deem-data/ArtiFact huggingface dataset:
Dirk Willemsz. redt zijn vervolger uit het ijs bij Asperen, 1569
Object type: history print
Date: 1817 – 1819
Materials: paper
Techniques: etching
Location: netherlands
Subjects: asperen, persecution of heretics

Dirk Willemsz. redt zijn vervolger, een geharnaste Spaanse soldaat, uit het ijs bij Asperen, 1569.
Portret van Arend Friedrich August Wiegmann
Object type: print
Date: 1830 – 1863
Materials: paper
Techniques: lithograph
Location: gottingen
Subjects: historical persons
Inscriptions: check stamp: Lugt 5514, collector's mark: Lugt 2228
Gezicht op het Schuttershof in Domburg
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: courtyard, village square, place

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Wurtemberg, Wilhelm I, kronentaler, 1817
Object type: coin
Date: 1817 – 1817
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: hoofd van de koning naar links. Keerzijde: binnen eenn lauwertak, waarvan de einden zijn samengebonden, waarde-aanduiding: Ein Kronen Thaler in drie regels, waarboven kroon en waaronder jaartal. Bloemrand.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, reserved fragment with part of a tendril?
Jongen knielt bij een hond in een mand
Object type: boekillustratie ontwerp
Date: 1870 – 1937
Materials: cardboard, paint, ink, watercolor
Techniques: brush, pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: boy (child between toddler and youth), dog
Inscriptions: monogram: ‘W’, annotation: ‘(Joh v. Woude Een vriend)’, :, collector's mark: Lugt 2228

De jongen heeft een voorwerp voor de hond in zijn hand. In de achtergrond bomen.
Portret van keizer Leopold I
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving
Location: vienna
Subjects: leopold i (keizer van duitsland), weapons
Inscriptions: collector's mark: Lugt 2228

Portret van Leopold I, Rooms-Duits keizer, gekleed in harnas, in een omlijsting van laurierbladeren. De lijst wordt bekroond door twee adelaars met de keizerskroon. Rond de lijst wapentuig. Onderaan in de marge zijn naam en functie in het Italiaans.
Silhouetportret van Hendrik Jacob Tol
Object type: print
Date: 1809 – 1848
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: pieter barbiers (iv)
Artist role: painter, print maker
Artist dates: 1798 – 1848
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Keeler, New York, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: lithography
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Diploma van het Centraal Bureau voor den Nederlandschen Fotohandel waarmee de firma J. Bickhoff officieel erkend wordt als fotohandelaar
Object type: certificate
Date: 1904 – 1935
Materials: cardboard
Techniques: letterpress printing, writing
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam, johan bickhoff
Inscriptions: stamp: ‘Nederlandsche Middenstandsbank/ 850 000157/ Amsterdam’, stamp: ‘Nederlandsche Middenstandsbank N.V./ Gevestigd te Amsterdam/ No/ Amsterdam-W./ J.P. Heijestraat 75’
Brokstukken van het amfitheater van Arles
Object type: photograph
Date: 1875 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: arles
Artist: charles lenormand
Artist role: fotograaf
Subjects: ruin of a building ~ architecture
Inscriptions: stamp: ‘CH. LENORMAND/ PHOT.’
Broche van zilveren munten en carneool van Willem III
Object type: brooch
Date: 1930 – 1940
Materials: gemstone, silver
Techniques: faceting
Location: netherlands
Artist: Anonymous
Subjects: brussels, willem iii (koning der nederlanden)

Broche in bloemvorm van elf zilveren munten van 5 cent met Willem III en centraal een rond gefacetteerde carneool, voorzien van een haaksluiting.
Groot algemeen muzijkfeest te Rotterdam / Het Feestgebouw van binnen. Eenigzins uit de hoogte gezien
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: interior ~ architectural design or model, concert hall, rotterdam
Inscriptions: collector's mark: Lugt 2228

Gezicht in het interieur van het nieuwe Feestgebouw waar het muziekfeest is gehouden, 1854. Onderdeel van een serie van twaalf portretten naar daguerrotypieën en twaalf stadsgezichten. Ter gelegenheid van het Muziekfeest ter viering van het 25-jarige bestaan van de Maatschappij ter Bevordering van Toonkunst in Rotterdam, 12-15 juli 1854.
Lea Castle, Worcestershire, Saloon, Looking North
Object type: drawing
Date: 1816 – 1816
Materials: watercolor
Artist: john carter
Artist role: artist
Artist nationality: british
Artist dates: 1748 – 1817
Subjects: architecture,castles
Paperweight
Object type: glass
Date: 1867 – 1900
Materials: glass
Location: england
Artist: george bacchus and sons
Food Basket
Object type: basketry
Date: 1870 – 1890
Materials: fiber, pigment
Culture: maidu
Location: california
Subjects: basketry, baskets, storage, zigzags, geometric, feast
Portret van Emma, koningin-regentes der Nederlanden, en Wilhelmina, koningin der Nederlanden
Object type: photomechanical print
Date: 1880 – 1882
Materials: cardboard, paper
Techniques: photograph
Location: netherlands
Subjects: the hague, wilhelmina of the netherlands, emma (queen consort of the netherlands)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Watch
Object type: watch
Date: 1590 – 1620
Materials: gilt, metal, quartz, silver
Chair Strip with Elephant
Object type: chair strip
Date: 1701 – 1800
Materials: feather, linen, metal thread, silk
Culture: chinese
Subjects: elephants,lions

The length of this chair strip is divided into segments, with a different design for each part of the chair being covered—the front legs, seat, and back, and a short segment that hangs behind the chair. Elements of standard rebuses are present in the section with the elephant embroidery, where various treasures and auspicious objects crowd the vessel on the elephant's back. For example, the frequent pairing of a musical stone and a halberd occurs on one side of the vessel, representing a celebratory occasion. On the other side of the vessel, peaches, symbolizing longevity, dangle from a branchlike decorative accessory (ruyi), which stands for wish fulfillment. The elephant is a rebus for a sign. Thus, the composite motif is read as "signs of celebration and longevity."
Portret van Johann Albert Heinrich Reimarus
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a skyphos (deep drinking cup)?
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: unknown fabric

Below the rim, a band of black glaze with reserve below; handle attachment
Sabijnse maagdenroof
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: woodcut
Location: florence
Subjects: rape of the sabine women: they are carried off by romulus and his men during a feast
Inscriptions: collector's mark: Lugt 240

Op een rotspartij staat een Romeinse man met in zijn armen een geroofde Sabijnse maagd. Zij wendt zich met geopende mond van hem af. Tussen de benen van de Romein hurkt een verslagen Sabijnse man.
Cast of a Pot Sherd
Object type: cast
Date: 1934 – 1966
Materials: plaster
Culture: lapita people
Location: solomon islands
Subjects: faces
Tile
Object type: tile
Date: 1167 – 1300
Materials: glaze, stonepaste
Techniques: gilding, overglaze, painting
Location: iran
Subjects: birds,men,women

The seated figures and the wading bird on this tile have led scholars to doubt its antiquity, and the piece has rarely been exhibited. Modeled tiles composing long inscribed friezes are well attested, but the overglaze painting makes this example a fine and rare piece—or perhaps an improved or faked one. The painter’s knowledge of established iconography is unmistakable. Yet a few unusual details, such as the development of the scrolls in the background, call the painting’s antiquity into question.
Good Morning
Object type: photograph
Date: 1880 – 1880
Location: united states
Artist: joshua smith
Artist nationality: american
Artist dates: 1860 – 1869
Portret van Jeremias de Decker
Object type: print
Date: 1807 – 1816
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: dordrecht, amsterdam, jeremias de decker
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als titelpagina voor: Vries, J. de. Jeremias de Dekker. Amsterdam: weduwe Gerrit Warnars en Petrus den Hengst, 1807.
Half Model of a Launch
Object type: half model
Date: 1780 – 1820
Materials: wood
Location: netherlands
Artist: Anonymous
Inscriptions: label, bottom right: ‘444’ former inventory label, inscription, on the scale: ‘A’, label, bottom centre: wooden scale in Amsterdam feet

Mallenmodel (stuurboord) van een sloep. Platte spiegel. De zeeg loopt op naar beide uiteinden. Gepiekt rondspant. Schaal ca. 1:20 (schaal op model). Volgens de schaal is deze jol 36 Amsterdamse voeten lang. Dit model is identiek aan NG-MC-442.
Glass medallion of winged Victory
Object type: medallion, victory
Date: 1 – 100
Materials: glass
Culture: roman
Subjects: victory

Translucent cobalt blue, backed in cobalt blue with opaque white. Oval flat plaque, with major axis vertical; rounded edge, grozed at back. Decoration in relief: border around edge comprising indistinct wreath of upward facing leaves and central rosette at top; fine linear border to main panel depicting winged Victory (Victoria / Nike), turned slightly to left with head in profile to left, with hair tied back, wearing a chiton over proper right shoulder with high belt and pleats below, with proper left breast exposed, holding vertical wreath in outstretched proper right hand and a tall leafy frond in left extending upward over left shoulder, and body flanked to either side by outspread long, rounded wings. On back, undecorated layer of blue mixed with streaks of white. Broken, with lower half missing and chips in broken edge; dulling, slight pitting, faint iridescence, and patches of creamy brown weathering. The fragment may be part of a phalera, a decoration that was affixed to the soldier's breastplate.
Bespotting van Ceres
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: rome
Subjects: a little boy (abas, ascalabus, or stellio) laughs at ceres, because she drinks too avidly while she is resting at an old woman's house
Inscriptions: number: ‘161’, number: ‘N. 1’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

De godin Ceres, op zoek naar haar dochter Proserpina, rust uit bij een hut. Ze drinkt uit een kruik, gegeven aan haar door een oude vrouw. Een kleine naakte jongen naast de oude vrouw wijst naar Ceres en lacht haar uit. De prent heeft een Latijns onderschrift. Naar een schilderij van Adam Elsheimer.
De Maatschappij ter Bevordering van Toonkunst, haar Muziekfeest en de stad Rotterdam. herinnering aan het jaar 1854
Object type: print
Date: 1855 – 1855
Techniques: lithograph
Location: netherlands

Gezicht in het interieur van het nieuwe Feestgebouw waar in het kader van het muziekfeest een concert wordt gegeven, 15 juli 1854. Onderdeel van een serie van twaalf portretten naar daguerrotypieën en twaalf stadsgezichten. Ter gelegenheid van het Muziekfeest ter viering van het 25-jarige bestaan van de Maatschappij ter Bevordering van Toonkunst in Rotterdam, 12-15 juli 1854.
Decapitation of a Female Martyr (Saint Catherine of Alexandria?)
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, drawing, wash
Artist: anonymous, spanish, school of seville, 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1600 – 1700
Subjects: women,putti,saint catherine
Portret van Karel III, hertog van Bourbon
Object type: print
Date: 1600 – 1649
Materials: paper
Techniques: engraving, letterpress printing
Location: delft
Subjects: armour, historical persons

Prent waarschijnlijk uit één van de edities van Emanuel van Meterens 'Nederlantsche historien'. Prent ook gebruikt in: Clerck, Nicolaes de. Tooneel der beroemder hertogen, princen, graven ende krygs-helden (...). Delft: Nicolaes de Clerck, 1617.
Staand kind, zich vasthoudend aan een stoel
Object type: drawing
Date: 1735 – 1807
Materials: chalk, paper
Artist: hendrik pothoven
Artist role: draughtsman, painter, print maker
Artist dates: 1725 – 1807
Portret van Jakob Glentner
Object type: print
Date: 1665 – 1712
Materials: paper
Techniques: engraving, etching
Artist: johannes meyer (ii)
Artist role: print maker
Artist dates: 1655 – 1712
Subjects: mayor, burgomaster, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Onderaan de ovale omlijsting genummerd: 11.
Plaque Bearing the Image of an Ibex
Object type: foundation deposit plaque, ibex, ramesses iv
Date: 1153 – 1147
Materials: faience
Location: egypt

Ramesses IV initiated several building projects and sent large expeditions to mining regions and quarries early on in his reign. His plans and ambitions were cut short by his death in the sixth year of his reign, but he had been able to complete and decorate his tomb in the Valley of the Kings. He also began work on a gigantic processional temple in Thebes, in which a number of intact foundation deposits were found with literally hundreds of plaques and other objects, like this plaque with an image of an ibex.
Gezicht op een hotel en mensen op het terras van het hotel
Object type: photograph
Date: 1911 – 1911
Materials: paper, cardboard
Techniques: collodion silver print
Location: russia
Artist: Anonymous
Subjects: historical persons, terrace, hotel, hostelry, inn
Inscriptions: inscription: ‘- [...] - Un goûter sur la terrasse de l'hôtel.-’, inscription: ‘- [...] - 28 août. 1911’

Deze foto's maken deel uit van een album.
Meph: Ce que vous avex de mieux à faire (...)
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: (scenes from) specific works of literature: goethe, faust
Inscriptions: collector's mark: Lugt 964, collector's mark: Lugt 2228a
Panel
Object type: textile
Date: 1734 – 1734
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, interlacings, weave, silvered
Location: france
Subjects: flowers, fruit, trees
Ree
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: etching, intaglio
Artist: f. lautenberger
Artist role: print maker
Subjects: hoofed animals: deer
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Lautenberger van Francfort heeft ongeveer 5 jaar te Antwerpen gewoond, hij was leerling van den ouden van Kuyk. Zijn broeder was officier bij het Oostenrijksche leger’
Study for a Herm
Object type: drawing and watercolor
Date: 1674 – 1678
Materials: chalk, graphite, paper
Techniques: heightening
Location: france
Artist: charles le brun
Artist role: artist
Artist nationality: french
Artist dates: 1619 – 1690
Inscriptions: Inscribed recto, lower left, in black chalk: "FRAGONARD"
Design for 4 seat Phaeton, no top, no. 3051a
Object type: drawing
Date: 1874 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Johannes Hyrcanus bedekt zijn gelaat tijdens de belegering van Dagon
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: john hyrcanus appointed leader of the maccabees (1 maccabees 16:19-22)
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. II.
Portret van Johann Wendt
Object type: print
Date: 1820 – 1840
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2233
Pastorale landschappen
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: wedding feast, wedding meal, betrothal
Portret van August Friedrich Ferdinand von Kotzebue
Object type: print
Date: 1781 – 1849
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Titelpagina voor het derde deel van de vogels
Object type: manuscript
Date: 1809 – 1814
Materials: ink, paper
Techniques: handwriting, pen
Location: bruges
Artist: joseph van huerne
Artist role: kunstliefhebber, mecenas, verzamelaar
Artist dates: 1752 – 1844
Subjects: handwriting, written text

Handgeschreven titelpagina voor het derde deel van de voorstellingen van vogels. Onderdeel van het eerste album met tekeningen van vogels. Derde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
The Weather-Peasant "Es Ist Kalt Weter"
Object type: print
Date: 1542 – 1542
Materials: paper
Techniques: engraving
Location: germany
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 525 – 501
Materials: terracotta
Culture: greek, attic
Albarello with arms of Leonardo Buonafede
Object type: jar
Date: 1525 – 1530
Techniques: maiolica, glazing
Subjects: bulls,coat of arms

Storage vessels were among the most frequently produced maiolica wares in late medieval and Renaissance Italy. Made in fairly standard shapes, they were designed to fit with dozens of others on a shelf, often in a pharmacy or shop. Their handles therefore tend to fit within the vessel’s profile, and the cylindrical albarello type is generally narrower at the middle than at the top or bottom, making it easy to grip. Other common features include inscriptions indicating contents and flanged lips to help secure cloth or paper seals. The decoration, usually more elaborate on one side than the other, can sometimes link pieces to a known dispensary or specific workshop or artist.
Bowl with floral scrolls
Object type: bowl
Date: 1275 – 1324
Materials: earthenware, glaze, paint, quartz
Techniques: firing, turning, vitrification
Location: kashan
Artist: Anonymous

Kom van kwarts-fritgoed, gedecoreerd met bloemranken in slib-reliëf met turquoise en zwart onder een transparant alkaliglazuur.
Heilige familie met distelvink en Anna en Johannes
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: holy family, and derived representations, song-birds: goldfinch
Inscriptions: collector's mark: Lugt 240

Maria zit in een tuin met het Christuskind op haar schoot. De heiligen Jozef, Anna en Johannes als kind staan bij hen. Het Christuskind houdt een distelvink aan een touwtje vast, het vogeltje wordt hem door Johannes met een stokje met belletjes aangereikt. Onder de voorstelling staat een regel uit Spreuken 8, vers 31 in Latijn.
Design for Corner of a Ceiling Decoration
Object type: drawing and watercolor
Date: 1590 – 1614
Materials: gouache, ink, paper, paint, watercolor
Techniques: brush, heightening, pen, wash
Location: italy
Artist: lazzaro tavarone
Artist role: artist
Artist nationality: italian
Artist dates: 1556 – 1641
Shoulder Cape (Pelerine)
Object type: cape
Date: 1830 – 1850
Materials: cotton, feather
Culture: native american
Location: united states
Tekenschool waar naar bekleed model wordt getekend
Object type: drawing
Date: 1558 – 1612
Materials: chalk, paper
Artist: bernardino poccetti
Artist role: draughtsman, painter
Artist dates: 1545 – 1612
The Smugglers' Cove
Object type: painting
Date: 1880 – 1880
Materials: gilt, leather, oil
Culture: american
Artist: albert pinkham ryder
Artist role: artist
Artist nationality: american
Artist dates: 1847 – 1917
Subjects: horses,seascapes,ships

This shore scene, painted on gilded leather, may have been done as a decorative commission, presumably early in the artist's career. The romantic subject matter and interest in the sea are typical of Ryder throughout his career. What is more unusual for him is the very thin paint application and the decisive brushwork. Beneath the pigment is a layer of gilt that enhances the texture and gives the painting its warm golden tone. The simplified forms of the houses anticipate modernist works of later American artists such as Charles Burchfield.
Studioportret van een jongen met zijn armen over elkaar
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the center of a kylix; beneath, a red glazed ring; complete foot; the outer edge and resting surface of the foot are reserved; the underside of the foot is glazed