deem-data/ArtiFact huggingface dataset:
Serape
Object type: serape
Date: 1865 – 1865
Materials: wool
Culture: diné or navajo
Artist: unidentified
Artist role: artist

The six Navajo weavings from the Ernst Collection represent a range of traditional Indigenous designs, adding depth and range to The Met’s holdings of Native North American textiles. Weaving is an ancient form of visual expression, and the Indigenous peoples of the Southwest have been producing complex textiles for centuries. Navajo weavings were widely traded—for their aesthetic quality and use value—among neighboring groups, particularly in the Plains region. By the mid-nineteenth century, non-Natives were seeking out blankets and serapes as works of art and souvenirs. They were called "chief’s blankets" by both Native and Euro-Americans due to their high cost and importance. The term "second phase" is used by cultural historians and collectors to refer to weavings with red rectangles made between 1850 and 1880. "Third-phase" blankets are characterized by artful compositions of diamonds or cross formations, and date to between 1860 and 1880.This dynamic art form—a deeply rooted living tradition integral to Navajo culture—continues to flourish today through the efforts of a new generation of innovative weavers. Serapes (the Spanish term for blanket) are a prominent form of Navajo weaving. Vibrantly colored and vividly patterned, these so-called wearing blankets build on long-established design themes. Varied weaving traditions are reflected in the horizontal lines, diamond shapes, and serrated edges--all characteristic of Southwest Native American patterns.
Water bottle
Object type: water bottle
Date: 1755 – 1755
Materials: stoneware
Techniques: salt glaze
Subjects: human figures
Nymegen uit het oosten te zien
Object type: print
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: johannes de ruijter (1688-1744)
Artist role: print maker, publisher
Artist dates: 1688 – 1744
Subjects: sailing-ship, sailing-boat, prospect of city, town panorama, silhouette of city, nijmegen

Gezicht over de rivier de Waal op de stad Nijmegen, met het Valkhof en op de achtergrond de Sint-Stevenskerk. Op de voorgrond diverse zeilschepen.
Roompot met deksel, veelkleurig beschilderd met chinoiserieën in uitgespaarde vierpassen in een violette fond op onderschotel
Object type: eating drinking utensil
Date: 1730 – 1735
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark, mark: ‘4’, label: ‘SAMMLUNG / Dr. FRANZ OPPENHEIMER’

Cream pot and stand. Porcelain. Meissen, c. 1730 - 1735.
Offering Tray (Talam)
Object type: offering tray talam
Date: 901 – 1400
Materials: bronze
Culture: indonesian
Zachtmoedigheid overwint Razernij
Object type: print
Date: 1550 – 1625
Materials: paper
Techniques: engraving
Artist: pieter jalhea furnius
Artist role: print maker
Artist dates: 1540 – 1626
Subjects: anger; 'ira' (ripa) ~ personification of one of the seven deadly sins, one virtue fighting against or treading upon one vice, indulgence, clemency; 'clemenza', 'clemenza & moderatione', 'indulgenza' (ripa)
Inscriptions: collector's mark: Lugt 2228

De personificatie van Razernij (Furor) ligt op de grond aan de voeten van Zachtmoedigheid (Clementia). De prent heeft een Latijns onderschrift en maakt deel uit van een serie over deugden en ondeugden.
Figure of a Man
Object type: illustrated single work
Date: 1201 – 1300
Materials: ink, paper, watercolor
Location: egypt or iraq
Subjects: men
Scenes from the Life of Joseph
Object type: tazza with cover
Date: 1534 – 1566
Materials: copper, enamel, gilt, metal
Techniques: gilding, painting
Artist: pierre reymond
Artist role: artist
Artist nationality: french
Artist dates: 1513 – 1590
Subjects: tents,men

Not long before 1540, Limoges enamelers adopted a predominately black-and-white (grisaille) palette, perhaps in part because of their greater reliance on prints for their models. The scenes on the foot and cover were adapted from woodcuts by Bernard Salomon (ca. 1508–ca.1561) for two volumes of verse by Claude Paradin.
Portret van Willem III, prins van Oranje
Object type: print
Date: 1670 – 1695
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: christiaan hagen
Artist role: draughtsman, print maker
Artist dates: 1635 – 1707
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Montecassino. Studio degli artisti pel restauro della Cripta
Object type: photomechanical print
Date: 1906 – 1910
Materials: cardboard
Techniques: photograph
Location: terni
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church, picture, painting, artist at work, in his workshop
Figuren en kamelen op een overkapte binnenplaats
Object type: sketchbook leaf
Date: 1830 – 1860
Materials: paper, pencil
Artist: albertus van beest
Artist role: draughtsman, print maker
Artist dates: 1820 – 1860
Subjects: hoofed animals: camel, folk costume, regional costume, arcade ~ architecture, street (+ city(-scape) with figures, staffage)
Inscriptions: signature: ‘A V Beest’

Figuren in oosterse kleding staan en zitten op de grond. Twee mannen zitten op een kameel. De ruimte waarin de figuren zich bevinden (mogelijk een galerij of binnenplaats bij een straat) is overkapt met een boogconstructie. Blad 35 recto uit een schetsboek met 46 bladen.
Military Parade of the French Army on Place Vendôme, Paris
Object type: photograph
Date: 1859 – 1859
Materials: paper
Techniques: albumen print
Location: paris
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Subjects: military parade, pageant
Inscriptions: inscription: ‘La Place Vendome au retour de l'armée d'Italie (1859)’, inscription: ‘La Mer à Sainte Adresse (Manche)’

This early snapshot offers a quick impression of a military parade on Place Vendôme in Paris. The French army had just returned from a successful campaign against the Austrians in Italy. Press photography for newspapers and magazines did not yet exist in the 19th century. This photograph was published a week later in the magazine l’Illustration, but only after it had been copied and reworked as a wood engraving.
Valentine
Object type: valentine
Date: 1874 – 1874
Materials: gilt
Techniques: chromolithography
Artist: kate greenaway
Artist role: artist
Artist nationality: british
Artist dates: 1846 – 1901
Subjects: poetry,men,women,rabbits
Henri Lehmann
Object type: drawing
Date: 1850 – 1850
Materials: graphite
Artist: jean auguste dominique ingres
Artist role: artist
Artist nationality: french
Artist dates: 1780 – 1867
Subjects: men,portraits

Late in his career, Ingres restricted his portrait production to commissions from only the most elite members of French society. However, he made exceptions for his friends and most intimate associates. Here, he portrayed one of his favorite students, Henri Lehmann, seated in a posture of relaxed confidence.
Chaise longue
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Een chaise longue. Prent uit 66e Livraison.
Suikerpot van theeservies
Object type: tea service
Date: 1784 – 1784
Materials: porcelain
Techniques: painted
Location: loosdrecht

Suikerpot van theeservies. De versiering bestaat uit strooibloemen op het plat en langs de rand een geornamenteerde band. Gemerkt Amstel.
Stop van vaatwerk uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: bung
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Vessel part, stopper; tapering cylinder with spherical finial.
Nude bust of a boy painting (La Peinture) (one of a pair of designs for lock-plates)
Object type: plaquette
Date: 1867 – 1900
Materials: bronze
Techniques: casting
Artist: alexandre-louis-marie charpentier
Artist role: artist
Artist nationality: french
Artist dates: 1856 – 1909
Subjects: painting,boys,brushes
Actress holding arm aloft, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Else Wachenheimer-Moos op vakantie met twee onbekende vrouwen, augustus 1932, Baden-Baden
Object type: photograph
Date: 1908 – 1932
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: baden-baden
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: else wachenheimer-moos, family life at home
Inscriptions: date: ‘März 1932’

Blad bevat twee foto's. Alle foto's van Else Wachenheimer-Moos (lichte kraag) en twee onbekende vrouwen. Uit het album, half formaat, crèmekleurig stofomslag met koordbinding met banenmotief.
America (part of a set of four)
Object type: plate
Date: 1667 – 1733
Materials: earthenware
Techniques: glazing
Artist: johann sadeler (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1550 – 1601
Subjects: birds,female nudes,landscapes,trees

The scene on these plates (59.208.30–.33) are copied from engravings by Johannes Sadeler (1550–1600), dated 1581) of designs by Dirk Barendsz (1534–1592).
Boat-shaped earrings with filigree and granule decoration
Object type: earring, boat shaped, filagree
Materials: gold
Location: egypt

Boat-shaped, sometimes called leech-shaped earrings, are a common type in Egypt and the eastern Mediterranean world, and few are well-dated. This earring with the addition of some granulation and and filagree decoration is likely to date from the late Ptolemaic Period into the second century AD.
Wapen met kruis en boom
Object type: sketchbook leaf
Date: 1886 – 1908
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: coat of arms (symbol of sovereignty)
Inscriptions: : ‘rood/ goud/ groen’, annotation: ‘AETATIS 34/ 1647/ H’

Pagina 9 uit een schetsboek met 46 bladen vervaardigd te Amsterdam, Haarlem en Antwerpen.
Triumphbogen in Innsbruck
Object type: carte de visite
Date: 1855 – 1867
Materials: cardboard, paper
Techniques: albumen print
Location: innsbruck
Subjects: triumphal arch
Inscriptions: number: ‘6.’, inscription: ‘Fr. Unterberger/ Innsbruck’
The Dyer's Boat (Bas-Meudon)
Object type: print
Date: 1868 – 1868
Techniques: etching
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: rivers,boats
Japanse vrouw spint wol met een spinnewiel
Object type: photograph
Date: 1884 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: spinning-wheel, japan
Théâtre Italien, from "Le Miroir"
Object type: print
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: satire,men,women

Published in the new liberal daily "Le Miroir," this satirical lithograph holds up the Théâtre Italien in Paris, embodied here by the composer Gioacchino Rossini, as an admirable exemplar of the modern. His pockets stuffed with scores, Rossini adopts a stable, wide-legged stance as he balances his three best-known characters: Figaro, Rosina, and Othello. The commentary that accompanied the print poked fun at Delacroix for publishing it anonymously, while complimenting his drawing as one of "uncommon boldness" that was "biting and witty."
Halve groot rozebeker uit Brabant van  Johanna en Philips de Stoute, graaf van Vlaanderen, 1384-1389
Object type: coin
Date: 1384 – 1389
Materials: silver
Techniques: striking
Location: leuven

Zilveren munt. Conventie-munt. Voorzijde: twee naast elkaar geplaatste wapenschilden, van Johanna en van Philips. Daarboven krans en daaromheen drie rozen. Keerzijde: wapenschild van Brabant op kort gebloemd kruis.
Covered Box with Design of Pine, Bamboo, and Cherry Blossom
Object type: box with cover
Date: 1801 – 1900
Materials: gold, lacquer
Techniques: maki
Culture: japanese
Subjects: flowers
Circulus Vicissitudinis Rerum Humanarum
Object type: print
Date: 1564 – 1633
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: truth; 'verità' (ripa) (+ allegorical scene, i.e. two or more personifications involved in an action), justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, vicissitudes of life (+ allegorical scene, i.e. two or more personifications involved in an action), symbols, allegories of peace, 'pax'; 'pace' (ripa), chariot, triumphal car, wealth, opulence; 'opulenza', 'richezza' (ripa), carefulness, diligence; 'diligenza' (ripa)
Inscriptions: number: ‘8’, caption: ‘PAX curru UNANOMITATE tandem adest...parens INDUSTRIA’, collector's mark: Lugt 2760, collector's mark: Lugt 2228, signature: ‘MHemskerck inventor’

Triomfwagen versierd met guirlandes van vruchten, getrokken door twee paarden (Concordia en Utilitas). De wagen wordt gemend door Amor. Op een zetel zit de Vrede, olijftakken in de rechterhand en op het hoofd, lauwerkrans in de linkerhand. Rechts van haar zit Rijkdom (Opulentia) die een kroon ophoudt. Naast de wagen lopen Waarheid, Vlijt en Rechtvaardigheid (Veritas, Diligentia en Justitia). Prent uit een serie van negen prenten met triomfwagens uit de Antwerpse Besnijdenis-ommegang van 1561. De personificaties op de wagens verbeelden samen de kringloop van het menselijk handelen.
Twee opnamen van een steengroeve na een explosie
Object type: photomechanical print
Date: 1883 – 1888
Materials: paper
Techniques: collo-autotype
Artist: Anonymous
Subjects: quarry (+ stone)
Inscriptions: inscription: ‘Fig. 44. Expliosion dans les carrières de gypse d'argenteuil/ 3. - Pendant, 2e moment/ 4. - Après.’
Journal des Luxus und der Moden, 1798, T 36
Object type: fashion print
Date: 1798 – 1798
Materials: paper
Techniques: etching, hand coloring
Location: weimar
Subjects: diadem, tiara (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), bracelet, wristlet (+ women's clothes)
Inscriptions: date

Vrouw in een japon met overslag, korte mouwen en sleepje, voorzien van sierrand. Het opgestoken haar is versierd met linten, strik en struisveer. Verdere accessoires: lange handschoenen, armbanden om beide polsen, waaier. Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Allegorische voorstelling met Urania en Vader Tijd
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: urania (one of the muses); 'urania' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa), cupids: 'amores', 'amoretti', 'putti', father time, man with wings and scythe

Urania,de muze van de Astronomie, zit met sterren gekroond, naast een globe en meet met een passer cirkels op een vel papier. Achter haar staat Vader Tijd met een zeis in zijn handen en een gevleugelde zandloper op zijn hoofd. Dit tweetal wordt omringd door putti. In de lucht vliegt een bazuin blazende engel met een lauwerkrans in haar handen. Geheel op de voorgrond blaast een riviergod op een schelp waar water uit loopt. De achtergrond toont links een kust met zeilschepen, rechts doden drie figuren een beer.
Palazzo dei Conservatori, portico, plan; portal, elevation; details, elevations (recto) Palazzo dei Conservatori, portico, elevation; details, profiles (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Stable
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: drypoint, roulette
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: thorvaldsen group
Artist role: artist

Exterior, right shoulder, bent, bound right arm, and part of frontal torso of boxer
Saint Jude in prayer, seen in profile facing left with a staff resting on his shoulder, in an oval frame, from "Christ, the Virgin, and Thirteen Apostles"
Object type: print
Date: 1600 – 1640
Materials: ink
Techniques: etching, pen
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: profiles,apostles,saints,praying

From Christ, the Virgin and Thirteen Apostles, a series of fifteen busts in oval frames printed from one plate, after Reni. Brown ink drawn around the outer border of the sheet.
Bone with Inscription
Object type: bone
Date: 301 – 700
Materials: bone, ink, textile
Culture: coptic
Location: egypt
The Holy Trinity; Christ on the cross flanked by two angels, the Holy Spirit as a dove and God in heaven above the cross, a rectangular composition with half-circle at the top, after Reni
Object type: print
Date: 1702 – 1702
Techniques: engraving
Artist: sir nicolas dorigny
Artist role: artist and publisher
Artist nationality: french
Artist dates: 1655 – 1746
Subjects: angels,christ,cross,crucifixion

After a painting made by Reni in 1625 in the church of Santissima Trinità dei Pelligrini in Rome. Verso is not visible as print is laid to another sheet of paper.
Portret van Philipp Karl Hartmann
Object type: print
Date: 1830 – 1880
Materials: paper
Techniques: lithograph
Artist: franz eybl
Artist role: print maker
Artist dates: 1806 – 1880
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Molenpoort in Wijk bij Duurstede
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: aquatint, etching, intaglio
Location: the hague
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: city-view, and landscape with man-made constructions, village street, windmill
Inscriptions: collector's mark: Lugt 2228

De Molen Rijn en Lek in Wijk bij Duurstede.
Seated Buddha
Object type: figure
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: buddha
Portret van Juliette Bilbaut-Vauchelet
Object type: photomechanical print
Date: 1878 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘(Mme Nicot)/ Ariste Lyrique, née à Douai (Nord)’, inscription: ‘Le Nord Contemporain/ Revue Historique & Biographique’
De provincie Zeeland
Object type: popular print
Date: 1842 – 1842
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: the hague, jacob cats (1577-1660), maps, atlases, shipwreck, monument, statue, zeeland
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen over de provincie Zeeland met een kaart en belangrijke gebeurtenissen en monumenten: de gebroeders Naerebout redden 87 schipbreukelingen, de brand in de Sint-Lievensmonsterkerk te Zierikzee in 1832 en het standbeeld van Jacob Cats in Brouwershaven. Boven elke voorstelling een titel en onder elke voorstelling een onderschrift. Genummerd rechtsboven: No. 14.
Ex libris van het Colegio de Luiz de Camões
Object type: bookplate
Date: 1930 – 1950
Materials: paper
Techniques: lithograph
Location: portugal
Artist: Anonymous
Subjects: quill, garland, wreath, book, hacking and thrusting weapons: rapier
Leerling van Schule Schloss Salem spelend op een Bechstein-vleugel
Object type: photograph
Date: 1929 – 1929
Materials: photographic support
Techniques: gelatin silver print
Location: salem
Artist: Anonymous
Subjects: grand piano, education, heating stove

Onderdeel van Fotoalbum van Schule Schloss Salem.
Cordier, Pierre-Louis-Antoine
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Teatro di Taormina
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: taormina
Artist: Anonymous
Subjects: amphitheatre, landscape with ruins
Inscriptions: number: ‘No. 1369.’
Towing boats against the current
Object type: print
Date: 1764 – 1764
Techniques: woodblock print
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Brief aan Jan Veth
Object type: letter
Date: 1889 – 1889
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: amsterdam, designer, jan veth, utrecht, publisher, johan marinus schalekamp, rijksmuseum amsterdam, painting (including book-illumination, miniature-painting), printed matter, paris
Inscriptions: collector's mark: ‘RPK’
Plate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan)
Object type: print
Date: 1810 – 1810
Techniques: engraving, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: soldiers,male nudes,death
Silver-Spangled Hamburgh, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: chickens

Trade cards from the "Prize and Game Chickens" series (N20), issued in 1891 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Duet of the Trojans, seventh plate
Object type: print
Date: 1903 – 1903
Materials: chine
Techniques: lithograph
Location: france
Artist: henri fantin-latour
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1904
Bow Moon
Object type: print
Date: 1832 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: waterfalls,moon,hills,trees
Witte van Haamstede op den Blinkert
Object type: history print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: battle, fighting in general

De ridder Witte van Haemstede plant zijn vlag op de duintop van de Blinkert en leidt het verzet tegen de Vlamingen, 1304. Onderdeel van de groep staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti et Amicitiae.
Plaque
Object type: plaque
Date: 1800 – 1701
Materials: ivory
Culture: assyrian
Location: anatolia
Theebus met bloemen in cut card-techniek
Object type: tea caddy
Date: 1677 – 1677
Materials: silver
Techniques: gilding
Location: amsterdam
Artist: Anonymous
Inscriptions: date letter: ‘P’, maker's mark

Tea caddy. Silver, gilded. Amsterdam, 1677, unknown master. Given by Mrs J.E. van Schendel-Reesink, from the De Bruijn-van der Leeuw estate, Amsterdam, 1989.
Amphora Fragment
Object type: fragment
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
De H. Nicolaas
Object type: photomechanical print
Date: 1928 – 1928
Materials: cardboard
Techniques: rotogravure
Location: milan
Artist: Anonymous
Subjects: picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Titelblad en twaalf gezichten op Rome
Object type: print
Date: 1629 – 1655
Materials: paper
Techniques: etching
Location: rome
Subjects: landscapes, river, tower (of house or building), country-house, rome
Inscriptions: collector's mark: Lugt 240

Op de oever van de Tiber met twee badende figuren staat een omheind gebouw met een ronde toren. Op het pad aan de overzijde van de rivier lopen twee wandelaars.