deem-data/ArtiFact huggingface dataset:
Dood van graaf Willem Lodewijk van Nassau
Object type: history medal
Date: 1816 – 1834
Materials: bronze
Techniques: striking
Location: brussels
Artist: jean henri simon
Artist role: medailleur
Artist dates: 1752 – 1834
Subjects: willem lodewijk graaf van nassau-dillenburg

Bronzen penning. Voorzijde: borststuk man. Keerzijde: opschrift.
A woman in an evening gown raising her right hand
Object type: print
Date: 1880 – 1910
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: women
Alkoof
Object type: ornament print
Date: 1656 – 1657
Materials: paper
Techniques: etching
Location: france

Op de kroonlijst bevindt zich een cartouche met bekroond Frans koninklijk wapenschild. Voor het hemelbed staat de koning omringd door hovelingen. Derde afdruk uit tweede editie.
Fudo Falls at Oji (Oji Fudo no taki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van koning Carol I van Roemenië
Object type: album leaf
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons, king
Inscriptions: inscription: ‘No. 10./ Koning Karel I van Rumenië.’

Deze prent maakt deel uit van een album.
Studs
Object type: earring
Date: 1834 – 1866
Materials: coral, gold
Culture: american
Location: united states
Artist: ball, black & co.
Artist role: maker
Artist nationality: american
Artist dates: 1851 – 1874

This pair of studs with applied circular backs is part of a demi-parure that also includes earrings and a brooch. All elements have a gold scalloped base chased with a foliate border, as well as coral cylinders mounted at the center beneath cast and chased clusters of berries and leaves. The suite retains its original leather case, which is lined in pale green satin and velvet, and is marked in gold letters with the name and address of New York City jewelers Ball, Black & Co. Believed by classical civilizations to possess therapeutic and apotropaic powers and used as ornament since ancient times, coral was a staple of jewelry design in Victorian America. Coral is an organic gem, the skeleton of tiny marine animals called 'polyps.' During the mid-nineteenth century, when this demi-parure was fabricated, coral was mainly harvested from the Mediterranean waters surrounding Naples. American jewelers like Ball, Black & Co. imported Neapolitan coral and set the gems in mountings of their own design. The articulated, pointed pendants suspended from the brooch and earrings speak to the mid-nineteenth century trend of 'archaeological' style jewelry. [1] [1] Martha Gandy Fales, “Jewelry in America” (Woodbridge, Suffolk: Antique Collectors' Club, 1995), 237-238.
Portret van Joanna Diepenbrock zittend met een boek
Object type: photograph
Date: 1918 – 1918
Materials: paper
Techniques: cutting
Location: netherlands
Subjects: historical persons - bb - woman, book
Inscriptions: date: ‘1918.’
Portret van Elise (Liesje) Claudine Arntzenius
Object type: sketchbook leaf
Date: 1904 – 1910
Materials: chalk, paper
Location: the hague
Artist: floris arntzenius
Artist role: draughtsman, print maker
Artist dates: 1864 – 1925
Subjects: painter, writing-table, writing-desk, child
Inscriptions: date: ‘1904 October’, name: ‘Liesje Arntzenius’

Het kind, de dochter van de kunstenaar, zit aan een schrijftafel. Blad, geplakt op pagina 64 uit een schetsboek met 82 pagina's.
Tray
Object type: metalwork
Date: 1731 – 1732
Materials: metal, silver
Location: london
Artist: john tuite
Key
Object type: key
Date: 1550 – 1575
Materials: gilt, iron
Artist: jacques androuet du cerceau
Artist role: designer
Artist nationality: french
Artist dates: 1510 – 1585
Subjects: male nudes

Featuring a bow in the form of a classical structure inhabited by a twisting nude male figure, this key was based on a design by the engraver and architect Jacques Androuet du Cerceau (1510/12–1585), published in his book of models for locks.
Stater (Coin) Depicting Horseman
Object type: coin
Date: 272 – 235
Materials: metal, silver
Culture: greek
Location: taranto
Subjects: mythological figures, horseback riding, dolphins, horses
Inscriptions: Obverse: ΔΙ, ..ΑΡ..

On the front of this coin an armed horseman rides to the right.

On the back, the figure of Taras rides a dolphin.
Mummy bandage of Hepmeneh, born of Tasheritentaqeri, inscribed with text and vignette from the Book of the Dead
Object type: linen mummy cloth
Date: 332 – 330
Materials: ink, linen
Location: egypt

Texts and vignettes from the Book of the Dead were meant to provide guidance and protection to the deceased. In the Ptolemaic Period these texts and vignettes were sometimes placed on linen bandages. Linen bandages are more difficult to write on than papyrus, so that the script and images may not be so attractive as a papyrus Book of the Dead; but the linen bandages were used to wrap the mummy, placing the magic of the spells in direct proximity to the body. These bandages could be very long - one in Brussels reaches 8 meters or 26 feet - but in early periods of discovery they were often cut into many pieces for sale. This bandage belonged to a man named Hepmeneh, overseer of royal unguents, son of the woman Tasheritentaqeri. It contains spells having to do with reaching the burial place. The vignette depicts the deceased worshipping the god Re-Harakhty in his bark, a scene which actually coordinates with spells other than those in this part of the text. The spells are written in hieratic script from right to left in columns of long horizontal lines. Clearly the text was inscribed first with space left for the vignette: much too much space was left and the vignette could not fill the area. Inscribed bandages of the same owner are found in Boston, Philadelphia and Heidelberg.
Molen bij Wijk bij Duurstede
Object type: print
Date: 1860 – 1900
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johannes arnoldus boland
Artist role: print maker
Artist dates: 1838 – 1922
Subjects: windmill in landscape, wijk bij duurstede
Inscriptions: collector's mark: Lugt 2228

Coll. de la Faille. Reproductie van een schilderij uit de collectie van het RMA, SK-C-211.
Jack Dempsey, Pugilist, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,boxing

Trade cards from "World's Champions," Series 1 (N28), issued in 1887 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Caroline, Carel en Frank van den Berg op het strand in Noordwijk
Object type: photograph
Date: 1908 – 1916
Materials: paper, cardboard
Techniques: gelatin silver print
Location: noordwijk
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: the hague, caroline louise van den berg-van den berg, carel frederik van den berg (cay), amsterdam, frank willem van den berg (1912-1998), beach (as place of recreation)

Deze foto's zijn onderdeel van een album.
Gezicht op de Basiliek van San Marco op het San Marcoplein te Venetië
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: aquatint, etching
Artist: Anonymous
Subjects: square, place, circus, etc., roman catholic church, parts of church exterior and annexes: façade
Terracotta fragment of a hydria (water jar)
Object type: hydria fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

At the left, a bit of ivy and a black glaze line from the panel border; head and chest of a horse to left
Repeating and musical watch
Object type: repeating and musical watch
Date: 1801 – 1833
Materials: gold
Werken uit de collectie van de broers Boisserée
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: tone lithography
Location: stuttgart
Subjects: maximilian i (holy roman emperor), historical persons, emperor
Inscriptions: collector's mark: Lugt 2228

Deze prent behoort tot de serie 'Galerie des Frères Boisserée'. De serie is in 38 delen uitgegeven met drie prenten per deel en nog drie extra inleidende prenten.
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: dusseldorf
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman
Inscriptions: annotation: ‘UIT/ ALBUM/ VAN/ MEVR./ LAERNOES’, address: ‘Louis Stü[...]/ Hof-Photograph/ Düsseldorf/ Casernenstrasse No 10.’
Artist's Scaled Drawing of Hieroglyphs
Object type: ostracon, grid, hieroglyphic motto
Date: 1479 – 1458
Materials: ink, limestone
Location: egypt
Subjects: hieroglyphs

This small sketch depicts a frequently occurring group of hieroglyphs meaning "life, stability, and dominion." The grid lines allowed the artist to draw the hieroglyphs at whatever scale was needed.
Portret van Martinus Stuart
Object type: print
Date: 1837 – 1846
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: rotterdam, amsterdam, historical persons, portrait of a writer
The Election Hoax. “My dear friend... do not think that I have come to ask you for your vote. I respect the independence of opinion too much for that. It is the Baroness who said to me: " Go see that poor Galouzet, tell his little wife that she is neglecting me and that I am angry with her for that. Ask about their lovely children, and say that I absolutely insist on having them over for dinner,” plate 1 from Les Carottes
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879

This work comes from a series of six prints published from March to May 1844 in the illustrated periodical Le Charivari. In each a victim is taken by a clever gambit. Here an ingratiating political candidate appears out of his depth while trying to win his neighbor’s vote with a house call. Not just kissing babies, he has been surrounded by the family’s children and may not emerge with the contents of his pockets intact.
Landschappen met water
Object type: sketchbook leaf
Date: 1780 – 1800
Materials: paper, pencil, watercolor
Techniques: brush
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)

Blad 6 verso uit een schetsboek met 25 bladen.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Part of the leg of a male to right; at the left, part of the ivy from the panel border
't Kasteel van Wouw. 1739
Object type: print
Date: 1746 – 1792
Materials: paper
Techniques: engraving, etching
Subjects: castle, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 dln. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 2 (1746). Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 dln. Amsterdam: Jan de Groot, 1792, dl. 2.
Sint-Janscokathedraal, Valletta
Object type: photograph
Date: 1865 – 1888
Materials: cardboard, paper
Techniques: albumen print
Location: valletta
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: church (exterior)
Inscriptions: number: ‘No. 2621.’, inscription: ‘Grandes Médailles d'or/ Georges Sommer/ Photographe/ Naples/ Atelier Monte di Dio No. 4 au 1er/ Magasin Sta. Caterina No. 5./ Lit. Richter & Co.’
Twee mannen en vrouwen rondom een tafel
Object type: sketchbook leaf
Date: 1881 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, adult woman, adult man, table
Inscriptions: annotation: ‘28’

De figuren zitten op tuin- of terrasstoelen. Pagina 36 uit een schetsboek met 26 bladen.
Isola di Capri
Object type: photograph
Date: 1864 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: capri
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: harbour, island, capri, isola di
Inscriptions: inscription: ‘doubl’, number: ‘5520.’, collector's mark: ‘VOSMAER’
Equity, or a Sailor's Prayer before Battle
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: england
Artist: charles williams
Artist nationality: english
Artist dates: 1797 – 1830
Portret van Karl Gotthelf Todt
Object type: print
Date: 1815 – 1864
Materials: paper
Techniques: lithograph
Location: dresden
Artist: wilhelm heinrich gottlieb baisch
Artist role: print maker
Artist dates: 1805 – 1864
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Brief aan Philip Zilcken
Object type: letter
Date: 1877 – 1877
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: georgette meunier
Artist role: painter
Artist dates: 1859 – 1951
Subjects: the hague, draughtsman, philip zilcken, applied arts, arts and crafts; industrial design, exhibition ~ art, brussels
Inscriptions: collector's mark: ‘RPK’
Ring with Twisted Coil Motif
Object type: ring
Materials: gold
Culture: indonesian, javanese
Dohan
Object type: print
Date: 1831 – 1897
Materials: paper
Techniques: drypoint, etching, intaglio
Location: netherlands
Artist: martinus antonius kuytenbrouwer jr.
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1897
Subjects: low hill country, river, village
Inscriptions: collector's mark: Lugt 2228

proefdruk van een illustratie voor: Alexis Victor Joly, Les Ardennes, Brussel: J. van Bruggenhoudt, 1854-1857.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, shoulders, and part of the upper torso of a boxer with his right arm bent, and his wrist bound; one letter of an inscription, N?
Zinne-beeldt, Op het Vrede-Verbondt Tusschen den Koning van Engelant, en de Hoog-Moog: Heeren, de Staten der Vereenigde Nederlanden, &c.
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), africans, bonfire, fire-works, native peoples of the americas, signing of peace treaty, concluding the peace

Allegorie op de Vrede van Breda, 1667. Centraal de geketende figuren van Vulcanus, Mars, Tweedracht en Nijd. In de wolken geven de Maagd van Holland en van Groot-Brittanië elkaar de hand, gezegend door de Vrede. In de wolken ook andere maagden en goden. Linksboven drie engeltjes met een banderol met opschrift in het Latijn. Rechtsonder de beëdiging van het vredesverdrag door de afgezanten, links vreugdevuren. Mensen uit verschillende delen van de wereld komen geschenken brengen. Op de achtergrond de stad Breda. Op het blad onder de plaat is een verklaring van de voorstelling in versvorm in vier kolommen.
No. 29: Wada, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
Object type: print
Date: 1835 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Glass jar
Object type: jar
Date: 201 – 400
Materials: glass
Culture: roman

Translucent olive green. Everted rim with beveled lip; funnel-shaped neck with irregular tooling marks in side; narrow, horizontal shoulder with projecting bulge around edge; bulbous body; pushed-in bottom with circular pontil mark at center. Body decorated with 22 vertical ribs, extending from bulge around top of body to bottom, made by dipping the paraison into a mold, then withdrawing it, and inflating. Intact; some pinprick and large bubbles, with a few glassy and black inclusions; patches of faint dulling and iridescent weathering. The extreme clarity and good state of preservation of the glass is unusual but is not totally unknown among Roman glass vessels.
Groeten uit Boskoop. Reyerskoop
Object type: photomechanical print
Date: 1918 – 1922
Materials: cardboard
Techniques: photograph, writing
Location: the hague
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, church (exterior), bridge in city across river, canal, etc.
Inscriptions: postage stamp
Putto with a yoke
Object type: print
Date: 1774 – 1774
Techniques: engraving, etching
Artist: violante vanni
Artist role: artist
Artist nationality: italian
Artist dates: 1732 – 1776
Subjects: putti
Le Chevalier de Bertin.
Object type: print
Date: 1777 – 1832
Materials: paper
Techniques: etching
Artist: edme bovinet
Artist role: print maker
Artist dates: 1767 – 1832
Subjects: historical persons, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Strook katoen met machinale kant met aaneengeschakelde ovalen
Object type: strip
Date: 1890 – 1899
Materials: linen
Techniques: lace, weave
Location: europe
Artist: Anonymous

Strook katoen met naturelkleurige machinale kant: machinaal Engels borduurwerk. Het patroon bestaat uit één rij aaneengeschakelde ovalen. Op de kruispunten staat steeds een stervormige bloem. In de ovalen staan vier opengewerkte cirkels. Boven en onder de ovalen loopt een doorgaande 'parellijst' van opengewerkte cirkeltjes. De lijst volgt de contouren van de ovalen.
Miniature Cauldron
Object type: cauldron
Date: 500 – 300
Materials: bronze
Culture: vietnamese
Notitie
Object type: sketchbook leaf
Date: 1849 – 1895
Materials: paper, pencil
Artist: willem koekkoek
Artist role: draughtsman
Artist dates: 1839 – 1895
Inscriptions: annotation: ‘16 [...]/gJ f90’

Blad 56 recto uit een schetsboek met 57 bladen.
Gotische binnenplaats in Galicië
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: etching, intaglio, roulette
Subjects: interior ~ representation of a building, civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent verschenen in: Album du journal des Beaux-Arts, dix eaux-fortes inédites. Antwerpen: Typographie A. Fontaine, 1872.
Knabe mit der Gans
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: munich
Artist: Anonymous
Subjects: monument, statue, permanent exhibition, museum
Water
Object type: sculpture
Date: 1916 – 1916
Materials: alloy, bronze
Techniques: casting, carved
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: women, bronze (color), sculpture, nudes, work, water
Inscriptions: Signed: Renoir (proper right); inscribed and numbered: 2/Q; Valsuani
Kwakoegron
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘6. / Kwakoegron’

Gezicht in het dorp Kwakoegron. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Planting Fragrant Fungus at the Tiaozhou'an
Object type: painting
Materials: ink, paper
Location: china
Artist: attributed to chen guan
Artist nationality: chinese
Artist dates: 1563 – 1639
Inscriptions: Title 

Signed by artisit, In 1627, dedicated to Chen Jyru (1558-1639) for his 70th birthday. 

Inscription by Dong Qichang
Chen Poshih (the artist)is an old painting master from Wu. He does not perpetuate the customary style of Wu. This painting is in style of Zhao Mengfu's famous painting, "Autumn Color on Mt. Chue and Mt. Hua". Elegant, rich, and observing the law of painting, it must be praised as marvelous. 

Collector's seals
Dish
Object type: vessel
Materials: glaze, porcelain
Location: china
Jar
Object type: jar
Date: 1001 – 1200
Materials: earthenware, glaze
Location: iran

This jar was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Portret van Jean-Baptiste de Boyer, Marquis d'Argens
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: toulon, scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228

Behoort waarschijnlijk tot een serie portretten, grotendeels door Etienne Desrochers, getiteld: 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes que dans Belles-Lettres et les Arts, comme aussi la famille royale de France et autres cours étrangères'. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985. Echter was Desrochers reeds enkele jaren eerder begonnen met het uitgeven van de serie. Na de dood van Desrochers werd de serie voortgezet door Gilles Edme Petit. Een latere staat werd uitgegeven door Jean François Daumont in Parijs.
Card Number 58, DeRoy, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Double-Chambered Stirrup Spout Vessel in Form of a Parrot
Object type: vessel
Date: 100 – 500
Materials: ceramic, paint, pigment
Culture: moche
Location: peruvian north coast