deem-data/ArtiFact huggingface dataset:
Judith met het hoofd van Holofernes
Object type: print
Date: 1584 – 1588
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: judith with holofernes' head and the sword
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 240

Ronde voorstelling van Judith, staand bij het bed van Holofernes met zijn hoofd in haar linkerhand. Om de voorstelling een randschrift in Latijn.
Portret van een Duitse matroos
Object type: photograph
Date: 1940 – 1943
Materials: photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, sailor, netherlands, france

Portret van een matroos van de Kriegsmarine. Onderdeel van de groep losse foto's behorend bij het fotoalbum over de Kriegsmarine 1940-1943.
Kwitantie voor de levering van een encyclopedie
Object type: ontvangstbewijs, kwitantie
Date: 1778 – 1778
Materials: ink, paper
Techniques: letterpress printing, pen
Location: the hague
Artist: pierre gosse jr.
Artist role: publisher
Subjects: evert van harrevelt, pierre gosse jr.
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Kwitantie voor een 60-delige encyclopedie, geleverd door de Haagse boekhandelaar Pierre Gosse Junior aan de Amsterdamse boekverkoper E. van Harrevelt, bestemd voor S.L. Zurkann.
Portret van Frederik Hendrik en Amalia van Solms
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: etching
Location: bristol
Subjects: frederick henry (prince of orange), the hague, amalia of solms-braunfels, ornamental birds: peacock, armorial bearing, heraldry, dog
Inscriptions: collector's mark: Lugt 240

Frederik Hendrik, prins van Oranje met zijn vrouw Amalia van Solms. Naast de prins zit een hondje en op de achtergrond zit een papegaai.
Gezicht op Parijs met in het midden de Pont Louis-Philippe
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: bridge in city across river, canal, etc., prospect of city, town panorama, silhouette of city, paris
Inscriptions: inscription: ‘Panorama de Paris’
Gezicht op fabrieken in Dnipro, Oekraïne
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dnipro
Artist: pokorni
Artist role: fotograaf
Subjects: factory in landscape
Melkmeid
Object type: print
Date: 1768 – 1796
Materials: paper
Techniques: etching
Location: leiden
Subjects: cow, milkmaid, milking
Inscriptions: collector's mark: Lugt 240

Een zittende melkende vrouw bij twee koeien en een schaap.
Overwinning op de onwetendheid: Koning Frans I van Valois-Angoulême opent de tempel van Jupiter
Object type: print
Date: 1535 – 1598
Materials: paper
Techniques: engraving
Subjects: frans i van valois-angoulême (koning van frankrijk), victory, ignorance; 'ignoranza', 'ignoranza di tutte le cose', 'ignoranza in un ricco senza lettere' (ripa), blindfold
Inscriptions: inscription: ‘f 9(?) guldens ende 9(?) stuijvers, ofte drie ducatens;’, collector's mark: Lugt 240, inscription: ‘MALI’, inscription: ‘OSTIV// IOVIS’, inscription: ‘BONI’, signature: ‘Renatus Fecit.’, inscription: ‘Rous. Floren. Inuen.’

De schildering door Rosso Fiorentino bevindt zich in het Kasteel van Fontainebleau.
Titelpagina van: Frederik de Marselaer, Equitis Legatus, Antwerpen, 1626
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: (story of) minerva (pallas, athena), (story of) mercury (hermes)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Collegii Lugdunensis Soc.tis. Iesv [ Il Trinitatis] catalogo Inscriptus 1628’, collector's mark: Lugt 2760

Titelpagina van: Frederik de Marselaer, Equitis Legatus, 2e deel. Antwerpen: ex officina Plantiniana, 1626.
Terracotta fragment of a neck-amphora (jar), Tyrrhenian
Object type: neck amphora fragment, tyrrhenian
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

In the top register, hoof of an animal to right; three black glazed lines; below, in the next register, frontal head and chest, forelegs, belly, and part of one of the back paws of a panther to right; head, neck, shoulder, and foreleg of a sheep to left; three black glazed lines; rays
(Museo Napoli)
Object type: photograph
Date: 1863 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘No. 1507’, address: ‘GIORGIO SOMMER/ STUDIO MONTE DI DIO 4./ MAGAZZINO S. CATERINA 5./ NAPOLI’, inscription: ‘Naples’
Heilig-Land-Stichting, Nijmegen. Klooster en Coenaculumkerk
Object type: photomechanical print
Date: 1913 – 1917
Materials: cardboard
Techniques: rotogravure, writing
Location: heilig landstichting
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: postage stamp
Medea
Object type: drawing
Date: 1715 – 1715
Materials: ink, paper, pastel
Techniques: pen
Artist: charles antoine coypel
Artist role: artist
Artist nationality: french
Artist dates: 1694 – 1752
Subjects: anger,women,medea

An accomplished pastellist, Charles-Antoine Coypel used the medium not just for finished works, but frequently as a preparatory step in developing his painted compositions. The Metropolitan’s pastel is a study for Coypel’s earliest surviving canvas, Jason and Medea (Charlottenburg Palace, Berlin), which was submitted to the Académie royale as the artist’s reception piece in 1715. Not surprisingly, for an artist who would pursue simultaneously a career as a playwright, Coypel’s conception of the subject was unabashedly theatrical. Set against a curved architectural backdrop, the scene depicts the climax of the story: Medea, having committed her vengeful acts, escapes the wrath of Jason; she is airborne, gripping the reins of her dragon chariot in her left hand while brandishing a dagger in her right. Starkly lit against dark clouds, she is a fearsome sight, every muscle of her face clenched in fury. Before its re-attribution in 2001, the pastel was long considered to be a work by the seventeenth-century painter, Charles Le Brun, whose treatise on facial expression and emotion influenced history painters for well over a century. Coypel, who had a strong interest in theater, was especially drawn to the legibility and dramatic power of Le Brun’s models.
Aldworth
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: façade (of house or building), country-house
Mirror with paired birds and floral designs
Object type: mirror
Date: 701 – 800
Materials: bronze
Culture: chinese
Dolomieten aan zee
Object type: print
Date: 1833 – 1879
Materials: paper
Techniques: engraving
Artist: auguste numans
Artist role: print maker
Artist dates: 1823 – 1883
Subjects: rocky coast
Inscriptions: collector's mark: Lugt 2228
Panoramafoto van het Château de Pena du Roi Ferdinand
Object type: photograph
Date: 1870 – 1890
Techniques: albumen print
Artist: Anonymous
Subjects: palácio da pena
Inscriptions: inscription: ‘Palacio National de Pena’
Sistrum
Object type: music, sistrum, mother cat, duck's head terminal, arc
Materials: bronze, copper alloy
Location: egypt or italy
Portrait of an unknown man in his warrior clothes from the Khond tribe in Odisha, India
Object type: photograph
Date: 1865 – 1875
Materials: photographic support
Techniques: albumen print
Location: odisha
Artist: charles philip yorke triscott
Artist role: fotograaf
Artist dates: 1824 – 1880
Subjects: human races; peoples; nationalities, clothes, costume
Inscriptions: inscription: ‘KHOND IN WAR DRESS./ KHONDISTAN.’, number: ‘456.’
Straatgezicht met kerktoren
Object type: print
Materials: paper
Techniques: aquatint, etching
Artist: constant nefkens
Artist role: print maker
Artist dates: 1887 – 1929
Subjects: parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, extended arm of figure; below, bent arm of a second figure
Twee ontwerpschetsen voor de hal van een paleis
Object type: drawing
Date: 1710 – 1773
Materials: ink, paper
Techniques: pen
Artist: giuseppe galli bibiena
Artist role: designer, draughtsman
Artist dates: 1696 – 1756
Kerkdienst van Georgiritter
Object type: print
Date: 1911 – 1911
Materials: paper
Techniques: drypoint
Artist: max slevogt
Artist role: print maker
Artist dates: 1868 – 1932
Subjects: knighthood order, sermon ~ holy mass
Inscriptions: collector's mark: Lugt 2760, signature: ‘Slevogt’, collector's mark: Lugt 2228, number: ‘41/100’
Snuifdoos, rechthoekig, van geëmailleerd koper met polychrome beschildering met jachtscènes.
Object type: box
Date: 1790 – 1800
Materials: copper
Location: battersea

Snuifdoos, rechthoekig, van geëmailleerd koper met polychrome beschildering met jachtscènes.
Prometheus schenkt de mens het vuur
Object type: album leaf
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: prometheus brings fire to mankind

Prometheus staat naast de menselijke figuur die hij zelf uit slijk geschapen heeft en schenkt hem juist het vuur in de vorm van een toorts. Om de twee mannen verschillende dieren (olifant, leeuw, aap, hond, schildpad, koe, hert). In de wolken Minerva, Jupiter en Helios. Onder de voorstelling twee keer twee versregels in het Latijn. De prent maakt deel uit van een album.
Groep mannen, vrouwen en kinderen in klederdracht op de kade bij Volendam
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: volendam
Artist: george hidderley
Artist role: fotograaf
Subjects: folk costume, regional costume (+ women's clothes), folk costume, regional costume (+ men's clothes), pier, quay, wharf

Onderdeel van fotoalbum met opnames van Volendam, Dordrecht, Gorinchem en Woudrichem.
Domus Senatoria Vlissingensis
Object type: book illustration
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: townhall
Inscriptions: collector's mark: Lugt 2228

Prent uit: Guicciardini, Lodovico. Beschryvinghe van alle de Neder-landen, anderssins ghenoemt Neder-Duytslandt (…). Amsterdam: Willem Janszoon Blaeu, 1612, tussen p. 270 en 271.
Presentiepenning van het Bontwerkers- en pruikenmakersgilde te Middelburg, 1718
Object type: medal
Date: 1718 – 1718
Materials: brass
Techniques: casting
Inscriptions: circumscription: ‘D H I GV POORT OVERD L TAIL LEFERT DEK’, circumscription: ‘(burcht) BELEERD A BOS W PATERSON’, inscription: ‘2’

Gegoten messing penning, op de voorzijde een borstbeeld met wambuis en pruik, met omschrift, op de keerzijde een bontkraag, een mof en cijfer 2, met omschrift
Les Lanternes
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching
Artist: henri charles guérard
Artist role: print maker
Artist dates: 1846 – 1897
Subjects: lantern
Inscriptions: collector's mark: Lugt 2228

Maakt waarschijnlijk deel uit van een tiendelige serie met lantaarns.
Den Grooten Emblemata Sacra, bestaande in meer dan vier hondert bybelsche figuren, zoo des Ouden als des Nieuwen Testaments
Object type: print
Date: 1653 – 1654
Materials: paper
Techniques: etching
Location: antwerp
Subjects: city-view, and landscape with man-made constructions - ii - ideal landscapes, the rape of proserpina (by pluto in his chariot); possibly with diana and minerva trying to rescue her

Stadsgezicht met de roof van Proserpina. Uit de kloof op de voorgrond komt Pluto, de koning van de onderwereld, tevoorschijn. Hij trekt Proserpina op zijn wagen. In de wolken smeekt Ceres bij Jupiter om haar dochter. Onder de voorstelling een verklarende tekst uit de Metamorfosen van Ovidius, boek 5, versregel 388-395. Bovenaan het teken van de Maagd uit de dierenriem. De prent maakt deel uit van een album.
Bladzijde uit een tweezijdig beschreven kasboekje, met tekening bij woensdag 6 juli 1825: stadstafereel met het op straat stellen van een belangrijke vraag van een man aan een vrouw.
Object type: document
Date: 1825 – 1825
Techniques: pen, writing
Location: amsterdam
Artist: pieter ernst hendrik praetorius
Artist role: draughtsman
Artist dates: 1791 – 1876
Portret van Johannes Diderik van der Waals, en profil
Object type: photograph
Date: 1920 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, amsterdam, historical persons
Esquimau
Object type: stereograph
Date: 1859 – 1859
Techniques: albumen silver print, glass negative
Artist: isaac israel hayes
Artist role: artist
Artist nationality: american
Artist dates: 1832 – 1881
Subjects: men
Titelprent met fronton geflankeerd door twee heiligen en twee putti
Object type: titelprent, frontispice
Date: 1647 – 1714
Materials: paper
Techniques: engraving, etching
Location: france
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: other architectural details (with name), saints, cupids: 'amores', 'amoretti', 'putti'
Lier met knots en speer
Object type: print
Date: 1750 – 1811
Materials: paper
Techniques: etching
Location: dresden
Artist: carl friedrich holtzmann
Artist role: print maker
Artist dates: 1740 – 1811
Subjects: lyre, cithara, psaltery, casting weapons: spear, weapons for striking a blow: club
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Sheet with a red geometric and floral pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Tobacco Pouch
Object type: tobacco pouch
Date: 1850 – 1880
Materials: lacquer
Culture: japanese
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, part of handle patch and ground line
Jews of Jerusalem / Juden von Jerusalem / Juis de Jérusalem
Object type: photograph
Date: 1898 – 1910
Materials: paper
Techniques: albumen print
Location: jerusalem
Subjects: adult man, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: number: ‘555’
Traveling triptych
Object type: traveling triptych
Date: 1734 – 1766
Materials: brass, gilt, silver
Techniques: painting
Subjects: christ,saints
Vessel
Object type: fragment
Date: 301 – 700
Materials: alabaster
Culture: coptic
Location: egypt
Portret van Dirk Schelte
Object type: print
Date: 1713 – 1714
Materials: paper
Techniques: engraving
Subjects: dirk schelte, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Schelte, Dirk. De Rym-werken (...). Amsterdam: Hendrik Schelte, 1714.
Pair of ornaments
Object type: ornament
Date: 1701 – 1800
Materials: gilt bronze
Portret van Cornelis Matthiasz van Nieuwstadt
Object type: book illustration
Date: 1614 – 1614
Materials: paper
Techniques: engraving, letterpress printing
Location: leiden
Subjects: the hague, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Illustrium Hollandiae & Westfrisiae ordinum alma academia Leidensis. Leiden: Jacob Marcus en Joost van Colster, 1614.
Glenns Falls (No. 6 of The Hudson River Portfolio)
Object type: print
Date: 1822 – 1822
Techniques: aquatint, hand coloring, printing
Artist: john hill
Artist role: etcher
Artist nationality: american, born england
Artist dates: 1770 – 1850
Subjects: houses,bridges,rivers,waterfalls,trees

Text published with this print tells us that the falls "present to the eye of the spectator immense masses of water, rushing down over broad platforms of rock, in a hundred rival cataracts, and as many different directions...the Hudson in this place, descends, by an almost regular series of capacious steps, forming a variety of cascades of an imposing extent, and of incomparable beauty. The height of the entire fall is estimated at near seventy feet; although, to a superficial observer, this calculation may appear exaggerated, as the number and magnitude of the stoney masses which interrupt the course of the waters, detract considerably from its apparent altitude." This view was taken near a toll bridge that spans the river below the village at Glens Falls, with the Adirondacks visible at the horizon, and comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed—to be issued to subscribers in sets of four—and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School.
Spotprent op de grondwetsherzieing, 1887
Object type: cartoon
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: the hague

Spotprent op de grondwetsherzieing, februari 1887. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 9, 1887.
Copernicus
Object type: drawing and watercolor
Date: 1867 – 1867
Materials: chalk, fiber, graphite, ink, paper, pencil
Techniques: pen, drawing
Location: united kingdom
Artist: james nasmyth
Artist nationality: scottish
Artist dates: 1808 – 1890
Subjects: moon
Fotoreproductie van een schilderij van Isaack van Ostade, 'Boerenherberg met paard aan de trog' (coll. Rijksmuseum)
Object type: photograph
Date: 1889 – 1889
Materials: cardboard, paper, photographic support
Techniques: carbon print
Fotoreproductie van een prent van het grote wijnvat van Heidelberg
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: wooden container: barrel, cask, bucket
Inscriptions: inscription: ‘36,000/ fleschen Wein/ ist 2 mal voll/ [...]’
Two of Hearts, from the Transparent Playing Cards series (N220) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the series "Transparent Playing Cards" (N233), issued in 1888 to promote Kinney Bros. Cigarettes for Kinney Tobacco Company. Some card versos state that there are 52 cards included in the deck whereas other versos confirm the number at 53. Each card verso reads, "Hold to the light/ Read your fortune."
Taferelen uit het Oude Testament
Object type: print
Date: 1776 – 1813
Materials: paper
Techniques: letterpress printing
Location: leeuwarden
Subjects: genesis: the story of joseph, old testament
Inscriptions: collector's mark: Lugt 2760

De afbeeldingen links boven zijn vrije kopieën naar prenten van Lucas van Leyden (Zie New Hollstein nrs. 21 en 23). De tweede afbeelding van linksonder is naar het schilderij 'Michaël en de val van de opstandige engelen' door Rubens (voor prent naar schilderij zie RP-P-OB-70.344).
Voor- en achtergevel en plattegrond
Object type: ornament print
Date: 1559 – 1559
Materials: paper
Techniques: etching
Location: paris
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: façade (of house or building), plan ~ architecture

Voor- en achtergevel en plattegrond. Aanzichten en plattegrond van architectuur. Genummerd: VIII. Onderdeel van 'De architectura Iacobi Androuetii du Cerceau' (1559): 69 etsen met 171 voorstellingen van architectuur en ornamentiek.
Aangemeerde zeilschepen in een haven
Object type: print
Date: 1880 – 1890
Materials: paper
Techniques: etching
Artist: henri seghers
Artist role: draughtsman, painter, print maker
Artist dates: 1848 – 1919
Subjects: harbour, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228
Coin
Object type: coin
Date: 301 – 400
Materials: copper alloy
Culture: byzantine
Subjects: profiles
Fragment of a limestone relief with two standing figures
Object type: relief fragment
Date: 400 – 201
Materials: limestone
Culture: greek, south italian, tarentine
Subjects: men,women

The large fragment, framed on three sides, is the right end of an oblong relief. Shows two figures standing in a frontal position at a cavelike opening which is set against the outer edge of the panel. A woman dressed in a chiton, with her himation pulled over her head and around her waist, stands quietly near the cave extending her right hand to a tall nude male figure with a cloak slung over his shoulder and a round form behind his shoulder which may represent a petasos tied around his neck. The man reaches with his right arm toward whatever was represented next to him on the right and apparently extended his other arm to hold the woman's hand. A ribbon-like form appears to flutter near his right arm and above it the remains of a rounded shape can be seen close to the upper rim of the relief. Since such reliefs are known to come from funerary monuments it is tempting to see the cave as an entrance to the Underworld. The nude figure may well have been Hermes, conductor of souls to Hades. The god is often shown wearing a wide-brimmed traveling hat, holding a deceased person by the hand.
Kapje van geschoren zwart vilt, versierd met een gekrulde draperie van zwart ripslint
Object type: hat
Date: 1950 – 1950
Materials: felt
Location: netherlands
Artist: Anonymous

Kapje van geschoren zwart vilt, versierd met een gekrulde draperie van zwart ripslint. Plat model, met twee naar beneden gebogen punten aan de achterkant.
Verschillende voorstellingen
Object type: popular print
Date: 1828 – 1913
Materials: paper
Techniques: letterpress printing, line block, engraving
Location: netherlands
Artist: Anonymous
Subjects: shop, store, city-view, and landscape with man-made constructions, slide, chute
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van verschillende aard, waaronder een winkel, een marktplein en een Russische glijbaan. Onder elke afbeelding een onderschrift. Onder de eerste afbeelding het onderschrift: Van daag zal men hier uitverkoopen... Genummerd rechtsboven: N. 2.
Histoire de fées et de peau d'ane
Object type: popular print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: magic, supernaturalism, occultism, princess, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen. Boven vier voorstellingen over twee meiden die betoverd worden door een tovenares. Onder acht voorstellingen over een princes die zich verstopt door het aantrekken van de huid van een ezel. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd linksboven: 59.
Scherf van een bord uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: porcelain
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Porcelain, plate, type 1; fragm of rim, sim NG 1980-27H1662.
The Broad River
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: buildings,rivers,mountains,trees,boats
Fragment of a Medallion
Object type: fragment
Date: 1902 – 1902
Materials: jade
Culture: chinese or turkestani