deem-data/ArtiFact huggingface dataset:
Pair of Cups
Object type: decorative art
Materials: enamel, porcelain
Techniques: overglaze, painting, underglaze
Location: china
Subjects: floral, plant-derived motif, blue (color)

The emperors of China’s last dynasty, the Qing, were enamored of exquisitely decorative objects and recruited remarkable craftsmen to serve their court. During his brief reign, the Yongzheng emperor, himself an artist and astute connoisseur, took a personal role in overseeing the imperial kilns. In their elegance and technical sophistication, these extraordinarily thin cups exemplify his exacting standards. Their floral medallions were delicately outlined in pale cobalt blue and, after glazing and firing, filled with soft, translucent enamels. So perfectly do these enamels fill the outlines that this technique is known as doucai (joined or dovetailed colors). Although quite different from the naturalistic floral motifs that characterize many Qing imperial porcelains, these medallions are also seen in rare examples of exquisite Yongzheng ware in the Palace Museum in Beijing. Their style may reflect the influence of Japanese lacquers, which were imported into China in the sixteenth and seventeenth centuries and subsequently inspired creative copies by Chinese palace craftsmen. The Yongzheng emperor was renowned for having encouraged innovative and sometimes foreign-inspired design in ceramics as well as other decorative arts.
Overlijden van George Canning 1827
Object type: history medal
Date: 1827 – 1827
Materials: brass
Techniques: striking

Messing penning, op de voorzijde het borstbeeld van Canning naar rechts met omschrift, op de keerzijde vijf regels tekst tussen eikentakken, met omschrift, met kartelrand.
Boat inlay
Object type: inlay, hieroglyph
Date: 522 – 343
Materials: stone
Location: egypt
Panel
Object type: textile
Date: 1000 – 1476
Materials: cotton
Techniques: interlocking, slit, weave
Location: peru
Subjects: super/natural
Cigarette Case
Object type: metalwork
Date: 1896 – 1900
Materials: enamel, gilt, metal, silver
Location: moscow
Artist: peter carl fabergé
Miss Deering, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Obi with Thistle
Object type: obi
Date: 1851 – 1900
Materials: metal thread, silk
Techniques: brocade
Culture: japanese
Subjects: flowers
Copperplate Engraving, from Encyclopédie
Object type: print
Date: 1762 – 1777
Materials: paper
Techniques: engraving
Location: france
Artist: a. j. defehrt
Artist nationality: french
Artist dates: 1700 – 1799
Vaderlandsche geschiedenis
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: delft, hugo de groot, the hague, maurice (prince of orange), history, loevestein castle, deventer, battle of nieuwpoort
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Afternoon dress
Object type: afternoon dress
Date: 1835 – 1835
Materials: silk, wool
Culture: american
Staande moeder met kind
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: leiden
Artist: pieter de mare
Artist role: print maker
Artist dates: 1758 – 1796
Subjects: mother and child(ren), woman and child(ren) (family group) (with number of children)
Inscriptions: collector's mark: Lugt 2233
Organic Revolution, from the Jokes series (N87) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920

Trade cards from the "Jokes" series (N81), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes.
Jacht op herten en everzwijnen
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: etching
Location: rome
Subjects: stag-hunting, boar-hunting, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van vijf prenten met jachttaferelen. Ondermarge met datering en uitgeversadres afgesneden.
Death carrying a child, from 'The five deaths' (Les cinq Morts)
Object type: print
Date: 1648 – 1648
Techniques: etching
Artist: stefano della bella
Artist role: printmaker
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: skeletons,children,death

Stefano della Bella was one of the most talented and prolific printmakers of the seventeenth century. Unlike most etchers of his time, who had careers as painters, della Bella devoted himself almost exclusively to printmaking, although he is also highly regarded for the spirited drawings he made in preparation for his prints. Despite their higher degree of finish, his etchings retain much of the fluidity and dynamism of his drawings. Late in his career, he experimented with duplicating the tonal washes of his drawings in his prints. Della Bella's etchings are especially admired for their rich textures and atmospheric effects and for the wide range of subject matter depicted in a direct and engaging way. Soldiers, beggars, satyr families, animals, gardens, ruins, splendid festivals, and scenes of everyday life are among the subjects he explored. Della Bella was supported by the Medici for many years, primarily in Florence, but also in Rome, where his patron Lorenzo sponsored a period of study in the mid-1630s. In 1639, the Della Bella traveled to France with the ambassador of the grand duke of Tuscany and remained there for over a decade. It was probably during his last years in France that Della Bella began an updated version of the Dance of Death. This typically Northern and medieval subject usually showed Death in a variety of situations, carrying away victims of every age and walk of life. While in France Della Bella etched four oval scenes of Death's conquest, including this print (Death Carrying a Child), three of which take place in cemeteries and the fourth on the battlefield. A horizontal version of Death triumphing in war probably also dates to these years. At the end of his life, della Bella took up the theme again, creating three more episodes in the oval format—two of these were left incomplete at his death. In the early prints particularly, Death is as energetic as he is ruthless—here he rushes into the cemetery bearing a screaming and struggling child. The setting is the Cemetery of the Innocents in Paris, a site with which della Bella was undoubtedly familiar, since many publishers and print dealers had their shops on the ground floor of the charnel houses. The Metropolitan Museum of Art has a preparatory drawing (1983.137) for this etching.
Limestone statuette of a temple girl
Object type: statuette of a temple boy
Materials: limestone
Culture: cypriot
Subjects: girls

The head, which is that of a boy, does not belong and has been attached incorrectly to the body of a chubby little girl. She wears bracelets, as do many of the temple boys, but she lacks the usual necklace hung with amulets and charms.
Dankoffer van Noach
Object type: print
Date: 1803 – 1820
Materials: paper
Techniques: lithograph
Location: germany
Subjects: landscapes (+ landscape with figures, staffage), noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)
Inscriptions: collector's mark: Lugt 2228, mark
Saint Lucy
Object type: painting
Date: 1499 – 1532
Materials: gold, paint, wood
Artist: francesco zaganelli (francesco di bosio)
Artist role: artist
Artist nationality: italian
Artist dates: 1499 – 1532
Subjects: portraits,women,saints

This charming panel is probably from the framework of a large altarpiece. Its author was active in Ravenna, but both Francesco and his brother Bernardino were much influenced by the Ferrarese painter Erocole de' Roberti and the Bolognese painter Lorenzo Costa. This work dates to around 1500. A native of Syracuse, Saint Lucy was martyred under the Roman emperor Diocletian in 303. She is much venerated and is traditionally prayed to for eye ailments.
Bowl with Concentric Half-Circle Motifs Descending from Rim
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Lace
Object type: photographically illustrated book
Date: 1845 – 1845
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Fibula, boat-shaped type
Object type: fibula, boat shaped type
Date: 800 – 501
Materials: bronze

The bow is hollow and closed on the underside. The upper surface is decorated with incised patterns consisting of bands and concentric circles.
Begrafenisstoet van paus Clemens IX
Object type: print
Date: 1650 – 1691
Materials: paper
Techniques: etching
Location: italy
Subjects: clemens ix, cortege, funeral procession, pope
Inscriptions: collector's mark: Lugt 2228

De begrafenisstoet van paus Clemens IX van het Palazzo del Quirinale naar de Sint-Pietersbasiliek te Rome. Midden onder twee gevleugelde skeletten die een doek met opschrift dragen.
A Storm (Ships in the Harbor in a Stiff Breeze)
Object type: painting
Date: 1675 – 1719
Materials: canvas, oil
Artist: jan claesz. rietschoof
Artist role: painter
Artist dates: 1652 – 1719
Subjects: harbour, sailing-ship, sailing-boat, sea (seascape)
Inscriptions: signature: ‘JCR’

Schepen in de haven bij een stevige bries. Rechts aan de kade ligt een jacht met vlaggen en het embleem van de Hollandse Tuin op de spiegel. Op de voorgrond enkele roeiboten, links een oorlogsschip. Pendant van SK-A-333.
Seated Gentleman
Object type: drawing
Date: 1810 – 1810
Materials: chalk, paper
Techniques: drawing, transfer
Artist: jacques louis david
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1825
Subjects: men

This drawing was engraved by the artist’s grandson, Jules David, who described the figure as “a seated person, fine and distinguished, his arm resting on a thin balustrade.” Jules identified the drawing as a study for a figure in the painting Oath of the Army to Napoleon after the Distribution of the Eagle Standards (Château de Versailles). Recent scholarship, however, has challenged this lineage.
Jar with floral medallions
Object type: jar
Date: 1801 – 1900
Materials: glaze, stoneware
Techniques: relief
Culture: chinese
Border (From a Cover)
Object type: textile
Date: 1650 – 1700
Materials: linen
Techniques: cutting, embroidery, weave, stitching
Location: italy
Europese vrouwen tijdens tennisspel in Nederlands-Indië
Object type: photograph
Date: 1917 – 1917
Materials: photographic support
Techniques: daylight paper print
Location: dutch east indies
Artist: Anonymous
Subjects: tennis, lawn-tennis (+ sportsman, player, etc.), dutch east indies, the

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
De jeugd
Object type: print
Date: 1680 – 1704
Materials: paper
Techniques: mezzotint
Location: haarlem
Artist: cornelis dusart
Artist role: draughtsman, painter, print maker
Artist dates: 1660 – 1704
Subjects: youth, adolescent, human life divided into stages, e.g. three, four, seven, twelve stages (with number), terrace, couple of lovers
Inscriptions: collector's mark: Lugt 2228

Op een terras voor een herberg onder een pergola zit een jong liefdespaar in een intieme houding bij een tafel. Ze eten wafels en drinken wijn en bier. Op de achtergrond een tweede liefdespaar in een omhelzing. De prent is onderdeel van een reeks van vier prenten over de leeftijden van de mens.
Tankard (one of a pair)
Object type: tankard
Date: 1824 – 1825
Materials: gilt silver, silver
Artist: edward farrell
Artist role: silversmith
Artist nationality: british
Artist dates: 1779 – 1850

This pair of tankards if an outstanding example of the daring, eclectic historicism that was a specialty of the London silversmith Edward Farrell who collaborated with Kensington Lewis, a retailer. Farrell's work is characterized by boldly chased and cast decoration inspired by Renaissance, Baroque and Rococo designs. Lewis supplied silver to many patrons in the circle of the Prince Regent, but it was famously Prince Frederick Augustus, Duke of York who was his most voracious client.
Staal bespanningsstof naar ontwerp van Theo Nieuwenhuis in passe-partout
Object type: sample
Date: 1910 – 1910
Materials: cardboard, cotton
Techniques: jacquard
Location: helmond
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951

Staal bespanningsstof van jacquardgeweven katoen naar ontwerp van Theo Nieuwenhuis, in origineel passe-partout. Het patroon bestaat uit een aster, bladeren en vlinders in een spitsovaal, omringd door brede banden met klein gestileerde blad-, bloemvormen, vlinders en libelles. Olijfgroene inslag op donkergroene ketting.
Beek in een bos
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: photoaquatint
Location: paris
Artist: sir william de wiveleslie abney
Artist role: astronoom, chemicus, fotograaf
Artist dates: 1843 – 1920
Subjects: forest, wood, brook, forest path or lane
Inscriptions: inscription: ‘Cliché au gelatino-bromure de Mr le Capitaine Abney’
Salt
Object type: salt
Date: 1701 – 1800
Materials: silver
Artist: r. eva
Artist role: maker
Artist dates: 1700 – 1800
Scribe's paint dish
Object type: scribe's paint dish
Date: 1981 – 1640
Materials: stone
Location: egypt
Fire-irons
Object type: fire iron
Date: 1770 – 1790
Materials: gilt bronze, steel
Twee schetsen van een knielende vrouw
Object type: drawing
Date: 1844 – 1844
Materials: ink, paper, pencil
Techniques: printing
Location: netherlands
Artist: Anonymous
Subjects: female sex; woman, kneeling figure
Inscriptions: inscription: ‘J.F. Alberdingk Thijm. / [...]’
Blue Irises
Object type: print
Date: 1900 – 1930
Materials: paper
Techniques: woodcut
Location: japan
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945
Figuren op het strand van Scheveningen
Object type: sketchbook leaf
Date: 1916 – 1916
Materials: paper, pencil
Location: scheveningen
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: beach (+ landscape with figures, staffage)
Inscriptions: annotation: ‘SCHEVENINGEN!’

De figuren, waaronder een man met een hoge hoed en een meisje, zitten naast een kinderwagen op het strand. Blad 43 recto uit een schetsboek met 72 bladen.
De liereman
Object type: print
Date: 1762 – 1764
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: parents with their children, hurdy-gurdy player - cc - out of doors, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Op een stoep voor een deuropening in een stad zit een gezin waaronder twee jonge kinderen. Naast hen staat een straatmuzikant met een draailier. Rechts een gracht.
Gezichte van de Groote Amstelbrug, naar den Binnen Amstel
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sluice, weir, city-view, and landscape with man-made constructions, canals, waters (in city), bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 1641b

Prent waarschijnlijk uit: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: Nicolaas ten Hoorn, 1713.
Ontmoetingen met koning Willem I, 1829-1830
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: the hague, berlin, william i of the netherlands, ruler in informal contact with his subjects, godfather and godmother
Inscriptions: collector's mark: Lugt 2228

De koning ontmoet een kind waarover hij peet is. Met eenregelig onderschrift. Onderdeel van de serie van 24 platen met ontmoetingen met koning Willem I, verschenen onder de titel 'Les rencontres' in 1829-1830.
De Pakgoederen
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. De Bykorf des Gemoeds. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 202.
Ritual wine cup (jue)
Object type: wine cup
Date: 1520 – 1520
Materials: copper alloy
Culture: chinese

Not all Ming ritual bronzes were based on antique models. The smooth shape of this tripod cup dating to 1520 closely follows contemporary reinterpretations in ceramics of this ancient vessel type. Furthermore, the inscription is rendered in standard script rather than in an archaic bronze or seal script. Inscription 知縣張淮、教諭丘渲、 訓導潘昂、丁獻，大明正德庚辰年造 Zhang Huai, the [Shanggao] county magistrate, Qiu Xuan, the county academy instructor, Pan Ang and Ding Xian, the assistant instructors of the county academy, manufactured [this vessel] in the gengchen year of Zhengde reign of the Great Ming [1520].
Portret van een (vermoedelijk) Franse militair, staand met sabel in de hand
Object type: photograph
Date: 1870 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: studio requisites ~ photographer, hacking and thrusting weapons (with name), warfare; military affairs, (military) uniforms, division of armed forces, france

Onderdeel van Album met cartes-de-visite en kabinetfoto's van militairen in uniform.
Stop van fles van olie- en azijnstel bestaande uit twee flessen van glas en een peperbus in een houder
Object type: bung
Date: 1783 – 1783
Materials: glass
Location: amsterdam
Artist: jan hendrik middelhuysen
Artist role: silversmith
Artist dates: 1746 – 1822
Sketches for a Lamentation and a Pietà, and of Various Figures, Heads, and an Arm (recto); Sketches of the Dead Christ, and of Various Figures and Heads (verso)
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: jacopo negretti, called palma il giovane
Artist role: draughtsman, painter, print maker
Artist nationality: italian
Artist dates: 1548 – 1628
A Backwater on the Lea
Object type: photograph
Date: 1880 – 1889
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Brief aan Jan Veth
Object type: letter
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen, writing
Artist: johannes de koo
Artist role: auteur
Artist dates: 1841 – 1909
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth
Inscriptions: collector's mark: ‘RPK’
Ehon kojidan
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: woodcut
Location: osaka
Subjects: landscapes, river

Rivierlandschap met in de rechthoekige cartouches vier van de acht klassieke landschapstitels: herfstmaan, avondklokken, avondregen en neerstrijkende ganzen. Twee pagina`s, aan elkaar geplakt, uit het Japanse boek Ehon kodanji.
Brief aan Willem Bogtman
Object type: letter
Date: 1943 – 1943
Materials: cardboard, ink
Techniques: pen, writing
Location: buissche heide
Artist: henriëtte roland holst-van der schalk
Artist role: dichter, schrijver
Artist dates: 1869 – 1952
Subjects: haarlem, willem bogtman, richard nicolaüs roland holst, the graphic arts
Tail coat
Object type: tail coat
Date: 1830 – 1830
Materials: wool
Culture: italian
Tea bowl with decoration of chrysanthemums and wavy lines
Object type: teabowl
Date: 1601 – 1650
Materials: stoneware
Techniques: stamping
Culture: korean

The white slip, stamp technique, and chrysanthemum motif of the tea bowl indicate that it was produced specifically for the Japanese market. It was likely made in the early seventeenth century; however, it is also possible that it was a product of the so-called Busan kilns (active 1639–1718) in southeastern Korea, which manufactured and exported revivalist Korean-style ceramics designed to cater to the tastes of Japanese consumers.
Coin Portraying Emperor Constantius I
Object type: coin
Date: 303 – 305
Materials: bronze, copper alloy, metal
Culture: roman
Location: trier
Subjects: portrait
Inscriptions: Obv: CONSTANTIVS NOB C
Rev: GENIO POPVLI ROMANI TR

The front (obverse) of this coin portrays the emperor Constantius.
On the back (reverse) a Genius stands, facing left.
Portret van Willem Jacobs Hofdijk
Object type: print
Date: 1842 – 1877
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: arnhem, landscapes in the temperate zone, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Brief aan Willem Frederik Gouwe
Object type: letter
Date: 1936 – 1936
Materials: ink, paper
Techniques: pen, writing
Location: zundert
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: applied arts, arts and crafts; industrial design
Reliquary
Object type: reliquary
Date: 1 – 300
Materials: stone
Culture: gandhara
Subjects: gandhara
Portretten van burgemeesters van Zürich
Object type: print
Date: 1669 – 1689
Materials: paper
Techniques: engraving
Artist: conrad meyer (i)
Artist role: painter, print maker, publisher
Artist dates: 1618 – 1689
Subjects: mayor, other non-personal regalia, e.g. mayor chain, historical persons
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van 67(?) portretten van burgemeesters van Zürich. Zie Hollstein German 110, 1-26.
Thiergärtner Thor
Object type: stereograph
Date: 1868 – 1888
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: gate ~ fortified city
Inscriptions: number: ‘No. 22.’
Portret van een vrouw en een jongeman, mogelijk moeder en zoon
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: mother and son(s) (family group)
Portret van paus Nicolaas III
Object type: book illustration
Date: 1587 – 1587
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: rome, historical persons, pope, armorial bearing, heraldry

Prent uit: Ciccarelli, Antonio. Le vite de Pontefici di Antonio Ciccarelli (...). Rome: Domenico Basa, 1587. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Peignoir
Object type: peignoir
Date: 1880 – 1880
Materials: cotton
Culture: hungarian
Hotel de la Poste, Dinant
Object type: photograph
Date: 1860 – 1918
Materials: cardboard, paper
Techniques: albumen print
Location: dinant
Artist: Anonymous
Subjects: post-office
Inscriptions: inscription: ‘Hotel des Poste Dinant’, number: ‘25’
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Bit of the mouth and part of the neck of a lekythos
Mlle. Mella, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.