deem-data/ArtiFact huggingface dataset:
Vrouw wordt gedragen in een draagstoel om te gaan baden
Object type: photograph
Date: 1863 – 1900
Materials: paper
Techniques: albumen print
Location: aix-les-bains
Subjects: taking a bath, (carrying a person in a) sedan-chair
Inscriptions: number: ‘205’, inscription: ‘18[...]’, inscription: ‘N.D. Phot’
Exemplaer-Boeck. Inhoudende d'alder-gebruyckelyckste Geschriften
Object type: ornament print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: calligraphy

Schrijfvoorbeeld met de tekst: Romanus benoordeelt zynde dat hy niet (...). Deze prent maakt deel uit van een album.
Inkwell
Object type: inkwell
Date: 1840 – 1840
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Dish with dragons and phoenixes
Object type: dish
Date: 1701 – 1733
Materials: cobalt, enamel, porcelain
Techniques: overglaze, painting, polychrome, underglaze
Culture: chinese
Subjects: dragons,phoenix
Charles B. "Lady" Baldwin, Pitcher, Detroit Wolverines, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
1/4 roepie uit Bengalen in India van de Engelse Oostindische Compagnie (EIC) op naam van Sjah Alam I, 1202 [=1788] en regeringsjaar 19
Object type: coin
Date: 1788 – 1830
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: in Arabische lettertekens in twee regels opschrift. Bovenaan jaartal:1202 [=1788]. Keerzijde: in Arabische lettertekens in twee regels opschrift. Bovenaan aanduiding van het "eeuwige" regeringsjaar: 19. Kartelrand.
Wandelstok van hout met saterkop op knop
Object type: womenswear
Date: 1700 – 1750
Materials: wood
Techniques: cutting
Location: europe
Artist: Anonymous
Subjects: friesland

Wandelstok van ijzerhout (?). De knop bestaat uit een gesneden saterkop met de stok verbonden door een ornament.
Meetlat uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: measuring rod
Date: 1700 – 1743
Materials: copper, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fragm; rectangular stick, one end broken, straight end fitted with 2 square plates, engraved scale with small nails on one side, straight engraved lines on other sides.
Profil de la ville de Nancy, auquel sont jointes les veuës et perspectives des portes et lieux plus remarquables des environs d'icelle
Object type: album leaf
Date: 1631 – 1661
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: city-view in general; 'veduta', city-gate

Deze prent maakt deel uit van een album.
Titelpagina voor: Willem Bartjens, De vernieuwde Cyfferinge (...), s.a.
Object type: print
Date: 1750 – 1800
Materials: paper
Techniques: woodcut
Location: northern netherlands
Subjects: amsterdam, historical persons
Inscriptions: collector's mark: Lugt 2233

Titelpagina voor: Bartjens, Willem. De vernieuwde Cyfferinge van Mr. Willem Bartjens (...) Herstelt, vermeerdert en verbetert door Mr. Jan van Dam (...). Amsterdam: Adam Meyer, s.a. Mogelijk ook gebruikt voor andere edities.
Reproductie van Passe-temps de gentilshommes door Marià Fortuny
Object type: reproduction
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Subjects: adult man, courtyard, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Galerie Contemporaine, Littéraire, Artistique/ 126, boulevard de Magenta, Paris’
Sculpturen uit de oudheid
Object type: album leaf
Date: 1538 – 1538
Materials: paper
Techniques: engraving
Location: rome
Subjects: (story of) bacchus (dionysus), liber, piece of sculpture, reproduction of a piece of sculpture, (story of) cupid, amor (eros), mercury and venus as lovers
Inscriptions: number: ‘57’, inscription: ‘Ende lib. No. 1 fol. 54./ Ende lib. No. 20 fol. 21...’

Deze prent maakt deel uit van een reeks van ten minste 19 prenten van sculpturen uit de oudheid.
Het beeld van Bacchus bevindt zich in Palazzo Farnese te Rome.
Portret van Johan Arnold Zoutman
Object type: print
Date: 1775 – 1776
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: pieter willem van megen
Artist role: print maker
Artist dates: 1750 – 1785
Subjects: the hague, johan arnold zoutman
Inscriptions: collector's mark: Lugt 240

Latere staat prent waarschijnlijk uit: Nomsz., Johannes. Mengelwerk. Amsterdam: s.n., 1776, dl. 3.
Portrait of the Artist's Son, Antonio Carracci
Object type: drawing and watercolor
Date: 1592 – 1595
Materials: chalk, paper
Location: italy
Artist: agostino carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1557 – 1602
Inscriptions: Inscribed recto, lower left, in pen and brown ink: "Ritrato di Antonio Caraggi da Agostino"; inscribed verso, lower left, in pen and brown ink (visible through mount): "Ritratto da Antonio Caracci, del. par Agostino"

Agostino Carracci’s training as an engraver and his careful study of the human form are evident in the execution of this portrait of his son Antonio, both in the vigorous strokes of the background and in the structure of the face. Antonio was probably twelve or thirteen years old when his father made this portrait of him.
Pommel Plate
Object type: pommel plate
Date: 1560 – 1570
Materials: gold, steel
Culture: german
Location: germany

This plate formed the center section of a three-part pommel, the sideplates of which are now missing. Its upper edge is embossed with a half-turn and roped. The decoration, now partially obscured by corrosion, consists of a wide band down the center etched with a repeating design of interlaced gilt strapwork forming knots and cartouches, the latter filled with gilt single-headed eagles, on a dotted, blackened ground; the narrow framing bands are etched and gilt with foliate scrolls. A band of identical ornament, but exactly halved, follows the roped edges. A small, circular hole at each side allowed the plate to be screwed to the saddletree. This piece provides evidence for the existence of an important Augsburg armor, otherwise unrecorded, of exceedingly high quality. Its etched decoration closely resembles that on the so-called Lark Garniture in Vienna (Hofjagd- und Rüstkammer, Kunsthistorisches Museum, A611), made in Augsburg in 1563 for Archduke Karl of Styria (1540–1590), the youngest son of Emperor Ferdinand I, who served as governor of the province of Inner Austria from that date. Named for the eagles (romantically identified as larks in the nineteenth century) on the coat of arms of Inner Austria, the armor has these birds etched within the strapwork cartouches that repeat over its surfaces. A third armor etched with a closely related strapwork design, now in the Philadelphia Museum of Art (Kienbusch Collection, 1977-167-13), bears cartouches filled with a variety of wild animals. The Metropolitan Museum's pommel plate differs from the Vienna and Philadelphia armors in small but significant details, including the pattern of the strapwork, the contents of the cartouches, and the ornament within the gilt side bands. All three armors, however, exhibit the same precise etching with strong color contrasts and a harmonious balance between the decoration and the brightly polished steel surfaces. It seems likely that they were etched in the same workshop, but unfortunately neither the name of the etcher nor that of the armorer is recorded.
Tanged Tool
Object type: tanged, tool, projectile, point
Date: 1184 – 664
Materials: stone
Location: egypt
Fragment of a Bowl
Object type: fragment of a bowl
Date: 801 – 1000
Materials: earthenware, glaze
Location: iran
Subjects: birds

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Portret van Jan Andries vander Mersch
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: commander-in-chief, general, marshal, historical persons

Latere staat prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Deel XXIII.
Kinderkopje met muts, naar links
Object type: drawing
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: anonymous historical person portrayed alone
Stone Oil Lamp
Object type: lamp
Date: 801 – 900
Materials: stone
Techniques: carving
Location: iran

This stone lamp’s design accommodated several wicks, and its curved handle made it easier to carry.
Gezicht op de Kostverlorenvaart vanaf de Buyskade
Object type: drawing
Date: 1907 – 1927
Materials: ink, paper, pencil
Techniques: brush
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', canal, windmill in landscape
Inscriptions: inscription: ‘De Kostverlorenvaart gezien (...) Juli 1927. / vanEck’, collector's mark: Lugt 800a, signature: ‘VanTeyne’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 30.
Terracotta fragment of a lekanis lid (covered dish)?
Object type: lekanis lid fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Towards the edge of the top surface of the lid, a red glazed line; the resting surface is unglazed; the underside is glazed with parts of two red glazed lines
Women Carrying Faggots
Object type: drawing
Date: 1858 – 1858
Materials: charcoal, gouache, paper
Techniques: heightening
Artist: jean-françois millet
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: women,working

This extraordinary drawing in charcoal and gouache was once in the collection of the Dutch landscape painter Hendrick Mesdag (1831-1915), a collector of French artists of the Barbizon School. Millet was fascinated by the sight of peasants gathering, cutting, binding, and carrying faggots in the forest of Fontainebleau, his native landscape for much of his life. The Lehman sheet may relate to a painting of the same title now in the Hermitage, Saint Petersburg.
Bénitier
Object type: bénitier
Date: 1701 – 1733
Materials: gilt bronze
Portret van G.T.J. de Jongh
Object type: photograph
Date: 1930 – 1949
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a, name: ‘Mr. G.T.J. de Jongh’, annotation: ‘Na gebruik terug aan/ Mr de Jongh/ 9 van Miereveldt’, :, copyright notice: ‘COPYRIGHT/ N.V. VEREENIGDE FOTOBUREAUX/ NIEUWE HEERENGRACHT 105/ AMSTERDAM’

De Jongh zit achter een bureau en leest een tekst die hij in zijn handen houdt.
Enkhuizen. Zuider op Sint-Pancraskerk (15e eeuw)
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: enkhuizen
Subjects: gate, entrance, parts of church exterior and annexes, enkhuizen
Herder en herderin met vee
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Location: berlin
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228

Prent in de stijl van Johann Heinrich Roos (1631-1685).
Plate 10, from Little Egypt Actresses series (T2), issued by Monopole Tobacco Works to promote Khedive Egyptian Cigarettes
Object type: print
Date: 1902 – 1902
Techniques: photolithograph
Artist: monopole tobacco works
Artist role: publisher
Subjects: portraits,women,actresses

Cigarette cards from the Little Egypt Actresses series (T2), Issued in 1902 by Monopole Tobacco Works to promote Khedive Egyptian Cigarettes.
View of New York from Weehawken
Object type: painting
Date: 1840 – 1840
Materials: canvas, oil
Culture: american
Subjects: landscapes,boats,new york city
Fotoreproductie van een tekening van een huis in Herongate
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: cottage
Inscriptions: inscription: ‘Half-tone from pencil sketch slightly strengthened with pen and ink. (Original 4 1/2 x 3 1/2.)’, name: ‘Herongate 25/3/04 AHH.’
Nieuwjaarswens van de Amsterdamsche Grafische School voor 1921
Object type: new year card
Date: 1921 – 1921
Materials: paper
Techniques: printing block
Artist: jan ligter
Artist role: draughtsman
Subjects: civic architecture; edifices; dwellings, lectern ~ reading
Inscriptions: date

Een jongen zit op een lessenaar en kijkt in de verte naar een gebouw.
Triomf van de Tijd
Object type: print
Date: 1537 – 1541
Materials: paper
Techniques: engraving
Location: germany
Artist: georg pencz
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1550
Subjects: 'trionfo del tempo', 'triumphus temporis'; 'carro del tempo' (ripa)

De gevleugelde Tijd als een oude man op krukken staat op een wagen die wordt getrokken door herten. In de stoet rennen kinderen en volwassenen mee. Rechts loopt een kind met een looprek, geholpen door een ander kind. Latijns opschrift in twee regels: TEMPVS EDAX RERVM ... ERANT AVT FVERINT
Hvgue Brisville maistre serrurier a Paris en son aage De 30 Ans
Object type: ornament print
Date: 1663 – 1663
Materials: paper
Techniques: engraving
Location: paris
Inscriptions: date

Portret in ovaal, driekwart naar rechts, zittend aan tafel met een stuk papier, een krijthouder en een kompas. Het ovaal bevindt zich in een rechthoekige lijst met in vier hoeken een putto. Het geheel is omlijst met bladranken met dieren en maskers waaruit twee figuren ontspringen, namelijk Tijd en Minerva.
Mitts
Object type: mitt
Date: 1801 – 1825
Materials: silk
Culture: american
Saucer with the score card of a cardgame
Object type: platter
Date: 1800 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: paris
Artist: Anonymous
Inscriptions: mark: ‘vier stippen’

Schotel van porselein, beschilderd op het glazuur met rood, zwart en goud. Op het plat een medaillon met het opschrift 'Tarif du Boston'. Hieromheen uitstralende vakken, doorlopend op de wand, met de tarievenkaart van het kaartspel Jeu de Boston Russe. Gemerkt met vier gouden stippen op de onderzijde.
Schilderijen in de Sant'Agostino in Rome
Object type: print
Date: 1665 – 1698
Materials: paper
Techniques: etching
Location: rome
Subjects: the four evangelists without their symbols
Inscriptions: collector's mark: Lugt 240

Onderdeel van een serie van negen prenten naar schilderijen in de Sant'Agostino in Rome.
Design for Phaeton, no. 921
Object type: drawing
Date: 1850 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Victoria (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Actress holding ivy vine, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Vier kinderen aan een tafel
Object type: wood block
Date: 1700 – 1899
Materials: wood
Techniques: woodcut
Artist: Anonymous
Studies of Twelve Greek and Roman Coins
Object type: print
Date: 1825 – 1825
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: men,profiles,women,coins

Delacroix developed his style of modeling by studying Greek and Roman coins in the collections of his friends Louis Auguste Schwiter and P. L. J. Casimir, duc de Blacas. His "système des oeufs" or "egg system," as his assistant, De Planet, called it, involved constructing with ovoid shapes to emphasize mass rather than line.
Portret van Girolamo Lucchesini
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: stippling
Location: berlin
Artist: friedrich wilhelm bollinger
Artist role: print maker
Artist dates: 1777 – 1825
Subjects: knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), historical persons
Inscriptions: collector's mark: Lugt 2228
Kop, beschilderd met een putto met het wapen van Holland
Object type: cup
Date: 1774 – 1778
Materials: porcelain
Location: loosdrecht

Tea cup and saucer. Porcelain. Loosdrecht, c. 1774 - 1780. Factory of Joannes de Mol. Given by the Belport Familien Stiftung, 1983.
Portret van een vriend van Dolph Kessler onder Gainsborough Bridge
Object type: photograph
Date: 1903 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: gainsborough
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945

Portret van een vriend van Dolph Kessler onder Gainsborough Bridge, op de achtergrond de rivier de Trent. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Oplevend nationalisme en militarisme
Object type: drawing
Date: 1920 – 1935
Materials: ink, paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: militarism, coffin, the corpse, grave digger, political caricatures and satires, mummy, the hague
Inscriptions: inscription: ‘De Mummie: Ik ben de Geest van Den Haag! Laat me er uit! ...’

De lijk of mummie, de geest van nationalisme en militarisme, staat op uit een doodskist. Een doodgraver met een spade aangeduid als 'Nederlandsche Volk' staat klaar om hem een klap te verkopen. Ontwerp voor een politieke spotprent.