deem-data/ArtiFact huggingface dataset:
Annunciatie
Object type: print
Date: 1577 – 1577
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mary (alone) reading, praying, etc. ~ annunciation
Inscriptions: inscription: ‘Ignis ardens et non Conburens’, collector's mark: Lugt 2228

Maria zit met gesloten ogen en uitgestrekte handen op een stoel in haar slaapkamer. Rechts een lelie in een vaas. De engel Gabriël komt om haar te verkondigen dat zij Christus zal baren. De Heilige Geest in de gedaante van een duif daalt op Maria neer.
Oudtestamentische strijdscènes
Object type: titelprent, frontispice
Date: 1613 – 1613
Materials: paper
Techniques: etching
Location: italy
Subjects: coat of arms (symbol of sovereignty), justitia (justice) as roman personification, fama as roman personification, generosity, liberality; 'generosità', 'liberalità' (ripa), cupids: 'amores', 'amoretti', 'putti', prudentia (prudence) as roman personification
Inscriptions: collector's mark: Lugt 240

Titelprent bij een reeks van 24 prenten met oudtestamentische strijdscènes.
Acanthus Leaf and Flowering Vine Ornament
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: flowers,leaves
Portret van een onbekend meisje, zittend op een stoel
Object type: carte de visite
Date: 1873 – 1917
Materials: cardboard, paper
Techniques: albumen print
Location: linköping
Artist: maria tesch
Artist role: fotograaf
Artist dates: 1850 – 1936
Subjects: girl (child between toddler and youth), anonymous historical person portrayed, chair
Inscriptions: inscription: ‘Maria Tesch/ LINKÖPING/ No. 20, Nygatan No. 20./ F. & N.’
Card Number 172, Alice Gordon, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
The Last Judgment
Object type: print
Date: 1505 – 1505
Techniques: woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: men,angels,christ,last judgement
Girdle plaque
Object type: girdle plaque
Date: 1736 – 1795
Materials: jade
Culture: chinese
Femme à sa toilette
Object type: ansichtkaart, prentbriefkaart
Date: 1924 – 1936
Materials: cardboard, photographic process
Location: chicago
Subjects: making toilet, adult woman (+ back view), mirror
Landscape
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: lithograph
Location: england
Artist: henry richard greville

Henry Richard Greville was not a professional printmaker, but rather one of many aristocrats who pursued lithography as a hobby. Lithography depends upon the antipathy of grease and water, so a lithographer draws on a smooth block of limestone in a greasy medium—crayon or a liquid wash called tusche. When printing ink is applied to the wet stone, it only sticks to the drawn lines. The first collection of lithographs, or polyautographs, Specimens of Polyautography, was published in London in 1801 with pen lithographs by several well-known English artists. After this early start, lithography failed to catch on in England, however, leaving French artists to explore the full range of possibilities of the medium.
9b Toba-meer
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Inscriptions: annotation: ‘9b Toba-meer’
Miniature Square-Headed Brooch
Object type: brooch
Date: 500 – 550
Materials: iron, silver gilt
Culture: anglo-saxon
Location: england

The affinity of these brooches, found in France, with objects from Kent is evidence of the spread of artistic traditions through export or copying.
Study for Figure in Episcopal Visitation
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: henry stacy marks
Artist role: artist
Artist nationality: english
Artist dates: 1829 – 1898
Driesprong in het Wantijpark
Object type: drawing
Date: 2013 – 2013
Materials: charcoal, paper
Artist: rein dool
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1933 – 
Inscriptions: signature and date
Dish with Design of a Court Woman
Object type: vessel
Date: 1701 – 1800
Materials: enamel, porcelain
Location: japan
Suit
Object type: suit
Date: 1799 – 1810
Materials: silk
Culture: french
Breestraat te Leiden door Waardgelders bezet, 1618
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: leiden
Subjects: capture of city (after the siege) (+ variant)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. I, p. 857.
Lotiform Chalice
Object type: chalice, cup, lotiform, relief
Date: 945 – 664
Materials: faience
Location: middle egypt
Subjects: birds,men,bulls,fish,lotuses

The fragrant blossom of the blue lotus is a common motif in all forms of Egyptian art. Because it opened its petals to the sun each morning, the flower became a symbol of creation and rebirth. During the Third Intermediate Period, faience chalices derived from the shape of the blossom and other faience delicacies were decorated with relief scenes evoking a constellation of myths having to do with the birth of the king as child of the sun god out of the watery marsh environment, and thus the renewal of the world out of the flooded land anticipated with the beginning of the Inundation at the Egyptian New Year. Here, against a background of water filled with fish, papyrus clumps and water reeds, the marshes are evoked as a magical environment: the central register shows a man with a calf or cow over his shoulders, a huge water bird, and a horned animal all riding along in a light papyrus skiff without tipping in the least, while in the top register another man separates a horned animal and a huge bull with his bare hands.
A Reconstruction of a View of the Obelisk at the Entrance of the Via Flaminia
Object type: drawing
Date: 1704 – 1704
Materials: chalk, ink
Techniques: brush, incising, pen, wash
Location: italy
Artist: jan goeree
Artist role: artist
Artist nationality: dutch
Artist dates: 1670 – 1731
Subjects: buildings,obelisks,men,profiles
The Entombment
Object type: drawing
Date: 1701 – 1800
Materials: chalk
Artist: johann friedrich overbeck
Artist role: former attribution
Artist nationality: german
Artist dates: 1789 – 1869
Subjects: christ,entombment
Vanitas Still Life
Object type: drawing
Materials: gouache, gum arabic, parchment, watercolor
Artist: herman henstenburgh
Artist role: artist
Artist nationality: dutch
Artist dates: 1667 – 1726
Subjects: skulls,flowers,still life,hourglass
Sound of the Lake at Rinkai (Rinkai kosei), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei)
Object type: woodblock print
Date: 1832 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: houses,lakes,landscapes,boats

Hokusai's prints of the Ryūkyū were probably made to commemorate the Ryūkyū mission's arrival at Edo in November 1832. Although the original gazetteer that inspired Hokusai was in black and white, his series is in exquisite color. We can see not only his use of color to heighten the exotic ambiance of the Ryūkyū Islands, but also his imaginative power to make alien islands familiar in the guise of Eight Views. The artist carefully selected representative elements of the Eight Views, such as moon, sailboats and snow.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 430 – 400
Materials: terracotta
Culture: greek, attic
Portrait of Simon-Nicolas-Henri Linguet
Object type: print
Date: 1780 – 1780
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: men,portraits
La Corniche near Monaco
Object type: painting
Date: 1884 – 1884
Materials: canvas, oil
Artist: claude monet
Artist role: painter
Artist dates: 1840 – 1926
Subjects: road, path, coast
Inscriptions: signature and date: ‘Claude Monet 84’

In Monet’s time La Corniche was a narrow mountain track; nowadays, it is the main road between Nice and Monaco. Here the sun is high, the lone walker’s shadow short. Monet’s colours glisten: red, green, blue – everything shimmers in the sunlight. The painting was given to the Rijksmuseum already in 1900, when Monet’s work was still entirely unknown in the Netherlands.
Amorini at play (one of a pair)
Object type: overdoor
Date: 1770 – 1790
Materials: canvas, oil
Artist: piat joseph sauvage
Artist role: artist
Artist nationality: flemish
Artist dates: 1744 – 1818
Subjects: playing,putti

This pair of grisaille overdoors are painted in the manner of Piat Joseph Sauvage (1744–1818), a Flemish painter, known for his decorative paintings often using trompe l’oeil effects. It is possible that these two overdoors were part of a series representing the four elements. Water and fire are depicted on 07.225.315a – one putto holds an urn from which water flows, traditionally the depiction of a river god, while another holds a flaming torch. Air and earth are depicted on 07.225.315b – several putti play with bubbles, while another collects fruit and a third is frightened by a snake. These overdoors, painted to simulate plaster reliefs, were part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885 the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, Hoentschel sold the collection to J. Pierpont Morgan who gave the overdoors with the rest of the decorator’s seventeenth and eighteenth-century objects to the Metropolitan Museum of Art in 1907.
Sterbender Wanderer, from the series Radierte Skizzen
Object type: print
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: birds,men
Portret van Martinus van Marum
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: delft, haarlem, historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: check stamp: ‘Bekroond door KN instituut vierde classe MDCCCXXXI’
Lendensloop
Object type: lendensloop
Date: 1640 – 1660
Materials: linen
Techniques: lace
Location: northern netherlands

Lendensloop van linnen, entre-deux van kloskant, merk PVL V en I G.
Rivierlandschap met enkele dorpen
Object type: print
Date: 1548 – 1570
Materials: paper
Techniques: etching
Location: low countries
Subjects: village, covered wagon, hooded wagon, rock-formations, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Te midden van hoge rotswanden stroomt een rivier. Op beide rivieroevers liggen enkele dorpen. Linksvoor een boerenhoeve en rechtsvoor trekken twee paarden een gehuifde wagen. Op de rivier liggen enkele boten.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, back, part of left arm, left buttock and thigh, and part of right calf of male to left; in front of right calf, top of stool with drapery?; part of an inscription, XION; Exterior, part of ground line
Collier van goud in twee kleuren
Object type: necklace
Date: 1953 – 1953
Materials: gold
Location: netherlands
Artist: Anonymous
Inscriptions: maker's mark, alloy mark

Collier van gouden baksteenschakels in twee kleuren goud (rood en geel), voorzien van een baksluiting met een veiligheidsacht.
Portret van kunstenaar Edwin Edwards
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: drypoint, etching
Artist: félix bracquemond
Artist role: print maker
Artist dates: 1833 – 1914
Subjects: london, print maker, edwin edwards, tools, implements of graphic artist, easel, artist at work, in his workshop
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Portret van de Engelse kunstenaar Edwin Edwards aan het werk achter een ezel voor het raam. Hij draagt een bril en in zijn linkerhand heeft hij een etsnaald.
Cow Standing in a Swamp
Object type: print
Materials: paper
Techniques: etching
Location: germany
Artist: carl wilhelm kolbe, the elder
Artist role: artist
Artist nationality: german
Artist dates: 1759 – 1835
Hooked Rug
Object type: rug
Date: 1870 – 1870
Materials: cotton, wool
Culture: american
Location: united states
Artist: edward sands frost
Artist role: maker
Artist nationality: american
Artist dates: 1843 – 1894
Subjects: eagles
Pijp van zwarte pijpaarde
Object type: miniature
Date: 1700 – 1799
Materials: clay
Location: gouda
Artist: Anonymous
Seated Man and Swaddled Baby
Object type: drawing and watercolor
Date: 1810 – 1810
Materials: graphite, paper
Location: france
Artist: jacques-louis david
Artist role: draughtsman, painter
Artist nationality: french
Artist dates: 1748 – 1825
Gezicht op de ruïne van Monasterboice
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: monasterboice
Artist: Anonymous
Subjects: ruin of church, monastery, etc.
Inscriptions: number: ‘29.’, inscription: ‘General view of the Antiquities of Monasterboice, County Louth. Ireland.’
Cutter #3743
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portrait of Muhammad Salih Kambu
Object type: album leaf
Date: 1601 – 1700
Materials: paper, watercolor
Location: india
Subjects: men,profiles
Alternate designs for the decoration of a coffered ceiling
Object type: drawing
Date: 1840 – 1897
Materials: gold paint, gouache, graphite, ink, paper
Techniques: inlay, pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Fotoreproductie van een geschilderd portret van Jacob Cats
Object type: reproduction
Date: 1912 – 1912
Materials: paper
Techniques: gelatin silver print
Subjects: the hague, jacob cats (1577-1660), historical persons, portrait of a writer
Inscriptions: inscription: ‘No. 1584/ Jacob Cats/ RM/ Van Leer & CO/ Dec 1912/ Mierevelt’, inscription: ‘'13.’
Het polospel
Object type: drawing
Date: 1600 – 1625
Materials: gouache, paper
Techniques: brush
Location: india
Artist: Anonymous
Inscriptions: inscription

Polospelers. De voorstelling ligt op de rechterkant van een blad dat met blauwe verf voorzien is van een rankenpatroon, rond de voorstelling een opgeplakte lijst van onversierd papier met daaromheen gekleurde kaderlijnen en een goudbiesje in zwarte kaderlijnen; bovenaan een rechthoek met een middenstuk waarop tegen een bloemen- en rankenmotief een in goud geschreven tekst in perzisch schrift staat.
Portret van Rodolphe Josselin de Jong
Object type: photomechanical print
Materials: paper
Techniques: photograph
Subjects: historical persons
Adze
Object type: adze
Date: 1550 – 1295
Materials: bronze, copper alloy, leather, wood
Location: egypt
Reliëfs en beelden van de Beurs van Berlage
Object type: photomechanical print
Date: 1903 – 1903
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: stock exchange, stock-market
Inscriptions: collector's mark: Lugt 1461b

Rechtsboven genummerd: 7. Onderwerpsrubriek binnen de Atlas Amsterdam: B. Beurs op het Damrak.
Borders for Rooms & Halls, Plate 8
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,dogs

Three strips arranged horizontally with various scenes.
Square Shawl
Object type: textile
Date: 1850 – 1850
Materials: cotton, silk, thread, wool
Techniques: bookbinding, dyeing, jacquard, patterning, weave
Location: france
Subjects: fashion
Vase
Object type: vase
Date: 1701 – 1800
Materials: lacquer
Culture: chinese
Subjects: flowers
Figuren in een prauw met een net vol bagage te Accra
Object type: zinkplaat
Date: 1906 – 1945
Materials: zinc
Techniques: etching
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Interior view of the Colosseum, from Views of Rome
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Lactasti sacro ubere
Object type: print
Date: 1570 – 1609
Materials: paper
Techniques: etching
Location: italy
Subjects: madonna: i.e. mary with the christ-child, christ-child suckling, or beginning to suckle, e.g. mary uncovering her breast ~ madonna-representations, 'madonna dell'umiltà' (usually mary suckling the christ-child while sitting on the ground)
Inscriptions: collector's mark: Lugt 240

Maria zit met het Christuskind op schoot en geeft hem de borst.
Stadsgezichten en landschappen in Frankrijk en Italië
Object type: album leaf
Date: 1674 – 1695
Materials: paper
Techniques: etching
Location: france
Subjects: bridge in city across river, canal, etc., city-gate
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Dertien gezichten op het Lago Maggiore
Object type: print
Date: 1786 – 1850
Materials: paper
Techniques: engraving, etching
Subjects: city-view in general; 'veduta', armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the foot and a bit of the lower body of a closed shape
Begraeffenisse van Syne Hoogheyt Frederick Henrick, by der Gratien Gods Prince van Orange, Grave van Nassau &c
Object type: print
Date: 1647 – 1651
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, frederick henry (prince of orange), cortege, funeral procession
Inscriptions: collector's mark

De begrafenisstoet van stadhouder Frederik Hendrik te 's-Gravenhage op 10 mei 1647. Plaat nr. 11 met een deel van de stoet met vaandeldragers en twee paarden, boven de personen staan hun naam en functie. Onderdeel van een serie van 30 platen en 20 tekstbladen, bedoeld om aan elkaar geplakt te worden.
Roma. Monumento a V.E. II
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: four-color autotype
Location: milan
Subjects: monument, statue (+ city(-scape) with figures, staffage), square, place, circus, etc. (+ city(-scape) with figures, staffage), rome
Peacock Throne, from a Set of Initiation Cards (Tsakali)
Object type: religious ritual object
Date: 1301 – 1500
Materials: ink, paper, watercolor
Culture: tibetan
Location: tibet
Judith Slaying Holofernes, from The Power of Women, plate 5
Object type: print
Date: 1551 – 1551
Techniques: engraving
Artist: dirck volckertsz coornhert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1519 – 1590
Subjects: swords,men,women
Molenstandaard
Object type: photograph
Date: 1930 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: colonial system, machines; parts of machines; tools and appliances, java
Inscriptions: date

Een gietstalen molenstandaard, vervaardigd in 1930 en bestemd voor Suikerfabriek Redjosarie bij Madioen op Oost-Java. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Jogyakarta, uit de periode 1908-1942.
Gezicht op de Daibutsu van Kobe
Object type: photomechanical print
Date: 1895 – 1905
Materials: paper
Techniques: photograph
Location: kobe
Artist: kōzaburō tamamura
Artist role: fotograaf
Artist dates: 1856 – 1923
Subjects: buddha, founder of buddhism
Laura Fonta - Laurency - Mourawieff - Rust - Fonta - Laurency - Mourawieff et Merante - Rust
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889