deem-data/ArtiFact huggingface dataset:
Poor Crane, Chief of the Cayuses
Object type: medallion
Materials: bronze
Culture: american
Artist: olin levi warner
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1896
Subjects: men,portraits,profiles

"Poor Crane, Chief of the Cayuses" was one of seven portraits of Native Americans that Warner modeled in 1891 while in Oregon. At that time, Ya-tin-ee-ah-witz, or Poor Crane, was living on the Umatilla Reservation in northeastern Oregon and was chief of the Cayuse.
Christ Walking on Water, Holding the Hand of St. Peter (Second Composition), plate 9 from "Les Tableaux de Rome, Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)
Object type: print
Date: 1607 – 1611
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: angels,christ,saint peter,boats
Maximiliaan, aartshertog van Oostenrijk gekroond tot Rooms koning
Object type: copy
Date: 1486 – 1506
Materials: silver
Techniques: striking
Location: hall am inn
Artist: Anonymous
Subjects: brussels, bruges, maria (hertogin van bourgondië), maximilian i (holy roman emperor)

Zilveren penning in kabelrand. Voorzijde: borststuk man met kroon, scepter en palmtak binnen tweeregelig omschrift. Keerzijde: borststuk vrouw met kroon en vogel in rechterhand tussen monogrammen binnen sierrand en omschrift
Aanvang van het jaar 1747, op het verbreken van het Barriere-verdrag door de Fransen en op de hoop op vrede
Object type: new year medal
Date: 1746 – 1746
Materials: silver
Techniques: striking
Location: amsterdam
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764
Subjects: oostenrijkse successieoorlog
Ein new Modelbuch..., page 4 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: acanthus

Published by Johann Schӧnsperger the Younger, Zwickau. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column is decorated with a curving white line. Middle column is decorated with a series of coiling acanthus leaves. Right column is decorated with a pattern of horizontal hatch marks.
Venedie. Enkhuizen
Object type: photomechanical print
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph
Location: enkhuizen
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, street, enkhuizen
Schaal, ovaal
Object type: dish
Date: 1867 – 1867
Materials: creamware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: mark: ‘PARSEME No 3’, check stamp: ‘PR 17 1’

Schaal van aardewerk, ovaal, met blauw doorlopend bloemendecor, behorend tot een kinderservies.
Textile Design with Alternating Vertical Rows of Lozenges Decorated with Rosettes and Pearls Framed by Interlacing Garlands of Branches
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating vertical rows of lozenges of black color decorated with rosettes of five petals and pearls, framed by interlacing garlands of branches of light tan color with offsetting branches rendered with stipples of brown color over a ground of light tan color with stipples of brown color. The rosettes and the pearls are colored with white.
Interieur met vijf meisjes en een oudere man
Object type: drawing
Date: 1883 – 1938
Materials: paint, ink, paper
Techniques: brush, pen
Artist: johannes godefridus kesler
Artist role: draughtsman
Artist dates: 1873 – 1938
Subjects: interior of the house, tea- and coffee-service
Inscriptions: collector's mark: Lugt 2228, :, signature: ‘J.G KESLER’

In een interieur staan en zitten vijf meisjes rond een tafel waarop een theeservies staat uitgestald. Een oudere man komt de kamer binnen. Hij heeft een hoed in de hand en draagt een pakje onder zijn arm.
Rhodos door de Turken belegerd
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: paris
Subjects: (military) attack
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Thevenot, Jean de. Voyages Tant en Europe qu'en Asie et en Afrique, 4 delen. Parijs: Charles Angot, 1689, dl. I.
Model for a portrait medal of Francesco Redi
Object type: medal
Date: 1677 – 1677
Materials: wax
Artist: massimiliano soldani
Artist role: artist
Artist nationality: italian
Artist dates: 1656 – 1740
Subjects: men,portraits,profiles

This rare wax model conveys the extraordinary refinement of Soldani’s art. It illuminates the precision and clarity of the carved model from which copies in metal would have been cast. Working in hard beeswax colored white with gypsum, the artist captured the intricacies of the sitter’s physiognomy and hair with great virtuosity. The wax model is the true original; the casts made from it, no matter how fine, never quite reach the same level of quality. Wax-on-slate models for medals are relatively rare, and there are few extant wax modelli by Massimiliano Soldani. The obverse (1975.1.1320a) portrays Francesco Redi, who was court phyisician to the grand dukes of Tuscany, and was also a poet, philospher and naturalist, who played a signficant role in the scientific and cultural world of seventeenth-century Florence. A pioneer in the field of medical research, he is known as the founder of experimental biology and modern parasitology. The image of a galley on a turbulent sea, shown on the reverse (1975.1.1320b), symbolizes a strong soul resisting adversity, while the four stars represent the "Medici planets," four satellites of Jupiter discovered by Galileo and named after Cosimo II de’ Medici.
Tunis - L'Avenue de France
Object type: photomechanical print
Date: 1900 – 1903
Materials: cardboard
Techniques: photograph, writing
Location: tunis
Subjects: ornamental fountain, avenue, boulevard, promenade, esplanade
Inscriptions: postage stamp
Bangle
Object type: bracelet bangle
Date: 3650 – 3300
Materials: shell
Location: egypt
Stylized Figure Pendant
Object type: pendant
Date: 1 – 900
Materials: gold
Techniques: hammering
Culture: darien
Location: colombia
Artist: darién artist(s)
Artist role: artist
Portret van een onbekende man
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: knighthood order, historical persons
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een militair uniform met een ridderorde op zijn borst. De duim van zijn rechterhand heeft hij voor zijn buik in zijn jas geschoven. Hij kijkt naar rechtsboven.
Karel V, Duits keizer, rekenpenning van de raad van Financiën
Object type: jeton
Date: 1555 – 1555
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain)

Koperen penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: wapenschild binnen omschrift
L'École d'Anvers. Portraits biographies cartes de visite. Collection Dupont
Object type: carte de visite
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: antwerp, jean antoine verschaeren, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: inscription: ‘ETABLISSEMENT PHOTOGRAPHIQUE/ de/ J. DUPONT/ Place de Meir 32/ ANVERS/ Maison fondée en 1853’, inscription: ‘Verschaeren’
Pair of Mitten Gauntlets
Object type: armor
Date: 1570 – 1570
Materials: steel
Location: brunswick
Artist: Unknown German Artist
Artist nationality: German
Aje
Object type: aje
Date: 1867 – 1900
Materials: cord, skin, wood
Culture: micronesian
Location: marshall islands

In the past drums were extremely rare in Micronesia (the islands of the tropical northwestern Pacific) and were made only in the eastern Caroline Islands, the Micronesian outliers of Wuvulu and Aua, and the Marshall Islands. With its clean lines, graceful form, and lack of surface ornamentation this example from the Marshall Islands embodies the spare, minimalist aesthetic and emphasis on form characteristic of Micronesian art. In contrast to many areas of the Pacific, where drumming is often a wholly or primarily male activity, drums in the Marshall Islands formerly were used almost exclusively by women. Marshallese drums, known as aje, were played as part of ensembles of female singers and drummers, who accompanied men's dances as well as dramatic song and dance performances similar in some respects to Western opera. Among the most important of these was the jebwa, a dance in which men carry staffs, which are struck together periodically as part of the choreography. Aje were also used in times of war when groups of women beat drums and sang to encourage their men in battle. The women also served as a second line of defense and afterwards assisted in negotiating peace. Because the sound could carry considerable distances, drums were also played on voyages to keep canoes together during nights at sea. Today, the Marshallese continue to make a modified form of aje, which is now played by men to accompany contemporary jebwa performances.
Incense Burner with Dragon Spout
Object type: incense burner
Date: 1 – 300
Materials: bronze
Culture: vietnamese
Subjects: dragons
Spout-and-bridge bottle with warrior
Object type: bottle
Date: 400 – 600
Materials: ceramic
Culture: nasca
Location: peru
Artist: nasca artist(s)
Artist role: artist
Subjects: men
Koraalstenen muur met omlijste opening naar het dorp Dula (Dullah), eiland Dullah, Kai eilanden, Zuidoost-Molukken
Object type: topographical view
Date: 1824 – 1824
Materials: ink, paper, pencil, watercolor
Techniques: brush
Location: south moluccas
Artist: adrianus johannes bik
Artist role: draughtsman, print maker
Artist dates: 1790 – 1872
Subjects: molukken

Koraalstenen muur met omlijste deur en reliëfs aan weerskanten, met doorkijkje naar het dorp Dula (Dullah). De tekenaar bevindt zich op het terrein van het graf van de raja van Dullah, dat buiten het ommuurde dorp (negorij) ligt.
Beaker
Object type: beaker
Date: 1800 – 1830
Materials: silver
Culture: american
Location: united states
Artist: isaac hutton
Artist role: maker
Artist nationality: american
Artist dates: 1766 – 1855
Olandine
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Handschoenrekker van gelakt hout
Object type: glove stretcher
Date: 1885 – 1950
Materials: lacquer, metal, wood
Techniques: cutting, lacquer
Location: netherlands
Artist: Anonymous

Handschoenrekker van gelakt hout, met tussen de twee scharen een metalen veer.
Allegory of the Transience of Life
Object type: drawing
Date: 1651 – 1651
Materials: ink
Techniques: pen
Artist: conrad meyer (i)
Artist role: artist
Artist nationality: swiss
Artist dates: 1618 – 1689
Subjects: swords,skulls,flowers,vases
Caroline van den Berg met baby Frank in haar armen
Object type: photograph
Date: 1912 – 1912
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: the hague, caroline louise van den berg-van den berg, amsterdam, frank willem van den berg (1912-1998), historical persons, mother and baby or young child, infant, baby
Een poppenspeler met pop en gô speelbord
Object type: print
Date: 1890 – 1900
Materials: paper
Techniques: woodcut
Location: japan
Subjects: puppet, adult man, board-games
Inscriptions: collector's mark: Lugt 2228, collector's mark

Een poppenspeler met pop en een speelbord voor Japans schaken (gô). Met één gedicht. De prent is een b-kopie.
Second View Close to Nice
Object type: print
Date: 1750 – 1800
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Boer met hond
Object type: drawing
Date: 1927 – 1927
Materials: chalk, charcoal, paper
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: farmers
Inscriptions: workshop stamp: ‘ATELIER LEO GESTEL 1941’, workshop stamp: ‘ATELIER LEO GESTEL 1941’, inscription: ‘VLAANDEREN portret 1926/27’

De huidige titel is door het Rijksmuseum overgenomen van het Instituut Collectie Nederland.
Serape
Object type: serape
Date: 1830 – 1860
Materials: cotton, wool
Culture: saltillo
Location: mexico

During the second half of the eighteenth and first half of the nineteenth century, a number of weaving centers flourished in northern Mexico that produced brilliantly colored, finely woven wearing blankets, or serapes, for the affluent clientele of prosperous mining communities and sprawling cattle and sheep ranches. Saltillo in the state of Coahuila, more than 500 miles north of Mexico City, was the most famous of these textile manufacturing towns; its name gradually become associated with any fine blanket of the region, although other towns, including San Miguel Allende, Guanajuato, and San Luis Potosí, also produced good quality serapes. The origin of the serape as a distinctive item of outer clothing for men is unclear. Not indigenous to Mexico, it is nonetheless part of the textile tradition that developed in Mexico during the colonial period. Both native American and European elements went into it. In Aztec Mexico, a smaller rectangular manta, or man's wearing blanket, called tilmatli in Nahuatl, was woven on a backstrap loom and worn with the two upper corners tied together at the shoulder or at the neck. The Saltillo serape is larger and worn in different ways: over one shoulder, wrapped and draped like a shawl around the body, or as a poncho, since many have neck slits. Serapes, highly prized prestige items of clothing in Mexican society because of their fine weave, striking colors, and harmony of design, were very popular among riders of horses because of the suitability for life on horseback. Painters of the time depict vaqueros (cowboys) and horsemen wearing this colorful garment. When not in use, it was rolled and tucked behind the saddle.
Needlework Picture
Object type: needlework picture
Date: 1800 – 1800
Materials: silk, thread
Techniques: embroidery
Culture: american
Location: united states
Subjects: flowers,trees
Prediking van een apostel
Object type: book illustration
Date: 1550 – 1649
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: (single) apostle, unspecified, preaching (in general)
Smid die aan de hoefijzers van een paard werkt
Object type: page
Date: 1872 – 1882
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: smith, blacksmith
Fotoreproductie van een schilderij van een biddende kluizenaar door Gerard Dou
Object type: page
Date: 1882 – 1887
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: anchorite, hermit, one person praying
Inscriptions: number: ‘45’
Brief aan Henriette Wilhelmina van Baak
Object type: letter
Date: 1915 – 1915
Materials: ink, paper
Techniques: pen, writing
Location: scheveningen
Artist: germaine wenziner
Subjects: henriette wilhelmina van baak, brussels, hélène van goethem
Inscriptions: collector's mark: ‘RPK’
Dood van Cleopatra
Object type: print
Date: 1590 – 1594
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: death of cleopatra: she commits suicide by holding to her breast an asp, which she has taken from a basket of figs
Inscriptions: collector's mark: Lugt 2228

Cleopatra pleegt zelfmoord door zich door een cobra te laten bijten. Ze zit naakt op haar bed. Rechts van het bed haar kroon en scepter.
Het dorp Amsterveen
Object type: print
Date: 1637 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: prospect of village, silhouette of village, church (exterior)
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 195

Deze prent is onderdeel van een serie van dertien landschappen met dorpen rondom Amsterdam, gemaakt door Geertruydt Roghman naar tekeningen van haar broer Roelant Roghman.

Tekening door Roelant Roghman in collectie Teylers Museum te Haarlem.
Le Journal des Dames et des Demoiselles, 1856 No. 459, Edition Belge : Toilettes (...)
Object type: fashion print
Date: 1856 – 1856
Materials: paper
Techniques: hand coloring, engraving
Location: paris
Artist: préval
Artist role: print maker
Subjects: ornamental parts of clothing (+ women's clothes), coat (+ women's clothes), head-gear (+ women's clothes), fashion plates, skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes), painting (including book-illumination, miniature-painting) (+ artist at work), neck-gear ~ clothing (+ women's clothes), sleeves (+ women's clothes)
Inscriptions: title: ‘Le Journal des Dames et des Demoiselles / Edition Belge’, address: ‘London at the Moniteur Office 15 Greek Street Soho. New-York Pinneo & Co. General Agents. Madrid P.J. de la Pêna.’, caption: ‘Toilettes de la M"on R Lhopiteau. Robes de Paulines Couter. Modes de M"elle Alphonsine. fleurs-de S. Perrot Petit & C.ie. Passementeries et Rubans d'Audoyer (a la Ville de Lyon) Corsets (sans gousset) de la Maison Sophie Dumoulin. Parfums de Legrand, Breveté de S.M. L'Empereur et des cours étrangéres.’

Twee vrouwen in een interieur, van wie één achter een tafel aan het schilderen is. Volgens het onderschrift: 'toilettes' van LHopiteau. Japonnen van Paulines Couter. 'Modes' van Alphousine. Hieronder enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Journal des Dames et des Demoiselles (1841-1902).
Gezicht op een werkplaats met machines om papier glad te maken in een papierfabriek in Turnhout
Object type: photomechanical print
Date: 1901 – 1906
Materials: paper
Techniques: autotype
Location: turnhout
Subjects: machine driven by electricity, paper (writing material), workshop-interior
Inscriptions: monogram: ‘AN’, inscription: ‘Fig. 14. - Turnhout: Machines à lisser.’
Louis XV
Object type: medallion
Date: 1763 – 1763
Materials: gilt, terracotta, wood
Techniques: casting
Artist: jean-baptiste nini
Artist role: artist
Artist nationality: italian
Artist dates: 1717 – 1786
Subjects: men,profiles

In a technique of his own invention, Nini refined the local clay through a process of elutriation and used it to cast his medallions from finely engraved copper molds.
Wine taster
Object type: wine taster
Date: 1780 – 1790
Materials: silver
Artist: a.l., france
Artist role: maker
Artist dates: 1750 – 1850
Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso)
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: pen
Artist: anonymous, italian, bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: male nudes
Isis and Horus
Object type: statuette, isi, horus
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: horus,isis,nursing

Isis’ name is first attested in the fifth dynasty in the Pyramid texts. She was the wife of Osiris and the mother of Horus, and thus was symbolically mother to the pharaoh. In the Late Period, the popularity of this important goddess dramatically increased. She is nearly always depicted in anthropomorphic form, standing or seated on a throne. This statuette shows the goddess in her most beloved pose, nursing her son Horus (known also as the lactans pose). Other goddesses sometimes nurse Horus or other child gods, but Isis is preeminent among them in this role. She wears the horned crown that by the Late Period she had adopted from the goddess Hathor, and armlets on her upper arms. Faint markings on Horus’s chest suggest that he wore an amulet, a common feature for child gods. The abundance of statuettes in this particular pose demonstrate some of the qualities for which Isis was most valued in the first millennium BC: her role as a life-giver and protector. These types of statuettes were very common, dedicated not just to Isis cults, but seemingly to many temples and shrines, usually in association with Osiris and the child god Horus.
Rank Badge
Object type: rank badge
Date: 1701 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: bats,birds
Portret van Pietro Paolo Vergerio
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons

Prent waarschijnlijk uit: Sleidanus, Johannes. Warachtige beschryvinge hoe dattet met de religie ghestaen heeft (...). Rotterdam: Gillis Pietersz, Delft: Nicolaes de Clerck, 1611.
Figuren bij een ruïne en een ophaalbrug
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: amsterdam
Artist: christiaan hagen
Artist role: draughtsman, print maker
Artist dates: 1635 – 1707
Subjects: bridge, landscape with ruins (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Studies, mogelijk van figuren
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: human being, man in general
Inscriptions: address: ‘P. de Wit/ N.W. Buiten/ 142’

Studies, mogelijk van figuren. Pagina 35 uit een schetsboek met 70 bladen.
Portrait of `Ali Quli Mirza, I`tizad al-Saltana
Object type: illustrated single work
Materials: gold, ink, paper, watercolor
Location: iran
Artist: abu`l hasan ghaffari, known as sani' al-mulk
Artist role: artist
Artist nationality: iranian
Artist dates: 1814 – 1866
Subjects: men,portraits

This is a fine portrait of prince 'Ali Quli Mirza I'tizad al-Saltana, 54th son of the ruler Fath 'Ali Shah Qajar, who served as Minister of Higher Education, and Director of the Dar al-Funun academy (Iran's first modern institution of higher learning). It demonstrates the court artist Abu'l Hasan Ghaffari's extraordinary skills in rendering realistic portraits that capture the sitter's psychological state. Here, the artist has devoted attention to a lavishly decorated interior of carved plaster walls with touches of cut mirrorwork and the prince's brocade cloak. By the 1850's photography was widely practiced at court which had a decisive impact on painting. The dialogue between painting and photography is evident in this portrait.
Stockings
Object type: stocking
Date: 1850 – 1850
Materials: silk
Culture: french
Imperial seal
Object type: imperial seal
Date: 960 – 1279
Materials: jade
Culture: chinese
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of bag hanging on wall?; Exterior, head, neck, part of upper torso, and bent right arm, with hand on head, of youth, to right; two javelins; draped male playing the aulos; goal post; palaistra scene; start of handle root and part of handle patch
Pilgrim bottle with cover
Object type: pilgrim bottle with cover
Materials: brass, copper, enamel, gilt
Techniques: painting
Portrait of a Man
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: lithograph
Location: france
Artist: probably jacques louis constant le cerf
Artist nationality: french
Artist dates: 1814 – 1824