deem-data/ArtiFact huggingface dataset:
Bowl
Object type: bowl
Date: 801 – 900
Materials: earthenware, glaze
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
The Holy Family with Attendant Angels
Object type: drawing
Date: 1612 – 1650
Materials: ink
Techniques: engraving, pen
Artist: pietro testa
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1650
Subjects: angels,holy family
Fragment koppelstuk van een brandslang uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: koppelstuk
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fire engine, firehose coupling; fragment, part of NG 1980-27H1891.
Shoes
Object type: shoe
Date: 1776 – 1776
Materials: leather, silk
Culture: european
Characters, from Jack and the Giant Killer, Plate 7 for a Toy Theater
Object type: print
Date: 1870 – 1890
Techniques: lithograph
Artist: benjamin pollock
Artist role: publisher
Artist nationality: british
Artist dates: 1857 – 1937
Subjects: men,women,clowns
Fotoreproductie van een tekening, voorstellende een portret van Girolamo Savonarola
Object type: reproduction
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: politician, politician, e.g. party leader
Inscriptions: title: ‘Savanarola, by Fra Bartolommeo.’
Chamberlin House, Red Hook, Brooklyn, New York (elevation entrance façade)
Object type: drawing
Date: 1849 – 1849
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: buildings
Bone Fragments
Object type: fragment
Date: 301 – 700
Materials: bone, stone
Culture: coptic
Location: egypt
Aanleg van een weg op de Linggah Estate, Sumatra (Weg Linggah Estate)
Object type: photograph
Date: 1885 – 1900
Materials: photographic support
Techniques: collodion silver print
Location: sumatra
Artist: carl j. kleingrothe
Artist role: fotograaf
Artist dates: 1864 – 1925
Subjects: sumatra

Aanleg van een weg door het woud op de Lingga Plantage op Sumatra. Onderdeel van het Sumatra fotoalbum van Paul en Lucie Sandel uit 1900.
Sigismundus Gelenius
Object type: print
Date: 1746 – 1799
Materials: paper
Techniques: engraving, etching
Location: prague
Artist: jan balzer
Artist role: print maker
Artist dates: 1736 – 1799
Subjects: prague, historical persons
Inscriptions: collector's mark: Lugt 2228
De vijf zintuigen
Object type: print
Date: 1626 – 1690
Materials: paper
Techniques: etching
Artist: david teniers (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1690
Subjects: sight, looking (one of the five senses)
Inscriptions: collector's mark: Lugt 2227

Een man kijkt in een spiegel. Personificatie van het gezicht. Prent maakt deel uit van een serie van de vijf zintuigen.
Angel
Object type: crèche figure
Date: 1751 – 1800
Materials: terracotta, fiber, metal
Techniques: polychrome
Artist: giuseppe sanmartino
Artist role: maker
Artist nationality: italian
Artist dates: 1720 – 1793
Subjects: angels,censers

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Vredeman de Vries - Architectura
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1565 – 1565
Materials: leather, paper
Techniques: bookbinding, decorated paper, etching, letterpress printing
Location: antwerp
Subjects: orders, order-books ~ architecture
Inscriptions: collector's mark: ‘Legaat Godefroy No 799’

Album met 53 voorstellingen 56 albumbladen. Het album bevat drie series gegraveerd door Johannes of Lucas van Doetechum naar ontwerp van Vredeman de Vries. Het gaat om: Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica, 1565; Das ander Buech, gemacht auff die zway Colonnen Corinthia und Composita, 1565 en Architectura de Oorden Tuschana, 1578. Het betreft afbeeldingen van piëdestals, postamenten, hoofdgestellen, consoles, kapitelen, gevels en vensters in de Dorische, Ionische, Korinthische, Composiete en Toscaanse Orde. Elke serie gaat vooraf door een titelpagina en inleiding. Halfleren band met platten van sierpapier, voorin en achterin een schutblad.
[Vase of Flowers]
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: flowers,still life,vases
Second Lieutenant Infantry, United States Army, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Gewicht van sluitgewicht uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: weight scale component
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Weight, cupweight, cup; id. NG 1980-27H2775, id. mark.
Pedestal Plate
Object type: plate
Date: 701 – 1200
Materials: ceramic, pigment
Culture: coclé, macaracas
Location: panama
Ma retraite
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Gezicht op het plantagehuis van Ma retraite. Voor het huis droogbakken met cacaobonen. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Assumption of the Virgin
Object type: drawing and watercolor
Materials: board, chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: domenico piola
Artist role: artist
Artist nationality: italian
Artist dates: 1627 – 1703
[Artists' Excursion on the Baltimore & Ohio Railroad]
Object type: photograph
Date: 1858 – 1858
Techniques: glass negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: railways,men,women,trains
Song of the May Apples
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: berlin
Artist: eva watson-schütze
Artist role: fotograaf
Artist dates: 1867 – 1935
Subjects: violin, fiddle - cc - out of doors, historical persons not known by name
Ex libris van Sr. Edward Blount of Sodington
Object type: bookplate
Date: 1738 – 1758
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Pelomedusa subrufa (African helmeted turtle)
Object type: dierstudie
Materials: chalk, paint, ink, paper, pencil
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: annotation: ‘Caapse meir of water Schildpad’

Slangehalsschildpad (Pelomedusa subrufa); met een schaalverdeling in duim onder de kaderlijnen onderaan de voorstelling.
Oosters tapijt
Object type: oriental rug
Date: 1800 – 1850
Materials: wool
Location: cuba
Artist: Anonymous

Oosters tapijt, stermedaillonkleed. In het middenveld drie stermedaillons en veldvulling van rozetbloemen tegen een kobaltblauwe achtergrond. Vijfvoudige rand met geometrische motieven.
½ crown uit Engeland van Victoria, 1887
Object type: coin
Date: 1887 – 1887
Materials: silver
Techniques: striking
Location: london

Zilveren munt. Voorzijde: gekroond hoofd van de koningin naar links [jubilee coinage]. Keerzijde: omhangen door de tekenen van de orde van Sint Joris en van de kousenband gekroond samengesteld wapenschild. Jaartal onderaan. Kartelrand.
Doorsnede van de kerk van Richelieu
Object type: print
Date: 1629 – 1679
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: church (exterior), series of designs, models, etc. of one architectural project

Deze prent maakt deel uit van een album.
Christ on the Cross with the Virgin and Saints Longinus, Mary Magdalen and John
Object type: print
Date: 1505 – 1505
Techniques: woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: christ,mary magdalene,virgin mary,crucifixion
Schotel van tin met holle rand
Object type: platter
Date: 1550 – 1600
Materials: tin
Location: southern netherlands
Artist: Anonymous
Inscriptions: quality mark

Plate. Pewter. Marked with a crowned rose and the initials I.W.. Netherlands, c. 1500.
Passie van Christus
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: christ before pontius pilate (matthew 27:11-26; mark 15:2-15; luke 23:2-7, 23:13-25; john 18:28 - 19:16)
Inscriptions: monogram and date: ‘Ao HG 96.’, collector's mark: Lugt 2228

De twaalf bladen van deze serie zijn gegraveerd in de stijl van Lucas van Leyden, maar ook komen delen van de composities overeen met gedeeltes van Dürers Passie. Er bevindt zich een ongedateerde tekening die gediend heeft als model voor de prent in het Museum für Bildende Kunst in Leipzig (afgebeeld in Reznicek, zie literatuur). Jacobs, G.
Zeilschepen tijdens het schutten in een sluis
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: sluice, weir, sailing-ship, sailing-boat

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 334 – 268
Materials: glass
Culture: eastern mediterranean or italian

Translucent cobalt blue, with handles in same color; trails in opaque yellow, opaque white, and opaque turquoise blue. Broad horizontal rim-disk; cylindrical neck, tapering upward; narrow, almost horizontal shoulder; straight-sided cylindrical body, with slight upward taper; convex bottom, with off-center tooling indent and applied small blob of blue glass; below shoulder, two vertical ring handles, unpierced, with trailing tails, one of which is higher up body than the other, applied over trail pattern. A fine yellow trail attached at edge of rim-disk; on body, alternating bands of yellow, white, and turquoise blue, tooled from shoulder to undercurve at bottom into a close-set feather pattern in eight vertical patterns with alternating upward and downward strokes, with some of loops at top extending onto neck and some deep indents in sides. Body intact, but parts of rim-disk missing and restored with fill; slight pitting, but very little iridescence or weathering. In the late fourth century B.C., perfume containers often are far larger than their predecessors and have strikingly elegant decoration in the form of delicate colored threads combed into a zigzag, feather, or festoon pattern.
Vrouw met zwaard en dienstmeid bij een dode man
Object type: book illustration
Date: 1780 – 1780
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: finding a dead person, hacking and thrusting weapons: sword, maid ~ house personnel
Inscriptions: collector's mark: Lugt 2228

Prent uit: Margaretha van Frankrijk. Les nouvelles de Marguerite, reine de Navarre. Bern: La Nouvelle Société Typographique, 1780.
Portret van Willem II, koning der Nederlanden
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: aquatint, etching
Location: paris
Artist: könig
Artist role: print maker
Subjects: the hague, william ii of the netherlands, brussels
Inscriptions: date

Portret van Willem II in het paleis te Brussel. In zijn rechterhand zijn handschoenen. Midden onder zijn wapen met een kroon en twee leeuwen. Daaronder op een banderol zijn geslachtsspreuk. In de ondermarge zijn titel, een regel Franse tekst en twee kolommen met elk twee regels Franse tekst.
Fan
Object type: fan
Date: 1851 – 1900
Materials: ivory, metal, paint, silk, shell
Subjects: men,women
Fotoreproductie van een schilderij, voorstellende schepen in een dichtgevroren haven
Object type: photograph
Date: 1868 – 1878
Materials: photographic support
Techniques: albumen print
Subjects: harbour, ships (in general), ice ~ state of water
Inscriptions: number: ‘2’
Konst-Boeck
Object type: titelprent, frontispice
Date: 1629 – 1652
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: curtains, fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: collector's mark: Lugt 240

Titelprent van een tekenboek met negentien platen van Nicolaes Lauwers en Cornelis Galle naar Rubens. Uitgegeven door Jacob de Man te Antwerpen. Dit is een latere staat van de titelprent opgenomen in: Jode, P. de (I). Academiae Graphices - Figurae Picturae Artis Studiosis Utiles (...). Antwerpen, 1629.
Elf prenten uit Marino's 'L'Adone, poeme heroico (...)' en vijf prenten uit Bonarelli della Rovere's 'Filli di Sciro (...)'
Object type: book illustration
Date: 1678 – 1678
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) adonis, pastorals, arcadian scenes

Deze zestien prenten maken deel uit van een album.
Collar
Object type: collar
Date: 1860 – 1860
Materials: linen
Culture: belgian
Figuren in gesprek aan de oever van een bevaren rivier
Object type: drawing
Date: 1830 – 1860
Materials: paper, pencil
Techniques: brush
Artist: albertus van beest
Artist role: draughtsman, print maker
Artist dates: 1820 – 1860
Fragment gros de Tours met een patroon van veelkleurige anjers op grijsgroene grond
Object type: fragment
Date: 1710 – 1730
Techniques: brocade, weave
Location: france

Fragment gros de Tours. Patroon (onvolledig in de hoogte): asymmetrische rijen van naar rechts gewende anjers waarvan de toppen zijn afgesneden, wisselen af met rijen naar links gewende anjers waarvan de stengels zijn afgesneden. De anjers groeien op uit een wit V-vormig grondstuk met, rechts, uiteenspattende golven en links een regelmaat van schulpjes. De rechtse en langste arm van de V eindigt in een witte bloemtak, onder andere met rozen en druiventros (afgesneden). De anjerstelen ontspringen aan een uitgespaarde bladrozet, tezamen met een paar als pluimen uitwaaierende bladeren. De anjers zijn veelkleurig, op een grijsgroene grond.
Ex libris van Wacław Błażejewski
Object type: bookplate
Date: 1912 – 1944
Materials: paper
Techniques: woodcut
Location: poland
Artist: tadeusz cieślewski
Artist role: print maker
Artist dates: 1895 – 1944
Subjects: publisher, housing, book, war, flame
Inscriptions: recto, handgeschreven
Cooley's Park, Sierra Blanca Range, Arizona
Object type: photograph
Date: 1873 – 1873
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards
Peru, from the playing cards "Jeu de la Géographie"
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: spears,men,horses
Trade card of Mary & Ann Hogarth, the old Frock Shop
Object type: print
Date: 1730 – 1730
Techniques: etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764

Trade card for Mary & Ann Hogarth, the old Frock Shop. Mary and Ann were the sisters of William Hogarth, the well-known painter. Hogarth designed a whole array of trade cards and other ephemeral prints, such as receipts for his subscribers. This trade card is characterized by a view of a shop interior above, and inscribed text mostly in italics, below.
½ batzen uit het kanton Uri, 1811
Object type: coin
Date: 1811 – 1811
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: tussen twee samengebonden takken wapenschild. Keerzijde: binnen krans van bladeren in twee regels waarde-aanduiding, waaronder jaartal. Gladde rand.
Ring Bottle
Object type: bottle
Date: 1701 – 1800
Materials: glaze, paste
Culture: japanese
Monnik schrikt in de bibliotheek van een spook
Object type: book illustration
Date: 1704 – 1704
Materials: paper
Techniques: etching, letterpress printing
Location: nuremberg
Subjects: monk(s), friar(s), study; 'studiolo'; library, spirit, ghost
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham a Sancta Clara. Heilsames Gemisch Gemasch, das ist: Allerley seltsame und verwunderliche Geschichten (...). Neurenberg: Christoph Weigel, 1704, p. 527.
Dame naar rechts
Object type: print
Date: 1671 – 1710
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: jan van den hecke (ii)
Artist role: print maker
Artist dates: 1661 – 1722
Subjects: adult woman
Inscriptions: collector's mark: Lugt 240
Soup dish (part of a service)
Object type: soup dish
Date: 1790 – 1800
Materials: hard paste porcelain
Subjects: grapes,insignia
Nouvelle carte d'Artois et des environs nouvellement / Nouvelle carte d'Artois et des environs; ou l'on voit le ressorts (...)
Object type: print
Date: 1690 – 1732
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: maps of separate countries or regions, bird hunting
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Kaart van het graafschap Artesië. Rechtsboven een titelcartouche met bovenin het wapen van het graafschap Artesië. Boven de kaart nog een titel. Linksboven drie schaalstokken: Lieües Communes d'Allemagne / 3 Lieües Communes de France / Quatre Lieües d'Artois. De kaart is voorzien van een coördinaten-net en een gradenverdeling langs de randen.
Box from Van Braam Houckgeest's toilet set
Object type: dressing case
Date: 1795 – 1795
Materials: lacquer, glass, wood
Techniques: lacquer
Location: guangdong
Artist: Anonymous

Doos behorend bij de spiegelstandaard AK-RAK-2003-8-1. Eén holle zijde en één enigszins bolle zijde. Bedekt met zwarte lak met gouden decoraties. Op de deksel een monogram ECVB omgeven door een smalle b and met bladmotieven en vier kleine bloemen. Rond het centrale medaillon een bloemband en buiten deze band is het oppervlak gevuld met geometrische motieven. Op de zijkanten losse bloemtakken.
Fragment
Object type: textile
Date: 1701 – 1800
Materials: gold, textile, silk, silver
Techniques: brocade
Location: iran
Portret van Daniel Krehbiel
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Eerste Staat / Jan Veth’
Handschrift betreffende Pieter Jan Guise
Object type: manuscript
Materials: ink
Techniques: pen, writing
Location: roermond
Artist: pieter jan guise
Artist role: draughtsman
Artist dates: 1814 – 1859
Subjects: johannes van ravenswaay, art trade, art shop, drawing, education, tuition of the artist (in general), painting (including book-illumination, miniature-painting), exhibition ~ art, the hague, amsterdam
Inscriptions: watermark
Portret van Dirk VI, graaf van Holland
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: historical persons, head-gear: hat, ruler, sovereign, armorial bearing, heraldry

Prent uit: Scriverius, Petrus. Oude en nieuwe beschryvinge van Holland, Zeeland en Vriesland (...). Den Haag: Levijn van Dijck, 1667, dl. 1, p. 134.
Deurklopper
Object type: door knocker
Date: 1600 – 1699
Materials: iron
Location: unknown
Artist: Anonymous
Adam
Object type: statue
Date: 1490 – 1495
Materials: marble
Artist: tullio lombardo
Artist role: artist
Artist nationality: italian
Artist dates: 1455 – 1532
Subjects: male nudes,adam