deem-data/ArtiFact huggingface dataset:
Zevenkantige kruik van tin
Object type: jug
Date: 1800 – 1850
Materials: tin
Techniques: casting, turning
Location: germany
Artist: Anonymous
Inscriptions: inscription (): ‘P.K.’, quality mark (false), inscription (false): ‘GG // 16EGSZ’

Zevenkantige kruik van tin. De drie pootjes worden gevormd door leeuwen, waarop de kruik rust. Op de kruik zijn in vakken rank- en bloemmotieven afgebeeld en een vijftal vrouwelijke heiligen. Het licht gewelfde deksel loopt vrij recht omhoog en is geprofileerd. De knop wordt gevormd door een engelkopje met vleugels. Het eenvoudige duimrust gaat via een dubbelkakig, getand scharnier over in het handvat. Het handvat krult onderaan omhoog en eindigt in een beestenkop. Aan de binnenzijde zijn het deksel en de bodem versierd met een rozet omringd door een parelrand.
Tea Bowl, Coffee Cup, and Saucer
Object type: ceramic
Date: 1760 – 1760
Materials: ceramic, enamel, porcelain, soft paste porcelain
Location: worcester
Fukusa (Gift Cover)
Object type: textile
Materials: cotton, gold, paper, textile, silk, silver, wool
Techniques: embroidery, dyeing, lacquer, lining, weave, stitching
Location: japan
Fragment
Object type: textile
Location: peru
Cord
Object type: cord
Date: 1701 – 1900
Materials: silk
Vier vrouwen drinken koffie in het Tunesische deel van de Wereldtentoonstelling van Antwerpen in 1894
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: adult woman, world fair, world exhibition, child, cup of coffee, antwerp

Prent op derde ongenummerde pagina na pagina 90.
Punch Pot
Object type: punch pot
Date: 1760 – 1760
Materials: stoneware
Culture: british
Location: england
Subjects: flowers
Gourd-Shaped Bottle
Object type: bottle
Date: 1701 – 1800
Materials: glaze, porcelain
Culture: japanese
Subjects: trees
The Lamentation
Object type: painting
Date: 1450 – 1450
Materials: oil, wood
Artist: petrus christus
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1444 – 1476
Subjects: sadness,suffering,christ,mary magdalene,saint john the evangelist,virgin mary,lamentation,death
Dahlia: Dignity, from the series Floral Beauties and Language of Flowers (N75) for Duke brand cigarettes
Object type: print
Date: 1892 – 1892
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: women,flowers

Trade cards from the "Floral Beauties and Language of Flowers" series (N75), issued in a set of 50 cards in 1892 to promote the W. Duke Sons & Co. branch of the American Tobacco Company.
Nederland, ½  cent,1934
Object type: coin
Date: 1934 – 1934
Materials: bronze
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Bronzen munt. Voorzijde: in een veld rijkswapen. Jaartal onderaan in omschrift. Keerzijde: binnen twee samengebonden oranjetakken waarde-aanduiding ½ cent. Kartelrand.
Portret van Antoine Joseph Wiertz
Object type: drawing
Date: 1812 – 1861
Materials: chalk, paper
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: brussels, antoine joseph wiertz, portrait, self-portrait of sculptor, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist

Portret van de schilder en beeldhouwer Antoine Joseph Wiertz.
Her Guardian Angel
Object type: photograph
Date: 1894 – 1894
Techniques: albumen print
Location: saint louis
Artist: keystone view company
Artist nationality: american
Artist dates: 1892 – 1963
Nieuwjaarswens van de Amsterdamse lantaarnopstekers
Object type: print
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jacob coldewijn
Artist role: print maker
Artist dates: 1796 – 1855
Subjects: government services, public services, lantern, street lighting, amsterdam

Nieuwjaarswens van de Amsterdamse lantaarnopstekers en vullers, van 1838. Gezicht in een straat in Amsterdam waar enkele mannen bezig zijn de straatlantaarns te vullen en aan te steken. Een andere man haalt geld op bij een huis. Met een vers in twee kolommen. Van de lantaarnopstekers in de wijk no. 26. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Rijtuig
Object type: drawing
Date: 1888 – 1888
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: date: ‘1888’
Rokende boer bij het vuur
Object type: print
Date: 1626 – 1690
Materials: paper
Techniques: etching
Subjects: pipe ~ tobacco, open hearth, fire-place, urination
Inscriptions: collector's mark: Lugt 2228

Een boer rookt zijn pijp bij het vuur. Links urineert een man in de hoek.
Twee voorstellingen van de aankomst bij de stad en van het aanbieden van de sleutels aan Willem IV, 1751
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: the hague, willem iv (prins van oranje-nassau), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', surrender of keys, flushing
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen. Onderaan de aankomst van de stoet met het rijtuig van de stadhouder bij de Rammekens Poort. Bovenaan het aanbieden van de sleutels aan Willem IV door leden van de magistraat. Onderdeel van de illustraties van de inhuldiging van Willem IV als erfheer van Vlissingen op 5 juni 1751.
Hartstochten na J.B. Greuze Nummer Twee
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: adolescent, young woman, maiden, border, ribbon, braid
Inscriptions: collector's mark: Lugt 2228

'Hartstochten na J.B. Greuze' bestaat uit twee of drie genummerde reeksen. (Sommige nummers komen drie keer voor op drie verschillende afbeeldingen.) Binnen deze omslag bevinden zich achttien verschillende afbeeldingen. Mogelijk heeft dit te maken met de twee momenten waarop Daiwaille de reeks uitgaf, ten tijden van zijn directeurschap aan de Rijksakademie in Amsterdam en daarna als zelfstandige. De omslag behoort waarschijnlijk bij een van deze twee series. Zie Marres-Schretlen in het Bulletin van het Rijksmuseum.
Draagteken voor de feestcommissie te Amsterdam bij het huwelijk van Koningin Wilhelmina 1901
Object type: history medal
Date: 1901 – 1901
Materials: silver, textile
Techniques: pressing

Ruitvormig zilveren draagteken aan broche met oranje strik, opengewerkt tot de letters FC, de rand bezet met de letters O en M en onderaan een geëmaileerd Amsterdams wapenschildje.
Jan Uytenbogaert, Receiver-General ("The Goldweigher")
Object type: print
Date: 1639 – 1639
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Haringschaal, beschilderd met takjes
Object type: haringschaal
Date: 1774 – 1778
Materials: porcelain
Location: loosdrecht

Two herring dishes. Porcelain. Loosdrecht, c. 1774 - 1778. Factory of Johannes de Mol.
Christus in de zuilengang van Salomo
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: attempts to stone christ (john 8:59, 10:31-33)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Christus loopt door de zuilengang van Salomo in de tempel. Een groep joden ondervraagt hem. Ze willen weten of hij de Messias is of niet. Sommigen worden boos over Christus' antwoorden en grijpen naar stenen.
Ear Ornaments with Ibis
Object type: costume and accessory
Date: 1200 – 1450
Materials: gemstone, gold
Techniques: inlay
Culture: inca
Location: ica valley
Subjects: birds, animals
Plate 22 of 38 from Oeuvres de J. B. Huet
Object type: print
Date: 1796 – 1799
Materials: paper
Techniques: etching
Location: france
Artist: jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
Portret van paus Leo XII
Object type: print
Date: 1823 – 1829
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: historical persons, pope
Brush holder
Object type: brush holder
Date: 1701 – 1800
Materials: enamel, stoneware
Techniques: polychrome
Culture: japanese
Oorlogstrofeeën van keizer Trajanus
Object type: album leaf
Date: 1637 – 1691
Materials: paper
Techniques: etching
Location: rome
Subjects: trophy ~ battle, war, cupids: 'amores', 'amoretti', 'putti', angels

Deze prent maakt deel uit van een reeks van 128 prenten(+ titelprent) (alleen de 119 prenten met details van het grote fries zijn genummerd) met voorstellingen van de Zuil van Trajanus.
Terracotta kylix (drinking cup)
Object type: kylix
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: painter of bologna 417
Artist role: artist
Subjects: women

Interior, two schoolgirls Exterior, women conversing The representation in the tondo provides interesting evidence of the education of women in the mid-fifth century B.C. The girl on the left carries a pair of writing tablets and a stylus. Where she and her companion are going is no indicated. Although there apparently were some schools, those who could afford it were probably tutored at home. The girl with the tablets is obviously reluctant, but why we cannot know. The scene on the exterior may have some connection as the paraphernalia suspended in the background includes another set of tablets, torchholders, and an alabastron (perfume vase) in addition to wreaths and slippers.
Glass cosmetic flask (kohl tube)
Object type: cosmetic flask, single
Date: 301 – 400
Materials: glass
Culture: roman

Uncertain color; handles in same glass. Tubular rim, folded out, over, and in; funnel-shaped mouth joining imperceptibly with slender cylindrical neck, which in turn joins with low, piriform body; splayed tubular foot, made by folding; deep kick in bottom with central pontil scar; two rods handles applied in large pads around neck, drawn out at an acute angle, then folded back in, and trailed off on lip of rim. Intact; pinprick bubbles, and blowing striations; severe weathering and pitting, with brilliant iridescence on exterior, whitish weathering and soil encrustation on interior.
The Emperor of Austria
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Artist: Anonymous
Artist nationality: european
Artist dates: 1860 – 1869
Ex libris van Clara Barsösius
Object type: bookplate
Date: 1870 – 1949
Materials: paper
Techniques: printing block
Location: germany
Subjects: spinning-wheel, angels, armorial bearing, heraldry
Armchair (one of a pair)
Object type: armchair
Date: 1760 – 1760
Materials: wood, velvet
Techniques: carving, gilding
Artist: louis i cresson
Artist role: maker
Artist nationality: french
Artist dates: 1706 – 1761
Subjects: flowers

Armchairs with a flat (rather than a curved) back were known as « fauteuils à la reine » for the French Queen Marie Leszczynska (1703–1768) who allegedly favored them during the mid-eighteenth century. They are part of the same set as the two bergères (1971.206.5 and 1971.206.6) also in the Met’s collection. In contrast to the bergères, however, intended to be used in the center of the room, these armchairs were most likely placed against the paneling (meublant) and considered as part of the wall decoration. Made around 1760, these chairs bear the mark L.CRESSON underneath their frames which probably refers to the joiner (menuisier) Louis I Cresson. It is difficult, however, to attribute this stamp with certainty to a particular member of the Cresson family since ten of them were masters of the Parisian Corporation des Menuisiers-Ébénistes (Parisian guild of furniture makers) in the eighteenth century, four of whom were called Louis. Famous in Paris, Louis I Cresson’s workshop was called « L’image de Saint-Louis ». Among his prestigious clients were the Prince of Condé and the Duke of Orléans. Executed in the rococo style, his chairs are known for their gilded frames in beechwood carved with flowers and leaf motifs. With their fine and elegant decoration, this pair of chairs is emblematic of Cresson’s work.
Ship’s model of the Prins Willem
Object type: ship model
Date: 1651 – 1651
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: william ii (prince of orange), sailing-ship, sailing-boat, middelburg, europe
Inscriptions: inscription: ‘VOC ZM’

The real Prins Willem left the harbour of Middelburg in 1651 for its maiden voyage to the East Indies. The ship sailed to Batavia (Jakarta) a total of five times before sinking – with no survivors – on its return home in 1662. The rudder is flanked by a city view of Middelburg, above which are the logo of the Dutch East India Company and a portrait of Prince William II.
Watergraafs of Diemer-meer
Object type: map
Date: 1719 – 1719
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, polder, reclaimed land, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Deel (rechtsboven) van een kaart van de Watergraafsmeer.
Vogel zittend op een als nest dienende houten klomp
Object type: photograph
Date: 1900 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Hoofd van een jongeman, naar links
Object type: drawing
Materials: chalk, paper
Location: deventer
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Inscriptions: signature: ‘Ger.Jr. ; G.Terborch’
Jerobeam en de profeet Achia
Object type: print
Date: 1585 – 1625
Materials: paper
Techniques: engraving
Subjects: meeting of jeroboam and the prophet ahijah; ahijah rends his garment in twelve pieces, ten of which he gives to jeroboam
Inscriptions: collector's mark: Lugt 2228

De Amsterdamse uitgever Claes Jansz. Visscher (II) produceerde vanaf de jaren ’30 van de zeventiende eeuw grote Bijbelse prenten op zogenaamd royaal-formaat papier (ca. 480 x 580 mm). Na zijn dood in 1652 zette zijn zoon Nicolaes Visscher (I) het bedrijf voort en zo ook de uitgave van Royaalbijbelprenten. Toen Nicolaes in 1679 overleed nam zijn zoon Nicolaes Visscher (II) het bedrijf over en gaf kort hierna, omstreeks 1680, een fondslijst uit. Hierin worden 130 prenten met Bijbelse voorstellingen op royaalpapier beschreven (zie documentatie J. van der Waals). Complete prentbijbels op royaal-formaat werden door vader en zoon Nicolaes Visscher uitgegeven onder de titel Historiae Sacrae Veteris et Novi Testamenti. De bladen werden echter ook los verkocht en konden worden gecombineerd met Royaalbijbel-prenten van andere uitgevers. Verschillende Amsterdamse uitgevers brachten namelijk ook bijbelprenten op royaal-formaat uit, onder wie Clement de Jonghe en Cornelis Danckerts. De door de firma Visscher uitgegeven prenten zijn veelal vervaardigd door anonieme prentmakers naar voorbeeld van verschillende zestiende- en zeventiende-eeuwse Bijbelse prenten en prentreeksen. Veelal moesten de composities worden aangepast aan het grotere en langgerekte royaal-formaat. Daarnaast zijn er ook grote bladen van bekende prentmakers zoals Jan van Londerseel, Pieter Nolpe, Jacques de Gheyn (II) en Jan Harmensz. Muller opgenomen in de categorie ‘Bybelsche Figuren, op Royaal-bladen’ in de fondslijst van Visscher.

Prent mogelijk gebruikt in: Historiae Sacrae Veteris et Novi Testamenti (Royaalbijbel). Amsterdam: Nicolaes Visscher (I) en (II), [1652-1702].

In de fondslijst van Nicolaes Visscher II (ca. 1680) is het onderwerp van deze prent onder de titel 'Bybelsche Figuren, op Royaal-bladen.
bestaande uyt de volgende historien.' als volgt genummerd: 45.
Fotoreproductie van een schilderij, voorstellende een zittend gezin voor een meer
Object type: photograph
Date: 1850 – 1855
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: lake, sitting on the ground
Ruitertafereel op Koninklijke Houtvesterij Het Loo: meute honden
Object type: album leaf
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: hunting, chase, hunting dogs, hunting-ground

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
Drill for carving jade
Object type: jade carving tool
Date: 1901 – 2000
Materials: steel
Culture: chinese

These steel drills with blunt points (zhuangding or dingzi in Chinese), flat heads (tuozi), or curving heads (wazi) are used for high relief carving, undercutting, and fine shaping of small jade works. The craftsman holds the jade in one hand against the drill, which is mounted on a spinning shaft. He or she rotates the shaft using foot treadles, while continuously applying abrasives, usually sand mixed with water, to the tip of the drill, which cuts the jade.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Three miscellaneous fragments from DvB 28.7
Buckle
Object type: buckle
Date: 1 – 100
Materials: bronze
Culture: roman
Location: italy
Untitled (Woman in Interior of House)
Object type: photograph
Date: 1846 – 1899
Techniques: albumen print
Location: united states
Artist: j. c. spooner
Artist nationality: american
Artist dates: 1827 – 1919
Subjects: collected by hugh edwards
Gezicht op Muyderberg en Naarden
Object type: drawing
Date: 1808 – 1808
Materials: paper, watercolor
Techniques: brush
Artist: dedeke
Artist role: draughtsman
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Dedeke pinx 1808’
Landscape in Oval
Object type: print
Date: 1637 – 1684
Materials: paper
Techniques: etching
Location: netherlands
Artist: claes van beresteyn
Artist role: draughtsman, print maker
Artist dates: 1627 – 1684
Subjects: meadow, pasture
Inscriptions: collector's mark: Lugt 240
Lower Section of a Box
Object type: box section
Date: 401 – 500
Materials: stone
Culture: gandhara
Subjects: gandhara
Horizontal Panel Design with Five Male Figures Fighting a Dragon
Object type: collection ornament architecture
Date: 1601 – 1700
Materials: ink, drawing material
Techniques: pen
Artist: anonymous, italian, venetian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: men,dragons

Design for a horizontal panel showing five male figures whose lower bodies consist of hairy, meandering tails. They are fighting with a dragon. One of them stabs him with a spear or pole.
Panel
Object type: textile
Date: 1701 – 1725
Location: france
Battle of Austerlitz chessmen (32)
Object type: chessman
Date: 1801 – 1900
Materials: ivory
Subjects: chess,games

The red king is Napoleon, his queen Josephine. The red bishops are soldiers in tricornes. The red knights are French hussars, and the rooks are figures personifying Victory, holding victor's wreaths, on high columns. The pawns are French guardsmen. The green king is possibly Francis I of Austria, and the queen may be his wife, but she resembles Catherine the Great of Russia; her appearance here may be an anachronistic attempt to symbolize the presence of Russia as an ally of Austria at the Battle of Austerlitz. The knights are similar to Polish lancers; the rooks castles, the pawns Prussian infantry. The figures are finely carved, and there is more animation and sculptural quality in the queens and bishops than is customarily seen in chess sculpture.
Stará obecná skola u sv. Petra v Praze
Object type: page
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: façade (of house or building), elementary school; class, form
Shawl
Object type: shawl
Date: 1820 – 1830
Materials: silk, wool
Culture: british
Souvenir spoon with view of Cathedral de Notre Dame des Flots and finial in form of the arms of Le Havre
Object type: souvenir spoon
Date: 1867 – 1900
Materials: gilt, silver

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Spoon
Object type: spoon
Date: 1801 – 1900
Materials: metal, silver

This electrotype is after a seventeenth-century original in the Romanoff House, Moscow, at the time of reproduction.
Den tempel Salomons
Object type: album leaf
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the praying pharisee and the repentant publican in the temple (luke 18:10-14), temple of solomon (1 kings 5-9; 2 chronicles 2-7)

De prent is afkomstig uit: Bybels Lusthof. Amsterdam, J. Klooster, 1740. Ze werd voor het eerst gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629.
De voorstelling is gekopieerd naar een prent van Antonie II Wierix voor: Nadal, Jerónimo. Evangelicae Historiae Imagines. Antwerpen, M. Nutius, 1593.
Déposé
Object type: photograph
Date: 1874 – 1881
Materials: photographic support
Techniques: albumen print
Artist: paul-joseph carpay
Artist role: painter
Artist dates: 1822 – 1892
Subjects: adult woman, child, playing in the woods
Inscriptions: inscription: ‘Etabt. Ch.Claesen , Editeur , Liége , Paris , Berlin’

Deze foto maakt deel uit van een omslag met 24 foto's op 22 bladen.
Cope
Object type: cope
Date: 1434 – 1466
Materials: silk, velvet
Techniques: cutting
Culture: italian or spanish

This cope with a self-orphery is pieced from dark green silk cut voided velvet patterned in an allover stepped repeat of a five-lobed shape enclosing a symmetrically placed stylized plant reminiscent of a pomegranate. The lobed shape is surmounted by smaller plant devices on a branch that echoes its outline. Two fragments, a chasuble, and a cope in cut voided velvet in a similar pattern are in the Musées Royaux d'Art et d'Histoire, Brussels.
Landschap
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: landscapes
Inscriptions: number: ‘128’

Blad 43 verso uit een schetsboek met 43 bladen.
Plan and Elevations of a Room
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture,interiors
De heilige Romualdus
Object type: print
Date: 1712 – 1786
Materials: paper
Techniques: engraving, etching
Location: venice
Subjects: the benedictine monk romuald of camaldoli (or ravenna), founder of the camaldolese order; possible attributes: book, t-shaped staff
Inscriptions: collector's mark: Lugt 2228