deem-data/ArtiFact huggingface dataset:
Beaker
Object type: beaker
Date: 1701 – 1750
Materials: silver
Artist: i.p.a.
Artist role: maker

Bell or tulip-shaped beakers became the dominant form used throughout France in the first half of the eighteenth century. The decoration frequently consists of Berain-type strapwork, either in relief or engraved, lambrequin engraving around the rim, and gadrooning on the foot. This beaker may have been a component of a dressing table set but equally could have been part of a set of cutlery and other dining implements to be used when the owner was traveling. Although it remains difficult to establish exactly what beverages would be taken in silver beakers of this period, they may have held water, spirits, beer or even hot, spiced wine. They may also have been used for coffee as illustrated in late seventeenth-century engravings when the beverage was served at a tepid temperature. The rapid development of ceramic manufacturing in the eighteenth century as well as the vast imports from China led to the replacement of silver drinking vessels by porcelain as well as glass. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865-1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes a number of rare early pieces.
Meijin gafu, Vol. 3 (Famous Painters)
Object type: illustrated book
Date: 1615 – 1868
Techniques: woodblock print
Culture: japanese
St. Catherine
Object type: print
Date: 1610 – 1642
Techniques: etching
Location: france
Artist: pierre brebiette
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1642
Subjects: battles,male nudes,saint catherine
Monument voor de Hervormde Kerk van Nederland, vanaf 1566
Object type: print
Date: 1780 – 1796
Materials: paper
Techniques: etching
Location: netherlands
Subjects: leiden, the hague, dordrecht, amsterdam, hoorn (north holland)

Monument voor de Hervormde Kerk van Nederland, vanaf 1566. Boven een klein portret van de eerste lutherse predikant Jan Arentsz, links en rechts scènes van de eerste calvinistische predikingen in de jaren 1566 en 1572 te Amsterdam, Hoorn, Leeuwarden en Dordrecht. In het midden het nazien van de bijbelvertaling te Leiden en Den Haag. Allegorie op de Hervorming.
Piece
Object type: piece
Date: 1830 – 1830
Materials: cotton
Subjects: flowers
Stomacher
Object type: stomacher
Date: 1720 – 1720
Materials: metal, silk
Culture: british

This is a beautifully preserved example of an early stomacher with all the hallmarks of exquisite early English floral embroidery. The stomacher was worn as a central bodice piece with open robes of the 18th century. The fact that the lace remains intact after nearly 300 years makes this a significant piece, retaining a great deal of its original integrity.
Torch-holder
Object type: torch holder
Date: 600 – 301
Materials: terracotta
Culture: cypriot

Shaped like large candlestick standing in wide saucer. Without decoration.
The Famous Gargantua
Object type: print
Materials: paper
Techniques: hand coloring, woodcut
Location: france
Artist: jean-charles pellerin
Paris-Portrait: ancien Paris-Theatre
Object type: wrapper
Date: 1872 – 1879
Materials: cardboard, paper
Techniques: printing, woodburytype
Location: paris
Artist: eugène paz
Artist role: journalist
Artist dates: 1835 – 1901
Portret van Sophia Hedwig, gravin van Nassau-Dietz
Object type: print
Date: 1708 – 1799
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: leeuwarden, oranienstein, schloss, sophia hedwig gravin van nassau-dietz
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Tiles with the devices of Claude d'Urfé
Object type: tile
Date: 1557 – 1560
Materials: faience
Techniques: glazing
Artist: masséot abaquesne
Artist role: maker
Artist nationality: french
Artist dates: 1538 – 1557

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Ornament met acanthusbladeren
Object type: sketchbook leaf
Date: 1877 – 1880
Materials: paper, pencil
Location: amsterdam
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: acanthus ~ ornament

Blad 1 recto uit een schetsboek met 27 bladen.
Caudieux at the Petit Casino, from Le Café-Concert
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Offerings of a Chariot and Horse, Tomb of Userhat
Object type: facsimile, userhat tt 56, soldier, horse
Materials: paper, paint
Location: egypt
Artist: charles k. wilkinson
Artist role: artist
Artist dates: 1897 – 1986
Subjects: men,horses,chariots,love-poetry

This facsimile painting copies a scene in the tomb of Userhat (TT 56) in western Thebes.
Titelpagina voor: W. Kist 'Het Leven, Gevoelens en Zonderlinge Reize van den Land-Jonker Govert Hendrik Godefroi van Blankenheim tot den Stronk', 1800
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: castle, couch, sofa, settee
Inscriptions: collector's mark: Lugt 240

Proefdruk van titelpagina voor: Kist, Wilhelmus. Het leven, gevoelens en zonderlinge reize van den land-jonker Govert Hendrik Godefroi van Blankenheim tot den Stronk. Haarlem: François Bohn, 1800.
Bronze bull
Object type: statuette of a bull
Materials: bronze
Culture: minoan
Subjects: bulls

The Minoans often deposited small objects of clay, stone, and metal—such as this bronze bull statuette—in sacred places, most notably caves and mountain-peak sanctuaries, as votive dedications to a deity. The practice—a feature of both ancient and modern religions—was based on the belief that one could communicate with the divine through symbolic gifts, either in the hope that the god or goddess would grant a request or as thanks for a favorable outcome. The bull may have served as a substitute for an actual animal sacrifice.
Visitekaartje van fotograaf A. Greiner
Object type: photograph
Date: 1879 – 1900
Materials: cardboard, paper
Techniques: collodion silver print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: visiting-card, calling-card, netherlands
Inscriptions: annotation: ‘Prijs Courant... (’, name: ‘A. Greiner. Photograaf van wijlen Z.M. den Koning Willem III en H.M. de Koningin Weduwe. Amsterdam Nieuwendijk 89. Specialiteit in vergrootingen’
Billing doves
Object type: toy
Date: 1760 – 1760
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: doves
Fishing-Style Basket
Object type: basket
Date: 1801 – 1900
Materials: bamboo
Culture: japanese
Mount Fuji and a farmhouse
Object type: print
Date: 1901 – 1943
Materials: paper
Techniques: woodcut
Location: japan
Artist: koizumi kishio
Artist dates: 1893 – 1945
Inscriptions: signature: ‘小泉癸巳男’, seal: ‘こいづみきしを’, signature: ‘泉’

Een boer en boerin sorteren hun oogst, naast hen grazen twee kippen. Achter de boerderij is in de verte de piek van de Fuji-berg zichtbaar.
Koizumi Kishio begon in 1940 aan zijn project 'Zesendertig gezichten op de heilige berg Fuji', een knipoog naar de welbekende prenten uit de jaren 1830 van Katsushika Hokusai (1760–1849). Vanwege de geallieerde bombardementen vluchtte hij naar zijn schoonouders in Saitama, ten noorden van Tokyo. Hij voltooide 23 ontwerpen voor hij bezweek aan ziekte in 1945.
Pair of gold boat-shaped earrings
Object type: pair of earring
Date: 1 – 200
Materials: gold
Culture: roman

Boat-shaped earrings with three balls attached at the fastening.
Molen en een schuur aan het water in Zaandam
Object type: photograph
Date: 1885 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
D'Arabische wal by de Kaep Monsandon
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: gulf, bay, sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), persia

Fragment van een prent afkomstig uit: Bruin, Cornelis de. Reizen over Moskovie door Persie en Indie. Amsterdam: Rudolph & Gerard Wetstein, Johannes van Oosterwyk, Hendrik van de Gaete, 1714.
Een hut in de sneeuw, met vijf zittende figuren ervoor zittend
Object type: color slide
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Location: netherlands
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Portret van Adolf Heinrich von Arnim-Boitzenburg
Object type: print
Date: 1830 – 1860
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Cylinder seal
Object type: cylinder seal
Date: 2960 – 2649
Materials: stone
Location: egypt
Subjects: hieroglyphs
Insertion
Object type: insertion
Date: 1501 – 1533
Techniques: lace
Tenor Cornetto in G
Object type: tenor cornetto in g
Date: 1601 – 1700
Materials: leather, wood
Culture: french
Location: france

A small S-shape and wide-bored haute contre de cornet à bouquin, which features six finger holes and an open key. It is constructed of two carved-out halves of wood, which were glued together and wrapped with leather. The ivory ring and mouthpiece are not original.
G 2. Gezicht op de Acropolis
Object type: photomechanical print
Date: 1890 – 1893
Materials: cardboard, paper
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: ruin of a building ~ architecture, temple, shrine ~ greek religion
Inscriptions: check stamp: ‘Bristol/ L.M.’, number: ‘1’, stamp: ‘Gemeentelijke b[ibliot]heek/ Rotterdam’, inscription: ‘G 2. Gezicht op de Acropolis./ De tempel van Theseus op den voorgrond. Athene’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze fotomechanische afdruk is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Jonge man met koffer in een deuropening
Object type: drawing
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: standing figure, open door, trunk, suit-case
Inscriptions: collector's mark: Lugt 2228a, number: ‘X’, signature: ‘HANS./ BORREBACH’, annotation: ‘KAMPHUIS 8 pag 47 ... en loopt zonder een woord te spreken de/ deur uit.’, :

Ontwerp voor: Baljé, J.P. Het kamphuis in de duinen. Amsterdam: Veen, 1953.
Portret van Theodor Rogiers
Object type: print
Date: 1639 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Artist: petrus clouwet
Artist role: draughtsman, print maker, publisher
Artist dates: 1629 – 1670
Subjects: goldsmith, theodoor rogiers
Inscriptions: collector's mark: Lugt 240

Portret van Theodor Rogiers, een Antwerpse goudsmid. Buste naar links.
Half Model of a 3-Gun War Galley
Object type: half model
Date: 1799 – 1799
Materials: brass, wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Subjects: valk (schip), weerwraak (schip)
Inscriptions: label, bottom right: ‘424’ former inventory label, inscription, top centre, on an oval black label: ‘DE WEER VRAAK / GB 1799.’, scale, top centre: paper scale in Amsterdam feet
Tanabata: De courtisane Tsukioka uit het Tamaya huis
Object type: print
Date: 1806 – 1812
Materials: paper
Techniques: woodcut
Location: tokyo
Subjects: courtesan, hetaera
Inscriptions: collector's mark: Lugt 2228

Courtisane, met bundel papier in rechter hand, vergezeld van haar kamuro (jongste bediende van een courtisane).
De Maasbrug
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Inscriptions: title: ‘De Maasbrug’

De Willemsbrug is ontworpen door C.B. van der Tak
Various figures of horse ballet
Object type: print
Date: 1652 – 1652
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: horses,ballet
Portret van Bathilde
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Fotoreproductie van een tekening van
Object type: reproduction
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: anonymous historical person portrayed
Inscriptions: number: ‘12.’
Twee figuren
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: farmers - aa - female farmer, farmer's wife

Links een boerin. Pagina 17 en pagina 18 uit een schetsboek met 67 bladen vervaardigd in Drenthe.
The Steps, Luxembourg
Object type: print
Date: 1893 – 1893
Materials: ink, paper
Techniques: stumping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
White-Crested Black Polish, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: roosters

Trade cards from the "Prize and Game Chickens" series (N20), issued in 1891 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Pietà
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Artist nationality: netherlandish
Artist dates: 1500 – 1599
Inscriptions: Printed in plate, below image: "Attendite et videte si est dolor sicvt dolor meus.Ter.1"; inscribed verso, upper right, in graphite: "396"
Portret van Sijtje van Leijden
Object type: carte de visite
Date: 1888 – 1896
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Tante Sytje?/ zuster van grootmoeder/ Bon-v. Leyden’, inscription: ‘Photographische/ Ateliers/ C.J.L. Vermeulen/ Heerenstraat 6/ &/ Heiligenweg/ hoek Singel’, inscription: ‘C.J.L. Vermeulen Amsterdam’
Yanggum
Object type: yanggum
Date: 1801 – 1900
Materials: metal, wood
Culture: korean
Location: korea
Glass bottle shaped like a bird
Object type: bottle in the form of a bird
Date: 1 – 300
Materials: glass
Culture: roman
Subjects: birds

Colorless with blue green tinge. Everted, possibly trefoil, rim; cylindrical neck, expanding to merge with ovoid body, drawn out at back to form stylized tail, rounded on top and pinched in below; pushed-in bottom. Intact, but missing rim and most of top of neck; pinprick bubbles; creamy weathering and iridescence.
The Boat Studio
Object type: drawing
Date: 1862 – 1862
Materials: ink, paper
Techniques: pen
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: painting,men
Xuanzong's Preface, Text, and Commentary on the Classic of Filial Piety, also known as Shitai Xiaojing (Stone Platform Classic of Filial Piety)
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: chinese
Portret van Joseph-Denis Odevaere
Object type: print
Date: 1815 – 1817
Materials: paper
Techniques: tone lithography
Location: brussels
Subjects: bruges, brussels, painter, print maker, joseph-denis odevaere, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Onder het portret de handtekening van de geportretteerde.
Torso of a Child
Object type: sculpture
Date: 200 – 1
Materials: terracotta
Culture: greek
Location: greece
Dish
Object type: dish
Date: 900 – 100
Materials: terracotta
Culture: italic, villanovan
Candlestick (one of a pair)
Object type: candlestick
Date: 1785 – 1785
Materials: glass
Portret van Béat Jacques II de Zurlauben
Object type: print
Date: 1770 – 1831
Materials: paper
Techniques: etching
Artist: claude niquet
Artist role: print maker
Artist dates: 1760 – 1831
Subjects: ranks in the army, historical persons
Inscriptions: collector's mark: Lugt 2228
Glassware
Object type: photograph
Date: 1854 – 1854
Materials: paper, photographic support
Techniques: albumen print
Artist: ludwig belitski
Artist role: fotograaf
Artist dates: 1830 – 1902
Inscriptions: label: ‘1’

This photograph is part of a large series assembled by Baron Alexander von Minutoli in the early 1850s. By means of good examples, he hoped to improve the quality of the production of glassware in his place of residence Liegnitz (now Legnica, Poland). All of the photographs in the series had to be hand-printed, hence they were ultimately much too expensive to reach the intended public.
Trophées Nouvellement Inventés
Object type: ornament print
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: 'tropaion', i.e. decorative ornament ~ weapons, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent maakt deel uit van een serie van zes prenten.
Jar with cover
Object type: jar with cover
Date: 1820 – 1820
Materials: enamel, faience, glaze
Culture: japanese
Kariatide met roeispan
Object type: print
Date: 1537 – 1555
Materials: paper
Techniques: engraving
Artist: cornelis bos
Artist role: print maker, printer, publisher
Artist dates: 1510 – 1566
Subjects: caryatids ~ architecture, trade, commerce and finance
Inscriptions: collector's mark: Lugt 10, number: Lugt 46, collector's mark: 11

Een kariatide, staand met gekruiste benen en steunend op een roeispan, symboliseert de maritime handel.
Gezicht op het Boltensgrachtje
Object type: drawing
Date: 1906 – 1927
Materials: chalk, paper
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: city-view in general; 'veduta', canal
Inscriptions: inscription: ‘Boltensgrachtje / geteekend door Ant van Teyn. / Juni 1927 / vEck’, inscription: ‘Boltensgrachtje’, signature: ‘VanTeyne’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 16.
Moirémarmer in bruin, grijs en geel
Object type: marbled paper
Date: 1700 – 1850
Materials: paint, paper
Techniques: marbling
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760
Kyathos
Object type: kyathos
Date: 530 – 500
Materials: terracotta
Culture: greek, attic
Artist: philon painter
Artist role: artist
Subjects: battles,soldiers,shields,horses

Combat of horsemen and foot soldiers.
Groep mensen rond een fontein
Object type: stereograph
Date: 1879 – 1879
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: berlin
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: ornamental fountain, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: number: ‘60’, number: ‘85’
Het leven van den leeuw
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: letterpress printing, engraving
Location: germany
Subjects: lion hunt, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over het leven van de leeuw met als slot een jachtscène. Onder elke afbeelding een onderschrift. Genummerd midden onder: Nro. 100. Genummerd rechtsboven: 100.
Hier zoo hebje jonge jeugd / De Amsterdamse kermis vreugd
Object type: popular print
Date: 1782 – 1793
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: (annual) fair, trade fair, pleasure fair and circus, amsterdam

Blad met 36 voorstellingen over de Amsterdamse kermis: koorddansers, acrobaten, goochelaar, muzikanten etc. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: 36.
Proportiestudie van een vrouw
Object type: drawing
Date: 1854 – 1854
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions) - aa - female human figure, anatomy (non-medical) - aa - female human figure
Inscriptions: inscription: ‘hh ab Is ED’
Miss Vernon, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Groep belangstellenden in Oudaghir
Object type: album leaf
Date: 1927 – 1927
Materials: paper, photographic support
Techniques: gelatin silver print
Location: morocco
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: child
Inscriptions: number: ‘25.’
Reclame voor de drogisterij van George T. Lynn in Kansas City, Missouri, met portret van een onbekende vrouw
Object type: carte de visite
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, historical persons not known by name - bb - woman, pharmacy, pharmaceutics
Inscriptions: inscription: ‘(...)’
Lichtstudie
Object type: page
Date: 1899 – 1904
Materials: paper
Techniques: photoaquatint
Location: netherlands
Subjects: male sex; man, netherlands
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Exterior, left foot; handle palmette and tendrils