deem-data/ArtiFact huggingface dataset:
Coverlet
Object type: coverlet
Date: 1845 – 1845
Materials: cotton, wool
Techniques: weave
Culture: american
Location: united states
Artist: harry tyler
Artist role: maker
Artist nationality: american
Artist dates: 1801 – 1858
Subjects: eagles,flowers

Coverlets made by Harry Tyler are perhaps the most recognized and appreciated examples of classic New York State doublecloth coverlets. More than three hundred examples of his work are known to be extant. The Tyler workshop’s early products (see 1993.369) made between 1834 and the early 1840s, are known for their appealing trademark corner block showing a large and handsome lion. The field is decorated with stylized floral, star, and snowflake designs set in a diagonal grid pattern, while the border has clearly representational fruit trees alternating with a picket fence. Tyler coverlets made from the mid-1840s on, like this example, have corner blocks with American eagles surmounted by stars; according to family history, this change took place because Tyler’s oldest son Elman opined that the lion, the symbol of England, should be replaced with a more patriotic American motif. Over the twenty-four years that Tyler was weaving, from 1834 to 1858, he made small (and sometimes large) changes to the look of the corner blocks and field designs of his coverlets each year in order to keep up with the popular design trends of his day. This coverlet descended in a family with roots in Upper New York State and the woman for whom the coverlet was woven was easily identifiable. The name Venila Armsbury is woven into the coverlet dated 1845. Venila Armsbury (1818-1902) was born in Petersburg, Rensselaer County, New York. This coverlet was undoubtedly given to her as a wedding gift, because she married Mark Warren Spaulding (1819-1904) in 1845. Her new husband lived in Jefferson County, home of Harry Tyler, so it is likely that a member of his family presented Venila with the coverlet. After moving several times, the couple eventually settled in Rensselaer Falls, St. Lawrence County, and lived in a large house on the land between the Oswegatchee River and a canal. The family was well-to-do; Spaulding had interests in local quarries, mills, and mines. He was also Justice of the Peace for sixteen years, and proudly lists it as his occupation in the 1880 census. The couple had nine children, and named their firstborn daughter Venila. It became a family tradition for each generation to name a daughter Venila, and pass the coverlet on to her. It descended from Venila Armsbury through three other Venilas before being donated to the Museum by Venila Willard (1910-2005).
Design for a Machine
Object type: drawing
Date: 1701 – 1800
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: machines
Daniel Maclise, Esq., R.A., from "Illustrated News of the World"
Object type: print
Date: 1859 – 1859
Techniques: engraving, photography
Artist: daniel john pound
Artist role: engraver
Artist nationality: british
Artist dates: 1820 – 1894
Subjects: men,portraits

Pound's engraving is based on a photograph by the London-based Mayall and portrays the artist Daniel Maclise. Born in Cork to Scottish parents, Maclise arrived in London in 1828 to attend the Royal Academy Schools, and became known for portraits of celebrities published in "Fraser's Magazine" between 1830 and 1836. From 1858 he worked on large murals at the new Houses of Parliament and Halifax Town Hall, commissions that undermined his health and forced him to decline the presidency of the Royal Academy. This engraving, part of a large series, was issued as a supplement to the weekly newspaper "Illustrated News of the World." The undertaking was immensely lucrative and featured many leading contemporary celebrities including (among others) politicians, royalty, actors and, as here, artists.
Heuvellandschap
Object type: print
Date: 1710 – 1761
Materials: paper
Techniques: etching
Location: italy
Artist: paolo anesi
Artist role: print maker
Artist dates: 1700 – 1761
Subjects: low hill country, landscapes
Inscriptions: collector's mark: Lugt 240
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 334 – 301
Materials: terracotta
Culture: etruscan

Interior, meander; Exterior, tendrils from a palmette?
Grooms and Foreign Horses
Object type: hanging scroll
Date: 1601 – 1800
Materials: ink, silk
Culture: chinese
Artist: jin nong
Artist role: artist
Artist nationality: chinese
Artist dates: 1687 – 1773
Subjects: men,horses
Kozakken bivak bij Amsterdam, 1813
Object type: drawing
Date: 1813 – 1813
Materials: paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: (military) camp with tents, canteen ~ the soldier off duty, kitchen-fire - cc - in the open air
Inscriptions: collector's mark: Lugt 2228

Bivak van de kozakken binnen de Muiderpoort bij Amsterdam, 24 november 1813. Soldaten en burgers verzameld bij de poort en rond een kampvuur. Gezicht op de Muiderpoort vanaf de Plantage.
Portret van Hartmann Friderich von Meiss
Object type: print
Date: 1829 – 1862
Materials: paper
Techniques: lithograph
Subjects: moustache, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228

Op de knopen van zijn uniform staat het getal 30.
Cavaliers Taking Leave of Their Sweethearts
Object type: drawing and watercolor
Date: 1662 – 1662
Materials: ink, paper
Techniques: pen
Location: germany
Artist: david balthasar wagner
Artist nationality: german
Artist dates: 1600 – 1699
Fotoreproductie van een tekening door vermoedelijk Jules Joseph Lefebvre, voorstellend een liggend naakt op de rug gezien
Object type: photomechanical print
Date: 1876 – 1879
Materials: paper
Techniques: autotype
Subjects: drawing, sketch, the (nude) human figure; 'corpo humano' (ripa)
Les Costes du Boulenois, et le Pas de Calais
Object type: print
Date: 1709 – 1709
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: marine charts

Kaart van het Nauw van Calais, 1709. Onderdeel van een gebundelde verzameling van plannen van veldslagen en steden vermaard in de Spaanse Successieoorlog. Deze plaat behoort tot de eerste 24 platen die samen een zeer grote kaart van de Zuidelijke Nederlanden vormen.
Bacchanaal
Object type: print
Date: 1633 – 1666
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: bacchanal: bacchus with his wine-flushed train (thiasos)
Inscriptions: collector's mark: Lugt 2228

Bacchanaal waarbij de wijn rijkelijk vloeit en een sater op een tamboerijn speelt. De dronken Bacchus wordt door twee mannen van een ezel getild. In ondermarge Latijns vers in vier regels.
Fireworks at Ryogoku (Ryogoku hanabi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Landschap met het portret van Jean-Benjamin de La Borde in een medaillon
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving, etching
Subjects: paris, historical persons
Inscriptions: inscription: ‘1/45’, collector's mark: Lugt 2228, collector's mark: Lugt 2760, number: ‘773’
Portret van een jonge vrouw
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: drypoint, etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: anonymous historical person portrayed alone - bb - woman, styles of hairdress - aa - ~ women
Inscriptions: collector's mark: Lugt 240
[Unknown Subject]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Het gewapend Hoeker Schip De Vrouw Machtelyna, Kruysende des morgens den 16 Juny 1782, voor de Haven van Curaçao
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: battle (+ naval force), fourth anglo-dutch war
Inscriptions: collector's mark: Lugt 2228

Het Nederlandse gewapende hoekerschip de Vrouw Machtelyna varend voor de haven van Curaçao, 16 juni 1782. Onderdeel van een serie van drie platen van het gevecht van het hoekerschip Vrouw Machtelyna met het Engelse fregat Diamant voor de haven van Curaçao op 16 juni 1782. Bij deze prentserie behoort een aankondiging van de uitgever.
Figuurstudie
Object type: sketchbook leaf
Date: 1883 – 1885
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman

Pagina 21 uit een schetsboek met 17 bladen.
Portret van Algernon Percy
Object type: print
Date: 1736 – 1738
Materials: paper
Techniques: engraving, etching, pen
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: algernon percy (10e graaf van northumberland)
Inscriptions: name: ‘Algernon Persey Earl of Northumberland’, collector's mark: Lugt 240

Prent ook gebruikt in: Thomas Birch. The heads of illustrious persons of Great Britain : engraved by Houbraken, and Vertue, with their lives and characters. London: John en Paul Knapton, 1743-1751.
Funerary Figure of Akhenaten
Object type: funerary figure, shabti, akhenaten
Date: 1353 – 1336
Materials: granite
Location: middle egypt
Subjects: men
Tafellaken met Lodewijk XV, koning van Frankrijk, en Maria Lesczinska
Object type: tablecloth
Materials: linen
Techniques: damask
Location: kortrijk
Artist: Anonymous
Subjects: maria lesczinska (koningin van frankrijk), louis xv of france
Inscriptions: mark

Tafellaken van linnendamast met Lodewijk XV en Maria Lesczinska. Middenveld: Het symmetrisch, driemaal naast elkaar en tweemaal boven elkaar herhaalde patroon vertoont drie taferelen: 1 Vliegende engelen houden een verdubbeld medaillon op, waarin de tekst: VIVANT LUDOVICUS MARIA REX ET REGINA. 2 Een staande figuur in koningsmantel en een vrouw elkaar de hand reikende en staande op een tegelterras onder een dubbelgezwenkte boog, gesteund door zuilen met Ionisch kapiteel. 3 Door palmtakken gedragen, gekroond alliantiewapen: het middelste, waarop drie lelies, wordt geflankeerd door een ovaal schild dat gevierendeeld is: 1 en 4 een dubbele adelaar, 2 en 3 een ruiter; hartschild met ossenkop. Ter weerszijden zwevende engelen met bazuin, waaraan een vaan met de letter L. Randen: binnen recht lijstwerk stam met voluttbladeren, steeds gevarieerd en kleine hartvelden met geschaakt dessin. Rondom: blokkenrand.
Mohammed and the Monk Sergius
Object type: print
Date: 1508 – 1508
Materials: paper
Techniques: engraving
Location: netherlands
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Portret van Margarethe Luther
Object type: print
Date: 1805 – 1844
Materials: paper
Techniques: engraving
Artist: hermann hirsch pinhas
Artist role: print maker
Artist dates: 1795 – 1844
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Actualiteiten
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: calendar, almanac, censorship, policeman, constable, street-trader, political caricatures and satires
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Een groep almanakverkopers wordt verjaagd door agenten te paard. Op de voorgrond wordt een almanakverkoper met een prent in zijn linkerhand en een kist met 'Le messagier Boiteux' op zijn buik bij zijn baard gegrepen door een agent te voet. Naast hen schuilt een man met een baard en een puntmuts onder een exemplaar van 'Le double Liégois'. Met tweeregelig onderschrift in het Frans.
Sugar with cover (part of a set)
Object type: sugar with cover
Date: 1810 – 1810
Portret van Charles de Valois, hertog van Angoulême
Object type: print
Date: 1580 – 1588
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Artist: remigius hogenberg
Artist role: print maker
Artist dates: 1536 – 1587
Subjects: charles de valois (hertog van angoulême)
Inscriptions: collector's mark: Lugt 2228

Charles de Valois, hertog van Angoulême, bastaard van Charles IX van Frankrijk en zijn maîtresse Marie Touchet.
Twee kapitelen
Object type: print
Date: 1644 – 1718
Materials: paper
Techniques: etching
Location: italy
Subjects: ornaments ~ art, capital (~ column, pillar)

Twee ornamentele kapitelen. Het bovenste kapiteel met ramskoppen. De prent maakt deel uit van een album.
Twee honden
Object type: print
Date: 1642 – 1667
Materials: paper
Techniques: etching
Location: unknown
Artist: joannes fijt
Artist role: draughtsman, print maker
Artist dates: 1611 – 1661
Subjects: dog
Inscriptions: collector's mark: Lugt 240
Drie naakte kinderen bij een steen
Object type: print
Date: 1800 – 1841
Materials: paper
Techniques: etching
Artist: joannes bemme
Artist role: print maker, printer
Artist dates: 1775 – 1841
Subjects: toddler (male) (+ three persons)
Inscriptions: collector's mark: Lugt 2228

Drie naakte kinderen bij een steen. De een heeft een pen en een tekening in zijn handen, de ander wijst naar een tekening die op de grond ligt.
Sketches of Patmos, Sardis, Obelisk of Heliopolis
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: united kingdom
Artist: Anonymous
Artist nationality: possibly british
Artist dates: 1800 – 1899
Portret van sultan Mehmet IV van het Ottomaanse Rijk
Object type: print
Date: 1650 – 1693
Materials: paper
Techniques: engraving
Location: ghent
Subjects: constantinopel, mehmet iv (sultan van het ottomaanse rijk)
Inscriptions: collector's mark: Lugt 2228

Portret van Mehmet IV, sultan van het Ottomaanse Rijk, met een scepter in zijn hand. Volgens het Franse onderschrift onderaan in de marge het echte portret.
Médinet-Habou, Ruines de la Ville de Papa; Thèbes, plate 53 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Lijkstatie van Willem IV, 1752, plaat 40
Object type: print
Date: 1754 – 1755
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, willem iv (prins van oranje-nassau), cortege, funeral procession, plan ~ architecture, delft

Plattegrond van de Nieuwe Kerk te Delft. In de marge het onderschrift in Nederlands, Frans en Engels met een overzicht van de plaatsen waar alle gasten hebben plaatsgenomen. Onderdeel van een serie van 41 platen van de begrafenisstoet van stadhouder Willem IV te Delft op 4 februari 1752. Genummerd rechtsboven: 40. In de gebonden uitgave van 1755.
Paarden op een vlakte met stenen
Object type: sketchbook leaf
Date: 1931 – 1931
Materials: pencil, watercolor
Techniques: brush
Location: java
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: trees, horse, boulder, stone, plain

Pagina 7 uit een schetsboek met 74 bladen.
Elia gevoed door raven
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 12.
Architectural Drawing
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: architecture,garlands
Four armed Shiva of which one arm, probably displaying the varada mudra, has broken off. Dieng Plateau, Wonosobo district, Central Java province, 9th century.
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Subjects: shiva
Pitcher
Object type: pitcher
Date: 1853 – 1856
Materials: porcelain
Culture: american
Location: united states
Artist: american porcelain manufacturing company
Artist role: artist
Artist nationality: american
Artist dates: 1854 – 1857
"Owake!  what ho!  Brabantio!  thieves!  thieves!": plate 1 from Othello (Act 1, Scene 1)
Object type: print
Date: 1844 – 1844
Techniques: printmaking, engraving, etching, roulette
Artist: théodore chassériau
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1856
Subjects: shakespeare,men

In 1844 Eugène Piot commissioned the young Chassériau to prepare fifteen illustrations to Shakespeare's Othello. Inspired by a series of ground-breaking Hamlet lithographs that Delacroix had created one year earlier, the younger artist opted for the more linear technique of etching. His expressive conception of form had been learned in Ingres's studio then developed under Delacroix. In the series, key exchanges offer a compressed summary of much of the play, with a final cluster devoted to the tragic conclusion. Here, in the opening scene, Iago and Roderigo simulate a robbery in order to wake Senator Brabantio and inform him that his daughter Desdemona has eloped with Othello.
Kaart van het hertogdom Luxemburg
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving, etching, hand coloring
Artist: Anonymous
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Deze staat van prent ook gebruikt in: De vyerighe colom klaer vertoonende in vyftich onderscheydene curieuse caarten de XVII. Nederlantsche Provincien (…). Amsterdam: Jacob Aertsz Colom (I), s.a. [ca. 1660].

En in latere uitgaven met de platen van deze publicatie, uitgegeven door Pieter van Alphen (1691) en Pieter van der Slaart (1696).

Eerdere staat van prent (zonder '9' rechtsonder) ook gebruikt in eerdere drukken van deze publicatie.
Hannover. Leibnizhaus
Object type: photomechanical print
Date: 1885 – 1905
Materials: cardboard
Techniques: lithograph
Location: hannover
Artist: Anonymous
Subjects: façade (of house or building)
Sculpturen uit de oudheid
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: (story of) minerva (pallas, athena), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘[...]/ Ende lib. No. 4 [...] fol. 2...’, number: ‘91’, inscription: ‘Ende lib. No. 4 [...] fol. 60 [...] fol. 66...’

Deze prent maakt deel uit van een reeks van ten minste 50 prenten van sculpturen uit de oudheid.
Bewening van Christus
Object type: print
Date: 1600 – 1624
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: christ's body lying on the ground
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

Maria, ondersteund door Johannes, en Maria Magdalena knielen bij het lichaam van Christus.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: birds,flowers
Drie vrouwen en twee mannen uit Sonnino
Object type: album leaf
Date: 1819 – 1819
Materials: paper
Techniques: etching
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: city-view, and landscape with man-made constructions, folk costume, regional costume
Inscriptions: date

In een landschap staan drie vrouwen en twee mannen. Eén van de vrouwen houdt een kind vast. De prent maakt deel uit van een album.
Hanukkah Lamp
Object type: hanukkah lamp
Date: 1696 – 1696
Materials: silver
Location: amsterdam
Artist: pieter jansz van hoven
Artist role: silversmith
Artist dates: 1653 – 1735
Inscriptions: date letter: ‘K’, : ‘gekroonde O (1807)’, : ‘ZII (sedert 1953)’, duty mark: ‘gekroonde V (1814-1853)’, alloy mark: ‘Hollandse leeuw’, maker's mark: ‘VH aaneen in vierkant’, town mark: ‘Amsterdam’

Hanukah lamp, silver. Amsterdam, dated 1696, by Pieter van Hoven. Given by the A. Staal company, Amsterdam.
Bowl
Object type: bowl
Date: 801 – 900
Materials: earthenware, glaze, pigment
Techniques: painting, polychrome
Location: iran
Subjects: birds

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
100 Afbeeldinge der voornaamste gebouwen van Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), tower, clock tower ~ monumental adornment, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Huidige staat van prent ook gebruikt in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Pieter Schenk (I), s.a. [1710-1711]. En in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Barent Greve, s.a. [1757-1766].*

*In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Chalice
Object type: chalice
Date: 1501 – 1550
Materials: enamel, silver gilt
Culture: spanish

The inscription on the bowl reads: hic est envm calix sangvinis mei nvovi (For this is my blood of the New [Testament]). It also has the marks for the maker (luis) and for Córdoba.