deem-data/ArtiFact huggingface dataset:
Zelfportret
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: dordrecht
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: bergen op zoom, print maker, draughtsman, christian heinrich gottlieb steuerwald, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘4a / 10-9-'75’
The Monthly Illustrator, November
Object type: print
Date: 1895 – 1895
Techniques: lithograph
Artist: anonymous, american, 19th century
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Portret van Johann Samuel Ditrich
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving
Subjects: berlin, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Teller, Wilhelm Abraham ed.. Neues Magazin für Prediger, Züllichau en Freystadt: Friedrich Frommann,1795, dl. 4.
The Actor Ichikawa Danjuro V as Kajiwara Genta Kagesue in the Play Yuki Nazuna Saiwai Soga, Performed at the Kiri Theater in the First Month, 1787
Object type: print
Date: 1787 – 1787
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Bords du Rhin
Object type: stereograph
Date: 1860 – 1860
Materials: cardboard, paper
Techniques: albumen print
Location: hinterweidenthal
Subjects: low hill country
Inscriptions: number: ‘867.’
Portret van Toekoe Kadli Malikoel Adil
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: historical persons, ruler, sovereign

Prent uit: Eigen Haard (1888), nr. 1, p. 81.
Pair of candlesticks
Object type: candlestick
Date: 1724 – 1727
Materials: silver
Frühstückslager bei Benjamin, auf dem Wege von Caesarea nach Jaffa
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: israel
Subjects: wilhelm ii (keizer van duitsland), (traveller) resting in the open air (+ four persons or more ~ traffic and transport)
Inscriptions: collector's mark: ‘Arth. FABBR[I]/ Eigentum’, number: ‘14.’
Slot Babelsberg in Potsdam
Object type: stereograph
Date: 1862 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Subjects: castle
Inscriptions: number: ‘210.’
Animal Locomotion, Plate 758
Object type: photograph
Date: 1887 – 1887
Techniques: photograph
Location: england
Artist: eadweard muybridge
Artist role: artist
Artist nationality: british and american
Artist dates: 1830 – 1904

In the late 1870s, Eadweard Muybridge pioneered a method of "instantaneous photography," a technique developed to freeze time by capturing motion. In order to create such sequences, he set up a battery of cameras, 24 in this instance, connected by a clockwork mechanism that triggered the shutters one by one at rhythmic intervals. Muybridge initially devised this process to clarify the movement of horses; through his experiments, he demonstrated that all four hooves leave the ground mid-gallop, thereby settling an intense debate of the era. This print of a cockatoo in flight was originally published in Animal Locomotion, a portfolio of 781 separate series that Muybridge, working under the auspices of the University of Pennsylvania, created to stand at the intersection of art and science.
Gezicht op Place de la Bastille in Parijs met de Colonne de Juillet
Object type: stereograph
Date: 1855 – 1860
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: square, place, circus, etc., monument, statue
Inscriptions: inscription: ‘Bastille Paris’
Wapens van de families Scheurl en Tucher
Object type: print
Date: 1512 – 1520
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘M. SCH.’

Wapens van de ouders van Christoph Scheurl (Christoph Scheurl en Helena Tucher geheten), bijeengehouden door een jongedame met wapperende haren. Op de voorgrond een hondje. Boven de voorstelling twee regels tekst in het Latijn.
Battaglia di Moch, sotto il Commendator Maggiore An.o 1574
Object type: history print
Date: 1632 – 1699
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: battle (+ land forces), historical events and situations, nijmegen
Inscriptions: title: ‘BATTAGLIA DI MOCH’

Slag op de Mookerheide op 14 april 1574. Op de voorgrond en in het midden zware gevechten tussen ruiters. Rechts het dorpje Mook, links in de verte Nijmegen. Rechtsboven in de voorstelling de legenda A-N in het Italiaans.
Tulp. / Tulipa. / Tulipe.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, paper, watercolor
Techniques: brush
Subjects: flowers: tulip

Wit-rode en rood-geel-roze tulp. Genummerd rechtsboven: 43. Onderdeel van het eerste album met tekeningen van bloemen en planten. Achtste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Ex libris van Gianni Mantero
Object type: bookplate
Date: 1907 – 1985
Materials: paper
Techniques: woodcut
Location: germany
Artist: p. käßner
Artist role: print maker
Subjects: engineer, gianni mantero
Zeegezicht
Object type: drawing
Date: 1831 – 1915
Materials: paper, pencil
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: sea (seascape)
Foot covering from a mummy, with scorpions on soles
Object type: coffin foot panel
Date: 234 – 100
Materials: gesso, paint, wood
Location: egypt
Subjects: scorpions

This is the footcase cartonnage of a small mummy. Cartonnage cases made of several individual pieces are characteristic of the period post 3rd century B.C. Mummies in gallery 133 have sets of this sort. The footcase depicts the soles of two sandals with a scorpion crushed beneath each one. The imagery reflects the ancient Egyptians' desire to control the dangerous elements of their world, a concern that here is transferred to the world of the afterlife. On the mummy, the scene was intended to give power to the deceased over the inimical forces that he would encounter on his nightly journey through the netherworld to-ward rebirth each dawn.
Curtain
Object type: curtain
Date: 1882 – 1882
Materials: cotton
Techniques: weave
Culture: american or british
Location: england
Artist: william morris
Artist role: designer
Artist nationality: british
Artist dates: 1834 – 1896
Subjects: birds,rabbits
Inside of a Country Alehouse
Object type: print
Materials: paper
Techniques: hand coloring, mezzotint
Location: england
Artist: william ward
Artist role: engraver
Artist nationality: british
Artist dates: 1766 – 1826
The Abduction of Helen from a set of The Story of Troy
Object type: hanging
Date: 1625 – 1625
Materials: cotton, gilt, paper, pigment, silk, thread
Techniques: embroidery
Artist: bernard salomon
Artist role: artist
Artist nationality: french
Artist dates: 1508 – 1561
Subjects: soldiers,men,helen,coat of arms,ships

From 1557, the Portuguese contracted with the Ming rulers of China to buy control of Macau, a coastal peninsula near Hong Kong. Sailing between Asia and Iberia, trade enabled an abundance of spices, but also of textiles, to enter Europe. This heady moment of mutual discovery provides the context for Francisco Mascarenhas, governor of Macau, to commission this unusual hanging. The scale and conventions of Flemish tapestry are translated into Chinese embroidery. Familiar European subject matter, loosely based on Homer’s Iliad and informed by printed sources, is marvelously charged with Asian decorative details– such as the shields hanging from the Trojan galley– and a Portuguese border articulated by snake-battling sirens and (slightly erroneous) renditions of the Mascarenhas family arms. At some point in the hanging's history, the embroidered silk in all the flesh areas was cut away and replaced with paint for reasons that remain unclear.
Christus aan het kruis
Object type: print
Date: 1654 – 1716
Materials: paper
Techniques: engraving
Location: paris
Subjects: crucified christ, with particular persons under the cross, the (seven) sorrows of mary

Christus aan het kruis, in een kader van zes kleine scènes uit de Passie van Christus. Onderdeel van een serie van twaalf voorstellingen van het martelaarschap van de apostelen. Onderdeel van een album met voornamelijk christelijke voorstellingen.
Kylix fragments, 6
Object type: kylix fragment, 6
Date: 490 – 490
Materials: terracotta
Culture: greek, attic
Artist: antiphon painter
Artist role: artist
Subjects: male nudes
Portret van Nicolas Joseph Maison
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Subjects: paris, commander-in-chief, general, marshal, historical persons
Knife
Object type: knife
Date: 501 – 600
Materials: iron
Location: egypt
Subjects: knives
Besneeuwde Muiderpoort te Amsterdam, gezien vanuit het oosten
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: winter landscape; landscape symbolizing winter (the four seasons of the year), snow, city-gate

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
Seal Impression, Bishop
Object type: seal impression
Date: 1358 – 1358
Materials: wax
Culture: dutch or south lowlands
Subjects: bishops
The Sack of Antwerp from Events in the History of the Netherlands, France, Germany and England between 1533 and 1608
Object type: book
Date: 1501 – 1600
Techniques: engraving
Artist: frans hogenberg
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1540 – 1590
Subjects: buildings,streets,battles,soldiers,swords
Sea Girt, New Jersey, from the Surf Beauties series (N232), issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,sports

Trade cards from the "Surf Beauties" series (N232), issued in 1889 to promote Kinney Tobacco Company.
Cow and calf rocks
Object type: page
Date: 1890 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: rock-formations
Schön Neues Modelbuch (Page 32 recto)
Object type: book print ornament architecture
Date: 1597 – 1597
Techniques: etching
Artist: johann sibmacher
Artist role: designer
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: ornament

Designed by Johann Sibmacher, German, active 1590-1611, published by Caimox, Nürmberg. Illustrated title signed CM and Jo. Sibmacher, 7 pages of text surrounded by decorative borders, and 35 pages of designs for weaving, embroidery, and cut-linen.
Handschoen van wit zeemleer met kunsstof parelmoerkleurige knoop
Object type: clothing
Date: 1900 – 1915
Materials: leather, plastic
Location: western europe
Artist: Anonymous

linker handschoen van wit zeemleer met kunsstof parelmoerkleurige knoop.
Shaft-hole axe head with bird-headed demon, boar, and dragon
Object type: axe
Date: 2333 – 1668
Materials: gold foil, silver
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Subjects: birds,dragons,boars,demons

Ancient Bactria and Margiana were areas along the Oxus and Murghab rivers in modern Uzbekistan, Tajikistan, and Afghanistan. While these areas were sparsely inhabited during much of the third millennium B.C., by about 2200 B.C. permanent settlements with distinctive forms of architecture, burial practices, and material culture had been established, supported in part by active trade with parts of Iran, Mesopotamia, and the Indus Valley. This silver-gilt shaft-hole axe is a masterpiece of three-dimensional and relief sculpture. Expertly cast and gilded with foil, it represents a bird-headed hero grappling with a wild boar and a winged dragon. The idea of the heroic bird-headed creature probably came from western Iran, where it is first documented on a cylinder seal impression. The hero's muscular body is human except for the bird talons that replace the hands and feet. He is represented twice, once on each side of the axe, and consequently appears to have two heads. On one side, he grasps the boar by the belly and on the other, by the tusks. The posture of the boar is contorted so that its bristly back forms the shape of the blade. With his other talon, the bird-headed hero grasps the winged dragon by the neck. This creature is distinguished by folded and staggered wings, a feline body, and the talons of a bird of prey in the place of his front paws. Its single horn has been broken off and lost.
Zuiderzeewerken: Sluisput Kornwerderzand met sluisbouw en gedeelte afsluitdijk naar de Friesche kust 10 mei 1928
Object type: ansichtkaart, prentbriefkaart
Date: 1928 – 1928
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: draining for land reclamation, zuiderzee
Ostrakon with a Homily by Athanasius
Object type: ostrakon
Date: 600 – 600
Materials: ink, limestone
Culture: coptic
Location: egypt
Subjects: coptic,documents
Card Number 111, Geraldine Ulmer, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Roma Fôro Romano
Object type: photograph
Date: 1875 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: rome
Subjects: landscape with ruins
Inscriptions: number: ‘3644’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Italië.
Vier festoenen
Object type: drawing
Date: 1866 – 1900
Materials: ink, pencil, paper
Techniques: drawing
Artist: Anonymous

Onderaan hangt een groot festoen, daarboven drie kleinere. Het festoen rechtsboven is bevestigd aan een half afgebeelde cartouche.
De zondvloed
Object type: print
Date: 1528 – 1583
Materials: paper
Techniques: engraving
Location: france

In het midden drijft de Ark van Noach onder een baldakijn. Uit serie van 6 bladen.
Model of a Breech-Loading Gun
Object type: demonstration model
Date: 1829 – 1829
Materials: wood
Location: netherlands
Artist: Anonymous
Inscriptions: label, on the barrel: ‘782’ former inventory label

Het model stelt waarschijnlijk een kanon van 24 pond voor. Ampt diende zijn voorstel voor achterlaadgeschut bij de Marine in op 2 juni 1829. Wanneer dit model werd overhandigd, is onduidelijk. Het ontwerp had als bijkomend voordeel dat de geschutspoort klein en rond kon blijven. De artillerie-officieren, waaronder Sesseler, keurden zijn ontwerpen af.
Hemispheroid seal
Object type: stamp seal
Date: 5000 – 3001
Materials: mineral, stone
Location: northern syria, mesopotamia or western iran
Tiered box composed of three layers with dragons en precious objects
Object type: box
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Ronde stapeldoos van porselein bestaande uit drie lagen en een deksel, beschilderd in onderglazuur blauw. De wanden van de dozen en de deksel met wolkmotieven en kostbaarheden (parel, ruit, muzieksteen). Blauw-wit.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject, end of object with panther head
Nadgett breathes, as usual, an atmosphere of mystery
Object type: print
Date: 1802 – 1844
Materials: paper
Techniques: etching, roulette
Location: london
Artist: hablot knight browne
Artist role: print maker
Artist dates: 1815 – 1882
Subjects: comb, brush and other tools (care of the hair), bedroom
Inscriptions: collector's mark: Lugt 2228

Prent uit: Dickens, Charles. The Life and Adventures of Martin Chuzzlewit. Londen: Chapman and Hall, 1842-1844.
Het boek werd tussen 1842 en 1844 in delen uitgegeven. Deze prent hoort bij hoofdstuk 38, uitgegeven in februari 1844.
Portret van Jan Neyen
Object type: book illustration
Date: 1618 – 1618
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: antwerp, historical persons, diplomacy, diplomat

Prent uit: Meteren, Emanuel van. L'histoire des Pays-Bas d'Emanuel de Meteren (...). Den Haag: Hillebrant Jacobsz. van Wouw I, 1618. Prent mogelijk ook gebruikt in eerdere en latere edities.
Neu künstlich Modelbuch (page 25r)
Object type: book print ornament architecture
Date: 1598 – 1598
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597
Subjects: flowers

Published by Bernhard Jobin, Strassburg. Facsimile illustrated title page of 1579 edition, poem (2 pages), and 44 pages of designs.
Betrayal of Christ, from Passion of Christ
Object type: print
Date: 1575 – 1600
Materials: paper
Techniques: engraving
Location: belgium
Artist: jan sadeler, the elder
Artist nationality: flemish
Artist dates: 1550 – 1600
Bewening
Object type: print
Date: 1681 – 1688
Materials: paper
Techniques: mezzotint
Location: london
Subjects: 'pietà ', 'vesperbild', 'marienklage' (no others present): christ, either with or without crown of thorns, mourned by mary
Inscriptions: collector's mark: Lugt 240
Pezzo di merletto
Object type: photograph
Date: 1839 – 1839
Techniques: salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: science
Ontwerpen voor een zilveren broche
Object type: drawing
Date: 1874 – 1932
Materials: ink, paper, pencil
Techniques: pen
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: brooch, agraffe, clasp
Portret van een man
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult man, historical persons
Sake cup and fan
Object type: print
Date: 1801 – 1833
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Deep Conical Bowl with Cloudlike Petals
Object type: vessel
Materials: stoneware
Techniques: carving, celadon glazed, underglaze
Location: china
Nieuwjaarsmijmering van een ambtenaar, die sedert lang op lotsverbetering aanspraak had
Object type: cartoon
Date: 1865 – 1865
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: official; civil servant; functionary (in general)
Inscriptions: collector's mark: Lugt 2228

Spotprent op het niet afhandelen van de rijksbegroting van 1865 waarin een verbetering van positie van lage ambtenaren gepland stond. Een ambtenaar zittend achter zijn bureau. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 1, 7 januari 1865.
Jug
Object type: jug
Materials: earthenware
Techniques: incising
Location: iran
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, hair, left ear, neck, upper back and bent right arm of youth seen from the back, looking to left, with a himation draped over his left shoulder; Exterior, lower drapery and right foot of woman to right
Mask
Object type: mask
Date: 1867 – 1900
Materials: textile, paper, varnish
Techniques: painting
Culture: tibetan
Subjects: masks
Landschappen met mythologische scènes
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: the rape of proserpina (by pluto in his chariot); possibly with diana and minerva trying to rescue her, landscapes - hh - ideal landscapes
Inscriptions: collector's mark: ‘Hinloopen’

Proserpina, de dochter van de graangodin Ceres, wordt ontvoerd door Pluto, de koning van de onderwereld. Hij tilt haar in zijn rijtuig dat wordt voortgetrokken door vier paarden die richting de Hades rijden.
L'eau-forte en 1880
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: medical aid and nursing of the sick and wounded, patient, sick person
Inscriptions: collector's mark: ‘AFE v S’, collector's mark: Lugt 2228, watermark, collector's mark: Lugt 2760
Le delicie della Brenta
Object type: print
Date: 1750 – 1760
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni francesco costa
Artist role: draughtsman, painter, print maker
Artist dates:  – 1773
Subjects: river, tow-boat, towing-barge, hôtel, i.e. small palace in city

Gezicht op Palazzo del N: H: Venier aan de rivier de Brenta. Op het water vaart een trekschuit. Genummerd midden onder: XLV en rechtsonder: Tom: II. Deze prent maakt deel uit van een album.
The Barber's Shop
Object type: drawing
Date: 1785 – 1805
Materials: ink, watercolor
Techniques: pen
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,dogs,barbers
Moeder met klein kind dat haar kust
Object type: print
Date: 1850 – 1851
Materials: paper
Techniques: lithograph
Location: paris
Subjects: embracing each other, kissing, mother and baby or young child, mother and child(ren), woman and child(ren) (family group) (with number of children)
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 36a

Prent gebruikt voor: Les Artistes anciens et modernes, 1850-1851.
Portrait of a Young Woman with a Fan
Object type: painting
Date: 1633 – 1633
Materials: canvas, oil
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: portraits,women

This animated portrait has a pendant, or companion painting, showing the sitter’s husband rising from a chair (1633; Taft Museum, Cincinnati). When seen together, husband and wife seem to respond to each other, making these among Rembrandt’s most inventive compositions of the early 1630s. Rembrandt’s early experience as a painter of dramatic history scenes and his close study of expression and character during the time he spent in Leiden prepared him to be the most original and successful portraitist in Amsterdam, where he arrived in the winter of 1631–32.
Beads
Object type: bead
Date: 3000 – 2001
Materials: stone
Culture: iranian
Location: iran

Although they are now strung together, these stone beads were not necessarily part of a single necklace in antiquity. They were excavated in 1937 at a prehistoric site in the vicinity of Nishapur in northeastern Iran. While Nishapur itself was founded by the Sasanian king Shapur I (reigned ca. A.D. 241-272), these beads show that human habitation there goes back to the prehistoric period. Furthermore, the prehistoric pottery from Nishapur has close affinities with ceramic materials from Central Asia rather than with contemporary sites in Iran, meaning that in this period its inhabitants were likely culturally linked to their neighbors to the east. At the same time, Nishapur’s location on what later became known as the Great Khorasan Road suggests that it was part of the trade network that facilitated the import of precious stones such as lapis lazuli, carnelian and turquoise from Central Asia to Mesopotamia.
Stole
Object type: stole
Date: 1890 – 1890
Materials: metal thread, silk
Subjects: flowers