deem-data/ArtiFact huggingface dataset:
Pompei: rue Mercurio (du forum aux remparts.)
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: excavation ~ archaeology, pompeii
Inscriptions: negative number: ‘4223’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.
Covered jar
Object type: jar
Date: 1830 – 1840
Materials: earthenware
Culture: american
Location: united states
Artist: jacob scholl
Artist role: maker
Artist nationality: american
Artist dates: 1781 – 1851
Subjects: flowers

This jar is coated with cream-colored slip and bears a sgraffito design of flowers and leaves. Sgraffito hollow ware is rare, and the incised flowers here are of exceptional artistic merit. The jar is said to have descended in the family of the potter.
Jongeman knielt voor meisje
Object type: print
Date: 1758 – 1812
Materials: paper
Techniques: etching
Subjects: kneeling figure
Inscriptions: collector's mark: Lugt 2228

In een kamer knielt een jongman voor een meisje. Deze prent is mogelijk vervaardigd voor het blijspel "De minderjarige" (1758) van Jan Jacob Hartsinck.
Portret van een jonge vrouw
Object type: carte de visite
Date: 1874 – 1891
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: j. ganz
Artist role: fotograaf
Artist dates: 1872 – 1954
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘(...)/ J. Ganz/ 38, Rue de l'Ecuyer,/ en face des Galeries St. Hubert./ BRUXELLES./ (...)/ Les Clichés sont conservés.’
Leidse jonge doctor met zwarte toga en erepenning
Object type: drawing
Date: 1775 – 1775
Materials: paint, paper
Techniques: brush
Artist: joannis jacobus bijlaert
Artist role: draughtsman, print maker
Artist dates: 1734 – 1809
Subjects: leiden
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1767 – 1833
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
La Pratique de l'Aiguille, page 15 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: musical instruments,girls

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design is printed upon a grid and is decorated with a scene depicting the personification of Summer who plays the lyre. Placed upon the ground are other musical instruments and books.
Radha and Her Confidant Sit in an Open Room: Page from a Dispersed Rasikapriya
Object type: folio
Date: 1680 – 1690
Materials: ink, paper, watercolor
Culture: indian
Subjects: buildings,women,radha

In the Rasikapriya the poet Keshav Das addresses love in all its various aspects, focusing on secret desires and their outward manifestations. Here, Radha speaks to her confidante and go-between, undoubtedly arranging a secret meeting with her lover, Krishna. Details such as the stylized flowers at the base of the building as well as the beginnings of special depth seen in the architecture indicate contact with the painting ateliers of the Mughals.
Bowl with Goats among Flowering Peonies, Pomegrenates, and Cherry Blossoms
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting
Location: china
Apenspel
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: matthijs pool
Artist role: print maker
Artist dates: 1676 – 1740
Subjects: monkeys, apes, animals acting as human beings, shoe-maker, cobbler
Inscriptions: collector's mark: Lugt 2228

Apen als schoenmakers in een werkplaats. In het onderschrift versjes in het Frans en Nederlands. Prent nr. 9 in een serie van 16 prenten van ca. 1720 waarin apen als mensen figureren in allerlei huishoudelijke taferelen.
De Oude Waalen-Kerk van binnen, naar 't Westen, te zien
Object type: print
Date: 1760 – 1765
Materials: paper
Techniques: engraving
Location: netherlands
Artist: gerard sibelius
Artist role: print maker
Artist dates: 1734 – 1785
Subjects: hand-cart, interior of church, wheelbarrow, grave digger, dog
Inscriptions: collector's mark: Lugt 2228, inscription: ‘DE OUDE WAALEN-KERK, van binnen naar 't Westen te zien .’, signature and date: ‘r.o.: G. Sibelius fecit.; l.o.: C. Pronk delin.’

Interieur van de Oude Waalse kerk aan de Oudezijds Achterburgwal in Amsterdam. Mensen kijken toe hoe een graf gedolven wordt. Rechts een man met een kruiwagen. Twee honden liggen op de vloer.
Schouwburg van den oorlog (blad XXXIV), ca. 1705-1710
Object type: print
Date: 1705 – 1710
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: jozef i (duits keizer), weapons, germany

Blad met de wapens van Duitse vorsten, lijsten van de kreitsen, rijkssteden, kaartje van Duitsland, etc. Opschriften in de voorstelling in het Nederlands. Blad XXXIV in: Schouwburg van den oorlog (editie van 1720), het prentwerk met de gebundelde reeks van 31 platen over de Spaanse Successieoorlog.
The Fountain
Object type: painting
Date: 1777 – 1779
Materials: canvas, oil
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Subjects: columns,fountains,monuments,women,washing

Based on a bet with Queen Marie Antoinette, King Louis XVI’s brother, the comte d’Artois, had a pleasure pavilion built on the outskirts of Paris in a mere sixty-four days through the labor of more than eight hundred craftsmen. Robert’s six paintings of Italian landscapes were installed in an elaborate bathing room, prompting their overarching theme of water. Having spent eleven years in Italy, where he befriended Jean Honoré Fragonard and other French artists abroad, Robert knew ancient architecture and sculpture deeply. In this series, however, instead of antiquarian exactitude, he combined sources freely.
Portret van een onbekende vrouw
Object type: locket
Date: 1840 – 1860
Materials: glass, leather, metal, paper, textile
Techniques: salted paper print
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman
Coverlet
Object type: textile
Materials: cotton, wool
Techniques: treatment, patterning, weave
Location: united states
Subjects: geometric motif, lines, diamond shapes, geometric, squares, coverlet
Card Number 324, Laura Burt, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Servet van linnendamast met een bloempatroon
Object type: napkin
Date: 1680 – 1700
Materials: linen
Techniques: damask, weave
Artist: Anonymous

Servet van linnendamast met voluten en gestrooide bloemen. Het servet hoort bij zeven servetten (BK-1973-162-A t/m BK-1973-162-H) en een tafellaken (BK-1973-161).
Funerary Cone of Sapair
Object type: cone, circular impression, sapair, wab priest of amun
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This funerary cone is stamped with the impression of a seal inscribed for a man named Sapair (Sa-pa-ir) who was a wab-priest of the god Amun. Funerary cones seem to have been used as architectural decoration, arranged in rows along the upper edge of private tomb facades at Thebes. The round end of each cone was stamped with the name and titles of the tomb owner. For a drawing of this impression see http://www.funerarycones.com/, number 155.
Menukaart voor Les Cent bibliophiles
Object type: print
Date: 1919 – 1919
Materials: paper
Techniques: drypoint, intaglio, letterpress printing, roulette
Subjects: reading, book, book-shop, bookseller
Inscriptions: collector's mark: Lugt 4779, watermark: ‘Eug. Delâtre’

In de deuropening van zijn winkel zit een boekhandelaar te lezen. Buiten onder een afdak staan een prentstandaard en een tafel vol boeken.
Terracotta fragment of an Arretine cup with satyrs
Object type: cup, fragment
Date: 31 – 14
Materials: terracotta
Culture: roman
Artist: perennius
Artist role: artist
Subjects: musical instruments,satyrs

Fragment of an Arretine cup with satyrs.
Portret van Hendrik Karel Nicolaas van der Noot
Object type: print
Date: 1764 – 1809
Materials: paper
Techniques: etching
Location: rotenburg an der fulda
Subjects: brussels, politician, historical persons, piece of sculpture, reproduction of a piece of sculpture, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van Wilhelmina van Pruisen
Object type: print
Date: 1815 – 1834
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: berlin, the hague, wilhelmina frederica louisa (koningin der nederlanden)

Portret van Wilhelmina in een ovaal. Daar omheen een aantal allegorische objecten en een stralenkrans. In de ondermarge haar naam en titel.
Mogelijk afgietsel van een beeld van twee paarden met een strijdwagen
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: chariot, triumphal car, horse
Inscriptions: stamp: ‘AT[...]’, collector's mark: ‘Rijks normaalschool voor teekenonderwijzers Amsterdam’, inscription: ‘G’
Karnak (Thèbes), Avenue de Sphinx - Vue Générale Prise du Point G
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: ruins,landscapes
Elbow Defense (Couter)
Object type: elbow defense couter
Materials: leather, steel
Culture: italian
Location: italy

This vambrace is a composite of three separate pieces (29.150.24, 29.150.64, and 29.150.116), assembled in 1935, that were part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Miniature seal in the form of Cupid
Object type: seal
Date: 1753 – 1758
Materials: gilt copper, soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: cupid
Composities met menselijke lichaamsdelen
Object type: print
Date: 1773 – 1777
Materials: paper
Techniques: printmaking
Location: france
Subjects: head (human) - aa - female human figure
Inscriptions: watermark, collector's mark: Lugt 2228

Deze prent maakt deel uit van een album dat uit minstens elf delen bestaat. Dit is het eerste blad van het negende album. Waarschijnlijk dienden deze albums als voorbeeld voor tekenaars, schilders en graveurs.
Military uniform
Object type: military uniform
Date: 1801 – 1833
Materials: wool
Culture: american
Zegelafdrukken uit 1600-1699
Object type: zegelafdruk
Date: 1633 – 1700
Materials: ink, paper, parchment
Techniques: blind stamped, printing, writing
Location: netherlands
Artist: Anonymous
Subjects: netherlands

Melinexmap met 82 losse uitgeknipte zegels uit de 17e eeuw, afkomstig van officiële Nederlandse overheidsinstanties. Onderdeel van reeks mappen met zegels en documenten (NG-NM-11348-A t/m I).
Les trois graces
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: plantation, ass, donkey, suriname
Inscriptions: inscription: ‘pl. Morgenstond Les trois graces’

Maria Gonggrijp poseert met een vriendin en een ezel tussen hen in. Rechts een kar met een ezel ervoor. Op plantage Morgenstond. Onderdeel van het fotoalbum over het leven van de familie Gonggrijp in Suriname rond 1912.
Wavy-handled jar
Object type: jar, wavy handled
Materials: pottery
Location: northern upper egypt

This jar is an example of a classic form of Predynastic pottery known as wavy-handled ware. The style is based on a specialized container for liquid products that was originally made in the Levant and imported into Egypt around 3500 B.C. Ancient Egyptian potters, using a local ware made from marl clay, subsequently began producing their own versions by adding wavy handles to some of their containers. Over time, the pair of wavy-handles became one continuous scalloped band seen in 99.4.66. Eventually, this decorative style became a simple band like the decoration on 12.187.4. A flat blade and some kind of scraper, which were used to finish the vessel’s surface during manufacture, have both left distinct tool marks that are still visible today. Although we do not know what this jar contained, others of similar type held fat-based substances.
Twee voorstellingen uit het leven van Theseus
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: theseus and pirithous abducting helen, cimon, the athenian, brings theseus' bones back to his city, (story of) theseus
Inscriptions: collector's mark: Lugt 2228

Links: De ontvoering van Helena. Rechts: Kimon draagt de botten van Theseus Athene binnen.
Met onderschrift in het Duits en linksboven genummerd: 5,6. In de marge zijn op schetsmatige wijze verschillende koppen geëtst.
Amulet, Djed pillar
Object type: amulet, djed pillar
Date: 664 – 332
Materials: faience
Location: egypt
Wedding dress
Object type: wedding dress
Date: 1845 – 1850
Materials: silk
Culture: american

A good example of how wedding dresses continued to be worn after the wedding ceremonies, this dress has two bodices. The one currently attached to the skirt has a more daring neckline for ball wear. The more modest bodice that fits underneath would have been worn for the actual wedding and other times when modesty was appropriate. The design of the pattern of the fabric was carefully matched on both bodices to create a symmetric overall pattern on both the front and the back. Matching requires extra fabric and thought, the sign of skilled and caring hands.
Portret van een onbekende man
Object type: print
Date: 1831 – 1890
Materials: paper
Techniques: etching
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: adult man, historical persons, monk(s), friar(s)
Inscriptions: inscription: Lugt 2228

Deze prent is onderdeel van een grotere plaat met meerdere portretten (zie RP-P-1913-1858).
Coverlet
Object type: textile
Date: 1838 – 1838
Materials: textile, cotton, wool
Techniques: jacquard, weave
Location: new york
Artist: archibald davidson
Artist nationality: american
Artist dates: 1832 – 1848
Subjects: medallions, arrows, united states of america, animals, dots, buildings, foliage, tulips, flowers, trees, deer, eagles, coverlet
Inscriptions: Inscription: Woven at the Ithaca Carpet Factory by Archd Davidson 1838  E Pluribus Unum
Pendant with the Virgin
Object type: costume and accessory
Date: 1650 – 1700
Materials: diamond, glass, gemstone, silver, silver gilt
Culture: spanish
Location: spain
Titelpagina voor: Junius, Franciscus en Marshall, Thomas. Quatuor D.N. Jesu Christi S.S. Evangelia Gothicè & Anglo-Saxonicè, 1665
Object type: titelblad, titelpagina
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: dordrecht
Subjects: rustication ~ surface decorations (architecture), title-page, gate, entrance, the evangelists writing
Inscriptions: collector's mark: Lugt 2228

In het midden een toegangspoort, aangezet met rustica. Linksboven zit Matteüs met een opengeslagen boek naast een engel. Rechts Marcus schrijvend aan een tafel met een gevleugelde leeuw. Linksonder zit Lucas aan een schrijftafel met naast hem een os en rechtsonder schrijft Johannes in een opengeslagen boek, terwijl hij omhoog kijkt. Voor hem zit een adelaar. Onder de titel van het boek een vierregelige, oud-Griekse tekst.
De vlucht van den Franschen generaal Dumouriez, Op den 4 April 1793
Object type: print
Date: 1793 – 1795
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: putting the enemy to flight
Inscriptions: collector's mark: Lugt 2228

Vlucht van de Franse generaal Dumouriez, 4 april 1793. De generaal steekt met een aantal officieren te paard een riviertje over, achterna gezeten en beschoten door een leger aan de overzijde.
Tea Bowl and Saucer
Object type: metalwork
Date: 1700 – 1700
Materials: copper, enamel, silver gilt
Techniques: casting, chasing, embossing
Location: augsburg
Artist: matthäus baur ii
Artist role: silversmith
Artist nationality: german
Artist dates: 1653 – 1728
Gezicht op de baai van Matsushima
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: matsushima
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: gulf, bay (+ landscape with figures, staffage), sailing-ship, sailing-boat
De Bataafse Opstand
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: granting mercy; free pardon, extinct, 'historical' peoples (with name), netherlands

Cerialis schenkt overgelopen Romeinse soldaten genade. Prent nummer 26 in de serie prenten over de Bataafse Opstand: Batavorum cum Romanis bellum / à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, auctore Othone Vaenio Lugdunobatava = De Batavische oft oude Hollandtsche oorloghe teghen de Romeynen. Otto Vaenius, Antwerpen 1612. Onderaan twee verzen van vier regels in het Nederlands en in het Latijn. Op de achterzijde tekst in het Latijn.
Figuren
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper, watercolor
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: adult man (+ two persons), adult woman

Figuren, mogelijk twee mannen en een vrouw. Blad 15 uit een schetsboek met 29 bladen.
Pompone II de Bellièvre
Object type: print
Date: 1653 – 1653
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits
Saucer from the Mackay Service
Object type: saucer
Date: 1878 – 1878
Materials: enamel, silver gilt
Culture: american
Location: united states
Artist: tiffany & co.
Artist role: maker
Artist dates: 1837 – 9999

These gilded and enameled cups and saucers are part of one of the most renowned and lavish dinner services ever created in America. Commissioned in 1877 by John W. (1831-1902) and Marie Louise Hungerford (1843-1928) Mackay, the dinner service for twenty-four consisted of over 1,250 pieces. A poor Irish immigrant with little education, John W. Mackay became one of the wealthiest men in America when he and three partners, James Fair, James Flood, and William O’Brien, struck a silver deposit known as "The Big Bonanza" at Nevada’s Comstock Lode in 1873. During a visit to the mine, Marie Louise asked her husband for a silver dinner service "made by the finest silversmith in the country." Her husband responded, "You shall have it. I like the notion of eating off silver brought straight from the Comstock." He proceeded to have a half ton of silver delivered from the mine to Tiffany & Co., where two hundred men worked for almost two years to complete the commission. After being snubbed by New York City society, the Mackays established themselves in Paris. In 1878 the service was sent to be featured in Tiffany’s award-winning display at the Paris Exposition Universelle before being delivered to the Mackay’s home at 9 Rue de Tilsitt near the Arc de Triomphe. In an era of extravagant social affairs, Mrs. Mackay’s dinners and balls were legendary. The Mackay dinner service would have been at the center of banquets that included royalty, aristocracy, President and Mrs. Ulysses S. Grant, and one of the most prominent celebrities of the day, Buffalo Bill. Identified in firm records as "Indian" in style, the Mackay service reflects the sophisticated and innovative design sensibilities of Edward C. Moore, the head of Tiffany’s silver division, and the team of designers, chasers, and craftsmen who conceived and realized this commission. The exquisite cloisonné enameled decoration on these cups embodies Gilded Age extravagance and would have offered a dazzling finale to a meal served on a sea of elaborately chased silver wares in an "exotic" Indian and Near Eastern taste.
Penitent Mary Magdalen
Object type: print
Date: 1566 – 1631
Techniques: engraving
Artist: bartholomeus spranger
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1546 – 1611
Subjects: skulls,mary magdalene,cross
Titelpagina voor: Vaderlandsche Kermisvreugd vertoond in acht kunstplaaten geteekend en gegraveerd door K.F. Bendorp, met toepasselijke Vaersjes door R. Arends, H. de Haas en Compagnie, Dordrecht
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, letterpress printing
Inscriptions: collector's mark: Lugt 2760

Titelpagina voor: Vaderlandsche Kermisvreugd vertoond in acht kunstplaaten geteekend en gegraveerd door K.F. Bendorp, met toepasselijke Vaersjes door R. Arends, H. de Haas en Compagnie (uitgever) Dordrecht 1782
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Exterior, helmet crest and round shield, in profile, of warrior to left; head and part of upper torso of draped warrior wearing a helmet, with right bent arm raised, holding a round shield in his left arm
Saints Mark and Matthew
Object type: relief
Date: 1601 – 1700
Materials: bronze
Subjects: reading,lions,angels,saint mark,saint matthew
Skyphos
Object type: skyphos
Date: 750 – 700
Materials: terracotta
Culture: cypriot

Two-handled bowl with red slip; degenerate meander and guilloche patterns.
Fragment
Object type: fragment
Date: 1750 – 1750
Techniques: lace
Fotoreproductie van een schilderij, voorstellende een meisje met twee kinderen in een interieur
Object type: photograph
Date: 1873 – 1883
Materials: photographic support
Techniques: albumen print
Location: germany
Subjects: interior ~ representation of a building, child (at home)
Bespotting
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: italy
Subjects: mockings of christ, who may be blindfolded
Inscriptions: collector's mark: Lugt 2165 of 2166, inscription: ‘B Bii[...]’

Christus zit met de doornenkroon op zijn hoofd. Een soldaat en een man bieden hem een mantel en een rietstaf aan. Voorstelling gevat in een ovale sierlijst.
Metamorfosen van Ovidius
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: italy
Subjects: cadmus' companions, sent to fetch water, are slain by the dragon which guarded the spring
Inscriptions: collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.