deem-data/ArtiFact huggingface dataset:
Glass amphoriskos (perfume bottle)
Object type: amphoriskos
Date: 534 – 401
Materials: glass
Culture: greek, eastern mediterranean

Translucent cobalt blue, with handles in same color; trails in opaque white. Broad, inward-sloping rim-disk with radiating tool marks on upper surface; cylindrical neck tapering upward; broad rounded shoulder; top-shaped body; circular base-knob with with rounded edge and slightly concave bottom; two vertical strap handles applied to top of shoulder, drawn up, and pressed onto neck and underside of disk-rim. One trail attached at edge of rim-disk; another applied as an uneven pad on shoulder, wound spirally round one and a half times to junction of shoulder and body, then tooled into an uneven close-set zigzag pattern on upper half of body, with twenty-seven alternating upward and downward tooling strokes forming vertical ribs in sides; below this, same trail continues in a spiral to base-knob; part of a fine unmarvered trail runs horizontally around upper body over zigzag pattern. Intact; slight dulling but very little weathering.
De politieke partijen na de Verkiezingen
Object type: cartoon
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: laundering, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 14 juli 1901.
The Kobe installation
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: kobe
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Inscriptions: title: ‘The Kobe installation’

Gas en olie-installatie in Kobe in Japan. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Upper part of Isis, from a figure of the goddess nursing Horus
Object type: upper part of isi, from a figure of the goddess nursing horus
Date: 945 – 700
Location: egypt

Egyptian blue was a synthetic pigment used most frequently to add color to objects composed of other materials or for small objects such as scarabs. It was occasionally also used for larger objects, such as this small sculpture representing Isis. Only the upper part of the sculpture is preserved, but in the complete piece, the goddess likely would have been shown seated, with Horus, her son with the god Osiris, on her lap (see 55.121.5). Traces on the left breast were most likely left by her missing right hand, with which she would have offered milk to her baby.
Thomas Abbt
Object type: print
Date: 1766 – 1771
Materials: paper
Techniques: engraving
Artist: johann david schleuen (i)
Artist role: print maker
Artist dates: 1711 – 1774
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Die Verwundung des Prinzen von Oranien in der Schlacht von la Belle-Alliance
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william ii of the netherlands, putting out of action by wounding, battle (+ during the battle)
Inscriptions: collector's mark: Lugt 2228

De prins van Oranje, de latere Willem II, koning der Nederlanden, heeft een schotwond in zijn arm opgelopen tijdens de Slag bij Waterloo, welke op de achtergrond doorwoedt. Om hem heen staan drie officieren en naast hem is een man neergeknield die zijn wond bekijkt.
Portret van Philipp Magnus Seifert
Object type: print
Date: 1830 – 1860
Materials: paper
Techniques: lithograph
Location: berlin
Artist: carl wildt
Artist role: print maker
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Ein new Modelbuch..., page 16 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: flowers,leaves,vines

Published by Johann Schӧnsperger the Younger, Zwickau. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column is decorated with a curving white line. Middle column is decorated with 2 intertwining vines of leaves and flowers. Right column is decorated with a pattern of overlapping leaves in the form of hearts.
Inscribed Rectangular Plaque
Object type: foundation deposit, plaque, rectangular, ramesses iv
Date: 1153 – 1147
Materials: faience
Location: egypt

This rectangular plaque bears the name of Ramesses IV who initiated several building projects and sent large expeditions to mining regions and quarries early on in his reign. His plans and ambitions were cut short by his death in the sixth year of his reign, but he had been able to complete and decorate his tomb in the Valley of the Kings. He also began work on a gigantic processional temple in Thebes, in which a number of intact foundation deposit were found with literally hundreds of plaques and other objects inscribed with his names, like this plaque here.
Butter dish with cover
Object type: butter dish with cover
Date: 1801 – 1900
Materials: hard paste porcelain
Nieuwjaarswens voor 1811 van de Antwerpse kraankinderen
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: engraving
Location: antwerp
Artist: j.j. smits
Artist role: print maker
Subjects: dock crane, city-gate, quay, antwerp
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Het Antwerpse Kranenhoofd en de Werfpoort, met een zicht op de Schelde erachter. Onderaan twee vierregelige verzen in het Nederlands en in het Frans.
Textile Fragment
Object type: textile fragment
Date: 1801 – 1900
Materials: silk
Techniques: printing
Location: india
Dish
Object type: dish
Date: 1701 – 1800
Materials: glaze, stoneware
Culture: chinese
Fenggan, Hanshan, and Shide
Object type: hanging scroll
Date: 1401 – 1450
Materials: ink, paper
Culture: japanese
Artist: reisai
Artist role: artist
Artist nationality: japanese
Artist dates: 1430 – 1450
Subjects: men

From their perch on a rocky precipice, three figures look out over clouds rising from a valley below. At left are Hanshan and Shide (Japanese: Kanzan and Jittoku), Chan (Japanese: Zen) monks who held low-level positions at Guoqingsi, a temple on China’s Mount Tiantai. The reclusive monk-poet Hanshan, shown carrying a bucket, was said to have gathered leftover food from the temple kitchen, where he worked. Shide holds a broom indicating his role as the temple janitor. The older, contemplative figure at right is their teacher Fenggan (Japanese: Bukan) who lived, according to legend, with a pet tiger, easily overlooked as he naps by a rock. Although these paintings—once the flanking scrolls of an iconic triptych—bear no seals or signatures, they have long been attributed to Reisai based on style. Reisai was a follower of Kichizan Minchō (1352–1431), an artist active in the painting atelier of the Zen monastery Tōfukuji in Kyoto.
Vestingplattegrond van Schenkenschans
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: maps of cities

Prent gebruikt in: Blaeu, Johannes Willemszoon. Novum ac magnum theatrum urbium Belgicae (...). 2 delen. 3e druk. Amsterdam: Johannes Willemszoon Blaeu, 1652, dl. 1.
Urania
Object type: painting
Date: 1869 – 1869
Materials: canvas, oil
Culture: american
Artist: joseph fagnani
Artist role: artist
Artist dates: 1819 – 1873
Subjects: portraits,women,globes
58a Wijnkoopsbaai
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: indonesia
Inscriptions: annotation: ‘58a Wijnkoopsbaai’
Ring
Object type: ring
Date: 1851 – 1900
Materials: diamond, gold, silver
Saint Valentine's Day, United States, from the Holidays series (N80) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women

Trade cards from the "Holidays" series (N88), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes. The series depicts citizens from various countries in traditional dress celebrating local holidays. Each card verso contains the title of the series, a description of the particular holiday and its history, as well as an ad for W. Duke, Sons & Co. Tobacco producers Goodwin & Co. also published this series with brand advertising for Old Judge and Dog's Head Cigarettes.
Modestie van dubbel genaaid batist, met een rand kloskant
Object type: womenswear
Date: 1850 – 1875
Materials: textile
Techniques: lace
Location: amsterdam
Artist: Anonymous

Modestie van dubbel genaaid batist met kloskant. Twee dubbelgenaaide rechthoeken zijn in een rechthoek over elkaar genaaid; bovenop en in de buitenhoek zijn de stroken overhands genaaid. Aan de binnenzijde is het batist afgezet met een strook kloskant, Rijssel/Lille, met een dubbele slinger van een dikkere draad als schulprand, gevuld met schuine achtjes. De modestie is gemerkt in rood: BS/ 16.
Ennion Williams
Object type: painting, miniature
Date: 1776 – 1776
Materials: ivory, watercolor
Culture: american
Artist: charles willson peale
Artist role: artist
Artist nationality: american
Artist dates: 1741 – 1827
Subjects: men,portraits

The sitter (1753-1830) served in the Continental army until 1777. The artist recorded on October 26, 1776: "Rd. of Mr. Williams 28 Dolrs. For his Miniature," and later that day, "put a Glass on Mr. Williams Min: Miss Williams having broke the first for which I expect 10 s."
Landschappen
Object type: print
Date: 1679 – 1728
Materials: paper
Techniques: etching
Artist: johannes gronsveld
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1658 – 1728
Subjects: riding a horse, ass, or mule; rider, horseman, city-gate
Inscriptions: collector's mark: Lugt 1641, stamp

Landschap met stadspoort en een man te paard en links van hem twee mannen in gesprek. Zesde prent uit een serie van acht met landschappen. Rechtsboven genummerd: VI. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Buitenleven.
Herstellingsoord
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: medical aid and nursing of the sick and wounded, occupation ~ war, netherlands

Een herstellingsoord voor militairen. Op de voorgrond een pergola. Voor het huis rijdt iemand op een soort bakkerskar.
Hals met kurk van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: neck
Date: 1700 – 1743
Materials: cork, glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, neck, onion-shaped bottle or bottle with vertical side; eroded, vs-string rim, cork level with mouth.
Glass network mosaic bowl fragment
Object type: fragment, network
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent blue, opaque white, and colorless. Applied coil rim with vertical rounded lip; slightly tapering side. Rim in blue with white spiral thread; body decorated with sixteen colorless vertical narrow canes, decorated with double spiral white threads. Pinprick bubbles; exterior polished, with pitting of surface bubbles; dulling and creamy iridescence weathering on interior; jagged, weathered edges. The join between the two ends of the coil rim is clearly visible towards the right end of the fragment.
Houthakker met een takkenbos over de schouder en een bijl aan de gordel
Object type: drawing
Date: 1790 – 1852
Materials: paper
Techniques: brush
Artist: pieter christoffel wonder
Artist role: draughtsman, painter, print maker
Artist dates: 1780 – 1852
Subjects: woodcutting, woodcutter ~ forestry
Carpet with Palm Trees, Ibexes, and Birds
Object type: carpet
Date: 1567 – 1633
Materials: cotton, wool
Techniques: asymmetrically knotted pile
Location: pakistan
Subjects: birds,lions,tigers,flowers,palms,ibex

This carpet, with its pictorial depiction of trees, birds, and animals, is conceived like a textile with a repeat design in which each unit reverses the direction of the preceding one. The ibexes, Chinese mythological beasts called qilins, and animals in combat, are derived from Safavid Persian art, as is the border design of cartouches and star-shaped medallions with cloud bands. The palm tree, however, is a very Indian feature, as is the generally naturalistic drawing of the flora and fauna and the bright red color of the field. The relationship to Persian carpet design dates this example to the early Mughal period, soon after the first carpet workshops were established by the emperor Akbar in Lahore, Agra, and Fatehpur Sikri.
Ontwerpen van beschot en schouwen
Object type: print
Date: 1725 – 1750
Materials: paper
Techniques: etching
Location: paris
Subjects: chimney, ornaments ~ art, panelling

Deze prent maakt deel uit van een album.
Cum volucris, tutum que putat se piscis in unda, tunc perit, aut capitur; latet abdita Visque, dolusque
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: italy
Subjects: landscapes, fishing net, fisherman
Inscriptions: collector's mark: Lugt 2228

Landschap met op de voorgrond links een brug over een stroom en een visser met een net. Rechts tussen de bomen jagers die op watervogels jagen. Titel in het Latijn in ondermarge. Genummerd rechtsonder: 20.
Two papyrus fragments
Object type: papyrus
Date: 2030 – 1640
Materials: ink, papyrus
Location: egypt
Ronde tafel
Object type: ornament print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: table
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Voor- en bovenaanzicht van een geornamenteerde tafel met guirlandes en een schelpmotief. Bovenop de tafel staat een rookvat.
Bergachtig landschap
Object type: print
Date: 1778 – 1838
Materials: chalk, paper
Techniques: etching
Location: netherlands
Subjects: waterfall, dale, valley (+ landscape with figures, staffage)
Inscriptions: name: ‘AVDB’, collector's mark: Lugt 2228

Twee wandelaars lopen op een weg door een valei. Links een waterval.
May Derrickson
Object type: photograph
Date: 1895 – 1910
Materials: paper
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: adult woman, historical persons, united states of america

Dergelijke foto's stonden bekend als 'zwartjes'. Men verkreeg ze bij aanschaf van bepaalde merken thee, cacao, sigaretten, beschuit, etc. om te verzamelen. Er waren speciaal voor de 'zwartjes' verzamelalbums in omloop.
Kaart van de kavels van de Wieringerwaard
Object type: print
Date: 1623 – 1649
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: gerard coeck
Artist role: print maker
Artist dates: 1608 – 1649
Subjects: maps of separate countries or regions, polder, reclaimed land
Inscriptions: collector's mark

Kaart van de kavels van de Wieringerwaard, zoals verloot op 12 juli 1611. Boven in het midden de titel, rechts daarvan het wapen van Wieringerwaard. Linksonder een schaalstok: Zypsche dyck roeden van 600 int morgen.
Charles-Maurice Le Tellier
Object type: print
Date: 1663 – 1663
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits
Slippers
Object type: slipper
Date: 1855 – 1865
Materials: leather
Culture: french

Although fancier to modern eyes than the plain satin slippers worn for evening, ornate leather shoes of this type were worn as a daytime at-home style in the 1850s and 1860s. This pair of beautifully preserved shoes features a fine example of the delicate chain stitch vamp decoration frequently seen in shoes from the time. The ornate bow softens the throatline and adds interesting texture.
Vier voorstellingen uit de klassieke geschiedenis
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: murder, (story of) m. licinius crassus, scipio, accused of extortion, silences his accusers by tearing up the bills and leading the people to the capitol to thank the gods for his victory over hannibal, (story of) publius clodius (claudius) pulcher
Inscriptions: collector's mark: Lugt 2228

Vier voorstellingen uit de klassieke geschiedenis van één plaat, genummerd van LXXIII tot en met LXXVI en alle voorzien van een onderschrift. Linksboven: Claudius Pulcher gooit kippen in zee. Linksonder: Scipio verscheurt de rekeningen. Rechtsboven: Edelmoedige daad van Crassus. Rechtsonder: Moord op de praetor Asellio. Voorstellingen LXXIII en LXXIV rechtsboven gemerkt: Tegen over bladz. 137. Voorstellingen LXXV en LXXVI rechtsboven gemerkt: Tegen over bladz. 236.
Cobra
Object type: figurine, cobra
Date: 664 – 630
Materials: metal
Location: egypt
Chess-Players
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Calligraphy
Object type: hanging scroll
Date: 1900 – 1900
Materials: ink, paper, silk
Techniques: calligraphy
Location: china
Artist: zhang jian
Artist role: painter
Artist dates: 1853 – 1926

This pair of calligraphy scrolls is a gift from a scholar to his scholar friend to hang in the study. The texts read in translation: ‘The things that are clean easily become dusty, the things that are white easily become dirty’ and (when making pottery) ‘when it is hard, it is easy to break, when it is soft it is easy to shape.’
A Contest of Elegant Ladies among the Cherry Blossoms (Kaika kifujin kisoi)
Object type: print
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: men,women,flowers,trees

This print shows the emperor, empress, prince, and ladies of the court enjoying the cherry blossoms at a Western-style building in the precinct of Ueno Park, in Tokyo. The women wear elaborate French-style day dresses with cinched waists, high collars, and layers of heavy fabric over their bustles. Themes in prints changed dramatically with the modernization of Tokyo, with new subjects ranging from people dancing in Western clothing to new advances in architecture in Ueno Park.
Portret van Abraham Pompe in militair uniform
Object type: photograph
Date: 1860 – 1884
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: breda
Subjects: studio requisites ~ photographer, historical persons
Inscriptions: inscription: ‘Souvenir A. Pompe’, address: ‘Breda Groote Markt D.15 tegen over het stadhuis’
Diana at the bath
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: diana bathing
Inscriptions: monogram: ‘RHL.f.’, collector's mark: Lugt 240
Coin Portraying Emperor Theodosius
Object type: coin
Date: 379 – 395
Materials: bronze
Culture: roman
Location: roman empire
Inscriptions: Obverse: D N THEODOSIVS P F AVG
Reverse: GLORIA ROMANORVM
Portret van Maximilian Kurtz von Senftenau
Object type: print
Date: 1715 – 1797
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: joseph anton zimmermann
Artist role: draughtsman, print maker
Artist dates: 1705 – 1797
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Eusebius van Caesarea
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: historical persons, male persons from classical history (eusebius of caesarea), book

Prent uit: Thevet, André. Les vrais pourtraits et vies des hommes illustres grecz, latins et payens (...). Parijs: weduwe Jacques Kerver en Guillaume Chaudière, 1584, dl. 1, f. 86.
A gentleman, seen from behind, walking up a parapet, with a cloak over his left shoulder, wearing a plumed hat and boots with spurs, from "The Garden of the French Nobles In Which One Can Pick Up Their Way of Dressing"
Object type: print
Date: 1629 – 1629
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: men,walking
Torenspits
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk, paper
Location: moscow
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: parts of church exterior and annexes: spire
Inscriptions: kleurnotitie, handgeschreven

Mogelijk van één van de torens van het Kremlin van Moskou. Pagina 32 uit een schetsboek met 45 bladen.
Schapen, een hond en een karikatuur van een man
Object type: sketchbook leaf
Date: 1913 – 1916
Materials: paper, pencil
Artist: jonkheer johannes ludovicus paulus bosch van drakestein
Artist role: draughtsman
Artist dates: 1865 – 1929
Subjects: caricatures (human types), sheep, dog
Inscriptions: annotation: ‘Le cadre/ Bergen aan Zee’

Blad 7 verso uit een schetsboek met 47 bladen.
Bacchanaal
Object type: print
Date: 1845 – 1875
Materials: paper
Techniques: lithograph
Location: paris
Subjects: carousal, drinking-bout, orgy
Inscriptions: collector's mark: Lugt 2228a
Cage crinoline
Object type: cage crinoline
Date: 1834 – 1866
Materials: metal
Culture: american or european
Arcus in Provincia, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Object type: album print ornament architecture
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: architecture

Perspectival depiction of the right half of a double triumphal arch, referred to as the ‘Arcus in Provincia’ set in a stylized landscape with a view of other ruins in the background. The arch appears to be placed on a square and is stripped from all its ornaments and relief decorations, aside from the Ionic or Composite pillars on the corners of the piers. The three-tiered attica that crowns the structure appears to be a product of the imagination, although it bears some resemblance to the attica of the triumphal arch of Orange, France. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as the 'Arcus Vespasiani'. This group of prints was purchased as part of an an album in 1926, but taken apart by the Museum in 1934. The album appears to have been compiled in the 17th century, although the majority of prints date from the 16th century. The larger part of the prints is focused on mythological subjects and objects and architecture from Antiquity. The album was part of the collection of the architect Hippolyte Destailleur and was sold in the sale of his books and prints in 1895. The Museum acquired the album at G. Rapilly & Fils in 1926. Where the album had been kept in the mean time is unclear and several prints were taken out in this period. The museum's numbering does not reflect the order of the original album, but Destailleur's numbering system is retained on the inidividual sheets, allowing for the reconstruction of its original content.