deem-data/ArtiFact huggingface dataset:
Jaël
Object type: plaque
Date: 1525 – 1550
Materials: lead
Techniques: gilding
Location: nuremberg
Artist: peter flötner
Artist role: print maker
Artist dates: 1485 – 1546

Ronde, loden, plaquette met afgeschuinde randen. Op een rotsachtige terreinverhoging zit een vrouw in een ruim geplooid gewaad, het lichaam naar links, het hoofd naar rechtsgewend. In haar rechterhand houdt zij de hamer, in haar linker de spijker waarmede zij Jisera, krijgsoverste der Kanaäniten, in de slaap vermoordde. Op de achtergrond een berglandschap en gebouwen. Rechts een boerenhofstede waarbij een put.
Terracotta kylix (drinking cup)
Object type: kylix, eye cup
Date: 525 – 501
Materials: terracotta
Culture: greek, chalcidian
Artist: phineus painter
Artist role: artist
Subjects: eyes,maenads,satyrs

Exterior, obverse, satyr between eyes; reverse, maenad between eyes
Portret van Christian Friedel
Object type: print
Date: 1759 – 1800
Materials: paper
Techniques: engraving
Subjects: historical persons, writing accessories, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
St. Sulpice, Paris
Object type: photomechanical print
Date: 1841 – 1841
Techniques: photogravure
Artist: armand-hippolyte-louis fizeau
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1896
Subjects: architecture,churches,paris

Unlike William Henry Fox Talbot’s paper negative process, which allowed for multiple positives to be made from the same negative, the daguerreotype process produced only a single example with each use. In response to this limitation, several processes were developed to reproduce daguerreotypes in ink. Hippolyte Fizeau, a scientist and daguerreotypist, devised a method for etching directly into the copper daguerreotype plate, which created a printing plate but destroyed the daguerreotype in the process. The plate could then be used to make multiple prints on paper in permanent ink. The process was not perfect, however, and the resulting prints often looked primitive compared to the refined surface and tonal depth of the original daguerreotype. Nevertheless, this print by Fizeau possesses an impressive amount of detail, from the maze of lines in the stone-and-brick walls to the tiny tiles in the roofs. Saint-Sulpice was one of Fizeau’s favorite subjects, in part because it was close at hand: this view was probably taken from his own rooftop. By lugging his heavy camera up the stairs, Fizeau brought photography out of the studio and into the world—and, through his ink prints, helped introduce the world to photography.
Gezicht op de ruïne van de Wernerkapel te Bacharach
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bacharach
Subjects: ruin of church, monastery, etc.
Inscriptions: inscription: ‘NPG’, number: ‘39’
Zeven fotoreproducties van een publicatie door de Arundel Society met schilderijen van Hans Memling
Object type: reproduction
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Subjects: book, painting (including book-illumination, miniature-painting)
Inscriptions: inscription: ‘annual publications, seventeenth year (1865).’
Figuren onder paraplu's, mogelijk op de Dam in Amsterdam
Object type: sketchbook leaf
Date: 1890 – 1900
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: rain, square, place, circus, etc. (+ city(-scape) with figures, staffage)

Pagina 39 en pagina 40 uit een schetsboek met 33 bladen.
Karel Alexander, hertog van Lotharingen-Bar, beschermheer der bouwkunst
Object type: history medal
Date: 1778 – 1778
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: karel alexander hertog van lotharingen, brussels

Zilveren achthoekige penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift onder siermotief opgebouwd uit hoorn van overvloed, passer, meetlat en winkelhaak boven bloemenkrans
Covered Pitcher
Object type: pitcher
Date: 1785 – 1790
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,coat of arms

This object belongs to a large dinner service (10.149.1–.248) bearing the Townley family coat-of-arms. The service, probably ordered by Justice Samuel Chase (1741–1811) of Annapolis, Maryland, displays the enamel-painted arms of Margaret Townley, Chase's aunt.
Teapot
Object type: teapot
Date: 1840 – 1850
Materials: silver
Culture: american
Location: united states
Artist: george b. foster
Artist role: maker
Artist nationality: american
Artist dates: 1810 – 1881
Zes foto's van het Rokin en de Munt, Amsterdam
Object type: photograph
Date: 1900 – 1931
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: canals, waters (in city), street
Inscriptions: inscription: ‘gezicht o.d. Nederl. Bank’, inscription: ‘Rokin percelen van de Nederlandsche/ Bank, architect Vingsboons 17e eeuw’, inscription: ‘Museum Willet-Holthuijsen/ Heerengracht 605’, inscription: ‘Kerk "het Boompje" met het Badhuis/ a.h. Rokin/ (begin 1900)’

Deze foto's maken deel uit van een album.
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 164 : Costume de Yacht (...)
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving
Subjects: head-gear: hat (+ leather used for clothes), sailing (sport) (+ equipment, outfit (sports, games, etc.)), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), binoculars, spy-glass, etc.
Inscriptions: caption: ‘Costume de Yacht : veste de drap, jupe de toile, chapeau de cuir.’, inscription: ‘Cop. J. N. A. et Cie 1914’, title: ‘Costumes Parisiens’

Vrouw in een kostuum voor een pleziervaart: jasje van laken op een rok van gestreept doek. Hoed van leer. Verrekijker in de hand. Op de achtergrond een zeilschip. Proefdruk van een prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Portret van een onbekend meisje
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: monogram: ‘C. Cie’
Kate Castleton, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: profiles,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Comte Albert-Joseph Goblet d'Alviella
Object type: page
Date: 1853 – 1858
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: politician, historical persons
Inscriptions: inscription: ‘Représentant,/ Elu par l'arrondissement de Bruxelles.’
Bowl
Object type: bowl
Date: 700 – 201
Materials: ceramic, pigment
Culture: paracas
Location: peru
A fan with a musical troupe and spectators
Object type: print
Date: 1633 – 1638
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,women,spectators,musicians
Gardener
Object type: figure
Date: 1770 – 1775
Materials: hard paste porcelain
Artist: fulda pottery and porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1764 – 1789
Subjects: boys,plants,gardeners
Mary Magdalene
Object type: plaquette
Date: 1567 – 1600
Materials: copper alloy, gilt, patina
Culture: italian or spanish
Subjects: mary magdalene
Dish with Butterflies and Flowers
Object type: vessel
Materials: brass, copper, enamel
Location: china
Arch of Titus, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1558 – 1558
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: architecture,arches,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 76 in the scrapbook.
1939 in beeld
Object type: supplement
Date: 1940 – 1940
Materials: paper
Techniques: printing, stapling
Location: amsterdam
Subjects: netherlands
Inscriptions: date
Part of a Scarab Inscribed for Neferhotep I
Object type: scarab, fragment, neferhotep
Date: 1741 – 1730
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs

This is a fragment of a royal name scarab, inscribed with the royal title Son of (Re) and a cartouche with the name of pharaoh Neferhotep I (Dynasty 13, ca. 1741-1730 B.C.).
De Groote Markt in 1604
Object type: reproduction
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph
Location: haarlem
Subjects: square, place, circus, etc., city-view, and landscape with man-made constructions, townhall, market, haarlem
Winter Scene
Object type: painting
Date: 1675 – 1675
Materials: canvas, oil
Artist: thomas heeremans
Artist role: draughtsman, painter
Artist dates: 1641 – 1702
Subjects: frost, freezing weather, horse-sleigh, winter landscape; landscape symbolizing winter (the four seasons of the year), skates (winter sports)
Inscriptions: signature and date: ‘THMans 1675’

Wintergezicht. Schaatsers en sleden op het ijs bij een dorp. In het midden een grote slede voor het vervoer van personen, getrokken door een paard. Rechts een slede waarop vaten worden geladen.
Meaux - La Cathédrale, vue prise de l'Hôtel de Ville
Object type: photomechanical print
Date: 1920 – 1932
Materials: cardboard
Techniques: photograph
Location: meaux
Artist: Anonymous
Subjects: church (exterior)
Part of a chair cover
Object type: upholstery panel
Date: 1797 – 1797
Materials: silk
Techniques: brocade
Artist: jean démosthène dugourc
Artist role: designer
Artist nationality: french
Artist dates: 1749 – 1825
Subjects: female nudes,flowers
Twee vrouwen bij een camera en een poserende man
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1950
Materials: cardboard
Techniques: four-color autotype
Artist: Anonymous
Subjects: flowers, adult woman, photography, adult man

Deze prent maakt deel uit van een album.
Studie van een boom
Object type: drawing
Date: 1603 – 1603
Materials: ink, paper
Techniques: brush, pen
Artist: paulus willemsz. van vianen
Artist role: draughtsman, jeweler
Artist dates: 1570 – 1614
Subjects: trees
Portret van Lodewijk van Heiden
Object type: print
Date: 1827 – 1849
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: the hague, historical persons, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 2228
Blad met strooipatroon van bloemmotief met ranken en lijnenfond
Object type: printed paper
Date: 1800 – 1900
Materials: paint, paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met strooipatroon van bloemmotief met ranken over een verticaal lijnenfond.
The Adoration of the Magi
Object type: painting
Date: 1410 – 1410
Materials: canvas, oil, paint
Location: cologne
Artist: Anonymous

The oldest of the three kings kneels reverently before the new-born Christ child whilst kissing his foot and presenting the Virgin Mary with a gold goblet. The middle-aged king, in the centre, is removing his crown as a sign of devotion. This adoration is a fragment of what was originally a much larger canvas containing scenes from the life and passion of Christ.
Portret van Andreas Schelfhout
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: engraving, etching, roulette
Artist: edouard taurel
Artist role: draughtsman, print maker
Artist dates: 1824 – 1892
Subjects: print maker, andreas schelfhout, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 964, inscription: ‘April: 89’

Prent waarschijnlijk uit: Kunstkronijk (...) 8 (1867).
Inhuldiging van keurvorst Frederik Willem van Brandenburg als hertog van Pommeren
Object type: history medal
Date: 1678 – 1678
Materials: silver
Techniques: striking
Location: danzig
Artist: johann höhn
Artist role: medailleur
Artist dates: 1637 – 1693
Subjects: berlin, frederik willem van brandenburg (i), poland

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: opkomende zon boven stadsgezicht binnen omschrift
Charles 4.e- dit le bel / Prince sage..., from "Game of the Kings of France" (Jeu des Rois de France)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: kings
Huizen van edelen (13e Eeuw)
Object type: print
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), housing
Inscriptions: collector's mark: Lugt 2228

Een boot legt aan op een oever. Daarachter loopt een groep soldaten voorbij huizen.
Groepsportret van kinderen en (vermoedelijk) leerkrachten in een straat
Object type: photograph
Date: 1910 – 1915
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: child, façade (of house or building), anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: date: ‘1915’
Decoratiepatronen
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: chromolithography
Location: england
Artist: henry bayly garling
Artist role: designer
Artist dates: 1822 – 1909
Subjects: ornament ~ geometric motifs, tiles, bricks ~ building material

Patronen voor tegels. Plate IV. Geproduceerd door 'Maw & Co, Benthall Works, near Broseley, Salop'.
Textile fragment with repeating pattern of chrysanthemums and peonies in floral arabesque
Object type: fragment
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: peonies
Saint Andrew, Apostle, with Transverse Cross, Book, and Fish, (recto); Architectural sketch (verso)
Object type: drawing
Date: 1576 – 1623
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: fabrizio santafede
Artist role: artist
Artist nationality: italian
Artist dates: 1576 – 1623
Subjects: apostles,cross,saints
Canopic Jar of Princess Sithathoryunet - Qebehsenuef
Object type: canopic jar, sithathoryunet, qebehsenuef, selqet
Date: 1887 – 1813
Materials: paint, stone
Location: egypt
Subjects: hieroglyphs

The four canopic jars of the king's daughter Sithathoryunet all have human-headed lids like most jars dating to the Middle Kingdom. The jars were intended to store the four internal organs removed during mummification, the lungs, liver, intestines, and stomach. The inscriptions on the jars invoke the four funerary goddesses and the Four Sons of Horus who protect these organs. The inscription on this jar invokes Selket and Qebehsunuef, who protect the intestines.
Fragment
Object type: textile
Materials: cotton
Techniques: painting, weave
Culture: chancay
Location: peru
Leiden
Object type: stereograph
Date: 1864 – 1864
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: gaston braun
Artist role: fotograaf
Artist dates: 1845 – 1928
Subjects: canals, waters (in city)
Inscriptions: number: ‘No 3870.’, inscription: ‘Nederland’
Saucer with musical instruments
Object type: platter
Date: 1800 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, relief, turning, vitrification
Location: france
Artist: Anonymous

Schotel van porselein op hoge voetring, beschilderd in blauw en goud. In het centrum een medaillon en op de wand een band met goud, waarover blauw is aangebracht. Hierin gegrift driemaal een muziekinstrument. Gouden banden op de rand.
Puxian (Samantabhadra, Bodhisattva of Universal Benevolence)
Object type: figure
Date: 1667 – 1700
Materials: glaze, porcelain
Culture: chinese
Subjects: elephants,buddhism,bodhisattvas
Common Willow, from The Park and the Forest
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: printmaking, lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Triptych of the Crucifixion with Saints Anthony, Christopher, James and George
Object type: painting
Date: 1400 – 1400
Materials: oil, paint, panel, wood
Techniques: painting
Culture: dutch or german
Location: rhine
Subjects: saints, book, children, crucifixions, death, dragon, figures, jesus, men, river, soldiers, virgin mary, women
Inscriptions: Inscribed: inri (on tablet on cross), vere:filius:dei:erat i[nh]r (on banderole)
Ontwerpen voor een ring
Object type: design
Date: 1913 – 1913
Materials: ink, paper, pencil
Techniques: pen
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: ring
Head Pendant
Object type: pendant
Date: 1 – 800
Materials: stone
Culture: mezcala
Location: mexico
Subjects: heads
Column Shaft
Object type: shaft
Date: 1167 – 1200
Materials: stone
Culture: french
The Able Doctor, or America Swallowing the Bitter Draught, from The London Magazine
Object type: print
Techniques: engraving
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: satire,american revolution,men,women,politics
Headdress
Object type: headdress
Date: 1801 – 1900
Materials: cotton, glass, metal, silk, thread
Kittie Wells, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Graflegging
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: woodcut
Subjects: christ's entombment (possibly by angels)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent maakt deel uit van een ongenummerde serie van 24 prenten.
Christus voor Pilatus
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)

Blad 20 recto uit een schetsboek met 58 bladen.
Sledevaart van het Leidse genootschap Veniam Pro Laude in 1776
Object type: drawing
Date: 1776 – 1776
Materials: paper
Location: northern netherlands
Artist: abraham delfos
Artist role: draughtsman, painter, print maker
Artist dates: 1731 – 1820
Subjects: sledge, sleigh (winter sports), commemoration of the founding of a university, leiden
Inscriptions: collector's mark: Lugt 2228

De tweede slede in de optocht. Een grote slede met vier muzikanten getrokken door twee paarden en gevolgd door twee Romeinen met zwaarden. Onderdeel van de reeks van vijftien tekeningen voor de platen van de sledevaart op 24 januari 1776 georganiseerd door het Leidse genootschap Veniam Pro Laude bij gelegenheid van het Tweede Eeuwfeest van het Leids Ontzet (3 oktober 1574) en de oprichting van de Universiteit van Leiden (8 februari 1575).
Reliëfs bij het Theater van Bacchus
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: athene
Inscriptions: annotation: ‘28. Theater van Bachus.’
Vier historische kaarten van Amsterdam (De Wit I)
Object type: map
Date: 1680 – 1728
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: La Celebre Ville d'Amsterdam (...) / De Heerlykheid der Wyd-vermaerde Stad Amsterdam (…). Leiden: Pieter (I) van der Aa, s.a. Of uit: Europa. Leiden: Pieter (I) van der Aa, [ca. 1715]. Of uit: La Galerie Agreable du Monde (...). Leiden: Pieter (I) van der Aa, 1728, dl. 17.
Bronzen leeuw aan de voet van Nelson's Column op Trafalgar Square, Londen
Object type: sketchbook leaf
Date: 1888 – 1890
Materials: chalk, paper
Location: london
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: square, place, circus, etc., monument, statue, beasts of prey, predatory animals: lion

Op de achtergrond gebouwen. Pagina 23 uit een schetsboek met 40 bladen.
Wapen boeck ten deele vergadert door Johan van Gendt en nu verder volmaakt door sijn soon Gerlach van Gendt
Object type: book
Date: 1630 – 1730
Materials: leather, gold leaf, ink, paint, paper, pencil
Techniques: bookbinding, printing, brush, pen
Location: nijmegen
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2166, collector's mark: ‘De Roye Van Wichen - Luite Kolonel - Generalen staf.’

Wapenboek bestaande uit een titelblad en 368 bladen (gefolieerd), waarvan 328 bladen vijf getekende wapenschilden bevatten op zowel recto als verso (tien wapenschilden per blad). Blad 329 heeft enkel de wapenschilden op recto ingeschilderd: de wapenschilden op verso zijn blanco. Blad 330 tot en met 349 bevat blanco wapenschilden. In totaal bevat dit boek 3285 Nederlandse en Vlaamse familiewapens, elk met de familienaam onder het wapenschild, en 205 blanco wapenschilden. Van blad 350 tot en met 364 loopt een register van de familienamen. De overige bladen zijn blanco. Op verso van het schutblad voorin is een blad geplakt met handgeschreven tekst, gedateerd 1832, met een korte biografie van de familie van Gendt en in het bijzonder Johan en Gerlach van Gendt, de makers van dit wapenboek.
Zeven foto's van de familie en monumenten
Object type: photograph
Date: 1919 – 1923
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: frédéric gabriël dumas
Artist role: engineer
Artist dates: 1886 – 
Subjects: surabaya, paris, beatrice jacqueline eveline dumas, java, outing, pleasure trip, europe

Blad met zeven foto's van de familie, monumenten in steden en uitkijkpunten. Onderdeel van een fotoalbum over de kindertijd van Eef Dumas met de familie op reis door Europa, ca. 1919-1923.
Tunic Fragment
Object type: tunic fragment
Date: 601 – 900
Materials: animal fiber, cotton
Culture: wari
Location: peru
William A. Rowe, Cyclist, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: lithography
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,athletes,bicycles

Trade cards from "World's Champions," Second Series (N43), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.