deem-data/ArtiFact huggingface dataset:
Boulnois. Paul, Cyprien. 20 ans, né à Paris Ille. Employé de commerce. Anarchiste. 6/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Ecce Homo, from "The Passion of Christ"
Object type: print
Date: 1598 – 1617
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: buildings,jesus,crowd
Bead ornaments, 3
Object type: bead ornament
Date: 201 – 300
Materials: gold
Culture: roman
Portrait of Cornelis de Vos
Object type: drawing
Date: 1501 – 1600
Materials: chalk
Artist: anonymous, flemish, 17th century
Artist role: artist
Artist nationality: flemish
Artist dates: 1600 – 1700
Subjects: men,portraits
Fauteüils dans le gout Pictoresque
Object type: print
Date: 1745 – 1775
Materials: paper
Techniques: engraving
Location: paris
Subjects: chair
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Links een stoel met bekleding met bloemen. Rechts een stoel met gestreepte bekleding.
Telegram from Korea (Chosen denpo)
Object type: print
Date: 1894 – 1894
Techniques: woodblock print
Location: japan
Artist: Anonymous
Artist nationality: japanese
Artist dates: 1890 – 1899
Glass krateriskos (unguent jar)
Object type: krateriskos
Date: 1400 – 1350
Materials: glass
Culture: cypriot or egyptian

Translucent blue, with opaque white trail(s). Thickened and rounded rim with everted horizontal lip; tall cylindrical neck, tapering slightly downward; sloping shoulder; bulbous body; pedestal foot, conical, then tooled out into a flat, circular pad; uneven bottom with central kick; on opposite sides of body, two loop handles, applied over trail decoration. Marvered trail(s) on neck and body, tooled into a festoon pattern. Broken and repaired, with part of rim and neck missing, a large hole in one side of body, and most of handles lost; thick creamy enamel-like weathering covering all of surfaces, with some soil encrustation on interior. Among Bronze Age imports into Cyprus from Egypt were glass containers that held perfumes, scented oils, or cosmetics used for funeral purposes. Afterward, the jars were left in the burials. Such jars have been found on Cyprus at Kalavassos in tombs of the fourteenth century B.C. An additional example with a pristine unweathered surface can been seen nearby.
Dish
Object type: ceramic
Date: 1725 – 1730
Materials: enamel, hard paste porcelain, iron, porcelain
Techniques: gilding, underglaze
Location: vienna
Artist: du paquier porcelain manufactory
Artist nationality: austrian
Artist dates: 1718 – 1744

A significant number of Du Paquier porcelains are indebted to Chinese or Japanese porcelain prototypes; a Japanese Imari plate (or a Chinese interpretation of the Imari pattern) clearly served as a model for this very large dish, suggesting the presence of private collections of Asian porcelain in Vienna in the 18th century. The scale of this dish, as well as the technical mastery required to fire the underglaze blue, iron-red enamel, and gilding, attest to the ambitious goals set and achieved by the factory’s director, Claude Innocent Du Paquier.
Decoratieve patronen met lijnen en ornamenten
Object type: sketchbook leaf
Date: 1916 – 1945
Materials: paper, pencil
Location: africa
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: ornaments ~ art
Inscriptions: annotation: ‘probeer toepassen eenvoudige/ streep motief/ (in slingerlijnen)?/ blauw en koffiebruin/ evenwichtige verdeeling van/ ornament en grond.’

Blad 38 verso uit een schetsboek met 60 bladen.
Portret van Hildegard, koningin der Franken
Object type: book illustration
Date: 1643 – 1643
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: historical persons - bb - woman, queen

Prent uit: Eudes de Mézeray, François. Histoire de France, depuis Faramond jusqu’au regne de Louis le Juste (...). 3 dln. Parijs: Mathieu Guillemot, 1643, dl. 1. Prent waarschijnlijk voor het eerst verschenen in: Bie, Jacques de. Les vrais portraits des rois de France (...). Parijs: Jacques de Bie en Pierre Rocolet, 1634. Prent ook gebruikt in latere publicaties.
Jar
Object type: jar
Date: 1401 – 1500
Materials: earthenware
Techniques: glazing, molding
Location: spain
Vase fragment
Object type: vase fragment
Date: 7000 – 3000
Materials: terracotta
Culture: neolithic

Fragment, traces of black glaze.
Piece
Object type: piece
Date: 1701 – 1800
Culture: chinese
Subjects: flowers
Nieuwjaarsprent van het timmermansgilde te Haarlem, ca. 1600
Object type: new year card
Date: 1590 – 1610
Materials: paper
Techniques: letterpress printing
Location: haarlem
Subjects: carpenter, joseph at work in his carpenter's workshop, joseph with the christ-child (and mary) in his carpenter's workshop, haarlem

Nieuwjaarsprent van het timmermansgilde of Sint-Jozefsgilde te Haarlem, ca. 1600. Jozef aan het werk in zijn timmerwerkplaats, op de vloer spelen het Christuskind en Johannes de Doper, links Maria. Voorstelling in omlijsting met putti met de wapens van Habsburg en Haarlem, attributen van de timmerman en ornamenten. Onderaan de nieuwjaarsgroet in 4 verzen van elk 13 regels in 2 kolommen, getekend met het devies Liefde baert Vrede.
Gezicht op een kleine zaal in renaissancestijl in het stadhuis van Antwerpen, België
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: brussels
Artist: gustave choppinet
Artist role: fotograaf
Subjects: townhall, interior of the house
Inscriptions: inscription: ‘Hôtel de Ville/ Petite Salle Renaissance’, number: ‘PLANCHE 85’

Deze prent maakt deel uit van een omslag met 89 prenten en 5 tekstbladen.
Attendant Figure from a Halo
Object type: halo element
Date: 801 – 900
Materials: bronze
Culture: pakistani
Subjects: swat valley,men
Renspelen te Jeruzalem
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: wagon racing with two-wheeled vehicle, e.g.: chariot, sulky
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Josephus, Flavius. Alle de Werken, 2 delen. Amsterdam: Pieter Mortier, 1704, dl. 1, p. 375.
Sheet with overall stripe and dot design
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Album [of works] by the master Koiso Zensetsusō (complete) (Koiso Zensentsusō sensei gajō-kan) 小磯前雪窓先生画帖完
Object type: illustrated book
Date: 1801 – 1900
Materials: ink, paper
Culture: japanese
Artist: koiso zensetsusō 小磯前雪窓
Artist role: artist
Artist nationality: japanese
Artist dates: 1832 – 1902
Subjects: mountains,landscapes,trees
Crazy Quilt
Object type: quilt
Date: 1880 – 1900
Materials: silk, wool
Techniques: embroidery
Culture: american
Location: united states
Artist: Anonymous
Artist role: artist
Subjects: children,women,roosters,cows,elephants,horses

This pictorial wool crazy quilt is unique among the other quilts of its type in the Museum’s collection. Crazy quilts are most commonly pieced together with scraps of brightly colored silk and silk ribbons, such as 62.143, 1983.349, 1989.66, 1992.281, and 1993.101. However, The Met’s collection also includes several interesting examples of crazy quilts that don’t fit the norm, including a printed cotton example (2007.342), a Quaker silk and wool crazy (1974.34), and one made entirely of wool with an Amish provenance (2003.188). The pictorial nature of this quilt makes it particularly special. The images--mostly of animals, people, and things—appliqued onto each patch seem to reflect the maker’s life. Dogs, horses, cows, rabbits, frogs, goats, elephants, and birds appear among a variety of flowers and leaves. Human figures go about their everyday lives: a girl jumps rope, a woman sweeps, and one man caries a ladder while another sits atop a horse. Small patches are appliqued with small objects such as jugs, shoes, and spoons. At the top right, there is a larger patch with the figure of St. Nick, all dressed in red robes. Unfortunately, the quilt came to the museum from the donor without no firm provenance, so other than the fact that it was last sold at auction in Illinois, we don’t know anything about its’ maker or where it was originally made.
Portret van Johannes Wachtelaer
Object type: print
Date: 1653 – 1669
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: cherubs, i.e. children's heads with wings, theologian, aids for prayer, e.g. rosary, historical persons, book, smoking pot as symbol of 'vanitas'
Inscriptions: collector's mark: ‘M.’

Prent ook gebruikt in: ook gebruikt in: Heussen, Hugo Franciscus, Hendrik van Rijn. Kerkelijke historie en outheden der zeven Vereenigde Provincien (...). Leiden: Dirk Haak, Samuel Luchtmans en Johannes Arnoldus Langerak, 1726, dl. 2.
Schelp, bursa rubeta
Object type: print
Date: 1644 – 1652
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: molluscs (+ shell, snail-shell etc.)
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een 39-delige serie met verschillende soorten schelpen.
Scarab: Wish Formula
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Subjects: hieroglyphs, boats, eyes, gods (deities), insects, sun, suns
Inscriptions: "When Amun-Re is watchful there is no fear"
The Industrious 'Prentice Lord Mayor of London: Industry and Idleness, plate 12
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: satire,buildings,crowd,carriages,london
Deuropening waardoor men een landschap ziet
Object type: drawing
Date: 1848 – 1927
Materials: chalk, paper
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: door
Gevel van het klooster op Molenstraat 75 te Woudrichem
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: woudrichem
Subjects: abbey, monastery, convent ~ roman catholic church, façade (of house or building), woudrichem
Inscriptions: annotation: ‘Woudrichem’, annotation: ‘Woudrichem oct 1901 (N.B.)/ Molenstraat 75/ gedeelte v/e oud klooster’
St Paul's Cathedral in Londen
Object type: photograph
Date: 1870 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: francis godolphin osbourne stuart
Artist role: fotograaf
Artist dates: 1843 – 1923
Subjects: church (exterior)
Inscriptions: inscription: ‘2 FGOS’
Vue de la Tour et du Dome de Pise
Object type: print
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: tower, clock tower ~ monumental adornment, church (exterior)
Inscriptions: watermark, collector's mark: Lugt 2166
Netsuke of Two Tengu Dancing
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, metal
Culture: japanese
Subjects: birds,dancing
Drees terug uit Indonesië
Object type: documentary photograph
Date: 1948 – 1948
Materials: photographic support
Techniques: photography
Location: schiphol
Subjects: louis jozeph maria beel, utrecht, the hague, amsterdam, willem drees

Op Schiphol zijn zojuist de minister-president Beel,vice premier en min. van Sociale zaken Drees en Jonkman, minister voor Overzeese gebiedsdelen aangekomen uit Indonesië. Beel wordt geïnterviewd.Zij waren in Indonesië voor overleg met de Indonesische Republikeinen.
Nederlandse 2½  gulden,1932
Object type: coin
Date: 1932 – 1932
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: hoofd naar links. Keerzijde: tussen waarde-aanduiding 2½ G gekroond rijkswapenschild. Jaartal onderaan in omschrift. Randschrift.
États-Unis d'Amerique - Infanterie de ligne
Object type: print
Date: 1865 – 1865
Materials: stone
Techniques: hand coloring, lithograph
Artist: draner
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: tents,soldiers,american civil war,men,reading
Sheet with overall pattern of dots and arrow shapes
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Restanten van een winkel met oliekruiken te Pompeï
Object type: photograph
Date: 1863 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: shop, store, ruin of a building ~ architecture, pompeii
Inscriptions: collector's mark: ‘VOSMAER’
Button seal with the cartouches of Senwosret III
Object type: button seal, openwork, falcon, cartouche senwosret iii
Date: 1878 – 1650
Materials: metal, stone
Techniques: glazing
Location: egypt
A Page from the Jie Zi Yuan
Object type: print
Materials: ink, paper
Techniques: polychrome, woodblock print
Culture: chinese
Artist: hongren
Artist role: artist
Artist nationality: chinese
Artist dates: 1610 – 1664
Subjects: landscapes,trees
Sculptuur van Walter Scott
Object type: print
Date: 1832 – 1899
Materials: paper
Techniques: tone lithography
Artist: Anonymous
Subjects: walter scott, historical persons, portrait of a writer, monument, statue, writer, poet, author
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, shaft of spear or javelin; part of an inscription, a sigma?
Plaquette Historische Tentoonstelling Amsterdam
Object type: plaque
Date: 1925 – 1925
Materials: tin
Techniques: casting, engraving
Location: voorschoten
Artist: bernard richters
Artist role: print maker, sculptor
Artist dates: 1888 – 1966
Subjects: utrecht, amsterdam

Rechthoekige plaquette in doos. Voorzijde: Afbeelding oude stadhuis op de Dam, Amsterdam waaronder opschrift: HISTORISCHE TENTOONSTELLING AMSTERDAM 1275 - 1925. Keerzijde: Afbeelding Beurs van Berlage, Amsterdam waaronder opschrift: Jhr. D.C. ROELL. Oorspronkelijk in blauw etui.
Jewelled Pendant
Object type: pendant
Date: 1801 – 1900
Materials: jade
Culture: indian
Bowl with cover (Écuelle) (part of a traveling set)
Object type: bowl with cover
Date: 1756 – 1756
Materials: silver gilt
Artist: joachim-frédéric kirstein i
Artist role: maker
Artist dates: 1729 – 1729

Covered bowls such as this, known in France as écuelles, were intended for serving hot broth or soup. During the early eighteenth century, broth or bouillon was commonly consumed in the bedroom in the morning during the toilette, the elaborate washing and dressing ritual. The bowl’s cover kept the contents warm, and the broth could be sipped from the bowl by using the two handles, while bread rested on the stand (1974.356.680). This gilt-silver écuelle is notable for its Rococo-style handles, composed of overlapping irregularly shaped cartouches, and for the chased decoration encircling the finial on the cover enriched with a waterfowl swimming among reeds, a goat, and sprays of flowers. This particular écuelle has retained its original protective tooled-leather case (1974.356.684).
Lillian Russell, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
The Little Cavaliers
Object type: print
Date: 1860 – 1860
Materials: chine, paper
Techniques: printmaking, drypoint, etching, roulette
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
The Actors Sakakiyama Sangoro as the page boy Kichisaburo and Segawa Kikunojo II as Oshichi in the play "Hatsugai Wada no Sakamori," performed at the Nakamura Theater in the first month, 1759
Object type: print
Date: 1759 – 1759
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Inlay, row of rosettes
Object type: inlay, rosette row
Date: 200 – 100
Materials: glass
Location: egypt

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Such elements could also be used side by side to create repeating patterns.
Leighton, Center Field, Omaha Omahogs/ Lambs, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Sotoori-hime (early 5th century), One of the Three Gods of Poetry
From the Spring Rain Collection (Harusame shū), vol. 1
Object type: print
Date: 1820 – 1829
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: women

Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and images. This album forms part of a set of three containing more than four hundred surimono. The prints are arranged on facing leaves according to themes or in a way that creates an attractive arrangement of designs, complementary in both color and shape. The printing techniques, pigments, and paper used for surimono were often the highest quality, and represent the epitome of late Edo-period woodblock printing.
Triomfen van Karel V
Object type: propagandaprent
Date: 1555 – 1555
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Subjects: ghent, charles v (holy roman emperor and king of spain), surrender ~ war

Onderwerping van Willem V van Kleef in 1543. De hertog knielt voor de keizer in zijn legertent. Onderschriften in twee regels Latijn, vier regels Spaans en vier regels Frans.
De rechtspraak van Graaf Willem III de Goede, eerste reeks
Object type: drawing
Date: 1618 – 1618
Materials: chalk, ink, paper
Techniques: pen
Artist: willem pietersz buytewech
Artist role: draughtsman, print maker
Artist dates: 1592 – 1624
Subjects: cow
Wehrmacht soldaten bij een station
Object type: photograph
Date: 1941 – 1941
Materials: photographic support
Techniques: gelatin silver print
Location: dordrecht
Artist: Anonymous
Subjects: army 'en route', occupation ~ war, dordrecht

Drie Wehrmacht soldaten staan bij een spoorlijn, achter hen spoorbomen. De middelste rookt een sigaret. Mogelijk staan ze bij station Dordrecht (zie NG-2007-5-120). Achterop staat: In Holland. 15.5.41. Die Reise beginnt.
Nail or plug
Object type: nail or plug
Materials: bone
Location: mesopotamia
The Hospital, plate fifteen from The Miseries of War
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Essempio di recammi, page 18 (recto)
Object type: book print ornament architecture
Date: 1530 – 1530
Techniques: woodcut
Artist: giovanni antonio tagliente
Artist role: author
Artist nationality: italian
Artist dates: 1465 – 1528
Subjects: ornament

Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right: Design composed of 3 sections. On the left is a large rectangle with a floral Moresque pattern. On the right is a vertical column decorated with a linear floral pattern above of a small circle decorated with another floral Moresque pattern.
Binnenplaats van het Muiderslot
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: muiderslot
Subjects: castle, courtyard
Inscriptions: annotation: ‘Binnenplaats van het slot te Muiden (N.H.) gezien van af den Westertoren sept 1899’, annotation: ‘Binnenplaats van het Muiderslot, gezien van af den Westertoren Sept 1899/ Muiden’
Two Studies of a Marmot
Object type: drawing
Date: 1620 – 1620
Materials: ink, paper
Techniques: pen
Artist: sinibaldo scorza
Artist role: draughtsman
Artist dates: 1589 – 1631
Subjects: rodents: guinea pig

The Italian artist Sinibaldo Scorza, to whom this sheet has recently been attributed, depicted not only horses, lions, and exotic birds in his paintings, but also had an eye for small, less spectacular animals. This marmot was probably drawn from life. The artist first lightly sketched the contours in black chalk, and then worked up the little creature’s bristly fur in pen and brown ink.