deem-data/ArtiFact huggingface dataset:
Projectile Point
Object type: arrowhead, projectile point
Date: 3100 – 2900
Materials: stone
Location: egypt
Christus in het huis van Marta en Maria Magdalena en Lazarus
Object type: print
Date: 1483 – 1510
Materials: paper
Techniques: woodcut
Artist: hans burgkmair (i)
Artist role: draughtsman, print maker
Artist dates: 1473 – 1531
Subjects: christ's answer to martha who complains about mary: 'mary has chosen the good portion ...'
Inscriptions: collector's mark: Lugt 240

Christus zit in het huis van Marta en is in gesprek met Marta, haar zus Maria Magdalena zit aandachtig luisterend op de grond en haar broer Lazarus staat naast Christus. De namen van de laatste drie staan bij de figuren. Op de achtergrond rechts brandt een openhaard.
Pair of Miniature Candlestands with Petal-lobed Nozzles
Object type: decorative art
Materials: porcelain
Techniques: glazing
Location: china
Jarrén arabe
Object type: photograph
Date: 1914 – 1937
Materials: photographic support
Techniques: gelatin silver print
Location: alhambra
Artist: f. linares
Artist role: publisher
Artist dates: 1870 – 1937
Subjects: container of stone: stone vase
Inscriptions: inscription: ‘18 x 24’, number: ‘No. 43’
Burgemeester Meinesz als athleet
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personification of a city, town-patron(ess), weight lifting, exercise of skill and strength (~ pleasure fair), political caricatures and satires

De Amsterdamse stedenmaagd vraagt sterke man burgemeester Vening Meinesz om ook de financiën van de gemeente recht te buigen.
Portret van Willem, prins der Nederlanden
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: the hague, paris, willem (prins der nederlanden)
Inscriptions: date

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Cuneiform tablet case impressed with stamp seal, for cuneiform tablet 54.117.27b: loan of silver
Object type: cuneiform tablet case
Date: 700 – 601
Materials: clay
Culture: assyrian
Location: mesopotamia
Subjects: animals
Terracotta fragment of a column-krater (bowl for mixing wine and water)?
Object type: column krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the heads and necks of two horses to right
Polar Bears
Object type: painting
Date: 1870 – 1910
Materials: canvas, oil
Artist: john macallan swan
Artist role: draughtsman, painter
Artist dates: 1847 – 1910
Subjects: beasts of prey, predatory animals: polar bear, icefield
Inscriptions: signature: ‘JMSwan’

Studie met ijsberen in een poollandschap.
Kris
Object type: kris
Date: 1501 – 1900
Materials: ivory, steel
Culture: balinese
Location: indonesia
Corbel with Busts of Angels
Object type: corbel
Date: 1430 – 1440
Materials: marble
Culture: italian
Location: italy
Subjects: angels
Amulet
Object type: amulet, monkey
Date: 1295 – 1070
Materials: faience
Location: egypt
Soldier with Sword and Shield, Stepping over a Body
Date: 1755 – 1771
Techniques: etching
Artist: philippe jacques de loutherbourg
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1812
Subjects: soldiers,shields,swords,men

Loutherbourg, an Alsatian painter who studied etching in Johann Georg Wille’s academy, clearly admired the prints of the seventeenth-century Neapolitan painter Salvator Rosa, as did many other French printmakers of the time. In the set to which this print belongs (2018.52.1-6), entitled "First suite of Soldiers,"Loutherbourg took up a format associated with Rosa in order to showcase his own inventiveness and fluency.
Wensbrief met activiteiten op straat
Object type: wensbrief
Date: 1738 – 1749
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: vocal music, singing - cc - out of doors, peep-show
Inscriptions: collector's mark: Lugt 2760

Wensbrief met onbeschreven cartouche binnen een decoratief kader met voorstellingen van activiteiten op straat, zoals mensen die straatliederen zingen en kinderen die in een kijkkast gluren.
Oproep tot de eerste kruistocht in Clermont met het portret van paus Urbanus II
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: rome, historical persons, militant proselytizing: religious war, crusade, etc., council, synod ~ roman catholic church, pope

Met een tweeregelig onderschrift in het Duits.
Toilettafel, bekleed met witte en blauwe zijde en gaas
Object type: kaptafel, toilettafel
Date: 1750 – 1750
Materials: cardboard, glass, silk, wood
Location: amsterdam
Artist: Anonymous

De toilettafel bestaat uit een tafelblad op een vast, zwartgelakt onderstel, waarop een spiegel staat, ondersteund met een houten lat. Het tafelblad en de spiegel zijn bekleed met blauwe zijde, afgezet met wit band. Rondom de tafel hangt een aangerimpeld kleed van zijde en gaas, om de spiegel is een doek van gaas gedrapeerd; vijf strikken van zijde sieren de hoeken van het blad en de spiegel.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: gold, iron
Culture: japanese
Location: japan
Subjects: dragons
Pair of pier tables
Object type: pier table
Date: 1790 – 1800
Materials: wood, gilt bronze, marble
Upper right arm possibly with Aten cartouches
Object type: upper right arm, aten cartouch
Date: 1353 – 1336
Location: egypt
De gewone lach
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: etching
Location: rotterdam
Artist: petrus van schendel
Artist role: draughtsman, painter, print maker
Artist dates: 1806 – 1870
Subjects: passions, emotions, affections, smiling
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228

Prent was een proefdruk om potentiële afnemers te interesseren voor het werk: Schendel, Petrus van. De hartstogten, afgebeeld in 72 expressiehoofden, Rotterdam: Wed. van der Meer & Verbruggen, 1834
Eglise Notre-Dame et Rue de Paris (Havre)
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: le havre
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: façade (of house or building)
Inscriptions: number: ‘405.’
Shawl
Object type: shawl
Date: 1801 – 1850
Materials: wool
Location: india
Portret van Karl Friedrich Adam Graf von Görtz
Object type: print
Date: 1764 – 1804
Materials: paper
Techniques: engraving, etching
Artist: peter haas
Artist role: print maker
Artist dates: 1754 – 1804
Subjects: ornament ~ medallion, commander-in-chief, general, marshal, historical persons, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228
Mon oncle le jurisconsulte
Object type: book
Date: 1884 – 1884
Materials: linen, paper
Techniques: photograph, printing
Location: brussels
Inscriptions: date: ‘Nov 1988’, annotation: ‘E.O. 400-’
The Farm Yard with the Cock, plate 17 from Liber Studiorum
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Statuette of a swan, fragment
Object type: statuette of a swan, fragment
Date: 670 – 330
Materials: bronze
Culture: roman
Subjects: swans
King's Moorish attendant
Object type: crèche figure
Date: 1751 – 1800
Materials: cotton, gold, metal thread, textile, silk, silver, terracotta, fiber, metal
Techniques: polychrome
Subjects: daggers,men

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Lambert Melisz. vlucht met zijn moeder in een slee over het ijs, 1574
Object type: history print
Date: 1740 – 1742
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: sleigh, sledge (non-sport)

Gebruikt als illustratie in: Pieter Jansz Twisck, Een vaderlyk geschenk, of Testament : Zynde een verklaringe over het vyfde gebodt, Jacob Duyn te Hoorn en Jan Hartig te Amsterdam, 1742.
Study of a Male Nude Shouldering a Wooden Block
Object type: drawing
Date: 1832 – 1832
Materials: graphite
Artist: christen købke
Artist role: artist
Artist nationality: danish
Artist dates: 1810 – 1848
Subjects: male nudes
Kerkinterieur
Object type: photograph
Date: 1907 – 1935
Materials: glass
Techniques: autochrome process
Location: netherlands
Artist: Anonymous
Subjects: interior of church, netherlands
Henri-Victor de Rochefort-Luçay
Object type: photograph
Date: 1880 – 1880
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: pietro melandri
Artist nationality: french
Artist dates: 1885 – 1976
Subjects: collected by hugh edwards, paris, contemporaine littéraire
Knoll for William and Philip R. Paulding, Tarrytown (south and east [front] elevations)
Object type: drawing ornament architecture
Date: 1838 – 1838
Materials: ink, paper, watercolor
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: architecture,houses
Zittende boer in een interieur
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: sitting figure, farmers, interior of the house

Verso-zijde van een ongenummerde pagina tussen blad 20 en 21 uit een schetsboek met 43 bladen.
Snuffbox
Object type: snuffbox, painting
Date: 1758 – 1759
Materials: enamel, gold
Artist: paul robert
Artist role: maker
Artist nationality: french
Artist dates: 1720 – 1779
Subjects: men,women,flutes

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Boerderijen aan een sloot
Object type: drawing
Date: 1929 – 1929
Materials: chalk, paper
Artist: pieter h.j.j. ras
Artist role: draughtsman
Artist dates: 1857 – 1941
Subjects: farm (building)
"PYRÉNÉES//Bagnères de Luchon. Chûte de la Pique", Frankrijk
Object type: photograph
Materials: cardboard, paper
Techniques: albumen print
Location: luchon
Artist: Anonymous
Inscriptions: caption: ‘LAFONT LIBRAIRE ÉDITEUR//40 ALLÉE D'ETIGNY A LUCHON’, caption: ‘PYRÉNÉES//Bagnères de Luchon. Chûte de la Pique’

Frontaal aanzicht op een rivier met lage waterval, Frankrijk.
Designs for Four Chairs
Object type: drawing
Date: 1841 – 1884
Materials: graphite
Artist: charles hindley and sons
Artist role: artist
Artist nationality: british
Artist dates: 1841 – 1917
Subjects: chairs
Kanaal te Venetië, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: canals, waters (in city), venice
Inscriptions: inscription: ‘Venetië’
Mark uit Duitsland, Freiberg, 1921
Object type: coin
Date: 1921 – 1921
Materials: porcelain
Techniques: casting

Porseleinen pseudomunt. Voorzijde: kerkgebouw, waarboven jaartal. Keerzijde: waarde-aanduiding in twee regels. Daarboven plaatsaanduiding. Gladde rand.
Enquêteformulier ingevuld door Job Augustus Bakker
Object type: manuscript
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: rotterdam
Subjects: rotterdam, print maker, draughtsman, job augustus bakker
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
The Actor Iwai Kiyotaro II as Lady Itohagi (?) in the Play Genji Saiko Kogane Tachibana (?), Performed at the Ichimura Theater (?) in the Eleventh Month, 1788 (?)
Object type: print
Date: 1788 – 1788
Techniques: woodblock print
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Karikatuur van de schilderkunst
Object type: sketchbook leaf
Date: 1812 – 1880
Materials: paper
Techniques: pen
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: perfume bottle, adult woman, adult man, workshop, studio ~ painter, tools, implements of painter
Inscriptions: annotation: ‘Vader tot zijn Zoon: Houd toch op met schilderen. Ge zijt/ nu 42 jaren oud en nog nooit heeft iemand/ een schilderij van je gekocht. Raphael was op jou/ leeftijd al 5 jaar dood.’

Tevens een figuurstudie van mannen en een vrouw en een studie van een parfumfles. Pagina 27 uit een schetsboek met 34 bladen.
Absaloms knechten doden zijn broer Amnon
Object type: book illustration
Date: 1720 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amnon is murdered at absalom's banquet
Inscriptions: inscription: ‘Utrechts Fundatie huijs’, collector's mark: Lugt 2228

Prent gemaakt voor: Figures de la Bible. Amsterdam, Bernard Picart, 1720. Prent ook gebruikt in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (...) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (...) en met beschrijvingen uitgebreid. Den Haag: Pieter de Hondt, 1728.
Jongenshoofd
Object type: schetsblad
Date: 1880 – 1900
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: johanna behrend-croiset van der kop
Artist role: draughtsman, painter
Artist dates: 1861 – 1943
Set of panels
Object type: panel
Date: 1700 – 1735
Materials: wood
Techniques: carving, gilding
Portret van Pieter Paulus
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: pieter paulus
Inscriptions: collector's mark: Lugt 2228

Ovaal busteportret van de politicus Pieter Paulus. Onder het portret een Nederlands vers van acht regels.
Design for Phaeton, no. 173
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Lamentation, from "The Small Passion", edition Venice
Object type: print
Date: 1612 – 1612
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: lamentation
Portret van Henri E.C. van Kerckhoff
Object type: carte de visite
Date: 1855 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: gerrit hoogwinkel jr.
Artist role: fotograaf
Artist dates: 1837 – 1890
Subjects: henri e.c. kerckhoff
Inscriptions: name: ‘mr Henri E.C. / van Kerckhoff’
Titelpagina voor: C. Forstner, C. Cornelii Taciti, notæ politicæ, Que sunt Continuatio, 1652
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Location: leiden
Subjects: emperor, seeking death, suicide, (civil) marriage ceremonies, house personnel, servants
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Iohannes Henricus Goddag’

Een keizer leunt op een cartouche waarop de titel in het Latijn. Op de achtergrond wordt een huwelijk gesloten. Bovenaan een bediende die de keizer en zijn echtgenote een schaal aanbiedt. Op de achtergrond een soldaat die zichzelf met zijn zwaard neersteekt. Onderaan in een cartouche een impressum in het Latijn.
Allegory of Africa
Object type: drawing
Date: 1728 – 1774
Materials: chalk
Artist: gottfried bernhard goetz
Artist role: artist
Artist nationality: german
Artist dates: 1708 – 1774
Subjects: spears,men,lions,trees
Bursa van geel zijdesatijn met borduurwerk
Object type: burse
Date: 1750 – 1750
Materials: gold thread, silk, thread
Location: china
Artist: Anonymous
Subjects: st. franciscus xaveriusparochie ''t zand'

Bursa van geel zijdesatijn met borduurwerk in zijde en in hoogreliëf met goud- en zilverdraad met voorstelling van Grieks kruis. Bursa maakt onderdeel uit van een stel (BK-2008-176-A t/m E).
Gezicht op Hoogstraat 47-49 te Woudrichem
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: woudrichem
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: urban housing, façade (of house or building), street (+ city(-scape) with figures, staffage), woudrichem
Inscriptions: annotation: ‘Woudrichem oct 1901 (N.B.)/ Hoogstraat N:47 48-49’, annotation: ‘Woudrichem/ N:49 48 47’
Portret van Willem V, prins van Oranje-Nassau
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: the hague, william v (prince of orange)
Inscriptions: date

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
De vier gedaantes van de geneesheer
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: guardian angel, physician, doctor, patient, sick person, medicine, medical science, medical examination, medical treatment, medicament, medicine, medicine, medical science (+ tools, instruments; laboratory equipment ~ scientific research)
Inscriptions: collector's mark: Lugt 2228

In het midden een engel die een beker medicijn in zijn hand heeft. Rondom hem liggen de instrumenten van de geneeskunde. Op de achtergrond het interieur van een woonhuis. Links verzorgt een geneesheer een zieke patiënt. Rechts onderzoekt hij hem. Wanneer een zieke geneest, wordt een geneesheer beschouwd als een reddende engel. De prent heeft een Latijns, Duits en Nederlands onderschrift en maakt deel uit van een vierdelige serie over de gedaantes van de geneesheer.
Portretten van kunstenaars
Object type: print
Date: 1649 – 1670
Materials: paper
Techniques: etching
Location: antwerp
Subjects: antwerp, painter, draughtsman, jan van balen
Inscriptions: collector's mark: Lugt 240

De prent maakt deel uit van de negendelige serie "Image de divers hommes desprit sublime".
Coin Portraying Emperor Constantine I
Object type: coin
Date: 317 – 317
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP CONSTANTINVS P F AVG
Reverse: SOLI INVICTO COMITI
In exergue: [A]QP

The front (obverse) of this coin portrays the emperor Constantine I, facing right and wearing a crown of laurels.

On the back (reverse), the sun deity Sol is depicted standing, wearing a radiate crown and holding a globe in his left hand while rasing his right.
Moderne grotesken met cherubijnen in bladerkransen
Object type: print
Date: 1675 – 1748
Materials: paper
Techniques: etching
Location: france
Ontwerpen voor het onderstel van een tafel
Object type: sketchbook leaf
Date: 1905 – 1910
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: table

Blad 13 verso uit een schetsboek met 27 bladen.