deem-data/ArtiFact huggingface dataset:
De kleine mens Land-patrolius van duisterheim, 1716
Object type: caricature
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: night patrol, caricatures (human types), little people

De kleine mens Land-patrolius van duisterheim als nachtwaker. In het onderschrift verzen in het Duits, Frans en Nederlands. Afdruk binnen een decoratieve omlijsting gedrukt van een aparte plaat met bloemen. Genummerd rechts midden: 45. Onderdeel van de Nederlandse gebonden uitgave uit 1716 van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel, gekopieerd naar een ouder Duits voorbeeld.
Ex libris van Aug. Sassen
Object type: bookplate
Date: 1898 – 1898
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: den bosch, the hague, print maker, august hendrik sassen, moustache, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Clef curichie pour differentes portes
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: helmet, lion's head ~ ornament, foliage ~ ornament, keystone ~ architecture, weapons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee sluitstenen met een leeuwenkop, helmen en wapens en onder met bladmotieven en linten. Prentnummer 254.
Wapenhandelinghe van Roers Musquetten ende Spiessen
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: manoeuvre ~ military training, firearms: rifle

Een soldaat op wacht, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) met zijn linkerhand vasthoudt. Op de haan (onderdeel van het ontstekingsmechanisme) van zijn roer ligt de brandende lont. Met de wijsvinger en de middelvinger van zijn rechterhand bedekt hij de pan (het kruitreservoir) van zijn roer om het kruit te beschermen tegen vonken van de lont. Deze prent is onderdeel van de reeks van 42 genummerde prenten van roerschutters uit de Wapenhandelinghe.
Twee decoratieve ontwerpen met bloemenpatroon
Object type: design
Date: 1874 – 1945
Materials: ink, pencil
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: flowers ~ ornament
Gezicht op Slot Loevestein vanaf de Waal
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: castle, landscape with tower or castle, river (+ landscape with figures, staffage), loevestein castle

Prent uit: Cloet, J.J. de. Voyage pittoresque dans le royaume des Pays Bas (...). Brussel: J.B.A.M. Jobard, 1825.
Portret van Joannes de Riccardi
Object type: print
Date: 1810 – 1850
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Palais des Beaux-Arts - Exposition nationals suisse, Genève 1896
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: autotype
Location: geneva
Artist: chautems
Artist role: fotograaf
Subjects: palace, permanent exhibition, museum
Inscriptions: date
Portret van Ferdinand VII van Spanje
Object type: print
Date: 1814 – 1850
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: ferdinand vii (koning van spanje), historical persons, king
Candlestick in the form of a Putto (see also 1975.1.1374, .1376, .1377)
Object type: candlestick
Materials: bronze
Culture: italian
Subjects: putti,horses
Ginneken. Kasteel Bouvigne
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1910
Materials: cardboard
Techniques: photograph
Location: ginneken
Artist: Anonymous
Subjects: castle, canal, canals, waters (in village)
Inscriptions: date
Portret van Christiaan Tisteijn
Object type: print
Date: 1755 – 1785
Materials: paper
Techniques: engraving, etching
Subjects: leiden
Inscriptions: collector's mark: Lugt 2228

Portret van de Amsterdamse predikant Christiaan Tisteijn. Onder het portret zijn naam, fuchtie en geboortejaar en -plaats. Daaronder een lofdicht in het Nederlands.
Titelpagina voor: J. Luyts, Introductio ad geographiam novam et veterem, 1692
Object type: print
Date: 1692 – 1692
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) neptune (poseidon), father time, man with wings and scythe (+ variant), (story of) cybele, rhea cybele, great mother of the gods (berecynt(h)ia), (story of) atlas, maps, atlases, compasses
Inscriptions: collector's mark: Lugt 2228

In het midden torst Atlas de wereld op zijn schouders. Rechts zit Neptunus met de drietand op een globe. Links staat Vader Tijd. Voor hem staat Cybele, heerseres over de natuur, met de muurkroon op haar hoofd en een sleutel en scepter in haar hand. Zij kijkt over de schouder van een vrouw die tekent en een passer in haar hand houdt. Op de voorgrond tonen twee putti landkaarten. Titelpagina van een boek over landkaarten.
Grenadiers / Grenadiers / Génie.-Tenue de Campagne / Geniekorps.-Veldtenue / Infirmiers / Ziekenoppassers
Object type: print
Date: 1833 – 1911
Materials: paper
Techniques: lithograph, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: physician, doctor, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 3 horizontale rijen met in totaal 15 voorstellingen van officieren, militairen met geweren, een krijgsdokter en ziekenoppassers. Genummerd rechtsboven: N. 14.
Strainer
Object type: strainer
Date: 1000 – 901
Materials: bronze
Culture: cypriot
Forearm with pleated garment, Aten cartouches
Object type: arm, with garment, aten cartouch
Date: 1353 – 1336
Materials: limestone
Location: egypt
Card Number 27, Mollie Fuller, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Teapot
Object type: teapot
Date: 1800 – 1800
Materials: stoneware
Vase
Object type: vase
Date: 1831 – 1835
Materials: porcelain
Culture: french
Location: france
Subjects: landscapes

This vase is part of a pair that feature two views of the New York City region copied from a portfolio of prints entitled "Views in New York and Its Environs" (1831–34). This vase, shows lower Manhattan seen from the East River side of Governor's Island. The other (17.144.1) entitled "Elysian Fields, Hoboken," portrays a New Jersey park located directly opposite New York City that became a popular spot in the early nineteenth century.
View of the rock fortress of Sigiriya, Sri Lanka
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: sigiriya
Artist: Anonymous
Inscriptions: inscription: ‘6. Sigiri’
Head of a Buddha
Object type: head
Date: 565 – 575
Materials: limestone, pigment
Culture: chinese
Subjects: faces,heads,buddha
Interieur van de Waalse Kerk te Amsterdam, gezien richting de hoofdingang
Object type: print
Date: 1765 – 1782
Materials: paper
Techniques: engraving, etching
Location: harlingen
Subjects: interior of church, grave digger
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). Amsterdam: Isaak Tirion, 1765, dl. 2. Of uit: Verzameling der fraaiste gezigten van Amsterdam in negen en zeventig afbeeldingen. Amsterdam en Harlingen: Petrus Conradi en Volkert van der Plaats, 1782.
Aan boord van de Prinses Juliana
Object type: stereograph
Date: 1903 – 1914
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers, dutch east indies, the
Inscriptions: inscription: ‘Voorschip ss. Prinses Juliana" Maart 1914’

Gezicht op het voorschip van de S.S. Prinses Juliana, maart 1914. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
Badger, from Quadrupeds series (N41) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: animals

Large trade cards from the "Quadrupeds" series (N41), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N41 reproduces the cards from N21 in a larger size.
Double Spout Vessel Depicting Hummingbirds of Different Colors
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Vase
Object type: vase
Date: 1902 – 1902
Materials: earthenware
Culture: american
Location: united states
Artist: van briggle pottery company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1901 – 9999
Handkerchief
Object type: textile
Date: 1676 – 1676
Materials: gilt, linen, metal, textile, silk
Techniques: cutting, drawing, treatment, embroidery, embroidered, weave, stitching
Location: italy
The Sense of Hearing; verso: light sketch of a woman's head and an arm
Object type: drawing
Date: 1567 – 1633
Materials: chalk
Techniques: heightening, stumping
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: women,deer
Cake Saw
Object type: cake saw
Date: 1865 – 1865
Materials: silver
Culture: american
Location: united states
Artist: Anonymous
Artist role: maker

The mid-nineteenth century witnessed an efflorescence of creativity in the American silver industry, fueled by the burgeoning middle class’s increasing demand for refined luxury goods. Silversmiths devoted considerable time and creative energy to generating an endless variety of new designs and patterns. During the 1860s and 1870s silver flatware ornamented with portrait medallions inspired by antique coins and cameos enjoyed widespread popularity, with virtually every American silversmith producing their own proprietary "medallion" pattern. Although this cake saw cannot be attributed to a specific silversmith, the maker was clearly skilled and inventive, creating a medallion pattern that substitutes a contemporary figure for the traditional portrait of an ancient god, goddess, or warrior. The scrolling floral and vegetal designs on the blade further contribute to the charm and appeal of this object, a specialized flatware form designed to cut and serve cake.
Bottle
Object type: bottle
Date: 1001 – 1200
Materials: glaze
Culture: chinese
The Old Mill
Object type: drawing and watercolor
Date: 1866 – 1870
Materials: board, chalk, ink, paper, pastel, wood
Techniques: drawing, pen, stumping
Location: france
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1814 – 1875
Inscriptions: Signed lower right: "J.F. Millet"
Trompe-l'oeil met een brief, drie tekeningen en een ganzenveer
Object type: drawing
Date: 1764 – 1764
Materials: ink, paper
Techniques: brush, pen
Location: northern netherlands
Artist: abraham tjerks
Subjects: amsterdam, drawing, sketch, cut flowers; nosegay, bunch of flowers, quill, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 1641b

Gedicht naar aanleiding van de verkiezing van Herman in de Betouw tot kapitein van burgerwijk XIV te Amsterdam. Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan de Schutterij.
View of Murano
Object type: drawing
Date: 1804 – 1828
Materials: ink
Techniques: pen, wash
Artist: giacomo guardi
Artist role: artist
Artist nationality: italian
Artist dates: 1764 – 1835
Subjects: buildings,bridges,boats,venice

This is one of a series of drawings, all in pen and ink, and gray wash, that formed part of an album housing forty-eight views of Venice and the surrounding islands. Recognizing the market incentive to produce rather prosaic drawings as keepsakes for visiting tourists, Giacomo made numerous such albums, repeating the compositions as necessary. The view of the Piazza San Marco, which begins the numbered series, is probably derived from some earlier drawing, painting, or print. Colonel Edward Roche, an Irish gentleman, first owned the Lehman album. His name was inscribed on its cover. The views remained intact as a family keepsake for more than a century until sold in 1956, when the drawings were dispersed.
Lily
Object type: woodcut, print
Date: 1898 – 1898
Techniques: woodcut
Culture: american
Location: united states
Artist: arthur wesley dow
Artist role: artist
Artist nationality: american
Artist dates: 1857 – 1922
Subjects: lilies
Project for a Statue: Woman Holding Book with Right Hand
Object type: drawing and watercolor
Date: 1700 – 1709
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: john michael rysbrack
Artist role: artist
Artist nationality: flemish
Artist dates: 1694 – 1770
Farms, cattle with herdsmen and milkmaids in the foreground from Multifariarum casularum ruriumque lineamenta curiose ad vivum expressa
Object type: print
Date: 1559 – 1561
Techniques: etching
Artist: johannes van doetecum i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1528 – 1605
Subjects: farms,men,women,cows,landscapes
May
Object type: drawing
Date: 1772 – 1772
Materials: chalk, ink, watercolor
Artist: hendrik meijer
Artist role: artist
Artist nationality: dutch
Artist dates: 1744 – 1793
Subjects: towns,children,men,women,roosters,dogs,daily life
Twee figuren, mogelijk Romeo en Julia
Object type: print
Date: 1850 – 1913
Materials: paper
Techniques: etching
Artist: joseph paul steynen
Artist role: print maker
Subjects: romeo, juliet

In de inventaris getiteld: Romeo en Julia.
Bronze knife
Object type: knife
Date: 1600 – 1050
Materials: bronze
Culture: minoan
Subjects: knives

Straight base with three rivet holes, in one of which the rivet is still preserved. The blade is wider in the middle than at the ends.
Half-length portrait study of a young woman with long hair
Object type: drawing
Date: 1740 – 1760
Materials: chalk, graphite, ink, paper
Techniques: drawing
Artist: joseph van aken
Artist role: artist
Artist nationality: flemish
Artist dates: 1699 – 1749
Subjects: portraits,women

After training in Antwerp, the young Van Aken went to London, where he specialized in painting draperies. The leading portraitists there, including Joseph Highmore, Thomas Hudson, and Allan Ramsay, often painted only a sitter's face, relying on Van Aken to finish the rest of the figure. His work became ubiquitous, to the point that the collector and writer Horace Walpole remarked wryly: "As in England almost everybody's picture is painted, so almost every painter's works were painted by Van Aken." An assistant probably made this portrait study, but it demonstrates Van Aken's typical attention to texture using black and white chalk to describe the elements of the costume, with touches of brown ink used to refine details. The design was then overlaid with a graphite grid to allow it to be transferred accurately onto canvas.
Roundel with Three Apes Building a Trestle Table
Object type: roundel
Date: 1480 – 1500
Materials: glass, paint, pigment
Culture: german
Subjects: tables,apes
Wilgen aan een sloot
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: rowing-boat, canoe, etc., trees: willow, small canal, ditch
Inscriptions: collector's mark: Lugt 2228
Boerenerf met een waterput, hooischuur en scharrelende dieren
Object type: sketchbook leaf
Date: 1631 – 1633
Materials: ink, paper
Techniques: pen
Location: zwolle
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Subjects: courtyard, hay-stack, farm (building)

Blad 15 recto uit een schetsboek met 55 bladen.
Graftombe van zyn hoogheid den Prins van Oranie
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching, letterpress printing
Location: low countries
Artist: Anonymous
Subjects: william i (prince of orange), historical persons, interior of church, grave-building, monumental tomb, delft

Graftombe of praalgraf van Willem I in de Nieuwe Kerk te Delft, voltooid in 1623. Gezien van voren met het beeld van de zittende prins. Met de omlijsting en met een apart gedrukte titel tegen de onderzijde van de voorstelling.
Boa
Object type: boa
Date: 1795 – 1820
Culture: european
View of the Diemerdijk with a Milkman and Cottages
Object type: print
Date: 1650 – 1650
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
An Abundance of Fruit
Object type: painting
Date: 1860 – 1860
Materials: canvas, oil
Location: germany
Artist: severin roesen
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1872
Subjects: still life, dining, drinking

This painting by Severin Roesen, who immigrated to the United States from Cologne in 1848, features a profusion of berries, grapes, peaches, figs, and other fruits piled upon a marble slab. His composition is a celebratory display of nature’s bounty— portrayed in such minute detail as to feel artificial. Roesen worked in Pennsylvania, supported by German immigrants who operated local breweries there. While still lifes in the 19th
century typically adorned domestic dining rooms, Roesen’s painting may have hung in a public tavern or restaurant. For such patrons, the artist probably painted pictures in exchange for beer. Roesen and his male patrons would not have been counted among the followers of the growing temperance movement in America at midcentury.
Herder met schapen en een ezel
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: etching
Location: brussels
Artist: frédéric théodore faber
Artist role: print maker
Artist dates: 1782 – 1844
Subjects: ass, donkey
Inscriptions: collector's mark: Lugt 2228

Een herder loopt met zijn kudde schapen een heuvel op. Op de voorgrond staan twee schapen en een gezadelde ezel.
Vrouw met een mand
Object type: print
Date: 1650 – 1800
Materials: paper
Techniques: mezzotint
Artist: Anonymous
Subjects: carrying something in basket, bag, rucksack, etc.
Inscriptions: collector's mark: Lugt 2228

Een vrouw met een bontmunts draagt een mand. Achter haar staat een jongen die het 'corna' (hoorntje) gebaar maakt met zijn vingers.
Griffioen en schild met leeuwenkop
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: tone lithography
Location: liège
Artist: michel liénard
Artist role: print maker
Inscriptions: annotation: ‘Mascarons Hersenschimmig.’

Linksboven staat: 1re partie, rechtsboven: A. N° 27., rechtsonder: 119.
Panel
Object type: textile
Date: 1801 – 1900
Location: italy
Anatomische studie van een man
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Artist: paulus pontius
Artist role: draughtsman, print maker
Artist dates: 1603 – 1658
Subjects: parts of the human body (skeleton excepted)
Inscriptions: number: ‘11’, collector's mark: Lugt 240
The Resurrection of Christ, with soldiers awakening before the tomb
Object type: print
Date: 1565 – 1583
Techniques: engraving
Artist: martino rota
Artist role: artist
Artist nationality: italian
Artist dates: 1520 – 1583
Six Seat Phaeton #4036
Object type: drawing
Date: 1889 – 1889
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Pierre Englebert Wauters
Object type: print
Date: 1830 – 1870
Materials: paper
Techniques: lithograph
Location: ghent
Artist: Anonymous
Subjects: adult man, historical persons
Two Taper Sticks
Object type: glass
Date: 1701 – 1800
Materials: glass
Location: england
Faecvnda qvam sit acris ingeni viris dilecta Phaebo et gratys Florentia, sat indicant pvgnae, enthea vi pectoris quas Mercuri sculpsit cliens tempestiv
Object type: print
Date: 1595 – 1628
Materials: paper
Techniques: etching
Location: italy
Subjects: discipline (+ mounted troops on other animals than horses)
Inscriptions: collector's mark: Lugt 2228
Christus geneest de zieke van Bethesda
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: sick people lying near the pool of bethesda ~ christ healing paralytics (john 5:1-9)
Inscriptions: collector's mark: Lugt 2228
Terracotta vessel fragment with scale pattern
Object type: vase fragment
Date: 1525 – 1450
Materials: terracotta
Culture: minoan

From Phylakopi, Melos Fragment with scale-pattern; dark-on-light ware.
Portret van Johann Paroman
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: engraving
Location: vienna
Artist: elias widemann
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Nymphs and Satyrs Playing Musical Instruments
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: france
Artist: claude lorrain (claude gellée)
Artist role: artist
Artist nationality: french
Artist dates: 1604 – 1682
Icones imperatorum Romanorum
Object type: book illustration
Date: 1645 – 1645
Materials: paper
Techniques: woodcut, letterpress printing
Location: antwerp
Subjects: maximilian i (holy roman emperor), knighthood order of the golden fleece, emperor
Inscriptions: collector's mark: Lugt 2228

Blad afkomstig uit de publicatie: Icones Imperatorum Romanorum, Antwerpen: Ex officina Plantiniana Balthasaris Moreti, 1645, p. 363.