deem-data/ArtiFact huggingface dataset:
Man met miniatuurportret in de hand
Object type: print
Date: 1615 – 1676
Materials: paper
Techniques: engraving
Subjects: painting (including book-illumination, miniature-painting)
Inscriptions: signature: ‘Theod. Matham fe et sculp’, address: ‘David ex.’, poem: ‘Comme seul je puis possesseur / De ce pourtraict de ma Maistresse,/ Ainsi je suis de son coeur, // Puisque seul Elle me caresse: / Tu le peus bien voir comme moy / Du reste ce n'est pas pour toy.’, collector's mark: Lugt 2228

Jonge man met een muts met een veer op het hoofd. In de linkerhand houdt hij een miniatuur vrouwenportret.
Armchair
Object type: armchair
Date: 1868 – 1870
Materials: wood, mother of pearl
Culture: american
Location: united states
Artist: john jelliff
Artist role: maker
Artist nationality: american
Artist dates: 1813 – 1893

This armchair, one of a pair (see 68.133.3), originally furnished the sitting room, or rear parlor, of the mansion built for Jedediah Wilcox at 816 Broad Street in Meriden, Connecticut. Completed in 1870, the house was heralded as one of the state’s grandest residences. The room’s en suite rosewood furnishings, which included a sofa (68.133.1), side chairs (68.133.4-.5), an overmantel mirror (68.134.11), and window cornices (68.134.8-.10), are embellished with mother-of-pearl medallions featuring a lady’s head in profile and incised and gilded decoration. The suite is attributed to John Jelliff and Co. of Newark, New Jersey, based on a nearly identical armchair in the collection of the Newark Museum of Art and its accompanying bill of sale from the Jelliff firm. Although Jelliff and Co. operated a showroom in Newark, they also retailed their furniture across the country through a variety of regional wholesalers. Wilcox, or perhaps the building’s architect and superintendent Augustus Truesdell, likely purchased the furniture through a Connecticut- or New York-based retailer who sourced their inventory from various cabinetmakers. Shortly after the mansion was completed, Wilcox experienced financial ruin, and the house and its furnishings were sold at auction to another Meriden industrialist, Charles Parker, the city’s first mayor who also owned a successful brass foundry. The Parker family continued to reside in the mansion until 1934, at which time they sold the property and it became a retirement community known as Beechwood Lodge. The facility closed and the building was ultimately demolished in 1968.
Saint Martin and Saint Hilary
Object type: roundel
Date: 1430 – 1435
Materials: gilt, linen, metal, textile, silk
Techniques: embroidery, laid work, weave, stitching
Culture: flemish
Subjects: men,saints

This roundel, together with three others in the Lehman Collection (1975.1.1906, 1975.1.1907, and 1975.1.1909), and two in The Cloisters Collection (47.101.63 and 47.101.64), form part of the same series of early fifteenth-century Franco-Flemish embroideries depicting scenes from the life of Saint Martin. Originally part of a much larger ensemble (thirty-six roundels and panels are now dispersed among public and private collections), the embroideries may have decorated a liturgical vestment, an altar frontal, or possibly a combination thereof, constituting a set of vestments. Having left the Roman army, Martin devoted himself to religious life and became a disciple of Saint Hilary, Bishop of Poitiers in France. Saint Martin is portrayed kneeling before the Bishop, who is ordaining him as acolyte. This series of embroideries, if not originally intended for a liturgical garment, may have embellished an altar frontal, similar to the blue covering that appears here on the altar behind the kneeling figure of Martin. The upper portion of the altar, adorned by a Crucifixion scene, may have been conceived as a painted or embroidered altar covering.
Jar with Cover
Object type: jar with cover
Date: 1368 – 1644
Materials: pottery
Culture: chinese
Design for a Drawing Room Mirror, for 11 Princes Gate, London
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: mirrors
Architectural Inlay
Object type: ornament
Date: 1390 – 1352
Materials: faience
Location: egypt
Bijutsu sekai - 22
Object type: book
Date: 1892 – 1892
Materials: paper
Techniques: woodcut
Location: tokyo
Inscriptions: collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937
't Maria Klooster, aan de West zyde van de Nesse
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). Amsterdam: Isaak Tirion, 1760, dl. 1. Dat de prent de situatie rond 1544 weergeeft, gaat terug op het feit dat voor het maken van deze en andere prenten van kloosters en kerken van voor de Alteratie (1578) is uitgegaan van de plattegrond van Cornelis Anthonisz. uit 1544, zie RP-P-OB-70.399 en RP-P-AO-20-15.
Christ Crowned with Thorns
Object type: print
Date: 1630 – 1640
Materials: ink, paper
Techniques: etching
Location: belgium
Artist: anthony van dyck
Artist role: artist
Artist nationality: flemish
Artist dates: 1599 – 1641
Inscriptions: Lettered below image: "Ecce stat innocuus ... mala quanta manent. / Anton. van Dyck inven. / Cum Privilegio."
Portret van Anton Peters
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: anton peters, adult man, historical persons, portrait of actor, actress
Inscriptions: initials: ‘H.M.’
Spoelkom, geschulpt, met bloemen en bladeren in reliëf
Object type: slop bowl
Date: 1400 – 1950
Materials: terracotta
Location: germany
Artist: Anonymous
Inscriptions: check stamp: ‘WS & Ss // 72’

Spoelkom van terracotta. Het geschulpte lichaam met bloemen en bladeren in reliëf.
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: greek or roman

Mold-made. Central filling hole within a small, concave discus, surrounded by a circular band. Broad sloping shoulder, decorated with a pattern of radiating ridges (elongated leaves?) interspersed with lines of dots; a raised knob on left edge; two spirals flanking sides of nozzle, with heart-shaped leaf on top and angular sides to wick hole. Raised base ring, and slightly concave base. Intact.
Spotprent op de begroting van oorlog, 1871
Object type: print
Date: 1871 – 1871
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: shop, store, shopkeeper

Spotprent op de begroting van het Ministerie van Oorlog. Een winkelier weigert een kadet scheermesjes te verkopen, zich beroepend op de nieuwe regels van het ministerie. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 22, 1871.
Coriolan omarmt en kust zijn vrouw
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: william shakespeare, prayer or religious service before battle, (story of) coriolanus, literature, (lovers) embracing each other, 'symplegma', roman religion (including etruscan religion)
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor William Shakespeares 'Coriolan'. Latere staat gebruikt voor: Königl. Grosbrit. Genealogischer Kalender auf das Jahr 1787. Lauenburg: J. G. Berenberg, [1786].
Portret van een onbekende man
Object type: page
Date: 1860 – 1870
Materials: photographic support
Techniques: albumen print
Artist: hermann wilhelm vogel
Artist role: chemicus, fotograaf
Artist dates: 1834 – 1898
Subjects: adult man
Inscriptions: number: ‘Fig. 117.’
Ontwerp voor een bierpul met een allegorie op de hebzucht
Object type: design drawing
Date: 1835 – 1835
Materials: chalk, ink, paper
Techniques: pen
Inscriptions: inscription: ‘1000000’, inscription: ‘PROCENT’, watermark, inscription: ‘ALLGEMEINE.SCHELLE.BILDUNG’
Fragment of a Halo with Buddha Figure
Object type: relief
Date: 501 – 700
Materials: plaster
Culture: chinese
Subjects: buddhism,buddha

These fragments are from an elaborate halo that once adorned a larger-than-life-size Buddha or bodhisattva. The larger Buddha fragment holds his right hand in abhaya mudra, a gesture of approachability. The style of the robes attests to an interest in the classical forms of Gandhara.
Porte d'entree a la Cathedrale de Seville
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: sevilla
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: parts of church exterior and annexes: portal
Inscriptions: number: ‘2468.’
Brush rest in the shape of a dragon
Object type: brush rest
Date: 1301 – 1400
Materials: copper alloy
Culture: chinese
Subjects: dragons
Diogenes Searching for an Honest Man
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Artist: Anonymous
Artist nationality: euopean
Artist dates: 1800 – 1899
Shabti of the High Priest of Amun, Painedjem II
Object type: shabti, painedjem ii
Date: 988 – 966
Materials: faience
Location: upper egypt, thebes
Strand in Zandvoort
Object type: photograph
Date: 1900 – 1905
Materials: photographic support
Location: zandvoort
Subjects: beach (as place of recreation)

Strand van Zandvoort gezien vanaf de boulevard. Net aangklede dames en heren lopen richting zee, sommigen met een fiets, naar de badhokjes op wielen. Op zee twee bootjes.
Insect
Object type: drawing
Date: 1754 – 1754
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: gerard sanders
Artist role: draughtsman
Artist dates: 1702 – 1767
Subjects: insects
Hamamatsu: The Famous Murmuring Pines (Hamamatsu, meisho zazanza no matsu), no. 30 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
The School Master
Object type: print
Date: 1635 – 1638
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: schools,interiors,students,teachers
Plaque with Animal Mask
Object type: covering and hanging
Materials: jade
Location: china
Portret van Jöns Jacob Berzelius
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: chemistry (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228
Harkins, Pitcher, Baltimore Orioles, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Kruis van verdienste (Oostenrijk)
Object type: onderscheidingsteken, onderscheiding
Materials: silk
Location: austria
Artist: Anonymous
Subjects: eugen wachenheimer

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Bandontwerp voor: Betsy Land, Pepi's strijd. Een kerstvertelling, 1907
Object type: drawing
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: boy (child between toddler and youth), (household) utensils and implements (with name), street
Inscriptions: :, number: ‘2’, collector's mark: Lugt 2228a

Een jongen met een bezem in de hand loopt voorovergebogen over een straat. Onderaan in een driehoek de auteursnaam en uitgever geflankeerd door twee driehoeken met florale lijnmotieven.
Chasuble fragment
Object type: chasuble fragment
Date: 1400 – 1400
Materials: linen, metal thread, silk
Subjects: birds

Chasuble Fragment; made of linen with silk and metallic thread.
Studie van drie hoofden
Object type: print
Date: 1817 – 1845
Materials: paper
Techniques: lithograph
Location: paris
Artist: nicolas toussaint charlet
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1792 – 1845
Subjects: head (human), head-gear: cap (+ men's clothes), youth, adolescent
Inscriptions: collector's mark: Lugt 2228a
Il Cadavere di Pompeo, brugiato dal suo fido liberto Filippo, ed assistito da un´ antico soldato che aveva servito nelle prime Campagne, questo sfortunato Generale
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: (story of) gnaeus pompeius magnus, pompey the great, body-burning, cremation
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Het lichaam van Pompejus verbrand door zijn getrouwe vrijgelatene Filippus....’

Deze prent maakt deel uit van een reeks van 101 prenten over de geschiedenis van Rome.
Shoulder bag (missing strap)
Object type: bag
Date: 1800 – 1800
Materials: dye, glass, hair, leather, metal, ribbon, silk
Techniques: tanning
Culture: anishinaabe
Location: united states
Portret van een onbekende vrouw
Object type: semi enamel
Date: 1880 – 1900
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: amsterdam
Artist: hermanus jodocus weesing
Artist role: fotograaf
Artist dates: 1844 – 1910
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘H. J. Weesing/ PHOTOGRAPHE/ AMSTERDAM Binnen Brouwerstraat 5./ Musterschutz A.L.’
Futagawa, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi)," also known as the Figure Tokaido (Jinbutsu Tokaido)
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Pantaloon (one of a pair)
Object type: figure
Date: 1750 – 1752
Materials: soft paste porcelain
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: men
Vienna: Palais Schwarzenberg
Object type: print
Date: 1908 – 1908
Techniques: lithograph
Artist: urban janke
Artist role: artist
Artist nationality: austrian
Artist dates: 1887 – 1914
Subjects: fountains,palaces
Minerva vraagt Nijd om jaloezie in Aglauros te ontsteken
Object type: album leaf
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: minerva visits the cave of envy (invidia) in order to punish aglauros

Minerva staat bij de grot waar Nijd huist en vraagt haar om Aglauros jaloers te maken op haar zus Herse. De godin is nog boos op Aglauros: zij nam indertijd het initiatief tot het openen van de mand met Erichthonius, die Minerva aan de dochters van Cecrops had toevertrouwd op voorwaarde dat ze hem dicht zouden laten. Onder de voorstelling twee keer twee versregels in het Latijn. De prent maakt deel uit van een album.
Troupial, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Large trade cards from the "Song Birds of the World" series (N42), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N42 reproduces the cards from N23 in a larger size.
Vier rivierlandschappen
Object type: print
Date: 1662 – 1683
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan van almeloveen
Artist role: draughtsman, print maker
Artist dates: 1652 – 1683
Subjects: river
Inscriptions: collector's mark: Lugt 240
Two Caricature Heads of Men
Object type: drawing
Date: 1794 – 1794
Materials: ink
Techniques: pen
Location: germany
Artist: johann heinrich wilhelm tischbein
Artist role: artist
Artist nationality: german
Artist dates: 1751 – 1829
Subjects: heads,men
Haven van Napels in de Santa Luciabuurt met op de voorgrond stallen van oesterverkopers
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: harbour (+ view ~ vehicle, ship, etc.), stall, booth (~ market), naples

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.
The Agony in the Garden, from "The Passion of Christ"
Object type: print
Date: 1597 – 1597
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: sadness,men,angels,apostles,jesus

Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas’s prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius’s famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin. The Passion of Christ was extremely popular during Goltzius’s own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius’s own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius’s original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170).
Portrait of Edgar Degas, wearing a hat
Object type: print
Date: 1876 – 1876
Techniques: drypoint
Artist: marcellin desboutin
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1902
Subjects: men,portraits,artists
Portret van de Amsterdamse burgemeester Hendrik Danielsz Hooft
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, mayor, hendrik danielsz. hooft
Inscriptions: collector's mark: Lugt 2228
Portret van keizer Karel V
Object type: print
Date: 1596 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain), historical persons, knighthood order of the golden fleece, king

Prent mogelijk gebruikt in meerdere edities en vertalingen van Emanuel van Meterens 'Nederlantsche historien'.
Plattegrond van Roermond
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), fortified city, maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Plattegrond van Roermond met gebouwen in vogelvluchtperspectief. Boven, in het midden, de titelcartouche. Rechtsonder een schaalstok: 60 Rhijnlandse Roeden. Linksboven de helft van het wapen van het hertogdom Gelre, rechtsboven het wapen van Roermond. Met Nederlandse tekst op verso.
Portret van Gustaaf II, koning van Zweden
Object type: print
Date: 1611 – 1711
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, king
Glass jug with chain handle
Object type: jug with chain handle
Date: 201 – 300
Materials: glass
Culture: roman

Colorless with pale blue green tinge; handle and trails in same glass. Outsplayed rim with flattened upper lip; funnel-shaped mouth and almost no neck; conical body, then turned in sharply with broad, horizontal undercurve; applied solid foot ring, sloping outwards; central kick in bottom with circular pontil mark; chain handle applied to body as two large, thick pads, drawn up and outwards as two rods, pinched together five times to form vertical row of loop, then turned in as a single strap, folded up into a hollow loop above rim, and trailed off in a double fold down underside of mouth over upper trail. Single thick horizontal trail on underside of mouth below rim; a finer trail wound horizontally slightly more than once around top of body; body decorated with a pattern of twenty ribs extending from mouth to edge of side, becoming faint towards bottom. Complete except for weathered chip in rim, with cracks around mouth and top of body; some pinprick bubbles in foot ring; limy encrustation, dulling, iridescence, and creamy brown weathering, with soil encrustation on handle and interior. The jug is said to have been found in a Roman tomb at the ancient site of Caesaromagus in 1863, together with another smaller jug (81.10.169), a cup (81.10.85), and a coin of the Gallic emperor Postumus, which was minted between A.D. 260 and 268.
Inhuldiging van koning Willem II in de Nieuwe Kerk
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper, pencil
Techniques: brush
Location: amsterdam
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: interior of church, during the coronation
Inscriptions: collector's mark: Lugt 800a, inscription: ‘ii22’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 5.
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 440 – 430
Materials: terracotta
Culture: greek, attic
Artist: phiale painter
Artist role: artist

On the offset part of the rim, below the torus, diagonally addorsed palmettes; head, neck, shoulders, and part of extended left arm of a balding, bearded satyr to right
Jeu de la géographie
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: europeans, sitting figure

Deze prent maakt deel uit van een kaartspel met 52 kaarten met voorstellingen van vrouwen uit landen over de hele wereld. De serie is uitgedacht door Jean Desmarests de Saint-Sorlin in opdracht van Kardinaal Mazarin. Het kaartspel werd gemaakt voor de jonge Lodewijk XIV, samen met het Jeu des Fables, Jeu des Reynes Renommées en Jeu des Rois de France.
Graven van de vijver
Object type: photograph
Date: 1943 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: muhlberg
Artist: dick w.b. van maarseveen
Artist role: fotograaf
Artist dates: 1905 – 1990
Subjects: dick w.b. van maarseveen
Inscriptions: inscription: ‘afgraven zwembad’

Het graven van een vijver als waterreservoir voor de brandweer, tevens gebruikt als zwembad voor de recreatie van de gevangenen. Onderdeel van een groep van 130 foto's gemaakt door Dick van Maarseveen in het Duitse krijgsgevangenenkamp Stalag IV B in Mühlberg in de periode 1943-1945.
Gezicht op de Santa Maria Maggiore te Rome
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Subjects: parts of church exterior and annexes: campanile, monument, statue (+ city(-scape) with figures, staffage), church (exterior)
Inscriptions: number: ‘P.e I.a N.o 5873.’, collector's mark: Lugt 3937