deem-data/ArtiFact huggingface dataset:
Staande naakte vrouw
Object type: drawing
Date: 1901 – 1954
Materials: chalk, paper
Artist: roelf gerbrands
Artist role: designer, draughtsman, print maker
Artist dates: 1891 – 1954
Subjects: woman (showing herself) undressed, quasi-nude, standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Tetradrachm
Object type: coin
Date: 49 – 50
Materials: silver
Culture: parthian
Location: iran
Subjects: men,profiles

Numismatists – the scholars who study coins – refer to the ‘front’ side of the coin, which usually features the head of a person or god, as the ‘obverse,’ and the ‘back’ side as the ‘reverse.’ On the obverse of this silver tetradrachm coin, a bust of the king faces to the left. He has a pointed beard and curly hair, rendered as rows of dots, and wears a diadem (the headband worn by victorious athletes in ancient Greece). He wears a necklace around his neck. A border of dots surrounds the image. The reverse shows a seated man facing right. He has a long bead and wears a diadem (only the ends are visible at the back of his head) and trousers. He sits on a high-backed throne. A woman stands before him facing left. In her outstretched right hand she holds a diadem, and in her left a cornucopia. The figures are surrounded by a Greek inscription which cannot easily be read, since parts of it disappear off the edge of the coin; however, it can be reconstructed from other examples as reading "of the king of kings Arsaces the generous, just, renowned and Greek-loving." The Greek letters AΞT appear above the figures. This is the number 361, and refers to the date of the coin: year 361 of the Seleucid era (which began in 312 B.C.), that is, A.D. 49-50. The letters APTEMI, appear below the figures, an abbreviation for APTEMIΣIOY, a month in the Seleucid calendar corresponding to April. This coin was struck by the Parthian king Gotarzes II (reigned ca. A.D. 40–51) at Seleucia-on-the-Tigris near modern Baghdad. Seleucia was captured by the Parthians in 141 B.C., but the mint there continued to strike large tetradrachm coins up until the end of the Parthian Empire – the only Parthian mint to do so. These coins also featured different imagery than most other Parthian issues. In this case the reverse of the coin shows the goddess Tyche (‘Fortune’), identifiable by her cornucopia, before the seated figure of Gotarzes. The king on the obverse is probably meant to be Gotarzes as well, wearing a diadem as a symbol of victory. The inscription on this coin, like those on almost all Parthian coins, names the first ruler of the empire Arsaces I (reigned ca. 247–217 B.C.), rather than the current ruler. It may be a reference to the dynasty founded by Arsaces, or perhaps the seated archer is meant to represent him. It is also possible that all Parthian kings were called ‘Arsaces’ as a title or throne name.
Studie
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 29 recto uit schetsboek VI met 33 bladen.
The Forge
Object type: print
Date: 1861 – 1861
Materials: ink, paper
Techniques: drypoint
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed and dated in plate, lower right: "Whistler. / 1861."
Netsuke of Dutchman Holding a Cock in His Arms
Object type: netsuke
Date: 1767 – 1800
Materials: ivory
Culture: japanese
Subjects: roosters
Loves of the Gods
Object type: print
Date: 1686 – 1704
Materials: paper
Techniques: etching
Location: augsburg
Subjects: jupiter wooing semele
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een serie bestaande uit ten minste vier prenten met mythologische godenliefden.
Decorative object
Object type: decoratief object
Date: 1685 – 1690
Materials: faience
Location: delft
Artist: adrianus kocx
Artist role: plateelbakker
Subjects: flowers ~ ornament
Inscriptions: mark: ‘6/ AK (ineen)/ 3’

Decoratief object van faience met op het Chinese porselein geïnspireerde bloemen.
Zijdeweefsel met bloempatroon, onder meer met pioenrozen
Object type: silk textile
Date: 1840 – 1850
Materials: silk
Techniques: brocade, lampas, weave
Location: lyon

Wall covering. Brocaded silk. France, Lyon, c. 1840 - 1850, by Tassinari & Chatel (?).
Portret van Salomon Gessner
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: engraving, letterpress printing
Location: zurich
Subjects: painter, print maker, salomon gessner, historical persons, title-page, portrait, self-portrait of draughtsman
Inscriptions: date

Deze prent is gemaakt voor een serie uit 1811 getiteld: Collection des tableaux en gouache et des dessins de Salomon Gessner. Gravés à l'eau forte par Guil. Kolbe. De gehele serie is in het bezit van het RMA onder inv. nr. RP-P-2005-184.
Rowel Spur (Right)
Object type: spur
Date: 1867 – 1900
Materials: metal alloy, nickel
Culture: american or english
Location: united kingdom

This type of mass produced rowel spur, made of cast iron and tinned to protect it from rust, was the regular cavalry spur used in the late 19th century.
Veld van vier diertegels
Object type: diertegel
Date: 1620 – 1640
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van vier diertegels (2 x 2) elk met een blauw geschilderd dier: hert of leeuw. Het dier is omgeven door een koelpelvormige hemel van wolkjes en streepjes.
Grazend rund achter muur
Object type: titelprent, frontispice
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Crown of Italy, Italy, from the World's Decorations series (N44) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: medals

Trade cards from the "World's Decorations" series (N44), issued in 1890 in a numbered set of 50 cards to promote Allen & Ginter brand cigarettes. Series N44 reproduces the cards from N30 in a larger size.
Fragments of the Book of the Dead
Object type: papyrus, funerary, book of the dead
Materials: ink, papyrus
Location: egypt
Henri Herz
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: vienna, paris, henri herz, historical persons
Inscriptions: collector's mark: Lugt 2228a
Prenten naar schilderijen door Philips Wouwerman
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: etching
Location: france
Artist: jean moyreau
Artist role: print maker, publisher
Artist dates: 1690 – 1762
Subjects: hunters resting during the hunt, assembling, 'départ pour la chasse'
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van 89 prenten te dateren tussen ca. 1733-1762, naar het geschilderde oeuvre van Philips Wouwerman.
Dit betreft plaat 67.
Schede horend bij de sabel van Maarten Harpertszn. Tromp
Object type: knife with sheath
Date: 1650 – 1700
Materials: leather, silver
Techniques: engraving
Artist: Anonymous
Subjects: maarten harpertszoon tromp, ornaments ~ art

Lederen schede met gegraveerde zilveren montuur.
Jacht op wilde stieren
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: vatican city
Subjects: bull, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), hunt ~ mammals
Inscriptions: number: ‘4’, collector's mark: ‘Hinloopen’

Landschap met mannen met speren te paard en mannen met pijl-en-boog jagend op wilde stieren.
Proposal for Astor House (Park Hotel), New York (perspective)
Object type: drawing ornament architecture
Date: 1830 – 1834
Materials: graphite, ink, paper, watercolor
Artist: ithiel town
Artist role: architect
Artist nationality: american
Artist dates: 1784 – 1844
Subjects: architecture,hotels

This drawing shows a design produced by A.J. Davis and Ithiel Town (as Town & Davis, 1829-1835) for the Astor House, the first luxury hotel in New York City envisioned by John Jacob Astor. Athough Town & Davis' imaginative study was very modern and quite spectacular, the actual commission went to Isaiah Rogers in 1834 and the hotel opened in 1836 as the Park Hotel. The south side of the building was demolished in 1913 to make way for the subway constructions, and the rest of the building was torn down in 1926.
Antieke medailles
Object type: photograph
Date: 1849 – 1859
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: medal (considered as a piece of sculpture, regardless of its specific function)
Inscriptions: name: ‘A. Cadart 3. Rue St. Fiacre Paris Editeur’, number: ‘8’
Tiran op zijn troon terwijl een man een zwaard trekt
Object type: album leaf
Date: 1514 – 1531
Materials: paper
Techniques: letterpress printing
Subjects: revolutionary council, attempt, political murder, dictatorial government, tyranny; 'tirannide' (ripa)

Deze prent is gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Den Boom des Verbondts / Arbor Pacis
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: philip ii of spain, agreement, unity; 'concordia', 'concordia insuperabile', 'concordia militare', 'concordia di pace', 'unione civile' (ripa), charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, fidelity; 'fedeltà' (ripa), disagreement, discord; 'discordia' (ripa), delusion, fallacy; 'prima impressione' (ripa), trees (+ plants used symbolically)
Inscriptions: inscription: ‘DEN BOOM DES VERBONDTS.’, inscription: ‘ARBOR.PACIS.’, caption: ‘Als Liefde met Trouwe vast door Concordantie....In der not wirt gotts und der Minschen trou bekant.’
Koe wordt gemolken in een landschap
Object type: print
Date: 1809 – 1859
Materials: paper
Techniques: tone lithography
Location: netherlands
Artist: pieter de goeje
Artist role: draughtsman, print maker
Artist dates: 1789 – 1859
Subjects: cow, he-goat, billy-goat, meadow, pasture (+ landscape with figures, staffage), milking
Inscriptions: collector's mark: Lugt 2228

De koe wordt gemolken door een boerin. Ernaast ligt een tweede koe voor een hek. In het water staat een geitenbok.
The Vision of Saint Jerome
Object type: print
Date: 1763 – 1764
Techniques: etching
Artist: jean honoré fragonard
Artist role: artist
Artist nationality: french
Artist dates: 1732 – 1806
Subjects: infants,angels,saint jerome
Trade Card for W. Percival, General Engraver & Ornamental Printer
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving, etching
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Mei 1807, No. 10 : Capote de Taffetas,...
Object type: fashion print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: head-gear (capote) (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), fashion plates, dress, gown (+ women's clothes), necklace (+ women's clothes)
Inscriptions: caption: ‘Capote de Caffetas. Robe de Perkale’
Borstbeeld van boer met hoed en pijp, en profil
Object type: print
Date: 1749 – 1809
Materials: paper
Techniques: printmaking, etching
Location: leiden
Artist: joannis jacobus bijlaert
Artist role: draughtsman, print maker
Artist dates: 1734 – 1809
Subjects: pipe ~ tobacco
Inscriptions: collector's mark: Lugt 2228
Glass mosaic bowl
Object type: bowl, mosaic
Date: 200 – 35
Materials: glass
Culture: greek, eastern mediterranean

Colorless, translucent honey brown, translucent turquoise blue, appearing green, opaque white, opaque yellow, and opaque light blue. Vertical rim with rounded edge; shallow, convex side, tapering downward to broad, slightly convex bottom. Composite mosaic pattern formed from polygonal sections and square segments of four canes: the first in a brown ground with a white spiral; the second in a turquoise blue ground with a yellow spiral and central brown dot; the third in a colorless ground with a white spiral and central brown dot, and the fourth in blue segments. A brown cane wound spirally with a single white thread is attached as a rim. Broken and repaired, but complete; slight pitting and dulling, three areas of creamy white iridescent weathering; two holes drilled in side below rim. Rotary grinding marks on interior.
[Woman in Apron and Bonnet Grinding Coffee in Kitchen Setting]
Object type: daguerreotype
Date: 1850 – 1859
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: kitchens,women
Ensemble
Object type: ensemble
Date: 1840 – 1840
Materials: silk, wool
Culture: american or european
Portrait of a Young Girl
Object type: painting
Date: 1633 – 1635
Materials: oil, paint, panel, wood
Techniques: painting
Location: netherlands
Artist: attributed to pieter dubordieu
Artist nationality: dutch
Artist dates: 1609 – 1678
Subjects: portraits: female subject, dutch, dresses, jewelry, luxury, girl, portraits, portrait

This hauntingly simple and direct portrait of a young girl has been attributed to Pieter Dubordieu, a portrait painter who worked in Leiden, but was born in the French-speaking part of the ancient province of Flanders. The attribution to him is based on a comparison to two slightly later signed-and-dated portraits of women in the Rijksmuseum, Amsterdam, that share the same direct, solemn gaze, crisp silhouetting of the figure, and strong pattern of light and dark.
Geornamenteerde deksels
Object type: print
Date: 1670 – 1725
Materials: paper
Techniques: etching
Location: germany
Subjects: ornaments ~ art, snuff-box
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vier deksels van snuifdozen. Links boven en links- en rechts onder met ornamenten. Rechts boven met maskers.
Het ontslag der spoorwegwerklieden
Object type: cartoon
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, abraham kuyper, the poor, strike (political demonstration), political caricatures and satires

De Menselijkheid verzoekt Kuyper en zijn ministers om medelijden met de ontslagen spoorwegarbeiders en hun families.
Scribe's Palette and Brushes
Object type: palette and brush, scribe
Date: 664 – 332
Materials: ink, wood
Location: egypt

Discovered in the debris from the forecourt of a tomb at Thebes, this group of objects would have belonged to a scribe. Included here are a wooden palette (containing an unused cake of black ink) (a) and three reed brushes (b–d); a skein of thread (e); several sheets of papyrus (h1–3, i); a string to bind the papyrus (f); another string to tie the papyrus to the palette (g); and linen cloth that had been wrapped around the entire set (j).
Valley of desolation
Object type: page
Date: 1890 – 1900
Materials: linen
Techniques: photograph
Artist: Anonymous
Subjects: waterfall, forest, wood
Portret van Margaretha van Parma, landvoogdes der Nederlanden
Object type: print
Date: 1840 – 1884
Materials: paper
Techniques: engraving, etching, roulette
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: oudenaarde, ortona, landvoogd, landvoogdes der nederlanden margaretha van parma
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. 5 delen, Amsterdam: Schleijer, J.F. 1840-1884, dl 2.4, p. 92.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, bent right arm, lower torso, genitals, and legs of a warrior with a round shield
Cat
Object type: painting
Materials: lacquer, paper
Location: japan
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Side Chair
Object type: side chair
Date: 1875 – 1875
Materials: wood
Culture: american
Location: united states
Artist: pottier and stymus manufacturing company
Artist role: maker
Artist dates: 1858 – 1919
Grand Latanier
Object type: photograph
Date: 1863 – 1863
Techniques: albumen silver print, glass negative
Artist: désiré charnay
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1915
Subjects: trees

Strange. Bizarre. Exuberant. Extraordinary. Vigorous. Désiré Charnay didn’t lack words to describe the exotic vegetation he encountered on his 1863 expedition to Madagascar and the Comoro Islands; the pictures he made of several native trees—veritable portraits that suggest individual personalities—are equally expressive. He was particularly captivated by the giant baobab trees on the island of Mohéli (or Mwali) and compared their “majestic trunks” to pyramids rising from the tiny island. He identified the latanier (more likely a Bismarck palm) as the source of local industry: the Malagasy people were known for intricate mats braided from the plant’s leaves. Charnay recounted these details in his memoir about the trip, “A Bird’s Eye View of Madagascar,” which was published in the periodical Le Tour du Monde in 1864. The baobab and palm trees, along with a fougère arborescente, or fern tree, were illustrated in the article by wood engravings based on his photographs.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Mai 1931, No. 129, 11e Année, p. 19
Object type: magazine
Date: 1931 – 1931
Materials: paper
Techniques: printing, hand coloring, lithograph, photography, pochoir
Subjects: ensembles of pieces of clothing (suit) (+ women's clothes), dress, gown: day dress (+ women's clothes), clothing for the upper part of the body (casaque) (+ women's clothes), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Projet d’assiette (Leda) (Design for a Plate [Leda]), frontispiece from the Volpini Suite
Object type: print
Date: 1889 – 1889
Materials: crayon, paper, watercolor
Techniques: lithography
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Signed recto, below image, in pen and brown ink: "Dessins Lithographiques / Paul Gauguin"; signed in plate, upper right, printed in black ink: "homis soit qui mal y pense PGO [in reverse]"; inscribed in plate, below image, printed in black ink: "Projet d’asiet en 89"; inscribed verso, lower left, in graphite: "43.1021A / R8013"
Epitaaf met portret van Johann Christian Bach
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching, intaglio
Location: london
Subjects: historical persons, monument, statue
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Epitaaf met een allegorie op de muziek en een medaillon met het portret van Johann Christian Bach.
Modellen voor klampen en beugels van boeksloten
Object type: hasp
Date: 1750 – 1775
Materials: copper
Techniques: repoussé
Location: amsterdam
Artist: Anonymous

Modellen voor gietvormen van klampen en beugels van boeksloten. Allen versierd met een in rococo-ornament gevatte voorstelling. De klampen geven respectievelijk een putto met een weegschaal en een zwaard; een putto met een lans en een brandend altaar en een putto met een spiegel weer. De beugels geven een putto met een brandende fakkel en een putto met een anker en een vogel weer. De achterzijden zijn met pek opgevuld.
Brief aan Philip Zilcken
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: pen, printing, writing
Location: brussels
Artist: octave maus
Artist role: painter
Artist dates: 1856 – 1919
Subjects: the hague, painter, draughtsman, jacob maris, philip zilcken
Inscriptions: watermark, collector's mark: ‘RPK’
Fotoalbum (leeg)
Object type: slip in album
Date: 1860 – 1900
Materials: cardboard, leather, metal, paper
Techniques: color on snow
Artist: Anonymous
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 837’

Fotoalbum met veertig pagina's met ieder een met gouden lijnen omkaderde passe-partout voor een kabinetfoto.
Getting Rid of the Spoils System Deadwood, from Puck
Object type: print
Materials: paper
Techniques: lithograph
Location: united states
Artist: joseph keppler
Artist nationality: american
Artist dates: 1838 – 1894
Fragment of a vessel with animals in relief, joined to a cast of another fragment from the same bowl
Object type: vessel
Date: 3300 – 2900
Materials: limestone
Location: southern mesopotamia
Subjects: animals,birds
Geometria (Meetkunde)
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: 'geometria' (~ quadrivium); 'geometria' (ripa)
Inscriptions: caption:, collector's mark: Lugt 2228

Geometria, een vrouw met een stedenkroon op haar hoofd, meet op een globe de afstand tussen twee punten met een passer. Twee mannen kijken met haar mee. Op de grond liggen meetinstrumenten en boeken. Een pad en een slang proberen langs de ronding van de globe omhoog te klimmen. Op de achtergrond ruïnes van antieke gebouwen.
Portret van Johann Friedrich Dieffenbach
Object type: print
Date: 1828 – 1887
Materials: paper
Techniques: lithograph
Location: paris
Subjects: berlin, historical persons, barber; surgeon
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Pietro Del Vecchio Leipzig’
Abeville
Object type: area plan
Date: 1656 – 1656
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: maps of cities

Kaart uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1656, dl. 2, na p. 14.
Ciprianis beginselen van het tekenen
Object type: print
Date: 1738 – 1815
Materials: paper
Techniques: etching, engraving
Location: italy
Artist: francesco bartolozzi
Artist role: draughtsman, print maker, publisher
Artist dates: 1727 – 1815
Subjects: drawing, art, single muses, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een Muse of de personificatie van de schilderkunst zit voor een leeg tablet. Om het tablet staan en zweven drie putti.
Venster met gordijn
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Kruisvenster met vaas en gedrapeerde gordijnen. Prent uit 311e Livraison.
Hotel De Plasmolen. Mook bij Nijmegen
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1928
Materials: cardboard
Techniques: photograph, writing
Location: plasmolen
Subjects: pond, hotel, hostelry, inn
Inscriptions: postage stamp
Fragment of a Lid
Object type: fragment
Date: 701 – 900
Materials: earthenware
Location: iran
Watch
Object type: watch
Date: 1550 – 1550
Materials: gilt, metal
Artist: leopold reicheneder
Artist role: maker
Artist dates: 1520 – 1580
Subjects: children,men,women
Vielle à Roue
Object type: vielle à roue
Date: 1760 – 1780
Materials: wood, ivory, mother of pearl
Culture: french
Location: france
Artist: françois le jeune
Artist role: maker
Artist nationality: french
Artist dates: 1722 – 1784
Subjects: heads
Medallion
Object type: medallion
Date: 1819 – 1819
Materials: bronze
Location: france
Artist: godel & co. fine art
Artist role: maker
Artist dates:  – 9999
Subjects: benjamin franklin,profiles
Titelpagina voor: Le Mercure hollandois, dl VII, 1680
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) mercury (hermes), abundance; 'abondanza', 'abondanza maritima' (ripa), serpent ouroboros, temple, shrine ~ non-christian religions
Inscriptions: collector's mark: Lugt 2228

De gepersonifieerde overvloed verschijnt in de rook, afkomstig van een offerschaal. Rechts zit een vrouwenfiguur onder een baldakijn met het eeuwigheidssymbool (een slang die zich in eigen staart bijt) in haar handen, links staat Mercurius.
Adam Ploughing
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677