deem-data/ArtiFact huggingface dataset:
Portret van Conrad Samuel Schurtzfleisch
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor de publicatie: Schurzfleisch, Conrad Samuel. Conradi Samuelis Schurtzfleischii Epistolae selectiores, nunc sine lacunis, cum Memoria auctoris editae ec promulgatae. Wittenberg: Gottfried Zimmermann, 1712.
Ex libris van Alexis Foissey
Object type: bookplate
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Location: france
Artist: thérèse brochery
Artist role: print maker
Subjects: flowers
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of the head, and upper torso of a youth wearing a cap, at the right; panel ornament, ivy
Kaart van de kust van Mauritanië en Zuid-Marokko
Object type: book illustration
Date: 1770 – 1770
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: ornament derived from architectural details
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een kaart van de kust van Mauritanië en Zuid-Marokko, bovenaan vastgehouden door een adelaar. Om de kaart monumentale ornamenten.
La séparation de Louis seize, d'avec sa famille; dans la tour du temple
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving
Subjects: marie thérèse charlotte van frankrijk, lodewijk xvi (koning van frankrijk), vienna, paris, marie antoinette, prison, jail, historical persons, king
Inscriptions: : ‘Dép à la D.en de l'Imp. et de la Lib.’, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Gezicht op de Zandhoeksbrug
Object type: drawing
Date: 1921 – 1921
Materials: ink, paper, pencil
Techniques: brush
Location: amsterdam
Artist: goedkoop
Artist role: draughtsman
Subjects: city-view in general; 'veduta', bridge in city across river, canal, etc.
Inscriptions: signature and date: ‘a. goedkoop '21’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 19.
Design for Ceiling
Object type: drawing
Date: 1701 – 1800
Materials: graphite, drawing material
Artist: leonardo marini
Artist role: artist
Artist nationality: italian
Artist dates: 1730 – 1797
Subjects: birds,ornament
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 200 – 35
Materials: glass
Culture: greek, eastern mediterranean

Translucent cobalt blue, with handles in same color; trails in opaque white. Rim-disk with thick rounded edge, uneven with radiating tooling marks on upper surface and projecting jagged inner edge to mouth; straight-sided fusiform body expanding downward, then tapering in to pointed bottom; two horizontal lug handles applied over trail at top of body, one slightly higher than the other. Thick trail applied around rim; another trail attached at bottom, drawn up in a spiral to point of carination, tooled into a festoon pattern on side with twelve upward strokes, and wound round again in spiral ending on rim. Intact; some dulling, a few deep pitting holes, and faint iridescence.
Measure
Object type: measure
Date: 1767 – 1833
Materials: pewter
Artist: i. ruault
Artist role: maker
Artist dates: 1750 – 1850
Young Man Riding a Giant Tortoise (parody of Urashima Taro)
Object type: print
Date: 1767 – 1767
Techniques: woodblock print, hashira
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Kind met pijl en boog en alziend oog van God
Object type: print
Date: 1590 – 1624
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the all-seeing eye, triangle with eye ~ symbol of god the father, the worship of god
Inscriptions: inscription: ‘Domine ante te omne desiderium meum, et gemitus meus à te non.o. est absconditus.’, collector's mark: Lugt 240

Boekillustratie uit: Herman Hugo, Pia desideria emblematis, elegiis & affectibus S. S. Patrum illustrata, Antwerpen 1624
Jug
Object type: jug
Date: 1760 – 1760
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: animals,men,trees
Snuffbox with miniature representing battle scene
Object type: snuffbox, painting
Date: 1767 – 1800
Materials: gold, silver
Techniques: painting
Artist: louis nicolas van blarenberghe
Artist role: artist
Artist nationality: french
Artist dates: 1716 – 1794
Subjects: battles,horses,flowers

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Ladle
Object type: ladle
Date: 1767 – 1768
Materials: silver
Artist: nicolas collier
Artist role: maker
Artist dates: 1733 – 1833
Double Ribbon-Handled Porringer
Object type: metalwork
Date: 1786 – 1786
Materials: pewter
Location: netherlands
Plate
Object type: plate
Date: 1701 – 1800
Materials: soft paste porcelain
Subjects: human figures,trees
Pijlpaarden plus ruiter
Object type: print
Date: 1967 – 1967
Materials: paper
Techniques: etching
Location: netherlands
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Inscriptions: title: ‘pijlpaarden + ruiter’, signature and date: ‘aat verhoog 1967’, signature: ‘Aat Verhoog’

Twee paarden met hun benen diep in de grond geworteld, de voorste met pijlen om zijn hals, hoofd en voorbeen gewikkeld, de achterste met ruiter.
Grave Monument with Cross, No. 731
Object type: drawing
Date: 1840 – 1880
Materials: graphite
Artist: alexander maxwell
Artist role: artist
Artist nationality: american
Artist dates: 1838 – 1880
Subjects: monuments

Alexander Maxwell designed and made grave monuments for New York area clients in the mid-nineteenth century (a fine example is a Butterfield family mausoleum of ca. 1875 at Woodlawn Cemetery in the Bronx). They likely were related to the marble and granite suppliers Alexander Maxwell & Co. of East Canaan, Connecticut, who provided marble for New York City Hall in 1838, and for a hundred columns used in an extension of the United States Capitol, Washington DC in 1860. This drawing comes from a group of designs for private memorials.
Piece
Object type: piece
Date: 1801 – 1900
Materials: cotton, wool
Subjects: birds,dogs,flowers
Page 38 and Page 39, from Seconde Livre de Figures d'Academies Gravées en Partie par les Professeurs de l’Académie Royale
Object type: print
Materials: paper
Techniques: etching, printing
Location: france
Artist: hyacinthe collin de vermont
Artist nationality: french
Artist dates: 1693 – 1761
"Assad Ibn Kariba Launches a Night Attack on the Camp of Malik Iraj", Folio from a Hamzanama (The Adventures of Hamza)
Object type: folio from an illustrated manuscript
Date: 1564 – 1569
Materials: textile, gold, ink, paper, watercolor
Location: kashmir
Artist: basavana
Artist role: artist
Subjects: battles,soldiers,men,horses

The Hamzanama relates the story of Hamza, an uncle of the prophet Mohammad and an ardent defender of the Muslim faith. In this scene, Assad ibn Kariba, a supporter of Hamza shown dressed in an orange jama, takes an army of unbelievers (non-Muslims) by surprise in a night attack. In the midst of the chaos, the unbelievers attack and kill one another. The drama-filled story of the Hamzanama was a favorite of the Mughal emperor Akbar, who commissioned this magnificent manuscript in 1562. Composed of 1400 illustrations and bound into several volumes, the work took nearly one hundred artists fifteen years to complete.
Derde eeuwfeest van de inname van Den Briel
Object type: history medal
Date: 1872 – 1872
Materials: bronze
Techniques: striking
Location: the hague
Artist: salomon de vries
Artist role: graveur, medailleur
Artist dates: 1830 – 1899
Subjects: brielle
Theo, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Gezicht op Bar Harbor op Mount Desert Island in Maine
Object type: photomechanical print
Date: 1875 – 1880
Materials: paper
Techniques: photograph
Location: bar harbor
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Jug, barrel-shaped
Object type: jug, barrel shaped
Date: 750 – 600
Materials: terracotta
Culture: cypriot

Broad and narrow bands and concentric circles.
Three Designs for a Funerary Monument or Epitaph
Object type: ornament architecture
Date: 1770 – 1790
Materials: graphite, ink, watercolor
Techniques: pen
Artist: jean michel moreau le jeune
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1814
Subjects: monuments,men,profiles,insignia

Three variants for a funerary monument or epitaph meant to be placed against a wall. The monuments are all composed of a portrait medallion with two branches below, a plaque with the letters D.O.M. (Deus Optimus Maximus) followed by a pseudo-inscription, and an escutcheon beneath in which a personal crest can be placed. The design in the middle is surrounded by sketchy lines in graphite which seem to suggest an elaboration of the design. On the bottom of the page the scale of the designs is indicated. On the verso there is an undefined sketch in graphite
Gezicht op Alblasserdam
Object type: sketchbook leaf
Date: 1809 – 1874
Materials: paper, pencil
Location: alblasserdam
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: city-view, and landscape with man-made constructions, landscapes, windmill in landscape
Inscriptions: date and inscription: ‘Alblasserdam./ Sept 26 [...] 1874’

Op de voorgrond zeil- en roeiboten en een molen. Blad 9 verso en 10 recto uit een schetsboek met 37 bladen.
Portret van Johann Geiler
Object type: print
Date: 1550 – 1650
Materials: paper
Techniques: letterpress printing, engraving
Subjects: theologian, historical persons
Dancer with Hobby Horse and Two Musicians
Object type: woodblock print
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: dancing,drums,dancers,musicians
Onderschotel van terrine met deksel, beschilderd met bloemtakken
Object type: platter
Date: 1760 – 1790
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: france
Artist: Anonymous

Onderschotel van ovale terrine van veelkleurig beschilderde faience. De onderschotel heeft een gelobde rand. Beschilderd met bloemtakken.
Reliquary(?) with Scenes from the Life of Buddha
Object type: reliquary
Date: 901 – 1000
Materials: bone, gold paint
Culture: india, jammu & kashmir or pakistan
Subjects: kashmir,buddhism,buddha

This container likely served as a Buddhist reliquary. There are three scenes: the first shows the miraculous birth of Siddhartha, the historical Buddha. He emerges from the right side of his mother, Queen Maya, who is supported by her sister, Mahaprajapati. The second scene depicts the temptation of Siddhartha as he meditates at Bodhgaya immediately before attaining enlightenment. The third scene is a rare representation of the crowned and jeweled Buddha setting into motion the wheel of law, a reference to his first sermon at the Deer Park at Sarnath.
Hoofd van een jongen, naar rechts
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Inscriptions: collector's mark: Lugt 2228
Zes onderdelen van kroonluchter van verguld brons en veelkleurig beschilderd Meissen porselein
Object type: chandelier
Date: 1725 – 1725
Materials: bronze, copper, porcelain
Location: meissen
Inscriptions: inscription: ‘N5 ; N7 ; N8 ; N13’, date, inscription, inscription: ‘BvGH’

Kroonluchter met veelkleurig beschilderd Meissen porselein. De kroon bestaat uit een balustervormige stam en zes armen, die gestoken zijn in zes ronde gaten in de koperen plaat, die het schaalvormige balusterdeel aan de bovenkant afsluit. De stam bestaat uit porselein, verguld brons en onversierd koper. De armen met kaarsenhouders en vetvangers zijn van porselein. De porseleinen delen van de armen en de stam zijn beschilderd met Indinische Blumen. De kroon is gemerkt.
Portret van Frederik de Grote
Object type: print
Date: 1820 – 1870
Materials: paper
Techniques: etching
Location: england
Artist: Anonymous
Subjects: berlin, frederick ii (king of prussia), (military) camp with tents, historical persons, king
S. Antoine de Padue (St. Anthony of Padua), June 13th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Vaandrig
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: (military) standard-bearer
Inscriptions: collector's mark: Lugt 240

Portret van een man met een vaandel in zijn linkerhand. Geidentificeerd als Gerrit Pietersz. Ruychaver. Onvoltooid: achtergrond en marge onder de prent zijn leeg gelaten.
Kamerschel
Object type: schel
Date: 1900 – 1910
Materials: copper
Location: netherlands
Artist: Anonymous

Kamerschel. Horend bij de betimmering van T. Nieuwenhuis, afkomstig uit het Huis 't Uiltje te Loenen-Nieuwersluis (zie ook BK-1970-93).
The Duenna's Return, from "Illustrated London News"
Object type: print
Techniques: engraving
Artist: william luson thomas
Artist role: engraver
Artist nationality: british
Artist dates: 1830 – 1900
Subjects: musical instruments,interiors,women,dogs

Within a 17th-century interior, an elderly woman carrying keys enters a room to discover that the young woman under her care has been trysting with an admirer—the latter's is face still visible through an open window in the adjacent room. Horsley became a Royal Academician in 1864, served as the institution's professor of drawing, and also was a proficient etcher and draughtsman on wood. Thomas's wood engraving reproduces a painting that Horsley showed at the Royal Academy in 1860, and the imagery well represents the type of romantic genre subjects for which he became known—Richard Parkes Bonington had pioneered this newly intimate mode of historical painting while working in France during the 1820s. The artist later reworked and simplified the composition in an etching published in "A Selection of Etchings by the Etching Club" in 1865, an example of which is in the Met's collection (17.3.2641(57)).
Marl ware jar with lug handles
Object type: jar, gooleh marl ware, lug
Date: 3850 – 2960
Materials: pottery
Location: egypt
Brother and Sister, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Fragment of a jug with pierced roundels
Object type: ewer
Date: 1650 – 1699
Materials: cobalt, glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: westerwald
Artist: Anonymous

Fragment van een kan van steengoed op hoge voet met een bolvormige buik. Het oor en de nek ontbreken. Profielen op de nek en voet. Gedeeltelijk bedekt met kobaltblauw. Op beide zijden van de buik een enigszins afgeplat, dubbelwandig gedeelte met een opengewerkte rozet omgeven door twee gedrukte en opgelegde cirkels in reliëf. Één met stippen en één doorlopende bladrank. Tussen beide zijden een verticale band met gedrukte en opgelegde medaillons met een bloem omgeven door driehoeken, die ook gevuld zijn met een bloem. Westerwald.
Germanicus
Object type: print
Date: 1646 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hubert quellinus
Artist role: print maker
Artist dates: 1619 – 1687
Subjects: piece of sculpture, reproduction of a piece of sculpture, male persons from classical history
Inscriptions: number: ‘68’

Klassieke buste van een jongen met ontbloot bovenlichaam, naar rechts gedraaid. De prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling van Gerard Reynst.
Sculptuur van een faun die Bacchus draagt in de Farnese collectie te Napels, Italië
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘No 5805.’, collector's mark: ‘VOSMAER’
Onderscheidenen voorstellen
Object type: popular print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: characters (human types)
Inscriptions: collector's mark: Lugt 2760

Blad met 15 voorstellingen van verschillende figuren en bezigheden. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 122.
Interieur met een kind bij een raam
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: toddler, window, interior of the house

Blad 6 recto uit een schetsboek met 51 bladen.
Head of a monkey from an ointment vessel
Object type: ointment jar fragment, monkey head
Date: 2323 – 2150
Materials: stone
Subjects: monkeys
Unidentified Woman
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: portraits,women
Vaas met decor van gestileerde palmetten
Object type: vase
Date: 1910 – 1910
Materials: earthenware
Techniques: painted
Location: oegstgeest
Artist: chris van der hoef
Artist role: ceramicist, draughtsman, sculptor
Artist dates: 1875 – 1933

Vaas, deel van een paar, van aardewerk, slank peervormig, beschilderd in blauw, bruin en zwart met gestileerde palmetten en andere ornamenten. Gemerkt: AMPHORA HOLLAND ontw CJvd HOEF 210-1; ingegrift 210.
Apostle Spoon: St. James the Greater
Object type: metalwork
Date: 1599 – 1600
Materials: metal, silver
Techniques: gilding
Location: london
Portret van Henri d'Artois
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: tuileries palace, historical persons
Inscriptions: signature: ‘Henri.’
Vrouw bij woning
Object type: photograph
Date: 1907 – 1935
Materials: glass
Techniques: autochrome process
Location: netherlands
Artist: Anonymous
Subjects: netherlands
S.J.W. Jansen-Grothe in haar atelier aan de Jacob van Lennepkade 55 in Amsterdam
Object type: later print
Date: 1903 – 1903
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: painter at work, in his studio, amsterdam
Inscriptions: inscription: ‘2A. ATELIE MEV: S.J.W. JANSEN - GROTHE J. V. LENNEPKADE 55/ 19 FEBRUARI 1903’, copyright notice: ‘World Copyright by W.M.A. Deppe’
Visitekaartje aan Philip Zilcken
Object type: visiting card
Date: 1854 – 1914
Materials: cardboard, ink
Techniques: pen, printing, writing
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Stater (Coin) Depicting the Goddess Athena
Object type: coin
Date: 345 – 317
Materials: metal, silver
Techniques: striking
Culture: greek
Location: syracuse
Inscriptions: Obverse: ΣΥΡΑΚΟΣΙΩΝ
"Syracuse"

The front (obverse) of this coin depicts the head of goddess Athena, helmeted, facing right. The back (reverse) depicts Pegasus facing left.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: koropi painter
Artist role: artist

Exterior, head and upper shoulders of youth to left, spear?
Schetsblad met vijf zeilschepen
Object type: drawing
Date: 1820 – 1872
Materials: paper, pencil
Techniques: brush
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: sailing-ship, sailing-boat
Portret van een zittende jonge vrouw met boek in de hand
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: willem tinker
Artist role: fotograaf
Artist dates: 1816 – 1894
Subjects: adolescent, young woman, maiden, historical persons, book
Inscriptions: inscription: ‘W. Tinker/ Photograaph/ Haarlem’
Twee takken
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Artist: max josef wagenbauer
Artist role: print maker
Artist dates: 1774 – 1829
Subjects: trees

Onderdeel van een tweedelige serie waarvan het eerste deel bestaat uit een titelprent en twintig voorstellingen van takken, bladeren, bomen en landschappen.
Arc de Triomphe
Object type: photograph
Date: 1878 – 1890
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: triumphal arch, paris

Onderdeel van Reisalbum Europese steden, vermoedelijk Zweeds.
Roermond. - Munsterkerk
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1923
Materials: cardboard
Techniques: photograph, writing
Location: roermond
Subjects: church (exterior)
Inscriptions: poststempel, verso, gestempeld
The Actor Otani Oniji III
Object type: print
Date: 1762 – 1819
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: men,actors
Graftombe van Elisabeth Michajlovna van Rusland in de Russische kerk van de Heilige Elisabeth te Wiesbaden
Object type: stereograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: russische kerk van de heilige elisabeth
Artist: l. wagner
Artist role: fotograaf
Subjects: grave, tomb, interior of church
Inscriptions: inscription: ‘L. Wagner vorm. Wagner & Jäckel Hof-Photographen. Wiesbaden. Taunus-Str. 12’, inscription: ‘Wiesbaden’