deem-data/ArtiFact huggingface dataset:
Der Spatzier Gang / La promenade
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: physicist
Inscriptions: collector's mark: Lugt 2228

Zevende prent uit een serie van twaalf taferelen die 'Natürliche und affectirte Handlungen des Lebens' (eerste serie) illustreren waarin 'natuurlijk' en 'geaffecteerd' gedrag op karikaturale wijze tegenover elkaar worden gezet. Deze taferelen zijn op een plaat geëtst. Deze serie, voorzien van toelichtingen door Georg Christoph Lichtenberg, is ook gebruikt in: Goettinger Taschen Calender vom Jahre 1779. Göttingen: Johann Christian Dieterich.
Jan Asselijn, painter
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: drypoint, etching
Subjects: amsterdam, jan asselijn, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 699, collector's mark: Lugt 240, signature and date: ‘Rembr / f 16’
Strook zilverkant met waaiertjes
Object type: strip
Date: 1700 – 1709
Materials: thread
Techniques: lace
Location: spain
Artist: Anonymous

Strook kloskant, zilverkant. Het zich herhalende patroon bestaat uit waaiertjes van zilverlameldraden en geribelde filédraden. De waaiertjes zijn met elkaar verbonden door een maasgrond, een vetergatslag-traliegrond. De bovenzijde is recht afgewerkt. De schulpen langs de onderzijde worden gevormd door de waaiertjes.
Badend meisje
Object type: print
Date: 1917 – 1917
Materials: paper
Techniques: drypoint, intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: woman (showing herself) undressed, quasi-nude, taking a bath - aa - in the open air
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Bij deze derde staat van de prent is er op de achtergrond onder meer een tempel toegevoegd.
Beleg van Poitiers, 1569
Object type: print
Date: 1569 – 1571
Materials: paper
Techniques: etching
Location: cologne
Subjects: siege, position war

Beleg van Poitiers, 24 juli tot 7 september 1569. Gezicht op de belegerde stad. Met onderschrift van 8 regels in het Duits. Linksonder genummerd: 66. De prent maakt deel uit van een album.
Man gezeten aan een tafel met daarop een drinkglas
Object type: print
Date: 1888 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: ernest midy
Artist role: print maker
Artist dates: 1878 – 1938
Subjects: sitting figure, adult man, table
Inscriptions: collector's mark: Lugt 2228
Poort van de Citadel van Antwerpen, 1833
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: permanent fortifications, devastated, ruined place or city (~ warfare)
Inscriptions: collector's mark: Lugt 2228

De ingangspoort naar de Citadel van Antwerpen in 1833. Het terrein tussen de vestingmuren staat onder water. Onderdeel van een serie van zes platen uit 1833 van de ruïnes van de citadel na het beleg door het Franse leger in november en december 1832.
Glass beaker
Object type: beaker
Date: 101 – 300
Materials: glass
Culture: roman

Colorless with green blue tinge. Rounded, inverted rim; hour-glass shape to body with sides tapering in downward and then expanding outward to bottom with central, large flattish pad. Intact; some pinprick bubbles; pitting, dulling, and iridescent weathering on exterior, creamy enamel-like weathering on most of interior.
Portret van Juliana van Stolberg
Object type: print
Date: 1841 – 1893
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem steelink (i)
Artist role: draughtsman, print maker
Artist dates: 1826 – 1913
Subjects: stolberg, dillenburg, juliana van stolberg
Inscriptions: collector's mark: Lugt 2228

Portret van Juliana. Linksboven haar naam, haar titels en het jaartal '1574'.
Landschap met twee putti en een riviergod bij een kaart van het Land van Heusden en Altena
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: landscapes, maps of separate countries or regions, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240
Death of Nicolaas Voet, Minister in Utrecht
Object type: history medal
Date: 1679 – 1679
Materials: silver
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: utrecht

In the past, important events were graced with a medal, especially in well-to-do families. The occasion for this was usually a birth, wedding, or death. These medals not only remained in the family as a memento, but were also given to the guests at the baptism, wedding party, or funeral. Sometimes they were purely private in character, such as the gold medal a grandfather gave to his grandson.
Koningin Wilhelmina betreedt het Koninklijk Paleis te Amsterdam tijdens haar officiële rentrée in Amsterdam
Object type: photograph
Date: 1945 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: dam
Subjects: wilhelmina of the netherlands, queen, empress, etc. (wife of a ruler), palace
Inscriptions: name: ‘Copyright Nederlandsch Christelijk Persfotobureau’, address: ‘Olympiaplein 170 Amsterdam-Z.’

Onderdeel van Fotoalbum gemaakt door Eva Pennink met opnames van de prinsessen Beatrix, Irene, Margriet en Marijke uit de periode 1948-1951.
Volute-krater fragment
Object type: volute krater fragment
Date: 530 – 530
Materials: terracotta
Culture: greek, attic
Ornament Fragment (?)
Object type: ornament fragment
Date: 501 – 700
Materials: metal
Culture: moche
Location: peru
Offerings Made to the Deceased and his Wife, Tomb of Djehutyemheb
Object type: facsimile, djehuty tt 45, offering scene
Materials: paper, paint
Location: egypt
Artist: norman de garis davies
Artist role: artist
Artist dates: 1865 – 1941
Subjects: men,women,hieroglyphs

Scenes of the deceased seated at an offering table or receiving offerings of food from their children represent the outcome of Egyptian funerary rites. The dead have achieved blessed status through ritual, and now receive the sustenance that allows them to survive eternally. The eldest son was responsible for the funeral and cult of the deceased. To the left, the eldest son of Djehutyemhab extends a tall bouquet to his father, whose image is only partly preserved. Other children follow bringing fruit, fish, birds, and a small calf. On the right, Djehutyemhab and his wife, Baketkhonsu, are seated before an offering table. Djehutyemhab took over an unfinished tomb from an earlier owner. Here, the earlier multicolored hieroglyphs contrast with Djehutyemhab’s simple red additions.
N.G. van Kampen
Object type: print
Date: 1820 – 1849
Materials: paper
Techniques: engraving
Subjects: haarlem
Inscriptions: collector's mark: Lugt 2228

Portretbuste van Nicolaas Godfried van Kampen, hoogleraar geschiedenis te Amsterdam. Onder het portret zijn signatuur.
Brougham #3789
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op de Blinkert
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: haarlem
Artist: leendert overbeek
Artist role: draughtsman, painter, print maker
Artist dates: 1752 – 1815
Subjects: dunes (sea not visible); in the dunes, hotel, hostelry, inn
Inscriptions: date

Gezicht op het duin de Blinkert bij Overveen. Op de voorgrond wandelaars op weg naar de herberg Kraantje Lek. Bezoekers beklimmen het duin en rennen er weer van af.
Takino in Harima Province (Harima Takino), no. 44 from the series "Sixty-eight Views of the Various Provinces (Shokoku rokujuhakkei)"
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
Schouw-park aller Scheeps-vlaggen des geheelen Water-Waerelds; vermeerderd Met ruim 50 nieuwe, nooit voor dezen in 't Licht gebrachte (...)
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: (military) flags and standards (+ naval force), flag, colours (as symbol of the state, etc.)
Necklace
Object type: necklace
Date: 1801 – 1900
Materials: enamel, metal, wool
Culture: moroccan

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Boereninterieur met een twee figuren bij een venster
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: chalk, paper
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: cottage - aa - civic architecture: inside

Blad 43 verso uit een schetsboek met 52 bladen.
Dress
Object type: dress
Date: 1856 – 1856
Materials: silk
Culture: american
Ex libris van Alfred E. Cohn
Object type: bookplate
Date: 1909 – 1909
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: reading, ex-libris
Inscriptions: collector's mark: Lugt 2228

Een jonge vrouw zit lezend onder een boom. De zon gaat net onder in de zee.
Signatuur van Willem Gruyter
Object type: print
Date: 1832 – 1880
Materials: paper
Techniques: etching
Location: amsterdam
Artist: willem gruyter jr.
Artist role: draughtsman, print maker
Artist dates: 1817 – 1880
Inscriptions: collector's mark: Lugt 2228
Opstand van een voorgevel
Object type: sketchbook leaf
Date: 1783 – 1797
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: johannes huibert prins
Artist role: draughtsman, painter, print maker
Artist dates: 1757 – 1806
Subjects: ornament ~ tracery, façade (of house or building)

De ruimte boven de vensters op de begane grond is gedecoreerd met tracering. Pagina 15 en 16 uit een schetsboek met 175 pagina's.
Siervaas
Object type: ornamenttekening
Date: 1700 – 1900
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: vase ~ ornament
Inscriptions: stamp: Lugt 10

Een siervaas met smalle voet en bolle buik.
Covered Cup
Object type: metalwork
Date: 1764 – 1775
Materials: silver
Location: new york city
Artist: myer myers
Subjects: dining, drinking
Inscriptions: Marked in script within a shaped rectangle on bottom and on outer cover flange: "Myers"  Weight scratched inside bottom: "oz/76/pw/18"

Period accounts refer to this form as either a Bishop or a Grace cup. Bishop was a drink made with wine, lemon, and sugar mixed with spiced port. The term Grace refers to the mealtime prayer, after which the cup was passed around the table. The cup’s form is a later interpretation of the 17th-century caudle cup and the early-18th-century covered cup, examples of which are on display in the galleries.
Green Goods, by Gosh!, from the "Girls and Men in Costume" series (T65), issued with Golden Eagle Cigars by I. Lewis & Co.
Object type: print
Date: 1903 – 1903
Techniques: color lithograph
Artist: i. lewis & co., newark, new jersey
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1950

Tobacco insert card from the "Girls and Men in Costume" series (T65), issued with Golden Eagle Cigars by D.H. McAlpin & Co. Tobacco Company in 1903.
Osella uit de republiek Venetië van doge Giovanni Cornaro, 1629
Object type: coin
Date: 1629 – 1629
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: links de heilige Marcus, gezeten en rechts de doge, knielend met tussen hen een lans, waarop kruis, die beiden vasthouden. In de afsnede de letters D en B [=muntmeester Domenego Basadonna]. Keerzijde: man, blootshoofds die voor het altaar knielt. In de afsnede in twee regels: Anno V [=1629].
Baritone Saxhorn in B-flat
Object type: soprano saxhorn in b flat
Date: 1865 – 1868
Materials: brass, nickel, silver
Culture: american
Location: united states
Artist: m. slater
Artist role: maker
Portrait Study: Mr. Herbert C. Pollitt
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: scraping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Zes foto's van Loentje Onnen met vrienden zeilend op de Loosdrechtse Plassen
Object type: photograph
Date: 1906 – 1911
Materials: paper
Techniques: gelatin silver print
Location: loosdrechtse plassen
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: amsterdam, carolina frederika onnen (lien/loen), sailing-ship, sailing-boat, historical persons, friends
Inscriptions: inscription: ‘Bertie/ Knowles’, inscription: ‘Zeiltocht/ Loosdrecht/ Juni 1911.’, inscription: ‘Milly’

Deze foto's maken deel uit van een album.
Acrobat, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,acrobats

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Eine Execution vonn de Obersten Provaiß oder Rodtruten genand Spelle (...)
Object type: print
Date: 1570 – 1570
Materials: paper
Techniques: etching, letterpress printing
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: violent death by hanging, brussels

Executie door ophanging op last van Alva van de provoost Hans de Greef, alias Spell of Spelleken te Brussel, 11 februari 1570. Rechts kust Spell een van zijn medewerkers. In het midden hangt Spell aan de galg met zijn vonnis (sentencie) op de borst. Links wordt een andere van zijn medewerkers wordt gegeseld. Dit is de oorspronkelijke grote nog onafgesneden plaat van nr. 119. Zonder onderschrift maar met titel en opschrift van 5 regels in het Duits.
City Hall, Hong Kong
Object type: photograph
Date: 1865 – 1875
Materials: paper
Techniques: albumen print
Location: hong kong
Artist: Anonymous
Subjects: hong kong
Inscriptions: number: ‘184’, number: ‘BD.156’, inscription: ‘... City Hall Hongkong’, number: ‘10’
Portret van Franciscus Ridderus
Object type: print
Date: 1658 – 1725
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: leiden, writing tools, book
Inscriptions: collector's mark: Lugt 2228

Franciscus Ridderus, predikant, staand bij een tafel met boeken en schrijfgerei. Op de achtergrond een boekenkast. Portret ten halven lijve naar rechts. Onderaan in de marge twee vierregelige verzen en een drieregelig vers in het Nederlands.
Reliquary Pendant with Queen Margaret of Sicily Blessed by Bishop Reginald of Bath
Object type: reliquary pendant
Date: 1174 – 1177
Materials: gold
Culture: british
Location: england
Subjects: queens,men,women,bishops

The engraved Latin inscription on the back identifies the subject: “Bishop Reginald of Bath hands this over to Queen Margaret of Sicily.” The inscription on the front lists the relics once contained under a crystal: “Of the blood of Saint Thomas martyr. Of his vestments stained with his blood: of the cloak, the belt, the hood, the shoe, the shirt.” The bishop probably presented this pendant to the queen on the occasion of her son’s marriage in 1177 to the daughter of Henry II. The king had instigated the murder of his former friend and chancellor, Thomas Becket, archbishop of Canterbury, on December 29, 1170.
Etudes de chevaux et autres animaux
Object type: print
Date: 1829 – 1830
Materials: paper
Techniques: lithograph
Location: france
Subjects: bull
Inscriptions: collector's mark: Lugt 2228

De prent is mogelijk de twintigste prent binnen een serie van 24 prenten.
Kalender 1907 12 lithografien door Th. v. Hoytema
Object type: calendar leaf
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Inscriptions: collector's mark: Lugt 2228
Twee stokvechters
Object type: drawing
Date: 1874 – 1945
Materials: ink, paper, pencil
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: jiu-jitsu, judo, etc.
In the Open Air
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Portret van een man met baard
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: bad ems
Artist: f.e. perger
Artist role: fotograaf
Subjects: historical persons, beard
Inscriptions: inscription: ‘Artistische Anstalt/ für/ Photographie/ von/ F. E. Perger/ in/ BAD EMS/ Haus Kaiser Alexander.’
Portret van Willem II, prins van Oranje, op 14-jarige leeftijd
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: william ii (prince of orange)
Inscriptions: date

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
The Evacuation of Fort Sumter, April 1861
Object type: carte de visite
Techniques: albumen silver print, glass negative
Artist: edward anthony
Artist role: publisher
Artist nationality: american
Artist dates: 1818 – 1888
Subjects: fortification,american civil war
De gammelang
Object type: photograph
Date: 1895 – 1898
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: small group of musicians, chamber orchestra, jazz band, migrants
Inscriptions: inscription: ‘De gammelang’

Een gamelan orkest in het immigrantendepot of zgn. ‘koeliedepot’, het centrale meldpunt voor immigranten in Paramaribo. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Begrafenis van Cornelis Govert Visscher, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: cortege, funeral procession, utrecht
Inscriptions: collector's mark: Lugt 2228

Begrafenis van Cornelis Govert Visscher, bevelhebber van de Utrechtse burgercompagnie Turkije, gesneuveld in het gevecht bij Vreeswijk op 9 mei, te Utrecht op 15 mei 1787. Begrafenisstoet in drie rijen. Op het blad onder de plaat de legenda 1-20 van de deelnemers in de stoet.
Portret van Viglius ab Aytta Zuichemus
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: brussels, clergyman
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Brief aan Jan Veth
Object type: letter
Date: 1907 – 1907
Materials: ink, paper
Techniques: pen, writing
Location: baarn
Artist: karel johan lodewijk alberdingk thijm
Artist role: criticus, prozaschrijver
Artist dates: 1864 – 1952
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
Man in moestuin
Object type: print
Date: 1912 – 1931
Materials: paper, ink
Techniques: woodcut
Artist: else berg
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1877 – 1942
Subjects: gardening
Inscriptions: signature: ‘E. Berg’, collector's mark: Lugt 2228

Man met een pet op en een pijp in zijn mond, staand in een moestuin met op de achtergrond huizen; gestileerd weergegeven.
Titelpagina voor: De Europise Staats-Secretaris, 1750
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: handwriting, writing as activity, secretary of state, state secretary ~ government, study; 'studiolo'; library, specific aspects, allegorical aspects of mercury; mercury as patron
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

In een studeerkamer schrijft een man, de secretaris, aan een schrijftafel. Bij hem staat Mercurius, die hem een vel papier toont. Links een wereldbol en op de achtergrond een boekenkast. Boven een draperie met de titel.
Odalisque
Object type: painting
Date: 1865 – 1902
Materials: canvas, oil
Artist: benjamin-constant (jean-joseph-benjamin constant)
Artist role: artist
Artist nationality: french
Artist dates: 1845 – 1902
Subjects: sleeping,men,women,orientalist

The fantasy of sexual availability is a recurrent theme of Orientalist painting. The luxurious setting and the presence of a guard are intended to suggest that the woman belongs to the harem of a wealthy man.
Peridot  ring stone
Object type: intaglio
Date: 100 – 200
Culture: roman
Subjects: bow and arrow,apollo

Apollo leaning on a pillar, bow in one hand Adaptation of a Greek work of the 4th century B.C.
Pharaoh's army engulfed by the Red Sea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giovanni Francesco Penni
Object type: print
Date: 1729 – 1740
Techniques: aquatint, woodcut, etching, printing
Artist: anne claude philippe de tubières, comte de caylus
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1765

Etching by Anne Claude Philippe de Tubières, Comte de Caylus, woodcut by Nicolas Le Sueur.
Scherven van een bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: porcelain
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van een bord uit V.O.C.-schip de 'Witte Leeuw'.