deem-data/ArtiFact huggingface dataset:
Natural Trumpet in D
Object type: trumpet in e flat
Date: 1790 – 1790
Materials: brass
Culture: german
Location: germany
Artist: andreas naeplaesnigg
Artist role: maker
Artist nationality: german
Artist dates: 1780 – 1800

The instrument follows the Nuremberg tradition of trumpet making with its structural setup and decoration of cast brass putti of angels, embossed and engraved ferrules and garlands, glass stones, et cetera. Toward the end of the eighteenth century, Nuremberg lost its former significance, and trumpet making shifted to other places. Originally pitched in C, the tube was shortened to a higher pitch in the nineteenth century.
Behind the Orange River Intrenchments holding back the bravely advancing Boers - S. Africa
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: orange river
Artist: Anonymous
Subjects: the soldier; the soldier's life, trenches
Inscriptions: inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, number: ‘293’, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’, inscription
Dallyeong (Official’s robe)
Object type: robe
Date: 1867 – 1933
Materials: silk
Culture: korean
Halberd of Frederick of Hesse, Prince-Bishop of Breslau (reigned 1671–82)
Object type: halberd
Materials: steel, textile, wood
Culture: german
Location: germany
The Actors Segawa Kikunojo I as Onatsu and Ichimura Uzaemon VIII as Seijuro in the play "Uno Hana Nisei no Aikago," performed at the Ichimura Theater in the fourth month, 1747
Object type: print
Date: 1747 – 1747
Techniques: printmaking, woodblock print
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, part of the upper body of a draped youth to right, with his himation wrapped around his head; Exterior, torus foot, with an unglazed resting surface; the inner wall of the foot is glazed; the underside of the floor is decorated in concentric circles; the outer most edge is in reserve, followed by a wide band of black glaze; a thin band of reserve, and a thin band of black glaze frame the center area which is reserve; towards the center a band of black glaze
Bracelet
Object type: bracelet
Date: 401 – 500
Materials: copper alloy
Culture: celtic
De Heilige Joris te paard naast de gedode draak
Object type: print
Date: 1508 – 1508
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: the warrior martyr george (georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword
Inscriptions: collector's mark: Lugt 2228a

De Heilige Joris, in harnas op zijn paard, naast de draak die hij gedood heeft.
Terracotta fragment of a skyphos (deep drinking cup)?
Object type: skyphos fragment
Date: 490 – 480
Materials: terracotta
Culture: archaic
Artist: makron
Artist role: artist

Lower drapery and foot of a male to right; part of a draped woman to right; at the far right, bit of drapery of a third figure?
Saucer with woman and boy near a pavilion and panel decoration with landscapes
Object type: platter
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein met ronde wand, beschilderd op het glazuur met blauw, rood, roze, groen, geel, zwart en goud. Op het plat een medaillon met een vrouw en kind op een terras voor een paviljoen; om het medaillon acht vakken met cartouches tegen verschillend gekleurde grond met servetwerk: twee vakken met granaatappelvormige cartouche met haan of vogel, vier waaiervormige cartouches met ingenepen hoeken met landschap en bloemtak, twee perzikvormige cartouches met haas in een landschap. Famille rose.
Bodemfragment van een schotel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: platter
Date: 1700 – 1743
Materials: porcelain
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)

Porcelain, saucer, type 2; fragm of base, sim. 79-209H1318.
Batavia, Goenoeng Sari
Object type: photograph
Date: 1857 – 1908
Materials: cardboard, paper
Techniques: albumen print
Location: east java
Subjects: canal, batavia

Deze foto zat oorspronkelijk in prentenkabinet RP-F-AA3192.
Nieuwjaarswens van de Leidse askarrenmannen voor het jaar 1869
Object type: print
Date: 1868 – 1869
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: garbage collection, leiden
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens namens de askarrenmannen (karrenman of vuilnisman) van Leiden voor het jaar 1869. Bovenaan drie vignetten met centraal een askarreman bij zijn kar, links en rechts wapens van Nederland en Leiden. Binnen een omlijsting van fileetwerk. Onderaan een vers in twee kolommen. Namens de askarreman: A. van der Post.
Paalhoofden bij vloed
Object type: print
Date: 1851 – 1902
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: groyne ~ breakwater, sea (seascape)
Inscriptions: collector's mark: Lugt 2228, number: ‘388’

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 388.
S. Agapit, soldat (St. Agapitus, Soldier), March 24th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Cavalry Battle Scene
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: Anonymous
Ono no Tofu Watching a Leaping Frog
Object type: print
Techniques: woodblock print
Location: japan
Artist: kitao shigemasa
Artist role: artist
Artist nationality: japanese
Artist dates: 1739 – 1820
Austrian Soldiers
Object type: drawing
Date: 1767 – 1900
Materials: graphite, ink, watercolor
Techniques: pen
Artist: wilhelm von kobell
Artist role: artist
Artist nationality: german
Artist dates: 1766 – 1853
Subjects: human figures,soldiers,dogs,horses
Koe in een weiland met knotwilgen
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: cow, meadow, pasture, trees: willow

Blad 8 recto uit een schetsboek met 43 bladen.
ROMA - Basilica di S. Giovanni in Laterano. L'Interno.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-jan van lateranen
Subjects: parts of church interior: nave, parts of church interior: choir
Inscriptions: number: ‘P.e I.a N.o 5848.’, collector's mark: Lugt 3937
Schellenbaum
Object type: schellenbaum
Date: 1801 – 1833
Materials: metal, wood
Culture: german
Location: germany

The Turkish Crescent, still used in traditional Turkish ensembles, was an important instrument of European Janissary bands during the 18th century. Also adopted by large military bands, it gradually went out of style in the mid-1800s. The instrument is equipped with bells and jingles and was played by shaking it up and down and in a twisting motion to produce jingling sounds. The Muslim crescent and horsetail plumes are emblems of the battlefield. Technical description: The metal pole fits inside the wood handle. A spring handle makes the entire instrument move more, creating more jingling. The metal pole is surmounted with a brass crescent pointing up. Below the bras crescent is a small ball, and below that are four hooks equally spaced around the pole and each with a metal bell with an internal clapper. Below the hooks is another small ball, and then a very large cone shaped piece with three rows of concentric circles "punched out." Around the bell of this cone are hung twelve more bells, each with an internal clapper. Below the cone is a very large ball decorated with 6 metal stars affixed to the outside. Next is a very large crescent, also pointed upwards, which bears four more internal clapper bells and two horse hair pendants. The horse hair appears to be quite old, although it is difficult to determine if it is original. The final piece of the instrument, at the bottom of the pole just above the handle is a large hemisphered pointing down. The hemisphere has three rows of concentric circles "punched out" and the surface is broken up by creases or folds all around the body. At each of these creases is hung a small pellet bell (crotal).
Bruges. Tombeau de Notre-Seigneur à l'église Jérusalem
Object type: photomechanical print
Date: 1907 – 1930
Materials: cardboard
Techniques: photograph
Location: bruges
Subjects: grave, tomb, interior of church
Straat met Indonesische kinderen
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, child, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Tussen en naast de kinderen staan ook enkele volwassenen. Pagina 55 uit een schetsboek met 74 bladen.
Commodes
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching
Location: germany
Subjects: ornamental cupboard, dolphin ~ ornament, mask, mascaron ~ ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Voor- en bovenaanzichten van twee geornamenteerde commodes met rocailles, boven met mannelijk masker met baard, onder met dolfijnen.
Derde taler uit Brandenburg van Friedrich III, 1690
Object type: derde taler
Date: 1690 – 1690
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: borstbeeld naar rechts. Keerzijde: tussen letters L,C en S samengesteld versierd wapenschild, waarop keurvorstenhoed. Rondom hoed jaartal. Onder wapenschild waarde-aanduidng. Gladde rand.
Duke of Burgundy
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: london
Subjects: william shakespeare, philip iii the good, historical persons, knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228

Prent uit: Shak[e]speare Illustrated (...). Londen: Sylvester en Edward Harding, 1793.
Verliefd paar zittend op bed
Object type: print
Date: 1846 – 1880
Materials: paper
Techniques: lithograph
Location: paris
Subjects: (lovers) caressing each other, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Scène uit het gedicht 'L'Art d'aimer' van Pierre-Joseph Bernard.
Valance
Object type: valance
Date: 1701 – 1733
Materials: metal thread, silk
Culture: chinese
Subjects: pomegranates,trees,bells

Qing dynasty (1644–1911), early 18th century Silk and metallic thread embroidery on silk satin Birds, flowers, and pomegranates flank an exuberant and prolific peach tree at the center of this embroidered valance, which is imbued with themes of fertility and longevity. Below the tree is a stream in which floats an imposing golden bell, antique in form, accompanied by a halberd and a musical stone, two items that form the rebus for a celebratory occasion.
Rendez-vous zur Parforce-Jagd
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching
Location: weimar
Artist: hans w. schmidt
Artist role: print maker
Artist dates: 1859 – 1950
Subjects: hunters resting during the hunt
Inscriptions: : ‘Uit "Radierungen" Weimar 1889 Hans W. Schmidt’, collector's mark: Lugt 2228
Politieke badkuur
Object type: cartoon
Date: 1882 – 1882
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: minister, constantijn theodore lynden van sandenburg

Politieke spotprent met minister Van Lynden van Sandenburg als badgast. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 29, 1882.
Portret van Jacob Pieter Moltzer
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: amsterdam, jacob pieter moltzer, reading, historical persons

Portret van de rechtsgeleerde Jacob Pieter Moltzer, lezend in een stoel voor een kast met boeken. In de serie 'Bekende Tijdgenooten', nr. XXXIII.
Carpet (Known as a "Ryijy" or "Rya")
Object type: textile
Date: 1701 – 1725
Materials: wool
Techniques: cutting, weave
Location: finland
Bewening
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: italy
Subjects: lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Inscriptions: collector's mark: Lugt 240

Het lichaam van Christus wordt beweend door twee Maria's en Johannes de Evangelist. Tekst in ondermarge.
Plate 40: My God! Monseigneur, I am forced to leave for the countryside, allow me to leave my wife behind to keep you company, from 'Caricaturana,' published in Les Robert Macaires
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,women
Figure of a standing man
Object type: figure
Date: 601 – 800
Materials: earthenware, pigment
Culture: chinese
Subjects: men
Slapende vrouw
Object type: drawing
Date: 1520 – 1563
Materials: paper, pencil
Artist: francesco salviati
Artist role: draughtsman, painter, print maker
Artist dates: 1510 – 1563
Subjects: sleeping; unconsciousness
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1634 – 1766
Materials: silver
Culture: japanese
Location: japan
Subjects: men
Galeria nel Palazzo Farnese in Roma
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Location: vatican city
Subjects: triton(s), swimming mammals: dolphin, triumph of galatea, polyphemus playing the syrinx, other nereids (or sea-nymphs), cupids: 'amores', 'amoretti', 'putti'

Prent uit een reeks prenten met nummers van 1 tot en met 29 (sommige prenten hebben hetzelfde nummer), plus titelprent en opdracht, naar schilderingen in Palazzo Farnese te Rome.
Groepsportret van onbekende mannen, vrouwen en kinderen op de trap van een veranda
Object type: cabinet photograph
Date: 1880 – 1910
Materials: paper, cardboard
Techniques: matte daylight collodion silver print
Location: dutch east indies
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), loggia, verandah, porch, anonymous historical persons portrayed in a group, in a group-portrait, dutch east indies, the
Alle de wercken, zo in de medicyne als chirurgie van de heer Ioan van Beverwyck
Object type: print
Date: 1612 – 1656
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: stag-hunting
Inscriptions: collector's mark: Lugt 2228

Geneesheer Johan van Beverwijk bestudeert boeken en zit met Apollo aan tafel in interieur met op de wand voorstelling van medische ingreep: een aderlating. In cartouche boven Adam in het paradijs en cartouche onder hertenjacht geflankeerd door twee zwanen met gespreide vleugels.
Le Marquis de Force-Nature en habit de labouratoire / Dr. Dwingdwangius Naturalis of gewaande Herschepper der Metaalen / Herr Blasius Rauchmantl, der frucht-loszen Alchimie Kunst Archi-Sectator, Quintae Essentiae Stultorum Possessor
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: caricatures (human types), little people, alchemist at work

De kleine mens Dr. Dwingdwangius Naturalis als alchemist. In het onderschrift verzen in het Duits, Frans en Nederlands. Afdruk binnen een decoratieve omlijsting gedrukt van een aparte plaat met koppen van kleine mensen en maskers. Genummerd rechts midden: 36. Onderdeel van de Nederlandse gebonden uitgave uit 1716 van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel, gekopieerd naar een ouder Duits voorbeeld.
Rakan
Object type: hanging scroll
Date: 1333 – 1392
Materials: ink, silk
Culture: japanese
Subjects: animals,men

Arhats (known in Japanese as rakan) are legendary disciples of the historical Buddha, Shakyamuni. Following his example, they attained enlightenment through their own efforts. Like the disciples of Jesus, they remain in the world to preserve the teachings of the historical Buddha until the coming of the future Buddha, Maitreya. They are invariably portrayed in outdoor settings, often attended by animals both familiar and fantastic. Images of rakan hold a special place in Zen Buddhism, where they are honored as exemplars of the individual spiritual quest. They are usually envisioned in groups of sixteen, eighteen, or five hundred and are hung flanking an image of Shakyamuni. These two can be presumed to have come from a set of sixteen, the most common format. They are closely modeled on paintings (now in the Tokyo National Museum) that were signed by a Chinese professional painter, Jin Dashou, at the end of the twelfth century in Ningbo, the port in Zhejiang Province through which Chinese teachers and Japanese students of the Zen sect traveled. The Chinese mien of the figures and the garden setting are features of an iconographic tradition attributed to Li Gonglin (ca. 1040–1106), the most celebrated figure painter of the Song dynasty.
Pirori-geiser
Object type: page
Date: 1865 – 1875
Materials: paper
Techniques: photograph
Location: new zealand
Subjects: hot spring, geyser
Stadhuis te Luzern met rechts het Musée Historique (de tegenwoordige Kornschütte)
Object type: photomechanical print
Date: 1870 – 1890
Materials: paper
Techniques: photograph
Location: lucerne
Artist: Anonymous
Subjects: townhall, permanent exhibition, museum
Inscriptions: number: ‘912’
Yumi Hachiman, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
The Courtesan Hanamurasaki of the Tamaya, from the series "Courtesans of the Five Festivals (Yukun gosekku)"
Object type: print
Date: 1805 – 1805
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Portret van een staande jongen
Object type: photograph
Date: 1872 – 1879
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: hendrik anthonie karel ringler
Artist role: draughtsman
Artist dates: 1846 – 1879
Subjects: boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘H.A.K. Ringler/ Weststraat bij het Zaailand/ Leeuwarden’, number: ‘40’
Tablecover
Object type: tablecover
Date: 1876 – 1876
Materials: silk, wool
Techniques: embroidery
Culture: american
Subjects: flowers
Figuren bij een waterput
Object type: sketchbook leaf
Date: 1800 – 1899
Materials: chalk, ink, paper
Techniques: brush
Artist: Anonymous
Subjects: well, gate, entrance, landscapes (+ landscape with figures, staffage)

Landschap met een poort, bomen en waterput. Bij de waterput staan drie meisjes met vazen en een man met een ezel. Blad 1 recto uit een schetsboek met 13 bladen.
Portret van Gerardus Johannes Vinke
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: amsterdam, historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit in een interieur. Onder het portret zijn signatuur.
Kikker rijdend op een ooievaar
Object type: drawing
Materials: ink, paper, pencil
Techniques: pen
Artist: anny leusink
Artist role: draughtsman
Subjects: tailless amphibians: frog, shore-birds and wading-birds: stork
Inscriptions: signature: ‘A. Leusink’, collector's mark: Lugt 2228, annotation: ‘Mekaar helpen. IV./ [slot]/ ...."Voordat je me nu vertellen gaat hoe de ooievaars/ en de kikkers .......’, :

Een kikker berijdt een ooievaar en houdt een teugel en een takje vast. Op de grond lopen drie kikkers hand in hand.
La sainte Face couronnee d'epines, (petit format)
Object type: print
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: faces,christ
Revenue Flag, United States, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "Naval Flags" series (N17), issued ca. 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
O Chafariz do Campo / Fontaine du Campo
Object type: print
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: ornamental fountain
Inscriptions: check stamp: ‘T’, collector's mark: Lugt 2228
Twee schetsen met vissersboten
Object type: drawing
Date: 1834 – 1893
Materials: paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: sailing-ship, sailing-boat
Rod or Bobbin
Object type: rod or bobbin
Date: 401 – 800
Materials: bone
Techniques: carving
Location: palestine
Portret van Gustaf Bonde in versierde lijst met sleutel
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving
Location: paris
Artist: pierre lombard
Artist role: draughtsman, print maker
Artist dates: 1612 – 1682
Subjects: official; civil servant; functionary (in general), historical persons, key
Inscriptions: inscription: ‘Lombart sculpsit parisis 1670’
Agate Rectangular Prism
Object type: prism, rectangular
Date: 1800 – 1700
Materials: stone
Culture: minoan

embellished spiral; Cretan hieroglyphs
Noli Me Tangere
Object type: border
Date: 1401 – 1433
Materials: metal thread, silk
Techniques: weave
Subjects: trees,christ,mary magdalene,flags

The textile depicts Christ immediately after the Resurrection at the moment when he is recognized by Mary Magdalene.
La Bonne Mere
Object type: print
Techniques: etching
Artist: jean honoré fragonard
Artist role: artist
Artist nationality: french
Artist dates: 1732 – 1806
Subjects: infants,mothers,trees,coat of arms
Ware ende eygenlycke afbeeldinghe van de hooch aensienlycke vergaderinge gehouden int jaer 1530 den 25 juny op den bisschoplycken sael binnen de stadt Augsborch
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: engraving
Artist: hendrick lodewyck
Artist role: print maker
Artist dates:  – 1652
Subjects: ghent, charles v (holy roman emperor and king of spain), negotiations, conference ~ diplomacy, augsburg
Inscriptions: collector's mark: Lugt 2228

Rijksdag van Augsburg, 25 juni 1530. Gezicht op de zaal met alle aanwezigen, links Karel V op zijn troon. Onder de voorstelling verklaring van de nummers 1-47 met de namen van de voorgestelden.
Kloostergewelven met monniken
Object type: drawing
Date: 1844 – 1844
Materials: ink, paper
Techniques: brush, pen
Artist: hippolyte victor valentin sebron
Artist role: draughtsman
Artist dates: 1801 – 1879
Subjects: monk(s), friar(s), cloisters ~ monastery
Piece
Object type: piece
Date: 1735 – 1740
Materials: metal thread, silk
Subjects: houses,horns,flowers
Ensemble
Object type: ensemble
Date: 1866 – 1867
Materials: silk
Culture: american