deem-data/ArtiFact huggingface dataset:
Breaking cover.- The Aristocracy
Object type: photomechanical print
Date: 1875 – 1885
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: drawing, sketch, hunting dogs, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Inscriptions: inscription: ‘“Abü[...] , exc [...] ”Cicero in Catilinam.’, number: ‘No. 2.’
Portret van Arnoudina Berendina Wilhelmina van Westrenen van Lauwerecht Douair van der Brugghen
Object type: print
Date: 1834 – 1851
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Vase
Object type: vase
Date: 1880 – 1890
Materials: porcelain
Culture: american
Location: united states
Artist: ott and brewer
Artist role: maker
Artist nationality: american
Artist dates: 1871 – 1893
Subjects: flowers
Offer van Abraham
Object type: print
Date: 1632 – 1680
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: ferdinand bol
Artist role: draughtsman, painter, print maker
Artist dates: 1616 – 1680
Subjects: when abraham has his hand raised to kill isaac, an angel restrains abraham's hand
Inscriptions: collector's mark: Lugt 240

Isaak ligt half naakt en geboeid op de grond, bij zijn hoofd ligt een stapel brandhout. Zijn vader Abraham zit naast hem en staat op het punt het mes uit de schede te trekken, uit de hemel komt een engel die zijn arm vastpakt en hem tegenhoudt.
Les amants
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: albumen print
Subjects: riding a horse, ass, or mule; rider, horseman, (lovers) kissing each other, painting, drawing and the graphic arts
Fotoreproductie van een technische tekening
Object type: photograph
Date: 1905 – 1910
Materials: paper
Techniques: iron processes
Location: paris
Subjects: parts of machines, drawing (industrial process), paris
Inscriptions: inscription: ‘HELIO trait sur fond blanc / No 600 simple lavage á l'eau / No 60 avec bain de gallate / TARIF PAGE 2’, inscription: ‘Téléphone - 214-09.’, address: ‘A. Clerc. Chaussee d'Antin 51. Paris.’

Foto op eerste ongenummerde pagina na voorplat.
Case (Inrō) with Design of Thatched Farm Buildings in Fields and Mountain Landscape with Cloud Bands
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie, roiro
Culture: japanese
Subjects: buildings,landscapes
Portret van een meisje, staand bij een meubel met bloemen
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: metz
Artist: jean bourens
Artist role: fotograaf
Subjects: flowers, historical persons - bb - woman, girl (child between toddler and youth), standing figure - aa - female human figure
Inscriptions: inscription: ‘J. BOURENS/ Photographe/ Rue Serpenoise/ Nos. 27 et 29/ METZ/ Les Clichés sont conservés pendant 3 ans.’
Veld van achtenveertig tegels met patroon van granaatappels, druiventrossen en tulpen rond een ster die steeds wordt gevormd door vier tegels
Object type: tile
Date: 1600 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van achtenveertig tegels (8 x 6) met een veelkleurig (blauw, groen, geel, oranje en paars) patroon gevormd door vier tegels met granaatappels, druiventrossen en tulpen rond een ster.
Pompa Introitus Honori .. Ferdinandi Austriaci ... " (Entry of Cardinal-Infante Ferdinand into Antwerp, April 17, 1635)
Object type: book
Date: 1642 – 1642
Techniques: engraving
Location: antwerp, n.d.
Artist: peter paul rubens
Artist role: designer
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: soldiers,men,women,dragons,horses
Fragmentary Bowl
Object type: vessel
Materials: ceramic
Culture: jian ware kiln site
Location: china
Textile Fragment
Object type: textile fragment
Date: 1601 – 1700
Location: iran
Subjects: flowers
Bronze spearhead
Object type: spearhead
Date: 2000 – 1900
Materials: bronze
Culture: cypriot

Leaf-shaped blade with a hooked tang.
Karaori (Noh Costume)
Object type: textile
Techniques: brocade
Location: japan
Setting the Bownet
Object type: photograph
Date: 1886 – 1886
Techniques: glass negative, platinum print
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Subjects: men,boats
Fotoreproductie van een jongen die een kaartenhuis bouwt door Albert Hendschel
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: frankfurt am main
Subjects: boy (child between toddler and youth), playing-cards
Inscriptions: number: ‘23’, monogram: ‘AH’

Deze foto maakt deel uit van een omslag met 50 foto's op 48 bladen, een lijst van afbeeldingen en een titelblad.
Le Ponte-Vecchio, a Florence (The Ponte-Vecchio in Florence), from "Les Caprices" Series A, The Florence Set
Object type: print
Date: 1617 – 1617
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Uitgeleesene Gesichte van het Wijdvermaarde Loo als andere vorstelijke Huisen
Object type: print
Date: 1694 – 1697
Materials: paper
Techniques: etching, lithography
Location: amsterdam
Subjects: garden fountain, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Elegant geklede dames en heren verpozen zich bij de grote fontein aan de oostzijde van de grote tuin van Het Loo. Prent uit een serie van 71 prenten met Rijnlandschappen, gezichten op vorstelijke paleizen en stadsgezichten uit Den Haag en Amsterdam.
Annotaties
Object type: sketchbook leaf
Date: 1898 – 1902
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘[...]’

Pagina 85, vrij schutblad, uit een schetsboek met 42 bladen.
Drie levensfasen
Object type: book illustration
Date: 1624 – 1624
Materials: paper
Techniques: etching
Subjects: adult woman, the course of life symbolized, death as skeleton, adult man, the usual house or row of houses, civic architecture; edifices; dwellings, ruin of a dwelling, house, castle, etc., child (at home)

Prent uit: Sudermann, Daniel. Centuria Similitudinum, Hubert Gleichnussen. Straatsburg, Jacob van der Heyden, 1624. (Hollstein German XXVIA 646).
Portrait of René de Laudonnière Sablais (de Burdigale)
Object type: print
Date: 1861 – 1861
Materials: chine, ivory, paper
Techniques: burnishing, drypoint, etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Vijf veelkleurige tegels met bloemen
Object type: tile
Date: 1620 – 1650
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Vijf tegels met een bloem in de kleuren blauw, groen, geel en oranje. Het hoekmotief is een Franse lelie. Oorspronkelijk zijn er zestien tegels geweest.
La Sylphide, 1843, 7e Vol., No. 20 : Robes de (Mme Potiev) (...)
Object type: fashion print
Date: 1843 – 1843
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Artist: pierre numa bassaget
Artist role: print maker
Subjects: flowers, handkerchief (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), neck-gear ~ clothing (+ women's clothes)
Inscriptions: caption: ‘Robes de (M"me Potiev) Etoffes de la Maison (Guichard et C"ie) Chapeaux de (Maurice-Beauvais) Fleurs de (M"me Lainné)’, title: ‘La Sylphide’, address: ‘On 's abonne à Paris, ou en écrivant à M.r de Villemessant Directeur, Rue Laffitte, No.1, Maison dorée.’

Twee vrouwen in een tuin. Volgens het onderschrift: japonnen van Potiev. Stoffen van de firma Guichard et Cie. Hoeden van Maurice-Beauvais. Bloemen van Lainné. Prent uit het modetijdschrift La Sylphide (1839-1885).
Chemise
Object type: chemise
Date: 1840 – 1859
Materials: linen
Culture: american
Long, Catcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Monstrosity of 1829
Object type: print
Date: 1829 – 1829
Techniques: etching
Artist: william heath ('paul pry')
Artist role: artist
Artist nationality: british
Artist dates: 1794 – 1840
Subjects: women,fashion,caricature
Ovoid covered jar with fluted sides and figures in medallions
Object type: covered jar
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘大 明 成 化 年 製<BR /><BR />dà míng Chéng huà nián zhì’

Plat deksel van eivormige dekselpot van porselein, beschilderd in onderglazuur blauw. Op de rand van de deksel met fruittakken (perzik), de bovenzijde met drie spelende jongens (zotjes) in een omheinde tuin. Blauw-wit.
Lidded bowl with ballgame scenes
Object type: bowl with lid
Date: 500 – 900
Materials: ceramic, paint
Culture: central veracruz
Location: mexico
Artist: río blanco artist
Artist role: artist
Portrait of the Honorable George Canning, M.P.
Object type: painting
Date: 1822 – 1822
Materials: canvas, oil, paint
Techniques: painting
Location: england
Artist: sir thomas lawrence
Artist role: artist
Artist nationality: english
Artist dates: 1769 – 1830
Subjects: portraits: male subject, interior, man, portrait, portraits
Table or bracket clock
Object type: table or bracket clock
Date: 1700 – 1700
Materials: gilt bronze, wood
Techniques: veneering
Artist: joseph windmills
Artist role: maker
Artist nationality: british
Artist dates: 1641 – 1753
Schotel, op het plat in blauw beschilderd met een Chinees die een baldakijn ophoudt
Object type: platter
Date: 1650 – 1670
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: Anonymous

Ronde schotel van blauw beschilderde faience. Op het plat is een landschap geschilderd met daarin een figuur (Chinees) die een baldakijn ophoudt. De rand is verdeeld in acht vakken. In twee grote vakken is een staande figuur in een landschap geschilderd, in twee andere grote vakken een zittende figuur in een landschap en in vier kleine vakken bloemenranken.
Heilige familie met H. Catharina en Johannes de Doper
Object type: print
Date: 1646 – 1658
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: theodor matham
Artist role: draughtsman, print maker
Artist dates: 1605 – 1676
Subjects: holy family with john the baptist (as child), the mystic marriage of st. catherine of alexandria with the infant christ: the christ-child puts a ring on her finger
Inscriptions: collector's mark: Lugt 11

Deze prent maakte ten minste tot 1979 deel uit van een prentalbum met de titel: 't Cabinet der Italiaense schilderije antique statue en borstbeelde van de heer Renst 145 stucks.

Simon Schijnvoet heeft in 1709 aan dit album het Schijnvoet-nummer 22, liber nummer 20 toegekend.

Prent uit serie Caelaturae met vierendertig reprodukties naar Italiaanse en Nederlandse schilders, vervaardigd door de allerbeste graveurs in opdracht van de verzamelaar Gerard Reynst.
Gezicht op de achterzijde van de buitenplaats Stadwijk te Voorschoten
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: trees, farm or solitary house in landscape, voorschoten
Inscriptions: stamp, : ‘Gedeponeerd’, stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland.
Interieur van de ridderzaal van het Schloss Brühl
Object type: photograph
Date: 1883 – 1883
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: hermann rückwardt
Artist role: fotograaf
Artist dates: 1845 – 1919
Subjects: palace, germany

Schloss Brühl. / Rittersaal (No. 41). Taf. XIII
Maria Milet, haar Maagdom gewroken hebbende, word van de Soldaten doorschoten
Object type: history print
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: rape, violation, violent death, being killed; being mishandled and maltreated; seeking death, violent death by fusillade
Inscriptions: collector's mark: Lugt 2228

Maria Milet zit samen met enkele soldaten rondom een tafel. Maria doodt een soldaat met een mes tijdens ce maaltijd. Wellicht uit wraak voor haar verkrachting door Spaanse soldaten tijdens de inname van Maastricht op 29 juni 1579. Op de achtergrond wordt zij terechtgesteld.
[Broadway in the Rain, likely taken from 308 or 310 Broadway, New York City]
Object type: stereograph
Date: 1860 – 1869
Techniques: albumen silver print
Artist: edward anthony
Artist role: publisher
Artist nationality: american
Artist dates: 1818 – 1888
Subjects: buildings,cities,streets,rain,new york city

Edward Anthony and his brother Henry were the founders of New York's first manufacturers and purveyors of cameras and photographic supplies. In 1859, Anthony published a series of their own stop-action or "instantaneous" stereographic views, including Broadway on a Rainy Day. Remarkable for its crystalline clarity, the photograph sold thousands of copies in the 1860s and still ranks among the most collectible images of New York City. A stereograph, commonly known as a stereo view, is a double photograph presented in such a manner that an observer looking through a stereoscope sees a single image in three dimensions.
The Pagoda at Zojo Temple and Akabane (Zojoji to, Akabane), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Title Plate
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: françois chauveau
Artist role: artist
Artist nationality: french
Artist dates: 1613 – 1676
Portret van Jan van Havre, heer van Walle
Object type: print
Date: 1638 – 1678
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: cornelis galle (ii)
Artist role: print maker
Artist dates: 1615 – 1678
Subjects: arts, jan van havre
Inscriptions: collector's mark: Lugt 2228, name: ‘E[...] Deraulx 1861’

Portret van Jan van Havre, heer van Walle in lauwerkrans. Aan weerszijden van het portret twee brandende olielampjes.
Deksel van zilver
Object type: lid
Date: 1772 – 1773
Materials: silver
Location: paris
Artist: jacques-nicolas roëttiers
Artist role: silversmith
Artist dates: 1732 – 1786
Subjects: catharina de grote
Inscriptions: duty mark, date letter, silver mark, alloy mark, inscription: ‘67’, maker's mark, inscription: ‘No 67’

Ronde, hoge deksel van zilver. Koepelvormig en naar het midden toe oplopend en bekroond door een ananas als knop.
Ronde broche van zilver met bloem
Object type: brooch
Date: 1948 – 1948
Materials: silver
Location: voorschoten
Artist: Anonymous
Inscriptions: : ‘I’

Ronde broche van zilver met bloem voorzien van een kanonsluiting.
Platte gebogen kruithoorn
Object type: powder horn
Date: 1600 – 1625
Materials: horn, iron
Techniques: engraving, forging, pressing
Location: netherlands
Artist: Anonymous
Subjects: ornament derived from plant forms

Powder flask of cow's horn, made in the Netherlands, first quarter 17th century.
Guitar
Object type: stringed instrument
Date: 1820 – 1820
Materials: ivory, wood
Location: paris
Artist: augustin claudot
Artist role: musical instrument maker
Inscriptions: stamp: ‘AUGUSTIN. / CLAUDOT’

Six-string guitar with a two-piece front of fine grain spruce with ebonised bridge and side turned ornaments. The back (in two pieces) and ribs are figured maple. The centre of back and ribs striped with a line of ebonised wood. Ebony fingerboard with bone frets and five ebony frets on front. An inscription stamped on the back, below the sound hole, reads 'AUGUSTIN. / CLAUDOT'.
Evening dress
Object type: evening dress
Date: 1898 – 1900
Materials: cotton, silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

By the 1890s, Worth was using large-sized ornament and was increasing simplifying his silhouette. He created this dress by separating zones of monumental schematic roses with highly stylized bands of rose leaves and sprigs. Worth's rose thus became graphic design, neither botany nor keepsake. The rose's popularity reached an apogee in 1899 with the formation of the American Rose Society.
Fra Angelico (1378-1455). De H. Nicolaas staat terstond na zijn geboorte - luistert naar cen preck - werpt een bruidsschat door het venster - Rome, Pinacoteca Vaticana
Object type: photomechanical print
Date: 1928 – 1928
Materials: cardboard
Techniques: rotogravure
Location: milan
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Landschap met dansende herders
Object type: print
Date: 1844 – 1911
Materials: paper
Techniques: etching
Location: berlin
Artist: gustav eilers
Artist role: print maker
Artist dates: 1834 – 1911
Subjects: landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., one pair dancing; man and woman dancing as a couple, swing
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Jahrbuch der Königlich Preussischen Kunstsammlungen. Berlijn: Weidmannsche Buchhandlung, 1883.
Envelop met educatieve kaarten van het Metropolitan Museum of Art
Object type: photomechanical print
Date: 1935 – 1979
Materials: cardboard, paper
Techniques: printing block
Location: new york city
Artist: Anonymous
Subjects: fabulous animals ~ birds

Het object bestaat uit een envelop, een kaart met toelichting en vijftien kaarten met afbeeldingen en beschrijvingen van objecten met niet bestaande/ mythologische wezens. De kaarten zijn bestemd voor scholen om te gebruiken als educatief materiaal.
Ontwerp voor een beklede armstoel met verstelbare rug en uitklapbare zitting, met zijaanzicht en plattegronden onder beide aanzichten
Object type: drawing
Date: 1851 – 1851
Materials: graphite, ink
Techniques: drawing
Location: mainz
Artist: b. winghofer
Artist role: draughtsman
Inscriptions: signature and date: ‘Winghofer in Mainz den 7 Dezb. 1851’, size: ‘Van linker aanzicht maatstaf met 2 3 8 9 10 11 12 13 14 15 16’, size: ‘maatstaf’
Groot Hotel. Berg en Dal
Object type: photomechanical print
Date: 1913 – 1913
Materials: cardboard
Techniques: photograph
Location: plasmolen
Subjects: hotel, hostelry, inn
Inscriptions: date
Sea Battle
Object type: print
Date: 1532 – 1532
Materials: paper
Techniques: engraving
Location: italy

A prolific printmaker and print designer, known only by the small die with which he signed his prints, the Master of the Die was an artist in the orbit of Raphael’s student Marcantonio Raimondi. The Sea Battle serves as a prime example of the revival of Classical style during the Renaissance, as well as an example of the subject matter and designs used for architectural decoration. The mythological scenes on the hulls of the boats suggest simplified, fictive reliefs after the Antique, and could just as easily have appeared on an elevated painted frieze of a Roman palace.
Spotprent over het beleid ten overstaan van zigeuners in Nederland en België
Object type: cartoon
Date: 1888 – 1888
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: wandering communities: romani or roma, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Nederlandse en Belgische politie en officieren slaan met houten planken zigeuners naar elkaar de grens over. Deze prent werd uitgegeven bij De Lantaarn.
Victoria #413
Object type: drawing
Date: 1860 – 1860
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Reclame voor aquarelpotloden van Eberhard Faber
Object type: album leaf
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’, number: ‘889’
Vincheleze Lane East
Object type: photomechanical print
Date: 1870 – 1930
Materials: paper
Techniques: photograph
Location: jersey
Artist: Anonymous
Subjects: forest path or lane
Inscriptions: number: ‘14’
Gezicht op een berg en velden bij Djenar op Java
Object type: photograph
Date: 1916 – 1917
Materials: photographic support
Techniques: gelatin silver print
Location: java
Artist: Anonymous
Subjects: field filled with a crop, mountains (in tropical and sub-tropical regions), dutch east indies, the

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
View of the Laurenskerk, Rotterdam
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen
Artist: gerrit van battem
Artist role: artist
Artist nationality: dutch
Artist dates: 1636 – 1684
Subjects: churches
Ex libris van L.C. Heyting
Object type: bookplate
Date: 1936 – 1936
Materials: paper
Techniques: printing block
Location: netherlands
Artist: j.c. mol
Artist role: print maker
Subjects: l.c. heyting, adult woman
Inscriptions: workshop stamp: ‘L.C. Heyting 's Hage / ontw. Mej. J.C. Mol, Wassenaar / cl’
Brief aan Andries Bonger
Object type: letter
Date: 1928 – 1928
Materials: ink, paper
Techniques: pen, printing, writing
Location: madrid
Artist: maurice fromkes
Artist dates: 1872 – 1931
Subjects: amsterdam, andries bonger, painting (including book-illumination, miniature-painting)