deem-data/ArtiFact huggingface dataset:
Panel (part of a set)
Object type: panel
Date: 1510 – 1510
Materials: wood
Techniques: carving
Artist: nicolas castille
Artist role: maker
Artist dates: 1503 – 1521
Subjects: flowers,leaves,coat of arms

The panels’ decorations, which include putti holding heraldic shields or strings of beads, floral scrolls, masks, and fabulous creatures, correspond to French adaptations of Italian motifs derived from prints and other sources. The portraits represent the donor, Georges d’Amboise (1460–1510), in his cardinal’s hat and cloak and Louis XII (1462–1515; ruled 1498–1515) surrounded by a wreath topped by a porcupine, a symbol of the monarch’s courage and ability to defend his kingdom. These panels and the ones displayed nearby are from the now-destroyed chapel of Cardinal d’Amboise’s château de Gaillon.
Knife
Object type: knife
Date: 1 – 500
Materials: copper
Culture: moche
Location: peru
Textile Fragment
Object type: textile fragment
Date: 1001 – 1200
Materials: linen, silk
Techniques: brocade, weave
Location: egypt

This textile fragment of irregular shape consists of a linen foundation decorated with silk. A repeating design of very small red quatrefoil forms in horizontal rows appears against the plain beige background. The effect creates a harmonious pattern that could have been repeated over a large piece of textile.
Vase
Object type: vase
Date: 1801 – 1850
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: human figures,birds,flowers
Mourning Virgin from a Crucifixion Group
Object type: wall statue
Date: 1450 – 1475
Materials: paint, wood
Culture: french
Location: france

The figure of Saint John from the same group is in the Musée du Louvre, Paris.
Exterieur van een paviljoen op het Výstaviště te Praag
Object type: page
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: façade (of house or building), anonymous historical persons portrayed in a group, in a group-portrait
Pair of pitchers
Object type: pitcher
Date: 1701 – 1800
Materials: pewter
Portret van Michael Miller
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Subjects: historical persons, merchant, salesman
Inscriptions: collector's mark: Lugt 2228
Man op een paard in een dorp te Japan
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: japan
Subjects: riding a horse, ass, or mule; rider, horseman, façade (of house or building)
Portret van Egbert Roelofszoon
Object type: print
Date: 1749 – 1792
Materials: paper
Techniques: engraving
Subjects: historical persons

Prent mogelijk uit: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 dln. Amsterdam: Isaak Tirion, 1749-1759. Of uit een latere publicatie (1770, 1792).
Flute
Object type: glass
Date: 1850 – 1890
Materials: glass
Location: france
Design for Wagonette or Omnibus (unnumbered)
Object type: print
Date: 1850 – 1870
Techniques: hand coloring, lithograph
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Louis XVIII, King of France
Object type: medal
Date: 1814 – 1814
Materials: bronze
Artist: bertrand andrieu
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1822
Subjects: kings,profiles
Vrouw liggend aan het strand met twee paarden en enkele zeemeeuwen
Object type: drawing
Date: 1891 – 1941
Materials: ink, paper
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: lying on one side, with uplifted upper part of the body and leaning on the arm - aa - female human figure, shore-birds and wading-birds: gull, horse
Inscriptions: collector's mark: Lugt 2228, watermark: ‘GW/ PAPIER/ 1671’, :
Ridged Umbel Mold
Object type: mold, cornflower
Date: 1390 – 1352
Materials: pottery
Location: egypt
Linga
Object type: linga
Date: 1001 – 1200
Materials: bronze
Culture: nepali
Waakhond
Object type: print
Date: 1610 – 1653
Materials: paper
Techniques: drypoint, etching
Location: low countries
Subjects: watch-dog, dog watching
Inscriptions: collector's mark: Lugt 2228

Uit een serie van tien prenten. Liggende waakhond aan een ketting, bij en hondenhok.
Susanna voor de rechters
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the elders accusing susanna before the people, laying their hands on her head or unveiling her
Inscriptions: collector's mark: Lugt 2228

Susanne wordt voor de ouderlingen geleid, die haar beschuldigen van ontrouw. Als rechters veroordelen ze haar ook. De prent heeft een Latijns onderschrift en is deel van een serie met het verhaal van Susanna (Daniël 13:1-64).
Reproductie van een schilderij van watersnood door Heinrich von Dörnberg
Object type: photomechanical print
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: flood (+ landscape with figures, staffage)
Inscriptions: number: ‘2438’, annotation: ‘G./ bild of[..] Rand [.]ollessdig/ zu [...]/’

Deze prent maakt deel uit van een omslag met zes prenten en een tekstblad.
Portret van Johann Ludwig von Erlach
Object type: print
Date: 1635 – 1686
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: jean louis d' erlach, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘g’, number: ‘107’

Met drieregelig onderschrift in het Latijn.
Roma. Vaticano. Scrivania di S.S.
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1930
Materials: cardboard
Techniques: photograph
Location: terni
Artist: Anonymous
Subjects: palace - aa - civic architecture: inside, study; 'studiolo'; library
Document Sealing With the Throne Name of Amenhotep III
Object type: sealing, nebmaatre, amenhotep iii, anubis
Date: 1390 – 1352
Materials: mud
Location: egypt
Panel with a Lion Supporting an Escutcheon, from the Organ of the Sint-Vituskerk, Naarden
Object type: orgelkast
Date: 1510 – 1520
Materials: wood
Location: utrecht
Artist: jan eerstensz van schayck
Artist role: sculptor
Artist dates: 1470 – 1527
Subjects: beasts of prey, predatory animals: lion

These ten figures adorned the medieval organ in the church of Saint Vitus in Naarden. Each figure holds a weapon and a coat of arms on a strap. Some are dressed as knights with a breastplate and a helmet, others as princes or noblemen. They may represent the Counts of Holland. All the shields would have originally been painted.
Card Number 185, Eveline Granville, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: profiles,women,actresses

Trade cards from the set "Actors and Actresses" (N145-6), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the sixth subset, N145-6. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Friedrich Wilhelm Wedag
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: engraving
Location: germany
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta oil lamp
Object type: lamp
Date: 20 – 25
Materials: terracotta
Culture: roman
Subjects: griffins

Loeschcke Type 1A. Mold-made. Discus: winged gryphon, running to left; single filling hole towards bottom, and a band of two grooves around edge. Volutes flanking nozzle. Narrow raised base ring, and flat base. Intact. Gryphon on discus; with concave top and scrolled nozzle.
Sconce Representing Winter, from 'Wand-Leuchter die 4 Jahrseiten vorstellend'
Object type: print ornament architecture
Date: 1730 – 1756
Techniques: etching
Artist: martin engelbrecht
Artist role: publisher
Artist nationality: german
Artist dates: 1684 – 1756
Subjects: masks,lighting

Design for a sconce in the shape of a large rocaille cartouche with three candelabra with candles springing from the bottom of the cartouche. On top of the cartouche the figure in carnival's costume has been added. Below are several other attributes related to Carnival.
Gezicht in Amsterdam met aangemeerde schepen
Object type: sketchbook leaf
Date: 1867 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: factory-building, ships (in general), canals, waters (in city), amsterdam
Inscriptions: kleurnotitie, handgeschreven

Op de achtergrond rokende schoorstenen. Pagina 11 en pagina 12 uit een schetsboek met 10 bladen.
Heilig avondmaal voor de hervormden in de Oude Kerk
Object type: print
Date: 1784 – 1785
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: evening meal, dinner, supper, prayer at table, saying grace, parts of church interior: choir
Inscriptions: collector's mark: ‘31F,132’ Lugt 1641b

Prent waarschijnlijk uit: Hurd, William. Oude en tegenwoordige Staat en geschiedenis van alle godsdiensten (...). Amsterdam: Martinus de Bruyn, 1785, dl. 6.
Contrat Alto Clarinet in E-flat (Clarone grande)
Object type: contra alto clarinet in e flat clarone grande
Date: 1881 – 1881
Materials: nickel, silver
Culture: italian
Location: italy
Artist: alessandro maldura
Artist role: maker
Artist nationality: italian
Artist dates: 1850 – 1914

Alessandro Maldura established a woodwind factory in Milan. He received a medal at the Milan Exhibition of 1863 and exhibited flute, oboe, English horn, bass clarinet, and bassoon at the Milan exhibition in 1881. The present instrument was referred to as contrabass clarinet in E♭ as well as ‘clarone grande in Mi♭ basso’. It is the oldest surviving contra alto clarinet. (Waterhouse, NLI, 251) Overall size: 1370 Bore: 23.5 Technical description: Grenadilla with German silver ferrules and bell. Fourteen keys. Five pieces: mouthpiece, crook, upper section, lower section, upright bell. Second speaker with tone hole on crook is a variant that is not depicted in the 1866 bass clarinet patent. Presumably the second speaker tone hole is indispensable for a proper throat B♭ and an easy speaking overblown register. Some tone holes covered (L0, L1, L3, R1, R3). No side E♭4/B♭5 and side trill key for throat A-B♮ and B♭-C. The mechanism uses rod-axles to overcome the distances of the instrument. L0: P; speaker. L1: P; throat A♮; throat A♭. L2: T. L3: P; E♭4/B♭5. L4: C♯4/G♯5; E3/B♮4; F♯3/C♯5. R1: P; side F4/ C6. R2: T. R3: T; B♭3/F♮5; side B♮3/F♯5. R4: F3/C5; G♯3/E♭5. Keyhead type: shallow cups Keymount type: screwed in pillars. Inscribed on upper and lower section with flower / "MALDURA / MILANO" / flower / "CON BREVETTATO" / spade; and on bell "Maldura Milano / Mibemol / Basso"
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, printing, writing
Location: paris
Artist: lugné-poe
Artist role: acteur, theaterdirecteur, theatervormgever
Artist dates: 1869 – 1940
Subjects: the hague, draughtsman, philip zilcken, money, copenhagen (city)
Inscriptions: watermark, collector's mark: ‘RPK’
Portret van een man
Object type: drawing
Date: 1856 – 1933
Materials: paper, watercolor
Techniques: brush
Artist: emile charles wauters
Artist dates: 1846 – 1933
Subjects: anonymous historical person portrayed alone
Grafmonument van consul op begraafplaats Alyscamp te Arles
Object type: photograph
Date: 1875 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: charles lenormand
Artist role: fotograaf
Subjects: churchyard, cemetery, grave-building, monumental tomb
Portret van paus Leo XII
Object type: print
Date: 1823 – 1899
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: rome, insignia of the pope, e.g. tiara, historical persons, pope
Inscriptions: number: ‘5’

Rechtsonder genummerd: No. 5 (5 handgeschreven). Met onderschrift in het Duits.
Brandenburger Thor zu Berlin
Object type: print
Date: 1770 – 1826
Materials: ink, paper
Techniques: etching, writing
Location: gottingen
Subjects: 'album amicorum', 'stammbuch', triumphal arch, gate, entrance, berlin
Inscriptions: tekst, verso, handgeschreven

Handgeschreven tekst in het Duits op het verso.
Wolkenlucht boven een vlak landschap met een molen
Object type: sketchbook leaf
Date: 1810 – 1873
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: clouds, windmill in landscape
Inscriptions: date and inscription: ‘Berg/ 14/10 73’

Blad 4 recto uit een schetsboek met 46 bladen.
Priest's Stole
Object type: stole, priest's
Date: 1550 – 1550
Materials: metal thread, silk
Culture: japanese
De Hel
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: woodcut
Artist: bernard essers
Artist role: print maker
Artist dates: 1893 – 1945
Subjects: the damned souls, and their punishment
Inscriptions: inscription: ‘langs [...]hout’, inscription: ‘No. 7’, collector's mark: Lugt 2228
Roeiwedstrijden op de Wampoerivier bij het jubileum van de Sultan
Object type: album leaf
Date: 1919 – 1919
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: river, historical persons, rowing, canoeing, etc. (sport)
Krantenlezers, kind met oude vrouw in interieur en schrijvende kinderen
Object type: drawing
Date: 1836 – 1896
Materials: chalk, ink, paper, pencil
Techniques: pen
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: interior of the house, mother and child(ren), woman and child(ren) (family group)
Kop van 'The Illustrated London News', 1862, met een gezicht op Londen
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city, london

Prent gebruikt in: The Illustrated London News, 24 mei 1862.
Verhaal van Salomo
Object type: print
Date: 1554 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: sacrificial feast in solomon's temple
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Salomon knielt in een tempel om God voor de tempel te bedanken. Voor hem een offeraltaar waarop een ram en een koeienkop. Naast hem liggen zijn kroon en scepter. Op de achtergrond een priester met een wierookvat en enkele figuren met een bazuin. Onderaan in de marge een éénregelig onderschrift in het Latijn.
41e Cahier Divers Fragmens D Architecture
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: merman - aa - mermaid, siren, other architectural details (with name), ornament ~ medallion, door
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een paneel met twee meerminnen aan weerszijden van een rond medaillon. Daaronder een halfrond fronton boven een deur- of raamopening. Prentnummer 245.
Bonnet
Object type: bonnet
Date: 1840 – 1850
Materials: silk, fiber
Culture: american
Portret van Johannes Stroebel
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: the hague, leiden, painter, print maker, draughtsman, johannes stroebel, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Covered Vase
Object type: vase
Date: 1770 – 1800
Materials: porcelain
Culture: chinese
Location: china
Subjects: flowers
Portret van Hieronymus Scheidt
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: etching
Subjects: pilgrim(s), historical persons

Prent waarschijnlijk uit: Scheidt, Hieronymus. Kurtze und warhafftige Beschreibung der Reise von Erffürdt aus Thüringen nach dem gewesenen gelobten Lande (...). Helmstedt: Paul Zeising, 1679.
Scarab: Inscription
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Subjects: hieroglyphs
Plaque with Dragon
Object type: plaque
Date: 601 – 900
Materials: gold
Culture: chinese or central asian
Subjects: dragons

The nomadic communities of Central Asia used such plaques to embellish clothing and horse trappings. As these nomadic cultures herded animals and were constantly moving, their artistic production was expressed in portable objects that marked the wearer’s status and wealth. The outstanding preservation of these fragile ornaments suggests they were used in conjunction with burials, where the body was aggrandized with valuable textiles and augmented with gold. Although it is difficult to date and place these objects geographically, their presence in Central Asia and has a long, established history.
Vrijend boerenpaar onder een zware boom
Object type: drawing
Date: 1823 – 1894
Materials: chalk, paper
Location: france
Artist: charles emile jacque
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: (lovers) kissing each other
Livre de toutes sortes de feuilles pour servir a l'art d'orfeburie. Serie van zes genummerde gravures met cosse-de-poisornamenten voor goudsmeden.
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: etching
Subjects: ornament derived from plant forms
Glass hemispherical mosaic bowl
Object type: bowl, mosaic
Date: 200 – 35
Materials: glass
Culture: greek, eastern mediterranean

Translucent purple, translucent light blue, opaque white, and opaque yellow. Slightly uneven vertical rim; convex side, tapering downward; slightly concave bottom. Composite mosaic pattern formed from polygonal sections of three canes: the first in a purple ground with a white spiral and central blue circle; the second in a blue ground with a white spiral and central purple circle, and the third in a blue ground with a yellow spiral, appearing green and central purple circle; a purple cane wound spirally with two fine threads in white and yellow is attached as a rim. Broken and repaired, with one patch of fill; some pitting and dulling, iridescence, and weathering, especially on rim. Rotary grinding marks on interior. The red, blue, and green mosaic glass of this exquisite bowl was fused, placed over a mold, ground, and then polished. Hemispherical bowls were an especially popular form of mosaic glassware, perhaps because they show off the polychrome decoration to good effect.
Billault
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Suit
Object type: suit
Date: 1890 – 1900
Materials: wool
Culture: british
Zoutvat, spitsovaal, met opengewerkte wand met parellijsten
Object type: salt condiment vessel
Date: 1805 – 1805
Materials: silver
Location: amsterdam
Artist: nathanael teuter
Artist role: silversmith
Artist dates: 1767 – 1831
Inscriptions: maker's mark, duty mark, alloy mark, town mark, date letter: ‘W’

De spits ovale, gewelfde vaten (A, B,C en D), die aan de zijkanten iets verhoogde wanden hebben, rusten op een ovale, zich naar boven sterk verjongende voet met een rechtwandige basis. Het lichaam is opengewerkt met afwisselend knerren en rozetten. Rond de voet, rond de bovenrand van het lichaam en over de hoog oplopende, gebogen oren lopen parellijsten. In de vaatjes passen binnenbakjes van blauw glas, waarvan D met krammetjes is hersteld.
Fotoreproductie van een prent naar een schilderij door James Barry, voorstellend een scene uit Koning Lear door William Shakespeare
Object type: page
Date: 1854 – 1867
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: king lear
Inscriptions: number: ‘Ph. LXXXVI. 343’

Te zien is akte V, scene 3 met koning Lear met het dode lichaam van Cordelia in zijn handen.
Vase with Two Female Hybrid Figures
Object type: drawing
Date: 1701 – 1800
Materials: ink
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: vases