deem-data/ArtiFact huggingface dataset:
Gezicht op een kleine rivier met daarin netten, links vissers aan het werk met een groot visnet
Object type: print
Date: 1755 – 1760
Materials: paper
Techniques: etching
Artist: richard de saint-non
Artist role: print maker
Artist dates: 1727 – 1791
Subjects: fishing net, river, fisherman
Oboe in C
Object type: oboe in c
Date: 1792 – 1792
Materials: wood, brass
Culture: german
Location: germany
Artist: h. c. tölcke (heinrich carl)
Artist role: maker
Artist nationality: german
Bracelet with Male Head
Object type: bracelet
Date: 1501 – 1800
Materials: glass, gold, stone
Culture: thai
Subjects: heads,men
2e Suite de différens Attributs, Trophées et Groupes de Fleurs
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: paris
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, gardening
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een trofee met objecten behorend bij tuinbouw zoals een ladder, een gieter, een kruiwagen, bomen en fruit.
Retté. Adolphe. 30 ans, né à Paris IXe. Homme de lettre. Cris séditieux. 21/1/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Het Oude-Zyds-Huiszitten-Aalmoesseniers-Huis, van agteren
Object type: print
Date: 1765 – 1782
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: poorhouse, courtyard
Inscriptions: collector's mark: Lugt 1641b

Afdruk van de volledige plaat ook gebruikt in: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). Amsterdam: Isaak Tirion, 1765, dl. 2. En in: Verzameling der fraaiste gezigten van Amsterdam in negen en zeventig afbeeldingen. Amsterdam en Harlingen: Petrus Conradi en Volkert van der Plaats, 1782.
Group of three figures, man and two women
Object type: print
Date: 1817 – 1817
Techniques: lithograph
Artist: baron dominique vivant denon
Artist role: artist
Artist nationality: french
Artist dates: 1747 – 1825
Subjects: men,women
Landschap met Andromeda bewaakt door de draak en Perseus aanvliegend in een wolk
Object type: print
Date: 1641 – 1665
Materials: paper
Techniques: etching
Location: france
Artist: charles macé
Artist role: draughtsman, print maker, sculptor
Artist dates: 1631 – 1665
Subjects: perseus and andromeda
Inscriptions: number: ‘3’, collector's mark: Lugt 240
Head of a King with a Nemes Headdress
Object type: head of a king with a nemes headdress
Date: 332 – 330
Materials: limestone
Location: egypt
Mont St.-Michel. Le Donjon & la Merveille
Object type: page
Date: 1861 – 1866
Materials: paper
Techniques: albumen print
Artist: edmond lanon
Artist role: designer, draughtsman
Artist dates: 1830 – 1871
Subjects: towers ~ fortified city, abbey, monastery, convent ~ roman catholic church

Foto op ongenummerde pagina tegenover pagina 17.
Oinochoe
Object type: oinochoe
Date: 650 – 626
Materials: terracotta
Culture: etruscan

Trefoil lip, with three incised lines on shoulder.
Iets van wat het jaar 1862 belooft
Object type: cartoon
Date: 1862 – 1862
Materials: paper
Techniques: lithograph
Location: netherlands
Inscriptions: collector's mark: Lugt 2228

Spotprent op de plannen voor het komende jaar 1862. Overzicht van plannen A-G, waaronder: de scheve kerktoren te Delft, de Woordenboek, en de ontwikkeling v an de Javaan. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 1, 4 januari 1862.
Purse
Object type: purse
Date: 1795 – 1795
Materials: silk
Culture: british
Terracotta fragment of a volute-krater?
Object type: krater fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, laconian
Artist: hunt painter
Artist role: artist

At the top, part of a meander; below, head, neck, and part of the wing of a sphinx or siren to right?; part of a snake?
The Actor Bando Mitsugoro I as Abbot Saimyo-ji Tokiyori, Disguised as a Monk, in the Joruri "Onna Hachi no Ki" (A Female Version of "The Potted Trees") from Part Two of the Play Onna Aruji Hatsuyuki no Sekai (A Woman as Master: The World of the First Snow), Performed at the Morita Theater from the First Day of the Eleventh Month, 1773
Object type: print
Date: 1773 – 1773
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Pope Julius III (r. 1550–55)
Object type: medal
Date: 1550 – 1550
Materials: bronze
Artist: gian federigo bonzagna
Artist role: artist
Artist nationality: italian
Artist dates: 1507 – 1588
Fragment of a Bowl with Green Splashes and Blue Painted Inscription
Object type: fragment
Date: 801 – 900
Materials: earthenware
Techniques: glazing
Location: iraq

This bowl was excavated at Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city was known in Arabic as al-Mada’in, or "the cities", for its extended area. Arab historians indulge in describing al-Mada’in/Ctesiphon’s grand monuments, which obsessed Muslim rulers and may have acquired a symbolic meaning related to its imperial past. This was the case of the Taq-i Kisra, an impressively-sized ivan (a vaulted hall with one side open) partially dismantled to reuse its bricks in caliphal buildings in the new capital Baghdad. Finds like this fragment, which was excavated at a site named Selman Pak V, attest to the continued occupation of Ctesiphon’s urban area in the early Islamic period. Similar ceramics count amongst the advances achieved by Iraqi potters in the 9th century. Beside technical innovations, such as the development of a range of opacifying techniques for glazes and the use of cobalt blue, the potters’ works attest of their artistic creativity. The combination of large green splashes and the precise in-glaze-painted blue inscription, of which the upper shafts only are left here, is an example of the new aesthetic. Such advanced pottery productions profited of broad commercial networks both for the retrieval of raw materials and the diffusion of the finished product. The cobalt employed for the blue, nearly absent in Iraq, was imported from the Caucasus or Iran.
Haardplaat met een voorstelling van een keukeninterieur met enkele figuren
Object type: fireback
Date: 1600 – 1625
Materials: iron
Techniques: casting
Location: germany
Artist: Anonymous

Haardplaat van gietijzer, met halfronde bovenzijde. De haardplaat toont een interieur, met centraal een open haard met een ketel en ander kookgerei. De open haard heeft aan weerszijden kariatiden. Voor de open haard zitten een jongen en een hond. Op de voorgrond liggen gebruiksgoederen en er zitten een kat en een hond. Links van de open haard staat een vrouw met voor haar een kleine hond, rechts van de staat een man. Boven hen hangt meer keukengerei.
Brief aan Herman Robbers
Object type: letter
Date: 1896 – 1896
Materials: ink, paper, pencil
Techniques: pen, writing
Location: amsterdam
Artist: heinrich m. krabbé
Artist role: draughtsman, print maker
Artist dates: 1868 – 1931
Subjects: print maker, jan van essen, herman robbers, the hague, painter, draughtsman, philip zilcken, photography, cinematography, painting (including book-illumination, miniature-painting), exhibition ~ art, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’

Brief bevat aantekeningen van Philip Zilcken.
Design for Cabriolet or Victoria, no. 3905
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ogre-Headed Guardian Beast (Zhenmushou)
Object type: decorative art
Materials: earthenware, glaze, lead, pigment
Location: china
Portret van de theoloog Nicolas Petitpied
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving
Location: paris
Artist: nicolas pitau (ii)
Artist role: print maker
Artist dates: 1670 – 1724
Subjects: paris, liturgical vestments, canonicals
Inscriptions: inscription, number: ‘n. 339’, collector's mark: Lugt 2228
Twee gekielde zeilschepen
Object type: print
Date: 1650 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Subjects: repairing, caulking, careening (~ ship)
Inscriptions: collector's mark: Lugt 2228a

Een werf met twee onderleggers die een groot zeilschip kielen, een gekield schip met mannen die werken aan het waterdichtmaken van de romp en een roeiboot met een aantal mensen erin. Buiten de golfbreker nog een aantal zeilschepen op het water.
Squaw Jessie, from the Indian Chiefs series (N681) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits

Trade cards from the "Indian Chiefs" series (N681), issued ca. 1888 to promote Old Fashion Fine Cut Tobacco.
Gruss aus Prag! Der Wenzelsplatz
Object type: ansichtkaart, prentbriefkaart
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph
Location: prague
Subjects: shop, store, street
Inscriptions: date
Kermisprent van de Amsterdamse nachtwacht voor het jaar 1847
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: letterpress printing, engraving
Artist: dirk wijbrand tollenaar
Artist role: print maker
Artist dates: 1808 – 1858
Subjects: night patrol, amsterdam

Kermisprent van de Amsterdamse nachtwacht (ratelwacht), september 1847. Randwerk met zes kleine cartouches met afbeeldingen van de nachtwacht en gebouwen in Amsterdam. Ook met vier cartouches met tekst. Centraal een vers, onderaan de kermis-almanak (kalender). Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Bridge over Crumelbow Creek, David Hosack Estate, Hyde Park, New York (from Hosack Album)
Object type: watercolor
Date: 1832 – 1832
Materials: watercolor, paper
Culture: american
Artist: thomas kelah wharton
Artist role: artist
Artist nationality: american, born england
Artist dates: 1814 – 1862
Subjects: bridges,swans,landscapes
Vessel in form of boar's head
Object type: vessel
Date: 600 – 301
Materials: bronze
Location: iran
Subjects: boars
Niko
Object type: photograph
Date: 1865 – 1870
Materials: paper
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: japan
Inscriptions: number: ‘E2’, number: ‘2’
Cup with cover
Object type: cup with cover
Date: 1785 – 1800
Materials: hard paste porcelain
Subjects: birds,insignia

The monogram initials belong to Peter Le Mesurier (1750–1803), hereditary Governor of Alderney, 1793–1803.
Skate, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: cats,fish

Trade cards from the "Fish from American Waters" series (N39), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Soldaat en een mannengezicht
Object type: endleaf
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: helmet, face, the soldier; the soldier's life
Inscriptions: annotation: ‘St. Annastraat 1/ Anna Sla[...]/ Amsterdam/ Damstraat 26/ 27.11.86/ Kerkhoff 77. Leidsch/ Levkoj[...]/ Kool. J.NW Keizersgr. 738./ Reguliersgr./ [...]’

Pagina 1, voorste schutblad, uit een schetsboek met 32 bladen.
Zondagmorgen op de Stille Zuid-Zee.
Object type: sketchbook leaf
Date: 1882 – 1882
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: george washington schwartze
Artist role: draughtsman
Artist dates: 1857 – 1909
Subjects: sailing-ship, sailing-boat, ocean
Inscriptions: signature and date: ‘G.W.Schwartze. 1882.’, title: ‘Zondagmorgen op de Stille-Zuid-Zee.’

Zeegezicht met een roeiboot en zeilboten in een kader. Blad 1 recto uit een schetsboek met 54 bladen.
Bournemouth from East Cliff
Object type: photograph
Date: 1851 – 1880
Materials: paper
Techniques: albumen print
Location: bournemouth
Artist: james valentine
Artist role: fotograaf
Artist dates: 1815 – 1880
Subjects: pier, quay, wharf, beach
Inscriptions: number: ‘20868’
Aankondiging van verbouwing en uitbreiding van N.V. Drukkerij v.h. Dieperink & Co.
Object type: moving announcement
Date: 1907 – 1912
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: albert hemelman
Artist role: draughtsman, print maker
Artist dates: 1883 – 1951
Subjects: coat of arms (as symbol of the state, etc.), ornaments ~ art, amsterdam
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, annotation: ‘Albert Hemelman. Hooimaand 1912.’

Een decoratief kader met in het midden de tekst van de aankondiging, onder het stadswapen van Amsterdam.
Portrait of a Man Holding a Book, Turned to the Right
Object type: drawing and watercolor
Date: 1758 – 1762
Materials: chalk, paper
Location: switzerland
Artist: jean-etienne liotard
Artist role: painter, print maker
Artist nationality: swiss
Artist dates: 1702 – 1789

Liotard was internationally famous in the mid-18th century for his incisive and resplendent pastel portraits,
such as the Art Institute’s Portrait of Marthe-Marie Tronchin. This rare preliminary study of an unknown gentleman reveals some of the artist’s working method: he rubbed the back of the sheet of blue paper with a lush vermilion pastel, to trace and thus transfer the outlines of the figure onto another support.
Seated Luohan Holding a Lion
Object type: sculpture
Materials: glaze, porcelain
Techniques: painting
Location: china
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1201 – 1300
Materials: copper, enamel, gold
Culture: spanish
Location: spain
Subjects: animals,men

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Views in the Holy Land
Object type: stereograph
Date: 1859 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: olijfberg
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Vue de Jerusalem du mont des olives./ [...]’, inscription: ‘This site is marked to the right foreground by the ruins of a convent formerly belonging to the Georgian/ Christians. The minaret seen in the centre of (...)’, inscription: ‘[Deposé.’, inscription: ‘Entered at Stationers' Hall.]’, inscription: ‘TAKEN FROM THE PATHWAY LEADING FROM GETHSEMNI TO BETHANY, LOOKING/ WEST, AND CLOSE TO THE SPOT WHERE THE SAVIOUR FORETOLD THE/ DESTRUCTION OF THE TEMPLE AND OF THE CITY.’, number: ‘405’
Totland en Totland Bay
Object type: photograph
Date: 1897 – 1930
Materials: paper
Techniques: printing
Location: isle of wight
Artist: Anonymous
Subjects: beach (as place of recreation), gulf, bay (+ landscape with figures, staffage), travelling; tourism, coastal cliff or crag, hotel, hostelry, inn, isle of wight

Pagina 24 met 3 foto's van het strand en een hotel van Totland, een overzicht van Totland Bay en een bijschrift. Onderdeel van Fotografische reisreportage van het eiland Wight.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Interior, nose, chin, mouth, right shoulder and part of upper right arm of a draped youth, looking down, and holding a stick or staff in his right hand
Napkin
Object type: textile
Date: 1699 – 1699
Materials: linen, textile
Techniques: satin weave, weave
Location: netherlands
Wagen op boerenerf
Object type: zinkplaat
Date: 1892 – 1892
Materials: zinc
Techniques: etching
Location: north brabant
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: noord-brabant
Jan Wagenaar
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, jan wagenaar
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve naar rechts van Jan Wagenaar, zittend aan een schrijftafel met achter hem een boekenkast. Onder het portret zijn naam en gegevens in drie regels in het Nederlands en daaronder een een zesregelig vers in het Nederlands.
Fotoreproductie van een prent naar een schilderij door John Francis Rigaud, voorstellend een scene uit Hendrik IV door William Shakespeare
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. XLVIII. 191’

Te zien is akte V, scene 4 met prins Hendrik en Sir John Falstaff in een harnas.
Vinaigrette
Object type: vinaigrette
Date: 1816 – 1816
Materials: silver gilt
Artist: william lea & co.
Artist role: maker
Artist nationality: british
Artist dates: 1811 – 

A vinaigrette in the form of a satchel or wallet with a simulated fold-over flap bears the hallmark of William Lea & Co and the date letter for 1816. The firm focused on small novelty items. The exterior is engraved to resemble a sturdy material with illusionistic bands at the edges. The reserve on the lid, which could have been engraved with a name or initials, has been left blank. The hinged gilded grille is pierced with a floral and trellis motif. The interior retains the sponge which would have been dipped in aromatic vinegar. A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. Its interior Is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged and decoratively pierced inner lid or grille kept the sponge in place while its perforations allowed the odor to waft through. A whiff of the vinegar might revive someone from a fainting spell. Such vinaigrettes were worn around the neck, on a chatelaine suspended from the waist, or carried in a pocket.
View of the Convent of the Barefooted Carmelites
Object type: print
Date: 1807 – 1807
Techniques: drypoint, etching
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Subjects: men,rivers,boats
Water pitcher
Object type: water pitcher
Date: 1850 – 1870
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Stadsgezicht, mogelijk rooiwerkzaamheden aan de Laan van Meerdervoort te Den Haag
Object type: sketchbook leaf
Date: 1882 – 1885
Materials: chalk
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: civic architecture; edifices; dwellings, street (+ city(-scape) with figures, staffage)
Inscriptions: workshop stamp: Lugt 291d, annotation: ‘Schemering, de huizen donker, sneeuw.’

Pagina 12 en pagina 13 uit een schetsboek met 34 bladen.
Slapende hond
Object type: print
Date: 1780 – 1855
Materials: paper
Techniques: brush, etching
Location: amsterdam
Artist: jan dasveldt
Artist role: draughtsman, print maker
Artist dates: 1770 – 1855
Subjects: dog (+ sleeping animal(s))
Inscriptions: collector's mark: Lugt 2228
Fragment
Object type: fragment
Date: 1834 – 1866
Materials: silk
Subjects: flowers,leaves
Kruisvormig fragment gebrocheerde zijde
Object type: fragment
Date: 1740 – 1775
Materials: silk
Techniques: brocade, weave

Fragment zijdeweefsel. Het kruisvormige fragment bestaat uit drie aaneengenaaide fragmenten. Het patroon heeft veelkleurige bloemenranken met rood/wit gestreepte strikken.