deem-data/ArtiFact huggingface dataset:
Portrait of Bartholomeus Spranger
Object type: print
Date: 1597 – 1597
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: men,portraits

Jan Muller was one of the most sought-after Mannerist printmakers at the end of the sixteenth century. The son of an Amsterdam printer, printmaker, and publisher, he developed a style modeled on that of Hendrick Goltzius, the premier draftsman and printmaker in the northern Netherlands. At the beginning of the seventeenth century, he began to engrave portraits. Most were of important political figures, reproducing painted portraits by various artists, but a few were of artists and musicians. Among the latter is the Portrait of Bartholomeus Spranger, one of the most important northern Mannerist artists and the court painter to the Emperor Rudolf II of Prague. Muller engraved a dozen prints after Spranger’s designs, but the model for the present work was a lost portrait by Hans van Aachen, a German painter who also worked for Rudolf. Muller added an elaborate architectural frame decorated with symbolic references to Spranger’s virtues, including the garlanded helmet above the oval and the putto at the left with the shield and lance referring to Minerva, the Roman goddess of wisdom and patron of the arts, and the trumpets held by the putto on the right announcing the artist’s fame. Below, supporting the pedestal are images of two urns with burning candles, again referring to the artist’s wisdom.
Mlle. Renaud, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Portret van Georg Nössler
Object type: print
Date: 1650 – 1657
Materials: paper
Techniques: engraving
Subjects: berlin, georg nössler, historical persons, physician, doctor, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Aantekening uit archief Philip Zilcken
Object type: aantekening
Materials: chalk, ink, paper, pencil
Techniques: pen, writing
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: philip zilcken, drawing, illustration ~ printed matter, book
Inscriptions: collector's mark: ‘RPK’
Tanuki (Racoon  Dog) Viewing Its Reflection in Water
Object type: hanging scroll
Date: 1867 – 1900
Materials: ink, silk
Culture: japanese
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Subjects: animals

Although this image has traditionally been identified as a fox, which is a subject the artist frequently depicted, the shape of the animal’s face and the end of its tail indicates that was more likely meant to depict a tanuki, or Japanese raccoon dog. Both the fox and tanuki are celebrated in Japanese lore Caught in mid-leap as it gazes at a sketchily delineated and ambiguous form, the beast envisioned here recalls the tanuki’s fabled power to assume diverse transformations, frequently that of a beautiful woman, and to beguile the unwary. Kawanabe Kyōsai was one of the most prolific and original painters of the late Edo and early Meiji eras. His mastery of traditional painting techniques acquired by apprenticeship in the Kano school was transformed by strong personal eccentricity to gorge the lively original art exemplified here. The style and signature, "Seisei Kyōsai," indicate that this is a work of his final decade, the 1880s, when Kyōsai was at the height of his powers and was one of the earliest Japanese artists to be avidly admired and collected in Europe and the United States.
Admiration
Object type: print
Materials: ink
Techniques: etching, printing
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women
Gezicht op de ruïne van een toren
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: etching, hand coloring
Location: heidelberg
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228
Portrait of Willem de Groot, Lawyer and Writer
Object type: painting
Date: 1732 – 1771
Materials: copper, oil
Techniques: grisaille
Artist: jan maurits quinkhard
Artist role: draughtsman, painter
Artist dates: 1688 – 1772
Subjects: delft, willem de groot (1597-1662), portrait of a writer, writer, poet, author
Inscriptions: inscription: ‘Wilh. Grotius Aº 1597’

Portret van Willem de Groot (1597-1662). Rechtsgeleerde en letterkundige. Buste in ovaal, naar rechts. Onderdeel van een verzameling portretten van Nederlandse dichters.
Amulet
Object type: necklace, bead
Date: 30 – 364
Materials: bone
Location: egypt
Subjects: amulets
Lapplander
Object type: figure
Date: 1780 – 1800
Materials: hard paste porcelain
Artist: imperial porcelain manufactory, st. petersburg
Artist role: manufactory
Artist nationality: russian
Artist dates: 1744 – 9999
Subjects: men

About 1780 the Imperial factory began the production of a large series of figures depicting Russian national types, of which fourteen are represented in the Linsky Collection. Like most of the figures, this figure is modeled from engravings published by Johann Gottlieb Georghi in his Description if All the Peoples Inhabiting the Russian State (editions of 1774, 1776, and later). The authorship of the models themselves is not established, but some may be attributable to Jean-Dominique Rachette (1744–1809), chief modeler at the factory from 1779 to 1804.
Jug
Object type: jug, ring base
Date: 1550 – 1295
Materials: stone
Location: egypt
Kindermuts van witte tule met wit borduurwerk, dat een strooimotief en aan weerszijden van het midden bloemranken vertoont
Object type: cap
Materials: fiber
Techniques: embroidered
Location: europe
Artist: Anonymous

Kindermuts van witte tule met wit borduurwerk, dat een strooimotief en aan weerszijden van het midden bloemranken vertoont.
Adam and Eve
Object type: print
Date: 1504 – 1504
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: animals,snakes,trees,adam,eve
Piece
Object type: piece
Date: 1801 – 1900
Materials: cotton
Subjects: roses,leaves
A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the Finished Picture No. 8
Object type: book
Date: 1813 – 1813
Materials: paper
Techniques: aquatint, letterpress
Location: england
Artist: david cox, the elder
Artist role: artist
Artist nationality: english
Artist dates: 1783 – 1859
Sir John Shurley of Isfield (1565–1632)
Object type: painting
Date: 1588 – 1588
Materials: oil, wood
Artist: british painter
Artist role: artist
Artist nationality: british
Subjects: armor,men,portraits
Grazende ezel, van links
Object type: drawing
Date: 1750 – 1809
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: david alphonse de sandoz-rollin
Artist role: draughtsman
Artist dates: 1740 – 1809
Subjects: ass, donkey
Tokyo kaiko zue
Object type: print
Date: 1912 – 1945
Materials: paper
Techniques: woodcut
Location: tokyo
Subjects: temple, shrine ~ hinduism, buddhism, jainism

Gezicht op bezoekers, lopend in de richting van tempel. In origineel passepartout met rechtsonder wit etiket waarop titel en naam van kunstenaar.
Pope Pius IX Imparting the Blessing Urbi et Orbi
Object type: drawing
Date: 1847 – 1847
Materials: graphite
Location: france
Artist: françois-léon benouville
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1859
Subjects: men,popes,insignia
Huizen in de buurt van Bougival
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: tone lithography
Location: london
Subjects: country-house
Inscriptions: collector's mark: Lugt 2228a
Interior of a Protestant Gothic Church with Motifs from the Oude and Nieuwe Kerk in Amsterdam
Object type: painting
Date: 1660 – 1680
Materials: canvas, oil
Artist: emanuel de witte
Artist role: painter
Artist dates: 1617 – 1692
Subjects: interior of church, grave digger

Interieur van een protestantse gotische kerk met motieven van de Oude en de Nieuwe Kerk te Amsterdam. Gezicht in de kooromgang waar een man spreekt met een grafdelver. Bij het geopend graf spelen twee honden
First View of Clarenton near Paris
Object type: print
Techniques: engraving
Artist: peter paul benazech
Artist role: artist
Artist nationality: british
Artist dates: 1730 – 1783
Subjects: birds,watermills,bridges,women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, foot to right; legs of a male to right; feet of a male to left with a spear or stick
Pioenrozen met bij
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: woodcut
Location: tokyo
Subjects: flowers
Nieuwe kinderprenten
Object type: popular print
Date: 1838 – 1892
Materials: paper
Techniques: letterpress printing, lithograph
Location: geldern
Subjects: child, bee-hive, raft, pain
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van kinderen die spelen met een wespennest en ziek in bed eindigen en Jan die speelt op een houten vlot en in het water valt. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 58.
Boyle, Pitcher, Indianapolis, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Gezicht op de Meerbrug te Nieuwendam
Object type: drawing
Date: 1873 – 1943
Materials: chalk, paper, watercolor
Techniques: brush
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: canal, village, bridge in village across river, canal, etc.
Inscriptions: inscription: ‘meerbrug à Nieuwendam’, collector's mark: Lugt 800a, signature: ‘VanTeyne’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 35.
Kalenderblad april 1900
Object type: calendar leaf
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: april ~ other concepts
Leçons et conseils
Object type: cartoon
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: counsel; 'consiglio' (ripa), old woman
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 13 december 1840.
Fragment (Furnishing)
Object type: textile
Date: 1875 – 1900
Materials: gold foil, paper
Techniques: satin weave
Location: china
Terracotta bowl fragment
Object type: vase fragment
Date: 34 – 33
Materials: terracotta
Culture: roman
Subjects: emperor augustus,portraits

The center of the base is decorated with a tondo depicting in relief a portrait bust of the emperor Augustus holding a lituus and orb.
Little Venice
Object type: print
Date: 1893 – 1893
Techniques: woodcut
Artist: arthur wesley dow
Artist role: artist
Artist nationality: american
Artist dates: 1857 – 1922

A leader of the American Arts and Crafts movement, Dow’s advanced ideas concerning color and design are beautifully conveyed by his woodcuts. Born in Ipswich, Massachusetts, the artist studied tonalist painting in France for five years then returned to Boston in 1889. Fascinated by Ukiyo-e prints, Dow examined examples at the Museum of Fine Arts, together with Japanese printing equipment at the Smithsonian Institution. After mastering a multi-block process, he created forty compositions between 1891 and 1921, many printed in multiple variations with experimental inking. These works explore the expressive potential of color and, in 2016, the Museum acquired a significant group, including this working proof of "Little Venice," created at the start of Dow's career. The vertical "pillar print" format recalls Japanese models, and the work comes from a set of ten works titled "Along Ipswich River." Here, the key block has been combined with a single color (see 42.54.2 for a finished version).
Girl
Object type: print
Date: 1918 – 1918
Techniques: lithograph
Artist: egon schiele
Artist role: artist
Artist nationality: austrian
Artist dates: 1890 – 1918
Subjects: female nudes
Meisje met een pop
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: (playing with) dolls
Inscriptions: collector's mark: Lugt 2228
Blue Kerchief from Tutankhamun's Embalming Cache
Object type: kerchief, indigotin
Date: 1336 – 1327
Materials: linen
Techniques: dyeing
Location: egypt

In December 1907 Theodore M. Davis, a wealthy American who was funding excavations in the Valley of the Kings, discovered a small pit near the tomb of Seti I. Inside the pit were approximately a dozen large sealed whitewashed storage jars (09.184.1). Among other things, the jars contained bags of natron (a kind of salt), pieces of linen with hieratic inscriptions dated to Years 6 and 8 of a king named Tutankhamun (throne name Nebkheperure). At the time, almost nothing was know about Tutankhamun, and Davis declared that he had discovered the king's tomb. Davis received a number of the jars and their contents in the division of finds and, in 1909, he gave most of his share to the Metropolitan Museum. It was only later that Herbert Winlock, the field director of the Museum's excavations at Thebes, realized that the natron and linen were embalming refuse from the mummification of Tutankhamun. Worn linen sheets and clothing were used for wrapping and padding mummies. Linens that weren't actually used for mummification were sometimes buried in embalming caches. Three mended and laundered head cloths (09.184.217–.219) found in Tutankhamun's embalming cache were originally identified as kerchiefs worn by guests at the king's funerary meal. We now believe that they were part of the leftover embalming linen. This blue kerchief, dyed with indigo, is quite small and may have belonged to Tutankhamun when he was a child. Whether it was worn by Tutankhamun or not, examples of dyed linen from ancient Egyptian times are extremely rare, making this a very precious object.
The Nesthorn, from the Ober Aletsch glacier
Object type: page
Date: 1850 – 1866
Materials: photographic support
Techniques: albumen print
Location: bern
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: glacier, mountain-range, snow peaks
Inscriptions: inscription: ‘To face page 154.’
Friezen met zeemonsters
Object type: ornament print
Date: 1526 – 1606
Materials: paper
Techniques: engraving
Location: germany

Tegenzijdige kopie naar prent met objectnummer RP-P-1984-442.
Een Wehrmachtsoldaat, een lid van de Kriegsmarine en een lid van de Luftwaffe
Object type: photograph
Date: 1911 – 1941
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: occupation ~ war, amsterdam

Een Wehrmachtsoldaat, een lid van de Kriegsmarine en een lid van de Luftwaffe lopen in Amsterdam over de Dam voor Peek en Cloppenburg. Achterop staan van twee van de drie naam en rang. Het zou gaan om leden van een kustwachtbatterij.
Aubade ter ere van de geboorte van Juliana, koningin der Nederlanden, te Den Haag op 8 juni 1909
Object type: ansichtkaart, prentbriefkaart
Date: 1909 – 1909
Materials: paper
Techniques: photograph
Location: the hague
Subjects: juliana of the netherlands, animal traction, animal-drawn vehicle (carriage etc.), the hague

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a kylix with part of a hole from an ancient repair
Twelve Dancers
Object type: figurine
Date: 1767 – 1833
Materials: gilt bronze
Artist: luigi manfredini
Artist role: maker
Artist nationality: italian
Artist dates: 1771 – 1840
Subjects: female nudes,dancers

These belong to a set of twelve relief figures that were inspired by mural paintings in the so-called Villa of Cicero at Pompeii, excavated in 1749 and again in 1763–64.
Flacon met visblazen, vogels en bloemen
Object type: flacon, flakon
Date: 1850 – 1900
Materials: glass, gold
Techniques: glassblowing, grinding
Location: bohemia
Artist: Anonymous
Inscriptions: alloy mark

Plat standvlak, ovaal, in het midden ingesnoerd lichaam, facetgeslepen, visblazen, vogels, bloemen en bladornament. Kleine, platte stop van glas. De hals gevat in een montuur van goud met een hoge, ronde deksel, gegraveerd met bloemranken.
S 62. Herders hunne schapen over de Jordaan dragend. Syrië
Object type: photograph
Date: 1867 – 1877
Materials: cardboard, paper
Techniques: albumen print
Location: ottoman empire
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: shepherd with sheep or lamb on his shoulders, river, carrying something on the head or on the shoulders
Inscriptions: check stamp: ‘Bristol/ L.M.’, title: ‘S 62. Herders hunne schapen over de Jordaan dragend. Syrië.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
De vier kerkvaders
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the four latin (western) fathers of the church together: ambrose (usually as bishop), jerome (usually as cardinal), augustine (usually as bishop), gregory the great (usually as pope), ambrose, bishop of milan; possible attributes: beehive, cradle with baby, three-knotted scourge
Inscriptions: collector's mark: Lugt 2228

De H. Ambrosius schrijft op een rol papier. Hij draagt de bisschopsmantel. Aan zijn voeten zijn mijter en staf. In de marge een onderschrift in het Latijn.
Renovation du serment a la reine de Hongrie / Vernieuwing van den eed aan de koninginne van Hongaryen
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: vienna, ludwig andreas von khevenhüller, maria theresia (rooms-duits keizerin), jozef ii (duits keizer), (military) camp with tents, swearing allegiance to a ruler - bb - female ruler
Inscriptions: collector's mark: Lugt 2228

Vernieuwing van de eed aan de koningin van Hongarije, februari 1742. Graaf Ludwig Andreas von Khevenhüller toont het door haar opgestuurde portret van aartshertogin Maria Theresia (koningin van Hongarije) en haar zoon Jozef aan de Oostenrijkse troepen in het legerkamp. DE militairen juichen en zweren trouw aan de vorstin. Op het blad onder de plaat een vertaling van de door haar meegezonden brief in het Frans en Nederlands.
Orderly, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from the "Parasol Drill" series (N18), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Portret van Gerard De Lairesse
Object type: print
Date: 1659 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter van gunst
Artist role: print maker
Artist dates: 1658 – 1731
Subjects: draughtsman, gerard de lairesse, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Gerard De Lairesse, een Luikse prentmaker en schilder. Boven zijn hoofd het motto: "Vivitura Ingenio". Het portret heeft de vorm van een schilderspalet.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1615 – 1868
Materials: silver alloy
Culture: japanese
Location: japan
Inname van Breda met behulp van het turfschip
Object type: jeton
Date: 1590 – 1590
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: the hague, maurice (prince of orange)

Koperen penning. Voorzijde: uit een met turf geladen schip komen krijgers te voorschijn binnen omschrift. Keerzijde: opschrift binnen lauwerkrans
Design for the Corner of a Cove
Object type: drawing
Date: 1700 – 1780
Materials: ink, drawing material, watercolor
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: flowers,vases
Maria de' Medici als Cybele
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cologne, maria de' medici, lodewijk xiii (koning van frankrijk), (story of) mercury (hermes), flag, colours (as symbol of the state, etc.) (+ city; municipal), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', cities represented allegorically or symbolically, continents represented allegorically, armorial bearing, heraldry, specific aspects, allegorical aspects of cybele; cybele as patroness, amsterdam

Prent ook gebruikt in:* Baerle, Caspar van. Medicea hospes, sive descriptio publicae gratulationis, qua Serenissimam, Augustissimamque Reginam, Mariam de Medicis (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van. Marie de Medicis, entrant dans Amsterdam : ou, histoire de la reception faicte à la Reyne Mere du Roy tres-Chrestien (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van en Joost van den Vondel. Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. Vertaelt uit het Latijn (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1639.

* Doorgaans zijn de prenten in de bovengenoemde publicaties rechtsonder genummerd (van de huidige prent is dat de derde bekende staat). Maar er zijn ook exemplaren waarin eerdere, ongenummerde, staten van de prenten (van de huidige prent de eerste en tweede bekende staat) zijn ingebonden.
Turk
Object type: figure
Date: 1760 – 1760
Materials: earthenware
Techniques: glazing
Artist: ralph wood the elder
Artist role: maker
Artist nationality: british
Artist dates: 1715 – 1772
Subjects: men
Aantal donkere schimmen
Object type: print
Date: 1974 – 1981
Materials: paper
Techniques: etching, intaglio
Location: amsterdam
Artist: lau heidendael
Artist role: print maker
Artist dates: 1946 – 
Inscriptions: signature and date: ‘LHeidendael '74-81’, edition: ‘31/50’

Aantal donkere schimmen, opgezet in gearceerde lijnen.
[View on Rapidan River, Virginia]
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: american civil war,rivers
Mannen op een zeilboot
Object type: album leaf
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: volendam
Artist: george hidderley
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, adult man, historical persons
Herder met zijn schapen op de hei
Object type: print
Date: 1822 – 1891
Materials: paper
Techniques: tone lithography
Location: netherlands
Artist: simon van den berg
Artist role: draughtsman, print maker
Artist dates: 1812 – 1891
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., meadow, pasture, sheep, dog
Inscriptions: collector's mark: Lugt 2228

Deze staat bevat de namen van de prentmaker, drukkker en de kleur van het toonblok.
Was scepter
Object type: scepter, wa
Date: 1981 – 1802
Materials: wood