deem-data/ArtiFact huggingface dataset:
Nautilusschelp van parelmoer gesneden met bloemenranken
Object type: nautilus shell
Date: 1650 – 1700
Materials: mother of pearl
Location: amsterdam
Artist: cornelis bellekin
Artist role: jeweler, painter, print maker
Artist dates: 1625 – 1711

Nautilusschelp versierd met uit de mantel gesneden bloemenranken en uit de dikte om de navel uitgespaarde dolfijnen. Nautilusschelp losgemaakt van de (afzonderlijk bewaarde) niet originele voet. Noordelijke Nederlanden, tweede helft 17de eeuw. Gesigneerd Cbf.
Rivierlandschap met boten nabij Amstelveen, 1624
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, river bank, fisherman
Inscriptions: collector's mark: Lugt 240

Rivierlandschap met boten nabij Amstelveen. Op de oever kijkt een figuur toe hoe een visser zijn visnet op het droge trekt. Op een oever verderop hangt een lijk aan de galg. In de verte een molen en de kerktoren van Amstelveen.
Intérieur de la Mosquée de Bou-Medine
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Artist: jules gervais-courtellemont
Artist role: fotograaf
Artist dates: 1863 – 1931
Subjects: temple, shrine ~ islam, mohammedanism
Saddle (Kura)
Object type: saddle kura
Materials: gold, lacquer, linen, mother of pearl, wood
Culture: japanese
Location: japan
Artist: chikara
Artist role: maker
Artist nationality: japanese
Artist dates: 1585 – 1635
Kop van een stier
Object type: print
Date: 1789 – 1859
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: pieter de goeje
Artist role: draughtsman, print maker
Artist dates: 1789 – 1859
Subjects: bull (+ head of an animal)
Inscriptions: collector's mark: Lugt 2228
Madrid. Estación del Mediodia
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: madrid
Artist: Anonymous
Subjects: station; shelter (railway, tramway)
Landscape with Figures
Object type: drawing
Date: 1601 – 1700
Materials: ink, paper
Techniques: pen
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: human figures,landscapes,plants
Gezichten op diverse kastelen en landschappen
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: french or architectonic garden; formal garden, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een ongenummerde serie van 22 prenten.
Voltooiing van de Dom te Keulen 1880
Object type: history medal
Date: 1880 – 1880
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde de Domkerk met omschrift en versierde afsnedetekst, op de keerzijde de Aanbidding der Koningen met omschrift en afsnedetekst.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, bearded man with himation, holding a branch in his left hand, with his extended right arm over an altar?
Portrait medal of Don Inigo d'Avalos (obverse); Sphere Representing Earth, Sea, and Sky (reverse)
Object type: medal
Date: 1449 – 1450
Materials: bronze
Artist: pisanello (antonio pisano)
Artist role: artist
Artist nationality: italian
Artist dates: 1395 – 1455
Subjects: men,portraits,profiles
Portret van Johanna (Hans) de Jong zittend voor een spiegel
Object type: photograph
Date: 1900 – 1900
Materials: paper, cardboard
Techniques: gelatin silver print
Location: leiden
Artist: willem de jong (fotograaf)
Artist role: arts, fotograaf
Artist dates: 1864 – 1918
Subjects: johanna petronella lambertina stokhuyzen-de jong (hans), historical persons, girl (child between toddler and youth), reflection (in a mirror) - aa - (for) women
Inscriptions: inscription: ‘H’
Terracotta rim fragment of a kyathos (cup-shaped ladle)
Object type: kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Below the rim, head, left shoulder, and part of the upper torso of a helmeted Athena to right?; behind her, part of a vine
Faith
Object type: drawing and watercolor
Date: 1774 – 1774
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Inscriptions: Recto, lower left, in graphite: "after Raffaelle in the Vatican/Rome by JD 1774"
Fragment of Vessel Stamped with a Medallion Displaying a Horse and Rider
Object type: fragment
Date: 801 – 900
Materials: earthenware
Techniques: molding
Location: iraq
Prijspenning van de Nederlandsche Weerbaarheidsbond, Nationale Schietwedstrijd te Apeldoorn, 1872
Object type: medal
Date: 1872 – 1872
Materials: metal
Location: apeldoorn
Artist: Anonymous
Standing poodle
Object type: figure
Date: 1849 – 1858
Materials: earthenware
Culture: american
Location: united states
Artist: united states pottery company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1852 – 1852
Subjects: dogs
Oval Box
Object type: metalwork
Date: 1780 – 1780
Materials: enamel, metal
Location: bilston
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: ducks
Tegeltableau met portret prins Willem V te paard, met opschrift: WILLEM DE 5DE PRINS VAN ORANIE
Object type: tile
Date: 1760 – 1795
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous
Subjects: the hague, william v (prince of orange)

Tegeltableau van 6 tegels (3 x 2) met een paarse voorstelling van prins Willem V te paard. Rechts onder, het opschrift: WILLEM DE 5DE, PRINS VAN ORANIE. Zie pendant: BK-NM-5203.
Knife
Object type: knife
Date: 1295 – 1070
Materials: bronze
Location: egypt
Oostpoort in Delft
Object type: drawing
Date: 1606 – 1656
Materials: chalk, paper
Techniques: brush
Artist: jan van goyen
Artist role: draughtsman, painter
Artist dates: 1596 – 1656
Subjects: city-gate, delft
Studie van een naakte man (Hercules?) en twee hoofden van vrouwen
Object type: drawing
Date: 1573 – 1576
Materials: chalk, ink, paper
Techniques: pen
Artist: denys calvaert
Artist role: draughtsman
Artist dates: 1540 – 1619
Subjects: 'contrapposto', 'standbein und spielbein'
Portret van Bindo Altoviti
Object type: print
Date: 1649 – 1651
Materials: paper
Techniques: etching
Location: antwerp
Subjects: verzamelaar, bindo altoviti
Inscriptions: collector's mark: Lugt 240

De prent maakt deel uit van een tiendelige serie met Italiaanse portretten (ongenummerd).
Saucer
Object type: saucer
Date: 1801 – 1900
Materials: enamel
Techniques: painting
Culture: chinese
Frontispiece for "The Fall of Longobardi" (La Caduta de' Longobardi)
Object type: print
Date: 1656 – 1656
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: apollo,putti,mars,coat of arms
Saucer
Object type: saucer
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Subjects: boats
Arrenslee
Object type: album leaf
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: lenzerheide
Subjects: the family travelling, on holiday, snow, sledge, sleigh (winter sports)
Inscriptions: date

Albumblad met een foto van een arrenslee. Onderdeel van het fotoalbum met vakantiefoto's Lenzerheide, 1934.
Gezicht op het oude Spinhuis aan de Oudezijds Achterburgwal te Amsterdam, in de winter
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: façade (of house or building), civic architecture; edifices; dwellings
Inscriptions: annotation: ‘Amsterdam, O.Z. Achterburgwal/ Voormalig Spinhuis nu Politiebureau/ zal worden gesloopt 1909?/ Blijft bestaan’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of head of woman with sakkos
An Explosion of Fashion Magazines
Object type: fashion print
Date: 1881 – 1881
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: cut flowers; nosegay, bunch of flowers, head-gear (capote) (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), dress, gown: walking dress (+ women's clothes), fashion plates, skirt (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: caption: ‘Gesellschafsanzug mit Frack (Louis XIII.) Bräun-lich-grün schillernde (changeant) Seide ergiebt den fussfreien Rock, dessen Vorderbahn abwechselnd mit gleichfarbigen Fransen und gestickten Volants bedeckt ist; darüber ein sich vorn öffnender und durch Schnüre panier-artig zurückgenommener Schlepprock. lange Schoossweste aus goldfarbenem Atlas mit Goldstickerei und durch Goldknöpfchen geschlossen. ...... Capotehut aus schwarzem Stroh; ein Bandeau aus gelbem Crêpe de Chine legt sich um des vorderen theil des Hutkopfes und ergiebt die Bindebänder.’, title: ‘EBHARDT'S / BERLINER MODENBLATT’, address: ‘W., Potsdamerstr. 140. / April 1881’

Starting from the 1850s, fashion magazines became more affordable and acquired a wider readership. The invention of the sewing machine around 1850 made it easier for people to make their own clothes. Ready-made garments were now also on offer, with fashion plates providing vendor addresses, such as the Maison Gagelin in Paris.
Priesterkoor
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: den bosch
Artist: Anonymous
Subjects: parts of church interior: choir, altar with altar-piece
Sword with Scabbard
Object type: sword with scabbard
Date: 1801 – 1900
Materials: horn, ivory, silver, textile, wood
Culture: bhutanese
Location: bhutan
17de-eeuws uniform met geweer uit het leger van Lodewijk XIII van Frankrijk, uit de collectie van het Musée d'Artillerie in Parijs
Object type: photomechanical print
Date: 1877 – 1882
Materials: paper
Techniques: woodburytype
Location: paris
Artist: Anonymous
Subjects: firearms: rifle, (military) uniforms
Inscriptions: check stamp: ‘PHOTOGLYPTIE/ LEMERCIER ET Cie/ PARIS’

Deze prent maakt deel uit van een omslag met 36 prenten, een titelblad en een lijst van afbeeldingen.
Design for Vis-à-vis, no. 710
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Waterputten
Object type: print
Date: 1574 – 1574
Materials: paper
Techniques: etching
Location: antwerp
Subjects: well
Inscriptions: number: ‘11’

Plein voor een ommuurde tuin met een ronde waterput. Op de rand zijn twee constructies van rolwerk bevestigd waaraan twee akers over katrollen hangen. No. 11 uit serie van 24 kleine waterputten
Standbeeld van veldmaarschalk James Francis Edward Keith op het Wilhelmplatz, Berlijn
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: monument, statue
Inscriptions: number: ‘No. 71.’
Portret van Robert Harley
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: mezzotint
Location: london
Subjects: london, treasurer, sceptre, staff (symbol of sovereignty), historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 240

In zijn hand de witte staf van de groot-schatbewaarder van Engeland
Budapest. Kossuth Lajos-utcza / Kossuth Lajos-Gasse
Object type: photomechanical print
Date: 1890 – 1903
Materials: cardboard
Techniques: photograph, writing
Location: budapest
Subjects: shop, store, street
Inscriptions: postage stamp
Liggende koe van voren gezien
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: cow
Inscriptions: collector's mark: Lugt 240
Geschiedenis van Jona
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: after a three-day sojourn in the belly of the monster jonah is cast on dry land; jonah may be shown nude and bald-headed

Na drie dagen en nachten in de buik van de vis overleefd te hebben spuwt de vis Jona uit op het land. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Jona 2:10. Deze prent maakt deel uit van een album.
Man with a Donkey walking by a Village, from Topographia Variarum Regionum
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: etching
Location: netherlands
Artist: simon frisius
Artist nationality: dutch
Artist dates: 1580 – 1629
Inscriptions: Lettered below image: "Mathias bril Inventor. Hhondius excudit."
Book with Needlework Cover with Figures of Justice and Prudence
Object type: book
Date: 1601 – 1700
Materials: linen, metal, paper, silk
Culture: british
Subjects: women
Ceremoniesleutel
Object type: key
Date: 1400 – 1950
Materials: bronze
Location: rome

Ceremoniesleutel waarvan het oog gevormd wordt door ineen gekronkelde slangen steunend op een breed vierhoekig vlak met roset onder en boven afgesloten door een geprofileerde rand. Massieve, vierhoekige baard met vier rechthoekig daarop geplaatste korte tanden.
Terracotta fragment of a pot; glazed on the inside
Object type: pot fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues
Portret van een oude man met baard
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: etching
Location: netherlands
Subjects: old man, beard
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Portret van Cornelius Ludovicus baron van Wijkerslooth bisschop van Curium
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: aquatint, engraving
Location: amsterdam
Subjects: c.l. wijckersloot
Inscriptions: collector's mark: Lugt 12
Lunette met putti, hanen en hoornen des overvloeds in de westelijke galerij van het Stadhuis op de Dam
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: 'cornucopia', horn of plenty, fowl (cock, hen, chicken, etc.), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Huidige staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).

Eerdere staat van prent ook gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Artus Quellinus (I), 1655. En in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Frederik de Wit, 1665.
Portret van William Ewart Gladstone
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: politician, politician, e.g. party leader
Penannular Earring
Object type: earring, penannular
Date: 1991 – 1450
Materials: gold
Location: egypt
Textile Fragment
Object type: fragment
Date: 1567 – 1600
Materials: metal thread, textile, velvet
Techniques: brocade, cutting, voiding
Location: turkey
Armrest
Object type: upholstery panel
Date: 1754 – 1756
Materials: silk, wool
Artist: beauvais
Artist role: manufactory
Subjects: birds,flowers

This tapestry panel is part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. The tapestry covers are woven with animal and bird subjects after designs by the painter Jean-Baptiste Oudry (1686–1755). For a fuller description of the entire set, see, e.g., MMA 35.145.1.
Portret van Friedrich Griese
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving
Location: berlin
Subjects: theologian, historical persons, book, ornament derived from architectural details, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van Willem Jonker
Object type: carte de visite
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons, amsterdam
Inscriptions: workshop stamp: ‘Photographie Française/ Warmoesstraat 147, Amsterdam’, annotation: ‘W. Jonker’
Saw Mill Scene, from Blue Jeans
Object type: print
Date: 1890 – 1890
Techniques: lithograph
Artist: anonymous, american, 19th century
Artist role: artist
Subjects: men
Woorden van de ziel
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: paris
Subjects: church (exterior), adult woman (+ two persons), ornament derived from architectural details
Inscriptions: collector's mark: Lugt 2228
Prijspenning van het Schuttersgezelschap te Amsterdam
Object type: history medal
Date: 1779 – 1779
Materials: silver
Artist: d. meyer
Gezicht op een kasteel
Object type: print
Date: 1873 – 1909
Materials: paper
Techniques: etching
Artist: florent brant
Artist role: print maker
Artist dates: 1863 – 
Subjects: castle
Inscriptions: inscription: ‘3e Epreuve’, collector's mark: Lugt 2228

Opschrift in potlood eerdere staat: Calenberg/Catenberg.
Fall of Phaeton
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: men,horses,carriages
Diogenes Throwing His Cup to the Ground
Object type: drawing
Date: 1601 – 1700
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: diogenes,cups
Two marble pilasters
Object type: pilaster, 2
Date: 117 – 138
Materials: marble
Culture: roman
Subjects: vines

Decorated on three sides with ivy vines in low relief, these twin pillars exemplify the lavish use of colored marble and elaborate carving in Roman architecture. Branches of young ivy and clusters of berries issue from the central stalk that rises vertically from an ornate calyx krater at the base. Birds, insects, and reptiles inhabit the trailing lush foliage, all carved in a vivid, naturalistic manner that evokes a garden in springtime. The pillars are made of cipollino verde (also known as marmor carystium), a precious striated greenish marble desired for its polychromy. Exotic colored marbles conveyed elevated status and were reserved for imperial and prestigious public buildings. The high-quality craftsmanship of the relief also suggests an imperial commission. The pillars probably come from emperor Hadrian’s villa at Tivoli, outside Rome, where similar pillars supported garden buildings. Reused at a later period as doorjambs, they were placed upside-down, as the position of the iron hinges presently shows.
Portret van Johann Wolfgang von Goethe
Object type: print
Date: 1823 – 1882
Materials: paper
Techniques: engraving
Artist: friedrich weber
Artist role: print maker
Artist dates: 1813 – 1882
Subjects: johann wolfgang von goethe, historical persons, portrait of a writer
Shoe buckles
Object type: shoe buckle
Date: 1701 – 1800
Materials: metal, paste
Culture: british
John Barnard
Object type: bust
Date: 1744 – 1744
Materials: marble
Artist: john michael rysbrack
Artist role: artist
Artist nationality: flemish
Artist dates: 1694 – 1770
Subjects: boys,portraits

The Flemish-born Rysbrack was a dominant force in developing the psychologically penetrating portraiture of Augustan England. A log of his busts, begun by George Vertue in 1732 and continued until 1744, lists a bust of "Dr. Bernard, Bp Rapho," as well as a "Son of Mr. Bernard." The fate of the former bust is not known, but the Museum's bust is securely identifiable with the latter. William Barnard was consecrated bishop of Raphoe in Northern Ireland in 1744, succeeded to the bishopric of Derry in 1746–47, and died in 1768. The names of two sons, both clergymen, are recorded, but that of John Barnard is not. The boy is fashionably outfitted in Hussar costume, but there is a grave and wasted aspect to his intelligent features. Conceivably Rysbrack was asked to perpetuate the memory of a beloved child who died at about the age of eight.
Fauteuil et chaise
Object type: print
Date: 1895 – 1935
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Skewer needle
Object type: skewer needle
Date: 1701 – 1800
Materials: brass, steel