deem-data/ArtiFact huggingface dataset:
Matrices for Sword Mounts
Object type: matrix for sword mount
Date: 901 – 1100
Materials: copper alloy
Culture: iraqi or iranian
Location: iran

Bronze molds such as these were used to form the metal parts of a sword hilt and scabbard, usually made of the soft metals gold, silver, or copper. The three molds shown here are for the guard and the upper and lower scabbard mounts. The parts were formed in halves, then joined along the edges. The cross-shaped guard of the Nishapur sword exhibited nearby shows these joining seams.
In een vertrek houden enkele mannen zich met geld bezig
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: dealing in money
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. De Bykorf des Gemoeds. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 338.
Ceramic Fragment
Object type: fragment
Date: 1201 – 1300
Materials: stonepaste
Techniques: glazing, incising, painting
Location: saudi arabia
La Cervelle d'un peintre
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: head (human), boar (male pig), monkeys, apes, death as skeleton
Inscriptions: collector's mark: Lugt 2228

Koppen van verschillende menselijke karakters en dieren.
Isabel Wachenheimer en haar oom Willy Moos voor diens huis in Hamburg Bellevue 62, in september 1934
Object type: photograph
Date: 1909 – 1934
Materials: photographic support
Techniques: gelatin silver print
Location: hamburg
Artist: Anonymous
Subjects: isabel wachenheimer-elon, willy moos
Inscriptions: name: ‘,,der'' Onkel’

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Portret van een man
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sideburns, adult man, historical persons
Inscriptions: annotation: ‘Martinez’
Optocht van figuren met parasols
Object type: sketchbook leaf
Date: 1931 – 1931
Materials: pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: walking, parasol, sunshade
Inscriptions: kleurnotitie, handgeschreven

Pagina 78 uit een schetsboek met 74 bladen.
Design for Metalwork Supporting Church Ceiling and Suspended Lantern
Object type: drawing
Date: 1880 – 1880
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture
Paarden bij een voederbak
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: trough, horse

Pagina 36 uit een schetsboek met 27 bladen
Terracotta fragment of an askos (flask with a spout and handle over the top)
Object type: askos fragment
Date: 420 – 400
Materials: terracotta
Culture: greek, attic

Part of the top side of an askos with part of the leg of animal to left; below, a reserve line
Omslagdoek
Object type: omslagdoek
Date: 1900 – 1949
Materials: cotton
Techniques: weave
Location: soemba
Artist: Anonymous

Omslagdoek met heraldische leeuwen, slangen en patola motieven.
Handdwaal met Orpheus
Object type: handdwaal
Date: 1645 – 1645
Materials: linen
Techniques: damask, weave
Location: northern netherlands
Artist: Anonymous
Inscriptions: name: ‘CAMMINGA.OCKINGA en GROVESTINS.IONGEMA’, date: ‘ANNO 1645’

Handdwaal van linnendamast met Orpheus temidden van de dieren. Middenveld: het symmetrisch patroon wordt twee maal herhaald en vertoont van onder naar boven ingeweven naam en datum 1645, wapens van Camminga-Ockinga en Grovestins-Jongema, helmen met pluimen, gezeten figuur (Orpheus) met rondom allerlei dieren. Staande randen: nautische voorstelling. Liggende randen zeemeerminnen en ...
Gezicht op Pont Saint-Michel en de Notre-Dame in Parijs
Object type: stereograph
Date: 1850 – 1868
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: church (exterior), bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Notre Dame Aug-Sept. 68 LH Kuhn [...]’
Terracotta fragment of a stemmed dish?
Object type: stemmed dish fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment of a stemmed dish?; on the underside, start of the stem?
Portret van Bernardus Paludanus op 80-jarige leeftijd
Object type: print
Date: 1666 – 1747
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: enkhuizen, adult man, historical persons
Inscriptions: collector's mark: Lugt 240

Prent uit: Brandt, Geeraert. Historie der vermaerde zee- en koop-stadt Enkhuisen (...). Enkhuizen: Egbert van den Hoof, 1666. Of uit de tweede druk (Enkhuizen: Jacob Duyn, 1747).
Corner Plates of the Tombstone of Gijsbert Willemsz Raet, with the Four Evangelists
Object type: grafzerk, zerk
Date: 1511 – 1511
Materials: brass
Techniques: casting, cutting, engraving, gilding
Location: low countries
Artist: Anonymous
Subjects: mark (marcus) the evangelist, and bishop of alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll
Inscriptions: inscription: ‘marcs’

These four corner plates feature the symbols of the Four Evangelists: a winged lion (Mark), a winged ox (Luke), an eagle (John) and an angel (Matthew). The influence of printmaking – and specifically of Martin Schongauer – on other art forms is clear to see here. Slight differences notwithstanding, the maker was certainly inspired by either Schongauer’s engravings or copies thereof, or objects based on those prints.
Ornament
Object type: ornament
Date: 918 – 1392
Materials: silver
Culture: korean
Prayer book with case (mahdar)
Object type: book with travel case
Date: 1801 – 1900
Materials: leather, parchment, pigment, wood
Location: ethiopia
Artist: wäldä maryam
Artist role: artist
Artist nationality: african
Gloves
Object type: glove
Date: 1670 – 1670
Materials: leather, metal, silk
Culture: british
Tivoli. V. Adriana. Tempio di Diana
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: tivoli
Artist: Anonymous
Subjects: ruin of a building ~ architecture, rural housing, e.g. country-house, villa, cottage, places and objects of worship ~ non-christian religions
Inscriptions: number: ‘4241.’, collector's mark: ‘VOSMAER’
Miniature Vessel in the Form of a Feline Head
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: peru
Corset
Object type: corset
Date: 1830 – 1835
Materials: bone, cotton, metal
Culture: american
Panel (Furnishing Fabric)
Object type: textile
Date: 1830 – 1830
Materials: cotton
Techniques: engraving, weave, printing
Location: france
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Subjects: propaganda
Fragment of silk damask
Object type: piece
Date: 1701 – 1733
Materials: silk
Techniques: damask, weave
Subjects: flowers,leaves
Panel
Object type: panel
Date: 1401 – 1500
Materials: wood
Culture: french
Location: france
Virgin and Child
Object type: relief tondo
Date: 1467 – 1500
Materials: plaster, wood
Techniques: gilding, painting, relief
Artist: francesco di simone ferrucci
Artist role: artist
Artist nationality: italian
Artist dates: 1437 – 1493
Subjects: madonna and child

After a marble tondo by Francesco di Simone Ferrucci in the North Carolina Museum of Art at Raleigh.
Meubilair
Object type: furniture
Date: 1905 – 1905
Materials: copper, wood
Location: amsterdam

Kast van eike-, mahonie- en palissanderhout met koperbeslag. De onderkast heeft een brede middendeur met twee panelen en twee smallere zijdeuren. De terugspringende hoge bovenkast heeft twee deuren met roedeverdeling boven twee laden. De deuren tonen florale motieven in boomvorm, de laden bladwerk. Staafwerk op hoekstijlen en regels. De bovenste hoekstijlen eindigen van voren in een uil en van achteren in een voluut. Op de hoogte van de laden zijn de zijwanden versierd met duivekop- en vleugels en bloemen.
Portret van Hans Carl, Fürst von Carolath-Beuthen
Object type: print
Date: 1741 – 1757
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: poland, crown (symbol of sovereignty), knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), armour, historical persons
Inscriptions: collector's mark: Lugt 2228
½ skilling uit Zweden van Gustaf IV Adolf, 1802
Object type: coin
Date: 1802 – 1802
Materials: copper
Techniques: striking
Location: slot rörstrand

Koperen munt. Voorzijde: tussen drie kronen monogram van de vorst, waarboven koningskroon. Keerzijde: twee gekruiste pijlen. Waarde-aanduiding in het veld. Jaartal onderaan. Kartelrand.
Aanslag op het rijtuig van de gedeputeerden van Dordrecht, 1786
Object type: print
Date: 1786 – 1795
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: revolutionary action (violent)
Inscriptions: collector's mark: Lugt 2228

Aanslag door de Haagse pruikenmaker F. Mourand op het rijtuig van de gedeputeerden van Dordrecht, de heren Gevaerts en De Gijzelaar, als zij door de Stadhouderspoort het Binnenhof op willen rijden, 17 maart 1786.
Seamstress
Object type: drawing and watercolor
Materials: ink, ivory, paper
Techniques: brush, pen, wash
Location: france
Artist: attributed to claude hoin
Artist nationality: french
Artist dates: 1750 – 1817
Ornament
Object type: ornament
Date: 918 – 1392
Materials: silver
Culture: korean
Subjects: fish,flowers
Madame Prudhomme, they are reorganizing the army. It is only right that I serve my duty as a Zouave, from 'News of the day,' published in Le Charivari, November 28, 1866
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,women
The king of pumpkins receiving the homage of his subjects, from 'Autumn sketches,' published in Le Charivari, September 23, 1865
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: vegetables,men,women
St. John the Evangelist
Object type: print
Date: 1576 – 1641
Techniques: engraving
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Lidded Basket
Object type: basket with lid
Date: 1860 – 1860
Materials: wood, pigment
Culture: oneida
Location: united states
Thesaurus sacrarum historiaru[m] veteris testame[n]ti, elega[n]tissimis imaginibus expressu[m] excelle[n]tissimoru[m] in hac arte viroru[m] opera: nu[n]c primu[m] in luce[m] editus
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rehoboam's insulting reply: forsaking the warning of the wise old counsel- lors but following the young advisers' opinion, rehoboam not only refuses to lessen the taxes, but increases them
Inscriptions: caption: ‘Rex iuvenum suasu populis...priora suis. 3. Reg. 12.’

Koning Rechabeam geeft het volk Israël antwoord op hun verzoek tot verlichting van hun juk. Hij staat op een podium en deelt de mensen mee dat hij hun juk nog zal verzwaren. De mensen reageren verschrikt. De Israëlieten breken met Rechabeam, die alleen koning blijft over de steden van Juda. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 1 Kon. 12. Prent maakt deel uit van een album.
Zen Koan on Cypress Trees
Object type: hanging scroll
Date: 1767 – 1800
Materials: ink, paper
Culture: japanese
Artist: jiun onkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1718 – 1804
Zeilschepen
Object type: sketchbook leaf
Date: 1900 – 1931
Materials: chalk
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: sailing-ship, sailing-boat

Blad 35 recto uit een schetsboek met 55 bladen.
Sun Dance Scene
Object type: painting
Date: 1885 – 1885
Materials: textile, paint, watercolor
Techniques: painting
Culture: lakota
Location: wyoming
Morning vest
Object type: morning vest
Date: 1850 – 1859
Materials: cotton, linen, silk, wool
Culture: american

Waistcoats and vests of the 18th and 19th centuries served as a layer protection and ornamentation during a period in fashion when the coat was intended to be left open in the front. The color was often chosen to complement the suit and covered in imaginative embroideries, heavily woven patterns or shiny satins made to draw the eye. The style of the neck, the length and the hem treatment fluctuated as the tastes changed from over-sized coats of the early 18th century to narrow tightly fitted coats of the late 18th century and onward. This very lively plaid of this vest was designed after Scottish tartans which became popular in the 1850s due to Queen Victoria (1837-1901) taking part-time residence at Balmoral Castle in Aberdeenshire, Scotland. The vest has a woman's touch with the delicate feminine buttons and a seamstress's sensibility for economy saving tricks such as piecing at the shoulder.
Kaart van het kwartier van Antwerpen, onderdeel van het hertogdom Brabant
Object type: map
Date: 1677 – 1720
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: maps of separate countries or regions, brabant, antwerp
Inscriptions: collector's mark: Lugt 195

Kaart van het kwartier van Antwerpen, één van de vier kwartieren waarin het hertogdom Brabant is verdeeld. In een balk boven de kaart, in het midden, de titel. Links hiervan een legenda. Rechts van de titel twee schaalstokken: 1 1/2 Gemeene Duytsche Mijlen van 15 in een Graad / 2 Fransche Mylen ofte Uren Gaans van 20 in een Graad. De kaart is voorzien van een coördinaten-net en een gradenverdeling.
Reisalbum van een Nederlandse familie met bezienswaardigheden in Europa, Egypte en New York
Object type: photograph album
Date: 1906 – 1909
Materials: cardboard, linen, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: travelling; tourism, netherlands, italy, germany, new york (city), france, amsterdam
Inscriptions: inscription: ‘L.&H. 21’

Fotoalbum in rode linnen band met op het voorplat de titel 'Sunny Memories' gedrukt. Het album bevat 12 dikke kartonnen bladen in verschillende kleuren. Elke pagina heeft 4 passe-partouts, 2 rechthoekige en 2 ovaalvormige. In totaal bevat het album 96 foto's met Engelstalige onderschriften. Het zijn opnames door een amateurfotograaf van reizen door onder meer Frankrijk, Duitsland, Italië, Schotland, Egypte en de Verenigde Staten. Deze werden ondernomen van oktober 1902 tot september 1906 door een ouder en een jonger echtpaar. Van dit laatste stel is ook een trouwfoto opgenomen, gemaakt in Amsterdam, vermoedelijk hun thuisbasis. Voorts zijn er opnames van landgoed (of: villa?) Fidelio in 's-Graveland. Mogelijk kan het album in verband worden gebracht met de familie Hennipman, aangezien deze naam zichtbaar is op één van de foto's. De afdrukken zijn niet in chronologische volgorde opgeplakt maar door elkaar heen. Reden waarom dit album vermoedelijk pas in 1906 of later is samengesteld.
Vrouw op een houten brug
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Artist: herman antonius van daalhoff
Artist role: draughtsman, print maker
Artist dates: 1867 – 1953
Subjects: walking - aa - female human figure, bridge
Inscriptions: collector's mark: Lugt 2228
Tramps
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: france
Artist: camille pissarro
Artist role: artist
Artist nationality: french
Artist dates: 1830 – 1903
Confident Louis XVI, à 3 places
Object type: print
Date: 1895 – 1935
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Garrick and Shakespeare with Tragedy and Comedy (Furnishing Fabric)
Object type: textile
Date: 1790 – 1790
Materials: cotton
Techniques: engraving, weave, printing
Location: england
Artist: after a painting by robert edge pine
Artist nationality: english
Artist dates: 1730 – 1788
Subjects: propaganda
Les Divers Pourtraicts & figures faictes sus les meurs Des habitans du Nouveau Monde
Object type: print
Date: 1610 – 1640
Materials: paper
Techniques: engraving
Location: france
Subjects: parts of church interior: niche, decomposition (of dead body), archer's weapons
Inscriptions: collector's mark: Lugt 2228

In deze serie worden naakte figuren in vier architecturale niches geplaatst. Zij stellen de inwoners voor van de Nieuwe Wereld.
Britannia
Object type: print
Date: 1775 – 1775
Techniques: engraving, etching
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Portret van een onbekende jongen die lijdt aan alopecia areata
Object type: photograph
Date: 1860 – 1868
Materials: photographic support
Techniques: albumen print
Artist: a. de montméja
Artist role: arts, fotograaf
Artist dates: 1841 – 
Subjects: skin and venereal diseases
Inscriptions: number: ‘13’, inscription: ‘Maladies parasitaires.’, inscription: ‘Ad naturam phot. et pinx.’
Firenze. Chiesa del Carmine. Capp. Brancacci. Un dett. dell'Affresco del lato destro, parte inferiore
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: florence
Subjects: interior of church, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Hertog en de Dood
Object type: print
Date: 1547 – 1547
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: dance of death; death together with one or more human beings

Kopie van een prent van Hans Holbein de jongere uit 1538, voor het eerst gepubliceerd in: Imagines mortis (...). Lyon: Johannes Frellon, 1547.
Handkerchief
Object type: handkerchief
Date: 1867 – 1900
Materials: lace, linen
Techniques: lace, embroidery
Baked Pears in Duane Park
Object type: painting
Date: 1870 – 1879
Materials: oil, paper
Culture: american
Artist: william p. chappel
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1878
Subjects: parks,men,women

Writing in the 1880s, one New Yorker fondly reminisced about the black women who stood in the streets tempting passersby with a baked pear "carried around in a deep-glazed earthenware dish, floating deliciously in a warm bath of home-made syrup." Despite the writer’s nostalgia, the baked pear sellers suffered the same lot as the rest of the city’s hucksters—a group largely comprised of impoverished blacks and white women and children who struggled to survive in the lowest rungs of society. The location depicted is Duane Street Park, at the intersection of Duane and Hudson, just north of the fashionable third ward.
Huwelijk van Carel Quina en Johanna Mersier 1619
Object type: family medal
Date: 1619 – 1619
Materials: silver
Techniques: engraving
Front of a limestone block from the stepped base of a funerary monument
Object type: stele, inscribed base
Date: 567 – 535
Materials: limestone
Culture: greek, attic
Artist: phaidimos
Artist role: artist
Subjects: poetry

Inscribed: on the death of Chairedemos his father Amphichares set up this monument mourning a good son. Phaidimos made it. The epitaph consists of two lines of poetry in the special form (dactylic hexameter) that was used at this time to express grief over a death. It is followed by the name of the sculptor, Phaidimos, who is known from two other inscriptions found in Attica. These lines are inscribed to read alternately from right to left and left to right. The Phoenicians, from whom the Greeks derived the alphabet, wrote from right to left. The Greeks soon found that writing from left to right was more convenient, but, until the end of the sixth century B.C., lines of inscriptions were sometimes carved in alternating directions. This method of writing was called boustrophedon (ox-turning) because it turns at the end of each line, as the ox turns with the plow at the end of each furrow.
Pedestal
Object type: pedestal
Date: 1601 – 1800
Materials: gilt bronze
Subjects: heads,satyrs
Portret van een jongen in een rijkostuum, staande in een tuin
Object type: photograph
Date: 1900 – 1915
Materials: photographic support
Techniques: collodion silver print
Location: netherlands
Artist: christiaan otto roelofs
Artist role: fotograaf
Artist dates: 1882 – 1970
Subjects: garden, historical persons
Fragment of an Inlay
Object type: decorative art
Date: 300 – 100
Materials: glass
Culture: egyptian
Location: egypt
Subjects: decoration

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
Intaglio
Object type: intaglio
Date: 1701 – 1800
Artist: josiah wedgwood
Artist role: factory
Artist nationality: british
Artist dates: 1730 – 1795
Subjects: men,profiles
Het verzoek om interventie aan de Mogendheden
Object type: cartoon
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), personifications of countries, nations, states, districts, etc., historical persons, ruler, sovereign, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 25 maart 1900.
De vier evangelisten
Object type: print
Date: 1572 – 1575
Materials: paper
Techniques: woodcut
Location: paris
Subjects: luke the evangelist; possible attributes: book, (winged) ox, portrait of the virgin, surgical instruments, painter's utensils, scroll
Inscriptions: collector's mark: Lugt 240

Lucas de evangelist zit gekleed als geneesheer te schrijven in een boek dat op zijn schoot ligt. Aan zijn voeten ligt de os. Op de achtergrond een stad. Geheel in een geornamenteerde omlijsting.
Terracotta vase in the form of a seated silen
Object type: vase
Date: 400 – 301
Materials: terracotta
Culture: greek, attic
Subjects: grapes,silenus

The silen is seated next to an amphora (jar) and holds a bunch of grapes.
Studioportret van een jonge vrouw in een lange bolle rok
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Inscriptions: name: ‘Wegner & Mottu, Amsterdam’