia tonality for a deep, velvet black periodically ripped asunder by lightning bolts. He engraved over 100 mezzotints, with special attention paid to the light and dark contrasts of Old Testament miracles and disasters. Although the series remained unfinished, his taste for elaborate destruction was sometimes well remunerated: when his gigantic oil painting Belshazzar’s Feast (1821; private collection) was put on view soon after being made, it attracted 50,000 paying viewers.
The right honorable lord Curzon of Kedleston
Object type: photograph
Date: 1893 – 1903
Materials: paper
Techniques: carbon print
Location: london
Subjects: politician, historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: inscription: ‘55, Baker St, London, W.’, annotation
Panel
Object type: textile
Date: 1750 – 1800
Materials: cotton
Techniques: glazing, weave, printing
Location: england
Beleg van Oostende, 1601
Object type: album leaf
Date: 1601 – 1603
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: siege, position war

Oostende belegerd door het leger van Albrecht. Plan van de stad en omgeving met de stellingen van de troepen van aartshertog Albertus. Aanvang van het beleg op 5 juli 1601. In het onderschrift de verklaring van de cijfers 1-5, in het Duits. Linksonder genummerd: 335. De prent maakt deel uit van een album.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1601 – 1700
Materials: copper, gold alloy, gold, iron
Culture: japanese
Location: japan
Subjects: birds
Gezicht op Vleeschhouwerij J. Verkes aan Westerstraat 52 in Amsterdam
Object type: photograph
Date: 1886 – 1910
Materials: paper
Techniques: matte daylight collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: house combined with shop
Portret van Democritus van Abdera
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving
Subjects: traveler, scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228
Empirevoorwerpen
Object type: ornament print
Date: 1820 – 1840
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: serving-dish, platter, napkin-ring, styles in the fine arts (+ later developments)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerp voor een plateau met hengsel en twee ronde opengewerkte houders. Daarboven vier ronde ringen, mogelijk servetringen, gedecoreerd met druivenranken en hoornen des overvloeds. Alle objecten zijn genummerd.
Basketwork Box with Peonies
Object type: box with cover
Date: 1834 – 1866
Materials: bamboo, gold, lacquer, rattan
Techniques: hiramakie
Culture: japanese
Subjects: peonies
Dagger (Khanjar)
Object type: dagger khanjar
Date: 1701 – 1900
Materials: gold, jade, silver, steel
Culture: indian, mughal
Location: india
Five Figure Studies; Two Studies of Lions (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: human figures,lions
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1667 – 1700
Materials: copper, iron, silver
Culture: japanese
Location: japan
Six Cows Grazing before Country House
Object type: drawing and watercolor
Materials: graphite, paint, paper, watercolor
Location: england
Artist: elizabeth murray
Artist nationality: english
Artist dates: 1815 – 1882
Trade Card for W. Pink, Engraver and Printer
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: w. pink
Artist role: engraver
Artist nationality: british
Artist dates: 1800 – 1900
Grafmonument van Anthonius Candidus de Hoensbroeck-Geul en Anna Maria van Berghe, alias Trips
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: epitaph, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Tussen twee pilasters met wapenschilden een cartouche met een opschrift in het Latijn. Rond de cartouche een cherubijn en een doodskop. Daarboven aan een lint het wapenschild van de overledenen.
Souvenir
Object type: design drawing
Date: 1750 – 1760
Materials: graphite, ink, paper, watercolor
Techniques: aquarelle, pen
Location: paris
Artist: Anonymous

De voorkant van een souvenir met twee maal het monogram van een dubbele L, voor Lodewijk XV (?).
Mlle. Salles, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
The Third Sawamura Sojuro & the Second Ichikawa Monnosuke as Buddhist Monks
Object type: woodblock print nishiki e
Date: 1791 – 1791
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: fans,men,monks,actors
Suspenders
Object type: suspender
Date: 1801 – 1900
Materials: cotton, silk
Culture: european
Processional Cross
Object type: cross
Date: 1201 – 1333
Materials: copper alloy
Culture: ethiopian
Subjects: cross
Diversae Insectarum Volatilium
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: low countries
Subjects: insects
Inscriptions: collector's mark: Lugt 2228

Diverse insecten met in het midden een hertkever.
Portret van Guillaume Rondelet
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: physicist, historical persons
Mannen met een ezel in Bulgaars berglandschap, tijdens een rondreis van Eugen Wachenheimer en zijn echtgenote Else Wachenheimer-Moos door Bulgarije, 1923-1923, (mogelijk omgeving Sofia)
Object type: photograph
Date: 1922 – 1923
Materials: paper, photographic support
Techniques: gelatin silver print
Location: bulgaria
Subjects: walking, hiking (recreation), mule

Albumblad bevat een foto's van vier onbekende mannen. Uit album half formaat, blauw kunstlederen omslag met koordbinding.
John Bull's triomftocht naar Pretoria
Object type: cartoon
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., other mammals: porcupine, riding on animal other than horse, ass, or mule, political caricatures and satires

John Bull (Engeland) onderneemt de pijnlijke 'triomftocht' van Bloemfontein naar Pretoria zittend op het stekelvarken Paul Kruger.
Seal Stone
Object type: seal
Materials: stone
Location: iran
Schotel
Object type: platter
Date: 1725 – 1750
Materials: earthenware, glaze
Location: delft
Artist: cornelis brouwer
Artist role: print maker
Artist dates: 1731 – 1803
Inscriptions: mark: ‘CB./ figuratief teken ster’

Schotel van faience. Blauw beschilderd met een fantasie-boom.
Dirk with Sheath
Object type: dirk with sheath
Date: 1801 – 1833
Materials: brass, copper, horn, leather, steel, metal
Culture: spanish
Location: spain
Portret van een jonge man met cap, zweep, vlinderdas en sjerp
Object type: photograph
Date: 1855 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: antwerp
Subjects: riding a horse, ass, or mule; rider, horseman, historical persons, youth, adolescent, whip
Inscriptions: inscription: ‘DELEHAYE & SLUYTS,/ PHOTOGRAPHES/ de S.A.R.M.le Duc de Brabant/ Place de Meir, 27,/ ANVERS.’
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Object type: painting
Date: 1800 – 1805
Materials: canvas, oil
Artist: goya
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: infants,portraits,women
De Nachtwacht
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: brewer, night patrol, industries ~ food, drink, stimulants (+ place ~ crafts, industries, agriculture), amsterdam
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Den WelEd Heer F Muller / van den schrijver’

Kermisprent van de Amsterdamse nachtwacht, 8 september 1873. Centraal een gedicht, daarboven een gezicht op een brouwerij.
Neu Inventirte Modillons und Consoles (...)
Object type: ornament print
Date: 1699 – 1726
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: other architectural details (console)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een console met ornamenten, bladmotieven en een bekroning hangt tegen een wand met een ronde opening met doorkijk naar buiten. Uitgeversnummer 224.
Head of a Sleeping Girl and a Boy’s Head in Profile
Object type: drawing
Materials: ink, paper
Techniques: pen
Location: amsterdam
Subjects: boy (child between toddler and youth), watching a sleeping child, sleeping; unconsciousness
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wenceslaus Hollar, out of the Portland Museum)
Object type: print
Date: 1786 – 1786
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: human figures,heads
Gezicht op het Koninklijk Paleis op de Dam
Object type: photomechanical print
Date: 1909 – 1918
Materials: cardboard
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', palace, church (exterior), royal palace of amsterdam
Inscriptions: collector's mark: ‘7’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Dam (na 1835).
Portret van John Milner Esqr.
Object type: print
Date: 1711 – 1756
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240
Stadsgezicht met twee aangespannen paarden
Object type: drawing
Date: 1888 – 1888
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, horse, bridge in city across river, canal, etc., amsterdam
Inscriptions: workshop stamp: Lugt 291d, collector's mark: Lugt 2228

Links een brug en achter de paarden een rijtuig.
"Lizardman" Figure (Moko)
Object type: figure
Date: 1801 – 1900
Materials: bone, obsidian, wood
Culture: rapa nui
Location: chile

The distinctive lizardman figures (moko) of Rapa Nui are composite beings with the heads and tails of lizards, the fan-like tails of birds, and the bodies of humans. Reportedly placed at the thresholds of dwellings or ceremonial structures or hung from interior rafters, the figures may depict powerful spirits, who served as supernatural guardians. Small lizardman images were also worn as pendants by dancers during feasts. The hole in the back of this work once accommodated the cordage used to suspend it within a dwelling or around a performer's neck.
Willibrord verkondigt het geloof op Walcheren, 695
Object type: history print
Date: 1840 – 1840
Materials: paper
Techniques: engraving
Location: netherlands
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: st. willibrord breaking the pagan idols, spreading the gospel; missionary work

De katholieke missionaris Willibrord verkondigt in 695 op Walcheren het Christendom, staande met een voet op een afgeworpen beeld van een niet-christelijke godheid.
Havengezicht met twee bomen
Object type: print
Date: 1650 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: coast
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Gezicht op Twisk, 1726
Object type: print
Date: 1745 – 1774
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the christian churches, prospect of village, silhouette of village

Prent verschenen in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten. Amsterdam: Isaac Tirion, 1745-1774.
Aanvang van de 19de eeuw
Object type: new year medal
Date: 1799 – 1800
Materials: silver
Techniques: striking
Location: prague
Artist: franz stuckhart
Artist role: medailleur
Artist dates: 1781 – 1857
Gezicht op de Tower Bridge te Londen
Object type: photograph
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Location: london
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), river, thames
Inscriptions: inscription: ‘No. 4./ Nieuwe Towerbrug.’
Two Ladies Playing Music
Object type: print
Date: 1736 – 1795
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: chinese
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Translucent pale blue green. Rim folded out, over, and in; slightly funnel-shaped, cylindrical neck, with faint tooling marks around base; piriform body; slightly convex bottom. Intact; many pinprick and small bubbles, with blowing striations; dulling and faint iridescent weathering, with small areas of pitting on exterior; soil encrustation and weathering on neck and side of body on interior.