deem-data/ArtiFact huggingface dataset:
Portret van Leonardo da Vinci
Object type: print
Date: 1824 – 1827
Materials: paper
Techniques: lithograph
Location: italy
Subjects: artist, leonardo da vinci, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Plate 9: Alexander's Triumphal Entry into Babylon, from "The Deeds of Alexander the Great"
Object type: print
Date: 1608 – 1608
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: alexander the great,horses,crowd,chariots
Gezicht op een stad aan zee, vermoedelijk op Corsica
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: corsica
Artist: Anonymous
Subjects: prospect of village, silhouette of village

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Jonge vrouw staat bij open raam en leest brief voor aan vrouw op stoel
Object type: book illustration
Date: 1776 – 1847
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: open window, reading to somebody, letter, envelope
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent naar schilderij van George Adam Schmidt. Prent uit: Nederlandsche muzen-almanak, Johannes Immerzeel (uitgever), Amsterdam 1819-1847
Kou, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Chalice with Twelve Apostles
Object type: glass
Date: 1740 – 1740
Materials: gilt, glass
Techniques: engraving
Location: schleswig
Place de la République, Parijs, Frankrijk
Object type: photograph
Date: 1885 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: paris
Artist: j. kühn (uitgever)
Artist role: publisher
Subjects: place de la république
Inscriptions: check stamp: ‘Photographie Company//J. KUHN//Paris//220 170 174 Rue de Rivoli’, inscription: ‘128 Paris. Place de la Republique’

Place de la République, Parijs, Frankrijk.
Fotoreproductie van een schilderij, voorstellende twee vrouwen achter een piano in een interieur
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Artist: charles bertier
Artist role: painter
Artist dates: 1860 – 1924
Subjects: one person playing keyboard instrument, grand piano, sculpture (+ relief ~ sculpture)
Graflegging van Christus
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: brussels
Subjects: lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Inscriptions: collector's mark: Lugt 240

Christus ligt in zijn graf. Achter hem staan Maria, Franciscus van Assisi en Johannes de Doper. Aan zijn voeten knielt Maria Magdalena. Rechts twee engelen, van wie één wijst op de wond van Christus.
Border
Object type: textile
Date: 1401 – 1500
Materials: fiber, gilt, gold, linen, silk
Techniques: compound weave, patterning, satin weave, weave
Location: italy
Walter Sickert
Object type: print
Date: 1895 – 1895
Materials: ink, parchment
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Portretten van onbekende personen
Object type: photograph
Date: 1920 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: child

Albumblad met portretten van voornamelijk jonge kinderen. Onderdeel van Fotoalbum van de familie Petri.
Curb Bit
Object type: bit
Date: 1601 – 1633
Materials: metal alloy
Culture: german
Location: germany

This was considered as a gentle bit for starting young horses with the curb bit (bit with a leverage effect). Indeed, according to contemporary equestrian manuals, the long straight shanks (the levers on the sides of the bit to which the reins were attached) and the jointed mouthpiece with simple canons made for the most gentle combination in a curb bit. If the long shanks look impressive, their length in fact reduces their reaction time and would actually have been blocked at some point by the horse’s chest. Curb bits were also at this time used with a very light hand, the well-trained horses responding by anticipation to the slightest move of the reins. The elegant pierced decoration is typical of East German spur maker’s workshops during the 16th and 17th centuries. Despite their name, spur makers made not only making spurs, but also small equestrian hardware like bits, stirrups, muzzles, cavessons or curry-combs.
Flagon
Object type: flagon
Date: 1667 – 1700
Materials: pewter
Hind Head Hill, plate 25 from Liber Studiorum
Object type: print
Materials: ivory, paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Deel van een baksteen met een stuk concretie uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: brick clay product
Materials: brick, stone
Artist: Anonymous
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Deel van een rechthoekige, geelbruine baksteen met een stuk concretie. Brick.
Maria met Christus en Johannes de Doper
Object type: book illustration
Date: 1633 – 1672
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: madonna: mary standing (or half-length), christ-child close to her bosom, john the baptist as child ~ madonna-representations (n.b. secondary notation only)
Inscriptions: collector's mark: Lugt 2228

Bladzijde uit een boek. Maria geeft Christus de borst. Johannes de Doper met het kruis staat achter hen. Onder de voorstelling en aan het verso tekst in boekdruk.
Twee gewonde soldaten, de linker met zijn arm in een mitella, de rechter op krukken
Object type: drawing
Date: 1803 – 1861
Materials: chalk, paper
Artist: jacob joseph eeckhout
Artist role: draughtsman, print maker
Artist dates: 1793 – 1861
Subjects: person with a physical disability, disabled soldier
Overzicht van de inkomsten die Willem V van de staat ontvangt, ca. 1775
Object type: manuscript
Date: 1772 – 1779
Materials: paper
Techniques: writing
Location: northern netherlands
Artist: Anonymous
Subjects: william v (prince of orange), the hague, berlin, william i of the netherlands, carolina (prinses van oranje-nassau), painter, draughtsman, wilhelmina of prussia (princess of orange), amsterdam, louise (prinses van oranje-nassau)
Inscriptions: collector's mark: Lugt 2228

Handgeschreven notitie met een overzicht van de inkomsten die stadhouder Willem V (en zijn echtgenote, zuster Carolina en kinderen Frederica Louisa en Willem Frederik) van de afzonderlijke provincies ontvangt, ca. 1775. Dubbelgevouwen blad met tekst op drie zijden.
Women Bathing
Object type: print
Date: 1535 – 1555
Techniques: etching
Artist: jean mignon
Artist role: artist
Artist nationality: french
Artist dates: 1535 – 1555
Subjects: fruit,female nudes,bathing
Kinderledikant beschilderd met een koning in triomfwagen in het Rijksmuseum te Amsterdam
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: bed
Inscriptions: number: ‘XLIII kat 142 no. 111’, collector's mark: ‘Kunstnijverheidschool Quellinus Amsterdam Frans Halsstraat 14.’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’

Zie voor het originele object BK-NM-8266.
Vlaanderen, Philips de Schone, dubbele stuiver
Object type: coin
Date: 1482 – 1506
Materials: silver
Techniques: striking
Location: bruges

Zilveren munt. Voorzijde: in een veelpas gekroond samengesteld wapenschild van Bourgondië. Keerzijde: kort gebloemd kruis, in het hart lelie.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Interior, hair and bit of forehead of a youth to left; Exterior, start of foot
Spiegel
Object type: mirror
Date: 1200 – 1500
Materials: bronze
Location: indonesia
Artist: Anonymous
Tien leeftijden van de mens
Object type: print
Date: 1569 – 1575
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: (military) camp with tents, adult man, wandering or travelling merchant, the soldier; the soldier's life, ball-throwing
Inscriptions: collector's mark: Lugt 2228

In een ovaal kader versierd met ornamenten een voorstelling van een volwassen man in wapenrusting. In zijn handen een vaandel. Op de achtergrond rechts een legerkamp en enkele mannen die een balspel spelen. Op de achtergrond links een zakkensjouwer en een handelsstad. De prent heeft een Latijns en Frans onderschrift.
Three studies of old men's heads
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: etching
Artist: ignace-joseph de claussin
Artist role: print maker
Artist dates: 1766 – 1844
Subjects: drawing, sketch, old man
Inscriptions: collector's mark: Lugt 1138c, collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 1159a
Teapot (part of a service)
Object type: teapot
Date: 1765 – 1770
Materials: enamel, soft paste porcelain
Techniques: gilding
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: flowers
Calligraphy
Object type: folding fan mounted a an album leaf
Date: 1601 – 1654
Materials: ink, paper
Culture: chinese
Artist: chen mingxia
Artist role: artist
Artist nationality: chinese
Artist dates: 1601 – 1654
Subjects: calligraphy
Assomptione della Madonna : a historico-critical discussion of the picture "Assomptione della Madonna" formerly the property of the House of Este, Dukes of Ferrara and Modena / by Caspar Badrutt; transl. by H.O.D.D
Object type: book
Date: 1895 – 1895
Materials: cardboard, leather, linen, paper
Techniques: photograph, lithograph, decorated paper, photoaquatint, printing, engraving
Location: zurich
Artist: caspar badrutt
Artist role: ondernemer, schrijver
Artist dates: 1848 – 1904
Inscriptions: date: ‘SEPT/ 1993’, annotation: ‘To Miss Spalding/ with the authors compliments.’, date: ‘11th Novbr 1895’
Schoorsteen in Musée Lorrain te Nancy
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: paris
Subjects: art collection, art gallery, chimney-piece, mantelpiece
Inscriptions: inscription: ‘Cheminée monumentale en pierre (...)’

Deze prent maakt deel uit van een omslag met 103 prenten op 101 bladen en een titelblad.
Piece
Object type: piece
Date: 1701 – 1800
Materials: cotton, metal thread, silk
Culture: chinese
Subjects: lotuses,leaves
De Amsterdammer. Dagblad voor Nederland
Object type: print
Date: 1880 – 1886
Materials: cardboard
Techniques: lithograph
Subjects: mayor, gijsbert van tienhoven, the hague, jonkheer alexander frederik de savornin lohman, abraham kuyper, rome, priest, herman johannes aloysius maria schaepman, politician, ferdinand domela nieuwenhuis, amsterdam, allard pierson, diligence, omnibus, horse-tram, newspaper, news-sheet
Inscriptions: collector's mark: ‘H.G. van Steeden Hellevoetsluis’, collector's mark: Lugt 2228, collector's mark: Lugt 4780

Op de voorzijde een paardentram met bekende Nederlanders, die op en in de tram De Amsterdammer lezen. Op de achterzijde advertenties.
Buffware Bowl
Object type: bowl
Materials: earthenware, glaze
Techniques: polychrome
Location: iran
Kind met mand bij een toonbank waarachter een vrouw
Object type: print
Date: 1868 – 1910
Materials: paper
Techniques: etching
Artist: edgard farasyn
Artist role: print maker
Artist dates: 1858 – 1938
Subjects: counter ~ shop, child, container made of plant material other than wood: basket, old woman
Inscriptions: inscription: ‘2me Etat’, collector's mark: Lugt 2228

Het kind is bedroefd en voelt in de zakken omdat het onderweg het geld is verloren. De vrouw achter de toonbank steekt haar hand uit om af te rekenen.
Portraits des artistes modernes nés dans le Royaume des Pays-Bas
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: mechelen, brussels, painter, artist, charles pièrre verhulst, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 12
Design for Coupé, no. 3160
Object type: drawing
Date: 1875 – 1875
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Drie schepen in een sluis in Amsterdam
Object type: photograph
Date: 1885 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: sluice, weir
Inscriptions: annotation: ‘Amsterdam’
Printer's woodblock
Object type: printer's woodblock
Date: 1730 – 1730
Materials: wood
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: flowers
Portret van Heinrich Gottlieb Tzschirner
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: etching
Location: germany
Subjects: theologian, scholar, philosopher, historical persons, portrait of a writer

Prent waarschijnlijk uit: Kreussler, Heinrich Gottlieb. Autobiographieen Leipziger Gelehrten. Leipzig: J.B. Fleischer, 1810.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, tondo border with billeting; glaze worn
Denarius (Coin) Depicting the Goddess Roma
Object type: coin
Date: 134 – 134
Materials: metal, silver
Culture: roman
Location: italy
Subjects: goddesses, chariots
Inscriptions: Reverse: M MARC ROMA

The front (obverse) of this coin depicts the goddess Roma, facing right. On the back (reverse), the goddess Victory rides in a type of two-horse chariot called a biga.

Portraits of important people appear on local currency all around the world. The same was true in ancient Rome, which began producing its first coinage in the late 4th century BCE. Early coins depicted the heads of gods and goddesses on the front side, often in profile, while the back depicted animals, natural resources, symbols, and references to historical events. The denarius, introduced in 211 BCE, was the principal silver coin of Rome for five hundred years. The profile head of the goddess Roma—the personification of Rome—was the most popular image depicted on silver denarii in the second and first centuries BCE.
Penllergare; Printing
Object type: photograph
Date: 1853 – 1856
Techniques: salted paper print
Artist: john dillwyn llewelyn
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1810 – 1882
Subjects: houses,women
Driehonderdjarige herdenking van de inname van Den Briel door de Watergeuzen 1872
Object type: history medal
Date: 1872 – 1872
Materials: tin
Techniques: striking
Artist: moses cohen de vries junior
Artist role: diamantslijper, graveur, medailleur
Artist dates: 1807 – 1883

Tinnen penning, op de voorzijde het gekroonde wapenschild van Den Briel, met rechts een centauer als drager, op een zwaard met vrijheidshoed, op een basis waaraan een tekstlint hangt, en naast de datum 1 APR 1572, met dubbel omschrift, op de keerzijde een watergeus met zwaard en vaandel die de Tyrannie, als vrouw met zwaard en vallend juk, verdrijft, met omschrift en afsnedetekst.
Console, veelkleurig beschilderd met vogel die vruchten uit een vaas pikt
Object type: console
Date: 1775 – 1850
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: western europe
Artist: Anonymous
Inscriptions: collector's mark: ‘2560’

Console van veelkleurig beschilderde faience. In een omgekeerd peervormig medaillon in relief is een vogel geschilderd die vruchten uit een vaas pikt. Om het medaillon heen zijn bladeren en bloemen in relief gemodelleerd. De console is beschilderd in de kleuren blauw, groen, geel en paars.
Gezicht op een paleis van Peter de Grote I in Moskou
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: palace
Inscriptions: inscription: ‘67 Le palais de Pierre le grand Moscou’
Beaumaine, Variettees/ Callet, Opera Comique/ Miss Ruth Stetson, from the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 4), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes. Type 4 cards from the N45 series contain four miniature portraits of actresses on one card.
Miniatuurportret van een echtpaar
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, adult man
Reading the newspaper in the family circle
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Michel Eyquem de Montaigne bezoekt Torquato Tasso
Object type: print
Date: 1836 – 1837
Materials: paper
Techniques: etching
Artist: louis gallait
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1887
Subjects: torquato tasso, michel eyquem de montaigne, prison, jail, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228

De plaats waar de ontmoeting zich afspeelt is mogelijk een gevangenis, klooster of gekkenhuis.
Apotheosis of George Washington
Object type: drawing
Date: 1799 – 1799
Materials: chalk
Artist: etienne pallière
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1820
Subjects: weapons,george washington,zeus,victory,angels

This large chalk drawing is one of two attributed to Pallière in The Met collection. They likely served as preparatory studies for an allegorical work that has not survived, created perhaps for a commemorative ceremony in Paris soon after the president’s death. Victory carries Washington into heaven while Fame, depicted twice, announces his accomplishments by trumpet and inscribes them on a pillar. At right the god Zeus’s chains have been loosened. Mourning figures on the left represent the Monarchy, Liberty, America, and Atropos, the Fate said to cut the thread of life. America, ambiguous in gender and wearing a feather skirt and headdress, bears a physiognomic resemblance to Native Americans.
Kiezelmarmer in rood, zwart en geel
Object type: wrapper
Date: 1750 – 1900
Materials: lacquer, paint, paper
Techniques: lacquer, marbling
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2228

Kiezelmarmer in rood, zwart en geel. Gebruikt als omslag, met insnijdingen bij de rug. Met opgeplakte etiket met afbeelding van staande jonge vrouw, met opschrift '... onse'.
Piece
Object type: piece
Date: 1760 – 1770
Subjects: flowers,leaves
Spotprent op jhr. Van Karnebeek, 1870
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: personifications of countries, nations, states, districts, etc.

Spotprent op jhr. Van Karnebeek die bij de Algemene Rekenkamer (het Oudemannenhuis genoemd) gaat werken. De Nederlandse Maagd spreekt hem hierop aan. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 9, 1870.
Autumn Poem by Lady Kunaikyō
Object type: hanging scroll
Culture: japanese
Artist: hon'ami kōetsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1558 – 1637
Subjects: poetry,calligraphy

Hon’ami Kōetsu was the most prominent calligrapher of his generation, and renowned for his renditions of classical Japanese waka (court poems in 31 syllables) in a mixture of dynamically rendered kanji (Chinese characters and kana (Japanese phonetic characters). He employed an age-old technique of “scattered writing” (chirashigaki) whereby the lengths of columns were adjusted to create an attractive composition. It was comparatively rare for Kōetsu to brush poem scrolls on silk, though this work bears comparison to a section of silk handscroll with poems in the collection of the Asia Society New York. That handscroll also has painted gold bamboo decoration, and is also attributed to Tawaraya Sōtatsu, head of a studio of artists who created fan paintings, screens, and paper decoration inspired by classical painting themes. ) The poem transcribed here is one by Lady Kunaikyō (died ca. 1204), daughter of an emperor, who was considered one of the great poets of early medieval times. Included in the imperially commissioned anthology Shin kokin wakashū (New Anthology of Poems Ancient and Modern), her poem reflects on the mood sad reflection that the end of an autumn day brings on. Transcription of text: 宮内卿 秋の歌とてよみ侍りける. 思ふ事さしてそれとはなきものを秋のゆふべを心にぞ問（新古365）. Kunaikyō Aki no uta tote yomi-haberi keru Omou koto sashite sore to wa naki mono o aki no yūbe o kokoro ni zo tou Composed as a poem on the topic of autumn: It’s not that I’m now lost in thought, but dusk in autumn makes me ponder on matters of the heart.
Ornatus Muliebris Anglicanus / The Severall Habits of English Women, from the Nobilitie to the contry woman, they are in these times
Object type: costume print
Date: 1639 – 1639
Materials: paper
Techniques: etching
Location: london
Subjects: ear-rings (+ women's clothes), muff, europeans: englishmen (+ women), styles of hairdress - aa - ~ women, fashion plates, clothes, costume (+ women's clothes), pearl; pearl necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Engelse vrouw, staand op een traptrede, met de rechterhand de japon iets ophoudend. Druppelvormige oorhangers en rond de hals een parelsnoer. Gekleed in een japon met rond de schouders een parelsnoer, waarover een stola van bont. In de linkerhand een grote mof van bont.