deem-data/ArtiFact huggingface dataset:
Gezicht op de Portugese Synagoge te Amsterdam
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: the synagogue (as building and place of worship ~ jewish religion)
Inscriptions: inscription: ‘chez E: Maaskamp à Amsterdam’

Huidige staat van prent uitgegeven als onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden, getiteld 'Tableau des principales vues des palais et édifices : représentations et des coutumes et usages, dans les provinces septentrionales du Royaume des Pays-Bas'.

Eerdere staat gebruikt in: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Bateaux sur la Meuse devant Dordrecht
Object type: print
Date: 1889 – 1902
Materials: paper
Techniques: drypoint
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: sailing-ship, sailing-boat, dordrecht
Inscriptions: number: ‘377’, collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 377.
Tea caddy
Object type: tea caddy
Date: 1765 – 1770
Materials: copper, enamel
Het huis van Allongius bij Alphen aan den Rijn
Object type: drawing
Date: 1701 – 1759
Materials: ink, paper, pencil
Techniques: pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: city-view, and landscape with man-made constructions, rural housing, e.g. country-house, villa, cottage
Inscriptions: inscription: ‘t Huis van Hallungius te Alphen’

Dit was het huis van de heer Allongius tot Alphen.
Maria Magdalena
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 240

Maria Magdalena in een landschap met een kruis, een boek en de zalfpot.
Portret van een onbekende man met baard
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: anonymous historical person portrayed alone, beard

Blad 13 recto uit schetsboek XXV met 23 bladen.
Portret van Jan Willem de Crane
Object type: print
Date: 1788 – 1899
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Still Life with a Skull and a Writing Quill
Object type: painting
Date: 1628 – 1628
Materials: oil, wood
Artist: pieter claesz
Artist role: artist
Artist nationality: dutch
Artist dates: 1596 – 1660
Subjects: books,skulls,still life,drinking glasses,lamps
Ruïne van het kasteel van Montaigle
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: etching
Location: brussels
Artist: martinus antonius kuytenbrouwer jr.
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1897
Subjects: landscapes, (high) hill, pond, pool, ruin of a dwelling, house, castle, etc., belgium
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485

Gezicht op de ruïne van het op een rots gelegen kasteel van Montaigle met op de voorgrond een ven. Bij de ruïne bevinden zich drie figuren.
Venationis, Piscationis, et Aucupii Typi
Object type: print
Date: 1582 – 1582
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: ships (in general)
Inscriptions: collector's mark: Lugt 2228

Gezicht op een zee met verscheidene schepen. Op de voorgrond een driemaster. Links wordt een figuur op de driemaster getrokken. Een regel Latijnse tekst in ondermarge. Genummerd linksonder: 46.
Lace Design
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: flowers
Landschap met rivier
Object type: print
Date: 1650 – 1723
Materials: paper
Techniques: etching
Location: antwerp
Artist: abraham genoels
Artist role: draughtsman, print maker
Artist dates: 1640 – 1723
Subjects: (high) hill, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Een heuvelachtig landschap met een rivier. Rechts op de voorgrond rust een halfnaakte man uit in de schaduw van een boom. De prent is deel van een serie van zes Arcadische landschappen.
Serving tray
Object type: dienblad
Date: 1780 – 1780
Materials: earthenware, glaze
Techniques: painted
Location: amsterdam
Artist: Anonymous
Subjects: horse, taking leave

Ovaal dienblad van blauw beschilderde faience, met twee handgrepen. Op het blad is rechts een bordes met een trap geschilderd. Op het bordes staat een vrouw. Naast de trap staan drie mannen. Voor het bordes staat een man naast een paard en links rijden twee ruiters op de rug gezien.
Box
Object type: box
Date: 1601 – 1700
Materials: gilt, leather

This gilt leather and suede box was possibly intended for a mirror.
Miss Mason, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Gentleman Seen from the Back Indicating a Landscape
Object type: print
Date: 1629 – 1629
Techniques: etching
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: men,landscapes
Familiefoto van het gezin Jetten te Moengo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Familiefoto van het gezin Jetten te Moengo. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Aphrodite rising from the Bath
Object type: statuette of aphrodite
Date: 1 – 200
Materials: bronze
Location: southern upper egypt
Comforts of Bath, Plate 10
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,spectators,dancing,crowd
Ontwerpen voor schilderijen met episodes uit De Aeneas
Object type: drawing
Date: 1600 – 1604
Materials: graphite, ink, paper
Techniques: brush, pen
Artist: mattheus terwesten
Artist role: draughtsman, painter
Artist dates: 1670 – 1757
Subjects: sacrifice ~ non-christian religions, non-aggressive, friendly or neutral activities and relationships of dido, scenes from the aeneid that cannot be located in the chronological sequence of the story
Inscriptions: : ‘dido komt met Cop vol schuijmende wijn naer den altaer treede en vaet een witte koe bij de kop om de goode te offere’
Ewer with Floral and Striped Design
Object type: ewer
Date: 1601 – 1633
Materials: iron, stoneware
Techniques: underglaze
Culture: japanese

Used in the tea ceremony, this vessel is topped by a newer lacquer lid that replaces the original stoneware cover. The bold designs resemble textile patterns favored in the Momoyama period.
La Conversion de Marie de Nimegue
Object type: photomechanical print
Date: 1892 – 1892
Materials: paper
Techniques: photograph
Location: antwerp
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: public festivities (+ parade, pageant, cavalcade ~ festive activities), antwerp
Inscriptions: inscription: ‘LA RONCE ARDENTE DE BOIS-LE-DUC. - DE VURIGE DOORN VAN S'HERTOGENBOSCH.’, inscription: ‘Vondel.’, number: ‘Pl. XII.’
Fragment schijf uit de Oost-Indiëvaarder Hollandia.
Object type: disk
Date: 1700 – 1743
Materials: wood
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)
Psyche Presenting the Phial of Water to Venus
Object type: drawing and watercolor
Date: 1701 – 1800
Materials: chalk, graphite, paper
Location: italy
Artist: after raffaello sanzio, called raphael
Bottle
Object type: vessel
Date: 101 – 300
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Subjects: containers

Iridescent Glass
The iridescent sheen on this bottle, an artificially created effect sought after by 19th-century glassmaking innovators such as Louis Comfort Tiffany, was not actually intended by or known to their makers. Because of their association with luxury and precious oils and perfumes, these vessels were often buried with their owners in tombs, the chemical conditions of which, over time, have caused the surfaces to deteriorate, resulting in the shimmering, often opalescent, hues that appeal to the modern eye.
Fragment of stela
Object type: fragment, stela
Date: 1981 – 1640
Materials: limestone, paint
Location: egypt
Subjects: cartouches,hieroglyphs
Portret van Pierre Bayle
Object type: print
Date: 1690 – 1729
Materials: paper
Techniques: engraving
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Bowl
Object type: bowl
Date: 1501 – 1550
Materials: glass

During the Renaissance, Venetian glassmakers, working on the island of Murano, were celebrated across Europe for their fine and sparkling work. Called “cristallo” emulating the clarity of rock crystal, in the hands of the most skilled glassblowers the medium could be delightfully manipulated, variously stretched paper-thin flat, or playfully twisted, or blown into molds with spectacular patterns.
Spervuur met mitrailleur(s) bij avond of nacht
Object type: photograph
Date: 1930 – 1930
Materials: paper
Techniques: gelatin silver print
Artist: e. widmer
Artist role: fotograaf
Inscriptions: number: ‘51’, name: ‘PHOTO WIDMER, WALLENSTADT’, inscription: ‘Tir de barrage / mitrailleuse / F.M. - / F.J.’
Handkerchief
Object type: handkerchief
Date: 1840 – 1880
Materials: linen, silk
Subjects: trees
Pedal Harp
Object type: pedal harp
Date: 1800 – 1800
Materials: wood
Culture: french
Location: france
Raga Desakar
Object type: folio
Date: 1701 – 1733
Materials: gilt, ink, paper, watercolor
Culture: indian or rajasthan or amber
Subjects: men,women
Panel
Object type: textile
Materials: silk
Techniques: embroidery, satin weave, stitching, weave
Location: india
Toegangshek van hoeve Muyden te Rotterdam in de sneeuw
Object type: photograph
Date: 1900 – 1920
Materials: paper, ink
Techniques: rotogravure
Location: netherlands
Artist: Anonymous
Subjects: gate, entrance, forest path or lane, snow, rotterdam

Toegangshek van hoeve Muyden, gelegen aan het Toepad te Rotterdam. De hoeve is in 1959 gesloopt. Het toegangshek staat tegenwoordig in de tuin van Museum Booijmans van Beuningen in Rotterdam. Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
Portret van Ludvig Holberg
Object type: book illustration
Date: 1765 – 1765
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Prent uit: Holberg, Ludvig. Leevensbeschrijving van den heere baron Lodewijk Holberg. Amsterdam: Steven van Esveldt, 1765.
Expectation
Object type: print
Materials: ink
Techniques: printing, engraving
Artist: william nelson gardiner
Artist role: engraver
Artist nationality: british
Artist dates: 1766 – 1814
Subjects: children,women

Seated in a mountainous landscape, a woman raises her hand and looks toward the left, as if anticipating a longed for arrival. A child standing behind gazes at the viewer.
Portret van Karel I, koning van Engeland
Object type: print
Date: 1625 – 1642
Materials: paper
Techniques: engraving
Subjects: karel i (koning van engeland)
Inscriptions: collector's mark: Lugt 240
Hammam Shoes
Object type: shoe
Date: 1801 – 1900
Materials: mother of pearl, silver, wood
Location: turkey
And There He Will Stick!, from Puck
Object type: print
Materials: paper
Techniques: lithograph
Location: united states
Artist: louis dalrymple
Artist role: artist
Artist nationality: american
Artist dates: 1865 – 1905
Dish
Object type: vessel
Date: 167 – 68
Materials: glass
Culture: early roman or hellenistic
Location: eastern mediterranean region
Subjects: dining, drinking

This luminous bowl was made using the laborious and time-consuming composition-cast mosaic glass technique. The particular combination of colors and patterns suggests that this lovely dish was created in the Eastern Mediterranean, a region that grew wealthy from trade with Asian cultures. The town homes and country houses of the local elite boasted beautifully frescoed walls, colorful mosaic floors, and lush, private gardens embellished with decorative sculptures for the sumptuous alfresco banquets that were a favorite evening pastime. This delicate mosaic glass dish was likely made to adorn a splendidly set dinner table alongside other exquisitely wrought platters, bowls, and goblets.
Plate (part of a service)
Object type: plate
Date: 1770 – 1785
Materials: hard paste porcelain
Subjects: eagles,coat of arms
Kurd in military armor on horseback, from "Collection de dessins litographiques par Alexandre Orlowski"
Object type: print
Date: 1819 – 1819
Techniques: lithograph
Artist: aleksandr orlovsky
Artist role: artist
Artist nationality: russian
Artist dates: 1777 – 1832
Wine Cooler
Object type: wine cooler
Date: 1800 – 1830
Materials: glass
Techniques: glassblowing, molding
Culture: british or irish
Location: ireland
Rouif. Léon. 27 ans, né à Villethierry (Yonne). Garçon boucher. Anarchiste. 1/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Strafgevangenis Ommerschans, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van 25 cent
Object type: monetary token
Date: 1822 – 1830
Materials: metal
Techniques: striking
Location: ommerschans
Artist: Anonymous
Subjects: maatschappij van weldadigheid, ommerschans

eenzijdige munt. Voorzijde: waardeaanduiding binnen parelrand; links en rechts: merk. Keerzijde: blanco
Plate 49 from Plan of Chicago 1909: Chicago. View of the City from Jackson Park to Grant Park, Looking Towards the West. The proposed shore treatment as a park enclosing a waterway (or a series of lagoons) is shown, together with the enlarged yacht harbor, recreation piers, and a scheme for Grant Park.
Object type: architectural drawing
Date: 1907 – 1907
Materials: canvas, graphite, paper, watercolor
Techniques: drawing
Location: chicago
Artist: daniel hudson burnham
Artist nationality: american
Artist dates: 1846 – 1912
Subjects: chicago, architecture, architectural drawing, drawing, harbor, horizon, illinois, lake, park, pier, plan, shore

“Make no little plans,” Daniel H. Burnham reputedly exclaimed around the time he unveiled his Plan of Chicago, the first comprehensive metropolitan plan in the United States. Providing the vocabulary for Chicago architecture through the 1920s, the project was the legacy of Burnham, whose renown in large-scale city planning began when he was chief of construction for Chicago’s 1893 World’s Columbian Exposition. Commissioned by the Commercial Club of Chicago, the plan was developed with the assistance of architect Edward H. Bennett, who elaborated parts of it after Burnham’s death in 1912 and was responsible for executing many of its recommendations. Emulating the grand classical design of European cities, Chicago was to become “a Paris by the Lake.” Features included the development of Chicago’s lakefront and Lake Shore Drive, the construction of Grant Park, and the transformation of Michigan Avenue into a premier commercial boulevard following the completion of the Michigan Avenue bridge. Eleven of the seventeen perspective views were rendered by Burnham’s frequent collaborator, the Beaux-Arts-trained Jules Guérin. The draftsman’s stunning, impressionistic views, with their unusual perspectives and dramatic use of color, bring the Plan of Chicago to life, imbuing it, as Burnham stated about his own aims, with the “magic to stir men’s blood.”
Button
Object type: button
Date: 1770 – 1770
Materials: brass
Culture: french
Subjects: christ,crucifixion
Peg tankard
Object type: peg tankard
Date: 1711 – 1711
Materials: silver
Artist: bendix aagsen lund
Artist role: maker
Artist dates: 1637 – 1737
Subjects: lions
Portret van Charles Hamilton Binning
Object type: print
Date: 1735 – 1757
Materials: paper
Techniques: engraving
Location: london
Subjects: wig
Inscriptions: collector's mark: Lugt 2228
The Trumpet and the Bassoon
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,sleeping,men,women

This is one of two prints that Rowlandson devoted to a snoring couple, using the title to suggest that the man projects a lower sound and the woman a higher. This 1803 version, published by William Holland, centers on the two sleepers snuggled together. In 1811 Rowlandson adapted the idea for Thomas Tegg and expanded the view to include the bedroom (see 17.3.888-11, 59.533.1398, and 59.533..2017; for other impressions of this image see 59.533.888).
Vier portretten van Herman Besselaar en twee portretten van een kennis
Object type: album leaf
Date: 1930 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Subjects: herman besselaar, historical persons, anonymous historical persons portrayed in a group, in a group-portrait, netherlands

Op twee portretten is Herman Besselaar afgebeeld met andere personen: twee mannen in werkkleding en een kind. De overige twee portretten zijn portretten van een kennis, waarvan één samen met een andere kennis van de Besselaars. Deze foto's maken deel uit van een album.
Isabel Wachenheimer voor het huis van haar oom Willy Moos, Bellevue 62 in Hamburg, in 1935
Object type: photograph
Date: 1935 – 1935
Materials: photographic support
Techniques: gelatin silver print
Location: hamburg
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Bowl
Object type: bowl
Date: 601 – 800
Materials: glass
Techniques: glassblowing, tooling
Location: iraq

This glass bowl was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this bowl attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Kingdom of Pluto; a view of the underworld with Pluto and Proserpina enthroned at center, surrounded by demons; set design from 'Il Pomo D'Oro'
Object type: print, fete, ornament architecture
Date: 1668 – 1668
Techniques: etching
Artist: mathäus küsel
Artist role: artist
Artist nationality: german
Artist dates: 1621 – 1682
Subjects: opera,demons,pluto

The second of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina—also designed by Burnacini.
Canopic Jar Representing the Deity Qebehsenuef
Object type: canopic jar, falcon lid, qebehsenuef
Date: 664 – 525
Materials: limestone, paint
Location: northern upper egypt
Fotoreproductie van Pilatus en de hogepriesters door Jan Gossaert
Object type: page
Materials: photographic support
Techniques: albumen print
Location: brussels
Subjects: the priests complain about the superscription; pilate refuses to change it