deem-data/ArtiFact huggingface dataset:
Broadsword
Object type: broadsword
Materials: steel, wood
Culture: german
Location: germany
West view of the transept
Object type: reproduction
Date: 1859 – 1864
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Hier en daar
Object type: cartoon
Date: 1857 – 1858
Materials: paper
Techniques: lithograph
Location: paris
Subjects: house-guard, doorkeeper, janitor, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228a
Bowl
Object type: bowl
Date: 901 – 1000
Materials: earthenware
Techniques: painting, underglaze
Location: iran
Miss Mertens, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Metamorphoseon sive transformationum
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: pierides changed into magpies: the pierides (emathides) are changed into magpies by the muses, who have defeated them in a musical contest (ovid, metamorphoses v 670)
Inscriptions: collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Prentbriefkaart aan August Allebé
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: gelatin silver print, pen, writing
Location: baden-baden
Artist: hendrick peter godfried quack
Artist role: econoom, geschiedschrijver, hoogleraar, jurist
Artist dates: 1834 – 1917
Subjects: draughtsman, august allebé, travelling; tourism
Opwekking van Lazarus
Object type: print
Date: 1723 – 1769
Materials: paper
Techniques: etching
Location: germany
Artist: johann georg trautmann
Artist role: draughtsman, painter, print maker
Artist dates: 1713 – 1769
Subjects: the raising of lazarus ('lazarus, come out')
Inscriptions: collector's mark: Lugt 240
Portret van een stel met drie kinderen staand voor een begroeide gevel
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Location: germany
Artist: Anonymous
Subjects: parents with their children, germany

Onderdeel van Fotoalbum van Carl Heinrich Fliegenschmidt, gevangenisdirecteur te Oslebshausen.
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: leaves
Fan
Object type: fan
Materials: ivory
Subjects: children,women
Earring
Object type: earring
Date: 700 – 301
Materials: gold
Location: mesopotamia
Figuurstudies
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) (+ lying), head (human) - aa - female human figure

Vrouwenhoofd en mogelijk een liggende figuur. Pagina 37 en pagina 38 uit schetsboek XLIII met 61 pagina's.
Man bij een kerk
Object type: photograph
Date: 1930 – 1945
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult man, historical persons, church (exterior)
Portret van een vrouw met boek in de hand, staand bij een stoel
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: gorinchem
Artist: kornelis willem schorteldoek
Artist role: boekbinder, fotograaf
Artist dates: 1800 – 1885
Subjects: historical persons - bb - woman, book, standing figure - aa - female human figure, chair
Inscriptions: inscription: ‘SCHORTELDOEK/ PHOTOGRAAF/ GORINCHEM/ Groote Markt’
Reckheim, Ferdinand van Aspremont-Lynden (1636-1665), duit
Object type: coin
Date: 1636 – 1665
Materials: copper
Techniques: striking
Location: rekem
Artist: heer van reckheim

Koperen munt. Voorzijde: versierd gekroond wapenschild van Deventer. Keerzijde: binnen een krans drie-regelig opschrift.
The Actor Yamashita Kinsaku II as Lady Manko (Manko Gozen) (?) in the Play Hatsumombi Kuruwa Soga (?), Performed at the Nakamura Theater (?) in the First Month, 1780 (?)
Object type: print
Date: 1780 – 1780
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Antoninianus (Coin) Portraying Emperor Claudius Gothicus
Object type: coin
Date: 260 – 270
Culture: roman
Location: roman empire
Inscriptions: Obv: IMP C CLAVDIVS AVG
Rev: VIRT VS AVG S
Bord van faience
Object type: plate dish
Date: 1685 – 1685
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: inscription: ‘Heer segent lichaams/ Spyse goed/ En naar den geeft/ ons siele voed/ 1685’, collector's mark: ‘J. F. Loudon’, seal: ‘158’, inscription: ‘Soo yemant vraagt, 't sij knecht of maagt, wiens bord ick ben. Seg in 't gemeen, het is heleen, die ick Erken. 1685 9/19’

Bord van faïence met een monogram en tekst, vermoedelijk gemaakt ter gelegenheid van een huwelijk.
Stewart–Bentley Building, Chicago, Illinois, Elevation and Exterior Wall Section
Object type: architectural drawing
Date: 1872 – 1872
Materials: ink, paper
Location: dearborn street
Artist: carter, drake and wight
Artist nationality: american
Artist dates: 1871 – 1873
Subjects: chicago, illinois, design, architecture, elevation, urban planning, buildings, architectural drawing, doorway, drawing, exterior, facade, ornament, windows
Man's Summer Court Hat with Peacock Feather
Object type: man's summer court hat
Date: 1644 – 1911
Materials: glass, silk
Culture: chinese
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: birds,peacocks,flowers,trees
Manuscript Leaf with the Resurrection, from a Psalter
Object type: psalter
Date: 1234 – 1266
Materials: gold, ink, parchment, silver, paint
Culture: german
Subjects: soldiers,men,christ
Design for Landau, No. 3746
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Three rim fragments with black glaze; one has part of handle patch on exterior; another has start of handle root
Fragments of Robe-Front
Object type: robe front
Date: 1601 – 1650
Materials: silk
Techniques: gilding
Culture: chinese
Subjects: pheasants
Portret van Albertus Brondgeest
Object type: drawing
Date: 1841 – 1841
Materials: ink, paper, pencil
Techniques: pen
Artist: coenraad hamburger
Artist role: draughtsman
Artist dates: 1809 – 1891
Subjects: amsterdam, print maker, draughtsman, albertus brondgeest, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
The Agony in the Garden
Object type: relief
Date: 1801 – 1900
Materials: clay
Subjects: human figures
Bolikana en Markolfus
Object type: print
Date: 1521 – 1536
Materials: paper
Techniques: etching
Subjects: folly, foolishness; 'pazzia', 'sciocchezza', 'stoltitia' (ripa) (+ symbolical representation of concept), folk dancing (men and women together), folk costume, regional costume, rhetorician's drama
Inscriptions: collector's mark: Lugt 240

Voorstelling geïnspireerd op de literaire tekst 'Frag und antwordt Künig Salomonis und Marcolfi' (gepubliceerd vanaf 1487), origineel getiteld 'Dialogus Salomonis et Marcolfi' (gepubliceerd vanaf 1410).

David Funck (1642-1709) kocht 230 ijzeren platen van de prentenmakers uit de familie Hopfer aan, nummerde deze (nu bekend als het Funck nummer) en herdrukte de verder onaangetaste platen onder de titel Operae Hopferianae in 1684 in Neurenberg. (Metzger, 2009)
Zonsverduistering
Object type: page
Date: 1883 – 1883
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: total solar eclipse with corona
Inscriptions: number: ‘Fig. 3.’
Finger Ring
Object type: ring
Date: 601 – 700
Culture: byzantine
Location: germany
Landscape with Herdsmen and Cattle
Object type: painting
Date: 1660 – 1795
Materials: canvas, oil
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., (high) hill
Inscriptions: signature, bottom left (false): ‘A. cuijp.’

Aelbert Cuyp (1620 - 1691). Landscape with herdsmen and cattle, c. 1655. This landscape with its castle ruins evokes an idyllic atmosphere, reinforced by the contre jour effect. Cuyp never visited Italy, but many of his landscapes have a Mediterranean flavour, with mountains bathed in a golden sunlight. He was inspired by the work of Jan Both, who lived in Italy for a time and painted so-called Italianizing landscapes. Bequest of L. Dupper (Dordrecht), 1870.
Augustus
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: harvest festivities, august and its 'labours'
Inscriptions: collector's mark: Lugt 2228

Afkomstig uit een serie met de twaalf maanden. Deze serie werd op een plaat geëtst. Deze serie is ook gebruikt in: Königl. Großbrit. Churf. Braunschw. Lüneb. Genealogischen Kalender, auf das Jahr 1778. Lauenburg: Johann Georg Berenberg.
Portrait of a Man in 17th-century Clothing
Object type: reverse painting on glass
Date: 1750 – 1799
Materials: amalgam, glass
Techniques: verre églomisé
Location: northern netherlands
Artist: Anonymous
Subjects: historical persons not known by name

Portret van een man in zeventiende-eeuwse kleding. Kniestuk in ovaal, staande voor geboomte.
Ex libris van A. Smit
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: pen
Portret van Johanna van Blois
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: pieter de jode (ii)
Artist role: draughtsman, print maker
Artist dates: 1606 – 1674
Subjects: johanna van blois
Inscriptions: inscription: ‘D. Joanna De Blois’, collector's mark: Lugt 240

Portret van Johanna van Blois, ten halven lijve. In de lege marge de naam van de geportretteerde handgeschreven met bruine inkt.
Portret van de majoor von Schulz
Object type: print
Date: 1798 – 1899
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: historical persons, officer (with name of rank)
Inscriptions: collector's mark: Lugt 2228

Met drieregelig onderschrift in het Duits.
Helmet
Object type: helmet
Date: 1701 – 1800
Materials: gold, iron, lacquer, silver, textile
Culture: japanese
Location: japan
Subjects: dragons
Design for a Box-Front
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: brush, pen, drawing, wash
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Subjects: female nudes,serpents
String of Tiny Disk Beads
Object type: bead, disk
Date: 1390 – 1352
Materials: faience
Location: egypt
The Thirty-six Immortals of Poetry (Sanjūrokkasen) 三十六歌仙
Object type: illustrated book
Date: 1799 – 1799
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yosa buson 与謝蕪村
Artist role: artist
Artist nationality: japanese
Artist dates: 1716 – 1783
Subjects: men

Although published sixteen years after the death of the poet-painter—to commemorate his seventeenth death anniversary— this volume was marketed as printed reproductions of actual paintings and calligraphy in the hand of Yosa Buson, said to be discovered after his death among surviving manuscripts. The term kasen (poetic immortals) was usually used to refer to eminent court poets of the past, but in this case was used to refer to 36 great haikai poets in the lineage of Matsuo Bashō, whom Buson idealized. This is a monochrome ink version of the first edition of the volume, though there was also a version printed in light gray scales, yellow, reddish-brown, and green (see Pulverer Collection, Freer Gallery of Art, FSC-GR-780.793). The Met’s collection also includes a unique hand-colored version of this volume (see 2013.666). Accompanying the first illustration is a replica of the artist’s signature, “Yahantei Buson sha” 夜半亭蕪村写 and a seal reading “Sha Chōkō” 謝長庚. The final image has the artist’s “Shunsei” 春星 seal. The cover of this volume has a later title strip reading “Thirty-Six Poetic Immortals” Sanjūrokkasen三十六歌僊, but the actual published title is Haikai Sanjūrokkasen, though in the Preface the volume is referred to as “Anthology of Haikai Immortals” (Haisenshū 俳仙集).
24 skilling uit Deens West-Indië van koning Frederik V,1764
Object type: coin
Date: 1764 – 1764
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: gekroond monogram van de koning. Keerzijde: driemaster varend naar links. In afsnede jaartal. Waarde-aanduiding in omschrift. Kabelrand.
Vue générale des Spéos de Phré et d'Athor, à Abousembil, prise de l'île
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: ruins,landscapes

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Standbeeld van Minerva (Athena Giustiniani)
Object type: album leaf
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Artist: anna maria vaiani
Artist role: painter, print maker
Artist dates:  – 1655
Subjects: (story of) minerva (pallas, athena), piece of sculpture, reproduction of a piece of sculpture

Standbeeld van Minerva met helm op haar hoofd. Om haar hals de Medusakop. Midden onder op de basis het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Gezicht op een eiland te Neuvic
Object type: print
Date: 1867 – 1878
Materials: paper
Techniques: drypoint, etching
Subjects: island, ferry
Inscriptions: collector's mark: Lugt 2228
Portret van Johann Fabricius
Object type: book illustration
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Pauselijke processie met Gregorius XV
Object type: print
Date: 1621 – 1623
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: gregorius xv, papal coronation procession, city-gate, rome
Inscriptions: collector's mark: Lugt 240

Pauselijke processie (cavalcata papale) van de Sint-Pietersbasiliek in het Vaticaan naar de Sint-Jan van Lateranen in Rome, die gewoonlijk werd afgelegd na de kroning van een nieuwe paus. De processie loopt over zes horizontale banen, waarbij de figuren drie keer een poort passeren.
Hals met kurk van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: cork, glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, neck, onion-shaped bottle or bottle with vertical side; eroded, f-string rim, with cork.
Ceremonieel rookgerei
Object type: photograph
Date: 1860 – 1890
Materials: photographic support
Techniques: albumen print
Location: batavia
Subjects: pipe ~ tobacco, java, batavia

Ceremonieel rookgerei. Ingeplakte foto in het fotoalbum getiteld: Gezichten van Java.
Christus in de hof van Gethsemane
Object type: print
Date: 1690 – 1738
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: gethsemane, mount of olives, 'oelberg' (matthew 26:36-56; mark 14:32-52; luke 22:39-53; john 18:1-12), agony of christ: to comfort him one or more angels appear to christ with chalice and/or cross
Inscriptions: collector's mark: Lugt 240
Titelpagina voor: C. de Koning ' Geschied en letterkundige mengelingen', 1814
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: handwriting, writing as activity, 'historia'; 'historia' (ripa) (+ variant), harp
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Koning, Cornelis Leendertsz. de. Geschied en letterkundige mengelingen. Haarlem: François Bohn, 1814.
"The Combat of Khusrau Parviz and Bahram Chubina (?)", Folio from a Shahnama (Book of Kings)
Object type: folio from an illustrated manuscript
Date: 1330 – 1340
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: poetry,men,horses
Vase
Object type: glass
Materials: glass
Location: italy
Central fire station, Palmer street
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: photograph
Location: lowell
Artist: Anonymous
Subjects: fire-department, fire-brigade, four-wheeled vehicle drawn by two animals, street
Stone spindle whorl
Object type: spindle whorl
Date: 2400 – 1900
Materials: stone
Culture: minoan
Oriental Riders
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: charles parrocel
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1688 – 1752
Le Père Jean Du Bois-Olivier
Object type: print
Date: 1620 – 1688
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: men,portraits
Jachtscènes (deel 8)
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: stag-hunting, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Inscriptions: collector's mark: Lugt 11, number: ‘6’, collector's mark: ‘Hinloopen’

Landschap met jagers en jachthonden jagend op herten. Rechts een dame, omgeven door mannen, die toekijkt. Op de voorgrond een zittende jager met speer en drie honden. Midden onder het wapenschild van Nereo Dracomannio.
Schouwburg van den oorlog (blad XXIII), 1722
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: louis xv of france, deathbed, coronation of a ruler, (civil) marriage ceremonies, confinement, birth, paris

Blad met negen voorstellingen van gebeurtenissen uit het jaar 1722. Blad XXIII in: Schouwburg van den oorlog (editie van 1720), het prentwerk met de gebundelde reeks van 31 platen over de Spaanse Successieoorlog.
Portretten van Isabel Wachenheimer, haar derde echtgenoot Gideon Elon en een man in een huiskamer, mogelijk in Duitsland of Nederland
Object type: photograph
Materials: paper, cardboard
Techniques: gelatin silver print
Subjects: isabel wachenheimer-elon, gideon elon, historical persons, interior of the house

Blad bevat vier foto's van Isabel Wachenheimer, Gideon Elon (met pochet) en een man (zonder pochet). Deze foto's maken deel uit van een album.
Primrose (Primula Vulgaris), from the Flowers series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: flowers,leaves

The "Flowers" series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
Portret van Jacob Dirksz. Brouwer
Object type: print
Date: 1657 – 1707
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrik bary
Artist role: draughtsman, print maker
Artist dates: 1640 – 1707
Subjects: enkhuizen
Inscriptions: collector's mark: Lugt 240
Schotel van een koffie- en theeservies, beschilderd met figuren in een rivierenlandschap in bietenrood
Object type: platter
Date: 1774 – 1778
Materials: porcelain
Techniques: painted
Location: loosdrecht

Parts of a tea and coffee service with pink ground. Porcelain. Loosdrecht, c. 1774 - 1776. Factory of Joannes de Mol.
Strip
Object type: strip
Date: 1601 – 1700
Schetsen van cafébezoekers
Object type: drawing
Date: 1867 – 1923
Materials: chalk, paper
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Coin Portraying Emperor Carus
Object type: coin
Date: 282 – 283
Culture: roman
Location: roman empire

The front (obverse) of this coin portrays the deified Emperor Carus, facing right and wearing a crown of laurels.

On the back (reverse) a flaming altar is shown with an inscription on its base.