deem-data/ArtiFact huggingface dataset:
Eland
Object type: drawing
Date: 1776 – 1777
Materials: paper, watercolor
Techniques: brush, pen
Location: south africa
Artist: johannes schumacher
Artist role: draughtsman
Subjects: hoofed animals: antelope
Inscriptions: label: ‘20’

Een Zuid-Afriikaanse antilope, mogelijk een koedoe. Tekening gemaakt tijdens één van de reizen van Hendrik Swellengrebel door de Kaapkolonie, tussen juli 1776 en januari 1777.
Portret van een onbekende man met snor en bakkebaarden
Object type: photograph
Date: 1855 – 1900
Materials: cardboard, iron, paper
Techniques: ferrotyping
Location: london
Artist: john george kirby
Artist role: fotograaf
Artist dates: 1849 – 1913
Subjects: sideburns, moustache, historical persons
Inscriptions: inscription: ‘J. G. KIRBY,/ Photographer,/ 295, Edgware Road, London, W./ PRICES./ (...)/ Photography in all its Branches./ J. G. KIRBY,/ 295, EDGWARE ROAD, W.’
Daphnis ramène ses bêtes a l'étable
Object type: book illustration
Date: 1937 – 1937
Materials: paper
Techniques: woodcut
Artist: aristide maillol
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1861 – 1944
Subjects: daphnis (in greek mythology a shepherd who invented pastoral poetry, chloe, goat
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent gebruikt in: Longus. Les Pastorales de Longus ou Daphnis & Chloé. Parijs: Frères Gonin, 1935, p. 114.
Gezicht op de Nieuwe Herengracht, hoek Muidergracht
Object type: reproduction
Date: 1865 – 1940
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Subjects: city-view in general; 'veduta', canal, boat propelled by man or animal
Inscriptions: collector's mark: ‘8.110’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Heerengracht (Nieuwe), Heiligeweg, Heisteeg, Heintjehoeksteeg, Hekelveld, Hemelrijk, Hoedemakerspad, Hol (‘t), Houtgracht, Houtewaelerboom, Houtkoopersdwarsstraat, Houttuinen (Joden), Houttuinen (Haarlemmer), Hugo de Grootkade, Huidenstraat, Huidenvetterstraat, Huydecoperstraat.
"Acrobat" Upside Down Figure
Object type: sculpture
Date: 1926 – 1926
Materials: bronze
Location: united states
Artist: gaston lachaise
Artist nationality: american, born france
Artist dates: 1882 – 1935
Panel
Object type: textile
Date: 1767 – 1800
Materials: cotton
Techniques: glazing, painting, weave, printing
Location: india
Combat of the Lapiths and Centaurs
Object type: print
Date: 1542 – 1542
Materials: paper
Techniques: engraving, printing
Location: italy
Artist: enea vico
Artist role: artist
Artist nationality: italian
Artist dates: 1523 – 1567

Theseus was a great Athenian mythological hero. In one chivalric tale about his life, he was a guest at the wedding of Pirithous, king of the Lapiths. The centaurs, relatives of the bride, also came to the feast; they became intoxicated and seized the women in attendance. Here Theseus draws his sword in an attempt to rescue the captive bride and drive the centaurs away, a feat he ultimately accomplished.
Johan, koning van Denemarken, Noorwegen en Zweden
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving
Artist: johann martin preissler
Artist role: print maker
Artist dates: 1715 – 1794
Subjects: armour, historical persons, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Schlegel, Johann Heinrich. Geschichte der Könige von Dänemark aus dem Oldenburgischen Stamme. Kopenhagen: Nicolaus Moller, 1769.
Kaart van de Middellandse Zee met boven het westelijk deel en onder het oostelijk deel
Object type: print
Date: 1682 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) mercury (hermes)
Inscriptions: collector's mark: Lugt 2228

Kaart van de Middellandse Zee met boven het westelijk deel en onder het oostelijk deel, met twee kompasrozen, het Noorden ligt boven. Linksboven Mercurius en een heer bij de titel, het uitgeversadres en een lijst met namen van belangrijke eilanden en havens, gelegen in het westelijk deel. Rechts een vergelijkbare lijst voor het oostelijk deel. Linksonder de schaalverdeling, weergegeven in Duitse, Spaanse en Engelse of Franse mijlen (schaal: c. 1:4.500.000).
Studies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a Serpent
Object type: drawing
Date: 1830 – 1839
Materials: ink, paper
Techniques: brush, pen, wash, writing
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: hunting,horses,lions,serpents

The turbulent forms of the animals featured on this sheet show Delacroix’s imagination at work in ink. Animal attacks and hunts were a constant theme in his work from 1828 onward. His firsthand experiences witnessing clashes between creatures combined with his study of works by other artists, such as the dramatic seventeenth-century hunts of Flemish painter Peter Paul Rubens, enabled him to invent violent confrontations with his pen. The repetition of the entangled animals produces an effect aptly compared to "time-stopped motion" and gives a sense of successive moments in the writhing struggle.
Miniature porringer
Object type: porringer
Date: 1694 – 1695
Materials: silver
Artist: i. h.
Artist role: maker

The subject seems deliberately enigmatic. Venus or a nymph lies open-eyed, but in a trancelike state, cradling Cupid in one arms and his bow in the other. Cupid is only momentarily hampered, however, for he appears ready to slip loose and strike a blow with an arrow drawn from his unguarded quiver. The artist of this erotic group shows knowledge of various stylistic trends. A point of departure may have been Giovanni Bologna’s bronze of a sleeping nymph spied upon by a satyr (the best documented version was in Dresden by 1587; Keutner, H., in Giambologna. Exhibition catalogue, Arts Council of Great Britain, London, 1978, no. 69). Our woodcarver, encouraged by the low-lying figures, has explored a format that is simultaneously a high relief meant to be viewed from above and a statuette with secondary viewpoints, as in a group of German woodcarvings of around 1630 (Rasmussren, J. Barockplastik in Norddeutschland. Exhibition catalogue, Museum für Kunst und Gewerbe, Hamburg, 1977, nos. 53, 54; figures of Lucretia and a sleeping nude attributed provisionally to Zacharias Hegewald, 1596–1639). The present model, though voluptuous, is relatively classicizing and may speak for a Flemish carver experimenting with this relief-like manner. In any case, it is worthy of a princely Kunstkammer and a welcome addition to the Museum’s small collection of Baroque woodcarvings.
The New Year in Japan
Object type: book
Date: 1906 – 1906
Materials: paper, textile, yarns
Techniques: photograph, hand coloring, letterpress printing
Location: kobe
Subjects: children's games and plays, festivities falling on calendar dates; memorial days, making music; musician with instrument, group games, party games, market, cleaning (the house), tea-ceremony, japan
Inscriptions: number: ‘350’

Boek met 24 lichtdrukken waarop diverse Nieuwjaarstradities uit Japan zijn afgebeeld.
Stroom- en waternimfen
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: other nereids (or sea-nymphs) (with name)
Inscriptions: collector's mark: Lugt 2228

De waternimf Camerina, gezeten op een stenen blok. De prent maakt deel uit van een zeventiendelige serie over stroom- en waternimfen.
Imperial Residences
Object type: stereograph
Date: 1860 – 1871
Materials: cardboard, photographic support
Techniques: albumen print
Location: tuileries palace
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: palace, interior ~ representation of a building
Inscriptions: number: ‘12.’, inscription: ‘E. Lamy's collection’
Philadelphia Sunday Press, July 5
Object type: print
Date: 1896 – 1896
Techniques: lithograph
Artist: george reiter brill
Artist role: artist
Artist nationality: american
Artist dates: 1867 – 1918
Subjects: women,fireworks
Self-Portrait
Object type: painting
Date: 1675 – 1680
Materials: oil, panel
Artist: carel de moor (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1655 – 1738
Subjects: leiden, warmond, painter, print maker, draughtsman, carel de moor (ii), historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: signature: ‘C. d. Moor’

Zelfportret van de schilder Carel de Moor. Buste in ovaal, naar rechts.
Vertrek van een boot bij de scheepswerf (blad links)
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: aquatint, etching
Location: paris
Subjects: harbour, pier, quay, wharf, france
Inscriptions: collector's mark: Lugt 2228

Gezicht op het water vanaf de scheepswerf. Één boot vertrekt.
Woman playing shamisen, from an untitled series of women at leisure
Object type: print
Date: 1795 – 1800
Techniques: woodblock print
Location: japan
Artist: utagawa toyohiro
Artist role: artist
Artist nationality: japanese
Artist dates: 1773 – 1828
Portret van Jan Egbert van Gorkum
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: arnhem, draughtsman, knighthood order, hacking and thrusting weapons (with name), historical persons
Inscriptions: inscription: ‘zoo helder / 8 de (...)vang van 60 afdr. op / dit papier, als de 260ste laatste (...)’, collector's mark: Lugt 2228

De geportretteerde draagt een militair uniform en zit op een stoel. In zijn linkerhand heeft hij een sabel. Hij draagt verschillende ridderorden op de borst. Onder het portret een schedel met daarbij de woorden: vivit post funera virtus.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, drapery? and part of an inscription, a sigma
Jug
Object type: vessel
Date: 301 – 400
Materials: glass
Techniques: glassblowing
Culture: late roman or byzantine
Location: syria
Subjects: jug, bottles

Glass vessels were part of the luxurious domestic decoration displayed in wealthy households in both urban villas and rural estates in the later Roman and early Byzantine eras (about 300–725). Glass vessels were used for a variety of purposes, including cosmetic containers. In the kitchen and for dining, pitchers served water and wine, and small cups were used for drinking. Glass was also used for lamps to light the home.

Byzantine glass craftsmen improved upon the techniques, forms, and decorative motifs they had inherited from their Roman predecessors. An imperial edict of 337 exempted glassworkers from personal taxes and attested to their relative status in society; it remained in effect for several centuries. These artisans would, in turn, pass on their craft to successive generations, including those who worked under Islamic rule after the important Byzantine provinces of Egypt, Palestine, and Syria were conquered in the seventh century.
Tissington Spires, Dove Dale
Object type: photograph
Date: 1880 – 1889
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Boord behorend bij ambtskostuum van H.R. Rookmaker
Object type: band
Date: 1933 – 1957
Materials: cardboard, linen
Location: surabaya
Subjects: dutch east indies, the

Boord behorend bij ambtskostuum van H.R. Rookmaker.
Cannon Rock
Object type: painting
Date: 1895 – 1895
Materials: canvas, oil
Culture: american
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: seascapes,waves

Prouts Neck, Maine, where Homer spent most of his last twenty-five years, hosted a vibrant summer community that dispersed during the winter months. The artist enjoyed the tranquility of the off-season, when the storms were fiercer and the ocean more changeable and dramatic. Cannon Rock, seen protruding from the outcropping at lower right, takes its name from its resemblance to a cannon seen from behind and from the booming sound of the surf breaking at its base, particularly during stormy weather. In 1903, a critic for the New York Times admired Cannon Rock for the "infinite zest" and "virility" of Homer’s brushwork—especially evident in the thick impasto of the cresting wave—and declared him "the greatest living marine painter of the age."
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 560 – 550
Materials: terracotta
Culture: greek, attic

Interior, mouth, neck, part of the upper torso, left shoulder, and bent left arm of a bearded man to right, wearing a red garment; below his extended arm, part of the leg of a figure running to right?; above his arm, part of an inscription, an L?; Exterior, part of a band of rays
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 434 – 368
Materials: terracotta
Culture: etruscan

Interior, unidentified subject; Exterior, tendrils from a palmette
Gezicht op kasteel Boelenstein, Maarssen
Object type: book illustration
Date: 1774 – 1774
Materials: paper
Techniques: etching, hand coloring
Location: haarlem
Subjects: castle
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen, sloten ... en andere voornaame stad- en landgebouwen, in en omtrent alle de byzondere Vereenigde Nederlandsche Provinciën : gedurende de laatste jaaren door vermaarden kunsttekenaren na het leven getekent en ... in 't koper gebragt ... dienende tot opheldering der beschryvinge van den Tegenwoordigen Staat der Vereenigde Nederlanden. Deel IX, 1774. Amsterdam: Isaac Tirion, 1745-1774.
Fan
Object type: fan
Date: 1776 – 1800
Materials: glass, ivory, paper
Culture: french
Subjects: animals,men,women
Pottery Whistle?
Object type: pottery whistle
Date: 800 – 1526
Materials: clay
Culture: costa rican
Location: costa rica

This object was probably used as a cinnabar container and placed in tombs.
Workers on the "silent highway"
Object type: photomechanical print
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Location: london
Subjects: diligence, omnibus, horse-tram, boat propelled by man or animal
Inscriptions: number: ‘Plate 8.’
Monsieur Vautrin sur le cheval de bronze
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: opera, opera house, paris
Inscriptions: collector's mark: Lugt 2228

Spotprent op het vertrek van Vautrin, de directeur van de Franse Opera in de Koninklijke Schouwburg te Den Haag, naar Parijs, 1838. Naar analogie van de opera van Auber genaamd 'Cheval de bronze' rijdt Vautrin gezeten op een paard naar de maan, op de grond nagestaard door schuldeisers, muzikanten en anderen.
Bowl
Object type: bowl
Date: 1451 – 1500
Materials: glaze, stonepaste
Techniques: incising, painting
Location: iran
Subjects: flowers

This striking turquoise‑and‑black bowl belongs to a group of ceramics known as Kubachi ware. Named for a village in the Caucasus where this pottery was discovered in quantity, such wares may have been produced elsewhere in northwestern Iran. This bowl— painted in black under a pale turquoise glaze, with an incised pattern of spirals and floral elements—is among the earliest examples.
Terracotta rim fragments of kylikes: eye-cups (drinking cups)?
Object type: kylix fragment
Date: 540 – 510
Materials: terracotta
Culture: greek, attic

Three rim fragments, each with part of an eyebrow
Berlin, der Weisse Saal
Object type: photograph
Date: 1892 – 1910
Materials: paper
Techniques: albumen print
Location: berlin
Artist: Anonymous
Subjects: palace - aa - civic architecture: inside
Inscriptions: inscription: ‘102. Berlin. Der weisse Saal’
Plaque: Wedjat Eye
Object type: amulet, wedjat eye
Date: 664 – 332
Materials: lapis lazuli
Location: egypt
Subjects: eyes
Berglandschap met herders op een rivieroever
Object type: print
Date: 1741 – 1803
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: river, mountains
Inscriptions: collector's mark: Lugt 2228

Prent naar tekening van Jan Hackaert gedrukt met twee platen. Prent uit serie van negen prenttekeningen met acht landschappen en een zeegezicht naar Hollandse meesters uit de 17e eeuw. Cornelis Brouwer heeft in samenwerking met C.S. Roos een aantal prenttekeningen uitgegeven welke op het verso het signatuur C.Brouwer fecit en C.S. Roos excudit Amst. dragen, zie Huffel 1921, p. 33-35.
Afrikaansche typen
Object type: print
Date: 1883 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: lisette wesmael
Artist role: print maker
Artist dates: 1861 – 1953
Subjects: africans, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: collector's mark: Lugt 2228
Selendang (Shawl) or Belt
Object type: costume and accessory
Date: 1775 – 1825
Techniques: dyeing
Location: java
Sample
Object type: sample
Date: 1840 – 1840
Materials: cotton
Subjects: roses
Oude Stadts Herbergh
Object type: book illustration
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: pier, quay, wharf, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). 2 delen. Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge, Johannes Janssonius van Waesberge II, weduwe Dirk Boom I, Hendrick Boom en Rembertus Goethals, 1693. En in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Latere staat ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. 2e druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.
Mars, god van de oorlogskunsten
Object type: drawing
Date: 1660 – 1660
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Subjects: moses ter borch, raid on the medway

Tekening opgeplakt op een blad dat bevestigd is aan een blauwe reep ingebonden papier.
Les Chiens
Object type: photograph
Date: 1875 – 1880
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: women,dogs

From the 1870's, when her son Giorgio left home, the coutness lavished her affection on her dogs. She was devastated by the loss of her favorite terrier, Kasino, and asked Pierson to photograph this mise-en-scene. By all appearances, the dog lying in a large willow basket is alreay dead.
Ontwerptekening voor een kamerwand
Object type: album leaf
Date: 1763 – 1826
Materials: paint, paper, pencil
Techniques: brush, pen
Artist: abraham van strij (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1753 – 1826
Subjects: wall-covering
Inscriptions: inscription: Lugt 2228

De tekeningen van Abraham van Strij zijn op een later moment ingevoegd in het album met tekeningen van Jurriaan Andriessen.
Recueil de portraits (...)
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: étienne desrochers
Artist role: print maker, publisher
Artist dates: 1668 – 1741
Subjects: paris, scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228

Behoort waarschijnlijk tot een serie portretten, grotendeels door Etienne Desrochers, getiteld: 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes que dans Belles-Lettres et les Arts, comme aussi la famille royale de France et autres cours étrangères'. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985. Echter was Desrochers reeds enkele jaren eerder begonnen met het uitgeven van de serie. Na de dood van Desrochers werd de serie voortgezet door Gilles Edme Petit. Een latere staat werd uitgegeven door Jean François Daumont in Parijs.
Obi (Belt)
Object type: costume and accessory
Materials: gold, silver
Location: japan
Ex libris van Robert Leigh
Object type: bookplate
Date: 1800 – 1899
Materials: paper, pencil
Techniques: drawing, etching
Location: england
Artist: Anonymous
Subjects: belt, girdle, waistband, beasts of prey, predatory animals: lion
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 425 – 400
Materials: terracotta
Culture: greek, attic

Forearm and hand of a figure; part of the panel ornament of a pelike: chain of dots
Portret van Sigmund Jacob Baumgarten
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: bookshelves, historical persons, book, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Holy Family with the Infant Saint John the Baptist
Object type: drawing and watercolor
Date: 1580 – 1585
Materials: chalk, paper, lead, pigment
Techniques: brush, heightening, wash
Location: italy
Artist: denys calvaert
Artist role: draughtsman
Artist nationality: flemish
Artist dates: 1540 – 1619
Twee mannen met hoge hoeden, in gesprek
Object type: drawing
Date: 1819 – 1881
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head-gear: top hat
Inscriptions: annotation
Portret van een onbekend meisje bij een stoel
Object type: carte de visite
Date: 1867 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: charles reutlinger
Artist role: publisher
Artist dates: 1816 – 1880
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed, paris
Inscriptions: inscription: ‘Ch. Reutlinger phot.’, inscription: ‘Paris 1867 Berlin 1866/ Premier Prix/ Exposition Universelle 1867/ Ch. Reutlinger/ Photographe/ 21, Boulevard Montmartre, 21/ Paris/ Les Clichés étant conservés indéfiniment/ on peut toujours se procurer de nouvelles/ épreuves de Cartes & Portraits sans reposer.’
Staande geit van achter gezien
Object type: titelprent, frontispice
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: goat
Inscriptions: collector's mark: Lugt 240
Afbeelding der Remotie van eenige Regenten te Rotterdam 3 April 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Artist: theodorus de roode
Artist role: draughtsman, print maker
Artist dates: 1736 – 1793
Subjects: rotterdam, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Gezicht op het oude stadhuis van Rotterdam, waar op 3 april 1787 zeven regenten werden afgezet. Vanaf de straat en vanuit de omliggende huizen kijken mensen toe. De prent is opgedragen aan 'Ed. Manh. Heeren Leeden der Burger Krygsraad' van Rotterdam.
René Luguet
Object type: page
Materials: paper
Techniques: woodburytype
Location: paris
Artist: françois marie louis franck
Artist role: fotograaf
Artist dates: 1816 – 1906
Subjects: acteur, rené luguet
Inscriptions: inscription: ‘Du 8 au 14 Juillet 1875’, number: ‘No 112’
Jamaica. Victoria Market. Kingston
Object type: stereograph
Date: 1898 – 1898
Materials: paper, cardboard
Techniques: gelatin silver print
Location: kingston
Artist: carleton harlow graves
Artist role: fotograaf
Artist dates: 1867 – 1943
Subjects: marketing, shopping (~ household management)
Inscriptions: number: ‘441’, copyright notice: ‘COPYRIGHT 1898/ BY C. H. GRAVES,/ [?]’, number: ‘4861’
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Exterior, handle palmette, filleted youth with himation, grasping with his right arm the left shoulder of the draped youth in front of him; in field, weights?; bearded man with staff, bearded man with himation leaning on a stick with right hand on hip