deem-data/ArtiFact huggingface dataset:
Diverse gezichten, perspectieven en landschappen naar de natuur
Object type: print
Date: 1631 – 1691
Materials: paper
Techniques: etching
Location: france
Subjects: river, landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een genummerde serie van negen prenten, maar de nummers zijn afgesneden. Dit is vermoedelijk nummer 3.
Head of a man in shadow turned slightly to the left, from "Large Oriental Heads"
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664
Subjects: heads,men,portraits
Fannie Batchelder, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 6), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes. Type 4 cards from the N45 series contain four miniature portraits of actresses on one card. Type 6 cards are a bit larger in dimension than the other types in the N45 series.
Pont du St. Esprit
Object type: print
Date: 1701 – 1733
Materials: paper
Techniques: etching
Location: leiden
Subjects: fortifications, military engineering, maps of cities, marseille

Gezicht op Pont-Saint-Esprit met de brug over de Rhône. Vijf inzetten met andere plaatsen in Frankrijk. Teksten in het Nederlands en Frans. De prent maakt deel uit van een album.
Berglandschap met herders
Object type: print
Date: 1613 – 1695
Materials: paper
Techniques: engraving, etching
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., pastorals, arcadian scenes, mountains
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Portrait of a Man
Object type: painting
Date: 1533 – 1575
Materials: oil, wood
Artist: corneille de lyon
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1533 – 1575
Subjects: men,portraits
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of an eyebrow and a bit of the outer edge of an eye?
Giovanni Boccaccio
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: giovanni boccaccio
Inscriptions: inscription: ‘266’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 232r.
Stil binnenwater met aanleggende boot
Object type: drawing
Date: 1758 – 1815
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: nicolaas wicart
Artist role: draughtsman
Artist dates: 1748 – 1815
Subjects: sailing-ship, sailing-boat, river
Inscriptions: inscription: ‘N Wicart inv’
Design for Stanhope Phaeton, no. 3078a
Object type: drawing
Date: 1874 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Design for a Painted Ceiling
Object type: drawing
Date: 1800 – 1900
Materials: watercolor
Artist: anonymous, italian, 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Subjects: flowers
Mercury, Argus and Io
Object type: drawing
Date: 1650 – 1674
Materials: paint, ink, paper
Techniques: brush, pen
Artist: gerbrand van den eeckhout
Artist role: draughtsman, print maker
Artist dates: 1621 – 1674
Subjects: (story of) mercury (hermes)
The Tower of Babel or Birs Nimrud Restored
Object type: drawing
Date: 1885 – 1885
Materials: graphite, watercolor
Culture: british
Artist: william simpson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1823 – 1899
Fotoalbum (leeg)
Object type: photograph album
Date: 1860 – 1900
Materials: cardboard, lacquer, leather, metal, mother of pearl, paper
Techniques: color on snow
Artist: Anonymous
Inscriptions: annotation: ‘W 20/ [Swil] and green/ Y[I]-’, collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 737’

Fotoalbum met twintig pagina's met op iedere pagina een rechthoekige of ovale passe-partout, met gouden lijnen omkaderd, voor een carte-de-visite.
Handle for a Lance or Cane
Materials: bronze
Location: china
Het gezicht
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: mezzotint
Location: haarlem
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: eyeglasses, spectacles, sight, looking (one of the five senses), candle
Inscriptions: collector's mark: Lugt 240

Drie mannen bekijken een vrouw die een kaars vasthoudt. Een van de mannen draagt een bril. De prent maakt deel uit van een serie van vijf prenten met de vijf zintuigen.
Singers at the Window
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: windows,men,singers
Vijf kuikens
Object type: print
Date: 1900 – 1936
Materials: paper
Techniques: woodcut
Location: japan
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945
Subjects: fowl (cock, hen, chicken, etc.) (+ young animal)
Inscriptions: collector's mark: Lugt 2228

Vijf kuikens in het gras, waarvan twee aan dezelfde worm trekkend.
Portret van een onbekende man in vermoedelijk een historisch kostuum
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: historical costume, historical persons not known by name
Studie, abklatsch van een krijttekening
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

De originele tekening is niet meer in het schetsboek aanwezig.
Great Canyon from Point Lookout, Yellowstone National Park
Object type: photograph
Date: 1896 – 1896
Techniques: albumen silver print
Location: united states
Artist: b. w. kilburn
Artist nationality: american
Artist dates: 1827 – 1909
Ecorche head of a man in profile to left
Object type: print
Date: 1660 – 1660
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: human anatomy,heads,men

Ecorche head of a man in profile to left, after Leonardo da Vinci
Bird with Flat Legs
Object type: decorative art
Materials: bronze
Culture: greek
Location: greece
Subjects: bird

This precious bronze object is a votive, or devotional gift, made as an offering to the gods. They come in many forms, such as animals, beads and brooches. Many seem once to have been attached to something else. Votives were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were ceremonially buried to make room for more offerings.
Tabernacle frame
Object type: frame
Materials: wood
Culture: italian
Seven-Panel Buddhist Monk’s Vestment (Shichijō kesa) with Peony Patterns in Undulating Columns
Object type: robe, priest's
Date: 1701 – 1733
Materials: silk
Techniques: patterning, weave
Culture: japanese

The bestowal of the Buddhist master’s vestment (kesa) upon the disciple represents the transmission of the dharma (teaching). This is especially true in Zen Buddhism, as only the master can recognize that the disciple is on the way to—or has reached—enlightenment. Kesa thus indicate the rank of the owner within the religious hierarchy, and are treasured vestments associated with those who wore them. As a reminder of the Buddha’s simple, patched garment, small rectangular pieces of fabric are sewn together to form one kesa, worn diagonally over the left shoulder. This vestment has been created from cut-up pieces of a Noh costume (karaori), which was perhaps a religious offering.
Maritime View
Object type: print
Date: 1849 – 1849
Techniques: etching
Artist: peter vilhelm carl kyhn
Artist role: artist
Artist nationality: danish
Artist dates: 1819 – 1903
Subjects: boats
Ivory truncated conoid seal
Object type: seal
Date: 2400 – 2200
Materials: ivory
Culture: minoan
Subjects: lions

2 recumbent lions, a quadruped moving to the left Half of the seal, which is made from a section of a tusk, is lost by fracture.
Pad waarlangs bomen staan in een heuvellandschap
Object type: drawing
Date: 1610 – 1653
Materials: chalk, paper
Artist: simon de vlieger
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1653
Subjects: low hill country
Lieutenant Commander Richard Wainwright, U.S. Navy, from the "Generals" series (T63), issued by LeRoy Little Cigars
Object type: print
Date: 1898 – 1901
Techniques: color lithograph
Artist: leroy little cigars
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1950

Tobacco insert card from the "Generals" series (T63), issued by LeRoy Little Cigars.
Portret van Johann Alexander von Brambilla
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: vienna
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Winter Scene with People Outside a Cottage Near a Pond
Object type: drawing and watercolor
Materials: paper
Techniques: brush, scraping, wash
Location: unknown place
Artist: Anonymous
Design for a Plumed Oil Lamp (recto); Sketches for a vase and oil lamp (verso)
Object type: drawing
Date: 1770 – 1790
Materials: graphite
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: lamps
The Toi Jewel River in Settsu Province (Settsu Toi) and the Koya Jewel River in Kii Province (Kii Koya no Tamagawa), from the series "Six Jewel Rivers in Various Provinces (Shokoku Mu Tamagawa)"
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Porcelain Vase. Chinese Ming Dynasty 1368 - 1644
Object type: ansichtkaart, prentbriefkaart
Date: 1919 – 1940
Materials: photographic support
Techniques: photography
Location: new york city
Artist: Anonymous
Subjects: container of ceramics: jar, jug, pot, vase, ornamenting, decorating ~ applied arts
Strook kloskant met gevarieerd lint dat u-vormige schulp vormt met zes lobben
Object type: strip
Date: 1900 – 1900
Materials: linen
Techniques: lace
Location: russia
Artist: Anonymous

Strook naturelkleurige kloskant, Russische kant. Het zich herhalende patroon wordt gevormd door een lint dat al slingerend een u-vormige schulp vormt met zes lobben aan de onderzijde. Het lint is gemaakt in drie in elkaar overlopende variaties aan slagen, allen met opengewerkte randjes: netslag, dichtgewerkte linnenslag en linnenslag met een opengewerkt centrum waarin overstekende paren blokjes met diagonale lijnen vormen. De bovenzijde is recht afgewerkt.
Untitled Drawing, for the series English Title (Hizakurige kimama dôchû)
Object type: drawing and watercolor
Materials: ink, paper, pigment
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Huwelijk van prins Willem II en Maria Stuart, 1641
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: henriëtta maria van frankrijk (koningin van engeland, schotland en ierland), delft, frederick henry (prince of orange), william ii (prince of orange), the hague, amalia of solms-braunfels, mary henrietta stuart, london, karel i (koning van engeland), marriage, married couple, 'matrimonium'

Het huwelijk van prins Willem II en prinses Maria Stuart, 2 mei 1641. Links de ouders van de bruid: de Engelse koning Karel I en zijn vrouw Henrietta Maria. Rechts de ouders van de bruidegom: Frederik Hendrik en Amalia van Solms. Op de achtergrond allegorische figuren van Liefde en Hoop en Rechtvaardigheid en de Hollandse Leeuw in de Hollandse Tuin. Boven het paar de duif van de Heilige Geest en putti met lauwerkransen. Onder de voorstelling 4 verzen van 4 regels in het Latijn.
Soldaat met een roer die zijn kruithoorn opent (nr. 22), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die met zijn linkerhand bij zijn linkerdijbeen een roer (een bepaald type vuurwapen) vasthoudt, de loop schuin omhoog wijzend (nr. 22), ca. 1600. Met zijn rechterhand opent hij een kruithoorn. Plaat 21 in de instructies voor het hanteren van de roer: Corte onderwysinghe op de figuerliicke afbeeldinghe, belanghende t'rechte ghebruyck des Roers. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, 's-Gravenhage, 1607. Krijgswezen rond 1600.
Oude steen te Bordeuax gevonden
Object type: print
Date: 1776 – 1851
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: attributes of juno, clay tablet, stone tablet, jupiter, in the shape of a swan, and leda, (story of) ganymede, (story of) mercury (hermes)
Inscriptions: collector's mark: Lugt 2228

Drie voorstellingen op fragmenten van een antieke steen: Juno met pauw, Zeus met Mercurius of Ganymedes (?) en Leda met de zwaan.
Afgoderij van Salomo
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: solomon's idolatry, city-gate (+ city(-scape) with figures, staffage)
Inscriptions: date

Salomo zit geknield voor een afgodsbeeld dat op een sokkel staat. Achter hem zijn vrouwen die hem tot afgoderij hebben verleid en de rest van zijn hofhouding. Op de achtergrond een stadsgezicht. De prent heeft een Latijns onderschrift uit de Bijbel (1. Kon. 11:6).
A Gate of Segovia
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: board, charcoal, gouache, paint, paper, watercolor, wood
Techniques: drawing, heightening, stumping
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Ohatsu
Object type: print
Date: 1847 – 1848
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Fragment of a terracotta krater or dinos (bowl for mixing wine and water)
Object type: krater or dinos fragment
Date: 570 – 570
Materials: terracotta
Culture: greek, attic
Artist: sophilos
Artist role: artist
Subjects: satyrs
Algun partido saca
Object type: print
Date: 1810 – 1820
Materials: paper
Techniques: drypoint, engraving, etching, intaglio
Location: madrid
Subjects: monsters larger than normal, horrors of war, spain

Deze prent maakt deel uit van een album.
Meleager en Atalanta na de jacht
Object type: print
Date: 1670 – 1697
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: meleager gives the head of the boar to atalanta
Inscriptions: collector's mark: Lugt 2228

Meleager biedt de gewonde Atalanta de kop van het everzwijn aan. Op de voorgrond drie jachthonden. Putti houden een draperie op boven het koppel. Onder de afbeelding een verklarende tekst in het Frans. Scène uit Ovidius’ Metamorfosen (Met. VIII, 260-546).
Fan
Object type: fan
Date: 1776 – 1800
Materials: gold leaf, paper, silk, silver, shell
Subjects: men,portraits,women
Zes docenten en schoolhoofden voor The Free Grammar School of Queen Elizabeth
Object type: page
Date: 1879 – 1879
Materials: paper
Techniques: woodburytype
Location: halifax
Subjects: scholastic education, tuition (+ teacher, professor), university building, college
La riviere de la Garomne et la Dordogne et la pays aux environs de Bordeaux
Object type: print
Date: 1670 – 1683
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions

Met als inzet een vestingplattegrond van Bordeaux. Deze prent maakt deel uit van een album.
Sampler
Object type: sampler
Date: 1829 – 1829
Materials: linen, silk
Artist: gesina hendrica galman
Artist role: artist
Artist nationality: dutch, born ca. 1815
Subjects: flowers
Plaquette met portret van Rombout Hogerbeets
Object type: plaque
Date: 1780 – 1800
Materials: stoneware
Techniques: firing
Location: england
Subjects: hoorn (north holland)

Ovale plaquette van zwart steengoed (black basalt) met in reliëf het portret van Rombout Hogerbeets. Op de achterzijde gemerkt: Wedgwood en Hogerbeets.
A Necklace of four strands of beads and amulets
Object type: necklace, myt, mayet, amulet, wadjet eye, scarab
Date: 2051 – 2030
Materials: gemstone, faience, silver
Location: egypt

This brightly colored set of necklaces belonging to a young girl are remarkable not only for their technically brilliant manufacture, the drilled stone beads being quite tiny. Mayet was only five when she was buried among the older female members of the King Mentuhotep II’s court in his funerary complex at Deir el Bahri. Although her burial was simple, her necklaces, including two others of gold and carnelian ball beads, are some of the finest jewelry that survives from this period and the signs of wear on the beads indicate Mayet, or perhaps another woman, wore them during their lifetime.
Treeft op voet met groene rand en gouden Griekse band
Object type: vessel
Date: 1865 – 1865
Materials: earthenware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘P. REGOUT // MAASTRICHT // 2X 22’

Treeft op voet van aardewerk, langwerpig, geschulpt, met groene rand en gouden Griekse band.
Portrait of George Washington
Object type: print
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: george washington,portraits
Relieken (twee handschoenen) van heilige Lodewijk van Toulouse
Object type: photograph
Date: 1855 – 1865
Materials: paper
Techniques: albumen print
Location: france
Subjects: gloves, mittens, etc., louis of anjou, son of the king of naples, franciscan friar, and bishop of toulouse; possible attributes: fleur-de-lis on his cope, crown and sceptre
Gezicht op de façade van een gebouw
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: berlin
Artist: anna von krane
Artist role: fotograaf
Artist dates: 1853 – 1937
Subjects: front façade
Inscriptions: monogram: ‘MR&C’
Circus Maximus, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1553 – 1553
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: amphitheatres,obelisks,horses,lions,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 70 in the scrapbook.
Job Tempted by a Demon; verso text from the Speculum Patientiae
Object type: print
Date: 1509 – 1509
Techniques: woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: women,demons,job
John Dunlop, Harvard University, from the College Football Stars series (N302) for Mayo's Cut Plug Tobacco
Object type: print
Date: 1894 – 1894
Techniques: lithography
Artist: p.h. mayo & brother, richmond, virginia
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,football,athletes

Released in 1894, the "College Football Stars" or "Mayo Cut Plug Football" set (N302) is regarded as the first set of football cards released on the market.
Mars, Venus and Cupid at Vulcan's forge
Object type: plaquette
Date: 1701 – 1800
Materials: bronze
Subjects: cupid,mars,venus,vulcan
Summer Evening
Object type: print
Date: 1881 – 1881
Materials: ink, paper
Techniques: drypoint
Location: france
Artist: james tissot
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1902
Porringer
Object type: porringer
Date: 1701 – 1800
Materials: pewter
George Augustus Frederick, Prince of Wales (1762–1830), afterwards George IV of England (1820–1830)
Object type: medallion
Date: 1801 – 1900
Materials: brass, glass, velvet, wax, wood
Artist: t. r. poole
Artist role: artist
Artist dates: 1721 – 1821
Subjects: princes,profiles