deem-data/ArtiFact huggingface dataset:
Portret van twee kinderen
Object type: album leaf
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: wilhelm j. grammann
Artist role: fotograaf
Artist dates: 1844 – 1874
Subjects: child, brothers or sisters (second degree family relationships)
Inscriptions: inscription: ‘Kinderen van Adelberth en M C du Quesne?’, inscription: ‘W.J. Grammann 's Hage’, inscription: ‘W.J. Grammann / 's Hage / 12 / Willemstraat / 12/ Voor nabestellingen worden de origineelplaten bewaard.’
Plate
Object type: plate dish
Date: 1710 – 1735
Materials: faience
Location: amsterdam
Artist: Anonymous
Subjects: agricultural products and by-products: hay, landscapes in the temperate zone
Woman's Ceremonial Cloth (Tapis)
Object type: costume and accessory
Date: 1801 – 1900
Materials: cotton, panel, textile, silk
Techniques: brocade, dyeing, embroidery, weave, resist, stitching
Location: indonesia
Snuff Bottle with Two Hawks on Rockwork
Object type: vessel
Materials: stone
Techniques: carving
Location: china
Landschap met ruïne in het verschiet
Object type: drawing
Date: 1810 – 1876
Materials: paper, pencil
Techniques: brush
Artist: willem de klerk
Artist role: draughtsman, painter
Artist dates: 1800 – 1876
Subjects: river, landscape with ruins
Saint John the Baptist
Object type: statue
Date: 1620 – 1630
Materials: wood
Techniques: gilding, polychrome
Artist: juan martínez montañés
Artist role: artist
Artist nationality: spanish
Artist dates: 1568 – 1649
Subjects: men,saint john the baptist
Pair of Hussar Rowel Spurs
Object type: spur
Date: 1501 – 1600
Materials: copper, metal alloy, leather
Culture: hungarian
Location: hungary

This kind of spur, with long and broad necks and wide heel plates, inspired from late Medieval example, is typical of those used by Hussars in the 16th and early 17th century. They were also frequently used at the Viennese court during the so-called ‘Hungarian tournaments,’ where participants would dress and arm themselves as Hussards.
De geschiedenis, bij welke deze afbeeldingen behooren, is, zeer leeslustwekkend en leerrijk, beschreven door den beroemden kindervriend / Camp (...)
Object type: popular print
Date: 1820 – 1838
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: (scenes from) specific works of literature: defoe, robinson crusoe
Inscriptions: collector's mark: Lugt 2228

Blad met 12 voorstellingen uit het verhaal van Robinson Crusoe die strandt op een eiland. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 19.
Zeewierplukkers aan de kust bij Veules
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: gathering herbs, beach (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Gezicht op een strand met rotsblokken waar mensen zeewier aan het plukken zijn in de branding.
'T Gemeen-Lands Huys
Object type: print
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: william ii (prince of orange)
Inscriptions: collector's mark: Lugt 240

Gezicht op Huis Zwanenburg, het gemeenlandshuis van het hoogheemraadschap van Rijnland te Halfweg. Onderdeel van een serie van zes gezichten in de dorpen waar de troepen van prins Willem II ingekwartierd lagen tijdens het beleg van Amsterdam, van 30 juli tot 4 augustus 1650.
Firenze. Panorama dalla Cupola di S. Lorenzo
Object type: photograph
Date: 1900 – 1906
Materials: paper
Techniques: gelatin silver print
Location: milan
Subjects: river, church (exterior)
Letterpress print (as companion to Doorframe, 2008.554)
Object type: decorative art
Date: 1850 – 1900
Materials: ink, paper
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Groepsfoto voor een huis
Object type: photograph
Date: 1886 – 1886
Materials: photographic support
Techniques: albumen print
Location: jogjakarta
Artist: kassian céphas
Artist role: fotograaf
Artist dates: 1845 – 1912
Subjects: the hague, anonymous historical persons portrayed in a group, in a group-portrait

Groepsfoto van een groep staande mannen rond een tafeltje met een Indonesische vrouw, op straat voor een huis, waarschijnlijk in of bij Jogyakarta. Onderdeel van het fotoalbum aangeboden aan J.M. Pijnacker Hordijk bij zijn vertrek uit Jogyakarta in 1886.
Capital
Object type: capital
Date: 1401 – 1500
Materials: stone
Culture: french
Fotoreproductie van een tekening van een schipbreuk door Paul Delaroche
Object type: page
Date: 1853 – 1858
Materials: paper
Techniques: albumen print, engraving
Location: paris
Subjects: shipwreck, storm at sea
Inscriptions: initials: ‘GC’
Pickle Dish
Object type: pickle dish
Date: 1750 – 1770
Materials: stoneware
Culture: british
Location: england
Subjects: leaves
Ronde toren aan een haven
Object type: drawing
Date: 1640 – 1659
Materials: ink, paper
Techniques: pen
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: harbour
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of head of wreathed satyr to left
Le marchand de babouches
Object type: photomechanical print
Date: 1877 – 1882
Materials: paper
Techniques: woodburytype
Artist: frederick arthur bridgman
Artist role: painter
Artist dates: 1847 – 1928
Subjects: toddler (female), merchant, salesman
Reproductie van een ontwerp van een vrouw op een stoel, op de rug gezien
Object type: reproduction
Materials: paper
Techniques: photolithography
Artist: Anonymous
Subjects: adult woman (+ back view), chair
Que les enfants d'à présent sont mauvais sujets!..
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: children's games and plays, hacking and thrusting weapons: sword, old woman, umbrella, dog
Inscriptions: collector's mark: Lugt 964

Serie bestaat uit titelprent en tien prenten. Zevende prent in de serie van elf prenten.
Handkerchief
Object type: handkerchief
Date: 1840 – 1850
Materials: linen
Culture: american
Glass cameo plate fragment
Object type: cameo, fragment
Date: 1 – 100
Materials: glass
Culture: roman
Subjects: cupid,chariots

Translucent deep cobalt blue and opaque white. Thick-walled fragment of large circular dish with gently curving side and part of bottom. On exterior, recessed molding of circular base ring; on interior, decoration carved in white overlay with a raised circular frame of beading surrounding a figural scene of two cupids pulling the chariot of Venus over the sea; the front of the car, decorated with fine incised scrolls, survives along with a large part of the eight-spoked left wheel whose lower part is sunk below the waves; in front of the car one cupid has just risen from the sea but only his legs survive; the other cupid swims below in the choppy sea, his wings are visible behind his back, his head is raised, and his proper right arm is outstretched, but most of his body is hidden below the waves. The cameo decoration fills the center of the shallow dish, surrounded by a plain cavetto in blue ground. Broken on all sides, with many chipped edges; surface scratches on exterior; dulling, slight pitting, faint iridescence, and patches of creamy brown weathering. Specialized skills were required to produce cast slabs or blown vessels of layered glass, and to these were added delicate carving of the layers to create artistic representations of the highest quality. This fragment, which comes from a large plate more than one foot in diameter, is decorated with a scene of cupids pulling a chariot across the sea.
Dertien aangezichten van onderdelen van een konijnenschedel
Object type: page
Date: 1864 – 1874
Materials: paper
Techniques: photograph
Location: germany
Subjects: (human) skull, rodents: rabbit
Inscriptions: number: ‘Taf. IX. 1 2 3 4 5 6 7 8 9 10 11 12 13’
An urn overflowing with fruit and flowers
Object type: plaque
Date: 1825 – 1825
Materials: bone china
Artist: derby porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 1785
Subjects: apples,grapes,flowers,urns
Bovenlicht, versierd met boom en hoornen van overvloed.
Object type: transom window
Date: 1400 – 1950
Materials: iron
Techniques: forging

Een gesmeed ijzeren bovenlicht. In het midden een boom, aan de zijden hoornen van overvloed, aangevuld met rijke ornamenten. Is geheel verguld geweest. Begin van de stijl van Lodewijk XIV.
Vinaigrette in the Form of a Mussel Shell
Object type: metalwork
Date: 1876 – 1876
Materials: silver gilt
Location: london
Ontwerp voor een kandelaar (No. 11)
Object type: design
Date: 1767 – 1823
Materials: paper, pencil
Techniques: brush
Artist: abraham meertens
Artist role: draughtsman
Artist dates: 1757 – 1823
Subjects: sconce, wall lamp
Duitsche vrachtwagen Remagen
Object type: album leaf
Date: 1895 – 1905
Materials: paper
Techniques: collodion silver print
Location: remagen
Artist: david vermeulen
Artist role: fotograaf
Subjects: four-wheeled vehicle drawn by two animals
Het Kasteel van Breda door Soldaaten, in een Turfschip verborgen, verovert, 1590
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: traffic and transport (+ unloading)
Inscriptions: collector's mark: Lugt 2228

Huidige staat van prent ook gebruikt in: Bor Christiaansz, Pieter. Oorsprongk, begin, en vervolgh der Nederlandsche oorlogen (…), 4 delen. Amsterdam: weduwe Joannes van Someren, Abraham Wolfgang en Hendrick en Dirk Boom, 1679-1684, dl. 3 (1681), p. 522-523. En in: Groot, Hugo de. Nederlandtsche Jaerboeken en Historien. Amsterdam: weduwe Joannes van Someren, Abraham Wolfgang en Hendrick en Dirk Boom, 1681, p. 152.
Zicht op de kerk Saint-Sulpice in Parijs
Object type: print
Date: 1820 – 1821
Materials: paper
Techniques: lithograph
Location: paris
Subjects: church (exterior), paris

De serie waar deze prent deel van uit maakt, bestaat waarschijnlijk uit dertig prenten.
Nine Sheep
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: sheep

Nine sheep in a field, three at far left lying, the others standing.
First Love (Hatsu koi), a parody of the well-curb episode of the "Tales of Ise"
Object type: print
Date: 1766 – 1767
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Trones de Chènes
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: mulhouse
Subjects: trees: oak (+ stem, trunk)
Inscriptions: collector's mark: Lugt 2228
Key
Object type: key
Date: 1600 – 1640
Materials: iron
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, greaves?; Exterior, foot and end of stick; column?; part of draped figure to left
Reproduction d'une épreuve photographique non retouchée
Object type: photomechanical print
Date: 1922 – 1932
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: photographic apparatus
Inscriptions: number: ‘Fig. 19.’
[Six Union Civil War Soldiers in Studio]
Object type: tintype
Date: 1860 – 1869
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: soldiers,american civil war,men
Beleg van Neuss door Parma, 1586
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), siege, position war

Beleg van Neuss door de hertog van Parma, 1586. Plan van de stad met de belegerende troepen om de stad. Met onderschrift van 4 regels in het Latijn. Genummerd 184. Bedrukt op achterzijde met tekst in het Latijn.
Dearest 'Tis Time Alone (valentine)
Object type: drawing and watercolor
Date: 1840 – 1840
Materials: ink, paper, watercolor
Techniques: collage, cutting, embossing, pen
Location: england
Artist: george meek
Artist nationality: english
Artist dates: 1800 – 1899
Palais de Karnak, Appartements Privés du Palais, Promenoir de Tôthmès III; Thèbes, plate 45 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Design for Wagon, no. 1052
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Icones legatorum Monasterii et Osnabrugae existentium
Object type: print
Date: 1644 – 1646
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, commander-in-chief, general, marshal, historical persons, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 789a

Prent maakt deel uit van een serie van 43 prenten. Latere staat van prent gebruikt in de serie 'Pacificatores orbis Christiani in Westphaliam missi anno 1641', uitgegeven door Rombout van den Hoeye in Amsterdam.
Bottle
Object type: vessel
Date: 201 – 300
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Subjects: containers

Initially affordable only among the wealthy, glass was used in ancient Rome as containers for oils, perfume, and tablewares. The variety of glass-making techniques reveals the changing tastes and fashions over the centuries. During the 1st century A.D., cast glass was a novel form that was a luxury for the Roman household, but by the end of the century, the innovation of blown glass allowed for less labor-intensive and less expensive production, which meant people of lesser means could afford it. Blown glass became so popular it nearly supplanted ceramic and even bronze wares in the home.
Close Helmet for the Tournament
Object type: close helmet
Date: 1575 – 1575
Materials: steel
Culture: german
Location: germany
Kleine gezichten van Parijs
Object type: print
Date: 1820 – 1821
Materials: paper
Techniques: lithograph
Location: paris
Subjects: church (exterior), dome ~ architecture, paris

De serie waar deze prent deel van uit maakt, bestaat waarschijnlijk uit dertig prenten.
Grimnessesluis te Amsterdam
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: façade (of house or building), book-shop, bookseller
Inscriptions: collector's mark

De Grimnessesluis gezien vanaf de Oude Turfmarkt naar Oudezijds Achterburgwal. Links de achterzijde van het pand van boekhandel J. Emmering aan de Langebrugsteeg.
The Shepherd and the Lamb
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: human figures,lambs,landscapes,trees,shepherds
Uitnodiging aan Philip Zilcken
Object type: invitation
Date: 1873 – 1928
Materials: cardboard
Techniques: printing
Location: hampstead
Subjects: agathe wegerif-gravestein, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’

Bijgevoegd een gedrukte kaart met lofuitingen.
Knight, Death, and the Devil (copy)
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: dogs,horses,devil,knights
Portret van William Tell
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving, letterpress printing
Location: delft
Subjects: historical persons, archer's weapons: crossbow

Prent uit: Clerck, Nicolaes de. Tooneel der beroemder hertogen, princen, graven ende krygs-helden (...). Delft: Nicolaes de Clerck, 1617, p. 302.
Belisarius krijgt een aalmoes
Object type: print
Date: 1708 – 1733
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: blind, blindness, beggar, belisarius
Inscriptions: collector's mark: Lugt 240
Moses Trampling on Pharaoh's Crown
Object type: drawing
Date: 1701 – 1800
Techniques: brush, pen, wash
Artist: anonymous, italian, venetian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: children,men,women,dogs,moses
Plate with Bats and Dragons
Object type: vessel
Materials: iron, porcelain
Techniques: painting, underglaze
Location: china
Heiligdom met links een zuilenportaal
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: etching
Location: orléans
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: temple, shrine ~ roman religion, exterior ~ representation of a building

Heiligdom met links een zuilenportaal. Deze prent maakt deel uit van een album.
Portret van Willem Jansz. Koster
Object type: print
Date: 1744 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: head-gear: cap (+ men's clothes)
Inscriptions: inscription: ‘J:M Quinkhard pinx J: Quinkhard fec:’, collector's mark: Lugt 240

Portret van Willem Jansz. Koster. Hij stierf te Muiden en werd 112 jaar.
St. Anne with the Virgin and the Christ Child
Object type: print
Date: 1450 – 1460
Materials: gold leaf
Techniques: hand coloring, woodcut
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: christ,saint anne,virgin mary
Portret van Louis II de La Trémoille-Noirmoutier
Object type: print
Date: 1642 – 1668
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van een vrouw
Object type: carte de visite
Date: 1879 – 1879
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rotterdam
Artist: johannes baer
Artist role: fotograaf
Artist dates: 1840 – 1912
Inscriptions: address: ‘J. Baer/Photographe/Schiedamsche Singel 55/Rotterdam’

Kop van een vrouw met opgestoken haar, in ovaal, zonder achtergrond.
Portret van Marco Aurelio Severino
Object type: print
Date: 1653 – 1653
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: naples, historical persons, physiology and anatomy (+ portrait of scholar, scientist), barber; surgeon, physician, doctor

Prent waarschijnlijk uit: Severino, Marco Aurelio. Therapeuta Neapolitanus. Napels: Roberti Molli, 1653.
Plusieurs Vaze
Object type: print
Materials: paper
Techniques: engraving
Location: france

De vaas heeft handvatten in de vorm van bladranken eindigend in leeuwenkoppen en staat op een voetstuk met guirlandes van bladeren.
Stela of Intef and Nesumontu
Object type: stela, intef and nesumontu
Date: 1961 – 1917
Materials: limestone, paint
Location: egypt
Subjects: men,hieroglyphs

Lower half of stela depicts two men, holding staves and rods of office; upper half is an inscription consisting of prayers for mortuary food offerings for both men and naming their mothers as Seni and Yay.
Saint Leonard and Four Episodes from His Life
Object type: drawing
Date: 1500 – 1510
Materials: gouache, paper
Techniques: brush, highlighting, incising, wash
Artist: francesco di paolo da montereale
Artist role: artist
Artist nationality: italian
Artist dates: 1470 – 1549
Subjects: human figures,angels,saint leonard
Herculis Labores
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: the giant antaeus is lifted in the air and crushed to death by hercules
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van negentien prenten.
View of the Cloister of the Cathedral of Mainz, plate two from Allemande
Object type: print
Date: 1844 – 1844
Materials: paper, stone
Techniques: lithograph
Location: france
Artist: nicolas chapuy
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1790 – 1858
Gezicht op de brug en toegangspoort voor Huis ten Bosch
Object type: print
Materials: paper
Techniques: etching
Location: the hague
Subjects: canal, palace, gate, entrance, bridge
Inscriptions: collector's mark: Lugt 2228

Mogelijk uitgegeven als onderdeel van een serie van zestien prenten en een panorama van Huis ten Bosch.

Zie ook RP-P-AO-12-97-1, RP-P-AO-12-97-2, RP-P-AO-12-97-3, RP-P-AO-12-97-4, RP-P-AO-12-97-5, RP-P-AO-12-97-6, RP-P-AO-12-97-7, RP-P-AO-12-97-8, RP-P-AO-12-97-9, RP-P-AO-12-97-10, RP-P-AO-12-97-11, RP-P-AO-12-97-12, RP-P-AO-12-97-13 en RP-P-AO-12-97-15.
Cup
Object type: cup
Date: 1644 – 1911
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers
Vier vissen op het strand
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: sea (seascape), bony fishes: mullet, bony fishes: sword-fish, cartilaginous fishes: dogfish, bony fishes: weever
Inscriptions: number: ‘54/17’

Een zwaardvis, een harder, een kathaai en een pieterman liggen samen met wat schelpen aangespoeld op het strand. Op de achtergrond de zee en wat schepen. De prent maakt deel uit van een serie met vissen als onderwerp.