deem-data/ArtiFact huggingface dataset:
Tafelberg in Zuid-Afrika gezien vanaf Claremont Hill
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: south africa
Artist: Anonymous
Subjects: mountains
Inscriptions: number: ‘178’

Onderdeel van Reisalbum met foto's van Zuid-Afrika, Madeira, Portugal, Frankrijk en Duitsland.
Portret van Johannes Josephus Herman Verhulst
Object type: print
Date: 1847 – 1883
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: the hague, johannes verhulst, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2760

De geportretteerde draagt een ridderorde op de revers van zijn jas en hij kijkt naar rechts. Onder het portret zijn signatuur.
Op een fries, gedecoreerd met drie vierkante velden met mascarons, zitten vier gehurkte saters
Object type: ornament print
Date: 1525 – 1594
Materials: paper
Techniques: etching
Location: netherlands
Inscriptions: collector's mark: Lugt 240

Kopie naar prent van Jacques Androuet Ducerceau, ontleend aan een vlakdecoratie van Enea Vico. Blad uit serie met architectuurfantasieën en grotesken met fabelwezens, guirlandes, kandelabers en mascarons.
Bezoek aan de Sint-Bavokerk te Haarlem
Object type: photograph
Date: 1910 – 1930
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: haarlem
Subjects: church (exterior), interior of church
Inscriptions: annotation: ‘Ein Oktober Samstag in Haarlem’

Drie foto's van de Sint-Bavokerk te Haarlem. Deze pagina maakt deel uit van een album.
Ring: Horemheb, Beloved of Amon
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: hieroglyphs
Sandy Path
Object type: painting
Date: 1870 – 1904
Materials: canvas, oil, panel
Artist: théophile de bock
Artist role: draughtsman, painter, print maker
Artist dates: 1851 – 1904
Inscriptions: signature: ‘Th. de Bock’

Landschap met een zandweg tussen geboomte. Links een stapel gekapt hout.
Mother and Her Family in the Country
Object type: drawing and watercolor
Date: 1806 – 1807
Materials: gouache, graphite, ink, paper, paint, watercolor
Techniques: brush, pen, wash
Location: switzerland
Artist: henry fuseli
Artist role: artist
Artist nationality: swiss
Artist dates: 1741 – 1825
Subjects: mothers, children

Notwithstanding its ostensibly domestic theme, there is something slightly sinister in Fuseli’s rendering of a mother and her family, a study for a painting. The younger woman dangles a butterfly above the infant as if it were a toy, her menacing hairpin in frightening proximity to both insect and child. The seated woman presents the infant as if he were a sacrificial offering, and the fetishistic attention Fuseli pays to hair and dress strikes a disarmingly discordant note.
Design for a Sword Pommel with a Crouching Satyr
Object type: print ornament architecture
Date: 1592 – 1593
Techniques: embroidery, engraving
Artist: theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1528 – 1598
Subjects: satyrs,flowers

Pommel design trimmed from the center right of larger plate with another pommel design to the left and hilt designs above and below (Jessen I.114.2). At center of oval design, a crouching male figure with goat's legs and insect wings holding onto scrolling tendrils at either side. Above, a basket of fruit flanked by draped cloth.
A Prince Hunting Boars with His Retinue
Object type: painting
Date: 1767 – 1833
Materials: gold, ink, paper, watercolor
Culture: western indian
Subjects: princes,men,hunting,boars,horses

The distinctive style of painting that emerged in the late eighteenth century at Jhilai, a less well-known Rajput court, probably represents the work of a single master and his atelier. Closely related to Jaipur painting, the Jhilai style is distinguished by a more mannered treatment (note the formulaic depiction of the galloping horses), subdued palette, and descriptive clarity. Here we see the prince lunging from the saddle and striking a boar with his long-bladed sword as the animal attempts to flee across a silver stream. Clad in a white jama (tunic) and followed close behind by courtiers, the prince is boldly silhouetted against his beige horse. His palace, at upper right, is surrounded by a moat and a walled city; beyond is a lake with pleasure boats and water fowl.
Levensbeschrijving
Object type: popular print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: west-graftdijk, purmerend, wiskundige, arts, bernard nieuwentijt
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen uit het leven van Bernard Nieuwentijt. Boven elke voorstelling een titel en onder elke voorstelling een achtregelig vers. Genummerd rechtsboven: No. 103.
Groep mannen met op de achtergrond vermoedelijk Battersea Suspension Bridge, Londen
Object type: stereograph
Date: 1850 – 1870
Materials: photographic support
Techniques: albumen print
Location: london
Artist: Anonymous
Inscriptions: annotation: ‘Nummer (?) k J. (?) 18’
Schutblad
Object type: endleaf
Materials: paper
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2228, watermark:

Deel van een ontmanteld album waarvan RP-P-2013-1-54-1 t/m -37, RP-P-2013-1-55-1 en -2 en RP-P-2013-1-63 t/m 67 deel waren.
Nederlandse militaire uniformen in de jaren 1830-1832
Object type: costume print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: (military) uniforms, clothes, costume, utrecht
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2227

Staande officier van de Afdeling Utrechtse Schutterij. Onderdeel van een serie van 157 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.
Console met gesneden ornament
Object type: console
Date: 1400 – 1950
Materials: wood
Location: netherlands
Artist: Anonymous
Saint John the Evangelist on Patmos, title page from Hymni de tempore et de sanctis
Object type: print
Date: 1516 – 1516
Techniques: letterpress, woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: birds,madonna and child,saint john the evangelist
Gezichten op Lissabon
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: etching
Location: lisbon
Artist: dirk stoop
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1686
Subjects: landscapes in the temperate zone, church (exterior)
Inscriptions: collector's mark: Lugt 2228

Gezicht op de op een heuvel gelegen kerk van Santo Amaro, gezien vanaf de toren van Belém. Trappen leiden naar de kerk. Op de achtergrond links de stad Lissabon en de rivier de Taag.
Interieur van het koor in de Notre-Dame in Parijs
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: parts of church interior: choir
Inscriptions: stamp: ‘J. RÉSÉGOTTI/ ÉDITEUR/ 8, Rue Vivienne/ [...]’, stamp: ‘14’
Koningin en de Dood als nar
Object type: book illustration
Date: 1524 – 1526
Materials: paper
Techniques: woodcut
Subjects: queen, empress, etc. (wife of a ruler), dance of death; death together with one or more human beings

De houtblokken werden voor 1526 vervaardigd door Hans Lützelburg en pas in 1538 voor het eerst gebruikt als boekillustraties in: Les simulachres & historiees faces de la mort avtant elegamment pourtraictes que artificiellement imaginées... a Lyon, Soubsz l'escu de Coloigne, MDXXXVIII, (M. en G. Trechsel, voor F. Frellon in Lyon), 1538. Later verschenen nog andere uitgaven.
Plate four, from A Harlot's Progress
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving
Location: england
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764

Arrested and thrown into prison, the now prominently pockmarked Moll proves inadequate to the physical labor of beating hemp for hangmen’s nooses. Amid cardsharps and debtors, she appears particularly out of place in her elaborate dress. But she seems destined for even more difficult straits, given that both her former servant and the jailer’s wife are seen here stealing from her.
Fitzroy Square
Object type: print
Date: 1878 – 1881
Materials: copper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Black and White Dog, Head Turned to the Left
Object type: drawing
Date: 1794 – 1795
Materials: chalk, graphite, paper
Techniques: heightening
Location: france
Artist: jean-baptiste huet i
Artist role: artist
Artist nationality: french
Artist dates: 1745 – 1811
Subjects: dogs

A distinguished animal painter, Huet here reveals the lightness of his touch as a draftsman. After sketching in the outlines of this small dog in black chalk, he used white to suggest the texture of fur and red to define the sensitive ares of ears, eye and nose. The animal is caught in midstride with its front leg raised, with the ground indicated only by a slight shadow. The signature and late date indicate that he drawing is an autograph copy of an earlier work made about 1765.
Karttikeya, God of War, Holding a Spear
Object type: sculpture
Date: 101 – 200
Materials: stone
Location: mathura
Subjects: gods (deities), hindu, religion, skanda karttikeya
Twee sculpturen van de liefde die de jeugd vangt en kwelt
Object type: page
Date: 1879 – 1884
Materials: paper
Techniques: woodburytype
Subjects: cupid struggling with or tormenting other persons, abstract concepts, (fabulous) animals, etc.
Inscriptions: inscription: ‘Collection Francesco Riberio da Cunha de Lisbonne’
Piece
Object type: piece
Date: 1701 – 1800
Materials: metal thread, paper, silk
Culture: japanese
Subjects: waterfalls,flowers
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, drapery and left foot of male to right; part of the leg and hoof of an animal to left?
Old Soldier ("Prinsen")
Object type: print
Date: 1911 – 1911
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Piece
Object type: piece
Date: 1601 – 1700
Materials: silk
Techniques: compound weave
Culture: japanese
Subjects: birds,dragons
Gezicht op de haven van Amsterdam
Object type: drawing
Date: 1781 – 1781
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: dirk de jong
Artist role: draughtsman, print maker
Subjects: harbour, city-view in general; 'veduta', ships (in general), port of amsterdam
Inscriptions: inscription: ‘Tweede Gezigt van (...) om te zien’, inscription: ‘Port. 2’, signature and date: ‘1781 / Dk de Jong’

Onderwerpsrubriek binnen de Atlas Amsterdam: Gezichten van het IJ op het westelijk gedeelte der stad, Blauwhoofd tot Nieuwebrug.
Evangelist or Apostle
Object type: sculpture
Date: 1520 – 1520
Materials: wood
Steelyard Weight with the Bust of Athena
Object type: steelyard weight
Date: 401 – 700
Materials: copper alloy
Culture: byzantine
Subjects: athena

Athena, the ancient Greek goddess of wisdom, could often be seen on steelyard weights even after Christianity was made the official religion of the Empire. The use of weights of various sizes provided greater accuracy.
Brief aan Jan Veth
Object type: letter
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: jan veth, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, the hague, politician, samuel van houten, painting (including book-illumination, miniature-painting), workshop, studio of the artist (in general)
Inscriptions: watermark, collector's mark: ‘RPK’

Vormt doorlopende brief met RP-D-1984-40-J.ISRAELS-8.
Drie kleine kinderen op een omgevallen boom
Object type: photograph
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: photography
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: huize de paauw
Prudence and Justice
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: after marten van heemskerck
Artist nationality: netherlandish
Artist dates: 1498 – 1574
Millefiori bead rods, 15
Object type: millefiori bead rod, 15
Date: 7000 – 330
Materials: glass
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, the larger rim fragment has the head, neck, and upper torso of a bearded man to right, wearing a himation, holding a drinking horn; to the right, part of a vine; the smaller rim fragment has a bearded man to left, wearing a himation, with his left elbow seen from beneath the drapery, and his bent right arm in front of his chest, with part of the himation draped over the wrist; at the bottom right, part of a vine
Twee officieren houden een gedenkteken voor Alexander I van Rusland op
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: alexander i (tsaar van rusland), reunion, memorial gathering (~ veteran soldiers), historical persons, memorial medal
Inscriptions: collector's mark: Lugt 2228
Card Number 235, Mrs. Cleveland, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Scene d’Auvergne en 1845
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Inscriptions: Signed on stone, lower left: “Horace Vernet”; inscribed lower left, in graphite: “HB 63”; lower center, in graphite: “RY2914”
Hoefijzervormig fragment uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: ring
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, rings or ring-shaped fragments; fragm, horseshoe-shaped, both ends broken off, flat in section.
Proportiestudie van een vrouw
Object type: drawing
Date: 1856 – 1856
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions) - aa - female human figure, anatomy (non-medical) - aa - female human figure
Inscriptions: inscription: ‘bg ff EF’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, part of the helmet crest and raised left arm of a warrior to left
Bishop Chess Piece
Object type: chess piece
Date: 1150 – 1200
Materials: ivory
Culture: scandinavian
Location: norway
Subjects: men,chess,bishops,games

The Bishop was introduced to the European chessboard in the 12th century, replacing the elephant of Islamic tradition. The substitution of a man of the church for an animal used in battle may seem curious, but medieval bishops frequently served with armies. That role is not on display here: the smaller figures probably represent men who served the Bishop in ceremony. An official known as a Reader holds the Bishop’s book. He has been tonsured—his hair shaven in a circle at the crown of his head. The man holding a staff and cradling his ear may be the Precentor, who was in charge of the choir.
De zelfmoord van Seneca en zijn vrouw
Object type: drawing
Date: 1804 – 1804
Materials: ink, paper
Techniques: brush, pen
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: lucius annaeus seneca, death of seneca: at nero's order he cuts his veins, usually sitting in a basin or bath of water, and then takes a dose of poison

Ontwerp voor gravure door Ludwig Portman in M. Stuart's `Romeinsche Geschiedenissen', 1804, dl. 24 t.o. p. 164.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: men,ox
Card Number 19, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: gloves,women

Series G29 presents cut-outs from a tobacco advertising banner issued by Allen & Ginter between 1885 and 1890. Citing Burdick's "The American Card Catalog": "Banners are paper hangers with a metal binding at top and bottom edges. The popular size was about 30 inches long but a few measured over five feet in length...The tobacco firms were prolific advertisers using a constant procession of banners, especially to publicize their current insert card sets...The usual design illustrates the card pictures [from the series inserted into tobacco packaging] with a large appropriate center picture." Many consumers would cut up banners in order to "collect" the whole series of cards at once. Although series G29 is not listed in Burdick's "The American Card Catalog," he included notes in his own edition of the book, now included in the collection at the Metropolitan Museum, labeling the series as G29. They are included not as the original banner, but as cut-outs affixed to an album. Each card in the series is numbered and depicts a leather opera glove holding a portrait of a woman. The original banner advertised Richmond Straight Cut Number 1 Cigarettes issued by Allen & Ginter as a branch of the American Tobacco Company. In 1890, the American Tobacco Company purchased Allen & Ginter, as well as many of the large American cigarette manufacturers.
Broadway Circus and Olympic Theatre, Broadway between Howard and Grand Streets, New York
Object type: drawing
Date: 1821 – 1821
Materials: ink, watercolor
Artist: anonymous, american, 19th century
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: theatre,buildings,streets,new york city
Naakte vrouw zittend op wapenrusting
Object type: print
Date: 1512 – 1540
Materials: paper
Techniques: engraving
Location: germany
Artist: barthel beham
Artist role: print maker
Artist dates: 1502 – 1540
Subjects: the (nude) human figure; 'corpo humano' (ripa), female sex; woman
Inscriptions: collector's mark: Lugt 240
Fotoreproductie van het fresco Sibille van Cumae naar Michelangelo in de Sixtijnse kapel
Object type: reproduction
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Subjects: picture, painting, wall-covering, cumaean sibyl
Inscriptions: number: ‘3103.’, collector's mark: ‘VOSMAER’
Reckheimse duit van Ferdinand van Aspremont-Lynden (1636-1665), 1633
Object type: coin
Date: 1633 – 1633
Materials: copper
Techniques: striking
Location: rekem
Artist: heer van reckheim

Koperen munt. Voorzijde: versierd wapenschild van Friesland, onder het schild vijf rondjes. Keerzijde: binnen een krans twee-regelig opschrift, waaronder jaartal.
Ex libris van Ellie Lieftinck
Object type: bookplate
Date: 1850 – 1950
Materials: paper
Techniques: printing block
Location: netherlands
Artist: c. hofker
Artist role: print maker
Subjects: satyrs, fauns, sileni, male bacchant(es), couple of lovers, flute, aulos, tibia
Inscriptions: signature: ‘C. Hofker / cl’
Teapot with two landscapes
Object type: teapot
Date: 1765 – 1775
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: furstenberg
Inscriptions: mark: ‘F/ 3/ B3’

Tea pot. Porcelain Fürstenberg, c. 1765 - 1775.
A View near Tivoli (Morning)
Object type: painting
Date: 1832 – 1832
Materials: canvas, oil
Culture: american
Artist: thomas cole
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1848
Subjects: ruins,mountains,landscapes

Born in England, Cole immigrated to the United States when he was seventeen. He later returned to Europe for two extended visits. The landscape of Italy particularly interested him, and he drew on the artistic conventions of European masters such as Claude Lorrain to portray it. In the spring of 1832 Cole sketched in the Roman countryside, but he did not paint this canvas until after he returned to Florence in June. In 1834 he described this work in a letter and identified the architectural ruins as "part of an ancient aqueduct, called ‘Il Arco di Nerone.’"
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of one frond and tendrils from a handle palmette; foot of figure to right
Portret van hoogleraar Johannes Alberti
Object type: print
Date: 1822 – 1845
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: leiden, historical persons, professor
Inscriptions: collector's mark: Lugt 2228

De geportretteerde heeft een hand in zijn jas gestoken.
Oever van de baai van Nagasaki
Object type: photograph
Date: 1862 – 1866
Materials: paper
Techniques: albumen print
Location: japan
Artist: antoon bauduin
Artist role: amateurfotograaf, hoogleraar
Artist dates: 1820 – 1885
Subjects: gulf, bay, japan
Inscriptions: number: ‘131’
Muziek
Object type: album leaf
Date: 1695 – 1695
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: madame de maintenon, 'musica', symbolic representations, allegories and emblems ~ music; 'musica'(ripa), (decorated) ceiling

Plafondstuk met de personificatie van Muziek die de lier bespeelt. Tevens het portret van Madame de Maintenon, tweede vrouw en maitresse van Lodewijk XIV. Rondom haar kinderen die de fluit, luit en klavecimbel bespelen. Rechts het toneel van een opera. Prent maakt deel uit van een album.
Hanging Portière or Panel for a Bed
Object type: textile
Date: 1775 – 1825
Materials: cotton, silk, wool
Techniques: interlocking, slit, tapestry, weave
Culture: french
Location: france
Artist: rené beauvais
Subjects: birds, animals, columns, flowers, greek, mythology, swags, urns
Teapot with lotus
Object type: teapot
Date: 1767 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome, relief
Culture: chinese
Table (carving?) knife
Object type: knife
Date: 1767 – 1800
Materials: glass, steel
Glacier de Rhone / Suisse
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph, hand coloring
Artist: Anonymous
Subjects: glacier
Inscriptions: collector's mark: Lugt 2228
Heilige Matteüs met hellebaard
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: the apostle and evangelist matthew (mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword
Inscriptions: collector's mark: Lugt 240

Prent uit serie met veertien prenten met Christus, Paulus en twaalf apostelen naar ontwerp van Gerard Seghers.
Het Menselyk Bedryf
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: grave digger
Inscriptions: collector's mark: Lugt 1641, collector's mark

Een doodgraver is op het kerkhof graven aan het ruimen. Met een spreuk boven en een zesregelig vers onder de plaat. Genummerd rechtsboven: 201. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Begrafenissen, aansprekers, doodgravers, enz.