deem-data/ArtiFact huggingface dataset:
Portret van Ahmed İbrahim Resmî
Object type: print
Date: 1765 – 1788
Materials: paper
Techniques: engraving, etching
Artist: johann esaias nilson
Artist role: draughtsman, print maker, publisher
Artist dates: 1721 – 1788
Subjects: armour, historical persons, head-gear: turban
Inscriptions: collector's mark: Lugt 2228
Kan met tuit in de vorm van een leeuw
Object type: ewer
Date: 1800 – 1900
Materials: brass
Techniques: brazing, casting, metalworking, riveted
Location: western europe
Artist: Anonymous

De kan is samengesteld uit de volgende delen: de voet, de romp (in twee helften), de hals, het handvat, het scharniergedeelte, dat de duimrust vervangt, het deksel, de knop (gegoten), de tuit (gegoten en bijgeciseleerd). De ronde romp staat op een hoge ronde voet, die zich onderaan verbreedt. De romp heeft een buik met eenzelfde doorsnede als de voet, en een hoge smalle hals, welke naar boven toe iets uitkraagt. Op het bolle deksel is op het verhoogde midden een geprofileerde ronde knop aangebracht. De randen van hals en deksel zijn niet schuin geprofileerd naar binnen toe. De tuit heeft de vorm van een leeuw. Het handvat, dat naar buiten en iets naar binnen uitzwenkt, heeft bovenaan een klein eenkakig scharnier en eindigt onderaan in een drieblad. Voet, romp, hals en deksel zijn versierd met grof geprofileerde ribben. De duimrust ontbreekt. Handvat, duimrust en dekselknop zijn geklonken.
Blade and Mounting for a Dagger (Tantō)
Object type: blade and mounting for a dagger tantō
Materials: gold alloy, gold, lacquer, steel, thread, wood
Culture: japanese
Location: japan
Cylinder seal
Object type: cylinder seal
Date: 2649 – 2100
Materials: stone
Location: egypt
Subjects: hieroglyphs
Visiting the Sick
Object type: painting
Date: 1646 – 1649
Materials: canvas, oil
Artist: michael sweerts
Artist role: painter, print maker
Artist dates: 1618 – 1664
Subjects: visiting the sick, 'aeger curatur' ~ one of the (seven) acts of mercy

Helpful visitors enter the home of a poor family to minister to the sick. Seated next to a bed, a doctor points his finger upward, as though to say that only God holds man’s fate in his hands. Standing by the side of an old woman is a child, who gazes imploringly at the viewer.
Bord
Object type: plate dish
Date: 1867 – 1867
Materials: creamware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘PR // 29’, mark: ‘PARSEME No 3’

Bord van aardewerk, met blauw doorlopend bloemendecor, behorend tot een kinderservies.
Sight, from "The Five Senses"
Object type: print
Date: 1730 – 1765
Techniques: engraving, etching
Artist: anne claude philippe de tubières, comte de caylus
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1765
Subjects: female nudes
Portret van Robert II van Frankrijk
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving
Location: france
Subjects: ornament ~ medallion, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment from a kalathos?
Object type: kalathos fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a kalathos with an offset lip
Stirrup Spout Vessel in Form of a Resting Feline
Object type: vessel
Date: 100 – 500
Materials: ceramic, paint, pigment
Culture: moche
Location: peruvian north coast
Soba cup
Object type: soba cup
Date: 1615 – 1868
Materials: porcelain
Techniques: underglaze
Culture: japanese
Sleeve Button
Object type: cuff link
Date: 1740 – 1740
Materials: gold
Culture: american
Location: united states
Artist: jonathan clarke
Artist role: maker
Artist nationality: american
Artist dates: 1705 – 1770
Cuneiform tablet: account of delivery of animals for offering, Ebabbar archive
Object type: cuneiform tablet
Date: 609 – 609
Materials: clay
Culture: babylonian
Location: mesopotamia
Portrait of a Young Man
Object type: print
Date: 1820 – 1820
Techniques: lithograph
Artist: goya (francisco de goya y lucientes)
Artist role: former attribution
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,portraits

Because of its similarity in style and format to Goya's portrait of his lithography printer, Gaulon, this work was once thought to be his portrait of Gaulon's son. Only two impressions of the print are known. This impression was once owned by Frédéric Villot, a close friend of Delacroix and curator of paintings at the Musée du Louvre during the 1850's. The other example, now in the British Museum, belonged to the Parisian art critic and fine print collector Philippe Burty (1830–1890), who owned several of the prints by Goya shown in this exhibition. If not by Goya, this lithograph is likely to be the work of an artist in Delacroix's circle.
Boerderij bij een waterput
Object type: print
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jabes heenck
Artist role: draughtsman, print maker
Artist dates: 1752 – 1782
Subjects: well, ass, donkey, farm or solitary house in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Opaque black glass ring stone with a white band
Object type: intaglio
Date: 1 – 300
Materials: glass, paste
Culture: roman
Subjects: eagles,boars
The Weeders
Object type: painting
Date: 1868 – 1868
Materials: canvas, oil
Artist: jules breton
Artist role: artist
Artist nationality: french
Artist dates: 1827 – 1906
Subjects: farms,women,working

This is a smaller variant of a composition Breton painted in 1860 (Joslyn Art Museum, Omaha) and exhibited to wide acclaim at the Salon of 1861 and the World’s Fair of 1867 in Paris. In his autobiography, Breton described this twilight scene of peasants pulling up thistles and weeds—"their faces haloed by the pink transparency of their violet hoods, as if to venerate a fecundating star"—noting that he had discovered the subject as a "finished picture" near his native village, Courrières, in northern France.
Graf van Antje Schaaf en Jan Mendel
Object type: photograph
Date: 1927 – 1927
Materials: paper
Techniques: gelatin silver print
Location: leeuwarden
Artist: Anonymous
Subjects: grave, tomb
Gezicht op een water
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: monogram: ‘drAco’
Hat
Object type: hat
Date: 1801 – 1900
Materials: linen, metal, silk
Culture: russian

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Headdresses, or kokoshniks had the greatest abundance of ornamentation of any type of garment in Russia. They were most often made of damask woven with gilt metallic threads or velvet with gold embroidery. This is a particularly handsome piece with elaborate needlework and incorporating a significant amount of gold, signifying its owner was from a wealthy family.
Gezicht op Palazzo Vecchio en de Galleria degli Uffizi in Florence
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, permanent exhibition, museum
Köln a. Rh. Hängebrücke (Ersatz-Schiffbrücke). Erbaut 1913-1915. Reproduktion nach Originalentwurf
Object type: ansichtkaart, prentbriefkaart
Date: 1915 – 1920
Materials: cardboard
Techniques: photograph
Location: cologne
Subjects: church (exterior), canals, waters (in city), bridge in city across river, canal, etc., cologne
Le Follet Courrier des Salons, 1836, No. 783: Capote en crèp (...)
Object type: fashion print
Date: 1836 – 1836
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: cut flowers; nosegay, bunch of flowers, head-gear (capote) (+ women's clothes), lace (+ women's clothes), fashion plates, gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), chair, parasol, sunshade (+ women's clothes)
Inscriptions: caption: ‘Capote en crêpe ornée de dentelles et de biais, de Maxence, rue Vivienne, 16. Robe de gros de Naples moiré avec cinq biais, de M.me Larcher, rue Vivienne, 8 - Fleurs de Chagot. Ombrelle Cazal, B.t Montmartre, 10 - Gants perf.nes de protte N.té r. N.ve des petits champs, 3. Chaise des ateliers Gandillot, rue Bellefond, 32.’, title: ‘Le Follet Courrier des Salons’, address: ‘Boulevart S.t Martin, 61. / Court Magazine, No.11, carey street Lincoln's Inn, London.’

Twee vrouwen, van wie één op de rug gezien, bij een balustrade. Volgens het onderschrift: 'capote' van crêpe versierd met kant en biaisband, van Maxence. Japon van 'gros de Naples moiré' met vijf biaisbanden van Larcher. Bloemen van Chagot. Parasol van Cazal. Handschoenen van Protte, gepatenteerd. Stoel uit de ateliers van Gandillot. Prent uit het modetijdschrift Le Follet Courrier des Salons (novembre 1829- octobre 1882).
Incense Box Cover with Design of Backgammon Board
Object type: incense box
Date: 1834 – 1866
Materials: gold, lacquer, wood
Culture: japanese
Subjects: games
Boomknoppen
Object type: print
Date: 1975 – 1977
Materials: paper
Techniques: etching
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: trees
Inscriptions: inscription: ‘gekocht bij ons eerste bezoek / 2 Aug. 1977 / IN: 75/76?’, signature: ‘KEES STOOP’

Boomknoppen op de voorgrond, op de achtergrond een huis.
Wijnfles met wijn uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: wine bottle
Materials: glass
Location: netherlands
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Uivormige wijnfles van groen glas gevuld met rode (port)wijn en afgesloten met kurk en draad.
The Actors Otani Tomoemon I as Emohei (right), and Sanogawa Ichimatsu II as Sanada Yoichi (left), in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Pastor Fidvs
Object type: print
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: the good shepherd (christ) defending his sheep against wolves; 'i am the good shepherd' (john 10:1-16)
Inscriptions: collector's mark: Lugt 2165, collector's mark: Lugt 2228

Een herder verzorgt een schaap met een bezeerde poot. Rechts worden de huurlingen verjaagd die de schapen hebben gevangen om ze op te eten. Links zijn goede herders te zien die de schapen weer bijeen brengen. Twee van hen dragen een schaap op hun schouders. In de ondermarge een vers van vier coupletten in het Duits.
De nieuwe modens op sijn Flaems / op sijn Frans / op sijn boers / en op sijn edelmans
Object type: popular print
Date: 1748 – 1761
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: historical costume, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met 8 voorstellingen van mannen en vrouwen in verschillende klederdrachten. Onder elke afbeelding een tweeregelig vers. Genummerd linksboven: No. 70.
Isabel Wachenheimer, Erica en Hansl in de tuin van de woning van Willy Moos in Hamburg, Bellevue 62, in maart-april 1935
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: hamburg
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: inscription: ‘In Garten bei Onkel Willy’

Isabel Wachenheimer (links), Erica (rechts) en Hansl (midden) in de tuin van de woning van Willy Moos in Hamburg.
Vignet met vijf flamingo's
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: woodcut
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: birds
Inscriptions: collector's mark: Lugt 2228

Gerrit Willem Dijsselhof vervaardigde zevenentwintig vignetten voor de gedichtenbundel 'Verzen' van Willem Kloos, die zou verschijnen bij de uitgeverij W. Versluys. Dit vignet is er daar één van. Hoewel de uitvoering van het boek in een ver stadium was, is het uiteindelijk nooit verschenen. De vignetten zijn later wel voor diverse andere doeleinden gebruikt.
One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.)
Object type: drawing
Date: 1850 – 1880
Materials: ink, pencil, watercolor
Techniques: pen
Artist: compagnia di venezia e murano
Artist role: designer
Artist nationality: italian
Artist dates: 1872 – 1909
Subjects: lighting
Illustrated Handscrolls of The Tale of Genji
Object type: handscroll
Date: 1594 – 1594
Materials: ink, paper
Culture: japanese
Artist: ryūjo (tatsujo)
Artist role: artist
Artist nationality: japanese
Artist dates: 1567 – 1599

This deluxe set of five handscrolls comprises text excerpts and related illustrations for all fifty-four chapters of The Tale of Genji, the monumental classic of Japanese literature of the early eleventh century authored by the court lady Murasaki Shikibu. Most remarkably, all sections are preserved intact and in correct narrative sequence. Each excerpted passage of prose mixed with poems—usually describing a crucial turning point in the plot—anticipates the painted vignette that follows. The highly skilled and refined courtly calligraphy, betraying not an instance of scribal hesitation, but never rushed or sloppy, bespeaks the practiced hand of a high-ranking woman of the palace or a wealthy warlord’s retinue who was fully familiar with courtly handwriting models. The convention of “scattered writing” (chirashi-gaki), a specialty of female calligraphers through the ages into early modern times, in which the columns of script are playfully rearranged in staggered registers across the surface of paper to create a dynamic visual effect, is magnificently executed here. The paintings do not appear to be the output of a professional artist of either the Tosa or Kano schools, as might be expected of such a major undertaking. Rather, they betray an individual and idiosyncratic painting style that we can confidently assume was brushed by Ryūjo herself. Clearly conversant with the conventions of courtly yamato-e (“Japanese style painting”), the artist was also apparently familiar with the already established iconography of the tale as utilized by the Tosa school, though in several places the artist diverged from the usual way of depicting scenes. Certain stylistic elements indicate that the artist also had familiarity with the work of the influential Kano school in Kyoto, which was by this time starting to usurp the Tosa studio’s monopoly. Although the earliest known illustrations of The Tale of Genji, from the early twelfth century, were created in the handscroll format, there are surprisingly few dated, surviving examples in this format from before the seventeenth century. This set of handscrolls constitutes the oldest dated example of a complete cycle of Genji illustrations in polychrome, with accompanying text selections, to survive intact.
Relief plaque with the head of a ram deity
Object type: sculptor's model votive, ram's head relief from god's figure
Date: 400 – 30
Materials: limestone
Location: egypt
Subjects: rams

Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves complete objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. Personifications of kingship, figures that may represent the now emerging demigods Imhotep and Amenhotep Son of Hapu, and popular gods like Harpokrates or Isis, are heavily represented within the corpus. Taken together, the figures represented and the other features indicate the reliefs and sculptures of this class, sometimes called by Egyptologists "sculptor’s models / votives," were the material of a donation practice, perhaps connected with the prolific temple building of these centuries. Unfortunately there is little to illuminate us about the mechanics of such a donation practice. This example depicts the upper part of a ram headed god.
Friezen met zeemonsters
Object type: ornament print
Date: 1580 – 1623
Materials: paper
Techniques: engraving
Location: germany

Tegenzijdige kopieën naar de volgende prenten: RP-P-1984-447, RP-P-1984-440, RP-P-1984-441 en RP-P-1984-439. Blad uit serie van 6.
Sealing
Object type: sealing
Date: 601 – 700
Materials: clay
Culture: sasanian
Location: iran
Subjects: animals
Fragment lood uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
King (Geo. 4th from England), from "Court Game of Geography"
Object type: print
Date: 1838 – 1855
Techniques: engraving, etching, hand coloring
Artist: william and henry rock
Artist role: publisher
Artist nationality: british
Artist dates: 1821 – 1884
Subjects: kings,playing cards
As (Coin) Portraying Emperor Claudius
Object type: coin
Date: 41 – 54
Materials: bronze, copper alloy, metal
Culture: roman
Location: rome
Subjects: goddesses
Inscriptions: Obverse: TI CLAVDIVS CAESAR AVG P M
        TR  P  IMP
Reverse: S  C

The front (obverse) of this coin portrays the emperor Claudius, facing left. On the back (reverse), the goddess Minerva is depicted hurling a javelin.
[Fencer]
Object type: photograph
Date: 1906 – 1906
Techniques: gelatin silver print
Artist: georges demeny
Artist role: artist
Artist nationality: french
Artist dates: 1850 – 1917
Subjects: athletes,fencing

The motion-capture suits worn by today’s green-screen stars might not impress inventor Georges Demeny. As early as the 1880s, he was devising analogue versions of these effects as an assistant to Etienne-Jules Marey, the physiologist whose motion studies anticipated cinema. To depict the infinitesimal gestures of athletes, the men adorned models’ limbs with reflective strips, adding white balls to pinpoint their joints. Using a camera that made multiple, rapid-fire exposures on a single photographic plate, they recorded ranges of movement undetectable to the eye. Demeny went on to tailor this practice, known as chronophotography, to his research on calisthenics. Here, he has whitened an Olympic fencer’s blade with chalk and waxed its tip for maximum visibility. As it darts through space, Demeny distills its split-second swoop into a dashing abstract dance.
A Country House Near Paris: --Well, my dear... it's a good thing we had the idea to plant a house. Without it, we wouldn't have had shade all summer! from The Pleasures of a Country Holiday, published in Le Charivari
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women
Pietà, set against an arched ruin
Object type: print
Date: 1556 – 1572
Techniques: engraving
Artist: master of the name of jesus christ
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Seated female figure
Object type: whistle
Date: 600 – 1000
Materials: ceramic, paint
Culture: veracruz
Location: mexico
Artist: remojadas artist(s)
Artist role: artist
Subjects: women
Milk jug with cover
Object type: milk jug with cover
Date: 1780 – 1780
Materials: hard paste porcelain
Artist: gotha
Artist role: factory
Artist nationality: german
Artist dates: 1757 – 1900
Subjects: men,women,dogs
Portret van G. Demoulin
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: historical person (...) - historical person (...) portrayed alone
Inscriptions: collector's mark: Lugt 2228

Mogelijk is de afgebeelde persoon de G. Demoulin die van 1865 voorzitter was van de Société royale d'Horticulture de Mons.
Portret van Gerard Johan Nahuys
Object type: print
Date: 1772 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: utrecht, theologian, historical persons, professor
Inscriptions: collector's mark: Lugt 240
Ring with Oval Bezel with an Elephant on a Lotus
Object type: ring
Date: 701 – 933
Materials: gold
Culture: indonesian, javanese
Subjects: elephants
[Yosemite National Park, California]
Object type: photograph
Date: 1878 – 1878
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: mountains,landscapes

This exceptionally rare untitled album features seventy-three circular-format views made seventeen years after Watkins first photographed at Mariposa Grove and Yosemite. Half of the photographs are studies of the great sequoia trees in Calaveras Grove, the other half are landscapes of Yosemite. Watkins used a stereo camera with oversize plates then masked the negatives during the printing process.
Studies van een slee
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: sledge, sleigh (winter sports)

Pagina 2 uit een schetsboek met 17 bladen.
Pendant
Object type: pendant
Date: 3200 – 2000
Materials: jade
Culture: chinese
Botervloot
Object type: butter dish
Date: 1740 – 1765
Materials: faience
Location: delft
Artist: Anonymous

Botervloot van faience. De deksel van de vloot is mogelijk later gemaakt.
Tijd onthult de Waarheid
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: 'natura' (allegorical figure or scene; or as diana of ephesus, with many breasts); 'natura' (ripa), time revealing truth; time carrying truth aloft, father time, man with wings and scythe
Inscriptions: inscription: ‘16’, collector's mark: Lugt 240

Tijd, een oude man met vleugels en een zeis, verjaagt de wolken voor een beeld van de natuur, voorgesteld als Diana van Efeze met in haar linkerhand een wereldbol.
Jonge vrouw tussen fruit en wijnranken
Object type: tissue stereograph
Date: 1855 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Location: paris
Artist: alexandre bertrand
Artist role: fotograaf
Artist dates: 1822 – 1889
Subjects: vine, adult woman, fruits
Zes Juwelen rivieren in verschillende provinciën
Object type: print
Date: 1811 – 1857
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa hiroshige (i)
Artist role: draughtsman, print maker
Artist dates: 1797 – 1858
Subjects: riding a horse, ass, or mule; rider, horseman, river
Inscriptions: date

Man te paard met twee begeleiders, in ondiepe rivier, kijkend naar een Yamabuki struik; berglandschap op de achtergrond.
Italiaans landschap met twee figuren op een rots en een klooster op de achtergrond
Object type: print
Date: 1817 – 1888
Materials: paper
Techniques: etching, intaglio
Artist: joseph meganck
Artist role: print maker
Artist dates: 1807 – 1891
Subjects: abbey, monastery, convent ~ roman catholic church, landscapes (+ landscape with figures, staffage), rocks
Inscriptions: inscription: ‘2 Etat’, collector's mark: Lugt 2228