deem-data/ArtiFact huggingface dataset:
The Circumcision, from "The Life of the Virgin"
Object type: print
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: men,women,virgin mary,jesus,circumcision,joseph

The series to which this engraving belongs is commonly known as Goltzius's Meisterstiche, or masterpiece—by analogy with the three famous Meisterstiche by his great predecessor Albrecht Dürer. In a remarkable demonstration of virtuosity in the series, Goltzius imitated the styles of various masters in compositions of his own invention. In this case, he looked to the composition of Dürer's woodcut Circumcision from the series The Life of the Virgin, but created his new work in the engraving style of the great master. Goltzius's imitation of Dürer was so successful, his biographer van Mander recounted, that art lovers bought impressions as original works by Dürer. Goltzius, however, revealed his deception by including his own portrait among the crowd in the right background, a scene he set in the local Church of Saint Bavo in Haarlem. The four other prints in the series relate to the work of various Italian masters who are not as readily identifiable; Raphael, Parmigianino, Jacopo Bassano, Titian, and Federico Barocci have been proposed. Goltzius's models, however, do not seem to have been their paintings but the widely circulated prints by Northern engravers after their work. In this puzzle for connoisseurs, Goltzius established his virtuosity as a printmaker, outshining contemporary engravers and attempting to equal great early ones. Such efforts to outdo artists of the past dominated much of his artwork from the 1590s onward.
Stierenjacht
Object type: print
Date: 1596 – 1652
Materials: paper
Techniques: etching
Subjects: protective weapons: shield, bull, hunting dogs, helved weapons, polearms (for striking, hacking, thrusting), hunt ~ hoofed animals
Inscriptions: collector's mark: Lugt 2228, number: ‘ff.3.’

Kopie in spiegelbeeld naar een prent van Hans Bol, uitgegeven door Philip Galle (Hollstein Dutch VII 570).
Kaart van het Graafschap Holland en Utrecht (plaat 29)
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving, etching
Subjects: sailing-ship, sailing-boat, maps, atlases, dordrecht, geertruidenberg
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een kaart samengesteld uit 40 bladen. Waarschijnlijk gaat het om de grootste kaart van Holland uit de zeventiende-eeuw. De kaart is uitgegeven in verschillende edities, deze kaart uit 1639 is de eerste editie.
Cap
Object type: cap
Date: 1863 – 1863
Materials: cotton, silk
Culture: american
Elf landschappen
Object type: print
Date: 1635 – 1669
Materials: paper
Techniques: engraving, etching, hand coloring
Location: netherlands
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., rock-formations
Balans van ijzer
Object type: balance
Date: 1500 – 1600
Materials: iron
Techniques: forging

Een gesmeed ijzeren balans. De armen van de balans verkleinen zich naar de uiteinden van rechthoekige tot achtkante doorsnede en eindigen in een ajour gewerkte knop, de evenaar is bij het begin roosvormig opengewerkt en heeft drie ajour gewerkte knoppen. Het huis, met twee ogen om het mes verbonden, bestaat uit twee achtkante spijlen, die overgaan in ringen, waarop een ovaal tafel rust met opening voor de haak. Een sierlijk gesmede hanger, aan het huis bevestigd, accentueert het midden van de balans.
The Sentinel, 315 feet
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: architecture,forests
Portrait of David or Daniel Lingelbach I, Founder of the  Nieuwe Doolhof (New Labyringh), Amsterdam
Object type: grisaille
Date: 1700 – 1732
Materials: oil, metal
Techniques: grisaille
Artist: arnoud van halen
Artist role: draughtsman, painter, print maker
Artist dates: 1673 – 1732
Subjects: amsterdam, portrait of a writer, writer, poet, author
Inscriptions: inscription: ‘Daniel Lingelbach. Circa 1625’

Portret van David of Daniël Lingelbach I (1592/93-1653). Oprichter van de Nieuwe Doolhof, Amsterdam. Buste in ovaal, naar rechts. Onderdeel van een verzameling portretten van Nederlandse dichters.
Pietter Douwes, brouwer in Stavoren
Object type: adrespenning
Date: 1648 – 1648
Materials: brass
Techniques: engraving
Location: stavoren
Artist: Anonymous
Subjects: pietter douwes, stavoren
Diversarum avium species
Object type: titelprent, frontispice
Date: 1654 – 1678
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: predatory birds: eagle, birds, ornamental birds: peacock, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228

Cartouche met de titel van de serie, geflankeerd door links een arend en rechts een pauw. De cartouche is versierd met brandende fakkels en guirlandes van vruchten.
Place de Lesseps, Port Saïd
Object type: photograph
Date: 1870 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: port said
Subjects: square, place, circus, etc., merry-go-round, roundabout; chair o'plane, church (exterior)
Inscriptions: inscription: ‘Place de Lesseps Port Said/ foto Zangaki/ Port Said’
Marble inscribed block fragment
Object type: inscription, fragment
Date: 1 – 50
Materials: marble
Culture: roman

Part of an decree regulating sacrifices and offerings at a temple site. The name of the reigning emperor is lost but can be restored as Tiberius (r. A.D. 14–37), Gaius Caligula (r. A.D. 37–41), or Claudius (r. A.D. 41–54). The fragment also contains another Roman name, Quintus Sergius, and some scholars have tried to identify this man as the famous Roman governor of Cyprus, Sergius Paulus, who befriended St. Paul.
De Wester-kerk van binnen, naar 't Westen, te zien
Object type: print
Date: 1680 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church organ, interior of church
Inscriptions: collector's mark: ‘32B.51’ Lugt 1641b

Prent mogelijk uit: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (...). Amsterdam: Isaak Tirion, 1765, dl. 2, tussen 132-133.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, reserve from top of meander; Exterior, part of meander border
Oude Spiegelstraat te Amsterdam, gezien vanaf de brug over het Singel naar de Prinsengracht
Object type: sketchbook leaf
Date: 1886 – 1908
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, bridge in city across river, canal, etc., street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Brug Singel b/d O. Spiegelstraat zicht naar de Prinsengracht’

Pagina 37 en pagina 38 uit een schetsboek met 46 bladen vervaardigd te Amsterdam, Haarlem en Antwerpen.
L'Abbé (Felicité Robert) de Lamennais (1782–1854), French ecclesiastic and theorist
Object type: medallion
Date: 1831 – 1831
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Cover for L'Estampe originale
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Swatow
Object type: photograph
Date: 1868 – 1868
Techniques: photograph
Location: scotland
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Portret van abt Angelo Fumagali
Object type: print
Date: 1789 – 1842
Materials: paper
Techniques: engraving
Location: italy
Subjects: abbot, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4187

Deze prent maakt deel uit van een reeks portretprenten van onbekende omvang. De reeks is in meerdere staten uitgegeven. De eerste staat met enkel het portret in ovaal. Een tweede staat met naam van de geportretteerde in holle letters onder de voorstelling. Een derde staat met de naam van de geportretteerde in gevulde letters onder de voorstelling. En een vierde staat met een rechthoekig kader rondom het ovale portret.
Sf. Pagottan Serpentijn kookpan van 300 H.L. met roodkoperen dubbele bodem
Object type: album leaf
Date: 1922 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: colonial system, factory-interior, machine shop, machines; parts of machines; tools and appliances, director, boss (in modern industry), java
Inscriptions: date

Albumblad met een foto van een ketel. Vervaardigd door Machinefabriek Braat en bestemd voor de Suikerfabriek Pagottan, 8 december 1922. Onderdeel van het fotoalbum Machinefabriek Braat Soerabaia-Djocja-Tegal, ca. 1916-1924.
Cup with Butterflies-and-Iris Design and Basketry Exterior
Object type: cup
Materials: enamel, porcelain
Techniques: overglaze, polychrome
Culture: japanese
Artist: zōshuntei sanpo
Artist role: artist
Artist nationality: japanese
Artist dates: 1841 – 1878
Subjects: flowers
Twee foto's van een veerboot en vliegtuigen bij Schiphol
Object type: album leaf
Date: 1934 – 1934
Materials: paper
Techniques: gelatin silver print
Location: schiphol
Artist: frank willem van den berg (1912-1998)
Artist dates: 1912 – 1998
Subjects: aircraft, aeroplane, ferry
Inscriptions: inscription: ‘Bij Schiphol’

Deze foto's maken deel uit van een album.
Portret van Ludolph Smids
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: ludolph smids

De dichter, oudheidkundige en arts Ludolph Smids.
[Seated actress, looking down], from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Rekenpenning uit Antwerpen op de geboorte van de Spaanse prins 1661
Object type: jeton
Date: 1661 – 1661
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde het borstbeeld van Philips IV naar rechts met omschrift, op de keerzijde een ijsvogel op een nest drijvend op een kalme zonbeschenen zee, met omschrift.
Differens Desseins pour faire des Plaques et Eaubenistiers
Object type: ornament print
Date: 1657 – 1661
Materials: paper
Techniques: etching
Location: france

Onderaan ontspruit een putto uit bladranken. Blad 5 uit serie van 6 bladen, eerste editie.
Bronze kylix (drinking cup)
Object type: kylix
Date: 334 – 301
Materials: bronze
Culture: greek

This bronze kylix follows in shape and proportions the same fashion also encountered in silver cups and black-glaze terracotta kylikes made under the influence of metal vases. The type was very popular and has been found in many areas of the Hellenistic world.
Heilige Barbara van Nicodemië
Object type: print
Date: 1857 – 1864
Materials: paper
Techniques: lithograph
Subjects: the virgin martyr barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, dioscuros (her father), peacock feather, sword, torches, mason's tools, tower
Inscriptions: collector's mark: Lugt 2228

De heilige Barbara zit voor de toren waarin zij door haar vader werd opgesloten. In haar handen heeft zij een boek en een palmtak.
The Murder of David Rizzio (Mary, Queen of Scots witnessing the murder of David Rizzio)
Object type: print
Techniques: mezzotint
Location: england
Artist: william dickinson
Artist role: artist
Artist nationality: british
Artist dates: 1746 – 1823
Subjects: swords,queens,men,women,mary queen of scots

This print reproduces an oil painting by Graham exhibited at the Royal Academy, London in 1787 and now unlocated.
The Halt
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, gardner's photographic sketch book
Egyptian, Girl of Cairo, from Types of Nationalities (N240) issued by Kinney Bros.
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: profiles,women

Trade cards from the "Types of Nationalities" series (N240), issued in 1890 to promote Kinney Tobacco Company. Each card is meant to be folded into thirds. Unfolded the card displays a figure from a particular nationality. Folded, the same figure is portrayed smoking a Kinney Brothers Cigarette.
Serie 5: Nederlandse Gebeurtenissen, 1566-1570
Object type: album leaf
Date: 1566 – 1570
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: oudenaarde, ortona, landvoogd, landvoogdes der nederlanden margaretha van parma, paleis op de koudenberg, tachtigjarige oorlog, smeekschrift der edelen

Aanbieding van het Smeekschrift van de edelen. Een stoet van edelen trekt door de poort naar het paleis te Brussel waar het Smeekschrift aangeboden wordt aan Margaretha van Parma, 5 april 1566. Met onderschrift van 8 regels in het Duits. Genummerd: 1.
Runderen in een landschap
Object type: print
Date: 1769 – 1839
Materials: paper
Techniques: etching
Artist: jean baptiste de roy
Artist role: print maker
Artist dates: 1759 – 1839
Subjects: cow, ass, donkey
Tile
Object type: tile
Date: 1900 – 1914
Materials: earthenware
Culture: american
Location: united states
Artist: charles volkmar
Artist role: maker
Artist nationality: american
Artist dates: 1841 – 1914
Subjects: landscapes
Portret van Joan Derk van der Capellen tot den Pol
Object type: print
Date: 1770 – 1804
Materials: paper
Techniques: engraving
Subjects: politician, joan derk van der capellen tot den pol, quill, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Bijgevoegd zijn twee opzetvellen met in totaal vijf gedichten op het geschilderde portret van Joan Derk van der Capellen door P. 't Hoen, Jan de Kruyff, D. van Alphen, P. van Schelle en A. Blussé.
Joan Derk van der Capellen tot den Pol, heer van Appeltern enz., Nederlands politicus en patriot, schrijver van het anoniem verschenen pamflet 'Aan het Volk van Nederland' (in de nacht van 25 op 26 september 1781 in verschillende steden in Nederland verspreid).
Portret van een onbekend gezin
Object type: cabinet photograph
Date: 1900 – 1915
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: the hague
Artist: johan george ross
Artist role: fotograaf
Subjects: family group, especially parents with their child(ren)
Inscriptions: name: ‘J.G. Ross Cuijpstraat 55 Den Haag’, inscription: ‘Voor Moeder.’
Sea Piece with Three Figures to the Right
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: human figures,trees,boats
Dijkstraat. Leeuwarden. 't Nauw
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1927
Materials: cardboard
Techniques: photograph, lithograph
Location: velsen
Subjects: canals, waters (in city), bridge in city across river, canal, etc., street
Perseus with the Head of Medusa
Object type: statue
Date: 1801 – 1900
Materials: gilt, plaster
Artist: benvenuto cellini
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1571
Subjects: perseus
Portret van Maria van Hongarije
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: brussels, maria van hongarije (landvoogdes der nederlanden), historical persons - bb - woman, ornament derived from architectural details, regent, substitute ruler; viceroy - bb - female ruler

Prent uit: Scriverius, Petrus. Beschrivinge van Out Batavien (...). Amsterdam: Jan Cloppenburg, 1636. Prent eerder gebruikt in publicaties uit 1606 en 1609, zie Van Someren.
Glass rod
Object type: rod
Date: 1 – 100
Materials: glass
Culture: roman

Translucent yellowish green. Long rod, spirally twisted, tapering towards one end, and tooled into a biconical knob at the other. Broken at both ends, but otherwise complete; dulling, pitting, iridescence, and some patches of thick brown encrustation and weathering. The rod is unusually large and heavy, but it may be compared with the intact stirring rods also displayed in Gallery 171, Case 17.
Bowl with stylized flower sprays
Object type: bowl
Date: 900 – 1099
Materials: earthenware, glaze, paint
Techniques: firing, turning, vitrification
Location: sari
Artist: Anonymous

Kom van aardewerk gedecoreerd met mangaanzwarte, roodbruine en groenige slib, met enkele incisies door kleuren heen, op engobe van witte slib. Op de binnenzijde gestileerde bloemtakken.
Den Triumphalen Boge der Geneuoysen / inde gasthuystrate by den drijhoeck
Object type: print
Date: 1549 – 1550
Materials: paper
Techniques: woodcut
Artist: pieter coecke van aelst (i)
Artist role: draughtsman, print maker
Artist dates: 1502 – 1550
Subjects: philip ii of spain, triumphal arch, antwerp

Illustratie in de Nederlandse vertaling van de beschrijving van de intocht van Filips II in Antwerpen in 1549: De seer wonderlijcke schoone triumphelijcke incompst, van den hooghmogenden Prince Philips, Prince van Spaignen, Caroli des vijfden, Keysers sone : inde stadt van Antwerpen, Anno 1549. Tekst van Cornelius Grapheus, waarschijnlijk vertaald uit het Latijn door Gillis van Diest, opgedragen aan Filips II, uitgegeven met keizerlijke privilege door Pieter Coecke van Aelst, gedrukt door Gillis van Diest. Boek in de bibliotheek met signatuur: 325 B 12.
Portret van Charles Gilpin
Object type: print
Date: 1859 – 1862
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: The drawing-room portrait gallery of eminent personages. Londen: London Joint Stock Newspaper Company, 1859-1862. Supplement bij Illustrated News of the World.
Prins Genji en Yugao
Object type: print
Date: 1795 – 1800
Materials: paper
Techniques: woodcut, nishiki e
Location: tokyo
Artist: chokosai eishô
Artist role: print maker
Subjects: adult woman, gate, entrance, covered wagon, hooded wagon

Rijk geklede dame, met waaier waarop bloemen, bij poort pratend met hoveling, waarachter een rijtuig en toekijkende vrouwen.
Portret van Jacob Adriaensz. Backer
Object type: print
Date: 1649 – 1662
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: harlingen, amsterdam, painter, draughtsman, jacob adriaensz backer, historical persons, portrait, self-portrait of painter

Prent mogelijk uit: Meyssens, Joannes. Image de divers hommes desprit sublime qui par leur art et science deburovent vivre eternellement et des quels la louange et renommée faict estonner le monde. Antwerpen: Joannes Meyssens, 1649, dl. 1, p. 18.

Andere staat van prent gebruikt in: Bie, Cornelis De. Het gulden Cabinet vande edel vry schilder const, inhoudende den lof vande vermarste schilders, architecte, beldthowers ende plaetsnyders van dese eeuw. Antwerpen: Joannes Meyssens, 1662 [1661 foutief op titelpagina], p. 129.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 1, p. 21.
Zenkai, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Seated actress, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Portret van Johann Peter Hebel
Object type: print
Date: 1816 – 1882
Materials: paper
Techniques: engraving
Artist: edouard schuler
Artist role: print maker
Artist dates: 1806 – 1882
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
The Hamlet of Optevoz
Object type: painting
Date: 1852 – 1852
Materials: canvas, oil
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: towns,cows,evening

This peaceful evening scene is based on drawings Daubigny made in 1852 at Optevoz, a town in the valley of the river Rhône that he had first visited in 1849. The painting appears to be a straightforward description of things seen. Yet Daubigny is thought to have sacrificed finish and detail in order to imbue the modest subject with a poetic effect. One of the sketches on which this view is based is also in The Met's collection. A painting of 1857 in the Philadelphia Museum of Art shows the view in different light and from a slightly greater distance.
Herdersjongen
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: etching
Location: germany
Artist: carl wilhelm kolbe (i)
Artist role: print maker
Artist dates: 1757 – 1835
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een staande herdersjongen met staf en kruik.
Kleed met 17de-eeuws Frans borduurwerk, opgesteld tijdens de Exposition Rétrospective van 1873 in Tours, Frankrijk
Object type: photomechanical print
Date: 1873 – 1873
Materials: paper
Techniques: woodburytype
Location: tours
Artist: gabriel blaise
Artist role: printer
Artist dates: 1827 – 1897
Subjects: embroidery (ornamentation), temporary exhibition, 'salon'
Officier der Hussaren
Object type: print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228

Een officier van het Regiment Huzaren Nr 6, te paard. Onderdeel van een serie van 157 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.