deem-data/ArtiFact huggingface dataset:
Glass beaker with inscription
Object type: beaker, inscribed
Date: 1 – 50
Materials: glass
Culture: roman, syrian

Translucent pale yellow green. Outsplayed unworked rim; cylindrical body with vertical sides; uneven, flat bottom. Two vertical mold seams run down sides from rim to edge of bottom through palm fronds, with a separate disk-shaped base section. On body, three friezes separated and bordered by single horizontal ridges, and divided vertically by two palm fronds: the central narrower frieze contains an inscription in Greek capitals that reads ΛΑΒΕ ΤΗИ // ΝΕΙΚΗΝ; the upper and lower friezes each contain six stylized wreaths, comprising two concentric circles joined by radial lines, and with wavy lines below indicating ribbons. The inscription translates as "Take the victory!" On bottom, projecting rounded ring and central dot. Broken and repaired around rim, with part of rim and upper body missing; pinprick and larger bubbles; most of surfaces covered with thick creamy brown weathering, with patches of brilliant iridescence. Blown in the same mold as 81.10.214.
Bruiloft te Kana
Object type: print
Date: 1577 – 1577
Materials: paper
Techniques: engraving
Location: rome
Subjects: the marriage-feast at cana (john 2:1-11), the wine is tested ~ marriage-feast at cana, wine-steward
Inscriptions: date: ‘1577’, signature: ‘Lauren Sab(atini) Bono in.’, caption: ‘HOC FECIT INITIUM SIGNORUM IESUS IN CANA GALILEAE / ET MANIFESTAVIT GLORIAM SUAM. Ioan. 2.’, signature: ‘C. Cort fc.’, collector's mark: Lugt 240

Christus zit met Maria naast zich aan een tafel. Links zitten twee vrouwen, rechts een vrouw die uit een beker drinkt. Op de voorgrond worden kruiken wijn uit de kelder aangedragen. Rechts zit een man op de rug gezien die de wijn keurt. Door een boogvormige opening met zuilen gezicht in een tweede ruimte.
Tienarmige zilveren kandelaar
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching, intaglio
Location: utrecht
Subjects: candlestick

Prent maakt deel uit van een serie van veertien prenten.
Geinrust Farm: Close Frontal View
Object type: drawing and watercolor
Date: 1905 – 1906
Materials: charcoal, paper, pastel
Location: netherlands
Artist: piet mondrian
Artist nationality: dutch
Artist dates: 1872 – 1944

Because Piet Mondrian depicted this specific farm no fewer than 13 times, determining when he actually made this drawing is difficult. Prior to 1908, he rarely dated his work; moreover, his artistic evolution is hard to trace chronologically since he made two kinds of work simultaneously: formally experimental landscapes and—forced by his meager finances to appeal to buyers—naturalistic scenes. Based on stylistic similarities to other works of that time, Robert Welsh, a scholar of Mondrian’s early work, dated the sheet to around 1905-06.
Brief aan Jan Veth
Object type: letter
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen, writing
Location: laren
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: dordrecht, painter, draughtsman, designer, jan veth, utrecht, amsterdam, print maker, johanna henriëtte besier, wally moes, richard nicolaüs roland holst, applied arts, arts and crafts; industrial design, photography, cinematography, exhibition ~ art, historical persons (portraits and scenes from the life), printed matter
Inscriptions: collector's mark: ‘RPK’
Ontwerp voor een stoel en een plattegrond
Object type: drawing
Date: 1874 – 1945
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: chair
Bracelet with Snake-Head Endings and Arabic Inscription, One of a Pair
Object type: bracelet
Date: 1401 – 1500
Materials: silver
Techniques: casting, chasing
Location: central asia
Subjects: snakes
Verklaring behoorende bij de Feestplaat van het 3e Eeuwgetijde der inneming van den Briel door de Watergeuzen. 1 April 1572
Object type: text sheet
Date: 1872 – 1872
Materials: paper
Techniques: letterpress printing
Location: utrecht
Subjects: brielle
Inscriptions: collector's mark: Lugt 2228

Verklaring behorend bij de gedenkplaat van de inneming van Den Briel op 1 april 1572 bij de viering van 300 jaar Nederlandse vrijheid 1572-1872. Tekstblad bedrukt met tekst op beide zijden.
Military Order of the Golden Kite
Object type: photograph
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: medals
Solicitor and Client
Object type: drawing and watercolor
Date: 1870 – 1891
Materials: gouache, ink, paint, paper, watercolor
Techniques: pen
Location: england
Artist: charles samuel keene
Artist nationality: british
Artist dates: 1823 – 1891
Knoop (8 stuks), bol, van bruin en beige kunststof (celluloid?) met koperen oog
Object type: button
Date: 1905 – 1915
Materials: celluloid, copper
Techniques: casting
Location: netherlands
Artist: Anonymous

Acht grote bolle knopen van bruin en beige kunststof (celluloid). Nederland, ca. 1910(?)
Veldslag bij Oosterweel
Object type: history print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: netherlands
Subjects: battle, fighting in general

Illustratie voor: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. IV, pl. V. Niet in Frederik Muller; door het RPK toegevoegd nummer. Staat met de letter.
Piece
Object type: piece
Date: 1701 – 1733
Materials: metal thread, silk
Subjects: flowers
Glass gold-band mosaic lid fragment
Object type: lid fragment, gold band mosaic
Date: 1 – 50
Materials: glass
Culture: roman

Translucent cobalt blue, purple, turquoise blue streaked with yellow, appearing green, opaque white, and colorless encasing gold leaf. Flat lid with rounded edge to vertical cylindrical sides; plain tapering rim. Marbled mosaic pattern formed from serpentine lengths of canes in different colors with streaks of white, some overlapping to give different shades and colors. On exterior, concentric groove. Broken with weathered edges, about one third of lid surviving; dulling, iridescence, and patches of thin creamy weathering. This fragment probably belongs to a small lidded pyxis.
Pamel with a hunting scene
Object type: plate
Date: 1775 – 1799
Materials: glaze, gold, paint, porcelain, wood
Techniques: firing, forming, gilding, vitrification
Location: london

Rechthoekige plaque van porselein, beschilderd op het glazuur in zwart. Afgebeeld een jachtvoorstelling met vier jagers te paard met hun honden in een landschap. Decoratie naar een prent van Thomas Burford. Originele vergulde lijst. Europese voorstelling in encre de Chine.
Portret van de heer Poelman
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: anonymous historical person portrayed alone
Inscriptions: annotation: ‘2me etat’, collector's mark: Lugt 2228
Throwing the Shuttle
Object type: print
Date: 1766 – 1767
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: mythical creatures
Ceramic Fragment
Object type: fragment
Date: 1301 – 1500
Materials: stonepaste
Techniques: painting, underglaze
Location: egypt
Subjects: fish
De Fort-National aux Beni-Yenni. Taourirt Amokram. Village Kabyle
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1904
Materials: cardboard
Techniques: photograph
Location: algeria
Subjects: prospect of village, silhouette of village, mountain-range, snow peaks
Landschappen op Celebes
Object type: album leaf
Date: 1935 – 1938
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: celebes
Artist: Anonymous
Subjects: r.h. vonk, gulf, bay, coast (in tropical and sub-tropical regions)
Inscriptions: inscription

Albumblad met twee foto's van de baai van Boeton en van het uitzicht vanuit het huis van de assistent-resident Vonk te Baoe, op Celebes. Onderdeel van het familiealbum van Jet Vonk uit Celebes.
Caught at last, pretty creature
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: england
Artist: james elliott
Artist role: publisher
Artist dates: 1832 – 1900
Subjects: blindfold games, england
Inscriptions: name: ‘J. Elliot.’, number: ‘60.’, inscription: ‘Entered at Stationers' Hall.’
Op een stok leunende oude vrouw in een deuropening
Object type: print
Date: 1885 – 1909
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: old woman
Inscriptions: collector's mark: Lugt 2228, annotation: ‘une epreuve 1er état’

Sterfdatum prentmaker onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
Decoratred ware jar depicting rows of flamingos
Object type: jar, decorated ware, flamingo
Date: 3650 – 3300
Materials: paint, pottery
Location: egypt
Subjects: birds
Case with Quail and Millet
Object type: case
Date: 1834 – 1866
Materials: gold, lacquer, silver
Techniques: hiramakie
Culture: japanese
Subjects: birds,plants
Mannen, vrouwen en kinderen bij de ingang van een schuilkelder in Nijmegen
Object type: documentary photograph
Date: 1911 – 1946
Materials: photographic support
Techniques: photography
Location: nijmegen
Subjects: nijmegen

Een vrouw in gesprek met een broodventer voor de ingang van een schuilkelder gadegeslagen door een man en vrouw die net de kelder verlaten met op de achtergrond een aantal kinderen. In 1946 leefden in deze schuilkelder nog steeds ongeveer 200 mensen.
Fries met hoorns des overvloeds
Object type: print
Date: 1680 – 1690
Materials: paper
Techniques: etching
Location: amsterdam

In het midden een bloemkelk boven twee rozetten, waaruit twee hoorns des overvloeds komen. Nederlandse kopie naar het bovenste motief van blad 4 uit de originele serie met dezelfde naam.
The Cape Medal
Object type: medal
Date: 1853 – 1853
Materials: bronze
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: profiles,lions
Acanthus Scroll
Object type: drawing
Date: 1601 – 1700
Materials: chalk, graphite
Techniques: brush, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: scrolls,acanthus
Donna butia, d'anni 26
Object type: photograph
Date: 1881 – 1886
Materials: photographic support
Techniques: albumen print
Location: bhutan
Artist: paolo mantegazza
Artist role: antropoloog, professor
Artist dates: 1831 – 1910
Subjects: adult woman (+ sideview, profile), adult woman (+ front view)
Shirt
Object type: shirt
Date: 1852 – 1852
Materials: linen
Culture: american
Head of a Figure (Dogū)
Object type: head
Date: 1000 – 350
Materials: cord, earthenware
Techniques: incising
Culture: japanese
Subjects: animals

The bulging eyes of this head, which was once attached to a complete dogū clay figure, are characteristic of the Kamegaoka style of Jōmon pottery from the Final Period of Jōmon history. Created in northern Japan’s Tōhoku region, the head was probably ritually removed from the body of the figure to serve a religious purpose. The distinctive eyes of this figure, which crowd out the mouth, nose, and ears, were once thought by scholars to represent a kind of snow goggles common to other communities of the far north, such as the indigenous peoples of Siberia and the Inuit of Canada, but modern scholarship tends to believe that they reflect the Jōmon people’s emphasis on the eyes, which may have a kind of religious significance.
Oval Watch Plate with Diana and Endymion (?) embracing, from a Series of Six Designs for Watch Cases
Object type: ornament architectue
Date: 1610 – 1615
Techniques: embroidery, engraving
Artist: antoine jacquard
Artist role: artist
Artist nationality: french
Artist dates: 1610 – 1630

Antoine Jacquard was active as a metalsmith in Potiers in the first half of the seventeenth century. He appears to have published his designs in print with some regularity throughout his career. They now form the only record of the kinds of objects he would have produced in his workshop. Their subjects range from designs for lock plates, sword hilts, and pommels, to finely-wrought watch cases such as these. This series consists of six sheets, each showing an oval watch case at center, either representing the clock face, or the verso of the case. At the top and bottom of the print decorative friezes are depicted which represent options for the decoration of the sides of the watch case. The prints have been partially executed in the blackwork technique, which may indicated that the watch cases were meant to be enameled, as was the fashion in the early seventeenth century. The prints are not bound, but the original holes where the series would have been tied together with a piece of rope are preserved in the generous margins of the prints.
The Wedding Feast of Cupid and Psyche
Object type: plate
Date: 1570 – 1570
Materials: copper, enamel, gilt
Techniques: painting
Artist: pierre reymond
Artist role: enameler
Artist nationality: french
Artist dates: 1513 – 1590
Subjects: men,women,cupid,psyche

The subject of this plate is an episode in the tale of Cupid and Psyche from Book V of The Golden Ass by the Latin author Lucius Apuleius (born 125 A.D.). The winged god of love, Cupid, is customarily depicted by Renaissance artists as either an infant or a youth, but in the scene on this plate, the child Cupid incongruously stands at the knee of his adult bride who is seated with other gods and goddesses at a long table presided over by winged personifications of the hours. Like the Sacrifice of Noah, the Wedding Feast of Cupid and Psyche is based on an original composition by the High Renaissance Italian artist Raphael. The scene appears as part of a cycle of frescoes on the ceiling of the Sala de Psiche at the Villa Farnesina in Rome, painted ca. 1518 by two of Raphael's assistants, Giulio Romano (1499–1564) abd Giovanni Francesco Penni (1496–1528), from designs by Raphael. A variant copy of the fresco was made by the Master of the Die, an anonymous Italian engraver active about 1532. For some reason, the engraver substituted the infant cupid for the handsome youth in the fresco. Reymond's dish is a faithful copy of the engraving. The fantastic figures that cavort around the rim of the plate are also Italian in origin, and they ultimately derive from antique Roman wall decoration. This plate is one of a pair in the Museum's collection with the same coat of arms. The other plate (04.6.8) illustrates the Toilet of Psyche and is dated 1570.
Amphoriskos
Object type: amphoriskos
Date: 600 – 480
Materials: terracotta
Culture: cypriot

Wide-mouthed amphora with cable and lattice ornament.
Fragment of a Base for a Statue
Object type: fragment
Date: 701 – 800
Materials: bronze
Culture: indonesian, kalimantan
Johannes en de ketter Cerinthus in het badhuis
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the early christian churches, e.g. armenians, copts, syrians, steambath, public baths, flight, running away; pursuing, life and acts of john the evangelist
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie Arnold, Godfried. Waare afbeelding der eerste christenen. Amsterdam: Jacobus van Hardenberg, Barent Visscher en Jacobus van Nieuweveen, 1700, dl. 2.
Stone scultures from east Java exhibited at the Botanical Gardens in Bogor: deification statue in the form of the godess Parvati; Nandi, male deification statue and Ganesha. Bogor, Bogor district, West Java province 13th-14th century.
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Frontispiece, from "Frontispiece and four scenes from the life of Saint John Gualbert" (Frontispice et quatre vignettes pour une vie de Saint Jean Gualbert)
Object type: print
Date: 1640 – 1640
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: human figures,monuments,saints,coat of arms
Panel
Object type: textile
Date: 1711 – 1712
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, satin weave, weave
Location: france
Twee zittende meisjes, buiten
Object type: drawing
Date: 1834 – 1911
Materials: chalk, ink, paper
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Head of a maiden
Object type: cameo
Date: 1601 – 1800
Materials: gold, onyx
Subjects: heads,profiles,women
Buffetloper van écru katoen, versierd met ingeweven reliëfmotieven met bloemenveldje en smalle strepen; in de weefselfranje zijn donkerrode kralen geregen.
Object type: buffetloper
Date: 1885 – 1915
Materials: cotton
Location: romania
's Gravenhaegse Maendagse Na-Courant van den 10den Maert
Object type: newspaper
Date: 1766 – 1766
Materials: paper
Techniques: letterpress printing
Location: the hague
Artist: stephanus de groot
Artist role: publisher
Subjects: william v (prince of orange)
Inscriptions: collector's mark: Lugt 2228

Aflevering van de 's Gravenhaegse Maendagse Na-Courant van 10 maart 1766 ter gelegenheid van de installatie van prins Willem V als erfstadhouder in de Staten-Generaal op 8 maart. Blad op één zijde bedrukt met een beschrijving van de gebeurtenissen. Binnen een ornamentele rand opgebouwd uit fileten en vignetten.
Putto Crowned with Laurel, on Prancing Horse
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush
Location: italy
Artist: Anonymous
Zicht op de Chapelle Sainte Ursule de la Sorbonne in Parijs
Object type: print
Date: 1820 – 1821
Materials: paper
Techniques: lithograph
Location: paris
Subjects: church (exterior), dome ~ architecture, paris

De serie waar deze prent deel van uit maakt, bestaat waarschijnlijk uit dertig prenten.
Trinita dei Monti Roma
Object type: photograph
Date: 1865 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: sloping street; street with steps or stairs, church (exterior), rome
Inscriptions: negative number: ‘134’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië (deel I).
Hugo Tigerschiöld
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Scarab Decorated with Symbol of Unification
Object type: scarab, sema tawy
Date: 1981 – 1295
Materials: glaze, stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Rhombus Laeuis La Barbuë
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: france
Subjects: fishes
Inscriptions: collector's mark: Lugt 2228
Blad 88 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929)
Object type: photograph
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 22e driemaandelijkse cursus van 1 oktober tot en met 21 december 1928, stamboeknummers 414 tot en met 418. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929).
Terracotta green-glazed jug handle
Object type: vase fragment
Date: 50 – 100
Materials: terracotta
Culture: roman
Subjects: faces

Fragment of a handle of green-glazed terracotta jug with youthful head in medallion at base.
Shingling Hammer
Object type: metalwork
Date: 1601 – 1700
Materials: iron, ivory, wood
Location: italy
Gezicht op Huis Diepenheim
Object type: sketchbook leaf
Date: 1887 – 1888
Materials: chalk, paper
Location: diepenheim
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: rural housing, e.g. country-house, villa, cottage, gate, entrance

Vooraan de toegangspoort. Pagina 23 uit een schetsboek met 43 bladen.
Portret van (vermoedelijk) Fanny Edith met Roger Beechworth
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: mother and baby or young child
Halil Bey, fils du Caïmakan de Sinope
Object type: print
Date: 1850 – 1914
Techniques: printmaking, lithograph
Artist: jules didier
Artist role: artist
Artist nationality: french
Artist dates: 1831 – 1914
Kaart van West-Terschelling
Object type: map
Date: 1711 – 1749
Materials: paper
Techniques: engraving, etching
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 195

Links de legenda, rechts daarvan de titelcartouche en daaronder een schaalstok: Schale van 120 Rhynlandsche roede.
Portret van een man met bril, genaamd Hendriks
Object type: sketchbook leaf
Date: 1912 – 1912
Materials: chalk, paper
Location: the hague
Artist: floris arntzenius
Artist role: draughtsman, print maker
Artist dates: 1864 – 1925
Subjects: historical persons
Inscriptions: signature: ‘Fl Arntzenius’, date: ‘1912’, name: ‘Hendriks’

Blad, geplakt op pagina 24 uit een schetsboek met 82 pagina's.
Rectangular plaque seal with tubular loop handle
Object type: stamp seal
Date: 2350 – 2150
Materials: stone
Culture: akkadian
Location: mesopotamia
Portret van Lucas van Leyden
Object type: print
Date: 1789 – 1789
Materials: gouache, paper
Techniques: color mezzotint
Location: florence
Artist: carlo lasinio
Artist role: painter, print maker
Artist dates: 1759 – 1838
Subjects: leiden, draughtsman, lucas van leyden, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, inscription:

Een prent uit een groep van veertig kleurendrukken met kunstenaarsportretten, gebaseerd op de collectie geschilderde zelfportretten van kunstenaars verzameld door de Medici in Florence. De groep maakt deel uit van het grote werk van Lasinio ‘Gli Autoritratti della Real Galleria di Firenze’, uitgegeven in 1789 met omstreeks 350 kunstenaarsportretten. Van deze uitgave is tot nog toe is geen compleet exemplaar bekend. In de inspringende marges onderaan de prenten zijn de namen van de kunstenaars aangebracht en soms hun levensdata en de plaats van geboorte en sterven en een enkele maal de signatuur van Lasinio en dat van de drukker Labrelis. Getuige de bindgaatjes en lijmresten moeten de prenten ingebonden zijn geweest in een album. De meeste prenten zijn verso voorzien van nummers in potlood, met als laagste nummer 2 en hoogste 93. Tevens zijn er verso Italiaanse opschriften in pen aangebracht met de levensdata van de kunstenaars en de school waartoe zij worden gerekend. Deze opschriften zijn vrijwel alle deels afgesneden. Elf prenten zijn niet genummerd en niet voorzien van opschriften. Deze laatste elf zijn alle gedrukt op blauw papier.
Portret van keizer Elagabalus
Object type: page
Date: 1557 – 1557
Materials: paper
Techniques: woodcut, etching, letterpress printing
Location: antwerp
Subjects: emperor

Portret van keizer Elagabalus, op een munt met randschrift. De prent maakt deel uit van een boek over de keizers vanaf Julius Caesar tot en met Karel V en zijn broer Ferdinand.
Kop en voorste deel van neushoorn Clara
Object type: sketchbook leaf
Date: 1751 – 1751
Materials: chalk, paper
Artist: lorenzo baldissera tiepolo
Artist role: draughtsman, print maker
Artist dates: 1736 – 1776
Subjects: hoofed animals: rhinoceros

Studie naar de neushoorn Clara, die vanaf 1746 een rondreis door Europa maakte (zie documentatie).
Galloon
Object type: galloon
Date: 1701 – 1900
Materials: silk
Subjects: cross,insignia
Zittende man aan een waterkant
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)

Blad 20 recto uit een schetsboek met 59 bladen.