deem-data/ArtiFact huggingface dataset:
Chessmen (30) and board and box
Object type: chessman and box board
Date: 1701 – 1900
Materials: ivory, wood
Subjects: chess

The red and blue color of the characters is usual in Chinese ivory sets. In the cheaper wooden ones they are yellow and brownish black. The pieces represent: general, counselors, elephants, assistants, horses, chariots, cannons and catapults, and foot soldiers. They are placed on the intersections of the lines, and between the two sides of the board is a space called (Yellow) River. Thus there are ninety places, instead of sixty-four as in the Western game. The substitution of simple disks with the names upon them can be considered the final change from figural chessmen, such as once were used in China, to conventional pieces. The two characters near the hinges on the inside of the board signify together "River area" or "river territory." The characters on the exterior signify "article of leisure time" or "of recreation" (leftward of the two vertical legends) and "not to be lent" (horizontal legend). other vertical legend consists of proper names, not readable, possibly a club, shop or other resort where object might have been available for communal use.
Koperplaat met het profiel van de rivier de Linge
Object type: copper plate
Materials: copper
Techniques: engraving
Location: the hague
Subjects: linge
Portret van Michael Bahz
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Subjects: bookshelves, historical persons, wig
Inscriptions: collector's mark: Lugt 2228
Kriegsbilder aus dem Jahre 1870
Object type: carte de visite
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: the defeated before the victor
Inscriptions: number: ‘199’
Gezicht op Genève, met op de voorgrond de Pont du Mont-Blanc
Object type: stereograph
Date: 1879 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: geneva
Artist: florentin charnaux
Artist role: publisher
Artist dates: 1819 – 1883
Subjects: city-view in general; 'veduta', bridge
Inscriptions: inscription: ‘No 1.’, inscription: ‘Suisse et Savoie’, annotation: ‘Paris 1870 Lyon 1872 Vienne 1873 Philadelphia 1876 Paris 1878 Paris 1879 Maison des Trois Rois - F. Charnaux Genève.’
Desolaten Inventaris van de Franse Wracken
Object type: print
Date: 1692 – 1692
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: jacobus ii (koning van engeland en schotland), lodewijk xiv (koning van frankrijk), political caricatures and satires

Spotprent op de Franse nederlaag in de Slag bij Kaap la Hogue waarbij de Fransen onder admiraal de Tourville werden verslagen door de gecombineerde vloot van Engeland en Holland onder de admiralen Russel en Almonde, 29 mei t/m 3 juni 1692. Jacobus II komt als koerier op een ezel aangesneld met het nieuws van de Franse nederlaag. Links laat de victorieuse Engelsman (admiraal Russel?) zich de hand kussen, achter hem de Hollandse Matroos. Op de grond een verbrijzeld reliëf van de zonnegod. Bovenaan een lijst van de verloren geraakte Franse schepen. Bij de prent een los tekstblad met een spotvers met een toelichting op de letters A-O in 2 kolommen in het Nederlands.
Courtesan with Branch of Plum Blossoms
Object type: woodblock print
Date: 1835 – 1835
Materials: ink, paper
Techniques: woodblock print, surimono
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: animals,women,flowers

A high-ranking courtesan is shown preparing a flower arrangement from a bough of cherry blossoms, a symbol of the arrival of New Year and spring in the lunar calendar. She gazes back to admire a hanging scroll painting of a goat in the alcove, indicating that his surimono (privately published woodblock print) was created to celebrate spring of the year of the goat—1835 in this case. The obi sash, embossed with a fan emblem of the poetry group that printed this, appears to be printed in Prussian blue, a pigment that was used extensively in woodblock prints from around 1829 onwards. Three kyōka (31-syllable witty verse) on vernal themes accompany the image. The poem on the left, the position of honor, is by the kyōka master Yayoian Hinamaru II. The print is signed “Aoigaoka rōjin,” or “Old Man Aoigaoka.” Though at first we thought that this might refer to Aoigaoka Keisai, a pupil of Totoya Hokkei, who also used this name, research shows that this must refer to the master not the pupil. Hokkei’s gō (style name) was Aoigaoka, and in 1836 used this signature on another print, Furthermore, his gravestone is engraved with his name as “Aoigaoka Rōjin Hokkei kun no haka” (The Tomb of Master Hokkei, Old Man Aoigaoka).
Figuren in de krater van een vulkaan
Object type: print
Date: 1776 – 1851
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: volcano
Inscriptions: collector's mark: Lugt 2228
Geitenhoeder met zijn kudde in de bergen
Object type: print
Date: 1890 – 1938
Materials: paper
Techniques: lithograph
Location: germany
Artist: ernst ludwig kirchner
Artist role: print maker
Artist dates: 1880 – 1938
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., goat, mountains
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Verwoesting in Delft na de ontploffing van het buskruitmagazijn op 12 oktober 1654
Object type: book illustration
Date: 1754 – 1754
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ruin of a dwelling, house, castle, etc., gunpowder disaster, delft
Inscriptions: collector's mark: Lugt 2228

Prent uit: Wagenaar, Jan. Vaderlandsche Historie (...). Amsterdam: Isaak Tirion, 1755, dl. 12, p. 434-435.
Roncone
Object type: roncone
Date: 1500 – 1500
Materials: steel, wood
Culture: italian
Location: italy

The extraordinarily large head of the bill consists of a long, double-edged thrusting blade emerging from a body, which has on one side a cutting edge changing into a strongly curved hook, and on its back a sharp spike standing out at right angles. Two short spikes at the base of the blade serve as a guard. A simple ornament of dots and crescent lines is stamped along the back. The bill is a weapon developed from an agricultural tool, the pruning hook, with which a farmer would lop off unwanted branches on his fruit tress. It was particularly popular in western European countries, where it was one of the equivalents of the halberd in central Europe. In England the call to arms was "Bills and Bows," for spearmen and archers. It seems to have been one of the few types of polearms that the Spanish conquistadores and the early English colonists used in the New World.
Gezicht op de Sint-Hippolytuskerk te Middelstum
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: middelstum
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Middelstum’, annotation: ‘N.H. kerk te Middelstum’
Terracotta lebes gamikos (jar) and lid
Object type: lebes gamikos and lid
Date: 234 – 201
Materials: terracotta
Culture: greek, cretan or ptolemaic

The decorative motifs on this lebes gamikos are similar to those painted on the so-called Hadra hydriai, examples of which are on display in this case. Like the hydriai, lebetes gamikoi have also been discovered in Alexandrian cemetaries, in particular the necropolis at Sciatbi, which has yielded several vases of this shape, presently in the collection of the Alexandria Museum.
Five boys and a satyr
Object type: print
Date: 1625 – 1677
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: boys,satyrs

Five boys dance about the boy satyr seated at right
Portret van een man en vrouw
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: j. oliver (fotograaf)
Artist role: fotograaf
Subjects: sitting figure, adult woman, adult man, historical persons
Inscriptions: inscription: ‘J. Oliver/ Town-Hall/ Sowerby Bridge’
Man en vrouw, zittend aan de waterkant
Object type: stereoscopic photograph
Date: 1907 – 1935
Materials: glass
Techniques: autochrome process
Location: switzerland
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Subjects: trees, adult woman, adult man, lake, switzerland
Fotoreproductie van een portret van een man, aangeduid als Dumont
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons
Inscriptions: inscription: ‘Figaro-Album/ Dumont/ Liébert Phot.’
Gezicht op de Herengracht, gezien vanaf de Vijzelstraat naar de Leidsestraat
Object type: drawing
Date: 1666 – 1703
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: jan van call (i)
Artist role: draughtsman, print maker
Artist dates: 1656 – 1706
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., street
Inscriptions: inscription: ‘Heeregragt van de Vijzelstraat na 't Koningsplein’, collector's mark: ‘8’ Lugt 1641b, inscription: ‘Port. 8’

Onderwerpsrubriek binnen de Atlas Amsterdam: Haarlemmerplein, Halvemaansteeg, Handboogstraat, Handelskade, Haringpakkerij, Hartenstraat, Hasseltsteeg (Dirk van), Heerengracht.
Staande man wijst naar zijn arm
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching, hand coloring
Artist: Anonymous
Subjects: standing figure (+ sideview, profile), head-gear: tricorn, coat, historical costume
Inscriptions: stamp, collector's mark: Lugt 1641a, collector's mark: Lugt 1641

Bovenaan genummerd: 24. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De 18de eeuw (de pruikentijd). Mannen en vrouwen.
Vase
Object type: vase
Date: 670 – 330
Materials: terracotta
Culture: roman

Brown spindle-shaped vase with white bands; unglazed.
Glass cameo cup fragment
Object type: cameo, cup fragment
Date: 1 – 33
Materials: glass
Culture: roman
Subjects: heads

Translucent cobalt blue with overlays in opaque white and translucent dark blue. Vertical rim with everted lip and beveled inner edge; cylindrical body with slightly convex curving side. On interior, horizontal groove below rim; on exterior, in relief female figure in white, probably standing, facing left and holding up in front of her in both hands a large oval object, perhaps a drum or tambourine; her head is in profile with her hair in blue overlay arranged in a fringe and thick hanging tresses at back; on the left are the tips of two leafy sprays or branches. Rim fragment with chip at left, broken at sides and bottom; dulling, slight pitting, whitish weathering on exterior, and faint iridescence. Rotary grinding marks on interior.
Porcelain Sale
Object type: print
Date: 1690 – 1713
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: asiatic races and peoples
Inscriptions: collector's mark: Lugt 2228

A topless man and woman lean over, evaluating a sea of Chinese porcelain. To meet the demand of ceramics in the Dutch Republic, the Dutch East India Company traded porcelain across an expansive network along the Indian Ocean Basin to the North Sea. Similar objects to those depicted in this print can be seen in the adjoining room.
Medaillon met portret van Napoleon Bonaparte
Object type: print
Date: 1807 – 1861
Materials: paper
Techniques: relief engraving
Location: london
Subjects: napoleon i (emperor of the french), historical persons, medal (considered as a piece of sculpture, regardless of its specific function), emperor
Inscriptions: collector's mark: Lugt 2228
Nacht
Object type: print
Date: 1603 – 1641
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: full moon, torch, night ~ landscape (sometimes titled 'nox'), night
Inscriptions: collector's mark: Lugt 964

Gezicht op het Buitenhof in Den Haag bij nacht. Rechtsvoor een gezelschap met fakkels. Prent uit een serie van vier.
Gezicht op een kasteel of buitenplaats
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: gate, entrance, landscape with tower or castle

Gezicht op een kasteel of buitenplaats met torens. Rechts een figuur onder een poort. Blad 24 verso uit een schetsboek met 41 bladen.
Terracotta askos (vessel) with bull protome
Object type: askos with bull protome
Date: 1450 – 1200
Materials: terracotta
Culture: cypriot

Fantastic vase, with open neck and bull's head connected by handle, white binding-pattern.
New Künstlichs Modelbuch (Page 46 recto)
Object type: book print ornament architecture
Date: 1600 – 1600
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597
Subjects: ornament

Published by Bernhard Jobin, Strassburg (?). Illustrated title page, poem (2 pages), and 45 pages of designs.
Fall (L'Automne), from 'The Four Seasons'
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: grapes,satyrs
Accessory set
Object type: accessory set
Date: 1893 – 1893
Materials: cotton
Culture: american
Bruxelles. Palais de Justice
Object type: ansichtkaart, prentbriefkaart
Date: 1894 – 1906
Materials: cardboard
Techniques: autotype
Location: frankfurt am main
Artist: Anonymous
Subjects: court building, city-view, and landscape with man-made constructions
Gezicht op het Kurhaus in Scheveningen
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, ink
Techniques: photograph
Location: scheveningen
Artist: Anonymous
Subjects: watering-place, spa

Onderdeel van Leporelloalbum met opnames van Scheveningen.
Spijkers uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: nagel, spijker
Date: 1700 – 1743
Materials: iron
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Vierhoekige spits toelopende spjikers met kop.
Dragon head halberd
Object type: print
Date: 1885 – 1885
Techniques: woodblock print, surimono
Location: japan
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
The Holy Family with the Infant John the Baptist, from The Birth and Early Life of Christ
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower left: "HG 1593." and "6"; and below image: "Praecursor Domini ... crescentibus annis."
Panel
Object type: textile
Date: 1765 – 1770
Materials: gilt, metal, silk
Techniques: brocade, patterning, weave
Location: france
Subjects: foliage, water
Don Quichotte trompé par Sancho prend un paysanne pour Dulcinée
Object type: print
Date: 1723 – 1736
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ass, donkey, don quixote
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van 25 prenten met verschillende voorstellingen uit het verhaal van Don Quichot, naar ontwerpen door Coypel.
Standard (from Sketchbook)
Object type: drawing
Date: 1891 – 1891
Materials: gilt, graphite, leather, paper
Techniques: bookbinding
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: flags
Mise-en-carte (Point-paper)
Object type: drawing and watercolor
Date: 1760 – 1790
Materials: gouache, ink, paper
Techniques: drawing
Location: france
Artist: germain frères
Weg tussen ruïnes
Object type: print
Date: 1594 – 1685
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2760, inscription: ‘35’, collector's mark: Lugt 2228

Een weg met ruïnes aan weerszijden. Links hangt aan de muur een uithangbord. Daarvoor de silhoueten van reizigers, waarvan één te paard. Prent maakt deel uit van een serie Romeinse ruïnes en kustlandschappen naar prenten van Willem van Nieulandt. Deze serie is een kopie van de serie, die Claes Jansz Visscher naar Van Nieulandt maakte.
Inkstand
Object type: ceramic
Date: 1810 – 1820
Materials: ceramic, earthenware, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD / D" impressed
Glass mosaic bowl fragment
Object type: fragment, mosaic base
Date: 34 – 33
Materials: glass
Culture: roman

Base fragment. Translucent turquoise blue appearing green and opaque yellow. Outsplayed, integral base ring with flat bottom edge; underside of bottom slightly convex. Mosaic pattern formed from sections of a single cane in a green ground with numerous small yellow circles, each surrounding a central green rod. Polished interior of bottom with outer edge ground flat to side of base ring; pitting and weathering of surface bubbles on interior; dulling, pitting, and creamy brown weathering on base ring, exterior of bottom, and broken edge. Part of the flat bottom of a bowl with low base ring on exterior.
Schetsblad met vijf runderen in verschillende standen
Object type: drawing
Date: 1788 – 1839
Materials: chalk, paper
Artist: hendrik voogd
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1839
Subjects: cow
Portrait of a Botanist
Object type: painting
Date: 1603 – 1603
Materials: oil, panel
Location: germany
Artist: Anonymous
Subjects: flowers: lily of the valley, scholar, philosopher, book in which illustrations are essential - mm - book open, botany (+ scholar, scientist (at work)), armorial bearing, heraldry, historical persons not known by name
Inscriptions: inscription and date: ‘* Quid Flos * AEtatis 25 * Aº 1603.’

Portret van een botanicus. Portret van een man, ten halven lijve, staande achter een tafel waarop een boek met afbeeldingen van planten ligt. In de linkerhand een lelietje-van-dalen, in de rechterhand een strijdbijl. Rechtsboven het familiewapen. Pendant van SK-A-969.
Vertreck van syn K. Hoogheyt nae Engelant
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bastiaen stopendael
Artist role: print maker
Artist dates: 1636 – 1693
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), departure ~ travelling, hellevoetsluis
Inscriptions: collector's mark: Lugt 2228

Het vertrek van prins Willem III vanuit Hellevoetsluis naar Engeland, 11 november 1688. De prins neemt afscheid staande op de pier, een grote vloot schepen ligt voor de kust voor anker. In het onderschrift de legenda A-M.
Shaffron (Horse's Head Defense)
Object type: shaffron horse's head defense
Date: 1401 – 1500
Materials: copper, gold
Culture: turkish
Location: ottoman empire
Luchtfoto van Istanbul
Object type: photograph
Date: 1930 – 1975
Materials: photographic support
Techniques: gelatin silver print
Location: istanbul
Artist: Anonymous
Subjects: istanboel
Dido ontvangt Aeneas in Carthago
Object type: print
Date: 1639 – 1700
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: the meeting of aeneas and dido; when he approaches her throne, the cloud enveloping him and achates vanishes
Inscriptions: collector's mark: Lugt 240

Anonieme kopie naar een prent uit de serie 'Metamorfosen van Ovidius', bestaand uit 150 prenten en een titelprent, uitgegeven tussen 1639-1641.
Side Panel of a Sarcophagus
Object type: sculpture
Date: 201 – 250
Materials: marble
Techniques: relief
Culture: roman
Location: antioch
Subjects: mythology, goddesses, gods (deities)

This panel was once the side wall of a massive stone coffin. It is decorated in relief with a scene taken from the life of the Greek mythical hero Meleager, who led the hunt for a wild boar that was terrorizing the people of Calydon. Here the valiant hunter stands in the center, his right foot resting on a rock. He is surrounded by his companions, including Herakles at the far left, who is armed with his distinctive knobby club, and his beloved, Atalanta (now headless), seated on the right. Meleager’s head resembles portraits of Alexander the Great (356–323 BCE), the Macedonian king and general who conquered Asia as far east as the Indus River, perhaps because the Romans equated success in the hunt with victory on the battlefield. It is possible that the owner of this sarcophagus wished to equate his bravery and achievements with those of both Meleager and Alexander.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen, silk
Subjects: birds,flowers
Votive Plaque
Object type: plaque
Date: 1401 – 1700
Materials: clay
Culture: central asian or tibetan
Subjects: human figures
Draecke wortel. / Bracontium. Serpentaria major / Serpentaire.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: arum, flowers: dracunculus, insects: butterfly

Aronskelk, mogelijk drakenwortel. Met een vlinder. Genummerd rechtsboven: 306. Linksboven de naam in zes talen. Onderdeel van het vierde album met tekeningen van bloemen en paddestoelen. Elfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Gevel en ontwerp van Sociëteit Vereeniging in Haarlem
Object type: book illustration
Date: 1894 – 1894
Materials: paper
Techniques: photolithography
Location: amsterdam
Artist: Anonymous
Subjects: edifice, e.g.: public building, department store, haarlem

Prent uit: Bouwkundig weekblad; Orgaan van de Maatschappij tot Bevordering der Bouwkunst. Den Haag: Mouton, 1881-1927, 14e jaargang (1894), nr. 7.
Memorial Portrait of the Actor Sawamura Tanosuke II
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Blade
Object type: knife
Date: 4600 – 3600
Materials: stone
Culture: ghassulian
Location: levant
Retriever
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: drawing, stumping
Location: netherlands
Artist: dirk valkenburg
Artist role: draughtsman, painter
Artist nationality: dutch
Artist dates: 1675 – 1721
Foliate Dish with Crane and Deer Amid Clouds
Object type: vessel
Materials: stoneware
Techniques: celadon glazed, underglaze
Location: china
Oficina Arcvlaria ((...)), Bovticqve Menvseries ((...)), Schriner Laden ((...)), Schrinwerckers Winckel (...)
Object type: ornament print
Date: 1642 – 1642
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: Anonymous

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