deem-data/ArtiFact huggingface dataset:
Musée de Tours.- "Diane" de Houdon
Object type: reproduction
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Subjects: statues, paintings, etc. ~ objects of worship in roman religion, permanent exhibition, museum
Inscriptions: collector's mark: ‘AFE v S’, inscription: ‘A.B.’
Wieg van opaak wit glas, met gele schenkels
Object type: wieg
Date: 1600 – 1699
Materials: glass
Location: amsterdam
Artist: Anonymous

Wieg, vervaardigd van opaak wit glas, op gele schenkels en met een helderblauw dekje. In de wieg ligt een wit kind met zwarte ogen.
Bowl
Object type: bowl
Date: 951 – 1000
Materials: earthenware, glaze
Techniques: luster painting
Location: egypt
Subjects: faces
Door Siebold van Ravesteyn ontworpen tafel voor het huis van M.R. Radermacher Schorer, Wilhelminapark 12, Utrecht
Object type: photograph
Date: 1924 – 1924
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: utrecht, table
Hoedenstandaard
Object type: hat stand
Date: 1915 – 1935
Materials: wood
Location: netherlands

Hoedenstandaard van dof groen geschilderd hout. Middelhoog, opgebouwd uit een recht schachtdeel, een ris van vier knopen en een baluster, voet met profiel.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, bent left arm in front of javelin; right arm, with hand holding javelin
Gezicht op Königswinter am Rhein en de Drachenfels met Schloss Drachenburg
Object type: photograph
Date: 1880 – 1895
Materials: photographic support
Techniques: albumen print
Location: königswinter
Artist: Anonymous
Subjects: prospect of village, silhouette of village, river bank, mountains

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in België, Duitsland en Noorwegen.
Mars, 30 december 1976
Object type: photograph
Date: 1976 – 1976
Materials: paper
Techniques: gelatin silver print
Location: suriname
Artist: cary markerink
Artist role: fotograaf
Artist dates: 1951 – 
Subjects: political demonstration

Onderdeel van een serie foto's die een protestmars vastleggen van een groep Caraïben en Arowakken die eind december 1976 in vier dagen van hun woonplaatsen aan de kust via Albina naar Paramaribo liepen. Zij vroegen met hun actie aandacht voor hun grondrechten en de algemene positie van de nazaten van de oorspronkelijke bewoners van Suriname. In Paramaribo werden ze in het presidentieel paleis ontvangen door president J. Ferrier. De fotograaf was bevriend met een van de initiatiefnemers en liep mee met de mars.
Convivio delle Belle Donne, page 11 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Location: italy
Artist: nicolò zoppino
Artist role: publisher
Artist nationality: italian
Artist dates: 1478 – 1544

Published by Nicolo Zoppino, Italian, active 16th century, Venice, designed by Matteo da Treviso, Italian, active 16th century. From top to bottom, and left to right: Design composed of a central pattern with right and left decorative borders. Central section is decorated with an interlace pattern. Left border is decorated with wavy line of hearts. Right border is decorated with 2 sections of the same interlace pattern, which are separated in the middle by a 4-petaled floral motif.
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Exterior, muzzle and part of chest of horse with reins; filleted youth with himation; part of an inscription, in between arm and body of youth, KA[LOS]; to the left of the forearm of the youth, two letters of an inscription, IS?; 5 repair holes; a second fragment has part of the head and left shoulder of a filleted youth with himation; one repair hole
Hopscotch, from the Jokes series (N87) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920

Trade cards from the "Jokes" series (N81), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes.
Brief aan Jan Ponstijn en Henriëtte Johanna Petronella van Hilten
Object type: letter
Date: 1941 – 1941
Materials: ink, paper
Techniques: pen, writing
Location: blaricum
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: henriëtte johanna petronella ponstijn-van hilten, amsterdam, painter, print maker, draughtsman, johan jacob voskuil, rotterdam, hendrik chabot, sculptor, hildo krop, batavia, fokko mees, jan petrus ponstijn, den bosch, jan sluijters, matthieu wiegman, the arts; artists, political propaganda, weekly, monthly, magazine, etc.
Inscriptions: workshop stamp: ‘LEO GESTEL BLARICUM N.H./ ATELIERWEG 1 HOLLAND’
Dekkleed voor een kameel.
Object type: oriental rug
Date: 1875 – 1900
Materials: wool
Location: turkestan

Dekkleed voor een kameel. Het middenveld is versierd met ruiten waaruit vier bloemen komen. Rand versierd met cartouches en bloemen op rechthoeken.
Berghut in Tirol
Object type: sketchbook leaf
Date: 1808 – 1858
Materials: ink, paper, pencil
Techniques: brush, pen
Location: tirol
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: mountain-range, snow peaks, hut, cabin, lodge
Inscriptions: kleurnotitie, handgeschreven

Blad 5 verso en 6 recto uit een schetsboek met 47 bladen.
Plan and Elevations of a Room
Object type: drawing
Date: 1830 – 1830
Materials: graphite, ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture,interiors
Afgunst (Invidia)
Object type: print
Date: 1619 – 1675
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins, piglet, suckling pig, tools, aids, implements ~ crafts and industries: knife

Een arme man, met een slang om zijn muts, zit op een ton en perst een big uit, die poept. Voor hem is een mes in het tafelblad gestoken.
St. Matthias, from Apostles
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Kustgezicht
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: dune coast

Vooraan duinen. Bij de branding een figuur. Blad 4 recto uit schetsboek XIV met 17 bladen.
Damesportret
Object type: indian miniature
Date: 1730 – 1730
Materials: paper
Techniques: brush
Location: deccan
Artist: Anonymous
Inscriptions: inscription: ‘.’

Een miniatuurportret van een dame met profiel naar links, in een ovaal, met een goudkleurige rand op beige papier. Het ovale portret is opgeplakt op een roze beschilderd vierkantje met een motief van bladerranken in goud en het geheel is op een rechthoekig stuk karton geplakt met een zwarte kaderlijn om de sierpapiertjes.
Hamlet en Ophelia
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: vienna, cologne, berlin, william shakespeare, hamlet, prince of denmark, theatre, theatrical performance, book
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Litteratur- und Theater-Zeitung. Berlijn: Arnold Wever, 1778. In december 1777 werd Hamlet voor het eerst in Berlijn uitgevoerd met Johann Franz Hieronymus Brockmann in de hoofdrol. Chodowiecki bezocht verschillende uitvoeringen van dit toneelstuk.
Bowl
Object type: bowl
Date: 1775 – 1820
Materials: glass, lead
Techniques: engraving
Location: czech republic
Corner-flower frame
Object type: frame
Date: 1690 – 1700
Materials: feather, wood
Culture: french
Zeven boekbanden
Object type: photograph
Date: 1920 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: book-cover, binding
Inscriptions: number: ‘46 - 49 - 48 - 50/ 45 - 47 - 52’

Deze foto's maken deel uit van een album.
The Holy Land, Egypt, Constantinopel, Athens, etc. etc.
Object type: book
Date: 1866 – 1866
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing
Location: london
Fan
Object type: fan
Date: 1734 – 1766
Materials: gold leaf, mother of pearl, silver, skin, shell
Subjects: men,women
Portret van Maria Beatrice van Modena
Object type: print
Date: 1673 – 1690
Materials: paper
Techniques: mezzotint
Subjects: paris, flowers, garden
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

Maria Beatrice Eleanor Anne Margaret Isabella d’Este, dochter van Alfonso d’Este III, hertog van Modena. Ze was vanaf 1685 tot 1689 koningin van Engeland.
Interior de la Catedral
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Location: mezquita
Artist: Anonymous
Subjects: interior of church
La Mer de Glace - Chamonix
Object type: photograph
Date: 1863 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: mer de glace
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: glacier
Inscriptions: inscription: ‘Registered’, inscription: ‘Dedicated, by permission, to the Alpine Club’, address: ‘Messrs Marion & Co 22 & 23 Soho Square, London W.’
Briefkaart aan Willem Bogtman
Object type: postcard
Materials: cardboard, pencil
Techniques: pen, writing
Location: haarlem
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: indonesia, the hague, haarlem, willem bogtman, applied arts, arts and crafts; industrial design
Ornatus Muliebris Anglicanus / The Severall Habits of English Women, from the Nobilitie to the contry woman, they are in these times
Object type: costume print
Date: 1640 – 1640
Materials: paper
Techniques: etching
Location: london
Subjects: bow (ornamental part of clothing) (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), neck-gear ~ clothing (neckerchief) (+ women's clothes), gloves, mittens, etc. (+ leather used for clothes), europeans: englishmen (+ women), head-gear: cap (+ women's clothes), neck-gear: collar (+ women's clothes), clothes, costume (+ women's clothes), dress, gown (+ women's clothes), apron (+ women's clothes), clothes, costume
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Engelse vrouw van stand met een mutsje afgezet met kant. Vanaf de nek tot over de schouders een halsdoek afgezet met een brede strook geschulpt kant, middenvoor gesloten met een strik. Haar japon heeft een witte short over een lange rok. Ze draagt lange handschoenen.
Portable Compass Sundial
Object type: metalwork
Date: 1601 – 1700
Materials: bronze
Location: germany
Costumes Allemands
Object type: print
Date: 1872 – 1875
Materials: paper
Techniques: hand coloring, printing
Location: brussels
Subjects: clothes, costume (+ women's clothes)

Onderdeel van Costumes civils et militaires du XVIe siècle par A. de Bruyn, een selectie van prenten uit de Trachtenbuch van Abraham de Bruyn uit 1581 (Hollstein 248-306), in facsimile. Losbladig uitgegeven met titelbladen, verklaring en lijst van de platen door G.A. van Trigt te Brussel in 1875 met teksten van Auguste Schoy. In de Rijksmuseum Research Library met signatuur 34 C 43.
Gezicht op de molen Rijn en Lek te Wijk bij Duurstede
Object type: sketchbook leaf
Date: 1906 – 1907
Materials: chalk, paper
Location: wijk bij duurstede
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: windmill in landscape
Inscriptions: kleurnotitie, handgeschreven

Voorstudie voor de ets 'Molen aan het water, Wijk bij Duurstede, de rivier links', ca. 1906.
Standing figure
Object type: male figure
Date: 500 – 1000
Materials: stone
Culture: tiwanaku
Location: bolivia
Artist: tiwanaku artist(s)
Artist role: artist

The city of Tiwanaku near the southern shore of Lake Titicaca in the Bolivian highlands has been renowned for its stone architecture and imposing, finely carved stone sculptures since the sixteenth century. A small version of a type of columnar stone image that existed at Tiwanaku in sizes that reach twenty-four feet in height, this figure is thought to depict an elite lineage founder. While the full-size sculptures may have been part of public rituals honoring ancestors, the smaller version may have been for private ceremonies conducted by upper-class families or clans. Contained within the roughly rectangular confines of the stone block, the figure has a large head topped by a plain cap with a chin strap. Prominent square, slightly bulging eyes have small profile animal heads incised below them like a band of tears. The figure holds two objects—possibly snuff trays—with stylized, symmetrical hands tightly clasped to his unclad chest. A patterned kilt with a delicately incised design of stylized faces and squares in diagonals covers the lower body. It is an arrangement known from textiles of the period. A wide belt encircles the waist to keep the kilt in place. It is decorated with rayed medallions reminiscent of the rayed face of Tiwanaku's principal deity.
Figure of a Dromedary
Object type: figure
Date: 1101 – 1300
Materials: stonepaste
Techniques: painting, underglaze
Location: iran
Subjects: camels
Newes Modelbuch in Kupffer  (Page 23r)
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: etching
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: ornament

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.
Length of bizarre silk
Object type: length
Date: 1700 – 1710
Materials: metal thread, silk
Techniques: brocade
Plattegrond van tuin met driehoekige parterres
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: etching
Subjects: plan, map of garden
Inscriptions: collector's mark: Lugt 2228

Drie driehoekige parterres afgescheiden door paden en daarboven een ronde fontein. Links lanen met bomen. Boven de fontein twee parterres met een fontein en een vaas, links boven afgescheiden door een omheining.
Construction of the International Exhibition Building in London
Object type: photograph
Materials: paper
Techniques: albumen print
Location: london
Artist: benjamin l. spackman
Artist role: fotograaf, korporaal, sergeant
Artist dates: 1824 – 1879
Subjects: world fair, world exhibition, building-site, london

The International Exhibition held in London in 1862 drew more than six million visitors in a six-month period. Among the 28,000 individuals and firms promoting their products there was Benjamin Spackman. He had learned how to take photographs a few years earlier and recorded the construction of the South Kensington Museum. Included in the photographs he displayed were ones he had taken of the construction of the vast exhibition building.
Zeilboten met vracht op de Nijl
Object type: photograph
Date: 1870 – 1898
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: egypt
Subjects: sailing-ship, sailing-boat
Inscriptions: negative number: ‘1415’

Onderdeel van Reisalbum met 80 foto's van Egypte.
Miniature Relief of Hebrew Prophet Isaiah with Scroll
Object type: relief
Date: 1200 – 1225
Materials: wood
Techniques: gilding, polychromy
Culture: german
Location: germany
Subjects: scrolls

Originally these five panels may have been mounted as frame elements for a devotional image or reliquary container.
Eight Fables of La Fontaine (Furnishing Fabric)
Object type: textile
Date: 1810 – 1810
Materials: cotton
Techniques: weave, printing
Location: munster
Artist: after jean baptiste oudry
Artist nationality: french
Artist dates: 1686 – 1755
Bekende Tijdgenooten
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: politician, writing and letters, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

Deze prent werd uitgegeven bij De Amsterdammer van 15 november 1891.
Joseph Interpreting the Dreams of His Fellow Prisoners
Object type: painting
Date: 1495 – 1505
Materials: oil, wood
Artist: master of the story of joseph
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1490 – 1510
Subjects: food,bedrooms,prisoners,men,cats

The Book of Genesis tells how Joseph was imprisoned alongside the pharaoh’s cupbearer and baker. Both men turned to Joseph to interpret mysterious dreams. In Joseph’s reading, the cupbearer’s vision of a blossoming vine heralded his restoration to favor, while the baker’s dream of birds eating from a basket on his head foretold his execution. The unidentified painter of this massive panel imagined the biblical story as a scene from contemporary life, replete with the cupbearer’s fashionably striped hose and the grumpy cat curled at his feet.
Portret van paus Urbanus VIII
Object type: print
Date: 1721 – 1721
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: rome, clergyman, urbanus viii, historical persons, pope

Prent met een andere omlijsting in: Khevenhüller, Franz Christoph. Conterfet Kupferstich (...). Leipzig: Moritz Georg Weidmann, 1721, dl. 1.
Ceremonial Helmet
Object type: helmet
Date: 1734 – 1766
Materials: copper, gold, metal thread, silk, steel
Culture: chinese
Location: china
Subjects: dragons
Beker van helder kleurloos glas, beschilderd in polychroom email met het Rijksmuseum
Object type: cup
Date: 1885 – 1885
Materials: glass
Techniques: enamel painting
Location: netherlands
Artist: Anonymous

Beker van helder kleurloos glas, beschilderd in polychroom email met het Rijksmuseum en een banderolle met 'EEN VROOLIJK GAST, IS NIEMANDS LAST'. Nederland, ca. 1885.
Portret van Johann Caspar Schade
Object type: print
Date: 1698 – 1737
Materials: paper
Techniques: engraving, etching
Location: berlin
Artist: johann wilhelm michaelis
Artist role: print maker
Artist dates:  – 1737
Subjects: historical persons
Inscriptions: number: ‘884’, collector's mark: Lugt 2228
La Paysanne Tournée a Gauche, les Mains Appuyées l'Une sur l'Autre (The Peasant Woman Turned to the Left, One Hand Placed in the Other), from "Varie Figure" (Various Figures)
Object type: print
Date: 1620 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: women
Vignet met de personificatie van Boetvaardigheid
Object type: print
Date: 1723 – 1767
Materials: paper
Techniques: etching, letterpress printing
Subjects: penance, 'poenitentia'; 'contritione' (ripa) ~ part of the confession
Inscriptions: collector's mark: Lugt 2228

Vignet met de beeltenis van de gepersonifieerde Boetvaardigheid in een ornamentele omlijsting. De lijst is opgebouwd uit een cartouche en schelppatronen, geheel onderaan is een met prikkeldraad omwonden hart weergegeven. De Boetvaardigheid leunt tegen een steen en houdt haar handen op haar borst terwijl ze berouwvol omhoog kijkt. De prent maakt deel uit van een reeks boekillustraties over deugden en ondeugden.
Achilles en de dochters van Lycomedes
Object type: print
Date: 1616 – 1636
Materials: paper
Techniques: engraving
Location: edam
Subjects: achilles discovered among the daughters of lycomedes, i.e. achilles on scyros: when presents are brought achilles snatches up the weapons and thus betrays his identity
Inscriptions: collector's mark: Lugt 240

De dochters van Lycomedes zitten gebogen over een kist met juwelen terwijl Achilles, vermomd als vrouw, zijn zwaard trekt. Achilles wordt door twee mannen bij zijn arm gegrepen.
Untitled (Portrait of a Seated Woman)
Object type: photograph
Date: 1848 – 1848
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, portraits: female subject, female, photography, portrait
Saint Matthew seated and reading from a book held by a putto, set within a fanciful architectural backdrop, from a series of woodcuts of the Four Evangelists, copy after Rue Montorgueil woodcut
Object type: print
Date: 1565 – 1575
Techniques: woodcut
Artist: anthony van leest
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1545 – 1592
Subjects: reading,putti,saint matthew
Seated dancer holding skirt, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Massachusetts Hall
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: cambridge
Artist: Anonymous
Subjects: university building, college, façade (of house or building)
Inscriptions: number: ‘(1) (2)’
Design for Stanhope Phaeton, no. 1061
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Miniature trumpet-shaped beaker vase with river landscape
Object type: bekervaas
Date: 1800 – 1899
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Miniatuur trompetvormige bekervaas van porselein, beschilderd in onderglazuur blauw. Op de wand een rivierlandschap met rotsen, bomen en paviljoens; om de rand twee decoratieve banden. De vaas is gebroken geweest, deel missend uit de rand. Blauw-wit.