deem-data/ArtiFact huggingface dataset:
Hoek van inval is hoek van uitval
Object type: print
Date: 1960 – 1967
Materials: paper, watercolor
Techniques: brush, etching
Location: amsterdam
Artist: pieter holstein
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1934 – 
Inscriptions: signature: ‘p. holstein’, title: ‘hoek van inval is hoek van uitval’, edition: ‘3/10’

Trompet en geel parallellogram, rechtsonder tulpen en een molen. Het geluid van de trompet bereikt de tulpen via de geometrische zwevende figuur.
Design for a Vase with a Cross-section of its Neck (recto); Design for a Vase with studies of a Muscular Nude Male Figure and figures for a Baptism (verso)
Object type: drawing
Date: 1672 – 1725
Materials: chalk, ink, drawing material
Techniques: brush, pen, wash
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: vases
Wonderbare visvangst
Object type: print
Date: 1673 – 1678
Materials: paper
Techniques: etching
Subjects: the miraculous draught of fishes (before the resurrection) on the lake of gennesaret (sea of galilee); james and john helping to bring in the nets (luke 5:1-11)
Inscriptions: collector's mark: Lugt 2228
"Francesca" Violin
Object type: violin
Date: 1694 – 1694
Materials: wood, mother of pearl
Culture: italian
Location: italy
Artist: antonio stradivari
Artist role: maker
Artist nationality: italian
Artist dates: 1644 – 1737

Antonio Stradivari has long been thought to have been an apprentice of Nicolò Amati, but census documents do not list Stradivari as a garzone (shopboy) in the Amati household. Stradivari's early instruments do show the stylistic influence of the Amati, but as Girolamo II and Nicolò were the principal makers in Cremona during Stradivari's formative years, it would be natural for Stradivari to have been influenced by their work. Antonio Stradivari worked with two of his sons, Francesco (1671-1743) and Omobono (1679-1742), and today over 600 instruments survive from this prodigious workshop. Stradivari experimented with the shape and arching of the violin. In 1690 he devised a somewhat longer and narrower body outline that is referred to as the "long pattern." By 1700 he abandoned this pattern and reverted to the broader shape that was typical of his earlier violins.
Gezicht op Lisieux
Object type: album leaf
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching, hand coloring
Location: frankfurt am main
Subjects: village

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1657, dl. 8, na p. 20. De titel is uit de originele prent gesneden. Boven de gravure is een deel lucht en wolken (bij)geschilderd, waarin de titel gelijmd is. Origineel op één blad gedrukt met het gezicht op Mont Saint-Michel (RP-P-1956-127).
Document Sealing With the Throne Name of Amenhotep III
Object type: sealing, nebmaatre, amenhotep iii, sobek
Date: 1390 – 1352
Materials: mud
Location: egypt
Part of a dress and twenty-five fragments
Object type: dress fragment
Date: 1701 – 1800
Materials: silk
Culture: french
t' Slot t' Abcou, int Sticht van Utrecht
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: castle, conversation, dialogue; conversation piece, dog
Inscriptions: collector's mark: Lugt 195

Landschap met Slot Abcoude. Op de voorgrond drie figuren en een hond. Derde prent in een serie van vier met kastelen te Holland en Utrecht.
Saucer
Object type: saucer
Date: 1710 – 1730
Materials: hard paste porcelain
Subjects: birds,houses,flowers
Bos- en berglandschap te Beekhuizen
Object type: sketchbook leaf
Date: 1833 – 1833
Materials: paper, pencil
Location: gelderland
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: low hill country, forest, wood
Inscriptions: date and inscription: ‘Berg & Bosch gezigt te/ Beekhuizen/ 1833’

Blad 9 verso uit een schetsboek met 41 bladen.
Blaye Est un gros Bourg (...)
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om de Franse stad Blaye. Plaat nr. 90 in deel IV van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit eerste deel met 238 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in het Frans. Rechtsonder sporen van het weggepolijste nummer: 250.
Hamburg. Lombardsbrücke mit Stadt
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1906
Materials: cardboard
Techniques: photograph
Location: hamburg
Subjects: city-view, and landscape with man-made constructions, canals, waters (in city), bridge in city across river, canal, etc.
Inscriptions: date
Pakhuis met arbeiders, Amsterdam
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: nicolaas schuitvlot
Artist role: fotograaf
Artist dates: 1859 – 1947
Subjects: warehouse (~ harbour), amsterdam
Mishima, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"
Object type: print
Date: 1806 – 1806
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Perils of the Sea
Object type: print
Date: 1888 – 1888
Techniques: etching
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: men,women,seas
Portret van Anne Fortescue
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Overlijden van luitenant-admiraal Johan Arnold Zoutman
Object type: history medal
Date: 1816 – 1834
Materials: bronze
Techniques: striking
Location: brussels
Artist: jean henri simon
Artist role: medailleur
Artist dates: 1752 – 1834
Subjects: johan arnold zoutman

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift
Madonna met kind
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Artist: cornelis schut (i)
Artist role: draughtsman, print maker
Artist dates: 1597 – 1655
Subjects: madonna: i.e. mary with the christ-child

Het Christuskind ligt op schoot bij Maria, zijn hoofd op haar schouder. Op de achtergrond het kruis waarlangs een rozenstruik zich naar boven slingert.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, part of head of wreathed youth; part of an inscription, omicron?
Scarborough Shore
Object type: drawing and watercolor
Date: 1860 – 1860
Materials: board, graphite, paint, paper, watercolor
Location: england
Artist: william roxby beverley
Artist nationality: english
Artist dates: 1811 – 1889
Makelaarsgilde van Amsterdam, gildepenning met no. 209
Object type: medal
Date: 1612 – 1612
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: hans rogiers van harelbeke
Artist role: metalworkers
Artist dates:  – 1638
Subjects: amsterdam

Messing penning. Voorzijde: gezicht op beursgebouw, waarboven twee Mercuriussen vliegen met staf en buidel in handen. Keerzijde: gekroond wapenschild, geflankeerd door twee leeuwen onder jaartal binnen palmkrans; afsnede: cijfer 209
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of head, neck, and upper torso of a youth, reclining on a kline, with lower body draped in a himation, and his bent left arm resting against a cushion, with his hand holding a kylix; Obverse, head, neck, and upper back of an aulos player, resting against cushions and the calves of the reclining draped youth behind him, who is playing kottabos; Reverse, youth to right, holding a trefoil oinochoe in his right hand; legs of a reclining male with a himation draped around his lower body
Vignet met een vrouw (mogelijk Victorie) die Vader Tijd uit een bibliotheek met putti verdrijft
Object type: album leaf
Date: 1687 – 1701
Materials: paper
Techniques: etching
Location: toulouse
Subjects: victory, vignette, public library, cupids: 'amores', 'amoretti', 'putti', father time, man with wings and scythe

Prent waarschijnlijk gebruikt voor: La Faille, Germain de. Annales de la ville de Toulouse depuis la réunion de la Comté de Toulouse à la couronne (...). Toulouse: Guillaume-Louis Colomyez en Jérôme Posuel, 1687-1701.
Vignet gebruikt in 'Divers titres et actes pour servir de preuves (...)'.
Funerary Cone of the Cup-Bearer Neferperet
Object type: cone, davy 213, neferperet, cup bearer, king
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Mediamque Minervam
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching, hand coloring
Location: london
Artist: Anonymous
Subjects: caricatures (human types), study; 'studiolo'; library, book, newspaper, news-sheet
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

De onderschriften in het Latijn zijn afkomstig uit de satiren van Juvenalis. Waarschijnlijk wordt op deze prent de spot gedreven met de pretenties van deze geleerde. Zo leest een van de titels: "Newton made easy by
Question & Answer for Young Ladies".
Petavius - Langrenus - Mer des Crises
Object type: photomechanical print
Materials: paper
Techniques: autotype
Subjects: surface of the moon
Inscriptions: inscription: ‘Société Belge D'Astronomie Atlas Lunaire Pl. XXI/ 1897, Mars 7, 6h. 5m. (T. M. de Paris)’

Transparante pagina voor prent als kaart met daarop de namen van de verschillende kraters.
Portret van een onbekend kussend stel
Object type: photograph
Date: 1920 – 1940
Materials: paper
Techniques: gelatin silver print
Location: rochester
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a double portrait, couple of lovers
Inscriptions: number: ‘4065’
Falling Buffe
Object type: falling buffe
Date: 1501 – 1600
Materials: steel
Culture: french
Location: france
Frank van Borselen knielt voor Jacoba van Beieren
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: jacoba of bavaria (countess of hainaut), brielle
Inscriptions: collector's mark: Lugt 240

Illustratie uit: Loosjes Pz, Adriaan. Frank van Borselen en Jacoba van Beijeren. Haarlem: Adriaan Loosjes Pz., 1790, p. 110.
Gespleten boomstammen in het park van Metternich bij Marienbad
Object type: sketchbook leaf
Date: 1808 – 1869
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: marienbad
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: forest, wood, marienbad
Inscriptions: date and inscription: ‘Park Metternich 25./8 69’

Blad 30 recto uit een schetsboek met 48 bladen.
Gezicht op Arnhem
Object type: drawing
Date: 1690 – 1690
Materials: ink, paper
Techniques: brush, pen
Artist: laurens vincentsz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1658 – 1729
Subjects: prospect of city, town panorama, silhouette of city, arnhem
Vincent van Gogh on His Deathbed
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching
Location: france
Artist: dr. paul gachet
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1909
Richardson (Hands At Knees), 3rd Base, New York, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco
Object type: baseball card
Date: 1887 – 1887
Techniques: color lithograph, drawing
Artist: d. buchner & co., new york
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1900
Subjects: men,baseball,athletes

(Danny) Richardson (Hands At Knees), 3rd Base, New York, trade card from the "Gold Coin" series (N284), issued by D. Buchner in 1887 to promote Gold Coin Chewing Tobacco. In the American Card Catalog, Burdick refers to the series as "Leading Baseball Players, Police Inspectors and Captains, Jockeys, and Actors." The images in this series do not always represent the specific athletes named.
Virgin and Child
Object type: painting
Date: 1501 – 1533
Materials: wood, oil, panel
Culture: dutch
Artist: hans memling
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1465 – 1494
Subjects: madonna and child
Galleria Giustiniana del Marchese Vincenzo Giustiniani II
Object type: album leaf
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Artist: valérien regnard
Artist role: print maker
Subjects: thiasos, i.e. bacchus' revel-rout, bacchanal without bacchus, piece of sculpture, reproduction of a piece of sculpture

Bas-reliëf met bacchanaal. Midden onder op het reliëf het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Gunnery building
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: united states naval academy
Artist: edward h. hart
Artist role: publisher
Subjects: façade (of house or building), ammunition store, arsenal
Dish
Object type: dish
Date: 1725 – 1725
Materials: hard paste porcelain
Subjects: plants,coat of arms

It is likely that this dish was made as part of a large service ordered to commemorate the marriage of Townshend to Audrey Harrison in 1723, the year that he was created Baron Townshend de Lynn Regis.
Donation stela: Apries offers land to Bastet
Object type: stela, bastet, apries, donation stela
Date: 589 – 570
Materials: limestone
Location: egypt

From the Third Intermediate Period through the Saite Period a large number of stelae are preserved that, like this one, record the donation of land to temples. These give an unusually rich view into temple and land organization. Most often non-royal persons actually made the gift, and the gift was probably destined for the support of the donor's funerary cult. The donation was generally made through an intermediary somehow attached to the temple and who must have derived some benefit for his agency. For reasons of decorum, usually the reigning king was depicted as the official donor in the scene at the top. Probably because of the nature of land development, almost all such stelae relate to areas in the north of the country. While King Apries is depicted as the offerer, the four lines of hieroglyphic text record the donation is made by Padeset son of Padenebetsekhet and is to be administered by Pedubast son of Pedehor.
The oldest rabbit jumped respectfully on his grandfather's lap..., from "Scenes from the Private and Public Life of Animals"
Object type: print
Date: 1837 – 1847
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: rabbits
Portret van een onbekende jongen in kar voortgetrokken door een geit
Object type: frame
Date: 1855 – 1870
Materials: glass, metal, velvet, wood
Techniques: ambrotype
Artist: Anonymous
Subjects: girl (child between toddler and youth), goat, two-wheeled vehicle drawn by one animal
Demons on an Elephant with Adorant
Object type: plaque one of two
Date: 1167 – 1233
Materials: bronze
Culture: cambodian
Subjects: elephants,demons

The presence of demonic figures and of Nan Brah Dharani suggests that this plaque is part of a larger composition depicting Buddha, prior to his enlightenment, being attacked by the forces of Mara, the personification of illusion and evil.
Tea caddy with a crowned, illegible monogram surrounded by two flower sprays
Object type: lid
Date: 1750 – 1774
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous

Deksel van theebus van porselein met viermaal gelobde wand en rand en vier korte voeten, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. De dekselknop in de vorm van een shishi (leeuwhond); op de deksel bloemranken en cartouches met landschappen of bloemtakken. Europese voorstelling in emailkleuren.
Creamer
Object type: ceramic
Date: 1755 – 1755
Materials: ceramic, porcelain, soft paste porcelain
Techniques: underglaze
Location: worcester
Hollands gouden schild van Philips de Goede, 1425-1428
Object type: coin
Date: 1425 – 1427
Materials: gold
Techniques: striking
Location: dordrecht
Artist: philip iii the good
Artist dates: 1396 – 1467

Gouden munt. Voorzijde: in veelpas gekroonde graaf op troon, in rechterhand zwaard, linkerhand rustend op wapenschild van Philips de Goede. Keerzijde: in vierpas kort versierd kruis.
Wall decoration with vegetal and geometric design
Object type: relief
Date: 501 – 600
Materials: plaster
Culture: sasanian
Location: mesopotamia

Stucco reliefs were commonly used to decorate the iwans and reception halls of elite Sasanian houses. Many examples were found in excavated houses in the Ctesiphon area including this fragment from Ma’aridh VI consisting of a design of half palmettes above a row of lozenges. The use of molds to make stuccos allowed for the creation of large scale repetitive patterns such as floral and vegetal motifs The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. Over the course of the excavations in the Ctesiphon area, six houses from a series of small mounds called el Ma’aridh were excavated. The house at Ma’aridh VI was only partially excavated and a plan of the building was not made. The stucco fragments from the house, however, suggest that the cruciform niches in the reception area were richly decorated.
Untitled Valentine (Vase of Flowers)
Object type: drawing and watercolor
Date: 1850 – 1859
Materials: paper
Techniques: collage, cutting, embossing
Location: england
Artist: george meek
Artist nationality: english
Artist dates: 1800 – 1899
Vork
Object type: miniature
Date: 1700 – 1800
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: fork

Vork met vier tanden en een licht gebogen steel. De steel heeft een middenrichel en dubbel lof. De vork is gelijk aan drie vorken met invnrs. BK-NM-11177-225, BK-NM-11177-227 en BK-NM-11177-228. De vork is niet gemerkt.
Devises et emblesmes d'amovr moralisez
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: france
Subjects: qualities of love: first series (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2166

Een landschap met een boomstam waaruit twee loten omhoog steken. Op een banderol een devies in Latijn en een onderschrift in Frans, beide over de liefde.
Albarello, veelkleurig beschilderd met een wapen met ter weerszijden de kop van een griffioen en een banderol met opschrift: DA PRASSIO
Object type: pot
Date: 1500 – 1530
Materials: earthenware, glaze
Techniques: maiolica, painted, polychromy
Location: castel durante
Artist: Anonymous
Inscriptions: label: ‘bewaarneming vom Rath 121’

Two drug jars (Albarelli) with the inscription DIA PRASSIO (a highly complex laxative) and TERA PIGRA (electuary laxative). Deruta, c. 1500 - 1530. J.W. Edwin vom Rath bequest, 1941.
Georgivs Macropedivs
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: gemert, den bosch
Inscriptions: collector's mark: Lugt 2228

Portret van Georgius Macropedius, Nederlandse geleerde en humanist. Buste naar voor. De prent heeft een Latijns boven- en onderschrift en maakt deel uit van een serie van beroemde Nederlandse en Vlaamse geleerden.
Floorplan and Side View of an Altar, Plate d (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'
Object type: album print ornament architecture
Techniques: etching
Artist: georg gottfried winckler
Artist role: engraver
Artist nationality: german
Subjects: architecture,altars
Stoel van mahoniehout
Object type: chair
Date: 1825 – 1850
Materials: wood, leather
Location: netherlands
Artist: Anonymous

Stoel van mahoniehout met flauw gebogen rug op vier rechthoekige, enigszins uitstaande poten. Losse met geel rundsleder beklede zitting en met leder bespannen rug. Dit leer is aangebracht voor 1907, vroeger was de stoel met haardoek bekleed (zie cat.1913 no. 238).
Tekstblad bij de prent van het visioen van de ondergang van Spanje, ca. 1630
Object type: text sheet
Date: 1630 – 1635
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: filips iv (koning van spanje)

Muller ordende deze plaat eerst bij het jaar 1645. Volgens de beschrijving in het Supplement past de prent beter rond 1625 omdat de prent gebaseerd zou zijn op (of het origineel voor) de titelprent in: Nicolaas Jansz van Wassenaar, t' Achste deel of t' Vervolch van het Historisch Verhael aller gedenckwaerdiger geschiedenissen, die in Europa, als Duijtslant, Vranckrijck, Engelant ... Nederlant: in Asia ... in Africa ... in America ... van Octobri des jaers 1624. tot April des jaers 1625. voorgevallen syn, Johannes Janssonius, Amsterdam 1625 (FMH 1433A/8). De identificatie in de prent van de Noordse Bok als Zweden wijst op een datering van ca. 1630. De verklaring in cursief is gesigneerd door: Teophilius Flaû. De legenda is door: R.E.
Portret van Milex Wassink
Object type: photograph
Date: 1907 – 1933
Materials: paper
Techniques: gelatin silver print
Location: the hague
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, the hague
Inscriptions: inscription: ‘Mi Lex Wassink’
Allegory of Love: Scorn
Object type: drawing and watercolor
Materials: gouache, graphite, ink, paint, paper, watercolor
Techniques: brush, pen
Location: italy
Artist: after paolo caliari, called veronese
De Kieswet in de Tweede Kamer
Object type: cartoon
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: print maker, wilhelmina of the netherlands, the hague, politician, samuel van houten, personifications of countries, nations, states, districts, etc., the right to vote, the compulsory vote, political caricatures and satires

Kamerlid Samuel van Houten knielt voor koningin Wilhelmina en geeft aan haar troon te willen beschermen tegen een groep Kamerleden die pleiten voor kiesrecht in de Tweede Kamer. De Nederlandse Maagd spreekt dit tegen.
Drie kinderen met een vogelnest
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: lithograph
Location: paris
Subjects: child robbing bird's nests
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: L'Album lithographique de 1825.