deem-data/ArtiFact huggingface dataset:
Breaking the Ice on the Karnemelksloot, Naarden, January 1814
Object type: painting
Date: 1814 – 1815
Materials: canvas, oil
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: siege, position war, tow-boat, towing-barge
Inscriptions: signature, date and inscription: ‘Karnemelksloot January 1814 PG van Os fecit.’

Breaking the ice on Karnemelksloot at Naarden, 1814, by P.G. van Os. Not all of Napoleon's troops retreated after the collapse of French rule in 1813. Well-armed and with plenty of provisions, the remainder were able to hold their positions in a number of garrison towns. At Den Helder, Naarden, Grave and Delfzijl they eventually capitulated in the spring of 1814 when the new king of France ordered that French troops should evacuate all fortifications outside the country's borders. The Naarden waterway, Karnemelksloot, had frozen over in early January. To prevent a French attack across the ice, it was broken open with a local ferry barge.
Actress wearing costume with spiral armband, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Twee vissersvrouwen in gesprek over een onderdeur
Object type: drawing
Date: 1847 – 1899
Materials: paper
Techniques: brush
Artist: jacob maris
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1899
Calli e canali
Object type: page
Date: 1888 – 1898
Materials: paper
Techniques: photoaquatint
Location: venice
Subjects: canal, church (exterior)
Inscriptions: inscription: ‘h’
Allegorie op vrede met drie putti in cartouche
Object type: ornament print
Date: 1741 – 1820
Materials: paper
Techniques: etching
Location: leiden
Artist: abraham delfos
Artist role: draughtsman, painter, print maker
Artist dates: 1731 – 1820
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Allegorie op vrede met drie putti in landschap in cartouche met midden boven een wapenschild. Een puto haoudt een fasces in de hand. In het midden vliegt een putto met lauwerkrans en palmtak.
Portret van Johanna Geertruida Jonker
Object type: carte de visite
Date: 1897 – 1898
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: haarlem
Subjects: historical persons, haarlem
Inscriptions: workshop stamp: ‘C.F. & L.J. Cordes/ Haarlem, Groote Houtstraat 84/ 's Bosch a/d. Parade’, annotation: ‘2 jaar/ Hansje’
Bulletin / Association belge de photographie
Object type: book
Materials: paper
Techniques: photograph, printing, engraving
Portret van Désiré de Haerne
Object type: book illustration
Date: 1888 – 1888
Materials: paper
Techniques: letterpress printing, engraving
Artist: g. brynaert
Artist role: print maker
Subjects: politician, adult man, historical persons
Inscriptions: label: ‘v.S. II, no 2203 A’, collector's mark: Lugt 2228
Gezicht op het Fujiya Hotel in Miyanoshita
Object type: photograph
Date: 1891 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: miyanoshita
Artist: Anonymous
Subjects: hotel, hostelry, inn
Inscriptions: negative number: ‘E8’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Japan.
Journal des Luxus und der Moden 1786, Band I, T. 27
Object type: fashion print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: weimar
Subjects: fashion plates

Vrouw naar links, in een Engelse japon met wijde mouwen van mousseline. Over het lijfje wordt volgens de nieuwste mode een corselet met vijf stalen gespen gedragen. Het is een groot corselet naar Parijs voorbeeld van zwarte tafzijde. Fichu van kant met dubbele falbala. Hoed 'à la Horja' van Italiaanse kant op het hoofd. Dit type hoed is naar de Weense mode. (Horja was een boerse rebel) Waaier in de hand.
Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Landschap met kalkoen
Object type: print
Date: 1659 – 1741
Materials: paper
Techniques: etching
Location: paris
Artist: Anonymous
Subjects: walker and runner birds: turkey
Inscriptions: collector's mark: Lugt 2228

Kopie in spiegelbeeld naar een prent uit de serie Dertien vogelsoorten van Albert Flamen.
Chasuble
Object type: chasuble
Date: 1825 – 1825
Materials: metal thread, silk
Subjects: flowers

This is the tabard-like garment that a Catholic priest would wear during church services. From a distance- which is how most of the congregation would have viewed the priest- the textile reads as a luxurious and expensive figurative silk. However, viewed up close, it becomes apparent that this is a considerably cheaper alternative, with the figurative design of lush blooms, verdant foliage and swirling ribbons all simply embroidered onto a thin and unremarkable plain silk ground. Although metal-wrapped thread is used throughout, and would originally have provided some glitter and shine, its quality is again mediocre: thin, base metal wrapped around very thick cotton cores, which have become visible due to abrasion in certain areas of heavy wear, such as the shoulders.
Moonlight in Valmondois
Object type: print
Date: 1877 – 1877
Materials: chine, ivory, paper
Techniques: drypoint, etching
Location: france
Artist: charles françois daubigny
Artist nationality: french
Artist dates: 1817 – 1878
Gezicht op de Galatatoren te Constantinopel
Object type: photomechanical print
Date: 1885 – 1895
Materials: paper
Techniques: photoaquatint
Location: constantinople
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment
Inscriptions: title: ‘The Tower of Galata.’
Brougham #3823
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ichikawa Komazo I
Object type: print
Date: 1769 – 1769
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ippitsusai bunchō
Artist role: artist
Artist nationality: japanese
Artist dates: 1765 – 1792
Subjects: men,actors
Four small boys and a goat (copy in reverse)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: boys,goats
De katholieke kathedraal Sint Pieter in Osnabrück, Nedersaksen
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: netherlands, germany

De katholieke kathedraal Sint Pieter in Osnabrück, Nedersaksen. Foto behorend bij album 'Kriegserinnerungen'.
Brief aan Philip Zilcken
Object type: letter
Date: 1904 – 1904
Materials: ink, paper
Techniques: pen, writing
Location: scherpenzeel
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: pieter dupont, utrecht, the hague, philip zilcken, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
S. Stratingh, Ef.
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: engraving
Subjects: adorp, groningen, hoogleraar, chemicus, sibrandus stratingh
Inscriptions: collector's mark: Lugt 2228

Portretbuste van Sibrandus Stratingh, hoogleraar scheikunde te Groningen. Hij is gehuld in een toga met bef en draagt een ridderorde op de borst.
[Man Sitting on Steps of House with Socks Hanging on Nearby Vine to Dry]
Object type: photograph
Date: 1880 – 1889
Techniques: photograph
Artist: Anonymous
Artist role: artist
Subjects: houses,men,vines
Portret van paus Nicolaas I
Object type: book illustration
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: bassano del grappa
Subjects: rome, historical persons, pope

Prent uit: Effigies Romanorum pontificum a S. Petro ad Pium VI. feliciter regnantem (...). 2 dln. Venetië en Bassano del Grappa: Giuseppe Remondini, 1775.
The American Rattlesnake Presenting Monsieur his Ally [sic] a Dish of Frogs
Object type: print
Materials: watercolor
Techniques: etching
Artist: j. barrow
Artist role: publisher
Artist nationality: british
Artist dates: 1730 – 1830
Subjects: satire,american revolution,men,frogs,snakes,politics
Haas
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: rodents: hare
Inscriptions: collector's mark: Lugt 2228

Haas. Getekend op de achterzijde van een fragment van een brief gericht aan Tavenraat.
Milk jug
Object type: milk jug
Date: 1759 – 1771
Materials: porcelain
Techniques: painted
Location: weesp

Weesper porseleinfabriek
Weesp, c. 1759–1771
hard-paste porcelain
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 550 – 540
Materials: terracotta
Culture: greek, attic

Lower body and thighs of a warrior to right, wearing a garment with a running meander border; legs of a warrior to right, wearing greaves
Blauwe druifjes (Muscari botryoides)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, paper, watercolor
Techniques: brush
Subjects: flowers: grape hyacinth

Blauwe druifjes. Genummerd rechtsboven: 220. Onderdeel van het derde album met tekeningen van bloemen en planten. Tiende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Piece
Object type: piece
Date: 1735 – 1740
Materials: metal thread, silk
Subjects: leaves
The Merchant, from the Dance of Death
Object type: print
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: skeletons,men,ships

Two merchants on a quay with with corded bales and barrels. Death drags one of them away, to the left, from the pile of coins he is counting.
Dinner dress
Object type: dinner dress
Date: 1880 – 1880
Materials: silk
Culture: american

This dress belonged to Amelia Beard Hollenback (1844-1918), wife of the prominent financier and philanthropist John Welles Hollenback (1835-1927). In 1874, the Hollenback family settled in the neighborhood of Clinton Hill in Brooklyn. In the 19th century, Brooklyn became a metropolitan center with numerous affluent neighborhoods and a thriving downtown shopping district to fulfill. This dress, like many of the garments in Hollenback gift, was most likely custom-made by a Brooklyn-based dressmaker. The elaborate button and tassel decorations, the overall cohesiveness of design and the high quality of this stylish dress are a testament to the craftsmanship and great attention to detail carried out by American dressmakers at this time.
Karel Witsen
Object type: carte de visite
Date: 1860 – 1915
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: christian theodor kirch
Artist role: fotograaf
Artist dates: 1883 – 1881
Subjects: karel witsen
Tekst over Anselmus de Boodt
Object type: manuscript
Date: 1800 – 1825
Materials: ink, paper
Techniques: handwriting
Location: bruges
Artist: ancot (sr.)
Artist role: schrijver
Subjects: bruges, draughtsman, anselmus boëtius de boodt, handwriting, written text

Franse tekst over Anselmus de Boodt. Onderdeel van het eerste album met tekeningen van viervoeters. Eerste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Voet waterval Montanamijn
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Enkele mannen poserend bij een waterval bij de Montana-mijn. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Portret van Andreas Colijns de Nole
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: antwerp, sculptor, andreas de nole, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 240

Portret van de beeldhouwer Andreas Colijns de Nole, ten halven lijve. Met zijn rechterhand leunt hij op een marmeren beeld. In de marge de naam van de geportretteerde.
A Man Riding a Horse
Object type: painting, monochrome
Date: 1630 – 1630
Materials: oil, wood
Artist: anthony van dyck
Artist role: artist
Artist nationality: flemish
Artist dates: 1599 – 1641
Subjects: men,horses

These small oil sketches by Van Dyck were probably painted around 1630. They derive from similar studies by Rubens, and would have been used in Van Dyck's studio as models for equestrian portraits or historical and religious pictures.
Wheellock Pistol
Object type: wheellock pistol
Date: 1580 – 1580
Materials: bone, copper, gold, steel, wood
Culture: german
Location: germany
Iohannes Bollius Pictor
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Location: brussels
Subjects: mechelen, amsterdam, print maker, draughtsman, hans bol, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Elbertus Leoninus, Gelder/ J.U. Doctor Lovan’, inscription: ‘toch Bollius, zie de prent van Goltzius in Franken (?)/ zie echter [...] de gelijkenis ook Leoninus/ in Franken (?)’

Prent waarschijnlijk gebruikt voor: Bullart, Isaac. Académie des Sciences et Arts contenant les vies et éloges his. des hommes illustres qui ont excellé en ces professions depuis environ quatre siècles. Brussel: François Foppens, 1682. Het boek werd in 1682 eveneens in Amsterdam uitgegeven door de erfgenamen van Daniel Elzevier.
Ieder portret betreft een illustratie bij de biografie van een kunstenaar of geleerde.
De meeste portretten werden door Nicolas de Larmessin vervaardigd (162), 93 door De Boulonois en een derde door ongeïdentificeerde prentmakers.
Cypresses
Object type: screen
Date: 1834 – 1866
Materials: ink, panel, paper
Culture: japanese
Artist: ikeda koson
Artist role: artist
Artist nationality: japanese
Artist dates: 1803 – 1868
Subjects: cypresses

In this dramatic close-up of a single landscape element, Ikeda Koson renders a timeless moment in a grove of hinoki cypresses. He depicts an atmosphere of misty space and shifting light by skillfully varying ink tones from black to gray in the leaves of frond-like branchlets. Texture and form result from the application of wet ink over pale washes on the tree trunks. Koson, a pupil of the Rinpa revivalist Sakai Hōitsu (1761–1828), brought a fresh vitality to standard themes in the Rinpa repertoire through his virtuoso brushwork and ability to convey naturalistic forms without sacrificing the bold decorative impact of his predecessors.
Picture of a Manchurian of the Qing Court from Nanjing, Admiring a Fan
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Subjects: fans,men
Gevel van een Blokhuis in de Amstel
Object type: album leaf
Date: 1650 – 1650
Materials: paint, ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: Anonymous
Subjects: building activities, fortifications, military engineering, armorial bearing, heraldry

Mogelijk de achtergevel, met afmetingen. Tekening maakt deel uit van een album.
Monmouth onthoofd in 't Jaar 1685
Object type: book illustration
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: utrecht
Subjects: rotterdam, london, violent death by beheading
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Pers, Dirck Pietersz. Romeynschen adelaer, waer in de loffelĳcke en lasterlĳcke daden der Romeynsche koningen, en keyseren, verhandelt werden, 3 delen. Utrecht: Jurriaen van Poolsum, 1689, fol. 406.
Reproductie van het derde deel van de prentreeks De Triomf van Christus naar Joos Lambrecht
Object type: reproduction
Date: 1857 – 1875
Materials: paper
Techniques: photolithograph
Location: belgium
Subjects: print, e.g.: engraving, etching, lithograph
Inscriptions: inscription: ‘Nederlandsche Houtsneden 1500-1550 pl. 139/ M. Nijhoff/ De triompf van Christus, Gent 1543/ (1-10) pl. 3’, stamp: ‘R: MVS’
Tureen with cover
Object type: tureen with cover
Date: 1735 – 1735
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: men,flowers,coat of arms

This tureen belongs to one of the most splendid services produced at the Du Paquier manufactory. It was owned by Czarina Anna Ivanovna (r. 1730–40), who may have received it as a diplomatic gift from Emperor Charles VI (r. 1711–40). The service included oval, round, and octagonal tureens, all decorated with a wealth of ornament that included the Russian imperial arms and prominent flowers in low relief. A variety of finials were used for the numerous tureens; this example employs the figure of a seated Turk holding a bowl of coffee.
Gezicht op resten van een gashouder van de gasfabriek in Straatsburg na de verwoesting tijdens het beleg in 1870
Object type: page
Date: 1870 – 1891
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: gasworks, ruin of a building ~ architecture
Inscriptions: inscription: ‘Gasometer No III.’, number: ‘Tafel VI.’
Koeien
Object type: sketchbook leaf
Date: 1876 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: cow

Blad 34 verso uit en het achterste schutblad van een schetsboek met 34 bladen.
Lyk-staetsie van zyne doorluchtigste Hoogheid den Heere Willem [IV] Carel Hendrik Friso, Prince van Orange en Nassau... gehouden den IV Februari 1752
Object type: print
Date: 1754 – 1755
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: the hague, willem iv (prins van oranje-nassau), cortege, funeral procession, delft

Adellijke gasten in de rouwstoet, voorafgegaan door twee sergeants. In de marge het onderschrift in Nederlands, Frans en Engels. Onderdeel van een serie van 41 platen van de begrafenisstoet van stadhouder Willem IV te Delft op 4 februari 1752. Genummerd rechtsboven: 28. In de gebonden uitgave van 1755.
Cap crown
Object type: cap crown
Date: 1701 – 1733
Techniques: lace
Beer Street
Object type: print
Techniques: engraving
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: painting,men,women,fish,drinking
Brief aan Philip Zilcken
Object type: letter
Date: 1892 – 1892
Materials: ink, paper
Techniques: pen, printing, writing
Artist: paul verlaine
Artist role: dichter
Artist dates: 1844 – 1896
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Leeuwenpoort van Mycene
Object type: photomechanical print
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: photograph
Location: mycene
Artist: Anonymous
Subjects: gate, entrance
Inscriptions: stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, number: ‘1’, check stamp: ‘Bristol/ L.M.’, title: ‘G 48. De leeuwenpoort van Mycenae.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze fotomechanische afdruk is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Tekstblad met verklaring van de prent over Schilderkunst, p. 29
Object type: text sheet
Date: 1695 – 1695
Materials: paper
Techniques: letterpress printing
Location: paris

Verklaring van de prent met voorstelling van Schilderkunst in het Frans. Pagina 29. Tekstblad maakt deel uit van een album.
Arm fragment
Object type: arm fragment
Date: 1353 – 1336
Materials: limestone
Location: egypt
Blitz-Photographie
Object type: photomechanical print
Date: 1886 – 1886
Materials: paper
Techniques: autotype
Location: olomouc
Subjects: lightning, flash of lightning, thunderbolt, parts of church exterior and annexes: tower
Patstelling tussen de Nederlandse en Spaanse legers
Object type: jeton
Date: 1595 – 1595
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: the hague, maurice (prince of orange)

Koperen penning. Voorzijde: Maurits, afgebeeld als gehelmde Mars met schild en speer; op achtergrond troepen. Keerzijde: gehelmde Minerva met schild en speer zittend voor tentenkamp binnen omschrift
Central Salon of the Alexander Palace at Tsarskoe Selo
Object type: drawing ornament architecture
Date: 1792 – 1796
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: giacomo quarenghi
Artist role: artist and architect
Artist nationality: italian
Artist dates: 1744 – 1817
Subjects: architecture,palaces
Portret van Philippe Evrard
Object type: print
Date: 1652 – 1707
Materials: paper
Techniques: engraving
Location: france
Artist: gerard edelinck
Artist role: print maker
Artist dates: 1640 – 1707
Subjects: philippe evrard
Inscriptions: collector's mark: Lugt 240

Philippe Evrard, ten halven lijve afgebeeld in ovale omlijsting met rond cartouche waarin incompleet wapen.
Ongelovige Thomas
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: thomas touching or stretching out his hands to touch the wound in christ's side, sometimes christ leading thomas' hand
Inscriptions: collector's mark: Lugt 240

Het schilderij door Caravaggio bevindt zich in de collectie van het Sanssouci te Potsdam.
Haus Asm Sade in Damascus, Schwerttänzer
Object type: page
Materials: paper
Techniques: photograph
Location: damascus
Subjects: square, place, circus, etc., dancing (+ out of doors (sports, games, etc.))
Inscriptions: collector's mark: ‘Art[h]. FABBRI/ Eigentum No.’, number: ‘27.’
Embroidered darning sampler
Object type: sampler
Date: 1701 – 1800
Materials: linen, silk