deem-data/ArtiFact huggingface dataset:
Staande vrouw en een mannenhoofd
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: head (human) (+ front view), standing figure - aa - female human figure (+ sideview, profile)

Staande vrouw, in profiel naar links. Op haar schouders mogelijk een juk. Verder een mannenhoofd. Pagina 80 uit een schetsboek met 70 bladen.
Not at Home, or a Disappointed Dinner Hunter
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men

A sloppily dressed footman greets an angry visitor and takes a tankard from a potboy.
Kaarte van Schouwen en Duiveland
Object type: print
Date: 1753 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) neptune (poseidon), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195

Linksonder de titelcartouche met rechts Neptunus. Rechtsboven een cartouche met de legenda. Rechtsonder een schaalstok: Schaale van duisend roeden Rynlands. Gradenverdeling langs de randen.
Couronne de l'Impératrice Ste. Cunegonde
Object type: print
Date: 1859 – 1864
Materials: paper
Techniques: chromolithography
Location: paris
Subjects: crown (symbol of sovereignty)
Page from "Stern des Meschiah"
Object type: print
Date: 1477 – 1477
Techniques: woodcut
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: men,women
Bottle
Object type: bottle
Date: 1725 – 1730
Materials: hard paste porcelain, silver gilt
Artist: vienna
Artist role: manufactory
Subjects: human figures,drums
Riviergezicht
Object type: print
Date: 1739 – 1804
Materials: paper
Techniques: etching
Artist: johann andreas benjamin nothnagel
Artist role: print maker
Artist dates: 1729 – 1804
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 240
L'ouvrage de Charles le Brun
Object type: album leaf
Date: 1695 – 1695
Materials: paper
Techniques: etching
Subjects: ornaments ~ art, river-gods, cupids: 'amores', 'amoretti', 'putti'

Deze prent maakt deel uit van een album.
St. Pieter- en Bloklands Gasthuis, Amersfoort
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: amersfoort
Artist: Anonymous
Subjects: old-people's home
Philipus I. et Joanna
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: filips de schone (hertog van bourgondië), historical persons - bb - woman, historical persons, queen, ruler, sovereign

Portret afkomstig van een grote prent, getiteld 'Series Chronologica et Imagines Regum Hispaniae ab Ataulpho ad Carolum II', bestaande uit meerdere bladen die samengevoegd konden worden, uitgegeven door Petrus de la Tour in 1698.
Portret van Alexander de Grote
Object type: print
Date: 1549 – 1575
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 240

Prent gebruikt in: Giovio, Paolo. Elogia Virorum bellica virtute illustrium (...). Bazel: Peter Perna, 1575.
Panel (Furnishing Fabric)
Object type: textile
Date: 1770 – 1780
Materials: cotton, linen
Techniques: weave, printing
Location: england
Dish in the Shape of a Princess
Object type: plate
Materials: enamel, porcelain
Techniques: overglaze, underglaze
Culture: japanese
Subjects: women

This unusual dish is in the shape of a Heian court lady, identified by her sumptuous, multilayered attire and flowing black hair. The Heian period occurred several centuries before this piece was made, but was remembered as a high point in Japanese culture. It was a time of vibrant court life, when court ladies were becoming involved in literary pursuits; the beauty Ono no Komachi was composing poetry at this time, and the author Murasaki Shikibu penned her famous novel The Tale of Genji. People of the Edo period, when this dish was made, would have recognized a Heian noblewoman's appearance from the beautiful handscrolls that depicted stories from that era. Although this dish was produced at the Arita kilns, which are mainly associated with export porcelain, it was intended for a Japanese buyer. During the time this dish was made, in the mid-1700s, porcelain exports were slowing down and there was a focus instead on the domestic market. Additionally, the historical subject matter and unique shape suggest that this piece was privately commissioned by a Japanese customer. Several other dishes with similar designs are known, and it is believed that they have auspicious significance and were presented as gifts to children at holidays.
Gold Solidus of Theodosius I (379–95)
Object type: solidus
Date: 379 – 395
Materials: gold
Culture: byzantine
Location: constantinople
Subjects: profiles,coins
Omnes artes, quae ad humanitatem pertinent, habent commune quoddam vinculum
Object type: bookplate
Date: 1806 – 1806
Materials: paper
Techniques: engraving, etching
Location: belgium
Subjects: ghent, politician, reading, sitting figure - aa - female human figure, study; 'studiolo'; library, globe, philosophy
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Jan van der Heyden, ca. 1673
Object type: history print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: amsterdam, painter, print maker, draughtsman, jan van der heyden, pump (fire-extinguishing equipment)

Jan van der Heyden bij het blussen van een brand, ca. 1673. Onderdeel van de groep staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti et Amicitiae.
Portretten van prominente figuren
Object type: print
Date: 1642 – 1678
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Card Number 245, Ruth Stetson, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Zeilschepen voor de kust
Object type: drawing
Date: 1818 – 1865
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: petrus johannes schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1865
Subjects: sailing-ship, sailing-boat, sea (seascape)
Rusland, czaar Peter I (de Grote), ½ roebel, 1701
Object type: coin
Date: 1718 – 1722
Materials: silver
Techniques: striking
Location: sint-petersburg
Artist: Anonymous

Zilveren munt. Voorzijde: gelauwerd hoofd van de czaar naar rechts. Keerzijde: dubbelkoppige adelaar met in de poten scepter en rijksappel. Op beide koppen een kleine kroon, waarboven een grote kroon. Randschrift, waarin jaartal?
Drentse schaapskooi
Object type: print
Date: 1865 – 1936
Materials: paper
Techniques: drypoint, etching
Artist: nicolaas van der waay
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1936
Subjects: piglet, suckling pig, stall, stable
Inscriptions: collector's mark: Lugt 2228
Grid of twenty portraits of actresses (pink), from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Anvers. Gare Centrale et Place de la Statione
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: antwerp
Artist: Anonymous
Subjects: square, place, circus, etc., station; shelter (railway, tramway), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), antwerp
Netsuke of Two Dogs
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: dogs
Het innen van belastingen (?).
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: dealing in money
Brief aan Héloïse Bernard-Bodin
Object type: letter
Date: 1878 – 1941
Materials: ink, paper
Techniques: pen, writing
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: héloïse bernard-bodin

Brief gedateerd fevrier 1899 in latere hand.
Ionic base, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1537 – 1537
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: architecture,leaves

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 47 in the scrapbook.
Toujours Chic Les Deshabillés, Hiver 1921-1922: Vision
Object type: fashion print
Date: 1921 – 1922
Materials: paper
Techniques: letterpress printing, pochoir
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

Prent uit Catalogus "Toujours Chic" waarin een overzicht van de wintermode 1921-1922.
Lock
Object type: lock
Date: 1700 – 1800
Materials: iron
Culture: american
Location: united states
Figure of a Dog
Object type: sculpture
Date: 1 – 200
Materials: ceramic, pigment, terracotta
Techniques: modeling
Location: colima
Subjects: feast, animals, death, underworld, dog
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

On the shoulder, shoulder ornament; unidentified subject; below top of a head?
Prentalbum met collages van uitgeknipte prenten
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1870 – 1870
Materials: paper
Techniques: bookbinding, engraving
Location: paris
Artist: Anonymous

Album met rode omslag en 18 bladen. Voorzien van uitgeknipte prenten, vermoedelijk afkomstig uit 19e-eeuwse tijdschiften, in een decoratieve, vaak symmetrische compositie.
De oogst bij het dorp Houten
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerardus emaus de micault
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: harvest

Op een veld voor een boerderij zijn vijf personen aan het oogsten. Een ruiter te paard spreekt een zesde persoon aan.
Manjushri, the Bodhisattva of Transcendent Wisdom
Object type: hanging, temple
Date: 1601 – 1800
Materials: cord, leather, textile, silk, silver
Techniques: appliqué, brocade, damask, embroidery
Culture: chinese
Subjects: deer,bodhisattvas,manjushri

This monumental appliqué shows Manjushri with his identifying attributes—a sword and book on adjacent lotuses—riding a blue lion. Manchu rulers, especially Emperor Qianlong (r. 1736–95), revered this bodhisattva; the Suzhou imperial workshop likely fabricated the piece as a gift to a Tibetan monastery. Various silks were used: silk strips to suggest the volume of the folds in his garment and couched silk cords to delineate the lion’s mane and tail. Above, the blue Buddha Akshobhya attests to Chinese familiarity with Tibetan conventions. At lower left is the pilgrim Sudhana, the ideal devotee who receives teachings from Manjushri.
Yoshiwara, section of sheet no. 4 from the series "Cutouts of the Fifty-three Stations (Gojusan tsugi harimaze)"
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Tankard
Object type: tankard
Date: 1651 – 1700
Materials: pewter, stoneware
Techniques: salt glaze

German stoneware tankards were brought to America in large numbers on Dutch fur-trading ships. Shards of these popular vessels have been uncovered at seventeenth century sites in New York and New England.
East Hampton Meadows
Object type: painting
Date: 1883 – 1883
Materials: canvas, oil
Culture: american
Artist: george henry smillie
Artist role: artist
Artist nationality: american
Artist dates: 1840 – 1920
Subjects: landscapes
Valentine - Mechanical, four ovals, flaps, images
Object type: valentine
Date: 1875 – 1875
Materials: ink
Techniques: chromolithography, cutting, gilding
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
Subjects: boys,girls,cupid,flowers
Virgin and Child
Object type: sculpture
Date: 1515 – 1520
Materials: wood
Location: mechelen
Artist: Anonymous
Inscriptions: mark, on the reverse, branded: three vertical pales (the Mechelen wood quality mark)

Zij staat op een plintvormig grondje met het rechterbeen naar voren, houdt met de rechterhand het naakte, naar de beschouwer toegewende kind, van wie zij met de linker de gekruiste beentjes vast heeft. Het Kind houdt met beide handen een om hem heen hangende rozenkrans, waaraan een gebedsnoot hangt. Om het hoofd draagt Maria een gewonden parelband, over het onderkleed een gewaad met mouwen en lage rechthoekige halsuitsnijding. De mantel, die naar rechts is toegeslagen, wordt onder beide armen opgehouden.
Jacobus I van Schotland wordt door verraders op gruwelijke wijze vermoord, 1437
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: attempt, political murder
Inscriptions: collector's mark: Lugt 2228, number: ‘3’

Proefdruk van illustratie uit: Bos, Lambert van den. Treur-toonneel der doorluchtige mannen, of Op- en ondergang der grooten, 3 delen. Amsterdam: Jan Claesz ten Hoorn, 1698, dl. I.
Plattegrond van de opgravingen van Delphi
Object type: area plan
Date: 1895 – 1905
Materials: paper
Techniques: printed materials
Location: patras
Artist: j. djanides
Artist role: drukkerij
Subjects: maps, atlases, excavation ~ archaeology

Plattegrond van de opgravingen van Delphi, behorend bij foto RP-F-F01148-DB. Blijkens opdruk op de achterzijde werd deze vermoedelijk uitgereikt aan gasten van Le Grand Hôtel Apollon Pythien in Delphi. Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Landschap met bebouwing
Object type: sketchbook leaf
Date: 1910 – 1910
Materials: chalk, paper
Location: north holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes, rural housing, e.g. country-house, villa, cottage

Pagina 23 en pagina 24 uit een schetsboek met 45 bladen.
Terracotta fragment of a kylix (drinking cup) or a skyphos (deep drinking cup)?
Object type: kylix or skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic
Portret van keizer Karel VI
Object type: print
Date: 1710 – 1740
Materials: paper
Techniques: engraving, etching
Location: vienna
Subjects: vienna, charles vi (holy roman emperor), historical persons, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
Saint John the Baptist
Object type: plaquette
Date: 1600 – 1600
Materials: gilt bronze
Subjects: lambs,saint john the baptist,cross
Tumbler
Object type: tumbler
Date: 1850 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Christ in the Garden of Gethsemane (Matthew 26:36-46)
Object type: drawing
Date: 1600 – 1600
Materials: ink
Techniques: brush, pen, drawing, wash
Artist: anonymous, german, 16th century
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1600
Subjects: gardens,men,christ
The Apostle Saint James
Object type: print
Date: 1722 – 1722
Techniques: woodcut
Artist: conte anton maria zanetti
Artist role: artist
Artist nationality: italian
Artist dates: 1680 – 1767

Zanetti has here described the pose and drapery of Saint James through layers of colored ink, avoiding printmakers’ traditional reliance on outlines and linear shading. The artist employed a technique known as chiaroscuro woodcut, in which he formed an image by successively printing three woodblocks, each in its own color. He reserved passages of bare paper in order to create the bright highlights seen on the figure’s right arm and shoulder, which contrast with the shadows around his legs and backside. Due to the difficulty of printing chiaroscuro woodcuts, Zanetti was one of only a few eighteenth-century printmakers to practice the technique.
Beroemde plaatsten in Kyoto
Object type: print
Date: 1833 – 1837
Materials: paper
Techniques: woodcut, nishiki e
Location: japan
Artist: utagawa hiroshige (i)
Artist role: draughtsman, print maker
Artist dates: 1797 – 1858
Subjects: walking, coast, carrying something on the head or on the shoulders
Inscriptions: collector's mark: Lugt 2228

Drie vrouwen, verschillende materialen en voorwerpen op het hoofd dragend, lopend tussen groene heuvels; op de achtergrond een man een paard voorttrekkend en de daken van het dorp Yase. Vrouwen uit Yase stonden erom bekend ladingen op hun hoofd te vervoeren.
Waterval en bergmeer, in Zuid-Afrika
Object type: photograph
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: south africa
Artist: karel frederik van den berg
Artist dates: 1873 – 1948
Subjects: waterfall, lake

Deze foto's zijn onderdeel van een album.
Vase
Object type: vase
Date: 1877 – 1879
Materials: earthenware
Culture: american
Location: france
Artist: charles volkmar
Artist role: decorator
Artist nationality: american
Artist dates: 1841 – 1914
Subjects: boats
Design for a Stage Set (recto); Architectural Design (verso)
Object type: drawing
Date: 1780 – 1804
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: francesco navone
Artist role: artist
Artist nationality: italian
Artist dates:  – 1804
Subjects: stage design
Kunstkabinet
Object type: cabinet
Date: 1800 – 1899
Materials: glass, wood
Techniques: veneering
Location: southern germany
Artist: Anonymous
Bucket
Object type: bucket
Date: 1840 – 1840
Materials: porcelain
Culture: japanese
Subjects: ducks
Griekenland, 5 drachmen, 1930
Object type: coin
Date: 1930 – 1930
Materials: nickel
Techniques: striking

Koper-nikkelen munt. Voorzijde: uit vlammen oprijzende vogel Phoenix met gespreide vleugels en de kop gewend naar van links komende bliksemschicht. Bover Phoenix een kruis. Jaartal onderaan. Keerzijde: waarde-aanduiding in twee regels. Kartelrand.
King Henry Condemning Cambridge, Scroop and Northumberland
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching, stippling
Location: england
Artist: robert thew
Artist role: engraver
Artist nationality: british
Artist dates: 1758 – 1802
Book of Hours
Object type: book
Materials: board, gold leaf, graphite, ink, marble, parchment, paint
Techniques: bookbinding, cutting, stamping
Location: netherlands
Artist: master of zweder van culemborg
Artist nationality: netherlandish
Rudolf z Ottenfeldu
Object type: page
Date: 1891 – 1895
Materials: paper
Techniques: photograph
Location: prague
Subjects: mother and baby or young child
Miss Ninon, from the Actresses series (N190) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: lithography
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N190), issued in 1889 by Wm. S. Kimball & Co.
Panniers
Object type: pannier
Date: 1760 – 1770
Materials: metal, silk
Culture: french

Panniers, hooped petticoats fashionable in Europe for much of the eighteenth century, provided support for the era’s voluminous gowns. They also tested a woman’s “natural” grace. The ability to carry oneself elegantly and with the impression of ease despite such cumbersome undergarments was a learned skill and a marker of high social status. This pannier, a rare surviving example, has been fitted with hinges that allow the hoops to be lifted, facilitating movement in tight spaces. From their introduction, panniers were a subject of ridicule. They were attacked, mainly by men, on a number of grounds: as unnatural in their distortion of the figure; as socially destabilizing when adopted by bourgeois women; and as an invitation for women to behave promiscuously, since their volume could obscure pregnancy. The charges had little effect on the pannier’s popularity.
Water Dropper in the Shape of a Youth Seated on a Drum and Holding a Gourd on His Back
Object type: water dropper
Date: 1601 – 1700
Materials: enamel, porcelain
Techniques: overglaze
Culture: japanese
Subjects: men,drums,gourds
Dorpsgezicht in Rijnsburg
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: velsen
Subjects: canals, waters (in village), street
Moraliserende liefdesemblemen
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: france
Subjects: qualities of love: first series (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2166

Een zeegezicht tussen twee, tegen elkaar aan groeiende, palmbomen door. Op een banderol een devies in Latijn en een onderschrift in Frans, beide over de liefde.