deem-data/ArtiFact huggingface dataset:
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
Object type: print
Date: 1816 – 1816
Techniques: aquatint, burnishing, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,bulls
Gezicht op een brug over de Ganges
Object type: photograph
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: india
Artist: thomas george glover
Artist role: fotograaf, luitenant-kolonel
Artist dates: 1825 – 1881
Subjects: river, bridge
Inscriptions: inscription: ‘Plate XI’, inscription: ‘main canal. mile 14.’
Clearing Weather at Shibaura (Shibaura seiran), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)"
Object type: print
Date: 1837 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Genie Jerome, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
René Caillié
Object type: print
Date: 1808 – 1881
Materials: paper
Techniques: engraving, etching
Artist: eugène verboeckhoven
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1798 – 1881
Subjects: historical persons, explorer
Inscriptions: collector's mark: Lugt 2228
Plattegrond van IJsselstein
Object type: area plan
Date: 1632 – 1632
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities

Prent gebruikt in: Blaeu, Johannes Willemszoon. Novum ac magnum theatrum urbium Belgicae (...).2 delen. 1e druk. Amsterdam: Johannes Willemszoon Blaeu, 1649, dl. 1. Of in: Blaeu, Johannes Willemszoon. Novum ac magnum theatrum urbium Belgicae (...). 2 delen. 2e druk. Amsterdam: Johannes Willemszoon Blaeu, 1649, dl. 1. Of in: Blaeu, Johannes Willemszoon. Novum ac magnum theatrum urbium Belgicae (...). 2 delen. 3e druk. Amsterdam: Johannes Willemszoon Blaeu, 1652, dl. 1. Omdat het blad is afgesneden is niet na te gaan uit welke uitgave dit exemplaar precies komt.

Prent voor het eerst ook gebruikt in: Boxhorn, Marcus Zuerius van. Theatrum sive Hollandiae comitatus et urbium nova descriptio (…). Amsterdam: Henricus Hondius, 1632.
Portret van Christine Nilson
Object type: print
Date: 1855 – 1898
Materials: paper
Techniques: engraving
Artist: friedrich wilhelm burmeister
Artist role: print maker
Artist dates: 1845 – 1933
Subjects: zangeres, christina nilsson
Inscriptions: collector's mark: Lugt 964

Portret van Christine Nilson, een Zweedse operazangeres. Ze zit piano te spelen, naar rechts gewend.
Woman and Boy Gathering Herbs by a Plum Tree
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: boys,women,trees
The Auction House: The Expert
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: charles maurand
Artist nationality: french
Artist dates: 1824 – 1904
Tweede vrede van Parijs tussen Frankrijk en de geallieerden
Object type: strooipenning
Date: 1815 – 1815
Materials: silver
Techniques: striking
Location: germany
Artist: Anonymous
Subjects: paris

Zilveren penning. Voorzijde: Vrede met gevulde hoorn van overvloed in hand steekt met toorts stapel krijgstuig in brand. Keerzijde: opschrift
Allegory of Carnal Love
Object type: print
Date: 1530 – 1530
Materials: paper
Techniques: engraving
Location: italy
Artist: cristofano robetta
Artist role: artist
Artist nationality: italian
Artist dates: 1462 – 1535

Cristofano Robetta’s Allegory of Carnal Love depicts a scene of love and death in a friezelike composition, with two pairs of lovers in a triangle-like formation with a putto at each point. Standing at the far left of the scene is an enigmatic divine figure drawing in the bodies of the lovers closest to him with his sash. Is he, like the skull underfoot, a symbol of death, reminding the viewer of what lies in store?
One from a Pair of Bangles
Object type: one of a pair of bangle
Materials: bronze
Culture: thai
Jongedame op de rug gezien terwijl zij de fortepiano speelt
Object type: drawing
Date: 1805 – 1805
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: one person playing an instrument, pianoforte
Inscriptions: signature: ‘J Andriessen’, inscription: ‘18 junij een aanbidlijk voorwerp’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Brief aan Philip Zilcken
Object type: letter
Date: 1904 – 1904
Materials: ink, paper
Techniques: pen, writing
Location: vaassen
Artist: marie metz-koning
Artist role: dichter, prozaschrijver, toneelschrijver
Artist dates: 1864 – 1926
Subjects: the hague, draughtsman, philip zilcken, passions, emotions, affections, diseases, printed matter
Inscriptions: collector's mark: ‘RPK’, watermark
Reproductie van een houtsnede van een binnenplaats met fontein
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: photolithography
Location: berlin
Artist: Anonymous
Subjects: courtyard, ornamental fountain, italy
Inscriptions: number: ‘Tafel VII’, inscription: ‘PHOTOLITHOGRAPHIE-GLASDRUCK-VERFAHREN/ DER REICHSDRUCKEREI IN BERLIN/ NACH EINEM HOLZSCHNITT AUS DEM WERKE "ITALIEN IN WORT UND BILD".’

Prent op veertiende ongenummerde pagina na pagina 351.
De ruiterschool
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: warfare; military affairs (+ cavalry, horsemen), firearms: rifle
Inscriptions: collector's mark: Lugt 2228a

Een geharnaste man te paard, naar links een schot vurend met een harquebus (licht type geweer). Deze prent is onderdeel van een serie van 22 genummerde prenten: een titelprent, 20 prenten waarop één of enkele verschillende typen (meest geharnaste) ruiters zijn weergegeven, en een prent met een ruitergevecht.
Meijer's prenten
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: animals, letters, alphabet, script, characters (human types), fruits
Inscriptions: collector's mark: Lugt 2760

Blad met 29 voorstellingen van de letters van het alfabet geïllustreerd met voorwerpen, dieren en figuren waarvan de woorden met de betreffende letter beginnen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 84.
Design for a Jardiniere
Object type: drawing
Date: 1801 – 1900
Materials: gilt, gold, gouache, graphite, watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Plate
Object type: plate
Date: 1701 – 1800
Techniques: maiolica, glazing
Artist: ferniani manufactory
Artist role: manufactory
Subjects: flowers
Disturbers of Domestic Happiness
Object type: print
Date: 1815 – 1815
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,sleeping,children,men,women

A house is attacked while two a lady and a young girl sleep on a couch at center. Three bandits wield weapons, and one takes hold of the necklace of the lady. Another group of armed gentleman approach from the stairs at right.
Zaans tentjacht, 1816
Object type: print
Date: 1816 – 1817
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: boat propelled by man or animal
Inscriptions: inscription: ‘Une barque de Compagnie nommée Tentjagje à Zaandam’

Verschillende personen laten zich in een tentjacht over de Zaan vervoeren, 1816. Onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden.
Stadsgezichten en landschappen in Frankrijk en Italië
Object type: album leaf
Date: 1650 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Halberd
Object type: halberd
Date: 1510 – 1520
Materials: steel, wood
Culture: swiss
Location: switzerland
Heuvelachtig landschap met vee en figuren
Object type: album leaf
Date: 1791 – 1798
Materials: paper
Techniques: engraving, etching
Subjects: low hill country (+ landscape with figures, staffage)

Prent uit: Zentner, J.L.L.C.. A select Collection of landscapes, from the best old masters, one of each engraved by L. Zentner, after drawings made by him from original pictures (...). Londen: J. Thane, [1791-1798].
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 178.
Portret van een zittende jonge man
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: michel berthaud
Artist role: publisher
Artist dates: 1845 – 1912
Subjects: sitting figure, historical persons, youth, adolescent
Inscriptions: inscription: ‘9 Rue Cadet, Paris’
Feathered Headdress
Object type: headdress
Date: 1401 – 1633
Materials: cotton, feather, fiber
Culture: chimú
Location: peru
Artist: chimú artist(s)
Artist role: artist
Portret van Petrus Scriverius
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: petrus scriverius
Inscriptions: collector's mark: Lugt 964

Portret van de geschiedkundige en schrijver Petrus Scriverius op 50-jarige leeftijd.
Servet van wit linnendamast, bloementakken en rococo-ornament, tweemaal het gekroonde wapen Kops en tweemaal het spiegelmonogram NWK, in het hart ANNO 1746
Object type: woven material
Date: 1746 – 1746
Materials: linen
Techniques: damask
Subjects: nicolaas willem kops

Servet van wit linnendamast, bloementakken en rococo-ornament, tweemaal het gekroonde wapen Kops en tweemaal het spiegelmonogram NWK, in het hart ANNO 1746; vervaardigd voor Nicolaas Willem Kops (1719-1778) in het jaar van zijn huwelijk (8 maart 1746) met Elisabeth Barnaart (1715-1771).
Landscape with House in Distance
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: germany
Artist: possibly ferdinand kobell
Artist nationality: german
Artist dates: 1740 – 1799
Silhouette Portrait of George Washington
Object type: print
Date: 1844 – 1844
Materials: stone
Techniques: lithograph
Location: hartford
Artist: william henry brown
Artist role: artist
Artist nationality: american
Artist dates: 1808 – 1883
Subjects: eagles,george washington,men,portraits,profiles,presidents
Gand - Maison des Bateliers
Object type: photograph
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Subjects: anonymous historical person portrayed, façade (of house or building), quay
Inscriptions: name: ‘(Phot. de Brand frères, rue de la Madeleine, 32.)’

Boven een portret van een man met een baard, onder een gezicht op de Graslei te Gent.
Octagonal bowl with the 'three friends', floral scrolls and hôô
Object type: bowl
Date: 1670 – 1690
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: arita
Artist: Anonymous

Bowl, c. 1670 - 1690. Jonkvrouwe A.C.A.J. Clifford bequest, 1960.
Mourning Sampler
Object type: textile
Date: 1815 – 1815
Materials: linen, silk
Techniques: embroidery, embroidered, weave, stitching
Location: massachusetts
Artist: smith and humphreys families
Inscriptions: In memory of Mrs / Hannah Smith AE  50 / Nov 27 1813 / weep not ye near surviving friends / for all her pain and sorrows end / she soars ware joy celestial are / to reap an endless harvest there 

In memory of [1885 / william s Humphreys / Feb 24 AE 11 Months / In solemn silence let him lie / Nor dare disturb his rest / Till the archangel rends the sky / And wakes his sleeping dust

The two figures in this sampler mourn the deaths of Hannah (Phipps) Smith (1763–1813) and her grandson William Smith Humphreys (1810–1811), the son of Catherine Smith Humphreys (1786–?) and George Humphreys, who married in Boston in 1804. It was made by an unidentified member of either the Smith or Humphreys families. The death of George Washington in 1799 gave rise to a number of mourning or memorial embroideries in honor of the first president. This led to the popularity of embroidered mourning or memorial works dedicated to departed family members, and they became a fashionable way to express grief and remembrance.
Fietsende meisjes krijgen stopteken van een agent
Object type: boekillustratie ontwerp
Date: 1900 – 1930
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: policeman, constable, bicycle
Inscriptions: :, annotation: ‘hoofdst 11. bl. 75’, collector's mark: Lugt 2228a

Een agent maakt een stopteken voor vier meisjes op de fiets. Ze hebben tassen en pakketten voor en achterop hun fiets gebonden.
Jonge vrouw en kind op bed
Object type: print
Date: 1831 – 1890
Materials: paper
Techniques: etching
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: adolescent, young woman, maiden, mother and baby or young child, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: inscription: ‘2e Etat’, collector's mark: Lugt 2228

Mogelijk gaat het om een voorstelling van Amor en Psyche.
Vessel in the form of a Deer
Object type: vessel
Date: 1667 – 1733
Materials: glaze, porcelain
Culture: chinese
Subjects: deer
Parure
Object type: parure
Date: 1824 – 1829
Materials: gemstone, gold
Location: amsterdam
Artist: jean baptiste bonnard
Artist role: goldsmith
Inscriptions: maker's mark: ‘BB met ster in ellips’, alloy mark: ‘leeuwenkop naar links (Nederland, 1813-1906)’

Parure. Gold and amethyst. Amsterdam, c. 1824 - 1829, by Jean Baptiste Bonnard.
Round Box Brooch
Object type: brooch
Date: 700 – 900
Materials: copper alloy, iron
Techniques: casting
Culture: viking
Location: sweden

A menagerie of tiny animals inhabits the interlace patterns on this round brooch. The four oval compartments on the top show beasts with round eyes, open jaws, claw feet, and intricately entwined bodies. Known as a box brooch because it was used as a container for small objects, it would have been worn by a Viking woman on the island of Gotland to secure her shawl at the collar.
Cushion Cover for Throne
Object type: cushion cover
Date: 1736 – 1795
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects
Object type: album print ornament architecture
Date: 1800 – 1850
Materials: chalk, graphite, ink
Techniques: pen
Artist: charles percier
Artist role: designer
Artist nationality: french
Artist dates: 1764 – 1838
Subjects: interiors,furniture
Piece
Object type: piece
Date: 1701 – 1900
Materials: gold
Techniques: lace
Medal
Object type: medal
Date: 1825 – 1825
Materials: gold
Culture: french
Location: france
Glass bottle fragment
Object type: fragment, body
Date: 400 – 201
Materials: glass
Culture: eastern mediterranean or italian

Translucent cobalt blue; trails in opaque white. Body fragment curving in at top towards shoulder. White trails tooled into feather pattern. Pitting of surface bubbles; rough surface on interior with pitting and creamy brown weathering. The fragment may belong to an alabastron, but the feather pattern is unusual since it does not have a large 'eye' at the top from the end of the tooling stroke.
Portret van de predikant Jacobus Streso
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, wig
Inscriptions: collector's mark: Lugt 2228
Meisje bij het bureau van een onderwijzeres
Object type: drawing
Date: 1895 – 1950
Materials: cardboard, ink, pencil
Techniques: pen
Artist: nelly spoor
Artist role: draughtsman
Artist dates: 1885 – 1950
Subjects: writing-table, writing-desk, teacher and pupil
Inscriptions: collector's mark: Lugt 2228, signature: ‘NELLY SPOOR’, :

In een klaslokaal staat een meisje met een schooltas bij het bureau van een onderwijzeres. Op het bureau ligt een stapel met schriften, waarvan er één openligt voor correctie. Op de achtergrond hangt een landkaart aan de muur en staan planten in de vensterbank.
Officer, 2nd Battery, National Guard of the State of New York, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,swords,men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Celery vase
Object type: celery vase
Date: 1845 – 1870
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
The Glorification of the Eucharist
Object type: painting
Date: 1630 – 1632
Materials: oil, wood
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: skeletons,snakes,angels,christ,saint paul
Lot en zijn dochters
Object type: print
Date: 1582 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: lamb, sodom and gomorrah burning, rocks, flowers (+ ornamental variants of plants), monkeys, apes (+ ornamental variants of animals), predatory birds: eagle (+ ornamental variants of animals), shore-birds and wading-birds: spoonbill (ornamental variants of animals), shore-birds and wading-birds (with name) (+ ornamental variants of animals), lot's wife looks back at the city and is transformed into a pillar of salt, lot's daughters make their father drunk
Inscriptions: collector's mark: Lugt 2228

Rotslandschap met op de achtergrond de brandende steden Sodom en Gomorra. Op de voorgrond de vlucht van Lot en zijn familie. Zijn vrouw is veranderd in een zoutpilaar. Rechts op de voorgrond Lot met zijn dochters, die hem dronken voeren. De prent heeft een ornamentlijst met bloemen en dieren. Hij maakt deel uit van een vierentwintigdelige serie van landschappen met Bijbelse, mythologische scènes en jachttaferelen.
Naepel
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: gulf, bay, prospect of city, town panorama, silhouette of city, naples
Inscriptions: inscription: ‘10’, inscription: ‘'17 - 284’, stamp: ‘R: MVS.’, number: ‘2’
Design for 2 seat Cabriolet Phaeton, no. 3129a
Object type: drawing
Date: 1875 – 1875
Materials: graphite, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
's Menschen Intrede op deze Wereld
Object type: popular print
Date: 1800 – 1850
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: confinement, birth, growing up
Inscriptions: collector's mark: Lugt 2228

Blad met zeven voorstellingen van de kindertijd, vanaf geboorte tot leren lopen met een valhoed op. Onder elk plaatje een tweeregelig versje. Ca. 1800-1850. Genummerd rechtsboven: No. 6.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Exterior, start of handle root; fronds of a palmette
Gezicht op de Waalse Kerk en het Sint-Jorishof te Amsterdam
Object type: print
Date: 1736 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: alms-house (dutch: 'hofje'), church (exterior), courtyard
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Waalse Kerk (op de achtergrond) en het Sint-Jorishof te Amsterdam. Op de met bomen beplante binnenplaats en voor de proveniershuizen verschillende figuren.
Portret van Sebastien Spindeleer
Object type: print
Date: 1640 – 1680
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: sébastien spindeleer
Inscriptions: collector's mark: Lugt 2228
Portret van Süleyman Çelebi
Object type: book illustration
Date: 1656 – 1659
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons

Prent waarschijnlijk uit: Bos, Lambert van den. Het konincklyk treur-toonneel (...). Amsterdam: Jan Jacobsz. Schipper, [1656-1659], p. 573.
Panel (Furnishing Fabric)
Object type: textile
Date: 1825 – 1875
Materials: cotton
Techniques: engraving, weave, printing
Location: england
Subjects: propaganda