deem-data/ArtiFact huggingface dataset:
Linkerschoen (pump) van zwarte zijde met ovale gesp van zwarte zijde met geslepen stalen kralen
Object type: pump
Date: 1925 – 1925
Materials: paint, silk, steel
Techniques: grinding, printing, tanning, weave
Location: deventer
Artist: h. peteri
Artist role: schoenmaker
Inscriptions: mark: ‘Fa. H. Peteri/ Deventer’

Schoen van zwarte zijde met ovale gesp van zwarte zijde met geslepen stalen kralen. Pump met hoge wreef en halfhoge hak. De zwarte zijde is gevoerd met leer en de pump heeft een leren binnenzool, leren zool en hak. Op de wreef is de schoen versierd met een ovale gesp van zwarte zijde met een rand van glanzend gepolijste stalen bolletjes en in het midden een ruit opgebouwd uit dezelfde bolletjes. Het patroon is symmetrisch opgebouwd uit accolades met bolletjes in het midden.
A King of Judah and Israel
Object type: drawing
Materials: chalk, ink
Techniques: heightening, pen
Artist: martin fréminet
Artist role: artist
Artist nationality: french
Artist dates: 1567 – 1619
Subjects: kings,men

Fréminet, who had built a considerable reputation in Italy, was summoned back to France in 1602 by the French king, Henri IV who, two years later, put him in charge of decorating the vault of the chapel of the Trinity at the château of Fontainebleau. Fréminet’s concept was for a compartmentalized ceiling featuring scenes in oil on plaster within a complex scheme of painted and gilt stucco ornament. This study is preparatory for one of the eight standing figures of kings of Judah and Israel which punctuate the side walls. The figure’s strength and regal bearing are expressed in the lively ink line delineating the musculature and Roman military costume, while the anatomy is further accentuated with a smoky shading in black chalk and touches of white chalk. Drawn as if seen from below, the king stands in contrapposto, his right hand on his hip, recalling the muscular figure types of Michelangelo as well as the ancient statues of warriors and gods that Fréminet studied during his Roman sojourn. Overlaying these elements, is a lush and elegant sensibility derived from the richly textured milieu of the château of Fontainebleau where subjects of mythology, history, and religion were everywhere interwoven with a playful vocabulary of ornament and fantasy. Perrin Stein, May, 2014
Stofblik van geelkoper
Object type: miniature
Date: 1700 – 1799
Materials: copper
Location: amsterdam
Artist: Anonymous
Portret van Frederik de Grote te paard
Object type: photomechanical print
Date: 1897 – 1915
Materials: paper
Techniques: photoaquatint
Location: france
Subjects: berlin, frederick ii (king of prussia), historical persons, equestrian statue, (military) uniforms, king

Prent komt uit een editie van La Revue de l'art ancien et moderne.
Phoenix Flying Over a Paulownia Tree
Object type: print
Date: 1770 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: birds
Drie personen op vermoedelijk de binnenplaats van Mission San Juan Capistrano
Object type: photograph
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: san juan capistrano
Artist: Anonymous
Subjects: historical persons, courtyard
Inscriptions: annotation: ‘Film opname’, annotation: ‘San Juan Capistrano’
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: roosters,boars,monkeys
Jaargetijde, voorgesteld door kind met attribuut
Object type: sculpture
Date: 1725 – 1740
Materials: terracotta
Techniques: modeling
Location: northern netherlands
1 Schepel uit Harderwijk
Object type: inhoudsmaat droge waren
Date: 1800 – 1800
Materials: iron, wood
Location: harderwijk
Artist: Anonymous
Subjects: harderwijk
Inscriptions: number: ‘55’, title: ‘Harderwijk S....’, title: ‘Harderwijk<BR />een schepel’

Spanen en ijzeren inhoudsmaat voor droge waren van 1 schepel, v.z.v. etiketten.
W.B. Page, High Jump, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,athletes

Trade cards from "World's Champions," Series 2 (N29), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Nachtlandschap met boerderij en schaatsers
Object type: print
Date: 1761 – 1784
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: winter ~ human activities (the four seasons of the year), night ~ landscape (sometimes titled 'nox')
Inscriptions: collector's mark: Lugt 2228

Nachtlandschap met maneschijn en rechts een boerderij en hooischuur. Links een bevroren meer met schaatsers. Alléén de lucht bewerkt.
Portret van Pierre-Joseph Proudhon
Object type: print
Date: 1842 – 1876
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: paris, eyeglasses, spectacles, historical persons
The Martyrdom of Saint Sebastian
Object type: print
Date: 1632 – 1633
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Passio Christi, from the "Allegorical Scenes from the Life of Christ"
Object type: print
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: men,women,christ,cross
Altar bowl with Tibetan inscription
Object type: altar bowl
Date: 1401 – 1433
Materials: cobalt, glaze, porcelain
Techniques: incising, painting
Culture: chinese

This type of vessel was used as a ceremonial tea bowl with a metal or lacquer saucer. The Tibetan inscription around its body offers auspicious wishes to the user. The same inscription was incised into the bowl’s interior, an investment of craftsmanship that speaks to the exceptional quality of the piece.
Slippers
Object type: slipper
Date: 1801 – 1833
Materials: silk
Culture: american
Roman Naval Battle, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1567 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: battles,navy,ships,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 73 in the scrapbook.
Doos van albast
Object type: miniature
Date: 1650 – 1699
Materials: alabaster
Location: netherlands
Artist: Anonymous
Jonge vrouw knielt voor haar moeder
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: mother and daughter(s) (family group), kneeling figure, picture, painting
Inscriptions: collector's mark: Lugt 240

Omringd door verschillende mannen, zit een jonge vrouw met ineengevouwen handen in geknielde houding voor haar zittende moeder.
Jellachic, Ran von Croatien
Object type: print
Date: 1820 – 1860
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: moustache, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op de beek Skelton Beck nabij Saltburn-by-the-Sea
Object type: photograph
Date: 1874 – 1879
Materials: paper
Techniques: carbon print, hand coloring
Location: north yorkshire
Artist: arthur brown
Artist role: fotograaf
Subjects: brook
Inscriptions: number: ‘7’, inscription: ‘I wind about (...) there a grayling.’

Deze foto maakt deel uit van een omslag met dertien foto's.
Godinnen en nimfen
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) ceres (demeter)
Inscriptions: collector's mark: Lugt 2542, collector's mark: Lugt 1379, collector's mark: Lugt 2228

Ceres de godin van de akkerbouw bij de graanoogst. Ceres knielt bij een hoop met korenaren met een sikkel in de hand.
Staand meisje met een kruik
Object type: drawing
Date: 1803 – 1843
Materials: paper, pencil
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873
Lente
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: seasons of the year represented by concepts other than personifications, human activities, landscapes, or still lifes of flowers and/or fruits (e.g. biblical scenes), spring ~ human activities (the four seasons of the year)
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Fazant
Object type: watercolor
Date: 1759 – 1842
Materials: paper, pencil, watercolor
Techniques: brush
Artist: pieter pietersz. barbiers
Artist role: draughtsman
Artist dates: 1749 – 1842
Subjects: walker and runner birds: pheasant
Vrouw met doos of mand
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: woodcut
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: adult woman, carrying something in basket, bag, rucksack, etc.
Inscriptions: collector's mark: Lugt 2228

Een vrouw staat op de hoek van een straat met onder haar arm een doos of mand met de initialen A.N.
Ewer
Object type: ewer
Date: 1601 – 1650
Materials: glass
Model of a Buoy
Object type: demonstration model
Date: 1869 – 1873
Materials: iron, wood
Location: enkhuizen
Inscriptions: inscription: ‘N·VI / 1873’, monogram: crossed anchors

Model van een boei (buikton) met een conisch lichaam met een scherp uiteinde en een ronde platte bovenkant met een ring in het midden. Zoals een vat is zij samengesteld uit duigen en hoepels. Onderaan zit een oog voor de ankerketting. Gemerkt met gekruiste ankers. Model behoort bij serie van zes boeien van verschillende formaten. Schaal 1:10 (archief).
Hanging
Object type: hanging
Date: 1701 – 1800
Materials: silk
Techniques: damask, weave
Location: tunisia
Subjects: birds

Furnishings for the home, subjected to rough use, were usually woven in wool or camel and goat hair, so this fine curtain in silk must have been made for a special occasion or an aristocratic home. Curtains were composed of a number of panels–usually at least six–joined together by silk ribbons or fine lace. The geometric patterns on traditional Tunisian textiles are similar to those used on pottery, jewelry, and designs painted on women.
De krijger
Object type: print
Date: 1920 – 1920
Materials: paper
Techniques: woodcut
Artist: johannes frederik engelbert ten klooster
Artist role: draughtsman, print maker
Artist dates: 1873 – 1940
Subjects: partially clothed, hacking and thrusting weapons, head of a beheaded person
Inscriptions: collector's mark: Lugt 2228

Een halfnaakte man in lendendoek, staand in een rotsachtig landschap. In zijn rechterhand een sabel, in zijn linkerhand een afgehouwen hoofd.
Drie kinderen kijken door een raam naar een jongen die over een schoolbank hangt
Object type: print
Date: 1868 – 1910
Materials: paper
Techniques: etching
Artist: edgard farasyn
Artist role: print maker
Artist dates: 1858 – 1938
Subjects: writing-table, writing-desk, child (+ four persons), closed window, elementary school; class, form
Inscriptions: inscription: ‘2me Etat’, collector's mark: Lugt 2228
The Dutch in an Uproar or the Batavian Republic crying for Winter!
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: paris, jan willem de winter, pipe ~ tobacco, snuff, political caricatures and satires, battle of camperdown
Inscriptions: collector's mark: Lugt 2228

Engelse spotprent op de Nederlanders na de nederlaag van de Bataafse vloot onder viceadmiraal De Winter tegen de Britse vloot in de slag bij Kamperduin op 11 oktober 1797. Op een troon zit een pijprokende Hollander gekleed in een koningsmantel, om de tafel heen is een groep mannen verzameld. Allen zijn verbolgen over het slechte nieuws van de nederlaag in de zeeslag gebracht door een boodschapper. Op de achtergrond neemt een Fransman wat snuif uit een doosje. Op tafel liggen twee documenten: een kaart van Frankrijk met Holland als 'Departement 85' en een plan voor de invasie van Engeland en herovering van verloren koloniën.
Block-shaped weight, lead,  from the wreck of the Dutch East India ship Hollandia
Object type: blokgewicht
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Block-shaped weight, circular, flat top and underside, tapering in section, corroded.
Epergne
Object type: epergne
Date: 1766 – 1767
Materials: silver
Artist: thomas heming
Artist role: maker
Artist dates: 1745 – 1773
Subjects: flowers
Portret van J.J. Hughes
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons
Chain, Loop-in-Loop, Trumpet Ends
Object type: chain
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Brooch
Object type: brooch
Date: 1834 – 1866
Materials: coral, gold
Culture: american
Location: united states
Artist: ball, black & co.
Artist role: maker
Artist nationality: american
Artist dates: 1851 – 1874

This brooch is part of a demi-parure that also includes a pair of studs and earrings. All elements have a gold scalloped base chased with a foliate border, as well as coral cylinders mounted at the center beneath cast and chased clusters of berries and leaves. The suite retains its original leather case, which is lined in pale green satin and velvet, and is marked in gold letters with the name and address of New York City jewelers Ball, Black & Co. Believed by classical civilizations to possess therapeutic and apotropaic powers and used as ornament since ancient times, coral was a staple of jewelry design in Victorian America. Coral is an organic gem, the skeleton of tiny marine animals called 'polyps.' During the mid-nineteenth century, when this demi-parure was fabricated, coral was mainly harvested from the Mediterranean waters surrounding Naples. American jewelers like Ball, Black & Co. imported Neapolitan coral and set the gems in mountings of their own design. The articulated, pointed pendants suspended from the brooch and earrings speak to the mid-nineteenth century trend of 'archaeological' style jewelry. [1] [1] Martha Gandy Fales, “Jewelry in America” (Woodbridge, Suffolk: Antique Collectors' Club, 1995), 237-238.
Drie Franse mannen springen over een tennisnet
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: jumping games, tennis, lawn-tennis, adult man, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Panel (see also 1975.1.1933)
Object type: fabric
Materials: silk
Culture: chinese
Artist: chinese
Artist role: artist
Engelse Kade langs Neva in Sint-Petersburg
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: Anonymous
Subjects: quay (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Theatre Panaeff’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Georgië, Sint-Petersburg en Moskou.
Lamellar Armor (Byang Bu'i Khrab) and Helmet
Object type: lamellar armor byang bu'i khrab and helmet
Date: 1501 – 1700
Materials: iron, leather
Culture: tibetan
Location: tibet

This is a representative example of a Tibetan lamellar armor and helmet. Both pieces show signs of hard use and repairs. By comparison with examples that are thought to be earlier in date, its lamellae are relatively coarse, dark in color, roughly finished, and more irregular in size. Most Tibetan lamellar armors share several distinct features. The body of the armor has the form of a sleeveless robe made from twelve to fourteen or more rows of lamellae, and the coat has a distinct waist, with the lamellae of that row being bent in a subtle curve. Most armors are sleeveless, but some have shoulder defenses formed of several rows of lamellae, and full sleeves in at least one rare instance. The coat opens down the length of its front, and the back of the skirt is split vertically from the bottom row up to the waist by two seams, one at either side. Some are trimmed with borders made of silk brocade, which is attached around the bottom edge of the coat at the base of the skirts and at the bottom of the shoulder defenses. However, the majority have a simple border at the base of the skirts consisting of two layers of thick leather. Equally distinctive helmets were made to match the armors and are likewise associated only with Tibet or the Tibetan cultural region. Like the armors, this type of helmet is constructed of iron plates joined by leather laces. The bowl of the helmet is usually made up of eight arched plates, with four narrow outer plates that have cusped edges, and four wider inner plates that have smooth edges. In addition to a characteristic plume finial at the top of the helmet, on complete examples there is also a single row of lamellae encircling the base of the helmet bowl, a pair of cheek defenses made of five to seven rows of lamellae, and a flaring nape defense of three rows.
Ceremonial Axe
Object type: axe
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: animals,axes
Yoshiwara
Object type: print
Date: 1842 – 1842
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: men,mountains,landscapes,trees
The Edge of a City
Object type: painting
Date: 1880 – 1923
Materials: oil, panel
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: city-view in general; 'veduta'

De buitenrand van een stad. Vage schets met een staande kar en een kar getrokken door een paard. In de verte gebouwen.
Afbeeldingen van gezichten te of bij Utrecht
Object type: print
Date: 1809 – 1843
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: towers ~ fortified city, fisherman, utrecht

Links van de toren loopt een gracht. Een visser is in de weer met zijn netten.
Fontana de Dragoni a Tivoli
Object type: album leaf
Date: 1631 – 1691
Materials: paper
Techniques: colour, etching
Location: france
Subjects: city-view, and landscape with man-made constructions, landscape with ruins, temple, shrine ~ roman religion

De Drakenfontein in Villa d'Este te Tivoli. Titel in het Italiaans in ondermarge. Prent maakt deel uit van een album.
Shoes
Object type: shoe
Date: 1700 – 1729
Materials: silk
Culture: british
Emperor Charles V
Object type: medal
Date: 1701 – 1800
Materials: bronze
Artist: koehler
Artist role: artist
Artist dates: 1700 – 1800
Subjects: birds,men,profiles
Vier paarden en een man
Object type: album leaf
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adult man, horse, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Five Medallion Carpet
Object type: carpet
Date: 1500 – 1500
Materials: wool
Techniques: asymmetrically knotted pile
Location: egypt

Named the "Simonetti" carpet after a former owner, this majestic weaving is among the most famous of all Mamluk carpets. One of the larger floor coverings of its type, this example has five medallions instead of the more customary one or three, and it displays a slightly brighter and more varied palette. Likely produced in Egypt under the Mamluk dynasty, such carpets are surprisingly rich in appearance considering their relatively coarse weave and limited color range. The overall effect is that of a luminous mosaic.
Lodewijk van Boisot, Admiral of Zeeland, from Quatuor Personae
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658
Globular Jar with Loop Handles and Medallions
Object type: vessel
Materials: earthenware, glaze
Techniques: molding, underglaze
Location: china
Aloude Kleedy en wapenrusting der Batavische mannen
Object type: history print
Date: 1732 – 1734
Materials: paper
Techniques: etching
Location: netherlands
Subjects: extinct, 'historical' peoples (with name), netherlands

Illustratie voor: Gerard van Loons Aloude Hollandsche histori, Pieter de Hondt, ’s-Gravenhage 1734.
Abklatsch van de krijttekening op pagina 7 recto
Object type: sketchbook leaf
Date: 1876 – 1879
Materials: paper
Techniques: printmaking
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888

Blad 6 verso uit een schetsboek met 33 bladen.
Warbler and Camellia
Object type: print
Date: 1815 – 1820
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: birds,flowers,leaves

Bird-and-flower, or "kachō," subjects were prevalent in Japanese painting and other arts for hundreds of years, though surimono were the first single-sheet woodblock prints to incorporate fully this traditional motif. In this print by Hokkei, the stylized gold cloud design is drawn from classical painting styles. The heaviness of the right side of this composition is delightfully balanced by the precariously perched warbler.
Scarab Inscribed with an Ankh
Object type: scarab, ankh sign
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: scarabs,ankh
ÉPREUVE A MOUVEMENT
Object type: stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Inscriptions: inscription: ‘17’, check stamp: ‘Brevete F. T. S.G.D.C (?)’

Quasi-stereofoto van een man die viool speelt.