deem-data/ArtiFact huggingface dataset:
The Entombment
Object type: drawing
Date: 1879 – 1879
Materials: paint, gouache, paper
Techniques: heightening
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Subjects: sadness,women,christ,entombment

Burne-Jones conveys deep emotion in this design for George Howard, 9th Earl of Carlisle. When the earl’s father died in 1879, he planned a monument to his parents, Mary and Charles Wentworth Howard, at Lanercost Priory, Cumbria. A bronze Nativity plaque commemorated his mother, who died in 1834 after giving birth to her son, and an Entombment honored his father. For the latter, a confined space filled with curving forms encloses the mourners and expresses a profound sense of grief, at once Christian and universal. The sculptor Sir Joseph Edgar Boehm (1834–1890) translated the designs into bronze.
Plate 68: Server of summons
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
Vrouw met papegaai
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: etching
Location: italy
Subjects: anonymous historical persons portrayed in a double portrait - bb - woman, ornamental birds: parrot
Inscriptions: collector's mark: Lugt 2228
Three Figures with Severed Head on Ground
Object type: drawing and watercolor
Date: 1600 – 1620
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: circle of marcantonio bassetti
Geknielde monnik met armen omhoog
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Artist: jean pierre norblin de la gourdaine
Artist role: print maker
Artist dates: 1745 – 1830
Subjects: monk(s), friar(s), one person praying
Inscriptions: collector's mark: Lugt 2228
Man verklaart jonge vrouw de liefde
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: man kneeling before his beloved (proposing)
Inscriptions: collector's mark: Lugt 2228
Bacchante
Object type: plaquette
Date: 1451 – 1500
Materials: bronze
Subjects: women,bacchantes
De besnijdenis van Christus
Object type: print
Date: 1518 – 1522
Materials: paper
Techniques: woodcut
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: book in which illustrations are essential, circumcision of the christ-child by the priest in the temple (luke 2:21)
Inscriptions: collector's mark: Lugt 240

Houtsnede gebruikt als illustratie in "Hier begint een scoone stomme passye ... tot LXXX fighuren toe", uitgegeven door Doen Pietersz. te Amsterdam, waarschijnlijk ná 1526.
An American Mercantile Building in Yokohama (Yokohama ijin shokan no zu)
Object type: print
Date: 1861 – 1861
Techniques: woodblock print
Location: japan
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Portret van Daniel Rücker
Object type: print
Date: 1709 – 1731
Materials: paper
Techniques: etching
Location: augsburg
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Onze vogels in 't wild. / Zeevogels / Sterntjes en Meeuwen.
Object type: stereograph
Date: 1870 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Inscriptions: label: ‘Zee Zwaluwen’

De foto maakt deel uit van een serie van 12 stereofoto's, bewaard in het originele mapje. De foto's tonen zeevogels in natuurgebied De Bol op Texel.
Wapenschild met vis
Object type: drawing
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: fishes, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van een zittende man met hoge hoed in de hand
Object type: carte de visite
Date: 1859 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: gerrit hoogwinkel jr.
Artist role: fotograaf
Artist dates: 1837 – 1890
Subjects: sitting figure, historical persons, head-gear: top hat
Inscriptions: inscription: ‘G. HOOGWINKEL/ PHOTOGRAPHE/ ROTTERDAM’
Duit van de VOC uit Westfriesland,1779
Object type: coin
Date: 1779 – 1779
Materials: copper
Techniques: striking
Location: medemblik

Koperen munt. Voorzijde: gekroond wapenschild van Westfriesland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
La Liberté
Object type: print
Date: 1794 – 1794
Techniques: etching
Artist: citoyenne de monchy
Artist role: artist
Artist nationality: french

The French Revolution enacted dizzying change, from overthrowing the monarchy and instituting a republic to outlawing Christianity and creating a new calendar. Images like this allegory were used to define the revolution’s values. In this affordable print, which was part of a larger series (including 50.512.73), we see Liberty breaking a pair of shackles. Women could not be voters, legislators, or soldiers during the revolution, but they nevertheless participated in its politics. For example, three female artists contributed to this series, including Madame de Monchy. All three female artists, in contrast to their male counterparts, signed their names as "Citoyenne," or Citizeness, insisting on their right to citizenship.
Nieuw ontwerp voor een koepelkerk op de Botermarkt te Amsterdam
Object type: area plan
Date: 1700 – 1705
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: interior of church, plan ~ architecture
Inscriptions: collector's mark: Lugt 1641b

Prent maakt mogelijk onderdeel uit van de serie: Nievv desseyn tot een Seer Groote, Stercke, en om te hooren, heel bequame Coupel-Kerck (…). Deze serie van zeventien prenten werd rond 1700 in opdracht van en naar ontwerp van notaris Nicolaas Listingh gemaakt, mogelijk door Daniël Stoopendaal. Zie daarover: Long, Isaac le. Historische beschryvinge van de reformatie der stadt Amsterdam (…). Amsterdam: Johannes van Septeren (I), 1729, p. 572.
Shepherdess Riding on a Donkey, plate 2 from Four Landscapes
Object type: print
Date: 1649 – 1658
Materials: paper
Techniques: etching
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658

A celebrated professional engraver and draftsman, Cornelis Visscher II produced almost 200 engravings in a mere 10 years of artistic activity, including portraits and genre scenes of his own design. He is known for his firm rendering of forms, as evidenced here by the warming sunlight that falls along the contours of the woman’s face and body, shading the donkey on which she sits. A tender gesture between man and woman heightens the sense of drama in an otherwise placid pastoral scene.
Portret van twee kinderen bij een balustrade
Object type: photograph
Date: 1874 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons - bb - woman, boy (child between toddler and youth), historical persons, balustrade, toddler (female)
Inscriptions: inscription: ‘ALBERT GREINER/ KON. NED. HOF-PHOTOGRAAF/ AMSTERDAM/ NIEUWENDIJK 89./ Specialiteit in Vergrootingen.’
The Adoration of the Magi, from The Life of the Virgin
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: virgin and child/madonna and child, christian subjects, mythology, prints and drawings, diamond shapes, magii
Pitcher
Object type: pitcher
Date: 1852 – 1858
Materials: porcelain
Culture: american
Location: united states
Artist: united states pottery company
Artist role: maker
Artist nationality: american
Artist dates: 1852 – 1852
Subjects: human figures

Porcelain objects with white figures in low relief on a blue ground recall eighteenth-century Wedgwood wares. This pattern, known as "Paul and Virginia," is a copy of an English design.
Panel Panel with Grisaille in a Wild-Rose Pattern
Object type: panel
Date: 1325 – 1325
Materials: glass, paint, pigment
Culture: french
Master Billy's Procession to Grocers Hall
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,buildings,men,carriages
Breastplate
Object type: armor
Date: 1560 – 1570
Materials: steel
Culture: italian
Location: northern italy
Vase
Object type: vase
Date: 1767 – 1800
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
San Lorenzo, Library, Ricetto, portal to Ricetto, elevation; plan (recto) San Lorenzo, Library, Ricetto, portal from cloister, details (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Design for Coupé, no. 3976
Object type: drawing
Date: 1886 – 1886
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Sacred Spring at Jōgaku (Jōgaku reisen), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei)
Object type: woodblock print
Date: 1832 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: landscapes
Moeder met zoon op haar rug
Object type: album leaf
Date: 1926 – 1932
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: forest path or lane, mother with son(s) (mother-love)
Inscriptions: inscription: ‘Opnamen gemaakt met de Zak-"Kodak"No. 1a./ Afdrukken gemaakt op "Velox" papier.’
Plaque Depicting a Ram
Object type: architectural fragment
Materials: limestone
Techniques: relief
Culture: egyptian
Location: egypt
Subjects: ram, animals

The two sets of horns on this exemplary portrayal of a ram reflect ancient Egyptian sculptors’ simultaneous close observation of nature and strict adherence to artistic tradition. The elongated corkscrew horns atop the ram’s head belong to a species that was already long extinct when this plaque was carved. Rather than abandoning the conventional representation of this animal, artists added a set of curved horns to reflect the appearance of contemporary rams. On similar plaques portions of the original gridded surface remain in the top corners and along the bottom to emphasize the depth of carving. Egyptian artists utilized grids to maintain correct proportions in their work.
Hollandse kooplieden overhandigen prinses Anna een klaagschrift over de Engelse aanvallen, 1758
Object type: history print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: anna van hannover
Inscriptions: collector's mark: Lugt 240

Een delegatie van Hollandse kooplieden overhandigt aan de gouvernante (prinses Anna van Hannover) een klaagschrift over de Engelse aanvallen, 7 december 1758. Waarschijnlijk naar aanleiding van overvallen door de Engelsen op Nederlandse schepen in de Antillen.
–Come on, you scoundrel, come on! –Just you wait, you crook! –Oh come on Alfred, after all you've known each other for some twenty years!, from 'Parisian sketches,' published in Le Petit Journal pour Rire, March 8, 1874
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Paul en Virginie door Robert Cauer
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: (scenes from) specific works of literature: bernardin de saint-pierre, paul et virginie, sculpture
Inscriptions: inscription: ‘Robert Cauer sculp./Cauer's plastische Werke. Nr. 3 Déposé. Mit gesetzlichem Schutz gegen Nachbildung’
Aanbidding door de herders
Object type: print
Date: 1590 – 1637
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 240

Maria knielt voor de kribbe, achter haar zit Jozef. De herders en hun vrouwen scharen zich in aanbidding rondom de kribbe met het Christuskind. Engelen kijken toe vanuit de hemel. Eén van hen houdt een banderol vast met een opschrift in het Latijn. In de marge een tweeregelig onderschrift uit Luc. in het Latijn.
Map of Table Bay and Robben Island
Object type: topographical view
Date: 1788 – 1788
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Inscriptions: annotation: ‘delen A t/m G, zie ook De Jong’

Ontsloten door middel van een gidskaart met afgebakende gebieden, aangeduid door de letters A t/m G met aanduidingen van het soort zand, de aanwezige rotsen en locaties met hun namen; deel F: Kaapstad, geeft ook de namen van de gebouwen langs de Tafelbaai aan.
Two-handled bowl with cover
Object type: bowl with cover
Date: 1765 – 1765
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: birds,peacocks
Architectura moderna ofte Bouwinge van onsen tyt (...) mr. Hendrick de Keyser (...) en Cornelis Danckerts (...) Amsterdam 1631, pl. XXXIX
Object type: book illustration
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: william i (prince of orange), historical persons, interior of church, grave-building, monumental tomb, delft

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Architectura moderna ofte bouwinge van onsen tyt (...) alle gedaen by (...) Hendrick de Keyser. Amsterdam: Cornelis Danckerts, 1631.
Footed Pyx Used as a Reliquary
Object type: metalwork
Date: 1301 – 1400
Materials: copper gilt, pewter, wood
Techniques: gilding
Culture: german
Location: brunswick
Kaart van de Russische kust met de stad Kola en het eiland Kildin, 1597
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: willem barendsz., jacob van heemskerck

Kaart van de Russische kust met het de plaats Kola nabij Moermansk. Rechts van de riviermonding het eiland Kildin, waar de boten aankwamen. op 25 augustus 1597. In cartouche rechtsboven drie voorbeelden van kostuums van de plaatselijke bewoners. Tegenover pagina 140 in: 'Warhafftige Relation. Der dreyen newen unerhörten seltzamen Schiffart so die Holländischen und Seeländischen Schiff....Anno 1594, 1595 und 1596 verricht' (1598).
Acrobaten voor het Dogepaleis
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: etching
Location: italy
Subjects: square, place, circus, etc., acrobat ~ circus, public festivities, other sovereign: doge, venice
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op het Piazza San Marco te Venetië met links het Dogepaleis. Op het plein vinden festiviteiten plaats. Acrobaten vormen een menselijke piramide. De Doge van Venetië kijkt toe vanaf zijn troon op het balkon van het Dogenpaleis.
Title page for François de Sales, Introduction à la vie dévote
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: men,bishops
Gezicht op een rivier te Japan
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: japan
Subjects: river
Pope Sylvester Blessing the Emperor Constantine
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: after giulio pippi, called giulio romano
Portret van een vrouw met West-Friese klederdrachtmuts
Object type: photograph
Date: 1883 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hoorn
Artist: johannes laurens theodorus huijsen
Artist role: fotograaf
Artist dates: 1852 – 1910
Subjects: historical persons - bb - woman, head-gear: cap, folk costume, regional costume
Inscriptions: inscription: ‘J.L.T. Huysen/ Photograaf/ Ramen 17./ Hoorn/ Specialiteit in Kooldruck Vergrootingen/ OPNAME OOK BUITEN HET ATELIER.’
Thailand,1/4 tical of salung,1650-1850
Object type: coin
Date: 1650 – 1850
Materials: silver
Techniques: casting

Zilveren, korrelvormige munt. voorzien van één, onduidelijke instempeling (kra).
Plate (one of two)
Object type: plate
Date: 1780 – 1790
Materials: hard paste porcelain
Subjects: birds,flowers,coat of arms
Dish green glazed with floral medallion and foliate rim
Object type: dish
Date: 1401 – 1600
Materials: glaze, iron, stoneware
Culture: north-central thai

Green glazed wares of this type have been identified with the Sisatchanlai kilns north of Sukhothai, in north central Thailand. They appear to have had a long production life, spanning the 15th and sixteenth centuries, and were produced in direct imitation of Chinese Longquan celadon, the famed green wares of Zhejiang Province that became a staple of China’s glazed ceramic export industry. The Thai imitations are technically inferior ad were presumably marketed to a lower end clientele in Southeast Asia. They were transported downstream on the Yom River system to Ayutthaya, which by the later 15th century was emerging as a major Asian entrepot. They have been recorded throughout insular Southeast Asia and the Philippines, and appear archaeologically at such disparate locations as southern Japan, Sri Lanka and Fostat, (Old Cairo).
Landschap, mogelijk een duinlandschap
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper
Techniques: stumping
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: dune coast

Landschap, mogelijk een duinlandschap. Blad 5 verso uit een schetsboek met 34 bladen.
Gezicht op het hotel Bellevue bij Arnhem
Object type: print
Date: 1827 – 1873
Materials: paper
Techniques: hand coloring, lithograph
Artist: hendrik wilhelmus last
Artist role: print maker
Artist dates: 1817 – 1873
Subjects: river (+ landscape with figures, staffage), hotel, hostelry, inn, arnhem
Inscriptions: collector's mark: Lugt 2228

Uitgegeven in: Een cahier van gezigten van Arnhem. De serie bestaat uit 12 prenten.
Portret van Charles Keene
Object type: photomechanical print
Date: 1895 – 1895
Materials: paper
Techniques: printing block
Subjects: london, historical persons
Inscriptions: stamp: ‘H.G. Samson Amsterdam’

Prent mogelijk uit: Pijzel, E.D. Mannen en vrouwen van beteekenis (...). Haarlem: Hermanus Diedericus Tjeenk Willink, 1895.
Kniekous, donkerbruin, grof rondgebreid, grotendeels vervilt
Object type: kniekous
Date: 1740 – 1760
Materials: wool
Artist: Anonymous
Subjects: noordse compagnie, spitsbergen, zeeuwsche uytkyck, svalbard

Kniekous, donkerbruin, grof rondgebreid, grotendeels vervilt. Gebreid in tricot-steek.
Musette, a Maltese dog
Object type: figure
Date: 1855 – 1868
Materials: hard paste porcelain
Artist: jean-baptiste gille
Artist role: maker
Artist nationality: french
Artist dates: 1798 – 1868
Subjects: dogs
Ronde hoedendoos van karton, beplakt met donkerblauw papier met witte biezen
Object type: hat box
Date: 1925 – 1950
Materials: cardboard, linen, paper, fiber
Techniques: sewing
Location: western europe
Artist: Anonymous

Ronde hoedendoos van karton, beplakt met donkerblauw papier met witte biezen.
Portret van Karel George August, erfprins van Brunswijk-Wolfenbüttel
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: charles howard hodges
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1837
Subjects: karel van brunswijk-wolfenbüttel
Contrôle op 's landsgelden
Object type: cartoon
Date: 1920 – 1930
Materials: chalk, ink, paper, pencil
Techniques: pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: minister ~ government, political caricatures and satires
Inscriptions: inscription: ‘Contrôle op 's landsgelden / Zijne Excellentie: Die lap ik aan mijn laars!’

De Rekenkamer wijst een minister op hun aanmerkingen op het financiële beheer. Ontwerp voor een politieke spotprent.
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 58 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. Dedication page with illustrated woodcut initial "S". At the top of the page is a border of foliage. All text is printed in black.
Ontwerp voor twee secretaires
Object type: design drawing
Date: 1829 – 1829
Materials: ink, paper
Techniques: brush, pen
Location: paris
Artist: joachim-pierre blank
Artist role: draughtsman
Inscriptions: signature and date: ‘I. Blank f. a Paris 1829.’, : ‘Maatverdeling met opschrift: deux pied d’Paris.’, watermark, number: ‘4’

Ontwerp voor twee secretaires met plattegronden en met het zijaanzicht van het interieur van de bovenkast van de linker secretaire.
Crucifix
Object type: crucifix
Date: 1601 – 1700
Materials: brass
Culture: kongo
Location: angola
Subjects: christ,cross,crucifixion
Groot binnen- en buitenlandsvaardersgilde van Amsterdam, gildepenning van Jan Hendrik Smeenk
Object type: medal
Date: 1730 – 1783
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam
Plate
Object type: plate
Date: 1800 – 1800
Materials: glaze, porcelain
Culture: japanese
Subjects: birds
Boatman in Rocky Cove
Object type: fan mounted a an album leaf
Date: 1368 – 1911
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,boats