deem-data/ArtiFact huggingface dataset:
Vrouw met kind
Object type: book illustration
Date: 1852 – 1852
Materials: paper
Techniques: etching, engraving
Location: amsterdam
Subjects: mother and child(ren), woman and child(ren) (family group)
Inscriptions: inscription: ‘"Reinen van harte. Uit Aurora 1852.’, collector's mark: Lugt 2228

Prent komt voor in: J.I.D. Nepveu en S.J. van den Bergh (reds.). Aurora; jaarboekje voor 1852. Haarlem: A.C. Kruseman, 1852.
Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, tome 3, tavola 53 from "Le Antichità Romane" (Roman Antiquities)
Object type: album print ornament architecture
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: architecture,tombs,rome

While Piranesi was at work on the Antichità Romane, the result of years of research into the highly developed engineering skills of the Romans, the first threats to Roman preeminence were heard. In the early 1750s, certain French and British scholars and architects had begun to assert that the Romans were mere imitators of the Greeks, under whom all the arts had attained perfection. A desire to defend the Romans from this charge may lie behind the exaggeration that appears in some of the plates of this publication—here Piranesi makes the mausoleum appear much larger than it actually is and exaggerates the difficulty of its construction. This page provides a good example of Piranesi's novel illustrative techniques: he represents three supplemental views on scrolls of paper hung behind the primary scene, while playfully undermining the illusion he has created by making the hook on the left scroll overlap the edge of the sheet.
Landschap met eiken en water bij Noord Deurningen
Object type: print
Date: 1851 – 1910
Materials: paper
Techniques: etching, intaglio
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: trees: oak, brook, sheep, meadow, pasture (+ landscape with figures, staffage)

Rechts staat een vrouw met een parasol in een weiland tussen de schapen.
Frontispiece from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851

Turner created this print to introduce his "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints published between 1807 and 1819 that span the range of landscape's thematic potential. The artist etched and engraved the central image of Zeus transformed into a white bull as he abducts Princess Europa from Tyre, using the scene to symbolize Historical and Mountainous landscape. Easling added mezzotint to the border whose imagery refers to Turner's other categories: vegetation and a basket of eggs refer to Pastoral landscape; fish, oars and a sail suggest Marines, and a low-relief arcade stands for Architectural landscape. Turner's EP category (an abbreviation he never defined in print, but likely intended to indicate Elevated Pastoral) is evoked by classical ruins and a white peacock.
Covered Vegetable Dish
Object type: vegetable dish
Date: 1885 – 1885
Materials: porcelain
Culture: american
Location: united states
Artist: union porcelain works
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1922
Landschap
Object type: copper plate
Date: 1800 – 1899
Materials: copper
Techniques: etching
Artist: g. de mulder
Artist role: print maker
Portret van Gesalec, koning van de Visigoten
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: historical persons, ruler, sovereign

Portret afkomstig van een grote prent, getiteld 'Series Chronologica et Imagines Regu Hispaniae ab Ataulpho ad Carolum II', bestaande uit tien bladen die samengevoegd konden worden, uitgegeven door Giovanni Giacomo de' Rossi in 1685.
Paysage des Flandres
Object type: photomechanical print
Date: 1883 – 1888
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: sailing-ship, sailing-boat, river
Inscriptions: inscription: ‘Section de Bruxelles - Exposition de 1889’
Souvenir spoon with view of Tudor country house and arms of the United Kingdom
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt, silver
Subjects: buildings,coat of arms
Enquêteformulier ingevuld door Jan Baptist Tetar van Elven
Object type: manuscript
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: amsterdam, voorschoten, jan baptist tetar van elven
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Studioportret van een onbekende Javaanse vrouw
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: indonesia
Artist: Anonymous
Subjects: adult woman, historical persons not known by name - bb - woman, indonesia
Inscriptions: number: ‘81’, inscription: ‘Vorstenlanden - Javaansche Vrouw’
Enquêteformulier ingevuld door Charles van Beveren
Object type: questionnaire
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: mechelen, amsterdam, painter, charles van beveren
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Portret van Johan Ernst I, graaf van Nassau-Siegen
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: johan ernst i graaf van nassau-siegen

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Ontwerp voor een stoel
Object type: drawing
Date: 1874 – 1945
Materials: ink, paper, pencil
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: chair
Card Number 233, Clara Primrose, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
The Actor Sawamura Sojuro III
Object type: print
Date: 1794 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: tōshūsai sharaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Subjects: men,actors
Gal. Foy
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, maximilien sébastien foy, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 1999d

Onderdeel van een prentserie over de schilderijenverzameling van Lodewijk Filips, hertog van Orléans - de latere koning Lodewijk Filips I.
Three Putti and Dog in a Landscape
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: attributed to giuseppe diamantini
Artist nationality: italian
Artist dates: 1621 – 1705
Tweemaal een springende poedel
Object type: photomechanical print
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: france
Artist: Anonymous
Subjects: jumping down, dog
Edward L. Burlingame
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Powder Flask
Object type: arm
Date: 1650 – 1650
Materials: silver
Location: germany
Artist: johann georg maucher (workshop)
Cartel clock
Object type: furniture
Date: 1740 – 1745
Materials: brass, bronze, wood
Techniques: gilding
Location: paris
Subjects: (story of) cupid, amor (eros), father time, man with wings and scythe
Inscriptions: signature and date: ‘Richard 1756’, signature: ‘hervé a paris’, inscription: ‘A. Ruplin/ Besançon/ 12-4-1901’, inscription: ‘Baster’, signature: ‘Hervé AParis’, inscription: ‘12-1-1942/ A. van Gelder/ Wessing/ MULDER’

The famous Paris cabinetmaker Cressent trained as a sculptor. He excelled in working with gilt bronze. Surmounting this wall clock is the winged figure of Father Time with his scythe, threatening to cut the thread of life of Cupid, the god of love, who drops his bow and arrow in fear. Cressent created an asymmetrical Rococo composition, built up of a large scroll and motifs derived from nature.
Groepsportret van een muziekensemble op een podium
Object type: photograph
Date: 1911 – 1911
Materials: photographic support
Techniques: gelatin silver print
Location: valkenburg
Artist: johan joachim cohnen
Artist role: publisher
Artist dates: 1885 – 1947
Subjects: small group of musicians, chamber orchestra, jazz band, interior ~ representation of a building
Inscriptions: inscription: ‘Zür Erinnerung (...) Hupfernagel’
Portret van Heinrich Scharbau op 68-jarige leeftijd
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving
Artist: christian fritzsch
Artist role: print maker
Artist dates: 1695 – 1769
Subjects: flowers, bookshelves, historical persons, book
Inscriptions: collector's mark: Lugt 2228
De verordeningen op het bouwen en sloopen
Object type: cartoon
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: building activities, civil law, municipal government, utrecht
Inscriptions: collector's mark: Lugt 2228

Spotprent op de zonderlinge gevolgen en tegenstrijdigheden waartoe een - niet aangenomen - verordening op het bouwen en slopen zou hebben geleid, Utrecht, juni-juli 1857. Acht aparte scènes, elk met een onderschrift en een verwijzing naar het relevante artikel.
Beteugelen van Pegasus
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: pegasus, the winged horse, ornaments ~ art, writer, poet, author
Inscriptions: collector's mark: Lugt 2760, number: ‘15.’, collector's mark: Lugt 2228

Een aantal dichters en schrijvers proberen Pegasus te beteugelen. Op de achtergrond proberen dichters en schrijvers de Parnassus te beklimmen. De voorstelling is gevat in een ornamentele lijst versierd met bladranken, rolwerk, sfinxen, draken, spinnewebben, boeken, een schelp en een mascaron.
Caster
Object type: caster
Date: 1756 – 1756
Materials: silver
Artist: reynier brandt
Artist role: maker
Artist dates: 1734 – 1788
Ensemble
Object type: ensemble
Date: 1856 – 1856
Materials: silk
Culture: british
Reproduction of a Scythian plaque in the form of a reclining stag
Date: 1801 – 1900

Electrotyping is a chemical process used historically to make high quality reproductions of works of art. During the Victorian era, one of the main producers was Elkington & Co. of Birmingham. They were licensed by the South Kensington Museum of London (now the Victoria & Albert Museum) to produce replicas of objects from royal treasuries and museums across Europe. The electrotypes approved by the Department of Science and Art, a British governmental agency, carry Messrs. Elkington’s mark in the form of an official stamp in metal. This modern electrotype is a copy of a gold plaque in the Hermitage Museum, St Petersburg. The original was found in 1830 in the Kul-Oba Kurgan, near Kerch in Crimea. This object, described as a shield plaque or a bow-case ornament, is an expression of the Scythian “animal style.” Six animals are represented on the body of the deer-shaped plaque: a winged griffin on the rump, a hare and a feline on the flank, a hound under the neckline, a raptor for the tail, and a ram protome forming the rear tine of the antler. Three Greek letters are inscribed on the neck of the deer that could correspond to the name of the Greek city Panticapaeum, on the Eastern shore of Crimea, whose ruins are located in modern day Kerch. In the nineteenth century, many museums collected copies of ancient and historical works of art with the aim of presenting outstanding works to a broader public and to serve as inspiration for artists and manufacturers. The Metropolitan Museum of Art, founded in 1870, began to acquire electrotypes in its first decade. In 1883, Henry Marquand, a collector and early patron of the Museum, funded a large purchase from Elkington & Co. of nearly three hundred pieces. Today, these works are part of many departments in the Museum and along with plaster casts reflect the history of collecting and the role of the museum as a locus for the teaching of art history.
Falloux
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, alfred de falloux, historical persons
Inscriptions: collector's mark: Lugt 2228a
Een Pimpelmees en een Koolmees op een tak
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, hand coloring, lithography
Location: netherlands
Subjects: song-birds
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Oriental with Jar
Object type: jar
Date: 1735 – 1735
Materials: soft paste porcelain
Techniques: glazing
Subjects: men,flowers
Bell head
Object type: bell
Date: 1401 – 1900
Materials: copper alloy
Culture: lower niger bronze industry
Location: nigeria
Artist: lower niger valley caster
Artist role: artist
Subjects: musical instruments,faces

Residents of the mineral-rich region south of the confluence of the Niger and Benue Rivers developed technical expertise in copper-alloy casting as early as the ninth century CE. Over time, Igbo-Ukwu, Ile-Ife, and Benin City emerged as renowned casting centers, each responsible for its own tradition of artistry in metalwork. Across this vast cultural zone, trade networks, powerful oracles, and waves of migration contributed to the sharing and cross-pollination of aesthetic ideals. In this context a concentration of provincial casting sites flourished. Art historians have used the term Lower Niger Valley Bronze Industries to refer to the outpouring of stylistically related, yet original works produced by artists at these centers. The copper alloys used in the creation of these bronzes were valued for their rich sonic qualities as well as their warm hue, making them an ideal medium for bells and the jangling insignia used by leaders to augment their presence. Rung to summon spiritual entities or as attributes of powerful individuals, bells make up a great number of Lower Niger Bronzes. Durable and portable, they circulated widely throughout southern Nigeria. Many bells are shaped like human heads, with embellishments that highlight the powers of speech and sight. Others depict animals, possibly as subjects of prestige or sacrifice. One variety of bell head became so popular at the turn of the twentieth century that brass replicas were mass-produced in Birmingham, England, and exported to Nigeria before recirculating on the global art market.
Lucrezia Borgia 1480-1519
Object type: medal
Date: 1505 – 1505
Materials: bronze
Artist: Anonymous
Artist role: artist
Section from the "Qur'an of  `Umar Aqta'
Object type: section from a non illustrated manuscript
Date: 1367 – 1433
Materials: gold, ink, paper, watercolor
Location: uzbekistan
Artist: `umar aqta'
Artist role: calligrapher
Subjects: qur'an,calligraphy

This fragment of a page comes from one of the largest copies of the Qur'an ever produced. Each line of script, written in the muhaqqaq style, is over three feet long, and each page was originally over seven feet tall. This page probably comes from a gigantic Qur'an that the calligrapher 'Umar Aqta' wrote for the ruler Timur (Tamerlane, d. 1405). Apparently Timur was unimpressed after 'Umar Aqta' wrote a Qur'an so small that it could fit under a signet ring, so the calligrapher wrote another Qur'an so large it had to be brought to Timur on a cart.
Hummingbird, from the Birds of America series (N37) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of America" series (N37), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N37 reproduces the cards from N4 in a larger size.
Ontzet van Leiden
Object type: history medal
Date: 1574 – 1574
Materials: silver
Techniques: striking
Location: dordrecht
Subjects: leiden

Zilveren penning. Voorzijde: beleg van Jeruzalem door de koning van Assyrie, wiens soldaten uit tentenkamp vluchten voor een engel met getrokken zwaard binnen omschrift. Keerzijde: gezicht op stad Leiden boven plattegrond met vestingwerken en aftocht van belegeraars binnen omschrift
Heilige Petrus en Heilige Paulus
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Location: rome
Subjects: the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara, the apostle paul of tarsus; possible attributes: book, scroll, sword
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een twintigdelige serie getiteld 'Vita di San Diego dipinta nella Capella di S. Giacomo de Spagnoli a Roma' met scènes uit het leven van Juan Diego Cuauhtlatoatzin door Annibale Carracci in Herrera kapel van de Nostra Signora del Sacro Cuore te Rome. De serie werd in 1646 uitgegeven in Rome.
Gevel van een winkel op de Nieuwendijk te Amsterdam
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: shop, store, façade (of house or building), street

Pagina 17 en pagina 18 uit een schetsboek met 31 bladen.
Portret van Hendrik Engelinus Weyers
Object type: print
Date: 1809 – 1844
Materials: paper
Techniques: lithograph
Location: leiden
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Portret van een man met baard
Object type: photograph
Date: 1860 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: england
Subjects: historical persons
Inscriptions: inscription: ‘Negative No. 22994/ Position No. 5’, inscription: ‘Hills & Saunders/ Photogrpahers/ London (...)’
Imperial Twelve-Symbol Robe for Boy Emperor
Object type: robe, imperial twelve symbol for boy emperor
Date: 1862 – 1908
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
"Plaque from a Tantric Ritual Apron": Chitipati Dancing
Object type: plaque
Date: 1501 – 1600
Materials: bone
Culture: tibetan
Plate
Object type: plate
Date: 1501 – 1600
Materials: brass
Portret van Paul Freher I
Object type: print
Date: 1625 – 1657
Materials: paper
Techniques: engraving
Location: germany
Subjects: augsburg, paul freher (i), historical persons, lawyer, attorney at law, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Cleric with Raised Arms (lower register?; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Object type: drawing
Date: 1801 – 1900
Materials: chalk, paper
Techniques: heightening
Artist: isidore pils
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1875
Subjects: hands,men
The Courtesan Shizuka of the Shizutamaya
Object type: print
Date: 1790 – 1799
Techniques: woodblock print, hashira
Location: japan
Artist: chobunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Cross
Object type: cross
Date: 801 – 1200
Materials: copper alloy
Culture: byzantine
Subjects: cross
Portret van Gillis Valckenier op 50-jarige leeftijd
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: theodor matham
Artist role: draughtsman, print maker
Artist dates: 1605 – 1676
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Buste van Gillis Valckenier, burgemeester van Amsterdam.
Death on a White Horse
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: switzerland
Artist: henry fuseli
Artist role: artist
Artist nationality: swiss
Artist dates: 1741 – 1825
Rachab en de verspieders
Object type: print
Date: 1550 – 1625
Materials: paper
Techniques: engraving
Artist: pieter jalhea furnius
Artist role: print maker
Artist dates: 1540 – 1626
Subjects: rahab, whose house was built in the city wall, lets the spies down from the window by means of a red rope, rahab (not in biblical context); possible attributes: red rope
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, number: ‘17’

De hoer Rachab woonde aan de rand van de stad Jericho. Zij verborg twee spionnen van Jozua in haar huis. Op de voorgrond staat zij met het touw in de handen waarmee zij de spionnen liet ontsnappen. Links op de achtergrond is deze ontsnapping te zien. Onder de afbeelding staat een tweeregelige tekst in het Latijn, links boven de marge genummerd: 6. De prent maakt deel uit van een serie prenten over de Brief aan de Hebreeën hoofdstuk 11.
Profile Bust of a Woman with Flowers in Her Hair
Object type: drawing and watercolor
Materials: crayon, paper
Location: spain
Artist: Anonymous
Fries met vijf putti
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: engraving, etching
Subjects: writing boards, ornamental birds: parrot, book - mm - book open, armillary sphere, skeleton celestial globe, lute, and special forms of lute, e.g.: theorbo, caduceus (staff with two snakes, attribute of mercury), globe, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Fries met vijf putti rondom een verzameling objecten: een luit, mercuriusstaf, boek, blaasinstrument en een schrijftafel met daarop een papegaai. Daarachter een globe en een armillarium.
Milano. Corso Vittorio Emanuele
Object type: album leaf
Date: 1860 – 1890
Materials: paper
Techniques: albumen print
Location: milan
Artist: Anonymous
Subjects: church (exterior), street
Inscriptions: number: ‘3830’
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Object type: print
Date: 1650 – 1700
Techniques: etching
Artist: pietro testa
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1650