deem-data/ArtiFact huggingface dataset:
Kelkglas met trechtervormig kelk
Object type: goblet
Date: 1750 – 1775
Materials: glass
Techniques: glassblowing

Kelkglas op conische voet. Balustroïde stam met ingestoken luchtbellen. Trechtervormige, aan de onderzijde afgeronde kelk.
Gezichten in Parijs en omgeving
Object type: print
Date: 1843 – 1844
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228a
Tea jar
Object type: tea jar
Date: 1701 – 1800
Materials: gold, lacquer
Culture: japanese
Subjects: cranes,trees
Portugal, 500 Reis, from the series Coins of All Nations (N72, variation 2) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: musical instruments,women,coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Ring
Object type: ring
Date: 1801 – 1900
Materials: jade
Culture: chinese
Subjects: men

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Lake Lucerne, Switzerland
Object type: print
Date: 1857 – 1857
Materials: paper, steel
Techniques: engraving
Location: england
Artist: george baxter
Artist role: print maker
Artist nationality: english
Artist dates: 1804 – 1867
Veuë du Chasteau de Fontainebleau du costé du Jardin
Object type: print
Date: 1666 – 1681
Materials: paper
Techniques: etching
Location: paris
Subjects: castle, landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 240

Gezicht op kasteel Fontainebleau en de landerijen eromheen. Op de voorgrond een groep jagers. Op de weg bij de tuinen van het kasteel staan koetsen klaar.
Writing box
Object type: writing box
Date: 1715 – 1720
Materials: brass, wood, pewter, silver, shell
Artist: ferdinand plitzner
Artist role: maker
Artist nationality: german
Artist dates: 1678 – 1724

During the seventeenth and eighteenth centuries luxurious boxes, similar to this one, that held writing and sealing implements had an obligatory place in the ceremonial setting of every Central European court. The elaborate decoration and preciousness of the materials reflected the owner's aristocratic status. Although frequently mentioned in contemporary inventories, such stately boxes have rarely survived the changing writing habits of later generations. This refined box shows a hitherto-unidentified monogram, incorporating the letters LG beneath a count's coronet; it is the only box of this type currently known of German origin. Plitzner was the most important German cabinetmaker of the early eighteenth century. His works reveal perfect mastery of contemporary French design and cabinetmaking especially evident in the box's complicated marquetry, which is influencedb y Louis XIV's great furniture designer, Andre-Charles Boulle (1642–1732). Among Plitzner's main noble patrons were several members of the Schonborn dynasty, for whom he created ceremonial furniture and one of the most important monuments of the late Baroque period in Germany: the intarsia panels for the mirrored room at Pommersfelden Castle in Franconia.
Luiermand met een voorstelling van musicerende putti
Object type: luiermand
Date: 1660 – 1660
Materials: iron, silver
Techniques: repoussé
Location: amsterdam
Artist: gerloff brouwer
Artist role: silversmith
Artist dates: 1627 – 1676
Subjects: musician(s) accompanying singer(s), cupids: 'amores', 'amoretti', 'putti', ornament derived from plant forms
Inscriptions: inscription: ‘Eefferim V:Weelevelt’, mark, date letter: ‘H’, maker's mark

Layette basket. Silver. Probably Amsterdam, 1660 maker's mark G B.
Priem
Object type: awl
Date: 1590 – 1596
Materials: iron, wood
Techniques: cutting, forging
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck
Portret van Maximiliaan, graaf van Hennin-Lietard en Boussu
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: antwerp, earl, historical persons

Prent uit: Meteren, Emanuel van. Historien der Nederlanden, en haar naburen oorlogen tot het jaar 1612. Amsterdam: Jan Jacobsz. Schipper, 1652. Prent ook gebruikt in andere edities van dit werk. Onderaan is een geëtst signatuur geplakt met 'Maximilien de Boussu'.
Lord Brougham
Object type: page
Date: 1860 – 1865
Materials: photographic support
Techniques: albumen print
Subjects: politician, historical persons
Inscriptions: inscription: ‘Vade Mecum 1864’, inscription: ‘Membre d'honneur de l'Association Internationale pour le Progrès/ des Sciences Sociales, etc., etc.’, number: ‘III’
Gezicht op Broek in Waterland met links de koepel van Bakker
Object type: drawing
Date: 1812 – 1812
Materials: paper, pencil
Artist: adèle clerget
Artist dates: 1799 – 1841
Subjects: broek in waterland
Inscriptions: date: ‘26. novembre 1812’

Detail naar het linker gedeelte van de tekening RP-T-2015-24 door Antoine Ignace Melling (Adèle's vader).
Ono Falls on the Kisokaidō Road(Kisokaidō Ono no bakufu), from the series Tour of the Waterfalls in Various Provinces (Shokoku taki meguri)
Object type: print
Date: 1833 – 1833
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: landscapes
Portret van Jozef Israëls in zijn atelier
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: amsterdam
Artist: sigmund löw
Artist role: publisher
Artist dates: 1845 – 1920
Subjects: the hague, draughtsman, jozef israëls, historical persons, portrait, self-portrait of artist, artist at work, in his workshop
Inscriptions: collector's mark: Lugt 2233

Deze prent maakt mogelijk deel uit van een serie kunstenaarsportretten die als heliogravures zijn uitgegeven naar foto's van Sigmund Löw.
Kattenburg door Burgers en Vrycoor van Amsterdam Beschoote. den 20 Mey 1787
Object type: print
Date: 1787 – 1790
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: battle (+ citizen soldiery, civil guard, citizen militia)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Vorstelyke koninglyke en princelyke atlas, en dagboek van Nederlandsche gebeurtenissen, in de laatste jaaren voorgevallen. En oprecht vaderlandsch (...) A.B. boek. Amsterdam: Willem Coertse, [1790].. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Wetenschappelijke voorstelling van dieren
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Artist: johann rudolph schellenberg
Artist role: print maker
Artist dates: 1740 – 1806
Subjects: owls, zoology
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Stoy, Johann Sigmund. Bilder-Akademie für die Jugend. Neurenberg: Johann Sigmund Stoy, 1784.
Rechtervleugel van het altaar van Ildefonso: Isabella Clara Eugenia van Spanje met haar patroonheilige Elisabeth van Hongarije
Object type: print
Date: 1861 – 1889
Materials: paper
Techniques: etching
Location: vienna
Subjects: infante van spanje isabella clara eugenia, the wife and widow of the landgrave of thuringia, and franciscan tertiary, elisabeth of hungary; possible attributes: beggar, cripple, fish, loaves, leper, model of church, pitcher, roses in lap, scald-head, three crowns, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
Bedcover
Object type: textile
Date: 1820 – 1850
Materials: cotton, thread
Techniques: backing, glazing, weave, printing
Location: united states
Miniature jug
Object type: jug
Date: 1708 – 1709
Materials: silver
Artist: george manjoy
Artist role: maker
Artist nationality: british
Artist dates: 1685 – 1685
Madrilena, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,dancing,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Catharina Wasilowna wordt tijdens haar bruiloft overvallen door de Russen
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: catharina de grote, history, bride (in wedding-dress), war, betrothal and marriage
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Almanac de Gotha pour l'anneé 1793. Gotha: C. W. Ettinger, [1792].
De Hinkelbaan
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: jumping games
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Des menschen begin, midden en einde. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, p. 89.
Ex libris van Des Ligneris
Object type: bookplate
Date: 1750 – 1899
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: beasts of prey, predatory animals: lion, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Het stadhuijs te Zirikzée 1743
Object type: print
Date: 1743 – 1747
Materials: paper, pencil
Techniques: engraving, etching
Location: amsterdam
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: townhall
Inscriptions: inscription: ‘Het stadhuijs te Zirikzée 1743’, collector's mark: Lugt 195

Gezicht op het stadhuis van Zierikzee, gelegen in de Meelstraat, in de situatie omstreeks 1743.
Netsuke of Daikoku and Mallet on Bale
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: men,mice
Document Sealing
Object type: sealing, horus, falcon
Date: 1390 – 1352
Materials: mud
Location: egypt
Brief aan Marisa Quanjer
Object type: letter
Date: 1938 – 1938
Materials: ink, paper
Techniques: pen, writing
Location: bloemendaal
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: applied arts, arts and crafts; industrial design
Inscriptions: collector's mark: ‘RPK’
Hendrik Danielsz Hooft, burgemeester van Amsterdam
Object type: plaque
Date: 1787 – 1794
Materials: silver
Techniques: repoussé
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, mayor, hendrik danielsz. hooft
Portret van Thomas Hopffer
Object type: print
Date: 1656 – 1696
Materials: paper
Techniques: engraving
Subjects: augsburg, theologian, historical persons, book
Portrait of Gerard van Bergen, Director of the Rotterdam Chamber of the Dutch East India Company, elected 1653
Object type: painting
Date: 1695 – 1722
Materials: canvas, oil
Artist: pieter van der werff
Artist role: draughtsman, painter
Artist dates: 1665 – 1722
Subjects: rotterdam
Inscriptions: inscription: ‘16 Gerard van Bergen. 53’

Portret van Gerard van Bergen (gest. 1663), gekozen in 1653. Buste in ovaal naar rechts. Onderdeel van een reeks portretten van de bewindhebbers van de Rotterdamse Kamer van de Verenigde Oost-Indische Compagnie, vervaardigd voor het Nieuw Oost-Indisch Huis uit 1698 aan de Boompjes te Rotterdam.
Versieringen ter gelegenheid van het bezoek van koning Willem III en koningin Emma aan Amsterdam, 1879
Object type: photograph
Date: 1879 – 1879
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: the hague, emma (queen consort of the netherlands), brussels, willem iii (koning der nederlanden), visiting; receiving guests; elegant company, station; shelter (railway, tramway), decorations, honours (as symbols of the state, etc.)
Inscriptions: inscription: ‘Station Rhijn Spoor 28 April 1879.’

Versierde toegang tot Station Rijnspoor bij het vertrek van Willem en Emma uit Amsterdam op 28 april 1879. Onderdeel van een serie van tien foto's van de versieringen aangebracht in de stad ter gelegenheid van het bezoek van koning Willem III en zijn tweede echtgenote Emma aan Amsterdam op 21 april 1879.
Decoratief ontwerp in rood en zwart
Object type: design
Date: 1874 – 1945
Materials: pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: carpet, rug
Portret van Paulus van de Perre
Object type: print
Date: 1700 – 1750
Materials: paper
Techniques: engraving, etching
Location: middelburg
Artist: karel slabbaert
Artist role: draughtsman, painter, print maker
Artist dates: 1618 – 1654
Subjects: london
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Portret van de diplomaat Paulus van der Perre. Rondom zijn portret zijn sterfdatum. Onder de prent vier regels in het Latijn met zijn naam en enkele van de functies die hij bekleedde.
Sancta Marina
Object type: print
Date: 1590 – 1662
Materials: paper
Techniques: engraving
Subjects: anchorite, hermit, female saints
Inscriptions: collector's mark: Lugt 2228

Kopie in spiegelbeeld naar prent van Boëtius Adamsz. Bolswert uit serie Kluizenaressen.
Correctiehuis Sint Bernhard te Hemiksem, huismunt ter waarde van vijf cents
Object type: monetary token
Date: 1826 – 1833
Materials: zinc
Techniques: striking
Location: brussels
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864
Subjects: ghent

Zinken betaalpenning. Voorzijde: opschrift binnen omschrift. Keerzijde: waardeaanduiding.
Design for 4 seat Phaeton, no top, no. 3830
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Het einde van de Vredesconferentie
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: abraham kuyper, the hague, personifications of countries, nations, states, districts, etc., symbols, allegories of peace, 'pax'; 'pace' (ripa), circus, arrest (of criminal), political caricatures and satires

Na afloop van de Haagse vredesconferentie wordt alles, als een rondtrekkend circus, afgebroken en ingepakt. De onderdelen van de vredesengel worden in een kist ingepakt. Sterke man Kuyper, links met muziekinstrumenten, laat minister De Beaufort arresteren omdat hij zich moet verantwoorden.
The Harlequin Family
Object type: group
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,women,family,clowns
De zeven werken van barmhartigheid
Object type: print
Date: 1577 – 1577
Materials: paper
Techniques: engraving
Location: low countries
Subjects: moses strikes the rock twice in front of the assembled people and water gushes out; the people quench their thirst, christ orders (six) jars to be filled with water ~ marriage-feast at cana, giving the thirsty to drink, 'sitiens potatur' ~ one of the (seven) acts of mercy, the meeting at the well: eliezer sees rebekah coming with a pitcher, hagar and ishmael in the wilderness, samson drinks water from a well after having slain a thousand philistines
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Oliepalmen op Padang Halaban Estate
Object type: photograph
Date: 1927 – 1928
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: palm oil, sumatra
Inscriptions: inscription

Blad met zes foto's van oliepalmen op Padang Halaban Estate, 1928. Onder de foto's etiketten met onderschriften. Onderdeel van het fotoalbum over de plantages Brussel en Pernantian van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1910-1935.
Scheveningse visserstypen
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: color aquatint
Artist: jan anthonie langendijk dzn
Artist role: draughtsman, print maker
Artist dates: 1780 – 1818
Subjects: fishes, fisherman
Inscriptions: collector's mark: Lugt 2228

Een visboer en visvrouw voeren een gesprek. De man links draagt een mand op zijn rug, de vrouw rechts draagt een mand met vis op haar hoofd.
Heide bij Laren
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: lithograph
Artist: jan fekkes
Artist role: draughtsman, print maker
Artist dates: 1885 – 1933
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, grasslands, savanna, prairie
Inscriptions: collector's mark: Lugt 2233

Op de heide een herder met herdershond en een kudde schapen.
The Horse Fair
Object type: painting
Date: 1852 – 1855
Materials: canvas, oil
Artist: rosa bonheur
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1899
Subjects: men,horses,paris
Portret van Franz Friedrich Franck
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: painter, artist, franz friedrich franck, historical persons, portrait, self-portrait of painter
Portret van Johann Conrad Dannhauer
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: johann conrad dannhauer, theologian, historical persons

Prent maakt deel uit van een grotere prent die later is verknipt. Prent is ook gebruikt in: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
"$10,000" Kelly, Boston, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Teabowl
Object type: teabowl
Date: 1127 – 1279
Materials: glaze, stoneware
Culture: chinese
Avanzi degli archi che dal Monte Celio conducevano l'Acqua Claudia sul Palatino (onder)
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, aqueduct (~ water supply)
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen van Romeinse bouwwerken. Boven: gezicht op de restanten van de keizerlijke paleizen op de heuvel Palatijn. Genummerd linksboven: Tav. XXXV Fig. I. Verklarende lijst met letters in ondermarge. Onder: restanten van het aquaduct Aqua Claudia. Genummerd linksboven: Fig. II. Titel en verklarende lijst met letters in ondermarge.
Portret van een onbekende jongeman
Object type: carte de visite
Date: 1871 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: orebro
Artist: bernhard hakelier
Artist role: fotograaf
Artist dates: 1848 – 1910
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘FOTOGRAFI/ af/ Bernhard Hakelier./ ÖREBRO/ 21. Köpmangatan 21./ Större antal af samma sort kan erhållas om Requisi-/tion insändes till Ateliern./ A larger number of the same sort can be had on/ application to Mr Hakelier 21 Mechant street Örebro.’
Autumn from a set of the Four Seasons
Object type: tapestry
Date: 1690 – 1720
Materials: silk, wool
Artist: lodewijk van schoor
Artist role: designer
Artist nationality: flemish
Artist dates: 1666 – 1702
Subjects: buildings,fruit,men,women,autumn
The Actors Arashi Sangoro II as Minamoto no Yoritomo (right), Segawa Kikunojo II as Yuki Onna (center), and Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki, in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Renaissance de la Fleur
Object type: print
Date: 1829 – 1839
Materials: paper
Techniques: etching
Location: paris
Subjects: flowers
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 3937
Gezelschap speelt jeu de boules
Object type: photograph
Date: 1865 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: 'jeu de boules', paris
Coffin of Khnumhotep
Object type: coffin, khnumhotep
Date: 1981 – 1802
Materials: wood
Techniques: painting
Subjects: coffins
Berglandschap en twee herten bij bomen en struiken
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: ink, paper
Techniques: brush, pen
Location: bohemia
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, hoofed animals: deer, shrubs, mountains

Blad 25 recto uit een schetsboek met 44 bladen.