deem-data/ArtiFact huggingface dataset:
Zittende vrouw met ontbloot bovenlijf
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ sitting), hairdress - aa - ~ women

Ze is bezig met haar kapsel. Blad 25 verso uit schetsboek XVII met 31 bladen.
Portret van een zittende baby
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: infant, baby
Histoire de l'entree de la reine mere du roy tres chrestien, dans la grande Bretagne
Object type: bookplate
Date: 1904 – 1977
Materials: paper
Techniques: woodcut
Location: venice
Artist: alberto zanverdiani
Artist role: print maker
Artist dates: 1894 – 1977
Subjects: (story of) mercury (hermes), ex-libris, ships (in general)

Cartouche met een schip en Mercurius in een strijdwagen getrokken door twee adelaars. Daarbij een banderol met het motto: Je fus sage je fus fou. Het geheel in een ornamentele rand met links een man met drie korenhalmen en rechts een man met twee maïsstengels. Onderaan het monogram VdG. De ex-libris is geplakt in een boek over de ontvangst van de Franse koning-moeder Maria de' Medici aan Engeland.
Plate
Object type: plate
Date: 1526 – 1550
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: dragons
Legertrein
Object type: popular print
Date: 1815 – 1850
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: transport, train (military) (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Blad met vier voorstellingen van de onderdelen van een legertrein. Zonder titel of teksten. Genummerd rechtsboven: N. 95. Ca. 1815-1850.
Frieze Section from the Rothschild Store, Chicago, Illinois
Object type: architectural fragment
Date: 1881 – 1881
Materials: iron
Location: united states
Artist: adler & sullivan
Artist nationality: american
Artist dates: 1883 – 1895
Interieur van het Paleis voor Volksvlijt, gezien naar de Grote Zaal
Object type: drawing
Date: 1864 – 1904
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: willem hekking jr.
Artist role: print maker
Artist dates: 1825 – 1904
Subjects: permanent exhibition, museum
Inscriptions: collector's mark: Lugt 800a, signature: ‘WHjr’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 24.
Kei Kin
Object type: kei kin
Date: 1801 – 1900
Materials: skin, wood
Culture: japanese
Location: japan
Nieuwjaarswens van de Amsterdamse askarrenmannen voor het jaar 1862
Object type: print
Date: 1862 – 1864
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Artist: antonie vink tollenaar
Artist role: print maker
Artist dates: 1805 – 1875
Subjects: square, place, circus, etc., garbage collection
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Gezicht op de Dam te Amsterdam met de Beurs van Zocher en het Commandantshuis. Tussen het publiek de vuilnismannen met hun kar. Daaronder twee kolommen met elk acht regels Nederlandse tekst. Namens S. de la Fuënte, de askarreman van wijk no. 32.
Chérubim staat verkleed als meisje voor Suzanne en de gravin
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: paris, publisher, adolescent, young woman, maiden, man dressed as woman, travesty, literature
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor 'le Mariage de Figaro' van Pierre Augustin Caron de Beaumarchais. Latere staat gebruikt voor: Almanac de Gotha contenant diverses connoissances curieuses et utiles pour l'année (...). Gotha: C. W. Ettinger, 1785.
Das unverantwortliche von Dem zu Der
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching, letterpress printing
Location: nuremberg
Subjects: violent death by dagger, knife, violent death, being killed; being mishandled and maltreated; seeking death (+ death by murder)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham a Sancta Clara. Heilsames Gemisch Gemasch, das ist: Allerley seltsame und verwunderliche Geschichten (...). Neurenberg: Christoph Weigel, 1710, p. 430.
Drie vrouwen in een huiselijk interieur, Gesiena, Lucia en Cato Piek
Object type: photograph
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: johanna margaretha piek
Artist role: fotograaf
Artist dates: 1870 – 1947
Subjects: amsterdam, adult woman, netherlands
Slag bij Austerlitz, 1805
Object type: print
Date: 1821 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: napoleon i (emperor of the french), battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Overwinning van het Franse leger onder Napoleon tijdens de Slag bij Austerlitz (Slavkov u Brna), 2 december 1805. Onder de voorstelling de titels in het Frans en Duits. Onderdeel van een groep van twaalf illustraties.
Vrouw met een hond in een veld
Object type: photograph
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adult woman, dog, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Kerkinterieur
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: interior of church
Inscriptions: collector's mark: Lugt 240

Interieur van een kerk. Aan de voet van een pilaar zit een kunstenaar te tekenen. Rechts lopen een gearmde man en een vrouw.
Plate 10: a horseman and a woman, seen from behind, riding towards the right with a young man following them to left, another horseman and woman to right in the background, from "Various Figures" (Agréable diversité de figures)
Object type: print
Date: 1642 – 1642
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,women,horses
Landscape with Waterfall
Object type: hanging scroll
Date: 1828 – 1828
Materials: ink, silk
Culture: japanese
Artist: tani bunchō
Artist role: artist
Artist nationality: japanese
Artist dates: 1763 – 1840
Subjects: waterfalls,mountains,landscapes
Teufelsbrücke
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: teufelsbrücke
Artist: Anonymous
Subjects: bridge
Très Parisien, février 1922: 3.- PRUNELLE
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: diadem, tiara (+ women's clothes), border, ribbon, braid (+ women's clothes), dress, gown (visiting dress) (+ women's clothes), fashion plates, belt, girdle, waistband (+ women's clothes)
Inscriptions: caption: ‘3. - PRUNELLE / Pour ses visites, Madame étrennera aujourd'hui cette charmante robe de "Bulla fleuri" ceinturée de clair ruban assorti aux impressions.’, title: ‘Très Parisien / Février 1922’

Een paarse "Bulla fleuri' middagjapon met witte ceintuur. Prent uit het modetijdschrift Très Parisien (1920-1936).
Man met maatstok
Object type: print
Date: 1785 – 1855
Materials: paper
Techniques: etching
Artist: pieter kikkert
Artist role: print maker
Artist dates: 1775 – 1855
Subjects: measuring-instruments, adult man (+ sideview, profile)
Inscriptions: inscription: ‘Van Riemsdijk’, collector's mark: Lugt 2228

Een man met een schort om en een hoed op in profiel naar links, wijst met zijn linkerhand. In zijn rechterhand heeft hij een maatstok.
Cup plate
Object type: cup plate
Date: 1829 – 1840
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Subjects: ships
Tub/Carriole  Sleigh  #3899
Object type: drawing
Date: 1884 – 1884
Materials: crayon, graphite
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
At the Restaurant
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: lithograph
Location: france
Artist: jean louis forain
Artist nationality: french
Artist dates: 1852 – 1931
To the Count Palatine or Count of the Palate, plate 33 from Los Caprichos
Object type: print
Date: 1797 – 1799
Materials: paper
Techniques: aquatint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Man met een tas en een hoed voor een non in een deuropening
Object type: page
Date: 1885 – 1895
Materials: paper
Techniques: photograph
Subjects: nun(s)
Firenze - La Facciata della cattedrale. (Arch. De Fabris e Del Moro)
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: florence
Subjects: parts of church exterior and annexes: campanile, church (exterior)
Inscriptions: number: ‘P.e.1.a No. 1955’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Italiaanse steden en van kunstwerken.
Sturio siue Acipenser, L'Esturgeon.
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: bony fishes: sturgeon
Inscriptions: collector's mark: Lugt 2228
Gabbro mace head
Object type: mace head
Date: 2500 – 1900
Culture: cypriot

Spherical with a hole through the center.
Tureen with cover (part of a service)
Object type: tureen with cover
Date: 1770 – 1785
Materials: hard paste porcelain
Subjects: birds,coat of arms
Zes gezichten op Leiden
Object type: photograph
Date: 1930 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: leiden
Artist: Anonymous
Subjects: square, place, circus, etc., church (exterior), canals, waters (in city), city-gate, prospect of city, town panorama, silhouette of city

In de opschriften van de foto's is vermeld dat het gaat om de Morspoort, de Hooglandse kerk, de Stadstimmerwerf, het Rapenburg met Academiegebouw, de ingang van museum De Lakenhal en de Vismarkt. Deze foto's maken deel uit van een album.
Grafmonument van Maria Christina van Oostenrijk in de Augustinerkirche, Wenen
Object type: photograph
Date: 1868 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: vienna
Artist: august angerer
Artist role: publisher
Subjects: grave, tomb, grave-building, monumental tomb
Inscriptions: inscription: ‘Nachdruck vorbehalten.’, inscription: ‘Weenen’
Portret van Philippus Lansbergen op 67-jarige leeftijd
Object type: print
Date: 1628 – 1638
Materials: paper
Techniques: engraving
Location: middelburg
Subjects: ghent, middelburg, physicist, philippus lansbergen, astronomy (and cosmography) (+ portrait of scholar, scientist), historical persons, portrait of a writer

Met zesregelig vers in het Latijn onder het portret.
A Spring Outing
Object type: print
Date: 1768 – 1768
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Allegorisch grafmonument voor Isaac van Goudoever
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: amsterdam, symbols, allegories of peace, 'pax'; 'pace' (ripa), historical persons, freedom, liberty; 'libertà' (ripa), grave-building, monumental tomb, cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry, courage, bravery, valiance, manliness; 'ardire magnanimo et generoso', 'gagliardezza', 'valore', 'virtù heroica', 'virtù dell'animo e del corpo' (ripa)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan de Schutterij.
Trein bij stationnetje
Object type: photograph
Date: 1905 – 1910
Materials: photographic support
Techniques: photography
Location: suriname
Artist: augusta curiel
Artist role: fotograaf
Artist dates: 1873 – 1937
Subjects: jacob evert wesenhagen, railway, tramway; rack railway, suriname

Aankomst van een trein bij een station. Foto in het fotoalbum over de aanleg van de Lawaspoorweg in Suriname in de jaren 1903-1912. Onderdeel van een groep objecten afkomstig van de familie Wesenhagen in Suriname.
Bodice
Object type: bodice
Date: 1860 – 1860
Materials: silk
Culture: american
De val van Messalina
Object type: drawing
Date: 1804 – 1804
Materials: ink, paper
Techniques: brush, pen
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: love-affairs of messalina, (story of) claudius the roman emperor - love-affairs of person from classical history

De val van Messalina; in zijn strijdwagen krijgt keizer Claudius de beschuldigingen tegen de keizerin te lezen.
Vue générale du Temple de Dakkeh (Pselcis), prise au Nord
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,temples,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Opera Selectiora
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: printmaking
Artist: valentin lefèbvre
Artist role: print maker
Artist dates: 1642 – 1680
Subjects: presentation of the christ-child in the temple, usually simeon (and anna) present (luke 2:22-39)
Inscriptions: collector's mark: Lugt 240

In de tempel heeft een groep mensen zich bij het altaar verzameld. De hogepriester Simeon knielt neer voor het Christuskind dat door Maria wordt vastgehouden. Achter Maria kijkt Jozef leunend op zijn staf toe. Uiterst rechts houdt een vrouw een kooitje met twee duiven vast. Tegenafdruk van een prent die deel uitmaakt van een 53-delige serie naar schilderijen van Titiaan en Veronese.
Kurodai and Kodai Fish with Bamboo Shoots and Berries, from the series Uozukushi (Every Variety of Fish)
Object type: woodblock print
Date: 1830 – 1839
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: fish
Piece
Object type: piece
Date: 1567 – 1633
Materials: metal thread, silk
Portret van Guiseppe Acerbi
Object type: print
Date: 1783 – 1829
Materials: paper
Techniques: stippled etching
Artist: carl hermann pfeiffer
Artist role: print maker
Artist dates: 1769 – 1829
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Blad 72 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949)
Object type: photograph
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 43e driemaandelijkse cursus van september tot december 1935, stamboeknummers 866 tot en met 870. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949).
Portret van Willem Frederik baron van Roëll
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1701 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: bats,flowers
Portret van Josua Fürstenberger
Object type: print
Date: 1732 – 1799
Materials: paper
Techniques: engraving
Subjects: mayor, historical persons
Inscriptions: monogram: ‘D.H.’
Drag (not numbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta vase in the form of a duck
Object type: vase in the form of a duck
Date: 600 – 501
Materials: terracotta
Culture: greek, corinthian
Subjects: ducks

Black paint covering the head and wings and tail; with white and red paint decoration on wings.
Statue of the Goddess Sakhmet
Object type: statue, sakhmet
Date: 1390 – 1352
Location: egypt
Subjects: goddess

This lion-headed figure represents the goddess Sakhmet, whose name means "the powerful one." Sakhmet was goddess of war, violent storms, and pestilence. When she was appeased, her powers of destruction could be used to protect, and in this aspect she became a goddess of healing.
Fragmenten van prenten van Pyramus en Thisbe
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: thisbe kills herself with pyramus' sword (the scene may be represented near a fountain)

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Bronze mirror with ivory handle
Object type: mirror with athena, thalna, sime
Date: 334 – 301
Materials: bronze, ivory
Culture: etruscan
Subjects: male nudes,female nudes

Minerva (Etruscan: Menrva) flanked by Thalna (a nymph) and Sime (a satyr)
Grazende koeien in de uiterwaarden
Object type: print
Date: 1682 – 1709
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: cow, sailing-ship, sailing-boat, river, church (exterior), windmill in landscape
Inscriptions: collector's mark: Lugt 240

In de uiterwaarden doet een kudde koeien zich tegoed aan gras en water. Een boer met in zijn hand een emmer, loopt juist van de kudde vandaan. Op de rivier zeilschepen en roeiboten. Aan de overzijde van het water een dorp met een kerk en rechts een molen.
Portret van Gabrielle Krauss
Object type: page
Date: 1875 – 1884
Materials: paper
Techniques: woodburytype
Location: paris
Artist: wilhelm benque
Artist role: fotograaf
Artist dates: 1843 – 1903
Subjects: historical persons, opera-singer (female)