deem-data/ArtiFact huggingface dataset:
Hanna weigert het eten dat Elkana haar aanbiedt
Object type: print
Date: 1538 – 1538
Materials: paper
Techniques: woodcut
Subjects: elkanah asking hannah why she weeps

Hanna is zo overmand door verdriet omdat ze geen kinderen krijgt dat ze het eten, dat ze krijgt van haar echtgenoot Elkana, weigert. Hij vraagt haar waarom ze huilt. In de marge boven de afbeelding staat de tekst Regvm I [Samuel 1].
Earring
Object type: earring
Date: 1368 – 1644
Materials: gold
Culture: chinese
Inscribed Stele
Object type: stele
Date: 501 – 700
Materials: limestone
Techniques: incising
Location: egypt

Funerary stelae from the Byzantine period in Egypt are thought to have been produced in quantity, then modified for individual use. Inscriptions were often added to identify the deceased.
La Saison, Journal illustré des Dames, 1880, 13e année, No. 8, No. 593: Modèles de Mme Berthon (...)
Object type: fashion print
Date: 1880 – 1880
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: corsage (+ women's clothes), flowers, border, ribbon, braid (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: address: ‘Bureaux du Journal, 40, rue du Bac, Paris.’, address: ‘Bruxelles, Librairie, Rozez, 81, rue de la Madeleine. London, Messrs. Weldon & Co, 9, Southampton Street, Strand.’, caption: ‘Modèles de M.me Berthon, 2, rue de la Paix. - Tissus de la maison Labbey, 16, rue de la Banque . - Ceintures régente brevetées de Mmes de Vertus soeurs, 12, rue Auber. - Foulards et cachemires de l'Union des Indes, maison Lehoussel, 1, rue Auber / Au Sablier, Deuil complet tout fait et sur mesure en 10 heures. Robes, Manteaux, modes, Lingerie de deuil, 2, Bd Montmartre, Paris.’, title: ‘LA SAISON / Journal illustré des Dames’

Vijf vrouwenhoofden met verschillende hoeden. Volgens het onderschrift: 'modèles' van Berthon. Hieronder enkele regels reclametekst voor verschillende producten. Prent uit de modetijdschriften(?) La Saison (1867-1902) en Les Modes de la Saison (1871-1885).
Gezicht op een gracht, mogelijk het Rokin te Amsterdam
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: ships (in general), canals, waters (in city), civic architecture; edifices; dwellings
Inscriptions: kleurnotitie, handgeschreven

Pagina 31 uit een schetsboek met 17 bladen.
Au village arabe
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: rotogravure
Location: tunisia
Artist: Anonymous
Subjects: view through a window, village
Op konterfijtzel vande E.Juffrouw Gesina ter Borgh: Door haar E:self gedaan
Object type: poem
Date: 1660 – 1660
Materials: ink, paper
Techniques: writing
Location: zwolle
Artist: henrik jordis

Gedicht naar aanleiding van het zelfportret van Gesina ter Borch op de volgende pagina van het album (BI-1887-1463-8).
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, strap of aryballos?; part of an inscription, [K]ALOS; Exterior, part of draped youth to left; drapery of a second figure
Marie Jansen, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Actress posing with hands behind head, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Solier. Auguste. 18 ans, né le 3/3/75 à Cemery-la-Ville. Dessinateur. Anarchiste. 12/1/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Pitcher
Object type: pitcher
Date: 1860 – 1880
Techniques: glassblowing
Culture: american
Location: united states
De farizeër en de tollenaar in de tempel
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: the praying pharisee and the repentant publican in the temple (luke 18:10-14)
Inscriptions: inscription: ‘Un publicain de loing sa porc trine frassoit [...]’, collector's mark: Lugt 2228

Een Farizeër bidt in de tempel bij het altaar. Op de voorgrond knielt een tollenaar. Hij durft niet dichtbij te komen en vraagt God om vergiffenis van zijn zonden. In de zijbeuken van de tempel zijn mensen druk in gesprek.
The baptism of Christ
Object type: panel
Date: 1301 – 1400
Materials: linen, silk
Culture: italian
Location: italy
Subjects: angels,christ,saint john the baptist,saints
Balustervormige steel van een fluitglas uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: helve
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Glass, stem glass, steel, baluster-shaped; fragment, solid, constisting of an inverted baluster below a large flattened knop, broken, with a flattened knop at the junction of foot
Bebaarde man met tulband
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: etching, intaglio
Artist: willem linnig (ii)
Artist role: print maker
Artist dates: 1842 – 1890
Subjects: head-gear, old man
Inscriptions: date
Kate Uart, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Waterval in het woud
Object type: photograph
Date: 1921 – 1922
Materials: photographic support
Techniques: gelatin silver print
Location: bukit asam
Artist: Anonymous
Subjects: colonial system, waterfall, sumatra

Een waterval in het woud, bovenaan zit een man op de stenen. Onderdeel van het losbladige fotoalbum aangeboden door het personeel van de Boekit-Asam Steenkolenmijnen op Sumatra aan de scheidende Ingenieur-Directeur H. Tromp op 7 januari 1922.
Broadside with 48 scenes from the life of Periquillo the Barber
Object type: print
Date: 1860 – 1870
Materials: paper
Techniques: printing, engraving
Artist: antonio bosch
Artist role: publisher
Artist nationality: spanish
Artist dates: 1860 – 1880
Subjects: animals,infants,men,women
Brief aan Adriaan van der Willigen Pz
Object type: letter
Date: 1844 – 1844
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: michel mourot
Artist role: draughtsman, print maker
Artist dates: 1803 – 1847
Subjects: utrecht, print maker, draughtsman, christiaan kramm, drawing, exhibition ~ art
Robe, Court, Section of
Object type: robe, court, section of
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 510
Materials: terracotta
Culture: greek, attic

Exterior, bit of the eyebrow and outer edge of an eye
Voor- en achterzijde van een penning met het portret van Martin Luther
Object type: print
Date: 1728 – 1734
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: priest, martin luther, historical persons, medal (considered as a piece of sculpture, regardless of its specific function)

Prent met tekst in boekdruk op verso gebruikt in: Seckendorf, Veit-Ludwig von. Uitvoerige en onpartydige historie der reformatie door dr. Martin Luther (...). Delft: Reinier Boitet, 1728, dl. 3. En in de druk uit 1730, en mogelijk ook al in 1726. En in: Juncker, Christian. De goude en zilvere eergedagtenis van Dr. M. Luther (...). Den Haag: s.n., 1734. Op de prent het teken voor het materiaal koper. De letters Wer. verwijzen naar de eigenaar van de penning.
Ba amulet
Object type: amulet, ba
Date: 664 – 332
Materials: lapis lazuli
Location: egypt
The Fountain of Jerico and Probable Site of the City
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print, glass negative
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: landscapes
Portret van Jan Willem Ermerins, hoogleraar in de faculteit Wis- en Natuurkunde aan de universiteit van Groningen
Object type: album leaf
Date: 1864 – 1864
Materials: cardboard, paper
Techniques: albumen print
Location: groningen
Artist: johannes hinderikus egenberger
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: physicist, historical persons, professor, groningen (province)
The Sojourn of The Holy Family in Egypt, from "The Life of the Virgin"
Object type: print
Date: 1511 – 1511
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: ruins,angels,holy family,virgin mary
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

On the top of the rim, pendant lotus buds with dots in the interstices; on the overhang of the rim, ivy; on the inside of the rim, maenad and satyr; lovemaking; male bending to right
Petticoat
Object type: petticoat
Date: 1850 – 1870
Materials: wool
Culture: american
Buiten Gewone Nederlandsche Staats-Courant. Vrijdag 16 Maart. N. 64*. 1849
Object type: newspaper
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing
Location: the hague
Subjects: the hague, william ii of the netherlands
Inscriptions: collector's mark: Lugt 2228

Exemplaar van de Nederlandse Staatscourant van 16 maart 1849 met de publicatie van twee medische bulletins van 15 maart uit Tilburg over de gezondheid van koning Willem II. Blad bedrukt op één zijde. Bovenaan het rijkswapen.
Saucer (part of a set)
Object type: saucer
Date: 1785 – 1800
Materials: hard paste porcelain
Subjects: coat of arms
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1909 – 1909
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: willem bloemkolk
Artist dates: 1879 – 1933
Subjects: auctioneer, e. richter, rotterdam, amsterdam, painter, draughtsman, george hendrik breitner, pieter haverkorn van rijsewijk, painting (including book-illumination, miniature-painting)
Inscriptions: watermark, collector's mark: Lugt 2166
Sleutel van brons
Object type: key
Date: 300 – 500
Materials: bronze
Location: france

Bronzen sleutel met dwarsgestelde baard, ronde ring, waarop een punt.
Bokaal met Bacchus en vijf putti en LAJOYE SOUTIEN LA VIE
Object type: goblet
Date: 1710 – 1730
Materials: glass
Techniques: glassblowing, grinding
Location: schwarzburg
Artist: Anonymous

Wine glass. Wheel engraving with putti and the inscription Lajoye soutien la vie. Germany, c. 1710 - 1730. A.J. Enschedé bequest, 1896.
Angle d'Une Cour Intérieure de la Grande Pagode
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: emile gsell
Artist role: artist
Artist nationality: french
Artist dates: 1838 – 1879
Subjects: architecture

The conquest of Saigon in 1859 by Admiral Rigault de Genouilly and the ensuing spread of French influence through Indochina and Cambodia was the first colonial success of the Second Empire. To commemorate the achievement the admiral, having become minister of the Navy, presented Empress Eugénie in 1867 with this luxuriously bound album of photographs entitled "Cochinchine et Cambodge." Comprising twenty-six images of Indochina and twenty-one of Cambodia, the album includes fifteen views of the ruins of Angkor. The photographs were made by M. Gsell, a Frenchman stationed in Saigon, of whom nothing more is yet known except that in June 1866 he accompanied the naval captain Doudart de Lagrée on a scientific mission along the Mekong River. The mission began with a photographic survey of Angkor. Reports of an abandoned city in the jungle had reached Europeans in 1850, and in 1863 de Lagrée conducted the first archaeological exploration of the ruins. The finest and most extensive of all Khmer monuments, Angkor Wat was built early in the twelfth century as a temple symbolizing Mount Meru, the cosmic mountain at the center of the Buddhist and Hindu universe. It had been abandoned in the eighteenth century, and by the time this photograph was made many of its buildings had been overtaken by the forest. Gsell's photographs of the main temple, its surrounding wall, and moat are rather straightforward documents that show little concern for the dramatic territorial struggle between architecture and nature embodied in the ruins. This image, however, of a corner of a court within the temple, manages to convey in its dramatic lighting and obsessive piling up of identical architectural details something of the mystery and bewildering vitality of the huge stone structure. Reminiscent in its dreamlike effect of engravings by Rodolphe Bresdin and Gustave Doré, the image was among the views chosen to illustrate, as a woodcut, the first installment of Francis Garnier's "Voyage d'Exploration en Indo-Chine, 1866-7-8," which appeared in the periodical "Le Tour du Monde in 1870."
Bottle
Object type: bottle
Date: 1301 – 1400
Materials: lead
Location: egypt
Subjects: fish
A brook with a grotto and a boat
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: signature and date: ‘Rembrandt . 1645’

The boat in this shadowy grotto is hardly visible. The dark passage contrasts with the surroundings, which are laid down on the plate with a few sketchy lines. This etching seems unfinished; however, it is signed and dated and was frequently printed. It is noteworthy that Rembrandt chose this landscape to showcase his name so prominently.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Four rim fragments from kylikes, each with part of the handle patch
Vrouw met lantaarn kijkt in zak
Object type: print
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: adult woman, lantern
Inscriptions: collector's mark: Lugt 2228

Een vrouw met lantaarn kijkt in een zak geopend door de man voor haar. Links kijken een man en vrouw toe. Rondom diverse scènes met een jonge vrouw en vechtende mannen.
Ojime
Object type: ojime
Date: 1801 – 1900
Culture: japanese
Subjects: flowers,leaves
't Leven en bedrijf / Van Jan de Wasser en zijn wijf
Object type: print
Date: 1761 – 1765
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: hen-pecked husband, 'betty', 'molly' (man who engages in women's work)
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen uit het leven van Jan de Wasser, een man die van zijn vrouw Griet, die de broek aan heeft, al het huishoudelijk werk moet doen. Onder elke afbeelding een tweeregelig vers. Genummerd midden boven: 6.
Kaketoe
Object type: print
Date: 1892 – 1951
Materials: paper
Techniques: linocut
Artist: janus de winter
Artist role: print maker
Artist dates: 1882 – 1951
Subjects: flowers: lily, ornamental birds: cockatoo
Inscriptions: collector's mark: Lugt 2228
Kinderen spelen buiten met poppen
Object type: album leaf
Date: 1916 – 1927
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: child, (playing with) dolls, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Opnamen gemaakt met de Zak-"Kodak" No. 2c./ Afdrukken gemaakt op "Velox" papier’
Standing Male Figure
Object type: male figure
Date: 100 – 400
Materials: ceramic
Culture: nayarit
Location: mexico
Artist: nayarit artist(s)
Artist role: artist
Subjects: men

This imposing male figure stands with his legs apart, his right arm at his side, and his left arm raised in order to rest an implement on his shoulder. He wears a conical hat with an incised, or stamped, checkered basket-weave pattern, and with a band along the bottom edge. The checkered part of the hat is folded and wraps around to tie in the back. An appliqued red cord with two white shells crosses the crown of the hat and another red cord dangles from the back, where incised hair is visible. His face features a modeled brow and cheekbones, and his nose is adorned with a four-looped, appliqued nose ring. The mouth opens enough to reveal the incised white teeth separated by black lines, and the carved eyes show traces of white and black slip. The face and arms were painted in a rich ocher slip that suggests a natural skin color. In each ear, the figure wears eight to nine earrings, featuring appliqued tabs and disks. He is clothed in a long, cream-colored tunic with a V-neck and short sleeves. His upper arms each have appliqued and decorated red cord bracelets; the mini-conch shell attached to the left one would seem to be emblematic of a specific lineage or kin group. The legs are plain, with sienna slip on the thighs and black slip, likely representing body paint, from the thighs to the ankles. The feet, which rest on small platforms, have sculpted joints, toes, and toenails. This figure may be part of a group created by the same artist or workshop, and appear to represent members of an important ancient West Mexican lineage or social group (Butterwick 2004: 83-87). Shared features and craftsmanship suggest that one artist made all three figures, and they may have been deposited in the same shaft tomb in the Nayarit village where they originated (see 2018.443.2, 2018.443.3). If the similarities between the two females were intended to show kinship, the figures might represent mother and daughter, or sisters in the same lineage. Alternatively, the two may portray a female of high status in two stages of her life: young (perhaps pregnant) and mature. The features shared by the male and the elder female, especially the emblematic conch bracelet, suggest that they belong to the same lineage. Lastly, the unusual fact that all three wear black leg paint may further indicate a common genealogy.
Snuff Bottle
Object type: snuff bottle
Date: 1801 – 1900
Culture: chinese
Le Antichità Romane
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: inscription, grave, tomb, sarcophagus, plan ~ architecture, italy
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Verzorgster
Object type: print
Date: 1832 – 1888
Materials: paper
Techniques: etching
Location: netherlands
Artist: karel frederik bombled
Artist role: draughtsman, print maker
Artist dates: 1822 – 1902
Subjects: sleeping in chair, (other forms of) needlework, e.g.: crocheting, knitting, embroidering, nursing, tending the sick, lover (woman) alone (e.g. longing for the beloved), the (nude) human figure; 'corpo humano' (ripa) (+ old male (human being))
Inscriptions: collector's mark: Lugt 2228

Achterin de kamer zit een oude man in een stoel te slapen. Rechts op de voorgrond zit zijn verzorgster verveeld (verliefd?)uit het raam te kijken. Haar borduurwerk ligt onberoerd naast haar op tafel. Door het raam kan men de contouren van een jongeling herkennen.
Quelques Figures Chevaux paysages present's a Monseigneur le Duc de Bourgogne (...)
Object type: print
Date: 1696 – 1700
Materials: paper
Techniques: etching
Location: france
Subjects: model-books ~ implements of painter, civic architecture; edifices; dwellings

Deze prenten maken deel uit van een zestigdelige serie met verschillende reeksen bestaande uit figuren, paarden, landschappen en gebouwen. De serie werd onderverdeeld in negen boeken, waarvan acht boeken met ieder zes prenten en één met twaalf prenten. Leclerc vervaardigde deze reeks voor Lodewijk van Frankrijk om diens tekenles te faciliteren.
Study of a hand
Object type: cast
Materials: plaster
Techniques: casting
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: hands

Rodin was fascinated by the expressive possibilities of hands: hands gesturing in anguish as in The Burghers of Calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves. The poet Rainer Maria Rilke (1875–1926), who was for a time Rodin's secretary, wrote: "There are among the works of Rodin's hands, single small hands, which without belonging to a body, are alive. Hands that rise, irritated and in wrath; hands whose five bristling fingers seem to bark like the five jaws of a dog of Hell."
Candelabra grotesque and studies of kneeling figures (recto); two sphinxes (verso)
Object type: drawing
Date: 1545 – 1560
Materials: ink
Techniques: pen
Artist: andrés de melgar
Artist role: artist
Artist nationality: spanish
Artist dates: 1554 – 1554
Subjects: birds,grotesques,ornament,mythical creatures,griffins
Mannelijk naakt, zittend, naar rechts
Object type: drawing
Date: 1756 – 1797
Materials: chalk, paper
Techniques: brush
Artist: hendrik willem schweickhardt
Artist role: draughtsman, painter, print maker
Artist dates: 1746 – 1797
Subjects: sitting figure
Untitled (Portrait of a Standing Man)
Object type: photograph
Date: 1867 – 1867
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, photography, male, acrobats, men, costume, costumed performer, costumes, portrait, portraits, portraits: male subject
Plate
Object type: decorative art
Date: 1790 – 1860
Materials: earthenware
Location: new england
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1899
Shawl
Object type: shawl
Date: 1834 – 1866
Materials: panel, wool
Techniques: embroidery, weave
Location: india