deem-data/ArtiFact huggingface dataset:
Beauty on a Veranda in Snow
Object type: hanging scroll
Date: 1794 – 1795
Materials: ink, silk
Culture: japanese
Artist: sakai hōitsu 酒井抱一
Artist role: artist
Artist nationality: japanese
Artist dates: 1761 – 1828
Subjects: women

This painting of a slender, pensive-looking courtesan standing on a veranda in a light snowfall is indicative of Hōitsu’s early training in Ukiyo-e painting. The woman’s gesture, of raising the layered collars of her garb with concealed hands to veil the lower part of her face, appears in Ukiyo-e paintings as early as the late seventeenth century. Her hair, adorned with a comb and numerous pins, forms two winglike mounds that characterize the yoko-hyōgo hairstyle popular among high-ranking courtesans in the late Edo period. Hōitsu’s beauty resembles courtesans in paintings by Utagawa Toyoharu (1735–1814), but her figure is more fragile and atten¬uated in appearance than those of that Ukiyo-e master, or even the courtesans in Hōitsu’s earlier Ukiyo-e works, an example of which can be seen in the Museum of Fine Arts, Boston (acc. no. 11.7837). The seal reading “Teihakushi” beneath Hōitsu’s signature—“Playfully painted by Toryō”—suggests that this work was cre¬ated in the mid-1790s, when he began to use this name, but before 1797, when he took the vows of a Buddhist monk. After entering The Met’s collection in 2020, this work was reunited with a group of eleven hanging scrolls created around the same time by Hōitsu, each of which represents one of the months of the year (2017.283.1–.11). Beauty on a Veranda in Snow represents the missing twelfth month from the set. It is the only one to have been painted in the ukiyo-e style and as such may have been made first, reflecting the influence of Toyoharu, while the others could have been added slightly later, when Hōitsu’s growing interest in the Rinpa master Kōrin began to inform his artistic output. Viewed together, these works reveal much about Hōitsu’s activities from the late 1790s to the 1800s—a crucial juncture in his career as he began to abandon his earlier, experimental immersion in Ukiyo-e, Nanga, and yamato-e (traditional Japanese painting) in favor of Rinpa. This set of twelve paintings, executed in several different painting styles, explores subject matter ranging from typical seasonal motifs to courtly or traditional rituals, as well as at least one classic literary reference (the “Yūgao” chapter of The Tale of Genji, for the sixth month).
Jong stel omhelst elkaar
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, embracing each other, kissing
Inscriptions: collector's mark: Lugt 2228

Eerste prent uit een serie van twaalf prenten die de 'Fabeln und Erzählungen' van Gotthold Ephraim Lessing illustreren. De scènes werden op een plaat geëtst. Een latere staat van deze serie is ook gebruikt in: Almanac de Gotha contenant diverses connoissances curieuses et utiles pour l'annee 1780. Gotha, C.W. Ettinger.
Pendant in the form of Hathor's head
Object type: pendant in the form of hathor's head
Date: 3900 – 100
Materials: silver
Culture: cypriot
Subjects: hathor
Neckerchief
Object type: neckerchief
Date: 1701 – 1800
Materials: linen
Culture: american
La déclaration
Object type: print
Date: 1863 – 1911
Materials: paper
Techniques: etching
Artist: louis le nain
Artist role: print maker
Artist dates: 1851 – 1939
Subjects: adult woman, adult man, historical costume, proposal, declaration of love
Inscriptions: inscription: ‘LLeNain 1r Etat’, collector's mark: Lugt 2228
Panel
Object type: panel
Date: 1701 – 1800
Materials: metal thread, silk
Subjects: flowers
Wagonette  Break #4201
Object type: drawing
Date: 1893 – 1893
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van een man met een baard en een pijp
Object type: album leaf
Materials: paper, cardboard
Techniques: gelatin silver print
Location: groningen
Subjects: adult man, historical persons, pipe ~ tobacco, beard, netherlands
Inscriptions: number: ‘569’, address: ‘Brugstraat 25’

Onderdeel van Fotoalbum met portretten vervaardigd door Nederlandse studio's waaronder automaatfoto's.
Rank Badge with Wild Goose
Object type: rank badge
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: geese
Gezicht op dorp met kerk
Object type: print
Date: 1876 – 1948
Materials: paper
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: prospect of village, silhouette of village, church (exterior)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Koninklijk Paleis Amsterdam
Object type: ansichtkaart, prentbriefkaart
Date: 1932 – 1947
Materials: photographic support
Techniques: photography
Location: the hague
Subjects: palace - aa - civic architecture: inside, decorations (interior of the house), picture, painting, royal palace of amsterdam
Portret van Frans II Josef Karel (Rooms-Duits keizer)
Object type: print
Date: 1804 – 1851
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: vienna, frans ii (rooms-duits keizer)
Inscriptions: collector's mark: Lugt 2228
Cope
Object type: textile
Date: 1675 – 1700
Materials: linen, textile, silk
Techniques: embroidery, cutting, treatment, laid work, weave, stitching
Location: spain
Cuff
Object type: arm band, one of a pair
Date: 501 – 1200
Materials: gold
Culture: conte
Location: panama
Bronze lamp holder
Object type: lamp holder
Date: 600 – 501
Materials: bronze
Culture: cypriot

This form of lamp holder was probably introduced by the Phoenicians, and it remained prevalent in Cyprus from about the eighth to the sixth century B.C. The lowermost cylinder would have been set on a wooden shaft, the lamp itself would have rested on the ring at the top. Representing the height of luxury, an ivory stand of the eighth century B.C. was found at Salamis on Cyprus.
Les Jardinieres Italiennes au Marché
Object type: print
Date: 1735 – 1784
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: vegetables, landscape with ruins, market
Inscriptions: collector's mark: Lugt 2228
Portret van Aimée Tessandier, actrice
Object type: album leaf
Date: 1890 – 1900
Materials: paper, photographic support
Techniques: carbon print
Location: france
Artist: Anonymous
Subjects: portrait of actor, actress, france

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Trade Card for C.P. Johnson, Seal and Copper Plate Engraver
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Venster met gordijnen en lambrekijns
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery

Een venster met gedrapeerde gordijnen en twee lambrekijns. Prent uit 285e Livraison.
Textile Design with Alternating Stylized Flowers and Leaves
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up out of alternating stylized half-flowers with five petals and three leaves of light tan color over a dark reddish-brown base. The pistils of the half-flowers are colored in black and have a white pearl in the center. The leaves have shades stippled in a dark reddish-brown color.
Wandelaar bij een villa
Object type: sketchbook leaf
Date: 1819 – 1870
Materials: paper, pencil
Artist: Anonymous
Subjects: trees (+ branch, stick), 'en route', traveller under way, country-house

Een man met wandelstok en mand staat voor een villa. Tekening in een kader. Tevens een studie van een boomtak met bladeren. Blad 8 recto uit een schetsboek met 39 bladen.
Glass beaker or lamp
Object type: beaker or lamp
Date: 301 – 400
Materials: glass
Culture: roman

Colorless with green tinge; translucent cobalt blue blobs. Thick, slightly bulging rim, cracked off and ground flat; funnel-shaped body with slightly convex side; concave bottom. Three horizontal bands of wheel-abraded decoration on body: immediately below rim, a band of two broad lines; another single very broad band, forming a shallow groove on upper body; the third band comprising fine lines on lower body. Between the second and third cut bands, a band of applied blobs in relief comprising three single large blobs alternating with three groups of six smaller blobs arranged in a downturned triangular pattern. Intact; a few bubbles; dulling, slight pitting, and patches of limy brown weathering.
[(...)] / Soete spreuken / Zinnebeelden / slegt geschoeit al voor de jeugdt / Ziet men hier tot z[(...)]sering / en vermeering van haer vreugdt
Object type: print
Date: 1622 – 1711
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: musician at work, children's games and plays, human types, farmers, games using special objects (marbles, top, hoop, etc.)
Inscriptions: collector's mark: Lugt 2760

Blad met 20 (deel afgescheurd) voorstellingen van verschillende figuren en bezigheden. Onder elke afbeelding een onderschrift.
Ruïnes rond de Grote of Sint-Laurenskerk te Rotterdam
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: j. nolte
Artist role: fotograaf
Subjects: ruin of church, monastery, etc. - qq - small church, chapel, devastated, ruined place or city (~ warfare), ruin of a dwelling, house, castle, etc., rotterdam, rotterdam blitz
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1830 – 1890
Materials: graphite
Techniques: brush, wash
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: columns,stage design
Helmet (Hachi)
Object type: helmet hachi
Materials: gold, iron, lacquer
Culture: japanese
Location: japan
Mlle. Guenin, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Onderrok met ingeweven strepen.
Object type: underskirt
Materials: wool
Techniques: knitting
Location: netherlands
Artist: Anonymous

Onderrok van katoen met ingeweven strepen.
[View from Himalayas]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: mountains,landscapes
Sari
Object type: costume and accessory
Date: 1701 – 1900
Materials: gold, silk
Location: india
Vase
Object type: vase
Date: 1800 – 1830
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Shrine Under a Big Pine Tree
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: trees,shintō
Design for 4 seat Phaeton, no top, no. 4067
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Moonrise
Object type: painting
Date: 1891 – 1891
Materials: canvas, oil
Location: united states
Artist: george inness
Artist nationality: american
Artist dates: 1825 – 1894
Inscriptions: Signed lower right: "G. Inness 1891"
Toujours Chic, Toilettes de Soirées, Hiver 1921-1922: Manon
Object type: fashion print
Date: 1921 – 1922
Materials: paper
Techniques: letterpress printing, pochoir
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

Prent uit Catalogus "Toujours Chic" waarin een overzicht van de wintermode 1921-1922 in 80 prentjes in pochoir techniek.
Groot en goed
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: gifts being accepted, printed edition of musical score, feeding wild animals

Blad met muziekstuk 'Weldadigheid en dankbaarheid' en 3 voorstellingen: Geertruida voert de mussen in de koude winter, Geertruida brengt een korfje met eten bij het gezin van den boschman en diens zieke vrouw en de boschman brengt een hondje ten geschenke aan mevrouw, zoo als deze er een verloren had. Onder de voorstellingen diverse coupletten van het muziekstuk. Genummerd rechtsboven: No. 129, linksonder: (6.).
Tall vase
Object type: vase
Date: 1892 – 1894
Materials: earthenware
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904
Portret van twee onbekende mensen in traditionele Italiaanse kleding
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: folk costume, regional costume
Chocoladeketel met deksel van aardewerk, Wedgwood Black Basalt. Met deksel.
Object type: chocoladeketel
Date: 1785 – 1800
Materials: earthenware
Location: england

Bolvormige chocoladeketel met deksel van aardewerk, Black Basalt. De ketel heeft een opstaande, accoladevormige rand met twee gaten waarin het losse hengsel van omwonden riet hangt. De tuit is S-vormig. De buik van de ketel is in reliëf versierd met spelende naakte kinderen, boven een rand van uitgeslepen verticale biezen. De ketel is gemerkt.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, four fragments with leftward meander
Portret van Charlotte Asser
Object type: photograph
Date: 1854 – 1855
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: brussels, historical persons - bb - woman
Architectural Unit
Object type: architectural unit
Date: 1046 – 256
Materials: bronze, patina
Culture: chinese
Tombeaux ou Mozoles
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: etching
Location: france

Onderaan staat een grafmonument tegen de muur, de overledene knielt op de kist.
Gezicht op de ruïne van kasteel Kenilworth
Object type: print
Date: 1827 – 1879
Materials: paper
Techniques: etching, intaglio
Artist: guillaume van der hecht
Artist role: print maker
Artist dates: 1817 – 1891
Subjects: landscape with tower or castle, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228
Waistcoat
Object type: waistcoat
Date: 1840 – 1840
Materials: wool
Culture: american
Belt Buckle Plate
Object type: belt plate
Date: 501 – 700
Materials: copper alloy, iron, silver
Techniques: inlay
Culture: frankish
Bomen naast een weiland
Object type: print
Date: 1829 – 1830
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: groups of trees, plain
Inscriptions: collector's mark: Lugt 2228

In 1829 en 1830 gaf Koekkoek, samen met Daiwaille, zes cahiers uit met ieder zes prenten getiteld Landschapstudiën. Deze werden gebruikt in het tekenonderwijs. Vijftien jaar later werd deze reeks, in een andere samenstelling nogmaals uitgegeven door Meyer en Comp in Amsterdam. Zie: De Bruyn Kops, 1963 en Nollert, 1997.
Portret van de schilder Jan van Amstel
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: amsterdam, antwerp, painter, draughtsman, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2165

In de marge een zesregelig onderschrift in het Latijn.
Portret van een jongen met speelgoedpaard en hoed
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: boy (child between toddler and youth), head-gear: hat, (playing with) dolls, toy animals
Hood for a cope
Object type: hood
Date: 1467 – 1533
Materials: linen, metal thread, silk
Subjects: angels,virgin mary
Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 12 (verso)
Object type: book print ornament architecture
Date: 1527 – 1527
Techniques: woodcut
Artist: willem vosterman
Artist role: printer
Artist nationality: netherlandish
Subjects: flowers

Printed by Willem Vosterman. From top to bottom, and left to right: Design composed of 3 horizontal registers. First 2 register are decorated with letters from the alphabet that are printed in black. The third register is divided into 3 sections: left section is decorated with black letters, middle section is decorated with a flower, and right section is decorated with another flower.
James G. Blaine
Object type: print
Materials: paper, steel
Techniques: engraving
Location: united states
Artist: john chester buttre
Artist nationality: american
Artist dates: 1821 – 1893
Paarden
Object type: print
Date: 1652 – 1702
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: animals (+ dying animal; death of animal; dead animal), horse
Inscriptions: collector's mark: Lugt 2228
Paard en geit in de wei
Object type: print
Date: 1820 – 1849
Materials: paper
Techniques: engraving
Subjects: horses and kindred animals
Inscriptions: collector's mark: Lugt 2228

Een paard en een geit staan in de wei voor een hek.
Rijks-Museum, Amsterdam. W. van de Velde (le Jeune). "Plage."
Object type: photograph
Date: 1850 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: the hague
Artist: henri frederic oelrichs
Artist role: fotograaf
Artist dates: 1850 – 1915
Subjects: picture, painting
Portret van Leonhart Fuchs
Object type: print
Date: 1816 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Arch
Object type: arch
Date: 1130 – 1140
Materials: marble
Culture: catalan
Location: france
Rank patent
Object type: handscroll
Materials: ink, paper, silk
Culture: chinese
Barneveld - Wilhelminastraat
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: barneveld
Artist: Anonymous
Subjects: windmill, street
Jonge vrouw in een bos met bloemen in haar hand
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching
Artist: jos ratinckx
Artist role: print maker
Artist dates: 1860 – 1937
Subjects: flowers, adolescent, young woman, maiden, forest, wood
Inscriptions: inscription: ‘1ste staat’, collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, part of head of bearded man to right
Clarinet
Object type: musical instrument
Date: 1840 – 1840
Materials: wood, brass, ivory, silver
Location: fulda
Artist: johann andreas mollenhauer
Artist role: musical instrument maker
Artist dates: 1798 – 1871
Inscriptions: mark, on the upper and lower joint and bell, stamped: ‘Mollenhauer/ Fulda’ [lion rampant ]/ Mollenhauer/ Fulda

A klarinet van palmhout. Gemerkt: Mollenhauer Fulda.