deem-data/ArtiFact huggingface dataset:
Oude man met schedel
Object type: print
Date: 1809 – 1837
Materials: paper
Techniques: lithograph
Location: haarlem
Artist: pieter bartholomeusz. barbiers
Artist role: draughtsman, print maker
Artist dates: 1772 – 1837
Subjects: (human) skull, old man, specific aspects ~ st. jerome - male saint as patron, protector, intercessor
Inscriptions: collector's mark: Lugt 2228

De man heeft een baard en een kaal hoofd. Hij kijkt naar rechtsonder. In zijn linkerhand heeft hij een schedel. Mogelijk de heilige Hieronymus.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Fragment from the underside of a skyphos with part of a thin band of a black glaze circle, which has in the center, a smaller circle with a dot in the middle; the fragment has miltos
Portret van jhr. Johan Hendrik van Kinsbergen
Object type: print
Date: 1797 – 1836
Materials: paper
Techniques: stippled etching
Location: netherlands
Subjects: jonkheer jan hendrik van kinsbergen, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Portret van luitenant-admiraal Johan Hendrik van Kinsbergen, afbeelding van een gebeeldhouwde portretbuste.
Stroommarmer in zwart op geel papier
Object type: wrapper
Date: 1850 – 1917
Materials: paper
Techniques: marbling
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760

Stroommarmer in zwart op geel papier. Gebruikt als omslag.
Two Poems from the Collection of Poems Ancient and Modern, Continued (Zoku Kokin wakashū)
Object type: hanging scroll
Date: 1201 – 1300
Materials: ink, paper
Culture: japanese
Artist: nun abutsu
Artist role: artist
Artist nationality: japanese
Artist dates:  – 1283
Subjects: poetry,scrolls

Nun Abutsu (Abutsu-ni), one of the most celebrated woman writers of the age, earned literary fame for her moving account of palace and temple culture in her Diary of the Waning Moon (Izayoi nikki). Before taking Buddhist vows, she served as a lady-in-waiting in the palace and belonged to a circle of talented women writers. While there is no way to verify that this crisp but elegant calligraphy is in her hand, the style is characteristic of kana calligraphy of the era and of the elite society in which she lived. Kana calligraphy (used to inscribe Japanese phonetic characters) was referred to as onnade, or the “women’s hand,” since ladies of the court wrote letters, diaries, and prose in the vernacular, while men continued to write primarily in Chinese.
Temple d'Andour
Object type: photograph
Date: 1870 – 1870
Techniques: albumen silver print, glass negative
Artist: félix bonfils
Artist role: fotograaf
Artist nationality: french
Artist dates: 1831 – 1885
Subjects: architecture,ruins
Embalmer's Needle
Object type: embalmer's needle
Date: 664 – 332
Materials: wood
Location: egypt

Roughly whittled from wood, this large needle was discovered in a cache of embalming material buried in the Theban necropolis. It had been stuck into the edge of a grass mat that had been made into a basket. USE??
Glass finger ring
Object type: ring
Date: 300 – 101
Materials: glass
Culture: greek, eastern mediterranean

Translucent cobalt blue. Broad hoop with D-shaped cross section with beveled edges, broadening into large oval bezel, concave on upper surface, with raised rim sloping outwards. The bezel would have been decorated with an inlay made of stone or glass imitating a gem. Complete except for large hole in center of hollow bezel and weathering crack across back of hoop; pitting, patches of thick creamy weathering, and brilliant iridescence. The concave oval bezel originally would have contained a decorative stone or imitation glass gem.
Barbe
Object type: barbe
Date: 1715 – 1724
Techniques: lace
The Resurrection, from "The Passion of Christ"
Object type: print
Date: 1623 – 1623
Techniques: engraving
Artist: ludovicus siceram
Artist role: artist
Artist nationality: flemish
Artist dates: 1618 – 1628
Subjects: men,angels,christ,resurrection
Star-Shaped Tile with Qur'anic Inscriptions
Object type: architectural fragment
Materials: ceramic, glaze
Techniques: painting
Culture: islamic
Location: iran

These star and cross-shaped luster tiles were originally part of the dado (lower part of the wall) decoration of the mausoleum of a holy man in Varamin, Iran. Tiles in these two shapes were fitted together to form a continuous panel of decoration. Appropriate for a religious context, each tile features vegetal patterns framed by Qur'anic inscription and is devoid of figural representation.These tiles belong to a larger group of about 150 luster-painted tiles attributed to the mausoleum in Varamin. All 150 tiles are either star or cross-shaped, and they share many typological affinities, such as the use of rich brown luster, the inclusion of Qur’anic scripts, and the predominant appearance of vegetal motifs and arabesques. By the end of the 19th century, all tiles had been removed from the mausoleum by European collectors.
Starnberger See
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: lithograph
Location: munich
Artist: henri braakensiek
Artist role: print maker
Artist dates: 1891 – 1941
Subjects: low hill country, lake
Inscriptions: collector's mark: Lugt 2228

Heuvels en een nederzetting aan aan de Starnberger See in Beieren.
Border
Object type: textile
Date: 1875 – 1900
Materials: cotton
Techniques: knitting, weave
Rest on the flight into Egypt
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: madonna and child
Caricatures of Two Men and a Woman
Object type: drawing and watercolor
Materials: graphite, ink, ivory, paper
Techniques: brush, pen, wash
Location: italy
Artist: marco ricci
Artist role: artist
Artist nationality: italian
Artist dates: 1676 – 1730
Seated woman and Bearded Man in a Landscape
Object type: print
Date: 1740 – 1802
Techniques: etching
Artist: giuseppe canale
Artist role: artist
Artist nationality: italian
Artist dates: 1725 – 1802
Subjects: men,women
Twee voorstellingen uit de anekdoten van Friedrich II
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: frederick ii (king of prussia), (military) camp with tents, charge ~ battle
Inscriptions: collector's mark: Lugt 2228

Rechtsboven genummerd. Met onderschrift en paginaverwijzing in het Duits. In de marge zijn op schetsmatige wijze verschillende figuren geëtst.
Demargyl
Object type: photograph
Date: 1895 – 1910
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, anonymous historical person portrayed

Dergelijke foto's stonden bekend als 'zwartjes'. Men verkreeg ze bij aanschaf van bepaalde merken thee, cacao, sigaretten, beschuit, etc. om te verzamelen. Er waren speciaal voor de 'zwartjes' verzamelalbums in omloop.
Vertumnus en Pomona
Object type: print
Date: 1681 – 1726
Materials: paper
Techniques: mezzotint
Subjects: vertumnus and pomona, goat
Inscriptions: collector's mark: Lugt 2228

Vertumnus, de Italiaanse god en beschermer van tuinen en boomgaarden, en Pomona zitten in intieme houding bij een fontein in een tuin. Achter hen staan twee geiten.
L'Entente Cordiale
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards, crimea 1856
View of the Hudson River from the Catskills
Object type: drawing
Date: 1870 – 1879
Materials: oil, paper
Culture: american
Artist: stanford white
Artist role: artist
Artist nationality: american
Artist dates: 1853 – 1906
Subjects: rivers,landscapes
Mishandeling Den Eerw. Heer Langerak op het Adelyk Huis Nettelhorst aengedaan door den Heer van 't Zelve (...)
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: ludwig ernst von braunschweig-wolfenbüttel, fist-fight, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Mishandeling van de predikant Langerak uit Laren op het Huis Nettelhorst bij Lochem door baron van Heeckeren, burgemeester De Wolff van Lochem en de heer Sölner omdat de predikant weigerde te drinken op de gezondheid van de hertog van Brunswijk, juli 1784. Rechts kijkt de Lochemse predikant Abbink goedkeurend toe. Aaan de muur een schilderij met portret van de hertog van Brunswijk. Bij de prent behoort een tekstblad met uitleg.
The Two
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Lace pattern
Object type: pattern
Date: 1801 – 1900
Brief aan Mien Cambier van Nooten
Object type: letter
Materials: ink
Techniques: pen, writing
Location: bennekom
Artist: dick ket
Artist role: draughtsman, print maker
Artist dates: 1902 – 1940
Subjects: print maker, draughtsman, mien cambier van nooten, haarlem, dollmaker, textile artist, nelly johanna hagelen-schilt, drawing, passions, emotions, affections, family life, painting (including book-illumination, miniature-painting), diseases, historical persons (portraits and scenes from the life)
Drie ezels voor herberg, naar Duzardin. R.M. 832
Object type: print
Date: 1809 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: hotel, hostelry, inn, mule
Inscriptions: collector's mark: Lugt 2233

Muilezeldrijvers bij een Italiaanse herberg. Een man zit aan een tafel op de binnenplaats van een herberg en wordt door twee mannen bediend. Links staan twee muilezels en een paard.
Portico and pediment from the Huydecoper house
Object type: relief sculpture
Date: 1639 – 1639
Materials: wood
Location: northern netherlands
Artist: philips vinckboons (ii)
Artist role: draughtsman, painter
Artist dates: 1607 – 1678
Subjects: amsterdam, mayor, joan huydecoper van maarseveen (i), half-column, pilaster ~ architecture, ornament ~ festoon, garland, cupids: 'amores', 'amoretti', 'putti'

This portico is from the entrance hall of a grand house on the Singel canal in Amsterdam, designed by the
architect Vinckboons in 1639. Both the exterior and the interior of the building were classicizing in style. The house was commissioned by Joan Huydecoper, mayor of Amsterdam and a prominent art lover.
Fan
Object type: fan
Date: 1868 – 1868
Materials: silk
Culture: french
Guerillas navarrois
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: lithograph
Location: paris
Subjects: guerilla warfare (+ situation of the terrain ~ warfare), surprise attack (from ambush), mountains
Inscriptions: collector's mark: Lugt 2228a

Op de achtergrond is een groep figuren zichtbaar, die door de guerrillastrijders in een hinderlaag worden gelokt.
Les Principales Forteresses & Villes Fortes, d'Espagne, de France, d'Italie, de Savoië, d'Allemagne & des Païs-Bas (...) / Naaukeurige Afbeeldingen der Voornaamste Sterke Steden en Vestingen in Spanjen, Vrankryk, Italien, Savoyen, Duytsland en Nederlanden (...)
Object type: print
Date: 1701 – 1714
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of separate countries or regions

Gekopieerd naar de Franse prenten in: Nicolas de Fer, Les forces de l'Europe, ou description des principales villes, avec leurs fortifications : dessignées par les meilleurs ingenieurs, particulierement celles ... de la France, dont les plans ont esté levez par M. de Vauban, Nicolas de Fer, Parijs 1693-1696, of andere voorbeelden.
Twee paarden en twee schapen in een weide
Object type: drawing
Date: 1809 – 1859
Materials: paper, pencil
Location: netherlands
Artist: pieter de goeje
Artist role: draughtsman, print maker
Artist dates: 1789 – 1859
Subjects: agricultural products and by-products: hay (+ harvesting ~ agricultural processes), meadow, pasture, sheep, horse
Inscriptions: collector's mark: Lugt 2228

De schapen liggen op de grond. In de achtergrond staan hooiruiters en een paard en wagen.
An apostle seen in profile facing right, holding an open book, in an oval frame, from "Christ, the Virgin, and Thirteen Apostles"
Object type: print
Date: 1600 – 1640
Materials: ink
Techniques: etching, pen
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: profiles,apostles

From Christ, the Virgin and Thirteen Apostles, a series of fifteen busts in oval frames printed from one plate, after Reni. Brown ink drawn around the outer border of the sheet.
Hercules
Object type: glass
Date: 1734 – 1766
Materials: glass, metal
Techniques: lampwork
Location: france
The Fishermen (Fantastic Scene)
Object type: painting
Date: 1875 – 1875
Materials: canvas, oil
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Subjects: men,women,rivers
Paard met arrenslee en een aantal schetsen
Object type: drawing
Date: 1656 – 1656
Materials: chalk, ink, paper
Techniques: pen
Location: deventer
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Inscriptions: date, monogram: ‘GTB’

Een door een paard getrokken arrenslee, twee schetsen van het vrouwenkopje en een kindertekening van een paard.
Odalisque, from World's Smokers series (N33) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: profiles,women,smoking

Trade cards from the "World's Smokers" series (N33), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Printer's samples included in set, as well. The printer's sample cards are on thinner card stock and do not have any printed text.
Coquelin Cadet. Rôle de Trufaldin dans l'Étourdi
Object type: photomechanical print
Date: 1875 – 1880
Materials: paper
Techniques: photoaquatint
Subjects: historical persons, portrait of actor, actress
Inscriptions: number: ‘[125]’, inscription: ‘LA COMÉDIE FRANÇAISE’
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Bit of black glaze and band of reserve
The Chinese men-of-war firing in reply to the attack of a portion of the Japanese squadron
Object type: page
Date: 1895 – 1895
Materials: paper
Techniques: photograph
Location: shandong
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: ships (in general), sea
Inscriptions: inscription: ‘The vessels of various sizes (...) on the horizon are a portion of the Japanese squadron.’, inscription: ‘Expedition to Wei-Hai-Wei.’
Blad met ruitenpatroon van bladmotief
Object type: printed paper
Date: 1700 – 1850
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: annotation: ‘Hengel oratie 1818’

Blad met ruitenpatroon met bladmotief als veldvulling. Gebruikt als omslag voor een publicatie uit 1818.
Standard Banner (Sashimono)
Object type: standard banner sashimono
Date: 1701 – 1800
Materials: pigment, silk
Culture: japanese
Location: japan
Stela of Intef and his wife, Dedetamun
Object type: stela, intef, dedetamun
Date: 1981 – 1802
Materials: limestone, paint
Location: egypt
Subjects: men,women,hieroglyphs

This limestone fragment is the lower portion of a stela showing Intef, son of Henyt, and his wife Dedetamun seated on an animal-legged chair. Intef sports a short, curly hair and wears a green broad collar, blue bracelets, and white short kilt. He reaches for the food offerings with one hand, and grasps a small white object, probably a folded cloth, in the other. Dressed in a green single-strapped sheath dress and adorned with a broad collar as well as bracelets and anklets, Dedetamun places one hand over her husband’s shoulder and holds a large white object, probably an ointment vase, in the other. Their son, whose barely-legible name is perhaps Ameny, stands on the left, bringing oversized flowers to the table, which consists of a tall white column supporting a bound reed mat. The table is laden with a pile of food offerings, including cuts of beef, vegetables, and long, conical loaves of bread. The two drop-shaped jars with pointed stoppers below the table are meant to contain beverages. The scene and texts on stelae are generally carved and then painted, but this particular monument is executed only with paint.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, upper part of long haired, draped figure to right
Portrait Bust of Man Wearing Cravat (recto); Sketch of Saddle (verso)
Object type: drawing and watercolor
Materials: ink, paper
Techniques: cutting, pen
Location: italy
Artist: stefano della bella
Portret van Lambert Bidloo
Object type: print
Date: 1724 – 1780
Materials: paper
Techniques: engraving
Subjects: amsterdam, lambert bidloo, pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, historical persons, writer, poet, author
Inscriptions: inscription: ‘n. 1632 Apotheker, en dichter. +1724’
Jérusalem, Vallée de Josaphat, Tombeau de St. Jacques
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,tombs,ruins

Ridiculed by fellow scholars for contending that many architectural fragments examined on an 1850 expedition to Jerusalem dated from the period of David and Solomon, archaeologist Félicien Caignart de Saulcy was further accused of having provided fanciful and inaccurate site drawings to support his thesis. Salzmann, an artist and archaeologist, entered this scholarly fray in late 1853, setting off for Jerusalem to study and photograph the disputed monuments; after four months' work, he returned to Paris with nearly 175 negatives, which he published as Jérusalem: Étude et reproduction photographique des monuments de la ville sainte depuis l'époque judaïque jusqu'à nos jours (1856). This view shows one of the three ancient tombs dating from the second to first century B.C. cut into bedrock on the eastern slope of the Kidron valley, also called the "Valley of Josaphat," near the Mount of Olives. The conclusive power of Salzmann's photographs was self-evident, and De Saulcy declared himself vindicated by the sun itself, "a most able draftsman, in truth, and one whose good faith would be difficult to question."
Collar
Object type: collar
Date: 1601 – 1700
Techniques: lace
Subjects: flowers
Sampler
Object type: sampler
Date: 1809 – 1809
Materials: silk, wool
Portable Shrine (zushi) with Fudō Myōō, the Immovable Wisdom King
Object type: portable shrine
Date: 1701 – 1800
Materials: gold, lacquer, metal, wood
Culture: japanese
Subjects: buddhism,deities

Portable shrines containing diminutive Buddhist sculptures are frequently used as personal devotional icons. This statue of the King of Brightness Fudō the “Immovable” was once owned by the famous grand champion (yokozuna) sumo wrestler Hitachiyama Taniemon (1874–1922), who toured the United States and Europe in 1907–8. He fought a wrestling match in New York, at which time he presented the Museum with this shrine. Fudō would have been a deity with whom a powerful wrestler could identify, for his role within Japanese Esoteric Buddhism is to use his superior strength to fight the evil and ignorance that are obstacles to enlightenment.
Portret van een actrice, afgebeeld als Maria Magdalena aan de voet van het kruis
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: josé maria mora
Artist role: fotograaf
Artist dates: 1849 – 1926
Subjects: adult woman
Inscriptions: number: ‘4599/1.15’, name: ‘Mora 707 Broadway, N.Y.’
Landscape in the style of Huang Gongwang
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: wang jian
Artist role: artist
Artist nationality: chinese
Artist dates: 1609 – 1677
Subjects: mountains,landscapes

Wang Jian's paintings reveal a vision steeped in tradition. A member of the educated elite, Wang enjoyed access to the region's numerous private collections as well as the rich assemblage of old masters he inherited from his grandfather Wang Shizhen (1526–1590). This firsthand knowledge of past masterpieces inspired Wang to follow Dong Qichang's (1555–1636) example of seeking a personal artistic synthesis through the diligent study of "orthodox" models. In this painting, Wang Jian explores the brush style of the late-Yuan-dynasty artist Huang Gongwang (1269–1354).
Cypriote ring based juglet
Object type: juglet, cypriot, ring based
Date: 1500 – 1400
Materials: pottery
Location: egypt
Strook goudkant met eenzijdig gerichte klimopbladeren
Object type: strip
Date: 1800 – 1899
Materials: gold thread
Techniques: lace
Location: spain
Artist: Anonymous

Strook kloskant, goudkant. Het patroon bestaat uit een aaneenschakeling van eenzijdig gerichte bladeren, die de vorm hebben van klimopbladeren of wijnbladeren. De bladeren vormen de schulpen langs de onderzijde van de strook. Boven de bladeren is een maasgrond gemaakt, een vetergatslagtralie-grond. Er is gewerkt met lamelgouddraad, gladde filégaren en geribbelde filégaren, in verschillende diktes. De ene helft van elk blad is voornamelijk gevuld met lamelgouddraad, met enkele accentlijnen van geribbelde filégaren. Bij de andere helft is dit andersom. De steel van het blad, de contourlijnen en de nerf in het midden zijn gemaakt met dikkere filégaren. In de grond is tussen elk blad één platte ringvormige paillette tussen de draden van de tralies door gestoken.
Case (Inrō) with Design of Monkeys Hanging from Trees Above Waves (obverse); Monkeys Seated on Rocks (reverse)
Object type: inrō
Date: 1701 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie, roiro
Culture: japanese
Subjects: monkeys,trees,waves
Portret van Frederik Willem, keurvorst van Brandenburg
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Subjects: berlin, frederik willem van brandenburg (i), historical persons
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Frederik de Grote. Mémoires pour servir a l'histoire de la maison de Brandebourg. Sanssouci, Frederik de Grote, 1751.
Beurs, Leeuwarden
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: leeuwarden
Subjects: canal, stock exchange, stock-market
Head of an early Ptolemy, possibly from a sphinx
Object type: head, royal, early ptolemy, from a sphinx
Date: 400 – 268
Materials: limestone
Location: egypt
Subjects: sphinx

The early Ptolemies visually emphasized their role as traditional Egyptian kings through stylistic continuities.This head displays features that are a strong continuation of the style of Dynasty 30, notably the single continuous arc created by the brow line over the eyes.
Isabel Wachenheimer zwaaiend op de toegangstrap van een KLM-toestel met onbekende mannen met een hoed
Object type: photograph
Date: 1947 – 1955
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: isabel wachenheimer-elon
Inscriptions: number: ‘6 (NB, onderstreept)’

Isabel Wachenheimer zwaaiend op de toegangstrap van een KLM-toestel met onbekende mannen met een hoed.
Portret van Franz Oxner
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: engraving
Location: munich
Artist: karl gustav amling
Artist role: print maker
Artist dates: 1651 – 1702
Subjects: goldsmith, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van twee liefdadigheidwerkers van de parochie van Hawarden
Object type: page
Date: 1895 – 1895
Materials: paper
Techniques: woodburytype
Location: wales
Subjects: anonymous historical person portrayed, charitable works
Inscriptions: inscription: ‘The latest photograph of two amongst (...) Taken July 4th, 1895.’
Piece
Object type: piece
Date: 1848 – 1848
Materials: silk
Subjects: flowers