deem-data/ArtiFact huggingface dataset:
Mug
Object type: mug
Date: 1680 – 1700
Materials: earthenware, tin
Techniques: enamel
Culture: british
Location: england
Artist: lambeth factories
Artist role: maker
Artist dates:  – 9999
Prentbriefkaart aan Andries Bonger
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: laon
Subjects: amsterdam, andries bonger, travelling; tourism, the hague
Bloempot op onderschotel
Object type: platter
Date: 1784 – 1784
Materials: porcelain
Location: loosdrecht

Two flower pots and stands. Porcelain. Loosdrecht and Ouder-Amstel, c. 1784 - 1790. Factory under the direction of Friedrich Daeuber. Baronesse J.P.G. van Brakell tot den Brakell bequest, 1904.
Panel
Object type: panel
Date: 901 – 1100
Materials: wood
Techniques: carving
Location: egypt
Sculptuur van een kruisiging naar Giambologna op een deur van de Dom van Pisa, Italië
Object type: album leaf
Date: 1860 – 1881
Materials: paper
Techniques: albumen print
Location: pisa
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘246’
Vase
Object type: vase
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: flowers
Lace border with emblems of the Passion
Object type: border
Date: 1601 – 1700
Materials: linen
Techniques: lace
Poem by Fujiwara no Michinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Object type: woodblock print
Date: 1760 – 1845
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: poetry,men

One of Hokusai's favorite themes, travelers setting out at the first blush of dawn, is the perfect vehicle for this love poem by Fujiwara Michinobu Ason (972–994): Akenureba kururu mono to wa shirinagara naho ayashiki asaborake ka na. Although I know morning will bring another evening for our love I still resent the dawn
Enquêteformulier ingevuld door Petrus Augustus Beretta
Object type: manuscript
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Subjects: rotterdam, the hague, draughtsman, petrus augustus beretta
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Goddess who bestows riches, probably Sri Lakshmi
Object type: plaque
Date: 100 – 1
Materials: terracotta
Techniques: molding
Culture: indian
Subjects: female nudes,goddess

This goddess, adorned only with abundant, heavy jewelry, may best be understood as an early form of Sri Lakshmi, the bestower of beauty, well-being, power, and wealth. A male devotee holds a bowl to receive her largesse. As with later forms of Lakshmi, she is understood to send forth gold coins.
Theebus van hardgebakken aardewerk; Leeds creamware
Object type: bus
Date: 1775 – 1790
Materials: earthenware, glaze
Location: leeds
Artist: Anonymous

Cilindrische theebus van hardgebakken aardewerk met een decoratie op de glazuur. De decoratie bestaat uit bloemtakken in blauw, groen en rood. Het deksel ontbreekt. Bij de theebus hoort een suikerpot.
Panel
Object type: panel
Date: 1776 – 1776
Materials: bronze, wood, paint
Artist: philippe laurent roland
Artist role: modeler
Artist dates: 1746 – 1816
Subjects: eagles,women

Roland was in charge of the decoration of the Château de Bagatelle, built for the comte d'Artois (the future king Charles X) in 1777 (see 07.225.17a, b for overdoors from the billiards room of Bagatelle). Roland provided Lhuillier with a terracotta model for 07.225.18, which Lhuillier completed in wood. The eagles may refer to Artois's military honors: he was Colonel General of the Swiss Guards and Grand Master of the Artillery.
Cartouche met militaire objecten
Object type: ornament print
Date: 1731 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: ornament ~ cartouche, (military) equipment and supply
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Rocaille cartouche met objecten te maken met oorlog en strijd zoals diverse lansen, speren, vlaggen, kanon en kogels en een trom. Uitgeversnummer 21.
Twee paarden met een tuig
Object type: sketchbook leaf
Date: 1840 – 1840
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: dressing, bandage, head-stall, horse

Eén van de paarden heeft een verband om de knie. Blad 25 recto uit een schetsboek met 33 bladen.
Thoth amulet
Object type: amulet, thoth
Date: 664 – 630
Materials: faience
Location: egypt

Amulets often represent deities in order to invoke their protection and specific powers. Such amulets were used by the living and often placed on mummies as well. The piece here depicts the god Thoth as a man with an ibis-head. Thoth was the god of knowledge and writing, and he was thought to have healing powers. Thoth amulets were popular mummy amulets, which possibly relates to his healing powers and to his role as recorder of the final judgment, in which it was determined if the deceased had lived a virtuous life.
Vita, passio et Resvrrectio Iesv Christi
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adoration of the christ-child by the shepherds; mary and joseph present

Prent maakt deel uit van een prentbijbel.
Grafmonument van Engelbrecht I van Nassau, in de Grote Kerk te Breda
Object type: drawing
Date: 1827 – 1891
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: historical persons, church (exterior), grave-building, monumental tomb

In een schilderij alhier (SK-A-1011) is het een grafmonument van Engelbert II.
The Polling, Plate III: Four Prints of an Election
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: elections,crowd,flags
Drie kinderen spelen met een hond
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: children's games and plays, dog
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Elia gevoed door de raven
Object type: print
Date: 1728 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food
Inscriptions: collector's mark: Lugt 2228

Elia zit onder een boom aan een rivier, waar de raven hem brood en vlees komen brengen. Naast hem ligt een groot boek. Naar de Bijbeltekst in 1 Kon. 17:6. Onderaan in de marge twee tweeregelige teksten in het Nederlands.
Figure Pendant
Object type: pendant
Date: 401 – 1000
Materials: gold
Techniques: casting
Culture: calima
Location: colombia
Subjects: women
De drie koningen zien de ster
Object type: print
Date: 1826 – 1886
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the three wise men see a star and are astonished by its magnitude
Inscriptions: collector's mark: Lugt 2228

De drie koningen staan op een heuveltop en worden beschenen door het licht van de ster waarnaar ze kijken. Koning Balthasar houdt een wierookvat vast.
[Man Walking, "Stroboscopic" Photograph]
Object type: photograph
Techniques: gelatin silver print
Artist: thomas eakins
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1916
Subjects: male nudes,walking
Twee vissers in een boot
Object type: sketchbook leaf
Date: 1908 – 1927
Materials: chalk, paper
Location: france
Artist: gerrit van blaaderen
Artist role: draughtsman
Artist dates: 1873 – 1935
Subjects: sailing-ship, sailing-boat, fisherman

Blad 10 recto uit een schetsboek met 33 bladen.
Portret van Mary Bagot
Object type: book illustration
Date: 1810 – 1810
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2228

Prent gebruikt in: Hamilton, Anthony. Memoirs of Count Grammont. Londen: Carpenter & Miller, 1811.
Dinos, miniature
Object type: dinos, miniature
Date: 750 – 600
Materials: terracotta
Culture: cypriot
Frankfurt a. M. Dom
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1908
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: frankfurt am main
Artist: Anonymous
Subjects: church (exterior)
Portret van Victoria en Maud, prinsessen van Wales
Object type: photograph
Date: 1885 – 1890
Materials: paper
Techniques: carbon print
Location: london
Subjects: historical persons - bb - woman
Inscriptions: address: ‘57 & 61, Ebury Street, London.’
Bead
Object type: bead
Date: 701 – 1300
Materials: glass
Techniques: cutting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Cover (Furnishing Fabric)
Object type: textile
Date: 1801 – 1900
Materials: silk
Techniques: printing
Location: iran
Portret van Jerzy Soroka
Object type: book illustration
Date: 1832 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Straszewicz., Joseph. Les polonais et les polonaises de la révolution du 29 novembre 1830, ou Portraits des personnes qui ont figuré dans la dernière guerre de l'indépendance polonaise, avec les fac-simile de leur signature, lithographiés sur dessins originaux, par les artistes les plus distingués: MM. Grévedon, Maurin, Vigneron, Belliard, Devéria, Bazin, Desmadryl, Lecler, Desmaisons, Rutowski, officier polonais, etc,. etc., accompagnés d'une biographie pour chaque portrait. Parijs: Catherine-Anaïs Pinard, 1832.
Of uit: Straszewicz., Joseph. Les polonais et les polonaises de la révolution du 29 novembre 1830. Biographie des personnes qui ont figuré dans la dernière guerre de l'indépendance polonaise, avec les fac-simile de leur signature, ornée de 30 portraits lithographiés sur dessins originaux, par les artistes les plus distingués: MM. Grévedon, Maurin, Vigneron, Belliard, Devéria, Bazin, Desmadryl, Lecler, etc., etc.. Parijs: s.n., 1839.
Beaker
Object type: beaker
Date: 1760 – 1765
Materials: enamel, glass
Culture: british
Location: england
Subjects: birds,flowers
Portret van Phoebus Hitzerus Themmen
Object type: print
Date: 1794 – 1828
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: ludwig gottlieb portman
Artist role: print maker
Artist dates: 1772 – 1828
Subjects: amsterdam, phoebus hitzerus themmen, book
Inscriptions: collector's mark: Lugt 2228

Portret van de schrijver Phoebus Hitzerus Themmen. In zijn hand houdt hij het boek Further Observations on the Variolæ Vaccinæ, or Cow-Pox (1799) van Edward Anthony Jenner.
Box
Object type: box
Date: 1401 – 1500
Materials: leather, textile, wood
Techniques: gilding
Culture: italian
Kind met een kat in zijn armen
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Artist: stefano della bella
Artist role: draughtsman, print maker
Artist dates: 1610 – 1664
Subjects: cat, child, child playing with animals
Inscriptions: collector's mark: Lugt 240
Gig (unnumbered)
Object type: drawing
Date: 1850 – 1874
Materials: gouache, graphite, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Mural Tile
Object type: mural tile
Date: 206 – 220
Materials: terracotta
Culture: chinese
Subjects: animals,murals
Gevelsteen met jaartal 1617.
Object type: gable stone
Date: 1671 – 1671
Materials: stone
Location: netherlands
Inscriptions: date

Cartouche met voluten en rolwerk, waarbinnen het jaartal 1671.
Glass mosaic fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Translucent purple and blue, opaque white and yellow, and colorless. Part of flat bottom and convex curving side expanding upward. Mosaic pattern formed from sections of two or more canes: one in a purple ground with white dots around a blue center outlined in white, and another in parallel bands of yellow, partially mixed with colorless, and blue and white stripes. Polished exterior; pitting of surface bubbles and joins between canes; dulling, pitting, and slight iridescent weathering on interior and edges.
Vrouw strooit rozenbladen in een vuur, Cupido aan haar zijde
Object type: book illustration
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, bonfire, (story of) cupid, amor (eros), flowers: rose

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, verso fol. 67.
Swede in the 30 Years War, from World's Smokers series (N33) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,smoking

Trade cards from the "World's Smokers" series (N33), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Printer's samples included in set, as well. The printer's sample cards are on thinner card stock and do not have any printed text.
Ohara-gokô, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Steatite lentoid seal
Object type: intaglio
Date: 700 – 668
Materials: stone
Culture: greek, melian
Subjects: lions

Lion with head turned back and mouth open.
Duimenglas
Object type: duimenglas
Date: 1600 – 1700
Materials: glass
Techniques: glassblowing
Location: germany
Artist: Anonymous

Duimenglas van blauw glas met gewelfde bodem. Lichaam tonvormig met langs onder- en bovenkant drie geknepen geribde draden. Tot driekwart hoogte voorzien van zes duimgaten
Roundel Illustrating Episodes from the Biblical Story of Joseph
Object type: roundel fragment
Date: 601 – 700
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: men

Textiles like this one are thought to have been produced by Copts (Christian Egyptians) whose designs and motifs influenced the visual repertoire of the early Islamic period. This roundel utilizes explicitly Christian imagery—the life of Joseph, son of Jacob. The early life of Joseph appears to have been a popular source of imagery in Egypt, likely because the narrative largely takes place in that region. Roundels like this were often placed near the shoulders of a child’s garment, and the imagery here of Joseph’s childhood may have been considered as not only an appropriate choice for a child’s garment but also a protective one.
Christwurz (Hellebore) from Herbarium (Kräuterbuch), plate 96 from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Techniques: hand coloring, woodcut
Location: germany
Artist: hans weiditz ii (master of petrarch)
Artist nationality: german
Artist dates: 1495 – 1536
Mabel Lyndwood interceding for Sir Thomas Wyat with Henry
Object type: cartoon
Date: 1843 – 1843
Materials: paper
Techniques: etching
Location: england
Artist: george cruikshank
Artist role: painter, print maker
Artist dates: 1792 – 1878
Subjects: political caricatures and satires

Mabel Lyndwood pleit bij koning Hendrik VIII voor het leven van Thomas Wyatt, die gewond op de grond ligt. Illustratie uit een uitgave van "Windsor Castle", van William Ainsworth (1843).
Portret van Jean-Baptiste Guillaume Busson
Object type: print
Date: 1820 – 1821
Materials: paper
Techniques: engraving, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tardieu, Ambroise. Portraits des députés, écrivains et pairs constitutionnels, défenseurs invariables de la charte et de la loi des élections du 5 février 1817. Parijs: Tardieu, Ambroise, 1820-1821.
Petrus Gualteri[9] Chabotius philosoph[9]
Object type: book illustration
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: scholar, philosopher, historical persons

Prent gebruikt in: Boissard, Jean Jacques. Bibliotheca chalcographica. 8 dln. Frankfurt am Main: Johannes Ammon, 1650-1652. Ook gebruikt in latere edities. Eerdere staat van prent verschenen in: Boissard, Jean Jacques. Icones quinquaginta virorum illustrium doctrina & eruditione praestantium ad vivum effictae. 4 dln. Frankfurt am Main: s.n., 1597-1599. Mogelijk ook gebruikt in latere edities.
Titelpagina voor: Jacob Cats, Nuttelyck Huys-Boeck, 1769
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: stag-hunting, (story of) orpheus
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee cartouches met daartussen de titel. In de bovenste cartouche wordt een jongeman, mogelijk Orpheus, omringd door dieren. In de onderste cartouche een hertenjacht.
Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Object type: drawing and watercolor
Date: 1826 – 1826
Materials: chalk, paper
Techniques: transfer
Location: netherlands
Artist: christian josi
Artist nationality: dutch
Artist dates:  – 1828
Wallpaper Panel
Object type: wallpaper panel
Date: 1700 – 1730
Materials: linen, paper
Techniques: painting
Location: china
Subjects: birds,houses,plants

This wallpaper panel is part of a set originally consisting of seventeen pieces (see 14.106.1–.16 for set.). The panels depict mountain landscapes, scenes with houses, birds, and flowering shrubs. They were hand-painted in China during the early eighteenth century for export to England. There, as in America, such exotic wallpaper enjoyed a vogue among the fashionable gentry. Considered a great luxury, it added richness and colors to walls. This wallpaper hung in an English home for two hundred years. The panels are installed, in whole or in part, in the Powel Room in The American Wing.
Bloeiende boom in een wei tegen een heuvel, met een kerk op de achtergrond
Object type: color slide
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Location: netherlands
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Exterior, mouth, beard, and part of forearm of male wearing a cuirass
Christuskind
Object type: print
Date: 1574 – 1637
Materials: paper
Techniques: engraving
Location: unknown
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: christ-child (with attributes)
Inscriptions: collector's mark: Lugt 2228

Het Christuskind, zittend op een kussen, bloemen aan zijn voeten. In de hemel boven hem een kring van cherubijnen. In de marge een tweeregelig Bijbelcitaat uit Luc. 2:14 in het Latijn.