deem-data/ArtiFact huggingface dataset:
Polyhymnia, The Muse of Choral Poetry, from The Nine Muses
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Numbered, lower left: "8". Lettered, lower right: "HG. fecit."; and below image: "Rethoricae fontes ... postrema sorores. F. E."
Samojeed aan een tafel in houten huis
Object type: sketchbook leaf
Date: 1880 – 1880
Materials: paper, pencil
Location: novaya zemlya
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: table, interior of the house, sitting on an elevation
Inscriptions: annotation: ‘Samojeden/ Hut Nova Zembla/ [...]’

Blad 7 verso uit een schetsboek met 35 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Nederlandse militaire uniformen in de jaren 1830-1832
Object type: print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: clothes, costume (+ men's clothes), (military) uniforms, leiden
Inscriptions: collector's mark: Lugt 2227, collector's mark: Lugt 2228

Staande officier van de Compagnie Vrijwillige Jagers van de Hogeschool te Leiden. Onderdeel van een serie van 156 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.
Figuur op de oever van een rivier met bomen op de achtergrond
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching, intaglio
Subjects: river
Inscriptions: annotation: ‘Bon pour tirer à 280 exemplaires. 4 Janv. 1876. [Signatuur]. Teinter un peu plus le ciel’, collector's mark: Lugt 2228

De etsen naar de schilderijen van Frédéric Van de Kerkhove werden na zijn dood door zijn vader en zuster gemaakt en uitgegeven in twee reeksen. De eerste werd in 1877 uitgegeven door het Journal des Beaux-Arts et de la Littérature: Cahier de 25 Eaux-fortes d'après Frédéric van de Kerkhove, gravées par son père et sa sœur. De tweede reeks van 126 etsen, ook in 1877, werd in Parijs uitgegeven bij A. Lévy onder de titel Cent eaux-fortes gravées par J. Van de Kerkhove d'après les tableaux de Frédéric Van de Kerkhove, mort en 1873 à l'âge de 10 ans et 11 mois.
Cortile van het Dogepaleis te Venetië
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print, hand coloring
Location: venice
Artist: Anonymous
Subjects: ornamental fountain, inner court of palace or 'hôtel'
Inscriptions: number: ‘N. 21.’
Reclamepenning Crayon Mengin te Parijs
Object type: history medal
Date: 1850 – 1900
Materials: brass
Techniques: striking

Velhoekige messing penning, op de voorzijde een gehelmd borstbeeld naar rechts met omschrift, op de keerzijde drie regels tekst met omschrift.
Portret van Konrad Dieterich
Object type: print
Date: 1634 – 1637
Materials: paper
Techniques: engraving
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228
Peking: Tien-tai or Temple of heaven.
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: photograph
Location: beijing
Artist: Anonymous
Subjects: peking
Inscriptions: number: ‘2.’
Vitruvius Britannicus or The British Architect, The Plans, Elevations, and Sections of the Regular Buildings, both Publick and Private, in Great Britain,...
Object type: book
Date: 1715 – 1715
Techniques: engraving, etching
Location: england
Artist: colen campbell
Artist role: author
Artist nationality: british, scottish
Artist dates: 1676 – 1729
Portret van Jacques Lemercier
Object type: print
Date: 1640 – 1650
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paris, historical persons, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1760 – 1765
Materials: silk
Subjects: flowers,leaves
View from the Top of Matsuchi Hill (Matsuchiyama ue miharashi no zu), from the series "Famous Places in the Eastern Capital (Toto meisho)"
Object type: print
Date: 1832 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Keisnijder
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: stone-operation, e.g.: by the witch of malleghem
Inscriptions: collector's mark: Lugt 2228

Een man zit vastgebonden op een stoel. Achter hem staat een kwakzalver die de keien uit zijn hoofd verwijdert. Een vrouw rechts met een schaal vangt de keien op. Door de deur kijken toeschouwers buiten naar het tafereel.
Windsor Castle
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Location: windsor
Artist: gerrit postma
Artist role: draughtsman
Artist dates: 1819 – 1894
Subjects: castle, palace, steam locomotive
Inscriptions: annotation: ‘Windsor Castel - de la bain de Prince Albert.’

Op de voorgrond een stoomtrein en de rivier de Thames. Blad 46 recto uit een schetsboek met 52 bladen.
Caddy spoon
Object type: caddy spoon
Date: 1851 – 1900
Materials: silver
Gezicht op Amalfi vanuit Grand Hotel dei Cappuccini, op de voorgrond een kapucijnermonnik
Object type: ansichtkaart, prentbriefkaart
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: prospect of village, silhouette of village, monk(s), friar(s), amalfi

Onderdeel van Fotoalbum van een reis door Zuid-Europa en het Midden-Oosten.
Kudde schapen
Object type: drawing
Date: 1864 – 1936
Materials: chalk, paper
Artist: jan van essen
Artist role: draughtsman, print maker
Artist dates: 1854 – 1936
Subjects: sheep
Reproduction of a Scythian bowl with animal handles
Date: 1801 – 1900

Electrotyping is a chemical process used historically to make high quality reproductions of works of art. During the Victorian era, one of the main producers was Elkington & Co. of Birmingham. They were licensed by the South Kensington Museum of London (now the Victoria & Albert Museum) to produce replicas of objects from royal treasuries and museums across Europe. The electrotypes approved by the Department of Science and Art, a British governmental agency, carry Messrs. Elkington’s mark in the form of an official stamp in metal. This modern electrotype is a copy of a gold bowl in the Hermitage Museum, St. Petersburg. The original was reportedly found in Western Siberia in 1716 and collected by Peter the Great of Russia (r. 1682-1725), who commissioned the first Russian archaeological excavations. The Siberian Collection of Peter the Great contains gold artefacts from the Scythian and Sarmatian nomadic cultures of Eurasia. The shape of the bowl, horizontal fluting (see Rhyton terminating in the forepart of a ram, 1989.281.30a, b), and zoomorphic handles suggest connections with Achaemenid metalware. In the nineteenth century, many museums collected copies of ancient and historical works of art with the aim of presenting outstanding works to a broader public and to serve as inspiration for artists and manufacturers. The Metropolitan Museum of Art, founded in 1870, began to acquire electrotypes in its first decade. In 1883, Henry Marquand, a collector and early patron of the Museum, funded a large purchase from Elkington & Co. of nearly three hundred pieces. Today, these works are part of many departments in the Museum and along with plaster casts reflect the history of collecting and the role of the museum as a locus for the teaching of art history.
High Rock Spring
Object type: photograph
Date: 1865 – 1865
Techniques: albumen print
Location: saratoga springs
Artist: deloss barnum
Artist nationality: american
Artist dates: 1850 – 1870
Subjects: collected by hugh edwards
Study for "Poseuses"
Object type: drawing
Date: 1886 – 1887
Materials: crayon, paper
Artist: georges seurat
Artist role: artist
Artist nationality: french
Artist dates: 1859 – 1891
Subjects: female nudes

This poetic drawing is evidence of Seurat’s mastery of Conté crayon, a medium that allowed him to achieve rich velvety textures and softly blurred contours, for which he became well known. The stiff, almost awkward pose of the model clearly identifies the drawing as a preparatory study for a figure in Seurat’s famous painting The Models, or Poseuses (Barnes Foundation, Philadelphia). Following Seurat’s death, this framed drawing remained in the collection of his artist friend Maximilien Luce, who used it as a still-life element in a portrait of the famous art critic and collector Félix Féneon.
Gezicht op de façade van de Notre-Dame van Amiens
Object type: print
Date: 1875 – 1926
Materials: paper
Techniques: etching
Artist: charles john watson
Artist role: print maker
Artist dates: 1846 – 1927
Subjects: parts of church exterior and annexes: façade, notre-dame d'amiens
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Portret van Jean Dumont, Belgisch militair
Object type: carte de visite
Date: 1883 – 1883
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: brussels
Artist: eugene guérin
Artist role: fotograaf
Artist dates: 1845 – 
Subjects: warfare; military affairs, (military) uniforms, division of armed forces, brussels
Inscriptions: address: ‘142, rue Royale 142’, inscription: ‘A Mlle. [...]osine Piret Souvenir d'amitié 4 octobre 1883’

Onderdeel van Album met cartes-de-visite en kabinetfoto's van militairen in uniform.
Aaron Burr
Object type: painting, miniature
Date: 1834 – 1834
Materials: ivory, watercolor
Culture: american
Artist: james van dyck
Artist role: artist
Artist nationality: american
Artist dates: 1785 – 1885
Subjects: men,portraits

The sitter (1756-1836) served as United States senator from New York State between 1791 and 1797 and vice-president of the United States from 1801-1805.
Reproductie van een schilderij van een oma met twee kleinkinderen aan tafel naar David Adolphe Constant Artz
Object type: reproduction
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: grandparent(s) with grandchild(ren) (family group)
Inscriptions: inscription: ‘No. 3./ D.A.C. Artz. Bij grootmoeder.’

Deze prent maakt deel uit van een album.
Veuë de la Fontaine de l'Etoille à Versailles
Object type: album leaf
Date: 1664 – 1703
Materials: paper
Techniques: etching
Location: paris
Subjects: garden fountain, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Portret van Jan van Borssele van der Hooghe
Object type: print
Date: 1758 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons

Prent voor het eerst verschenen in: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...). 21 dln. Amsterdam: Isaak Tirion, 1749-1759, dl. 20. Prent ook gebruikt in latere edities van dit werk.
Frederick V (1596-1632), Elizabeth Stuart (1596-1662) and their Son Frederick Henry (1614-1629)
Object type: medal
Date: 1616 – 1616
Materials: tin
Techniques: casting
Location: london
Artist: simon van de passe
Artist role: print maker
Artist dates: 1595 – 1647
Subjects: amberg, frederik v (keurvorst van de palts, koning van bohemen), london
Inscriptions: monogram

Most coins have a side with a portrait, usually of a ruler. In addition, portrait medals have also always been made, primarily to honour, commemorate, or glorify an important event or person. They were often intended for a general public. Some were destined to be family heirlooms. In any case, the medallists tried to make the likenesses as realistic as possible. That is why they are considered a separate genre.
Mitaine van blauwe zijden tricot en gerimpelde strook zwarte machinale kant
Object type: clothing
Date: 1775 – 1800
Materials: silk
Location: zaanstreek
Artist: Anonymous

Mitaine van blauwe zijden tricot en gerimpelde strook zwarte machinale kant. Deel van een paar.
Love and Learning, or the Oxford Scholar
Object type: print
Techniques: etching
Artist: benjamin smith
Artist role: etcher
Artist nationality: british
Artist dates: 1775 – 1833
Subjects: satire,men,women
Gezicht op het Oudezijds Heerenlogement en Binnengasthuis in Amsterdam
Object type: book illustration
Date: 1713 – 1713
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: bridge in city across river, canal, etc., hotel, hostelry, inn

Prent uit: Hoorn, Nicolaas ten. Wegwijzer door Amsterdam, zijnde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: Nicolaas ten Hoorn, 1713, tussen p. 342 en p. 343.
Gezicht op het Place d'Armes in Saint-Cloud vlakbij Parijs na de brand door de Commune van Parijs
Object type: photograph
Date: 1871 – 1871
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: p. loubère
Artist role: fotograaf
Subjects: square, place, circus, etc., ruin of a building ~ architecture
Inscriptions: monogram: ‘P.L.’
Lijst van alle bloemen in de vier albums over bloemen
Object type: manuscript
Date: 1809 – 1814
Materials: ink, paper
Techniques: handwriting, pen
Location: bruges
Artist: joseph van huerne
Artist role: kunstliefhebber, mecenas, verzamelaar
Artist dates: 1752 – 1844
Subjects: handwriting, written text

Schema met een lijst van de namen in het Vlaams, Latijn en Frans van de bloemen voorgesteld in de vier delen van de planten: nummers 215-262. Onderdeel van het eerste album met tekeningen van bloemen. Achtste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Výstavka kartografického závodu F. Kytky v paláci prumyslovém
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: maps, atlases, temporary exhibition, 'salon'
Freggi dell' Architettura da Agostino Mitelli pittore
Object type: print
Materials: paper
Techniques: etching
Location: rome
Subjects: ornament ~ candelabrum
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 48 prenten plus een titelprent. Mitelli maakte tekeningen van marmeren pilasterdecoraties van de poort van de S. Bartolomeo di Porta Ravegnana in Bologna. Deze prenten zijn vervolgens naar die tekeningen gemaakt.
George IV (1762–1830) as Prince Regent, after Lawrence
Object type: painting, miniature
Date: 1816 – 1816
Materials: enamel
Artist: henry bone
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1834
Subjects: men,portraits
Yoshiwara: Fuji Marsh and Ukishima Plain (Yoshiwara, Fuji no numa ukishima ga hara), no. 15 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Gezicht op huis Oudaan bij Breukelen aan de Vecht
Object type: photograph
Date: 1853 – 1854
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: breukelen
Cameo Portraying Emperor Claudius as Jupiter
Object type: costume and accessory
Materials: stone, enamel, gold, onyx, pearl, gemstone
Culture: roman
Location: italy
Subjects: portraits

This intricate cameo is carved from a piece of sardonyx, a mineral composed of parallel colored bands. The figure at the center is depicted with the portrait head of an emperor from the Julio-Claudian dynasty (27 BCE–68 CE) and the idealized, partially nude body of the supreme deity Jupiter (the Greek god Zeus). He holds the god’s scepter and thunderbolt while an eagle, Jupiter’s companion animal, perches at his feet. Created for circulation among members of the imperial court, the cameo boldly equated the ruler’s power over the Roman Empire to that of Jupiter over the entire cosmos.
Gazette du Bon Ton, 1914 - No. 1, Pl. VI: Le Jardin de Peyrou / Costume tailleur de Chéruit
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph, pochoir
Location: théâtre des folies-marigny
Subjects: muff, head-gear (+ women's clothes), fashion plates, dress, gown (+ women's clothes), garden buildings
Inscriptions: date

Staande vrouw in tailleur van Chéruit. Planche VI uit Gazette du Bon Ton 1914, No. 1. Uitleg over de kleding op pagina "Explication des Planches".
Wineglass with Catherine II of Russia
Object type: wineglass
Date: 1790 – 1790
Materials: glass
Subjects: profiles,women
Baptism of Christ
Object type: drawing
Date: 1567 – 1700
Materials: ink
Techniques: brush, pen, wash
Artist: hans rottenhammer i
Artist role: artist
Artist nationality: german
Artist dates: 1564 – 1625
Subjects: angels,baptism of christ
Vijver aan den rand van een boschrijk landschap
Object type: print
Date: 1640 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: trees, river bank
Inscriptions: collector's mark: Lugt 2228
Cour du Palais Rhamsès-Meiamoun, à Médinet-habou (Thèbes) (Restes d'une Eglise Copte)
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,palaces,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Suzanna en de ouderlingen
Object type: print
Date: 1692 – 1737
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Subjects: garden fountain, the story of susanna and the elders (in which the youth daniel intervenes on behalf of susanna) (daniel 13)
Inscriptions: collector's mark: Lugt 2228

Suzanna wordt tijdens haar bad overvallen door twee ouderlingen. Zij staat in een fontein terwijl een van de mannen haar betast en een gebaar maakt om haar tot zwijgen te brengen. In de marge vier regels met een verklaring van het tafereel.
Stockings
Object type: stocking
Date: 1870 – 1890
Materials: silk
Culture: american
Annotaties
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation

Pagina 5 uit een als schetsboek gebruikte agenda met 80 bladen.
Napoleon with his Staff
Object type: painting
Date: 1840 – 1850
Materials: oil, panel
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: napoleon i (emperor of the french), riding a horse, ass, or mule; rider, horseman, commander-in-chief, general, marshal, historical persons, battle (+ land forces)

Napoleon met zijn staf. Napoleon gezeten op een schimmel, omringd door zijn officieren te paard.
Card 704, from the Actors and Actresses series (N45, Type 5) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 5), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Journal des Demoiselles, septembre 1868, 36e année, No. 9
Object type: fashion print
Date: 1868 – 1868
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: bow (ornamental part of clothing) (+ women's clothes), head-gear: hat (+ girls' clothes), clothing for the upper part of the body (mantelet) (+ women's clothes), 'jeu de volant', badminton, fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ girls' clothes)
Inscriptions: address: ‘Paris, Boulevart des Italiens, 1.’, address: ‘Bruxelles Desterbecq Rue du Casino 9. Porte de Cologne / S.B. Fuller 61 Pall Mall London / Amsterdam Desterbecq Vijzelstraat X 549’, title: ‘Journal des Demoiselles’

Een vrouw en een meisje spelen badminton. Zij draagt een japon afgezet met ruches en rode bies. Kinderkleding: meisje in een gestippelde japon met ceintuur. Naast hun een zittende vrouw, op de rug gezien, in een mantille op een japon met sleep. Klein hoedje met striklinten. Prent uit het modetijdschrift Journal des Demoiselles (1833 -1922).
Oh! Oh! Oh!, plate fourteen from Othello
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: engraving, etching, roulette
Location: france
Artist: théodore chassériau
Artist nationality: french
Artist dates: 1819 – 1856
Bestuurscollege Rijksuniversiteit Leiden
Object type: print
Date: 1976 – 1976
Materials: paper
Techniques: lithograph
Artist: rein dool
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1933 – 
Subjects: universiteit van leiden
Inscriptions: edition: ‘3/10’, signature and date: ‘Rein Dool 76’

De serietitel is door het museum toegekend bij gebrek aan informatie over een originele serietitel.
A Short History: General Sterling Price, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Portret van Louis-François, hertog van Boufflers
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, armour, historical persons, armorial bearing, heraldry
Sobere maaltijd van de eerste christenen
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the early christian churches, e.g. armenians, copts, syrians, bread, loaf, evening meal, dinner, supper, broth, soup, utilitarian, public pump or water fountain
Inscriptions: collector's mark: Lugt 2228, number: ‘35’, caption: ‘De soberheijd der eerste Christenen, eetende brood en zout beneffens wortelen en kruyden’

Op de voorgrond zitten enkele vroege christenen rond een tafel. Ze danken God voor de eenvoudige maaltijd en eten brood. Op de achtergrond wordt soep gekookt en wordt water uit een bron gehaald.
Optocht met militair optreden
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: military parade, pageant
Inscriptions: number: ‘67.’