deem-data/ArtiFact huggingface dataset:
Design for Phaeton/Chariotte, no. 151
Object type: drawing
Date: 1850 – 1874
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Scherven van borden uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A dish without a flattened rim. An eight-sided thickly drawn medallion. A central decoration of a grasshopper on a rock under a flower. The medallions decorated alternately with thrice a flower or fruit and twice a symbol.
Landschap met twee koeien bij een grote eik
Object type: print
Date: 1767 – 1835
Materials: paper
Techniques: etching
Artist: carl wilhelm kolbe (i)
Artist role: print maker
Artist dates: 1757 – 1835
Subjects: cattle, lower plants, trees: oak
Inscriptions: collector's mark: Lugt 2228, collector's mark, collector's mark: Lugt 2760

Onderaan de grote eik staat een volgroeide grote klit.
Rug
Object type: textile
Date: 1892 – 1892
Materials: fiber, thread
Techniques: weave
Location: united states
Seal, amygdaloid
Object type: seal, amygdaloid
Date: 1650 – 1500
Materials: gemstone
Culture: minoan, crete
Apollo standing at the left, his hand resting on the shoulder of Hyacinthus, Cupid in the lower right
Object type: print
Date: 1506 – 1506
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: male nudes,cupid,apollo
IJsgang in Mülheim aan de Rijn, 1784
Object type: print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: drift ice
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Naauwkeurige beschryving der overstroomingen, benevens derzelver treurige gevolgen (...) in den jaare MDCCLXXXIV voorgevallen. Leiden: F. de Does, Amsterdam: I. de Jongh, 1785.
Twee vrouwen met draperie
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: adult woman

Reproductie van een fresco in Pompejaanse stijl. Twee vrouwen met draperieën, in antieke stijl.
Portret van Nicolaas Fonteyn
Object type: print
Date: 1630 – 1670
Materials: paper
Techniques: engraving
Subjects: (human) skull, historical persons, book - mm - book open, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: inscription: ‘(...) "Hij bloeide omstreeks 1630" Jöcher. "1640 Inspector Collegii Medici te Amst." (...)’, collector's mark: Lugt 2228

Met vierregelig vers in het Latijn onder het portret, gedrukt van een aparte plaat.
Portret van Christian Ludwig von Hagedorn
Object type: print
Date: 1801 – 1858
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: painter, christian ludwig von hagedorn, historical persons
Inscriptions: collector's mark: Lugt 2228
Illustratie bij Canto IX van Tasso's 'Gerusalemme Liberata'
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: the archangel michael (often in armour with sword or lance), battle, warfare; military affairs (+ cavalry, horsemen), militant proselytizing: religious war, crusade, etc., (scenes from) specific works of literature: tasso, gerusalemme liberata, knight
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van twintig prenten (+ opdracht) met voorstellingen van scènes uit Tasso's 'Jeruzalem verlost', een episch gedicht geschreven door de Italiaanse dichter Torquato Tasso en voor het eerst gepubliceerd in 1581. Het verhaal vertelt grotendeels in fictie over de Eerste Kruistocht waarin de christenen, geleid door Godfried van Bouillon, de strijd aangaan met de moslims om het Beleg van Jeruzalem.
Journal des Dames et des Modes, Costumes Parisiens, 3 août 1805, An 13, (658): Chapeau Paré (...)
Object type: fashion print
Date: 1805 – 1805
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: head-gear (capote) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: caption: ‘1, Chapeau Paré. 2, Bonnets de Lingères. 3, Capote de Taffetas à Dentelle de Paille. 4, Capote de Taffetas. 5, Capote de Sparterie et taffetas. 6, Bonnet de Crêpe. 7, Chapeau de Taffetas et Paille.’, title: ‘Costumes Parisiens.’

Twaalf afbeeldingen van zeven typen hoofddeksels, genummerd één tot en met zeven. 1, 'Chapeau paré'. 2, 'Bonnets de lingères'. 3, Capote van tafzijde 'à dentelle de paille'. 4, Capote van tafzijde. 5, Capote van 'sparterie' (gevlochten plantenvezels) en tafzijde. 6, Muts van crêpe. 7, Hoed van tafzijde en stro. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Envelop aan Anne Marie Louise van der Linden
Object type: envelope
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: camille redon-falte
Artist dates: 1853 – 1923
Subjects: anne marie louise van der linden

Envelop behoort tot een album samengesteld door weduwe Françoise W.M. Barones van der Borch van Verwolde met afschriften van brieven met betrekking tot (de familie van) Odilon Redon. De envelop werd bewaard op pagina 186.
Panoramisch gezicht op Den Haag
Object type: print
Date: 1663 – 1670
Materials: paper
Techniques: etching
Location: the hague
Artist: cornelis elandts
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1687
Subjects: church (exterior), windmill, prospect of city, town panorama, silhouette of city, boat propelled by man or animal, the hague
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Deze prent is oorspronkelijk uitgegeven als onderdeel van de rand van de zogenaamde figuratieve kaart van Den Haag uit 1681-1682 (zie RP-P-AO-12-9D). De rand bestond uit een gezicht op de stad en veertien kleinere gezichten in en om Den Haag.

De vijftien prenten van de rand zijn later ook gebruikt in: Aa, Pieter van der. La galerie agreable du monde (...). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 18 en 19. De huidige prent komt voor in dl. 19.

Voor de overige prenten van de rand, zie: RP-P-AO-12-8-2, RP-P-OB-50.201, RP-P-OB-50.202, RP-P-OB-50.203, RP-P-OB-50.204, RP-P-OB-50.205, RP-P-OB-50.206, RP-P-OB-50.207, RP-P-OB-50.208, RP-P-OB-50.209, RP-P-OB-50.210, RP-P-OB-50.211, RP-P-OB-50.212, RP-P-OB-50.213, en RP-P-OB-50.214.
Head of a pastoral staff
Object type: photomechanical print
Date: 1867 – 1872
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: insignia of bishop, e.g. mitre, crozier, sculpture (+ relief ~ sculpture)
Inscriptions: inscription: ‘Fourteenth Century.’, number: ‘No. 214-65.’
The Virgin at top center in clouds with clasped hands and right foot raised, surrounded by cherubin; below, the twelve apostles stand together gesturing upwards
Object type: print
Date: 1517 – 1517
Techniques: engraving
Location: venice
Artist: domenico campagnola
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1564
Subjects: men,putti,angels,apostles,virgin mary
A Dutch Gentleman, after Adriaen de Vries, from "Etchings of Pictures in the Metropolitan Museum New York"
Object type: print
Date: 1871 – 1871
Techniques: etching
Location: london
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Subjects: men,portraits
Panel
Object type: textile
Date: 1736 – 1739
Materials: silk
Techniques: bookbinding, brocade, patterning, weave
Location: france
Subjects: flowers, foliage, grapes
Three children's heads
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: heads,children

Heads of three children, directed to left, the two on the right slightly tilted downwards.
Terracotta wheeled horse
Object type: vase in the form of a horse
Date: 600 – 501
Materials: terracotta
Culture: cypriot
Subjects: horses
Dodendans
Object type: print
Date: 1547 – 1547
Materials: paper
Techniques: woodcut
Artist: hans holbein (der jüngere)
Artist role: draughtsman, painter
Artist dates: 1497 – 1543
Subjects: dance of death; death together with one or more human beings, traveller(s) attacked by robber(s), robber

De serie boekillustraties bekend onder de titel Dodendans werden in 1547 aangevuld met twaalf houtsneden die voor het eerst verschenen in: Imagines Mortis duodecim Imaginibus praeter priores ... à Georgio Aemylio translata, cumulatae ..., Lyon 1547, J. en F. Frellon. Later verschenen nog andere uitgaven.
Prayer Nut in Original Casing, with Box
Object type: letter
Date: 1500 – 1530
Materials: wood, gold, leather, paper, silver
Techniques: engraving, carving
Location: delft
Artist: adam dircksz
Artist role: goldsmith, sculptor
Inscriptions: inscription, on the outside of the silver housing, on an interrupted banderol, engraved: ‘SOKET · VAER · / GHI · VILT · HIER · VINDET / · IN · D ARDE / · IN · VUER · / · IN · VATER / INDEN · LUCHT’, silver mark, on the smooth edge of the half of the silver housing with the Nativity, stamped: unknown maker’s mark or assay mark: animal head (?), silver mark, on the smooth edge of the half of the silver housing with the Nativity, stamped: unknown maker’s mark or assay mark: serrated leaf

This tiny boxwood ball, mounted in silver, is incredibly finely carved. It is a ‘prayer nut’, intended to be hung from a belt or a rosary, and was meant as an aid to prayer. The owner moreover would certainly have enjoyed showing off such a superbly crafted and precious jewel. Seen at the top is the Nativity and at the bottom the Adoration of the Magi.
Landschapschets in een ovaal
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Techniques: brush
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: meadow, pasture
Portret van een jongeman
Object type: carte de visite
Date: 1865 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons, youth, adolescent
Inscriptions: number: ‘2950’, name: ‘[Brietonje van Diep]’, inscription: ‘Photogr Atelier/ Wegner & Mottu/ Kalverstraat/ Over den Heyligenweg D.26/ Amsterdam’
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

On the shoulder, a palmette with a tendril; at the juncture of the shoulder and the top of the lekythos, two black glaze lines separated by thin bands of reserve
Titelpagina voor: David Teniers, Theatrum Pictorium, 1658
Object type: titelblad, titelpagina
Date: 1658 – 1658
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: vienna, leopold willem van oostenrijk (landvoogd der zuidelijke nederlanden), minerva as patroness, picture, painting
Inscriptions: collector's mark: Lugt 2228

Portret van Leopold Willem, aartshertog van Oostenrijk en landvoogd van de Zuidelijke Nederlanden, in een ovale lijst met zijn motto, op een piëdestal met een opdracht aan hem in het Latijn. Naast zijn portret staat Minerva als beschermster van de kunsten. Naast het piëdestal schilderijen uit de collectie van Leopold Willem. Linksonder een verzameling munten, een boek met tekeningen en een muziekboek.
Textile Fragment
Object type: textile fragment
Date: 1201 – 1300
Materials: silk
Techniques: tapestry, weave
Location: spain
Subjects: eagles

This rectangular silk textile fragment is decorated with offset and overlapping roundels of varying sizes, containing confronted winged griffins, quadrupeds, and double-headed eagles. The void between the animals' bodies contains a plant-like motif. The smaller roundels display stylized floral patterns inside the classic eight-pointed star. Depictions of animal forms within framing devices were also common decorative motifs in objects produced around the Mediterranean in the medieval period, and can be found ornamenting wood, textiles, ivory, metalwork and ceramics.
Cap
Object type: cap
Date: 1767 – 1800
Materials: linen
Culture: american
Sunflowers
Object type: painting
Date: 1887 – 1887
Materials: canvas, oil
Artist: vincent van gogh
Artist role: artist
Artist nationality: dutch
Artist dates: 1853 – 1890
Subjects: sunflowers,still life

Van Gogh painted four still lifes of sunflowers in Paris in late summer 1887. There is an oil sketch for this picture (Van Gogh Museum, Amsterdam) as well as another painting of two sunflowers also signed and dated 1887 (Kunstmuseum Bern), and a larger canvas showing four sunflower heads (Kröller-Müller Museum, Otterlo). Paul Gauguin acquired the two smaller works, and until the mid-1890s, when he sold his most prized possessions to finance his South Seas voyage, they held pride of place above the bed in his Paris apartment.
Fragment of a Bowl
Object type: fragment of a bowl
Techniques: painting, underglaze
Location: syria
Subjects: animals
Ruïne van Brederode
Object type: print
Date: 1910 – 1932
Materials: paper
Techniques: woodcut
Artist: kees koeman
Artist role: print maker
Artist dates: 1895 – 1954
Subjects: ruin of a dwelling, house, castle, etc., santpoort-zuid
Inscriptions: collector's mark: Lugt 2228

Rechts een brug en een boom; links staat een deur open.
Up the Channel at Steamboat Rock from a Steamer, No. 1076 from the series "In and About the Dells of the Wisconsin River"
Object type: photograph
Date: 1870 – 1908
Techniques: albumen print
Location: united states
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Allegory of Good Government, seated at center and being crowned by a putto and a woman at left, Justice standing atop a hydra at right
Object type: print
Date: 1640 – 1674
Techniques: engraving
Artist: pieter de jode (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1606 – 1674
Vier exotische vogels
Object type: print
Date: 1650 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan goeree
Artist role: draughtsman, print maker
Artist dates: 1670 – 1731
Subjects: ornamental birds

Een prent van twee platen met vier exotische vogels in het wild. Boven een De afbeelding boven: een Witbuikdwergsalangaan (Collocalia esculenta) en een Australische Purperkoet (Porphyrio porphyrio melanopterus). Onder een Papoeajaarvogel (Aceros plicatus) en daarachter een vrouwtje Vlagstaartijsvogel (Tanysiptera galatea nais).
De Rechten van den Mensch en Burger
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: civil law
Inscriptions: collector's mark: Lugt 2228

Op een ovaal staan de negentien artikelen van de nieuw uitgegeven burgerrechten in 1795. Het ovaal is omlijst door een slang die in zijn eigen staart bijt - het symbool voor eeuwigheid. De lijst is omringt door personificaties van Vrijheid, Gelijkheid, Broederschap, de Tijd en Rechtvaardigheid.
Titelpagina voor: Missale Romanum, 1621
Object type: titelblad, titelpagina
Date: 1621 – 1621
Materials: paper
Techniques: engraving, etching
Location: toul
Subjects: pope, angels, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara, the apostle paul of tarsus; possible attributes: book, scroll, sword
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: Missale Romanum. Toul: Simonem St. Martellum, Simon Belgrand, 1621.
Relief with a royal figure
Object type: talatat, royal figure
Date: 1353 – 1336
Materials: limestone, paint
Rekening van Dubourg aan Philippe Metayer, 1731, betaald 13 december 1737 (in doos met 43 tekeningen)
Object type: account
Date: 1737 – 1737
Materials: paper, pencil
Techniques: pen
Artist: louis fabritius dubourg
Artist role: draughtsman, print maker
Artist dates: 1693 – 1775
Inscriptions: date
Ontwerp van een schrijfvoorbeeld: Lux choses perilleuses (...)
Object type: album leaf
Date: 1605 – 1605
Materials: ink, paper
Techniques: calligraphy, pen
Location: rotterdam
Artist: jan van de velde (i)
Artist role: painter
Artist dates: 1568 – 1623
Subjects: calligraphy

Kalligrafische tekening met zeven regels tekst in het Frans: Lux choses perilleuses ... De tekst is omlijst met krulwerk. De tekening maakt deel uit van een album.
Bomen
Object type: sketchbook leaf
Date: 1896 – 1897
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: trees

Blad 34 verso uit een schetsboek met 44 bladen.
Très Parisien, 1925, No. 6, Pl. 7:  40 H.P. - Très élegante, cette redingot (...)
Object type: fashion print
Date: 1925 – 1925
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: coat (+ women's clothes), walking-stick, staff, fashion plates
Inscriptions: caption: ‘7. - 40. H.P. - Très élégante, cette redingote de "Lanadra" garde une allure sportive.’

Elegante redingote van 'Lanadra' als sportieve mantel. Stof van Schulz, Lyon en Parijs. Prent uit het modetijdschrift Très Parisien...La Mode, Le Chic, L'Élégance (1920-1936)
Diverse onderwerpen
Object type: album leaf
Date: 1890 – 1900
Materials: cardboard, paper
Techniques: photograph, gelatin silver print
Artist: Anonymous
Subjects: adolescent, young woman, maiden, child (at home)

Twee portretten van kinderen, een hond met bal, twee reproducties van werken met een zeilboot en één reproductie van een werk met drie honden. Deze pagina is deel van een album.
Man's moccasins
Object type: man's moccasin
Date: 1870 – 1870
Materials: glass, leather, pigment
Techniques: tanning
Culture: comanche
Location: united states
Tripod cauldron (Ding)
Object type: cauldron
Date: 1300 – 1101
Materials: bronze
Culture: chinese
Gheṇṭa (prayer bell)
Object type: gheṇṭa prayer bell
Date: 1001 – 1100
Materials: bronze
Techniques: casting
Culture: javanese
Location: indonesia

Dril bu The bell (dril bu) is the most common musical instrument associated with Tantric Buddhist ritual. Held in the left hand, the dril bu (clapper bell) is always paired with a scepter (dorje), which is held in the right. The scepter symbolizes method, bliss, and male aspects while the bell represents wisdom, emptiness, and the female aspects. Both principles are necessary to achieve Enlightenment. The bell handle traditionally matches in decoration the scepter it is paired with - often with five spokes or points (five representing the five forms of mystical wisdom). These bells were produced in Java, Indonesia, during the eleventh century. Buddhism flourished in Indonesia at that time, before Islam became dominant in the thirteenth and fourteenth centuries
Mannen op een terras in Parijs
Object type: album leaf
Date: 1903 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: pavement, terrace in front of inn or restaurant, street (+ city(-scape) with figures, staffage), paris

Onderdeel van Reisalbum van een Nederlandse familie met bezienswaardigheden in Europa, Egypte en New York.
Recluse playing the zither in a pine grove
Object type: hanging scroll
Date: 1540 – 1540
Materials: ink, paper
Culture: chinese
Artist: wen zhengming
Artist role: artist
Artist nationality: chinese
Artist dates: 1470 – 1559

Wen Zhengming was the most influential Suzhou painter of the sixteenth century. He created his own immortality with his dogged determination to excel, his dozens of students, and an unusually long life of prodigious artistic production. In Playing the Qin in the Shade of the Pines, one of Wen's largest works, the freely executed boulders and impressionistically rendered trees coalesce into powerful interlocking forms when viewed, as intended, from across a spacious hall. The scroll is roughly contemporaneous with Wen's equally large calligraphic scrolls of the late 1520s, which were commissioned by the Jiajing emperor (r. 1522–66). Playing the seven-string zither (qin), a versatile instrument able to suggest nature's sounds, is associated with the solitary self-cultivation and reclusive existence of the scholar. A seventeenth-century qin is on display in the Ming Room of the Astor Court.
Stern of a barque from a standard
Object type: standard, barque fragment
Date: 664 – 630
Materials: metal
Location: egypt
Cup
Object type: cup
Date: 1667 – 1733
Materials: porcelain
Culture: chinese
Subjects: animals,flowers
Twee koeien en twee schapen onder een boom bij een schuur
Object type: drawing
Date: 1778 – 1820
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: hendrik stokvisch
Artist role: draughtsman, painter
Artist dates: 1768 – 1820
Fotoreproductie van een schilderij, voorstellende Frithiof komt in de verleiding om koning Ring om te brengen
Object type: page
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Subjects: ruler, sovereign, revolutionary action (violent)
Inscriptions: number: ‘XII.’
Handkerchief
Object type: textile
Date: 1875 – 1900
Materials: cotton, linen
Techniques: cutting, treatment, embroidery, weave, stitching
Location: carrickmacross
Terracotta hydria: kalpis (water jar)
Object type: hydria, kalpis
Date: 434 – 401
Materials: terracotta
Culture: greek, attic
Subjects: women

Two women One woman holds a casket, the other a lekythos (oil flask). Such a scene probably has nuptial connotations, but the same figures appear during the late fifth and four centuries B.C. on marble grave reliefs.
Flora
Object type: print
Date: 1626 – 1688
Techniques: etching
Location: amsterdam
Artist: joachim von sandrart
Artist role: artist and publisher
Artist nationality: german
Artist dates: 1606 – 1688
Paneel van een scherm van gebatikte zijde met patroon van kastanjebladeren en -bloemen
Object type: panel ornament area
Date: 1905 – 1910
Materials: silk
Techniques: batik
Location: haarlem
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Paneel van een scherm van gebatikte zijde met randpatroon van kastanjebladeren en een middenveld bezaaid met kastanjebloemen en gestileerde motieven.