deem-data/ArtiFact huggingface dataset:
Ruiter
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: london
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: riding a horse, ass, or mule; rider, horseman, animal traction, animal-drawn vehicle (carriage etc.)

Op de achtergrond rijtuigen. Blad 10 verso uit schetsboek XXXVI met 26 bladen,
Grafsteen van Joannes van Hove
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: engraving
Artist: edouard van ordonie
Artist role: print maker
Artist dates: 1638 – 1695
Subjects: gravestone, tombstone
Inscriptions: stamp: ‘Koninklijk Oudheidkundig Genootschap Amsterdam’, stamp, collector's mark: Lugt 1641

Rechtsboven genummerd: pag. 385. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Grafmonumenten.
Schets van een paar dames op een terras
Object type: indian miniature
Date: 1800 – 1800
Materials: paper, watercolor
Techniques: brush
Inscriptions: inscription: ‘64’, inscription: ‘1st// Fish atavar’

Een deels ingekleurde tekening van twee vrouwen voor een terras, een zittende en een staande, en een zittende dame op een rolkussen op het terras een kussen tussen haar handen vasthoudend, op de achtergrond een boompartij. De onderkant en beide zijkanten zijn beschadigd en afgescheurd.
Stadsgezicht met toren, mogelijk te Brugge
Object type: print
Date: 1767 – 1840
Materials: paper
Techniques: etching
Location: haarlem
Artist: jacob elias van varelen
Artist role: draughtsman, print maker
Artist dates: 1757 – 1840
Subjects: tower, clock tower ~ monumental adornment, rowing-boat, canoe, etc., canals, waters (in city), bruges
Inscriptions: collector's mark: Lugt 2228
Calanie, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Drumsticks
Object type: element of musical instrument
Date: 1817 – 1817
Materials: wood, ivory, silver
Location: netherlands
Artist: Anonymous
Inscriptions: date letter, maker's mark

Ebbenhouten tromstok met ivoren knop. De stok is bezet met een zilveren bus.
Histoire de la Genèse
Object type: print
Materials: paper
Techniques: engraving
Location: france
Subjects: the labours of adam and eve; infancy of cain and abel (genesis 4:1-2)
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie met mogelijk kopieën naar prenten door Etienne Delaune met illustraties bij de Genesis.
Gezicht op de Kempen met boom en twee figuren bij een brug
Object type: print
Date: 1852 – 1906
Materials: paper
Techniques: etching, retroussage
Artist: emilie rolin-jacquemijns
Artist role: print maker
Artist dates: 1842 – 1906
Subjects: trees, bridge, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Tiqin
Object type: tiqin
Date: 1801 – 1900
Materials: bamboo, hair, silk, wood
Culture: chinese
Location: china
Portrait of Alexander Morus, Professor at Amsterdam
Object type: painting
Date: 1700 – 1732
Materials: oil, metal
Techniques: grisaille
Artist: arnoud van halen
Artist role: draughtsman, painter, print maker
Artist dates: 1673 – 1732
Subjects: alexander morus, portrait of a writer, writer, poet, author
Inscriptions: inscription: ‘Alexander Morus. 1616’

Portret van Alexander Morus (1616-70). Hoogleraar te Amsterdam. Buste in ovaal, naar links. Onderdeel van een verzameling portretten van Nederlandse dichters.
Bob Caruthers, Pitcher, Brooklyn, from the Goodwin Champion series for Old Judge and Gypsy Queen Cigarettes
Object type: baseball card
Date: 1888 – 1888
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,athletes

The Goodwin Champions series of trading cards (N162), was issued by Goodwin & Company in 1888 to promote Old Judge and Gypsy Queen Cigarettes. The series of 50 cards depicts athletes in various disciplines. The Metropolitan Museum of Art owns all 50 cards from the series.
Head of a Ceremonial War Hammer
Object type: head of a ceremonial war hammer
Materials: steel
Culture: french or italian

War hammers were carried as a sidearm by armored cavalrymen for much of the sixteenth century and generally have a hammer-like head opposite a spike or beak: one designed to strike a concussive blow, much like a mace, and the other to pierce or puncture. This example, although entirely of steel, is a ceremonial or symbolic weapon, distinguished by its extensive and exceptionally fine chiseled decoration.
Glass jar with marvered trails
Object type: jar
Date: 401 – 500
Materials: glass
Culture: roman, syro-palestinian

Uncertain translucent color; trail and pontil pad in opaque brownish red. Thick, outsplayed rim, folded over, in, and pressed down into mouth; very short, concave, cylindrical neck; globular body; kick in bottom, with traces of pontil pad. Single marvered trail applied as a large pad on bottom and wound up in a spiral eleven or more times over body and rim, then tooled into hanging festoons with seven upward tooling strokes. Intact; pinprick bubbles on surface; thick creamy brown weathering and iridescence covering most of body with areas of pitting and dulling on exterior, but trail largely unweathered, soil encrustation and thick weathering on interior. Other examples are said to be made from translucent yellowish brown glass. A number of jars of this type are known, all probably from the same Syrian workshop. Their date, however, is less certain, and suggestions range from the 3rd to the 8th century A.D.
(from Sketchbook)
Object type: drawing
Date: 1854 – 1855
Materials: chalk, gouache, graphite, ink, paper
Techniques: drawing, pen
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: human figures,profiles
Henri III, King of France
Object type: print
Date: 1582 – 1586
Techniques: engraving
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Subjects: kings,portraits

When Henri appeared in public after he arrived in Venice in July 1574, the magnificence of his dress was a subject of great interest. Although this print was made about a decade after his visit, the verse along the bottom alludes to the king’s virtues and handsome bearing. Henri was equally famous for his elegant dress and for his relationships with both sexes. The fastidious rendering of his features here conveys an impression of calm authority that was important in the construction of his identity as a monarch. The printed frame suggests that the engraving could be pasted to a more durable surface or pinned to the wall. Two prints in the collection show his entry (59.570.432 and 2015.53).
De Zeeven Neederlanden
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: leeuwarden
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Links een boom met daarop de titel en de wapens van de Republiek en de Zeven Provinciën. Rechtsonder een inzetkaartje van een deel van het huidige Limburg (deel dat destijds tot Staats-Brabant behoorde). Daaronder schaalstok: Gemeene Duitze meilen 15 in een graad. Gradenverdeling langs de randen.
Seated Bodhisattva Maitreya (The Buddha of the Future)
Object type: figurine
Date: 1250 – 1350
Materials: copper alloy, gilt, stone
Techniques: inlay
Culture: nepali
Subjects: buddhism,bodhisattvas,maitreya
Scherf van een pot uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pot
Date: 1700 – 1743
Materials: stoneware
Location: westerwald
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Stoneware, Rhenish, Westerwald, pot; of body, sim. NG 1980-27H2624r.
Portret van Lucas Gassel
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: the hague
Artist: hendrick hondius (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1650
Subjects: lucas gassel, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve naar links van Lucas Gassel. Onder het portret zijn naam en acht regels in het Latijn. Prent uit deel 1 van de serie Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies. Serie van 72 kunstenaarsportretten vervaardigd door Hendrick Hondius I, Simon Frisius, Andries Jacobsz. Stock en Robert de Baudous.
Kapel te Babilinienbroek, waar in een groot aantal ongelukkigen, schuilplaats gevonden hebben (in Louwmaand, 1809.)
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: dike-break
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Hendrik Ewijk. Geschiedkundig verslag der dijkbreuken en overstroomingen, langs de rivieren in het Koningrijk Holland, voorgevallen in louwmaand MDCCCIX. 3 dln. Amsterdam: Johannes Allart en Jacobus Ruys, 1809.
Bonnet
Object type: bonnet
Date: 1800 – 1810
Materials: silk, fiber
Culture: american
Naaldbomen bos op Corsica
Object type: photograph
Date: 1886 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: corsica
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: corsica
Gezicht op de Brouwersgracht
Object type: drawing
Date: 1686 – 1735
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', canal, bridge in city across river, canal, etc., boat propelled by man or animal
Inscriptions: collector's mark: ‘5’ Lugt 1641b, inscription: ‘Port. 5’, inscription: ‘A. Rademaker. f. Te Amsterdam op het einde van de Brouwersgracht’

Onderwerpsrubriek binnen de Atlas Amsterdam: Begijnensloot (Gedempte), Bagijnhofsteeg, Beulingsloot, Bickersgracht en –plein, Bickersstraat (Groote), Bilderdijkskade en -straat, Binnenkant, Blauwburgwal, Boomdwarsstraat, Brouwersgracht, Bleekersspad (Lange), Bleekerssloot, Bloemgracht, Boerenwetering, Boltensgrachtje, Boomssloot (Recht), Badhuisweg.
Bibi van zwart en wit fluweel
Object type: bibi
Date: 1948 – 1952
Materials: velvet
Location: paris
Artist: paulette modes
Artist role: hoedenmaakster, modiste
Artist dates: 1900 – 1984

Kapje (zgn. bibi) van zwart en wit fluweel, open spiraalvorm eindigend in wit fluweel met een met strasstenen versierde gesp.
Verzoeking van de H. Antonius, derde serie
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: paris
Subjects: sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster), deep-sea fishes
Stilleven met fruit, kan en glazen
Object type: photograph
Date: 1907 – 1935
Materials: glass
Techniques: autochrome process
Location: netherlands
Artist: Anonymous
Subjects: still life of miscellaneous objects, netherlands
Arithmetica a phoenicibus inventa est
Object type: print
Date: 1544 – 1544
Materials: paper
Techniques: engraving
Location: italy
Subjects: the liberal arts, 'artes liberales', 'arithmetica' (~ quadrivium); 'aritmetica' (ripa), counting-board, counter, counter-table, weight used on scales
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Personificatie van aritmetica: naakte vrouw, zittend, naar rechts, in peinzende houding. Voor haar staan gewichten en liggen geldstukken. Achter haar een rekenbord met cijfers.
Vive Le Roi! Vive L'Empereur. Vive Le Diable.
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,windmills,soldiers,men,cats,monkeys

A French soldier with a wide mustache stands at center wearing a large cocked hat, inscribed with three ribbons, "Vive Le Diable," "Vive Le Roi," and "Vive Le Empereur." He holds a musket in his right hand and a snuff-box in his left hand. To the right a monkey and a cat embrace. A windmill is in the background at left.
Two Women in a Doorway
Object type: drawing and watercolor
Date: 1882 – 1882
Materials: board, gouache, graphite, paint, paper, watercolor, wood
Location: united states
Artist: lawrence carmichael earle
Artist nationality: american
Artist dates: 1845 – 1921
Vest met staande kraag, revers en tweemaal negen stofknopen van smal en breed gestreept wit katoen en goudbrokaat; voering van crème linnen
Object type: menswear
Date: 1790 – 1800
Materials: cotton, linen
Techniques: brocade
Location: europe
Artist: Anonymous

Vest van katoen met daarin geweven gouden strepen.
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: "La Justice et la Fraternité door Victor Edmond Leharivel-Durocher
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘328B’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Hercules en Omphale
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: hercules in love with omphale; the hero is set to spin wool or to do other women's work among the servants, while omphale wears his lion's skin and wields his club and bow, (story of) cupid, amor (eros)
Inscriptions: collector's mark: Lugt 11
Boots
Object type: boot
Date: 1850 – 1865
Materials: silk
Culture: american
Morihisa, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Processional Crucifix
Object type: painting
Date: 1480 – 1489
Materials: gold leaf, paint, wood
Artist: pietro di francesco orioli
Artist role: artist
Artist nationality: italian
Artist dates: 1458 – 1496
Subjects: christ,saint francis,saint jerome,cross,crucifixion
Stockings
Object type: stocking
Date: 1801 – 1900
Materials: cotton
Culture: french
Alfred, Lord Tennyson
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: men,portraits,profiles

A brilliant poet from an early age, Alfred Tennyson (1809–1892) was widely published and admired by 1850, when Queen Victoria named him Poet Laureate to succeed William Wordsworth. “The Lady of Shalott,” “Break, Break, Break,” “In Memoriam A.H.H.,” “The Charge of the Light Brigade,” and Idylls of the King, a poetic cycle based on the Arthurian legends, are among his best remembered works. Tennyson thought Cameron’s portraits made him look like he had bags under his eyes (correctly, it would seem), and he dubbed this one The Dirty Monk. In a comment that Cameron quoted with a measure of both pride and umbrage, Tennyson declared: “I prefer the Dirty Monk to the others of me . . . except one by Mayall.” The image served as the frontispiece for Cameron’s volume of illustrations for the poet’s Idylls of the King, displayed elsewhere in the exhibition.
The Adoration of the Magi
Object type: painting, sketch
Materials: canvas, oil
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: angels,madonna and child,adoration of the magi

Tiepolo’s compositional ingenuity is apparent everywhere in this oil sketch: the crowded space compressed between the ruins of a triumphal arch, column, and fallen cornice; the impossibly thin and towering ladder; the aggressively foreshortened cow at lower right, and the red-turbaned king’s elbow that juts out towards the viewer. Tiepolo varied the skin tones of the three magi, or wise men, and their pages to contrast with those of the Holy Family and underscore their arrival from distant lands. While probably made in preparation for an altarpiece, the sketch, with its animated paint handling, appealed to collectors in its own right.
Zesde paneel van ruit met Prins Maurits in biddende houding
Object type: light window
Date: 1618 – 1620
Materials: glass, lead
Techniques: leading
Location: netherlands
Artist: Anonymous
Subjects: the hague, maurice (prince of orange)

Groot raam afkomstig uit het klooster van St Agatha bij Cuyk. Prins Maurits in verguld harnas, met hermelijnen mantel en geplooide kraag, blootshoofds, in biddende houding, geknield op een bidstoel voor een lessenaar waarop een boek. De lessenaar staat op een tafel met een donkerblauw kleed met gouden franje gedekt. Helm en handschoenen liggen op de grond voor de tafel. De prins bevindt zich in een koepel door vier vrijstaande Korintische zuilen gedragen; boven zijn hoofd een baldakijn waaruit een lauwerkrans afhangt. De koepel wordt bekroond door het wapen van Maurits en het devies van de Orde van de Kousenband: 'Honi soit qui mal y pense' (Schande over hem die er kwaad van denkt). Wapen door twee lopende jongelingen gesteund. Het wapen leunt tegen het bovenstuk van de koepel. Onder dit tafereel bevinden zich brokstukken architectuur die onoordeelkundig zijn aangebracht. Rechts ligt een jonge vrouw geknield met opgeheven handen. Zij draagt een geel zijden mantel met hermelijn omzoomd. Het gezicht is in olieverf bijgemaakt in 1891.
Façade
Object type: design drawing
Date: 1830 – 1850
Materials: graphite, paper
Techniques: brush, pen
Location: paris
Op het eiland Formosa wordt een man als straf voor diefstal levend begraven
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: the hague
Subjects: buried alive (violent death), formosa
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Dampier, William. Nieuwe reystogt rondom de werreld, 3 delen (1698-1704). Den Haag: Abraham de Hondt, 1698, dl. I, p. 317.
Wall tiles
Object type: wall tile
Date: 1501 – 1700
Materials: earthenware
Techniques: glazing
Subjects: flowers
Troffel en hamer
Object type: print
Date: 1805 – 1891
Materials: paper
Techniques: chromolithography
Artist: karel sluijterman
Artist role: designer
Artist dates: 1863 – 1931
Subjects: tools, aids, implements ~ crafts and industries
Inscriptions: collector's mark: Lugt 1641b

Troffel en hamer met het wapen van Amsterdam. Waarschijnlijk gebruikt bij de eerstesteenlegging van het Wilhelmina Gasthuis. Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Wilhelminagasthuis.
Handschoen van witte katoen
Object type: menswear
Date: 1785 – 1815
Materials: cotton
Techniques: knitting
Location: netherlands
Artist: Anonymous

Een paar wit katoenen handschoenen. Einde der 18e en begin der 19e eeuw.
Pietà
Object type: painting
Date: 1475 – 1500
Materials: paint, panel, wood
Techniques: painting
Location: italy
Artist: after cosimo tura
Artist nationality: italian
Artist dates: 1430 – 1495
Subjects: christian subjects, virgin mary, jesus, death, angels, christianity, men, purple (color), trees, mountain, mountains, paths, heaven, crowns, figures, foliage, century of progress, world's fairs, chicago world's fairs
Titelhoofd met een haan en dieren verborgen in struiken
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: woodcut
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: animals, fowl (cock, hen, chicken, etc.) (+ male animal)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent gebruikt voor: Crane, Walter [vertaling: Veth, Jan]. Kunst en samenleving. Amsterdam: Scheltema & Holkema’s Boekhandel, 1893.
Brief aan anoniem
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: louis royer
Artist role: draughtsman, sculptor
Artist dates: 1793 – 1868
Subjects: money
Inscriptions: seal, watermark, collector's mark: Lugt 2233
A Sketch (Portrait of George Stubbs)
Object type: print
Date: 1751 – 1800
Techniques: etching
Artist: james bretherton
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1799
Subjects: painting,men,artists
Portretten van Betje Wolff en Agatha Deken
Object type: print
Date: 1778 – 1800
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: flushing, elisabeth bekker, the hague, agatha deken, adult woman, historical persons, writer, poet, author

Bij deze portretten een begeleidend blad met verzen getiteld: Een viertal verzen, op den alom befaamden ex-regent R.M. van Goens. Schelm voor't vaderland, en beminnaar van het Oranje huis / Een vyftal verzen, op den berugten Petrus Hofstede, schelm voor't vaderland, en beminnaar van het Oranje huis. S.l.s.n. [1782]. De portretten zijn door Muller beschreven bij het jaar 1784.
Vase
Object type: vase
Date: 1800 – 1800
Materials: gold, pottery
Culture: japanese
Subjects: houses,trees
Design for a Knife Handle with the Personification of Prudence
Object type: print ornament architecture
Date: 1580 – 1600
Techniques: embroidery, engraving
Artist: johann theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1623
Subjects: hilts,women,owls,snakes,squirrels

Design for a knife handle with Prudence personified as a full-length female figure holding a snake in her left hand in an oval, above a candelabrum with squirrels and owls in blackwork.
Kiyomizu-Type Sake Bottle with Design of Chrysanthemum Boy
Date: 1770 – 1770
Materials: stoneware
Techniques: underglaze
Location: japan
De twaalf werken van Hercules
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: etching
Location: rome
Subjects: hercules shoots nessus, the centaur, who attempts to carry off deianira, most important deeds of hercules: the twelve labours
Inscriptions: collector's mark: Lugt 240

De centaur Nessus is veerman bij een rivier. Als hij Deïanira overzet, probeert hij haar te roven en galoppeert hij met haar weg. Hercules die al op de andere oever stond, spant zijn boog om Nessus neer te schieten.
Portret van een jonge vrouw
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: petrus monroche
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Petrus Monroche/ 110, Rue St. Antoine/ Paris’
Kaart met de forten aan de monding van de rivier Paraiba, ca. 1636-1644
Object type: map
Date: 1645 – 1647
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: earl, johan maurits graaf van nassau-siegen, fortress, maps of cities

Illustratie in: Caspar Barlaeus, Rerum per octennium in Brasilia et alibi nuper gestarum sub praefectura J. Mauritii, Nassoviae, c. comitis... historia, Joannes Blaeu, Amsterdam 1647, plaat nr. 26, p. 70/71. Prent in het exemplaar in de collectie van de Rijksmuseum Research Library, standplaats 330 A 18.
Bar Harbor, Mount Desert
Object type: photomechanical print
Date: 1875 – 1880
Materials: paper
Techniques: photograph
Location: bar harbor
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Bisschop Lodewijk van Toulouse
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: archbishop, bishop, etc. (roman catholic)
Inscriptions: inscription: ‘237’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 219v.