deem-data/ArtiFact huggingface dataset:
Een gedecoreerde poort met daarvoor een kleine tempel
Object type: photograph
Date: 1900 – 1915
Materials: paper, photographic support
Techniques: albumen print
Location: jakarta
Artist: johanna hermina marmelstein
Artist dates: 1897 – 1990
Inscriptions: inscription: ‘Ingang van een aanzienlijk huis. Tempeltje, logis voor de huisgoden, stenen deurwachters.’

Aan weerszijden van de poort staan stenen poortwachters.
Den Haag. Vredespaleis
Object type: photomechanical print
Date: 1913 – 1950
Materials: cardboard
Techniques: rotogravure
Location: the hague
Artist: Anonymous
Subjects: palace
Landschap met een huisje op een heuvel
Object type: drawing
Date: 1797 – 1870
Materials: chalk, paper
Techniques: brush
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: hunter, farm or solitary house in landscape

Landschap met links een heuvel met daarop een huisje en enkele bomen en twee jagers met hond.
Blad met strooipatroon van bladmotief
Object type: wrapper
Date: 1750 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met strooipatroon van bladmotief op puntenfond. Gebruikt als omslag.
Jérusalem, Enceinte du Temple, Face Est de l'angle Sud-Est
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture
Major-General Henry Dearborn
Object type: painting
Date: 1812 – 1812
Materials: wood, oil, panel
Location: roxbury
Artist: gilbert stuart
Artist nationality: american
Artist dates: 1755 – 1828
Subjects: fashion, century of progress, world's fairs, chicago world's fairs, chicago, people, portraits

Gilbert Stuart’s idealized portrayal of Major-General Henry Dearborn presents an aging, yet robust military leader invigorated by power and the challenge of the War of 1812. A Revolutionary War hero who served as secretary of war during Thomas Jefferson’s two presidential terms (1801–09), Dearborn continued his service as senior major-general in the 1812 campaign. This work is one of several likenesses Stuart executed of American
military and political men, among them his well-known depictions of George Washington. Stuart painted directly on the panel or canvas over the course of several sittings, capturing the new country’s fervent nationalism in skillful, vigorous portraits.
Belt Buckle with a Griffin
Object type: buckle plaque
Date: 551 – 600
Materials: copper alloy
Culture: frankish
Plate 5: Vase or Ewer with a Double Frieze, the Top shows Men Wrestling a Bull, the Bottom contains a Mask and Two Griffins, from "Antique Vases" (Vasa a Polydoro Caravagino)
Object type: print
Date: 1605 – 1605
Techniques: engraving, etching
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Subjects: masks,men,griffins,bulls,vases

These vases are reverse copies of Alberti's series of 1582.
Card Number 41, Emma Abbott, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Tuin van het Palais-Royal te Parijs
Object type: cabinet photograph
Date: 1865 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: jardin du palais royal
Subjects: french or architectonic garden; formal garden
Inscriptions: inscription: ‘Jardin du Palais Royal’, signature and date: ‘Compagnie Photographique / Debitte & Hervé / 170, Rue de Rivoli, Paris’
Scholar, from the Occupations for Women series (N166) for Old Judge and Dogs Head Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: women

The "Occupations for Women" series of trading cards (N166) was issued by Goodwin & Company in 1887 to promote Old Judge and Dogs Head Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series, as well as three duplicate cards.
Schepping van Adam en Eva en scènes uit het leven van Christus
Object type: print
Date: 1560 – 1620
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: Anonymous
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues, creation of man; the garden of eden (genesis 1:26 - 2), trinity in which god the father and christ are represented as persons, the holy ghost as dove (+ angel(s)), faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, creed, credo, creation of sun, moon and stars, series of scenes from the life of christ
Inscriptions: collector's mark: Lugt 2228

God schept Adam en Eva in het paradijs (onder). God schept de hemel en de aarde en plaatst de wereldbol tussen de zon, de maan en de sterren (boven). Deze centrale voorstelling (nr. 1) is omkaderd door genummerde scènes die het Credo verbeelden. Links, van onder naar boven: de annunciatie (nr. 2), de geboorte van Christus (nr. 3) en de gekruisigde Christus (nr. 4). Rechts, van boven naar beneden: de opstanding van Christus (nr. 5), de hemelvaart (nr. 6) en het Laatste Oordeel (nr. 7). Onder, van links naar rechts: Pinksteren, met de uitstorting van de Heilige Geest (nr. 8), de heilige communie (nr. 9), vergeven van de zonden (nr. 10) en de verrijzenis (nr. 11). Boven: de aanbidding van de Drie-eenheid. Onder elke voorstelling staat een onderschrift in het Latijn. In de bovenhoeken de vrouwelijke personificaties van Geloof (links) en Kracht (rechts). Midden onder in een cartouche een opschrift in het Latijn.
Huis tussen de bomen
Object type: sketchbook leaf
Date: 1854 – 1868
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, rural housing, e.g. country-house, villa, cottage
Inscriptions: kleurnotitie, handgeschreven

Blad 78 verso uit een schetsboek met 88 bladen.
Optocht door de rederijkerskamer De Goudsbloem uit Gouda (tweede deel), 1607
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: chamber of rhetoric (dutch: 'rederijkerskamer'), festivities (+ parade, pageant, cavalcade ~ festive activities), haarlem, gouda

Gebruikt als illustratie in: Const-thoonende ivweel, by de loflijcke stadt Haerlem, ten versoecke van Trou moet blijcken, in't licht gebracht. : Waer inne duydelick verclaert ende verthoont wordt alles wat den mensche mach wecken om den armen te troosten, ende zijnen naesten by te staen. : In twaelf spelen van sinne ... in redenrijck naar de volgende voorgegevene caerte van 't speel-korenken, Zacharias Heyns, Zwolle 1607. Los fragment, bedoeld om samen met de andere delen tot een fries gemonteerd te worden.
Peasant woman
Object type: scent flask
Date: 1801 – 1900
Materials: hard paste porcelain, silver
Subjects: women
Fotoreproductie van een schilderij, voorstellende een samenkomst van mensen op een kerkhof tijdens de Sabbat
Object type: page
Date: 1868 – 1878
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: church (exterior), churchyard, cemetery
Begrafenis van de hertog van Parma, 1592
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), cortege, funeral procession, brussels

Lijkstatie voor de hertog van Parma te Brussel, 2 december 1592. Rouwstoet met lijkkist slingert door de straten van Brussel naar het paleis. Rechtsboven de aankomst van de kist met het lichaam van Parma vanuit Atrecht waar de hertog was overleden. Met onderschrift van 4 regels in het Latijn. Genummerd: 211. Bedrukt op achterzijde met tekst in het Latijn.
Heilige Willem van Aquitanië als ridder in een landschap
Object type: print
Date: 1576 – 1610
Materials: paper
Techniques: engraving
Location: fribourg
Artist: martin martini
Artist role: print maker
Artist dates: 1566 – 1610
Subjects: the benedictine monk and duke of aquitaine, william (of gellone); possible attributes: armour, banner, helmet
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Head, neck, and part of upper torso of a bearded man to right with his himation draped over his left shoulder, the left side of his torso, and his extended left arm; draped woman to right, with a sakkos, looking over her right shoulder; in between the man and woman, a fillet hanging on the wall
Cope made for Antonio Barberini (1607-1671), Grand Prior of Rome in the Order of Saint John and the Knights of Malta
Object type: cope
Date: 1623 – 1628
Materials: gold, metal thread, silk
Techniques: embroidery, lampas, weave

A phenomenally expensive special commission, this cope celebrates Barberini’s illustrious family—his uncle was Pope Urban VIII—with a repeating pattern of the family’s devices, a bee and a radiant sun. Barberini’s coat of arms, embroidered on the orphrey band, surmounts a Maltese cross. The cope was worn by the Grand Prior while celebrating Mass, and officiating priests donned similar garments made from the same distinctive textile. The glittering effect of the complete set of vestments and matching altar hangings (including a frontal, now in Boston) must have been stupendous, especially when experienced in the flickering candlelight of the church sanctuary. This cope was displayed in European Textiles and Costume Figures, on view at the School of Industrial Arts (visible at center in the photograph of 1935). [Elizabeth Cleland, 2020]
Card 1093, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
St Paul's over Temple Stairs
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist dates: 1857 – 1926
Subjects: church (exterior), city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

St Paul's gezien van de rivier, met trappen die naar het water leiden.
Admiraliteits-magazijn te Rotterdam
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: engraving, etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo, trade-company, building a ship, ship under construction, windmill in landscape, shipyard, shipdock, rotterdam
Inscriptions: stamp, collector's mark: Lugt 1641

Prent mogelijk uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave. Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis. Latere staat van prent uitgegeven als onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden, getiteld 'Tableau des principales vues des palais et édifices : représentations et des coutumes et usages, dans les provinces septentrionales du Royaume des Pays-Bas'.
Jupiter and Astraea
Object type: drawing
Date: 1545 – 1550
Materials: gouache, ink, paper
Techniques: brush, highlighting, pen, tinting, wash
Artist: giulio campi
Artist role: artist
Artist nationality: italian
Artist dates: 1502 – 1572
Subjects: jupiter,trees,goddess

According to Ovid's 'Metamorphoses,' the most consulted mythological text in the Renaissance, when human wickedness forced the Gods to abandon the earthly realm, Astraea, the goddess of Justice, was the last to flee to the heavens where she transformed into the constellation Virgo. In Campi's drawing, Astraea, identified by an inscription at the lower right, Aestrit, is shown not with her scales but rather in an amorous embrace with Jupiter, who has taken the form of an eagle in order to seduce her. Jupiter was famous for the many guises he took to beguile his objects of desire, and this theme was popular in mid-sixteenth century Mantua in the circle of Duke Federico Gonzaga II. Campi's exquisite drawing was a preparatory study for a group of frescoes representing the many loves of Jupiter painted about 1545–50 for a small room in the Palazzo Aldegatti, which was owned by an aristocratic Mantuan family. The present sheet was acquired in 2003 from the collection of the great scholar and connoisseur of Italian master drawings Philip Pouncey (1910–1990).
Gezicht op de Vierstromenfontein op het Piazza Navona, te Rome
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: obelisk, needle, ornamental fountain
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Schenck, Pieter. Roma aeterna Petri Schenkii, sive, ipsius Aedificiorum romanorum, integrorum collapsorumque (...). Amsterdam: Pieter Schenck (I), 1705.
Oud-Amsterdam 100 Stadsgezichten
Object type: photomechanical print
Date: 1870 – 1923
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: city-view in general; 'veduta', gate, entrance, the usual house or row of houses, lane, alley
Inscriptions: collector's mark: ‘12,59’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Rokin, Rotterdammersloot, Rozengang, Rozengracht, Rozenstraat, Rusland, Rustenburgerstraat, Ruysdaelkade, Ruysdaelstraat, Ruyterkade (de), Ruyterweg (Admiraal de).
Man met muts warmt zijn handen
Object type: drawing
Date: 1694 – 1766
Materials: paper
Techniques: brush, pen
Artist: matthijs balen (1684-1766)
Artist role: draughtsman, painter, print maker
Artist dates: 1684 – 1766
Subjects: warming oneself at a fire (or hearth, stove, fire-pan, brazier)
Westgevel van de Onze-Lieve-Vrouwe-Kathedraal te Antwerpen
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 166
Portret van Jozef Israëls
Object type: photomechanical print
Date: 1909 – 1909
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: print maker, draughtsman, jozef israëls, historical persons, portrait, self-portrait of painter, artist at work, in his workshop
Inscriptions: monogram: ‘HR’, collector's mark: Lugt 2228

Zittend op een stoel met een palet en een penseel in zijn hand.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1909 – 1909
Materials: cardboard, ink
Techniques: pen, writing
Location: weiler
Artist: léonce bénédite
Artist role: conservator, museumdirecteur
Artist dates: 1856 – 1925
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Sugar caster
Object type: sugar caster
Date: 1739 – 1740
Materials: silver
Artist: pierre belleville
Artist role: maker
Artist dates: 1700 – 1765

Europeans not only used sugar to sweeten coffee, tea, and chocolate imported from the Americas, India, and East Asia, but also to complement savory dishes and flavor fruit and desserts. The taste for sugar drove a rapid expansion of enslaved labor in the Caribbean. Crystallized sugar was shipped in hard, paper-wrapped cones which had to be broken or cut into small pieces. Served in a bowl, small lumps of sugar were offered with tea and coffee, the hot liquids quickly dissolving the lumps of sugar. Alternatively, the imported sugar was refined in France and crushed into a fine powder for use as a condiment during the meal. This required a different type of serving vessel: either a caster with an openwork lid for sprinkling, or a lidded bowl with a pierced spoon for dusting. Small casters to contain salt, ground pepper, spices, and dry mustard were already used in France by the mid-1600s. With the increasing sugar consumption, taller casters for powdered sugar were added to the table. A dusting of fine grain or powdered sugar enhanced the flavor of fresh fruit served at the time of the dessert. The early cylindrical form of the sugar caster with a pierced domed lid surmounted by a finial or knob, gave way in the eighteenth century to a more elegant baluster shape. The ornate openwork of the lid allowed the sugar to be sprinkled (saupoudroir) or “cast.” This example by the silversmith Pierre Belleville of Montpelier, dates to 1739-40. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum.
Slobkous van beige linnenkatoen, met vier parelmoeren knopen en linnen riem met gesp onder de voet
Object type: clothing
Date: 1900 – 1930
Materials: cotton, metal, mother of pearl
Techniques: weave
Location: england
Inscriptions: label: ‘'The Diamond Garter. Reg'd. Made in England'’

Paar slobkousen van beige linnen, met voering. Vier parelmoeren knoopjes en een zoolriempje met gespje, souspied. Adres: 'The Diamond Garter. Reg'd. Made in England'.
Comb
Object type: comb
Date: 1880 – 1889
Materials: metal, pearl, stone
Culture: european
Writing Box with Illustrated Books
Object type: writing box
Date: 1801 – 1900
Materials: gold, lacquer, silver
Techniques: maki
Culture: japanese
Subjects: books

The writing box (suzuri-bako) contains an inkstone and a water dropper, as well as an inner tray for writing implements. The lid is embellished with several illustrated characters that refer to the murmur of the river (see ill.). The frog is also associated with spring. In the kana preface of the Kokin wakashū by Ki no Tsurayuki, there is an often cited sentence: “The song of the warbler among the blossoms, the voice of the frog dwelling in the water—these teach us that every living creature sings.”
Frontispiece, from The Life of the Virgin
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: virgin mary, christian subjects, mythology, prints and drawings
Cachet met de wapens van Gerard Johan Vreelandt en Petronella Visboom
Object type: pendant jewelry
Date: 1740 – 1750
Materials: gold
Techniques: cutting, forging, grinding
Location: colombo
Artist: Anonymous
Subjects: sri lanka

Aan de gouden bengeltje met draagoog en draagring hangt een geslepen berkristal. Aan drie zijden is in de steen een ronde stempel ingesneden met een wapenschild: twee maal een verschillend wapen, de derde een combinatie van de eerste twee. De steen is zo aan de gouden hanger bevestigd, dat zij om haar as kan draaien en er met de drie stempels afzonderlijk gestempeld kan worden.
Ring
Object type: ring
Date: 670 – 330
Materials: gold
Culture: roman
Seated Female Nude
Object type: drawing
Date: 1891 – 1941
Materials: chalk, paper
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: sitting figure - aa - female human figure (+ nude human being)
Inscriptions: collector's mark: Lugt 2228
Broedende eend bij de slotgracht van een kasteel
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: moat ~ fortified city, landscape with tower or castle, water-birds: duck
Inscriptions: date

Deze prent maakt deel uit van een album.
Wineglass
Object type: wineglass
Date: 1767 – 1800
Materials: glass
Artist: david wolff
Artist role: engraver
Artist nationality: dutch
Artist dates: 1732 – 1798
Subjects: houses,windmills
Heideweg
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Subjects: meadow, pasture, road, path
Punch Glass
Object type: punch glass
Date: 1883 – 1888
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: new england glass company
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 1888
Handschoen in leverkleurig zeemleer
Object type: clothing
Date: 1926 – 1950
Materials: leather
Location: western europe
Artist: Anonymous

Rechter handschoen in leverkleurig zeemleer. Op de rug drie uitstralende koorden.
Inscribed side of back pillar from head of Akhenaten in blue crown
Object type: head of akhenaten, blue crown, back pillar, inscribed
Date: 1353 – 1336
Materials: limestone
Location: egypt
Giovanni de' Medici
Object type: print
Date: 1550 – 1600
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: soldiers,men,profiles,women
Slot Frederiksborg, gezien over een meer
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: collodion silver print
Location: hillerød
Artist: Anonymous
Subjects: castle

Onderdeel van Reisalbum met opnames van bezienswaardigheden in Zweden, Noorwegen, Denemarken, Beieren, Milaan en Parijs.
Deaf Bull
Object type: photograph
Date: 1880 – 1880
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: laton alton huffman
Artist nationality: american
Artist dates: 1854 – 1931
Subjects: portraits, portraits: native american subject, photography
Lintel with Angels Supporting the Lamb of God
Object type: lintel
Date: 1150 – 1175
Materials: limestone
Culture: spanish
Location: spain
Subjects: lambs,angels,christ,devil
Glasruit met scène uit het historie van Titus Junius, met buste van Hugo de Groot, 1627
Object type: historical object representation
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: netherlands
Artist: cornelis de jonker
Artist role: draughtsman, print maker
Artist dates: 1761 – 1830
Subjects: delft, hugo de groot, art (+ making stained glass), window
Inscriptions: date

Glasruit met scène uit het historie van Titus Junius, bekroond met een buste van Hugo de Groot, 1627. Titus Junius verschuilt zich in een kist. Aan weerszijden Pallas en Mercurius, verder versierd met ranken, wapens en putti. Onder de centrale scène een vers van 6 regels. Onderdeel van een serie van drie allegorische glasruiten ter herinnering aan de gevangenschap, vlucht en ballingschap van Hugo de Groot, 1619-1622. In 1627 vervaardigd voor het huis van Abraham Daatselaar, de koopman te Gorcum die Hugo de Groot heeft helpen ontvluchten.