deem-data/ArtiFact huggingface dataset:
The Rape of a Sabine Woman, Frontal View
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628

Jan Harmensz Müller produced a series of masterful engravings from three different vantage points after wax models for Adriaen de Vries’s sculpture Rape of a Sabine. Although De Vries cast his sculpture around 1620, long after Müller produced his prints, he replicated the style of antique bronzes. Müller’s series highlights both his engraving skill and his ability to mimic sculpture in the round. The ancient story, in which Roman soldiers requisitioned brides en masse, is particularly apt for this purpose, for the images showcase the twists and turns of conflicting male and female bodies.
Annual report of the Forest Commission of the State of New York for the year ending December 31, 1891
Object type: book
Date: 1892 – 1892
Materials: cardboard, linen, paper
Techniques: photograph, lithograph, printing
Location: albany
Artist: james b. lyon
Artist role: printer, publisher
Labradores Indigenas / Native workers
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, paper
Techniques: albumen print
Location: veracruz
Artist: abel briquet
Artist role: fotograaf
Artist dates: 1833 – 1926
Subjects: adult man
Inscriptions: number: ‘N. 17.’, copyright notice: ‘es-propriedad, depositada 6 febrero 1896.’
Curb Bit
Object type: bit
Date: 1601 – 1700
Materials: metal alloy
Culture: german
Location: germany

This mouthpiece was designed for a horse with a regular good mouth and a very thick tongue. The curb chain, with its flat serrated links, was a bit more severe than regular chains, but its flat shape would spread the pressure more evenly. This kind of bit, with its engraved, pierced and chiseled ornamentation, is a very common type of German 17th-century bit, found in many collections. They might have been pre-made generic bits, mounted with mouthpieces and shanks of regular strength suitable for most horses.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 434 – 368
Materials: terracotta
Culture: etruscan

Upper torso and bent left arm of a seated figure to left, with drapery
Key
Object type: key
Date: 1701 – 1800
Materials: steel
Carpet fragment
Object type: textile
Materials: velvet
Techniques: cutting
Location: china
Statue de Monsieur Le Masson à Ismailia
Object type: photomechanical print
Date: 1900 – 1903
Materials: cardboard
Techniques: photograph, writing
Location: ismailia
Artist: Anonymous
Subjects: garden, monument, statue
Inscriptions: poststempel, verso, gestempeld
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, two fragments with parts of circumscribed palmettes and tendrils
Blade and Mounting for a Dagger (Tantō)
Object type: blade and mounting for a dagger tantō
Materials: gold alloy, silver alloy, gold, lacquer, shell, silk, silver, steel, wood
Culture: japanese
Location: japan
Artist: kuniyoshi
Artist role: swordsmith
Artist nationality: japanese
Artist dates: 1500 – 1550

Kajikawa, a famous nineteenth-century lacquer artist, occasionally collaborated in making sword mountings.
Ceramic Fragment
Object type: fragment
Date: 1001 – 1200
Materials: tin
Techniques: enamel, luster painting
Location: syria
Pair of Incense Boxes (Kōgō) in the Shape of Mandarin Ducks
Object type: incense box with tray
Date: 1851 – 1900
Materials: gold, gold foil, silver, wood
Techniques: hiramakie, lacquer, maki-e
Culture: japanese
Subjects: ducks

The Altman bequest to The Met included fifty Japanese lacquers, featuring a group of small decorative incense boxes. Such objects were popular collectibles in Europe during the second half of the nineteenth century, following the eighteenth-century fashion of collecting small maki-e objects as part of aristocratic interior decoration. In East Asia mandarin ducks represent marital bliss and fidelity; they are often depicted on ceramics, lacquers, and textiles as auspicious symbols associated with weddings.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, part of container?; Exterior, part of palmette
The golden gate park
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: san francisco
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Inscriptions: title: ‘In the golden gate park’

Vermoedelijk mevrouw Deterding wandelt door het Golden Gate Park in San Francisco.Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
John Bull als vader
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: personifications of countries, nations, states, districts, etc., political caricatures and satires

John Bull (Engeland) trekt erop uit met ontbloot sabel richting Soedan, drie arme kinderen proberen hem thuis te houden. Onderaan een drieregelig vers van Heine. Verschenen als bijlage bij De Nederlandsche Spectator, 1897, nr. 44.
The Flemish Farrier, plate 4 from Various Subjects Drawn from Life and on Stone (The English Suite)
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Gezigt van de zuidlaan na de zuidzyde van t Heerenhuis ende de Berceaux &c
Object type: print
Date: 1689 – 1701
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Tuin met een gracht aan de zuidzijde van Huis Clingendael te Den Haag. Onder de bomen elegant geklede wandelende dames en heren.
Theatrum Orbis Terrarum
Object type: album leaf
Date: 1570 – 1570
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche

De cartouche is gekopieerd naar een prent van een anonieme graveur naar het ontwerp van Hans Vredeman de Vries, onderdeel van een serie van rolwerkcartouches uit circa 1555-1560.
Portret van Ernst Ludwig Posselt
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2233
Het huis Snavelenburg, by Maarsen
Object type: book illustration
Date: 1773 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: castle, french or architectonic garden; formal garden

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 7, 8 of 9 (weduwe Isaak Tirion, 1773-1774), ill. 54. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 7, 8 of 9, ill. 54.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
Handkerchief
Object type: handkerchief
Date: 1883 – 1883
Materials: silk
Culture: american
Portret van Christoph Hörmann
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: historical persons, armorial bearing, heraldry, merchant, salesman
Inscriptions: inscription: ‘Ob: 1576’
Gezicht op een aantal zeilschepen te water
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)
The Flagellation
Object type: print
Date: 1460 – 1465
Materials: ink, paper, watercolor
Techniques: brush, hand coloring, pen
Location: germany
Artist: Anonymous
Artist nationality: bavarian
Artist dates: 1400 – 1499

Communion bread came in different shapes in Renaissance Europe, and this variety is particularly clear from depictions of the Last Supper, when Christ symbolically offers his body to his disciples. In this metalcut series on the life of Christ, the shape of the bread—the traditional Bretzel, or pretzel—betrays that the prints were made in Bavaria. While the handwritten text on the verso of the adjoining sheet in the booklet (once comprising nineteen metalcuts) does not mention the pretzel, it is handcolored in a warm, doughy yellow. A similar glow suffuses the head-on Sudarium at center, an unusually abstract inclusion for an image of the Passion.

The fifteen metalcuts, or "dotted prints," that form this Passion suite constitute one of the most complete block books in existence. It is possible that the series at one time included as many as nineteen images, each exquisitely hand-colored with the biblical text inscribed on the reverse. The stars, shells, and other repeating patterns were produced by hammering metal punches, such as those used by goldsmiths and armorers, into the soft metal plates.
Nieuwe Nederlandsche kinderprenten
Object type: print
Date: 1903 – 1919
Materials: paper
Techniques: lithograph, letterpress printing
Location: the hague
Subjects: hunting dogs, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), hunt ~ mammals
Inscriptions: collector's mark: Lugt 2760

Blad met 14 voorstellingen van jagers te paard, jachthonden en herten om uit te knippen. Genummerd rechtsboven: No. 110.
Bingen
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: color autotype
Location: cologne
Subjects: city-view, and landscape with man-made constructions, river, mountains
Ornament with Krishna as a child
Object type: ornament
Date: 1600 – 1699
Materials: ivory
Location: south india
Artist: Anonymous

The popular deity is represented as a plump toddler holding a pat of butter, which he has stolen from his mother while she churned milk. Krishna grew up among cowherds and milkmaids in the woods by the River Yamuna
Boer en boerin uit Cromhout
Object type: drawing
Date: 1803 – 1899
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: j. enklaar
Artist role: draughtsman
Subjects: rodents: hare, carrying something in basket, bag, rucksack, etc., folk costume, regional costume
Inscriptions: number: ‘No:16’

Getekend naar prenten uit: Maaskamp, Evert. Afbeeldingen van de kleeding, zeden en gewoonten in de Bataafsche Republiek, met den aanvang der negentiende eeuw. Amsterdam: Evert Maaskamp, [1803-1807].
Aanbidding van Maria en het Christuskind
Object type: book illustration
Date: 1708 – 1713
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: albert schut
Artist role: print maker
Artist dates: 1687 – 
Subjects: madonna on the crescent of the moon (sometimes called queen of heaven) (in mandorla) (+ angel(s)), aids for prayer, e.g. rosary, mary together with mortals, who adore her, or implore her to help
Inscriptions: collector's mark: Lugt 2228

Gelovigen knielen in aanbidding voor Maria en het Christuskind. Maria staat op de halvemaan op de wolken. Ze houdt het Kind op de arm. Ze geven rozenkransen aan de gelovigen. Twee engelen lauweren Maria en het Kind. Op de voorgrond ligt een kardinaalshoed. Rechtsboven genummerd: 327.
Drie mannen proberen een man in bedwang te houden
Object type: book illustration
Date: 1624 – 1624
Materials: paper
Techniques: engraving, letterpress printing
Artist: abraham poel
Artist role: print maker
Artist dates: 1601 – 1637
Subjects: adult man, proverbs, sayings, etc., violent death, being killed; being mishandled and maltreated; seeking death, coast, lovesick lover, fighting, suicide out of despair, sea
Inscriptions: collector's mark: Lugt 1641, stamp

Drie mannen proberen een man in bedwang te houden terwijl zij in zee staan. De in bedwang gehouden man probeert door liefdesverdriet zichzelf te verdrinken in de zee. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in engeren zin. Volksleven. Zinnebeeldige voorstellingen uit het volkleven op serieprenten. Maanden en diversen (allegorieën).
Les Singuliers et Nouveaux Portraicts... page 7 (recto)
Object type: book print ornament architecture
Date: 1588 – 1588
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: flowers

Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top to bottom, and left to right: Design is decorated with 2 rounded triangular motifs that sit upon an ornamented rectangular base. Each rounded triangle is ornamented with a different foliage pattern. Base consists of 2 squares: left square is ornamented in the center with a 4-petaled flower that is surrounded by foliage and right square is ornamented in the center with a heart that has an arrow shot through it, which is surrounded by foliage.
Ensemble
Object type: ensemble
Date: 1895 – 1900
Materials: silk
Culture: japanese
Dronken Silenus
Object type: print
Date: 1615 – 1691
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: (story of) silenus
Inscriptions: collector's mark: Lugt 240

De dronken Silenus staat voorovergebogen. In zijn haar heeft hij klimop. Hij wordt ondersteund door een maenade en enkele mannelijke volgelingen van Bacchus. Eén van hen drinkt uit een kruik.
Miniature bowl
Object type: bowl
Date: 701 – 800
Materials: earthenware, glaze
Techniques: polychrome
Culture: chinese
Fish-Shaped Vinaigrette
Object type: metalwork
Date: 1817 – 1818
Materials: silver, silver gilt
Location: birmingham
Artist: joseph willmore
Oud-Amsterdam 100 Stadsgezichten
Object type: page
Date: 1870 – 1923
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: city-view in general; 'veduta', canal, tow-boat, towing-barge, bridge in city across river, canal, etc., street
Inscriptions: collector's mark: ‘13,35’ Lugt 1641b

Fotomechanische afdruk uit een editie van Het Nieuws van den Dag, mogelijk uit de serie: Oud-Amsterdam 100 Stadsgezichten.
Banner
Object type: banner
Date: 1683 – 1683
Materials: metal thread, silk
Culture: turkish
Location: turkey
Isabel Wachenheimer met haar grootouders Meir Wachenheimer en Mathilde Wachenheimer-Wertheimer in de kamer van Isabel, München, september 1929
Object type: album leaf
Date: 1909 – 1929
Materials: paper, photographic support
Techniques: gelatin silver print
Location: munich
Subjects: leiden, isabel wachenheimer-elon, family life at home, grandparent(s) with grandchild(ren) (family group), infant, baby
Inscriptions: inscription: ‘Mit den Grosseltern Wachenheimer, September 1929’
Doorsnede van een lijst
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: frame of painting, etc.
H. Agnes
Object type: print
Date: 1590 – 1594
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: harmen jansz muller
Artist role: print maker
Artist dates: 1540 – 1617
Subjects: the virgin martyr agnes of rome; possible attributes: lamb, ring
Inscriptions: collector's mark: Lugt 240

De heilige Agnes met een palmtak in haar hand en voor haar een lam. In de rechter bovenhoek de zon met het tetragram.
Wine Container (Pou)
Object type: wine container
Date: 1400 – 1201
Materials: bronze
Culture: chinese
September – Michaelmas Gander from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
Object type: print
Materials: paper, steel
Techniques: printmaking, etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Studie van de figuur van Isaac
Object type: drawing
Date: 1619 – 1619
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: gerard ter borch (i)
Artist role: draughtsman, print maker
Artist dates: 1584 – 1662
Subjects: the sacrifice of isaac (genesis 22)
Inscriptions: signature and date: ‘G.T.Borch.F.Anno 1619.’

Studie van de figuur van Isaac voor de uitgewerkte tekening 'Abraham's offer van Isaac' (GSr 72).
Rattle
Object type: rattle
Date: 1867 – 1900
Materials: skin
Culture: west african

Small woven mace-shaped rattle. Instruments made of sonorous materials (idiophones) comprise the largest and most widespread type in sub-Sahara Africa. Names of identical instruments change from region to region. Some instruments and the music linked to them have traveled beyond the African homeland to North and South America and the Caribbean. Idiophones are sounded by shaking (rattle, sistrums), beating together (iron clappers), or striking (xylophones, slit gongs, bells). they reinforce the rhythmic foundation of a piece, provide a melodic line, signal by imitating spoken languages, or perform rhythmic, melodic and communicative roles simultaneously.
Eros vanné
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Hanging (Palampore)
Object type: hanging
Date: 1601 – 1700
Materials: cotton
Techniques: painting
Location: india
Subjects: flowers,trees
Abel
Object type: print
Date: 1826 – 1886
Materials: paper
Techniques: aquatint, engraving, etching
Location: amsterdam
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: monument, statue, abel (not in biblical context); possible attributes: sheep
Inscriptions: collector's mark: Lugt 2228

Standbeeld van Abel. Op een brandaltaar naast hem ligt het lam.
Rondel (ongeslagen muntplaatje)
Object type: rondel
Date: 1700 – 1800
Materials: copper
Techniques: striking
Location: unknown
Artist: Anonymous

Rondel, gevonden op het strand van Terschelling, waarschijnlijk van Zweedse oorsprong en in Göteborg of Hamburg ingeladen in een schip dat – op weg naar Lissabon – nabij Terschelling zonk.
Portret van ambtenaar C.E. Leclercq
Object type: print
Date: 1843 – 1863
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: historical persons (+ three-quarter length portrait)
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Terracotta askos (flask with a spout and handle over the top) in the form of a bird
Object type: askos in the form of a bird
Date: 1200 – 1050
Materials: terracotta
Culture: cypriot
Subjects: birds

Three feet, with tubular spout and geometric ornament.
Gezicht op de Venustempel in Baalbek, Libanon
Object type: photograph
Date: 1867 – 1885
Materials: paper
Techniques: albumen print
Location: baalbek
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: landscape with ruins
Inscriptions: number: ‘465’
Glass krateriskos (unguent jar)
Object type: vase
Date: 1353 – 1323
Materials: glass
Location: egypt
West-Indië
Object type: print
Date: 1860 – 1862
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: fortress, rowing-boat, canoe, etc., ferry, suriname
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Gezicht op Fort Zeelandia te Paramaribo in Suriname. Op de plaat staan aangegeven: Tamarinde-laan, Officierswoningen en Pont. Prent maakt deel uit van een omslag met zeventien bladen.
Vrouw in een jurk met pofmouwen
Object type: sketchbook leaf
Date: 1860 – 1866
Materials: paper, pencil
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: adult woman, fan

Vrouw in een jurk met pofmouwen. Ze heeft mogelijk een waaier in haar hand. Blad 33 uit een schetsboek met 44 bladen.
Grass and Frost
Object type: photograph
Date: 1934 – 1934
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Straat in Delft
Object type: sketchbook leaf
Date: 1881 – 1885
Materials: chalk
Location: delft
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: flight of steps, street lighting, street, delft
Inscriptions: annotation: ‘Delft’

Pagina 33 uit een schetsboek met 26 bladen.
Baron de los Valles
Object type: print
Date: 1833 – 1846
Materials: paper
Techniques: lithograph
Location: northern netherlands
Artist: Anonymous
Subjects: historical persons, medals and other marks of military honour
Portret van Hans Georg Hunkeler
Object type: print
Date: 1755 – 1757
Materials: paper
Techniques: etching
Artist: rudolf füssli (der jüngste)
Artist role: print maker
Artist dates: 1737 – 1806
Subjects: painter, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent gebruikt in: Füssli, Johann Caspar. Geschichte Und Abbildung der besten Mahler in der Schweitz. Zürich: David Gessner, 1755-1757.
Architectural Model with Figure
Object type: architectural model
Date: 1 – 800
Materials: stone
Culture: mezcala
Location: mexico
Subjects: temples
Fotoreproductie van een tekening van Peter Paul Rubens (kop van een man)
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: carbon print
A Master of Ceremonies
Object type: print
Materials: paper
Techniques: etching
Location: spain
Artist: mariano fortuny, 1838–1874
Artist role: artist
Artist nationality: spanish
Artist dates: 1838 – 1874
Falaris
Object type: ornament print
Date: 1731 – 1771
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: beasts of prey, predatory animals: leopard, (story of) phalaris, tyrant of agrigentum, death of perillus: he is thrown into a heated bronze bull by order of phalaris
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Koning Falaris staat links in de voorgrond en kijkt toe hoe Perillos in het martelwerktuig de messingen stier wordt gedragen. Rechts in de voorgrond bijt een panter zijn prooi. Rondom de voorstelling een rocaille omlijsting met vaas. In de ondermarge tweemaal een vierregelige Duitse en Latijnse tekst.
Figure of a seated lion
Object type: figure
Date: 1752 – 1757
Materials: glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: berlin
Artist: wilhelm caspar wegely
Artist role: porcelain company
Artist dates: 1714 – 1764
Inscriptions: mark: ‘1/109/26’

Een leeuw en een leeuwin. Porselein Berlijn, ca. 1752 - 1757, fabriek van Wilhelm Kaspar Wegely.
Bronze statuette of a man
Object type: statuette of a boy, fragment
Date: 451 – 475
Materials: bronze
Culture: greek
Subjects: men

In its original condition, this will have been a fine, small figure of a man. While the legs are muscular and sturdy, the torso is sensitively rendered. Features such as the porous ness of the casting and the rendering of the genitals suggest that the work may be a Roman adaptation of a classical Greek type.
Fragment
Object type: fragment
Date: 1601 – 1800
Materials: metal thread, silk
Subjects: birds,flowers
Roma - Museo Capitolino - Apollo
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: rome
Subjects: statues, paintings, etc. ~ objects of worship in roman religion, permanent exhibition, museum

Prentbriefkaart maakt deel uit van een album.
Liggende hond
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: valenciennes
Artist: raverdy
Artist role: fotograaf
Subjects: dog
Inscriptions: address: ‘23, rue St. Géry, 23/ VALENCIENNES’