deem-data/ArtiFact huggingface dataset:
De Verkiezing van Zondag 27 Januari te Parijs
Object type: cartoon
Date: 1889 – 1889
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: voting, election, fainting, swooning, skates (winter sports), personifications of countries, nations, states, districts, etc. (+ nation; national), political caricatures and satires, paris

Vervolg van de schaatswedstrijd met als bestemming het 'Meesterschap van de Wereld'. De Franse generaal Georges Boulanger bereikt als eerste de eindstreep en krijgt een medaille aangereikt. Naar aanleiding van zijn winst in de verkiezingen van 27 januari waar hij als afgevaardigde voor Parijs in de Kamer van Afgevaardigden wordt gekozen. Boven valt de Franse maagd Marianne flauw.
Molen bij Den Haag
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: windmill in landscape, small canal, ditch, prospect of city, town panorama, silhouette of city, the hague

Rechts van de molen een brug over een wetering.
A Page from the Jie Zi Yuan
Object type: print
Materials: ink, paper
Techniques: polychrome, woodblock print
Culture: chinese
Artist: huang zujiu
Artist role: artist
Artist nationality: chinese
Artist dates: 1269 – 1354
Subjects: mountains
Ring with Red Stone
Object type: ring
Materials: gold, stone
Culture: indonesian, javanese
Toil and Grime
Object type: photograph
Date: 1887 – 1887
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Stad Amsterdam, loodje met no. 550
Object type: hondenbelastingloodje
Date: 1897 – 1897
Materials: brass
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

eenzijdig loodje aan draagoog met afgeronde hoeken, holle zijden en bolle onderzijde. Voorzijde: gekroond wapenschild tussen jaartal boven cijfer 550. Keerzijde: blanco
Chessmen (32)
Object type: chessman
Date: 1801 – 1900
Materials: ivory
Subjects: chess,games

The European king and queen, possibly Carlos I of Portugal and Queen Marie Amélie, are represented by crowned heads, the bishop by an episcopal head wearing an orientalized miter. Their opponents are Chinese, the king with an elegantly fretted headdress. Both knights are horse heads of a type common in European chess sets of the eighteenth and nineteenth centuries. An echo of Chinese chess, which has pieces named cannons, is in the mortars surmounted by flags for the rooks. The pawns are heads of Europeans or Chinese on baluster stands. The type of chessmen composed of balusters surmounted by human heads appears also in Bosnia-Herzegovina in the nineteenth century (Wichmann, Chess, pl. 156). Pieces of this type are practical for play. The theme is obviously Europeans and Chinese; the combination of Occidental and Oriental features has been satisfactorily accomplished.
Buste van Homerus op medaillon door engeltje vastgehouden en met bloemen en palmtakken versierd
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem bilderdijk
Artist role: draughtsman, print maker
Artist dates: 1756 – 1831
Subjects: homerus, portrait of a writer, (story of) homer
Inscriptions: collector's mark: Lugt 2228
Sculptuur door John Henry Foley, voorstellend een jonge man bij een rivier, tentoongesteld op de Great Exhibition of the Works of Industry of All Nations van 1851 in Londen
Object type: photograph
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: london
Subjects: piece of sculpture, reproduction of a piece of sculpture, london
Ring Brooch
Object type: brooch
Date: 1340 – 1349
Materials: gold, gemstone
Culture: german
Location: germany

This brooch comes from a treasure unearthed in 1969 on a farm near Lingenfeld, in the Rhineland, about sixty miles north of Strasbourg. Set inside a terracotta vessel were silver objects, including a double cup and a letter-shaped jewel similar to ones in The Cloisters Collection (1983.125a, b; 1986.386), as well as gilded silver rings. The coins in the hoard date to the time of the Plague, which struck Europe with devastating ferocity in 1348. It is estimated that one third of the entire population of Europe died from the pandemic. Princes and paupers, Christians, Jews and Muslims all succumbed to the Plague. Compounding the horror, Jewish communities in the Rhineland were scapegoated and put to death by their Christian neighbors. Did this treasure, like other jewelry from this same period found in the region, belong to a Jewish citizen fleeing persecution, or was it buried for safekeeping by someone who fell victim to the Black Death?
Portret van Philipp Christoph von Sötern
Object type: print
Date: 1646 – 1647
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Schleder, Johann Georg. Theatrum Europaeum. Frankfurt am Main: erven Matthäus Merian, 1647, dl. 5. Komt mogelijk ook voor in de tweede druk uit 1651 en in de derde druk uit 1707.
Stucco Fragment
Object type: fragment
Date: 701 – 1200
Materials: gypsum
Techniques: carving
Location: iran

This stucco fragment was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Ontwerp van een gedeelte van het Stadhuis te Amsterdam
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: a. kroon (steendrukker)
Artist role: steendrukker
Subjects: townhall, architectural design or model
Inscriptions: collector's mark: Lugt 2228

Lengte doorsnede en kapgrond van het Stadhuis te Amsterdam.
Pesachfeest en de tiende plaag van Egypte
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: with lamb's blood the israelites make marks (usually tau-crosses) on the doorposts of their houses, the israelites eat the passover lamb standing about a table with their loins girt, their shoes on their feet and with staves in their hands, ready to depart, the plague of the first-born: the destroying angel passes through the land and kills every egyptian first-born of man and animal
Inscriptions: number: ‘82’

Op de voorgrond een Joodse familie rond een tafel met het pesachoffer: een geslacht lam. De deuren van Joodse huizen worden met lamsbloed gemarkeerd. Rechts de tiende plaag van Egypte: een doodsengel doodt alle eerstgeborenen van Egypte, maar gaat voorbij aan de huizen met bloed aan de deurposten. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Ex. 12:21. Deze prent maakt deel uit van een album.
Boeren onderhandelen bij ossen in een dorp
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: haarlem
Subjects: november and its 'labours' (+ with scenes showing human occupations ~ seasons and months), public road in village, market, bovine cattle
Inscriptions: collector's mark: Lugt 2228

Gezicht in een dorp met op de voorgrond onderhandelende boeren bij ossen. Een kerk op de achtergrond.
Portes, XVe Siècle
Object type: page
Date: 1876 – 1881
Materials: paper
Techniques: photograph, photolithography
Location: den bosch
Subjects: door
Inscriptions: monogram: ‘JJvY’, inscription: ‘LITT. P. - PL. 21.’, inscription: ‘PORTES intérieures dans (...)’
Spitsen
Object type: ornament print
Date: 1610 – 1611
Materials: paper
Techniques: engraving
Location: groningen
Autumn from a set of The Seasons
Object type: tapestry
Date: 1701 – 1733
Materials: silk, wool
Artist: john chabanex
Artist role: maker
Artist nationality: french
Artist dates: 1696 – 1744
Subjects: grapes,children,men,women,pigs,autumn
Twee vrouwen en een baby
Object type: photograph
Date: 1935 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: norbert van den berg (1901-1972)
Artist role: amateurfotograaf
Artist dates: 1901 – 1972
Subjects: adult woman, infant, baby
The Lamentation over Christ
Object type: print
Date: 1535 – 1555
Techniques: etching
Artist: jean mignon
Artist role: artist
Artist nationality: french
Artist dates: 1535 – 1555
Subjects: men,angels,christ,lamentation
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Interior, head of youth to right, with an apicate fillet; at the far left, in the field, a fillet; Exterior, start of foot
Kermisprent van de Amsterdamse nachtwacht voor het jaar 1850
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: night patrol, amsterdam

Kermisprent van de Amsterdamse nachtwacht, september 1850. Centraal een gedicht, aan in iedere hoek een gezicht op de stad en kermis. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Soup Dish
Object type: soup dish
Date: 1815 – 1830
Materials: porcelain
Culture: french
Location: france
A Lady About to Write a Poem
Object type: print
Date: 1820 – 1820
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: poetry,women,writing,desks
La toilette
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Subjects: adolescent, young woman, maiden, comb, brush and other tools (care of the hair) - aa - ~ women, mirror - aa - (for) women
Inscriptions: collector's mark: Lugt 2228a
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "L'Art" en rechts "L'Encouragement" door Nanteuil
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘1016 en 1017’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Blad met notities
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Inscriptions: annotation: ‘Italië marmer/ 1 jongen [...] schilderijen, rue/ de Nation en eenige/ buiten wijken, holland/ België en Oostenrijk./ Palais Royal<BR />’

Pagina 107 uit een schetsboek met 58 bladen.
Les Bords du Caramy, près de Brignoles (Var)
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: autotype
Location: brignoles
Artist: e. thieux
Artist role: fotograaf
Subjects: river
Inscriptions: inscription: ‘Papier &lt; Perfection &gt;, qualité B. - Grosvenor, Chater et Co, 6, rue Favart, Paris.’, inscription: ‘Concours de l'Annuaire général de la Photographie./ Premier Prix.’
Crystal Palace. 22. Exterior of the Palace, from the Grand Terraces.
Object type: stereograph
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: crystal palace
Artist: Anonymous
Subjects: exterior ~ representation of a building
Gezicht op The Royal Museum and Public Library in Salford, Engeland
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: salford
Subjects: permanent exhibition, museum, public library
Inscriptions: annotation: ‘Built in (...) of Salford.’, inscription: ‘Peel Park, Salford.’
Rest from Labour on Sunny Days
Object type: print
Date: 1784 – 1787
Techniques: aquatint, etching, stippling
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,flutes,dogs,musicians
Ex libris van Koos Vorrink
Object type: bookplate
Date: 1926 – 1926
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: fré cohen
Artist role: draughtsman, print maker
Artist dates: 1903 – 1943
Subjects: amsterdam, politician, jacobus jan vorrink (koos), standing figure, stars
Vestibule Kweekschool "Concordia" Choorstraat, Den Bosch
Object type: photomechanical print
Date: 1908 – 1930
Materials: cardboard
Techniques: photograph
Location: rotterdam
Artist: Anonymous
Subjects: vestibule, hall, university building, college, den bosch
Wyatt Eaton
Object type: medallion
Materials: bronze
Culture: american
Artist: olin levi warner
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1896
Subjects: men,profiles

Born in Phillipsburg, Quebec, Wyatt Eaton (1849-1896) trained at the National Academy of Design in New York and later with Jean-Léon Gérôme at the Ecole des Beaux-Arts in Paris. Eaton completed figure studies and portraits influenced by the naturalism of the French Barbizon style. Warner and Eaton were both early members of the progressive Society of American Artists and developed a close friendship. At the time this medallion was modeled, they both had studios in the Benedick Building in New York’s Washington Square. It is not known whether this medallion was commissioned, or, more likely, was a token of friendship from sculptor to painter.
Auguste Simon Louis Berard (1783–1859), French politician, who drew up the "charter" of 1830
Object type: medallion
Date: 1834 – 1834
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Portret van Matilde.
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: engraving
Location: bordeaux
Subjects: adult woman
Inscriptions: collector's mark: Lugt 2228
Brief aan Philip Zilcken
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: baronne madeleine deslandes
Artist role: schrijver
Artist dates: 1866 – 1929
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Nederlands familiealbum met 72 portretten
Object type: slip in album
Date: 1860 – 1900
Materials: cardboard, metal, paper, photographic support, velvet
Techniques: albumen print, chromolithography
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, child, historical persons, piece of sculpture, reproduction of a piece of sculpture, dog
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 865’

Fotoalbum met in totaal 68 foto's en 4 prenten op 40 pagina's. Het album bevat 12 kabinetfoto's en 56 cartes-de-visite in met gouden lijnen omkaderde passe-partouts en 4 losse chromolitho's achterin het album. Iedere pagina bevat ofwel 1 passe-partout voor een kabinetfoto, ofwel naast elkaar in verticale richting 2 passe-partouts voor cartes-de-visite. Afgebeeld zijn portretten van onbekende mannen, vrouwen en kinderen, een foto van een sculptuur, een fotoreproductie van een prent en een foto van een hond. De foto's zijn gemaakt door diverse fotografen in Nederland en Nederlands-Indië, waaronder Albert Greiner, Woodbury & Page en Petz & Co. Van 13 foto's en de 4 prenten is de fotograaf anoniem.
Groepsportret in de tuin
Object type: photograph
Date: 1881 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: arnhem
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Brainich & Leusink/ Arnhem/ Menthensteeg No.7’
Dokter toont een vader zijn pasgeboren kind
Object type: cartoon
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), the new-born child, infant, baby ~ the ages of man, father and child(ren), man and child(ren) (family group) (with number of children)
Inscriptions: number: ‘58’, collector's mark: Lugt 2228a

Prent gepubliceerd in: Le Charivari, Aubert: Parijs, 22-01-1843. Le Charivari was een humoristische krant met karikaturen en (politieke) cartoons.
Twee bacchanten omgeven door wingerdbladeren
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: maenad(s), female bacchant(es)
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Twee bacchanten of maenaden, vrouwelijke vereerders van de vruchtbaarheidsgod Bacchus. Ze zijn omgeven door wingerdbladeren. Een van hen draagt een krans.
Candelabra (one of a pair)
Object type: metalwork
Date: 1795 – 1819
Materials: bronze, copper alloy, gilt bronze, silver gilt, metal, silver
Techniques: appliqué, casting, engraving, gilding, repoussé
Location: paris
Artist: martin-guillaume biennais
Artist nationality: french
Artist dates: 1764 – 1843
Subjects: borghese service, dining, napoleon
Inscriptions: MARKS: “[lozenge with seated monkey and two pellets above B, maker’s mark],” below candlesocket on right branch (mark partially defaced) and on left side of rear branch; “[head of Apollo in oval shield with P, unofficial Paris assay mark 1794-97],” on shaft (mark partially defaced), below candlesocket on right branch (mark partially defaced), on left side of rear branch, and on left side of left branch; “[cock with 1 in right corner in horizontal octagonal shield, Paris assay mark 1809-19] / [helmeted dexter head of Minerva in round punch, Paris excise mark 1809-19],” below bobeches on outer surface of right candlesocket (both marks partially defaced), rear candlesocket, and left candlesocket
INSCRIPTIONS: “Biennais, Orfre de S. M. l’Empereur et Roi, à Paris,” engraved on underside of foot; “[Borghese armorials surmounted with Napoleonic Crown],” embossed on shaft

This object for the dining table is part of a vast service made for Emperor Napoleon Bonaparte’s sister Pauline on the occasion of her marriage to the Roman nobleman Camillo Borghese, Sixth Prince of Sulmona.

In the years after the French Revolution, architects and designers adopted the visual language of ancient Greece and Rome to express the new imperial order. Napoleon, hoping to promote Paris’s luxury trades, commissioned several silver dinner services as gifts to be sent abroad. The slender outlines and smooth surfaces of the objects in the Borghese service contrast with the rich decoration.
Armchair (one of a pair)
Object type: armchair
Date: 1689 – 1702
Materials: wood
Gezicht op het Grand Palais in Parijs
Object type: page
Date: 1900 – 1930
Materials: cardboard, paper
Techniques: autotype
Location: paris
Artist: Anonymous
Subjects: palace, travelling; tourism, permanent exhibition, museum, prospect of city, town panorama, silhouette of city, paris

Onderdeel van Fotoalbum met kleurenopnames van bezienswaardigheden in Parijs.
Head of Gautama Buddha
Object type: head
Date: 1501 – 1700
Materials: stone
Culture: thai
Subjects: heads,buddhism,buddha
Portret van Robert Bronn
Object type: print
Date: 1815 – 1840
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: check stamp: Lugt 4607, collector's mark: Lugt 2228, check stamp: Lugt 4861
Watch
Object type: watch
Date: 1840 – 1855
Materials: enamel, gold
Artist: mermod frères
Artist role: maker
Artist nationality: swiss
Artist dates: 1875 – 1899
Fontaneldoek van wit linnen met kant; in rode kruissteek gemerkt: H8
Object type: fontaneldoek
Date: 1750 – 1900
Materials: linen
Techniques: cross stitching
Location: europe
Artist: Anonymous
Inscriptions: inscription: ‘H / K’

12 linnen fontanelletjes met verschillende kant afgezet , 4 gemerkt LH8, 3 gem. H8, 5 gem. HVS(Gr. Hoogenhuize "1772-1852" tr. 1802 S.E. von schmid "1771-1843"). 1 van damast gem. HH6 (W.r. Hoogenhuize "1747-1804" tr 1787 W. Helmerich "1752").
Vue de la Tour de Jean Roon à Amsterdam du Cote du Cingle
Object type: print
Date: 1755 – 1779
Materials: paper
Techniques: engraving, etching, hand coloring
Location: augsburg
Subjects: harbour, city-view in general; 'veduta', towers ~ fortified city
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Stadstorens.