deem-data/ArtiFact huggingface dataset:
Portrait of a Grand Master of the Knights of Malta, Martin de Redin
Object type: painting
Date: 1660 – 1660
Materials: canvas, oil, paint
Techniques: painting
Location: italy
Artist: mattia preti (il cavalier calabrese)
Artist role: artist
Artist nationality: italian
Artist dates: 1613 – 1699
Subjects: portraits: male subject, white (color), uniforms, portraits, portrait, man, black (color), bearded man
Private Dennis Sullivan, Company E, Second Virginia Cavalry
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: reed brockway bontecou
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1907
Subjects: soldiers,american civil war,men,portraits

Not all of Dr. Bontecou’s patients were Union soldiers, nor did they all survive their wounds or his best surgical treatments to relieve them from pain. Twenty-one-year-old Confederate Private Sullivan died at Harewood Hospital on April 27, 1865. Bontecou tells his story in the patient history mounted on the reverse of this enlarged print used by the doctor for teaching his assistants.
West-Friesland, daalder, 1686
Object type: coin
Date: 1686 – 1686
Materials: silver
Techniques: striking
Location: west frisia

Zilveren munt. Voorzijde: staande geharnaste ridder naar links kijkend met geheven zwaard in de linker- en gekroond wapenschild van West-Friesland aan lint in rechterhand. Keerzijde: door een lint verbonden wapenschilden van Hoorn, Enkhuizen en Medemblik in een driehoek. Daartussen waarde-aanduiding 30 ST en jaartal.
Fotoreproductie van een miniatuur van de hertogin van Orléans
Object type: reproduction
Date: 1855 – 1860
Materials: paper
Techniques: albumen print
Artist: camille leon louis silvy
Artist role: fotograaf
Artist dates: 1834 – 1910
Subjects: helene van mecklenburg-schwerin, historical persons - bb - woman, painting (including book-illumination, miniature-painting)
Inscriptions: inscription: ‘From a Miniature in the possession of H.R.H./ The Duchess d'Aumale./ Photographed by C. Silvy./ Porchester Terrace, Bayswater./ Pub. (by special permission) by W. Jeffs, Foreign Bookseller, 15, Burlington Arcade, W./ February 28. 1860.’
Betty Nansen
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Bundel fruit met peren
Object type: print
Date: 1654 – 1677
Materials: paper
Techniques: engraving
Location: germany

Tussen het fruit hangen een druiventros en drie wortels.
Harbor View
Object type: painting
Date: 1887 – 1887
Materials: canvas, oil
Artist: jacob maris
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1899
Subjects: sailing-ship, sailing-boat, quay
Inscriptions: signature: ‘J. Maris’

Gezicht op een haven vol met schuiten. Uit een schip links stijgt rook omhoog, boven het water vliegen meeuwen.
Spool-Shaped Game Piece
Object type: game piece, spool
Date: 1504 – 1447
Location: egypt
Subjects: games
Portret van Nicolaas Pieneman
Object type: print
Date: 1834 – 1891
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: edouard taurel
Artist role: draughtsman, print maker
Artist dates: 1824 – 1892
Subjects: painter, nicolaas pieneman, historical persons
Inscriptions: collector's mark: Lugt 2228
Bes Amulet
Object type: amulet, be
Date: 1550 – 1295
Materials: faience
Location: northern upper egypt
Subjects: bes
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, head of bearded man with long hair; Exterior, framing border
Six Insects
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: insects,butterflies
Bowl
Object type: bowl
Date: 1780 – 1780
Materials: enamel, glaze, gold, porcelain
Techniques: painting
Culture: japanese
Saint Michael
Object type: drawing
Date: 1732 – 1788
Materials: ink, paper
Techniques: heightening, pen, wash
Artist: josef christ
Artist role: artist
Artist nationality: german
Artist dates: 1732 – 1788
Subjects: angels,saint michael
Cylinder seal
Object type: cylinder seal
Date: 2600 – 2350
Materials: limestone
Culture: sumerian
Location: mesopotamia
Subjects: animals
Pavillon impérial Allemand - Entrée sur le quai des Nations
Object type: photomechanical print
Date: 1885 – 1901
Materials: paper
Techniques: autotype
Subjects: world fair, world exhibition, gate, entrance

Prent op titelpagina van Figaro-Illustré (Octobre 1900).
Met het kleine vangt men aan
Object type: print
Date: 1872 – 1883
Materials: paper
Techniques: letterpress printing, lithograph
Location: haarlem
Subjects: correction of naughty children, theft, imprisonment
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over dieven die gestraft worden. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 15.
Trimming
Object type: textile
Materials: textile
Techniques: embroidery
Culture: han chinese
Location: china
Charles Gounod
Object type: drawing and watercolor
Date: 1841 – 1841
Materials: graphite, paper
Location: france
Artist: jean–auguste–dominique ingres
Artist nationality: french
Artist dates: 1780 – 1867
Haardsteen, waarop een gevecht van een ruiter met een draak
Object type: architectural element
Date: 1400 – 1950
Materials: earthenware
Location: southern netherlands
Artist: Anonymous

Haardsteen, waarop een gevecht van een ruiter met een draak in een landschap. In vierkante sierlijst. Van fijne gebakken aarde.
Knottedoos
Object type: knottedoos
Date: 1600 – 1625
Materials: silver
Techniques: gilding

Knottedoos (?) van zilver (?) gedeeltelijk verguld. In de vorm van een geldkist en gegraveerd met mannen- en vrouwenfiguren in medaillons.
Holland, dubbele stuiver, 1744
Object type: coin
Date: 1744 – 1744
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: tussen waarde-aanduiding 2 S gekroond wapenschild van Holland. Keerzijde: opschrift: provincienaam in drie regels, daaronder jaartal.
Jager bij een geschoten krokodil, in Zuid-Afrika
Object type: photograph
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: south africa
Artist: karel frederik van den berg
Artist dates: 1873 – 1948
Subjects: hunter displaying or presenting the spoils of the hunt, crocodiles
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: bonn painter
Artist role: artist

Exterior, at the left, part of a round shield; head, in profile to right, and frontal torso of helmeted warrior with spear in right hand and round shield in left
Laan met rijtuigen
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, lane, alley, paris

Mogelijk in Parijs. Pagina 10 en pagina 11 uit schetsboek XLVI met 32 pagina's.
Bosquet de la salle du bal dans les jardins de Versailles, de forme ovale (...)
Object type: print
Date: 1715 – 1715
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: amphitheatre, garden fountain, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent ook gebruikt in: Les Plans, Profils, Et Elevations, Des Ville, Et Château De Versailles (...). Parijs: Gilles de Demortain, [1715].
Plateau
Object type: plateau
Date: 1801 – 1900
Materials: earthenware
Artist: bernard palissy
Artist role: maker
Artist nationality: french
Artist dates: 1510 – 1590
Subjects: faces,fauns
Bed curtain border
Object type: border
Date: 1801 – 1850
Materials: cotton, linen, metal, silk
Subjects: eagles

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. The highly complex embroidery composition and technique is representative of the quality of Russian handwork. Particularly intriguing is the repeat stylized plant motif. The forms used to define it are used in both imperial eagle and goddess motifs, and could in fact be a merging of these two designs. This is a good example of how a culture's design vocabulary is filtered and changed throughout generations.
Herr von Pless dankt Franz en de dorpelingen voor zijn redding
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: copenhagen (city), shaking hands, 'dextrarum junctio', literature, village
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ewald, Johannes. Johannes Ewald's samtlige Skrifter (...). 4 dln. Kopenhagen: Christ. Gottlob Proft, 1781-1791, dl. 3.
Coverlet
Object type: coverlet
Date: 1601 – 1700
Materials: gilt, paper, silk, thread
Techniques: embroidery
Subjects: birds,men,dragons,flowers

Embroidered in China with a dragon roundel at its center and four distinctive figures dressed in European garments in the surrounding field, this coverlet reflects the two disparate worlds of East and West and the contradictions that arose from artistic exchange between them. The men wear breeches and doublets, whose style and cut generally conform to late sixteenth- and early seventeenth century European dress.¹ Yet these Western garments, depicted with detailed embroidery, bear certain characteristic Chinese motifs: one man has a dragon design on his doublet, while another’s costume shows a typically Asian auspicious motif of intersecting diamonds within a diagonal lattice. In addition, the men’s features—including wispy mustaches and beards—have an Asian character. While the embroiderer may have intended to represent Portuguese gentlemen, there is a certain mixing of imagery and types here that is seen in other decorative arts of the period that depict foreigners, such as the painted Japanese Namban screens showing the "barbarians" arriving in Japan.² The basic design of the coverlet, which at some point was lined in a vibrant clamp resist-dyed silk from India (MMA 1975.208a-c), consists of a central roundel in a field surrounded by one or more borders; although this layout is frequently seen in works made for export, it also appears in domestic Chinese kang (daybed) covers.³ Its imagery—including dragons flanking a flaming jewel, the birds and flowers of the border, and the Chinese-style lions in each corner—is common in Chinese textiles. Some of the details, however, are unusual, or are combined in unexpected ways, suggesting the involvement of a European trader or client unfamiliar with the selection and placement of motifs in Chinese iconography. The jewel between the dragons, for example, is uniformly surrounded by flames, resembling a Western sun more than the characteristic Asian flaming jewel. And the lotus pond at one edge of the border, which would normally be the backdrop for pairs of waterfowl, such as ducks or egrets,⁴ instead features large pheasants, more often depicted in a dry, rocky setting. [Melinda Watt, adapted from Interwoven Globe, The Worldwide Textile Trade, 1500-1800/ edited by Amelia Peck; New York: Metropolitan Museum of Art; New Haven: distributed by Yale University Press, 2013] Footnotes 1. Arnold, Patterns of Fashion, pp. 69, 86. 2. See Henriques et al., Portugal and the World, pp. 354–55. 3. A Chinese textile with a central roundel, created for domestic consumption, is in the Metropolitan Museum (acc. no. 69.246). 4. The lotus pond with waterfowl was an important textile pattern and literary theme at the imperial court during the Yuan period (1271–1368); see Denney, "Mongol Dress," pp. 80–81. The pattern continues in the Ming and Qing dynasties; see Shan, Zhixiu shuhua, pp. 89, 246–47.
Mrs. Robert Shurlock (Henrietta Ann Jane Russell, 1775–1849) and Her Daughter Ann
Object type: painting, drawing
Date: 1801 – 1801
Materials: canvas, paper, pastel
Artist: john russell
Artist role: artist
Artist nationality: british
Artist dates: 1745 – 1806
Subjects: girls,portraits,mothers,women

The sitters are John Russell’s daughter, Henrietta (1775–1849), and his first granddaughter, Ann. Henrietta was the sixth of the artist’s twelve children but the oldest to survive to maturity, and in 1800 she married Robert Shurlock of Chertsey, which was near Russell’s residence in Guildford, Surrey. This portrait was likely begun around the time of the marriage. Here the young mother, wearing an elegant white gown and a cap and shawl made of gauzy fabrics, cradles her infant. An inscription on a label on the reverse states that Russell added the child to the composition at a later date, which explains the unusual length of the mother’s right forearm.
Shoes
Object type: shoe
Date: 1870 – 1879
Materials: leather, silk
Culture: american
Schapenherder
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: germany
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers, germany

Schapenherder met kudde schapen in weiland omgeven door bomen, in Europa, waarschijnlijk Duitsland. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
De briefschrijver
Object type: drawing
Date: 1748 – 1798
Materials: chalk, paper
Artist: willem joseph laquy
Artist role: draughtsman, painter
Artist dates: 1738 – 1798
Subjects: handwriting, writing as activity
Fotoreproductie van een tekening van de Slag bij Waterloo uit Les Misérables van Victor Hugo
Object type: reproduction
Date: 1862 – 1862
Materials: photographic support
Techniques: albumen print
Location: paris
Subjects: literary characters and objects
Irene Everett, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Lodewijk II van Bourbon-Condé
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: paris
Subjects: lodewijk ii de bourbon-condé (hertog van enghien), lodewijk xiii (koning van frankrijk)
Inscriptions: collector's mark: Lugt 2228

Boekillustratie in: Estienne, Henry. Devises des roys, princes et generaux d'armees qui ont assiste ou servy Louis le Juste combattant. In: Les Triomphes de Louis le Juste XIII. Parijs: A. Estienne, 1649.
Portret van Jean-François Paul de Gondi
Object type: print
Date: 1652 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: paris, cardinal, historical persons
Inscriptions: collector's mark: Briquet 2760, collector's mark: Lugt 2228
Sierbrandnetel voor schoorsteenmantel
Object type: print
Date: 1911 – 1911
Materials: paper
Techniques: etching
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: picture within picture, chimney-piece, mantelpiece, potted plants
Inscriptions: collector's mark: Lugt 2228

Op de schoorsteenmantel staan drie kunstwerken.
Foolish Virgins Revelling, from Parable of the Wise and Foolish Virgins
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered lower center: "J. Saenredam fe." and "2" and below image: "Exultant Fatuae lascivo ... Legisque Deique"
Silhouetportret van Bernardus Blok
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: historical persons

Prent uit: Rogge, Cornelis. Geschiedenis der staatsregeling, voor het Bataafsche volk. Amsterdam: Johannes Allart, 1799.
Portret van Jan Willem de Winter
Object type: print
Date: 1777 – 1840
Materials: paper
Techniques: etching
Location: paris
Subjects: paris, jan willem de winter, ranks in the army, historical persons
Inscriptions: number: ‘27.’, collector's mark: Lugt 2228
Mr. H. Angelo's Fencing Academy
Object type: print
Date: 1791 – 1791
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: fencing
Grote loofbomen op grasveld
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous

Grote loofbomen met vol gebladerte op uitgestrekt grasveld, geen mensen aanwezig.
Reproductie van een gravure van een portret van Matthijs Cock door Johannes Wierix
Object type: reproduction
Date: 1872 – 1877
Materials: cardboard, paper
Techniques: photograph
Location: antwerp
Subjects: antwerp, draughtsman, matthys cock, historical persons
Inscriptions: inscription: ‘15..? - 15..?’

Deze prent maakt deel uit van een omslag met 150 prenten en een katern met een lijst van afbeeldingen.
Alleen
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), political caricatures and satires, great britain
Inscriptions: collector's mark: Lugt 2228

Spotprent op Engelands Splendid Isolation. Koningin Victoria alleen aan de kant zittend terwijl de andere Europese vorsten op de dansvloer dansen. Verschenen in het bijvoegsel van 'De Kroniek' van 22 maart 1896.
Pair of Stirrups
Object type: pair of stirrup
Date: 1368 – 1644
Materials: gold, iron, wood
Culture: chinese
Location: china
Terracotta oil lamp
Object type: lamp
Date: 7000 – 330
Materials: terracotta
Culture: greek

Small, wheel-made body, with applied long nozzle. Large central filling hole, surrounded by an inward-sloping shoulder and an incised circle; convex-curving side to carinated body, with pierced knob at top of left side. Large, raised base ring and deep, concave base. Intact, but firing crack across base.
Bairei Picture Album of One Hundred Birds (Bairei hyakuchō gafu) 楳嶺百鳥畫譜
Object type: illustrated book
Date: 1881 – 1881
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kōno bairei
Artist role: artist
Artist nationality: japanese
Artist dates: 1844 – 1895
Subjects: birds,plants
Gezicht op het Rembrandtplein in Amsterdam
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: rembrandtplein
Artist: e.l.
Artist role: publisher
Subjects: village square, place
Inscriptions: annotation: ‘I’, annotation: ‘Place Rembrandt -/ Amsterdam’
Bowl
Object type: bowl
Date: 960 – 1279
Materials: pottery
Culture: chinese
Subjects: leaves
Nimfen vullen de hoorn des overvloeds
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: 'cornucopia', horn of plenty
Inscriptions: annotation: ‘Pas’, number: ‘56’

De ambitieuze reeks naar ontwerpen van ondermeer Jacob Pynas, Roeland Savery, Pieter Clouwet, Rubens en Rembrandt is nooit voltooid door de De Passes. De reeks werd uiteindelijk in 1677 in boekvorm uitgegeven in Brussel door Piere Du Rayer en Francois Foppes. Als losse prenten is de reeks alleen bekend uit een groep prenten afkomstig uit de collectie Hinloopen (1619-1708) die zich in het Rijksprentenkabinet bevindt. Deze groep is uitgebreid beschreven door Jan van der Waals in zijn Hinloopen-catalogus (zie: ''Een onbekende editie van een serie Ovidius-illustraties'' in De prentschat van Michiel Hinloopen, 1988, p. 79-102.). De ontdekking van een tweede groep afdrukken van de reeks, afkomstig uit de werkplaats van Crispijn de Passe de Jonge, biedt een belangrijke aanvulling op de Hinloopen-groep. Sommige afdrukken tonen de prenten in onvoltooide staat en zijn voorzien van verbeteringen en toevoegingen in pen en penseel. Bovendien zijn alle prenten voorzien van 17de-eeuwse opschriften die het in een aantal gevallen mogelijk maakt de ontwerpers van de voorstellingen nader te identificeren. Op grond van de aangetroffen watermerken kunnen de afdrukken worden gedateerd omstreeks 1652-1653.
De kerk van Maartensdijk
Object type: drawing
Date: 1752 – 1752
Materials: ink, paper
Techniques: brush, pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: church (exterior), public road
Bos nabij Larvik, Noorwegen
Object type: stereograph
Date: 1882 – 1890
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: larvik
Artist: Anonymous
Subjects: forest, wood
The Crypt
Object type: page
Date: 1882 – 1892
Materials: photographic support
Techniques: albumen print
Location: canterbury cathedral
Artist: Anonymous
Subjects: parts of church interior (crypt)
Inscriptions: number: ‘21332 [...]’
Noordzijde van de Grote of Maria Magdalenakerk te Goes
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: goes
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘N.H., Groote of Maria Magdalenakerk, schip aanzicht van af het noorden/ Goes’, annotation: ‘Groote of St. Magdalenakerk te Goes (Z.)/ Schip aangezicht van af het noorden/ Mei 1900’
De Landbouw-Tentoonstelling gehouden te Leeuwarden op den 24 en 25 Junij 1863
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: (annual) fair, trade fair, agricultural implements
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Landbouwtentoonstelling gehouden voor het Paleis van Justitie op het Zaailand (Wilhelminaplein) te Leeuwarden, op 24 en 25 juni 1863. De bezoekers wandelen tussen de tentoongestelde landbouwmachines, rechts vee, links een tribune. Onderaan in de marge een vignet met agrarische objecten.
Scribal palette
Object type: palette, scribe's
Date: 306 – 30
Materials: ink, wood
Techniques: brush
Location: fayum
Cylinder seal
Object type: cylinder seal
Date: 1800 – 1601
Materials: mineral
Culture: elamite
Location: iran
Subjects: animals,men
Hepy, String of beads
Object type: bead, string
Date: 1950 – 1885
Materials: bronze, faience, gemstone, paste
Location: egypt
Gezicht op het strand van Biarritz
Object type: stereograph
Date: 1890 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: biarritz
Artist: Anonymous
Subjects: beach (as place of recreation)
Inscriptions: number: ‘4392.’, number: ‘483’
Part of a Circular Frieze with a Sphynx and a Putto with a Hybrid Creature
Object type: drawing
Date: 1500 – 1700
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 16th to 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1700
Subjects: sphinx,putti