deem-data/ArtiFact huggingface dataset:
Boekband met embleem van de Algemene Nederlandse Diamantbewerkersbond
Object type: album leaf
Date: 1920 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: book-cover, binding
Inscriptions: number: ‘1’, annotation: ‘B/ Moderne’

Deze foto's maken deel uit van een album.
Riders on Horseback in Woods
Object type: drawing and watercolor
Date: 1701 – 1800
Materials: paper, pastel
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1700 – 1799
Tureen with cover
Object type: tureen with cover
Date: 1771 – 1772
Materials: silver
Artist: joseph-pierre-jacques duguay
Artist role: maker
Artist dates: 1724 – 1824
Subjects: coat of arms
Great Exhibition Jurors' Medal
Object type: medal
Date: 1851 – 1851
Materials: bronze
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: men,profiles,women,queen victoria
Eerste deel. Verscheÿde schepen en gesichten van Amstelredam, naer t leven afgetekent en opt cooper gebracht, door Reinier Nooms, alÿas Zeeman
Object type: print
Date: 1652 – 1654
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: reinier nooms
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1664
Subjects: mayor, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 12

Bickerseiland in Amsterdam. Boten in de haven. Links de werf van Jan Bicker.
Wedjat Eye Amulet
Object type: amulet, wedjat eye
Date: 1390 – 1352
Materials: faience
Location: egypt

One of the most popular amulets in ancient Egypt, the wedjat eye represents the healed eye of the god Horus. It depicts a combination of a human and a falcon eye, since Horus was often associated with a falcon. Its ancient Egyptian name, wedjat, means "the one that is sound (again)." In Egyptian mythology Horus’ eye was injured or stolen by the god Seth and then restored by Thoth. The wedjat eye embodies healing power and symbolizes rebirth. An amulet in this shape was thought to protect its wearer and to transfer the power of regeneration onto him or her. This particular wedjat eye shows the typical style of the New Kingdom, in which the spiral element sits directly underneath the cosmetic line, while in later examples it is situated much lower (see for example 89.2.415).
Ducatus Gelriae pars secunda quae est 'Ruremondensis'
Object type: print
Date: 1644 – 1680
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: maps of separate countries or regions, gelderland, guelders
Inscriptions: collector's mark: Lugt 2228

Rechtsonder de titelcartouche, met daaronder twee schaalstokken: 2 Milliaria Germanica Communia / 2 1/2 Milliara Gallica Communia. De kaart is voorzien van een gradenverdeling langs de randen.
Miss Florence St.John in Madame Favart
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult woman, stage costume, portrait of actor, actress
Inscriptions: name: ‘Elliot&Fry Copyright 55&56, Baker St. London.W’, inscription: ‘Elliot and Fry/ Photographers/ 55&56, Baker St. London/ W.’, retailer's mark: ‘R. van der Sprong Hz./ Kunsthndel/ Utrecht’
Wapen van Västergötland
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: etching
Subjects: coat of arms (as symbol of the state, etc.)

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
A peasant in a high cap, standing leaning on a stick
Object type: print
Date: 1719 – 1780
Materials: paper
Techniques: etching
Subjects: farmers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt. Prent gebruikt in: A collection of 200 original etchings. Londen: J.M. Creery, [1816].
Indische man staand voor een deuropening in overdekte ruimte
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: sun-porch, sun-parlour, glazed verandah, dutch east indies, the

Een Indische man staat voor een houten huis, mogelijk op een veranda. Hij is blootsvoets en draagt een hoofddeksel. Hij draagt zijn schoenen in zijn hand. Het huis staat los van de grond. Onderdeel van familiealbum Nederlands-Indië.
Illustration from Metamorphosis by Ovidius, plate 72 from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Techniques: woodcut
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1500 – 1599
Artikel uit archief Jan Veth
Object type: article
Date: 1919 – 1919
Materials: paper
Techniques: printing
Artist: alphons diepenbrock
Artist role: componist
Artist dates: 1862 – 1921
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, music
Inscriptions: collector's mark: ‘RPK’
Vaas
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: etching
Location: paris
Subjects: vase ~ ornament, garden vase
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit een genummerde serie met twaalf vazen door Allou en Nicolet.
Mensen op het Velperplein in Arnhem, rechts het Musis Sacrum
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: collodion silver print
Location: arnhem
Artist: Anonymous
Subjects: square, place, circus, etc.
Cuneiform tablet: statement before witnesses
Object type: cuneiform tablet
Date: 2000 – 1801
Materials: clay
Culture: assyrian
Location: anatolia

Kültepe, the ancient city of Kanesh, was a powerful and cosmopolitan city located in northern Cappadocia in central Anatolia, modern Turkey. During the early second millennium B.C., it became part of the network of trading settlements (Akkadian: karum) established across the region by merchants from Ashur (in Assyria in northern Mesopotamia, modern Iraq). Travelling long distances by donkey caravan, and often living separately from their families, these merchants traded vast quantities of tin and textiles for gold and silver in addition to controlling the copper trade within Anatolia itself. Although the merchants adopted many aspects of local Anatolian life, they brought with them Mesopotamian tools used to record transactions: cuneiform writing, clay tablets and envelopes, and cylinder seals. Using a simplified version of the elaborate cuneiform writing system, merchants tracked loans as well as business deals and disputes, and sent letters to families and business partners back in Ashur. These texts also provide information about the greater political history of Ashur and the Anatolian city-states as well as details about the daily life of Assyrians and Anatolians who not only worked side-by-side, but also married and had children together. At Kültepe, thousands of these texts stored in household archives were preserved when fire destroyed the city in ca. 1836 B.C. and provide a glimpse into the complex and sophisticated commercial and social interactions that took place in the Near East during the beginning of the second millennium B.C. The merchants’ private archives contained all types of texts including legal documents. This tablet, a statement before witnesses, was originally sealed in a clay envelope or case (66.245.20b) before being archived for future consultation. The cuneiform text, read from left to right, records a dispute over a share in a capital-investment between the merchant Idi-Ishtar and two men filing on behalf of an unnamed woman, the wife of Salliya, who wanted to buy a share of Idi-Ishtar’s investment capital from a third party. Idi-Ishtar explains why the woman cannot take over the share before the two witnesses, who then use their seals to finalize his statement.
Border
Object type: border
Date: 1767 – 1800
Materials: silk
Artist: philippe de lasalle
Artist role: designer
Artist nationality: french
Artist dates: 1723 – 1804
Ma femme..., comme nous n'aurions pas le temps de tout voir en un jour..., from L'Exposition de 1859, published in Le Charivari, April 18, 1859
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women
Bloeiende boomgaard
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: lithograph
Artist: matthieu wiegman
Artist role: print maker
Artist dates: 1886 – 1971
Subjects: trees, orchard
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Arrowhead
Object type: arrowhead
Date: 3900 – 100
Materials: bronze
Culture: cypriot
Silver coin (dirham) of Abu Sa'id
Object type: coin
Materials: silver
Location: iran
Proceedings in commemoration of the organization in Pittsfield, February 7, 1864 of the First Church of Christ : February 7, 1889
Object type: book
Date: 1889 – 1889
Materials: cardboard, linen, paper
Techniques: photoaquatint, printing
Location: pittsfield
Gezicht op de Combe de Savoie
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: savoie
Artist: Anonymous
Subjects: dale, valley
Inscriptions: inscription: ‘Vue prise au fond de la Combe, Savoie’, number: ‘No 80’
W.H. Robinson, Shortstop, St. Louis Browns, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen print, photography
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Serie van prenten naar de schilderijen van Fontainebleau
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: (story of) jupiter (zeus), attributes of jupiter: thunderbolt
Inscriptions: collector's mark: Lugt 2228
Figuren in een kerk
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: interior of church

Pagina 2 uit schetsboek XXIX met 44 pagina's.
Animal Flask
Object type: flask
Date: 667 – 800
Materials: amber, glass
Techniques: glassblowing
Location: syria
Subjects: animals

During Roman and early Islamic times, animal‑shaped vessels were made using an intricate decorated double or quadruple glass tube. Decorated with trailed glass threads, the tubes are carried on the backs of domestic animals and the trailed threads appear to imitate protective cages. Such vessels were probably used as containers for kohl or perfume.
De berkenlaan
Object type: print
Date: 1860 – 1900
Materials: paper
Techniques: etching
Artist: johannes arnoldus boland
Artist role: print maker
Artist dates: 1838 – 1922
Subjects: lane, alley
Inscriptions: collector's mark: Lugt 2228

Coll. de la Faille. Reproductie van een schilderij uit de collectie van het Rijksmuseum Amsterdam, SK-A-130.
Portret van Grover Cleveland
Object type: print
Date: 1870 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: ‘Franz Radestock’
Gezicht op een brug van de stad Segovia
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: Lugt 2228

Gezicht op een brug van de stad Segovia. Onderaan de brug verschillende wandelaars. De prent is deel van een serie die verschillende plaatsen in het Middellandse Zeegebied afbeeldt.
Girl of Claddagh or Fishing Suburb, Galway
Object type: drawing and watercolor
Date: 1855 – 1855
Materials: ink, paper
Techniques: pen
Location: united kingdom
Artist: a. bradstreet
Portret van R. Dowiat
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: offenbach am main
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Decoration for a Masked Ball at Versailles, on the Occasion of the Marriage of Louis, Dauphin of France, and Maria Theresa, Infanta of Spain (Bal masqué donné par le roi, dans la grande galerie de Versailles, pour le mariage de Dauphin, 1745)
Object type: print
Techniques: engraving, etching
Artist: charles nicolas cochin i
Artist role: artist
Artist nationality: french
Artist dates: 1688 – 1754
Subjects: party,crowd
Lier
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), lierre
Inscriptions: collector's mark: Lugt 195

Plattegrond van Lier met gebouwen in vogelvluchtperspectief. Boven, rechts van het midden, de titelcartouche. Linksboven het wapen van Brabant. Rechtsboven het wapen van Lier. Op verso Nederlandse tekst.
Amphitrite
Object type: statuette
Materials: bronze
Artist: michel anguier
Artist role: artist
Artist nationality: french
Artist dates: 1612 – 1686

The celebrated French sculptor Michel Anguier studied in Rome under Gianlorenzo Bernini and Alessandro Algardi before returning to Paris to become one of France’s most preeminent artists of the late seventeenth century. Profoundly learned and well-versed in contemporary art theory, he fused deeply studied classicism with the artifice of sixteenth-century mannerism and the theatricality of Bernini’s baroque. In France, Anguier obtained important commissions from prestigious patrons like Anne of Austria and worked on large-scale statues, including the limestone Leda and the Swan of 1654, also in The Met’s collection (1970.140) In addition to those projects, Anguier also became renowned for his models for small bronze statuettes. In 1652, he conceived a series of six gods and goddesses, each paired and representing a specific temperament, to which this pair belongs. Here, Amphitrite, the goddess of the sea, represents tranquility with her slender nude body and her downcast gaze. She is accompanied by a dolphin and holds in her left hand a lobster or crayfish. For the statuette of Ceres, Anguier adapted a story from Ovid’s Metamorphosis of the weeping, aggrieved goddess of agriculture searching for her abducted daughter Proserpina. Wearing a crown of wheat, Ceres holds a torch in her outstretched right hand, lit by the fires of Mount Etna, and is joined by a hissing dragon at her feet. Her agitated robes cascade into abstracted planes of billowing drapery across her back. Anguier’s models of gods and goddesses were highly valued and reproduced beginning in the mid-seventeenth century and well into the nineteenth century, with the sensuous but decorous Amphitrite especially popular. The highly proficient casting of the Amphitrite and Ceres and their similarities in facture to other early casts indicate a date of around 1700.
Gezicht op voormalig Frans departement Itaque
Object type: page
Date: 1905 – 1910
Materials: paper
Techniques: photograph
Location: berlin
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: island
Inscriptions: number: ‘2.’
Nieuwsbericht over de slag bij Nieuwpoort
Object type: print
Date: 1600 – 1649
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), albrecht aartshertog van oostenrijk, battle (+ land forces), battle of nieuwpoort
Inscriptions: address: ‘CJVisscher excudit’, number: ‘4’
Natura omringd door dieren
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: 'natura' (allegorical figure or scene; or as diana of ephesus, with many breasts); 'natura' (ripa) (+ variant), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Natura, omringd door een aantal dieren, wordt ontsluierd door een allegorische vrouwenfiguur. Op de voorgrond ontleden twee engelen zeedieren en een haas.
View of the arrangements for measuring the strides and background
Object type: page
Date: 1877 – 1882
Materials: paper
Techniques: heliotype
Location: palo alto
Subjects: research, experiment (~ production), measuring
Inscriptions: inscription: ‘Plate CVII.’
Simon (74)
Object type: photograph
Date: 2015 – 2015
Materials: ink, paper
Techniques: inkjet print
Location: netherlands
Artist: gerrit meerman
Artist role: fotograaf
Artist dates: 1957 – 
Subjects: airborne traffic, aviation, computer, equation-solving machine

“Mijn vrouw vindt het heel leuk, zolang het maar niet in de woonkamer komt”. Simon heeft in 1961 aan de Luchtvaart Nijverheidsschool (tegenwoordig MTS Luchtvaart) zijn diploma voor vliegtuigmonteur behaald. Hij heeft veel verschillende functies in het buitenland vervuld: van monteur tot vliegtuigonderhoudsadviseur bij onder andere Schreiner BEA Helikopters, Fokker en KLM. In 1984 is Simon met Flight Simulator begonnen. Gemiddeld drie volle dagen per week is hij met zijn hobby bezig. Maandelijks traint hij in de simulator van ProSim4U en soms in de full motion van Schiphol. Op het moment is hij druk bezig met het voorbereiden van een cursus over het vliegen met de Boeing 737 voor de leden van HCC Haaglanden.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, shoulder and extended arm of figure seen under himation; one letter of an inscription, K
Portret van Peter Sigismund Pape op 52-jarige leeftijd
Object type: print
Date: 1718 – 1731
Materials: paper
Techniques: engraving
Location: germany
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2233
One strip of yellow and red lampas silk; originally part of a chasuble
Object type: chasuble fragment
Date: 1501 – 1600
Materials: linen, silk

Although this object resembles the reverse of a chasuble– the tabard-like garment worn by a Catholic priest during church services– this is a modern composite of two lengths of lampas silk (33.39.8a, .8b) with a central orphrey strip (33.39.7), assembled soon after the three elements. entered The Met's collection in 1933. The side panels were almost certainly created for and used as part of a historic chasuble, since dismembered long ago. Although, at first glance, the orphrey (33.39.7) resembles the orphreys embellished with repeat figurative elements woven in Lucca in the sixteenth century (like, for example, 33.39.13 also in The Met's collection), the stiffness of the material, strong purple-black color, rigid contours of the motifs, and the use of "faux" metal-thread effects all suggest that this is a much later iteration– still woven in Lucca, but probably made during the nineteenth century in emulation of the city's earlier production and representative of a long-standing and embedded weaving tradition.
Scarab with Lion-headed Goddess Protecting Maatkare
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs,goddess

During the 1926-1927 excavation season, the Museum's Egyptian Expedition uncovered three foundation deposits along the eastern enclosure wall of Hatshepsut's funerary temple at Deir el-Bahri in Western Thebes. Among the contents were 299 scarabs and stamp-seals. Sixty-five of these are now in the Egyptian Museum, Cairo, and the rest were acquired by the Museum in the division of finds. Among the inscriptions on the bases of these scarabs and seals are examples of every title Hatshepsut held, from the time she was "king's daughter" during the reign of her father, Thutmose I; through the time she was queen of her half-brother, Thutmose II; and during her regency and co-reign with her nephew/step-son, Thutmose III. The inscription on the base of this scarab records Hatshepsut's throne name, Maatkare, enclosed in a cartouche. A lion-headed winged goddess, perhaps Sakhmet, protects the king with outstretched arms. Between the goddess and the cartouche is a shen hieroglyph (eternity, protection). The non-descript shape above the goddess may be intended to represent a winged sun-disk. The name Maatkare may be roughly translated as Maat (the goddess of truth) is the life force of Re (the sun god).
Panel
Object type: textile
Date: 1849 – 1851
Materials: cotton, wool
Techniques: printing block, treatment, glazing, weave, printing
Location: england
Artist: augustus welby northmore pugin
Artist role: designer
Artist nationality: british
Artist dates: 1812 – 1852
Dontaro (Kyogen), from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Coverlet
Object type: textile
Date: 1837 – 1837
Materials: cotton, wool
Techniques: bookbinding, interlacing, jacquard, patterning, weave
Location: ohio
Artist: peter lorentz
Artist nationality: american
Artist dates: 1801 – 1876
Subjects: coverlet, trees, birds, stars, flowers, lilies, wreaths
Villa Brémontier, à Arcachon
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: arcachon
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: rural housing, e.g. country-house, villa, cottage, façade (of house or building)
Inscriptions: number: ‘1974bis’
Christus voor Kajafas
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: letterpress printing
Location: haarlem
Subjects: christ before the sanhedrin with caiaphas as high priest, and possibly annas; maybe a soldier about to strike christ because he keeps silent (matthew 26:57-66; mark 14:53-64; luke 22:54, 22:66-71)

Prent uit: 't Schat der Zielen, dat is, het geheele leven ons Heeren Iesu Christi naer de vyer Evangelisten (...) in zeven stucken verdeelt. Amsterdam: Pieter Jacobsz. Paets, 1648. Deze prent komt uit het vijfde deel of hoofdstuk van 't Schat der zielen: Passie ons Heeren Iesu Christi, naer de beschrijvinghe van de vier evangelisten. Binnen het vijfde deel hoort deze prent bij de beschrijving van de passie door Lucas.
Dave Orr, 1st Base, Columbus, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen print, photography
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Stadhuis van Batavia
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: batavia
Subjects: townhall, batavia
Inscriptions: check stamp: ‘Photographieen van Ned. Indië/ W & P/ Batavia’, inscription: ‘Foto’

Deze foto zat oorspronkelijk in prentenkabinet RP-F-AA3192.
Procession of Nuns and Novices Honoring a Male Saint
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: circle of giovanni balducci, called il cosci
Parijse schippers
Object type: cartoon
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), river, rowing-boat, canoe, etc. (+ accident, collision, crash ~ traffic and transport), falling overboard, paris
Inscriptions: collector's mark: Lugt 2228a

Prent gepubliceerd in: Le Charivari, Aubert: Parijs, 22-04-1843. Le Charivari was een humoristische krant met karikaturen en (politieke) cartoons.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower legs of figure to right