deem-data/ArtiFact huggingface dataset:
Rice Culture, or Sowing and Reaping
Object type: handscroll
Date: 1353 – 1353
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,working,farmers

Rice Culture depicts China's most fundamental economic activity: the cultivation and harvesting of rice. It is based closely on a set of texts and illustrations first created by the Southern Song court painter Lou Shou (1090–1162). The scroll, which preserves the final nine scenes from this series, bears an inscription, dated 1353, by a Mongolian named Hugechi that states that, after he acquired this painting, he had it remounted and presented it to the Grand Preceptor as a resource for establishing policy. The work not only documents the continuation of the Song-style court painting tradition but demonstrates how Mongol officials, in spite of their nomadic heritage, had come to appreciate both the fundamental nature of agriculture in Chinese society and its importance in sustaining the fiscal health of the dynasty.
Vue de l'intérieur du grand Salon du Palais Roijal
Object type: print
Date: 1810 – 1813
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: townhall, royal palace of amsterdam
Inscriptions: collector's mark: ‘17.11 bis’ Lugt 1641b, inscription: ‘Auctie RWP de Vries / Mei . 81.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, van binnen: Groote zaal, Raadkamer, Schepenkamer, Troonzaal, Mozeszaal, Zitkamer.
Vasi fatti al moderno
Object type: ornament print
Date: 1659 – 1678
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, dragon

De vaas heeft handvatten in de vorm van tritons, onder de tuit staat een putto. Kopie naar een prent in de serie Vases à la moderne. Prent maakt deel uit van een album.
Salver
Object type: salver
Date: 1801 – 1900
Materials: silver gilt
Zittend mannelijk naakt, van opzij gezien (1e prijs 1777)
Object type: drawing
Date: 1777 – 1777
Materials: chalk, paper
Artist: daniël dupré
Artist role: draughtsman, print maker
Artist dates: 1751 – 1817
Subjects: sitting figure (+ nude human being)
Card Number 236, Miss Lawrence, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Bloemenstudie
Object type: watercolor
Date: 1790 – 1862
Materials: paper, watercolor
Techniques: brush
Artist: maria margaretha van os
Artist role: draughtsman
Artist dates: 1780 – 1862
Subjects: flowers
Rechthoekige omlijstingen
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: paris
Artist: jean françois de neufforge
Artist role: print maker
Artist dates: 1714 – 1791
Subjects: ornaments ~ art (+ framing decorations)
Inscriptions: collector's mark: Lugt 2228

Twee rechthoekige omlijstingen met bloemmotieven en guirlandes, in het midden twee ronde omlijstingen met een ster, vleugels, guirlandes en eierlijst. Prentnummer 343.
Fragment van een grafzerk met beeldhouwwerk en jaartal MCCCC.
Object type: grafzerk, zerk
Date: 1497 – 1497
Materials: stone
Location: berne
Subjects: bern (gelderland)

Fragment van de rechterbovenhoek van de grafzerk van Arent van Malsen. Het fragment heeft een rondschrift: INT JAER ONS HEERE/ MCCCC, in de rechterhoek een wapen en in het middenveld een kop van een pauw binnen bladranken. Het fragment hoort bij zeven fragmenten van een incomplete grafzerk (BK-NM-8657-B-1 t/m BK-NM-8657-B-8).
Cartouche van een kaart van Rügen
Object type: ornament print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: standing figure, scrollwork, strapwork ~ ornament, birds, vase ~ ornament, ornament ~ cartouche

Rechthoekige staande cartouche geflankeerd door twee staande manfiguren bij een vaas. De cartouche is een fragment van een kaart van Rügen. De prent maakt deel uit van een album.
Het paleis van de sultan van Marokko (plaat 1), 1640-1641
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: palace

Gezicht op het paleis van de sultan van Marokko in Marrakesh, ten tijde van het bezoek door het gezantschap op een handelsmissie namens de Staten-Generaal onder leiding van Antonius de Liedekercke, van november 1640 tot april 1641. Het paleis (waarschijnlijk het paleis El-Badi) van de sultan Mohammed esh Sheikh es Seghir (op de prent aangeduid als Muley Hamet). Eerste plaat in een ongemonteerd ensemble bestaande uit vijf prenten en 4 tekstbladen. Bovenaan een cartouche met een Arabische opschrift en een banderol met een deel van de titel; op de voorgrond leden van de lokale bevolking.
Ring
Object type: ring
Date: 1550 – 1295
Materials: bone
Location: northern upper egypt
Nederlandse10 cent,1936
Object type: coin
Date: 1936 – 1936
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: hoofd naar links. Keerzijde: binnen twee samengebonden eiketakken waarde-aanduiding 10 cents en jaartal. Kartelrand.
Brief aan Philip Zilcken
Object type: letter
Date: 1894 – 1894
Materials: ink
Techniques: pen, printing, writing
Location: new york city
Artist: samuel putnam avery
Artist role: verzamelaar
Artist dates: 1822 – 1904
Subjects: arnhem, painter, print maker, draughtsman, anton mauve, paris, paul verlaine, philip zilcken, art trade, art shop, the graphic arts, art collecting, money
Inscriptions: collector's mark: ‘RPK’
Glass mosaic fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent cobalt blue, opaque white and yellow, and colorless. Applied coil rim, vertical with rounded edge; shallow side curving in towards bottom. Mosaic pattern formed from polygonal sections of two canes: one in a colorless ground with a yellow spiral, the other in a blue ground with a white spiral; rim in blue with white spiral trail. Polished exterior; pitting and weathering of surface bubbles on exterior; dulling, pitting, and brownish weathering on interior and edges. Coil rim applied unevenly, extending down side on exterior and narrow band on interior.
Enquêteformulier ingevuld door Isaac Salm
Object type: manuscript
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Subjects: amsterdam, draughtsman, isaac salm
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Portrait Head
Object type: drawing and watercolor
Date: 1894 – 1894
Materials: crayon, paper
Techniques: lithograph, transfer
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Platter
Object type: ceramic
Date: 1760 – 1800
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: jingdezhen
Soldat Albanois, plate 78 from "Recueil de cent estampes représentent differentes nations du Levant"
Object type: print
Date: 1714 – 1715
Techniques: engraving, etching
Artist: jean baptiste vanmour
Artist role: artist
Artist nationality: french
Artist dates: 1671 – 1737
Subjects: soldiers,men
Visschersleven
Object type: print
Date: 1872 – 1883
Materials: paper
Techniques: letterpress printing, lithograph
Location: haarlem
Subjects: ships (in general), fisherman
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen over het leven van een visser en zijn familie. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 19.
Stierengevecht in de Plaza de Toros de la Real Maestranza de Caballería de Sevilla
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: spain
Artist: Anonymous
Subjects: bullfight, grounds, fields and accomodations for sports, games and physical performances (+ out of doors (sports, games, etc.)), sevilla

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Spanje en Marokko.
David Brought Before Saul, from "The Art Journal," opposite p. 100
Object type: print
Techniques: engraving, etching
Artist: samuel s. smith
Artist role: engraver
Artist nationality: british
Artist dates: 1810 – 1879
Subjects: kings,heads,men,women,david

This print was published in a London periodical to publicize the December 1867 winner of the Royal Academy Schools gold medal for best historical painting (now private collection). Louisa Starr was the first woman to be officially admitted to the Schools and also the first to win a gold medal. Her Old Testament subject treats the passage: "And as David returned from the slaughter of the Philistine, Abner took him, and brought him before Saul with the head of the Philistine in his hand" (1 Samuel 17:57). Contemporary critics noted, "the artist acted wisely in not loading [the image] with numerous figures and accessories," and praised its tone and color.
Gedecoreerde vaas
Object type: photograph
Date: 1880 – 1885
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: vase ~ ornament
Inscriptions: inscription: ‘La section Italienne a l'exposition universelle d'Anvers/ premies fascicule’
Zaandam. "'t Kalf"
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, hand coloring
Location: amsterdam
Subjects: canal, windmill in landscape
Villa Napoléon, à Arcachon
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: arcachon
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: rural housing, e.g. country-house, villa, cottage, façade (of house or building)
Inscriptions: number: ‘1972’
Heilige bisschop
Object type: book illustration
Date: 1490 – 1510
Materials: paper
Techniques: woodcut
Location: low countries
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), book
Inscriptions: collector's mark: Lugt 2228

Blad uit een boek. Onbekende heilige bisschop met staf en boek.
Gebouw met fontein
Object type: photograph
Date: 1894 – 1894
Materials: paper
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation: ‘Anvers Exposition 1894’, name: ‘P.J. Kool’

Foto van gebouw, genomen tijdens de wereldtentoonstelling in 1894 te Antwerpen.
Schepen op het strand
Object type: drawing
Date: 1797 – 1838
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat, beach
Armes et ustensiles du Kaire
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: weapons,swords,still life

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
December 31st, Table of contents, from 'News of the day,' published in Le Charivari, December 31, 1868
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,skeletons,bicycles
Portret van mogelijk Henriette-Catherine de Joyeuse
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Artist: michel lasne
Artist role: print maker
Artist dates: 1590 – 1667
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Duchesse de Suisse’

Portret ten halven lijve, met brede over de schouders liggende kraag. In ovale lijst met onderaan twee bazuin blazende putti.
Terracotta fragment of an oinochoe: olpe (jug)
Object type: olpe fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Mouth, with a glazed lip, and neck of an olpe
Suit
Object type: suit
Date: 1897 – 1899
Materials: velvet, wool
Culture: french
Model Dish from a Foundation Depsoit
Object type: model, dish, foundation deposit, hatshepsut merytre
Date: 1479 – 1425
Materials: paint, stone
Location: egypt
Glass bowl
Object type: jar or bowl
Date: 201 – 300
Materials: glass
Culture: roman

Translucent pale blue green. Tubular collared rim, folded our, round, and down; horizontal, uneven neck; slightly convex sides, tapering gently downwards; pushed-in bottom with prominent pontil scar at center. Intact; pinprick bubbles and one black impurity in rim; pitting and creamy brown weathering with slight iridescence on exterior.
Penannular Earring
Object type: earring, penannular, circular
Date: 1550 – 1295
Materials: copper alloy
Location: northern upper egypt
A Fan Peddler Showing his Wares to a Young Woman
Object type: print
Date: 1765 – 1770
Techniques: woodblock print
Location: japan
Artist: attributed to suzuki harunobu 鈴木 春信
Artist nationality: japanese
Artist dates: 1725 – 1770
Opaque blue glass oval engraved gem
Object type: intaglio
Date: 100 – 1
Materials: glass, paste
Culture: roman
Subjects: women,aeneas,mars

According to tradition, Rome was founded in 753 B.C. by the twins Romulus and Remus. Sons of the god Mars and a mortal woman named Rhea Silvia, a direct descendant of Aeneas, the twins were abandoned by their uncle in the Tibur river. A she-wolf discovered them on the banks of the river and suckled them until they were taken in by a passing sheperd, Faustulus. Faustulus raised the boys together with his own twelve children until they decided to found a city of their own. They chose the spot by the Tibur where they had been rescued by the wolf, which was near the base of the Palatine hill in Rome. The representation of the wolf suckling the twins became a popular subject in Roman Republican and Imperial art. Here the sheperd Faustulus leans on his staff and watches the Roman she-wolf suckling the twins under a vine.
Portret van George Anson met allegorische figuur
Object type: print
Date: 1749 – 1751
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: banner, standard (as symbol of the state, etc.), attributes of neptune: trident, swimming mammals
Inscriptions: collector's mark: Lugt 240

Portret van George Anson in een ovaal, dat wordt vastgehouden door een allegorische figuur, die de Engelse vlag vasthoudt en op haar hoofd een kroon van oorlogsschepen draagt. Op de voorgrond een zeeleeuw en een mannelijk figuur met een drietand; Neptunus of de personificatie van het element water. Onder het portret het wapen van de geportretteerde.
Stapels turf en hooibalen
Object type: sketchbook leaf
Date: 1809 – 1864
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: peat (soil type), hay-stack
Inscriptions: date and inscription: ‘turf [...] 16/64’

Blad 59 recto uit een schetsboek met 98 bladen.
Portret van Jean Paul Richter
Object type: print
Date: 1820 – 1875
Materials: paper
Techniques: lithograph
Location: kassel
Subjects: jean paul, adult man, historical persons, flowers: rose
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Maas en de citadel van Dinant, België
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: dinant
Artist: Anonymous
Subjects: fortified city, bridge in city across river, canal, etc.
Rotsachtige landschappen
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., bridge, rocks
Inscriptions: collector's mark: Lugt 240

Rechts loopt een herder met zijn kudde in de richting van een houten brug die gedeeltelijk door een rotspartij voert. Linksvoor twee figuren onder bomen.
Fireflies Over the Uji River by Moonlight
Object type: hanging scroll
Date: 1868 – 1912
Materials: gold, ink, silk
Culture: japanese
Artist: suzuki shōnen
Artist role: artist
Artist nationality: japanese
Artist dates: 1849 – 1918
Subjects: rivers

This atmospheric picture of shining fireflies traveling above the grass-flanked Uji River in a distant suburb of Kyoto derives its theme from the famous eleventh-century novel The Tale of Genji (Genji monogatari) by Murasaki Shikibu. Chapter 45 tells of a widowed prince who is a devout Buddhist and lives in the secluded suburbs along the Uji River with his two young daughters. A central scene in the chapter tells of a clandestine visit by a youthful male courtier and his attempts to overhear the music and conversation of the two young ladies. The courtier secretly listens outside their veranda in the dark night. He is hindered, however, by the loud noise of the rushing Uji and by the night's rain and heavy mist. The inky night and heavy atmosphere of the story are conveyed in this painting by the dark sky, and the clamor of the Uji is suggested by the streaming water and the wind-swept reeds. Suzuki Shonen was a professional painter of Kyoto who specialized in landscape. The son of a painter, he received a number of commissions from local temples and taught Japanese-style painting at the Kyoto Prefectural School of Painting.
Edward III
Object type: book illustration
Date: 1701 – 1788
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228

Prent uit: Hume, David. History of England (...). Londen: Thomas Cadell, 1789, dl. 2, p. 371.
Tobias en de vis
Object type: print
Date: 1679 – 1717
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: a large fish appears while tobias is washing his feet; he is frightened
Inscriptions: collector's mark: Lugt 2228

Prent voor: Hoet, Gerard, Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament, en andere boeken, bij de Heilige Schrift gevoegt, door Hoet, Houbraken, en Picart getekent en van de beste meesters in koper gesneden en met beschrijvingen uitgebreid, 3 delen, 's-Gravenhage, Pieter de Hondt, 1728
Devotional Statuette of the Virgin and Child
Object type: statuette
Date: 1250 – 1270
Materials: wood, paint
Culture: french
Location: france

As in the contemporary ivory statuettes displayed nearby, the tender exchange of gestures and glances indicates a remarkable intimacy in this group. The statuette was probably originally set into a protective tabernacle.
Enfield Ravine, above the Fall. Near Ithaca, N.Y.
Object type: photograph
Date: 1860 – 1865
Techniques: albumen print
Location: ithaca
Artist: j. c. burritt
Artist nationality: american
Artist dates: 1860 – 1869
Leverbloempje (Anemone hepatica, oude naam: Hepatica nobilis)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: anemone hepatica, insects: caterpillar

Verschillende sooten leverbloempje. Met een rups op een blad. Genummerd rechtsboven: 286. Rechtsonder de naam in acht talen. Onderdeel van het derde album met tekeningen van bloemen en planten. Tiende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Kroning en dood van Willem II, graaf van Holland, 1256
Object type: drawing
Date: 1853 – 1853
Materials: ink, pencil, paper
Techniques: pen
Subjects: earl, coronation of a ruler, murder

Ontwerp voor: Lennep, Jacob van. Tafereelen uit de geschiedenis des vaderlands, tot nut van groot en klein. Amsterdam: M.H. Binger en Zonen, 1854.
Ontwerp voor twee decoraties in rechthoekige verdiepte vlakken
Object type: design
Date: 1787 – 1787
Materials: ink, paper
Techniques: brush, pen
Artist: bartholomeus ziesenis
Artist role: draughtsman, sculptor
Artist dates: 1768 – 1820
Subjects: ornament derived from plant forms

Ontwerp voor twee decoraties in rechthoekige verdiepte vlakken, voor stucco of snijwerk.
Bronze kyathos (ladle) with duck-head terminal
Object type: ladle
Date: 400 – 400
Materials: bronze
Culture: etruscan
Subjects: ducks
Hercules and Antoneus; Fall of Phaetor (Icarus?); Classical Architecture; Sacrifice of Isaac [?] (after Rembrandt?) (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: men,hercules
Lachenalia aloides (L.f.) Engl. var. quadricolor.
Object type: album leaf
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Subjects: plants; vegetation
Inscriptions: annotation: ‘Lachenalia tricolor.’

De tekening is gemaakt voor of tijdens een van Gordon's vier expedities door de Kaapprovincie, van oktober 1777 tot maart 1786.
Sommige (soort)namen kunnen zijn gewijzigd, gezien reorganisatie in plantentaxonomie gedurende de afgelopen jaren.
Designs for Locksmiths
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: france
Artist: jean berain
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1711
Card 404, Kate Claxton, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses
Torso van een naakte man en armen
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: arms, torso (+ nude human being)

Blad 65 recto uit een schetsboek met 69 bladen.
Ambtszetel
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: rome
Subjects: chair
Inscriptions: collector's mark: Lugt 2228

De 'Vasi'-reeks telt 110 prenten, verspreid over twee volumes met elk een eigen titelprent. Piranesi werd voor deze reeks geholpen door verschillende assistenten uit zijn werkplaats, waaronder zijn zoon Francesco die ook nog eens 8 platen toevoegde aan de reeks in 1779-1780.