deem-data/ArtiFact huggingface dataset:
Offer van Isaak
Object type: print
Date: 1645 – 1650
Materials: paper
Techniques: etching, intaglio
Location: italy
Artist: pietro testa
Artist role: draughtsman, painter, print maker
Artist dates: 1611 – 1650
Subjects: ram, when abraham has his hand raised to kill isaac, an angel restrains abraham's hand
Inscriptions: collector's mark: Lugt 240

Rechts Abraham met een mes in de hand, op het punt staand om zijn zoon Isaak te offeren. Linksboven God omringd door engelen, waarvan er één de hand van Abraham tegenhoudt. Naast Abraham een engel met de ram die Abraham offerde in plaats van Isaak.
Een vissersvrouw verdrinkt zich samen met haar ongeneeslijk zieke man in zee
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving, letterpress printing
Location: leiden
Artist: zacharias dolendo
Artist role: print maker
Artist dates: 1561 – 1604
Subjects: death by drowning (non-violent), self-sacrifice, death in the service of a higher purpose
Inscriptions: collector's mark: Lugt 2228

Een vissersvrouw verdrinkt zichzelf en haar man in zee om hen beiden te verlossen van het lijden en de pijn. De vissersvrouw ligt met haar hoofd op een steen, op haar rug in het water. Haar man ligt met zijn rug op haar benen en met zijn benen tegen een rots aan. Bladzijde uit een boek met tekst op het verso.
Portret van luitenant generaal Bernard van Saksen-Weimar
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: hendrik jan heerenbrood
Artist role: print maker
Artist dates: 1787 – 1833
Subjects: karel bernhard (hertog van saksen-weimar-eisenach), eyeglasses, spectacles, commander-in-chief, general, marshal, carrying the sick, wounded and dead off the battle-field, letter, envelope, historical persons (+ three-quarter length portrait), louvain
Inscriptions: collector's mark: Lugt 2228

De geportretteerde staat op de IJzeren brug bij Leuven. Achter hem een slagveld met dode en gewonden soldaten. Hij draagt een militair uniform. In zijn rechterhand heeft hij een brief en een bril.
Headdress for Girls and Women in summer, plate three from Divers Habillements des Peuples du Nord
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: france
Artist: jean-baptiste le prince
Artist nationality: french
Artist dates: 1734 – 1781
Brooch ‘Free peoples never die’
Object type: brooch
Date: 1944 – 1945
Materials: silver
Techniques: embroidery
Location: zandvoort
Inscriptions: inscription: ‘1940 VRIJE VOLKEN STERVEN NIET 1945’, alloy mark: ‘zwaard’, maker's mark: ‘W2V’

Silent Resistance –War and Liberation Jewellery
During the Second World War, small pieces of jewellery were worn in the Netherlands as a silent protest against the German occupier. In April 1941, Dutch coins were officially confiscated for the war industry. As jewellery did not have to be surrendered, coins were quickly transformed into rings, brooches, pins and bracelets.
A portrait of Queen Wilhelmina was worn as a sign of resistance, as well as a token of loyalty to the royal family. Margriet Francisca, the third daughter of Princess Juliana and Prince Bernard, was born
in Canada in January 1943. The pin with the three yellow chicks refers to the three young princesses Beatrix, Irene and Margriet and the steadfastness of the Dutch royal family. After the liberation, coins and silver were used for jewellery conveying messages of hope for a peaceful future.
Studieblad, onder andere met een kerkraam en zuilen
Object type: sketchbook leaf
Date: 1857 – 1859
Materials: paper, pencil
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: column, pillar ~ architecture, church-window, e.g. rose-window
Inscriptions: annotation: ‘[...]’

Blad 68 verso uit een schetsboek met 77 bladen.
Q Neu inventierte Vorstellunge von Stein und Muschel Werck mit Chinesischen Figuren, verziert Vierter Theil / Quatrieme Livre de Formes Rocailles et Cartels Ornés de Figures Chinois
Object type: print
Date: 1736 – 1762
Materials: paper
Techniques: etching
Location: augsburg
Subjects: ornament ~ cartouche, dragon
Inscriptions: collector's mark: Lugt 2228

Een rocaille cartouche met de serietitel. Links zit een oosterse man, voor de cartouche twee draken. Uitgeversnummer 16.
Portret van Willem III, prins van Oranje
Object type: print
Date: 1670 – 1749
Materials: paper
Techniques: mezzotint
Location: low countries
Artist: Anonymous
Subjects: william iii (prince of orange and king of england, scotland, and ireland)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Naaktstudie van achteroverliggende vrouw
Object type: drawing
Date: 1848 – 1927
Materials: chalk, paper
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: lying figure - aa - female human figure (+ nude human being)
Aanslagbiljet voor de eigenaar van een woning te Amsterdam
Object type: document
Date: 1700 – 1700
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: tax collection, tax payment, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Inzake betaling van de achtste penning op 1 mei 1700 . Onderwerpsrubriek binnen de Atlas Amsterdam: Belastingen.
Figure group of a shepherd, and shepherdess near a ruin
Object type: sculpture group
Date: 1764 – 1764
Materials: biscuit porcelain, material), porcelain
Techniques: biscuit (porcelain, material
Location: weesp
Artist: nicolas-joseph gauron
Artist role: keramiekontwerper

This charming figure group is entirely Rococo in style. It was modelled by Nicolas Gauron, who had trained in Tournai and then worked in Weesp for a few years. Gauron’s modelling must have been a great success: the quality of his works was higher than what had been achieved in Weesp until then. The two figures were later also produced as individual statuettes.
The Rape of the Sabines
Object type: drawing
Date: 1667 – 1766
Materials: chalk, parchment
Artist: willem van mieris
Artist role: artist
Artist nationality: dutch
Artist dates: 1662 – 1747
Subjects: children,men,women,horses
Piece
Object type: piece
Date: 1805 – 1815
Materials: silk
Subjects: flowers,wreaths
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 480
Materials: terracotta
Culture: greek, attic

Interior, bit of meander; Exterior, part of basket with fillets; start of handle root
Pendant
Object type: pendant
Date: 1767 – 1800
Materials: glass, gold, stone
Location: turkey

This luxurious pendant worked in gold with inlays of turquoise and red glass cabochons once belonged to a wealthy woman from the Ottoman upper classes. The technique, shape, and style of the floral decoration all point to the later eighteenth century. It was probably part of a luxurious necklace where the pendant would hang in the middle. The red and turquoise colors were thought to have protective properties, while red also is associated with blood. These two colors were particularly favored in marital jewelry as a way of ensuring a healthy life and life cycle of the bride and protect her during birth of children. Together with slippers, an ornamented head dress, and other jewelry it would complete the luxurious outfit. The pendant was also included in a woman's dowry and considered an important financial reserve.
Untitled, from the series "Bois de Boulogne"
Object type: photograph
Date: 1850 – 1850
Techniques: albumen print
Location: france
Artist: charles marville
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1879
Inscriptions: Unmarked recto; inscribed verso, on mount, lower right, in graphite: CM7267C
Part of The Truimph and Exploits of Furius Camillus
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: francesco de'rossi, called salviati, after
Susa Arch
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: lithograph
Location: france
Artist: louis pierre baltard
Artist role: print maker
Artist nationality: french
Artist dates: 1764 – 1846
Fonteines et Cuuettes
Object type: ornament print
Date: 1657 – 1661
Materials: paper
Techniques: etching
Location: france

Fontein met bassin van voren gezien, geplaatst in een buitenruimte en omringd door figuren.
[Outskirts of Governor Generals Camp]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: tents,horses,camps
Le départ de phâya bâla au phra: pătŏm
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: statues, paintings, etc. ~ objects of worship (hinduism, buddhism, jainism)
Inscriptions: collector's mark: ‘Société d'Emulation de l'Ain/ Bourg/ Bibliothèque’, inscription: ‘Pl. XXXVIX’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, youth putting on greave; to the right, drapery?
Drawing of Lions
Object type: drawing, fraktur
Date: 1770 – 1800
Materials: paper, watercolor
Culture: american
Location: united states
Subjects: lions
Caddy spoon
Object type: caddy spoon
Date: 1701 – 1800
Materials: silver gilt
Veld van vijftien tegels met vogels
Object type: vogeltegel
Date: 1640 – 1660
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van vijftien tegels (3 x 5) elk met een veelkleurig (blauw, groen, geel en oranje) geschilderde vogel op een grond met in de hoeken een lelie.
Toren van de Sint-Petrus'-Bandenkerk te Leende
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: leende
Subjects: church (exterior)
Inscriptions: annotation: ‘Leende (N.B.) / Toren a/d R K Kerk / Juli 1904/ N B K-R’, annotation: ‘N.Br.’
Schipbreuk van de hertog van York onderweg naar Edinburg, 1683
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: james stuart (hertog van york), shipwreck
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. II, p. 1139.
Portret van Jan de Witt
Object type: physionotrace
Date: 1790 – 1790
Materials: paper
Techniques: aquatint, etching
Location: paris
Artist: edme quenedey
Artist role: print maker
Artist dates: 1756 – 1830
Subjects: amsterdam, france, silhouette-apparatus, 'physionotrace', historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent heeft het nummer L.38 in het fonds van Quenedey.
Christus in het huis van Maria en Martha
Object type: book illustration
Date: 1590 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ in the house of martha and mary (luke 10:38-42)
Inscriptions: collector's mark: Lugt 240

Prent uit: Joannes Bourgois, Vitae passionis et mortis Jesu Christi Somini nostri mysteria, Antwerpen Hendrick Aertssens, 1622, afb. 32
Handdoek van wit linnen
Object type: towel
Date: 1700 – 1799
Materials: linen
Techniques: peeled fabric
Location: netherlands

Wit linnen handdoek met een pellen blokpatroon, merk WT 74 WH 2oonl.
Picture Book of the Wisteria Trousers (Ehon fujibakama)  絵本ふちはかま; えほんふじばかま
Object type: illustrated book
Date: 1823 – 1823
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yanagawa shigenobu 柳川重信
Artist role: artist
Artist nationality: japanese
Artist dates: 1787 – 1832
Subjects: houses,boys,women
Ruïne van de Grote Kerk te Hoorn, na de brand op 3 augustus 1838
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: ruin of church, monastery, etc., hoorn (north holland)
Inscriptions: collector's mark: Lugt 2228

Gezicht in het verwoeste interieur van de Grote Kerk te Hoorn na de brand van 3 augustus 1838. Bezoekers lopen door de ruïnes, de kerkklokken liggen op de grond. Zie ook de pendant.
Shawl
Object type: shawl
Date: 1801 – 1833
Materials: wool
Techniques: interlocking, weave
Location: india
De Vredesduif
Object type: cartoon
Date: 1912 – 1912
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., symbols, allegories of peace, 'pax'; 'pace' (ripa), noah sends off a dove, political caricatures and satires

Michel (Duitsland), John Bull (Engeland) en Marianne (Frankrijk) kijken uit een luik in de ark van Noach naar de terugkeer van de (vredes)duif. Naar aanleiding van het uitblijven van de vrede in Europa.
Groep bomen voor twee huizen
Object type: print
Date: 1800 – 1890
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: groups of trees, the usual house or row of houses
Inscriptions: collector's mark: Lugt 2228
Margaret Mather, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Portret van Gregorius Brandmüller
Object type: print
Date: 1755 – 1757
Materials: paper
Techniques: etching
Artist: rudolf füssli (der jüngste)
Artist role: print maker
Artist dates: 1737 – 1806
Subjects: painter, trees: palm-tree (+ branch, stick), ornament ~ medallion, historical persons, tools, implements of painter, book, trees: olive-tree (+ branch, stick)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Füssli, Johann Kaspar. Geschichte Und Abbildung der besten Mahler in der Schweitz. Zürich: David Gessner, 1755-1757.
Toy Kitchen
Object type: toy kitchen
Date: 1830 – 1880
Materials: ceramic, metal, wood
Culture: american or german
Location: germany
Subjects: kitchens,toys
The Vicar of Freshwater
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: men,portraits
Three Putti Playing with Dog
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Techniques: drawing, stumping, wash
Location: france
Artist: Anonymous
Artist nationality: possibly french
Artist dates: 1700 – 1799
Palenque de los Moros hecho con burros para defenderse del toro embolado
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: aquatint, etching
Location: spain
Subjects: ass, donkey, bullfight
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie van 40 prenten door Francisco de Goya met voorstellingen van stierengevechten. De eerste editie bestond uit 33 genummerde prenten en werd uitgegeven in 1816. Dit betreft de derde editie, uitgegeven in 1876 door Eugène Loizelet en door hem voorzien van een titelprent en lijst met titels. Naast de 33 prenten publiceerde Loizelet ook de prenten die door Goya op de achterkanten van 7 van de platen werden geëtst. Deze zijn niet voorzien van nummers maar van de letters A-G.
William Hogarth's Trade Card (modern reproduction)
Object type: print, trade card
Date: 1880 – 1928
Techniques: engraving, etching, lithograph
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Palais Lanckoronski: Barend Graat, Das übelgehütete Mädchen
Object type: reproduction
Date: 1912 – 1912
Materials: cardboard
Techniques: photograph
Location: vienna
Subjects: adult woman (+ four persons), garden
Inscriptions: date
Hert
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: hoofed animals: deer
Inscriptions: collector's mark: Lugt 11, number: ‘46’

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Christuskind en Johannes de Doper
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Artist: cornelis schut (i)
Artist role: draughtsman, print maker
Artist dates: 1597 – 1655
Subjects: the christ-child and john the baptist (as child)
Inscriptions: collector's mark: Lugt 2228

De jonge Johannes de Doper zit op zijn knieën en aait een lam. Het Christuskind staat er achter in zegenende houding.
Case (Inrō) with Design of Dragonfly Seated on Leaf of Flowering Plant
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie, inlay
Culture: japanese
Subjects: dragonflies,flowers
Brief aan Philip Zilcken
Object type: letter
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen, printing, writing
Location: liège
Artist: lugné-poe
Artist role: acteur, theaterdirecteur, theatervormgever
Artist dates: 1869 – 1940
Subjects: painter, draughtsman, philip zilcken, brussels
Inscriptions: collector's mark: ‘RPK’, watermark
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Part of a handle from a pelike with a part of a palmette with tendrils at the handle root
Plate
Object type: plate
Date: 1875 – 1875
Materials: porcelain
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: horses
Figure of a Seated Female
Object type: sculpture
Date: 100 – 500
Materials: ceramic, pigment
Location: western mexico
Subjects: people
Bloemornament  met vaas en menselijke hoofden
Object type: print
Date: 1602 – 1670
Materials: paper
Techniques: engraving, etching
Artist: claude rivard
Artist role: print maker
Artist dates: 1592 – 1670

Fuhring, P. & Bimbenet-Privat, M., 'Le style "cosses de pois" : l'orfèvrerie et la gravure à Paris sous Louis XIII', nr. 427, "non retrouvée"
Panel in the Shape of a Sarcophagus Door
Object type: panel
Date: 701 – 733
Materials: limestone
Culture: chinese
Subjects: men,phoenix
Bowl with boys amid floral sprays
Object type: bowl
Date: 1701 – 1800
Culture: chinese
Duodecim anni mensium
Object type: print
Date: 1608 – 1618
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: virgo (zodiacal sign of august), landscape symbolizing august, transporting ~ harvest, cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet), binding ~ harvest, rest during harvest (eating, dancing, making love, etc.)
Inscriptions: collector's mark: Lugt 964

Een landschap met oogstende boeren en korenschoven op het land, voorstellende de maand augustus. Linksvoor een groep rustende figuren. Onderaan het astrologische symbool van het sterrenbeeld maagd. Prent uit een serie van twaalf.
Piece of the stone on which Prince William III set foot on arriving in England
Object type: fragment
Date: 1689 – 1689
Materials: metal, wood
Location: brixham
Artist: Anonymous
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)

This is the stone on which William III first stepped when he landed in the fishing village of Brixham in England on 15 November 1688. He invaded England to overthrow his Catholic father-in-law, King James II, and to prevent him – together with the French king Louis XIV – from turning against the Netherlands. Known as the Glorious Revolution, William’s coup was a great success.
Page of Calligraphy
Object type: non illustrated album leaf
Date: 1601 – 1700
Materials: gold, ink, paper, watercolor
Location: iran
Subjects: persian
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: euaion painter
Artist role: artist

Exterior, right shoulder and part of upper back of a male with a himation
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of left forearm and lower legs of draped figure to left; part of a repair
Amenissimae aliquot requculae
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: village, 'en route', traveller under way

Reizigers op een pad bij een dorp in een bergachtig landschap. Zesde prent van deel twee van een serie van in totaal 52 prenten met landschappen, verdeeld over twee delen van elk 26 prenten.
Tjarkoe Selo
Object type: photograph
Date: 1860 – 1925
Materials: photographic support
Techniques: photograph
Location: russia
Artist: Anonymous
Subjects: russia
Spaanse stier bij een boom
Object type: print
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: bull
Inscriptions: check stamp: Lugt 4777, collector's mark: Lugt 2228a
Gezicht op de Santa Maria di Montesanto en de Santa Maria dei Miracoli op het Piazza del Popolo in Rome
Object type: page
Date: 1888 – 1898
Materials: paper
Techniques: autotype
Location: rome
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: inscription: ‘Autotypie und Buckdruck nach einer Naturaufnahme.’
Fantastical Masked Masculine Heads
Object type: print
Date: 1525 – 1600
Techniques: engraving
Artist: rené boyvin
Artist role: artist
Artist nationality: french
Artist dates: 1525 – 1598
Studie-prentwerk / Etudes gravées
Object type: print
Date: 1804 – 1815
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: lecture ~ university, historical persons, functionaries and dignitaries ~ protestant churches
Inscriptions: inscription: ‘Vroeger/ Herv. Pred. Te/ Loenen/ ob. 1835 eat. 84’

De prenten verschenen eerst maandelijks tussen november 1807 en juli 1816. Later gebundeld uitgegeven als: Studie-prentwerk/ Etudes gravées, ca. 1817. In 1834 volgde nog een heruitgave.