deem-data/ArtiFact huggingface dataset:
La Vieille aux loques
Object type: print
Date: 1858 – 1858
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women,working

After visiting the Rhineland during a summer–fall tour in 1858, Whistler created this image of an elderly woman sorting rags (loques). He here develops a formula to which he would often return—using an open entrance to frame a receding interior that contains figures and objects. Like "La Mère Gérard" and "La Rétameuse," the artist focuses on an old working woman, dignified but without sentiment. Created late in 1858 this is one of the most complex prints in "Douze eaux-fortes d’après nature" (Twelve Etchings from Nature), the artist's first published set.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Eight black glazed rim fragments from kylikes
Portret van een onbekende man
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende man, met handtekening in facsimile waarin de naam F. Mayer, Dr. te lezen is.
Christus door de engelen verzorgd na de verzoeking van de duivel
Object type: print
Date: 1670 – 1742
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: christ ministered by angel(s): they bring water and food, sometimes sent by mary
Inscriptions: collector's mark: Lugt 2165
Onderhoud met de prinses te Goejanverwellesluis, 1787
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), arrest (of criminal)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: P.A. Loosjes, Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie.
Brief aan Jan Veth
Object type: letter
Date: 1910 – 1910
Materials: ink, paper
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, printed matter
Inscriptions: collector's mark: ‘RPK’
Wishing You a Happy New Year, from the New Years 1890 series (N227) issued by Kinney Bros.
Object type: print
Date: 1889 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: girls,walking

Trade cards from the "New Years 1890 Cards" series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company.
Stockings
Object type: stocking
Date: 1865 – 1865
Materials: silk
Culture: french
Aartsengel Michaël staand op duivel met speer en weegschaal
Object type: print
Date: 1500 – 1527
Materials: paper
Techniques: engraving
Location: italy
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: the archangel michael fighting the dragon (devil, satan)
Inscriptions: collector's mark: Lugt 240
Plaque with Bacchus, Fauns, and Silenus
Object type: ceramic
Date: 1769 – 1780
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD / & BENTLEY" impressed
Portret van Marco Antonio Muretus
Object type: print
Date: 1609 – 1700
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: rome, scholar, philosopher, historical persons

Ook gepubliceerd in: Ronsard, Pierre de. Les oeuures de Pierre de Ronsard gentilhomme (...). Parijs: s.n., 1609-1623.
Chilean peso piece
Object type: peso
Date: 1894 – 1894
Materials: silver
Techniques: struck
Artist: louis-oscar roty
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1911
Subjects: birds,coins
Man bij een bergmeer
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: woodburytype
Location: paris
Artist: julien bourguignon
Artist role: engineer
Artist dates: 1843 – 1926
Subjects: lake, mountains
Inscriptions: inscription: ‘Concours de 1883/ Premier prix décerné à M. J. Bourguignon.’
Plate with a bouquet of flowers and a crowned coat of arms
Object type: plate dish
Date: 1775 – 1799
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Bord van porselein met een geschulpte rand, beschilderd op het glazuur in blauw, rood, roze, groen, geel, paars, zwart en goud. Op het plat een boeket van bloemen. Op de wand en de rand een ongeïdentificeerd gekroond wapen, geflankeerd door leeuwen; op de wand en rand een doorlopende bloemrank. Wapenporselein met emailkleuren.
Roepie uit Bengalen in India van de Engelse Oostindische Compagnie (EIC) op naam van Sjah Alam I met regeringsjaar 19
Object type: coin
Date: 1777 – 1830
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: in Arabische lettertekens in drie regels opschrift. Keerzijde: in Arabische lettertekens in drie regels opschrift. Boven tweede regel aanduiding van het "eeuwige" regeringsjaar: 19. Kartelrand.
Portret van Giovanni Lorenzo Bernini
Object type: photomechanical print
Date: 1960 – 1990
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: naples, rome, painter, draughtsman, gian lorenzo bernini, portrait, self-portrait of sculptor, historical persons
Inscriptions: inscription: ‘C.P.C.M. van Roemburg’

Met op het opzetvet een korte biografie van Bernini door R.S. Stokvis en Zonen.
Duinlandschap met hooioppers
Object type: print
Date: 1931 – 1937
Materials: paper
Techniques: engraving
Artist: bernard essers
Artist role: print maker
Artist dates: 1893 – 1945
Subjects: trees, dunes (sea not visible); in the dunes, hay-cock
Inscriptions: collector's mark: Lugt 2228, inscription: ‘No. 11’
A Great Picture Sale at Christie's, from "The Graphic"
Object type: print
Techniques: engraving
Artist: sydney prior hall
Artist role: artist
Artist nationality: british
Artist dates: 1842 – 1922
Subjects: painting,men,women

In 1887 "The Graphic" published a design by Sydney Prior Hall, one of the gifted artists on its staff, showing a London paintings auction in progress conducted by Thomas Woods (1829–1906), one of the partners in the firm Christie, Manson & Woods​. Hall left Oxford to pursue art and made his name sending back images from the front during the Franco-Prussian War. His gift for humor, later demonstrated in illustrations to "Tom Brown's School Days" (1885) is applied here to gently caricature members of the audience.
Gezicht op het speelhuis van de buitenplaats Petersburg
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: french or architectonic garden; formal garden, summer-house, arbour, garden-house (dutch: 'theekoepel'), belvedere

Prent voor het eerst gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719. Prent mogelijk uit: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Glass spouted bottle
Object type: pourer jug
Date: 167 – 400
Materials: glass
Culture: roman

Translucent pale blue green, with same color handle, spout, and trail. Thick rim, folded over and in; flaring mouth; cylindrical neck, expanding at base to join globular body; low kick in bottom; straight spout, tapering to a fire-rounded point, attached at an angle to upper body on opposite side to handle; rod handle, applied as a thick pad to upper body, drawn up and outward, then turned in at an acute angle, and trailed onto top of neck, over trail and outside of rim. Below rim, a single solid trail wound round neck slightly over 1½ times before handle was attached. Intact; some pinprick and elongated bubbles, with a few black impurities; patches of gritty brown encrustation, weathering, and brilliant iridescence. Such vessels have frequently been called "feeder bottles," although it is more likely that they were used for pouring oil and other liquids onto food or into other receptacles.
Studioportret van een man op leeftijd met baard en snor
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Inscriptions: inscription: ‘founda neur de la societe des anris de l'ordre le 19 Mars 1848. Vi Jules de Sals ador (?)’, stamp: ‘Abdullah freres Constantinopel’
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the double ground line; torus foot with glazed outer edge; the resting surface is unglazed; the inner wall of the foot is glazed; the underside of the foot has miltos; in the center, two concentric circles
Sutra Cover
Object type: textile
Materials: gold leaf, paper, silk
Techniques: lacquer, patterning, weave
Location: china
Studieblad met drie koppen
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: etching
Location: netherlands
Artist: jac. franc. gaal
Artist role: print maker
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 240
Eugen Wachenheimer en zijn echtgenote Else Wachenheimer-Moos op skivakantie in winterlandschap, januari - februari 1933, Lenzerheide (Zwitserland)
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: switzerland
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: eugen wachenheimer, else wachenheimer-moos, the family travelling, on holiday, winter sports
Inscriptions: inscription: ‘Lenzerheide Jan./Feb. 33’

Blad bevat acht foto's van Eugen Wachenheimer (in trui) en Else Wachenheimer-Moos (in lange jas). Onderdeel van het fotoalbum van de reizen die Eugen en Else Wachenheimer jaarlijks maakten rondom de viering van hun huwelijksdag en verloving.
Man met paard en herderin op ezel met vee in heuvelachtig landschap
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: etching
Artist: abraham jansz begeyn
Artist role: draughtsman, print maker
Artist dates: 1637 – 1697
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., herd, flock
Inscriptions: collector's mark: Lugt 2228
Portret van Maarten Harpertszoon Tromp
Object type: print
Date: 1648 – 1664
Materials: paper
Techniques: engraving
Subjects: brielle, maarten harpertszoon tromp, historical persons, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 2228

Prent naar schilderij van Jan Lievens. Hollstein beschrijft de prent als een eerste staat maar het betreft een kopie in de tweede staat.
Portret van een onbekende vrouw met een roos
Object type: carte de visite
Date: 1913 – 1913
Materials: paper, cardboard
Techniques: gelatin silver print
Location: grimma
Artist: friedrich hermann beier
Artist role: fotograaf
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: inscription: ‘DIE PLATTE BLEIBT FÜR/ NACHBESTELLUNGEN/ U. VERGRÖSSERUNGEN/ AUFBEWAHRT.’, address: ‘GRIMMA/ LANGSTR. 28/ TELEFON 283’, inscription: ‘Souvenir affectueux/ d'une amie du/ cercle./ J. Faigaux./<BR />Grimma le 2 Janvier 1913’
Iacobus Androuetius Du Cerceau inventor ante annos non paucos conscripsit (...)
Object type: ornament print
Date: 1525 – 1594
Materials: paper
Techniques: etching
Location: netherlands
Inscriptions: collector's mark: Lugt 240

Kopie naar prent van Jacques Androuet Ducerceau, ontleend aan een vlakdecoratie van Enea Vico. Blad uit serie met architectuurfantasieën en grotesken met fabelwezens, guirlandes, kandelabers en mascarons.
Landschap bij een oever te Eext in Drenthe
Object type: print
Date: 1775 – 1840
Materials: paper
Techniques: etching
Location: netherlands
Artist: carel lodewijk hansen
Artist role: draughtsman, painter, print maker
Artist dates: 1765 – 1840
Subjects: sheep, river bank (+ landscape with figures, staffage)

Onderdeel van een serie landschappen, rechtsonder gemerkt in hoofdletters A-F. Deze prent is gemerkt: A.
Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: city-view, and landscape with man-made constructions, ruin of a building ~ architecture, landscape with ruins, gate, entrance, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
The Garden of Pomona
Object type: print
Date: 1540 – 1556
Techniques: engraving
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: gardens,men,male nudes,women
Scene at Liverpool
Object type: drawing
Date: 1761 – 1831
Materials: graphite, ink, iron, paper
Techniques: pen
Culture: american
Artist: mather brown
Artist role: artist
Artist nationality: american
Artist dates: 1761 – 1831
Subjects: men,women
Twee honden
Object type: print
Date: 1834 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio, retroussage
Artist: charles verlat
Artist role: painter, print maker
Artist dates: 1824 – 1890
Subjects: dog
Inscriptions: collector's mark: Lugt 2228, inscription: ‘derniere E8’
Triumphal Procession of Little-Paul-The Taylor Upon his New Goose
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
A Ferry Departs as St Peter Finds a Coin in the Mouth of a Fish
Object type: painting
Date: 1621 – 1650
Materials: canvas, oil
Artist: jacques jordaens
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1593 – 1678
Subjects: peter finds a piece of money in the mouth of a fish and pays the temple tribute
Inscriptions: signature, bottom right: ‘J·JOR·fe’

Jacob Jordaens (1593 - 1678). The miracle of the obol in the mouth of the fish, c. 1640/1650. On Jesus' instructions, Peter caught a fish which had in its mouth a silver coin, an obol. With this they were able to pay the tribute required of them. Jordaens portrayed the event beside a crowded ferry. Peter is seated on the quayside, bent over with a fish in one hand and the coin in the other. Originally the painting was smaller: strips were subsequently added on the right and at the top. The surface is extremely dirty, which hides the seams linking the different sections of canvas. Probably from the Nieuwe Zijds Huiszittenhuis (Institute for Relief for the Poor), Amsterdam Loan from the City of Amsterdam, 1885.
Koppel in een rotsachtig landschap
Object type: book illustration
Date: 1844 – 1844
Materials: paper
Techniques: etching
Location: france
Artist: charles emile jacque
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: couple of lovers, mountains
Inscriptions: collector's mark: Lugt 964

Prent uit: Oeuvres de Walter Scott. Parijs: Firmin-Didot, 1844.
Head of a Woman
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: italy
Artist: antonio balestra
Artist role: print maker
Artist nationality: italian
Artist dates: 1666 – 1740
Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 9 (verso)
Object type: book print ornament architecture
Date: 1527 – 1527
Techniques: woodcut
Artist: willem vosterman
Artist role: printer
Artist nationality: netherlandish
Subjects: ornament

Printed by Willem Vosterman. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated with a pattern of diamonds that are connected together by a group of 9 smaller diamonds at each corner; each large diamond frames a snowflake in the center. Bottom register is decorated with a pattern of diamonds, each framing a snowflake in the center.
Nice. Promenade du Midi. Les Ponchettes
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: nice
Artist: Anonymous
Subjects: urban housing, in or beside the water (on the beach)
Fish-form spice container (Besamim)
Object type: spice container
Date: 1813 – 1813
Materials: foil, glass, silver
Techniques: backing
Subjects: fish
Portret van een actrice bekend als mevrouw Favart in de rol van Spilletta
Object type: print
Date: 1746 – 1766
Materials: paint, paper
Techniques: brush
Subjects: historical persons, actress (on the stage)
Inscriptions: collector's mark: Lugt 240
Pair of armchairs
Object type: armchair
Date: 1800 – 1800
Materials: wood, silk

The center of the shield-shaped back is derived from Thomas Sheraton's Cabinet-maker and Upholsterer's Drawing-book (1793).
Presentation Drawing of "The Statue of Liberty Illuminating the World"
Object type: drawing
Date: 1875 – 1875
Materials: chalk, charcoal
Techniques: heightening
Artist: frédéric-auguste bartholdi
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1904

This large-scale presentation drawing, entitled ‘The Statue of Liberty Illuminating the World‘, presents a nocturnal aerial view of the Statue of Liberty on Liberty Island with New Jersey, Manhattan and Brooklyn visible in the background. Drawn in great detail by Bartholdi himself, this monumental sheet played an important role in the fundraising campaign that was initiated in the United States to raise funds for the base upon which the statue would be placed. While the copper statue was a gift from the people of France, its pedestal was to be paid for and made by the American people. Alongside three-dimensional models, this drawing and various workshop copies after it, circulated throughout the country to give people an impression of, and foster enthusiasm for the installation of the monument. The design for the base went through various stages. Initially its shape was that of a pyramid (design preserved in a drawing in Musée Bartholdi, Colmar), which then evolved into the hexagonally-shaped structure, represented in this drawing. The final design, which simplified the shape of the base into a square, was made by the American architect Richard Morris Hunt, who was also contracted in 1881 to execute it after the successful completion of the fundraising campaign.
Centaur op open plaats in het bos
Object type: print
Date: 1920 – 1935
Materials: paper
Techniques: lithograph
Location: paris
Subjects: centaurs, forest, wood
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Sash
Object type: sash
Date: 901 – 1500
Materials: animal fiber
Culture: chimú
Location: peru
Sheet with overall geometric pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Hier viel Justinianus (...)
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: kissing the pope's feet, ruler, sovereign, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 240

Illustratie in: Hamelsveld, Ysbrand van. Algemeene kerkelijke geschiedenis, der Christenen, deel 12. Haarlem: François Bohn, 1806, p. 50.
Hauptmann
Object type: book illustration
Date: 1650 – 1650
Materials: paper
Techniques: etching
Artist: johann jakob bodmer
Artist role: printer, publisher
Artist dates: 1629 – 1650
Subjects: personifications of death; 'morte' (ripa), dance of death; death together with one or more human beings
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2233

Prent uit: Meyer, Rudolph. Sterbenspiegel, das ist sonnenklare Vorstellung menschlicher Nichtigkeit durch alle Ständ und Geschlechter (...). Zürich: J.J. Bodmer, 1650.
Gezicht op Napels met aan de horizon de Vesuvius
Object type: photograph
Date: 1860 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: volcano, prospect of city, town panorama, silhouette of city, naples
Inscriptions: negative number: ‘1165’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en aan de Franse Rivièra (deel II).
Portret van een onbekende jonge vrouw op de trap
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: berlin
Artist: george einbeck
Artist role: painter
Subjects: flight of steps, anonymous historical person portrayed
Inscriptions: monogram: ‘MR/ &Co’
Portrait of Isaac Richardson
Object type: drawing and watercolor
Date: 1735 – 1735
Materials: graphite, parchment
Location: united kingdom
Artist: jonathan richardson
Artist role: artist
Artist nationality: british
Artist dates: 1667 – 1745
Subjects: portraits, prints and drawings

Jonathan Richardson was a portrait painter, author, and collector, who often copied Old Master drawings in his collection. His second son, Isaac, died at sea in 1721 at the age of 17. Based on a painting of 1712, this compelling image was part of a group of portraits on vellum that Richardson drew in the 1730s as a record of those closest to him.
Pillow Cover
Object type: textile
Date: 1875 – 1900
Materials: lace, linen, textile
Techniques: embroidery, weave, stitching
Location: switzerland
Paleis v. Volksvlijt/met hoge hoed 2e Rij Dudok de Wit
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: unknown
Artist: Anonymous
Subjects: paleis voor volksvlijt
Portret van Jean-Baptiste Tavernier
Object type: print
Date: 1775 – 1834
Materials: paper
Techniques: engraving, etching
Artist: konrad westermayr
Artist role: print maker
Artist dates: 1765 – 1834
Subjects: paris, traveler, historical persons, explorer
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Fan
Object type: fan
Date: 1701 – 1750
Materials: gilt, mother of pearl, paint, paper
Subjects: men,women,drinking
Portret van Aagje Kramer
Object type: carte de visite
Date: 1857 – 1898
Materials: cardboard, paper
Techniques: albumen print
Subjects: sitting figure, historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘Aagje Kramer van J. Kelderman’, inscription: ‘Photographisch/ ATELIER/ P. Siewers & Zoon/ EDAM/ EN/ PURMEREND/ Te Edam dagelijks werkzaam/ Te Purmerend zondag & dinsdag/ de negatieven blijven bewaard tot nabestelling.’
Kleine landschappen
Object type: print
Date: 1605 – 1673
Materials: paper
Techniques: etching
Location: low countries
Artist: lucas van uden
Artist role: draughtsman, print maker
Artist dates: 1595 – 1673
Subjects: the (nude) human figure; 'corpo humano' (ripa) (+ three persons), lake, picnic, alfresco, 'déjeuner sur l'herbe'
Inscriptions: collector's mark: Lugt 2228

Uit een serie van twaalf. Landschap met twee mannen en een vrouw met een picknickmand bij de oever van een meer.
Scarab Inscribed for the Female Horus Wosretkau (Hatshepsut)
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: birds,scarabs
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: men,ladders
Portret van Heinrich Bocer
Object type: book illustration
Date: 1611 – 1611
Materials: paper
Techniques: letterpress printing
Location: tübingen
Subjects: historical persons, portrait of a writer

Prent uit: Bocer, Heinrich. Tractatus feudales duo (...). Tübingen: Johann Alexander Cellius, 1611.