deem-data/ArtiFact huggingface dataset:
Clipper Ship "Great Republic"
Object type: print
Date: 1855 – 1855
Techniques: hand coloring, lithograph
Artist: joseph b. smith
Artist role: artist
Artist nationality: american
Artist dates: 1798 – 1876
Subjects: ships

Marine views and pictures of ships have long appealed to collectors and popular taste. To meet consumer demand, print publishers produced a multitude of pictures of clipper ships, which were designed for speedy transport of large cargoes to meet international merchant trade demands. When a clipper ship set a remarkable record for speed, Nathaniel Currier quickly published a print to celebrate the feat, thereby also creating good publicity for the ship's builder, owner, as well as the captain. The "Great Republic" was the largest wooden sailing ship of its day. Before he made this print, Currier made an earlier print of 1853 (also in the collection of the Metropolitan Museum of Art) to celebrate the launch of this grand, sleekly designed four-masted clipper ship with four decks, which had been built in Boston by Donald McKay. The ship was subsequently towed to New York, where it was loaded and readied for her maiden voyage to Liverpool, England. Unfortunately, before setting sail, a fire broke out and destroyed much of the upper decks and rigging; as this print's inscription notes, it burnt to the waterline. New owners, identified as A.A. Low & Brothers in the imprinted inscription, rebuilt the ship during 1854. Although it was rebuilt slightly smaller than the original design (for example, with three decks and not four), the "Great Republic" remained the largest clipper ship ever built, as this 1855 print was made to show. In early 1855, the "Great Republic" began multiple trade voyages between New York and England, and later between New York and San Francisco, often sailing the distances in record time.The "Great Republic" continued to sail around the world, albeit under different owners and captains, until March 1872, when a hurricane off Bermuda damaged the ship so badly, it was abandoned at sea. Nathaniel Currier, whose successful New York-based lithography firm began in 1835, produced thousands of hand-colored prints in various sizes that together create a vivid panorama of mid-to-late nineteenth century American life and its history. People eagerly acquired such lithographs featuring picturesque scenery, rural and city views, ships, railroads, portraits, hunting and fishing scenes, domestic life and numerous other subjects, as an inexpensive way to decorate their homes or business establishments. As the firm expanded, Nathaniel included his younger brother Charles in the business. In 1857, James Merritt Ives (the firm's accountant since 1852 and Charles's brother-in-law) was made a business partner; subsequently renamed Currier & Ives, the firm continued until 1907.
Portret van tante Jans
Object type: photograph
Date: 1855 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: gerrit hoogwinkel jr.
Artist role: fotograaf
Artist dates: 1837 – 1890
Inscriptions: name: ‘oud tante / Jans van den / Berg’
Portret van een jonge vrouw met halsketting
Object type: photograph
Date: 1880 – 1889
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: groningen
Artist: benjamin sanders
Artist role: fotograaf
Artist dates: 1841 – 1889
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, necklace
Inscriptions: inscription: ‘Benj. Sanders/ GRONINGEN Heerestraat./ Vergrootingen naar kleine portretten worden prachtig/ afgewerkt en billyk in prys door my gelevert./ Deze portretten kunnen nabesteld worden.’
Gedicht uit archief Philip Zilcken
Object type: poem
Date: 1913 – 1913
Materials: paper
Techniques: printing
Location: noordwijk aan zee
Artist: albert verwey
Artist role: criticus, dichter, essayist
Artist dates: 1865 – 1937
Subjects: the hague, painter, draughtsman, philip zilcken, literature ~ arts, the graphic arts
Inscriptions: watermark, collector's mark: ‘RPK’
Glass mosaic ribbed bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent honey brown, cobalt blue, and opaque white. Outsplayed rim with thick, rounded edge; straight side tapering downward. Ribbon mosaic pattern formed from sections of a single cane in brown ground with irregular wavy white and blue threads in parallel horizontal lines; on exterior, three vertical ribs, widely spaced, with flattened tops. Polished interior; pitting of surface bubbles on interior; creamy iridescent weathering on exterior; some weathering on jagged edges.
Vidimus stellam ejus
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: the three kings, from israel, judah and edom, consult elisha, stars
Sarape
Object type: textile
Date: 1850 – 1900
Materials: cotton, wool
Techniques: tapestry weave
Location: mexico
Kunda (bell)
Object type: kunda bell
Date: 1867 – 1900
Materials: wood
Culture: congolese
Location: congo
Artist: mayumba people
Artist role: maker
Artist nationality: congo

Used by the Nganga, healer and spiritualist, the hourglass shaped double bell is liked to Nkisi cult worship and is used during songs and dances to treat the ill. It was also used to tame evil witches, evil spirits of the dead and ghosts.
Landschap met vervallen hekwerk en een boomstronk
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: munich
Artist: max josef wagenbauer
Artist role: print maker
Artist dates: 1774 – 1829
Subjects: plants; vegetation, trees, fence, wall, paling
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent behoort tot het eerste deel van de serie 'Vorlagen für Landschaft-zeichner'. Dit eerste deel bevat twintig prenten.
Rechthoekige sokkel van zandsteen, behorend bij Beeld, de fortuin verbeeldend
Object type: pedestal
Date: 1800 – 1899
Materials: cement, stone
Techniques: carved
Location: unknown
Artist: Anonymous
Subjects: the hague, constantijn huygens (i)

Rechthoekige sokkel van zandsteen, behorend bij 'Beeld, de fortuin verbeeldend'. Het bovenblad van de sokkel zit aan het beeldhouwwerk BK-18042-B-1 vast. De bovenzijde van de sokkel is flink beschadigd en verkleurd, doordat het bovenblad van de sokkel is verwijderd. Ter hoogte van rand van de bovenzijde ontbreken veel schilfers van het zandsteen. De zijkanten van de sokkel zijn vlak. De plint is met cement aan de schacht bevestigd en is overkragend, doordat een geprofileerde rand de sokkel verbreed. De schacht van de sokkel steekt ter hoogte van de achterzijde 4 centimeter uit. De sokkel is een pendant van BK-18042-A-2.
Geschiedenis van Juda en Tamar
Object type: print
Date: 1564 – 1568
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: hirah with the promised kid of judah, looking in vain for tamar, tamar returns home (with the tokens from judah)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Juda geeft zijn vriend Chira de opdracht om een geitenbokje als betaling aan de prostituee te geven, terwijl hij op de vertrekkende Tamar wijst. Chira houdt het bokje onder de arm en zal de prostituee gaan zoeken, maar niet vinden. Onderaan in de marge een vers in het Latijn.
Scarab: Scarab Beetle with Hieroglyphs (cobras, anx-signs, nbw-sign)
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: scarab beetle, hieroglyphs
Portret van de kardinaal André-Hercule de Fleury
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: france, insignia of cardinal, e.g. hat, mantle
Inscriptions: collector's mark: Lugt 2228
Sampler
Object type: sampler
Date: 1701 – 1800
Materials: linen, silk
Subjects: human figures
Standing cup with cover
Object type: standing cup with cover
Date: 1567 – 1633
Materials: silver gilt
Artist: hans wendel pensel
Artist role: maker
Artist dates: 1591 – 1602
Subjects: animals,bulls
Cover
Object type: textile
Date: 1601 – 1650
Materials: lace, linen, silk
Techniques: lace, drawing, treatment, embroidery, weave, stitching
Location: italy
Gezicht op de Dorpskerk te Woubrugge
Object type: photograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: woubrugge
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘N.H. kerk te Woubrugge/ 10 April 1909’, annotation: ‘J. Rendorp/ 1728-1792’
Een geruïneerd huis
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: netherlands, germany

Burgers en soldaten lopen op straat langs een geruïneerd huis. Foto behorend bij album 'Kriegserinnerungen'.
Straat met een boerin die emmers draagt
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paint, paper
Techniques: brush, stumping
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: wooden container: barrel, cask, bucket, farmers - aa - female farmer, farmer's wife, street (+ city(-scape) with figures, staffage)

Blad 49 recto uit een schetsboek met 51 bladen.
Counted Out
Object type: drawing and watercolor
Date: 1912 – 1912
Materials: charcoal, crayon, graphite, ink, paper
Techniques: brush, cutting, drawing, lithograph, scraping
Location: united states
Artist: george wesley bellows
Artist nationality: american
Artist dates: 1882 – 1925
Subjects: boxers, people, prints and drawings
Inscriptions: Signed, lower right: "—Geo Bellows—";

A native of Ohio, George Wesley Bellows studied early on with Robert Henri, a proponent of urban realism. Encouraged by Henri, Bellows sought out subjects that represented the vitality of the everyday lives of New Yorkers. His first studio was located across the street from Sharkey’s Athletic Club, where he became an avid boxing fan. A number of dramatic paintings, such as his 1909 Stag at Sharkey’s (now in the Cleveland Museum of Art), established his reputation as the preeminent painter of this quintessential urban subject.

In 1913 American Magazine commissioned Bellows to produce four drawings to accompany an article by L. C. Moíse recounting the fight between former lightweight champion Jimmy Nolan and his nemesis, Tornado Black. Counted Out is one of the four. When the fight started, the two men could hardly contain their hatred for one another, and the energy inside the ring fueled the frenetic audience. Just before the third round, Nolan realized he had “lost his punch,” and did everything possible to fend off Black’s fierce attacks. When he finally mustered his “last ounce,” he prevailed, and the “Tornado dropped senseless to the floor.” The four drawings together illustrate the entire event; the Art Institute’s sheet depicts Nolan’s moment of triumph. We don’t know whether Bellows actually attended the fight, but he faithfully adhered to many visual details in Moíse’s article, such as the long scar on Black’s face and Nolan’s disfigured ear, overly pronounced jaw, and dramatic pose.

For this drawing, Bellows used lithographic crayon, a medium he preferred for its ability to create rich gradations of black. He emphasized the theatricality of the scene by placing the viewer inside the ropes, using dramatic lighting that heightens certain faces in the crowd while obscuring others, and by exaggerating gesture, such as the referee’s wildly splayed arms and Black’s crucified pose. Finally, Bellows constructed the composition around a strong pyramidal shape formed by the three protagonists, which draws us into the action and directs our focus.
Stirrup cup
Object type: stirrup cup
Date: 1780 – 1780
Materials: earthenware
Techniques: glazing
Artist: ralph wood the younger
Artist role: maker
Artist nationality: british
Artist dates: 1748 – 1795
Subjects: faces
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a lipped kylix; sheared
Blad met strooipatroon van bladmotief tussen rankje, vruchten en punten
Object type: printed paper
Date: 1800 – 1900
Materials: ink, paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met strooipatroon van bladmotief tussen rankje, vruchten en punten.
Insignia Medallion
Object type: insignia medallion
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: dragons
The Bombardment of Palembang, Sumatra, 24 June 1821
Object type: painting
Date: 1821 – 1848
Materials: canvas, oil
Artist: martinus schouman
Artist role: draughtsman, painter
Artist dates: 1770 – 1848
Subjects: sailing-ship, sailing-boat, (military) attack (+ sailing-ships), navy, palembang (city)
Inscriptions: signature: ‘M. Schouman’

De beschieting van Palembang op Sumatra op 24 juni 1821 door de Nederlandse vloot. De Nederlandse oorlogsschepen liggen voor de kust van Sumatra, tussen de schepen varen enkele sloepen.
Souvenir spoon
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt, silver
Subjects: bridges,lions
La Halte des Bohèmiens: Les Diseuses de Bonne Aventure (The Gypsy Stopover: The Fortune Tellers), from "Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes" (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)
Object type: print
Date: 1601 – 1633
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Studies van handgebaren en een voet
Object type: print
Date: 1700 – 1725
Materials: paper
Techniques: etching
Location: paris
Subjects: postures and gestures of hand and fingers, foot

Deze prent maakt deel uit van de serie 'Livre de portraiture', die weer onderdeel is van de grotere reeks 'Oeuvre de Charles le Brun'.
Les Travaux d'Ulysse
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: in thrinacria ulysses' men devour some of the cattle of the sun-god while ulysses is asleep

De hongerige metgezellen van Odysseus slachten aan boord een van de runderen van de zonnegod Helios. Op de achtergrond de runderen en Helios in zijn wagen. Op de voorgrond bedreigt Neptunus het schip. De prent maakt deel uit van een album.
Dante's Inferno: verraders in het ijs van de Cocytus
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching
Location: rome
Subjects: (scenes from) specific works of literature: dante, divina commedia, virgil, dante

Dante's Inferno: Dante en Vergilius bij het bevroren water van de Cocytus. Ugolino della Gherardesca knaagt in het ijs aan het hoofd van aartsbisschop Ruggieri (Canto 33). Prent nr. 34 op blad 20 in het album 'Raccolta di Soggetti Pittorici', een prentalbum met 42 genummerde etsen op 28 pagina's van Luigi Sabatelli (I) zelf en van leerlingen naar diens ontwerp.
Potten met anjeliers
Object type: print
Date: 1681 – 1740
Materials: paper
Techniques: woodcut
Location: haarlem
Artist: isaac vincentsz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1665 – 1740
Subjects: flowers
Inscriptions: collector's mark: Lugt 240
Pot
Object type: pot
Date: 1650 – 1650
Materials: pottery
Culture: chinese
Mishandeling der Joden in Tracië
Object type: drawing
Date: 1734 – 1801
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: outbreaks of violence ~ anti-semitism, torture
Going on Stage
Object type: print
Date: 1889 – 1890
Materials: paper
Techniques: lithograph
Location: france
Artist: georges-william thornley
Artist role: print maker
Artist nationality: french
Artist dates: 1857 – 1935
Twee mannen voor een huis
Object type: photograph
Date: 1930 – 1950
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons not known by name

Twee mannen, waaronder Koenen, staande voor een huis. In envelop met losse foto's behorend bij het fotoalbum over de bewoners van het huis aan de Reguliersgracht te Amsterdam in de periode 1924-1932.
Ontwerp met zes leeuwen
Object type: drawing
Date: 1874 – 1945
Materials: paper, pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: other ornament derived from animal forms, beasts of prey, predatory animals: lion

RP-T-1969-413 en RP-T-1969-414 passen aaneen.
Kist in de vorm van een boek, beschilderd met bloemen
Object type: box
Date: 1880 – 1900
Materials: metal, textile, wood
Techniques: brush
Artist: Anonymous
Tea Caddy (Cha-ire)
Object type: vessel
Date: 1801 – 1900
Materials: ivory, stoneware
Techniques: glazing
Location: japan
Plaque
Object type: plaque
Date: 1895 – 1895
Materials: earthenware
Culture: american
Location: united states
Artist: charles volkmar
Artist role: maker
Artist nationality: american
Artist dates: 1841 – 1914
Subjects: houses,trees
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Materials: terracotta
Culture: greek, attic

Interior, legs of horse?; part of an inscription [KAL]OS?
Danseres naast een man, zittend
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult man (+ sitting), adult woman (+ sitting), female dancer

Blad 7 recto uit schetsboek XXII met 30 bladen.
Gezicht op Kasteel Wijlre
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: maastricht
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: landscape with tower or castle
Inscriptions: annotation: ‘gem. Maastricht/ Wijlre’, annotation: ‘Kasteel te Wijlre’
[Medieval Court; The Walsingham Font; Entrance to English Medieval Court]
Object type: photograph
Date: 1859 – 1859
Techniques: albumen silver print, glass negative
Artist: philip henry delamotte
Artist role: artist
Artist nationality: british
Artist dates: 1821 – 1889
Subjects: sculpture,doorways,interiors
Portret van de schilder Joseph-Laurens Dijckmans, halffiguur
Object type: carte de visite
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: lierre, antwerp, painter, joseph-laurens dijckmans, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: inscription: ‘ETABLISSEMENT PHOTOGRAPHIQUE/ de/ J. DUPONT/ Place de Meir 32/ ANVERS/ Maison fondée en 1853’
Standing cup
Object type: standing cup
Date: 1740 – 1740
Materials: glass
Subjects: trees,boats
The death of Douglas-battle of Langside
Object type: photomechanical print
Date: 1874 – 1884
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: violent death by blows, kicks, pricks, etc. - ee - death not certain; wounded person, battle, ruler, sovereign - bb - female ruler
Three tile panels with Autumn, Summer and Spring
Object type: tile tableau
Date: 1760 – 1780
Materials: earthenware, glaze
Techniques: maiolica
Location: rotterdam
Artist: johannes aelmis (i)
Artist role: tegelschilder
Artist dates: 1674 – 1755
Subjects: one pair dancing; man and woman dancing as a couple, autumn ~ human activities (the four seasons of the year)

Couples with individual attributes represent three of the four seasons. An elegant, Rococo border frames the scenes. The panels probably come from a room once decorated with tiles.
Ear Ornament, Double Lotus
Object type: ear ornament
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
A woman in labor imploring the aid of Lucina set within a decorative cartouche, from "Loves, Rages and Jealousies of Juno"
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: children,infants,women
Fan
Object type: fan
Date: 1701 – 1733
Materials: ivory
Subjects: men,women,putti,dining
Ghismonda, Guiscardo, and the Prince of Salerno, from The Decameron
Object type: print
Date: 1534 – 1534
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: princes,men,women
Portret van een jongeman
Object type: carte de visite
Date: 1894 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: utrecht
Artist: anton cornelis thomann
Artist role: fotograaf
Artist dates: 1873 – 1946
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘Anton C. Thomann/ Photograaf/ Utrecht’
Portret van twee jongens in matrozenpak op een kade
Object type: print
Date: 1880 – 1920
Materials: cardboard
Techniques: chromolithography
Artist: Anonymous
Subjects: ensemble of pieces of clothing: sailor suit, boy (child between toddler and youth) (+ two persons), historical persons, quay
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1918
Materials: ink, paper
Techniques: pen, writing
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: dordrecht, painter, designer, jan veth, applied arts, arts and crafts; industrial design, historical persons (portraits and scenes from the life), utrecht
Inscriptions: collector's mark: ‘RPK’
Stirrup Spout Bottle with Figure
Object type: bottle
Date: 301 – 700
Materials: ceramic, pigment
Culture: moche
Location: peru
Subjects: human figures
Onze tijd
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: factory-building, globe

Een man zit geknield bij een globe. Om hem heen ligt een aantal objecten uit de negentiende eeuw, waaronder een tandwiel en een fabriek.
Terracotta necklace with palmette and lotus pendants
Object type: necklace with 26 bead, 25 pendant
Date: 300 – 201
Materials: terracotta
Culture: etruscan

Terracotta jewelry represents an inexpensive substitute for pieces in precious metals. The pendants would have been produced in large numbers through the use of molds, thus reducing the cost of both labor and material.
Jasper ring stone
Object type: intaglio
Date: 100 – 300
Materials: jasper
Culture: roman
Subjects: heads,men
Canopic jar of Nephthys
Object type: canopic jar, nephthys
Date: 1981 – 1802
Materials: limestone, linen, paint
Location: egypt

This Middle Kingdom canopic jar belongs to a set of four (11.150.17b–e), which were used to contain the viscera removed from the body during mummification. These four jars belong very probably to the burial of a mayor’s daughter called Nephthys (for her mummy, see 11.150.15c, and for her two coffins, see 11.150.15a, b). In earlier periods, canopic jars had simple disc-shaped or hemispherical lids. In the late First Intermediate Period to early Middle Kingdom, however, lids in the form of human heads were introduced.
Terracotta jug
Object type: jug
Date: 600 – 480
Materials: terracotta
Culture: cypriot

"Woman-and-pitcher" vase with bull in black on one shoulder, lion in white on the other.