deem-data/ArtiFact huggingface dataset:
Poem by Kanke, from the series "One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)"
Object type: print
Date: 1835 – 1836
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Twee lege wapenschilden bekroond met een helm
Object type: print
Date: 1600 – 1699
Materials: paper, pencil
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry

Getekend in het rechter wapenschild is een plant.
Rivierlandschap met twee ronde torens
Object type: print
Date: 1682 – 1709
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, river, towers ~ fortified city, traffic on the water
Inscriptions: stamp, collector's mark: Lugt 1641

Gezicht op een brede rivier met aan de rechterzijde enkele huizen en twee ronde torens. Aan de waterkant liggen verschillende bootjes. Rechtsonder genummerd: 9. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Buitenleven.
Terracotta neck-amphora (jar)
Object type: neck amphora
Date: 330 – 310
Materials: terracotta
Culture: greek or south italian or campanian
Artist: ixion painter
Artist role: artist
Subjects: male nudes,women

On the body, obverse, Hippolytos, attendant, and Phaidra, with a Fury above Reverse, two youths On the neck, obverse and reverse, youth The Ixion Painter drew on many sources, including drama and mythology, for his vases. The representation her shows Hippolytos, the son of the Athenian hero Theseus, and his step-mother, Phaidra, seated on the right. She fell in love with the youth, and when he repulsed her advances, she killed herself, leaving a letter incriminating Hippolytos. Theseus believed her allegations and was responsible for his son's death. The Fury here foreshadows the tragic fate of the protagonists. The playwrights Sophokles and Euripides treated the story.
Perspectiefstudies
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper, pencil
Subjects: mathematical perspective
Inscriptions: annotation

Blad 27 verso uit een schetsboek met 10 bladen.
Ruïnes
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: etching
Artist: alexander schaepkens
Artist role: draughtsman, print maker
Artist dates: 1815 – 1899
Subjects: ruin of a building ~ architecture
Inscriptions: collector's mark: Lugt 2228
Shard
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: gandhara,peacocks
The Martyrdom of Saint Lucy from Heiligenleben, Sommerteil (Lives of the Saints, Summertime), Plate 20 from Woodcuts from Books of the 15th Century
Object type: print
Materials: paper
Techniques: hand coloring, letterpress, woodcut
Location: germany
Artist: Anonymous
Artist dates: 1400 – 1499
Road in the Woods
Object type: painting
Materials: canvas, oil
Artist: constant troyon
Artist role: artist
Artist nationality: french
Artist dates: 1810 – 1865
Subjects: roads,forests
Sheet with floral pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Disk with antiquarian theme
Object type: disk
Date: 1701 – 1800
Materials: jade
Culture: chinese
Terracotta scyphus (drinking cup)
Object type: skyphos
Date: 1 – 50
Materials: terracotta
Culture: roman

Lead-glazed cup with floral decoration.
Portret van Anne-Louise-Christine de Foix de la Valette d'Epernon
Object type: print
Date: 1652 – 1707
Materials: paper
Techniques: engraving
Location: france
Artist: gerard edelinck
Artist role: print maker
Artist dates: 1640 – 1707
Subjects: france
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve van Karmelietes zuster Anne-Louise-Christine de Foix de la Valette d'Epernon (1622-1701). Afgebeeld met doornenkrans in rechter hand, in ovale omlijsting met tekst, waaronder drie regels Latijn.
Landschap met een herder en een jonge vrouw met een pakezel
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: printmaking, etching
Location: france
Subjects: ass, donkey, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., herd, flock
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 433 – 567
Materials: terracotta
Culture: greek, attic
Artist: skythes
Artist role: artist

Exterior, part of a circumscribed palmette
Sawing a Plank, Tomb of Rekhmire
Object type: facsimile, rekhmire tt 100
Date: 1504 – 1425
Materials: ink, paint, paper
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Gezicht op steiger en huizen in de haven van Enkhuizen
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: woodcut
Artist: george marinus tamson
Artist role: print maker
Artist dates: 1873 – 1939
Subjects: harbour, housing, traffic on the water, enkhuizen
Inscriptions: collector's mark: Lugt 2233

Op blad vermeld: Premie 1912. St. Lucas-vereeniging tot aanmoediging van beeldende kunstenaars.
The Triumph of Fame from The Triumphs of Petrarch
Object type: print
Date: 1548 – 1549
Techniques: etching
Artist: dirck volckertsz coornhert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1519 – 1590
Subjects: musical instruments,skeletons
Hoboken, from World's Dudes series (N31) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "World's Dudes" series (N31), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
De Waegh.
Object type: print
Date: 1688 – 1689
Materials: paper
Techniques: etching
Location: haarlem
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: weigh-house
Inscriptions: collector's mark: Lugt 195

Gezicht op de Waag te Haarlem aan het Spaarne, met vele handelaars die hun koopwaren per boot of ton erheen brengen. Dit blad maakt deel uit van een omvangrijke prent met een grote plattegrond van Haarlem, omgeven door zeven wapenschilden, een profiel van de stad, gezichten op markante Haarlemse gebouwen en voorstellingen van belangrijke momenten uit de Haarlemse geschiedenis.
Portret van Christoph Koch
Object type: print
Date: 1668 – 1721
Materials: paper
Techniques: engraving
Artist: christian romstet
Artist role: print maker
Artist dates: 1640 – 1721
Subjects: historical persons
Inscriptions: watermark
Stielen en Ambachten / Arts et Métiers
Object type: popular print
Date: 1833 – 1911
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: craft-production, skilled handiwork, pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, painter at work, in his studio - cc - out of doors, crafts and industries, potter, ceramist, shoe-maker, cobbler
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen van ambachtslieden en beroepen, zoals papiermaker, koperslager, barbier en schilder. Onder elke afbeelding een tweeregelig vers in het Nederlands of in het Frans. Genummerd midden boven: 36.
Bowl
Object type: bowl
Date: 1801 – 1900
Materials: clay, glaze
Techniques: incising
Culture: japanese
Virginia de Vezzo da Velletri Pittrice
Object type: print
Date: 1632 – 1675
Materials: paper
Techniques: engraving
Artist: jean couvay
Artist role: print maker
Artist dates: 1622 – 1680
Subjects: paris, painter, virginia vezzi, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 240
Patch Box
Object type: metalwork
Date: 1785 – 1800
Materials: enamel, metal
Location: bilston
Sampler
Object type: sampler
Date: 1729 – 1731
Materials: linen, silk
Diverses figures
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: paris
Subjects: muff, street-trader - bb - women engaged in trade and commerce, dog
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maakt deel uit van een serie van twaalf prenten met verschillende figuren, uitgegeven door Langlois in Parijs.
Ex libris van Gambini
Object type: bookplate
Date: 1930 – 1950
Materials: paper
Techniques: woodcut
Location: italy
Artist: iörg gambini
Artist role: print maker
Subjects: iörg gambini, oil-lamp, stars
Nicolas Toussaint Charlet (1792–1845), French painter of battle-pieces
Object type: medallion
Date: 1828 – 1828
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Morphine Addict, from The Album of Original Prints from Galerie Vollard (Morphinomaniac, from L'album d'estampes originales de la Galerie Vollard)
Object type: print
Date: 1897 – 1897
Materials: ink, paper
Techniques: lithograph
Location: france
Artist: eugène grasset
Artist role: print maker
Artist nationality: french
Artist dates: 1841 – 1917
Portret van Johann Erasmus Seiffert von Klettenberg
Object type: print
Date: 1698 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: johann erasmus seiffart von klettenberg, pendant, trinket, 'breloque', book, wig, watch, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

De Duitse jurist en schrijver Johann Erasmus Seiffert von Klettenberg, met in de hand een medaillon waarop het portret van een man. Achter hem een kast met boeken.
Afscheid van Kupers
Object type: photograph
Date: 1949 – 1949
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: gifts being accepted, modern professional organization, trade union, reception, cocktail party, amsterdam
Inscriptions: company name: ‘Fotodienst Het Vrije Volk / Hekelveld 15, Amsterdam’

Blad met twee foto's waarin Kupers cadeaus in ontvangst neemt. Onderdeel van het fotoalbum ter gelegenheid van het afscheid van Evert Kupers als voorzitter van de NVV op 14 juli 1949 in Amsterdam.
Fire
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: fire (one of the four elements), cupids: 'amores', 'amoretti', 'putti', dog
Inscriptions: stamp

Drie putti beelden het element vuur uit met een vuur, een toorts en een hond. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in engeren zin. Volksleven. Zinnebeeldige voorstellingen uit het volkleven op serieprenten. Elementen.
Chest of Drawers with Dressing Glass
Object type: furniture
Date: 1815 – 1815
Materials: wood
Techniques: veneering
Location: boston
Artist: workshop of thomas seymour
Artist dates: 1794 – 1843
Subjects: furniture
Textile with Brocade
Object type: textile
Date: 1301 – 1500
Materials: metal thread, textile, silk
Techniques: weave
Culture: near eastern or spanish
Subjects: mythical creatures
Fragment messenheft uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife handle
Date: 1700 – 1743
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knife, handle, cylindrical: tapering; id. NG 1979-403H, ferrules id. NG 1980-27H426.
Oor van een kan uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: ewer
Date: 1700 – 1743
Materials: stoneware
Location: cologne
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Stoneware, Rhenish, Frechen-ware, jug; fragm of handle, with a raised rib along centre.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the beard, upper torso, and a bit of the right arm of a bearded man to right (satyr?); part of a vine
The municipal building, New York City
Object type: ansichtkaart, prentbriefkaart
Date: 1928 – 1928
Materials: paper
Techniques: four-color autotype
Artist: Anonymous
Subjects: skyscraper, new york (city)
Inscriptions: inscription: ‘M. K.’, number: ‘17200’
Meester Jan de Haen, heraut van De Violieren, te paard, 1561
Object type: print
Date: 1859 – 1861
Materials: paper
Techniques: lithograph
Location: belgium
Subjects: chamber of rhetoric (dutch: 'rederijkerskamer'), antwerp

Meester Jan de Haen, heraut van De Violieren, te paard, 1561. Boven het zegel van de rederijkerskamer De Roos te Leuven. Plaat V in een map met 35 genummerde platen, de meeste naar de illustraties in de oorspronkelijke uitgave van het Landjuweel van Antwerpen in 1561.
Icones Principum Vivorum Doctorum Pictorum Chalcographorum Statuariorum nec non Amatorum Pictoriae Artis Numero Centum ab Antonio van Dyck Pictore ad Vivum Expressae Eiusq: Sumptibus aeri incisae
Object type: print
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, sculptor, johannes van mildert, portrait, self-portrait of sculptor

Portret van de Antwerpse beeldhouwer Johannes van Mildert. Deze prent maakt deel uit van een album.
Landschap met bomen
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: trees
Inscriptions: monogram: ‘AM’

Blad 27 verso uit een schetsboek met 33 bladen.
Clasp from the tomb of Senebtisi
Object type: clasp, senebtisi
Date: 1850 – 1775
Materials: gold
Location: egypt
Portret van Eleonora Gonzaga
Object type: book illustration
Date: 1721 – 1721
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: vienna, historical persons - bb - woman, widow, death's head, skull (symbol of death)

Prent waarschijnlijk uit: Khevenhüller, Franz Christoph. Conterfet Kupfferstich (...). Leipzig: Moritz Georg Weidmann, 1721.
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the handle from an undetermined shape
Gezicht op de ruïnes van Cullum Castle
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: london
Subjects: landscape with ruins, landscape with tower or castle
Inscriptions: date

Prent verschenen in: Grose, Francis. The antiquities of Ireland. Londen: S. Hooper, 1795, dl. 2.
Terracotta saucer-shaped lamp
Object type: lamp, saucer
Date: 400 – 201
Materials: terracotta
Culture: cypriot

Wheel-made with edge pinched in to form a narrow wick rest; broad, horizontal rim, with beveled lip; open, slightly concave body, with tubular projection at center; deep, hollow (?) body, tapering downward; applied, rough base ring, and flat base. Complete, except for one large chip in rim at left. The tubular projection extends down into body but not through base.
Paris. Pont de Tolbiac. 27 Janvier 1910
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1910
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: flood, bridge, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), paris
Inscriptions: date

Prentbriefkaart maakt deel uit van een album.
Inhaling van de prins en prinses van Oranje, 1787
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), public festivities at other royal events, not meant or mentioned above, human being(s) drawing or pushing a vehicle not usually propelled by manpower
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen van de inhaling van de prins van Oranje door de burgerij te Den Haag op 20 september en de prinses van Oranje met de kinderen op 24 september 1787.
Dos-a-Dos Phaeton #3596
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Jar of Amenhotep I
Object type: jar, amenhotep i
Date: 1525 – 1504
Materials: stone
Location: egypt
Case (Inrō) with Design of Foreigners, One holding a Cock
Object type: inrō
Date: 1601 – 1800
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie, roiro, maki-e
Culture: japanese
Subjects: men,roosters
De zonden
Object type: print
Date: 1585 – 1589
Materials: paper
Techniques: brush, drypoint, engraving
Location: haarlem
Artist: jacob matham
Artist role: draughtsman, print maker
Artist dates: 1571 – 1631
Subjects: lust, luxury, 'luxuria'; 'lussuria' (ripa) ~ personification of one of the deadly sins
Inscriptions: collector's mark: Lugt 240

De gepersonifieerde Wellus; een vrouwenfiguur met een vogeltje en een bloemtak in een landschap, naast haar een geit.
Two deformed heads facing each other
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: couples,men,women

Heads and shoulders of a couple with deformed faces, facing each other, the woman at left with long straight hair, wearing a bodice with buttons along the front, the man at right wearing a three-tiered hat; after Leonardo da Vinci
Fotoreproductie van een gravure van Mozes en de bronzen slang door Schelte Adamsz. Bolswert, naar het schilderij door Peter Paul Rubens
Object type: reproduction
Date: 1853 – 1858
Materials: photographic support
Techniques: albumen print
Location: brussels
Subjects: the brazen serpent (numbers 21:4-9)
Inscriptions: number: ‘Vol. 1er. No 3.’
Scherf van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Typologically not identifiable, shoulder, fragm.
Portret van kunstenaar Michelangelo
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: christoforo blanco
Artist role: printer, publisher
Subjects: rome, painter, draughtsman, sculptor, michelangelo, portrait, self-portrait of artist
Inscriptions: date

Deze prent maakt deel uit van een serie bestaande uit een titelprent en 72 prenten naar schilderingen door Michelangelo in de Sixtijnse Kapel in het Vaticaan.
Ceremonial Textile (Pua Kumbu)
Object type: textile
Date: 1701 – 1800
Materials: cotton
Culture: iban people
Location: malaysia
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head, shoulders, and part of torso of youth to left
Portret van Albrecht von Haller
Object type: print
Date: 1756 – 1810
Materials: paper
Techniques: engraving
Artist: thomas ryder (i)
Artist role: print maker
Artist dates: 1746 – 1810
Subjects: physicist, botany (+ portrait of scholar, scientist), historical persons
Hôtel de l'Europe
Object type: print
Date: 1830 – 1846
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: hotel, hostelry, inn, the hague
Inscriptions: collector's mark: Lugt 2228

Op straat voor het hotel lopen figuren, een man te paard en rijdt een koets voortgetrokken door paarden.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, head and part of upper torso of woman with peplos
The Upper Section of the Entryway to the Central Portal with a Winged Figure Holding the Imperial Crown, from the Arch of Honor, proof, dated 1515, printed 1517-18
Object type: print
Date: 1515 – 1515
Techniques: letterpress, woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

The right half of the entryway, including the winged figure, is by Albrecht Dürer; the left half is by Hans Springinklee or Wolf Traut after Dürer.
Two warriors, one seated asleep on a foreground rock, from Figurine series
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: salvator rosa
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1673
Portret van August Buchner
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: engraving, etching
Subjects: august buchner, further education (+ portrait of teacher, professor), historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de marge.
Portret van William Warham
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving, etching
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 240
Border
Object type: textile
Date: 1601 – 1625
Materials: lace, linen, textile
Techniques: embroidery, cutting, drawing, interlocking, weave, stitching
Location: italy