deem-data/ArtiFact huggingface dataset:
Sketches from Life
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: etching, hand coloring
Location: england
Artist: william holland
Admiral Vernon
Object type: print
Date: 1753 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Subjects: battle (+ naval force), historical persons, firearms: cannon, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 240
Boer met gevangen haas
Object type: print
Date: 1510 – 1569
Materials: paper
Techniques: engraving
Location: germany
Artist: jacob binck
Artist role: painter, print maker
Artist dates: 1494 – 1569
Subjects: rodents: hare, farmers
Raiko (Minamoto no Yorimitsu) and the demon kite
Object type: print
Date: 1825 – 1825
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Evangelisten en apostelens verklaring / 's Heylands leeven / Johannes openbaring
Object type: print
Date: 1831 – 1854
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: christoffel van sichem (i)
Artist role: print maker, publisher
Artist dates: 1546 – 1624
Subjects: john (writing) on the island of patmos, possibly the eagle beside him, the four evangelists ~ the four main prophets, the revelation of john, the apocalypse, new testament, lives and acts of the apostles (part ii), lives and acts of the apostles (part i), series of scenes from the life of christ
Inscriptions: collector's mark: Lugt 2760

Blad met 18 voorstellingen van de evangelisten, de apostelen, scènes uit het leven van Christus en de openbaring van Johannes. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: N. 39.
Terracotta bowl with barbotine decoration
Object type: bowl
Materials: terracotta
Culture: roman
Self-portrait
Object type: manuscript and illumination
Date: 1558 – 1558
Materials: gold leaf, parchment, paint
Artist: simon bening
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1483 – 1561
Subjects: men,self-portraits

Written in gold on a red background is an inscription that identifies this miniature as a self-portrait of the famous Bruges illuminator, Simon Bening: "Simon Bennik, the son of Alexander, painted this himself at the age of 75 in 1558." Simon Bening became one of the most famous illuminators of the sixteenth century. He spent his early years in Ghent or Antwerp, probably working under the tutelage of his father, the illuminator Alexander Bening. Simon moved to Bruges permanently in 1517, where over time he headed a large and flourishing workshop. Although Bening was much admired in his day and widely imitated, his artistic personality has yet to be thoroughly studied. This miniature painting has attracted considerable interest in art history as an early self-portrait of an artist. Bening portrays himself, spectacles in hand, seated before a wooden easel. The easel holds a drawing of the Virgin and Child; along its left edge, small ledges hold various painting materials. In representing this imagery Bening allies himself with Saint Luke, the patron saint of painting, who is traditionally shown painting an image of the Virgin - a subject that itself became a conceit for the self-portrait of the artist in the 15th and 16th centuries. Bening portrays himself not in the garb of an artisan, but as a member of the intelligentsia. By inscribing his work with a signature (as the son of Alexander) and a date, he acknowledges his talents and heritage in the distinguished lineage of Bening illuminators in Bruges. The illumination was probably made as an independent work, rather than as part of a book, at a time when autonomous miniatures increasingly came into production. A second version of this miniature is in the Victoria and Albert Museum, London.
Ewer (part of a set)
Object type: ewer
Date: 1727 – 1728
Materials: silver gilt
Artist: simon pantin i
Artist role: maker
Artist nationality: british
Artist dates: 1672 – 1728
Subjects: coat of arms

The arms are those of Sir Nathaniel Curzon and his wife, Mary Assheton.
Gezicht op Trente in vogelvluchtperspectief
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: colour, etching
Location: the hague
Subjects: bird's eye view ~ architectural design or model, maps of cities

Gezicht op Trente in vogelvluchtperspectief. Linksboven een cartouche met titel en drie putti. Prent maakt deel uit van een album.
Vooraanzicht van het Koninklijk Paleis te Madrid
Object type: book illustration
Date: 1694 – 1737
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: palace

Prent uit: Theatrum Hispaniæ, exhibens regni urbes, villas ac viridaria magis illustria. Het aanmerkelykste en voortreffelykste in Spanjen (...). Amsterdam: Pieter van den Berge, ca. 1694-1737.
Painting
Object type: album leaf
Date: 1901 – 2000
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men
A Castle on a Crag in a Mountainous Landscape
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: joos de momper (ii)
Artist role: draughtsman, painter
Artist nationality: flemish
Artist dates: 1564 – 1635
Inscriptions: Inscribed on verso of mount, upper left, in graphite: "14"; verso, lower right: "81"
Beeltenis der dieren van Ezechiel gezien
Object type: print
Date: 1693 – 1783
Materials: paper
Techniques: etching
Location: low countries
Subjects: ezekiel's vision of god sitting on his throne carried by four tetramorphs, each of them having four wings; wheels within wheels beside them
Inscriptions: collector's mark: Lugt 2228

Visioen van de profeet Ezechiël. God zit op zijn troon. Hij wordt door vlammen en lichtstralen omgeven. Op het water vier tetramorfe wezens, elk met vier gezichten - van een adelaar, een rund, een mens en een leeuw - en vier vleugels. Naast elk wezen een dubbel rad met ogen. Ezechiël staat rechts en ontvangt een boekrol met een Hebreeuwse tekst uit de hand van God. Onderaan een éénregelige titel in het Hebreeuws, Engels, Duits, Latijn, Frans en Nederlands uit Ez. 1:5.
The Creation of the Fish and the Birds
Object type: drawing
Date: 1534 – 1633
Materials: ink, parchment
Techniques: pen
Artist: jan (johannes) wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1549 – 1615
Subjects: animals,birds,men,fish,trees
Roseman, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Gezicht op de Jan Roodenpoortstoren te Amsterdam vanaf het Singel
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: etching
Artist: willem writs
Artist role: draughtsman, print maker
Artist dates: 1731 – 1786
Subjects: rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228
Johann Jacob Schüblers Siebende Ausgabe seines vorhabenden Wercks, Worinnen vorgestellet werden Neu-inventierte Sommer-Häuser, Garten-Cabinetten (...)
Object type: print
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: garden fountain, summer-house, arbour, garden-house (dutch: 'theekoepel'), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een geornamenteerd tuinhuis met putti en wapenschild. De deur van het tuinhuis is geopend en biedt een doorkijk naar een tuin met fontein in de achtergrond. Op de voorgrond twee fonteinen. In de ondermarge een drieregelige Duitse tekst.
Kom van tin
Object type: bowl
Date: 1810 – 1847
Materials: tin
Location: utrecht
Artist: hendrik bernardus buyn
Artist role: pewterers
Artist dates: 1786 – 1847
Inscriptions: quality mark

Kom van tin. De voet en de overgang van voet naar kom zijn geprofileerd met een horizontale baan. De bovenrand is iets verdikt en rond om omgeslagen.
Portret van Frederik, prins der Nederlanden
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: berlin, frederik (prins der nederlanden), knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Stadhuys ter Vere
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), townhall, coat of arms (as symbol of the state, etc.) (+ province; provincial)
Inscriptions: collector's mark: Lugt 195

Oorspronkelijk van één plaat gedrukt met één andere voorstelling (zie RP-P-AO-15-75). Prent in zijn geheel ook gebruikt in: Smallegange, Mattheus. Nieuwe Cronyk van Zeeland (…). Middelburg en Amsterdam: Johannes Meertens en Abraham van Someren, 1696.

Huidige voorstelling later (plaat versneden tot twee platen) ook gebruikt in: Aa, Pieter van der. La galerie agreable du monde (...). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 21.
The wonders of Alaska
Object type: book
Date: 1890 – 1890
Materials: linen, paper
Techniques: photograph, printing, engraving
Location: san francisco
Inscriptions: inscription: ‘In memory of Mr. & Mr.s J.G. Blunt Sr./ Given bij the J.G. Blunt Jr. Family’, date: ‘June 1999’, annotation: ‘al’, collector's mark: ‘CA and Postebens’
Guercino da Cento
Object type: print
Date: 1789 – 1789
Materials: gouache, paper
Techniques: color mezzotint
Location: florence
Artist: carlo lasinio
Artist role: painter, print maker
Artist dates: 1759 – 1838
Subjects: painter, draughtsman, guercino, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: inscription:, collector's mark: Lugt 2228, number: ‘22’

Een prent uit een groep van veertig kleurendrukken met kunstenaarsportretten, gebaseerd op de collectie geschilderde zelfportretten van kunstenaars verzameld door de Medici in Florence. De groep maakt deel uit van het grote werk van Lasinio ‘Gli Autoritratti della Real Galleria di Firenze’, uitgegeven in 1789 met omstreeks 350 kunstenaarsportretten. Van deze uitgave is tot nog toe is geen compleet exemplaar bekend. In de inspringende marges onderaan de prenten zijn de namen van de kunstenaars aangebracht en soms hun levensdata en de plaats van geboorte en sterven en een enkele maal de signatuur van Lasinio en dat van de drukker Labrelis. Getuige de bindgaatjes en lijmresten moeten de prenten ingebonden zijn geweest in een album. De meeste prenten zijn verso voorzien van nummers in potlood, met als laagste nummer 2 en hoogste 93. Tevens zijn er verso Italiaanse opschriften in pen aangebracht met de levensdata van de kunstenaars en de school waartoe zij worden gerekend. Deze opschriften zijn vrijwel alle deels afgesneden. Elf prenten zijn niet genummerd en niet voorzien van opschriften. Deze laatste elf zijn alle gedrukt op blauw papier.
Saint Barbara
Object type: drawing and watercolor
Date: 1600 – 1700
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: Anonymous
Artist dates: 1600 – 1699
Badlands of Wyoming
Object type: photograph
Date: 1879 – 1892
Techniques: albumen print
Location: united states
Artist: william henry jackson
Artist role: fotograaf
Artist nationality: american
Artist dates: 1843 – 1942
Portret van Tommaso Querini
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving
Location: venice
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
King Midas at the Contest Between Apollo and Pan
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: style of abraham jansz diepenbeeck
Fragment of a figure holding a multistrand coil of beads, preceded by another individual
Object type: relief
Date: 1961 – 1917
Materials: limestone, paint
Location: egypt
Subjects: hands

This fragment of relief was discovered during excavations by the Museum in the pyramid complex of Senwosret I at Lisht South. The decoration, delicately carved and then painted, preserves part of an offering procession. On the proper right edge of the piece is part of the leg of a servant, whose long-fingered hand grasps a necklace composed of multiple strands of ball beads.
Quadrangular vase in the shape of a Neolithic cong
Object type: vase
Date: 1201 – 1300
Materials: copper alloy
Culture: chinese

By the thirteenth century, the jade cong form was reinterpreted as a flower vase in both bronze and ceramic art. In contrast to the subtle celadon glaze on ceramic vases, bronze vases are filled with archaic squared spirals as well as contemporaneous motifs such as waves and scrolling patterns.
Swiss Guards (Fragment from the Funeral Procession of William, 1752, Plate 5)
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: the hague, willem iv (prins van oranje-nassau), military parade, pageant (+ infantry), military music, cortege, funeral procession

In the 17th and 18th centuries, the oboe was mostly played in bands for outdoor music. Originating in the army, oboe marching bands soon came to be adopted for civilian purposes. They played marches and dance suites, as well as processional and funeral music. Here we see a group of oboe players at Stadholder William IV’s funeral in Delft, 1752.
Terracotta fragment of a beaked oinochoe (jug)
Object type: oinochoe fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the spout of a beaked oinochoe
Sheet 3 of figures for Chinese shadow puppets
Object type: print
Date: 1859 – 1859
Techniques: engraving, woodcut
Artist: juan llorens
Artist role: publisher
Artist nationality: spanish
Artist dates: 1800 – 1900
Subjects: men,women,puppets
Window at Saks, Fifth Avenue, New York
Object type: photograph
Date: 1920 – 1935
Materials: glass
Techniques: autochrome process
Location: new york city
Artist: clifton r. adams
Artist role: fotograaf
Artist dates: 1890 – 1934
Subjects: shop-window, show-window, new york (city)
Dish with Dragons, Flaming Pearls, and Cloud Scrolls
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Gevecht tussen cavalerie en infanterie
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Artist: pierre-françois le roy
Artist role: draughtsman, painter, print maker
Artist dates: 1771 – 1862
Subjects: private soldier (+ land forces), battle
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Kimono Ensemble with Chrysanthemums
Object type: kimono ensemble
Date: 1912 – 1926
Materials: metal thread, silk
Culture: japanese
Subjects: flowers

The 1920s witnessed the rise in Japan of associations of amateur chrysanthemum enthusiasts, and a stand of spectacular chrysanthemums commands the bottom of this kimono, with their slender petals curving dynamically upward against the rich blue ground. On the outer robe, the leaves are embroidered with couched gold metallic threads in circular details that may represent dewdrops and the family crest is resist dyed in white in five places. On the inner robe, the lower section echoes the chrysanthemum pattern of the outer robe both inside and out. The upper section is stitch-resist dyed on plain-weave silk with diagonal bands alternating turquoise and red, each with an incomplete geometric pattern of stylized hemp leaves (asa-no-ha). The vivid colors and the painterly execution of the pattern are characteristic of the Taishō period. A bride wore this kimono ensemble on her wedding day in 1923.
Ecce Homo
Object type: print
Date: 1590 – 1645
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: johannes valdor (i)
Artist role: print maker
Artist dates: 1580 – 1640
Subjects: pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)
Inscriptions: collector's mark: Lugt 2228
Portrait of Gerrit Ottsz Hinlopen (1603/04-1646)
Object type: painting
Date: 1631 – 1631
Materials: oil, panel
Artist: Anonymous
Subjects: historical persons
Inscriptions: inscription, top right, in black paint: ‘Æta . 27 .’, coat of arms, top right: per pale, a black demi-eagle displayed and couped palewise on a red ground, a red hind salient on a green ground, inscription, on the reverse: ‘Gerard Ottsz / Hinloopen’, date, top right: ‘Anº . 1631 .’

Portret van Gerard Ottsz Hinloopen (1603/04-46). Kniestuk, staande naar rechts, de hoed in de linkerhand, de rechterhand in de zij. Rechtsboven het familiewapen.
Antiquiss. et celeberrimae Inf. Germ. urbis Ultraiecti. nova effigies ad vivum expressa
Object type: print
Date: 1677 – 1679
Materials: paper
Techniques: woodcut
Location: amsterdam
Subjects: utrecht
Inscriptions: check stamp: ‘Archief Ministerie van Oorlog Afdeeling Genie’

Titelstrook die hoort bij een beschrijving en een stadsgezicht van de stad Utrecht (zie gerelateerde objecten).
Gezicht op Waterloo Bridge te Londen
Object type: sketchbook leaf
Date: 1888 – 1891
Materials: chalk, paper
Location: london
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: river, bridge in city across river, canal, etc., thames

Pagina 24 en pagina 25 uit een schetsboek met 40 bladen.
Apron
Object type: apron
Date: 1876 – 1900
Materials: metal, wool

The lively and exuberant embroidered design of this high-quality apron reflects the celebratory spirit that is the essence of traditional holiday costume. The apron was collected by Stewart Culin (1858-1929) during a collection expedition in 1920. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
Teabowl
Object type: teabowl
Date: 1801 – 1900
Materials: clay, glaze, metal
Techniques: overglaze
Culture: japanese
Coffer
Object type: coffer
Date: 1401 – 1500
Materials: iron, leather, wood
Culture: french
Riet
Object type: sketchbook leaf
Date: 1828 – 1894
Materials: paper, pencil
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: landscapes, landscapes with waters, waterscapes, seascapes (in the temperate zone), plants and herbs: reed, artist (in general) making preliminary designs, sketching
Inscriptions: inscription: ‘Bomen / dubbel z[...]’

Pagina 49 verso uit een schetsboek met 50 bladen.
Portret van keizer Karel V
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain), historical persons, knighthood order of the golden fleece, king

Prent met andere omlijsting uit: Mariana, Juan de. Historia General de España. Nueva edición (...) Madrid: Hijos de Doña Catalina Piñuela, 1828.
Female musician with a lute
Object type: figure
Date: 501 – 600
Materials: earthenware
Techniques: polychrome
Culture: chinese
Subjects: lutes

This figure and the others from the same ensemble (34.141.1-6) share the same posture, costume, and musical instruments as a group excavated from the tomb of Zhang Sheng in Anyang, Henan, a Sui dynasty official who died in 594.
Portret van Lodewijk Filips II van Orléans
Object type: print
Date: 1703 – 1786
Materials: paper
Techniques: mezzotint
Location: london
Subjects: paris, lodewijk filips ii (hertog van orléans), historical persons, horse
Inscriptions: collector's mark: Lugt 2228
De vier jaargetijden
Object type: print
Date: 1698 – 1708
Materials: paper
Techniques: etching
Subjects: summer, 'aestas'; 'estate' (ripa)
Inscriptions: collector's mark: Lugt 2228

Jonge vrouw met een korenschoof in haar armen, op de grond ligt een sikkel. Rechts van haar binden kinderen korenschoven bijeen. In de marge een vierregelig Frans vers op de zomer. De prent maakt deel uit van een vierdelige serie met voorstellingen van de vier jaargetijden.
Herfst
Object type: print
Date: 1670 – 1700
Materials: paper
Techniques: mezzotint
Location: netherlands
Subjects: mug, beaker, goblet, fruits, autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 2228

Allegorische voorstelling van de herfst. Een vrouw houdt een bokaal in de hand en pakt met de andere hand vruchten uit een mand, vastgehouden door een putto. Naast haar staan enkele manden met vruchten. De prent maakt deel uit van een serie van vier prenten met de vier seizoenen.
Timpaan waarop de zieken worden verzorgd
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: parts of church exterior and annexes: tympanum, patient, sick person
Inscriptions: number: ‘1201’
Group of Pah-Ute Indians
Object type: photograph
Date: 1871 – 1871
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Theologie à la Turque and a Peep of the Coptic Mayor at Cairo, preceded by the Procureur de la Commune
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Le bois de Lahaye
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: haagse bos
Artist: Anonymous
Subjects: pool, puddle, public gardens, park
Victoria Hotel, Chicago Heights, Illinois, Front Elevation
Object type: architectural drawing
Date: 1892 – 1892
Materials: ink, paper
Location: chicago heights
Artist: adler and sullivan
Subjects: hotels, architecture, elevation, illinois
The Marriage of Philip the Fair to Joanna of Austria; Maximilian Recaptures the Occupied Territories from Hungary; The Conquest of Hungary; The Swiss War; The Liberation of Naples; and The Battle of Wenzenberg, from the Arch of Honor, proof, dated 1515, printed 1517-18
Object type: print
Date: 1515 – 1515
Techniques: letterpress, woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

Maximilian Recaptures the Occupied Territories and the Conquest of Hungary are by Hans Springinklee; the remaining three historical scenes are by Wolf Traut.
Rododendron
Object type: print
Date: 1912 – 1920
Materials: paper
Techniques: lithograph
Artist: c.j. rovers
Artist role: print maker
Subjects: flowers
Inscriptions: collector's mark: Lugt 2760, inscription: ‘aan den [...] Valkema Blouw’, collector's mark: Lugt 2228
Artikel over de Stadsbank van Lening te Amsterdam
Object type: article
Date: 1914 – 1914
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: pawnbroker, lombard, window, gate, entrance, bank, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Object bestaat uit twee aan elkaar geplakte bladen. Fotomechanische afdrukken op pagina 112-114. Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Lombard of Bank van Leening.