deem-data/ArtiFact huggingface dataset:
Upholstery panels for an armchair
Object type: upholstery panel
Date: 1763 – 1764
Materials: silk
Techniques: painting
Subjects: birds,butterflies,flowers

These upholstery panels were made for a chair that was part of a set (see 1974.356.114–.121) made for the Franckenstein Pavilion in the gardens of Seehof Castle near Bamberg, one of the three summer residences in Southern Germany used by Adam Friedrich von Seinsheim, prince bishop of Würzberg and Bamberg. A true garden enthusiast, it was under von Seinsheim that the gardens of Seehof were embellished, which must have resembled the still extant Rococo gardens completed by von Seinsheim at Veitshöchheim. His love for gardens and garden imagery also carried over into the interior decoration and furnishings of his castles, as the Seehof furniture demonstrates. A unique example of German Rococo furniture executed in a more flamboyant style than its French prototypes, the ensemble was designed specifically for the Garden Room in the Franckenstein Pavilion. Used as an audience room, it was referred to as the "Green Trellis Chamber" in the 1774 Seehof inventory and painted entirely with trompe l'oeil trellis and foliage. The garden room's furniture was made to match: the backs of the chairs and settees are richly carved in the form of garden trellis-work with colored flowers and foliage.
Glass Fragment
Object type: fragment
Date: 1301 – 1500
Materials: glass
Culture: european
Frans papiergeld
Object type: print
Date: 1780 – 1851
Materials: paper
Techniques: engraving, etching, hand coloring
Location: mechelen
Artist: joseph hunin
Artist role: print maker
Artist dates: 1770 – 1851
Subjects: coin, bank-note
Inscriptions: collector's mark: Lugt 2228

Frans papiergeld en rechts en links aan de zijkant Frans muntgeld.
Portret van Georges-Louis Leclerc de Buffon
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: paris, georges-louis leclerc de buffon (graaf), scholar, philosopher, historical persons
Inscriptions: date
Herinnering aan Chamonix-Mont-Blanc
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: chamonix
Subjects: hoofed animals: chamois, hoofed animals: ibex, beasts of prey, predatory animals: bear, beasts of prey, predatory animals: lynx, rocks, beasts of prey, predatory animals: wolf
Inscriptions: number: ‘4/1978’, number: ‘1123’

De omslag is versierd met dieren die in het Mont Blancmassief leven, zoals gemzen, een steenbok, een wolf, een beer en een lynx.
Vrouw met sprokkelhout op pad bij bomen
Object type: print
Date: 1835 – 1890
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: trees, road, path, prospect of village, silhouette of village (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a
Square Tower Used as Inn near a River
Object type: print
Date: 1641 – 1641
Techniques: engraving, etching
Artist: jan van de velde ii
Artist role: artist
Artist nationality: dutch
Artist dates: 1593 – 1641
Subjects: inns,men,women,rivers,boats
Vase
Object type: vase
Date: 1801 – 1900
Materials: copper, glaze, porcelain
Culture: chinese
Vaas van kleurloos glas, met bolle buik en iets uitlopende hals
Object type: miniature
Date: 1700 – 1799
Materials: glass
Location: netherlands
Artist: Anonymous

Vaas oorspronkelijk van helder, kleurloos glas, nu door glasziekte ernstig aangetast. Bolle buik met brede hals boven iets uitlopend, iets holle bodem.
Studies, mogelijk ornamentontwerpen
Object type: sketchbook leaf
Date: 1895 – 1895
Materials: chalk, paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945

Blad 9 verso uit een schetsboek met 23 bladen.
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Mouth and part of the top of the neck of a pelike
Visioen van de heilige Perpetua over een ladder naar de hemel
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the early christian churches, e.g. armenians, copts, syrians, the martyrs perpetua and felicitas (felicity) of carthage; possible attributes: wild bull - vision(s), mystic marriage of female saint, dragon, vision, ladder, stairway to heaven
Inscriptions: collector's mark: Lugt 2228

De H. Perpetua zit op de voorgrond en heeft een visioen. Ze ziet een ladder, gemaakt van zwaarden en lansen, die naar de hemel reikt. Mensen proberen te ladder te beklimmen. Onder aan de ladder ligt een draak die diegenen die naar beneden vallen zal verslinden.
Elevation of a dining room with a carved buffet and window draperies
Object type: drawing
Date: 1801 – 1900
Materials: graphite, paper
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: architecture,dining rooms
Snuifdoos
Object type: design drawing
Date: 1765 – 1775
Materials: graphite, ink, paper
Techniques: brush, pen
Location: paris
Artist: Anonymous

Ontwerp voor het deksel van een ovale snuifdoos, met een leeg ovaal veld omgeven door diamanten.
Arcadische landschappen
Object type: print
Date: 1650 – 1723
Materials: paper
Techniques: etching
Location: antwerp
Artist: abraham genoels
Artist role: draughtsman, print maker
Artist dates: 1640 – 1723
Subjects: temple, shrine ~ roman religion, pastorals, arcadian scenes, lake (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Een arcadisch landschap met een meer. Aan het meer wassen enkele vrouwen hun kleren. Op de achtergrond een heuvel met een tempel. De prent is deel van een serie van zes Arcadische landschappen.
Gezicht op de Akropolis met op de voorgrond een landweg en een tempelruïne
Object type: photograph
Date: 1860 – 1880
Materials: photographic support
Techniques: albumen print
Location: athens
Artist: Anonymous
Subjects: ruin of a building ~ architecture, road, path

Onderdeel van Reisalbum met opnames van kunstwerken en bezienswaardigheden in Italië, Griekenland en Frankrijk.
Part of a shallow strainer
Object type: vessel fragment, tell basta treasure
Date: 1070 – 712
Materials: silver
Location: egypt
Kroning van Maria
Object type: print
Date: 1586 – 1612
Materials: paper
Techniques: engraving
Location: unknown
Subjects: the christ-child crowning mary ~ madonna-representations
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

Het Christuskind kroont Maria en overhandigt haar een scepter. Christus zit op een globe die gedragen wordt door een engel. Maria staat op een maansikkel, haar hoofd wordt omgeven door een krans van cherubijnen.
Portret van Jacobus Olaeus
Object type: print
Date: 1647 – 1676
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: jacobus olaeus
Inscriptions: collector's mark: Lugt 2228

Portret van Jacobus Olaeus, pastoor te Amsterdam.
North Side of the West Wall of Nakht's Offering Chapel
Object type: facsimile, tt 52, fishing, fowling, wine making, clap net,
Materials: paper, paint
Location: egypt
Artist: norman de garis davies
Artist role: artist
Artist dates: 1865 – 1941
Subjects: food,birds,grapes,wine,men,women,hieroglyphs,hunting,fish
Three actors and a puppet
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
How to Make the Least of Him
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,dogs,donkeys,horses,carriages
Netsuke
Object type: netsuke
Date: 1701 – 1800
Materials: ivory
Culture: japanese
Subjects: dogs
Black-topped red ware cylindrical jar
Object type: jar, black topped
Date: 3850 – 2960
Materials: pottery
Location: egypt
Basin fragment with the name of Apries
Object type: dish fragment, apries
Date: 589 – 570
Materials: stone
Location: egypt
The Battle of Actium from The Story of Caesar and Cleopatra
Object type: textile
Date: 1680 – 1680
Materials: silk, wool
Techniques: interlocking, slit, tapestry, weave
Location: brussels
Artist: after a design by justus van egmont
Artist nationality: flemish
Artist dates: 1601 – 1674
Subjects: battles, armor, swords, shields, boats, spears, helmets, waves, cleopatra
Inscriptions: Marked and signed: Brussels city mark; G·V·LEEFDAEL
Inscribed: CLEOPATRA·AB / INNIMICIS·IN / MARI·INVADITVUR (Cleopatra is attacked by her enemies at sea)

During the winter of 42–41 BCE, Cleopatra became pregnant with twins. The following year, however, Antony returned to Rome and prepared a long-awaited campaign against the Parthians. Yet Octavian failed to support the endeavor. Disappointed, Antony left Italy and sailed to Alexandria, where he renewed his relationship with Cleopatra. Meanwhile, the triumvirate disintegrated, and Octavian rose to power in Rome. Eventually Antony broke off relations with Octavian, and in 31 BCE civil war broke out again. The decisive sea battle was fought at Actium, a promontory in northern Greece. As depicted in the tapestry, the Egyptian fleet was destroyed by the Romans, and Antony fled to Egypt in Cleopatra’s boat. In 30 BCE, Octavian invaded Egypt. Rather than surrender to his enemy, Antony committed suicide. A few days later, Cleopatra followed his example. Their tragic deaths are not included in this suite.
Netsuke of Double Mask
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: masks
Portret van John Churchill
Object type: print
Date: 1702 – 1742
Materials: paper
Techniques: mezzotint
Location: london
Subjects: john churchill (1e hertog van marlborough), commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 240
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Twelve black glazed rim fragments from kylikes
Statuette
Object type: statuette
Date: 1701 – 1800
Materials: ivory
Culture: chinese
Subjects: men
Musée des Modes Parisiennes, 1843 : Redingote de satin (...)
Object type: fashion print
Date: 1843 – 1843
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Artist: Anonymous
Subjects: handkerchief (+ women's clothes), brooch, agraffe, clasp (+ women's clothes), head-gear (capote) (+ women's clothes), ornamental parts of clothing (+ women's clothes), veil (+ women's clothes), dress, gown: redingote (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), neck-gear ~ clothing (+ women's clothes)
Inscriptions: title: ‘Musée des Modes Parisiennes’, caption: ‘Redingote de satin avec biais et dentelles noires - Chapeau de satin et Plumes nuées - Mouchoir brodé en dentelles. Robe de gros d'Alger, ornée de passementeries- Col de tulle illusion et ruches de dentelles - Capote de satin ornée d'un violette d'Angleterre.’

Twee vrouwen in een interieur. Links: japon van 'gros d'Alger', versierd met passementen. Kraag van 'tulle illusion' en ruches van kant. Capote van satijn, versierd met een voile van 'Angleterre'. Rechts: redingote van satijn, met biaisband en zwart kant. Luifelhoed van satijn met veren. Zakdoek met borduurwerk en kant. Prent uit het modetijdschrift Musée des Modes Parisiennes (5 maart 1843 tot 29 oktober 1843).
Portret van Gerard Callenburgh
Object type: book illustration
Date: 1858 – 1862
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: flushing, gerard callenburgh, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Jonge, J.C. de. Geschiedenis van het Nederlandsche zeewezen. Haarlem: Jonge, J.K.J. de, 1858-62.
Cobra head
Object type: furniture ornament, cobra head
Date: 1390 – 1352
Materials: faience
Location: egypt

This cobra head was perhaps once part of a frieze adorning a shrine, similar to the canopic shrine from the tomb of Tutankhamun. The eyes are painted black.
Grief
Object type: print
Date: 1766 – 1766
Techniques: engraving, etching
Artist: benigno bossi
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1792
Subjects: men
Roundel
Object type: roundel
Date: 1701 – 1733
Materials: metal thread, silk
Culture: chinese
Fan
Object type: fan
Date: 1834 – 1866
Materials: gilt, glass, mother of pearl, paint, paper
Subjects: men,women
Souvenir spoon with view of a town and arms of Basel
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt
Subjects: towns,coat of arms
Square Piano
Object type: square piano
Date: 1790 – 1790
Materials: wood
Culture: german
Location: germany
Artist: johann matthäus schmahl
Artist role: maker
Artist nationality: german
Artist dates: 1734 – 1793
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of the upper right corner of an eye
Netsuke of Shōjō Dancer
Object type: netsuke
Date: 1834 – 1866
Materials: gold, ivory, silver
Techniques: hiramakie
Culture: japanese
Subjects: fans,dancers
Isis and Horus
Object type: statuette, isi, horus
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: horus,isis,nursing

Isis’ name is first attested in the fifth dynasty in the Pyramid texts. She was the wife of Osiris and the mother of Horus, and thus was symbolically mother to the pharaoh. In the Late Period, the popularity of this important goddess dramatically increased. She is nearly always depicted in anthropomorphic form, standing or seated on a throne. This statuette shows the goddess in her most beloved pose, nursing her son Horus (known also as the lactans pose). Other goddesses sometimes nurse Horus or other child gods, but Isis is preeminent among them in this role. She wears the horned crown that by the Late Period she had adopted from the goddess Hathor, as well as the vulture headdress that emphasized the role of goddesses as royal mothers. The large number of statuettes in this particular pose demonstrate some of the qualities for which Isis was most valued in the first millennium BC: her role as a life-giver and protector. These types of statuettes were very common, dedicated not just to Isis cults, but seemingly to many temples and shrines, usually in association with Osiris and the child god Horus.
Fashions 1837-1887
Object type: photographically illustrated book
Date: 1888 – 1888
Artist: william charles brown
Artist role: author
Artist nationality: british
Artist dates: 1800 – 1899
Subjects: hats,fashion

In the back of this catalogue from Queen Victoria’s milliner, a disclaimer confirms that no British songbirds were sacrificed for its production. Nevertheless, a flock of hats in fine feather fills this page spread, flaunting designs fit for the royal family. The deluxe volume is illustrated with woodburytypes, an early photomechanical process with a rich tonal range to register varied velvets, silks, straws, and plumes. Hatstands and supports have been edited out of these images to suspend the specimens midair. Surreal to modern eyes, the effect accentuates the hats’ commodity status and implies inventory soaring out of stock.
The Actress' Prayer!!
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: profiles,women,actresses
The Little Nude Model, Reading
Object type: print
Date: 1889 – 1890
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
David keert in triomf terug naar Jeruzalem
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: italy
Artist: orazio borgianni
Artist role: print maker
Artist dates: 1578 – 1616
Subjects: david's triumph: the women of israel come out to welcome david, singing, dancing, and playing tambourines and lyres; david holding the head of goliath
Inscriptions: collector's mark: Lugt 2165

Koning David en zijn soldaten keren in triomf terug naar Jeruzalem. David staat op een triomfwagen die wordt getrokken door twee paarden.
Phoenix Ornament
Object type: ornament
Date: 960 – 1279
Materials: silver gilt
Culture: chinese
Subjects: mythical creatures
Shadow player
Object type: shadow player
Date: 1801 – 1900
Materials: cord, skin
Culture: chinese
Subjects: human figures
Christ on the Cross
Object type: print
Date: 1485 – 1485
Materials: gold leaf, parchment
Techniques: hand coloring, printing, tooling, woodcut
Artist: anonymous, german, franconia, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: women,christ,cross,crucifixion
Portret van Jean-Baptiste de la Quintinie
Object type: print
Date: 1776 – 1824
Materials: paper
Techniques: engraving
Artist: johann christian ernst müller
Artist role: draughtsman, print maker
Artist dates: 1766 – 1824
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van H.W. Leefkens
Object type: print
Date: 1819 – 1891
Materials: paper
Techniques: lithograph
Subjects: historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Murillo, after a self portrait by the artist
Object type: print
Date: 1842 – 1842
Techniques: printmaking, engraving, etching
Artist: auguste blanchard fils aîné
Artist role: artist
Artist nationality: french
Artist dates: 1792 – 1849
Subjects: men,portraits

For discussion of this print in relation to portraits of Murillo see X. F. Salmon, '"An Arsenal of Passions"; The Frick Self-Portrait from Seville to Manhattan', in 'Murillo: the Self-Portraits', exhbt.cat, Frick Collection New York, 2017, pp.69-85.
Portret van Johan van Oldenbarnevelt
Object type: print
Date: 1669 – 1736
Materials: paper
Techniques: engraving
Subjects: the hague, johan van oldenbarnevelt, historical persons

Prent mogelijk uit: J. v. Vondels Hekeldichten (...). Amersfoort: Pieter Brakman, 1736, dl. 1.
Portret van Julius de Geyter
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: etching
Artist: louis peeters (i)
Artist role: print maker
Artist dates: 1876 – 1964
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Geboorte- en sterfdatum van de prentmaker zijn onbekend. Daarom is voor de bepaling van de rechten van dit object gebruik gemaakt van de verwervingsdatum Rijksmuseum Amsterdam.
Forten aan de Ooster- en Westerschelde, 1627
Object type: print
Date: 1635 – 1661
Materials: paper
Techniques: engraving, etching, hand coloring, letterpress printing
Artist: Anonymous
Subjects: frederick henry (prince of orange), maps of separate countries or regions, antwerp, bergen op zoom

Prent gebruikt in: Blaeu, Willem Janszoon en Johannes Willemszoon Blaeu. Toonneel des aerdriicx, ofte nieuwe Atlas, dat is de beschryving van alle landen. 2 delen. Amsterdam: Willem Jansz. en Johannes Willemszoon Blaeu, 1635, dl. 1. Of in: Blaeu, Willem Janszoon en Cornelis Blaeu. Toonneel des aerdriicx, ofte nieuwe Atlas, dat is de beschryving van alle landen. 3 delen. Amsterdam: Johannes Willemszoon Blaeu, 1642-1643, dl. 1 (1642). Of in: Blaeu, Willem Janszoon en Johannes Willemszoon Blaeu. Toonneel des aerdrycx, ofte nieuwe Atlas, dat is de beschryving van alle landen. 4 delen. Amsterdam: Johannes Willemszoon Blaeu, 1647-1650, dl. 1 (1647-1648). Of in: Blaeu, Willem Janszoon en Johannes Willemszoon Blaeu. Toonneel des aerdrycx, ofte nieuwe Atlas, dat is de beschryving van alle landen. 4 delen. Amsterdam: Johannes Willemszoon Blaeu, 1649-1650, dl. 1 (1649). Of in: Blaeu, Willem Janszoon en Johannes Willemszoon Blaeu. Toonneel des aerdriicx, ofte niuew Atlas, dat is beschryving van alle landen. 6 delen. Amsterdam: Johannes Willemszoon Blaeu, 1658-1661, dl. 1.
Dessus-de-porte met medaillon
Object type: ornament print
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: other architectural details (console), ornament ~ medallion, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Een dessus-de-porte met cartouche, guirlandes en een ovaal medaillon met vrouwenportret en profil. Rechts boven Z genummerd. Links onder 4 genummerd.
Penny Picture Display, Savannah
Object type: photograph
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: walker evans
Artist nationality: american
Artist dates: 1903 – 1975
Subjects: collected by hugh edwards
Inscriptions: No markings recto or verso

Walker Evans was remarkably adept at straddling the cultural divide between documentary photography and the museum. One of several photographers hired by the Farm Security Administration to document the Depression, Evans made some of his most famous images in the summer of 1936: pictures of impoverished families in Hale County, Alabama, later published in his book Let Us Now Praise Famous Men. Just two years later, he was honored with a one-person show at the Museum of Modern Art, New York, which had only recently embraced photography as an art form. This image of the many portraits in a photographer’s studio—an homage to the workaday photographer and the faces of ordinary Americans—became, in the context of a museum exhibition, a statement about the art and meaning of photography.
Ring: Cowroid with Sistrum and Pendant Uraeui
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Paarden rond een voederbak op de Stadhouderskade te Amsterdam, ter hoogte van het Vondelpark
Object type: sketchbook leaf
Date: 1886 – 1895
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse, giving water, feeding (cattle)

Pagina 23 en pagina 24 uit een schetsboek met 34 bladen.
Portret van een onbekende vrouw
Object type: drawing
Date: 1916 – 1916
Materials: chalk, charcoal, paper
Artist: herman lugt
Artist role: draughtsman
Artist dates: 1881 – 1950
Subjects: anonymous historical person portrayed alone
Portret van Christiaan II keurvorst van Saksen
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving
Artist: johan barra
Artist role: print maker
Artist dates: 1581 – 1634
Subjects: head-gear (with name)
Inscriptions: date

Hollstein beschrijft de twee staten niet goed. Deze prent is gedrukt in de eerste staat voor de wijziging van de naam van Christiaan II in Augustus II en toevoeging van het Engelse opschrift en de baard van de man.
Les Singuliers et Nouveaux Portraicts... page 45 (recto)
Object type: book print ornament architecture
Date: 1588 – 1588
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: human figures,flowers
The Abraham Pixler Family
Object type: watercolor
Date: 1815 – 1815
Materials: gouache, ink, iron, paper, watercolor
Techniques: pen
Culture: american
Subjects: boys,men,portraits,women,rabbits,family

Decorative family records were commonly kept in American households during the nineteenth century. This one portrays members of Abraham Pixler’s family, with the parents, Abraham and Eve, at the top of the sheet and their three children, Absalom, David, and Levi, beneath them. The composition is conventional, as it follows the basic layout of countless family-record needlework pictures and pages of illuminated calligraphy, but also innovative in its use of portraits in place of the more commonly used names and symbols.
Wessex Penny
Object type: coin
Date: 861 – 866
Materials: silver
Culture: british
Gezicht op Beatenberg te Zwitserland
Object type: album leaf
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: beatenberg
Artist: Anonymous
Subjects: city-view in general; 'veduta', mountains

Deze prent maakt deel uit van een album.