deem-data/ArtiFact huggingface dataset:
Set of six spoons (part of a set)
Object type: spoon
Date: 1767 – 1771
Materials: silver gilt
Artist: louis-joseph lenhendrick
Artist role: maker
Artist dates: 1683 – 1783

The tooled leather box contains six couverts—the French term for two or more matched pieces of flatware—which in this instance each comprise a fork, spoon, and knife. Six identical couverts housed in a similar box are also in the Museum’s collection. It is not known for whom these thirty-six pieces of flatware were made because the coats of arms that decorated each fork, knife, and spoon have been erased. However, the two boxes are decorated on the lids with the Noailles arms, suggesting that a member of that distinguished aristocratic family owned the cutlery in the eighteenth century. The designs of the flatware are unusually elaborate and ambitious, especially in the use of openwork in the stems of the fork and spoon, and in the molded and chased decoration of the knife blades. The amount of work required by the complexity of the designs marks these as especially fine pieces of silver cutlery. The two sets date from the years 1767–71, but the designs of the fork, spoon, and knife closely resemble those of a gilt silver dessert service made in 1744 by the celebrated silversmith Thomas Germain (1673–1748). Germain’s designs were then copied twenty years later by his son, François-Thomas Germain, for a gold couvert that formed part of the celebrated service made by the latter for the Portuguese court. One of the many silversmiths who assisted Germain with the Portuguese commission was Louis-Joseph Lenhendrick, whose mark appears on the Museum’s flatware. As Lenhendrick had also been apprenticed to the elder Germain, he would have been well acquainted with the design of this couvert.
Standing figure
Object type: sculpture
Date: 2000 – 1668
Materials: copper alloy
Location: levant
Christus en de gepersonifieerde ziel bij een fontein
Object type: book illustration
Date: 1678 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: garden fountain, christ and the soul
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Pieter Arentsz II, 1678-1687. Tussen 1678-1744 verschenen van dit emblemataboek 10 edities.
Wagen der Fransche Renaissance
Object type: photograph
Date: 1899 – 1899
Materials: photographic support
Techniques: printing
Location: antwerp
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), festivities (+ decorated float, wagon ~ festive activities), civic architecture; edifices; dwellings, antwerp
Diverses Fontaines
Object type: print
Date: 1713 – 1760
Materials: paper
Techniques: etching
Location: augsburg
Subjects: sitting figure, dolphin ~ ornament, ornamental fountain, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Drie putti zitten op een fontein met twee dolfijnen. Links zit een man met een schelp waar water uit stroomt, onder de fontein zit een tweede man. Uitgeversnummer 36.
Boom in vlak landschap
Object type: drawing
Date: 1939 – 2009
Materials: charcoal, paper
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: groups of trees
Prijsband in 1781 uitgereikt aan Johan Gerard Swellengrebel
Object type: book
Date: 1742 – 1742
Materials: leather, linen, paper
Techniques: letterpress printing
Location: leiden
Subjects: utrecht, johan gerard swellengrebel

Prijsband in 1781 namens de Universiteit van Utrecht uitgereikt aan Johan Gerard Swellengrebel. Het boek 'Auctores Mythographi Latini' van Augustinus van Staveren in een leren band met op de voorkant het wapen van Utrecht. Met een rood lint.
Verzameling portretten
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: étienne desrochers
Artist role: print maker, publisher
Artist dates: 1668 – 1741
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228

Behoort waarschijnlijk tot een serie portretten, grotendeels door Etienne Desrochers, getiteld: 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes que dans Belles-Lettres et les Arts, comme aussi la famille royale de France et autres cours étrangères'. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985. Echter was Desrochers reeds enkele jaren eerder begonnen met het uitgeven van de serie. Na de dood van Desrochers werd de serie voortgezet door Gilles Edme Petit. Een latere staat werd uitgegeven door Jean François Daumont in Parijs.
Landschap met paarden en karren
Object type: sketchbook leaf
Date: 1839 – 1839
Materials: paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, landscapes (+ landscape with figures, staffage)

Met enkele figuren op de voorgrond. Op de achtergrond een huis, mogelijk een boerderij. Blad 18 recto uit een schetsboek met 37 bladen.
Portret van Ralph Dundas Tindal
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: zeist, historical persons, medals and other marks of military honour
Ruïnes
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: landscape with ruins, monk(s), friar(s), ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 964

Twee converserende kloosterlingen langs een pad bij een ruïne van een kerkgebouw. Zevende prent uit een serie van twintig.
Plattegrond van burgerwijk I te Amsterdam
Object type: area plan
Date: 1794 – 1800
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), maps of cities, civic architecture; edifices; dwellings, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Op eerdere staat staan de wapenschilden van kapitein Johan Cornelis Bert, luitenant Hendrik Ruttens, vaandrig - het schild is leeg en een naam ontbreekt - en de sergeanten Jan Casper Zeeweke, Hendrik Slykhuys en Wouter Brave. Deze (onder)officieren van de wacht waren in de jaren 1794-1795 in deze combinatie in functie.
Glass mosaic ribbed bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent deep honey brown, cobalt blue, and opaque white. Outsplayed rim with rounded lip; slightly convex curving side tapering downward. Spiral mosaic pattern formed from lengths of one or more canes in a brown ground with bands of fine blue and white threads in parallel lines; on exterior, part of a broad vertical rib, with flattened and tooling indents at sides. Polished interior; pitting and weathering of surface bubbles; dulling and creamy iridescent weathering on exterior, lip of rim, and jagged edges.
Side Chair
Object type: side chair
Date: 1805 – 1810
Materials: wood
Techniques: veneering
Culture: american
Location: united states
Artist: thomas seymour
Artist role: maker
Artist nationality: american
Artist dates: 1771 – 1848
Stockings
Object type: stocking
Date: 1885 – 1889
Materials: silk
Culture: french
Subjects: birds
Oblong Plaque Depicting Ramesses II Smiting Enemies, opposite side relief scene of Isis and Nephthys flanking falcon labeled Horus son of Isis
Object type: plaque, ramesses ii smiting
Date: 1279 – 1213
Materials: stone
Techniques: glazing
Location: egypt

On one side, Ramesses II is shown standing and smiting two captives with a mace. A lion accompanies the king. His cartouches and titulary are inscribed around the scene. On the other side is an image of Harakhty as a falcon flanked by the images of Isis and Nephthys.
Portret van een man met baard en wandelstok
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: havana
Artist: j.b. fernandez
Artist role: fotograaf
Subjects: walking-stick, staff, historical persons, beard
Inscriptions: inscription: ‘Fernandez/ 66/ O'Reilly/ Habana’
Kroonlijst
Object type: sketchbook leaf
Date: 1876 – 1924
Materials: paper, pencil
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: other architectural details (cornice)

Blad 19 recto uit een schetsboek met 24 bladen.
Fotoreproductie van een schilderij door Guido Reni, voorstellend de aartsengel Michaël en satan
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Subjects: the archangel michael fighting the dragon (devil, satan)
Inscriptions: inscription: ‘Alinari’, number: ‘8449’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
Kampen, arendsschelling met naam van keizer Ruddolf II
Object type: coin
Date: 1590 – 1610
Materials: silver
Techniques: striking
Location: kampen

Zilveren munt. Voorzijde: gekroond vereenvoudigd Spaans wapenschild. Keerzijde: gekroonde dubbelkoppige adelaar.
IJsvermaak, 1714
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: vienna, public festivities at birth of royal persons, sledge, sleigh (winter sports), utrecht
Inscriptions: collector's mark: Lugt 2228

IJsvermaak, stoet van sledes met gasten op het ijs, 1714. Onderdeel van een groep van twaalf illustraties van de feestelijkheden georganiseerd in Utrecht in 1714 door de Portugese graaf Joao Gomes da Silva conde de Tarouca ter ere van de geboorte van twee Portugese prinsjes van koning Johan V.
Fries met kokende, etende en musicerende putti
Object type: drawing
Date: 1868 – 1940
Materials: paint, paper, pencil
Techniques: brush
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: muscles
Standing Youth Holding Hat, and Sketch of Legs
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: domenico fiasella
Artist nationality: italian
Artist dates: 1589 – 1669
Square
Object type: textile
Date: 1801 – 1900
Materials: cotton
Techniques: dyeing
Location: indonesia
Zell. Panorama
Object type: stereograph
Date: 1881 – 1881
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: city-view in general; 'veduta', river
Inscriptions: number: ‘14.’
Design for 4 seat Phaeton, no top, no. 3277b
Object type: drawing
Date: 1850 – 1910
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Suikerrietmolen aangedreven door een os
Object type: photograph
Date: 1891 – 1912
Materials: paper
Techniques: daylight paper print
Location: sumatera barat
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: ox, grinding, milling (industrial processes), plants and herbs: sugarcane, sumatera barat (province)
Inscriptions: signature: ‘CN/ 81.’

Een suikerrietmolen in de buitenlucht aangedreven door een os. Naast de os loopt een man die de os aanspoort.
Illuminatie bij het huis van Anthoni de Groot (westzijde) ter ere van de kroning van keizer Frans I Stefan, 1745
Object type: print
Date: 1745 – 1747
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: anthoni de groot, frans i stefan (duits keizer), public festivities (+ decorated staff, portable structure ~ festive activities), coronation of a ruler, bonfire, fire-works (+ illumination, fire-works ~ festive activities), the hague
Inscriptions: collector's mark: Lugt 195

Illuminatie ter gelegenheid van de kroning van Frans I Stefan tot keizer op 4-6 oktober 1745 opgericht voor het huis van de uitgever Anthoni de Groot te Den Haag, gezien vanuit de westzijde. Een groot verlicht bord hangend over de straat met obelisken en allegorische figuren.
De vier elementen B
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: earth (one of the four elements), going to the market, 'terra', 'carro della terra' (ripa), market
Inscriptions: collector's mark: Lugt 1120, collector's mark: Lugt 964

Landschap voorstellende het element aarde: vele figuren met manden op een markt waar de opbrengsten van het land worden verhandeld. Vierde prent uit een serie van vier met landschappen als verbeeldingen van de vier elementen.
Soldaten met een jong meisje
Object type: print
Date: 1822 – 1880
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: fortifications, military engineering, firearms: cannon, the soldier; the soldier's life, women camp-followers
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2166

Bovenop een versterking van een stad wordt een jong meisje omringd door drie soldaten. Een van de soldaten zit op een mand en rookt pijp. Op de achtergrond een kanon.
Beker van serpentijnsteen.
Object type: cup
Date: 1400 – 1950
Materials: stone
Location: unknown
Artist: Anonymous

Beker van groen marmer (serpentijnsteen) gegeven door Luvart van de Becken (?), Bisschop van Antwerpen aan de vaders Jezuiten te Leuven in 1572. (Ook vermeld lijst Z-36)
Design for T-Cart, no. 3345
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cup
Object type: cup
Date: 1701 – 1800
Materials: horn
Culture: chinese
Ten View of Encampements in Hyde-Park and Blackheath II
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Location: london
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist dates: 1725 – 1809
Subjects: trees, (military) camp with tents, public gardens, park (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Key Latch
Object type: key latch
Date: 1 – 700
Materials: copper alloy
Culture: roman
Sterili reginea proles conceditvr
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: antwerp
Artist: theodoor galle
Artist role: print maker
Artist dates: 1571 – 1633
Subjects: miraculous activities and events ~ st. dominic, aids for prayer, e.g. rosary (+ variant), queen, empress, etc. (wife of a ruler), confinement, birth
Inscriptions: collector's mark: Lugt 2228

De heilige Dominicus geeft de onvruchtbare koningin Blanca van Castilië een rozenkrans. Hij raadt haar aan te bidden tot Maria voor een kind. Op de achtergrond de geboorte van Blanca's eerste kind. De prent heeft een Latijns onderschrift met legende en maakt deel uit van een vijftiendelige serie over de mirakels van de rozenkrans.
Lot en zijn dochters
Object type: print
Date: 1525 – 1600
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: lot's daughters make their father drunk
Inscriptions: collector's mark: Lugt 2228
Chimneypiece
Object type: chimneypiece
Date: 1775 – 1785
Materials: gilt bronze, marble
Footed Pyx
Object type: pyx
Date: 1801 – 2000
Materials: enamel, silver, silver gilt
Culture: spanish
Subjects: angels,coat of arms
Study of a Young Model
Object type: drawing
Date: 1830 – 1830
Materials: graphite, watercolor
Artist: william henry hunt
Artist role: artist
Artist nationality: british
Artist dates: 1790 – 1864
Subjects: men

This full-length figure study is one of several for which Hunt sought a Black person as his model. The sitter was once called a boxer, but his unmarred appearance suggests a less punishing profession, perhaps that of street performer, since we know that the artist befriended Black acrobats and musicians. The drawing may have been intended for study purposes, as Hunt taught well-to-do amateurs, including women who were barred from life-drawing classes at that period. Born with a form of dwarfism, the artist was self-conscious about his appearance and especially appreciative of physical beauty in others. That sensitivity is reflected in his delicate application of watercolors to portray his model’s body with compelling naturalism, heightened by a further contrast with broadly applied strokes used for his wrinkled, pushed-up trousers.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: cotton, silk
Subjects: chickens,boys,girls
Untitled (Portrait of a Man)
Object type: photograph
Date: 1855 – 1855
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, portraits: male subject
Suriname 1895-1898, 'Souvenirs de Voyage'
Object type: photograph album
Date: 1895 – 1898
Materials: paper, photographic support
Techniques: gelatin silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Inscriptions: title: ‘Souvenirs de Voyage’

Een fotoalbum over Suriname met 134 foto's van Théodore B. van Lelyveld uit de jaren 1895-1898. Théodore van Lelyveld was de adjudant van Jhr. Mr. J.A.J. van Asch van Wijk, de gouverneur van Suriname en tevens schilder van botanische voorstellingen. Het album bevat een portret van gouverneur Van Asch van Wijk. Album met band donkerroodbruin linnen met band en hoeken van leer; 50 dubbele bladen van blauwgrijs papier met foto's ingestoken in hoeken of ingeplakt op beide zijden. Bladzijden 82-95 zijn leeg, de laatste bladzijden 96-99 bevatten 13 prentbriefkaarten van Frankrijk. Op de voorzijde in opdruk: Souvenirs de Voyage. Schutbladen van roze gedecoreerd papier.
Portret van Henriëtte Amalia van Anhalt-Dessau en Henriëtte Casimira, gravin van Nassau-Dietz
Object type: photomechanical print
Date: 1850 – 1949
Materials: paper
Techniques: photograph
Location: netherlands
Subjects: leeuwarden, oranienstein, schloss, henriëtte casimira gravin van nassau-dietz, henriëtte amalia van anhalt-dessau

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Pierre antique de l'Arc de Triomphe de T. Vespasien
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: triumphal arch, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Cunaeus, Petrus. La republique des Hebreux, 3 delen. Amsterdam: Pieter Mortier, 1705, dl. I, p. 203.
Plattegrond van Keulen, ca. 1702
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: fortress, maps of cities, cologne

Plattegrond van de verdedigingswerken om Keulen. Plaat nr. 28 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in het Frans.
Skeleton firing a canon, from a broadside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.
Object type: print
Date: 1889 – 1895
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: cannons,skeletons