deem-data/ArtiFact huggingface dataset:
Metrage witte satijn met voorgetekend borduurpatroon
Object type: metrage
Date: 1750 – 1770
Materials: silk
Techniques: embroidered
Location: france
Artist: Anonymous

Metrage witte satijn met voorgetekend borduurpatroon. Tekening: slechts in omtreklijnen uitgevoerd staat een lopend patroon met een schuin over geschikt, grillig slingerend lint, waar middenop een chrysantentak staat en losse bloesemtakken als zijtak, en aan het uiteinde, terwijl een gesloten rij van bloempjes aan het andere eind zit. Hetzelfde patroon, maar dan omgedraaid, volgt daar op. In de bocht na het lint staat een losse anjer, en daartussenin een andere bloem. Borduurwerk. Slechts één stukje lichtblauw is in het lint geborduurd, en in een pan bloemblaadjes rood en roze.
Italianate Landscape with Dancer, Musicians and Goats
Object type: drawing and watercolor
Date: 1750 – 1750
Materials: graphite, paper
Location: netherlands
Artist: after cornelis van poelenburgh
Artist nationality: dutch
Artist dates: 1594 – 1667
Glass mosaic inlay fragment
Object type: mosaic block inlay fragment
Date: 100 – 1
Materials: glass
Culture: greek

Semi-opaque turquoise blue, with additions in opaque white, yellow, deep turquoise blue, and red, and translucent blue. Flat plaque, with even top surface and underside. On surface, applied decoration perhaps as part of a floral or Nilotic design. Broken on all sides; dulling and pitting of surface bubbles.
Plate 5: four ears, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner)
Object type: print
Date: 1649 – 1649
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: ears
Overwinningen in West-Indië door admiraals  l'Hermite en Willems 1624
Object type: history medal
Date: 1624 – 1624
Materials: silver

Zilveren penning, op de voorzijde het borstbeeld van Prins Maurits half naar rechts met omschrift binnen een brede rand met zeven cartouches met wapenschilden door lint verbonden waartussen banderols, met bovenaan twee ineengeslagen handen op een pijlenbundel, op de keerzijde een gekroonde cartouche met een ovalen wapenschild omhangen door de kousenband, tussen twee lauwertakken, met onderaan een banderol.
Studie van een naakt meisje in draperie
Object type: album leaf
Date: 1883 – 1914
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: girl (child between toddler and youth)
Bowl
Object type: bowl
Date: 1201 – 1300
Materials: glaze, stonepaste
Techniques: luster painting
Location: iran
Subjects: faces
Joanna Diepenbrock
Object type: photograph
Date: 1908 – 1908
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: netherlands
Inscriptions: inscription: ‘... 3e verjaardag.’

Foto op bruin albumblad 28 van familiealbum van Alphons Diepenbrock.
Embroidered Panel (from set of four)
Object type: panel
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: flowers,bamboo
Jar
Object type: jar
Date: 400 – 301
Materials: earthenware
Techniques: burnishing
Culture: korean

The lush red color comes from an iron-oxide pigment that was applied and burnished onto this vessel before it was fired. Found primarily in tombs, jars such as this one were likely used in funerary rituals.
Tomb urn
Object type: urn
Date: 1001 – 1200
Materials: glaze, porcelain
Culture: chinese
Optocht van figuren met parasols en vlaggen
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standard-bearer, flag-bearer, walking, parasol, sunshade

Pagina 73 uit een schetsboek met 74 bladen.
Tachtigste verjaardag van G.M. Kam te Nijmegen 1916
Object type: history medal
Date: 1914 – 1914
Materials: bronze
Techniques: striking
Location: utrecht
Artist: johannes cornelis wienecke
Artist role: medailleur
Artist dates: 1872 – 1945

Eenzijdige rechthoekige bronzen plaquette met het borstbeeld van Kam naar links met tekst bovenaan en rechts.
Plate 64  from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio)
Object type: print
Date: 1811 – 1811
Techniques: aquatint, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,women,death,carriages

This is the last in a group of prints Goya devoted to Madrid’s 1811–12 famine—a result of failed crops, abandoned fields, and interrupted food supply lines—during which an estimated 15 percent of the city’s population died. Offsetting the generic anonymity suggested by the piling up and mass disposal of bodies, Goya sought to preserve the dignity of the individual in this print. He relied on time-honored models for representing the principal figure; the detail of her dangling arm is a common trope in the Christian tradition that recurs in scenes of the Passion of Christ.
Portret van David Lloyd George, premier van het Verenigd Koninkrijk tussen 1916 en 1922
Object type: photomechanical print
Date: 1916 – 1945
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons, politician, e.g. party leader
Inscriptions: inscription: ‘Mr. Lloyd George’
Houten grafbord (bovenste gedeelte) van een kruis afkomstig van het Nederlandse walvisverwerkingsstation Smeerenburg bij Spitsbergen
Object type: grave cross
Date: 1725 – 1725
Materials: wood
Location: spitsbergen
Artist: Anonymous
Subjects: smeerenburg

Houten rechthoekige plank over de hele lengte gespleten in tweeën met ingekerfd de gegevens van een overleden zeeman. Dit is het bovenste gedeelte. In 1978 door J.B. Kist gevonden ten NO van Smeerenburg. Het opschrift is slecht leesbaar: HIER IS BEGRAVEN ... / ... OUT 28 JARE ... / ... VARENDE OP HET ...(SCHIP) / DAAR OP COMMANDEUR IAN SPANIERT.
Zelfportretten van Cor van Teeseling
Object type: drawing
Materials: chalk, paper
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman, netherlands

Zelfportret van Cor van Teeseling en face: B-1-1. De boven- en rechterzijkant van het hoofd zijn weg.
Fight between mothers-in-law from a broadside entitled 'Pleito de suegras'
Object type: print
Date: 1880 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,women
Evening: a seated satyr clasps his child, a figure hangs a garland on a pier beyond, from "Hours of the Day"
Object type: print
Date: 1640 – 1640
Techniques: etching
Artist: charles le brun
Artist role: artist
Artist nationality: french
Artist dates: 1619 – 1690
Subjects: satyrs
Journal des Dames et des Modes, Costume Parisien, 26 décembre 1799, An 8 (182) : Robe à la Demi-Psyché
Object type: fashion print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: diadem, tiara (+ women's clothes), bag (reticule) (+ women's clothes), fashion plates, dress, gown (+ women's clothes), necklace (+ women's clothes)
Inscriptions: caption: ‘Robe à la Demi-Psyché’, title: ‘Costume Parisien.’

Japon 'à la Demi-Psyché', bij de zoom versierd met geometrische motief. Accessoires: haarband met ovaal medaillon, collier, reticule of buidel, platte schoenen met puntige neuzen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Huiselijke werkzaamheden
Object type: print
Date: 1648 – 1650
Materials: paper
Techniques: engraving
Location: netherlands
Artist: geertruydt roghman
Artist role: print maker
Artist dates: 1625 – 1657
Subjects: snuffers, kitchen-utensils, plants and herbs: garlic, candle, cooking food, kitchen-maid, kitchen servant
Inscriptions: collector's mark: Lugt 1641, collector's mark

Een vrouw, op de rug gezien, zittend op een stoof bij een vuurplaats. Aan een ketting en een hangijzer hangt een pan boven het vuur. Aan de muur en op de grond divers keukengerei. Rechtsonder genummerd: 3. De prent maakt deel uit van een serie van vijf prenten met huiselijke werkzaamheden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Beroep en bedrijf. Vrouwelijk beroep en bedrijf. Dienstboden.
Leden van het Institut Royal de France
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: lithograph
Location: paris
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228a
Jongeman met een rol papier
Object type: print
Date: 1601 – 1657
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: scroll - ll - scroll unfolded, youth, adolescent
Inscriptions: collector's mark: ‘M’, collector's mark: Lugt 2228, inscription: ‘Par Pierre Serwouter 158601657 qui était bien édité par ClaeszJansz Visser’

Jongeman met een uitgerolde boekrol in de hand. Hij wijst met zijn vinger op het onbeschreven schrijfvlak.
Ewer with Lotus Flower Petals
Object type: vessel
Materials: stoneware
Techniques: carving, celadon glazed, molding, underglaze
Location: china
La Loi
Object type: print
Date: 1789 – 1799
Materials: paper
Techniques: engraving, etching
Subjects: justitia (justice) as roman personification, justice; 'forza alla giustitia sottoposta', 'giustitia', 'giustitia retta', 'giustitia rigorosa', 'impietà e violenza soggetta alla giustitia' (ripa), innocence; 'innocenza', 'innocenza o purità' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Model of a Ventilating Shaft and Portlight
Object type: demonstration model
Date: 1849 – 1849
Materials: brass, glass, wood
Location: flushing
Inscriptions: inscription, top centre: ‘LICHT- en LUCHTKOKER / (KORVET ATALANTE) / 1849. / Op 1/4 der ware grootte. Ingezonden in voldoening / van de Resolutie van 21 Sep- / tember 1849 D N 63 door den / Hoofd Ingenieur der Marine / A.[...] Bruyn’, label, on the base: ‘121’ former inventory label

Model van een lucht- en lichtkoker. Model van een deel van een scheepswand, op een grondplank. De scheepswand bestaat uit de huid, twee inhouten en de wegering; de ruimte tussen de inhouten is de luchtkoker, voorzien van een rooster. De luchtkoker komt uit in een diepe conische patrijspoort, die geheel met messing is bekleed. Het licht van de patrijspoort bestaat uit een rond glas met de bolle, matte kant naar buiten en in de huid verzonken. Schaal 1:4 (schaal op model).
Close Helmet
Object type: armor
Date: 1520 – 1520
Materials: steel
Location: nuremberg
Admirandorum Quadruplex Spectaculum
Object type: print
Date: 1694 – 1697
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bridge in city across river, canal, etc., canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage), parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Admirandorum Quadruplex Spectaculum. Amsterdam: Pieter Schenk (I), s.a. [1694-1697].*

* De titelprent, opdracht en het portret van Frederik van Saksen zijn gegraveerd door Pieter Schenk (I). De overige prenten uit deze serie zijn, zoals aangegeven op de titelprent, van de hand van Jan van Call (I).
Pitcher (Pichet balustre avec gobelet en botte)
Object type: pitcher
Date: 1867 – 1900
Materials: pewter
Artist: charles vovelle
Artist role: maker
Artist nationality: french
Artist dates: 1850 – 1921
[Otto Wilhelm Eduard Erdmann]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: g. & a. overbeck
Artist role: photography studio
Artist nationality: german
Artist dates: 1855 – 1870
Subjects: men,portraits
Teapot (part of a service)
Object type: teapot
Date: 1720 – 1725
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,birds,plants
Malakka, Pulu Penang, ½  cent, 1828
Object type: coin
Date: 1828 – 1828
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: door twee op banderol, waarin opschrift, staande leeuwen met pijl, waaraan vlag, in de klauw, gehouden wapenschild van de EIC, waarboven helmteken. Jaartal onderaan. Keerzijde: binnen krans van bladeren eenregelig opschrift in het Maleis in Arabische lettertekens: pulu penang.
Paris Nouveau
Object type: tissue stereograph
Date: 1858 – 1875
Materials: cardboard, paper
Techniques: albumen print, cutting, hand coloring, perforating
Location: paris
Artist: monogrammist cp
Artist role: fotograaf
Subjects: square, place, circus, etc., station; shelter (railway, tramway)
Inscriptions: collector's mark: ‘J. C. de Beste Wz./ Goes’
Nederlandse Germanen
Object type: print
Date: 1857 – 1864
Materials: paper
Techniques: tone lithography
Location: haarlem
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: extinct, 'historical' peoples (with name), netherlands

Illustratie voor: W.J. Hofdijk, Ons voorgeslacht in zijn dagelyksch leven geschilderd, Kruseman, Haarlem 1859-1864.
Hannonia comitatus, in praeposituris Montensi, Valentianensi, Quercetensi (...)
Object type: print
Date: 1710 – 1746
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions, henegouwen
Inscriptions: collector's mark: Lugt 2228

Kaart van het graafschap Henegouwen. In een balk boven de kaart, in het midden, de titel. Links hiervan een legenda. Rechts van de titel twee schaalstokken: 3 Milliaria Germanica Communia 15 in uno Gr. / 4 Milliaria Gallica Communia 20 in uno Gradu. De kaart is voorzien van een coördinaten-net en een gradenverdeling.
Three-handled jug with relief medallions
Object type: jug
Date: 167 – 233
Materials: terracotta
Culture: roman
Subjects: men,isis,carts

This unusual three-handled jug is decorated with molded appliqué disks. Two are from the same mold and depict the Greek mythological figures Atalanta and Hippomenes. The third appliqué shows a religious procession with the cult statue of the Egyptian goddess Isis being paraded in a cart. The jug is said to have been found at Arausio (modern Orange, Southern France), but it was probably made in a workshop at either Lyon or Vienne in the upper Rhône Valley.
Twee engelen aanbidden de hostie
Object type: print
Date: 1632 – 1653
Materials: paper
Techniques: woodcut
Location: southern netherlands
Subjects: bread, host, angels
Inscriptions: collector's mark: Lugt 2228

Twee engelen knielen op wolken aan weerszijden van de hostie.
Huttes de sabottiers
Object type: photomechanical print
Date: 1885 – 1901
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: cow, farm or solitary house in landscape (+ city(-scape) with figures, staffage)
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of a kylix foot with a chamfer; the underside of the foot is unglazed
Portret van Maximilian I van Beieren
Object type: print
Date: 1597 – 1662
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: maximiliaan i (keurvorst van beieren), historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), regent, substitute ruler; viceroy
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
Match case
Object type: match case
Date: 1867 – 1900
Materials: silver
Twee bladzijden met stalen van vignetten van goudkleurig metaalpapier en bijbehorend tabel
Object type: album leaf
Date: 1830 – 1830
Materials: gold leaf, ink, paper
Techniques: manufacturing, writing
Location: france
Artist: Anonymous
Subjects: ornaments ~ art

Twee bladzijden met rechts 14 opgeplakte en met etiketten genummerde (274-243) stalen van afzonderlijke vignetten en emblemen van goudkleurig metaalpapier (stalen nrs. 274 en 226 ontbreken). Op de tegenoverliggende linkerbladzijde een tabel met de handgeschreven corresponderende specificaties (in code) per ornament. Onderdeel van het stalenboek geschonken door de dames Van Rijn, vermoedelijk van een Franse papierfabrikant van luxe papieren, of diens vertegenwoordiger in Nederland, ca. 1830.
Gebouw met tuitgevel
Object type: drawing
Date: 1908 – 1908
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, façade (of house or building), amsterdam
Inscriptions: workshop stamp: Lugt 291d, collector's mark: Lugt 2228
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, on the left, unidentified subject; to the right, hanging on the wall, part of a flute case
Figures in an Imaginary Architectural Interior
Object type: print
Date: 1760 – 1760
Techniques: etching
Artist: pierre moreau
Artist role: artist
Artist nationality: french
Artist dates: 1715 – 1798
Subjects: architecture
Phaeton # 936
Object type: drawing
Date: 1850 – 1870
Materials: graphite, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Achterzijde van het paleis (linkervleugel)
Object type: print
Date: 1908 – 1909
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: palace
An 1870 landscape, from 'News of the day,' published in Le Charivari, December 10, 1870
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: cannons,landscapes
The Courtesan Nishikigi of the Yotsumeya Brothel, from the series “A Pattern Book of the Year’s First Designs, Fresh as Spring Herbs” (“Hinagata wakana hatsu moyō”)
Object type: print
Date: 1776 – 1776
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: women

Koryūsai, who came from an impoverished samurai family, renounced his rank to settle as an artist in Edo. His early work reflected Harunobu's wistful and romantically idealized figures. Later in his career he made a bold series of prints depicting the lavish spring fashions of the demimonde. Nishikigi wears a striking black outer robe decorated with flowering paulownia. Her kosode is patterned with a subtle, resist-dyed bamboo and is tied with a large geometric brocade sash, or obi. Her attendants, or kamuro, in the same costume and pose, wear faded purple robes decorated with hagi, or bush clover, on trellises. The motif of flowers growing on a trellis was a visual reference to the women of the Yoshiwara, who sat behind barred windows displaying themselves to potential customers.
Handschoen van wit zeemleer
Object type: clothing
Date: 1900 – 1915
Materials: leather, plastic
Location: western europe
Artist: Anonymous

Linker handschoen van wit zeemleer. Op de rug versierd met drie gestikte verdikte koorden. Aan binnenzijde pols voorzien van drie parelmoerkleurige knopen.
Positie van de Aarde op het moment van het perigeum en die van de zenit
Object type: book illustration
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: paris
Subjects: earth, world as celestial body

Prent uit: Leclerc, Sébastien. Nouveau systeme du monde conforme à l'Ecriture sainte. Où les phénomènes sont expliquez sans excentricité de mouvement (...). Paris: Pierre Giffart, 1706.
Portret van Sixtus V
Object type: print
Date: 1585 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: rome, sixtus v, historical persons, pope
Inscriptions: inscription: ‘Het Tronietje een Wijnigje / te accomoderen’, inscription: ‘1585-90’

Met tekst in het Latijn rondom het portret.
Type Gombe
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: autotype
Location: congo
Subjects: historical persons
Pisanio and Imogen (Shakespeare, Cymbeline, Act 3, Scene 4)
Object type: print
Techniques: etching, stippling
Artist: robert thew
Artist role: engraver
Artist nationality: british
Artist dates: 1758 – 1802
Subjects: shakespeare,men,women

Hoppner's image centers on a Imogen, a British princess who has learned that her banished husband believes her unfaithful, and has ordered her death. The image was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805–his print sales plummeted when Napoleon blocaded European ports. This impression comes from an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon, writer and art scholar who acquired Boydell's heavily worn plates and had them reworked. His New York edition was printed on thick cream paper with small numbers added in the lower left margin, this being number 91.
Callithea Sapphira, from "The Butterflies and Moths of America", Part 1
Object type: print
Date: 1860 – 1860
Techniques: lithograph
Artist: louis prang & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1800 – 1950
Subjects: butterflies,flowers
Study of a Female Figure (Venus)
Object type: drawing
Date: 1711 – 1711
Materials: ink
Techniques: pen
Artist: françois boitard
Artist role: artist
Artist nationality: french
Artist dates: 1670 – 1715
Subjects: venus
Landschap, met bergen op de achtergrond
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: landscapes, mountains