deem-data/ArtiFact huggingface dataset:
Helmet of the Montefortino Type
Object type: helmet
Date: 233 – 367
Materials: bronze
Culture: etruscan
Location: italy

Probably inspired by Celtic prototypes, and also quickly adopted by the Romans, Montefortino-type helmets were especially popular in Etruria from the fourth to the second centuries B.C. This example is Etruscan and remarkable for its sturdiness, untouched surface, and distinctive ornamentation. Among well over 400 Montefortino-type helmets that have survived, only one other similarly decorated example is known. Originating from the Necropolis del Frontone, Perugia, it now is in the Museo nazionale de Perguia, Italy (inv. 362 B1286). The helmet has a hemispherical one-piece bowl of cast, hammered, chased, and engraved bronze, which is surmounted by an integral medial knob-shaped finial, and flanged at the rear into a sloped nape guard that slightly flares upward. It is robust, measuring up to ¼ inch in thickness at the rim, except at the rear, where it becomes thinner as the result of having been hammered into a nape guard. The finial at the apex is decorated with a row of three chevrons that are framed by semi-circular designs at the top and by a narrow band at the bottom. The chevrons are each formed by two engraved segments that meet at the top. The semi-circular designs around them each consist of a narrow sunken arc flanked by an engraved line at each side. The narrow band beneath the chevrons is delineated by two parallel engraved lines and engraved with hatching. The rim of the helmet is decorated with five narrow bands, all separated from the adjacent ones by engraved lines, the first and third band from the top sunken, the second engraved with a herringbone pattern, the third broadening over the nape and enclosing a panel that is filled with an engraved herringbone pattern, and the fourth engraved with hatching. There are two bronze rivets with flush heads at each side of the helmet. These retain bronze washers and fragments of bronze hinges on the interior for attaching the cheekpieces, which are now lost. There similarly is a bronze rivet with a flush head in the middle of the nape guard, which holds a hinged double bronze loop on the interior, for attaching chin straps.
Harz. Die Rosstrappe
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: harz
Subjects: mountain-top, peak, mountains
Inscriptions: inscription: ‘NPG’, number: ‘1.’
Gezicht op een straat aan een gracht te Leiden
Object type: print
Date: 1735 – 1805
Materials: paper, watercolor
Techniques: brush, etching
Location: france
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), stall, booth (~ market), rowing-boat, canoe, etc., canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage), leiden
Inscriptions: collector's mark: Lugt 2166

Links en rechts kramen met uitgestalde koopwaren. Op de gracht twee roeiboten met figuren. Genummerd: 35.
Twee afbeeldingen van de watersnood in 1809
Object type: popular print
Date: 1809 – 1809
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: dike-break, gelderland
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee afbeeldingen van de watersnood in Gelderland en Overijssel in januari 1809. Boven: bewoners worden met een boot uit hun ondergelopen huis gered. Onder: Het water stroomt een huis binnen. Onder elke voorstellingen een achtregelig vers. Genummerd rechtsboven: No. 37.
Cope
Object type: cope
Date: 1501 – 1533
Materials: silk
Mummy Board of the Chantress of Amun-Re Henettawy
Object type: mummy board, henettawy f, singer of amun re
Date: 1000 – 945
Materials: wood
Techniques: painting
Location: egypt
Subjects: birds,hieroglyphs,scarabs,snakes

Henettawy's principal burial equipment consisted of two splendid coffins (25.3.182a, b; 25.3.183a, b) and a mummy board (25.3.184). The coffins and the mummy board are all shaped like wrapped mummies with elaborate masks fastened over the heads. The mummy board has no pectoral on a necklace. There are, however, two emblems of the scarab that pushes the sun disk, the lower one flanked by two Re-Harakhty falcons that face winged cobras. The lower half of the lid is painted red, indicating a red-dyed cloth wrapping. Over the cloth is a bead netting in diamond patterns, symbolizing the net garment of a goddess, and a single vertical yellow (gold) band on which is written a spell that Osiris utters on behalf of Henettawy.
Terracotta aryballos (oil flask) in the form of two Black African heads
Object type: terracotta aryballos oil flask in the form of two black african head
Date: 434 – 401
Materials: terracotta
Culture: greek, attic
Winter
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Platter
Object type: platter
Date: 1740 – 1750
Materials: hard paste porcelain
Subjects: birds,coat of arms
Figuurstudie en een boek op een tafel
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Subjects: adult man, book - mm - book open, table
Inscriptions: workshop stamp: Lugt 291d, signature: ‘G H Breitner’

Blad 33 recto uit een schetsboek met 16 bladen.
Poem by Kawara no Sadaijin, from an untitled series of One Hundred Poems by One Hundred Poets
Object type: print
Date: 1767 – 1768
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Cup
Object type: cup
Date: 1701 – 1800
Materials: horn
Culture: chinese
Subjects: plants
Spotprent op het onaangeroerd laten van de koloniale kwestie in de troonrede, 1867
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: ministerie van koloniën, minister van koloniën, johannes jerphaas hasselman

Spotprent op het onaangeroerd laten van de koloniale kwestie in de troonrede bij de opening van de Staten-Generaal. Verschillende ministers met hun pakken, Hasselman zwaait met een vlaggetje. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 38, 21 september 1867.
Beeldhouwwerk van Venus in een zuilengalerij (?) van de Villa Campana, Rome (?)
Object type: stereograph
Date: 1855 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Inscriptions: inscription: ‘Venus euhpyge (?) villa Campana’
Huizen en figuren langs de Neckar te Hirschhorn
Object type: sketchbook leaf
Date: 1807 – 1876
Materials: paper, pencil
Location: hirschhorn
Artist: geo poggenbeek
Artist role: draughtsman, painter, print maker
Artist dates: 1853 – 1903
Subjects: river, river bank (+ landscape with figures, staffage)

Blad 31 recto uit een schetsboek met 69 bladen.
Portret van Karel van Oostenrijk
Object type: print
Date: 1617 – 1662
Materials: paper
Techniques: engraving
Subjects: knighthood order (red eagle order), historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Portrait of Hubert Gravelot
Object type: print
Date: 1760 – 1822
Materials: paper
Techniques: engraving, etching, roulette
Location: france
Artist: jean massard
Artist nationality: french
Artist dates: 1740 – 1822
Medal
Object type: medal
Date: 1859 – 1859
Materials: metal
Artist: anthony paquet
Artist role: maker
Artist nationality: american
Artist dates: 1814 – 1882
Subjects: men,profiles
Denarius (Coin) Portraying Emperor Septimius Severus
Object type: coin
Date: 197 – 197
Materials: bronze, copper alloy, metal, silver
Culture: roman
Location: roman empire
Inscriptions: Obv: [L] SEPT SE[V P]ERT AVG IMP VIIII
Rev: [HERCVLI] DEFENS

The front (obverse) of this coin portrays the head of Emperor Septimius Severus, facing to the right. On the back (reverse), the legendary hero Hercules can be identified by his attributes, the knobby club that he leans on and the lion’s skin over his left shoulder. He also holds a bow in his left hand.

Herakles was the consummate hero. Temples across Greece and South Italy were dedicated to him, the son of Zeus, and Romans, who knew him as Hercules, celebrated him as a role model. With brute force, determination, and just enough cleverness, Herakles completed his famous Twelve Labors to become immortal. Herakles is readily identifiable by his knobby club and lion’s skin. The latter refers to his First Labor, in which he killed a magical beast who was ravaging the town of Nemea. The lion’s invincible hide made him immune to weapons, so Herakles strangled him and took his pelt. Depictions of Herakles’s other Labors can be seen throughout the galleries.
Top hat
Object type: top hat
Date: 1875 – 1875
Materials: silk
Culture: british
Artist: melton
Artist role: designer

The silk top hat became an essential component of the gentleman's wardrobe in the mid-19th century. During the reign of Queen Victoria in England, where this example was made, the gentleman who wore such a hat also followed a prescribed code of etiquette, such as raising or tipping the hat or touching the brim to acknowledge his social peers or superiors. Such attention to detailed social protocol also meant that hats made of silk plush, as this is, required frequent brushing to ensure the hat and the gentlemen looked polished at all times.
The Actor Ichikawa Danjuro IV as Kudo Suketsune in the play "Hatsugai Wada no Sakamori," performed at the Nakamura Theater in the first month, 1759
Object type: print
Date: 1759 – 1759
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
The Indian Triumph of Bacchus
Object type: print
Date: 1542 – 1542
Techniques: engraving
Artist: enea vico
Artist role: artist
Artist nationality: italian
Artist dates: 1523 – 1567
Subjects: animals,bacchus,elephants,lions
Scene from the Legend of the True Cross
Object type: relief
Date: 1351 – 1400
Materials: stone
Culture: dutch or french
Subjects: saint john the evangelist,virgin mary,jesus,crucifixion,knights

Enthusiasm for embarking on Crusade waned during the fourteenth century, notwithstanding the the tight links drawn between belief in the True Cross and in the Crucifixion of Jesus, here witnessed not only by his mother Mary and Saint John (much effaced), but by a knight and his lady.
Posting in Scotland
Object type: print
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Mathilde
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Sumatra, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Types of All Nations" series (N24), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Naples
Object type: scrapbook
Date: 1860 – 1900
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print
Location: italy
Artist: roberto rive
Artist role: fotograaf
Artist dates: 1825 – 1868
Subjects: travelling; tourism, prospect of city, town panorama, silhouette of city, naples
Inscriptions: name: ‘Theo Thissen’

Fotoalbum in rode linnen band. Op het voorplat de titel in gouddruk en in reliëf. De schutbladen zijn van beige papier. Het album bevat 25 bladen met evenveel afdrukken. Het zijn opnames van bezienswaardigheden in Napels en het nabijgelegen Ischia, Capri, Sorrento en Amalfi. Afgebeeld zijn onder meer stadsgezichten, landschappen, kusten, pleinen en gebouwen waaronder de San Francesco di Paola, de Piazza dei Martiri, het Koninklijk Paleis, de Villa Nazionale en de Venustempel.
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 600 – 301
Materials: terracotta
Culture: unknown fabric

Fragment of a lid-like shape with glaze and reserve on the top and underside
Leven en passie van Christus
Object type: titelprent, frontispice
Date: 1705 – 1732
Materials: paper
Techniques: etching
Location: paris
Subjects: venerating the cross
Inscriptions: collector's mark: Lugt 2228

Titelprent van een serie met zestig prenten met als thema het leven van Christus.
Familie Kessler zwemmend in zee
Object type: stereograph
Date: 1899 – 1899
Materials: paper, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Inscriptions: caption: ‘aug. 1899 Domburg’
Atelier van een prentmaker
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: london
Subjects: tools, implements of graphic artist, workshop, studio of the artist (in general), engraver, etcher (+ artist at work)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Aan de tafel rechts zit een prentmaker te graveren bij open raam. Op de muur achter hem verschillende gipsmodellen. Links veegt een jongen met een kwast over een plaat die in een bad met zuur ligt te etsen. Linksboven een man die een etsplaat beroet met een kaars. Onderaan verschillende ets- en graveergereedschappen. De verschillende figuren en objecten zijn aangeduid met letters.
Numatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"
Object type: print
Date: 1806 – 1806
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Hanging
Object type: hanging
Date: 1601 – 1700
Techniques: embroidery
Subjects: christ,crucifixion
Portret van een vrouw met stijve plooikraag
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: adult woman, head-gear: cap (+ women's clothes), neck-gear ~ clothing (with name) (+ women's clothes)
Inscriptions: inscription: ‘Ge Graveert naar W: Delft / 1825’, inscription: ‘N5 J:F: Schmetterling’
View of Harbor of Fortified Town
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: europe
Artist: Anonymous
Spoon
Object type: spoon
Date: 1683 – 1684
Materials: silver
Artist: lawrence coles
Artist role: maker
Artist dates: 1669 – 1714
Maanden van het jaar
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, june and its 'labours' (+ with cancer (june))
Inscriptions: collector's mark: Lugt 2228

Een groep figuren in een zeilboot varend op het water. Linksboven een kreeft.
Presentatie van Christus in de tempel
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: presentation of the christ-child in the temple, usually simeon (and anna) present (luke 2:22-39)
Inscriptions: collector's mark: Lugt 240

Prent afkomstig uit een onbekende Latijnse bijbel, mogelijk gedateerd 1590.
Brief van Jourdan Barbot & Cie. gericht aan de heer Legrip
Object type: letter
Date: 1889 – 1889
Materials: ink, paper
Techniques: pen, printing
Location: paris
Subjects: letter, envelope

Brief horend bij de publicatie 'Fabrique d'appareils photographiques de tous models ... [etc] : catalogue et notice 1883, annulant les précédents', exemplaarnummer h4457.
Portret van Hendrik V, koning van Engeland
Object type: book illustration
Date: 1749 – 1749
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons, king

Prent uit: Rapin Thoyras, Paul de. Histoire d'Angleterre. Den Haag: s.n., 1749, dl. 4. Prent mogelijk ook gebruikt in andere publicaties.
Stoelrug van wijnrood fluweel met applicatie-borduurwerk
Object type: top cover
Date: 1500 – 1599
Materials: thread, velvet
Techniques: brocade
Location: italy
Artist: Anonymous

Stoelrug van wijnrood fluweel met applicatie-borduurwerk. Aan de korte zijden staan afgeknotte takken omwonden door een lint. Zijtakken met acanthusblad en eindigend in lelie, eikels, korenaar en druiventrossen. Applicatie van goudbrokaat geborduurd met groene en gele zijde. Langs de contouren glegd goud en blauw koord. Bladnerven van zilverdraad.
Cimon en Pero
Object type: drawing
Date: 1590 – 1636
Materials: ink, paper
Techniques: pen
Artist: giacomo sementi
Artist role: draughtsman
Artist dates: 1580 – 1636
Subjects: pero suckling cimon ('caritas romana')
Portret van Jeremias Cornelis Faber van Riemsdijk
Object type: print
Date: 1851 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: haarlem, the hague, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Drawing of the Head of a Simurgh
Object type: illustrated single work
Date: 1301 – 1400
Materials: ink, paper, watercolor
Location: egypt
Subjects: heads,mythical creatures
Dertien bouwkundige ornamenten en drie doorsneden
Object type: print
Date: 1866 – 1900
Materials: paper
Techniques: tone lithography
Location: liège
Artist: j. herman
Artist role: designer

Linksboven staan een zuil en een kapiteel afgebeeld. Daarboven staat vermeld: Motifs de decoration, rechtsboven: Sculpture, rechtsonder: N° 3 A
Vrouw die stier tracht te bedwingen
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching, intaglio
Artist: stefano della bella
Artist role: draughtsman, print maker
Artist dates: 1610 – 1664
Subjects: bull, adult woman
Inscriptions: collector's mark: Lugt 240

Naar een antiek reliëf. Getekende voorstudie wordt bewaard in de Galleria degli Uffizi te Florence (inv. nr. 14818 F).
Landschap met een molen aan een waterkant
Object type: sketchbook leaf
Date: 1803 – 1818
Materials: paper, pencil
Artist: arnoldus johannes eymer
Artist role: draughtsman, print maker
Artist dates: 1803 – 1863
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), windmill in landscape, farm (building)

Aan weerszijden van het water boerderijen. Bladzijde 49 uit een schetsboek met 74 bladzijden.
Prentbriefkaart
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1940
Materials: paper
Techniques: lithograph
Location: united states
Artist: Anonymous
Subjects: new york (city)
Inscriptions: title: ‘G[erman] AMERICAN DAY NURSERY [...]’

Prentbriefkaart met twee foto’s van kinderen in een kinderdagverblijf in New York.
Advertenties
Object type: album leaf
Materials: paper
Techniques: printing
Location: netherlands
Artist: Anonymous
Subjects: advertising

Advertenties voor onder andere De Eerste Nederlandsche Kroonlederfabriek c/h Gebrs Naeff, Hôtel Pension de Dolle Hoed, Hotel Stad Lochem, Lochemsche Coöp Stoomzuivelfabriek en Omnia Cars. Deze pagina maakt deel uit van een album.
Faience bowl
Object type: bowl
Date: 200 – 1
Materials: faience
Culture: greek, ptolemaic

The decorative scheme of this bowl, large petals separated by triangular zones of stacked ferns or pine cones, illustrates the close correspondance between faience and Megarian wares, two types of kiln fired objects ornamented with designs normally associated with silver vessels.While Megarian bowls were made in many places within the Mediterranean basin, faience seems to have been produced solely in Egypt, most likely Alexandria, its artistic and commercial center during the Hellenistic period.The broad appeal of faience bowls, therefore, is attested by their diverse geographical find-spots, such as; the Greek island of Rhodes, Asia Minor (Turkey), Palastine and, Apulia in Southern Italy.
Ontwerp voor een geborduurde rand met bloemen
Object type: design drawing
Date: 1780 – 1800
Materials: gouache, graphite, paper
Location: france
Artist: Anonymous
Inscriptions: watermark: ‘Mav[..]go[..]ier / HA[…]’, inscription: ‘NoncageL [?]’
Panel
Object type: textile
Date: 1601 – 1700
Materials: gold, metal thread, silk, silver
Techniques: embroidery, satin weave
Location: portugal
Finland, 50 penniä, 1923
Object type: coin
Date: 1923 – 1923
Materials: nickel
Techniques: striking

Koper-nikkelen munt. Voorzijde: tussen jaartal wapen van Finland. Keerzijde: tussen twee takken waarde-aanduiding in twee regels. Kartelrand.
Vinaigrette
Object type: vinaigrette
Date: 1830 – 1830
Materials: silver
Artist: john bettridge
Artist role: maker
Artist nationality: british
Artist dates: 1817 – 1835

John Bettridge specialized in the manufacture of small silver boxes, caddy spoons, decanter labels, flatware, and vinaigrettes. Two silver hallmarks are known for John Bettridge which were in use from 1817–1834. The Met’s collection includes two further vinaigrettes by John Betteridge (1983.575.13 and 1983.575.27) as well as a caddy spoon (13.42.68). The base, sides, and lid of this vinaigrette are engraved with basket-weaving; the reserve on the lid is left blank. A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. Its interior Is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged and decoratively pierced inner lid or grille, here formed of foliate scrolls, kept the sponge in place while its perforations allowed the odor to waft through. A whiff of the vinegar might revive someone from a fainting spell. Such vinaigrettes were worn around the neck, on a chatelaine suspended from the waist, or carried in a pocket.
James Delancey
Object type: painting, miniature
Date: 1700 – 1700
Materials: copper, oil
Culture: european
Subjects: men,portraits
Man en vrouw met verentooi in landschap
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: etching
Subjects: landscapes (+ landscape with figures, staffage)

Een man met verentooi, pijlenkoker, lendendoek en geitenvel staat in een landschap met palmbomen. Voor hem knielt een vrouw met verentooi en verenrok. Achter hen staan die figuren met verentooi bij een hangmat onder een afdak tussen vier palmbomen. Links en de achtergrond ligt een krokodil langs het water en varen schepen.
Nene Mathilde op Plantage Accaribo
Object type: stereograph
Date: 1913 – 1930
Materials: glass
Techniques: photography
Location: suriname
Artist: theodoor brouwers
Artist role: amateurfotograaf
Artist dates: 1874 – 1932
Subjects: amsterdam, theodoor brouwers, plantation, suriname

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
Portret van Claudia Felicitas
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: engraving
Subjects: vienna, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
The Saviour
Object type: print
Date: 1490 – 1500
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: israhel van meckenem the younger
Artist nationality: german
Artist dates: 1440 – 1503
The Enraged Musician
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: musical instruments,children,men,women,music

A scene in London, possibly near St Martin's-in-the-Fields, with a musician at an open window holding his ears against the noise of the street; a ballad-seller chants while her baby cries, a milkmaid and other street-traders cry their wares, one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle, an itinerant oboist plays, a knife-grinder sharpens a cleaver, and so on. In this state the horse on the extreme right is black (white in the earlier state), the boy's slate trailing on the ground was only half shaded in the earlier state, but is now darkened.