deem-data/ArtiFact huggingface dataset:
Fontein
Object type: ornament print
Date: 1561 – 1561
Materials: paper
Techniques: etching
Location: paris
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: garden fountain, piece of sculpture, reproduction of a piece of sculpture, ornamental fountain, architectural design or model

Fontein met drie vrouwenfiguren en drie putti met schelpen. Onderdeel van 'Seconde livre d'architectvre' (1561): 64 etsen met geornamenteerde architectuuronderdelen.
Portret van Balthasar Bekker
Object type: print
Date: 1675 – 1725
Materials: paper
Techniques: mezzotint
Artist: Anonymous
Subjects: balthasar bekker, historical persons
Inscriptions: collector's mark: Lugt 2228
Strook kloskant met hangende kelkbloempjes
Object type: strip
Date: 1820 – 1820
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Strook naturelkleurige kloskant: Rijselse kant. Onder een strooipatroon van vierkante moesjes bestaat het zich herhalende patroon uit een hangend kelkbloempje, aan een gebogen steeltje met drie ronde blaadjes. De kelkbloempjes zijn tegen elkaar aan geplaatst en vormen de schulpjes langs de onderzijde van de strook. De motieven zijn met elkaar verbonden door een fijne traliegrond, een tulegrond. Het volwerk in de kelkbloem is gemaakt in linnenslag, met een opengewerkte middenbaan en voorzien van dikkere en glimmende contourdraden. Het steeltje en de blaadjes zijn gemaakt met contourdraden waarbij in de blaadjes een siergrond is gebruikt. De moesjes zijn gemaakt in vormslag. De bovenzijde van de strook is recht afgewerkt. De schulpjes langs de onderzijde zijn afgewerkt met picots.
Girls Picking Green Leaves, from the illustrated book Flowers of the Four Seasons
Object type: woodblock print
Date: 1801 – 1801
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: women
Pakhuis van het Purperhoedenveem aan de Oudezijds Voorburgwal 229 naast de Agnietenkapel/Agnietenschool, Amsterdam
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, paper
Techniques: collodion silver print
Location: amsterdam
Artist: cornelis johannes steenbergh
Artist role: fotograaf
Artist dates: 1859 – 1939
Subjects: city-view, and landscape with man-made constructions
Inscriptions: stamp: ‘C. Steenbergen, Kalverstraat 219 bij de munt’
Javaanse man maakt met hamer en instrumenten een afbeelding gelijkend een menselijk gestalte
Object type: photograph
Date: 1867 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: kassian céphas
Artist role: fotograaf
Artist dates: 1845 – 1912

De man draagt een sarong met batik motief en een hoofddoek.
Mlle. Donsko, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Zes trofeeën
Object type: print
Date: 1758 – 1820
Materials: paper
Techniques: engraving, etching
Location: augsburg
Artist: johann thomas hauer
Artist role: print maker
Artist dates: 1748 – 1820
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerpen voor zes rechthoekige trofeeën. Links boven een adelaar met bliksemschichten, rechts boven een kop met druivenranken, links in het midden agrarische objecten, rechts in het midden de zon en guirlandes, links onder een fakkel en een boog, rechts onder een ovaal medaillon en guirlandes.
Portret van Senaatslid John C. Mather
Object type: photograph
Date: 1858 – 1859
Materials: photographic support
Techniques: salted paper print
Location: new york
Artist: d.t.t. davie
Artist role: publisher
Subjects: politician, e.g. party leader, upper house, senate
Inscriptions: inscription: ‘John C. Mather’
Le Duc de Nemours au siège de Constantine
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, riding a horse, ass, or mule; rider, horseman, siege, position war
Inscriptions: collector's mark: Lugt 2228

Lodewijk van Orléans, de hertog van Nemours, zit te paard tijdens het beleg van Constantine in Algerije (1837).
Two-Part Buckle with Inlaid Stones
Object type: buckle
Date: 1701 – 1900
Materials: gold, stone
Techniques: inlay
Culture: indonesian
Gezicht op de toren Swych Utrecht te Amsterdam
Object type: print
Date: 1857 – 1907
Materials: paper
Techniques: lithograph
Subjects: sailing-ship, sailing-boat, tower, clock tower ~ monumental adornment, towers ~ fortified city, water-birds: swan, rowing-boat, canoe, etc., canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Swijgt Utrecht.
Schetsblad met studies van karpers, van voren
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: fishes
Two Young Samurai
Object type: print
Date: 1680 – 1680
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Subjects: samurai,men,horses,trees
Drie zittende geisha's in een interieur
Object type: page
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: adolescent, young woman, maiden, fan, interior ~ representation of a building
Tassel Fringe
Object type: textile
Date: 1601 – 1800
Materials: silk
Location: italy
Gezicht op het landschap in de omgeving van Schaffhausen
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2228
Portret van jonge man, gevat in een contour van een boomblad
Object type: cabinet photograph
Date: 1920 – 1950
Materials: photographic support
Techniques: photography
Location: united states
Artist: Anonymous
Memorial Portraits of Ichimura Takenojo V and Unidentified Actor
Object type: print
Date: 1851 – 1851
Techniques: woodblock print
Location: japan
Artist: utagawa kunimaro i
Artist nationality: japanese
Artist dates: 1850 – 1875
Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: italy
Artist: bartolomeo passarotti
Artist role: draughtsman, painter, print maker
Artist nationality: italian
Artist dates: 1529 – 1592
Nieuwe-Kerk, Abdye Toren, Choor-Kerk
Object type: book illustration
Date: 1696 – 1728
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: church (exterior), parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent in eerste staat (rechtsboven genummerd) verschenen in: Smallegange, Mattheus. Nieuwe Cronyk van Zeeland (…). Middelburg en Amsterdam: Johannes Meertens en Abraham van Someren, 1696.

In tweede staat gemerkt Pag. Pars. VI en verschenen in:
Heussen, Hugo Franciscus van. Oudheden en gestichten van Zeeland (…). Leiden: Christiaan Vermey, 1722, dl. 1.
En in: Aa, Pieter van der. La galerie agreable du monde (...). Leiden: Pieter van der Aa, 1728, dl. 20.

Omdat de plaatrand van de prent is afgesneden is niet na te gaan om welke staat het hier gaat.
Edging and insertion
Object type: edging and insertion
Date: 1501 – 1600
Techniques: lace
Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects
Object type: album print ornament architecture
Date: 1800 – 1850
Materials: chalk, graphite, ink
Techniques: pen
Artist: charles percier
Artist role: designer
Artist nationality: french
Artist dates: 1764 – 1838
Subjects: architecture,female nudes
Arc de la Prud'homie de pêcheurs
Object type: page
Date: 1888 – 1890
Materials: paper
Techniques: photoaquatint
Location: bastia
Subjects: triumphal arch, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'
Inscriptions: inscription: ‘35 Boulevard des Capucines Paris’, inscription: ‘Bastia’
Twee vrouwen tegenover elkaar
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing), reflection (in a mirror) - aa - (for) women

Of een vrouw die zichzelf in een spiegel bekijkt. Blad 2 recto uit schetsboek XXII met 30 bladen.
Barbe
Object type: barbe
Date: 1767 – 1800
Techniques: lace
Subjects: flowers
Dijstuk links
Object type: dijbeenplaat, dijstuk
Date: 1599 – 1699
Materials: iron, leather
Techniques: forging, striking, tanning
Location: europe
Artist: Anonymous

Dijstuk links, ijzer, zwart, gearticuleerd. Aan de bovenkant van het dijkstuk een horizontaal bevestiginsgat. Het dijkstuk is aan beide zijkanten op iedere strook vastgeklonken met twee zwarte klinknagels. De knieplaat bestaat uit een brede strook welke aan de zijkant een ovale plaat heeft. Onder deze strook een driehoekige plaat met de punt naar onderen gericht. Binnenzijde is zwart geverfd. Twee stroken met leer in het midden en aan linkerzijde geklonken.
Reproductie naar een foto van Willem Witsen
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: the hague, painter, print maker, draughtsman, jan toorop
Compote
Object type: compote
Date: 1850 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Gezicht op de Korte Singel
Object type: cabinet photograph
Date: 1865 – 1940
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘13,17’ Lugt 1641b, inscription: ‘no 41 Korte Singel’

Onderwerpsrubriek binnen de Atlas Amsterdam: Oude Schans, Schoutensteeg, Singel (Korte), Singel.
Portret van Charles Séchan
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: paris, draughtsman, adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine/ 126, boul. Magenta. - Paris./ Né a Paris, le 29 juin 1803; mort a Paris, le 14 septembre 1874.’
Purse-Shaped Vinaigrette with View of Windsor Castle
Object type: metalwork
Date: 1843 – 1844
Materials: silver
Location: birmingham
Twee portretten van een onbekend echtpaar
Object type: frame
Date: 1890 – 1910
Materials: paper, glass, metal
Techniques: daylight paper print
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a double portrait
Terracotta rim fragments of skyphoi (deep drinking cups)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glaze rim fragments from skyphoi
Design for Phaeton, no. 825
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bacchanalen
Object type: print
Date: 1626 – 1647
Materials: paper
Techniques: engraving, etching
Location: chartres
Subjects: (story of) silenus, drinking
Inscriptions: collector's mark: Lugt 240
Schotel van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; bloemmotieven in vakken in Kraakporselein stijl; dubbelwandig met in punten geknepen rand
Object type: miniature
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous
Fragment of a mummy label
Object type: mummy label
Materials: pigment, wood
Location: egypt
Panel
Object type: textile
Date: 1701 – 1750
Materials: gilt, metal, silk, velvet
Techniques: cutting, treatment, weave, voiding
Location: italy
Subjects: medallions, floral arrangements
Personages uit de commedia dell'arte
Object type: print
Date: 1668 – 1707
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: types in 'commedia dell'arte'
Inscriptions: collector's mark: Lugt 2228

Drie personages uit de commedia dell'arte. Links Fricasso met een pijp en een kleine oude man als een zuigeling op zijn rug gebonden. In het midden Mezzetino met een luit. Rechts Franca Trippa die een viool bespeelt.
Ex libris van Peter Wolbrandt
Object type: bookplate
Date: 1900 – 1900
Materials: paper
Techniques: printing block
Location: germany
Subjects: peter p. wolbrandt, parts of church exterior and annexes: campanile, flowers, alpha and omega ~ symbol of god the father
Inscriptions: date
Allegorische voorstelling met een leeuw met banier
Object type: print
Date: 1627 – 1669
Materials: paper
Techniques: engraving
Location: italy
Subjects: weapons, beasts of prey, predatory animals: lion

Een leeuw staand op zijn achterpoten met in zijn rechter voorpoot een banier. Met zijn achterpoten vertrapt hij wapens. Op de achtergrond schepen in gevecht. De prent maakt deel uit van een album.
Coin Depicting the Hero Herakles
Object type: coin
Date: 336 – 323
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece

The front (obverse) of this coin depicts the hero Hercules, facing right, wearing his signature lion skin cloak tied around his neck. The back (reverse) shows a bow in case and a club.

Herakles was the consummate hero. Temples across Greece and South Italy were dedicated to him, the son of Zeus, and Romans, who knew him as Hercules, celebrated him as a role model. With brute force, determination, and just enough cleverness, Herakles completed his famous Twelve Labors to become immortal. Herakles is readily identifiable by his knobby club and lion’s skin. The latter refers to his First Labor, in which he killed a magical beast who was ravaging the town of Nemea. The lion’s invincible hide made him immune to weapons, so Herakles strangled him and took his pelt.
Ecce Homo
Object type: plaquette
Date: 1600 – 1600
Materials: bronze, patina
Subjects: christ
Bee-shaped ornament
Object type: ornament
Date: 918 – 1392
Materials: gold
Culture: korean
Subjects: bees
Medal:  Niccolo Puzzolo
Object type: medal
Materials: lead
Culture: italian
Subjects: buildings,men,profiles

On the obverse is a portrait of Niccolo Puzzolo, whose dates and identity remain uncertain. Most unusually, he is portrayed with a bare chest. The reverse bears an image of a fortress of Novi, presumably that in Novi Ligure in the Italian region of Piedmont. The fine cast is from the sixteenth century.
Actor Ichikawa Monnosuke II as Mori no Rammaru in “Muromacho Chronicle in Kana Script” (“Kanagaki Muromachi bundan”)
Object type: print
Date: 1791 – 1791
Techniques: woodblock print
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 440 – 430
Materials: terracotta
Culture: greek, attic

On the neck, pendant, linked lotus buds with dots in the interstices; below, at the shoulder, a band of tongues; head and part of upper torso of a draped youth to left, with his bent right arm, raised; at the right, the panel ornament is comprised of a vertical line between dots; two handle attachments are preserved
Purse
Object type: purse
Date: 1776 – 1800
Materials: paper, silk
Culture: american
Subjects: flowers
Landschappen met schaapsherders
Object type: print
Date: 1648 – 1705
Materials: paper
Techniques: etching
Location: france
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., the (nude) human figure; 'corpo humano' (ripa) (+ caressing, courting, making love)
Inscriptions: collector's mark: Lugt 240
De aanval op den molen
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: monogrammist g.j.
Artist role: print maker
Subjects: ranks in the army, the soldier; the soldier's life, windmill, rodents: rabbit
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over Hannibal van Hazenburg die met zijn manschappen een verlaten molen inneemt. In de molen vinden de mannen twintig konijnen en eten deze op. Voor zijn zogenaamde heldendaden (de dood van twintig) ontvangt Van Hazenburg de graad van kapitein. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 338.
Barasinghahert
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: lithograph
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: hoofed animals: deer
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: De nieuwe Amsterdammer. Onafhankelijk Nederlandsch weekblad. Amsterdam: Maatschappij voor Goede en Goedkope Lectuur, 24 juni 1916.
Saucer with flowers
Object type: platter
Date: 1913 – 1913
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: berlin
Inscriptions: mark: ‘scepter/ rode rijksappel met K.P.M/ N(1913)/ I’

Schotel van porselein met veelkleurig strooibloempatroon. Deel van een serie van acht koppen en schotels. Gemerkt: drie schotels met de scepter, vier met de scepter en cirkelvormig stempel en één met de scepter en KPM, alles in onderglazuur blauw; alle schotels hebben de rijksappel met KPM in rood: ingegrift: cijfer 3 met cijfer 1 eronder, of de letter N met een 1 eronder en één maal de letter A (?) met een 1 eronder.
Chiyoda Castle (Album of Women)
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: women,waterfalls,trees
Portret van Willem IV, prins van Oranje-Nassau
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: the hague, willem iv (prins van oranje-nassau), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Clemens XIV. P.M.
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: pope
Inscriptions: collector's mark: Lugt 2228

Paus Clemens XIV gehuld in pauselijk gewaad, het hoofd getooid met een camauro, zittend in een leunstoel. Met zijn rechterhand maakt hij een zegenend gebaar. Rechts op de achtergrond hangt het wapenschild van Clemens XIV aan een pilaar. Onder de voorstelling staat een zesregelige tekst in het Nederlands.
Glass bottle shaped like a bunch of grapes
Object type: bottle with stylized grape cluster
Date: 101 – 300
Materials: glass
Culture: roman
Subjects: grapes

Translucent blue green, with same color handle. Rim folded out, down, round, and in; flaring mouth; misshapen cylindrical neck with concave sides; lentoid body; round bottom; rod handle attached to edge of shoulder in a pad, drawn up vertically, turned in, and folded onto underside of mouth and rim. Raised mold mark visible only at base of neck on one side, but one continuous mold seam must run around body. Body molded into the shape of a tri-lobed bunch of grapes with a single, large, five-pointed grape leaf hanging over grapes on each side. One third of rim and one handle missing, with hole in shoulder where it was once attached; some bubbles; dulling, thick ring of encrustation around bottom on exterior, soil encrustation, weathering, and brilliant iridescence on interior.
Ex libris van W.A.V.S.
Object type: bookplate
Date: 1765 – 1817
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: the hague, politician, beasts of prey, predatory animals: bear, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Portret van Christine Elisabeth van Münchhausen
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: kassel
Artist: christian albrecht wortmann
Artist role: print maker
Artist dates: 1680 – 1760
Subjects: historical persons, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228