deem-data/ArtiFact huggingface dataset:
Uçetek Entari and Shalvar
Object type: ensemble
Date: 1867 – 1900
Materials: cotton, metal thread, silk
Techniques: brocade
Location: turkey

Women’s dress in the Ottoman Empire typically consisted of three main elements, a chemise or gömlek, a long robe, or entari, and baggy trousers, or şalvar. This entari and şalvar comprise two elements of the ensemble of a fashionable Ottoman woman (the two pieces might not have been originally part of the same outfit as dealers could assemble outfits from the pieces they acquired separately, although in this case, there is a close correspondence in color palette and trim between the two pieces). The deep purple color of the entari is a shade that became extremely popular in Europe with the 1856 invention of a synthetic dye used to create a color known as mauveine. The purple silk fabric has a different weave structure than silks woven in Ottoman workshops, suggesting that it was imported from a foreign source. While only scientific analysis can determine the exact dye process, the use of the color indicates an awareness on the part of the wearer of current fashions. The entari is constructed along traditional lines, open down the front, with long sleeves open until the elbow and high slits at each side. It closed at the bodice with four buttons and loops. The lower part of the sleeves are lined with the same fabric used on the garment exterior, and the outside edges are faced with a dark red fabric, a blend of silk and cotton. The rest of the entari is lined in white cotton. All of the garment’s edges are trimmed with an intricate knotted braid made of metallic gold thread. The şalvar of a different but visually related fabric of purple silk with a design of alternating vertical bands comprised of floral or geometric elements executed in extra weft metal-wrapped thread are oversize. A cotton muslin fabric was used at the waist and bottom of each leg, with ties to gather the excess width to fit the wearer. The long legs would have been tied below the knee to allow the şalvar legs to billow gracefully around the ankles. Metallic gold braid trims the hip level pocket openings on each side and the waist.
Man in een lange mantel
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Artist: jean pierre norblin de la gourdaine
Artist role: print maker
Artist dates: 1745 – 1830
Subjects: coat, cape
Inscriptions: date
Salt
Object type: salt
Date: 1830 – 1845
Materials: glass
Techniques: pressed
Culture: american
Location: united states
De wijn is een spotter
Object type: print
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrik bary
Artist role: draughtsman, print maker
Artist dates: 1640 – 1707
Subjects: candle, drunkenness, chamber-pot
Inscriptions: collector's mark: Lugt 2228

Een nar-achtige figuur staat op het punt om een slapende vrouw een pispot op het hoofd te zetten.
Gezicht op Avenue Nicolas II tijdens de Wereldtentoonstelling van 1900 te Parijs
Object type: photomechanical print
Date: 1900 – 1900
Materials: paper, photographic process
Location: paris
Artist: Anonymous
Subjects: world fair, world exhibition, avenue, boulevard, promenade, esplanade, paris
Inscriptions: inscription: ‘17309. P.Z. Paris, Avenue Nicolas II/ Vers le dome des invals’
Drie figuren in een roeiboot op een meer in de avond
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: etching
Subjects: evening, rowing-boat, canoe, etc., lake (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Gezicht op het Piazza Palazzo di Città (Piazza delle Erbe) met het stadhuis in Turijn
Object type: print
Date: 1681 – 1682
Materials: paper
Techniques: etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: square, place, circus, etc., townhall, market

Gezicht op het Piazza Palazzo di Città (Piazza delle Erbe) met het stadhuis in Turijn. Op het plein staan marktkramen. In de lucht drie putti die een heraldisch wapen dragen. Aan weerzijden daarvan banderollen met de titel.
Gezicht op het Sint Claraklooster
Object type: drawing
Date: 1700 – 1799
Materials: ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, canal, abbey, monastery, convent ~ roman catholic church

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 11.
Cabinet with Design of Stylized Tortoiseshell Patterns
Object type: cabinet
Date: 1567 – 1633
Materials: gilt bronze, gold, lacquer
Techniques: maki
Culture: japanese

Often referred to as medicine chests, boxes such as this one, with a front cover and interior drawers, were also designed for traveling. The dramatic rendering of stylized tortoiseshells on the exterior is matched by the three wonderful cranes found on the front of the drawers. In both China and Japan, these motifs are often associated with a mythical mountain inhabited by immortals.
Herder in gesprek met een  jonge herder op een ezel
Object type: print
Date: 1643 – 1670
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: ass, donkey, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11
Brief aan August Allebé
Object type: letter
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen, writing
Artist: hendrick peter godfried quack
Artist role: econoom, geschiedschrijver, hoogleraar, jurist
Artist dates: 1834 – 1917
Subjects: august allebé, painter, carel lodewijk dake, print maker, ferdinand leenhoff, education, tuition of the artist (in general)
Inscriptions: watermark
Kraag van naaldkant met symmetrisch patroon met vijf rozenvelden
Object type: collar
Date: 1880 – 1880
Materials: linen
Techniques: lace
Location: brussels
Artist: Anonymous

Kraag van naturelkleurig naaldkant: Brusselse gaaskant. Halfrond model. Het patroon heeft langs de rand een dubbele golvende lijn. Daarboven vijf velden met rozentakken en moesjes. Onder de golvende lijn, onder elke rozentak, een hangende kelkbloem tussen een bloemslinger van aaneengeschakelde rozetbloempjes. De schulpenrand komt voort uit het patroon met deze golven en de bloemslinger. Langs de bovenzijde of neklijn is een smal schulpenstrookje van machinale kant met boogjes genaaid.
Photographie des enfants
Object type: sketchbook leaf
Date: 1875 – 1920
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: family life at home

Groepsfoto van het hele gezin. Onderdeel van het schetsboek met humoristische tekeningen over het leven van een 'famille nombreuse'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven.
Portret van Jacob van Strij
Object type: print
Date: 1824 – 1880
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: dordrecht, painter, print maker, draughtsman, jacob van strij, historical persons, portrait, self-portrait of artist
Zeeslag
Object type: drawing
Date: 1797 – 1838
Materials: paper, pencil
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat, battle (+ naval force)
Zeeman, edelvrouw en ridder in kleding uit de vijftiende eeuw
Object type: costume print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: seaman, clothes, costume, knight

Prent waarschijnlijk uit: Hofdijk, Willem Jacob. Schets van de geschiedenis der Nederlanden. Amsterdam: Gebroeders Binger, 1857.
Chinese-Style Flower Basket (Karamono hanakago)
Object type: basket
Date: 1834 – 1866
Materials: bamboo, rattan
Culture: japanese
Leeuw zittend bij boom
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: beasts of prey, predatory animals
Inscriptions: collector's mark: Lugt 2228
Jug
Object type: jug
Date: 1680 – 1700
Materials: stoneware
Culture: german
Location: germany
Portret van een vrouw voor een huis, met op de achtergrond een andere vrouw in een deuropening
Object type: carte de visite
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: urban housing, adult woman, historical persons - bb - woman, threshold
Godslamp
Object type: carte de visite
Date: 1865 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: altarlamp, altar fire
Inscriptions: inscription: ‘Giacomo Brogi/ Fotografo-editore./ 15, Lung Arno delle Grazie/ Firenze./ Estese collezioni/ di Vedute d'Italia, d'Egitto e di Palestina/ edite in quattro formati./ Fotografie dei Disegni della R. Galleria di Firenze/ riprodotte dagli originali./ Grandissimi Panorama di un sol pezzo./ Grandiosa collezione delle principali dipinture/ delle Gallerie d'Europa.’
Vase
Object type: vase
Date: 1601 – 1633
Materials: enamel, porcelain
Techniques: overglaze, painting, underglaze
Culture: chinese
Subjects: human figures
Journal des Dames et des Modes, Costume Parisien, 25 mars 1826, (2394): Mode de Longchamp (...)
Object type: fashion print
Date: 1826 – 1826
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: handkerchief (+ women's clothes), ornamental parts of clothing (+ women's clothes), dress, gown: redingote (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), bracelet, wristlet (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Mode de Longchamp. Chapeau de bois dit paille de riz. Redingote de gros d'été garnie de rouleaux et de rosettes de satin.’

'Mode de Longchamp.' Vrouw gekleed in een redingote van 'gros d'été' gegarneerd met een 'rouleaux' en rozetten van satijn. Schapenboutmouwen. Op het hoofd een hoed van 'paille de riz'. Verdere accessoires: oorbellen, ceintuur, sjaal, zakdoek, armband om de linkerpols. Figuur in eenzelfde redingote, op de rug gezien. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, head, bit of left shoulder, with round shield over upper left arm, of helmeted warrior to left
Portret van Johann von Reuschenberg
Object type: print
Date: 1655 – 1659
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: cologne, historical persons

Prent mogelijk uit: Brachelius, Adolphus. Historiarum nostri temporis. Amsterdam: Jacob van Meurs, 1655. Of uit een latere editie (1659).
Terracotta neck-amphora (jar)
Object type: neck amphora
Date: 540 – 530
Materials: terracotta
Culture: greek, chalcidian
Artist: polyphemos group
Artist role: artist

On the body, obverse, lions felling a bull; reverse, three centaurs On the neck, obverse and reverse, sirens
Drie mannen bij een dood paard
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: medical aid and nursing of the sick and wounded
Inscriptions: collector's mark: Lugt 2228
Falcon surmounting box for an animal mummy
Object type: mummy case, falcon
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: falcons

The falcon god Horus stands with his wings swept back. He wears the double crown of Egypt, a royal crown that symbolizes the union of Lower and Upper Egypt, and highlights Horus’ role as the legitimate ruler of the entire land. The crown’s elements are distinct and well made: the red crown of Lower Egypt, lacking only its curling spiral at the front, and the white crown of Upper Egypt. The falcon wears the double crown because Horus and the concept of kingship were closely tied, as early as the Predynastic Period. The falcon stands on a rectangular, shrine-shaped box that would have held an animal mummy. The falcon and box were fashioned separately. The falcon stands on a thin trapezoidal base, now joined with the top of the box. Such falcon mummy boxes, or sarcophagi, would have been offered for deposition in animal necropoleis, not just in relation to the cult of Horus, but also more broadly in association with solar cult. Unlike many such boxes, which are open at the back end where the mummy has been removed, this example is sealed at both ends.
Ontwerp met vier scènes
Object type: drawing
Date: 1874 – 1945
Materials: chalk, paper, pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Duit van de VOC uit Westfriesland, 1790
Object type: coin
Date: 1790 – 1790
Materials: copper
Techniques: striking
Location: hoorn
Subjects: verenigde oostindische compagnie, west-friesland

Koperen munt. Voorzijde: gekroond wapenschild van Westfriesland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Roses and Lilies
Object type: painting
Date: 1888 – 1888
Materials: canvas, oil
Artist: henri fantin-latour
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1904
Subjects: lilies,roses,still life

This canvas, in excellent condition, shows Fantin's virtuosic manipulation of paint—not only with brushes, but also with the butt of the brush and scrapers.
Benjamin Franklin
Object type: plate
Date: 1800 – 1883
Materials: faience
Culture: french
Location: france
Artist: joseph siffred duplessis
Artist role: artist
Artist nationality: french
Artist dates: 1725 – 1802
Subjects: benjamin franklin,men,portraits
Portret van Urbanus VIII
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: rome
Subjects: clergyman, urbanus viii, 'trompe l'oeil', historical persons
Inscriptions: collector's mark: Lugt 240

Prent uit: Urbanus VIII. Maphaei S.R.E Cardinalis Barberini Nunc Urbani P.P. VIII Poemata. Rome: s.n., 1631.
Vue du Kloveniers Burgwal et de la Maison de Trip, du Hoog-straat au Marché Neuf
Object type: print
Date: 1810 – 1813
Materials: paper
Techniques: aquatint, engraving, etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', canal, bridge in city across river, canal, etc., weigh-house
Inscriptions: collector's mark: ‘9.73’

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
Gedeelte van de Sint Walburgiskerk te Zutphen
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: zutphen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Zutphen’, annotation: ‘Zutphen/ Aanzicht [...] koor en Noor transept van de Ned. Herv. Kerk’
Drieluik van email met afgebeeld de geboorte van Christus
Object type: photograph
Date: 1872 – 1878
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: birth and youth of christ
Scarab seal
Object type: stamp seal
Date: 2000 – 1
Materials: stone
Location: egypt or levant
Subjects: scarabs
Portret van Willem van den Broek
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: predikant, willem van den broek
Inscriptions: collector's mark: Lugt 240

Portret van Willem van den Broek, predikant te Amsterdam, op 39-jarige leeftijd.
Key
Object type: key
Date: 1600 – 1620
Materials: brass
In the Thebaid
Object type: photomechanical print
Date: 1893 – 1893
Materials: paper
Techniques: printing block
Location: london
Artist: Anonymous
Subjects: sphinx (lion/woman); 'sfinge' (ripa) - aa - female human figure, landscape with ruins, rocks
Inscriptions: collector's mark: Lugt 2228

Prent uit: The Dial 3 (1893). De prent is ook gebruikt als illustratie bij het gedicht 'The Sphinx' van Oscar Wilde.
Anton bij sluis in achterdam van "Ma retraite"
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

De Nederlandse jongen Anton staande op een boom bij de sluis op het terrein van de plantage Ma Retraite. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Chirurgijnsgilde te Amsterdam, toegangspenning voor de hortus medicus van H. Tullingh
Object type: medal
Date: 1788 – 1788
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: Dood, afgebeeld als geraamte, in bloemenveld met zeis in rechterhand en met linkerhand op zandloper, die op sokkel staat. Keerzijde: vaas met bloemen tussen jaartal; op vaas:wapenschild boven cartouche binnen omschrift
Wilson, Branded Slave from New Orleans
Object type: carte de visite
Date: 1863 – 1863
Techniques: albumen silver print, glass negative
Artist: charles paxson
Artist role: artist
Artist nationality: american
Artist dates: 1860 – 1869
Subjects: men,portraits,slaves

On January 30, 1864, to fan the anti-slavery cause and promote the sale of abolitionist photographs, Harper’s Weekly published this carte de visite and three others as wood engravings. The newspaper also included stirring bibliographies of the emancipated slaves. The editors noted that Wilson Chinn was about sixty years old. His former master, Volsey B. Marmillion, a sugar planter near New Orleans, “was accustomed to brand his negroes, and Wilson has on his forehead the letters ‘V.B.M.’”
Pyramid of Caius Cestius, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1547 – 1547
Techniques: engraving
Location: rome
Artist: Anonymous
Artist role: artist
Subjects: tombs,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 45 in the scrapbook.
Design for a Wall and a Ceiling Decoration
Object type: drawing
Date: 1774 – 1778
Materials: graphite, drawing material
Artist: leonardo marini
Artist role: artist
Artist nationality: italian
Artist dates: 1730 – 1797
Gezicht op Wandelhoofd Koningin Wilhelmina te Scheveningen
Object type: photomechanical print
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons, pier, quay, wharf, sea

Deze pagina maakt deel uit van een album.
Sugar Maple, Adirondacks
Object type: drawing
Date: 1879 – 1879
Materials: graphite, ink, paper
Culture: american
Artist: andrew fisher bunner
Artist role: artist
Artist nationality: american
Artist dates: 1841 – 1897
Subjects: trees
Relief from around the false door in the tomb of Bakenrenef, 3 sections
Object type: relief, tomb of bakenrenef, area of false door
Date: 664 – 610
Materials: limestone, paint
Location: egypt
Subjects: hieroglyphs

As in the nearby Old Kingdom tombs at Saqqara, the focus of Bakenrenef's tomb was the false door, which was placed on the end wall of the innermost room. The door framed a shallow niche in which had been carved a seated statue representing either Osiris or Bakenrenef himself. The surviving parts of the doorjamb and lintel give his name and titles, as well as offering prayers addressed to Anubis and Osiris. To the sides are spells from the Book of the Dead, and on the upper right the illustration for the spell for "Entering the Great House/Temple" (Spell 123) is preserved. Part of the text for this spell is preserved in the section below, in the fourth column from the left. For Curatorial Interpretation of this group of reliefs, see 11.150.50a–d-related.
Card Number 45, Miss Randall, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Man en vrouw met hond aan tafel in interieur in Los Angeles
Object type: photograph
Date: 1908 – 1908
Materials: paper, cardboard
Techniques: gelatin silver print
Location: los angeles
Artist: Anonymous
Subjects: family life at home, anonymous historical persons portrayed in a double portrait
Inscriptions: inscription: ‘31 dec. 1908/ Los Angeles/ cal.’, inscription: ‘anon vgl Bushnelf [?]’
Le Cathédrale de St Gall, Suisse
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sankt gallen
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: church (exterior)
Inscriptions: inscription: ‘Vues de la Suisse Savoie et Italie’, number: ‘400’
Fotoreproductie van een prent van een portret van Leonardo da Vinci
Object type: reproduction
Date: 1858 – 1863
Materials: paper
Techniques: albumen print
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: artist, leonardo da vinci, historical persons, portrait, self-portrait of artist
Inscriptions: name: ‘Brogi’

Foto op ongenummerde pagina tegenover pagina 231.
Capitol of Missouri in Jefferson City, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: buildings

Trade cards from the "General Government and State Capitol Buildings" series (N14), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.