deem-data/ArtiFact huggingface dataset:
Galleria Giustiniana del Marchese Vincenzo Giustiniani I
Object type: print
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) venus (aphrodite)

Beeld van Venus, de godin van de liefde, naakt, op de rug gezien. In haar rechterhand houdt ze vruchten en bladeren. Op de basis het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Portret van Karel de Grote, keizer van het Heilige Roomse Rijk
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Subjects: charlemagne (holy roman emperor), historical persons, king

Prent gebruikt in: Gottfried, Johan Ludwig en Simon de Vries. Historische kronyck: vervattende een nauwkeurige en volkomene beschrijvingh der aldergedenck waerdiste geschiedenissen des weerelds (...). Leiden: weduwe Joannes Brouwer en Jacobus van Meurs, 1660. Prent ook gebruikt in latere edities. De prent maakt onderdeel uit van een grotere plaat met 24 portretten.
Border fragment
Object type: border
Date: 1501 – 1700
Techniques: embroidery
Familie met paard bij een huis
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: family life at home, horse, civic architecture; edifices; dwellings

Prent uit: The Art Journal (1855), 1855, p. 143.
Gallerie des Modes et Costumes Français, 1780, dd 164 : Autre Lévite, la juppe de couleur différent (...)
Object type: fashion print
Date: 1780 – 1780
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (shawl) (+ women's clothes), ornamental parts of clothing (+ women's clothes), monkeys, apes, dress, gown: robe à la lévite (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), neck-gear ~ clothing (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: address: ‘A Paris chez Esnauts et Rapilly, rue St. Jacques, a la Ville de Coutances. A.P.D.R.’, caption: ‘Autre Lévite, la juppe de couleur différente, les manches de la couleur de la juppe, le Lévite comme la Circassienne n'ayant que des manchons: au lieu d'echarpe un ruban en ceinture. Cette figure est coëffée d'un chapeau noir à la mode.’

Vrouw met in de rechterhand een bal aan een lint, spelend met een aapje aan een ketting. Zij draagt een 'Lévite' (jasjurk) met een rok in een contrasterende kleur; de mouwen in dezelfde kleur als de rok. De 'Lévite' heeft net zoals de 'Circassienne' alleen manchetten(?) en in plaats van een sjaal een lint als ceintuur. Op het hoofd een zwarte hoed volgens de laatste mode. Verdere accessoires: geknoopte halsdoek, schoenen. Prent uit de serie dd. 28e Cahier de Costumes Français, 22e Suite d'Habillemens à la mode en 1780, Gallerie des Modes et Costumes Français.
[476 Broadway, New York]
Object type: photograph
Date: 1870 – 1870
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: buildings,streets,signs,advertisements,new york city
Cœnotaphiorum (10)
Object type: collection ornament architecture
Date: 1563 – 1563
Techniques: etching
Artist: hans vredeman de vries
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1527 – 1606
Subjects: columns,tombs,men

Freestanding funerary monument, shaped like a tomb and placed underneath a baldachin. The tomb is decorated with strapwork and on top of the tomb the effigy of a sleeping man (gisant) is placed. In the background on the right a round, opened doorway is visible through which four individuals can be seen. Above the door is an arch shaped window where two more people have been dipicted. Below the image a Latin inscription is placed, consisting of four lines divided over two columns.
Mishandeling van dominee Cluwen te Sluipwijk
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: soldiers and civilians
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: P.A. Loosjes. Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie. Amsterdam: Johannes Allart, dl. 17.
Bekken met de Verspieders van het land Kanaän
Object type: bekken schaal
Date: 1450 – 1500
Materials: brass
Techniques: casting, metalworking, punching
Location: nuremberg
Artist: Anonymous
Subjects: the spies take away some of the fruits of canaan and return, usually carrying a large bunch of grapes on a pole

In het plat van het bekken, dat in het midden het centerpunt heeft, is met behulp van een stempelvorm een voorstelling geponst van de Verspieders van het land Kanaän (Jozua 2, 1-22). Deze is omgeven door een met ponsstempels geslagen rand van gestileerde bladeren. Op de boord zijn op die wijze rozetten aangebracht en is in latere tijd onderaan een hangring bevestigd.
Birds-eye view of Philadelphia, showing the river
Object type: stereograph
Date: 1891 – 1891
Materials: cardboard, paper
Techniques: albumen print
Location: littleton
Artist: benjamin west kilburn
Artist role: fotograaf
Artist dates: 1827 – 1909
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘6898’, copyright notice: ‘Copyright 1891, by B. W. Kilburn.’
Portret van Lodewijk XIV van Frankrijk
Object type: book illustration
Date: 1718 – 1718
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: lodewijk xiv (koning van frankrijk), historical persons, king
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Limiers, Henri P. de. Histoire du Regne de Louis XIV (...). Amsterdam: La Compagnie, 1718, dl. 2.
Design for Ceiling
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: charles monblond
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: cartouches
Fragment (console van de altaarkast?); (mogelijk) behorend tot het retabel van Soest
Object type: sculpture
Date: 1475 – 1499
Materials: wood
Lake Albano and Castel Gandolfo
Object type: drawing
Date: 1826 – 1827
Materials: oil, paper, wood
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Subjects: lakes,landscapes
Vessel Fragment
Object type: fragment
Date: 301 – 700
Materials: alabaster
Culture: coptic
Location: egypt
Riding Lesson in a Park, with a Carriage and Other Figures
Object type: drawing
Date: 1690 – 1696
Materials: paper, pencil
Location: haarlem
Artist: dirk maas
Artist role: draughtsman, print maker
Artist dates: 1659 – 1717
Subjects: training of horses, riding-school, manège
Interieur van de Aya Sophia met geknielde en staande Turken
Object type: drawing
Date: 1821 – 1847
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: george antoine prosper marilhat
Artist role: draughtsman
Artist dates: 1811 – 1847
Subjects: temple, shrine ~ islam, mohammedanism
Briefje over het waarnemen van een preekbeurt
Object type: document
Date: 1782 – 1782
Materials: ink, paper
Techniques: pen
Location: batavia
Artist: johannes hooyman
Artist role: predikant
Artist dates:  – 1789
Subjects: bodegraven, draughtsman, jan brandes, batavia
Inscriptions: date

Blaadje met een kort briefje van predikant Johannes Hooyman aan Jan Brandes over het waarnemen van diens preekbeurt op tweede kerstdag 1782. In de brief wordt een een schilderij vermeld. Onderdeel van een groep papieren van Jan Brandes uit zijn tijd als predikant bij de lutherse kerk te Batavia 1779-1785.
Wandelaars op besneeuwde bergflanken in de Alpen
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: alps
Artist: Anonymous
Subjects: walking, hiking (recreation), mountains

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Bracelet
Object type: bracelet
Date: 1878 – 1878
Materials: gold
Culture: american
Location: united states
Artist: tiffany & co.
Artist role: manufacturer
Artist dates: 1837 – 9999

One of the most celebrated acquisitions made by the Metropolitan Museum during its first decade of existence was the Curium Treasure from Cyprus. Discovered in 1875 at the ancient site of Kourion by American consul to Cyprus and amateur archaeologist Luigi Palma di Cesnola (1832–1904), this Treasure joined Cesnola’s earlier collection of Cypriot antiquities, which the Museum had previously acquired. The fame of the Curium Treasure helped to establish The Met as a leading repository of ancient art on a par with major European museums. Cesnola was named a trustee of the Metropolitan Museum and elected Secretary in 1877. Two years later he became the Museum’s first Director, a position he would hold until his death in 1904. In August 1877, a formal agreement designated Tiffany & Co. as "sole agents" for the reproduction of works of art belonging to the Metropolitan Museum. Among the first objects reproduced by Tiffany’s workshop were twenty items of Cypriot jewelry from the Curium collection, including the original from which the present bracelet was created. Similar examples are in the collection of the British Museum; the Victoria & Albert Museum; and the Tiffany & Co. Archives.
Clarence #244
Object type: drawing
Date: 1850 – 1870
Materials: ink
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Poker (part of a set)
Object type: poker
Date: 1730 – 1760
Materials: gilt bronze, steel
Portret van Frans II Josef Karel
Object type: print
Date: 1778 – 1844
Materials: paper
Techniques: stippling
Subjects: frans ii (rooms-duits keizer), knighthood order, historical persons, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2228
Portret van Hieronymus Sweerts
Object type: print
Date: 1694 – 1700
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: publisher, hieronymus sweerts, historical persons, writer, poet, author

Met een vierregelig vers in het Nederlands onder het portret.
Tabula comitatus Frisiae
Object type: print
Date: 1721 – 1774
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Rechtsboven inzetkaart met Vlieland, Terschelling, Ameland en Schiermonnikoog. Rechts in het midden twee putti met legenda en twee schaalstokken: Mille Germanica commune / een gemeene Duytsche myl en 0.5, Nederlandsche mylen ofte uren gaens. Rechtsonder titelcartouche met daarboven het wapen van Friesland. Gradenverdeling langs de randen.
Roses
Object type: print
Date: 1843 – 1843
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: roses,leaves
Tea Utensils
Object type: netsuke
Date: 1851 – 1900
Materials: ivory
Culture: japanese
Subjects: teapots

Represented in this netsuke is an array of tea ceremony utensils--including a tea whisk and kettle, decorated with light incised peonies, and a freshwater jar.
Studie, mogelijk van een hoofddoek
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: veil

Blad 4 recto uit schetsboek XXIV met 10 bladen.
Winkel van de Deli Courant te Medan
Object type: photograph
Date: 1900 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: medan
Artist: asahi
Subjects: dutch east indies, the
Inscriptions: company name: ‘Asahi Medan Deli: O.K. van Sumatra’

De gevel van de winkel, drukkerij en boekhandel van de Deli Courant te Medan. Onderdeel van een groep van 49 losse zwart-wit foto's van verschillend formaat over de uitgeverij en drukkerij van de krant Deli Courant in Medan in de periode 1885-1947.
The Courtesan Umegawa and Chubei from the Courier Service (Umegawa, Chubei)
Object type: print
Date: 1797 – 1797
Techniques: woodblock print, hashira
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Kachelplaat met een voorstelling van de bruiloft te Kana
Object type: stove plate
Date: 1550 – 1650
Materials: iron
Techniques: casting
Location: eifel
Artist: Anonymous
Subjects: the marriage-feast at cana (john 2:1-11)

Gietijzeren kachelplaat, verdeeld in twee zones. In de bovenste zone is de bruiloft te Kana afgebeeld. Centraal is de lange, gedekte tafel te zien, waaraan de gasten zitten. Midden aan tafel zit de bruid met een kroon op haar hoofd. Geheel links zit Jezus. Op de voorgrond staat een van de bedienden bij de zes kruiken en brengt een andere bediende schalen naar tafel. Het tafereel wordt aan de onderzijde afgesloten met een parelrand. De onderste zone is een los deel, genummerd BK-BFR-336.
Blinde borstelmaker
Object type: drawing
Date: 1890 – 1890
Materials: ink, paper
Techniques: pen
Artist: anthon gerhard alexander van rappard
Artist role: draughtsman, print maker
Artist dates: 1858 – 1892
Subjects: (household) utensils and implements (with name), handicrafts ~ other animal material, blind, blindness
Inscriptions: date
Drukletter uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: type
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Printing type, rectangular, groove in one side, illegable.
William IV
Object type: accession medal
Date: 1830 – 1830
Materials: silver
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: kings,profiles
Portret van een vrouw
Object type: album leaf
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult woman, historical persons
Inscriptions: number: ‘493-01’, inscription: ‘Lock & Whitfield/ 178. Regent Street/London W./ and 109, Kings Road/ Brighton’
Portret van Jacqueline E. van der Waals
Object type: photograph
Date: 1890 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: the hague, historical persons, amsterdam
Inscriptions: workshop stamp: ‘Photographische Ateliers/ C.J.L. Vermeulen/ Heerenstraat 6, Heiligenweg hoe Singel, Amsterdam’
Uytdruk der Zinnebeelden en Advisen van de Meyboomen
Object type: text sheet
Date: 1705 – 1705
Materials: paper
Techniques: etching, letterpress printing
Location: the hague
Subjects: johan willem friso (prins van oranje-nassau), mayor, mr. paulus van assendelft, maypole, the hague
Inscriptions: collector's mark: Lugt 2228

Uitleg van de zes zinnebeelden op de meibomen opgericht door de schutterij van 't Colombyne Vendel van de officier J. Royer te Den Haag, 1705. Bovenaan zes allegorische figuren verwijzende naar de Staten van Holland en West-Friesland, de Staten-Generaal, de prins en prinses van Oranje, de heer van Ouwerkerk en de Colonel P. van Assendelft.
Portret van René Pucelle
Object type: print
Date: 1721 – 1750
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: paris, historical persons, magistracy, judges, crowning with laurel, cupids: 'amores', 'amoretti', 'putti'

Met zevenregelig onderschrift in het Frans.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, left shoulder, left pectoral muscle, and upper left arm of male reclining on a cushion; start of handle root
The Strand & Charing Cross
Object type: photomechanical print
Date: 1870 – 1922
Materials: paper
Techniques: photograph
Location: london
Artist: Anonymous
Subjects: square, place, circus, etc., urban housing, street
Inscriptions: number: ‘4553.’
Menippus
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828

Goya made these two etchings after Velázquez’s portrait pair reenvisioning the ancient writers Menippus (a satirical playwright) and Aesop (a storyteller). Both men were initially slaves, but became free men. They both appear in the paintings holding books or standing near piles of them, although none of their original writings have survived. Like the portraits of the court dwarves, Goya etched these thinkers on a smaller size sheet of paper than Velázquez’s portraits of contemporary nobles (and sold them at half the price).
Gezicht op de Pont Alexandre III richting Grand Palais, tijdens de Wereldtentoonstelling van 1900
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: world fair, world exhibition, avenue, boulevard, promenade, esplanade, paris

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Sierlijsten met rozen, lissen, libellen en een sculptuur
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: photograph
Location: vienna
Artist: Anonymous
Subjects: insects: dragon-fly, sculpture, flowers: lily, flowers: rose
Inscriptions: number: ‘112.’
Stirrup-spout bottle with figure carrying deer
Object type: bottle
Date: 1200 – 800
Materials: ceramic
Culture: cupisnique
Location: peru
Artist: cupisnique artist(s)
Artist role: artist
Subjects: men,deer

Cupisnique potters depicted a broad range of animals on their ceramic vessels, usually those that figured prominently in their mythology. Deer, widely distributed on both American continents, were an important food source and a favorite in myth and art. On this burnished blackware vessel, a small, naturalistically rendered deer is being carried on the broad shoulders of a heavy, seated man. The man's head, covered with a conical cap, leans forward with his load. His hands hold the front and hind legs of the animal. His face bears incised geometric designs, perhaps representing facial paint, tattoos, or scarification practiced in ancient times. The image of a man carrying a deer—perhaps a hunter carrying his booty—is an enduring one, known from many depictions on ceramics made in later times. It is possible that the figure depicts a mythical character recognizable to members of coastal societies over many centuries.
Portret van twee onbekende kinderen op ezels
Object type: frame
Date: 1855 – 1870
Materials: glass, metal
Techniques: ambrotype
Artist: Anonymous
Subjects: ass, donkey, historical persons, child between toddler and youth (of undetermined sex) (+ two persons)
Gezicht op een waterweg met zeilboten, met op de oever twee molens
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Subjects: sailing-ship, sailing-boat, river, windmill
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 47 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: ornament

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. From top to bottom, and left to right: Design is printed upon a grid and is composed of 3 sections: 2 squares on the left and a vertical rectangle on the right. Each shape is ornamented with a floral and geometric pattern.
Bouwval van een gothische kerk
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: ruin of a building ~ architecture, church (exterior)
King Akbar's Tomb, Agra
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,tombs
Fietsplaatje, bewijs van betaling van rijwielbelasting
Object type: belastingpenning
Date: 1924 – 1941
Materials: metal
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Marcantonio Pasqualini (1614–1691) Crowned by Apollo
Object type: painting
Date: 1641 – 1641
Materials: canvas, oil
Artist: andrea sacchi
Artist role: artist
Artist nationality: italian
Artist dates: 1599 – 1661
Subjects: men,harpsichords,apollo,satyrs

Religious rules prohibited women from performing in Catholic churches, contributing to the rise of castrati, male sopranos who were castrated before the onset of puberty. Among the most celebrated castrati, Pasqualini is crowned in this portrait by the god Apollo, who had been victorious in a musical contest with the satyr Marsyas (shown in the background, defeated and tied to a tree with his bagpipes beside him). Pasqualini joined the choir of the Sistine Chapel in 1630, and from 1632 was a protagonist in many operas produced at the Palazzo Barberini, for which Sacchi designed sets.
Deel van een gecombineerd zoutvat-specerijdoos met deksel
Object type: salt condiment vessel
Date: 1622 – 1632
Materials: silver
Location: flushing
Artist: Anonymous
Robe à la française
Object type: robe à la française
Date: 1760 – 1769
Materials: cotton
Culture: french

This cotton textile's exotic floral pattern alludes to Jean-Baptiste Pillement's chinoiserie designs. In this case, the French fabric interprets an Indian export fabric that itself was a copy of what was considered a Chinese pattern.