deem-data/ArtiFact huggingface dataset:
Man knielt voor een koning in een kerk
Object type: print
Date: 1797 – 1836
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: canopy, baldachin, interior of church, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Een man knielt voor een koning, die van zijn troon is opgestaan, onder een baldakijn in een kerk. In de kerk kijkt een groot publiek toe. Aan de zuilen heiligenbeelden.
Graflegging
Object type: print
Date: 1609 – 1611
Materials: paper
Techniques: engraving
Location: rome
Subjects: christ's entombment (possibly by angels)
Inscriptions: collector's mark: Lugt 240

Christus wordt door twee mannen in een graf gelegd. Een aantal vrouwen staat erbij, onder wie Maria.
Geometrische figuren, voorzien van handgeschreven uitleg
Object type: sketchbook leaf
Date: 1780 – 1800
Materials: ink, paper, pencil
Techniques: drawing, pen, writing
Inscriptions: inscription: ‘Tweede Algemeene Regen om een opgegeve / hoek van 6 tot 12 in een cirkel te trekken [...]’

Blad 16 verso uit een schetsboek met 17 bladen.
Aartshertog Matthias vertrekt uit de Nederlanden, 1581
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: matthias van oostenrijk (rooms-duits keizer), departure ~ travelling (+ propulsion of vehicle, ship, etc. by wind)

Het vertrek van aartshertog Matthias uit de Nederlanden, 29 oktober 1581. Matthias neemt afscheid op de kade van Antwerpen bij een gereed staand schip met vaandels. Op de achtergrond het Oosters Huis. Met onderschrift van 4 regels in het Latijn. Genummerd 128. Bedrukt op achterzijde met tekst in het Latijn.
Engageantes
Object type: engageantes
Date: 1760 – 1780
Materials: cotton
Culture: british
Naniwaya Okita
Object type: print
Date: 1793 – 1793
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Simson verwoest de tempel van de Filistijnen
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: samson breaks the pillars; the temple of dagon collapses, killing all that are in it
Inscriptions: number: ‘11’, caption: ‘Vtramq[ue] implicuit dextra laeuaq[ue] columnam / Sampson, et ingenti cecidit domus alta ruina.’, signature: ‘MHee[m]skerck inve[n]tor’

Simson is uit de gevangenis bevrijd en verwoest de tempel van de Filistijnen door met twee zuilen onder zijn armen weg te lopen. Het gebouw valt over hem heen. Rechtsvoor een man met harp (lier) onder zijn arm en een jongen op de trappen van een gebouw met zuilenportiek.
Portretten van Izaak Schmidt, Jurriaan Andriessen en Reinier Vinkeles
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving, etching
Subjects: painter, jurriaan andriessen, amsterdam, print maker, draughtsman, izaak schmidt, reinier vinkeles (i), historical persons, portrait, self-portrait of artist, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Kunstwerkplaatsen. Cuypers & Co.
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: roermond
Artist: Anonymous
Subjects: workshop
Lezend kind
Object type: print
Date: 1770 – 1825
Materials: paper
Techniques: etching
Location: paris
Subjects: reading
Inscriptions: : ‘Déposé à la Bibliothèque Impériale’, collector's mark: Lugt 2228
Allerlei houdingen van mannenhoofden en manieren om een hoed te dragen
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: paris
Subjects: head-gear: tricorn (+ men's clothes), head (human), styles of hairdress (allonge)
Inscriptions: date
Gezicht op Maassluis
Object type: print
Date: 1666 – 1698
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), sailing-ship, sailing-boat, church (exterior), windmill, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 195

Gezicht op Maassluis gezien vanaf het water. Links de Groote Kerk, ook wel Nieuwe Kerk genoemd. In het water verschillende zeilschepen. Boven in het midden een leeg wapenschild en de titel.
Bomen aan water met zeilboten
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: trees, lake
Inscriptions: collector's mark: Lugt 2228
Mercurius verlaat de drie Gratiën
Object type: drawing
Date: 1575 – 1585
Materials: ink, paper
Techniques: brush, pen
Artist: jacopo palma (il giovane)
Artist role: draughtsman, painter, print maker
Artist dates: 1544 – 1628
Subjects: (story of) mercury (hermes)

Blad afkomstig uit een schetsboek van Palma, vroeger bijeen in de verzameling Liechtenstein.
Adam and Eve
Object type: print
Date: 1638 – 1638
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Inscriptions: Recto, in plate, lower center: "Rembrandt f. 1638"

Rembrandt Harmensz. van Rijn's etching of Adam and Eve, depicts the story of the first Man and Woman with descriptive, wiry lines that create an evocative atmosphere. Shown at the moment of temptation, the couple is surrounded by light that seems about to be blotted out by the dark tree branch and leering serpent (the devil) stretching ominously above them. With their fleshy bodies and ordinary faces (so far removed from Dürer's idealized pair), Rembrandt's Adam and Eve are easy to identify with; their confusion, temptation, and choice become ours.
[(...)] Mary's Bridport
Object type: album leaf
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: bridport
Artist: Anonymous
Subjects: church (exterior), churchyard, cemetery
Inscriptions: number: ‘2’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Fragment of Bust of Child
Object type: drawing and watercolor
Materials: graphite, paper
Location: europe
Artist: Anonymous
Governor Rusk, Wisconsin, from "Governors, Arms, Etc." series (N133-1), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,profiles,coat of arms

Trade cards from the "State Governors, Arms, Etc." sseries (N133-1), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Rocaille cartouche
Object type: print
Date: 1761 – 1769
Materials: paper
Techniques: etching, roulette
Location: paris
Subjects: rocaille ornament, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Pons Camensis
Object type: print
Date: 1648 – 1649
Materials: paper
Techniques: engraving, etching
Subjects: bridge, bridge in city across river, canal, etc.
Inscriptions: stamp, collector's mark: Lugt 1641

Brug over de IJssel voor Kampen. Op het verso de legenda en vesting van de plattegrond van Kampen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Bruggen.
Granny, Thereza, Elinor; The Shanty
Object type: photograph
Date: 1853 – 1856
Techniques: salted paper print
Artist: john dillwyn llewelyn
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1810 – 1882
Subjects: houses,girls,women
Vue d'un Tombeau sur la voie Appia
Object type: print
Date: 1824 – 1826
Materials: paper
Techniques: lithograph
Location: paris
Subjects: grave, tomb, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 3431

Reizigers knielen neer bij een kapel aan de Via Appia. Achter de muur langs de weg is een grafmonument zichtbaar.
Sint Lambertus en Maria, Sint-Lambertuskathedraal, Luik
Object type: devotional medal
Date: 1600 – 1800
Materials: copper
Techniques: striking
Location: liège
Artist: Anonymous
Subjects: sint-lambertuskathedraal (luik)

Koperen penning. Voorzijde: naar links gewende, gemijterde Sint Lambertus binnen omschrift. Keerzijde: naar rechts gewende, gesluierde Maria binnen omschrift
The Surgeon (La Saignée)
Object type: print
Date: 1632 – 1632
Techniques: engraving, etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: men,women,cats,dogs,doctors
Embroidery sample for a man’s suit
Object type: sample
Date: 1785 – 1785
Materials: silk, wool
Tunic (Jibbeh)
Object type: costume and accessory
Date: 1885 – 1899
Materials: cotton, wool, thread
Techniques: appliqué, embroidery, embroidered, weave, stitching
Culture: islamic
Location: sudan
Subjects: garment, rectangles, black (color), tan (color), brown (color), lines, colonialism, freedom, military, military uniforms, soldiers, uniforms

Sudanese soldiers wore these tailored tunics to mark their role in the Mahdist state’s fight for independence from British and Egyptian rule in the late 19th century. Appliqué elements, such as the sewn shapes seen here, have long held religious significance in Sudan when they appear as talismanic pockets. They also reference the woolen patches haphazardly applied to homemade garments that Sufi followers wore to declare their contempt for worldly goods. The orderly design of this tunic symbolizes a unified army. The clean lines and uniform arrangement of patches symbolize the Mahdi’s efforts to centralize and organize military loyalties, while still honoring soldiers’ long-held Sufi beliefs.
Bead, Hathor head
Object type: bead, hathor head
Date: 332 – 330
Materials: gold
Location: egypt
Bowl Depicting Abstract Motifs, Possibly Representing Sprouting Seeds
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: peru
Moeder vliegt weg met ballonnen
Object type: sketchbook leaf
Date: 1875 – 1920
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: beach (as place of recreation), the family travelling, on holiday, (flying a) gas balloon

Moeder vliegt weg door de lucht met de ballonnen op het strand. Onderdeel van het schetsboek met humoristische tekeningen over het leven van een 'famille nombreuse'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven.
Buitengewone Nederlandsche Staatscourant, 18 juni 1815
Object type: newspaper
Date: 1815 – 1815
Materials: paper
Techniques: letterpress printing
Location: the hague
Subjects: national government, newspaper, news-sheet
Inscriptions: collector's mark, collector's mark: Lugt 1641

Exemplaar van de krant 'Buitengewone Nederlandsche Staatscourant' van 18 juni 1815 over de slag bij Waterloo. Gedrukte tekst met bovenaan het landswapen. Rechtsboven een stempel betaalde accijnzen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Publicaties.
Handtekeningen van Carel Anton Fodor
Object type: manuscript
Date: 1789 – 1847
Materials: ink, paper
Techniques: pen, printing, writing
Subjects: carel anton fodor, amsterdam
Inscriptions: collector's mark: ‘RPK’
Ex libris Pla R.
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: woodcut
Location: czech republic
Artist: Anonymous
Subjects: flowers, book
Holy Water Basin
Object type: holy water basin
Date: 1800 – 1900
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Beeld van een zittende schrijver in het museum van Caïro
Object type: photograph
Date: 1895 – 1905
Materials: paper
Techniques: autotype
Location: cairo
Artist: gk
Artist role: fotograaf
Subjects: monument, statue, permanent exhibition, museum
Inscriptions: inscription: ‘G.K. - Droit réservé N. 1106’, number: ‘Ie Série N. 6’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Oostzee
Object type: album leaf
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: baltic sea region
Artist: willem frederik piek jr.
Artist role: fotograaf
Artist dates: 1874 – 1954
Subjects: sailing-ship, sailing-boat
Het dorp Wilnis
Object type: print
Date: 1762 – 1822
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: village, couple of lovers, fisherman
Inscriptions: collector's mark: Lugt 2228

Een vrijend paartje staat voor een theepaviljoen bij een vijver. Aan de oever zitten vissers. Op de achtergrond een kerk.
Den Reuck
Object type: print
Date: 1651 – 1719
Materials: paper
Techniques: mezzotint
Artist: jacob toorenvliet
Artist role: draughtsman, painter, print maker
Artist dates: 1640 – 1719
Subjects: cut flowers; nosegay, bunch of flowers, smell, smelling (one of the five senses)
Inscriptions: collector's mark: Lugt 2228

Een vrouw met in haar hand enkele bloemen. De prent maakt deel uit van een serie van vijf prenten met de vijf zintuigen.
Fotoreproductie van een portret van William Cowper
Object type: photomechanical print
Date: 1878 – 1888
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: william cowper, writer, poet, author
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; one letter of an inscription, lambda?; Exterior, leg of male to left; two javelins?; part of a knobby stick; palaistra scene?
Dode Christus beweend door een engel
Object type: print
Date: 1593 – 1597
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Artist: jan harmensz. muller
Artist role: draughtsman, print maker
Artist dates: 1571 – 1628
Subjects: christ lamented by angels
Inscriptions: collector's mark: Lugt 240

Een engel treurt bij de dode Christus. Het tafereel wordt beschenen door een lantaarn.
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, rim fragment with part of the head, forehead, and left ear of a filleted youth to left; a second rim fragment shows the top of the head of wreathed youth to left; a third rim fragment depicts part of a tendril and one frond of a circumscribed palmette; a fourth rim fragment shows part of the handle patch and the start of the handle root; below the rim of all four fragments, an egg pattern
Monsterfantasie
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: aquatint, etching, roulette
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: monsters larger than normal, flight, running away; pursuing
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een monster met holle ogen en gekleed in een gewaad verheft zich boven een menigte mensen, die voor hem wegvlucht. Sommige mensen heffen hun armen ten hemel.
The cardinal virtue of Temperance represented by a seated woman pouring wine(?) from one jug into another  (possibly a modern impression)
Object type: print
Date: 1480 – 1520
Materials: niello
Techniques: engraving, printing
Artist: Anonymous
Artist role: artist
Subjects: women
Portretten van De Kroniek
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: the hague, draughtsman, hendrik willem mesdag, historical persons (+ (full) bust portrait)
Inscriptions: inscription: ‘proefdruk / eerste staat / Jan Veth’

Deze prent werd uitgegeven als bijvoegsel van De Kroniek op 24 februari 1895.
't Verlokte oog misleid den Boog
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: shooting with bow and arrow, archery (~ games of skill)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Huygen, Pieter. De beginselen van Gods koninkryk in den mensch uitgedrukt in zinnebeelden. Amsterdam: wed. Arentsz. Pieter (II), 1689, p. 2.
Watermill
Object type: drawing and watercolor
Date: 1600 – 1656
Materials: ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: jan van everdingen
Eglise St. André, Chartres
Object type: drawing
Materials: graphite
Techniques: brush, wash
Artist: charles fournier des ormes
Artist role: artist
Artist nationality: french
Artist dates: 1777 – 1850
Subjects: houses,churches
Onderstok van parapluie of parasol van gekleurd berkenhout met knoestige, rechte haak van gekleurd, warrig esdoorn(?)
Object type: onderstok
Date: 1920 – 1940
Materials: wood
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Onderstok van parapluie of parasol van gekleurd berkenhout met knoestige, rechte haak van gekleurd, warrig esdoorn(?).
Plate
Object type: plate
Date: 1401 – 1600
Materials: iron
Culture: european
Gertrude Reynolds, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Studie
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932

Pagina 133 uit een schetsboek met 84 bladen.
Canal with a Large Boat and a Bridge
Object type: print
Date: 1650 – 1650
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: bridges,canals,boats
Book of the Dead of the Priest of Horus, Imhotep (Imuthes)
Object type: papyrus, funerary, book of the dead, imouthes, imhotep, imuthes
Date: 332 – 200
Materials: ink, papyrus
Location: middle egypt
Subjects: birds,lions,boats,hieratic
Spoorwegtunnel en rijtuig in de Anaikloof op Sumatra
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: two-wheeled, animal-drawn vehicle, ravine, chasm, abyss, canyon, railway, train, underground road, tunnel, sumatra
Inscriptions: number: ‘219’

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Plan de la Ville et Citadelle de Tournay, Investie par les Alliés le 29 Juin 1709 Dont la Trenchée ayant esté ouvete la nuit du 7 a 8 de Juillet, on tocha la Chamade pour la Ville le 28. du même mois
Object type: map
Date: 1709 – 1709
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: siege, position war, maps of cities

Kaart van het beleg van Tournai. De stad belegerd door de Geallieerden vanaf 29 juni en ingenomen op 2 september 1709. Onderdeel van een gebundelde verzameling van plannen van veldslagen en steden vermaard in de Spaanse Successieoorlog.
Vase
Object type: vase
Date: 1885 – 1889
Materials: stoneware
Culture: american
Location: united states
Artist: chelsea keramic art works
Artist role: manufacturer
Artist nationality: american
Artist dates: 1872 – 1889

Steeped in ceramics from birth, Hugh C. Robertson pursued his craft with fierce devotion and a passion for experimentation. From a family of trained English ceramists, he honed his skills in New Jersey before settling in Massachusetts as one of the founders of Chelsea Keramic Art Works and later, Dedham Pottery. Robertson’s lifelong explorations in glazes, particularly their color and texture, make him one of the key figures of American art pottery at the turn of the twentieth century. During the 1880s Robertson increasingly turned his attention to developing new glaze formulas and clay bodies. In the middle of the decade he became obsessed with the highly coveted yet elusive sang-de-boeuf, or oxblood, glaze, a quest that became the hallmark of his later career. This richly colored blood-red glaze is traditionally created from a copper-based formula and fired in a kiln, which when wet straw and other materials are introduced, deprives the atmosphere of oxygen and changes the copper-oxide glaze to a brilliant red color. While Chinese potters sporadically created the copper-red glaze in earlier centuries, it was not until the Ming Dynasty (1368– 1644) that ceramists refined the technique to yield consistently good color. However, production was disrupted shortly thereafter, and the secret lost. About 1680 the secret of copper-red glazes was regained, and its production continued through the eighteenth century. In April 1885 Robertson became the first American to successfully replicate the oxblood glaze, showcasing his new oxblood glazes on the same Chinese-inspired shapes that he used for his monochrome glazes. Justly proud of his accomplishment, he called the variations of his new glaze "Dragon’s Blood," "Sang de Chelsea," and "Robertson’s Blood." In 1887 Robertson observed that in his "struggle to master the Blood," he "met a number of variations that are very pleasing in effect and intirely [sic] new as far as I know." The extraordinary holdings of Chelsea sang-de-boeuf vessels in the Ellison Collection include many modulations of color, varying from crimson to fiery orange reds, tones of bright raspberry, and dark, sonorous reds with a purplish cast. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known.
Brand in 's Lands Zeemagazijn, 1791
Object type: history print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: on fire, ablaze

Illustratie voor: J. Fokke. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1783-1795, 25 delen. deel XXIII pl. VI.
Portret van Paulus Pontius
Object type: print
Date: 1627 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, print maker, draughtsman, paulus pontius, historical persons, portrait, self-portrait of artist
Inscriptions: inscription: ‘Hiervan bestaat een (...) met 2 55. -’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Met vierregelig onderschrift in het Frans.
Aangemeerde schepen en een lading boomstammen
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: trees (+ stem, trunk), ships (in general), pier, quay, wharf, france
Bottle
Object type: bottle
Date: 1501 – 1700
Materials: glaze, metal, stoneware
Culture: chinese
Subjects: birds
Box of Three Trays with Decoration of Ferns
Object type: box
Date: 1601 – 1700
Materials: gold, lacquer
Techniques: maki
Culture: japanese
Subjects: leaves