deem-data/ArtiFact huggingface dataset:
Grammatica
Object type: print
Date: 1587 – 1605
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: 'grammatica' (~ trivium); 'grammatica' (ripa)
Inscriptions: collector's mark: Lugt 240

Grammatica wijst een leerling de letters van het alfabet op een leesplankje aan. Een oudere jongen kijkt over haar schouder mee. Met een Latijns onderschrift door C. Schonaeus.
Portret van een onbekend meisje
Object type: album leaf
Date: 1870 – 1880
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, girl (child between toddler and youth)
Schön newes Modelbuch (Page 70r)
Object type: book print ornament architecture
Date: 1608 – 1608
Techniques: woodcut
Artist: sigismundus latomus
Artist role: publisher
Artist nationality: german
Artist dates: 1599 – 1632
Subjects: ornament

Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery.
Untitled (Portrait of a Baby and Dog)
Object type: photograph
Date: 1858 – 1858
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portrait, photography, dogs, babies, animals, portraits, portraits: child subject
Portrait of a man
Object type: drawing
Date: 1760 – 1760
Materials: chalk, paper
Artist: thomas frye
Artist role: artist
Artist nationality: irish
Artist dates: 1710 – 1762
Subjects: men,portraits

Frye moved to London from Ireland in his twenties to work as a portrait and miniature painter. In 1744 he co-founded the Bow porcelain works, managing the enterprise until 1760, when ill health forced him to stop. He devoted his remaining years to creating dramatic mezzotint portraits, the first set of twelve described in the Public Advertiser of 1760 as "in the manner of Piazzetta, drawn from Nature and as large as life." This drawing likely was made in preparation for a mezzotint (unrealized) and shows a man from behind looking at a board or framed canvas. His right hand supports his chin, causing a ruffled cuff to splay out and allowing Frye to create a delicate visual interplay between passages of white and dark chalk.
Portrait of a Boy, No. 10 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150
Object type: photograph
Date: 1897 – 1897
Techniques: photogravure
Location: united states
Artist: gertrude käsebier
Artist role: fotograaf
Artist nationality: american
Artist dates: 1852 – 1934
Inscriptions: Inscribed recto, on hinged glassine, lower right, in graphite: (1-10) ; unmarked verso
Onderdelen klisteerspuit uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: enema syringe
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tools and instruments, medical, enema syringe; fragm of needles, heavily corroded: tubes, broken off, id. NG 1980-27H1799/1632.
Marble head of Herakles
Object type: bust of herakles
Date: 1 – 100
Materials: marble
Culture: roman
Subjects: heads,herakles

Copy of a Greek statue of the second half of the 4th century B.C. attributed to Lysippos. In the statue, the Greek hero Herakles was shown close to exhaustion on completion of the twelve labors set him by Eurystheus, ruler of the Argolid. The contrast between his powerful physique and his weary stance is echoed in this particularly fine rendition of his noble head, which is bowed with fatigue. The statue was copied in many different sizes during the Roman period.
Alexandre-Edmond Becquerel 1820-1891
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: photograph
Subjects: adult man
Prenten naar tekeningen van Claude Lorrain
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: london
Subjects: coast - hh - ideal landscapes, mercury and herse, daughter of cecrops, landscape with ruins - ii - ideal landscapes
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze prenten werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Bishamon-ten
Object type: print
Date: 1401 – 1500
Techniques: hand coloring, woodblock print
Location: japan
Artist: Anonymous
Subjects: buddhism, religion
Twee portretten van een patiënt met symptomen van huidtuberculose aan het gezicht
Object type: stereograph
Date: 1884 – 1894
Materials: paper
Techniques: photoaquatint
Subjects: skin and venereal diseases, patient, sick person
Portret van Jacob Frederik Muller
Object type: photomechanical print
Date: 1882 – 1970
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons, criminals
God verschijnt aan Abraham
Object type: album leaf
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: paris
Subjects: god promises that abraham's seed shall be as numerous as the stars of heaven

Deze prent maakt deel uit van een album.
Teatro greco (Pompei)
Object type: album leaf
Date: 1860 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: excavation ~ archaeology, pompeii
Inscriptions: number: ‘5863’

Onderdeel van Fotoalbum met opnames van opgravingen in Pompeï door Giorgio Sommer.
Tomb of Turenne in Salsbach, from "Le Magasin Pittoresque"
Object type: print
Date: 1843 – 1843
Techniques: engraving
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: monuments,obelisks
The Proposition, plate six from A Life
Object type: print
Date: 1884 – 1884
Materials: paper, ivory
Techniques: etching
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Twee vlakvullingen met distels en astrantia
Object type: photomechanical print
Date: 1887 – 1897
Materials: paper
Techniques: photograph
Location: vienna
Artist: Anonymous
Subjects: foliage, tendrils, branches ~ ornament, plants and herbs: thistle
Inscriptions: number: ‘65.’
Drie theedrinkende vrouwen rond tafel in ruimte met planten
Object type: stereograph
Date: 1897 – 1897
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: carleton harlow graves
Artist role: fotograaf
Artist dates: 1867 – 1943
Subjects: tea-ceremony
Inscriptions: number: ‘3280’, name: ‘Copyright 1897, by C.H. Graves / Phila.’
Fringe
Object type: fringe
Date: 1601 – 1800
Boerenerf
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: etching
Artist: henri de braekeleer
Artist role: draughtsman, print maker
Artist dates: 1840 – 1888
Subjects: courtyard, farm (building)
Inscriptions: collector's mark: Lugt 2228
Glass gold-band mosaic bowl fragment
Object type: fragment, gold band mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent blue, turquoise blue and yellow appearing green, opaque white, and colorless enclosing gold leaf. Vertical rim with beveled inner edge; straight side, then curving in sharply. Gold-band mosaic pattern formed from sections of layered canes slanting from top right to bottom left in bands of colorless glass with gold leaf, blue, white, and turquoise blue and yellow. A few pinprick bubbles; exterior polished, with slight pitting of surface bubbles; dulling and creamy weathering on interior and edges. Possibly part of a lid.
Illustrations of Beautiful Women (Bijin e-zukushi) 美人絵づくし
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Subjects: men,women
Portret van Willem, prins der Nederlanden
Object type: print
Date: 1865 – 1949
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Artist: Anonymous
Subjects: paris, willem (prins der nederlanden)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Vogelval in huis en vogelval in de struiken
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: catching animals
Inscriptions: collector's mark: Lugt 2233

Prenten bedoeld voor: Chomel, Noel. Dictionnaire oeconomique, contenant divers moïens d'augmenter son bien, et de conserver sa santé. Amsterdam: Johannes Covens en Cornelis Mortier, 1732.
Coupe (unnumbered)
Object type: print
Date: 1850 – 1870
Techniques: lithograph
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fotoreproductie van een schilderij van twee kruisers te water
Object type: photograph
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: warfare; military affairs (+ sailing-ships)
Inscriptions: inscription: ‘No. 2./ Kruiser.’
Terracotta oinochoe (jug)
Object type: oinochoe
Date: 550 – 550
Materials: terracotta
Culture: greek, attic
Subjects: shields,men,dogs,warriors
Portret van Everard Meyster
Object type: photomechanical print
Date: 1850 – 1950
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: print maker, everard meyster, writer, poet, author (+ portrait, self-portrait of artist), historical persons
Glass flask
Object type: flask
Date: 201 – 400
Materials: glass
Culture: roman

Colorless with slight greenish tinge. Knocked-off, uneven rim; funnel neck; globular body; slightly concave bottom. On body, three evenly-spaced bands of horizontal wheel-abraded lines. Intact; many bubbles and blowing striations; slight dulling, patches of whitish weathering, and iridescence, with traces of soil encrustation on interior.
La Tour ronde à Andernach / Der runde Thurm in Andernach
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: Anonymous
Subjects: towers ~ fortified city
Inscriptions: number: ‘812.’
Verschillende Engelse koekjes en biscuits als voorbeeld bij recepten 585-693
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: photograph
Location: bad langensalza
Artist: Anonymous
Subjects: pastry cook, moulds for biscuits, biscuits
Spear
Object type: spear
Date: 1501 – 1900
Materials: gold, steel, wood
Culture: javanese
Location: indonesia
The Virgin in a Blue Robe Decorated with Images of Wheat, with the Arms of the Bishop of Liège below (from a series with The Virgin Mary and Five Standing Saints)
Object type: panel
Date: 1440 – 1446
Materials: glass, metal, paint, pigment
Culture: german
Location: germany
Subjects: virgin mary,saints,coat of arms
't Is zonder eynd
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, adult man, eternity, 'aeternitas'; 'eternità','eternità o perpetuità' (ripa), proverbs, sayings, etc., training of horses, circle (~ planimetry, geometry)
Inscriptions: collector's mark: Lugt 1641, stamp

Prent uit: Brune, Johan de. Zinne-werck, Voor-ghesyelt in Beelden, Ghedichten, ende breeder uyt-legginghen (...). Amsterdam: Evertsen Kloppenburch, 1624. Prent ook gebruikt in latere edities (1636 en 1661).
Portret van Jan Andreas Franz Cristan
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving
Artist: franz sebastian schauer
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head of filleted youth to left; tip of javelin or spear
Luitspeler
Object type: print
Date: 1836 – 1869
Materials: paper
Techniques: lithograph
Location: paris
Subjects: lute, and special forms of lute, e.g.: theorbo, one person playing an instrument
Inscriptions: collector's mark: Lugt 2228a
Covered bowl
Object type: covered bowl
Date: 1736 – 1795
Materials: jade
Culture: chinese
Fransche dragonders / Dragons français
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 4 horizontale rijen met in totaal 37 voorstellingen van Franse militairen. Genummerd rechtsboven: n. 233.
Staand mannelijk naakt, van achteren gezien
Object type: drawing
Date: 1800 – 1900
Materials: chalk, paper
Artist: Anonymous
Subjects: standing figure
Nieuwe platte Grond van Bergen op Zoom, met de Forten op de Linie derselver Belegeringe en Attaque der Franse, zedert den 16. July 1747 / Nouveau Plan de la Ville de Berge sur le Zoom (...)
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: maps of separate countries or regions, siege, position war, bergen op zoom
Inscriptions: collector's mark: Lugt 2228

Plattegrond van het beleg van Bergen op Zoom door de Fransen, aangevangen op 12 juli 1747. Kaart gedrukt van één plaat met aan weerszijden de legenda's in het Nederlands en Frans, het geheel in een decoratieve rand.
Brooch
Object type: brooch
Date: 1860 – 1860
Materials: gold, silver, shell
Culture: british
Subjects: stars
Christ in the Wilderness
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: spain
Artist: juan del castillo
Artist nationality: spanish
Artist dates: 1584 – 1640
Greyhounds and Their Keeper
Object type: drawing and watercolor
Materials: graphite, ivory, paper
Location: england
Artist: sawrey gilpin
Artist role: print maker
Artist nationality: english
Artist dates: 1733 – 1807
Piece
Object type: piece
Date: 1701 – 1733
Materials: metal thread, silk
Subjects: birds,bow and arrow,men,rabbits,trees
Jong van een nijlpaard aan de waterkant
Object type: book illustration
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: hoofed animals: hippopotamus
Inscriptions: watermark, collector's mark: Lugt 2228
Portret van Gertruida van Veen op 22-jarige leeftijd
Object type: print
Date: 1624 – 1624
Materials: ink, paper
Techniques: engraving, pen
Location: antwerp
Subjects: antwerp, painter, draughtsman, gertruida van veen, drawing-instruments, historical persons - bb - woman, ships (in general), portrait, self-portrait of painter, tools, implements of painter, book, shore-birds and wading-birds
Inscriptions: collector's mark: Lugt 2228
Lena La Mont, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
't Oude Gasthuis met des selfs kerck
Object type: print
Date: 1678 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), hospital, delft
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Deze prent is in 1678 voor het eerst uitgegeven als onderdeel van de rand van de zogenaamde Kaart Figuratief (Caerte figuratyff / Kaerte figuratyf) van Delft, een wandkaart van Delft. Deze kaart bestaat uit een plattegrond van Delft (RP-P-AO-11-8A) met daaromheen een rand. De rand bestaat uit een profiel van Delft (RP-P-AO-11-11), een profiel van Delfshaven met daaronder de wapenschilden van de burgemeesters van de stad (RP-P-AO-13-51-1 en RP-P-AO-13-51-2), 24 kleinere prenten (kaarten, afbeeldingen van gebouwen en graven van bekende personen, o.a. huidige prent, RP-P-AO-11-15, RP-P-AO-11-16, RP-P-AO-11-17, RP-P-AO-11-18, RP-P-AO-11-19, RP-P-AO-11-20, RP-P-AO-11-21, RP-P-AO-11-23, RP-P-AO-11-24, RP-P-AO-11-28, RP-P-AO-11-29, RP-P-AO-11-30, RP-P-AO-11-31, RP-P-AO-11-33C, RP-P-AO-11-34, RP-P-AO-11-35, RP-P-AO-11-35-2, RP-P-AO-13-49, RP-P-AO-13-52, RP-P-AO-13-53, RP-P-AO-13-54-1 en RP-P-1909-6463) en een beschrijving van de stad (RP-P-AO-11-8E).

De eerste druk van deze Kaart Figuratief (1678) werd, in opdracht van het Delftse stadsbestuur, verzorgd door Pieter Smith.

In 1680 leverde Smith ook vijfhonderd afdrukken van de randprenten die bestemd waren voor Dirk Evertsz. Bleyswijcks 'Beschryvinge der stadt Delft' (1667) en het tweede deel: 'Vervolg van de beschryvinge der stadt Delft' (1680). In het tweede deel zat een bijlage waarin beschreven staat welke prenten waar in het eerste en tweede deel ingebonden dienden te worden. Een deel van de prenten was dus bestemd voor het in 1667 verschenen eerste deel en kon met het verschijnen van het tweede deel in 1680 alsnog worden ingebonden. Hierdoor wordt vaak gedacht dat de prenten uit het eerste deel dateren uit 1667, hetgeen niet klopt.

De huidige prent is zodoende ook gebruikt in: Bleyswijck, Dirk Evertsz. Beschryvinge der stadt Delft, betreffende des selfs situatie, oorsprong en ouderdom, opkomst en voortgangh (…). Delft: Arnold Bon, 1667 (prenten vanaf 1680 ingebonden), p. 288.

Pieter Mortier (I) verzorgde in 1703, tevens in opdracht van het stadsbestuur, een tweede uitgave van de Kaart Figuratief. Voor deze druk bracht graveur Thomas van der Wilt enkele aanpassingen aan op de platen van de plattegrond. De randplaten lijken, op de plaat met de wapens van de burgemeesters na, ongewijzigd te zijn gebleven. De plattegrond is in 1752, waarschijnlijk zonder de randprenten, opnieuw uitgegeven.

Een deel van de randprenten, waaronder de huidige prent, is in 1729 opnieuw gebruikt in: Beschryving der stadt Delft, behelzende een zeer naaukeurige en uitvoerige verhandeling van deszelfs eerste oorsprong (…). Delft: Reinier Boitet, 1729. Op twee na (die van de Nieuwe en Oude Kerk) paste Boitet de platen aan, waardoor van deze prenten een tweede staat ontstond.

Of de huidige prent is gebruikt als onderdeel van de rand van de Kaart Figuratief uit 1678 of 1703, of is gebruikt in 'Beschryvinge der stadt Delft' (1667, prenten 1680), is niet na te gaan.
Paard, kippen bij een hek en een vrouw gezien door een venster
Object type: sketchbook leaf
Date: 1855 – 1855
Materials: paper, pencil
Location: zandvoort
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: window, fowl (cock, hen, chicken, etc.), horse, landscapes (+ landscape with figures, staffage)
Inscriptions: annotation: ‘allereerste jaar Zandvoort’

Blad 1 recto uit een schetsboek met 22 bladen.
En campine
Object type: photomechanical print
Date: 1912 – 1912
Materials: paper
Techniques: autotype
Subjects: rural housing, e.g. country-house, villa, cottage, road, path, bovine cattle, rural life
Inscriptions: signature and date: ‘L[...] 1912’

Prent op tweede ongenummerde pagina na pagina 19.
Phaeton #481
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Sacrifice
Object type: drawing
Date: 1701 – 1800
Materials: chalk
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: animals,male nudes
Salt
Object type: salt
Date: 1759 – 1762
Materials: hard paste porcelain
Artist: frankenthal porcelain manufactory
Artist role: manufactory
Artist nationality: german
Subjects: flowers
Medaille met het portret van Christian Andreas Cothenius
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Artist: philippe joseph jacoby
Artist role: graveur
Artist dates: 1708 – 1794
Subjects: berlin, historical persons

Het ontwerp van de Cothenius-medaille die wordt uitgereikt als wetenschapsprijs door de Deutsche Akademie der Naturforscher Leopoldina.