deem-data/ArtiFact huggingface dataset:
Arhat Kalika
Object type: thangka
Date: 1601 – 1700
Materials: textile
Culture: tibetan
Subjects: men,rivers,buddhism
Landschappen met Romeinse ruïnes
Object type: print
Date: 1620 – 1657
Materials: paper
Techniques: colour, etching
Location: france
Subjects: ruin of a building ~ architecture, landscape with ruins

Deze prent maakt deel uit van een reeks van zes prenten met landschappen met Romeinse ruïnes.

De prent is langs de bovenrand van de voorstelling afgescheurd. De voorstelling is aan de bovenzijde aangevuld met een geschilderde lucht.
Canto 31, Stanza 70, from "Orlando Furioso"
Object type: print
Date: 1774 – 1774
Techniques: engraving, etching
Artist: nicolas de launay
Artist role: artist
Artist nationality: french
Artist dates: 1739 – 1792
Vergezicht met twee figuren
Object type: drawing
Date: 1694 – 1766
Materials: paper
Techniques: pen
Artist: matthijs balen (1684-1766)
Artist role: draughtsman, painter, print maker
Artist dates: 1684 – 1766
Subjects: city-view, and landscape with man-made constructions
Oceaanhaven Belawan
Object type: photograph
Date: 1922 – 1922
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: dredge, dredging machine, building-site
Inscriptions: date: ‘9/10-22’, inscription: ‘No. 240 Baggermolen Amsterdam’

De baggermolen 'Amsterdam' op het water naast een ander schip. Genummerd: 240. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Portret van Jan van der Straet
Object type: print
Date: 1580 – 1650
Materials: ink, paper
Techniques: engraving, pen, snipping
Artist: Anonymous
Subjects: bruges, draughtsman, jan van der straet, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, name: ‘Jonnes Stradanus’
Aqueduct in open cut no. 14
Object type: page
Date: 1883 – 1887
Materials: paper
Techniques: photograph
Location: new york city
Subjects: working class, labourers, aqueduct (~ water supply)
Portret van een onbekende man
Object type: drawing
Date: 1680 – 1680
Materials: paper, pastel
Artist: bernard vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1632 – 1698
Subjects: anonymous historical person portrayed alone
The Walking Man
Object type: sculpture
Materials: bronze, copper alloy, metal
Techniques: casting, carved
Location: france
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: men, portraits, figure, man, nudes, walking
Inscriptions: Signed: in model on base; signature plate welded under base; Alexis Rudier Foundry, Paris

The Walking Man originated from one of Auguste Rodin’s early successes, his life-size Saint John the Baptist Preaching of 1878. Rodin made separate plaster studies of the sculpture’s components, and much later he returned to the legs of the Baptist, grafting onto them a torso from another composition. In 1900 he exhibited a half-life-size version of this work in plaster, and it made a deep impression on younger artists, notably Henri Matisse. The bronze cast of The Walking Man deliberately preserves the raw stages of artistic creation while elevating the fragmentary and unfinished to a new aesthetic plane.
Cornelius Vanderbilt Fishing
Object type: textile
Date: 1882 – 1882
Techniques: tapestry
Location: england
Artist: j.e. hodgson after john o'connor
Artist nationality: english
Artist dates: 1836 – 1895
Heilige Familie
Object type: print
Date: 1857 – 1914
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: nikolay semyonovich mosolov
Artist role: print maker
Artist dates: 1847 – 1914
Subjects: holy family (alone), 'trinitas terrestris'
Maria met kind geflankeerd door aartsengel Michaël met Tobias met vis en heilige Hieronymus
Object type: print
Date: 1515 – 1550
Materials: paper
Techniques: engraving
Subjects: male persons from the old testament (with name) (not in biblical context), specific types of madonna with others, the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Kopie naar prent van Raphael. Het signatuur is een valse verwijzing naar Marcantonio Raimondi.
Rij huizen
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: housing

Blad 52 recto uit een schetsboek met 73 bladen.
Clarence  #1021
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Four terracotta disks
Object type: disk of four rosette
Date: 300 – 168
Materials: terracotta
Culture: greek or south italian

Similar objects have been found in tombs at Tarentum (modern Taranto), from which it is clear that they formed part of an elaborate funerary wreath. The terracotta disks, representing clusters of buds or berries, would have been strung on a wire frame together with gilded bronze leaves. Such wreaths would have been a clever but relatively inexpensive way of honoring the dead.
Schotelscherf van aardewerk met veelkleurige tekening van een putto in sierrand
Object type: sherd
Date: 1500 – 1799
Materials: earthenware, glaze
Artist: Anonymous
Limestone stele (shaft) with the head of Hathor
Object type: grave stele with head of hathor
Date: 575 – 551
Materials: limestone
Culture: cypriot
Subjects: heads,hathor

The lower part of the shaft has been cut off; two dowel holes on the upper surface permitted an additional element to be fastened. Stone shafts incorporating the head of the Egyptian goddess Hathor occur particularly often at Amathus. Their appearance may be connected with the advent of Egyptian rule over the island. They played a role in the cult of the Great Goddess of Cyprus who, like Hathor, afforded protection against death and harm. The shafts also occur in funerary contexts.
Foedraal
Object type: case
Date: 1894 – 1894
Materials: leather, metal, textile
Location: utrecht
Twee liggende vrouwen en een vrouwenhoofd
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper, watercolor
Techniques: brush
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: lying on the back with hands under the head - aa - female human figure, head (human) - aa - female human figure

De liggende vrouwen zijn naakt. Blad 11 recto uit schetsboek LXIX met 25 bladen.
Terracotta rhyton (vase for libations or drinking)
Object type: rhyton fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

At the left, part of a draped figure; at the right, lower drapery and feet of a male to right
Double Louis d’or of Louis XV of France (b. 1710; r. 1715–74)
Object type: coin
Date: 1755 – 1755
Materials: gold
Artist: joseph-charles roettiers
Artist role: maker
Artist nationality: french
Artist dates: 1691 – 1779
Stomme Passie
Object type: album leaf
Date: 1520 – 1521
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: book in which illustrations are essential, purification of the temple ('first' and 'second'): christ driving the money-changers from the temple with a whip (matthew 21:12-13; mark 11:15-17; luke 19:45-46; john 12:12-19)

Christus verjaagt met een zweep de geldwisselaars en handelaren uit de tempel. Een bank is omgevallen en muntstukken liggen op de grond. Prent maakt deel uit van een boek.
Christus in gesprek met Farizeeërs
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: pharisees and sadducees opposing christ
Inscriptions: collector's mark: Lugt 2228
Cup
Object type: cup
Date: 1801 – 1900
Materials: soft paste porcelain
The Weather Peasant "Das Schadet Nit"
Object type: print
Date: 1542 – 1542
Materials: paper
Techniques: engraving
Location: germany
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Boten op de Schelde met rechts een dorp met molen
Object type: print
Date: 1853 – 1860
Materials: paper
Techniques: etching
Artist: henri françois schaefels
Artist role: print maker
Artist dates: 1827 – 1904
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), village, windmill in landscape
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Cup
Object type: cup
Date: 1801 – 1850
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: women
10 reis uit Portugal van koning José I,1764
Object type: coin
Date: 1750 – 1777
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: gekroond versierd wapenschild. Keerzijde: binnen twee samengebonden takken in een regel waarde-aanduiding: X, waaronder jaartal. Gladde rand.
Ontmoeting op straat
Object type: print
Date: 1823 – 1869
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: slap in the face, meeting, street
Inscriptions: collector's mark: Lugt 2228

De vrouw heeft de man bij zijn jas gegrepen en heft haar rechterhand dicht bij zijn gezicht. De man heeft zijn gereedschap op de grond laten vallen. Naast hen staan een man en een hond.
St. George
Object type: print
Date: 1501 – 1533
Techniques: engraving
Artist: nicoletto da modena
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1520
Subjects: spears,swords,dragons,saint george
De Passie
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Pag. 271’, collector's mark: Lugt 1967

Christus zit tussen soldaten op het plein van het gerechtsgebouw van Pilatus. Hij draagt een mantel en krijgt een stok als scepter in zijn hand, soldaten drukken de doornenkroon op zijn hoofd en omstanders reageren spottend door voor hem te knielen.
Tall Clock
Object type: tall clock
Date: 1790 – 1790
Materials: wood
Culture: american
Location: united states
Artist: joseph mulliken
Artist role: maker
Artist nationality: american
Artist dates: 1775 – 1800
Blade
Object type: knife
Date: 5000 – 4001
Materials: stone
Location: iran
Glass mosaic bottle
Object type: bottle, mosaic
Date: 1 – 50
Materials: glass
Culture: roman

Translucent cobalt blue, almost opaque deep purple, and opaque white. Everted, horizontal rim with angular outer lip; cylindrical neck, tapering downward, with slight horizontal indent around base; squat globular body; slightly indented bottom. Marbled mosaic pattern formed from alternating sections of two canes: the first in a blue ground with white parallel lines in a irregular zigzag pattern; the second in a purple ground also with white parallel lines in a irregular zigzag pattern. Intact, except for one chip in underside of rim; dulling, pitting, and faint iridescence. Rotary grinding marks on exterior.
Alfred, Lord Tennyson
Object type: photograph
Techniques: photogravure
Location: england
Artist: henry herschel hay cameron
Artist role: fotograaf
Artist nationality: english
Artist dates: 1852 – 1911
Subjects: collected by hugh edwards, lord tennyson and his friends
Scherven van een kop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: porcelain
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Porcelain, cup, type 3; fragm of body, sim. NG 1980-27H916.
Victoria Sleigh  #20680
Object type: drawing
Date: 1894 – 1894
Materials: graphite
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fish amulet
Object type: amulet, fish
Date: 1550 – 1295
Materials: lapis lazuli
Location: egypt
Subjects: fish
Ewer with Bamboo Fluting
Object type: vessel
Materials: ceramic glaze, glaze, stoneware
Location: korea
Combat on a bridge, a horseman and two footsoldiers battle with swords at bottom right, one footsoldier on the ground to left of the horseman, various soldiers with swords on the bridge in the background, French coat of arms displayed in center of bridge, title page from "Varie Figure"
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: bridges,battles,soldiers,horses,coat of arms
Brief aan Philip Zilcken
Object type: letter
Date: 1887 – 1887
Materials: ink, paper
Techniques: pen, writing
Location: shepherd's bush
Artist: william ernest henley
Artist role: criticus, dichter, redacteur
Artist dates: 1849 – 1903
Subjects: the hague, painter, print maker, draughtsman, hendrik willem mesdag, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Fotoreproductie van een deel van een schilderij van de aankomst van Karel V in Antwerpen door Hans Makart
Object type: reproduction
Date: 1878 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: vienna
Subjects: being welcomed ~ travelling, ruler, sovereign
Inscriptions: inscription: ‘VERVIELFÄLTIGUNG VORBHELATEN. 255. DEPOSÉ. REGISTERED.’
Chatelaine van zwart in een vierkant gevlochten garen
Object type: mourning jewelry
Date: 1880 – 1900
Materials: metal, textile, yarns
Techniques: braiding
Location: europe
Artist: Anonymous

Chatelaine van zwart in een vierkant gevlochten garen.
Knife with Sheath
Object type: knife with sheath
Date: 1701 – 1900
Materials: horn, silver, steel, wood
Culture: malayan
Location: malaysia
Bespotting van Ceres
Object type: drawing
Date: 1694 – 1766
Materials: paper
Techniques: brush, pen
Artist: matthijs balen (1684-1766)
Artist role: draughtsman, painter, print maker
Artist dates: 1684 – 1766
Subjects: a little boy (abas, ascalabus, or stellio) laughs at ceres, because she drinks too avidly while she is resting at an old woman's house
Terracotta fragment of a kylix: Band cup (drinking cup)?
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Exterior, at the left, an unidentified object; lower part of a himation with a patterned border and part of the calf of a male
The Holy Family with the Infant John the Baptist
Object type: painting
Date: 1505 – 1515
Materials: oil, panel
Artist: bartolommeo (fra)
Artist role: draughtsman
Artist dates: 1472 – 1517
Subjects: holy family with john the baptist (as child)

De Heilige Familie met Johannes de Doper als kind. Links drinkt een vink uit een bakje met water.
Gezicht op de Minorietenkerk te Tanlay
Object type: print
Date: 1631 – 1691
Materials: paper
Techniques: etching
Location: paris
Subjects: church (exterior), monastic orders, monastic life ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228
Tile, with helmeted knight on horseback
Object type: tile
Materials: earthenware, glaze
Techniques: firing
Culture: british
Location: england
Subjects: horses,knights
Vierhonderdjarig herdenking van de geboorte van Michelangelo
Object type: history medal
Date: 1875 – 1875
Materials: silver
Techniques: striking
Location: florence
Artist: giovanni vagnetti
Artist role: medailleur
Artist dates: 1840 – 1890
Subjects: rome, painter, draughtsman, sculptor, michelangelo
Study for a bronze name plate for Edward D. Adams
Object type: drawing
Date: 1892 – 1892
Materials: graphite, ink, watercolor
Techniques: pen
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Subjects: faces
Gezicht op het Paalhuis
Object type: print
Date: 1663 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: post-office, tower, clock tower ~ monumental adornment, city-view in general; 'veduta', street, taxes and financial administration
Inscriptions: collector's mark: ‘2’ Lugt 1641b

Huidige staat van prent ook gebruikt in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.* En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam: darinnen von derselben ersten Ursprunge bis auf gegenwärtigen Zustand (…). Amsterdam: Joachim Nosche, 1664.

* In sommige exemplaren van deze uitgave komt de huidige staat van de prent voor. In andere exemplaren is een latere staat ingebonden, waarop boven de Nederlandse een Franse titel is toegevoegd.

Zie ook SK-A-20 en RP-P-AO-27-48-2.
Statuette of a Goat
Object type: sculpture
Date: 500 – 401
Materials: bronze, copper alloy, metal
Culture: etruscan
Location: etruria
Subjects: goats
Noon Hour, King Mfg. Co., Augusta, Georgia
Object type: photograph
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Paus Julius II gooit de sleutels van Petrus in de Tiber
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: key, hacking and thrusting weapons: sword
Inscriptions: collector's mark: Lugt 2228

Paus Julius II, bijgenaamd 'il Terribile', verklaart dat de sleutels van Petrus waardeloos zijn en gooit ze in de Tiber. Hij voegt hieraan toe dat het zwaard van Paulus wel nuttig is.
Manfredo Settala’s Cabinet of Art and Curiosities in Milan
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: etching
Location: italy
Artist: cesare fiori
Artist role: draughtsman, painter, print maker
Artist dates: 1636 – 1702
Subjects: cabinet of curiosities, 'kunst- und wunderkammer'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

In the space depicted here, every centimetre is used for the presentation of a wide variety of objects. Distinguished visitors of this 17th-century cabinet of art and curiosities must have been awed; it was like walking through an encyclopaedia. Fiori made the print to illustrate a book about the private collection of the Milanese clergyman Manfredo Settala.
Portret van Isaac-Jacques de Verthamon de Chalucet op 41-jarige leeftijd
Object type: print
Date: 1710 – 1725
Materials: paper
Techniques: engraving
Location: france
Subjects: ornament ~ medallion, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Breslau. Partie im Dom
Object type: ansichtkaart, prentbriefkaart
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: interior of church
Inscriptions: date
Getekende notenbalk voor P. Ankersmit
Object type: album leaf
Date: 1806 – 1890
Materials: ink, paper
Artist: Anonymous
Subjects: notation of music
Inscriptions: date

Blad maakt deel uit van een album met ingeplakte tekeningen.
Plate 9: Marine Bull, from "Various figures and doodles" (Diverses figures et griffonnemens)
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Gezicht op het koor van de Sijpekerk te Nieuw-Loosdrecht
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: nieuw-loosdrecht
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: parts of church exterior and annexes: choir, nieuw-loosdrecht
Inscriptions: annotation: ‘N. Loosdrecht’, annotation: ‘N.H. kerk te Nieuw Loosdrecht (U.)/ koorgedeelte/ jan 1899’
Portret van een onbekende vrouw
Object type: album leaf
Date: 1880 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: address: ‘KALVERSTRAAT/ over den Heyligenweg, D.26./ AMSTERDAM/ LEYDSCHE STRAATWEG/ Buiten Cathrynen./ UTRECHT.’