deem-data/ArtiFact huggingface dataset:
Schema fornicis hermathenae
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving, hand coloring
Location: southern netherlands
Subjects: infante van spanje isabella clara eugenia, brussels, albrecht aartshertog van oostenrijk, triumphal arch, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', antwerp

Kleine triomfpoort met hermen, december 1599. Triomfpoort bovenop versierd met hermen van Mercurius en Minerva. In de openlucht met een stralende zon. Tijdens de intocht te Antwerpen. Onderdeel van: Historica narratio profectionis et inaugurationis serenissimorum Belgii principum Alberti et Isabellae Austriae archiducum, de beschrijving van de intochten van het paar te Brussel, Antwerpen, Gent en Valenciennes, 1599.
Illustration from Das Buch der Evangelien, plate eighteen from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Techniques: woodcut
Location: germany
Artist: Anonymous
Artist nationality: german
Artist dates: 1500 – 1599
Mahomed valt in vervoering aan de voeten van zijn vrouw Kadiga
Object type: book illustration
Date: 1696 – 1696
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: hoofed animals: camel, asiatic races and peoples: turks, fainting, swooning
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Ryer, André du. Mahomets Alkoran. [vertaald uit het Frans door] Jan Hendrik Glazemaker. Amsterdam: Timotheus ten Hoorn, 1696.
Box-board for chess and backgammon
Object type: chess and backgammon board
Date: 1801 – 1833
Materials: ivory, shell, wood
Subjects: games
Tarracotta oil lamp
Object type: lamp
Date: 40 – 100
Materials: terracotta
Culture: roman

Loeschcke Type 4. Mold-made. Discus: rosette of twelve rounded petals with central rib; a single small filling hole at center; single groove around edge; undecorated, narrow, sloping shoulder. Volutes flanking nozzle, with large wick hole. Incised base ring, and uneven, slightly concave base. Intact, but one large surface chip in side at back left.
Glass bowl fragment with later inscription
Object type: fragment of a bowl
Date: 1 – 300
Materials: glass
Culture: roman

The fragment has been shown by scientific analysis and examination to be ancient. It is probably part of a bowl or globular bottle that was decorated with linear engraving in antiquity. However, the inscription and floral decoration appear to be modern additions. The inscription is copied from a Roman marble cinerary urn that has been known since 1716 and been in the British Museum since 1804. The decoration was therefore added to the fragment in order to enhance its attractiveness and value probably in the 19th century by an astute, well-informed, but unscrupulous person.
Knife
Object type: knife
Date: 1801 – 1900
Materials: silver, steel
The Fan Peddler
Object type: print
Date: 1765 – 1765
Techniques: woodblock print
Location: japan
Artist: attributed to suzuki harunobu 鈴木 春信
Artist nationality: japanese
Artist dates: 1725 – 1770
Triomftocht van Julius Caesar
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: woodcut
Location: mantua
Artist: andrea andreani
Artist role: print maker, printer
Artist dates: 1558 – 1629
Subjects: torch, triumph of caesar, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een fries dat bestaat uit een titelprent en negen prenten die samen een triomftocht van Julius Caesar vormen. Bij de serie hoort tevens een prent met daarop zes Korinthische pilasters, bedoeld om te worden uitgeknipt en gebruikt als verbindingsstukken tussen de verschillende bladen. Op dit exemplaar is een pilaster aan de rechterkant gemonteerd. Op de achterzijde van de pilaster een afdruk van een andere clair-obscur houtsnede.
Bedcover Entitled "Genealogy"
Object type: textile
Date: 1896 – 1896
Materials: cotton, feather, textile, silk, thread, velvet, wool
Techniques: backing, embroidery, cutting, treatment, weave, satin weave, stamping, stitching
Location: massachusetts
Artist: catharine l. clark
Artist nationality: american
Artist dates: 1896 – 
Inscriptions: Top border: These are the descendents of William Rairigh through one hundred years 1796-1896
Climbing in wisdom is no monkey business
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Subjects: trees, monkeys, apes
Clubhuis van roeivereniging De Hoop
Object type: print
Date: 1848 – 1886
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rowing, canoeing, etc. (sport) (+ organization, club (sports, games, etc.)), amsterdam
Inscriptions: collector's mark: Lugt 1641, collector's mark

Het clubhuis van roeivereniging De Hoop aan de Amstel. De Oude Jachthaven aan de Hogesluis te Amsterdam. Op de voorgrond een roeiboot en een zeilschip. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; Watervermaak.
Portret van een man
Object type: print
Date: 1500 – 1539
Materials: paper
Techniques: etching
Artist: nicolaas hogenberg
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1539
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Mary, Queen of Scots
Object type: print
Date: 1767 – 1800
Techniques: engraving, etching
Artist: w. proud
Artist role: artist
Artist nationality: british
Subjects: queens,portraits,women,mary queen of scots
Papyrus Fragment
Object type: fragment of a non illustrated single work
Date: 1001 – 1200
Materials: ink, papyrus
Location: egypt
Subjects: calligraphy

This papyrus fragment of a non-illustrated single work is written in a cursive script with rounded letter terminals. Although the side shown here has ten lines, the other side has only seven that are smaller in scale. Papyrus was used for documents, letters, and commercial transactions in a type of script that is comparable to the modern cursive style. Diacritical points and vowel marks are visible, however, suggesting that this fragment did not belong to one of these categories. In fact, the text, which describes demons (jins) as invisible beings of fire and dark as the blackness of night, is philosophical and theological in nature. This could be a record of a treatise like the Mishkat al-Anwar (Niche of Lights), by the great Muslim theologian al-Ghazali (1058–1111).
These too, plate 25 from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: engraving, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war
Schetsboek met 37 bladen
Object type: sketchbook
Date: 1896 – 1901
Materials: cardboard, chalk, linen, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: civic architecture; edifices; dwellings, street, amsterdam
Inscriptions: annotation: ‘Pijpen markt/ Rokin uit Arti/ Kinderen op een reitje/ Hoek Paleisstraat Pijpenmarkt/ id/ Prins Hendrikkade avond/ Lauriergracht avond/ oud huis O.Z. Kolk/ Dam voor het Americain. L. Plein/ oude huisjes. N.Z. Voorburgwal/ oude huisjes O.Z. Kolk/ Ploegend paarden. Koren[?]/ romp paard/ Rokin uit Arti h/ Dam/ Pijpen markt met kinderen/ Kar met 2 paarden Dam/ h/ Damrak/ Paleisstraat b/h Singel/ Heijereij[?] Barendkade [sic]/ Rokin maneschijn/ 2 meisjes/ Paard van achteren/ Vensters en De[...] N. Kerk/ oud huisje Haarlemmerplein’

Schetsboek bestaande uit 37 bladen met voornamelijk gezichten te Amsterdam.
Headdress
Object type: headdress
Date: 1876 – 1900
Materials: cotton, metal, silk

This object was collected by Stewart Culin (1858-1929) during a collection expedition in 1923. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
Towing a Boat in a Rainstorm
Object type: fan mounted a an album leaf
Date: 1167 – 1200
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: landscapes,storms,boats

In this painting, the modulated brush lines and vivid use of ink washes to model forms and evoke a moisture-laden atmosphere betray none of the hallmarks of the Southern Song academic style as defined by Ma Yuan (active ca. 1190–1225) and Xia Gui (active ca. 1195–1230). Recalling the late eleventh-century style of Guo Xi and other Northern Song masters, the painting can reasonably be dated to the early Southern Song era.
Female Head
Object type: sculpture
Date: 301 – 600
Materials: terracotta
Location: gandhara
Vrouw, man en jongen in badkleding op het strand
Object type: photograph
Date: 1935 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: norbert van den berg (1901-1972)
Artist role: amateurfotograaf
Artist dates: 1901 – 1972
Subjects: adult woman, adult man, child, beach
Tobias en de engel
Object type: drawing
Date: 1655 – 1669
Materials: chalk, graphite, ink, paper
Techniques: brush, pen
Artist: pieter jansz
Artist role: draughtsman
Artist dates: 1602 – 1672
Subjects: tobias and the angel raphael travelling, accompanied by tobias' dog
Sukkur Bridge-India
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: london
Artist: Anonymous
Subjects: landscape with bridge, viaduct or aqueduct
Inscriptions: number: ‘Plate LI.’

Boven de Lansdowne bridge rohri en onder de Niagara cantilever bridge.
L'Artisan Moderne
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Paarden
Object type: print
Date: 1651 – 1706
Materials: paper
Techniques: etching
Location: utrecht
Subjects: horse, dog
Inscriptions: collector's mark: Lugt 2228

Een man houdt een paard bij de teugels. Naast hem twee honden. Rechts een ruiter en een wijzende man.
Vleeskuip van esdoornhout
Object type: salting tub
Date: 1676 – 1676
Materials: wood
Techniques: turning
Location: amsterdam
Artist: Anonymous

Vleeskuip, gedraaid van esdoornhout, met ringen (hoepels voorstellende). Op de rand twee rechtopstaande uitsteeksels, waartussen een deksel past met opgezette asymmetrische handgreep.
Denarius (Coin) Depicting Scipio Africanus
Object type: coin
Date: 112 – 111
Materials: metal, silver
Techniques: striking
Culture: roman
Location: roman empire
Inscriptions: Obverse: C N  (BLA) SIO  CN F
Reverse: ROMA
"Rome"

The front of this coin portrays Scipio Africanus (the elder), with a trident preserved at left.

On the back the god Jupiter stands between between the goddesses Juno and Pallas. Below them is preserved the inscription ROMA with an eagle.
Seated Female Nude
Object type: drawing
Date: 1918 – 1918
Materials: chalk, paper
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: sitting figure - aa - female human figure (+ nude human being)
Inscriptions: date: ‘1918 Aug’
Card Number 221, Annie Dunscomb, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Cup and saucer
Object type: cup
Date: 1725 – 1725
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mark

Meissener Porzellan Manufaktur
Meissen, c. 1725
hard-paste porcelain
Jar
Object type: jar
Date: 1820 – 1830
Materials: glass
Anatomische studie van de been- en armspieren van een man
Object type: print
Date: 1906 – 1945
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: anatomical model of the muscles, muscle-man, 'écorché'
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Stolk, Reyer. Anatomische studies in houtsneden. Amsterdam: G.W. Breughel, 1946, plaat 4.
Marriage of God Shiva with Goddess Parvati (Kalyanasundara)
Object type: sculpture
Date: 1001 – 1100
Materials: stone
Location: madhya pradesh

This sculpture depicts the divine marriage of Parvati and Shiva, which was witnessed by all the gods after she devoted many years to ascetic practices (yoga) in order to persuade him to marry her. Shiva formally accepts the bride by taking her right hand in his (panigrahana). He gazes upon Parvati while she looks into a handheld mirror. Brahma, the creator god, can be seen officiating.
Pendant
Object type: pendant
Date: 1801 – 1900
Materials: garnet, gilt, glass, silver
Culture: german
Subjects: men,coat of arms
Halcyone ob mariti reditum Iunoni supplicat
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: antwerp
Subjects: (story of) alcyone and ceyx
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Leonard Plovier en twee meisjes te Antwerpen in vaten verdronken, 1560
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: antwerp, execution of heretic, e.g. by burning at the stake, 'auto-da-fé'
Inscriptions: inscription: ‘Leonard Plovier [...] Ao 1560’, number: ‘75’, collector's mark: Lugt 2228
Palestine & Syrie
Object type: tissue stereograph
Date: 1872 – 1876
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Location: nazareth
Subjects: table, rocks
Inscriptions: monogram: ‘B. K.’, number: ‘2831’, monogram: ‘J. A.’, inscription: ‘PARIS’
Portrait of an unknown huntress with a headscarf from Sindh, Pakistan
Object type: photograph
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Subjects: head-gear (with name), human races; peoples; nationalities
Inscriptions: number: ‘(326-2)’, inscription: ‘A SHIKAREE WOMAN./ MUSSULMAN./ SIND.’
Leiden. Bibliotheca Thijsiana
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: leiden
Subjects: public library
Vertrek van een boot bij de scheepswerf
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: aquatint, etching
Location: paris
Subjects: harbour, pier, quay, wharf, france
Inscriptions: collector's mark: Lugt 2228

Dit object is omwille van een betere presentatie virtueel samengevoegd, maar bestaat fysiek uit losse onderdelen.
Design for Road Wagon / Driving Phaeton, no. 280
Object type: drawing
Date: 1850 – 1870
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bowl with cover
Object type: bowl with cover
Date: 1801 – 1900
Materials: brass

This electrotype is after an original in the Victoria and Albert Museum, London, at the time of reproduction.
Sandvika, Norway
Object type: painting
Date: 1895 – 1895
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: claude monet
Artist role: painter
Artist nationality: french
Artist dates: 1840 – 1926
Subjects: landscapes, winter, white (color), tree of life, towns, snow, red (color), buildings, building, bridge, weather/seasons
Inscriptions: Inscribed lower left: Claude Monet 95

Claude Monet’s trip to Norway in 1895 was perhaps the most physically taxing of all his many painting campaigns. Touring the country with his stepson Jacques Hoschedé, who lived in Christiania (now Oslo), he was awestruck but initially frustrated in his search for good motifs amid the snow. Nevertheless, he painted 29 Norwegian scenes during a two-month stay. These included at least six views of Sandvika, a village near Christiania whose iron bridge may have reminded Monet of the Japanese bridge at his home in Giverny.
Brush holder with scene from Investiture of the Gods
Object type: brush pot
Date: 1634 – 1666
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: men,women,tigers

This vessel depicts a narrative scene from Investiture of the Gods (Fengshen Yanyi), a sixteenth-century mythological novel. On one side, deities surround a fierce, open-mouthed tiger, and on the other, three figures representing Daoism, Buddhism, and Confucianism—Celestial Worthy of Primordial Beginning (Yuanshi Tianzun), Buddha, and Confucius—sit in front of bamboo groves.
Portret van Karel III de Dikke
Object type: print
Date: 1633 – 1676
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: ornament ~ medallion, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Isis en Juno
Object type: print
Date: 1731 – 1775
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: specific aspects, allegorical aspects of juno; juno as patroness, isis, the mother-goddess - specific aspects, allegorical aspects of non-christian god or goddess, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228

Twee cartouches met busten van godinnen. Links Isis in een landschap met fruitboom en dieren, als godin van de vruchtbaarheid met meerdere borsten op haar lichaam. Rechts Juno in een landschap met een tempel en een pauw. Uitgeversnummer 56.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Interior, warrior with spear, and second figure with imbricated corselet (Achilles and Astyanax?)
Melkkan, deel van een tête-à-tête, beschilderd met lelies
Object type: milk jug
Date: 1900 – 1900
Materials: porcelain
Techniques: painted
Location: the hague
Artist: jacob willem van rossum
Artist role: print maker
Artist dates: 1881 – 1963

Melkkan van een tête-à-tête van porselein. Beschilderd in geel, roodbruin en verschillende tinten groen met een ornamentaal decor, waarin lelies. Op alle delen het monogram MvV (= Michiels van Verduynen) en het wapen van deze familie, waarin ook nog de kleur blauw voorkomt. Gemerkt Rozenburg.
Diamond-Shaped Plaque
Object type: ritual carving
Date: 1501 – 1600
Materials: bone
Culture: tibetan
Soerabaja, Palmenlaan 37
Object type: photograph
Date: 1923 – 1923
Materials: paper
Techniques: gelatin silver print
Location: surabaya
Artist: charlotte alida boelen-matthes (lot)
Artist role: amateurfotograaf
Artist dates: 1889 – 
Subjects: amsterdam, thailand, parents with their children, surabaya

Deze foto's zijn onderdeel van een album.
Mace head
Object type: mace
Date: 2333 – 1668
Materials: copper alloy
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Gezicht op het Mennonietenpad, buiten de Wetering-Barrière in Amsterdam
Object type: stereograph
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: road, path, windmill
Inscriptions: inscription: ‘HET MENNONIETENPAD/ BUITEN DE/ Wetering-Barrière te Amsterdam./ A. JAGER, WATER 110, TE AMSTERDAM.’
Coin
Object type: coin
Date: 819 – 1005
Materials: silver
Location: iran
Returning Sails at Shinagawa (Shinagawa no kihan), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)"
Object type: print
Date: 1768 – 1769
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Capital with Eagles
Object type: sculpture
Date: 1230 – 1240
Materials: marble
Techniques: carved
Culture: italian
Location: italy
Subjects: eagles, architectural detail, architectural fragments, architectural fragment, architechture, birds
Overzicht van zes microscopische vergrotingen
Object type: photomechanical print
Date: 1881 – 1891
Materials: paper
Techniques: photograph
Location: france
Artist: Anonymous
Subjects: unicellular animals, bacteria, bacilli, bones of the legs, microscope
Inscriptions: inscription: ‘Cysticerque pisiforme (...) Coupe transversale d'un os (femur)’

Boven een cysticercus en een bacterie, midden een schurftbacterie, onder een deel van de ooglens en een deel van het dijbeen.
Zeegezicht met enkele schepen in kalm water bij de kust
Object type: drawing
Date: 1643 – 1707
Materials: ink, paper
Techniques: brush, pen
Artist: willem van de velde (ii)
Artist role: draughtsman, painter
Artist dates: 1633 – 1707
Subjects: sailing-ship, sailing-boat, coast