deem-data/ArtiFact huggingface dataset:
Shabti of Mentuemhat
Object type: shabti, mentuemhat
Date: 690 – 645
Materials: stone
Location: egypt

Large stone shabtis, known from the late Middle Kingdom and 18th Dynasty, reappeared in the 25th Dynasty for the pharaohs, Theban God's Wives, and highest officials of Dynasty 25 at Thebes. Mentuemhat, the powerful 'count' of the Theban region, had several such shabtis. Three of them were excavated by the Metropolitan Museum in the vicinity of his tomb in Western Thebes. Mentuemhat preceded the usual shabti spell with a magical formula that had been used on shabtis of Amenhotep III (ca. 1390-1352 BC) and on certain others of that king's time. The formula gives attention to Abydos as a place of special access to Osiris. It asks that the gods there in Osiris's presence (probably ancestral kings) remember Mentuemhat before Osiris so that Mentuemhat can participate in the sacred city's festivities. It also asks that those same gods remember him when he is asked to provide his own food in the Netherworld, so that the shabti can take his place as the standard shabti formula requests.
Ewer
Object type: ewer
Date: 1700 – 1700
Materials: faience
Techniques: glazing
Subjects: human figures

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Cvm B. Virgine Desponsatio
Object type: print
Date: 1581 – 1633
Materials: paper
Techniques: engraving
Location: antwerp
Artist: theodoor galle
Artist role: print maker
Artist dates: 1571 – 1633
Subjects: recruitment of the bridegroom: the suitors are kneeling before the altar on which rods are placed
Inscriptions: collector's mark: Lugt 2228

Maria moet een keuze maken uit verschillende huwelijkskandidaten. Jozefs stok bloeit en dit wordt gezien als een teken van God. Uit de stok komt een duif (de Heilige Geest) tevoorschijn. De prent heeft een Latijns onderschrift en maakt deel uit van een zestiendelige serie met taferelen uit het leven van de Heilige Familie.
Huwelijksprent
Object type: print
Date: 1706 – 1744
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: cornelis van jagen
Artist role: print maker
Subjects: specific aspects, allegorical aspects of juno; juno as patroness, charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, fidelity; 'fedeltà' (ripa), marriage, married couple, 'matrimonium', love personified, (story of) cupid, amor (eros)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Ruitertafereel op Koninklijke Houtvesterij Het Loo: twee ruiters
Object type: album leaf
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, hunting, chase, hunting-ground

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
Portret van Johann Philipp Streit
Object type: print
Date: 1693 – 1750
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, lawyer, attorney at law

Met zesregelig onderschrift in het Latijn.
Fries met dertien vogels bij een water omringd door bomen
Object type: ornament print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: birds

Rechts staat een watermolen. Blad 12 uit serie van 12 genummerde bladen.
8-bladige reeks: Früchten buchlein
Object type: ornament print
Date: 1596 – 1633
Materials: paper
Techniques: engraving
Location: germany

Blad uit een serie van 12 bladen, genummerd 1-8.
Vogelboek
Object type: print
Date: 1648 – 1692
Materials: paper
Techniques: etching
Location: france
Subjects: other birds: kingfisher
Inscriptions: collector's mark: Lugt 240
Muts met bol van Friese kant in fijn breiwerk, afgezet met een strook Rijsselse kant dat langs het voorhoofd geplooid is
Object type: womenswear
Date: 1800 – 1900
Materials: linen
Techniques: material, knitting, lace, needleworking
Location: friesland
Artist: Anonymous

Muts met bol van Friese kant in fijn breiwerk, afgezet met een strook Rijsselse kant dat langs het voorhoofd geplooid is.
Pluto, from 'Game of Mythology' (Jeu de la Mythologie)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,pluto
Imaginary Architecture with Camel and Figures, after Della Bella
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: pierre moreau
Artist role: artist
Artist nationality: french
Artist dates: 1715 – 1798
Subjects: architecture
Passie van Christus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: christ's entombment (possibly by angels)
Inscriptions: number: ‘142’

Christus wordt door Josef van Arimatea en Nikodemus in het rotsgraf gelegd. Rond het graf de treurende heilige vrouwen. Op de voorgrond de passiewerktuigen. Onder de voorstelling een vierregelig vers in het Latijn. Rechtsonder de letter: k. Deze prent maakt deel uit van een album.
The Summer Palace, Peking / Vues du Palais d'Eté de Pékin / Vista del Palacio de Verano, Pekin
Object type: ansichtkaart, prentbriefkaart
Date: 1974 – 1974
Materials: cardboard
Techniques: offset printed
Location: china
Subjects: palace, avenue, boulevard, promenade, esplanade
Denbigh Castle from Segroyt Dingle
Object type: drawing and watercolor
Date: 1816 – 1816
Materials: graphite, paper
Location: england
Artist: george fennel robson
Artist role: artist
Artist nationality: english
Artist dates: 1788 – 1833
Schöne und auf die neueste Facon inventierte Gefäße und Krüge
Object type: print
Date: 1721 – 1756
Materials: paper
Techniques: etching
Location: augsburg
Subjects: rocaille ornament, vase ~ ornament, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee rocaille siervazen. De linkervaas is met twee putti gedecoreerd. Prentnummer 116.
Portret van een onbekende man
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, historical persons
Reliquary from the Treasury of Bafle, in silver, set with jewels, circa 1470
Object type: photograph
Date: 1856 – 1861
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: relics (and reliquaries)
Inscriptions: number: ‘No. 23.’
Muzikant speelt viool
Object type: print
Date: 1825 – 1869
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: henri leys (baron)
Artist role: draughtsman, painter, print maker
Artist dates: 1815 – 1869
Subjects: minstrel, 'jongleur', violin, fiddle
Inscriptions: collector's mark: Lugt 2228
Hemelvaart van Maria
Object type: print
Date: 1559 – 1620
Materials: paper
Techniques: engraving
Location: antwerp
Artist: johannes wierix
Artist role: draughtsman, print maker
Artist dates: 1549 – 1618
Subjects: the assumption of mary ('assumptio corporis'): she is borne into heaven by angels (+ angel(s))
Inscriptions: collector's mark: Lugt 2228

Maria wordt door vier engelen ten hemel gevoerd. Boven haar twee engeltjes met een kroon. In de bovenhoeken musicerende en aanbiddende engelen. Onderaan een bergachtig landschap.
Sandwich
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: henry stacy marks
Artist role: artist
Artist nationality: english
Artist dates: 1829 – 1898
Moord te Oudewater, 1575
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maastricht, politician, massacre ~ war

Gruwelijke moordpartij aangericht door de Spaanse soldaten op de bevolking van Oudewater, 8 augustus 1575. De stad wordt geplunderd en in brand gestoken door de soldaten onder bevel van Gilles van Hierges. Met onderschrift van 4 regels in het Latijn. Genummerd: 55. Bedrukt op achterzijde met tekst in het Latijn.
Cuneiform tablet: promissory note for silver, Esagilaya archive
Object type: cuneiform tablet
Date: 600 – 501
Materials: clay
Culture: achaemenid or babylonian
Location: mesopotamia
Nederlands Indië, gulden, 1840
Object type: coin
Date: 1840 – 1840
Materials: silver
Techniques: striking
Location: utrecht
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Zilveren munt. Voorzijde: borstbeeld naar rechts. Keerzijde: tussen waarde-aanduiding 1 G gekroond rijkswapenschild. Onder het wapenschild in gebogen lijn lands-aanduiding: Nederlandsch Indië. Jaartal boven kroon. Kabelrand.
An apostle raising his eyes in prayer, in an oval frame, from "Christ, the Virgin, and Thirteen Apostles"
Object type: print
Date: 1600 – 1640
Materials: ink
Techniques: etching, pen
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: portraits,apostles,praying

From Christ, the Virgin and Thirteen Apostles, a series of fifteen busts in oval frames printed from one plate, after Reni. Brown ink drawn around the outer border of the sheet.
Henu barque amulet
Object type: amulet, henu barque
Date: 664 – 380
Materials: gold
Terrine van veelkleurig beschilderde faience, in de vorm van een druiventros, met deksel
Object type: tureen
Date: 1765 – 1768
Materials: faience
Location: delft
Artist: jacobus adriaens halder
Artist role: fayencier
Artist dates: 1741 – 
Inscriptions: mark: ‘A/ IH/ 12/ 105’

Terrine van faience in de vorm van een druiventros, met deksel. Veelkleurig beschilderd. Met bijbehorende onderschotel.
Teabowl
Object type: teabowl
Date: 960 – 1279
Materials: fur, glaze, stoneware
Culture: chinese
Dancing dwarf
Object type: statuette, dwarf
Date: 332 – 150
Materials: marble
Location: egypt
Subjects: men,dancing

The marble dancing dwarf with his fine features is almost certainly from Alexandria. As in so many aspects of Ptolemaic art, the dwarf represents the convergence of different trends. Although in this instance the top of the head, arms and legs are missing, bronze statuettes of dancers and dwarf-dancers often hold castanets, and the origin of the type should probably be associated with the castanet-playing dancers hired for religious or private occasions who are noted in some Ptolemaic papyri. In Greece such dancers had long been associated with ecstatic orgiastic cults like those of Dionysus or Cybele, so it could be that such cults are sometimes involved. However, the employment of such individuals certainly was adopted for private occasions and banquets. The figure, then, might have recalled a particular occasion, or been a more general evocation of festivity. This dwarf is rendered without caricature, which suits the long Egyptian tradition in which dwarves were integrated in society and had in general positive associations, and by this time appeared mostly as gods - Bes or Pataikos. The nakedness of the figure is perhaps more suited to Greek tradition, while the highly developed rendering of the dwarf's musculature and body form is a Hellenistic tendency: in a world greatly interconnected, there was strong interest in the array of human types and even study of body types.
Chair
Object type: chair
Date: 1860 – 1860
Materials: wood
Culture: american
Location: united states
Le long de la Seine et des boulevards
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: engraving
Location: paris
Subjects: bridge in city across river, canal, etc., prospect of city, town panorama, silhouette of city, paris, eiffel tower
Inscriptions: collector's mark: Lugt 2228

Deze serie heeft als titel 'Le long de la Seine et des boulevards'. Deze serie is het vierde deel van het grotere geheel 'L'Oeuvre gravé sur bois de Auguste Lepère'.
Harlequin
Object type: figure
Date: 1760 – 1770
Materials: soft paste porcelain
Artist: real fabrica de buen retiro
Artist role: factory
Artist nationality: spanish
Subjects: men
Das Neuw Grottesken Buch Nürnberg 1610
Object type: print
Date: 1573 – 1610
Materials: paper
Techniques: etching
Location: germany
Artist: christoph jamnitzer
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1563 – 1618

Een putto met een tak in de hand op een zeedraak. Blad uit een serie vlakdecoraties met grotesken, cartouches, ovalen, mascarons, putti en fantastische wezens. De serie bestaat uit drie titelbladen, twee tekstbladen met de opdracht en het voorwoord en 60 bladen, verdeeld over drie boeken.
Kohl Tube
Object type: kohl tube, palm column
Date: 1295 – 1070
Materials: glass
Location: egypt

Egyptian glassmaking, which had reached a high level of virtuosity in late Dynasty 18, continued to be practiced in the Ramesside Period; however, the quality, as well as quantity, of it production dropped off sharply in Dynasty 20. The "feathered" decoration of this kohl tube was achieved by winding thin colored glass rods around the vessel and pressing them onto the surface of the vessel while it was still soft, and then drawing the rods up or down with a metal instrument. This kohl tube in the form of a palm column is apparently the half of a double tube.
Hammered Silver Miniature Spatula
Object type: spatula
Date: 1001 – 1500
Materials: gilt, silver
Techniques: hammering
Culture: chancay or chimú
Location: peru
Mijnheer Winter
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: munich
Subjects: winter, 'hyems'; 'inverno' (ripa) (+ ways of representing seasons and months)
Inscriptions: collector's mark: Lugt 2760

Nederlandse editie van een prent uit de reeks "Munchener platen" uitgegeven door K. Braun & Fr. Schneider te München met het adres van wederverkoper Hermann van der Moolen.
Groningen. De Groote Markt en het Stadhuis.
Object type: book illustration
Date: 1855 – 1857
Materials: paper
Techniques: engraving
Location: gouda
Subjects: townhall
Inscriptions: collector's mark, collector's mark: Lugt 1641

Prent uit: Terwen, J.L. Het koningrijk der Nederlanden (...). 2 dln. Gouda: G.B. van Goor, 1857. Dezelfde prent, met een ander onderschrift, komt ook voor in: Der Rhein und die Rheinlande in malerischen Original-ansichten. 3 dln. Darmstadt: G.G. Lange, 1863.
Kneeling Figure Wearing a Cope
Object type: drawing
Materials: chalk, paper
Techniques: heightening
Artist: joseph marie vien
Artist role: artist
Artist nationality: french
Artist dates: 1716 – 1809
Nederlandse cent,1944
Object type: coin
Date: 1944 – 1944
Materials: zinc
Techniques: striking
Location: utrecht

Zinken munt. Voorzijde: rechtkruis. Keerzijde: waarde-aanduiding 1 ct, rechts vier golven en een korenaar. daaronder op een band jaartal. Kartelrand.
Journal des Dames et des Modes 1823, Costume Parisien (2170)
Object type: fashion print
Date: 1823 – 1823
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: fashion plates, clothes, costume (+ women's clothes)
Inscriptions: date

Prent uit het tijdschrift Journal des Dames et des Modes, 1823.
Puinhopen van de ingestorte rooms-katholieke kerk in Batavia
Object type: photograph
Date: 1890 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: batavia
Artist: Anonymous
Subjects: collapsing building, batavia

Onderdeel van Album met foto's van Batavia en van de zusters Ursulinen.
Portret van Tobias Seifart
Object type: print
Date: 1688 – 1688
Materials: ink, paper
Techniques: engraving, etching, pen, snipping
Artist: Anonymous
Subjects: theologian, historical persons

Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Oosterse man met een wandelstok
Object type: sketchbook leaf
Date: 1936 – 1936
Materials: paper, pencil
Location: maghreb
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: standing figure, walking-stick, staff, folk costume, regional costume

De man draagt een tulband op het hoofd. Blad 25 recto uit een schetsboek met 73 bladen.
John Flaxman (1755–1826)
Object type: medal
Date: 1854 – 1854
Materials: silver
Artist: henry weigall
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1883
Subjects: men,profiles
Portret van Wilhelm Schadow
Object type: print
Date: 1831 – 1873
Materials: paper
Techniques: engraving
Location: bonn
Subjects: berlin, print maker, wilhelm schadow, historical persons
Inscriptions: collector's mark: Lugt 2228
Kooplieden op een markt op Madeira
Object type: photograph
Date: 1885 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: madeira
Artist: Anonymous
Subjects: market

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Playing in Parts
Object type: print
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Portret van Antonio Canova
Object type: print
Date: 1809 – 1880
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: bartholomeus johannes van hove
Artist role: draughtsman, painter, print maker
Artist dates: 1790 – 1880
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Panel with Kama and Rati
Object type: panel ornament area
Date: 1700 – 1800
Materials: ivory
Techniques: cutting
Inscriptions: inscription

This small panel is unusual because of the inscription at the top, which records either the name of its owner or its maker. Such inscriptions are exceptionally rare in South Asian art.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Right half of handle; on the inside, in red, HIER[ON EP]OIESEN
Pour un Porte
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: paris
Artist: jean françois de neufforge
Artist role: print maker
Artist dates: 1714 – 1791
Subjects: 'cornucopia', horn of plenty, monumental door, porch, 'aediculum', ornament ~ medallion
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerde deur met rocailles en guirlandes. Daarboven een medaillon met vrouwenportret en profil, hoornen des overvloeds en twee zittende figuren met guirlandes. Prentnummer 298.
Schilder in zijn atelier
Object type: print
Date: 1841 – 1857
Materials: paper
Techniques: etching
Subjects: painter at work, in his studio, painter preparing colours
Inscriptions: collector's mark: Lugt 2228

Een schilder aan het werk in zijn atelier. Hij zit achter een ezel bij het raam, hierachter bereiden twee assistenten of leerlingen verf.
Pont-au-change, Paris
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: drypoint, etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: buildings,bridges,rivers,boats,paris
Duinlandschap met kerken en ruiter bij Scheveningen
Object type: print
Date: 1809 – 1869
Materials: paper
Techniques: etching
Location: rotterdam
Artist: dirk vis blokhuyzen
Artist role: print maker
Artist dates: 1799 – 1869
Subjects: dunes (sea not visible); in the dunes
Inscriptions: collector's mark: Lugt 2228
Nacht-raeve. / Ardea Cinerea (Stellaris) minor
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, paper, pencil, watercolor
Techniques: brush
Subjects: shore-birds and wading-birds: purple heron

Een reiger, mogelijk een purperreiger. Genummerd rechtsboven: 21. Onderdeel van het derde album met tekeningen van vogels. Vijfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Examining the Painting
Object type: print
Date: 1801 – 1900
Techniques: woodblock print, surimono
Location: japan
Artist: katsukawa shuntei
Artist role: artist
Artist nationality: japanese
Artist dates: 1770 – 1820
Standing female goat
Object type: crèche figure
Date: 1767 – 1833
Materials: lead, terracotta
Techniques: polychrome
Subjects: goats

This is an unusually fine figure with beautifully detailed hair and head. In addition, the combination of the nursing mother and baby animal, is a rare example and of high quality.
Christus en de Apostelen
Object type: print
Date: 1519 – 1519
Materials: paper
Techniques: woodcut
Location: straatsburg
Artist: hans baldung grien
Artist role: draughtsman, print maker
Artist dates: 1484 – 1545
Subjects: the apostle james the less, first bishop of jerusalem; possible attributes: book, fuller's club, scroll
Inscriptions: collector's mark: Lugt 2228a
Kruis met ouroboros
Object type: prayer card
Date: 1874 – 1932
Materials: paper
Techniques: woodcut
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: nimbus, halo ~ radiance emanating from persons or things, the cross ~ symbols of christ, serpent ouroboros
Inscriptions: collector's mark: Lugt 2228

Een kruis in een cirkel omgeven door een ouroboros, een slang die in zijn eigen staart bijt. Achter de cirkel een figuur met een nimbus die beide armen omhooghoudt.
Illustration for a Book:  Meeting Between a Pope and Doge
Object type: drawing
Date: 1696 – 1770
Materials: chalk
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: boys,men,popes
Veldbloemen
Object type: print
Date: 1856 – 1860
Materials: paper
Techniques: lithograph
Location: paris
Subjects: flowers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166, annotation: ‘F. Albers’
Gold sheet appliques
Object type: sheet applique, 37
Date: 401 – 450
Materials: gold
Culture: east germanic or nomadic

These delicate objects come from the Crimea in the Ukraine, where they adorned the grave clothing of eastern Germanic men and women buried there in the fifth century A.D. Sewn onto the sleeves and necklines of the garments, these appliqués are made from thin gold foil, which was punched and pressed to create various patterns. The decoration of festive and official attire with small gold appliqués had a long tradition in the Crimea. Ancient texts describe one third-century ruler of the Bosporan kingdom as wearing a robe decorated with several hundreds of them.
Landschap met gieren
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: gillotage
Subjects: predatory birds: vulture

Prent uit deel twee van het tijdschrift getiteld 'L'Autographe au Salon de 1864 et dans les Ateliers', met voorstellingen door verschillende kunstenaars en hun handtekeningen, bestaande uit acht pagina's.
Portret van Franciscus van der Ee
Object type: print
Date: 1640 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: françois van der ee, historical persons, bailiff