deem-data/ArtiFact huggingface dataset:
Portret van Joanna Hermine Lion Cachet-Cordes
Object type: sketchbook leaf
Date: 1930 – 1930
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: adult woman
Inscriptions: annotation: ‘Mw J.H. Lion Cachet-Cordes’

Blad 5 recto uit een schetsboek met 9 bladen.
Suite de dix Paysages
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: france
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), angling, fisherman
Inscriptions: collector's mark: Lugt 12

Maakt deel uit van een tiendelige serie met landschappen, uitgegeven door Basan te Parijs in 1763.
Composite Photographs
Object type: photomechanical print
Date: 1892 – 1897
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, historical persons not known by name
Sculptuur van een Bacchante
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: rome
Subjects: maenad(s), female bacchant(es), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘30’

Deze prent maakt deel uit van een set van 79 prenten (+ titelprent) met voorstellingen van antieke sculpturen in Rome.
Brand in de lijnbanen van de Admiraliteit, 1673
Object type: print
Date: 1690 – 1735
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: painter, print maker, draughtsman, jan van der heyden, on fire, ablaze, fire-fighting, fire-extinguishing equipment, amsterdam
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Heyden, Jan van der. Beschryving der nieuwlyks uitgevonden en geoctrojeerde slang-brand-spuiten en haare wyze van brand-blussen, tegenwoordig binnen Amsterdam in gebruik zijnde (…). 1e druk. Amsterdam: Jan Rieuwertsz. (II), 1690. En in: Heyden, Jan van der. Beschryving der nieuwlyks uitgevonden en geoctrojeerde slang-brand-spuiten en haare wyze van brand-blussen, tegenwoordig binnen Amsterdam in gebruik zijnde (…). 2e druk. Amsterdam: erfgenamen Jan van der Heyden, 1735.

Voor eerdere staat, voor de letter, zie RP-P-1884-A-7672.
Voor andere exemplaren van geletterde staat, zie RP-P-AO-25-61, RP-P-AO-28-76-4 en RP-P-OB-77.744.
Portret van Pius IX
Object type: print
Date: 1832 – 1854
Materials: paper
Techniques: lithograph
Location: berlin
Artist: c. fischer
Artist role: print maker
Subjects: rome, historical persons, pope
Inscriptions: check stamp: Lugt 5005, collector's mark: Lugt 2228
Friezen en geometrische motieven met moresken en arabesken
Object type: ornament print
Date: 1550 – 1580
Materials: paper
Techniques: engraving
Location: netherlands

Midden in het bovenste fries bevindt zich een mascaron, aan elk uiteinde is een half mascaron zichtbaar. Rechts van het midden bevindt zich een mascaron. Een van 15 bladen afkomstig uit een serie van 23 met titelblad.
Eugene Scribe. Ne a Paris, le 25 decembre;decede le 20 fevrier 1861
Object type: page
Date: 1850 – 1861
Materials: paper
Techniques: woodburytype
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Subjects: portrait of a writer
Inscriptions: inscription: ‘126, boul. Magenta.-Paris.’
Afgunst (Invidia)
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Subjects: envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins
Inscriptions: collector's mark: Lugt 2228

Personificatie van de afgunst, verbeeld als vrouwenfiguur met slangen als haar, twee slangen in haar hand, knagend op een hart.
Portret van een staande jongen met tennisracket
Object type: album leaf
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: eduard fuchs
Artist role: painter
Artist dates: 1832 – 
Subjects: boy (child between toddler and youth)
Inscriptions: number: ‘44’, inscription: ‘Photographie/ E. Fuchs/ Leeuwarden’
Ontwerp voor decoratief glaspaneel met floraal ornament
Object type: design
Date: 1874 – 1945
Materials: ink, pencil
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: furniture and household effects, ornament derived from plant forms
Inscriptions: inscription: ‘Boven Buffet’
'Polonaise' Carpet
Object type: carpet
Date: 1601 – 1700
Materials: cotton, metal thread, silk
Techniques: asymmetrically knotted pile, brocade
Location: iran

When, in 1878, a carpet similar to this one was exhibited in Paris, it was assumed that the coats of arms woven into the rug were Polish and that the rug was made in Poland. It was later recognized that this group, distinguished by a silk pile and metallic brocading, was Persian, made during and after the reign of Shah 'Abbas I, beginning around the end of the sixteenth or early seventeenth century. The name, however, persisted, and more than 200 examples still bear the name. Many pairs of the type also survive. The type of design on this carpet has its roots in earlier Iranian carpets, but the rich silk pile, highlighted with gold and silver brocading, and muted but lively colors, signaled a change from the past. The tightly controlled overall pattern of compartments formed by overlapping cartouches in orange, yellow, red, green, and brown on a silver-and-gold brocaded ground is adorned by floral and leaf-vine systems with palmette motifs. Reports of European travelers mentioned the capital city of Isfahan as the center of Safavid court production. Probably many of the finest examples of Polonaise carpets were produced there for local patrons or on orders from the shah as special gifts or as commissions for export. The richness and elegance of the Polonaise carpets reflect the current taste of the wealthy Iranian court, and also the Baroque taste of Europe, where they were particularly admired.
Kasteel Doorwerth. Achterzijde
Object type: photomechanical print
Date: 1916 – 1916
Materials: cardboard
Techniques: photograph
Location: doorwerth
Subjects: castle, canal
Inscriptions: date
Twee mannen in landschap
Object type: print
Date: 1919 – 1919
Materials: paper
Techniques: etching
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: landscapes in the temperate zone, head-gear: hat, baldness, beard
Inscriptions: collector's mark: Lugt 2228

De linker man draagt een muts; de rechter heeft een baard en een kaal hoofd.
Gezicht op Sainte-Menehould
Object type: album leaf
Date: 1638 – 1638
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: city-view in general; 'veduta'

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, plattegrond 9 uit het deel 'Champagne'.
Campanus astronom[us]
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: wiskundige, arts, campanus van novara
Inscriptions: inscription: ‘179’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 189v.
A partly nude bacchante stepping forward and holding ends of her drapery in each hand
Object type: print
Date: 1795 – 1820
Techniques: engraving
Artist: vicenzo feoli
Artist role: artist
Artist nationality: italian
Artist dates: 1755 – 1827
Subjects: female nudes

From a series of engravings depicting wall paintings from Herculaneum, made by various engravers and intermediary draughtsman, all pulblished by Agapito Franzetti.
Fragments from a Book of the Dead
Object type: papyrus, funerary, book of the dead
Date: 1390 – 1353
Materials: ink, papyrus
Location: egypt
Subjects: hieroglyphs

Fragments of a papyrus mounted in four frames, with additional fragments in two dishes, discovered in Tomb MMA 831 (TT 297). This tomb belonged to an 18th Dynasty official named Amenemotep (also called Djehutynefer) and thus the papyrus may date to this era, specifically to the reign of Amenhotep III; however, a Ramesside date for the papyrus has also been suggested. The text is in vertical columns, primarily in black ink with rubrics in red. The hand is large and very fine. The vignettes used a polychrome palette that included red, black, yellow, white, red, and blue. This frame includes many small fragments of papyrus containing complete and partial hieroglyphs.
Lapis lazuli ring stone
Object type: intaglio
Date: 7000 – 330
Materials: lapis lazuli
Culture: post-classical
Subjects: armor,athena
Voyage en Italie, en Sicile et à Malte - 1778
Object type: drawing
Date: 1778 – 1778
Materials: chalk, paper
Techniques: brush, pen
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Inscriptions: number: ‘No 150 Capo S. Alessio entre Messine & Taormina’

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
L'Architecture la Décoration l'Ameublement
Object type: photograph
Date: 1873 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: liège
Subjects: ornamental cupboard, bed, wall-covering
Inscriptions: number: ‘14’, stamp: ‘TEEKENSCHOOL/ VOOR/ KUNSTNIJVERHEID/ HAARLEM’, stamp: ‘AFGESCHREVEN/ [...]’, inscription: ‘Eug. Prignot. inv.’, inscription: ‘Déposé’

Deze foto maakt deel uit van een omslag met 61 foto's op 61 bladen.
Pastural Landscape with Woman Spinning
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: spain
Artist: juan cristobal
Artist nationality: spanish
Artist dates: 1584 – 1594
Dansend boerenpaar bij doedelzakspeler
Object type: print
Date: 1596 – 1630
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: bagpipe, musette, one pair dancing; man and woman dancing as a couple, farmers
Inscriptions: collector's mark: Lugt 240

Dansend boerenpaar onder de bomen. Linksvoor zit een doedelzakspeler op een hekje. Op de achtergrond rechts een boerengevecht.
Furniture element: bull-man with Hathor-style curls
Object type: furniture element
Date: 1800 – 1701
Materials: ivory
Culture: assyrian
Location: anatolia
Subjects: men

This figure belongs to a group of carved ivories, mostly furniture elements, probably found at the site of a palace at Acemhöyük in central Anatolia. Most of the ivories depict imagery borrowed and transformed from Egyptian sources, but this piece takes the form of a bull-man, a typically Near Eastern supernatural creature combining a human head and frontal nude torso with the lower quarters of a bull shown in three-quarter view (note the tail visible at left along the curve of the flanks). The bull-man’s face resembles others from Acemhöyük, with its face-framing locks ending in curls, large nose, and wide eyes hollowed to receive inlays, now missing. He wears a belt and bracelets on both arms. The red color of the ivory indicates that iron oxides are present on the surface. Since the broken areas of the piece are also stained, it was probably not intentionally colored but picked up this stain as a result of contact with the soil in which it was buried. There are no traces of gilding. A hole at the top of the head allowed for attachment to another element.
Design for Stanhope Phaeton, no. 3244
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Elizabeth Francis, standing to the left with a harp
Object type: cut paper
Date: 1843 – 1843
Materials: paper
Techniques: cutting
Artist: auguste edouart
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1861
Subjects: women,harps
Terracotta oil lamp
Object type: lamp
Date: 40 – 100
Materials: terracotta
Culture: roman
Subjects: eagles

Loeschcke Type 4. Mold-made. Discus: eagle, facing front, with wings outstretched, and proper left leg raised; a single small filling hole at bottom right; band of lines and grooves towards edge. Volutes flanking nozzle. Incised base ring, and flat base. Intact, but some surface chipping.
Kanon
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: firearms: cannon
Inscriptions: number: ‘120’

Blad 8 recto uit een schetsboek met 44 bladen.
Violin-shaped Chinese tael weight from the wreck of the Dutch East India ship 't Vliegend Hart
Object type: weight scale component
Date: 1700 – 1735
Materials: copper
Location: china
Subjects: 't vliegend hart (schip), ming li-foo, verenigde oostindische compagnie

Koperen tael- of qiangewicht met Chinese en Europese inscripties waarmee goud en andere kostbaarheden werden gewogen. vioolgewicht, violin-shaped weights
Portret van graaf Charles-Frédéric Reinhard
Object type: print
Date: 1799 – 1837
Materials: paper
Techniques: lithograph
Artist: a. de crobriand
Artist role: print maker
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Trousers
Object type: trouser
Date: 1675 – 1675
Materials: metal, silk
Culture: french
Studieblad met kreeften
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: crustaceans: lobster
Fietsers en auto's op een straat
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: street (+ city(-scape) with figures, staffage)

Aan de zijden van de straat een rij huizen en een bomenlaan. Blad 40 recto uit een schetsboek met uit 75 bladen.
Daley, Catcher, Indianapolis, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Portret van Henri de la Tour d'Auvergne
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: engraving, etching
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
Birds in Landscape
Object type: painting
Materials: canvas, oil, paint
Techniques: painting
Location: england
Artist: marmaduke cradock
Artist nationality: english
Artist dates: 1660 – 1717
Subjects: birds, animals, buildings, ducks, english, landscape, roosters, trees
Portret van Johann Heinrich Schinz
Object type: print
Date: 1822 – 1831
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op een pad langs een rij bomen in een lijst
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Subjects: trees, road, path, frame of painting, etc.
Groep mensen proost op de jaarwisseling
Object type: print
Date: 1917 – 1919
Materials: paper
Techniques: drypoint
Location: munich
Subjects: new year's eve (december 31)
Inscriptions: collector's mark: Lugt 5629, collector's mark: Lugt 2166
Mr. Adriaan van der Goes
Object type: print
Date: 1790 – 1796
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: delft
Inscriptions: collector's mark: Lugt 2228

Prent oorspronkelijk gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59. Maar hier naam uitgever verwijderd, waarschijnlijk gebruikt in latere editie. Zie Van Someren 8d.
Portret van een Oostenrijkse officier
Object type: painting, miniature
Date: 1770 – 1790
Materials: cardboard, glass, metal, watercolor
Location: germany
Artist: Anonymous
Subjects: historical persons not known by name

Portrait of an Austrian Officer. German school. Board, c. 1780. Baron F.G.S. van Brakell bequest, Arnhem, 1878.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Février 1926, No. 66, 6e Année, p. 23
Object type: magazine
Date: 1926 – 1926
Materials: paper
Techniques: brush, hand coloring, lithograph, pochoir
Subjects: fashion plates, head-gear: hat (+ women's clothes)

Vijf verschillende dameshoeden van Jeanne Duc. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Twee gezichten en een gezicht zonder mond
Object type: drawing
Date: 1913 – 1945
Materials: paper, pencil
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Subjects: face
Inscriptions: collector's mark: Lugt 2228
Cavalry Camp, Balaklava
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards, documentary
Inscriptions: Printed recto, on mount, lower left, in black ink: "Deposé"; recto, on mount, lower right, in black ink: "Cavalry Camp, Balaklava."; recto, along bottom edge, in black ink: "Photographed by R. Fenton. Manchester, Published by T. Agnew & Sons, Jan'y 1st 1856. / London, P. & D. Colnaghi H[?], Paris, Moulin, 23, Rue Richer New York, Williams H[?]."; unmarked verso
Jonge vrouw met waaier
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: fan, index finger upwards
Inscriptions: collector's mark: Lugt 2228

Een jonge vrouw met een grote hoed en een waaier in haar hand. Met haar rechter wijsvinger maakt ze een spreekgebaar.
Relief fragment with a temple enclosure wall
Object type: talatat, temple enclosure wall
Date: 1353 – 1336
Materials: limestone, paint
Fringe
Object type: fringe
Date: 1867 – 1900
Materials: metal thread
[Frederick Richard Pickersgill]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Le Magasin de Meubles No
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery

Twee vensters met gedrapeerde gordijnen. Prent uit 89e Livraison.
Portret van Lodewijk XIV
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Subjects: lodewijk xiv (koning van frankrijk), coat of arms (symbol of sovereignty), knighthood order of the holy spirit
Inscriptions: stamp, collector's mark: Lugt 1641

Portret van Lodewijk XIV, koning van Frankrijk. Onder de omlijsting een olijftak en zijn wapenschild waaraan een hanger van de Orde van de Heilige Geest. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Lodewijk XIV (1650 – 1720). Het allonge tijdvak).
Prenten-magazijn voor de jeugd
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: netherlands
Subjects: lives and acts of the apostles (part ii), lives and acts of the apostles (part i)
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Parklandschap met putti bij een gesluierd standbeeld
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: etching
Subjects: park, cupids: 'amores', 'amoretti', 'putti', nature
Inscriptions: collector's mark: Lugt 2228
Donger deel oost zyde der Pasens de vierde grietenije van Ooster goo (...)
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) neptune (poseidon), coat of arms (as symbol of the state, etc.), maps of separate countries or regions, farmers
Inscriptions: collector's mark: Lugt 19

Linksboven cartouche met titel, bestuurlijke informatie over de grietenij en de wapens van Oostdongeradeel en van grietman jonker Ulbe baron van Aylva. Linksonder cartouche met legenda en een schaalstok: Een gemeene halve Duytze myle van 15 in een graad - Maat van 1000 konings roeden welker 1200 maaken een gemeene uire gaans. Daaromheen het wapen van de stad Dokkum, Neptunus, twee putti en een landbouwer.
Boot-Shaped Hafted Ax
Object type: hafted ax
Date: 500 – 300
Materials: bronze
Culture: vietnamese
Bust of woman with protruding mouth wearing low-cut dress and cloth bound around her head, in profile to right
Object type: print
Date: 1660 – 1660
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: women

Bust of woman with protruding mouth wearing low-cut dress and cloth bound around her head, in profile to right, after Leonardo da Vinci.