deem-data/ArtiFact huggingface dataset:
Vest
Object type: vest
Date: 1835 – 1840
Materials: cotton, wool
Culture: american

Waistcoats of the 18th and 19th centuries served as a layer protection and ornamentation during a period in fashion when the coat was intended to be left open in the front. The color was often chosen to complement the suit and covered in imaginative embroideries, heavily woven patterns or shiny satins made to draw the eye. The style of the neck, the length and the hem treatment fluctuated as the tastes changed from over-sized coats of the early 18th century to narrow tightly fitted coats of the late 18th century and onward. The distinctive pattern masterfully executed through canvas work embroidery on this vest is indicative of the skill of the women of the 19th century, who were expected to create household object alongside garments and fashion accessories such as this.
Gezelschap met een kinderwagen rond een tafel onder een boom
Object type: drawing
Date: 1864 – 1936
Materials: ink, paper, pencil
Techniques: pen
Artist: jan van essen
Artist role: draughtsman, print maker
Artist dates: 1854 – 1936
Studioportret van een man met snor en bril
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: istanbul
Inscriptions: name: ‘Abdullah freres, Constantinople’, name: ‘Mühlich’

De afgebeelde man is vermoedelijk de heer Mühlich.
Kookpot op drie poten, met uitstaande mondrand en twee oren
Object type: miniature
Date: 1675 – 1699
Materials: earthenware, glaze
Location: netherlands
Artist: Anonymous

Kookpot van aardewerk met lichtgele scherf en een weinig bruingevlekte loodglazuur. De bolle pot op drie poten met uitstaande mondrand en twee oren
Chasuble
Object type: chasuble
Materials: linen, metal thread, silk

Glinting with shiny (and cheap) lamella metal thread, this red, yellow and white woven silk is thick- almost to the illusion of having a pile- thanks to several warps and wefts. What the textile lacks in terms of dexterity of execution, it gains in unusualness of design and technique. It was apparently repurposed, cut and stitched together, some one hundred and fifty-odd years after it was woven to create the current garment- a tabard-like chasuble worn by a Catholic priest over his clothes in the church. In outline, particularly its exaggerated tear-drop shaped front panel, this chasuble is typical of the nineteenth century.
Medal
Object type: medal
Date: 1790 – 1790
Materials: gilt bronze
Culture: american
Location: united states
Artist: james manley
Artist role: maker
Artist nationality: american
Artist dates: 1790 – 1800
Subjects: george washington,profiles
The Russian Ball—In the Supper Room
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Christus word van 't Kruis afgenomen (...) / De begraafnis van den Heere Jesus (...)
Object type: book illustration
Date: 1716 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: descent from the cross: christ is taken down from the cross, usually by nicodemus and joseph of arimathaea who are standing on the ladders (both arms of christ detached), lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 3937

Prent mogelijk gebruikt in: Hamelsveld, Ysbrand van. De gewigtigste geschiedenissen des Bybels, afgebeeld in twee honderd twee en vĳftig printverbeeldingen (...) met eene zaaklĳke uitbreiding opgehelderd. Amsterdam: Jan de Groot, Gerrit Warnars, Petrus van Hengst, Dordrecht: Abraham Blussé, Pieter Blussé, Leiden: Samuel Luchtmans (III), Johannes Luchtmans, Harlingen: Volkert van der Plaats, 1791.
Scenes from the Legend of Saint Vincent of Saragossa and the History of His Relics
Object type: window
Date: 1245 – 1247
Materials: glass, lead, metal, paint
Culture: french
Location: france
Subjects: men,horses,saints

The monks of Saint-Germain-des-Prés had a special devotion for Saint Vincent (d. 304), as their abbey had been founded to receive a relic of the saint’s tunic. The relic had been transported from Spain by the Merovingian king Childebert (d. 558), who is shown here on horseback. The remaining scenes of this window, which is a composite from a larger ensemble, illustrate Saint Vincent’s confrontations with the Roman proconsul Dacian. These include, from the bottom: two guards before Dacian; Bishop Valerius and Saint Vincent in chains with Dacian condemning them; King Childebert and King Clothar on their way to Spain; Valerius and Vincent led to prison; Vincent’s body thrown into the sea and a man blowing an oliphant from a tower. A censing angel and tower decorate the uppermost panel of the window. Like the contemporary, famous windows of Louis IX’s royal chapel, Sainte-Chapelle, these panels make it clear that by the middle of the thirteenth century Paris was the leading center for a new, expressive style of glass painting.
Portret van Elizabeth I Tudor, koningin van Engeland
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: greenwich, richmond (surrey), koningin, elizabeth i tudor (koningin van engeland)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XIII.
Festival of Dionysius, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1549 – 1549
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: men,women,dionysus

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 135 in the scrapbook.
Portret van drie onbekende gekostumeerde mannen met maskers, van voren gezien
Object type: photograph
Date: 1872 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: mask, party clothes, festive attire, anonymous historical person portrayed, netherlands
Kurile Man
Object type: figure
Date: 1780 – 1800
Materials: hard paste porcelain
Artist: imperial porcelain manufactory, st. petersburg
Artist role: manufactory
Artist nationality: russian
Artist dates: 1744 – 9999
Subjects: bow and arrow,men

About 1780 the Imperial factory began the production of a large series of figures depicting Russian national types, of which fourteen are represented in the Linsky Collection. Like most of the figures, this figure is modeled from engravings published by Johann Gottlieb Georghi in his Description if All the Peoples Inhabiting the Russian State (editions of 1774, 1776, and later). The authorship of the models themselves is not established, but some may be attributable to Jean-Dominique Rachette (1744–1809), chief modeler at the factory from 1779 to 1804.
Netsuke of Group of Animals
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: dragons,boars,rabbits,tigers
The Pentecost
Object type: print
Date: 1574 – 1574
Techniques: engraving
Artist: cornelis cort
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1533 – 1578
Subjects: human figures,angels,apostles,christ
Terracotta fragment of a kylix (drinking cup) or a skyphos (deep drinking cup)?
Object type: kylix or skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, three fronds of a palmette
Reliquary with Contents
Object type: reliquary with content
Date: 101 – 300
Materials: copper, stone, silver
Culture: gandhara
Subjects: gandhara
Schede uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife with sheath
Date: 1700 – 1743
Materials: leather, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Scabbard; fragm, both ends broken, straight, remains of leather cover, with longitudinal seam.
Z.E. den Luit Generaal J. van Geen, opper Bevelhebber van het mobile Leger
Object type: print
Date: 1830 – 1845
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: historical persons

Portret van Joseph Jacobus baron van Geen, borststuk, in uniform, ietwat naar links, met drie eretekens. Onderaan een zesregelig gedicht.
Tourelle Rue de l'Ecole de Médecine, 22 (House with a Turret, No 22, rue de l'Ecole de Médecine, Paris) (called the Turret of Marat)
Object type: print
Techniques: drypoint, etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: houses,cities,paris
Portret van Peter Jan Beckx
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: rome, priest, historical persons, book
Maruru (Offerings of Gratitude), from the Noa Noa Suite
Object type: print
Date: 1893 – 1894
Materials: ink, paper, oil
Techniques: brush, printing, woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Near Land's End, Cornwall
Object type: painting
Date: 1879 – 1879
Materials: canvas, oil
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: seascapes,waves
Wie immer Amsterdam beziet / Vergete toch het doolhof niet / Waarvan men / in dees prenttafreelen / De jeugd een schets tracht mee te deelen
Object type: popular print
Date: 1831 – 1854
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: human types, labyrinth, maze ~ garden
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen van de Amsterdamse 'Oude Doolhof' op de Prinsengracht, en verschillende figuren zoals een Chinees, een herder en een herderin. Onder elke afbeelding een vierregelig vers.
Portret van Floris V, graaf van Holland en Zeeland
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: floris v (graaf van holland en zeeland)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XV.
Portret van Johann Jakob
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: zürich (stad), theoloog, johann jakob hess
Inscriptions: collector's mark: Lugt 2228

Buste van de Zwitserse theoloog Johann Jakob Hess.
Gebouw van de Kedive van Egypte te Caïro, Egypte
Object type: photograph
Date: 1867 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Artist: j. loroy
Artist role: fotograaf
Subjects: exterior ~ representation of a building
Inscriptions: inscription: ‘Egypte’, number: ‘Nr. 803.’
Scene in a Harem (Un Envoi de Serbie)
Object type: painting
Date: 1876 – 1876
Materials: canvas, oil
Artist: benjamin-constant (jean-joseph-benjamin constant)
Artist role: artist
Artist nationality: french
Artist dates: 1845 – 1902
Subjects: men,women,female nudes,orientalist
Portret van Meinrad I von Hohenzollern-Sigmaringen
Object type: book illustration
Date: 1703 – 1714
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: helmet, adult man, historical persons, armorial bearing, heraldry

Prent uit: Pregitzer, Johann Ulrich. Dess Heiligen Römischen Reichs Teutscher Nation, und dessen Stände, Regierungs- Und Ehren-Spiegel (...). Frankfurt en Leipzig: Friederich Roth-Scholtz, 1714. Of uit: Pregitzer, Johann Ulrich. Teutscher Regierungs- und Ehren-Spiegel, Vorbildend Des Teutschen Reichs, und desselben Stände, ersten Anfang, Fortleitung, Hoheit, Macht, Recht, und Freyheit (...). Berlijn: Rüdiger, 1703.
Teakettle
Object type: teakettle
Date: 1710 – 1720
Materials: silver
Culture: american
Location: united states
Artist: cornelius kierstede
Artist role: maker
Artist nationality: american
Artist dates: 1674 – 1760

As in England and the Netherlands, tea drinking became increasingly popular in colonial America, creating a demand for specialized tea equipment such as teapots, sugar bowls, and creampots. This bold, pear-shaped teakettle with bail handle is an extremely rare form in American silver. Its decorative bird's-head spout, distinctively Dutch in inspiration, enlivens the unadorned body, which probably sat on an accompanying spirit-lamp stand. The kettle descended in the de Peyster family to Anne (Stevenson) Van Cortlandt (1774–1821)—whose initials are engraved in script on the side of the body—and, ultimately, to the donor.
Zakpistool
Object type: pocket pistol
Date: 1814 – 1866
Materials: brass, iron, wood
Techniques: engraving
Location: liège
Artist: Anonymous
Subjects: netherlands
Inscriptions: mark: ‘ELG’, number: ‘430’

Zakpistool, percussiepistool met loop en slotplaat van messing, ijzeren haan, trekker en beugel en houten kolf. De loop is achthoekig en van binnen getrokken. De slotplaat heeft heeft enig lofwerk aan beide zijden. De kolf is gemaakt van hout en zit met een twee ijzeren pinnen bevestigd aan de slotplaat. Onderaan de slotplaat staat het nummer '430', 'NF' en een ovaal met daarin 'ELG'.
Mr. and Mrs. Charles E. Tiffany in Louis C. Tiffany's Studio
Object type: photograph
Date: 1890 – 1890
Techniques: platinum print
Artist: george collins cox
Artist role: artist
Artist nationality: american
Artist dates: 1851 – 1902
Subjects: couples,men,women
Parasol
Object type: parasol
Date: 1876 – 1900
Materials: silk
Culture: french

The concentric circle format seen here is an alternative to the section format that is often used for parasol covers. The pattern is made specifically for the shape of the object for which it is intended, being a parasol cover.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 450 – 450
Materials: terracotta
Culture: greek, attic
Artist: painter of london e 777
Artist role: artist

Interior, draped woman to right wearing a sakkos, chiton, and himation; behind her, a block seat; draped youth to left, seen from the back, which is in three-quarter view, with his right hand on his hip, leaning on a knobby stick; behind him, a rock?; Obverse, drapery, feet, and stick of male to right; lower drapery and feet of male; drapery, stick, and feet of male to left; handle palmettes and tendrils; Reverse, drapery and feet of male to left, with a stick; drapery and right foot of male to right
Mimeguri, from vol. 1 of the illustrated book "Fine Views of the Eastern Capital at a Glance (Toto shokei ichiran)"
Object type: print
Date: 1800 – 1800
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Schoorsteen
Object type: print
Date: 1670 – 1699
Materials: paper
Techniques: etching
Location: france

Niet in Berlin. Guilmard. Zie Fishe Kimball, The Creation of the Rococo, p.68 (vermeld reeks in Met.Mus.N.Y. als uniek). Zie ook: Metrop.Mus. Studies, Vol. V, p.274 e.v.
Earring, One of a Pair
Object type: earring
Date: 1001 – 1100
Materials: gold
Location: egypt
Portret van een staande vrouw
Object type: album leaf
Date: 1885 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: willem oldenkamp
Artist role: fotograaf
Artist dates: 1864 – 1921
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Photografische inrichtingen van/ W. Oldenkamp/ Arnhem/ Ridderstraat 22/ Wageningen/ naast het station’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, part of head and upper torso of youth with himation; to the right, handle patch and handle root
Amulet of the God Ptah
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: gods (deities)
Portret van Jan Jacob Lodewijk ten Kate
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: engraving
Artist: edouard taurel
Artist role: draughtsman, print maker
Artist dates: 1824 – 1892
Subjects: the hague, amsterdam, jan jakob lodewijk ten kate, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Kate, Jan Jacob Lodewijk ten. De schepping. Utrecht: Kemink & Zoon, 1866.
Figure-top spoon
Object type: spoon
Date: 1701 – 1800
Materials: gilt, silver
Subjects: men
Copper Lime Spoon with Monkey Top
Object type: lime spoon
Date: 1101 – 1500
Materials: copper
Culture: chimú
Location: peru
Subjects: monkeys
Journal des Demoiselles, Supplément au No. du 1 Juin 1908, No. 5429 : Toilettes de Mmes Forcillon (...)
Object type: fashion print
Date: 1908 – 1908
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: corsage (+ women's clothes), pendant, trinket, 'breloque' (+ women's clothes), walking-stick, staff, cane (+ women's clothes), bag (handbag) (+ women's clothes), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: title: ‘Modes de Paris / JOURNAL DES DEMOISELLES’, address: ‘52, Rue St. Georges’, caption: ‘Toilettes de Mmes FORCILLON SOEURS 165, Rue St Honoré, Place du Théâtre Français Parfumerie HOUBIGANT 19, Faub.g S.t Honoré’

Links: Japon met sleep, ronde hals en aangeknipte korte mouwen bestaande uit drie geplooide stroken. Lijfje met hoge boord en ondermouwen. Hoed met verenpluim. Collier waaraan klein tasje met knip. Parasol in de hand. Rechts: Lang jasje met afgeronde voorpanden op een rok met platte plooien. Beide bij de zoom identiek versierd. Hoed met opstaande rand, versierd met een vogel. Bloemcorsage. Tasje met knip en paraplu in de handen. Aan weerszijden een lijntekening van de beide achterzijden. Op de achtergrond uitzicht op zee. Volgens het onderschrift:'toilettes' van de Mmes Forcillon Soeurs. Parfumerie van Houbigant. Prent uit het modetijdschrift Journal des Demoiselles (1833 -1922).
Portrait of George IV, King of England
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: etching
Location: london
Subjects: george iv (koning van het verenigd koninkrijk), historical persons, king
Inscriptions: collector's mark: Lugt 2228

George was prince regent from 1811 and king of England from 1820 until his death in 1830. He had himself portrayed by Lawrence a number of times. The ruler was anything but an easy sitter: he suffered from obesity as a result of his excessive lifestyle. Lawrence thus had to steer a course between credibility and fawning. His critics felt that he flattered the king too much.
Gezicht op het kasteel te Gellicum
Object type: print
Date: 1752 – 1789
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle
Inscriptions: collector's mark: Lugt 2228

Gezicht op het kasteel te Gellicum en de slotgracht. Rechtsboven genummerd: 8.
Kandelaar met twee armen
Object type: candlestick
Date: 1450 – 1500
Materials: brass
Techniques: casting, screwed, turning
Location: southern netherlands
Artist: Anonymous

De geprofileerde konische voet heeft bovenaan een opstaande rand, waardoor hij tevens als vetvanger dienst kan doen. Op de voet is de ronde stam geklonken, die met drie knopen is versierd. Het bovendeel van de stam, dat gedeeltelijk van een schroefdraad is voorzien, loopt zodanig toe dat het als een kaarsenpin kan worden gebruikt. De overgang van de voet naar de stam is door rillen gemarkeerd. Op de stam is de twee-armige draaier geplaatst, welke in het midden een rond gat heeft met een schroefdraad, die past op die van de schacht. De armen hebben de vorm van driepassen. In de ronde of puntvormig toelopende uiteinden zijn de kaarsenpinnen op de vetvangers geschroefd. Deze laatste hebben zes kantelen en zijn versierd met zes ornamentjes van telkens drie gaatjes.
Portret van Mathaeus von Wesenbeck
Object type: print
Date: 1697 – 1717
Materials: paper
Techniques: engraving
Subjects: westphalia, official; civil servant; functionary (in general), historical persons

Prent is gebruikt in verschillende series. De huidige staat is gebruikt in de hieronder vermelde serie en uitgaven (6), (7) en (8).

(1)'Icones legatorum (...)', uitgegeven door Daniel Middeler in 1648 in Antwerpen.
(2)‘Legati Celeberrimi’, uitgegeven door Daniel Middeler in 1648 in Antwerpen.
(3)‘Legati Celeberrimi’, waarschijnlijk uitgegeven in 1651, maar opnieuw met de vermelding door Daniel Middeler in 1648 in Antwerpen.
(4)‘Legati Celeberrimi', waarschijnlijk uitgegeven in 1658, maar opnieuw met de vermelding door Daniel Middeler in 1648 in Antwerpen.
(5) 'Pacificatores orbis Christiani, sive icones principum, ducum et legatorum, qui Monasterii atque Osnabrugae (...)', uitgegeven door Pieter van der Slaart in 1696 in Rotterdam.
(6) 'Pacificatores orbis Christiani, sive icones principum, ducum et legatorum, qui Monasterii atque Osnabrugae (...)', uitgegeven door Pieter van der Slaart in 1697 in Rotterdam.
(7) 'Pacificatores orbis Christiani, sive icones principum, ducum et legatorum, qui Monasterii atque Osnabrugae (...)', waarschijnlijk uitgegeven circa 1713, maar opnieuw met vermelding van Pieter van der Slaart in 1697 in Rotterdam. De platen in deze uitgave zijn voor het eerst genummerd.
(8) 'Les hommes illustres qui ont vécu dans le XXIIe siècle (...)', uitgegeven door David Mortier in 1717 in Rotterdam.

Zie documentatie. Mogelijk zijn er nog meerdere uitgaven en staten van deze prent.
A Group of Mosaic Tilework Fragments
Object type: tile fragment
Date: 1476 – 1500
Materials: clay, stonepaste
Techniques: glazing, polychrome
Location: iran

With their curvilinear floral designs and limited color palette, the intricate mosaic tilework design on these fragments may be compared to the illuminations found in contemporary fifteenth‑century manuscripts. The small selection of fragments presented here is taken from a group of more than five hundred that arrived at the Museum in 1907. While their original context has proved difficult to identify, they may once have adorned a late fifteenth‑century mausoleum in the city of Isfahan.
Interieur met twee zittende vrouwen en kinderen
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: sitting figure, adult woman, interior of the house, infant, baby

Vermoedelijk heeft één van de vrouwen een baby op schoot. Blad 8 verso uit een schetsboek met 43 bladen.