deem-data/ArtiFact huggingface dataset:
The Hatch Family
Object type: painting
Date: 1870 – 1871
Materials: canvas, oil
Culture: american
Artist: eastman johnson
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1906
Subjects: interiors,boys,girls,men,women,reading,family,toys,needlework

Alfrederick Smith Hatch (1829–1904) was a prominent Wall Street broker in the firm of Fisk and Hatch and president of the New York Stock Exchange from 1883 to 1884. Like many of his business associates, he was an enthusiastic collector of art. One of the finest paintings in his collection was this commissioned group portrait showing three generations of his family. It depicts them in the library of their New York residence at 49 Park Avenue, on the northeast corner of 39th Street. Hatch is seated to the right at his desk, and his wife, the former Theodosia Ruggles (1829–1908), leans on the mantel. Other members of the family, including Theodosia's mother, Hatch's father, and their children are also present.
Psyche's Entrance into Cupid's Palace from the Story of Psyche
Object type: textile
Date: 1756 – 1763
Materials: silk, wool
Techniques: tapestry, weave
Location: beauvais
Artist: after a cartoon by françois boucher
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: mythology, music, musical instruments

A delicate lilting sensibility suffuses this tapestry inspired by ancient Roman mythology. Beautiful young attendants of the gods and goddesses, known as nymphs, play music to celebrate the arrival of Princess Psyche at Cupid's palace. Cupid, the god of love, hid Psyche from the envious gaze of his mother, Venus, the goddess of beauty and fruitfulness. The graceful forms of the nymphs' bodies complement the soaring architecture of the palace interior. The flower garland wrapped around the column, as well as the lush folding of the figures' garment and the rug, further enhance the sensorially rich world the tapestry depicts. Unsurprisingly, contemporary operatic interpretations of the story of Cupid and Psyche influenced François Boucher's design.
Ojime
Object type: ojime
Date: 1701 – 1800
Materials: enamel, faience, glaze, gold
Culture: japanese
Subjects: leaves
Portret van Guido Villa
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving, letterpress printing
Location: venice
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons

Prent uit: Crasso, Lorenzo. Elogii di capitani illustri. Venetië: Combi & La Noù, 1683, p. 248.
Zeilschip voor anker voor de kust van Nederlands-Indië
Object type: photograph
Date: 1920 – 1930
Materials: paper, photographic support
Techniques: daylight paper print
Location: dutch east indies
Artist: klaas kleiterp (i)
Artist role: arts, officier
Artist dates: 1892 – 1943
Subjects: sailing-ship, sailing-boat, coast, dutch east indies, the

Onderdeel van Fotoalbum van de familie Kleiterp-Vermeulen met opnames van Nederlands-Indië.
Ansichten von Deutschland / Berlin und Potsdam
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: prospect of city, town panorama, silhouette of city, berlin
Inscriptions: number: ‘No. 182.’
Out-Gunterstein 1611
Object type: book illustration
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: sailing-ship, sailing-boat, bridge

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 2, ill. 233.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Papyri Fragments of a Letter to Epiphanius
Object type: fragment
Date: 601 – 700
Materials: ink, papyrus
Culture: coptic
Location: egypt
Castrum, from "Speculum Romanae Magnificentiae"
Object type: print
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: architecture,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 90 in the scrapbook.
Portret van Sara Maria van der Wilp
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: sara maria van der wilp, historical persons, author, poet writing
Inscriptions: collector's mark: Lugt 2228

Wilp, Sara Maria van der. Gedichten van Sara Maria van der Wilp. [Oprecht verhaal wegens het portraitteeren van Mejuffrouw Sara Maria van der Wilp (...)] Amsterdam: Pieter Meijer, 1772.
Zie hier uit 't nieuwe verbond, hoe Gods apostelscharen, / De leer van Jezus dood aan Jood en Griek verklaren
Object type: popular print
Date: 1842 – 1866
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: mission of the apostles, lives and acts of the apostles (part ii), lives and acts of the apostles (part i)

Blad met 24 voorstellingen van de apostelen die het geloof verkondigen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 32.
Attendant bodhisattva
Object type: figure
Date: 501 – 533
Materials: limestone
Culture: chinese
Subjects: men
Nürnberg. Ansicht vom Hallertor
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1944
Materials: cardboard
Techniques: photograph
Location: nuremberg
Subjects: city-view, and landscape with man-made constructions, castle
Parasol
Object type: parasol
Date: 1870 – 1870
Materials: glass, ivory, linen, metal, silk, wood
Culture: american
Portret van Don Juan II van Oostenrijk
Object type: print
Date: 1656 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Portret in een octagonale lijst van Don Juan II van Oostenrijk, landvoogd van de Zuidelijke Nederlanden. Buste naar links. Don Juan draagt een harnas. Het portret staat in een rechthoekig kader tussen twee engelen. Beiden hebben een trompet vast en ze houden een lauwerkrans boven het portret.. De prent heeft een Latijns onderschrift met de naam van de geportretteerde.
Altar Cloth
Object type: altar cloth
Date: 1673 – 1681
Materials: metal thread, silk
Culture: japanese
Angola, koningin Maria I van Portugal,10 macutas,1796
Object type: coin
Date: 1796 – 1796
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: barok wapenschild van Portugal, waarboven kroon. Keerzijde: tussen twee samengebonden takken in twee regels waarde-aanduiding: macutas 10. Omschrift: Africa Portugueza met jaartal bovenaan. Bloemrand.
Portret van Johann Christoph Arnschwanger op 56-jarige leeftijd
Object type: print
Date: 1638 – 1693
Materials: paper
Techniques: engraving
Subjects: clergyman, johann christoph arnschwanger, theologian, historical persons
Vijf figuren bij vissersboten op het strand van Brighton, op de achtergrond huizen
Object type: print
Date: 1805 – 1830
Materials: paper
Techniques: etching
Location: england
Artist: edward william cooke
Artist role: print maker
Artist dates: 1811 – 1880
Subjects: urban housing, sailing-ship, sailing-boat, beach (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2165
Lo
Object type: lo
Date: 1801 – 1900
Materials: bronze
Culture: chinese
Location: china
Design for T-Cart, no. 3180
Object type: drawing
Date: 1876 – 1876
Materials: gum arabic, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Stier staand bij rots
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Miss Marion Terry
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: adult woman, historical persons
Inscriptions: inscription: ‘'I seem as nothing in the mighty world'/ - Tennyson’
Pair of firedogs (chenets)
Object type: firedog
Date: 1772 – 1772
Materials: gilt bronze
Artist: quentin-claude pitoin
Artist role: artist
Artist nationality: french
Artist dates: 1720 – 1777
Subjects: boars,deer

Attributes of hunting embellish these highly accomplished models, which are known to have been repeated in different sizes. The small sculpture of a wild boar on the left andiron and of a reclining stag on the other surmount a rectangular base, which is further enriched with a relief panel in front showing, below the boar, dead game and, below the stag, a sleeping hound amid game. Dogs’ pelts, oak and ivy branches, and a pile of additional game, all beautifully chased and finished, are also incorporated in the elaborate designs. The figure of the boar at bay is derived from a lifesize Roman marble in the Galleria degli Uffizi, in Florence. That antique sculpture was reproduced in bronze, much reduced in size, by the Florentine sculptor and bronze caster Giovanni Francesco Susini (1585–ca. 1653). One of his early seventeenth-century replicas was probably the source for the sculptural boar on the Museum’s andiron. Madame du Barry appears to have been the first to own a pair of firedogs of this model. They were delivered for use in her apartment at the royal hunting castle at Fontainebleau in October 1772 by Quentin-Claude Pitoin, principal supplier of bronzes d’ameublement to the court. The Museum’s andirons are believed to have been in the possession of the French statesman Charles Gravier, comte de Vergennes (1719–1787), who was sent as envoy to Trier and appointed ambassador to the Ottoman Empire and Sweden, and who later served as foreign minister under Louis XVI. The moving flames of a fire on the hearth, reflected in the differently worked surfaces of the firedogs, would have brought the stag and the boar, albeit temporarily, to life.
Dijk
Object type: photograph
Date: 1940 – 1943
Materials: paper, photographic support
Techniques: gelatin silver print
Location: den helder
Subjects: dikes, levee, occupation ~ war, netherlands
Inscriptions: name: ‘Keizerstr. 113’

Albumblad met een foto vanaf het water van een dijk, mogelijk bij de Afsluitdijk. Onderdeel van een klein album van de Kriegsmarine in Nederland.
Fragment van paars zijdedamast
Object type: zijdedamast
Date: 1575 – 1699
Materials: silk
Techniques: damask
Location: france
Artist: Anonymous

Een fragment van rood zijdeweefsel. Een gestileerde tekening van bloemen en bladeren.
Steelyard Rod with Weight and Hooks
Object type: weight
Date: 401 – 700
Materials: copper alloy
Culture: byzantine

Steelyards, a Roman invention, were used to weigh goods by sliding weights along the rod to balance the load suspended from hooks on the chains. This rod is inscribed with scales for two sets of measures and the names of the owners.
Rank Badge with Crane
Object type: rank badge
Materials: gold, silk, silver
Culture: chinese
Subjects: bats,cranes,fish
Panel
Object type: panel
Date: 1816 – 1816
Materials: cotton
Subjects: flowers,coat of arms
Cista with lid
Object type: cista with lid
Date: 7000 – 330
Materials: bronze
Gezicht op Kasteel Hoxwier
Object type: book illustration
Date: 1889 – 1889
Materials: paper
Techniques: lithograph
Artist: jan hendrik jetse wageningen thoe dekema
Artist role: schrijver
Artist dates: 1860 – 1908
Subjects: castle
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op het kasteel te Hoxwier (gelegen tussen Leeuwaren en Mantgum), gelegen aan het water. Links en rechts drie wapenschilden.
Landschap met vrouw aan waterkant
Object type: print
Date: 1781 – 1822
Materials: paper
Techniques: etching
Location: amsterdam
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: rowing-boat, canoe, etc., river bank (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 924, collector's mark: Lugt 2228

Een landschap met hoge bomen en een man in een roeiboot op het water. In het gras langs de waterkant zit een vrouw en een kind met een hond. Boven de bomen op de achtergrond steekt een dak uit.
The Mystic Marriage of Saint Catherine
Object type: drawing and watercolor
Date: 1660 – 1669
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: netherlands
Artist: leonard bramer
Artist nationality: dutch
Artist dates: 1596 – 1674
Tributes to Longfellow and Emerson
Object type: book
Date: 1882 – 1882
Materials: cardboard, paper, textile
Techniques: photograph, printing
Location: boston
Inscriptions: annotation: ‘The countess of Carnarvon/ from/ J.W. Palpray/ July 1. 1882’, annotation: ‘MAY/ 1986’
Beaker
Object type: beaker
Date: 1765 – 1765
Materials: hard paste porcelain
Artist: doccia porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1737 – 1896
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Glass beaker or lamp
Object type: beaker or lamp
Date: 301 – 400
Materials: glass
Culture: roman

Colorless with pale green tinge; translucent cobalt blue blobs. Thick, uneven rim, cracked off and ground, slightly outsplayed; convex side to body, tapering downwards; concave bottom. Midway down side band of applied blobs, comprising three sets of two alternating patterns, one being a single large and thick blob, the other three smaller blobs arranged in a triangular pattern; above and below blobs, a single broad horizontal wheel-abraded band. Intact, except for a small weathered chip in rim; a few bubbles in body, more pinprick bubbles and black impurities in blobs; dulling, faint iridescence, and patches of limy brown weathering.
Mlle. Thibault, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Koning Lear. IIIe Bedrijf, IXe Tooneel.
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: king lear
Inscriptions: collector's mark: Lugt 2228

Scène uit toneelstuk Koning Lear met onder andere hoofdrolspelers Lear, Kent en Gloucester tijdens storm waarbij bliksemschichten door de lucht schieten.
Portret van Rudolphus Petri
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, historical persons
Inscriptions: collector's mark: Lugt 240

Portret van de predikant Rudolphus Petri. In het kader een vierregelig lofdicht in het Nederlands.
Spring, after a Drawing Made at Saint-Chamond
Object type: print
Date: 1795 – 1795
Techniques: etching
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Subjects: men,women,cows,trees,spring
Brief aan Cornelis Gerardus 't Hooft
Object type: letter
Date: 1911 – 1911
Materials: ink, paper
Techniques: pen, writing
Location: new york city
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: amsterdam, antonius wilhelmus mari mensing, painter, print maker, draughtsman, albrecht dürer, cornelis gerardus 't hooft, drawing, the graphic arts, art collecting, money
Inscriptions: collector's mark: ‘RPK’
Handkerchief
Object type: handkerchief
Date: 1801 – 1900
Materials: fiber
Subjects: flowers
Mars onder een baldakijn
Object type: ornament print
Date: 1528 – 1583
Materials: paper
Techniques: engraving
Location: france
Inscriptions: collector's mark: Lugt 240
Portrait of a Young Boy
Object type: painting
Date: 1636 – 1671
Materials: canvas, oil
Artist: sébastien bourdon
Artist role: artist
Artist nationality: french
Artist dates: 1616 – 1671
Subjects: boys,portraits
Book Cover with Tree, Birds, and Insects
Object type: book cover
Date: 1700 – 1700
Materials: gold, gouache, lacquer, leather
Location: india
Subjects: trees

This book cover decorated with opulent and fantastical flowering scenes on lacquer was made for a manuscript or album that has since been disseminated. Depictions of flowering vases are a known design from the Deccan, and the fertile trees are oftentimes interpreted as "Tree of Life" motifs. The unusually large scale of the birds and insects in the scene is characteristic of the whimsical creativity of artists from the Deccan region of India.
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 17 (recto)
Object type: book print ornament architecture
Techniques: drawing, etching
Artist: pietro paulo tozzi
Artist role: designer
Artist nationality: italian
Artist dates: 1593 – 1628
Subjects: ornament

Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Design is composed of a central rectangle upon which calligraphic text is printed in black. At the beginning and the end of the last line of text are twisting linear motifs. Surrounding this middle section is a decorative border comprised of 2 levels of geometric and linear motifs.
Inname van Porto-Bello door Admiraal Vernon 1739
Object type: history medal
Date: 1739 – 1739
Materials: brass
Techniques: striking

Verguld messing penning, op de voorzijde Vernon staand naar rechts met zwaard, pakt het zwaard van de Spaanse verdediger Don Blas, met omschrift, op de keerzijde de haven van Porto Bello waarvoor zes schepen, met omschrift en afsnedetekst.
Allegorische titelpagina met portret van Publius Ovidius Naso
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: publius ovidius naso, portrait of a writer, the muses acting together (as group), specific aspects, allegorical aspects of minerva; minerva as patroness, specific aspects, allegorical aspects of mercury; mercury as patron, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: date

Titelpagina voor: Publius Ovidius Naso, Metamorphosis, Dat is: De Herscheppinghe ofte Verânderinghe [in het Nederlands vertaald door:] Johannes Florianus. Rotterdam: Pieter van Waesberge, 1637.
Geschut- en Klok-Gieterye, aan den suyder hoek van de Ticchel straat, op de Baangracht / Domus Tormentis ac Campanis Fundendis, A. 1614 dicata
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bell-founder, factory-building, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641, collector's mark

Genummerde staat van prent gebruikt in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Pieter Schenk (I), s.a. [1710-1711]. En in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Barent Greve, s.a. [1757-1766]. In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Cuff
Object type: cuff
Date: 1801 – 1900
Materials: silk
Culture: chinese
Waterplanten met een vis, met kleurnotities
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: plants and herbs, bony fishes