deem-data/ArtiFact huggingface dataset:
Orfévrerie
Object type: print
Date: 1859 – 1864
Materials: paper
Techniques: chromolithography
Location: paris
Subjects: altar, the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword, sculpture (+ relief ~ sculpture)
Portrait of a Man
Object type: painting, miniature
Date: 1790 – 1790
Materials: ivory
Artist: jeanne philiberte ledoux
Artist role: artist
Artist nationality: french
Artist dates: 1767 – 1840
Subjects: men,portraits
Weiland met mannen die hooi maaien
Object type: sketchbook leaf
Date: 1862 – 1862
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: agricultural products and by-products: hay (+ labourers ~ crafts, industries, agriculture), windmill
Inscriptions: kleurnotitie, handgeschreven

Op de achtergrond een molen. Een vrouw kijkt toe hoe het hooi wordt gemaaid. Blad 67 recto uit een schetsboek met 88 bladen.
Flankeur der Infanterie
Object type: print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228

Een flankeur van de infanterie, te voet. Onderdeel van een serie van 157 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.
The Abbazia, Venice
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: drypoint, etching
Location: scotland
Artist: david young cameron
Artist role: draughtsman, print maker
Artist nationality: scottish
Artist dates: 1865 – 1945
Food bottle
Object type: food bottle
Date: 1800 – 1800
Materials: pewter
Portret van de doopsgezinde predikant Joost Hendriksz.
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: harlingen, the bible as a book
Inscriptions: collector's mark: Lugt 2228

Prent als illustratie gebruikt in: Verzaameling van de afbeeldingen van veele voornaame mannen en leeraaren, die (...) het leeraars ampt onder de doopsgezinde christenen bediend hebben. Amsterdam: Kornelis de Wit, 1743.
Vierkante sjaal van naturelkleurige wol met tegen de kanten een ingeweven rand in blauw, roze, ecru en zwart
Object type: scarf
Date: 1840 – 1860
Materials: silk, wool
Techniques: weave
Location: western europe
Artist: Anonymous

Shawl van beige wol met kleurige zijden zanden, in ruitpatroon. De randen zijn per hoek aan de voor- en achterzijde in het vóórdecor geweven, waartuit blijkt dat het stuk in een driehoek gevouwen, met de punten iets boven elkaar, wordt gedragen.
The Actor Ichikawa Ebizo II as Shinozuka Goro in the play "Funayosooi Mitsugi Taiheiki," performed at the Nakamura Theater in the eleventh month, 1743
Object type: print
Date: 1743 – 1743
Techniques: hand coloring, woodblock print, urushi
Location: japan
Artist: torii kiyomasu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1706 – 1763
Portret van Ernst Casimir, graaf van Nassau-Dietz
Object type: book illustration
Date: 1840 – 1884
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: ernst casimir graaf van nassau-dietz
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Amsterdam: J.F. Schleijer, 1840-1884.
Bowl with Interlocking Zigzag Motif in Four-Part Design on Interior Walls
Object type: vessel
Date: 950 – 1400
Materials: ceramic, pigment
Culture: ancestral pueblo, anasazi
Location: arizona
Exterieur van de Kreuzkirche in Wroclaw, gezien vanaf Augusta-Platz
Object type: stereograph
Date: 1878 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: wroclaw
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: church (exterior)
Inscriptions: number: ‘31.’
Shoesmith in Marocco
Object type: print
Materials: paper
Techniques: etching
Location: spain
Artist: mariano fortuny, 1838–1874
Artist role: artist
Artist nationality: spanish
Artist dates: 1838 – 1874
Untitled (Portrait of a Carpenter)
Object type: photograph
Date: 1870 – 1870
Techniques: photography, tintype
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, photography, men, male, carpentry, portrait, portraits, portraits: male subject
Sepulchrum Phaëthontis
Object type: print
Date: 1680 – 1713
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: phaethon, heliades changed into poplar-trees: while weeping over phaeton's grave the heliades are changed into poplar-trees, and their tears turn into beads of amber; their mother clymene may be present (ovid, metamorphoses ii 346)
Inscriptions: inscription: ‘J.D’

De bomen rondom de graftombe zijn de zussen van Phaëton die na de begrafenis in populieren zijn veranderd. Met onder de voorstelling drie regels in het Latijn uit de Metamorfosen van Ovidius en zesregelige verklaring van de afbeelding in het Nederlands.
Plate
Object type: decorative art
Date: 1790 – 1790
Materials: creamware, porcelain
Culture: english
Location: england
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 534 – 401
Materials: glass
Culture: greek, eastern mediterranean

Opaque dark olive green, with handles in same color; trails in opaque yellow and opaque turquoise blue. Broad horizontal rim-disk; short cylindrical neck, tapering downwards; barrow angular shoulder; straight-sided cylindrical body; convex bottom; two vertical ring handles with small tails, applied over trail decoration. Yellow trail attached at edge of rim-disk; a second yellow trail applied on top of body and wound down in a spiral, tooled into a close-set zigzag pattern; halfway down pattern a turquoise blue trail is added, mingling with yellow; immediately below zigzag, a third unmarvered yellow trail wound horizontally twice around body. Intact; dulling, iridescence, and some reddish brown encrustation and weathering.
Tea caddy
Object type: tea caddy
Date: 1755 – 1755
Materials: glaze, iron, stoneware
Culture: japanese
Shell beads
Object type: bead
Date: 501 – 800
Materials: shell
Culture: sasanian or islamic
Location: iran
Portret van Alexander I, tsaar van Rusland
Object type: print
Date: 1801 – 1850
Materials: paper
Techniques: aquatint, etching
Artist: Anonymous
Subjects: alexander i (tsaar van rusland), historical persons, emperor
Inscriptions: collector's mark: Lugt 2228
Karton waarop lint van zwart zijden gaas met aan beide randen iedere twee cm een zwart fluwelen bol
Object type: ribbon material
Date: 1900 – 1900
Materials: silk
Techniques: weave
Location: nijmegen

Karton waarop lint van zwart zijden gaas met aan beide randen iedere twee cm een zwart fluwelen bol.
Portret van Cornelis van der Geest
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: cornelis van der geest
Inscriptions: collector's mark: Lugt 240
Landschap
Object type: sketchbook leaf
Date: 1881 – 1888
Materials: chalk, paper
Techniques: brush
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes

Blad 13 recto uit een schetsboek met 29 bladen.
Fragment
Object type: textile
Materials: ink, silk, velvet
Techniques: cutting, weave
Location: spain
Basin stand
Object type: basin stand
Date: 1765 – 1790
Materials: wood
Culture: american
Location: united states

A rare group of Newport furniture—fire screens, tea tables, and stands—features tripod bases and diminutive feet carved like cat’s paws. This basin stand is one of the finest and most ambitious examples. The top rim held the basin; the middle disk, with three cutouts, the soap dishes; and the lowest disk, dished out in the center, the water bottle.
Portrait of a Woman
Object type: painting
Date: 1833 – 1833
Materials: oil, panel
Artist: willem uppink
Artist role: draughtsman, painter
Artist dates: 1767 – 1849
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: signature and date: ‘Wm Uppink 1833’

Portret van een vrouw zittend aan een tafel met een boek in de handen. Op tafel staat een koffie- of theeservies, rechts een ladenkast met bovenop een bloemstuk en een opgezette vogel onder een glazen stolp.
Vijfreisstuk, Portugese munt of duit ter waarde van vijf reis
Object type: coin
Date: 1590 – 1596
Materials: copper
Techniques: striking
Location: portugal
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck
Inscriptions: weerszijden, geslagen: Wapen Portugal en restant tekst: "bastian", weerszijden, geslagen: Onleesbaar
Miniature sugar bowl with cover
Object type: sugar bowl with cover
Date: 1720 – 1730
Materials: silver
Artist: david clayton
Artist role: artist
Artist nationality: british
Artist dates: 1659 – 1719
An uncut sheet printed on both sides with pages from "Juan Ceniza" (cuento arreglado por C. S. Suarez) and "Rosendito, los leones y el sapo" (cuento  por C. S. Suarez)
Object type: print
Date: 1900 – 1910
Materials: zinc
Techniques: etching, letterpress, relief print
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: animals,men,women
"Old Abe"/Frosted Eagle pattern compote
Object type: glass
Date: 1880 – 1890
Materials: glass
Location: ohio
Artist: attributed to the crystal glass company
Designs featuring the allegories of the arts
Object type: drawing
Date: 1851 – 1900
Materials: graphite, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: putti
Nineteen Ornamental Fittings from a Horse Harness and an Ornamental Saddle Steel
Object type: nineteen ornamental fitting from a horse harness and an ornamental saddle plate
Materials: copper, gold, iron, leather, silver
Culture: saddle plate
Location: tibet
Chasuble
Object type: chasuble
Date: 1500 – 1500
Materials: silk
Culture: rhenish
Oprichting van de Oranje-societeit te Overschie
Object type: history medal
Date: 1787 – 1787
Materials: silver
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: overschie
A Nun and a Friar, from Das Bossenbüchlein
Object type: print ornament architecture
Date: 1582 – 1582
Techniques: engraving
Artist: mathais beitler
Artist role: artist
Artist nationality: german
Artist dates: 1582 – 1616
Subjects: men,women

A friar at right greets a nun, at left, who holds a book and rosary. At far left, a friar and nun are seen walking left in the distance. From a set of 12 plates of vessel designs.
Par nirvana (death and transcendence of the Buddha) and attendant arhats
Object type: figure
Materials: earthenware, glaze
Techniques: polychrome
Culture: chinese
Artist: qiao bin
Artist role: artist
Artist nationality: chinese
Artist dates: 1481 – 1507
Subjects: men

This is a depiction of the Buddha’s nirvana. His attendants are all in deep sorrow: one wipes away a tear, while others seem to be crying out or, alternatively, at a loss for words. The Buddha, however, is shown in a state of near sleep, indicating a heavenly wisdom. According to the inscription on the back and sides of the couch on which the Buddha reclines, a monk had these sculptures made in 1503 as a private act of devotion. They were originally part of a larger group of figures from the Qiao family workshop in Yangcheng, Shanxi Province.
Koe in stal
Object type: print
Date: 1856 – 1920
Materials: paper
Techniques: lithograph
Location: oosterbeek
Artist: hendrikus alexander van ingen
Artist role: draughtsman, print maker
Artist dates: 1846 – 1920
Subjects: barn, cow, agricultural products and by-products: straw
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De koe staat in een donkere stal met licht van boven. Op de grond ligt stro.
Traite des Nègres (The Slave Trade)
Object type: furnishing textile
Date: 1801 – 1833
Materials: cotton
Techniques: printing
Artist: frédéric etienne joseph feldtrappe
Artist role: designer
Artist dates: 1746 – 1849
Subjects: animals,houses,men,women

Frederic Feldtrappe produced this textile in the early nineteenth century during a moment of intense debate in France over the viability and morality of the slave trade. Of the four narrative scenes, two reference earlier paintings by English artist George Moreland and contrast the brutality of European slave traders with the kindness of Africans who minister to a shipwrecked European family. The other two scenes, based on engravings by Frenchman Nicolas Colibert, juxtapose a happy African family with the appearance of European traders in Africa. Their cache of trade goods (including textiles) ominously foreshadows the horrors of the traffic in human beings.
Gezicht op het Qarafa in Caïro
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: cairo
Artist: johannes lodewijk heldring
Artist role: fotograaf, predikant, schrijver
Artist dates: 1852 – 1923
Subjects: grave-building, monumental tomb
Westfriese drie gulden, 1791
Object type: coin
Date: 1791 – 1791
Materials: silver
Techniques: striking
Location: west frisia

Zilveren munt. Voorzijde: tussen waarde-aanduiding gekroond generaliteirtswapenschild. Keerzijde: Nederlandse maagd met vrijheidshoed en speer, leunend op een bijbel op een altaar. In afsnede jaartal. Kabelrand.
Bowl Fragment
Object type: fragment
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Subjects: bowls
Portret van Adam Christoph Höfer op 61-jarige leeftijd
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving
Artist: christian fritzsch
Artist role: print maker
Artist dates: 1695 – 1769
Subjects: bookshelves, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Bill of Sale
Object type: bill of sale
Date: 1809 – 1811
Materials: ink, paper
Culture: american
Artist: william rush
Artist role: artist
Artist nationality: american
Artist dates: 1756 – 1833
Lion
Object type: drawing
Date: 1620 – 1630
Materials: chalk, paper, watercolor
Techniques: brush
Artist: cornelis saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1681
Subjects: beasts of prey, predatory animals: lion

Cornelis Saftleven began drawing animals from life only at a late age. Before then, he had relied on depictions by other artists, such as the animals in paintings by Roelant Savery. The lion in this drawing also seems to have been taken from such an example. The animal’s pose looks
unnatural and its head more closely resembles that of a dog.
Commissariaat van Politie
Object type: photograph
Date: 1925 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: solo
Artist: Anonymous
Subjects: dutch east indies, the

Albumblad met één foto: het gebouw van het commissariaat van politie eerste sectie, in Mangoendjajan te Solo. Onderdeel van het fotoalbum aangeboden aan S. Koster door de Vereeniging van Hoogere Politie Ambtenaren in Nederlandsch-Indië in 1931.
Deez' os, zoo groot en vet hy is / Gevoed met gras en hooi, / Gaat straks des slagters byl niet mis. / Ondanks zyn kermis-tooi
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: prize-ox, ox
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van een gilde-os (ook kermisos of prijsos genoemd), versierd met bloemenkransen. Onder de afbeelding een vers in twee kolommen. Genummerd rechtsboven: No. 222.
Battle Scene
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: highlighting, pen, drawing, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: battles,soldiers,spears,swords,horses
Gelijkenis van Christus als de goede herder
Object type: print
Date: 1635 – 1694
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: the good shepherd (christ) defending his sheep against wolves; 'i am the good shepherd' (john 10:1-16)
Inscriptions: collector's mark: Lugt 240
Provost's House, Dublin
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: james malton
Artist nationality: english
Artist dates: 1761 – 1803
Portret van François de La Mothe Le Vayer
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: paris
Inscriptions: collector's mark: Lugt 2228

Portret van Frans schrijver François de La Mothe Le Vayer.
Portret van een man
Object type: photograph
Date: 1900 – 1985
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: historical persons not known by name
Crucified Christ
Object type: corpus
Date: 1150 – 1150
Materials: copper alloy, gilt
Culture: french
Design for a Rug with Ornamental Frames and Garlands and Festoons of Leaves, Flowers, and Ribbons Over a Background of Arabesques
Object type: drawing ornament architecture
Date: 1858 – 1900
Materials: gouache
Artist: braquenié et cie.
Artist role: design house
Artist nationality: french
Artist dates: 1858 –
Glass pendant in the form of a lamp
Object type: lamp
Date: 670 – 330
Materials: glass
Culture: hellenistic

Translucent honey brown. Pendant shaped like an oil lamp with hole pierced vertically through body; oval body with projecting, upturned nozzle, with raised lip to center of discus (around hole) and convex bottom. Chipped around body, possibly missing a handle; slight dulling and encrustation.
Portret van Jan George Freezen
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: painter, historical persons, portrait, self-portrait of painter, wig
Inscriptions: inscription: ‘Jan George Freezen./ uit van Gool, schouwburg/ was lang in 's Gravenhage (...)’

Prent waarschijnlijk uit: Gool, Johan van. De nieuwe schouburg der Nederlantsche kunstschilders en schilderessen (...). Den Haag: Johan van Gool, 1751, dl. 2, p. 278.
Mohonk, 1871 (from Sketchbook)
Object type: drawing
Date: 1870 – 1870
Materials: graphite, paper
Culture: american
Artist: daniel huntington
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1906
Subjects: trees
Monkey or meerkat
Object type: amulet, monkey
Date: 500 – 200
Materials: faience
Location: egypt
Subjects: monkeys

Depictions of monkeys are popular throughout Egyptian history. Standing monkeys balancing on their tails seem to date to the Late Period and later. A faience example was excavated at Naurkatis in a cache dating to the late 5th-4th centuries BC. The Metropolitan Museum Egyptian Expedition excavated in a Ptolemaic tomb at Thebes a wooden example posed like this one, but carrying a bow and arrow and housed in a small sort of shrine/box. Eroded as this statuette is, it is clear that the penis was prominently depicted. A loop through the back is partly broken.
Gezicht op Dunstaffnage Castle
Object type: page
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: oban
Artist: Anonymous
Subjects: castle, landscapes with waters, waterscapes, seascapes (in the temperate zone), landscape with tower or castle
Uitkijktoren in landschap met bomen
Object type: album leaf
Date: 1935 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: norbert van den berg (1901-1972)
Artist role: amateurfotograaf
Artist dates: 1901 – 1972
Subjects: landscape with tower or castle
Onderschotel voor botervloot
Object type: platter
Date: 1740 – 1760
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: mark: ‘1’, mark: ‘80’, mark: ‘2’

Onderschotel voor botervloot van veelkleurig beschilderde faience, met kakiemon-decor. Alle delen zijn beschilderd in de moffelkleuren blauw, rood, groen, zwart en goud met twee gebonden heggen, bloeiende bomen, een vogel op een tak en losse vogels.
A Cemetery in Galicia, from Au Pied du Sinaï
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Still Life for the New Year
Object type: surimono
Date: 1838 – 1838
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: plants and herbs: holly, drinking-vessels, still life of miscellaneous objects

Een porseleinen kopje waarop twee jonge hondjes en een paardebloem staan afgebeeld, staat op een dienblad van lakwerk. De zwarte bonen op het blad, dienen net als de hulsttak en de kop van de sardine, als afweer tegen het kwaad, zodat het nieuwe jaar zuiver kon beginnen en voorspoedig zou zijn. De hondjes verwijzen naar het nieuwe jaar van de Hond, 1838. Met één gedicht.
Spotprent in Utrechtse studentenalmanak, 1842
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: student life, utrecht

Plaat II: drie voorstellingen onder elkaar van het studentenleven. Tweede van vier illustraties bij het gedicht 'De tijdperken van het studentenleven' van J.J.L. ten Kate. Spotprent in de studentenalmanak van de Universiteit van Utrecht van het jaar 1842.
Václav Seidan
Object type: page
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: medal (considered as a piece of sculpture, regardless of its specific function)
Panel with the Visitation
Object type: panel
Date: 1501 – 1533
Materials: wood
Culture: french
Location: france
Subjects: men,women

Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels (50.147.1–38) are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.
A Man Shooting a Crossbow
Object type: print
Date: 1579 – 1579
Techniques: engraving
Artist: cherubino alberti (zaccaria mattia)
Artist role: artist
Artist nationality: italian
Artist dates: 1553 – 1615
Subjects: bow and arrow,men
Portret van Antoine de Bruni d'Entrecasteaux
Object type: book illustration
Date: 1791 – 1810
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons

Prent komt uit een onbekende publicatie.
Landschap met aquaduct
Object type: print
Date: 1613 – 1695
Materials: paper
Techniques: etching
Location: paris
Artist: mariette
Artist role: publisher
Subjects: landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Brief aan Jan Veth
Object type: letter
Date: 1916 – 1916
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: amsterdam, print maker, draughtsman, august allebé, dordrecht, painter, designer, jan veth, art trade, art shop, family life, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
Architectural Study
Object type: drawing
Materials: ink
Techniques: pen
Artist: michelangelo buonarroti
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1564
Subjects: architecture,female nudes