deem-data/ArtiFact huggingface dataset:
Portret van Franz von Sickingen
Object type: book illustration
Date: 1854 – 1854
Materials: paper
Techniques: letterpress printing, engraving
Location: leipzig
Subjects: armour, historical persons, knight

Bladzijde uit: Bechstein, Ludwig. Zweihundert deutsche Männer in Bildnissen und Lebensbeschreibungen. Leipzig: Georg Wigand, 1854. Prent met andere tekst gebruikt in: Gaedertz, Karl Theodor. Dreihundert Bildnisse und Lebensabrisse berühmter deutscher Männer. Leipzig: Georg Wigand, 1890. Bij de uitgave uit 1890 staat op de titelpagina vermeld dat de prenten zijn gemaakt door Hugo Bürkner.
Spittoon in Double Bell Design
Object type: spittoon
Date: 1767 – 1833
Materials: copper alloy, silver, zinc
Techniques: casting, engraving, inlay
Location: india
Subjects: flowers
Portret van Johannes van der Spelt
Object type: print
Date: 1663 – 1698
Materials: paper
Techniques: mezzotint
Subjects: gloves, mittens, etc.
Inscriptions: collector's mark: Lugt 2228

Johannes van der Spelt, professor medicijnen te Leiden, in profiel. Hij staat op een terras en heeft een van zijn handschoenen uitgetrokken.
Ruïne van een muur achter een huis
Object type: drawing
Date: 1607 – 1607
Materials: ink, paper
Techniques: brush, pen
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: ruin of a building ~ architecture
Bacchus des overvloeds in ornamentele omlijsting
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: ceres, patroness of agriculture
Inscriptions: collector's mark: Lugt 963

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Huisraad, Zilverwerk.
Krantenknipsel uit archief Philip Zilcken
Object type: newspaper clipping
Date: 1904 – 1904
Materials: paper, ink
Techniques: printing
Artist: Anonymous
Subjects: print maker, jozef israëls, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van Leopold V, aartshertog van Oostenrijk
Object type: print
Date: 1620 – 1699
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: leopold v (aartshertog van oostenrijk), armour, historical persons

Met onderschrift in het Nederlands en tekst in het Latijn rondom het portret.
Portret van Bernardo Buontalenti
Object type: print
Date: 1752 – 1766
Materials: paper
Techniques: engraving
Subjects: painter, designer, bernardo buontalenti, historical persons, portrait, self-portrait of painter

Prent is onderdeel van een serie getiteld 'Museum Florentinum', bestaande uit vier subsecties: 'Gemmae antiquae ex Thesauro Mediceo et privatorum dactyliothecis florentiae...' (1730-1731), 'Statuae antiquae dorum et virorum illustrium' (1734), 'Antiqua numismata aurea et argentea' (1740-1741) en 'Serie di ritratti degli eccellenti pittori' (1752-1766). Het vierde deel bestaat uit 320 kunstenaarsportretten en is uitgegeven in boekvorm (vier delen).
Prent uit: Moücke, Francesco. Serie di ritratti degli eccellenti pittori : dipinti di propria mano che esistono nell'Imperial galleria di Firenze. 4 dln. Florence: Francesco Moücke, 1752, dl. 1, p. 175.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 1, p. 94.
Funerary Cone of Pasanesut
Object type: cone, davy 309, pasanesut, servant, royal palace
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This cone has the impression of a stamp seal inscribed for a man named Pasanesut who was chief of servants of the royal palace. For a drawing of this impression see http://www.funerarycones.com/, number 309.
Schotland
Object type: print
Date: 1753 – 1753
Materials: paper, watercolor
Techniques: brush, etching
Location: great britain
Subjects: castle
Inscriptions: date

De serie “Schotland” bevat acht prenten met de nummers 1-8, waarvan dit nummer 4 is.
Fan
Object type: fan
Date: 1830 – 1840
Materials: copper, gilt bronze, glass, mother of pearl, paper, pearl
Techniques: enamel
Subjects: couples,men,women
Portret van George Dixon
Object type: photomechanical print
Date: 1874 – 1884
Materials: paper
Techniques: woodburytype
Subjects: politician, politician, e.g. party leader
Koblenz a. Rh. Provinzialdenkmal Kaiser Wilhelm I
Object type: photograph
Date: 1905 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: koblenz
Subjects: berlin, wilhelm i (keizer van duitsland), monument, statue
Inscriptions: inscription: ‘V.U.K.’
Belt
Object type: belt
Date: 1801 – 1900
Materials: leather, metal, silver, stone
Location: iran
Heilige Hieronymus en de leeuw
Object type: drawing
Date: 1660 – 1660
Materials: chalk, paint, gouache, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: annotation: ‘naar v.Vliet naar Rembr/ Bartsch 13’, date: ‘1660’

Naar ets van J.G. van Vliet naar Rembrandt (B.13, 1631).
Kinderen op een glijbaan in de sneeuw
Object type: drawing
Date: 1854 – 1854
Materials: paper, watercolor
Techniques: brush, pen
Location: netherlands
Artist: lambertus de jong
Artist role: bakker
Artist dates: 1838 – 1923
Subjects: children's games and plays, winter sports, slipping, ice ~ freezing weather
Inscriptions: collector's mark: Lugt 1641, collector's mark

Kinderen glijden op een glijbaantje gemaakt in de sneeuw op de stoep. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; IJsvermaak, Teekeningen.
Man met hoed en wandelstok
Object type: costume print
Date: 1710 – 1755
Materials: paper
Techniques: etching
Artist: adolf van der laan
Artist role: draughtsman, print maker
Artist dates: 1689 – 1742
Subjects: europeans (with name) (+ costume), clothes, costume (+ men's clothes)
Inscriptions: collector's mark: Lugt 1967, collector's mark: Lugt 2228

Man in een landschap, gekleed volgens de Hollandse mode van 1710-1720. Ten voeten uit, met hoed op het hoofd en een wandelstok in de linkerhand. De prent maakt deel uit van een zestiendelige serie prenten met voorstellingen van Hollandse kostuums.
Portret van Pieter Jan Marcus
Object type: print
Date: 1786 – 1809
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: pieter jan marcus
Inscriptions: collector's mark: Lugt 240

Latere staat prent ook gebruikt als boekillustratie in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Dl. 1-43. Amsterdam: Johannes Allart, 1786-1809.
Porringer
Object type: porringer
Date: 1715 – 1730
Materials: silver
Culture: american
Location: united states
Artist: william cowell sr.
Artist role: maker
Artist nationality: american
Artist dates: 1682 – 1736
Agate Lentoid
Object type: seal, lentoid
Date: 1450 – 1375
Materials: stone
Culture: minoan
Cavalcade voor vertrek van een sultan
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: vatican city
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: ceremonial procession, parade, pageant ~ installation of a ruler, festivities (+ the public ~ festive activities), head-gear: turban, warfare; military affairs (+ cavalry, horsemen)
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘3’

Deel van een parade met paarden, kamelen, muzikanten en soldaten, vanwege het vertrek van een sultan. Bijschriften in het Italiaans in ondermarge.
Plate 3: Boy with a hat touching the face of a girl; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta
Object type: print
Date: 1743 – 1743
Techniques: etching
Artist: giovanni cattini
Artist role: artist
Artist nationality: italian
Artist dates: 1715 – 1800
Subjects: boys,girls

Cattini engraved a set of 15 plates (frontispiece plus 14 numbered plates) after Piazzetta, entitling them: Icones ad vivum expressae. Most copies of the set are dated 1754 on the title page. A fine early set in the Mariette album of Piazzetta engravings in the Biblioteque Nationale is dated 1743, published by Pasquali on behalf of Consul Joseph Smith who possessed the original drawings. Moschini and Palluchini refer to a title page of 1763. Teodoro Viero reissued a reduced set of 8 plates of the icones, plus title page, in 1767. Several prints in the set were also copied by Johann Lorenz Haid of Augsburg (1702 - 1750), 1743-1750 and by Franz Xavier Jungwirth of Munich (1720-1790) in 1753 (see: George Knox, Piazzetta, exh. cata., National Gallery, 1983, no. 25; Maria Wiel, L'eredità di Piazzetta, 1996, no. 72, p. 44).
St. Andrews
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: architecture,ruins
Vessel and lid
Object type: vessel with lid
Date: 1000 – 1
Materials: ceramic
Culture: iranian
Location: northwestern iran
Christ in the House of Mary and Martha
Object type: sculpture
Date: 1520 – 1520
Materials: wood
Techniques: gilding, polychromy
Location: ulm
Artist: Anonymous
Subjects: christ in the house of martha and mary (luke 10:38-42)

These three groups depict scenes from the life of Christ in which he appears at a meal table. They would originally have formed part of the predella (lower zone) of a large carved altar. The three table scenes refer to the celebra-tion of Mass, when bread and wine are presented at the altar as the body and blood of Christ.
Archers
Object type: relief, archer
Date: 2551 – 2494
Materials: limestone, paint
Subjects: men,archery

This fragment of relief shows one of the most elaborately composed scenes preserved from the Old Kingdom. A careful examination reveals parts of at least four archers, three standing and one kneeling below them, his extended left arm and the upper part of his head just visible along the lower edge of the fragment. Each man has his left arm stretched in front of him, the left hand grasping the shaft of a long bow with the thumb and last three fingers, while the index finger keeps an arrow steady. With his right hand, each archer draws the string of the bow, with the notch of the arrow set against it. Each man also grasps two extra arrows in his right hand. The archers wear crossed bands on their chests identifying them as soldiers. The style of the block places it in Dynasty 4, making it the earliest preserved battle scene. It was probably carved during the period spanning the reigns of Khufu, the builder of the Great Pyramid at Giza, and Khafre, builder of the second pyramid. The figures of the archers stand out boldly against the background, and the the features are deeply carved in the well-modeled faces. Unlike most Egyptian scenes showing multiple figures performing the same task, the stance of each individual and the position of each bow is different. The fragment was excavated by the Museum's Egyptian Expedition during work at the royal cemetery of Lisht, about thirty miles south of Cairo. It had been reused during the building of the pyramid of Amenemhat I, first king of Dynasty 12.
Inhoudsmaat van 5 l ( 5 Ned. Kop)
Object type: inhoudsmaat droge waren
Date: 1830 – 1830
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Inscriptions: number: ‘9’, number: ‘4<BR />Ihm.’, number: ‘49’, title: ‘5.NED.KOP.’

Gedraaide houten inhoudsmaat van 5 l (5 Ned. Kop), v.z.v. etiketten en opschrift.
Portret van kardinaal Bernardo Maria Conti
Object type: print
Date: 1721 – 1762
Materials: paper
Techniques: engraving
Location: italy
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228
Pendant
Object type: pendant
Date: 7000 – 5001
Materials: limestone
Location: syria
Coin Depicting the God Apollo
Object type: coin
Date: 75 – 50
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Cover
Object type: textile
Date: 1601 – 1650
Materials: cotton, panel, silk
Techniques: embroidery, embroidered, lining, weave, stitching
Location: india
Subjects: floral motifs, cartouches, circles, flowers, foliage, geometric, medallions, vines
De familie
Object type: print
Date: 1652 – 1659
Materials: paper
Techniques: etching
Location: netherlands
Artist: karel du jardin
Artist role: draughtsman, painter, print maker
Artist dates: 1626 – 1678
Subjects: male sex; man

Maakt deel uit van blad met acht kleine etsen
Portret van Ds. Ludovicus Timon Pielat
Object type: drawing
Date: 1745 – 1745
Materials: ink, paper
Techniques: pen
Artist: adriaen schaasberg
Artist role: draughtsman
Subjects: rotterdam, historical persons
Portret van George IV en Frederik Augustus als kinderen
Object type: print
Date: 1765 – 1770
Materials: paper
Techniques: mezzotint
Location: london
Subjects: london, frederik (hertog van york en albany), george iv (koning van het verenigd koninkrijk), historical persons, dog, brothers (second degree family relationships)
Inscriptions: collector's mark: Lugt 240

Links staat George. Frederik Augustus legt zijn arm om een hond.
Coat
Object type: coat
Date: 1860 – 1860
Culture: american
Weaving tool
Object type: weaving tool beater
Date: 1295 – 1070
Materials: wood
Location: egypt
Der Liebe Erwachen
Object type: reproduction
Materials: photographic support
Techniques: albumen print
Location: berlin
Subjects: couple of lovers
Inscriptions: number: ‘2.’
Bust of a Woman Wearing a Pince-nez (Wife of the Artist)
Object type: drawing
Date: 1875 – 1875
Materials: charcoal, paper
Artist: théodule-augustin ribot
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1891
Subjects: portraits,women
Man probeert een steen uit te persen
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: vincent laurensz. van der vinne (ii)
Artist role: draughtsman, print maker
Artist dates: 1686 – 1742
Subjects: pressing (industrial process), tools, aids, implements ~ crafts and industries: press
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Spinniker, Adriaan. Leerzaame zinnebeelden. Haarlem: [boekverkoper] Isaak van der Vinne (I) en Amsterdam: [drukker] Johannes Krelius, 1714.
Portret van Abraham Velters (1603-1690)
Object type: watercolor
Date: 1822 – 1822
Materials: paper, watercolor
Techniques: brush
Artist: christiaan kramm
Artist role: draughtsman, print maker
Artist dates: 1797 – 1875
Subjects: amsterdam, historical persons
Abklatsch van de krijttekening op pagina 37
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 36 uit een schetsboek met 29 bladen.
Piece
Object type: piece
Date: 1901 – 2000
Materials: metal thread, silk
Culture: chinese
Ceiling design for Salon d'Entrée, Hôtel de Monsieur de Juigne, Paris, 1867
Object type: drawing
Date: 1867 – 1867
Materials: gouache, ink, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: clouds,ceilings
Tsambouna
Object type: tsambouna bagpipe
Date: 1867 – 1900
Materials: leather, horn, wood
Culture: greek
Location: greece

The tsambouna (etymology: συμφωνία, symphony) is a bagpipe found across the Greek islands. This specific tsambouna comes from a village on the island of Naxos. It features a double melodic pipe with five fingerholes on each pipe. The melodic pipes are set in a hand-carved wooden sleeve or yoke, at the end of which an animal horn is fitted, secured to the stock with a piece of string threaded through the horn and the wooden yoke. The wooden insufflation pipe is short and rounded. The tsambouna is traditionally played across the Greek islands, including the Dodecanese Islands, Islands from the Aegean Sea and Crete (See #89.4.855). It is either accompanied by the drum or the lyra, and is used for celebrations such as weddings, village festivities, and general entertainment. Repertoire includes dance music and songs. While the overall organology of the tsambouna is shared across the Greek islands, instruments from different islands present differences, in particular regarding the number of fingerholes on the parallel melodic pipe. The island of Karpathos, for example, features a tsambouna with two parallel pipes: one with five finger holes, the other with only one fingerhole. As such the second pipe acts as a two-pitch drone that is used rhythmically and accompanies the main melody. These differences led islands to develop different repertoire, which in turn feed into the uniqueness of each island’s sonic identity. Other differences pertain to the material of the horn: while Naxos favors an animal horn at the end of the melodic pipes, bagpipes from other islands present a monoxyle sleeve ending in a horn, either curved (such as in Karpathos) or straight (Crete). (Cassandre Balosso-Bardin, 2023) Technical description 2 cane chanters, 135 mm, with cylindrical bores waxed into wooden yoke, with single horn bell (225 mm including bell); Fingerholes R 5/0, L 5/0; Reeds inaccessible (typically, single upcut cane reeds); Turned insufflation nipple protruding 45 mm outside bag, no evidence of valve, blowpipe tied directly in bag; Goatskin bag, neck and end tied off inside, pipes in forelegs.
Altar Frontal
Object type: religious ritual object
Date: 1700 – 1725
Materials: glass, linen, textile, silk, wool
Techniques: backing, embroidery, embroidered, laid work, painting, weave, stitching
Location: france
Subjects: religious scenes
Portret van François Collard
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: etching
Artist: willem philip van der veken
Artist role: print maker
Artist dates: 1863 – 
Subjects: eyeglasses, spectacles, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Design for a Wooden Bench
Object type: drawing
Date: 1700 – 1730
Materials: ink
Techniques: pen, wash
Artist: anonymous, 18th century
Artist role: artist
Artist dates: 1700 – 1800
Subjects: benches

Design for a heavily decorated wooden bench. The design is presented in a frontal view showing the decoration of the backboard with an overall croisillon motif a portrait en profil and a large palmette crowning the center.
Dood van Ananias en Saffira
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ananias, rebuked by peter, falls down and dies between his gifts, peter questioning sapphira, who then dies too

Vooraan ligt het lichaam van Ananias op de grond naast zijn geldbuidel. Voor hem staat Petrus, die Ananias met woorden had gegeseld, omdat hij een deel van de opbrengst uit de verkoop van zijn bezit ten behoeve van de armen had achtergehouden, waarna Ananias stierf. Omstanders, onder wie enkele apostelen, kijken toe. Op de achtergrond ondergaat Saffira, Ananias' vrouw, hetzelfde lot. In de verte worden de lichamen weggedragen. Onder de voorstelling een tweeregelige tekst in het Latijn. Deze prent maakt deel uit van een album.
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1888 – 1888
Materials: ink
Techniques: pen, writing
Location: the hague
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: art trade, art shop, drawing, money, amsterdam
Inscriptions: collector's mark: Lugt 2233
Georgie Blake, From the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Zittend mannelijk naakt, het hoofd steunend met de rechterhand
Object type: drawing
Date: 1789 – 1853
Materials: chalk, paper
Artist: jan willem pieneman
Artist role: draughtsman, painter, print maker
Artist dates: 1779 – 1853

Zittend mannelijk naakt, het hoofd steunend met de rechterhand, de linkerarm wijzend opgeheven.
Heuvelig boslandschap
Object type: sketchbook leaf
Date: 1823 – 1894
Materials: paper, pencil
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: low hill country, forest path or lane

Pagina 21 recto uit een schetsboek met 37 bladen.
Gezicht op Acacia Park te Colorado Springs
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: new york city
Artist: Anonymous
Subjects: public gardens, park
Uitgespannen paard met een haverzak
Object type: sketchbook leaf
Date: 1914 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse, (farm) wagon, freight wagon, cart

Achter een kar staat een uitgespannen paard met een haverzak. Vooraan en achteraan figuren. In de verte gebouwen. Pagina 52 uit een schetsboek met 43 bladen vervaardigd te Amsterdam.
Wavy-handled jar
Object type: jar, cylinder
Date: 3850 – 2960
Materials: pottery
Location: egypt
Maria met Kind, zittend in een landschap
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: madonna: mary sitting on the ground, the christ-child in her lap
Inscriptions: collector's mark: Lugt 12
One of a Pair of Attendant Bodhisattvas
Object type: figure
Date: 901 – 1100
Materials: pigment, wood
Culture: chinese
Subjects: bodhisattvas
Porta Capuana con la Piazza del Mercato
Object type: photograph
Date: 1852 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Subjects: square, place, circus, etc., parts of church exterior and annexes: dome, market, city-gate
Inscriptions: number: ‘P.o I.o N.o 11617.’
Orphrey Band
Object type: textile
Date: 1390 – 1390
Materials: gilt, linen, metal, textile, silk
Techniques: embroidery, laid work, weave, silvered, stitching
Location: italy
Geschiedenis van Ester
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: as haman is kneeling at esther's feet or is prostrated on her couch king ahasuerus returns; haman is condemned to be hanged, esther accuses haman, haman on the gallows

Koning Ahasveros en zijn ambtenaar Haman zitten bij Ester aan tafel. Ester beschuldigt Haman van de geplande moord op het Joodse volk. Op de achtergrond is te zien hoe Haman vervolgens knielt bij het bed van koningin Ester en haar smeekt om zijn leven. Koning Ahasveros loopt op de trap en zal Haman beschuldigen van aanranding. Links is door een deur te zien hoe Haman wordt opgehangen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Est. 7:4. Deze prent maakt deel uit van een album.
Blauw gespikkeld papier
Object type: sprinkled paper
Date: 1750 – 1900
Materials: paint, paper
Techniques: splatter marble
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760
Dertien scènes met schepen
Object type: print
Date: 1650 – 1664
Materials: paper
Techniques: etching
Location: netherlands
Artist: reinier nooms
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1664
Subjects: sailing-ship, sailing-boat (with name), repairing, caulking, careening (~ ship)
Inscriptions: collector's mark: Lugt 2228

Twee grote zeilschepen door onderleggers gekield, mannen staand op een vlot rond de schepen werken aan het waterdichtmaken van de rompen. Geheel links een fluit, een koopvaardijschip.