deem-data/ArtiFact huggingface dataset:
Reclame voor een staalwerk van Edwards, Clarke & Co., Providence, met maquette van de voorzijde van een pand met stalen galerijen en brandtrappen
Object type: carte de visite
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: bay-window, oriel, fire-escape, model ~ architecture, handicrafts ~ metal
Inscriptions: stamp: ‘Presented by E.A. Rawson’, inscription: ‘EDWARDS, CLARKE &amp; CO., / ARCHITECTURAL IRON AND METAL WORKS / Fancy and Ornamental Iron Work, / (...)’
Panel with the Birth of the Virgin
Object type: panel
Date: 1500 – 1500
Materials: wood
Culture: french
Subjects: men,women,virgin mary

Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels (50.147.1–38) are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.
Panel (Furnishing Fabric)
Object type: textile
Date: 1860 – 1880
Materials: textile, silk
Techniques: bookbinding, brocade, patterning, satin weave, weave
Location: lyon
Artist: mathevon et bouvard
Artist nationality: french
Artist dates: 1810 – 1895
Subjects: flowers, baskets, pedestals, urns, foliage, cupids
Embroidered sampler
Object type: sampler
Date: 1815 – 1815
Materials: linen, silk
Techniques: embroidery
Culture: american
Location: united states
Artist: amanda harper
Artist role: maker
Artist nationality: american
Artist dates: 1805 – 1905
Subjects: swans,flowers
Portret van Maximilian Joseph Gottfried von Sommerau Beeckh
Object type: print
Date: 1816 – 1880
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: vienna, archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op een gebouw in Boma
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: autotype
Location: congo
Subjects: façade (of house or building)
Goldene Kammer in St. Ursula
Object type: carte de visite
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: cologne
Artist: theodor creifelds
Artist role: publisher
Artist dates: 1815 – 1875
Subjects: parts of church interior (crypt)
Inscriptions: inscription: ‘Photographische Anstalt/ von/ Th: Creifelds/ in/ CÖLN./ Domkloster.’, number: ‘-555-’
Document Sealing
Object type: sealing, nebmaatre, amenhotep iii,
Date: 1390 – 1352
Materials: mud
Location: egypt
The Dutch Raid on the Medway, 1667
Object type: print
Date: 1685 – 1687
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: bastiaen stopendael
Artist role: print maker
Artist dates: 1636 – 1693
Subjects: flushing, michiel adriaenszoon de ruyter, battle (+ naval force), raid on the medway

Landschappelijke voorstelling van de Tocht naar Chatham en de vernietiging van de Engelse vloot op 20 juni 1667 door de Staatse vloot onder Michiel Adriaenszoon de Ruyter. In het onderschrift de legenda 1-36 in het Nederlands. Gemerkt rechtsboven: Pag. 574.
Portrait of Paris von Gütersloh
Object type: print
Date: 1918 – 1918
Techniques: lithograph
Artist: egon schiele
Artist role: artist
Artist nationality: austrian
Artist dates: 1890 – 1918
Subjects: men,portraits
Reliekhouder met de bewening van Christus
Object type: print
Date: 1509 – 1549
Materials: paper
Techniques: woodcut
Location: wittenberg
Artist: lucas cranach (i)
Artist role: draughtsman, print maker
Artist dates: 1472 – 1553
Subjects: 'pietà ', 'vesperbild', 'marienklage' (no others present): christ, either with or without crown of thorns, mourned by mary, relics (and reliquaries)
Inscriptions: collector's mark: Lugt 240

De houtblokken werden in 1509 voor het eerst gebruikt in: Dye zaigung des hochlobwirdigen hailigthums der Stiftkirchen allerhailigen zu wittenburg, Wittenberg, Symphorian Reinhart. Daarna volgden verschillende uitgaven van de Hortulus Animae (uitgever Georg Rhau) waarin de blokken opnieuw gebruikt werden.
Woman Beside a Cherry Tree
Object type: print
Date: 1688 – 1690
Techniques: hand coloring, woodblock print
Location: japan
Artist: Anonymous
Buckle
Object type: buckle
Date: 1401 – 1600
Materials: brass
Culture: european
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, drapery and vine tendrils; Exterior, unidentified subject
Sono sugata Hikaru no utsushi-e
Object type: print
Date: 1849 – 1853
Materials: paper
Techniques: woodcut, nishiki e
Location: tokyo
Subjects: garden, housing, house personnel, servants
Inscriptions: collector's mark: Lugt 2228

Vrouw (Yugao) in paarse kimono, een waaier waarop een bloem aanbiedend aan dienstbode, bij tuinhek; prins Genji en dienstmeisje met zwaard toekijkend bij draagstoel.
Optocht NSB
Object type: photograph
Date: 1940 – 1943
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Subjects: military parade, pageant, netherlands

Optocht van de NSB (misschien WA) door een laan met bomen. Rechts mannen in zwart uniform bij een auto, (met nummerbord L198, de auto van A. Mussert?). De stoet mannen in zwarte uniformen links dragen bijna allemaal trommels. Langs de kant onder de bomen staan enkele toeschouwers.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, head, neck, and left shoulder of a wreathed, bearded man to left, with his himation draped over his left shoulder and arm; Exterior, part of calf and foot of a male to right; calves and feet of a male to right, and tassels of a red fillet
Several Men on Path Before a Farm, from Twelve landscapes with Figures
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: etching
Location: netherlands
Artist: after gillis van scheyndel
Inscriptions: Numbered lower right: 12
Man en vos onder druivenranken
Object type: book illustration
Materials: paper
Techniques: wood engraving
Location: london
Subjects: vine, adult man, beasts of prey, predatory animals: fox

Prent uit: The baby's own Aesop being the fables condensed in rhyme. Londen: Routledge & Sons, 1887. Of een latere uitgave.
Copies after the 'Livre contenant passement de moresques'
Object type: album print ornament architecture
Date: 1801 – 1900
Techniques: etching
Artist: jacques androuet du cerceau
Artist role: artist
Artist nationality: french
Artist dates: 1510 – 1585

Modern album containing 19 etchings with moresque designs after the French artist Jacques Androuet Du Cerceau.
Piece
Object type: piece
Date: 1501 – 1700
Materials: hemp, silk
Het martelaarschap van de Heilige Sebastiaan
Object type: drawing
Date: 1660 – 1660
Materials: chalk, paint, gouache, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667

Kopie naar gravure van A. Sadeler uit 1621 naar ontwerp van Jacopo Palma (Holl.96).
Amsterdam: Rijksmuseum, European Currencies
Object type: medal
Date: 2001 – 2001
Materials: copper, plastic, silver
Techniques: silvering, striking
Location: munich
Subjects: rijksmuseum amsterdam

Verzilverde munt. Voorzijde: voorgevel Rijksmuseum, waarin verdiept kaart van Nederland, binnen omschrift ('Nederland / Amsterdam: Rijksmuseum'). Keerzijde: kaart van Europa springende stier waarop vrouw ('De roof van Europa'), met opschrift ('European Currencies'), binnen rand van schildjes.
The Actor Nakamura Nakazo I as Nagasaki Kageyuzaemon Disguised as Gorohachi the Sake Seller, in the Play Hikitsurete Yagoe Taiheiki, Performed at the Morita Theater in the Eleventh Month, 1776
Object type: print
Date: 1776 – 1776
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Case (Inrō) with Design of Hawks on Tasseled Perches
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer
Techniques: fundame, hiramakie, roiro
Culture: japanese
Artist: kano terunobu
Artist role: artist
Artist dates: 1717 – 1763
Subjects: hawks
Beaker
Object type: metalwork
Date: 1712 – 1713
Materials: silver gilt, silver
Location: augsburg
Venster met gordijnen
Object type: print
Date: 1860 – 1880
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery

Salonvenster met gedrapeerde gordijnen in de Lodewijk XVI-stijl. Prent uit 229e Livraison.
Versierde initialen
Object type: print
Date: 1556 – 1556
Materials: paper
Techniques: letterpress printing
Location: zurich
Subjects: initial, moses teaching (in general)

Prent afkomstig uit: Bibel, die gantze, das ist alle Bücher alts und news Testaments (...). Zürich: Johann Froschauer, 1556.
Au Bon Marché-Exposition et Grande Misé en Vente des Nouveautés Hiver 1891–92
Object type: book
Date: 1891 – 1892
Techniques: engraving
Location: france
Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Oktober 1808, No. 60: 1. Capotes de Taffetas...
Object type: magazine
Date: 1808 – 1808
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: head-gear (capote) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: caption: ‘1. Capotes de Taffetas. 2. Capote de Satin et Taffetas. 3. Chapeaux de Satin et taffetas.’

Volgens de begeleidende tekst (p. 320): Dertien verschillende modellen van zijden hoeden en 'capotes' 'naar den nieuwsten smaak.' Volgens het onderschrift: 1. Capotes van tafzijde. 2. Capote van satijn en tafzijde. 3. Hoeden van satijn en tafzijde. Prent uit het modetijdschrift Elegantia, of tijdschrift van mode, luxe en smaak voor dames 1807-1814 (onderbroken door de periode 1811-1813).
Monkey couple, the first playing a harp?
Object type: figurine, monkey couple
Date: 1350 – 1070
Materials: limestone
Location: egypt

Here two monkeys sit one behind the other on a base with rounded ends. The monkey in front is slightly larger and grasps an indistinct object with vertical striations, perhaps representing a harp to judge from other such figures. The monkey in the rear holds on to the shoulders of the first monkey. A round form between their upper bodies could represent a baby monkey. Roughly carved limestone figures of monkeys have been found in considerable numbers in the settlements of Amarna and Deir el Medina, so from the late 18th Dynasty through the 20th. Others have been attributed to New Kingdom Memphis. The monkeys may play instruments, eat grapes or drink beer, drive chariots, or care for baby monkeys; in one example from Amarna a large group of monkeys rides a boat.
Portret van Jan Luyken
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, draughtsman, jan luyken, orb (symbol of sovereignty; sphere with cross on top), cross as symbol of christ, the sacred heart, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret van de prentmaker, schilder en dichter Jan Luyken. Boven het ovaal met het portret houdt een putto een lauwerkrans vast. Andere putti dragen een kruis, wierookvat of brandende harten. Op de grond ligt een rijksappel waarbij lezende kinderen staan, die afgeleid worden door een figuur met een gevleugeld hoofddeksel, mogelijk Mercurius. Deze laat door een vergrootglas zonlicht vallen op het tafereel onder hem. Op de grond liggen teken- en schildersbenodigdheden, boeken en een bijbel. Een vrouw met een boekrol in de hand wijst op het portret. In een cartouche de geboorte- en sterfdatum van Luyken en een lofdicht in het Nederlands.
Two Heads of Damned Souls from Dante's "Inferno" (front and back)
Object type: painting
Date: 1770 – 1778
Materials: canvas, oil, paint
Techniques: painting
Location: england
Artist: henry fuseli
Artist role: artist
Artist nationality: swiss
Artist dates: 1741 – 1825
Subjects: faces, sketch, study, studies, death, figures
Inscriptions: Inscribed verso, lower left: Heinrich Fuessly / 1741-1825

Henry Fuseli created the expressive head studies on each side of this unprimed canvas using strategically placed highlights and deep shadows built up of thin washes. The artist probably painted these oil sketches while living in Italy between 1770 and 1778. Both images were engraved as illustrations for Johann Caspar Lavater’s influential book on physiognomy, a popular pseudoscience that assessed an individual’s character based on their outward appearance. According to that text, the heads were inspired by the damned souls in Italian poet Dante Alighieri’s epic Inferno.
Joie de vivre: Le Bonheur du Jour ou Les Graces à la Mode
Object type: fashion print
Date: 1924 – 1924
Materials: paper
Techniques: engraving, hand coloring, pochoir
Location: paris
Subjects: dress, gown: evening dress (+ women's clothes), fashion plates
Inscriptions: date

Luxuriously produced fashion series by artists immerse the reader in a world of exotic colours and joie de vivre. George Barbier writes in the introduction of Le Bonheur du Jour that everything in his album delights the eye: extravagant clothing, feather fans, amorous entangle-ments, and pleasant diversion.
The old manor house, Stoke Poges
Object type: photomechanical print
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Location: stoke poges
Subjects: country-house
Entry of Charles V into Munich, June 10, 1530
Object type: print
Date: 1501 – 1600
Techniques: woodcut
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: tents,battles,soldiers,cannons
Vernietiging van Jeruzalem door het Babylonische leger
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the people of judah, except the poorest, are taken to babylonia ~ story of zedekiah, nebuzaradan, commander of the babylonian army, burns down the temple and the palace of jerusalem ~ second siege of jerusalem
Inscriptions: collector's mark: Lugt 2228

Na het beleg van Jeruzalem vertrekt het Babylonische leger terug naar huis met de geplunderde schatten van de stad. De bevolking van Jeruzalem wordt in slavernij meegenomen. Op de achtergrond Jeruzalem in de vlammen.
Beaker
Object type: beaker
Date: 1710 – 1710
Materials: glass
Subjects: coat of arms
Veld van zestien tegels met bloemen en insecten
Object type: tegelveld
Date: 1635 – 1670
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van zestien tegels (4 x 4) met een veelkleurige (blauw, groen, geel, oranje en paars) insect of bloem op een grond. In de hoeken, een ossenkop.
Pollen de lys en formation [(...)] l'anthére (en coupe)
Object type: page
Date: 1880 – 1899
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: flowers: lily, microscope
Ruiterstandbeeld van Frederik de Grote in Berlijn
Object type: stereograph
Date: 1861 – 1862
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: Anonymous
Subjects: berlin, frederick ii (king of prussia), equestrian statue
Inscriptions: number: ‘No. 30.’, inscription: ‘B. 4.’
Angélique Dangeville Native d'Amsterdam dans Françoise de Foix
Object type: print
Date: 1793 – 1852
Materials: paper
Techniques: aquatint, etching, hand coloring
Subjects: portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228

Prent naar tekening van Hendrik Willem Caspari.
Soldaat die zijn spies met zijn linkerhand bij zijn rechterzijde draagt, de punt schuin omhoog gericht (nr. 13), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, die een spies (lans) met zijn linkerhand bij zijn rechterzijde draagt, de punt schuin omhoog gericht (nr. 13), ca. 1600. Dit is de tweede handeling voor het laten zakken van de spies om onder een overwelving door te kunnen. Plaat 13 in de instructies voor het hanteren van de spies: Corte onderwysinghe op de figuerliicke afbeeldinghe belanghende trechte gebruck, van alle t'ghene een Soldaet int handelen vande Spies noodich is. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, Amsterdam, 1608. Krijgswezen rond 1600.
Cup with handle from the 'Swellengrebel service' with a double crowned monogram and a border with floral scrolls
Object type: oorkop
Date: 1740 – 1740
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

De monogrammen 'MVA' en 'CHTD' staan voor Maurits van Aerden (1694-1746) en Constantia Helena ten Damme (1694-1772), getrouwd in 1716. Het servies is waarschijnlijk besteld ter ere van hun vijfentwingtigjarig huwelijksjubileum in 1741.
(Campen, Jan van & Hartkamp-Jonxis, Ebeltje, Aziatische weelde : VOC-kunst in het Rijksmuseum, Zutphen 2011, p. 78)
Gezelschap met Karel Frederik van den Berg met sleeën in de sneeuw
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: photography
Artist: Anonymous
Subjects: batavia, karel frederik van den berg
Portret van Rowland Wandesford
Object type: print
Date: 1712 – 1778
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2760

Prent is onderdeel van een serie van 162 prenten naar schilderijen uit de collectie van Sir Robert Walpole in Houghton, op initiatief van uitgever John Boydell.
Een congres-liefhebber
Object type: cartoon
Date: 1869 – 1869
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: meeting, assembly

Spotprent op het overvloed aan congressen. Een congresganger zittend op zijn bagage omgeven door de aankondigingen van de vele congressen in binnen- en buitenland. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 34, 1869.
Architectuurfantasie, blad 14
Object type: print
Date: 1767 – 1768
Materials: paper
Techniques: etching
Artist: jean laurent legeay
Artist role: print maker
The Political Hydra
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,politics

Seven heads represent Charles James Fox wearing different hair and hats. "Out of Place In Character" has tousled hair and unshaven face. "In Place Out of Character" has powdered hair and well-shaved face. "As he might have been" wears a cap of liberty. "As he wo'd have been" wears a ducal coronet above a powdered head. "As he shoud have been" is a decapitated head wearing a cap and dripping blood. "As he will be" adds the Prince of Wales's coronet, lettered "Regent," above powdered hair. The print satirizes the Regency crisis and Fox's close political association with the George, Prince of Wales.
Ring with Double Vegetal Motifs
Object type: ring
Materials: gold
Culture: indonesian, javanese
Paviljoen van Karel V in het Koninklijk Paleis te Sevilla
Object type: drawing
Date: 1871 – 1903
Materials: chalk, paper
Location: sevilla
Artist: gerard muller
Artist role: draughtsman
Artist dates: 1861 – 1929
Subjects: palace
Inscriptions: collector's mark: Lugt 2228, label: ‘23 Alcázar . Sevilla/ Pavilloen Karel V.’
Hoofden van Afrikanen
Object type: sketchbook leaf
Date: 1916 – 1945
Materials: paper, pencil
Location: africa
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: head (human), africans, mouth

Tevens een studie van een mond. Blad 37 recto uit een schetsboek met 60 bladen.
Portret van Cornelis van Aersens
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: antwerp, the hague
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Tinnen bord uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: plate dish
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Plate, (2) fragm (1), eroded; circular convex bowl with flat base (c.27-27.5d, 7h), overhanging horizontal single-reeded rim (c.32.5-34.5d, 3w, 0.3t).
Folio from a Qur'an Manuscript
Object type: folio from a non illustrated manuscript
Date: 1180 – 1180
Materials: gold, ink, paper, watercolor
Location: iran or afghanistan
Subjects: qur'an

Written in Eastern or new style kufic script , line two of this folio includes two long, vertical letters (alif and lam), forming a distinctive pointed oval-shaped pattern. The elaborate treatment of the background, entirely filled with vegetal scrolls terminating in large blossoms so that the script seems to stand out against the decorative background. The script and illumination are related to a Qur'an in the Topkapi Saray Museum, dated 573/1177–78, epigraphic inscriptions on architecture and luster ceramics of this period, suggesting a unity of style in Seljuk art of eleventh and twelfth century Iran and Iraq.
Flowers and Grasses with a Praying-Mantis
Object type: netsuke
Date: 1767 – 1800
Materials: ivory
Culture: japanese
Artist: ryūsa
Artist role: artist
Artist nationality: japanese
Artist dates: 1767 – 1799
Subjects: insects,flowers

The superb high relief carving and mist-like stippled surface of the ivory piece may be the work of Ryūsa himself, after whom this type of openwork manjū-shaped netsuke is named.
Fotoreproductie van een schilderij, voorstellende de triomf van (vermoedelijk) Amor
Object type: reproduction
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: 'trionfi d'amore', 'triumphus cupidinis'; 'carro d'amore' (ripa)
Scene in the Yoshiwara, from the series "Views of Yoshiwara"
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Fragment
Object type: textile
Date: 1634 – 1666
Materials: textile, velvet
Techniques: voiding
Location: italy
Weefsel van een gordijn van glasbatist
Object type: curtain
Date: 1800 – 1874
Materials: textile
Techniques: stopwork
Artist: Anonymous

Weefsel van een gordijn van glasbatist, versierd met tule doorstopborduursel (wit op wit). Met briefje: 'Deze gordijnen zijn gebruikt voor de ramen van het kleedkamertje van H.M. de Koningin 16 juli 1874'.
Jaarmarkt te Utrecht begin 12e eeuw
Object type: print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: market, utrecht

Illustratie voor: J. van Lennep en W. Moll en J. ter Gouw, Nederlands geschiedenis en volksleven in schetsen, A.W. Sijthoff, Leiden ca. 1870. Staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti en Amicitiae.
Looking Backward, from Puck
Object type: print
Materials: paper
Techniques: lithograph
Location: united states
Artist: joseph keppler
Artist nationality: american
Artist dates: 1838 – 1894
The Assumption and Coronation of the Virgin, from "The Life of the Virgin"
Object type: print
Date: 1510 – 1510
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: assumption of the virgin
Tripod incense burner with the Eight Trigrams
Object type: incense burner
Date: 1501 – 1600
Materials: glaze, stoneware
Culture: chinese