deem-data/ArtiFact huggingface dataset:
Portret van Henri Grégoire
Object type: print
Date: 1792 – 1808
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: priest
Inscriptions: collector's mark: Lugt 2228
Waternimf Salmacis bindt haar haren vast
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: single named nymphs (with name)
Inscriptions: collector's mark: Lugt 2228a
Vrouw in Turkse drachten
Object type: print
Date: 1722 – 1777
Materials: paper
Techniques: etching
Location: paris
Subjects: fashion, clothing, adult woman, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Twee tulpen
Object type: drawing
Date: 1848 – 1911
Materials: cardboard, pencil, watercolor
Techniques: brush
Artist: louise lintz
Artist role: draughtsman
Artist dates: 1838 – 1911
Subjects: flowers: tulip
Rowell, Pedestrian, from the Goodwin Champion series for Old Judge and Gypsy Queen Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,athletes

The Goodwin Champions series of trading cards (N162), was issued by Goodwin & Company in 1888 to promote Old Judge and Gypsy Queen Cigarettes. The series of 50 cards depicts athletes in various disciplines. The Metropolitan Museum of Art owns all 50 cards from the series.
Plate
Object type: plate
Date: 1904 – 1905
Materials: porcelain
Culture: american
Location: united states
Artist: bruno geyer, austrian, active late 19th century to early 20th century
Artist role: decorator
Artist nationality: austrian
Subjects: portraits,women

Cabinet plates decorated with portraits, flowers, or birds and richly bordered in raised gold paste were fashionable in late-nineteenth-century Paris and Vienna. Bruno Geyer, a Viennese artist about whom little is known, specialized in portraits after European paintings. Geyer decorated this plate, probably originally part of a set of twelve, for the Ceramic Art Company. Marks on the reverse indicate that the plate was retailed by Tiffany & Co.
Terracotta fragment of a skyphos (deep drinking cup)?
Object type: skyphos fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the bottom of a skyphos?, with part of the disk foot; the resting surface and inner wall of the foot is glazed; the underside has miltos
Arguing Prostitutes
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Guitar
Object type: guitar
Date: 1694 – 1694
Materials: wood, ivory
Culture: french
Location: france
Artist: robert chéron
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Figure
Object type: figure
Date: 801 – 1100
Materials: stone
Culture: hawaiian
Location: united states
Subjects: heads
Portret van Leonhard Golling
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Subjects: painter, historical persons, hourglass, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, date
Fotoreproductie van (vermoedelijk) een tekening voorstellend Johannes de Doper als kind
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: john the baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Fragment bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A saucer with a flattened rim. A saucer with a flattened rim. A central decoration of a grasshopper on a rock and a chrysanthemum. Panels decorated with peaches and flowers.
Gezicht op de Broerenkerk te Zwolle
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: zwolle
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Zwolle’, annotation: ‘Boerenkerk te Zwolle (O.IJ.)’
Jopie biedt een trommel aan bij een deuropening
Object type: drawing
Date: 1916 – 1917
Materials: paint, ink, paper, pencil
Techniques: pen
Artist: frans lazarom
Artist role: draughtsman
Artist dates: 1880 – 1936
Subjects: containers, non-aggressive relationships, boy (child between toddler and youth)
Inscriptions: annotation: ‘zoon allermooiste dr[...]’, collector's mark: Lugt 2228, :

Jopie, gekleed in een matrozenpak, staat met een dienblad met daarop een trommel bij een deuropening. Zijn tante geeft hem een duwtje in de rug. De jongen biedt de doos aan aan Jaap die in de deuropening staat.
Liggend konijn
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: woodcut
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: rodents: rabbit
Inscriptions: collector's mark: Lugt 2228
Johannes Vermeer. Gezicht op Delft / Vue de Delft / View of Delft / Ansicht von Delft
Object type: reproduction
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: the hague
Subjects: city-view, and landscape with man-made constructions, church (exterior), city-gate, delft
Torino
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: turin
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Inscriptions: number: ‘920.’, inscription: ‘Turijn, de brug over de Po.’
Landschaft mit Pappel
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: landscapes, trees: poplar

Prent op tweede ongenummerde pagina na pagina 108.
Gezicht op de Kostverlorenvaart bij de De Wittenkade
Object type: photograph
Date: 1917 – 1917
Materials: cardboard, paper
Techniques: albumen print
Subjects: city-view in general; 'veduta', canal
Inscriptions: inscription: ‘De Wittenkade (Kostverlorenvaart) / in 1917. / April 1920. / Geschenk v/d Heer J. van Eck.’, collector's mark: ‘14.133AB’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Waal (Kromme en Oude), Walenpleintje, Warmoesgracht, Warmoesstraat, Waterlooplein, Westerdoksdijk, Westermarkt, Weteringschans, Willemspark, Willemsstraat, Wittenburg, Wittenkade (de), Wittenstraat (de).
Philae-The Hypaethral Temple commonly called Pharaoh's Bed & Small Chapel
Object type: page
Date: 1861 – 1866
Materials: photographic support
Techniques: albumen print
Location: philae
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: temple, shrine ~ egyptian religion, façade (of house or building)
Inscriptions: number: ‘Plate 7.’, inscription: ‘Photographed by Francis Bedford during the Tour in the East on which by Command he accompanied His Royal Highness The Prince of Wales’
Philosopher, plate three from One Death, Part II
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: aquatint, etching
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Café Heinrichhof
Object type: print
Date: 1912 – 1912
Techniques: lithograph
Artist: moriz jung
Artist role: artist
Artist nationality: austrian
Artist dates: 1885 – 1915
Subjects: restaurants,men,women
Scarabs with Inscriptions on Base
Object type: costume and accessory
Materials: stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: scarab beetle, hieroglyphs
Rest on the Flight into Egypt
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rest on the flight into egypt (+ angel(s))
Inscriptions: collector's mark: Lugt 240, number: ‘70’

Maria zit met het Christuskind op schoot op een open plek in het bos. Ze worden omringd door verschillende dieren. Op de takken in de bomen rond hen zitten musicerende engelen. In de marge een zesregelig onderschrift, in twee kolommen, in het Latijn.
Top-Shell and Various Shells
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: shells
Quadrans uit het Romeinse Keizerrijk van Augustus, -4
Object type: quadrans
Materials: bronze
Techniques: striking
Location: rome
Subjects: rome
Inscriptions: circumscription, circumscription: ‘L VALERIVS CATVLLVS’, inscription: ‘SC’

Bronzen quadrans. Voorzijde: aambeeld. Keerzijde: in het veld de letters S en C. In het omschrift de naam van Lucius Valerius Catullus, monetarius.
L'ouvrage de Charles le Brun
Object type: album leaf
Date: 1654 – 1654
Materials: paper
Techniques: engraving, etching
Subjects: paris, anna genoveva van bourbon-condé, adult woman, historical persons - bb - woman, 'philosophia'; 'filosofia' (ripa)
Inscriptions: date

Vrouwenfiguren leiden Anne Genoveva van Bourbon-Condé door een tempel. Deze prent maakt deel uit van een album.
Panel
Object type: panel
Date: 1775 – 1785
Materials: cotton
Subjects: birds,flowers,leaves
Limestone footstool
Object type: footstool, votive
Date: 500 – 451
Materials: limestone
Culture: cypriot
Subjects: bulls,lions,stools

The front is decorated with the relief of a lion attacking a bull—a motif with a long tradition in the Levant as well as Greece. The animals are flanked by large rosettes over which hang lotus blossoms. Stone footstools of this type were found next to a large stone sarcophagus in one of the built "royal" tombs at Tamassos, a city-kingdom not far from Golgoi.
Lidded Jar
Object type: covered jar
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous

AK-NM-6362 dekselpot op voet

• Bleu poudré-porselein met verte
• Onderdeel van Royers porseleincollectie
• Mogelijk afkomstig van Susanna Louise Huygens

Royer had precies deze vorm pot ook in blauw-wit porselein. Zie AK-NM-6839-A voor een toelichting. De pot wordt daar een suikerpot genoemd en het is goed mogelijk dat dergelijke potten op deze manier gebruikt werden. Opgemerkt kan nog worden dat deze potten een uitwerking lijken te zijn van de eenvoudiger dekselpotten zonder voet en zonder oor en met een liggende ring op het deksel als dekselknop. Deze potten zijn algemeen in de Kangxi-periode en zijn op hun beurt weer een directe voortzetting van de sterk overeenkomstige dekselpotten in Kraakporselein. August de Sterke had deze eenvoudiger Kangxi-dekselpotten in grote hoeveelheden en uit de beschrijving ervan in de 18de-eeuwse inventarissen blijkt dat deze potjes als ‘pot a l’oille’ opgevat werden, een gedekselde soepkom. Mogelijk is deze elegantere dekselpot op voet hieruit voortgekomen, en waarschijnlijk is dan een uit hout gedraaid voorbeeld naar een zilveren pot, naar de pottenbakkers gestuurd.
De decors zijn aantrekkelijk geschilderd, maar aan één kan is het veld niet recht in het vlak geplaatst en dat is storend. Het blauw is hier en daar afgesprongen, een veel voorkomend probleem juist bij die kleur. Op grond van aanwezigheid van blauw wordt deze dekselpot gerekend tot het iets latere poudré.
Waarschijnlijk kocht Royer deze pot in 1786 uit de nalatenschap van zijn oudtante Susanna Louise Huygens (1714-1875). Royer kocht veel porselein en de omschrijving ‘Een hooge pot met twee oiren dito [hoog blaauw] met compartimenten, waarin Chineesche vrouwenbeelden in couleuren’ in Susanna’s boedelbeschrijving komt goed overeen met Royers dekselpot.
Portret van Jacques Bénigne Bossuet
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: paris, archbishop, bishop, etc. (roman catholic), historical persons
Flower vase (cuvette Mahon)
Object type: jardinière
Date: 1761 – 1761
Materials: porcelain
Techniques: gilding
Location: sèvres
Artist: jean-claude chambellan duplessis
Artist role: goldsmith
Artist dates: 1699 – 1774
Subjects: (family) meal - cc - out of doors, lovers; courting, flirting

The form of this vase, with its boat shape, was designed to commemorate the French capture of the British-occupied Port Mahon on the island of Minorca in 1756.
Zittende naakte vrouw
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Subjects: chinese, coast
Korenmolenaarsgilde van Amsterdam, gildepenning van Barent Kramer
Object type: medal
Date: 1803 – 1803
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: barent kramer

Messing penning. Voorzijde: korenmolen. Keerzijde: opschrift
Februari
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Midden boven een voorstelling van figuren lopend met paraplu's in de regen. Daaronder een aantal voorstellingen van gebeurtenissen die plaatsvonden in de maand februari, waaronder de dood van Joost van den Vondel in 1679. Midden onder meteorologische waarnemingen en raadgevingen voor de maand februari in 1849.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Greaved leg of a warrior to right?; lower drapery and legs of a male to left, with a stick
Groepsportret van de Senaat van het Cadettenkorps der Koninklijke Militaire Academie in Breda
Object type: page
Date: 1905 – 1910
Materials: paper
Techniques: autotype
Location: breda
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: monogram: ‘CHT’
Gezicht op het Tobameer op Sumatra
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Inscriptions: annotation: ‘8a Tobameer’
The Daoist Immortal Han Xiangzi
Object type: hanging scroll
Materials: ink, silk
Culture: chinese
Artist: liu jun
Artist role: artist
Artist nationality: chinese
Artist dates: 1475 – 1505
Subjects: men,flutes,musicians

This painting by the Ming court artist Liu Jun depicts the Daoist immortal Han Xiangzi miraculously treading the surface of a turbulent sea. Unperturbed by the roiling waves beneath his feet or the wind that pulls at his garments, Han casually puts a bamboo flute to his lips to play a tune. His eccentrically rustic clothes mark him as a transcendent being: he wears a rustic cape of sawtoothed leaves and curly vegetal tendrils. Over his pants hangs a skirt of reeds. Over his shoulder hangs a satchel lined with animal fur, and his belt holds two dried gourds—the traditional vessel of magical Daoist elixirs. The waves at the immortal’s feet are described with a striking geometric pattern of modulated lines interspersed with corresponding sections of reserved silk. Bold patches of blank silk have been left in reserve across the painting’s middle to indicate numinous mist that accompanies the immortal on his magical journey. Along the painting’s top edge are quickly drawn lines of monochrome ink and a large patch of ink wash, a terse indication of a towering mountain landscape that lies beyond the seething ocean. Liu Jun employed a range of different brush modes in depicting Han Xiangzi, showcasing the technical virtuosity that was expected of a Ming court artist. The immortal’s face is depicted through a combination of gently graded washes of pigment with confidently drawn lines of ink and cinnabar. The hair and beard consist of two different weights of lines combined with a wash to impart a sense of hairy tactility. The large relative scale of the figure, combined with the delicate brushwork of the sensitively rendered face, creates a naturalistic effect similar to portraiture. By contrast, the bravura brushwork of the robes is self-consciously performative, meant to be read as a display of the painter’s daring technical virtuosity. The bold painterly quality of the robes’ contours is intended to contrast with the naturalism of the face, heightening the illusion of the likeness. Little is known about the life of Liu Jun, but his surviving paintings, along with fragmentary textual evidence, demonstrate that he was a gifted painter of figures, landscapes, and architecture who served the Ming court in the late fifteenth and early sixteenth centuries. Daoist immortals most commonly appear in Chinese mythology as a group of eight—a ragtag band of merry, numinous eccentrics, each featuring his own special attribute—and this painting almost certainly originally belonged to a set of eight that was meant to be displayed together.
Terracotta fragment of a lamp
Object type: lamp fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Fragment from a lamp; the top has black glaze; on the lower body, buff beige wash
Een ongeïdentificeerde ruïne in Rome; op de achtergrond een deel van de Romeinse stadsmuur
Object type: drawing
Date: 1532 – 1537
Materials: ink, paper
Techniques: pen
Location: rome
Artist: martinus van heemskerck
Artist role: draughtsman, painter, print maker
Artist dates: 1498 – 1574
Subjects: ruin of a building ~ architecture, landscape with ruins
Aristotle, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1553 – 1553
Techniques: engraving
Location: rome
Artist: anonymous, italian, mid-16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: aristotle,profiles

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 68
Document
Object type: document
Date: 1808 – 1823
Materials: ink, paper
Techniques: printing
Location: germany
Artist: Anonymous
Subjects: the hague, johan rudolf thorbecke, germany
Inscriptions: date

Rekening voor levensmiddelen, Giessen. Gedateerd: 1 aug. 1823.
An Artist Painting a Heraldic Shield in a Cabinet of Curiosities
Object type: painting, miniature
Date: 1664 – 1664
Materials: parchment
Artist: monogrammist fa
Artist role: artist
Artist nationality: northern european
Artist dates: 1664 – 1664
Subjects: painting,men,coat of arms,artists,easels
Seal ring: horned animals flanking a tree
Object type: stamp seal ring
Date: 1000 – 701
Materials: bronze
Culture: iranian
Location: iran, luristan
Subjects: animals

This is a bronze ring with an intaglio image carved on it. The image shows a stylized plant with cone-shaped fronds flanked by two horned creatures. Behind each creature is a rosette, and above them is a cuneiform inscription reading "dingir mesh tuk" in Sumerian – part of a prayer. This ring was excavated at Surkh Dum, a settlement site in Luristan in the Zagros Mountains of western Iran It was part of a large hoard of objects buried beneath a doorjamb in a structure interpreted as a sanctuary; thus the objects were probably offerings made for a god. In all likelihood the ring was used a seal before being deposited in the sanctuary.
Head of Krishna (?)
Object type: head
Date: 601 – 700
Materials: stone
Culture: thai
Subjects: heads,krishna,hinduism

The unusual faceted miter sitting high on the figure's forehead is a characteristic of sculptural production at the site of Si Thep, particularly in images of Krishna lifting up Mount Govardhana. Although this head shows affinities with pre-Angkor sculpture, the facial features, and especially the eyes, are linked more closely to the emerging Mon-Dvaravati style of Thailand.
The Bridge at Klein Kostverloren on the Amstel
Object type: print
Date: 1645 – 1645
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Mirror View, Yosemite Valley, Mariposa County, Cal.
Object type: photograph
Date: 1861 – 1876
Techniques: albumen print
Location: united states
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Inscriptions: Printed recto, on card, along left side: "Watkins' Pacific Coast. / 26 Montgomery St., opposite Lick House entrance, San Francisco." printed recto, on card, along right side, in black ink: "Photographic Views of California, Oregon, and the Pacific Coast generally, embracing Yo Semite, Big Trees, Geysers, Mount Shasta, Mning, City etc., etc. Views made to order in any part of the State or Coast." typed, lower center, in black ink: "Mirror View, 1121. / Yosemite Valley, Mariposa County, Cal."

Stereographs were made by taking two photographs of the same scene with lenses about two and a half inches apart to match the distance between human eyes. Viewed through a stereoscope, the two images combine to give the illusion of depth. Enormously popular as items for both entertainment and education, millions of stereographs were produced from 1850 to 1930, documenting disasters, expeditions, monuments, and exotic locations. Carleton Watkins first photographed Yosemite in 1861, and his views of the valley portrayed this newly seen American West as pristine and majestic. In addition to his “mammoth-plate” camera that produced 18 x 22–inch negatives, Watkins had made approximately 1,400 stereo negatives by the end of 1866, which were packaged in series and sold singly or by the dozen to tourists and casual customers. In this image, Watkins’s common use of mirroring as a pictorial device is enhanced by the startling three-dimensional effect of the stereo view.
Moorse roeiers bij Constantinopel
Object type: painting
Date: 1840 – 1900
Materials: canvas, oil
Artist: félix françois georges philibert ziem
Artist role: painter
Artist dates: 1821 – 1911
Subjects: tambourine - cc - out of doors, trireme, galley
Inscriptions: signature: ‘Ziem’

Een boot met Moorse roeiers op het water bij Constantinopel (Istanbul). Staande in de boot speelt een vrouw op de tamboerijn.
Textile fragment with repeating pattern of waves and birds in flight
Object type: fragment
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: birds
Dish
Object type: dish
Date: 1601 – 1700
Materials: ceramic
Techniques: painting, underglaze
Location: turkey
Subjects: flowers,leaves
Portret van Johannes Jacobus Vitriarius
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 171. Leipzig: Johann Gottlieb Gleditsch, 1732.