deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, satyr holding pelta and spear
Still Life: Peaches, Apple, and Pear
Object type: painting
Date: 1825 – 1825
Materials: oil, wood
Culture: american
Artist: john  a. woodside
Artist role: artist
Artist nationality: american
Artist dates: 1781 – 1852
Subjects: apples,peaches,pears,still life

Woodside probably received his training from Philadelphia sign painter Matthew Pratt or one of Pratt’s business partners. In 1805, Woodside opened his own studio in Philadelphia, advertising his services as an ornamental or sign painter. He aspired to less mundane genres, however, and tried his hand at emblematic and patriotic works, animal scenes, miniatures, and copies after English engravings. This work and its companion, "Still Life: Peaches and Grapes" (41.152.1), are among Woodside’s few known still lifes and represent his best efforts as a painter. His arrangement of the fruit in a spare setting bears the stylistic imprint of the Peale family, who established a still-life tradition in Philadelphia in the early nineteenth century.
Traditionele tuin in Japan
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: japan
Subjects: garden
Architectural Study
Object type: drawing
Date: 1601 – 1700
Materials: graphite, ink
Techniques: pen
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Portret van Jean-Charles Laveaux
Object type: print
Date: 1790 – 1830
Materials: paper
Techniques: etching
Location: france
Subjects: paris, ornament ~ medallion, historical persons
Inscriptions: signature: ‘Mayet’, collector's mark: Lugt 2228
Landschap met boerderijen
Object type: sketchbook leaf
Date: 1883 – 1885
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: farm (building)

Pagina 7 en pagina 8 uit een schetsboek met 48 bladen.
La Salute: Dawn
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: buildings,boats,venice
Sleutelstuk met wapenschild (fragment)
Object type: architectural element
Date: 1550 – 1600
Materials: wood
Location: northern netherlands
Artist: Anonymous

Uiteinde van een sleutelstuk van eikenhout met een wapenschild, Afkomstig uit het afgebroken huis Warmoesstraat 145 te Amsterdam.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, left hand holding spear or javelin?; at the break, at left, line of red dots; start of handle root
Landschap met twee naakte slapende vrouwen en fantasiedieren op een oever bij water met brandend gebouw
Object type: print
Date: 1505 – 1510
Materials: paper
Techniques: engraving
Location: italy
Subjects: fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa), female sex; woman, ordeal by fire or heat
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

Volgens Delaborde is deze prent geïnspireerd door een reis naar Venetië die Raimondi maakte. In de liggende vrouwen ziet hij invloed van Venetiaanse meesters (zie documentatie).
Portret van een mejuffrouw Swiers geboren Moleneyser
Object type: drawing
Date: 1710 – 1777
Materials: chalk, paper
Artist: mattheus verheyden
Artist role: draughtsman, painter
Artist dates: 1700 – 1777
Subjects: historical persons
Inscriptions: signature: ‘M: Verheijden’, inscription: ‘Mejuffw Swiers geboren / Moleneijser / M. Verheijden’

Afkomstig uit een tekeningenalbum met onder andere figuur- en handstudies van of naar Caspar en Constantijn Netscher (BI-1894-3720). Tekening bevond zich oorspronkelijk op f. 45.
Travelers Resting for Nourishment
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: possibly michelangelo cerquozzi
Artist nationality: italian
Artist dates: 1602 – 1660
Bedouin, from Types of Nationalities (N240) issued by Kinney Bros.
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,smoking

Trade cards from the "Types of Nationalities" series (N240), issued in 1890 to promote Kinney Tobacco Company. Each card is meant to be folded into thirds. Unfolded the card displays a figure from a particular nationality. Folded, the same figure is portrayed smoking a Kinney Brothers Cigarette.
Vessel lid
Object type: vessel with lid
Date: 201 – 700
Materials: marble
Culture: sasanian
Location: mesopotamia
Deksel van pot, groen geglazuurd met reliëf
Object type: covered jar
Date: 1850 – 1950
Materials: earthenware
Location: china

Deksel van pot, van aardewerk, groen geglazuurd en met klaverdriebladeren reliëf versierd.
"The Khaqan Captive Before Bahram Gur", Folio 578r from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1530 – 1535
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: battles,army,men,horses

According to his spies the Khaqan of Chin, Iran’s enemy, and his army were camped in a field near Merv. Bahram Gur and his soldiers marched across the breadth of Iran and caught the Khaqan’s army completely off guard. The Khaqan and many of his nobles were captured and the booty divided amongst the troops of Bahram Gur. Here the Khaqan’s captors lead him to Bahram Gur, astride a richly caparisoned horse, while horns blow and the battle ensues in the background. Under the influence of Mir Musavvir, the second supervisor of the Shahnama project, Abu'l Qasim toned down his Turkmen excesses and conformed to a sober decorative style in this illustration.
Reproductie van een tekening van de heks die mooie kleren tovert voor Assepoester
Object type: album leaf
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: tales and fairy tales (with title)
Inscriptions: inscription: ‘No. 6./ Zij tooverde de schoonste kleeren.’

Deze prent maakt deel uit van een album.
Cover
Object type: cover
Date: 1801 – 1833
Materials: metal thread, silk, wool
Techniques: embroidery
Location: turkey
Subjects: flowers
Amulet in the form of a lion with legs extended
Object type: necklace, bead
Date: 3300 – 2900
Materials: shell
Location: southern mesopotamia
Subjects: lions

This small object carved from a piece of shell depicts a lion in the act of leaping, with hind legs fully extended and front legs flexed and drawn up toward the head. All features, including the head, are only rudimentarily modeled and almost entirely without detail. The carver instead emphasized the three-dimensional form of the animal: two swellings indicate the haunch and shoulder, connected by a body whose curve underscores the animal’s dynamic motion. The forms of the legs are blocky and the features of the head difficult to make out. Lions were one of the most frequently represented animals in the art of Mesopotamia from a very early period on, and were often shown in combat with an adversary, either human or supernatural. This object may have been used as an amulet, harnessing the enormous power of this fearsome animal.
Gezicht op het Lateraan te Rome met de Sint-Jan van Lateranen
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: square, place, circus, etc., obelisk, needle, church (exterior), roman catholic church, hôtel, i.e. small palace in city, rome
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Lateraan te Rome met de Heilige Trap (Scala Sancta), de achterzijde van de basiliek van Sint-Jan van Lateranen, het Lateraans Paleis, het Baptisterium van Lateranen en de Lateraanse Obelisk. Titels en verklarende lijst met nummers op banderol rechtsonder.
Marcurius
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: (story of) mercury (hermes)
Inscriptions: collector's mark: Lugt 240

Mercurius, staand in een nis, een caduceus in zijn linkerhand, een gevleugelde pet op zijn hoofd en gevleugelde schoenen aan zijn voeten. Deze prent is onderdeel van een serie van acht prenten van klassieke goden, gebaseerd op schilderingen van Polidoro da Caravaggio op de façade van een Romeins huis, door Goltzius in Rome gezien en nagetekend.
Copies after the 'Livre contenant passement de moresques' (plate 15)
Object type: album print ornament architecture
Date: 1801 – 1900
Techniques: etching
Artist: jacques androuet du cerceau
Artist role: artist
Artist nationality: french
Artist dates: 1510 – 1585

Modern album containing 19 etchings with moresque designs after the French artist Jacques Androuet Du Cerceau.
Patrijshond en patrijs in Nymphenburg
Object type: print
Date: 1744 – 1744
Materials: paper
Techniques: etching
Artist: johann elias ridinger
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1698 – 1767
Subjects: hunting dogs, walker and runner birds: partridge, landscapes - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 2228
Bowl
Object type: bowl
Date: 1295 – 1070
Materials: glass
Location: egypt
Glass beaker
Object type: beaker
Date: 1 – 50
Materials: glass
Culture: roman

Translucent pale green. Outsplayed unworked rim; cylindrical body with vertical sides; uneven, flat bottom. Two vertical mold seams run down sides from rim to edge of bottom, with a separate disk-shaped base section. On body, large central frieze bordered above and below by a horizontal wreath with chevrons, facing in opposite directions: the frieze contains six large loops of vine tendrils, three on each side, each loop enclosing a vine leaf in outline or a stylized grape cluster comprising a series of dots; on one side, two leaves flank a cluster; on the other, two clusters flank a leaf. On bottom, projecting rounded ring and central dot. Chips missing in rim and larger holes in lower body and around edge of bottom; few bubbles; some dulling and reddish brown encrustation, with faint weathering and iridescence. Although closely related to Victory beakers, such as 81.10.210 and 81.10.214 also displayed here, this drinking cup has a more general appeal with its decoration of stylized vine leaves and grape clusters.
Wapentrofee
Object type: print
Date: 1746 – 1807
Materials: paper
Techniques: etching
Location: france
Artist: augustin de saint-aubin
Artist role: draughtsman, print maker, publisher
Artist dates: 1736 – 1807
Subjects: 'tropaion', i.e. decorative ornament ~ weapons

Een wapentrofee met vlaggen, schilden, een helm, een knots en een dierenvel mogelijk van een leeuw.
Man op straat aangesproken door een groep heren
Object type: drawing
Date: 1868 – 1940
Materials: ink, paper, pencil
Techniques: pen
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940

Man op straat aangesproken door een groep heren; op de verso een staande man met hoge hoed. Mogelijk een ontwerp voor een prent.
Belle-Alliance-Platz, gezien richting de Friedrichstraße, Berlijn
Object type: carte de visite
Date: 1880 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: park, monument, statue
Inscriptions: number: ‘95.’
Long Branch, from World's Dudes series (N31) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,beaches

Trade cards from the "World's Dudes" series (N31), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Mr. S. Muller Fz.
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: samuel muller (1848-1922), adult man, historical persons
Inscriptions: date

Prent uit het bijvoegsel van: De Kroniek 1 (1895), 3 november 1895.
Ferret
Object type: ferret
Date: 501 – 700
Materials: copper alloy
Techniques: silvered
Culture: frankish
Fotoreproductie van een prent van Attila en de Hunnen
Object type: photograph
Date: 1856 – 1861
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: army 'en route'
Pulley-Shaped Earrings
Object type: earring
Date: 1000 – 200
Materials: earthenware
Culture: japanese
Bouwfragment
Object type: architectural element
Date: 1500 – 1600
Materials: wood
Location: netherlands
Artist: Anonymous

Fragment van een eikenhouten balk met een laat-Gotisch profiel.
Figuren op een dorpspad met een molen
Object type: sketchbook leaf
Date: 1803 – 1818
Materials: paper, pencil
Artist: arnoldus johannes eymer
Artist role: draughtsman, print maker
Artist dates: 1803 – 1863
Subjects: windmill in landscape, village street (+ city(-scape) with figures, staffage)

Bladzijde 61 uit een schetsboek met 74 bladzijden.
Stirrup Spout Bottle with Figure
Object type: bottle
Date: 401 – 700
Materials: ceramic
Culture: moche
Location: peru
Subjects: human figures
Two Maps of Ancient Rome with a River God and Romulus and Remus
Object type: drawing
Date: 1704 – 1704
Materials: chalk, ink
Techniques: brush, incising, pen, wash
Location: italy
Artist: jan goeree
Artist role: artist
Artist nationality: dutch
Artist dates: 1670 – 1731
Subjects: animals,children,gods,maps
Gezicht op een spoorweg met station en watertoren in Le Lioran
Object type: photograph
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: gelatin silver print
Location: le lioran
Artist: delizy
Artist role: manufacturer
Subjects: water tower, railway, train, station; shelter (railway, tramway)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Berglandschap met wandelaars en hutten
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: iris print, lithograph
Location: paris
Subjects: mountain-range, snow peaks, hut, cabin, lodge
Inscriptions: check stamp: Lugt 1090
Venus en Adonis
Object type: print
Date: 1820 – 1881
Materials: paper
Techniques: lithograph
Location: paris
Subjects: venus and adonis as lovers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a
Viewing the parade down the main street, Nakanochô, in the Yoshiwara pleasure quarter
Object type: page
Date: 1790 – 1790
Materials: gold powder, paper
Techniques: woodcut
Location: edo

Derde en vierde pagina uit het boek Fugenzo van Utamaro.
Brutus Exhorting the Romans after the Death of Lucretia
Object type: drawing and watercolor
Date: 1790 – 1790
Materials: chalk, ink, paper, paint
Techniques: brush, cutting, pen, wash
Location: france
Artist: etienne barthélemy garnier
Artist role: artist
Artist nationality: french
Artist dates: 1759 – 1849

In ancient Roman legend, during the war between Rome and the city of Alba Longa, two groups of three brothers were chosen to fight to the death for each side. The Horatii family fought for the Romans, the Curiatii for the Albans. The Horatii defeated the Curiatii, although only one of the Horatii survived. Upon discovering that his sister Camilla was secretly betrothed to one of the dead Curiatii, the surviving brother angrily killed her for placing personal love above patriotism.
Garnier’s ambitious drawing depicts the execution of Camilla, emphasizing the event’s tragedy. Though her brother stands on an elevated platform, the dying Camilla has pride of place, spotlit and surrounded by mourners. In its strong line, lack of color, and shallow space, the drawing reflects the impact ancient Roman sculptural reliefs had on Garnier.
Man met hond bij een poort
Object type: print
Date: 1831 – 1882
Materials: paper
Techniques: engraving, etching, roulette
Location: netherlands
Artist: johannes stroebel
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1905
Subjects: gate, entrance, dog
Inscriptions: collector's mark: Lugt 2228

Links staat een man met een mand aan zijn arm een aanplakbord te lezen. Naast hem een hondje, Boven de poort een raam en een lantaarn.
Maffet Ledger: Drawing
Object type: drawing
Date: 1874 – 1881
Materials: crayon, graphite, paper, watercolor
Culture: cheyenne
Location: united states
Subjects: weapons,men
Portret van Hedwig Catharina Wimermark
Object type: drawing
Date: 1788 – 1806
Materials: paper, pencil
Location: skälsebo
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Hädda Wimermark’

Portret van Hedwig ('Hädda') Catharina Wimermark, de vrouw van Per Johan Wimermark, in profiel naar rechts. Met opschriften. Verso schetsjes, van stoelen, gereedschap en een oefening van de sierletters die zijn gebruikt op een wapenbord, een zelfportret en profil en een silhouetlijn.
Portret van François de La Chaise
Object type: book illustration
Date: 1674 – 1750
Materials: paper
Techniques: engraving
Location: france
Artist: Anonymous
Subjects: paris, clergyman, priest (roman catholic), historical persons, other ornament derived from animal forms

Met Franse tekst rondom het portret. Rechtsboven: Tom. v. pag. 9.
Jonge man met een mand op zijn rug
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: youth, adolescent, carrying something in basket, bag, rucksack, etc.

Blad 6 verso en blad 7 recto uit schetsboek LXVI-B met 25 bladen.
Terracotta kylix (drinking cup)
Object type: kylix
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: brygos painter
Artist role: artist
Subjects: men

Interior, komast (reveler) In a wonderfully loose-limbed pose, the drinker looks to his left and, thanks to the walking stick on which he leans, twists to the right with his right leg bent. The himation (cloak) that falls over his back serves as a kind of curtain against which the body is disposed. The figure holds a kylix in his right hand. A large basket hangs on the wall to the right.
Nazien van de Gelderse munt en de geboorte van Willem V
Object type: history medal
Date: 1748 – 1748
Materials: silver
Techniques: striking
Location: harderwijk
Artist: jan bernard barghuys
Artist role: die cutter
Artist dates: 1684 – 1760
Subjects: the hague, william v (prince of orange)

Zilveren penning. Voorzijde: hand uit wolken met oranje- en olijftak binnen omschrift. Keerzijde: opschrift onder gekroond wapenschild; muntteken: steigerend paard.
Villa
Object type: photograph
Date: 1900 – 1915
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: netherlands

Foto op bruin albumblad 52 van familiealbum van Alphons Diepenbrock.
Allegory of Winter, after Sébastien Le Clerc
Object type: drawing
Date: 1701 – 1800
Materials: chalk, graphite, ink
Techniques: brush, pen, drawing, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: landscapes,winter
Flowers
Object type: album
Materials: ink, silk
Culture: chinese
Artist: liang yuwei
Artist role: artist
Artist nationality: chinese
Artist dates: 1844 – 1917
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: fish
Leerlingen van Schule Schloss Salem tijdens een kampeertocht in Engeland
Object type: photograph
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: england
Artist: Anonymous
Subjects: tent-camp, education, england

Onderdeel van Fotoalbum van Schule Schloss Salem.
Bow Brooch
Object type: brooch
Date: 501 – 550
Materials: garnet, silver gilt
Culture: frankish

The bow brooch was a component of many Germanic women's dress. In Frankish territory brooches were generally worn in pairs, as decorative elements on a strap hanging from the belt. The bow refers to the bend or curve that links two terminals.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1567 – 1600
Materials: brass, copper, iron, silver
Culture: japanese
Location: japan
Subjects: men,dragons,horses
Coat
Object type: coat
Date: 1790 – 1795
Materials: silk
Culture: french

Another English influence on European fashions was the adoption of the frac, or frock coat. It had a rolled collar, narrow sleeves with small cuffs, and a short waistline with cutaway tails. A late version, like this example from the 1790s, was cut almost to the middle of the chest to show a good portion of the waistcoat when it was buttoned; the frac was worn with contrasting breeches. The fine muslin stock worn with this jacket was wrapped around the neck several times and tied in a large knot under the chin.
Portret van paus Paulus IV
Object type: book illustration
Date: 1688 – 1688
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: adult man, historical persons, pope

Prent maakt deel uit van een grotere prent die later is verknipt. Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Funerary Mask of Estate Manager Wah
Object type: mask, wah
Date: 1981 – 1975
Materials: gold foil, paint, wood
Location: egypt
Subjects: masks
Two-branch candelabra
Object type: two branch candelabra
Date: 1887 – 1911
Materials: mother of pearl, silver gilt
Artist: andré aucoc
Artist role: maker
Artist dates: 1825 – 1925
Tea caddy with birds in a landscape
Object type: tea caddy
Date: 1765 – 1765
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: ansbach
Inscriptions: mark: ‘A’

Theebus van porselein met met een rechthoekig lichaam, korte, ronde nek en schuin aflopende, iets uitstekende schouder. Beschilderd op het glazuur in emailkleuren en goud. Op de brede vakken van de buik twee vogels in een landschap. De smalle vakken en de schouder met strooibloemen. Op de rand vlak onder de schouder een band met servetwerk, waaronder gouden ranken. Gouden lijn op de nek. De deksel met strooibloemen heeft dezelfde band met servetwerk; dekselknop in de vorm van een fruittak (peer). Gemerkt op de onderzijde met de A.
Speelbord van het Harlequinspel
Object type: gameboard
Date: 1830 – 1840
Materials: paper
Techniques: hand coloring, letterpress printing
Location: turnhout
Subjects: court jester, court fool, board-games
Inscriptions: stamp, collector's mark: Lugt 1641

Bordspel met in het midden van het speelveld een harlekijn die in zijn handen een zak houdt met daarop het cijfer 7. Rondom hem een guirlande waaraan medaillons hangen met de cijfers 2 tot en met 12. Bovenaan in het midden een schild. Onder de voorstelling de spelregels in het Nederlands en in het Frans in twee kolommen. Genummerd midden boven: N. 52. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Spel en vermaak, Gezelschapsspel II, Ganzenbord en dergelijke.
Foundation Deposit Plaque in the Form of an Ox Head
Object type: amulet, ox head, foundation deposit, tawosret
Date: 1188 – 1186
Materials: faience
Location: egypt