deem-data/ArtiFact huggingface dataset:
Kamelen
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: etching
Artist: august le gras
Artist role: draughtsman, print maker
Artist dates: 1864 – 1915
Subjects: hoofed animals: camel, desert, trees: palm-tree
Inscriptions: inscription: ‘August Le Gras’, collector's mark: Lugt 2228

Vier kamelen binnen stenen muren in de buitenlucht. Een jonge kamelendrijver leunt met zijn rug tegen een op de grond gelegen kameel. In de verte een uitgestrekte vlakte met enkele palmbomen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, heel of draped figure to right
Heuvellandschap met een landhuis
Object type: sketchbook leaf
Date: 1838 – 1865
Materials: paper, pencil
Artist: Anonymous
Subjects: low hill country, country-house

Blad 13 recto uit een schetsboek met 45 bladen.
Actor (one of a pair)
Object type: figure
Date: 1730 – 1740
Materials: enamel, gold, soft paste porcelain
Techniques: polychrome
Artist: saint-cloud factory
Artist role: factory
Artist nationality: french
Artist dates: 1693 – 1766
Subjects: men,women,actors
Kom van glas
Object type: bowl
Date: 900 – 1100
Materials: glass
Location: nishapur
Artist: Anonymous

Kom, concaaf, van doorschijnend, geïriseerd glas. Aan de buitenzijde gedecoreerd met in brede dubbele lijnen ingekraste eenvoudige patronen. (gebroken en gelijmd). Volgt de vorm van een aardewerken kom.
Portret van Dicky Baud
Object type: photograph
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: boy (child between toddler and youth), historical persons, paris
Inscriptions: inscription: ‘Dicky./ Hepatrol./ A Rolland/ Paris’
Portret van een jong meisje
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 2228
Drie Koningskinderen...
Object type: photomechanical print
Date: 1949 – 1951
Materials: paper
Techniques: rotogravure
Location: alphen aan den rijn
Artist: Anonymous
Subjects: the hague, juliana of the netherlands, royal children, coronation of a ruler, netherlands
Jongens, ziet hier 't aapen leven / Afgebeeld en ook beschreven [(...)]
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: monkeys, apes, animals acting as human beings
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen apen die zich gedragen als mensen. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 83.
Big Fish Eat Little Fish
Object type: print
Date: 1557 – 1557
Techniques: engraving
Artist: pieter van der heyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1525 – 1569
Subjects: fishing,fish,boats

One of the most haunting of Bruegel's images, Big Fish Eat Little Fish is among the first of the artist's many treatments of proverbs in paintings or prints. The image reveals many small and large fish tumbling out of the mouth of an enormous beached fish. A small, helmeted figure with an oversized knife slices open the big fish's belly, revealing even more marine creatures. Land, air, and water seem to be overrun by an odd assortment of real and fantastic fish, while in the foreground a man, accompanied by his son, gestures toward the scene. The meaning of his gesture is conveyed in the Flemish inscription below, which translates: "Look son, I have long known that the big fish eat the small." This vernacular form of the ancient Latin proverb, which appears in majuscule lettering just above, relates to the theme of a senseless world in which the powerful instinctively and consistently prey on the weak. That the son understands the lesson is apparent from his gesture toward the other man in the boat, who has extracted a small fish from a larger one. Bruegel's brilliant visualization of the proverb was first conceived as a drawing (Vienna, Graphische Sammlung Albertina) that is signed by the artist and dated 1556. This engraving by Pieter van der Heyden, however, is signed in the lower left corner with the name Hieronymus Bosch, who had died in 1516. The print's publisher, Hieronymus Cock, was probably responsible for replacing Bruegel's name with that of the more famous and salable Bosch, who had, not coincidentally, a major influence on Bruegel.
Adressen
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Inscriptions: annotation: ‘[...]kt Pieters/ Hotel Continental/ S. Margherita Ligure/ Italia/ Sparrelaan 24./ Hilversum’

Blad 59 verso uit een schetsboek met 59 bladen.
Reukbal van goud
Object type: pomander
Date: 1810 – 1850
Materials: diamond, gold, silk
Techniques: filigree
Artist: Anonymous

Reukbal in zakje. Filigrein met een roos geslepen diamant in peervorm. Met reukbal van mirre, wierook en labdanum. In zak twee stroken kant.
Portret van een kind in witte jurk
Object type: photograph
Date: 1877 – 1884
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons, tot, toddler ~ the ages of man
Inscriptions: inscription: ‘American/ photography/ Hisgen Bros./ 128, P.C. HOOFTSTRAAT/ Amsterdam’
Wensbrief met decoratief kader
Object type: print
Date: 1790 – 1790
Materials: ink, paper
Techniques: calligraphy, etching, pen
Location: netherlands
Artist: Anonymous
Subjects: parents with their children, human types, characters (human types)
Inscriptions: collector's mark: Lugt 2760, inscription: ‘Kers brief / Aan mijne eerwaarde moder / Daar is een zeer gezen[...]len dag ...’

Wensbrief met beschreven cartouche binnen een decoratief kader met voorstellingen van kinderen die hun moeder wensbrieven aanbieden en andere figuren en bezigheden. Handgeschreven bericht in kalligrafie (Kerstbrief) door Abraham Jansz aan zijn moeder. Genummerd rechtsboven: 60.
Jar with a long neck
Object type: jar, unbored
Materials: stone
Location: egypt
Shallow Round Dish on tall Pedestal Decorated with Fruit and Female Masks
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: brush, pen, wash
Artist: erasmus hornick
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1501 – 1583
Subjects: masks,fruit,women,dishes
De Uyterste verdelging van de Stad Jerusalem en den Tempel
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the people of judah, except the poorest, are taken to babylonia ~ story of zedekiah, nebuzaradan, commander of the babylonian army, burns down the temple and the palace of jerusalem ~ second siege of jerusalem
Inscriptions: collector's mark: Lugt 2228

Na het beleg van Jeruzalem vertrekt het Babylonische leger terug naar huis met de geplunderde schatten van de stad. Op de achtergrond Jeruzalem in de vlammen.
Heilige Filippus met kruisstaf
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: fides (faith) as roman personification, archer's weapons: bow and arrow, the apostle philip; possible attributes: book, cross, dish with snake, lance, scroll, stone, sword, armour, indigenous peoples of north america, armorial bearing, heraldry, smoking pot as symbol of 'vanitas'

Prent maakt deel uit van een prentbijbel.
Two-Sided Pendant with the Archangel Michael and Daniel in the Lion’s Den
Object type: pendant
Materials: stone
Culture: byzantine
Location: probably constantinople
Subjects: men,lions,angels

This personal icon shows the archangel Michael on one side and the prophet Daniel on the other. To the Byzantine faithful, Daniel symbolized the salvation promised to believers.
Jongeman met een luit
Object type: print
Date: 1847 – 1932
Materials: paper
Techniques: etching, intaglio
Location: amsterdam
Subjects: youth, adolescent, head-gear: hat, lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 2228

Prent naar het schilderij door Frans Hals in het Musée du Louvre te Parijs.
Untitled (1)
Object type: photograph
Date: 1890 – 1890
Techniques: photogravure
Location: italy
Artist: ferdinando ongania
La Mode, 14 janvier 1837, Pl. 539 : Robe en mousseline de lain (...)
Object type: fashion print
Date: 1837 – 1837
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (shawl) (+ women's clothes), gloves, mittens, etc. (+ fur used for clothes), clothing for the upper part of the body (mantelet) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), muff (+ fur used for clothes)
Inscriptions: address: ‘25, Rue du Helder ( Chaussée d'Antin )’, caption: ‘Robe en mousseline de laine et Mantelet de velours garni de martre (Gagelin 93.r. Richelieu) Gants-manchons (Privat,r. de la Paix) Robe en velouté garni de bouillons - Châle en cachemire des Indes (M"me Helye Pessonnaux.20.rue de la Michodi're Manchon de martre.4. Fb. Poissonniére.’, title: ‘La Mode.’

Japon van Wollen mousseline en een kleine schoudermantel van fluweel afgezet met marterbont van Gagelin. 'Gants-manchons' of handmoffen(?) van Privat. Japon van 'velouté' versierd met 'bouillons'. Sjaal van 'cachemire des Indes' van Helye Pessonnaux. Mof van marterbont. Prent uit het modetijdschrift La Mode (1829-1855).
Interieur van Van Stockum's Antiquariaat te Den Haag
Object type: photograph
Date: 1907 – 1907
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: bookshelves, print, e.g.: engraving, etching, lithograph, art sale, auction, the hague
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

De foto's van het interieur zijn gebruikt op de achterzijde van een aanbevelingsbrief van J.B.J. Kerling van Van Stockum's Antquariaat. Aan de binnenzijde worden de collecties vermeld die de afgelopen jaren geveild zijn.
Zwammerdam, - station
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: velsen
Subjects: railway, train, station; shelter (railway, tramway)
Portret van een zittende jongeman
Object type: album leaf
Date: 1864 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: sitting figure, adult man, historical persons
Inscriptions: annotation: ‘[...]/ [...]1864/67’, inscription: ‘The London and continental/ Photographic/ copying company’
Nutmeg Grater
Object type: nutmeg grater
Date: 1705 – 1710
Materials: silver, steel
Culture: american
Location: united states
Artist: william cowell sr.
Artist role: maker
Artist nationality: american
Artist dates: 1682 – 1736
Two Girls in Regional Costume
Object type: drawing and watercolor
Materials: graphite, oil, paper
Location: france
Artist: françois hippolyte lalaisse
Artist nationality: french
Artist dates: 1810 – 1884

Lalaisse captured the charmingly picturesque costumes of Breton girls for reproduction in the 1844–51 book series Galerie armoricaine: Costumes et vues pittoresques de la Bretagne (Armoricaine Gallery: Costumes and Scenic Views of Brittany), several decades before Paul Gauguin recast similar subjects in his search for the pure and the primitive in the same region.
Pelerine
Object type: pelerine
Date: 1890 – 1890
Materials: linen
Culture: italian
Heilige Sebastiaan
Object type: print
Date: 1622 – 1648
Materials: paper
Techniques: etching
Location: italy
Artist: simone cantarini
Artist role: draughtsman, print maker
Artist dates: 1612 – 1648
Subjects: martyrdom, suffering, misfortune, death of st. sebastian
Inscriptions: inscription: ‘guido Reni 15f’, inscription: ‘Cantarini/ B24’, collector's mark: Lugt 2228

De heilige Sebastiaan zit tegen een boom, doorzeefd met pijlen. Een engel zweeft boven hem en houdt een lauwerkrans boven zijn hoofd.
After the Antique: Roman Officiant at a Sacrificial Altar
Object type: drawing and watercolor
Date: 1531 – 1532
Materials: chalk, paper
Location: italy
Artist: francesco salviati
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
San Francesco, Venice
Object type: drawing
Date: 1883 – 1883
Materials: graphite, ink, paper
Culture: american
Artist: andrew fisher bunner
Artist role: artist
Artist nationality: american
Artist dates: 1841 – 1897
Subjects: buildings,landscapes,venice
Untitled
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: lithograph
Location: france
Artist: victor adam
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1866
Landscape for Zhanting
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: wang yuanqi
Artist role: artist
Artist nationality: chinese
Artist dates: 1642 – 1715
Subjects: mountains,landscapes

A talented landscape painter and theorist, Wang Yuanqi inherited the mantle of orthodoxy from his grandfather, Wang Shimin (1592–1680). A high government official, he also played an important role in establishing the orthodox style as the standard for court painting under the Kangxi emperor (r. 1662–1722). Wang derived his basic composition for this painting from the Yuan master Huang Gongwang (1269–1354), but he reduced the earlier artist's landscape forms to geometric shapes arrayed in twisting and turning echelons that set the entire mountainscape in motion. Contrasting colors and shifting ground planes further animate the composition. Wang's inscription suggests that he took particular pleasure in completing this painting: The way of brush and ink is such that if it is not the product of lofty and profound ideas and a happy and relaxed mood, when [the artist] adds dots and washes, his mind and hand will not respond to one another. In accord with this principle, the ancients often put away their inkstones and laid aside their brushes, often for years at a time, if the right occasion did not arise. My colleague Zhanting entrusted me with some celi paper a long time ago, but I was distracted by official business. This spring I was recuperating from illness at home. Mr. Zhanting's marvelous medicinal compound worked like the seven stimulants. I recovered immediately, feeling fully vitalized, and was able to fulfill my old promise. I note this in hopes that he will not admonish me for my tardiness.
Philadelphia Sunday Press, November 15
Object type: print
Date: 1851 – 1900
Techniques: lithograph
Artist: george reiter brill
Artist role: artist
Artist nationality: american
Artist dates: 1867 – 1918
Subjects: women
Scherf van roodbakkend aardewerk, aan de bovenzijde voorzien van blauw glazuur met decoratie van strepen bloemen in bruin, geel, groen en wit
Object type: sherd
Date: 1600 – 1650
Materials: earthenware, glaze
Techniques: maiolica
Location: northern netherlands
Artist: Anonymous
Studies of Horses
Object type: drawing and watercolor
Materials: gouache, graphite, ink, paint, paper, watercolor
Techniques: wash
Location: france
Artist: jules-élie delaunay
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1891
Langres
Object type: area plan
Date: 1638 – 1638
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Subjects: maps of cities

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, plattegrond 22 uit het deel 'Champagne'.
Glass amphoriskos (perfume bottle)
Object type: amphoriskos
Date: 534 – 401
Materials: glass
Culture: greek, eastern mediterranean

Translucent cobalt blue, with handles and base-knob in same color; trails in opaque yellow and turquoise blue. Broad inward-sloping rim-disk; cylindrical neck; broad, gently sloping shoulder; ovoid body, tapering downwards to pointed bottom; applied small circular base-knob with rounded edge and flat bottom; two strap handles applied to shoulder, curved up and inwards onto neck, then drawn down neck and trailed off behind base of handle. One yellow trail attached at edge of rim-disk; another yellow trail applied to shoulder and wound in a spiral around top of body, then tooled into a close-set zigzag pattern on upper body, where a turquoise blue trail is added, mingling with the yellow; below this, a yellow and a turquoise trail, each wound horizontally once around body, the yellow running over the lower tips of the zigzag pattern on one side. Complete, except for part of one handle, and some internal cracks in upper body; slight dulling and pitting. Glass vessels such as these first appeared in the Greek world late in the sixth century B.C. They originally contained perfumes or scented oils used in funerary rites, after which the bottles were left in the grave.
Elisabeth van Frankrijk aan het bed van een zieke
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: weeping, visiting the sick; sick person together with others
Inscriptions: collector's mark: Lugt 2228

De prinses zit naast het bed van een zieke man. Achter haar een huilende vrouw. Links een gezant die zijn hoed heeft afgenomen.
Arabie, from "Jeu de la Géographie"
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: women
Sculpture, XVIe siècle
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet, church (exterior), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘SCULPTURES. - PL. 7.’, inscription: ‘SCULPTURES en pierre (...)’, monogram: ‘JJvY’
Gesprek tussen Ferdinand Kettler en Karel Alexander
Object type: print
Date: 1740 – 1744
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johannes de ruijter (1688-1744)
Artist role: print maker, publisher
Artist dates: 1688 – 1744
Subjects: conversation, dialogue; conversation piece
Inscriptions: inscription: ‘[...] Hoorn... 1 / Haarlem... 1 / Amsterdam... 1 / [...]’

In de buitenlucht bij een ruïneuze muur, zijn de reeds overleden Ferdinand Kettler, hertog van Koerland en Karel Alexander, hertog van Württemberg, met elkaar in gesprek.
Brief aan Jan Hendrik Maschaupt
Object type: letter
Date: 1836 – 1881
Materials: paper, pencil
Techniques: writing
Location: amsterdam
Artist: adolphe mouilleron
Artist role: draughtsman, print maker
Artist dates: 1820 – 1881
Subjects: amsterdam, painter, jan hendrik maschaupt, painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life), haarlem
Inscriptions: collector's mark: ‘RPK’
Fragment of a Bowl
Object type: ceramic fragment
Date: 1301 – 1500
Materials: earthenware
Techniques: glazing
Location: egypt
Portret van Eugen, Reichsgraf von Inzaghi
Object type: print
Date: 1727 – 1751
Materials: paper
Techniques: engraving, etching
Location: augsburg
Artist: simon thaddäus sondermayr
Artist role: print maker
Subjects: austria, clergyman, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Twee tulpen met libelle, spin en hommel
Object type: album leaf
Date: 1637 – 1637
Materials: paint, parchment, pencil, watercolor
Techniques: brush
Artist: jacob marrel
Artist role: draughtsman, painter
Artist dates: 1614 – 1681
Subjects: insects: dragon-fly, spiders, flowers: tulip, insects: bumblebee
Inscriptions: date

De tekening maakt deel uit van een album.
Vase in the form of a beggar's purse
Object type: vase
Date: 1876 – 1876
Materials: bone china
Artist: worcester factory
Artist role: maker
Artist nationality: british
Artist dates: 1751 – 2008

After the end of the Flight, Barr & Barr ownership of the Worcester factory in 1840, the firm went through a succession of owners and mergers before falling under the ownership of Kerr & Binns in 1852. During the partnership, the factory sought to rebuild its former eighteenth-century reputation in porcelain and known for Renaissance-inspired designs. With the establishment of the Royal Worcester Porcelain Company in 1862, the company gradually gained recognition for its Japanese-inspired designs, which formed part of Japonisme, a collective fascination with Japan that took place in Europe and the United States following the opening of Japanese markets to the West by Commodore Perry in 1853.
Gravel Pit, Marlingford
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: etching
Location: norwich
Subjects: trees
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent staat samen met RP-P-1973-178 op een onversneden blad.
Titelpagina voor: Bernard de Fontenelle, Oeuvres diverses de Mr. Bernard de Fontenelle, 1728
Object type: titelblad, titelpagina
Date: 1727 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: paris, the liberal arts, 'artes liberales', historical persons, portrait of a writer, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2233

Landschap met de vrouwelijke personificaties van de zeven vrije kunsten. Boven hen vliegen putti die het portret van de schrijver Bernard de Fontenelle dragen. Op de achtergrond een putto op de rug van Pegasus. De voorstelling is gevat in een omlijsting die wordt bekroond door een cartouche waarin de titel in het Frans staat.
The Englishwoman's Domestic Magazine, Dec. 1874, No. 1175 B : The Fashions (...)
Object type: fashion print
Date: 1874 – 1874
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: paying (~ commerce) (here also repayment of debt, etc.), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), collection, exhibition, show, persons engaged in trade and commerce, street
Inscriptions: title: ‘THE FASHIONS / Expressly designed & prepared / The "Englishwoman's Domestic Magazine."’

Een vrouw betaalt de entree voor een expositie aan een kassier. Zij draagt een gestreepte japon met queue versierd met kwasten en franjes. Hoog hoedje versierd met bloemen. Achter haar staat een vrouw in een zwarte japon met queue versierd met ruches. Hoed met opstaande rand, versierd met linten, veren en bloemen. Prent uit het modetijdschrift The Englishwoman's Domestic Magazine (Londen 1852-1877).
Flying Fish, from the series Fishers and Fish (N74) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: knapp & company
Artist role: lithographer
Artist nationality: american
Subjects: women,fishing,fish

Trade cards from the "Fishers and Fish" series (N74), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
Fotoreproductie van een paneel van een veelluik met de zeven werken der barmhartigheid: het kleden van de naakten, door de Meester van Alkmaar
Object type: photograph
Date: 1906 – 1906
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: clothing the naked, 'nudus vestitur' ~ one of the (seven) acts of mercy, picture, painting
Inscriptions: annotation: ‘Meester der barmhartigheden/ omstreeks 1504’
The Children of France, from "The Complete Works of Béranger"
Object type: print
Date: 1829 – 1829
Location: paris
Artist: alexandre-gustave-adolphe levasseur
Artist role: engraver
Artist nationality: french
Artist dates: 19 – 19
Buda vinta dalli austraci
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: etching
Location: italy
Artist: giuseppe maria mitelli
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1634 – 1718
Subjects: fancy letters
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De sierletters D en A. De letters zijn deels opgebouwd of voorzien van vededigingswerken, vaartuigen, wapens en soldaten. Daarboven de Venetiaanse wapens. Prent ter ere van de herovering van Buda op de Turken in 1686.
Rainy Landscape
Object type: hanging scroll
Date: 1601 – 1700
Materials: ink, paper
Culture: japanese
Artist: sōami
Artist role: artist
Artist nationality: japanese
Artist dates: 1485 – 1525
Subjects: mountains,landscapes