deem-data/ArtiFact huggingface dataset:
Weislingen attacked by Goetz's Men
Object type: print
Date: 1836 – 1843
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: wars,weapons,men,horses

The subject for this print is based on a scene in Goethe's play (published in German in 1773; and French in 1823) that tells the story of the life of a German knight (1480-1562) who fought to regain the privileges of free knights, nullified by the emperor Maximilian I in 1495.
Portret van een onbekende vrouw, aangeduid als mevrouw Gründeman
Object type: photograph
Date: 1915 – 1925
Materials: paper, cardboard
Techniques: gelatin silver print
Location: the hague
Artist: franz eiffert
Artist role: fotograaf
Artist dates: 1866 – 1929
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Mevr. Gründeman’
Bourges
Object type: photograph
Date: 1850 – 1852
Techniques: paper negative, salted paper print
Artist: pierre emile joseph pécarrère
Artist role: artist
Artist nationality: french
Artist dates: 1816 – 1904
Subjects: architecture,men

One of the finest photographers of the early 1850s remains a mysterious figure. More than one hundred of his salted paper prints survive, many signed in the negative "Em. Pec," a name that is not found in any early photographic journals, records of photographic societies, or exhibition catalogues. It seems likely that this photographer was Em. Peccarère (inconsistently spelled Peccarrère, Pecarrère, Pecarère, and Pecarer), a lawyer who learned photography from Gustave Le Gray and was among the founding members of the Société Héliographique. The confusion over his identity is compounded by the fact that fifty photographs, many with titles that correspond in subject to Pec's surviving signed works, were shown at the Society of Arts in London in 1852, listed in the exhibition catalogue as the work of "Pecquerel." One can only surmise that this was a misunderstanding of the name "Peccarère" by the exhibition's British organizers, who saw photographs signed "Pec" but were more familiar with the French scientist and daguerreotypist Edmond Becquerel, also a member of the Société Héliographique. Pec photographed throughout France and Italy in the first years of the 1850s. This view shows the north side of the mid-thirteenth-century royal portal of Bourges cathedral in central France. If the photographer knew the widely distributed topographic prints of the second quarter of the century he chose to depart from their pictorial conventions. Here, instead of incorporating small figures to animate the scene, provide picturesque detail, or give a sense of scale to the architecture, he elevated the relationship of figures to architecture. Framed by the shallow arcade like jamb figures, the four beggars (one of whom has moved during the long exposure of the paper negative) appear oddly hieratic. Seated alongside the central portal of the enormous edifice, theirs is a nearly ritualistic presence, just below the bas-relief scenes of the Creation and the Fall.
Amstela, intra muros; é ponte Amstelio respicienti versus Caeruleum / Gesicht van de Binnen-Amstel tot aan de Blauwe brug
Object type: print
Date: 1694 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', canal, windmill in landscape, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘4B no64’ Lugt 1641b

Prent waarschijnlijk uit: Call, Jan van. Admirandorum Quadruplex Spectaculum. Amsterdam: Pieter Schenk (I), 1700.

De titelprent, opdracht en het portret van Frederik van Saksen zijn gegraveerd door Pieter Schenk (I). De overige prenten uit deze serie zijn, zoals aangegeven op de titelprent, van de hand van Jan van Call (I).
Maastricht. Vrijthof
Object type: photomechanical print
Date: 1892 – 1905
Materials: cardboard
Techniques: autotype
Location: maastricht
Subjects: square, place, circus, etc., church (exterior)
Christus zegent de kinderen
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: christ blessing children brought by their mothers, usually with some disciples disapprovingly looking on (matthew 19:13-15; mark 10:13-16; luke 18:15-17)
Inscriptions: watermark: ‘gotische letter P’

Onderdeel van een album met een titelprent en een serie van 50 prenten betreffende het leven en de passie van Christus.
Verzameling van bloemen, elke soort in verschillende aspecten weergegeven
Object type: print
Date: 1650 – 1676
Materials: paper
Techniques: engraving, etching
Subjects: flowers: peony

Deze prent maakt deel uit van een album.
Gezicht op haven en dijk
Object type: print
Date: 1830 – 1865
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: harbour, church (exterior), dikes, levee (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Rechts een boot met figuren en figuren op de kant. Achter de dijk huizen en een kerk.
Portret van een onbekende jonge vrouw
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, plastic
Techniques: daguerreotype, hand coloring
Artist: andrew wemple van alstin
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, historical persons
Buckle
Object type: buckle
Date: 206 – 9
Materials: bronze
Culture: chinese
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of upper torso and legs of a draped figure, sitting on a stool to right, with a knobby stick
Portretbuste van Hendrik Conscience
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: antwerp, knighthood order, sculpture, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De sokkel waarop de buste staat bestaat uit een boek met daarop zijn naam en drie ridderorden.
Aanplakbiljet voor het Panorama van Parijs, 1803
Object type: text sheet
Date: 1803 – 1803
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: jonas daniël meijerplein

Aanplakbiljet voor het bezichten van het geschilderde Panorama van Parijs. Het panorama was te bezichtigen van september 1803 tot april 1804 op de Houtmarkt (het huidige Jonas Daniël Meijerplein) te Amsterdam. Tekst met een beschrijving van het panorama van de stad en toegangsprijzen.
Sprenkelaar of sprenkelfles met narrenkop
Object type: sprenkelfles
Date: 1600 – 1699
Materials: brass
Techniques: casting

Het voorwerp is uit drie delen samengesteld: de gegoten in een narrekop eindigende haak, het middenstuk, dat onder van een gaatje is voorzien, en het onderste uit een plaat gemaakte holle gedeelte, dat door een geperforeerde bol wordt afgesloten.
Gold Fragments with Dangles
Object type: ornament fragment
Date: 100 – 700
Materials: gold
Techniques: hammering
Culture: moche
Location: peru
Sword guard (<i>Tsuba</i>) Depicting Hanshan and Shide (寒山拾得図鐔)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, silver alloy, gold
Culture: japanese
Location: japan
Subjects: human figures
Time Rewarding Work and Punishing Laziness
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: robert boissard
Artist role: artist
Artist nationality: french
Artist dates: 1586 – 1691
Subjects: men,working
Kastdeurslot van koper en ijzer, versierd met acanthusbladeren
Object type: lock
Materials: copper, iron
Techniques: engraving, sawing
Location: western europe
Artist: Anonymous
Inscriptions: inscription: ‘P M B 1746’

Rechthoekig kastdeurslot met voor- en achterplaat van koper, het slotmechanisme is van ijzer. De voorplaat is aan drie zijden opengewerkt en versierd met acanthusbladeren. De achterzijde heeft een sleutelgat met de ijzeren sleutelpen in het midden. De randen van de sleutelplaat aan de voor- en achterzijde zijn omringd met een smalle touwachtige rand. Tussen de voor- en achterplaat is een opengewerkte, opstaande rand geplaatst.
The adoration of the shepherds: a night piece
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 240
Left Breastplate from a Brigandine
Object type: left breastplate from a brigandine
Date: 1400 – 1425
Materials: brass, steel, textile
Culture: italian
Location: greece

This breastplate retains some of its original textile covering, and it has notched stop-ribs to protect the throat and armpit areas of the wearer.
Studieblad
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: window, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)

Onder andere figuren en mogelijk ramen. Pagina 36 uit een schetsboek met 31 bladen.
The Lauterbrunnen
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Design for a Stage Set at the Opéra, Paris: A Tent
Object type: drawing
Date: 1830 – 1890
Materials: graphite
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: tents,stage design
Tuinanjers (Dianthus caryophyllus) en citroenen (Citrus limon)
Object type: print
Date: 1604 – 1632
Materials: ink, paper, watercolor
Techniques: engraving, hand coloring
Location: southern netherlands
Artist: Anonymous
Subjects: flowers: carnation, fruits: lemon

Tuinanjers en (doornige) citroenen. Met een vogel die naar een vlieg hapt en een kleine ornamentele plant. Figs. 19 en 20 op een blad met de hand genummerd 11. In: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Aankomst van de Spaanse gezanten te Rijswijk, februari 1608
Object type: print
Date: 1747 – 1759
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), peace negotiations, meeting

Aankomst en begroeting te Rijswijk van de Spaanse gezanten voor de vredesonderhandelingen, februari 1608. Maurits en Spinola geven elkaar de hand. Het rijtuig is gestopt voor een herberg waar veel toeschouwers staan.
Liber Chronicarum
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: king
Inscriptions: inscription: ‘263’

Een bloemkelk waarin een koning met scepter en rijksappel, naar links gekeerd. De tekst identificeert hem als de Assyrische koning Belus. De voorstelling is een onderdeel van de opeenvolging van Assyrische koningen in de Liber Chronicarum. De prent maakt deel uit van een album.
De kleederen der Nederlanden / Verschillen veel in iedren stand [(...)]
Object type: print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: historical costume, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen van personen in verschillende Nederlandse klederdrachten. Onder elke afbeelding een tweeregelig vers in het Nederlands en in het Frans. Genummerd rechtsboven: 59.
Buste van een man met tulband
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: mezzotint
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: head-gear: turban
Inscriptions: collector's mark: Lugt 2228
Death of Niobe's Children
Object type: drawing and watercolor
Date: 1552 – 1725
Materials: ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: possibly after marten de vos
Artist nationality: flemish
Artist dates: 1532 – 1603
Krater des Vesuv
Object type: photomechanical print
Date: 1864 – 1864
Materials: paper
Techniques: photograph
Location: hamburg
Artist: james nasmyth
Artist dates: 1808 – 1890
Subjects: volcano, mount vesuvius
Inscriptions: number: ‘Tafel II.’
Dood van Karel de Vijfde
Object type: print
Date: 1659 – 1712
Materials: paper
Techniques: etching
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of neck, cheek, and mane of horse
Star of Bethlehem Quilt
Object type: quilt
Date: 1835 – 1835
Materials: cotton
Culture: american
Location: united states

Although the provenance of this exquisite Star of Bethlehem quilt is not known, it was most likely made in one of the southern states. Quilts in which a central Star of Bethlehem motif is combined with chintz-appliquéd blocks and a chintz border, as it is here, have been found in Maryland, Virginia, and North and South Carolina. It is tempting to conclude that this quilt originated in Maryland. For one thing, it exemplifies the very fine workmanship characteristic of the tradition of high-style quiltmaking that arose in Baltimore in the 1820s and reached its zenith with the famous Album quilts of the 1840s (see 1974.24 and 1988.134). A more fanciful reason for a Maryland attribution is the presence of Baltimore orioles on the four corner blocks, which are appliquéd with an English chintz printed with pairs of these birds. When this quilt was made, the American market was still dependent on England for well-printed chintzes, and naturally, American birds pleased the American buyer. The fabrics of this quilt's appliqués and border are English, while the printed cottons pieced into the central star are most likely of American manufacture. There is no quilting at all in the pieced star. The rest of the surface is worked with particularly fine and even diamond-and-square quilting, and the white areas are enlivened with ten-pointed stuffed-work stars. More than ten feet (three meters) square, this quilt is the largest in the Museum’s collection. During the 1830s and 1840s, it was not unusual for quilts to be made this size and even larger. What was the purpose of such enormous quilts? This one was most likely a show quilt, meant to be displayed on special occasions to prove the skills of its maker; it looks almost unused and was never washed. However, very large quilts that clearly show wear exist from this period. In all likelihood, they were made to cover beds heaped high with piles of feather mattresses or straw ticks. Changes in the construction of mattresses, such as the introduction of the innerspring mattress, which provided a comfortable sleeping surface in a compact form, may explain why quilts grew smaller as the nineteenth century progressed, and after about 1850, quilts of nine and ten feet square were a rarity.
Amsterdamsche Gids met aankondiging van de voorstelling Die Hochzeit des Figaro, 1883
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Artist: Anonymous
Subjects: theatre, theatrical performance, advertisement, notice
Inscriptions: stamp, collector's mark: Lugt 1641

Een gevouwen blad vormt vier pagina's. Op de eerste pagina een aankondiging van de aankomende voorstelling Die Hochzeit des Figaro in de Stadsschouwburg in 1883. Op de overige pagina's advertenties. Linksboven genummerd: No. 78. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Tooneel, Toneelprogramma’s.
Gezicht op de Ellé in Quimperlé met rechts een oude duiventoren
Object type: page
Date: 1850 – 1859
Materials: photographic support
Techniques: albumen print
Location: quimperlé
Artist: taylor
Artist role: fotograaf
Subjects: river (+ landscape with figures, staffage)
Inscriptions: number: ‘47’
Atrium of the Palace of Venus; set design from 'Il Pomo D'Oro'
Object type: print, fete, ornament architecture
Date: 1668 – 1668
Techniques: etching
Artist: mathäus küsel
Artist role: artist
Artist nationality: german
Artist dates: 1621 – 1682
Subjects: opera,palaces,men,lions,chariots

One of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina—also designed by Burnacini.
Part of Name Panel of Senwosret I – see 34.1.207
Object type: relief, mortuary complex, senwosret i
Date: 1961 – 1917
Materials: limestone
Location: egypt
Plate
Object type: plate
Date: 1700 – 1722
Materials: enamel, porcelain
Techniques: overglaze, painting
Culture: chinese
Subjects: women
Nominatieve zamenstelling van het Korps Jagers van VAN DAM
Object type: brochure
Date: 1868 – 1868
Materials: ink, paper
Techniques: printing, writing
Location: tiel
Artist: a. van loon (19e eeuw)
Artist role: printer
Inscriptions: date

Brochure in blauwe papieren omslag, 4 pp met namenlijst, p. 4, met de hand '253 man = geheele sterkte, 2 man gesneuveld, 10 man geblesseerd'. Gedateerd; p.4, o.: 1868.
Twee mezen
Object type: print
Date: 1900 – 1930
Materials: paper
Techniques: woodcut
Location: japan
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945
Inscriptions: collector's mark: Lugt 2228
Tile with a Double-Arched Prayer Niche (Mihrab)
Object type: architectural fragment
Materials: ceramic, cobalt, glaze
Techniques: molding, overglaze, painting
Culture: islamic
Location: iran

This luster tile is carefully decorated with dark blue calligraphy above and below the arches, as well as a cruder, luster-painted passage following the line of the arches. The inscriptions, all taken from different chapters in the Qur'an, discuss the transience of life on earth in contrast to the eternal existence of God. The religious nature of these inscriptions is appropriate for the tile's placement in a mosque, where it would have been used as a mihrab, or prayer niche, indicating the direction of Mecca for prayer.
Dress
Object type: dress
Date: 1750 – 1750
Materials: silk
Culture: italian
Bench or Chest
Object type: bench or chest
Date: 1401 – 1500
Materials: wood
Culture: french
Pair of Flintlock Holster Pistols
Object type: arm
Date: 1680 – 1690
Materials: steel, wood
Location: italy
Artist: vicenzo cominazzo
Artist nationality: italian
Metamorphoseon sive transformationum
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: antwerp
Subjects: perseus and andromeda, andromeda chained to the rock
Inscriptions: collector's mark: Lugt 240

Perseus komt aanvliegen op Pegasus om de vastgeketende Andromeda te redden van een zeemonster. Titel in het Latijn in ondermarge.
Grosses Laboratorium
Object type: photograph
Date: 1874 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: Anonymous
Subjects: laboratory (+ tools, instruments; laboratory equipment ~ scientific research)
Inscriptions: collector's mark: ‘VOSMAER’
Pictorial Quilt
Object type: quilt
Date: 1832 – 1832
Materials: cotton, silk, wool
Culture: american
Location: united states
Artist: euphemia kichlein
Artist role: artist
Artist nationality: american
Artist dates: 1818 – 1885
Subjects: birds,women

This quilt is one of four known quilts and several quilted pillowcovers made by the Schleifer/Kichlein women in the 1830s. It demonstrates their unique family style of alternating red and white pieced blocks with embroidered blocks. In this case, red and white blocks in the "Reel" or "Orange Peel" pattern alternate with blocks of white embroidered cotton. The central block of the quilt is embroidered with a fashionably dressed couple and a small boy, and an inscription that reads "Euphemia Kichlein 1832." The quilt was completed in 1832 Euphemia Kichlein, likely with the help of her mother Christina Schleifer Kichlein as Euphemia was only 14 years old. The embroidered motifs seem to have been copied from print sources; the family group on the large central block may have been copied from a similarly composed family group that appears in an English print entitled "View Of Dandelion Garden, Margate, Kent" by Benjamin Thomas Poundy (fl. 1772-1799), or another print or fashion plate of the day. The smaller blocks with the birds perched on a flowering tulip bush are generic images found on Pennsylvania German fraktur (hand-painted paper certificates, given on the occasion of births/baptisms, weddings, and school accomplishments). The image of the young woman holding a bird is very specific and was copied from a printed birth and baptism form that was popular in the area in the first decades of the 1800s.
Strook tweezijdig geschulpte zwarte kant met motief van bladeren, c-vormige voluten en wielen, op zachtboard
Object type: strip
Date: 1925 – 1925
Materials: lace
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Strook tweezijdig geschulpte zwarte kant met motief van bladeren, c-vormige voluten en wielen, op zachtboard.
Saalfeld - Bad Sommerstein b. Saalfeld
Object type: photomechanical print
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph, writing
Location: magdeburg
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, mountains
Inscriptions: date
Oud echtpaar wandelt kibbelend op straat
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: old man, old woman, walking, man and wife quarrelling, 'marriage à la mode', satire on marriage
Inscriptions: collector's mark: Lugt 2228a

De man is het eten voor de kat van zijn vrouw vergeten.
Vijf zintuigen
Object type: print
Date: 1632 – 1645
Materials: paper
Techniques: etching
Artist: cornelis saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1681
Subjects: carrying something, birds, head-gear: hat (+ men's clothes), tools, aids, implements ~ crafts and industries: knife
Inscriptions: collector's mark: Lugt 240

Het gevoel. Een man loopt, gebogen onder het gewicht van de enorme hoed die hij op zijn rug draagt, naar links. Uit de hoed steken de kop en nek van een vogel. De nek van de vogel is doorboord met een mes. De prent maakt deel uit van een serie met de vijf zintuigen.
Nouveau Louvre. Pavillon Rohan, Parijs
Object type: photograph
Date: 1855 – 1857
Materials: cardboard, photographic support
Techniques: salted paper print
Location: france
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: musée du louvre
Inscriptions: inscription: ‘New Louvre. Pavillon Rohan. Paris./ ... Un Place du Carousel’
Inkstone
Object type: inkstone
Date: 1644 – 1911
Materials: stone
Culture: chinese
Subjects: cranes,deer,monkeys
Gezicht op Stellenbosch, Drakenberg, Simonsberg etc etc Kaap de Goede Hoop
Object type: album leaf
Date: 1816 – 1816
Materials: paper, pencil, pigment
Techniques: brush
Artist: adrianus johannes bik
Artist role: draughtsman, print maker
Artist dates: 1790 – 1872
Subjects: city-view, and landscape with man-made constructions, mountains
Inscriptions: inscription: ‘Gezigt op StellenBosch/ Drakenberg. Simons Berg. & &./ Kaap de goede Hoop/ A.J. Bik fec[i]t 1816’
Set of Ten Seals in a Box
Object type: seal box
Date: 1867 – 1933
Culture: chinese
Miss May Belfort (Large Plate)
Object type: print
Date: 1895 – 1895
Materials: crayon, ink, paper
Techniques: lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: women