deem-data/ArtiFact huggingface dataset:
Twee bruggen in Rotterdam.
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: Anonymous
Subjects: bridge, occupation ~ war, rotterdam, rotterdam blitz

Twee bruggen over de Maas, een is een boogbrug. Op de voorgrond twee Duitse soldaten
Portret van Karel Alexander hertog van Lotharingen
Object type: print
Date: 1732 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: karel alexander hertog van lotharingen, historical persons, ruler, sovereign
Dukaat uit het Duitse keizerrijk van keizer Franz I Stephan, 1745
Object type: coin
Date: 1745 – 1745
Materials: gold
Techniques: striking
Location: minden

Gouden munt. Voorzijde: borstbeeld van de keizer naar rechts. Keerzijde: met kleed afgedekte sierlijke tafel, waarop de rijksregalia. In afsnede tekst en datum 13 september 1745. Gladde rand. Munt geslagen ter gelegenheid van zijn verkiezing tot keizer.
Man met baard en baret
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: etching
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: head-gear: beret, beard
Inscriptions: collector's mark: Lugt 2228

Op de achtergrond een heuvelachtig landschap.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1902 – 1902
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: grada hermina marius
Artist role: painter
Artist dates: 1854 – 1919
Subjects: painter, draughtsman, philip zilcken, printed matter
Inscriptions: collector's mark: ‘RPK’
Gezicht op het Rokin te Amsterdam met een paard-en-wagen
Object type: sketchbook leaf
Date: 1902 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: four-wheeled vehicle drawn by one animal, urban housing, horse, street
Inscriptions: annotation: ‘Rokin bij Arti’

Gezicht op het Rokin te Amsterdam ter hoogte van nummer 112, Arti et Amicitiae. Vooraan een paard-en-wagen. Pagina 7 en pagina 8 uit een schetsboek met 46 bladen vervaardigd te Noord-Holland en Utrecht.
Grafmonument voor Petrus Camper
Object type: book illustration
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: leiden, print maker, draughtsman, petrus camper, historical persons
Inscriptions: collector's mark: Lugt 964
Immortal falling from a cloud
Object type: print
Date: 1802 – 1856
Materials: paper
Techniques: woodcut
Location: japan
Subjects: river, laundering, falling

De onsterfelijke Kume Sennin valt uit de lucht bij het zien van de ontblote benen een jonge vrouw die langs de rivier de Yoshino de was aan het doen is. Sennin beheerste de kunst van het vliegen, maar het zien van deze benen vervulde hem zodanig met passie, dat hij zijn kracht verloor en uit de lucht viel, vlak voor de vrouw. Later zouden ze met elkaar trouwen.
Twee wandelende kinderen met een pakket
Object type: drawing
Date: 1893 – 1953
Materials: ink, paper
Techniques: pen
Artist: adri ladenius
Artist role: draughtsman
Artist dates: 1883 – 1953
Subjects: parcel, packet, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, :

Twee kinderen in jassen met puntmutsen lopen over een straat. Eén van de twee heeft een pakket onder de arm.
Portret van Gabriel Chemnitz
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: berlin, historical persons, armorial bearing, heraldry

Prent mogelijk uit: Küster, Georg Gottfried. Martin Friedrich Seidels Bilder-Sammlung (...). Berlijn: Buchladen bey der Real-Schule, 1751.
Gezicht op Château d'Acoz
Object type: page
Date: 1864 – 1869
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, belgium
Militairen in uniform bij een bunker te Vlaardingen
Object type: photograph
Date: 1941 – 1945
Materials: paper, photographic support
Techniques: gelatin silver print
Location: vlaardingen
Artist: Anonymous
Subjects: historical persons, the soldier; the soldier's life, (military) uniforms, shelter ~ military service
Inscriptions: annotation: ‘In Vlaardingen auf/ dem Luftschutzbunker’
Familieportret van vijf onbekende kinderen
Object type: frame
Date: 1880 – 1900
Materials: glass, metal, paper, wood
Techniques: albumen print
Artist: Anonymous
Subjects: child, anonymous historical person portrayed
Gezicht op twee bruggen over een rivier in Nikko, Japan
Object type: photograph
Date: 1884 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: nikko
Artist: Anonymous
Subjects: river, bridge
Dame wandelend op een terras
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: etching, intaglio
Artist: willem linnig (ii)
Artist role: print maker
Artist dates: 1842 – 1890
Subjects: adult woman, walking, hiking (recreation)
Inscriptions: annotation: ‘[...] Abdrück [...]’
Madonna del Velo
Object type: print
Date: 1776 – 1831
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: mary and the christ-child with john the baptist (as child)
Inscriptions: collector's mark: ‘GL’, collector's mark: Lugt 12
Portret van een echtpaar
Object type: photograph
Date: 1861 – 1866
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: louis robert werner
Artist role: fotograaf
Artist dates: 1834 – 1896
Subjects: couple of lovers
Inscriptions: inscription: ‘Photographisch Atelier/ L.R. Werner/ voorheen/ P. Carstensen/ Nieuwendijk H 201/ Amsterdam’
Onbekende plaats, brandspuitpenning van spuit 5 met no. 9
Object type: medal
Date: 1680 – 1800
Materials: lead
Techniques: casting, engraving
Location: netherlands
Artist: Anonymous

Loden penning. Voorzijde: cijfer 5 binnen omschrift. Keerzijde: cijfer N. 9
Candlestick
Object type: candlestick
Date: 1883 – 1883
Materials: brass, wood
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904
Abside de Saint-Pierre, Caen
Object type: photograph
Date: 1852 – 1854
Techniques: glass negative, salted paper print
Artist: edmond bacot
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: architecture,cathedrals
Besnijdenis van Christus
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: circumcision of the christ-child by the priest in the temple (luke 2:21)
Inscriptions: number: ‘181’

Gebruikt voor verschillende publicaties die werden gedrukt door Valentin Geißler tussen 1552 en 1560 te Neurenberg.
Beroemde hervormers
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Artist: hendrick hondius (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1650
Subjects: ambrosius blaurer
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Jacob Verheiden, Præstantium aliquot theologorum, qui rom. antichristum præcipuè oppugnarunt, effigies. Den Haag: Hendrick Hondius I en Den Haag: B.C. Nieulandt, 1602-1603. Tevens: Arnhem, J.Janssen, 1604.
Twee monniken op een pad langs een vervallen toren
Object type: print
Date: 1613 – 1617
Materials: paper
Techniques: etching
Location: haarlem
Artist: esaias van de velde
Artist role: draughtsman, painter, print maker
Artist dates: 1587 – 1630
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 240
Vrouw zittend achter een bureau
Object type: album leaf
Date: 1880 – 1910
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: writing-table, writing-desk, sitting figure - aa - female human figure, historical persons, dutch east indies, the
Verzameling van bloemen, elke soort in verschillende aspecten weergegeven
Object type: print
Date: 1650 – 1676
Materials: paper
Techniques: engraving, etching
Subjects: flowers: rose

Deze prent maakt deel uit van een album.
Portret van Ludwig Uhland
Object type: print
Date: 1825 – 1875
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Waterwerken in Nederlands-Indië
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: indonesia
Artist: Anonymous
Subjects: dam (in canal), indonesia
Inscriptions: inscription: ‘Indonesie’
Pifferaro debout et paysanne Italienne assise, dans la cour du 21 Quai Bourbon
Object type: photograph
Techniques: photogravure
Location: france
Artist: charles nègre
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1880
Wine Glass
Object type: glass
Date: 1740 – 1740
Materials: glass
Location: england
Design for T-Cart, no. 3393
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gesù morto, deposto nella tomba
Object type: reproduction
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: florence
Subjects: christ is laid down ~ descent from the cross, picture, painting
Inscriptions: monogram: ‘IR’, inscription: ‘Riproduzione Interdetta’, inscription: ‘(Ed.ne Alinari) P.e 2.a N. 7688 ROMA - Pinacoteca Vaticana. Gesù morto, deposito nella tomba. (Carlo Crivelli.)’
Dootje van Zijll de Jong en Henriëtte Wassin op een heuvel bij een monument
Object type: photograph
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print
Location: europe
Artist: Anonymous
Subjects: henriëtte wassink, amsterdam, adult woman, (high) hill, europe
Inscriptions: inscription: ‘Carte Postale’
Reliekhouder in vorm van medaillon met de opstanding van Christus
Object type: print
Date: 1509 – 1549
Materials: paper
Techniques: woodcut
Location: wittenberg
Artist: lucas cranach (i)
Artist role: draughtsman, print maker
Artist dates: 1472 – 1553
Subjects: resurrection of christ
Inscriptions: collector's mark: Lugt 240

Reliekhouder in de vorm van een medaillon met de opstanding van Christus. De rand is versierd met ornamenten en edelstenen. Op de bovenkant van het voorwerp zit een oog. Op het verso van deze boekillustratie staan fragmenten van afbeeldingen van twee reliekhouders en een fragment van een onderschrift in Duitse tekst bij dit liturgisch vaatwerk.
Portrait of a girl
Object type: relief
Date: 1401 – 1500
Materials: marble
Subjects: girls,portraits,profiles,female nudes
Kongara-doji
Object type: hanging scroll
Date: 1387 – 1387
Materials: ink, silk
Culture: japanese
Artist: ryūshū shūtaku (myōtaku)
Artist role: artist
Artist nationality: japanese
Artist dates: 1307 – 1388
Subjects: men,monks

The famous Zen monk Myōtaku (Ryūshū Shūtaku) produced many paintings and prints of Fudō Myōō and his attendants Seitaka Dōji and Kongara Dōji. This painting illustrates Kongara Dōji and probably formed a triptych with Fudō and Seitaka.
Beaker with Relief-cut Decoration
Object type: beaker
Date: 801 – 1000
Materials: glass
Techniques: glassblowing, cutting
Location: iran

In its size, state of preservation, and fineness of execution, this piece has few parallels in Islamic relief-cut glass. The decoration consists of a band of palmettes, half-palmettes, and floral motifs on two scrolls between two horizontal ridges. Early Islamic carved rock-crystal vessels reputedly produced in Egypt demonstrate a close similarity in technique and design.
Portret van Gustav Georg Tetzel
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: mayor, mayor, burgomaster, historical persons, armorial bearing, heraldry
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior of the larger fragment depicts the top of the head of a woman with a diadem; the interior of the smaller fragment has part of a goal post or column on an exergue?; the exterior of the larger fragment depicts the lower legs of a frontal, draped, seated figure with the fillet from a plektron and the left calf and foot of a draped male to left; the exterior of the smaller fragment has a foot to left with a stick
Cottagers, with Fireside
Object type: print
Date: 1799 – 1799
Techniques: aquatint, etching, mezzotint
Artist: henri merke
Artist role: etcher
Artist nationality: swiss
Artist dates: 1760 – 1820
Subjects: interiors,men,women,dogs,cooking

In the 18th and 19th centuries, magic lanterns entertained viewers by projecting images onto a wall or screen (these box-like devices used a mirror to intensify light and direct it through a tranparent image and lens). The London publisher Rudolph Ackermann produced specially treated prints for use in magic lanterns and this example represents the first stage of such an image. Etched lines, based on a drawing by Rowlandson, have established the design. Next tone would have be added to the printing plate and the resulting images hand-colored and oiled. A finished colored example is in the British Museum.
Portret van mevrouw Nije Doorwaard
Object type: photograph
Date: 1861 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons - bb - woman, amsterdam
Inscriptions: workshop stamp: ‘A. Greiner/ Photograf/ Nieuwendijk L.87, Amsterdam’, annotation: ‘Grootmoeder Nije-Doorwaard’
Fragrant Snow at Broken Bridge
Object type: hanging scroll
Date: 1301 – 1400
Materials: ink, silk
Culture: chinese
Artist: wang mian
Artist role: artist
Artist nationality: chinese
Artist dates: 1287 – 1359
Subjects: trees

An ambitious scholar, Wang Mian was determined to fulfill his responsibilities as a man of talent despite the frustrations and dangers of life under Mongol rule. He studied philosophy, military tactics and politics. He wrote poems and government treatises, drew up battle plans and painted unforgettable images of the flowering plum that became the principal model for plum painters of Ming and Qing times. In this painting, Wang Main brought into balance the expressive and representational elements of his subject, for in depicting silken blossoms and rough branches, he employed both the delicately descriptive techniques of his academic predecessors and the bold calligraphic brushwork of his literati contemporaries. The flowering plum (Prunus mume, or Japanese apricot) became an object of intense enthusiasm during the Southern Song dynasty and has remained one of China's favorite motifs. Blooming before all other trees, it was welcomed as the harbinger of spring. By Wang Mian's time, under the impact of the barbarian Mongol rule, the image of the flowering plum blossoming in the withered winter landscape, had become a powerful symbol of purity and endurance in adversity.
Blad met strooipatroon van uitgespaarde bloemen en vruchten
Object type: printed paper
Date: 1700 – 1850
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met strooipatroon van uitgespaarde bloemen en vruchten.
Niagara
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
VII Virtutum Theologicarum et Cardinalium
Object type: print
Date: 1600 – 1670
Materials: paper
Techniques: engraving
Location: paris
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues

De Kracht (Fortitudo). Genummered rechtsonder: 6. Onderdeel van de serie van zeven theologische en kardinale deugden. Onderdeel van een album met voornamelijk christelijke voorstellingen.
View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian outside the Walls] on the Appian Way, from Views of Rome
Object type: print
Date: 1750 – 1759
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Zicht op het kasteel van Montmorency tussen de bomen
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: paris
Subjects: public gardens, park (+ city(-scape) with figures, staffage), castle, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228a
Simson verslaat de Filistijnen met een ezelskaak
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: with an ass's jaw-bone samson slays a thousand philistines
Inscriptions: collector's mark: Lugt 2228, number: ‘89’

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Gezicht op het huis van Frans Floris
Object type: book illustration
Date: 1868 – 1868
Materials: paper
Techniques: etching, intaglio
Location: antwerp
Subjects: antwerp, print maker, draughtsman, frans floris (i), façade (of house or building)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Mertens, F.H. Album historique de la ville d'Anvers [...]. Antwerpen: J.E. Buschmann, 1868.
Dress
Object type: dress
Date: 1864 – 1864
Materials: cotton
Culture: american
The Good Shoe
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Fotoreproductie van een prent van drie dansende vrouwen
Object type: page
Date: 1852 – 1857
Materials: photographic support
Techniques: salted paper print
Subjects: adult woman, dancing
Inscriptions: inscription: ‘Duch. No 28[7 - col. V. Sestich]’

Foto op blad met vijf foto's op derde ongenummerde pagina na pagina 60.
Nes (Ameland)
Object type: print
Date: 1925 – 1925
Materials: paper
Techniques: lithograph
Artist: otto hanrath
Artist role: print maker
Artist dates: 1882 – 1944
Subjects: sailing-ship, sailing-boat, meadow, pasture, calf
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond een kalf in een weiland. Op de achtergrond zeilschepen op de Waddenzee.
Miniature knife
Object type: knife
Date: 1667 – 1700
Materials: silver
Artist: george manjoy
Artist role: maker
Artist nationality: british
Artist dates: 1685 – 1685
Boot bij een palmenkust in Nederlands-Indië
Object type: photograph
Date: 1912 – 1912
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: onnes kurkdjian
Artist role: fotograaf
Artist dates: 1851 – 1903
Subjects: trees: palm-tree, beach, dutch east indies, the

Onderdeel van Reisalbum met veertig foto's van Nederlands-Indië.
William Walter "Wally" Andrews, 1st Base, Omaha Omahogs/Lambs, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Portret van een onbekend meisje gezeten op een kleed
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: autotype
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Landschap, mogelijk een duinlandschap
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: dunes (sea not visible); in the dunes
Inscriptions: kleurnotitie, handgeschreven

Landschap, mogelijk een duinlandschap. Blad 13 verso en blad 14 recto uit een schetsboek met 34 bladen.
Jug (Bartmann jug) with a roundel in a medallion
Object type: jug
Date: 1625 – 1749
Materials: engobe, glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: frechen
Artist: Anonymous

Kruik (baardmankruik) van steengoed op standvlak met een bolvormige buik en smalle nek. Het C-vormige oor is bevestigd aan de nek en de schouder. Profielen op de nek. Bedekt met een bruine engobe. In reliëf op de buik een gedrukt en opgelegd medaillon met een rozet. Op de nek, doorlopend op de schouder, een baardman. Frechen.
Piece
Object type: piece
Date: 1720 – 1720
Materials: metal thread, silk
Subjects: flowers

Panels such as this—with its extraordinary patterns in long repeats—were called "bizarre" by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving.
Education
Object type: print
Techniques: etching
Artist: claude gillot
Artist role: artist and engraver
Artist nationality: french
Artist dates: 1673 – 1722
Subjects: education
Saint Anthony: "Help Me, O My God!", plate 2 of 24
Object type: print
Date: 1896 – 1896
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Portret van Philipp Konrad Heidegger
Object type: print
Materials: paper
Techniques: engraving
Location: zurich
Artist: david herrliberger
Artist role: print maker
Artist dates: 1697 – 1777
Subjects: rocaille ornament, historical persons, symbols of death
Peg for a Bookbinding
Object type: peg for a bookbinding
Date: 401 – 700
Materials: bone, paint
Techniques: incising, inlay, tinting
Location: egypt
Terracotta fragment of a kylix: Lip cup (drinking cup)
Object type: kylix fragment
Date: 560 – 525
Materials: terracotta
Culture: greek, attic

Exterior, in the handle zone, start of handle root
La Paysanne Tournée a Gauche, un Panier a son Bras (La Paysanne Turned to the Left, a Basket in her Arms), plate 2 from "Varie Figure" (Various Figures)
Object type: print
Date: 1620 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: women,baskets