deem-data/ArtiFact huggingface dataset:
Groepsportret van tien onbekende bezoekers van de Eerste Nederlandse Tentoonstelling op Scheepvaartgebied, in decor met geschilderde boot
Object type: photograph
Date: 1913 – 1913
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait, amsterdam
Inscriptions: inscription: ‘Uw Portret op Briefkaart/ Direct mede te nemen/ E.N.T.O.S./ Oud Amsterdam./ t/o Ober Bayern.’
Gevecht by het dorp de Vaart buiten Utrecht den 9den Mey 1787
Object type: print
Date: 1787 – 1792
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: battle (+ citizen soldiery, civil guard, citizen militia)

Oorspronkelijk gebruikt als illustratie in: Hoen, Pieter ’t ed. De Post van den Neder-Rhyn, no. 565. Hier gebruikt als illustratie in: Rogge, Cornelis. Beknopte historie der onlusten in de Nederlanden. Sedert de onderhandelingen over de gewapende neutraliteit in 1780. 4 delen. Braband 1790-1792.
Piece
Object type: piece
Date: 1720 – 1730
Materials: silk
Subjects: flowers,leaves
Prince Genji Visits the Gankirō Tea House
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: children,women,trees
Twee vogels dragen samen al vliegend een stok waar een schildpad zich aan vasthield
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: flying on or with the aid of animal(s), tortoises, turtles, birds
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Duĳkerius, Johannes. Voorbeeldzels der oude wyzen. Waar in (...) de menschelijke hartstogten (...) behandeld worden. Amsterdam: Aart Wolsgrein, 1693, p. 114.
Scarab with the Throne Name of Thutmose I
Object type: scarab, thutmose i, rennefer
Date: 1504 – 1447
Materials: faience
Location: egypt
Subjects: scarabs
The Corsican Munchausen – Humming the Lads of Paris
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,politics
Les nielles de la bibliothèque royale de Belgique / L. Alvin
Object type: book
Date: 1857 – 1857
Materials: paper, photographic support
Techniques: printing, salted paper print
Location: brussels
Inscriptions: annotation: ‘£ 1790’
Venus, Bacchus en Ceres
Object type: print
Date: 1570 – 1632
Materials: paper
Techniques: engraving
Location: unknown
Artist: raphaël sadeler (i)
Artist role: print maker
Artist dates: 1560 – 1628
Subjects: (story of) ceres (demeter), (story of) bacchus (dionysus), liber, (story of) venus (aphrodite)
Inscriptions: inscription: ‘P.M. 1674’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

De godin Venus en Amor tussen Bacchus (links) en Ceres (rechts).
Verhaal van de verloren zoon
Object type: print
Date: 1621 – 1650
Materials: paper
Techniques: etching, intaglio
Location: rome
Artist: pietro testa
Artist role: draughtsman, painter, print maker
Artist dates: 1611 – 1650
Subjects: the prodigal son returns home, where his father awaits him
Inscriptions: collector's mark: Lugt 240

De verloren zoon knielt voor zijn vader en wordt door hem omhelsd. Links twee toekijkende mannen en een groep figuren op een trap.
Lezende jonge vrouw met een opengeslagen boek in haar handen
Object type: drawing
Date: 1850 – 1900
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: reading, book
Inscriptions: collector's mark: Lugt 2228, watermark
Saint Nicholas Accuses the Consul from Scenes from the Life of Saint Nicholas
Object type: panel
Date: 1200 – 1210
Materials: glass, metal, paint
Culture: french
Location: france
Subjects: men,saints

This scene is one of two that illustrate an early episode in the life of Saint Nicholas, soon after he was elected bishop of Myra in Asia Minor in the fourth century. In the first scene (acc. no. 1980.263.2), two knights, identified by their shirts of mail, are being falsely accused of treason and condemned by the consul. A third knight, the right arm of the consul, and the beginning of the inscription—[S N]ICO/ LAVS: PR[A]ESES/ MILITES (Nicholas protects the soldiers)—were lost when the panel was cut down at an undetermined time. In the second scene here, Nicholas responds to the knights' prayers by appearing before the counsul to plead for their release. A palace guard looks on from the left. The panels probably came from an ambulatory chapel dedicated to Saint Nicolas in the cathedral of Soissons, whose choir was under construction in the 1190s. This type of composition, in which each narrative element is framed under an arcade, is among the earliest known examples of its kind and is strongly associated with Soissons. The elegant figural style and flowing drapery patterns exemplify a classicizing trend found in northern France from the late twelfth through early thirteenth century.
Young Man and Old Woman
Object type: drawing
Materials: ink
Techniques: pen
Artist: jacob matham
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1631
Subjects: men,women
Side Chair
Object type: side chair
Date: 1730 – 1760
Materials: wood
Culture: american
Location: united states

Low-cost “Boston” chairs were exported throughout the colonies during the 1730s and 1740s. This fine example is typical of the Queen Anne style, with its emphasis on curved, rounded forms and the interplay between solid and void.
Gezicht op de Nijl in Caïro
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: cairo
Artist: johannes lodewijk heldring
Artist role: fotograaf, predikant, schrijver
Artist dates: 1852 – 1923
Subjects: river
Portret van Jean-Antoine Chaptal
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, jean-antoine chaptal, historical persons
Inscriptions: collector's mark: Lugt 2228a
Tom Daly, Catcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Detail van het doksaal in de kathedraal van Limoges
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: limoges
Artist: adolphe giraudon
Artist role: publisher
Artist dates: 1849 – 1929
Subjects: church (exterior)
Inscriptions: inscription: ‘T 370 . Renaissance Française’, collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers Amsterdam’ Lugt 3937, workshop stamp: ‘A. Giraudon/ Editeur/ 15. R. Bonaparte. Paris’
Study of a Seated Woman
Object type: drawing
Date: 1778 – 1810
Materials: chalk
Artist: john hoppner
Artist role: artist
Artist nationality: british
Artist dates: 1758 – 1810
Subjects: women

Hoppner became the leading portraitist working in London after Sir Joshua Reynolds retired in 1789. Early In his career, the artist often focused on literary or dramatic subjects, and the present work relates to "Clara at the Tomb of Eloisa," reproduced in mezzotint in 1786. The theme comes from Jean-Jacques Rousseau's "Julie; ou, La Nouvelle Héloïse," a novel in which the heroine, Héloïse (Eloisa), is separated from her great love Saint-Preux, and dies hoping to be united with him in heaven. The artist imagined Eloisa's close friend Clara mourning at her tomb and used his wife, Phoebe, as a model. Black and white chalks are applied in a loose, expressive manner reminiscent of Thomas Gainsborough and a romantically overgrown landscape suggested by rapidly indicated trees and hints of foliage.
Portret van aartshertog Albrecht van Oostenrijk
Object type: print
Date: 1644 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: brussels, albrecht aartshertog van oostenrijk, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2233

Portret van Albrecht, aartshertog van Oostenrijk, met een keten met het ordeteken van de Orde van het Gulden Vlies om zijn hals. Het portret is gevat in een ornamentele omlijsting met guirlandes van vruchten. Midden onder een cartouche met zijn naam en titel in het Latijn.
Fotoreproductie van schilderij Lepelaars en Aalscholvers bij het Horstermeer
Object type: photograph
Date: 1875 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Subjects: picture, painting
Inscriptions: caption: ‘Lepelaars en Aalscholvers/ (Horstermeer)’

Foto-reproductie van schilderij Lepelaars en Aalscholvers bij het Horstermeer van Willem Roelofs.
Deksel van hardgebakken aardewerk.
Object type: lid
Date: 1770 – 1775
Materials: earthenware, glaze
Location: derby
Artist: Anonymous

Deksel van hardgebakken aardewerk, bedekt met loodglazuur in groen, geel, blauw en mangaan en versierd met druiventrossen en bladeren in reliëf. Het oppervlak is verticaal geribd. De knop in de vorm van een bloem.
Peacock (one of a pair)
Object type: figure
Date: 1741 – 1741
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: peacocks

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…." [Elizabeth Sullivan, 2013]
Cambyses Commanding Flaying, plate 6 from Thrones of Justice (Thronus Iustitiae)
Object type: print
Date: 1606 – 1606
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: willem van swanenburgh
Artist role: print maker
Artist nationality: dutch
Artist dates: 1580 – 1612
Inscriptions: Lettered lower left: "JWtewael Invent. GS sculpsit."; lower center: "CVSichem edit. et excud."; and below image: "VI / Cambijsae imperijs Iudex ... sic veneranda fuit."
Paperweight
Object type: glass
Date: 1845 – 1870
Materials: glass
Location: cambridge
Artist: new england glass company
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 1888
Portret van Charles Pratt Camden
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: mezzotint
Subjects: politician, writing tools, historical persons, book
Inscriptions: collector's mark: Lugt 240
Écuelle
Object type: écuelle
Date: 1743 – 1745
Materials: silver gilt
Artist: johann jakob bruglocher ii
Artist role: maker
Artist nationality: german
Artist dates: 1710 – 1752
Spindle whorl
Object type: spindle whorl
Date: 7000 – 330
Materials: glass
Button
Object type: button
Date: 1850 – 1850
Materials: enamel
Culture: french
Subjects: women
Halfnaakte staande vrouw met draperie
Object type: sketchbook leaf
Date: 1751 – 1751
Materials: chalk, paper
Artist: lorenzo baldissera tiepolo
Artist role: draughtsman, print maker
Artist dates: 1736 – 1776
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure, drapery, draped garment, 'gewandgebung'

Bladzijde 38 uit een schetsboek met 158 bladzijden.
Très Parisien, 1923, No 7: 5. - SURPRISE. - 1. Une jolie robe du soir...
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: corsage (+ women's clothes), flowers, dress, gown: evening dress (+ women's clothes), dress, gown: walking dress (+ women's clothes), border, ribbon, braid (+ women's clothes), gloves, mittens (short gloves) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: caption: ‘5. - SURPRISE. - 1. Une jolie robe du soir drapée avec épaulettes de strass et fleurs au côté. 2. Pour la ville,cette élégante toilette de crêpe Vulcain garnie de volants de ruban. / Tissus de chez RÉAL, 422, rue Saint-Honoré.’, title: ‘Très Parisien / No 7. - 1923’

1. Gedrapeerde avondjurk met schouderbanden van strass en bloemcorsage aan één zijde. 2. Voor naar de stad, een 'toilette' van 'crêpe Vulcain' gegarneerd met volants van lint. Accessoires: hoed met brede rand, korte handschoen, schoenen met bandjes en hakken. Stoffen van Réal. Prent uit het modetijdschrift Très Parisien (1920-1936).
George E. Merrill
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Cup with different figures in a landscape
Object type: cup
Date: 1850 – 1899
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: europe
Artist: Anonymous

Kop van porselein, op hoge voet en met vraagtekenvormig oor. Behoort tot een serie van twaalf kop en schotels. Langs de mondrand een brede gouden bies, het oor is verguld. De kop is versierd met een drukdecor in zwart, voorstellende spelende kinderen of volwassenen in een landschap.
Portrait of a Qianlong Empress
Object type: hanging scroll
Date: 1801 – 1900
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: portraits,women,dragons,thrones
Canteen
Object type: canteen
Date: 1750 – 1800
Materials: glass, iron, wood
Schotel met bloemboeket en strooibloemen
Object type: platter
Date: 1759 – 1771
Materials: porcelain
Techniques: painted
Location: weesp

Dish. Porcelain. Weesp, c. 1760 - 1770. Factory of Betram, Count Gronsveld-Diepenbroick.
Benjamin Franklin
Object type: print
Materials: paper
Techniques: engraving, stippling
Location: united states
Artist: Anonymous
Artist nationality: likely american or british
Artist dates: 1800 – 1899
View on the South Downs
Object type: drawing
Date: 1840 – 1849
Materials: watercolor
Artist: john martin
Artist role: artist
Artist nationality: british
Artist dates: 1789 – 1854
Subjects: landscapes

After achieving early success with Biblical and apocalyptic subjects, Martin turned briefly to English landscape in the eighteen-forties. This example allows us to examine his unique handling of watercolor and approach to nature, while also demonstrating an awareness of his contemporaries. The way bright patches of yellow are used to break up dark green foliage in the center distance, recalls Samuel Palmer's visionary treatment of oak woods near Shoreham a decade earlier. A pair of tiny figures lying on the grass in the foreground, demonstrate that Martin did not simply base this view on sketches, but instead constructed an imaginary, elevated viewpoint. Subtle distortions of scale and the inclusion of tiny details (visible only through magnification) lend the work a visionary quality–these details include a group of women dressed in white seated on the grass in the center distance, a windmill beyond the trees at right, and tiny trees lining the horizon.
Architectural Fantasy (recto); Architectural Details (verso)
Object type: drawing and watercolor
Materials: ink, paper, paint, watercolor
Techniques: brush, pen, wash
Location: italy
Artist: mauro antonio tesi
Artist nationality: italian
Artist dates: 1730 – 1766
Portret van Pieter Valckenier
Object type: print
Date: 1670 – 1681
Materials: paper
Techniques: engraving, etching
Subjects: history and archaeology, historical persons, lawyer, attorney at law, diplomacy, diplomat
Inscriptions: inscription: ‘J [...] D.1. [...] 306’

Met drieregelig onderschrift in het Latijn.
Diana and Actaeon
Object type: drawing
Date: 1580 – 1585
Materials: chalk, ink, paper
Techniques: brush, heightening, pen, wash
Artist: bartholomeus spranger
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1546 – 1611
Subjects: actaeon,nymphs,diana,bathing
Festons und decorative Gruppen nebst einem Zieralphabete aus Pflanzen und Thieren Jagd-, Touristen- und anderen Geräthen serie 3
Object type: portfolio
Date: 1897 – 1897
Materials: cardboard, linen, paper
Techniques: photograph, printing
Design for the Base of a Pedestal
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1700 – 1799
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of a vine; head and wing of a sphinx or siren; part of a vine; outer part of an eye, in added white
Combe Bottom
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: drypoint, etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
George Abbot, Archbishop of Canterbury
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: etching
Location: london
Artist: james parker
Artist role: print maker
Artist dates: 1750 – 1805
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Lodge, Edmund. Portraits of Illustrious Personages of Great Britain. Londen: Harding & Lepard, 1826, dl. 5.
Portret van Helena Fourment
Object type: print
Date: 1747 – 1801
Materials: paper
Techniques: etching
Location: ghent
Artist: philippe lambert joseph spruyt
Artist role: print maker
Artist dates: 1727 – 1801
Subjects: antwerp, head-gear: hat (+ women's clothes)
Inscriptions: collector's mark: Lugt 240

Portret van Helena Fourment, de tweede echtgenote van de schilder Rubens, met een breedgerande hoed op het hoofd.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, bent arm and back of youth bending to right
Fort-National (côté Nord)
Object type: photomechanical print
Date: 1903 – 1904
Materials: cardboard
Techniques: photograph, writing
Location: fort-national
Subjects: prospect of village, silhouette of village, mountain-range, snow peaks
Inscriptions: postage stamp
Bebaarde man met opgeheven linkerarm
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: france
Subjects: adult man
Handdwaal van wit linnen
Object type: handdwaal
Date: 1600 – 1699
Materials: linen
Techniques: twill, peeled fabric
Location: netherlands

Wit linnen handdwaal met een pellen patroon in keper, merk WR 6.
Poging om Amsterdam in te nemen, 1577
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: amsterdam, haarlem, battle

Poging van het Staatse leger onder bevel van Helling en Ruychaver om Amsterdam in te nemen, 23 november 1577. Soldaten komen uit schepen te voorschijn bij de Haarlemmerpoort. Met onderschrift van 4 regels in het Latijn. Genummerd: 89. Bedrukt op achterzijde met tekst in het Nederlands.
Dish
Object type: dish
Date: 1886 – 1886
Materials: hard paste porcelain
Artist: edouard-alexandre dammouse
Artist role: modeler
Artist nationality: french
Artist dates: 1850 – 1903
Subjects: flowers
Suona (嗩吶 ) body
Object type: suona body
Date: 1801 – 1900
Materials: wood
Culture: chinese
Location: china
Les Singuliers et Nouveaux Portraicts... page 3 (verso)
Object type: book print ornament architecture
Date: 1588 – 1588
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599

Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. Extract of Privilege printed in black with decorative woodcut initial “P”. The address at the bottom of the page has been rubbed out.
Karikatuur van Leo Gestel op zijn ziekbed
Object type: drawing
Date: 1911 – 1941
Materials: ink, paper, pencil
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: print maker, draughtsman, leo gestel, sick-bed, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Saucer-dish with lotus scrolls and a pheasant on a prunus spray near flowering plants
Object type: dish
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark, label: ‘Collectie Westendorp/ 48’

Two saucer-dishes, c. 1700 - 1750.
Terracotta rim fragment of kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 440
Materials: terracotta
Culture: greek, attic

Exterior, rim fragment with part of circumscribed palmette with elongated central frond and tendrils
Vrede van Rijswijk tussen Geallieerden en Frankrijk 1697
Object type: history medal
Date: 1697 – 1697
Materials: tin
Techniques: striking
Artist: reynier arondeaux
Artist dates: 1678 – 1727

Tinnen penning, op de voorzijde het borstbeeld van Koning Lodewijk XIV naar rechts met omschrift, op de keerzijde Pax met olijftak en hoorn des overvloeds staande op een wereldbol, tussen wolken en onder een stralende zon, met omschrift.
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: copper, gold alloy
Culture: japanese
Location: japan
Ontwerp voor een titelpagina voor: Frederik van Eeden, De kleine Johannes
Object type: design
Materials: paper, pencil
Artist: edzard koning
Artist role: draughtsman, print maker
Artist dates: 1869 – 1954
Subjects: flowers, tailless amphibians: frog, insects: dragon-fly, (van eeden, de kleine johannes) specific works of literature (with author, title)
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor: Eeden, Frederik van. De kleine Johannes. Den Haag: Mouton & Co., 1898. Niet gebruikt in de definitieve uitgave.
Young Man Walking Toward the Left on High Geta and Playing the Flute as He Walks
Object type: print
Date: 1745 – 1745
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Subjects: men,music,flutes
Terracotta rim fragment of a stemless? kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, lower legs and feet of a draped woman to left, wearing a chiton and himation
Studie
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 3 verso uit schetsboek III met 36 bladen.
Ex libris Jana Piotrowicza
Object type: bookplate
Date: 1936 – 1936
Materials: paper
Techniques: woodcut
Location: poland
Artist: stanisław zgaiński
Artist role: print maker
Artist dates: 1907 – 1944
Subjects: standing figure, sowing