deem-data/ArtiFact huggingface dataset:
Bok en schapen in landschap
Object type: print
Date: 1833 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228

Liggende en grazende bok en vijf schapen in een heuvellandschap.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: veii painter
Artist role: artist

Interior, on a kline?, part of a draped symposiast; standing behind the kline, draped youth to left; Exterior, feet to left; handle palmette and tendrils; feet to right
Two-handled cup with cover
Object type: cup with cover
Date: 1664 – 1665
Materials: silver
Theatrum pontificum, imperatorum, regum, ducum, principum, etc.
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving
Location: unknown
Artist: pieter de jode (ii)
Artist role: draughtsman, print maker
Artist dates: 1606 – 1674
Subjects: elisabeth of france (queen of spain and portugal)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Busteportret van Elisabeth van Bourbon, in rijk versierde japon. Het portret is gevat in een boogvormige omlijsting. In een kader een onderschrift in het Latijn.
Dice
Object type: dice
Date: 701 – 1200
Materials: pigment
Techniques: inlay
Location: iran
Subjects: dice

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Scarab Inscribed Hatshepsut United with Amun
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

During the 1926-1927 excavation season, the Museum's Egyptian Expedition uncovered three foundation deposits along the eastern enclosure wall of Hatshepsut's funerary temple at Deir el-Bahri in Western Thebes. Among the contents were 299 scarabs and stamp-seals. Sixty-five of these are now in the Egyptian Museum, Cairo, and the rest were acquired by the Museum in the division of finds. Among the inscriptions on the bases of these scarabs and seals are examples of every title Hatshepsut held, from the time she was "king's daughter" during the reign of her father, Thutmose I; through the time she was queen of her half-brother, Thutmose II; and during her co-reign with her nephew/step-son, Thutmose III. Thirteen of the scarabs (27.3.199 to 27.3.212) are inscribed with various writings of the extended form of Hatshepsuts personal name, Hatshepsut-united-with-Amun, which sometimes appears, enclosed in a cartouche, as the last element of her titulary as king. By adopting this name, Hatshepsut links herself to the powerful god Amun of Thebes, whom she claimed as her father.
The Waterwheel at Onden (Onden no suisha), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,watermills,working
Brief aan Philip Zilcken
Object type: letter
Date: 1896 – 1896
Materials: ink
Techniques: pen, writing
Location: amsterdam
Artist: frits roosdorp
Artist role: schrijver
Artist dates: 1874 – 1898
Subjects: the hague, painter, draughtsman, philip zilcken, passions, emotions, affections, diseases
Inscriptions: collector's mark: ‘RPK’
Plate
Object type: ceramic
Materials: ceramic, glaze
Culture: italian
Location: gubbio
Plate from "Grateske voer golt smeden Schrijnwerkers Ende andere des nodich hebbende"
Object type: album print ornament architecture
Date: 1610 – 1630
Techniques: embroidery
Artist: meinert gelijs
Artist role: artist and engraver
Artist nationality: dutch
Subjects: ornament

Plate from a print series consisting of a title page and five plates displaying motifs for the application in goldsmith's work, executed in blackwork. The plate contains five distinct designs, with one larger motif in the center and two smaller ones on either side. Due to the similarity in their production techniques, blackwork prints often relate to precious objects decorated with champlevé enamel work. Gelijs indicates, however, that his patterns may be used in other disciplines as well. The style of his ornaments is quite unique, blending elements from the late sixteenth-century schweifwerk ornament, with stylized peapods, floral elements and some forms related to the auricular style. This series is one of two series known by Gelijs, and is characterized by the almost square copperplates and exclusive use of the blackwork technique. The second series, which has been bound in a single binding with this series in the Met's collection, lacks a title plate, but is characterized by larger rectangular plates, and a combination of Gelijs' characteristic ornaments with figures and other motifs borrowed from other print series, executed in etching.
The Entombment
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: christ's entombment (possibly by angels)
Inscriptions: mark: Lugt 2100 b, mark:, mark: Lugt 2849?

Christ is being laid in a tomb as mourning bystanders look on. The areas of shadow in the scene consist of powerful parallel lines. The light source is hidden behind the man with his back to us. Barely any hatching can be discerned in that most brightly lit spot. The deep yellow Japanese paper lends the scene a warm glow, which accords well with lamp or torchlight.
Orphrey
Object type: orphrey
Date: 1667 – 1700
Materials: metal thread, silk
Subjects: flowers
Luftkurort Rengsdorf bei Neuwied. Waldpartie an der Louisenhöhe
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: rengsdorf
Subjects: forest path or lane, mountains
Kleine landschappen
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: etching
Location: haarlem
Subjects: village
Inscriptions: collector's mark: Lugt 240
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, left hand holding lyre
Tableau vivant ter gelegenheid van het huwelijk van koningin Wilhelmina in 1901
Object type: drawing
Date: 1871 – 1906
Materials: chalk, paper, watercolor
Techniques: brush
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: the hague, print maker, wilhelmina of the netherlands, hendrik (prins der nederlanden (1876-1934)), 'tableau vivant', wedding feast, wedding meal, historical persons, public festivities at marriage of royal persons, historical events and situations
Kop, veelkleurig beschilderd met een landschap met figuren
Object type: cup
Date: 1777 – 1777
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mold mark: ‘F 15’, factory mark

Lage kop met oor, van beschilderd porselein. De kop is beschilderd met landschappen waarin figuren en langs de rand een brede strook groen vlechtwerk. De kop is gemerkt.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Four black glazed fragments from kylikes
Winchester East.
Object type: photograph
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: winchester cathedral
Artist: Anonymous
Subjects: church-window, e.g. rose-window, parts of church interior (seats), parts of church interior: nave, parts of church interior: choir, winchester cathedral

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
De weg
Object type: print
Date: 1905 – 1953
Materials: paper
Techniques: woodcut
Artist: tames oud
Artist role: print maker
Artist dates: 1895 – 1953
Subjects: wave, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Een zeilschip in de golven. In de lucht meeuwen.
Wierookbrander
Object type: incense burner
Date: 1777 – 1790
Materials: porcelain
Techniques: painted
Location: the hague

Wierookbrander zonder deksel, bestaande uit een geribd potje op drie poten versierd met rocaille voluten en bladeren in relief. Het potje is versierd met veelkleurige strepen. Niet gemerkt.
Glass flask
Object type: flask
Date: 201 – 400
Materials: glass
Culture: roman

Colorless with bluish green tinge, with same color trail and ribs. Rim folded out, over, and in; funnel-shaped mouth; short, cylindrical neck, expanding downward; bulbous body; kick in bottom with trace of pontil scar. Trail wound once round neck; eight slanting, vertical ribs of varying length around body. Intact; some large and pinprick bubbles; several gritty inclusions; slight iridescence.
Ewer with fluted sides
Object type: ewer
Date: 900 – 999
Materials: earthenware, glaze
Techniques: firing, forming, turning, vitrification
Location: china
Artist: Anonymous

Kan van aardewerk met een geribde buik en een brede, uitlopende hals, bedekt met een grijsgroen glazuur. Geknikte tuit vanuit de schouder; het oor vanuit de schouder verbonden met de rand. Het glazuur is enigszins aangetast. Een barst vanuit de voet naar de buik. Een chip in de rand. Celadon[?].
Sampler
Object type: sampler
Date: 1828 – 1828
Materials: canvas, silk, wool
Bathing at Long Branch "Oh, Ain't It Cold" (Every Saturday, Vol. III, New Series)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: women,bathing
The Annunciation with Flying Angel
Object type: print
Date: 1548 – 1548
Techniques: engraving
Location: venice
Artist: enea vico
Artist role: artist
Artist nationality: italian
Artist dates: 1523 – 1567
Subjects: angels,virgin mary,annunciation
Pandora
Object type: print
Date: 1625 – 1626
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: the gods adorning pandora, (story of) pandora
Inscriptions: number: ‘12’, collector's mark: Lugt 2228

In een berglandschap staat een vrijwel naakte vrouw met een gesloten beker in de rechterhand. Aan de hemel op een wolkenpartij is zij nogmaals zichtbaar, omringd door de Olympische goden met Jupiter in het midden.
Zeegezicht met schepen
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: etching, intaglio
Location: rome
Artist: adrien manglard
Artist role: draughtsman, print maker
Artist dates: 1695 – 1760
Subjects: ships (in general), sea (seascape)
Inscriptions: collector's mark: Lugt 2166
Portrait of Chuk the Wrestler
Object type: illustrated single work
Date: 1660 – 1675
Materials: gold, ink, paper, watercolor
Location: india
Subjects: men,athletes,wrestling

Pehlwani, a form of wrestling popular in South Asia, was developed during the Mughal Empire by combining centuries-old grappling traditions with Persian wrestling practice. The subject of this portrait has been identified as Chuk in nasta'liq script in the lower left. Chuk wears a loin cloth (langota) in the manner typical of Indian wrestlers. Although some of the lines in the lower part of the drawing appear to have been strengthened by a later hand, a fine brush is particularly visible on the wrestler’s aquiline nose, stubble, and tuft of hair at the crown of his head.
Dress
Object type: dress
Date: 1780 – 1780
Materials: silk
Culture: british
Verpakkingen van 'Ka-Ro-Ma Brand' koffie, reclame voor Dwinell-Wright Company
Object type: photograph
Date: 1911 – 1920
Materials: paper, textile
Techniques: gelatin silver print, hand coloring
Location: united states
Subjects: coffee, advertising
Inscriptions: number: ‘No. 7’
Fragment from Bedcover (Crazy Quilt Block)
Object type: textile
Date: 1884 – 1884
Materials: cotton, feather, textile, silk, velvet
Techniques: backing, embroidery, embroidered, printing, stitching, weave
Location: united states
Subjects: star, fans, flowers, moon, stripes
West-Friesland, duit, 1780
Object type: coin
Date: 1780 – 1780
Materials: copper
Techniques: striking
Location: west frisia

Koperen munt. Voorzijde: gekroond wapenschild van West-Friesland met lauwertakken. Keerzijde: opschrift in drie regels. Daarboven muntteken rozet tussen twee punten. Daaronder jaartal.
Kerk met kerkhof en klokkenstoel
Object type: print
Date: 1870 – 1908
Materials: paper
Techniques: etching, intaglio
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: church (exterior), church bell, churchyard, cemetery
Inscriptions: collector's mark: Lugt 2228
Blad met ruitenpatroon van ranken met bloem als veldvulling (één van acht identieke bladen)
Object type: decorated paper
Date: 1850 – 1950
Materials: paper, gold leaf, paint
Techniques: printing block
Location: japan
Artist: Anonymous
Subjects: ornament derived from plant forms
Drumsticks
Object type: drumstick
Date: 1817 – 1817
Materials: wood, ivory, plate
Location: netherlands
Artist: Anonymous

Ebbenhouten tromstok voor tamboer-majoor met ivoren knop. Stokken bezet met bussen van pleet.
Eerste Luitenant der Artillerie te voet
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: (military) uniforms

Een Nederlandse eerste luitenant van de artillerie te voet. Plaat 25. Uniformvoorstelling in 'Beschrijving hoedanig de Koninklijke Nederlandsche troepen' van J.F. Teupken, 1823.
Portret van Thomas Pelham-Holles, 1st Duke of Newcastle
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: london, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Die Europäische Fama, Welche den gegenwärtigen Zustand der vornehmsten Höfe entdecket. dl. 321. Leipzig: Gleditsch, 1729.
Prospetto e veduto a Cafarelle fuoro di porte S. Sebastiano, a Roma
Object type: print
Date: 1647 – 1655
Materials: paper
Techniques: etching
Location: rome
Artist: jan van ossenbeeck
Artist role: print maker
Artist dates: 1623 – 1674
Subjects: festivities
Inscriptions: collector's mark: Lugt 2228

Voor en in de ruïnes van de grot van de nimf Egeria vindt een feest plaats. Er is met een doek en een stok een afdakje gemaakt. Mensen maken muziek, dansen, eten en drinken. Onder het resterende tongewelf zijn tafels met stoelen opgesteld.
Terracotta plemochoe (vase for perfume)
Object type: plemochoe with lid
Date: 534 – 501
Materials: terracotta
Culture: greek, attic
Artist: kothons type a
Artist role: artist

The deeply incurving rim prevents liquid from spilling when the vase is carried. Containers of this type frequently appear in representations of women bathing, receiving gifts, or bringing offerings to a grave.
Hat
Object type: hat
Date: 1895 – 1905
Materials: cotton, linen, silk
Culture: american or european
Evening dress
Object type: evening dress
Date: 1885 – 1885
Materials: linen, silk
Culture: american

The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.
Johan Maurits van Nassau, gouverneur van Brazilie
Object type: history medal
Date: 1658 – 1658
Materials: metal
Techniques: gilding, striking
Artist: Anonymous
Subjects: earl, johan maurits graaf van nassau-siegen, brasil

ovale penning met aan onder- en bovenzijde draagoog. Voorzijde: borststuk man binnen omschrift. Keerzijde: gekroond wapenschild, omgeven door zes punten van ster, omhangen met orde van olifant binnen lauwerkrans
Drie schoenlappers aan het werk
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: adult woman, shoe-maker, cobbler
Inscriptions: stamp: ‘S. A. MEERBURG/ LEIJDEN’, inscription: ‘J. C. MEERBURG,’
Servet van linnen met pellenpatroon
Object type: napkin
Date: 1690 – 1734
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

wit linnen servet met pellen patroon, merk TC 27 en monogram TC 27
Vuurbakens van Amsterdam aan de Zuiderzee, voor schepen onder de vijftig last
Object type: tax token
Date: 1821 – 1821
Materials: copper, lead
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: amsterdam

Voorzijde: drie vuurbakens, waarvan linker en rechter branden binnen omschrift; vier kloppen: letters C, V, D en H. Keerzijde: leeuw onder wapenschild van Amsterdam binnen omschrift
Bombardement van Algiers, 1816
Object type: history print
Date: 1866 – 1866
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: petrus johannes schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1865
Subjects: nijmegen, brussels, navy (+ sailing-ships), bombardment (+ sailing-ships), bombardment ~ siege (+ sailing-ships)

Het bombardement van de stad Algiers door een verenigd Brits en Nederlands eskader onder commando van Lord Exmouth en Baron van der Capelle, in de nacht van 26 op 27 augustus 1816. Onder de plaat een blad met de namen en handtekeningen van een groep personen die verklaren dat de voorstelling van het bombardement met de waarheid overeenkomstig is, gedaan op het Herinneringsfeest te Amsterdam op 27 augustus 1850. Daaronder op hetzelfde blad de namen en handtekeningen van een vijftal zeeofficieren die aanwezig waren bij het bombardement en de daaropvolgende bevrijding van 1002 gevangen genomen zeelieden en vissers, waaronder 28 Nederlanders, uit Algiers. Deze tweede groep namen bij de vijftigjarige herdenking van het bombardement op 27 augustus 1866 te Amsterdam. Prent en tekst samen op een groter blad geplakt.
Lübeck. Haus der Schiffergesellschaft
Object type: reproduction
Date: 1911 – 1911
Materials: cardboard
Techniques: color autotype
Location: lübeck
Subjects: street
Inscriptions: date
Fondement vande Bastaert-letter / Gront ende fondement der Nederlandtsche staende letter
Object type: ornament print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: rotterdam
Artist: simon frisius
Artist role: print maker
Artist dates: 1570 – 1628
Subjects: calligraphy

Twee voorstellingen op een albumblad. Het gaat om twee schrijfvoorbeelden. Boven vier regels letters met de titel 'Fondement vande Bastaert-letter'. Daaronder vier regels van letters met de titel 'Gront ende fondement der Nederlandtsche staende letter' en twee versregels: Noyt eenich werck ... Beide schrijfvoorbeelden met krulwerk. De prenten maken deel uit van een album.
Vijftigjarig bestaan van het Instituut voor Doofstommen te Groningen, opgericht door Henri Daniel  Guyot, 1840
Object type: history medal
Date: 1840 – 1840
Materials: bronze
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879

Bronzen penning, op de voorzijde het borstbeeld van Guyot naar links met omschrift, op keerzijde zeven regels tekst onder een kleine stralende zon tussen een samengestrikte eiken- en klimoptak.
Portret van een man met snor in uniform
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: moustache, historical persons, (military) uniforms
D Orangeirie vande Zij
Object type: print
Date: 1696 – 1718
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: palace, french or architectonic garden; formal garden, exterior ~ representation of a building

Zijaanzicht van Paleis Het Loo aan de kant van de orangerie. Prent maakt deel uit van een album.
Frétillon, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: women
Vernieling van het Huis te Oosterhout, op 23 en 24 Januarij 1820
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: flood
Inscriptions: collector's mark: Lugt 2228

Huis te Oosterhout, bij Nijmegen, vernield door het water tijdens de overstroming op 23 en 24 januari 1820. Bomen worden door het woeste water meegesleurd, rechts een schuit waarmee de bewoners van het huis worden gered. Onderdeel van een groep van illustraties uit een boek over de watersnood van 1820.
Twee terracotta sculpturen van twee vrouwen in gewaad en een zittende Paris
Object type: photomechanical print
Date: 1852 – 1857
Materials: paper
Techniques: photolithography
Location: paris
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts), adult woman (+ two persons), (story of) paris (alexander)
Inscriptions: number: ‘VII.’, number: ‘1. 2.’