deem-data/ArtiFact huggingface dataset:
Ruins on the Right of the Via Appia
Object type: drawing
Date: 1789 – 1789
Materials: graphite, watercolor
Artist: carlo labruzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1748 – 1818

This imposing landscape executed in watercolor over graphite is relatively finished. The composition exhibits a double framing outline and an inscription at the top of the sheet, “93,” written in the same ink, all of which indicates this was an autonomous work in and of itself. The composition depicts two men one seated and one standing as they explore the landscape and monumental ruins of a wall which is overgrown with foliage. The ruins are those at a particular site, about 22 km, on the Via Appia in Rome. This watercolor by Carlo Labruzzi, an accomplished Roman neoclassical painter and graphic artist, is a typical work by his hand. Its style closely resembles that of the 226 landscape drawings from the series on the Via Appia, executed in pen and brown ink with brush and brown wash (without color), now housed in the Biblioteca Apostolica Vaticana and which were published thoroughly only in 2013. The Vatican series on the Via Appia was executed by Labruzzi during his trip from Rome to Benevento in 1789 and was commissioned by Sir Richard Colt Hoare of Stourhead (1758-1838), the noted British antiquarian (and heir to a banking family) who accompanied the artist on this trip. Although the Vatican series is done in monochrome, it provides such a close complement to the present work that it too must have been produced around 1789. The composition, minus the use of watercolor, is that seen in one of the scenes from the Via Appia series commissioned by Hoare: that inscribed “Ruins on the right of the Via Appia” in Labruzzi’s Vatican series (BAV, Vat. Lat. 14930 [81]), of which other versions exist. The present work is an addition to the most recent literature (compare Andrea de Rosa and Barbara Jatta, La Via Appia nei disegni di Carlo Labruzzi alla Biblioteca Apostolica Vaticana, Vatican City, 2013, p. 265, where it would belong). A copy of “Ruins on the right of the Via Appia,” also in monochrome (executed in pen and brown ink, brush and brown wash) is preserved in Rome at the Biblioteca Sarti of the Accademia di San Luca (vol. III, 15). The Biblioteca Apostolica Vaticana has a copy in watercolor (BAV, Ashby.Disegni.Scatola.10 [6]). The design of this latter copy in watercolor probably derives from the present work, rather than the autograph drawing in monochrome in the Biblioteca Apostolica Vaticana. The graphite underdrawing in the present sheet is more energetic than that in both the autograph “Ruins on the right of the Via Appia” (BAV, Vat. Lat. 14930 [81]) and the Vatican copy in watercolor. The definition of the sky with gray and blue watercolor is particularly noteworthy in the present work. The Vatican landscape (BAV, Vat. Lat. 14930 [81]) therefore seems to be a version of the watercolor scene being offered to the Museum as a gift, rather than a preparatory study for it. (Carmen C. Bambach; February 22, 2016)
Male Anthropomorph
Object type: figure
Date: 500 – 100
Materials: stone
Culture: indonesian
Subjects: men
Brief aan August Allebé
Object type: letter
Date: 1888 – 1888
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: jérôme alexander sillem
Artist role: politician
Artist dates: 1840 – 1912
Subjects: official, j.g. ter heide, amsterdam, august allebé, veghel, print maker, draughtsman, paul rink, education, tuition of the artist (in general)
Portretten van Friedrich von Schiller, August von Kotzebue en August Iffland
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: etching
Location: berlin
Artist: johann friedrich bolt
Artist role: print maker
Artist dates: 1769 – 1836
Subjects: friedrich von schiller, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Portret van een meisje
Object type: cabinet photograph
Date: 1890 – 1903
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: onnes kurkdjian
Artist role: fotograaf
Artist dates: 1851 – 1903
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘O. Kurkdjian/ HOF-PHOTOGRAAF/ van/ H.M.DE KONINGIN./ Soerabaya.’
Schematische weergave van vrouwelijk en mannelijk gezicht en twee putti met wapenschild en schildersezel
Object type: book illustration
Date: 1723 – 1723
Materials: paper
Techniques: etching
Location: augsburg
Subjects: face, the (nude) human figure; 'corpo humano' (ripa), tools, implements of painter, postures of the head, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 1012

Prent uit een leerboek over proportieleer: Anthropometria, sive statura hominis. Augsburg: Johann Jacob Lotter, 1723.
Lidded jug
Object type: ewer
Date: 1700 – 1730
Materials: earthenware, silver, glaze
Location: delft
Artist: Anonymous
Subjects: flowers ~ ornament
Overlijdensbericht aan Philip Zilcken
Object type: overlijdensbericht, overlijdensadvertentie
Date: 1906 – 1906
Materials: cardboard
Techniques: printing
Artist: Anonymous
Subjects: print maker, pieter de josselin de jong, middelburg, the hague, frans willem jan george snijder van wissenkerke, johan dionysius looyen, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Brief aan Sjoerd Kuperus
Object type: letter
Date: 1941 – 1941
Materials: ink, paper
Techniques: pen, printing, writing
Location: bloemendaal
Artist: jac. p. thijsse
Artist role: bioloog, onderwijzer, schrijver
Artist dates: 1865 – 1945
Subjects: print maker, draughtsman, sjoerd kuperus, illustration ~ printed matter, book, the hague
Inscriptions: collector's mark: ‘RPK’, watermark
Staafje zegellak uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sealing wax
Date: 1700 – 1743
Materials: wax
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Marking and proving, sealing wax, red; fragm, id. 50H446.
Portret van Johannes Martinus Hoffman
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: historical persons, book
Inscriptions: date
Certificate
Object type: hanging scroll
Date: 1601 – 1633
Materials: ink, paper
Culture: japanese
Subjects: documents
Een kruisbes in een landschap
Object type: drawing
Date: 1775 – 1825
Materials: gouache, pencil, watercolor
Techniques: brush
Artist: willem van leen
Artist role: draughtsman, print maker
Artist dates: 1753 – 1825
Inscriptions: annotation: ‘Ribes ura Crispa Linn Spec.’, inscription: ‘92’
Vingerdoek van linnen met geometrisch dessin
Object type: napkin
Date: 1888 – 1945
Materials: linen
Location: eindhoven
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Vingerdoek van linnen met geometrisch dessin
[Actress wearing gown decorated with flowers], from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Part of Construction Corps Building New Military Truss Bridge Across Bull Run
Object type: photograph
Techniques: glass negative, salted paper print
Artist: egbert guy fowx
Artist role: artist
Artist nationality: american
Artist dates: 1821 – 1889
Subjects: bridges,railways,american civil war

In 1861, at the outbreak of the Civil War, Fowx left his portrait studio in Baltimore, Maryland, and joined Mathew Brady's corps of photo-graphers documenting the War Between the States. In 1863, along with many other cameramen, he would leave Brady's employ to work exclusively for Alexander Gardner, Brady's former studio manager. This photograph is typical of Fowx's wartime photographs and shows engineering repairs on the famous Orange & Alexandria Railroad bridge over Bull Run creek, near Union Mills, Virginia. In every war, the efficient movement of troops, ammunition, provisions, and information to the front lines is the responsibility of military tacticians working alongside military engineers. During the Civil War, the efficient operation of the railroads and the adept repair of bridges were of critical importance to both sides of the conflict. One of the many engineering innovations of the period was the use by the United States Military Railroad Construction Corps of portable bridge trusses that could be constructed in distant carpenter shops and shipped by train to wherever the army needed them. The Corps got much of its training at this Bull Run bridge, which was destroyed seven times during the war. The final destruction was not caused by the Confederates but by a particularly brutal springtime flood.
Sauceboat from the Sulkowsky Service
Object type: ceramic
Date: 1735 – 1738
Materials: enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: germany
Artist: meissen porcelain manufactory
Artist nationality: german
Artist dates: 1710 – 

This sauceboat is from a Meissen service made for Count Alexander Joseph von Sulkowsky, a Polish nobleman who joined the court of Augustus the Strong as a page and became a minister at the court of Friedrich Augustus II. Sulkowsky supervised the deliveries of Asian and Meissen porcelain to the Japanese Palace in Dresden, which was intended to house the most comprehensive collection of porcelain in Europe. Sulkowsky’s close connection with the Meissen Manufactory led him to commission his own dinner service, Meissen’s first privately commissioned armorial service. Each piece is decorated with Sulkowsky’s coat of arms.
Portret van Anna Scheuer op bidprent
Object type: photograph
Date: 1880 – 1880
Materials: paper
Techniques: albumen print, letterpress printing
Location: delft
Artist: Anonymous
Subjects: delft, adult woman, historical persons
Inscriptions: inscription: ‘Bid voor de ziel van zaliger (...) Onze Vader. - Wees gegroet.’
Map of Hout Bay
Object type: map
Date: 1780 – 1780
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: cape province
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: annotation: ‘zie De Jong’

Oorspronkelijk in omslag van roodkleurig halfleer en roodgemarmerd plat, dorso met ribben en goudopdruk; 71 x 99 x 6 cm.
Brief aan Philip Zilcken
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: pen, printing, writing
Location: palais du luxembourg
Artist: léonce bénédite
Artist role: conservator, museumdirecteur
Artist dates: 1856 – 1925
Subjects: nijmegen, print maker, adriaan pit, the hague, painter, draughtsman, philip zilcken, sending and receiving postal matter, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Set of Sword Fittings (Mitokoromono)
Object type: set of sword fitting mitokoromono
Date: 1467 – 1533
Materials: gold alloy, gold
Culture: japanese
Location: japan
Artist: gotō sōjō
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1461 – 1538
Subjects: crabs

This mitokoromono features a design of crabs.
Snuffbox with portrait of a woman
Object type: snuffbox, painting
Date: 1785 – 1795
Materials: enamel, gold
Artist: les frères souchay
Artist role: maker
Artist nationality: swiss
Subjects: portraits,women
Rothendael Abbey
Object type: print
Date: 1648 – 1648
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: churches,swans,rivers,landscapes

Rothendael Abbey seen across a lake surrounded by trees, with two swans on the water. Two clerics walk along a path at left, and the abbey is seen in the distance near a river.
Aug 17/85: Mountain Landscape (from Sketchbook X)
Object type: drawing
Date: 1885 – 1885
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: mountains,landscapes

This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Missaal Pataviense
Object type: missal
Materials: paper, parchment
Techniques: hand coloring
Location: vienna

Missaal met ingekleurde houtsneden. Uitgegeven in Wenen in 1503.
Strook naaldkant met gevleugde insecten
Object type: strip
Date: 1805 – 1810
Materials: linen
Techniques: lace
Location: france
Artist: Anonymous

Strook naturelkleurige naaldkant: Alençon-kant. Strooimotief met een welbepaald symmetrisch patroon van grotere en kleinere gevleugde insecten en vijfvoudige moesjes. Het strooimotief staat op een fijne zeshoekige maasgrond. Het patroon aan de onderzijde van de strook bestaat uit een doorlopende rozentak waarover steeds een hoornschelp ligt. Verschillende siergronden in de vleugels van de insecten, de rozenbladeren en de schelpen. De onderzijde is afgewerkt met een rechte rand van gefestonneerde picots. De bovenzijde is afgezet met een rand kloskant.
Drie onbekende leden van de huishoudelijke staf van de familie Wachenheimer
Object type: photograph
Date: 1928 – 1937
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous

Drie onbekende leden van de huishoudelijke staf van de familie Wachenheimer, één in zwarte kleding met een schort voor (links), het vermoedelijke kindermeisje van de familie Wachenheimer in donkere kleding (midden) en één in lichte kleding (rechts), staand voor een huis.
Gewonde soldaten in een winterlandschap
Object type: print
Date: 1812 – 1871
Materials: paper
Techniques: hand coloring
Location: france
Artist: bernard romain julien
Artist role: print maker
Artist dates: 1802 – 1871
Subjects: infections and wounds, winter landscape; landscape symbolizing winter (the four seasons of the year)
Inscriptions: collector's mark: Lugt 2228
Cover
Object type: metalwork
Materials: copper, enamel
Techniques: enamel
Location: junyao
Inscriptions: "SALDANHA/DEAL/BU/QUER/QUE" around the cover; stickers "L.45.25.1322"; "McCann 252.53"
Regtspleging van Oldenbarnevelt
Object type: cartoon
Date: 1710 – 1720
Materials: ink, parchment, watercolor
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan van oldenbarnevelt, caricatures (human types), hoofed animals: rhinoceros, bad, corrupt judge, political caricatures and satires

Spotprent van Pieter Kouwenburg van Beloys, rechter van Van Oldenbarnevelt. Neushoorn met pluimen in krans van bloemen, kersen en bladeren. Daaronder cartouche met aan weerszijden twee putti. In cartouche naam en daarboven nr. 5. Behorende bij serie aquarellen in boek.
Stralende ster in ornamenteel cartouche
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: mask, mascaron ~ ornament, stars, foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Impostures innocentes ou recueil d'estampes d'après divers peintres illustres... etc. gravées par Bernard Picart avec son éloge historique et le catalogue de ses ouvrages. Amsterdam: weduwe Bernard Picart, 1734. Vergelijk met de tekening onder objectnummer RP-T-1951-105 uit 1711.
Seated Figurine
Object type: sculpture
Date: 900 – 500
Materials: pigment, stone
Culture: olmec
Location: mexico
Stuttgart. Urbanskapelle in der Stiftskirche
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: stuttgart
Subjects: statues, paintings, etc. ~ objects of worship in roman religion, parts of church interior: chapel
Mexico, from the playing cards "Jeu de la Géographie"
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: human figures,weapons,horses
"A Tournament at Arms", Folio from a Divan (Collected Works) of Mir 'Ali Shir Nava'i
Object type: folio from an illustrated manuscript
Date: 1580 – 1580
Materials: gold, ink, paper, watercolor
Location: iran
Artist: mir 'ali shir nava'i
Artist role: author
Artist dates: 1416 – 1476
Subjects: men,horses
Mozaïek in de Basiliek van Sant'Apollinare in Classe te Ravenna, voorstellende de heilige Ursus
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: basiliek van sant'apollinare in classe
Subjects: art (+ mosaic making), saints, interior of church
Inscriptions: collector's mark: Lugt 3937, number: ‘P.e 2.a N.o 18205.’
The Knight and His Companion
Object type: drawing
Date: 1887 – 1887
Materials: graphite
Artist: sir john tenniel
Artist role: artist
Artist nationality: british
Artist dates: 1820 – 1914
Subjects: men,dogs,horses

Tenniel's drawing for a related wood engraving published in the periodical "Punch" on March 5, 1887 uses the imagery of Durer's "Knight, Death and the Devil" to comment on contemporary debates about socialism, elections and majority rule.
Seal Stamp
Object type: stamp seal
Materials: stone
Location: iran
Steigerend paard met ruiter in een gevecht
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching
Location: germany
Subjects: horses and kindred animals, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228
Portret van Louise Elisabeth d'Orléans
Object type: print
Date: 1746 – 1807
Materials: paper
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: draughtsman, print maker, publisher
Artist dates: 1736 – 1807
Subjects: historical persons, queen
Inscriptions: collector's mark: Lugt 2228
Virgin and Child
Object type: sculpture
Date: 1470 – 1470
Materials: wood
Techniques: carved
Subjects: mary standing (or half-length), the christ-child in front of her, close to her bosom, bunch of grapes

The Virgin shown standing with the Christ Child on her arm was a universal theme in medieval religious art. Here she holds a bunch of grapes in her hand; they allude to wine, the symbol of the blood of Christ’s later suffering.
Kaarten van Fort Louis, Trier, Biche en Homburg, ca. 1702
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: fortress, maps of cities

Blad met twee plattegronden van de versterkingen en twee gezichten op Fort Louis, Trier, Biche en Homburg. Plaat nr. 137 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titels en opschriften in de plaat in het Frans.
Portrait of a Man with a Watch
Object type: painting
Date: 1657 – 1657
Materials: canvas, oil
Artist: cornelis jonson van ceulen the younger
Artist role: artist
Artist nationality: dutch
Artist dates: 1634 – 1715
Subjects: watches,men,portraits
Kesa
Object type: textile
Materials: gold leaf, paper, silk
Techniques: bookbinding, lacquer, lining, patterning, weave
Location: japan
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Interior, upper body of a draped youth seen from the back, looking over his right shoulder, holding a staff in his left hand, with his right arm extended behind him; in the field, a torch holder; Exterior, torus foot, with the resting surface in reserve; the inner wall of the foot is glazed; the underside of the floor is in reserve with a thin black glaze circle in the center
J.H. Schaefer's Fotoplatin
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1925
Materials: cardboard
Techniques: photograph, writing
Location: amsterdam
Subjects: city-gate
Inscriptions: postage stamp
Souvenir spoon with view of an old building in a town and arms of Denmark
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt, silver
Subjects: buildings,coat of arms
De Historie der Plunderinge
Object type: print
Date: 1692 – 1692
Materials: paper
Techniques: etching
Location: leiden
Subjects: mayor, street-fights, riots, city-gate, middelburg

Illustratie uit: Luyken, Casper. Kort dog zakelyk verhaal van alle de plunderingen en verwoestingen van de huizen en goederen der pagters in de provintien van Groningen, Vriesland en Utrecht. Leiden: Wed. Jan van der Deyster, 1748. Eerdere staat gebruikt in: Beronicius, Petrus Johannes. Boeren- en overheidsstrĳd. Amsterdam: Jan Claesz ten Hoorn, 1692.
Twee afbeeldingen van wandelende gezelschappen
Object type: photomechanical print
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: adult woman, walking, hiking (recreation), adult man, avenue, boulevard, promenade, esplanade

Boven twee vrouwen op bankjes aan weerszijden van een promenade waarop een derde vrouw loopt. Onder twee heren en twee dames tijdens een wandeling.
Dit is het trouwgeval en wondellyk schouwspel / Dat is hier afgebeeld van Urbanus en Isabel
Object type: popular print
Date: 1810 – 1810
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: divorce, beggar, man and wife quarrelling, 'marriage à la mode'
Inscriptions: date

Blad met 24 voorstellingen uit het leven van Urbanus en Isabel. Ze trouwen, maken ruzie, gaan scheiden, en Urbanus wordt een bedelaar. Onder elke voorstelling een tweeregelig vers. Genummerd linksboven: No, 14.
The first Oriental head
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: mark: Lugt 699, inscription: ‘niet dubbel’, mark: Lugt 2228 a, signature and date: ‘Rembrandt geretuc 1635’

This set of etchings is traditionally called the ‘Four Oriental Heads’. Rembrandt did not etch them from life, but rather after prints his Leiden friend and colleague Jan Lievens made around 1631. He did not do this simply because he admired Lievens’s work. On three of the four prints, Rembrandt noted that he had geretuckeerd (meaning both adapted and improved) them.
E.J. Verboeckhoven
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: painter, print maker, draughtsman, printer, eugène verboeckhoven, historical persons, portrait, self-portrait of painter

Prent maakt deel uit van een serie van zestig prenten.
The Meeting in the Woods
Object type: print
Date: 1871 – 1871
Materials: paper
Techniques: lithography
Location: france
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875