deem-data/ArtiFact huggingface dataset:
Cohasset, from the Fancy Bathers series (N187) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Fancy Bathers" series (N187), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Judith en haar dienstmaagd onderweg naar het kamp van Holofernes
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: etching
Location: antwerp
Subjects: 71u423
Inscriptions: collector's mark:, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Judith met haar dienstmaagd onderweg naar het kamp van Holofernes worden staande gehouden door de wachters van de Assyriërs. Plaat nr. 2 in een serie van vier over het verhaal van Judith en Holofernes.
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 168 : Grande robe du soir (...)
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving, hand coloring, pochoir
Subjects: dress, gown: evening dress (+ women's clothes), wig - aa - ~ women, birds, fashion plates
Inscriptions: inscription: ‘Cop. J. N. A. et Cie 1914’, caption: ‘Grande robe du soir en brocart d'argent. Perruque bleue, aigrettes’, title: ‘Costumes Parisiens’

Vrouw gekleed in een avondjapon met sleep van zilverbrokaat. Op het hoofd een blauwe pruik, haarnet(?) en aigrettes. Op de achtergrond een tak waarop een witte vogel met lange staartveren. Prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Brief aan Philip Zilcken
Object type: letter
Date: 1887 – 1887
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: london, matthijs maris, marinus van der maarel, print maker, alexis forel, amsterdam, painter, draughtsman, rembrandt van rijn, frederick keppel, frederik baron van hogendorp, philip zilcken, distribution of awards ~ art contest, the graphic arts, travelling; tourism, money, paris
Inscriptions: watermark, collector's mark: ‘RPK’
Le deux roses
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Subjects: portraits,women
Table screen with the gathering in the Western Garden
Object type: table screen
Date: 1701 – 1800
Materials: ivory
Culture: chinese
Subjects: trees
Portret van Antonio Gomez
Object type: print
Date: 1810 – 1842
Materials: paper
Techniques: lithograph
Location: london
Artist: frank w. wilkin
Artist role: print maker
Artist dates: 1800 – 1842
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Zweden, Gustaf IV Adolf, 1/12 skilling, 1802
Object type: coin
Date: 1802 – 1802
Materials: copper
Techniques: striking
Location: slot rörstrand

Koperen munt. Voorzijde: tussen drie kronen monogram van de vorst, waarboven koningskroon. Keerzijde: twee gekruiste pijlen. Waarde-aanduiding in het veld. Jaartal onderaan. Kartelrand.
Cup-shaped Miniature Ornament
Object type: ornament
Date: 701 – 1566
Materials: gilt, silver
Techniques: hammering
Culture: peruvian
Location: peru
Tronende Henrietta Maria van Bourbon, koningin van Engeland
Object type: book illustration
Date: 1639 – 1639
Materials: paper
Techniques: etching
Location: london
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: henriëtta maria van frankrijk (koningin van engeland, schotland en ierland), (story of) minerva (pallas, athena), throne - bb - female ruler
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: La Serre, Jean Puget de. Histoire de l'entree de la Reine mere du Roy trés chrestien dans la Grande Bretaigne. Londen, 1639.
Pardonnez-moi, ô mon Dieu!..., from Les Comédiens de Société, published in Le Charivari, April 3, 1858
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women
Mythologische scènes
Object type: print
Date: 1628 – 1682
Materials: paper
Techniques: etching
Subjects: jupiter wooing danae; she is usually lying in bed receiving a shower of gold
Inscriptions: collector's mark: Lugt 11

Maakt deel uit van een twintigdelige serie met mythologische scènes.
Fragmenten riemgespen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Belt buckle, rectangular, fragm of rings, id. NG 1980-27H2796.
Gezichten in Zwitserland
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: lithograph
Location: paris
Subjects: lake, ferry, mountains
Inscriptions: collector's mark: Lugt 2228a
As uit het Romeinse Keizerrijk van Augustus, -7
Object type: a
Materials: bronze
Techniques: striking
Location: rome
Artist: marcus maecilius tullus
Artist role: muntmaker
Subjects: marcus maecilius tullus
Inscriptions: inscription: ‘SC’, circumscription: ‘M MAECILIVS TVLLVS III VIR A A A FF’, circumscription: ‘CAESAR AVGVST PONT MAX TRIB[VNIC]’

Bronzen as. Voorzijde: hoofd van de keizer naar rechts. Keerzijde: In het veld de letters S en C. In het omschrift de naam van Marcus Maecilius Tullus, muntmeester in het jaar -7.
Textile panel
Object type: textile panel
Date: 1801 – 1900
Materials: cotton
Culture: american
Oudheden gevonden op het strand van Walcheren in 1647
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving, etching
Artist: hendrick danckerts
Artist role: print maker
Artist dates: 1625 – 1679
Subjects: other foreign deities included in the classical pantheon (with name)

Altaar van de Romeinse godin Nehalennia.
"The Combat of Rustam and Ashkabus", Folio 268v from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1525 – 1530
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: battles,weapons,men,horses

With daylight the battle resumes. Before the armies can clash, Ashkabus rides out from the Turanian side and starts to abuse the Iranians. After Ruhham tries unsuccessfully to shoot Ashkabus with arrows, Rustam enters the fray. He is on foot, having left Rakhsh to rest. He parries the taunts of Ashkabus, then shoots the Turanian's horse with a single arrow. After that, one arrow from Rustam's bow finishes him off.
Gloves
Object type: glove
Date: 1767 – 1800
Materials: leather
Culture: italian
Fragment of a Horse
Object type: figurine
Date: 1101 – 1133
Materials: terracotta
Culture: central asian
Subjects: horses
Le Magasin de Meubles / Sièges
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Een bank met vier zitplaatsen rondom en in het midden bloemen en een ruitersbeeld. Prent uit 74e Livraison.
Plattegrond van 's-Hertogenbosch, 1631-1632
Object type: map
Date: 1632 – 1649
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maps of cities, den bosch

Plattegrond van 's-Hertogenbosch. Onderdeel van een groep plattegronden van steden, forten en dijken in Brabant veroverd door het Staatse leger onder Frederik Hendrik in de jaren 1631-1632.
Poes
Object type: drawing
Date: 1865 – 1930
Materials: paper, pencil
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: cat
Vogelkop
Object type: drawing
Date: 1860 – 1921
Materials: paper, pencil
Artist: adolf le comte
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1921
Subjects: birds
American General Officer, 1779, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,generals

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Plattegrond van een herenhuis aan het Rokin te Amsterdam
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: plan ~ architecture

Prent uit: Afbeelsels der voornaemste gebouwen uyt alle die Philips Vingboons geordineert heeft. Amsterdam: Philips en Johannes Vinckboons en Johannes Willemszoon Blaeu, 1648.
Terracotta krater (mixing bowl)
Object type: krater
Date: 600 – 501
Materials: terracotta
Culture: lydian

The shape is probably derived from a mainland Greek column-krater of the mid-sixth century B.C.
Lovers Beneath a Mosquito Net
Object type: print
Date: 1701 – 1800
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: men,lovers,women,beds
Folding Devotional Shrine with Scenes from Christ's Passion
Object type: polyptych
Date: 1350 – 1350
Materials: ivory, metal, paint
Techniques: gilding
Culture: french or german
Location: france or germany
Subjects: men,women,christ,bearing the cross,crucifixion,pilate

Some private devotional objects were intended to encourage meditation on the events of the Passion in great detail, cultivating a feeling of personal presence. Narrative carvings may have aided in such intense visualization. This particular choice of scenes is striking in its attention to Pontius Pilate, its depiction of both the raising of the cross and Jesus nailed to the cross, and its inclusion of the rare episode of the stripping and buffeting of Christ.
Christus aan het kruis, met Maria, Johannes, Maria Magdalena en soldaten
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving, pen
Artist: schelte adamsz. bolswert
Artist role: print maker
Artist dates: 1586 – 1659
Subjects: crucified christ with mary, john, and mary magdalene
Inscriptions: collector's mark: Lugt 240

Prent naar schilderij van Anthony van Dyck. Het blad is gerestaureerd waarbij een doublure is aangebracht en een deel van het opschrift van de prent in de vierde staat met pen in grijze inkt in de marge geschreven. De druk toont een opgewerkte versie van de vierde staat.
Landscape
Object type: print
Techniques: etching
Artist: françois jean sablet
Artist role: artist
Artist nationality: french
Artist dates: 1745 – 1819
Subjects: human figures,bridges,canals
Awful Conflagration of the Steam Boat Lexington in Long Island Sound on Monday Eve, January 13th, 1840, by which melancholy occurrence, over 100 Persons Perished
Object type: print
Date: 1840 – 1840
Techniques: hand coloring, lithograph
Artist: william keesey hewitt
Artist role: artist
Artist nationality: american
Artist dates: 1817 – 1893
Subjects: human figures,fire,boats,ships

A fire blazes through The Lexington steamship as survivors hold on to floating pieces of ship debris. A map of Long Island Sound appears below the image. This version was printed at the Sun Office and has "The Extra Sun" printed at the top of the sheet. Seven newspaper columns have been trimmed from the lower portion of the original sheet. The seven columns of newspaper coverage are included in 63.550.345(2).
Augustin-Eugène Scribe with Characters
Object type: print
Date: 1801 – 1900
Techniques: lithograph
Artist: victor adam
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1866
Subjects: bears,girls,men,portraits,women
Cuneiform tablet: unidentified fragment
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Location: mesopotamia
Brigandine Plate
Object type: brigandine plate
Date: 1400 – 1450
Materials: copper alloy, metal alloy, textile
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1874 – 1874
Materials: ink, paper
Techniques: pen, writing
Location: hilversum
Artist: hendrik albert van trigt
Artist role: draughtsman, painter, print maker
Artist dates: 1829 – 1899
Subjects: art trade, art shop, drawing, exhibition ~ art
Inscriptions: collector's mark: Lugt 2233
Gezicht op Bergen aan Zee met figuren en badkoetsen
Object type: sketchbook leaf
Date: 1913 – 1913
Materials: paper, pencil, watercolor
Techniques: brush
Location: bergen
Artist: jonkheer johannes ludovicus paulus bosch van drakestein
Artist role: draughtsman
Artist dates: 1865 – 1929
Subjects: coast (+ landscape with figures, staffage)
Inscriptions: signature and date: ‘LBvD/ 1913?’

Blad 7 recto uit een schetsboek met 47 bladen.
The Bride
Object type: print
Materials: paper
Techniques: engraving
Location: england
Artist: edward calvert
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1883
Battle scene with a man about to be stabbed with a sword at lower right
Object type: print
Date: 1730 – 1730
Techniques: etching
Artist: jan caspar philips
Artist role: artist
Artist nationality: dutch
Artist dates: 1700 – 1775
Christus aan het kruis met bezwijmende Maria en andere heiligen
Object type: print
Date: 1545 – 1577
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: crucified christ with mary, john, and mary magdalene
Inscriptions: signature: ‘PETRUS HUIIS FE.’, address: ‘HANS LIEFRINCK EX.’, collector's mark: Lugt 2228, inscription: ‘Si quis peccaverit advocatum... nostris’

Christus aan het kruis. Aan de voet van het kruis wordt de bezwijmde Maria ondersteund door Johannes en een vrouw. Staande en knielende vrouw erachter. Linksvoor een doodshoofd. Linksachter het graf. Rechts een cartouche met een verwijzing naar 1 Joh. 2 en een bijbeltekst in het Latijn.
Pluim van zwarte haneveren, van een sjako van de Burgerwacht van Amsterdam
Object type: plume
Date: 1934 – 1935
Materials: copper, feather
Location: netherlands
Artist: Anonymous
Subjects: amsterdam

Pluim van zwarte haneveren (A), van een sjako van de 'burgerwacht' van Amsterdam. In donkerrode cilinderdoos (B) met aan beide zijden deksels. Op een koperen steel met reliëfpluimhouder is een bos zwarte haneveren gestoken, die vanuit de top neerhangen met een kort en een lang gedeelte.
Design for Wagon, no. 856
Object type: drawing
Date: 1860 – 1860
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Les Singuliers et Nouveaux Portraicts... page 46 (verso)
Object type: book print ornament architecture
Date: 1588 – 1588
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: mercury,snakes,flowers
The Beast with the Seven Heads and the Beast with Lamb's Horns
Object type: print
Date: 1511 – 1511
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,mythical creatures,angels

In book thirteen of Revelation, John describes two beasts: one that emerges from the sea and has seven heads, and another that springs from the earth and empowers the bigger beast. The seven-headed beast with its ten crowns has been interpreted as the demonic and powerful authority of the state. As it says in Revelation, "They worshipped the dragon which gave power unto the beast: and they worshipped the beast, saying, Who is like unto the beast? Who is able to make war with him? And there was given unto him a mouth speaking great things and blasphemies; and power was given unto him . . . And he opened his mouth in blasphemy against God, to blaspheme his name, and his tabernacle, and them that dwell in heaven."
Portrait of Margarita Cassier
Object type: painting
Date: 1616 – 1616
Materials: oil, panel
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription, on the reverse: ‘Margarita Cassier. / Trouwt Junij 1563 Gilliam Courten.’, inscription, on the reverse: ‘21’, date, upper right: ‘Aº 1616’, coat of arms, on the reverse: quartered, 1 and 4, a standing black harrier on a gold field; 2 and 3, a black chevron and three white birds on a red field

Portret van Margarita Cassier, echtgenote van Guilliam Courten. Kniestuk, staande naast een leunstoel. Op de achterzijde het familiewapen, een inscriptie en het cijfer 21.
Reclamebeeld voor The Meisenbach Company, voorstellende een huilend kind kruipt uit een ei
Object type: photomechanical print
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: child, eggs, egg-dishes
Inscriptions: inscription: ‘"Just out" (...) West Norwood, London.’
Triomfwagen met Oorlog (Bellum)
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: vicissitudes of life (+ allegorical scene, i.e. two or more personifications involved in an action), allegory, personification of destruction of conquered city, setting on fire (of conquered city), symbols, allegories of war; 'guerra' (ripa), prisoner of war (after the battle)
Inscriptions: collector's mark: Lugt 2228

Een man met een bliksemschicht en zwaard in zijn hand, de personificatie van de oorlog, rijdt op een triomfwagen langs een brandende stad. Achter de wagen lopen soldaten en gevangenen aan. Naast de wagen lopen andere personificaties, zoals Laster en Honger. Aan de voeten van Oorlog knielt de personificatie van armoede (Inopia), deze wordt op de prent abusievelijk Humilitas (Nederigheid) genoemd. Prent uit een serie van negen prenten met triomfwagens uit de Antwerpse Besnijdenis-ommegang van 1561. De personificaties op de wagens verbeelden samen de kringloop van het menselijk handelen.
Kastelen
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: landscape with ruins, landscape with tower or castle
Inscriptions: collector's mark: Lugt 964

Ruïne van het Huis ter Kleef, op de voorgrond links een herder met bokken. Rechts twee converserende figuren. Vierde prent uit een serie van zes.
The Judgement of Paris
Object type: print
Date: 1589 – 1589
Techniques: engraving
Artist: raphael sadeler i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1628
Subjects: aphrodite,athena,peacocks,paris
Cap
Object type: cap
Date: 1700 – 1937
Materials: cotton, silk
Culture: american
Gezichten op bestaande en verzonnen plaatsen
Object type: print
Date: 1707 – 1768
Materials: paper
Techniques: etching
Location: venice
Subjects: city-view, and landscape with man-made constructions, tower, clock tower ~ monumental adornment, landscape with ruins - ii - ideal landscapes

Een landschap met een toren. Op de voorgrond rechts twee resten van pijlers. Midden voor een vrouw.
Figure Dish
Object type: dish
Date: 1880 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: mckee and brothers
Artist role: maker
Artist nationality: american
Artist dates: 1856 – 1889
Subjects: animals
Horn
Object type: horn
Date: 1701 – 1800
Materials: glass
Nude children shearing wheat; an allegory of Summer; after a bas-relief on the Fontaine des Quatre-Saisons (Paris)
Object type: print
Date: 1745 – 1745
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: boys,rabbits
Dronken soldaat vergezeld door een vrouw
Object type: drawing
Date: 1588 – 1588
Materials: ink, paper
Techniques: brush, pen
Artist: karel van mander (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1548 – 1606
Subjects: drunkard
Inscriptions: date
Orphrey
Object type: orphrey
Date: 1501 – 1600
Materials: linen, metal thread, silk
Gezicht op een dichtbegroeide oever met beelden van een heiligdom bovenaan de heuvel, Zuid-Oost Azië
Object type: photograph
Date: 1907 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: southeast asia
Artist: jan adriani
Artist role: fotograaf
Subjects: river bank
Antonine
Object type: photomechanical print
Date: 1873 – 1880
Materials: paper
Techniques: woodburytype
Artist: ferdinand mulnier
Artist role: painter
Artist dates: 1817 – 1891
Subjects: historical persons - bb - woman
Pygmalion, from Histoire Ancienne, published in Le Charivari, December 28, 1842
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,female nudes
Gezicht op de Brug der Zuchten te Venetië
Object type: album leaf
Date: 1898 – 1898
Materials: photographic support
Techniques: albumen print
Location: venice
Artist: paolo salviati
Artist role: fotograaf
Subjects: bridge in city across river, canal, etc. - ii - ideal city, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘1037. Ponte dei Sospiri/ P. Salviati Venezia’, annotation: ‘Bridge of Sighs. Venice/ 1898’
Bobêche
Object type: bobeche
Date: 1830 – 1830
Materials: glass
Pair of Earrings with Red Stones
Object type: pair of earring
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed palmette