deem-data/ArtiFact huggingface dataset:
Île Rousseau te Genève
Object type: album leaf
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: geneva
Artist: auguste garcin
Artist role: fotograaf
Artist dates: 1816 – 1895
Subjects: island
Terracotta Little Master cup
Object type: kylix, lip cup
Date: 550 – 525
Materials: terracotta
Culture: greek, attic

Little Master cups represent a refined and delicate miniature style of vase painting common in Athens in the first half of the 6th century B.C.
New Year's gifts for 1867, from 'News of the day,' published in Le Charivari, December 27, 1866
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: firearms,girls
Petit Courrier des Dames, 1827, No. 495 : Chapeau de paille de riz (...)
Object type: fashion print
Date: 1827 – 1827
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), sleeves (+ women's clothes), bracelet, wristlet (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: title: ‘Modes de Paris.’, caption, caption: ‘Chapeau de paille de riz, Robe d'Organdie, Corsage uni.Jupon plissé. Manche à la Marie, Des ateliers de M.me Michel. Rue neuve des petits champs No. 33.’, address: ‘Boulevard des Italiens No.2 près le passage de l'Opèra.’, title: ‘Petit Courrier des Dames.’

Hoed van 'paille de riz'. Japon van organdie met effen lijfje, geplooide rok en 'manche à la Marie', van het atelier van Michel. Verdere accessoires: oorbel, handschoenen, armbanden om beide polsen, ceintuur met gesp, waaier. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Mother-and-Child Doll
Object type: doll
Date: 1870 – 1880
Materials: cotton, glass, silk, skin, wool
Techniques: tanning
Culture: seneca
Location: united states
Subjects: infants,mothers,dolls
Paarden en vrouwen met kappen
Object type: sketchbook leaf
Date: 1839 – 1872
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head-gear: hat (+ women's clothes), horse

Blad 8 recto uit een schetsboek met 73 bladen.
The Annunciation
Object type: plaque
Date: 1851 – 1900
Materials: copper, enamel, gilt
Techniques: painting
Subjects: birds,men,virgin mary,annunciation
Panel
Object type: textile
Date: 1801 – 1900
Location: sardinia
City Hall, and Naval Monument
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
The Descent of Man into the Vale of Death, from "The Grave," a Poem by Robert Blair
Object type: print
Techniques: engraving
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: children,men,women
Fotoreproductie van een prent naar een schilderij van een vrouw met een boek door William Boxall
Object type: reproduction
Date: 1864 – 1874
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: picture, painting
Porcelain figure from China (taken from the private collection of Mr. Charles Philipon), plate 416
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Water pot
Object type: jar
Date: 1801 – 1900
Materials: glaze, stoneware
Culture: chinese
Portret van een onbekende vrouw met een medaillon
Object type: photograph
Date: 1900 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, pendant, trinket, 'breloque'
Judge More
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Bowl
Object type: bowl
Date: 1800 – 1800
Materials: glaze, porcelain
Culture: japanese
Rozentak
Object type: print
Date: 1862 – 1886
Materials: paper
Techniques: etching, intaglio
Location: italy
Artist: luigi conconi
Artist role: painter, print maker
Artist dates: 1852 – 1917
Subjects: notation of music, flowers: rose

Een rozentak met twee rozen. Linksboven een notenbalk met daaronder de tekst: le parlate d'amor.
De man met de roede
Object type: popular print
Date: 1828 – 1937
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph
Location: neuruppin
Artist: Anonymous
Subjects: tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen uit het verhaal van vader Koekeldepoek met de roe. Onder elke afbeelding een onderschrift. Genummerd linksonder: No. 64.
Kazerne voor een Regiment Infanterie te Amersfoort
Object type: photograph
Date: 1892 – 1892
Materials: cardboard, paper
Techniques: photography
Location: amersfoort
Artist: p. oosterhuis
Artist role: fotograaf
Artist dates: 1816 – 1885
Subjects: netherlands
Inscriptions: date

Foto, geelbruin, op karton, met boven titel en onder omschrijving.
Book Label for Mrs. Judith Hackam
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Begrafenis en sterfbed
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: burial, deathbed
Inscriptions: collector's mark, collector's mark: Lugt 1641

Blad met twee voorstellingen op één plaat. Links een begrafenis. Gesluierde vrouwen en mannen kijken met geheven armen toe hoe twee grafgravers een doodskist in de grond laten zakken. Linksboven gemerkt: II. Rechts het sterfbed van een man, omringd door familie en vrienden. Gemerkt rechtsboven: IV. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Begrafenissen, varia.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, and left shoulder of a bald, bearded satyr to left
Piece
Object type: piece
Date: 1695 – 1700
Materials: metal thread, silk
Gezicht op een Belgische (?) stad of dorp, met een kerk, huizen, en op straat een auto, naast een koets en fietser
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: Anonymous
Inscriptions: number: ‘22’, annotation: ‘18 sept 10 1/2 uur’, annotation

Gezicht op een Belgische (?) stad of dorp, met een kerk, huizen, en op straat een auto, naast een koets en fietser.
Gezicht op de Johan Willem Frisokazerne te Assen
Object type: photograph
Date: 1892 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: assen
Artist: Anonymous
Subjects: military academy
Inscriptions: annotation: ‘Kazerne te Assen’
Scarf
Object type: scarf
Date: 1850 – 1859
Materials: silk
Culture: american
Cameo with Hercules and Bull
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 –
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: cotton, linen
Tenor (Alto) Ophicleide in E-flat
Object type: tenor alto ophicleide in e flat
Date: 1845 – 1845
Materials: brass
Culture: belgian
Location: belgium
Artist: charles joseph sax
Artist role: maker
Artist nationality: belgian
Artist dates: 1790 – 1865

Alto ophicleide in E-flat with nine keys, body made of brass, detachable looped crook, no tuning slide, bell has rolled rim. Braces and bow guard are simple and unadorned. With associated small, cupped mouthpiece The ophicleide was a popular low brass instrument in bands and orchestras during the middle decades of the nineteenth century. Drawing its name from a Greek-derived portmanteau of "serpent" and "keys", the instrument was devised as an improvment on its predecessor, the serpent. Its key system allowed the toneholes of the ophicleide to be strategically placed to enable it to play better in tune. The ophicleide was superceeded by the tuba and other low brass instruments with valves in the latter part of the nineteenth century. Its distinctive, nasal tone quality differs significantly from that of the modern tuba and makes the ophicleide an important instrument in period performance orchestras.
Gezicht op het Singel
Object type: photomechanical print
Date: 1875 – 1930
Materials: cardboard
Techniques: photograph
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, church (exterior)
Inscriptions: collector's mark: ‘13,57’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Oude Schans, Schoutensteeg, Singel (Korte), Singel.
Panorama van San Gimignano, Toscane
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: san gimignano
Inscriptions: inscription: ‘NOORWEGEN’, inscription: ‘No. 6378 San Gimignano - Panorama’

Stadsgezicht met een weg en een oude burcht/stadsmuur rechts voor, en op de weg mensen met paard en wagen en stapels hout op hun schouders. San Gimignano is bekend om zijn dertien torens die het silhouet van de stad domineren en waarvan er hier enkele te zien zijn. Deze zijn in de 12de en 13e eeuw door rivaliserende rijke families opgetrokken. De torens deden dienst als woning en versterking, maar vooral als prestigeobject. Op haar hoogtepunt had de stad zo'n 70 torens.
Cup
Object type: glass
Date: 1760 – 1760
Materials: glass
Location: silesia
Rose Bowl
Object type: rose bowl
Date: 1885 – 1885
Materials: glass, textile
Techniques: glassblowing
Culture: american or british
Location: united states
Gekaapte trein loopt het station van Tandjungrasa binnen
Object type: documentary photograph
Materials: photographic support
Techniques: photography
Subjects: indonesia

Republikeinse soldaten gegroepeerd rondom het spoor kijken naar het spoor aan de overzijde waar net een gekaapte trein is binnengelopen. Op de achtergrond het station van Tandjungrasa.
Seated Boy
Object type: drawing
Date: 1857 – 1857
Materials: graphite, paper
Culture: american
Subjects: boys
Eureka Mover Co. Utica, N.Y.
Object type: book
Date: 1915 – 1915
Materials: paper, linen, metal
Techniques: decorated paper, gelatin silver print
Location: utica
Inscriptions: date: ‘OCT/ 2007’
Comb
Object type: comb
Date: 1101 – 1200
Materials: bone
Techniques: painting
Location: italy
Boekweitkroft en Dennen in de bosschen nabij Bergen
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: albumen print, salted paper print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Inscriptions: signature: ‘foto / R. Tepe’, annotation: ‘Boekweitkroft en Dennen / in de bosschen / nabij Bergen’
Plate 1: Cain Killing Abel, from "The Battles of the Old Testament"
Object type: print
Date: 1590 – 1610
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: animals,abel,cain,death
Portret van een peuter met een pop
Object type: cabinet photograph
Date: 1905 – 1915
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: amsterdam
Artist: b. knopper
Artist role: fotograaf
Artist dates: 1870 – 1932
Subjects: toddler, (playing with) dolls
Inscriptions: name: ‘B. Knopper Amsterdam Nassaukade, 155.’
A peasant replying 'Dats niet'
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembran f 163’

Rembrandt almost certainly did not see these men in reality. He is actually responding to two peasants engraved a century earlier by the German artist Sebald Beham. One of them complains about the cold, while the other could care less. Unlike Beham’s grump, that by Rembrandt looks crotchety, while his cheerful man is laughing.
Gezicht op een rivier in de buurt van Waltham, Massachusetts, gezien vanaf Mount Feake
Object type: page
Date: 1874 – 1879
Materials: photographic support
Techniques: albumen print
Location: mount feake
Artist: thomas r. lewis
Artist role: publisher
Artist dates: 1845 – 1901
Subjects: river
Gezicht op Höllental
Object type: album leaf
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘No. 1./ Höllental.’

Deze prent maakt deel uit van een album.
Alexander and the Family of Darius from a set of The Story of Alexander
Object type: tapestry
Date: 1700 – 1735
Materials: silk, wool
Artist: charles le brun
Artist role: artist
Artist nationality: french
Artist dates: 1619 – 1690
Subjects: tents,alexander the great,men,women,forests
Portret van Gerbrand van Leeuwen
Object type: print
Date: 1687 – 1708
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: pieter van der plas (ii)
Artist role: print maker
Artist dates: 1647 – 1708
Subjects: theologian
Inscriptions: collector's mark: Lugt 2228

De predikant en hoogleraar in de godgeleerdheid Gerbrand van Leeuwen.
Potiphar's Wife (Potiphars Weib)
Object type: print
Date: 1914 – 1914
Techniques: drypoint
Artist: wilhelm lehmbruck
Artist role: artist
Artist nationality: german
Artist dates: 1881 – 1919
Subjects: male nudes,female nudes
Patsey Kerrigan, Pugilist, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: lithography
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,boxing,athletes

Trade cards from "World's Champions," Second Series (N43), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Vrede van Fontainebleau tussen Denemarken en Zweden, ter ere van Karel XI
Object type: history medal
Date: 1679 – 1679
Materials: silver
Techniques: striking
Location: stockholm
Artist: arvid karlsteen
Artist role: medailleur
Artist dates: 1647 – 1718
Subjects: koning, karel xi (koning van zweden), île-de-france, fontainebleau, vrede van fontainebleau (1679)

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Zweden in gedaante van jonge vrouw met olijftak en schild met drie kronen binnen omschrift; afsnede: jaartal.
The "Grate" Token
Object type: coin or token
Date: 1795 – 1795
Materials: bronze
Techniques: struck
Subjects: george washington,men,profiles
Vleiende maagd
Object type: print
Date: 1700 – 1900
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: couple of lovers
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een jonge naakte vrouw zit op schoot bij een naakte man. Onder de voorstelling een vierregelig vers in het Nederlands.
Gezicht op het stadhuis te Franeker, Friesland
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: franeker
Artist: Anonymous
Subjects: townhall
Inscriptions: annotation: ‘Franeker’
Landscape
Object type: drawing
Date: 1701 – 1800
Materials: chalk
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: landscapes,trees
Masques et visages. Les maris me font toujours rire
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: lithograph
Location: paris
Subjects: boxes, loges ~ theatre, etc., binoculars, spy-glass, etc.
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Paris (journal), 9 januari 1853.
Putti Carrying the Cross (recto); Studies of a Hand (verso)
Object type: drawing and watercolor
Date: 1672 – 1675
Materials: chalk, charcoal, paper
Techniques: stumping
Location: italy
Artist: gian lorenzo bernini
Artist nationality: italian
Artist dates: 1598 – 1680
Portret van Gerard Seghers
Object type: print
Date: 1630 – 1674
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, gerard seghers
Inscriptions: collector's mark: Lugt 240

Portret van de Antwerpse prentmaker en schilder Gerard Seghers.
Gezicht op bolwerk De Bocht met molen De Vervanger
Object type: drawing
Date: 1753 – 1808
Materials: ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: bartholomeus barbiers
Artist role: draughtsman, painter
Artist dates: 1740 – 1808
Subjects: city-view in general; 'veduta', canal, windmill
Inscriptions: collector's mark: Lugt 1557, inscription: ‘de molen de Vervanger. / Bolwerk de Bocht’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 24.
Souvenir spoon with finial in form of Irish harp
Object type: souvenir spoon
Date: 1867 – 1900
Materials: silver, silver gilt, stone
Techniques: inlay
Groepsportret van verklede studenten tijdens een kroegdiës
Object type: photograph
Date: 1915 – 1915
Materials: paper, cardboard
Techniques: gelatin silver print
Location: delft
Artist: j.c.c. witte
Artist role: fotograaf
Subjects: rowing facing backward, pulling
Inscriptions: inscription: ‘Kroegdiës/ 1914 ?/ Schill/ [...]’, address: ‘J.C.C. Witte. -Corpsfotograaf. Coenderstraat 34, Delft. Tel. 240.’
Johannes de Doper preekt in het bos
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: engraving
Subjects: forest, wood, john the baptist preaching (perhaps christ among the bystanders), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark, collector's mark: Lugt 2228
Trade Card for Danby, Printer and Engraver
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Djam scepter
Object type: scepter, djam
Date: 1981 – 1802
Materials: wood
Gezicht op een moskee in Bindjai Lankat, Sumatra
Object type: album leaf
Date: 1890 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: bindjai
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘58’

In de lijst van afbeeldingen wordt deze foto beschreven met de woorden "Moschee in Bindjey".
Brede en de smalle weg
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the way to destruction is broad and the gate is wide; the way to life is narrow and the gate is straight ~ doctrine of christ on love, etc. (matthew 7:13-14; luke 13:24)
Inscriptions: number: ‘27’, collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. II.
Ex libris van W.J. Manger
Object type: bookplate
Date: 1925 – 1925
Materials: paper
Techniques: printing block
Subjects: standing figure, kneeling figure
Inscriptions: date
Autriche Danube, vue de Engelhartszell
Object type: stereoscopic photograph
Date: 1856 – 1890
Materials: glass, paper
Techniques: slide
Location: engelhartszell
Artist: Anonymous
Subjects: river, prospect of city, town panorama, silhouette of city
Inscriptions: number: ‘28.’, number: ‘360’
Cylinder seal
Object type: cylinder seal
Materials: quartz
Culture: babylonian
Location: mesopotamia
De plaats van den H. Theodorus Boendermaker: van buiten op syde , siende naer Breukelen / La place du S: Theodorus Boendermaker par dehors, a côté, regardant vers Breukelen
Object type: book illustration
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: sailing-ship, sailing-boat, river (+ landscape with figures, staffage), country-house, vecht

Prent gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719.
Prent ook gebruikt in: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, parts of two spears or javelins?
Filips II en Isabella, koning en koningin van Spanje
Object type: jeton
Date: 1561 – 1561
Materials: silver
Techniques: striking
Location: wallonia
Artist: Anonymous
Subjects: philip ii of spain

Zilveren penning. Voorzijde: borststuk man; rechts: vuurslag, waar vonken uitschieten binnen omschrift. Keerzijde: borststuk vrouw op veld, bezaaid met lelies binnen omschrift
Jeremia voor de tempel
Object type: print
Date: 1796 – 1849
Materials: paper
Techniques: etching
Location: unknown
Artist: david pièrre giottino humbert de superville
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1849
Subjects: jeremiah condemning idolatry (jeremiah 2-6), other scenes ~ the book of jeremiah (with book chapter:verse)
Inscriptions: collector's mark: Lugt 2228

Jeremia, met lange baard en aureool, spreekt de mensen om hem heen toe. Achter hem de tempelpoort met daarboven een inscriptie in Hebreeuws. De voorstelling verbeeldt de eerste verzen van hoofdstuk zeven in het Bijbelboek Jeremia. Wellicht is de voorstelling ook bedoeld als spotprent.
Turkey, 5 Piastres, from the series Coins of All Nations (N72, variation 2) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Witte Sociëteit (boven) en restaurant De Boer (onder) in Medan
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: medan
Subjects: club, meeting place, restaurant
Inscriptions: number: ‘10’

Onderdeel van Album met heliogravures van Sumatra's oostkust.
Bakers and Brewers from Meketre's Model Bakery and Brewery
Object type: model, bakery, brewery, meketre
Date: 1981 – 1975
Materials: gesso, linen, paint, wood
Location: egypt
Subjects: men,women,working,bakers