deem-data/ArtiFact huggingface dataset:
Papierbehangsel met ruitpatroon met Franse lelies en bloemetjes
Object type: wallpaper
Date: 1880 – 1890
Materials: paper
Techniques: printing block
Location: france
Inscriptions: : ‘in potlood: 9510’

Papierbehangsel met ruitpatroon waarbinnen Franse lelies en bloemetjes in rood, zwart en blauw. Blokdruk met een doorlopend patroon, afgewerkt met een cilinderdruk met een gaufrage in een visgraatpatroon, bij wijze van textielimitatie.
Portret van Johann Georg I van Saksen
Object type: print
Date: 1595 – 1678
Materials: paper
Techniques: engraving
Subjects: johann george van saksen (i), historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de marge.
S. Bertin, abbé (St. Bertinus, Abbot), September 5th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Spinoza-Monument. den Haag
Object type: ansichtkaart, prentbriefkaart
Date: 1911 – 1919
Materials: cardboard
Techniques: photograph
Location: the hague
Artist: Anonymous
Subjects: baruch de spinoza, fence, wall, paling, monument, statue, street
Deksel vantTheepot, beschilderd met een landschap met vee
Object type: lid
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Deksel van theepot beschilderd met landschap met vee.
XLVIII Elck doecken nae sijn aensicht
Object type: print
Date: 1614 – 1614
Techniques: engraving, printing
Location: amsterdam

XLVIII Elck doecken nae sijn aensicht. Derde schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Boot glass
Object type: glass
Materials: gilt, glass
Techniques: glassblowing
Culture: venetian or façon de venise
Subjects: boots
Snaffle Bit
Object type: bit
Date: 800 – 601
Materials: copper alloy
Culture: etruscan or villanovan
Location: italy

The snaffle bit is the simplest type of horse bit, and has an effect on the bars (part of the horses’ jaw without teeth) and the corners of the lips. The mouthpiece of this bit consists of two articulated straight canons passing through one of the eyelets of the cheekpieces. The two other eyelets were originally attached to the bridle, while each extremity of the canons holds a large ring for the reins. When the reins were pulled, the cheekpieces would compress the corners of the lips, forcing the horse to stop. They would also help indicate the direction to the horse and keep the rings from pulling through the mouth. Horses had a great value among Villanovan and Etruscan societies. They were used for military and leisure purposes, and possessing them was an indicator of high social status. Equestrian objects, like bridles or even chariots, were often deposited in the tombs of the wealthy individuals, the deceased hoping to equip their steeds in the afterlife. Horses are also widely present among the paintings, ceramics and other decorated objects found in the same burials.
L'ameublement / Collection simple
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery

Twee vensters met gedrapeerde gordijnen. Prent uit 278e Livraison.
Ex libris van Gosuinus Janus Loncq
Object type: bookplate
Date: 1768 – 1835
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: utrecht, sheaf, armorial bearing, heraldry
Inscriptions: inscription: ‘Rietstap, 2, 93.’
The Two Armies at the Battle of Ravenna, 1512
Object type: print
Materials: paper
Techniques: engraving
Location: italy

Ravenna, located in the Emilia-Romagna region of northern Italy, was the site of a battle fought on Easter Sunday, April 11, 1512, between the Spanish-Papal armies and the French, whose King Louis XII was pursuing dynastic claims to portions of Italy. The battle was an overwhelming victory for the French. This engraving depicts the opposing armies prior to engaging in direct combat.
The Sortie Made by the Garrison of Gibraltar
Object type: painting
Date: 1789 – 1789
Materials: canvas, oil
Culture: american
Artist: john trumbull
Artist role: artist
Artist nationality: american
Artist dates: 1756 – 1843
Subjects: battles,soldiers,men

This painting depicts the events of the night of November 26, 1781, when British troops, long besieged by Spanish forces at Gibraltar, made a sortie, or sudden attack, against the encroaching enemy batteries. The focal point of the painting is the tragic death of the Spanish officer Don Jose de Barboza. Abandoned by his fleeing troops, he charged the attacking column alone, fell mortally wounded, and, refusing all assistance, died near his post. Trumbull portrays him rejecting the aid of General George Eliott, commander of the British troops. This work, the largest and last of three versions of the subject that Trumbull executed between 1786 and 1789, demonstrates his ambition to solidify his reputation on the basis of the highly respected genre of history painting.
Panoramisch gezicht op Haarlem en de ruïne van Brederode
Object type: drawing
Date: 1839 – 1839
Materials: chalk, paper, pencil
Techniques: drawing, stumping
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: haarlem
Inscriptions: signature: ‘A.S.’, annotation: ‘by Haarlem’, signature: ‘A. Schelfhout’, annotation: ‘(A.Schelfhout)’
Vuurwerk in Lyon
Object type: photomechanical print
Materials: paper
Techniques: collo-autotype
Location: lyon
Artist: Anonymous
Subjects: bonfire, fire-works, lyon
Inscriptions: inscription: ‘Fig. 2. - Photographie du bouquet d'un feu d'artifice tiré à Lyon, le 14 Juillet 1886. - Cliché de M. Barral.’

Prent op plaat los in boek tussen pagina 134 en 135.
Ecce Homo, from "The Passion"
Object type: print
Date: 1512 – 1512
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: knives,men,christ,punishment
Envelop behoort bij een brief van de keizer van Marokko
Object type: envelope
Date: 1686 – 1686
Materials: velvet
Artist: Anonymous

Diplomatic stationary, second half 17th century. Special envelopes were used for diplomatic correspondence. The velvet envelope contained a letter (dated 20 September 1686) from the emperor of Morocco to the States General concerning deliveries of weapons from the Republic. The silk envelope contained a letter sent in 1668 by the Dutch representative in Constantinople (Istanbul), Justinus Coljer, to the States General. The painting above shows a Russian diplomatic delegation at the Binnenhof in The Hague bearing a sealed envelope. On loan from Algemeen Rijksarchief, Den Haag.
Portret van bisschop Gherardo Gherardi
Object type: print
Date: 1750 – 1819
Materials: paper
Techniques: engraving
Location: venice
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Gherhardus’

Deze prent maakt deel uit van een serie van onbekende omvang, met portretten van bisschoppen en kardinalen in ornamentlijsten.
A Short History of General Andrew H. Foote, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,flags,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Candi Srikandi, details of the southern niche decorated with a four-armed Brahma. Dieng PLateau, Wonosobo District, Central Java province, 8th-9th century Indonesia
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Inscriptions: title: ‘Basrelief van den tempel (Brahma) Cat. no. 95 te Diëng-plateau (Residentie Bagelen)’, number: ‘42’
Portique de la Cathédrale de Fribourg
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1905
Materials: cardboard
Techniques: photograph
Location: fribourg
Subjects: parts of church exterior and annexes: portal
Zes vlakdecoraties en zwik
Object type: drawing
Date: 1866 – 1900
Materials: pencil, paper
Techniques: drawing
Artist: Anonymous

Zes gedeeltelijk afgebeelde vlakdecoraties met putti tussen bladranken, daaronder een zwik met een persoon tussen bladranken.
Goblet
Object type: goblet
Date: 1850 – 1860
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Voor- en achterzijde van een penning met het wapen van Henegouwen en van Filips van Lalaing
Object type: book illustration
Date: 1723 – 1723
Materials: paper
Techniques: etching, letterpress printing
Location: the hague
Subjects: coat of arms (symbol of sovereignty), historical persons, coin, ruler, sovereign

Prent uit: Loon, Gerard van. Beschryving der Nederlandsche Historipenningen: (...). Den Haag: Christiaan van Lom et al., 1723, dl. 1, p. 276.
Tapestry Picture
Object type: picture, tapestry
Date: 1767 – 1833
Materials: metal thread, silk
Culture: chinese
Subjects: trees,boats
Landschappen
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: city-view, and landscape with man-made constructions, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., bridge, herd, flock
Inscriptions: collector's mark: Lugt 240

Landschap met een herder en een herderin die met hun kudde over een bruggetje lopen. Aan de waterkant links zit een man. Italiaans vers in ondermarge.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, right foot, forelegs of horse; Exterior, feet?
Jozef verklaart de dromen van de bakker en de schenker
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: joseph interpreting the dreams of the butler and the baker (the two dreams combined)
Inscriptions: collector's mark: Lugt 2228, number: ‘36’

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Portret van predikant Jacob Chimarrhaeus
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: prague
Artist: aegidius sadeler (ii)
Artist role: draughtsman, print maker
Artist dates: 1568 – 1629
Subjects: jacob chimarrhaeus
Inscriptions: collector's mark: Lugt 240

Jacob Chimarrhaeus, componist en aalmoezenier aan het hof van Rudolf II. Portret op 59-jarige leeftijd. De prent heeft een Latijns onderschrift.
Portret van een jonge man met vlinderstrik
Object type: carte de visite
Date: 1885 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘opgericht 1864./ Amsterdam/ Wester markt, 19/ W.G. Kuijer & Zonen/ Hofphotographen/ Spéciale Inrichting/ voor/ VERGROOTINGEN/ in alle Formaten’
Manchet van blauw laken met twee applicaties van zilverborduursel
Object type: cuff
Date: 1800 – 1825
Materials: textile, thread
Techniques: appliqué, embroidered, sewing
Location: netherlands
Artist: Anonymous

Uniformfragmenten bestaande uit: twee kragen, manchetomslagen, paar revers met één en zeven paar lissen, voering en rug- en voorpanden; voor livrei of schutterij (?). Deze uniformfragmenten waren op het moment van invoer nog niet beschikbaar en daar de aantallen e.d. onduidelijk zijn, is bij deze invoer alleen volstaan met de vermelding van de diverse onderdelen. De invoer per onderdeel moet dus nog volgen.
Briefkaart aan Jan Ponstijn
Object type: drawing
Date: 1919 – 1919
Materials: cardboard, ink
Techniques: pen, writing
Location: bergen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: amsterdam, draughtsman, jan petrus ponstijn

Briefkaart met een tekening, mogelijk van een figuur in een boot. Briefkaart maakt deel uit van een album.
Bowl with an inscription and hexagonals
Object type: bowl
Date: 1200 – 1220
Materials: earthenware, glaze, luster, paint, quartz
Techniques: firing, turning, vitrification
Location: kashan
Artist: Anonymous
Inscriptions: inscription: ‘aan binnenzijde: twee teksten in Perzisch of Arabisch schrift.’

Kom van kwarts-fritgoed met hoge standring, beschilderd in luster met aan de buitenzijde lijnen en medaillons en aan de binnenzijde twee teksten in Perzisch of Arabisch schrift, gedeeltelijk ingegrift. In het plat in een roodachtige luster uitgespaarde zeshoeken.
Staal gebrocheerde zijde, roze, met witte ranken en gekleurde bloemen
Object type: fragment
Date: 1750 – 1800
Materials: silk
Techniques: brocade, weave
Polderlandschap
Object type: print
Date: 1832 – 1897
Materials: paper
Techniques: lithograph
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

In een waterlandschap staat een figuur op de oever.
Piece
Object type: piece
Date: 1750 – 1750
Materials: silk
Subjects: flowers,leaves
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 200
Materials: glass
Culture: roman

Colorless with many translucent purple streaks. Rim folded out, over, and in, with uneven, beveled upper lip; cylindrical neck but slightly bulging and tooled in around base; low, bulbous body; flattened bottom. Intact; pinprick bubbles; some iridescent weathering on exterior, soil encrustation of interior.
Design for 2 seat Phaeton, no. 3779
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Schenkkan
Object type: print
Materials: paper
Techniques: aquatint, etching
Artist: frans everbag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1947
Subjects: container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: Lugt 2228
Panel
Object type: textile
Date: 1701 – 1800
Materials: linen, silk
Techniques: embroidery, weave, stitching
Location: náxos
Schetsboek met 49 bladen
Object type: sketchbook
Date: 1890 – 1922
Materials: cardboard, paint, ink, linen, paper, pencil, watercolor
Techniques: brush, pen
Location: netherlands
Artist: johanna van de kamer
Artist dates: 1873 – 1922
Subjects: ornaments ~ art, calligraphy, exterior ~ representation of a building, antwerp, royal palace of amsterdam
Inscriptions: signature: ‘JHvandeKamer’, collector's mark: Lugt 2228a, retailer's mark: ‘C.L.C.VOSKUIL/ Reguliersbreestraat/ 1.50’

Schetsboek bestaande uit 49 bladen met gebouwen in Nederland, Italië en Frankrijk, kunstnijverheid, kalligrafie, ornamenten en decoratieve patronen en motieven, onder andere uit het Verre Oosten. Vermoedelijk gemaakt naar voorbeeldboeken tijdens tekenlessen aan de academie te Amsterdam. Op de voorzijde van de band potloodschetsen.
Portret van Just Louis du Faure, markies van Saint Silvestre
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, armorial bearing, heraldry

Prent waarschijnlijk uit: Du Faure de Vercours, M. Memoires historiques sur le Marquis de St-Silvestre (...). Brussel: Baudouin frères, 1825.
U.S. Monitor Passaic
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: new york city
Artist: edward h. hart
Artist role: publisher
Subjects: ship's portrait
Plantsoen (thans Avenue de Verdun) in Menton met een standbeeld ter herdenking van de aansluiting bij Frankrijk
Object type: album leaf
Date: 1880 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: menton
Artist: Anonymous
Subjects: monument, statue, public gardens, park

Onderdeel van Reisalbum met bezienswaardigheden in Engeland, Zwitserland, Frankrijk en Duitsland.
Vaas en schildersattributen
Object type: ornament print
Date: 1746 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: vase ~ ornament, tools, implements of painter
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerde vaas met guirlandes in een rechthoekige omlijsting. Daaronder een paneel met guirlandes en schildersattributen zoals een buste, een palet, penselen en een doek. Uitgeversnummer 67.
Rattenval met aan de halfronde korte zijde spijlen, de tegenoverliggende zijde met valdeur
Object type: rattenklem, rattenval
Date: 1700 – 1799
Materials: leather, wood
Location: amsterdam
Artist: Anonymous

Een rattenval van eikenhout met opklapdeur; leren scharnier, spijlen en haken van koperdraad. Valdeur-constructie ontbreekt grotendeels.
Plattegrond van Duinkerke, 1711
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: brussels
Subjects: maps of cities

Plattegrond van Duinkerke, 1711. Linksonder de legenda A-P en 1-17. Onderdeel van een gebundelde verzameling van plannen van veldslagen en steden vermaard in de Spaanse Successieoorlog.
Kloostergang op Mont-Saint-Michel
Object type: photograph
Date: 1808 – 1896
Materials: paper, photographic support
Techniques: gelatin silver print
Location: mont-saint-michel
Artist: delizy
Artist role: manufacturer
Subjects: colonnade

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Portrait of a Gentleman
Object type: painting, miniature
Date: 1836 – 1836
Materials: ivory, watercolor
Culture: american
Artist: william warner jr.
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1848
Subjects: men,portraits
Vanitas met bellen blazend kind, schedel en zandloper
Object type: print
Date: 1780 – 1810
Materials: paper
Techniques: etching
Location: middelburg
Artist: george kockers
Artist role: goldsmith, print maker
Subjects: (children or putti) blowing bubbles, 'homo bulla' ~ scene symbolizing 'vanitas' (+ holy trinity), (human) skull, hourglass
Inscriptions: collector's mark: Lugt 2228

Cirkelvormige vanitas voor in een zakhorloge. Bij een graftombe waarop een schedel ligt zit een bellen blazend kind, de linkerarm leunend op een zandloper. In de cirkelvormige omlijsting de spreuk: Gedenkt te sterven Menschen kindt, -'t leven is gelyk als Wind.
Photographische Kunstlehre, oder Die künstlerischen Grundsätze der Lichtbildnerei
Object type: book
Date: 1891 – 1891
Materials: cardboard, paper, linen
Techniques: albumen print, photograph, letterpress printing, photoaquatint
Location: berlin
Jug
Object type: jug
Date: 1800 – 1900
Materials: earthenware
Culture: american
Location: united states
Venus and Adonis
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: adonis,venus
Boeren eggen een rijstveld met buffels
Object type: album leaf
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: hoofed animals: buffalo, sawahs, rice paddies, ploughing
Inscriptions: inscription: ‘No. 2./ Het Eggen van een rijstveld, met buffels.’

Deze prent maakt deel uit van een album.
Vrouwen in een kleedkamer
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ five persons), dressing-room ~ stage

Mogelijk in Theater Scala te Den Haag. Blad 23 verso uit schetsboek III met 36 bladen.
Limestone statue of Apollo
Object type: statue of a youth
Date: 300 – 1
Materials: limestone
Culture: cypriot
Subjects: apollo

The figure can be identified as the god Apollo. His hairstyle, with a knot above the forehead, is that of Apollo Lykeios, and he carries a kithara (lyre) in his left arm, although now only part of the instrument survives.
Terracotta fragment of a lid
Object type: lid fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

On the top surface of the lid, part of a band of reserve; on the outer edge, ivy