deem-data/ArtiFact huggingface dataset:
Portret van Thomas D. Nicholson
Object type: page
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sitting figure, historical persons
Inscriptions: name: ‘Thos. D. Nicholson’
Fragment of a Bowl
Object type: decorative art
Date: 1201 – 1400
Materials: ceramic
Culture: byzantine
Location: istanbul
Inscriptions: ZWØCHC
Tien balusters of termen
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: germany

De balusters of termen met fantasiedecoraties staan in twee rijen onder elkaar. Blad X uit tweede editie van serie, bestaande uit 24 bladen.
Fragment of a Shoulder Band
Object type: textile fragment
Date: 201 – 300
Materials: linen, wool
Techniques: weave
Location: egypt
A Bird Hunter on a Riverbank
Object type: painting
Date: 1625 – 1630
Materials: oil, panel
Artist: arent arentsz
Artist role: draughtsman, painter
Artist dates: 1585 – 1631
Subjects: sailing-ship, sailing-boat, river, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Inscriptions: signature, in ligated monogram, at bottom centre on the powder horn: ‘AA’

Waterlandschap met een jager die knielt en zijn geweer op een reiger richt. Rechts een dode uil en ander gevogelte.
Exercitie
Object type: photograph
Date: 1925 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: aceh
Artist: Anonymous
Subjects: sumatra

Albumblad met één foto: exercitie door de politie van Atjeh. Onderdeel van het fotoalbum aangeboden aan S. Koster door de Vereeniging van Hoogere Politie Ambtenaren in Nederlandsch-Indië in 1931.
Bust of Horatio Nelson, 1st Viscount Nelson
Object type: ring
Date: 1805 – 1805
Materials: glass, gold
Subjects: men,profiles
Fotoreproductie van La Guerre van Joseph Lies
Object type: page
Date: 1858 – 1863
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, casting weapons: spear, picture, painting
Demonstratie van de slangbrandspuiten bij het Stadhuis op de Dam, ca. 1700
Object type: print
Date: 1690 – 1710
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: amsterdam, painter, print maker, draughtsman, jan van der heyden, fire-extinguishing equipment

Demonstratie van de slangbrandspuiten bij het Stadhuis op de Dam, ca. 1700. Vanaf de gevel wordt een straal water op de Dam gespoten. In de lucht voor- en keerzijde van een toonpenning en een blad met een pomp. Tegen de onderzijde van de plaat is een tweede plaat afgedrukt waarop de titel en 4 regels tekst staan. Behoort tot de bijprenten bij het Brandspuitenboek van Jan van der Heyden.
Chair Cover
Object type: textile
Date: 1775 – 1825
Materials: silk, wool
Techniques: interlocking, slit, weave
Location: aubusson
Spoon or ligula
Object type: spoon or ligula
Date: 670 – 330
Materials: bronze
Culture: roman

Used for extracting ointment, balsams, and powders from tubes and boxes.
Segard. Philogone. 44 ans (35 ans inscrit sur la photo), né à Salond (Somme). Journaliste. Anarchiste.
Object type: mugshot
Date: 1891 – 1895
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Ex libris van Fernando Villalobos
Object type: bookplate
Date: 1948 – 1948
Materials: paper
Techniques: printing block
Location: spain
Subjects: fernando villalobos, torch, church-window, e.g. rose-window, woman (showing herself) undressed, quasi-nude, book
Inscriptions: workshop stamp: ‘1948/ Ipse fecit/ España’
Studieblad met zestien hoofden
Object type: print
Date: 1776 – 1815
Materials: paper
Techniques: etching
Location: amsterdam
Artist: marie lambertine coclers
Artist role: conservator, draughtsman, print maker
Artist dates: 1761 – 1815
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekend kind
Object type: photograph
Date: 1874 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: leon joliot
Artist role: fotograaf
Subjects: child, historical persons
Inscriptions: inscription: ‘Le Jeune L. Joliot.’, inscription: ‘LJ/ Le Jeune/ Le. JOLIOT, Succr./ 350, Rue St. honoré, 350/ près la Place Vendôme/ PARIS.’
Saint Jerome
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: domenico piola
Artist role: artist
Artist nationality: italian
Artist dates: 1627 – 1703
Head of a muleteer facing right
Object type: print
Date: 1860 – 1870
Techniques: etching
Artist: mariano fortuny, 1838–1874
Artist role: artist
Artist nationality: spanish
Artist dates: 1838 – 1874
Subjects: heads,men,profiles
Samuel Teleki von Szek
Object type: print
Date: 1785 – 1823
Materials: paper
Techniques: engraving, etching
Location: munich
Artist: daniel beyel
Artist role: draughtsman, print maker
Artist dates: 1760 – 1823
Subjects: vienna, historical persons
Inscriptions: collector's mark: Lugt 2228
Brief aan Philip Zilcken
Object type: letter
Date: 1914 – 1914
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: fenna de meyier
Artist role: onderwijzer, schrijver
Artist dates: 1874 – 1943
Subjects: paris, etienne dinet, painter, draughtsman, philip zilcken
Inscriptions: watermark, collector's mark: ‘RPK’
vuursteenpistool
Object type: flintlock pistol
Date: 1700 – 1708
Materials: brass, horn, iron, wood
Techniques: printing, metalworking, cutting, engraving, gilding, relief
Location: rotterdam
Artist: jan bijlaard
Artist role: geweermaker, pistoolmaker
Inscriptions: inscription: ‘I=BYLAERT // ROTTERDAM’

Tentoongesteld in: Stedelijk Museum De Lakenhal, Leiden, juli-sept 1978.
Brief aan Philip Zilcken
Object type: letter
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen, printing, writing
Location: new york city
Artist: howard mansfield
Artist role: jurist, verzamelaar
Artist dates: 1849 – 1932
Subjects: arnhem, painter, draughtsman, anton mauve, print maker, anders leonard zorn, samuel putnam avery, richard austin rice, philip zilcken, the graphic arts, money, new york (city), europe
Inscriptions: watermark
Vest met drie steekzakken en sjaalkraag van blauwwit horizontaal gestreept katoen, met vier metalen knopen met een fleur de lys en het devies "hora ruit"; rugpand van wit katoen.
Object type: main garment
Date: 1913 – 1913
Materials: cotton
Location: the hague
Portret van een onbekende student met wandelstok
Object type: photograph
Date: 1894 – 1897
Materials: paper, cardboard
Techniques: collodion silver print
Location: stockholm
Artist: frans gustaf klemming
Artist role: fotograaf
Artist dates: 1859 – 1922
Subjects: youth, adolescent, anonymous historical person portrayed, student
Inscriptions: inscription: ‘Silfvermedalj Malmö 1896 och Stockholm 1897.’, address: ‘STOCKHOLM/ 38 Hamngatan 38.’

De geportretteerde draagt een studentmössa, een Zweedse studentenpet.
Fragment
Object type: fragment
Date: 1467 – 1500
Materials: metal thread, silk
La photographie appliquée à l'archéologie réproductions des monuments, oeuvres d'art, mobilier, inscriptions, manuscrits
Object type: book
Date: 1879 – 1879
Materials: paper
Techniques: photograph, engraving
Location: paris
Artist: eugène trutat
Artist role: fotograaf, geoloog
Artist dates: 1840 – 1910
Portret van Andrea Mantegna
Object type: album leaf
Date: 1768 – 1775
Materials: paper
Techniques: engraving
Artist: philipp kilian
Artist role: print maker
Artist dates: 1628 – 1693
Subjects: andrea mantegna, historical persons, portrait, self-portrait of painter

Andere staat van prent gebruikt in: Sandrart, Joachim von. Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben. 14 dln. Neurenberg: erven Johann Andreas Endter, [1774], dl. 7, p. L.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 313.
A Short History of General A. S. Johnston, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: army,firearms,men,portraits,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Jug
Object type: jug
Date: 1601 – 1700
Materials: glass
Drag #3261a
Object type: drawing
Date: 1876 – 1876
Materials: gouache, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Interieur van een huis
Object type: print
Date: 1748 – 1795
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Artist: jan chalon
Artist role: print maker
Artist dates: 1738 – 1795
Subjects: reading, dogs (circus performance), pamphlet ~ printed matter
Inscriptions: collector's mark: Lugt 924

Interieur van een huis. Een man zit een pamflet te lezen op een stoel. Twee vrouwen praten met elkaar door een open raam. Een hond op de voorgrond.
Terracotta fragment of an olpe (jug)
Object type: olpe fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

At the top of the panel, a key pattern; below, in the panel, top of the head, part of the forehead, and bridge of the nose of a wreathed male to right (Dionysos?); part of a vine with the stem from a bunch of grapes
Portret van Sebastiaan I van Portugal
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Subjects: historical persons, king

Prent waarschijnlijk uit: Landon, Charles Paul. Galerie historique des hommes les plus célèbres (...). Parijs: Imprimerie des Annales du Musée, 1808, dl. 11.
Pen handle (part of a set)
Object type: pen handle
Date: 1848 – 1849
Materials: ivory, silver
Artist: s. mordan & co., england
Artist role: maker
Artist nationality: british
Artist dates: 1823 – 1898

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Scaramouche and Isabella
Object type: group
Date: 1748 – 1748
Materials: soft paste porcelain
Artist: bow porcelain factory
Artist role: factory
Artist nationality: british
Artist dates: 1747 – 1776
Subjects: musical instruments,men,women
Dr. Chalmers
Object type: photograph
Techniques: carbon print
Location: scotland
Artist: david octavius hill
Artist role: artist
Artist nationality: scottish
Artist dates: 1802 – 1870

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Plattegrond van Groenlo, 1631-1632
Object type: map
Date: 1632 – 1649
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maps of cities

Plattegrond van Groenlo. Met legenda 1-3. Onderdeel van een groep plattegronden van steden, forten en dijken in Brabant veroverd door het Staatse leger onder Frederik Hendrik in de jaren 1631-1632.
Dailly et Lavigne, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,women,actors,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Zakdoek met een rand van naaldkant met vier palmetjes en vier ruitjes
Object type: handkerchief
Date: 1880 – 1880
Materials: linen
Techniques: lace
Location: brussels
Artist: Anonymous

Zakdoek met een rand van naturelkleurige naaldkant, Brusselse gaaskant. Om een batisten middenstuk in de vorm van een Malteser kruis loopt een brede kantstrook. Vier palmetjes en vier ruitjes staan langs de binnenrand, verbonden door fijne slingertjes. De hoeken worden gevormd door diepe schulpen met een vloeiende V-vormige voluut, die wordt oversneden door een c-vormige tak met een buitenwaarts gerichte roos en aster en een binnenwaarts gerichte sneeuwbal. Op het midden der zijden staan drie hangende lelies. De buitenomtrek is vrij recht.
Gallerie moderner Meister
Object type: reproduction
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: berlin
Subjects: hoofed animals: deer, predatory birds, fox and hounds

Prent op vierentwintigste ongenummerde pagina.
Marteldood van H. Lucia
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: st. lucy is stabbed through the throat with a dagger or a sword
Inscriptions: collector's mark: Lugt 2166

De heilige Lucia wordt door een soldaat gedood met een dolkstoot in haar keel. Door een andere man wordt ze gegeseld. Rond hen branden vuren. Vanuit de hemel dalen stralen op haar neer. In het kader in de marge een vierregelig onderschrift in het Latijn.
Abklatsch van de krijttekening op blad 43 verso
Object type: sketchbook leaf
Date: 1822 – 1880
Materials: paper
Techniques: printmaking
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880

Blad 44 recto uit een schetsboek met 45 bladen.
Nederlandse ½ cent, 1869
Object type: coin
Date: 1869 – 1869
Materials: copper
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Koperen munt. Voorzijde: tussen jaartal gekroonde rechte letter W. Keerzijde: tussen waarde-aanduiding ½ C. gekroond rijkswapenschild. Gladde rand.
Relief of slaughtering and attendants moving to the left - see 26.3.353-3
Object type: relief, slaughtering and attendant moving left, neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt
Emiliano Zapata's supporters attacking a train, scene from the Mexican Revolution
Object type: print
Date: 1911 – 1911
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: firearms,men,women,trains
Temple entrance of the Elephanta caves near Mumbai, Maharashtra India
Object type: photograph
Date: 1848 – 1868
Materials: paper
Techniques: albumen print
Location: great britain
Artist: william johnson
Subjects: temple, shrine ~ hinduism, buddhism, jainism
Inscriptions: number: ‘2/ 3015’, inscription: ‘Bombay/ Eastern Cave of Elephanta’
Gezicht op Venetië, met op de voorgrond een gezelschap in een gondel
Object type: stereograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: isola di san giorgio maggiore
Artist: Anonymous
Subjects: city-view in general; 'veduta', gondola (+ four persons or more ~ traffic and transport), venice
Inscriptions: name: ‘PHOTOGRAFISCHE KUNST-INRICHTING AUG. F. W. VOGT, AMSTERDAM. SPECIAAL ADRES VOOR GOEDE STEREOSCOPEN EN FRAAIE STEREOSCOPISCHE-PHOTO'S.’, number: ‘406’
Esther before Ahasuerus or Solomon and Sheba with Cross from Wood of Adam's Tomb
Object type: drawing and watercolor
Date: 1590 – 1600
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen
Location: italy
Artist: follower of francesco mazzola, called parmigianino
Inscriptions: Inscribed verso, lower left on mount, in pen and brown ink: "884"; upper right on mount, in pen and brown ink: "L.2"; lower left on mount, in graphite: "Parmigianino"
Defosse. Claude (dit Delfosse ou Lafosse). 29 ans, né à Arbeuf (Nièvre). Cocher. Anarchiste. 2/1/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
In de tuin op Marienburg
Object type: photograph
Date: 1909 – 1910
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: Anonymous
Subjects: suriname
Inscriptions: inscription: ‘Marienburg bij Willi in de tuin’

Twee mannen en twee vrouwen, waaronder Maria Gonggrijp, drinken thee in de tuin op Plantage Mariënburg. Onderdeel van het Lloyd fotoalbum van de familie Gonggrijp in de jaren 1909-1910.
Coat
Object type: coat
Date: 1893 – 1893
Materials: silk, wool
Culture: american
Piece
Object type: piece
Date: 1801 – 1900
Materials: silk
Techniques: brocade
Culture: japanese
Subjects: dragons
Portret van Isaac van Hoornbeek
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: leiden, the hague
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Vijfde gezicht op het Colosseum te Rome
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: etching
Location: antwerp
Artist: hieronymus cock
Artist role: print maker, publisher
Artist dates: 1518 – 1570
Subjects: ruin of a building ~ architecture
Inscriptions: collector's mark: Lugt 2228

Vijfde gezicht op de ruïnes van het Colosseum te Rome. Een man met hond loopt door de gangen van het gebouw. Prent uit een serie van 25 prenten met Romeinse ruïnes.
Zeilboot op het water
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: étienne wallon
Artist role: fotograaf
Artist dates: 1855 – 1924
Subjects: sailing-ship, sailing-boat, sea (seascape)
Portret van een onbekende jongeman
Object type: photograph
Date: 1859 – 1898
Materials: cardboard, paper
Techniques: albumen print
Location: utrecht
Artist: george lodewijk mulder
Artist role: fotograaf
Artist dates: 1841 – 1920
Subjects: youth, adolescent, anonymous historical person portrayed, utrecht
Inscriptions: inscription: ‘Photogr. Atelier/ G.L. Mulder/ van Wijckskade H.326./ Utrecht.’
Portret van een jonge vrouw
Object type: photograph
Date: 1878 – 1878
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: johannes wilhelmus franciscus offenberg
Artist role: fotograaf
Artist dates: 1839 – 1919
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘(...)/ OFFENBERG/ Photographe/ DE S.M. LA REINE DES PAYS-BAS/ Damstraat/ AMSTERDAM’, date: ‘15 Juli 1878.’
Nose ornament
Object type: nose ornament
Date: 1201 – 1600
Materials: copper, gold
Culture: colombian
Location: colombia
The Holy Trinity
Object type: print
Date: 1500 – 1527
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: christ,crucifixion,god the father
Piece
Object type: piece
Date: 1705 – 1710
Materials: metal thread, silk
Subjects: flowers,leaves

Panels such as this—with its extraordinary patterns in long repeats—were called "bizarre" by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving.