deem-data/ArtiFact huggingface dataset:
Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, from "Story of Apollo and Daphne"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: apollo,jupiter,venus,horses,chariots
Portret van Johannes Jacobi
Object type: print
Date: 1709 – 1709
Materials: paper
Techniques: engraving
Location: berlin
Subjects: berlin, caster, equestrian state-portrait, historical persons, firearms: cannon
Inscriptions: collector's mark: Lugt 240
Portret van Johanna Christiana Hölderlin-Heyn
Object type: photomechanical print
Date: 1895 – 1950
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: historical persons - bb - woman
Paus Agatho
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: pope
Inscriptions: inscription: ‘66’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een opengeslagen boek en een staf met een dubbel kruis in zijn handen. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als Agatho. De prent maakt deel uit van een album.
Collection Nilsson - Nouvelle Série
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: number: ‘No 221’
Ladle
Object type: metalwork
Date: 1719 – 1719
Materials: metal, silver
Location: london
Artist: william looker
Botanical Study with a Species of the Nettle Family (genus Urtica)
Object type: drawing
Date: 1820 – 1820
Materials: graphite, watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: plants
De zoutkeeten te Arnemuiden
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: exterior of industrial structures, factories
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.

Prent afgesneden van blad met twee voorstellingen.
Near Feldkrich
Object type: print
Date: 1832 – 1833
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: (high) hill (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Prent is mogelijk gebruikt in: Ritchie, Leitch. Heath's Picturesque Annual (...). Londen: Longman, Rees, Orme, Brown & Green, 1832.
Portret van een onbekende peinzende vrouw
Object type: drawing
Date: 1914 – 1914
Materials: ink, paper, pencil
Techniques: brush
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228
Wedding ensemble
Object type: wedding ensemble
Date: 1701 – 1800
Materials: linen
Helmet in the Shape of a Chinese Courtier’s Hat (<i>Tōkan-Nari</i>)
Object type: helmet in the shape of a chinese courtier s hat i tōkan nari i
Materials: brass, copper, gold, hair, iron, lacquer, leather, silk, wood
Culture: japanese
Location: japan
Man trekt zijn zwaard om zelfmoord te plegen
Object type: book illustration
Date: 1777 – 1778
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: being refused, the proposal rejected, suicide out of despair
Inscriptions: collector's mark: Lugt 2228

Prent bij: Gellert, Christian Fürchtegott. Fabelen en vertelsels. 3 dln. Amsterdam: Pieter Meyer, 1772-1774. De prenten bij deze publicatie werden later uitgegeven. De exemplaren uitgegeven door de weduwe Jacobus Loveringh & Johannes Allart tussen 1777 en 1778, de exemplaren uitgegeven door alleen Johannes Allart tussen 1778 en 1785.
Portret van Jan van Borssele van der Hooghe
Object type: book illustration
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, historical persons, armorial bearing, heraldry

Prent uit: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd (...). Amsterdam: Johannes Allart, 1783-1795, dl. 12.
Portret van Joseph de Bergaigne
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: joseph de bergaigne
Inscriptions: collector's mark: Lugt 2228

Portret van Joseph de Bergaigne, ten halven lijve. Hij zit op een stoel en draagt een biretta. Het portret is gevat in een boogvormige omlijsting met een vierregelig onderschrift in het Latijn.
Ring Medallion
Object type: ring
Date: 1776 – 1830
Materials: glass, gold, paste
Location: england
Subjects: men,portraits,profiles
Swedish Dancer, from the Dancing Women series (N186) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancing,dancers

Trade cards from the "Dancing Women" series (N186), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Man met een wijnglas (Luxuria)
Object type: print
Date: 1651 – 1652
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: lust, luxury, 'luxuria'; 'lussuria' (ripa) ~ personification of one of the deadly sins, glass, rummer, glass of wine
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Afkondiging van het bestand voor het stadhuis van Antwerpen, 1609
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: proclamation of peace, festivities on events of national importance (+ illumination, fire-works ~ festive activities)

De afkondiging van het bestand. De vrede gesloten op 9 april in Den Haag wordt bekend gemaakt en voorgelezen aan het publiek op de Grote Markt vanaf een podium opgesteld tegen de gevel van het stadhuis van Antwerpen, 14 april 1609. Links en rechts stellages met brandende pektonnen. Onder de voorstelling een gedrukte tekst in 2 kolommen met een beschrijving in het Nederlands.
Toegangspoort van de Onze-Lieve-Vrouwe abdij te Middelburg
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: middelburg
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church, gate, entrance, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 3937, inscription: ‘HOLLANDE Middelburg. Porte de l'Abbaye’
Brief aan anoniem, mogelijk aan Ernst Willem Jan Bagelaar
Object type: letter
Date: 1828 – 1828
Materials: ink, paper
Techniques: pen, writing
Artist: charles howard hodges
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1837
Subjects: draughtsman, ernst willem jan bagelaar, amsterdam
Inscriptions: collector's mark: ‘KONINKLIJKE BIBLIOTHEEK’, collector's mark: Lugt 2233
Oningevuld schema
Object type: manuscript
Date: 1809 – 1814
Materials: ink, paper
Techniques: handwriting, pen
Location: bruges
Artist: joseph van huerne
Artist role: kunstliefhebber, mecenas, verzamelaar
Artist dates: 1752 – 1844
Subjects: handwriting, written text

Oningevuld schema met drie kolommen. Onderdeel van het eerste album met tekeningen van vogels. Derde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Extase van Paulus
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: engraving
Subjects: paul's ecstatic vision: he is borne aloft by (three) angels (2 corinthians 12:1-3), the apostle paul of tarsus; possible attributes: book, scroll, sword
Inscriptions: collector's mark: Lugt 2228
Hoed van stro met bruine, lila, blauw-groene en zwarte pleureuses, struisveren
Object type: hat
Date: 1905 – 1915
Materials: straw, ostrich feather
Techniques: strohalm
Location: paris
Artist: Anonymous

Hoed van fijn, maar ruig, stro. Donkerbruine, lila, blauw-groene en zwarte pleureuses, struisveren. Zwarte voile met grote openingen en gevuld met blokjes. Platte, ronde bol met brede rand, die iets opwipt om de pleureuses te dragen. Geel hoedenlint geheel, en de hoedenbol, gedeeltelijk onzichtbaar onder de lila, bruine en blauwe veren, die over de rand afhangen. Zwarte veer rust van voren van binnen tegen de rand, waar de halve voile onderuit hangt.
Valentine
Object type: valentine
Date: 1850 – 1870
Materials: paper
Techniques: chromolithography, embossing
Artist: Anonymous
Artist role: artist
Versieringselement van roodkoper
Object type: decoration
Date: 1700 – 1710
Materials: copper
Location: amsterdam
Artist: Anonymous
Vues de Spa et de ses environs
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: mineral water, civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende vrouw
Object type: print
Date: 1861 – 1911
Materials: paper
Techniques: etching
Artist: louis le nain
Artist role: print maker
Artist dates: 1851 – 1939
Subjects: adult woman, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘A Monsieur Michiels bien amicalement, Louis le Nain’
The Shepherd
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Location: netherlands
Artist: paulus potter
Artist role: artist
Artist nationality: dutch
Artist dates: 1625 – 1654

Early in his career, Paulus Potter was strongly influenced by the etchings of Gerrit Claesz. Bleker (1625–1665), which featured pastoral scenes of rustic shepherds and domestic animals. Potter favored works of this nature himself, producing both prints and drawings. Here he examined the relationship between the shepherd and his sheep, showing the farmer calming his herd by playing a flute. The beasts, in return, remain near their caretaker, despite the vast countryside in which they can roam. The sheep sit contentedly in the shade while a farmer plows the land in the distance, allowing Potter to convey the intimate connection of man and animal to the land.
Foto uit archief Philip Zilcken
Object type: photograph
Date: 1914 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: the hague, painter, philip zilcken, hand, church (exterior), projectiles, explosives, etc.
Inscriptions: collector's mark: ‘RPK’
Tobias schrikt van de vis
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: a large fish appears while tobias is washing his feet; he is frightened
Inscriptions: collector's mark: Lugt 2610, collector's mark: Lugt 2228

Tobias zit langs de kant van het water en deinst terug als hij de vis in het water ziet. De engel staat achter hem. Genummerd als II in de rechterbenedenhoek.
Gegraveerde draagpenning gebaseerd op 'Meisje met de fruitschaal' door Titiaan
Object type: draagpenning
Date: 1750 – 1800
Materials: silver
Techniques: engraving
Location: unknown
Artist: Anonymous
Subjects: venice, painter, draughtsman, titiaan, adolescent, young woman, maiden, fruit, bowl

Voorzijde: meisje met opgeheven fruitschaal in haar handen, keerzijde blanco.
Scroll of Commission
Object type: handscroll
Materials: silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Jupiter and Antiope: smaller plate
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: jupiter, disguised as a satyr, approaches the sleeping antiope; the eagle may be standing nearby
Inscriptions: mark: Lugt 2228, monogram: ‘RHL’
Bowl
Object type: bowl
Date: 1736 – 1795
Materials: jade
Culture: chinese
Kinderen op straat in Vic-sur-Cère
Object type: photograph
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: gelatin silver print
Location: vic-sur-cère
Artist: delizy
Artist role: manufacturer
Subjects: child, street (+ city(-scape) with figures, staffage)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Fichu
Object type: fichu
Date: 1701 – 1900
Culture: italian
Right chest of Akhenaten prostrate, with Aten cartouches
Object type: akhenaten prostrate, right chest, aten cartouch
Date: 1352 – 1336
Materials: limestone
Location: egypt
Subjects: cartouches,hieroglyphs
Drie muizen in een interieur
Object type: print
Date: 1870 – 1912
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: ben linnig
Artist role: print maker
Artist dates: 1860 – 1929
Subjects: rodents: mouse, interior of the house
Inscriptions: collector's mark: Lugt 2228
Triomfen van Karel V
Object type: history print
Date: 1614 – 1614
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: ghent, charles v (holy roman emperor and king of spain), battle, fighting in general, rome

Karel V valt met zijn leger Rome binnen. Hij zit op een paard en wijst met zijn commandostaf naar de stad. Naast hem kleden soldaten zich aan. Op de achtergrond vallen de troepen al de stad binnen. Met onderschrift van vier regels in het Latijn. Deze prent is onderdeel van een reeks van acht prenten, elk een triomf van Karel V voorstellende.
Nuzi ware sherd
Object type: sherd
Date: 1500 – 1201
Materials: ceramic, paint
Culture: mitanni
Location: mesopotamia
Spear Head
Object type: spear head
Materials: gold, steel
Culture: iranian
Location: iran

Heads of this type were used on the spears of mounted warriors. The Persian inscription in the two cartouches praises the weapon's prowess: "Constantly it drinks the water from the fountainhead of the heart."
Dish
Object type: dish
Date: 1736 – 1795
Materials: porcelain
Location: china
Subjects: flowers

Chinese export porcelain was one of the luxuries deemed essential to a well-appointed eighteenth-century house. Until 1784, when direct trade began between China and America, Chinese porcelain came to the colonies by way of Europe. This dish was part of a large service that descended in the Verplanck family of New York.
Coin Portraying Emperor Constans
Object type: coin
Date: 337 – 350
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: D N CONSTANS P F  AVG
Reverse: GLORIA EXERCITVS EX: SMR

The front (obverse) of this coin portrays the emperor Constans, facing right and crowned with laurels.
On the back (reverse) two soldiers are depicted.
Albarello
Object type: albarello
Date: 1551 – 1600
Techniques: maiolica, glazing
Artist: vincenzo di marco
Artist role: maker
Artist dates: 1525 – 1625
Subjects: human figures

Storage vessels were among the most frequently produced maiolica wares in late medieval and Renaissance Italy. Made in fairly standard shapes, they were designed to fit with dozens of others on a shelf, often in a pharmacy or shop. Their handles therefore tend to fit within the vessel’s profile, and the cylindrical albarello type is generally narrower at the middle than at the top or bottom, making it easy to grip. Other common features include inscriptions indicating contents and flanged lips to help secure cloth or paper seals. The decoration, usually more elaborate on one side than the other, can sometimes link pieces to a known dispensary or specific workshop or artist.
Presentiepenning van het Turfdragersgilde te Amsterdam, 1619
Object type: history medal
Date: 1619 – 1619
Materials: brass
Techniques: casting
Inscriptions: inscription: ‘TVRF / DRAGERS / GILDT’

Gegoten messing penning, op de voorzijde een turfdrager op versierd veld, met omschrift, op de keerzijde het opschrift TVRF DRAGERS (GILDT) tussen versieringen
Plate A. XIII, from "Deliciae Naturae Selectae"
Object type: print
Date: 1751 – 1767
Techniques: engraving, hand coloring
Artist: georg wolfgang knorr
Artist role: artist
Artist nationality: german
Artist dates: 1705 – 1761

Knorr’s Deliciae Naturae Selectae, a study of shells, was first published in 1751 but reissued in various editions and multiple languages over the next two decades. Due in part to their significant reach, the books became a prototype for many later publications on naturalia. Knorr had based his illustrations on specimens from well-known collections of shells and corals, such as that of the wealthy Nuremberg physician C. J. Trew and the deacon August Martin Schadeloock. In most cases, inscriptions indicate the provenance of the specimens. On those plates where no provenance is given, the illustrations were likely drawn after shells from Knorr’s own collection.
Studies of Hands and Feet
Object type: drawing
Date: 1701 – 1733
Materials: chalk, ink, paper
Techniques: heightening, pen
Location: france
Artist: françois le moyne
Artist role: artist
Artist nationality: french
Artist dates: 1688 – 1737
Subjects: feet,hands
25 portretten van Torrial, Simon-Girard en Sandrini
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Torrial/ Torrial Simon-Girard/ dans &lt; &lt; Véronique &gt; &gt;/ Sandrini/ Emelen dans &lt; &lt; Phrynée &gt; &gt;’, number: ‘No 222’
Gezicht op Jaarsveld, 1636
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: prospect of village, silhouette of village, church (exterior), rowing-boat, canoe, etc., jaarsveld
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 183.
Half Panel Cutter #3804
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Een nieuwe Kruistocht naar het Oosten
Object type: cartoon
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: politician, the hague, abraham kuyper, rome, priest, herman johannes aloysius maria schaepman, riding a horse, ass, or mule; rider, horseman, militant proselytizing: religious war, crusade, etc., political caricatures and satires

Abraham Kuyper leidt gezeten op een ezeltje een potsierlijke meute Nederlanders (Troelstra als clown, Schaepman als vrouw met hondje) in een kruistocht onder het banier 'voor Christendom en Beschaving' tegen 'het Aziatisch fanatisme', de groeiende invloed van China in de wereldpolitiek.
Shrine amulet of Nefertum
Object type: amulet, shrine, nefertum
Date: 664 – 332
Materials: faience
Location: egypt
Panel
Object type: panel
Date: 1600 – 1600
Materials: metal thread, silk, wool
Subjects: men,women,dogs
Hunting Spear
Object type: hunting spear
Date: 1501 – 1600
Materials: copper alloy, gold, leather, steel, textile, wood
Culture: french
Location: france
Studies voor het tekenen van landschappen
Object type: text sheet
Date: 1802 – 1802
Materials: paper
Techniques: letterpress printing
Location: dresden
Subjects: single printed leaf: broadsheet, leaflet
Inscriptions: date

De inleiding (en aanleiding) tot een serie prenten gegraveerd door Johann Christian Klengel en hier beschreven. Dit stuk tekst hoort bij de uitgave: Klengel, Johann Christian. Principes de Dessein pour Les Paysages par J.C. Klengel, professeur de l'Academie Electorale de Peinture a Dresde. Se vend chez Henry Rittner au Magazin des Beaux Arts Rue de Chateau no. 329 a Dresde. Dresden: Heinrich Rittner, 1802.
The Actor Matusmto Koshiro IV as Ise no Saburo Disguised as Mizoro no Sabu in the Play Mure Takamatsu Yuki no Shirahata, Performed at the Ichimura Theater in the Eleventh Month, 1780
Object type: print
Date: 1780 – 1780
Techniques: woodblock print
Location: japan
Artist: katsukawa shunjo
Goddess Green Tara Seated with Hand in Gesture of Gift Giving (Varadamudra)
Object type: sculpture
Date: 1301 – 1400
Materials: bronze, gilt bronze, pigment
Culture: tibetan
Location: tibet
Scenes from the Life of Christ
Object type: relief
Date: 1401 – 1800
Materials: wood
Culture: spanish
Location: spain
Artist: gil de siloe
Artist role: artist
Artist nationality: spanish
Artist dates: 1475 – 1505
Subjects: bearing the cross,crucifixion,entombment
Chessmen (32)
Object type: chessman
Date: 1801 – 1900
Materials: ivory
Subjects: chess
Kluizenaar voor een stenen kapel
Object type: watercolor
Date: 1782 – 1837
Materials: graphite, ink, paper, watercolor
Techniques: brush, pen
Artist: pieter bartholomeusz. barbiers
Artist role: draughtsman, print maker
Artist dates: 1772 – 1837
Subjects: hermitage

Kluizenaar voor een stenen kapel; ontwerp voor een tuindecoratie.
Linen mark (Type II)
Object type: linen mark
Date: 1961 – 1917
Materials: linen
Location: egypt