deem-data/ArtiFact huggingface dataset:
Netsuke of Devil Mask with Wide-Open Mouth
Object type: netsuke
Date: 1801 – 1900
Materials: glass, wood
Techniques: inlay
Culture: japanese
Subjects: masks,devil
Church at James Town
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: london
Subjects: landscape with ruins
Inscriptions: date

Prent verschenen in: Grose, Francis. Antiquities of Ireland. Londen: S. Hooper, 1809, dl. 2.
Twee tombes
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: grave, tomb
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Links een tombe met een ingang, twee vrouwen met fakkels aan weerszijden van een rond medaillon met portret en profil, wapens met helm en kroon en een urn. Rechts een tombe met een rond medaillon met portret en profil, een gelauwerde schedel met fakkels, rookvaten en een urn.
Laura Maxwell, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Onderschotel van veelkleurig beschilderde faience
Object type: platter
Date: 1750 – 1750
Materials: faience
Location: delft
Inscriptions: mark: ‘figuratief teken bijltje met V’, mark: ‘figuratief teken bijltje met V’, mark: ‘figuratief teken bloem/ 3/ 8’

Onderschotel in de vorm van een blad. Horend bij een terrine van aardewerk in de vorm van een druiventros.
Karikaturaal portret van Henri Brod
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: woodcut
Location: paris
Artist: théodore maurisset
Artist role: painter, print maker
Artist dates: 1803 – 1860
Subjects: henri brod, caricatures (human types), one person playing wind instrument, historical persons, portrait of a musician, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Karikatuur van de Franse hoboïst en hobobouwer Henri Brod. De prent behoort tot een serie van 100 houtsneden door Théodore Maurisset (actief 1834-1859) naar Jean Pierre Dantan's karikatuurbustes van Franse beroemdheden uit 'Musée Dantan. Galerie des Charges et Croquis des célébrités de l'époque, avec texte explicatif et biographique' (Parijs, 1839). In de karikatuur wordt Brod afgebeeld terwijl hij doedelzak speelt, een houtblaasinstrument dat, net als de hobo, een riet heeft maar van een meer volkse oorsprong is.
Portret van Dagobert I, koning van Frankrijk
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228
Bosgezicht met houten brug
Object type: print
Date: 1820 – 1886
Materials: paper
Techniques: etching
Subjects: water course, forest, wood, bridge
Inscriptions: collector's mark: Lugt 2228

Bos met links een houten brug over het water.
Stadsgezicht
Object type: sketchbook leaf
Date: 1915 – 1916
Materials: paper, pencil
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: city-view, and landscape with man-made constructions, civic architecture; edifices; dwellings, street

Pagina 75 uit een schetsboek met 43 bladen.
Paardenkoppen
Object type: album leaf
Date: 1843 – 1864
Materials: ink, paper
Techniques: pen
Location: amsterdam
Artist: wouter verschuur (1812-1874)
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1874
Subjects: horse
Inscriptions: annotation: ‘in de vergadering van/ arti et amicitiae.’, signature: ‘W Verschuur’

Blad 26 recto uit een verzamelalbum met 32 bladen.
De Ziel wordt door Jezus ontmoet
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: christ and the soul
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1714, dl. I, p. 35.
The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom left plate)
Object type: print
Date: 1546 – 1546
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: swords,apostles
Neck Insert
Object type: textile
Date: 1701 – 1800
Materials: linen, textile
Techniques: treatment, embroidery, interlacings, lace, weave, stitching
Location: levkás
Stone Pendant
Object type: pendant
Date: 1501 – 1600
Materials: quartz
Culture: mexican
Location: mexico
Isleworth (Liber Studiorum, part XIII, plate 63)
Object type: print
Techniques: etching, mezzotint
Location: london
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: landscapes

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Dawe here added mezzotint to describe a classical pavilion which he may relate to one at Syon Park. Turner lived at Sion (or Syon) Ferry House, Isleworth, on the Thames between 1805 and 1806, and this image derives from sketches he made along the river. Naturalistic observations of the English countrside are combined with idealized classical elements, and the scene bathed in a golden evening light. A bright reflected sail on the far shore recalls "White House, Chelsea," a famous watercolor by Turner's close friend Thomas Girtin, who had died tragically young in 1804. The letters "EP" in the upper margin likely stand for Elevated Pastoral and were applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude.
Neptunus
Object type: sculpture
Date: 1757 – 1757
Materials: terracotta
Techniques: modeling
Artist: willem hendrik van der wall
Artist role: sculptor
Artist dates: 1716 – 1790

Willem Hendrik van de Wall (1716 - 1790). Mars and Neptune. Terracotta. Utrecht, 1757.
Portret van een onbekende man en vrouw bij een rivier
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Artist: j. bulet
Artist role: fotograaf
Subjects: river, historical persons
Inscriptions: monogram: ‘M.R.Co’
Portret van David Ruhnken
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: engraving, etching
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: leiden, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. 43 dln. Amsterdam: Johannes Allart, 1808, dl. 40.
Berry Spoons (2)
Object type: metalwork
Date: 1789 – 1820
Materials: silver gilt
Location: paris
Artist: martin-guillaume biennais
Subjects: borghese service

These berry spoons are part of a vast service made for Emperor Napoleon Bonaparte’s sister Pauline on the occasion of her marriage to the Roman nobleman Camillo Borghese, Sixth Prince of Sulmona.

In the years after the French Revolution, architects and designers adopted the visual language of ancient Greece and Rome to express the new imperial order. Napoleon, hoping to promote Paris’s luxury trades, commissioned several silver dinner services as gifts to be sent abroad.
Plate with two ladies
Object type: plate
Date: 1667 – 1733
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: human figures,flowers
Earring, delta-shaped with beads
Object type: earring, delta shaped
Date: 1 – 100
Materials: glass, gold
Culture: roman
Side Chair
Object type: side chair
Date: 1760 – 1790
Materials: wood
Culture: american
Location: united states

These chairs, from an original set of twelve, along with a settee (39.184.2) and a card table (39.184.12), descended en suite in the Verplanck family. Queen Anne features—the heavy walnut frame, balloon-shaped seat, and absence of Rococo carving—suggest that the set was made for Samuel Verplanck shortly after his return from Holland in 1763 with his bride, Judith Crommelin.
Wien I. - K. k Hofoper
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1930
Materials: cardboard
Techniques: photograph
Location: vienna
Artist: Anonymous
Subjects: opera house
A Dance in the Country
Object type: painting
Date: 1755 – 1755
Materials: canvas, oil
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Subjects: costumes,men,women,dancing,actors

Unlike his father, the younger Tiepolo did not pursue complex allegorical schemes, but expressed his artistic personality most strongly through idealized depictions of contemporary life. This country dance combines figures dressed fashionably and in the archetypal costumes of the Italian comedy, including the jaunty figure of Mezzetin at center and the masked, hatted character of Punchinello, or Punch, who was a favorite of the artist. Though the mood is very different from the elder Tiepolo’s paintings, similarly unexpected and playful tricks of composition and dramatic foreshortening appear here, such as the chair turned away at right and Mezzetin’s incredible pose: raised on one leg with his elbow pointed toward the viewer.
Illustration from Margarita philosophica, plate 35 from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Techniques: woodcut
Location: germany
Artist: Anonymous
Artist nationality: german
Artist dates: 1500 – 1599
Etruskische vaas gedecoreerd met vrouwen en dieren
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: horse, container of stone: stone vase, italy
Inscriptions: number: ‘N 4464’, collector's mark: Lugt 3937
Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808)
Object type: miquelet gun
Materials: gold, silver, steel, wood
Culture: spanish
Location: spain
Artist: antonio guisasola
Artist role: barrelsmith
Artist nationality: spanish
Artist dates: 1796 – 1833

The Spanish inscription on the barrel of this fowling piece translates, "Gift to His Majesty the King, Don Carlos 4, [in] the Year 1796." The gun probably was presented to Charles IV (reigned 1788–1808) by the two gunmakers from Eibar, an important center of arms production in the Basque provinces.
Twee mannen naast een kerk, met op de achtergrond een begraafplaats
Object type: photomechanical print
Date: 1900 – 1901
Materials: paper
Techniques: photoaquatint
Location: halle an der saale
Artist: otto scharf
Artist role: fotograaf
Subjects: adult man, church (exterior), churchyard, cemetery

Prent op tweede ongenummerde pagina na pagina 68.
Hoorn. Molens aan de Westerdijk
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: hoorn
Subjects: landscapes in the temperate zone, windmill in landscape, dikes, levee, hoorn (north holland)
Portret van een onbekende vrouw op een sokkel
Object type: photomechanical print
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: chest, bust
Inscriptions: number: ‘Fig. 126.’, name: ‘Barthélemy.’

Prent is opgenomen onder het kopje: Le Photobuste.
Ruitertafereel op Koninklijke Houtvesterij Het Loo: ruiter staand naast een paard
Object type: album leaf
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, hunting, chase, hunting-ground

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
Holly Leaves
Object type: drawing
Date: 1801 – 1900
Materials: watercolor
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: leaves
Sketches: Profile Heads, Coins or Medals (recto); Trees (verso)
Object type: drawing and watercolor
Date: 1885 – 1885
Materials: graphite, paper, paint, watercolor
Location: france
Artist: henri cros
Artist nationality: french
Artist dates: 1840 – 1907
Stoof, rond, met tweeentwintig gaten in de bovenzijde
Object type: voetstoof, stoof
Date: 1800 – 1899
Materials: wood
Location: netherlands
Artist: Anonymous

Stoof, rond, van massief esdoornhout met rondom vier keer negen gaten en bovenin tweeentwintig gaten ingeboord; hengsel van koperdraad.
Moord te Maastricht, 1576
Object type: album leaf
Date: 1576 – 1578
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: massacre ~ war, maastricht

Moord en plundering door Spaanse soldaten te Maastricht, 20 oktober 1576. Langs de oever van de Maas doden Spaanse soldaten inwoners van de stad, in de rookwolken van brandende gebouwen. Met onderschrift van 16 regels in het Duits. Genummerd: 4.
Au clair de la lune
Object type: print
Date: 1967 – 1967
Materials: paper, watercolor
Techniques: brush, etching
Location: amsterdam
Artist: pieter holstein
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1934 – 
Inscriptions: signature: ‘p. holstein’, title: ‘AU CLAIR DE LA LUNE’, edition: ‘15/20’

Gele cirkel (maan) en links een geopende mond met tanden en een tandenborstel.
Sailors on Horseback
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,horses

Three sailors ride away from the seashore, and all are having difficulties. A fourth is on his hands and knees at extreme left, and looks up to say: "Mind what you are at Messmates for I am upset, and the frigate I came on board of—has been under weigh, without me this half hour." The rider at the front clasps his rearing horse around the neck, and looks back to say: "Keep more to the Star-board and be D—d, to you—dont you see how you make my vessel, run a head." The next man is tied to his horse with heavy ropes, and he says: "Here I come my Hearty's —Right and tight,—smart sailing, but never mind that—I cant be cast away for my commander, Heavens bless him has lash'd me to the deck, with some tough Old Cables!" The last sailor's horse kicks with tail erect, and he exclaims: "D—n me—how she heaves. Why this is worse than a Jolly Boat, in the Bay of Biscay. and what a D—d noise she makes in her poop—Signals for sailing I suppose."
Zittende oude vrouw aan een tafel te Artis, op de rug gezien
Object type: drawing
Date: 1908 – 1918
Materials: paper, pencil
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Inscriptions: date: ‘Aug. 1918’
Hollands landschap met boerderij en weiland
Object type: print
Date: 1926 – 1926
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: cattle, fence, wall, paling, farm or solitary house in landscape, holland
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 5i, collector's mark: Lugt 2760

Een boerderij met hooischuur. Op de voorgrond bomen en een weiland dat wordt begrensd door een hek. Er bevinden zich vier schapen en een ezel op het weiland.
Slag bij Lepanto (Maria-Overwinning), Heilige Simeon Senex van Jeruzalem, Heilige Pelagia van Antiochië, Heilige Reparata van Caesarea en Heilige Benedicta van Laon (7-8 oktober)
Object type: print
Date: 1632 – 1636
Materials: paper
Techniques: etching
Location: paris
Subjects: battle, female saints (with name), simeon christophorus (the just, the grey); possible attributes: the infant christ in his arms, navy
Inscriptions: collector's mark: Lugt 240

Blad met vier ovale voorstellingen, elk met opschrift en datum in het Latijn: linksboven de zeeslag bij Lepanto, rechtsboven de Heilige Simeon met het Christuskind op de arm, linksonder de Heilige Pelagia van Antiochië geknield voor de kleding en sieraden die ze afgelegd heeft, rechtsonder de Heilige Reparata van Caesarea die gemarteld wordt met vloeibaar lood en de Heilige Benedicta van Laon die gegeseld wordt. Deze prent is onderdeel van een serie prenten met voorstellingen van de heiligen en de christelijke feestdagen van het jaar. Er zijn steeds vier scènes van één plaat op één blad gedrukt. Inclusief bijbehorend titelblad en frontispice gaat het in totaal om 124 platen (490 voorstellingen). De drie platen met de laatste 12 scènes (de veranderlijke christelijke feestdagen) zijn in de derde staat versneden tot 12 kleine plaatjes, en met een apart titelblad uitgegeven.
Straatgezicht
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: street
De bruid te midden van musicerende maagden
Object type: print
Date: 1574 – 1574
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: making music; musician with instrument, symbolic representations, allegories and emblems ~ science, 'scientia'; 'scienza', 'studio' (ripa), virginity (+ variant), bride (in wedding-dress)
Inscriptions: collector's mark: Lugt 2228

De bruid (Sponsa) wordt omarmd door Wetenschap (Scientia). Ze worden omringd door musicerende maagden. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.
Stone Animal Mace Head
Object type: mace head
Date: 1 – 500
Materials: stone
Culture: guanacaste-nicoya
Location: costa rica
Gezicht over het water op het kasteel van Montjuïc in Barcelona
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: barcelona
Subjects: harbour, castle
Inscriptions: number: ‘-9-’
Descent into Limbo
Object type: print
Date: 1475 – 1480
Materials: ink, paper
Techniques: engraving
Location: italy
Artist: workshop of andrea mantegna

In this deeply engraved, drawinglike print, Christ strides over the demolished gates of hell, carrying a victory standard. On the right, Adam and Eve are seen with their righteous son Abel, while Cain has been left in hell for murdering his brother. The demons that represent the torments of hell herald Christ’s arrival. These devils, with their scales and reptilian tails, resemble dragons, and have elflike ears. They seem to be flying, one of them distractedly doing acrobatic tricks instead of blowing his horn.
Sherd
Object type: sherd
Materials: ceramic
Location: mesopotamia
Gezicht op Brussel
Object type: print
Date: 1802 – 1861
Materials: paper
Techniques: lithograph
Subjects: city-view, and landscape with man-made constructions, brussels
Inscriptions: collector's mark: Lugt 2233
Terracotta squat lekythos (oil flask)
Object type: squat lekythos
Date: 420 – 420
Materials: terracotta
Culture: greek, attic
Artist: washing painter
Artist role: artist
Subjects: birds,women,eros

Woman and Eros. The representation may not be as simple as it appears. The seated lady faces Eros, who replaces a servant in holding a casket. The casket would normally be thought to contain jewelry and small personal items, but in the hands of Eros the contents may be less banal. Noteworthy also is the juxtaposition of the bird and Eros. While the bird may be merely a pet, it is given prominence and therefore invites comparison with the winged youth.
Fragment
Object type: textile
Date: 1701 – 1800
Location: france
Hon. Mike Walsh
Object type: print
Date: 1843 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: new york (city), politician, historical persons, politician, e.g. party leader
View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Views of Rome
Object type: print
Date: 1750 – 1759
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Card table
Object type: card table
Date: 1725 – 1725
Materials: wood
Techniques: veneering
Piece
Object type: piece
Date: 1700 – 1700
Materials: silk
Moeder met baby in de armen
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: constant aimé marie cap
Artist role: print maker
Artist dates: 1842 – 1915
Subjects: mother and baby or young child
Inscriptions: collector's mark: Lugt 2228
S. Maria in Domnica, portico, plan; details, profile (recto) blank (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Male attendant
Object type: figure
Date: 601 – 800
Materials: earthenware
Culture: chinese
Subjects: human figures

This figure and the others from the same ensemble (28.106.1-9) resemble the group of musicians and dancers excavated from the Tang dynasty Cen family tomb in Mengjin, Luoyang, Henan province.
Virgin, Saint Anne & Saint Joachim
Object type: relief
Date: 1401 – 1500
Materials: alabaster, paint
Techniques: gilding
Culture: british
Location: england
Artist: school of nottingham
Artist role: artist
Artist nationality: british
Subjects: saint anne
Handkerchief
Object type: handkerchief
Date: 1830 – 1860
Materials: silk
Culture: american
Gevel van een dubbelwoonhuis aan de Oudezijds Voorburgwal te Amsterdam
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: exterior ~ architectural design or model
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vingboons, Philips. Tweede deel van de afbeeldsels der voornaemste gebovwen, uyt alle die Philips Vingboons geordineert heeft. Amsterdam: Philips Vingboons en Joan Blaeu, 1674.
Prent ook gebruikt in: Vingboons, Philips. De gronden afbeeldingen en beschryvingen der aldervoornaamste en aldernieuwste gebouwen uyt alle die door Philippus Vingboons, binnen Amsterdam (...) en elders geordonneerd zyn. Leiden: Pieter van der Aa(I), 1715.
Mustard Pot with Stand
Object type: ceramic
Date: 1754 – 1760
Materials: ceramic, earthenware
Techniques: glazing
Location: strasbourg
Inscriptions: Mark: "PH" in blue
Right shoulder and chest with Aten cartouches
Object type: right chest and shoulder, aten cartouch
Date: 1353 – 1336
Location: egypt
Ex libris van P. Flürscheim
Object type: print
Date: 1906 – 1945
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: necklace
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

In het midden een open hand met daarin een ketting met een hart eraan.
Vrouw met een spinrokken en twee kinderen
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving, intaglio
Location: vatican city
Artist: adamo scultori
Artist role: painter, print maker, sculptor
Artist dates: 1530 – 1585
Subjects: distaff, mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie bestaande uit een titelprent en 72 prenten naar schilderingen door Michelangelo in de Sixtijnse Kapel in het Vaticaan.
Winterlandschap met watermolen
Object type: print
Date: 1854 – 1883
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: aristide de biseau
Artist role: print maker
Artist dates: 1844 – 1883
Subjects: watermill in landscape
Inscriptions: annotation: ‘5eme Etat 1ere Epreuve’
Design for a Small Hollow-topped Table
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: tables