deem-data/ArtiFact huggingface dataset:
Vrouw in klederdracht met een hond aan een water
Object type: album leaf
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: volendam
Artist: george hidderley
Artist role: fotograaf
Subjects: adult woman, historical persons, landscapes with waters, waterscapes, seascapes (in the temperate zone), folk costume, regional costume, dog
Portret van Karl Maximilian Ferdinand von Mauschwitz
Object type: print
Date: 1750 – 1793
Materials: paper
Techniques: engraving
Location: berlin
Subjects: politician, ornament ~ medallion, historical persons, politician, e.g. party leader, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van een moeder met vier kinderen
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, mother and baby or young child, mother and child(ren), woman and child(ren) (family group), necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 2036, collector's mark: Lugt 2228
Karel X van Frankrijk produceert de Juli Ordonnanties
Object type: cartoon
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Artist: alexandre-gabriel decamps
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1860
Subjects: historical persons, political caricatures and satires
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a
Ritual cremation stacks on the Ganges on the ghats of Varanasi, Uttar Pradesh, India
Object type: photograph
Date: 1890 – 1920
Materials: paper
Techniques: gelatin silver print
Location: varanasi
Artist: Anonymous
Subjects: places and objects of worship ~ hinduism, buddhism, jainism, body-burning, cremation
Inscriptions: inscription: ‘Benares’, title: ‘Burning Ghat’
Terracotta rim fragments of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

One rim fragment has below the rim, ivy with korymboi and rosettes, and the head and neck of a wreathed, bearded man to left; a second rim fragment shows, below the rim, ivy with korymboi and rosettes, and a hand holding a sprig of ivy; at the far right, part of a stick?; two fragments show, below the rim, ivy with korymboi and rosettes, with two lines in added white; a fifth fragment shows a long tendril and part of ivy with korymboi and rosettes; at the bottom right, an unidentified object
Op haar linkerzij liggende naakte vrouw, het hoofd op de arm rustend
Object type: book illustration
Date: 1948 – 1948
Materials: paper
Techniques: lithograph
Location: paris
Subjects: lying on one side, stretched out - aa - female human figure, woman (showing herself) undressed, quasi-nude

Prent uit: Lucianus van Samosata. Dialogues des Courtisanes. [Vertaald uit het Grieks door] Charles Astruc. Parijs: s.n., 1948, deel van de suite met een extra afdruk van de prenten in sanguine.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, lower drapery of figure to left; part of a second figure?
Kaart van Luxemburg met een vestingplattegrond van de stad Luxemburg
Object type: map
Date: 1730 – 1730
Materials: paper
Techniques: engraving, etching, hand coloring
Location: augsburg
Subjects: maps of separate countries or regions, maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial)
Inscriptions: collector's mark: Lugt 2228

Kaart van Luxemburg. Linksonder de titelcartouche met boven het wapen van het hertogdom Luxemburg en onder twee schaalstokken: 3 Milliaria Germanica 15 in uno Gradu / 4 Milliaria Gallica sive Horae Itineris. Rechtsonder een inzet met een vestingplattegrond van de stad Luxemburg. De kaart is voorzien van een zoekrooster en een gradenverdeling langs de randen.
Water-Lily Vessel
Object type: vessel
Date: 750 – 800
Materials: ceramic, pigment
Techniques: modeling, painting
Location: petén department
Artist: ah maxam
Subjects: waterlilly, artists, flowers, geneology, parents, underworld, underwater

The simple, elegant design of this vessel reflects the refined abilities of the artist, who painted images of water lilies and a hieroglyphic text with a perfectly controlled brush. The inscription below was the first to be deciphered on a Classic Maya vessel. It states the name of the artist, Ah Maxam (aj maxam), and declares that he is a member of the royal lineage of the kingdom of Naranjo. His mother and father are also named on this vessel, as well as on other dynastic monuments from the region. For the Maya, water lilies were symbolic of the watery surface of the Underworld and the earth’s regenerative powers.
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: eduard karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1941
Subjects: the hague, philip zilcken, painting (including book-illumination, miniature-painting), exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 534 – 401
Materials: glass
Culture: greek, eastern mediterranean

Translucent cobalt blue, with handles in same color; trails in opaque white and opaque yellow. Thin, inward-sloping rim-disk; tall, slanting, cylindrical neck, with marked horizontal line at base; short, rounded shoulder; elongated oval body with upward taper; convex bottom; below shoulder, two vertical ring handles with knobbed tails, applied over trails. One white trail attached at edge of rim-disk; another applied below shoudder and wound down in tight spiral on upper part of body, where a second broader trail in yellow is added, mingling with the first, then both tooled into a close-set zigzag pattern around middle of body, formed by uneven shallow vertical tooling indents; below this, white trail continues in an uneven spiral around lower part of body; another white trail applied to outer edge of one handle. Broken and repaired with numerous holes in body and half of rim-disk missing; dulling, deep pitting and weathering, and faint iridescence.
Meaux (S.-et-M.) - La Cathédrale. Commencee au XIIIe siècle, continuée au XIVe, XVe et XVIIIe siècles. La Tour Nord (70 m. de hauteur)
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: château-thierry
Artist: Anonymous
Subjects: church (exterior)
Bord, veelkleurig beschilderd met een Kakiemon-decor
Object type: eating drinking utensil
Date: 1740 – 1740
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mold mark: ‘16’, factory mark

Plate. Meissen, c. 1740 - 1750. Sauceboat. Meissen, c. 1730 - 1735.
Model of a Mast
Object type: demonstration model
Date: 1800 – 1800
Materials: paint, wood
Location: netherlands
Artist: Anonymous
Inscriptions: label: ‘146’ former inventory label

Model van een ellipsvormige mast. In doorsnede is deze mast druppelvormig met de scherpe kant achter. Boven de hommer is de mast naar voren gebogen en loopt uit in een punt. De mastvoet is rechthoekig.
Mansportret
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228

Portret van een man met hoed en opvallende neus, en profil naar links, een krant of tekstblad in de handen.
Ste. Scholastique (St. Scholastica), February 10th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: women,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Bezoek van koningin Victoria aan Parijs, augustus 1855
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: salted paper print
Location: paris
Artist: andré-adolphe-eugène disdéri
Artist role: fotograaf
Artist dates: 1819 – 1889
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), military parade, pageant, paris
Whitacre, Pitcher, Philadelphia Athletics, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: brass, copper, gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: flowers,leaves
Mrs. George P. Burne
Object type: painting, miniature
Date: 1852 – 1852
Materials: ivory, watercolor
Culture: american
Artist: john wood dodge
Artist role: artist
Artist nationality: american
Artist dates: 1807 – 1893
Subjects: portraits,women

The artist entered this piece in his record book for May 8, 1852, in Huntsville, Alabama.
Tea pot of red stoneware
Object type: teapot
Date: 1800 – 1824
Materials: stoneware
Techniques: firing, forming
Location: japan
Artist: Anonymous

During the Edo Period (1603-1868), Yixing teapots were traded in Japan, where they were also imitated. In the 19th century, kilns in the Japanese city of Tokoname were producing large quantities of imitation Yixing teapots. This particular teapot is used for the Japanese green tea ceremony, known as sencha, which employs a pot characterized by its drum-shaped body and a short spout and handle.
Cane side chair
Object type: side chair
Date: 1690 – 1710
Materials: wood
Culture: british
Location: england
Zittende vrouw
Object type: sketchbook leaf
Date: 1870 – 1870
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: adult woman, sitting on an elevation - aa - female human figure
Inscriptions: date: ‘13 July 70’

Zittende vrouw. Ze ondersteunt haar hoofd met haar hand. Blad 36 verso uit een schetsboek met 39 bladen, deels vervaardigd te Ulm en Leiden.
The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: federico zuccaro (zuccari)
Artist role: artist
Artist nationality: italian
Artist dates: 1540 – 1609
Subjects: angels,madonna and child,saint joseph

This dynamic sketch of the Virgin and Child with Saints is most closely related to the altarpiece in the Farratino Chapel in the Cathedral of Amelia, dating around 1559-64, but which includes in the foreground Saints Peter and Bartholomew, instead of donors, as in the drawing. A similar composition as in this sketch is recorded on a double-sided drawing at the Musée du Louvre, Paris (inv. 12281; 25.4 x 17.3 cm) with the Virgin and Child and St. Joseph on one side and a truncated, roughly sketched version of the entire composition on the verso.
Portret van Péter Asi-Markovics
Object type: print
Date: 1796 – 1825
Materials: paper
Techniques: etching
Location: leipzig
Artist: johann gottlieb boettger
Artist role: print maker
Artist dates: 1763 – 1825
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Waarschijnlijk is op dit portret de Hongaarse schrijver Péter Asi-Markovics afgebeeld (1770-1844).
[Bank of the Rhumel, near Constantine, Algeria]
Object type: photograph
Date: 1855 – 1856
Techniques: paper negative, salted paper print
Artist: john beasley greene
Artist role: artist
Artist nationality: american
Artist dates: 1832 – 1856
Subjects: landscapes
Cap
Object type: cap
Date: 1850 – 1869
Materials: cotton, linen
Culture: american
Ferronnerie artistique et plomberie d'art Ferdinand Marrou principaux traveaux excluses : les quatre clocherons en cuivre martelé pour l'achèvement de la fleche de la cathédrale de Rouen .... [etc.]
Object type: book
Date: 1884 – 1884
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing
Artist: ferdinand marrou
Artist role: schrijver
Schotelscherf van aardewerk met veekleurige tekening van een bloem
Object type: sherd
Date: 1500 – 1799
Materials: earthenware, glaze
Artist: Anonymous
Portret van Sophie Musters als Hebe
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching, roulette
Location: london
Subjects: england, (story of) hebe (juventas)
Inscriptions: collector's mark: Lugt 2228

De actrice Sophie Catherine Musters als Hebe, de godin van de jeugd. Ze staat op de wolken en voert een arend water uit een schaal.
Brief aan Jan Veth
Object type: letter
Date: 1892 – 1892
Materials: ink, paper
Techniques: pen, writing
Location: bergen op zoom
Artist: karel johan lodewijk alberdingk thijm
Artist role: criticus, prozaschrijver
Artist dates: 1864 – 1952
Subjects: the hague, publisher, jan christiaan jr. loman, dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, photography, cinematography, the graphic arts, anonymous historical person portrayed, diseases, printed matter
Inscriptions: collector's mark: ‘RPK’
Kastelen
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: landscape with ruins, landscape with tower or castle
Inscriptions: collector's mark: Lugt 964

Ruïne van het kasteel van Egmond, waarvan de poort nog overeind staat, op de voorgrond links een man met een hond. Tweede prent uit een serie van zes.
Portret van een zittende baby, aangeduid als Billy Kesper
Object type: album leaf
Date: 1883 – 1905
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: rotterdam
Artist: f. von pöppinghausen
Artist role: fotograaf
Artist dates: 1851 – 1905
Subjects: sitting figure, historical persons, infant, baby ~ the ages of man
Inscriptions: annotation: ‘Billy Kesper/ elf maanden oud’, inscription: ‘F. von Pöppinghausen/ Diergaardelaan 80, Rotterdam.’
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
A figure resting in a ruined tower
Object type: drawing
Date: 1810 – 1840
Materials: graphite
Artist: john sell cotman
Artist role: artist
Artist nationality: british
Artist dates: 1782 – 1842
Subjects: towers

Cotman may have created this evocative image of an isolated, ruined tower during a sketching session, or as a teaching tool. For much of his career, the artist supported himself as a drawing master in his home town of Norwich and then, from 1834, as Master of landscape drawing at King's College School in London. During regular tours in England, Wales and Normandy, he sought out medieval architecture and drew forms in silhouette, emphasizing ornamented doors and windows. In this romantic image, a lone figure rests on the steps of a decayed structure whose cliffside position seem precarious. A counterpoint of dark and light moves from a small window that pierces a bright stone wall, into the shadowed interior of the ruin. Small birds soaring at right accentuate scale and the void of the adjacent valley.
Slag op de Zuiderzee tegen de graaf van Bossu, 1573
Object type: history print
Date: 1677 – 1679
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: antwerp, earl, politician, battle (+ naval force), enkhuizen, zuiderzee
Inscriptions: inscription: ‘Combat naval des Nord-Hollandois, contre le Comte de Bossu, le 11 et 12. d'Octobre 1573 / No. 10’

Deze staat ter voorbereiding voor gebruik als illustratie in: J. le Clerc, Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten, Z. Chatelain, Amsterdam 1730, 3 delen. Staat vóór de letter, dl. I, pl. 10.
Angel Playing a Lute
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: jacopo confortini
Artist nationality: italian
Artist dates: 1602 – 1672
Groep bomen in een heuvelachtig landschap
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Artist: maurits e.h.r. van den kerkhoff
Artist role: painter, print maker
Artist dates: 1830 – 1908
Subjects: low hill country, groups of trees
Inscriptions: collector's mark: Lugt 2228, inscription: ‘allerzeldzaamst’

In de achtergrond, achter de bomen, een huis.
Coin Portraying Emperor Caracalla
Object type: coin
Date: 198 – 217
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Peinzende jongeman met sigarenpijpje
Object type: drawing
Date: 1865 – 1930
Materials: paper, pencil
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Studie-prentwerk / Etudes gravées
Object type: print
Date: 1812 – 1814
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: painter, jan kamphuijsen, draughtsman, dirk versteegh, hendrik de flines
Inscriptions: collector's mark: Lugt 2228

Serie voor het eerst uitgegeven door Jacob Ernst Marcus onder de titel Studiebeelden en Fragmenten. Amsterdam: ca.1816. Later heruitgegeven als: Studie-prentwerk/ Etudes gravées.
Ongeluk van graaf Johan Maurits op de brug van Franeker, 1665
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: collapsing building, bridge, accident with horse (or kindred animal)
Inscriptions: collector's mark: Lugt 573, collector's mark: Lugt 12

Ongeluk van graaf Johan Maurits op de brug van Franeker, 6 januari 1665. De ophaalbrug waar de graaf met zijn gevolg overheen rijdt stort in en de graaf valt in het water.
Mother-and-Child Figure (Bwanga bwa Chibola)
Object type: sculpture
Materials: pigment, wood
Techniques: painting
Location: democratic republic of the congo
Artist: luluwa
Subjects: children, mothers, containers, status, beauty, female, fertility, goodness, ritual, birth

This delicate rendering of a mother holding her newborn child celebrates human fertility. The figure was related to rituals dedicated to helping women with childbirth and preventing infant mortality. Scarification patterns, hairstyles, jewelry, and anatomical details expressed the Luluwa concept of bwimpe, which unites beauty with goodness. Such figures may have served as both containers for medicine and symbols of status, reflecting societal changes in the latter half of the 19th century.
Bangkok, capital of Siam
Object type: photomechanical print
Date: 1870 – 1875
Materials: cardboard
Techniques: woodburytype
Location: alhambra
Artist: john thomson
Artist role: fotograaf
Artist dates: 1837 – 1921
Subjects: temple, shrine ~ hinduism, buddhism, jainism, city-view in general; 'veduta'
Inscriptions: inscription: ‘Asia’
The Storm
Object type: painting
Date: 1814 – 1830
Materials: oil, paint, panel, wood
Techniques: painting
Location: france
Artist: georges michel
Artist role: draughtsman
Artist nationality: french
Artist dates: 1763 – 1843
Subjects: storms, weather/seasons, clouds, windmill, trees, horse, horses, landscape, sky, men, man, wheel, fences, rural life, labor, work
Border
Object type: border
Date: 1601 – 1700
Materials: silk
Subjects: eagles,masks
Spearhead
Object type: spearhead
Date: 1600 – 1050
Materials: bronze
Culture: cypriot
Afbeelding van het vermaarde Synode van Dordrecht in het jaar 1618. en 1619
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving, etching
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: organizations, assemblies, etc. in protestant churches
Inscriptions: collector's mark: Lugt 1641, stamp

De opening van nationale synode te Dordrecht op 13 november 1618. De grote zaal van de Kloveniersdoelen met alle aanwezigen en toeschouwers. De deelnemers aan de synode zijn met cijfers aangeduid met de corresponderende legenda in de kolommen aan weerszijden van de voorstelling. Rechtsboven genummerd: Tom: II. Pag: 144. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Ned. Hervormden, (Oudtijds Gereformeerden), Synode van Dordrecht.
Print
Object type: print
Date: 1906 – 1906
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kajita hanko
Artist role: artist
Artist nationality: japanese
Artist dates: 1870 – 1917
Subjects: men,women,working
The Bride Riding in the Palanquin to Her Husband's House (Koshi-iri), the third sheet of the series "Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)"
Object type: print
Date: 1769 – 1769
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Sententie uyt-ghesproocken ende ghepronuncieert over Iohan van Oldenbarnevelt
Object type: pamphlet
Date: 1619 – 1619
Materials: paper
Techniques: printing
Location: the hague
Subjects: the hague, johan van oldenbarnevelt
Inscriptions: date

Conviction of Johan van Oldenbarnevelt. After the trial of Johan van Oldenbarnevelt, the States General published and distributed the text of the judgment. Van Oldenbarnevelt had played a key role in the religious struggle between the moderates and the extremists. Within two days of the pronouncement of the verdict the government authorised the publication of the 'sentence' in Dutch, French and Latin. A testimony of the government's recognition of the important role that pamphlets played.
Plate with the coat of arms of Hendrik Peter Godfried Quack and Isabella Gertraud von Carnap
Object type: plate dish
Date: 1790 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris
Artist: Anonymous
Inscriptions: mark: ‘J?’

Bord van porselein, beschilderd op het glazuur met goud. Op het plat het alliantiewapen van Hendrik Peter Godfried Quack en Isabella Gertraud von Carnap. De rand met een bloemrank en een gouden band. Een proen op de onderzijde; porselein grijs van tint. Gemerkt op de onderzijde met J[?].
Fuchsia: Taste, from the series Floral Beauties and Language of Flowers (N75) for Duke brand cigarettes
Object type: print
Date: 1892 – 1892
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: women,flowers
Fairmount Park Scenery, Philadelphia, Pa., from the series "Gems of American Scenery"
Object type: photograph
Date: 1873 – 1881
Techniques: albumen print
Location: salem
Artist: j.w. & j.s. moulton
Artist nationality: americans
Artist dates: 1873 – 1881
Gezicht op de Jardin des Tuileries te Parijs
Object type: cabinet photograph
Date: 1865 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: french or architectonic garden; formal garden
Inscriptions: inscription: ‘Compagnie Photographique Debitte & Hervé 170, Rue de Rivoli, Paris’, inscription: ‘Jardin des Tuileries’
Orphrey
Object type: orphrey
Date: 1601 – 1700
Materials: silk
Head-Piece to List of Drawings
Object type: drawing and watercolor
Date: 1885 – 1888
Materials: gouache, graphite, paint, watercolor
Location: united states
Artist: will hicock low
Artist nationality: american
Artist dates: 1853 – 1932