deem-data/ArtiFact huggingface dataset:
Gezicht op Sleeswijk
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: engraving, etching
Location: munich
Subjects: city-view in general; 'veduta' (+ city(-scape) with figures, staffage)

Deze prent behoort tot deel één of twee van de serie 'Landschappen in Sleeswijk-Holstein'.
Het betreft een vierdelige reeks uitgegeven in twee omslagen waarvan deze omslag deel één en twee bevat met daarin zes landschappen en zes tekstbladen.
Portret van Nicolaus Ernst Zobel
Object type: print
Date: 1709 – 1749
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228
Uçetek Entari
Object type: robe
Date: 1801 – 1900
Materials: metal thread
Techniques: brocade
Location: turkey

This entari, or robe, was a very fashionable garment in its time. The key element in the dress of an Ottoman woman, worn with a chemise, called gömlek in Turkish, and baggy trousers, or şalvar, the entari was open down the front with long sleeves and, in this case, trailing skirts. The exaggerated length of the skirts and sleeves signal the interest in current fashions on the part of the garment’s owner. Another fashionable detail is the pair of small, circular pockets in the bodice of the garment, known as watch pockets and intended to display the small pocket watches which became status items when they began to be imported into the Ottoman Empire. The entari is made from a silk brocade with alternating vertical bands of floral motifs composed of extra weft silk thread and a herringbone design executed in gold metal-wrapped thread. The bands are separated by very thin black and white checked stripes. This kind of fabric, known as savai, was associated with workshops in Üsküdar, an Istanbul neighborhood on the Asian side of the Bosporus. The long sleeves were open to the elbow, and when worn would have fallen open revealing the dark red lining, a dramatic contrast to the garment’s fabric. The original lining of the main body of the entari was removed at some point, and bands of a dark green cotton were sewn around most edges, perhaps after the garment had entered the museum’s collection. Apart from the luxurious fabric and elegant proportions, the main ornamentation of the garment is the decoratively cut edging of the front opening, skirt edges, hem, and sleeve openings. Meticulously executed, the edges are all finished with twisted gold cord outlining the elaborate contours.
Keukendoek
Object type: cloth
Date: 1800 – 1860
Materials: linen
Techniques: peeled fabric
Location: netherlands
Inscriptions: mark: ‘HP10’

Linnen doek, pellen, kraanoog, voor gebruik in de keuken. Gemerkt HP10.
Cover
Object type: cover
Date: 1774 – 1774
Materials: silk
Subjects: eagles,swans,deer,dogs,adam,eve,crucifixion,coat of arms
Prosopographia, sive virtutum, animi, corporis, bonorum externorum, vitiorum, et affectuum variorum delineatio
Object type: album leaf
Date: 1585 – 1590
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Voorstelling in twee delen. Bovenaan een gordijn met daarvoor het wapen van Marie de Meleun, gravin van Ligne. Daaronder een opdracht van de prentmaker aan dezelfde gravin. Onderaan een anagram: L'Ame de Minerve. De prent maakt deel uit van een album.
Mager paard
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: brussels
Artist: frédéric théodore faber
Artist role: print maker
Artist dates: 1782 – 1844
Subjects: horse
Inscriptions: date
Herons in a Lotus Pond
Object type: hanging scroll
Date: 1368 – 1911
Materials: silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
A convicts' home
Object type: photomechanical print
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Location: london
Subjects: soup-kitchen, cook-shop, façade (of house or building)
Inscriptions: number: ‘Plate 1.’
Untitled (Trajan's Column, Base)
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print, photography
Location: scotland
Artist: robert macpherson
Artist role: artist
Artist nationality: scottish
Artist dates: 1811 – 1872
Subjects: collected by hugh edwards
Card Number 229, Edith Kingdon, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Johannes Harris D.D.
Object type: print
Date: 1706 – 1708
Materials: paper
Techniques: engraving
Subjects: priest, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Eerdere staat gebruikt in: Harris, John. Lexicon Technicum, or, an universal English dictionary of Arts and Sciences (...). Londen: Brown, Dan. et al., 1704.
Intocht van militairen in een stad in Frankrijk
Object type: album leaf
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: marching away (troops), land forces, france

Onderdeel van Fotoalbum van een legeroefening in Zuidwest-Frankrijk in 1902.
Studies voor een tekeningenboek naar klassieke sculpturen en figuren van Anthony van Dyck
Object type: print
Date: 1672 – 1711
Materials: paper
Techniques: etching
Location: rome
Artist: augustinus terwesten (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1649 – 1711
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

Kopie van de klassieke sculptuur van Venus de' Medici, op de rug gezien, het hoofd naar rechts.
Portret van Peter Paul Rubens
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: tone lithography
Location: brussels
Subjects: antwerp, painter, print maker, draughtsman, peter paul rubens, head-gear, adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
"Women on a Balcony", Folio from the Davis Album
Object type: illustrated album leaf
Date: 1701 – 1800
Materials: gold, ink, paper, watercolor
Location: india
Subjects: women
Haarlems weesmeisje
Object type: print
Date: 1850 – 1875
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Location: haarlem
Subjects: public welfare, leaving the church after service, folk costume, regional costume, orphans, amsterdam
Inscriptions: collector's mark: Lugt 1641, collector's mark

Haarlems weesmeisje die de kerk uitkomt. Het meisje heeft een bijbel in haar rechterhand. Uit een serie van afbeeldingen van weeskinderen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Armwezen en Liefdadigheid.
Orosmane brengt Zaïre om het leven
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: paris, voltaire, falling - aa - female human figure (+ two persons), head-gear: turban, murder
Inscriptions: collector's mark: Lugt 2228

Deze prent behoort tot een serie van twaalf prenten, vervaardigd voor de geschriften van Voltaire. Prent gebruikt voor: Almanac historique généalogique pour l'année 1782. A Berlin. Berlijn: L'Academie, 1781.
Onthulling van het Monument op de Dam te Amsterdam
Object type: history medal
Date: 1856 – 1856
Materials: tin
Artist: samuel cohen elion
Artist dates: 1815 – 1880
Stoof, rijk gesneden en met hengsel van koper
Object type: furniture
Date: 1700 – 1715
Materials: copper, wood
Location: northern netherlands
Artist: Anonymous

Stoof met afgeschuinde hoeken, van palissanderhout. De stoof is rijk gesneden en heeft een koperen hengsel.
Spiegel van het menselijk leven
Object type: print
Date: 1566 – 1570
Materials: paper
Techniques: engraving
Location: vatican city
Artist: mario cartaro
Artist role: print maker
Artist dates: 1560 – 1620
Subjects: the course of life symbolized, the life of man

Naar het fresco-programma in de loggia op de derde etage van het pauselijk paleis te Rome, bedacht door Pirro Ligorio en uitgevoerd door respectievelijk Giovanni da Udine, Donato da Udine, Sabaoth en zijn atelier. de landschappelijke achtergronden zijn toegeschreven aan Etienne Duperac.
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Fragment from the side of the panel, with a dot net pattern
Dwaasheid dansend op de wereld
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: 'cornucopia', horn of plenty, ornaments ~ art, bauble, folly, foolishness; 'pazzia', 'sciocchezza', 'stoltitia' (ripa)
Inscriptions: number: ‘8.’, collector's mark: Lugt 2165

De personificatie van de dwaasheid danst met zotskolven in haar handen op de wereldbol. Aan weerszijden van haar hoornen des overvloeds, gevuld met wereldse dingen, zoals speelkaarten, geld en muziekinstrumenten. De voorstelling is gevat in een ornamentele omlijsting van bladranken, rolwerk, twee zotskoppen.
Walking ensemble
Object type: walking ensemble
Date: 1835 – 1835
Materials: silk
Culture: american

The 1830s silhouette was created by a corseted, raised waistline; here a bell-shaped skirt reveals the lower ankle. By the late 1830s, the gigot sleeve was collapsing at the sleeve cap, but in this case, its detachable pelerine, or capelet, sustained the broad triangulated shoulder line of the period. The similarities between men's and women's fashion extended to footwear: women could wear flat slippers or tiny booties not so different from the boots and walking shoes of men.
Amsterdamse grachtenhuizen aan de Keizersgracht 738-730
Object type: print
Date: 1696 – 1706
Materials: paper
Techniques: etching, lithography
Location: amsterdam
Subjects: the usual house or row of houses
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt in: Het Stadhuys van Amsterdam beneffenis verscheyde van de grooste en nieuwste gebouwe. Nieuwelycks uytgegeven door Cornelis Danckerts voor aen op de Nieuwendyck inde Atlas tot Amsterdam met Previlegie. Amsterdam: Cornelis Danckerts, [1696-1706].
Portret van Thomas Otway
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving, etching, pen
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: toneelschrijver, thomas otway
Inscriptions: collector's mark: Lugt 240, name: ‘Orway’

Prent ook gebruikt in: Thomas Birch. The heads of illustrious persons of Great Britain : engraved by Houbraken, and Vertue, with their lives and characters. London: John en Paul Knapton, 1743-1751.
Ornamentpanelen met acanthusmotieven
Object type: album leaf
Date: 1650 – 1703
Materials: paper
Techniques: etching
Location: paris
Subjects: floral interlace ~ ornament, acanthus ~ ornament, ribbon, scroll, banderole ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a

Pilaarvormige ornamenten met linten en florale motieven. Deze prent maakt deel uit van een album.
Jar with crolled handle and horizontal bands of floral polychrome motifs
Object type: jug
Date: 1801 – 1833
Materials: earthenware, tin
Techniques: glazing
Culture: mexican
Location: mexico
Subjects: flowers
Scarab Inscribed with Hieroglyphs
Object type: scarab, hieroglyph
Date: 1760 – 1670
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

The scarab is inscribed with a symmetric arrangement of hieroglyphs, not meant to form words but chosen instead for their positive meaning. Such compositions are particularly prevalent on design scarabs of the late Middle Kingdom (late Dynasty 12–Dynasty 13, ca. 1850 –1640 B.C.). They serve as models for the wide array of variations seen on Egyptian scarabs of the Second Intermediate Period (Dynasty 14–17, ca. 1640–1550 B.C.) and on Canaanite scarabs (Middle Bronze Age IIB-IIC, ca. 1700–1500 B.C.).
Teapot
Object type: teapot
Date: 1880 – 1880
Materials: copper, ivory, jade, silver
Culture: american
Location: united states
Artist: tiffany & co.
Artist role: maker
Artist dates: 1837 – 9999
Subjects: fish

During the second half of the nineteenth century, Tiffany & Co. rose to prominence as the leading American silversmithing firm and an influential international trendsetter and tastemaker. The 1870s and 1880s witnessed unprecedented innovation and creativity at the firm. Silver in the Japanese taste was among the most popular and celebrated work produced at Tiffany’s during these years. Indeed, Tiffany & Co. won the Grand Prize for silverware at the 1878 Paris Exposition Universelle, with the judges citing the originality and virtuosity of the firm’s Japanesque silver. Edward C. Moore (1827-1891), the head of Tiffany’s silver division, assembled a significant collection of Japanese objects to inspire his designers and craftsmen. The silver they produced did not copy Japanese models but, instead, incorporated Japanese aesthetic sensibilities and techniques into fresh and wholly innovative designs. This tea set’s asymmetrical compositions, whimsical renderings of fish and reptiles, and use of mixed metals to achieve striking contrasts reflect the extent to which Tiffany’s designers and silversmiths had internalized Japanese design principles and techniques. Their Japanesque silver prompted the English designer Christopher Dresser (1834-1904) to write in a letter to the firm, "No silversmith, that I know, has made the progress in art as applied to their industry in the last few years, that you have….you occupy the proud position of being the first silversmith of the world."
Flute
Object type: flute
Date: 1867 – 1900
Materials: bamboo
Culture: malagasy
Location: madagascar
Servet van pellendamast
Object type: napkin
Date: 1600 – 1699
Materials: linen
Techniques: weave
Location: netherlands
Artist: Anonymous

Servet van pellendamast. Het patroon heeft concentrische cirkelachtige vormen. Het servet is in rood gemerkt met een kruissteek: FVL 12. (Zie ook servet BK-1980-145).
God creates them and they join up together, plate 18 from Los Proverbios
Object type: print
Date: 1815 – 1824
Materials: ink, paper
Techniques: aquatint, engraving, burnishing, etching, printing
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Cup and saucer
Object type: cup and saucer
Date: 1801 – 1900
Materials: hard paste porcelain
Portret van Abraham Wagner
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: abraham wagner (1653-1728), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
The Avery oak, Dedham
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: dedham
Subjects: trees: oak, public road
Inscriptions: number: ‘XLVII.’
Fotoreproductie van Le Mal Saint Martin door Charles Soubre
Object type: photograph
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Location: liège
Subjects: church (exterior), burning as process, liège
Inscriptions: name: ‘EM. TASSET, SC.’, name: ‘J. HERMAN, INV.’, inscription: ‘(tableu acquis (...) même visitée.’, inscription: ‘IMAGERIE FRANKLIN No 22. - 1878.’
Koeien
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Location: netherlands
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Het Koninklijk Paleis te Amsterdam
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, paper
Techniques: photograph
Artist: Anonymous
Subjects: palace, plan ~ architecture, royal palace of amsterdam

Het Koninklijk Paleis te Amsterdam. Plattegrond der eerste verdieping.
Baliols Tower
Object type: stereograph
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: durham
Artist: Anonymous
Subjects: landscape with ruins (+ city(-scape) with figures, staffage)
Inscriptions: number: ‘no. 1’
Still Life with Flowers in a Greek Vase: Allegory of Spring
Object type: painting
Date: 1817 – 1817
Materials: canvas, oil
Artist: georgius jacobus johannes van os
Artist role: draughtsman, painter, print maker
Artist dates: 1782 – 1861
Subjects: still life symbolizing spring (the four seasons of the year)
Inscriptions: signature and date: ‘G.J.J. van Os 1817’

Van Os spent his career mainly in Paris, where he painted porcelain for the famous Sèvres factory. At the same time, he created a furore with magnificently painted floral still lifes incorporating antique art objects. These two paintings probably belong to a series of the Four Seasons. In this painting of Spring, the flowers are arranged in a Greek vase.
On the beach at oilport
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: california
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: californië
Inscriptions: title: ‘On the beach at Oilport’

Het reisgezelschap op het strand bij de oliehaven. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Rede van de Emmahaven in Padang op Sumatra
Object type: photograph
Date: 1891 – 1912
Materials: paper
Techniques: albumen print
Location: padang
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: harbour
Inscriptions: inscription: ‘Emmahaven’
Bekering van Paulus
Object type: print
Date: 1705 – 1748
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: on the way to damascus christ appears to saul, who falls from his horse and is blinded by the light
Inscriptions: collector's mark: Lugt 2228
Portrait of Jean Antoine Nollet
Object type: print
Date: 1750 – 1795
Techniques: etching
Artist: jacques firmin beauvarlet
Artist role: etcher
Artist nationality: french
Artist dates: 1731 – 1797
Subjects: men,portraits
Lykstatie van den Baron van Rheede van Oudshoorn tot Nederhorst aan de Kaap de Goede Hoop, den 17 April 1773
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: cortege, funeral procession, cape of good hope
Inscriptions: collector's mark: Lugt 2228

Lijkstatie van Pieter baron van Rheede van Outshoorn tot Nederhorst. Overleden 23 januari 1773 aan boord van het VOC-schip Asia, begraven op 17 april 1773 in de kerk van Kaap de Goede Hoop. De begrafenisstoet slingert in zeven banen naar de ingang van de kerk.
Studioportret van een baby in een witte jurk
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: j.h. v.d. heijden
Artist role: fotograaf
Inscriptions: name: ‘Albert Greiner, Amsterdam’
Saint Francis of Assisi
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1600 – 1699
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of draped figure and shield in cover, with scabbard
Schrijfvoorbeeld: A mon singul[ier] amy (...)
Object type: album leaf
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: calligraphy

Schrijfvoorbeeld met de aanhef: A mon singul[ier] amy, et tres-cher comp[frere] Ill[ustre] Nicolas Roo-Claes. Daaronder in een andere letter een initiaal Y en zeven regels tekst in het Frans: Y a il chose ... De tekst is omlijst door krulwerk. De prent maakt deel uit van een album.
Limb fragment
Object type: limb
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Glass Fragments
Object type: glass
Date: 301 – 700
Materials: glass
Culture: coptic
Location: egypt
De fresco's van Andrea Mantegna in de Chiesa degli Eremitani in Padua
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: italy
Subjects: beheading of james
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit een reeks van vier prenten (+ titelprent) met weergaven van de fresco's van Andrea Mategna in de Chiesa degli Eremitani in Padua (fresco's zijn vernietigd tijdens bombardement 11 maart 1944).
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, double reserve line for tondo border; Exterior, lower drapery and foot
Portret van Josua Hager
Object type: print
Date: 1661 – 1665
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: watermark, collector's mark

Bovenaan een beschrijving van de geportretteerde. Onder het portret een Bijbelcitaat.
Gezicht op een scheepswerf op het Prinseneiland in Amsterdam
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: prinseneiland

Moderne afdruk van negatief BR 519 (collectie RKD).
Man uit een psalmboek zingend
Object type: book illustration
Date: 1881 – 1881
Materials: paper
Techniques: etching, intaglio
Location: france
Subjects: singing of psalms, hymns, etc.
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit een veilingcatalogus: "Catalogue des Tableaux anciens composant la très importante collection de Monsieur le Baron de Beurnonville", uitgegeven in 1881 te Parijs door Pillet en Dumoulin. De veiling vond plaats van 9 tot en met 14 en 16 mei 1881. Deze prent betreft een illustratie bij lot 299 op p. 179.
Yellow (Ki), from the series "Five Colors (Goshiki no uchi)"
Object type: print
Date: 1820 – 1820
Techniques: woodblock print, surimono
Location: japan
Artist: ryuryukyo shinsai
Artist role: draughtsman, print maker
Artist nationality: japanese
Artist dates: 1764 – 1820
Holy Family
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: christ,holy family,virgin mary
Johannes de Doper
Object type: print
Date: 1516 – 1516
Materials: paper
Techniques: etching, letterpress printing
Subjects: desiderius erasmus, john the baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff, folly, foolishness; 'pazzia', 'sciocchezza', 'stoltitia' (ripa)

Prent afkomstig uit: Erasmus, Desiderius. Morias enkomion (...). Bazel: Johann Rudolf Genath, 1676.
De prenten hierin zijn naar tekeningen die Hans en Ambrosius Holbein maakten voor de theoloog Oswald Myconius in diens uitgave van de Moriae encomium (Lof der Zotheid) van 1516.
Gezicht in het Lake District
Object type: drawing
Date: 1754 – 1823
Materials: graphite, ink, paper
Techniques: brush, pen
Location: lake district
Artist: thomas sunderland
Artist role: draughtsman
Artist dates: 1744 – 1823
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: inscription
Maharao Guman Singh Riding an Elephant in Procession
Object type: painting
Materials: gold, ink, paper, watercolor
Location: india