deem-data/ArtiFact huggingface dataset:
The Birth (La Naissance): in a forest, the new mother resting in a hammock at center, the newborn below her to left, various satyrs and goats surrounding, from "The lives of satyrs" (La vie des satyres)
Object type: print
Date: 1700 – 1720
Techniques: etching
Artist: claude gillot
Artist role: artist
Artist nationality: french
Artist dates: 1673 – 1722
Subjects: satyrs,goats,forests,birth,crowd
Prenten-magazijn voor de jeugd / Zangkunst
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: evening, thunderstorm, evening meal, dinner, supper, printed edition of musical score

Blad met muziekstuk 'De avond' en 3 voorstellingen: beschouwing van een schone avond, een onkomend onweer en de avonddisch. Onder de voorstellingen diverse coupletten van het muziekstuk. Genummerd rechtsboven: No. 155, linksonder: (7.).
Portrait of Baudry, the Painter (1828–1886)
Object type: medallion
Date: 1801 – 1900
Materials: bronze
Techniques: casting
Artist: jules-clément chaplain
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1909
Subjects: men,profiles
Jewish High Priest
Object type: drawing and watercolor
Materials: chalk, crayon, paper
Location: hungary
Artist: adam sándor ehrenreich
Artist role: print maker
Artist nationality: hungarian
Artist dates: 1784 – 1852
Plate 27: Proserpine gives Psyche the box of beauty, from "The Story of Cupid and Psyche as told by Apuleius"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: women,psyche

This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.
Dish with The Discovery of Achilles
Object type: dish
Date: 1555 – 1560
Techniques: maiolica, glazing
Artist: fontana workshops
Artist role: maker
Subjects: men,women,achilles,horses
Spechio di pensieri delle belle et Virtudiose donne, page 12 (recto)
Object type: book print ornament architecture
Date: 1546 – 1546
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: ornament

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top bottom, and left to right: Design is decorated with a pattern of overlapping pentagons with rounded tops that create a series of squares containing snowflakes.
High Chest of Drawers
Object type: furniture
Date: 1760 – 1775
Materials: wood
Location: salem
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Subjects: furniture

This high chest is an excellent example of Newport’s stylistic interpretation of the high chest form and a testament to the genius of the Goddard-Townsend school of cabinetmaking. The applied, raised panels on the top of the façade work to harmoniously integrate the bonnet to the rest of the chest. The ornament is subdued, accentuating the form rather than fighting it. The pierced claws of the feet are a particular characteristic of 18th-century Newport cabinetry.
Plate with Peonies
Object type: plate
Date: 1401 – 1500
Materials: cobalt, glaze, stoneware
Techniques: painting
Culture: vietnamese
Subjects: peonies

The origins of blue-and-white ware in Vietnam remain obscure; however, the addition of this type of ceramic to the repertory is often linked to the brief Chinese occupation of the early fifteenth century. The design of peonies in the center of this dish, and the way in which the peonies are painted, reflect an awareness of earlier Chinese traditions. Vietnamese potters, who continued fourteenth-century Chinese styles well into the sixteenth century, often competed for markets, particularly those in Southeast Asia, with the kilns at Jingdezhen.
Ceramic Fragment
Object type: fragment
Date: 701 – 900
Materials: earthenware
Techniques: incising, molding
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Lady Maitland (Catherine Connor, died 1865)
Object type: painting
Date: 1776 – 1823
Materials: canvas, oil
Artist: sir henry raeburn
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1756 – 1923
Subjects: portraits,women
Amphion, spelend op een luit bij de muren van Thebe
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) amphion and zethus
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Goeree, Wilhelmus. D'algemeene bouwkunde, volgens d'antyke en hedendaagse manier. Amsterdam: Willem Goeree, 1681. Kopie van dezelfde zijde naar prent van François Chauveau, opgenomen in: Metamorphoses d'Ovide en rondeaux par M. de Benserade. Parijs, 1676.
Église St. Germain l'Auxerrois
Object type: page
Date: 1845 – 1850
Materials: paper
Techniques: engraving
Location: paris
Subjects: church (exterior)

Prent op negende ongenummerde pagina na titelpagina. Prent gemaakt naar daguerreotypie.
Metrage zwarte chenille-franje
Object type: braid
Date: 1920 – 1920
Materials: textile
Techniques: weave
Location: france
Artist: gustav schnitzler
Artist role: paraplufabrikant
Necklace
Object type: necklace
Date: 1820 – 1820
Materials: iron
Culture: german
Standing Buddha
Object type: figure
Date: 567 – 600
Materials: brass
Culture: afghanistan or gandhara
Subjects: gandhara,buddhism,buddha

Such portable metal images were important for the spread of the Gandharan style and have been found in Gandhara, Kashmir, and Tibet. The hairstyle of this Buddha is organized in repeating bands, a motif that is found among late Gandharan stuccos as well as images from Kashmir and Sind.
Gezicht op de Lange Jan (Abdijtoren) te Middelburg, 1743
Object type: print
Date: 1746 – 1760
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: harbour, church (exterior), prospect of city, town panorama, silhouette of city, middelburg
Inscriptions: collector's mark: Lugt 195

Gezicht op de Lange Jan, ook wel bekend als de Abdijtoren, te Middelburg. Op de voorgrond een deel van de haven. In de situatie omstreeks 1743.
Twee foto's van prinses Juliana, op het balkon van het Paleis op de Dam en bij een banket
Object type: photograph
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: the hague, juliana of the netherlands, adult woman, royal palace of amsterdam

Deze foto's maken deel uit van een album.
L'Incendie
Object type: print
Date: 1833 – 1891
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: théodule augustin ribot
Artist role: draughtsman, painter, print maker
Artist dates: 1823 – 1891
Subjects: on fire, ablaze, adult woman
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Les Sciences
Object type: print
Date: 1810 – 1823
Materials: paper
Techniques: engraving, etching, roulette
Location: paris
Subjects: symbolic representations, allegories and emblems ~ science, 'scientia'; 'scienza', 'studio' (ripa)
Inscriptions: collector's mark: Lugt 2228

Serie naar de figuren die als decoratie gebruikt zijn in het stadhuis, tijdens het huwelijk van Napoleon I Bonaparte en Marie Louise van Oostenrijk in 1810.
Terracotta fragments of kylikes: Band or lip cups (drinking cups)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Three fragments with a reserve band, black glaze, and a second reserve band
Veues et perspectives de Soesdyck, chasteau & maison de plaisance du roy de la Grande Bretagne
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching, lithography
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), lay-out of garden
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Gezicht vanaf het terras op de tuin van Paleis Soestdijk, jachtslot van stadhouder Willem III van Oranje-Nassau. Op het terras wandelen figuren en lopen honden.
Indonesische landarbeiders planten koffieplanten op een veld
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: indonesia
Artist: Anonymous
Inscriptions: caption: ‘Koffie planten te silo sanen’
Basin
Object type: metalwork
Date: 1790 – 1790
Materials: pewter
Location: london
Artist: townsend and compton
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Part of the foot of a woman to left; heel of a foot to right
Maria zoogt het Christuskind
Object type: print
Date: 1566 – 1566
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ-child suckling, or beginning to suckle, e.g. mary uncovering her breast ~ madonna-representations
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Maria zit op een muurtje en zoogt het Christuskind. Aan haar voeten ligt een steen met het monogram van Albrecht Dürer en de datering van diens prent: 1519. Linksboven gemarkeerd: Æ 12.
Interieur met figuren bij een venster
Object type: sketchbook leaf
Date: 1837 – 1881
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes huybertus van hove bzn
Artist role: print maker
Artist dates: 1827 – 1881
Subjects: window shutters on the inside, interior of the house

Eén man in het gezelschap richt zich naar het venster, dat met luiken in afgesloten. Blad 15 recto uit een schetsboek met 33 bladen en 10 losse tekeningen.
Twee mannen bestuderen de zon en de maan
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: contemplating the firmament, astrologer observing the heavens, contemplation of the moon, 'schwärmen', the heavens (celestial bodies)

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Residences Memorables de l'Incomporable Heros de Nôtre Siècle, ou Edifices et Jardins de Son Altesse Serenissime Monsigneur Le Prince Eugene François de Savoye et de Piedmont
Object type: book print ornament architecture
Date: 1731 – 1740
Techniques: engraving
Artist: salomon kleiner
Artist role: designer
Artist nationality: german
Artist dates: 1700 – 1761
Subjects: architecture
Portretten van patriotten
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: utrecht
Inscriptions: collector's mark: Lugt 2228

Jacobus Wijsman heeft sommige platen van de serie patriottenportretten van Abraham Jacobsz. Hulk aangepast en hergebruikt in zijn eigen serie patriottenportretten. Prent maakt deel uit van een serie, die in drie afleveringen werd uitgegeven onder de titel: Verzameling van Afbeeldingen van Nederlandsche Mannen, beroemd geworden, wegens hunne Moed en Burgerliefde in de jongstledene Beroerten. 1794-1795. Zie Atlas van Stolk.
Teacup (1 of 6) (part of a service)
Object type: teacup
Date: 1720 – 1720
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: animals
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic
Artist: apollodoros
Artist role: artist

Interior, bearded man wearing an animal skin cap and a chitoniskos, holding a fillet in his left hand; part of the garment of a second figure, wearing a Thracian cloak
Les batailles d'Alexandre
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: the defeated king porus, covered with wounds, comes before alexander, who restores his dominions, i.e. the clemency of alexander, historical persons

Na de slag bij de Hydaspes wordt de gewonde koning Porus voor Alexander de Grote gebracht. Onder de voorstelling het wapenschild van Edouard Colbert de Villacerf. Prent maakt deel uit van een album.
Bed Curtain and Valance
Object type: textile
Date: 1750 – 1800
Materials: linen, textile, wool, thread
Techniques: embroidery, weave
Location: united states

The importance of beds in the colonial period is reflected in this charming curtain and valance from a set of hangings that would have been made for a four-poster bed. The set would have originally included multiple curtains and valances, a head cloth, and canopy, and possibly a matching bedcover. Bed hangings provided warmth and privacy, as well as decoration. Embroidered bed hangings were ambitious undertakings that would have been executed by the women of the household. While bed hangings were used throughout the 18th century, the light and airy design of these pieces mark them as the product of the second half of the century. The motifs employed and the types of stitches used demonstrate the movement away from English influences, toward distinctive styles of an independent new nation.
Roermond door Willem van Oranje ingenomen
Object type: print
Date: 1572 – 1583
Materials: paper
Techniques: etching
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: delft, william i (prince of orange), capture of city (after the siege)

Prent gebruikt in: Aitsinger, Michael. De Leone Belgico ejusque topographica atque historica descriptione liber (...). S.l.s.n., 1583.
Fantasie: kop
Object type: print
Date: 1930 – 1930
Materials: paper
Techniques: woodcut
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Inscriptions: signature and date: ‘1930 Jessurun de mesquita’

Gezicht dat doet denken aan een etnisch masker, grotendeels opgebouwd uit horizontale witte banen.
Afbeelding van het gewone Veld der Verkiezing waar op Stanislaus Leczinsky tot Koning van Polen verkoren is op den 12 Septembr. 1733
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Artist: Anonymous
Subjects: election, choice of a ruler, poland

Verkiezing van Stanislaus Leszczyński tot koning van Polen op 12 september 1733. Vergadering gehouden in de open lucht omringd door een grote menigte, op de voorgrond ruiters. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Surgeon General George M. Sternberg, U.S. Army, from the "Generals" series (T63), issued by LeRoy Little Cigars
Object type: print
Date: 1898 – 1901
Techniques: color lithograph
Artist: leroy little cigars
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1950

Tobacco insert card from the "Generals" series (T63), issued by LeRoy Little Cigars.
Chessmen (32)
Object type: chessman
Date: 1801 – 1900
Materials: ivory
Subjects: chess,games

The set was made for the English trade. It is interesting that in embodying the conventional English symbols on disks, it is conforming with the Chinese custom of using ivory or wooden disks identified by ideograms.
Becquet (J. Becquet, Sculptor)
Object type: print
Date: 1859 – 1859
Materials: ink, ivory
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,violas
Outing to View Maples in Autumn, from the illustrated book "Picture Book: Flowers of the Four Seasons (Ehon shiki no hana)," vol. 2
Object type: print
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Clara Thropp, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Shield (Dhàl)
Object type: shield dhàl
Date: 1801 – 1900
Materials: iron, lacquer, silver
Culture: indian
Location: india
Lente
Object type: photograph
Date: 1943 – 1943
Materials: photographic support
Techniques: gelatin silver print
Location: north holland
Subjects: trees

In Zwaag staat een peperboompje in bloei, maart 1943.
Bottle cooler (seau à bouteille) (part of a service)
Object type: bottle cooler
Date: 1783 – 1783
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: fruit,flowers
Portret van Ludwig Fürst von Oettingen-Wallerstein
Object type: print
Date: 1802 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2228
Veld van vier tegels met dieren
Object type: tile
Date: 1580 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van vier tegels (2 x 2) elk met een veelkleurig (blauw, oranje, geel, groen en paars) dier op een grond binnen een kwadraat. In de hoeken, ornament in vultechniek.
Portret van Erasmus Quellinus II
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: engraving, etching, snipping
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: erasmus quellinus (ii), historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 964, number: ‘No 57’

Volledige prent gebruikt in: Houbraken, Arnold. De groote Schouburgh der Nederlantsche konstschilders en schilderessen (...). 3 dln. Tweede druk. Amsterdam: s.n., 1718, dl. 1. Prent ook gebruikt in de latere publicatie van 1753.
Mode de l'année prochaine, ca. 1830
Object type: caricature
Date: 1829 – 1829
Materials: paper
Techniques: hand coloring, lithograph
Location: brussels
Subjects: trousers, breeches (+ men's clothes), coat (+ men's clothes), fashion plates, head-gear: hat (+ women's clothes), stockings, socks (+ women's clothes), walking arm in arm, sleeves (+ women's clothes)
Inscriptions: caption: ‘MODE DE L'ANNÉE PROCHAINE.’
Piece
Object type: piece
Date: 1880 – 1889
Artist: charles frederick worth
Artist role: designer
Artist nationality: french, born england
Artist dates: 1825 – 1895
Subjects: flowers,leaves
Portret van Nicholas Lanier
Object type: print
Date: 1630 – 1674
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: london, painter, historical persons, portrait of composer, head-gear: hat
Inscriptions: collector's mark: Lugt 2228
Sugar Bowl
Object type: sugar bowl
Date: 1827 – 1835
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: new england glass company
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 1888
Leaf Bead
Object type: bead, leaf
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: leaves
North Holland Canal (?)
Object type: photograph
Date: 1904 – 1904
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: james higson
Artist role: politician
Artist dates: 1862 – 1933
Subjects: ships (in general) - cc - more than one ship
Campement de l'Armée des Alliez pour couvrir le Siege de Douay; contre l'Armée Françoise qui vint pour faire lever le dit Siege, en Juin 1710
Object type: map
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: the hague
Subjects: johan willem friso (prins van oranje-nassau), john churchill (1e hertog van marlborough), (military) camp with tents, siege, position war, maps of cities

Kaart van het legerkamp van de Geallieerden bij het beleg van Douai door de Geallieerden onder de prins van Oranje, ingenomen op 29 juni 1710. Rechtsboven de posities van het Franse leger dat ter ontzet is gekomen. Genummerd rechtsonder: Tom. II. No. 48. Illustratie in het tweede deel van : [Jean] du Mont, Oorlogskundige beschryving van de veldslagen en belegeringen, der drie ... wydvermaarde krygsoversten... den Prins Eugenius van Savoye, den ... Hertog van Marlborough, en den Prins van Oranje en Nassau-Vriesland, in de editie van 1729. Dit tweede deel is hoofdzakelijk gewijd aan de daden van de hertog van Marlborough en prins Johan Willem Friso.
Avondmaal in de Lutherse Kerk te Augsburg
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: holy communion ~ protestant service, augsburg
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in en mogelijk gebruikt in andere edities van: Picart, Bernard. Ceremonies et coutumes religieuses de tous les peuples du monde (...). Tome troisieme, qui contient les cérémonies des Grecs & des protestans. Deel 3. Amsterdam: Jean Frederic Bernard, 1733, na p. 362.
Der Tambour, Trommelschläger
Object type: book illustration
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: warfare; military affairs, the soldier; the soldier's life, drum (musical instrument) - cc - out of doors
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Comenius, Johannes Amosius. Orbis sensualium picti pars prima (...). Neurenberg: Martin Endter, 1719, dl. 2, p. 284. Prent eerder gebruikt in: Comenius, Johannes Amosius. Orbis Sensualium Picti denuo aucti Pars Secunda (...). Neurenberg: Martin Endter, 1730, dl. 2.
Portret van Maximiliaan, graaf van Hennin-Lietard en Boussu
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: antwerp, earl, historical persons

Prent zonder nummer en met andere omlijsting gebruikt in: Conterfet Kupferstich (...). Leipzig: Moritz Georg Weidmann, 1721.
Bloemenvaas geflankeerd door twee allegorische figuren
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: etching
Artist: gerard de lairesse
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1711
Subjects: invention, inventiveness; 'inventione' (ripa) (+ personification), flowers in a vase, labour
Inscriptions: collector's mark: Lugt 2228

Twee allegorische figuren staan links en rechts van een voetstuk waarop een bloemenvaas staat. De linker figuur met vleugeltjes langs haar hoofd en een klein beeld in haar handen stelt de personificatie van inventie voor. De rechter figuur draagt een schop en is mogelijk de personificatie van arbeid.