deem-data/ArtiFact huggingface dataset:
Design for a Fountain
Object type: drawing
Date: 1765 – 1840
Materials: ink
Techniques: brush, pen, wash
Artist: charles pierre joseph normand
Artist role: artist
Artist nationality: french
Artist dates: 1765 – 1840
Subjects: fountains,garlands,faces,boys,men
Portret van Alphonse Daudet
Object type: page
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Artist: étienne carjat
Artist role: draughtsman
Artist dates: 1828 – 1906
Subjects: alphonse daudet, adult man, historical persons
Timmerwerk aan de sloep, 1597
Object type: print
Date: 1615 – 1617
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: willem barendsz., amsterdam, jacob van heemskerck, landscapes in polar regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie eerst in: G. de Veer, De waerachtige beschrijvinge vande drie seylagien, drie jaren achter mal-kanderen deur de Hollandtsche ende Zeelandtsche Schepen, by noorden Noorweghen, Moscovien ende tartarien nae de Coninckrijcken van Catthay ende China ghedaene, [Michiel Colijn, Amsterdam 1617]. Later gebruikt in: Kort verhael van d'eerste Schipvaerd der Hollandsche ende Zeeusche Schepen by noorden Noorwegen, Moscovien ende Tartarien om, nae de Coningrijcken van Cathay ende China, getogen uyt het Journael van Gerrit de Veer. Opgenomen in: I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 20.
Vase (rolwagen) with a scholar-official and his servant in a landscape
Object type: vase
Date: 1645 – 1660
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Kleine cilindrische vaas (rolwagen) van porselein met een spreidende hals, beschilderd in onderglazuur blauw en op het glazuur rood, groen, geel, aubergine en zwart. Op de wand een hoogwaardigheidsbekleder en zijn bediende in een landschap met planten, een bananenplant, rotsen en bergen. Naast de twee mannen staat een kraanvogel. Op de hals tweemaal een plant. De onderzijde is ongeglazuurd. Overgangsporselein met emailkleuren.
Gezicht op de Sint-Catharinakerk te Amsterdam
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: etching, letterpress printing
Location: netherlands
Artist: jacob plügger
Artist role: print maker
Artist dates: 1795 – 1871
Subjects: church (exterior), canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent uit een onbekende publicatie.

Andere staat van prent (met onderschrift in het Frans) ook gebruikt in: Olivier, William John. Nouveau tableau statistique, historique, d'Amsterdam (...). Amsterdam: Johannes Guykens, [ca. 1845].
Costume de Levasseur, rôle du Cardinal Brogny, dans la Juive (Opéra)
Object type: print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: brussels
Artist: Anonymous
Subjects: historical persons, historical costume, portrait of opera-singer, insignia of cardinal, e.g. hat, mantle
Heilige Agnes met lam
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: the virgin martyr agnes of rome; possible attributes: lamb, ring
Inscriptions: collector's mark: Lugt 2228

Prent naar ontwerp van Peter Paul Rubens.
Card Number 203, Leicester, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Aanleg van het Viaur Viaduct in Frankrijk door de Societé de Construction des Battignolles, 5 april 1902
Object type: photograph
Date: 1902 – 1902
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)
Inscriptions: date
Billy Edwards, from the Celebrities and Prizefighters series (N174) for Old Judge Cigarettes
Object type: photograph
Date: 1887 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Celebrities and Prizefighters" series of trade cards (N174) was issued by Goodwin & Company from 1887-88 to promote Old Judge and Gypsy Queen Cigarettes.
Panel
Object type: panel
Date: 1201 – 1400
Materials: ivory, wood
Techniques: carving, inlay
Location: egypt

There are two panels of this design; mirror images of each other (07.236.66 and 07.236.67). They were probably part of the the same object, with other geometric elements filling in the negative space created between the two pieces. The craftsman deliberately used a darker wood for the inlay, both carved and unadorned, to heighten the contrast with the ivory. Apart from the more elaborate arabesque in the ivory, the four-sided wood inlay is carved with a simple tendril. Also worth noting is the way in which the plain ivory strips are laid out to give the impression of two intertwined stars. Similar elements of design are seen in another panel in the collection (07.236.101).
Slapende dienstmeid in een keuken
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Subjects: sleeping in chair, old woman, kitchen-interior
Inscriptions: collector's mark: Lugt 2228

In een keuken zit een oude dienstmeid te slapen op een stoel. Op de grond naast haar staat een pul en voor haar liggen groenten en keukenspullen.
Fotoreproductie van een prent van de drie gratiën uitgegeven door Arthur's Illustrated Home Magazine als bijlage
Object type: photograph
Date: 1873 – 1873
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: weekly, monthly, magazine, etc., advertising, graces (charites), generally three in number; 'gratie' (ripa)
Inscriptions: inscription: ‘(...)/ T.S. ARTHUR & SON, Philadelphia, Pa./ (...)’, inscription: ‘A large line and stipple steel engraving sent free to every sub-/ scriber to "ARTHUR HOME MAGAZINE"for 1873.’
Gevechten tussen Turkse belegeraars en Habsburgers op een brug bij een stadspoort van Wenen
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: jan iii sobieski (koning van polen), vienna, leopold i (keizer van duitsland), siege, position war
Inscriptions: collector's mark: Lugt 2228

Gevechten tussen Turkse belegeraars en Habsburgers op een brug bij een stadspoort van Wenen. Deze prent is nr. 5 in een serie prenten van tien voorstellingen over het ontzet van Wenen in 1683 voor 'Relation succinte et veritable de tout ce qui s'est passé pendant le Siege de Vienne etc.'
Glass cameo cup fragment
Object type: cameo cup fragment, symplegma
Date: 1 – 50
Materials: glass
Culture: roman
Subjects: male nudes

Translucent purple with opaque white overlay. Plain vertical rim with rounded lip; convex-curving side, turned in towards round bottom. Decoration in relief on exterior: a symplegma scene of a kneeling naked man with head turned downwards behind a woman, also naked but with an anklet on her right leg; the man's left hand rests on her back and his right arm reaches back for support to a pile of cushions on the end of the low bed or couch, which is covered with linen; he is clean shaven and has short wavy hair; suspended above the lovers is a garland tied at the top with a bow; immediately below the bed is a broad, horizontal ground line, with a second parallel line below around base. In two conjoining fragments; pinprick bubbles in body; on body, pitting, dulling and deep weathering, with some iridescence; on decoration, some pitting and creamy brown weathering. Horizontal grinding marks on interior. Roman decorative arts include subjects that are of an explicit sexual nature. Scenes of lovemaking appear on everyday objects such as pottery and terracotta lamps, but they are also featured on luxury items such as silver and, as here, on cameo glass drinking cups.
De Gereformeerde Ziekenverpleging
Object type: photomechanical print
Date: 1904 – 1928
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: hospital, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: V. Ziekenhuizen: Burgerziekenhuis - Boerhaavekliniek - Gasthuis der Ned. Ver. tegen Vallende Ziekte - Diaconessenhuis Keizersgracht - Diaconessenhuis Overtoom - Gereformeerde Ziekenverpleging.
Drie bedelaars en een vrouw aan tafel in een herberg
Object type: print
Date: 1618 – 1648
Materials: paper
Techniques: etching
Location: utrecht
Subjects: wooden leg, bagpipe, musette, beggar
Inscriptions: collector's mark: Lugt 240

Drie bedelaars zitten in een herberg aan tafel. De ene wordt vergezeld door een vrouw. Op een stoel bij het raam zit een doedelzakspeler. Links danst een kreupel met een andere bedelaar.
Portret van Pieter Coecke van Aelst
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Location: brussels
Subjects: brussels, print maker, draughtsman, pieter coecke van aelst (i), historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bullert, Isaac. Académie des Sciences et Arts contenant les vies et éloges his. des hommes illustres qui ont excellé en ces professions depuis environ quatre siècles. Brussel: Foppens, François, 1682.
Het boek werd in 1682 eveneens in Amsterdam uitgegeven door de erfgenamen van Daniel Elzevier.
Deze portretten dienen ter illustratie van de biografie van een kunstenaar of geleerde. De meeste portretten werden door Nicolas de Larmessin vervaardigd (162), 93 door De Boulonois en een derde door ongeïdentificeerde prentmakers. Dit betreft een illustratie op p. 405, deel II.
Mr. George du Maurier
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: draughtsman, george du maurier, portrait of a writer
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1888 – 1888
Materials: cardboard, ink
Techniques: pen, writing
Location: delft
Artist: g.j.d. offermans
Artist role: ceramicist
Artist dates: 1857 – 1914
Subjects: the hague, painter, draughtsman, philip zilcken, the arts of the stage: ballet, theatre, musical drama, motion picture
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, right hand and forearm of fallen figure; bent arm and beard of a second fallen figure
Twee studies naar een beeld van een leeuw
Object type: drawing
Date: 1480 – 1520
Materials: chalk, paper
Location: florence
Artist: Anonymous
Dish with bouquets and flower sprays
Object type: dish
Date: 1839 – 1839
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris
Inscriptions: mark: ‘DENUELLE/ Boulevard St. Denis 18/ à Paris’

Vierkante schaal van porselein met een gelobde rand en afgeschuinde hoeken, beschilderd op het glazuur in blauw, rood, roze, groen, geel, paars, zwart en goud. Op de binnen- en buitenzijde versierd met boeketten van verschillende bloemen en strooibloemen. Vanuit de gelobde, gouden rand, geschilderde gouden bladranken. Een proen op de onderzijde. Gemerkt op de onderzijde met 'DENUELLE/ Boulevard St. Denis 18/ à Paris'.
Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (654) Chapeau à demi Paré.
Object type: fashion print
Date: 1805 – 1805
Materials: paper
Techniques: engraving, hand coloring
Subjects: ear-rings (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), head-gear (straw hat) (+ women's clothes), fashion plates, dress, gown (+ women's clothes), fan (+ women's clothes)
Inscriptions: title: ‘Chapeau à demi Paré.’

Vrouw naar rechts in witte japon met korte pofmouwen en halsdoek. Lange witte handschoenen. Oorbellen. In de hand een kleine waaier. Strohoed versierd met bloemen.
Interieur met een schouw en meubilair
Object type: photograph
Date: 1875 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: seating furniture, chest, bust, mirror, open hearth, fire-place, interior of the house, picture, painting
Inscriptions: collector's mark: Lugt 3937, name: ‘PHOT-P.OOSTERHUIS’
Vase in form of a Carp
Object type: vase
Date: 1780 – 1780
Materials: glaze, porcelain
Culture: japanese
Subjects: fish
Ceramic Vessel in the Shape of a Mosque Lamp
Object type: mosque lamp
Date: 1525 – 1540
Materials: glaze, stonepaste
Techniques: painting
Location: turkey
Subjects: arabic

With its delicate spiraling stem design, this small vessel belongs to a group of ceramics formerly referred to as "Golden Horn" wares. Current scholarship, however, prefers the term tughrakes-, or "tughra‑illuminator" style for such decoration, comparing its design to the fine swirling vines adorning tughra calligraphies. During this period, pottery shapes often imitated metalwork forms. This piece, however, emulates glass mosque lamps, which often displayed Arabic inscriptions.
Parasol (of paraplu?) met dek van effen, donkerblauwe zijde en dito hoes, op lichtbruine houten stok, gedreven verguld koperen knop met landschap met minnekozend paar en drie mythologische figuren
Object type: umbrella
Date: 1740 – 1740
Materials: silk, wood
Techniques: cutting, gilding, weave
Location: amsterdam
Artist: Anonymous

Parasol of paraplu (?) met dek van effen, donkerblauwe zijde, met een gedreven vergulde knop en bespannen met donkerblauwe zijde en voorzien van een kwast en een hoes. Dikke lichtbruine houten stok met een konisch handvat waarin een ovaal gat, voor de kwast. Bovenop de platte en afgeronde kant van de knop een minnekozend paar, mogelijk Jupiter en Callisto. Op de omtrek, die gewelfd is, staan drie mythologische vrouwenfiguren, één met een grote halve maan of een krans (?), één met een stok of scepter en de derde, die op de rug gezien is, met een boog (?).
Horrible and Frightening Event!
Object type: print
Materials: paper
Techniques: etching, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Rookery Building, 209 South La Salle Street, Chicago, Illinois: Grille from Interior Central Court
Object type: architectural fragment
Materials: iron
Location: lasalle street
Artist: burnham & root
Artist nationality: american
Artist dates: 1873 – 1891
Subjects: chicago
Brabantiae Batavae pars occidentalis, sive Antverpiensis tetrarchiae pars septentrionalis : comprehendens Baroniam Bredanam, Marchionatum Bergensem ad Zomam
Object type: map
Date: 1680 – 1680
Materials: paper, watercolor
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions, brabant

Kaart van de baronie van Breda en directe omgeving. Linksboven legende van steden en dorpen. Rechtsboven de schaal in Duitse en Franse mijlen.
Hand club (Mere pounamu)
Object type: club
Date: 1801 – 1900
Culture: maori
Location: new zealand
Subjects: weapons

One of the principal weapons of M¯aori warriors was the patu, a teardrop-shaped hand club used to strike a thrusting or slicing blow to an enemy. When not in use, patu were often worn suspended from the wrist by a fiber loop or thrust into a belt as symbols of martial prowess. The most prized examples, called mere pounamu, were made from greenstone (pounamu), a type of jade. Laboriously ground and polished, mere pounamu were created for the chiefly elite and passed down within families as heirlooms. Like other M¯aori objects, clubs often bore individual names and were prized as trophies in war. Mere pounamu were considered so prestigious and supernaturally powerful that some chiefs, captured in battle, reportedly handed the clubs to their enemies and requested to be slain with them rather than with ordinary weapons.
Portret van een staande man in een tuin of park, met wandelstok
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous

Portret van een staande man in een park of tuin. Hij is gekleed in een zwart pak, heeft een wandelstok in zijn linkerhand.
Ostrakon with a Letter
Object type: ostrakon
Date: 600 – 600
Materials: ink, limestone
Culture: coptic
Location: egypt
Symbola Divina et Humana Pontificum Imperatorum Regum
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: crown (symbol of sovereignty), quadrangular pyramid, winds, mountains

Een embleem met twee voorstellingen. Boven een landschap met een stenen piramide. De wind blaast tegen het bouwsel aan. Onder zweeft een kroon boven een berg bekleed met stekels. Het betreffen deviezen van koning Hendrik IV van Castilië en Ferdinand II van Aragon.
Bowl with Geometric Design
Object type: bowl
Date: 901 – 1500
Materials: ceramic, pigment
Culture: mexican
Location: mexico
Amulet of a Leg and Foot
Object type: costume and accessory
Materials: gemstone
Culture: egyptian
Location: egypt

Small-scale Egyptian figurines, known as amulets, were thought to promote health and good luck. Amulets were such an important part of Egyptian religious beliefs that they were worn by both the living and the dead. They could be mounted on rings or strung as bracelets or necklaces and were placed among the mummy wrappings to secure the deceased’s rebirth and well-being in the afterlife. Many varieties of amulets survive, including figures of deities, parts of the human (ordivine) body, animals, plants, and objects of daily life. The leg and foot were thought to provide the deceased with mobility in the afterlife. Multiple examples of these types of amulets have been found on the ankles of mummies.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, hanging on wall, bag?
Salmacis en Hermaphrodite
Object type: print
Date: 1663 – 1738
Materials: paper
Techniques: etching
Subjects: when hermaphroditus bathes in a fountain, salmacis, the nymph of the fountain, falls in love with him, hermaphroditus and salmacis changed into a hermaphrodite: at the prayer of the fountain-nymph salmacis, who holds the bathing hermaphroditus closely embraced, their bodies fuse (ovid, metamorphoses iv 373)
Inscriptions: collector's mark: Lugt 2228

Salmacis zit onder een boom, terwijl Hermaphroditus in het water baadt. Onder de voorstelling bevindt zich een vierregelig, Frans gedicht.
Snuff Bottle
Object type: snuff bottle
Date: 1640 – 1911
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: dragons
Zeilboot
Object type: sketchbook leaf
Date: 1780 – 1848
Materials: paper, pencil
Artist: martinus schouman
Artist role: draughtsman, painter
Artist dates: 1770 – 1848
Subjects: sailing-ship, sailing-boat

Blad 13 recto uit een schetsboek met 53 bladen.
The Industrious Hunter, in Spring
Object type: drawing and watercolor
Materials: graphite, ink, ivory, paper
Techniques: brush, pen, wash
Location: germany
Artist: johann elias ridinger
Artist role: artist
Artist nationality: german
Artist dates: 1698 – 1767
Subjects: dogs, animals

Johann Elias Ridinger, a prolific Augsburg etcher of animals, set up his own printing house in the 1720s, eventually creating a market for his realistic portraits and allegories that stretched across Europe and into Britain. Hunting scenes, including both animals and aristocratic figures, were one of his specialties. This drawing, Spring, and its pendant Winter, come from a series depicting hunters across the four seasons. The hunter portrayed here holds a heron and a rifle as he contentedly gazes at his bounty of deer, rabbits, and other birds.
Bowl Carved with Costumed Ritual Figure With Feline and Serpent Attributes
Object type: vessel
Date: 180 – 500
Culture: nazca
Location: peru
Coffeepot with roses in a basket
Object type: coffee pot
Date: 1795 – 1795
Materials: glaze, gold, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: berlin
Inscriptions: mark: ‘scepter/ driehoek/ 34/ V’

Parts of a tea and coffee service. Porcelain. Berlin, c. 1790 - 1800.
Serpentine Triangular Prism
Object type: prism, triangular
Date: 1800 – 1700
Materials: stone
Culture: minoan
Schön newes Modelbuch (Page 13r)
Object type: book print ornament architecture
Date: 1608 – 1608
Techniques: woodcut
Artist: sigismundus latomus
Artist role: publisher
Artist nationality: german
Artist dates: 1599 – 1632
Subjects: ornament

Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery.
After the Storm
Object type: photograph
Date: 1853 – 1856
Techniques: salted paper print
Artist: john dillwyn llewelyn
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1810 – 1882
Subjects: beaches,seascapes
Actress wearing elaborate floral hat, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
The poetical works of Sir Walter Scott
Object type: book
Date: 1890 – 1890
Materials: linen, paper, photographic support
Techniques: albumen print, etching, printing, woodburytype
Location: london
Artist: walter scott
Artist role: dichter, schrijver
Artist dates: 1771 – 1832
Madame de Saint-Morys (Eléonore Elisabeth Angélique de Beauterne, 1742–1824)
Object type: painting
Date: 1776 – 1776
Materials: canvas, oil
Artist: joseph siffred duplessis
Artist role: artist
Artist nationality: french
Artist dates: 1725 – 1802
Subjects: portraits,women

Applying the final stages of makeup and clothing in the presence of close friends and acquaintances—even potential suitors—was a standard part of elite social life known as la toilette and was a frequent conceit in eighteenth-century portraiture. Duplessis has skillfully depicted Madame de Saint-Morys next to her dressing table with a sympathetic naturalism that was praised by critics at the Salon of 1777. The sitter’s husband was a key patron of Jean-Baptiste Greuze and a major collector of drawings, including sheets by Leonardo da Vinci, Michelangelo, Titian, Albrecht Dürer, and Rembrandt that are today in the Musée du Louvre.
Kandelaar gedecoreerd met een sculptuur van een vrouw en twee bloemkelken
Object type: album leaf
Date: 1880 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: flowers, candlestick
Inscriptions: number: ‘B. 4. 2.’
Mustard pot with cover and stand
Object type: mustard pot with cover and stand
Date: 1745 – 1755
Materials: soft paste porcelain
Artist: chantilly
Artist role: factory
Artist nationality: french
Subjects: flowers
Beschrijving van de goudkusten van Guinea
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: engraving, letterpress printing
Location: frankfurt am main
Subjects: africans (+ anthropological characteristics emphasized), worship and devotion ~ african tribal religions
Inscriptions: collector's mark: Lugt 240

Verschillende rituelen van de bevolking van Guinea om hun God 'Fetisso' te eren. Bij D is een wekelijks op dinsdag plaatsvindende vergadering te zien waar ook de kinderen gedoopt worden. A-C laat zien hoe 'Fetisso' door dans, muziek en eten geëerd wordt om bescherming van hem te krijgen.