deem-data/ArtiFact huggingface dataset:
Plate 4: Vase or Ewer with a Frieze containing mermaids and centaurs, and below a lion's head with garlands and ribbons, from "Antique Vases" (Vasa a Polydoro Caravagino)
Object type: print
Date: 1605 – 1605
Techniques: engraving, etching
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Subjects: garlands,centaurs,mermaids,lions,vases

These vases are reverse copies of Alberti's series of 1582.
Scarab seal
Object type: stamp seal
Date: 1786 – 1650
Materials: bone, stone
Location: levant
Hongarije, Franz Rakoczy, 10 poltura,1705
Object type: tien poltura
Date: 1705 – 1705
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: tussen jaartal gekroond wapenschild. Keerzijde: binnen versiering waarde-aanduiding: X.
Falcon amulet
Object type: amulet, falcon
Date: 1950 – 1850
Materials: lapis lazuli
Location: egypt
Subjects: falcons
Cup plate
Object type: glass
Date: 1826 – 1830
Materials: glass
Techniques: pressed
Location: philadelphia
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Fluitspelende herder en spinnende herderin
Object type: print
Date: 1724 – 1798
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: jurriaan cootwijck
Artist role: print maker
Artist dates: 1714 – 1798
Subjects: one person playing wind instrument - cc - out of doors, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., spinning (manufacture of yarn), herd, flock, flute, aulos, tibia
Inscriptions: collector's mark: ‘RIJKS / MUSM’, inscription: ‘J Cootwijk/ Fecit’

Een herder zit op een rots en speelt fluit. Naast hem staat een herderin die spint. Geiten en koeien liggen rondom het paar. Onder de prent een potloodtekening van een man met een hoed. De prent ligt los in een album, zie blad 139.
Sketches of a Woman in a Corseted Gown, a Castle, and a Horse's Head
Object type: collection ornament architecture
Date: 1785 – 1790
Materials: gouache, graphite, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: women,horses

Graphite sketches of a woman in a corseted gown, a castle, a horse's head, and a ribbon (?) with a zigzag pattern. On the left is a sketch of a full-length woman facing left. She is wearing a corseted gown and large bonnet-style hat. To the right is a small circle with castle or cityscape set against a dark gouach background. To the right is a study of a horse's head, which has been scribbled over in graphite. Below is a small sketch of a ribbon (?) with a zigzag pattern, possibly of a belt or garment trimming.
Armchair (one of a pair)
Object type: furniture
Date: 1770 – 1780
Materials: wood
Techniques: painting
Location: england
Subjects: furniture
Portret van Willem III, koning der Nederlanden
Object type: print
Date: 1849 – 1853
Materials: paper
Techniques: lithograph
Location: the hague
Artist: koenraad fuhri
Artist role: bookseller, printer, publisher
Artist dates: 1814 – 1858
Subjects: brussels, willem iii (koning der nederlanden)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Karikatuur van Leo Gestel
Object type: drawing
Date: 1911 – 1941
Materials: paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: draughtsman, leo gestel, historical persons, portrait, self-portrait of artist
Saucer with a lozenge pattern formed by stripes and dots
Object type: platter
Date: 1775 – 1790
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: clignancourt
Inscriptions: mark: ‘LSX’

Schotel van porselein met een rechte wand, beschilderd op het glazuur met blauw, groen, goud. Op het plat en de binnenwand een ruitpatroon gevormd door gouden strepen en kleine rozetten van stippen. De binnenrand met een decoratieve band. Gouden rand. Gemerkt op de onderzijde met het monogram 'LSX'.
Plate
Object type: plate dish
Date: 1773 – 1773
Materials: porcelain
Techniques: gilding, painted
Location: sèvres
Subjects: cupids: 'amores', 'amoretti', 'putti'
Inscriptions: mark: ‘PBSC’, painter's mark: ‘ch’, mark: ‘#’, factory mark

This plate was part of a service that King Louis XV of France commissioned as a gift for Maria Carolina, Queen of Naples, on the occasion of the baptism of her second daughter, Louisa, in 1774. Louis XV was godfather to the princess.
Libation cup
Object type: cup
Date: 1701 – 1800
Materials: horn
Culture: chinese
Portret van een man
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: picture, painting

Foto-reproductie van een schilderij van een portret van een onbekende man
Design for Vis-à-vis/ Charabanc, no. 837
Object type: drawing
Date: 1850 – 1870
Materials: graphite, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Compartmented stamp seal
Object type: stamp seal
Date: 2333 – 1668
Materials: copper alloy
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Terracotta fragments from kyathoi (single handled cups)?
Object type: kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: etruscan

Two fragments from the handles of kyathoi?
Jan van Speyk de brand in het kruit schietend, 1831
Object type: history print
Date: 1837 – 1838
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: johannes christiaan bendorp
Artist role: print maker
Artist dates: 1766 – 1849
Subjects: amsterdam, antwerp, jan van speyk, navy (+ sailing-ships)
Inscriptions: collector's mark: Lugt 2228

Jan van Speyk schiet met zijn pistool in de voorraad kruit opgeslagen in de kajuitskamer, 5 februari 1831.
Kruiswegstaties
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: the 14 franciscan stations of the cross (12), crucified christ with mary and john on either side of the cross; holy rood
Piece
Object type: piece
Date: 1801 – 1900
Materials: silk
Culture: japanese
Plate
Object type: plate
Date: 1860 – 1866
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,butterflies,flowers
Raphael
Object type: print
Date: 1822 – 1870
Materials: paper
Techniques: etching, engraving
Location: france
Subjects: rome, painter, rafaël, historical persons, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228
Drawing for a plate from "Gravures historiques des principaux événements Depuis l'Ouverture des Etats Generaux..."
Object type: drawing
Date: 1789 – 1789
Materials: ink
Techniques: brush, pen, wash
Artist: jean françois janinet
Artist role: artist
Artist nationality: french
Artist dates: 1752 – 1814
Subjects: men,trees,carriages
Cavalerie op de heide
Object type: cabinet photograph
Date: 1884 – 1884
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: germany
Artist: ottomar anschütz
Artist role: fotograaf
Artist dates: 1846 – 1907
Subjects: land forces (+ cavalry, horsemen), historical persons, germany
Inscriptions: check stamp: ‘Ottomar Anschütz Lissa i.P. 1884’, negative number: ‘C.70 84’
Procession of the Fat Ox from a Teniers Series
Object type: textile
Date: 1725 – 1725
Materials: silk, wool
Techniques: interlocking, slit, weave
Location: brussels

This tapestry depicts peasants and townspeople leading an ox to be butchered for a feast in celebration of Shrove Tuesday (also known as Fat Tuesday), the last day before the start of Lent. A barmaid distributes refreshments outside a tavern named the Sign of the Cross, musicians lead the procession, and people skate and sled on the frozen ice, giving the scene a general atmosphere of revelry and mirth. Genre scenes of rural life were a popular theme for tapestries in 18th-century Europe, emphasizing the rustic charm of country living.
Beginning to regret his victory, from 'News of the day,' published in Le Charivari, May 4, 1868
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,women
Portret van een kind met een pop
Object type: photograph
Date: 1883 – 1886
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: child, (playing with) dolls

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Set of four feet
Object type: foot
Date: 1701 – 1800
Materials: gilt copper
Affiche voor de Dagteeken- en Kunstambachtschool voor Meisjes van de Maatschappij voor den Werkenden Stand
Object type: poster
Date: 1886 – 1916
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: the hague, face, ornaments ~ art, amsterdam

Bovenin twee vrouwengezichten tegenover elkaar met daaronder een decoratief kader met bloemmotieven en een vogel. Daarbinnen de tekst van de advertentie, met onder andere een opsomming van de beschikbare opleidingen en cursussen.
Argentine Republic, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 1 (N9), issued in 1887 in a series of 48 cards to promote Allen & Ginter Brand Cigarettes. The museum's collection contains the 48 cards from the Series 1 set, as well as 10 variations and 5 mis-printed cards.
Portret van een zittende man met hond
Object type: carte de visite
Date: 1865 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: haarlem
Artist: jan george mulder
Artist role: fotograaf
Artist dates: 1816 – 1895
Subjects: historical persons, dog
Inscriptions: inscription: ‘Photographie/ J.G. Mulder te Haarlem/ Lange Begijnestraat No.12/ over de Israëlitische Kerk’
The Prophet Moses
Object type: print
Date: 1470 – 1470
Materials: paper
Techniques: engraving, printing
Location: italy
Artist: attributed to baccio baldini
Artist nationality: italian
Artist dates: 1436 – 1487
Marriage A-la-Mode, Plate III
Object type: print
Techniques: engraving, etching
Artist: bernard baron
Artist role: engraver
Artist nationality: french
Artist dates: 1696 – 1762
Subjects: skulls,men,women
From the Actresses and Celebrities series (N60, Type 1) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actresses and Celebrities" series (N60), issued in 1887 to promote Little Beauties Cigarettes distributed by Allen & Ginter. There are two types of cards in the set. Type 1 cards have the brand name printed on front and Type 2 cards do not.
De Nachtwacht
Object type: new year card
Date: 1865 – 1866
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: night patrol, care of the aged, civic architecture; edifices; dwellings, amsterdam

Nieuwjaarswens van de Amsterdamse nachtwacht (ratelwacht), 1866. Centraal een gedicht, daarboven een gezicht op het Oudemannenhuis. Om het gedicht een decoratieve lijst met organische vormen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Visitatie
Object type: print
Date: 1490 – 1510
Materials: paper
Techniques: hand coloring
Location: leiden
Artist: Anonymous
Subjects: mary's arrival in judah, flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228a, inscription: ‘3’

Het bezoek van Maria aan Elisabeth. In een rand bestaande uit bloemornament vogels en het wapen van Leiden. Onder de voorstelling: O Maria doer dese...
The Cabin
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: drypoint
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Portret van koningin Margaretha Leijonhufvud van Zweden
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: margaretha leijonhufvud (koningin van zweden)
Inscriptions: collector's mark: Lugt 2228

Portret van Margaretha Leijonhufvud, koningin van Zweden, ten halven lijve naar links in een ovale lijst met randschrift in het Latijn.
Fragment pijpenstelen uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: pipe stem
Materials: clay
Techniques: firing
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Elf stukken steel van aarden Goudse pijpen, deels versierd. Fragments of bowls and stems.
Wolfscote Bridge and Franklyn Rock, Beresford Dale
Object type: photograph
Date: 1880 – 1889
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Émotions Champêtres, from "Actualités"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men
Gazette du Bon Ton, 1920 - No. 9, Pl. XLIII: Pages de croquis E.J. Ruhlmann
Object type: fashion print
Date: 1920 – 1920
Materials: paper
Techniques: lithograph
Location: geneva
Subjects: fashion plates, furniture and household effects
Inscriptions: date

Schetsen van een stoel en ander meubilair door Émile-Jacques Ruhlmann. Planche XLIII uit Gazette du Bon Ton 1920, No. 9. Uitleg over de badkamer op pagina "Explication des Planches".
Susannah and the Elders
Object type: drawing
Date: 1801 – 1900
Techniques: pen, wash
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
Subjects: men,female nudes
Textile Fragment
Object type: textile fragment
Date: 401 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
J. V. O. Jeugdberg "Us blau hiem" te APPELSCHA
Object type: ansichtkaart, prentbriefkaart
Date: 1919 – 1930
Materials: cardboard
Techniques: photograph
Location: appelscha
Subjects: hotel, hostelry, inn
Sanctus Philippus
Object type: print
Date: 1712 – 1786
Materials: paper
Techniques: engraving
Location: venice
Subjects: the apostle philip; possible attributes: book, cross, dish with snake, lance, scroll, stone, sword
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 12 prenten.
Table cover
Object type: table cover
Date: 1567 – 1633
Materials: linen, silk
Techniques: embroidery
Subjects: birds,flowers
Gallerie des Modes et Costumes Français, 1786, fff 315 : La belle Arsèn (...)
Object type: fashion print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: head-gear (pouf) (+ women's clothes), dress, gown: morning dress (+ women's clothes), clothing for the upper part of the body (mantelet) (+ women's clothes), head-gear (baigneuse) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, bow (ornamental part of clothing), parasol, sunshade (+ women's clothes)
Inscriptions: address: ‘A Paris, chez Esnauts et Rapilly, rue S. Jacques, à la Ville de Coutances, No. 259. Avec Priv. du Roi.’, caption: ‘La belle Arsène méditant au Luxembourg: elle est en petite robe du matin avec un mantelet à la mode, et coeffée en négligé. / 1. Pouf à la tuque. 2. G.de Baigneuse à la Creole.’

Volgens het onderschrift is de mooie Arsene aan het wandelen in de Jardin du Luxembourg. Zij draagt een eenvoudige ochtendjapon met een modieuze mantelet (kleine schoudermantel). Het kapsel 'en négligé'. Gestreepte parasol in de hand. Nummer 1: 'Pouf à la turque'. Nummer 2: 'Baigneuse à la Creole'. Uit serie fff. 50e Cahier de Costumes Français, 44e Suite d'Habillements à la mode en 1786, Gallerie des Modes et Costumes Français.
Button or Bead
Object type: button or bead
Date: 801 – 1000
Materials: bone, paint
Techniques: incising, inlay, tinting
Location: iran
Vrouwen- en mannenkop met groteske hoofdbedekking
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: paris
Subjects: ornaments ~ art
Inscriptions: number: ‘367’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze prent maakt deel uit van een album.
Gelijkenissen uit het Nieuwe Testament
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: 'the kingdom of heaven is like treasure hidden in a field' ~ proverbial saying of christ (matthew 13:44)
Inscriptions: inscription: ‘Le royaume des cieux est semblable a un Thésor trouvé dans un champ et a une perle pretieuse trouvée aprés delongues recherches ...’, collector's mark: Lugt 2228, number: ‘47’

Een man koopt nadat hij in een akker een schat heeft gevonden de akker van de eigenaar. Op de achtergrond is te zien hoe de man de schat vindt en weer begraaft. Op de voorgrond staat de man met een stokkenbeurs in de hand om te onderhandelen en de akker te kopen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 13.
The Sacrifice of Abel
Object type: drawing
Date: 1601 – 1700
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: human figures,abel
Dress
Object type: dress
Date: 1896 – 1897
Materials: silk
Culture: american
Artist: c. l. loveland
Artist role: maker
Dish
Object type: dish
Date: 1734 – 1766
Materials: hard paste porcelain
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Ontwerp voor het titelblad van Sannisarius' Arcadia
Object type: drawing
Date: 1700 – 1759
Materials: ink, paper
Techniques: brush, pen
Artist: jan wandelaar
Artist role: draughtsman, print maker
Artist dates: 1690 – 1759
Subjects: rome, jacopo sannazaro, historical persons, title-page

Titelblad van de vertaling, door Vlaming, van 'Arcadia' van Jacopo Sanazzaro (1456-1530).
Oude man met baret en baard
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Location: paris
Subjects: old man
Inscriptions: collector's mark: Lugt 240
Piece
Object type: piece
Date: 1601 – 1700
Materials: silk
Techniques: compound weave
Culture: japanese
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of the upper torso, seen from the back, and tail, and legs of a satyr to right?
Robert Macaire: Well, well, it seems he's allowed to return! Maybe I should apply for my old position as manager, from "News of the day"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,reading
Portrait of Gerard Edema
Object type: drawing
Date: 1680 – 1680
Materials: gouache, graphite
Techniques: wash
Artist: mary beale
Artist role: artist
Artist nationality: british
Artist dates: 1633 – 1699
Subjects: men,portraits

Edema was a Dutch painter who traveled to Newfoundland, New York and Surinam, then settled in Britain and became known as the "Salvator Rosa of the North." Here, he wears a short wig and plain jacket as he gazes fixedly at the viewer. The drawing is executed in ink wash, with touches of white, and includes an indistinct passage below that suggests a longer torso was once contemplated. A seventeeth-century inscription on the mount attributes the work to Mary Beale, a connection which cannot be confirmed because no other portrait drawings firmly attributed to her are known. In 1762, the image was incorporated into a triple portrait of Gerard Soest, Jan Griffier, and Edema (all born in the Netherlands), engraved as an illustration in Matthew Pilkington's "Dictionary of Painters."
Gezicht op de kerk van Windesheim
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: windesheim
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Windesheim (O.IJ.) Kerk der N.H. gemeente Mei 1911/ gem. Zwollerkerspel’, annotation: ‘Windesheim/ gem. Zwollerkerspel’
Meer rechtvaardigheid meer menschelykheid meer goedheid / maar niet voor Duitschland
Object type: drawing
Date: 1918 – 1935
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: political caricatures and satires, germany

Een staatsman op het toneel met twee documenten in de hand. Waarschijnlijk naar aanleiding van de strenge behandeling van Duitsland in de jaren '20. Ontwerp voor een politieke spotprent.
Earring with plain loop and disc
Object type: earring with plain loop and disc
Date: 7000 – 330
Materials: gold
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Translucent blue. Lopsided rim folded out, over, and in, with vertical inner lip; cylindrical neck, with tooling marks around base; broad piriform body; flat bottom. Wheel-cut horizontal groove around upper body. Broken and repaired, with numerous holes and losses, and many cracks; pinprick and larger bubbles; dulling, deep pitting, and brilliant iridescent weathering. Thick, heavy glass.