deem-data/ArtiFact huggingface dataset:
Gezicht op de Oostpoort te Delft, 1620
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: city-gate, fisherman
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 115.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Diorama of Government Square in Paramaribo
Object type: diorama
Date: 1812 – 1812
Materials: glass, glue, paint, paper, wood
Techniques: woodworking, molding, painting, sawing
Location: suriname
Artist: gerrit schouten
Artist role: draughtsman
Artist dates: 1779 – 1839
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', (military) uniforms, four-wheeled vehicle drawn by two animals, colonial government
Inscriptions: inscription: ‘A View of the Gouvernment House and Parade Ground in the Colony of Surinam, and part of Fort Zelandia’, signature and date: ‘Door G Schouten / 1812 te Suriname’

This is Government Square (now Independence Square) in Paramaribo in the years when Suriname was under British rule (1804-1816). On the path at the right is a woman carrying a child in her arms. Many enslaved women had to give up caring for their own families to feed and raise the slave owner’s children. Once they reached adulthood, these children in turn became the ‘owners’ of their former caretakers.
Medallion with the Betrayal of Jesus
Object type: medallion
Date: 1501 – 1533
Materials: wood
Culture: dutch
Subjects: soldiers,men,jesus,crowd
Plate 7: Ancient altar on which sacrifices were performed in antiquity, surrounded by other ruins (Ara antica sopra la quale si facevano anticamente i sagrifizi, con altre ruine all' intorno), from "Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe" (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)
Object type: print
Date: 1743 – 1743
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: altars,ruins,garlands,skulls,men
Tea caddy
Object type: chaire
Date: 1600 – 1799
Materials: glaze, ivory, stoneware
Techniques: firing, turning, vitrification
Location: shigaraki
Artist: Anonymous

Cilindrische stoftheebus of chaire van steengoed met een ivoren deksel, gedeeltelijk bedekt met een crèmekleurig glazuur. De bus heeft een oranjebruine kleur met op de schouder en gedeeltes van de wand een crèmekleurig glazuur. Shigaraki.
Panel (part of a set)
Object type: panel
Date: 1510 – 1510
Materials: wood
Techniques: carving
Artist: nicolas castille
Artist role: maker
Artist dates: 1503 – 1521
Subjects: birds,faces,flowers

The panels’ decorations, which include putti holding heraldic shields or strings of beads, floral scrolls, masks, and fabulous creatures, correspond to French adaptations of Italian motifs derived from prints and other sources. The portraits represent the donor, Georges d’Amboise (1460–1510), in his cardinal’s hat and cloak and Louis XII (1462–1515; ruled 1498–1515) surrounded by a wreath topped by a porcupine, a symbol of the monarch’s courage and ability to defend his kingdom. These panels and the ones displayed nearby are from the now-destroyed chapel of Cardinal d’Amboise’s château de Gaillon.
L'Architecture la Décoration l'Ameublement
Object type: reproduction
Date: 1873 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: liège
Subjects: ornament derived from plant forms
Inscriptions: inscription: ‘Déposé’, number: ‘34’, stamp: ‘TEEKENSCHOOL/ VOOR/ KUNST-NIJVERHEID/ HAARLEM’, inscription: ‘Eug. Prignot. inv.’, stamp: ‘AFGESCHREVEN/ [...]’

Deze foto maakt deel uit van een omslag met 61 foto's op 61 bladen.
An apostle holding a closed book and looking to the left, in an oval frame, from "Christ, the Virgin, and Thirteen Apostles"
Object type: print
Date: 1600 – 1640
Materials: ink
Techniques: etching, pen
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: portraits,apostles

From Christ, the Virgin and Thirteen Apostles, a series of fifteen busts in oval frames printed from one plate, after Reni. Brown ink drawn around the outer border of the sheet.
Schaapherder rust uit onder een boom
Object type: book illustration
Date: 1830 – 1845
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228
Portret van Jan Baertsen
Object type: drawing
Date: 1587 – 1591
Materials: chalk, paper
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: historical persons

De identificatie van het model zijnde Jan Baertsen, de schoonvader van Goltzius, was reeds vastgesteld voordat het portret in de Ploos van Amstel Collectie werd opgenomen. Dit is bevestigd door de gelijkenis met het portret van hetzelfde model, in Museum Boymans-van Beuningen, van welk de rand inscriptie van het recto uit de zelfde tijd is. Echter, de vergelijking bevestigd niet de autenticiteit van onze tekening, waaraan Langerhuizen schijnt te twijfelen.
Façade met rondbogen en balkons
Object type: ornament print
Date: 1745 – 1745
Materials: paper
Techniques: engraving
Location: germany
Subjects: arch, archivolt ~ architecture, balcony, façade (of house or building)
Inscriptions: collector's mark: Lugt 2228

Façade van een landhuis met rondbogen, balkons, vazen, putti en bustes.
Portret van Salomon Gessner
Object type: print
Date: 1750 – 1806
Materials: paper
Techniques: etching
Artist: johann rudolph schellenberg
Artist role: print maker
Artist dates: 1740 – 1806
Subjects: painter, print maker, salomon gessner, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Pressing board
Object type: pressing board
Date: 1801 – 1900
Culture: japanese
Artist: sadahiko tabata
Artist role: artist
Artist nationality: japanese
Artist dates: 19 – 19
Subjects: butterflies,flowers
Woman sitting with her head turned downward to her right and eyes closed
Object type: print
Date: 1500 – 1550
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: women
Christ Preaching
Object type: icon
Date: 1890 – 1890
Materials: enamel, gold, oil, pearl, wood
Artist: russian painter
Artist role: artist
Artist nationality: russian
Subjects: christ,jesus
6 "Picturescope" Views of Palestine Excavations
Object type: stereograph
Date: 1902 – 1929
Materials: paper
Techniques: gelatin silver print
Location: london
Artist: richard st. barbe baker
Artist role: activist, bioloog, botanicus, fotograaf
Artist dates: 1889 – 1982
Subjects: pack-animal
Inscriptions: number: ‘1727’

Serie over de opgravingen van de Britse archeologen Gerald Harding en Flinders Petrie bij Tell Fara in het toenmalige Brits Mandaatgebied Palestina.
Huwelijk van Frans Stephen, hertog van Lotharingen en Maria Theresia, aartshertogin van Oostenrijk
Object type: history medal
Date: 1736 – 1736
Materials: bronze
Techniques: striking
Artist: matthäus donner
Artist role: sculptor
Artist dates: 1704 – 1756
Subjects: maria theresia (rooms-duits keizerin), frans i stefan (duits keizer)

Bronzen penning. Voorzijde: borststuk vrouw met diadeem binnen omschrift. Keerzijde: borststuk man binnen omschrift
Hanging Tobacco Set
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
The goldsmith
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: etching
Artist: harald arthur sallberg
Artist role: print maker
Artist dates: 1895 – 1963
Subjects: jeweller, goldsmith, silversmith
Inscriptions: collector's mark: Lugt 2228, signature: ‘Kopïa after Rembrandt Harald Sallberg 1916’, collector's mark: Lugt 2760
Avitus, patricius Romanus (...)
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: historical persons, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 277. Eerste staat verschenen in een grotere prent met twaalf portretten, gedateerd 1695.
Side Chair
Object type: furniture
Date: 1750 – 1755
Materials: wood
Location: philadelphia
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Subjects: furniture
Inscriptions: Incised on inside rear seat rail: "V"

This chair, part of a set of at least eight, was originally purchased by John Wister for his house, Grumblethorpe, in Germantown, Pennsylvania. Wister built the house in 1744, and the chairs were most likely made soon after its completion. The style of the chair is transitional, between the late Baroque and the early Rococo. The pierced chair back and the ruffled shell on the seat rail were popular treatments on Baroque-style chairs. The elaborate carving, rectangular backs, and trapezoidal seat were mainstays of chair design in the Rococo period.
Textile Fragment
Object type: textile fragment
Materials: linen, silk
Techniques: weave
Location: egypt

This tiraz fragment has two addorsed lines of kufic script embroidered in red silk. The majority of the inscription is preserved; it follows the style of workshops produced in the Abbasid and early Fatimid periods, beginning with the Muslim expression of faith (the Shahada) and names the Fatimid caliph al-‘Aziz (r. 975–96 CE) as well as the year of manufacture (366 AH/976 CE). The finished edge of the fabric that is preserved in this fragment suggests that it was originally part of a shawl.
Toilet Box
Object type: decorative art
Date: 1849 – 1852
Materials: earthenware
Location: bennington
Artist: lyman, fenton & co.

Beginning in the mid-18th century, English manufacturers introduced yellow-bodied pottery with mottled brown glazing, commonly known as Rockingham ware, to the United States market. By the 1840s, factories in America, aided by English immigrant craftsmen, were producing the pottery to great success. Two of the most notable American makers of Rockingham ware were located in Bennington, Vermont, where potteries had existed since at least 1785, but there were also manufacturers in New Jersey, Ohio, Maryland, and elsewhere. Responding to the utilitarian needs of America’s middle class, these potteries produced a large range of objects, from spittoons to inkwells, snuffboxes to pitchers, and candlesticks to doorknobs.

The exceptionally rich glazing on this toilet box is an excellent example of a surface treatment for which Lyman, Fenton, and Company was known. After an initial firing, the object was dipped into a clear or yellow glaze and left to dry. It was then dripped, spattered, or sponged with lead glazes to which metallic oxides had been added, manganese for brown and cobalt for blue.
Bowl
Object type: bowl
Date: 1601 – 1700
Materials: earthenware
Techniques: glazing
Subjects: rabbits
Holland, stuiver, 1739
Object type: coin
Date: 1739 – 1739
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: binnen krans tussen waarde-aanduiding pijlenbundel. Keerzijde: opschrift: provincienaam in drie regels, daaronder jaartal.
Portret van twee onbekende mannen in uniform
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: reims
Artist: ch. strohm
Artist role: fotograaf
Subjects: adult man (+ two persons), anonymous historical persons portrayed in a double portrait, (military) uniforms
Inscriptions: address: ‘CH. Strohn 42. FAUBG CÉRÈS REIMS’, check stamp: ‘ART’
Hand die een oester met parel uit zee opheft
Object type: print
Date: 1931 – 1931
Materials: paper
Techniques: lithograph
Artist: g.l. furiacovics
Artist role: print maker
Subjects: pearl fishing, pearl diving; coral fishing
Inscriptions: collector's mark: Lugt 2228
Card Number 610, Lillian Baldwin, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Twee soldaten en een figuur met tulband
Object type: print
Date: 1656 – 1657
Materials: paper
Techniques: etching, intaglio
Location: italy
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: armour, helved weapons, polearms (for striking, hacking, thrusting): lance, head-gear: turban, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van de serie 'Figurine', bestaande uit een titelprent en 80 prenten van klein formaat met voorstellingen van mannelijke en vrouwelijke figuren. Rosa produceerde de serie waarschijnlijk gedurende de jaren 1656 en 1657.
Female dwarf
Object type: statuette, dwarf, lower half
Date: 1700 – 1550
Materials: paint, wood
Location: egypt
Nederland, ½ cent,1823 B
Object type: coin
Date: 1823 – 1823
Materials: copper
Techniques: striking
Location: brussels
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen munt. Voorzijde: tussen jaartal gekroonde rechte letter W. Keerzijde: tussen waarde-aanduiding ½ C. gekroond rijkswapenschild. Gladde rand.
Afbeelding van de Illuminatie en Decoratie voor het Huis der Oprechte Vaderlandsche Societeit op het Westnieuwland te Rotterdam (...) 8 Maart 1788
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: william v (prince of orange), public festivities at other royal events, not meant or mentioned above (+ illumination, fire-works ~ festive activities), bonfire, fire-works (+ illumination, fire-works ~ festive activities), rotterdam
Inscriptions: collector's mark: Lugt 2228

Illuminatie van de gevel van het pand van de Oprechte Vaderlandsche Sociëteit op het Westnieuwland te Rotterdam, ter gelegenheid van de veertigste verjaardag van prins Willem V op 8 maart 1788 en het herstel van de oude constitutie. De gevel versierd met lichtjes en zestien chassinetten met allegorische voorstellingen (vóór de twee die pas later op 7 augustus zijn geplaatst).
Tito Vespasiano Strozzi 1422–1505
Object type: medal
Date: 1500 – 1500
Materials: bronze
Artist: Anonymous
Artist role: artist
Lili (Lili's park)
Object type: photograph
Date: 1880 – 1885
Materials: photographic support
Techniques: albumen print
Subjects: birds, adult man, literary characters and objects, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Vervielfältigung vorbeh. Déposé - Registered./ Verlagsanstalt für Kunst und Wissenschaft vormals Friedrich Bruckmann in München.’, annotation: ‘24.12.94’, inscription: ‘Kaulbach's Goethe-Gallerie Nr. 13’, name: ‘Friedrich Bruckmann's Verlag/ München’
Gold Neck Ring
Object type: neck ring
Date: 600 – 301
Materials: gold
Culture: celtic
Location: russia

This elegant and technically accomplished solid gold torque, which weighs more than a pound, is a superb example of the mastery of goldsmiths in Iron Age Europe. Such an imposing object would have been an emblem of status and power. Its excellent condition suggests that it might have served as a ritual offering or been placed in a tomb to accompany the dead into the afterlife. It may also simply have been deluxe jewelry. In about 50 B.C. the Roman historian Diodorus Siculus wrote that Celts in Gaul “gather gold that is used for ornaments not only for women but men as well, for they wear bracelets on their arms and wrists and also massive solid-gold collars around their necks.” The torque may have been made from a cast gold blank that was deeply incised or channeled along its length on four sides, evenly notched along some of the edges, and then twisted. Or it may have been constructed of four graduated square lengths of gold that were evenly notched and then twisted. Such techniques employing single or multiple strands of gold were used in several cultures in the first millennium B.C., but they were most widespread among the Celts, who populated much of western Europe.
The Adoration of the Magi in a Historiated Initial "E" from a Choirbook
Object type: drawing and watercolor
Date: 1375 – 1425
Materials: gold leaf, ink, parchment, paint
Techniques: cutting
Culture: italian
Location: italy
Costume Ornament
Object type: ornament
Date: 1301 – 1500
Materials: silver
Culture: chimú
Location: peru
Subjects: fish
Meetkamp in oerbosch
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Gezicht op een hut gebouwd van takken en bladeren in het meetkamp, in het oerwoud. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Flags of Truth and Lies
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,soldiers,men,flags
Spieghel der schrijfkonste
Object type: album leaf
Date: 1605 – 1605
Materials: ink, paper
Techniques: calligraphy, pen
Location: rotterdam
Subjects: calligraphy

Kalligrafische tekening met de aanhef: A mons. C. Offermans ... Daaronder zes regels tekst in het Latijn, voornamelijk bestaande uit afkortingen: Ambass. Amat. ... De tekening maakt deel uit van een album.
Dalmatiër Champion Berolina die een ereprijs heeft gewonnen op de Internationale Ausstellung von Jagd und Luxus Hunden in 1891
Object type: page
Date: 1891 – 1891
Materials: paper
Techniques: photograph
Location: frankfurt am main
Subjects: dog
Inscriptions: inscription: ‘Ehrenpreis. Champion Berolina. Besitzer : Hugo Droesse, London.’, number: ‘Cat.-No. 993.’
Favus
Object type: photograph
Date: 1860 – 1868
Materials: photographic support
Techniques: albumen print
Artist: a. de montméja
Artist role: arts, fotograaf
Artist dates: 1841 – 
Subjects: skin and venereal diseases, microscope
Inscriptions: number: ‘12’, inscription: ‘Ad naturam phot. et pinx.’, inscription: ‘Maladies parasitaires’
Mitaine van zwarte katoen in Egyptisch vlechtwerk
Object type: clothing
Date: 1900 – 1925
Materials: cotton
Techniques: sprang
Location: netherlands
Artist: Anonymous

Mitaine van zwarte katoen in Egyptisch vlechtwerk.
Käte Hohlfarth
Object type: photograph
Date: 1904 – 1944
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: utrecht
Artist: Anonymous
Subjects: historical persons - bb - woman, utrecht
Inscriptions: inscription

Albumblad met drie foto's van Käte Hohlfarth, een vriendin en collega bij de Deutsche Reichsbahn, Utrecht april 1944. Onderdeel van het fotoalbum Deutsche Reichsbahn, 1943-1944.
Twee hermen: Hercules en Omphale
Object type: photomechanical print
Date: 1674 – 1674
Materials: paper
Techniques: letterpress printing, photolithography
Subjects: herms (garden ornaments), hercules in love with omphale; the hero is set to spin wool or to do other women's work among the servants, while omphale wears his lion's skin and wields his club and bow
Inscriptions: collector's mark: Lugt 2228

Hercules met op de sokkel weefstokken. Omphale met het leeuwenvel van Hercules om haar hoofd en schouders, en op de sokkel de knots van Hercules. Op verso fragment van een afbeelding: kopie van een prent met daarop de dagdelen (drie van vier zichtbaar).
Celery Vase
Object type: celery vase
Date: 1850 – 1870
Materials: diamond, glass
Techniques: pressed

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Differents pourtraits de menuiserie. De reeks zonder titel en zonder blad 16
Object type: ornament print
Date: 1583 – 1583
Materials: paper
Techniques: etching
Location: netherlands

Bij het linker ontwerp zijn de linker en de rechter helft op geheel verschillende wijze gedecoreerd, bij het rechter ontwerp is dit alleen in het onderste gedeelte gebeurd. Blad 10 van 15 genummerde bladen + titelblad uit een serie van 16.
Tranquebar, Deens-India, Deense Aziatische Compagnie (DAC) op naam van koning Frederik VII, 2 royaliner, 1776
Object type: coin
Date: 1776 – 1776
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: gekroond monogram van de koning. Keerzijde: waarde-aanduiding: 2 royaliner in twee regels. Daaronder tussen jaartal gekroond ovaal Deens wapenschild.
Pastor Gros in gevecht met de man van Marjorin
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, fighting
Inscriptions: collector's mark: Lugt 2228

Negende scène uit een serie van twaalf scènes die de 'Geschichte des Predigers Gros' illustreren, onderdeel van 'Sophiens Reise von Memel nach Sachsen' door Johann Timotheus Hermes. Pastor Gros von Haberstroh heet eigenlijk Karl Wagner en is de legitieme zoon van Frau E., de pleegmoeder van Sophie. Hij bedient zich ook van het alias Feind. De scènes werden op een plaat geëtst. Een latere staat van deze serie is gebruikt in: Gothaischer Hof Kalender zum Nutzen und Vergnügen eingerichtet auf das Jahr 1778. Gotha, C.W. Ettinger, s.a.
Penning met buste van Lodewijk XIV
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: engraving
Location: paris
Subjects: lodewijk xiv (koning van frankrijk)
Inscriptions: collector's mark: Lugt 240

Voorkant van een penning met buste en profil van Lodewijk XIV, voor het eerst uitgegeven na de Slag bij Rocroi in 1643.
Studieblad, onder andere met een hek, tonnen, bossen graan en figuren
Object type: sketchbook leaf
Materials: paper, pencil
Artist: jacob perkois
Artist role: draughtsman, print maker
Artist dates: 1756 – 1804
Subjects: standing figure, wooden container: barrel, cask, bucket, kinds of flower or grain

Bladzijde 7 uit een schetsboek met 78 bladzijden.
Vase fragment
Object type: vase fragment
Date: 6500 – 5800
Materials: terracotta
Culture: neolithic
Gorget Plate for Bevor
Object type: armor
Date: 1500 – 1500
Materials: steel
Culture: spanish
Location: spain
Equal-Arm Brooch
Object type: brooch
Date: 601 – 800
Materials: copper alloy
Culture: frankish
Location: northern france