deem-data/ArtiFact huggingface dataset:
Comb top
Object type: comb top
Date: 701 – 900
Materials: mother of pearl
Culture: chinese
Subjects: birds
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head and neck of wreathed youth
Arbor group
Object type: figure group
Date: 1750 – 1750
Materials: stoneware
Techniques: salt glaze
Subjects: couples,men,women
Water jar in the shape of a flower
Object type: water jar
Date: 1801 – 1900
Materials: gemstone
Culture: chinese
Subjects: flowers
Dunkeld from the bridge
Object type: page
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: dunkeld
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: city-view, and landscape with man-made constructions, river, bridge in city across river, canal, etc.
Á travers les rues
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: photograph
Location: paris
Subjects: flowers, street-trader, paris

Prenten op zevenenveertigste ongenummerde pagina.
Brok concretie met insluitsels van natuursteen en porselein en een fragment van een pijp uit het wrak van de Oostindiëvaarder Hollandia
Object type: concretionary stone
Date: 1700 – 1743
Materials: stone, clay, porcelain
Artist: Anonymous

Brok concretie met insluitsels van natuursteen en porselein en een fragment van een pijp.
Mannen lezen in een bibliotheek
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: study; 'studiolo'; library, public library

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Twee arenden in een gebergte
Object type: print
Date: 1879 – 1910
Materials: paper
Techniques: etching
Artist: eugène van hove
Artist role: print maker
Artist dates: 1869 – 
Subjects: predatory birds: eagle
Inscriptions: annotation: ‘duel d'ammaud van hove’, collector's mark: Lugt 2228
Pitcher
Object type: pitcher
Date: 1700 – 1800
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Gezicht op de Nieuwezijds Voorburgwal te Amsterdam
Object type: sketchbook leaf
Date: 1910 – 1910
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: civic architecture; edifices; dwellings, street
Inscriptions: annotation: ‘N Voorburg wal’

Pagina 32 uit een schetsboek met 45 bladen.
kom van faience
Object type: fragment
Date: 1655 – 1675
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: Anonymous
Subjects: leiden

kom van blauw beschilderde faience. Op de bodem aan de binnenkant is een insekt (bij ?) geschilderd en op de wand vakken (Wan-Li). De kom is een bodemvondst uit Leiden en er ontbreekt een deel van de wand.
Design for Section of a Rococo Room, with a Coved Ceiling and Ornamented Corinthian Doorway
Object type: drawing
Date: 1750 – 1750
Materials: graphite, ink, watercolor
Techniques: brush, pen, wash
Artist: thomas lightoler
Artist role: artist
Artist nationality: british
Artist dates: 1742 – 1775
Subjects: doorways
Coiffure van een boschnegerinnetje
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Zittend Marronmeisje met een oudere Marronvrouw. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Lof op de deugdzame huisvrouw
Object type: print
Date: 1555 – 1555
Materials: paper
Techniques: engraving
Location: groningen
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, the book of proverbs (with book chapter:verse), feeding the hungry, 'esuriens cibatur' ~ one of the (seven) acts of mercy, clothing the naked, 'nudus vestitur' ~ one of the (seven) acts of mercy, ideal wife

De deugdzame vrouw deelt brood uit aan de armen. Op de achtergrond kleedt de deugdzame vrouw de naakten. De prent is gebaseerd op Spreuken 31:20: 'Haar handen strekt zij uit naar de behoeftigen, ze geeft de armen hulp'. Onder de voorstelling een parafrase van dit Bijbelvers in het Duits. Deze prent maakt deel uit van een album.
The Pleasant Game of the Goose (Il Dilettevole Gioco di Loca)
Object type: print
Date: 1640 – 1640
Techniques: hand coloring, woodcut
Artist: Anonymous
Artist role: artist
Subjects: games
Omslag voor veertien prentbriefkaarten met kunstreproducties uit het British Museum
Object type: photomechanical print
Date: 1902 – 1950
Materials: cardboard
Techniques: printing block
Location: oxford
Artist: Anonymous
Subjects: permanent exhibition, museum

In de omslag zit een papier ingestoken met daarop een beschrijving van de inhoud.
Het omslag is bedoeld voor vijftien prentbriefkaarten. In dit exemplaar zijn veertien prentbriefkaarten aangetroffen.
P.A. Croese zit achter de tafelpiano terwijl een vrouw wijn in zijn mond giet
Object type: drawing
Date: 1806 – 1806
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: pouring, glass of wine, pianoforte
Inscriptions: inscription: ‘13 julij J'ai perdu mon Euridice’, signature: ‘J Andriessen’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Portret van koning Lodewijk Filips I
Object type: print
Date: 1810 – 1874
Materials: paper
Techniques: drypoint, etching
Location: paris
Subjects: paris, lodewijk filips i (koning van frankrijk), historical persons, king
Inscriptions: collector's mark: Lugt 2228
Boulevart des Capucines
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), street
Twee vissers aan het strand, de een repareert een zeil
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: etching
Artist: egidius linnig
Artist role: draughtsman, print maker
Artist dates: 1821 – 1860
Subjects: beach, fisherman
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Plan van Douai, zo als het zelve is versterkt en gesitueerd in January 1794
Object type: map
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: fortified city, maps of cities
Inscriptions: collector's mark: Lugt 2228

Plattegrond van de versterkingen om de stad Douai, in januari 1794. Onderdeel van een serie van zeven bladen met plattegronden van versterkte steden in de Oostenrijkse Nederlanden ten tijde van de tweede Franse inval onder generaal Pichu in 1794.
Morning and Night, from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,beds

Trade cards from the "Magic Changing Cards" series (N223), issued in a set of 50 in 1889 by Kinney Tobacco Company. When held up to the light, a hidden image is revealed on each card.
Meetlijn bij de Witwatra
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Meetlijn in het oerwoud. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Portret van een jonge man met staf in de hand, leunend op de leuning van een stoel
Object type: carte de visite
Date: 1867 – 1879
Materials: cardboard, photographic support
Techniques: albumen print
Location: breda
Subjects: walking-stick, staff, historical persons, youth, adolescent, chair
Inscriptions: inscription: ‘(...)/ KANNEMANS EN ZOON/ Artiste Photographen/ VAN/ Z. M. DEN KONING en H. M. DE KONINGIN/ BREDA/ Groote Markt/ D. 15/ tegen over het Stadhuis.’
Lezende burgemeester in zijn studeervertrek
Object type: print
Date: 1741 – 1797
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: reading, mayor, burgomaster, study; 'studiolo'; library, letter, envelope
Inscriptions: collector's mark: Lugt 240
Bracelet, One of a Pair
Object type: bracelet
Date: 1001 – 1300
Materials: gold, metal
Location: iran
Modern Elegance, a Portrait
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: women,caricature
Theatrical costume
Object type: theatrical costume
Date: 1701 – 1800
Materials: silk
Culture: japanese
Subjects: flowers
Gezicht van het St. Joris-Hof, tot Amsterdam / Vue de St. Joris-Hof, à Amsterdam
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: alms-house (dutch: 'hofje'), public welfare, church (exterior), courtyard
Inscriptions: collector's mark: Lugt 2228

Vanaf 1760 gaf Pierre Fouquet stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars uit. Deze prenten werden aanvankelijk los verkocht. Later werden ze samengebonden verkocht in verschillende volgordes en aantallen in:

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.

Ook werden er door verschillende uitgevers tussen 1788 (Amsterdam: Petrus Conradi) en 1805 (Amsterdam: Evert Maaskamp) heruitgaven gepubliceerd.
Acht terracotta sculpturen, bestaand uit vijf groteske hoofden, twee mannen en een groteske pop
Object type: photomechanical print
Date: 1852 – 1857
Materials: paper
Techniques: photolithography
Location: paris
Subjects: ornament ~ grotesque, piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts)
Inscriptions: number: ‘1. 2. 3. 4. 5./ 6. 7. 8.’, number: ‘XI.’
Box
Object type: box
Date: 1701 – 1800
Materials: gold, lacquer, mother of pearl
Techniques: inlay
Culture: japanese
Medèe
Object type: reproduction
Date: 1862 – 1872
Materials: paper
Techniques: woodburytype
Location: lille
Subjects: medea
Toren van de Cunerakerk te Rhenen
Object type: photograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: rhenen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: parts of church exterior and annexes: tower
Inscriptions: annotation: ‘De Cunerakerk te Rhenen (...)’, annotation: ‘Rhenen’
Portrait of Johannes Wtenbogaert (1557-1644)
Object type: painting
Date: 1632 – 1632
Materials: oil, panel
Artist: michiel jansz van mierevelt
Artist role: draughtsman, painter
Artist dates: 1567 – 1641
Subjects: utrecht, the hague, historical persons
Inscriptions: inscription and date, centre left: ‘Ætatis 75. / Aº 1632.’

Johannes Uytenbogaert, by M.J. van Miereveld, 1632. Johannes Uytenbogaert (1557-1644) played a major part in the ecclesiastical and political life of the young Republic. In the late16th century he was appointed chaplain to the court of Prince Maurice. During the truce with Spain, however, the Stadholder and the minister found themselves on opposite sides.Uytenbogaert was one of the leaders of a critical movement within the Reformed Church - the Remonstrants - who came into conflict with Maurice and the more orthodox Calvinists. Uytenbogaert fell from grace and fled abroad. He eventually returned, after Maurice's death.
Ensemble
Object type: ensemble
Date: 1860 – 1865
Materials: cotton
Culture: american
Fringe
Object type: fringe
Date: 1701 – 1900
Materials: metal thread, silk
Seal with Knob in the Shape of a Chimera
Object type: seal
Date: 201 – 300
Materials: gilt silver
Culture: chinese
Subjects: mythical creatures
Portret van Achilles
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: mezzotint
Location: château de villette
Subjects: armour, (story of) achilles
Inscriptions: collector's mark: Lugt 240

Ten tijde van vervaardiging was het originele schilderij in bezit van Mr. Reynolds.
Termen in verschillende architectonische orden
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: herms (garden ornaments), satyr(s) (in general) - ll - female satyrs (in general), pedestal of a piece of sculpture (perhaps in the form of a herm), herm: pillar with the head of mercury, patron of travellers

Rechtsboven genummerd: 31. Volgens de toelichting op pagina 32 gaat het hier om de Ionische orde. Prent maakt deel uit van een album.
Brief aan Jan Veth
Object type: letter
Date: 1923 – 1923
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: coby witsen
Artist dates: 1851 – 1930
Subjects: dordrecht, designer, jan veth, amsterdam, painter, print maker, draughtsman, willem witsen, diseases
Inscriptions: collector's mark: ‘RPK’
Portret van Johann Mayer
Object type: print
Date: 1787 – 1828
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Prins Willem I
Object type: drawing
Date: 1638 – 1643
Materials: chalk, paper
Techniques: brush
Artist: pieter claesz. soutman
Artist role: draughtsman, print maker, publisher
Artist dates: 1593 – 1657
Subjects: delft, william i (prince of orange), historical persons
Pair of Compotes
Object type: glass
Date: 1851 – 1857
Materials: glass
Techniques: cutting
Location: new york
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: dining, drinking

From the 1820s to the 1850s, richly cut glass was extremely fashionable due to the glittering effects of the facets. These ornamental, diamond-cut glass compotes would have been used on a sideboard or dining table during the period. New York City was the production center for high-quality decorative glass in the United States, and these glass compotes are representative of New York firms like Brooklyn Flint Glass Works, a company whose work received a silver medal at the 1851 Crystal Palace Exhibition in London. The exceptional quality of these compotes comes from the clarity of glass and the bold yet restrained design.
Pedestal (one of a pair)
Object type: pedestal
Date: 1567 – 1600
Materials: gilt, wood
Subjects: grotesques,acanthus
1/4 Stüber uit het bisdom Keulen van Maximilian Friedrich, 1767
Object type: coin
Date: 1767 – 1767
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: gekroond versierd monogram. Keerzijde: binnen versierde vierpas waarde-aanduiding in twee regels, waaronder jaartal. Gladde rand.
Disegni diversi inventati e delineati da Giovanni Giardini da Forlì
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: italy
Subjects: dolphin ~ ornament, triton(s), censer
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een reeks van 100 ornamentprenten naar ontwerp van Giovanni Giardini.
Portret van George Drummond
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: stippling
Location: edinburgh
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Lion
Object type: lion
Date: 1300 – 1367
Materials: jade
Culture: chinese
Subjects: lions
Portret van Rupert Douglas
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: engraving
Location: stockholm
Subjects: rupert douglas
Inscriptions: collector's mark: Lugt 240

Portret van de Zweedse generaal Rupert Douglas, in ovale omlijsting met onderschrift in Latijn.
The Burcht in Leiden
Object type: drawing
Date: 1634 – 1666
Materials: ink
Techniques: pen, wash
Artist: jan de bisschop
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1671
Achilles recognized by Ulysses
Object type: furnishing textile
Date: 1825 – 1825
Materials: cotton
Subjects: human figures,trees
Synagoge in de Börnestrasse, Frankfurt am Main
Object type: stereograph
Date: 1869 – 1872
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: the synagogue (as building and place of worship ~ jewish religion), street
Inscriptions: number: ‘No 119.’
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, silver alloy
Culture: japanese
Location: japan
Subjects: rabbits
"The Eavesdropper", Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja
Object type: folio from an illustrated manuscript
Date: 1430 – 1430
Materials: gold, ink, paper, silver, watercolor
Location: afghanistan
Artist: maulana azhar
Artist role: calligrapher
Artist dates: 1450 – 1501
Subjects: musical instruments,men,women,swimming,musicians

This folio once illustrated a magnificent manuscript of Nizami’s Haft Paikar (Seven Portraits). The story of the Seven Portraits comprises a series of moralizing tales as told to the Persian hero Bahram Gur by seven princesses. This lively and lyrical scene illustrates a story in which a youth spies upon maidens swimming in a garden pool by moonlight. The voyeur is barely visible here, peering out of the shuttered window, unbeknownst to the playful bathers below.
Portret van André Rivet
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: andré rivet
Inscriptions: collector's mark: Lugt 2228

Portret van André Rivet, professor in de theologie in Leiden, op 78-jarige leeftijd.
"Gondola" sweetmeat glass
Object type: sweetmeat glass
Date: 1730 – 1730
Materials: glass
Techniques: engraving, polish
Subjects: boats
Handkerchief
Object type: textile
Date: 1875 – 1900
Materials: cotton, lace, linen, textile
Techniques: lace, embroidery, weave, stitching
Culture: needlework or lace
Location: france
Yale Law School
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: new haven
Subjects: university, façade (of house or building)
Toren met klokken in een stad, Bazel [?], Zwitserland [?]
Object type: photograph
Date: 1880 – 1910
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Portret van Lodewijk prins van Waldeck
Object type: photomechanical print
Date: 1882 – 1913
Materials: paper
Techniques: autotype
Location: netherlands
Subjects: commander-in-chief, general, marshal, prince, historical persons
R.D. Sears, Champion American Lawn Tennis Player, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,tennis,athletes

Trade cards from "World's Champions," Series 2 (N29), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Songs of Innocence: Spring
Object type: print
Materials: gold, ink, shell, watercolor
Techniques: etching, hand coloring, printing, relief
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: poetry,children,women,sheep

Blake etched twenty-seven printing plates for Songs of Innocence in 1789, completing those for the Songs of Experience in 1794. He then printed and hand-colored copies of the combined sets over succeeding decades as patrons ordered them, each one visually distinct. Verse and image work together to celebrate poetic inspiration and reveal aspects of the divine as expressed through nature. The poetic voice is often that of a child, whose emotions range from delight to fear, with darker feelings usually resolved in the earlier Songs of Innocence by adult intervention. This first group of Songs was shaped by the heady early days of the French Revolution, when British liberals and radicals believed that true reform was imminent on both sides of the Channel. The artist Edward Calvert met Blake around 1825 and commissioned this copy of Songs of Innocence and of Experience soon thereafter. These richly decorated pages, with their deeply saturated hues and distinctive ornamental borders, reveal Blake’s late vision and the order is established by small red numbers at upper right. This copy of Songs was later the first work to be purchased by the Museum’s new Department of Prints in 1917, recommended by its distinguished curator William M. Ivins, Jr.
Portret van Johannes Jelgerhuis
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Artist: johannes jelgerhuis
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1836
Subjects: historical persons (+ half-length portrait)
Inscriptions: inscription: ‘Van Buitenlandsche / als aandenken / van (...) / 17 january 1858 H. H. Zimmer(...)’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

De geportretteerde leunt met zijn linkerarm op de rug van een stoel. Onder het portret zijn naam en beroep.
Gezicht op Old Orchard Beach in Maine
Object type: photomechanical print
Date: 1875 – 1880
Materials: paper
Techniques: photograph
Location: old orchard beach
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, beach
Chimera (Bixie)
Object type: figure
Date: 201 – 600
Materials: gilt bronze
Culture: chinese
Subjects: lions
Four views: at top, a view of the new monastery of Vallombrosa, at bottom left and right, a view of a chapel, at bottom center, the tree of St. John Gualbert, from "Frontispiece and four scenes from the life of Saint John Gualbert" (Frontispice et quatre vignettes pour une vie de Saint Jean Gualbert)
Object type: print
Date: 1640 – 1640
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: buildings,men,trees
In Parijs
Object type: photograph
Date: 1940 – 1943
Materials: photographic support
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, sailor, paris

De groep Duitse matrozen in Parijs. Onderdeel van het fotoalbum over de Kriegsmarine 1940-1943.
Kussen van blauw-wit gestreept linnen / katoen weefsel; aan één korte zijde opgenaaide 'blinkerd' van lichtroze zijde; gevuld met dons
Object type: miniature
Date: 1690 – 1710
Materials: cotton, down, linen, silk
Artist: Anonymous
Charles M. Runk
Object type: page
Date: 1876 – 1881
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult man