deem-data/ArtiFact huggingface dataset:
Elisa ziet de hemelvaart van Elia
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: a chariot, horses of fire and a whirlwind appear and elijah is carried up into heaven; elijah's cloak falls (or he hands it over to elisha)
Inscriptions: collector's mark: Lugt 2228

De profeet Elisa ontvangt de mantel van Elia die in een vurige wagen naar de hemel rijdt. Op de achtergrond slaat Elisa het water van de Jordaan met de mantel van Elia.
Twee legeraanvoerders gekleed als landsknechten twistend over de juiste manier om een stad te belegeren
Object type: print
Date: 1532 – 1532
Materials: paper
Techniques: woodcut
Subjects: command
Inscriptions: collector's mark: Lugt 240

Prent voor het eerst gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück. Augsburg: Heinrich Steiner, 1532.
Madonna and Child with Saints and Donors
Object type: painting
Date: 1505 – 1547
Materials: oil, wood
Artist: sebastiano del piombo
Artist role: artist
Artist nationality: italian
Artist dates: 1485 – 1547
Subjects: men,women,madonna and child,monks,saints

This fine painting, with its rich colors and the soft, tonal modeling of the flesh tones, was most likely painted by the young Sebastiano del Piombo. A contemporary of Titian and almost his equal in talent, Sebastiano was an important presence in Venice before his departure for Rome in 1510. If this painting is by him it must be one of his earliest, as the composition is slightly awkward, and although many details are close to those of his later, certain works, it lacks their sophistication.
Kaart van de graafschappen Vlaanderen en Zeeland
Object type: print
Date: 1654 – 1700
Materials: paper
Techniques: engraving, etching
Location: frankfurt am main
Artist: caspar merian
Artist role: print maker
Artist dates: 1627 – 1689
Subjects: maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial), zeeland

Prent gebruikt in: Zeiller, Martin. M.Z. Topographia Circuli Burgundici Oder Beschreibung une Eigentliche Abbildung der Vornehmsten Örter in dem Hochlöblichen Burgund- un Niderlandischen Crayse. Frankfurt am Main: Caspar Merian, 1654. Of in: Zeiller, Martin. M. Z. Topographia Germaniae-Inferioris vel Circuli-Burgundici, das ist Beschreibung (…). Frankfurt am Main: Caspar Merian, 1659. Of in een van de twee latere uitgaven van deze publicatie die, hoewel het jaar 1659 erin staat vermeld als jaar van uitgave, zijn uitgegeven in respectievelijk ca. 1670 en ca. 1700.
Portret van Hans Michael Elias von Obentraut
Object type: print
Date: 1609 – 1686
Materials: paper
Techniques: engraving, letterpress printing
Artist: dirk eversen lons
Artist role: print maker
Artist dates: 1599 – 1686
Subjects: stromberg, hannover, generaal, hans michael elias von obentraut
Inscriptions: collector's mark: Lugt 240

Portret van de Duitse generaal Hans Michael Elias von Obentraut. Met familiewapen en een drieregelig onderschrift.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, back of head of filleted youth with himation, part of inscription, [KA]LO[S], retr.?; Exterior, frontal feet and lower drapery of male
Head of Christ or Zeus
Object type: statue head
Materials: marble
Culture: roman
Subjects: zeus,christ
Mask
Object type: mask fragment
Date: 1000 – 400
Materials: stone
Culture: olmec
Location: mexico
Artist: olmec artist(s)
Artist role: artist
Subjects: faces

This greenstone maskette fragment depicts the lower portion of a face with a downturned mouth that is typical of Olmec art from the 1st millennium B.C. The artist incised the cheeks with geometric designs and they were then filled with red pigment. Two holes under the chin could have held pendant beads as part of a larger set of ritual regalia.
21 platen van Nederlandse uniformen ca. 1830
Object type: print
Date: 1830 – 1835
Materials: paper
Techniques: hand coloring, lithograph
Location: amsterdam
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228

Verkleinde kopieën naar de prenten van Houtman e.a. in FMH 6481. Muller beschrijft een onversneden compleet blad in de collectie Van Gijn waarop de namen van de prentmaker en de uitgever vermeld staan.
Landschap met een herder en zijn kudde
Object type: print
Date: 1637 – 1679
Materials: paper
Techniques: engraving, etching
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, country-house
Inscriptions: collector's mark: Lugt 1407, collector's mark: Lugt 2228

Landschap met een landhuis en een herder met zijn kudde.
Gezicht op een villa
Object type: photograph
Date: 1910 – 1950
Materials: photographic support
Techniques: gelatin silver print
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: trees, rural housing, e.g. country-house, villa, cottage, villa
Inscriptions: number: ‘3088 3’

Op verso regels om te versturen als postkaart.
Portret van John Knox
Object type: book illustration
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Artist: clemens ammon
Artist role: print maker
Artist dates: 1627 – 
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit: Bibliotheca chalcographica. Frankfurt am Main: Johannes Ammon, 1650. Prent voor het eerst (zonder nummering) verschenen in: Boissard, Jean Jacques. Icones quinquaginta virorum illustrium doctrina & eruditione praestantium ad vivum effictae. Frankfurt am Main: s.n., 1597.
Rechthoekige cartouche met midden boven een mascaron
Object type: print
Date: 1520 – 1584
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous

Links en rechts staat een engel met een baret op te blazen op een bazuin. Uit serie van 32 bladen. De cartouches zijn deels ontleend aan de prenten van Antonio Fantuzzi naar de decoratie van de Galerie van François 1er door Giovanni Battista Rosso. De serie staat ook bekend onder de titel Petits cartouches de Fontainebleau.
Border
Object type: border
Date: 1551 – 1600
Materials: linen, silk
Techniques: embroidery
Subjects: putti
Phaeton, no top (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gum arabic, ink, watercolor
Techniques: hand coloring, pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Two-finger amulet
Object type: amulet, two finger amulet
Date: 664 – 332
Location: egypt

Two-finger amulets were used exclusively for the dead and were often found on the lower left of the torso. This is the area of the embalming incision, which was made during the mummification process. These amulets were meant magically to heal the wound. The first examples of this amulet type date to Dynasty 26. Their preferred material was obsidian or other dark stones.
Portret van een vrouw
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult woman, historical persons
Inscriptions: inscription: ‘Jenkins & Remy/ ARtist Photographers/ 7, Victoria-St. West/ Gt. Grimsby (...)’
Towel border
Object type: textile
Date: 1840 – 1870
Materials: linen

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Kilim or split tapestry is a hand weaving technique most usually used to produce heavyweight rugs. Kilim weaves produce no pile and have a characteristic geometric pattern.
Uitgeleesene Gesichte van het Wijdvermaarde Loo als andere vorstelijke Huisen
Object type: print
Date: 1695 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden, labyrinth, maze ~ garden
Inscriptions: collector's mark: Lugt 2228

Prent uit een serie van 71 prenten met Rijnlandschappen, gezichten op vorstelijke paleizen en stadsgezichten uit Den Haag en Amsterdam.
Phaeton, no top (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Actor Segawa Kikunojo III as the Street-Walker Otsuyu in the Play Cho Chidori Wakayagi Soga, Performed at the Ichimura Theater in the Second Month, 1779
Object type: print
Date: 1779 – 1779
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Old Man with a Book, Old Man with His Hat on His Forehead, The Mathematician, Old Man with a Beard
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Three fragments with meanders on the interior; two fragments have parts of palmettes and tendrils; one fragment has part of the ground line
Drie naakte staande vrouwen
Object type: drawing
Date: 1891 – 1941
Materials: chalk, ink, pencil, paper
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: standing figure - aa - female human figure (+ nude human being)
Inscriptions: collector's mark: Lugt 2228
Figuurstudies
Object type: sketchbook leaf
Date: 1882 – 1882
Materials: paper, pencil
Subjects: head (human) (+ left side visible; left - (l. hand, l. foot, etc.))

Pagina 25 uit een schetsboek met 31 bladen vervaardigd te Den Haag en Rotterdam.
O contemporaneo
Object type: magazine
Date: 1875 – 1880
Materials: paper, photographic support
Techniques: albumen print, printing
Subjects: historical persons - bb - woman

Op de voorpagina bevindt zich een portret van Roza Damasceno.
Charles Masset
Object type: page
Materials: paper
Techniques: woodburytype
Location: paris
Artist: ferdinand mulnier
Artist role: painter
Artist dates: 1817 – 1891
Subjects: portrait of opera-singer
Inscriptions: number: ‘No 106’, inscription: ‘Du 27Mai au 2 Juin 1875’
Twee mannen halen een dode uit een graf
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: discovery of tomb
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee bemanningsleden van de Terschelling openen een graf en halen de dode eruit. Ze twisten erover of ze het vlees zouden eten of niet. Uiteindelijk beslissen ze de dode weer in het graf te leggen en het lichaam onaangeraakt te laten. Bladzijde uit een boek, met illustratie en tekst op het recto en verso.
Conical Bell
Object type: bell
Date: 1662 – 1722
Materials: copper, enamel
Techniques: enamel
Culture: chinese
Subjects: flowers
Huwelijksaanzoek met Venus en Amor
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cupid shooting a dart, man kneeling before his beloved (proposing), venus and cupid (cupid not being mere attribute)
Inscriptions: collector's mark: Lugt 2228

Venus rijdt in haar wagen getrokken door twee zwanen over het water. Ze houdt een brandend haart in haar hand. Aan de oever van het meer is een paar te zien. De man knielt voor de vrouw om haar een huwelijksaanzoek te maken. Amor schiet een van zijn pijlen op het paar af.
Crowned Pigeon
Object type: drawing
Date: 1786 – 1786
Materials: paper, pencil, watercolor
Techniques: brush
Location: indian ocean
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: ornamental birds
Inscriptions: inscription: ‘Zo groot als een kalkoen / geteekend op het O.I. Comp. schip Stavenisse den 24 Febr 1786 [...]’, inscription: ‘kroonvogel / Alcedo cristata ß’

Kleurtekening van kroonduif, 'zo groot als een kalkoen'. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 194.
Portret van Annas de Perusse-d'Escars de Givry
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving
Artist: frans van den wijngaerde
Artist role: print maker, publisher
Artist dates: 1614 – 1679
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent met tekst op verso gebruikt in: Albi, Henri. Eloges historiques des cardinaux illustres François et etrangers mis en parallele. Parijs: Anthoine de Cay, 1644.
Landing of British Army under Abercrombie
Object type: print
Materials: paper
Techniques: lithograph
Location: england
Artist: john augustus atkinson
Hattie Stewart, Champion Female Boxer of the World, from the Champions of Games and Sports series (N184, Type 2) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: women,boxing,athletes

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 2.
Vase
Object type: vase
Date: 1886 – 1886
Materials: stoneware
Culture: american
Location: united states
Artist: chelsea keramic art works
Artist role: manufacturer
Artist nationality: american
Artist dates: 1872 – 1889
Box with Romance Scenes
Object type: box
Date: 1310 – 1330
Materials: ivory
Culture: french
Location: france
Subjects: alexander the great,aristotle,women,unicorns,dogs,horses,lions,knights
Locomotive-tender de gare
Object type: photograph
Date: 1880 – 1885
Materials: photographic support
Techniques: albumen print
Subjects: locomotive
Inscriptions: inscription: ‘Société de St. Léonard (Outils) Liége (Belgique)’
Kortenhoef van 's Gravenland afkomende te zien
Object type: print
Date: 1824 – 1874
Materials: paper
Techniques: tone lithography
Location: netherlands
Subjects: village
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Gezicht op het dorp Kortenhoef met een boot op het water en in de achtergrond de kerktoren.
Neptunus en Ceres
Object type: book illustration
Date: 1577 – 1577
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: (story of) neptune (poseidon), (story of) ceres (demeter), 'cornucopia', horn of plenty, sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster), agricultural implements, attributes of neptune: trident

Neptunus staat links van de prent en heeft zijn drietand in zijn linkerhand. Aan zijn voeten liggen twee zeepaarden. Ceres staat rechts en houdt de cornucopia in haar hand. Aan haar voeten ligt landbouwgereedschap. Het achterliggend landschap toon een kustlijn. De prent heeft een Latijns onderschrift.
Belt
Object type: belt
Date: 1700 – 1700
Materials: garnet, gilt silver
Piece
Object type: piece
Date: 1867 – 1900
Materials: silk
Culture: chinese
Close Helmet
Object type: close helmet
Date: 1630 – 1630
Materials: brass, gold, steel, iron
Culture: french
Location: france
Subjects: dragons
Kalenderblad voor december 1901
Object type: calendar leaf
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: c.a.j. van dishoeck
Artist role: publisher
Artist dates: 1863 – 1931
Subjects: ornaments ~ art, calendar, almanac

Kalenderblad voor december 1901 van de kalender 'Bloem en Blad', met een randdecoratie van een plant met witte bessen.
Portret van David van der Kellen
Object type: print
Date: 1911 – 1911
Materials: paper
Techniques: lithograph
Artist: johan henri gustaaf cohen gosschalk
Artist role: draughtsman, print maker
Artist dates: 1873 – 1912
Subjects: amsterdam, utrecht, print maker, draughtsman, die cutter, david van der kellen (1804-1879), historical persons, portrait, self-portrait of artist
Gouden hanger/broche, bezet met diamanten bloemapplique op onyx
Object type: brooch
Date: 1875 – 1884
Materials: diamond, gold, onyx, silver
Techniques: grinding
Location: amsterdam
Artist: johan leonard van den broeke
Inscriptions: alloy mark: ‘(oud) eikenblad’, maker's mark, alloy mark: ‘(oud) zwaard’

Voorheen toegeschreven aan Gerardus Hendrikus Barends (Amsterdam) met een meesterteken, B met anker in zeshoek (M63195 in Nederlandse verantwoordelijkheidstekens vanaf 1797), dat in gebruik was tussen 1852 en 1855.
Plaque fragment
Object type: relief
Date: 800 – 601
Materials: ivory
Culture: assyrian
Location: mesopotamia
Portret van een onbekend mannelijk lid van de familie Asser
Object type: photograph
Date: 1857 – 1864
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: louis wegner
Artist role: print maker
Artist dates: 1816 – 1864
Subjects: adult man, anonymous historical person portrayed, amsterdam
Inscriptions: address: ‘Prinsengracht BB 439/ AMSTERDAM’
Spoon
Object type: metalwork
Date: 1761 – 1763
Materials: metal, silver
Location: augsburg
Zeeslag bij Doggersbank, 1781
Object type: print
Date: 1781 – 1784
Materials: paper
Techniques: engraving, etching, hand coloring
Location: northern netherlands
Subjects: the hague, johan arnold zoutman, hyde parker, battle (+ naval force)
Inscriptions: collector's mark: Lugt 2228

De Nederlandse en Engelse schepen tijdens de zeeslag bij Doggersbank op 5 augustus 1781 tussen de Nederlandse vloot onder schout-bij-nacht Johan Zoutman en de Engelse vloot onder vice-admiraal Hyde Parker. In de marge de titel en opdracht in het Nederlands en in het midden het wapen van Zoutman. Onderdeel van een paar.
Ketting van ivoren kralen
Object type: chain
Date: 1920 – 1920
Materials: ivory
Techniques: sewing
Location: western europe
Artist: Anonymous

Ketting van ivoren kralen. Art déco. De bolronde kralen zijn van afwisselende grootte; met een schroefslot.
Les Luteurs sur les remparts de Berne le Lundi des Paques
Object type: print
Date: 1775 – 1777
Materials: paper
Techniques: aquatint, etching, rocker stamped
Location: paris
Subjects: wrestling (sport), outskirts of city
Inscriptions: collector's mark: Lugt 2233

De prent is opgedragen aan 'Madame la Comtesse de Maleissye', mogelijk Elisabeth-Marie de Paignon.
Sweet Lullaby
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,harps,dogs,musicians
The Ascension of Christ (recto); Head of a Bearded Man Looking Down (verso)
Object type: drawing
Date: 1737 – 1737
Materials: chalk, charcoal, paper
Techniques: heightening, stumping
Artist: pierre charles trémolières
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1739
Subjects: men,women,christ
Le Billet Doux
Object type: print
Date: 1778 – 1778
Techniques: engraving, etching
Artist: nicolas de launay
Artist role: artist
Artist nationality: french
Artist dates: 1739 – 1792
Subjects: musical instruments,interiors,men,women
Tussenzetsel van zwarte tuledoorstop met bloem- en bladmotief en c-vormige voluten
Object type: ribbon material
Date: 1920 – 1920
Materials: fiber
Techniques: stopwork
Location: france

Tussenzetsel van zwarte tuledoorstop met bloem- en bladmotief en c-vormige voluten.
Tankard
Object type: tankard
Date: 1701 – 1800
Materials: earthenware, pewter
Techniques: glazing
Subjects: animals,flowers