deem-data/ArtiFact huggingface dataset:
Plate
Object type: plate
Date: 1751 – 1800
Materials: faience
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Kop van een meisje
Object type: sketchbook leaf
Date: 1934 – 1943
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: head (human)

Blad 14 verso uit een schetsboek met 19 bladen.
Album met acteursprenten
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1800 – 1900
Materials: paper
Techniques: woodcut
Location: japan
Inscriptions: label: ‘exlibris F.G. Waller Amsterdam 1893 fortior voluntas’, collector's mark: Lugt 2166
Staff with Gohei and Moon Disc
Object type: surimono
Date: 1812 – 1812
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: rodents: hare, pestle and mortar

Een cirkelvormige schijf met een haas met een vijzel, bevestigd aan een houten staf met reepjes van papier (gohei). In de voorgrond een bronzen belletje met touw en een hofmuts (eboshi). De titel komt uit hoofdstuk 73 uit de Verhalen van Ise en zijn de gedachten van een man die langs het huis van een vrouw loopt. Hij kan haar geen bericht sturen, maar denkt: Ik kan je zien met mijn ogen maar mijn handen kunnen jou niet aanraken - je bent werkelijk net als de cassia in de maan. Met twee gedichten.
Mainland from Pámban Beach
Object type: page
Date: 1880 – 1890
Materials: photographic support
Techniques: albumen print
Location: pamban
Artist: Anonymous
Subjects: island, beach
Scheepswerf met molen
Object type: drawing
Date: 1800 – 1899
Materials: paper, watercolor
Techniques: brush
Artist: j. van leeuwen (19de eeuw)
Artist role: draughtsman
Subjects: sailing-ship, sailing-boat, repairing, caulking, careening (~ ship), rowing facing backward, pulling, windmill, harbouring

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Scheepsbouw.
Enquêteformulier ingevuld door Elisabeth Johanna Koning
Object type: manuscript
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: haarlem
Subjects: rotterdam, print maker, elisabeth johanna koning
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Tuhfat al-Ahrar (The Gift to the Noble)
Object type: folio from a non illustrated manuscript
Date: 1485 – 1490
Materials: gold, ink, paper, watercolor
Location: afghanistan
Artist: maulana nur al-din `abd al-rahman jami
Artist role: author
Artist nationality: iranian
Artist dates: 1414 – 1492

It is extraordinary that such precision could be achieved in a leaf and palmette scroll so bursting with energy and movement. Deliberately contrasting are the islands of calm formed by the cartouches with their central palmettes and restrained flower-head scroll. The color combinations, including the gold-frecked light brown of the calligraphy page, are strikingly accomplished.
Huwelijk van Prins Frederik van Oranje en Prinses Louise van Pruisen 1825
Object type: history medal
Date: 1825 – 1825
Materials: bronze
Techniques: striking
Artist: heinrich gube
Artist role: medailleur, muntmaker
Artist dates: 1805 – 1848

Bronzen penning, op de voorzijde de geconjugeerde portretten van Frederik en Louise naar rechts, met omschrift, op de keerzijde een vliegende Venus, Amor met toorts op de rug, met omschrift.
Portret van J.J. Dessont
Object type: print
Date: 1780 – 1820
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons
Whistler's moeder
Object type: photomechanical print
Date: 1905 – 1916
Materials: cardboard
Techniques: rotogravure, writing
Location: utrecht
Subjects: sitting figure - aa - female human figure, historical persons
Inscriptions: collector's mark: ‘AFE v S’, postage stamp
Personages uit de Commedia dell'arte
Object type: print
Date: 1694 – 1725
Materials: paper
Techniques: etching
Location: germany
Subjects: types in 'commedia dell'arte', group of actors, troupe; actors on the stage
Inscriptions: collector's mark: Lugt 2228
Entre ces trois mon coeur balance
Object type: print
Date: 1930 – 1930
Materials: paper
Techniques: woodcut
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: head-gear: hood, old man, speaking
Inscriptions: number: ‘No 1’, collector's mark: Lugt 2760, watermark, collector's mark: Lugt 2228

In het midden een man achter een lessenaar. Links een kale man die omhoog kijkt; rechts een man met een kap en gesloten ogen.
Helmeted Head
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: helmets,warriors

A warrior shown bust-length in three-quarter profile to the right, wearing a helmet in the shape of a stylised lion's head, carrying a shield. After Parmigianino.
Glass mosaic carinated bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent cobalt blue, purple, light blue appearing green, opaque white and yellow. Outsplayed, almost horizontal rim with rounded edge; carinated side, with part of one convex curve. Composite mosaic pattern formed from polygonal sections of two canes: one in light blue rods outlined in yellow, and the other in a cobalt blue ground with a circle comprising two white lines enclosing a purple ground with a circle of yellow dots. Polished interior; pitting of surface bubbles on interior; dulling and thick, creamy weathering on exterior, edge of rim, and jagged edges.
Open hal met zuilen van de Korintische orde
Object type: album leaf
Date: 1563 – 1563
Materials: paper
Techniques: etching
Location: antwerp
Subjects: column, pillar ~ architecture

Open hal met zuilen van de Korintische orde op piëdestallen. Rechts een gebouw met fronton boven de deur. Daarboven een beeld van Mozes met de tafelen der wet. Prent maakt deel uit van een album.
Portret van John Wilkins
Object type: print
Date: 1788 – 1824
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons
Jug
Object type: jug
Date: 1050 – 800
Materials: ceramic
Culture: iranian
Location: iran

This large pitcher has a biconical body with a flat base and a high neck. The two conical halves of the pitcher form a sharp ridge where the meet at the middle of the body. A thick handle connects the rim to the body; opposite it a pointed spout rises from the pitcher’s shoulder. The spout is attached to the rim by a small bridge, and both the bridge and the handle have raised lumps, perhaps in imitation of metal rivers, where they join the rim. Five incised lines decorate the upper part of the body. The pitcher is made of burnished grey clay. It was made on a potter’s wheel in two pieces, with the spout and handle added later. This pitcher closely resembles examples excavated at Hasanlu a large settlement site in northwestern Iran, and this pitcher probably comes from this same region. During the Iron Age Hasanlu was one of the largest and most powerful towns in Iran, and probably controlled much of the Ushnu-Solduz valley until its destruction ca. 800 B.C. by the Urartians. Like many in western Iran in this period, the people of Hasanlu made ceramic pitchers like this one with globular bodies and long spouts. It is not clear what this pitcher was used for. Presumably it was used to pour a liquid containing dregs, such as wine, since the round body and spout would prevent the dregs from ending up in the cup. Some of the earliest evidence for winemaking in Iran, dating back to the sixth millennium B.C., comes from the nearby site of Hajji Firuz Tepe. Also, similar pitchers of have been found in graves at Hasanlu along with cups, further suggesting that they parts of drinking sets.
Infanteristen op de Bremweg
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: paper, pencil
Subjects: division of armed forces (+ infantry), horse
Inscriptions: :, workshop stamp: Lugt 291d, annotation: ‘Bremweg[?]’

Sommigen te paard. Pagina 48 uit een schetsboek met 83 bladen.
Architectural Element with Head of a Buddha
Object type: architectural element
Date: 801 – 1000
Materials: terracotta
Culture: indonesian, javanese
Subjects: heads,buddhism,buddha
Titelpagina voor: W.J. van Zeggelen, Hoofd en hart, 1855
Object type: titelblad, titelpagina
Materials: paper
Techniques: aquatint, etching
Location: haarlem
Subjects: cat, book - mm - book open, one person praying, dog
Inscriptions: collector's mark: Lugt 2228

Een oude vrouw zit met gevouwen handen in een stoel. Op de tafel voor haar ligt een lijvige foliant opengeslagen, gesteund door een tweede boek. Op de grond zitten twee hondjes, voor het raam een poes.
Hounds Chasing a Stag
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: master f. p.
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: deer,dogs

In Mariette Album, folio 44, middle right
Calvinistisch oproer in Antwerpen bedwongen, 1567
Object type: print
Date: 1567 – 1570
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: delft, william i (prince of orange), mayor, antwerp

Burgemeester Anton van Straelen, Hoogstraten en Willem van Oranje stillen calvinistisch oproer op de Meir in Antwerpen, 14 maart 1567.
Necklace (part of a set)
Object type: necklace
Date: 1830 – 1830
Materials: amethyst, gold

A parure is a matched set of jewelry typically consisting of a necklace, brooch, earrings, bracelets, and tiara. The fashionable jewelry for the 1830s and 1840s made a visual impact at a modest expense. Gold was used in very thin sheets or wires to provide more surface for the same amount of metal. Semi-precious colored stones such as amethyst, aquamarine or pink topaz, which can be large yet still inexpensive, were preferred to precious stones.
Het Lyk van Gillis van Ledenberg, buiten 's Gravenhage in een Kist opgehangen. Ao 1619
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: utrecht, death penalty, execution, the hague
Inscriptions: collector's mark: Lugt 2228, collector's mark

Aan een paal wordt de kist met hierin het lijk van Gillis van Ledenberg, secretaris van Utrecht, opgehangen. Omstanders kijken toe hoe de kist wordt bevestigd.
Aeneas bij de sibylle Arcana
Object type: print
Date: 1651 – 1682
Materials: paper
Techniques: engraving, etching
Subjects: sibyls, the story of aeneas' wanderings to italy (virgil, aeneid)
Inscriptions: collector's mark: Lugt 240
Interieur met tafels en stoelen
Object type: print
Date: 1731 – 1775
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: rocaille ornament, interior of the house

Interieur met panelen, een tafel, twee stoelen en twee hoektafels met vazen. Alles met rocaille ornamenten gedecoreerd. Uitgeversnummer 165.
Panel for a skirt or petticoat
Object type: panel
Date: 1690 – 1710
Materials: linen, silk
Techniques: embroidery
Subjects: birds,chinoiserie,men,women,flowers
Portret van Gomez de Mesquita
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: mezzotint
Subjects: historical persons, chief rabbi
Inscriptions: collector's mark: Lugt 2228

Tekst in het Hebreeuws in de ondermarge.
Beroepen en gezichten in en rond Amsterdam
Object type: print
Date: 1612 – 1652
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: landscape with tower or castle, bridge, urination, fisherman
Inscriptions: collector's mark: Lugt 2760, inscription: ‘4’, collector's mark: Lugt 2228, inscription: ‘99/4’

Gezicht op een kasteel aan het water. Op de voorgrond een visser, een lopende oude man en vrouw, en twee mannen op een bruggetje. Links staat een man te plassen tegen een boom, een vrouw kijkt van achter een boom toe. Prent uit een serie met beroepen en bezigheden van mensen en gezichten rond Amsterdam.
Else Wachenheimer-Moos en Eugen Wachenheimer in de tuin tijdens de dag van hun verloving, augustus 1922, Duitsland
Object type: album leaf
Date: 1908 – 1922
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: eugen wachenheimer, else wachenheimer-moos, the family travelling, on holiday, betrothal, germany
Inscriptions: inscription: ‘August 1922’

Blad bevat twee foto's van Else Wachenheimer-Moos (links) en Eugen Wachenheimer (rechts). Onderdeel van het fotoalbum van de reizen die Eugen en Else Wachenheimer jaarlijks maakten rondom de viering van hun huwelijksdag en verloving.
The Idle Broom
Object type: print
Date: 1780 – 1780
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: men,women,reading,brooms
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, single reserve line framing tondo; Exterior, heel of foot of figure to left; at the right, a hoof?
Pompeï
Object type: photograph
Date: 1888 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: pompeii

Opgraving van het burgerlijk forum in Pompeï met op de achtergrond een rokende Vesuvius.
North Dome - To-coy-ae
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: yosemite valley
Artist: george fiske
Artist role: fotograaf
Artist dates: 1835 – 1918
Subjects: mountain-range, snow peaks
Inscriptions: number: ‘431.’, inscription: ‘(See page 383.)’
Trade Card with Royal Coat of Arms
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Jiasha (Mantle)
Object type: textile
Materials: gold leaf, paper, silk
Techniques: treatment, lacquer, painting, weave, satin weave, tapestry weave
Culture: han chinese
Location: china
Music Box
Object type: music box
Date: 1810 – 1810
Culture: swiss
Location: switzerland
Subjects: seascapes

Oblong gold music box with ivory seascape miniature in cover.
Oranjefeesten
Object type: photograph
Date: 1902 – 1938
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, utrecht, bernhard (prins der nederlanden), beatrix (koningin der nederlanden), juliana of the netherlands, public festivities on the occasion of royal events, dutch east indies, the
Inscriptions: annotation: ‘Oranjefeesten’

Albumblad met drie foto's van versieringen voor een Oranjefeest ter gelegenheid van de geboorte van prinses Beatrix op 31 januari 1938. Onderdeel van het losbladig fotoalbum over de Fraters van Tilburg op Celebes en Sumatra.
Staande vrouw
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Subjects: adult woman (+ standing)

Blad 29 verso uit schetsboek XVI met 32 bladen.
Portret van Heinrich, graaf van Danckelmann
Object type: print
Date: 1832 – 1854
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: cleves, adult man, historical persons
Inscriptions: mark, collector's mark: Lugt 2228
Library of Winchester College
Object type: print
Materials: paper
Techniques: aquatint
Location: england
Artist: william bennett
Artist role: artist
Artist nationality: british
Artist dates: 1811 – 1871
J.W. de Friderici of Jacob François de Friderici (1813/14-1847)
Object type: painting, miniature
Date: 1700 – 1900
Materials: paint, wood
Artist: Anonymous
Subjects: suriname
The Servant Choryo (Yakko Choryo), no. 6 from a series of 12 prints depicting parodies of plays
Object type: print
Date: 1716 – 1735
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
H. Johanna van Valois
Object type: print
Date: 1623 – 1668
Materials: paper
Techniques: engraving
Location: gouda
Subjects: christ-child carrying the instruments of the passion, female saints
Inscriptions: collector's mark: Lugt 2228

De Heilige Johanna van Valois, gekroond en met een crucifix in de handen, ontvangt een ring van het Christuskind, dat een mand met de passiewerktuigen vasthoudt.
al-oude Steen, uijt de Zege-Boog van T: Vespasianus, vertoonende d'heijligdommen uijt den Iooden Tempel na Romen gebragt
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: triumphal arch, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2233

Illustratie opgenomen in: Cunaeus, Petrus. De republyk der Hebreen, of gemeenebest der joden, 3 delen. Amsterdam: Wilhelmus Goeree, 1682, dl. 1, p. 260.
Studieblad met zeilschepen
Object type: sketchbook leaf
Date: 1808 – 1843
Materials: paper, pencil
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: sailing-ship, sailing-boat

Blad 38 recto uit een schetsboek met 40 bladen.
Heks
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: chiromancy, handreading, palmistry, witches controlling the elements, e.g. raising a storm, witch, sorceress, fortune-teller ~ pleasure fair and circus
Inscriptions: collector's mark: Lugt 964

Een heks bij een kookpot waar zij poeders in giet. Er waait een harde wind. Voor haar een groep monsters.
Drawers
Object type: drawer
Date: 1874 – 1874
Materials: cotton
Culture: american
Kop van een vrouw met hoofddoek, van opzij
Object type: drawing
Date: 1793 – 1793
Materials: chalk, paper
Artist: j.h. tak
Artist role: draughtsman
The Compleat Work of Etchings by John Chalon / Oeuvre Complette des Eaux Fortes par Jean Chalon
Object type: album leaf
Date: 1802 – 1802
Materials: paper
Techniques: drypoint, etching
Location: amsterdam
Subjects: veil, morphology of human expression (+ old female (human being))
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: ‘B’
Gezicht op Château de Villers-Cotterêts in vogelvluchtperspectief
Object type: album leaf
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: castle

Prent origineel vervaardigd als boekillustratie voor: Zeiller, Martin. Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Frankreich, 13 delen. Frankfurt am Main: Caspar Merian, 1655-1661. De prent werd voor het eerst gepubliceerd in deel 1: Topographia Galliae, 1655.
Fotoreproductie van een tekening van Dido die Aeneas ziet wegvaren door Arthur von Ramberg
Object type: photograph
Date: 1855 – 1862
Materials: paper
Techniques: albumen print
Subjects: the trojans' departure from carthage
Necklace of banded agate, chalcedony, and gold
Object type: bead of agate, chalcedony and gold mount
Date: 700 – 601
Materials: stone, gold
Culture: cypriot

Spindle shaped beads of banded agate and chalcedony, with granulated gold mounts.
Panel (part of a set)
Object type: panel
Date: 1510 – 1510
Materials: wood
Techniques: carving
Artist: nicolas castille
Artist role: maker
Artist dates: 1503 – 1521
Subjects: putti

The panels’ decorations, which include putti holding heraldic shields or strings of beads, floral scrolls, masks, and fabulous creatures, correspond to French adaptations of Italian motifs derived from prints and other sources. The portraits represent the donor, Georges d’Amboise (1460–1510), in his cardinal’s hat and cloak and Louis XII (1462–1515; ruled 1498–1515) surrounded by a wreath topped by a porcupine, a symbol of the monarch’s courage and ability to defend his kingdom. These panels and the ones displayed nearby are from the now-destroyed chapel of Cardinal d’Amboise’s château de Gaillon.
Design for a Funerary Monument
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: monuments
Definitions des dehors
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: engraving
Location: paris
Subjects: negenjarige oorlog

Termenlijst behorend bij de vijfde plaat over de toepassing van het figuur van de zeshoek in de vestingbouw. Onderdeel van het eerste deel (1693) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel in het Frans.
Cup and saucer
Object type: cup and saucer
Date: 1793 – 1793
Materials: hard paste porcelain
Artist: imperial porcelain manufactory
Artist role: manufactory
Artist nationality: austrian
Artist dates: 1744 – 1864
Subjects: chinoiserie,fishing
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Complete foot type C with bottom of bowl; underside reserved and misfired