deem-data/ArtiFact huggingface dataset:
Drop Front Phaeton (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Veerboot bij de pleisterplaats Zeze
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: woodcut
Location: japan
Subjects: ferry, horse, bridge

Boot met pijp rokende reizigers, een apendresseur en een paard, varend onderaan een stenen muur; op de achtergrond een brug waarop een parade.
The Small Lion Hunt (With One Lion)
Object type: print
Date: 1629 – 1629
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Saucer with the arms of the families Gordon and Forbes
Object type: kop en schotel, kop en schotel
Date: 1750 – 1774
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: inscription: ‘CORDE MANUQUE’

Schotel van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op het plat van de schotel het wapen van de families Gordon en Forbes. Het wapen is verdeeld in vier vakken met Gordon in 1. en 4. met drie zwijnenkoppen tegen een blauwe achtergrond; 2. en 3. Forbes met drie koppen op een lichtblauwe achtergrond. Het helmteken is een arm met een zwaard en het opschrift 'CORDE MANUQUE'. Op de binnenrand een spearhead-border. Wapenporselein met emailkleuren.
Flowers in a Glass Vase with a Butterfly
Object type: drawing
Date: 1700 – 1700
Materials: paint, gouache, parchment
Artist: herman henstenburgh
Artist role: draughtsman
Artist dates: 1667 – 1726
Subjects: 'vanitas' still life, flowers in a vase

Herman Henstenburgh is known for the pure and powerful colours with which he rendered his remarkably soft, even rarefied, floral still lifes. He often painted them on costly parchment, such as here. In spite of his fame and the expensive materials he used, one wonders whether he actually made a living from his art: he also worked as a pastry baker until his death.
Portret van Antoine III de Gramont
Object type: print
Date: 1753 – 1826
Materials: paper
Techniques: etching
Artist: charles knight
Artist role: print maker
Artist dates: 1743 – 1826
Subjects: france, historical persons, officer
Inscriptions: collector's mark: Lugt 2228
Brief aan August Allebé
Object type: letter
Date: 1869 – 1869
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: petrus franciscus greive
Artist role: draughtsman, print maker
Artist dates: 1811 – 1872
Subjects: august allebé, jacob taanman, amsterdam, abcoude, painter, print maker, draughtsman, lambertus lingeman, joan berg, passions, emotions, affections, workshop, studio of the artist (in general), exhibition ~ art, diseases
A Month's Darning
Object type: watercolor
Date: 1876 – 1876
Materials: gouache, gum arabic, watercolor, paper
Culture: american
Artist: enoch wood perry
Artist role: artist
Artist nationality: american
Artist dates: 1831 – 1915
Subjects: women,plants,sewing

In their subject matter and compositional format, Perry’s watercolor paintings are quite similar to his oils, and his method of applying paint was consistently characterized by fastidious attention to detail. Like his colleague Eastman Johnson, Perry studied in Düsseldorf and Paris, where he acquired a respect for careful draftsmanship. He exhibited “A Month’s Darning” in 1876 at the American Society of Painters in Water Colors and later the same year at the Centennial Exposition in Philadelphia, where it was acclaimed for its evocation of times past. The critic for the “New-York Tribune” found the woman’s head to be “the best part” of the composition and only regretted “that the sweet-faced girl . . . should have such large-footed men-folks to darn for.”
Jongen spreekt tegen twee jongens
Object type: drawing
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: boy (child between toddler and youth), speaking
Inscriptions: :, signature: ‘HANS/ BORREBACH’, collector's mark: Lugt 2228a, annotation: ‘KAMPHUIS 4 pag 22 "Stik!" zegt hij. "Dan vertel ik het r/ niet!"’, number: ‘VII’

Ontwerp voor: Baljé, J.P. Het kamphuis in de duinen. Amsterdam: Veen, 1953.
Glacier de Rosenlaui
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: Anonymous
Subjects: mountain climbing, mountaineering, glacier
Inscriptions: number: ‘No. 1170.’
Pallas Athena in wapenrusting
Object type: sketchbook leaf
Date: 1819 – 1819
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: jonkvrouw elisabeth kemper
Artist role: draughtsman
Artist dates: 1799 – 1871
Subjects: (story of) minerva (pallas, athena)
Inscriptions: date: ‘1819’

Pallas Athena staat en draagt een helm, schild en speer. Vermoedelijk getekend naar klassiek voorbeeld. Blad 27 recto uit een schetsboek met 94 bladen.
A Festival on the Arno, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Portret van Dietho von Castell, bisschop van Würzburg
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: archbishop, bishop, etc. (roman catholic), historical persons, armorial bearing, heraldry

Prent uit: Ludewig, Johann Peter von. Geschicht-Schreiber von dem Bischoffthum Wirtzburg (...). Frankfurt am Main: Thomas Fritsch, 1713.
Lantaren op een rots aan de kust
Object type: print
Date: 1890 – 1900
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, rocky coast, beacon
Inscriptions: collector's mark: Lugt 2228, number: ‘1916/5’, number: ‘1916 M5’

Crêpepapier prent van een lantaren op een uitstekende rots aan de kust, twee zeilschepen in de verte.
Fotoreproductie van een tekening van vermoedelijk de catacomben van Sint-Calixtus
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: ancient grave forms, rome
Portret van Maria Louisa van Hessen-Kassel
Object type: print
Date: 1787 – 1834
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: kassel, leeuwarden, maria louisa van hessen-kassel

Portret van Maria Louisa in een ovaal. In de ondermarge haar naam en titels.
Mars en Venus als geliefden
Object type: print
Date: 1539 – 1539
Materials: paper
Techniques: engraving
Location: mantua
Artist: giovanni battista scultori
Artist role: print maker, sculptor
Artist dates: 1503 – 1575
Subjects: mars and venus as lovers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Mars en Venus liggen op een bed, Venus is naakt en Mars gekleed in volle wapenrusting. Naast Venus ligt Amor. Op de voorgrond twee duiven, een kat en een hond. Rechts op de achtergrond zit in een raamkozijn een figuur met een gevederd lichaam en vogelpoten.
Het Hof van Holland, ca. 1610
Object type: print
Date: 1610 – 1612
Materials: paper
Techniques: engraving
Location: leiden
Artist: bartholomeus willemsz. dolendo
Artist role: print maker
Artist dates: 1560 – 1626
Subjects: on the scaffold or place of execution, violent death by beheading
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Prent ook gebruikt in: Orlers, Jan Jansz. Den Nassauschen Lauren-Crans: Beschrijvinghe ende af-beeldinge van alle de victorien (...) die Godt Almachtich de (...) Staten der Vereenichde Neder-landen verleent heeft, deur het wijs ende clouck beleyt des Hooch-ghebooren Fursts Maurits van Nassau. Leiden: Jan Jansz. Orlers en Henrick Lodewijcxsoon van Haestens, 1610, fol. 6/7. En in: Orlers, Jan Jansz. Les lauriers de Nassau: Description & representation de toutes les victoires […] lesquelles Dieu a octroiees aux […] Estats des Provinces Unies du Païs-Bas, souz la conduite & gouuernement de Son Excellence, le prince Maurice de Nassau. Leiden: Jan Jansz. Orlers en Henrick Lodewijcxsoon van Haestens, 1612, fol. 8/9.
Voor Koningin en tegen revolutie 1918
Object type: history medal
Date: 1918 – 1918
Materials: bronze
Techniques: striking
Artist: johannes cornelis wienecke
Artist role: medailleur
Artist dates: 1872 – 1945

Bronzen penning, op de voorzijde Koningin Wilhelmina staand op een podium in koningsmantel, met geheven scepter, met bovenaan omschrift en in het veld links en rechts tekst, op de keerzijde opgeheven handen met zwerende vingers onder zes gebogen tekstregels, tussen twee samengebonden afhangende oranjetakken.
Calligraphic Exercise in Spanish
Object type: album print ornament architecture
Date: 1601 – 1633
Materials: ink
Techniques: pen
Artist: Anonymous
Artist role: artist

Calligraphic exercize in Spanish, presented in a double rectangular frame. The text runs for six lines starting with the words 'Muy diferentes son las condiciones de los hombres (...). The text is charaterized by many flourishes on the ascenders and descenders. Part of an album with 26 examples of calligraphy and micrography, thought to have been produced in France or possibly Antwerp at the beginning of the seventeenth century.
Les débardeurs
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: waiting, watching, fashion, clothing, standing figure - aa - female human figure, fashionable woman, 'belle'
Inscriptions: collector's mark: Lugt 964, check stamp: Lugt 3855

Prent gebruikt voor: Le Charivari, 30 januari 1841.
Sixth interlude: temple of peace (Intermedio sesto: tempio della pace), from "Seven Interludes for the wedding celebration of Cosimo de' Medici in Florence, 1608"
Object type: print
Date: 1608 – 1608
Techniques: etching
Artist: remigio cantagallina
Artist role: artist
Artist nationality: italian
Artist dates: 1582 – 1656
Subjects: human figures,dancing
Ceiling on the South Side of the Transverse Hall of Nakht's Offering Chapel
Object type: facsimile, nakht tt 52, ceiling
Materials: paper, paint
Location: egypt
Artist: lancelot crane
Artist role: artist
Artist nationality: british
Artist dates: 1880 – 1918
Kameel in een woestijnlandschap
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil, watercolor
Techniques: brush
Location: biskra
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: hoofed animals: camel, desert, mountains

Op de achtergrond vermoedelijk het Atlasgebergte. Pagina 38 uit een schetsboek met 32 bladen.
Bodhisattva (Maitreya) with crossed ankles
Object type: figure
Date: 470 – 480
Materials: pigment, stone
Culture: chinese
Subjects: buddhism,bodhisattvas

This statue is most likely the Bodhisattva Maitreya. The closest examples are the Maitreya statues in Caves 5 and 25 (?) at Yungang, Shanxi Province. An early example is the Maitreya in Cave 275 at Dunhuang, which dates to early fifth century. All these statues share the same attributes, a seated posture with crossed legs, a crown with a Buddha image, and the right hand held upright with the palm facing forward in a gesture of allaying fears (abhaya mudra). The representation of the Bodhisattva Avalokiteshvara (Guanyin) in Chinese Buddhist art first appeared in the late fourth century. By the late sixth century, it had assumed its standard image, characterized by the water flask and lotus stem, or willow branch, in his hand, and sometimes an image of the Buddha on his crown, which, at Yungang, was on the crown of Maitreya instead. At an early stage of its development, Avalokiteshvara was often depicted as an attendant of Maitreya, as is seen in the Maitreya mural at Bingling Temple in Tianshui, Gansu, which dates to the early fifth century. It was not represented by itself until the late sixth century, when the worship of Avalokiteshvara gradually gained popularity. More investigation is needed to confirm Cave 25 to be the original locus, as proposed on the catalogue card. In their seminal work on Yungang, Sekino and Tokiwa list 20 caves that range from late fourth to late fifth or early sixth century. They didn’t mention Cave 25, which is little recorded in Chinese sources.
Schön newes Modelbuch (Page 49r)
Object type: book print ornament architecture
Date: 1608 – 1608
Techniques: woodcut
Artist: sigismundus latomus
Artist role: publisher
Artist nationality: german
Artist dates: 1599 – 1632
Subjects: female nudes

Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery.
Bust of Mademoiselle Marcelle Lender
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Fotoreproductie van schilderij door Albert Neuhuys
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, child, cradle, crib
Jonkhr. Johan van der Does
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: bevelhebber, dichter, filoloog, bibliothecaris, bestuurder, jan van der does (heer van noordwijk en kattendijke)
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Rectangular plaque seal with stepped pyramidal back
Object type: stamp seal
Date: 2250 – 2000
Materials: stone
Culture: akkadian or neo-sumerian
Location: mesopotamia
Subjects: women,scorpions
Schuur
Object type: sketchbook leaf
Date: 1808 – 1891
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: shed
Inscriptions: date: ‘7 Aug 91’

Blad 3 recto uit een schetsboek met 28 bladen.
Drie knotwilgen bij een boerderij
Object type: print
Date: 1887 – 1952
Materials: paper
Techniques: drypoint, etching
Artist: chris van der windt
Artist role: print maker
Artist dates: 1877 – 1952
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
The Crowning with Thorns
Object type: drawing
Date: 1520 – 1530
Materials: ink, paper
Techniques: pen, wash
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: men,christ
Drunk in Autumn Woods
Object type: hanging scroll
Date: 1702 – 1702
Materials: ink, paper
Culture: chinese
Artist: shitao (zhu ruoji)
Artist role: artist
Artist nationality: chinese
Artist dates: 1642 – 1707
Subjects: landscapes

Exploring the theme of intoxication, Shitao makes us reel with the unsteadiness of his figures and landscape. He probably created this picture to commemorate an autumn outing in the hills with friends. The three inscriptions testify to the pleasure and pride that Shitao took in his achievement; they make it clear that the exhilaration experienced by the friends was inspired by nature, poetry, conviviality, and creativity as well as wine. In an instant, mists and clouds can return to their primeval form; Red trees fill the skies, spreading fire through the heavens. I invite you, sir, to get very drunk on my black brushstrokes; Lie down and watch the frosted forest as falling leaves swirl.
Riding habit
Object type: riding habit
Date: 1887 – 1887
Materials: wool
Culture: french
La Mode de Paris, 1 septembre 1866 : Etoffes et nouveautés (...)
Object type: fashion print
Date: 1866 – 1866
Materials: paper
Techniques: engraving, hand coloring
Subjects: clothing for the upper part of the body (+ women's clothes), ear-rings (+ women's clothes), gloves, mittens (short gloves) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), fan (+ women's clothes), bracelet, wristlet (+ women's clothes), necklace (+ women's clothes)
Inscriptions: title: ‘La Mode de Paris’, caption: ‘Etoffes et nouveautés des M.ins du Printemps. Boulevart Haussmann’, address: ‘Rue du Faubourg S.t Honore. 3.a Paris’

Twee vrouwen staan bij de balustrade van een balkon. Onder de voorstelling een regel reclametekst. Prent uit het modetijdschrift La Mode de Paris (1859-1882(?)).
Stamp on envelope, from the Novelties series (N122) issued by Gail & Ax Tobacco to promote Navy Long Cut
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: gail & ax tobacco
Artist role: publisher
Subjects: profiles,women
Pinhead
Object type: pinhead
Date: 670 – 330
Materials: glass
Culture: roman
Coutume de la Pentecôte, à La Haye
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: pentecost, whitsunday, calendar festivals, non-liturgical celebrations of days belonging to the ecclesiastical calendar, the hague
Inscriptions: collector's mark, collector's mark: Lugt 1641

Prent ook gebruikt in: Picart, Bernard. Ceremonies et coutumes religieuses de tous les peuples du monde (...). 10 delen. Amsterdam: Jean Frederic Bernard, 1723-1743, deel 3 (1733), na p. 352. En in de Nederlandse vertaling: Picart, Bernard en Abraham Moubach. Naaukeurige beschryving der uitwendige godtsdienst-plichten, kerk-zeden en gewoontens van alle volkeren der waereldt : in een historisch verhaal (...). 6 delen. 's-Gravenhage: Rutgert Christoffel Alberts, 1727-1738, deel 5 (1736), na p. 326.
Medium drinking vessel
Object type: drinking vessel
Date: 1855 – 1855
Materials: glass
Culture: american
Location: united states
Artist: brooklyn flint glass company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1824 – 1868
Portret van David Teniers II
Object type: print
Date: 1827 – 1850
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: m. pinte
Artist role: print maker
Subjects: brussels, painter, print maker, draughtsman, david teniers (ii), historical persons, portrait, self-portrait of painter
Portret van Johann Heinrich Ott
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Artist: conrad meyer (i)
Artist role: painter, print maker, publisher
Artist dates: 1618 – 1689
Subjects: theologian, historical persons, writing accessories
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van 62 portretten van priesters en theologen van Zürich. Zie Hollstein German 111, 1-41.
Dish with landscapes
Object type: dish
Date: 1837 – 1844
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, vitrification
Location: berlin
Inscriptions: mark: ‘scepter waaronder K.P.M.’

Schaal van een coupe of drinkschaal van porselein met een koperen montuur met ijzeren pin om in de hoge voet te plaatsen. Beschilderd met emailkleuren en goud. Op het plat een landschap met een prominent gebouw. Op de rand een decoratieve band met medaillons en bloemen, waartussen zesmaal een ovaal vak met een klein landschap, telkens ook met een prominent gebouw. De buitenzijde van de schaal is blauw. De binnenzijde is met beige overschilderd. Gemerkt aan de binnenzijde van de voet met de scepter waaronder K.P.M.
Huizen aan het water achter Oud-Diemen
Object type: photograph
Date: 1910 – 1930
Materials: paper, photographic support
Techniques: daylight paper print
Location: diemen
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, brook

Onderdeel van Album met foto's van Amsterdam en omgeving.
The Pyramids in Egypt, plate 7 from "The Seven Wonders of The World"
Object type: print
Date: 1608 – 1608
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: pyramids,men,camels,horses
Slag bij Boksum in Friesland, 1586
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: battle

Slag bij Boksum in Friesland, 26-27 januari 1586. Het Staatse leger door de Spanjaarden verslagen. Gevechten in het open veld en soldaten bij de kerk in Boksum, in de verte Leeuwarden, Winsum en Wielsryp. Met onderschrift van 4 regels in het Latijn. Genummerd: 178. Bedrukt op achterzijde met tekst in het Latijn.
A Nincompoop, or Hen Peck'd Husband
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

A small man walks beside his wife, carrying her umbrella, cloak, pattens, and a bundle in a checkered handkerchief. She wears a feathered hat and holds a fan. An elderly man behind them at right walking looks angrily at them in front of his young wife, who walks carrying a little girl and an umbrella.
Jar
Object type: jar
Date: 1700 – 1501
Materials: ceramic
Culture: iranian
Location: iran
Landschap met water
Object type: sketchbook leaf
Date: 1901 – 1927
Materials: chalk, paper
Techniques: stumping
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: water course
Inscriptions: kleurnotitie, handgeschreven

Landschap met water. Blad 10 uit een schetsboek met 45 bladen.
The Farmer
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: drypoint, etching, intaglio
Location: london
Artist: philip pimlott
Artist role: print maker
Subjects: pig, farmers
Inscriptions: collector's mark: Lugt 2228

Prent uit: The Artist Engraver: A Quarterly Magazine of Original Work, 1904.
De prent zit in een omslag van blauw papier.
Route du Cap Martin
Object type: photomechanical print
Date: 1892 – 1904
Materials: cardboard
Techniques: writing
Location: paris
Subjects: avenue, boulevard, promenade, esplanade, coast