deem-data/ArtiFact huggingface dataset:
Fragment of a Bowl
Object type: fragment
Date: 801 – 1000
Materials: earthenware, glaze
Location: iran

This ceramic fragment was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
'D' Zuyderkerck', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Object type: book print ornament architecture
Techniques: engraving, lithography
Location: amsterdam
Artist: carel allard
Artist role: publisher
Artist nationality: dutch
Artist dates: 1648 – 1709
Subjects: cities,churches

Depiction of the Zuiderkerk (Southern Church) in Amsterdam. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.
Comb
Object type: comb
Date: 1801 – 1900
Materials: ivory
Culture: european
Subjects: lions
Historia Naturalis van Rudolf II
Object type: album
Date: 1596 – 1610
Materials: leather, paper, watercolor
Techniques: bookbinding, brush
Location: delft
Subjects: vienna, prague, rudolf ii van habsburg (duits keizer)

Album met aquarellen van bloemen. Het negende van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
A Seated Monkey on a Chain
Object type: drawing
Date: 1592 – 1602
Materials: chalk, paper
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: monkeys, apes, animals tied up

With masterly strokes and hatching, Hendrick Goltzius drew this Asian rhesus monkey, recognizable by its pinkish face, framed by fur. He devoted a great deal of attention to the faithful rendering of the fur, cleverly using the white of the paper to create subtle contrasts of light and dark. A fettered monkey had a special meaning, alluding to sinful man who is shackled to the earth through his lust for wealth.
Fragment d'une maison habitée par la reine Blanche à l'époque des croisades, Le Mans
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: paris
Artist: adolphe jean baptiste bayot
Artist role: print maker
Artist dates: 1810 – 1866
Subjects: façade (of house or building)
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 4619

Het huis dankt zijn naam aan Bérengère de Navarre (1163-1230), de vrouw van Richard Leeuwenhart.
A. FALGUIÈRE - Nymphe chasseresse
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: hunting, chase, woman (showing herself) undressed, quasi-nude, nymphs (in general); 'ninfe in commune' (ripa), sculpture
Inscriptions: inscription: ‘XI pl 9’, collector's mark: Lugt 3937, number: ‘2147’
Box Lobby Loungers
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,crowd

A reissue of print first published 1786. A crowded room next to a theater, which is glimpsed through two open doors at right. Courtesans and ladies are being inspected by loungers, including Colonel George Hanger (later Lord Coleraine) with a club under his arm (his "Supple Jack"). Hanger looks at two attractive courtesans and fails to notice a pickpocket taking the seals from his fob. At right two more fashionably dressed women attract elderly admirers. Two sea captains regard a short elderly beau with contempt. Other figures include two "Don Juans", and a woman who sells oranges and programs and acts as a bawd. A playbill reads: "Theatre Royal Covent Garden / The Way of the World / Who's the Dupe."
Zonsondergang op zee, gezien vanaf een schip
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: albumen print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘28’
Cup with Cover
Object type: cup with cover
Date: 1801 – 1900
Materials: shell
Culture: chinese
Der grosse Festsaal
Object type: photomechanical print
Date: 1874 – 1900
Materials: cardboard
Techniques: photolithography
Location: leipzig
Artist: louis glaser
Artist role: printer, publisher
Subjects: castle, interior of the house
The Large Lime-Kiln, from Cabinet Reynst
Object type: print
Date: 1655 – 1658
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658
1259 Pompei panorama
Object type: photograph
Date: 1888 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: pompeii

Een panorama over de overblijfselen van de stad Pompeï
Arbeider die een touw laat vieren
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: engraving, intaglio
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: working class, labourers, tools, aids, implements ~ crafts and industries: rope
Inscriptions: collector's mark: Lugt 2166

Een arbeider die een hoed en laarzen draagt, laat een touw vieren. Op de achtergrond onder meer een schep, een kuip, een hek, een hut en een machine.
Two Sculptures: Antinous in Vatican Gardens and Nisaus Bacchus in the Farnese Palace
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: europe
Artist: Anonymous
Artist nationality: european
Artist dates: 1500 – 1800
Plate
Object type: plate
Date: 1822 – 1834
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: james and ralph clews
Artist role: maker
Artist nationality: british
Artist dates: 1813 – 1836
Subjects: birds,landscapes
Card Number 359, Martonet, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Een schilder in verlegenheid
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: draughtsman, hermanus koekkoek (i), the hague, landscapes, historical persons, painter at work, in his studio - cc - out of doors, political caricatures and satires
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

De schilder Hermanus Koekkoek met zijn schetsboek gearriveerd bij de grens van het verwoeste 'Insulinde', hier verwijzend naar Lombok. Achter hem houdt een Lombokse man een parasol boven zijn hoofd. Kaal landschap bezaaid met skeletten en rokende puinhopen, aasgieren in de lucht, bewaakt door een soldaat staande bij zijn wachthuisje. Aanklacht tegen het bloedig optreden van Vetter bij het neerslaan van de opstand op Lombok in 1894. Onderaan twee teksten van vier regels.
Portret van een onbekend meisje naast een tafel
Object type: cabinet photograph
Date: 1875 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: jerôme levaque
Artist role: fotograaf
Artist dates: 1852 – 
Subjects: adolescent, young woman, maiden, studio requisites ~ photographer
Inscriptions: name: ‘J. Levaque Grande Photographie Américaine Bruxelles 72, Rue Neuve. (...)’
Het verbranden der Fransche oorlogschepen te La Hogue 2 Juny 1692 / Les chaloupes de la flotte combinée, mettent le feu aux vaisseaus de guerre Francois à La Hogue 2 Juin 1692
Object type: print
Date: 1848 – 1855
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: paris, battle (+ naval force)

Uitgegeven in: P.J. Schotel, Heldendaden der Nederlanders ter zee, van de vroegste tijden tot op heden, naar aanleiding van de: Geschiedenis van het Nederlandsche zeewezen, Frans Buffa en Zonen, Amsterdam 1850-1855, pl. 37. Zonder de bij Muller vermelde bijgevoegde uitvoerige beschrijving.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, genitals and legs of a youth with drapery, holding a trefoil oinochoe in his right hand, and a phiale in his left; lower body of male with himation; lower body a draped male, with his right hand on his hip
Komabue
Object type: komabue
Date: 1801 – 1900
Materials: wood
Culture: japanese
Location: japan

Similar to the ryūteki but smaller and with six fingerholes instead of the larger flute's seven. It is used in the komagaku (Korean derived music) of gagaku. Side blown or transverse flutes like this one is used in ensembles and are seldom played as a solo instrument like the end blown shakuhachi.
Boekband van: Louis Couperus, Noodlot, 1898
Object type: photograph
Materials: photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: book-cover, binding
Inscriptions: collector's mark: ‘R:MVS.’

Geornamenteerde band naar ontwerp van R.W.P. de Vries Jr.
Execution of Two Celebrated Enemies of Old England
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,execution,politics

Napoleon Bonaparte and Guy Fawkes hanging from gibbets above a bonfire. Their dying speeches are inscribed below.
Model of a Stopper
Object type: demonstration model
Date: 1840 – 1840
Materials: brass, wood
Location: netherlands
Artist: w.f. momma
Artist role: constructeur
Inscriptions: label: ‘623’ former inventory label

Model van een ankerstopper tussen twee dekken, bestaande uit een glijbaan voor de ketting op een klos en doorlopend door het stuurboord kluisgat, en een zware duivelsklauw hangend aan een klos aan de scheepswand. Een opsluitmechanisme houdt de as van de klauw op zijn plaats, maar kan geopend worden met twee hefbomen aan de zijkanten; de klauw schuift dan naar boven waardoor de ketting vrijkomt. Een houten ketting is aan het model toegevoegd. Schaal 1:5 (schatting).
Portret van onbekende vrouw
Object type: print
Date: 1809 – 1871
Materials: paper
Techniques: lithograph
Location: leiden
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228
Well, fancy that! I thought that we had just discovered a deserted island or at least a country inhabited by cannibals., plate two from Les Canotiers Parisiens
Object type: print
Date: 1843 – 1843
Materials: ink, paper
Techniques: lithograph, pen
Location: france
Artist: honoré-victorin daumier
Artist nationality: french
Artist dates: 1808 – 1879
English Country Church
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: attributed to edward blore
Artist dates: 1787 – 1879
Fork (part of a dining service)
Object type: fork
Date: 1805 – 1805
Materials: silver gilt
Artist: pierre-benoît lorillon
Artist role: maker
Artist dates: 1788 – 1836
Zen-schildering en kalligrafie
Object type: hanging scroll
Date: 1772 – 1860
Materials: ink, paper
Techniques: calligraphy
Pair of side chairs
Object type: side chair
Date: 1701 – 1725
Materials: wood
Techniques: painting
Gezicht op de Bibliotheek, Campanile en Dogenpaleis te Venetië, gezien vanaf het water
Object type: drawing
Date: 1730 – 1780
Materials: ink, paper, pencil
Techniques: pen
Subjects: square, place, circus, etc., public road, italy, venice
Accessories
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Subjects: fashion plates, gloves, mittens, etc. (+ women's clothes)

Fans, parasols, opera gloves, fashionable hats, small toques garnished with feathers, wristwatches, compact bracelets, and luxuriously crafted lighters: there was a dazzling variety of accessories in the 1920s. Small bags could be suspended from a belt, or a glove. Walking sticks and the shafts of umbrellas and parasols were often embellished with carving clearly inspired by African and Indian art. And Russian influence was evident when it came to combs made of mother-of-pearl and ivory.
Tuinen
Object type: ornament print
Date: 1587 – 1587
Materials: paper
Techniques: etching
Location: antwerp
Subjects: garden, labyrinth, maze ~ garden, 'kolf' (ball game)
Inscriptions: collector's mark: Lugt 2228

Tuin met een parterre gevormd door lage perkjes in een geometrisch patroon, bestaande uit een ruit met halfronde uitstulpingen op de rechte zijden. Op de achtergrond ligt een plein waarop mensen kolf spelen.
“It's important for a man to know how to swim. He is not doing so badly for a start. You could think it's a fish, at least while he is attached to the cord. But he'll learn it… he is still young!,” plate 5 from Les Baigneurs
Object type: print
Date: 1839 – 1839
Materials: paper, stone
Techniques: letterpress, lithograph, scraping
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Theatrum pontificum, imperatorum, regum, ducum, principum, etc.
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: crown (symbol of sovereignty), archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228
Tondo met baby door Andrea della Robbia aan het Ospedale degli Innocenti te Florence
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: florence
Artist: Anonymous
Subjects: art (+ relief ~ sculpture)
Inscriptions: collector's mark: ‘RIJKS SCHOOL VOOR KUNSTNIJVERHEID/ GROEP’, number: ‘5122.’, inscription: ‘Edizione inalterabile.’

Deze foto maakt deel uit van een omslag.
Tripod incense burner
Object type: incense burner
Date: 1601 – 1700
Materials: copper alloy
Techniques: gilding
Culture: chinese
Portretten van onbekende personen
Object type: photograph
Date: 1910 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: adult woman, parents with their children, cat, adult man, child
Inscriptions: inscription: ‘Elite [...]’

Albumblad met portretten van volwassenen en kinderen. Onderdeel van Fotoalbum van de familie Petri.
Architectural Panel with Deer
Object type: architectural fragment
Date: 1301 – 1500
Materials: ceramic, terracotta
Location: java
Cuneiform tablet: account of dates as imittu-rent, Ebabbar archive
Object type: cuneiform tablet
Date: 606 – 606
Materials: clay
Culture: babylonian
Location: mesopotamia
Séverac le Cheau Sources de l'Aveijron
Object type: print
Date: 1869 – 1869
Materials: paper
Techniques: drypoint, etching
Artist: louis charles hora siccama
Artist role: draughtsman, print maker
Artist dates: 1807 – 1880
Subjects: chateau-de-sévérac (aveyron, frankrijk)
Inscriptions: collector's mark: Lugt 2228

Een man te paard loopt met een andere man langs de oevers van de rivier Aveyron. Op de heuveltop boven hen ligt het kasteel van Sévérac. Linksvoor een visser in een roeiboot.
Portret van een jonge man
Object type: painting
Date: 1845 – 1845
Materials: linen, oil
Techniques: brush
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: anonymous historical person portrayed alone
Etude d'aquarelle
Object type: page
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Subjects: church (exterior), street
Inscriptions: number: ‘Pl. no LXIX.’
Gezicht op de katoendrukkerij van Joannes Coops aan de Amsteldijk
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cotton (material ~ textile industry), street (+ city(-scape) with figures, staffage)

Prent mogelijk uit: Hollandse Arkadia. Amsterdam: Leonard Schenk, 1730.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, part of a draped figure
Flowers
Object type: hanging scroll
Date: 1803 – 1866
Materials: ink, paper
Culture: chinese
Artist: zhang xiong
Artist role: artist
Artist nationality: chinese
Artist dates: 1803 – 1886
Galloon
Object type: galloon
Date: 1601 – 1800
Materials: metal thread, silk
Design for gothic archway and cross
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
Subjects: architecture,arches,cross
Ontwerp voor een tapijt met een floraal patroon en Javaanse tekst in het centrale medaillon
Object type: design
Date: 1854 – 1864
Materials: gouache, paper
Techniques: brush
Location: deventer
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: retailer's mark: ‘JHS.’, inscription: ‘Medaillon la H. Javaansch’

De presentatietekeningen BK-1971-77-1 t/m 86 zijn kopieën van de originele ontwerptekeningen. Ze werden gemaakt voor vertegenwoordigers van bijvoorbeeld magazijnen, die ze aan hun klanten konden tonen. De meeste tekeningen tonen een kwart van het dessin inclusief rand, middenpartij (de zogenaamde grond of fond) en centraal medaillon. Door het gebruik van spiegels kan de illusie van het gehele tapijt worden opgeroepen. Een deel van de tekeningen heeft een alfabetische opeenvolgende letter als kenmerk, de andere groep een cijfer.Waarschijnlijk is de reeks dessins met een letter eerder samengesteld dan de genummerde tekeningen.
Geboorte van Christus
Object type: print
Date: 1480 – 1500
Materials: paper
Techniques: woodcut
Subjects: city-view, and landscape with man-made constructions, mary, joseph and the new-born christ (nativity)

Eén blad van 113 uit Ludolphus de Saxonia, "Dit es dleué ons liefs heeren ihesu christi". Anonieme Nederlandse vertaling. Uitgegeven door Henrick Eckert van Homberch te Antwerpen in 1503. Botke, K. Deze 113 houtsneden, die meestal reeds in vroege Nederlandse boeken gebruikt zijn, worden toegeschreven aan de tweede Meester van Delft, de Meester van de Delbecq-Schreiber-passie en de Meester van de Virgo inter Virgines. In Conway (1884) en in "De gulden passer"(1951) zijn ook eerdere versies opgenomen. Botke, K.
Christus aan het kruis
Object type: book illustration
Date: 1648 – 1648
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: crucified christ, with particular persons under the cross
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sichem, Christoffel van (II). 'tSchat der zielen, dat is: Het geheele leven ons Heeren Iesu Christi. Amsterdam: Pieter Jacobsz. Paets, 1648.
Prent uit: Biblia sacra dat is De geheele Heylighe Schrifture bedeylt in 't Out en Nieu Testament. Amsterdam: Pieter Jacobsz. Paets, 1657.
Plan van de versterkingen van Landrecies, 1794
Object type: map
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching, hand coloring
Location: northern netherlands
Subjects: fortified city, maps of cities
Inscriptions: collector's mark: Lugt 2228

Plattegrond van de versterkingen om de stad Landrecies, in januari 1794. Onderdeel van een serie van zeven bladen met plattegronden van versterkte steden in de Oostenrijkse Nederlanden ten tijde van de tweede Franse inval onder generaal Pichu in 1794.
Fragment
Object type: textile
Materials: linen, wool
Techniques: slit, weave
Culture: coptic
Location: egypt
Coat
Object type: coat
Date: 1848 – 1848
Materials: metal thread, silk
Portret van een jonge man
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, youth, adolescent
Strooibus
Object type: strooibus, strooier
Date: 1768 – 1768
Materials: silver
Location: the hague
Artist: pieter van der kruyf
Artist role: silversmith
Subjects: flowers ~ ornament

Wine cooler. Silver. Den Haag, 1768, by Gregorius van der Toorn. Given by the Commissie voor Fotoverkoop and the Vereniging Rembrandt, 1974. Four candlesticks. Silver. Zwolle, 1770, by Cornelis Wilhelmus Rensing. Given by Count J.A.Z. van Rechteren Limpurg, 1937. Castor. Silver. Den Haag, 1768, by Pieter Kersbergen.
Terracotta bird-shaped vase
Object type: vase in the form of a duck
Date: 850 – 750
Materials: terracotta
Culture: cypriot
Subjects: ducks

Three feet with spout, and on each side a fish in red and black.
Marcella Berg, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Blue paste paper with stripe and ribbon pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Souvenirs d'un alpiniste
Object type: book
Date: 1886 – 1886
Materials: cardboard, leather, paper, photographic support
Techniques: albumen print, combed marbled paper, marbled paper
Location: lausanne
The Actors Sawamura Sojuro III as Soga no Juro, Osagawa Tsuneyo II as Oiso no Tora, Azuma Tozo III as Miura Katagai, and Otani Tokuji I as Danzaburo, in the joruri "Chidorigake Koi no Tamaboko," performed at the Ichimura Theater in the first month, 1784
Object type: print
Date: 1784 – 1784
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, part of head and upper torso of draped youth to left