deem-data/ArtiFact huggingface dataset:
Figuurstudies en paardenhoofden
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Subjects: head (human), canals, waters (in city), horse
Inscriptions: workshop stamp: Lugt 291d

Blad 32 recto uit een schetsboek met 16 bladen.
Alexander Suwarow zit bij het vuur
Object type: print
Date: 1797 – 1797
Materials: paper, pencil
Techniques: etching, writing
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: catharina de grote, (military) camp with tents, history, camp-fire; watch-fire
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Historisch-genealogischer Kalender auf das Gemeinjahr 1798. Katharina II. Ein historischer Versuch (...). Berlijn: Johann Friedrich Unger, [1797].
Gezicht op Trompenburgh
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: drypoint, intaglio, pen
Location: netherlands
Artist: jonkheer barthold willem floris van riemsdijk
Artist role: engineer, print maker
Artist dates: 1850 – 1942
Subjects: country-house
Inscriptions: inscription: ‘BWF van Riemsdijk fec’, collector's mark: Lugt 2228

Gezicht op de achterkant van landhuis Trompenburgh te 's-Graveland. De buitenplaats ligt in een vierkante vijver en is volledig door bomen omringd.
Coin Portraying Emperor Tetricus II
Object type: coin
Date: 271 – 274
Materials: bronze, silver
Techniques: silvered
Culture: roman
Location: roman empire
Inscriptions: Obverse: ...RICVS CAE...
Reverse: ...LICA

The front (obverse) of this coin portrays the emperor Tetricus. On the back (reverse) an unidentified figure is depicted standing.
Piece
Object type: piece
Date: 1801 – 1900
Materials: silk
Subjects: flowers,leaves
Portret van Maurice des Ombiaux
Object type: print
Date: 1877 – 1909
Materials: paper
Techniques: etching, intaglio
Artist: louise danse
Artist role: painter, print maker
Artist dates: 1867 – 1948
Subjects: paris, maurice des ombiaux, portrait of a writer
Inscriptions: collector's mark: Lugt 2228, annotation: ‘2m etat; eau-forte originale; épreuve unique; Maurice des Ombiaux - Poëte’
Chlorite pestle
Object type: pestle
Date: 1600 – 1050
Materials: mineral
Culture: cypriot
Reeling Threads
Object type: photomechanical print
Materials: paper
Techniques: photograph, lithograph, hand coloring
Location: tokyo
Subjects: weaving-loom (+ women (labourers)), japan
Inscriptions: inscription: ‘Threads spun (...) so-called hanks.’
A Select Collection of Drawings from Curious Antique Gems
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: etching
Location: london
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: medusa (one of the gorgons), gem, gemstone
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Worlidge maakte prenten voor de serie vanaf ca. 1754. Na zijn dood werden de prenten gebundeld in: Worlidge, Thomas. A Select Collection of Drawings from Curious Antique Gems (...). Londen: M. Worlidge, 1768.
Denarius (Coin) Portraying Empress Faustina the Younger
Object type: coin
Date: 176 – 180
Materials: bronze, copper alloy, metal, silver
Culture: roman
Location: roman empire
Subjects: chariots
Inscriptions: Obverse: DIVA AVG FAVSTINA 
Reverse: CONSECRATIO

The front (obverse) of this coin portrays the head of Empress Faustina the Younger, facing to the right. The back (reverse) depicts a funeral pyre surmounted by a biga (two-horse chariot).
Gezicht op het Winterpaleis in Sint-Petersburg
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Subjects: palace
Inscriptions: name: ‘ST. PETERSBURG. Verlag von E. Linde's Depôt in Berlin’, inscription: ‘Winter Palais’, name: ‘A. FELISCH. S. PETERSBOURG 42. GRANDEMORSKOY.’
Biografie van Gijsbert van Tienhoven
Object type: photomechanical print
Date: 1914 – 1914
Materials: paper
Techniques: letterpress printing, line block
Artist: Anonymous
Subjects: gijsbert van tienhoven, politician, e.g. party leader, amsterdam
Inscriptions: collector's mark: ‘19,20’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [na 1800].
Terracotta fragment of a skyphos (deep drinking cup)?
Object type: skyphos fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Black glaze fragment with two red glaze lines
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 480 – 480
Materials: terracotta
Culture: greek, attic
Artist: berlin painter
Artist role: artist
Subjects: women,nike,lyres

Woman playing the lyre; on shoulder, Nike.
Straatgezicht van de North Bridge Road te Singapore
Object type: carte de visite
Date: 1867 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: singapore
Subjects: street (+ city(-scape) with figures, staffage), singapore
Inscriptions: annotation: ‘Singapore’, inscription: ‘G.R. Lambert & Co./ Photographers/ Singapore’, number: ‘68’
Pectoral Disk
Object type: pectoral disk
Date: 701 – 1200
Materials: gold
Culture: coclé, macaracas
Location: panama
Gezicht op pakhuizen voor nootmuskaat op Bandaneira
Object type: photograph
Date: 1875 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: banda neira
Artist: c. dietrich (fotograaf)
Artist role: fotograaf
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

Exterior, bearded Nereus to right, holding a dolphin in his right hand, and, dolphins swimming; below, five thin black glazed lines; a thick band of black glaze; six black glazed lines
De Raadkamer op het Stadhuis te Amsterdam, zo als de Vroedschap aldaar 's Jaarlyks op den 28ste January vergaderd is / La Chambre de Conseil à l'Hotel de Ville d'Amsteldam, lorsque les Conseillers y sont assemblés annuellement au 28me. Janvier
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: city council, townhall

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, van binnen: Groote zaal, Raadkamer, Schepenkamer, Troonzaal, Mozeszaal, Zitkamer.
Ex libris van dr. Erlach Sándor
Object type: bookplate
Date: 1914 – 1914
Materials: paper
Techniques: printing block
Location: hungary
Artist: gyula kövér
Artist role: print maker
Artist dates: 1883 – 
Subjects: scales, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Engaged cassetta frame on a polyptych panel
Object type: frame
Date: 1380 – 1380
Materials: gilt, wood
Culture: sienese
Artist: siena
Artist role: artist
Artist nationality: siena

Information on Niccolò di Buonaccorso (active 1356, d. 1388) is sparse, but this 'Coronation of the Virgin' is thought to be part of a portable altarpiece he painted circa1380. Two other panels with scenes from the life of the Virgin in a similar style and size and with similar frames are in the Uffizi, Florence and the National Gallery, London. The engaged frame on the Lehman panel has an intact patina. The London frame, unfortunately, no longer has its original surface. On all three frames there is no frieze between the ogee on the top edge and the cavetto on the sight edge of the principal molding, though the pastiglia spandrel give the sense of one. The outer molding supports the cusped pastiglia arch with a strength usually seen in tabernacle frames with pilasters. On the Florence and London panels the arch reflects the architecture depicted in the painting. On the Lehman panel the cusps repeat the curves of the concentric circles of the angels' halos. Unusually, the outer edges of the Lehman frame are silvered and punched. The backs of all three panels are decorated with an identical pattern of diamon-shaped lozenges painted in blue and red on silver.
Pardon in Brittany
Object type: painting
Date: 1896 – 1896
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: gaston la touche
Artist nationality: french
Artist dates: 1854 – 1913
Subjects: women, candleholder, candles, figures, france, headdresses, horse, men, century of progress, world's fairs, chicago world's fairs
Inscriptions: Signed lower left: G. La Touche
Pair of Sake Caskets
Object type: sake casket
Materials: lacquer, wood
Culture: japanese

Coating objects in red lacquer was a common technique in Japan as early as the Heian period (794–1185). During the subsequent Kamakura period (1185–1333), Buddhist monks at Negoro Temple, in present-day Wakayama prefecture, began layering red over black lacquer, producing items known as Negoro wares. This pair of sake casks could be suspended by cords from the two rings at the top for easy transport. Such casks were often congratulatory gifts.
Button
Object type: button
Date: 1880 – 1880
Materials: metal
Culture: british
Subjects: birds
Bottle
Object type: bottle
Date: 1601 – 1700
Materials: glass
Basketry Work: By the Craftsman Ichida Shōshichirō of Naniwa (Kagozaiku Naniwa saikunin Ichida Shōshichirō)
Object type: print
Date: 1819 – 1819
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: peacocks,cats,lions

These prints on the theme of basket subjects by Kunisada (JP212.15–.18) were probably designed in autumn 1819 when an exhibition of basketry was held in the Ryōgoku district of Edo (present-day Tokyo). This exhibition also included a giant figure of Shutendō ji (Drunken Boy Demon), which was portrayed in a Hiroshige triptych.
Evening dress
Object type: evening dress
Date: 1880 – 1880
Materials: silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956
Basket-Hilted Sword
Object type: basket hilted sword
Date: 1730 – 1750
Materials: gold, leather, steel, velvet, wood
Culture: scottish
Location: scotland

The hilt of this sword may have been refurbished and decorated around the time of King George IV's state visit to Scotland in 1822, which sparked a revival in traditional Scottish fashions.
H. Athanasius van Alexandrië, kerkvader
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: blessing (either of things or persons), e.g. by anointing, athanasius the great, bishop of alexandria; possible attributes: book, heretic under feet, scroll
Inscriptions: collector's mark: Lugt 2228, number: ‘39’

De heilige kerkvader Athanasius van Alexandrië, staand op een sokkel. Op de voorzijde een scène waarin hij als jongetje andere kinderen zegend. Prent middenboven gemerkt: III. Deel Pag. 118.
Rocky Landscape with Trees
Object type: drawing
Date: 1603 – 1603
Materials: ink, paper
Techniques: brush, pen
Artist: paulus willemsz. van vianen
Artist role: draughtsman, jeweler
Artist dates: 1570 – 1614
Subjects: trees, forest, wood

Paulus van Vianen’s many landscape drawings are usually recognisable by their delicate penwork. With a brush he added washes of brown or grey ink –and sometimes soft pink or blue-green – to create dream-like vistas. This drawing most likely comes from the same sketchbook as the other work by Van Vianen on display on this wall.
Robert Browning
Object type: page
Date: 1876 – 1881
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait), writer, poet, author
Mechelen
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities, mechelen

Plattegrond uit: Guicciardini, Lodovico. Belgicae sive Inferioris Germaniae, descriptio (...). Amsterdam: Johannes Janssonius junior, 1652. Komt ook voor in: Caert en stedeboexken van Nederlandt. Amsterdam: Jan Janssen Brouwer, 1652.
Portret van Anna Paulowna Romanowa
Object type: print
Date: 1818 – 1845
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: the hague, anna paulowna romanowa

Portret van Anna Paulowna. In de ondermarge haar naam, haar titels en haar handtekening.
Marie Borroughs, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from "World's Beauties," Series 1 (N26), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Blad effen gestreken in groen
Object type: decorated paper
Date: 1800 – 1900
Materials: paper
Techniques: painting
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Sugar bowl
Object type: sugar bowl
Date: 1727 – 1728
Materials: silver
Artist: james tait
Artist role: maker
Artist dates: 1704 – 1704

The globular shape is characteristic of Scottish silver in the early eighteenth century. The teapot (68.141.88) is engraved with the arms, crest, and motto of the Craigannet family of Stirlingshire.
Alexander "Colonel" Ferson, Pitcher, Washington Nationals, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
The Judgment of Paris
Object type: print
Date: 1750 – 1750
Techniques: engraving, etching
Artist: pierre françois tardieu
Artist role: etcher
Artist nationality: french
Artist dates: 1711 – 1771
Subjects: female nudes,juno,minerva,venus,peacocks,dogs,paris
Wandbespanning van lampas met tortelduivenpatroon
Object type: upholstered wall
Date: 1770 – 1790
Materials: silk
Techniques: lampas
Location: lyon
Artist: philippe de lasalle
Artist dates: 1723 – 1805

Smalle fragmenten van een wandbespanning, cersiserood fond met daarop een floraal patroon.
Cunningham, Pitcher, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Groepsportret van een onbekend gezin in een interieur, waarschijnlijk in Nederlands-Indië
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: dutch east indies
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), anonymous historical person portrayed, family life at home, living-room, parlour, sitting-room, dutch east indies, the
Count Van Ranzow's Estate
Object type: drawing
Date: 1785 – 1785
Materials: paper, pencil, watercolor
Techniques: brush
Location: colombo
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: batavia, slavery; serfs and enslaved persons, trees: palm-tree, sri lanka
Inscriptions: inscription: ‘Uitzigt van de kamer alwaar ik logeerde in de tuyn van de graaf van Randzouw naar.. Nov. 18 Ao 1785’

Kleurtekening van een erf met klapperbomen en een wit gebouw met rood pannedak, in blauw pak vermoedelijk Jantje, de zoon van de tekenaar. Op de achtergrond slaaf gemaakte mensen. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 29.
Hinge
Object type: hinge
Date: 1700 – 1800
Materials: iron
Tweezers and ear spoon (part of a set)
Object type: tweezer and ear spoon
Date: 1848 – 1849
Materials: steel

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Waterkan met tuit in vorm van dierenkop
Object type: waterkan
Date: 1575 – 1625
Materials: brass, copper, lead
Techniques: brazing, casting
Location: italy
Artist: Anonymous

Het voorwerp is samengesteld uit de volgende delen: het uit rood koperplaat gedreven vat en deksel, de uit geel koper gegoten, met lood verstevigde voet, de tuit, de hals en de dekselknop. De verhoudingsgewijs kleine krachtig geprofileerde ronde voet, die aan de voorkant langs de rand rechts is afgesneden, contrasteert met het onversierde ronde vat, dat onder eivormig en boven plat-bol is. De ronde hals heeft een holronde opbouw met krachtig geprofileerde randen onder- en bovenaan. Daartegen is het ronde hanvat gebraseerd, dat bovenop achtvlakkig is met een geprofileerde nodus in het midden. De met een ronde knop versierde deksel is platbol en glad. De tuit wordt gevormd door een in twee delen gegoten spuwer van geel koper in de vorm van een dierenkop met een cartouche en blank schild.
Centaur Aiming at the Clouds
Object type: print
Date: 1895 – 1895
Materials: paper, ink
Techniques: lithograph, printing
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Au bord de la haie
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithography
Location: paris
Subjects: garden, goat
Inscriptions: collector's mark: Lugt 2233, check stamp: Lugt 36a

Prent gebruikt voor: Les Artistes anciens et modernes, dl. 8, 1858.
Ribbon
Object type: ribbon
Date: 1701 – 1900
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the upper torso and extended right forearm and hand of a figure to right
Landscape in Blue and Green
Object type: hanging scroll
Date: 1899 – 1899
Materials: ink, silk
Culture: japanese
Artist: okuhara seiko
Artist role: artist
Artist nationality: japanese
Artist dates: 1837 – 1913
Border (From a Cover)
Object type: textile
Materials: linen
Techniques: lace, weave
Location: england
Card Number 40, Thursby, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Bead
Object type: bead
Date: 670 – 330
Materials: glass
Culture: roman
Crucified Christ
Object type: corpus
Date: 1125 – 1150
Materials: copper alloy, gilt
Techniques: casting
Culture: french or british
The Play-Within-A-Play
Object type: print
Date: 1835 – 1835
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: shakespeare,men,women,hamlet

In 1834 Delacroix began a series of lithographs devoted to Hamlet, creating moody images that mirror the troubled psyche of the prince. Choosing key scenes and poetic passages, the artist's highly personal and dramatic images were unusual in France, where interest in Shakespeare developed only in the nineteenth century. Here we see the famous episode in act 3, scene 2, where Hamlet arranges for visiting players to perform a drama about fratricide, in order to prick his uncle's conscience. During the performance, the prince remarks offhandedly, "Tis a knavish piece of work, but what of that?...it touches us not...He poisons him...for his estate." Tones that range from deepest blacks to pale grays subtly underscore the king's guilty discomfort. Gihaut frères published the artist's thirteen-print set in 1843, with a second expanded edition of sixteen issued by Bertauts in 1864. Cooly received at first, the prints eventually were recognized as one of the artist's most significant achievements.
Twee mannen
Object type: sketchbook leaf
Date: 1930 – 1938
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: adult man

Eén van de mannen heeft zijn handen voor zich op tafel gelegd. Blad 4 verso uit een schetsboek met 9 bladen.
Twee vissersboten op zee
Object type: drawing
Date: 1870 – 1931
Materials: chalk, paper
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: ships (in general)
Aangemeerde schepen
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: ships (in general)

Pagina 16 uit een schetsboek met 17 bladen.
Beloning van de Groninger studenten, uitgetrokken op veldtocht tegen België, door curatoren van de Hogeschool Groningen 1831
Object type: history medal
Date: 1831 – 1831
Materials: iron
Techniques: casting
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879

IJzeren afgetsel van een penning, op de voorzijde een rustende leeuw naar rechts, met omschrift, op de keerzijde zes regels tekst tussen samengestrikte lauwer- en eikenkransen.
Algerijnse mannen, zittend in een kring
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil, watercolor
Techniques: brush
Location: biskra
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, africans, adult man

De mannen dragen traditioneel Noord-Afrikaans kostuum. Pagina 50 uit een schetsboek met 32 bladen.
Leytsendam
Object type: book illustration
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: prospect of village, silhouette of village, sailing-ship, sailing-boat, church (exterior)
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 107.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Soup Plate
Object type: soup plate
Date: 1785 – 1790
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,coat of arms

This object belongs to a large dinner service (10.149.1–.248) bearing the Townley family coat-of-arms. The service, probably ordered by Justice Samuel Chase (1741–1811) of Annapolis, Maryland, displays the enamel-painted arms of Margaret Townley, Chase's aunt.