deem-data/ArtiFact huggingface dataset:
Corinne as "The Bugler," from the series Fancy Dress Ball Costumes (N73) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: musical instruments,women,actresses

Trade cards from the "Fancy Dress Ball Costumes" series (N73), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes.
Portret van koningin Emma
Object type: photomechanical print
Date: 1879 – 1890
Materials: cardboard
Techniques: photolithography
Location: brussels
Artist: c. hautrive
Artist role: printer, publisher
Subjects: emma (queen consort of the netherlands), historical persons, princess
Ornament
Object type: ornament
Date: 2900 – 2350
Materials: shell
Culture: sumerian
Location: mesopotamia
Fragment (From an Orphrey Band)
Object type: religious ritual object
Date: 1401 – 1500
Materials: animal substrate, gilt, linen, textile, silk
Techniques: bookbinding, patterning, satin weave, weave
Location: italy
Très Parisien, 1926, No.  1, Pl. 16: Création PHILIPPE et GASTON - SAN-FRANCISCO
Object type: fashion print
Date: 1926 – 1926
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: ensemble of pieces of clothing (+ women's clothes), coat (+ women's clothes), fashion plates
Inscriptions: date: ‘Ensemble pour le Printemps en Majunga de Rodier. La robe est garnie de rubans de velours et de broderies. Le manteau est lui-même orné de rubans de velours bleus et blancs, au bas, à la parementure et aux manches.’

Twee creaties van het modehuis Philippe et Gaston. Ensemble voor de lente. Japon gegarneerd met borduurwerk en linten van fluweel. Mantel gegarneerd met linten van wit en blauw fluweel, afgezet met bont. Prent uit het modetijdschrift Très Parisien... La Mode, Le Chic, L'Élegance (1920-1936)
Dutch Market or Fair
Object type: drawing and watercolor
Date: 1820 – 1820
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: john coney
Artist nationality: english
Artist dates: 1786 – 1833
Landschappen (serie B)
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: rotterdam
Artist: gerard van nijmegen
Artist role: draughtsman, painter, print maker
Artist dates: 1735 – 1808
Subjects: cow, rain, lightning, flash of lightning, thunderbolt, trees: willow
Inscriptions: collector's mark: Lugt 2228

In een landschap staat een koe bij een knotwilg. Het bliksemt, regent en waait.
Fragment
Object type: fragment
Date: 1801 – 1900
Dress
Object type: dress
Date: 1880 – 1889
Materials: cotton
Culture: american or european
Voorbereidende werken voor het neerlaten van buizen in de Amstel bij de bouw van de Zuidergasfabriek
Object type: photomechanical print
Date: 1908 – 1908
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: river, making ducts for water, gas and electricity
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Gemeentebedrijven.
Stucco relief panel
Object type: stucco relief
Date: 51 – 100
Materials: plaster
Culture: roman
Subjects: female nudes

The nude female figure flies to the right with her drapery floating loosely behind her. She holds a wreath in her right hand and a platter in her left.
A Saint Bernard Dog Comes to the Aid of a lost Woman with a sick Child
Object type: painting
Date: 1827 – 1827
Materials: canvas, oil
Artist: charles picqué
Artist role: designer, painter
Artist dates: 1799 – 1869
Subjects: dog (st.bernard), training of dogs, nursing, tending the sick
Inscriptions: signature and date: ‘C. Picqué 1827’

Een sint-bernardshond komt een in de bergen verdwaalde vrouw met een ziek kind te hulp. Rechts knielt de vrouw tegen een rotswand met het kind liggend op haar schoot; de jongen heeft een rozenkrans in de hand. Links zit een hond met om de nek een kruik (gemerkt St. Bern.) en een bel.
Fougère arborescente
Object type: photograph
Date: 1863 – 1863
Techniques: albumen silver print, glass negative
Artist: désiré charnay
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1915
Subjects: trees

Strange. Bizarre. Exuberant. Extraordinary. Vigorous. Désiré Charnay didn’t lack words to describe the exotic vegetation he encountered on his 1863 expedition to Madagascar and the Comoro Islands; the pictures he made of several native trees—veritable portraits that suggest individual personalities—are equally expressive. He was particularly captivated by the giant baobab trees on the island of Mohéli (or Mwali) and compared their “majestic trunks” to pyramids rising from the tiny island. He identified the latanier (more likely a Bismarck palm) as the source of local industry: the Malagasy people were known for intricate mats braided from the plant’s leaves. Charnay recounted these details in his memoir about the trip, “A Bird’s Eye View of Madagascar,” which was published in the periodical Le Tour du Monde in 1864. The baobab and palm trees, along with a fougère arborescente, or fern tree, were illustrated in the article by wood engravings based on his photographs.
Landschap met figuren op een pad langs een meer
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: etching
Location: london
Subjects: (traveller) resting in the open air, 'en route', traveller under way, lake (+ landscape with figures, staffage)

Tekst in het Engels in de ondermarge. Genummerd: 2
Portret van Louis Maimburg
Object type: print
Date: 1686 – 1778
Materials: paper
Techniques: engraving
Artist: melchior rein
Artist role: print maker
Subjects: clergyman, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende man met bril
Object type: carte de visite
Date: 1874 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: eyeglasses, spectacles, adult man, historical persons
Inscriptions: inscription: ‘A. GREINER/ PHOTOGRAAF/ van/ H.H.M.M. DEN KONING EN DE KONINGIN/ der/ Nederlanden/ NIEUWENDIJK L. 89./ AMSTERDAM./ SPECIALITEIT IN VERGROOTINGEN./ Ferd. Beyrich, Berlin.’, inscription: ‘[...]’
Medallion
Object type: medallion
Date: 1701 – 1800
Materials: stone
Artist: josiah wedgwood
Artist role: artist
Artist nationality: british
Artist dates: 1730 – 1795
Subjects: men,profiles
Portret van Christian Henning
Object type: watercolor
Date: 1751 – 1822
Materials: paper, watercolor
Techniques: brush
Artist: christian henning
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Subjects: zeist, print maker, draughtsman, christian henning, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Emperor's(?) Twelve-Symbol Robe
Object type: robe, emperor's 12 symbol
Date: 1901 – 2000
Materials: silk
Culture: chinese
Subjects: dragons
Gezicht op de Plantage
Object type: drawing
Date: 1800 – 1899
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', road, path, public gardens, park
Inscriptions: collector's mark: ‘11- 264 / 3 / 2’ Lugt 1641b, inscription: ‘Port-11-264’, inscription: ‘Plantage 2136’

Onderwerpsrubriek binnen de Atlas Amsterdam: Paleisstraat, Palmgracht, Papenbrugsteeg, Passeerdersgracht, Peperstraat, Pieterspoort (St.), Pieterssteeg (St.), Plantage, Prinseneiland.
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, writing
Location: ede
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: print maker, carel nicolaas storm van 's-gravesande, the hague, painter, draughtsman, marinus van der maarel, philip zilcken, drawing, the graphic arts, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
Four Putti with Grapes
Object type: painting
Date: 1725 – 1774
Materials: canvas, oil
Location: netherlands
Artist: Anonymous
Subjects: cupids: 'amores', 'amoretti', 'putti'

Vier putti die in de wolken wijn drinken en druiven in een beker uitpersen. Pendant van SK-A-2686.
Schepen varen door het Suezkanaal
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: suez canal
Subjects: sailing-ship, sailing-boat, canal

Onderdeel van Reisalbum met foto's van Duitsland, Zwitserland, het Suezkanaal en Nederlands-Indië.
Portret van Lodewijk Napoleon, Koning van Holland
Object type: photomechanical print
Date: 1856 – 1867
Materials: paper
Techniques: autotype
Location: the hague
Subjects: louis napoleon (king of holland), holland
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Lodewijk Napoleon, koning van Holland van 1806 tot 1810. Gebarend met de linkerhand, zijn steek in de rechterhand. Hij is gekleed als kolonel van het regiment kurassiers van de koninklijke garde, getooid met het grootkruis van de koninklijke orde van de Unie van Holland en het officierskruis van het Legioen van Eer.
Man in een rechtbank terwijl drie moorden worden gepleegd
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Subjects: violent death by cleaving and striking weapons, violent death by poisoned cup, administration of justice, trial

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.

Deze prent is ook gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Bifacial Sickle Insert
Object type: sickle, insert, denticulate, bifacial, tool
Materials: stone
Location: egypt

This small piece of flint was a key element to a successful agricultural season in ancient Egypt. Grain was a staple of the economy, as bread and beer made from grain were consumed daily. They also formed the foundation of eternal sustenance, as funerary offerings. Ancient Egyptians used sickles made from flint and wood to reap grain. Pieces of flint such as this one were shaped to fit into a wooden haft along with a number of other such inserts, and secured with an adhesive. The flint pieces provided a sharp edge to cut the grain stalks. With use, the flint would wear down and develop a shiny gloss. The flint inserts could be re-sharpened or replaced as needed. Bifacial sickle inserts like this constitute some of the earliest evidence for farming in Egypt. They were made mainly during the 5th- 4th millennia BC, after which they were replaced by sickle inserts made on thin blades with less invasive retouch. The sickle inserts on blades were faster to produce, but likely did not last as long as the larger, thicker bifacial inserts. This change marks a transition in systems of production and distribution of flint tools that coincided with the development of the state. Flint, rather than copper alloy, was the primary material used to make sickles in Egypt until the first millennium B.C. when iron became more widely available. The reason for using flint was probably multifaceted and included considerations such as its abundance, its ease of manufacture compared to casting metal tools, flint’s proficiency at cutting grain, and the relationships between the people who made flint tools and the people who used them.
Verscheyden Stranden en water gesichten gedaen door Jan Percelles
Object type: print
Date: 1618 – 1645
Materials: paper
Techniques: etching
Location: haarlem
Subjects: dune coast, carrying something in basket, bag, rucksack, etc.
Inscriptions: collector's mark: Lugt 240
View of the Gambir Estate
Object type: photograph
Date: 1885 – 1900
Materials: photographic support
Techniques: collodion silver print
Location: deli
Artist: carl j. kleingrothe
Artist role: fotograaf
Artist dates: 1864 – 1925
Subjects: sumatra

Gezicht op de tabaksvelden op de plantage Gambir Estate in Deli op Sumatra. Onderdeel van het Sumatra fotoalbum van Paul en Lucie Sandel uit 1900.
Oranje-album; de huwelijksreis en de intocht te Baarn, Soest en de hoofdstad van het prinselijk paar 8 januari - 14 juni 1937
Object type: album
Date: 1937 – 1937
Materials: cardboard, paper
Techniques: brocade, printing
Location: amsterdam
Subjects: utrecht, bernhard (prins der nederlanden), the hague, juliana of the netherlands, amsterdam
Inscriptions: date

58 fotopagina's in oranje kartonnen omslag wit. Gedateerd; titelp.: 1937.
Funerary Cone of the Chief Steward Padihorresnet
Object type: cone, padihorresnet, round stamp, chief steward, divine adoratrice
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This cone has the impression of a stamp seal inscribed for a man named Padihorresnet who was chief steward of the divine adoratrice who was probably the owner of Theban tomb 196. For a drawing of this impression see http://www.funerarycones.com/, number 609.
Fiji, from Types of Nationalities (N240) issued by Kinney Bros.
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,smoking

Trade cards from the "Types of Nationalities" series (N240), issued in 1890 to promote Kinney Tobacco Company. Each card is meant to be folded into thirds. Unfolded the card displays a figure from a particular nationality. Folded, the same figure is portrayed smoking a Kinney Brothers Cigarette.
Hakoomaru meets Kudo Saemon Suketsune, from the series "Illustrated Tale of the Soga Brothers (Soga monogatari zue)"
Object type: print
Date: 1843 – 1847
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Side chair
Object type: side chair
Date: 1820 – 1830
Materials: wood, textile, cotton, metal
Techniques: enamel, veneering
The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832), from "L'Association Mensuelle no. 3"
Object type: print
Techniques: lithograph
Artist: j. j. grandville
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: animals,weapons,men,crowd,flags
Fotoalbum met 43 foto's, Spaans en Cubaans
Object type: slip in album
Date: 1860 – 1900
Materials: cardboard, leather, metal, paper, photographic support
Techniques: albumen print
Subjects: sideburns, historical persons - bb - woman, boy (child between toddler and youth), moustache, historical persons, girl (child between toddler and youth), head-gear: hat, beard
Inscriptions: collector's mark: ‘Dienst Verspreide Rijkscollekties/ Inv.nr: A742’

Fotoalbum met 43 foto's op 25 bladen. Het album bevat portretten, vervaardigd in Spanje en Cuba (Havana) met uitzondering van één portret dat is vervaardigd in Algerije. De foto's zijn onder andere vervaardigd door Antonio Sorgato, Esteban Mestre en C.D. Fredricks y Daries, enkele foto's zijn anoniem.
Kinderkruistocht
Object type: print
Date: 1522 – 1532
Materials: paper
Techniques: woodcut
Location: low countries
Artist: monogrammist liw
Artist role: print maker
Subjects: child, christian religion (+ devil(s)), militant proselytizing: religious war, crusade, etc.
Inscriptions: collector's mark: Lugt 2166

Vijfde blok van zes, vormen samen een fries met de kinderkruistocht. Optocht van kinderen met wapens, vlaggen en muziekinstrumenten. Eén kind berijdt een duivel.
Portret van Adolph Vorstius
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: delft, scholar, philosopher, historical persons
Portret van Alexander von Soiron
Object type: print
Date: 1835 – 1862
Materials: paper
Techniques: tone lithography
Location: frankfurt am main
Subjects: politician, historical persons, politician, e.g. party leader
Tekenvoorbeelden
Object type: print
Date: 1610 – 1672
Materials: paper
Techniques: engraving
Location: antwerp
Artist: michael snijders
Artist role: print maker, publisher
Artist dates: 1586 – 1672
Subjects: head (human), model-books ~ implements of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Negende prent uit een serie tekenvoorbeelden van onbekende omvang. Studieblad met linksboven een vrouwenkop, mannenkoppen en rechtsonder een staande figuur.
Notenkraker van palmhout
Object type: nutcracker
Date: 1583 – 1583
Materials: wood

Gesneden in de vorm van een beestenkop met inscriptie: Tout prend fin J. Kuirin 1583 Tel que je suis un petit bois Je sers aux gens Pour crocquer noix.
Mrs. Robertson (Margaret Berry), 1720–1795
Object type: medallion
Date: 1785 – 1785
Materials: glass, wax, wood
Artist: thomas engleheart
Artist role: artist
Artist nationality: british
Artist dates: 1745 – 1786
Subjects: profiles,women
Exterieur van het Palais de Justice in Parijs
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: ernest ladrey
Artist role: fotograaf, illustrator
Artist dates: 1830 – 1889
Subjects: court building, paris
Inscriptions: address: ‘Passage des Princes PARIS.’, number: ‘1803.’, inscription: ‘Maison Martinet Albert Hautecoeur 12, Bd des Capucines’

Onderdeel van Fotoalbum met kabinetfoto's van bezienswaardigheden in Parijs en Versailles.
Heilige Cecilia
Object type: print
Date: 1590 – 1610
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the virgin martyr cecilia of rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies, flowers, musical instruments; group of musical instruments, birds
Inscriptions: collector's mark: Lugt 3751, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Heilige Cecilia met muziekinstrumenten. Onderdeel van een serie van 24 voorstellingen van vrouwelijke martelaren (martyrologium). De voorstellingen zijn voorzien van randen met bloemen en dieren.
Passementerie
Object type: passementerie
Date: 1801 – 1833
Materials: metal
S. Maria Magdalena
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Artist: schelte adamsz. bolswert
Artist role: print maker
Artist dates: 1586 – 1659
Subjects: st. mary magdalene renounces the vanities of the world, laying aside her jewels
Inscriptions: collector's mark: Lugt 2228

Prent uit serie Vélins met negentig prenten naar ontwerp van Peter Paul Rubens. In de bronnen vinden we uiteenlopende gegevens over aantal en samenstelling van de serie. Hollstein hanteert het aantal van negentig prenten. De reeks Vélins in de collectie van het RMA bevat verschillende staten afkomstig uit meerdere uitgaven welke moeilijk te duiden zijn. Sommige dragen het originele adres van Schelte Adamsz. Bolswert als graveur en uitgever, op andere exemplaren is deze naam verwijderd (duidelijk zichtbaar!) en vervangen door de naam Cornelis Galle (II). De prenten met de naam van uitgever Galle zijn vaak opgewerkt. We treffen nog een andere naam van een uitgever bij enkele prent aan: Martien van den Enden. Herkomst uit meerdere uitgaven spreekt ook uit afwijkende opschriften in Nederlands en Latijn en variaties op dezelfde thema's welke misschien nooit langs elkaar in dezelfde serie gebruikt werden.
Staal bespanningsstof van linnendamast met dessin "Wilde Vlucht"
Object type: upholstery fabric
Date: 1911 – 1915
Materials: linen
Techniques: damask
Location: eindhoven
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Staal bespanningsstof van linnendamast met een dessin van bijen (of vogels) in wilde vlucht, in naturel op een grijsblauwe grond.
Schetsboek LXIV met 29 bladen
Object type: sketchbook
Date: 1886 – 1934
Materials: chalk, paper, pencil
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: amsterdam, the hague, painter, print maker, draughtsman, isaac israels, portrait, self-portrait of painter, portrait, self-portrait of artist, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, annotation: ‘met jong zelfportret / I.I.’

Schetsboek nr. LXIV bestaande uit 29 bladen met straatgezichten, figuurstudies en een zelfportret.
Sestertius (Coin) Portraying Emperor Maximinus
Object type: coin
Date: 235 – 236
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Woningen te Gongo
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: photograph
Location: dresden
Artist: franz thonner
Artist role: botanicus, ontdekkingsreiziger
Artist dates: 1863 – 1928
Subjects: housing, façade (of house or building)
Inscriptions: number: ‘Pl. 43.’
Barbed Point
Object type: point
Date: 300 – 200
Materials: copper
Culture: vicús
Location: peru
Subjects: weapons
"Akbar Hunting", Folio from an Akbarnama (History of Akbar)
Object type: folio from an illustrated manuscript
Date: 1567 – 1600
Materials: gold, ink, paper, watercolor
Location: pakistan
Subjects: men,hunting,elephants,horses,lions

This painting, a display of imperial prowess, strength, and courage, is from a now-dispersed illustrated manuscript of the Akbarnama, the chronicle of Emperor Akbar's life. It shows the emperor lunging from the saddle to strike a lioness with his long-bladed sword, or shamshir shikargar. Below him, a courtier takes a Parthian shot (made facing backward in the saddle while at full gallop) at a second lion attacking from behind. The dynamic and dangerous action of the hunt is set against a beautifully modulated Persian-style rocky landscape, with dense trees and wondrous mountains filling the upper horizon.
Vase with Stylized Petals
Object type: vessel
Materials: glaze, stoneware
Location: china
Cabinet des Modes ou les Modes Nouvelles, 1 Octobre 1786, pl. III
Object type: fashion print
Date: 1786 – 1786
Materials: paper
Techniques: engraving
Location: paris
Subjects: styles of hairdress - aa - ~ women, head-gear: cap (+ women's clothes), fashion plates, piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)

Twee vrouwenbustes: Links: Pouf à la Chinoise ; rechts: Toquet à la Virginie. Kapsels van Depain, hoeden van Roussaud
Een groot man en een groote man
Object type: cartoon
Date: 1891 – 1891
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: rome, priest, herman johannes aloysius maria schaepman, voting, election, political caricatures and satires

Dr. Herman Schaepman ziet de geest van een (onbekende) politicus uit het verleden.
Portret van Louis Pasteur
Object type: print
Date: 1885 – 1924
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: mark: ‘A[?]C Ve[...]’
Hamburg. Kunsthalle
Object type: photomechanical print
Date: 1905 – 1905
Materials: cardboard
Techniques: photograph
Location: hamburg
Subjects: permanent exhibition, museum
Inscriptions: date
Vier figuurstudies
Object type: drawing
Date: 1880 – 1923
Materials: chalk, paper
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: standing figure - aa - female human figure (+ sideview, profile), standing figure - aa - female human figure (+ back view), standing figure (+ back view)
Inscriptions: workshop stamp: Lugt 291d

Een man en een vrouw, op de rug gezien, en twee vrouwen in profiel.
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Culture: chinese
Subjects: human figures
Franse etsen uit 1875
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: trenches, paris
Inscriptions: collector's mark: Lugt 2760, collector's mark: ‘AFE v S’, collector's mark: Lugt 2228
Textile Ornament
Object type: ornament
Date: 1301 – 1500
Materials: silver
Culture: chimú
Location: peru
Subjects: fish