deem-data/ArtiFact huggingface dataset:
Netsuke of Woman and Monkey
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: women
Buddhist Priest's Vestment made from a Chinese Robe
Object type: robe, priest's
Date: 1701 – 1800
Materials: metal thread, silk
Techniques: brocade, embroidery
Culture: japanese
Subjects: dragons

This large rectangular patchwork is a Japanese kesa, or Buddhist priest's vestment, that was made from a Chinese court robe with its characteristic pattern of dragons. Dragon robes were rare and valued in Japan in the eighteenth century, and several Japanese kesa made from Chinese dragon robes survive in various collections around the world. The dragons on this kesa, as well as on the Chinese court robe also displayed here, are five-clawed dragons (long). However, on the kesa, every occurrence of a fifth claw is embroidered over with a cloud pattern, transforming each long into a four-clawed dragon (mang), appropriate for lower ranks. It is not clear when this alteration was made.
IX Gezichten in en bij het landschap Drenthe
Object type: print
Date: 1771 – 1816
Materials: paper
Techniques: etching
Location: haarlem
Subjects: megalithic chambered tomb, dolmen
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1097

Hunebed bij het dorp Midlaren in Drenthe. Links zit een tekenaar.
Detail van een gezicht op Napels in vogelvluchtperspectief
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving, etching
Location: naples
Subjects: city-view in general; 'veduta', castle, naples
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt onderdeel uit van een gezicht op Napels in vogelvluchtperspectief. De gehele voorstelling wordt gevormd door zestien prenten. Hiervan bevinden zich zes prenten in de collectie van het Rijksmuseum.
Hoops
Object type: hoop
Date: 1880 – 1889
Materials: cotton, metal
Culture: american
Brief aan Philip Zilcken
Object type: letter
Date: 1885 – 1885
Materials: ink, paper
Techniques: pen, printing, writing
Location: glasgow
Artist: elbert jan van wisselingh
Artist role: kunsthandelaar
Artist dates: 1848 – 1912
Subjects: paris, print maker, draughtsman, eugène delacroix, the hague, jacob maris, painter, jean françois millet, printer, publisher, philip zilcken, the graphic arts, exhibition ~ art, london
Inscriptions: collector's mark: ‘RPK’
Double Capital
Object type: capital
Date: 1201 – 1400
Materials: limestone, stone
Culture: french
Location: france
Subjects: heads
Christ in Glory with Saint Lawrence, Saint Anthony of Padua, Saint Ignatius of Loyola, and Saint Eligius.
Object type: drawing
Date: 1766 – 1766
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: ubaldo gandolfi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1781
Subjects: christ,saint anthony,saint lawrence,saints

Recognized as a work by Ubaldo Gandolfi by Mimi Cazort (1982), this rapid sketch in pen and ink with the Christ in Glory, with Saint Lawrence, Anthony of Padua, Ignatius of Loyola and Eligius corresponds very closely to a painting of the same subject painted by Gandolfi in 1766 for the Church of San Mamante at Medicina (Bologna). Lawrence Turčić later found in the Kunsthaus Heylshof at Worms – at the time attributed to Giacomo Cavedone - another study by Gandolfi for the same painting, although with considerable differences in the attitudes and distribution of the figures (see References and Turčić 1986).
Part of the Entrance of the Polish Legation (Q.X.Y.)
Object type: print
Date: 1633 – 1633
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: human figures,horses
Stirrup spout bottle with fish demon and tumi
Object type: bottle
Date: 401 – 700
Materials: ceramic, pigment
Culture: moche
Location: peru
Subjects: demons
Rape of Helen
Object type: drawing and watercolor
Materials: board, charcoal, ivory, paper
Techniques: brush, wash
Location: france
Artist: Anonymous
Portret van William Bates
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: london, clergyman, historical persons
Inscriptions: date

Prent uit: The Gospel Magazine, september 1779.
Hammered Copper Spatula
Object type: spatula
Date: 701 – 1566
Materials: copper, silver gilt
Culture: peruvian
Location: peru
Two Women in Yellow Kerchiefs
Object type: drawing and watercolor
Materials: graphite, paint, paper, watercolor
Techniques: brush
Location: france
Artist: constantin guys
Artist nationality: french
Artist dates: 1802 – 1892
Fragment of a sheet with a pattern of dots in circles
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Clement de Jonghe
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: germany, amsterdam, print maker, publisher, clement de jonghe
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt f 1651’

Rembrandt captures the features of Clement de Jonghe here with loose, sketchy lines. This Amsterdam print publisher lived in the Waag, a mere stone’s throw from Rembrandt’s house. The portrait’s informal character suggests they might have been friends. Soon after, De Jonghe acquired 74 of Rembrandt’s etching plates, cashing in on impressions that he pulled from them.
Gezelschap gebruikt een maaltijd aan een tafel in een tuin
Object type: print
Date: 1615 – 1620
Materials: paper
Techniques: etching
Location: netherlands
Subjects: visiting; receiving guests; elegant company
Inscriptions: collector's mark: Lugt 964
Rabbit
Object type: netsuke
Date: 1834 – 1866
Materials: ivory
Culture: japanese
Artist: ōhara mitsuhiro
Artist role: artist
Artist nationality: japanese
Artist dates: 1810 – 1875
Subjects: rabbits

This netsuke--a masterpiece of understated simplicity-- depicts a white rabbit. In Japanese folklore, a rabbit lives in the moon where he pounds rice cakes or prepares the elixir of immortality.
Vier portretten van jonge vrouwen en een jonge man
Object type: album leaf
Date: 1855 – 1940
Materials: cardboard, iron
Techniques: ferrotyping
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, historical persons, youth, adolescent
Inscriptions: monogram: ‘Ka[t] [K]’, monogram: ‘I. [D]’

Deze foto's maken deel uit van een album.
Soldaat die kruit in de pan van zijn roer giet
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: handling of weapons ~ military training, firearms: rifle

Een soldaat, ten voeten uit, die kruit uit een kruitfles in de pan (het kruitreservoir) van een roer (een bepaald type vuurwapen) giet. In zijn linkerhand behalve het roer ook een brandende lont. Deze prent is onderdeel van de reeks van 42 met de hand genummerde prenten van roerschutters in de Wapenhandelinghe.
Scaramouche, Cucurucu en Razullo
Object type: print
Date: 1668 – 1707
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: types in 'commedia dell'arte'
Inscriptions: collector's mark: Lugt 2228

Drie personages uit de commedia dell'arte. Links Scaramouche met een kat op zijn arm. In het midden Cucurucu. Rechts Razullo, balancerend op één been met in beide handen een pince-nez(?)
Ostrakon
Object type: ostrakon
Date: 601 – 700
Materials: ink, limestone
Culture: coptic
Location: egypt
Subjects: documents
Boeren dansen de bolero
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: tone lithography
Location: london
Subjects: musician - cc - out of doors, one pair dancing; man and woman dancing as a couple, more than one musician with instrument, spain
Inscriptions: collector's mark: Lugt 2228
Aden
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Inscriptions: caption: ‘Aden’
Foltering: slaan, uitsteken van ogen en afhakken van ledematen
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: violent death ~ maltreatment, torture, torture
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 47 prenten (+ titelprent) met voorstellingen van martelmethoden. Deze prenten zijn in een andere editie gebruikt als illustraties voor Antonio Gallonio's 'Trattato degli Instrumenti di Martirio e delle Varie Maniere di Martoriare Usate dai Gentili contro Christiani' (Rome, Ascanio en Girolamo Dongangeli, 1591).
Ball gown
Object type: ball gown
Date: 1900 – 1900
Materials: silk
Culture: french
Artist: la religieuse
Artist role: design house
Reclining Female Nude
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ lying)

Ze leunt op een arm. Blad 2 recto uit schetsboek XII met 19 bladen.
Kruisiging van Christus
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hieronymus wierix
Artist role: draughtsman, print maker
Artist dates: 1553 – 1619
Subjects: longinus pierces christ's side with a lance, the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: collector's mark: Lugt 2228

Kruisdood van Christus op Golgota. Christus hangt aan het kruis, aan weerszijden hangen de samen met Christus gekruisigde misdadigers. Longinus staat op het punt zijn lans in de zijde van Christus te steken. Maria Magdalena treurt aan de voet van het kruis. Op de voorgrond Maria. In de marge een tweeregelig Bijbelcitaat uit Jes. 53.
Portret van L. van den Broek, predikant
Object type: photograph
Date: 1863 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Subjects: l. van den broek, historical persons
Inscriptions: : ‘De ondergeteekende/ verklaart deze/ Photografie te/ hebben uitgegeven/ 's Gravenhage,/ 4 Juny 1863./ MVisser’, : ‘de ondergetekende/ verklaart deze/ Photographie te hebben/ vervaardigd/ 's Hage/ 4 Juny/ 1863/ M. Verveer’, inscription: ‘523./ Deze Photografie is de/ beeltenis van wijlen/ den Predikant L. v.d. Broek/ MVisser’, inscription: ‘M. Verveer,/ Photographe (...) La Haye’, inscription: ‘'s Gravenhage./ M.J. Visser/ 1863.’
Saint George and the Dragon
Object type: painting
Date: 1434 – 1435
Materials: paint, panel, wood
Techniques: painting
Location: spain
Artist: bernat martorell
Artist nationality: spanish
Artist dates: 1427 – 1452
Subjects: knights, woman, weapons, trees, towns, spears, rocks, ram, queens, nobility, lizards, king, horse, figures, christianity, christian subjects, cave, bones, mythology, dragons, horses, royalty, castles, religion, century of progress, world's fairs, chicago world's fairs, animals

Bernat Martorell was the greatest painter of the first half of the fifteenth century in Catalonia in northeastern Spain. Depicted here is the most frequently represented episode from the popular legend of Saint George, in which the model Christian knight saves a town and rescues a beautiful princess. Conceived in the elegant, decorative International Gothic style, the painting was originally the center of an altarpiece dedicated to Saint George that was apparently made for the chapel of the palace of the Catalan government in Barcelona. This central scene was surrounded by four smaller narrative panels, now in the Musée du Louvre, Paris, and was probably surmounted by a lost image of Christ on the Cross. Here Saint George, on his white steed, triumphs over the evil dragon. A wealth of precisely observed details intensifies the drama. Dressed in an ermine-lined robe, the princess wears a sumptuous gilt crown atop her wavy red-gold hair. Her parents and their subjects watch the spectacle from the distant town walls. George’s halo and armor and the scaly body of the dragon are richly modeled with raised stucco decoration. Martorell also treated the ground, littered with bones and crawling with lizards, in a lively manner, giving it a gritty texture.
George Washington
Object type: medal
Date: 1878 – 1878
Materials: bronze
Culture: american
Location: philadelphia
Artist: f. c. key & sons
Artist role: artist
Artist nationality: american
Artist dates:  – 9999
Subjects: george washington,portraits

On the obverse is a bust of Washington within an invected trefoil border. On the reverse, a ruler, a square, and an open compass are superimposed on a wreath. Above the joint of the compass there is a radiating square of six points. For another example of the same obverse, but different reverse, see 07.124.22.
Portret van Friedrich Ernst Daniel Schleiermacher op zijn doodsbed
Object type: print
Date: 1834 – 1835
Materials: paper
Techniques: lithograph
Artist: franz michelis (i)
Artist role: print maker
Artist dates: 1762 – 1835
Subjects: berlin, adult man, deathbed, historical persons
Inscriptions: collector's mark: Lugt 2228
Coupé # 641
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kalenderblad voor mei 1920 van de Nederlandsche Gist- en Spiritusfabriek in Delft
Object type: print
Materials: paper
Techniques: lithograph
Artist: edzard koning
Artist role: draughtsman, print maker
Artist dates: 1869 – 1954
Subjects: flowers, tailless amphibians: frog, parts of church exterior and annexes: tower, insects: beetle
Inscriptions: collector's mark: Lugt 2228

Een vierkant kader opgevuld met de dagen van de maand mei en daaromheen appelbloesem, drie kikkers en twee kevers. Bovenaan een rechthoekig kader met daarin een stadsgezicht met kerk.
La force armée
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: paris
Subjects: child, games using special objects (marbles, top, hoop, etc.)
Inscriptions: collector's mark: Lugt 2228a
Brief aan Philip Zilcken
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, writing
Location: lochem
Artist: frederike j. uildriks
Artist role: schrijver
Artist dates: 1854 – 1919
Subjects: the hague, painter, draughtsman, philip zilcken, photography, cinematography
Inscriptions: watermark, collector's mark: ‘RPK’
Fragmenten zijdedamast, blauw, met patroon van bloemen
Object type: zijdedamast
Date: 1760 – 1770
Materials: silk
Techniques: damask
Location: france
Artist: Anonymous

Fragmenten zijdedamast, blauw, met patroon van bloemen. In een brief uit 1976 van de heer C. Burgers, gevonden in de losse doucmentatie wordt over vier fragmenten gesproken.
Border (five points)
Object type: border
Date: 1600 – 1600
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Aanslag van Jean de Jauregui op prins Willem I, 18 maart 1852
Object type: history print
Date: 1855 – 1865
Materials: paper
Techniques: engraving
Location: netherlands
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: antwerp, charlotte of bourbon, delft, william i (prince of orange), maurice (prince of orange), recovery, convalescence of sick person

Aanslag van Jean de Jauregui op prins Willem I, 18 maart 1852 te Antwerpen. Interieur met de prins zittend gewond in een stoel, om hem heen familie en anderen. Links ligt het lichaam van de gedode Jean de Jauregui op de vloer, Maurits vraagt de soldaten hem te onderzoeken.
Panel
Object type: textile
Date: 1700 – 1725
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, satin weave, weave
Location: france
Subjects: foliage, flowers, fruit
Portret van Ludwig von Schedius
Object type: print
Date: 1787 – 1843
Materials: paper
Techniques: stippling
Artist: anton paul eisen
Artist role: print maker
Artist dates: 1777 – 
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228
Landschap
Object type: album leaf
Date: 1680 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: landscape with ruins

Landschap. Ontwerp voor schildering boven schoorsteenmantel of deur? Prent maakt deel uit van een album.
Bloemornament
Object type: design
Date: 1884 – 1952
Materials: pencil, paper
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: flowers ~ ornament

Vermoedelijk een ontwerp voor: Ravesteijn, P.J. Gedenkboek Hilversum 1424-1924. Hilversum: Gemeente Hilversum, 1924.
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegn. ed incisi dal cav. Gio. Batta Piranesi
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: rome
Subjects: military vehicles (+ naval force), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

De 'Vasi'-reeks telt 110 prenten, verspreid over twee volumes met elk een eigen titelprent. Piranesi werd voor deze reeks geholpen door verschillende assistenten uit zijn werkplaats, waaronder zijn zoon Francesco die ook nog eens 8 platen toevoegde aan de reeks in 1779-1780.
Monte-Carlo le Tir aux pigeons
Object type: album leaf
Materials: photographic support
Techniques: albumen print
Artist: gj
Artist role: fotograaf
Subjects: casino, sea
Inscriptions: annotation: ‘Monte Carlo - Panorama’
De belegering van Haerlem. Ao. 1573
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: siege, position war, haarlem
Inscriptions: date

Kenau Simonsdochter Hasselaer voert een vendel vrouwen aan, tegen een achtergrond met het beleg van Haarlem, 1573. Hieronder een strook met de wapens van Hasselaer en Haarlem, een noodmunt en vroedschapspenning.
Pottery Whistle
Object type: pottery whistle
Date: 800 – 1100
Materials: clay
Culture: costa rican
Location: costa rica
Subjects: animals
Knife and fork
Object type: knife and fork
Date: 1601 – 1700
Materials: enamel, gold, steel
Kaart van de wateren in de omgeving van Stockholm
Object type: print
Date: 1681 – 1799
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: wind as a human face, blowing with rounded cheeks, agricultural implements: spade, smith, blacksmith
Inscriptions: collector's mark: Lugt 2228

Kaart van de wateren in de omgeving van Stockholm, met een kompasroos, het Noorden ligt rechts. Rechtsboven een cartouche met de titel, het adres van de uitgever en de schaalverdeling in Duitse, Spaanse en Engelse of Franse mijlen (schaal: c. 1:150.000). De titel wordt geflankeerd door een heer met een portefeuille en een mijnwerker. Boven de titel wordt een blok metaal verhit in een vuur, aangewakkerd door de wind.
Panaux Dornements
Object type: print
Date: 1670 – 1690
Materials: paper
Techniques: etching
Location: paris

Beide vrouwen ontspruiten uit een bladrank en blazen op een trompet.
Dutch dancers
Object type: group
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: men,women,dancing,dancers
Guitar
Object type: stringed instrument
Date: 1763 – 1763
Materials: wood
Location: paris
Artist: pierre louvet
Artist dates:  – 1784
Inscriptions: label: ‘'Louvet a Paris 1763'’

This five-course guitar presents a two-piece front of medium grain spruce with ebonised bridge and moustaches. The original rose is missing. The back (in two pieces) and ribs are maple. The centre of back is striped with a line of ebony. An ivory turned ivory button for the shoulder strap is set into the bottom block. The label reads 'Louvet a Paris 1763'.
Rosette from the Temple of Ramesses III
Object type: decorative art
Materials: faience
Culture: egyptian
Location: egypt
Subjects: flowers
Fotoreproductie van een schilderij, voorstellende een portret van Jørgen Ottesen Rosenkrantz
Object type: reproduction
Date: 1858 – 1862
Materials: photographic support
Techniques: albumen print
Artist: julius wulff
Artist role: fotograaf
Subjects: governmental and representative bodies, adult man
Inscriptions: inscription: ‘Maleriet tillhører Kammerherre, Baron Rosenkrands til Rosenholm’
The Female Conoiseur
Object type: print
Date: 1702 – 1772
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: draughtsman, mary darly, print, e.g.: engraving, etching, lithograph, publishing, publisher
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228, annotation: ‘Mary Darly/ 4692’

Waarschijnlijk stelt de vrouw kunstenaar en uitgever Mary Darly voor, de tweede vrouw van Matthew Darly. Afkomstig uit de tweede serie van zes, getiteld: Macaronies, Characters, Caricatures &c., uitgegeven door Matthew Darly in Londen tussen 1771 en 1773. De term 'macaroni' werd gebruikt in Engeland in de tweede helft van de 18de eeuw voor personen die op een overdreven wijze de laatste mode volgden. In zekere zin vormden zij de voorlopers van de dandy's.
Thou Art to Me (valentine)
Object type: drawing and watercolor
Date: 1840 – 1840
Materials: ink, paper, watercolor
Techniques: collage, cutting, embossing, pen
Location: england
Artist: george meek
Artist nationality: english
Artist dates: 1800 – 1899
1/8 Zaksmaat uit Alkmaar
Object type: inhoudsmaat droge waren
Date: 1800 – 1800
Materials: wood
Location: alkmaar
Artist: Anonymous
Subjects: alkmaar
Inscriptions: title: ‘Alkmaar / 1/8 zaksmaat’, : ‘1800’, number: ‘1’

Spanen inhoudsmaat van 1/8 zaksmaat, v.z.v. merk en etiketten.