deem-data/ArtiFact huggingface dataset:
Troy from Mount Ida (No. 11 of The Hudson River Portfolio)
Object type: print
Date: 1821 – 1822
Techniques: aquatint, hand coloring, printing
Artist: john rubens smith
Artist role: etcher
Artist nationality: american
Artist dates: 1775 – 1849
Subjects: landscapes

Text published with this image tells us that, "the city of Troy is delightfully situated on the east shore of the Hudson, about six miles north of Albany, and near the head of sloop navigation." It then describes the town's rapid growth as a trading center with a population over four thousand. The vista seen here, "embraces a most extensive and enchanting view; bounded on the south by the towering mountains of Katskill...The road, in the foreground...runs northward to Sandy-Hill, and Lakes George and Champlain." The print comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed—to be issued to subscribers in sets of four—and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School.
Tussenzetsel van wit kant met aaneengeregen wielen op karton
Object type: ribbon material
Date: 1920 – 1920
Materials: cardboard
Location: belgium

Tussenzetsel van wit kant met aaneengeregen wielen op karton.
Covered jar with large finial
Object type: covered jar
Date: 1725 – 1750
Materials: porcelain

Octagonal covered vases are relatively rare in Japanese export porcelain, and this vase is further distinguished by the prominent elongated finial on the cover. Large imported vases such as this one must have appeared remarkable to European collectors who were accustomed to smaller and less refined tin-glazed earthenware examples (known in Europe by various terms such as Delftware and faience). The skill of the Japanese potters is evident in all aspects of this vase, from the strikingly white porcelain body to the beautifully-painted cobalt decoration that is executed before the clear glaze is applied. [Jeffrey H. Munger, 2014]
Kornhauskeller in Bern
Object type: photomechanical print
Date: 1903 – 1904
Materials: cardboard
Techniques: four-color autotype
Location: bern
Subjects: decorations (interior of the house), eating and drinking, restaurant
Inscriptions: signature: ‘W. Gor[...]’
Design for a Saltcellar with Putti
Object type: drawing
Date: 1501 – 1600
Materials: chalk
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: putti
The Dog Killer
Object type: painting
Date: 1870 – 1879
Materials: oil, paper
Culture: american
Artist: william p. chappel
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1878
Subjects: buildings,men,dogs,carts

Walking New York’s streets, one risked being bitten by one of thousands of roaming dogs—some feral, others beloved pets—that lived off street refuse. This scene depicts the effects of one infamous attempt at dog population control. According to Catherine McNeur in "Taming Manhattan: Environmental Battles in the Antebellum City," an 1811 law mandated a tax of three dollars per dog (about a week’s wages for an ordinary laborer) and the killing of unregistered canines (bounty hunters earned fifty cents per carcass). The summer of 1811 alone saw more than twenty-six hundred dogs slaughtered (pp.13-15). Many decried the killings as an economically prejudicial affront to common decency. This victim appears to have met his end on the doorstep of Daniel Davis, a boardinghouse owner at 359 Water Street.
Portret van Catherina Agatha von Rappollstein
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving
Location: basel
Subjects: historical persons - bb - woman, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 9, collector's mark: Lugt 2228
De groote stad Gods
Object type: titelblad, titelpagina
Date: 1758 – 1758
Materials: paper
Techniques: etching
Location: leiden
Subjects: the new jerusalem, the all-seeing eye, triangle with eye ~ symbol of god the father
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een vrouwelijke personificatie met wierookvat zittend bij een afbeelding van De Groote stad Gods, vastgehouden door putti. Op de achtergrond het silhouet van de stad Jeruzalem. Rondom een omlijsting met dieren zoals een leeuw, slang, eekhoorn en vogels.
Gezicht op Constantinopel
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: city-view, and landscape with man-made constructions

Gezicht op Constantinopel, op de voorgrond een schip. Midden op de achtergrond staat de Haga Sophia. Links daarvan de Zuil van Justinianus die volgens de tekst door zwaar onweer getroffen wordt. De prent maakt deel uit van een album.
De winter
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: winter sports, skates (winter sports), sledge, sleigh (winter sports)
Inscriptions: collector's mark: Lugt 2760

Blad met 7 wintertaferelen. Onder elke afbeelding een vers. Genummerd rechtsboven: No. 46.
Twee ruiters in een hinderlaag
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Artist: hans ulrich franck
Artist role: draughtsman, print maker
Artist dates: 1603 – 1680
Subjects: riding a horse, ass, or mule; rider, horseman, surprise attack (from ambush)
Inscriptions: collector's mark: Lugt 2228

Prent uit een serie van vijfentwintig militaire voorstellingen, waarvan tien in de collectie van het RMA aanwezig zijn.
Vuursteengeweer voor Staatse leger
Object type: flintlock pistol
Date: 1795 – 1806
Materials: brass, steel, wood
Techniques: printing, cutting, engraving
Location: amsterdam
Artist: lambertus michaelis thone
Artist role: weapon manufacturer
Inscriptions: inscription: ‘W.L.I.//FUND’, town mark, number: ‘411’, signature: ‘THONE // AMSTERDAM’, number: ‘81403; 1403’
Village on a River, from Landscapes (Playsante Lantschappen)
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: attributed to claes jansz. visscher ii
Artist nationality: dutch
Artist dates: 1586 – 1652
Inscriptions: Lettered lower right: "32"
Pair of Stirrups
Object type: stirrup
Date: 1801 – 1900
Culture: chinese
Location: china
Leven, passie en wederopstanding van Christus
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the massacre ot the innocents; sometimes herod looking on
Inscriptions: collector's mark: Lugt 2228

Moeders proberen hun kinderen te beschermen tegen de soldaten van Herodes. Zij hebben de opdracht gekregen alle jongens van twee jaar en jonger in Betlehem te vermoorden (Matteüs 2:16). De prent heeft een Latijns onderschrift. De prent maakt deel uit van een serie over het leven van Christus.
Kris with Sheath
Object type: kris with sheath
Date: 1701 – 1900
Materials: horn, silver, steel, wood
Culture: philippine
Location: philippines
Fragment (Border)
Object type: textile
Date: 1701 – 1800
Techniques: brocade, weave
Location: iran
Mirror case
Object type: mirror case
Date: 1701 – 1800
Materials: silk
Culture: chinese
Tureen
Object type: metalwork
Date: 1852 – 1852
Materials: silver
Location: new york city
Artist: william gale and son
Subjects: dining, drinking
Inscriptions: Marked on bottom: WM GALE & SON / NEW-YORK 
Marked on bottom with vertical oval with raised initials and vertical lozenge with numerals 1852 below
Engraved under one handle: S. F.. ---- M.G.F./1893
The actor Ichikawa Danjuro VIII as Tsunagoro
Object type: print
Date: 1847 – 1847
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Portret van een onbekende vrouw
Object type: page
Date: 1882 – 1892
Materials: textile
Techniques: photo-tinted print
Location: france
Subjects: adult woman
Inscriptions: inscription: ‘Epreuve photographique par voie de teinture Procédé A. Villain’
In Bercy. “We are doing everything to avoid that the river Seine overflows... and there are still people who are questioning our good intentions,” plate 321 from Actualités
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Square-Sectioned Jar (Fanghu)
Object type: vessel
Materials: earthenware, pigment
Techniques: polychrome
Location: china

The squared shape and vibrantly painted decoration of this jar imitates those of bronze and lacquer vessels. Its images of monster-mask ring handles duplicate, in larger scale, functional fittings in bronze. When excavated from Han tombs, some clay jars of this type were found to contain grain offerings provided for the deceased as part of the funerary rites.
"Haji Husain Bukhari", Folio from the Shah Jahan Album
Object type: album leaf
Materials: gold, ink, paper, watercolor
Location: india
Subjects: men,flowers
Portret van Maurits, prins van Oranje
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving, etching
Location: delft
Subjects: the hague, maurice (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: date

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Coin Portraying King Philip II
Object type: coin
Date: 244 – 249
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Subjects: king, portrait
The Unsolicited Expression of Gratitude (plate 22)
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Terracotta fragment of a bell-krater (deep bowl)
Object type: krater fragment
Date: 434 – 368
Materials: terracotta
Culture: etruscan

Below the rim, a band of laurel with berries; hanging in the field, a fillet?
Portret van Pieter Klazes Pel
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: amsterdam, moustache, historical persons
Inscriptions: collector's mark: Lugt 2228

Een portret van hoogleraar geneeskunde Pieter Klazes Pel, met snor.
Sardonyx cameo of a double capricorn with a portrait of the emperor Augustus
Object type: cameo, portrait of augustus
Date: 27 – 14
Materials: gold, gemstone
Culture: roman
Subjects: emperor augustus,goats

The cameo bears a medallion with a portrait of Augustus supported on the horns of a double-headed goat. The imagery represents the constellation Capricorn, which was adopted by the Emperor Augustus as his own lucky star sign and was used as an imperial symbol on such things as coins and legionary standards.
Stadspoort in de vorm van een triomfboog, met Toscaanse zuilen
Object type: ornament print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: tuscan order ~ architecture, triumphal arch, city-gate

Het middelste gedeelte is gedecoreerd met verzonken Tuscaanse zuilen en bekroond met een fronton met een wapenschild. Blad 3 uit serie van 6 bladen, tegenzijdige kopie naar blad uit de serie Second Liure d'Arc de Triomphe et Porte de Ville uitgegeven door Daniel Marot (I).
Model for the Funerary Monument of Lieutenant-General Baron Johan Theodoor Von Friesheim (1642-1733)
Object type: sculpture
Date: 1731 – 1731
Materials: terracotta
Techniques: modeling
Location: the hague
Artist: jan baptist xavery
Artist role: sculptor
Artist dates: 1697 – 1742
Inscriptions: signature and date, on the left side of the plinth, incised in the wet clay: ‘J:B: XAVERY / 1731. F:’
Tartar Huntsman
Object type: handscroll
Date: 1530 – 1530
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: bow and arrow,men,hunting,horses
Burgemeester Westerwijk te Goes uit de gevangenis geleid, 1692
Object type: historieplaat
Date: 1785 – 1785
Materials: ink, paper
Techniques: brush, pen
Location: northern netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: last talk with relatives (during last hours before execution), (person under sentence of death) on the way to the scaffold or place of execution
Inscriptions: date

Burgemeester Adolph Westerwijk te Goes ter dood veroordeeld in een conflict met stadhouder Willem III. De straf werd echter omgezet in levenslang. In de voorstelling trekken soldaten de vrouw weg van de burgemeester op het moment dat hij uit de gevangenis wordt gebracht, 30 december 1692. Ontwerp voor een prent.
Bowl with cover
Object type: bowl with cover
Date: 1401 – 1500
Materials: brass, silver
Techniques: inlay
Shawl Sample
Object type: shawl sample
Date: 1801 – 1833
Materials: wool
Techniques: embroidery
Location: india
Ruiter en een man bij een bewusteloze jonge vrouw
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: riding a horse, ass, or mule; rider, horseman, landscapes, apparent death
Inscriptions: inscription: ‘"Dat my de Hemel bewaare? (riep de / "verbaasde jongman, zo dra hy het bekoorelyk / "gelaat van Amalia gezien hadt). bl: 293.’, collector's mark: Lugt 240
To pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals"
Object type: print
Date: 1837 – 1847
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Dress
Object type: dress
Date: 1801 – 1900
Materials: silk
Techniques: embroidery
Location: india
Vignet met een cartouche met muziekinstrumenten
Object type: print
Date: 1650 – 1799
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: musical instruments; group of musical instruments, ornament ~ cartouche, illustration ~ printed matter, book
Inscriptions: collector's mark: Lugt 2228
Weeping Cherry
Object type: print
Date: 1797 – 1858
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: birds,flowers
Design for a Crest with Drapery and Two Putti
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Drie mannen en een vrouw
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: human races; peoples; nationalities (+ men)
Inscriptions: collector's mark: Lugt 2228

Drie mannen - op de rug gezien, zijwaarts en frontaal - met een vrouw meer op de achtergrond.
Carpet
Object type: carpet
Materials: silk
Techniques: pile
Location: iran
Subjects: flowers
Munten voor Bataafs Indië, 1802
Object type: print
Date: 1802 – 1803
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: coin, dutch east indies, the
Inscriptions: collector's mark: Lugt 2228

Vijf nieuwe munten geslagen in Enkhuizen voor voor Bataafs Indië. De munten dragen het opschrift 'Indiae Batavorum' en het jaar 1802.
Justitia, plate 5 from The Seven Virtues
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: belgium
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Four Panels
Object type: textile
Date: 1850 – 1870
Materials: wool
Techniques: printing block, printing
Location: england
Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (642) Bonnet de Dentelle...
Object type: fashion print
Date: 1805 – 1805
Materials: paper
Techniques: engraving, hand coloring
Subjects: gloves, mittens (long gloves) (+ women's clothes), neck-gear ~ clothing (shawl) (+ women's clothes), head-gear (bonnet) (+ women's clothes), fashion plates, dress, gown (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)
Inscriptions: title: ‘Bonnet de Dentelle. Fichu noué en Ceinture.’

Jonge vrouw., met één been leunend op een stoel, op de rug gezien. Ze draagt een paarse japon met korte pofmouwen en een wit fichu dat overgaat in ceintuur. Op het hoofd een bonnet van kant. Groene lange sjaal over de schouder. Lange witte handschoenen.
Three Poems from the Collection of Poems Ancient and Modern (Kokin wakashū), one of the Araki Fragments (Araki-gire)
Object type: hanging scroll
Date: 1001 – 1100
Materials: ink, paper
Culture: japanese
Artist: fujiwara no yukinari (kōzei)
Artist role: artist
Artist nationality: japanese
Artist dates: 972 – 1027
Subjects: poetry

The long strands of calligraphy were inscribed without lifting the brush from the paper. Such “unbroken-line” (renmentai) brushwork, considered de rigueur for ladies of the palace during the age of The Tale of Genji (early 11th century), came to characterize much of the period’s poetic inscriptions. The “cloud paper” (kumogami) was made using indigo-dyed pulp, resulting in undulating blue or purple patterns favored as an attractive backdrop for poems.
Bootees
Object type: bootee
Date: 1870 – 1880
Materials: leather, metal, wool
Culture: american
Subjects: flowers

Skillful execution of domestic needlework was an important measure of a lady's social standing and virtue in the Victorian period. Berlin work, in which brightly colored wool yarns were embroidered on a canvas ground in shaded, naturalistic designs, was the prevalent type of embroidery for about twenty years, beginning in the 1850s. This pair of crocheted baby boots employs colors and patterns which refer to that style. The boots are finely worked and exhibit the skill of the lady who made them. The buttons closure, somewhat complicated and elaborate for a baby shoe, makes reference to button boots, which were the most common contemporary style for both adults and children.
Coronation of Queen Wilhelmina of the Netherlands, 1898
Object type: medal
Date: 1898 – 1898
Materials: silver
Techniques: struck
Appelteef
Object type: print
Date: 1731 – 1732
Materials: paper
Techniques: woodcut
Location: haarlem
Subjects: caricatures (human types)

Koddige figuur, in het onderschrift in de overzichtsprent draagt deze figuur de naam: Appelteef. Onderdeel van het boekje: XXXVI. aartige figuuren, geinventeert door Izaak van Ostade tot Haarlem [1731-1732].
Dish with eight trigrams
Object type: dish
Date: 1701 – 1800
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Kohl jar lid
Object type: kohl jar lid
Date: 1981 – 1640
Materials: stone
Location: egypt
Card Number 62, Kate Castleton, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Pangkalpinang. Bureau van den Magazijnmeester
Object type: photograph
Date: 1914 – 1919
Materials: photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, mining, office (~ administration)
Inscriptions: inscription: ‘Pangkalpinang. Bureau van den Magazijnmeester’

Groepsfoto van de magazijnmeester en personeel van het magazijn van de Banka-tinwinning te Pangkalpinang. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
The Passage of a Caravan from the frieze Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks)
Object type: print
Date: 1553 – 1553
Techniques: woodcut
Location: antwerp
Artist: pieter coecke van aelst (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1502 – 1550
Subjects: men,women,horses
Head Amulet
Object type: amulet, black african head
Date: 664 – 332
Materials: faience
Location: egypt
Subjects: heads
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 48 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: birds,pears,lizards

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. From top to bottom, and left to right: Design is printed upon a grid and is decorated with a tree of pears and leaves, upon which a bird is perched in the center. Below the tree are a small plant on the left and a lizard on the right.
Portret van predikant Herman Gerrit Jacobus van Doesburgh
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: rotterdam, historical persons
Inscriptions: collector's mark: Lugt 2228
Mathilde et Dailly, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van Willem Buys
Object type: book illustration
Date: 1749 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent voor het eerst verschenen in: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...). 21 dln. Amsterdam: Isaak Tirion, 1749-1759, dl. 7. Prent ook gebruikt in latere edities van dit werk.
Terracotta bowl with lid
Object type: bowl with lid
Date: 534 – 501
Materials: terracotta
Culture: etruscan

Cover surmounted by cocks; decorated with swans in relief, handles ending in human heads.
Zelfportret
Object type: drawing
Date: 1991 – 1991
Materials: paper, pencil
Location: netherlands
Artist: philip akkerman
Artist role: draughtsman, painter, sculptor
Artist dates: 1957 – 
Subjects: painter, draughtsman, sculptor, philip akkerman, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

¾ En face weergegeven zelfportret met kort haar en kraagloos shirt. Tekening nr. 35.
Mlle. Lucie Gerard, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.