deem-data/ArtiFact huggingface dataset:
Lentoid Bottle ("New Year's Bottle")
Object type: bottle, new year's bottle
Date: 664 – 332
Materials: faience
Location: egypt

This flask was purchased with a bronze neck and handles attached that were later determined not to belong to the piece; it would originally have had a short neck, perhaps in the shape of a papyrus or lotus column, with two handles or heraldic animals (see, for example, 10.130.2016). A floral garland is depicted around the shoulder, and a single column of inscription on one side references the New Year's festival. It is of a type known as a "New Year's Bottle," thought to have been filled with water from the Nile and given as a gift.
Portret van Conrad Hacke
Object type: print
Date: 1820 – 1831
Materials: paper
Techniques: engraving
Location: the hague
Subjects: historical persons
A Windy Day
Object type: print
Date: 1767 – 1768
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Embroidered picture with mythological scenes
Object type: embroidered picture
Date: 1702 – 1702
Materials: canvas, metal thread, silk, wool
Subjects: human figures,animals,birds,unicorns
Weg naar Zuikertuintje
Object type: photograph
Date: 1906 – 1910
Materials: photographic support
Techniques: photography
Subjects: zuikertuintje, curaçao
Inscriptions: inscription: ‘Weg naar Suikertuintje 't Rooi Catootje Curaçao Juni 1910 / de Heer Resler’

De weg naar het Zuikertuintje in het buurtschap Rooi Catootje in Willemstad, Curaçao, juni 1910. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Mercurius strooit boeken over de aarde
Object type: book illustration
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: specific aspects, allegorical aspects of mercury; mercury as patron
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt in: Téos, Anacréon de. Les odes d'Anacreon et de Sapho. [Vertaald uit het Grieks door] François Gacon. Rotterdam: Caspar Fritsch en Michael Böhm, 1712.
Gezelschap aan een tafel, Batavia
Object type: album leaf
Date: 1932 – 1932
Materials: paper
Techniques: gelatin silver print
Location: batavia
Artist: Anonymous
Subjects: amsterdam, reading, garden, batavia
A Cabriolet with a Groom Parked Beside an Outhouse [A Gig], from The Rhedarium, or, A New Book of Horses and Carriages
Object type: print
Date: 1784 – 1784
Techniques: etching, stippling
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: horses,carriages
Schetsboek X met 43 bladen
Object type: sketchbook
Date: 1890 – 1920
Materials: cardboard, chalk, charcoal, leather, linen, paper, pencil, watercolor
Techniques: brush
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: billiards, ass, donkey
Inscriptions: collector's mark: Lugt 2228, retailer's mark: ‘W.M. Stam / Schilder- en / Teekenbehoeften. / Papestraat 15 / Den Haag’

Bladen 4(V), 5(R), 8(V), 9(V) t/m 11(R), 14(V) t/m 17(V), 20(R), 21(V), 22(R) t/m 24(R), 26(V), 27(R), 30(V), 31(R), 34(V) t/m 39(R), 40(V), 41(R), 42(V), 43(R) en beide schutblad zijn blanco en daarom niet beschreven.
Landscape with Cottage
Object type: print
Date: 1597 – 1598
Techniques: woodcut
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: birds,houses,men,women,dogs,landscapes,trees

The Haarlem artist Hendrick Goltzius was apparently first drawn to the subject of landscape by the scenery he saw on his trip to Italy in 1590 and by his exposure to landscape drawings, prints, and paintings in Venice and Rome. For his woodcut landscapes, the Venetian example of Domenico Campagnola (1500–1564) was especially important. Back in Holland, Goltzius paid fresh attention to Flemish landscapists, including Antwerp printmakers such as Hans Bol (1534–1593), who spent his last years in Amsterdam. During the 1590s Goltzius drew both imaginary (usually mountainous) and naturalistic landscapes, the latter mostly of Dutch terrain. Landscape with Cottage is from "The Four Small Landscapes," a set of woodcuts made about 1597–98. The prints reveal virtuoso variation in topography: a watermill beside a mountain stream; a chapel amid towering rocks by a rough sea; shepherds in a hilly landscape with twisted trees; and this view of a rustic peasant cottage. Goltzius' colleague in Haarlem, Karel van Mander (1548–1606), had just (in 1597) published a translation of Virgil's Georgics and Bucolics (Eclogues), on the theme of mankind's encounter with the natural world (ranging from pastoral to perilous), with fourteen illustrations by Goltzius. Prints like this one, with its rhythmic lines and tonal palette (printed by a line block in black and two tone blocks), must have made a great impression on Haarlem landscape paintings of the 1620s, for example Jan van Goyen's Sandy Road with a Farmhouse, of 1627 (1972.25), and Pieter de Molijn's Landscape with a Cottage, of 1629 (95.7).
Portret van Hieronymus Wilhelm Schlüsselfelder von Kirchensittenbach
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Broadsheet with Christ in the cross flanked by two angels
Object type: print
Date: 1910 – 1910
Techniques: letterpress
Artist: Anonymous
Artist role: artist
Subjects: angels,christ,cross

Indistinct artist's name and date along bottom of image. Possibly 'Posada Mex 1910'.
Vrouwen met kind en twee mannen
Object type: sketchbook leaf
Date: 1860 – 1866
Materials: paper, pencil
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: adult woman, child (+ female (human being) (not to be used where -aa- is prescribed)), adult man

Links twee vrouwen en een meisje. Rechts twee mannen met hoge hoeden. Blad 2 recto uit een schetsboek met 44 bladen.
Weg tussen Honselaarsdijk en Naaldwijk
Object type: print
Date: 1696 – 1717
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis danckerts (ii)
Artist role: print maker, publisher
Artist dates: 1664 – 1717
Subjects: church (exterior), road, path
Inscriptions: collector's mark: Lugt 2233

Weg langs een sloot met wandelaars, ruiters en rijtuigen. Rechts een bos, links weilanden met koeien, op de achtergrond de kerk van Naaldwijk. Rechtsonder genummerd: 13. Prent uit een serie van zestien prenten van Paleis Honselaarsdijk.
Magasin des Modes Nouvelles Françaises et Anglaises, 20 septembre 1787, Pl. 2
Object type: fashion print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (+ women's clothes), ear-rings (+ women's clothes), cut flowers; nosegay, bunch of flowers, head-gear: cap (+ women's clothes), fashion plates, gloves, mittens, etc. (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)

Twee vrouwenbustes met op het gekrulde haar een muts: waaiervormige muts of demi-bonnet à l'éventail (links) en een grote roze muts met witte veren (rechts). De prent maakt deel uit van het 31e Cahier, 2e année, uit de serie Magasin des Modes Nouvelles Françaises et Anglaises. De serie bestaat uit 172 modeprenten, uitgegeven door Buisson, Parijs, 20 novembre 1786 - 21 décembre 1789.
Kalenderblad september met twee vogels
Object type: calendar leaf
Date: 1907 – 1907
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: walker and runner birds, september ~ other concepts
Inscriptions: collector's mark: Lugt 2228
Fortitude (Die Sterck), from "The Seven Virtues"
Object type: print
Date: 1498 – 1531
Techniques: woodcut
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
Subjects: profiles,women
De Sociëteit
Object type: photograph
Date: 1895 – 1898
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: club, meeting place
Inscriptions: inscription: ‘De Sociëteit.’

Sociëteit Het Park te Paramaribo. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Disk Brooch
Object type: disk brooch
Date: 601 – 700
Materials: copper alloy, glass, paste
Culture: carolingian or frankish
Coupe or Brougham (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: graphite, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Louis XV
Object type: medallion
Date: 1818 – 1818
Materials: biscuit, paste, porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: men,profiles
Bead with figure of a goddes (Aphrodite Anadyomene?)
Object type: amulet, aphrodite
Date: 100 – 100
Materials: glass, gold foil
Location: egypt
Subjects: goddess

Gold glass beads were a Hellenistic development. They were created by combining drawn tubes of colorless glass with gold foil. The earliest examples were finished bead by bead. These are all modern stringings; most ancient stringing patterns are lost as the string decays.
Damesklomp met een dekkende mosgroene verf beschilderd versierd met vrucht en bladranken
Object type: womenswear
Date: 1830 – 1870
Materials: iron, leather, paint, wood
Techniques: cutting, painting, tanning
Location: northern netherlands
Artist: Anonymous

Damesklomp met een dekkende mosgroene verf beschilderd. Model: De voorschoen loopt smal toe en eindigt in een vierkante neus. Leren versierde band over de wreef aan beide kanten vastgemaakt met twee spijkertjes. Binnenkant schoen ongeschilderd hout. Houten zool en zwart geschilderde lage hak. Versiering: Op de voorvoet zijn in reliëf ranken met bloemen en bladeren gesneden.
Romeinse baden in de Jardins de la Fontaine in Nîmes
Object type: album leaf
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: nîmes
Artist: Anonymous
Subjects: public baths, public gardens, park

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en Zuid-Frankrijk.
Fotoreproductie van een schets van twee kinderen door Albert Hendschel
Object type: reproduction
Materials: photographic support
Techniques: albumen print
Location: frankfurt am main
Subjects: child (+ two persons)
Inscriptions: number: ‘33’, monogram: ‘AH’

Deze foto maakt deel uit van een omslag met 50 foto's op 48 bladen, een lijst van afbeeldingen en een titelblad.
Stoffer, met rechthoekige rug en trapeziumvormige steel
Object type: whisk broom
Date: 1675 – 1699
Materials: wood
Location: amsterdam
Artist: Anonymous

Een stoffer van palissanderhout en varkenshaar; rechthoekige rug en trapeziumvormige steel, met bovenaan kleine inkepingen (voor touw?).
Portret van Ursula paltsgravin van Veldenz-Lützelstein
Object type: book illustration
Date: 1590 – 1650
Materials: paper
Techniques: letterpress printing
Location: germany
Artist: Anonymous
Subjects: historical persons - bb - woman

Onder het portret een achtregelig vers in het Duits.
Dress and belt with awl case
Object type: dress
Date: 1870 – 1870
Materials: bone, brass, glass, leather, metal, shell
Techniques: tanning
Culture: wasco
Location: united states

Plateau cultures thrived in the hilly steppe region between the Cascades in Washington and Oregon and the Rockies in Idaho and Montana. Garments of superior craftsmanship incorporating trade goods, such as this example, expressed personal identity and a family’s high status. The woman who made this two-hide dress lavishly covered the torso and sleeves with black-and-white beadwork, which she framed with fringes embellished with glass beads, cowry shells, bone, and two highly prized elk canines. The dress is accompanied by its own belt and awl case: awls were among the tools that women used in the preparation of animal skins.
Gezicht op de Waterkant, Paramaribo
Object type: carte de visite
Date: 1866 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: paramaribo
Artist: ferdinand harten
Artist role: publisher
Subjects: coast
Inscriptions: signature: ‘Harten’, inscription: ‘Suriname’
Anna Maria
Object type: print
Date: 1649 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: vienna, maria anna van oostenrijk (koningin van spanje)
Inscriptions: collector's mark: Lugt 2228

Een portret in boogvormige nis van Maria Anna van Oostenrijk, koningin van Spanje. Buste naar links. Onder het portret een Latijns onderschrift met de naam van de geportretteerde.
Fragment of edging
Object type: edging fragment
Date: 1501 – 1600
Techniques: lace
Vrouwenhoofd met hoed, 1875, No. M.37
Object type: fashion print
Date: 1875 – 1875
Materials: paper
Techniques: hand coloring, lithograph
Artist: Anonymous
Subjects: flowers, border, ribbon, braid (+ women's clothes), head-gear (+ women's clothes), neck-gear: collar (+ women's clothes), fashion plates

Buste van vrouw met een hoed versierd met bloemen en linten. Opstaande gerimpelde kraag.
Serving Spoon
Object type: spoon
Date: 1760 – 1760
Materials: silver
Culture: american
Location: united states
Artist: nicholas roosevelt
Artist role: artist
Artist nationality: american
Artist dates: 1715 – 1769
Roundel
Object type: roundel
Date: 1536 – 1536
Materials: glass
Subjects: men
Christus wordt aan het kruis genageld
Object type: print
Date: 1582 – 1586
Materials: paper
Techniques: engraving, hand coloring
Location: antwerp
Subjects: flowers, animals, the erection of the cross: christ is nailed to the cross which lies on the ground
Inscriptions: collector's mark: Lugt 2228

Christus wordt door twee mannen aan het kruis genageld. Soldaten te paard kijken toe. De voorstelling is gevat in een ornamentele omlijsting die is gedecoreerd met dieren en bloemen.
Paulus en Virginia kijken naar de zon
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: garden, sunrise, sunset
Inscriptions: collector's mark: Lugt 2228

In een tuin kijken Paulus en Virginia van achter een struik naar de zon. Illustratie bij het verhaal 'Paul et Virginie', over de liefde tussen een blank meisje en een blanke jongen die begin 18e eeuw samen opgroeien in een Franse kolonie.
Grote landschappen
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: trees, landscapes
Inscriptions: collector's mark: Lugt 240

Een man en zijn hond rusten uit voor een knoestige boom met veel gebladerte.
Playground in a Mill Village (Playground in a Tenement Alley), Boston
Object type: photograph
Date: 1909 – 1909
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards
Inscriptions: Unmarked recto; stamped and inscribed verso, across left half, sideways, in black ink and graphite: "LEWIS W. HINE / INTERPRETIVE PHOTOGRAPHY / HASTINGS-ON-HUDSON, NEW YORK [stamped in black ink] / Playground in a mill village / "   "  a Tenement alley"; inscribed verso, upper left, sideways, in graphite: "99 / 15"; verso, center, sideways, in graphite: "3 [encircled]"
Groote zilverreiger
Object type: print
Date: 1921 – 1921
Materials: paper
Techniques: woodcut
Artist: henri verstijnen
Artist role: draughtsman, print maker
Artist dates: 1882 – 1940
Subjects: shore-birds and wading-birds: heron
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Houtsnede (peren)’
Cylinder seal
Object type: cylinder seal
Date: 1500 – 1101
Materials: stone
Culture: cypriot
Location: cyprus
Subjects: women,lions,trees
Ferry on the Rokugo River
Object type: print
Date: 1784 – 1784
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Landau #767
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Reliëfs in de Loggia van Rafaël
Object type: print
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: triton(s), monsters of the sea, satyr(s) (in general)

Prent uit een reeks naar de gipsen reliëfs door Rafaël en uitgevoerd door zijn assistenten in de Vaticaanse Loggia.
Corsesca
Object type: arm
Date: 1540 – 1540
Materials: brass, leather, steel, wood
Culture: italian
Location: italy
Vase with animal-masks
Object type: vase
Date: 1701 – 1800
Materials: glaze, porcelain
Culture: chinese
Laocoöngroep in de Vaticaanse Musea te Vaticaanstad
Object type: photograph
Date: 1870 – 1880
Materials: photographic support
Techniques: gelatin silver print
Location: vatican museums
Artist: Anonymous
Subjects: laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice, sculpture
Groep figuren, mogelijk een menigte
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, adult man

Pagina 35 uit schetsboek XXIX met 44 pagina's.
Ponte dei sospiri
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: canals, waters (in city), bridge
Inscriptions: number: ‘9.’
Fleures Persannes
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: etching
Location: paris
Subjects: flowers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent is onderdeel van een serie van zes.
Honey bowl
Object type: honey bowl
Date: 1701 – 1800
Materials: glass
Subjects: birds
Filips II en Isabella, koning en koningin van Spanje, rekenpenning van de rekenkamer van Vlaanderen te Rijssel
Object type: jeton
Date: 1560 – 1560
Materials: copper
Techniques: striking
Location: flanders
Artist: Anonymous
Subjects: philip ii of spain, lille

Koperen penning. Voorzijde: ruitvormig wapenschild binnen omschrift. Keerzijde: gekroond wapenschild omhangen met orde van Gulden Vlies binnen omschrift
Schaal, ovaal, van bergkristal. De twee oren en de voet van verguld zilver met edelstenen
Object type: dish
Date: 1600 – 1699
Materials: silver
Techniques: gilding
Location: germany
Artist: Anonymous

Bowl. Rock crystal, silver-gilt, diamonds and rubies. Germany, c. 1600-1700.
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1925
Materials: ink, paper
Techniques: pen, writing
Location: charlottenburg
Artist: wilhelm von bode
Artist role: conservator, kunsthistoricus, museumdirecteur
Artist dates: 1845 – 1929
Subjects: amsterdam, painter, draughtsman, designer, jan veth, family life, diseases
Inscriptions: watermark, collector's mark: ‘RPK’