deem-data/ArtiFact huggingface dataset:
Voetstuk van gedeeltelijk verguld notenhout
Object type: base
Date: 1550 – 1600
Materials: wood
Techniques: gilding
Location: italy
Artist: Anonymous

Voetstuk van gedeeltelijk verguld notenhout. Het platte uitgezaagde voor- en achterpand zijn in gespreide stand geplaatst en worden onderaan door een gelede sport verbonden. De voorzijde toont een gestoken mascaron temidden van in leeuwenklauwen eindigende voluten; erboven een klokjessnoer, eveneens temidden van voluten. Het achterpand heeft aan de binnenzijde een soortgelijke versiering, aangegeven door verdiepte vergulde contouren. Het voetstuk is ingesnoerd en geprofileerd. Zie: BK-16869-b.
Funerary Cone of the Overseer of Scribes Ineni
Object type: cone, curcular impression, ineni, inspector of scribe
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora, tyrrhenian fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

From the neck of a Tyrrhenian amphora, part of a palmette-lotus festoon; below, at the juncture of the neck and shoulder, a red glazed ring
Fragmentary limestone Cypriot capital
Object type: capital of a stele with sphinx
Date: 500 – 401
Materials: limestone
Culture: cypriot
Subjects: sphinx

This capital, with carved decoration on only one side, is of a type known only on Cyprus. Like the more complete version (74.51.2493) displayed nearby, two pairs of curved frondlike forms surround an elaborate "tree of life," a motif well known in Near Eastern art. Two sphinxes standing on lotus stems place a paw against the tree.
Silhouetportret van Cornelis Steffelaar
Object type: drawing
Date: 1819 – 1845
Materials: ink, paint, paper
Techniques: brush, snipping
Artist: elisabeth alida haanen
Artist role: draughtsman, print maker
Artist dates: 1809 – 1845
Subjects: painter, cornelis steffelaar, historical persons, portrait, self-portrait of painter
Inscriptions: inscription: ‘C Steffelaar.’, number: ‘90’, collector's mark: ‘Ex-libris van Beresteyn’, number: ‘13928’, inscription: ‘Schilder’, inscription: ‘Neg. D. 1721’

Met onder het portret de handtekening van de geportretteerde.
Portret van Gilbert du Motier de la Fayette
Object type: print
Date: 1789 – 1807
Materials: paper
Techniques: stippling
Subjects: paris, politician, historical persons, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2233
Foto's van houtsnijwerk in de Martinikerk te Bolsward
Object type: photograph
Date: 1879 – 1879
Materials: photographic support
Techniques: albumen print
Location: bolsward
Artist: g.m. märckelbach
Artist role: publisher
Artist dates: 1853 – 1904
Subjects: carving ~ applied arts, piece of sculpture, reproduction of a piece of sculpture, wood carver
Inscriptions: collector's mark, collector's mark: Lugt 1641

In een advertentie wordt de fotoserie aangeboden: HH. Liefhebbers van Antiquiteiten. GOTHIEKE BANKEN uit de XVe Eeuw. St. MARTINIKERK.--BOLSWARD. 8 Photographieën à f 4.50. ANTIEKE PREEKSTOEL, uit het midden der XVIIe EEUW. 4 Photographieën à f 2.25. Uitgave van: GEBRs. CORDES, Photografen [and] G.M. MÄRCKELBACH, Boek- en Kunsthandel, BOLSWARD. (Het nieuws van den dag: kleine courant, 12-07-1879.)
Fabel van de leeuw, ezel en haan
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: prague
Subjects: ass, donkey, fowl (cock, hen, chicken, etc.), fables, beasts of prey, predatory animals: lion

Een haan kraait en jaagt een leeuw op de vlucht. Een ezel zet de achtervolging in en wordt op de achtergrond door de leeuw verscheurd. De moraal van het verhaal leert dat je eerst moet nadenken voordat je handelt.
Moeder met kind op schoot en moeder met kind op de arm
Object type: drawing
Date: 1836 – 1896
Materials: chalk, paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: adult woman, interior of the house, mother and child(ren), woman and child(ren) (family group)
Zelfportret van Hendrik Tavenier
Object type: drawing
Date: 1744 – 1807
Materials: chalk, paper
Techniques: brush
Artist: hendrik tavenier
Artist role: draughtsman, print maker
Artist dates: 1734 – 1807
Subjects: haarlem, print maker, draughtsman, hendrik tavenier, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist

Zelfportret van de schilder Hendrik Tavenier.
Melville E. Stone, The Chicago Daily News, from the American Editors series (N35) for Allen & Ginter Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,ships

Trade cards from the "American Editors" series (N35), issued in 1887 in a set of 50 cards to promote Allen & Ginter brand cigarettes. This series is a physically larger version of the "American Editors" set (N1), including the corresponding small card design with other pictorial matter added.
Mannen haori met Daruma poppen
Object type: kimono
Date: 1920 – 1940
Materials: silk
Techniques: painting, weave
Location: japan
Artist: Anonymous

Kimonos: Mirrors of a Man’s Life. The kimonos on view here afford a glimpse into the lives of Japanese men from around the 1910s to the 1950s, from childhood to adulthood. This was a period of great change for Japan, marked by increasing industrialization and political conflicts culminating in the Second World War. Life modernized, technology advanced, and people took up new hobbies. Traditionally, men’s outer clothing tended to be reserved and a solid colour. Clothes could nevertheless also be a medium for highly unusual depictions which, however, were not visible to everyone. While motifs adorned the exterior of children’s garments, they were hidden from view in those worn by adult men. The decoration was found on the inside: on a long under garment, or the lining of a jacket (haori). This concealed imagery divulges the lives of the owners at the beginning of the 20th century.

Childhood. A kimono marked events and stages in a man’s life. The kimonos on the top row (except the two everyday ones at either end) were worn by boys during the religious ceremony of miyamairi, namely an infant’s first visit to a Shinto shrine. This event followed a prescribed ritual and was an important and formative moment in the life of a Japanese man. Clothing for boys enveloped them in images that were to become part of their identity. The depictions included motifs that were considered gender and age appropriate: toys, manly hobbies, stories of heroic battles, technology, and so forth. Broader themes such as military conflicts and nationalism also filtered into children’s daily lives at an early stage. The textile designs of some kimonos combined traditional playthings with toy guns and tanks.

Adulthood. What does a kimono tell about its owner and his life? Some men chose subjects from classical culture, such as No or Kabuki theatre, while others preferred themes from contemporary life, such as gramophone records or the new popular sport of baseball. Thus, these garments were a canvas for personal choices, but also for political propaganda and nationalistic messages. Some representations are eccentric or even erotic. Others are more general and linked to political events. All aspects of a man’s inner life are touched on. Portraits of beautiful women and playful dogs contrast with images of war, celebrating victories in China. As these representations were under the outer garments, they remained hidden from the outside world and were thus seen only by the kimono’s owner and his intimates.
Slangenbezweerder met een toeschouwer
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: pencil
Location: tunis
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: performance, standing figure, snakes, squatting, crouching figure

Pagina 19 uit een schetsboek met 67 bladen.
Funerary Cone of Senenre and His Wife Satmenhetet
Object type: cone, senenre, servant, amun, scribe, satmenhetet
Date: 1479 – 1425
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Halberd
Object type: crèche accessory
Date: 1701 – 1800
Materials: steel, wood

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Axe
Object type: axe
Date: 1801 – 1900
Materials: steel, wood
Culture: turkish
Location: ottoman empire
Hanger met portret van prins Maurits van Nassau (1567-1625)
Object type: portretmedaillon
Date: 1602 – 1620
Materials: gold, shell
Techniques: cutting
Location: netherlands
Artist: Anonymous
Subjects: the hague, maurice (prince of orange)
Inscriptions: edge inscription: ‘MAVRITVS. PR AVR, Co. NASS CAT. MARC. VER. ET VLLS. AE 34’

Portret van prins Maurits van Nassau (1567-1625), prins van Oranje, Stadhouder. Gesneden schelp (camee van Cypraea tigris), wit op paarse grond. Opschrift camee (rand): MAVRITIVS PR AVR CO NASS CAT MARC VER ET VLIS (Maurits, prins van Oranje, graaf van Nassau en Katzenelnbogen, markies van Veere en Vlissingen). Opschrift camee (schouder Maurits): AET 34. In een bewerkte gouden lijst met geëmailleerde bloemen en vier oogjes, bestemd om als medaillon gedragen te worden.
Een "Kater" die zich niet wil laten vangen
Object type: cartoon
Date: 1894 – 1894
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: cat, bag, political caricatures and satires, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Gepubliceerd als bijvoegsel van 'Het Geïllustreerd Politienieuws', 13 september 1894.
Silver ring
Object type: ring
Materials: silver
Culture: greek
Subjects: dancing,maenads

Maenad with thyrsos (fennel stalk topped with ivy) and sword in an ecstatic dance.
Jongen knuffelt zijn moeder
Object type: drawing
Date: 1890 – 1940
Materials: ink, paper, pencil
Techniques: pen
Artist: Anonymous
Subjects: embracing each other, kissing, mother and baby or young child
Inscriptions: annotation: ‘Koude voetjes’, monogram
François Coppée (French poet and novelist, 1842-1908)
Object type: photograph
Date: 1876 – 1876
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: nadar (gaspard félix tournachon)
Subjects: collected by hugh edwards, contemporaine littéraire
Weary
Object type: print
Date: 1863 – 1863
Materials: ink, ivory
Techniques: drypoint, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women

Whistler depicts the celebrated Irish beauty Joanna Hiffernan—his model and mistress—sunk in an armchair, engulfed by a long skirt and loose hair, her lips parted as if to speak. The delicate paper captures the soft, drypoint lines and conveys a sensual mood. The light sketch of a girl’s head (in the lower left of the sheet) suggests that Whistler first worked on the plate from the opposite direction with another subject in mind. Drypoint lines were scratched directly into the copper to produce this famous image.
Figuurstudie, mogelijk een man met pet
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult man, head-gear: cap

Blad 13 recto uit schetsboek LXII met 28 bladen.
Koningin Wilhelmina der Nederlanden in een rijtuig op straat
Object type: ansichtkaart, prentbriefkaart
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: the hague, wilhelmina of the netherlands, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, ruler, sovereign - bb - female ruler
Portret van Selim III omringd door wolken
Object type: print
Date: 1780 – 1847
Materials: paper
Techniques: lithograph
Subjects: adult man, historical persons, head-gear: turban, beard
Inscriptions: inscription: ‘24 dec. 1761; Volgde 7 april 1789 zijn oom sultan [...] op. Hijzelf den 29 mei 1807 onttroond [...]’, collector's mark: Lugt 2228
Seated Cavalier with Glass
Object type: drawing
Date: 1634 – 1666
Materials: chalk, paper
Techniques: heightening
Artist: gabriël metsu
Artist role: artist
Artist nationality: dutch
Artist dates: 1629 – 1667
Subjects: hats,men,drinking glasses
Orphelines Lutherienne / Cathetique et Réformée / Eene Lutersch, Roomsch en Burger weesmeisjes te Amsterdam
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: hand coloring, lithograph
Location: amsterdam
Subjects: folk costume, regional costume, orphans, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Rechtsboven genummerd: No. 20. Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Verzamelbladen.
Constantin Meunier, Sculptor
Object type: relief
Date: 1899 – 1899
Materials: bronze
Artist: alexandre-louis-marie charpentier
Artist role: artist
Artist nationality: french
Artist dates: 1856 – 1909
Subjects: human figures
Gezicht op de Bickersgracht, gezien vanuit de Haarlemmer Houttuinen
Object type: drawing
Date: 1880 – 1880
Materials: paint, gouache, ink, paper
Techniques: brush, pen
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: signature and date: ‘Wilm Steelink / 80.’, collector's mark: ‘5’ Lugt 1641b, inscription: ‘Port. 5’, inscription: ‘de Bickersgracht / over (...) is de Houttuinen’

Onderwerpsrubriek binnen de Atlas Amsterdam: Begijnensloot (Gedempte), Bagijnhofsteeg, Beulingsloot, Bickersgracht en –plein, Bickersstraat (Groote), Bilderdijkskade en -straat, Binnenkant, Blauwburgwal, Boomdwarsstraat, Brouwersgracht, Bleekersspad (Lange), Bleekerssloot, Bloemgracht, Boerenwetering, Boltensgrachtje, Boomssloot (Recht), Badhuisweg.
Tripod Candlestick
Object type: candlestick
Date: 1250 – 1300
Materials: brass, gold, silver
Techniques: inlay
Location: syria

The engaging profile on the stem is composed of three distinct superimposed elements, perhaps flower vases or mosque lanterns. This candlestick was made for an affluent Mamluk named Sharaf al-Din 'Abd al-Rahman.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Interior, five fragments with part of meander
Gezicht op de ruïne van de kerk te Oegstgeest
Object type: book illustration
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 87.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Terracotta fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Unidentified subject; part of an inscription
Saint Benedict
Object type: plaquette
Date: 1601 – 1633
Materials: bronze, patina
Subjects: saints
Postzegeltentoonstelling Stedelijk Museum Amsterdam 1938
Object type: plaque
Date: 1938 – 1938
Materials: bronze
Techniques: engraving, gilding, striking
Location: voorschoten
Subjects: amsterdam

Plaquette Voorzijde: Binnen een rechthoekige, met lint omwonden lauwerkrans het gegraveerde opschrift: POSTZEGELTENTOONSTELLING STEDELIJK MUSEUM AMSTERDAM 14-28 DECEMBER 1938 AMSTERDAMSCHE POSTZEGEL SOCIETEIT. Daarboven het in zwart en rood geëmailleerde wapen van Amsterdam. Op onder zijkant: "BRONS".
Zittende man op een stoel
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: etching
Subjects: sitting figure (+ three-quarter view)
Inscriptions: collector's mark: Lugt 2228

Man met zijn benen over elkaar zittend op een stoel.
Nose Ornament
Object type: nose ornament
Date: 601 – 1200
Materials: gold
Culture: piartal
Location: colombia
Profile of seated actress, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Abklatsch van de tekening op blad 18 recto
Object type: sketchbook leaf
Date: 1819 – 1870
Materials: paper
Techniques: printmaking
Artist: Anonymous

Blad 17 verso uit een schetsboek met 39 bladen.
Van schepping tot verdrijving uit paradijs
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: division of light and darkness
Inscriptions: collector's mark: Lugt 2228

Eerste dag van schepping: God schept hemel en aarde. In medaillon met als opschrift een bijbeltekst in Latijn uit Genesis 1, binnen rechthoekige omlijsting.
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1911
Materials: paper, pencil
Techniques: printing, writing
Location: laren
Artist: willy sluiter
Artist role: draughtsman, painter, print maker
Artist dates: 1873 – 1949
Subjects: the hague, painter, draughtsman, philip zilcken, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’, watermark

De envelop is genummerd "bij Moes (Wally): 182".
Inlay, ankh, was scepters
Object type: inlay, ankh, wa scepter
Date: 100 – 100
Materials: glass
Location: egypt
Subjects: ankh

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards.
Gillis van Conincxloo
Object type: photomechanical print
Date: 1872 – 1877
Materials: cardboard, paper
Techniques: photograph
Location: antwerp
Subjects: antwerp, amsterdam, painter, draughtsman, gilles van coninxloo (ii), historical persons
Inscriptions: inscription: ‘1544. - 1610?’

Deze prent maakt deel uit van een omslag met 150 prenten en een katern met een lijst van afbeeldingen.
Genrescène uit Faust, Gretchen aan een spinnewiel, naar Goethe
Object type: photomechanical print
Date: 1892 – 1900
Materials: paper
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: adolescent, young woman, maiden, spinning-wheel
Inscriptions: inscription: ‘Mij. voor Photolithogr & Zincographie/ procédé Mr. E.J. Asser.’

Deze prent maakt deel uit van een album.
Brief aan Françoise W.M. Bonger
Object type: letter
Date: 1974 – 1974
Materials: ink, paper
Techniques: pen, writing
Location: s-graveland
Artist: g. klockenbring
Subjects: paris, painter, print maker, draughtsman, odilon redon, françoise w.m. bonger
Inscriptions: watermark

Bij de brief worden enkele "Communaute des chretiens" bewaard.
Vase with a Crystalline Glaze
Object type: vase
Date: 1890 – 1893
Materials: stoneware
Location: bourg-la-reine
Artist: pierre adrien dalpayrat
Artist dates: 1844 – 1910
Inscriptions: mark: ‘ingestempeld 1008 Dalpayrat en 31 in rood.’

Vaas van steengoed, versierd met blauwe kristalglazuur op lichtbruine fond. Slanke, iets gebogen cilindervorm met inspringende cilindervormige hals. Gemerkt met: ingestempeld 1008 Dalpayrat en 31 in rood.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, back of head, neck, and part of upper torso of wreathed, bearded? male to left, wearing a himation; start of handle root
Henriëtte Wassink en Meinard Dorus Mijer met twee anderen aan tafel op een terras
Object type: photograph
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: batavia, the hague, henriëtte wassink, engineer, adult woman, adult man, pavement, terrace in front of inn or restaurant, netherlands
Man met een pet en sigaret naast een pijp
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: cigarette, adult man
Inscriptions: annotation: ‘J.WaMulder/ Houtkade 16./ Vlissingen’

Blad 3 recto uit een schetsboek met 53 bladen.
Duitse ruiter met hoorn
Object type: costume print
Date: 1575 – 1577
Materials: paper
Techniques: engraving
Location: cologne
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: one person playing wind instrument, warfare; military affairs (+ cavalry, horsemen), folk costume, regional costume, military clothing and other equipment (uniforms, cap, armour, helmet, etc.), europeans: germans
Inscriptions: collector's mark: Lugt 2228

Paard en ruiter naar rechts. Het paard is in galop terwijl de ruiter, op zijn Duits gekleed, zijn hoorn blaast. De prent heeft een Duits onderschrift en een Latijns bovenschrift. Prent oorspronkelijk uit 'Equitum descripcio...', 1577.
Pitcher
Object type: pitcher
Date: 1821 – 1821
Materials: earthenware
Culture: american
Location: united states

The elaborate slip decoration on this impressive presentation piece emulates the English tradition and relates to engraving found on silver and glass objects.
The Shrimp Girl, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Kust met dorp en kerktoren (Scheveningen?), linksvoor vijf mannen
Object type: drawing
Date: 1797 – 1838
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: village, building of church, coast