deem-data/ArtiFact huggingface dataset:
The Rape of Europa
Object type: painting
Date: 1735 – 1740
Materials: oil, panel
Artist: nicolaas verkolje
Artist role: draughtsman, painter, print maker
Artist dates: 1673 – 1746
Subjects: europa and her maidens play with the bull, and/or adorn it with flowers
Inscriptions: signature: ‘NVerkolje’

Zeus, the king of the gods, has disguised himself as a bull in order to seduce the chaste maiden Europa. To their right Cupid stands ready to shoot his arrows of love. In depicting this story from the Metamorphoses, the famous book by the Roman poet Ovid, Verkolje demonstrates his knowledge of Classical literature. Moreover, he proves his artistic virtuosity by means of the complex composition with numerous figures.
Cherub
Object type: crèche figure
Date: 1751 – 1800
Materials: terracotta
Techniques: polychrome
Subjects: angels

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
A Large Landscape
Object type: hanging scroll
Date: 1644 – 1911
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Begrafenis van Abraham
Object type: print
Date: 1555 – 1555
Materials: paper
Techniques: engraving
Location: groningen
Artist: cornelis bos
Artist role: print maker, printer, publisher
Artist dates: 1510 – 1566
Subjects: abraham is buried by isaac and ishmael in the cave of machpelah
Inscriptions: collector's mark: Lugt 2228

Abraham wordt door zijn twee zonen Isaak en Ismaël begraven in zijn graf in Machpela waar ook zijn vrouw Sara al begraven ligt. Prent uit een serie van 12 prenten met het leven van Abraham. Alle prenten hebben vier regels Duitse verklarende tekst in de ondermarge.
Fragment of Band
Object type: fragment
Date: 301 – 600
Materials: linen, wool
Location: egypt
Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Object type: print
Date: 1621 – 1635
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Portret van een staand meisje
Object type: photograph
Date: 1880 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘Spui 15/ M. Büttinghausen/ Eenig/ Atelier’
Rest in the Country
Object type: print
Date: 1732 – 1783
Techniques: engraving, etching
Artist: william wynne ryland
Artist role: artist
Artist nationality: british
Artist dates: 1732 – 1783
Subjects: infants,women
Oudeschans en Montelbaanstoren, gezien vanaf de oever van het IJ, Amsterdam
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, paper
Techniques: photograph
Location: amsterdam
Subjects: oudeschans, montelbaanstoren
Inscriptions: inscription: ‘DE OUDE SCHANS. AMSTERDAM. UITGAVE VAN A. JAGER, AMSTERDAM,’
Hohkönigsburg. Der hohe Garten
Object type: photomechanical print
Date: 1908 – 1913
Materials: cardboard
Techniques: photograph
Location: alsace
Artist: Anonymous
Subjects: castle, garden
Slag bij Doggersbank
Object type: history medal
Date: 1781 – 1781
Materials: bronze
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan arnold zoutman

Eenzijdige bronzen penning met gat erin. Voorzijde: schip boven opschrift binnen kabelrand. Keerzijde: blanco
Brisé Fan, with representations of beasts in landscapes flanking HH monogram and the name "Henrietta"
Object type: fan
Date: 1801 – 1833
Materials: ivory
John Bull at His Studies
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1770 – 1820
Charles Maurin
Object type: print
Materials: paper, zinc
Techniques: drypoint
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Siegfried von Lindenberg krijgt van zijn bediende les over wapens
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: berlin
Subjects: parents with their children, literature, knighthood order, pipe ~ tobacco, hacking and thrusting weapons: sword, firearms: rifle, interior of the house, house personnel, servants
Inscriptions: collector's mark: Lugt 2228

Prent uit: Müller, Johann Gottwerth. Siegfried von Lindenberg [..]. 3de druk. 4 dln. Leipzig: Carl Friedrich Schneidern, 1784, dl. 1.
Terracotta fragments of open shapes
Object type: undetermined open shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Five black glazed fragments from open shapes
Het Groote Tafereel der Dwaasheid
Object type: cartoon
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: dissection, negative results and undesired aspects of trading

Anatomie van de Windhandel van 1720. Een actiehandelaar die aan wind gestorven is wordt op een tafel ontleed. Op de voorgrond wordt een man geblinddoekt door een duivel en beroofd door apen, een andere man ligt slapend in een wieg. Met onderschrift van vier verzen in het Nederlands. Prent 53 in de serie Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Virgin and Child with Four Saints
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: anne claude philippe de tubières, comte de caylus
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1765
Subjects: madonna and child,saints
Alexandre Dumas aujourd'hui
Object type: book
Date: 1869 – 1869
Materials: paper
Techniques: albumen print, letterpress printing
Location: paris
Inscriptions: signature: ‘A. Dumas fils’
Reproductie van een tekening met betrekking tot Assepoester
Object type: album leaf
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: tales and fairy tales (with title)
Inscriptions: inscription: ‘No. 1./ Asschepoester.’

Deze prent maakt deel uit van een album.
Plaque Inscribed with Royal Titles
Object type: sculptor's model votive, relief plaque with royal titulary
Date: 767 – 735
Materials: limestone
Location: the delta
Head
Object type: head
Date: 701 – 1000
Materials: gilt, paint, plaster
Culture: chinese
Subjects: heads

The long curly hair and the roundels with pendant chains on either side of the crown are often found in representations of bodhisattvas and devotees produced in the Turfan area and in the Dunhuang region of northwestern China from the eighth through the ninth century.
Boreas, from The Winds
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving
Location: netherlands
Artist: crispijn van de passe
Inscriptions: Lettered upper left: "Boreas"; lower left: "Nova Zembla"; and below image: "Asper ab axe ruit ... glacialis hyems. Crispinus Passaeus Author, Invent. sculp et excudit"
Coffeepot with figures in a landscape
Object type: coffee pot
Date: 1775 – 1785
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: doccia
Inscriptions: mark: ‘77’

Koffiekan van porselein met een peervormig lichaam, S-vormige tuit en C-vormig oor, beschilderd op het glazuur in emailkleuren en goud. Op de buitenwand tweemaal een landschap. Het ene landschap toont een staande vrouw en twee zittende mannen aan de oever bij een pilaar. Het andere landschap met een zittende vrouw en een visser met een kind achter zich. Op de nek een band van cirkels met een stip. De tuit eindigd in een dierenkop en is middels een brug verbonden met de schouder. Gouden lijnen op de voet en het oor. Gemerkt op de onderzijde met 77[?].
Bowl
Object type: bowl
Date: 301 – 700
Materials: silver
Culture: coptic
Location: egypt
Subjects: bowls
De onheilsdagen van het Joodse volk
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: omri, elah's army commander, attacks zimri in the city of tirzah; when zimri sees that the city has fallen he sets the palace on fire and dies in the flames
Inscriptions: signature: ‘Martinus Heems: / kerck. Inventor’, signature: ‘Philippus. Galle./ Fecit’, caption: ‘Hela cadit, regnat Zamri, qui milite cinctus...coniecit in ignes.’, number: ‘13’

Omri, de aanvoerder van het leger van Ela, valt Zimri aan in de stad Tirza. Als Zimri ziet dat de stad is gevallen steekt hij het paleis in brand en gaat hij ten onder in de vlammen. Op de voorgrond rechts het leger van Omri, dat door de stadpoort naar binnen trekt. Linksachter Zimri op het bordes van het brandende paleis.
Plate
Object type: plate
Date: 1501 – 1550
Materials: stonepaste
Techniques: glazing, painting
Location: turkey

Interchanges between Chinese ceramics and those produced in Turkey continued throughout the sixteenth century: while this dish was made to imitate Chinese porcelain, the decoration is uniquely Ottoman Turk. Tiny rosettes and leaves are rendered in tightly coiled vines that derive from calligraphy and, in particular, the tughras, or royal monograms, of the sultans.
Boeren
Object type: print
Date: 1626 – 1740
Materials: paper
Techniques: etching
Location: low countries
Subjects: pipe ~ tobacco, opening the door, drinking
Inscriptions: collector's mark: Lugt 2228

Een boer zit rechts naast een tafel, met een kruik en een pijp in zijn handen. Achter de tafel zit een man. Rechts komt een vrouw door de deur de ruimte binnen.
Chorruine der Abtei Heisterbach
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: north rhine-westphalia
Artist: Anonymous
Subjects: ruin of church, monastery, etc.
Het Lyk
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: mourning the dead, angels
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. De onwaardige wereld, vertoond in vyftig zinnebeelden, met godlyke spreuken en stichtelyke verzen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1710, p. 90.
Triumph of Maximilian
Object type: print
Materials: paper
Techniques: woodcut
Location: germany
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: glass, porcelain
Culture: chinese
Covered cup with floral pattern
Object type: covered cup
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Cushion
Object type: cushion
Date: 1620 – 1640
Materials: metal thread, textile, silk
Techniques: embroidery, stitching
Subjects: cupid,flowers
Drie pioenrozen en papaverknop
Object type: print
Date: 1679 – 1702
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: flowers
Inscriptions: collector's mark: Lugt 2228

Studie van pioenroosachtige bloemen. Rechts onder A.3. genummerd.
Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse
Object type: print
Date: 1816 – 1816
Techniques: aquatint, engraving, burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,bulls,horses,knights
Jug
Object type: jug
Date: 1201 – 1500
Materials: earthenware
Techniques: glazing
Culture: british
Zilverreiger
Object type: drawing
Date: 1846 – 1846
Materials: paper, pencil
Techniques: brush
Artist: j.j. ramaker
Artist role: draughtsman
Subjects: shore-birds and wading-birds: grey heron
Portret van Dietrich Wilhelm Heinrich Busch
Object type: print
Date: 1814 – 1837
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: check stamp: Lugt 4519, collector's mark: Lugt 2228
Portret van een onbekend kind naast een hekwerk
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: toddler, anonymous historical person portrayed
Figure Subjects
Object type: print
Date: 1735 – 1809
Materials: paper
Techniques: etching
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist dates: 1725 – 1809
Subjects: adult woman, coat, cape
Inscriptions: collector's mark: Lugt 2228
Portret van Ienkje Gal
Object type: photograph
Date: 1892 – 1909
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: leeuwarden
Artist: idanus hendrikus slaterus
Artist role: fotograaf
Artist dates: 1846 – 1921
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Photographie Instantanée/ J. H. Slaterus/ LEEUWARDEN, Langemarktstraat/ tegenover het Station bij de nieuwe Veemarkt./ Lef. W. No. 14.’, inscription: ‘Ienkje Gal’
Brief aan Jean Zacharie Mazel
Object type: letter
Date: 1845 – 1845
Materials: ink, paper
Techniques: pen, writing
Location: leuven
Artist: karel-hendrik geerts
Artist role: sculptor
Artist dates: 1807 – 1885
Subjects: william ii of the netherlands, the hague, draughtsman, politician, passions, emotions, affections, sculpture, art collecting
Inscriptions: seal
Portret van een vrouw
Object type: photograph
Date: 1889 – 1914
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: louis devolder
Artist role: fotograaf
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Photographie/ L. Devolder/ 149/ Rue de Brabant/ Bruxelles/ (...)’
Portret van Jan van Beieren
Object type: print
Date: 1840 – 1884
Materials: paper
Techniques: engraving, etching
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: jan van beieren, adult man
Inscriptions: collector's mark: Lugt 2228

Portretbuste van Jan van Beieren naar rechts, in een ovale lijst. Hij heeft een snor en een bescheiden baard. Hij draagt een muts met orgelpijpplooien. In de marge zijn familiewapen
Winterlandschap met enkele huizen
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: photograph
Artist: edmond sacré
Artist role: fotograaf
Artist dates: 1851 – 1921
Subjects: winter landscape; landscape symbolizing winter (the four seasons of the year), civic architecture; edifices; dwellings
Inscriptions: inscription: ‘ART EN PHOTOGRAPHIE, No 4.’

Deze prent maakt deel uit van een omslag met 54 prenten op 52 bladen.
Certosa di Pavia
Object type: album leaf
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: rome
Subjects: church (exterior)
Inscriptions: number: ‘33’

Gezicht op de kerk van het klooster Certosa di Pavia in Lombardije. Prent maakt deel uit van een album.
Portretmedaillon van Prins Willem van Oranje, de latere Koning Willem I
Object type: portretmedaillon
Date: 1784 – 1784
Materials: gypsum
Artist: johann heinrich schepp
Artist role: sculptor
Artist dates: 1736 – 1811
Subjects: the hague, berlin, william i of the netherlands

Portretmedaillon van Prins Willem van Oranje, de latere Koning Willem I. De prins, naar links, draagt een staartpruik, de uniformjas van de gardes du corps, een jabot, ordelint en ordeteken. Om zijn middel is een mantel gedrapeerd.
Pendant
Object type: pendant
Date: 1601 – 1900
Materials: gold
Culture: filipino
Borstbeeld van een oude heer
Object type: print
Date: 1625 – 1674
Materials: paper
Techniques: etching
Artist: jan lievens
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1674
Subjects: old man
Inscriptions: collector's mark: Lugt 240
Saucer
Object type: saucer
Date: 1821 – 1821
Materials: glass
Slot Rosenthal in Moyland bij Kleef
Object type: sketchbook leaf
Date: 1839 – 1839
Materials: paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: castle
Inscriptions: date and inscription: ‘Rosenthal bij Moyland/ Cleve 1839./ Toren/ moet iets breeder/ in verhouding.-’

Blad 36 recto uit een schetsboek met 37 bladen.
De Dymphna en de Varna kort na het invriezen. 23. Sept. 1882.
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: glauchau
Subjects: ships (in general), landscapes in polar regions
Inscriptions: inscription: ‘De Nederlandsche Pool-Expeditie 1882-1883.’
Designs for Two Porcelain Vases
Object type: drawing ornament architecture
Date: 1770 – 1785
Materials: graphite, ink, watercolor
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: human figures,flowers,vases
St Catherine
Object type: sculpture
Date: 1425 – 1450
Materials: clay
Location: utrecht
Artist: Anonymous
Plate
Object type: plate
Date: 1825 – 1825
Materials: earthenware
Culture: mexican
Location: mexico
Subjects: flowers
Gezicht op de fontein van Apollo
Object type: print
Date: 1670 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: (story of) apollo (phoebus), garden fountain, canal, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Illustrations of Japanese Painting Themes (Yamato-e zukushi) 大和絵づくし
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Subjects: men,women
L'Départ du Courier (The Departure of the Messenger)
Object type: print
Date: 1701 – 1800
Techniques: engraving, etching
Artist: jacques firmin beauvarlet
Artist role: artist
Artist nationality: french
Artist dates: 1731 – 1797
Subjects: boys,dogs,sheep
Bouw van het schip Argo
Object type: album leaf
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: rome
Artist: joseph anton koch
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1839
Subjects: the argo is built, sometimes with assistance of minerva

Deze prent maakt deel uit van een serie met 24 prenten.
Turris Templi Mariani, è quâ exhibita Festorum ignium hilaria
Object type: print
Date: 1639 – 1641
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: Anonymous
Subjects: landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', bonfire, fire-works, festivities (+ illumination, fire-works ~ festive activities), antwerp

Oorspronkelijk gebruikt als illustratie in: C. Gevartius, Pompa introitus ... Ferdinandi Austriaci Hispaniarum Infantis ... a S.P.Q. Antverp, decreta et adornata, cum ... ad Norlingam parta victoria Antverpiam ... adventu suo bearet ... 1635 : arcus, pegmata iconesque a Pet. Paulo Rubenio ... inventas & delineatas inscriptionibus & elogiis ornabat, libroque commentario illustrabat, Theodoor van Thulden en Joannes Meursius, Antwerpen 1641, pl. 41.
Chôken (Noh Costume)
Object type: textile
Materials: textile, gold leaf, paper, silk
Techniques: brocade, lacquer, weave
Location: japan
Collier
Object type: necklace
Date: 1835 – 1837
Materials: gold
Techniques: filigree
Location: amsterdam
Inscriptions: maker's mark: ‘W&S’, alloy mark: ‘leeuwenkop’

Parure van goud in filigreintechniek, in rood leren foedraal. Bestaande uit: diadeem, halssnoer, twee armbanden en twee oorknoppen. Het foedraal is met witte zijde gevoerd.
“- Beware my friend of the little baron... the more you dress him the less secured you will be,” plate 49 from Tout Ce Qu'on Voudra
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Portret van Nicolaas Pieneman
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, painter, print maker, draughtsman, nicolaas pieneman, historical persons
Inscriptions: check stamp: ‘Frans Buffa en Zonen uitgevers Amsterdam’, collector's mark: Lugt 2166, collector's mark: Lugt 2760

Behoort tot de Verzameling Gerritsen, kunstenaarsportretten.
Katafalk voor keizerin Elisabeth Christine te Brussel, 1751
Object type: drawing
Date: 1751 – 1751
Materials: paper
Artist: ferdinandus josephus de rons
Artist role: draughtsman
Subjects: catafalque, 'castrum doloris' (~ public funeral)
Inscriptions: inscription: ‘Dit is de Catavalck het geen gestaen heeft in de kerck van sinte Goudela op den 12 meert, is het uijtvaert gedaen geweest, voor de overleden Keyserinne Douairiere van Carolus den VI. Elisabeth Christinna, 1751.’

De katafalk voor Elisabeth Christine, keizerin van Oostenrijk, weduwe van keizer Karel VI, opgesteld in de St. Goedele kerk te Brussel bij de uitvaart op 12 maart 1751.
Portret van Philippus van Limborch
Object type: drawing
Date: 1680 – 1712
Materials: chalk, ink, paper
Techniques: pen
Artist: christoffel lubienitzki
Artist role: draughtsman, painter, print maker
Artist dates: 1659 – 1729
Subjects: amsterdam, historical persons
Linen mark (Type XXXIV)
Object type: linen mark
Date: 1961 – 1917
Materials: linen
Location: egypt
The Triumph of Bacchus
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: anonymous, italian?, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: male nudes,female nudes,lions
Portret van Ludwig Heinrich Schlosser
Object type: print
Date: 1723 – 1731
Materials: paper
Techniques: etching
Location: augsburg
Subjects: priest, historical persons, book, armorial bearing, heraldry
Dish
Object type: dish
Date: 1800 – 1850
Materials: earthenware
Culture: american
Location: united states
Fragmentary Jar
Object type: jar
Date: 501 – 700
Materials: earthenware
Techniques: incising
Location: iran
Bottle vase
Object type: bottle vase
Date: 1701 – 1800
Materials: glaze, porcelain
Techniques: molding
Culture: chinese