deem-data/ArtiFact huggingface dataset:
Girl's robe
Object type: girl's robe
Date: 1875 – 1875
Materials: leather, pigment
Techniques: tanning
Culture: arapaho
Location: united states
Portret van Hilmar Curas
Object type: print
Date: 1716 – 1756
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Inname van Tunis, 1535
Object type: history print
Date: 1555 – 1556
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: haarlem
Subjects: ghent, charles v (holy roman emperor and king of spain)
Inscriptions: collector's mark: Lugt 2228

Verovering van Tunis (1535). De keizerlijke troepen trekken de stad binnen. Rechts Karel V te paard. De prent maakt deel uit van een twaalfdelige serie over de overwinningen van Karel V. Hij heeft een onderschrift met een Latijnse tekst.
Sarah Cornell Clarkson (Mrs. William Richmond)
Object type: painting
Date: 1830 – 1830
Materials: canvas, oil
Culture: american
Subjects: portraits,women
A town square with a fair
Object type: painting
Date: 1820 – 1820
Materials: wood, paint, panel
Location: utrecht
Artist: jan hendrik verheijen
Artist role: draughtsman
Artist dates: 1778 – 1846
Subjects: square, place, circus, etc., circus performance with trained animals (monkeys, elephants, bears, lions and tigers, horses, dogs, dolphins, seals, fleas), acrobat ~ circus, pleasure fair and circus, market

Een kermis of (jaar-)markt op een groot plein in grootstedelijke omgeving, met centraal een tweetal grote kramen/tijdelijke gebouwen waar het publiek ter lering en/of vermaak op het podium van de linker kraam een gezelschap 'exotisch' geklede personen wordt getoond, waaronder centraal een vrouw, op de achtergrond een zwarte man of black face, een harlekijnachtig personage en een viertal uniform bont geklede personen. Tegen de voorgevel van de kraam een plakkaat/rolschildering met een paard waarop een staande/balancerende vrouw en op de rechter kraam rolschilderingen die tonen wat binnen is te zien: een panter/tijger, een groep apen in een boom, andere dieren en een groep Zuid-Amerikaanse personages, mogelijk marrons. De geografische setting kan niet worden geduid en is vrij zeker een gefantaseerde setting waar wel bestaande gebouwen, waaronder het stadskasteel aan de Neude te Utrecht, is te zien.
Piece
Object type: piece
Date: 1500 – 1500
Materials: metal thread, silk
Subjects: human figures
Cylinder seal
Object type: cylinder seal
Date: 3667 – 2334
Materials: stone
Location: syria
Subjects: fish
La fouriure
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: girls,portraits
The Chaous Bachi
Object type: painting
Date: 1700 – 1737
Materials: canvas, oil
Location: istanbul
Artist: jean baptiste vanmour
Artist role: painter
Artist dates: 1671 – 1737
Subjects: royal household; courtiers, retinue, train
Inscriptions: number: ‘1’, inscription: ‘Chaous Bazzi off Oversten der Rijksbezendelingen’

De Tchavouch Bachi, opperheraut, commandant van de boodschappers van de sultan en luitenant van de grootvizier in zijn hoedanigheid van rechter, tevens overste van het detachement dat de buitenlandse gezanten op hun tocht naar de audiëntie van de sultan vergezelt. Staande, ten voeten uit, op de achtergrond een balustrade en tuin.
Bespotting van Job op de mestvaalt
Object type: print
Date: 1752 – 1753
Materials: paper
Techniques: drypoint, etching
Location: germany
Artist: franz sigrist
Artist role: print maker
Artist dates: 1727 – 1803
Subjects: job on the dunghill (job 2:7-13)
Inscriptions: collector's mark: ‘Görgey Magyatek Szam’

Job op de mestvaalt, onder een boom. Voor hem staan drie figuren die hem bespotten. Links een zittende figuur.
Portret van een zittende vrouw
Object type: album leaf
Date: 1857 – 1864
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons - bb - woman
Inscriptions: number: ‘30’, inscription: ‘Photogr Atelier/ Wegner & Mottu/ Prinsengracht BB.439/ Amsterdam’
Staande, naakte vrouw
Object type: print
Date: 1891 – 1893
Materials: paper
Techniques: etching, intaglio
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: woman (showing herself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2228
De Troonrede
Object type: cartoon
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, abraham kuyper, prime minister, personifications of countries, nations, states, districts, etc., political caricatures and satires

De Nederlandse Maagd waarschuwt minister Kuyper in de troonrede niet te veel hooi op de vork te nemen. Kuyper wijst op een kast met toegezegde en onafgedane wetsontwerpen van de voorgaande jaren.
Gezicht op Schloss Schonhausen
Object type: print
Date: 1751 – 1808
Materials: paper
Techniques: etching
Location: augsburg
Subjects: palace
Inscriptions: collector's mark: Lugt 2228
Miss Lillis, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
De Vuilnis-karreman aan Amstels Ingezetenen
Object type: fair print
Date: 1865 – 1865
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Artist: dirk wijbrand tollenaar
Artist role: print maker
Artist dates: 1808 – 1858
Subjects: street, garbage collection, amsterdam
Inscriptions: collector's mark: Lugt 2228

Kermisprent van de Amsterdamse vuilnismannen voor het jaar 1865. Gezicht op de kermis op de Botermarkt met de oude Waag. Op de markt twee vuilniskarren. Met gedicht in twee kolommen. Van de vuilniskarman in de wijk no. 30: J. Oudhoff.
Transverse Flute
Object type: transverse flute
Date: 1867 – 1900
Culture: melanesian or philippine
Location: new guinea
Watch
Object type: watch
Date: 1767 – 1800
Materials: enamel, gold, pearl
Techniques: enamel, painting
Subjects: men,women
Glass jug
Object type: jug
Date: 1 – 200
Materials: glass
Culture: roman

Translucent blue green; handle in same color. Irregular rim, folded out, round, and in, with a partial beveled outer lip; cylindrical neck; squat bulbous body; solid low base ring; undulating bottom with central kick; two-ribbed strap handle attached to upper body with two splayed arms at sides and ribs extending vertically downwards, drawn up and out, then turned in at an acute angle, and pressed on to top of neck. Intact; pinprick bubbles, elongated in neck, and blowing striations; dulling, pitting, and faint iridescence on exterior, one large patch of creamy weathering on interior.
Verschillende afbeeldingen / Differents dessins
Object type: popular print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: kitchen-utensils, animals, ships (in general), characters (human types)
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen van dieren, figuren en voorwerpen, waaronder een uil, een paard, een koffiekan en een bok. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: n 47.
Portrait medal of Laux Kreler
Object type: medal
Date: 1537 – 1537
Materials: lead
Artist: german
Artist role: artist
Subjects: men,portraits,profiles

This one-sided medal was cast after a wood model. The model, along with a pendant wood model of Elisabeth Kreler, Laux’s wife, is now in the Bayerisches Nationalmuseum in Munich. Laux Kreler was a goldsmith living in Augsburg, though none of his commissioned works appear to have survived.
Coiled Storage Basket with Serrated-line Design
Object type: basketry
Date: 1880 – 1890
Materials: fiber, pigment
Location: california
Subjects: basketry, baskets
Saturn
Object type: print
Materials: paper
Techniques: woodcut, printing
Location: italy
Artist: niccolò vicentino
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1550
2e Chaire
Object type: ornament print
Date: 1745 – 1755
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: pulpit, ambo, chancel, incense-burner ~ scents, perfumes, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een preekstoel met guirlandes, een medaillon met vrouwenportret en profil, daarboven puttohoofden met lauwerkrans en fakkel in wolken. Op de bekroning een rookvat, kruis, boek en een krans.
Portret van Corry Goelst
Object type: album leaf
Date: 1932 – 1932
Materials: paper
Techniques: gelatin silver print
Location: the hague
Artist: Anonymous
Subjects: historical persons - bb - woman, pavement, terrace in front of inn or restaurant
Inscriptions: inscription: ‘Corry Goelst’
Portret van Philipp Franz Wilderich Nepomuk von Walderdorf
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching, engraving
Location: nuremberg
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Palazzo Vaticano. La Biblioteca
Object type: photograph
Date: 1880 – 1920
Materials: paper
Techniques: gelatin silver print
Location: vatican city
Subjects: study; 'studiolo'; library
Inscriptions: number: ‘No. 6478.’
Linen from Tutankhamun's Embalming Cache
Object type: linen, tutankhamun cache
Date: 1336 – 1327
Materials: ink, linen
Location: egypt

In December 1907 Theodore M. Davis, a wealthy American who was funding excavations in the Valley of the Kings, discovered a small pit near the tomb of Seti I. Inside the pit were approximately a dozen large sealed whitewashed storage jars (09.184.1). Among other things, the jars contained bags of natron (a kind of salt), pieces of linen with hieratic inscriptions dated to Years 6 and 8 of a king named Tutankhamun (throne name Nebkheperure). At the time, almost nothing was know about Tutankhamun, and Davis declared that he had discovered the king's tomb. Davis received a number of the jars and their contents in the division of finds and, in 1909, he gave most of his share to the Metropolitan Museum. It was only later that Herbert Winlock, the field director of the Museum's excavations at Thebes, realized that the natron and linen were embalming refuse from the mummification of Tutankhamun. This piece of linen cloth is inscribed in two places. In the upper right corner, the inscription reads: The Good God, Lord of the Two Lands, Nebkheperure, Beloved of Min, linen of year 6. The second inscription, at the center bottom of the sheet, is two lines of hieratic (a cursive form of Egyptian writing) and has, thus far, proven illegible.
Holy Family with Saint John the Baptist kissing the infant Christ's hand
Object type: print
Date: 1642 – 1642
Techniques: etching
Artist: simone cantarini
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1648
Subjects: holy family,saint john the baptist,jesus
Portret van Giovanni Battista Martini
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: lithograph
Artist: heinrich e. von winter
Artist role: print maker
Artist dates: 1788 – 1825
Subjects: head-gear, adult man, historical persons
Inscriptions: watermark: ‘M. Heusler’, collector's mark: Lugt 2228
Vase with scholars in a garden
Object type: vase
Date: 1667 – 1733
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: men,women
Card Number 171, Lizzie McCall, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Doosje Carel Rabenhaupt
Object type: box
Date: 1820 – 1840
Materials: copper, lacquer, mother of pearl
Techniques: inlay, lacquer, sawing
Location: japan
Artist: Anonymous
Subjects: historical persons

Box with a portrait of Rabenhaupt. Japanese lacquer on copper, late 17th century. Karel von Rabenhaupt (1602-1675) came to the Republic in 1622 with the Count of Mansfeld's army. As an officer in the States army, in 1672 he successfully defended Groningen, while besieged by the troops of Bernhard van Galen of Münster. After the defence of Groningen, Rabenhaupt went on to capture Coevorden.
Design for Dos-a-Dos Phaeton, no. 4065
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Geheime verdrag van Wenen tussen Spanje en Oostenrijk
Object type: history medal
Date: 1725 – 1725
Materials: bronze
Techniques: striking
Location: antwerp
Subjects: filips v (koning van spanje), vienna, charles vi (holy roman emperor)
Proostend paar
Object type: print
Date: 1663 – 1702
Materials: paper
Techniques: mezzotint
Artist: marcellus laroon
Subjects: glass of wine
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een man en een vrouw klinken hun glazen tegen elkaar. Op de tafel, waaraan ze zitten, liggen pijpjes.
Soldaten in een landschap
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: paper, pencil
Subjects: landscapes, division of armed forces (+ infantry)

Pagina 125 uit een schetsboek met 83 bladen.
Monumento nello Via Appia Antica Roma
Object type: photograph
Date: 1865 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: via appia antica
Artist: Anonymous
Subjects: (traveller) resting in the open air, landscape with ruins, road, path, rome
Inscriptions: negative number: ‘1712’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië (deel I).
Gezicht op het Damrak te Amsterdam vanuit Warmoesstraat 56
Object type: sketchbook leaf
Date: 1903 – 1904
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing
Inscriptions: annotation: ‘Damrak’

Gezicht op het Damrak te Amsterdam vanuit Warmoesstraat 56. Pagina 59 en pagina 60 uit een schetsboek met 46 bladen vervaardigd te Amsterdam.
Landschap Bali
Object type: print
Date: 1908 – 1909
Materials: paper
Techniques: woodcut
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: trees, ladder, hut, cabin, lodge
Inscriptions: collector's mark: Lugt 2233

Er bevindt zich een ladder in de waringin, die toegang geeft tot de boomhut. Op de voorgrond twee figuren die wandelen op een pad. Links op de achtergrond een tempel.
Portret van Willem I, prins van Oranje
Object type: book illustration
Date: 1736 – 1775
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: delft, william i (prince of orange)

Portret van Willem I in een ovaal met randschrift. Op het reliëf een voorstelling van de moord op Willem I door Balthasar Gerards op de trap van het Prinsenhof te Delft. Rechtsboven 'Vereen. Nederl. I.Deel Bladz. 166.'.
Ring base sherd
Object type: sherd
Date: 2333 – 2001
Materials: ceramic
Location: mesopotamia
Design for Pony Phaeton, no. 4097
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kenau grijpt naar de wapens, 1573
Object type: history print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Location: the hague
Artist: jacob joseph eeckhout
Artist role: draughtsman, print maker
Artist dates: 1793 – 1861
Subjects: haarlem

Illustratie voor: Neerlands eerezuil of geschiedkundige tafereelen van Neerlands roemruchtige daden door de voornaamste nederlandsche kunstenaars, Nederlandsche maatschappij van schoone kunsten, ’s-Gravenhage 1841. Zonder de bij Muller vermelde afzonderlijke Holl. uitlegging.
Plate
Object type: plate
Date: 1825 – 1825
Materials: earthenware
Culture: american
Location: united states
Artist: asa edward smith
Artist role: maker
Artist nationality: american
Artist dates: 1798 – 1880
[Group of Men and Boys Standing Along the Railing of the Fulton Street Bridge]
Object type: tintype
Date: 1866 – 1868
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: bridges,boys,men,portraits
Osiris
Object type: statuette, osiris
Date: 664 – 630
Materials: metal
Location: egypt

Osiris, foremost of the Egyptian funerary gods and ruler of the underworld, stands upright in a close-fitting mummiform garment. The garment hugs the contours of his arms and buttocks and has a stiff upper edge along the back of the neck, a feature that occurs with some regularity on this garment, but one with an unclear meaning. He holds the royal crook and flail with his hands posed asymmetrically. In general, Osiris statuettes were some of the most abundant temple offerings in Egypt by the first millennium B.C., reflecting both the god’s importance and changing cult practices that spurred the wide-scale dedication of deity statuettes. Many statues of Osiris were offered in temples and shrines belonging to him, but they have also been found in other contexts, for example near temples and shrines honoring other prominent deities or in animal necropoleis.
San Giorgio Maggiore
Object type: print
Materials: paper
Techniques: engraving, etching, printing
Location: italy
Artist: giovanni battista brustolini
Artist nationality: italian
Artist dates: 1712 – 1796

Giambattista Brustolon was a printmaker from Belluno, Italy, who used a combination of etching and engraving in his reproductive prints. Employed by the best Venetian publishers, he was well known for his works after Canaletto: views of Venice, published in 1763, and scenes of ceremonies and festivals, published around 1770.
Terracotta pithoid jar
Object type: vase
Date: 1400 – 1050
Materials: terracotta
Culture: mycenaean

Pear-shaped vase with three handles and loop pattern on shoulder.
De heilige Andreas Corsini knielend voor Maria met Kind
Object type: print
Date: 1686 – 1748
Materials: paper
Techniques: engraving
Location: italy
Subjects: madonna: i.e. mary with the christ-child, andrew corsini, carmelite friar and bishop of fiesole; possible attributes: aspergillum, lamb, sword, wolf
Inscriptions: collector's mark: Lugt 240

De heilige Andreas Corsini knielend voor Maria met Kind. Rondom Maria en het Christuskind zweven putti. Maria wijst naar een blad met de tekst: S eruus meus es tu / quia elegi te / et inte gloriabor.
Schuttereyen / Rotterdam
Object type: drawing
Date: 1787 – 1790
Materials: paper
Location: northern netherlands
Artist: Anonymous
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), rotterdam, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Uniform van de schutterij van Rotterdam. Onderdeel van een serie van 32 tekeningen van de verschillende monteringen (uniformen) van patriotse schutterijen en burgerkorpsen in Nederland in 1787.
Daalder, noodmunt uit Haarlem, geslagen tijdens het beleg
Object type: coin
Materials: silver
Techniques: striking
Location: haarlem
Artist: Anonymous
Subjects: haarlem
Washington Crossing the Delaware – Evening Previous to the Battle of Trenton, December 5th, 1776
Object type: print
Date: 1857 – 1871
Techniques: hand coloring, lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: soldiers,american revolution,george washington,flags,boats

Scene from the American Revolution. George Washington stands in boat crossing the icy river. Eight soldiers accompany Washington in the boat, some rowing, one pushing ice out of the way, one holding the American flag aloft.