deem-data/ArtiFact huggingface dataset:
Five Hairpins
Object type: print
Date: 1790 – 1800
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: head-gear and clothing for the upper part of the body
Inscriptions: collector's mark, verso, stamped: Lugt 2973

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Brief aan Jan Veth
Object type: letter
Date: 1921 – 1921
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: johan huizinga
Artist dates: 1872 – 1945
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, family life, diseases
Inscriptions: collector's mark: ‘RPK’
Le Moulin a Eau (The Water Mill), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Object type: print
Date: 1618 – 1618
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Portret van Willem I, prins van Oranje
Object type: book illustration
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: delft, william i (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Enfants à l'aigle
Object type: print
Date: 1846 – 1862
Materials: paper
Techniques: lithograph
Location: paris
Subjects: predatory birds: eagle, child (+ two persons), dog
Inscriptions: collector's mark: Lugt 964

Prent is waarschijnlijk verschenen in de serie 'Les artistes anciens et modernes' (zie Lugt 36a en 4801) of de serie 'Les artistes contemporains' (zie Lugt 36b).
Cabinet Design with Black Doors and Red Interior
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: douris
Artist role: artist

Exterior, start of handle root; part of circumscribed palmette
Ornamenteel paneel met grotesken
Object type: print
Date: 1500 – 1536
Materials: paper
Techniques: engraving
Location: italy
Subjects: ornament ~ grotesque, sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster), satyr(s) (in general), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 12

Ornamenteel paneel met groteske motieven, bestaande uit onder andere putti, saters, een hippocampus en duivelse wezens.
Hendrick Goltzius
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: jonas suyderhoef
Artist role: artist
Artist nationality: dutch
Artist dates: 1613 – 1686
Inscriptions: Lettered upper center: "Eer boven golt" and lower center: "I. Suyderhoef sculpxit P. Soutman excud cum privil."
Hunting Horn (Oliphant)
Object type: hunting horn
Date: 1701 – 1800
Materials: gilt silver, ivory
Techniques: carving
Location: india

Between the sixteenth and eighteenth centuries, ivory was often used for the hilts of ceremonial weapons as well as for powder horns and primers. Oliphants, or hunting horns, made use of the natural shape of the elephant tusk to produce a resonant sound.
Mannelijke kluizenaars en heremieten
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: munich
Subjects: specific aspects ~ st. basil the great, male saints (ephraem) - vision(ephraem), mystic marriage of male saint, waterfall, anchorite, hermit, deciduous forest
Inscriptions: collector's mark: Lugt 240

De H. Ephraim de Syriër als een vroeg-christelijke kluizenaar, in een hut in een boslandschap. Hij knielt voor het visioen van een vurige zuil die aan de hemel verschijnt (de aankonidiging van de H. Basilius de Grote).
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Interior, left elbow and forearm; in field, an alpha
Ravello - Belvedere del Palazzo Rufolo
Object type: photograph
Date: 1875 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: ravello
Artist: Anonymous
Subjects: city-view in general; 'veduta', rocky coast, balcony
Inscriptions: number: ‘8199a’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Italië.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, part of a black glazed line; reserve band interrupting black glaze
Stencil with Pattern of Ivy Leaves on Water
Object type: stencil
Date: 1801 – 1900
Materials: paper, silk
Culture: japanese
Subjects: leaves
Ring with intaglio of Harpokrates
Object type: ring, intaglio, harpokrates
Date: 200 – 100
Materials: gold
Location: egypt

The more recent studies note the shape of the hoop of this ring suggests a Hellenistic date.
Fotoreproductie van een schilderij, voorstellende drie mannen tekenen een man na
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: drawing, adult man
Êtienne Denis, Duc de Pasquier (1767–1862), French statesman
Object type: medallion
Date: 1832 – 1832
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Marskramer bij een boerenhoeve
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: drypoint, etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: church (exterior), farm or solitary house in landscape, dog
Inscriptions: collector's mark: Lugt 2228
Maria met Kind
Object type: print
Date: 1570 – 1609
Materials: paper
Techniques: etching
Location: italy
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: inscription: Lugt 240

Maria staat met het Christuskind in haar armen.
Portret van Johann Philipp von Schönborn, aartsbisschop van Mainz
Object type: print
Date: 1656 – 1666
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons

Prent mogelijk uit: Brachelius, Johannes Adolphus. Historia nostri temporis, dat is geschiedenis onses tijts (…). Rotterdam: Andries van Hoogenhuysen, 1656. Of uit latere publicaties (1659 en 1666).
Gezicht op het oude Bijbelshofje in de Anjelierstraat
Object type: drawing
Date: 1700 – 1799
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: alms-house (dutch: 'hofje'), city-view in general; 'veduta'
Inscriptions: collector's mark: ‘39-31’ Lugt 1641b, inscription: ‘het oude bijbelshofje inde / angelierstraat tot amsterdam / No 45-55 1902’

Onderwerpsrubriek binnen de Atlas Amsterdam: Van Brienenhofje “de Star” - Bijbels Hofje - Claes Reyniershofje - Constantiahofje.
Ornamenten met pijl en boog
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: 'tropaion', i.e. decorative ornament ~ weapons

Deze prent is gebruikt als ornament in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Textiel met religieuze voorstelling
Object type: page
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: angels
Schetsboek met 19 bladen
Object type: sketchbook
Date: 1883 – 1922
Materials: cardboard, chalk, linen, paper, pencil
Location: katwijk aan zee
Artist: johanna van de kamer
Artist dates: 1873 – 1922
Subjects: katwijk aan zee
Inscriptions: annotation: ‘22 x Katwijk a/Zee/ 2x paard/ I.A. van Schooten’, factory mark: ‘HvS/ No. 578.’, collector's mark: Lugt 2228a

Schetsboek bestaande uit 19 bladen met strandgezichten en een gezicht op Katwijk.
Lichamen van Romeo en Julia te midden van rouwende figuren
Object type: book illustration
Materials: paper
Techniques: tone lithography
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: romeo, juliet, mourning the dead
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Bij de lichamen van Romeo en Julia staan de franciscaner Lorenzo, de vorst van Verona en de graven Capulet en Montague. Zij rouwen om hun dochter en zoon. In de achtergrond staan mannen met fakkels. Rechts ligt het lichaam van de door Romeo vermoorde Paris.
Portret van een man
Object type: album leaf
Date: 1865 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: adult man
Inscriptions: inscription: ‘A. Greiner, Phot.’, inscription: ‘A. Greiner/ Photograf/ Nieuwendijk L. 87/ Amsterdam.’
Boerderij
Object type: print
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jabes heenck
Artist role: draughtsman, print maker
Artist dates: 1752 – 1782
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 240
Cannie!
Object type: drawing and watercolor
Date: 1870 – 1891
Materials: gouache, ink, paint, paper, watercolor
Techniques: brush, pen, wash
Location: england
Artist: charles samuel keene
Artist nationality: british
Artist dates: 1823 – 1891
The Bridge Over the Waterfall
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, hair, back, part of upper torso, genitals, tail, and thighs of satyr to left; part of circumscribed palmette
Sugar box with cover
Object type: sugar box with cover
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: women
Beek
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: drypoint, etching
Location: brussels
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: cow, church (exterior), brook, groups of trees
Inscriptions: collector's mark: Lugt 12

Een boomrijk landschap met links op de voorgrond een koe bij een beek. Op de achtergrond de contouren van een kerk.
Portret van Charles Bonnet
Object type: print
Date: 1779 – 1793
Materials: paper
Techniques: engraving
Location: denmark
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van de wetenschapper Charles Bonnet, buste in ovaal, naar rechts.
Essai sur les principes régissant l'administration de la justice aux Indes Orientales hollandaises surtout dans les îles de Java et de Madoura et leur application
Object type: book
Date: 1880 – 1880
Materials: linen, paper
Techniques: printing, rotogravure
Location: semarang
Artist: christiaan philip karel winckel
Artist role: advocaat, procureur, rechter, schrijver
Artist dates: 1842 – 1884
Inscriptions: annotation: ‘N 433’, date: ‘Aug 1992’
Covered box in the shape of a crab
Object type: covered box
Date: 1801 – 1850
Materials: glaze, porcelain
Culture: chinese
Subjects: crabs
Juniper Lake Aug 23 1885, Mount Tacoma Washington (from Sketchbook X)
Object type: drawing
Date: 1885 – 1885
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: plants

This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Soldaat die met zijn laadstok kruit en kogel in de loop van zijn roer duwt (nr. 26), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die met zijn linkerhand bij zijn linkerdijbeen een roer (een bepaald type vuurwapen) vasthoudt en met zijn rechterhand zijn laadstok in de loop brengt, om kruit en kogel aan te duwen (nr. 26), ca. 1600. Plaat 26 in de instructies voor het hanteren van de roer: Corte onderwysinghe op de figuerliicke afbeeldinghe, belanghende t'rechte ghebruyck des Roers. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, 's-Gravenhage, 1607. Krijgswezen rond 1600.
Wall decoration with floral and vegetal design
Object type: relief
Date: 501 – 600
Materials: plaster
Culture: sasanian
Location: mesopotamia
Shawl
Object type: shawl
Date: 1834 – 1866
Materials: wool
Culture: british
Arm and Hand Fragment
Object type: statuette
Date: 301 – 700
Materials: marble
Culture: coptic
Location: egypt
Subjects: hands
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, part of the face of a gorgoneion; part of the stem of the kylix; the underside of the tondo is unglazed
Terracotta fragment of a mastoid (drinking cup with narrow base) or a kyathos (cup-shaped ladle)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Leg of a figure to right; part of a vine; extended arm under drapery of a figure to left
Triomfpoort ter ere van 200 jaar vrijheid in Vlissingen, 1772
Object type: print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: triumphal arch, flushing
Inscriptions: collector's mark: Lugt 2228

Triomfpoort opgericht in de stad bij de viering van 200 jaar vrijheid in Vlissingen, 6 april 1772. Rijtuigen rijden door de erepoort of tempel. Gemerkt rechtsboven: XIII.D.Pl.III.
Charles Augustus "Kid" Nichols, Pitcher, Omaha Omahogs/ Lambs, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Coconut tankard
Object type: tankard
Date: 1601 – 1633
Materials: plant material, gilt silver
Artist: andreas fleischer
Artist role: maker
Artist dates: 1605 – 1618
Subjects: horses
Vrouw in klederdracht uit Andalusië en Valencia in danshouding in atelier
Object type: photograph
Date: 1885 – 1892
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, folk costume, regional costume
Inscriptions: annotation: ‘van Andalusia & Valencia’
Seal with Bird
Object type: sculpture
Materials: bronze
Culture: greek
Location: thessaly
Subjects: bird

This precious bronze object is a votive, or devotional gift, made as an offering to the gods. They come in many forms, such as animals, beads and brooches. Many seem once to have been attached to something else. Votives were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were ceremonially buried to make room for more offerings.
Louis II 1506-26, King of Hungary 1516-26, and his wife Maria (1505–1558), sister of Charles V
Object type: medal
Date: 1526 – 1526
Materials: silver
Techniques: gilding
Artist: michael hohenauer
Artist role: artist
Artist dates: 1500 – 1560
Card 434, Miss Arlington, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
"Evenwichtskraan", vervaardigd door HH. Appleby Brothers, Londen, Engeland
Object type: photograph
Materials: cardboard, paper
Techniques: albumen print
Location: leicester
Artist: frederick w. broadhead
Artist role: fotograaf
Subjects: england
Inscriptions: caption: ‘EVENWIGTSKRAAN//vervaardigd in de werkplaatsen van de HH. Appleby Brothers//Emerson Street Soutwark, londen//naar teekeningen (BREVET) van den ondergeteekende//Utrecht, 7 November 1874. J.W. Storn-Sloot [?]//Hoofd Ingenieur Werktuigkundige’, caption: ‘F.W. Broadhead, photo. LEICESTER’

"Evenwichtskraan", vervaardigd door HH. Appleby Brothers, Londen, Engeland, naar tekeningen van Hoofdingenieur Werktuigkundige J. W. Storn-Sloot [?], Utrecht, 7 november 1874
Ziet, hoe hij, wien de stem ontbreekt, / Door middel van de hand nog spreekt; / Maar dankt den hemel, lieve kind'ren, / Als niets u in de spraak mag hind'ren
Object type: popular print
Date: 1822 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: letters, alphabet, script
Inscriptions: collector's mark: Lugt 2760

Blad met 25 voorstellingen van de letters van het alfabet geïllustreerd met handengebaren waarmee alle letters van een alfabet worden uitgebeeld (handalfabet). Onder elke voorstelling een tweeregelig vers. Rechtsboven gemerkt: Letter F.
Veduta della fonte e delle Spelonche d'Egeria fuor della porta Capena or di S. Seb.n (...)
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: city-view, and landscape with man-made constructions, ruin of a building ~ architecture, landscape with ruins, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Bronze tweezers
Object type: tweezer
Date: 2900 – 1050
Materials: bronze
Culture: minoan

This tweezer type occurred first in the Early Minoan II period and became the standard type used on Crete in the Late Bronze Age.
Scotland, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Types of All Nations" series (N24), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Gezicht op een vakwerkhuis aan de Andreasplatz te Hildesheim
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper, ink
Techniques: photograph
Location: hildesheim
Artist: Anonymous
Subjects: urban housing, street
Inscriptions: collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, inscription: ‘CWN.’, inscription: ‘Renaissance - Duitschland.’
Jan Steen - De kwakzalver
Object type: photograph
Date: 1866 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: quack, charlatan, mountebank, 'saltimbanco', (playing with) dolls, weeping, festivities on st. nicholas (eve) (december 5), quack extracting teeth or molars
Inscriptions: annotation: ‘Musée d'Amsterdam’, annotation: ‘Musée d'Amsterdam’

Deze foto maakt deel uit van een omslag met 25 foto's.
Inktstel
Object type: miniature
Date: 1731 – 1747
Materials: silver
Location: amsterdam
Artist: egidius pieter prick
Artist dates: 1696 – 1747
Subjects: ink-well

Inktstel bestaande uit een langwerpig blad op poten met daarop bevestigd: een pennehouder, een inktpot en een zandstrooier. Het blad heeft een rechte opstaande rand met aan de buitenzijde een gegraveerde zig-zag lijn. Het inktstel is gemerkt: mt.= Egidius Pieter Prick.
Gezicht op Heineken's Bierbrouwerij aan de Stadhouderskade
Object type: print
Date: 1867 – 1950
Materials: paper
Techniques: drypoint, etching
Artist: Anonymous
Subjects: brewer, city-view in general; 'veduta', canal, the usual house or row of houses, bridge in city across river, canal, etc., street, boat propelled by man or animal
Inscriptions: inscription: ‘Stadhouderskade / Heineken's Bierbr. Maatij’, collector's mark: ‘13,97’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Slatuinenpad, Sloterkade, Slootstraat, Slijkstraat, Snoekjesgracht, Sophiapark, Spaarndammerdijk, Spiegelgracht, Spinhuissteeg, Spui, Spuistraat (ook lage Erf), Staalstraat, Stadhouderskade, Steenpad, Stroomarkt.
Design for a Console
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: furniture