deem-data/ArtiFact huggingface dataset:
Textile Design with Alternating Horizontal Rows of Rosettes with Pearls as Pistils Framed by Interlacing Garlands of Branches with Pearls over an Abstract Honeycomb Pattern
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating horizontal rows of rosettes of eight petals with four pearls as pistils framed by interlacing garlands of branches of light tan color with pearls over an abstract honeycomb pattern rendered with stipples of dark reddish-brown color over a light tan base. The rosettes are colored alternatingly with orange and purple; the pearls are colored with white.
Drie dames bij de Hippodrome de Longchamp tijdens paardenraces in het Bois de Boulogne
Object type: photograph
Date: 1912 – 1912
Materials: paper
Techniques: gelatin silver print
Location: paris
Artist: a. calavas
Artist role: publisher
Subjects: fashionable woman, 'belle'
Inscriptions: number: ‘58’, copyright notice: ‘déposé/ copyright’
Man met de handen in de zij
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een man met een gevederde hoed op het hoofd en de handen in de zij. Op de achtergrond enkele bomen. De prent maakt deel uit van een serie van 32 prenten met genretaferelen.
Kabuki Actors Segawa Kikunojō III and Ichikawa Monnosuke II and Two Courtesans Celebrating the New Year
Object type: print
Date: 1790 – 1799
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Subjects: men,women,bamboo,actors
Afbeelding der Vreugdebedryven en Plegtigheden die by de aankomst en gedurende het verblyf (...) Willem (...) en zyne Gemaalinne (...) zyn voorgevallen te Amsterdam, op maandag, den 30 Mey, en eenige volgende dagen, des jaars 1768
Object type: print
Date: 1769 – 1773
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: william v (prince of orange), painter, draughtsman, wilhelmina of prussia (princess of orange), public festivities on the occasion of royal events, launching a ship
Inscriptions: collector's mark: Lugt 2228

Het tewaterlaten of aflopen van het hoekerschip De Zon voor de VOC op de scheepstimmerwerf bij het Oostindisch Zeemagazijn te Amsterdam, in tegenwoordigheid van stadhouder Willem V en prinses Wilhelmina van Pruisen, 2 juni 1768. Onderdeel van een prentserie met titelprent en 14 platen van de inhaling van de prins en prinses te Amsterdam, 30 mei - 4 juni 1768.
's Graveland. 's Gravelandsche weg
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: s-graveland
Subjects: city-view, and landscape with man-made constructions, street
Dish
Object type: dish
Date: 1467 – 1500
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain
Subjects: animals

Lusterware is the term used to describe a glazed earthenware ceramic decorated with an iridescent finish. The technique for creating this finish was developed in the ninth century under the rule of the Abbasid Caliphate in present-day Iraq. The medium involves a technique that is difficult to master, but if completed successfully, the surfaces of the ceramic objects display an iridescent sheen which is achieved through multiple firings and the application of a metal-based pigment (including silver, copper, tin, or a combination of these). Lusterware manufacture is still difficult to understand from a technical perspective because for generations, production was kept secret to protect workshop practices from being replicated by competitors. Therefore, pigment formulas and trade techniques were passed down from master to pupil and rarely recorded. Knowledge of the technique for creating lusterware made its way to the Iberian Peninsula by the twelfth century, when most of the region was still under Islamic rule. By the 1400s, the Iberian center of lusterware production was in Manises, near the city of Valencia. Previously a Muslim taifa, or principality, the Kingdom of Valencia was conquered in the thirteenth century by James I for the Crown of Aragon, and it was here that Christians and Muslim potters worked, sometimes together, for a diverse clientele with a voracious appetite for high quality lustered wares.
A View of Timber Yards from a Bridge
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
De Hollandsche rentenier
Object type: cartoon
Date: 1917 – 1917
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: willy sluiter
Artist role: draughtsman, painter, print maker
Artist dates: 1873 – 1949
Subjects: instruments of torture, execution or punishment: scourge, political caricatures and satires, russia

Lenins afwijzend antwoord op het Nederlandse verzoek om de aflossing van staatsleningen aan het tsaristische regime in Rusland. Naar aanleiding van de Russische Revolutie. Spotprent over buitenlandse politiek, 15 december 1917.
Portret van Johannes Hoornbeeck
Object type: print
Date: 1654 – 1666
Materials: paper
Techniques: etching
Location: netherlands
Artist: abraham dircksz. santvoort
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: haarlem, johannes hoornbeeck, historical persons, sitting on an elevation
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Portret naar rechts van de hoogleraar theologie Johannes Hoornbeeck, zittend op een stoel. Onder de voorstelling de naam van de geportretteerde en een drieregelige, Latijnse tekst met zijn functies.
Season Ticket to the Portrait of Queen Victoria by T. Sully, Esq.
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: engraving
Culture: american
Studie van het zonneoppervlak
Object type: photograph
Date: 1885 – 1885
Materials: paper
Techniques: carbon print
Artist: Anonymous
Subjects: physical aspects of the sun
Inscriptions: inscription: ‘5 Julliet 1885 - 8h 23m12s - Diamètre du disque: 0m891- Latitude moyenne du groupe: 11°Sud (Région centrale)’, inscription: ‘Pl. X’
Grafdelver
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: drypoint, etching
Location: oudewater
Artist: eberhard cornelis rahms
Artist role: print maker, publisher
Artist dates: 1823 – 1907
Subjects: cortege, funeral procession, grave digger
Inscriptions: collector's mark: Lugt 2228

Aan de waterkant, onder geboomte, graaft een doodgraver een graf. Op de achtergrond een brug met de begrafenisstoet met de kist.
Leven van Maria
Object type: print
Date: 1500 – 1504
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: augustine, bishop of hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen, john the baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff, madonna accompanied by saint(s), the foster-father of christ, joseph of nazareth, husband of mary; possible attributes: flowering rod or wand, lily, carpenter's tools, male saints (with name), the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone, the hermit antony abbot (antonius abbas) of egypt, also called the great; possible attributes: bell, book, t-shaped staff, flames, pig, the apostle paul of tarsus; possible attributes: book, scroll, sword
Inscriptions: collector's mark: Lugt 2228

Maria zit in een vertrek met het Christuskind op schoot, omringd door engelen en heiligen (Jozef, Catharina, Johannes de Doper, Hiëronymus, Antonius, Paulus en - hoewel niet helemaal zeker - Augustinus). Deze prent is onderdeel van een serie van 20 prenten, bestaand uit een titelprent en 19 prenten met scènes uit het leven van Maria.
Vest met reverskraag, vier steekzakken en zeven parelmoeren knopen van wit gesteven katoen met open platbinding met dubbele draad; rug van wit katoen
Object type: menswear
Date: 1920 – 1945
Materials: cotton, mother of pearl
Artist: Anonymous

Het nummer BK-1979-210 stond op een briefje aangegeven, gerelateerd aan drie herenvesten (nu dus a,b en c genummerd) alsmede de herkomst van Gevers van Marquette. Mogelijk een livreivest.
Limestone statuette of a male votary with Cypriot shorts and a diadem
Object type: statuette of a votary, male
Materials: limestone
Culture: cypriot
Subjects: diadems,men

Votary with Cypriot loin-cloth on which there is a rosette.
Gezicht op het Kasteel van Hermalle-sous-Huy
Object type: print
Date: 1738 – 1744
Materials: paper
Techniques: engraving, etching
Location: liège
Subjects: castle, landscape with tower or castle

Prent uit: Johanne de Saumery, Alexandre de et al. Les délices du païs de Liège, ou description géographique, topographique et chorographique des monumes sacrés et profanes (...). 5 dln. Luik: Everard Kints, 1738-1744, dl. 1, p. 360.
Variae Architecturae formae (...)
Object type: album leaf
Date: 1562 – 1562
Materials: paper
Techniques: etching
Location: antwerp
Subjects: bench, architectural representations in general, courtyard

Gezicht op de binnenplaats van een huis met een paar op een bank. Deze prent maakt deel uit van een album.
Wine container (hu) with mythical creatures
Object type: wine container hu
Date: 1 – 200
Materials: earthenware, glaze
Culture: chinese
Subjects: animals
Portret van Thomas Ashton
Object type: print
Date: 1763 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Artist: james mcardell
Artist role: print maker, publisher
Artist dates: 1728 – 1765
Subjects: clergyman, historical persons
Inscriptions: collector's mark: Lugt 240
Portret van Gabriel Bethlem
Object type: print
Date: 1612 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: head-gear
Inscriptions: collector's mark: Lugt 2228

Gabriel Bethlem, prins van Transsylvanië, met een scepter in zijn hand. Zijn portret is gevat in een ovale omlijsting waarin zijn naam en titels staan.
Schaapherder leunend op zijn staf
Object type: copper plate
Date: 1886 – 1906
Materials: copper
Techniques: etching
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
A horseman in profile walking to the left, two horsemen duel with pistols in the background, from "Various cavalry exercises" (Diverses exercices de cavalerie)
Object type: print
Date: 1642 – 1645
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,profiles,horses
Woman Reads while Child Sleeps on her Lap, from the series "Elegant Comparison of Little Treasures (Furyu kodakara awase)"
Object type: print
Date: 1802 – 1802
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Parrying Gauntlet
Object type: armor
Date: 1550 – 1575
Materials: iron, leather, linen, steel, textile
Culture: italian
Location: italy

In rapier combat, various techniques called for left-handed daggers, shields, or bucklers to parry (ward off) or bind an opponent’s blade. Another such device that became popular among fencing masters and duelists was the fencing gauntlet.

Unlike gauntlets used in field armor, fencing gauntlets featured palms that were covered in fine mail, a mesh of steel rings that permitted the wearer to push aside or grab his attacker’s sword blade. Dents and cuts on the cuff of this example indicate that it was indeed used.
Sealing
Object type: sealing
Date: 1981 – 1640
Materials: mud
Location: egypt
Subjects: hieroglyphs
Salt
Object type: ceramic
Date: 1810 – 1820
Materials: earthenware
Location: sunderland
Dinos
Object type: dinos
Date: 600 – 480
Materials: terracotta
Culture: cypriot

Vase with angular form, double handles, bands, and concentric circles.
Fotoreproductie van een schilderij, voorstellende een portret van Robert Baird
Object type: reproduction
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: number: ‘82’
Portret van Johanna (Hans) de Jong
Object type: photograph
Date: 1905 – 1905
Materials: paper, cardboard
Techniques: gelatin silver print
Location: netherlands
Artist: willem de jong (fotograaf)
Artist role: arts, fotograaf
Artist dates: 1864 – 1918
Subjects: leiden, johanna petronella lambertina stokhuyzen-de jong (hans), historical persons, girl (child between toddler and youth)
Inscriptions: inscription: ‘H’
Cowroid
Object type: cowroid, hetep, frog, lizard, rennefer
Date: 1504 – 1447
Materials: faience
Location: egypt
Tray (part of a set)
Object type: tray
Date: 1740 – 1750
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: flowers
Landschap met een wolkenlucht
Object type: sketchbook leaf
Date: 1862 – 1864
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscapes, clouds
Inscriptions: kleurnotitie, handgeschreven

Blad 12 recto uit een schetsboek met 65 bladen.
Nero (?), Emperor 54-68 A.D.
Object type: bust
Date: 1567 – 1600
Materials: stone

For similar busts, see 25.203.12 (agate) and 25.203.13 (heliotrope).
Groepsportret van een (vermoedelijk) Franse familie in een tuin bij een huis
Object type: album leaf
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), france

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Landschap met een brug over een rivier en wassende vrouwen aan de oever
Object type: print
Date: 1819 – 1886
Materials: paper
Techniques: etching
Subjects: laundering, bridge, river (+ landscape with figures, staffage), dale, valley (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2228
Bronze, Tiberius Claudius Nero Drusus, 50 A.D., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
A Jessamy
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men
Landschap met schapen, geit en koeien
Object type: print
Date: 1766 – 1830
Materials: paper
Techniques: etching
Location: tiel
Artist: dirk van oosterhoudt
Artist role: draughtsman, painter, print maker
Artist dates: 1756 – 1830
Subjects: cattle
Inscriptions: collector's mark: Lugt 2228
Robe à la française
Object type: robe à la française
Date: 1760 – 1760
Materials: silk
Culture: british

The chief characteristic of eighteenth-century women's dress is the rigid encasement of the upper body by means of a corset that configures the torso. Light, elaborately patterned fabrics are pinned or anchored loosely to this understructure. Both menswear and womenswear have lace at the collar and cuffs. The skirts of the time are supported by cane hoops to create ballooning volumes: the open robe consists of a connected bodice and an overskirt parted in front to reveal a matching petticoat.
Delineatio deplorati status Belgy sub immensa tirannide Albani ducis, Ferdinandi a Toledo
Object type: history print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: middelburg
Subjects: fernando álvarez de toledo (3rd duke of alba), antoine perrenot de granvelle, brussels

Allegorie op de tirannie van de hertog van Alva in de Nederlanden, ca. 1569. Links Alva op zijn troon in een paleis, bijgestaan door Granvelle (met blaasbalg) en leden van de Bloedraad, hij wordt door de duivel gekroond. Voor hem knielen geketend de 17 personificaties van de provincies van de Nederlanden, rechts de verstomde leden van de Staten-Generaal. Een venster in het midden geeft zicht op Margaretha van Parma die vist naar rijkdommen in een bloedvijver, daarachter de onthoofding van Egmond en Horne te Brussel in 1568. Links en rechts scènes van martelingen en executies. In het onderschrift een vers van 4 kolommen van elk 4 regels en de legenda A-O in het Nederlands. Incompleet exemplaar zonder de titel en delen van het onderschrift.
Pietá
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: after louis-jean-françois lagrenée
Lydia Page, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Overblyfsel der Abdye en 't Hof te Rynsburg/ De Kerk te Rynsburg 1730
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: etching
Location: haarlem
Subjects: church (exterior), ruin of church, monastery, etc., prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen, sloten ... en andere voornaame stad- en landgebouwen, in en omtrent alle de byzondere Vereenigde Nederlandsche Provinciën : gedurende de laatste jaaren door vermaarden kunsttekenaren na het leven getekent en ... in 't koper gebragt ... dienende tot opheldering der beschryvinge van den Tegenwoordigen Staat der Vereenigde Nederlanden. Deel III, 1750. Amsterdam: Isaac Tirion, 1745-1774.
Ceintuurlint van zilverbrokaat, versierd met paarse 'Egyptische' motieven van hieroglyphen
Object type: ceintuurlint
Date: 1920 – 1930
Materials: silver brocade
Techniques: brocade
Location: france
Artist: Anonymous

Ceintuurlint van zilverbrokaat, versierd met paarse 'Egyptische' motieven van hieroglyphen.
Dom zu Trier. Nordseite
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: trier
Artist: Anonymous
Subjects: church (exterior)
[Two Young Men]
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits

Among the many momentous social transformations generated by photography's invention was the possibility of self-representation by a large variety of groups previously excluded from official portraiture. Seamstresses, carpenters, gold miners, and even the recently deceased sat for their official portraits, leaving behind an extremely valuable record of their anonymous, if not invisible, lives. This portrait shows two young men in a tender embrace, their thighs entwined, sharing a suggestive moment before the camera. Are they lovers? Perhaps, but more likely this photograph is an example of the natural and unselfconscious intimacy and physical contact that men enjoyed in a pre-Freudian era.
Breech-loading rifle, Snider system type
Object type: centraalvuurgeweer
Date: 1862 – 1862
Materials: bronze, iron, wood
Location: maastricht
Artist: p. stevens
Artist role: geweermaker, pistoolmaker
Inscriptions: inscription, on the gun: ‘P. STEVENS / MAASTRICHT P.S. MAASTRICHT N.B. / 1862 208’, inscription, on the bayonet: ‘S & K / 1861 // 208’, assayer's mark, on the rifle and the bayonet: various assayer’s marks

In 1851 zond P. Stevens uit Maastricht een model geweer aan de Marine; dit geweer is duidelijk later gedateerd. In 1867-1868 werden 70.000 geweren van het Nederlandse leger omgebouwd naar het Snider-systeem. Dit geweer is een getransformeerd tirailleurgeweer. Op grond van de afmetingen van de lade moet het oorspronkelijke geweer een percussiegeweer No. 1 van 1848 geweest zijn, maar de loop is korter.
Portret van Kunz von der Rosen
Object type: print
Date: 1490 – 1586
Materials: paper
Techniques: etching
Subjects: court jester, court fool, historical persons
Inscriptions: collector's mark: Lugt 240

Kopie in spiegelbeeld van detail van het portret van Kunz von der Rosen door Daniel Hopfer, aanwezig in collectie van het RMA: RP-P-OB-49.935.
Johannes de Doper in de wildernis
Object type: print
Date: 1622 – 1648
Materials: paper
Techniques: etching
Location: italy
Artist: simone cantarini
Artist role: draughtsman, print maker
Artist dates: 1612 – 1648
Subjects: john the baptist in the wilderness, usually accompanied by a lamb
Inscriptions: collector's mark: Lugt 240

Johannes de Doper zit bij een waterbron in een landschap. Hij vangt water op met een kom.
Tomb guardian beasts with dog
Object type: figure
Date: 601 – 800
Materials: earthenware, glaze
Culture: chinese
Subjects: animals,dogs
The Courtyard of Fort Jaffnapatnam
Object type: drawing
Date: 1710 – 1710
Materials: paint, paper
Techniques: brush
Location: sri lanka
Artist: cornelis steiger
Artist role: draughtsman
Subjects: fortress, church (exterior), sri lanka

The forts captured from the Portuguese were taken over and fortified by the VOC. These forts constituted a crucial chain that extended along the entire coast of the island. While their primary purpose was to deter European competitors, they were also used to restrict the king of Kandy’s freedom of movement.
Portret van sultan Orhan I
Object type: book illustration
Date: 1603 – 1603
Materials: paper
Techniques: engraving, letterpress printing
Location: london
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Knolles, Richard. The lives of the Othoman Kings and Emperors (...). Londen: Adam Islip, 1603. Prent ook gebruikt in: Knolles, Richard. The Generall Historie of the Turkes from the First Beginning of that Nation to the Rising of the Othoman Familie. Londen: Adam Islip, 1603.
Halve zilveren ropij van Nederlands Indië uit Java, 1806
Object type: halve ropij
Date: 1806 – 1806
Materials: silver
Techniques: striking
Location: batavia

Zilveren munt. Voorzijde: drieregelig opschrift in Arabische letters. Daarboven muntteken en daaronder jaartal, waaronder muntmeesterteken. Keerzijde: vierregelig opschrift in Arabische letters. Kabelrand.
Spiral Column Shaft
Object type: shaft
Date: 1201 – 1250
Materials: marble
Culture: italo-byzantine
Location: central italy
Seal paste box with eight trigrams
Object type: seal paste box
Date: 1701 – 1800
Materials: cobalt, soft paste porcelain
Techniques: painting, underglaze
Culture: chinese
Initiaal 'M' met Minerva
Object type: album leaf
Date: 1687 – 1687
Materials: paper
Techniques: etching
Location: paris
Subjects: (story of) minerva (pallas, athena), initial
Mittens
Object type: mitten
Date: 1801 – 1900
Materials: wool
Culture: american or european
Bush Warbler on a Plum Branch (Ume ni uguisu)
Object type: woodblock print
Date: 1801 – 1833
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: birds,flowers
Miss Ellen Terry (Ophelia)
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: london
Artist: Anonymous
Subjects: portrait of actor, actress