deem-data/ArtiFact huggingface dataset:
Brief aan Adriaan van der Willigen
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: rotterdam
Subjects: haarlem, draughtsman, adriaan van der willigen, art trade, art shop, drawing, the graphic arts, painting (including book-illumination, miniature-painting), money, leiden, amsterdam
Inscriptions: stamp: ‘ROTTERDAM’, collector's mark: ‘RPK’, watermark

Brief bevat conceptbrief van Adriaan van der Willigen aan G. Vermeulen. Betreft vermoedelijk de veiling van A. Vermande in Haarlem op 6 mei 1811.
Jongenskop, en profil
Object type: drawing
Date: 1874 – 1945
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Miniature coffeepot with cover (part of a set)
Object type: coffeepot with cover
Date: 1667 – 1733
Materials: silver
Artist: david clayton
Artist role: maker
Artist nationality: british
Artist dates: 1659 – 1719
Apostel Paulus
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: on the way to damascus christ appears to saul, who falls from his horse and is blinded by the light, the apostle paul of tarsus; possible attributes: book, scroll, sword
Inscriptions: number: ‘2’, collector's mark: Lugt 2228

De apostel Paulus met een zwaard in zijn hand. Paulus staat op een sokkel waar op de voorzijde zijn bekering tijdens de tocht naar Damascus in beeld is gebracht. Prent middenboven gemerkt: Fol: 189.
Relief of Thutmose III
Object type: relief, royal head, thutmose iii
Date: 1458 – 1425
Materials: limestone, paint
Location: egypt
Subjects: men

This fine relief of Thutmose III probably came from his valley temple. He also constructed a mortuary temple against the cliffs of Deir el-Bahri at Thebes adjacent to that of Hatshepsut, with whom he shared the kingship for part of his reign. It shows the king wearing the khat headcloth with a very menacing coiled uraeus on his brow. The fragment was found reused in a Ramesside temple on the same site as Thutmose's valley temple. It was excavated in 1906 by Lord Carnarvon and came to the Museum after his death along with many other items in his collection.
Design for Part of a Ceiling or Cornice
Object type: drawing
Date: 1601 – 1700
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: ceilings
La Critique de L'Ecole des Femmes
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: fashionable woman, 'belle'
Inscriptions: collector's mark: Lugt 2228

Een groep vrouwen zit op stoelen in een kring in een vertrek. Een man spreekt hen toe. Scène uit het toneelstuk La Critique de l'école des femmes, van Molière.
Amida pond, the Buddha statue presented by the Korean King to the Japanese Emperor was once thrown in
Object type: print
Date: 1947 – 1947
Materials: paper
Techniques: woodcut
Location: japan
Inscriptions: date

De ingang omringt door bomen van de Wako-ji tempel in Osaka, waar de Amida vijver is gelegen.
Information, from 'Hunting sketches,' published in Le Chiavari, October 17, 1864
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,women

INFORMATION. - My good woman, have you by any chance seen a hare in this area? - But of course.... right over there on the left. - Was it long ago? - Not at all... definitely not more than eight days!
Ondetermineerbare munt uit Perzië
Object type: coin
Date: 1500 – 1900
Materials: silver
Techniques: striking
Location: iran

Zilveren munt. Voorzijde: in Arabische lettertekens opschrift in vier regels: kalima [=geloofsbelijdenis]?. Keerzijde: opschrift n vier regels. Gladde rand.
New York, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: eagles,coat of arms,flags

Trade cards from the "City Flags" series (N6), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Schouw voor Ministerie van Marine
Object type: drawing
Date: 1866 – 1900
Materials: pencil
Techniques: drawing
Artist: Anonymous
Inscriptions: annotation: ‘Schoorsteen voor het Ministerie v. Marine (?)’

Schouw met bovenaan twee engelen en twee putti die een bol ondersteunen. In het midden zit een putto met een drietand op een zeepaard.
Façade (for Stage Setting)
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: architecture
Mask of a woman with radiating waves of hair
Object type: mask, woman, radiating wave of hair
Materials: glass, paint, plaster
Location: egypt

The plaster masks derive from pharaonic traditions, in which the mask served as a substitute for the head of the deceased and as a means of elevating him or her to immortal status. The derivation is often reflected in paintings and texts located on the mantle surrounding the head. Like the painted mummy portraits, the masks suggest strongly individualized appearances and affect Roman fashions in hairstyle, jewelry, and dress. They follow, however, a somewhat different pattern. For example, female masks may have coiffures that combine Roman arrangements of the upper part of the hair with long corkscrew locks that were considered typically Egyptian. Despite the seeming individuality of the masks, most faces were made in a mold. Distinguishing details were worked in the plaster with a spatula or knife. The ears were added separately, and sometimes eyes were inlaid with glass or stone. The mask was then frequently painted or gilded. This woman's eyes were inlaid over painted pupils with transparent glass, now somewhat degraded. Faint traces of rose-pink are visible on her lips. At the crown the knot of hair has a hole where an actual hairpin of metal, or perhaps ivory, could have been inserted. Traces of drop earrings remain.
Lacepede
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228
Broche met monogram CF, Amsterdam
Object type: history medal
Date: 1850 – 1900
Materials: iron, silver, textile
Techniques: printing, soldering
Location: amsterdam

Broche met oranje cocarde waarop een zilveren monogram CF met gesoldeerd een geëmailleerd wapenschildje Amsterdam
Mrs. Phineas Miller (Catherine Littlefield)
Object type: painting, miniature
Date: 1806 – 1806
Materials: ivory, watercolor
Culture: american
Artist: joseph-pierre picot de limoelan de cloriviere
Artist role: artist
Artist nationality: american
Artist dates: 1768 – 1826
Subjects: portraits,women

Catherine Littlefield was married twice: first to Nathaniel Greene (?-1786) and then, in 1796, to Phineas Miller (?-1803).
Trap in de hal van landhuis De Wildbaan met jachttrofeeën
Object type: photograph
Date: 1903 – 1907
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Wholecloth quilt
Object type: quilt
Date: 1830 – 1830
Materials: cotton
Culture: american or british
Location: england

This chintz quilt is notched at its bottom corners to accommodate bedposts. The quill is bound with cotton tape striped in tan, white, black, and blue. The chintz top fabric is decorated with floral trails, roller printed in red and block overprinted in blue, yellow, and green on a tan ground. The backing chintz has a flora/ stripe, roller printed in red and brown. The piece is quilted overall with a shell pattern.
Bacchanaal met Silenus
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching
Location: london
Subjects: (story of) silenus, thiasos, i.e. bacchus' revel-rout, bacchanal without bacchus
Inscriptions: collector's mark: Lugt 2228

De dronken Silenus wordt ondersteund door saters en bacchanten in een feestelijke stoet met muzikanten.
Figure personifying Painting
Object type: figure
Date: 1755 – 1758
Materials: soft paste porcelain
Artist: vauxhall
Artist role: factory
Artist nationality: british
Artist dates: 1748 – 1768
Subjects: painting,children,palettes
Grinding stone
Object type: grinding stone
Date: 1295 – 1070
Materials: granite
Location: egypt
Crater Aristarchus, Schroter's Valley, and Vicinity
Object type: photograph
Date: 1967 – 1967
Materials: photographic print
Artist: national aeronautics and space administration (nasa)
Artist role: artist
Artist nationality: american
Subjects: moon,astronomy

This photograph was made as part of the Lunar Orbiter program, a series of five unmanned spacecraft launched into orbit around the Moon in 1966 and 1967. Each spacecraft was equipped with a sophisticated imaging system provided by Eastman Kodak, which consisted of a dual-lens camera, film processing and handling units, and a readout scanner for transmitting the images back to Earth. The main purpose of the program was to select lunar landing sites for NASA’s manned Apollo Missions. Over the course of one year, the Lunar Orbiters photographed 99 percent of the Moon’s surface, producing more than 2,000 images of unprecedented clarity and precision. After the film was processed on board the spacecraft, it was scanned in strips and transmitted to Earth via radio. Technicians at Eastman Kodak in Rochester, New York, created the final images by transferring the strips onto sheets of large-format film, from which prints were produced. This print comes from the collection of George Keene, an optical engineer who headed the team responsible for reconstructing the Lunar Orbiter images in Rochester.
Bottle
Object type: bottle
Date: 1701 – 1800
Materials: glass, pewter
Subjects: women
Strook kloskant met boogje van vergeet-mij-nietjes
Object type: strip
Date: 1750 – 1750
Materials: linen
Techniques: lace
Location: mechelen
Artist: Anonymous

Strook naturelkleurige kloskant: Mechelse kant. Het zich herhalende en symmetrische patroon bestaat uit een boogje gevormd door twee takken met vergeet-mij-nietjes, die ontspringen vanuit een gehalveerde bloem langs de bovenzijde van de strook. Middenonder het boogje liggen langs de onderzijde van de strook drie aaneengeschakelde ovale cartouches. Tussen het opeenvolgende patroon met boogjes ligt langs de bovenzijde een iets kleinere gehalveerde bloem en rechts daaronder, langs de onderzijde, een ovale cartouche. De motieven zijn met elkaar verbonden door een fijne maasgrond. De motieven zijn gemaakt in linnenslag met grote uitsparingen als bloemhartjes en met dikkere en glimmende contourdraden. Er zijn twee verschillende siergronden toegepast in de cartouches en tussen de bloemtakjes. Boven- en onderzijde zijn recht afgewerkt, met langs de onderzijde picots.
Diptych with the Adoration of the Magi and the Crucifixion
Object type: diptych
Materials: ivory, metal
Culture: french or german
Location: france or germany
Subjects: christ,adoration of the magi,crucifixion

The influence of French ivories on other centers of ivory production can be detected in this diptych, which was possibly carved in Cologne by a craftsman trained in Paris.
Rulinhotel Monte Bré
Object type: photograph
Date: 1934 – 1934
Materials: photographic support
Techniques: gelatin silver print
Location: lugano
Artist: Anonymous
Subjects: snow, mountains
Inscriptions: number: ‘35’
Het paleis voor Volksvlijt inwendig
Object type: photograph
Date: 1864 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: permanent exhibition, museum
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three parts of feet type B with chamfer; the largest fragment has part of stem
Portret van Daniel de Superville
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rotterdam
Inscriptions: collector's mark: Lugt 2228

Borstbeeld van de waalse predikant te Rotterdam Daniel de Superville, met toga en pruik.
Huis van het hoofd van de douane J. Lloyd E. Palm, Shantou
Object type: album leaf
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: shantou
Artist: Anonymous
Subjects: country-house, shantou
Magical figure of captive
Object type: figure of captive
Date: 1981 – 1650
Materials: paint, stone
Location: egypt
Abraham's sacrifice
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: etching, intaglio
Artist: Anonymous
Subjects: the sacrifice of isaac (genesis 22)
Inscriptions: collector's mark: Lugt 2228

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Relief of a Falling Warrior
Object type: sculpture
Date: 101 – 200
Materials: marble
Techniques: relief
Culture: roman
Location: piraeus
Subjects: mythology

Around 435 BCE, the Greek sculptor Pheidias adorned the front of the shield at the side of his gold-and-ivory statue of Athena in the Parthenon with scenes of Greeks battling Amazons in the Trojan War. In Roman times, certain figures from this complex struggle were lifted out of their original context and enlarged to become decorative reliefs for the walls of a colonnade or courtyard.

Here a wounded Greek warrior collapses to the ground after being struck a mortal blow from behind. The dying warrior’s noble countenance, the fillet or ribbon tied around his forehead, and his powerful, athletic body epitomize what Pheidias and his pupils sought to project as the ideal of mature male dignity in the decade when Athens was at the height of its power in the eastern Mediterranean world. Some five centuries later, collectors such as the Roman emperor Hadrian sought this Pheidian style, translated from a circular golden shield to a rectangular marble relief, to decorate their palaces and villas. Athenian sculptors of the Roman era made a good living creating and exporting such memories of past glories. This relief and a number of others were found near Athens in the harbor of Piraeus, where they had been lost in a disaster, likely while awaiting shipment.
Bedcover
Object type: textile
Date: 1700 – 1900
Materials: lace, linen, textile, silk
Techniques: lace, embroidery, weave, stitching
Location: greece
Portret van Vincent Jacobsz. Coster op 49-jarige leeftijd
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: engraving
Subjects: temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, historical persons, wine-testing, wine-grading, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Met zijn rechterhand heft hij een wijnglas.
Medaillons met portretten van Pericles, Fabius Maximus, Alcibiades en Coriolanus
Object type: print
Date: 1789 – 1809
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) alcibiades, (story of) coriolanus, (story of) quintus fabius maximus cunctator, (story of) pericles
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt als boekillustratie in: Plutarchus [bewerkt door E. Wassenbergh en H. Bosscha]. De levens van doorluchtige Grieken en Romeinen, onderling vergeleeken (...). 12 dln. Amsterdam: Johannes Allart, 1789-1809.
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman
Subjects: heads
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1401 – 1500
Materials: copper, enamel, gold
Culture: spanish
Location: spain

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Le Parc
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: park
Inscriptions: collector's mark: Lugt 2233

Gezicht op een park met wandelaars. Links een huis met een koets ervoor. Op de voorgrond water. Rechtsboven genummerd: 148.
Coin Depicting the Goddess Roma
Object type: coin
Date: 225 – 217
Materials: bronze, copper alloy, metal
Culture: roman
Location: italy
Subjects: goddesses, ships

The front of this coin depicts the goddess Roma, wearing a helmet.

On the back, the prow of a ship is shown, sailing right.
Straatgezicht
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: architecture, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Pagina 93 uit een schetsboek met 49 bladen.
The Actor Matsumoto Koshiro 4th as a Man
Object type: print
Date: 1780 – 1780
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Subjects: men,actors
Speelhuispenning uit Thailand ter waarde van een salung, 1760-1871
Object type: coin
Date: 1760 – 1871
Materials: porcelain
Techniques: firing

Ronde porseleinen speelhuispenning, die ook als munt is gebruikt. Voorzijde: afbeelding van een krabof kreeft. Keerzijde: twee Chinese karakters.
Prentbriefkaart aan Elsie Maud Cownie
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1906
Materials: cardboard, ink
Techniques: pen, writing
Location: paris
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: manchester, elsie maud cownie
Panel (Furnishing Fabric)
Object type: textile
Date: 1801 – 1900
Materials: cotton
Techniques: weave, printing
Location: europe
Statuette of striding warrior (Ares?)
Object type: statuette of a warrior
Date: 600 – 501
Materials: bronze
Culture: etruscan
Subjects: warriors
Plate
Object type: plate
Date: 1825 – 1827
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: ralph stevenson & williams
Artist role: maker
Artist dates: 1822 – 1827
Subjects: theatre
Hot water urn
Object type: hot water urn
Date: 1830 – 1831
Materials: iron, silver
Artist: john angell
Artist role: maker
Artist dates: 1815 – 1837
Offerande van de buit van de Midjanieten
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the officer's oblation after the battle of the israelites against the midianites; moses and eleazar take the gifts to the tabernacle
Inscriptions: inscription: ‘utrechts Fundatie huijs’

Mozes en de priester Eleazar nemen de gouden sieraden uit de buit van de Midjanieten aan als offerande voor God (Num. 31:50-54). De prent heeft een Hebreeuws, Latijns, Frans, Engels, Duits en Nederlands onderschrift.
Kruis van Verdienste van de Nederlandse Bond van Vrijwillige Burgerwachten
Object type: ereteken
Date: 1924 – 1924
Materials: silver, textile
Artist: Anonymous

Zilveren kruis met vijf armen, kroon met scharnier en gesp voor bevestiging aan het lint. Voorzijde: Op de armen van het zilveren kruis is de afkorting "N B V B W" geplaatst. In het midden van het kruis is een rond schild afgebeeld waarop een klimmende leeuw met zwaard en pijlenbundel, als in het rijkswapen, is afgebeeld. Met Romeinse stedenkroon of muurkroon.
Tall Clock
Object type: tall clock
Date: 1730 – 1750
Materials: wood
Culture: american
Location: united states
Artist: henry hill
Artist role: maker
Artist nationality: american
Artist dates: 1727 – 1760
Zeepaard met een mannelijk bovenlichaam
Object type: print
Materials: paper
Techniques: engraving
Location: amsterdam

Een zeepaard met mannelijk bovenlichaam blaast op een schelp.
Kwatrijnen bij voorstellingen van een stijfster en een kamenierster
Object type: album leaf
Date: 1641 – 1641
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Inscriptions: date

Drie keer twee kwatrijnen in het Frans, Nederlands en Engels bij voorstellingen van een stijfster en een kamenierster. Het blad maakt deel uit van een album.
Model voor een versieringselement van een chatelaine
Object type: model
Date: 1775 – 1800
Materials: copper
Techniques: repoussé
Location: amsterdam
Artist: Anonymous

Het uit plaat gedreven model voor een gietvorm is voorzien van een decoratie bestaande uit een vaas in een medaillon, omgeven door slingers en lauwertakken.
The Fifth Ichikawa Danjuro as a Samurai
Object type: print
Date: 1780 – 1785
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Subjects: samurai,weapons,men,actors
Fragment diep bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl with a flattened rim. Taotie mask and/or borders with diaper patterns. A central decoration of a bird on a rock next to abamboo. Panels decorated with flowers and symbols.
Brief aan Adriaan van der Willigen Pz
Object type: letter
Date: 1866 – 1866
Materials: ink, paper
Techniques: pen, writing
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: haarlem, draughtsman, jonas suyderhoef, print room, drawing, the graphic arts, historical persons (portraits and scenes from the life)

RP-P-OB-60.711 is onderwerp van deze brief.
Going out in the Morning / Sortant le Matin
Object type: print
Date: 1745 – 1777
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: hunting dogs, assembling, 'départ pour la chasse'
Inscriptions: collector's mark: Lugt 2228

Tekst in het Engels en in het Frans in de ondermarge.
Portret van Johan Meerman
Object type: print
Date: 1747 – 1759
Materials: paper
Techniques: engraving, etching, pen
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: leiden
Inscriptions: collector's mark: Lugt 2228, name: ‘Johan Meerman’

Proefdruk van de prent gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
The Nooning
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Persoonsbewijs van Wilhelmina Gerarda Hoogendijk
Object type: photograph
Date: 1941 – 1941
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, passport, visa
Inscriptions: inscription: ‘Gemeente Maastricht’