deem-data/ArtiFact huggingface dataset:
Priming Flask with Baldric
Object type: priming flask with baldric
Date: 1801 – 1900
Materials: niello, silver, textile
Culture: caucasian
Location: caucasus
Male Head
Object type: head
Date: 1101 – 1400
Materials: bronze
Culture: indonesian, javanese
Subjects: heads,men
Portret van Pieter de Jode (I)
Object type: print
Date: 1630 – 1646
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: pieter de jode (i)
Inscriptions: collector's mark: Lugt 240

Prent gebruikt voor: Icones principum, virorum doctorum, pictorum, chalcographorum, statuariorum nec non amatorum pictoriae artis numero centum ab Ant. van Dyck ad vivum expressae ejusque sumptibus aeri incisae. Antwerpen: Gillis Hendricx, [1645-1646].
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "Saint Grégoire de Tours" door Jean-Esprit Marcellin en rechts "Rabelais" door Elias Robert
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘35 en 24’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Portret van Ludwig Karl von Kalckstein
Object type: print
Date: 1764 – 1804
Materials: paper
Techniques: engraving
Artist: peter haas
Artist role: print maker
Artist dates: 1754 – 1804
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Doorgang uit het huis Singel 548 te Amsterdam. Architect Ph. Vinbooms. 1639
Object type: photomechanical print
Date: 1895 – 1895
Materials: paper
Techniques: photolithography
Location: arnhem
Subjects: gate, entrance
Inscriptions: date

Prent uit: De Amsterdammer 30 (1895), p. 363.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, two fragments with part of handle patch?
Hunting hanger owned by Rear Admiral J.A. Zoutman
Object type: hunting hanger
Date: 1774 – 1790
Materials: bone, iron, silver
Location: amsterdam
Subjects: the hague, johan arnold zoutman
Inscriptions: inscription: ‘over de / Trappen/ van de/ Beurs/ Tot/ Amsterdam’, name: ‘Jacobus/ Coenraads/& /Zoon’

A hunting hanger with a straight blade was used to deliver the final blow to cornered or wounded game. The hanger’s convenient format and often fine execution also made it popular outside the world of hunting. The deer, the wild boar and the hounds on the blade of this sword are clear references to the hunt.
Tankard in the Shape of a Pear
Object type: tankard
Date: 1667 – 1700
Materials: enamel
Techniques: overglaze, polychrome
Culture: japanese
Subjects: flowers
George Washington
Object type: painting, miniature
Date: 1791 – 1878
Materials: ivory, watercolor
Culture: american
Artist: anna claypoole peale
Artist role: artist
Artist nationality: american
Artist dates: 1791 – 1878
Subjects: george washington,men,portraits
Fragment zijdesatijn met borduurwerk
Object type: fragment
Date: 1700 – 1799
Materials: silk
Techniques: embroidered
Location: netherlands
Artist: Anonymous

Op een grillig geknipt fragment van creme tafzijde is borduursel van floszijde aangebracht. Het patroon heeft twee grote stervormige bloemen die met dikke stelen uit een bladtak komen.
Men's Wearing Blanket (Third Phase Chief Style)
Object type: textile
Date: 1870 – 1880
Materials: wool
Techniques: bookbinding, tapestry, weave
Location: navajo nation
Artist: unknown weaver
Artist nationality: navajo
Subjects: geometric motif, stripes

Horizontal black stripes and bright red diamonds span this men’s wearing blanket. White crosses dotting its edges and center pay homage to Spider Woman (Na’ashjé’ii Asdzą́ą́), the sacred being who gave Navajo people the gift of weaving. Weavers tell Spider Woman stories only in the winter time, when spiders and other insects are at rest.

Although Navajo blankets are often displayed flat, they are created to be folded and worn. Fifth-generation Navajo weaver Lynda Teller Pete emphasizes that these blankets are “made for warmth.” Not only do blankets provide physical comfort, their circulation through trade economies also sustains weavers’ communities. “Every textile that Navajo people have produced fed someone’s family,” says Teller Pete.

This blanket was donated by the family of Father Peter J. Powell (1928–2022). Father Powell was an Anglican priest, a Northern Cheyenne Chiefs Society member, and a scholar of Cheyenne art and culture, who served Chicago’s Indigenous communities.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Exterior, at rim, egg pattern; part of circumscribed palmette
Dish
Object type: dish
Date: 1601 – 1700
Materials: stonepaste
Techniques: painting, underglaze
Location: turkey
Subjects: grapes,flowers
Knife Case
Object type: knife and case
Date: 1401 – 1600
Materials: leather
Culture: austrian
Card Number 75, Gerade, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Virgin and Child with Saints (recto); Study of Arm (verso)
Object type: drawing and watercolor
Date: 1560 – 1580
Materials: chalk, ink, paper, lead, pigment
Techniques: brush, heightening, pen, drawing, wash
Location: italy
Artist: attributed to bartomomeo ramemghi, the elder
Artist nationality: italian
Artist dates: 1484 – 1542
Inscriptions: Inscribed verso, upper center, on added tab of ivory laid paper, in pen and brown ink: "Bartolomeo Ramenghi detto / il Bagnacavallo ha dipinto in / Bologna nella compania de Sta.M. / Maddalena in un Quadro /-a Virgine / Sma [...] aS. Rocca e S. Baptin [?] / vedi il Malvasia sulla vita de/ Maddalena [?] / a Cte 104./ e nel Toma 5 to delli Cloggi [?] / dalli uomini illustri.al 243"; inscribed on verso of former mount (GCI), "18 ottobre 1832"
Nederlands Indië, duit Holland,1802. Afslag in zilver
Object type: coin
Date: 1802 – 1802
Materials: silver
Techniques: striking
Location: enkhuizen

Zilveren munt. Voorzijde: tweeregelig opschrift, waarboven muntteken en waaronder jaartal. Keerzijde: tussen waarde-aanduiding 5 1/16 G gekroond generaliteitswapenschild. Kabelrand.
Design for a Chimneypiece
Object type: drawing
Date: 1740 – 1796
Materials: ink
Techniques: brush, pen, wash
Artist: sir william chambers
Artist role: artist
Artist nationality: british, born sweden
Artist dates: 1723 – 1796
Subjects: fireplaces
Vita Iesu Salvatoris varijs iconibus ab Adriano Collaert expressa
Object type: print
Date: 1580 – 1590
Materials: gold, paper, silver
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: pharisees bring a woman accused of adultery before christ (john 8:2-11)

De gravures van beide reeksen zijn door dezelfde hand gehoogd met goud en zilver. De eerste reeks van 34 (van 35) gravures is een verkleinde versie naar prenten uit een reeks naar Maarten de Vos (nrs. 2-28, 31-33) met toevoeging van drie scènes uit de Wonderen van Christus (nrs. 26, 28, 30).
Hemelbed, vervaardigd van without met gordijnen van sits
Object type: canopy bed
Date: 1676 – 1676
Materials: cotton, metal, silk
Artist: Anonymous

Hemelbed, vervaardigd van without, opgetuigd met gordijnen van sits beschilderd met een golvend bloemrankenpatroon op een houten geraamte, bestaat uit vier stijlen, van onderen vierkant van doorsnede, boven de matras rond, waartussen schotten van de matrasbak zijn bevestigd. Het achterschot iets verhoogd. De bodem van de matrasbak bestaat uit twee houten dwarsliggers. Tussen de twee achterstijlen is als achterwand een stuk sits gespannen, dat om de stijlen heen naar achteren is gevouwen. Op de stijlen rust een rechthoekig raamwerk van vier latten, waaromheen als hemelbedekking sits is gespannen, eveneens van binnenuit geheel om de latten heen naar boven en terug. Door het raamwerk en de stof zijn gaatjes geboord, drie aan elke zijde waardoorheen drie stel koorden met kwasten zijn gestoken, die de gordijnen ophouden. Op de vier hoeken zijn op ijzeren pinnen vier vaasvormige hoekversieringen geplaatst, bestaande uit gedraaide houten klossen en bolle schijven, beplakt met sits en een in vier verticale richels aangebrachte smalle galon, bovenop afgesloten door een naar beneden ombuigende, veelkleurige kwast. Het bed is behangen met vier gordijnen van sits, rondom afgezet met galon, van onderen met franje in kleur passend bij de sits. Twee gordijnen zijn iets breder dan de andere twee. Zij zijn strak vastgenaaid aan het hemelraamwerk, en aan zijkanten en voeteneinde schuin opgenomen door de koorden en kwasten. De gordijnen zijn nu zo gemonteerd (deze toestand is op alle oude foto's zo zichtbaar) dat zij lopen vanaf het midden van een zijde naar het midden van de volgende zijde en zodoende de hoekstijl bedekken. Aan voeten en hoofdeinde lopen de gordijnen iets over elkaar door. Bovendien is vanaf het midden van de zijwand, om het voeteneinde heen tot het midden van de andere zijwand een val aangebracht van sits, aan drie kanten afgezet met galon, aan de onderkant teruggeslagen en door de koorden en kwasten opgenomen middenachter en op de twee hoeken ter hoogte van de achterstijlen.
Border with Cloud and Peony Motifs
Object type: strip
Date: 1650 – 1660
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous
Subjects: crown (symbol of sovereignty), trees, birds, angels

The stylized clouds and peonies look Asian and exhibit the influence of Chinese porcelain and textiles in the Netherlands. The pattern in the clouds, with two symmetrically arranged birds and two angels bearing a halo, however, seems more European. A tiny bird is also incorporated in every peony.
Wehrmacht militairen op de Afsluitdijk
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: afsluitdijk
Artist: Anonymous
Subjects: occupation ~ war

Duitse militairen staan bij het monument op de Afsluitdijk. Het monument, ontworpen door Dudok, is gebouwd op de plaats waar de Afsluitdijk gedicht werd in 1932. Achterop staat: Holland. Am See, Vünfter Treppe bin ich 60 m. über wasser.
Figures, Horses, and Sphinx Entwined in Foliage and Strapwork
Object type: drawing
Date: 1801 – 1900
Materials: ink, paper
Techniques: brush, heightening, inlay, pen, wash
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
Subjects: men,women,sphinx,horses,leaves
The Logierian System
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Portrait of a Woman before a Window
Object type: cut paper
Date: 1850 – 1850
Materials: paper
Techniques: cutting, lithograph
Artist: william henry brown
Artist role: artist
Artist nationality: american
Artist dates: 1808 – 1883
Subjects: windows,portraits,women

While its subject is unknown, this image has been linked to William Henry Brown, who was among the most prolific silhouette portraitists of the nineteenth century. Brown tended to affix his silhouettes to sepia-toned lithographs that mimicked the look of drawings, as is the case here. Usually made by cutting a profile portrait from black-inked paper, silhouettes were wildly popular throughout the nineteenth century. The democratic nature of the art form can be attributed to the affordability of the materials involved; as scissors, ink, and paper were relatively inexpensive, silhouettes could be commissioned for relatively small sums.
Bode
Object type: print
Date: 1520 – 1550
Materials: paper
Techniques: hand coloring
Subjects: postman
Inscriptions: collector's mark: Lugt 2228

Een bode, lopend naar rechts, brief met lakzegel in de linkerhand, postzak in de rechterhand. Met lang gedicht over zijn ambt en over de landen die hij bezoekt.
Portret van een jonge vrouw
Object type: carte de visite
Date: 1870 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Gezicht op de Lauriergracht te Amsterdam bij avond
Object type: sketchbook leaf
Date: 1886 – 1891
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, canals, waters (in city)
Inscriptions: annotation: ‘Lauriergr/ 's avonds’

Pagina 33 en pagina 34 uit een schetsboek met 32 bladen.
Medallion
Object type: medallion
Date: 1900 – 1900
Materials: plaster
Artist: victor peter
Artist role: maker
Artist nationality: french
Artist dates: 1840 – 1918
Subjects: human figures,deer
Schotel met op het plat in blauw een herdersscène binnen Louis XIV rand. Veelkleurige randversiering op zwarte grond met putti en vier medaillons
Object type: platter
Date: 1740 – 1775
Materials: faience
Location: delft
Artist: Anonymous

Schotel van faïence, met op het plat in blauw een herdersscène binnen Louis XIV rand. Veelkleurige randversiering op zwarte grond met putti en vier medaillons.
Kölh-Düsseldorfer Rheindampfschiffahrt
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1913
Materials: cardboard
Techniques: rotogravure, writing
Location: rhine
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, river, steamship, motorship
Inscriptions: postage stamp
Portret van Robert Le Clair
Object type: photograph
Date: 1931 – 1931
Materials: paper
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: number: ‘3404’, inscription: ‘573480 - - watch your credit..international newsreel photo/ slug..(Robert Le Clair)/ Rode in death car/ New York...Robert Le Clair who told police that he rode in the/ automobile in which Virginia Brannen, taxe-dancer was/ shot to death./ E-april 29, 31’, inscription: ‘MAY 2 1931/ CENTRAL PRESS ASSOCIATION/ REFERENCE DEPT.’

Robert Le Clair was aanwezig bij de moord op 'taxi-dancer' Virginia Brannen.
Boer en boerin
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: mezzotint
Location: haarlem
Artist: cornelis dusart
Artist role: draughtsman, painter, print maker
Artist dates: 1660 – 1704
Subjects: pipe ~ tobacco, farmers - aa - female farmer, farmer's wife, glass of beer
Inscriptions: collector's mark: Lugt 240

Een boer probeert een boerin het hof te maken met tabak en bier. Hij heeft zijn hand op de hare gelegd.
Knoop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: button
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knoop, met groene steen. (1) conical base, bevelled overhanging rim, ribbed (1.1d), faceted conical green stone-setting, key-shank
Ignatius van Antiochië laat zich door leeuwen verscheuren
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the early christian churches, e.g. armenians, copts, syrians, st. ignatius of antioch is thrown to the lions in the arena
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie Arnold, Godfried. Waare afbeelding der eerste christenen. Amsterdam: Jacobus van Hardenberg, Barent Visscher en Jacobus van Nieuweveen, 1700, dl. 2.
Sword Cane Probably made for Don Juan José of Austria (1629–1679)
Object type: sword cane
Date: 1650 – 1650
Materials: gold, steel, wood
Culture: german
Location: spain
Fan
Object type: fan
Date: 1701 – 1733
Materials: ivory
Subjects: women,beds
Briefhoofd voor het Franse ministerie van Justitie
Object type: print
Date: 1800 – 1803
Materials: paper
Techniques: engraving
Artist: gautherot
Subjects: justitia (justice) as roman personification, law and jurisprudence, letter, envelope
Inscriptions: collector's mark: Lugt 2228, : ‘Paris, le 21 Germinal, l'an 11 de la République. (...)’
Italiaans landschap met bergbeek
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Location: paris
Subjects: low hill country (+ landscape with figures, staffage), brook (+ landscape with figures, staffage), italy
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt in: Ténint, Wilhelm. Album du Salon de 1841. Collection des principaux ouvrages exposés au Louvre (…). Parijs: Augustin Challamel, 1841.
Dancers Practicing at the Barre
Object type: painting
Date: 1877 – 1877
Materials: canvas
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: women,dancing,dancers,ballet

The watering can, visible at left, was a standard fixture in ballet rehearsal rooms; water was sprinkled on the floor to keep dust from rising when ballerinas danced. Degas also used the watering can as a visual pun: its shape is mimicked by that of the dancer at right. Shown at the 1877 Impressionist exhibition, the painting was given by Degas to the collector Henri Rouart as a replacement for an earlier work (now lost), which the artist altered and accidentally destroyed. Louisine Havemeyer purchased it from Rouart's estate sale in 1912, for $95,700, a record price for a work by a living artist.
Plate 3, from "Friezes with Birds, Flowers and Meandering Wreaths and Scrolls"
Object type: ornament architecture
Date: 1600 – 1617
Techniques: etching
Artist: theodor bang
Artist role: artist
Artist nationality: german
Artist dates: 1606 – 1606
Subjects: birds,ornament

Frieze with a decorative pattern made up out of very delicate, stylized vegetal rinceaux combined with flowers. Within a loop of the meandering rinceaux in the center, two storks are depicted biting each other in the neck.
Jewelry set
Object type: jewelry set
Date: 1900 – 1900
Materials: silver
Culture: chinese
Portret van Armand Gaston Camus
Object type: print
Date: 1792 – 1808
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: jurist, armand gaston camus
Inscriptions: collector's mark: Lugt 2228
Coal bucket, from the Novelties series (N228, Type 5) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,buckets

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
D. Pedro de Souza & Holstein, duque de Palmella
Object type: print
Date: 1820 – 1855
Materials: paper
Techniques: lithograph
Subjects: adult man, historical persons, knighthood order of the golden fleece, mantle, gown, dress (symbol of sovereignty)
Inscriptions: collector's mark: Lugt 2228
See 26.8.135a
Object type: nefer pendant
Date: 1479 – 1425
Materials: glass, gold, stone
Location: egypt
Wandbespanning met dessin van nagelbloemen
Object type: upholstered wall
Date: 1911 – 1915
Materials: linen
Techniques: damask
Location: eindhoven
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Beige-grijze damasten wandbespanning met een dessin van nagelbloemen. De onderste strepen zijn bruingrijs.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, fillet; part of head of youth to left
Terracotta krater
Object type: krater, dipylon
Date: 725 – 725
Materials: terracotta
Culture: greek, attic
Artist: trachones workshop
Artist role: artist

Oversize kraters were used as tomb markers and receptacles for ritual offerings. This one is decorated with a well-known and appropriate subject: the funeral of an Athenian aristocrat. The main scene shows a prothesis—the laying out of the deceased surrounded by mourners, who lift their arms to their heads. In this work, the deceased is shown with a long braid or pigtail issuing from his head; the same detail appears on the warriors standing to the right, suggesting that it is either his braided hair or the crest of his helmet. Also noteworthy is the little creature that seems to be attending to the warrior's head. Below the dead man sits a row of female mourners, who can be identified by the thin, lateral triangles projecting from their chests. Of the two subordinate zones, the upper one shows chariots drawn by two horses; the lower one shows a single horse per chariot. Foot soldiers are at a minimum. Of special interest is the charioteer positioned under the bier scene, who is accompanied by a seated child, perhaps the deceased’s son. This krater, like others of its type, was intentionally built with a hole pierced in the bottom of the body so that libations—liquid offerings—could flow directly through the earth and reach the deceased.
Covered goblet
Object type: goblet
Date: 1534 – 1566
Materials: foil, glass, silver, silver gilt
Techniques: glassblowing
Culture: italian
Subjects: lions
Zeitgenossen
Object type: print
Date: 1831 – 1835
Materials: paper
Techniques: engraving, etching
Location: hildburghausen
Artist: johann georg nordheim
Artist role: print maker
Artist dates: 1804 – 1853
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2233

Deze prent maakt deel uit van de vierde jaargang van de serie 'Zeitgenossen'. Andere staat van prent gebruikt in: Meyer, Joseph. Das Grosse Conversations-Lexikon für die gebildeten Stände. Hildburghausen: Bibliographisches Institut, 1840-1855.
Portret van een staande jongen met hoge hoed in de hand
Object type: semi enamel
Date: 1882 – 1911
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: sint-joost-ten-node
Artist: adrien louvois
Artist role: fotograaf
Artist dates: 1851 – 1930
Subjects: boy (child between toddler and youth), historical persons, head-gear: top hat
Inscriptions: inscription: ‘[Photographie/ Artistique Instantanée/ Reproduction sur porcelaine/ Impression aux encres grasses/ A. Louvois/ 51/ CHAUSSÉE de LOUVAIN/ lez-BRUXELLES/ Agrandissement en toute dimension/ peinture et encadrements./ Les clichés sont conservés.]’
Gezicht op een zeilboot te water
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Artist: p. grube
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: monogram: ‘MR/&Co’
Man wijst twee vrouwen op een ster
Object type: print
Date: 1800 – 1852
Materials: paper
Techniques: engraving, etching
Subjects: weeping, index finger forwards, pointing, indicating, stars and constellations
Inscriptions: collector's mark: Lugt 2228