deem-data/ArtiFact huggingface dataset:
Spindle Whorl
Object type: spindle whorl
Date: 801 – 1000
Materials: bone, paint
Techniques: incising, inlay, tinting
Location: iran

Spindle whorls aided in the making of thread by maintaining the momentum of the spindle. This red-brown bone semi-spherical shaped spindle whorl was excavated at Nishapur. It has a raised rim around its central hole and is decorated with four incised motifs of a large dot-in-circle, each surrounded by three small dot-in-circles and dots. Hundreds of spindle whorls were excavated at Nishapur, providing further evidence that the city possessed a thriving textile industry. Their incised designs exhibit a wide variety of motifs ranging from geometric forms to zoomorphic figures.
Cover
Object type: cover
Date: 1501 – 1700
Materials: linen, metal thread, silk
Subjects: animals,men,women,flowers
Panel
Object type: textile
Date: 1700 – 1710
Materials: textile, silk
Techniques: damask, weave
Location: italy
Subjects: fruit
Obsidio Rhinbercae ad vivum expressa (...) Frederici Henrici Nassovii Principis Auraici opera celebris et ingeniosi Artificis Petri Manteau et Jacobi Culen-burgh Anno 1633
Object type: print
Date: 1647 – 1649
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: fortress, siege
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Kaart van het beleg en de verovering van Rijnberg door het Staatse leger onder Frederik Hendrik, 16 mei - 2 juni 1633. Centraal de stad Rijnberg aan de Rijn, onderaan het kwartier van de stadhouder. Rechtsboven een banderol met de legenda 1-20 in het Nederlands. Linksonder een inzet met een kaartje van het gebied tussen Rijnberg en Maastricht met randwerk met vissers. Op een dubbelblad genomen uit het Stedenboek van Blaeu. Bedrukt op achterzijde met tekst in het Latijn. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Verdedigingswerken.
Uitzicht op zee, vermoedelijk in Italië
Object type: photograph
Date: 1941 – 1941
Materials: photographic support
Techniques: photography, writing
Location: terni
Artist: Anonymous
Subjects: sea (seascape), arcade ~ architecture, coast
Inscriptions: postage stamp
Vest met drie zakken en zes zwarte knopen van blauw fluweel met geribde schubben en een rood werkje, afgezet met breed zwart gevlochten band; achterkant van wit katoen.
Object type: womenswear
Materials: cotton, velvet, wool
Artist: Anonymous
Cipriani
Object type: print
Date: 1836 – 1905
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Manchet van gehaakte kant met ronde spiraalschulpen
Object type: cuff
Date: 1930 – 1935
Materials: cotton
Techniques: crocheted lace, irish crochet lace
Location: amsterdam
Artist: Anonymous

Manchet van naturelkleurige Ierse gehaakte kant. Rechthoekig model met afgeronde hoeken. Vier moesjes, licht gebogen rechthoekjes, in twee rijen in een ruitvormige netwerk met picots. Aan drie zijden afgewerkt met een schulpenrand van aaneengeschakelde ronde spiraalschulpen, die worden gevormd door een rondgelegde en omgehaakte draadbundel. De bovenzijde is recht afgewerkt.
Fig. 49 'De Pomis Appianis' in De Boodts herbarium van 1640
Object type: text sheet
Date: 1640 – 1640
Materials: ink, paper
Techniques: letterpress printing
Location: bruges
Artist: anselmus boëtius de boodt
Artist role: draughtsman
Artist dates: 1550 – 1632

Beschrijving bij Fig. 49 op p. 96 in: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Ballastlood uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: ingot
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
A well known character at Brighton
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: maidenhead
Subjects: public library
Inscriptions: collector's mark: Lugt 4779, annotation: ‘Richard Gregory shopman at mr. Choate later [?] at Loader’, collector's mark: Lugt 2228

Richard Lemmon Gregory werkte als bibliothecaris onder andere voor Loder's Library en Choat's Library in Brighton.
Aan de zon
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: woodcut
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: sun as celestial body, king

Deze prent is gebruikt voor: Licht en waarheid. Orgaan van de Vereeniging 'Wie denkt overwint', 23 februari 1895, bij het gelijknamige gedicht. De prent is geplakt op een envelop met rechtsonder de tekst 'K.P.C. de Bazel. Architect Bussum.'
L'Isle Royale, dans un des bosquets des jardins de Versailles (...)
Object type: print
Date: 1715 – 1715
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: french or architectonic garden; formal garden, garden pond
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent ook gebruikt in: Les Plans, Profils, Et Elevations, Des Ville, Et Château De Versailles (...). Parijs: Gilles de Demortain, [1715].
Boerin bij een wieg
Object type: print
Date: 1888 – 1911
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: farmers - aa - female farmer, farmer's wife, cradle, crib
Inscriptions: collector's mark: Lugt 2228

In een sober vertrek staan een boerin en een kind bij een wieg waar een baby in ligt. De boerin staat over de wieg gebogen om een poppetje aan de baby te tonen. Achter haar hangt een gordijn.
Taferelen uit het leven van prins Willem I, 1568-1584
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: utrecht, ghent
Inscriptions: date

Illustratie voor: J. Nomsz, Willem de eerste, of de grondlegging der Nederlandsche vryheid. : In vier en twintig zangen, Erven van David Klippink, Amsterdam 1779. Staat met de letter.
Sciapode
Object type: copper plate
Date: 1892 – 1892
Materials: copper
Techniques: etching
Location: france
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: monsters ~ fishes, 'scopodes', 'sciapodes', i.e. beings with one leg

Gemaakt in 1892, toen werden er slechts enkele afdrukken van gemaakt. Volgens Mellério werd de plaat in 1912 door de Nederlandse uitgevers Artz & De Bois gekocht, die er toen een oplage van 39 van drukten (dit klopt niet, moet 38 zijn). Artz & De Bois schonken de plaat in 1913 aan het Rijksprentenkabinet.
Het Nieuws van den Dag van 27 maart 1934 met een artikel over de begrafenis van koningin Emma
Object type: newspaper
Date: 1934 – 1934
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the hague, emma (queen consort of the netherlands), litter, coffin rest

Opgevouwen exemplaar van de krant Het Nieuws van den Dag van 27 maart 1934 met een artikel over de begrafenis van koningin Emma op 27 maart. Foto van de begrafenisstoet op het Buitenhof.
Woman Playing a Guitar
Object type: painting
Date: 1618 – 1618
Materials: canvas, oil
Artist: simon vouet
Artist role: artist
Artist nationality: french
Artist dates: 1590 – 1649
Subjects: portraits,women,guitars,musicians
Cabasset
Object type: cabasset
Date: 1601 – 1700
Materials: leather, steel
Culture: italian
Location: italy
Wenlock Abbey, Sharpshire
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: united kingdom
Artist: george augustus holmes
Artist nationality: english
Artist dates: 1852 – 1911
Nouveaux Lieure de Paysages
Object type: print
Materials: paper
Techniques: etching
Location: netherlands

Achter de bomen bevindt zich een ronde vijver met een muur met nissen en cascades. Tegenzijdige kopie naar blad uit serie Nouveau liure de paysages. Uit serie van 6 bladen.
Brief aan Philip Zilcken
Object type: letter
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: paris
Artist: léonce bénédite
Artist role: conservator, museumdirecteur
Artist dates: 1856 – 1925
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Cope with a Hood
Object type: cope with hood
Date: 1434 – 1466
Materials: silk
Culture: italian or spanish
Groepje muzikanten speelt 's nachts voor het raam van een vrouw
Object type: book illustration
Date: 1830 – 1845
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: small group of musicians, chamber orchestra, jazz band, human figure at (open) window, seen from outside
Inscriptions: collector's mark: Lugt 2228
Boerderij langs een vaart, een huis en figuren met een slede
Object type: sketchbook leaf
Date: 1876 – 1877
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), sleigh, sledge (non-sport), farm (building)

Blad 26 verso uit een schetsboek met 41 bladen.
Panel
Object type: textile
Date: 1749 – 1755
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, patterning, weave
Location: england
Subjects: flowers, lace
Les Alpes vaudoises depuis la Vallée des Ormonds (vaud)
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Subjects: mountains
Terracotta fragment of an oinochoe  (jug)?
Object type: oinochoe fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of a vine and a bit of a tendril?
Plate
Object type: plate
Date: 1837 – 1840
Materials: glass
Culture: american or british
Location: england
Subjects: crowns
Bronze statuette of a comic actor
Object type: statuette of an actor, comic
Date: 1 – 200
Materials: bronze
Culture: roman
Subjects: men,actors
Towel border
Object type: border
Date: 1801 – 1833
Materials: cotton, linen
Subjects: men,horses

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. This charming work of folk art incorporates some interesting and unique interpretations of traditional motifs. The central goddess figure flanked by mounted horses is common to Russian embroidery; however this piece includes a more literal humanistic translation than is traditional. The mitten-shaped hands as well as the depiction of the face are uncommon to goddess representation. The small birds throughout the ground are also a departure from the more traditional peacock motif.
Matras van witte katoen
Object type: miniature
Date: 1750 – 1800
Materials: cotton
Location: amsterdam
Artist: Anonymous

Matras uit de wieg, vervaardigd van witte katoen, gevuld met pluis.
The Unicorn Defends Himself (from the Unicorn Tapestries)
Object type: tapestry
Date: 1495 – 1505
Materials: gilt, silk, silver, wool
Culture: french or south netherlandish
Location: netherlands
Subjects: birds,castles,spears,men,hunting,horns,unicorns,dogs,forests,trees,streams

Here the injured unicorn is being held at bay by three hunters ready to pierce him with their lances. The furious animal reacts with a gruesome attack on a greyhound before him, almost tearing the dog's body apart. The horn-blowing hunter at the lower left wears a scabbard with the inscription AVE REGINA C[OELI] (Hail, Queen of the Heavens). The huntsmen and other figures are garbed in the fashions of about the turn of the sixteenth century, including round-toed shoes and fitted bodices, and their headdresses and hairstyles also reflect contemporary tastes. The mastery of the weavers is evident in the convincing representation of different materials and textures in the costumes, such as brocade, velvet, leather, and fur. In order to make the tapestries, plain wool yarns (the warp) were stretched between two beams of a large loom; a bobbin then brought dyed and metallic threads (the wefts) over and under the warp threads to create the design. Chemical analyses reveal that the dye pigments used in the Unicorn Tapestries came from such plants as weld (yellow), madder (red), and woad (blue), all of which are grown in the Bonnefont Cloister garden. With the aid of mordants, substances that help fix the dyes to fabric, these three primary colors were blended to achieve a dazzling spectrum of hues strategically highlighted by the addition of metallic threads.
Portret van een man in uniform met sabel
Object type: carte de visite
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, hacking and thrusting weapons: sword, (military) uniforms
Accessories
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: printing, letterpress printing, photochemical processes
Location: new york city
Subjects: head-gear (+ women's clothes), fashion plates, dress, gown (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: date

Fans, parasols, opera gloves, fashionable hats, small toques garnished with feathers, wristwatches, compact bracelets, and luxuriously crafted lighters: there was a dazzling variety of accessories in the 1920s. Small bags could be suspended from a belt, or a glove. Walking sticks and the shafts of umbrellas and parasols were often embellished with carving clearly inspired by African and Indian art. And Russian influence was evident when it came to combs made of mother-of-pearl and ivory.
Coffeepot
Object type: coffeepot
Date: 1736 – 1736
Materials: silver, wood
Artist: phillip kinnersly
Artist role: maker
Artist dates: 1716 – 1736
Portret van Giuliano Bugiardini
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: painter, giuliano bugiardini, historical persons, portrait, self-portrait of artist

Prent waarschijnlijk afkomstig uit een Italiaanse editie van: Vasari, Giorgio. Vite de' più eccellenti architetti, pittori, et scultori italiani (...).
Portret van een onbekend kind
Object type: carte de visite
Date: 1885 – 1900
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: antwerp
Subjects: child, anonymous historical person portrayed, antwerp
Inscriptions: inscription: ‘Brévet d'Invention/ Médaille d'argent a/ l'Exposition Rubens 1881/ obtenue/ pour le procédé instantané./ Maison/ J. van Crewel Jeune/ Photographe (bréveté)/ 48. rue du Pélican, 48/ en face de la Gare/ Anvers/ Tous les Clichés sont conservés’, inscription: ‘J. van Crewel Jne Phot. Anvers’
Saccos
Object type: sacco
Date: 1802 – 1802
Materials: metal thread, silk
Subjects: flowers
Waste Bowl
Object type: waste bowl
Date: 1835 – 1845
Materials: silver
Culture: american
Location: united states
Artist: robert and william wilson
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1846
Subjects: flowers
Zittend meisje
Object type: print
Date: 1814 – 1859
Materials: paper
Techniques: drypoint, etching
Subjects: adolescent, young woman, maiden
Inscriptions: inscription: ‘7de’, collector's mark: Lugt 2228

Een meisje, getooid met een baret, zit in een stoel, terwijl ze met haar elleboog op de tafel naast haar leunt.
Zittende Leda met de zwaan
Object type: drawing
Date: 1850 – 1920
Materials: paper, pencil
Artist: ferdinand roybet
Artist role: draughtsman, print maker
Artist dates: 1840 – 1920
Subjects: jupiter, in the shape of a swan, and leda
Oorkonde van Tsaar Peter I
Object type: charter
Date: 1701 – 1701
Materials: ink, paper, wax
Techniques: printing, writing
Location: russia
Artist: Anonymous
Subjects: peter i de grote (tsaar van rusland), amsterdam
Inscriptions: date

Oorkonde van Tsaar Peter I de Grote bestaande uit twee vellen met een grote lakzegel (zeer beschadigd). Een vel is in het Russisch en de ander een verklaring in Latijn. In de Latijnse tekst worden de volgende namen vermeld: Abraham Kintzius en Abraham Michaelis en de steden Amsterdam en Arkhangelsk. Het zegel is gestempeld tussen het Russische blad en een blad papier uitgeknipt in een ornamentale vorm. Hoewel de lakzegel zelf grotendeels in verdwenen is de voorstelling van de stempel in blinddruk in het papier goed te zien.
Fotoreproductie van een gravure naar een schilderij van moeder met kind en poezen in keuken
Object type: reproduction
Date: 1866 – 1871
Materials: paper
Techniques: woodburytype
Subjects: kitchen, print, e.g.: engraving, etching, lithograph, family life at home, mother and baby or young child

Prent op derde ongenummerde pagina na pagina 122.
Pair of rods
Object type: rod
Date: 1767 – 1833
Materials: gilt bronze
Subjects: men,women
Molens langs het Markermeer
Object type: sketchbook leaf
Date: 1892 – 1893
Materials: paper, pencil
Location: marken
Artist: alfred william rich
Artist role: draughtsman
Artist dates: 1856 – 1921
Subjects: sailing-ship, sailing-boat, lake, windmill

Blad 41 recto uit een schetsboek met 86 bladen.
Hall of the Laocoon
Object type: medal
Date: 1804 – 1804
Materials: gilt bronze
Techniques: struck
Artist: bertrand andrieu
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1822

This medal was struck for the Metropolitan Museum of Art at the Paris Mint at the request of the donor, Hon. Levi P. Morton, formerly U.S. Minister to France.
Bassa neemt in de tuin zijn liefde voor Adelheid in beschouwing
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: berlin, plan, map of garden, literature, head-gear: turban, gate, entrance
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor G. F. W. Grossmann's 'Adelheid von Veltheim'. Een latere staat gebruikt in: Königlich Grosbritannischer genealogischer Kalender auf das Jahr 1784. Lauenburg: Berenberg, 1783.
Sherd
Object type: sherd
Date: 3500 – 3100
Materials: ceramic
Culture: iranian
Location: iran

This sherd is made of a red clay. It is typical of Namazga II ceramics from Turkmenistan, dating to ca. 3500-3100 B.C. It was excavated in 1937 at a prehistoric site in the vicinity of Nishapur in northeastern Iran. While Nishapur itself was founded by the Sasanian king Shapur I (reigned ca. A.D. 241-272), this sherd shows that human habitation there goes back to the prehistoric period. Furthermore, the prehistoric pottery from Nishapur has close affinities with ceramic materials from Central Asia rather than with contemporary sites in Iran, meaning that in this period its inhabitants were likely culturally linked to their neighbors to the east. At the same time, Nishapur’s location on what later became known as the Great Khorasan Road suggests that it was part of the trade network that facilitated the import of precious stones such as lapis lazuli, carnelian and turquoise from Central Asia to Mesopotamia.
Portret van Carl Ludwig von Kessling
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: engraving, etching
Artist: johann carl schleich
Artist role: print maker
Artist dates: 1759 – 1842
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228
Armorial panel
Object type: armorial panel
Date: 1634 – 1634
Materials: glass
Subjects: flowers,leaves,coat of arms
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, head, upper torso, genitals, and thighs of a youth to right, holding a spotted fillet in both bands; head, neck, right shoulder, part of upper torso, and bent right arm, with hand on hip of youth to left; Exterior, bit of foot; the underside of the floor is decorated with concentric circles; the outer band is in reserve, followed by a wide black band, a thin band of reserve and a thin black glaze band; the center is in reserve, with a black glaze circle; in the center is a smaller circle with a dot in the middle
Bronzen beslag bestaande uit een knop met een geschulpte rand aan een steel
Object type: beslag
Date: 1400 – 1950
Materials: bronze
Artist: Anonymous

Bronzen beslag bestaande uit een knop met een geschulpte rand aan een steel.
Gard la Tête
Object type: print
Date: 1774 – 1808
Materials: paper
Techniques: etching
Location: netherlands
Artist: johan antoni kauclitz colizzi
Artist role: print maker
Artist dates: 1742 – 1808
Subjects: chamber-pot is emptied from above ~ chasing away (unwanted) lover
Inscriptions: collector's mark: Lugt 2233
Portret van George Villiers, hertog van Buckingham
Object type: print
Date: 1625 – 1668
Materials: paper
Techniques: engraving
Subjects: george villiers (1st duke of buckingham), historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Ludovicus Wolzogen
Object type: book illustration
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amersfoort, theoloog, hoogleraar, ludovicus wolzogen
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XXXIII.
Corset
Object type: corset
Date: 1701 – 1800
Culture: american or european
Palette Fragment Illustrating a Wild Dog
Object type: palette, fragment, hunting dog
Date: 3300 – 3100
Location: eastern delta
Subjects: dogs
Man en vrouw te paard op het strand (Noordzeekust), Nederland of Duitsland
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Subjects: beach (as place of recreation), riding a horse, ass, or mule; rider, horseman, netherlands, germany
Kerkinterieur met geestelijke en graftome
Object type: print
Date: 1827 – 1891
Materials: paper
Techniques: blind stamped
Location: netherlands
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: interior of church, grave-building, monumental tomb, organization, functionaries and dignitaries in roman catholic church; clergy in general
Inscriptions: collector's mark: Lugt 2228

Op de graftombe staan twee figuren, waarvan een geknield en in gebed. De geestelijke heeft een staf in zijn handen. Links aan de muur hangt een vaandel.
Portrait of a Man with His Hand on His Chest
Object type: painting
Date: 1540 – 1545
Materials: oil, wood
Culture: dutch
Artist: attributed to corneille de lyon
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1533 – 1575
Subjects: men,portraits

A young gentleman gazes directly at the viewer, the corners of his mouth turned up in the hint of a smile. Fashionably dressed in a black tunic and cap, he raises his left hand to his chest, his thumb and index finger brushing the garment’s fastening. This portrait is consistent in style with those produced by the prolific Lyon-based artist Corneille de la Haye or Corneille de Lyon. Although the identity of this sitter remains unknown, he nevertheless was likely a member of the upper echelons of Lyonnais society whose ranks form the subjects of Corneille’s many portraits.
Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite
Object type: print
Date: 1893 – 1894
Materials: ink, ivory, paper, oil, silver
Techniques: printing, woodblock print, woodcut
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Monogrammed lower left, in image: "P G O"