deem-data/ArtiFact huggingface dataset:
Still Life of Fruit and Flowers
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: etching
Location: london
Subjects: still life of plants, flowers and fruit, container of stone: stone vase
Inscriptions: collector's mark: Lugt 2228

Right before Empress Catherine the Great of Russia bought Sir Robert Walpole’s entire art collection, Richard Earlom made large prints of several of the famous paintings in it as mementos. Among them was this 1723 still life by Jan van Huysum. Earlom worked in mezzotint, a technique also called the ‘black manner’. This method made it possible to produce soft, subtle transitions between a wealth of grey tones, creating a velvety black surface.
"Bildnis meiner Mutter" (Luxembourg, Paris)
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: historical persons - bb - woman
Inscriptions: monogram: ‘AB/ M’
Exterieur van het Baptisterium te Pisa, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: pisa
Artist: Anonymous
Subjects: baptism, christening ceremony ~ the first of the seven sacraments, church (exterior)
Inscriptions: inscription: ‘P’, number: ‘3363.’, inscription: ‘Pisa’, inscription: ‘RSK N 1’, collector's mark: ‘RIJKS SCHOOL VOOR KUNSTNIJVERHEID/ GROEP’, inscription: ‘I 23’
Michaël en de val van de opstandige engelen
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: fall of the rebel angels, who become devils, the archangel michael (and other angels) casting the rebel angels out of heaven
Inscriptions: collector's mark: Lugt 10, number: ‘3’, collector's mark: Lugt 11

De aartsengel Michaël, in zijn ene hand een schild met het symbool van God de Vader en in zijn andere hand een bliksemschicht, gooit samen met andere engelen de opstandige engelen uit de hemel.
Two Cupids, One Carrying a Torch, Another a Bow
Object type: print
Date: 1727 – 1760
Techniques: engraving, etching
Artist: pierre alexandre aveline
Artist role: artist
Artist nationality: french
Artist dates: 1702 – 1760
Subjects: military equipment,cupid
Studie, mogelijk een figuur
Object type: sketchbook leaf
Date: 1890 – 1890
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: anatomy (non-medical)

Blad 15 recto uit een schetsboek met 38 bladen.
Huwelijk van Willem Frederik George Lodewijk, erfprins der Nederlanden en Anna Paulowna, grootvorstin van Rusland te St. Petersburg
Object type: history medal
Date: 1816 – 1816
Materials: silver
Techniques: striking
Location: netherlands
Subjects: anna paulowna romanowa, william ii of the netherlands
Royaalbijbel
Object type: print
Date: 1645 – 1706
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread
Inscriptions: collector's mark: Lugt 240

Verschillende Amsterdamse uitgevers gaven vanaf de jaren ’30 van de zeventiende eeuw grote Bijbelse prenten op zogenaamd royaal-formaat papier (ca. 480 x 580 mm) uit. De uitgave van royaalbijbelprenten door de firma Visscher van Claes Jansz. Visscher (II), Nicolaes Visscher (I) en (II) is het meest bekend. Deze prent is gekopieerd naar de prent met hetzelfde thema, die werd uitgegeven door de firma Visscher. Vermoedelijk is deze prent ook als royaalbijbelprent uitgegeven.

De voorstelling van de maaltijd in Emmaüs naar een prent van Swanenburg of Van Sompel naar een schilderij van Rubens. De Emmaüsgangers in de deuropening naar een anonieme prent naar ontwerp van de Vos.
Madras, India, Engelse Oostindische Compagnie (EIC), 1/4 pagode, (1808)
Object type: coin
Date: 1808 – 1808
Materials: silver
Techniques: striking
Location: chennai

Zilveren munt. Voorzijde: binnen cirkel, gevormd door ceintuur met gesp, tempelpoort, waaromheen sterren. Op gesp waarde-aanduiding in het Engels: quarter pagoda, en in Arabische lettertekens. Keerzijde: binnen cirkel, gevormd door lint, waarop waarde-aanduiding in het Tamil en in het Telugu, godheid ten halve lijve, staande, in een veld, bezaaid met korrels. Bovenaan, tussen uiteinden van het lint, een ster. Kabelrand.
A Vestal Virgin (?), from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: women

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 94 in the scrapbook.
Profeet Jesaja
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: rome
Artist: cherubino alberti
Artist role: draughtsman, print maker
Artist dates: 1553 – 1615
Subjects: the (nude) human figure; 'corpo humano' (ripa), sibyls, prophets, sibyls, evangelists, doctors of the church; persons ~ the bible (not in biblical context)
Inscriptions: collector's mark: Lugt 240

Deel van de gewelfschildering door Michelangelo in de Sixtijnse Kapel met sibillen, profeten en naakte figuren (ignudi). Centraal zit de Profeet Jesaja.
Vase
Object type: vase
Date: 1101 – 1200
Materials: glaze, stonepaste
Techniques: painting
Location: syria
Menukaart ter gelegenheid van het 50-jarig doctoraat van Mr. E.I. Asser
Object type: menu, menukaart
Materials: paper
Techniques: photolithograph
Location: amsterdam
Subjects: netherlands
Inscriptions: inscription: ‘Photo-lith A. Kroon, Amst.- Procédé Mr. Asser.’
Lizzie Duval, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Ontwerp voor heft van een zwaard
Object type: print
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: straatsburg
Artist: jacob von der heijden
Artist role: print maker, publisher
Subjects: ornaments ~ art, hacking and thrusting weapons: sword, tools, aids, implements ~ crafts and industries: saw, foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark, collector's mark: Lugt 2228, number: ‘12’

Gespiegelde kopie van een ontwerp voor een heft van een zwaard versierd met een gebladerte van bladeren en bloemen. Het ontwerp wordt gepresenteerd als een houten balk die wordt gezaagd door twee mannen.
Bespotting van Christus
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: in caiaphas' palace christ is mocked by jews (matthew 26:67-68; mark 14:65), flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. De prent wordt voor het eerst gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629.
De voorstelling is gekopieerd naar een prent van Hieronymus Wierix voor: Nadal, Jerónimo. Evangelicae Historiae Imagines. Antwerpen, M. Nutius, 1593.
Portret van Willem III, prins van Oranje
Object type: print
Date: 1670 – 1709
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

Portret van Willem III in een rechthoek van lauwerbladen. Midden onder zijn wapen met een kroon, gedecoreerd met de Kousenband en het devies van de Orde van de Kousenband. In de ondermarge vier regels Nederlandse tekst.
Sintir
Object type: sintir
Date: 1801 – 1900
Materials: leather, skin, wood
Culture: sudanese
Location: sudan

The distribution of this low-pitched, plucked lute is confined to Morocco and Algeria, where it is used by the Gnawa people. It supports singers along with rhythmic clapping and quarkabeb (clappers), and at times it aids ritual trance induction.
St.  Andrew, from "Christ, the Apostles and St. Paul with the Creed"
Object type: print
Date: 1589 – 1589
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: portraits,apostles,saints
Straatgezicht met een paard-en-wagen, Königswinter
Object type: photograph
Date: 1895 – 1905
Materials: paper
Techniques: collodion silver print
Location: königswinter
Artist: david vermeulen
Artist role: fotograaf
Subjects: four-wheeled vehicle drawn by one animal, street
L'Homme au Grand Manteau Vu de Dos (Man with a Large Mantle Viewed from Behind), plate 5 from "Varie Figure" (Various Figures)
Object type: print
Date: 1620 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Doedelzakspelers
Object type: print
Date: 1871 – 1871
Materials: paper
Techniques: etching, intaglio
Location: brussels
Subjects: one person playing wind instrument, bagpipe, musette, candle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 3073
Schotel van faïence met bloemenvaas en vogels
Object type: platter
Date: 1705 – 1725
Materials: earthenware, glaze
Location: delft
Artist: pieter adriaensz. kocx
Inscriptions: inscription: ‘A'dam RM 6’, mark: ‘APK (ineen)’, collector's mark: ‘collection loudon’

Schotel van faïence. Beschilderd met een bloemenvaas en vogels.
Halve gehelmde schelling van Friesland, 1599
Object type: coin
Date: 1599 – 1599
Materials: silver
Techniques: striking
Location: leeuwarden

Zilveren munt. Voorzijde: Onder recht naar voren gekeerde helm met helmteken wapenschild van Friesland. Jaartal in omschrift. Keerzijde: op lang gebloemd kruis ongekroond wapenschild van Friesland.
Ships Careened for Caulking the Hull
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: reinier nooms
Artist role: artist
Artist nationality: dutch
Artist dates: 1623 – 1664
Subjects: ships
Tureen and stand
Object type: tureen
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Manufactuur Oud-Loosdrecht
Loosdrecht, c. 1778–1782
hard-paste porcelain
Ornamenteel cartouche met ondergaande zon
Object type: print
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: sunset, crowning with laurel
Inscriptions: collector's mark: Lugt 2228

Ornamenteel cartouche met een schip dat richting de ondergaande zon vaart. Een engel vliegt met twee lauwerkransen. Boven de voorstelling het devies: Pour des conquètes si belles préparons tous nos lauriers.
Interieur van een kamer met kamerscherm, harp en kroonluchter, opname 45 graden gedraaid
Object type: sheet glass
Date: 1870 – 1920
Materials: glass
Techniques: collodion process
Artist: Anonymous
Subjects: living-room, parlour, sitting-room
Brief aan August Allebé
Object type: letter
Date: 1888 – 1888
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: jérôme alexander sillem
Artist role: politician
Artist dates: 1840 – 1912
Subjects: official, j.g. ter heide, draughtsman, august allebé, amsterdam, auctioneer, publisher, reinier willem petrus de vries (1841-1919), hendrick peter godfried quack, travelling; tourism, money
Zeilschepen in de branding
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: photograph
Subjects: sailing-ship, sailing-boat, surf, breakers, beach
Inscriptions: number: ‘Vol. II, No 6, Planche 4.’

Deze prent maakt deel uit van 8 omslagen met 22 tekstbladen en 89 prenten op losse bladen in en tussen de omslagen.
Portret van de meesterzanger Johan Spreng
Object type: print
Date: 1579 – 1615
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: notaris, vertaler, johan spreng
Inscriptions: collector's mark: Lugt 2228
Onbekend gezelschap aan tafel voor een huis
Object type: frame
Date: 1880 – 1900
Materials: cardboard, glass, metal, paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, (family) meal - cc - out of doors, netherlands
Portret van Muirhead Bone leunend op zijn etspers
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: drypoint, etching
Artist: francis dodd
Artist role: print maker
Artist dates: 1874 – 1949
Subjects: print maker, artist, muirhead bone, print, e.g.: engraving, etching, lithograph, historical persons, printing press, graphic artist
Inscriptions: inscription: ‘own proof. 4th state’, collector's mark: Lugt 2228
West-Friesland, scheepjesschelling, 1716
Object type: coin
Date: 1716 – 1716
Materials: silver
Techniques: striking
Location: west frisia

Zilveren vierkante munt. Voorzijde: tussen waarde-aanduiding 6 S gekroond wapenschild van West-Friesland. jaartal aan eind van omschrift. Keerzijde: schip met zeilen naar rechts. Vierkante afslag
Markt in Brussel
Object type: stereograph
Date: 1898 – 1898
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Artist: roddo y. young
Artist role: publisher
Subjects: market, brussels
Inscriptions: copyright notice: ‘Copyright 1898, by R. Y. Young.’
Brief aan Philip Zilcken
Object type: letter
Date: 1921 – 1921
Materials: ink, paper
Techniques: pen, writing
Location: nice
Artist: jeanne erlich
Subjects: charles baude, the hague, painter, draughtsman, philip zilcken, temporary exhibition, 'salon'
Inscriptions: collector's mark: ‘RPK’, watermark
Park in Teheran, Iran
Object type: photograph
Date: 1885 – 1910
Materials: paper
Techniques: albumen print
Location: iran
Artist: antoine sevruguin
Artist role: fotograaf
Artist dates: 1840 – 1933
Subjects: teheran
Inscriptions: number: ‘16.’, inscription: ‘W263//Teheran Parc de Sadrazan [?]’

Park in Teheran, Iran ["Parc de Sadrazan"[?]].
Madeleine de Créquy, Maréchale de Villeroy
Object type: medal
Date: 1651 – 1651
Materials: bronze
Artist: claude varin
Artist role: artist
Artist nationality: french
Artist dates: 1630 – 1654
Subjects: profiles,women
Study of Lower Legs and an Arm
Object type: drawing
Materials: ink
Techniques: pen
Artist: william pitts
Artist role: artist
Artist nationality: british
Artist dates: 1790 – 1840
Subjects: feet,hands
Fragment
Object type: textile
Date: 1401 – 1450
Materials: animal substrate, gilt, linen, silk
Techniques: bookbinding, interlacing, patterning, weave
Location: venice
Vase
Object type: vase
Date: 1890 – 1890
Materials: earthenware
Artist: joseph-théodore deck
Artist role: maker
Artist nationality: french
Artist dates: 1823 – 1891
Subjects: bats,peaches
Coin Portraying Emperor Marcus Aurelius
Object type: coin
Date: 161 – 180
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Reverse:  ... IMP  IIII

The front of this coin portrays the emperor Marcus Aurelius, crowned with laurels and facing right.

On the back, the goddess Victory is depicted putting a shield on a tree.
Portret van Jan Wagenaar met allegorische figuren
Object type: titelblad, titelpagina
Date: 1788 – 1790
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: jan wagenaar, truth; 'verità' (ripa), 'historia'; 'historia' (ripa), freedom, liberty; 'libertà' (ripa)
Inscriptions: collector's mark: Lugt 240

Geschiedenis schrijft omringd door de Waarheid, Vrijheid en Minerva. Achter hen een zuil met het portret van de schrijver Jan Wagenaar.
Galerij in het Apostolisch Paleis te Vaticaanstad
Object type: page
Date: 1882 – 1887
Materials: photographic support
Techniques: albumen print
Location: apostolisch paleis
Artist: Anonymous
Subjects: gallery (spacious corridor)
Ornamental Theater Scene with Trees
Object type: drawing
Date: 1601 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 17th or 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1799
Subjects: human figures,theatre,trees
Belt Plaque in the Shape of a Recumbent Tiger
Object type: belt plaque
Date: 500 – 401
Materials: bronze
Culture: chinese or mongolian
Subjects: tigers
Ruïne van Brederode
Object type: photomechanical print
Date: 1913 – 1913
Materials: cardboard
Techniques: photograph
Location: santpoort
Artist: Anonymous
Subjects: castle, bridge in city across river, canal, etc.
Inscriptions: date
Design for a Sedan Chair, Viewed from the Back, the Front and the Right SIde
Object type: design drawing
Date: 1650 – 1700
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: france
Artist: Anonymous
Subjects: (carrying a person in a) sedan-chair
Inscriptions: inscription: ‘29 / No 2’, inscription: ‘8.[2...]’, inscription: ‘Französische / Meister um 1700 / No. 3640/85’
Gezicht op Villa Rozenhage in Baarn en een groepsportret met vijf onbekende kinderen en twee vrouwen in Doorn
Object type: album leaf
Date: 1917 – 1917
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: charlotte alida boelen-matthes (lot)
Artist role: amateurfotograaf
Artist dates: 1889 – 
Subjects: villa, anonymous historical persons portrayed in a group, in a group-portrait

Deze foto's zijn onderdeel van een album.
Vessel in the Form of a Hunchback Figure Carrying a Jar
Object type: vessel
Date: 1200 – 1500
Materials: ceramic, pigment
Culture: nicoya
Location: costa rica
Porteurs Bakongo
Object type: reproduction
Date: 1896 – 1899
Materials: paper
Techniques: autotype
Location: dresden
Subjects: porter, bearer
Frontispiece, from The Martyrdoms of the Apostles
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Monogram BC
Object type: drawing
Date: 1884 – 1952
Materials: ink, paper, pencil
Techniques: brush
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: magic mathematical figures; magic numbers, words, monograms
Inscriptions: collector's mark: ‘R:MVS.’
De haven te Veere
Object type: drawing
Date: 1883 – 1940
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes frederik engelbert ten klooster
Artist role: draughtsman, print maker
Artist dates: 1873 – 1940
Subjects: harbour
Décorations, XVe Siècle
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: photograph, photolithography
Location: haarlem
Subjects: column, pillar ~ architecture, interior of church
Inscriptions: monogram: ‘JJvY’, inscription: ‘DÉCORATIONS peintes dans (...)’, inscription: ‘LITT. D. - PL. 6’
Hanging
Object type: hanging
Date: 1501 – 1533
Techniques: embroidery
Portret van Jean-Baptiste Massillon
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Pars posterior symbolica
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching, letterpress printing
Location: sankt gallen
Subjects: city-view in general; 'veduta', sun represented as face, wheel, etc., abstract ideas and concepts (+ emblematical representation of concept), rainbow
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Sfondrati, Celestino. Innocentia vindicata in qua gravissimis argumentis ex S. Thoma petitis ostenditur. Sankt Gallen: Jacobus Müller, 1695.
Strip
Object type: strip
Date: 1801 – 1900
Techniques: lace, embroidery
Man's Coat
Object type: costume and accessory
Date: 1775 – 1825
Materials: textile, silk
Techniques: brocade, embossing
Location: iran
Subjects: flowers, roses, hyacinths, bird, roosters
Inscriptions: Marked RE
The Irish Manager
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Town and Country Magazine 19 (1787), januari 1787.
Briefkaart aan Jan Veth
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: brussels
Artist: willem kloos
Artist role: dichter
Artist dates: 1859 – 1938
Subjects: painter, print maker, draughtsman, designer, jan veth, brussels
Inscriptions: collector's mark: ‘RPK’
Gezicht op de Munttoren vanaf de bloemenmarkt op het Singel
Object type: print
Date: 1901 – 1969
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: johannes d. scherft
Artist role: print maker
Artist dates: 1891 – 1969
Subjects: tower, clock tower ~ monumental adornment, stall, booth (~ market), bicycle
Textile Fragment
Object type: textile fragment
Date: 401 – 500
Materials: linen
Techniques: weave
Location: egypt
Gezicht in profiel naar links
Object type: sketchbook leaf
Date: 1717 – 1748
Materials: paper, pencil
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: face (+ left side visible; left - (l. hand, l. foot, etc.))

Blad 8 verso uit een schetsboek met 21 bladen.
Pijniging van Adonibezek; Eglon door Ehud gedood
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: frans de bakker
Artist role: print maker
Subjects: adoni-bezek is caught; his thumbs and his great toes are cut off, eglon is found dead
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 3937

Twee voorstellingen op een plaat. Boven: de Judeëers houwen Adonibezeks duimen en teennagels af. Onder: Koning Eglon ligt dood op de grond, een mes steekt in zijn buik. Twee soldaten snellen op hem af. Met onderschriften in het Nederlands en Frans.
Portret van een onbekende man
Object type: carte de visite
Date: 1880 – 1911
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: adult man, historical persons
Inscriptions: inscription: ‘No............/ PHOTOGRAPHIE/ ARTISTIQUE/ Rembrandt/ AMSTERDAM/ Rembrandtplein 60./ Specialiteit in vergrootingen/ tot levensgroot./ DE PLAAT BLIJFT TER NABESTELLING BEWAARD./ TRAPP & MÜNCH, BERLIN.’
Title page from "Roman Antiquity of the Time of the Republic and the First Emperors" (Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori)
Object type: print
Date: 1748 – 1748
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, copper alloy
Culture: japanese
Location: japan