deem-data/ArtiFact huggingface dataset:
Legerkamp van Spinola voor Ruhrort, 1605
Object type: print
Date: 1605 – 1607
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: (military) camp with tents

Legerkamp van Spinola tussen Ruhrort en Duisburg, 1605. In het onderschrift de titel en legenda A-C, in het Duits. Linksonder genummerd: 355. De prent maakt deel uit van een album.
Covered Teakettle
Object type: teakettle
Date: 1700 – 1800
Materials: copper
Tijdens de overtocht van Frankrijk naar de Verenigde Staten, Atlantische Oceaan
Object type: photograph
Date: 1936 – 1936
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: united states
Artist: wouter cool
Artist role: engineer
Artist dates: 1877 – 1947
Subjects: steamship, motorship, atlantic ocean
Inscriptions: title: ‘STORM VAN ACHTEREN.’
Boslandschap met een meer
Object type: print
Date: 1881 – 1912
Materials: paper
Techniques: etching, intaglio, roulette
Artist: joseph edouard van looy
Artist role: print maker
Artist dates: 1871 – 1896
Subjects: lake, forest, wood
Inscriptions: annotation: ‘1e staat proef’, collector's mark: Lugt 2228

Sterfdatum van de prentmaker is onbekend. Daarom is voor de bepaling van de rechten van dit object gebruik gemaakt van de verwervingsdatum Rijksmuseum Amsterdam.
Amsterdam Kerk van Onze Lieve Vrouw
Object type: photomechanical print
Date: 1910 – 1912
Materials: cardboard
Techniques: photograph
Location: amsterdam
Subjects: regular clerics, e.g. jesuits, redemptorists, parts of church exterior and annexes: façade
Inscriptions: collector's mark: ‘35-17’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: R.K. Gemeenten: Sint Nicolaaskerk t/m Willibrordus (Rustenburgerstraat).
Twee ronde omlijstingen
Object type: print
Date: 1784 – 1785
Materials: paper, pencil
Techniques: engraving, etching
Location: paris
Subjects: ornaments ~ art (+ framing decorations)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Links een ronde omlijsting met bladmotieven en een lint, rechts een ronde omlijsting met bloem- en bladmotieven en een lint. Verso tekening van een arm.
Hand guard
Object type: tsuba, zwaardstootplaat
Date: 1600 – 1900
Materials: copper
Location: japan
Artist: Anonymous
Fotoreproductie van een gravure van A Highland Funeral, naar het schilderij door Sir George Harvey
Object type: page
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: cortege, funeral procession
Coupe #733
Object type: drawing
Date: 1860 – 1860
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bookcover
Object type: textile
Date: 1910 – 1910
Materials: silk
Techniques: dyeing, weave
Location: netherlands
Artist: louis comfort tiffany
Artist nationality: dutch
Vernietiging door het volk te Dordrecht van het schilderij ter ere van Cornelis de Witt, 1672
Object type: history print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: cornelis de witt, art (+ work of art damaged by iconoclasm), street-fights, riots, raid on the medway

Prent ook gebruik in: Vries, Simon de. Vervolgh op J. L. Gottfrieds Historische Kronyk / Omstandigh vervolgh op Joh. Lodew. Gottfrieds Historische Kronyck,: of algemeene historische Gedenk-Boeken […] Keyser Rudolph de II. in 't jaer 1576 […]Vreede te Ryswijck Anno 1697 […]. 2 delen. Leiden: Pieter van der Aa, 1698-1700, dl. 2 (1700) p. 1295-1296.
Clements, Catcher, Philadelphia, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Sculptuur van Urania, muze van de sterrenkunde
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: italy
Subjects: piece of sculpture, reproduction of a piece of sculpture, urania (one of the muses); 'urania' (ripa)
Inscriptions: number: ‘28’

Deze prent maakt deel uit van een set van 79 prenten (+ titelprent) met voorstellingen van antieke sculpturen in Rome.
Battle of the Forces of Krishna and Bana, from a copy of the Dispersed Bhagavat Purana
Object type: painting
Date: 1520 – 1530
Materials: paper, watercolor
Location: india
Gezicht op het Panthéon in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: dome ~ architecture
Inscriptions: inscription: ‘Le Panthéon Paris’
Een serie met paarden
Object type: surimono
Date: 1822 – 1822
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Inscriptions: collector's mark, passe-partout, bottom left, printed: JABdH with a rooster., collector's mark, verso, stamped: Lugt 2228

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Maria
Object type: book illustration
Date: 1841 – 1841
Materials: paper
Techniques: etching
Location: brussels
Subjects: the virgin martyr ursula of cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship, relics (and reliquaries)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Delepierre, Octave en Auguste Voisin. La Châsse de St. Ursule. Brussel: Société des Beaux-Arts, [1841].
Dish
Object type: dish
Date: 1725 – 1725
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: chickens,dragons,roosters
Frieze
Object type: frieze
Date: 1701 – 1800
Materials: wood, wax
Techniques: polish
Portret van César Phoebus d'Albret, graaf van Miossens
Object type: print
Date: 1838 – 1841
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: earl, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Galeries historiques de Versailles. Parijs: Charles Gavard, 1838-1841.
Zelfportret
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: dordrecht
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: draughtsman, christian heinrich gottlieb steuerwald, historical persons
Inscriptions: collector's mark: Lugt 2228
Fotostandaard
Object type: frame
Date: 1880 – 1900
Materials: metal
Artist: Anonymous
Self-portrait of the Painter with his Family, Jacob Willemsz Delff i (ca. 1540/45-1601)
Object type: painting
Date: 1594 – 1594
Materials: oil, panel
Artist: jacob willemsz. delff (i)
Artist role: painter
Artist dates: 1540 – 1601
Subjects: willem jacobsz delff, jacob willemsz. delff (i), gouda, delft, painter, cornelis jacobsz. delff, rochus delff, historical persons - bb - woman, family group, especially parents with their child(ren), historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist

In his self-portrait, Jacob Willemsz Delff i is painting a portrait of his wife Maria Joachimsdr Nagel, with their three sons standing behind him. At the upper left are Cornelis and Rochus Delff, who both became painters and were probably already assistants in their father’s studio at the time of this self-portrait. Willem, in the left foreground, later became an engraver. The artistic family peers out at us with a penetrating gaze.
Portret van Aegidius Willem Timmerman
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: aegidius willem timmerman, historical persons
Inscriptions: inscription: ‘eerste staat / Jan Veth’
Musidora
Object type: painting
Date: 1813 – 1835
Materials: oil, wood
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: female nudes,bathing

Painted in Sully's most succulent, painterly manner, "Musidora" is his only known nude. Inspired by James Thomson's poem Summer (1727), it is at once chaste and erotic, a combination that had great appeal for contemporary Victorian audiences. Sully depicts the modest Musidora at the moment her suitor, Damon, discovers her bathing in the forest. His gentlemanly conduct so impresses her that she pledges her love for him at once. The subject was painted by many artists of the day, but Sully's interpretation, in which the unwitting viewer plays the role of Damon, is compellingly unique.
Charles Thomas "Charlie" Reilly, 3rd Base, St. Paul Apostles, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Gezicht op de Kathedraal van Sevilla
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: sevilla
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: church (exterior), façade (of house or building)
Inscriptions: number: ‘2515’
Plattegrond van burgerwijk IV te Amsterdam, onder leiding van kapitein Gerard van Papenbroeck
Object type: area plan
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), firearms: cannon, maps of cities, armorial bearing, heraldry, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Bovenaan, van links naar rechts, de wapens van luitenant Jan Colonius, kapitein Gerard van Papenbroeck en vaandrig Jacob van der Werf. Onderaan, van links naar rechts, de wapens van de sergeanten Clement Wolffers, Gerard Burgers en Matthys Houtman. Centraal onderaan het wapen van Amsterdam met twee leeuwen als schildhouders. Onderwerpsrubriek binnen de Atlas Amsterdam: Schutterswijkkaarten.
Terracotta tankard
Object type: tankard, miniature
Date: 734 – 701
Materials: terracotta
Culture: greek, attic

From the Hymettos deposit (see 30.118.1)
Portret van een lid van de WA
Object type: contact print
Date: 1940 – 1944
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: anonymous historical person portrayed, netherlands

Portret van een lid van de WA. Gekleed in zwart hemd, brede riem en een riem schuin over de borst. Links draagt hij een onderscheiding. Blootshoofd.
Vught. Kasteel Dijk van Maurik
Object type: ansichtkaart, prentbriefkaart
Date: 1929 – 1936
Materials: paper
Techniques: gelatin silver print, writing
Location: vught
Subjects: castle
Inscriptions: postage stamp
Penning ter ere van de gebroeders De Witt, 1672
Object type: penningverklaring
Date: 1672 – 1749
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: dordrecht, cornelis de witt, the hague, politician, johan de witt, medal (considered as a piece of sculpture, regardless of its specific function)

Blad met de voor- en achterzijde van een penning vervaardigd ter nagedachtenis aan Johan en Cornelis de Witt, gedood in 1672. De voorzijde toont de portretten van de gebroeders en profil. Op de keerzijde twee schepen die in een storm vergaan. Op hetzelfde blad is een uitgeknipte beschrijving van de penning geplakt.
Anatomical depiction of an ectopic pregnancy
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: uterus with foetus, pregnancy
Inscriptions: collector's mark: Lugt 2228

In 1672 physician and anatomist Reinier de Graaf published De mulierum organis, a book about the organs of the female body, with prints by Hendrik Bary. De Graaf was the first to conclude that a foetus grows from the mother’s egg cell after it is fertilised by the father’s seed. He also discusses anomalies such as ectopic pregnancies (when the fertilised egg implants outside the womb).
Fotoreproductie van een prent, voorstellende Christus draagt het kruis
Object type: reproduction
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: christ collapsing ~ carrying of the cross
Verovering van Breda door de Malcontenten, 1581
Object type: book illustration
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: capture of city (after the siege)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Verovering van Breda door de Malcontenten onder Haultepenne, 18 juni 1581. Met een list wordt het kasteel veroverd en van daaruit de rest van de stad. Op de voorgrond schermutselingen tussen de Spanjaarden en de verdedigers van de stad. Met onderschrift van 4 regels in het Latijn. Genummerd 124. Bedrukt op achterzijde met tekst in het Nederlands. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen; prenten van Baudart. 80j. oorlog.
Gezicht op het treinstation van Bremen
Object type: album leaf
Date: 1895 – 1895
Materials: paper
Techniques: photograph
Location: darmstadt
Artist: Anonymous
Subjects: station; shelter (railway, tramway)
Inscriptions: inscription: ‘122. Bremen, Bahnhof/ Verlag v. Zedler u Vogel Darmstadt 1895’

Deze prent maakt deel uit van een album.
Rue Furstenburg
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Penning van lood van het Leprooshuis in Enkhuizen
Object type: medal
Date: 1600 – 1850
Materials: lead
Techniques: striking
Artist: Anonymous

Enkelzijdige loden penning van het Leprooshuis in Enkhuizen. Voorzijde: borststuk man naar rechts; afsnede: monogram van letters LPH binnen parelrand. Keerzijde: blanco.
Box of Remnants
Object type: box of remnant
Date: 618 – 907
Materials: glass, mother of pearl, paste, pearl
Culture: chinese
Staande naakte vrouw met lang haar
Object type: print
Date: 1926 – 1926
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: henk schilling
Artist role: print maker
Artist dates: 1893 – 1942
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ standing)
Inscriptions: inscription: ‘No. 2537a Gr. Hsn. mp.’, stamp: ‘Instituut voor sier- en nijverheidskunst’
Apollo en zes muzen
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: engraving
Location: paris
Subjects: (story of) apollo (phoebus)
Inscriptions: collector's mark: Lugt 240

Apollo met laurierkrans en zijn lier naast hem op de grond, wordt verzorgd door zes muzen. Onder de voorstelling vier regels in het Frans en vier in Latijn, waarin onder meer wordt verwezen naar de verschillende beeldhouwers.
Medaillonportret van stadhouder Willem III (1650-1702)
Object type: sculpture
Date: 1686 – 1686
Materials: ivory
Location: amsterdam
Artist: jean mansel
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)
Inscriptions: inscription, on the reverse, in pencil: ‘K.O.G F. 17’, inscription and date, along the edge, in raised relief: ‘GVILH·III·D·G·PRIN·AVR·HOL·ET·WES·GV·1686’

Orange souvenirs. William III's popularity, and later also that of his wife Mary, gave rise to a wide variety of objects sporting their pictures: medallions, glasses, tiles, cutlery and Delftware pottery.
Verklarende tekst behorend bij voorstelling met het vuurwerkpaviljoen te Den Haag gebouwd ter gelegenheid van de feestelijkheden rond het sluiten van de Vrede van Aken op 11 juni 1749
Object type: text sheet
Date: 1749 – 1749
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Inscriptions: date

Verklarende tekst in boekdruk behorend bij voorstelling met het vuurwerkpaviljoen te Den Haag gebouwd ter gelegenheid van de feestelijkheden rond het sluiten van de Vrede van Aken op 11 juni 1749. De cijfers en letters verwijzen naar details van het paviljoen en de omgeving.
De werkstaking in het Westfaalsche kolendistrict
Object type: cartoon
Date: 1889 – 1889
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), strike (political demonstration), political caricatures and satires, westphalia

De Duitse keizer Wilhelm II aan het hoofd van een groot legermacht tegenover de stakende arbeiders van de kolenmijnen in Westfalen en hun gezinnen.
Hafnia Metroplois Et [..]vs celeberrimvs Daniae
Object type: print
Date: 1570 – 1622
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: city-view in general; 'veduta', copenhagen (city)
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, part of a cushion and a draped symposiast reclining on a kline; below the kline, a table
Prentbriefkaart met auto met vier mensen en een stel reusachtige eieren en een reusachtige aardappel aan de achterzijde
Object type: ansichtkaart, prentbriefkaart
Date: 1909 – 1909
Materials: photographic support
Techniques: gelatin silver print
Location: united states
Subjects: united states of america
Inscriptions: inscription: ‘PUBLISHED BY / THE NORTH AMERICAN POST CARD CO. / KANSAS CITY, U. S. A.’, inscription: ‘The Modern Farmer. / Copyright 1909 by Martin Post Card Co.’
Reverse Copy of Le Gueux Appuyé sur son Baton (The Beggar Leaning on His Cane), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: men
Holy Family and Two Music-Making Angels
Object type: print
Date: 1588 – 1592
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: musical instruments,angels,christ,holy family,saint joseph,virgin mary,musicians

Around 1590, Jan Muller began making engravings after designs by Bartholomeus Spranger, the court painter to the Emperor Rudolf II of Prague. Previously Hendrick Goltzius, the foremost Mannerist printmaker and most probably Muller’s teacher, had occupied the unofficial role as Spranger’s engraver, but when the former left the Netherlands to travel in Italy, Muller was the logical successor. The Holy Family with Two Music-Making Angels is Muller’s earliest print after Spranger and one of only two with religious rather than a mythological subjects, which were more typical of the worldly, sophisticated society of Rudolf’s court.
Cuneiform tablet case impressed with cylinder seal, for cuneiform tablet 86.11.249a: receipt of a kid
Object type: cuneiform tablet case
Date: 2051 – 2051
Materials: clay
Culture: neo-sumerian
Location: mesopotamia
Portret van David Steinbach
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, functionaries and dignitaries (with name) ~ episcopal protestant churches

Prent waarschijnlijk uit: Gleich, Johann Andreas. Annales ecclesiastici oder Gründliche Nachrichten der Reformations-Historie, Chur-Sächss. Albertinischer Linie. Dresden/Leipzig: Raphael Christian Sauereßigs, 1730.
Burgoyne Surrenders or Burgoyne Surrounded Quilt
Object type: quilt
Date: 1852 – 1852
Materials: cotton
Culture: american
Location: united states
Artist: martha a. page
Artist role: maker

The geometric pattern of this quilt--commonly known as Burgoyne Surrenders or Burgoyne Surrounded--is said to refer to one of the most pivotal events in the American Revolution. In 1777, the British failed in their attempt to take control of the strategic Hudson River, and in the end British General Burgoyne with nearly six thousand of his men were surrounded by American troops and forced to surrender near Albany, New York. In this quilt, Burgoyne’s army is represented by the squares at the center of the blocks, encircled by the American troops. Yet, this design could have also been inspired by the simple, grid-like patterns seen in handwoven linens and woolen coverlets of the first half of the nineteenth century
Vier diagonale regels Perzische kalligrafie
Object type: calligraphy
Date: 1500 – 1700
Materials: paper
Techniques: brush
Location: iran
Artist: Anonymous
Inscriptions: inscription

In een kader van twee smalle sierranden in hemelsblauw en donkerblauw bespikkeld met goud zijn vier diagonale regels Perzische kalligrafie gezet, linksonder en rechtsboven vormen twee driehoekjes met een smalle gouden sierrand een afsluiting, in de rechterbovenhoek is eveneens een inscriptie gezet; het blad met de kalligrafie is op de linkerkant van een met goudranken dooraderd blad opgeplakt en daarvan gescheiden door met kleuren ingevulde kaderlijntjes
Negen plafondschilderingen uit The Banqueting House
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving
Location: london
Subjects: jacobus i (koning van engeland), (story of) mercury (hermes), covetousness; 'avaritia' (ripa) ~ personification of one of the seven deadly sins, freedom, liberty; 'libertà' (ripa), king, crowning the victor with laurel
Inscriptions: collector's mark: Lugt 240

Deze prent vormt samen met RP-P-OB-18.669 en RP-P-OB-18.671 een voorstelling van de plafondschildering door Rubens, over het leven van Jacobus I.