deem-data/ArtiFact huggingface dataset:
Frontespizio della Istoria Romana
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: etching
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: piety and generosity of the roman women: they offer their gold and jewellery in order to fulfil camillus' pledge to apollo of a golden bowl
Inscriptions: inscription: ‘De Romeinsche vrouwen ontdoen zich van hunne juweelen en vrouwelijke sieraden, uit / liefde voor het vaderland en volgens vrome gelofte.’, collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 101 prenten over de geschiedenis van Rome.
Zittende vrouw met hoed
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: head-gear: hat (+ women's clothes), sitting on an elevation - aa - female human figure
Inscriptions: kleurnotitie, handgeschreven

Haar hoofd rust op haar hand. Pagina 25 uit een schetsboek met 15 bladen.
Gezicht op de Kloveniersdoelen te Dordrecht waar de Nationale Synode is gehouden in 1618-1619
Object type: history print
Date: 1736 – 1736
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: leonard schenk
Artist role: print maker, publisher
Artist dates: 1696 – 1767
Subjects: exterior ~ representation of a building

Prent ook gebruikt in: Rademaker, Abraham. Alle de voornaamste gesigten van de wydberoemde steeden Alkmaar, Delft en Dordregt (...) / Toutes les principales vuës de la fameuse villes d'Alcmar, Delft & Dordregt […]. Amsterdam: Leonard Schenk, 1736.
Portret van Jan Jansz, alias Jan de Dood
Object type: print
Date: 1655 – 1690
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons, head-gear: hat (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Buste naar links van Jan Jansz, alias Jan de Dood, met een hoge hoed.
Gezelschap op een trap bij de Rotterdamse Droogdok-Maatschappij, bij de doop van het schip Sunetta
Object type: album leaf
Date: 1934 – 1934
Materials: paper
Techniques: gelatin silver print
Location: rotterdam
Artist: Anonymous
Subjects: christening a ship, dry-dock, floating-dock, rotterdam
Petticoat
Object type: petticoat
Date: 1875 – 1880
Materials: cotton
Culture: british
Een woelend water
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: sailing-ship, sailing-boat, pier, quay, wharf, storm at sea
Inscriptions: collector's mark: Lugt 2228

Het water klotst hoog tegen de pier waar figuren aan het werk zijn. Vlakbij helt een zeilboot ver naar links op de golven. Genummerd linksboven: PANTHEON PL. XLIII.
Christus disputeert met mannen in de tempel
Object type: book illustration
Date: 1830 – 1840
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: christ explaining his doctrine
Inscriptions: collector's mark: Lugt 2228
Omslag voor twaalf foto's met gezichten van de Hofburg te Wenen
Object type: wrapper
Date: 1950 – 1960
Materials: cardboard
Techniques: printing
Location: vienna
Artist: Anonymous

Het omslag is bedoeld voor twaalf foto's. In dit exemplaar zijn elf foto's aangetroffen.
Landschap met Diana en haar jachthonden
Object type: print
Date: 1545 – 1585
Materials: paper
Techniques: etching
Location: venice
Subjects: landscapes, diana hunting, owls
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Diana zit tegen een boom geleund en kijkt uit over een rivier. Boven haar hoofd in de boom hangen haar pijl-en-boog. De honden zijn vastgebonden en blaffen naar een uil.
A. Hallette.
Object type: print
Date: 1825 – 1841
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Landschap met zittende tekenaar en kasteel aan water
Object type: drawing
Date: 1754 – 1820
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: hermanus numan
Artist role: draughtsman, painter, print maker
Artist dates: 1744 – 1820
Subjects: draughtsman at work - cc - out of doors
Infant Jesus
Object type: crèche figure
Date: 1751 – 1800
Materials: fiber, silver gilt, terracotta, wood
Techniques: polychrome
Artist: giuseppe sanmartino
Artist role: maker
Artist nationality: italian
Artist dates: 1720 – 1793
Subjects: infants,jesus

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Pitcher
Object type: glass
Date: 1601 – 1700
Materials: glass
Location: italy
Side chair
Object type: side chair
Date: 1710 – 1720
Materials: wood
Techniques: veneering
Grappige spiegel
Object type: cartoon
Date: 1842 – 1842
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: marie alexandre alophe
Artist role: print maker
Artist dates: 1811 – 1883
Subjects: sculptor, christophe fratin, sculptor at work, caricatures (human types), historical persons
Inscriptions: collector's mark: Lugt 2228

Rechtsboven genummerd: No. 6. Met onderschrift in het Frans.
De Heilige Hiëronymus schrijvend in een grot
Object type: print
Date: 1512 – 1512
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: personal devotion of st. jerome
Inscriptions: collector's mark: Lugt 240

De Heilige Hiëronymus zit in een grot te schrijven. Achter hem staat een leeuw. Door de opening van de grot is een stadje aan een baai te zien.
Landscape with an old Oak
Object type: painting
Date: 1639 – 1641
Materials: oil, panel
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: landscape with bridge, viaduct or aqueduct, dunes (sea not visible); in the dunes, trees: oak
Inscriptions: signature, bottom centre: ‘A. ostade’

Adriaen van Ostade from Haarlem painted not only a great many genre scenes with farming folk, but also several landscapes. This painting, with its dramatic contrast between light and shadow, betrays the influence of Rembrandt.
Mountain Landscape
Object type: drawing and watercolor
Date: 1834 – 1873
Materials: chalk, gouache, paint, paper, watercolor
Techniques: brush, drawing, stumping, wash
Location: england
Artist: attributed to john ruskin
Artist nationality: english
Artist dates: 1819 – 1900
Sculptures in the complex of the Ruwanwelisaya stupa at Anuradhapura, Sri Lanka
Object type: page
Date: 1896 – 1896
Materials: paper
Techniques: woodburygravure
Location: anuradhapura
Subjects: places and objects of worship ~ hinduism, buddhism, jainism, sculpture, buddha, founder of buddhism
Inscriptions: title: ‘STATUES OF KING DUTTHAGAMINI AND THREE BUDDHAS.’

Voorstellende zijn koning Dutugamunu en drie Boeddha's
Voorzijde van hanger met naakte godheid met schild, zittend op een bol
Object type: ornament print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: pendant, trinket, 'breloque'

No. 2 uit serie van 10 bladen met voorzijden van hangers. Edelstenen in zettingen van grotesken en rolwerk. Antwerpen 1581. W. 20
Company Officer Receiving a Nobleman
Object type: illustrated single work
Date: 1760 – 1765
Materials: gold, paper
Location: india
Subjects: men,smoking

An unknown British officer, who was probably the patron of the work, is seated at the center of this scene receiving two guests who sit across from him. Attendants surround behind and in front of the figures, who are seated on chairs on a raised white marble audience chamber. This tableau lends insight into the hierarchies of colonial India by an anonymous artist who has a great feel for ceremony and social strata at court.
Plateau
Object type: plateau
Date: 1801 – 1900
Materials: copper, gilt
Artist: elkington & co.
Artist role: manufacturer
Artist nationality: british
Artist dates: 1829 – 1963
Subjects: human figures,battles,swords,horses

This electrotype is after a seventeenth-century original (Augsburg, ca. 1635–40) in the treasure of the Kremlin, Moscow. It was a gift to Tsar Alexei Mikhailovich by the ambassadors of the king of Poland, Wladislaw IV in 1647, together with a matching ewer.
Rheinfels en St. Goar ontzet door de Landgraaf van Hessen
Object type: history medal
Date: 1693 – 1693
Materials: silver
Techniques: striking
Location: leiden
Artist: jan smeltzing (i)
Artist role: modelleur
Artist dates: 1656 – 1693
Subjects: frederik i (koning van zweden)
Portret van Johann Friedrich Mayer op 74-jarige leeftijd
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: engraving
Location: berlin
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Zeilschepen Maida, Yvonne en Encore te water met op de achtergrond een heuvelachtig landschap
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Artist: james adamson
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), (high) hill
Inscriptions: check stamp: ‘Adamson, Rothesay.H.B’
Flower Piece
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: johann nepomuk mayrhoffer
Artist nationality: german, born austria
Artist dates: 1764 – 1832
Plan and Elevation of Gallery, Deepdene, Dorking, Surrey
Object type: drawing ornament architecture
Date: 1875 – 1879
Materials: graphite, ink, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: architecture
Gezicht op Dordrecht
Object type: print
Date: 1781 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), river, church (exterior), ships (in general) - cc - more than one ship, prospect of city, town panorama, silhouette of city, dordrecht

Latere staat ook gebruikt in: Aa, Cornelis van der. Atlas van de zeehavens der Bataafsche Republiek. Met derzelver beschrijvingen in XXXI kunstplaaten / Atlas van de zeehavens der Bataafsche Republiek, die van Batavia en Onrust. Mitsgaders de afbeeldingen van de haringvisscherij en de walvischvangst (…). Amsterdam: Evert Maaskamp, 1805.
Portret van een onbekende man
Object type: page
Date: 1865 – 1870
Materials: paper
Techniques: carbon print
Artist: m. marion
Artist role: fotograaf
Subjects: anonymous historical person portrayed
Inscriptions: inscription: ‘PORTRAIT D'APRÈS NATURE./ PHotographie au charbon par M. Marion, de Paris.’
Een deksel van kleine ovale terrine in Lodewijk XVI-stijl
Object type: lid
Date: 1773 – 1773
Materials: silver
Location: middelburg
Artist: philippus priee
Artist role: silversmith
Ontwerpen voor het onderstel van een doopvont
Object type: sketchbook leaf
Date: 1905 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: baptismal font

Blad 25 recto uit een schetsboek met 30 bladen.
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 111 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 3 horizontal registers. Top register is divided into halves; each half is decorated with a different geometric pattern. Middle and bottom registers are each decorated with 3 squares that are ornamented with a different floral motif.
Lac d'Aidat, Auvergne
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: paris
Subjects: mountains (+ landscape with figures, staffage), lake (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760

Prent gebruikt voor: Nodier, Ch. en Taylor, I. Voyages pittoresques et romantiques dans l'ancienne France. Auvergne. Parijs: Casimir Gide, 1829-1833. dl. 1, p. 114.
Le Gascon puni, from "Contes et nouvelles en vers par Jean de La Fontaine.  A Paris, de l'imprimerie de  P. Didot, l'an III de la République, 1795"
Object type: print
Date: 1795 – 1795
Techniques: etching
Artist: louis michel halbou
Artist role: artist
Artist nationality: french
Artist dates: 1730 – 1809
Subjects: men,women,beds
Zelfportretten van Cor van Teeseling
Object type: drawing
Date: 1905 – 1942
Materials: paper, pencil
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman, netherlands
Inscriptions: signature and date: ‘Cor van Teeseling / mei-42 B-1-1’

Zelfportret van Cor van Teeseling: B-1-1, mei 1942. Cor van Teeseling driekwart afgebeeld, zijn hoofd naar links gewend.
Staff
Object type: staff
Date: 1981 – 1975
Materials: wood
Location: egypt
La femme de tolette
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: woodcut
Location: paris
Subjects: europeans: spaniards (+ costume), fashion plates, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228

Dit is prent 80 uit een serie van 121. Binnen deze serie zijn er prenten gemaakt naar voorbeelden van Jean-François de Roberval en Enea Vico, onbekend welke precies.
Design for a Ceiling Decoration with Putti and Garland Motifs
Object type: drawing
Date: 1709 – 1720
Materials: graphite, ink, drawing material
Techniques: pen
Artist: donato giuseppe frisoni
Artist role: artist
Artist nationality: italian
Artist dates: 1683 – 1735
Subjects: garlands
Backplate and Hoguine (Rump Defense) from a Costume Armor
Object type: backplate and hoguine rump defense from a costume armor
Date: 1525 – 1525
Materials: gold, steel
Culture: german
Location: germany
Artist: kolman helmschmid
Artist role: armorer
Artist nationality: german
Artist dates: 1471 – 1532

This armor reproduces in steel the extravagant puffed and slashed costume of the German Landsknechte (mercenary infantry troops). The matching pieces are preserved in the Musée de l'Armée, Paris. Coming from the Radziwill armory in Nesvizh in present-day Belarus, this armor may have been made for Jerzy Herkules Radziwill (1480–1541), a powerful Lithuanian-Polish nobleman.
Landaulet #893
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Oak Tree
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: united kingdom
Artist: Anonymous
Plattegrond van Maastricht, 1678
Object type: print
Date: 1678 – 1699
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: maps of cities, maastricht
Inscriptions: collector's mark: Lugt 195

Plattegrond van Maastricht, met de vestingwerken zoals deze waren bij de teruggave van de stad door de Fransen bij de vrede van Nijmegen in 1678. Met legenda A-Z in het Duits.
Lumber Camp
Object type: page
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: new york
Subjects: horse-sleigh, timber yard, lumber stack, beam, log of wood
Gezicht op de weg naar het Palmkerkhof
Object type: drawing
Date: 1816 – 1816
Materials: chalk, ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: city-view in general; 'veduta', gate, entrance, cemetery, park-like burying ground
Inscriptions: collector's mark: ‘12’ Lugt 1641b, collector's mark: Lugt 2138d, inscription: ‘Port. 12-300’, inscription: ‘Opgang van het Palmkerkhof op de Schans’, signature, date and inscription: ‘Opgang van het (...) G. Lamberts. 1816.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Sarphatistraat, Schans.
Kabuki Actor Nakamura Utaemon III as the Sword Master Kyōgoku Takumi, from the series Issei ichidai atari Kyōgen (Hits of a Lifetime of Kyōgen)
Object type: woodblock print
Date: 1825 – 1825
Materials: ink, paper, pigment
Techniques: woodblock print
Culture: japanese
Artist: shunkōsai hokushū 春好斎北洲
Artist role: artist
Artist nationality: japanese
Artist dates: 1808 – 1832
Subjects: men,actors
American Beauty Rose: Timidity, from the series Floral Beauties and Language of Flowers (N75) for Duke brand cigarettes
Object type: print
Date: 1892 – 1892
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: women,roses

Trade cards from the "Floral Beauties and Language of Flowers" series (N75), issued in a set of 50 cards in 1892 to promote the W. Duke Sons & Co. branch of the American Tobacco Company.
Vrouw, gekleed volgens de mode omstreeks 1620, met gesloten waaier in de hand
Object type: album leaf
Date: 1620 – 1620
Materials: paper
Techniques: etching
Artist: salomon savery
Artist role: print maker, publisher
Artist dates: 1594 – 1683
Subjects: neck-gear: collar (+ women's clothes), clothes, costume (+ women's clothes), skirt (+ women's clothes), sleeves: cuffs (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), sleeves (+ women's clothes), necklace (+ women's clothes)
Inscriptions: signature: ‘S. Savry’, monogram: ‘DH’

Vrouw, gekleed volgens de mode omstreeks 1620, staand, iets naar rechts gekeerd. In de linkerhand houdt ze een gesloten waaier, de rechterhand in de zij.
Wine Glass
Object type: glass
Date: 1760 – 1780
Materials: glass
Techniques: engraving, stippling
Location: england
Le rendez-vous inutile
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: france
Artist: Anonymous
Subjects: open hearth, fire-place, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Grecourt, Jean Baptiste Joseph Willart de. Oeuvres diverses de M. de Grécourt, nouvelle édition, augmentée d'un grand nombre de pièces, revus sur les originales et du Philotanis. Amsterdam: s.n., 1763.
Card table
Object type: card table
Date: 1720 – 1720
Materials: felt, gesso, iron, wood
Techniques: carving, gilding
Melkkan, veelkleurig beschilderd met bloemtakken op een zeegroene fond
Object type: milk jug
Date: 1737 – 1737
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Two jugs. Porcelain. Meissen, c. 1725 - 1730. Given by L. Mainz, 1938.
Nouveau Livre
Object type: album leaf
Date: 1682 – 1731
Materials: paper
Techniques: etching
Location: paris
Subjects: mask, mascaron ~ ornament, ornament ~ festoon, garland

Prent maakt deel uit van een serie van zes prenten.
Studie van handen
Object type: drawing
Date: 1874 – 1945
Materials: ink, paper
Techniques: brush, pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: hand
Vase fragment ?
Object type: vase fragment, fluted
Date: 1981 – 1640
Materials: faience, glaze
Location: egypt
Enoshima in Sagami Province (Sōshū Enoshima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: houses,mountains,landscapes,boats
Zittende man met muts op de rug gezien
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Subjects: sitting figure