deem-data/ArtiFact huggingface dataset:
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: louis piérard
Artist role: letterkundige
Artist dates: 1886 – 1951
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Tapijten (1)
Object type: album leaf
Date: 1910 – 1911
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: carpet, rug

Albumblad met vier foto's van tapijten. Onderdeel van Fotoalbum van de familie Palthe uit Almelo.
Vita Beati P. Ignatii Loiolae
Object type: book
Date: 1609 – 1609
Location: rome
Artist: saint ignatius of loyola
Artist role: author
Artist nationality: spanish
Artist dates: 1491 – 1556
Subjects: columns,men,portraits
Portret van een Zoeloe-vrouw met tulband
Object type: photograph
Date: 1885 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: south africa
Artist: Anonymous
Subjects: africans, head-gear: turban

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Dinner Plate
Object type: dinner plate
Date: 1796 – 1810
Materials: porcelain
Culture: chinese
Location: china
Subjects: men,landscapes

Eight Chinese immortals standing on stylized clouds ornament the border of this plate, which surrounds a Chinese landscape featuring a variety of foliage, landforms, and architectural structures. The gold monogram, DWMC, combines the initials of DeWitt and Maria Clinton of Albany, New York, the owners of the service.
Piccadilly, Looking Towards the City, plate seventeen from Original Views of London as It Is
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: hand coloring, lithograph
Location: england
Artist: thomas shotter boys
Artist role: artist
Artist nationality: british
Artist dates: 1803 – 1874
Waterbassin, nr 166
Object type: ornament print
Date: 1560 – 1598
Materials: paper
Techniques: etching
Location: germany
Inscriptions: inscription: ‘4-5-'77’

Links is de fontein met Ceres zichtbaar (zie RP-P-1973-122), tegen de achterwand twee fonteinen, de onderste met een zeegod en rechts een fontein met een vrouw, omringd door dieren. Eén van 20 bladen uit een serie (Architectura. Von Ausztheilung, Symmetria und Proportion der fünff Seulen...) bestaande uit 193 bladen en 5 titelbladen, verdeeld over vijf boeken. Het gaat hier om een tweede, uitgebreide editie van de onder Orn Cat I-319 beschreven serie.
Most Holy Virgin of Solitude
Object type: print
Materials: paper, zinc
Techniques: engraving, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Nieuwe Hang-blakers en Kerckroonen (...)
Object type: print
Date: 1696 – 1717
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: riding a horse, ass, or mule; rider, horseman, cherubs, i.e. children's heads with wings, chandelier, candelabrum
Inscriptions: collector's mark: Lugt 2228

Drie prenten op een blad. Links: Een tweearmige wandkandelaar met een man te paard en twee vrouwen. Midden: Een wandkandelaar met twee engelen en een cherubijn. Rechts: Een kroonluchter met twee lagen met bladmotieven.
Tea caddy with a green brown glaze
Object type: stoftheebus
Date: 1800 – 1899
Materials: glaze, ivory, stoneware
Techniques: firing, turning, vitrification
Location: agano
Artist: Anonymous

Stoftheebus of chaire van steengoed met een ivoren deksel, gedeeltelijk bedekt met een groenbruin glazuur. De onderzijde van de bus is ongeglazuurd. Oud label aan de binnenzijde met 'Agano/ 18e'. Agano.
Palais de Karnak, sculptures extérieures du sanctuaire de granit.
Object type: photograph
Date: 1849 – 1851
Techniques: salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: sculpture,men,boats
Nock
Object type: nock
Date: 801 – 1000
Materials: bone
Techniques: carving, incising
Location: iran

This bone nock was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Der Rhein & seine Umgebung / Le Rhin & ses environs
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: wiesbaden
Subjects: casino
Inscriptions: number: ‘104.’
Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above
Object type: print
Date: 1515 – 1527
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: male nudes,cupid,galatea

See 59.570.296 for a copy of this print by an anonymous artist.
Waarschuwing van de Diaconie
Object type: text sheet
Date: 1695 – 1799
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: giving alms or other charity, e.g.: handing out food, theft
Inscriptions: collector's mark: Lugt 1641, stamp

Waarschuwing van de Diaconie tegen misbruik van de Bedieningsbrief. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Ned. Hervormden, (Oudtijds Gereformeerden).
Handayu, An Actor in a Female Role
Object type: woodblock print
Date: 1723 – 1792
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ippitsusai bunchō
Artist role: artist
Artist nationality: japanese
Artist dates: 1765 – 1792
Subjects: men,women,actors,lanterns
Neptune pursuing Coronis; Minerva interposes herself and turns Coronis into a crow
Object type: print
Date: 1724 – 1724
Techniques: etching
Artist: francisco vieira de mattos (il lusitano)
Artist role: artist
Artist nationality: portuguese
Artist dates: 1699 – 1783

The subject is drawn from Book II of Ovid’s epic poem, the Metamorphoses. The print is after a now-lost painting executed by Vieira in 1724 while in exile in Rome for his patron and friend, the Portuguese special envoy to the Vatican, Alejandro de Gusmäo. The print is dedicated to Gusmäo, whose name is inscribed on the plaque lower left. Preparatory drawings for the painting survive (British Museum, the Museu de Arte Antiga, Lisbon, the Academia de Ciências in Lisbon). The also provided the basis for the print.
Portret van Antoine Gélas de Léberon
Object type: print
Date: 1729 – 1733
Materials: paper
Techniques: etching
Location: paris
Subjects: historical persons
Inscriptions: inscription: ‘du marechal de monluc’

Prent uit: Montfaucon, Bernard de. Les monumens de la Monarchie Françoise (...). Parijs: Julien-Michel Gandouin en Pierre-François Giffart, 1729-1733.
Het Wapen van Amsterdam aan de Kloveniersburgwal
Object type: print
Date: 1827 – 1927
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: sailing-ship, sailing-boat, canals, waters (in city), hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Het gebouw staat rechts van het water op de hoek met Rusland. Op het water liggen zeilboten en een kleine roeiboot.
Trektafel gedecoreerd met fruit (vermoedelijk) in het Rijksmuseum te Amsterdam
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: table
Inscriptions: number: ‘LIII kat 258 148’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’
Danish West Indies, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: coat of arms,flags

Trade cards from the set, "Flags of All Nations," Series 2 (N10), issued in 1890 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Plundering van 't Huis van Spaaroog
Object type: book illustration
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: plundering ~ riot, amsterdam
Inscriptions: collector's mark: Lugt 2228

De prent is als boekillustratie gebruikt in: Kok, Jacobus. Amsteldamsche jaarboeken, behelzende de merkwaardigste geschiedenissen, welken, zo binnen de stad als daaromtrent, zijn voorgevallen, sedert haare eerste beginselen, tot op den tegenwoordigen tijd..., Amsterdam: Jan Barend Elwe, 1781.
Kelkglas, met klokvormige kelk versierd met goudkleurige band
Object type: miniature
Date: 1800 – 1849
Materials: glass
Location: bristol
Artist: Anonymous

Kelkglas van helder, kleurloos glas, klokvormige kelk met dikke mondrand, versierd met goudkleurige band, op massieve stam en iets oplopende voet.
Mace head in the form of triple bulls' heads
Object type: mace
Date: 1000 – 668
Materials: bronze
Culture: iranian
Location: western iran
Subjects: bulls
Plate 27 of 38 from Oeuvres de J. B. Huet
Object type: print
Date: 1796 – 1799
Materials: paper
Techniques: etching
Location: france
Artist: jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
Portret van Alfred I zu Windisch-Graetz
Object type: print
Date: 1839 – 1855
Materials: paper
Techniques: engraving
Subjects: vienna, commander-in-chief, general, marshal, historical persons

Prent waarschijnlijk uit: Meyer, Joseph. Das große Conversations-Lexikon für die gebildeten Stände. 52 dln. Hildburghausen: Bibliographisches Institut, [1839-1855].
Covered Jar
Object type: covered jar
Date: 1101 – 1300
Materials: ceramic glaze, glaze
Culture: chinese
Head of an "Ethiopian" depicted in Hellenistic mode
Object type: head, ethiopian
Date: 332 – 330
Materials: bronze, gemstone, gold, obsidian
Location: delta
Subjects: heads,men
Ontwerp voor een logo van boekhandel Scheltema & Holkema te Amsterdam
Object type: drawing
Date: 1881 – 1924
Materials: chalk, paper
Techniques: drawing
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: scheltema & holkema's boekhandel
Exhibition Vase with Scenes from the Ramayana
Object type: vase
Date: 1880 – 1889
Materials: earthenware, glaze
Culture: indian

Drawn from the third book (“Aranya Kanda”) of the Ramayana, the elaborate narrative on this vessel depicts key scenes in the Dandaka forest. Created by the Bombay School of Art in an effort to preserve Indian craft, the object features many embellishing motifs drawn from the Buddhist murals of Ajanta. These features include the lotus and pearl band running around the shoulder and the monster faces (kirtimukha), set between the addorsed elephant heads, that spit out a garland of jewels. Although the vase is grounded in the Indian tradition, British neoclassical taste clearly underlies its shape and some of its geometric motifs. Given the scale and inscribed multiscene narrative, this vase may have been produced for the London Colonial and Indian Exhibition of 1886. On the other side of the object, the narrative begins with Rama firing arrows at a horde of demons who hurl rocks. Short inscriptions identify the powerful demons as Khara, Dushana, and Trishara. After hearing of the defeat of this demon army, Ravana decides to abduct Sita by transforming himself into an ascetic (this side bottom right), while Rama and Lakshmana chase a golden deer who is in fact the magically transformed demon Maricha. To the left, before the main battle, Rama and Lakshmana speak with the aged and dying vulture Jatayu, who fought Ravana, smashing his chariot and killing his charioteer (seen above). With his last words Jatayu tells of Sita’s abduction.
Armchair
Object type: armchair
Date: 1601 – 1633
Materials: wood
Marble cinerary urn with lid
Object type: urn in the form of a cylindrical basket
Date: 10 – 10
Materials: marble
Culture: roman

Marble imitations of wicker baskets that served as cinerary urns were popular in Rome in the Early Imperial period. They were often associated with female burials, and it is attractive to see this example as representing the weaving basket that the deceased may have used in life. Weaving was regarded as one of the activities that a virtuous Roman matron should pursue.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1916 – 1916
Materials: cardboard, ink
Techniques: pen, writing
Location: leiden
Artist: johan tersteeg
Artist role: redacteur, schrijver
Artist dates: 1873 – 1953
Subjects: painter, philip zilcken, photography, cinematography
Inscriptions: collector's mark: ‘RPK’
Jug
Object type: jug
Date: 1745 – 1745
Artist: john astbury
Artist role: maker
Artist dates: 1688 – 1743
Portret van paus Pius VII
Object type: print
Date: 1800 – 1835
Materials: paper
Techniques: engraving, etching
Artist: johann christiaan böhme
Artist role: print maker
Artist dates: 1771 – 1835
Subjects: rome, pius vii, historical persons, pope
Job op de mesthoop
Object type: print
Date: 1603 – 1701
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: job on the dunghill visited by his friends (and wife)
Inscriptions: collector's mark: Lugt 240

Job zit op de mesthoop om aan te tonen dat hij ook in tijden van rampspoed aan zijn geloof vasthield. Zijn vrouw maakt een vermanend gebaar. Rechts staan drie vrienden. Onder in de marge een vierregelige, Latijnse tekst over de voorstelling en een éénregelige opdracht in het Latijn.
Plaque: Junior Court Official
Object type: plaque
Date: 1501 – 1700
Materials: brass
Culture: edo period
Location: nigeria
Pair of Ear Ornaments, Comma and Star
Object type: pair of ear ornament
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
The actors Arashi Sanpachi I and Ichikawa Omezo I
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Portret van Christoph Schwaiger
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: christoph schwaiger, historical persons, jeweller, goldsmith, silversmith
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
VOC, ½  duit stad Utrecht,1757. Afslag in zilver
Object type: coin
Date: 1757 – 1757
Materials: silver
Techniques: striking
Location: utrecht

Zilveren munt. Voorzijde: gekroond ingebogen wapenschild van de stad Utrecht. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Kabelrand.
Martyrdom of a Saint
Object type: drawing and watercolor
Materials: chalk, gouache, ink, paper, paint, watercolor
Techniques: brush, heightening, pen, wash
Location: italy
Artist: attributed to jacopo cavedone
Artist nationality: italian
Artist dates: 1577 – 1660
Terracotta rim fragments of kylikes(drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Thirteen rim fragments from handle patch; sheared
Brief aan Andries Bonger
Object type: letter
Date: 1931 – 1931
Materials: ink, paper, pencil
Techniques: pen, printing, writing
Location: paris
Artist: sadie van praag marks
Subjects: paris, maurice fromkes, eva halle fromkes, utrecht, painter, print maker, draughtsman, lizzy ansingh, andries bonger, spain
Landschap met water en knotwilgen bij Noord Deurningen
Object type: print
Date: 1851 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: water course, trees: willow
Inscriptions: collector's mark: Lugt 2228
"Bamiyan Ware" bowl
Object type: plate
Date: 1001 – 1200
Materials: earthenware, glaze
Techniques: incising, polychrome
Location: central asia

Pottery decorated with incised designs and splashed colored glazes was popular in most areas of the Islamic world. This plate belongs to a group of ceramics reportedly found at the site of Shahr-i Ghulghula at Bamiyan in Afghanistan. While these works are usually described as "Bamiyan," there is no archaeological evidence that they were produced there.
Melchizadek offering bread and wine to Abraham
Object type: print
Date: 1545 – 1561
Techniques: engraving, etching
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Subjects: bread,wine,dogs,elephants,lions,abraham
Shepherdess
Object type: figure
Date: 1765 – 1765
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: women,sheep
Paar aan een tafel
Object type: book illustration
Date: 1865 – 1865
Materials: paper
Techniques: etching, engraving
Location: amsterdam
Subjects: reading, couple of lovers
Inscriptions: collector's mark: Lugt 2228

Een paar zit samen aan tafel. De vrouw houdt een opengeslagen boek in de handen en kijkt omhoog.
Portret van een onbekende man
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: printing, printmaking
Location: amsterdam
Subjects: adult man, head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 240, inscription: ‘2 proef / Aan mijnen neef [...] A v Dijk del CPloos v Amstel f’

Portret van een man met een hoed op zijn hoofd.
Sampler
Object type: textile
Date: 1793 – 1793
Materials: linen, textile, silk
Techniques: treatment, embroidery, weave, stitching
Location: pennsylvania
Artist: ann sellers
Artist nationality: american
Artist dates: 1783 – 1870

Ann Sellers was the unmarried daughter of Elizabeth Coleman and Nathan Sellers (1751–1830), who married on May 4, 1779, in Philadelphia. Although a Quaker, he joined George Washington’s army and fought in the Revolutionary War. This sampler came from the estate of Mary Morley Sellers (d. 1940). The donor’s husband, Frank Harold Sellers (1864–1938) was the great-grandson of Coleman Sellers (1781–1834)—who was married to Sophonisba Peale (1786–1859), the daughter of the artist Charles Wilson Peale (1741–1827)—the brother of Ann Sellers. The elegant design of the sampler can be attributed to Ann’s Quaker upbringing. The verse on the sampler is from “An Invocation to the Almighty,” attributed to Joseph Brown Ladd (1764–1786).
Elevation of a Monument
Object type: drawing
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: jean jacques huvé
Artist role: artist
Artist nationality: french
Artist dates: 1742 – 1808
Subjects: architecture,monuments
Virgin and Child
Object type: painting
Date: 1460 – 1465
Materials: oil, paint, panel, wood
Techniques: painting
Location: belgium
Artist: wockshop dec cogiec van dec weyden
Artist nationality: Netheclandish
Artist dates: 1399 – 1464
Subjects: virgin and child/madonna and child, virgin mary, jesus, mother, mother and child, babies, children, blue, blue (color), red (color), green (color), religion, religious, religious figures, religious scenes, christian subjects, christianity, century of progress, world's fairs, chicago world's fairs

Combining tenderness and regal authority, Rogier van der Weyden’s influential compositions of the Virgin and Child were repeated and varied by the master, his workshop, and by later Netherlandish painters. Here the Virgin supports the Child on a cushion that appears to rest on the edge of the picture’s frame, as though revealing the infant to the viewer through a window opening. Van der Weyden used elements such as the gems decorating the Virgin’s dress, her pearl-studded circlet, and the thronelike associations of the rich red velvet hanging behind her to characterize her as the queen of heaven. At the same time, by depicting her nurturing her infant, the artist emphasized Christ’s human nature and the Virgin’s role as an intercessor for mankind.
Boom in een heidelandschap
Object type: print
Date: 1811 – 1867
Materials: paper, pencil
Techniques: etching
Location: netherlands
Artist: christiaan wilhelmus moorrees
Artist role: draughtsman, print maker
Artist dates: 1801 – 1867
Subjects: trees, shrubs: broom
Inscriptions: collector's mark: Lugt 2228

Een boom in een glooiend heidelandschap. Links het dak van een huis.
Mythological Scene: Triumph of Alexander (recto)
Object type: drawing and watercolor
Materials: chalk, graphite, ink, iron, paper
Techniques: brush, pen, wash
Location: france
Artist: possibly françois chauveau
Artist nationality: french
Artist dates: 1613 – 1676
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Two sections from a triple reeded handle from a neck-amphora
Adoration of the Christ Child
Object type: drawing and watercolor
Date: 1580 – 1600
Materials: chalk, ink, ivory, paper, lead, pigment
Techniques: brush, heightening, pen, drawing, wash
Location: italy
Artist: filippo bellini or circle of
Inscriptions: Inscribed recto, lower right, in pen and brown ink: "84"; inscribed verso, lower right, in graphite: "Guido Reni / ...Guercino [?]"
Bust of Helmeted Warrior in Profile
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: cavaliere d'arpino (giuseppe cesari)
Artist role: artist
Artist nationality: italian
Artist dates: 1568 – 1640
Brief aan Philip Zilcken
Object type: letter
Date: 1930 – 1930
Materials: ink, paper
Techniques: pen, printing, writing
Location: royat
Artist: maurice maeterlinck
Artist role: dichter, essayist, toneelschrijver, vertaler
Artist dates: 1862 – 1949
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Moses Cox
Object type: painting, miniature
Date: 1796 – 1796
Materials: watercolor
Culture: american
Artist: james peale
Artist role: artist
Artist nationality: american
Artist dates: 1749 – 1831
Subjects: men,portraits

The sitter (1734-1805) was a Quaker merchant from Philadelphia.