deem-data/ArtiFact huggingface dataset:
Onthoofding van Johannnes de Doper
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: the beheading of john the baptist
Inscriptions: collector's mark: Lugt 2228

De beul heeft net het hoofd van de Johannes de Doper afgehouwen en legt het op de schaal die wordt vastgehouden door Salome. De beul staat met één voet op het onthoofde lichaam van Johannes de Doper waarvan de handen zijn vastgebonden.
Ziet in deze prent de vrolijkheid, / Van Saartje Jans de keukenmeid
Object type: print
Date: 1828 – 1853
Materials: paper
Techniques: letterpress printing
Location: breda
Artist: Anonymous
Subjects: the soldier; the soldier's life, kitchen-maid, kitchen servant

Blad met 24 voorstellingen uit het leven van Saartje Jansz.. In de eerste scènes werkt zij als keukenmeid, maar wordt ontslagen omdat zij teveel van de dure turf gebruikt voor het koken. Daarna wordt zij soldaat. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 21.
Christ Carrying the Cross, from "The Passion of Christ"
Object type: print
Date: 1598 – 1617
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: men,women,christ,cross
Portret van Otto Nathanael Nicolai
Object type: print
Date: 1742 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: otto nathanael nicolai, the christian churches, historical persons
Bones, from the Musical Instruments series (N82) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: musical instruments,women,musicians

Trade cards from the "Musical Instruments" series (N82), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
Landschap met kale bomen
Object type: print
Date: 1930 – 1930
Materials: paper
Techniques: roulette
Artist: peter vilhelm ilsted
Artist role: print maker
Artist dates: 1861 – 1933
Subjects: trees
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Goblet
Object type: goblet
Date: 1850 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: bakewell, pears and company
Artist role: maker
Artist nationality: american
Artist dates: 1836 – 1882
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1930
Materials: ink
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: middelburg, paris, print maker, isodoor boasson, sculptor, théophile alexandre steinlen, painter, draughtsman, philip zilcken, art trade, art shop, the graphic arts, anonymous historical person portrayed, painting (including book-illumination, miniature-painting), workshop, studio of the artist (in general)
Inscriptions: collector's mark: ‘RPK’
Maria aanbidt het kind
Object type: print
Date: 1633 – 1692
Materials: paper
Techniques: engraving
Location: rome
Subjects: mary kneeling (on the ground), the christ-child in front of her
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228

Het Christuskind ligt op een bed te slapen. Maria zit geknield aan het bed met de handen gevouwen.
Stirrup Spout Bottle with Figure
Object type: bottle
Date: 101 – 500
Materials: ceramic, pigment
Culture: moche
Location: peru
Subjects: human figures
Canopic Jar Representing the Deity Hapy
Object type: canopic jar, baboon, hapy
Date: 664 – 525
Materials: limestone, paint
Location: northern upper egypt
Glass Fragment
Object type: fragment
Date: 701 – 800
Materials: glass, metal, paint
Culture: syrian
Schotelscherf van aardewerk met aan de achterzijde loodglazuur en aan de voorzijde tinglazuur en een decoratie van bloemen en dieren in blauw, gemerkt aan onderzijde, beschadigd
Object type: sherd
Date: 1500 – 1799
Materials: earthenware, glaze
Artist: Anonymous
Passio Domini Nostri Iesv Christi
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ arrives at the entrance of hell and breaks the door(s)

Na zijn dood daalt Christus af in het voorgeborchte. Bij de poorten van de hel reikt hij de hand aan anonieme figuren. Aan de linkerzijde lopen een man en vrouw weg. Duivels kijken toe. In de marge een drieregelig Bijbelcitaat uit Sir. 24 in het Latijn.
Lutdevan, uomo toda di anni 70
Object type: page
Date: 1881 – 1886
Materials: photographic support
Techniques: albumen print
Location: india
Artist: paolo mantegazza
Artist role: antropoloog, professor
Artist dates: 1831 – 1910
Subjects: adult man (+ front view), adult man (+ sideview, profile)
Gezichten op het Cellezustersklooster te Amsterdam
Object type: book illustration
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church

Prent ook gebruikt in: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). 3 dln. [folio-uitgave]. Amsterdam: Isaak Tirion en Yntema & Tieboel, 1760-1767, dl. 1 (Isaac Tirion, 1760).

Zie RP-P-AO-24X-22 voor proefdruk.

Dat de prent de situatie rond 1544 weergeeft gaat terug op het feit dat voor het maken van deze en andere prenten van kloosters en kerken van voor de Alteratie (1578) is uitgegaan van de plattegrond van Cornelis Anthonisz. uit 1544 (zie RP-P-OB-70.399 en RP-P-AO-20-15).
Robe à la française
Object type: robe à la française
Date: 1765 – 1765
Materials: silk
Culture: european

Like the Mantua, the sack, or sacque, dress began life as an informal garment. It was initially a French fashion, its defining feature being the row of two double box pleats sewn in at the center of the neckline at the back of the dress and falling to the hem. The early form of the gown was loose and unstructured, falling from the shoulders in a bell-like shape. This evoked many comments on the potential for immoral behavior, with the consequences safely concealed by the voluminous gown. A sack was always worn over stays (a corset) and gradually the style developed to become much closer fitting around the waist, with only the pleats at the back remaining free from the bodice. The gown was now worn open down the front, revealing a petticoat and stomacher. The closed, buttoned stomacher on this particular dress is referred to as a front. The flat folds of fabric, known as robings, that edge the sides of the gown were left over from the large pleats that once fell from the shoulders. As the sack became more formal, robings presented an opportunity for embellishment, as in the pleated folds adorning the sides of the blue gown pictured here. They were often stuffed with sheep's wool to give them volume. Other types of adornment included metallic lace and fly braiding on a trim of silk floss tied into tiny multicolored knotted tassels. The flounces that decorated the front of the petticoat were known as falbellas or furbelows, and were usually affixed only to the front of the petticoat, where they were visible. By the last quarter of the century, trimmings for formal dress had become increasingly elaborate, often costing more than the dress fabric. It was common practice to wear the same dress to different occasions, merely changing the trimmings to give a different effect.
Horse Armoury, Tower of London
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: armor,spears,swords,men,horses
“- So, Gringalet from Paris!.... you will dance twice with my Catherine ...... try again now to make sheep's eyes at her,” plate 27 from Pastorales
Object type: print
Materials: paper, stone
Techniques: letterpress, lithograph, scraping
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Design for a Wall Elevation with Five Bays in the Doric Order
Object type: drawing
Date: 1601 – 1700
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: architecture
Textielfragment
Object type: fragment
Date: 1711 – 1716
Materials: silk
Location: japan
Artist: Anonymous

Textielfragment, borduursel van bloemen en een waaier op beige damast.
Kandelaar met geslepen facetten
Object type: candlestick
Date: 1850 – 1850
Materials: glass
Techniques: glassblowing, grinding

Zeskantige, conische voet, balustervormige stam, cylindervormige houder met uitgebogen rand. Facetgelepen voet, stam en houder.
Brief aan Ary Johannes Lamme
Object type: letter
Date: 1889 – 1889
Materials: ink, paper
Techniques: pen, writing
Location: nijmegen
Artist: cornelia schouten
Artist role: painter
Artist dates: 1849 – 1929
Subjects: draughtsman, ary johannes lamme
Inscriptions: collector's mark: Lugt 2228
Fotoalbum met foto's van militairen van het Japans Keizerlijk Leger, voornamelijk soldaten van het 76e infanterie regiment die gelegerd waren in Korea
Object type: photograph album
Date: 1930 – 1940
Materials: paper, cardboard, textile
Techniques: gelatin silver print
Artist: Anonymous
Subjects: the soldier; the soldier's life

Fotoalbum met 114 foto's van militairen van het Japans Keizerlijk Leger, voornamelijk soldaten van het 76e infanterie regiment die gelegerd waren in Korea, op 47 bladen.
Christ Stilling the Tempest ?
Object type: drawing
Date: 1662 – 1728
Materials: chalk, paper
Artist: paolo de matteis
Artist role: artist
Artist nationality: italian
Artist dates: 1662 – 1728
Subjects: men,christ
Untitled
Object type: photograph
Date: 1920 – 1920
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards
Inscriptions: Unmarked recto; inscribed verso, right center, sideways, in graphite: "1 [encircled]"
Seiro niwaka
Object type: print
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Ziet hier, kindren! weêr iet nieuws, zo 't u kan vernoegen / Zult ge 'er nog een ander nieuws spoedig by zien voegen
Object type: print
Date: 1715 – 1813
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: musician at work, human types, imprisonment, adultery, defecation, milkmaid
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met 24 voorstellingen van verschillende figuren, beroepen en bezigheden. Onder elke afbeelding een achtregelig vers. Genummerd rechtsboven: No. 152.
Statuette of a flutist
Object type: bronze, non royal, private, flutist
Date: 301 – 400
Materials: copper alloy
Location: egypt

This small bronze statuette depicts a man standing on top of a base with his left leg forward. He wears a skull cap and a long straight garment wrapped at the front. The artist did not differentiate the hands from the instruments they are holding, but his raised hands clearly hold two flutes. His right hand is raised higher than the other, placing the flutes to his left, where he could breathe air into them to play them. As the man eternally plays his instruments, his figure alludes to significance of music and musicians in religious experience of the first millennium B.C.
Portret van een man met snor in uniform
Object type: album leaf
Date: 1876 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: liège
Artist: adolph erkelenz
Artist role: fotograaf
Artist dates: 1831 – 
Subjects: moustache, historical persons, (military) uniforms
Inscriptions: inscription: ‘Adolphe Erkelenz/ Liége/ 49bis Boulevard/ de la Sauvenière’, annotation: ‘A monsieur [...] Colonel Lemoine/ command 1 [...]/ témoignage de [...]/ 25 mars 1876/ [...]’
Portret van Lucretia Wilhelmina van Merken
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, leiden, lucretia wilhelmina van merken, quill, ink-well
Inscriptions: collector's mark: Lugt 2228

Portret van de Nederlandse dichteres Lucretia Wilhelmina van Merken, zittend voor een tafel met voor haar inktpot, een boek en een vel papier, in haar hand een schrijfveer.
Gezicht op het Beurspoortje
Object type: page
Date: 1870 – 1923
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: city-view in general; 'veduta', gate, entrance
Inscriptions: collector's mark: ‘12,37’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Rokin, Rotterdammersloot, Rozengang, Rozengracht, Rozenstraat, Rusland, Rustenburgerstraat, Ruysdaelkade, Ruysdaelstraat, Ruyterkade (de), Ruyterweg (Admiraal de).
Gezicht in Amsterdam, mogelijk de Dam
Object type: sketchbook leaf
Date: 1893 – 1912
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: civic architecture; edifices; dwellings

Pagina 28 uit een schetsboek met 32 bladen.
Ex libris Franc. Bono
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: woodcut
Location: austria
Artist: franz kaiser (prentmaker)
Artist role: print maker
Subjects: falling, stars, man (showing himself) undressed, quasi-nude
Inscriptions: signature: ‘Franz Kaiser’
Christus toont zich na zijn opstanding aan Semida en Cidli
Object type: book illustration
Date: 1804 – 1804
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: appearances of christ after the resurrection, raising from the dead

Proefdruk van een boekillustratie gebruikt in: Loosjes, Adriaan Pietersz. Semida en Cidli of de Hope der opstanding. Haarlem: A. Loosjes, 1804. Heruitgegeven in 1816.
Dr. Richard A. Maupin
Object type: painting, miniature
Date: 1820 – 1820
Materials: ivory, watercolor
Culture: american
Subjects: men,portraits
Johann van Brienen aanvaardt het muntmeesterschap van de Gelderse munt te Harderwijk
Object type: history medal
Date: 1690 – 1690
Materials: silver
Techniques: striking
Location: dordrecht
Artist: d. koene
Artist role: die cutter
Subjects: gelderland
Sprei met in wit en rood geborduurd monogram met de letters CF of FC tussen twee gekroonde, klimmende leeuwen
Object type: bedspread
Date: 1870 – 1880
Materials: cotton, yarns
Techniques: embroidered
Location: netherlands

Sprei met borduurwerk in rood en wit. Patroon: in de onversierde bovenhelft staat bovenin een groot monogram in de schrijfletters CF of FC in wit met rode intrejm tussen twee gekroonde, klimmende leeuwen in rood. De benedenhelft toont drie geometrisch versierde banden, twee met meanderpatroon, één met blokjes, in wit met rode contour, onderbroken door twee entre-deux van rozetten in haakwerk. Rand met hetzelfde haakwerk.
Marche sur Constantine (...) (20 novembre 1836)
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: paris
Artist: denis auguste marie raffet
Artist role: draughtsman, print maker
Artist dates: 1804 – 1860
Subjects: the soldier; the soldier's life, retreat of the defeated, division of armed forces, the defeated (after the battle)
Inscriptions: collector's mark: Lugt 2228
Two Mounted Soldiers in Classical Ruins, for a poem by Cremes
Object type: drawing
Date: 1812 – 1883
Materials: gouache, ink, watercolor
Techniques: pen
Artist: franz von hauslab the younger
Artist role: artist
Artist nationality: austrian
Artist dates: 1798 – 1883
Subjects: ruins,soldiers,horses
Landscape with Three Cottages along a Road
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: : Lugt 240, collector's mark: Lugt 58, signature and date: ‘Rembrandt f 1650’, collector's mark: Lugt 2228

As his career moved into its later phase, Rembrandt began to create more landscape etchings. In many cases, the location is easy to recognize. These cottages stood southwest of Amsterdam along the Schinkelweg. In fact, he was not overly concerned about topographical accuracy. The houses behind the first cottage are a rather free interpretation of the actual buildings.
Gezicht op de Arau-kloof, nabij Payakumbuh
Object type: photograph
Date: 1891 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: sumatera barat
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: dale, valley, sawahs, rice paddies, sumatera barat (province)
Inscriptions: inscription: ‘Foto’

Deze foto zat oorspronkelijk in prentenkabinet RP-F-AA3192.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of a draped youth holding a staff in his right hand; behind him, a quiver; part of handle patch
Maatstok uit V.O.C.-schip de 'Witte Leeuw'
Object type: measuring rod
Date: 1613 – 1613
Materials: bronze
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Maatstok uit V.O.C.-schip de 'Witte Leeuw'. Alle vier de zijden van de maatstok zijn op verschillende wijzen verdeeld in strepen met cijfers. De maatstok werd gebruikt door de constapel om de benodigde kruitlading te berekenen.
Dalmatica uxor
Object type: costume print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: venice
Artist: ferando bertelli
Artist role: print maker, publisher
Subjects: distaff, fashion plates

Vrouw uit Dalmatië, spinrokken in de hand. Op het hoofd een muts met drie veren. Onderdeel van het kostuumboek getiteld 'Omnium fere gentium nostrae aetatis habitus, nunquam ante hac aediti', Venetië 1569. Heruitgave uit 1569 van de eerste editie uit 1563.
Portrait of a Man
Object type: painting, miniature
Date: 1621 – 1621
Materials: copper, oil
Artist: monogrammist is
Artist role: artist
Artist nationality: flemish
Artist dates: 1621 – 1621
Subjects: men,portraits
Portret van priester Bernard de Montgaillard
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: priest, priest (roman catholic)
Inscriptions: collector's mark: Lugt 240, inscription: ‘Admodum R.D. Bernardvs ... Regius Bruxellis Ecclesiastes &c.’

Portret van priester Bernard de Montgaillard zittend bij een tafel met zijn geschrift. Op de grond staan vier mijters en een lam. Op de achtergrond worden boeken verbrand. Onder de voorstelling staat een vers in Latijn.
Young man
Object type: crèche figure
Date: 1767 – 1800
Materials: terracotta, fiber, metal
Techniques: polychrome
Subjects: men
Bird Fountain
Object type: fountain
Date: 1820 – 1840
Materials: glass, lead
Techniques: glassblowing, molding
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Subjects: birds,fountains
Liggende vrouw met druiven en putto
Object type: page
Date: 1745 – 1745
Materials: paper
Techniques: etching, letterpress printing
Location: venice
Subjects: adult woman, (scenes from) specific works of literature: tasso, gerusalemme liberata, cupids: 'amores', 'amoretti', 'putti'

Prent uit: Tasso, Torquato. La Gerusalemme liberata di Torquato Tasso con le figure de Giambatista Piazzetta. Venetië: Giambatista Albrizzi, 1745.
Portret van Frantisek Prásil
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: adult man
Drie vrouwen doen de was in Beek
Object type: print
Date: 1811 – 1867
Materials: paper
Techniques: etching
Location: netherlands
Artist: christiaan wilhelmus moorrees
Artist role: draughtsman, print maker
Artist dates: 1801 – 1867
Subjects: laundering, farm (building)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485

Drie vrouwen doen de was bij het water voor een boerderij in Beek.
Figure in a classical landscape
Object type: drawing
Date: 1755 – 1765
Materials: ink, paper
Techniques: brush
Artist: alexander cozens
Artist role: artist
Artist nationality: british
Artist dates: 1717 – 1786
Subjects: women,landscapes,trees

This drawing reflects Cozens’s concern with classical landscape imagery and includes many of the motifs he first encountered during an extended period of study in Italy around 1746. A river winds back from a foreground bank where a large tree frames the image to the right, with a figure in classical dress standing beyond. In the background, an Italianate villa is nestled at the foot of a hill and partly screened by bushes, rocks, and a smaller tree. Stylistically, the drawing resembles Cozens’s work of the 1760s, when the artist was an eager and successful participant in London’s first public art exhibitions. With its precise and tightly controlled linework in brown ink, this enigmatic drawing may have been such an exhibition piece.
Studioportret van een  man met orde op zijn borst gespeld en een vrouw aan zijn zijde
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Portret van Cornelius 's-Gravesande
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: delft, historical persons
Sample Book of Ribbons
Object type: book
Date: 1850 – 1860
Location: france
Venus and Cupid
Object type: print
Materials: ink, paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Portrait of Maria Theresia, Queen of Saxony
Object type: print
Date: 1829 – 1829
Techniques: lithograph
Artist: ludwig theodor zöllner
Artist role: artist
Artist nationality: german
Artist dates: 1796 – 1860
Subjects: portraits,women
Orufanran Costume Attachment: Ram Head
Object type: costume element
Date: 1601 – 1900
Materials: plant material, ivory, wood
Techniques: inlay
Culture: yoruba peoples, owo group
Location: nigeria
Subjects: rams

This diminutive ivory ram's head constituted part of the courtly regalia of an olowo, the ruler of the Yoruba state of Owo in southern Nigeria. It was created as a decorative element of an orufanran, a type of ceremonial ensemble worn by the olowo and high-ranking chiefs during state ceremonies. Consisting of a bulky coat or shirt covered in red flannel scales, the orufanran was studded with ivory images of human faces and the heads of crocodiles, leopards, and rams. The outfit relates to the chief's military duties, and it is no coincidence that the animals depicted are those characterized by their strength and ferocity. A wealthy state with close political ties to the neighboring Benin kingdom, Owo was famed for the virtuosity of its ivory carvers. Despite its small size, this ram's head is richly embellished with intricate incised designs and dark inlaid wood. Its aesthetic impact relies on a sophisticated interplay of bare and adorned surfaces. While the muzzle is dominated by linear grooves and quatrefoil knots (a motif used extensively in Yoruba art), the forehead presents broad passages of flat surface interrupted by diamonds of squares and circles. The interaction of opposing surfaces continues along the spreading horns that frame the ram's face. Deep ridges on the horns' base balance the smooth forehead, while the unadorned tips offset the elaborate motifs on the muzzle.
Hier ziet gij jonge jeugd na 't leven afgeprent // Historie-stukken uyt 't Oude Testament
Object type: popular print
Date: 1782 – 1793
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: abel's death, jael kills the sleeping sisera by hitting the nail through his temples, david and bathsheba (2 samuel 11-12), absalom, put to flight on a mule, remains hanging by his hair in an oak-tree, old testament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met 4 voorstellingen van verhalen uit het Oude Testament: de dood van Abel, David wordt verliefd op Batseba, Absalom hangt aan zijn haar in een boom en Jaël doodt Sisera. Onder elke afbeelding een titel en een vierregelig vers. Genummerd rechtsboven: 97.