deem-data/ArtiFact huggingface dataset:
Confrontatie tussen burgerpatrouille en militaire patrouille te Arnhem, 1784
Object type: history print
Date: 1788 – 1790
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: warfare; military affairs (+ citizen soldiery, civil guard, citizen militia), arnhem, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: P.A. Loosjes. Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie. Amsterdam: Johannes Allart, dl. 3, 1790.
Rust op vlucht naar Egypte
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: etching
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Subjects: rest on the flight into egypt
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit serie van zevenentwintig prenten met de Vlucht naar Egypte.
Association belge de photographie bulletin 16e année: 1889
Object type: book
Date: 1889 – 1889
Materials: paper, cardboard, leather
Techniques: marbled paper, photograph, heliotype, letterpress printing, marbling, photoaquatint, woodburytype
Location: brussels
Artist: a. lefèvre
Artist role: printer
Inscriptions: inscription: ‘C’
Portret van een vrouw
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman
Vijftigjarige viering van slag bij Waterloo
Object type: insignia
Date: 1865 – 1865
Materials: silver, textile
Techniques: striking, weave
Location: netherlands
Artist: Anonymous
Subjects: waterloo

Eenzijdig zilveren draagteken op rozet van geplooid geel textiel, waarvan twee linten afhangen; daarop metalen schild bestaand uit twee tegen elkaar leunende schilden onder kroon, van elkaar gescheiden door ornament
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Object type: drawing
Date: 1420 – 1420
Materials: ink, paper
Techniques: brush, heightening, pen, wash
Culture: italian
Artist: lorenzo monaco (piero di giovanni)
Artist role: artist
Artist nationality: italian
Artist dates: 1370 – 1425
Subjects: men

This rare metalpoint drawing has historically been attributed to the preeminent early fifteenth-century Florentine painter Lorenzo Monaco, and considered part of the album of drawings that belonged to the sixteenth-century biographer and artist, Giorgio Vasari. Vasari's writings on Lorenzo Monaco describe a chiaroscuro drawing of theological Virtues made "with such fine design in so beautiful and graceful a style that it may well be better than the drawings of any other master of those times." This is indeed a chiaroscuro drawing depicting three Virtues, and the Roman numerals written at the upper right (in the same ink used to retrace the drapery) suggest that perhaps as early as the sixteenth century this was one of a series of sheets, or a page in a collector's album. Yet the evidence is insufficient to give the drawing to Lorenzo Monaco. More recently, the drawing has been ascribed to contemporary early fourteenth-century Florentine artists such as the Master of the Judgment of Paris, Giovanni dal Ponte, and Gherardo Starnina (Master of the Bambino Vispo). Through white heightening, the artist carefully studied the dramatic play of light upon the rhythmic, cascading folds of drapery. The identification of the three Virtues as Temperance, Hope, and Fortitude (or Justice) has great resonance, given their attributes and gestures. The seated old man, shown in three poses, may depict a prophet.
Admiraal Blois van Treslong gevangen genomen en naar het Gravensteen te Middelburg gebracht, 1585
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: imprisonment, middelburg

Admiraal Blois van Treslong, beticht van corruptie en insubordinatie, wordt gevangen genomen en onder militaire escorte naar het Gravensteen te Middelburg gebracht, 27 februari 1585.
Ceremonial Metate
Object type: metate
Date: 901 – 1100
Materials: stone
Culture: atlantic watershed
Location: costa rica
Subjects: animals
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 450 – 430
Materials: terracotta
Culture: greek, attic

At the upper left, bit of the panel ornament; part of a draped male to right
De troepen van Bourse verdrijven de Duitse soldaten van Treslong en Merville uit de citadel, 1577
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: wierix
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, capture of city (after the siege), forethought, deliberation; 'previdenza', 'providenza' (ripa), constancy, tenacity; 'costanza', 'tenacità' (ripa)
Inscriptions: collector's mark: Lugt 2760

De troepen van Bourse verdrijven de Duitse soldaten van Treslong en Merville uit de citadel, 1 augustus 1577. In de wolken Rechtvaardigheid. Voorstelling in een rond medaillon met ornamentele allegorische omlijsting met bovenaan de zittende vrouwelijke personificaties van Voorzienigheid (Providentia) en Standvastigheid (Constantia). Onderaan een cartouche met 2 verzen van elk 6 regels in het Frans en Nederlands.
Kop van een everzwijn
Object type: figure
Date: 1400 – 1600
Materials: brass
Techniques: casting, metalworking, punching

Het gegoten en geciseleerd bewerkte voorwerp heeft de vorm van een zwijnskop met slagtanden en voorpoten. Achter de kop het aanzetstuk met zes vlakken, waarin uit punten samengestelde diagonalen zijn geponst. Binnenin een gietijzeren punt ter bevestiging aan een groter geheel.
Moord op Aleid van Poelgeest, 1392
Object type: print
Date: 1840 – 1884
Materials: paper
Techniques: engraving
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: the hague, netherlands
Inscriptions: collector's mark: Lugt 2228

Jonkvrouw Aleid van Poelgeest wordt 's nachts buiten het kasteel vermoord door een aantal Hoekse soldaten, op 22 september 1392. Een van de soldaten schijnt bij met een fakkel en een ander staat op het punt de jonkvrouw met een dolk van het leven te beroven.
Pignons de la châsse de Visé
Object type: photograph
Date: 1877 – 1882
Materials: photographic support
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: adult christ together with apostles, evangelists, saints, etc., sculpture (+ relief ~ sculpture)
Cream pot with cover
Object type: cream pot with cover
Date: 1766 – 1769
Materials: soft paste porcelain
Artist: marieberg manufactory
Artist role: manufactory
Subjects: flowers
Trieste. Via delle Poste
Object type: photomechanical print
Date: 1906 – 1909
Materials: cardboard, photographic process
Techniques: writing
Location: munich
Artist: Anonymous
Subjects: urban housing, street (+ city(-scape) with figures, staffage)
Gipsen afgietsel van een drieluik sculptuur met kruisigingsscène
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation: ‘M 0.80 hoog M 0.86 breed’, annotation
Five Designs for Decorated Plates
Object type: drawing
Date: 1845 – 1855
Materials: ink, watercolor
Techniques: pen
Artist: alfred henry forrester [alfred crowquill]
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1872
Subjects: dishes
Les plaisirs de l'isle enchantée, ou les festes, et divertissements du Roy a Versailles (...) 1664
Object type: print
Techniques: engraving, etching
Location: france
Subjects: lodewijk xiv (koning van frankrijk), french or architectonic garden; formal garden, monsters of the sea, festivities, king, monsters ~ swimming mammals
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

In de grote vijver van de tuin van Versailles is een theater opgericht dat het eiland van Alcine voorstelt met een klein kasteel waarin een ballet wordt opgevoerd. Het koninklijk gezelschap zit, op de voorgrond op de rug gezien, naar het schouwspel te kijken. In de vijver, voor het eiland, drijven drie watermonsters. Onder de voorstelling een draperie met de titel.
Extension Top Phaeton #114
Object type: drawing
Date: 1865 – 1865
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kinderkop
Object type: print
Date: 1885 – 1930
Materials: paper, ink
Techniques: woodcut
Artist: willem van den arend
Artist role: painter, print maker
Artist dates: 1875 – 1954
Inscriptions: signature: ‘W.vandenArend’

Gestileerde kop van een meisje, en profil.
Man's Cap
Object type: costume and accessory
Date: 1575 – 1600
Materials: gilt, linen, metal, silk
Techniques: lace, embroidery, treatment, weave, stitching
Location: england
Subjects: fashion

Nightcaps for men and their counterparts, coifs for women, were long-lived fashion, from about 1580 until 1650. With their heavy encrustations of decoration they were obviously not intended to be worn while sleeping. For the night wear a plain, warm, knitted woolen "biggin" was used. Like the woman's cap, the man's nightcap was meant for indoor wear during social hours at home. Persons of rank or professional men sat for their portraits in them.
Nauplie, le port au couchant
Object type: photomechanical print
Date: 1905 – 1910
Materials: paper
Techniques: photograph
Location: nauplion
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: harbour
Inscriptions: number: ‘47.’
Oranjelint
Object type: ribbon material
Date: 1787 – 1787
Materials: silk
Techniques: printing, weave
Location: netherlands
Subjects: the hague, william v (prince of orange)

Blauw lintje met witte baan waarin een rood lint de volgende symbolen met elkaar vebindt: hoed, appeltjes, adelaar, banderol met opschrift, pijlenbundel met staf. Opschrift: m.: ALLIANS.
Notities
Object type: sketchbook leaf
Date: 1900 – 1903
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Inscriptions: annotation: ‘uit J. Blauw./ 'Rhenvs Fluviorum Europae celeberrimus/ [...]’

Blad 27 verso uit een schetsboek met 45 bladen.
Titelpagina met allegorische voorstelling van een vrouw die twee bijbelse scènes uitlegt
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: fides (faith) as roman personification (+ attributes), the cross ~ symbols of christ, cupids: 'amores', 'amoretti', 'putti', address, talk, lecture (~ meeting) - aa - in the open air
Inscriptions: collector's mark: Lugt 240
S, Paulus primus Eremita
Object type: print
Date: 1590 – 1612
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: paul of thebes, the first hermit; possible attributes: raven, two lions
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sacra eremus ascetarum, Antwerpen, Hendrick Aertssen, 1619. Eerste gebonden uitgave met in totaal vijftig prenten. Prent uit serie van vijfentwintig mannelijke kluizenaars. In 1612 verscheen een ongebonden editie maar op basis van de gewijzigde opschriften en samenstelling wordt aangenomen dat de prenten van de uitgave 1619 ook in 1612 of iets daarvoor gedrukt werden. Roethlisberger beschouwt de uitgave van 1619 als de eerste staat en de ongebonden editie van 1612 als de tweede staat (Roethlisberger 1993, p. 171, 172).
Portret van een meisje met mand bloemen in de hand, aangeduid als Elsa Leybald
Object type: photograph
Date: 1802 – 1888
Materials: cardboard, photographic support
Techniques: albumen print
Location: augsburg
Subjects: flowers, historical persons - bb - woman, container made of plant material other than wood: basket, toddler (female)
Inscriptions: annotation: ‘Februar 88 2 Jahre 9 Mn.’, inscription: ‘Atelier/ für/ Fotografie/ von/ Gebr. Voisard/ in/ Augsburg./ Fuggerstr. u. Grottenau./ Nachbestellungen und Vergrösserungen werden bestens/ effectuirt.’, name: ‘Elsa Leybald Ang[...]g’
Babymuts van wit textiel met ingeweven streep met gerimpeld aangezette strook tule met tuledoorstopwerk
Object type: babymuts
Date: 1800 – 1900
Materials: textile
Techniques: embroidered
Location: netherlands
Artist: Anonymous

De muts heeft drie tunnels waardoorheen een strik is geregen. De muts kan worden bevestigd met een strik van wit lint.
Heidelandschap
Object type: drawing
Date: 1880 – 1880
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: low hill country (+ landscape with figures, staffage)
Inscriptions: date
The Large Limekiln, from Cabinet Reynst
Object type: print
Date: 1655 – 1658
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658
Two brooches in the form of a daisy
Object type: brooch
Date: 1945 – 1955
Materials: metal
Techniques: enameling
Location: netherlands
Artist: Anonymous

Silent Resistance –War and Liberation Jewellery
During the Second World War, small pieces of jewellery were worn in the Netherlands as a silent protest against the German occupier. In April 1941, Dutch coins were officially confiscated for the war industry. As jewellery did not have to be surrendered, coins were quickly transformed into rings, brooches, pins and bracelets.
A portrait of Queen Wilhelmina was worn as a sign of resistance, as well as a token of loyalty to the royal family. Margriet Francisca, the third daughter of Princess Juliana and Prince Bernard, was born
in Canada in January 1943. The pin with the three yellow chicks refers to the three young princesses Beatrix, Irene and Margriet and the steadfastness of the Dutch royal family. After the liberation, coins and silver were used for jewellery conveying messages of hope for a peaceful future.
Aus Bruch der Dämme, den 4.5. Novb. ao. 1675
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: dike-break, den helder, hoorn (north holland)

Dijkdoorbraken tijdens de Allerheiligenvloed van 4-5 november 1675. Vier afzonderlijke voorstellingen onder elkaar van de overstromingen wegens doorgebroken dijken te Den Helder, Hoorn, tussen Amsterdam en Haarlem en bij Muiderberg. Met opschriften in het Duits.
Gezicht op Amsterdam
Object type: sketchbook leaf
Date: 1875 – 1875
Materials: paper, pencil
Location: amsterdam
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: city-view, and landscape with man-made constructions, amsterdam
Inscriptions: annotation: ‘amsterdam friday morning’

Blad 19 verso uit een schetsboek met 46 bladen.
Lappet
Object type: costume and accessory
Date: 1740 – 1749
Materials: lace, linen
Techniques: lace
Location: france
Vaas met ahorntakken
Object type: vase
Date: 1904 – 1906
Materials: glass
Techniques: etching, glassblowing, grinding
Location: nancy
Artist: émile gallé
Artist dates: 1846 – 1904

Concave, geslepen bodem, afgeplat bolvormig lichaam van kleurloos glas, uitlopend in een lange hals. Dubbele Überfang in oranje en rood op een gele en kleurloze ondergrond. Decor van ahorntakken met bessen, deels mat geëtst. Op het lichaam de signatuur Gallé met een *.
Winander Mere, from Elleray, looking north-west
Object type: page
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: lake district
Subjects: lake
Spring Tackle Attachment for Rapier
Object type: arm
Date: 1651 – 1700
Materials: iron
Culture: italian or spanish
Location: italy
Isabel Wachenheimer in de tuin met een onbekend meisje, juli 1960, Verenigde Staten
Object type: photograph
Date: 1907 – 1960
Materials: paper, photographic support
Techniques: gelatin silver print
Location: united states
Artist: isabel wachenheimer-elon
Artist dates: 1928 – 2010
Subjects: leiden, isabel wachenheimer-elon, historical persons - bb - woman, united states of america
Inscriptions: inscription: ‘July 1960’

Albumblad bevat een foto van Isabel Wachenheimer (links) en onbekend meisje (rechts). Onderdeel van het fotoalbum met diverse foto's van de jeugd van Isabel Wachenheimer voor en tijdens de oorlog en diverse momenten van haar volwassen leven na de Tweede Wereldoorlog.
Card Number 67, Maud Clifton, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-6), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the sixth subset, N145-6. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Jozef Israëls
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: the hague, painter, print maker, draughtsman, jozef israëls, historical persons, portrait, self-portrait of painter, painter at work, in his studio, portrait, self-portrait of artist

Portret van de schilder Jozef Israëls, schilderend met palet in de hand. In de serie 'Bekende Tijdgenooten', nr. XX.
Leipzig. Siegesdenkmal
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1907
Materials: cardboard
Techniques: photograph, writing
Location: leipzig
Artist: Anonymous
Subjects: monument, statue
Inscriptions: date
Amphora
Object type: vessel
Materials: ceramic, pigment
Culture: egyptian
Location: egypt
Subjects: dining, drinking
Christus als de barmhartige Samaritaan
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions, the good samaritan (luke 10:30-37) (+ variant), the crucifixion of christ: prelude to christ's death on the cross (matthew 27:34-44; mark 15:23-32; luke 23:33-43; john 19:18-24), christ on the cross (in a fountain), shedding his blood
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De gewonde Mens wordt genezen door het bloed van Christus dat op hem valt, terwijl hij onder het kruis ligt. Op de achtergrond een stad. Onderaan in de marge een vers in het Latijn. Variant op de gelijkenis van de barmhartige Samaritaan.
Gerardus Mercator
Object type: print
Date: 1576 – 1576
Materials: paper
Techniques: engraving
Location: netherlands
Artist: attributed to hendrick goltzius
Artist nationality: dutch
Artist dates: 1558 – 1617
Inscriptions: Lettered: "Aetatis suae LXIIII ... Gerardi Mercatoris Rupelmundani effigiem ... Franc. Hog. M. D. LXXVI."
Rekenpenning uit Antwerpen op de Rijksban op Aken 1612
Object type: history medal
Date: 1612 – 1612
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde de elkaar toegewende borstbeelden van Albert en Isanella met omschrift, op de keerzijde een adelaar met scepter en weegschaal, met omschrift.
Turfschepen langs een kade
Object type: print
Date: 1603 – 1641
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: peat (soil type), sailing-ship, sailing-boat, river, traffic and transport (+ arrival, coming to anchor, at anchor), index finger forwards, pointing, indicating, netherlands
Inscriptions: collector's mark: Lugt 240

Twee figuren bij turfschepen langs een kade. Derde prent van een serie van vier.
Portret van kunstenaar Quinten Massijs
Object type: book illustration
Date: 1752 – 1762
Materials: paper
Techniques: etching
Location: italy
Subjects: louvain, antwerp, draughtsman, quinten massijs (i), historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Prent uit: Moücke, Francesco. Serie di ritratti degli eccellenti pittori dipinti di propria mano, che esistono nell'Imiperial Galleria di Firenze. Florence: 1752-1762.
Tennis Racket, from the Novelties series (N122) issued by Gail & Ax Tobacco to promote Navy Long Cut
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: gail & ax tobacco
Artist role: publisher
Subjects: profiles,women,tennis
Irish Setter, from the Dogs of the World series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: dogs

The "Dogs of the World" series of trading cards (N163) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The series of 50 cards depicts dogs of various breeds. The Metropolitan Museum of Art owns 23 of the series' 50 cards.
After all, public opinion is really pushing hard, from 'News of the day,' published in Le Charivari, January 16, 1869
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,doors,women
Band
Object type: band
Date: 1501 – 1600
Materials: linen
Subjects: animals
Viscera figure with jackal head (Duamutef)
Object type: four son of horus, duamutef, jackal headed, djedmutesankh
Date: 1000 – 945
Location: egypt

Four "viscera" figures, meant to protect the internal organs, were found inside the mummy of Djedmutesankh. Representing the Four Sons of Horus, these were associated with four of the seven packages of viscera that had been removed, dessicated, wrapped in linen, and put back inside the body. Jackal-headed, this example represents Duamutef, usually seen as the embodiment and protector of the stomach.