deem-data/ArtiFact huggingface dataset:
Elias Howe, Jr., from the series Great Americans (N76) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men

Trade cards from the "Great Americans" series (N76), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes. There are two variations of the Beecher card, one where he faces left and one where he faces right. This is the left-facing variation.
Altenberg (Ertsgebergte)
Object type: print
Date: 1902 – 1923
Materials: paper
Techniques: lithograph
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: skis (winter sports), earth, world as celestial body, snow
Inscriptions: collector's mark: Lugt 2228

Het besneeuwde dorp Altenberg in het Duitse Saksen. Op straat twee langlaufende figuren.
Straat met figuren, waaronder vrouwen met schalen op het hoofd
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, folk costume, regional costume, carrying something on the head or on the shoulders, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Pagina 58 uit een schetsboek met 67 bladen.
The Cotton Gown Falls, Man Remains, and the Calf Fades (J.B. Rousseau), plate 10 from Coquetterie
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Verwoeste schuur op ondergelopen land in een buitenwijk van Parijs
Object type: photograph
Date: 1901 – 1910
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: paris
Artist: g. dangereux
Artist role: fotograaf
Subjects: barn, flood (+ landscape with figures, staffage), paris

Onderdeel van fotoalbum overstroming Parijs en voorsteden 1910.
Emancipated Slaves Brought from Louisiana by Colonel George H. Hanks
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: myron h. kimball
Artist role: artist
Artist nationality: american
Artist dates: 1860 – 9999
Subjects: american civil war,boys,girls,men,portraits,women,slaves

In December 1863, Colonel George Hanks of the 18th Infantry, Corps d'Afrique (a Union corps composed entirely of African-Americans), accompanied eight emancipated slaves from New Orleans to New York and Philadelphia expressly to visit photographic studios. A publicity campaign promoted by Major General Nathaniel Banks of the Department of the Gulf, and by the Freedman's Relief Association of New York, its sole purpose was to raise money to educate former slaves in Louisiana, a state still partially held by the Confederacy. One group portrait, several cartes de visite of pairs of students, and numerous portraits of each student were made. When this photograph was published as a woodcut in "Harper's Weekly" of January 30, 1864, it was accompanied by the biographies of the eight emancipated slaves, which served successfully to fan the abolitionist cause. Two are quoted below. AUGUSTA BROUJEY is nine years old. Her mother, who is almost white, was owned by her half-brother, named Solamon, who still retains two of her children. WILSON CHINN is about 60 years old. He was "raised" by Isaac Howard of Woodford County, Kentucky. When 21 years old he was taken down the river and sold to Volsey B. Marmillion, a sugar planter about 45 miles above New Orleans. This man was accustomed to brand his negroes, and Wilson has on his forehead the letters "V. B. M." Of the 210 slaves on this plantation 105 left at one time and came into the Union camp. Thirty of them had been branded like cattle with a hot iron, four of them on the forehead, and the others on the breast or arm. In his negative, Kimball retouched the brand on Wilson Chinn's forehead to make the initials appear more visible on the print.
Rekenpenning uit Dordrecht op de inname van Fort Sint Andries bij Heerewaarden 1600
Object type: jeton
Date: 1600 – 1600
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde twee bloemen, één groeiend bij opgaande en één kwijnend bij ondergaande zon, met omschrift, op de keerzijde een plattegrond van het fort tussen Maas en Waal, met omschrift.
Pisangboom
Object type: drawing
Materials: paper, pencil, watercolor
Techniques: brush
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: fruits: banana, indonesia
Inscriptions: inscription: ‘Pisang musa paradisiaca.’

Kleurtekening van een pisang - of bananenboom en een Indonesische vrouw. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 200-201.
Textile Fragment
Object type: textile fragment
Date: 1701 – 1800
Materials: cotton, silk
Techniques: brocade
Location: india
Subjects: flowers
Portret van Frederik de Grote
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: lausanne
Subjects: berlin, frederick ii (king of prussia), coat of arms (symbol of sovereignty), ornament ~ medallion, armour, historical persons, king
Inscriptions: collector's mark: Lugt 240
Portret van koningin Victoria van Engeland
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Artist: bassano (fotograaf)
Artist role: fotograaf
Artist dates: 1829 – 1913
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), historical persons - bb - woman
Parabel van de koning die rekenschap vraagt
Object type: book illustration
Date: 1480 – 1500
Materials: paper
Techniques: woodcut
Subjects: the unmerciful servant: the king forgives him his debts ~ parable of christ (matthew 18:23-35)

Eén blad van 113 uit Ludolphus de Saxonia, "Dit es dleué ons liefs heeren ihesu christi". Anonieme Nederlandse vertaling. Uitgegeven door Henrick Eckert van Homberch te Antwerpen in 1503. Botke, K. Deze 113 houtsneden, die meestal reeds in vroege Nederlandse boeken gebruikt zijn, worden toegeschreven aan de tweede Meester van Delft, de Meester van de Delbecq-Schreiber-passie en de Meester van de Virgo inter Virgines. In Conway (1884) en in "De gulden passer"(1951) zijn ook eerdere versies opgenomen. Botke, K.
Drummer, from Officers and Soldiers of the Bodyguard of Emperor Rudolph II
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Inscriptions: Lettered lower left: "I. de Gheyn sculp."; lower right: "HG. inve."; and below image: "Suta boum pulso ... et arma ruit. 3".
Vrouw en een man op een ezel bij een waterbron
Object type: print
Date: 1670 – 1675
Materials: paper
Techniques: etching
Location: paris
Subjects: ornamental fountain (in village) - ii - ideal landscapes, ass, donkey, herd, flock
Inscriptions: collector's mark: Lugt 2228

Een vrouw met een mand met wasgoed staat bij een waterbron, waar schapen en koeien staan te drinken. Ernaast staat een man op een ezel, die een springende hond aan de lijn heeft. Hij probeert het beest tot de orde te roepen.
Papyrus Fragment of a List of Furniture
Object type: fragment
Date: 601 – 700
Materials: ink, papyrus
Culture: coptic
Location: egypt
Subjects: coptic,documents
Portret van Elias Annes Borger
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Koninklijk Paleis Amsterdam
Object type: photograph
Date: 1932 – 1947
Materials: photographic support
Techniques: photography
Location: the hague
Subjects: palace - aa - civic architecture: inside, decorations (interior of the house), pavement, floor ~ architecture, royal palace of amsterdam
A Bowl of Strawberries on a Stone Plinth
Object type: painting
Date: 1696 – 1696
Materials: oil, panel, paper
Artist: adriaen coorte
Artist role: painter
Artist dates: 1665 – 1710
Subjects: fruits: strawberry
Inscriptions: signature and date: ‘A . Coorte . 1696’

Coorte portrayed with the precision of a scientist. By isolating it, it is as if he wanted to get to the very essence of a peach or a gooseberry. Although these four paintings were not conceived as a series, they have formed an ensemble since the second half of the 18th century.
La Liseuse—The Reader, Lamplight
Object type: print
Date: 1890 – 1894
Materials: paper
Techniques: lithography
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Edinburgh
Object type: reproduction
Date: 1905 – 1912
Materials: cardboard
Techniques: color autotype
Location: london
Subjects: (high) hill
Christ Crowned with Thorn
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Artist: hanns hanfstaengl
Artist role: print maker
Artist dates: 1820 – 1885
Subjects: crown of thorns ~ instruments of the passion, picture, painting
Gezicht op Andernach aan de Rijn met de Bolle Toren
Object type: print
Date: 1694 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river
Inscriptions: collector's mark: Lugt 2228

Prent uit een serie van 71 prenten met Rijnlandschappen, gezichten op vorstelijke paleizen en stadsgezichten uit Den Haag en Amsterdam.
Donkey rig
Object type: donkey rig
Date: 1295 – 1070
Materials: wood
Location: egypt
Pompa funebris optimi potentissimiq. principis Alberti pii
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: cornelis galle (i)
Artist role: print maker
Artist dates: 1576 – 1650
Subjects: brussels, albrecht aartshertog van oostenrijk, cortege, funeral procession

Deelnemers in de begrafenisstoet met de vaandels van Bourgogne-Franche-Comté en Artesië. Plaat XXXVIII in de serie van de begrafenis van aartshertog Albrecht van Oostenrijk te Brussel op 12 maart 1622.
Collar
Object type: textile
Materials: cotton, lace, linen
Techniques: lace
Location: belgium
Portret van een onbekende vrouw
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Artist: emile pricam
Artist role: fotograaf
Artist dates: 1844 – 1919
Subjects: historical persons not known by name - bb - woman
Broadside with 48 scenes relating to the life of St Vincent Ferrer
Object type: print
Date: 1858 – 1858
Techniques: engraving
Artist: josé maría marés
Artist role: publisher
Artist nationality: spanish
Artist dates: 1850 – 1870
Subjects: men,women,saints
Right Wing of a Diptych with Coronation of the Virgin and Adoration of the Magi
Object type: diptych wing
Date: 1301 – 1400
Materials: ivory, metal
Culture: french
Subjects: angels,virgin mary,jesus,adoration of the magi
Schonen herenigd met Zweden na de vrede van Fontainebleau
Object type: history medal
Date: 1679 – 1679
Materials: silver
Techniques: striking
Location: stockholm
Artist: arvid karlsteen
Artist role: medailleur
Artist dates: 1647 – 1718
Subjects: koning, karel xi (koning van zweden), île-de-france, zweden, fontainebleau, skåne (provincie), vrede van fontainebleau (1679)

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: Schonen geknield voor koning in Romeins tenue om hem wapenschild aan te bieden binnen omschrift
A Sweating for Opposition by Dr. W-llis Dominisweaty and Co.
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Untitled (City Scene with Horse-Drawn Carriage)
Object type: photograph
Date: 1853 – 1853
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, cities, city, city scenes, horse-drawn carriage, horses, people, urban life
Abklatsch van de potloodtekening op blad 13 verso
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 11 verso uit schetsboek LXV met 27 bladen.
Dalriada Brooch
Object type: brooch
Date: 1901 – 1933
Materials: gold
Culture: irish
Vissersmeisje en een vissersjongen
Object type: drawing
Date: 1836 – 1896
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: adult woman, adult man, interior of the house

Vissersmeisje bij een hek, aan de andere zijde een vissersjongen. Verso: Interieur met moeder en kinderen.
Staande figuur
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: standing figure

Tevens twee studies. Blad 47 verso uit een schetsboek met 60 bladen.
Vues de Mannheim représentées sur vingt six planches
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: augsburg
Artist: christian friedrich schwan
Artist role: bookseller, publisher
Artist dates: 1733 – 1815
Subjects: square, place, circus, etc., theatre (building)
Inscriptions: collector's mark: Lugt 2228
Saffira wordt door de apostelen op de proef gesteld
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: peter questioning sapphira, who then dies too

Prent ook gebruikt in: Biblia ectypa : Bildnussen auss Heiliger Schrifft. Regensburg: Chr. Wiegel, 1697.
Rattle spoon
Object type: rattle spoon
Date: 1801 – 1900
Materials: silver
Portret van Thomas Ittig
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: thomas ittig, theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Portret van Adriaen van Ostade
Object type: print
Date: 1756 – 1817
Materials: paper
Techniques: drypoint
Subjects: haarlem, painter, draughtsman, adriaen van ostade, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Vrouw in een lange mantel en kap, uit verschillende aanzichten gezien
Object type: sketchbook leaf
Date: 1840 – 1840
Materials: paper, pencil, watercolor
Techniques: brush
Location: liebenstein
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: adult woman, coat (+ women's clothes), head-gear: cap (+ women's clothes)
Inscriptions: date and inscription: ‘Liebestein 1840.’

Blad 12 recto uit een schetsboek met 43 bladen.
Temple of Antoninus and Faustina
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: temple, shrine ~ roman religion

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
Slang en duif in de woestijn
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: snakes, other birds: dove
Inscriptions: collector's mark: Lugt 240

Proefdruk van titelpagina voor: Herwerden, Henricus van. 's heilands verzoekingen in de woestijne. Amsterdam: Johannes Allart, 1786.
Portret van dichter en filosoof Pace Pasini
Object type: book illustration
Date: 1647 – 1647
Materials: paper
Techniques: engraving, letterpress printing
Location: venice
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Prent uit de publicatie: Loredan, Giovan Francesco. Le glorie degli Incogniti. Venetië: Francesco Valvasense, 1647, p. 368.
Studie van een zittende vrouw, zonder hoofd
Object type: drawing
Date: 1589 – 1594
Materials: chalk, paper
Artist: cornelis ketel
Artist role: draughtsman, painter
Artist dates: 1548 – 1616
Subjects: sitting figure - aa - female human figure
Parasol
Object type: parasol
Date: 1834 – 1866
Materials: silk, wool
Culture: american
Verecundus
Object type: bookplate
Date: 1838 – 1892
Materials: paper
Techniques: etching, relief print
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Pair of Earflare Frontals
Object type: earflare frontal
Date: 1101 – 1500
Materials: gold
Culture: chimú
Location: peru
Subjects: human figures,birds,monkeys

It was customary in Precolumbian America to bury the personal finery of an individual with him upon his death. In the earliest times such finery consisted of bone, shell, or stone ornaments. By Chimu times the personal jewelry of the nobility had become extremely lavish, and large amounts of flamboyant ornaments in gold were produced by full-time metalsmiths. The royal burials at Chan Chan, the Chimu capital, were so rich that after the conquest the Spaniards set up a commercial mining company to extract their treasures.
Barmhartige Samaritaan ontfermt zich over de gewonde reiziger
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the good samaritan (luke 10:30-37)
Inscriptions: number: ‘65’, collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. II.
Kar in een landschap
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: paper, pencil
Subjects: landscapes, (farm) wagon, freight wagon, cart
Inscriptions: workshop stamp: Lugt 291d

Pagina 78 uit een schetsboek met 83 bladen.
Daoist immortal Laozi
Object type: figure
Date: 1438 – 1438
Materials: copper alloy, gilt
Culture: chinese
Artist: chen yanqing
Artist role: artist
Artist nationality: chinese
Artist dates: 1400 – 1499
Subjects: men,daoism

Identified by his full beard, Laozi is the quasi-historical author of the seminal Daoist text Dao de jing (The Way and Its Power). In addition to its sumptuous gilding and sensitive presentation, this sculpture is remarkable for its long inscription on the underside of the pendant robe indicating that it was commissioned by an official from a northwestern frontier city for his mother in the Ming capital, Nanjing.
Gezicht op een rij huizen aan een water, vermoedelijk in Frankrijk
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: river, façade (of house or building), france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Liggende koe
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: brush, etching
Location: netherlands
Artist: johannes van cuylenburgh
Artist role: print maker
Artist dates: 1793 – 1841
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Vier foto's van het huwelijksfeest van Henricus Petrus Joannes van Ketwich Verschuur en Elize de Beaufort bij landhuis De Hooght, Maarn
Object type: photograph
Date: 1929 – 1929
Materials: paper
Techniques: gelatin silver print
Location: maarn
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: the hague, wedding feast, wedding meal, garden, bride and groom in wedding-dress

Deze foto's maken deel uit van een album.
Fukusa (Gift Cover)
Object type: textile
Materials: cotton, gold leaf, paper, textile, silk
Techniques: damask, interlacings, lacquer, lining, tapestry weave, stitching, weave
Location: japan
Nox
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: personification of the night, 'nox'; 'notte', 'carro della notte', 'serenità della notte' (ripa), owls, sleeping; unconsciousness
Inscriptions: collector's mark: Lugt 240

Joachim van Sandrart gaf de prenten naar zijn schilderijen van de twaalf maanden, de dag en de nacht, zelf uit in 1645. Zij werden vervaardigd door verschillende graveurs: Theodor Matham, Reinier van Persijn, Jonas Suyderhoef, Jeremias Falck, Cornelis van Dalen (II) en Albert Haelwegh.
Het Huis te Zuylen; van den H. Reynaud Gerard van Thurl van Serooskerken / La Maison de Zuylen de S. R. : Gerard van Thuyl de Serooskerke
Object type: book illustration
Date: 1719 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: rural housing, e.g. country-house, villa, cottage
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent mogelijk uit: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719.
Of uit: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Schepen op een rustige zee
Object type: album leaf
Date: 1772 – 1772
Materials: paper
Techniques: printmaking, rocker stamped
Subjects: sea (seascape), laundering
Inscriptions: date
Hoofd van een paard en de kop van een koe
Object type: drawing
Date: 1812 – 1812
Materials: chalk, paper
Techniques: brush
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: cow, horse
Inscriptions: : ‘door de verrekeyker’
Ruitertafereel op Koninklijke Houtvesterij Het Loo: gezelschap in een tuin met rechts een kanon
Object type: album leaf
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: hunting, chase, hunting-ground, firearms: cannon

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
Portret van Willem I, prins van Oranje
Object type: print
Date: 1586 – 1629
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: delft, william i (prince of orange)
Inscriptions: collector's mark: Lugt 240

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Landscape in the Style of Zhao Boju (Fang Zhao Boju shanshui)
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: wang hui
Artist role: artist
Artist nationality: chinese
Artist dates: 1632 – 1717
Subjects: mountains,landscapes

This painting is Wang Hui’s second earliest extant work. Done barely two years into his apprenticeship under the preeminent master Wang Shimin (1592–1680), it shows an approach that differs entirely from that of his earliest known work of 1650 and reflects his exposure to the region’s great collections of ancient masters. According to Wang’s inscription, the painting follows the style of Zhao Boju (died ca. 1162), a Southern Song academy painter known for his landscapes in the blue-and-green style. The calligraphic contour lines and texture dots of Wang’s interpretation, however, owe more to Wang Shimin than to the twelfth-century master. One year before his death Wang added a second inscription: This painting was done in my youth; suddenly, more than sixty years have gone by. Seeing it now I am ashamed of my first steps.
Landschap met brede boom in het midden, rechts een vijver
Object type: drawing
Date: 1872 – 1939
Materials: chalk, paper
Techniques: brush
Artist: egbert rubertus derk schaap
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1939
Subjects: trees
Port glass
Object type: port glass
Date: 1701 – 1800
Materials: glass