deem-data/ArtiFact huggingface dataset:
Sofa
Object type: sofa
Date: 1853 – 1853
Materials: wood
Culture: american
Location: united states
Artist: julius dessoir
Artist role: maker
Artist nationality: german, prussian
Artist dates: 1801 – 1884

This sofa enlivened with naturalistic carved birds, flowers, and female heads is part of a suite of furniture (1995.150.1-.3) exhibited at the New York Crystal Palace in 1853 by the Prussian-born cabinetmaker Julius Dessoir. Showcasing virtuosic carving, the suite received enthusiastic critical acclaim, with one account describing it as "executed with taste and spirit." The sofa, identified at the time as Louis XIV–style, combines contemporary taste for lifelike carved decoration with elements inspired by French seventeenth- and eighteenth-century designs. Dessoir’s furniture appealed to consumers seeking to demonstrate their sophistication by furnishing their homes in fashionable European style. After immigrating to the United States in the late 1830s, Dessoir set up shop as a cabinetmaker in New York City. In 1847, Dessoir received attention for designing the "Chinese" library at Iranistan, P.T. Barnum’s mansion near Bridgeport, Connecticut. This chair, made some six years later, is in quite a different style, attesting to the varied range of furniture the shop produced. Around fifty men worked at Dessoir’s shop, producing an annual output over $20,000. Dessoir’s successful cabinetmaking business continued until he retired in 1865, leaving the business to his sons.
Three-Part Garniture
Object type: glass
Date: 1800 – 1800
Materials: glass
Location: england
Gezicht op de Grote Weg bij Yokohama met mensen, woningen en bomen
Object type: album leaf
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: yokohama
Artist: Anonymous
Subjects: public road, street (+ city(-scape) with figures, staffage)

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Suisse
Object type: stereograph
Date: 1879 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: Anonymous
Subjects: dale, valley, road, path
Inscriptions: inscription: ‘1875 No 20 Di 21 Sept./ Juli 1867./ Aug 1885/ Aug 1897.’, number: ‘No 6939 [?]’
Streamer
Object type: streamer
Date: 1801 – 1900
Materials: metal thread, silk
Techniques: embroidery
Culture: chinese
Subjects: butterflies

This streamer is part of a matching set of four in the Museum’s collection that were probably once a part of a woman’s skirt. Although usually such streamers simply come to a point at the bottom, these examples are shaped like large butterflies. On the butterfly’s back is the longevity symbol, wan, signifying ten thousand years.
Titelpagina voor: Henri Béraldi, Les graveurs du XIXe siècle, 1885
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: drypoint, intaglio
Location: paris
Subjects: print, e.g.: engraving, etching, lithograph, art collecting
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779, watermark, collector's mark: Lugt 4780

Een vrouw op een bank in een huiselijk interieur haalt een prent uit een portfolio. Het gaat om een afdruk van Félix Bracquemond, Le Haut d'un battant de porte (1865). Boven genummerd: 2.
Coaching, from World's Dudes series (N31) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,profiles

Trade cards from the "World's Dudes" series (N31), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Rooks, Left Field, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Signal Hill, Long Beach, Californië met boortorens
Object type: ansichtkaart, prentbriefkaart
Date: 1932 – 1950
Materials: paper
Techniques: lithograph
Location: united states
Subjects: californië
Inscriptions: inscription: ‘622. OIL FIELDS AT SIGNAL HILL, LONG BEACH, CALIFORNIA. // HUDDLESTON PHOTO. / 94935’, inscription: ‘WESTERN PUBLISHING & NOVELTY CO., LOS ANGELES, CALIF’
The Tiber, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1534 – 1566
Techniques: engraving
Artist: nicolas beatrizet
Artist role: artist
Artist nationality: french
Artist dates: 1515 – 1566
Subjects: animals,fruit,infants,male nudes,cows,dogs,horses,sheep,boats

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 97 in the scrapbook.
Exterieur (boven) en interieur (onder) van een Maleise moskee in Tanjungpura
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: munich
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘15’

Onderdeel van Album met heliogravures van Sumatra's oostkust.
Spotprent op minister Rochussen en het nieuwe ministerie, 1860
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: the hague
Inscriptions: collector's mark: Lugt 2228

Spotprent op minister J.J. Rochussen die neerziet op het nieuwe Ministerie van Koloniën, net als Mozes die op de Berg Nebo neerziet op het beloogfde land dat hij niet binnen mag treden. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 44, 3 november 1860.
Gondola prow in the shape of a doge's cap
Object type: gondola prow
Date: 1701 – 1800
Materials: iron
Techniques: gilding

The arms are of the Dolfini family of Venice.
Shard:  Flower
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: gandhara
Troonzaal in het kasteel van Fontainebleau
Object type: tissue stereograph
Date: 1858 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: fontainebleau
Artist: charles gaudin
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: throne-room
Inscriptions: inscription: ‘Parijs’
Landschap nabij Potter Heigham
Object type: page
Date: 1886 – 1891
Materials: paper
Techniques: photograph
Location: surrey
Artist: john payne jennings
Artist role: fotograaf
Artist dates: 1843 – 1926
Subjects: river, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Study for Court of Exchequer, from Microcosm of London
Object type: drawing and watercolor
Date: 1808 – 1808
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Narcissus
Object type: print
Date: 1536 – 1569
Materials: paper
Techniques: engraving, etching
Artist: georges reverdy
Artist role: print maker
Artist dates: 1450 – 1565
Subjects: narcissus, gazing in a fountain, falls in love with his own reflection; possibly the nymph echo peeps at the scene, ornament ~ cartouche, narcissus changed into a narcissus: when narcissus is pining away for the love of his image reflected from the water, he is changed into a narcissus (ovid, metamorphoses iii 510)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent maakt deel uit van een ongenummerde serie van drie prenten.
Prent staat samen met RP-P-2004-34 op een onversneden blad.
Landschap met boerderij en mensen die de was ophangen
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: etching
Artist: cornelius heinrich hemerich
Artist role: print maker
Subjects: farm or solitary house in landscape, hanging the wash to dry
Inscriptions: collector's mark: Lugt 2228
Sandy Hook, from the Lighthouses series (N119) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: ships

Trade cards from the "Lighthouses" series (N119), issued in an unnumbered set of 25 die-cut cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Plundering van het huis van een Fransgezinde visverkoper te Deventer, 1747
Object type: drawing
Date: 1788 – 1788
Materials: paper
Location: northern netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: plundering ~ riot, deventer

Niet in Frederik Muller; door het RPK toegevoegd nummer. Ontwerptekening voor de prent FMH 3918a uit 1788 getiteld "Een vischverkoper te Deventer, in 't jaar 1747, door 't gemeen, met steenen geworpen, en zijn huis geplonderd", van Reinier Vinkeles.
Portret van paus Urbanus VIII
Object type: book illustration
Date: 1655 – 1655
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: rome, clergyman, urbanus viii, historical persons, pope

Prent mogelijk uit: Brachelius, Johannes Adolphus. Historiarum nostri temporis editio ultima (…). Amsterdam: Jacob van Meurs en Johannes Janssonius, 1655.
A. 2004 Scheveningen
Object type: photograph
Date: 1885 – 1930
Materials: paper
Techniques: photograph
Location: netherlands
Artist: Anonymous
Subjects: watering-place, spa, beach
Sallet
Object type: armor
Date: 1500 – 1500
Materials: steel
Culture: spanish
Location: spain
Portret van Daniël Heinsius
Object type: book illustration
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ghent, leiden, daniël heinsius, scholar, philosopher, historical persons, portrait of a writer

Prent uit: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd (...). Amsterdam: Johannes Allart, 1783-1795, dl. 7.
Kop van een man met een pet
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: head (human) (+ left side visible; left - (l. hand, l. foot, etc.)), head-gear: hat

Blad 15 recto uit een schetsboek met 71 bladen.
Twee vissersschepen bij het strand van Scheveningen
Object type: photograph
Date: 1904 – 1904
Materials: paper
Techniques: gelatin silver print
Location: scheveningen
Artist: james higson
Artist role: politician
Artist dates: 1862 – 1933
Subjects: ships (in general)
Set of four sweetmeat dishes
Object type: sweetmeat dish
Date: 1760 – 1760
Materials: metal
Ein ney Furmbüchlein, Page 16, verso
Object type: book print ornament architecture
Date: 1525 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: flowers
Kar met paarden ervoor
Object type: drawing
Date: 1650 – 1650
Materials: ink, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘Harma[n] ter Borch naet leven. den 19.April 1650.’
Beaker in the Form of a Seated Female with Tatoos and Body Paint
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: peru
Plate 13: Members of the clergy marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Object type: print, fete, ornament architecture
Date: 1623 – 1623
Techniques: etching, hand coloring
Location: brussels
Artist: cornelis galle (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1576 – 1650
Subjects: men,cross,funerals,processions

Plate from 'Pompa Funebris ... Alberti Pii', after Jacques Francquart, illustrating the funeral procession of Albert the Pious (1559–1621), Archduke of Austria, son of Emperor Maximilian II. 2 sheets pasted together at center. The first edition of this series contains 54 numbered plates and an engraved title page, published in 1623. The second and third editions contain 66 plates and were published in 1728 and 1729 respectively.
Christus en de gepersonifieerde ziel houden samen een hart met de afdruk "Iesus" vast
Object type: print
Date: 1678 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: the soul, christ and the soul, christ and the human heart
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Pieter Arentsz II, 1678-1687. Tussen 1678-1744 verschenen van dit emblemataboek 10 edities.
Haarddeksteen met een dubbelkoppige adelaar en twee zuilen
Object type: haarddeksteen
Date: 1500 – 1558
Materials: brick
Techniques: printing, firing
Location: southern netherlands
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain)

Frontonvormige haardsteen met wapen van Karel V van Habsburg; gekroond schild met tweekoppige adelaar met schild op de borst, aan weerszijden zuilen, links met griffioen rechts met leeuw, om zuilen en achter schild banderol met opschrift: PLUS OLTRE, in fronton gekroond hoofd en 15.2, rechter dakrand afgebrokkeld, zwart geblakerd, erg afgesleten, rechter kant breuklijn, punt frontonmet resten cement. (Deze beschrijving is ten onrechte toegekend aan dit nummer. B. Nederveen en J.D. van Dam, 2008-01-24.)
Therefore be merry, Cassio, plate six from Othello
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: drypoint, engraving, etching, roulette
Location: france
Artist: théodore chassériau
Artist nationality: french
Artist dates: 1819 – 1856
Portret van een jonge vrouw met hoed, leunend op een zuil
Object type: photograph
Date: 1880 – 1905
Materials: cardboard, photographic support
Techniques: albumen print
Location: surabaya
Artist: herman salzwedel
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, head-gear: hat, pedestal of a piece of sculpture (perhaps in the form of a herm)
Inscriptions: inscription: ‘(...)/ ATELIER/ van/ H. SALZWEDEL/ SOERABAYA/ JAVA.’
Hartstochten na J.B. Greuze Nummer Twee
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: adolescent, young woman, maiden, head-gear: cap, looking downwards
Inscriptions: collector's mark: Lugt 2228

'Hartstochten na J.B. Greuze' bestaat uit twee of drie genummerde reeksen. (Sommige nummers komen drie keer voor op drie verschillende afbeeldingen.) Binnen deze omslag bevinden zich achttien verschillende afbeeldingen. Mogelijk heeft dit te maken met de twee momenten waarop Daiwaille de reeks uitgaf, ten tijden van zijn directeurschap aan de Rijksakademie in Amsterdam en daarna als zelfstandige. De omslag behoort waarschijnlijk bij een van deze twee series. Zie Marres-Schretlen in het Bulletin van het Rijksmuseum.
The Death of Procris
Object type: print
Date: 1770 – 1790
Techniques: etching
Artist: giovanni david
Artist role: artist
Artist nationality: italian
Artist dates: 1749 – 1790
Ely Cathedral: Prior's Door, Side Details
Object type: photograph
Date: 1891 – 1891
Materials: glass
Location: england
Artist: frederick h. evans
Artist role: fotograaf
Artist nationality: english
Artist dates: 1853 – 1943
SS. Apostolorum et Evangelistorum Icones
Object type: print
Date: 1588 – 1648
Materials: paper
Techniques: engraving
Subjects: male saints (with name), ornament derived from architectural details
Inscriptions: collector's mark: Lugt 2228

Het opschrift duidt deze apostel als de heilige Tomas maar dit is op basis van het uiterlijk en zijn attribuut niet correct. De heilige Judas Taddeüs wordt vaak met baard en een lans afgebeeld.
Plaquette van pietre dure, voorstellende de Annunciatie in twee ovale velden met verguld koperen lijsten, omgeven door gestileerde bladranken, in verguld zilveren lijst
Object type: plaque
Date: 1710 – 1710
Materials: copper, silver
Location: florence
Artist: joachim siegismund wiedemann
Artist role: silversmith
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Plaque showing the Annunciation. Pietre dure in a silver gilt frame. Florence, c. 1710, Opificio delle pietre dure. The frame Berlin, c. 1715 - 1720, by Joachim Siegismund Wiedemann.
Terracotta aryballos (perfume bottle) in the shape of a woman's head
Object type: aryballos in the form of a woman's head
Date: 500 – 500
Materials: terracotta
Culture: greek, attic
Artist: oxford class of head vases
Artist role: artist
Subjects: heads,women
Kazerne te Düsseldorf
Object type: photograph
Date: 1940 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dusseldorf
Artist: Anonymous
Subjects: barracks, germany
Inscriptions: inscription

Albumblad met twee foto's van de 'Flak-Kaserne' te Düsseldorf, januari 1940. Onderdeel van een Duits militair album Tweede Wereldoorlog 1939-1940.
Terracotta composite jug
Object type: composite jug
Date: 1800 – 1725
Materials: terracotta
Culture: cypriot

Flask with double body, beak spout, four feet, string holes and basketry decoration.
Boerderij naast een beek
Object type: print
Date: 1760 – 1831
Materials: paper
Techniques: engraving, etching
Subjects: rural housing, e.g. country-house, villa, cottage, brook (+ landscape with figures, staffage)

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 343.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Novembre 1931, No. 135, 12e Année, p. 1
Object type: fashion print
Date: 1931 – 1931
Materials: paper
Techniques: photography
Subjects: border, ribbon, braid (+ women's clothes), plants and herbs: mistletoe, fashion plates, dress, gown (+ women's clothes), stockings, socks (+ women's clothes)

Advertentie voor kousen 'bas gui'. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Portret van Johann Heinrich Casimir Carmer
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
Dress
Object type: dress
Date: 1895 – 1895
Materials: silk
Culture: american
VOC, ½  duit Gelderland,1788
Object type: coin
Date: 1788 – 1788
Materials: copper
Techniques: striking
Location: harderwijk

Koperen munt. Voorzijde: tussen wapenspreuk gekroond wapenschild van Gelderland. Keerzijde: monogram van de VOC, waarboven muntmeesterteken en waaronder jaartal. Gladde rand.
Allegorical or Mythological Scene
Object type: drawing and watercolor
Materials: graphite, paper
Location: france
Artist: attributed to eugène delacroix
Artist nationality: french
Artist dates: 1798 – 1863
Deel van een gecombineerd zoutvat-specerijdoos met deksel
Object type: kruidendoos, specerijdoos
Date: 1622 – 1632
Materials: silver
Location: flushing
Artist: Anonymous
Bodkin case
Object type: bodkin case
Date: 1770 – 1780
Materials: copper, enamel
Tessera
Object type: relief
Date: 1 – 200
Materials: ceramic
Location: syria

Banquets and feasts that took place after religious sacrifices were important ritual events in the prosperous caravan city of Palmyra during the first and second centuries of this era. Attendance at these events was limited to those who held a ticket in the form of a stamped token, known today as a tessera after the Greek word for a small square object. Most tesserae from Palmyra are made of clay that was shaped and pressed in a matrix, imprinting it with a design on both sides similar to a coin. A few examples were made of glass or metal. Small clay lumps could also be impressed by carved gems set into signet rings, with the design that resulted identifying the owner of the ring who was perhaps the sponsor of the sacrifice and the banquet that followed. Over a thousand tesserae from Palmyra have been collected, revealing the remarkable variety in shapes and designs that were used for this type of object. Tesserae could be formed as simple or complex shapes, and could bear elaborate or plain decorative motifs, sometimes with inscribed text, and in rare instances an inscribed date. This tessera is shaped like an arch with a flat groundline. One side shows a figure in a draped garment and priest’s modius, a flat-topped cylindrical headdress, reclining under a luxuriant grapevine. On the other side, a bearded male figure at left and a figure wearing a helmet or floppy cap at right flank what may be a large vessel; two rosettes appear at the bottom. The tessera is not inscribed so we do not know the identities of these figures or what their images symbolized, beyond the connections to festive drinking implied by the grapevine and vessel.
Theedoek
Object type: kitchen towel
Date: 1831 – 1850
Materials: linen
Location: netherlands
Inscriptions: mark: ‘HW24+’

Theedoek van linnen met een roodgestreepte rand. Merk HW24.
Twee mannen in een landschap
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: etching, intaglio
Artist: frédéric mabboux
Artist role: print maker
Subjects: adult man (+ two persons), landscapes
Inscriptions: collector's mark: Lugt 2228
Corset
Object type: corset
Culture: american or european
Portret van Heinrich Guttenberg
Object type: print
Date: 1801 – 1834
Materials: paper
Techniques: engraving, etching
Subjects: heinrich guttenberg, historical persons, portrait, self-portrait of graphic artist
Terugkeer uit Egypte
Object type: print
Date: 1594 – 1660
Materials: paper
Techniques: etching
Location: italy
Subjects: landscape with ruins, mary, the christ-child and john the baptist (as child) with others, rest on the return of the holy family to israel
Inscriptions: collector's mark: Lugt 240 of 1838

Maria rust uit. Op haar schoot speelt Christus samen met Johannes de Doper. Beiden zijn twee-drie jaar oud. Links van haar zorgt Jozef dat de ezel wat kan grazen. Op de achtergrond rechts een ruïne met twee mannen, waarschijnlijk de twee dieven die later samen met Christus gekruisigd zullen worden. De prent heeft een Latijns onderschrift met uitleg over de terugkeer uit Egypte, een apocrief verhaal.
Habitante de Scheveningen
Object type: print
Date: 1840 – 1853
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Location: netherlands
Artist: w. van hove
Artist role: draughtsman
Subjects: sea and coastal fishery (+ women (labourers)), clothes, costume (+ women's clothes), folk costume, regional costume
Inscriptions: collector's mark, collector's mark: Lugt 1641

Vissersvrouw van Scheveningen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht, Zuid-Holland.