deem-data/ArtiFact huggingface dataset:
Card Number 316, Iolanthe Faulkner, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Armchair (bergère) (one of a pair)
Object type: armchair
Date: 1765 – 1765
Materials: wood
Techniques: carving, gilding
Artist: louis i cresson
Artist role: maker
Artist nationality: french
Artist dates: 1706 – 1761

This kind of armchair, upholstered between the arms and the seat, is called a bergère. It was introduced at the beginning of Louis XV’s reign, when furniture became less formal and changed according to the latest fashions, as a more comfortable piece of seat furniture. In fact, the armrests are set back from the front corner of the seat rail to accommodate the newly introduced voluminous dresses called “à panier”. The incised decoration on the outer back of the frame suggests that these chairs were intended to be used in the center of the room rather than to be placed against the paneling as part of the wall decoration. These bergères were made around 1760, probably by the joiner (menuisier) Louis I Cresson. The mark L.CRESSON is stamped underneath the frame of one of these chairs. It is difficult, however, to attribute this stamp with certainty to a particular member of the Cresson family since ten of them were masters of the Parisian Corporation des Menuisiers-Ébénistes (Parisian Guild of furniture makers) in the eighteenth century, four of whom were called Louis. Famous in Paris, Louis I Cresson’s workshop was called « L’image de Saint-Louis » and among his prestigious clients were the Prince of Condé and the Duke of Orléans. Executed in the rococo style, his armchairs are known for their gilded frames in beechwood carved with flowers and leaf motifs. With their fine and elegant decoration, they are emblematic of Cresson’s work.
Carpet Fragment
Object type: carpet fragment
Date: 1401 – 1600
Materials: wool
Location: spain
Subjects: birds,medallions

The main decorative element of this wool fragment depicts a blue medallion, containing abstracted yellow and white birds flanking a plant or tree. Other areas of the fragment are ornamented with interlaceing pattern in a rainbow of colors. Similar woven textiles continued to be produced under Christian patronage after the fall of the Nasrid kingdom in 1492, testifying to their aesthetic appeal for Christians as well as Muslims.
De jaargetijden
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: Anonymous
Subjects: children's games and plays, earning money with bear, the four seasons of the year ~ human activities
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van de vier jaargetijden, spelende kinderen en een berentemmer. Onder enkele afbeeldingen een onderschrift. Genummerd rechtsboven: No. 17.
Cylinder seal with hunting scene
Object type: cylinder seal
Date: 834 – 668
Materials: faience
Culture: assyrian
Location: iran
Teapot
Object type: teapot
Date: 1735 – 1735
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: monkeys
List of Plates I-VII, from Tobias Smollett's "The Expedition of Humphry Clinker" (London, 1793), Vol. 1
Object type: print
Date: 1793 – 1793
Techniques: engraving
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Overtocht van Willem III naar Engeland, 1688, en bombardement van Brussel door de Fransen, 1695
Object type: book illustration
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: troop movements, transportation, bombardment

Voorstellingen uit de vaderlandse geschiedenis. Boven: Zicht op water met diverse schepen, rechts stapt Willem III onder begeleiding aan boord van zijn schip. Onder: Stad tijdens bombardement, op de voorgrond drie figuren voor een explosie. Twee voorstellingen van één plaat, respectievelijk genummerd: CXCI en CXCII. Het blad is linksboven gemerkt: XII.D.
Tile
Object type: tile
Date: 1620 – 1640
Techniques: glazing
Subjects: birds,fruit,men,women
Stoel van eikenhout met zitting en rug van leer
Object type: chair
Date: 1675 – 1700
Materials: wood, leather
Location: northern netherlands
Artist: Anonymous

Acht eikenhouten stoelen met leren zitting en rug. De poten vertonen huis en geleden en zijn verbonden door een H-vormig kruis. Aan de voorzijde bevindt zich, tussen twee huizen, een brede voorsport. De achterpoten wijken naar achteren. De rug rust hoog op de stutten en is van boven gebogen.
1. CRÂNE HUMAIN TYPE CELTIQUE (FACE) 2. LA MÊME OCCIPUT. 1/2 nature
Object type: page
Date: 1860 – 1869
Materials: paper
Techniques: photolithography
Location: france
Subjects: animals (+ skeleton of an animal), palaeontology, france
Inscriptions: inscription: ‘Ville de Paris Ateliers photo & Photo-litho E Lacan dir Procédé spécial photo-litho. A. Bilordeaux’, number: ‘Pl. 67’

Voor plek prent in boek: zie nummer onder 'Opschriften / Merken'.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, one frond of a circumscribed palmette
Ein ney Furmbüchlein, Page 5, verso
Object type: book print ornament architecture
Date: 1525 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Gezicht op Huis ter Does bij Leiderdorp
Object type: drawing
Date: 1727 – 1780
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: castle

Tekening naar de prent van Abraham Rademaker, zie RP-P-OB-73.447.
Das of mutsenslip van kloskant met de Oost-Indische kers
Object type: lappet
Date: 1850 – 1880
Materials: silk
Techniques: lace
Location: bayeux
Artist: Anonymous

Das of barbe van zwarte kloskant: Chantilly-kant. Gerekt rechthoekig van vorm. Tweezijdig symmetrisch dessin. Op een mazenfond staan, verspreid uit elkaar, toefjes rankonkels(?) en rozen met spitse uitlopers naar beide zijden. Rondom lopen een brede rechte profiellijst en verdubbelde smallere profiellijsten, die telkens een schulp vormen met uitstralende blaadjes. Aan de uiteinden staat een symmetrisch decor van een c-voluut, driemaal een toefje van drie 'Oost-Indische kers-kelkjes' en twee overhoekse ovaaltjes.
Boston Manufacturing Company's Cotton Mill
Object type: photograph
Date: 1874 – 1879
Materials: photographic support
Techniques: albumen print
Location: waltham
Artist: thomas r. lewis
Artist role: publisher
Artist dates: 1845 – 1901
Subjects: factory-building, cotton (material ~ textile industry)
Buste van dr. Eliza Laurillard (1830-1908), dominee en schrijver
Object type: bust
Date: 1894 – 1894
Materials: marble
Techniques: carved
Location: netherlands
Artist: arend willem maurits odé
Artist role: sculptor
Artist dates: 1865 – 1955
Subjects: eliza laurillard
Inscriptions: signature: ‘Odé 1894’

Arend Willem Maurits Odé (1865 - 1955). Reverend Eliza Laurillard (1830 - 1908). Marble, 1894. Eliza Laurillard was the most celebrated minister active in the second half of the 19th century. Not only did he preach in Amsterdam for 42 years, he also regularly mounted the pulpit of the royal chapel in Het Loo. In addition, Laurillard made a name for himself as a man of letters. According to a contemporary source, his devotional but light-hearted verses and stories were read 'in hovels and in palaces'. The sculptor Odé did this bust on the occasion of Laurillard's 40th jubilee as a minister.
Hat
Object type: hat
Date: 1776 – 1800
Materials: linen, metal, silk

Headdresses, or kokoshniks had the greatest abundance of ornamentation of any type of garment in Russia. They were most often made of damask woven with gilt metallic threads or velvet with gold embroidery. The wealthy peasant class often decorated their kokoshniks with pearls and gemstones. Their decorative elements were representative of the regions in which they were made. Those from the North were embellished with the river pearls that were plentiful in that area while goose down and woolen embroideries were more popular in the South. The headdresses worn by maidens exposed their hair, considered a prize possession in Russian culture. They were often accompanied by a venchik, a forehead covering made of fabric or metal. Married women were required to cover their hair entirely lest they be considered immodest.
Amazzone e Achille
Object type: photograph
Date: 1863 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Artist: michèle mang
Artist role: fotograaf
Artist dates: 1840 – 1909
Subjects: battle of amazons; amazonomachy, sarcophagus
Inscriptions: number: ‘83.’

Het deksel van de sarcofaag dat op de foto te zien is hoorde oorspronkelijk niet bij de sarcofaag.
Border
Object type: textile
Date: 1801 – 1900
Materials: linen, silk
Techniques: embroidery
Location: uzbekistan
Portret van Flavio Biondo
Object type: book illustration
Date: 1549 – 1577
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: history and archaeology (+ portrait of scholar, scientist), historical persons

Prent gebruikt in: Giovio, Paolo. Elogia Virorum literis illustrium (...). Bazel: Peter Perna, 1577.
The Young Monkey Showman (Wakashu sarumawashi)
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Art - Goût - Beauté, Feuillets de l' élégance féminine, Mai 1931, No. 129, 11e Année, p. 28
Object type: magazine
Date: 1931 – 1931
Materials: paper
Techniques: hand coloring, lithograph, pochoir
Subjects: fashion plates, head-gear: hat (+ women's clothes)

Les jolis Chapeaux Saisonniers. Vijf hoeden vor het nieuwe seizoen. Kalot met bloem van Suzanne Talbot; soepele baret van Germaine Page, groene vilthoed van Rose Descat, hoedje van jersey voor de ochtend van Marie-Alphonsine en een 'Bonnichon' van Agnès. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Kustgezicht met schepen
Object type: print
Date: 1613 – 1695
Materials: paper
Techniques: etching
Subjects: coast
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Hampstead Heath, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Titelblad voor: Constitutions-Acte für die Batavische Republik, nebst andere dazu gehörige Stücke wie selbige von ihren Einwohnern am 23 April 1798 angenommen sind
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, personifications of countries, nations, states, districts, etc., (story of) minerva (pallas, athena), freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure), netherlands
Inscriptions: collector's mark: Lugt 2166

Gegraveerd titelblad voor een Duitse vertaling van de grondwet van de Bataafse Republiek. Justitia en Minerva plaatsen de zuil der constitutie van 1798 op het voetstuk Vrijheid, Gelijkheid en Broederschap, met rechts de Nederlandse Maagd met de vrijheidshoed op een speer. Op de achtergrond een tempel op een heuvel.
Case (Inrō) with Design of Semi-Circular Bridge (obverse); Crows in Flight Beside Pagoda (reverse)
Object type: inrō
Date: 1701 – 1900
Materials: gold, lacquer, metal, silver
Techniques: fundame, hiramakie, maki-e
Culture: japanese
Subjects: birds,bridges,trees
Kleine figuren
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: woodcut, etching
Location: utrecht
Subjects: disabilities, deformations, beggar
Inscriptions: collector's mark: Lugt 2228

In de ondermarge zes regels Latijnse tekst. Linksonder het getal '1'.
Table Design
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: tables
Actor Ichikawa Danjûrô IV as Taira no Tomomori Disguised as Tokaiya Gimpei in “Yoshitsune’s Thousand Cherry Trees” (“Yoshitsune sembon-zakura”)
Object type: print
Date: 1767 – 1767
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Eef Dumas met haar moeder
Object type: album leaf
Date: 1935 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: frédéric gabriël dumas
Artist role: engineer
Artist dates: 1886 – 
Subjects: paris, beatrice jacqueline eveline dumas, java, historical persons - bb - woman, netherlands, dutch east indies, the

Blad met drie foto's, twee van Eef Dumas op straat met haar moeder, de derde van een onbekende familie in de tuin. Onderdeel van het fotoalbum van Beatrice Jacqueline Eveline (Eef) Dumas, ca. 1880-1952.
Mold for Jewelry
Object type: jewelry mold
Date: 1801 – 1900
Materials: clay, metal
Location: india

These two bangles still encased in their mold provide evidence of lost wax casting that would normally be removed. In this process, a wax model is covered with a refractory clay envelop and fired, hardening the clay and causing the wax to run out of an access channel that had also been formed in the wax. Molten metal is then poured into the mold filling the space previously held by the wax. After the mold is broken away, the cast access points including the bowl-shaped sprue seen at the top and the connecting gates are cut off and the metal surface is polished.
Berekeningen
Object type: sketchbook leaf
Date: 1905 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Inscriptions: annotation: ‘[...]’

Blad 28 verso uit een schetsboek met 34 bladen.
Portret van Gabriel Schweder
Object type: print
Date: 1693 – 1735
Materials: paper
Techniques: etching
Location: augsburg
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Cabinet
Object type: kruisvoetkabinet
Date: 1670 – 1670
Materials: wood
Techniques: lacquer
Location: netherlands
Artist: Anonymous

The decoration of the cabinet is based on lacquer work from China and Japan. Japanese lacquer was being imported into the Netherlands from the beginning of the 17th century onwards. Almost immediately, craftsmen in Amsterdam and other cities began to imitate it, although the materials to make true lacquer were lacking. Curiously, the decoration of the two doors is symmetrical.
Cup with a foliate scrolls and diaper pattern border
Object type: cup
Date: 1754 – 1754
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: vincennes
Inscriptions: mark: ‘gekroonde dubbele L/ B/ Z/ M’

Kop van porselein met een cilindrische wand en C-vormig oor, beschilderd op het glazuur in goud. Op de buitenrand een band met bladranken en servetwerk. Gouden lijn op de voet en de rand. Het oor met stippen, bladmotieven en een gemodelleerde bladrank. Gemerkt op de onderzijde met de gekroonde dubbele L, waaronder een B, en een Z en een M.
View of Rome and Surrounding Country
Object type: print
Date: 1810 – 1810
Techniques: etching, mezzotint
Artist: richard earlom
Artist role: engraver
Artist nationality: british
Artist dates: 1743 – 1822
Subjects: buildings,mountains,landscapes,rome
Portret van Jacobus Hermannus Philipse
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons (+ (full) bust portrait), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een cravate. Onder het portret zijn naam en familiewapen.
The actor Ichikawa Kuzo II as Tanigoro
Object type: print
Date: 1842 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada ii (kunimasa iii, toyokuni iv)
Forward Wheel Swing, from the Gymnastic Exercises series (N77) for Duke brand cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,athletes

Trade cards from the "Gymnastic Exercises" series (N77), issued in a set of 25 cards in 1887 to promote W. Duke Sons & Co. brand cigarettes. There are two versions of the series. All images are the same but the printed text is blue in one set and brown in the other.
Squirrel on an Autumn Branch
Object type: folding fan mounted a an album leaf
Date: 1880 – 1889
Materials: ink, paper
Culture: chinese
Artist: xugu (zhu huairen)
Artist role: artist
Artist nationality: chinese
Artist dates: 1823 – 1896
Subjects: squirrels

This image displays Xu Gu's virtuosic juxtaposition of the fine brushwork of the squirrel's fur with the bold strokes that define the branches and leaves. Balanced between naturalistic observation and daring abstraction, the animated image is both impressionistic and illusionistic.
Zittende oude dame naast een tafel
Object type: drawing
Date: 1842 – 1874
Materials: chalk, paper, pencil
Techniques: brush
Artist: alfred darjou
Artist role: draughtsman
Artist dates: 1832 – 1874
Subjects: sitting figure - aa - female human figure, old woman
Inscriptions: signature, recto, lower right, pencil: ‘a. Darjou’, annotation, verso, lower right, pencil: ‘Darjou / P.J. 1163’, collector's mark, verso, on the passepartout: Lugt 2228

Zittende oude dame, met naast zich een tafel waarop een bloemvaas.
Molen de Gooyer aan de Nieuwe Vaart, Amsterdam
Object type: stereograph
Date: 1857 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: j.g. beers
Artist role: fotograaf
Subjects: canals, waters (in city), windmill
Inscriptions: number: ‘25438’, number: ‘279’
God Ganesha, Remover of Obstacles
Object type: sculpture
Date: 801 – 1000
Materials: stone
Location: central java
Subjects: ganesha, gods (deities), religion
Schetsen van vissersboten, eenden en een huis
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: london
Subjects: parts (of house or building), sailing-ship, sailing-boat, coast, water-birds: duck
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760
Sterfbed van Frederik Hendrik, 1647
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: constantijn huygens (i), johan maurits graaf van nassau-siegen, frederick henry (prince of orange), william ii (prince of orange), amalia of solms-braunfels, frederik willem van brandenburg (i), berlin, louise henriëtte (prinses van oranje), graaf hendrik van nassau-siegen, delft, the hague, jacob cats (1577-1660), london, mary henrietta stuart, maria (prinses van oranje) (1642-1688), deathbed, the death of frederick henry

Het sterfbed van Frederik Hendrik. De prins wordt in zijn laatste momenten getroost door de predikant J. Goethals. De directe familieleden van de prins en verschillende bestuurders hebben zich om het bed verzameld. In de voorstelling worden zij met cijfers aangeduid. In de legenda 1-15 onder de voorstelling staan de corresponderende namen. Dit exemplaar heeft op de achterkant een gedicht van Cats over twee kolommen. De prent is volgens deze tekst gebruikt als inleiding bij het gedicht 'de Doot-kiste voor de levenden' (1647).
Roma. Castel S. Angelo. Tevere. Veduta antica
Object type: photograph
Date: 1906 – 1920
Materials: photographic support
Techniques: photography
Location: milan
Subjects: fortress, river, bridge
Acht waterspuwers op de noordelijke toren van de abdij van Saint-Denis
Object type: book illustration
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: ornament ~ grotesque
Inscriptions: collector's mark: Lugt 2228

Prent uit: S.n. Bouwkundige bijdragen. Amsterdam: Bakkenes & Co, L. van, 1849.
Bukkende vrouw die objecten in haar schort verzamelt
Object type: drawing
Date: 1876 – 1901
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Parfait Glass
Object type: parfait glass
Date: 1830 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Alle heiligen en de Christelijke feestdagen van het jaar
Object type: print
Date: 1632 – 1636
Materials: paper
Techniques: etching
Location: paris
Subjects: male saints (with name), the beheading of john the baptist
Inscriptions: collector's mark: Lugt 240

Blad met vier ovale voorstellingen, elk met opschrift en datum in het Latijn: linksboven de Heilige Medericus van Autun die spreekt tot drie monniken, rechtsboven de onthoofding van de Heilige Johannes de Doper, rechtsonder de Heilige Fiacrius van Brie die een tuin omspit, linksonder een bisschop met een gordel in de hand op een podium. Deze prent is onderdeel van een serie prenten met voorstellingen van de heiligen en de christelijke feestdagen van het jaar. Er zijn steeds vier scènes van één plaat op één blad gedrukt. Inclusief bijbehorend titelblad en frontispice gaat het in totaal om 124 platen (490 voorstellingen). De drie platen met de laatste 12 scènes (de veranderlijke christelijke feestdagen) zijn in de derde staat versneden tot 12 kleine plaatjes, en met een apart titelblad uitgegeven.
Girdle buckle
Object type: girdle buckle
Date: 1368 – 1644
Materials: jade
Culture: chinese
Entombment (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: men,entombment