deem-data/ArtiFact huggingface dataset:
Verdediging van Corcyra door Mattheus Johannes, graaf van Schulenburg
Object type: history medal
Date: 1742 – 1784
Materials: bronze
Techniques: striking
Location: stuttgart
Artist: adam rudolph werner
Artist role: medailleur
Artist dates: 1722 – 1784
Subjects: emden, verona, militair, matthias johann von der schulenburg, griekenland, korfoe, oorlog tegen de turken (1716-1718), verdediging van corcyra

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: plattegrond van Corcyra binnen omschrift; afsnede: opschrift
George Cruikshank
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: england
Artist: w. walker & sons
Artist nationality: english
Artist dates: 1860 – 1869
Schetsboek met 59 bladen met studies van Johannes Antonius Canta en ingeplakte schetsen van Johannes Tavenraat
Object type: album
Date: 1826 – 1888
Materials: cardboard, ink, linen, paper, pencil, watercolor
Techniques: brush, etching, pen
Subjects: animals, firearms, (military) uniforms
Inscriptions: signature: ‘J.A. Canta.’

Schets- en plakboek van Johannes Antonius Canta. Met de leesrichting mee enkele schetsen van Canta. Vermoedelijk is het schetsboek vervolgens omgekeerd en gebruikt als plakboek om schetsen van Johannes Tavenraat, vaak uitgeknipt uit brieven, in te bewaren.
Pagina 1, de verso van bladen 2 t/m 21, bladen 22 t/m 40, de recto van bladen 41 t/m 58 en blad 59 zijn blanco.
Magnolia (Magnolia Soulangeana), from the Flowers series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: flowers,leaves

The "Flowers" series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
O casamento simulado com a photographia de Maria Eugenia dos Santos
Object type: book
Date: 1886 – 1886
Materials: paper, photographic support
Techniques: albumen print, printing
Location: lisbon
Artist: c. grillo
Artist role: typograaf
A gun fight between those supporting agrarian reform led by Zapata and the military opposition during the Mexican revolution
Object type: print
Date: 1912 – 1912
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: military,men,horses

Image included in the broadsheet "Emiliano Zapata, herido en un combate" (Imprenta de A. Vanegas Arroyo, August 1912). According to note on mount sheet, this proof was printed by Jean Charlot.
Cup-Hilted Rapier
Object type: cup hilted rapier
Date: 1650 – 1675
Materials: iron, steel
Culture: italian
Location: italy
Artist: carlo piccinino
Artist role: sword maker
Artist nationality: italian
Artist dates: 1625 – 1700
Subjects: battles,men,horses

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Capital with Acanthus and Palm Leaves
Object type: capital
Date: 501 – 600
Materials: limestone
Techniques: carving, relief
Location: egypt

In the 500s Apa (Father) Jeremias founded a Coptic monastery at Saqqara, the ancient Egyptian necropolis (cemetery) of the city of Memphis, near the oldest pyramids. He and the earliest monks lived in tombs at the site. As the monastery grew, several grand churches with lavish decoration were built, as well as many chapels, public buildings, and complexes of cells (rooms) for each monk. The monastery continued to grow after the Arab conquest with materials from early Byzantine tomb structures being reused for additional monastic structures. Inscriptions record prayers to numerous holy figures. Sculptural elements from Saqqara are often carved with deeply undercut patterns to intensify the play of light and shadow and to mask the solidity of the architecture. This sculptural style was popular throughout the Byzantine world in the 500s.
Figuurstudie
Object type: sketchbook leaf
Date: 1845 – 1891
Materials: paper, pencil
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: anatomy (non-medical)

Blad 13 verso uit een schetsboek met 46 bladen.
Gesigt naa d'Weesper Poort binnen d'wal
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: bleaching (laundering), windmill in landscape, bridge in city across river, canal, etc., city-gate

Gezicht op de Weesperpoort over de Schans, in zuidwestelijke richting. Rechts de Nieuwe Lijnbaansgracht. Linksvoor wordt was gebleekt.
Miniature vase
Object type: vase
Date: 1701 – 1800
Materials: glaze, porcelain
Culture: chinese
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of an inscription, [PA]NAIT[I]O[S]
Onderdeel van een koperen blaasinstrument
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: horn, trumpet, cornet, trombone, tuba

Pagina 25 uit schetsboek XLV met 85 pagina's.
Actor Segawa Tomisaburo II as the Geisha Asaka
Object type: print
Date: 1794 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: tōshūsai sharaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Subjects: men,women,actors
Tray (part of an inkstand)
Object type: inkstand on tray
Date: 1735 – 1735
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: ships
Clock bracket
Object type: bracket clock
Date: 1690 – 1700
Materials: wood
Culture: british
Location: england
Paradise Tanager, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of the Tropics" series (N38), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes. This series is a physically larger version of the "Birds of the Tropics" set (N5), including the corresponding small card design with other pictorial matter added.
Mijn lijster
Object type: print
Date: 1941 – 1941
Materials: paper
Techniques: engraving
Location: putten
Subjects: cat, song-birds: blackbird
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Hattum, Jac. van. Van Odrimond, Millimas en anderen. Putten: D.J. Terwee, [1941].
Buddhist Figures and Their Attributes (Zōho shoshū Butsuzō zui) 増補諸宗 佛像図彙
Object type: illustrated book
Date: 1801 – 1900
Materials: ink, paper
Culture: japanese
Artist: kino shūshin 紀秀信
Artist role: artist
Artist nationality: japanese
Subjects: men,women,buddhism
The Flight into Egypt
Object type: drawing
Date: 1701 – 1733
Materials: chalk, ink, paper
Techniques: heightening, pen
Location: france
Artist: françois le moyne
Artist role: artist
Artist nationality: french
Artist dates: 1688 – 1737
Subjects: men,horses
Marble pediment of a funerary altar
Object type: cippus upper part with three portrait head in relief
Date: 120 – 130
Materials: marble
Culture: roman
Subjects: portraits,women

This fragment of an altar is from a commemorative monument in which identifying inscriptions would have appeared on the shaft below the three portrait busts. Since that part of the altar is now missing, the relationship between the figures is not known. The woman at the center, whose hairstyle suggests a date in the early second century A.D., is the main focus of attention and so is thought to be the mother of the two men, who look respectfully toward her. It may be that they died first, and their grieving mother, who is presented in a more lifelike pose, was left to set up this monument.
Fotoreproductie van een prent naar een schilderij, voorstellende de lofzang van Maria
Object type: page
Date: 1861 – 1871
Materials: photographic support
Techniques: albumen print
Subjects: mary magnifying the lord ('magnificat')
Inscriptions: inscription: ‘"My soul doth magnify the Lord."’
Portret van Hendrik Herman van den Berg
Object type: carte de visite
Date: 1898 – 1898
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: batavia, amsterdam, hendrik herman van den berg
Inscriptions: inscription: ‘± 1898’, inscription: ‘Spui / 15 / M. Büttinghausen / Eenig / Atelier.’
Portret van Esteban de Gamarra y Contreras
Object type: print
Date: 1650 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: brussels, the hague
Inscriptions: collector's mark: Lugt 2228

Portret van Esteban de Gamarra y Contreras. Midden onder in de marge zijn wapenschild.
Scenes from the Life of Saint Andrew
Object type: altarpiece
Date: 1367 – 1400
Materials: gold leaf, paint, wood
Culture: spanish
Location: spain
Subjects: birds,dogs,angels,adam,eve,saints
Ex libris van Giorgio Dieci
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: italy
Subjects: book, stars
Ewer
Object type: ewer
Date: 1701 – 1900
Materials: glass
Location: iran
Holy Family
Object type: print
Date: 1684 – 1684
Artist: john smith (prentmaker/ uitgever)
Artist role: print maker, publisher
Artist nationality: british
Artist dates: 1652 – 1743
Subjects: holy family

In Mariette Album, folio 81, bottom
Dish
Object type: dish
Date: 1601 – 1800
Materials: stonepaste
Techniques: glazing
Location: iran
Oude man met baard
Object type: print
Date: 1716 – 1789
Materials: paper
Techniques: engraving
Artist: pieter lyonet
Artist role: draughtsman, print maker
Artist dates: 1706 – 1789
Subjects: old man
Inscriptions: collector's mark: Lugt 240
Portret van Armand de Gontaut, heer van Biron
Object type: print
Date: 1805 – 1811
Materials: paper
Techniques: etching
Location: paris
Subjects: armour, historical persons

Prent uit: Galerie historique des hommes les plus célèbres (...). Parijs: Charles Paul Landon, 1805-1811.
Dress
Object type: dress
Date: 1859 – 1859
Materials: cotton
Culture: american
Frühlingsanfang, from the series "Radierte Skizzen"
Object type: print
Techniques: aquatint, printmaking, etching
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: women,trees
Bonnet
Object type: bonnet
Date: 1887 – 1887
Materials: silk, fiber
Culture: french
Portret van Michel Le Tellier
Object type: print
Date: 1658 – 1699
Materials: paper
Techniques: engraving, etching
Location: france
Artist: robert nanteuil
Artist role: print maker
Artist dates: 1623 – 1678
Subjects: paris, michel le tellier, historical persons
Inscriptions: collector's mark: Lugt 2228
Badge with Head of Christ
Object type: pilgrim's badge
Date: 1301 – 1500
Materials: alloy, lead, tin
Culture: british
Subjects: christ
Kaart van het Hoogheemraadschap van Delfland, met Wassenaar en omgeving, deel linksboven
Object type: map
Date: 1611 – 1692
Materials: paper
Techniques: engraving, etching
Subjects: maps of separate countries or regions
Geefhuis te Gouda
Object type: armenloodje
Date: 1600 – 1700
Materials: brass
Techniques: striking
Location: gouda
Artist: Anonymous
Subjects: gouda

Eenzijdig messing ruitvormig loodje met afgeschuinde hoeken en gat erin. Voorzijde: in ovale parelrand: duif met gespreide vleugels in stralenkrans binnen omschrift. Keerzijde: blanco.
Band
Object type: band
Date: 1601 – 1800
Techniques: embroidery
Portret van een onbekend kind bij een raam
Object type: frame
Date: 1880 – 1900
Materials: paper, cardboard, fiber
Techniques: gelatin silver print
Artist: Anonymous
Subjects: child, anonymous historical person portrayed
The Anio Valley with the Waterfalls of Tivoli
Object type: painting
Date: 1800 – 1825
Materials: canvas, oil
Artist: cornelis apostool
Artist role: draughtsman, print maker
Artist dates: 1762 – 1844
Subjects: waterfall, tivoli
Inscriptions: signature: ‘C. Apostool ft’

Italiaans landschap met het dal van de Anio en de watervallen van Tivoli.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Interior, part of band of laurel leaves; head, neck, bit of shoulder, and top of wings of figure with her hair up in a sakkos, and an earring in her right ear; Exterior, lower legs of a draped male to right, with a stick; lower legs of a draped male, wearing a chlamys and boots, with a stick
Paperweight
Object type: glass
Date: 1845 – 1860
Materials: glass
Location: baccarat
Artist: baccarat glassworks

Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying and classifying the natural world. Amateur botanists were eager to collect and preserve floral specimens, which they intently researched and catalogued. In response to this broad appeal, French glassmakers made paperweights that portrayed the very botanical subjects that were so enthusiastically sought. Many weights represented specimens with horticultural correctness, but others were entirely fanciful creations. Paperweights like this example speak to the period’s fascination with taxonomic systems.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Menu voor een diner op 22 maart 1885
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: lithograph, letterpress printing
Artist: Anonymous
Subjects: lanaken, apotheker, maria van aubel

Op de voorzijde een krans van bloemen, met in het midden de naam van de genodigde ('Madame Emile Steyns'). Op de achterzijde het menu van het diner.
Amphora
Object type: amphora
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: fish

Wide-mouthed amphora with frieze of fish on shoulder.
Menapii. Eveschés d'Anvers, et de Bosleduc. Partie Septentr.nale du Duche de Brabant (...).
Object type: map
Date: 1647 – 1667
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: maps of separate countries or regions, brabant, antwerp
Inscriptions: collector's mark: Lugt 195

Kaart van een deel van het hertogdom Brabant. Rechtsonder de titelcartouche. Linksboven drie schaalstokken: 10 Mille Pas Geometriques / 4 Lieues communes de France / 3 Lieues communes de Pays Bas. De kaart is voorzien van een gradenverdeling langs de randen.
Portret van Simon Tyssot de Patot
Object type: print
Date: 1695 – 1727
Materials: paper
Techniques: engraving
Location: france
Subjects: london, ornament ~ medallion, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Cunningham, Pitcher, Baltimore Orioles, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Interieur van de Waalse Kerk te Amsterdam, gezien richting de hoofdingang
Object type: print
Date: 1730 – 1759
Materials: paper
Techniques: engraving, etching
Subjects: church (exterior), grave, tomb
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Interieur van de Waalse Kerk gezien vanaf het orgel. In het midden graaft een man een graf. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Kerkgebouwen te Amsterdam.
Jager
Object type: print
Date: 1880 – 1946
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: henri van der stok
Artist role: print maker
Artist dates: 1870 – 1946
Subjects: africans, hunter
Inscriptions: collector's mark: Lugt 2228

Een zwarte man met kroon op het hoofd staat gedraaid op één been tussen struikgewas. In zijn linkerhand houdt hij een speer of een pijl.
Paulus verkondigt de leer van Christus te Rome
Object type: book illustration
Date: 1629 – 1646
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: paul preaches and tells his story to jews while guarded by soldiers

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. De prent wordt mogelijk al gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629. Ze komt in ieder geval voor in: Het Nieuwe Testament ons Salichmaeckers Jesu Christi. Amsterdam, P.J. Paets, 1646.
De voorstelling is gekopieerd naar een prent van Philips Galle naar Jan van der Straet, onderdeel van de serie getiteld Acta Apostolorum.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, strap with sponge and top of aryballos
Kous van groene zijde, gebreid op vorm, en ter hoogte van de enkel een ruitmotief in gerstekorrel
Object type: stocking
Date: 1690 – 1710
Materials: silk
Location: amsterdam
Artist: Anonymous

Kous, behorend tot een paar, van groene zijde, gebreid op vorm met kuit, grote en kleine hiel en teenstuk, middenachter en naad, en ter hoogte van de enkel aan binnen- en buitenkant een ruitmotief in gerstekorrel.
Set of three spoons
Object type: spoon
Date: 1760 – 1789
Materials: silver
Artist: jean-jacques kirstein
Artist role: maker
Artist dates: 1760 – 1798
Heike Kamerlingh Onnes wijst naar telefonistes met collectebussen terwijl Theodorus Heemskerk een koe melkt
Object type: cartoon
Date: 1901 – 1901
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: petrus van geldorp
Artist role: draughtsman, print maker
Artist dates: 1872 – 1939
Subjects: amsterdam, utrecht, cow, offertory-box, offertory-bag, milking, political caricatures and satires
Inscriptions: collector's mark: Lugt 1641b

De koe is gebrandmerkt met het wapen van Amsterdam en draagt een halsband waarop 'Gem. telephoon' te lezen staat. Haar melk komt terecht in een emmer waarop 'Gemeentekas' te lezen staat. Onderwerpsrubriek binnen de Atlas Amsterdam: Gemeentebedrijven.
Portret van Sir Joseph Banks
Object type: print
Date: 1775 – 1834
Materials: paper
Techniques: engraving
Location: germany
Artist: konrad westermayr
Artist role: print maker
Artist dates: 1765 – 1834
Subjects: joseph banks, (map of) africa, historical persons
Inscriptions: collector's mark: Lugt 2228
Zwarte Hondstraat / Ged. Schiekade
Object type: photograph
Date: 1940 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: rotterdam
Subjects: non-combatants ~ war, devastated, ruined place or city (~ warfare), rotterdam, rotterdam blitz
Inscriptions: inscription: ‘Zwarte Hondstraat / Ged. Schiekade’

Albumblad met twee prentbriefkaarten en een foto van de Zwarte Hondstraat en de Gedempte Schiekade te Rotterdam, voor en na het bombardement. Onderdeel van het fotoalbum over de verwoestingen van Nederlandse steden en infrastructuur in het begin van de Tweede Wereldoorlog.
Mercurius met een trompet en putti die de huid van de Nemeïsche leeuw dragen
Object type: album leaf
Date: 1710 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: nemean lion, cupids: 'amores', 'amoretti', 'putti'

Mercurius, de boodschapper van de goden, komt aanvliegen met een trompet in zijn hand. Putti dragen de huid van de door Hercules overwonnen Nemeïsche leeuw. Langs de randen instructies voor het monteren van de prent aan andere prenten. Prent maakt deel uit van een serie prenten, die samen het geschilderde plafond met de Apotheose van Hercules in het Hôtel Lambert te Parijs voorstellen. Deze prent maakt deel uit van een album.
Weeklykse Predikatien en Katechisatien der Heeren Predikanten in Groningen
Object type: text sheet
Date: 1782 – 1782
Materials: paper
Techniques: letterpress printing
Location: groningen
Subjects: preaching (in general)
Inscriptions: stamp, collector's mark: Lugt 1641

Preken in Groningen in de week van 5 mei 1782, met de namen van de predikanten. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Predikbeurtenlijstjes.
Ewer
Object type: ewer
Date: 1700 – 1720
Materials: brass
Techniques: silvered

Economics played a part in ensuring the relative simplicity of this silver-plated brass ewer. Although intended for a sideboard display near a dining table, or for hand washing before and during a meal, it was relatively inexpensive. On the edges, the silver has worn thin, revealing the base metal below. When it was new, it would have been indistinguishable from a pure silver ewer, perhaps made to replace a lost one. The wartime expenses of King Louis XIV were vast, draining the national coffers. In 1689, 1699, and again in 1709, French nobles were required to hand over their household silver to be melted down. Many replaced these lost pieces with plated wares, like this example, or, more commonly, with elaborately painted pottery examples. This simple graceful ewer is of the helmet type that evolved at Louis XIV’s court. The form, based on an inverted classical helmet, became a popular model and was executed not only in silver but also in faience. (See 48.187.19, 17.190.1764, 58.60.14).
Bead with face canes
Object type: inlay, circular
Materials: glass
Location: egypt
Subjects: human figures,faces

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards.
Drie zijden van een ivoren kist met reliëfs, voorstellende de Annunciatie, de Visitatie en koning Herodes I met de drie koningen
Object type: page
Date: 1859 – 1864
Materials: paper
Techniques: photolithography
Location: paris
Subjects: first visit of the three wise men to king herod, mary and elisabeth, both pregnant, embracing, the annunciation: mary sitting, sculpture (+ relief ~ sculpture)
Bertrand Cte Clausel
Object type: book illustration
Date: 1838 – 1841
Materials: paper
Techniques: etching
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: s.n. Galeries historiques de Versailles. Parijs: Charles Gavard, 1838-1841.
Excise Office, Broad Street
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,men
Dorpshuizen langs de kade
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: etching, intaglio
Artist: frans hens
Artist role: print maker
Artist dates: 1856 – 1928
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), pier, quay, wharf, boat propelled by man or animal
Inscriptions: collector's mark: Lugt 2228
Turning a Shamisen (Shamisen no nejime), from the series "Chanting to Shamisen by Young Women of Today (Tosei musume joruri)"
Object type: print
Date: 1804 – 1806
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806