deem-data/ArtiFact huggingface dataset:
Eveque benissant les eaux (...)
Object type: book illustration
Date: 1731 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: priest (eastern, greek and russian orthodox)
Inscriptions: collector's mark: Lugt 2228

Blad met vier voorstellingen van drie geestelijken in de Grieks-orthodoxe kerk en een Griekse bruid. Linksboven: Een bisschop zegent het water. Op de achtergrond een priester. Rechtsboven: De patriach van Constantinopel. Linksonder: Een aartspriester of zogenaamde protopapas. Rechtsonder: Op een sofa zit een aanstaande bruid, gekleed in Griekse kleding.
Bamboo
Object type: painting
Date: 1801 – 1833
Materials: gold, gold leaf, ink, panel, paper
Location: japan
Artist: kishi ganku
Artist role: artist
Artist nationality: japanese
Artist dates: 1749 – 1838

<BIG>岸駒は、この大胆な竹の作品において、金箔地に墨で描写しただけでほとんど材料を用いず、竹の本質をとらえている。屏風の右隻では、川岸から立ち上がる竹の茎が強調され、一方左隻では、葉が作品の上端を越えて上方へ広がっているかと思わせる。

岸駒は､筆に墨をふくませ、同じ幅を保って画面上を走らせることで、竹の節間を描写している。墨をはじく金箔上のかすれと墨に､膠を加えることで、竹の表面の組織と光の影を自然に映す効果をだしている。

竹の情景の一部を厳格に切り取ることで、間近に立つか座って鑑賞すれば、竹林の中にいるかのように感じさせる。この作品は、それを完全に意識して作成されている。当初、五対一揃いの屏風であったことから、文人たちのサロン的な集まりの際、部屋の周りを囲むように立てることで、伝説の竹林の七賢になぞらえたのではないかと思われる。</BIG>

In this bold study of bamboo rendered in monochrome ink against a solid ground of gold leaf, Kishi Ganku has captured the essence of the stalks with as few materials as possible. The screen on the right features the stalks of bamboo rising from the ground by a stream, while on the left we imagine the lofty upper reaches of the leaves beyond the top edge of the work.
Ganku rendered the sectional trunks of bamboo by loading the brush with ink and moving it evenly across the surface of the painting. In areas where the ink skipped across the non-absorbent gold or was mixed with animal glue, the results are naturalistic effects mimicking the bamboo’s texture or the play of light on its surface.

The severe cropping of the plants enhances the effect that one has, when standing or sitting close to the screens, of being in the midst of a bamboo grove. This was completely intentional. Evidence suggests that these screens were part of a set of five pairs originally meant to be set up around the perimeter of a room or rooms during a salonlike gathering of would-be literati who compared themselves to the legendary Seven Sages of the Bamboo Grove.
Teabowl
Object type: teabowl
Date: 1701 – 1900
Materials: porcelain
Subjects: human figures
Tomb called Dio Redicolo c. A.D. 50. The same western side
Object type: page
Date: 1867 – 1877
Materials: paper
Techniques: photoaquatint
Location: rome
Artist: Anonymous
Subjects: grave, tomb, monument, statue
Inscriptions: number: ‘6’
Briefkaart aan Willem Bogtman
Object type: postcard
Date: 1941 – 1941
Materials: ink, paper
Techniques: pen, writing
Location: santpoort
Artist: henriëtte roland holst-van der schalk
Artist role: dichter, schrijver
Artist dates: 1869 – 1952
Subjects: haarlem, willem bogtman, richard nicolaüs roland holst, the graphic arts, historical persons (portraits and scenes from the life)
Design for the Decorated Panel of a Carriage
Object type: drawing
Date: 1701 – 1800
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: birds,ornament
Polysiphonia byssoides
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants
The Demon Queller Zhong Kui Giving His Sister Away in Marriage
Object type: handscroll
Date: 1271 – 1368
Materials: ink, silk
Culture: chinese
Artist: yan geng
Artist role: artist
Artist nationality: chinese
Subjects: musical instruments,women,buffalos,donkeys,demons

Here, the legendary "demon queller" Zhong Kui leads his sister to her new home accompanied by an escort of demons performing feats of martial prowess. The comic climax to this spectacle is Zhong Kui himself—stone drunk and propped atop a small donkey by three retainers while his sister sits helplessly astride a recalcitrant water buffalo. The painting illustrates a rebus: "marrying off one's sister" (jia mei) is a pun for "subjugating demons." Yan Geng may have derived inspiration from actual New Year's processions, during which costumed figures impersonating Zhong Kui and his band of demons circulated through neighborhoods and banished evil in return for payment. Paintings on this subject clearly enjoyed widespread appeal, perhaps serving as auspicious gifts for the New Year.
Neue invention oder entwurff von Schnupftoback Dosen
Object type: print
Date: 1670 – 1725
Materials: paper
Techniques: etching
Location: germany
Subjects: ornaments ~ art, snuff-box
Inscriptions: collector's mark: Lugt 2228

Vier deksels van snuifdozen met ornamenten en bladmotieven.
Illustrations pour les Poésies d'André Chénier
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: lithography
Location: paris
Subjects: adolescent, young woman, maiden, single named nymphs, walking
Inscriptions: collector's mark: Lugt 533b, collector's mark: Lugt 2228a, collector's mark: Lugt 421, annotation: ‘Essai - 23 Avril 1903’

Illustratie bij het gedicht Le Mendiant van André Chénier, specifiek de verzen: La fille de Lycus, vierge aux cheveux dorés, Sous les monts Achéens, non loin de Crénée, Errait à l'ombre, aux bords du faible et pur Crathis.
Rocking Chair
Object type: rocking chair
Date: 1820 – 1850
Materials: wood
Culture: american, shaker
Artist: united society of believers in christ’s second appearing (“shakers”)
Artist role: maker
Artist nationality: american
Artist dates: 1750 – 9999

Previously reserved for the elderly and infirm, rocking chairs became ubiquitous in America after the Revolution. The Shakers produced slat-back rocking chairs both for their own use and for sale to the outside world. On this example, the oval finials, round hand grips, and shaped blades suggest it was made in the New Lebanon, New York, community.
Oss - Kerk en pastorie der nieuwe Parochie van het H. Hart
Object type: photomechanical print
Date: 1921 – 1928
Materials: cardboard
Techniques: photograph, hand coloring, writing
Location: oss
Subjects: church (exterior)
Inscriptions: poststempel, verso, gestempeld
Koperplaat met de Heilige Lambertus
Object type: copper plate
Date: 1640 – 1687
Materials: copper
Techniques: engraving
Location: antwerp
Artist: franz huybrechts
Artist role: print maker
Artist dates: 1630 – 1687
Subjects: saints

De platen (RP-D-2014-9-1 t/m 35) zijn vrijwel allemaal vervaardigd door anonieme graveurs werkend voor de Antwerpse uitgevers Cornelis Galle, Frans Huberti (Huybrechts), Theodor van Merlen II en Michel Bunel. Vermoedelijk zijn ze uiteindelijk beland in één fonds, wellicht dat van Michel Bunel (1670-1739) en warden sindsdien bij elkaar bewaard. Afwijkend is de grote prent van Henry Verbruggen met een weergave van de Preekstoel uit de St. Gudule-kerk te Brussel. Twee prenten zijn verpakt in een oude afdruk van de prent, zoals te doen gebruikelijk in uitgeverijen (vergl. oude platen in Museum Plantijn Moretus, Antwerpen). Van 8 platen heeft de vorige eigenaar afdrukken laten maken op modern papier.
Stamp seal (octagonal pyramid) with cultic scene
Object type: stamp seal
Date: 734 – 601
Materials: limestone
Culture: assyrian
Location: mesopotamia
Subjects: men
Europeesche huizen Goenoengsari in aanbouw. (Juli 1926.)
Object type: photograph
Date: 1907 – 1926
Materials: photographic support
Techniques: gelatin silver print
Location: east java
Artist: Anonymous
Subjects: colonial system, trade-company, making the overground structures (~ building activities), (non-fruit) products of plants or trees: sugarcane, representation of real building (either existing or having existed)
Inscriptions: inscription: ‘Europeesche huizen Goenoengsari in aanbouw. (Juli 1926.)’

Bouw van de huizen voor het Europese personeel van de fabriek, juli 1926. Onderdeel van het fotoalbum met foto's van de opbouw van de suikerfabriek te Goenoengsari op Oost-Java door de Handels Vereniging Amsterdam 1926-1927.
Gezicht op Silindoeng bij Taroetoeng op Sumatra
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: prospect of village, silhouette of village, sumatra

Panoramafoto bestaande uit twee afdrukken.
Peytral of a Horse Armor
Object type: armor
Date: 1520 – 1520
Materials: steel
Culture: german
Location: germany
Gezicht over een meer of zee tijdens de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904
Object type: photograph
Date: 1904 – 1905
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: missouri

Gezicht over een meer of zee tijdens de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904.
The Annunciation
Object type: painting
Date: 1585 – 1585
Materials: oil, wood
Artist: peter candid (pieter de witte, pietro candido)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1548 – 1628
Subjects: doves,virgin mary,archangel gabriel,annunciation

Candid (or Candido) was born in Bruges and trained in Florence, where he began his career as a painter and designer of tapestries. In this grand altarpiece, the angel Gabriel along with God the Father and the Holy Spirit rush into Mary’s bedroom in a blaze of light and color as they announce that she will bear a child. The artist painted it for a small church or oratory in the country to the south of Florence soon before he left Italy for Munich, where he became court painter to the dukes of Bavaria.
Urn on square base (one of a pair)
Object type: urn
Date: 1770 – 1780
Materials: gilt bronze
Ex libris van Mary Edmunds
Object type: bookplate
Date: 1893 – 1893
Materials: paper
Techniques: engraving
Artist: charles william sherborn
Artist role: print maker
Artist dates: 1831 – 1912
Subjects: foliage ~ ornament, rural housing, e.g. country-house, villa, cottage, cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Posilippo, Napoli
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: posillipo
Artist: Anonymous
Subjects: trees, landscapes in the temperate zone, coast, posillipo, collina di
Inscriptions: number: ‘6128’, collector's mark: ‘VOSMAER’
Kist met bloemmotief
Object type: photograph
Date: 1875 – 1900
Materials: paper
Techniques: carbon print
Location: netherlands
Artist: Anonymous
Subjects: chest, coffer
Inscriptions: collector's mark: ‘Kunstnijverheidschool Quellinus Amsterdam Frans Halsstraat 14.’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’, inscription: ‘Hoch mit Fug: 0, 87 lang: 1,22 bi: 0,625’

Voor een andere foto van dezelfde kast zie RP-F-00-8445.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, head of a filleted, bearded man to right with his right thumb touching the tip of his beard
Stephane Mallarmé, No. 2
Object type: print
Date: 1892 – 1892
Materials: ink, paper
Techniques: scraping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Zelfportret met hoed
Object type: print
Date: 1660 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: lille, amsterdam, painter, print maker, draughtsman, wallerant vaillant, historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 964
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1736 – 1795
Materials: amber
Culture: chinese
Subjects: human figures
Bracteate with Human Head
Object type: bracteate
Date: 200 – 500
Materials: gold
Culture: roman
Location: gaul
Kalenderblad voor september tot en met december 1924
Object type: calendar leaf
Date: 1923 – 1923
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: roof (of house or building), birds, church (exterior), landscape with tower or castle

Een overvliegende vogel met daaronder een landschap met daken, kerktorens en rokende schoorstenen.
[Stereographic View of Two Nude Women]
Object type: stereograph
Date: 1840 – 1849
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: portraits,female nudes

The combination of the daguerreotype (with its perfect rendering of detail) and the stereoscope (with its illusion of three dimensions and indeterminate scale) proved irresistible to the makers and consumers of erotic art. Stereoscopic daguerreotypes were often embellished with subtle handcoloring to suggest natural skin tones and with touches of color and gold on the pearl necklaces, jeweled pendants, and glittering diadems that were the models' frequent accoutrements. The viewer's sense of voyeurism is further enhanced by the way one looks at stereographs: privately, as if spying through the boudoir keyhole.
Dressing jacket
Object type: dressing jacket
Date: 1885 – 1890
Materials: cotton, silk
Culture: american

Featured, is an excellent example of a dressing jacket from the period of the late 1880s to the mid-1890s. The combination of the ribbon and lace add an elaborate touch which is very typical of fashions from this time. Prior to this, lingerie and dressing wear was much simpler, but beginning in the 1880s the idea of luxury in fabrics and decoration became popular.
Snuffbox
Object type: snuffbox
Date: 1768 – 1769
Materials: diamond, enamel, gold
Artist: charles le bastier
Artist role: maker
Artist nationality: french
Artist dates: 1724 – 1783

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Interior of a Roman Inn
Object type: drawing
Date: 1817 – 1817
Materials: graphite, watercolor
Artist: bartolomeo pinelli
Artist role: artist
Artist nationality: italian
Artist dates: 1781 – 1835
Subjects: musical instruments,inns,interiors,men,women
Button
Object type: button
Date: 1850 – 1850
Materials: porcelain
Culture: japanese
Subjects: children,women
Ovoid teapot with a crucifixion scene
Object type: teapot
Date: 1780 – 1780
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous

Eivormige theepot van porselein met ingegrift, gevlochten c-vormig oor, gebogen tuit en deksel, beschilderd op het glazuur in zwart en goud. Op de buitenzijde een voorstelling van de Kruisiging met de twee Maria's; de schouder en de dekselrand met een band met een decoratief patroon. Pot is gebroken geweest. Onderdeel van een theeservies. Europese voorstelling in encre de Chine.
Dress
Object type: dress
Date: 1701 – 1900
Materials: cotton
Culture: american
Dolman
Object type: dolman
Date: 1860 – 1869
Materials: wool
Culture: british
Teapot in the form of a cauliflower
Object type: teapot with cover
Date: 1755 – 1770
Materials: earthenware
Techniques: glazing
Subjects: leaves
Virgin and Child, with Saints Jerome and Mary Magdalene and angels
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Sphinx of Hatshepsut
Object type: sphinx, hatshepsut
Date: 1479 – 1458
Materials: granite, paint
Location: egypt
Subjects: sphinx
Carte-de-visite with Canova’s Venus Italica
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘Venus./ (Canova.)/ Im neuen Jahr zieh' nur dorthin,/ Wo hübsch die Zimmernachbarin,/ Wo freundlich Du behandelst wirst,/ Wenn Du Dich in der Thür' mal irrst.’

The meaning of ‘Sculptur und – Natur’ (Sculpture and Nature) goes without saying. A semi-clad woman in the same pose as Canova’s Venus Italica is surprised by a male visitor. However, he fails to notice the child at play. The New Year’s greeting on the back advises to above all choose the proper front door. The maker of this card thus used Canova’s famous sculpture as a cover for his naughty depiction.
Bead
Object type: bead
Date: 801 – 1200
Materials: bone
Location: nishapur
Profile of a Gentleman and Portrait of an Old Woman
Object type: watercolor
Date: 1810 – 1815
Materials: paper, watercolor
Culture: american
Artist: henry williams
Artist role: artist
Artist nationality: american
Artist dates: 1787 – 1830
Subjects: men,profiles
Coffee pot
Object type: lid
Date: 1784 – 1809
Materials: porcelain
Location: meissen

lid: Meissener Porzellan Manufaktur
pot: Porceleinfabriek aan den Amstel
Manufactuur Oud-Loosdrecht
Ouder-Amstel and Loosdrecht, c. 1784–1809
hard-paste porcelain
Title to the French Set
Object type: print
Date: 1858 – 1858
Materials: chine, ink, paper
Techniques: printmaking, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: children,men

Whistler here depicts himself outdoors working on a copper plate surrounded by fascinated children. The image responds to a Rhineland tour he made in the summer and fall of 1858 and was used to introduce "Douze eau-fortes d'apres Nature" (Twelve Etchings from Nature), the artist's first published set. The title indicates his realist affinities with lettering added to credit Auguste Delâtre as printer and dedicating the work to Seymour Haden. As Whistler’s brother-in-law, the latter had encouraged his first serious etchings. Even when dressed in a loose traveling suit, the artist cuts a dashing figure, with romantically long hair and a beribboned hat.
Blad met acht handtekeningen in een geornamenteerd kader
Object type: design
Date: 1901 – 1901
Materials: paint, paper, pencil
Techniques: brush
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: publisher, albertus willem sijthoff, ornaments ~ art
Inscriptions: collector's mark: ‘R:MVS.’

Ontwerp voor een album voor A.W. Sijthoff ter gelegenheid van zijn vijftigjarige uitgeversloopbaan.
Thier-Studien
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: lithograph
Location: munich
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Limestone ram-bearer
Object type: statuette of a kriophoros, fragmentary
Date: 575 – 551
Materials: limestone
Culture: cypriot
Subjects: men,rams

Images of worshipers bringing an animal for sacrifice emphasize the importance of agriculture and animal husbandry for the subsistence of the community. Such limestone examples have been found not only on Cyprus but also in sanctuaries on Samos and Rhodes, for instance. More modest representations exist in terracotta.
Oudtestamentische voorstellingen
Object type: print
Date: 1629 – 1641
Materials: paper
Techniques: etching
Location: paris
Subjects: a large fish appears while tobias is washing his feet; he is frightened
Inscriptions: collector's mark: ‘KONING: BIBLIO:’ Lugt 240

In een bebost, heuvelachtig landschap zijn Tobias, een hond en de engel Rafaël op de voorgrond bij de rivier de Tigris weergegeven. Tobias komt met opgeheven armen uit het water en kijkt verschrikt achterom naar de grote vis die naar de oppervlakte is gekomen.
Ichiro gafu
Object type: book
Date: 1823 – 1823
Materials: paper
Techniques: woodcut
Location: japan
Artist: yashima gakutei
Artist role: print maker
Artist dates: 1786 – 1868
"Khwaja Umar Saved from Pursuers," Folio from the Hamzanama (The Adventures of Hamza)
Object type: folio from an illustrated manuscript
Date: 1565 – 1570
Materials: textile, cotton, gold
Location: india
Artist: kesu das
Artist role: artist
Artist nationality: indian
Artist dates: 1545 – 1627

The painting belongs to a series of illustrations of the Hamzanama (Story of Hamza), a fictional account of the adventures of the Prophet Muhammad’s uncle Amir Hamza, who seeks to convert the world to Islam. This folio depicts Umar, a loyal helper of Hamza, being saved from his pursuers by a heavenly hand which reaches out to pull him skyward. Unusually for the Hamzanama this folio displays a certain amount of European influence, seen in the billowing clouds, impressionistic blue-tinted forest and scattered bones. Kesu Das was pre-eminent among early Mughal painters to adapt these techniques from European prints and engravings that were circulating at court. This painting is like to have been composed and detailed by him, working with another anonymous artist.
Gezicht op de pergola in de tuin van de buitenplaats Petersburg
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: french or architectonic garden; formal garden, pergola, nederhorst den berg

Prent voor het eerst gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719. Prent mogelijk uit: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Seven Pendants for Horse Trappings
Object type: pendant for horse trapping
Date: 1401 – 1500
Materials: copper alloy, enamel, gold
Culture: spanish
Location: portugal

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Halved Design for an Altar
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: architecture,altars
1st Regiment, National Guards, St. Paul, Minnesota Militia, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,firearms,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.