deem-data/ArtiFact huggingface dataset:
'T genootschap, pro patria; zo als het zig vertoonde in de Nieuwe Kerk, te Amsterdam, bij het ontfangen der geschenken op den 11 Februarij, 1786
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: warfare; military affairs, the soldier; the soldier's life

Bijeenkomst van het Genootschap ter Oefening van de Wapenhandel Pro Patria in de Nieuwe Kerk te Amsterdam op 11 februari 1786, waar geschenken, overhandigd door een vrouw, in ontvangst worden genomen. In de marge voor- en achterzijde van een medaille van het genootschap. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Schutterij, Historieprenten.
The temperance sweep
Object type: photomechanical print
Date: 1876 – 1877
Materials: paper
Techniques: woodburytype
Location: london
Subjects: handicrafts ~ maintenance and repair (with name of trade or profession), london
Winterlandschap met ijsvermaak
Object type: drawing
Date: 1697 – 1741
Materials: paint, gouache, paper
Artist: louis chalon
Artist role: draughtsman
Artist dates: 1687 – 1741
Subjects: winter sports, ice ~ freezing weather
Studies of Nude Men
Object type: drawing
Date: 1682 – 1750
Materials: chalk
Artist: nicola grassi
Artist role: artist
Artist nationality: italian
Artist dates: 1682 – 1750
Subjects: male nudes
Twee dijkwerkers in een planken hut
Object type: drawing
Date: 1881 – 1934
Materials: charcoal, paint, ink, paper, pencil
Techniques: brush, pen
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: heaping up (industrial process), dikes, levee
Towel End
Object type: towel end
Date: 1701 – 1800
Materials: linen, silk
Techniques: embroidery
Location: morocco
Overrok van een bruidskleed van applicatiekant met veldboeketten
Object type: overskirt
Date: 1900 – 1900
Techniques: lace
Location: brussels
Artist: Anonymous

Overrok van naturelkleurige applicatiekant: kloskant met naaldkant siersteken - Brusselse duchesse - geappliceerd op machinale tule. Rondlopend recht model, zonder naad. De overrok hoort bij een kanten bruidskleed. Het patroon neemt van boven naar onder in dichtheid toe. Bovenaan de rok is een strooipatroon te zien van bloemtakken en korte bloemslingers. Onder het strooipatroon loopt een zigzaglijn, met vergelijkbare bloemen uit het strooipatroon. Onder de zigzaglijn een golvend, dubbel lint. Op elke golftop vormt het lint een strik, waaraan een groot veldboeket hangt. De veldboeketten worden afgewisseld door staande veldboeketten, die ontspringen uit de golftoppen van de bloemenrank langs de onderrand van de rok. Deze bloemenrank vertoont een rijke variëteit aan grote bloemen en bladeren. De schulpenrand langs de onderzijde van de rok wordt onder andere gevormd door grote wingerdbladeren en madeliefjes. De bovenkant is niet afgewerkt. Er zijn enkele metalen knoopjes bevestigd langs een splitje in de bovenkant.
Pasfoto's van personeel
Object type: album leaf
Date: 1914 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, mining, historical persons, industries ~ metal (+ men (labourers))
Inscriptions: inscription

Albumblad met 35 kleine pasfoto's van personeel werkzaam bij de Banka-tinwinning te Soengeiliat-Merawang. Portretten van mannen, zonder aanduiding van functie. Onder de foto's de naam van de geportretteerde. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Vesuvio dalla Tomba di Virgilio
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1906
Materials: photographic support
Techniques: photography
Location: naples
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), eruption (of volcano), mount vesuvius, naples
Gezicht op Gulpen
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: gulpen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: city-view in general; 'veduta'
Inscriptions: annotation: ‘Panorama of Gulpen’, annotation: ‘Gulpen’
“The Third Knot”. Interlaced Roundel with Eight Wreaths and a Scalloped Shield in its Center
Object type: collection ornament architecture
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: ornament

Embroidery pattern made up out of so-called knot work. The main pattern has a circular shape and is presented in white on a dark ground. The knotted ropes or straps form circular patterns or wreaths, which can be seperated into two main tiers around the central motif which is a blank scalloped shield. On all four corners another, leaf-shaped ornament has been added which sticks out of the circle. The leaves are filled with more knot work in white on the dark ground while swirling straps in black surround them.
Pair of candelabra
Object type: candelabrum
Date: 1501 – 1600
Materials: iron
Pair of Pistol Holsters
Object type: pair of pistol holster
Date: 1734 – 1766
Materials: leather, metal thread, velvet
Culture: french or italian
Location: france

Holsters of this type, each containing a single pistol, were attached at the front of the saddle, one on each side, giving the rider easy access to his weapons. The saddle and shabrack (saddle cloth) were sometimes made as a set with textile matching that of the holsters.
Portret van Caspar Netscher
Object type: print
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: painter, print maker, draughtsman, caspar netscher, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Desk and Bookcase, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: desks

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LXXXIV in the 1754 and 1755 editions, not reprinted in the 1762 edition.
Portret van een groep onbekende jongens in welpenkostuum
Object type: stereograph
Date: 1850 – 1920
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: europe
Artist: Anonymous
Subjects: boy (child between toddler and youth), europe
Inscriptions: number: ‘23’
Fotoreproductie van een gravure van Maria die de tempel betreedt door Marcantonio Raimondi
Object type: photograph
Date: 1848 – 1853
Materials: photographic support
Techniques: salted paper print
Subjects: dedication (or presentation) of mary in the temple: she ascends the steps and is received by the high priest
Snuff Box
Object type: metalwork
Date: 1830 – 1830
Materials: copper, enamel, gold
Location: austria
Exterieur van een boerderij
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Artist: hugo henneberg
Artist role: fotograaf
Artist dates: 1863 – 1918
Subjects: farmers, façade (of house or building)
Vaticano Roma Penelope afflita
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: vatican museums
Artist: roberto rive
Artist role: fotograaf
Artist dates: 1825 – 1868
Subjects: piece of sculpture, reproduction of a piece of sculpture, penelope
Inscriptions: number: ‘1472.’
Funerary Cone of the Scribe of the Treasury Senu
Object type: cone, davy 578, senu, scribe, treasury
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Soldaat met gestrekte armen houdend zijn musket in zijn rechterhand en zijn furket in zijn linkerhand, ca. 1645
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: petrus rucholle
Artist role: print maker
Artist dates: 1618 – 1647
Subjects: handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, gezien van voren, die met gestrekte armen een musket (een bepaald type vuurwapen) in zijn rechterarm houdt en zijn furket (musketvork) met brandende lont in zijn linkerarm, ca. 1645. Bedrukt op achterzijde met tekst in het Frans. Nieuwe voorstelling niet ontleend aan de instructies voor het hanteren van het musket in de Wapenhandelinghe van J. de Gheyn. Krijgswezen rond 1600.
Landschap met molens
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: windmill in landscape

Blad 41 verso uit een schetsboek met 42 bladen.
Two Scholars and Boy with Goose
Object type: folding fan mounted a an album leaf
Date: 1801 – 1900
Materials: ink, silk
Culture: chinese
Artist: sun rong
Artist role: artist
Artist nationality: chinese
Subjects: geese,boys,men
Ruiterportret van Frederik IV van Denemarken
Object type: print
Date: 1700 – 1730
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: copenhagen (city), frederik iv (koning van denemarken en noorwegen), equestrian state-portrait, crown (symbol of sovereignty), historical persons, calligraphy, king, angels
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Bust of Johan van Welderen, Lord of Ubbergen, Valburg and Oudenhoorn (1660-1724)
Object type: sculpture
Date: 1728 – 1728
Materials: marble
Location: the hague
Artist: jan baptist xavery
Artist role: sculptor
Artist dates: 1697 – 1742
Subjects: mayor
Card Number 48, Carroll, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Ancient Ruins in the Interior
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Degen
Object type: sword
Date: 1575 – 1600
Materials: iron, wood
Techniques: incising
Location: western europe
Artist: Anonymous

Degen, brede platte kling aan het achtereinde met twee groeven waarin aan beide zijden: no me saques sin rason. No me enbaines sin honor. Het gevest is voorzien van een gesmeed ijzeren korf van op elkaar gelakte gebogen staven. Greep met ... houten omhulsel. Einde 16de eeuw. Lengte van de kling 1,01 m.
Herfst
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Subjects: autumn landscape; landscape symbolizing autumn (the four seasons of the year)
Inscriptions: collector's mark: Lugt 2228

Landschap met een versterkt huis en een landweg met enkele figuren en pakezel. Prent uit een serie van de vier seizoenen.
Heidelberg v.d. Hirschgasse
Object type: ansichtkaart, prentbriefkaart
Date: 1880 – 1910
Materials: cardboard, paint, paper, silk, textile, watercolor
Techniques: brush, chromolithography, photograph
Location: heidelberg
Artist: Anonymous
Subjects: city-view in general; 'veduta'

Deze prent maakt deel uit van een album.
Stadgezicht
Object type: album leaf
Date: 1925 – 1931
Materials: cardboard, photographic support
Techniques: collodion silver print, gelatin silver print
Location: batavia
Artist: Anonymous
Subjects: dutch east indies, the, batavia

Albumblad met één foto: straatgezicht te Batavia. Onderdeel van het fotoalbum aangeboden aan S. Koster door de Vereeniging van Hoogere Politie Ambtenaren in Nederlandsch-Indië in 1931.
Of what ill will he die?, plate 40 from Los Caprichos
Object type: print
Materials: paper
Techniques: aquatint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828

One of Goya’s best-known publications, Los Caprichos is an album of 80 whimsical prints that carry a biting critique of society’s foolishness. In the absurd scenario seen here, the artist ridicules the medical profession by depicting a doctor as a jackass. It is unclear whether the patient is dying from an illness or from the ignorant physician’s administrations.
Goya originally conceived the project as a series of dreams. On an early draft of the frontispiece, now in the collection of Museo del Prado in Madrid, he wrote, “The author dreaming. His only intention is to banish harmful beliefs commonly held and to perpetuate with this work of caprices the solid testimony of truth.”
Vase with face
Object type: vase
Date: 1892 – 1893
Materials: stoneware
Artist: pierre-adrien dalpayrat
Artist role: maker
Artist nationality: french
Artist dates: 1844 – 1910
Subjects: faces,women

Emerging from the globular body of this vase is the face of a sleeping woman. Dalpayrat collaborated with the sculptor Voisin-Delacroix on a number of pieces, mainly small models. This large-scale vase is one of their most ambitious works. Voisin-Delacroix was associated with the Symbolist movement, and this piece–with the hidden sleeping face–relates to Symbolist themes associated with dreaming. Dalpayrat's streaky glaze in white, blue, yellow, and copper-red adds to the dreamlike effect.
Rhyton terminating in a horned lion
Object type: rhyton
Date: 400 – 201
Materials: ceramic
Culture: achaemenid or seleucid
Location: anatolia
Subjects: lions

This ceramic vessel is called a ‘rhyton’ (from the Greek rheo, meaning ‘flow through’) by scholars because it has a spout at the bottom. Like many rhyta, it consists of a horn-shaped beaker and a hollow sculptural element, in this case in the form of the foreparts of a winged lion with horns that are now missing. The lion’s legs are outstretched – including its hind legs with are depicting in shallow relief on the sides of the beaker – suggesting that the creature is running or leaping. The spout is in the lion’s chest. The beaker and the sculptural element were made separately of a dark grey clay. Originally it was painted, but now the only preserved color is inside the mouth, which is painted red. Rhyta originated in the Achaemenid Persian Empire, combining the older Near Eastern traditions of animal-headed beakers and Iranian traditions of animal-shaped vessels. They were used at royal banquets, where the Persian king displayed his wealth and power, and the ability to drink skillfully from a rhyton marked one as a member of the elite who were invited to such banquets. Rhyta were thus symbols of high status, and this in turn inspired the creation of imitations in less expensive materials, such as clay.
Sculpturen uit de oudheid
Object type: album leaf
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: (7) the cretan bull is captured by hercules, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘68’, inscription: ‘Ende lib. No. 23. fol. 460. Ende lib. No. 20 fol. 43. 49 et lib. No. 4 [...] folio 20 [...] 16. Ende lib. No. 21. fol. 353’

Deze prent maakt deel uit van een reeks van ten minste 50 prenten van sculpturen uit de oudheid.
Stilleven met vissen, gevogelte, groente en fruit
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: birds, fishes, crustaceans: crab, fish; still life of fishes
Inscriptions: collector's mark: Lugt 2228
Dit prentgeschenk leert u van Speyk, / Door moed beroemd, in deugden ryk, / En leert dat de geschiedenis, / Van uwen tyd heldhaftig is
Object type: popular print
Date: 1831 – 1837
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: amsterdam, antwerp, jan van speyk, battle, revolution, revolt, tailor, dressmaker, orphans, netherlands, belgium
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over het leven en de zelfopoffering van J.C.J. van Speyk tijdens de strijd tegen de Belgen. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 27.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of shoulder and arm of figure?
Sandtvoort
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: well, carrying something on the head or on the shoulders, mending of fishing nets, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 1641, stamp

Gezicht op Zandvoort aan Zee, met de kerk en enkele lage huisjes. Op de voorgrond worden visnetten uitgezet en iets verder naar achter haalt een vrouw water uit een put. Rechts twee vrouwen met manden op het hoofd. Deze prent maakt deel uit van de serie 'Gezichten bij Haarlem'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Buitenleven.
Cope
Object type: textile
Date: 1601 – 1675
Materials: coral, gilt, linen, metal, textile, silk
Techniques: embroidery, treatment, laid work, weave, satin weave, stitching
Location: italy
Zebulon, from "The Twelve Sons of Jacob"
Object type: print
Date: 1584 – 1594
Techniques: engraving
Location: amsterdam
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Subjects: men,portraits
Pendant Plaque
Object type: pendant
Date: 301 – 500
Materials: lapis lazuli
Culture: byzantine
Christ and the Woman Taken in Adultery (one of a set of 12 scenes from The Life of Christ)
Object type: panel
Date: 1525 – 1530
Materials: glass
Artist: jan rombouts
Artist role: maker
Artist nationality: south netherlandish (duchy of brabant)
Artist dates: 1475 – 1535
Subjects: men,women,christ

The common phrase “to cast the first stone” is derived from the story shown on this panel, in which Jesus defends a woman accused of adultery. Though artists often borrowed stained-glass compositions from paintings or prints, their techniques were unique to the material. The deep blue of Christ’s robe comes from costly cobalt mixed into molten glass. The fabric’s folds were painted on the blue glass, and then the piece was fired. This colored glass was then joined to pieces of clear glass with lead strips called cames, creating the window’s framework and dynamic composition.
Portret van Louis Antoine Leon de Saint-Just
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: etching
Location: paris
Subjects: paris, politician, historical persons, politician, e.g. party leader

Prent mogelijk uit: Anquetil, Louis Pierre, en Léonard Gallois. ‎Histoire de France d'Anquetil, continuée depuis la Révolution de 1789 jusqu'à celle de 1830. 4 dln. Parijs: Au bureau central de l'histoire de France, 1845, dl. 3. Prent waarschijnlijk ook gebruikt in een eerdere editie.
Gezicht op de Koningshaven, de Koningsbrug en de Koninginnebrug
Object type: photograph
Date: 1878 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rotterdam
Artist: f. von pöppinghausen
Artist role: fotograaf
Artist dates: 1851 – 1905
Subjects: harbour, warehouse (~ harbour), river, river bank, pier, quay, wharf, bridge in city across river, canal, etc., prospect of city, town panorama, silhouette of city, steamship, motorship, rotterdam

Onderdeel van Panorama van de Rotterdamse haventerreinen op de Kop van Zuid, foto 2 van 7.
Cross-Shaped Tile Fragment
Object type: tile fragment
Date: 1201 – 1250
Materials: stonepaste
Techniques: luster painting, overglaze
Location: iran
Subjects: human figures
Fragment of an Ivory Comb
Object type: comb
Date: 1 – 300
Materials: ivory
Culture: afghan
Subjects: satavahana
Magasin des Modes Nouvelles Françaises et Anglaises, kopie naar Pl.1, 10 mars 1787, F. 1
Object type: fashion print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, hand coloring
Location: lille
Subjects: clothing for the upper part of the body (+ women's clothes), ear-rings (+ women's clothes), handkerchief (+ women's clothes), walking-stick, staff, cane (+ women's clothes), head-gear (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), skirt (+ women's clothes), neck-gear ~ clothing (+ women's clothes)

Staande vrouw gekleed in een jasje met opstaande kraag en schootje, op een rok met sleep, beiden van laken. Gerimpelde jabot (?) en manchetten. Het haar in een lange staart. Accessoires: hoed met veren en afgezet met bont (?), oorbel, handschoenen, wandelstok met knop, zakdoek, schoen met puntige neus en hak. De prent is een kopie naar Pl.1 van het 12e Cahier, 2e année, uit de serie Magasin des Modes Nouvelles Françaises et Anglaises. De serie bestaat uit 172 modeprenten, uitgegeven door Buisson, Parijs, 20 november 1786 - 21 décembre 1789.
Allegorie op de bestandstwisten, 1618
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: personifications of countries, nations, states, districts, etc., netherlands

Allegorie op de bestandstwisten, 1618. De Nederlandse Maagd wordt aangevallen door een soldaat gemerkt op zijn helm als Utrecht (waardgelder) met aan zijn rok de namen van de remonstrantse steden in Holland. Zijn opgeheven hand met zwaard wordt door de hand van God uit de hemel tegen gehouden. De maagd zit op de hoeksteen Christus en wordt tegelijkertijd belaagd door Onenigheid, Dood en Razernij. In de zee blaast een triton (Patriot) contraremonstrantse pamfletten uit zijn hoorn. Met onderschrift van 5 verzen van 4 regels in het Nederlands.
Kustlandschap met toren
Object type: print
Date: 1826 – 1833
Materials: paper
Techniques: lithograph
Location: dordrecht
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), landscape with tower or castle
Inscriptions: collector's mark: Lugt 2165, inscription: ‘15A / 12-6-'79’

Op het strand liggen twee zeilboten voor een toren. Links wandelen twee figuren met manden. Rechts varen zeilboten op zee.
Portret van Georges Clemenceau
Object type: print
Date: 1917 – 1917
Materials: paper
Techniques: drypoint, etching, intaglio
Location: france
Artist: albert besnard
Artist role: draughtsman, print maker
Artist dates: 1849 – 1934
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228
Robe à l'anglaise
Object type: robe à l'anglaise
Date: 1725 – 1750
Materials: linen, silk
Culture: british

Linen gowns, plain versions of contemporary dress, were popular with gentlewomen for morning wear in the English countryside. These gowns were very sensible, as they could be laundered often and still retain a fresh appearance. They were often decorated with embroidery, usually stitched by the wearer herself. Embroidery was considered a gentle, feminine occupation for ladies of all classes of society. The lively floral embroidery on this day dress was probably done from a ready-made pattern, although the embroiderer has individualized the floral bouquets.
Loop-handled rectangular stamping device
Object type: stamp seal
Date: 7000 – 5001
Materials: mineral, stone
Location: northern syria (?)
Dress
Object type: dress
Date: 1893 – 1895
Materials: cotton
Culture: american
One of Sixteen Album Leaves
Object type: painting
Materials: ink, silk
Location: china
Artist: hu gongshou 胡公壽
Artist nationality: chinese
Artist dates: 1823 – 1886
Helmet
Object type: helmet
Date: 1701 – 1900
Materials: brass, gold, steel
Culture: indian
Location: india