deem-data/ArtiFact huggingface dataset:
Strook katoen met kantborduurwerk met margrieten tussen gevederde s-vormige bladeren
Object type: strip
Date: 1860 – 1880
Materials: cotton
Techniques: weave, embroidery
Location: amsterdam
Artist: c.i. bosch reitz-teding van berkhout
Artist role: kantwerkster

Strook naturelkleurig katoen met kantborduurwerk: Engels borduurwerk. Het patroon heeft schuine, gevederde S-bladeren tussen twee margrieten, waarvan een in elke schulp hangt.
Blad met scènes rond de geboorte van Christus
Object type: brocade paper
Date: 1750 – 1800
Materials: gold leaf, paint, paper
Techniques: relief print
Subjects: birth and youth of christ
Inscriptions: collector's mark: Lugt 2228

Blad met scènes rond de geboorte van Christus. Middenboven de Engel der Verkondiging, linksboven de vlucht naar Egypte, rechtsboven runderen, linksonder staande herder met schapen, rechtsonder knielende herders.
Boerderij en een wassende vrouw
Object type: drawing
Date: 1830 – 1879
Materials: paint, paper
Techniques: brush
Artist: jacob jan van der maaten
Artist role: draughtsman, print maker
Artist dates: 1820 – 1879
Subjects: farm (building)

Boerderij tussen bomen en wassende vrouw bij het water.
Pair of casters
Object type: caster
Date: 1701 – 1800
Materials: pewter
Tak met bloemen
Object type: print
Date: 1811 – 1849
Materials: paper
Techniques: lithograph
Location: haarlem
Artist: maria geertruida de goeje-barbiers
Artist role: print maker
Artist dates: 1801 – 1879
Subjects: cut flowers; nosegay, bunch of flowers
Inscriptions: inscription: ‘voxia / klokjes donkerrood / het binnenste geel / bladen blauwachtig groen’, collector's mark: Lugt 2228
Gezicht op de stad Bazel
Object type: opticaprent
Date: 1700 – 1799
Materials: cardboard, paint, paper, watercolor
Techniques: brush, cutting, etching, perforating
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), sailing-ship, sailing-boat, church (exterior), city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2233

In het midden een brug over de rivier de Rijn. Rechts de Munster van Bazel.
Synal Chaen (Zeynal Khan Shamlu), Persian Ambassador in Prague
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: belgium
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Inscriptions: Lettered around the oval frame: "Synal Chaen serenissimus princeps in Persia. Magni Sophi regis Persarum Augustum Caesarem Rudolphum II. Legatus"; and below image: "cum privil. S. Cae. M.tis anno M D C IIII." and two lines of text in Arabic script.
Twee landschappen met gebouwen
Object type: print
Date: 1707 – 1707
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: landscapes in the temperate zone (+ landscape with figures, staffage), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Twee landschappen. Boven een landschap met een gebouw en een man leunend op een stok. Onder een landschap met links een man bij een monumentale tuinvaas en rechts een gebouw. Rechtsboven genummerd: 334.
Portret van een onbekende man
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: africans
Inscriptions: annotation: ‘3me état’, collector's mark: Lugt 2228
De Loosduinsche Vaart
Object type: photomechanical print
Materials: paper
Techniques: rotogravure
Location: leiden
Artist: Anonymous
Subjects: canal, bridge

Deze prent maakt deel uit van een album.
Concho Belt
Object type: costume and accessory
Date: 1880 – 1895
Materials: leather, silver
Culture: navajo, diné
Location: arizona
Subjects: jewelry, geometric, silver (color), status

During the 1860s and early 1870s, Navajos (Diné) learned silversmithing from Hispanic artisans in New Mexico, and Plains Indian craftsmen whose own metalwork stemmed from Colonial sources in the eastern United States. Mexican pesos, U.S. American dollars, and ingot silver were melted down and recast in molds carved from soft volcanic tufa. Navajo silversmiths employed steel tools and punches to develop decorative patterns. Early concho belts, bow guards, bracelets, necklaces, horse headstalls, and other items of silver jewelry display massive forms and simple ornamentation. By the 1890s turquoise was increasingly used; although most turquoise was obtained from Southwestern sources, some was imported from China and Iran. Navajo silversmiths rapidly established a distinctive elegant style that has become one of the classic hallmarks of Native American art in the greater Southwest. Today, Navajo jewelry, like that of their neighboring Pueblo neighbors, exhibit much greater complexity of design and the use of diverse semiprecious stones, shell, and a variety of metals.
Christus en de apostelen
Object type: print
Date: 1508 – 1512
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword
Inscriptions: collector's mark: Lugt 11
Koeien bij de Bergweg
Object type: sketchbook leaf
Date: 1810 – 1874
Materials: ink, paper, pencil
Techniques: pen
Location: rotterdam
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: cow
Inscriptions: date and inscription: ‘zonnig/ Bergweg 10. oct.74’

Blad 32 recto uit een schetsboek met 46 bladen.
Portret van de dichter en boekdrukker Willem Josephus van Zeggelen
Object type: print
Date: 1848 – 1885
Materials: paper
Techniques: aquatint, etching, engraving
Location: amsterdam
Subjects: the hague
Inscriptions: collector's mark: Lugt 2228
Naval Battle, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: battles,soldiers,male nudes,boats

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 123 in the scrapbook.
Coverlet
Object type: textile
Date: 1833 – 1833
Materials: textile, cotton, wool
Techniques: weave
Location: new york
Subjects: geometric, geometric motif, coverlet
Inscriptions: Inscription: Eunice Buck 1833
Stadsgezicht, mogelijk Kampen
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: city-view, and landscape with man-made constructions, river, windmill in landscape
Inscriptions: kleurnotitie, handgeschreven

Stadsgezicht, mogelijk Kampen. Vooraan een rivier. In het midden een molen. Rechts een figuur bij een gebouw. Blad 4 recto uit een schetsboek met 52 bladen vervaardigd in de omgeving van Kampen, Hattem, Hoorn en Zwolle.
First View of the Surroundings of Naples
Object type: print
Date: 1776 – 1776
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Drie schapen bij een steen
Object type: print
Date: 1655 – 1690
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sheep
Inscriptions: collector's mark: Lugt 240
Design for a Soup Tureen with Pig on Top
Object type: drawing
Date: 1801 – 1900
Materials: ink, paper
Techniques: pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: pigs,tureens
Javanen en een koopman te Bantam, 1596
Object type: print
Date: 1597 – 1598
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie eerst in: Willem Lodewijcksz, D'eerste boeck. Historie van Indien, waer inne verhaelt is de avontueren die de Hollandtsche schepen bejeghent zijn, Cornelis Claes, Amsterdam 1598. In deze opgewerkte staat gebruikt in: De Eerste Schipvaerd der Hollandsche Natie naer Oost-Indien, waer inne verhaelt wordt al wat haer sonderlings onder wegen bejegent is ... ghetrocken uyt verscheyden Iournalen ofte dagh-registers daer van ghemaeckt, zeer vermaeckelijck ende nut om lesen. Opgenomen in: I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: 25.
Sint-bernard
Object type: page
Date: 1883 – 1888
Materials: paper
Techniques: photograph
Location: new york city
Subjects: dog (st.bernard)

Prent tegenover pagina 279, achter semi-transparante omslag.
Gezicht op het Josefsplatz in Wenen met ruiterstandbeeld van Jozef II door Franz Anton Zauner
Object type: photograph
Date: 1875 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: vienna
Subjects: jozef ii (duits keizer), equestrian statue
Berlin Weltstadtleben
Object type: photograph
Date: 1905 – 1930
Materials: photographic support
Techniques: photography
Location: berlin
Artist: p. hagelberg
Artist role: fotograaf
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, princess, city-gate
Miss Sadler in Colors of Atlantic Yacht Club, from the Yacht Colors of the World series (N140) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,flags

Trade cards from the "Yacht Colors of the World" series (N140), issued in an unnumbered set of 50 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The same set was released by Duke in a smaller size, as well (N91).
Zittend paar
Object type: print
Date: 1938 – 1938
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: other birds: dove, couple of lovers, dog
Inscriptions: collector's mark: Lugt 2228

Illustratie voor een uitgave van een onbekend toneelstuk. Deze prent is waarschijnlijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Collar for Robe of State
Object type: collar
Date: 1701 – 1900
Materials: gold, silk
Culture: chinese
Subjects: dragons
La douleur maternelle
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: army 'en route', mother with son(s) (mother-love), mourning the dead, violent death by firearms
Inscriptions: collector's mark: Lugt 2228a

Naast de gewonde tamboer ligt zijn trommel. Het bloed stroomt uit zijn borst op de plek waar zijn moeder haar linkerhand houdt. De jongere zoon pakt zijn moeder bij de arm.
Scholar's rock
Object type: scholar's rock
Date: 1644 – 1911
Materials: limestone, wood
Culture: chinese
Design for 4 seat Phaeton, no top, no. 3069a
Object type: drawing
Date: 1874 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, fronds of a palm tree
De Romeinse helden
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: europe represented allegorically; 'europa' (ripa), asia represented allegorically; 'asia' (ripa), africa represented allegorically; 'africa' (ripa), romulus and remus are washed ashore and suckled by a she-wolf; 'lupa romana', rome (one of the four world empires)
Inscriptions: collector's mark: Lugt 240, signature: ‘HGoltzius inuenit sculpsit/et diuulgauit Ao. 1586./Harlemi’, caption: ‘Ecce gemelliparae...licet ore, iubent’

De godin Rome ('Roma'), gezeten op een zetel van wapens op een sokkel, in haar linkerhand een beeldje van de godin van de overwinning. Bij de sokkel staan een vrouw met een os (Europa), een vrouw met een leeuw (Azië) en een vrouw met een krokodil (Afrika). Op de voorgrond ligt de stroomgod van de Tiber en de wolvin die Romulus en Remus zoogt. Onder de voorstelling twee coupletten van acht versregels in Latijn. Titelprent voor een serie van tien prenten, bestaand uit een ongenummerde titelprent, acht genummerde voorstellingen van helden en een ongenummerde afsluitende prent.
Psyche und Venus
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: aquatint, etching
Location: nuremberg
Subjects: other scenes from the story of cupid and psyche
Inscriptions: collector's mark: Lugt 2228
Portret van een jonge vrouw met oorbellen en halsketting
Object type: carte de visite
Date: 1850 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: hastings
Artist: richard boning
Artist role: fotograaf
Artist dates: 1826 – 
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, necklace, ear-rings
Inscriptions: inscription: ‘R. BONING/ 10, VERULAM PLACE ST LEONARDS on SEA/ THIS PICTURE CAN BE ENLARGED TO/ ANY SIZE, AND A VALUABLE PAINTING/ PRODUCED ON PAPER OR CANVASS/ PRODUCED ON PAPER OR CANVASS/ THE LIKENESS CANNOT FAIL TO BE CORRECT’
Léonie Yahne in her dressing room, in L'Age Difficile
Object type: print
Date: 1895 – 1895
Materials: crayon, paper
Techniques: lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: portraits,women
Portret van John Burns
Object type: photograph
Date: 1897 – 1916
Materials: photographic support
Techniques: gelatin silver print
Location: london
Artist: ernest herbert mills
Artist role: fotograaf
Artist dates: 1874 – 1942
Subjects: politician, historical persons, politician, e.g. party leader
Teapot
Object type: ceramic
Date: 1840 – 1840
Materials: enamel, porcelain
Techniques: gilding, polychrome
Location: stoke on trent
Artist: spode pottery & porcelain factory
Artist nationality: english
Artist dates: 1767 –
Terracotta krater
Object type: krater
Date: 1150 – 1100
Materials: terracotta
Culture: cypriot
Subjects: fish

The shape and decoration of this krater are derived from Aegean models of the Mycenaean IIIC:1b period. Manufacture in Cyprus of this type of pottery may be associated with the settlement of Achaeans from the Aegean at this time. The two zones between the handles were painted over in black, which gives the false impression of bichrome decoration.
Chemise
Object type: chemise
Date: 1822 – 1822
Materials: linen
Culture: american
Marble fragmentary inscribed block
Object type: inscription, fragment
Date: 400 – 301
Materials: marble
Culture: cypriot
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of a draped male wearing a himation, leaning on a stick
Katsushika iitsu iboku Hokusai manga juyonpen
Object type: book
Date: 1878 – 1878
Materials: paper
Techniques: woodcut
Location: tokyo
Artist: katsushika hokusai
Artist role: draughtsman, print maker
Artist dates: 1760 – 1849
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937
Jacob. Georges, Gustave. 43 ans, né à Paris XVIIe. Journalier. Anarchiste. 27/2/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
A recital sheet  featuring different characters for use at social gatherings
Object type: print
Date: 1861 – 1861
Techniques: letterpress, engraving
Artist: rafael mariana
Artist role: publisher
Artist nationality: spanish
Subjects: musical instruments,men,women
Portret van Andreas Zaupser
Object type: print
Date: 1789 – 1795
Materials: paper
Techniques: stippling
Subjects: publisher, historical persons, lawyer, attorney at law, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: number: ‘81.’
Jade Bi
Object type: religious ritual object
Materials: jade
Techniques: engraving
Location: china
Hilly Landscape with Trees and a Road on the Right
Object type: drawing
Date: 1833 – 1833
Materials: chalk, ink
Techniques: brush, heightening, pen
Artist: georg heinrich busse
Artist role: artist
Artist nationality: german
Artist dates: 1810 – 1868
Subjects: roads,landscapes,trees
Twee mannen houden elkaar stevig vast
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adult man ( + one person)
Inscriptions: collector's mark: Lugt 2228
Voerman
Object type: book illustration
Date: 1547 – 1547
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: dance of death; death together with one or more human beings

Kopie van een prent van Hans Holbein de jongere uit 1538, voor het eerst gepubliceerd in: Imagines mortis (...). Lyon: Johannes Frellon, 1547.
Briefhoofd van Karel de Bazel en Mathieu Lauweriks
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: woodcut
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: den helder, amsterdam, print maker, draughtsman, karel petrus cornelis de bazel, designer, mathieu lauweriks, letter, envelope
Inscriptions: collector's mark: Lugt 2228
Gymnastiek / (2)
Object type: print
Date: 1865 – 1875
Materials: paper
Techniques: letterpress printing, lithograph
Location: haarlem
Subjects: vaulting horse (gymnastics), gymnastic exercises with apparatuses, parallel bars (gymnastics), rings (gymnastics), high-jumping (athletics, gymnastics), horizontal bar (gymnastics)
Inscriptions: collector's mark: Lugt 2760

Blad met 30 voorstellingen van jongens die sport- en gymnastiekoefeningen demonstreren. Genummerd rechtsboven: No. 94.
chromatroop
Object type: lantern slide
Date: 1700 – 1830
Materials: glass, wood
Techniques: painted
Location: france
Artist: Anonymous
Inscriptions: label: ‘'Gebrandschilderde glazen. Collectie J. I. Van der Schaaff Baarn. Nummer 64 (vier en zestig) bevattende één glas, voorstellende een draaiend klokkespel, waarachter beweegbaar glas. Het glas is defect op 13 april 1886'.’

Beweegbare toverlantaarnplaat, oorsp. een chromatroop, bestaande uit twee glaasjes met een kleurpatroon waarvan één draaibaar was, waardoor een spel van patronen en kleuren ontstond. Het bewegingsmechanisme en één van de glazen ontbreken.
Madonna and Child
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: pen, drawing
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: madonna and child

An attribution to Reynaud Levieux, a French 17th-century artist, has been suggested by Jean-Christophe Baudequin (email correspondence, 2/2/24).
Portret van J.M. Vogelsang
Object type: drawing
Date: 1876 – 1876
Materials: chalk, paper
Artist: ferdinand oldewelt
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: historical persons
Inscriptions: date