deem-data/ArtiFact huggingface dataset:
Portret van de theoloog Antonius Cregutus
Object type: print
Date: 1655 – 1693
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: theologian
Inscriptions: collector's mark: Lugt 2228

Deze prent is de pendant van Hollstein nr. 166 door dezelfde prentmaker.
Glass Fragment
Object type: fragment
Date: 1101 – 1200
Materials: glass, paint
Culture: french
Gezicht op Brielle / Gezicht op de Maas
Object type: print
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: city-view in general; 'veduta', river, brielle

Gezicht op de westkant van de Maas met op de achtergrond de stad Brielle (Den Briel), genummerd 1. Daaronder Gezicht op de westkant van de Maas, genummerd 2.
Corona rond de zon tijdens een zonsverduistering
Object type: page
Date: 1893 – 1893
Materials: paper
Techniques: autotype
Location: lick observatory
Artist: Anonymous
Subjects: total solar eclipse with corona
Inscriptions: inscription: ‘Aufnahme der Lick-Sternwarte während der totalen Sonnenfinsternis am 16. April 1893. (Aus Scheiner's Photographie der Gestirne.)’
Journal des Dames et des Modes, Costume Parisien, 1 avril 1798, (13) : Turban à point (...)
Object type: fashion print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), head-gear: turban (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), clothing for the upper part of the body (spencer) (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), necklace (+ women's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Turban à pointe, orné Aigrette et d'une guirlande de Myrthe. Spencer sans Manches.’

Tulband met slip, versierd met een aigrette en een guirlande van mirte. Spencer zonder mouwen op een japon met lange mouwen en sleep. Accessoires: oorbellen, collier, lange sjaal om de schouders, armband(?), waaier, schoen met puntige neus. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Sellèque, Parijs, 1797-1839.
Three Komuso Monks: The Actors Ichikawa Ebizo (Danjuro V) as Kudo Suketsune (right), Ichikawa Monnosuke II as Soga no Juro Sukenari (center), and Ichikawa Omezo I as Soga no Goro Tokimune (left), in Act Six of the Play Waka Murasaki Edokko Soga (Pale Purple Soga, Edo Style), Performed at the Ichimura Theater from the Twenty-third Day of the First Month, 1792
Object type: print
Date: 1792 – 1792
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
De Benscoper Poort te IJsselstein
Object type: drawing
Date: 1752 – 1752
Materials: ink, paper
Techniques: brush, pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: city-gate, public road
Inscriptions: : ‘Benscoper Poort’
Hilt, Perhaps from a Dance Wand
Object type: dance wand hilt
Date: 1401 – 1500
Materials: bronze
Culture: indian
Zittende figuur op een trap voor een huis
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: sitting figure, flight of steps, façade (of house or building)

Tevens een studie van een been. Blad 25 recto uit een schetsboek met 73 bladen.
Zeilende botter
Object type: print
Date: 1870 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Eubia’
Bicentennial of the Siege of Vienna
Object type: medal
Date: 1883 – 1883
Materials: bronze
Techniques: silvered
Artist: anton scharff
Artist role: maker
Artist nationality: austrian
Artist dates: 1845 – 1903
Subjects: men,portraits,coat of arms
Birth of the Virgin
Object type: drawing
Date: 1673 – 1673
Materials: paint, ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: interior of the house, several childbed scenes ~ birth of mary
Geneeskundige of natuurkundige objecten
Object type: titelblad, titelpagina
Date: 1789 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: caspar philips jansz.
Artist role: publisher
Subjects: health, physics (+ tools, instruments; laboratory equipment ~ scientific research)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Titelpagina voor: Barneveld, Willem van. Geneeskundige Electriciteit. Amsterdam: Elwe & Langeveld, 1789.
zuivel fabriek
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Tell el-Yahudiya-ware juglet
Object type: juglet, tell el yahudiya ware
Date: 1750 – 1700
Techniques: incising
Location: egypt
Fragment
Object type: fragment
Date: 1801 – 1900
Materials: wool
Subjects: flowers,leaves
Brief aan Philip Zilcken
Object type: letter
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: the hague, painter, draughtsman, philip zilcken, drawing, the graphic arts, exhibition ~ art, money
Inscriptions: collector's mark: ‘RPK’
Bodhidharma crossing the Yangzi River on a reed
Object type: hanging scroll
Date: 1317 – 1317
Materials: ink, paper
Culture: chinese
Artist: li yaofu
Artist role: artist
Artist nationality: chinese
Artist dates: 1300 – 1300
Subjects: men,buddhism

Bodhidharma was the legendary Indian patriarch who brought Chan Buddhism to China. After an unsuccessful audience with the Chinese emperor Liang Wudi (r. 502–49), Bodhidharma “broke off a reed, crossed the Yangzi River, and proceeded to the Shaolin Temple [on Mount Song in Henan Province].” This painting is signed by Li Yaofu, whose name appears only in Japanese records, and is inscribed by Yishan Yining, the renowned Chinese missionary who went in 1299 to Japan. There, Yishan served as abbot of temples in Kamakura and Kyoto until his death. The inscription reads: Crossing rivers and deserts he came. Facing the emperor he confessed, “I don’t know”; Unsuccessful, he moved on, His feet treading the water. While mainstream painters followed the style of Li Gonglin (ca. 1049–1106)—that of baimiao, or “white drawing,” executed with a controlled line of uniform thickness—the Chan painter employed a more flexible brush style that combined fine lines with graduated ink-wash strokes in a free expressive manner. Here, the subtle rendering of the face records the holy man’s foreign features and captures the essence of spiritual concentration.
Arcadisch landschap
Object type: drawing
Date: 1715 – 1798
Materials: paper, pencil
Techniques: brush
Artist: dionys van nijmegen
Artist role: draughtsman, painter
Artist dates: 1705 – 1798
Prenthandelaar
Object type: print
Date: 1850 – 1900
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: print, e.g.: engraving, etching, lithograph, art dealer (+ graphic arts), book
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 4780

Interieur met een rondreizende prenthandelaar die zijn voorraad toont aan een man en een vrouw in eenvoudige kleding. Op de stoel staat een opengeslagen map en tegen de tafelpoot leunt een houten kist om prenten in te vervoeren. In de achtergrond ligt een boek op de kast; aan de muur hangt een prent.
Dish
Object type: dish
Date: 1640 – 1640
Materials: porcelain
Techniques: underglaze
Culture: japanese
Subjects: birds
Purple Heron (Ardea purpurea)
Object type: painting
Materials: paper, watercolor
Location: india
Subjects: animals
Whistler's House, Old Chelsea
Object type: print
Date: 1863 – 1863
Materials: ivory, paper
Techniques: drypoint, etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Embleem met man die zich met goede daden voorbereidt op een gebed tot God
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: giving alms or other charity, e.g.: handing out food, heaven represented in the air, with clouds (in concentric circles) and light, ecclesiastical books, scrolls, etc., aids for prayer, e.g. rosary, disabilities, deformations, guardian angel, (private) prayer; 'oratione', 'preghiere', 'preghiere a dio' (ripa), beggar, the life of man, the believer, journey to heaven, pathway to heaven
Inscriptions: collector's mark: Lugt 2228

Een man met bijbel en rozenkrans in de hand volgt een engel die wijst naar een verschijning van God in de hemel. De man geeft geld aan een bedelaar die naast zijn krukken op de grond zit. Een korte Latijnse tekst verwijst naar Tobit 12:8a: 'Bidden [I] is iets goeds als het gepaard gaat met vasten [G], liefdadigheid [H]'.
A Prince Riding an Elephant in Procession
Object type: painting
Date: 1570 – 1570
Materials: textile, cotton, gold
Location: india
Subjects: elephants,horses

Filled with life and variety, this fragment from a larger painting on cloth demonstrates the humanism and individuality of each human and animal figure before Mughal painting settled into more formulaic compositions. Its merit lies not just in representation and reportage, but in a joyous and energetic capturing of the scene, right down to the baby elephant. Other superbly painted elephants, including the main pachyderm at center, and animated human figures populate the scene. Although the figure of the main rider is almost entirely flaked, it has been suggested that it could represent Akbar himself, the royal patron of this work.
Noorwegen Juli/Aug. 1927
Object type: photograph
Materials: paper
Techniques: gelatin silver print
Location: norway
Subjects: fjord, sea loch, village, steamship, motorship
Inscriptions: inscription: ‘Naesflaten’

Deze foto's maken deel uit van een album.
View of the Parterre from the Portico of the House at Stowe, Buckinghamshire
Object type: drawing
Date: 1733 – 1734
Materials: ink
Techniques: brush, pen, wash
Artist: jacques rigaud
Artist role: artist
Artist nationality: french
Artist dates: 1681 – 1754
Subjects: gardens,men,women
Chemin près de Vilvorde
Object type: print
Materials: paper
Techniques: etching
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: road, path, herd, flock
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond liggen boomstammen aan de kant van de weg. Op de achtergrond loopt een herder met een kudde schapen.
Model of a Main Topmast
Object type: demonstration model
Date: 1780 – 1840
Materials: paint, wood
Location: netherlands
Artist: Anonymous

Model van de grote steng behorend bij NG-MC-126. De steng is rond en uit een stuk gemaakt, met een dikke vierkante hiel met slothoutgat, een achtkantige hommer en vierkante top.
Charlotte Elliott
Object type: page
Date: 1863 – 1871
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: charlotte elliott, writer, poet, author
Plattegrond van Namen, ca. 1702
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: fortress, maps of cities

Plattegrond van de verdedigingswerken om de stad Namen, belegerd door de geallieerden in 1695. Rechtsonder oud nummer: 18. Plaat nr. 38 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
Portret van een meisje staand bij een stoel met een voet op een boomstam
Object type: album leaf
Date: 1882 – 1894
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Subjects: historical persons - bb - woman, girl (child between toddler and youth), chair
Inscriptions: inscription: ‘Photografische Inrigting/ van/ Jacques Chits/ Haarlem/ Waaigat/ No. 14./ Amsterdam/ Plantage/ Kerklaan No. 15/ over de Koningskroon./ De plaat blijft ter nabestelling bewaard.’
Various Plants and Grass
Object type: album leaf
Date: 1867 – 1900
Materials: paper, paint
Techniques: painting
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: plants
Villa Farnesina, Stables, half front elevation and end elevation (recto) Palazzo Salviati-Adimari, plan (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising, wash
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture,buildings
Sword of Justice
Object type: arm
Date: 1667 – 1700
Materials: brass, wood
Culture: german
Location: solingen
Kaart van het graafschap Namen met de posities van de Geallieerde en Franse legers, 1692
Object type: print
Date: 1692 – 1720
Materials: paper
Techniques: engraving, etching, hand coloring
Artist: Anonymous
Subjects: maps of separate countries or regions, namur
Inscriptions: collector's mark: Lugt 2228

Kaart van het graafschap Namen waarop de posities van de Geallieerde en Franse legers zijn aangegeven, 1692. De titel in een balk boven de kaart. Rechtsonder een inzet met een kaart van het loopgebied van de Maas onder Dinant. Linksboven een kader met legenda en onderin een schaalstok: Een en een halve Myl. Rechtsboven nog een legenda.
Japonstrook van kloskant met reserves en anjers
Object type: strip
Date: 1850 – 1850
Materials: linen
Techniques: lace
Location: bruges
Artist: Anonymous

Deze strook en de bijbehorende strook zijn opgeborgen in een doos beplakt met goudgebiesd wit moire-papier. Op de doos staan met gouden letters de initialen M.V.H. Dit staat voor Mary (Ethel) Vernon Harcourt, Viscountess Harcourt (voor haar trouwen met Lewis Vernon Harcourt, 1st Viscount Harcourt heette ze Haynes Burns). Op de lichtblauwe binnenkant van de doos staat in gouden letters Worth (adres?). De stroken waren met spelden aan een lichtblauw lint vastgemaakt op een donkerder blauw karton. Het karton met de linten zit onderin de doos.
Man met een mand op zijn rug
Object type: drawing
Date: 1820 – 1830
Materials: chalk, paper
Location: the hague
Artist: Anonymous
Subjects: adult man, container made of plant material other than wood: basket, head-gear: hat

Tekeningen waarschijnlijk ontstaan bij het Haagse kunstgenootschap ‘Tot Nut der Tekenkunst’, waar twee keer per week tekenavonden werden georganiseerd met geklede modellen.
Blad met banenpatroon met ovaal motief met streep en stippen afgewisseld met twee strepen
Object type: printed paper
Date: 1700 – 1850
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament ~ geometric motifs
Inscriptions: collector's mark: Lugt 2760

Blad met banenpatroon met ovaal motief met streep en stippen afgewisseld met twee strepen.
India, Engelse Oostindische Compagnie (EIC) , arcot-roepie voor Madras, India, op naam van shah Alamgir II, (1823-1825)
Object type: coin
Date: 1823 – 1825
Materials: silver
Techniques: striking
Location: kolkata

Zilveren munt. Voorzijde: opschrift in drie regels in Arabische lettertekens, waarin verwijzing naar shah Alamgir II. Links boven "bevroren" jaartal: 1172. Keerzijde: opschrift in drie regels in Arabische lettertekens. rechts aanduiding regeringsjaar: 6 en daarnaast rozet [=muntplaats Calcutta]. Kartelrand.
Kwitantie voor Johannes Vetten
Object type: ontvangstbewijs, kwitantie
Date: 1865 – 1865
Materials: ink, paper, pencil
Techniques: pen, printing, writing
Location: amsterdam
Artist: johannes vetten
Artist role: painter
Artist dates: 1827 – 1866
Subjects: drawing, money
Inscriptions: collector's mark: Lugt 2233
Bronze hydria (water jar)
Object type: hydria with eros on handle
Date: 400 – 301
Materials: bronze
Culture: greek
Subjects: women,eros,mirrors

The elegant ovoid shape of this vase and the inclusion of a figural relief under the vertical handle are found on most bronze hydriae of the fourth century B.C. Here the decoration is particularly refined. Inlays of silver and niello (a black alloy of sulfur, silver, copper, and lead) animated the egg-and-dart band on the lip and the leaves on the foot. The relief shows a winged Eros arranging his hair in a mirror. He leans on a small statue of a woman. It imitates the rigid stance and stiff drapery found on Archaic figures of the sixth century B.C. The support forms an interesting contrast to the figure of Eros, which reflects the taste for somewhat effeminate male figures in curvacious, languid poses that marked full-scale sculpture of the period.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: canvas, silk, wool
Subjects: angels
The Spirit of Akugenta Yoshihira Strikes Nanba Jirō during Kiyomori’s Visit to Nunobiki Waterfall
Object type: print
Date: 1868 – 1868
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: tsukioka yoshitoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1839 – 1892
Subjects: swords,men,waterfalls

In Yoshitoshi’s dramatic take on the same theme, the vengeful spirit of Minamoto no Yoshihira (1140–1160) emerges in the sky above Nunobiki Waterfall, whose waters unite the sheets of this vertically oriented triptych. A bloody Nanba Jirō, who had decapitated Yoshihira, is shown upside down in the middle, while below, his lord, Taira no Kiyomori (1118–1181), prepares to draw his sword.
Wine cooler (seau à demi-bouteille) (one of a pair)
Object type: wine cooler
Date: 1751 – 1752
Materials: soft paste porcelain
Artist: vincennes manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 1756
Subjects: plants

In 1745 the company of shareholders in the Vincennes factory was granted a privilege by Louis XV for the exclusive production in France of porcelain "in the manner of Saxony, painted and gilded, with human figures." It is thus not surprising to encounter Meissen influence in both the forms and decorations of early Vincennes pieces. A well-established Meissen formula of the 1730s and early 1740s was the gold-banded cartouche enclosing a pictorial subject; at Vincennes this was adopted about 1749–52 for use mainly on coolers for wine bottles and glasses, which were painted with landscapes incorporating figures or humble cottages in the Dutch manner. By about 1752, however, the presence at Vincennes of the model designer Jean-Claude Duplessis and the painter Francois Boucher was leading the factory in a new direction, and the bottle cooler and its mate mark the transition. On both sides of each are pastoral landscapes, in soft blues, greens, and browns, that rest lightly and freely on the clear white ground, unconstrained by a border. These idyllic scenes are quite unlike the cottage landscapes, which, though charming, have a slightly stiff and borrowed air about them. Here, emerging with grace and complete maturity of style, is the Vincennes of Madame de Pompadour and the French Rococo.
Terracotta Megarian bowl
Object type: bowl
Date: 165 – 150
Materials: terracotta
Culture: greek, argive

inscribed "of Demetrios" The inscription on the foot of this bowl associates it with the potter's workshop of Demetrios-Iason. Many bowls carrying the signature of this atelier have been found during excavations of Argos, an important Peloponnesian city-state in antiquity.
Illustratie voor 'Den Arbeid van Mars' van Allain Manesson Mallet
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: fortifications, military engineering, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Grondplan van een vesting (Évora). Daarboven, als op een doek of stuk papier, een gezicht op de betreffende stad. In de hoek rechtsboven het cijfer 112 (= het nummer van de pagina in het boek waartegenover de illustratie geplaatst is).
Dumourier
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
The Letter Writer
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,writing
Ostrakon with Lines from Homer’s Iliad
Object type: ostrakon
Date: 580 – 640
Materials: ink, limestone
Culture: coptic
Location: egypt
Subjects: documents

Ostraca are texts written on broken pottery, which were employed when parchment was unavailable or too expensive. At Epiphanius a large number of ostraca were discovered in the monastery, including in its rubbish heaps; they record biblical verses, legal documents, sermons, financial accounts, school texts, and letters requesting assistance and prayers. Some reveal that, even at the southernmost border of the Empire, people were still aware of events in the capital, Constantinople. Ostracon with Lines from Homer’s Iliad “Sing, goddess, the wrath of Peleus’s son,” the opening line of the Iliad, is written four times, probably as a school exercise in writing cursive Greek. Other lines from Homer are found on other ostraca.
Gezicht op het eiland Pumpkin Knob en de baai Hussey Sound voor de kust van Maine
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: maine
Artist: Anonymous
Subjects: gulf, bay, island
Inscriptions: inscription: ‘Hussey Sound. (...)’
Cranequin from the Armory of Emperor Maximilan I (reigned 1493/1508–19)
Object type: cranequin
Date: 1505 – 1519
Materials: copper alloy, steel, wood
Culture: central or western european
Location: austria

Crossbows with bows made from steel or horn and sinew were so powerful that they had to be loaded, or spanned, using mechanical devices. This winder, which operates on the rack and pinion principle, is one of the most elaborately decorated examples of its type. It is struck with a mark consisting of a St. Andrew's cross and a fire steel, devices of the dukes of Burgundy that were later adopted by their successor, the future Emperor Maximilian I. The mark, combined with the richness of decoration, indicates that this winder probably came from Maximilian's personal armory.
Oude man en vrouw met kind
Object type: print
Date: 1825 – 1883
Materials: paper
Techniques: etching
Artist: theodoor schaepkens
Artist role: draughtsman, print maker
Artist dates: 1810 – 1883
Subjects: holy family, and derived representations, mother and baby or young child
Inscriptions: collector's mark: Lugt 2228
Bertie Pruyne, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Titelpagina voor: Schoutens, Wouter. Oost-Indische voyagie (...), 1676
Object type: titelblad, titelpagina
Date: 1676 – 1676
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: title-page, device (trade-mark of printer or publisher)

Tekstblad met onderaan een drukkersmerk in de vorm van een hert op een heuvel met een Latijns motto eromheen. Verso een tekst door de privilegeverleners.
Looppad langs de Gorges du Trient
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: switzerland
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: ravine, chasm, abyss, canyon, public road
Inscriptions: number: ‘53.’
Portret van Christoph Leibnitz
Object type: print
Date: 1648 – 1663
Materials: paper
Techniques: engraving
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228