deem-data/ArtiFact huggingface dataset:
Geschiedenis van Jan den Aap / Aventures de Janot le Singe
Object type: popular print
Date: 1856 – 1900
Materials: paper
Techniques: letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: hen-pecked husband, 'betty', 'molly' (man who engages in women's work), monkeys, apes, animals acting as human beings
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen uit het leven van Jan de Wasser, een man die van zijn vrouw Griet, die de broek aan heeft, al het huishoudelijk werk moet doen. Uitgebeeld met apen in plaats van mensen. Onder elke voorstelling een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: n 32.
Gezicht op de Dogana da Mar te Venetië
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: engraving
Location: london
Subjects: gondola, city-view in general; 'veduta' (+ city(-scape) with figures, staffage), canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Prent uit: The Art Journal, 1855, tussen p. 248 en 249.
Mannen lezen in een bibliotheek
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Subjects: study; 'studiolo'; library, public library

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.

Deze prent is ook gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Glass striped mosaic bowl fragment
Object type: fragment, striped mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent blue, turquoise blue largely layered with white appearing green, purple appearing opaque streaky brick red, opaque yellow, and white, with colorless glass. Applied coil rim with beveled, vertical lip; shallow convex curving side. Rim in colorless glass with single white spiral thread; body decorated with bands slanting from top right to bottom left, forming a pattern: green, turquoise, green, yellow, green, red, blue, red, yellow, green, turquoise, green, yellow, green, turquoise, red, blue, yellow, and green, with some white streaks. Pinprick bubbles; exterior polished, with pitting of surface bubbles; dulling and creamy weathering on interior; some iridescent weathering on two edges.
Het Vrouwen Tuchthuys of Spinhuys van binne, tot Amsterdam / L'interieur de la Maison de Corection pour les femmes, à Amsterdam
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: prison, jail, workhouse, penal camp, penitentiary, chain gang
Inscriptions: collector's mark: Lugt 1641b

Vanaf 1760 gaf Pierre Fouquet stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars uit. Deze prenten werden aanvankelijk los verkocht. Later werden ze samengebonden verkocht in verschillende volgordes en aantallen in:

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783. Deze 'uitgave' bestond waarschijnlijk alleen uit een titelblad en inhoudsopgave van de tot dusver 100 uitgegeven prenten, die de koper zelf aan zijn of haar reeds verzamelde prenten kon toevoegen. De hoeveelheid en volgorde van prenten verzameld onder deze titel verschilt dus sterk.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.

Ook werden er door verschillende uitgevers tussen 1788 (Amsterdam: Petrus Conradi) en 1805 (Amsterdam: Evert Maaskamp) heruitgaven gepubliceerd.
Roma. Casa delle Vestali e Tempio di Castore e Polluce
Object type: photomechanical print
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: rome
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, temple, shrine ~ roman religion, excavation ~ archaeology
Terugkeer van de wandelende jood
Object type: print
Date: 1840 – 1868
Materials: paper
Techniques: lithograph
Location: metz
Artist: gangel
Artist role: publisher
Artist dates:  – 1879
Subjects: ahasverus, the wandering jew, photograph, print, e.g.: engraving, etching, lithograph, pipe ~ tobacco, paris
Inscriptions: collector's mark: Lugt 4779

Vijftien scènes tonen de nieuwigheden die de wandelende jood in Frankrijk tegenkomt na honderd jaar afwezigheid. Hieronder bevinden zich onder meer een zwarte vrouw met een page, appartementen aan de Rue de Rivoli die voor woekerprijzen worden aangeboden, een foto gemaakt door Nadar, rokende kinderen en louche beurshandelaren. De laatste scène toont de wandelende jood omringd door prenten uitgegeven door Gangel. Rechtsboven genummerd: 52.
A winged putto
Object type: drawing
Date: 1851 – 1900
Materials: graphite, watercolor, paper
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: putti
Munchener platen
Object type: popular print
Date: 1843 – 1920
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: germany
Subjects: animals, animals acting as human beings, public festivities, fighting, fist-fight
Inscriptions: collector's mark: Lugt 2760

Nederlandse editie van een prent uit de reeks "Munchener platen" uitgegeven door K. Braun & Fr. Schneider te München met het adres van wederverkoper Hermann van der Moolen.
Male Deity (Deva) Holding a Lotus Bud
Object type: sculpture
Materials: terracotta
Location: uttar pradesh
Daniel Webster
Object type: bust
Materials: marble
Culture: american
Artist: thomas ball
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1911
Subjects: men,portraits

During his successful career as a sculptor, Ball executed several portraits of Massachusetts senator Daniel Webster (1782–1852), a man he greatly admired. For this bust Ball recorded what he described as the renowned orator’s “godlike” head, including the expansive forehead, furrowed brow, downturned mouth, and large eyes. This heroic-size marble was carved in 1868 in Florence, Italy, where Ball lived for more than thirty years.
The Rest on the Flight into Egypt
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: rest on the flight into egypt
Inscriptions: signature and date: ‘Rembrandt f.1645’

This version stands out because Rembrandt defined the scene in outlines and let the acid bite the lines in the plate ever so lightly. Consequently, the print greatly resembles a silverpoint drawing. The Virgin shelters the sleeping Jesus from the sun, while Joseph looks on tenderly and peels an apple. Their donkey is outside the picture plane, its saddle just visible at lower right.
Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!)
Object type: print
Date: 1810 – 1810
Techniques: aquatint, engraving, burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: soldiers,weapons,men
Folk Painting
Object type: painting
Date: 1725 – 1725
Materials: ink, paper, watercolor
Culture: indian, rajasthan, marwar
Subjects: food,fruit,men,women
Portret van een jongen
Object type: snapshot
Materials: photographic support
Techniques: gelatin silver print
Location: groningen
Studioportret Thea en Joanna Diepenbrock
Object type: photograph
Date: 1909 – 1909
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: amsterdam
Inscriptions: inscription: ‘1909’

Foto op bruin albumblad 17 van familiealbum van Alphons Diepenbrock.
String of beads from girdle
Object type: necklace, bead, girdle
Date: 1981 – 1295
Materials: paste
Location: egypt
Fibula
Object type: fibula
Date: 67 – 100
Materials: bronze
Culture: roman
The Statues of Memnon. Plain of Thebes
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print, glass negative
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: sculpture
Model of a Made Mast
Object type: demonstration model
Date: 1780 – 1840
Materials: brass, wood
Location: netherlands
Artist: Anonymous
Fan
Object type: fan
Date: 1801 – 1833
Materials: gilt, glass, horn, metal, paint, parchment, steel
Subjects: landscapes
Gli autoritratti della Real Galleria di Firenze
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: color mezzotint
Location: italy
Artist: carlo lasinio
Artist role: painter, print maker
Artist dates: 1759 – 1838
Subjects: painter, arcangelo resani, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Naar een geschilderd zelfportret door Resani in de Galleria degli Uffizi te Florence.

Prent uit: Carlo Lasiano, Gli Autoritratti della Real Galleria di Firenze, 1789.
Landschappen door Joseph Mössmer
Object type: print
Date: 1818 – 1821
Materials: paper
Techniques: lithograph
Artist: joseph mössmer
Artist role: print maker
Artist dates: 1780 – 1845
Subjects: trees, road, path, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze prent behoort waarschijnlijk tot een serie met zeventien landschappen door Joseph Mössmer uit ca. 1818-1821. Mogelijk is dit de twaalfde prent in de serie.
The Largest of the Cedars, Mount Lebannon
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print, glass negative
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: trees
Broadsheet featuring three love ballads with vignettes showing a woman reading, a woman's head in a heart pierced by an arrow and a woman walking
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: arrows,women,reading,walking
Sideboard Table, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: brush, wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: tables

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XXXVII in the 1754 and 1755 editions, renumbered as plate LVIII in the 1762 edition.
Detailstudies van een sterlet
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: bony fishes
Fragmentary Head of an Oryx
Date: 1550 – 664
Materials: faience
Location: egypt

This three-dimensional fragment in bright turquoise blue faience depicts an antelope. The fact that this animal has horns that are parallel and straight and black facial markings, suggests it is an oryx rather than a gazelle. In Egypt the oryx was often referred to in a negative way, as it was considered the "enemy of Re" and seen as a manifestation of Seth. Antelopes were depicted on various objects, notably in three-dimensions as protomes on scepters/wands and diadems. It is also possible that this small oryx head adorned a faience vessel.
Les Singuliers et Nouveaux Portraicts... page 42 (recto)
Object type: book print ornament architecture
Date: 1588 – 1588
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: birds,men,hunting,dogs,trees

Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top to bottom, and left to right: Design is printed upon a grid and illustrates a hunting scene in which a man and his dogs attack an animal in the forest.
Zouaven (Fransche troepen van Afrika) / Zouaves (troupes françaises d'Afrique) / Afrikaansche infanterie op vier gelederen / Infanterie Arabe sur quatre rangs
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 4 horizontale rijen met voorstellingen van Franse troepen in Afrika en Afrikaanse infanterie. Onder de titels een onderschrift in het Nederlands en in het Frans in twee kolommen. Genummerd midden boven: N. 147.
Het Absentisme in de Tweede Kamer
Object type: cartoon
Date: 1911 – 1911
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: lower house, parliament, chamber, political caricatures and satires

Kamerbewaarster mej. Hardenbroek toont bezoekers het lege voetstuk waar het beeld van de schutspatroon van de Tweede Kamer, St. Absentius, eens stond.
Portret van een jonge man
Object type: drawing
Date: 1694 – 1766
Materials: chalk, paper
Artist: matthijs balen (1684-1766)
Artist role: draughtsman, painter, print maker
Artist dates: 1684 – 1766
Subjects: youth, adolescent
Brief aan Philip Zilcken
Object type: letter
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen, typewriting, writing
Location: katwijk aan zee
Artist: richard norris brooke
Artist role: painter
Artist dates: 1847 – 1920
Subjects: painter, draughtsman, philip zilcken, criticizing and discussing art, art criticism, the graphic arts, painting (including book-illumination, miniature-painting), art collecting, printed matter
Inscriptions: watermark
Portret van een naakte vrouw
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: woman (showing herself) undressed, quasi-nude, anonymous historical person portrayed
The Morning
Object type: print
Date: 1765 – 1765
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Seated male figure
Object type: statuette
Date: 1534 – 1566
Materials: bronze
Subjects: male nudes
Bronze earring
Object type: earring
Date: 601 – 900
Materials: metal
Culture: alanic
Location: caucasus
Portret van Roger de Pins
Object type: print
Date: 1643 – 1659
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, military orders, e.g.: knights templars, knights of malta, teutonic knights ~ roman catholic church

Prent mogelijk uit: Baudoin, Jean. Histoire des chevaliers de l'ordre de s. Jean de Hierusalem (...). Parijs: Jacques Dallin, 1643. Of uit: Baudoin, Jean. Histoire des chevaliers de l'ordre de s. Jean de Hierusalem (...). Parijs: Thomas Jolly, 1659.
Kettle
Object type: ceramic
Date: 1783 – 1784
Materials: wood, enamel, hard paste porcelain, porcelain, silver gilt
Techniques: gilding
Location: sèvres
Artist: sèvres porcelain manufactory

This kettle, made at the Sèvres porcelain manufactory outside Paris, illustrates a story recounted by the ancient Roman historian Titus Livius, known in English as Livy. In 390 B.C., when Rome was under siege, a plebeian (commoner) named Albinius was fleeing the city, transporting his family in a cart. He encountered the vestal virgins, the guardian priestesses of the sacred flame of Rome, who were escaping on foot carrying their ritual vessels. Albinius offered his cart to the priestesses, thus performing a noble deed exhibiting both piety and gravitas, or seriousness of purpose. The kettle is hard-paste porcelain, made from a mixture of kaolin (white clay made from broken down feldspathic rock) and petuntse (chinastone) that is glazed with powdered feldspar and fired at high temperatures (about 2372° F, or 1300° C). The porcelain is covered with a deep brown glaze, called fond laque (literally “lacquer glaze”) for its resemblance to lacquer. The painters at Sèvres developed this technique in about 1780. The figures, in matte gold and outlined in black enamel, are called figures étrusques (Etruscan figures) in Sèvres’ records, an allusion to the ancient vases that were so fashionable in the Neoclassical era.
Menzel-Album
Object type: book
Date: 1868 – 1868
Materials: cardboard, paper, textile
Techniques: albumen print
Location: berlin
Wandelaars met aangelijnde honden links van een boom
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: adult woman, adult man, walking the dog
Inscriptions: collector's mark: Lugt 2228

Daniel Chodowiecki maakte deze prent naar aanleiding van de Berlijnse politieverordening dat honden aangelijnd moesten zijn bij het uitlaten.
Pope Alexander VIII (1689–91)
Object type: medal
Date: 1601 – 1700
Materials: bronze
Artist: giovanni martino hamerani
Artist role: artist
Artist nationality: italian
Artist dates: 1646 – 1705
Subjects: profiles,popes
Ovoid jar with flowering plants in panels
Object type: pot
Date: 1580 – 1620
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: japan
Artist: Anonymous

Eivormige pot van porselein, beschilderd in onderglazuur grijsblauw en ijzerrood. Op de wand drie grote, geschulpte cartouches met daarin bloeiende planten en een wolk; tussen de cartouches bladranken. Rond de voet een band met punten. De schouder en nek met een decoratieve band. Een chip in de rand. Porselein met onderglazuur blauw en koperrood.
Twee politici
Object type: cartoon
Date: 1900 – 1935
Materials: ink, paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: political caricatures and satires

Twee politici (een minister en Abraham Kuyper?) met elkaar in gesprek. Ontwerp voor een politieke spotprent.
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, back of youth in three–quarter view, hand; Exterior, foot
Lutringer. Pierre, Léopold. 43 ans, né le 25/11/50 à Stenay (Meuse). Cordonnier. Anarchiste. 3/7/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Dish with Undulating Peony-Leaf Scrolls
Object type: vessel
Materials: stoneware
Techniques: carving, underglaze
Location: china
Snaffle Bit
Object type: bit
Date: 801 – 1100
Materials: iron
Culture: german
Location: poland

If the Vikings are mostly known for being talented sailors, one may forget they were also horse riders, and as in all the Germanic cultures, horses had great importance in their society, in both its social and religious aspects. Equestrian equipment, like stirrups, spurs and bits, are regularly found in Viking burials, among the goods warriors wanted to bring with them to the afterlife. The elite would sometimes even be accompanied by sacrificed horses, a meaningful practice at that time, considering the high economic value of horses. The snaffle bit is the simplest type of horse bit, and has an effect on the bars (part of the horses’ jaw without teeth) and the corners of the lips. The rings on the sides would serve to hang the bit on the headstall, attach the reins, as well as hold the mouthpiece in place. This bit is said to have been found on the site of Dolkheim, today in Northern Poland.
Vessel in the Shape of a Tiger (Huzi)
Object type: vessel
Date: 301 – 400
Materials: glaze, porcelain
Culture: chinese
Subjects: animals

In southern China, especially in the coastal provinces of the southeast, pottery with a lime glaze was fired at the high temperature (above 1000 degrees centigrade). The yellowish green color is due to the presence of iron.
Portret van pianist Anton Rubinstein
Object type: cabinet photograph
Date: 1870 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Artist: josef löwy
Artist role: publisher
Artist dates: 1835 – 1902
Subjects: adult man, historical persons, portrait of a musician
Inscriptions: signature: ‘A. Rubinstein’

Deze foto maakt deel uit van een omslag met 22 foto's.
Ristori
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Paddestoel
Object type: drawing
Date: 1851 – 1930
Materials: paper, pencil
Artist: theo colenbrander
Artist role: draughtsman
Artist dates: 1841 – 1930
Subjects: container of ceramics: jar, jug, pot, vase, laid table: table-ware, table-decoration, etc.
Grazende koeien
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: etching
Location: utrecht
Subjects: cow, sheep
Inscriptions: collector's mark: Lugt 2228

Twee grazende koeien in een weidelandschap. Daartussen een ram en een ooi.
Three Panels
Object type: textile
Date: 1712 – 1713
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, satin weave, weave
Location: france
Musée de Cluny
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: ornamental cupboard
Inscriptions: collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers Amsterdam’ Lugt 3937, number: ‘Cluny’, workshop stamp: ‘Mieusement/ Photographe’