deem-data/ArtiFact huggingface dataset:
Vase
Object type: vase
Date: 1893 – 1896
Materials: glass
Culture: american
Location: united states
Artist: louis c. tiffany
Artist role: designer
Artist nationality: american
Artist dates: 1848 – 1933
Subjects: feathers

This vase forms part of a group of more than forty objects given to the Museum in 1896 by Louisine and Henry Osborne Havemeyer (96.17.9–.56), the first American glass to enter the Museum's collection. Most likely prompted by Louis Comfort Tiffany, the Havemeyers presented their collection of Tiffany favrile glass to the Museum only three years after Tiffany started making decorative blown-glass vessels. The shapes, colors, and finishes of Tiffany's vases and plaques were inspired by the natural world and by ancient glass.
Scarab Inscribed for the Female Horus Wosretkau (Hatshepsut)
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: horus,scarabs
Covered Dish in Form of a Shell
Object type: covered dish
Date: 1701 – 1800
Materials: enamel, porcelain
Techniques: overglaze, underglaze
Culture: japanese
Subjects: flowers,shells
Beheersing van de scheepvaart op de Oostzee door Rusland 1704
Object type: history medal
Date: 1704 – 1704
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het borstbeeld van Tsaar Peter de Grote naar rechts met omschrift, op de keerzijde Neptunus in een schelp voortgetrokken door hippocampen, met omschrift en afsnedetekst.
Gezicht op de Oude Kerk te Amsterdam
Object type: drawing
Date: 1659 – 1712
Materials: ink, paper
Techniques: pen
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: city-view in general; 'veduta', church (exterior)
Inscriptions: inscription: ‘oude kerk [...]’, inscription: ‘4’, inscription: ‘Oude Kerk tot Amsterdam.’
Le isle Royalle a Versailles
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: garden fountain, french or architectonic garden; formal garden

Bassin met fonteinen, Île Royale geheten, in de tuinen van Versailles. Rechtsonder het serienummer: C6. Prent maakt deel uit van een album.
Frankrijk
Object type: print
Date: 1973 – 1973
Materials: paper
Techniques: etching
Artist: karel wetselaar
Artist role: print maker
Artist dates: 1935 – 2017
Subjects: village, bridge in village across river, canal, etc.
Inscriptions: inscription: ‘drukproef’, signature and date: ‘K. Wetselaar '73’
Slippers
Object type: slipper
Date: 1780 – 1780
Materials: silk
Culture: american or european
Mensen op een graanveld nabij Bethlehem
Object type: photograph
Date: 1851 – 1910
Materials: paper
Techniques: albumen print
Location: bethlehem
Artist: Anonymous
Subjects: field filled with a crop, cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet)
Inscriptions: number: ‘1226’
Karl-Heinz Arndtheim, de tweede echtgenoot van Isabel Wachenheimer, en profil met bril en hemd met grote kraag,1949-1955
Object type: photograph
Date: 1949 – 1955
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: karl-heinz arndtheim

Karl-Heinz Arndtheim, de tweede echtgenoot van Isabel Wachenheimer, en profil met bril en hemd met grote kraag.
Altar in the Digambar Jain temple in Sanganer near Jaipur, Rajasthan, India
Object type: photograph
Date: 1865 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: sanganer
Artist: Anonymous
Subjects: altar ~ non-christian religions
Inscriptions: title: ‘Sanganir near Jeypore./ Jain Temple’, number: ‘161’, number: ‘94’
Gelukkig koppel met hun gezin
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: parental love, happy marriage
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Lang, Carl. Almanach und Taschenbuch für Haeusliche u. Gesellschaftl. Freunden (...). [Frankfurt]: Heilbronn, 1796.
Terracotta fragment of a kylix: Band or lip cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, bit of the reserved tondo; Exterior, black glaze with a band of reserve
J. v. Ruisdael, Landschaft mit den Planken
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: vienna
Subjects: fence, wall, paling, plain
Stalen bewapening in de fundering voor een kolenopslagplaats, Keilehaven
Object type: photograph
Date: 1912 – 1912
Materials: paper, cardboard
Techniques: gelatin silver print
Location: rotterdam
Artist: willem sr. bleuzé
Artist role: fotograaf
Artist dates: 1873 – 1948
Subjects: factory-building
Inscriptions: address: ‘W. BLEUZÉ/ ROTTERDAM/ JONKER FRANSSTRAAT 66’, inscription: ‘Zuid fundering/ kolenopslagkraan/ Gasfabriek v/d Keilehaven’
Beggar seated on a bank
Object type: print
Date: 1760 – 1781
Materials: paper
Techniques: etching
Subjects: beggar
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 1318
Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: after the return of the lord the servants account for their debts and are rewarded accordingly

De heer vraagt zijn drie dienaren om rekenschap. Degenen met vijf talenten en twee talenten hebben allebei hetzelfde bedrag erbij verdiend. De laatste dienaar legt zijn bundel met een talent op tafel en geeft de heer precies hetzelfde terug als wat hij gekregen had. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 25. Deze prent maakt deel uit van een album.
Portret van Johann Strauch op 61-jarige leeftijd
Object type: print
Date: 1673 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: johann strauch, historical persons, portrait of a writer, professor

Met zesregelig onderschrift in het Latijn.
Moving a Stone Block, Tomb of Rekhmire
Object type: facsimile, rekhmire tt 100, stone mason
Date: 1504 – 1425
Materials: ink, paint, paper
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Terracotta fragment of a kylix: eye-cup (drinking cup)
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, in the center, a centaur to right, looking over his right shoulder to the bird, who is in flight; Obverse and reverse: Dionysos between two satyrs and vines
A skeleton wearing a hat having a drink (vignette for the feast of the dead)
Object type: print
Date: 1892 – 1892
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons,drinking

Image included in the broadsheet "La Calavera de Cupido" (Imprenta de A. Vanegas Arroyo, ca. 1892).
Vulcan Presenting Arms for Aeneas to Venus from a set of The Loves of the Gods
Object type: tapestry
Materials: silk, wool
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: aeneas,venus,vulcan,mountains,trees
Relief fragment of Nebhepetre Mentuhotep
Object type: relief, nebhepetre mentuhotep
Date: 2020 – 2000
Materials: limestone, paint
Location: egypt

Preserved are parts of the king’s upper body and left arm as well as the round tip of the mace scepter in his right hand. A goddess embraces him; her two hands still visible on his torso and shoulder. In front, the tip of a vertically positioned cartouche is just preserved, and above hovered a winged sun disk adorned by cobras with ankh (life) symbols slung over their bodies. One of these cobras reaches out to the king so that the ankh almost touches his face.
The Tender Husband
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: boys,men,women,smoking,dogs
Half-hour sandglass
Object type: half hour sandglass
Date: 1500 – 1525
Materials: bronze, gilt silver, glass
Techniques: gilding

Considerably cheaper and more durable than clocks, sandglasses also required no maintenance. This finely wrought example for the highest end of the market was probably intended for devotional purposes. It would prompt its user not only to reflect on the passing of time and the transience of life but also, more practically, to time half-hour periods of prayer and meditation. Nuremberg became a center of sandglass production, uniting new glass technologies, local metalworkers, and a ready source of particularly fine reddish sand from the nearby village of Weissenbrunn. [Elizabeth Cleland, 2017]
Portret van een onbekende vrouw
Object type: design
Date: 1910 – 1916
Materials: paper
Techniques: lithograph
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: collector's mark: Lugt 2228

Een vrouw met opgestoken haar en een ketting.
Portret van Rafaël
Object type: print
Date: 1808 – 1863
Materials: paper
Techniques: etching
Subjects: rome, painter, rafaël, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Armchair
Object type: armchair
Date: 1881 – 1882
Materials: mother of pearl, silk, velvet, wood
Techniques: gilding
Culture: american
Location: united states
Artist: herter brothers
Artist role: maker
Artist nationality: american
Artist dates: 1864 – 1906

William H. Vanderbilt, son of Cornelius “Commodore” Vanderbilt, inherited a vast fortune and a lucrative transport business, which he expanded exponentially, becoming one of the wealthiest men in America. In 1879, to mark his elevated social and economic status, he built a mansion that spanned an entire city block on Fifth Avenue, between Fifty-First and Fifty-Second Streets. He commissioned Herter Brothers, one of the premier cabinetmaking firms in New York City, to decorate and furnish his home. In devising distinct decorative schemes for each room of the mansion, Herter Brothers drew inspiration from a wide range of historical styles and utilized expensive, exotic materials. The house’s original furnishings were dispersed when the residence was redecorated between 1915 and 1916, and at the time of its demolition in 1946. Many of these items have come to light only in recent years. Perhaps the most remarkable discovery from the drawing room is this lady’s bergère (armchair) with its original upholstery, which was paired with a larger gentleman’s bergère. On the sides of the chair, two opposing griffins, whose wings spread to connect at the center, flank a shield-like motif and mother-of-pearl roundels framed by sinuous rope-like elements. The boldly turned legs are in the form of a stylized lotus. The voided and red silk cut velvet on a gold ground in a Chinese style, with elaborate tufted trellis trim over red silk fringe and gold cording, is an extraordinary survival.
Medea rijdend op draken
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: dragon (large fabulous serpent, sometimes with wings and legs), sitting figure - aa - female human figure, medea kills her two children; she flees from corinth in a chariot drawn by winged dragons, dragon

Medea rijdend op twee draken in de wolken. Zij giet een vloeistof uit een schaal. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Kanaal en aanlegsteiger voor gondels bij San Marcoplein
Object type: album leaf
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: venice
Artist: Anonymous
Subjects: tourism, gondola, canals, waters (in city) (+ city(-scape) with figures, staffage), venice
Inscriptions: inscription: ‘Embarcaderi place St. Marc’

Albumblad met twee foto's in Venetië. Onderdeel van een fotoalbum van een reis door Italië, ca. 1900.
Pagina 69 van fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.)
Object type: photograph
Date: 1924 – 1925
Materials: paper, photographic support
Techniques: printing
Location: sumatra
Artist: j.w. meyster
Artist role: fotograaf
Artist dates: 1887 – 1945
Subjects: factory-building, (non-fruit) products of plants or trees: rubber, sumatra

Boekpagina met een foto van het exterieur van een verstuivingsfabriek behorend bij een rubberfabriek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.) te Boenoet. Onderdeel van een fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.).
Kanarielaan in 's Lands Plantentuin te Buitenzorg, op de voorgrond een Europeaan
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: s lands plantentuin
Artist: Anonymous
Subjects: botanic garden, 'hortus botanicus', lane, alley

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Port du Pirée
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard, photographic process
Location: athens
Artist: Anonymous
Subjects: harbour, city-view, and landscape with man-made constructions

Achter de Franse titel staat de titel in het Grieks.
Jager
Object type: drawing
Date: 1843 – 1843
Materials: ink, paper
Techniques: brush, pen
Location: materborn
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hunter
Inscriptions: date and inscription: ‘Materborn drijver - 1843’, annotation: ‘"jager"’, collector's mark: Lugt 2228

Kop van een jager. Getekend op een fragment van een envelop.
Jérusalem, Vallée de Josaphat, Grottes sépulcrales, 2
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: landscapes
Celery Vase
Object type: celery vase
Date: 1850 – 1870
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Rivierlandschap met herder en koeien op brug
Object type: print
Date: 1739 – 1780
Materials: paper
Techniques: engraving, etching
Location: venice
Subjects: cow, river, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: Lugt 240
Zomer
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching
Location: augsburg
Subjects: harvest, summer ~ human activities (the four seasons of the year)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Onderdeel van een serie van vier prenten met jonge mensen in de seizoenen.
Gezicht op gebouwen langs een weg met karren
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: sailing-ship, sailing-boat, civic architecture; edifices; dwellings, (farm) wagon, freight wagon, cart

Links een figuur tussen twee beladen karren. Rechts gebouwen, mogelijk aan het water. In de verte twee masten van zeilschepen. Blad 57 verso uit een schetsboek met 58 bladen.
Gipsmodel voor de versiering van het Palais du Louvre door Etienne Jacquemin
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, ornamenting, decorating ~ applied arts, paris, tuileries palace
Inscriptions: number: ‘391’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 4.
Portret van Johann Jacob Otho
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons

Prent mogelijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Portret van een vrouw met parasol
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, historical persons, parasol, sunshade
January, from "Album of Rustic Subjects"
Object type: print
Date: 1859 – 1859
Techniques: engraving
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
An Acolyte
Object type: figurine
Materials: copper, glass, iron, metal
Techniques: lampwork
Culture: french
Subjects: human figures
Festive Green Parrot, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: parrots

Trade cards from the "Birds of the Tropics" series (N5), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Broken Eggs
Object type: painting
Date: 1756 – 1756
Materials: canvas, oil
Artist: jean-baptiste greuze
Artist role: artist
Artist nationality: french
Artist dates: 1725 – 1805
Subjects: interiors,children,men,women,eggs

In moralizing genre subjects such as this, Greuze bypassed the arcane subject matter of history painting to appeal to a broad public. At the Salon of 1757, a critic even declared that the pose of this young servant girl, whose loss of virginity is symbolized by the broken eggs, was worthy of a history painter. Greuze struck upon such subjects, based in part on seventeenth-century Dutch painting, while still a student in Rome, though he would spend the next decades stubbornly pursuing the official title of history painter.
Portretten van een courtisane en haar kamermeid
Object type: costume print
Date: 1630 – 1632
Materials: paper
Techniques: engraving, letterpress printing
Location: unknown
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: whore, prostitute - cc - male prostitution, servant - aa - chambermaid
Inscriptions: collector's mark: Lugt 2228

Prent gemaakt voor: Le miroir des courtisannes de ce temps. Verschillende edities van dit werk, uitgegeven tussen 1630 en 1710, maken gebruik van de gravures van Van der Passe óf van spiegelbeeldige kopieën ervan.
Pianta del porticho del Palazzo / del Sigr. Don Carlo Doria / Pianta del porticho del Palazzo / dil sigr. Augustino Pallavicino
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: vestibule, hall, hôtel, i.e. small palace in city, plan ~ architecture

Deze prent maakt deel uit van een album.
Piece
Object type: piece
Date: 1501 – 1700
Materials: silk
Subjects: birds
Strainer fragments
Object type: vessel fragment, tell basta treasure
Date: 1070 – 712
Materials: silver
Location: egypt
Ex libris van Franchetti
Object type: bookplate
Date: 1800 – 1900
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: water-birds: swan, armorial bearing, heraldry
Ontvangst van post door een postbode te paard
Object type: print
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: postal service, ships (in general), postman, sea
Inscriptions: collector's mark: Lugt 1206, collector's mark: Lugt 2228

Een postbode te paard waadt door het water en neemt post in ontvangst van twee mannen in een roeiboot.
Textile Fragment
Object type: textile fragment
Date: 1001 – 1100
Materials: wool
Techniques: weave
Location: egypt
Paperweight
Object type: decorative art
Date: 1849 – 1858
Materials: earthenware
Location: bennington
Artist: lyman, fenton & co.
Inscriptions: Impressed on base in a circle: "Lyman, Fenton & Co./Bennington [Vt]/Fenton's/enamel/Patent/1849"
Reproducties van geschilderde portretten van Michiel de Ruyter (door Ferdinand Bol, 1667, SK-A-44) en (als randversiering) andere gezagvoerders ter zee
Object type: photomechanical print
Date: 1907 – 1907
Materials: paper
Techniques: photograph
Location: utrecht
Subjects: commander-in-chief, admiral (+ naval force), painter at work, in his studio
Inscriptions: collector's mark: Lugt 2228, annotation: ‘1606 / Luitenant-Admiraal-Generaal MICHIEL ADRIAENSZ. DE RUYTER / 1907 // Uitgave W. DE HAAN, UTRECHT. / PHOTOTYPIE L. VAN LEER & Co., AMSTERDAM.’

uitgegeven ter gelegenheid van de herdenking van de driehonderdste geboortedag van Michiel de Ruyter in 1907
Portret van Max Dittmar Henkel
Object type: photograph
Date: 1905 – 1943
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: max dittmar henkel, historical persons
Inscriptions: inscription: ‘M.D. Henkel/ 1879-1944/ Photo genomen Mei 1943’
Large Figure of a Lady
Object type: figure
Date: 206 – 8
Materials: earthenware, pigment
Culture: chinese
Subjects: women
Koets en wandelaars in de Haarlemmerhout in Haarlem
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching
Subjects: bench, walking-stick, staff, four-wheeled vehicle drawn by two animals
Inscriptions: date
Ter Nagedagtenisse van den Heer Isaac van Goudoever, Oudste Kollonel der Amsterdamsche Schuttery 1787
Object type: calligraphy
Date: 1793 – 1793
Materials: paper
Techniques: calligraphy
Location: northern netherlands
Artist: Anonymous
Subjects: amsterdam, calligraphy, grave-building, monumental tomb, freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure), patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Allegorisch grafmonument voor Isaak van Goudoever, overleden op 11 september 1793. Op het graf de Vrijheid met haar hand rustend op het portret van Goudoever op een afgebroken zuil. Links van de graftombe staat Minerva, rechts een allegorisch vrouwenfiguur met roer en hoorn van overvloed. Onder de voorstelling de gekalligrafeerde titel.
Landschap met ophaalbrug en personen voor een herberg
Object type: drawing
Date: 1771 – 1771
Materials: paper, pencil
Techniques: brush
Artist: jacob cats (1741-1799)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1799
Blad H: twaalfde en dertiende praalwagen, 1767
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: engraving, etching
Location: ghent
Artist: lieven wouters
Artist role: print maker
Subjects: spring, 'ver'; 'primavera' (ripa), male saints (macarius of antioch), hoofed animals: ibex, chariot, triumphal car, luck, fortune, lot; 'fato', 'fortuna', 'fortuna aurea', 'fortuna buona', 'fortuna pacifica overo clemente', 'sorte' (ripa), ghent

Blad H met de twaalfde en dertiende praalwagen en het twaalfde en dertiende dier. Twaalfde triomfwagen met de allegorische verbeelding van Fortuna. Twaalfde dier: beer. Dertiende praalwagen met de allegorische verbeelding van het seizoen Voorjaar (Lente). Dertiende dier: ibex. Gemerkt: H / 24-27. Onderdeel van de optocht bij de viering op 30 mei 1767 van het 700-jarige jubileum van de Heilige Macarius, patroon van de stad Gent en beschermheilige tegen de pest.