deem-data/ArtiFact huggingface dataset:
Gedicht bij een portret van Johannes van der Waeyen op zijn overlijden
Object type: text sheet
Date: 1701 – 1704
Materials: paper
Techniques: letterpress printing
Location: zierikzee
Artist: guillielmus reinvaan
Artist role: predikant
Subjects: franeker, predikant, johannes van der waeyen
Twee zittende Algerijnse vrouwen
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: pen lithography, tone lithography
Location: paris
Subjects: adult woman, sitting on the ground - aa - female human figure

Prent gebruikt voor: La Gazette des Beaux-Arts 19 (1833).
Actress wearing green bodice with dagger, from Stars of the Stage, Second Series (N130) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: daggers,portraits,women,actresses
Twee portretten van twee onbekende meisjes, een met hoed; gevat in een houder van karton
Object type: photograph
Date: 1890 – 1910
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, girl (child between toddler and youth)
The Educational Establishment for Young Women at Auberive, 1885
Object type: medal
Date: 1885 – 1885
Materials: bronze
Techniques: silvered, struck
Artist: louis-oscar roty
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1911
Subjects: girls,women,sewing
Actor Ichikawa Komazô III as Nyosan no Miya (The Third Princess), Ukare Zatô (A Blind Street Performer), and Sakata no Kaidô-maru in “Expanded Summer Festival” (“Zôho natsu matsuri”)
Object type: print
Date: 1791 – 1791
Techniques: woodblock print
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Man met hoed
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Artist: jan chalon
Artist role: print maker
Artist dates: 1738 – 1795
Subjects: head-gear: hat (+ men's clothes), morphology of human expression (+ adult male (human being))
Inscriptions: collector's mark: Lugt 924

Een volwassen man met hoed. Buste naar links.
Twee bladzijden met stalen van sitspapier en metaalpapier met goudkleurige labels en vignetten
Object type: printed paper
Date: 1830 – 1830
Materials: gold leaf, ink, paper
Techniques: printing block, manufacturing
Location: france
Artist: Anonymous
Subjects: ornaments ~ art

Twee bladzijden met 11 opgeplakte stalen van sitspapier en zilverkleurig metaalpapier met labels met Franse teksten in goudkleurig metaalpapier en goudkleurige en ingekleurde vignetten. Eén van de stalen (nr. 866) ontbreekt. Alle stalen voorzien van etiketten met nummers (866-913) en handgeschreven codes. Onderdeel van het stalenboek geschonken door de dames Van Rijn, vermoedelijk van een Franse papierfabrikant van luxe papieren, of diens vertegenwoordiger in Nederland, ca. 1830.
Erepenning voor de Borger Cavalerie te Batavia (keerzijde) 1727
Object type: history medal
Date: 1727 – 1727
Materials: copper
Techniques: galvanoplasty

Verzilverde galvanoplastische afdruk van de keerzijde van de penning, twee gekruisde pieken met vanen, een patroontas en een laars waarboven een zwaard met krans.
Landweg bij Bondoufle
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Subjects: thunderstorm, road, path
Inscriptions: collector's mark: Lugt 2228

Prent uit: Robert, Jules. Album du Salon de 1840. Collection des principaux ouvrages exposés au Louvre (…). Parijs: Challamel & Cie, 1840.
Kalenderblad voor september 1901
Object type: calendar leaf
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: c.a.j. van dishoeck
Artist role: publisher
Artist dates: 1863 – 1931
Subjects: ornaments ~ art, calendar, almanac, fruits: raspberry

Kalenderblad voor september 1901 van de kalender 'Bloem en Blad', met een randdecoratie van bramen.
Studieblad
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932

Pagina 34 uit een schetsboek met 49 bladen.
Dressing jacket
Object type: dressing jacket
Date: 1880 – 1881
Materials: cotton, linen
Culture: american or european
Bord, gevonden bij V.O.C.-schip Witte Leeuw, mogelijk afkomstig van Zeelelie
Object type: plate dish
Date: 1725 – 1800
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Later blue and white Chinese porcelain with flower patterns. Part of a base and cavetto and rim of a plate. A grey white body and grey blue rather accurate painting, under a grey white translucent glaze. Part of the central decoration is visible: a branch with leaves, surrounded by a border of stylized flowers between spirals. On the rim, passing on to the cavetto are large chrysanthemums and leaf scrolls.
A Sculptor Presenting his Statue of Venus and Cupid
Object type: print
Date: 1642 – 1642
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: men,women,cupid,venus
Portret van Anna Wake
Object type: print
Date: 1639 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: anna wake
Inscriptions: collector's mark: Lugt 240, caption: ‘D. Anna Wake’

Portret van Anna Wake, de vrouw van de Antwerpse koopman Peeter Stevens. Buste naar links. Anna Wake is rijkelijk gekleed en heeft een waaier in de rechterhand.
Tray
Object type: tray
Date: 1785 – 1785
Materials: silver
Artist: denis lachèse (or la chèse, lacheze)
Artist role: maker
Artist dates: 1713 – 1813
Wat is 't dat m' in deez' Waereld ziet? / 'T is Aape-spel, en anders niet
Object type: print
Date: 1635 – 1724
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: animals acting as human beings
Inscriptions: collector's mark: Lugt 2228

Twee apen hurken op de grond en maken muziek. De ene speelt op een luit en de andere zingt. Prent uit een serie van zes prenten en een titelprent waarin verschillende menselijke bezigheden door apen voorgesteld worden. Kopieën naar prenten van Quirin Boel, met een toegevoegd vers in het Nederlands onder elke voorstelling.
Vork
Object type: miniature
Date: 1842 – 1898
Materials: silver
Location: doesburg
Artist: b. dellemijn
Artist role: silversmith
Artist dates:  – 1917
Subjects: fork

Vork met drie tanden en een platte steel. De vork hoort samen met een lepel (BK-NM-11177-150-b) in een bestekbak (BK-NM-11177-150-a). De vork is niet gemerkt.
Design for Cabriolet or Victoria, no. 3758a
Object type: drawing
Date: 1882 – 1882
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Enquêteformulier ingevuld door George Andries Roth
Object type: manuscript
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: painter, print maker, draughtsman, george andries roth
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Zeegezicht
Object type: cabinet photograph
Date: 1890 – 1910
Materials: cardboard, paper, ink
Techniques: photograph
Location: scheveningen
Artist: Anonymous
Subjects: beach (as place of recreation)

Onderdeel van Leporelloalbum met opnames van Scheveningen.
Irregular piece
Object type: piece
Date: 1801 – 1833
Materials: wool
Subjects: flowers
Portret van Johann Carl von Thüngen
Object type: book illustration
Date: 1717 – 1717
Materials: paper
Techniques: engraving
Location: frankfurt am main
Artist: elias nessenthaler
Artist role: print maker
Artist dates: 1664 – 1714
Subjects: commander-in-chief, general, marshal, armour, historical persons

Prent uit: Theatrum Europaeum. Frankfurt am Main: erven Carl Gustav Merian, 1717, dl. 15.
Huizen aan een weg langs water
Object type: drawing
Date: 1918 – 1918
Materials: chalk, paper
Artist: pieter h.j.j. ras
Artist role: draughtsman
Artist dates: 1857 – 1941
Subjects: river, country-house
Tijden van de dag
Object type: print
Date: 1660 – 1666
Materials: paper
Techniques: etching
Location: amsterdam
Artist: dancker danckerts
Artist role: print maker
Artist dates: 1633 – 1666
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., inn, coffee-house, public house, etc., rocks, evening ~ other concepts
Inscriptions: collector's mark: Lugt 240

Herder zittend op muilezel drinkt glas leeg terwijl het beest staat te plassen voor een herberg in een rots. Een groepje mannen drinkt en rookt aan een tafeltje voor een rotswand. Prent nummer 3 uit serie van vier prenten met tijden van de dag.
Figuur in de vorm van een dolfijn
Object type: figure
Date: 1700 – 1900
Materials: ivory
Location: china
Artist: Anonymous
Pair of chutes
Object type: chute
Date: 1701 – 1733
Materials: gilt bronze
Angel
Object type: voussoir
Date: 1130 – 1130
Materials: limestone
Culture: french
Location: france
Subjects: angels

Seemingly afloat in midair, with its windblown drapery, this angel once graced the voussoir, or wedge-shaped stone, set in an arch of the portal on the north transept of the cathedral dedicated to Saint Lazarus in Autun. The angel’s attention originally was focused on the scene of Jesus raising Lazarus—patron saint of the cathedral—from the dead, depicted in the tympanum centered over the doorway. The angel is one of a handful of physical remains of the twelfth-century portal, which was replaced with a Baroque doorway in 1776. The main entrance of the cathedral is carved with the name Gislebertus, believed to be the principal author of the sculptural program.
Bernhard of Saxe-Weimar 1604-39
Object type: medal
Date: 1638 – 1638
Materials: silver
Artist: johann blum
Artist role: artist
Artist nationality: german
Artist dates: 1599 – 1689
Munchener platen
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: munich
Subjects: tales and fairy tales (with title)
Inscriptions: collector's mark: Lugt 2760

Blad met 7 voorstellingen over het sprookje van Blaauwbaard. Tekst tussen de afbeeldingen. Genummerd midden onder: Nro. 56. Genummerd rechtsboven: 56.
Design for the painted decoration of a ceiling
Object type: drawing
Date: 1851 – 1900
Materials: graphite, paper, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: flowers
Arm Fragment
Object type: statuette
Date: 301 – 700
Materials: plaster
Culture: coptic
Location: egypt
Subjects: hands
Portret van Antoine d'Orléans, hertog van Montpensier
Object type: print
Date: 1824 – 1868
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Vermoedelijk afkomstig uit: Almanach de Gotha.
The Drama is Making Long Strides / O'er an Oar, from the Jokes series (N118) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,boats

Trade cards from the "Jokes'" series (N118), issued in an unnumbered set of 25 cards ca. 1891 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Man with Hands in Prayer, Seated in Clouds
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: attributed to jean duvet or his circle
Artist nationality: french
Artist dates: 1485 – 1570
The Brothers
Object type: print
Date: 1895 – 1896
Materials: ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men
Ex libris van J.J. Hanrath
Object type: bookplate
Date: 1928 – 1928
Materials: paper
Techniques: linocut
Location: netherlands
Artist: constant joseph alban
Artist role: painter, print maker
Artist dates: 1873 – 1944
Subjects: owls, caduceus (staff with two snakes, attribute of mercury), globe
Inscriptions: signature, date and inscription: ‘J.C. Alban Lin 1928’
Fotoreproductie van een schilderij met een portret van Elizabeth-Rache Félix
Object type: photograph
Date: 1851 – 1859
Materials: paper
Techniques: albumen print
Subjects: adult woman, picture, painting
Gorget
Object type: gorget
Date: 1701 – 1800
Materials: wood
Techniques: lacquer
Culture: japanese
Location: japan
Lykstatie van Haare Koninklyke Hoogheid Anna, Kroon-princesse van Engeland, Douariere van Willem Carel Hendrik Frisso, Prins van Oranje. Gehouden op Vrydag den 23 February 1759, bygezet te Delft
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, anna van hannover, cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

Schutterij van Den Haag, op de achtergrond de Grote of Sint-Jacobskerk te Den Haag. Onderdeel van een serie van 16 platen plus een gedrukte beschrijving van de lijkstatie van de op 23 februari 1759 te Delft begraven prinses Anna van Hannover. Genummerd rechtsonder: 16.
Straat naar de Grote Waterpoort te Delfzijl
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: delfzijl
Artist: johannes gerardus kramer
Artist role: fotograaf
Artist dates: 1845 – 1903
Subjects: street, city-gate
Inscriptions: name: ‘J. G. Kramer’, inscription: ‘Poort van Delfzijl 20 Aug. 1895 prov Groningen’
Italiaans landschap met treurende vrouwen
Object type: print
Date: 1696 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: battle, fighting in general, mourning the dead, landscapes - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 240

Vijf vrouwen in klassieke gewaden treuren bij een tombe. Eén van hen wijst naar links. Op de achtergrond vechtende soldaten.
Arx in Siara
Object type: map
Date: 1645 – 1647
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: earl, johan maurits graaf van nassau-siegen, fortress, maps of cities

Illustratie in: Caspar Barlaeus, Rerum per octennium in Brasilia et alibi nuper gestarum sub praefectura J. Mauritii, Nassoviae, c. comitis... historia, Joannes Blaeu, Amsterdam 1647, plaat nr. 25, p. 68/69. Prent in het exemplaar in de collectie van de Rijksmuseum Research Library, standplaats 330 A 18.
Onze-Lieve-Vrouw van de Heilige Rozenkrans
Object type: popular print
Date: 1700 – 1725
Materials: paper
Techniques: woodcut
Location: ghent
Subjects: madonna in a tree (+ donor(s), supplicant(s), whether or not with patron saint(s)), aids for prayer, e.g. rosary, dominic(us) guzman of calerueja, founder of the order of preachers (or dominican (black) friars; possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star, the virgin and dominican tertiary, catherine of siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata, madonna of the rosary, the (fifteen) secrets of the rosary
Inscriptions: collector's mark: Lugt 2760

Onze-Lieve-Vrouw van de Heilige Rozenkrans. Maria met kind op schoot, rozenkransen in de hand, zittend in de kruin van een boom. Omringd door 15 medaillons voorstellende de mysteriën van de Rozenkrans. Knielend onder de boom de heilige Dominicus en de heilige Catharina van Siena.
Trofee van muziekinstrumenten
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: etching
Location: netherlands
Inscriptions: collector's mark: Lugt 2275

Een clavichord, een portatief en schalmeien. Uit serie, bestaande uit een titelblad en 16 bladen.
Catharina in gebed met duif boven haar hoofd
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: the virgin and dominican tertiary, catherine of siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata
Inscriptions: collector's mark: Lugt 2228

Tijdens Catharina's gebed zweeft een witte duif in stralenkrans boven haar hoofd. Haar vader die dit toevallig ziet is vanaf nu overtuigd van haar bijzondere status en oefent verder geen druk meer op haar uit om ze tot een huwelijk te bewegen. Deel van een serie over Catharina van Siena bestaande uit een titelprent, een portret en 32 genummerde scènes uit haar leven.
Stencil
Object type: stencil
Date: 1801 – 1900
Materials: paper
Culture: japanese
Subjects: butterflies,dragonflies
Jarbeau, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Octagonal bowl with women on a terras and playing boys
Object type: bowl
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘大 明 成 化 年 製’

Achthoekige kom van porselein met ingeknepen hoeken, beschilderd in onderglazuur blauw. Op de buitenwand acht vakken met in elk een vrouw (lange lijs) in een omheinde tuin of op een terras, soms met een ruyi-scepter of waaier in haar hand. Op de bodem twee spelende jongens (zotjes) met een bal in een landschap. De binnenrand met een decoratieve band. Gemerkt met het zes-karaktermerk van keizer Chenghua in een dubbele cirkel. Blauw-wit.
Koperen plaat van een gesp
Object type: fragment
Date: 1200 – 1300
Materials: copper
Location: france
Artist: Anonymous

Koperen plaatje van een gesp waarop de vorm van een vogel is uitgespaard.
Roma - Palazzo dei Conservatori - Testa di Medusa di Bernini
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: rome
Artist: Anonymous
Subjects: permanent exhibition, museum, sculpture
Inscriptions: collector's mark: ‘AFE v S’
Portret van een oude vrouw bij een tafel met fotolijst
Object type: album leaf
Date: 1855 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: old woman, frame of painting, etc.
Inscriptions: inscription: ‘Ct.J.G.’
Wine Glass
Object type: glass
Date: 1749 – 1749
Materials: glass
Techniques: glassblowing, engraving, stippling
Location: england
Artist: frans greenwood
Artist nationality: English or Dutch
Belt Fitting
Object type: belt fitting
Date: 901 – 1000
Materials: bronze
Techniques: casting, gilding, incising
Location: iran

This belt fitting was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Minaret of Shah-e-Alam's Roza in Ahmedebad, Gujarat, India
Object type: photograph
Date: 1865 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: ahmedabad
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘12’, title: ‘Ahmedabad. Shah-Alums Mosque.’