deem-data/ArtiFact huggingface dataset:
Distant View of Niagara Falls
Object type: painting
Date: 1830 – 1830
Materials: oil, panel, wood
Techniques: painting
Location: niagara falls
Artist: thomas cole
Artist nationality: american
Artist dates: 1801 – 1848
Subjects: landscapes
Inscriptions: Signed, lower right: "Thomas Cole / 1830"

Thomas Cole visited Niagara Falls in May 1829, composing this romanticized, autumnal scene the following year. Portraying the grandeur of the American landscape, the artist omitted the factories, scenic overlooks, and hotels that populated the area in the early 19th century. Cole expressed concern about the environmental impact of voracious industrialism, but at the same time his painting erased the human devastation wrought by colonialism and conquest in the region, which encompassed Attiwonderonk, Haudenosaunee, and Wenrohronon lands. The two Native American figures at center, combined with the falls, identify the setting as North America, but their diminished presence in scale and number reinforces the false idea of the “vanishing Indian” and is meant to signal impending transformation rather than acknowledge their stolen sovereignty.
Kuvera Seated on a Lion
Object type: sculpture
Materials: copper, pigment
Techniques: gilding
Location: china
Tegeltableau met driemaster
Object type: tile tableau
Date: 1780 – 1820
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Tegeltableau van negen tegels (3 x 3) met een paars geschilderde driemaster met de Nederlandse vlag. Rechts op de achtergrond, een stadsgezicht en links een zeilschip.
Fotoreproductie van een gegraveerd portret van Petrus van der Meer
Object type: reproduction
Date: 1859 – 1864
Materials: paper
Techniques: photolithography
Subjects: historical persons
Portret van Michael Conrad Ernst
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: historical persons

Prent waarschijnlijk uit: Würfel, Andreas. Diptycha ecclesiae Sebaldianae (...). Neurenberg: Christoph Melchior Roth, 1756.
Figure 75: Nun saying her prayers
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: guillaume-benjamin-amand duchenne de boulogne
Artist role: artist
Artist nationality: french
Artist dates: 1806 – 1875
Subjects: science,portraits,women
Amerikaanse kaper Cunningham neemt een Engels schip, 1777
Object type: history print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: piracy, english channel
Inscriptions: date

Gebruikt als illustratie in: P.A. Loosjes. Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie. Amsterdam: J. Allart.
A Warrior on Horseback
Object type: drawing
Date: 1426 – 1450
Materials: chalk, ink
Techniques: pen, wash
Artist: the veneto
Artist role: artist
Artist dates: 1425 – 1449
Subjects: men,horses,warriors

This study for a warrior on horseback has formerly been attributed to the Venetian artist, Michele Giambono, due to the general resemblance of the subject to the master’s fresco of the equestrian figure of San Crisogono (San Trovaso, Venice). However, given the differences of pose and style, the relationship is too generic to ascribe the two works to the same hand. It appears instead that both Giambono’s painted equestrian figure and this study were independently modeled on the same source: the ancient bronze horses of the Basilica of San Marco in Venice. The horse’s stance, with its raised front right leg, and head angled toward the right, as well as some anatomical details, recall the second horse from the left in the Venice group. The San Marco horses were a significant source of inspiration for equestrian imagery in the Renaissance, and artists who were not directly familiar with them may have known prototypes in the form of small statuettes.
Brading
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: aquatint
Location: england
Artist: p. roberts
Artist nationality: english
Artist dates:  – 19
Vader met twee kinderen
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: leiden
Subjects: father and child(ren), man and child(ren) (family group) (with number of children)
Inscriptions: collector's mark: Lugt 2228

Een vader speelt met zijn twee kinderen. Een van de kinderen staat naast de man terwijl de andere wordt opgepakt door haar vader.
Title Page, Divers Anticke Faces
Object type: print
Date: 1677 – 1677
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: mouths,men

Title-page to 'Divers Anticke Faces', lettered with title on tablet, suspended from a string looped over the tooth of a man, his mouth wide open, head and shoulders shown to front; after Leonardo da Vinci
Portret van een zittende vrouw en een staande man
Object type: album leaf
Date: 1878 – 1878
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: a. böeseken
Artist role: fotograaf, lithograaf
Artist dates: 1834 – 1919
Subjects: historical persons - bb - woman, historical persons
Inscriptions: inscription: ‘A. Böeseken/ Photographisch Atelier/ Hoogstraat over de/ Vlasmarkt/ ROTTERDAM.’, annotation: ‘Aan mijn vriendin/ Catharina van der/ Meulen. Tot/ herinnering, bij mijn/ vertrek naar/ Indië./ Merina Schrieller/ van den em[.]/ Barendrecht/ 8 October 1878.’
Strafgevangenis te Rotterdam, huismunt ter waarde van een cent
Object type: huismunt prison money
Materials: zinc
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: rotterdam

Zinken betaalpenning. Voorzijde: letter R binnen omschrift. Keerzijde: waardeaanduiding
Papyrus fragment
Object type: papyrus, letter
Date: 2030 – 1640
Materials: ink, papyrus
Location: egypt

According to the style of writing, this letter was written during the Middle Kingdom. However, not enough of it remains to determine anything about its content. Both sides were written on a papyrus that was used before.
Kanonskogel voor tweeponders
Object type: bullet ammunition
Date: 1590 – 1596
Materials: iron
Techniques: casting
Location: netherlands
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Kanonskogel voor kanon van 2 lb. De gietnaad is half zichtbaar.
Portret van Koosje
Object type: page
Date: 1883 – 1884
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: adult woman, historical persons, amsterdam
Inscriptions: inscription: ‘Collection du Prince Roland Bonaparte/ Phototypie Roche’

Portret van Koosje (Antoinette), een Surinaamse vrouw van Afrikaanse en Europese oorsprong, gefotografeerd op de Internationale Koloniale en Uitvoerhandel Tentoonstelling, Amsterdam 1883.
Gezicht op la Madeleine in Parijs
Object type: photograph
Date: 1887 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Subjects: diligence, omnibus, horse-tram, church (exterior), street
Inscriptions: number: ‘113’

Tussen 1887 en ca. 1900 werkten Neurdein frères onder andere onder de naam 'X phot.'.
Allegorical Figure (Statue)
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: europe
Artist: Anonymous
Artist nationality: likely european
Artist dates: 1700 – 1799
Dragon
Object type: figure
Date: 1550 – 1550
Techniques: maiolica, glazing
Subjects: dragons
Compote
Object type: compote
Date: 1855 – 1870
Materials: glass
Techniques: cutting
Culture: american
Location: united states
Artist: new england glass company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1818 – 1888
Prussian Lieutenant, from World's Smokers series (N33) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,profiles,smoking

Trade cards from the "World's Smokers" series (N33), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Printer's samples included in set, as well. The printer's sample cards are on thinner card stock and do not have any printed text.
Beeld van hardgebakken aardewerk, met veelkleurige decoratie decoratie, Ralph Wood.
Object type: figure
Date: 1775 – 1790
Materials: earthenware
Location: burslem
Artist: ralph wood
Artist role: potter

Beeld van hardgebakken aardewerk. Het beeld stelt een man voor met een lam op zijn rug. De man staat op een grond, tegen een boomstronk aan. Het beeld is veelkleurig beschilderd.
Model of a Carriage for a 36-Pounder Carronade
Object type: demonstration model
Date: 1839 – 1839
Materials: brass, wood
Location: amsterdam

Model van een schuifaffuit voor een carronade van 30 pond. Het naar voren toelopende lichaam bestaat uit twee wangen met beslag en ringen, met daartussen twee zeer zware houten blokken. De wangen hebben een gebogen bovenkant en een ellipsvormige uitsnede beneden. Bovenop het voorste tussenblok zijn de oren met tapas aangebracht, op het achterste beslag met het spoor voor de eleveerschroef. Het affuit rust op wrijvingsklossen onder de wangen, om het recuul te beperken. Twee kleine rollers op een scharnier tegen de achterzijde kunnen met behulp van het baksijzer de achterkant van het affuit opkrikken; het affuit rust dan voor ook op twee rollers, die voor de voorste dwarsbalk zijn aangebracht, en is zo gemakkelijk te boord te rollen. Schaal 1:5 (Obreen).
Portret van een onbekende staande vrouw naast een fauteuil
Object type: carte de visite
Date: 1880 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: t. laroche
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘TL/ THE Don Photographic/ STUDIO/ T. Laroche/ 191/ NEWINGTON BUTTS./ opposite Lower Kennington Lane./ S.E./ [...]’
Master-of-animals standard
Object type: sculpture
Date: 800 – 701
Materials: bronze
Culture: iranian
Location: iran, probably from luristan
Subjects: animals
Heilige Bruno onderwijst theologie in Reims
Object type: print
Date: 1623 – 1676
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: the founder of the order of the carthusians, bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s), the founder of the order of the carthusians, bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s) - male saint writing, studying, teaching, dictating (e.g. as doctor of the church)
Inscriptions: collector's mark: Lugt 2165

Maakt deel uit van een serie met 24 prenten (inclusief twee titelprenten), naar schilderijen door Lesueur vervaardigd tussen 1645-1648 voor de Chartreuse de Paris. De serie is getiteld: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur.
Vrouw bij vestingmuur van een onbekende stad
Object type: color slide
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Artist: Anonymous

Gezicht op een tuin aan de landzijde van een vestingwal, met een staande vrouw, met hoed, en een voorover gebogen staande man.
[Stag Trophy Head Killed by Ned Ross]
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print
Artist: horatio ross
Artist role: artist
Artist nationality: british, born scotland
Artist dates: 1801 – 1886
Subjects: deer,trophies

Far better known in his day as an athlete and a sportsman than as a photographer, Ross excelled in deerstalking and was judged the finest shot in Scotland. Keen on the challenge of pitting his knowledge, stamina, and experience against the deer's superior senses of smell, sight, and hearing, Ross brought to his sport an intimate knowledge of the terrain, a practiced ability to judge distance, and an exceptional attentiveness in observation–just the qualities needed when he took to the Highland countryside with a camera in place of his rifle.
Plate (part of a service)
Object type: plate
Date: 1790 – 1800
Materials: hard paste porcelain
Subjects: flowers
Schön newes Modelbuch (Page 71r)
Object type: book print ornament architecture
Date: 1608 – 1608
Techniques: woodcut
Artist: sigismundus latomus
Artist role: publisher
Artist nationality: german
Artist dates: 1599 – 1632
Subjects: ornament

Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery.
Profile of a Woman
Object type: drawing
Date: 1835 – 1835
Materials: graphite, pastel, paper
Culture: american
Subjects: profiles,women
Kerkinterieur
Object type: print
Date: 1846 – 1913
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: reinier evert johannes roeterink
Artist role: print maker
Artist dates: 1831 – 1913
Subjects: interior of church, pulpit, ambo, chancel
Inscriptions: collector's mark: Lugt 2228

Gezicht op het interieur van een kerk met rechts de preekstoel en links een figuur.
Deez' prent vertoond u, lieve jeugd, / Het vol genot van kindervreugd. / Wanneer het meisje toont haar vlijt, / Heeft het tot spelen ook een tijd
Object type: print
Date: 1820 – 1838
Materials: paper
Techniques: colour, letterpress printing
Location: zutphen
Subjects: children's games and plays, (playing with) dolls, jumping-rope games
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen spelende meisjes, zoals spelen met poppen, touwtjespringen en schooltje spelen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 9.
Ragini Kanada, Page from a Jaipur Ragamala Set
Object type: painting
Date: 1750 – 1770
Materials: gold, paper, watercolor
Location: rajasthan
Subjects: music, musicians
Portret van Johann Zacharias Platner
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: chemnitz, ink-well, historical persons, book, armorial bearing, heraldry
Inscriptions: date
Bloemencorso te 's-Gravenhage, georganiseerd door de ANWB ter viering van de inhuldiging van Koningin Wilhelmina 1898, draagpenning voor deelnemers
Object type: medal
Date: 1898 – 1898
Materials: brass
Techniques: striking
Location: utrecht

Messing penning met bal en draagoog, op de voorzijde het borstbeeld van Wilhelmina naar links met omschrift, op de keerzijde het Nederlandse wapenschild onder het jaartal 1883, met omschrift.
Beaker
Object type: beaker
Date: 1715 – 1715
Materials: silver
Artist: p.p., metz
Artist role: maker

Bell or tulip-shaped beakers became the dominant form used throughout France in the first half of the eighteenth century. The decoration frequently consists of Berain-type strapwork, either in relief or engraved, lambrequin engraving around the rim, and gadrooning on the foot. This beaker may have been a component of a dressing table set but equally could have been part of a set of cutlery and other dining implements to be used when the owner was traveling. Although it remains difficult to establish exactly what beverages would be taken in silver beakers of this period, they may have held water, spirits, beer or even hot, spiced wine. They may also have been used for coffee as illustrated in late seventeenth-century engravings when the beverage was served at a tepid temperature. The rapid development of ceramic manufacturing in the eighteenth century as well as the vast imports from China led to the replacement of silver drinking vessels by porcelain as well as glass. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865-1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes a number of rare early pieces.
Three Putti with Trumpets
Object type: print
Date: 1500 – 1500
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: music,trumpets
Teatro delle Nobili et Virtuose Donne..., page 21 (recto)
Object type: book print ornament architecture
Date: 1616 – 1616
Techniques: engraving, woodcut
Artist: isabella catanea parasole
Artist role: author
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: ornament

Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome. From top to bottom, and left to right: Design composed of 4 horizontal registers that form a corner. First register is decorated with small squares that are ornamented with an alternating pattern of a motif comprised of 2 triangles and another motif formed by an 'x' superimposed over a circle. Second register is decorated with an alternating pattern of snowflakes and quatrefoils. Third register is decorated with the same pattern as that of the first. Fourth register is decorated with rounded triangular motifs that are ornamented with an alternating pattern of a quatrefoil and a snowflake.
Netsuke of Daikoku with Mallet and Bag
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, stone
Techniques: inlay
Culture: japanese
Nieuwjaars Wensch (...) door UEd. Dienaars de Stads-Trompetters (...) 1846
Object type: new year card
Date: 1845 – 1846
Materials: paper
Techniques: letterpress printing
Location: haarlem
Artist: Anonymous
Subjects: tower sentry, church (exterior), street, haarlem
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens van de Haarlemse torenwachters (stadstrompetters) voor het jaar 1846. Gezicht op de Grote Markte te Haarlem met een torenwacht op de toren van de Sint-Bavo. Met een vers in twee kolommen.
Pianospelend meisje
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: etching, intaglio
Artist: louise danse
Artist role: painter, print maker
Artist dates: 1867 – 1948
Subjects: one person playing keyboard instrument, girl (child between toddler and youth), pianoforte
Inscriptions: collector's mark: Lugt 2228, annotation: ‘2ième état’
Halberd
Object type: halberd
Date: 1550 – 1550
Materials: steel, wood
Culture: italian
Location: italy

The Medici coat of arms and the Florentine fleur-de-lis are prominently featured in pierced designs on this halberd. It is a classic example of the period, characterized by a head with an ax-like blade balanced by a pointed rear beak, both surmounted by a narrow straight spear blade or spike, all mounted on a long wooden shaft.
Overvest
Object type: overvest
Date: 1801 – 1900
Materials: bone, cotton, wool
Culture: taiwanese
Scarab Inscribed Perfect God, Lord of the Two Lands Maatkare (Hatshepsut)
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Concordia
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: cologne
Subjects: concord, 'concordia' ~ one of the seven gifts of the soul, bed with tester, baby-chair, prayer at table, saying grace, dining-room, (family) meal
Inscriptions: collector's mark: Lugt 1641, collector's mark
Hercules plaatst een globe op de schouders van Atlas
Object type: titelblad, titelpagina
Date: 1695 – 1695
Materials: paper
Techniques: engraving
Location: paris
Subjects: (story of) hercules (heracles), (story of) atlas, globe
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Jaillot, Hubert. Atlas François, contenant les Cartes Geographiques dans lequelles sont tres exactement remarquez les Empires, Monarchies, Royaumes et Estats de l'Europe, de l'Asie, de l'Afrique et de l'Amerique (...). Parijs: Jaillot, Hubert, 1695.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 151 van dit album.
Rechtszaak en verdeling van geroofde goederen
Object type: print
Date: 1514 – 1531
Materials: paper
Techniques: letterpress printing
Subjects: administration of justice, trial, division of the spoils of war

Deze prent is gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Fringe
Object type: fringe
Date: 1767 – 1800
Materials: metal thread
Voyage pour l'Eternité
Object type: cartoon
Date: 1830 – 1830
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: animal traction, animal-drawn vehicle (carriage etc.), 'sudden death', death as skeleton, postman
Inscriptions: collector's mark: Lugt 2228a
Petits! petits! petits!!!!, from Le Charivari
Object type: print
Date: 1830 – 1840
Techniques: lithograph
Artist: delaunois
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: birds,men
Toren van de Nieuwezijds Kapel te Amsterdam
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: weathercock, climbing, parts of church exterior and annexes: tower - qq - small church, chapel
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Nieuwezijds Kapel.
Five Cigar Ribbons
Object type: textile
Date: 1880 – 1889
Materials: silk
Techniques: weave, printing
Location: united states
Blad met notities
Object type: sketchbook leaf
Date: 1877 – 1932
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Inscriptions: annotation: ‘place de la Tour bleu/ No. 4/ [...]’

Pagina 1 uit een schetsboek met 32 bladen.
Ondermouw van applicatiekant met strooipatroon van ovaal bloempje op steeltje met twee blaadjes
Object type: womenswear
Date: 1850 – 1850
Materials: textile, cotton, mother of pearl
Techniques: lace
Location: netherlands
Artist: Anonymous

Ondermouw van naturelkleurige applicatiekant: batist geappliceerd op machinale tule. Wijd kokervormig model, sterk gerimpeld bij de pols waardoor het nauw sluit. Een apart gemaakt manchet van machinale tule is gerimpeld aan de mouw gezet. De onversierde manchet kan worden gesloten met een knoop. Op de mouw staat een strooipatroon van kleine ovale bloempjes, op een steeltje met twee blaadjes. De opening van de mouw is afgewerkt met een iets gerimpeld zoompje.
Invention horn crook
Object type: horn
Date: 1850 – 1950
Materials: copper
Artist: carl gottlob schüster
Artist role: instrument maker

Beugel van inventionshoorn. Gemerkt: Es.1
Saucer-dish with a translucent white glaze
Object type: plate dish
Date: 1600 – 1699
Materials: glaze, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Schaal van porselein, bedekt met een doorschijnend wit glazuur. Een chip in de rand.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, toes of right frontal foot and heel and ankle of left foot, in profile
Het ongeval met de ongevallenwet
Object type: cartoon
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: petrus van geldorp
Artist role: draughtsman, print maker
Artist dates: 1872 – 1939
Subjects: amsterdam, nicolaas gerard pierson, the hague, politician, historical persons, politician, e.g. party leader, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdamsche Courant, 9 juni 1900.
Mensaap copuleert met een vrouw door de spijlen van zijn kooi
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: etching
Location: paris
Subjects: adult woman, monkeys, apes, sodomy, sexual contact between humans and animals
Inscriptions: collector's mark: Lugt 2228

Prent uit: Musset, Alfred de. Gamiani ou deux nuits d'excès. Parijs: Poulet-Malassis, 1864, p. 103.