deem-data/ArtiFact huggingface dataset:
Portret van Willem V, prins van Oranje-Nassau
Object type: print
Date: 1775 – 1849
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: william v (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Portret van Leopold I von Anhalt-Dessau
Object type: print
Date: 1723 – 1767
Materials: paper
Techniques: engraving, etching
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: helmet, knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), armour, historical persons, baton of general, charge ~ battle, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van schilderij van een kerkinterieur
Object type: reproduction
Date: 1880 – 1920
Materials: paper
Techniques: collodion silver print
Artist: Anonymous
Subjects: interior of church
Inscriptions: number: ‘448.’
Voorstellingen uit het Nieuwe Testament
Object type: print
Date: 1635 – 1694
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: the apostles awake christ
Inscriptions: collector's mark: Lugt 240
Dagger (Jambiya) with Sheath
Object type: dagger jambiya with sheath
Date: 1801 – 1900
Materials: gold, marble, silk, silver, steel, wood
Culture: indian, mughal
Location: india
The Resurrection, from "The Passion of Christ"
Object type: print
Date: 1634 – 1666
Techniques: etching
Artist: nicolas cochin
Artist role: artist
Artist nationality: french
Artist dates: 1610 – 1686
Subjects: angels,christ
Gezicht op de Overtoomseweg
Object type: photograph
Date: 1880 – 1950
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', the usual house or row of houses, street
Inscriptions: collector's mark: ‘10,115’ Lugt 1641b, inscription: ‘Overtoom’

Onderwerpsrubriek binnen de Atlas Amsterdam: Overtoom.
Ostrakon with a Letter from Jacob to Jacob
Object type: ostrakon
Date: 600 – 600
Materials: ink, pottery
Culture: coptic
Location: egypt
Les van de schoolmeester
Object type: print
Date: 1802 – 1883
Materials: paper
Techniques: etching
Artist: ferdinand de braekeleer (i)
Artist role: draughtsman, print maker
Artist dates: 1792 – 1883
Subjects: teacher and pupil, education, elementary school; class, form
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Riviergezicht met een veerpont die personen en koeien oversteekt
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: etching, intaglio
Subjects: sailing-ship, sailing-boat, ferry, poling, punting
Inscriptions: collector's mark: Lugt 2228
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegn. ed incisi dal cav. Gio. Batta Piranesi
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: rome
Subjects: tripod, vase ~ ornament, serpent ouroboros

Blad met twee voorstellingen van een antieke tripod en een vaas. Links: een antieke tripod met een ouroborus, maskers en een guirlande. Rechts een bovenaanzicht. Tekst boven en onder voorstelling. Rechts: een antieke vaas met putti en guirlandes. Tekst en verklarende letters boven voorstelling. Opdracht in ondermarge.
Decorated Ware Jar Depicting Ungulates and Boats with Human Figures
Object type: jar, decorated ware, boat, human, ungulate
Date: 3500 – 3300
Materials: paint, pottery
Location: egypt
Subjects: boats

The images on this vessel represent important social or religious events, the precise significance of which is not perfectly understood. Two male and two female figures stand aboard a boat, which is depicted with oars and two cabins. In the areas surrounding the boat are mountains, birds that may represent flamingos, plants, and water.
Gezicht op de Zaagmolensloot met molen Bouwlust
Object type: drawing
Date: 1845 – 1877
Materials: chalk, paper
Location: amsterdam
Artist: frederik willem zürcher
Artist role: draughtsman, print maker
Artist dates: 1835 – 1894
Subjects: city-view in general; 'veduta', windmill in landscape
Inscriptions: collector's mark: Lugt 800a, signature: ‘F.W.Zürcher’, inscription: ‘I 479. 62’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 26.
Rivierlandschap met zeilschip en boerderij
Object type: print
Date: 1837 – 1900
Materials: paper
Techniques: etching
Location: the hague
Artist: lambertus hardenberg (1822-1900)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1900
Subjects: sailing-ship, sailing-boat, river (+ landscape with figures, staffage), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Bracelet
Object type: bracelet
Date: 1860 – 1860
Materials: gold
Artist: castellani
Artist role: maker
Emplacement bij fermenteerschuur van de Senembah Maatschappij te Batang Kuis op Sumatra
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, barn, sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Fragment
Object type: textile
Materials: wool
Techniques: treatment, embroidery, weave, stitching
Culture: nazca or wari
Location: peru

Geometric patterns are common in Andean textile art. Although it may appear simple at first look, this panel is far more elaborate than meets the eye: the geometric designs presented here were formed using multiple techniques, with the weaving of the blue and red half-step frets, the outlining in white embroidery, and the edging in cross-knit loop stitches. This pattern creates an overall checkerboard of color, with the juxtaposed colored surfaces further combining to create full-step frets.
Mug
Object type: mug
Date: 1725 – 1725
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: houses,men,flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Portret van een oude man met baard
Object type: photograph
Date: 1910 – 1930
Materials: paper
Techniques: gum bichromate
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Mr. John E. Thayer's Wanda
Object type: page
Date: 1883 – 1888
Materials: paper
Techniques: photograph
Location: new york city
Subjects: dog (with name of kind)

Prent tegenover pagina 95, achter semi-transparante omslag.
Untitled (II 8)
Object type: photograph
Date: 1890 – 1890
Techniques: photogravure
Location: italy
Artist: ferdinando ongania
Colin Capbell, Argyllman John Campbell, Breadalbane Man
Object type: photograph
Date: 1860 – 1870
Materials: photographic support
Techniques: albumen print, hand coloring
Subjects: adult man, folk costume, regional costume
Card Number 244, Josie Hall, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Amulet of the God Thoth
Object type: costume and accessory
Materials: lapis lazuli
Culture: egyptian
Location: egypt
Subjects: gods (deities)
Zeeslag, tusschen de Bataafsche en Engelsche Vlooten, op de hoogte van Egmond, den elfd.n october 1797 (...) Het gevecht neemt zijn aanvang ten half een uur , naa den middag
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: jan willem de winter, battle (+ naval force), battle of camperdown
Inscriptions: collector's mark: Lugt 2228

De Zeeslag bij Kamperduin op 11 oktober 1797 tussen de Bataafse vloot onder bevel van viceadmiraal Jan Willem de Winter en een Britse vloot onder admiraal Adam Duncan. Aanvang van de slag met links de Bataafse vloot in line met de schepen de Gelijkheid en de Vrijheid (dit schip onder bevel van De Winter); rechts de Engelse schepen in linie, onder bevel van viceadmiraal Onslow en admiraal Duncan. Vóór de legenda 1-4.
Bedcover
Object type: textile
Date: 1850 – 1850
Materials: cotton
Techniques: backing, weave, printing
Location: united states
Water jar with spout (vase à bec)
Object type: water jar with spout
Date: 1551 – 1600
Materials: earthenware
Techniques: glazing
Headdress
Object type: headdress
Date: 1830 – 1880
Materials: linen, metal, silk
Culture: russian

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg.
Stilleven van wild
Object type: drawing
Date: 1650 – 1719
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: jan weenix
Artist role: draughtsman, painter
Artist dates: 1640 – 1719
Subjects: spoils of the hunt, game, venison, foodstuffs; still life of foodstuffs
Monument ter nagedachtenis van Albrecht von Haller
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: physicist, forest, wood, monument, statue
Aartsengel Michaël als zielenweger
Object type: sculpture
Date: 1510 – 1520
Materials: wood
Location: tirol
Artist: meester van ottobeuren
Artist role: sculptor

The Archangel Michael Weighing Souls. Limewood, originally with polychromy Tyrol, c. 1510 - 1520.
Chariot #808
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Site of a Fire
Object type: print
Materials: paper
Techniques: etching
Artist: caspar david friedrich
Artist role: artist
Artist nationality: german
Artist dates: 1774 – 1840
Enquêteformulier ingevuld door Antonie Waldorp
Object type: manuscript
Date: 1812 – 1842
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Subjects: draughtsman, antonie waldorp
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Snuffbox
Object type: snuffbox
Date: 1767 – 1800
Materials: stone, gemstone, gold
Artist: johann christian neuber
Artist role: maker
Artist nationality: german
Artist dates: 1736 – 1808
Subjects: houses,trees
Two Classical Female Figures
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, tinting, wash
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1800 – 1899
Dancing Bes alongside seated group of musicians
Object type: figurine group, be, musician
Date: 332 – 330
Materials: pottery
Location: egypt
Subjects: dancing,music,bes,musicians
Cartouche met veldslag
Object type: ornament print
Date: 1630 – 1635
Materials: paper
Techniques: engraving
Artist: daniël kellerthaler
Artist role: print maker
Artist dates: 1574 – 1665
Subjects: battle, ornament ~ cartouche

Cartouche met veldslag van twee legers met ruiters en voetvolk. In de vier hoeken wapentrofëen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of right forearm and hand holding drapery; Exterior, lower part of calf and foot of male to left
Journal der Moden 1786. T. VII
Object type: magazine
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: gotha
Subjects: fashion plates
Design for Coupé, no. 3625
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Folio from the Bellini Album
Object type: non illustrated album leaf
Date: 1600 – 1600
Materials: gold, ink, paper, watercolor
Location: turkey
Subjects: ornament
Exterieur en interieur van Het Park in Amsterdam
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: engraving
Location: gouda
Subjects: city-view, and landscape with man-made constructions, winter-garden, conservatory
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Terwen, Johannes Leonardus. Het Koningrijk der Nederlanden voorgesteld in eene reeks van naar de natuur geteekende schilderachtige gezigten. Gouda: Van Goor, 1858-1862.
Valentine
Object type: valentine
Date: 1876 – 1876
Materials: gold, graphite
Techniques: chromolithography, gilding, lithograph
Artist: walter crane
Artist role: artist
Artist nationality: british
Artist dates: 1845 – 1915
Christus en zeven engelen met de Passiewerktuigen
Object type: print
Date: 1581 – 1645
Materials: paper
Techniques: engraving
Subjects: man of sorrows, 'imago pietatis', 'erbärmdebild', 'schmerzensmann'; the upright christ showing his wounds, usually bearing the crown of thorns, and accompanied by the instruments of the passion, standing or sitting in his tomb, passion of christ
Inscriptions: collector's mark: Lugt 240

Christus als Man van Smarten. Onder de voorstelling vier regels in het Latijn en bovenaan de serietitel in het Latijn. Eerste prent uit een serie van zeven prenten met voorstellingen van engelen met de Passiewerktuigen.
Tea Jar
Object type: tea jar
Date: 1601 – 1700
Materials: glaze, pottery
Culture: japanese
Jerusalem, Church of the Holy Sepulchre
Object type: reproduction
Date: 1855 – 1865
Materials: paper
Techniques: albumen print
Artist: conway mordaunt shipley
Artist role: draughtsman, painter
Artist dates: 1824 – 1888
Subjects: roman catholic church
Daling van de Rotterdamsche tram-aandeelen van 400 op 200 pCt
Object type: cartoon
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: amsterdam, mayor, alfred rudolph zimmerman, tramway, tram, personification of a city, town-patron(ess), political caricatures and satires, rotterdam

De Rotterdamse Maagd schrikt als een Belg bij de deur een daling van de dividend van de Rotterdamsche Tramweg Maatschappij aankondigt. Op de achtergrond de Rotterdamse burgemeester Alfred Zimmerman.
Limestone statuette of a flute-player
Object type: statuette of a flute player
Materials: limestone
Culture: cypriot
Subjects: human figures,flutes,musicians

The head may not belong to the body, because his hair does not reach his shoulders.
Redunca arundinum (Southern reedbuck; male)
Object type: album leaf
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Subjects: animals
Inscriptions: annotation: ‘Caapse zogenaamde Riet Rebok. [onderstreept, e met º erboven]. de ram. [...]; schaalverdeling met: 2 Voet ii duijm Rijnl. [over potlood]’

Rietreebok of rode rietbok (Redunca arundinum), voorheen redunca fulvorufula; met schaalverdeling in Rijnlandse maat.
Gezicht op de Großer Möseler
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: tirol
Subjects: mountain-top, peak
Inscriptions: number: ‘11.’, inscription: ‘NPG’
Spes
Object type: ornament print
Date: 1593 – 1616
Materials: paper
Techniques: engraving
Location: germany
Subjects: hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues

Spes in een omlijsting van krulwerk met twee vogels, twee herten, twee honden en twee pauwen. Blad uit serie van hangers met deugden, bestaande uit een titelblad en 7 bladen. Aan elke hanger hangen drie parels. Om de hangers heen zijn kleine kostuumsieraden weergegeven.
The Crucifixion
Object type: painting
Date: 1401 – 1404
Materials: paint, panel, wood
Techniques: painting
Location: italy
Artist: taddeo di bartolo
Artist role: artist
Artist nationality: italian
Artist dates: 1362 – 1422
Subjects: century of progress, crucifixions, death, religion, religious, religious figures, religious scenes, christian subjects, christianity, biblical, men, women, mourning, saints, virgin mary, jesus, mother, sons, soldiers, armor, helmets, spears, swords, angels, gold (color), world's fairs, chicago world's fairs
Portret van Johan Meerman
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: carel christiaan antony last
Artist role: print maker
Artist dates: 1808 – 1876
Subjects: the hague, historical persons
Archbishop Laud
Object type: print
Date: 1705 – 1779
Materials: paper
Techniques: mezzotint
Location: london
Subjects: clergyman, non-roman catholic episcopal churches, e.g. anglicans, historical persons
Inscriptions: collector's mark: Lugt 2228
Design for a Frieze with Acanthus Scrolls and a Leopard in the Center, plate 10 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: leopards
In het bos
Object type: photograph
Date: 1938 – 1938
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: family life at home, outing, pleasure trip, netherlands

Albumblad met een foto van een kind in het bos. Onderdeel van het familiealbum 1938-1939.
Portret van een zittende onbekende man
Object type: photograph
Date: 1855 – 1870
Materials: glass, metal
Techniques: ambrotype
Artist: Anonymous
Subjects: sitting figure, historical persons
Souvenirs d'un Gamin
Object type: drawing
Date: 1862 – 1862
Materials: ink, paper
Techniques: brush, pen
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873

Karikaturen met uitgebreide bijschriften.
Portret van Aert Jansz. van Nes
Object type: print
Date: 1858 – 1862
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: rotterdam, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Jonge, J.C. de. Geschiedenis van het Nederlandsche zeewezen. Haarlem: Jonge, J.K.J. de, 1858-62.
Beaker (one of a pair)
Object type: beaker
Date: 1730 – 1740
Materials: copper, enamel, gilt, silver gilt
Techniques: painting
Artist: workshop of charles fromery
Artist role: maker
Artist nationality: german
Artist dates: 1685 – 1738
Subjects: towers,men
Figuurstudies
Object type: sketchbook leaf
Date: 1883 – 1884
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, adult man

Pagina 7 uit een schetsboek met 23 bladen.