deem-data/ArtiFact huggingface dataset:
Deel van een gedecoreerde schoorsteenmantel in een huis in Antwerpen, België
Object type: page
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: chimney-piece, mantelpiece, sculpture (+ relief ~ sculpture), antwerp
Inscriptions: monogram: ‘JJvY’, inscription: ‘SCULPTURES décorant la (...)’, inscription: ‘SCULPTURES. - PL. 15.’
A Relief with Adam and Eve, from the "Wittenberg Reliquaries"
Object type: print
Date: 1509 – 1509
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: lions,angels,adam,eve,reliquaries
Zelfportret
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: etching
Artist: charles brias
Artist role: draughtsman, print maker
Artist dates: 1798 – 1884
Subjects: mechelen, brussels, print maker, draughtsman, charles brias, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Scenes from the life of Mary Queen of Scots
Object type: length
Date: 1820 – 1829
Materials: cotton
Subjects: queens,men,women,trees
Schrijfvoorbeeld: Dertig dagen heeft November (...)
Object type: album leaf
Date: 1660 – 1751
Materials: paper
Techniques: engraving
Subjects: calligraphy

Schrijfvoorbeeld met zes regels tekst in het Nederlands: Dertig dagen heeft November ... De prent maakt deel uit van een album
Photographisk album over Kong Christian IV og denne konges beroemte samtidige
Object type: book
Date: 1862 – 1862
Materials: cardboard, leather, paper, photographic support
Techniques: albumen print, printing
Location: copenhagen
The Adoration of the Shepherds
Object type: panel
Date: 1501 – 1533
Materials: copper, enamel, gilt
Techniques: painting
Artist: workshop of the master of the high foreheads
Artist role: artist
Artist dates:  – 1600
Subjects: adoration of the shepherds

This work was removed from a triptych assembled in nineteenth-century Paris from plaques of various origins. The overall style and the figures’ prominent foreheads are immediately recognizable as products of the master or his workshop, in distinct contrast to the gravity of the Annunciation figures by Nardon Pénicaud (recorded 1493–1541) that were mounted on either side of the plaque when Benjamin Altman acquired the triptych.
In Gieten
Object type: photomechanical print
Date: 1913 – 1927
Materials: cardboard
Techniques: photograph, writing
Location: wildervank
Subjects: church (exterior)
Inscriptions: postage stamp
Strook naaldkant met irissen aan voluutranken
Object type: strip
Date: 1650 – 1699
Materials: linen
Techniques: lace, weave
Location: venice
Artist: Anonymous

Strook naturelkleurige gemengde kant: Venetiaanse lintjeskant. Patroon van voluutranken, met verschillende irisachtige bloemen op een onregelmatige, open spijlengrond. De spijlen zijn apart gemaakt en als verbinding tussen de ranken en bloemen vast genaaid. De contouren van het patroon worden gevormd door een schuin geweven en daardoor rekbaar lint. Binnen de contouren en ook binnen de afzonderlijke bloemen verschillende siergronden door uitsparingen in het volwerk. De bovenzijde is afgezet met een rand kloskant. De onderzijde is afgewerkt met een rechte picotrand.
The Evening Glow of a Lamp (Andon no sekisho), from the series "Eight Views of the Parlor (Zashiki hakkei)"
Object type: print
Date: 1766 – 1766
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Right halves of five kylix handles
Portret van Hugo van der Helst
Object type: print
Date: 1683 – 1746
Materials: paper
Techniques: mezzotint
Subjects: reading, book
Inscriptions: collector's mark: Lugt 2228

De predikant Hugo van der Helst zit in zijn studeerkamer een boek te lezen. Op de achtergrond een boekenkast.
Gezigt van d'eerste Parterres of Bloemperken na het plaisantie huis
Object type: print
Date: 1706 – 1767
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Gezicht op de eerste bloemperken omringd door hagen op landgoed Clingendael te Den Haag. Op de voorgrond een elegant gezelschap. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland.
Portret van een onbekende man, mogelijk Montigny
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: etching
Artist: louis peeters (i)
Artist role: print maker
Artist dates: 1876 – 1964
Subjects: anonymous historical person portrayed alone
Inscriptions: annotation: ‘1ste staat proef’, collector's mark: Lugt 2228

Geboorte- en sterfdatum van de prentmaker zijn onbekend. Daarom is voor de bepaling van de rechten van dit object gebruik gemaakt van de verwervingsdatum Rijksmuseum Amsterdam.
Figure Pendant
Object type: pendant
Date: 1201 – 1500
Materials: stone
Culture: taíno
Location: dominican republic
Subjects: human figures
Japanse kinderen spelen een spel
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: japan
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945

Japanse kinderen spelen een spel in een deuropening. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Illo tegente cohaerent
Object type: bookplate
Date: 1850 – 1924
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: archer's weapons: arrow, hacking and thrusting weapons: sword, armorial bearing, heraldry
Silver skyphos (drinking cup)
Object type: skyphos
Date: 67 – 35
Materials: silver
Culture: roman

On the underside of the foot, an inscription giving cup's weight and the name of owner, Sattia.
GRANADA. Alhambra. Patio de los Leones desde el templete de Poniente
Object type: photograph
Date: 1880 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: alhambra
Artist: rafael garzón
Artist role: publisher
Artist dates: 1863 – 1923
Subjects: ornamental fountain, inner court of palace or 'hôtel'

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Frankrijk, Spanje, Italië, Duitsland, Zwitserland en Oostenrijk.
Document Sealing With the Throne Name of Amenhotep III
Object type: sealing, nebmaatre, amenhotep iii, thoth, double crown
Date: 1390 – 1352
Materials: mud
Location: egypt
Alabaster stemmed bowl
Object type: bowl
Date: 1600 – 1200
Materials: gypsum
Culture: cypriot
See 35.1.40
Object type: tile inlay, palace of ramesses ii, foreigner
Date: 1279 – 1213
Materials: faience
Location: egypt

This tile once decorated the palace of Ramesses II in Piramesse, which he made into one of the greatest royal cities of ancient Egypt. Thanks to the royal favor and its strategic location, Piramesse soon became an important international trade center and a cosmopolitan metropolis, boasting a harbor, a military base, and temples dedicated to various gods like Amun-Re-Harakhty-Atum, Seth, Astarte, etc. Poems were written in the city's praise, and its name, which translates as "The House of Ramesses, Beloved of Amun, Great of Victories" when fully written, came to us through the Old Testament as ‘Raamses.’ The tiles bear the names of Seti I, Ramesses II and later Ramesside kings, who renovated the palace and changed its decoration through the reigns. New tiles were made, and the old tiles may be have been dismantled and buried together. Based on the tiles, we can still reconstruct quite a number of the features of the palace that are now completely lost, including throne podiums, steps, windows of appearance, and faience sculptures. This piece depicts a garment of a bound Nubian and belongs to a large group of fragments of inlay tiles representing foreign captives. Each figure was made in two pieces of tile and originally they stood out in relief from the surfaces to which they were applied.
Piece
Object type: piece
Date: 1801 – 1900
Subjects: flowers,leaves
Initiaal B
Object type: photomechanical print
Date: 1904 – 1904
Materials: paper
Techniques: printing block
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’

Het initiaal is gebruikt voor: Veth, Jan. Jozef Israëls en zijn kunst. Arnhem en Nijmegen: Gebroeders E&M Cohen, 1904.
Temple de Dandour en Nubie
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: wilhelm hammerschmidt
Artist role: fotograaf
Artist nationality: german, born prussia
Artist dates: 1825 – 1869
Subjects: architecture,temples,ruins
Fotoreproductie van een gravure van Curlers, naar het schilderij door Sir George Harvey
Object type: page
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: winter sports
Landschap bij Jericho
Object type: page
Date: 1850 – 1865
Materials: photographic support
Techniques: albumen print
Location: jericho
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: desert - kk - ideal landscapes, mountains
Inscriptions: inscription: ‘"But the chaldeans' army pursued after them, and overtook Zedekiah in the plains of Jericho." Jer XXXiX. 5.’
Entry of Maximilian II into Nuremberg, June 7, 1570
Object type: print
Date: 1570 – 1570
Techniques: engraving, etching
Location: germany
Artist: jost amman
Artist role: artist
Artist nationality: swiss
Artist dates: 1539 – 1591
Subjects: buildings,men,horses,crowd,carriages
Cap
Object type: cap
Date: 1820 – 1820
Materials: cotton
Culture: american
Coat
Object type: coat
Date: 1815 – 1815
Materials: cotton
Culture: french
Cartouche met wapenschild waarop drie dolfijnen
Object type: album leaf
Date: 1608 – 1608
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ornament ~ cartouche, armorial bearing, heraldry

Cartouche met wapenschild waarop drie dolfijnen (mogelijk van Joannes Delphinus aan wie de kaart werd opgedragen). Midden boven een cherubijn. Het betreft een fragment van een kaart van Bologna en Vicenza. De prent maakt deel uit van een album.
The Parable of the Mote and the Beam
Object type: painting
Date: 1619 – 1619
Materials: oil, wood
Artist: domenico fetti
Artist role: artist
Artist nationality: italian
Artist dates: 1591 – 1623
Subjects: men,parables
Lappet
Object type: lappet
Date: 1667 – 1733
Materials: linen
Techniques: lace

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of thirty-eight laces recently given to the Museum by her nieces, Mrs. Donald P. Spence and The Lady Reigate, in memory of her sister, their mother, Mrs. William Redmond Cross. These represent a selection of the finest of Miss Newbold's personal lace collection, a collection probably made at the time she was active in lace circles in New York about the last decade of the nineteenth and early part of the twentieth century, under the guidance of Marian Hague, a distinguished connoisseur and collector herself. This period witnessed the last peak of appreciation of and connoisseurship in an art form that had been in tremendous vogue from its beginnings in the fifteenth century. And it was the last period in which fine laces were available in any number. Among choice examples of the great lace types represented in Miss Newbold's small collection are: early Italian pieces combining cut-work, pulled work, reticella, embroidery on linen ground; Sicilian polychrome silk filet; seventeenthcentury Venetian points (point de Venise à reseau and the widely known rose point de Venise); famous French needlepoints (Point de Paris, Argentan, Alençon); French and Flemish bobbin laces (Binche, Valenciennes, Brussels, Point d'Angleterre, and Point de Gaz); and a beautiful cap crown of Argentella (1979.310.9), a rare eighteenth-century European lace whose place of origin has never been surely determined.
Footbridge Near Chestnut
Object type: photograph
Date: 1880 – 1889
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Saalbau Pforzheim
Object type: photomechanical print
Date: 1900 – 1900
Materials: cardboard
Techniques: photograph
Location: pforzheim
Subjects: buildings for performances
Inscriptions: date
Portret van drie kinderen achter een vensterbank met reliëf
Object type: drawing
Date: 1649 – 1723
Materials: ink, paper
Techniques: pen
Subjects: flowers, historical persons not known by name - bb - woman, sculpture, child (at home) - aa - girl, child (at home), historical persons not known by name

Met links een groot gordijn en op de achtergrond een tuin met standbeeld. Tekening maakt deel uit van een album.
Praying Monk
Object type: print
Date: 1843 – 1843
Techniques: drypoint
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: men,monks,praying
Gerrit Jan Michaëlis toont Christiaan Andriessen eigen werk
Object type: drawing
Date: 1806 – 1806
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: christiaan andriessen, amsterdam, haarlem, painter, print maker, draughtsman, gerrit jan michaëlis, drawing, sketch, workshop, studio ~ painter
Inscriptions: signature: ‘J Andriessen’, inscription: ‘9 April Kijk die heb je ook nog niet gezien. Dit heb ik naar die Zomer in d.... getekend’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Purse
Object type: purse
Date: 1601 – 1700
Materials: metal thread, velvet
Corona delle Nobile et Virtuose Donne, Libro Terzo, title page (recto)
Object type: book print ornament architecture
Date: 1620 – 1620
Techniques: woodcut
Artist: cesare vecellio
Artist role: designer
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: women,working

Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de' Vecchi, Italian, active 17th century, Venice. Title printed in black. Below title is a scene depicting a female robed statue that stands upon a tortoise while holding a round object in her right hand. In the background on the left are 2 women sewing textiles and on the right a man sculpts another statue.
"Miss, I have a Monstrous Crow to pluck with you!!"
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Cup
Object type: cup
Date: 500 – 200
Materials: faience
Location: egypt

Faience cups of this type are frequent in the Late Period. A recent study of faience vessels notes that examples were found in the western dump at the Sacred Animal Necropolis at Saqqara, where datable documents belong to the 5th-4th centuries B.C. The cups vary in size; examples are known that were inscribed and found in sets of 7 for the 7 sacred oils. The type may have continued to be produced during the Graeco-Roman period, but the quality of the glaze here - very thick and most often with regular craquelure in a regular manner - seems characteristic of the Late Period.
Duizendvijftigjarige viering van het martelaarschap van St. Rumoldus, patroon van de stad Mechelen
Object type: history medal
Date: 1825 – 1825
Materials: silver
Techniques: striking
Location: belgium
Artist: adolphe jouvenel
Artist dates: 1798 – 1867
Subjects: mechelen

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gekroonde vrouw met olijftak en wapenschild binnen omschrift; afsnede: signatuur.
Fragment of a Bowl
Object type: fragment
Date: 1301 – 1500
Materials: earthenware, glaze
Techniques: coloring, incising
Location: egypt
Sprei van wit keper met tamboereerwerk, waaraan een lap sits is genaaid
Object type: bed covering
Date: 1750 – 1750
Materials: cotton
Techniques: embroidered, printing, weave
Location: iran

Sprei bestaande uit vier aaneengenaaide fragmenten. Het middenstuk met boven- en onderrand zijn bewerkt met dunne ranken met diverse bloemen, waaronder anjers in tamboereerwerk. Aan de bovenrand is een lap versleten sits genaaid. Oosterse textiel.
Portretten van Franse generaals
Object type: print
Date: 1798 – 1801
Materials: paper
Techniques: engraving
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228, : ‘Déposé à la Bibliothèque Nationale, le 1. Frimaire, An. 8. de la République française.’

Maakt deel uit van een serie met portretten van Franse generaals.
Terracotta neck-amphora (jar)
Object type: neck amphora
Date: 525 – 500
Materials: terracotta
Culture: greek, attic
Subjects: battles,athena,hermes,herakles

Obverse, Athena, Herakles leading Kerberos, and Hermes Reverse, Battle of gods and giants According to myth, Kerberos, the guard dog of Hades, may have had as many as one-hundred heads, or fifty heads, or as few as one. In Archaic Attic vase painting, Kerberos, as seen on this vase, is often depicted with two heads.
Figuurstudies
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, adult man
Inscriptions: annotation: ‘[...]/ Sophiapark/ Blok 487 Th. Werker/ [...]’

Pagina 35 uit een schetsboek met 17 bladen.
Portret van een meisje en hond op een fauteuil
Object type: album leaf
Date: 1880 – 1883
Materials: cardboard, photographic support
Techniques: albumen print
Artist: jan goedeljee
Artist role: fotograaf
Artist dates: 1824 – 1905
Subjects: historical persons, girl (child between toddler and youth), dog
Inscriptions: inscription: ‘J. Goedeljee/ Phototgraaf/(...)/ Leiden/ Hoogewoerd 160’
Portret van Leonhard Heckenhauer
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: engraving
Subjects: silversmith, historical persons, jeweller, goldsmith, silversmith, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Stadsgezicht met de heilige familie en schenkers
Object type: print
Date: 1871 – 1907
Materials: paper
Techniques: etching, intaglio
Location: vienna
Subjects: city-view in general; 'veduta', holy family with john the baptist; elisabeth and zacharias present
Inscriptions: collector's mark: Lugt 2228
Servet van linnendamast met een bloempatroon
Object type: napkin
Date: 1670 – 1680
Materials: linen
Techniques: damask
Location: flanders
Artist: Anonymous

Wit linnendamasten servet met gestrooide bloemen. Gemerkt met bindgaatjes "OD" en "24", in rode kruissteek "12" en "BB".
Portret van Laevinus Torrentius
Object type: print
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: jan baptist jongelinx
Artist role: print maker
Artist dates: 1689 – 
Subjects: ghent, brussels, laevinus torrentius, archbishop, bishop, etc. (roman catholic), historical persons

Prent waarschijnlijk uit: Le Roy, Jacuques. Groot kerkelyk toneel des hertogdoms van Brabant. Den Haag: Christiaan van Lom, 1727.
Portret van Piet Hein
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: delfshaven, historical persons, commander-in-chief, admiral

Prent uit: Bos, Lambert van den. Leeven en daaden der doorluchtigste zee-helden. Amsterdam: Jan Claesz. ten Hoorn en Jan Bouman, 1683. Eerdere staat gebruikt in de eerste editie van dit werk, uitgegeven in 1676.
Nederlandse troepen trekken zich terug uit Jogyakarta
Object type: documentary photograph
Date: 1906 – 1947
Materials: photographic support
Techniques: photography
Location: jogjakarta
Subjects: ons vrije nederland, jogjakarta, onafhankelijkheid indonesië, nederlandse militaire acties in indonesië (1945-1949)

Twee open vrachtwagens gevuld met Nederlandse militairen en wapens vertrekken gedwongen uit Jogyakarta. De stad werd ingenomen door de Indonesische guerillas onder leiding van Sultan Hamengku Buwono.
Sophonisba
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: (story of) sophonisbe
Inscriptions: collector's mark: Lugt 2228

Sophonisba met de gifbeker in haar handen. Op haar hoofd een kroon.
Deksel van een pot
Object type: covered jar
Date: 1820 – 1850
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Inscriptions: collector's mark: ‘collection J.F. Loudon’, mark: ‘IVP & C’

Deksel van veelkleurig beschilderde faïence. De pot is achtkantig en op de acht kanten zijn acht vakken geschilderd. In vier vakken is een vaas met twee s-vormige handvatten, staand op een driepotig voetstuk en gevuld met bloemen geschilderd, in de andere vier vakken een pot met deksel op een driepotig voetstuk waarboven een feniks. De pot is onderdeel van een stel en is gemerkt.
Spiritual Lovers
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,lovers,women
De grietenye van Aengewerden
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Location: friesland
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228

Linksboven cartouche met het wapen van Aengwirden, titel en bestuurlijke informatie over de grietenij. Daaromheen een jongen met herdersstaf, een hond en schapen. Linksonder twee schaalstokken: Com. Milliare Germanicum / Een gemeene Duytsche myle, Hora itineris / Een uyre gaens. Rechtsboven legenda.
Poliphilo volgt een wolf naar de ruïnes van een stad
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, landscape with ruins, ruin of a dwelling, house, castle, etc., beasts of prey, predatory animals: wolf

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, recto fol. 4.
Fontaine Aréthuse
Object type: watercolor
Date: 1778 – 1778
Materials: chalk, paper, watercolor
Techniques: brush, pen
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Inscriptions: inscription: ‘No 195 Fontaine Aréthuse’

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Willem Kloos en Jeanne Kloos-Reyneke van Stuwe
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: the hague, willem kloos, jeanne henriette reine reyneke van stuwe, netherlands