deem-data/ArtiFact huggingface dataset:
Groepsportret van vier kunstenaars
Object type: painting
Date: 1680 – 1680
Materials: canvas, oil, paint
Location: london
Artist: monogrammist gf (schilder)
Artist role: painter

Het groepsportret toont de borstbeelden van vier mannen met lang haar (pruiken) die zijn gehuld in antieke toga's. De man geheel rechts houdt een tekening vast waarop Chronos als personificatie van de tijd is afgebeeld die de vleugels van Cupido kortwiekt. Op de rechterachtergrond van de tekening, die met de letters G.F. is gesigneerd, is een pilaar met zandloper afgebeeld als teken van vergankelijkheid. De tekening wordt mede vastgehouden door de tweede persoon van links, met de rode mantel, die in zijn andere hand een krijthouder vasthoudt. De geportretteerden zijn gesitueerd in een binnenruimte met links op de achtergrond een arcade met klassieke architectuur en met rechts een reliëf in medaillonvorm, waarop een jongen is te zien die wordt geflankeerd door twee volwassen personen in klassieke kledij.
Annotatie
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper
Techniques: pen
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Inscriptions: annotation: ‘tegenwoordige kerke overgebracht ... kerkje do[...] planten’

Blad 13 verso uit een schetsboek met 78 bladen.
Portrait of a smiling woman, from the "Girls" series (T66), issued with Hunter Dog Cigarros by S. Monday & Sons
Object type: print
Date: 1900 – 1900
Techniques: photolithograph
Artist: s. monday & sons, brooklyn, new york
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1950

Tobacco insert card from the "Girls" series (T66), issued with Hunter Dog Cigarros by S. Monday & Sons.
Idem 2e gaanderij
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

ook afgebeeld reliëf 1b 110, het Avadana en Maitrakanyaka.
Scarab Decorated with Scrolls
Object type: scarab, scroll, hieroglyph, nefer, lotus
Date: 1760 – 1670
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs

Scrolls and spirals –whether single or interlocking, or in combination with hieroglyphs or floral motifs– already decorate the earliest types of scarabs and are common throughout the first half of the second millennium B.C. While their meaning and source of inspiration remains unknown, scroll designs are also appealing to the eye. A wide variety of combinations, some of which more complex than others, is found on Egyptian scarabs of the Middle Kingdom and scrolls become particularly popular during late Dynasty 12 and Dynasty 13 (ca. 1850–1640 B.C.). While these designs continue to appear on scarabs in the Second Intermediate Period (ca. 1640–1550 B.C.) and on contemporary Canaanite imitations, details in the composition or on the scarab’s back or its legs allow the seal-amulet to be more precisely dated.
Wine beaker (gu)
Object type: wine beaker
Date: 1300 – 1001
Materials: bronze
Culture: chinese
Horloge, versierd met Zwitsers berglandschap
Object type: jewellery
Date: 1815 – 1840
Materials: gold
Techniques: filigree
Location: switzerland
Subjects: watermill in landscape, mountains, switzerland
Inscriptions: inscription: ‘8088’, maker's mark: ‘.I.I. of .T.T. in ruit’, maker's mark: ‘P&C’, alloy mark: ‘G (Genève, 1815-1881)’

Horloge van goud. De kast is versierd met een plaatje met een geëmailleerde voorstelling van een Zwitsers berglandschap.
Rotsachtige landschappen
Object type: print
Date: 1626 – 1685
Materials: paper
Techniques: etching
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: ass, donkey, rock-formations
Inscriptions: collector's mark: Lugt 240

Gezicht op een bergachtig landschap, met op de voorgrond een man op een ezel.
Fotoreproductie van een gipsen kopie van Diana van Versailles in het Musée du Louvre in Parijs
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: sculpture
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Seven fragments with tendrils from DvB 23, 2
Inlay for a plate in the form of a feline
Object type: inlay
Date: 700 – 601
Materials: gold
Culture: scythian
Location: iran
Subjects: animals

This is one of two plaques in The Met’s collection (the other is 64.22.1) that are thought originally to have been inlaid in a silver plate now in the Iran National Museum, Tehran. Fragments of the plate were first reported in 1949 in Iran and said to be from the site of Ziwiye in the Zagros Mountains, in what is today Kurdistan Province, Iran. Many gold, silver, bronze, ivory, and ceramic objects have appeared on the antiquities market with the supposed provenance of Ziwiye, although there is no way to verify this identification. The initial discovery by local villagers of a hoard or burial including gold and ivory objects at the site occurred in 1946. Accounts of the discovery and the objects’ early collecting history given by some of those involved are inconsistent regarding dates and other significant details. In addition, many objects have been attributed to Ziwiye in subsequent decades that do not necessarily come from the site, and many forgeries have also been given this false provenience. In almost all cases it is hard to be certain that a given object really was found at Ziwiye: the silver plate and its appliques may originate there but this cannot be confirmed unless new information comes to light. The main body of the plate was purchased as several fragments and reassembled in the National Museum, Tehran. Individual inlay plaques are in collections internationally including The Met, the Museum of Fine Arts, Boston (66.388-390, and the Musée Cernuschi, Paris (M.C. 9264). Small gold plaques such as this crouching feline, broadly Scythian in style and more commonly seen as appliques for clothing, were incorporated into a silver vessel as applied decoration in a manner more characteristic of later Achaemenid Persian court art that in turn drew on multiple regional artistic traditions including those of Assyria, Babylonia, and Urartu. Other objects attributed to Ziwiye feature Scythian, Assyrianizing, or Urartian iconography.
Herstel KLM-luchtverbinding Amsterdam-Parijs
Object type: album leaf
Date: 1949 – 1949
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, aircraft, aeroplane, airborne traffic, aviation, travelling; tourism, newspaper, news-sheet

Albumblad met een compositiefoto van krantenberichten uit 1946 over het herstel van de KLM-luchtverbinding Amsterdam-Parijs, van een KLM-vliegtuig met wapperende vlag en van KLM-directeur Hans Martin. Onderdeel van Herdenkingsalbum van de Indië-lijn van de KLM, deel II.
Untitled (93)
Object type: photograph
Date: 1890 – 1890
Techniques: photogravure
Location: italy
Artist: ferdinando ongania
Lepel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: spoon
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cutlery, spoon; bent, corroded, bowl id. NG-1980-27-H-1165, stem id. NG-1980-27-H-527, no inscription visible.
Visschep met drie vissen tegen een achtergrond van bandwerk met bladmotieven
Object type: visschep
Date: 1771 – 1771
Materials: silver
Location: amsterdam
Artist: willem pont
Artist role: silversmith
Artist dates: 1734 – 1797
Inscriptions: duty mark, town mark, maker's mark, alloy mark: ‘Hollandse leeuw’, date letter: ‘M’

Fish slice. Silver. Amsterdam, 1771, by Willem Pont.
Bittern
Object type: figure
Date: 1735 – 1735
Materials: porcelain
Techniques: painted
Location: meissen
Artist: johann joachim kändler
Artist role: designer, sculptor
Artist dates: 1706 – 1775
Subjects: shore-birds and wading-birds: bittern

The porcelain factory at Meissen, near Dresden, was founded in 1709. It was the first European factory to produce ‘true’ or hard-paste porcelain, like that known in China and Japan. The manufactory was owned by Augustus the Strong, Elector of Saxony and King of Poland. All the birds and animals in this display case were made for him. They were intended for his so-called Japanese Palace, the walls of which he wished to fill with porcelain.
Gezicht op een spoorbrug over de Theems bij Taplow
Object type: page
Date: 1871 – 1871
Materials: photographic support
Techniques: albumen print
Location: taplow
Artist: henry w. taunt
Artist role: fotograaf
Artist dates: 1842 – 1922
Subjects: river, bridge, thames
Studie van hoofden
Object type: drawing
Date: 1750 – 1820
Materials: paper, pencil
Artist: Anonymous
Subjects: head (human)

Studie van zes hoofden van mannen en vrouwen van opzij gezien. Twee profielen zijn niet uitgewerkt.
Melancholy Courtesan
Object type: painting
Date: 1750 – 1750
Materials: gold, ink, paper, watercolor
Culture: indian
Subjects: women

Of the several pictures of this type that are known, this example is the finest. No inscription identifies the subject, but the painting is probably the idealized portrait of a courtesan. She has raised a small cup to her lips and seems lost in reverie. Her melancholy may be due simply to alcohol, but it is more likely that she was associated with a particular story that has not come down to us. The practice of making images of courtesans migrated from Persia into the artistic repertoire of Muslim India and from there to Hindu painting. This compositional formula derives from Mughal prototypes, but the handling of color, pattern, and space is purely Rajput.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of a reserve line
The Crucifixion
Object type: leaf from a missal
Date: 1480 – 1480
Materials: parchment, paint
Culture: southern netherlandish
Artist: monogrammist im
Artist role: artist
Artist nationality: southern netherlands, ghent (?)
Artist dates: 1460 – 1490
Subjects: christ,virgin mary,crucifixion

The monogram painted in gold in the lower right hand corner—an "I" superimposed on an "M"—has yet to be associated with any known artist. Both the composition and figure types are clearly influenced by the painting of Rogier van der Weyden, but the pale color palette is closer to that of Southern Netherlandish artists such as Joos van Gent and Hugo van der Goes. The souls of the thieves crucified with Christ are depicted above and below the cross (the soul of the good thief is held by an angel, while that of the bad thief is dragged down by a demon); this detail alludes to the Last Judgment and its inclusion here may be influenced by German depictions of the subject.
Gezicht op de Hervormde Kerk te Nijbroek
Object type: photograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: nijbroek
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior), street lighting
Inscriptions: annotation: ‘R. Clavery/ 1576_1639’, annotation: ‘Nijbroek 1909/ gem. Voorst’
Low Tide, Riverside Yacht Club
Object type: painting
Date: 1894 – 1894
Materials: canvas, oil
Culture: american
Artist: theodore robinson
Artist role: artist
Artist nationality: american
Artist dates: 1852 – 1896
Subjects: rivers,landscapes,boats

This work is one of a series of coastal scenes painted by Theodore Robinson at Cos Cob, Connecticut, a popular American artists’ colony. It reveals how the painter synthesized the earlier influence of Claude Monet with a newfound interest in Japanese prints. As Robinson observed after acquiring his first print in 1894, “My Japanese print points in a direction I must try and take: an aim for refinement and a kind of precision seen in the best old as well as modern work.”
Bosgezicht
Object type: drawing
Date: 1882 – 1882
Materials: chalk, paper
Artist: johannes warnardus bilders
Artist role: painter, print maker
Artist dates: 1811 – 1890
Subjects: forest, wood
Portret van Jan Antonides van der Goes
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: rotterdam, jan antonides van der goes, historical persons, portrait of a writer

Prent uit: Antonides van der Goes, Jan. Alle de gedichten. Amsterdam: Nicolaas ten Hoorn, 1714.
Pottery Whistle
Object type: pottery whistle
Date: 800 – 1525
Materials: clay
Culture: costa rican
Location: costa rica
Subjects: animals
Saint George and the Dragon
Object type: statue
Date: 1420 – 1420
Materials: wood, gilt, paint
Culture: austrian
Artist: hans von judenburg
Artist role: artist
Artist nationality: austrian
Subjects: men,dragons,saint george
Boot op het meer van Lugano
Object type: photograph
Date: 1934 – 1934
Materials: paper
Techniques: gelatin silver print
Location: morcote
Artist: Anonymous
Subjects: rowing-boat, canoe, etc., lake
Fingerless leather gloves
Object type: textile
Date: 601 – 900
Materials: leather
Culture: alanic
Location: caucasus
Portret van een onbekend gezin
Object type: photograph
Date: 1855 – 1855
Materials: copper, glass, wood
Techniques: daguerreotype
Artist: Anonymous
Subjects: historical persons, family life
Inscriptions: inscription: ‘Anoniem/ Daguerreotypie +/- 1855/ 10.1 x18 cm/ zilver [...]/ linksonder 40/ rechtsonder[...]/ gerestaureerd Leiden P.K. 1969/ Thio ureum’
Boven een man te paard, onder een man en een vrouw
Object type: schetsblad
Date: 1820 – 1872
Materials: paper, pencil
Subjects: female sex; woman, horse, male sex; man

Boven een man te paard, die afscheid neemt van een dame en onder een man en een vrouw, die gearmd lopen.
Silver dekadrachm
Object type: dekadrachm
Date: 400 – 390
Materials: silver
Culture: greek
Artist: euainetos
Artist role: artist

Of Syracuse; quadriga; head of Arethusa.
Apparaat voor vermoedelijk fotomechanische reproducties
Object type: photomechanical print
Date: 1922 – 1932
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: photographic apparatus
Inscriptions: number: ‘Fig. 20.’
Calais and Zetes led by Boreas and Oreithyia (Calai e Zeti condotti da Borea et Oritia), from "The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke" (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc)
Object type: print
Date: 1664 – 1664
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: soldiers,spears,ships
Three Musicians Playing Horns and Pipe
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: possibly after bernardo strozzi
Artist nationality: italian
Artist dates: 1581 – 1664
Napels Piedigrotta
Object type: photograph
Date: 1893 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: italy
Handle or hollow cylinder
Object type: handle or hollow cylinder
Date: 7000 – 330
Materials: ivory
Terracotta fragment of a pelike (jar)?
Object type: pelike fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the lower back of a draped figure to left; part of a draped male to right
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: copper, gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: human figures,turtles,trees
Standing Horse
Object type: drawing and watercolor
Materials: charcoal, paper
Location: unknown place
Artist: Anonymous
Zeeland, duit, 1792
Object type: coin
Date: 1792 – 1792
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond, zijdelings ingedeukt wapenschild van Zeeland. Keerzijde: in een krans opschrift in drie regels, waarboven muntteken burcht tussen twee sterren en waaronder jaartal.
More Missionaries
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Bel behorend bij inktstel
Object type: inkstand
Date: 1773 – 1782
Materials: silver
Location: middelburg
Artist: laurens potmans
Artist role: goud- en zilversmid

Inktstel van zilver. Het blad is aan de achterzijde recht en aan de voorzijde gebogen. De inktpot en zandstrooier zijn meloenvormig. Tussen de twee meloenen is de peervormige tafelbel aangebracht.
Latijns alfabet met boeren
Object type: album leaf
Date: 1525 – 1526
Materials: paper
Techniques: woodcut
Location: basel
Artist: hans lützelburger
Artist role: print maker
Artist dates:  – 1526
Subjects: initial, farmers, hacking and thrusting weapons: sword
Blad met strooipatroon van bloemen
Object type: printed paper
Date: 1725 – 1765
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: annotation: ‘1745’

Blad met strooipatroon van bloemen. Gebruikt als omslag voor een publicatie uit 1745.
Flyleaf
Object type: flyleaf, fraktur
Date: 1806 – 1806
Materials: ink, paper
Culture: american
Location: united states
Subjects: flowers,leaves
Twee kreeften
Object type: drawing
Date: 1887 – 1924
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: crustaceans: lobster
Inscriptions: annotation: ‘R P’, number: ‘204’
Verschillende landschappen
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: aquatint, etching
Location: paris
Subjects: prospect of village, silhouette of village, beach
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, stamp: Lugt 922

Maakt deel uit van een achtdelige serie met landschappen uit 1843.
Panel
Object type: panel
Date: 1501 – 1600
Materials: wood
Techniques: carving
Subjects: heads,men,women
La Crainte le soucy le meurdre et desespoir par je moien de lor au monde se sont noir
Object type: album leaf
Date: 1606 – 1669
Materials: paper
Techniques: etching
Subjects: traveller(s) attacked by robber(s), robbery
Inscriptions: collector's mark: ‘Bibliotheek/ Rijksmuseum/ Amsterdam’

Deze prent maakt deel uit van een album.
The Disbanding of the 'Waardgelders' (Mercenaries in the Pay of the Town Government) by Prince Maurits in Utrecht, 31 July 1618
Object type: painting
Date: 1625 – 1625
Materials: canvas, oil
Artist: joost cornelisz droochsloot
Artist role: painter, print maker
Artist dates: 1585 – 1666
Subjects: maurice (prince of orange), square, place, circus, etc., disbanding of the troops
Inscriptions: signature and date, upper right, on the signboard: ‘Joost. Cornelis. Drooch. Sloot f. An.º. 1625.’

Het afdanken der waardgelders door prins Maurits op de Neude te Utrecht, 31 juli 1618. Op de voorgrond de prins begeleid door andere officieren te paard. Op het plein staan de soldaten in rijen opgesteld.
Letter case
Object type: letter case
Date: 1601 – 1733
Materials: metal thread, silk
Subjects: human figures,animals,horses
Landschap met brug nabij Dunkeld
Object type: print
Date: 1803 – 1803
Materials: chalk, ink, paper
Techniques: brush, lithograph
Location: london
Subjects: low hill country, bridge, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2233

Deze prent behoort tot de serie 'Twelve views in Scotland, delineated by a lady in the polyautographic art of drawing on stone'. Deze serie met twaalf lithografieën is een van de vroegste reeksen lithografieën in Groot-Brittannië.
Girl holding fruit
Object type: statuette
Materials: terracotta
Artist: clodion (claude michel)
Artist role: artist
Artist nationality: french
Artist dates: 1738 – 1814
Subjects: fruit,female nudes

The attributes of this statuette corresponds to the traditional iconography of Pomona, goddess of fruit, as described in Ovid's Metamorphoses. The device of using the shift to reveal as much as to conceal the female body, which derives from Houdon's Frileuse as well as the Hellenistic Venus Callipygos, relates this work to Clodion's Girl with Doves (see 49.7.64a, b).
Christ Among the Doctors
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: belgium
Artist: school of lambert lombard
Portretten van de watergeuzen Jan van Duivenvoorde en Lancelot van Brederode, 1572
Object type: print
Date: 1825 – 1899
Materials: paper
Techniques: chromolithography
Location: netherlands
Artist: Anonymous
Subjects: haarlem, the soldier; the soldier's life

Portretten van de watergeuzen Jan van Duivenvoorde en Lancelot van Brederode, op het dek van een schip bij een kanon, 1572.
Putti die de wapens van Frankrijk en Navarra bekronen
Object type: print
Date: 1639 – 1643
Materials: paper
Techniques: engraving
Location: france
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Tussen 1639-1643 werkte Mellan samen met de Imprimerie Royale (IFF 17e siècle, p. 21-22). Hij vervaardigde verschillende vignetten, letters, culs-de-lampe en decoratieve banden (IFF 17e siècle, p. 215-220).
O.a. gebruikt voor de publicatie: Vergilius Maro, Publius. Publii Virgilii Maronis Opera. Parijs: Imprimerie Royale, 1641. Zie IFF 17e siècle, p. 215, nr. 381.
Twaalf dwazen
Object type: print
Date: 1639 – 1706
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: fool, simpleton, numskull, vomiting, head-gear (+ feathers used for clothes)
Inscriptions: collector's mark: Lugt 2228

Een dwaas, met een hoed met veren op zijn hoofd, braakt precies over zijn schouder op de grond. De prent maakt deel uit van een serie van twaalf prenten met dwazen.
Plattegrond van de heerlijkheid Maarsseveen
Object type: area plan
Date: 1690 – 1691
Materials: paper
Techniques: engraving, etching
Subjects: christian religion (+ devil(s)), fame; 'fama', 'fama buona', 'fama chiara' (ripa), maps of cities, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Linkerbovenplaat. De plattegrond van een gedeelte van de heerlijkheid Maarsseveen. Een grote banderol met gezicht op Goudestein, een buitenplaats in de heerlijkheid Maarsseveen. Langs de rivier de Vecht wandelen verschillende paartjes en een herder. Op de rivier varen enkele bootjes en zwemmen zwanen. Op de achtergrond het buitenverblijf Goudenstein. Vanachter de banderol komt de allegorische figuur van Roem. Zij blaast op een trompet met een vaandel en verjaagt een duivel.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, unidentified subject with round shield seen from the inside and drapery
Allegorie met een personificatie en Minerva die de Nijd en Bedrog overwinnen
Object type: drawing
Date: 1703 – 1775
Materials: chalk, paper
Artist: louis fabritius dubourg
Artist role: draughtsman, print maker
Artist dates: 1693 – 1775
Subjects: (story of) minerva (pallas, athena)
Hoofd van een man met een helm
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: etching
Location: france
Subjects: helmet, head (human), adult man, beard
Inscriptions: collector's mark: Lugt 240

Prent uit een serie van 31 prenten naar getekende hoofden door Van Dyck, plus een titelprent naar Bouchardon, getiteld: "Recueil de Testes d'Antoine Van Dyck tirées du Cabinet de M. Crozat et gravées par M. le C. de C.".
Relief fragment
Object type: relief fragment, tomb of neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt
Miss Cartelgan, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.