deem-data/ArtiFact huggingface dataset:
Virtue Crowned by Honor
Object type: drawing
Date: 1670 – 1676
Materials: chalk, gouache, ink, paper
Techniques: highlighting, pen
Artist: carlo maratti
Artist role: artist
Artist nationality: italian
Artist dates: 1625 – 1713
Subjects: men,cornucopia

During the pontificate of Clement X Altieri (r. 1670–76), his family palace on the Piazza del Gesù in Rome was enlarged and redecorated. Carlo Maratti, a gifted draftsman and the leading baroque painter in Rome, was commissioned to paint the main room between 1674 and 1677, but only the fresco that fills the long, narrow central section of the vault of Palazzo Altieri was executed. The undecorated portions of the vault were to contain allegorical figures representing Religion, Faith, Divine Wisdom, and Evangelical Truth. Together with three other sheets in the Metropolitan Museum (inv. nos. 64.295.1, 66.137 and 66.53.3) the present study relates to the Altieri decoration and constitutes a preliminary sketch by Maratti for an Allegorical Virtue crowned by Honor. Maratti executed the figure on blue paper with a quick sketch in pen and ink, highlighted with white gouache, and developed this dynamic group on a second, highly-finished drawing in red chalk, also in the Museum’s collection (inv. 64.295.1). In the present drawing Virtue wears the lion's skin over her head, and Honor holds a cornucopia, as the text dictates. These features are missing in the second study, but there, lightly indicated in chalk at the bottom of the sheet, appears the "trifauce cane." Other studies for Virtue Crowned by Honor are in the Albertina in Vienna, the National Gallery of Scotland, Edinburgh, and the Academia de San Fernando, Madrid. According to the artist’s biographer, Giovanni Pietro Bellori (1613-1696) Maratta executed the painted decoration for the spandrels of the Palazzo Altieri but, in reality, the artist never completed more than the central panel of the ceiling of the chamber, which represents an Allegory of Clemency (in honor of his patron Clement X). Bellori describes the intended scheme, saying that the spandrels at one end of the room were to contain Allegories of Religion and Faith, while at the other end, over the entrance door were to be an Allegory of Divine Wisdom and an Allegory of Evangelical Truth. Bellori describes the side walls of the room in the following words: "fra le tre laterali a destra, Roma Sacra, il Tempo, la Pace, la Virtù, l'onore, e ne tre altri intermezzi opposti le quattro parti del Mondo Europa, Asia, Africa, ed America divote alla Chiesa..."(trans.: "in the three laterals in the right Sacred Rome, Time, Peace, Virtue, Honor, and in the three spaces on the opposite wall the four parts of the world Europe, Asia, Africa and America all honoring the Church..."). For other preparatory studies for the decoration of the Great Hall of the Palazzo Altieri in the Metropolitan Museum of Art see inv. nos. 64.295.1 (Virtue crowned by Honor), 66.53.3 (Allegory of Peace), 66.137 (Allegory of Divine Wisdom or Divina Sapienza), 2008.334.1 (Study of a Putto Seated on a Corbel in a Shell Niche), and 65.206 (Plan for a Ceiling and Nude Figures). (F.R.)
Doop van Christus
Object type: print
Date: 1580 – 1590
Materials: gold, paper, silver
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends

De gravures van beide reeksen zijn door dezelfde hand gehoogd met goud en zilver. De eerste reeks van 34 (van 35) gravures is een verkleinde versie naar prenten uit een reeks naar Maarten de Vos (nrs. 2-28, 31-33) met toevoeging van drie scènes uit de Wonderen van Christus (nrs. 26, 28, 30).
Landschap met boom
Object type: drawing
Date: 1844 – 1844
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: martinus antonius kuytenbrouwer jr.
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1897
Portret van Margo Kessler-de Lange
Object type: photograph
Date: 1880 – 1920
Materials: paper, photographic support
Techniques: photography
Location: maastricht
Inscriptions: inscription: ‘(MJJ) Margo Kessler de Lange’
Folio from a Buddhist Manuscript of Pancavimsatisahasrika Prajnaparamita
Object type: folio
Date: 1090 – 1090
Materials: leaf, watercolor
Culture: indian, bengal or bangladesh
Subjects: buddhism
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of an inscription, KA[LOS]; Exterior, lower legs of male to right
The Horse Armoury in the Tower
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: armor,weapons,boys,men,horses,crowd
Herder met een kudde schapen
Object type: sketchbook leaf
Date: 1876 – 1879
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep

Blad 26 verso uit een schetsboek met 33 bladen.
Portret van Willem Lodewijk, graaf van Nassau-Dillenburg
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: willem lodewijk graaf van nassau-dillenburg

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Meteren, Emanuel van. Historien der Nederlanden, en haar naburen oorlogen tot het iaar 1612. Amsterdam: Jan Jacobsz Schipper, 1663.
Twee stellen met baby's waaronder Klaas Kleiterp en zijn vrouw Tine Kleiterp-Vermeulen met 8 weken oude Klaas (rechts) in Malang
Object type: photograph
Date: 1920 – 1920
Materials: paper, photographic support
Techniques: daylight paper print
Location: malang
Artist: klaas kleiterp (i)
Artist role: arts, officier
Artist dates: 1892 – 1943
Subjects: family group, especially parents with their child(ren), dutch east indies, the

Onderdeel van Fotoalbum van de familie Kleiterp-Vermeulen met opnames van de kinderen Klaas en Tiny in Nederlands-Indië.
La Vierge a l'enfant
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: madonna and child
Table
Object type: furniture
Date: 1902 – 1902
Materials: glass, wood
Techniques: painting
Location: scotland
Artist: charles rennie mackintosh
Subjects: furniture

Incorporating 10 slender legs and the stark white palette that so shocked Charles Rennie Mackintosh’s modern Viennese counterparts, this table is one of only two of this design produced. This table was made for the exhibition Architecture and Craft of the New Style, held in Moscow in 1903. International exhibitions were crucial to the promotion and dissemination of ideas among modern designers in the United Kingdom and continental Europe. The other table, now lost, was made for the music room of Fritz Waerndorfer, the patron and cofounder (along with Josef Hoffmann and Koloman Moser) of the Wiener Werkstätte.
A Short History: General Nathaniel Lyon, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Portret van Johann Friedrich Starck
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: mezzotint
Subjects: theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Twee mannen en Apollo
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: standing figure, (story of) apollo (phoebus)
Inscriptions: inscription: ‘G.â.S.’, collector's mark: Lugt 2228

Een oude man met baard en hoed en een man met hoed staan voor een tafel met open boek. Zij wijzen naar de lucht waar de god Apollo met lier verschijnt.
Replica van het harnas van Franz Christoph von Khevenhüller
Object type: photograph
Materials: paper
Techniques: albumen print
Artist: jean jacques antoine van winsen
Artist role: fotograaf
Artist dates: 1851 – 1927
Subjects: franz christoph von khevenhüller, (medieval) fighting contest, harness, utrecht
Inscriptions: collector's mark: Lugt 1641, stamp

Replica van het harnas van Franz Christoph von Khevenhüller, gemaakt door Koninklijke Utrechtse Fabriek van Zilverwerken C.J. Begeer. Gemaakt ter gelegenheid van de Ridderhofspelen gehouden tussen 24 en 26 juni 1896 in Utrecht ter gelegenheid van het 52e lustrum van de Universiteit. Het thema van de Ridderhofspelen is het Ridderhofspel te Wenen in 1560. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Onderwijs en Wetenschappen, Studentenleven.
Lead wreath
Object type: wreath, 11
Date: 600 – 401
Materials: lead
Culture: greek, laconian
Subjects: wreaths

Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia; over one hundred thousand, dating from the seventh century B.C. to the Classical period, were dedicated to the goddess Artemis Orthia in Sparta.
Het Huijs op Zij vande Groote Tuijn
Object type: album leaf
Date: 1696 – 1718
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: palace, french or architectonic garden; formal garden, exterior ~ representation of a building

Zijaanzicht van Paleis Het Loo aan de kant van de tuinen. Op de voorgrond een elegant paar en een dienaar. Prent maakt deel uit van een album.
Elephant
Object type: crèche figure
Date: 1701 – 1900
Materials: ivory, terracotta
Techniques: polychrome
Subjects: elephants
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1701 – 1900
Materials: stone
Culture: chinese
Subjects: fish
Treurende vrouw
Object type: locket
Date: 1775 – 1800
Materials: marble
Location: netherlands
Artist: Anonymous

Medaillon van marmer waarop in reliëf een in lang gewaad geklede vrouw staat, treurend geleund tegen een grafmonument.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Unidentified object; part of a circumscribed palmette with an elongated central frond
Portret van een jongen met bolhoed in hand bij een stoel
Object type: photograph
Date: 1855 – 1892
Materials: cardboard, photographic support
Techniques: albumen print
Location: harlingen
Artist: hermanus siderius
Artist role: draughtsman
Artist dates: 1819 – 1892
Subjects: boy (child between toddler and youth)
Inscriptions: inscription: ‘H. Siderius/ Phot./ Harlingen’
Landschap met een figuur in de slootkant
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sutton coldfield
Subjects: bush, shrubs ~ forest, small canal, ditch, europe
Inscriptions: name: ‘A. Jager, Water 110, Amsterdam’, number: ‘596’
Reclamehonden van de Poppendokter
Object type: newspaper clipping
Date: 1930 – 1940
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: advertising, dolls for adults, dog
Inscriptions: inscription: ‘Geeft met milde hand, als a.s. Zaterdag uw bijdrage wordt gevraagd [...]’

Deze prent maakt deel uit van een album.
Interieur van kunsthandel Reckers tijdens de Redon-expositie van 1907, Rotterdam
Object type: photograph
Date: 1905 – 1907
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Artist: lodewijk van de winkel
Artist role: fotograaf
Artist dates: 1856 – 1919
Subjects: exhibition ~ art
Wien, I. Stallburggasse
Object type: photograph
Date: 1904 – 1930
Materials: paper
Techniques: gelatin silver print
Location: vienna
Subjects: market, street, parts of church exterior and annexes: tower
Inscriptions: inscription: ‘K.L. Wien’
Architectura
Object type: print
Date: 1606 – 1607
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: tuscan order ~ architecture

Vier manieren om een zuil van de Toscaanse orde tegen een muur te plaatsen, opstand en plattegrond. Rechtsonder: Y. Prent maakt deel uit van een album.
Figuur op een brug
Object type: sketchbook leaf
Date: 1886 – 1898
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), amsterdam

Pagina 39 uit een schetsboek met 21 bladen.
Lijsten met bladranken, kandelabermotieven, vazen met bloemen en bloemen
Object type: ornament print
Date: 1646 – 1657
Materials: paper
Techniques: woodcut
Location: amsterdam

Omlijsting gedrukt van vier houtblokken. Op beide panelen staat onderaan een bloemenvaas, daarboven staat Hoop of Geloof in een nis. De lijsten zijn grotendeels varianten of kopieën naar laat zestiende eeuwse Franse en Vlaamse prenten. Alle omlijstingen werden gebruikt om een Bijbel te illustreren.
Inscribed Stone from Hatshepsut's Valley Temple
Object type: inscribed stone, hatshepsut, maatkare, hieratic
Date: 1479 – 1458
Materials: ink, quartzite
Location: egypt
Subjects: hieroglyphs
Pattens
Object type: patten
Date: 1701 – 1800
Materials: leather, metal
Culture: european

Fashionable ladies' shoes of the 18th century were commonly made with an upper of figured silk or brocade over a thin leather lining, and hardly suitable to any attempt to venture outdoors on dirty cobbled or unpaved streets. In order to provide some modicum of protection, two styles of overshoes were used: clogs and pattens. The clog was essentially a thick sole made to conform to the bottom of a heeled shoe, with straps securing it to the foot. The patten, represented here by a classic example of the period, featured a wooden sole elevated on an iron ring, and was seen as the distinctly more utilitarian and less fashionable choice. The shape of the wooden sole can be seen to mimic the sole of the type of shoe with which it was worn.
Spoon
Object type: spoon
Date: 1800 – 1830
Materials: silver
Culture: american
Location: united states
Artist: william g. forbes
Artist role: maker
Artist nationality: american
Artist dates: 1751 – 1840
Axe blade
Object type: axe
Date: 1000 – 668
Materials: bronze
Location: transcaucasia
Sluis
Object type: sketchbook leaf
Date: 1783 – 1797
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes huibert prins
Artist role: draughtsman, painter, print maker
Artist dates: 1757 – 1806
Subjects: lift-lock, canal lock

Pagina 18 uit een schetsboek met 175 pagina's.
Border
Object type: border
Date: 1601 – 1633
Techniques: lace
Subjects: flowers

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Dish with flowers
Object type: dish
Date: 1767 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers
Portret van twee Japanse vrouwen, met kamerschermen en dienbladen met serviesgoed
Object type: photograph
Date: 1870 – 1891
Materials: paper, photographic support
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: adult woman, table-ware, screen, folding screen, japan

Onderdeel van Fotoalbum van een reis naar Manilla.
Dornburg a.d. Saale Goetheschloss
Object type: photograph
Date: 1880 – 1920
Materials: paper, photographic support
Techniques: photograph
Artist: Anonymous
Subjects: germany
Pair of vases
Object type: vase
Materials: gilt bronze, hard paste porcelain
Campo Santa Maria Zobenigo, Venice
Object type: painting
Date: 1730 – 1739
Materials: canvas, oil
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
Subjects: buildings,towers,cities,venice

These finely painted views of Venice come from a group of twenty identically sized works probably commissioned by Joseph Smith, the British consul in Venice from 1744 to 1760. Canaletto and his clients, particularly those from England, often thought of his works in series. This allowed them to assemble records of Venice’s sites, from its most famous squares to more obscure churches and palaces. Historians of architecture and urbanism can precisely identify the location of each composition (the Museum’s website entries for these works enumerate each in detail), but Canaletto often took strategic liberties in order to show the full facade of a given building or the best angle of view down a canal.
The death of Ananias surrounded by Apostles
Object type: print
Date: 1518 – 1518
Techniques: woodcut
Artist: ugo da carpi
Artist role: artist
Artist nationality: italian
Artist dates: 1480 – 1532
Subjects: men,apostles
Group portrait of two men
Object type: photograph
Date: 1862 – 1866
Materials: paper
Techniques: albumen print
Location: japan
Artist: antoon bauduin
Artist role: amateurfotograaf, hoogleraar
Artist dates: 1820 – 1885
Subjects: sitting figure, japan

In a letter dated 1867, Albert complained that he had had ‘not a day without guests who stayed the night’ in six years: ‘I’m fed up & I should like nothing better than rest & freedom, but when?’ In addition to his job with the trading company, Albert was also the Dutch consul. This would explain why so many people stayed with him.
Borobudur
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Location: java
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: places and objects of worship ~ hinduism, buddhism, jainism, statues, paintings, etc. ~ objects of worship (hinduism, buddhism, jainism)
Inscriptions: kleurnotitie, handgeschreven

Pagina 90 uit een schetsboek met 67 bladen.
Soldats & Chevaux
Object type: print
Date: 1710 – 1717
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Inscriptions: collector's mark: Lugt 2228

Titelprent met vijf regels in het Frans, waaromheen versiering. Eerste prent uit een serie van twaalf prenten met voorstellingen van soldaten en paarden.
Capitol of Georgia in Atlanta, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: buildings

Trade cards from the "General Government and State Capitol Buildings" series (N14), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Landschappen met scènes uit het Oude en Nieuwe Testament
Object type: print
Date: 1560 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: peter steps out of the boat and tries to walk on the water towards christ, landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Christus loopt over het water van het meer van Galilea. Hij steekt zijn hand uit naar Petrus, die probeert naar zijn leermeester toe te wandelen, maar in het water zinkt. In een bootje vier van de andere discipelen. Op de achtergrond een brug en een herder met zijn schapen. De prent is deel van een vierdelige serie van landschappen met scènes uit het Oude en Nieuwe Testament.
Agter St. Maria tot Utrecht
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: urban housing, tower (of house or building)

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 2, ill. 212.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Het Amsterdams peil
Object type: measuring rod
Date: 1400 – 1950
Materials: copper, lead, paint, wood
Artist: Anonymous
Subjects: nieuwmarkt

Stok met de aanduiding van het Amsterdams peil. De stok is gebruikt bij het Stadswaterkantoor aan de Nieuwmarkt. Bij de stok behoren tevens een oud stuk lood en een koperen ring, die zich echter niet in het depot bevinden.
Figure of a woman with a rabbit and fungus
Object type: figure
Date: 1700 – 1799
Materials: glaze, porcelain
Techniques: firing, forming, vitrification
Location: china
Artist: Anonymous

Beeld van 'blanc de Chine' voorstellende een vrouw met opgeheven rechterarm. Op het achtkantige voetstuk een marmot en een plant.
Berg en Dal. - Hanenberg
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: berg en dal
Artist: Anonymous
Subjects: forest path or lane, mountains
Putto in de kleding van een geestelijke maalt meel
Object type: print
Date: 1683 – 1783
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: organization, functionaries and dignitaries in churches and in related institutions, bread, cake, pastry, etc., grinding, milling (industrial processes)
Inscriptions: collector's mark: Lugt 2228

Een putto, gekleed als een geestelijke, maalt meel op een steen. Daarnaast een half opgegeten pastei.
Panel
Object type: textile
Date: 1401 – 1425
Materials: silk, velvet
Techniques: cutting, weave
Location: italy
Evacuation of Aquia Creek
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, gardner's photographic sketch book
Farmer's Jacket
Object type: farmer's jacket
Date: 1801 – 1900
Materials: cotton, linen
Techniques: embroidery
Culture: japanese
Paard met paardentuig
Object type: print
Date: 1802 – 1875
Materials: paper
Techniques: etching
Artist: johann adam klein
Artist role: draughtsman, print maker
Artist dates: 1792 – 1875
Subjects: saddling and bridling, horse
Inscriptions: collector's mark: Lugt 2228
Bronze sanguisuga-type fibula (safety pin)
Object type: fibula, boat shaped type
Date: 710 – 675
Materials: bronze
Culture: etruscan
Montering van de cavalerie van het exercitiegenootschap van Leidse studenten, ca. 1785
Object type: drawing
Date: 1789 – 1789
Materials: paper
Location: northern netherlands
Artist: Anonymous
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), leiden, patriots (1780-1795)

Montering of uniform van de cavalerie van het exercitiegenootschap van Leidse studenten, ca. 1785. Onderdeel van een schetsboek met 41 gekleurde tekeningen van de monteringen van de gewapende schutterijen en burgercorpsen in Nederland in de periode ca. 1783-1789.
Landscape with the Temptation of Christ
Object type: drawing and watercolor
Materials: chalk, ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: france
Artist: angeluccio
Artist nationality: italian
Artist dates: 1645 – 1650
IXe Station. Jésus tombe pour la troisième fois. Le fut de colonne qui se trouve au pied du mur indique cette station.
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: louis de clercq
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1901
Subjects: architecture,buildings
Notice sur la vie et les travaux de M. Massieu, inspecteur général des mines
Object type: book
Date: 1897 – 1897
Materials: linen, paper, photographic support
Techniques: photoaquatint, printing, marbled paper
Location: paris
Artist: edmond nivoit
Artist role: engineer
Artist dates: 1839 – 1920
Inscriptions: annotation: ‘ex-W. [...]/ 1993’