deem-data/ArtiFact huggingface dataset:
Fotoreproductie van een portret van Albert Millaud
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: paris, journalist, reporter, historical persons
Inscriptions: inscription: ‘Figaro-Album/ A. Millaud/ Liébert Phot.’
Kostuum van een minister van het Directoire
Object type: print
Date: 1795 – 1799
Materials: paper
Techniques: aquatint, etching, hand coloring
Subjects: minister ~ government, national government, clothes, costume, head-gear: hat (+ feathers used for clothes)
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De Fransche Revolutie. (Het Directoire).
Musket uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: musket
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fragm, id. NG 1978-74H986 or NG 1980-27H3069, eyes broken off, side plate.
Portret van een man met bakkebaarden
Object type: carte de visite
Date: 1868 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: doornik
Artist: théophile brackelaire
Artist role: fotograaf
Subjects: sideburns, historical persons
Inscriptions: inscription: ‘ÉTABLISSEMENT PHOTOGRAPHIQUE/ DE/ Théophile BRACKELAIRE/ Rue Roc St. Nicaise, 17,/ TOURNAI.’
Program for La Lépreuse
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Drie episoden uit het leven van de heilige Bernardinus van Siena
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: italy
Subjects: bernardino of siena, franciscan friar; possible attributes: book, tablet (disk) with ihs monogram, three mitres at his feet - early life of male saint
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Op de voorgrond de doktoren van de hospitaals in Siena die zich in wanhoop wenden tot de rector tijdens de uitbraak van een pestepidemie (episode 7). Rechts de ziekenzaal van het hospitaal met pestlijders (episode 8). Op de achtergrond links de heilige Bernardinus van Siena wakend en mediterend voor een altaar (episode 9).
Portret van Philippe-Emmanuel de Lorraine hertog van Mercoeur
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Finger Ring
Object type: ring
Date: 601 – 700
Materials: glass, silver
Culture: frankish
Location: northern france
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: to escape the assigned task by god jonah boards a ship about to go to tarshish, jonah's call and disobedience (jonah 1), jonah is sent by god to nineveh to preach to its sinful citizens

Jona wordt door God de Vader naar de stad Nineve gestuurd. Jona wil niet en vlucht met een schip naar Tarsis. Jona wijst al op het schip dat hij zal nemen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Jona 1:2. Deze prent maakt deel uit van een album.
Kanagawa: View over the Sea from the Teahouses on the Hill (Kanagawa, dai no chaya kaijo miharashi), no. 4 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Design for White Curtains with Gold Pendiment and Tie-backs
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: curtains
L'Architecture la Décoration l'Ameublement
Object type: reproduction
Date: 1873 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: liège
Subjects: dinner-service, cupboard, chair
Inscriptions: stamp: ‘AFGESCHREVEN/ [...]’, inscription: ‘Déposé’, number: ‘41’, stamp: ‘TEEKENSCHOOL/ VOOR/ KUNST-NIJVERHEID/ HAARLEM’, inscription: ‘Eug. Prignot. inv.’

Deze foto maakt deel uit van een omslag met 61 foto's op 61 bladen.
Ensemble
Object type: ensemble
Date: 1760 – 1760
Materials: cotton, linen, metal, silk
Culture: french
Groepsfoto
Object type: photograph
Date: 1908 – 1910
Materials: photographic support
Techniques: photography
Subjects: andries augustus boom
Inscriptions: inscription: ‘Gravenstraat. Paramaribo. October 1908 / van der Werk - A.A. Boom - Freule de Jonge - Van Hall’

Groepsfoto in het huis van Dr. van Hall in de Gravenstraat: Dhr. van der Werk, Andries Boom, Freule de Jonge en Dr. van Hall. Paramaribo, oktober 1908. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Christus en de apostelen
Object type: print
Date: 1508 – 1512
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: the apostle bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff
Inscriptions: collector's mark: Lugt 2228a
Heilige Ignatius van Loyola
Object type: print
Date: 1697 – 1737
Materials: paper
Techniques: engraving
Location: germany
Artist: johann heinrich störchlin
Artist role: print maker
Artist dates: 1687 – 1737
Subjects: rome, clergyman, ihs ('iesus hominum salvator') ~ symbol of christ, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Marble spouted bowl
Object type: bowl with spout
Date: 2700 – 2200
Materials: marble
Culture: cycladic

The artistry of Cycladic marble-workers is evident in the stone vases as well as in figures. This example is exceptional for the thinness of the walls, the finely articulated spout, and the large size.
Portret van Ahasuerus Francken
Object type: reproduction
Date: 1900 – 1936
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: nijmegen, historical persons
Inscriptions: inscription: ‘Dr. Ahasueros Franken/ geb. 1790 te Nijmegen/ gest. 1857 te Doorn./ Was achtereenvolgens predikant te/ Muiden, Doetinchem, Delft en Utrecht/ en werd in 1844 voorzitter van de/ Algem. Synode der Ned. Herv. Kerk./ Geschonken aan het Archief van Het Prov. Utr. Genootschap/ door zijn kleinzoon./ Dr. C.J. Wijnaends Francken’
Top hat
Object type: top hat
Date: 1830 – 1830
Materials: silk
Culture: american
Netsuke with Carved Openwork Design
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Tazza (Alzata)
Object type: tazza
Date: 1667 – 1700
Materials: earthenware
Techniques: glazing
Subjects: flowers,coat of arms
Gesluierde vrouw leunt tegen portretbuste van Vittorio Alfieri
Object type: print
Date: 1795 – 1810
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons, portrait of a writer, single muses
Inscriptions: collector's mark: Lugt 2228

Prent uit: Holcroft, Thomas. The Theatrical Recorder. Londen: Henry Delahoy Symonds, 1805, dl. 1.
Le Magasin de Meubles
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: table

Twee speeltafels in de Lodewijk XVI-stijl.
Rain Sculpture, Salt Creek Canon, Utah
Object type: photograph
Date: 1872 – 1872
Techniques: albumen print
Location: united states
Artist: william h. bell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910
Subjects: collected by hugh edwards

In addition to operating his own photographic studio, William H. Bell served as staff photographer for the Army Medical Museum in Washington, D.C., where he documented wounds received by soldiers during the Civil War. In 1872, he joined a surveying expedition led by Lt. George M. Wheeler, part of a larger governmental effort to assess and ultimately exploit the lands and resources of the West. The photographs that Bell took on the expedition were not only used as references for geologists and geographers, but were also sold as stereographs or, like this print, published in albums distributed to members of Congress by the War Department. Wheeler praised photography’s ability to quickly and easily record the details of “convoluted” rock formations like this one, “so suggestive of the folds of heavy drapery.”
Schrijfvoorbeeld: Mons(ieur) Harmanus Versteege (...)
Object type: album leaf
Date: 1667 – 1718
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: calligraphy

Schrijfvoorbeeld met negen regels tekst in het Nederlands: Mons(ieur) Harmanus Versteege Gunstige ensezeer Beminde Neeff ... De prent maakt deel uit van een album.
Jurk voor een uitknippop
Object type: fashion print
Date: 1825 – 1875
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: fashion plates

In haar rechterhand een zakdoek en boeket.
Publicacion de la paz en Paris
Object type: opticaprent
Date: 1700 – 1799
Materials: cardboard, paper, watercolor
Techniques: brush, cutting, etching, perforating
Location: france
Subjects: proclamation of peace, townhall, military parade, pageant, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2233
Four designs for decorative motifs
Object type: drawing
Date: 1830 – 1897
Materials: graphite, ink, watercolor, paper
Techniques: pen, wash
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Wapenschild met een helm en bladranken
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving
Location: amsterdam

De helm wijst naar rechts. Blad uit serie wapenschilden met lege compartimenten.
Hexagonal vase with ladies, plants, and landscape
Object type: vase
Date: 1667 – 1733
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: women
Carved Figure
Object type: figure
Date: 1662 – 1722
Materials: ivory
Culture: chinese
Subjects: men
Woman in Half-Length, Profile View Facing Left and Reading a Piece of Paper Signed "Catarina"
Object type: drawing
Date: 1702 – 1788
Materials: chalk, graphite
Artist: francesco zuccarelli
Artist role: artist
Artist nationality: italian
Artist dates: 1702 – 1788
Subjects: profiles,women,reading
Taille van een vrouw, arm en handen
Object type: drawing
Date: 1603 – 1662
Materials: chalk, paper
Subjects: hand

Afkomstig uit een tekeningenalbum met onder andere figuur- en handstudies van of naar Caspar en Constantijn Netscher (BI-1894-3720). Tekening bevond zich oorspronkelijk op f. 27.
L'Amour Vainquerur (Love Triumphant) (Furnishing Fabric)
Object type: textile
Materials: cotton
Techniques: engraving, weave, printing
Location: jouy-en-josas
Artist: jean baptiste huet or hippolyte lebas
Artist nationality: french
Artist dates: 1745 – 1867
Uitnodiging uit archief Philip Zilcken
Object type: invitation
Materials: cardboard, ink
Techniques: pen, printing, writing
Artist: Anonymous
Subjects: paris, paul verlaine, painter, draughtsman, philip zilcken, amsterdam
Inscriptions: collector's mark: ‘RPK’
Fragments of the marble stele (grave marker) of a woman holding a baby
Object type: grave relief, fragment
Date: 400 – 375
Materials: marble
Culture: greek, attic
Subjects: infants,women

The well-known grave monument of a woman named Ampharete, which was found in the Kerameikos cemetery at Athens, also shows a seated woman holding a baby. That stele has a rare inscription that sheds light on the meaning of the scene: My daughter's beloved child is the one I hold here, the one that I held on my lap while we looked at the light of the sun when we were alive and that I still hold, now that we are both dead.
Primo libro di caccie varie
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: italy
Subjects: hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), bird hunting
Inscriptions: collector's mark: Lugt 240

Een landschap met op de voorgrond twee gezinnen die met behulp van verschillende vallen en strikken vogels vangen. Op de achtergrond een boer die het veld ploegt met zijn ossen.
St. Christopher
Object type: print
Date: 1475 – 1475
Materials: paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Gezicht op Göschenen en de Dammagletsjer
Object type: photomechanical print
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: photograph
Location: göschenen
Artist: Anonymous
Subjects: village, glacier, mountains
Inscriptions: inscription: ‘140. Goeschenen m.d. Dammagletsch.’

Deze fotomechanische afdruk maakt deel uit van een omslag.
Titelpagina voor: S.n., De Post van den Neder-Rhijn, 1783
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: monsters ~ snakes, freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vrijheid zit centraal op een verhoging. Links een putto met blazend op een bazuin en een schrijvende putto. Rechts verjaagt een putto een driekoppige slang.
Saint Mark's, No. 3
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: drypoint, etching
Location: scotland
Artist: david young cameron
Artist role: draughtsman, print maker
Artist nationality: scottish
Artist dates: 1865 – 1945
Neergestortte V-1
Object type: documentary photograph
Materials: photographic support
Techniques: photography
Location: almelo
Artist: Anonymous
Subjects: almelo, bevrijding van nederland (1945)

Een bom is neergestort op enkele tientallen meters van de lanceerplaats. Deze V-1 was bestemd voor Antwerpen.
Jewelry Elements
Object type: necklace
Date: 1367 – 1600
Materials: stone, glass, gold
Techniques: chasing
Location: iran

Few examples of medieval Islamic jewelry survive, leaving scholars to rely on depictions of jewelry in manuscript paintings of the period for evidence of their appearance. Imagery from Ilkhanid and later period painting reveals that necklaces sharing some details with the jewelry elements shown here were worn by women in the fourteenth to sixteenth century in Iran and Central Asia.
Zesde Nederlandsch nationaal zangersfeest te Amsterdam
Object type: insignia
Date: 1863 – 1863
Materials: bronze
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Eenzijdige bronzen insigne aan draagoog en draagring. Voorzijde: gekroond wapenschild geflankeerd door twee leeuwen binnen omschrift. Keerzijde: blanco.
Maitreya with attendant bodhisattvas
Object type: stele
Date: 386 – 534
Materials: limestone
Culture: chinese
Subjects: buddhism,bodhisattvas,buddha
Ontwerp voor behangselschildering
Object type: drawing
Date: 1752 – 1819
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, drawing
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Gezicht op Slot Belvédère in Wenen, Oostenrijk
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vienna
Subjects: palace
Inscriptions: address: ‘Wien Verlag des Kunst- und Industrie-Comptoirs von Gustav Jägermayer & Co. in Wien (Graben Nr. 14.)’, stamp: ‘RIJKS SCHOOL VOOR KUNSTNYVERHEID/ GROEP[...]’
Ontwerp voor illustratie voor De Kolossus der Negentiende Eeuw door P.J. Andriessen (Textill., blz. 44); scène uit het leven van Napoleon
Object type: design
Date: 1877 – 1942
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: george lodewijk de wetstein pfister
Artist role: draughtsman
Artist dates: 1867 – 1942
Subjects: napoleon i (emperor of the french), (andriessen, de kolossus der negentiende eeuw) specific works of literature (with author, title), historical persons, illustration ~ printed matter, book, historical events and situations
Pole Base in the Form of a Tiger
Object type: pole base
Date: 206 – 220
Materials: stone
Culture: chinese
Subjects: tigers
Jan Pieters Sweelinck
Object type: history print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: deventer, amsterdam, church organ, interior of church, composer at work

De componist Jan Pieterszoon Sweelinck componeert voor de orgel, ca. 1600. Onderdeel van de groep staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti et Amicitiae.
Sopila
Object type: sopila
Date: 1867 – 1900
Materials: metal, wood
Culture: eastern european
Location: croatia
Portret van Guillaume-Thomas François Raynal
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving
Location: augsburg
Artist: Anonymous
Subjects: historical persons
Inscriptions: date
Kleermakerswerkplaats
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: christiaan lodewijk van kesteren
Artist role: print maker
Artist dates: 1832 – 1897
Subjects: tools, aids, implements ~ crafts and industries, tailor, dressmaker, bird in a cage, sewing
Inscriptions: collector's mark: Lugt 2165

In een kleermakerswerkplaats bevinden zich een vrouw met een koperen emmer en een kleermaker met zijn twee jonge knechten, die op een tafel bij het raam zitten te naaien. Aan de muur hangen een schilderij (rivierlandschap), een speldenkussen en een vogelkooitje en op de tafel ligt een schaar.
Coin Portraying Emperor Severus Alexander
Object type: coin
Date: 235 – 235
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse:  IMP  ALEXANDER  PIVS  AVG
Reverse:  P M TR  P XIIII  COS  III  P  P

The front of this coin portrays the emperor Severus Alexander, facing right.

On the back a figure, most likely Severus Alexander, stands holding a whip.
Zemí cohoba stand
Object type: figure
Date: 1000 – 1000
Materials: shell, wood
Culture: taíno
Location: dominican republic
Artist: taíno artist(s)
Artist role: artist
Subjects: men
Mountain Landscape Near Canmore (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: mountains
Stirrup Vessel with one Side Painted with Textile-Like Stepped Motif
Object type: vessel
Date: 100 – 500
Materials: ceramic, paint, pigment
Culture: moche
Location: peru
De chirurgijn
Object type: print
Date: 1581 – 1628
Materials: paper
Techniques: engraving
Subjects: barber; surgeon
Inscriptions: collector's mark: Lugt 2228a

Kopie in spiegelbeeld. Een chirurgijn maakt een insnijding achter het oor van een voor hem op de grond zittende man.
Livre nouveau et utile
Object type: print
Date: 1690 – 1691
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: daniel de lafeuille
Artist role: print maker
Artist dates: 1640 – 1709
Subjects: letters, alphabet, script

Uit serie van 29 deels genummerde bladen met cijfermonogrammen.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Ten black glazed rim fragments from kylikes
Entouragering, de hoep in de vorm van een strik
Object type: jewellery
Date: 1670 – 1690
Materials: diamond, silver
Location: netherlands
Artist: Anonymous

Ring van goud. De stenen in de vorm van een strik.
Le petit Russe
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: books,boys,portraits
Worktable
Object type: worktable
Date: 1805 – 1810
Materials: ivory, wood
Techniques: veneering
Culture: american
Location: united states

Worktables were one of several gender-specific forms produced in the Federal period. The silk fringed bag was for storing sewing supplies, the upper drawer, fitted with compartments, held items for writing. The leaf-covered turret cornices and tapering turned and reeded legs with a drum at the top and elongated, swelled feet are characteristic of Salem Federal-period table forms. The earliest documented use of the word “worktable” in Salem is in 1807, when the cabinetmaking partnership of Elijah and Jacob Sanderson paid Samuel McIntire three dollars for “Reeding & Carving 4 legs for [a] worktable.”
Left foot, possibly from a relief
Object type: foot with shoe
Date: 200 – 101
Materials: terracotta
Culture: cypriot
Subjects: shoes

The foot, wearing a boot, is handmade and hollow. It is from a figure of approximately two-thirds life size.
Textile Fragment
Object type: textile fragment
Date: 701 – 900
Materials: silk
Techniques: tapestry, weave
Location: iran
Subjects: birds
Solidus (Coin) of Empress Irene
Object type: coin
Date: 797 – 802
Materials: gold
Culture: byzantine
Location: istanbul
Subjects: portraits, woman
Inscriptions: Eirene Basilissa ("Irene Empress")

Coins were the ideal way for Byzantine rulers to rapidly circulate their images throughout the empire and beyond, since they were used to pay for imported merchandise and foreign mercenaries. They could also be employed as powerful vehicles for propaganda, promoting messages of dynastic legitimacy and the divine
source of the emperor’s right to rule.

After Christianity became the official religion of the Roman Empire, the Byzantine emperors adopted Christian themes and symbols, most notably the cross, to stand for both the religion and the political state. The previously ubiquitous profile portrait head of coins of the Roman Empire was replaced by frontal or full-body depictions. Christ dominated the iconography, and Greek titles and phrases came to replace the Latin ones.

Irene was one of only three female rulers to hold sole power in the 1,100-year-long history of the Byzantine Empire. This rare coin, minted during her reign, not surprisingly incorporates remarkable iconographical innovations, with every detail stressing her sole imperial authority. She is designated basilissa (empress) in the inscription, the first time this title is present in Byzantine coinage. Her image appears on both sides, representing the first imperial double portrait on a Byzantine coin. She wears a cross-surmounted crown with pendilia (pearl adornments that reach nearly to the shoulders) and a jewel-encrusted loros (a long imperial scarf) and holds in her hands the globus cruciger (cross-topped orb) and cross-topped staff—all signs of male imperial power and dominion over the Christian world.Irene left a notable mark on the male-dominated world of Byzantine politics. She came to power by blinding and exiling her son Constantine VI. Reversing her husband’s policies, she reinstituted icon veneration. Her reign also witnessed the first major challenge from the Christian West, when in the year 800 Charlemagne was crowned Holy Roman Emperor. Irene’s gender was a perceived justifi-cation for this action: a woman could not be a legitimate emperor. This watershed moment initiated a controversy between the rulers of Roman Catholic Europe and those of the Byzantine Empire about rightful claims to imperial authority. Unresolved, the controversy lasted until the end of the Byzantine Empire in 1453.
(15) [Gate of all Nations, Persepolis, Fars]
Object type: photograph
Techniques: albumen silver print
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: architecture,gates,ruins
Elevation of West Façade of a Church
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: architecture,churches
Prijspenning der scholen
Object type: medal
Date: 1743 – 1743
Materials: gold
Techniques: engraving, striking
Location: netherlands
Artist: Anonymous