deem-data/ArtiFact huggingface dataset:
Portret van de architect Jacob de Breuck
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: compasses, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 240
Herberginterieur
Object type: watercolor
Date: 1807 – 1807
Materials: paper, watercolor
Techniques: brush
Subjects: dancing, inn, coffee-house, public house, etc.
Woven Textile with Male Bust in Pearl Roundel
Object type: textile fragment
Date: 601 – 800
Materials: silk
Culture: central asian
Subjects: men
Cöln a. Rh. Der Dom im Jahre 1869
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: mönchengladbach
Subjects: church (exterior)
Portret van een vrouw
Object type: cabinet photograph
Date: 1894 – 1907
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Koene & Büttinghausen/ Amsterdam/ Heerengracht 150./ Batavia.’
Schets van een man met een hoge hoed
Object type: drawing
Date: 1824 – 1894
Materials: paper, pencil
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Portions of a Field Armor
Object type: portion of a field armor
Materials: leather, steel
Culture: german
Location: germany

These pieces were once part of a complete armor designed for use in battle. Its missing parts include the helmet, collar, gauntlets, and leg defenses. Even though incomplete, this armor is notable for the quality of its construction, the elegance of its form, accented by prominent roped ridges, and for its lively etched decoration. The etched decoration features distinctive female heads, birds, and trophies amid foliate scrolls, all derived from prints by Daniel Hopfer (1471–1536). It is believed that early in his career, Hopfer etched ornament and figures on armor. Emperor Maximilian especially favored armor decorated with Italianate motifs in the Northern Renaissance style.
Double Saddle Bag (Heybe)
Object type: saddle bag
Date: 1880 – 1880
Materials: brass, copper, cotton, metal, wool
Techniques: weave, slit, tapestry
Location: turkey

This bag features the slit tapestry technique (also called kilim). Its metal threads add a note of luxury and were intended to ward off evil spirits. The strip of pure copper is coated on one side with brass to imitate gold. The closure is finished with oblique interlacing and flat plaits, which serve as loops for the innovative closure. The kilim textiles associated with the market town of Reyhanlı, on the Turkey-Syria border, were produced by groups who moved between the pastures of the Taurus Mountains and the Mediterranean shores.
Studieblad, onder andere met een koepeldak en paard en wagen
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: animal traction, animal-drawn vehicle (carriage etc.), dome ~ architecture

Tevens figuurstudies en vogels. Blad 10 recto uit een schetsboek met 59 bladen.
Het begin der Revolutie te Amsterdam
Object type: history print
Date: 1800 – 1802
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: nijmegen, physicist, cornelis rudolphus theodorus krayenhoff, pierre jean baptiste charles van der aa, torch, proclamation of new government

Het begin van de revolutie in Amsterdam, 19 januari 1795. Secretaris P.J.B.C. van der Aa kondigt bij toortslicht staande op de trap van de Waag op de Dam te Amsterdam de overgave van het bewind van de burgemeesters aan het Comité-Revolutionair aan en benoemt C.R.Th. Krayenhoff tot militair commandant.
Animal Locomotion.  An Electro-Photographic Investigation... of Animal Movements.  Commenced 1872 - Completed 1885.  Volume VI, Woman (Semi-Nude and Transparent Drapery) Children
Object type: photographically illustrated book
Date: 1880 – 1889
Techniques: photogravure
Artist: eadweard muybridge
Artist role: artist
Artist nationality: british and american
Artist dates: 1830 – 1904
Subjects: women
French Eagles on the Volga
Object type: medal
Date: 1812 – 1812
Materials: gilt bronze
Techniques: struck
Artist: bertrand andrieu
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1822

This medal was struck for the Metropolitan Museum of Art at the Paris Mint at the request of the donor, Hon. Levi P. Morton, formerly U.S. Minister to France.
Het beleg van Groningen door den Bisschop van Munster in Aug.s 1672
Object type: history print
Date: 1815 – 1830
Materials: paper
Techniques: aquatint
Location: netherlands
Subjects: siege, position war

Het beleg van Groningen door de bisschoppen van Keulen en Munster gedurende de maanden juli en augustus van het jaar 1672. Gezicht op de stad vanuit het legerkamp van de belegeraars.
Zwarte achthoekige profiellijst met ovalen dagkant
Object type: frame
Date: 2023 – 2023
Materials: wood
Techniques: veneering
Location: haarlem

Achthoekige profiellijst met gezwart ebbenhouten fineer en een ovalen dagkant. De grenen zool heeft een halfhoutverbinding. Reproductie van één van oorspronkelijke lijstjes om de zeven portretten van Cornelis Samuelsz/ van Esch en zijn familie (SK-A-1747-A t/m G).
Java, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Natives in Costume" series (N16), issued in 1886 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Rug
Object type: textile
Date: 1875 – 1900
Location: caucasus
VII./ Borstbeeld op donkeren achtergrond
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman
Inscriptions: number: ‘20197’

Prent zeven van veertien prenten na pagina 241.
Bloemstuk op tafel
Object type: cabinet photograph
Date: 1885 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: hendrikus franciscus kramer
Artist role: fotograaf
Subjects: cut flowers; nosegay, bunch of flowers
Inscriptions: inscription: ‘H.F. Kramer Janskerkhof No 8, Utrecht’
Bowl
Object type: bowl
Date: 1881 – 1881
Materials: glass
Broad Collar
Object type: broad collar, bead
Date: 1353 – 1336
Materials: faience
Location: egypt

This necklace of faience beads, called a broad collar, is a durable version of the elaborate perishable floral collars worn by banquet guests (see 09.184.216). The beads in this example imitate a row of cornflowers (center), three rows of dates (middle), and a row of lotus petals (outside). These rows are joined by strands of small ring beads. The rows end in rectangular terminals adorned with blue lotus blossoms, buds, and petals interspersed with poppy petals and persea fruit. The stringing is modern.
Kleine koekoek
Object type: magazine
Date: 1906 – 1907
Materials: paper
Techniques: woodcut
Location: japan
Inscriptions: date

Alle uitgaven uit het jaar 1906 (12 exemplaren) van het literaire maandblad Hototogisu en drie exemplaren van de maanden april, juli en september uit 1907. Veel verschillende schrijvers en kunstenaars hebben aan dit tijdschrijft meegewerkt.
Liefdestaferelen
Object type: print
Date: 1827 – 1829
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: fashion, clothing, adult woman, adult man
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Serie bestond in eerste instantie uit achttien prenten maar is later uitgebreid, onduidelijk naar hoeveel prenten precies.
Halberd
Object type: halberd
Date: 1467 – 1500
Materials: steel, wood
Culture: german
Location: germany
Doornroosje (de schoone slaapster)
Object type: print
Date: 1889 – 1906
Materials: paper
Techniques: letterpress printing, lithograph
Location: wissembourg
Subjects: tales and fairy tales: sleeping beauty
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen uit het sprookje van Doornroosje. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 89.
Diverse landschappen
Object type: print
Date: 1613 – 1695
Materials: paper
Techniques: etching
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), villa
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
A priest conducting mass from a pulpit for women dressed in black
Object type: print
Date: 1890 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: interiors,churches,men,women
Gezicht op de Hervormde Kerk te Monster na de brand
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: monster
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Noordzijde N.H. Kerk, na den brand, Juli 1901/ Monster’, annotation: ‘Monster noordzijde N.H. kerk (Z.H.)/ na den brand Juli 1901’
The Legend of the Briar Rose - The Prince Enters the Briar Wood
Object type: print
Date: 1892 – 1892
Techniques: photogravure
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Subjects: soldiers,shields,swords,princes,death

Between 1874 and 1884 Burne-Jones painted four large panels inspired by Charles Perrault’s La Belle au bois dormant (Tale of the Sleeping Beauty). After they were exhibited to great acclaim at Agnew’s London gallery in 1890, a set of luxurious photogravures was produced at one-third the scale of the originals, using a technique that combines photography and etching. In this introductory scene, the armored hero cuts his way through briars to discover five slumbering knights who failed to break the curse that binds the princess. William Morris, a close friend of the artist’s and a collaborator in Pre-Raphaelitism’s second wave, composed the verse on the painting’s frame: The fateful slumber floats and flows About the tangle of the rose. But lo the fated hand and heart To rend the slumberous curse apart!
Nymph
Object type: statue
Date: 1805 – 1810
Materials: plaster
Artist: polly
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1805
Subjects: nymphs

One of a pair [see 54.126.1] said to have been made for Empress Josephine. Possibly representing Hebe.
Groep van de parade ter ere van van Wilhelmina, koningin der Nederlanden, te Den Haag op 31 augustus 1886
Object type: photograph
Date: 1886 – 1886
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: the hague
Subjects: print maker, wilhelmina of the netherlands, the hague
Inscriptions: address: ‘A. DONA MAGAZIJN VAN KANTOOR-, SCHRIJF- en TEEKENBEHOEFTEN Piet Heinstraat 31 'S GRAVENHAGE.’

Groep van de parade ter ere van van Wilhelmina te Den Haag op 31 augustus 1886. In de bovenmarge '"NA DE INSPECTIE"'. In de ondermarge vier regels Nederlandse tekst.
Abklatsch van een krijttekening
Object type: sketchbook leaf
Date: 1895 – 1900
Materials: paper
Techniques: printmaking
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945

Abklatsch van een tekening van een staande vrouw in een lange jurk die niet langer in het schetsboek aanwezig is. Blad 17 recto uit een schetsboek met 19 bladen.
Passagiers en personeel op het bovendek van schip op de Noorse zee
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: albumen print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘28’
Portrait Vessel of a Ruler
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Techniques: modeling, painting
Culture: moche
Location: peruvian north coast
Subjects: people, men, indigenous, red (color), geometric, heads, headwear, portraits, headdresses, rulers (people)

Among the most distinctive art objects of the ancient Peruvians were ceramic vessels produced by the artists of the Moche culture, which flourished on the north coast between about 100 BC and AD 500. Remarkable for their sculptural naturalism, these stirrup-spout bottles were molded without the aid of a potter’s wheel and painted in earth tones. Moche potters represented everything about their world, from domestic scenes to architecture, ritual events and royal personages, and animals and plants. This portrait vessel portrays individual characteristics—the furrowed brow and full, slightly protruding upper lip—as well as general features recognizable among Peruvian Indians today. With his commanding expression and proud bearing, the depicted ruler conveys an indelible sense of the power of Moche leaders. His elite status is further indicated by his fine headdress, decorated with the geometric motifs of Moche textiles, and by his elongated ear ornaments and the traces of facial paint on his forehead and cheeks. Vessels such as this were placed in burials as funerary offerings, but before they accompanied an individual to the grave, they may also have been sent as emblems of royal authority from a center of power to neighboring districts along with gifts of textiles and other ceremonial presents.
Gezicht op de Oostpoort te Delft
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: delft
Artist: george hidderley
Artist role: fotograaf
Subjects: city-walls, street, parts of church exterior and annexes: tower
Portret van Octavio de'Rossi
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons

Prent mogelijk uit: Graevius, Joannes Georgius. Thesaurus antiquitatum et historiarum Italiae (...). Leiden: Pieter van der Aa I, 1722, dl. 4.2.
Zware tijden (een keizerprent)
Object type: cartoon
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: wilhelm ii (keizer van duitsland), personifications of countries, nations, states, districts, etc., war, political caricatures and satires, germany
Inscriptions: date

Spotprent op de leidersrol van de Duitse keizer Wilhelm II in het opbouwen van een Nieuw Europa. Wilhelm roept als aartsengel Michaël de andere Europese landen op om hem te volgen in het opbouwen van de ruïnes van Europa. In de lucht een beeld van Boeddha en Chinese draken als symbool van de vermeende Aziatische dreiging uit het Oosten. Onderaan een citaat in zeven regels waarin de voorstelling wordt uitgelegd. Verschenen in de bijvoegsel van 'De Kroniek' van 24 november 1895.
Christ Disputing with the Doctors; a sketch
Object type: print
Date: 1652 – 1652
Techniques: etching, pen
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: christ,crowd,doctors
Gezicht op Buitenhaven en Middelburg
Object type: print
Date: 1878 – 1922
Materials: paper
Techniques: drypoint
Artist: robert charles goff (1837-1922)
Artist role: painter, print maker
Artist dates: 1837 – 1922
Subjects: water course, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 4731, collector's mark: Lugt 2228, watermark:
Figuren en een bospad
Object type: sketchbook leaf
Date: 1822 – 1893
Materials: paper, pencil, watercolor
Techniques: brush
Artist: willem troost (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: sitting figure, wheelbarrow (+ one person ~ traffic and transport), forest path or lane

Onder andere studies van een jongen of man met een kruiwagen en zittende figuren. Blad 54 recto uit een schetsboek met 36 bladen.
Portret Jean Paul
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: engraving
Subjects: jean paul, historical persons
Inscriptions: collector's mark: Lugt 2228
Columbine and Pantalone
Object type: group
Date: 1736 – 1736
Materials: enamel, gold, hard paste porcelain
Techniques: polychrome
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,women
The swing
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: child (+ more than eight persons), swinging (children's game), landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Prent uit: The Art Journal 4 (1855), p. 109.
Russische paviljoen op de Wereldtentoonstelling van 1878
Object type: stereograph
Date: 1878 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: jf
Artist role: fotograaf
Subjects: world fair, world exhibition, paris
Inscriptions: inscription: ‘Russie’
Twee friezen
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: france

Friezen met bladranken en tritons in Romeinse stijl. Blad uit tweede editie.
Bosrand op heuvel
Object type: print
Date: 1897 – 1938
Materials: paper
Techniques: etching, intaglio
Artist: evert jan muller
Artist role: print maker
Artist dates: 1887 – 
Subjects: fringe, edge of the wood
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
De negen muzen
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: melpomene (one of the muses); 'melpomene' (ripa)
Inscriptions: collector's mark: Lugt 240

Een serie van negen muzen. Eerste staat, voor onderschriften.
[Tomb of the Catholic Kings, Granada]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: tombs,interiors
Piscivm vivae icones
Object type: print
Date: 1627 – 1636
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: bony fishes: herring, bony fishes: angelfish, sea (seascape), bony fishes: sturgeon, bony fishes: goby
Inscriptions: number: ‘54/17’, collector's mark: Lugt 2228

Een grondel, een braam, een steur en een haring liggen samen met wat schelpen aangespoeld op het strand. Op de achtergrond de zee met enkele schepen. De prent maakt deel uit van een serie met vissen als onderwerp.
Zeegezicht met enige schepen
Object type: drawing
Date: 1847 – 1847
Materials: paper
Techniques: brush
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: sea (seascape)
Tombola
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: raffle, lottery, games of calculation and chance, e.g.: card games, gambling, puzzles, etc.
Inscriptions: stamp, collector's mark: Lugt 1641

Een kraam waar prijzen te winnen zijn door middel van loten die men uit een pot trekt. In de kraam een uitstalling van te winnen prijzen zoals, zilveren serviesgoed, huisraad van tin en koper, kleding en schilderijen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Complete suites.
Pair of Rowel Spurs
Object type: spur
Date: 1630 – 1660
Materials: gold, metal alloy
Culture: german
Location: germany

These spurs. originally gilded, are decorated overall with punched foliate designs. In the first half of the 17th century, the fashion trend for gentlemen was to wear boots and spurs even non-riding circumstances, including for dancing or walking around at court. Spurs became then more than equestrian tools, but pieces of male jewelry often enriched by the same goldsmiths also working on armor and weapons. Their decoration was sometimes intended to match the sword hilt and the general outfit and horse tack of their owner. These trendy accessories were also a significant mark of status for gentlemen, sometimes nonetheless copied by the bourgeoisie. This fashion progressively disappeared after the mid 17th century.
Het zinken van een Russisch slagschip tijdens de zeeslag bij Port Arthur
Object type: triptych
Date: 1904 – 1904
Materials: paper
Techniques: woodcut
Location: japan
Subjects: sinking (movement in water), battle (+ naval force), sailor
Inscriptions: collector's mark: Lugt 2228, label: ‘Serie 2541 no. 5’

Russische mariniers gaan ten onder met hun schip in de baai van Port Arthur. De zeeslag begon met een verassingsaanval van de Japanse vloot. Zij schoot torpedo's af op nietsvermoedende Russische schepen.
Hand die een blad of boek vasthoudt
Object type: sketchbook leaf
Date: 1892 – 1901
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: hand

Blad 9 recto uit een schetsboek met 51 bladen.
Le Calandrier des Vieillards (The Calendar of Old Men, from Suite d'Estampes Nouvelles pour les Contes de la Fontaine (Series of New Prints for the Tales of La Fontaine)
Object type: print
Date: 1701 – 1800
Techniques: engraving, etching
Artist: nicolas de larmessin iii
Artist role: artist
Artist nationality: french
Artist dates: 1685 – 1755
Subjects: boys,men,women,monkeys
Ved Indiansisen, Syd for Kekertarsuak, April 1887
Object type: photomechanical print
Date: 1804 – 1887
Materials: paper
Techniques: photograph
Location: greenland
Artist: Anonymous
Subjects: tent-camp, exploration, expedition, voyage of discovery, greenland
Inscriptions: number: ‘Tav. XII.’
Portret van Karl Herloßsohn
Object type: print
Date: 1826 – 1840
Materials: paper
Techniques: engraving
Subjects: prague, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit het jaarboek 'Libussa' van Paul Alois Klar.
Jan Hanzenpad buiten de Raampoort
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: bridge with structure, i.e. cover or buildings
Inscriptions: collector's mark: Lugt 2228
De kunst vertoont u hier, zoo land als waterdieren / Wil derzelver beeld u 't jeugdig brein versieren [(...)]
Object type: print
Date: 1828 – 1913
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: fishes, ships (in general), rodents: rabbit
Inscriptions: collector's mark: Lugt 2760

Blad met 3 horizontale rijen met in totaal 9 voorstellingen van vissen, schepen en konijnen. Onder elke rij een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: [N. 171. B].
Drooggevallen schepen in de haven van Clovelly
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: clovelly
Artist: Anonymous
Subjects: harbour, ships, boats on land, beached

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
20. Le nouvel Opéra de Paris. Sculpture Ornamentale.
Object type: photograph
Date: 1878 – 1881
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: louis-emile durandelle
Artist role: fotograaf
Artist dates: 1839 – 1917
Inscriptions: number: ‘9’

bij boek in Bibliotheek RMA, Zie Frizot, pp. 217-223, vgl G. Vicaire, Manuel de l'amateur de livres du XIXe siècle, vol. 3, column 870.
Portret van Tommaso Aniello
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: unknown
Artist: pieter de jode (ii)
Artist role: draughtsman, print maker
Artist dates: 1606 – 1674
Subjects: amalfi, naples, fisherman
Inscriptions: collector's mark: Lugt 2228

Portret van Tommaso Aniello, met vissersnet. Op de achtergrond een gezicht op Napels. Het portret is gevat in een omlijsting. In de marge een vijfregelig onderschrift in het Latijn.
Kruisiging van Christus
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: collector's mark: Lugt 240, watermark