deem-data/ArtiFact huggingface dataset:
Jozef
Object type: print
Date: 1615 – 1623
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Inscriptions: collector's mark: Lugt 240
Stadhouder Prins Maurits van Oranje 1602
Object type: history medal
Date: 1602 – 1602
Materials: brass
Techniques: casting

Messing penning, op de voorzijde het portret van Prins maurits, met omschrift, op de keerzijde een nieuwe loot aan een oranjeboom binnen een lauwerkrans, met omschrift.
Erinnerungen an Fritz Reuter
Object type: book
Date: 1885 – 1885
Materials: paper
Techniques: albumen print, printing
Location: wiesbaden
Artist: wilhelm trinius
Artist role: schrijver
Inscriptions: inscription: ‘ex -N 1993’
Sir Whisky Whiffle
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,profiles
Goochelaar in een schouwburg
Object type: print
Date: 1822 – 1845
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: boxes, loges ~ theatre, etc., large group of musicians, orchestra, sorcerer, magician, wizard, warlock, amsterdam
Inscriptions: collector's mark: Lugt 2228

Op het podium staat een goochelaar te midden van attributen en kaarsen. Voor hem het orkest in de orkestbak. In de zaal en op de balkons zit publiek.
Knife
Object type: knife
Date: 1902 – 1902
Materials: jade
Culture: swiss
Barbé Marbois
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Portret van Willem Smits
Object type: drawing
Date: 1753 – 1799
Materials: ink, paper
Techniques: brush, pen
Subjects: historical persons, monk(s), friar(s)
Inscriptions: inscription: ‘n.omstr 1700 (...) J.C. / Wendel’, collector's mark: Lugt 2228

Met vierregelig onderschrift in het Latijn en tekst in het Latijn rondom het portret.
Spotprent op de Engelse oorlogsverklaring aan de Republiek, 1780
Object type: print
Date: 1701 – 1781
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: london, george iii (koning van het verenigd koninkrijk), declaration of war, fourth anglo-dutch war
Inscriptions: collector's mark: Lugt 2228

Spotprent op de Engelse oorlogsverklaring. Koning George III tekent al slapende bij het licht van een omvallende kaars op 20 december 1780 de oorlogsverklaring aan de Republiek. Rechts een man met een document over de Gewapende Neutraliteit, tegenover hem drie andere woedende lords.
Op haar rechterzij liggende naakte vrouw
Object type: print
Date: 1948 – 1948
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Subjects: lying on one side, stretched out - aa - female human figure, woman (showing herself) undressed, quasi-nude

Prent uit: Lucianus van Samosata. Dialogues des Courtisanes. [Vertaald uit het Grieks door] Charles Astruc. Parijs: s.n., 1948, p. 46.
The Cogent Reason, plate four from Intimacies
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: woodcut
Location: france
Artist: félix edouard vallotton
Artist role: print maker
Artist nationality: french, born switzerland
Artist dates: 1865 – 1925
Anne Howe en Oberst Morden rouwen bij het lichaam van Clarissa
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, coffin, the corpse
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Richardson, Samuel. Clarissens Schicksale dargestellt in vier und zwanzig Kupferblättern von Daniel Chodowiecki. mit Erläuterungen des Deutschen Uebersetzers Dr. L. Th. Kosegarten. Leipzig: Heinrich Gräff, 1796.
Wooded Landscape with River
Object type: painting
Date: 1645 – 1680
Materials: oil, panel
Artist: johan de lagoor
Artist role: draughtsman, painter, print maker
Artist dates: 1620 – 1660
Subjects: river, landscape with ruins

Boslandschap met rivier op de voorgrond. Aan de oever rechts staat een hengelaar, verderop herders met schapen. Tussen de bomen de ruïne van een kasteel.
The Massakama mountain and Troetroefontein, near the present village of Vanrhynsdorp
Object type: drawing
Date: 1779 – 1779
Materials: ink, paper, pencil
Techniques: brush, pen
Inscriptions: annotation

Oorspronkelijk in omslag van roodkleurig halfleer en roodgemarmerd plat, dorso met ribben en goudopdruk; 71 x 99 x 6 cm.
Huwelijk van Isaak en Rebekka
Object type: print
Date: 1599 – 1645
Materials: paper
Techniques: engraving
Location: rome
Subjects: marriage of isaac and rebekah
Inscriptions: collector's mark: Lugt 2228

Dit object is omwille van een betere presentatie virtueel samengevoegd, maar bestaat fysiek uit losse onderdelen.
Le leçon d'anatomie
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photoaquatint
Location: france
Subjects: anatomical specimen
Gold and copper alloy bracelet with lion-head finials
Object type: bracelet, gilded bronze
Date: 500 – 401
Materials: bronze, gold
Culture: cypriot
Subjects: lions

With a head of a lion on the end.
Stamboom met afkomst Christus van Zerubbabel
Object type: print
Date: 1776 – 1849
Materials: paper
Techniques: etching
Location: netherlands
Subjects: ancestors and parents of christ
Inscriptions: collector's mark: Lugt 2228

Stamboom met namen van de geslachten waaruit Maria en Jozef afkomstig zijn, illustreert de afkomst van Christus van Zerubbabel zoals beschreven bij Matteüs I en Lukas 3. De stamboom staat op een voetstuk dat geflankeerd wordt door symbolen van de Nederlandse staat. Twee kleine scènes links en rechts: de boodschap van de engel Gabriël aan Maria en Christus verschijnt voor zijn discipelen. Een engel houdt een rol papier vast met daarop de tekst Eeuwig Evangelium en verklaring over de geboorte van Christus.
Piece
Object type: piece
Date: 1701 – 1900
Materials: metal thread, silk, wool
Subjects: flowers,leaves
Roundel with Saint Peter as Pope
Object type: roundel
Date: 1525 – 1525
Materials: glass, paint, pigment
Culture: south netherlandish
Location: south netherlands
Subjects: popes,saint peter,keys
Panel
Object type: textile
Date: 1801 – 1900
Materials: textile, gold thread, silk
Location: romania
Spelende meisjes, mogelijk op het strand
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: beach (as place of recreation), girl (child between toddler and youth)

Blad 18 verso uit schetsboek XXI met 19 bladen.
Fragment of a Bowl with White Glaze
Object type: fragment of a bowl
Date: 701 – 900
Materials: earthenware
Techniques: glazing
Location: iraq

This bowl was excavated at Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city was known in Arabic as al-Mada’in, or "the cities", for its extended area. Arab historians indulge in describing al-Mada’in/Ctesiphon’s grand monuments, which obsessed Muslim rulers and may have acquired a symbolic meaning related to its imperial past. This was the case of the Taq-i Kisra, an impressively-sized ivan (a vaulted hall with one side open) partially dismantled to reuse its bricks in caliphal buildings in the new capital Baghdad. Finds like this fragment, which was excavated at a site named Selman Pak V, attest to the continued occupation of Ctesiphon’s urban area in the early Islamic period. Similar ceramics count amongst the advances achieved by Iraqi potters in the 9th century. Beside technical innovations, such as the development of a range of opacifying techniques for glazes and the use of cobalt blue, the potters’ works attest of their artistic creativity.
Kaartje van Nova Zembla met scènes uit de tocht, 1596-1597
Object type: history print
Date: 1740 – 1760
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: willem barendsz., jacob van heemskerck, maps of separate countries or regions, landscapes in polar regions, exploration, expedition, voyage of discovery

Kaartje van Nova Zembla met aan de linker en rechter kant elk drie scènes uit de tocht, 1596-1597.
Portret van Nikolaus Hunnius
Object type: print
Date: 1705 – 1769
Materials: paper
Techniques: engraving
Artist: christian fritzsch
Artist role: print maker
Artist dates: 1695 – 1769
Subjects: theologian, ornament ~ medallion, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Solar Lamp
Object type: solar lamp
Date: 1843 – 1849
Materials: gilt bronze, glass
Culture: american
Location: united states
Artist: cornelius and son
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Briefkaart aan Jan Ponstijn en Henriëtte Johanna Petronella van Hilten
Object type: postcard
Date: 1909 – 1909
Materials: cardboard, ink
Techniques: pen, writing
Location: hatert
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: henriëtte johanna petronella ponstijn-van hilten, amsterdam, maker, harmina catharina baruch-ponstijn, jan petrus ponstijn, landscapes, confinement, birth
Gevelsteen met de heilige Ursula Begijnhof in Amsterdam
Object type: print
Date: 1877 – 1894
Materials: paper
Techniques: lithograph
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: stone tablet in façade, st. ursula protecting the eleven thousand virgins with her cloak, amsterdam
Inscriptions: collector's mark: Lugt 1641, stamp

Gevelsteen met de heilige Ursula Begijnhof in Amsterdam. Genummerd midden boven: No. 2. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Uithangteekens, gevelstenen.
Holy Water Stoup (Bénitier)
Object type: metalwork
Date: 1701 – 1800
Materials: pewter
Location: austria-hungary
Portret van Gottlieb Immanuel Dindorf
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: etching
Artist: wilhelm arndt
Artist role: print maker
Artist dates: 1750 – 1813
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Kreussler, Heinrich Gottlieb. Autobiographieen Leipziger Gelehrten. Leipzig: J.B. Fleischer, 1810.
Natural horn
Object type: horn
Materials: copper
Location: lierre

Op de beker gegraveerd 'G. van Engelen / ainé à Lierre'. De bekermond is rood gelakt. Daarop zijn met goudverf blad- en bloemmotieven geschilderd. Met groen koord omwonden.
Sutra Cover
Object type: textile
Materials: board, ink, textile, silk
Techniques: bookbinding, interlacing, painting, patterning, weave, satin weave
Location: china
Duit van de stad Utrecht, 1744
Object type: coin
Date: 1744 – 1744
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: gekroond stedelijk wapenschild, gehouden door twee leeuwen met in afsnede dunne lijn, waaronder een versierde accolade met een grote schelp. Keerzijde: opschrift in twee regels, waaronder jaartal. Jaartal met Romeinse I.
Towel border
Object type: border
Date: 1801 – 1833
Materials: linen, silk
Subjects: animals,flowers

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Russian bed curtains and towels were not only used for decorative purposes, but also provided an important role in ceremony. Bed curtains often adorned sleighs for weddings or carnival processions. Towels were draped over mirrors, trees, and temples, hung on walls, or used as offerings to the church in addition to their traditional uses.
Two keys and key ring
Object type: key ring
Date: 1501 – 1700
Materials: iron
Cabaret de l'Homme Armé, Rue des Blancs-Manteaux
Object type: photograph
Date: 1900 – 1900
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: paris

Eugène Atget systematically photographed traditional establishments and vernacular settings in Paris—fundamental aspects of the city under threat from new construction and industrialization. Successful before World War I as a purveyor of “Old Paris” to libraries and artists, in his final years (and posthumously) he became a cult favorite of two specific and influential sets—European Surrealists and American documentarians. Atget included this early image of a cabaret in a 1913 album of 60 images called Signs and Old Shops in Paris. He focused here equally on the emblem of “the armed man”—a title (and a tavern) dating to the medieval crusades, rendered in word and image to assure its familiarity to a partially illiterate clientele—and on the maitre d’, who gazes back through a glass window that also reflects, like a ghost, the likeness of the photographer himself.
Decanter
Object type: decanter
Date: 1790 – 1810
Materials: glass
Techniques: glassblowing, cutting, engraving
Culture: bohemian
Location: czech republic

American consumers were drawn to imported blown-glass decanters from Europe, particularly from England. The interlaced garland that surrounds the thickest part of each decanter was one of the most popular patterns, cut into the glass with a copper wheel.
Portret van Ferdinand Fabre
Object type: photomechanical print
Date: 1873 – 1880
Materials: paper
Techniques: woodburytype
Artist: étienne carjat
Artist role: draughtsman
Artist dates: 1828 – 1906
Subjects: paris, historical persons
Oprichting van de Kapel St Ferdinand ter ere van de hertog van Orléans 1843
Object type: history medal
Date: 1843 – 1843
Materials: brass
Techniques: striking

Twaalfhoekige messing penning met draagoog, op de voorzijde het portret van de Hertog van Orleans naar links met omschrift, op de keerzijde het aanzicht van een ommuurde kapel met omschrift en afsnedetekst.
Portret van Johann Nicolaus von Dreyse
Object type: photomechanical print
Date: 1899 – 1901
Materials: paper
Techniques: letterpress printing
Location: berlin
Artist: Anonymous
Subjects: historical persons, crafts and industries

Fotomechanische afdruk waarschijnlijk uit: Werkmeister, Karl. Das Neunzehnte jahrhundert in Bildnissen. 4 dln. Berlijn: Photographischen Gesellschaft, [1899-1901].
Tussenzetsel van batist met witwerk van vergeet-mij-nieten en sterren
Object type: strip
Date: 1850 – 1860
Materials: textile, linen
Techniques: satin stitch, weave, embroidery
Location: netherlands
Artist: Anonymous

Tussenzetsel van naturelkleurig batist met witwerk. Binnen opengewerkte lijsten staat een lopend patroon van vergeet-mij-nieten met stelen in de lengterichting, waaraan drie vergeet-mij-nieten. Tussen elke tak staan elf sterren. De lange zijden zijn niet afgewerkt.
Fruit Mold
Object type: mold
Date: 1390 – 1352
Materials: pottery
Location: egypt
Het wilde zwijn
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: hoofed animals: boar
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van een wild zwijn. In de ondermarge een onderschrift. Genummerd rechtsboven: No 208.
Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei)
Object type: print
Date: 1797 – 1799
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: chōbunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Subjects: women

In addition to his parodic Genji in Fashionable Modern Guise prints, Eishi created eight prints in diptych format that allude to Genji episodes. Each displays two beauties, with landscapes in insets that reference the scenic “Eight Views of Ōmi” and correspond to chapters from the tale. In the print representing Chapter 41, “Spirit Summoner,” the encircled geese and autumn grasses evoke a poem by the Akashi Lady. On the left, Chapter 19, “A Thin Veil of Clouds,” is recalled by the landscape of Awazu, a name that refers either to Genji’s interest in Akikonomu, or to a poetic exchange between Genji and the Akashi Lady.
Scarab Inscribed with the Names of Ramesses II
Object type: scarab, ramesses ii
Date: 1295 – 1186
Materials: faience
Location: egypt
Subjects: hieroglyphs,scarabs
Toscaans landschap
Object type: drawing
Date: 1485 – 1517
Materials: ink, paper
Techniques: pen
Artist: bartolommeo (fra)
Artist role: draughtsman
Artist dates: 1472 – 1517
Subjects: toscane
Design for a Chair and Three Designs for Ceiling Molding
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: palmettes,chairs
Portret van Sophie Croizette
Object type: print
Date: 1887 – 1889
Materials: paper
Techniques: engraving
Artist: léon-louis chapon
Artist role: print maker
Artist dates: 1836 – 1918
Subjects: historical persons
Inscriptions: : Lugt 2228
Evening dress
Object type: evening dress
Date: 1850 – 1855
Materials: cotton, silk
Culture: american

This subdued plaid of this dress was designed after Scottish tartans which became popular in the 1850s due to Queen Victoria (1837-1901) taking part-time residence at Balmoral Castle in Aberdeenshire, Scotland. The plaid stripes alternating with more subdued plain stripes draw particular attention to the beauty of the textile. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.
Kruisdraging
Object type: print
Date: 1560 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Artist: Anonymous
Subjects: christ meets veronica, who has a cloth to wipe christ's face
Inscriptions: collector's mark: Lugt 240

Christus draagt het kruis naar Golgota. Hij wordt geholpen door Simon van Cyrene. Voor Christus knielt Veronica met het sudarium om het zweet van zijn gezicht te wissen. Achter hen gewapende soldaten. Onder een éénregelige toelichting in het Latijn.
Card 8, from the Girl Baseball Players series (N48, Type 1) for Virginia Brights Cigarettes
Object type: baseball card, photograph
Date: 1886 – 1886
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,baseball,athletes

Trade cards from the "Girl Baseball Players" series (N48), issued in 1886 by Allen & Ginter to promote Virginia Brights and Dixie Cigarettes. There are two types of card in the series. Type 1 shows a female baseball player in a uniform with a polka dotted bib, and most often the cards are numbered. Type 2 depicts a female baseball player in a standard uniform with her player position noted on the image.
Kanaal door de Isthmus of landengte van Korinthe, verbinding tussen de Korinthische en de Saronische Golf
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: corinth
Artist: johannes lodewijk heldring
Artist role: fotograaf, predikant, schrijver
Artist dates: 1852 – 1923
Subjects: straits, narrows
Gesloten poort tot het kasteel (Alhambra) te Granada
Object type: drawing
Date: 1561 – 1601
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: joris hoefnagel
Artist role: draughtsman, painter, print maker
Artist dates: 1542 – 1600
Subjects: gate ~ fortified city, castle, city-gate

De tekening is waarschijnlijk gebruikt voor Braun-Hogenberg dl. 5, pl. 14.
Grenadiers der koninglijke garde
Object type: print
Date: 1836 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van staande militairen. Figuren om uit te knippen, op karton te plakken en aan de voet te verstevigen met een klosje hout om ze overeind te kunnen zetten. Genummerd linksboven: no. 32.
Carnelian oval set in a 17th–18th century gold ring
Object type: intaglio
Date: 27 – 14
Materials: gemstone
Culture: roman
Artist: gnaios
Artist role: artist
Subjects: profiles,women

The scepter behind her head indicates a royal portrait, perhaps a Ptolemaic queen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of a draped figure
Fusi-Yama from Yoshida
Object type: photograph
Date: 1867 – 1868
Materials: paper
Techniques: albumen print
Location: japan
Artist: felice beato
Artist role: fotograaf
Artist dates: 1825 – 1909
Subjects: volcano
Inscriptions: inscription: ‘THIS noble mountain, (...)’
Herbergscène met twee vrouwen die mossels hebben gegeten
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: mezzotint
Location: northern netherlands
Artist: jan stolker
Artist role: draughtsman, painter, print maker
Artist dates: 1724 – 1785
Subjects: chimney, foot-stove, inn, coffee-house, public house, etc., pipe ~ tobacco, molluscs: mussel
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Eerste Proeffdruk in de Maant Maart 1762.’

In een herberg begroet een oude man twee vrouwen die bij de haard zitten. Op de grond een mosselpan en mosselschelpen. Achter de vrouwen staan twee mannen pijp te roken.
Pieces from a Robe (Kosode) with Autumn Grasses
Object type: piece from a kosode
Date: 1701 – 1750
Materials: paste, silk
Techniques: dyeing, painting, weave, resist, stitching
Culture: japanese
Subjects: flowers,plants

These textiles have a lighthearted pattern of various autumn grasses, including Chinese bellflowers (kikyō), bush clover (hagi), and miscanthus grass (susuki) on a background of large triangular shapes. The pieces were once part of a robe (kosode). The textiles share the simplified, somewhat flattened style consistent with designs called "Kōrin patterns" (Kōrin moyō) after the great Rinpa artist Ogata Kōrin (1658–1715). Beginning in the 1710s, kosode pattern books often labeled designs "kōrin," though they used homophonic characters for the syllable "-rin" rather than the actual character of the artist’s name. One such reference occurs in a book of 1716, Hiinagata kiku no i (Pattern Book: Chrysanthemum Well). Among its several designs for kosode with backgrounds of triangular shapes similar to those seen here is one labeled "kōrin."
Boekhandel Au Singe qui lit te Parijs
Object type: print
Date: 1908 – 1935
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: Anonymous
Subjects: pavement, terrace in front of inn or restaurant, shop-window, show-window, book-shop, bookseller
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Gezicht op het exterieur van de boekhandel, gevestigd in hotel Au Cadet de Cascogne aan het Place du Tertre. Een man, twee vrouwen en een kind bekijken prenten die buiten onder een overkapping zijn uitgestald.