deem-data/ArtiFact huggingface dataset:
Vignet met allegorie met symbolen van overvloed en vergankelijkheid
Object type: print
Date: 1727 – 1793
Materials: paper
Techniques: etching
Location: netherlands
Artist: leendert brasser
Artist role: draughtsman, print maker
Artist dates: 1727 – 1793
Subjects: 'vanitas' symbols, bee-hive
Inscriptions: collector's mark: Lugt 2228

Vignet met allegorie op overvloed en vergankelijkheid. Een vrouwelijke personificatie met verschillende muziekinstrumenten wijst naar een bijenkorf waar bijen omheen zwermen. In de omlijsting met krullende bladornamenten zijn symbolen van vergankelijkheid opgenomen: schedel, zandloper, zeis en brandende fakkel.
Three Volunteers
Object type: print
Date: 1798 – 1798
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: soldiers,men

Three soldiers wear blue coats and white breeches and fur hats (perhaps busbys which are a type of head gear that originated with Hungarian hussars). The men sit or lean on a rough wooden table.
Servet van wit linnendamast
Object type: napkin
Date: 1640 – 1650
Materials: linen
Techniques: damask
Location: northern netherlands
Inscriptions: : ‘kroon IB 24’

Wit linnendamasten servet met patroon van gestrooide bloemen en insecten, merk kroon IB 24.
Wapen met blanco schilden
Object type: album leaf
Date: 1550 – 1650
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry

Een wapen met blanco schild, geflankeerd door twee klimmende leeuwen. Daaromheen een lege banderol en veertien lege schilden. De prent maakt deel uit van een album.
Bust of Saint Peter, from the "Large Series of Wittenberg Reliquaries"; verso: Martin Luther (1548)
Object type: print
Date: 1509 – 1509
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: portraits,saint peter
The Disaster
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: mezzotint
Location: london
Subjects: empty bird cage, cat, domestic birds (inside the house)
Inscriptions: collector's mark: Lugt 2233
Daniel’s vision of four beasts
Object type: print
Date: 1655 – 1665
Materials: paper
Techniques: engraving
Artist: salomon italia
Artist role: print maker
Artist dates: 1619 – 1665
Subjects: daniel's visions (daniel may be shown having his visions explained, e.g. by the archangel gabriel)
Inscriptions: collector's mark: Lugt 240

Kopie naar de gelijknamige prent van Rembrandt, gebruikt voor: Israel, Menasseh Ben. Piedra Gloriosa de la estatua de Nebuchadnesar. Amsterdam: s.n., 1655. De kopie is voor andere edities van hetzelfde boek gebruikt.
Head of a Bodhisattva
Object type: sculpture
Date: 301 – 600
Materials: pigment, plaster
Location: gandhara
Subjects: religion, bodhisattva, buddhism
Jakob Gijsbert de Hoop Scheffer speelt piano met een zangeres aan zijn zijde
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: grand piano, vocal music, singing

Bij gebrek aan gegevens over de vervaardiger is voor de bepaling van de rechten van dit object gebruik gemaakt van de vervaardigingsdatum.
Gate Fragments
Object type: gate fragment
Date: 1201 – 1400
Materials: iron
Culture: french
Soldaten bij een bos waar iemand aan een boom wordt opgehangen
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Subjects: army 'en route', troop movements, transportation, violent death by hanging, private soldier (+ infantry)

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.

Deze prent is ook gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Terracotta statuette of a nude woman
Object type: statuette of a woman
Date: 1450 – 1200
Materials: terracotta
Culture: cypriot
Subjects: female nudes

The statuette is handmade and solid.
Marlborough House
Object type: photomechanical print
Date: 1890 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: façade (of house or building), country-house
Guitar
Object type: guitar
Date: 1838 – 1838
Materials: brass, wood, ivory, metal
Culture: american
Location: united states
Artist: christian frederick martin
Artist role: maker
Artist nationality: american
Artist dates: 1796 – 1796

Christian Frederick Martin was born in Markneukirchen, Saxony, Germany in 1796. He is known to have studied guitar building in Vienna, working for Karl Kuhle, whose daughter Otillia Kuhle Martin would marry. Martin also claimed to have worked in the shop of Johann George Stauffer whose designs he closely followed in examples such as this instrument. Such features as the scroll-shaped headstock and metal machine tuners, the body outline, and the pin bridge, were all based on the Stauffer design. In 1833, Martin immigrated to New York City where he opened a music store and built guitars, like this one, based on the Viennese style guitars he had learned to build in Germany. Within a few years, Martin would design a distinctly American form of the guitar that would shape all subsequent acoustic guitar making in the United States. His company, C. F. Martin & Co., would become one of the most influential musical instrument companies in the world and continues manufacturing acoustic guitars in Nazareth, Pennsylvania.
Plate with figures in arbor
Object type: plate
Date: 1740 – 1740
Materials: enamel, glaze, hard paste porcelain
Techniques: painting
Artist: cornelis pronk
Artist role: artist
Artist nationality: dutch
Artist dates: 1691 – 1759
Subjects: human figures,butterflies,flowers

It is probable that the composition decorating this plate derives from a drawing by the Dutch artist Cornelis Pronk (1691–1759), who is known to have furnished designs to the Dutch East India Company. Pronk’s drawings were widely employed by Chinese porcelain painters as sources of decoration for porcelain intended for export to Europe.
Female ntiri (memorial head)
Object type: head
Date: 1601 – 1700
Materials: patina, terracotta
Culture: akan
Location: ghana
Artist: akan artist
Artist role: artist
Subjects: heads

The Asante, Baule, and Anyi peoples belong to the Akan culture and language group. Since the second half of the sixteenth century, two traditions of terracotta sculpture produced by Akan women have played a role in funerary rites and memorialized the dead. While relief-decorated vessels are associated with the shrines of ordinary people, freestanding figures and heads were predominantly the prerogative of royalty. Enormous stylistic diversity is reflected in forms that range from seven to ten centimeters wide to lifesize and from hollow and sculpturally rounded to solid, flat, and circular.
Saint Jerome at His Study
Object type: relief
Date: 1500 – 1500
Materials: paint, wood
Culture: spanish
Location: spain
Subjects: lions
Gezicht
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: face

Pagina 69 uit een schetsboek met 38 bladen.
Dish of Fruit and Peach Blossoms
Object type: dish
Date: 1701 – 1900
Materials: amber, bone, feather, glass, jade, stone
Culture: chinese
Subjects: fruit,peaches,flowers
Green Glazed Jug
Object type: jug
Date: 1301 – 1400
Materials: earthenware
Techniques: glazing
Culture: british
Location: england

The speckled green glaze is typical of medieval ceramics from the kilns at Mill Green, about forty miles northeast of London. For about a century, beginning around 1270, potters there created tableware both for local use and for sale in the capital and at other locales within about a forty-mile radius, including Kent, Cambridge, and Hertfordshire. This jug’s thin walls reflect the skill of the ceramicist. The decorative accents—with raised ribs and incised lines—further suggest its use by a refined clientele.
Pilgrim bottle
Object type: pilgrim bottle
Date: 1550 – 1550
Techniques: maiolica, glazing
Artist: orazio fontana
Artist role: maker
Artist nationality: italian
Artist dates: 1505 – 1576
Subjects: human figures,satyrs,trees
Annular jug
Object type: jug
Date: 1601 – 1700
Materials: pewter, stoneware
Techniques: salt glaze
Kansas, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "Flags of the States and Territories" series (N11), issued in 1888 in a set of 47 cards to promote Allen & Ginter brand cigarettes. There are also approximately 100 scroll color variations. The museum's collection contains the full set of 47 cards, as well as 54 scroll color variations and one cutout card.
[Group of 3 Stereograph Views of the 1901 Pan American Exposition, Buffalo, New York]
Object type: stereograph
Date: 1850 – 1919
Techniques: albumen silver print
Artist: james m. davis
Artist role: subject
Subjects: buildings,fountains
Design for a Porcelain Candelabra with Nine Branches
Object type: drawing
Date: 1801 – 1900
Materials: gilt, gold, gouache, graphite, watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: candelabra
Grote boog op de kade van een haven
Object type: print
Date: 1650 – 1738
Materials: paper
Techniques: etching
Subjects: harbour
Inscriptions: collector's mark: Lugt 2228a

Haven met een aantal zeilschepen. Op de kade grote stenen boog.
Köbenhavn. Frederiksholms Kanal Med Strombroen og Marmorbroen
Object type: photograph
Date: 1906 – 1920
Materials: photographic support
Techniques: photography
Location: copenhagen
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), canal, copenhagen (city)
Inscriptions: mark
Festive Gathering and Figures from a Commedia dell'Arte in a Gallery
Object type: painting
Date: 1634 – 1634
Materials: amalgam, glass, oil, panel, paper
Techniques: glass painting
Artist: monogrammist db (schilder)
Artist role: painter
Inscriptions: signature and date: ‘D.B. 1634’

Perspectiefkast met een voorstelling van een feestvierend gezelschap en figuren uit de Commedia dell'Arte in een galerij. Enkele elegante paren kijken naar de groep komedianten. Links een vijver met een fontein, op de achtergrond een tuin.
Om uit te knippen
Object type: print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: trees, stage design
Inscriptions: collector's mark: Lugt 2760

Blad met 10 voorstellingen van bomen, gebouwen en landschappen om uit te knippen (toneelschermen). Genummerd midden boven: 70.
Wederzien
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: embracing each other, kissing
Inscriptions: collector's mark: Lugt 240

Deze prent is mogelijk ook gebruikt als illustratie in: Dejaure, Jean-Claude Bédéno. Montroze of De dankbaare. Amsterdam: erven van Pieter Meĳer en Gerrit Warnars, 1791.
Sganarelle houdt de flauwgevallen Célie in zijn armen
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: engraving, etching
Subjects: theatre, theatrical performance, fainting, swooning - bb - out of doors
Inscriptions: collector's mark: Lugt 2228

Prent van scène vier uit 'Sganarelle' door Jean Baptiste Molière. Dit betreft een van de dertig prenten, gemaakt in opdracht van Antoine Augustin Renouard, bestemd voor verschillende edities van Molières werk daterend van 1811 tot 1813. De prenten zijn vervaardigd door verschillende kunstenaars naar composities van Moreau.
Terracotta fragment of an open shape
Object type: undetermined open shape
Date: 434 – 368
Materials: terracotta
Culture: etruscan
Plate
Object type: plate
Date: 1770 – 1775
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008

This British plate imitates Japanese Imari porcelain, characterized by dense patterns and a color palette of iron-red, deep blue, and gold. Unlike the delicate Japanese Kakiemon style, the Imari style was bold and opulent. It remained popular in England through the 19th century, with British ceramic factories producing patterns called "Japan," which were only loosely based on Imari.
Portret van André Rouveyre
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: woodcut
Artist: pierre-eugène vibert
Artist role: print maker
Artist dates: 1875 – 1937
Subjects: historical persons, portrait of a writer, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Interieur van een Zwitserse fotografiewinkel
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Subjects: edifice, e.g.: public building, department store - aa - civic architecture: inside, lighting; lamps

Prent op tweede en derde pagina na pagina 131.
Honderd aspecten van de maan
Object type: print
Date: 1802 – 1886
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: standing figure, fire-fighting
Inscriptions: collector's mark: Lugt 2228

Brandweerman met vaandel, staand bij felle brand; op de achtergrond het silhouet van een tweede brandweerman met vaandel, staand op de nok van een huis waarvan twee mannen de dakbedekking verwijderen, om verspreiding van het vuur tegen te gaan.
Two butter dishes
Object type: butter dish
Date: 1750 – 1750
Materials: earthenware, glaze
Location: delft
Artist: Anonymous
Subjects: landscapes in the temperate zone
Inscriptions: date: ‘1750’

Botervloot met deksel van faïence, ovaal. In blauw beschilderd met landschappen en een spiegelmonogram.
The Hen That Hatched This Egg (Henry L. Stephens), Title Page, from "The Comic Natural History of the Human Race"
Object type: print
Date: 1851 – 1851
Materials: watercolor
Techniques: lithograph
Artist: henry louis stephens
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1882
Subjects: satire
Plate (part of a set)
Object type: plate
Date: 1764 – 1788
Materials: earthenware
Techniques: glazing
Artist: de porceleyne bijl
Artist role: maker
Subjects: boys,girls,men,women
Dress
Object type: dress
Date: 1825 – 1830
Materials: cotton
Culture: american
Gezicht op de Rue de Lille na de brand door de Commune van Parijs
Object type: photograph
Date: 1871 – 1871
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: p. loubère
Artist role: fotograaf
Subjects: ruin of a building ~ architecture, street
Inscriptions: monogram: ‘P.L.’
Portrait de J.J. Guiffrey
Object type: print
Date: 1866 – 1866
Techniques: drypoint, etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: men,portraits
Portret van een Ghawazi-danseres
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: egypt
Artist: Anonymous
Subjects: dancer (non-work situations), historical persons not known by name - bb - woman, female dancer

Studioportret van een vrouw op een stoel. De vrouw draagt vlechten, sieraden en een hoofddeksel, verder draagt zij een pofbroek met strepen. Haar kleding en haardracht zijn kenmerkend voor Ghawazi. Haar armbanden zijn van het type mabroumi, haar halssieraad is een kirdan.
Aigrette met een foef van gladde reigerveren als kroon, zwart
Object type: womenswear
Date: 1900 – 1915
Materials: feather, metal
Location: europe
Artist: Anonymous

Aigrette met een foef van gladde reigerveren als kroon, zwart. Twee van de veren hebben een kleine kwast.
Backyard of a tea house
Object type: page
Date: 1886 – 1896
Materials: paper
Techniques: photograph, hand coloring
Location: japan
Subjects: adult woman, tea garden, garden restaurant, backyard
Inscriptions: inscription: ‘The so-called Chaya (...) from the backyard.’
Gezigt van de batterije aan de Duijvendregtse Brug 1787
Object type: drawing
Date: 1787 – 1899
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: defence of fortification or city, defensive measures (military)
Inscriptions: inscription: ‘Gezigt van de batterije aan de Duijvendregtse Brug 1787.’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 36.
Maskerade-gangers
Object type: costume print
Date: 1685 – 1700
Materials: paper
Techniques: engraving
Location: france
Artist: Anonymous
Subjects: festivities (+ costume party ~ festive activities), making toilet, mirror - aa - (for) women, clothes, costume (+ women's clothes), bedroom

Een vrouw in een vertrek voor een open haard. Ze maakt toilet voor het bal. Een kamenier houdt haar een spiegel voor waarin ze haar hoge kapsel bekijkt. Een tweede kamenier zit geknield voor haar en houdt haar japon op. Door de deur rechts komt een man in harlekijnskostuum (travesti?) binnen. Tegenzijdige kopie zonder onderschrift naar prent uitg. door Jan vander Bruggen, met onderschrift "Femme de qualité s'habillant pour Coure le Bal ".
Scheveningse vrouwen bij het nalezen van een gerooid aardappelveld
Object type: painting
Date: 1874 – 1874
Materials: canvas, oil
Artist: philip sadée
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1904
Inscriptions: signature and date: ‘Ph. Sadée ft 1874’

Scheveningse vrouwen bij het nalezen van een gerooid aardappelveld. Een vrouw knielt bij een mand, een ander schept en de laatste verzamelt de aardappels in haar schort.
Rivierlandschap met twee mannen in een boot
Object type: print
Date: 1734 – 1811
Materials: paper
Techniques: engraving, etching
Artist: antoine de marcenay de ghuy
Artist role: print maker
Artist dates: 1724 – 1811
Subjects: river, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228
Portret van een vrouw in een jurk met een baby op schoot
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, styles of hairdress - aa - ~ women, family, relationship, descent, infant, baby ~ the ages of man, dress, gown, netherlands, dutch east indies, the

Onderdeel van Familiealbum van H.W.F. Ligtenberg en L.M. Swart met 149 foto's en cartes-de-visite.
Coffee cup (part of a service)
Object type: coffee cup
Date: 1760 – 1760
Materials: hard paste porcelain
Artist: doccia porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1737 – 1896
Subjects: male nudes,horses
Verscheidene rariteiten, dames en dieren
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: ornament ~ hybrid beings; human and animal forms mixed, muff, fowl (cock, hen, chicken, etc.), flying on broomstick, pitchfork, trident ~ witches' sabbath, ladder, fashion, (walking on) stilts
Inscriptions: collector's mark: Lugt 2228
Twee stoelen met een opengewerkte rug, bewerkte spijlen en een rieten zitting
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: chair
Inscriptions: collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’, number: ‘L kat 244 139 L kat 243 137’
Panel
Object type: panel
Date: 1567 – 1633
Materials: canvas, metal thread, silk, wool
Subjects: animals,birds,men,women
Muilezeldrijver slaat een paard
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Inscriptions: collector's mark: Lugt 2228
Schaal, langwerpig, met groene rand en gouden Griekse band
Object type: dish
Date: 1865 – 1865
Materials: earthenware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: mark: ‘P. REGOUT HOLLAND MAASTRICHT’, check stamp: ‘P. REGOUT // MAASTRICHT // 2X 15’

Schaal van aardewerk, langwerpig, geschulpt, met groene rand en gouden Griekse band.
Les Roses
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: flowers: rose
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 5i
Moon in Musashi Province
Object type: print
Date: 1740 – 1740
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Subjects: women
Cameo
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" and "H" impressed
Ziet wat in deze prent elks beeld en werk beduidt, / En kiest o kinderen! voor u het best er uit
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: fowl (cock, hen, chicken, etc.) (+ feeding animal), making music; musician with instrument, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., household chores
Inscriptions: collector's mark: Lugt 2760

Blad met 30 voorstellingen van vrouwelijke bezigheden. Onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 101.
Portret van Johann Wilhelm von Archenholz
Object type: print
Date: 1778 – 1844
Materials: paper
Techniques: engraving
Artist: johann friedrich august clar
Artist role: print maker
Artist dates: 1768 – 1844
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Pennanular or Omega Brooch
Object type: brooch
Date: 1 – 200
Materials: bronze
Culture: roman
Crouching Figure of Atlas
Object type: drawing
Date: 1481 – 1536
Materials: chalk, ink, drawing material
Techniques: pen
Artist: baldassarre tommaso peruzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1481 – 1536
Subjects: male nudes
Sampler
Object type: textile
Date: 1803 – 1803
Materials: linen, silk
Techniques: embroidery, weave
Location: mexico
Bismarck, from Les Génies de la Mort
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: lithograph
Location: france
Artist: edmond guilliaume
Artist nationality: french
Artist dates: 1870 – 1879
Subjects: war

Edmond Guilliaume’s images are blunt caricatures that combine well-known German symbols, war leaders, and macabre images of destruction. Otto von Bismarck became prime minister of the Prussian state in 1862 and of the unified German Empire in 1871. To a French audience, he was the cruel leader of the Franco- Prussian War (1870–71). With a skull head, pointed Prussian helmet, and Prussian eagle superimposed on his face, Bismarck looms like a poisonous, grasping plant over the destruction of the French countryside. Playing off a noble coat of arms, Guilliaume gave the French enemy a ghoulish image of death.
Gezicht op verenigingsgebouw Klambir in Tandjong Poera, Sumatra
Object type: album leaf
Date: 1890 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: tandjong poera
Subjects: societies and directory boards, villa
Inscriptions: number: ‘60.’

In de lijst van afbeeldingen wordt deze foto beschreven met de woorden "Societät-Klambir, Tandjong Poera".
Soldaten met wapens
Object type: print
Date: 1660 – 1710
Materials: paper
Techniques: engraving
Location: italy
Subjects: casting weapons
Inscriptions: collector's mark: Lugt 2228

Verscheidene soldaten met op de achtergrond lansen en andere wapens.