deem-data/ArtiFact huggingface dataset:
Vijf dollar of halve eagle uit de Verenigde Staten van Amerika, 1836
Object type: half eagle
Date: 1836 – 1836
Materials: gold
Techniques: striking

Gouden munt. Voorzijde: hoofd (classic head) naar links, waaromheen sterren. Jaartal onderaan. Keerzijde: adelaar met gespreide vleugels met in zijn rechter klauw tak en in zijn linker klauw pijlenbundel en op zijn borst wapenschild, omkijkend naar links. Waarde-aanduiding onderaan. Kartelrand.
Naaister en vioolspeler
Object type: print
Date: 1822 – 1880
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: one person playing string instrument (bowed), violin, fiddle, home sewing; repair of clothes
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2166

Een vrouw zit op een bankje en gebruikt naald en draad om een laken te verstellen. In de deuropening achter haar speelt een oude man viool.
The Sun, from The Seven Planets
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: belgium
Artist: jan sadeler, the elder
Artist nationality: flemish
Artist dates: 1550 – 1600
Inscriptions: Lettered lower right: "Joan. Sadler scalp. et excud. / M. de Vos figura."
Album met voorstellingen van de Onze-Lieve-Vrouwekerk in Brugge
Object type: album
Date: 1913 – 1930
Materials: cardboard, paper
Techniques: photograph, printing block, stapling, writing
Location: brussels
Subjects: church (exterior), interior of church
Inscriptions: postage stamp

Album met 1 losse en 14 uitscheurbare prentbriefkaarten van de Onze-Lieve-Vrouwekerk in Brugge. De losse prentbriefkaart is beschreven en verstuurd. De andere 14 kaarten zitten nog vast.
Huiswaarts kerende herdersfamilie uit de omstreken van Rome
Object type: print
Date: 1847 – 1857
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass, ass, donkey, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228

De vrouw zit op een ezel met een kind aan haar borst. Achter haar loopt haar man.
Kaart van het graafschap Vlaanderen
Object type: map
Date: 1695 – 1711
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: (story of) neptune (poseidon), maps of separate countries or regions, (story of) minerva (pallas, athena), coat of arms (as symbol of the state, etc.) (+ province; provincial), zeeland

Kaart van het graafschap Vlaanderen. De titel boven de kaart. Linksonder een cartouche met vier schaalstokken: 3 3/4 Milliaria Germanica Communia / 5 Milliaria Gallica Sive Horae Itineris, en twee andere. Boven de cartouche een kader met legenda. Linksboven een voorstelling met Minerva en Neptunes bij het wapen van het graafschap Vlaanderen. De kaart is voorzien van een coördinaten-net en een gradenverdeling langs de randen.
Arnauld Cardinal D'Ossat.
Object type: book illustration
Date: 1624 – 1624
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: france, rome, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: D'Ossat, Arnaud. Lettres de l'illustrissime et reverendissime cardinal d'Ossat (...) au roy Henri le grand (...). Parijs: Joseph Bouillerot, 1624.
Neck Ring
Object type: torc
Date: 500 – 300
Materials: bronze
Culture: celtic

This piece testifies to the willingness of Celtic craftsmen to experiment with the form and decoration of the neck ring. With elegant simplicity, it brings together the abstract geometric designs of northern metalwork and the curvilinear motifs of a Mediterranean aesthetic. Flat in section, the neck ring is decorated with an incised geometric pattern of zigzags and punched dots that includes a motif reminiscent of sunbursts. Its "swan's neck" terminals, which fold back on themselves, are incised with a motif derived from the classical Greek palmette.
IXe Cahier d'Arabesques et Bordures
Object type: print
Date: 1784 – 1796
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: jean baptiste fay
Artist role: print maker
Subjects: torch, ornament ~ arabesque, birds, vase ~ ornament
Inscriptions: collector's mark: Lugt 2228

Vier verticale panelen met arabesken en vogels, pijlen, vazen, een fakkel, slangen, een medaillon, veren, lisdodden en een masker.
Portret van Martin Luther
Object type: book illustration
Date: 1839 – 1861
Materials: paper
Techniques: engraving
Location: hildburghausen
Subjects: priest, martin luther, theologian, historical persons, book

Prent waarschijnlijk uit: Meyer, Joseph. [Neues] Conversations-Lexikon für die gebildeten Stände. 52 dln. Hildburghausen: Bibliographisches Institut, 1839-1855. Of uit een latere editie.
Bonnet
Object type: bonnet
Date: 1850 – 1850
Materials: silk
Culture: american

Reason for Special 4000: Shows simplicity of form and exquisite workmanship that Quaker hats were renowned for, indicated by fine stitching across crown and beautiful curve of brim. Instead of the deep pleats often used by Quakers, this model is gathered where the crown meets the brim, giving the illusion of being pleated. While Quaker fashion followed the trends of the day, Quaker bonnets kept to a plainer style with only minor changes. Designed in a capote style, these bonnets followed an 1840s sensibility in the angle of the brim with little or no change in the depth. The stiffness and tan color are distinctive features of Quaker bonnets. Given such reasons, Quaker bonnets are difficult to date. Accession records note "belonged to Mrs. John J. Merritt, great grandmother of Winthrop Trowbridge who lived at 114-116 Columbia Heights from 1827-1871"
Fotoreproductie van een portret van William Kennedy
Object type: reproduction
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Subjects: historical persons
Reproductie van een prent van de ramen en torens van de Sint-Waltrudiskerk te Bergen
Object type: reproduction
Date: 1876 – 1881
Materials: paper
Techniques: photolithography
Location: antwerp
Subjects: church (exterior)
Inscriptions: inscription: ‘TOUR et FLÈCHE (...)’, monogram: ‘JJvY’, inscription: ‘LITT. T. - PL. 18.’
Gipsen afgietsels van panelen
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation: ‘Italiaansche Renaissance / M 0.46-0.21’, annotation: ‘M 0.63 hoog - 0.62 breed / Hollandsche Renaissance’
Portret van François Chaussier
Object type: print
Date: 1816 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
The Reconciliation Between Britannia and Her Daughter America
Object type: print
Techniques: etching
Location: london
Artist: thomas colley
Artist role: artist
Artist nationality: british
Artist dates: 1778 – 1783
Subjects: satire,american revolution,men,women,politics

In this satire, allegorical representations of Britannia and America embrace, as France and Spain try to pull America away, and a Dutchman watches. At right, Charles James Fox points out the struggle to Admiral Augustus Keppel. The print responds to a moment during the Revolutionary War in Britain when a new ministry was formed under the leadership of Fox, on March 30th, and a political shift that occured after May 18th, when news of Admiral George Rodney's significant naval victory near Dominica reached England.
Figuren onder een koepeldak
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: dome ~ architecture
Inscriptions: kleurnotitie, handgeschreven

Pagina 47 uit een schetsboek met 56 bladen.
Gedenkteken van 1894, Mataram
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: mataram
Artist: Anonymous
Inscriptions: annotation: ‘2) gedenkteken van 1894 te Mataram (Lombok)’
Plattegrond van Breda
Object type: area plan
Date: 1700 – 1728
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), armour, weapons, fortified city, maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), armorial bearing, heraldry

Plattegrond van Breda in vogelvluchtperspectief. Linksonder de titelcartouche met daarnaast een schaalstok: Schale van 50 Roeden. Linksboven het wapen van Brabant. Rechtsboven het wapen van Breda. Links een legenda a-t, rechts een legenda 1-19. Rechtsonder een cartouche met de opdracht aan Frederik Hendrik (prins van Oranje) met zijn wapen.
Gezicht op een weg tussen de rotsen bij Sisikon te Zwitserland
Object type: photograph
Date: 1892 – 1892
Materials: photographic support
Techniques: albumen print
Location: sisikon
Artist: hugo engler
Artist role: fotograaf, lithograaf
Artist dates: 1850 – 1931
Subjects: landscapes in the temperate zone, public road
Inscriptions: inscription: ‘Vierwaldstättersee: 72. Axensteinstrasseneinschnit bei Sisikon. Verlag von Stengel & Markert, Dresden’
Figure in Bed (Sick or Drunk) (from Sketchbook)
Object type: drawing
Date: 1854 – 1855
Materials: graphite, ink, paper
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women
Le Moniteur de la Mode, 1844, No. 57 : Chapeau et Bonnet (...)
Object type: fashion print
Date: 1844 – 1844
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (shawl) (+ women's clothes), embroidery (ornamentation) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), laid table: table-ware, table-decoration, etc.
Inscriptions: caption: ‘Chapeau et Bonnet de Barénne & C"ie Chale en Drap- Brodé de Velours et Robe en Velours écossais de la Maison Popelin-Ducarre.’, title: ‘Le Moniteur de la Mode. / Journal du Grand Monde.’, address: ‘Les Bureaux du Journal. Rue Neuve Vivienne, 43 à Paris . / New-york E.B. Strange & brother.’

Twee vrouwen in een interieur. Volgens het onderschrift: hoed en muts van Barénne & Cie. Sjaal van laken met borduurwerk in fluweel. Japon van geruite fluweel van Popelin Ducarre. Prent uit het modetijdschrift Le Moniteur de la Mode (1843-1913).
Madonna and Child
Object type: relief
Date: 1620 – 1625
Materials: ivory
Artist: jürgen kriebel
Artist role: artist
Artist dates: 1580 – 1645
Subjects: madonna and child

Kriebel, one of the few North German sculptors, carved this plaque from a single piece of ivory. He took advantage of the material’s softness to create a background of clouded sky. Paper thin and translucent, the ivory allows light to pass through and illuminate the Madonna’s downturned head as she gazes adoringly at her sleeping child’s peaceful face. The pair’s smooth skin is enhanced by the surrounding folds of layered drapery of the Madonna’s clothing and of the blankets cradling the infant Christ.
Plate
Object type: plate
Date: 1751 – 1800
Materials: pewter
Artist: samuel ellis
Artist role: maker
Artist nationality: british
Artist dates: 1673 – 1773
Portret van Johan Christiaan Baum
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: amsterdam
Inscriptions: inscription: Lugt 2228

Portret van de Amsterdamse predikant Johan Christiaan Baum op 54-jarige leeftijd.
A River God (recto); Sketches for the Vestibule of the Laurenziana, Florence (verso)
Object type: drawing
Date: 1511 – 1592
Materials: chalk, ink
Techniques: pen
Artist: bartolomeo ammanati (ammannati)
Artist role: artist
Artist nationality: italian
Artist dates: 1511 – 1592
Subjects: male nudes,gods
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

At the juncture of the neck and shoulder, a band of tongues; below, part of the head of a wreathed figure to right; at the left, ivy from the panel border
Brussels, near the Porte d'Anderlecht
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: etching
Location: london
Artist: john shury
Artist role: print maker
Subjects: city-view in general; 'veduta', church (exterior), townhall, tower (of house or building)
Inscriptions: collector's mark: Lugt 2233

Prent uit: Belgium and Nassau; or, The continental Tourist. Londen: Black & Armstrong, 1838.
Typus Frisiae veteris (...) insulae Batavorum (...)
Object type: print
Date: 1697 – 1700
Materials: paper
Techniques: engraving, etching
Location: leeuwarden
Subjects: (story of) neptune (poseidon), triton(s), maps of separate countries or regions, netherlands
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Maakt deel uit van 16 kaarten van het land van de Bataven en de Friezen eerst vervaardigd voor en opgenomen in Alting, Menso. Descriptio, secundum antiquos, agri Batavi & Frisii. 2 delen. Amsterdam: Henricus Wetstein, 1697-1700. Hergebruikt in Halma, François. Tooneel der Vereenigde Nederlanden, en onderhorige landschappen (...). 2 delen Leeuwarden: Hendrik Halma, 1725, 2. Een deel van deze kaarten, waaronder dit exemplaar, is ook gebruikt in Schotanus à Sterringa, Bernardus. Uitbeelding der Heerlijkheit Friesland. Zoo int algemeen, als in haare XXX bijzondere grietenijen (...). Leeuwarden: François Halma, 1718.

Deze kaart is gebruikt in Halma's Tooneel der Vereenigde Nederlanden (1725) en is waarschijnlijk te vinden in deel 2, p. 1a.
Portret van Emile Keller-Haas
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: colmar
Artist: anton meyer
Artist role: fotograaf
Subjects: paris, politician, historical persons, portrait of a writer

Deze foto maakt deel uit van een omslag met 29 foto's op 29 bladen en 23 teksbladen.
The Prophet Elijah Awakened in the Desert by an Angel
Object type: painting
Date: 1624 – 1625
Materials: canvas, oil, paint
Location: italy
Artist: giovanni lanfranco
Artist role: draughtsman, painter, print maker
Artist dates: 1582 – 1647
Subjects: an angel wakes elijah; a loaf of bread and a jar of water are usually at elijah's head

De profeet Elia bij dageraad in de woestijn door een engel gewekt. De profeet kijkt verschrift op naar de engel die met de linkerhand naar achteren wijst. Vervaardigd in 1624-25 als deel van een reeks van acht schilderijen voor de kapel van de sacramenten in de kerk San Paolo fuori le mura te Rome.
Weakfish, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fish

Trade cards from the "Fish from American Waters" series (N8), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Painted bridge and spout bottle
Object type: bottle
Date: 700 – 401
Materials: ceramic, pigment
Culture: paracas
Location: peru
Vis schoonmakende vrouw
Object type: print
Date: 1781 – 1822
Materials: paper
Techniques: etching
Location: amsterdam
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: commercial fishery (+ preparing for use or consumption ~ crafts, industries, agriculture)
Inscriptions: collector's mark: Lugt 2228
Sa Maria da Catena
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: palermo
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: church (exterior)
Inscriptions: number: ‘1329’
Gezicht op Scheveningen vanaf zee
Object type: print
Date: 1668 – 1700
Materials: paper
Techniques: etching
Location: the hague
Artist: cornelis elandts
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1687
Subjects: prospect of village, silhouette of village, sailing-ship, sailing-boat, church (exterior), prospect of city, town panorama, silhouette of city, beach (+ landscape with figures, staffage), sea
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Does, Jacob van der. 's Graven-Hage, met de voornaemste plaetsen en vermaecklijckheden. Den Haag: Hermanus Gael, 1668, tussen p. 106 en 107. Of in: Does, Jacob van der. 's Graven-Hage, met de voornaemste plaetsen en vermaecklijckheden. Den Haag: Johannes Tongerloo, 1668, tussen p. 106 en 107. Of in: Does, Jacob van der. 's Graven-Hage, met de voornaemste plaetsen en vermaeklykheden. Den Haag: Abraham Troyel, 1700.

Zie ook RP-P-1909-1597 en RP-P-AO-11-44-2.
Doosje bij draagteken, 1910
Object type: medal box
Date: 1910 – 1910
Materials: cardboard, ink, velvet
Techniques: printing
Location: netherlands
Artist: Anonymous
Subjects: the hague, amsterdam, sculptor, bart van hove
Inscriptions: inscription: ‘D.A. Schmidt<BR />184 Kalverstraat 184<BR />AMSTERDAM<BR />Ridderorden, Ordelinten<BR />Medailles, Insignes enz.’

Rechthoekig zwart kartonnen doosje met goudkleurige randen, bestaande uit twee losse delen. Deksel v.z.v. goudkleurige gekroond opschrift. Binnenzijde met paars fluweel. Onderkant doosje wit.
Berken
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Artist: e. gaillard
Artist role: printer
Subjects: trees: birch
C. L. Drouet, Sculptor
Object type: print
Date: 1859 – 1859
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Portret van Engelbert Tajé, baron van Wemmel
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mayor, engelbert taye (baron van wemmel)
Inscriptions: collector's mark: Lugt 2228
Scherven van schotels uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: plate dish
Date: 1700 – 1743
Materials: porcelain
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Porcelain, dish, saucer, fragments; fragm of bases and rims.
Steigerend paard
Object type: print
Date: 1675 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: training of horses
Inscriptions: collector's mark: Lugt 240

Een man doet een dressuurproef met een paard. Het dier steigert naar links.
Design for Vis-à-vis, no. 526
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Strenna Veneziana per l'anno 1868
Object type: book
Date: 1867 – 1868
Materials: cardboard, linen, paper
Techniques: albumen print, letterpress printing, lithograph
Location: venice
Artist: marco visentini
Artist role: publisher
Double Column
Object type: double column
Date: 1201 – 1400
Materials: marble
Culture: french
Subjects: heads
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1873 – 1873
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: drawing, money, amsterdam
Inscriptions: collector's mark: Lugt 2233
Pompe Notre-Dame, Paris (small plate)
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Venetian Capriccio: Landscape with a Farm Building, Sarcophagus, and Fountain (recto);  Monument (verso)
Object type: drawing
Materials: chalk, graphite, ink, drawing material
Techniques: brush, pen, wash
Artist: giuseppe bernardino bison
Artist role: artist
Artist nationality: italian
Artist dates: 1762 – 1844
Subjects: fountains,farms,sarcophagus
Nobile di Boemia
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Druten, Protestantsche Kerk met pastorie
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: druten
Subjects: church (exterior)
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 72 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 6 horizontal registers that are divided into halves. Each half-register is decorated with a different floral pattern.
Mlle. Dauville, Paris, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
The Klepht
Object type: print
Date: 1830 – 1830
Techniques: lithograph
Artist: alexandre-gabriel decamps
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1860
"Pompeian" vase with cover (one of a pair)
Object type: vase pair
Date: 1874 – 1874
Materials: enamel
Techniques: gilding
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

This vase demonstrates the wealth of ornamental motifs available to designers at industrial manufactories such as Mintons, where Solon worked for much of his career. The results were at times startlingly eclectic. On this pair of “Pompeiian vases,” the asymmetrically hung medallions evoke Japanese designs, while the delicate pink hue of the ornaments and Solon’s cameo decoration call to mind a neo-Rococo aesthetic