deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of left knee, calf, and toes of a male to left
Huwelijksportret
Object type: copper plate
Date: 1663 – 1683
Materials: copper
Techniques: etching
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Dr. A. Kuenen, Hoogleeraar te Leiden
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: haarlem, leiden, theologian, historical persons, professor

Gepubliceerd als bijvoegsel bij 'De Amsterdammer', 21 april 1889.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Crouching male holding a large vase; leg of a male to right
Cup and saucer
Object type: cup and saucer
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: kloster-veilsdorf porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1760 – 9999
Subjects: flowers
Gevecht tussen Romero en Hendrik van Nassau bij Mons, 1572
Object type: history print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: battle, fighting in general
Inscriptions: date

Illustratie voor: J. Nomsz, Willem de eerste, of de grondlegging der Nederlandsche vryheid. : In vier en twintig zangen, Erven van David Klippink, Amsterdam 1779. Staat met de letter.
Apothecary jar (albarello)
Object type: albarello
Date: 1530 – 1540
Techniques: maiolica, glazing
Culture: italian, castelli
Subjects: men,profiles
Marine Landscape
Object type: painting
Date: 1895 – 1895
Materials: canvas, oil
Culture: american
Artist: alfred thompson bricher
Artist role: artist
Artist nationality: american
Artist dates: 1837 – 1908
Subjects: hills,landscapes,boats
Portret van Willem van Haren
Object type: print
Date: 1727 – 1741
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: bookshelves, historical persons, writer, poet, author, armorial bearing, heraldry
Gezigt van het groot serrail van Konstantinopolen
Object type: print
Date: 1683 – 1739
Materials: paper
Techniques: etching
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2233

Gezicht op Constantinopel (Istanbul) met het paleis van de sultan. Onder de afbeelding staat een legenda met nummers. linksboven: "VI Deel. Pag. 133." Gezicht vanuit het noordwesten, staande in het stadsdeel Galata, op de akropolis met het Topkapi paleis. Uiterst rechts de tot moskee omgebouwde Hagia Sophia.
Ostrakon with a Canticle (?)
Object type: ostrakon
Date: 580 – 640
Materials: ink, pottery
Culture: coptic
Location: egypt
Subjects: documents,greek
Strainer spoon
Object type: strainer spoon
Date: 1701 – 1800
Materials: silver
Artist: william soame
Artist role: maker
Artist dates: 1723 – 1772
The Boy at the Gnaw
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: frederick barnard
Artist nationality: english
Artist dates: 1846 – 1896
Fragment of a Band
Object type: textile fragment
Date: 501 – 700
Materials: linen, wool
Techniques: weave
Location: egypt
Reiger aan de oever van een vijver
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: etching, intaglio
Location: paris
Subjects: trees, shore-birds and wading-birds: heron, pool, puddle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Fotoreproductie van een ets van Wilhelmina door Carel Lodewijk Dake en een prentbriefkaart met een stamboom ter gelegenheid van de verjaardag van prinses Juliana
Object type: reproduction
Date: 1885 – 1910
Materials: paper, cardboard
Techniques: autotype, collodion silver print
Subjects: print maker, wilhelmina of the netherlands, the hague, juliana of the netherlands, queen, family lineage, pedigree, genealogical tree or table, girl (child between toddler and youth)
Inscriptions: inscription: ‘H.M. Koningin Wilhelmina der Nederlanden./ Naar de ets van Prof. C.L. Dake.’, inscription: ‘Gedenkplaat/ verjaardag van H.K.H./ Prinses Juliana/ 1910’

Deze foto en prent maken deel uit van een album.
Diana en Apollo als Luna en Helios
Object type: print
Date: 1589 – 1593
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: apollo as sun-god, i.e. sol (helius), titan
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10

Apollo als de zonnegod Helios (Sol). Pendant van Diana als de maangodin Luna.
Salzburgse landschappen met figuren
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching
Artist: johann christoph erhard
Artist role: print maker
Artist dates: 1795 – 1882
Subjects: going to church, forest, wood, mother and daughter(s) (family group)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Openwork furniture plaque with sphinx striding through a floral landscape
Object type: relief
Date: 900 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: sphinx

Found in a storeroom at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign, this fragmentary plaque carved in the openwork technique depicts a winged, leonine animal, probably a sphinx, striding to the right. It was probably used to decorate a piece of wooden furniture. Two mortises cut into the preserved edge of the plaque on the right side suggest that the now-missing forepart of this hybrid creature, including its forelegs and head, was attached to the body by tenons. The lower hind legs have broken off. The floral stalks growing behind the sphinx’s body and the single palmette preserved below its chest suggest that this hybrid creature was originally depicted striding through a floral landscape. The elegant carving technique, seen in the individually articulated wing feathers and slender body, is characteristic of Phoenician ivories. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
[Sculptures of Abraham Duquesne; an Ancient Briton; David with his Slingshot; a Hunter]
Object type: photograph
Date: 1859 – 1859
Techniques: albumen silver print, glass negative
Artist: philip henry delamotte
Artist role: artist
Artist nationality: british
Artist dates: 1821 – 1889
Subjects: sculpture,men,david
Set of vestments
Object type: ensemble
Date: 1500 – 1625
Materials: silk, wool
Subjects: flowers
Portret van Jean-Jacques Lenoir-Laroche
Object type: book illustration
Date: 1820 – 1821
Materials: paper
Techniques: engraving, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tardieu, Ambroise. Portraits des députés, écrivains et pairs constitutionnels, défenseurs invariables de la charte et de la loi des élections du 5 février 1817. Parijs: Tardieu, Ambroise, 1820-1821.
An Old Man Sitting on the Roadside
Object type: print
Date: 1818 – 1818
Techniques: etching
Artist: johann christoph erhard
Artist role: artist
Artist nationality: german
Artist dates: 1795 – 1822
Subjects: roads,men,trees
Brush Washer (Yüe ware)
Object type: brush washer
Date: 618 – 907
Materials: pottery
Techniques: glazing
Culture: chinese
Gezicht op de Avenue du Centaure in het Parc de Saint-Cloud
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: parc de saint-cloud
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: garden, lane, alley
Inscriptions: number: ‘74.’, inscription: ‘E. Lamy's collection’
Portret van een vrouw, vermoedelijk Maria Stuart (1542-87), koningin van Schotland
Object type: painting, miniature
Date: 1800 – 1899
Materials: copper, glass, oil, silver
Location: england
Subjects: fotheringay castle, maria i stuart (koningin van schotland)

Portret van een vrouw, vermoedelijk Maria Stuart (1542-87), koningin van Schotland. Buste, naar rechts, met gepluimde baret. Waarschijnlijk een 19e-eeuwse kopie naar een origineel in het Uffizi te Florence. Onderdeel van de collectie portretminiaturen.
[Unidentified Man]
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Eerste eeuwfeest van de Reformatie door Martin Luther
Object type: history medal
Date: 1617 – 1617
Materials: silver
Techniques: striking
Location: dresden
Artist: heinrich von rehnen
Artist role: medailleur
Subjects: johann george van saksen (i)

Zilveren penning. Voorzijde: portret van man met zwaard over rechter schouder (Frederik III). Keerzijde: portret van man met zwaard over rechter schouder (Johan Georg).
Vase with archaistic decoration
Object type: vase
Date: 1801 – 1850
Materials: biscuit, bronze, glaze, porcelain
Techniques: relief
Culture: chinese
H. Leberecht Hartung, Vorsteher einer hoh. Töchter Schule
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Artist: a. diller
Artist role: print maker
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Maatstok van palissanderhout met jaartal 1774
Object type: measuring rod
Date: 1774 – 1774
Materials: wood
Location: northern netherlands
Artist: Anonymous

Maatstok van palissanderhout. De stok is in doorsnede vierkant en verjongt zich naar onderen. De knop is balustervormig. Op de stok is het jaartal 1774 aangebracht en een ijkteken (81JC) en maatstrepen.
Terracotta pyxis (box)
Object type: pyxis with lid
Date: 550 – 550
Materials: terracotta
Culture: greek, attic
Artist: painter of munich 1842
Artist role: artist
Subjects: armor,warriors

Around the box, warriors arming On the lid, athletes This engaging little box is decorated with rapidly executed images of warriors putting on their greaves (shin guards) while their spears and shields are held by female members of the household. Greaves and ankle guards were hammered from sheet bronze and retained considerable tensile strength, allowing them to be snapped onto the raised leg.
Painted cotton with medallion and figures
Object type: textile
Date: 1401 – 1500
Materials: cotton
Techniques: dyeing, painting, weave, resist
Location: india
Aanval op de stad Doullens, 1597
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: etching
Location: germany
Subjects: capture of city (after the siege)

Aanval van een leger op de stad Doullens, 23 maart 1597. Op de voorgrond een legerkamp, rechtsboven gevechten. Zonder onderschrift. Ongenummerd. Kopie naar de prent van Hogenberg van de gebeurtenissen op 31 juli 1595.
Schoorsteenmantel in het kasteel van Blois
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: blois
Artist: Anonymous
Subjects: chimney-piece, mantelpiece
Inscriptions: collector's mark: ‘RIJKS NO[RMA]ALSCHOO[L] voor T[EEKENONDERWIJZERS] AMSTERDA[M]’, annotation: ‘Frankrijk 54.’, annotation: ‘Blois’, annotation: ‘Blois’
Relief with Inhabited Trees
Object type: relief
Date: 1701 – 1733
Materials: stone, plaster
Techniques: polychrome
Culture: indian
Subjects: trees
The Martyrdom of Saint Christopher, "Secondo Quadro"
Object type: print
Date: 1776 – 1776
Techniques: etching
Artist: giovanni david
Artist role: artist
Artist nationality: italian
Artist dates: 1749 – 1790
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Two hind legs of a horse and part of the axle and wheel of a chariot turning around
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1871 – 1871
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: leopold löwenstam
Artist role: print maker
Artist dates: 1842 – 1898
Subjects: publisher, haarlem, painter, print maker, draughtsman, jacob isaacksz van ruisdael, the graphic arts
Inscriptions: collector's mark: Lugt 2233
Needle ?
Object type: needle
Date: 7000 – 330
Materials: bronze
Collectie van historische portretten van Baron Gérard
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: etching
Location: paris
Subjects: politician, maximilien sébastien foy, historical persons, (military) uniforms
Inscriptions: check stamp: ‘1796 / 1826’, collector's mark: Lugt 2228, inscription: ‘Le General Comte Foy’
Limestone footstool
Object type: step or stool of throne
Date: 500 – 451
Materials: limestone
Culture: cypriot
Subjects: goats,lions,snakes,stools

The relief shows a chimera, a mythical creature composed of a lion, a she-goat, and a snake. It was customary to represent the goat as a protome emerging from the lion's back. Here she faces in the same direction as the lion and has one foreleg raised. The chimera was shown in this manner on coins of the Greek city of Sikyon during the fifth century B.C, and it is interesting to note that, according to one ancient writer, the traditional founder of Golgoi was a man named Golgos from Sikyon.
Allegorische titelpagina met tronende Astraea
Object type: titelblad, titelpagina
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: cornelis galle (i)
Artist role: print maker
Artist dates: 1576 – 1650
Subjects: (story of) dike (astraea), goddess of righteousness and justice, allegory, personification of good government
Inscriptions: collector's mark: Lugt 240

Tronende Astraea met caduceus en kommetje in haar handen. Aan weerszijden van haar de sterrenbeelden leeuw en weegschaal. Links de personificatie van goed bestuur, met stedenkroon en slang. Rechts een vrouw met vijf borsten en een hoorn des overvloeds. Aan en sokkel zijn een man en een duivel geketend. Proefdruk voor een titelpagina van een boek over deugden en ondeugden.
Epimetheus opening Pandora's box
Object type: print
Date: 1531 – 1576
Techniques: engraving
Location: providence
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: men,women
Pair of candlesticks
Object type: candlestick
Date: 1751 – 1752
Materials: silver
Artist: claude roysard
Artist role: maker
Artist dates: 1653 – 1753

In the era before gas lighting and electricity, candles played a principal role in illuminating the interior of a house. The number of candles lit was an indication of the wealth and status of the owner: beeswax candles burned clean and smelt pleasant and were quite expensive compared to those made of tallow. In late seventeenth-century France, a change in dining habits had a significant effect on the production of silver candlesticks. Entertainment was increasingly orientated towards the evening; the use of domestic space changed and as a result, elegant lighting became an important part of the decoration of interiors. Made in Rennes in 1751–52, this pair of candlesticks has elaborate decoration deriving from widely available design and pattern books which proliferated during the late seventeenth century and well into the eighteenth century. Despite their mid-eighteenth-century date, the prevailing Rococo taste fashionable in Paris at the time is all but ignored here.
Patriae et Amicis / Saluti Patri ae Vixisse Honestat
Object type: bookplate
Date: 1508 – 1572
Materials: paper
Techniques: etching
Artist: mathis zündt
Artist role: goldsmith, print maker
Artist dates: 1498 – 1572
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Terracotta fragment of an olpe (jug)
Object type: olpe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of a the torso of a warrior to right wearing a cuirass, with a spear?
The Swan Tower (13th Century)
Object type: photograph
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Location: kenilworth castle
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, ruin of a dwelling, house, castle, etc.
Portret van een onbekende man en vrouw in een woonkamer
Object type: photograph
Date: 1920 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: adult woman, adult man, living-room, parlour, sitting-room, pianoforte

Onderdeel van Fotoalbum van de familie Petri.
Mensenmenigte
Object type: drawing
Date: 1877 – 1932
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: crowd, mob
Inscriptions: collector's mark: Lugt 2228
Neptune rising from the sea and bearing a staff, accompanied by two horse-headed sea creatures, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio
Object type: print
Date: 1550 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: mythical creatures,neptune,horses
Edwin Booth in the Costume of a Roman Censor from 600 B.C., from the set Actors and Actresses, First Series (N70) for Duke brand cigarettes
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,actors

Trade cards from the "Actors and Actresses" First Series (N70), issued in a set of 50 cards in 1888-89 to promote W. Duke Sons & Co. brand cigarettes.
Mannen op het dek van het schip Fonix
Object type: album leaf
Date: 1893 – 1923
Materials: glass, metal
Techniques: slide
Location: paris
Artist: Anonymous
Subjects: crew ~ ship
Arnhem C.a Deventer
Object type: cartoon
Date: 1873 – 1873
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: deventer, arnhem

Spotprent op de Arnhemsche Courant en de verkiezingen te Deventer. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 28, 1873.
Portret van een onbekende man
Object type: carte de visite
Date: 1874 – 1897
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘4’, inscription: ‘AG/ A. GREINER/ Photograf/ AMSTERDAM/ NIEUWENDIJK L. 89.’
Pittoreske gezichten op Parijs en omgeving
Object type: print
Date: 1822 – 1824
Materials: paper
Techniques: lithograph
Location: paris
Subjects: cattle, road, path, cattle driving, cattle driver, farm (building)

Op het pad langs de boerderij worden geiten, schapen en koeien bijeengedreven.
Portret van Jeronimo de Bosch
Object type: book illustration
Date: 1786 – 1811
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, jeronimo de bosch, historical persons, writer, poet, author

Prent uit: Loosjes, Petrus. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Amsterdam: Johannes Allart, 1786-1811, dl. 44.
Gezicht op een deur met een hangende lantaarn
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: drypoint
Location: germany
Artist: ernst zipperer
Artist role: print maker
Subjects: door, lantern
Inscriptions: collector's mark: Lugt 2228
Simson vernielt de zuilen van de tempel
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: samson breaks the pillars; the temple of dagon collapses, killing all that are in it, man (showing himself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2228

Simson trekt twee zuilen van de tempel van de Filistijnen omver, waardoor het gebouw instort en alle aanwezigen, inclusief Simson, worden gedood.
Black-topped red ware jar
Object type: jar, black topped red ware
Date: 3850 – 2960
Materials: pottery
Location: egypt
Figure 15: Mediation, mental concentration
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: guillaume-benjamin-amand duchenne de boulogne
Artist role: artist
Artist nationality: french
Artist dates: 1806 – 1875
Subjects: science,men,portraits
Vignet met ruiters met op de achtergrond een moskee
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: paris
Subjects: temple, shrine ~ islam, mohammedanism, vignette

Prent gebruikt voor: Rycaut, Paul. Histoire de l'état présent de l'Empire ottoman (...). Parijs: Sébastien Mabre-Cramoisy, 1670.
Église Saint-Grégoire a Messine
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: messina
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: number: ‘1438’

Dit gebouw werd vernietigd door een aardbeving in 1908.
Portret van Gotthold Ephraim Lessing
Object type: print
Date: 1721 – 1771
Materials: paper
Techniques: engraving
Artist: johann david schleuen (i)
Artist role: print maker
Artist dates: 1711 – 1774
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Portret van een liggend vrouwelijk naakt
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: amsterdam

Moderne afdruk van negatief BR 909 (collectie RKD).
Milan I, King of Servia, from the Rulers, Flags, and Coats of Arms series (N126-1) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,coat of arms,flags

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-1), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Constantinople. Colonne brûlée de Constantin
Object type: ansichtkaart, prentbriefkaart
Date: 1898 – 1905
Materials: cardboard, photographic process
Location: constantinople
Artist: Anonymous
Subjects: triumphal column with helical friezes, temple, shrine ~ islam, mohammedanism, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
The Penance of Saint John Chrysostom
Object type: print
Date: 1496 – 1496
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: infants,female nudes,nursing