deem-data/ArtiFact huggingface dataset:
Al wat het kermistooneel, ons aanbiedt tot vermaken, / Wordt lieve jeugd, u voorgesteld in onderscheiden zaken
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: circus animals
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van circusdieren. Onder elke afbeelding een onderschrift. Genummerd midden boven: No. 81.
Hoop earrings with coiled wire pendant
Object type: earring, hoop, coiled wire pendant
Materials: gold
Location: egypt

Hoops with pendants were popular throughout the Roman Period. These hoops have long pendants formed either from coiled wire or possibly a corrugated tube, and may be compared with the similar excavated pair 06.976a, b.
Wapenschild met een tweekoppige adelaar
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper, ink
Techniques: photograph
Location: europe
Artist: Anonymous
Subjects: double-headed eagle, coat of arms (as symbol of the state, etc.), europe
Inscriptions: collector's mark: Lugt 3937, number: ‘84.’
Panel (Furnishing Fabric)
Object type: textile
Date: 1825 – 1825
Materials: cotton
Techniques: glazing, weave, printing
Location: england
Foot of a Cista (Storage Box)
Object type: sculpture
Date: 500 – 468
Materials: bronze, copper alloy, metal
Culture: etruscan
Location: vulci

With a bent-knee pose that connotes rapid movement, the Etruscan sun god Usil dashes across breaking waves, borne aloft by wings on his back and boots. Except for his footgear, he is nude. His arms extend away from his muscular body, which twists at the waist to face forward. This splendid figure was cast in one piece together with its support, which comprises stylized waves above a beaded band and a flat Ionic capital that tapers down to the paw of a feline creature that has unusually thick, fleshy pads.

With locally abundant sources of copper and modest amounts of tin, Etruscan metalsmiths excelled in fashioning a variety of beautiful bronze objects, including lamp stands, incense burners, mirrors, vessels, and containers. This remarkable object was one of three identical feet supporting a cista, or lidded chest, typically used by women to store their cosmetics and toiletries. The body of the chest was fashioned from a sheet of hammered bronze, and it was probably incised with intricate illustrations of mythological or other scenes. That part is now lost; only the solid-cast feet that once supported it survive. Its now-missing lid likely had an equally exquisite figural handle that would also have been solid cast.
Gezicht op gebouwen in Amsterdam, mogelijk aan de Reguliersgracht
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: trees, civic architecture; edifices; dwellings

Vooraan bomen. Pagina 23 uit een schetsboek met 13 bladen.
Moeder met kind
Object type: zinkplaat
Date: 1881 – 1934
Materials: zinc
Techniques: etching
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Coin
Object type: coin
Materials: silver
Location: astar-abad

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Blad met drie banden met bloemen
Object type: brocade paper
Date: 1740 – 1750
Materials: gold leaf, paint, paper
Techniques: relief print
Location: augsburg
Artist: simon haichele
Artist role: papierfabrikant, papiermaker
Subjects: ornament ~ geometric motifs, ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228

Blad met drie banden met bloemen gescheiden door smallere banden met ornamentele patroon en ruitenpatroon. De buitenste vier banden links en rechts spiegelbeeldig identiek. Genummerd onderaan: [onleesbaar].
Krokodil
Object type: drawing
Date: 1867 – 1903
Materials: chalk, paper
Artist: piet meiners
Artist role: draughtsman, painter
Artist dates: 1857 – 1903
Subjects: crocodiles: crocodile
Wie die Staten die gwaltige festung zu Willebrouck in Brabant erhaltten
Object type: print
Date: 1581 – 1585
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: capture of city (after the siege)

Verovering van de schans bij de sluizen van Willebroek door de Staten, 19 september 1579. Op de voorgrond de ingenomen schans, op de achtergrond gevechten bij het plaatsje Willebroek en de Brusselse vaart. Met onderschrift van 12 regels in het Duits en 3 lange regels in het Frans. Linksonder genummerd: 162. De prent maakt deel uit van een album.
Portret van Hernán Cortés
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons

Prent uit: The Universal Magazine of Knowledge and Pleasure, 1747-1814.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, part of a circumscribed palmette; Exterior, unidentified subject
Trofee en tekst bij het portret van Leonardos Philaras
Object type: print
Date: 1658 – 1658
Materials: paper
Techniques: engraving
Artist: jacques piccinus
Artist role: print maker
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, historical persons
Inscriptions: collector's mark: Lugt 240

Deze prent is een kopie naar de prent met trofee die bij het portret van Leonardos Philaras hoort.
Groep vrouwen kijkt uit over de zee
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: adult woman, coast
Je l'avais à peine mis en joue que, prompt comme l'éclair, il disparut sous l'eau...
Object type: page
Date: 1863 – 1868
Materials: paper
Techniques: albumen print
Subjects: hunter, other mammals
Inscriptions: inscription: ‘Page 214.’

Foto op ongenummerde pagina na pagina 214.
Fragment (From a Bedcover)
Object type: textile
Date: 1876 – 1876
Materials: paper, textile, silk
Techniques: brocade, painting, patterning, printing, weave
Location: united states
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Lower body of a draped male to right, wearing a chiton and himation; part of a draped male to left, wearing a red and black garment; below, a band of upright lotuses with dots in the interstices; rays
Kerktoren boven de bomen van een bos of park
Object type: photograph
Date: 1875 – 1890
Materials: paper
Techniques: albumen print
Artist: Anonymous

Kerktoren met spits dak boven de bomen van een bos of park.
Classic London, St. Martin's-in-the-Fields
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Ex libris van P.C.P. de Louw
Object type: bookplate
Date: 1900 – 1900
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: ihs ('iesus hominum salvator') ~ symbol of christ, fishes
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Collegium Pharmaceuticum te 's-Gravenhage, toegangspenning voor de hortus medicus voor Josias Petrus Teeger
Object type: medal
Date: 1751 – 1751
Materials: brass
Techniques: casting, engraving
Location: the hague
Artist: Anonymous
Subjects: the hague
Randdecoratie met bovenaan twee krekels
Object type: print
Date: 1611 – 1656
Materials: paper
Techniques: engraving
Location: france
Subjects: foliage ~ ornament, insects: cricket

Tegenzijdige kopie naar prenten (blad 10 en 4) uit de serie Somige Eenvoldige Vruchten en Spitsen. Links staat midden onder een mand met bloemen tussen twee vogels, rechtsboven is een kat afgebeeld. Uit serie bladen waarop telkens twee motieven naast elkaar te zien zijn, aangevuld met vogels, insecten, bloempotten en soms een ornamentele rand met ranken en dieren.
Stamp seal (tabloid with swivel wire handle) with deity (?)
Object type: stamp seal
Date: 800 – 601
Materials: bronze, copper
Culture: urartian
Location: urartu
Card Number 356, Miss Elmore, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Portret van een onbekende vrouw
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, leather, velvet
Techniques: daguerreotype, hand coloring
Artist: Anonymous
Subjects: adult woman, historical persons
Creation I from the portfolio "New European Graphics, Portfolio III: German Artists"  [Schöpfungsgeschichte I from the portfolio Neue Europäische Graphik III: Deutsche Künstler]
Object type: print
Date: 1914 – 1914
Techniques: woodcut
Artist: franz marc
Artist role: artist
Artist nationality: german
Artist dates: 1880 – 1916
Subjects: abstraction
Palazzo Abatelli
Object type: photograph
Date: 1856 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: palermo
Artist: giuseppe incorpora
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: hôtel, i.e. small palace in city
Inscriptions: number: ‘N. 39’
Gevel van het Bestelhuis van den Nederlandschen Boekhandel te Amsterdam
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: photolithography
Location: amsterdam
Artist: Anonymous
Subjects: façade (of house or building)
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Gevel van het Bestelhuis van den Nederlandschen Boekhandel aan de Raadhuisstraat te Amsterdam.
Le Mois, Journal historique, littéraire et critique, avec figures, no. 14: Chirurgie: Opération singuliere pratique aux Indes
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Location: théâtre des folies-marigny
Artist: Anonymous
Subjects: operation, surgery

Gezicht, waarop tekening voor operatie. Prent uit het tijdschrift Le mois : journal historique, littéraire et critique avec figures, 1800.
Proeflap van filetkant met dertig doorstopvariaties
Object type: merkdoek, merklap
Date: 1900 – 1900
Materials: paper
Techniques: embroidered
Location: netherlands
Artist: Anonymous

Proeflap van naturelkleurig kantborduurwerk, filetkant, met een dertigtal doorstopvariaties. Het betreft twee stroken die op een stuk dik papier zijn vastgemaakt.
Les Songes Drolatiques de Pantagruel ou sont contenues plusieurs figures de l'invention de maitre François Rabelais
Object type: book
Techniques: letterpress, woodcut
Artist: françois desprez
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Seated Youth: Study for Flagellation of Saint Andrew
Object type: drawing and watercolor
Date: 1608 – 1608
Materials: charcoal, paper
Location: italy
Artist: domenichino (domenico zampieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1581 – 1641
Petit Trianon. Louis XVII pastel par Mme Vigée Lebrun X. Phot.
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: france
Subjects: youth, adolescent
Inscriptions: negative number: ‘588’
Twee jongens dragen (ziek) kind in doek en vrouw huilt
Object type: print
Date: 1807 – 1855
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johannes alexander rudolf best
Artist role: print maker
Artist dates: 1797 – 1855
Subjects: child, patient, sick person
Inscriptions: inscription: ‘bl. 7.’, collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in onbekende uitgave, illustratie bij tekst op p. 7.
Inkstand with flower sprays, floral scrolls and petal borders
Object type: inkstand
Date: 1777 – 1790
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, relief, vitrification
Location: the hague
Artist: Anonymous

Ansbach or Fürstenberg
painted decoration: possibly Porseleinfabriek Den Haag, c. 1777–1790
hard-paste porcelain
Scherven van een kraaikop uit V.O.C.-schip de 'Witte Leeuw'
Object type: bowl
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van een kraaikop uit V.O.C.-schip de 'Witte Leeuw'.
The Lamentation
Object type: drawing and watercolor
Date: 1540 – 1546
Materials: graphite, ink, paper, lead, pigment
Techniques: brush, heightening, pen, drawing, wash
Location: italy
Artist: luca penni
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1557
Russia, from the International Cards series (N238), issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,men,flags

Trade cards from the "International Cards" series (N238), issued in 1888 to promote Kinney Bros. Cigarettes.
Jona preekt in Nineve
Object type: print
Date: 1568 – 1676
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: when jonah arrives in the city of nineveh he foretells its destruction in forty days
Inscriptions: collector's mark: Lugt 2228

Jona preekt tot de heidense inwoners in Nineve. Op de achtergrond een groot gebouw met een koepel en twee torens. Onder de voorstelling een éénregelig onderschrift in het Nederlands.
Wall Hanging
Object type: wall hanging
Date: 1701 – 1733
Materials: ceramic, silk, metal, wood
Culture: chinese
Washington's Reception by the Ladies on Passing the Bridge at Trenton, N.J., April 1789, on His Way to be Inaugurated First President of the United States
Object type: print
Date: 1845 – 1845
Techniques: hand coloring, lithograph
Artist: nathaniel currier
Artist role: publisher
Artist nationality: american
Artist dates: 1813 – 1888
Subjects: eagles,george washington,women,horses,flags

George Washington on horseback, accompanied by other gentlemen, is greeted by ladies bearing flowers as he rides over the bridge at Trenton. Banners bear the following inscriptions: "Battle of Trenton, December 26, 1776" "The Defender of the Mothers will be the Proctector of the Daughters."
Diary
Object type: album
Date: 1801 – 1900
Materials: ink
Techniques: pen
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: interiors,men
Servet van wit linnen met patroon van gestrooide bloemen met wapen- en naaminwevingen ZOETE VAN LAEKE en HERTAING.
Object type: napkin
Date: 1603 – 1627
Materials: linen
Techniques: damask
Location: northern netherlands

Witlinnen damasten servet met een patroon van gestrooide bloemen met de wapen- en naaminwevingen "ZOETE VAN LAEKE" en "HERTAIGN", gemerkt GL 22.
Figuren dansen in een kring en bloemen
Object type: print
Date: 1856 – 1901
Materials: paper
Techniques: wood engraving
Subjects: flowers
In 't Jaar 1578
Object type: design
Date: 1700 – 1800
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: street, historical events and situations
Ewer
Object type: ewer
Date: 1251 – 1300
Materials: bronze, gold, silver
Techniques: casting, chasing, engraving, inlay
Location: iran

Anthropomorphic calligraphy, also referred to as human-headed naskh, was unique to metalwork made in Eastern Iran and Mosul, in present-day Iraq, during the twelfth and thirteenth centuries. On this vessel the upright shafts of the letters terminate in heads with facial features. In other examples, the shapes of the letters act as the arms and legs of figures. This short-lived style reflects the ingenuity and playfulness of the artist-designer.
Portret van William John Kerr, graaf van Ancrum
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching, roulette
Location: london
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 240
Continental footed porcelain cup, Virginia
Object type: cup
Date: 1878 – 1889
Materials: gold, porcelain, silver
Culture: american
Artist: joseph s. potter
Artist role: decorator
Artist nationality: american
Artist dates: 1822 – 1904
Chinese Comprador
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Subjects: men,portraits
The Races
Object type: print
Techniques: printmaking, lithograph
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: sports,horses

During the Second Empire, horseracing was in vogue and the racetrack at Longchamps became a gathering place for fashionable society. A frequent subject of articles in the popular press and of many popular prints, the races drew an elegant crowd of aristocrats and wealthy prostitutes who mingled with bookmakers and bettors. Manet's print is distinctive for its dramatic departure from the traditional lateral view of the horses in favor of a radically foreshortened frontal view of the animals galloping directly toward the spectator posted at one of the curves.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, left hand and forearm
Madonna van de Rozenkrans
Object type: print
Date: 1619 – 1675
Materials: paper
Techniques: engraving
Subjects: madonna of the rosary
Inscriptions: collector's mark: Lugt 240

Twee smekelingen aanbidden Maria met Kind, staand op een verhoging.
Design for an Armor Helmet with Tournament Headdress
Object type: collection ornament architecture
Date: 1620 – 1656
Materials: ink
Artist: baccio del bianco
Artist role: artist
Artist nationality: italian
Artist dates: 1604 – 1656
Subjects: helmets,heads

Side view of a design for an armor helmet with an open visor (facing the left). The design of the helmet itself is raelatively simple, but it has been decorated with an elaborate arched, almost s-shaped headdress, made up out of plumes of feathers, flowers and arching straps decorated with ribbons.
Portret van Petrus Hofstede
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: stippled etching
Location: rotterdam
Subjects: rotterdam, petrus hofstede
Inscriptions: collector's mark: Lugt 2228

Ovaal portret van Petrus Hofstede, predikant te Rotterdam, afgebeeld met zijn rechter hand op zijn borst. Onder de voorstelling zijn naam en titel en een Nederlands vers van acht regels.
Adam and Eve
Object type: print
Date: 1504 – 1504
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: birds,cats,rabbits,snakes,adam,eve,ox

Throughout his life, Dürer was in thrall to the idea that the perfect human form corresponded to a system of proportion and measurements and could be generated by using such a system. Near the end of his life, he wrote several books codifying his theories, including the Underweysung der Messung (Manual of measurement), published in 1525, and Vier Bücher von menschlichen Proportion (Four books of human proportion), published in 1528 just after his death. Dürer's fascination with ideal form is manifest in Adam and Eve. The first man and woman are shown in nearly symmetrical idealized poses: each with the weight on one leg, the other leg bent, and each with one arm angled slightly upward from the elbow and somewhat away from the body. The figure of Adam is reminiscent of the Hellenistic Apollo Belvedere, excavated in Italy late in the fifteenth century. The first engravings of the sculpture were not made until well after 1504, but Dürer must have seen a drawing of it. Dürer was a complete master of engraving by 1504: human and snake skin, animal fur, and tree bark and leaves are rendered distinctively. The branch Adam holds is of the mountain ash, the Tree of Life, while the fig, of which Eve has broken off a branch, is from the forbidden Tree of Knowledge. Four of the animals represent the medieval idea of the four temperaments: the cat is choleric, the rabbit sanguine, the ox phlegmatic, and the elk melancholic.
Easing the Curb
Object type: print
Date: 1869 – 1869
Techniques: engraving
Artist: sir john tenniel
Artist role: artist
Artist nationality: british
Artist dates: 1820 – 1914
Subjects: men,women,horses,carriages
Adam kneels in grief beside the body of Abel, while Cain flees in the background
Object type: print
Date: 1729 – 1729
Techniques: engraving, etching
Artist: frédéric horthemels
Artist role: artist
Artist nationality: french
Artist dates: 1680 – 1738
Subjects: men,abel,cain,adam
Theatrum Machinarum Universale; Of Nieuwe Algemeende Bouwkunde (...)
Object type: ornament print
Date: 1739 – 1739
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: drawing (mathematics), staircase
Inscriptions: collector's mark: Lugt 2228

Technische tekeningen van een spiltrap en trappen met verdreven en onverdreven kwarten (nummers 16 tot en met 20). Bovenaanzichten.
Portret van Hadrianus Marius
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan harmensz. muller
Artist role: draughtsman, print maker
Artist dates: 1571 – 1628
Subjects: mechelen, hadrianus marius, ornament ~ medallion, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 240