deem-data/ArtiFact huggingface dataset:
Landschap met figuren en een toren op een heuvel
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: city-view, and landscape with man-made constructions, low hill country (+ landscape with figures, staffage)

Blad 2 recto uit een schetsboek met 33 bladen.
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk, thread
Subjects: flowers,leaves
Portret van Dirk VII, graaf van Holland
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, hacking and thrusting weapons: sword, ruler, sovereign, armorial bearing, heraldry

Prent mogelijk uit: Halma, François. Tooneel der Vereenigde Nederlanden, en onderhorige landschappen (...). 2 dln. Leeuwarden: Hendrik Halma, 1725, dl. 1, fol. 239. Eerdere staat van prent gebruikt in: Stoke, Melis. Hollandse jaar-boeken of rijm-kronijk van Melis Stoke. Behelsende de geschiedenissen des lands (...). Leiden: Johannes du Vivié en Isaak Severinus, 1699.
Overwinning bij Krefeld op de Fransen door Ferdinand, hertog van Brunswijk-Wolfenbuttel
Object type: history medal
Date: 1758 – 1758
Materials: bronze
Techniques: striking
Artist: Anonymous
Subjects: wolfenbüttel, militair, hertog, ferdinand hertog van brunswijk-wolfenbüttel, krefeld, zevenjarige oorlog, slag bij krefeld
Horse and female rider
Object type: figure
Date: 601 – 800
Materials: earthenware, glaze
Culture: chinese
Subjects: women,horses
Annotaties
Object type: endleaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Inscriptions: annotation: ‘zunt/ 5 ona[...]/ nan Ka/ (nord)/ Sidtiang/ [...] negent/ kraksodinengrat/ [...]/ Rumphin[...]/ 25/ Boekaleng’, collector's mark: Lugt 2228

Achterste schutblad uit een schetsboek met 67 bladen.
Border
Object type: textile
Date: 1825 – 1850
Materials: cotton, lace
Techniques: lace
Location: belgium
Nabby's Point
Object type: woodcut, print
Date: 1913 – 1913
Materials: gouache, paper, watercolor
Techniques: woodcut
Culture: american
Location: united states
Artist: arthur wesley dow
Artist role: artist
Artist nationality: american
Artist dates: 1857 – 1922
De Sultan na 't bezoek van den Duitschen Keizer
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), personifications of countries, nations, states, districts, etc., transparency, slide, magic lantern, political caricatures and satires

Sultan Abdülhamid II bekijkt met plezier een toverlantaarnvoorstelling met een plaatje van de Duitse keizer Wilhelm II die 'vrede op aarde' bepleit terwijl alle landen met elkaar ruziemaken.
Venus beweent Adonis
Object type: print
Date: 1540 – 1630
Materials: paper
Techniques: engraving, etching
Subjects: death of adonis: he is killed by a boar
Inscriptions: inscription: ‘ch.bc.X/ P.v.d.B. 267’, collector's mark: Lugt 2228

Maakt deel uit van een twaalfdelige serie met de metamorfosen van Ovidius, verschenen in drie edities. De eerste werd uitgegeven door Gerard de Jode, de tweede door Caes Jansz. Visscher en de derde door Jan Philipsz. Schabaelje.
Buke hyakunin isshu
Object type: book
Techniques: woodblock print
Location: japan
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Ein new getruckt model Büchli...Page 26, recto
Object type: book print ornament architecture
Date: 1529 – 1529
Materials: ink, paper
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: mathematics

Published by Schoensperger, Augsburg. Title page, 45 pages of designs for weaving and embroidery, and 5 manuscript pages of weaver's notations at back.
The Skipper (or Sailor), from "The Dance of Death"
Object type: print
Techniques: woodcut
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Subjects: skeletons,men,boats
Virgin and Child
Object type: sculpture
Date: 1350 – 1350
Materials: limestone
Techniques: gilding
Location: normandy
Artist: Anonymous
Subjects: mary standing (or half-length), the christ-child sitting on her arm (christ-child to mary's left)

Statues of the Virgin with her son on her arm often depict him holding an attribute in his hand, such as an apple, a globe or, as here, a bird. This is a reference to his suffering on the cross. According to one legend, a bird tried to take a thorn from the crown of thorns on Christ’s head.
Botervloot
Object type: butter dish
Date: 1867 – 1867
Materials: creamware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘33’, mark: ‘PARSEME No 3’, check stamp: ‘PR // 33’

Botervloot op vaste onderschotel van aardewerk met blauw doorlopend bloemendecor, behorend tot een kinderservies. De ronde vloot heeft twee oren. Het ronde, gewelfde deksel wordt bekroond door een bloemvormige knop.
[Victoria Terminus Building, Mumbai]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,train stations

Frederick W. Stevens designed this building for the Great Indian Peninsular Railway, to serve as its main train station in Bombay. The style combines the Venetian Gothic popular in England at the time with elements of Indian architecture, and is built in the local red sandstone. A thirteen-foot personification of Progress, raising her arm toward the skies, tops the central dome. The Terminus opened in 1887 in time to celebrate Queen Victoria's Golden Jubilee.
Indefessus favente Deo
Object type: bookplate
Date: 1827 – 1881
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, bookseller, frederik muller, trees, winds, windmill
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
De Markt, het Stadhuis en Kerk te Rhenen
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', church (exterior), rhenen
Inscriptions: collector's mark: Lugt 2228
Portret van Christian Daniel Rauch
Object type: print
Date: 1814 – 1857
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: sculptor, christian daniel rauch, historical persons, pendant, trinket, 'breloque'
Inscriptions: collector's mark: Lugt 2228
Jagd & Bergbau. Ausstellung Düsseldorf 1902
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1902
Materials: cardboard
Techniques: lithograph
Location: hamburg
Subjects: mining, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), temporary exhibition, 'salon'
Inscriptions: date
Advertenties
Object type: album leaf
Materials: paper
Techniques: printing
Location: netherlands
Artist: Anonymous
Subjects: advertising

Advertenties voor onder andere Hotel Heeslust, Hotel-Restaurant De Groote Musschenberg, De Nederlandsche Steenbeschermerfabriek, Hotel en pension Groenewoud, Café-restaurant Suisse en Bloemensalon Iris. Deze pagina maakt deel uit van een album.
Madonna op de maansikkel
Object type: print
Date: 1523 – 1523
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: 'immaculata', 'purisima': mary, usually standing on a crescent moon, descending from heaven, exempt from original sin (sometimes trampling serpent)
Inscriptions: collector's mark: Lugt 2228a

Maria met Christuskind op de arm, staf in andere hand, staand op een maansikkel.
Praalbed van prinses Anna
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: the hague, anna van hannover, lying in state

Het opgebaarde lijk van de prinses op het praalbed. Onderdeel van een serie van vier platen van het praalbed waarop de op 12 januari 1759 overleden prinses Anna van Hannover gedurende enkele dagen in februari opgebaard heeft gelegen.
Studioportret van drie onbekende vrouwen
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: adult woman, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘,,Foto'' 2e Oosterparkstraat, 143’
Toneeldecor: De Behangen Kamer
Object type: print
Date: 1760 – 1765
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre, theatrical performance, stage design
Inscriptions: collector's mark: Lugt 2228

Scène uit het toneelstuk "De zwetser, kluchtspel" door Pieter Langendijk, Amsterdam 1712. Deze platen zijn in verschillende groepen in verschillende periodes vervaardigd tussen 1738-1760 en uitgegeven in verschillende series ca. 1760 en ca. 1770-1772. De platen zijn door Muller ingedeeld bij de platen van de brand van de Amsterdamse Schouwburg in 1772.
Liggend skelet met kroon en scepter
Object type: drawing
Date: 1878 – 1938
Materials: cardboard, chalk, ink
Techniques: pen
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: ruler, sovereign, the corpse, (human) skeleton
Portret van Anatole France achter zijn bureau
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: drypoint, intaglio
Location: france
Artist: edgar chahine
Artist role: print maker
Artist dates: 1874 – 1947
Subjects: paris, writing-table, writing-desk, historical persons, pipe ~ tobacco, portrait of a writer
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Horse Balking
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: horses

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art.
Candelabra Grotesque with a Large Vase Flanked by Sphinxes
Object type: ornament architecture
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: grotesques,ornament,mythical creatures,sphinx,vases
Dress
Object type: dress
Date: 1870 – 1870
Materials: silk
Culture: french
François de Medicis Grand Duc de Toscane
Object type: print
Date: 1688 – 1707
Materials: paper
Techniques: engraving
Location: france
Subjects: francesco i de' medici, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
De schoone buit
Object type: print
Date: 1880 – 1920
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: henri van der stok
Artist role: print maker
Artist dates: 1870 – 1946
Subjects: centaurs, bird hunting, ornamental birds: peacock
Inscriptions: collector's mark: Lugt 2233

Twee centauren hebben een pauw gevangen.
Academia di Francia (Portico)
Object type: photograph
Date: 1850 – 1860
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: inscription
Kaartavond bij Lochner
Object type: drawing
Date: 1787 – 1787
Materials: paper, pencil
Techniques: brush
Location: cape of good hope
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: card games, candle, cape of good hope
Inscriptions: inscription: ‘Cabo op Vergenoegt 22 Jan 1786; Hr Lochner, MC Barnardi [en] MB Andreas’

Zwartwittekening van drie mannen rond een tafel met een kandelaar bij een haardvuur. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 51.
Imagerie Artistique / Série 11
Object type: print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: theft, tales and fairy tales, song-birds: magpie
Inscriptions: collector's mark: Lugt 2760

Blad met 11 voorstellingen van de ekster van Zoraim die de halsketting van Selim steelt. Onder elke afbeelding een onderschrift. Genummerd linksboven: Série 11. - No. 18.
Garden Carpet
Object type: carpet
Date: 1800 – 1800
Materials: cotton, wool
Techniques: pile
Location: iran

The earliest Persian garden carpets date from the seventeenth century. This example from Kurdistan or northwestern Iran dates from about 1800. The composition comprises two repeats of the classic Islamic garden plan, known as "Four Gardens" (Chahar Bagh). It shows a wide central stream of water intersected by narrower courses, all of them enlivened by fish. The units separated by the streams represent ornamental pools or flowerbeds, and the composition as a whole abounds with flowering plants, shrubs, and trees.
Adolph Hendrik Graaf van Rechteren
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: zwolle, adolf hendrik van rechteren
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Broadside: on recto skeletons riding bicycles; on verso skeletons buying and selling printed images etc
Object type: print
Date: 1895 – 1895
Materials: metal
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons,bicycles

The title across the top of this broadside announces its satirical subject: "From this famous hippodrome on the racetrack, not even a single journalist is missing. Death is inexorable and doesn't even respect those that you see here on bicycles." The target is the mainstream press, who compete in a headlong race. The skeletons are identified by the names of the newspapers they represent, and their attire reflects their allegiances in comic and symbolic ways. Each outlet is further satirized in the text below. In the 1890s, bicycle riding was promoted among Mexico City’s Europeanized upper classes, which made it a subject of satirical scrutiny. El título visible en la parte superior de esta hoja volante anuncia su temática satírica: «De este famoso hipódromo en la pista no faltará ni un solo periodista. La muerte inexorable no respeta ni a los que veis aquí en bicicleta». El blanco de la sátira es la prensa de gran tirada, que compite en una carrera apresurada. Las calaveras se identifican con los nombres de los periódicos a los que representan y su atuendo refleja, de manera cómica y simbólica, sus simpatías políticas. La burla a los distintos periódicos prosigue en el texto inferior. En la década de 1890, se fomentaron en Ciudad de México los desplazamientos en bicicleta entre las clases altas europeizadas y, como resultado, la actividad fue objeto del escrutinio satírico.
Titelvignet voor Architectura
Object type: print
Date: 1912 – 1934
Materials: paper
Techniques: woodcut
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: vignette
Inscriptions: collector's mark: Lugt 2228

Titelhoofd voor het bouwkundig tijdschrift 'Architectura', gebruikt voor jaargang vier (1896) en vijf (1897).
Sarcophagus on a table
Object type: collection ornament architecture
Date: 1701 – 1800
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: men,male nudes,horses,sarcophagus,tables
Drie meisjes spelen croquet binnenshuis
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: autotype
Subjects: adolescent, young woman, maiden, croquet
Inscriptions: inscription: ‘F. VII.’, inscription: ‘Croquet by P. Dubreuil’
Actress leaning on ivy-covered prop tree, from the series Actresses (N674), promoting New York Dandies
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the series "Actresses" (N674), issued ca. 1888 to promote New York Dandies.
Diorama of the Zeezigt Coffee and Cotton Plantation
Object type: diorama
Date: 1815 – 1821
Materials: glue, paint, paper, plastic, wood
Location: suriname
Artist: gerrit schouten
Artist role: draughtsman
Artist dates: 1779 – 1839
Subjects: plantation, housing, rowing-boat, canoe, etc., slavery; serfs and enslaved persons, trees: palm-tree, suriname

In the mid-19th century, almost 800 men, women and children held in slavery worked on the Zeezigt coffee and cotton plantation. Yet only a few of them are to be seen in the diorama. They sweep the coffee-drying floor, spread the cotton in the sun and work in the carpentry workshop. Schouten also depicted an overseer on horseback taking a fugitive man back to the plantation.
Kaart van het Beleg van Bergen op Zoom, 1622
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions, bergen op zoom

Kaart van het mislukte Beleg van Bergen op Zoom door het Spaanse leger onder Spinola en Velasco, 18 juli - 3 oktober 1622. Kaart van Bergen op Zoom met het gebied tot Steenbergen. Linksboven een cartouche met Latijnse titel. Rechtsonder een inzet met de plattegrond van het Fort Pinsen (Castra Pinsii). Links van de inzet een woordenverklaring Nederlands-Latijn. Linksonder een schaalstok: 900 Virgae Rhijnlandicae / 900 Rhijnlandsche Roeden. De kaart is voorzien van een coördinaten-net en gradenverdeling.
Beleg van Douai, 1710
Object type: map
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching, hand coloring, lacquer
Location: northern netherlands
Artist: Anonymous
Subjects: fortified city, maps of cities

Plattegrond van de versterkingen om de stad Douai, belegerd door de Geallieerden in mei 1710. Rechtsonder een groep ruiters. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Zittende bedelaar met een kom en een stok
Object type: print
Date: 1622 – 1623
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: walking-stick, staff, begging bowl, bowl, coin, beggar, eating, counting, calculating
Inscriptions: collector's mark: Lugt 240

Man, gekleed in lompen, op de rechterzijde gezien, zittend, in de rechterhand een stok en een kom of bedelnap, waaruit hij met de linkerhand iets te eten pakt (of telt hij wellicht zijn geld?). Deze prent is onderdeel van een serie van 25 prenten met bedelaars en zwervers, zoals Callot die waarschijnlijk in Italië heeft gezien.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of shaft of spear or javelin
Gouda. Achter de Vischmarkt
Object type: photomechanical print
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph
Location: gouda
Artist: Anonymous
Subjects: canals, waters (in village), church (exterior), street, bridge in village across river, canal, etc., gouda
Inscriptions: date
Shabti fragment
Object type: shabti base
Date: 1295 – 1070
Materials: faience
Location: egypt
Subjects: hieroglyphs
Young Couple with Infant Son on a Moonlit Night
Object type: print
Date: 1770 – 1770
Techniques: woodblock print, hashira
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Relief depicting Eros and Psyche
Object type: relief of eros and psyche
Date: 200 – 1
Materials: terracotta
Culture: cypriot
Subjects: eros,psyche

The relief is mold-made and solid. The back is handmade and flat. The heads of both figures, the top of Eros' wing, and the bottom of the relief from the lower legs down are missing.
Tiger Claw Pendant
Object type: pendant
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Terracotta bell-krater (bowl for mixing wine and water)
Object type: bell krater
Date: 460 – 460
Materials: terracotta
Culture: greek, attic
Artist: danaë painter
Artist role: artist
Subjects: women,lyres

Obverse, woman playing lyre and two women listening Reverse, women The scene here has an intimacy that is exceptional in Greek vase-painting. In an indoor setting, a seated woman plays the lyre. Before her stand two women, one of whom rests her chin and hands on the shoulder of the other. The listeners are enraptured by what they hear. All of the elements in the representation reflect daily life in mid-fifth century B.C. Athens. It is nonetheless tempting to see the subject in more specific terms. One scholar has suggested that the women might be muses. Another possibility is that the performer is the poetess Sappho, who appears on several black-figured and red-figured vases.
Vase
Object type: vase
Date: 1880 – 1890
Materials: glass
Techniques: pressed
Location: england
Theresa Vaughn, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: musical instruments,portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Personificaties van de Oostenrijkse Nederlanden en Frankrijk
Object type: titelblad, titelpagina
Date: 1757 – 1757
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: personifications of countries, nations, states, districts, etc., title-page
Inscriptions: collector's mark: Lugt 2228

In het midden zit de personificatie van de Oostenrijkse Nederlanden met een muurkroon en een vrijheidsstaf met hoed. Ze houdt een opengeslagen boek vast met de verkorte titel. Aan haar voeten ligt een leeuw met een pijlenbundel. Links achter haar bespeelt een vrouw een lier en schrijft een andere vrouw in een boek. Aan de andere kant van het opengeslagen boek zit de personificatie van Frankrijk met een kroon, een scepter en een haan aan haar voeten. Achter hen vliegt Mercurius met zijn caduceus, een envelop en een sleutel.