deem-data/ArtiFact huggingface dataset:
Fragment
Object type: textile
Materials: textile, silk
Techniques: lampas, patterning, weave
Location: spain
Subjects: arabesque, plant-derived motif

Highly sought after in Islamic Spain, silk textiles such as this one are remarkable for their wide variety of designs and vivid color combinations. The design of this fragment is vibrant and sophisticated, setting an intricate geometric pattern against a lustrous satin-weave ground. The pattern joins white trilobed arches with a repeat design of green hop blossoms, stylized vegetal motifs, and yellow scrolling ornaments that recall the lush interior settings of the Alhambra, an extensive royal complex overlooking the city of Granada. These elements are closely connected to architectural decoration—especially stuccowork and wall tiles—and they were shared by potters, stucco carvers, and weavers. In impressive condition, this textile presents a clear sense of the luxury and splendor of Nasrid palace interiors. Indeed, weaving establishments were often attached to palaces and formed an important part of royal households.
Portret van een onbekend naakt meisje
Object type: photomechanical print
Date: 1968 – 1968
Materials: ink, paper
Techniques: writing
Location: hamburg
Subjects: toddler - aa - girl, anonymous historical person portrayed - bb - woman
Inscriptions: inscription: ‘vele kusjes van/ Papa en Mama/ Nancy Broekhuizen/ Coen Cuserhuis/ Olie Slagerslaan 5/ Haarlem’
Group of Bathers
Object type: print
Date: 1897 – 1897
Techniques: printmaking, lithograph
Artist: camille pissarro
Artist role: artist
Artist nationality: french
Artist dates: 1830 – 1903
Subjects: female nudes,bathing
Portret van een jongeman bij een zuil
Object type: carte de visite
Date: 1875 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: adolescent, young woman, maiden
Inscriptions: inscription: ‘Photographie Française/ Warmoesstraat 147/ Amsterdam’
Landschap met wandelaars: begrafenisoptocht (?)
Object type: drawing
Date: 1878 – 1940
Materials: chalk, paper, watercolor
Techniques: brush
Artist: édouard vuillard
Artist role: draughtsman, print maker
Artist dates: 1868 – 1940
Subjects: walking, hiking (recreation), cortege, funeral procession

Voorstudie voor de lithografie 'A travers champs'.
Spoon
Object type: spoon
Date: 1696 – 1697
Materials: silver
Artist: h. p., london
Artist role: maker
Artist dates: 1693 – 1697
Groepsportret van een gezin met zes kinderen
Object type: cabinet photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: parents with their children, child (+ six persons), anonymous historical persons portrayed in a group, in a group-portrait
Knife with Bird's Head
Object type: knife
Date: 800 – 501
Materials: bronze
Culture: chinese, northeast
Portret van Justinus, graaf van Nassau
Object type: drawing
Date: 1800 – 1899
Materials: paper, watercolor
Location: low countries
Artist: Anonymous
Subjects: militair, justinus graaf van nassau

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Design for Rumble Sleigh, no. 3331
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Liggende windhond en staande spaniël
Object type: print
Date: 1794 – 1862
Materials: paper
Techniques: etching
Artist: pierre-françois le roy
Artist role: draughtsman, painter, print maker
Artist dates: 1771 – 1862
Subjects: dog (with name of kind)
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Landschappen
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: fortress, moat ~ fortified city, castle, landscape with tower or castle, rowing facing backward, pulling
Inscriptions: collector's mark: Lugt 964

Figuren in een plezierboot op het water van een slotgracht rondom een kasteel met twee torens. Links op de oever twee figuren. Tiende prent van deel twee van een serie van in totaal zestig prenten met landschappen, verdeeld over vijf delen van elk twaalf prenten.
Fotoreproductie van een schilderij van een rustende soldaat
Object type: page
Date: 1860 – 1875
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: the soldier; the soldier's life, picture, painting
Inscriptions: inscription: ‘DAS LETZTE LIED (SCHWERTLIED)/ am 25. August 1813.’
Lisse - hyacinthenvelden
Object type: photomechanical print
Date: 1907 – 1907
Materials: cardboard
Techniques: lithograph
Location: leipzig
Artist: Anonymous
Subjects: bulb field
Inscriptions: date
Scholars at a Lecture
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: men,reading
Zittende vrouw met ontblote schouder
Object type: sketchbook leaf
Date: 1908 – 1923
Materials: paper, pencil
Artist: ferdinand oldewelt
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: sitting figure - aa - female human figure, hand(s) bent towards the head (+ female (human being) (not to be used where -aa- is prescribed))

De vrouw draagt een hemd of jurk die van haar rechterschouder is gegleden. Ze ondersteunt haar hoofd met haar hand. Blad 15 recto uit een schetsboek met 35 bladen.
Tweehonderdjarig bestaan van de Portugeesch-Israëlietische Synagoge te Amsterdam 1875
Object type: history medal
Date: 1875 – 1875
Materials: tin
Techniques: striking
Location: amsterdam
Artist: jan postmus
Artist role: silversmith

Tinnen penning, op de voorzijde een wapenschild, waarop een pelikaan met jongen, tussen samengebonden lauwertakken, met omschrift, op de keerzijde vijf regels tekst.
The Chinese Goddess Pusa in Two Forms
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: representations ~ gods, demi-gods, heroes, etc. (traditional chinese religions)
Inscriptions: collector's mark: Lugt 2228

Standing in front of a pagoda and a rocky landscape is the Buddhist deity bodhisattva (Pusa). Picart portrayed her as the ancient Greek goddess Cybele. This was hardly new, for Jesuit writers had been disseminating this image since the early 17th century. This is but one example of Picart’s Eurocentric viewpoint, full of misconceptions about Chinese religion, which persisted despite the increasing trade exchange with China.
Vogelnest
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: lithograph
Artist: jan mankes
Artist role: draughtsman, painter, print maker
Artist dates: 1889 – 1920
Subjects: birds (+ young animal)
Job
Object type: painting
Date: 1618 – 1630
Materials: canvas, oil, paint
Techniques: painting
Culture: spanish
Location: spain
Subjects: biblical, religious figures, religion, man, devotion

The Latin inscription emerging from the old man’s mouth—NOLI ME CONDEMNARE (“do not condemn me”)—is taken from the biblical story of Job, whose piety withstood the test of a series of dire misfortunes. His resignation and communion with God are depicted here with the realism and strong contrasts of light and dark characteristic of the international followers of Italian painter Caravaggio. Although the artist remains unknown, the painting was probably made in Seville, Spain, in the artistic orbit of Francisco de Zurbarán and Diego Velázquez.
Stalknecht een paard de stal binnenleidend
Object type: design
Date: 1790 – 1818
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: jan anthonie langendijk dzn
Artist role: draughtsman, print maker
Artist dates: 1780 – 1818
Subjects: horse

Stalknecht een paard bij de toom de stal binnenleidend. Ontwerp voor een prent.
Details van de versiering op de eerste etage van het Palais de Rohan
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, ornamenting, decorating ~ applied arts, paris, tuileries palace
Inscriptions: number: ‘51’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Dames en heren
Object type: print
Date: 1750 – 1750
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: paris
Artist: Anonymous
Subjects: adult woman, adult man, clothes, costume

Blad met galante dames en heren, in verschillende bezigheden. Midden onder genummerd: T. 2. Een van 39 bladen met knipplaatjes en decoratieve randen.
Le Palais-Royal
Object type: print
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: palace
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 30.’

Prent op honderdnegentiende ongenummerde pagina.
Bataafse Republiek, duit op naam van Zeeland, 1797
Object type: coin
Date: 1797 – 1797
Materials: copper
Techniques: striking
Location: middelburg

Voorzijde: gekroond, zijdelings ingedeukt wapenschild van Zeeland. Keerzijde: in een krans opschrift in drie regels, waarboven muntteken burcht tussen twee sterren en waaronder jaartal.
Santai gafu (Album of Drawings in Three Ways), complete in 1 vol.
Object type: book
Date: 1816 – 1816
Materials: ink, paper
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Head of a Young Girl
Object type: drawing
Date: 1701 – 1800
Materials: chalk, paper
Techniques: heightening
Location: france
Artist: jacques dumont, called le romain
Artist role: artist
Artist nationality: french
Artist dates: 1701 – 1781
Subjects: heads,girls
Xylophone
Object type: xylophone
Date: 1801 – 1900
Materials: leather, wood
Culture: south african
Location: south africa
Voor- en zijaanzicht van een wastafel en een voetenbank
Object type: sketchbook leaf
Date: 1857 – 1859
Materials: paper, pencil
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: footstool, table
Inscriptions: annotation: ‘[...]’

Blad 68 recto uit een schetsboek met 77 bladen.
Length of cotton "chintz"
Object type: length
Date: 1701 – 1725
Materials: cotton
Techniques: dyeing, painting, resist

Crisp cotton curtains like this brought the brilliant colors of South Asia to upper-middle-class British, Dutch and French homes. Probably imported by the British East India Company, this Indian textile boasts a gloriously bold, decorative design, executed in the type of painted cotton cloth manufacturers in Britain and France tried for decades to emulate in vain. From the 1650s onwards, these "chintzes" (anglicizing chint, Hindi for "speckled") made for the European market were such sought-after commodities that Britain eventually criminalized their import in an attempt to protect local printed-cotton industries. The repeat pattern on this well-preserved example is so neatly and consistently represented that it is startling to realize that it was mostly applied freehand, painted on its white support in brilliant dyes by talented Indian kalamkaris (specialist painters).
Shabti of the Commander of the Royal Fleet Tjanenhebu
Object type: shabti, tjanenhebu
Date: 570 – 526
Materials: faience
Location: egypt

This is one of six shabtis in the Museum's collection inscribed for the Overseer of the Royal Ships, Tjanenhebu. For the other examples, see 10.130.1047b–d; 26.6.1, 26.6.2.
Figures Ornament
Object type: ornamental figure
Date: 1701 – 1900
Materials: iron
Culture: dogon
Location: mali
Artist: dogon blacksmith
Artist role: artist
Subjects: human figures
Gebochelde vioolspeler voor een herberg
Object type: print
Date: 1652 – 1656
Materials: paper
Techniques: etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: one person playing string instrument (bowed), inn, coffee-house, public house, etc.
Inscriptions: collector's mark: Lugt 964

Een kleine man met een kromme rug speelt viool voor de ingang van een herberg. In de deuropening staat een vrouw met een klein kind op haar arm. Op een hekje rookt een man een pijp en een kleine jongen staat met een hoepel in zijn hand te luisteren.
Portret van Johannes Leonardus Nierstrasz
Object type: print
Date: 1811 – 1836
Materials: paper
Techniques: engraving
Subjects: rotterdam, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Henry Clay, from the series Great Americans (N76) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men

Trade cards from the "Great Americans" series (N76), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes. There are two variations of the Beecher card, one where he faces left and one where he faces right. This is the left-facing variation.
Portret van Hermanus Boerhaave
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: leiden, hermanus boerhaave, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Fragment pijpenkop met stuk steel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: key; fragm, 2hsm3, inside burned (used).
The Mountain Stream
Object type: print
Materials: paper, steel
Techniques: engraving
Location: england
Artist: george baxter
Artist role: print maker
Artist nationality: english
Artist dates: 1804 – 1867
Portret van J. Rambaldo
Object type: drawing
Date: 1851 – 1851
Materials: paper, pencil
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: amsterdam, historical persons
Landschap met bomen en vee
Object type: sketchbook leaf
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: trees, landscapes, cattle
Inscriptions: kleurnotitie, handgeschreven

Pagina 34 uit een schetsboek met 54 bladen.
Oude lezende vrouw
Object type: illustration
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: paris
Subjects: old woman, newspaper, news-sheet
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228

Prent afkomstig uit: Album de l'École de dessin: journal des jeunes artistes et des amateurs. Parijs: Au bureau du Journal, [1856].
When Fortune Is Abundant, the Fall Will Be Deeper from Six Sayings about Fortune
Object type: print
Date: 1560 – 1560
Techniques: engraving
Artist: dirck volckertsz coornhert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1519 – 1590
Subjects: men,female nudes,cornucopia
Rudolstadt. Altes Portal in der unteren Marktstrasse
Object type: photomechanical print
Date: 1915 – 1915
Materials: cardboard
Techniques: photograph
Location: rudolstadt
Subjects: gate, entrance
A Man Enticed by a Woman; and Smoking a Customer
Object type: print
Date: 1800 – 1800
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

Two subjects are printed on one sheet, with a space between. Above: A middle aged woman points to her eye and seems to mesmerize man with a skull-like head. Below: one man waves a smoking pipe under the nose of another to wake him up, watched by a smiling woman who holds a foaming tankard.
Figuurstudies
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: boy (child between toddler and youth) (+ sitting), acrobat ~ circus

Onder andere een zittende jongen en een acrobaat die op zijn handen staat. Blad 22 recto uit schetsboek V met 33 bladen.
Vijzel met opschrift: AMOR VINCIT OMNIA ANNO 1582
Object type: mortar
Date: 1582 – 1582
Materials: bronze
Techniques: casting
Location: deventer
Artist: willem wegewart (i)
Artist dates: 1520 – 1600
Inscriptions: inscription: ‘AMOR VINCIT OMNIA ANNO 1582’

Mortar. Bronze. Deventer, 1582, Willem Wegewart the Elder (?). On loan from the Royal Antiquarian Society.
Gezicht op een militair tentenkamp in Frankrijk
Object type: photograph
Date: 1805 – 1884
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: (military) camp with tents, france

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Zeehaven bij avond
Object type: print
Materials: paper
Techniques: lithograph
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: harbour, evening, coast
Inscriptions: inscription: ‘Decline of Day/ An original algraph by Storm v. 's Gravesande/ uit The Studio 15 Sept 1897.’, collector's mark: Lugt 2322bis, collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 59.
Sealing wax case (étui)
Object type: étui
Date: 1777 – 1778
Materials: gold

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Franse terugtocht uit Rusland, 1812
Object type: drawing
Date: 1812 – 1815
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: retreat of the defeated, political caricatures and satires, death as skeleton (+ death riding on a horse), russia

Spotprent, waarschijnlijk op de Franse terugtocht uit Rusland, 1812. Een ruiter voorover gebogen rijdend op het skelet van een paard, de Dood zit achter hem en omarmt hem. Achter hen wegwijzers naar Parijs en Sint-Petersburg.
Spouted Bottle
Object type: bottle
Date: 401 – 700
Materials: ceramic
Culture: mexican
Location: mexico
Panel
Object type: textile
Date: 1501 – 1600
Materials: silk
Techniques: damask, satin weave
Location: venice
Prijsplakette van de Historische Tentoonstelling Amsterdam 1275-1925 op naam van het Koninklijk Oudheidkundig Genootschap 1925
Object type: medal
Date: 1925 – 1925
Materials: silver
Techniques: striking
Artist: bernard richters
Artist role: print maker, sculptor
Artist dates: 1888 – 1966
Inscriptions: inscription: ‘KONINKLIJK / OUDHEIDKUNDIG / GENOOTSCHAP’

Rechthoekige zilveren plakette, op de voorzijde het oude stadhuis van Amsterdam waaronder drie regels incuse tekst, op de keerzijde de Beurs van Berlage waaronder een drieregelige inscriptie.
Ex libris van Abraham Willet
Object type: bookplate
Date: 1865 – 1913
Materials: paper
Techniques: engraving
Location: netherlands
Artist: johannes evert van leeuwen
Artist role: painter, print maker
Artist dates: 1855 – 1931
Subjects: amsterdam, dragon, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Portret van een jonge vrouw
Object type: carte de visite
Date: 1910 – 1920
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: pier steensma
Artist role: fotograaf
Artist dates: 1879 – 1931

Staande jonge vrouw, in een licht blouse en een donkere rok, met de handen op de rug, tegen een donkere achtergrond.
Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 5 (recto)
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: animals,birds,ornament

Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right: Design composed of 4 vertical columns, each is 4 lines wide, printed upon a grid. First column is decorated with alternating pattern of diamonds and squares formed by black triangles. Second column is decorated with alternating pattern of diamonds and 'X's, all formed by black diamonds. Third column is decorated with alternating pattern of 'X', diamond, and backward 'S'; each motif is formed by black triangles. Fourth column is decorated with pattern of 8-petaled flowers connected together to form a line