deem-data/ArtiFact huggingface dataset:
Bronze handle from a hydria (water jar)
Object type: handle of a hydria
Date: 150 – 101
Materials: bronze
Culture: greek

Parallels to handles on intact bronze hydriai strongly suggest that this object was once itself attached to a hydria. The specific leaf pattern moreover, also recalls the handle design from a bronze hydria found in England, which may be dated by coin evidence to the 2nd century B.C.
Ceiling Fragment
Object type: facsimile, amenemhat surer tt 48, ceiling enhanced
Materials: paper, paint
Location: egypt
Artist: hugh r. hopgood
Artist role: artist
Subjects: hieroglyphs
Piece
Object type: piece
Date: 1850 – 1850
Materials: cotton
Subjects: flowers,leaves
Portrait of husband and wife
Object type: hanging scroll
Date: 1767 – 1833
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: cranes,men,portraits,women,screens,couches,tables

A married couple sits on a low, backless couch in an elegant and opulent garden setting. Around them is a virtual anthology of auspicious images: the arching pine that frames the image evokes long life; the red-crowned crane longevity and marital fidelity; the bamboo hardiness; the plum blossom new life; and so on. This double portrait was probably commissioned for a special occasion such as a milestone birthday. After the death of the sitters, descendants may have venerated it in the family shrine.
House with a Turret, rue de la Tixéranderie, Paris
Object type: print
Date: 1881 – 1882
Techniques: etching
Artist: edmond gosselin
Artist role: artist
Artist nationality: french
Artist dates: 1881 – 1912
Subjects: houses,towers,paris
Verhaal van Tobias
Object type: print
Date: 1603 – 1641
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: tobias and the angel raphael continue their journey; usually tobias carrying the fish

Tobias en de engel Rafaël vervolgen hun reis, Tobias draagt de door hem gevangen vis. Derde prent uit een serie van vier over het bijbelverhaal van Tobias. Rechtsonder genummerd: 3. Onderaan in de marge een onderschrift van vier regels in het Latijn. Onderdeel van een album met voornamelijk christelijke voorstellingen.
Card Number 96, Billie Barlow, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Fragments of a Bowl
Object type: fragment of a bowl
Date: 801 – 1000
Materials: earthenware, glaze
Location: iran

These ceramic fragments were excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Zuilengalerij rondom een bassin met twee staande tekenaars en een pelgrim
Object type: print
Date: 1550 – 1562
Materials: paper
Techniques: etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: pilgrim(s), piece of sculpture, reproduction of a piece of sculpture, gallery (spacious corridor), draughtsman at work - cc - out of doors, draughtsman studying classical remains - cc - out of doors
Inscriptions: collector's mark: Lugt 2228, number: ‘148’

Prent maakt deel uit van een serie die bestaat uit een titelprent en twaalf prenten met gezichten op ruïneuze bouwwerken met zittende en rondlopende figuren. Het betreft spiegelbeeldige kopieën naar een reeks prenten door Jacques Androuet naar ontwerp van Léonard Thiry.
Dish
Object type: dish
Date: 1501 – 1533
Materials: brass
Culture: german
Subjects: snakes,adam,eve
Twee lezende meisjes in een vensterbank
Object type: boekillustratie ontwerp
Date: 1893 – 1953
Materials: ink, paper
Techniques: pen
Artist: adri ladenius
Artist role: draughtsman
Artist dates: 1883 – 1953
Subjects: window-seat, reading
Inscriptions: signature: ‘AL’, annotation: ‘I/ Een oud boekje’, collector's mark: Lugt 2228, :

Twee meisjes zitten in een vensterbank en lezen samen in één boek. De meisjes dragen strikken in het haar. Naast hen zit een pop in de vensterbank.
Miseries of Bathing
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,female nudes,bathing

Two young women stand nude on the edge of a stream, peering through trees in search of their clothes, which have been taken by a young man hidden behind a tree trunk.
Portret van een onbekende man met hoed
Object type: print
Date: 1831 – 1890
Materials: ink, paper
Techniques: etching, pen
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: head-gear, adult man, historical persons
Inscriptions: inscription: ‘Ep retouchee’, collector's mark: Lugt 2228
Saltcellar
Object type: saltcellar
Date: 1840 – 1860
Materials: glass
Techniques: pressed
The Actor Nakayama Kumetaro II
Object type: print
Date: 1794 – 1794
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: tōshūsai sharaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Subjects: men,women,actors
Plate with powder blue and five medallions with flower sprays
Object type: plate dish
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘亞’

Bord van porselein met opstaande wand en schuine rand, beschilderd in onderglazuur blauw. De voorzijde is bedekt met bleu poudré (poederblauw) met hierin uitgespaard vijf medaillons gevuld met bloemtakken; de achterzijde van de wand is volledig bedekt met poederblauw. Gemerkt op de onderzijde met een van de Twaalf Ornamenten, het Fú symbool, in een dubbele cirkel. Twee chips in de rand. Bleu poudré met blauw-wit.
Pottery Whistle
Object type: pottery whistle
Materials: clay
Culture: mexican
Location: mexico
Marta wijst Maria Magdalena terecht
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: st. martha rebuking her sister mary magdalene for her vanity

De prent is vervaardigd naar het schilderij van Lupicini dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer GG_364). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Geleerde met een boek, koning met een scepter en pelgrim met een valk
Object type: album leaf
Date: 1514 – 1531
Materials: paper
Techniques: letterpress printing
Subjects: pilgrim(s), wise man, king

Deze prent is gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Gezicht op brasserie Muller et Blaisot te Parijs
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: paris

Gezicht op brasserie Muller et Blaisot aan de Rue Faubourg Montmartre 60 te Parijs.
Schouwing van het 7e regiment Infanterie op het exercitieveld aan de Oranje-Nassau Kazerne te Amsterdam
Object type: photomechanical print
Date: 1908 – 1908
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: review, inspection (of company, unit, troop)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Landmacht: Gebouwen / Herinneringen aan officieren, stadssoldaten / Nationale militie / (diverse korpsen) / Padvinders / Parade.
Wereldtentoonstelling op de Champs de Mars te Parijs (1878)
Object type: history medal
Date: 1878 – 1878
Materials: brass
Techniques: striking

Vergulde penning met ring en draagoog, op de voorzijde het portret van Ceres naar rechts met omschrift, op de keerzijde het tentoonstellingsgebouw aan het Champs de Mars, met omschrift
Philosophia
Object type: ornament print
Date: 1745 – 1745
Materials: paper
Techniques: etching
Location: augsburg
Subjects: 'philosophia'; 'filosofia' (ripa), standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228

Allegorie van de filosofie, omgeven door een rocaille omlijsting. Een vrouw met boeken en een scepter staat in een landschap naast een trappiramide. In de ondermarge tweemaal een vierregelige Duitse en Latijnse tekst. Uitgeversnummer 42.
Portret van Henri-Joseph Redouté, en profil
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: etching
Location: paris
Subjects: paris, painter, print maker, draughtsman, henri-joseph redouté, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Prent uit: École liégeoise. Les Graveurs. Leurs portraits, reproduits au burin, d'après les originaux, par Adolphe Varin, 1366-1850. Avec notes historiques (...). Parijs: Fr. Gobbaerts, ca. 1684.
Medal Awarded by the International Exhibition of Art in Munich to Willem Witsen
Object type: medal
Date: 1913 – 1913
Techniques: gilding, striking
Location: munich
Artist: alois börsch
Artist role: sculptor
Artist dates: 1855 – 1923
Subjects: amsterdam, painter, draughtsman, willem witsen

Medals of honour. Medals of honour were awarded to individuals for noteworthy achievements.
Boerenvrouw met twee manden aan een juk
Object type: print
Date: 1772 – 1791
Materials: paper
Techniques: printmaking, etching, hand coloring, lithography
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: farmers - aa - female farmer, farmer's wife, container made of plant material other than wood: basket, carrying something with yoke
Inscriptions: number: ‘N 9 I - 27’, collector's mark: Lugt 2228

De prent verscheen vanaf 1818 tevens als onderdeel van een 33-delige reeks prenten door Mathias de Sallieth, samengebonden in: Perkois, Jacobus, Prins, Johannes Huibert. Verzameling van verschillende gekleede mans- en vrouwenstanden, ter oefening van jonge schilders en liefhebbers. Rotterdam: Johannes Immerzeel, 1818.
Astragal frame
Object type: frame
Date: 1650 – 1660
Materials: wood
Culture: french
Schemerlandschap
Object type: drawing
Date: 1870 – 1923
Materials: cardboard, chalk, paper
Techniques: brush
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: dusk, evening twilight, landscapes
Fragment (From a Choken of Noh Costume)
Object type: textile
Location: japan
The Albert Memorial, Africa
Object type: photomechanical print
Date: 1902 – 1930
Materials: cardboard
Techniques: photograph
Location: london
Subjects: hoofed animals: camel, africa represented allegorically; 'africa' (ripa), monument, statue
Inladen van galeischip in de haven van Livorno
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Location: italy
Subjects: ferdinando i de' medici, harbour, dock labourer, ships (in general), slavery; serfs and enslaved persons, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 240

Zicht op de haven van Livorno met links het standbeeld van Ferdinand I, groothertog van Toscane, en de vier tot slaaf gemaakte 'Moren' (I Quattro Mori). Rechts wordt een galeischip van de Orde van de heilige Stefanus ingeladen door havenarbeiders. Op de achtergrond links een muur en twee schepen op de kade.
Beau-Grenelle, Couronnement De La Rosière (Fêtes des Environs de Paris)
Object type: print
Date: 1830 – 1830
Materials: stone
Techniques: lithograph
Artist: victor adam
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1866
Subjects: animals,dogs,horses,ceremony,crowd,paris
Headdress
Object type: headdress
Date: 1850 – 1899
Materials: linen, metal, silk
Culture: russian
Subjects: flowers
Suit
Object type: suit
Date: 1767 – 1800
Materials: silk
Culture: french
Aardappelrooisters
Object type: sketchbook leaf
Date: 1892 – 1893
Materials: paper, pencil
Artist: alfred william rich
Artist role: draughtsman
Artist dates: 1856 – 1921
Subjects: plants cultivated for their edible roots or tubers, e.g. potato, turnip (+ women (labourers))

Blad 75 recto uit een schetsboek met 86 bladen.
Card Number 257, Miss Bell, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
The House on the Edge of the Village
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: aquatint, drypoint, printing, etching
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Nude Model Reclining (Nude Model Resting)
Object type: print
Date: 1893 – 1893
Materials: ink, paper
Techniques: printing, stumping, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: female nudes
Verdrijving van Heliodorus uit de tempel
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Location: paris
Subjects: heliodorus in the temple, attacked by a man (or angel) on horseback and two other men (or angels) (2 maccabees 3:7-35)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Gazette des beaux-arts (1862), dl. 3, p. 512.
Sculptures, XVIe Siècle
Object type: photomechanical print
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: sculpture, story of joachim and anna
Inscriptions: inscription: ‘SCULPTURES. PL. 24.’, monogram: ‘JJvY’, inscription: ‘SCULPTURE en chène (...)’
Henri II de Lorraine, duc de Guise
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: men,portraits
It was a Veil, an Imprint, plate 1 of 6
Object type: print
Date: 1891 – 1891
Materials: chine, ink, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Portret van Alexander Pagenstecher
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: frankfurt am main
Subjects: politician, historical persons, physician, doctor, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
The Dutch Toy
Object type: cartoon
Date: 1814 – 1814
Materials: paper
Techniques: etching, hand coloring
Location: england
Subjects: the hague, william ii of the netherlands, london, charlotte augusta (prinses van wales), whipping a top, unsuccessful love affair; seduction
Inscriptions: collector's mark: Lugt 2228

Spotprent op Willem Frederik George Lodewijk, prins van Oranje-Nassau (later koning Willem II), voorgesteld als een kleine figuur zittend bovenop een tol door de Engelse prinses Charlotte met een zweep geslagen wordt. Een figuur komend door de deur rechts reikt de prinses een takkenbos aan om mee te slaan. Kamerinterieur met links een piano en daarboven een schilderij van Cupido die op zijn kop staat bovenop de wereldbol. Charlotte zou op 16 juni 1814 haar verloving met de prins van Oranje verbreken.
Pedestal
Object type: pedestal
Date: 1870 – 1870
Culture: american
Location: united states
Palais de l'École des Beaux-Arts
Object type: photograph
Date: 1850 – 1851
Materials: cardboard, photographic support
Techniques: salted paper print
Location: lille
Subjects: palais de l'école des beaux-arts

Variant (RP-F-1997-48) werd in 1851 gepubliceerd in Album photographique de l'Artiste et de l'Amateur
Biconical alabastron with zones of bichrome decoration including floral elements, dancers, and Bes-like figures
Object type: vase, alabastron
Date: 332 – 330
Materials: faience
Location: western delta

The rim is broken away, but the body decoration is preserved. Registers of garlands, a vine (?) pattern, and rosettes, are followed by two figural registers. The upper registers depicts figures with shoulder length hair curled up at the rear and wearing long flowing garments. They appear to be dancing or running. The lower figural register depicts figures with feathers, broad faces, and tails - apparently Bes-images. Some figures are running, others are gathered around a vessel on a stand on one side, and on the other what appears to be a cauldron or stove. Beneath the figural registers the body of the vessels is covered with a weave pattern.
Sugar bowl with cover
Object type: sugar bowl with cover
Date: 1785 – 1787
Materials: silver
Artist: louis-joseph bouty (called milleraud-bouty)
Artist role: maker
Artist dates: 1733 – 1833
Mourning Virgin
Object type: relief statue
Date: 1234 – 1266
Materials: canvas, foil, gesso, glaze, oil, wood, tin
Culture: italian
Location: italy
Subjects: virgin mary
Robert Browning
Object type: photograph
Techniques: carbon print
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: men,portraits
Fragment of a Band
Object type: textile fragment
Date: 201 – 400
Materials: linen, wool
Techniques: weave
Location: egypt
Ecce Homo
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: Anonymous
Artist nationality: flemish
Artist dates: 1600 – 1699
Fantasie: mannenkop met scheve muts, half over het rechteroog
Object type: print
Date: 1908 – 1918
Materials: paper
Techniques: lithograph
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Inscriptions: signature and date: ‘mesquita 1918/ aug’

Mannenkop met scheve muts, half over het rechteroog.
Bonchurch Downs
Object type: drawing
Materials: watercolor
Artist: john brett
Artist role: artist
Artist nationality: british
Artist dates: 1831 – 1902
Subjects: cows,landscapes

Precise natural details convey a dreamlike stillness in this Isle of Wight landscape, painted in the month of December. A sharply canted section of coastal down allows Brett to contrast purplish-gray rocks with pale grass and rusty winter foliage, as dappled touches of brilliant color describe a patch of distant sea. Wandering cows and a signal mast silhouetted against the sky suggest an unseen human presence. Brett was associated with the Pre-Raphaelites, and his early career had been molded by the leading critic John Ruskin, who acted as his mentor until a scientific argument caused a rift in 1865. While painted shortly after their parting, Bonchurch Downs still honors Ruskin’s famous advice that artists should "go to Nature in all singleness of heart . . . rejecting nothing, selecting nothing, and scorning nothing."
Gold Weight
Object type: weight
Date: 1701 – 1900
Materials: brass
Culture: akan
Location: ghana
Flask
Object type: vessel
Date: 401 – 600
Materials: glass
Culture: palestinian
Location: palestine
Krishna and Radha
Object type: painting
Date: 1901 – 2000
Materials: gilt, ink, paper, watercolor
Culture: indian
Subjects: fountains,women,peacocks,krishna,radha
Specimen van Photogravure
Object type: reproduction
Date: 1887 – 1892
Materials: paper
Techniques: photoaquatint
Location: berlin
Subjects: non-aggressive, friendly or neutral activities and relationships of aesculapius
Inscriptions: inscription: ‘Copyright registered.’, inscription: ‘Gedrukt in het Etablissement van L. Angerer te Berlijn S. 42./ Met toestemming van "Photographische Gesellschaft" te Berlijn.’
Portret van een man met platte hoed bij een tafel
Object type: carte de visite
Date: 1855 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: harlingen
Artist: hermanus siderius
Artist role: draughtsman
Artist dates: 1819 – 1892
Subjects: gloves, mittens, etc., historical persons
Inscriptions: annotation: ‘H. Siderius/ Phot./ Harlingen/ [...]’
Portret van Anne Claude Philippe Caylus
Object type: print
Date: 1750 – 1786
Materials: paper
Techniques: mezzotint
Artist: jean-baptiste-andré gautier dagoty
Artist role: painter, print maker
Artist dates: 1740 – 1786
Subjects: paris, print maker, anne claude philippe caylus, historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760