deem-data/ArtiFact huggingface dataset:
At the Circus: The Bareback Rider (Au Cirque: Écuyère)
Object type: painting
Date: 1888 – 1888
Materials: oil, paint, parchment, wood
Techniques: painting
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: performance, woman, performers, music, man, instruments, horse, circuses, animals, musical instruments
Inscriptions: Signed lower right: HTLautrec

One of Henri de Toulouse-Lautrec’s favorite haunts was the Cirque Fernando, also the subject of his large painting, Equestrienne (At the Cirque Fernando) in the collection of the Art Institute. Like many of the artists in his circle, Toulouse-Lautrec experimented with styles and materials beyond easel painting. His decision to paint on a tambourine with little castanets (called a tambour de basque) was perhaps inspired by the instrument’s association with bohemian life and creative freedom. The shape of the tambourine mirrors that of the paper hoop held by the clown in the larger painting, so that our view here seems to be framed by the hoop just after the bareback rider has broken through it.
Portret van Willem IV, prins van Oranje-Nassau
Object type: print
Date: 1725 – 1744
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: willem iv (prins van oranje-nassau)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Portret van een man in een uniform met tressen staand naast een camera op een driepoot
Object type: album leaf
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: studio ~ photographer, tripod, camera ~ photography, portrait, self-portrait of photographer, france

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Hortus Palatinus
Object type: book print ornament architecture
Date: 1620 – 1620
Techniques: engraving, woodcut
Location: germany
Artist: salomon de caus
Artist role: designer
Artist nationality: french
Artist dates: 1576 – 1626

Salomon de Caus (1576–1626) was a unique figure in garden history. Trained as an architect-mathematician and hydraulic engineer, he was renowned not only for his garden designs with magnificent waterworks, but also for his many publications on topics relating to the arts and sciences. His most influential works include the Hortus Palatinus (1620) on his Heidelberg garden designs, and Les raisons des forces mouvantes (1615), setting out the principles of hydraulics on which the automata or trick fountains and water jokes in the seventeenth-century garden were based. Familiar with the waterworks in Italian Renaissance gardens (Villa d'Este, Tivoli, and Pratolino, Florence), ultimately derived from the just reissued works of Hero of Alexandria (first century A.D.), de Caus introduced hydraulics into the Northern European garden. His influence was widespread at the courts of the Southern and Northern Netherlands, Germany, and also England, where his younger brother Isaac de Caus worked.
Portret van Philippe Néricault Destouches
Object type: print
Date: 1841 – 1885
Materials: paper
Techniques: lithograph
Artist: joseph schubert
Artist role: print maker
Artist dates: 1816 – 1885
Subjects: philippe néricault destouches, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Curtain
Object type: curtain
Date: 1701 – 1800
Materials: canvas, silk, wool
Cider measure
Object type: cider measure
Date: 1801 – 1900
Materials: pewter
Visser met een mand, van achteren gezien
Object type: painting
Date: 1832 – 1880
Materials: linen, oil
Techniques: brush
Subjects: standing figure

Visser, met een mand in de hand, van achteren gezien.
Portret van een onbekende vrouw
Object type: photograph
Date: 1860 – 1920
Materials: cardboard, photographic support
Techniques: photography
Artist: Anonymous
Subjects: anonymous historical person portrayed - bb - woman

Portret van een onbekende vrouw, staande ten voeten uit. Onderdeel van de collectie foto's van de familie Teding van Berkhout.
Cabinet
Object type: cabinet
Date: 1870 – 1870
Materials: wood
Culture: american
Location: united states
Rolwagen vase with figural scenes in panel decoration against a green ground
Object type: rolwagen
Date: 1700 – 1700
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Vase. China. Kangxi period, 1662 - 1722. Porcelain, colours over the glaze.
Eliza Weathersby, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from "World's Beauties," Series 2 (N27), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Sheet of Sketches: Men and Women
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Location: france
Artist: pierre antoine mongin
Artist nationality: french
Artist dates: 1761 – 1824
Platter
Object type: ceramic
Date: 1874 – 1874
Materials: earthenware, enamel, glaze
Techniques: gilding, glazing
Location: paris
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: plates, impressionist, ceramics, mountain, waterfalls

This monumental ceramic platter illustrates the interconnectedness of the fine and applied arts in France during the era of radical artistic innovation around 1870. It was created by Félix Bracquemond, a printmaker and designer who was deeply embedded in the Parisian avant-garde. The thickly modeled stoneware form is enameled with an arrestingly bright landscape in yellow, orange, red and green. At the center of the composition a vibrant, craggy mountain rises above an ominously dark waterfall. The boldly delineated landscape elements recall Japanese woodblock prints, which Bracquemond admired.
Lacquer Box for Clothes
Object type: woodblock print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Portret van Nicolaes Berchem
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: engraving
Artist: monogrammist jm
Artist role: draughtsman
Subjects: haarlem, amsterdam, print maker, draughtsman, nicolaes pietersz berchem, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent met tekst op verso gebruikt in: Immerzeel, Johannes. De levens en werken der Hollandsche en Vlaamsche kunstschilders (...). Amsterdam: Christiaan Lodewijk van Kesteren, 1842, dl. 1, p. 41.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, top of head, forehead, and right eyebrow of youth to right
Scottifiying the Palate, from Boswell's Tour of the Hebrides
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Incense Box
Object type: incense box
Date: 1701 – 1800
Materials: clay, glaze, paste
Culture: japanese
Subjects: roosters
Landing Place. Brünnen.
Object type: photograph
Date: 1860 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: brunnen
Artist: Anonymous
Subjects: harbour (+ view ~ vehicle, ship, etc.), lake

Onderdeel van Reisalbum met foto's van Zwitserland, Oostenrijk, Italië en Duitsland.
Japanese Junk and Boats in the Canal, Yokohama
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, unidentified
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 410 – 400
Materials: terracotta
Culture: greek, attic
Artist: painter of london e 106
Artist role: artist

Interior, head of bearded man to right; hand holding a thrysos; Exterior, bit of lower torso, genitals, and bent leg of a draped male, with his foot resting on a block; lower body of draped figure to left, with arm protruding from himation
Le Musée d'Anvers : collection de quarante tableaux principaux / photographiés par E. Fierlants ; d'accompagnés d'un texte descriptif par W. Bürger
Object type: book
Date: 1861 – 1861
Materials: cardboard, leather, linen, paper, photographic support
Techniques: albumen print, marbling, printing
Location: brussels
Inscriptions: annotation: ‘Coll. Joseph’, number: ‘A.W./ No 13918/ OCT 1998’
Gezicht op Middelburg
Object type: drawing
Date: 1630 – 1668
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: johannes goedaert
Artist role: draughtsman, print maker
Artist dates: 1620 – 1668
Subjects: prospect of city, town panorama, silhouette of city, middelburg
Lacquer Paintings of Various Subjects: Butterflies
Object type: painting
Materials: lacquer, mother of pearl
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: butterflies

The strong color effect seen in this album is achieved by using lacquer as a painting medium. Painting with lacquer on paper was one of the techniques Zeshin developed into his own style. Despite the heavy material, Zeshin's skillful brushwork and his technical inventions with the material made it possible to create various textures as with ink painting. In addition, some lacquer techniques, like mother-of-pearl inlays and the creation of rough surfaces, are also used. Up until the middle of the Meiji period, lacquer was limited to roughly five colors—black, brown, vermillion, green, and yellow—which determined the color palette of Zeshin's lacquer paintings.
Salt Cellar
Object type: ceramic
Date: 1530 – 1530
Materials: earthenware
Techniques: maiolica, glazing
Location: urbino
Artist: the milan marsyas painter
Perspictief vande Oude en Eerste Hooft Kerck alhier (...)
Object type: print
Date: 1699 – 1704
Materials: paper
Techniques: etching
Subjects: interior of church
St. Paul (adaptation)
Object type: print
Date: 1512 – 1512
Techniques: hand coloring, woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: saint paul
Een modern cynicus
Object type: cartoon
Date: 1870 – 1870
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: batavia, non-aggressive activities of diogenes

Spotprent op gouverneur-generaal Mijer die op een ton (100.000 gulden) zit, op de voorgrond Diogenes wonend in een houten ton. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 16, 1870.
Kustlijn met overtrekkende regenbui
Object type: print
Date: 1882 – 1921
Materials: paper
Techniques: drypoint, etching, intaglio
Location: france
Artist: amédée féau
Artist role: print maker
Artist dates: 1872 – 1952
Subjects: downpour, rain shower, rocky coast
Inscriptions: collector's mark: Lugt 2228
Louis Alexandre de Bourbon comte de Toulouze amiral de France.
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: engraving
Location: france
Subjects: louis alexandre (count of toulouse), ornament ~ medallion, armour, historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Wounded Lioness
Object type: painting
Date: 1840 – 1850
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: pierre andrieu
Artist nationality: french
Artist dates: 1821 – 1892
Subjects: animals, landscape, clouds, sky, river, mountain
Inscriptions: Inscribed lower left: Eug. Delacroix
Zittende vrouw met voeten op een stoof
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching, hand coloring
Artist: Anonymous
Subjects: sitting on an elevation - aa - female human figure (+ three-quarter view), foot-stove, old woman
Inscriptions: collector's mark: Lugt 1641a, collector's mark: Lugt 1641, stamp

Bovenaan genummerd: 27. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De 18de eeuw (de pruikentijd). Mannen en vrouwen.
Schutterij van de Edele Manhafte Colveniers te 's-Hertogenbosch
Object type: marksman medal
Date: 1693 – 1693
Materials: silver
Techniques: engraving
Location: den bosch
Artist: Anonymous
Subjects: den bosch

Zilveren penning aan draagoog. Voorzijde: Christophoor met beidehanden paal omklemmend, draagt op schouder Christus-kind dat in linkerhand wereldbol draagt en met rechterhand zegent binnen omschrift. Keerzijde: gekroond wapenschild binnen omschrift
Parkvijver in Azbakeya, Caïro
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: cairo
Artist: johannes lodewijk heldring
Artist role: fotograaf, predikant, schrijver
Artist dates: 1852 – 1923
Subjects: park, garden pond
The Actor Nakamura Kiyozo
Object type: print
Date: 1769 – 1769
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ippitsusai bunchō
Artist role: artist
Artist nationality: japanese
Artist dates: 1765 – 1792
Subjects: women,snow,actors,umbrellas
De Singel te Utrecht van de noordzyde op de Witte vrouwen poort te zien
Object type: print
Date: 1773 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: towers ~ fortified city, city-walls, city-gate

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…) Behelzende honderd gezigten van der Provincie van Utrecht. Amsterdam: weduwe Isaak Tirion, 1773-1774, dl. 7, 8 of 9, niet genummerd, te vinden na ill. 144 en voor ill. 201. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 7, 8 of 9, niet genummerd, te vinden na ill. 144 en voor ill. 201.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
Bronze coin of Cyzicus
Object type: provincial issue of cyzicus
Date: 222 – 235
Materials: bronze
Culture: roman, asia minor
Subjects: men,profiles

M AVP CEVH ALEXANDROC AV, bust of Alexander Severus/KVZIKHNWN DIC NEWKOPWN, table with imperial busts and sacrificial implements Cyzicus (modern Erdek, Turkey)
Mantel clock (pendule à console)
Object type: mantel clock
Date: 1750 – 1750
Materials: brass, bronze, enamel, steel
Techniques: gilding, lacquer, silvered
Artist: jean-philippe gosselin
Artist role: maker
Artist nationality: french
Artist dates: 1666 – 1766

Ornamental bronzes—which are easily cast from molds and made to simulate solid gold or, occasionally, solid silver by the application of thin layers of precious metals—were ubiquitous in the décor and furnishings of an eighteenth-century French palace, townhouse, or château. This clock, signed by one of the most admired bronze founder-chasers, Jean-Joseph de Saint Germain, has lost all of its original gilding but preserves the undulating scrolls interspersed with floral motifs that are characteristic of French rococo design at its liveliest.
Portret van Maximiliaan II Emanuel van Beieren
Object type: print
Date: 1690 – 1697
Materials: paper
Techniques: engraving
Location: augsburg
Artist: leonhard heckenauer
Artist role: print maker
Artist dates: 1650 – 1704
Subjects: maximiliaan ii emanuel (keurvorst van beieren), trees: laurel (branch, stick), historical persons, ruler, sovereign, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Thucelius, Christian Leonhard. Austria S.R.Imperio Conjux (...). Augsburg: Lorenz Kroniger, [1690].
Of prent gebruikt voor: Thulemarius, Heinrich Günther. Tractatio de Bulla aurea, argentea, plumbea et cerea in genere, nec non in specie de Aurea Bulla Caroli IV Imperatoris (...). Frankfurt am Main: Johann Melchior Bencard, 1697.
Deksel, zwart, gedecoreerd met ribbelranden
Object type: teapot
Date: 1860 – 1880
Materials: stoneware
Techniques: engels steengoed
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879

Deksel van zwartsteen. Het deksel is gedecoreerd met dicht op elkaar gelegen concentrische ribbelranden, en heeft een ronde knop met luchtgat.
Geschiedenis van het Oude Testament
Object type: print
Date: 1538 – 1538
Materials: paper
Techniques: woodcut
Location: switzerland
Artist: veit rudolf specklin
Artist role: print maker
Artist dates:  – 1550
Subjects: riders are seen in the sky above the city of jerusalem (2 maccabees 5:2)

Boekillustratie voor het eerst gebruikt in: Biblia Utriusque Testamenti iuxta Vulgatam Translationem, Lyon, M. en G. Trechsel (voor Hugo à Porta) 1538. Later in verschillende uitgaven opnieuw gebruikt. Deze prent vermoedelijk gebruikt in één van de uitgaven uitgegeven en/of gedrukt door Jean Frellon, Lyon.
Coastal Scene with Beached Boats in Foreground
Object type: drawing
Materials: watercolor
Artist: samuel prout
Artist role: artist
Artist nationality: british
Artist dates: 1783 – 1852
Subjects: boats
Book of Toys (Unai no to mo) うないのとも
Object type: illustrated book
Date: 1891 – 1924
Techniques: polychrome, woodblock print
Culture: japanese
Subjects: men,women
Belt Buckle
Object type: belt buckle
Date: 1834 – 1866
Materials: niello, silver
Location: caucasus
Medaille met het portret van Joan Corver met tekst ter nagedachtenis aan zijn overlijden
Object type: print
Date: 1716 – 1731
Materials: paper
Techniques: engraving, etching
Artist: jan goeree
Artist role: draughtsman, print maker
Artist dates: 1670 – 1731
Subjects: amsterdam, mayor, mayor, burgomaster, death as skeleton, historical persons, agricultural implements: sickle
Inscriptions: collector's mark: ‘18.19’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [voor 1800].
Gezicht op het Lateraan met de Sint-Jan van Lateranen te Rome
Object type: album leaf
Date: 1675 – 1711
Materials: paper
Techniques: colour, etching
Location: amsterdam
Subjects: cardinal, interior of church, pope

Gezicht op het Lateraan te Rome, de achterzijde van de basiliek van Sint-Jan van Lateranen, het Baptisterium van Lateranen, het Lateraans Paleis en de Lateraanse Obelisk. In de ondermarge de titel in het Latijn en het Duits. Prent maakt deel uit van een album.
Aanslag van Helling op Amsterdam, 1577
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: haarlem

Aanslag van Helling en Ruychaver op Amsterdam, 23 november 1577. Gevechten op de Dam voor het stadhuis.
St. Servais
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: etching
Artist: theodoor schaepkens
Artist role: draughtsman, print maker
Artist dates: 1810 – 1883
Subjects: servatius, bishop of tongeren and maastricht; possible attributes: clog (wooden shoe), dragon, eagle, key
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
American Horse, North American Chief, from the Savage and Semi-Barbarous Chiefs and Rulers series (N189) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,portraits

Trade cards from the "Savage and Semi-Barbarous Chiefs and Rulers" series (N189), issued in an unnumbered set of 50 cards in 1888 by Wm. S. Kimball & Co.
Slapende nimf
Object type: album leaf
Date: 1760 – 1819
Materials: paper, pencil
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: nymphs (in general); 'ninfe in commune' (ripa)
Inscriptions: inscription: ‘deze Lairesse/ verkogt 24 july 1804 by Roos/ voor f 70/ hoog 57/ breed 74 duimen/ den 11 october 1810 in t O.H. log/ verkogt aan de gruijter voor f 61.’
Missal
Object type: missal
Date: 1472 – 1472
Materials: ink, leather, metal leaf, parchment, paint
Techniques: bookbinding
Culture: german
Location: germany
Subjects: christ,crucifixion
Portret van een staand kind met muts
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: san josé
Artist: Anonymous
Subjects: child, head-gear: cap
Inscriptions: inscription: ‘Wright 284 Santa Clara St., San Jose, Cal.’
Basement van een wandkolom in de Abdijkerk te Rolduc
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: rolduc
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: base (~ column, pillar)
Inscriptions: annotation: ‘Basement van een der wandkolommen in de kerk te Rolduc/ oct 1980’, annotation: ‘Afgietsel No. 1026 a/ Rolduc’
Kurama muko (Kyogen), from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Key
Object type: key
Date: 1301 – 1500
Materials: iron
Culture: german

The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages.
Emperor's Twelve-Symbol Robe
Object type: robe, emperor's 12 symbol
Date: 1736 – 1795
Materials: silk
Culture: chinese
Subjects: dragons
Cow's Head from a frontal representation of a cow emerging from a wall
Object type: head, cow
Date: 664 – 610
Materials: limestone, paint
Location: egypt
Subjects: cows

Recent work at the tomb of Nespekashuty (see 23.3.468) has shown that this cow head, excavated by the Museum in the 1920s, stood over a statue of a wrapped figure. The cow was rendered as if emerging from the north wall false-door niche in the second room of the tomb and the wrapped figure, representing the tomb owner Nespekashuty, stood against its breast. Cow statues protecting the king were associated with the worship of Hathor in the mountain at Deir el-Bahri in Thebes since the Middle Kingdom. In the Ramesside Period such statues of Hathor protecting the king were included in a few non-royal tombs at Saqqara, and by the late Ramesside Period an example is known that depicts the cow protecting a non-royal person. Hathoric imagery remained popular during the Third Intermediate Period, but decorated tombs only resumed with the Kushite-Saite Period. With that, cow statues appeared again in the south and north, probably incorporating notions of the divine cow as escort to the afterworld, and Nespekashuty's tomb at Thebes was one of the early instances. His employ of the type seems to have been part of recreating a condensed layout of the nearby temple of Hatshepsut of Deir el Bahri, according to the most recent analysis.
Herder met kudde schapen op de heide
Object type: drawing
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: sheep, herd, flock
Wide-rimmed bowl with Beautiful Margarita
Object type: bowl
Date: 1546 – 1546
Techniques: maiolica, glazing
Subjects: profiles,women