deem-data/ArtiFact huggingface dataset:
Soldaten in een Hupmobile voor korenmolen de Eendracht in Alphen aan den Rijn, tijdens de algehele mobilisatie
Object type: photograph
Date: 1914 – 1918
Materials: paper
Techniques: gelatin silver print
Location: alphen aan den rijn
Artist: dirk van der mark
Artist role: amateurfotograaf, handelaar
Artist dates: 1877 – 1934
Subjects: the soldier; the soldier's life, automobile, windmill
Inscriptions: inscription: ‘Mobilisatie 1914/18/ Hupmobile Dirk van der Mark Jr’, number: ‘13’
Annunciatie en Visitatie
Object type: book illustration
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: mary and elisabeth shaking hands, the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)
Inscriptions: collector's mark: Lugt 2233, collector's mark

Illustratie uit: Hamelsveld, Ysbrand van. De gewigtigste geschiedenissen des Bybels, afgebeeld in twee honderd twee en vijftig printverbeeldingen (...) met eene zaaklijke uitbreiding opgehelderd. Amsterdam / Dordrecht: Jan de Groot / Abraham en Pieter Blussé.
Aangespoelde beenderen
Object type: print
Date: 1809 – 1810
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: bones in general (human body), gelderland
Inscriptions: collector's mark: Lugt 2228

Plaat gemaakt voor: H. Ewijk, Platen en kaarten behorende tot het geschiedkundig verslag der dijkbreuken en overstroomingen, langs de rivieren in het Koningrijk Holland, voorgevallen in louwmaand MDCCCIX. Amsterdam, J. Allart en J. Ruys, 1809.
Quadruple Offering Vase
Object type: vase, quadruple
Date: 2100 – 2010
Materials: pottery
Location: egypt

This dish of Nile clay covered all over with a red pigment has a rim folded inwards in five places. Stone dishes with inward-folded rims appear as early as the First Dynasty and would seem to derive from pottery prototypes, though examples in pottery are very rare before the First Intermediate Period. This vessel was excavated in 1920-21 from a grave at Sedment and was perhaps intended to represent a special dish in the funerary meal.
Glass striped mosaic bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent turquoise blue mainly layered with yellow appearing green, purple appearing opaque brick red, and opaque yellow. Sharply convex curving side. Decorated with broad bands forming a pattern: yellow, green, red, turquoise blue, and green. Exterior polished, with pitting of surface bubbles and weathering of surface crack; dulling and creamy iridescent weathering on interior and edges.
Timmerliedengilde van Middelburg, gildepenning met no. 16
Object type: medal
Date: 1671 – 1671
Materials: brass
Techniques: casting, engraving
Location: middelburg
Artist: willem de laet
Artist dates: 1647 – 1709
Subjects: middelburg

Messing penning. Voorzijde: St. Jozef met tulband op hoofd, staande op voetstuk; in rechterhand een geopende passer, in linkerhand een maatstok binnen tweeregelig omschrift. Keerzijde: boor, bijl, winkelhaak, zaag, paslood, passer en hamer boven cijfer 16 (vermoedelijk, slecht leesbaar) binnen omschrift
Mlle. Lobestini, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Design for a Book Illustration: Two Women Dancing around a Plant
Object type: drawing
Date: 1801 – 1900
Materials: ink, paper
Techniques: brush, pen, wash
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
Subjects: interiors,women,dancing
Dog Cart # 3754
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Right halves of eight kylix handles, handle roots
Zwitserse Guardes
Object type: print
Date: 1752 – 1755
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, willem iv (prins van oranje-nassau), military parade, pageant (+ infantry), cortege, funeral procession, delft

De Zwitserse Garde. In de marge het onderschrift in Nederlands, Frans en Engels. Onderdeel van een serie van 41 platen van de begrafenisstoet van stadhouder Willem IV te Delft op 4 februari 1752. Genummerd rechtsboven: 7. In de gebonden uitgave van 1755.
Vaas met groene en zilverkleurige draden en een zilverkleurige irisering op een blauw fond
Object type: vase
Date: 1899 – 1899
Materials: glass
Techniques: glassblowing, iridescence
Location: klostermühle
Artist: franz hofstötter
Artist role: painter, sculptor
Artist dates: 1871 – 1958
Inscriptions: mark: ‘Loetz Austria’

Kleine vaas met gewelfde voet, conisch lichaam en uitkragende rand. Op het lichaam gekamde, ingewalste, zachtgroene en zilverkleurige draden, zilverkleurige irisering. Gemerkt op de onderzijde, op de geslepen rand, in radgravure Loetz Austria.
Schoorsteenveger
Object type: print
Date: 1772 – 1791
Techniques: printing, printmaking, hand coloring, lithography
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: adult man, head-gear: hat (+ men's clothes), handicrafts ~ maintenance and repair (with name of trade or profession)
Inscriptions: collector's mark: Lugt 2228, number: ‘N 9 I - 32’

De prent verscheen vanaf 1818 tevens als onderdeel van een 33-delige reeks prenten door Mathias de Sallieth, samengebonden in: Perkois, Jacobus, Prins, Johannes Huibert. Verzameling van verschillende gekleede mans- en vrouwenstanden, ter oefening van jonge schilders en liefhebbers. Rotterdam: Johannes Immerzeel, 1818.
Omajaden, kalief Abd el-Melik, 65-86 AH [=685-705], fels
Object type: coin
Date: 685 – 705
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: in drie regels opschrift in Arabische lettertekenss. Keerzijde: binnen cirkel in drie regels opschrift in Arabische lettertekens.
Three Views, No. 2: View near Oswego, New York
Object type: watercolor
Date: 1812 – 1879
Materials: gum arabic, watercolor, paper
Culture: american
Artist: john william hill
Artist role: artist
Artist nationality: american, born england
Artist dates: 1812 – 1879
Subjects: landscapes
Design for a Room in the Etruscan or Pompeian style (Elevation)
Object type: drawing
Date: 1833 – 1833
Materials: gold, ink, watercolor
Techniques: pen
Artist: c. g. hawkhurst
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture
Vase
Object type: vase
Date: 1667 – 1733
Materials: copper, glaze, porcelain, silver
Culture: chinese
Brieflezende vrouw op een terras
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Subjects: reading, landscapes, letter, envelope, dog
Inscriptions: collector's mark: Lugt 240

Op een terras leest een vrouw een brief voor aan twee andere vrouwen en een man. Voor haar zit een hondje. Op de achtergrond een glooiend landschap.
Texelse vrouw
Object type: drawing
Date: 1766 – 1804
Materials: paper, pencil
Artist: jacob perkois
Artist role: draughtsman, print maker
Artist dates: 1756 – 1804
Subjects: texel
Schrijver, muze en dieren
Object type: titelblad, titelpagina
Date: 1745 – 1745
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: fables of aesop : use 85(...), writer, poet, author, terpsichore (one of the muses); 'terpsicore' (ripa)
Inscriptions: collector's mark: Lugt 2228

Bij een stenen tafel met boektitel schrijft een man, mogelijk Aesopus, op een tablet. Tegenover hem zit een vrouw met lier, mogelijk de muze Terpsichore. In de achtergrond op een toneel de dieren en een kleine mens die voorkomen in de fabels van Aesopus.
Peter the Great, tsar of Russia
Object type: painting
Date: 1700 – 1749
Materials: canvas, oil
Location: russia
Artist: Anonymous
Subjects: peter i de grote (tsaar van rusland), historical persons, emperor

Peter the Great, tsar of Russia. Russian school (?), first half 18th century. Peter I (1672-1725) was tsar (emperor) of Russia from 1682 to 1725. It was a reign marked by a series of reforms. Peter took the countries of Western Europe as his model. In1697, a Russian mission was sent to the West to open diplomatic talks. Russia needed allies in the war against the Ottoman Empire. The ambassadors were also ordered to gather scientific and technical information. One of the places they visited was the Dutch Republic. The tsar travelled with the embassy, although in disguise: it was vital that news did not spread to Russia of the tsar's absence from the country. Here Peter is depicted in simple clothes. He is wearing the cross and ribbon of the Order of St Andrew, his own creation.
U.S. Battleship Indiana, from the Transparencies series (N137) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: ships

Trade cards from the "Transparencies" series (N137), issued in an unnumbered set of 25 cards in the late 1880s by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco. Each image is printed on very thin paper, intended to be transparent when held up to the light.
The Interpreter Waved at the Youth
Object type: painting
Date: 1900 – 1900
Materials: canvas, oil
Location: united states
Artist: frederic remington
Artist nationality: american
Artist dates: 1861 – 1909
Praalbed van prinses Anna
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: william v (prince of orange), carolina (prinses van oranje-nassau), anna van hannover, lying in state
Inscriptions: collector's mark: Lugt 2228

Paradezaal met het praalbed en bezoekers. Onderdeel van een serie van vier platen van het praalbed waarop de op 12 januari 1759 overleden prinses Anna van Hannover gedurende enkele dagen in februari opgebaard heeft gelegen.
Plate
Object type: glass
Date: 1600 – 1625
Materials: glass
Location: germany
[Japanese Woman in a Chair Carried by Two Men]
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: men,portraits,women
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment of a lipped kylix with the start of the handle root
Chair
Object type: chair
Date: 1750 – 1760
Materials: wood
Amsterdam, brandspuitpenning van spuit 7 met no. 28 en no. 1
Object type: medal
Date: 1680 – 1800
Materials: copper
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Koperen penning. Voorzijde: opschrift St. 7 boven wapenschild en opschrift No. 28. Keerzijde: cijfer 1
Clay jar sealing
Object type: sealing, jar
Date: 2650 – 2650
Materials: clay
Location: egypt

This jar sealing bears an impression reading "for oil or fat."
Versailles, Enlèvement de Proserpine par Pluton par Girardon, (detail)
Object type: photograph
Date: 1904 – 1904
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Lunar Law, No. 1
Object type: print
Date: 1856 – 1856
Materials: paper, paint, watercolor
Techniques: etching, hand coloring
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Roodkapje en Klein Duimpje
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: tales and fairy tales: little red riding-hood, tales and fairy tales: little thumbling
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen uit de sprookjes van Roodkapje en Klein Duimpje. Onder elke voorstelling een tweeregelig vers. Genummerd linksboven: no 109.
Stille zee met schepen
Object type: drawing
Date: 1610 – 1653
Materials: ink, paper
Techniques: pen
Artist: simon de vlieger
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1653
Subjects: sailing-ship, sailing-boat, ship in the roads, roadstead
Hannover. Natyrtheater im Herrenhausen Garten
Object type: photomechanical print
Date: 1903 – 1903
Materials: cardboard
Techniques: lithograph
Location: leipzig
Artist: louis glaser
Artist role: printer, publisher
Subjects: canals, waters (in city), bridge in city across river, canal, etc., street
Inscriptions: date
Vijf wijze en vijf dwaze maagden
Object type: print
Date: 1475 – 1500
Materials: paper
Techniques: engraving
Location: germany
Artist: monogrammist ag (15e eeuw)
Artist role: print maker
Subjects: representation of wise virgin(s)
Inscriptions: collector's mark: Lugt 240

Een van de vijf wijze maagden uit de bijbelse parabel over de vijf wijze en vijf dwaze maagden. Een lauwerkrans op haar hoofd en de brandende olielamp in de rechterhand.
De geseling van Christus
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: woodcut
Location: frankfurt am main
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Oosters tapijt
Object type: oriental rug
Date: 1800 – 1815
Materials: wool
Location: kazakhstan

Oosters tapijt, zigzagkleed. Middenveld met zigzagpatroon met haken. De breedste rand is versierd met hoekige bladeren in een zigzag-patroon.
Portret van William, hertog van Gloucester
Object type: book illustration
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent is gebruikt in: Rapin, Paul de. History of England. [Vertaald uit het Frans door] Nicolas Tindal. Londen: John Harrison, 1785.
Five Borders
Object type: textile
Date: 1620 – 1640
Materials: lace, linen
Techniques: lace
Location: italy
Milano. - Piazza del Duomo e Via Carlo Alberto. (veduta animata)
Object type: photograph
Date: 1885 – 1892
Materials: photographic support
Techniques: albumen print
Subjects: square, place, circus, etc., street
Inscriptions: annotation: ‘Milaan - Piazza del Duomo’, number: ‘18928 Pe.1a.-No.’
One of a Pair of Manuscript Covers of the Five Transcendent Buddhas
Object type: religious ritual object
Date: 1101 – 1200
Materials: paint, pigment, wood
Location: nepal
Dorpsgezicht
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: prospect of village, silhouette of village
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Dienstmeisje met kinderwagen op de Keizersgracht
Object type: watercolor
Date: 1875 – 1904
Materials: paper
Techniques: brush
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: baby-sitter, baby-carriage, pram, perambulator, canals, waters (in city)
Inscriptions: signature: ‘Isaac Israels’

Dienstmeisje met kinderwagen op de Keizersgracht. Van rechts naar links de nummers 692-704.
Collier en Serpent. Voile à la Religieuse
Object type: fashion print
Date: 1801 – 1801
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: veil (+ women's clothes), head-gear (+ women's clothes), fashion plates, dress, gown (+ women's clothes), book - mm - book open, necklace (+ women's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Collier en Serpent. Voile à la Religieuse.’

Between 1797 and 1820 the French Journal des Dames et des Modes was the leading magazine in the area of fashion, accessories, and jewellery. The latest trends were illustrated in hand-coloured prints. The veiled lady shown here wears a gold ouroboros (a serpent eating its own tail) necklace. This symbol of eternal life was already incorporated into jewellery by the ancient Egyptians.
Medal
Object type: medal
Date: 1401 – 1500
Materials: bronze
Subjects: profiles,women
Preparing for the Race
Object type: print
Date: 1804 – 1804
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,horses,jockeys

Horses and jockies preparing for a race.
Preekstoel in de Sint-Andrieskerk te Antwerpen, België
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: Anonymous
Subjects: pulpit, ambo, chancel, antwerp
Twee ontwerpen voor een vignet Piae Uxoris Animae
Object type: design
Date: 1878 – 1938
Materials: ink, paper, pencil
Techniques: pen
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: vignette
Journal des Dames et des Modes, Costumes Parisiens, 15 décembre 1827, (2559): Redingote de Castorin (...)
Object type: fashion print
Date: 1827 – 1827
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: trousers, breeches, etc. (pantalon) (+ men's clothes), shoes, sandals (+ boys' clothes), head-gear: toque (+ boys' clothes), trousers, breeches, etc. (pantalon) (+ boys' clothes), coat (+ men's clothes), coat (+ boys' clothes), fashion plates, shoes, sandals (+ men's clothes), neck-gear: collar (+ men's clothes), jumping-rope games, neck-gear: collar (+ fur used for clothes)
Inscriptions: caption: ‘Redingote de Castorine bordée d'une tresse et à collet en fourrure. Pantalon de drap. Toque de velours. Redingote athénienne garnie de boutons de nacre. Pantalon avec tresses sur les coutures, de chez Mr. Martel, Rue Neuve des petits Champs, No. 95.’, title: ‘Costumes Parisiens.’

Man in een redingote van 'castorine' afgezet met een tres en een bontkraag. Spanbroek van laken. Accessoires: hoge hoed, schoenen met vierkante neuzen. Aan de hand een jongen met op het hoofd een 'toque' van fluweel. Hij draagt een 'redingote athénienne' met knopen van parelmoer. Lange broek met tressen op de naden van Mr Martel. Springtouw in de hand. Prent uit het modetijdschrift Journal des Dames et des Modes (1797-1839).
Plate 8: Vendor of baskets
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
De groote Markt, het stadhuis en de groote Kerk te Goes
Object type: book illustration
Date: 1745 – 1760
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), townhall, market
Inscriptions: collector's mark: Lugt 195

Gezicht op de Grote Markt, het stadhuis en de Grote Kerk te Goes, in de situatie omstreeks 1743.
Sheep by a Statue of Pan, plate five from Paysages Dédiés à M. Warelet
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Location: switzerland
Artist: salomon gessner
Artist role: painter, print maker
Artist nationality: swiss
Artist dates: 1730 – 1788

This charming etching from a series of mythological landscapes by the German Romantic-era printmaker Gessner suggests the artist was familiar with Claude Gillot’s Pan etching on view nearby (see 1969.280). This print depicts a goat fondly raising its horned head toward a herm with a bust of Pan. While the flock of sheep seem uninterested in the moss-covered column, this antiquarian-enthusiast beast is drawn to the bust as if aware of the god’s oath to protect all cloven-hoofed creatures. The Roman marble Head of Pan seen nearby is similar to the type of bust that the goat is appraising in the picture.
Portret van schrijver en historicus Giambattista Verci
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Tourist, from the Occupations of Women series (N502) for Frishmuth's Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: frishmuth's tobacco company
Artist role: publisher
Artist nationality: american
Subjects: women,binoculars

The "Occupations of Women" series of trading cards (N502) was issued by Frishmuth's Tobacco Company in 1889 to promote the company's tobacco products. This series uses similar images to Goodwin Tobacco's 1887 series "Occupations for Women" (N166).
Strong man at pillar
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Servet van pellendamast
Object type: napkin
Date: 1800 – 1900
Materials: linen
Techniques: cross stitching, weave
Location: north brabant

Servet van linnen pellendamast. Het geblokte patroon heeft geruite blokken en vierkanten waarbinnen een kruisvorm. De randen zijn gestreept. Het servet is in rood gemerkt met een kruissteek: DR 114.
Horned Owl, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: owls

Trade cards from the "Birds of America" series (N4), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Portret van een vrouw in militair uniform
Object type: photograph
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adult woman, historical persons, (military) uniforms, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.