deem-data/ArtiFact huggingface dataset:
Poem by Tenchi Tennō, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Object type: woodblock print
Date: 1839 – 1839
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,bridges,hills,trees,working
Bowl of Rennefer
Object type: bowl, rennefer
Date: 1504 – 1447
Materials: stone
Location: egypt
Diet Kramer
Object type: photomechanical print
Date: 1934 – 1934
Materials: cardboard
Techniques: rotogravure
Artist: Anonymous
Subjects: amsterdam, the hague, historical persons - bb - woman
An Architectural Capriccio
Date: 1772 – 1772
Techniques: etching
Artist: luc vincent thiery de sainte colombe
Artist role: artist
Artist nationality: french
Artist dates: 1734 – 1812

Luc Vincent Thiery de Sainte Colombe was a lawyer and art collector in 18th-century Paris who also drew and made etchings. This etched capriccio, or imaginary combination of architectural motifs, is based on a pen and ink drawing, also by Thiery de Sainte Colombe, which shows the same composition in reverse. For the drawing, see 2017.707.1.
The Relief Fund in Lancashire (for "Once a Week")
Object type: print
Techniques: engraving
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women

In 1862 Whistler designed four wood engravings for the London periodical "Once a Week." Many of his Pre-Raphaelite friends were illustrating poems and short stories at this moment and the decade proved to be the start of a new flowering of British illustration. Founded in 1859, "Once a Week" supported the movement and was known as a "journal of the younger men." Whister here responds to an article titled "The Relief Fund in Lancashire: A Commendation" with a related verse concerning th flight of the Lancashire weavers. This is a proof for a wood engraving published July 26, 1862.
Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)"
Object type: print
Date: 1766 – 1766
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Vrouw in een deuropening, pratend met een man met kinderen
Object type: album leaf
Date: 1641 – 1641
Materials: paper
Techniques: etching
Location: paris
Subjects: child teaching teacher, parents, or other adults
Inscriptions: date
Greep van een gevest uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: greep gevest
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Hilt, guard; fragm, guard-cross with double vestigial arms (pas d'ane), 2 straight quillons, knuckle-guard broken off (knuckle-guard NG 1980-27H588), quillon-block decorated with shell motif, rectangular front with (ricasso) washer, other end with oval rim, ass. grip NG 1979-173H542.
The Last Bather, from Puck
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: lithograph
Location: united states
Artist: joseph keppler
Artist nationality: american
Artist dates: 1838 – 1894
Landschap met ronde toren
Object type: print
Date: 1761 – 1784
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Landschap met ronde toren en rechts op de voorgrond een boom.
Puppenküche 4
Object type: stereograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: children's games and plays, (playing with) toys
Inscriptions: monogram: ‘NPG’
Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Object type: print
Date: 1837 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Panel
Object type: textile
Date: 1734 – 1766
Materials: silk
Techniques: brocade, patterning, weave
Location: lyon
Recueil de portraits (...)
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: étienne desrochers
Artist role: print maker, publisher
Artist dates: 1668 – 1741
Subjects: paris, jean baptiste poquelin molière, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Behoort waarschijnlijk tot een serie portretten, grotendeels door Etienne Desrochers, getiteld: 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes que dans Belles-Lettres et les Arts, comme aussi la famille royale de France et autres cours étrangères'. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985. Echter was Desrochers reeds enkele jaren eerder begonnen met het uitgeven van de serie. Na de dood van Desrochers werd de serie voortgezet door Gilles Edme Petit. Een latere staat werd uitgegeven door Jean François Daumont in Parijs.
Meiping vase with floral patterns
Object type: vase
Date: 1201 – 1400
Materials: ceramic glaze, glaze
Techniques: incising
Culture: chinese
Portret van de arts Jacob Roman
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: wig
Inscriptions: collector's mark: Lugt 2165
O contemporaneo
Object type: magazine
Date: 1873 – 1878
Materials: paper, photographic support
Techniques: albumen print, printing
Artist: alfred fillon
Artist role: fotograaf
Artist dates: 1825 – 1881
Subjects: historical persons

Op de voorpagina bevindt zich een portret van Ramón Rosell.
Seated Four Armed Jambhala, the Buddhist God of Wealth
Object type: figure
Materials: bronze, silver
Techniques: inlay
Culture: indonesian, javanese
Subjects: buddhism,deities
View of Naples: Villa Reale
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: human figures,buildings,horses
Censer in Form of a Cock
Object type: censer
Date: 1650 – 1650
Materials: glaze, stoneware, wood
Techniques: lacquer
Culture: japanese
Subjects: roosters,censers
[Hindoo Pillars and Mahomedan Arch at the Qutub Minar, Delhi]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: architecture,arches,ruins
Interieur van een leeszaal
Object type: photograph
Date: 1911 – 1912
Materials: paper
Techniques: matte daylight collodion silver print
Location: rotterdam
Artist: wouter cool
Artist role: engineer
Artist dates: 1877 – 1947
Subjects: edifice, e.g.: public building, department store - aa - civic architecture: inside, netherlands
Lijf van een witte katoenen kinderjurk, met trapeziumvormig voorstuk met bloem- en bladranken van Engels borduurwerk; afwerking met geschulpte gefestonneerde randen en ruches
Object type: clothing
Date: 1800 – 1915
Materials: cotton
Techniques: embroidered
Location: netherlands
Artist: Anonymous

Bovenstuk van een witkatoenen kinderjurk. Kort lijf met trapezium-vormig voorstuk, waarop in wit bloemen, bladeren en ranken geborduurd zijn. Langs de korte mouwen, de hals en het voorstuk met een festoen afgemaakt.
Filissinga
Object type: print
Date: 1607 – 1609
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maps of cities, flushing
Inscriptions: number: ‘46’

Plattegrond van de stad Vlissingen. Midden boven een cartouche met de titel. Daaronder van links naar rechts het provinciewapen van Zeeland, het wapen van Oranje-Nassau en het stadswapen. Rechtsboven een cartouche met de legenda a-i. Voor de haven enkele schepen die saluutschoten lossen. Onderdeel van de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
Portret van Pablo Casals
Object type: print
Date: 1888 – 1920
Materials: paper
Techniques: drypoint, etching
Artist: ferdinand schmutzer
Artist role: painter, print maker
Artist dates: 1870 – 1928
Subjects: musician, historical persons
Inscriptions: collector's mark: Lugt 2228
Sta. Maria de Grazie
Object type: photograph
Date: 1869 – 1888
Materials: cardboard, paper
Techniques: albumen print
Location: milan
Subjects: church (exterior)
Inscriptions: inscription: ‘Fotografia/ dei/ pittori/ Spagliardi e Silo/ Corso di Porta Veenzia, 11/ Milano/ Piano terreno con grande giardino.’
Three Fishers, from the Illustrated Songs series (N116) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1893 – 1893
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: profiles,women

Trade cards from the "Illustrated Songs" series (N116), issued in an unnumbered set of 25 cards in 1893 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Beschouw deez' prent, ô jeugd! hoe dat de boerenstand, / Door onvermoeide vlyt, veel voordeel brengt aan 't land, / Hy ploegt, hy zaaid en maait de vrucht uit d' Aard gesprooten, / Hy dankt Gods wys bestuur, van zyne hand genoten
Object type: popular print
Date: 1831 – 1854
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: cattle, farmers, agricultural implements, agriculture
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van werkende boeren en boerinnen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 48.
Carel en Frank van den Berg bij een fotoalbum
Object type: photograph
Date: 1918 – 1918
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: amsterdam, carel frederik van den berg (cay), frank willem van den berg (1912-1998), book - mm - book open
Piece
Object type: piece
Date: 1804 – 1815
Materials: silk
Design for Three Small Elevated Armchairs
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: chairs
Fragment of a terracotta architectural tile
Object type: tile
Date: 600 – 501
Materials: terracotta
Culture: lydian

Fragment, egg and dart pattern.
Roos
Object type: print
Date: 1754 – 1825
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Artist: hermanus numan
Artist role: draughtsman, painter, print maker
Artist dates: 1744 – 1820
Subjects: flowers: rose
Inscriptions: collector's mark: Lugt 2228
Clothing decoration or armor
Object type: clothing decoration or armor
Date: 900 – 801
Materials: bronze, iron
Culture: iranian
Location: iran
Brief aan Françoise W.M. Bonger
Object type: letter
Date: 1960 – 1960
Materials: ink, paper
Techniques: pen, writing
Location: new york city
Artist: sharon rich
Subjects: françoise w.m. bonger
Caudebec-en Caux. Vieille Maison. Grande Rue
Object type: photomechanical print
Date: 1920 – 1932
Materials: cardboard
Techniques: photograph
Location: paris
Artist: p. védie
Artist role: publisher
Subjects: parts (of house or building), ladder
Veroveringe van Rio Grande in Brasil. Anno 1633
Object type: history print
Date: 1649 – 1651
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maps of separate countries or regions, capture of city (after the siege), brasil

Verovering van Rio Grande in Brazilië, december 1633. Plan van de Braziliaanse kust met een kasteel aan de monding van de rivier Rio Grande. De naam van het kasteel Tres Reyes werd na verovering veranderd in Keulen. Voor de kust en in de rivier liggen Nederlandse schepen voor anker. Gemerkt rechtsboven: Fig. 17. Fol. 185.
Markt te Boxtel
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: etching
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: urban housing, city-view, and landscape with man-made constructions, trees, adult woman, adult man, canal, rowing-boat, canoe, etc., horse, market, (farm) wagon, freight wagon, cart
Inscriptions: date

In de verte is een druk marktplein te zien. Links vaart een man in een boot over een klein kanaal. Rechts zitten enkele figuren voor een huis met een trapgevel. Op de weg ernaast staat een paard-en-wagen.
Design for a Garden Capriccio
Object type: drawing
Materials: graphite, ink
Techniques: pen, drawing
Artist: gilles-marie oppenord
Artist role: artist
Artist nationality: french
Artist dates: 1672 – 1742
Subjects: architecture,fountains
Prins van Oranje leidt de Nederlandse troepen in de slag bij Quatre-Bras, 1815
Object type: print
Date: 1817 – 1818
Materials: paper
Techniques: etching
Location: netherlands
Artist: philippus velijn
Artist role: print maker
Artist dates: 1787 – 1836
Subjects: william ii of the netherlands, battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

De prins van Oranje te paard leidt de Nederlandse troepen in de slag bij Quatre-Bras, 16 juni 1815. Op de achtergrond felle gevechten, op de voorgrond gesneuvelde Franse soldaten bij de limietsteen van Quatre-Bras.
Een Stedelijk Subsidie voor de Kindervoeding gevraagd
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: amsterdam, politician, jacob nicolaas van hall, hunger, personification of a city, town-patron(ess), child

Jacob Nicolaas van Hall doet een beroep op de stadsmaagd van Amsterdam voor hulp bij het voeden van hongerige stadskinderen.
Schilderijlijst
Object type: frame
Materials: wood
Techniques: gilding
Location: the hague
Artist: hendrik ebbens
Artist role: lijstenmaker
Artist dates: 1726 – 1807

Rechthoekig verguld kader waarin een ovaal is uitgespaard. De buitenrand versierd met een parelrand, daarbinnen een rand met touwmotief, daarbinnen een zigzagrand. In de hoeken een rozet.
Twisel Bridge
Object type: page
Date: 1861 – 1866
Materials: paper
Techniques: albumen print
Location: cornhill-on-tweed
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: river, bridge
Inscriptions: inscription: ‘p. 181.’

Foto op ongenummerde pagina tegenover pagina 181.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 500
Materials: terracotta
Culture: greek, attic

Below the rim, dot ivy; top of the head of a filleted woman to right?
Main Guard. Valetta Malta
Object type: photomechanical print
Date: 1890 – 1906
Materials: cardboard
Techniques: photograph, writing
Location: valletta
Artist: Anonymous
Subjects: palace
Inscriptions: poststempel, verso, gestempeld
Landschap
Object type: painting
Date: 1895 – 1905
Materials: canvas, oil
Artist: louis patru
Artist role: painter
Artist dates: 1871 – 1905
Subjects: landscapes in the temperate zone
Inscriptions: signature: ‘LPatru’

Landschap met wuivend gras of koren, in de verte een bergketen.
Arrival in Trinity Bay, Newfoundland: The Cable Passed to the Paddle-box Boat of the Terrible, etc.
Object type: drawing
Date: 1866 – 1866
Materials: gouache, graphite, watercolor
Artist: robert charles dudley
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1909
Subjects: landscapes,boats,transatlantic cable

One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, this example showing the Terrible bringing the cable to shore in Newfoundland after the Great Eastern's arrival on July 28, 1866. In 1892 Field donated art works by Dudley, commemorative medals, memorabilia, and specimens of cable to the Museum.
Kamer met zuil in de oude prefectuur in Luik, België
Object type: photomechanical print
Date: 1879 – 1884
Materials: paper
Techniques: photograph
Location: liège
Artist: Anonymous
Subjects: column, pillar ~ architecture, interior of the house, liège
Inscriptions: number: ‘No 15’

Deze prent maakt deel uit van een omslag met twintig prenten, een titelblad en een lijst van afbeeldingen.
L'Aveugle et son Chien (The Beggar and his Dog), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Object type: print
Date: 1623 – 1623
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,dogs
Portret van Johannes Thomae
Object type: print
Date: 1634 – 1663
Materials: paper
Techniques: engraving
Location: germany
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Porteur de poissons
Object type: print
Date: 1862 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: commercial fishery
Inscriptions: collector's mark: Lugt 2233

Katwijkse visser, blootsvoets, draagt een mand op zijn rug.
Design for a Classical Country House, Entrance Elevation
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture,houses

One of a group of four designs for an early nineteenth cenutry villa or substantial country house, this primary facade includes the main entrance emphasized by a two-story portico toped with a pediment supported by four Ionic columns.
Arc de Triomphe te Parijs
Object type: photograph
Date: 1855 – 1858
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: arc de triomphe
Engraved copies of The Little Passion
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: christ,tools
Portret van een vrouw, leunend op een balustrade
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: stolberg
Artist: anton wiedling
Artist role: fotograaf
Subjects: historical persons - bb - woman, balustrade
Inscriptions: inscription: ‘Hochgräfl. Hofphotograph/ Anton Wiedling/ STOLBERG a/H.’
Octagonal Room with Sectional Views
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture
Servet, linnendamast, met de tekst: 'c t', 'Malines' en gespiegeld: 'Ma'
Object type: napkin
Date: 1600 – 1650
Materials: linen
Location: kortrijk
Artist: Anonymous
Inscriptions: inscription: ‘Ma’, inscription: ‘Malines’, inscription: ‘c t’

Servet, vervaardigd van linnendamast, met de tekst: 'c t', 'Malines' en gespiegeld: 'Ma', geknipt uit een paar grotere servetten of lopers met '17 provinciënpatroon'. Het servet is aan alle zijden omzoomd met een smalle rolzoom.
Portret van Amalia van Saksen-Weimar-Eisenach
Object type: print
Date: 1853 – 1871
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: franciscus bernardus waanders
Artist role: print maker
Artist dates: 1809 – 1880
Subjects: historical persons - bb - woman, princess, balcony
Inscriptions: collector's mark: Lugt 963

Portret van Amalia van Saksen-Weimar-Eisenach in een ovaal. Ze staat op een balkon. Op de achtergrond een rivier. In de ondermarge haar titel.
Noh mask
Object type: noh mask
Date: 1336 – 1573
Materials: wood
Techniques: lacquer
Culture: japanese
Subjects: masks
Cup and Saucer
Object type: ceramic
Date: 1767 – 1800
Materials: enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: furstenberg
Artist: fürstenberg porcelain factory
Artist nationality: german
Artist dates: 1747 –
The Actor Segawa Kikunojo III as Oshichi in the Play Junshoku Edo Murasaki, Performed at the Ichimura Theater in the First Month, 1779
Object type: print
Date: 1779 – 1779
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Dish in the shape of a leaf
Object type: dish, lotus leaf
Date: 3100 – 2900
Location: egypt
Subjects: leaves
Angel of the Annunciation
Object type: statuette
Date: 1370 – 1390
Materials: marble
Culture: french or south netherlandish
Location: netherlands or france
Artist: jean de liège
Artist role: artist
Artist nationality: franco-netherlandish
Artist dates: 1361 – 1381
Subjects: angels

This angel from an Annunciation group probably comes from the abbey of Flavigny and originally formed part of a sculptural retable behind the altar. The exquisite carving of the figure, the serene facial expression, and the rich locks of hair have close parallels in sculpture produced in Paris.The surface details and polish are similar to the work of the sculptor Jean de Liège who carved the image of Marie de France from the royal abbey of Saint-Denis also in the Museum's collection (see 41.100.132).
Un enterrement à Venise
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photoaquatint
Location: venice
Subjects: city-view in general; 'veduta', cortege, funeral procession, gondola, venice
Regiae Anglicae
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: cologne
Subjects: jacobus i (koning van engeland), insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228

Portret van James I, koning van Engeland, op 38-jarige leeftijd. In het randschrift van de omlijsting de naam, functie en leeftijd van de geportretteerde in het Latijn. In de marge een zesregelig lofdicht in het Latijn.
Tekenende vrouw en liggende man in een landschap
Object type: drawing
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: draughtsman at work - cc - out of doors
The Incurable
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,politics
Knutselende jongen aan een tafel
Object type: boekillustratie ontwerp
Date: 1928 – 1941
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: miep de feijter
Artist role: draughtsman
Subjects: children's games and plays, boy (child between toddler and youth), table
Inscriptions: annotation: ‘Bertje Vergeetal.’, signature: ‘MIEP/ DE/ FEIJTER.’, collector's mark: Lugt 2228a, :

Een jongen zit in zijn pyjama aan een met een tafelkleed overdekte tafel te knutselen. Hij heeft een stokje of schrijfgerei in de hand.
Tazza
Object type: glass
Date: 1680 – 1700
Materials: glass
Location: venice
Portret van Hermann Kilian
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: bonn
Subjects: hermann kilian, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228