deem-data/ArtiFact huggingface dataset:
De marteling van de H. Laurentius
Object type: print
Materials: paper
Techniques: engraving
Location: rome
Subjects: martyrdom, suffering, misfortune, death of st. laurence
Inscriptions: collector's mark: Lugt 240

De heilige Laurentius ligt op een rooster en wordt gebraden. Soldaten halen hout voor het vuur, stoken het vuur op en steken met een spit in Laurentius zij. Op de achtergrond een standbeeld van Maria met een engel in haar hand. Twee engelen kijken vanuit de hemel naar de marteling van Laurentius en brengen hem alvast de palmtak, het teken van de martelaar.
Duché de Baviere. Het Hertogdom Byeren
Object type: print
Date: 1700 – 1705
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Artist: Anonymous
Subjects: maps of separate countries or regions

Kaart van het hertogdom Beieren. De kaart omringd met dertien plattegronden van steden. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Cravat
Object type: cravat
Date: 1701 – 1800
Techniques: lace
Subjects: flowers
Palazzo Caffarrelli-Vidoni, elevation; details (recto) blank (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Phaeton #461
Object type: drawing
Date: 1850 – 1850
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Paard van Troje
Object type: print
Date: 1586 – 1630
Materials: paper
Techniques: engraving
Subjects: the trojan horse
Inscriptions: collector's mark: Lugt 240
Jupiter and Antiope
Object type: print
Date: 1520 – 1582
Techniques: engraving
Artist: master fg
Artist role: artist
Artist nationality: italian
Artist dates: 1530 – 1560
Subjects: female nudes,jupiter,satyrs
Gezicht op een dorp in een vallei op West-Sumatra met rechts een deel van een spoorbrug
Object type: photograph
Date: 1891 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: sumatera barat
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: dale, valley, village
Inscriptions: inscription: ‘FOTO’

Deze foto zat oorspronkelijk in prentenkabinet RP-F-AA3192.
Portret van een jongeman
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: cornelis bernardus broersma
Artist role: fotograaf
Artist dates: 1841 – 1919
Subjects: historical persons, youth, adolescent
Inscriptions: number: ‘10’, inscription: ‘C.B. Broersma/ Photographische Kunstinrichting/ Vleeschmarkt/ Letter F No. 8/ Leeuwarden (...)’
Portret van Georg Pfründ
Object type: print
Date: 1663 – 1705
Materials: paper
Techniques: etching
Subjects: historical persons, index finger forwards, pointing, indicating
Miss Dod
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: tennis, lawn-tennis
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Bust of Eva Maatz
Object type: drawing and watercolor
Date: 1827 – 1827
Materials: ink, paper
Techniques: pen
Location: germany
Artist: gerhardt wilhelm von reutern
Artist nationality: german
Artist dates: 1794 – 1865
Palm Column of Sahure
Object type: column, sahure, palm capital
Date: 2458 – 2446
Materials: granite
Location: egypt
Wagonette Break #3590
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Deksel van melkkan in de vorm van een aap van veelkleurig beschilderde faïence
Object type: milk jug
Date: 1750 – 1780
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: inscription: ‘A.V/ R’

Deksel van melkkan van faïence, in de vorm van een drinkende aap. Veelkleurig beschilderd.
Roeping van Petrus en Andreas
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: calling of peter and andrew (john 1:40-42)

Christus roept Andreas en Petrus op om hem te volgen en hun vissersnetten achter te laten. Rechts op de achtergrond wat voorafging: Andreas en Petrus gooien hun netten uit in het meer. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 4. Deze prent maakt deel uit van een album.
Egrets and Cotton Roses
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Artist: tosa mitsuoki
Artist role: artist
Artist nationality: japanese
Artist dates: 1617 – 1691
Subjects: birds,roses

Artists of the Tosa school are known for refined and colorful yamato-e paintings depicting quintessentially Japanese themes such as scenes from The Tale of Genji and other literary classics. Tosa Mitsuoki is, however, also renowned for his works showing quails with flowers or grasses, reflecting an indebtedness to Chinese painting of the Southern Song dynasty. A bird-and-flower painting by Mitsuoki that does not depict quails, such as this rendering of two egrets with cotton roses, is therefore quite rare. This hanging scroll shows the artist painting in a different, somewhat looser style, observable in the flowers, leaves, rocks, and egrets. The birds are painted in the “boneless” method, with minimal outlines, showing the influence of contemporaneous Rinpa artists. The painting demonstrates Mitsuoki’s subtle but definite interest in incorporating stylistic features of the Kano school, especially in the way he executed the rocks with bolder brushstrokes in ink.
Kast met maskers
Object type: print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: furniture for storage, mask, mascaron ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een kast gedecoreerd met mannelijke gezichten. Prentnummer 175.
Drinking Cup
Object type: cup
Date: 1900 – 1550
Techniques: incising
Location: nubia

This handmade cup was smoothed inside with the fingers, and the outer surface burnished with a smooth pebble. The rim decoration consists of two rings of impressed triangles filled with white pigment, creating a pattern of raised black lozenges. Below, a series of triangles and lozenges are filled with short hatched lines that are enhanced with white pigment.
Michel Le Tellier (1603–85), Chancellor of France
Object type: medal
Date: 1677 – 1685
Materials: bronze
Artist: nicolas de la haye
Artist role: artist
Artist dates: 1684 – 1703
Subjects: men,profiles
Right Half of a Strapwork Cartouche
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen
Artist: anonymous, netherlandish, 16th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1500 – 1600
Subjects: ornament
Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 8 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: domenico da sera
Artist role: publisher
Artist nationality: french
Artist dates: 1500 – 1599
Subjects: ornament

Published by Domenico da Sera Lyons. From top to bottom, and left to right: Design composed of 4 horizontal registers. First register is decorated with a pattern of foliage characterized by angular lines and diamonds. Second register is decorated with 3 flowers. Third register is decorated with an alternating pattern of 2 different types of flowers; each flower is placed upon an oval base. Fourth register is decorated with a curving vine of leaves.
Portret van Mohammed ben Hadou
Object type: print
Date: 1682 – 1684
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons, ambassador
Inscriptions: collector's mark: Lugt 11
King Sahure Accompanied by a Divine Figure
Object type: statue group, king sahure, nome god
Date: 2458 – 2446
Location: egypt
Subjects: kings,men

This is the only preserved three-dimensional representation that has been identified as Sahure, the second ruler of Dynasty 5. Seated on a throne, the king is accompanied by a smaller male figure personifying the local god of the Coptite nome, the fifth nome (province) of Upper Egypt. This deity offers the king an ankh (hieroglyph meaning "life") with his left hand. The nome standard, with its double-falcon emblem, is carved above the god's head. Sahure wears the nemes headcloth and straight false beard of a living pharaoh. The flaring hood of the uraeus, the cobra goddess who protected Egyptian kings, is visible on his brow. The nome god wears the archaic wig and curling beard of a deity. The statue may have been intended to decorate the king's pyramid complex at Abusir, about fifteen miles south of Giza. At the end of the previous dynasty, multiple statues of this type were placed in the temple of Menkaure (Mycerinus) to symbolize the gathering of nome gods from Upper and Lower Egypt around the king. However, since no other statues of this type are preserved from Sahure's reign, it is possible that this statue was a royal dedication in one of the temples in Coptos (modern Qift).
Ampas na de eerste molen
Object type: photograph
Date: 1906 – 1937
Materials: photographic support
Techniques: gelatin silver print
Location: semarang
Artist: otto hisgen
Artist role: fotograaf
Artist dates: 1874 – 1944
Subjects: colonial system, machines; parts of machines; tools and appliances, (non-fruit) products of plants or trees: sugarcane, interior of industrial structures (regardless of the materials processed or the products made, java

Ampas na eerste maling door de canecutter, in een onbekende suikerfabriek in 1937. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja bestemd voor de Nederlandse suikerindustrie op Java, uit de periode 1917-1938.
Inverary Castle and Town, plate 65 from Liber Studiorum
Object type: print
Materials: ivory, paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Portret van Stephan Franz Viktor
Object type: print
Date: 1838 – 1902
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: albert henry payne
Artist role: print maker, publisher
Artist dates: 1812 – 1902
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Titelpagina voor: Justus Siebers, poetisierende Jugend oder allerhand geist- und weltliche teutsche Gedichte, 1658
Object type: titelblad, titelpagina
Date: 1658 – 1658
Materials: paper
Techniques: engraving
Location: dresden
Subjects: trees: laurel (branch, stick), herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., foliated head ~ ornament, historical persons, trees: laurel, sun represented as face, wheel, etc., ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228
Ingang Wanicastraat van Chineesch kerkhof
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘35 / Ingang Wanicastraat van Chineesch kerkhof.’

Toegangshek naar het Chinese kerkhof aan de Wanicastraat te Paramaribo, boven het hek een bord met Chinese tekens, het jaartal 1890 en de naam Willemsrust of Willems Rust. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Tea Bowl with Leaf Decoration
Object type: bowl
Date: 1101 – 1300
Materials: glaze, pigment, stoneware
Culture: chinese
Subjects: leaves
Portret van Barbara Villiers hertogin van Cleveland
Object type: print
Date: 1658 – 1706
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: london, pearl; pearl necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 2228

Portret van Barbara Villiers, hertogin van Cleveland en één van de maîtresses van koning Karel II van Engeland. Ze zit bij een venster en draagt een parelketting.
Église Saint-Antoine
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: compiègne
Subjects: church (exterior)
Inscriptions: inscription: ‘Reproduction interdite.’, number: ‘Pl. VII.’
Portret van Marie-Maurille de Sombreuil
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons
Inscriptions: number: ‘1537’
Piece
Object type: piece
Date: 1501 – 1600
Materials: linen, metal thread, silk
Subjects: flowers,leaves
Casket
Object type: chest
Date: 1929 – 1929
Materials: wood, tin
Location: northern netherlands
Artist: anton fortuin
Artist role: sculptor
Artist dates: 1880 – 1967
Subjects: bony fishes: hippocampus, ornament ~ cartouche

Kist van coromandelhout, ingelegd met tin en met tinnen beslag, rustend op dubbel vierkante poten. De kist heeft uitgestoken hoeken en regels. De zijkanten zijn bovenaan voorzien van golvend tinnen beslag; de sleutelplaat aan de voorzijde is hierin opgenomen. Het gebolde deksel heeft een middenregel, waarop een greep in de vorm van een schelp. De twee panelen zijn ieder ingelegd met vier gestileerde toegewende zeepaarden, waartussen snijwerk met de initialen AF en 8 mei 1929, binnen een cartouchevorm.
United States of America
Object type: stereograph
Date: 1859 – 1859
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: gulf, bay, ships (in general) - cc - more than one ship, new york (city)
Inscriptions: : ‘The accompanying photograph (...) the silent tides."’
Driekant shawl van naaldkant met lelies en papavers
Object type: scarf
Date: 1894 – 1894
Materials: linen
Techniques: lace
Location: brussels

Sjaal van naturelkleurige gemengde kant: Brusselse kant. Driehoekig model. Langs de drie zijden loopt een brede, golvende lijst, omgeven door een rand van beurtelings kelkbloemen en asymmetrische medaillons van C-voluten; de laatste nemen in grootte toe tot in de punt van het rugstuk. De lijst bestaat uit vijf banen, waarvan de middelste bezet is met grote raderen. Op de golftoppen staan boeketten van een zeer grote lelie en een papaver. In het veld staan drie boeketten, de middelste, grootste, is samengesteld uit papavers, schermbloemen en spirea, de buitenste bevatten een papaver en seringen. Het fond is bezaaid met fijne slingertjes (kloskant), die een met moesjes bezaaid randgedeelte begrenzen. Talrijke bloemlaadjes en blaadjes zijn door de nerf verdeeld in een fel wit en een wazig fond. Point de gaze de Bruxelles.
Gezicht op de Gevangenpoort te Den Haag
Object type: photograph
Date: 1900 – 1960
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: Anonymous
Subjects: square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘The Hague/ [H A Priem]/ de Gevangenpoort’, annotation: ‘Geschonken door de Historical Society of Western Pennsylvania, Pittsburgh/ 1990’
Somer
Object type: print
Date: 1580 – 1678
Materials: paper
Techniques: etching
Location: unknown
Artist: Anonymous
Subjects: summer, 'aestas'; 'estate' (ripa)

Een naakte man, wiens hoofd met korenaren is omkransd, draagt een sikkel en een schoof koren. Naast hem loopt een vrouw met een korf vruchten in haar armen. Haar hoofd is getooid met een hoed.
Chandelier
Object type: chandelier
Date: 1701 – 1733
Materials: brass
Culture: dutch

This chandelier has two series of eight S-shaped branches around a baluster shaft resting on a massive globe. The branches and baluster shaft have been correspondingly numbered from one to eight with a system of small drill holes arranged in three horizontal rows around the two disks of the baluster.
Prospetto della Chiesa del S.S. Rosario detta de Gesuati
Object type: print
Date: 1755 – 1780
Materials: paper
Techniques: etching
Location: italy
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228
Saddle, Saddle Pad, Stirrups, Rein, Stirrup Straps, Bit and Bridle, Breaststrap, Tassel, and Crupper
Object type: saddle, stirrup, rein, bridle, strap, and tassel
Date: 1701 – 1900
Materials: copper, gold, hair, iron, leather, linen, silk, wood, wool
Culture: tibetan
Location: tibet
Subjects: dragons
Jachthuis Sneppenschrik
Object type: sketchbook leaf
Date: 1808 – 1864
Materials: paper, pencil
Location: capelle aan den ijssel
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, rural housing, e.g. country-house, villa, cottage
Inscriptions: date and inscription: ‘de boomen boven het dak 2/5 der boom hooger/ 29/8 64. met di [...] & o. jan & Schij/ marie & Adri/ Sneppenschrik’, signature: ‘Tavenraat’

Blad 41 recto uit een schetsboek met 98 bladen.
Portret van Odo I, koning van West-Francië
Object type: book illustration
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, hacking and thrusting weapons: sword, head-gear: beret, king

Prent voor het eerst gebruikt in: Cronica Breve de i fatti illustri de're di Francia, con le loro effigie dal naturale cominciando da Faramondo (...). Venetië: Bernardo Giunti, 1588. Prent in ieder geval ook gebruikt in de editie van 1590 en mogelijk ook in een Franse uitgave van 1597.
Twee armbanden
Object type: bracelet
Date: 1835 – 1837
Materials: gold
Techniques: filigree
Location: amsterdam
Inscriptions: alloy mark: ‘leeuwenkop’, maker's mark: ‘W&S’

Parure van goud in filigreintechniek, in rood leren foedraal. Bestaande uit: diadeem, halssnoer, twee armbanden en twee oorknoppen. Het foedraal is met witte zijde gevoerd.
Etappen- en verkeersdienst 1939-1940
Object type: commemorative plate
Date: 1940 – 1982
Materials: earthenware, glaze
Techniques: firing, vitrification
Location: maastricht
Subjects: netherlands
Inscriptions: mark, inscription: ‘ETAPPEN- EN VERKEERSDIENST. 1939-1940’

Herdenkingsbord met schuine oplopende rand waarop allerlei symbolen in donkerblauw. In het midden van het vlak: nederlandse leeuw op vier-puntige ster. Gedeelte van het merk is achter sticker met: Bord No. 568 en de verklaring van de onderscheidingstekens op het bord.
Rafaels Galatea
Object type: reproduction
Date: 1851 – 1861
Materials: photographic support
Techniques: albumen print
Location: berlin
Subjects: triumph of galatea
Pont St Louis, Menton
Object type: photograph
Date: 1886 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: italy, france

De brug Saint Louis over de vallei bij Menton. De brug vormt de grens tussen Frankrijk en Italië.
Portret van Martin Bucer
Object type: print
Date: 1670 – 1726
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Portret van Georg Carl Wilhelm Pömer von Diepoltsdorf
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: engraving, etching
Artist: christoph wilhelm bock
Artist role: print maker
Artist dates: 1755 – 1836
Subjects: historical persons, law and jurisprudence
Inscriptions: collector's mark: Lugt 2233
De Stembus voor den werkman gesloten
Object type: cartoon
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: amsterdam, politician, ferdinand domela nieuwenhuis, voting place, polling station, the right to vote, the compulsory vote, policeman, constable, politician, e.g. party leader, political caricatures and satires
Inscriptions: collector's mark: Lugt 1641b

Bij het stembureau worden door de politieagenten Bergsma, Spruyt en Versluis de werkmannen die willen stemmen weggestuurd. Om de hoek wrijven Domela Nieuwenhuis en Fortuyn van de SDAP zich in de handen omdat ze verwachten dat ze vervolgens bij hen terecht zullen komen. Onderwerpsrubriek binnen de Atlas Amsterdam: Verkiezingen Tweede Kamer.