deem-data/ArtiFact huggingface dataset:
Brougham #3012
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van paus Urbanus VIII op 69-jarige leeftijd
Object type: print
Date: 1637 – 1666
Materials: paper
Techniques: engraving
Location: straatsburg
Subjects: clergyman, urbanus viii, historical persons, pope
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit een editie van Theatrum Europeaum.
Wijnpenning van Utrecht
Object type: marksman medal
Date: 1661 – 1661
Materials: silver
Location: utrecht
Artist: Anonymous

Zilveren wijn- en schutterspenning van Utrecht. Voorzijde: het stadswapen met leeuwen als schildhouders en kroon. Boven in een banderol: VIN [um] HON [orarium]. Onderaan: URB [is] TRA [jectensis] (erewijn der stad Utrecht). Keerzijde: verschillende trofeeën met daarboven een grote druiventros. Onderaan het jaartal 1661.
Miscellaneous Paintings and Calligraphy
Object type: screen
Date: 1785 – 1785
Materials: ink, panel, paper
Techniques: calligraphy, painting
Culture: japanese
Artist: nagasawa rosetsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1799
Subjects: men,women,flowers

Painting and poetry have long been revered as sister arts in the East Asian cultural tradition. Painters have sought inspiration in poetry, while poets have inscribed their work on paintings. For instance, here ink paintings by the independent artist Rosetsu were attached as separate sheets to screens and complemented on the right screen by two classic Ming-dynasty poems composed by Li Panlong (1514–1570) and Wang Shizhen (1526–1590), along with a Tang-dynasty poem by Men Haoran (ca. 691–740). On the left screen are two additional Tang poems by Pi Rixiu (834–883), and Gao Shi (ca. 704–765), and a colophon by the monk-calligrapher Shishin Sōgin. The last panel, pasted next to the painting of peonies, has a cyclical date indicating the calligraphy was inscribed in the second month of 1785. Signed by Rosetsu in his early calligraphic style, this pair is the only extant work of a monumental scale dating from the artist’s early career. The calligrapher Shishin Sōgin (or Sōkon) was the eighth abbot of Hantō’in subtemple of Myōshinji, Kyoto, in the lineage of Hakuin Ekaku. He trained Maruyama Ōkyo in Zen and calligraphy, and in return learned painting from the great artist. The calligraphy on these screens was inscribed a year before he died.
Index alphabethica 17 Belgii Provinciarum / Alphabeth-tafel van de 17 Provincien van Nederland
Object type: print
Date: 1666 – 1710
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: frederik de wit
Artist role: print maker, printer, publisher
Artist dates: 1629 – 1706
Subjects: low countries, belgium
Inscriptions: collector's mark: Lugt 2228

Linkerblad van het plaatsregister van alle dorpen en steden die te vinden zijn op de bijhorende kaart. Naast de plaatsnamen staat aangegeven waar de plaatsen met behulp van het zoekrooster op de kaart gevonden kunnen worden. Boven de kaart de titel en een tekst in het Nederlands en het Latijn. Eerste deel, van Abbebroec tot Palue.
Willemskerk, Batavia
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: batavia
Artist: Anonymous
Inscriptions: annotation: ‘2) Willemskerk te Batavia’
Shabti of Hor
Object type: shabti, hor
Date: 1070 – 950
Materials: faience
Location: egypt

One of a group of eight funerary figures (shabtis) found in the debris of one of the ramps leading up to the Hatshepsut Temple at Deir el-Bahri. These are inscribed for a man named Hor, or Horus, who was likely part of an important family buried in the temple precinct. Shabtis were avatars of their owners, meant to do manual work on their behalf in the afterlife. Hor would originally have had over 400 shabtis, one worker for each day of the year and one supervisor for each ten-day week.
Dish with Floral and Animal Decoration
Object type: ceramic
Materials: ceramic, glaze
Techniques: painting
Culture: islamic
Location: iran

Blue-and-white ceramics became popular in the Islamic world as early as the 9th century. In later centuries, the stylistic exchange between Iran and China, as well as the high demand for Chinese porcelain in the Islamic world, led to the production of large quantities of blue-and-white wares in both Iran and China. This example from Safavid Iran shows the influence of Chinese art in the six lion-like creatures along the rim, as well as in the cloud forms behind them.
Palingverkoopster met klant
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: buying and selling, eels: eel
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een palingverkoopster staat achter twee manden met palingen. In haar rechterhand heeft zij een paling vast. De vrouw tegenover haar draagt een mand aan haar linkerarm en strekt haar rechterhand uit naar de paling.
Princely Couple
Object type: illustrated single work
Date: 1400 – 1405
Materials: gold, paper, watercolor
Location: iran
Subjects: couples,men,lovers,women

Considering its unusually large scale, scholars have suggested that this painting of an embracing couple may have once served as a model for wall painting. No text is found on the painting to aid in the identification of the couple, but they have been compared to legendary lovers of Persian literature, including the characters of Khusrau and Shirin, known from the poet Nizami’s Khamsa (Quintet).
Les funérailles de Miltiade
Object type: print
Techniques: etching
Artist: pierre peyron
Artist role: artist
Artist nationality: french
Artist dates: 1744 – 1814
Subjects: men,death
Koningen en Potestaten van Friesland
Object type: book illustration
Date: 1618 – 1620
Materials: paper
Techniques: etching, letterpress printing
Location: friesland
Artist: pieter feddes van harlingen
Artist role: painter, print maker, publisher
Artist dates: 1586 – 1623
Subjects: ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Reinier Camminga, achtste potestaat van Friesland. Staande ten voeten uit, zwaard over de schouder, tak in de hand. Illustratie, met tekst op achterzijde, afkomstig uit het boek: Frisia seu de viris rebusque Frisiae illustribus libri duo.
Yoshida: Great Bridge on the Toyo River (Yoshida, Toyokawa ohashi), no. 35 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Zicht in een kerk met standbeelden van Apollo en Melpomene
Object type: print
Date: 1563 – 1563
Materials: paper
Techniques: etching
Location: antwerp
Subjects: (story of) apollo (phoebus), interior of church, melpomene (one of the muses); 'melpomene' (ripa)

Zicht in een kerk met op de voorgrond links en rechts standbeelden van Apollo en Melpomene. In de apsis Mozes met de tafelen van de wet. Prent maakt deel uit van een album.
Saint Philip and Saint James the Lesser
Object type: print
Date: 1490 – 1503
Materials: paper
Techniques: engraving
Location: germany
Artist: israhel van meckenem the younger
Artist nationality: german
Artist dates: 1440 – 1503
Design for a Tabernacle, Plate 1 from the series 'Tabernacle'
Object type: album print ornament architecture
Techniques: etching
Artist: franz xavier habermann
Artist role: artist
Artist nationality: german
Artist dates: 1721 – 1796
Subjects: tabernacles

Ornament print with a design for a tabernacle in frontal elevation. The tabernacle has a symmetrical, late-Baroque shape, but is decorated with delicate rocaille ornaments and is characterized by a baldachin of rocaille ornaments upon which a burning heart and Latin cross have been placed. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Scarab with device of baboon and falcon on base
Object type: scarab, baboon, falcon
Date: 1550 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: falcons,baboons
Tafereelen uit de regering van Willem I, souvereine vorst der Nederlanden. Veldslag van Waterloo
Object type: popular print
Date: 1850 – 1881
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: leiden
Subjects: the hague, berlin, william i of the netherlands, walmer castle, arthur wellesley of wellington, napoleon i (emperor of the french), history, waterloo
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen over de Slag bij Waterloo. Boven elke voorstelling een titel en onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 97.
Bowl with diaper and scroll patterns in green on a white slip
Object type: bowl
Date: 1000 – 1199
Materials: earthenware, glaze, paint
Techniques: firing, turning, vitrification
Location: amol
Artist: Anonymous

Kom van aardewerk gedecoreerd met sgraffito krulwerk op engobe van witte slib waarop servetwerk en stippen in een monochrome groene loodglazuur is aangebracht.
Blad met uiteenlopende encyclopedische voorstellingen
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Subjects: 'pius aeneas': aeneas, leading ascanius, escapes from burning troy, carrying his father anchises with the penates; his wife creusa, who sets out with them, is lost on the way, the destruction of sodom and gomorrah: lot and his family flee to zoar, carrying their belongings; an angel may be showing the way (genesis 19:24-29), lot's wife looks back at the city and is transformed into a pillar of salt
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie encyclopedische prenten door verschillende kunstenaars naar ontwerp van Daniel Nikolaus Chodowiecki bij Johann Sigmund Stoy's 'Bilder-Akademie für die Jugend', uitgegeven te Neurenberg in 1784.
De prenten waren bedoeld voor kinderen om uit te knippen, op kaarten te plakken en vervolgens op logische wijze te rangschikken (zie Heesen, Anke te. The World in a Box: The Story of an Eighteenth-Century Picture Encyclopedia. Chicago: University of Chicago Press, 2002).
Bezoek van koningin Henrietta Maria aan Adriaen Pauw op het Slot te Heemstede, 1642
Object type: print
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: henriëtta maria van frankrijk (koningin van engeland, schotland en ierland), william ii (prince of orange), amsterdam, the hague, adriaen pauw (1585-1653), castle, visiting; receiving guests; elegant company
Inscriptions: collector's mark: Lugt 2228

Een gesigneerde tekening door Jan Martszen de Jonge in spiegelbeeld in particuliere verzameling te Den Haag (in 1977) is mogelijk de ontwerptekening voor deze prent.

In de titel op het object staat onterecht het jaartal 1644.

Zie ook RP-P-AO-9-39-1, RP-P-AO-9-39-2, RP-P-1894-A-18283, RP-P-1944-2138, RP-P-OB-81.518, RP-P-OB-81.519 en RP-P-OB-2510.
Landschap
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes

Blad 24 recto uit een schetsboek met 42 bladen.
Zaaier
Object type: drawing
Date: 1871 – 1906
Materials: chalk, paper
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: sowing
Brief aan Jan Veth
Object type: letter
Date: 1887 – 1887
Materials: ink, paper
Techniques: pen, writing
Location: goes
Artist: chap van deventer
Artist role: kunstcriticus, scheikundige, schrijver
Artist dates: 1860 – 1931
Subjects: dordrecht, designer, jan veth, amsterdam, painter, print maker, draughtsman, willem witsen, the graphic arts, london
Inscriptions: collector's mark: ‘RPK’, watermark
Pin with four flanges
Object type: pin
Materials: silver
Location: syria
Bloeiende Corydalis bulbosa
Object type: watercolor
Date: 1831 – 1900
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: jan jacob goteling vinnis
Artist role: draughtsman
Artist dates: 1821 – 1900
Subjects: flowers: corydalis
Remains of a covered portico, or a cryptoportiucus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Vedute di Roma (Roman Views)
Object type: print
Date: 1766 – 1766
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: human figures,ruins,rome
Landschap
Object type: sketchbook leaf
Date: 1823 – 1894
Materials: paper, pencil
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: landscapes

Pagina 61 verso uit een schetsboek met 61 bladen.
Conquêtes de l'Empereur de la Chine
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: historical persons, prisoner of war (after the battle)
Inscriptions: collector's mark: Lugt 2228

Prent uit een versie van de serie 'Conquêtes de l'Empereur de la Chine' met afbeeldingen van de veroveringen van keizer Qianlong van China, uitgegeven door Helman tussen 1783-1785. Voor twee bladen met bijbehorende beschrijvende tekst, zie RP-P-OB-43.629 en RP-P-OB-43.630.
Filips IV, koning van Spanje, vader van de koningin van Frankrijk, de Duitse keizerin en de erfprins van Spanje
Object type: jeton
Date: 1664 – 1664
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: filips iv (koning van spanje), maria theresia (koningin van frankrijk), karel ii (koning van spanje)

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: drie kinderen van Filips IV binnen omschrift; afsnede: drie gekroonde wapenschilden
Vlucht naar Egypte
Object type: drawing
Date: 1662 – 1662
Materials: paint, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: annotation: ‘Mozes T.B.’, annotation: ‘13?’

Tekening opgeplakt in het Familie-plakboek.
Satan onkruid zaaiende
Object type: book illustration
Date: 1647 – 1647
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: while the sower and his servants slept, his enemy (the devil) sowed tares among the wheat
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: D.R. Camphuysen, Stichtelycke rymen, om te lesen ofte singhen, Amsterdam, Iacob Colom, 1647. (in RMA bibliotheek 330 F 3, p. 144). later waarschijnlijk ook gebruikt in: C. Udemans, Af-beeldinge van de verkeerde werelt: ontdeckende de oude aen-geborene verkeertheyt der menschen, Middelburgh, Pieter Goetthem, Henrick Smidt, 1660.
Recueil de la diversité des habits
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: woodcut
Location: paris
Subjects: tambourine - cc - out of doors, europeans: spaniards (+ costume), fashion plates, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228

Dit is prent 75 uit een serie van 121. Binnen deze serie zijn er prenten gemaakt naar voorbeelden van Jean-François de Roberval en Enea Vico, onbekend welke precies.
Apple Trees at Auvers
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: charles françois daubigny
Artist nationality: french
Artist dates: 1817 – 1878
Man Holding a Mirror up to his Wife’s Face
Object type: design
Date: 1634 – 1634
Materials: paint, ink, paper
Techniques: brush, pen
Artist: adriaen pietersz van de venne
Artist role: draughtsman, painter, print maker
Artist dates: 1589 – 1662
Subjects: looking in the mirror; contemplation of own beauty, marriage, married couple, 'matrimonium', (scenes from) specific works of literature (with author, title)

Ontwerp voor een illustratie in Jacob Cats' 'Hovwelyck ...' van 1634: een man houdt zijn vrouw een spiegel voor.
Ewer in the Form of a Phoenix
Object type: ewer
Date: 1401 – 1600
Materials: cobalt, stoneware
Techniques: underglaze
Culture: vietnamese
Subjects: phoenix

Fanciful shapes, including vessels in the form of birds, animals, and human figures, as well as abstract designs characterize blue-and-white and other ceramic wares produced in Vietnam for domestic use and export in the fifteenth and sixteenth century. An elaborate crest caps the pronounced head of this phoenix-shaped ewer. His detailed wings cling to the sides of the body, which is decorated with scattered featherlike clumps painted in underglaze blue. A whimsical two-part handle is placed along the back. This is one of several such vessels found in Indonesia, an active market for Chinese and Southeast Asian wares. In addition to figural and other vessels, the Vietnamese kilns also produced tiles for the decoration of mosques and other Indonesian buildings.
Portret van een onbekende man, mogelijk Schneider
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Fries van het Parthenon met strijdwagen
Object type: photomechanical print
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: stephen thompson
Artist role: fotograaf, schrijver
Artist dates: 1831 – 1893
Subjects: victor (after the battle), sculpture (+ relief ~ sculpture)
Fotograaf aan boord van de Hohenzollern tijdens het maken van een foto op ze
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: gelatin silver print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘1a’

De foto is rond maar is afgedrukt op vierkant papier
Degendrager van ambtskostuum van burgemeester Hoytema
Object type: ambtskleding
Date: 1800 – 1930
Materials: textile
Artist: Anonymous
Subjects: c.p. hoytema van konijnenburg, scherpenzeel

Kostuum is gedragen door hem als burgemeester van Scherpenzeel en daarvoor door zijn vader als burgemeester van Bergambacht, Enkhuizen en Naarden
Voorgevel van Villa Grada en een ontwerp voor de plattegrond van de villa
Object type: sketchbook leaf
Date: 1856 – 1870
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: façade (of house or building), plan ~ architecture
Inscriptions: annotation: ‘[...]’

In 1870 lieten Maria Vos en haar vriendin Adriana Haanen in Oosterbeek een eigen huis met de naam Villa Grada bouwen.
Nederlandse cent, 1882
Object type: coin
Date: 1882 – 1882
Materials: bronze
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Bronzen munt. Voorzijde: in een veld rijkswapen. Jaartal onderaan in omschrift. Keerzijde: binnen twee samengebonden oranjetakken waarde-aanduiding 1 cent. Kartelrand.
Le Bas Meudon gedurende het beleg van Parijs
Object type: print
Date: 1810 – 1870
Materials: paper
Techniques: etching
Subjects: landscapes, war, paris
Inscriptions: collector's mark: Lugt 2228
Scènes uit het Nieuwe Testament
Object type: print
Materials: paper
Techniques: engraving, etching
Location: brussels
Artist: jan van orley
Artist role: print maker
Artist dates: 1665 – 1735
Subjects: the demons enter into a herd of swine, which leap into the sea ~ healing of two possessed at gerasa
Inscriptions: collector's mark: Lugt 240

Christus geneest twee bezetenen en stuurt hun demonen naar een varkenskudde. De bezetenen liggen voor hem op de grond. In een rookwolk zijn de demonen herkenbaar. De kudde met varkens rent wild door elkaar heen. Een deel van de varkens valt vanaf een rots in zee. Onder de afbeelding een Latijns vers uit Mat. 8.
Portret van een onbekende man, mogelijk J. Linck
Object type: photomechanical print
Date: 1887 – 1892
Materials: paper
Techniques: photograph
Artist: s. linck
Artist role: fotograaf
Subjects: adult man, historical persons
Inscriptions: inscription: ‘J. Linck’