deem-data/ArtiFact huggingface dataset:
A25: Virginia Drawing Room, 1755
Object type: miniature room
Date: 1940 – 1940
Location: united states
Artist: narcissa niblack thorne
Gothiká monstrance stribrná z XV. stoleti
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: ostensorium, monstrance
Tarawangsa
Object type: tarawangsa
Date: 1801 – 1900
Materials: metal, mother of pearl, parchment, silk, wood
Culture: javanese, sunda
Location: indonesia
Insertion
Object type: insertion
Date: 1600 – 1600
Techniques: embroidery
Insekten
Object type: popular print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: insects
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van insekten. Boven elke afbeelding een titel, onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 189.
Plate with arms of the Poterat family
Object type: plate
Date: 1710 – 1710
Materials: faience
Techniques: glazing
Subjects: flowers,coat of arms

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Portret van Samuel Seabury
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 12
"The Monkey Escapes to the Safety of the Fig Tree", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: monkeys,turtles,trees

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Short Beaker Depicting Costumed Ritual Performer
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Portret van Don Manuel de Castel Rodrigo
Object type: print
Date: 1619 – 1680
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: governor, etc. of province
Inscriptions: collector's mark: Lugt 2228

Portret van gouverneur Don Manuel de Castel Rodrigo, halffiguur staand in rondbooglijst. In ondermarge vier regels Latijnse tekst.
Band Fragment
Object type: band fragment
Date: 501 – 600
Materials: linen, wool
Location: egypt
Subjects: mythical creatures
Conroy, Washington, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: lithography
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Decoratie van de gewelven van de bibliotheek in Hôtel Séguier
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving, etching
Subjects: human sacrifice ~ roman religion, justitia (justice) as roman personification, (decorated) ceiling
Inscriptions: collector's mark: Lugt 2228
Ruit met rode hoorn met een koord aan een spijker
Object type: light window
Date: 1600 – 1699
Materials: glass, lead
Techniques: leading
Artist: Anonymous

Ruit met in een ovaal een rode (post?)hoorn hangende met een koord aan een spijker.
Acht cartouches
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Artist: stefano della bella
Artist role: draughtsman, print maker
Artist dates: 1610 – 1664
Subjects: (human) skull, violin, fiddle, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 240

Een cartouche met een viool, een banderol met tekst en bovenop een schedel met gevederde helm.
Standing Angel Holding a Scroll
Object type: drawing
Date: 1614 – 1614
Materials: chalk, gouache, paper
Techniques: brush, highlighting, drawing, wash
Artist: giovanni domenico caresana
Artist role: artist
Artist nationality: italian
Artist dates: 1574 – 1619
Subjects: angels
Nativity
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: men,women,nativity
Beelden in Sanjusangen-tempel in Kyoto
Object type: photograph
Date: 1890 – 1894
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: kyoto
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, statues, paintings, etc. ~ objects of worship (hinduism, buddhism, jainism) - hh - in the open air, kyoto
Inscriptions: negative number: ‘1364’

Onderdeel van Album met 69 foto's van een reis door Japan.
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: tony lodewijk george offermans
Artist role: genreschilder
Artist dates: 1854 – 1911
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Franklin Bartlett
Object type: photomechanical print
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: politician, e.g. party leader
Schetsboek met 35 bladen
Object type: sketchbook
Date: 1810 – 1891
Materials: cardboard, chalk, charcoal, linen, paper
Location: paris
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: female dancer, architecture, street (+ city(-scape) with figures, staffage), paris
Inscriptions: retailer's mark: ‘Magazijn van/ Papier/ Kantoor-/ H.J.T. Matveld/ 2E Wagenstraat, 127/ Teeken- &/ Schilderbehoeften’, collector's mark: Lugt 2228

Schetsboek bestaande uit 35 bladen met stadsgezichten van Parijs, danseressen in de Moulin Rouge en ridders te paard in harnas uit het Musée des Invalides.
Pilgrim bottle
Object type: pilgrim bottle
Date: 1601 – 1800
Materials: glass
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Part of the two fronds of a palmette with a tendril?
A Templar at His Studies
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs

A barrister yawns over a brief reclining in an arm-chair, extending his bare legs to the fire at right. A young woman, partly dressed, arranges her hair at a mirror at left.
Portret van een jonge vrouw
Object type: photograph
Date: 1878 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: adolescent, young woman, maiden, historical persons
Inscriptions: inscription: ‘(...)/ ALBERT GREINER/ KON. NED. HOF-PHOTOGRAAF/ AMSTERDAM/ NIEUWENDIJK 89./ Specialiteit in Vergrootingen.’
Nieuwjaarswens van de gaslantaarnopstekers van Amsterdam voor het jaar 1885
Object type: print
Date: 1884 – 1885
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: gas-lamp, gas supply, digging (industrial process), street lighting, amsterdam

Nieuwjaarswens van de Amsterdamse gaslantaarnopstekers voor het jaar 1885. Centraal een vers in twee kolommen. Bovenaan de Dam met de beurs van Zocher te Amsterdam. Onderaan de Hollandsche Gasfabriek en twee gasfitters aan het werk. Van de gaslantaarnopsteker: H. Raus. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Oostzijde van Leeds Castle
Object type: page
Date: 1864 – 1869
Materials: photographic support
Techniques: albumen print
Location: leeds castle
Artist: john cruttenden
Artist role: fotograaf
Artist dates: 1825 – 1892
Subjects: castle, landscape with tower or castle
Inscriptions: inscription: ‘No.2.’
Evening boots
Object type: evening boot
Date: 1865 – 1870
Materials: silk
Culture: french
Ibsamboul, Colosse Médial (Enfoui) du Spéos de Phrè Nubie, Palestine et Syrie, plate 106 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Inscriptions: Printed recto, on album page, upper center, above image, in black ink: "NUBIE."; recto, on album page, lower left, below image, in black ink: "Maxime Du Camp."; recto, on album page, lower right, below image, in black ink: "Gide et Baudry, Editeurs."; recto, on album page, lower center, in black ink: "IBSAMBOUL. / COLOSSE MÉDIAL DU SPÉOS DE PHRÈ. / Imprimerie Photographique de Blanquard-Evrard, à Lille. / Pl. 106."; unmarked verso
Portret van een onbekende zittende jongeman
Object type: photograph
Date: 1857 – 1857
Materials: glass, metal, plastic, velvet
Techniques: ambrotype
Artist: Anonymous
Subjects: sitting figure, historical persons, youth, adolescent
The Actor Nakamura Karoku I as Fujiya Azuma
Object type: print
Date: 1827 – 1827
Techniques: woodblock print
Location: japan
Artist: shunshosai hokucho
Artist nationality: japanese
Artist dates: 1822 – 1830
The Snack
Object type: print
Date: 1787 – 1793
Techniques: stippling, wash
Artist: louis marin bonnet
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1793
Subjects: girls,men,women,dolls,plants
[Photo Collage: Man Reclining with Violin]
Object type: carte de visite
Date: 1875 – 1875
Techniques: albumen silver print, lithograph
Artist: juan pedro chabalgoity
Artist role: artist
Artist nationality: uruguayan
Artist dates: 1848 – 1909
Subjects: men,violins,musicians

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
Gierigheid
Object type: book illustration
Date: 1723 – 1767
Materials: paper
Techniques: etching, letterpress printing
Subjects: covetousness; 'avaritia' (ripa) ~ personification of one of the seven deadly sins
Inscriptions: collector's mark: Lugt 2228

Vignet met de beeltenis van de gepersonifieerde Gierigheid in een cartouche, omringd door duivelse figuren, slangen en geld. Ze houdt een geldzak in haar hand en draagt een ketting om haar middel. De prent maakt deel uit van een reeks boekillustraties over deugden en ondeugden.
Plate Three from Collection of Various Vases
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: etching
Location: italy
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Zelfportretten van Cor van Teeseling
Object type: drawing
Date: 1942 – 1942
Materials: paper, pencil
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman
Inscriptions: signature and date: ‘Cor van Teeseling / 10-2-1942 / B-1-1’

Zelfportret van Cor van Teeseling met sjaal: B-1-1, 10 februari. Getekend zelfportret van Cor van Teeseling driekwart met sjaal, zijn hoofd naar links gewend.
Bottle
Object type: bottle, akhenaten
Date: 1353 – 1336
Materials: faience
Location: egypt

This bottle is decorated with the inlaid cartouches of Akhenaten and Nefertiti. The forms of their names indicate that the bottle was made in the later years of the king's reign, when he resided at Amarna. Bottles of this type appear on stands in the banquet and palace storehouse scenes depicted in the tombs at Amarna. These vessels show the skill with which the faience workers of Amarna were able to produce large objects as well as smaller pieces, such as jewelry and inlays.
Veld van negen tegels met vazen
Object type: tile
Date: 1640 – 1660
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van negen tegels (3 x 3) elk met een blauw geschilderde vaas. In de hoeken, een lelie. Oorspronkelijk was dit een veld van 16 tegels.
Wine taster
Object type: wine taster
Date: 1763 – 1764
Materials: silver
Artist: pierre antoine viaucourt
Artist role: maker
Artist dates: 1699 – 1799
The Church of St. Etienne-du-Mont, Paris
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: drypoint, etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: churches,paris
Plate 27: The female personification of Fortitude, holding a pillar and stroking a lion; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Object type: print
Date: 1657 – 1657
Techniques: etching
Artist: carlo cesio
Artist role: artist
Artist nationality: italian
Artist dates: 1622 – 1682
Bowl with Pouring Lip
Object type: bowl
Date: 401 – 600
Materials: ceramic
Culture: maya
Location: guatemala
Portret van Heinrich Gottlieb Tzschirner
Object type: print
Date: 1828 – 1858
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Maria van Hongarije, landvoogdes der Nederlanden, rekenpenning van de raad van Financiën
Object type: jeton
Date: 1540 – 1544
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: brussels, maria van hongarije (landvoogdes der nederlanden)

Koperen penning. Voorzijde: letter M onder hand en accolade, boven jaartal binnen omschrift. Keerzijde: tweekoppige adelaar onder kroon houdt ruitvormig wapenschild voor zich binnen omschrift
Voor vorst en vaderland waagt deze heldenstoet, / Komt het op vechten aan, hun welvaart en hun bloed
Object type: popular print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: alexander cranendoncq
Artist role: draughtsman, print maker
Artist dates: 1799 – 1869
Subjects: warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van militairen te paard. Onder elke voorstelling een tweeregelig vers. Genummerd rechtsboven: No. 75.
Landscape with Philemon and Baucis, from Large Landscapes
Object type: print
Materials: paper
Techniques: engraving
Location: netherlands
Artist: schelte adamsz. bolswert
Artist role: print maker
Artist nationality: dutch
Artist dates: 1586 – 1659
Inscriptions: Inscribed in plate: “Occidit Vna domus: Sed non domus Vna perire / Digna fuit: qua terra paret fera regna Erÿnnis: / In facinus Jurasse putes dent ocius omne: / Quas meruere pati sic stat sententia poenas. Ovidii Metamorph.s L.I. / D.o ac Ma[g]isto PHILIPPO VAN VALKENIS I.C.Q.L. / Secretario Antverpiensi. D.C.Q. Ægidius Henrici.”; inscribed lower left to right, in plate: Pet. Paul Rubbens pinxit / S. à Bolswert sculpsit / Gillis Hendricx excudit / Antverpiæ

Toward the end of his life, Peter Paul Rubens realized a series of six large landscape prints, all but one engraved by Schelte Adamsz. Bolswert. The genre of landscape painting had become especially important to Rubens in his final decade, when he purchased a country estate and retired from city and court life. Though artists more typically represent Philemon and Baucis, the modest and elderly couple from Ovid’s Metamorphosis, when they receive Jupiter and Mercury as dinner guests, here we see the destructive forces of nature at Jupiter’s command with the gods and their humble hosts ascending to a mountain top at the viewer’s left.
17de-eeuws Frans dressoir van hout, op de Exposition Rétrospective van 1877 in Lyon, Frankrijk
Object type: page
Date: 1877 – 1880
Materials: paper
Techniques: photoaquatint
Location: lyon
Subjects: ornamental cupboard (+ wood and other phytogenic material), lyon
Inscriptions: inscription: ‘EXPOSITION RÉTROSPECTIVE DE LYON/ PAR J. B. GIRAUD.’, inscription: ‘DRESSOIR/ FRANCE_XVIIe SIÈCLE/ COLLECTION DE Mr CHAMBRIÈRES-ARLES.’, number: ‘PL. XL.’
Path Through Trees
Object type: drawing and watercolor
Date: 1877 – 1877
Materials: board, graphite, paper
Location: netherlands
Artist: hermanus koekkoek (i)
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1815 – 1882
Ionische zuilen en hoofdgestel
Object type: book illustration
Date: 1640 – 1640
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: orders, order-books ~ architecture, ionic order ~ architecture

Prent uit: Vignola, Giacomo Barozzi da. Regola delli cinque ordini d'architettura (...). Amsterdam: Johannes Willemszoon en Cornelis Blaeu, 1640, p. 37.
Boerderij onder bomen
Object type: print
Date: 1855 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
16de-eeuws harnas met degen uit het leger van Karel IX van Frankrijk, uit de collectie van het Musée d'Artillerie in Parijs
Object type: photomechanical print
Date: 1877 – 1882
Materials: paper
Techniques: woodburytype
Location: paris
Artist: Anonymous
Subjects: armour, hacking and thrusting weapons: rapier
Inscriptions: check stamp: ‘PHOTOGLYPTIE/ LEMERCIER ET Cie/ PARIS’

Deze prent maakt deel uit van een omslag met 36 prenten, een titelblad en een lijst van afbeeldingen.
Gezicht op vijf onbekende mannen voor een strooien woning
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons, housing
Ter bruylofte van den Heer en Mr. Samuel Thiens, en Juffrouw Ester Maria Cocq, in den Echt vereenigt binnen Amersfoort den 30 December 1720
Object type: book
Date: 1720 – 1720
Materials: paper
Techniques: bookbinding, letterpress printing
Location: middelie
Subjects: satire on marriage
Inscriptions: date

Tekst uitgesproken in de kerk door C.H. van Heimenberg, tijdens de bruiloft op 30 december 1720 in Amersfoort. Acht pagina's tekst in een omslag van brokaatpapier. Op het titelblad het drukkersvignet, en een gedecoreerd initiaal W aan het begin van de tekst.
Seated Buddha
Object type: statuette
Date: 1801 – 1900
Materials: gilt, wood
Culture: cambodian
Subjects: buddhism,buddha
Dish
Object type: dish
Date: 1567 – 1600
Materials: stonepaste
Techniques: glazing, painting
Location: turkey
Subjects: flowers
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the upper torso of a male to right, wearing a himation
Textile fragment with repeating pattern of cranes and chrysanthemums
Object type: fragment
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: flowers
J-B. Bossuet: Standing
Object type: print
Materials: paper
Techniques: aquatint
Location: france
Artist: jean-baptiste de grateloup
Artist role: painter, print maker, sculptor
Artist nationality: french
Artist dates: 1735 – 1817
Terracotta fragment of a hydria: kalpis (water jar)
Object type: kalpis fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Lower body of a draped male?; start of handle root
Trompetter van de rijdende artillerie, 1830-1831
Object type: costume print
Date: 1831 – 1832
Materials: paper, pencil
Techniques: brush, lacquer
Location: netherlands
Artist: Anonymous
Subjects: professional clothes, (military) uniforms, netherlands

Een trompetter van de rijdende artillerie, te paard. Onderdeel van het album met 39 ingeplakte tekeningen van militairen van de Koninklijke Nederlandsche Armee uit 1830-1831.
Ex libris van Karl en Marein Bock
Object type: bookplate
Date: 1923 – 1923
Materials: paper
Techniques: lithograph
Location: austria
Artist: wilhelm sauer
Artist role: print maker
Artist dates: 1892 – 1930
Subjects: karl bock, sitting figure, grand piano, book, closed window
Gold amulet case
Object type: bead pendant, tubular
Date: 1 – 300
Materials: gold
Culture: roman, cypriot

The cases contained spells invoking divine protection, written on thin sheets of gold or on papyrus. The practice originated in Egypt but was later very popular with the Phoenicians, from whom it is likely that it was passed on not only to Cyprus but also to Carthage. Amulet cases continued to be made well into Roman times and may be seen as the prototype for Islamic amulets.
de Avondpost; dagblad voor stad en land
Object type: newspaper
Date: 1898 – 1898
Materials: paper
Techniques: printing
Location: the hague
Subjects: the hague, wilhelmina of the netherlands, netherlands

Eén van een serie kranten, nrs. 4056 t/m 4073, van "de Avondpost" met berichten over de inhuldiging van koningin Wilhelmina 1898.
Marie-Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757–1834)
Object type: relief
Date: 1701 – 1800
Materials: ivory, silk, silver
Subjects: men,profiles,marquis de lafayette
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1890 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘C. J. L. Vermeulen/ Heiligenweg hoek Singel/ Heerenstraat 6./ Telephoon No. 2339 en 2340./ Amsterdam./ Toussaintkade 11./ den Haag./ Intercommunal Telephon: 774.’