deem-data/ArtiFact huggingface dataset:
Le 18 Brumaire. Der 18. Brumaire
Object type: print
Date: 1821 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: napoleon i (emperor of the french), proclamation of new government, paris
Inscriptions: collector's mark: Lugt 2228

Staatsgreep van 18 Brumaire waarin Napoleon de macht grijpt in revolutionair Frankrijk, 9 november 1799. Onder de voorstelling de titels in het Frans en Duits. Onderdeel van een groep van twaalf illustraties.
Twelve Satirical Vignettes (Le Charivari, December 10, 1832)
Object type: print
Techniques: lithograph
Artist: charles-joseph traviès
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1859
Subjects: satire,men,women,musicians

1832–1833. One of five bound volumes of Le Charivari, from 1832 to 1835. A daily satirical periodal issued in Paris between 1832 and 1937, Le Charivari began publishing caricatures satirizing daily life after the 1835 ban on political satire. Artists including Honoré Daumier and Charles-Joseph Traviès contributed lithographs and wood engravings.
Fragment
Object type: fragment
Date: 1567 – 1700
Materials: silk
Subjects: leaves
Alcune vedute et prospettive di luoghi dishabitati di Roma
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: etching
Location: italy
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228

Gezicht op de resten van de Tempel van Venus en Roma te Rome. Op de achtergrond is de toren van de Santa Francesca Romana (voorheen de Santa Maria Nuova genoemd) zichtbaar.
Firenze
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: university building, college, zoology
Inscriptions: number: ‘642’, collector's mark: ‘VOSMAER’
Milarepa on Mount Kailash
Object type: painting
Date: 1500 – 1500
Materials: textile, cotton, gold, pigment
Techniques: painting
Culture: tibetan
Location: tibet
Subjects: music, sisters, mountains, deities, clouds, animals, text, religious figures, dragons, horses, musicians

Milarepa (1040–1123) was a beloved Tibetan singer-poet, mystic, teacher, and saint whose name means “cotton-clad,” is usually shown clothed in thin white cotton and cupping a hand to his ear—a gesture typical of singers in India and the Himalayas—to enhance his hearing while blocking out extraneous noise. In this thangka, a painted cloth that can be rolled up for portability, Milarepa sits in a cave on Mount Kailash, which is sacred to both Buddhists and Hindus. In front of him, Lake Manasarovar (Marpam) flows by in wavy blue and green bands. Milarepa is flanked by his disciples, and his teacher, Marpa, appears in a medal-lion above him. The dazzling snow-covered peaks frame each of the central figures, and below them multicolored foothills appear as prismatic spikes refracting the sun’s rays like jewels. Along the perimeter of the thangka, the five sisters of long life ride their mounts, accompanying Milarepa wherever he preaches his doctrine. The sacred peaks and lakes of the Himalayas have inspired numerous works of art—Milarepa, for example, wrote one hundred thousand songs about them. The other side of this textile contains a long inscription in Tibetan, demonstrating that this is one of the earliest representations of Milarepa.
Allegorische voorstelling van de overeenkomst tussen religie en filosofie, of het geloof en de rede
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues, reason; 'ragione' (ripa) (+ symbolical representation of concept), the liberal arts together with other disciplines, 'philosophia'; 'filosofia' (ripa), allegorical and symbolical representations ~ the church and religion
Inscriptions: collector's mark: Lugt 2228

De gepersonifieerde Filosofie, met een krans van sterren boven het hoofd, schudt de hand van Religie, die op de bijbel wijst. Achter hen staan Hoop (Spes) en Geloof (Fides). Rechts op de voorgrond Liefde (Caritas) die kinderen wijst op de tafelen der wet. Links de vrouwlijke personificaties van de zeven vrije kunsten. Met een lege marge.
Wine Glass
Object type: glass
Date: 1760 – 1780
Materials: glass
Techniques: glassblowing, engraving, stippling
Location: england
Quintus Fabius Labio bemiddelt in het conflict over de grens tussen Napels en Nola
Object type: print
Date: 1514 – 1531
Materials: paper
Techniques: letterpress printing
Location: augsburg
Subjects: events and situations from classical history (punic war), milestone

Deze prent is gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
波濤に岩上鷹図大小 Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1767 – 1833
Materials: copper, gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Artist: 石黒政常 ishiguro masatsune
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1760 – 1828
Subjects: eagles
Autumn, from The Four Seasons
Object type: print
Date: 1570 – 1570
Materials: paper
Techniques: engraving, etching
Location: belgium
Artist: pieter van der heyden
Artist nationality: flemish
Artist dates: 1530 – 1572
Vijf duinlandschappen
Object type: photograph
Date: 1930 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: texel
Subjects: dune coast

De foto's zijn gemaakt tijdens een bezoek aan een Waddeneiland, vermoedelijk Texel. Deze foto's maken deel uit van een album.
Le Coquet, No. 22, from Journal des Modes Spécial pour Couturières
Object type: print
Materials: steel
Techniques: engraving, hand coloring
Artist: laure noël
Artist role: artist
Artist nationality: french
Artist dates: 1827 – 1878
Subjects: girls,women,fashion
Two Costume Designs or Portrait Types
Object type: collection ornament architecture
Date: 1785 – 1790
Materials: gouache, graphite, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: portraits,profiles,women

Page with two round portraits. The portrait on the left is done in green tones and depicts the frontal view of a woman whose head is turned towards the right. She is wearing a striped bodice or jacket. She has a tall top hat with a ribbon and feathers. She is holding a fur muff with a ribbon. The portrait on the right is rendered in violet and green tones. It shows a woman turned towards the left with her head tilted towards her left shoulder. Her right arm reaches out towards the left. She wears a dress with a tight bodice and wide skirt. A blue ribbon is tied at her waist and she has white ruffled cuffs at her elbows. She has a large hat with tall feathers and a bow.
Undershirt
Object type: undershirt
Date: 1900 – 1900
Materials: cotton
Culture: american or european
Street at Saverne
Object type: print
Date: 1858 – 1858
Materials: ink, ivory, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gnomae seu sententiae vitae utiles ex ecclesiastico
Object type: print
Date: 1547 – 1591
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the book of ecclesiasticus, the wisdom of jesus sirach (with book chapter:verse)

Ornamentele omlijsting met medaillon waarin een landschap met een man, op de rug gezien. Hij wordt in zijn hiel gebeten door een slang. Uit Sir. 21:2: 'Vlucht voor zonden als voor een slang,
want als de zonde naderbij komt grijpt ze je. Haar tanden zijn als die van een leeuw, ze rukken mensenlevens weg.'
Toaster
Object type: toaster
Date: 1700 – 1800
Materials: iron
Culture: american
Location: united states
Dressing table set
Object type: dressing table
Date: 1887 – 1911
Materials: mother of pearl, silver gilt, velvet
Artist: andré aucoc
Artist role: maker
Artist dates: 1825 – 1925
Standing cup (Flügelglas)
Object type: standing cup
Date: 1760 – 1760
Materials: glass
Subjects: faces

The form of this standing cup is called a flügelglas, or winged glass, and is a Venetian style that was popular in the North.
Pauw in landschap
Object type: print
Date: 1892 – 1940
Materials: paper
Techniques: woodcut
Artist: henri verstijnen
Artist role: draughtsman, print maker
Artist dates: 1882 – 1940
Subjects: ornamental birds: peacock
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Raccolta delle principali fontane dell'inclitta città di Roma
Object type: titelprent, frontispice
Date: 1637 – 1637
Materials: paper
Techniques: etching
Location: italy
Subjects: coat of arms (symbol of sovereignty), ornament ~ cartouche
Inscriptions: number: ‘41’

Titelprent bij een reeks van ten minste 20 prenten van fonteinen in Rome.
Shirt of Mail and Plate of Emperor Shah Jahan (reigned 1624–58)
Object type: shirt of mail and plate
Materials: gold, iron, leather, steel
Culture: indian
Location: india

This shirt ranks as one of the most beautiful surviving Mughal armors and is among the earliest dated examples. The armor plates are covered in two-color gold and incised through to the dark iron with Qur'anic inscriptions in elegant calligraphy entwined with delicate foliage. An engraved inscription inside one of the plates identifies this armor as a gift from Saif Khan, a high-ranking Mughal prince and military official at the court of the Mughal emperor Shah Jahan (reigned 1624–58). Additional inscriptions inside the plates record valuations assigned to the armor in the later years of Shah Jahan's rule, suggesting that the armor had belonged to the emperor. The decorated plates are fitted into a sturdy shirt of thick double-riveted mail of earlier date, possibly the fifteenth century. Each ring is stamped on one side with several of the ninety-nine names of God. The multiple religious invocations on the plates and mail cloaked the wearer in protective prayer. The fish-shaped buckles are also thought to have talismanic value.
Allegorie op Rome met adelaar en wolvin
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: predatory birds: eagle, romulus and remus are washed ashore and suckled by a she-wolf; 'lupa romana', emperor, rome
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een voetstuk met titel waarop een adelaar met scepter en bliksemschichten op twee schilden met verwijzingen naar Rome zit. Voor het voetstuk ligt de wolvin met Romulus en Remus. In de achtergrond een plein met twee zuilen. Aan de bovenzijde vier keizersportretten. Aan de onderzijde vier medaillons met een keizer, een stadion, een brandend altaar en vier mannen rondom een beeld.
Jar
Object type: jar
Date: 960 – 1279
Materials: pottery
Culture: chinese
Gezicht op het Amsterdamse Hoofdpostkantoor aan de Nieuwezijds Voorburgwal in Amsterdam
Object type: photograph
Date: 1899 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: diligence, omnibus, horse-tram, post-office, street (+ city(-scape) with figures, staffage)

Onderdeel van Leporelloalbum met 28 foto's van Amsterdam en omstreken.
Gezicht op de Koninklijke tuin in Napels
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: naples
Artist: Anonymous
Subjects: public gardens, park (+ city(-scape) with figures, staffage), naples
Inscriptions: negative number: ‘4014’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.
Brabant, Karel de Stoute,  half vuurijzer
Object type: coin
Date: 1475 – 1475
Materials: silver
Techniques: striking
Location: antwerp

Zilveren munt. Voorzijde: leeuwenkop naar links. Keerzijde: kort gebloemd kruis. Jaartal in omschrift.
De verkiezing van Dr. J. Th. de Visser te Leiden
Object type: cartoon
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: utrecht, the hague, spark ~ electricity, political parties, political caricatures and satires

De vrouwelijke personificatie van de Liberale Partij (Liberale Unie) krijgt een elektrische schok uit een zogenaamde 'Leidse fles' als blijkt dat Johannes Theodoor de Visser als kamerlid voor het kiesdistrict Leiden gekozen wordt.
Les images presque de tous les empereurs
Object type: print
Date: 1557 – 1557
Materials: paper
Techniques: woodcut, etching, letterpress printing
Location: antwerp
Subjects: emperor

Portret van keizer Pertinax, op een munt met randschrift. De prent maakt deel uit van een boek over de keizers vanaf Julius Caesar tot en met Karel V en zijn broer Ferdinand.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of head, left ear, and left shoulder of a draped youth to left
Fantasiefiguur met één oog
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946

Blad 41 recto uit een schetsboek met 41 bladen.
Tubular Bead
Object type: bead
Date: 1000 – 301
Materials: stone
Culture: olmec
Location: mexico
Portret van Lodewijk II van Bourbon-Condé
Object type: print
Date: 1631 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: lodewijk ii de bourbon-condé (hertog van enghien), ranks in the army, historical persons
Inscriptions: collector's mark: Lugt 2228
S. Louis, Roi de France (St. Louis, King of France), August 25th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: kings,men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Columbus Monument, New York, from the Transparencies series (N137) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: monuments,christopher columbus,new york city

Trade cards from the "Transparencies" series (N137), issued in an unnumbered set of 25 cards in the late 1880s by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco. Each image is printed on very thin paper, intended to be transparent when held up to the light.
Filips de Goede van Bourgondië
Object type: print
Date: 1821 – 1877
Materials: paper
Techniques: etching
Artist: charles de brou
Artist role: print maker
Artist dates: 1811 – 1877
Subjects: philip iii the good, historical persons
Inscriptions: collector's mark: Lugt 2228
Hanging /Sash
Object type: textile
Date: 1801 – 1900
Techniques: dyeing
Location: java
Gezicht te Augsburg
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: cologne
Subjects: city-view, and landscape with man-made constructions, augsburg
Stirrup
Object type: stirrup
Date: 801 – 1000
Materials: iron
Culture: german or west slavic
Location: poland

This very simple triangular stirrup of Germanic type was used in the eastern part of the Baltic, where Viking and West Slavic populations were cohabitating. Horses had a great societal importance in Germanic and Slavic cultures, in both social and religious aspects. Equestrian equipment, like stirrups, spurs and bits, are regularly found in their burials, among the goods warriors wanted to bring with them to the afterlife. The elite would sometimes even be accompanied by sacrificed horses, a meaningful practice at that time, considering the high economic value of horses.
Veduta di Castel St Angelo. S. Pietro
Object type: photograph
Date: 1848 – 1852
Techniques: albumen print, glass negative
Artist: eugène constant
Artist role: artist
Artist nationality: french, active italy
Artist dates: 1848 – 1855
Subjects: buildings,cities,bridges

Constant, who associated with the painter-photographers at the Caffè Greco, was the first in Rome to use the method of albumen on glass plate negatives devised by the Frenchman Niépce de Saint-Victor in 1847. This remarkable album contains thirty prints by Constant, each affixed to a page bearing the blind stamp of the bookseller Edouard Mauche (who sold his views).
Portret van Charlotte van Mecklenburg
Object type: print
Date: 1711 – 1761
Materials: paper
Techniques: mezzotint
Location: london
Artist: james mcardell
Artist role: print maker, publisher
Artist dates: 1728 – 1765
Subjects: london, charlotte van mecklenburg (koningin van groot-brittannië en ierland), historical persons - bb - woman, queen
Inscriptions: date
The Temple of Dendour, Nubia (Dendorack, Upper Egypt)
Object type: drawing and watercolor
Date: 1840 – 1850
Materials: gouache, graphite, paint, paper, watercolor
Location: scotland
Artist: possibly after david roberts
Bellarmine jug
Object type: bellarmine jug
Date: 1660 – 1680
Materials: stoneware
Techniques: salt glaze

German “bearded man” stoneware jugs are known to have been used in seventeenth-century America. Stoneware is fired at a higher temperature than earthenware, hot enough to make the clay vitrify or change into a glasslike substance, resulting in a nonporous ceramic body. Thus, stoneware jugs made ideal long-term storage containers.
Triangular Brick with Horse, Phoenix, and Tigers
Object type: architectural fragment
Materials: ceramic, earthenware
Location: china
Cartouche gevormd door twee ranken met irissen en tulpen
Object type: print
Date: 1650 – 1660
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: flowers, ornament ~ cartouche

De ranken zijn onderaan met een lint samen gebonden.
Ornament van een vrouw op een sokkel boven cornucopia en een masker
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: paris
Subjects: 'cornucopia', horn of plenty, ornament ~ arabesque, vase ~ ornament, mask, mascaron ~ ornament

Doordat dit album bestaat uit meerdere, deels eerder uitgegeven prentreeksen, is de datering niet consequent. Het geheel is op de titelpagina gedateerd op 1802. Deze reeks is niet los gedateerd.
De serietitel voor het gehele werk is "Recueil d'arabesques, contenant les loges du Vatican". De andere serietitel is de titel van de specifieke reeks binnen het geheel.
Kamerbewaarder
Object type: drawing
Date: 1887 – 1887
Materials: chalk, paper
Location: the hague
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: anonymous historical person portrayed, netherlands
Inscriptions: inscription: ‘Kamerbewaarder / (7)’

De kamerbewaarder. Man met fors postuur op stoel zittend op een verhoging. De handen op de knieën, ordeteken op de borst. Onderdeel van een groep schetsen van de bespreking in de Tweede Kamer van de grondwetsherziening van 1887 gepubliceerd in het weekblad Eigen Haard (1887).
Tweezers
Object type: tweezer
Date: 918 – 1392
Materials: bronze
Culture: korean
Pils
Object type: photomechanical print
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Subjects: paris, painter, isidore pils, adult man, historical persons
Twee delen van kokosnoot uit V.O.C.-schip de 'Witte Leeuw'
Object type: coconut fruit
Date: 1613 – 1613
Materials: plant material
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Twee delen van kokosnoot uit V.O.C.-schip de 'Witte Leeuw'. Grofweg de helft, de bovenzijde, en een stuk uit de wand.
Head of a Youth with a Diadem
Object type: drawing
Date: 1467 – 1533
Materials: ink, paper, watercolor
Techniques: pen, tinting, wash
Culture: italian
Artist: cristoforo caselli
Artist role: artist
Artist dates: 1460 – 1521
Subjects: boys

Caselli, a leading painter in Parma, worked alongside Giovanni Bellini and Alvise Vivarini and other painters from 1489 to 1495 on the decoration of the Great Council Hall in the Doge’s Palace in Venice (destroyed 1577). As Caselli is not known as a draftsman, this fine sheet is attributed to him on the basis of comparison with his paintings. The blue and red watercolor accentuates the modeling of the head, with its subtle nuances of light and shade. The tight curls, firmly drawn eyebrows, and small lips are characteristic of Caselli’s figures.
Portret van Kázmér Batthyány
Object type: book illustration
Date: 1848 – 1848
Materials: paper
Techniques: letterpress printing, line block
Artist: Anonymous
Subjects: politician, historical persons

Prent uit: L'Illustration, journal universel (1848).
Aardewerken vaas uit de collectie van W. de Weckherlin
Object type: photograph
Date: 1860 – 1860
Materials: paper
Techniques: albumen print
Location: the hague
Artist: Anonymous
Subjects: container of ceramics: jar, jug, pot, vase, the hague
Inscriptions: inscription: ‘Bleu./ 35G.’
Bird ornament
Object type: ornament
Date: 300 – 600
Materials: gold
Culture: moche
Location: peru
Artist: frías artist(s)
Artist role: artist
Subjects: birds
View of Canton from the River
Object type: photograph
Date: 1869 – 1869
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Subjects: houses,rivers,boats
Covered jar with incised flowerpetals
Object type: lid
Date: 900 – 999
Materials: glaze, stoneware
Techniques: engraving, firing, turning, vitrification
Location: china
Artist: Anonymous

Dekselpot van steengoed met een bolvormig lichaam, bedekt met een groen glazuur. Op de deksel een band met ingegrifte bladmotieven. Celadon (Yue).
Düsseldorf. Rheinansicht
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: dusseldorf
Subjects: city-view, and landscape with man-made constructions, church (exterior), canals, waters (in city)