deem-data/ArtiFact huggingface dataset:
Portretten van onbekende mannen met verschillende beroepen
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: engineering, historical persons
Inscriptions: collector's mark: ‘VOSMAER’, inscription: ‘1. E. von Petersen, Ingenieur, 2. Giosue, Mashinist des "Johannes Müller" & Peppino Maschinenjunge, 3 Aniello 1er Matrose/ "Giuseppe 2ter Matrose des "Johannes Müller." 5 Luigi Mschinist des "Frank Bassour", 6 Peppino 1er Heizer der Dampfmaschine/ der Station, 7. Vincenzo 2er Heizer 8 Pasquale Schmid & Antonio Maschinenjunge, 9 Paetano Maurer/ 10 Taucher-Anzug.’
Platter (part of a service)
Object type: platter
Date: 1765 – 1765
Materials: hard paste porcelain
Subjects: birds,flowers
Kiosk ,,Narodnich Listu"
Object type: photomechanical print
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: book-stall, kiosk
Daphnis leert Chloë fluit spelen
Object type: book illustration
Date: 1937 – 1937
Materials: paper
Techniques: woodcut
Artist: aristide maillol
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1861 – 1944
Subjects: panpipes, musician training pupils, music-lesson - cc - out of doors (+ variant), daphnis (in greek mythology a shepherd who invented pastoral poetry, chloe
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent gebruikt in: Longus. Les Pastorales de Longus ou Daphnis & Chloé. Parijs: Frères Gonin, 1935, p. 47.
Penannular Earring
Object type: earring, penannular
Date: 1550 – 1425
Materials: gold
Location: egypt
Buddha on Lotus Throne
Object type: statuette
Date: 601 – 800
Materials: gilt bronze
Culture: korean
Subjects: buddhism,buddha
Twee kwarten van plafonds
Object type: ornament print
Date: 1668 – 1716
Materials: paper
Techniques: etching
Location: france

Twee varianten met watertrofeën en een geketende gevangene.
Page 42 and Page 43, from Seconde Livre de Figures d’Académies Gravées en Partie par les Professeurs de l’Académie Royale
Object type: print
Materials: paper
Techniques: etching, printing
Location: france
Artist: gabriel huquier; after charles-joseph natoire
Artist nationality: french
Artist dates: 1695 – 1772
Drie muzikanten
Object type: print
Date: 1538 – 1538
Materials: paper
Techniques: engraving
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: horn, trumpet, cornet, trombone, tuba, more than one musician with instrument
Inscriptions: collector's mark: ‘Hinloopen’ Lugt 11

Drie mannen spelend op een Sackbut (baroktrombone). Twaalfde prent uit een serie van twaalf, vrij naar het werk van Hans Schäufelein.
St. Pétersbourg. Entrée de l'Ermitage.
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: joseph daziaro
Artist role: publisher
Artist dates: 1831 – 1892
Subjects: atlantes ~ architecture, gate, entrance, permanent exhibition, museum
Inscriptions: number: ‘6.’

Onderdeel van Leporelloalbum met opnames van Sint-Petersburg.
Woman Filling Water-Cans
Object type: print
Date: 1854 – 1854
Materials: paper, ivory
Techniques: etching, woodcut
Location: france
Artist: pierre millet
Artist nationality: french
Artist dates: 1833 – 1914
Netsuke of Phoenix on a Pedestal
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: birds,phoenix
Blouse
Object type: blouse
Date: 1824 – 1824
Materials: cotton
Culture: french
Portret van Anton Thadaeus Rupprecht
Object type: print
Date: 1769 – 1838
Materials: paper
Techniques: engraving, etching
Location: prague
Artist: johann berka
Artist role: painter, print maker
Artist dates: 1759 – 1838
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Jean François Marmontel
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving, etching
Subjects: jean françois marmontel, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende man
Object type: cabinet photograph
Date: 1895 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: historical persons, amsterdam
Inscriptions: workshop stamp: ‘M. Büttinghausen/ Amsterdam, Spui 15-17 b. de Kalverstraat/ eenig Atelier/ Telefoon No. 1482’
George B. Treadway, Left Field, St. Paul Apostles, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
The Batavians Defeating the Romans on the Rhine
Object type: painting
Date: 1600 – 1613
Materials: oil, panel
Artist: otto van veen
Artist role: draughtsman, painter
Artist dates: 1556 – 1629
Subjects: river, battle

In 1613, the Dutch parliament (States General) commissioned Otto van Veen to paint twelve paintings depicting the revolt of the Batavians against the Romans in AD 69 and 70. These were displayed in Binnenhof, the central government building in The Hague. In the early years of the Dutch Republic, many compared their own revolt against Spain to the Batavian uprising.
Kapel in de Dom van Keulen
Object type: cabinet photograph
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: cologne
Artist: Anonymous
Subjects: parts of church interior: chapel
Inscriptions: label: ‘Kunsthandlung/ von/ Geschw. Michiels/ 31 Passage/ Cöln.’
Flask
Object type: vessel
Date: 601 – 1300
Materials: glass
Culture: islamic
Location: mediterranean region
Visitekaartje van Rolland Frères, papierfabrikant te Bordeaux
Object type: visiting card
Date: 1840 – 1875
Materials: porcelainized cardboard
Techniques: lithograph
Artist: monogrammist pc (lithograaf)
Subjects: 'cornucopia', horn of plenty, ships (in general), paper (writing material), steam locomotive
Inscriptions: collector's mark: Lugt 2228

Boven een vrouw met een wereldbol en een man met een lier, mogelijk stellen zij Apollo en Gaia voor. Linksonder een vrouw met een kruik op een kade, een schip in de achtergrond. Rechtsonder een man omringd door stapels papier en registers, een stoomtrein in de achtergrond.
Gezicht op het Leprozenhuis
Object type: drawing
Date: 1701 – 1759
Materials: ink, paper
Techniques: pen
Location: amsterdam
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: city-view in general; 'veduta', specialized institutions
Inscriptions: inscription: ‘'t leproose of laserus huijs eertyds te Amsterdam geweest.’, inscription: ‘Geschenk van de / gemeente Utrecht / Apr. 1877’

Onderwerpsrubriek binnen de Atlas Amsterdam: Leprozen- of Lazarushuis, omgang van leprozen, regenten.
Fotoreproductie van een tekening van het schip George
Object type: page
Date: 1869 – 1879
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: ships (in general), merchant shipping, shipping trade
Dish
Object type: dish
Date: 1814 – 1839
Materials: pewter
Culture: american
Location: united states
Artist: samuel kilbourn
Artist role: maker
Artist nationality: american
Artist dates: 1793 – 1839
Embroidered darning sampler
Object type: sampler
Date: 1767 – 1800
Materials: linen, silk
Plaque depicting a pottery workshop
Object type: plaque
Date: 1882 – 1882
Materials: terracotta
Artist: r. w. martin and brothers
Artist role: maker
Artist nationality: british
Artist dates: 1873 – 1915
Subjects: men,working

Determined that pottery vessels should be regarded as true works of art, avant-garde ceramicists in France in the last decades of the nineteenth century transformed their craft into an intellectual and emotional endeavor. The pioneers of this revival were Jean Carriès, Ernest Chaplet, Théodore Deck, and Auguste Delaherche. These revolutionary artist-potters embraced artisanal traditions while pursuing lost techniques through exhaustive experimentation. Reacting to what they viewed as an excessive and improper use of ornament, they celebrated the simplicity and sincerity of their medium, following the tenets of the Art Nouveau style taking place in Europe. Based on the principles of the British Arts and Crafts movement, Art Nouveau artists sought to reform the decorative arts by emphasizing uniqueness and a return to craftsmanship. Artist-potters found inspiration in Asian ceramics, particularly Japanese stoneware (a hard, dense type of pottery), which was shown in 1878 at the Exposition Universelle in Paris, as well as in the forms, glazes, and techniques of Chinese porcelain and pottery. They also looked to European traditions such as the rustic salt-glazed stoneware of the sixteenth and seventeenth centuries and Gothic sculpture and architecture. In the process they created works of ceramic art that were entirely modern and new. This piece was acquired from the Robert A. Ellison Collection, renowned collector of European art pottery of the highest quality by the greatest artist-potters of the late nineteenth and early twentieth centuries, whose generous gift allows the Museum to tell the narrative of the art pottery movement in Europe.
Portret van Petrus Fourier
Object type: print
Date: 1640 – 1735
Materials: paper
Techniques: engraving
Artist: joseph mörl
Artist role: print maker
Artist dates:  – 1735
Subjects: priest, nimbus, halo ~ radiance emanating from persons or things, theologian
Inscriptions: collector's mark: Lugt 2228
Little London Model
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Horatius Gentilesco / Artemisia Gentilesca
Object type: album leaf
Date: 1675 – 1679
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: naples, painter, artemisia gentileschi, orazio gentileschi, historical persons, portrait, self-portrait of painter

Prent uit: Sandrart, Joachim von. Teutsche Academie der Edlen Bau- Bild- und Mahlerey-Künste (...). Neurenberg: Jakob von Sandrart, [1675-1679], dl. 1, p. 298, afb. KK.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 217.
Sestertius (Coin) Portraying Emperor Commodus
Object type: coin
Date: 189 – 189
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Portret van Jean-Baptiste Colbert
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: jean-baptiste colbert, historical persons
Inscriptions: collector's mark: Lugt 2228a
Strip
Object type: strip
Date: 1501 – 1600
Techniques: lace
Culture: mexican
Location: mexico
Hond
Object type: print
Date: 1621 – 1661
Materials: paper
Techniques: etching
Location: unknown
Artist: joannes fijt
Artist role: draughtsman, print maker
Artist dates: 1611 – 1661
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Drie jagers met honden
Object type: print
Date: 1653 – 1703
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Subjects: riding a horse, ass, or mule; rider, horseman, hunting dogs, hunter
Inscriptions: collector's mark: Lugt 2166
Suggestion for the Decoration of the Lower and Top Right of a Frame, Plate 4 from: 'Unterschidliche Auszierungen zu Thüren und Fenster, etc. etc. sehr nutzlich zu gebrauchen'
Object type: album print ornament architecture
Techniques: etching
Artist: jeremias wachsmuth
Artist role: artist and engraver
Artist nationality: german
Artist dates: 1712 – 1771
Subjects: ornament

Page from an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. The binding describes the content as cartouches (after the first series in the album) but it is much more varied, ranging from rocaille ornament and cartouches to designs for altars and pulpits, as well as allegorical compositions in which rococo ornament is featured, all by well-known Rococo designers working in Augsburg.
Ceiss, Pitcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Hendrik Danielsz. Hooft, burgemeester van Amsterdam
Object type: print
Date: 1787 – 1787
Materials: cardboard
Techniques: printing, snipping
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, hendrik danielsz. hooft

eenzijdige afbeelding in rode inkt van keerzijde van draagteken, voorstellende opschrift boven ereteken, bestaande uit wapenschild, vrijheidshoed op speer, roedebundel met bijl en palmtak binnen eikekrans
Bovenste deel van decoratieve pilaster
Object type: book illustration
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: half-column, pilaster ~ architecture
Inscriptions: collector's mark: Lugt 2228

Links arabesken en medaillons met griffioen en figuren. Rechts tabletten met gevleugelde beren en guirlandes van vruchten. Bovenste deel van een pilaster. Rechts boven genummerd IV.
Drie kabuki acteurs trekkend aan een rode banier
Object type: print
Date: 1801 – 1854
Materials: paper
Techniques: woodcut
Location: japan
Subjects: tug-of-war, group of actors, troupe; actors on the stage, beach

Drie kabuki acteurs trekkend aan een rode banier op een strand. Links trekt de acteur Onoe Kikujirô, in de rol van de zwangere Yatsudai met hellebaard en pijlen, aan het uiteinde van een banier. In het midden staat acteur Kataoka Gadô II in de rol van de beroemde boogschutter Hachirô Tametomo, in harnas, met de banier over zijn schouders. Rechts de boosaardige Yasha gespeeld door Bandô Hikusaburô IV. Op de achtergrond de zee.
Tak van een plant
Object type: sketchbook leaf
Date: 1862 – 1864
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: plants (in general)

Blad 27 verso uit een schetsboek met 65 bladen.
Where Can He Be?
Object type: print
Date: 1848 – 1848
Materials: ink, paper, stone
Techniques: lithograph, scraping
Location: france
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1814 – 1875
Shirt of Mail
Object type: armor
Date: 1534 – 1566
Materials: iron
Culture: european
Location: middle east

This Shirt of Mail is a short sleeve Shirt of Oriental Mail; of flat iron riveted ring construction, with a vertical slit in the center of the chest region.
Stater (?) (Coin) Depicting the Goddess Athena
Object type: coin
Date: 400 – 235
Materials: metal, silver
Techniques: striking
Culture: greek
Location: elea
Subjects: goddesses, gods (deities)
Inscriptions: Reverse: ΥΕ ΛΗΤΩΝ

The front (obverse) of this coin depicts the head of goddess Athena to right, in crested Athenean helmet, on which a griffon with round wings leaps right; heavy curls below neckpiece at temples. The back (reverse) depicts a lion walking right, mouth open; above pentagram.
Gezicht op een veemarkt in Biskra, Algerije
Object type: photograph
Date: 1890 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: biskra
Artist: Anonymous
Subjects: market
Mlle Mercier; Mlle Rousseau
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
The Death of the Virgin, from the The Life of the Virgin
Object type: print
Date: 1510 – 1510
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: bedrooms,sadness,men,virgin mary,death
Leyszaal in het stadhuis te Antwerpen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: antwerp
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), open hearth, fire-place, townhall
Inscriptions: number: ‘No 74’
Kinderspeelgoed
Object type: stereograph
Date: 1900 – 1935
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: malang
Artist: neville keasberry
Artist role: fotograaf
Artist dates: 1866 – 1944
Inscriptions: inscription: ‘Stereoscopische Fotografie’, annotation: ‘S 8 No 90. Kinderspeelgoed’, signature: ‘Neville Keasberry, Malang (Java)’
Neu Faconirte Orgel-verkleidungen und unterschiedliche Wand Cantzeln (...)
Object type: ornament print
Date: 1699 – 1726
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: rocaille ornament, pulpit, ambo, chancel, hangings and drapery
Inscriptions: collector's mark: Lugt 2228

Prent uit: Schübler, Johann Jacob. Neu Faconirte Orgel-verkleidungen und unterschiedliche Wand Cantzeln (...). [Neurenberg]: Weigel, Johann Christoph, [voor 1726].
Twee fotoreproducties van een geschilderd portret van Geoffrey Chaucer en van een tekening van pelgrims op weg naar Canterbury
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Subjects: historical persons, writer, poet, author, pilgrimage, pilgrim(s) under way
Inscriptions: inscription: ‘Geoffrey Chaucer./ Canterbury Pilgrims.’

Deze foto's maken deel uit van een album.
Figuren van vrouwen in dagelijkse bezigheden
Object type: drawing
Date: 1660 – 1660
Materials: paper
Techniques: brush
Artist: wouter schouten
Artist dates: 1638 – 1704
Subjects: batavia

Figuren van vrouwen in dagelijkse bezigheden en een oude Chinees met een emmer.
Saint Francis Xavier with an angel holding a crucifix
Object type: statue
Date: 1722 – 1722
Materials: bronze
Artist: francesco bertos
Artist role: maker
Artist nationality: italian
Artist dates: 1678 – 1741
Subjects: angels,cross,saints

Cofounders of the Society of Jesus, Saints Ignatius Loyola (1491–1556) and Francis Xavier (1506–1552) were canonized together in 1622. These two sculptures may well have been made to mark the hundredth anniversary of their canonization. Saint Ignatius is distinguished by his heartshaped face and the Latin motto of the society, “AD MAIOREM DEI GLORIAM” (for the greater glory of God), displayed on the pages of the book held by the angel beside him. Saint Francis has a walking staff, sign of the peripatetic missionary, and parts his short cape, the mantellina, near his heart, an allusion to his frequent moments of mystical union with God. The two saints are conceived in a conservative spirit, retaining the long, slowly unwinding movements of late sixteenth-century Venetian sculpture, to which Francesco Bertos added brisk, shimmery tooling. It is chiefly the frolicsome demeanor and retroussé noses of the attendant angels that bespeak Bertos, usually seen as a confectioner of quasiacrobatic groups, whether of bronze or marble. These well-ponderated saints, which must have flanked a Jesuit altar of Baroque splendor, stand out as the best of his figures.
Portret van een staand meisje
Object type: carte de visite
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: soissons
Artist: léon duval
Artist role: fotograaf
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘Léon Duval/ 14, Rue de la Buerie/ Près la Cathedrale/ Soissons’
Fragment of a Lamp
Object type: lamp fragment
Date: 801 – 1000
Materials: earthenware
Techniques: glazing
Location: iraq

This lamp contains an open reservoir that would have held burning oil and a wick. Soaked in the oil and lighted, the wick would transport the fuel to the flame. Traces of burning are still visible on the lamp’s lip, above the green glaze. Ceramic lamps in this shape were most common in Iran and Iraq in the early Islamic periods. They are either unglazed or, from the ninth/tenth century onwards, glazed in green. By the twelfth century, the lamps’ shape had changed to include a closed reservoir that was often placed on a stem. This object comes from excavations at Samarra, in Iraq, a vast archaeological area that corresponds to the site where the Abbasid caliph al-Muʿtasim founded and moved his capital, from Baghdad, in 836 C.E.
Le trouvère No 43
Object type: book
Date: 1801 – 1888
Materials: paper, photographic support
Techniques: albumen print, printing, engraving
"Alhambra" textile panel with double border
Object type: textile
Date: 1865 – 1865
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, patterning, satin weave, weave
Location: france
Artist: probably made by mathevon et bouvard
Artist nationality: French
Artist dates: 1750 – 1970
Op weg naar Emmaüs
Object type: drawing
Date: 1648 – 1677
Materials: chalk, ink, paper
Techniques: brush
Lucas de evangelist
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: etching
Location: rome
Subjects: luke the evangelist; possible attributes: book, (winged) ox, portrait of the virgin, surgical instruments, painter's utensils, scroll, vestments of high priest ~ jewish religion, st. luke painting or drawing the madonna from memory, ox
Inscriptions: collector's mark: Lugt 240

Prent naar fresco in de Sant'Andrea della Valle in Rome.
Brief aan Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1911 – 1911
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: amsterdam, anne antoinette weber-van bosse, drawing, painting (including book-illumination, miniature-painting)
Portret van Maria Ludovica Gonzaga, koningin van Polen
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: koningin, maria ludovica gonzaga
Inscriptions: collector's mark: Lugt 2228

Busteportret van Ludwika Maria Gonzaga (ook: Maria Ludovica van Gonzaga-Nevers ), gemalin van Januari Kazimierz (Jan II Casimir), koning van Polen. Het portret is gevat in een ovale omlijsting met vierkant randwerk. In de marge het wapenschild van de geportretteerde en een drieregelig onderschrift in het Latijn.
Jonge vrouw met een emmer
Object type: sketchbook leaf
Date: 1901 – 1927
Materials: chalk, paper
Techniques: stumping
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: adolescent, young woman, maiden, writing accessories, container of metal: bucket, can, canister, drum, tin

Een jonge vrouw staat achter een emmer. Ze heeft mogelijk schrijfgerei in haar hand. Blad 17 verso uit een schetsboek met 45 bladen.
Ex libris van D.B.
Object type: bookplate
Date: 1939 – 1939
Materials: paper
Techniques: engraving
Location: czech republic
Artist: Anonymous
Subjects: plants and herbs
Inscriptions: inscription: ‘Fr. Koblika [?] Holz/ 1939’
Portret van Louis (II) Urbain Le Peletier de Rosanbo, president van het Parlement in Parijs
Object type: print
Date: 1608 – 1688
Materials: paper
Techniques: engraving
Location: paris
Subjects: louis urbain marquis le peletier de rosanbo (ii)
Inscriptions: collector's mark: ‘Soliman 1830’ Lugt 1682, collector's mark: Lugt 2228, collector's mark: ‘N AP’ Lugt 2045
Lepton uit Griekenland van koning Otto I, 1833
Object type: coin
Date: 1833 – 1833
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: gekroond wapenschild. Keerzijde: binnen krans van bladeren waarde-aanduiding in twee regels, waaronder jaartal. Kartelrand.
Kegelende kinderen
Object type: print
Date: 1722 – 1781
Materials: paper
Techniques: engraving, etching
Subjects: children's games and plays

Onderaan een vierregelig vers. Rechtsboven genummerd: 2. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Spel en vermaak, Oud-Hollandsch volksspel, Kegelen.
Plate
Object type: plate
Date: 1780 – 1785
Materials: hard paste porcelain
Artist: the hague
Artist role: factory
Artist nationality: dutch
Subjects: birds,fruit,flowers