deem-data/ArtiFact huggingface dataset:
S. Matthias.
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: the apostle and martyr matthias; possible attributes: axe, book, cross, halberd, scroll, sword
Inscriptions: collector's mark: Lugt 2542, collector's mark: Lugt 2228

Buste van de apostel Mattias, een opengeslagen boek en een hellebaard voor hem. Hij houdt zijn linkerhand tegen zijn borst aan. In de marge een onderschrift in het Latijn. Prent uit een serie met Christus en de apostelen.
Chamois, Musk, Klipbok and Lion
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: thomas uwins
Artist nationality: english
Artist dates: 1782 – 1857
Sugar bowl and spoons
Object type: sugar bowl and spoon
Date: 1804 – 1804
Materials: gilt, silver
Artist: bendix gijsen
Artist role: silversmith
Artist nationality: danish
Artist dates: 1765 – 1822

This sugar bowl is notable for its striking originality. The globe-shaped bowl is opened by pressing the compass finial, which causes the top half of the globe to retract. The columnar base is fitted with slots to hold spoons. The prevailing Neoclassical taste is reflected in the swags of grapevines and Mercury heads that encircle the bottom of the globe as well as in the truncated column base. However, the absence of unnecessary ornamentation and the sense of monumentality create an unusually "modern" object.
Mrs. Vanderveer, or Mrs. Vandeveer
Object type: painting
Date: 1717 – 1717
Materials: canvas, oil
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Inscriptions: Dated upper right: "July 9/AETS,48/1717"
Geïllustreerd boek over bloemen, dichters en vogels
Object type: book
Date: 1740 – 1740
Materials: paper
Techniques: woodcut
Location: osaka
Gezicht op het Amstel Hotel in Amsterdam, op de voorgrond de Amstel
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: river, hotel, hostelry, inn

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
Vestment
Object type: vestment
Date: 1675 – 1725
Materials: metal, silk
Subjects: griffins,deer,horses,lions

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. This panel incorporates the whimsy of mythical animals depicted in opulent materials. The confronting lions are particularly charming with their curling tongues and beaded eyes.
Edward Livingston
Object type: painting, miniature
Date: 1827 – 1827
Materials: ivory, watercolor
Culture: american
Artist: anson dickinson
Artist role: artist
Artist nationality: american
Artist dates: 1779 – 1852
Subjects: men,portraits

The prominent statesman (1764-1836) sat for Dickinson in Washington on February 3, 1827, as is recorded in the artist's daybook. Former mayor of New York City (1801-3), Livingston was, at the time, a senator for the state of Louisiana. He would go on to serve as secretary of state (1831-33) and United States minister to France (1833-35) under Andrew Jackson.
Oud-Heeden van Zaan-land Stavoren Vronen en Waterland door H. Soetboom II Deel
Object type: print
Date: 1700 – 1702
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: vronen, zaanstreek, stavoren

Illustratie in: H. Soeteboom, Oud-heden van Zaan-land, Stavoren, Vronen en Waterland : deze laatste druk ... met nodige aanteekeningen, figuren, en een landkaart verrykt, W. Linnig van Koppenol, Amsterdam 1702, dl. 2, titelprent.
Vasa a se inventa atq. studii causa delin. et incisa
Object type: ornament print
Date: 1746 – 1746
Materials: paper
Techniques: etching
Artist: jacques francois joseph saly
Artist role: print maker, sculptor
Artist dates: 1717 – 1776
Subjects: maenad(s), female bacchant(es), thiasos, i.e. bacchus' revel-rout, bacchanal without bacchus, satyr(s) (in general), garden vase

Deze prent maakt deel uit van een album.
Ellemaat met handvat
Object type: ellemaat
Date: 1800 – 1800
Materials: metal, wood
Location: germany
Artist: Anonymous
Subjects: netherlands, germany
Inscriptions: date: ‘1800’

Lengtemaat van 1 el met handvat en metalen dook. V.z.v. stempel.
Portrait of a Woman
Object type: painting
Date: 1510 – 1515
Materials: wood, oil
Artist: bernhard strigel
Artist role: artist
Artist nationality: german
Artist dates: 1460 – 1528
Subjects: portraits,women
Roma. Castello e Ponte Sant'Angelo
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1909
Materials: cardboard, photographic process
Techniques: writing
Location: rome
Artist: Anonymous
Subjects: fortress, city-view, and landscape with man-made constructions, bridge
Inscriptions: postage stamp
Vijf zittende mannen
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: sitting figure
Stroomversnellingen in Uji rivier, Uji
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: uji
Artist: Anonymous
Subjects: uji
Inscriptions: number: ‘11.’
Allegorische Romeinse vignetten
Object type: collage visual work
Date: 1750 – 1816
Materials: paper
Techniques: engraving, etching
Subjects: rome

Vier allegorische vignetten gerelateerd aan Rome. De bovenste twee knipsels gecombineerd in een collage. Onderdeel van het tweede van twee albums met ingeplakte prenten en tekeningen te dienen als tekenvoorbeelden.
Kolibrie op een tak naar links
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, lithography
Location: netherlands
Subjects: other birds (with name)
Inscriptions: collector's mark: Lugt 2228
Lintel
Object type: fragment
Date: 1130 – 1140
Materials: marble
Culture: catalan
Location: france
La Belgique pittoresque et monumentale / Views of Belgium
Object type: stereograph
Date: 1866 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: mechelen
Artist: jules hippolyte quéval
Artist role: publisher
Artist dates: 1824 – 
Subjects: parts of church interior: ambulatory
Inscriptions: number: ‘No 1636’
Terracotta Nolan neck-amphora (jar)
Object type: neck amphora
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Subjects: bow and arrow,zeus

Obverse, Zeus Reverse, Ganymede
Portret van Frans I van Frankrijk
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: frans i van valois-angoulême (koning van frankrijk), rocaille ornament, historical persons, king

Linksboven: 2. Stuk. Rechtsboven: Fol: 105. Met vierregelig lofdicht in het Nederlands onder het portret.
Marie Stuard
Object type: playing card
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: ruler, sovereign - bb - female ruler

Deze prent maakt deel uit van een kaartspel met 52 kaarten met voorstellingen van beroemde koninginnen. De serie is uitgedacht door Jean Desmarests de Saint-Sorlin in opdracht van Kardinaal Mazarin. Het kaartspel werd gemaakt voor de jonge Lodewijk XIV, samen met het Jeu des Fables, Jeu de la Géographie en Jeu des Rois de France.
Gezicht op het hoofdgebouw van Artis
Object type: cabinet photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: permanent exhibition, museum, zoological garden, zoo, seen as place where non-domestic animals are kept
Inscriptions: number: ‘17’
Chariot group
Object type: model of a chariot
Date: 400 – 301
Materials: terracotta
Culture: cypriot
Subjects: men,horses

The group is handmade and solid. The faces are mold-made. Two male figures appear behind the four horses. This group is an abbreviated version of a chariot group, for the chariot itself is not rendered. The bodies of the horses, which stand on a hollow rectangular frame, are short. The bodies of the men merge with the horses.
Bottle
Object type: bottle
Date: 701 – 1000
Materials: glass
Techniques: cutting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Fotoreproductie van het schilderij 'À boire!' door Eugène Lambert
Object type: photomechanical print
Date: 1876 – 1881
Materials: paper
Techniques: woodburytype
Artist: louis-eugène lambert
Artist role: painter
Artist dates: 1825 – 1900
Subjects: cat
Portret van Hermanus Boerhaave
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: leiden, hermanus boerhaave, historical persons, physician, doctor
Portret van Hugo Heermann
Object type: album leaf
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Artist: erwin hanfstaengl
Artist role: fotograaf
Artist dates: 1837 – 1905
Subjects: musician, historical persons, violin, fiddle, portrait of composer
Inscriptions: annotation: ‘H. Heermann.’
Notities
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: ink, paper, pencil
Techniques: pen
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Inscriptions: annotation: ‘(molenaar)/ [...]’

Blad 56 verso uit een schetsboek met 56 bladen.
Landschap met bebouwing
Object type: sketchbook leaf
Date: 1866 – 1922
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: city-view, and landscape with man-made constructions

Blad 10 verso en 11 recto uit een schetsboek met 42 bladen.
Candle pricket (pair with 1975.1.1464)
Object type: candle pricket
Date: 1601 – 1700
Materials: iron
Culture: spanish
Hoofd van een bebaarde oude man
Object type: drawing
Date: 1630 – 1667
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667

Tekening naast twee andere tekeningen in het Familie-plakboek geplakt. Vrije kopie naar Rembrandts ets 'Buste van een oude man met vloeiende baard en witte mouw' uit c. 1630 (B. 291).
Le négociant ambulant
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: print, e.g.: engraving, etching, lithograph, art dealer (+ graphic arts), book, farm (building) - aa - civic architecture: inside
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228

Achter de tafel van een boerenwoning staat een rondreizende prenthandelaar. Hij toont zijn koopwaar aan een vrouw met een kind op haar arm en een zittende oude vrouw. Rechts vechten twee kinderen om een prent. Onder de afbeelding het wapen van Louis Rolland de Trémeville, heer van Villarceaux.
Virgin and Child with Saints
Object type: print
Date: 1517 – 1517
Materials: paper
Techniques: engraving
Location: italy
Artist: domenico campagnola
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1564
Paard met halster
Object type: print
Date: 1848 – 1895
Materials: paper
Techniques: etching, intaglio
Artist: alfred verwee
Artist role: print maker
Artist dates: 1838 – 1895
Subjects: horses and kindred animals
Inscriptions: collector's mark: Lugt 2228
Neptunus met een nimf
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Subjects: love-affairs of neptune: first series
Portret van Anton Baumgartner
Object type: print
Date: 1779 – 1843
Materials: paper
Techniques: stippling
Subjects: historical persons, lawyer, attorney at law
Inscriptions: number: ‘16.’, collector's mark: Lugt 2233

Deze prent is gemaakt naar een schilderij dat zich in de collectie van het Münchner Stadtmuseum bevindt onder inv.nr. GM IIc/60.
Porte du Pardon dans la Cour des Orangers, à Séville.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sevilla
Artist: Anonymous
Subjects: church (exterior), gate, entrance
Inscriptions: inscription: ‘Espagne.’, number: ‘No 184.’
Still life with fish
Object type: painting
Date: 1648 – 1672
Materials: canvas, oil
Artist: pieter van noort
Artist role: painter
Artist dates: 1622 – 1672
Subjects: fishes, fish; still life of fishes
Inscriptions: signature: ‘P. v. Noort’

Visstilleven. Stilleven met verschillende soorten vis (karper, baars) uitgestald op een visnet op de hoek van een tafel. Op de achtergrond een hengel met lijn en dobber en een emmer.
Paardenkoppen naar Gerrit Malleyn
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching
Artist: joannes bemme
Artist role: print maker, printer
Artist dates: 1775 – 1841
Subjects: horse (+ head of an animal)
Inscriptions: collector's mark: Lugt 2165
Portret van Friedrich Ludwig III Truchsess zu Waldburg
Object type: print
Date: 1812 – 1874
Materials: paper
Techniques: lithograph
Location: germany
Subjects: politician, commander-in-chief, general, marshal, historical persons, politician, e.g. party leader, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2228
Shoes
Object type: shoe
Date: 1601 – 1700
Materials: leather
Culture: british
Monkey Bridge
Object type: print
Date: 1840 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Rushing Bear, Pawnee, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N36), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N36 reproduces the cards from N2 in a larger size.
The Turkish Corn Cutter
Object type: print
Techniques: etching
Artist: b.f. scott
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1850
Subjects: men,women
View of a Village ("Wasschout"?)
Object type: drawing
Date: 1634 – 1666
Materials: ink
Techniques: brush, pen, wash
Artist: jan de bisschop
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1671
Subjects: houses,villages,trees
Figurine or amulet of a hippo on a sled
Object type: figurine, hippopotamus, sled
Date: 2960 – 2649
Materials: ivory
Location: egypt
Subjects: hippos
Vase with Five Discs
Object type: vase
Date: 701 – 800
Materials: glass
Techniques: glassblowing, stamping
Location: iraq

A fragment of this vase type was discovered during excavations in Qasr‑i Abu Nasr, in southern Iran, and similar pieces were later found at sites in Guyuan, China, and even Japan, demonstrating that objects of this kind were highly prized in the Far East and traded as luxury items.
Bulgaarse kinderen en volwassenen in een Bulgaars dorp tijdens een rondreis van Else Wachenheimer-Moos en haar echtgenoot Eugen Wachenheimer, oktober 1927, Bulgarije
Object type: album leaf
Date: 1910 – 1927
Materials: paper
Location: bulgaria
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: eugen wachenheimer
Inscriptions: inscription: ‘Tschonn Koria (onleesbaar)(onleesbaar)(onleesbaar) Okt. 27 Dorfjugend von Bel Isker Oktober 1927’

Albumblad bevat twee foto's van Eugen Wachenheimer en onbekende personen. Afkomstig uit album half formaat, kartonomslag met koordbinding en lichte veelvormige vormen op voorzijde.
Kroning van Willem III en Maria II, 1689
Object type: book illustration
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), during the coronation, westminster abbey
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Pers, Dirck Pietersz. Romeynschen adelaer, waer in de loffelĳcke en lasterlĳcke daden der Romeynsche koningen, en keyseren, verhandelt werden, 3 delen. Utrecht: Jurriaen van Poolsum, 1689, fol. 897. Deze prent is ook genummerd FMH 2696 als illustratie voor: Lambert van den Bosch, Het leven en bedryf van Willem de Darde, Jan Claesz ten Hoorn, Amsterdam 1694, 4 delen.
XVII Arundo Testucoïdes
Object type: photograph
Date: 1900 – 1900
Materials: ink, paper
Techniques: photograph
Location: france
Artist: Anonymous
Portret van Karl von Jacobi
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Montreux, vue prise de Clarens
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: montreux
Artist: Anonymous
Subjects: mountain-range, snow peaks, lake (+ landscape with figures, staffage), prospect of city, town panorama, silhouette of city
Interieur van het oude Beyart klooster te Maastricht
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: maastricht
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: ruin of church, monastery, etc.
Inscriptions: annotation: ‘Maastricht’, annotation: ‘Maastricht (L.)/ Beyaertgebouwen/ gezicht in een der ruimten van af het punt g./ Nov 1893’
Brougham #3776
Object type: drawing
Date: 1882 – 1882
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Rosewater Sprinkler
Object type: bottle
Date: 1767 – 1900
Materials: glass
Techniques: glassblowing
Location: turkey

This bottle is typical of the objects that were displayed in open niches in reception rooms of Ottoman-period upper-class Syrian homes
Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee
Object type: drawing
Date: 1548 – 1628
Materials: chalk, ink
Techniques: pen
Artist: jacopo palma the younger
Artist role: artist
Artist nationality: italian
Artist dates: 1543 – 1628
Subjects: women,christ
Stamp seal (scaraboid) with monster
Object type: stamp seal
Date: 734 – 601
Materials: limestone
Culture: assyrian
Location: northern syria or eastern anatolia
Foto van neo-classicistisch (bekend?) gebouw
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rotterdam
Artist: johannes baer
Artist role: fotograaf
Artist dates: 1840 – 1912
Inscriptions: label: ‘J.Baer//Rotterdam’

Foto van licht, neo-classicistisch gebouw aan een plein, van rechts vóór gefotografeerd zodat ook de zijkant van het gebouw erop staat. Een kind zit in de deuropening, een man in het zwart staat aan rechter zijkant gebouw.
Fan
Object type: fan
Date: 1767 – 1833
Materials: leather, metal, paper, wood
Culture: american
Fragment of a terracotta kylix
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Interior, left shoulder, upper arm, and fingers of the left hand of a male, holding a lyre?
Sous-diacre / Subdeacon
Object type: page
Date: 1870 – 1890
Materials: paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: deacon (roman catholic), anonymous historical person portrayed
Inscriptions: number: ‘6.’