deem-data/ArtiFact huggingface dataset:
Gezicht op het Stadhuis, de Nieuwe Kerk en de Waag op de Dam
Object type: photomechanical print
Date: 1898 – 1898
Materials: paper
Techniques: photograph
Location: haarlem
Subjects: square, place, circus, etc., city-view in general; 'veduta', church (exterior), townhall, weigh-house
Inscriptions: inscription: ‘Verk. A[..] 1 Maart 1898.’, collector's mark: ‘7’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Dam (voor 1835).
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Complete handle with part of handle patch
Officers of U.S.S. Hunchback
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: american civil war,men
Cover
Object type: cover
Date: 1801 – 1900
Materials: linen
Techniques: embroidery
Subjects: birds
Fotoreproductie van een geschilderd portret van een vrouw
Object type: photograph
Date: 1910 – 1990
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, historical persons
Inscriptions: number: ‘No 499’
Textile Design with Alternating Strips of Groups of Three Pearls Framed by Undulating Stippled Garlands
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating strips of groups of three pearls framed by alternating vertical undulating garlands stippled with dark reddish-brown color over a light tan base. The pearls are colored with white.
Portret van Francesco Maria I della Rovere
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: antwerp
Subjects: francesco maria i della rovere (duke of urbino), helmet, historical persons

De prent is vervaardigd naar het aan Giorgione toegeschreven schilderij dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer GG_10). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Ylst naar de zijl gezien
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: harbour
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Bronze bust of Artemis
Object type: bust of artemis
Date: 1 – 50
Materials: bronze
Culture: roman
Subjects: portraits,women,artemis

The goddess of the hunt is represented with her quiver on her back.
Portret van Jan van der Heyden
Object type: book illustration
Date: 1789 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, painter, print maker, draughtsman, jan van der heyden
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XX.
Portret van John Campbell
Object type: print
Date: 1878 – 1892
Materials: paper
Techniques: etching
Location: leipzig
Subjects: london, john campbell (9th duke of argyll), historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Dumaine Rôle de Gilbert (Marie Tudor)
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Artist: étienne carjat
Artist role: draughtsman
Artist dates: 1828 – 1906
Subjects: paris, portrait of actor, actress
Inscriptions: number: ‘No 42.’, inscription: ‘Journal hebdomadaire paraissant le Jeudi Du 5 au 11 mars 1874’
Kanon in een berglandschap
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching, letterpress printing
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: firearms: cannon
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Prent met tekst op verso gebruikt in: Luyken, Jan. De Bykorf des Gemoeds. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711.
Autumn
Object type: print
Date: 1601 – 1700
Techniques: engraving
Artist: gilles rousselet
Artist role: artist
Artist nationality: french
Artist dates: 1614 – 1686
Subjects: wine,women,barrels
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1861 – 1874
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘AG/ A. GREINER/ Photograf/ NIEUWENDIJK L. 87/ AMSTERDAM.’
Tankard
Object type: tankard
Date: 1700 – 1800
Materials: wood
Les miseres et les malheurs de la guerre
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching
Location: paris
Subjects: land forces, battle, warfare; military affairs (+ cavalry, horsemen), warfare; military affairs (+ infantry)
Inscriptions: collector's mark: Lugt 240

Op een veld strijden vele ruiters met elkaar. Op de achtergrond is tevens een gevecht tussen infanteristen zichtbaar. Onder de voorstelling een zesregelig Frans vers. Deze prent is onderdeel van een serie van 17 (18 incl. titelprent) prenten met voorstellingen van diverse soorten ellende die oorlogvoering met zich meebrengt.
The Conversion of Saint Paul
Object type: drawing and watercolor
Date: 1554 – 1554
Materials: chalk, ink, paper, paint
Techniques: brush, pen, drawing, wash
Location: italy
Artist: giorgio vasari
Artist role: artist
Artist nationality: italian
Artist dates: 1511 – 1574

This lively sketch is a preparatory drawing for one of three 1555 frescoes that Vasari painted for a church ceiling vault in the central Italian town of Cortona. The artist’s line, rapidly applied in pen and ink, belies the careful thought given to the composition, in which Vasari makes utmost use of the scene’s horizontal format.

The paint stains on the drawing’s right side indicate that this was a working drawing used in the painting process.
Brief aan Philip Zilcken
Object type: letter
Date: 1894 – 1894
Materials: cardboard, ink
Techniques: pen, writing
Location: leiden
Artist: floris verster
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1927
Subjects: the hague, painter, philip zilcken, the graphic arts, exhibition ~ art, venice
Inscriptions: collector's mark: ‘RPK’
Side Chair
Object type: side chair
Date: 1837 – 1837
Materials: wood
Techniques: veneering
Culture: american
Location: united states
Artist: duncan phyfe
Artist role: maker
Artist nationality: american, born scotland
Artist dates: 1770 – 1854

This chair form, referred to in the period as a chaise gondole, is characterized by a deep concave back and in-swept stiles that extend forward to the front seat rail. In the early nineteenth century, designers and furniture makers embraced a revival of Classical prototypes from ancient Greek and Roman architecture and decorative arts. The sleek, curvaceous lines, and dramatic, figural mahogany veneers of this chair characterize the distinct Grecian Plain style that emerged in the 1820s to 1840s during the revival period. American cabinetmakers were highly influenced by French interpretations of Classical forms that circulated in design books and periodicals, such as Pierre de La Mésangère's Collection de Meubles et Objets de Goût (1820–1831). As early as 1825, New York makers began to produce this style of chair which took inspiration from Mésangère. In an 1833 broadside advertisement by Joseph Meeks & Sons, a contemporary of the Phyfe workshop, these chairs are priced for sale at $12 each (see 43.15.8). Records show Phyfe, too, charged clients the same price for the popular French style chaise gondole. This chair is part of an expansive suite of seating furniture attributed to the workshop of cabinetmaker Duncan Phyfe (see 66.221.1–.10 and 1972.264.1–.2). Numeric inscriptions on the surviving four side chairs in the Museum’s collection suggest that there were originally at least twelve in the suite. The set was made to furnish the New York City townhouse, belonging to the lawyer Samuel A. Foot, located at 678 Broadway which had been completed in 1837. In 1847 the Foot family relocated to Geneva, New York, and sold the Broadway house to Foot's nephew, Thomas A. Davies. The Phyfe suite was likely moved to the family's new dwelling, a palatial Grecian-style villa named Mullrose (extant, though altered). The furniture came to the museum through Foot’s descendants.
Cup bowl with flowers
Object type: coffee service
Date: 1935 – 1935
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: karlovy vary
Inscriptions: mark: ‘gekruiste hamers met kroon/ EPIAG PIRKENHAMMER CECHOSLOW/ 5857’

Kop van porselein op iets spreidende voet met een licht uitlopende wand die net boven de helft verdikt, P-vormige oor. Beschilderd op het glazuur in blauw, rood, groen en goud. De buitenwand met blauwe bloemen en een gouden oor. Gouden lijn op de voet en de rand. Gemerkt op de onderzijde met de gekruiste hamers met kroon, de tekst 'EPIAG PIRKENHAMMER CECHOSLOW' en het nummer 5857.
Soldaat met een musket die zijn lont naar zijn mond brengt om hem schoon te blazen
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: handling of weapons ~ military training, firearms: rifle

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met zijn linkerhand vasthoudt. Met zijn rechterhand brengt hij een brandende lont naar zijn mond om hem schoon te blazen. Deze prent is onderdeel van de reeks van 43 met de hand genummerde prenten van musketiers in de Wapenhandelinghe.
Zuidelijke scheepswerf in Buenos Aires
Object type: photomechanical print
Date: 1904 – 1905
Materials: cardboard, paper
Techniques: photograph
Location: buenos aires
Artist: Anonymous
Subjects: harbour
George III pattern sovereign with St. George reverse
Object type: sovereign
Date: 1817 – 1817
Materials: gold
Artist: benedetto pistrucci
Artist role: maker
Artist nationality: italian
Artist dates: 1783 – 1855
Subjects: kings,profiles,horses

The Metropolitan has not been known historically for collecting coins, but the Peluso family's gift of British coinage is a worthy addition for its revelations of high artistry. Benedetto Pistrucci began his career in Rome, carving cameos with amazing dexterity. Soon after his arrival in London in 1815, he became chief engraver at the Royal Mint. The coins of George III (r. 1760–1820) are among the most elegant ever created. The gold sovereign's obverse succinctly invests the fat, ancient monarch with authority, while the reverse, with Saint George and the Dragon encircled in the Order of the Garter, is so successful in its clarity that it has been repeated (minus the Order) on the specie of most succeeding British monarchs.
Boer en boerin van Zeeland
Object type: print
Date: 1858 – 1858
Materials: paper, watercolor
Techniques: hand coloring
Location: netherlands
Subjects: farmers, farmers - aa - female farmer, farmer's wife, clothes, costume (+ women's clothes), clothes, costume (+ men's clothes), folk costume, regional costume, zeeland
Inscriptions: collector's mark: Lugt 1641, collector's mark

Boer en boerin van Zeeland. Samengesteld uit vier verknipte stukken van het originele blad. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht, Zeeland.
Vast Landscape with Coach Driver
Object type: print
Date: 1600 – 1600
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist nationality: dutch
Artist dates: 1564 – 1637
Inscriptions: Lettered lower left: "Joann. Broueg. inf." [sic] and "Crosp. de Pas sculp. et exc." and below image: "Abramidum pater, Ammonidum sator ... redundat agris / Jacobo Jacobi Mercatori felicissimo ... hanc suam primorum Patriarcharum peregrinationem officiose nuncupat..."
Portret van Wolffgang Vitzthum
Object type: print
Date: 1810 – 1860
Materials: paper
Techniques: lithograph
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende man met de naam Wolffgang Vitzthum.
Algerijnse vrouw in harembroek en sluier
Object type: cabinet photograph
Date: 1863 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Location: algeria
Subjects: veil, anonymous historical person portrayed - bb - woman
Inscriptions: inscription: ‘Alger/ 8, Rue Bab-Azoun, 8.’, inscription: ‘8, Rue Bab-Azoun’
Kloostergang van het San Marco-klooster te Florence
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: cloisters ~ monastery
Inscriptions: title: ‘Cloister of the Monastery of San Marco.’
Head of a Man in Profile
Object type: drawing
Date: 1490 – 1499
Materials: chalk, ink
Techniques: heightening, pen
Artist: luca signorelli (luca d'egidio di luca di ventura)
Artist role: artist
Artist nationality: italian
Artist dates: 1470 – 1523
Subjects: heads,men,profiles

This sheet is a significant example of the scientific study of perspective in the fifteenth century. It represents an exercise in foreshortening the human head, through which the profile could be used to construct alternative views. The horizontal lines – incised with a stylus - and the letters annotated around the ear served as coordinate points to produce such a transformation, while the pricked outlines aided in the replication of the profile. This diagram closely follows the method of foreshortening described in a treatise on perspective written by Signorelli’s master, Piero della Francesca.
Studies voor een tekeningenboek naar klassieke sculpturen en figuren van Anthony van Dyck
Object type: print
Date: 1672 – 1711
Materials: paper
Techniques: etching
Location: rome
Artist: augustinus terwesten (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1649 – 1711
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

Hoofd van een jongeman naar rechts. Naar een klassieke sculptuur.
Portret van een staande oude vrouw
Object type: carte de visite
Date: 1854 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Subjects: historical persons - bb - woman
Inscriptions: number: ‘80’, inscription: ‘Maull & Polyblank/ Photographers/ 55, Gracechurch street/ 187a, Piccadilly and Tavistock House Fulham Road/ London’
Intocht in Jeruzalem
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: entry into jerusalem: people spreading their clothes before christ on the ass, and waving palm branches (matthew 21:1-11, 21:14-16; mark 11:1-11; luke 19:28-40; john 12:12-19)
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Prima parte de' fiori, page 12 (recto)
Object type: book print ornament architecture
Date: 1591 – 1591
Techniques: woodcut
Location: italy
Artist: giovanni battista ciotti
Artist role: author
Artist nationality: italian
Artist dates: 1555 – 1659
Subjects: ornament

Written by Giovanni Battista Ciotti, printed by Nicolo Moretti, Venice, published by Francesco de' Franceschi, Italian, active 16th century. From top to bottom, and left to right: Design composed of 3 horizontal registers. Top register is decorated with squares ornamented with a floral pattern. Middle register is decorated with a pattern of white semi-spherical forms above which are a group of stacked semi-circles. Bottom register is decorated with squares, each ornamented with a different pattern that is primarily characterized by diamonds and squares.
Cup and saucer with precious objects on a green ground with cloud motifs
Object type: kop en schotel, kop en schotel
Date: 1675 – 1699
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Kop en schotel van porselein, beschilderd op biscuit in groen, geel, aubergine en zwart. De schotel is aan de voor- en achterzijde (binnen de voetring uitgezonderd) bedekt met een wolkmotief op een groene grond; op dit motief kostbaarheden (munt, parel, ruit, artemisiablad) en gelukssymbolen (schelp). Kop met dezelfde decoratie. Email sur biscuit met famille verte kleuren.
Maanden van het jaar
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: march and its 'labours' (+ with aries (march)), orchard
Inscriptions: collector's mark: Lugt 240

Drie mannen werkend bij een boomgaard. Linksboven een ram.
Ceylon, 2  kransstuiver
Object type: coin
Date: 1670 – 1700
Materials: copper
Techniques: striking
Location: colombo

Koperen munt. Voorzijde: in een bladerkrans waarde-aanduiding II St (t omgekeerd). Keerzijde: in een bladerkrans waarde-aanduiding II St (t omgekeerd). Gladde rand.
Galerie de la presse, de la littérature et des beaux-arts
Object type: print
Date: 1836 – 1841
Materials: paper
Techniques: lithograph
Location: paris
Artist: Anonymous
Subjects: paris, george sand, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 4904
The Nativity
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: wells,men,women,virgin mary,jesus,nativity
Cash van het keizerrijk China van keizer Hsuan Tsung onder de regeringsnaam Tao-Kuang,1821 -1850 uit Kuang in Kwangtung
Object type: coin
Date: 1821 – 1850
Materials: copper
Techniques: casting

Koperen munt. Voorzijde: binnen brede opstaande rand rondom vierkante uitsparing in het midden vier kruisgewijze geplaatste Chinese tekens, waarvan twee met de betekenis: Tao kuang. Keerzijde: binnen brede opstaande rand ter weerszijden van vierkante uitsparing in het midden twee Chinese tekens, waarbij het rechter teken met de betekenis: Kuang, in de provincie Kwangtung
Kous van effen witte katoenen tricot met in de boord twee rode strepen, waartussen een gerstekorrelsteek
Object type: stocking
Date: 1828 – 1830
Materials: cotton
Techniques: cross stitching, embroidered, knitting
Location: netherlands
Artist: Anonymous

Kous van effen witte katoenen tricot met in de boord twee rode strepen, waartussen een gerstekorrelsteek.
Madonna and Child Enthroned with Two Angels and a Donor
Object type: painting
Date: 1481 – 1481
Materials: gold leaf, paint, wood
Artist: vittore crivelli
Artist role: artist
Artist nationality: italian
Artist dates: 1465 – 1502
Subjects: men,angels,madonna and child

Vittore Crivelli was the younger, less talented brother of Carlo Crivelli and, like him, worked primarily in the region of the Marches in Italy. This work was the center of a multi-panel altarpiece. The donor, his hands clasped in prayer, may be Ludovico Vinci, a noble of the town of Fermo. He is known to have commissioned an altarpiece from the artist in 1481 for his chapel in the church of San Martino in Varano.
Bronze bracelet
Object type: bracelet
Date: 7000 – 330
Materials: bronze

Ornamented with eight sets of three round bosses.
Il Monte. Opera Nova di Recami, page 4 (verso)
Object type: book print ornament architecture
Date: 1557 – 1557
Techniques: woodcut
Location: italy
Artist: giovanni antonio bindoni
Artist role: designer
Artist nationality: italian
Artist dates: 1500 – 1650
Subjects: flowers

Designed by Giovanni Antonio Bindoni, published by Giovanni & Marchio Sessa, Venice, bound by Chambolle-Duru, French, 19th century. From top to bottom, and left to right: Design composed of 2 vertical columns. Left column is decorated with a central floral element flanked on both sides by a female composite figure with plant stems for legs that holds one side of a cornucopia while a male figure holds the other side. Right column is decorated with a central floral element that is flanked on both sides by coiling stems of leaves and flowers.
Kneeling female figure with tasseled headdress
Object type: figure
Date: 1325 – 1521
Materials: stone, pigment
Culture: mexica, aztec
Location: mexico
Artist: mexica artist(s)
Artist role: artist
Subjects: deities
Terracotta fragment of a squat lekythos (oil flask)
Object type: lekythos fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Part of the head, neck, right shoulder, extended right arm, and part of the upper torso of a woman with an earring and bracelet, wearing a chiton, holding a branch? In her right hand
Benedixit diei septimo, et sanctificavit illum
Object type: print
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: god rests on the seventh day, angels
Inscriptions: collector's mark: Lugt 240

God zwevend op een wolk. Met zijn hand maakt hij een zegenend gebaar. Links en rechts zwevende engelen. Titel en verwijzing naar Bijbeltekst in ondermarge. Genummerd rechtsonder: 1.
Jinshan Island and West Lake
Object type: screen
Date: 1630 – 1630
Materials: gold, ink, panel, paper
Culture: japanese
Artist: kano sanraku
Artist role: artist
Artist nationality: japanese
Artist dates: 1559 – 1635
Subjects: mountains,landscapes

Though united visually by an ink landscape of rugged mountains and islands among expanses of water and mists rendered in gold wash, this pair of screens depicts two wholly separate scenic locales in eastern China. At right is Jinshan, an island located in the middle of the Yangzi River near the town of Zhenjiang in southern Jiangsu province. The island’s many bridges, walkways, and paths are traversed by people from all walks of life—scholars, fisherman, and servants, among others—perhaps on their way to one of the temple halls scattered across the rugged terrain. The left screen meanwhile is a portrayal of West Lake, a storied site 150 miles south in the city of Hangzhou, whose city walls and gate can be seen in the lower-left foreground. Sanraku also incorporates into the landscape several of the Ten Views of West Lake, a set of poetic themes that first came into vogue in China during the twelfth century. A student and adopted son of Momoyama-period master Kano Eitoku (1543–1590), Sanraku produced paintings for interiors of castles and temples, including other works depicting West Lake. Here rock formations display the crystalline, geometric quality that appears in much of his late work.
Brief aan Philip Zilcken
Object type: letter
Date: 1874 – 1923
Materials: ink, paper
Techniques: pen, writing
Location: rotterdam
Artist: frans netscher
Artist role: journalist, letterkundige
Artist dates: 1864 – 1923
Subjects: utrecht, publisher, johan marinus schalekamp, the hague, painter, draughtsman, philip zilcken, printed matter
Inscriptions: watermark, collector's mark: ‘RPK’