deem-data/ArtiFact huggingface dataset:
Smith & Wesson Model 1 ½ Second Issue Revolver (serial no. 30451) with Case
Object type: revolver with case and accessory
Date: 1869 – 1869
Materials: brass, gold, mother of pearl, silver, steel, velvet, wood
Culture: american
Location: united states
Artist: smith & wesson
Artist role: manufacturer
Artist nationality: american
Artist dates: 1852 – 9999

This pistol belongs to an exclusive group of Smith and Wesson revolvers with extensive engraved and gold inlaid decoration, produced for display at international exhibitions and as gifts to heads of state, celebrities, and important company officials in the late 1860s and 1870s. Smith and Wesson presented one to President Ulysses S. Grant (1822–1885) in 1870 (now in the Autry Museum of the American West, Los Angeles, CA, acc. no. 2012.2.31) and it is likely that The Met's revolver, decorated in a nearly identical fashion by the same engraver one year earlier, inspired its design. The decoration was executed by the German-American engraver Gustave Young (1827–1895), who emigrated to the United States in 1853 and engraved for Colt from 1853–1858 before his long association with Smith and Wesson. This pistol stands out as one of his greatest achievements and, more broadly, testifies to European immigrants' central role in shaping American firearms' decorative traditions from the 1850s forward. Like other American firearms from this era decorated by immigrant engravers trained in Germany, including Colt revolvers and Winchester rifles in The Met's collection, its engraving echoes contemporary trends in western European firearms decoration and derives from designs published in German and Belgian firearms pattern books of the 1840s–50s. Preserved with its original case fitted with dummy rounds that further confirm its intended use as a display piece, the revolver features a monogram on the left side of its frame that has yet to be deciphered.
Portret van drie onbekende kinderen
Object type: photograph
Date: 1897 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: enschede
Artist: evert rabbers
Artist role: fotograaf
Artist dates: 1875 – 1967
Subjects: historical persons, child (+ three persons)
Inscriptions: address: ‘E. Rabbers/ Haverstraat. ENSCHEDÉ’
Shoes
Object type: shoe
Date: 1850 – 1859
Materials: leather, linen, silk
Culture: french
Kasteel Asten
Object type: photograph
Date: 1908 – 1941
Materials: paper
Techniques: gelatin silver print
Location: asten
Artist: Anonymous
Subjects: castle
Inscriptions: date
Barneveld. Spoorstraat
Object type: photomechanical print
Date: 1918 – 1918
Materials: cardboard
Techniques: photograph
Location: barneveld
Subjects: railway, train, street
Inscriptions: date
Lapis Covered Dish on Stand
Object type: drawing and watercolor
Materials: chalk, gold paint, gouache, paper, paint, watercolor
Techniques: heightening
Location: belgium
Artist: giuseppe grisoni
Artist nationality: italian, born flanders
Artist dates: 1699 – 1769
Lady Rawlinson
Object type: album leaf
Date: 1865 – 1867
Materials: cardboard, photographic support, watercolor
Techniques: albumen print, aquarelle
Location: england
Artist: Anonymous
Subjects: historical persons - bb - woman, mother and baby or young child
Inscriptions: annotation: ‘Lady Rawlinson and Sennacherib’

Portret van Louisa Caroline Harcourt Seymour, Lady Rawlinson, met baby Sennacherib. Foto op albumblad in album met 68 foto's merendeels met geaquarelleerde randversieringen. Het zijn voornamelijk portretten op carte-de-visite formaat.
Grafmonument van Balthasar Bekker
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, balthasar bekker, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: S. Schynvoets voorbeelden der lusthof-cieraaden, zynde vaasen, pedestallen, orangiebakken, blompotten en andere bywerken &c. Amsterdam: Hermanus de Wit, [1742].
Piëta
Object type: print
Date: 1595 – 1619
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the dead christ in mary's lap
Inscriptions: inscription: ‘AP 416’, collector's mark: Lugt 2542, collector's mark: Lugt 2228

In de marge een tweeregelig onderschrift in het Latijn.
Geometrische figuur die toont dat de reikwijdte van een blik vijftig graden is
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: etching, letterpress printing
Location: france
Subjects: landscapes, optics

Prent uit: Leclerc, Sébastien. Discours touchant le point de veue, dans lequel il est prouvé que les choses qu'on voit (...). Parijs: Thomas Jolly, 1679.
Spotprent op de protesten tegen openbare lagere scholen, 1868
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: guillaume groen van prinsterer, building-site, elementary school; class, form

Spotprent op de pogingen van Groen van Prinsterer om zich met de ultamontaanse partij te verenigen tegen openbare lagere scholen. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 46, 14 november 1868.
Portret van Leendert de Koningh
Object type: print
Date: 1832 – 1900
Materials: paper
Techniques: engraving
Artist: adolphe frédéric nett
Artist role: print maker
Artist dates: 1822 – 
Subjects: dordrecht, print maker, draughtsman, leendert de koningh, historical persons, portrait, self-portrait of artist
Lamp
Object type: lamp
Date: 801 – 1000
Materials: earthenware, glaze
Location: iran
Houten brug in een boslandschap
Object type: print
Date: 1580 – 1629
Materials: paper
Techniques: engraving
Location: venice
Subjects: forest, wood, 'en route', traveller under way, landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Boslandschap met op de voorgrond een bosweg waarop een man met ezel en zittende reiziger. Links een houten brug over een rivier. De vierde prent van een zesdelige reeks met landschappen uit Tirol.
Portret van John Logan
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: engraving
Location: london
Subjects: london, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Sugar Factory with Tower House
Object type: painting
Date: 1670 – 1680
Materials: oil, panel
Artist: frans jansz post
Artist role: painter
Artist dates: 1612 – 1680
Subjects: landscapes in tropical and sub-tropical regions, brasil
Inscriptions: signature: ‘F. Post’

This painting and the Brazilian landscape on view next to it are part of a series of landscapes that Frans Post painted on his return to the Netherlands from Brazil in 1644. The foreground figure carrying a basket on her head recurs regularly in his work.
Jar
Object type: jar
Date: 1001 – 1200
Materials: glaze, stoneware
Culture: chinese
Portret van Johann Gottlob Nathusius
Object type: print
Date: 1835 – 1850
Materials: paper
Techniques: lithograph
Location: magdeburg
Subjects: adult man, historical persons
Vier verschillende vormen van personenvervoer
Object type: print
Date: 1839 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: railway-traffic, dog-sleigh, two-wheeled, animal-drawn vehicle, horse, two-wheeled vehicle drawn by more than three animals
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Vier verschillende vervoersmiddelen voor personen: diligence, spoorwagen, Victoria-rijtuig en een hondenkar. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Vervoermiddelen te land en te water, Vervoermiddelen te land, Reiskoetsen en post.
Celadon-Glazed Double-Gourd Vase
Object type: vessel
Materials: porcelain
Techniques: celadon glazed
Location: china
Judith Presented to Holofernes, plate five from The Story of Judith and Holofernes
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: netherlands
Artist: philip galle
Artist nationality: flemish
Artist dates: 1537 – 1612
Knife with Sheath, Chopsticks, and Earspoon
Object type: knife with sheath, chopstick, and earspoon
Date: 1701 – 1900
Materials: brass, gold, ivory, steel, wood
Culture: chinese
Location: china
Detail van koorhek in de Westerkerk te Enkhuizen
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: westerkerk
Subjects: interior of church, choir
Inscriptions: annotation: ‘Koorhek in de Westekerk te Enkhuizen’, annotation: ‘N.H, St. Gomarus of Westerkerk/ Koorhek/ Enkhuizen’
Fragment sits met kolibri's.
Object type: fragment
Date: 1750 – 1750
Materials: textile, cotton
Techniques: printing, weave
Location: coromandel coast
Artist: Anonymous

Fragment van sits met decoratie op vrij grove ondergrond van breed golvende opgaande ranken van indigo blauw, begeleid door zijranken. Deze eindigen in grote bloemen als tulpen en anjers in rood met geel, blauwe bloemen met teruggeslagen kroonbladeren, rozetbloemen in rose en rood, ranonkelachtigen van kraplak met geel etc. Daartussen fijne bloemen met kolibri's. Op stuk linnen gezet.
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

On the offset part of the rim, below the torus, a band of myrtle leaves
Stad Amsterdam, wijk 34, armenpenning die recht gaf op roggebrood tegen een prijs van achteneenhalve stuiver
Object type: broodpenning
Date: 1662 – 1662
Materials: lead
Techniques: casting
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

bijna ruitvormige loden penning. Voorzijde: in ronde stempel: gekroond wapenschild, geflankeerd door twee leeuwen binnen ronde parelrand. Keerzijde: in ronde stempel: cijfer 34 boven letter W binnen ronde parelrand
Teapot
Object type: metalwork
Date: 1875 – 1890
Materials: ivory, silver
Location: new york city
Subjects: dining, drinking
Inscriptions: Marked on bottom: chimera in profile beside W in oval (all enclosed in conforming rectangle)
Marked on bottom: STERLING / 51 OF
Scratched on bottom: 109/6
Carel van den Berg bij een prentenboek
Object type: album leaf
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: carel frederik van den berg (cay), toddler (male)
David van Bourgondië, Bisschop van Utrecht, ontneemt Reinoud II van Brederode de versierselen van de orde van het Gulden Vlies, 1470
Object type: drawing
Date: 1785 – 1787
Materials: ink, paper
Techniques: brush, pen
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: bisschop van utrecht david van bourgondië, charles the bold (duke of burgundy), archbishop, bishop, etc. (roman catholic), historical persons, knighthood order of the golden fleece, historical events and situations, burgundian netherlands

Reinoud II van Brederode, wordt door de bisschop van Utrecht David van Bourgondië de ridderorde van het Gulden Vlies afgerukt, wegens de (valse) beschuldiging dat hij een aanslag op het leven van Karel de Stoute beraamd zou hebben, 1470. Ontwerp voor een prent.
Carpenter's plane
Object type: carpenter's plane
Date: 1701 – 1800
Materials: steel, wood
Figuur op een vlonder aan een waterkant
Object type: sketchbook leaf
Date: 1849 – 1917
Materials: paper, pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: forest, wood, landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)

Langs de waterkant een bos. Blad 8 verso en 9 recto uit een schetsboek met 35 bladen.
St. James the Less, from "Christ, the Apostles and St. Paul with the Creed"
Object type: print
Date: 1589 – 1589
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: men,saints
Fan
Object type: fan
Date: 1734 – 1766
Materials: gilt, ivory, paint, paper
Subjects: children,women
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Object type: tapestry
Materials: silk, wool
Artist: bernard van orley
Artist role: designer
Artist nationality: netherlandish
Artist dates: 1492 – 1542
Subjects: birds,men,hunting,boars,dogs,horses,forests
Portret van Andreas Felix Oefele
Object type: print
Date: 1745 – 1797
Materials: paper
Techniques: engraving, etching
Location: munich
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Namenlijst
Object type: album leaf
Date: 1642 – 1653
Materials: ink, paper
Techniques: pen
Artist: leonaert bramer
Artist role: draughtsman, painter, print maker
Artist dates: 1596 – 1674

Vermoedelijk een lijst met de namen van personen in wiens huis de schilderijen te vinden waren waar de tekeningen uit het album op gebaseerd zijn. Document maakt onderdeel uit van een album.
Two nude children standing, from "New Book of Children"
Object type: print
Date: 1720 – 1760
Techniques: etching
Artist: pierre alexandre aveline
Artist role: artist
Artist nationality: french
Artist dates: 1702 – 1760
Subjects: children
Borstel met ronde kop en geprofileerde steel, waaraan roze band
Object type: veger
Date: 1675 – 1699
Materials: wood, silk
Location: amsterdam
Artist: Anonymous
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1743 – 1801
Materials: gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: crabs
Portret van de geestelijke Henri Victor de L'Espinay
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, clergyman, historical persons
Inscriptions: collector's mark: Lugt 2228a
Rustende muzikante met castagnetten en tamboerijn
Object type: print
Materials: paper
Techniques: etching
Location: belgium
Artist: françois de meersman
Artist role: print maker
Artist dates: 1830 – 1905
Subjects: adolescent, young woman, maiden, tambourine, clappers, castanets
Inscriptions: annotation: ‘1er état’, collector's mark: Lugt 2228
Japanese Drawing
Object type: drawing
Date: 1801 – 1833
Materials: paper
Culture: japanese
Subjects: men

Sketch of a gathering of three samurai
Metamorfosen van Ovidius
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: antwerp
Subjects: fight with the dragon; jason sprinkles a drug in its eyes, possibly assisted by medea
Inscriptions: collector's mark: Lugt 240

Jason giet een middeltje in de ogen van de draak. Door het middeltje valt de draak in slaap. Titel in het Latijn in ondermarge.
Chiyoda Castle (Album of Women)
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: women,flowers
Monk (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Object type: drawing
Date: 1801 – 1900
Materials: chalk
Techniques: stumping
Artist: isidore pils
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1875
Subjects: monks
Fasciculo di medicina
Object type: book
Techniques: woodcut
Location: italy
Artist: johannes de ketham
Artist role: editor
Artist nationality: german
Artist dates: 1400 – 1550
Subjects: human anatomy,science,men,male nudes,medicine

This book, a compendium of medical knowledge associated with the obscure author Johannes de Ketham, combines ancient and medieval medical traditions with Renaissance innovations. The original Latin text was printed in Venice in 1491 with six schematic illustrations derived from centuries-old conventions. This volume, the Italian translation, was published three years later with four additional woodblock plates that reflect the influence of Giovanni Bellini and Andrea Mantegna who were among the most original artists of the period. The most famous of the added illustrations (colored in the Museum's copy), depicts a dissection carried out in the contemporary manner. The corpse is laid out on a trestle table disposed across the picture space, and the dissector leans over it with a huge knife; his short garment differentiates him from the other men present, who wear august robes and stand upright. The lecturer presides serenely over the scene from a pulpitlike booth above, looking out at the viewer rather than at the corpse.
Wine Jug
Object type: ceramic
Date: 1800 – 1825
Materials: earthenware, pewter
Techniques: glazing
Location: gmunden
La Mode, 5 avril 1843 : Amazone d'Humann (...)
Object type: fashion print
Date: 1843 – 1843
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman (+ variant), clothing for the upper part of the body (+ women's clothes), veil (+ women's clothes), gloves, mittens (short gloves) (+ women's clothes), fashion plates, skirt (+ women's clothes), whip, ensembles of pieces of clothing (riding costume) (+ women's clothes)
Inscriptions: title: ‘La Mode.’, caption: ‘Amazone d'Humann. / Chapeaux Jay, 5 Rue des Fossès Montmartre.- Gants Mayer, 26 Rue de la Paix.- Mouchoir de Chapron, 5, Rue de la Paix. - Cravache de Cazal Boulevard des Italiens. - Lingerie, Cravattes et envois divers de la Maison de Commission Lassalle, 28, Rue Taitbout.’

Vrouw gekleed in een amazonekostuum (rijkostuum) van Humann. Op het hoofd een hoge hoed met sluier van Jay. Verdere accessoires: korte handschoenen van Mayer, zakdoek van Chapron, zweep van Cazal. Hieronder enkele regels reclametekst voor verschillende producten.
Boslandschap met figuur onder een boom aan het water
Object type: print
Date: 1853 – 1854
Materials: paper
Techniques: lithography
Location: paris
Subjects: trees, forest, wood (+ landscape with figures, staffage), water course (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 36a

Prent gebruikt voor: Les Artistes anciens et modernes, dl. 3, vol. 5, 1853-1854.
Recumbent lion
Object type: cameo
Date: 1701 – 1900
Materials: gold, gemstone
Subjects: lions

Cameos displaying animals, a mainstay of ancient Roman glyptics revived by Neoclassical engravers, filled the cabinets of European royalty. Particularly fetching is the way the carver of the leopard capitalized on brownish flecks in the stone to give the beast its spots. The grinning recumbent lion shows a fine contrast of matte and polished surfaces. The carver of the walking lion nearly exhausted the stone’s red layer when forming the tail.
Triomfwagens voor een festival in Siena in 1632
Object type: print
Date: 1632 – 1640
Materials: paper
Techniques: etching
Location: italy
Artist: bernardino capitelli
Artist role: print maker
Artist dates: 1589 – 1640
Subjects: chariot, triumphal car
Inscriptions: collector's mark: Lugt 240

De Triomfwagen van het Sienese district Occa die wordt getrokken door vier paarden. Bovenop de wagen staan een gebouw met een koepel, gevleugelde figuren en soldaten.
Carolvs Gvstavus
Object type: print
Date: 1654 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) apollo (phoebus), (story of) jupiter (zeus)
Inscriptions: collector's mark: Lugt 2228

Portret in een ovale lijst van Karel X Gustaaf, koning van Zweden. Buste naar links. Karel Gustaaf draagt een harnas en wordt geflankeerd door Jupiter (l.) en Apollo (r), die een lauwerkrans ophouden. De prent heeft een Latijns onderschrift met de naam van de geportretteerde.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, buttocks, thighs, and right hand on left buttock of youth with drapery
Verschillende schepen en stadsgezichten van Amsterdam, derde deel
Object type: print
Date: 1652 – 1654
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: reinier nooms
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1664
Subjects: sailing-ship, sailing-boat (with name)
Inscriptions: collector's mark: Lugt 12

Een Amsterdammer lichter, een klein schip waar de goederen uit een groot schip in kunnen worden overgeladen, en een Wieringer lichter met masten.
Gezicht op de Westerkerk te Medemblik
Object type: photograph
Date: 1898 – 1898
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: medemblik
Subjects: church (exterior)
Inscriptions: annotation: ‘Noordvoorzijde der NH Kerk te Medemblik Juli 1898 (N.H.)’, annotation: ‘N.H. of Westerkerk/ Medemblik’
Quail and Autumn Flowers
Object type: hanging scroll
Date: 1667 – 1700
Materials: ink, silk
Culture: japanese
Artist: tosa mitsuoki
Artist role: artist
Artist nationality: japanese
Artist dates: 1617 – 1691
Subjects: birds,flowers

Elegant in their own right, chrysanthemums often appear together with quails in paintings. The combination was especially favored by Southern Song Chinese artists, as it signified peace and longevity. Along with chysanthemums, the depiction of other autumn flowers, such as bush clover (hagi) and Chinese bellflowers (kikyō), creates a seasonal setting for the pair of birds. The painting is signed by Tosa Mitsuoki, a master of jewel-like painting in finely executed line and brilliant color. He became an official court artist in 1654 and made concerted efforts to revive the dwindling fortunes of the Tosa school, which had been all but overshadowed by the Kano school since the Muromachi period.
Saint Lupo from Heiligenleben (Lives of the Saints), Plate 5 from Woodcuts from Books of the 15th Century
Object type: print
Materials: paper
Techniques: hand coloring, letterpress, woodcut
Location: germany
Artist: Anonymous
Artist dates: 15 –
L'Architecture la Décoration l'Ameublement
Object type: reproduction
Date: 1873 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: liège
Subjects: mirror, door
Inscriptions: number: ‘30’, stamp: ‘TEEKENSCHOOL/ VOOR/ KUNST-NIJVERHEID/ HAARLEM’, stamp: ‘AFGESCHREVEN/ [...]’, inscription: ‘Eug. Prignot. inv.’, inscription: ‘Déposé’

Deze foto maakt deel uit van een omslag met 61 foto's op 61 bladen.