deem-data/ArtiFact huggingface dataset:
Shoes
Object type: shoe
Date: 1660 – 1675
Materials: leather
Culture: european
Vase, Hispano-Moresco lustred ware, 15th. century
Object type: page
Date: 1851 – 1861
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: container of stone: stone vase
Inscriptions: number: ‘No. 135.’
II Cahier des Vases
Object type: print
Date: 1758 – 1820
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: johann thomas hauer
Artist role: print maker
Artist dates: 1748 – 1820
Subjects: vase ~ ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerpen voor vier vazen met bloemen en guirlandes.
Beatrix als leerling van de werkplaats Kindergemeenschap Bilthoven
Object type: photograph
Date: 1946 – 1946
Materials: photographic support
Techniques: photography
Location: bilthoven
Subjects: beatrix (koningin der nederlanden), amsterdam

Leerlingen van de Werkplaats Kindergemeenschap Bilthoven, ook genoemd de Werkplaats Kees Boeke. Zowel Prinses beatrix als Prinses Irene zaten op deze school. Hier Beatrix bij de bakker op zijn kar.
Victoria #4078
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Pair of gold earrings with disk and boat-shaped pendant
Object type: earring with disc and boat shaped pendant
Date: 330 – 300
Materials: gold
Culture: greek

Pair of gold earrings with elaborate disc and boat-shaped pendant, part of the Madytos Jewelry. This group of jewelry is said to have come from a tomb at Madytos on the European side of the Hellespont. The gold diadem is richly worked in repousse with an elaborate floral pattern. Dionysos, the god of wine, and his wife, Ariadne, sit in the center; muses playing musical instruments perch among the vines and along the sides. The tiny figure of a must playing a lyre also appears just above the crescent form on each of the boat-shaped earrings. The seedlike pendants of the earrings are identical to those on the elaborate necklace.
Fan
Object type: costume and accessory
Date: 1850 – 1860
Materials: gilt, metal, pearl
Culture: lace
Location: france
Athenian Tetradrachm, 230 B.C., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: owls,coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1)
Object type: print
Date: 1830 – 1830
Materials: chalk
Techniques: mezzotint
Artist: david lucas
Artist role: engraver
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: shakespeare,men,hunting,deer,forests

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Portret van Wilhelmina, koningin der Nederlanden
Object type: photograph
Date: 1887 – 1892
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, dog
Inscriptions: collector's mark: Lugt 2233

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Armchair
Object type: furniture
Date: 1815 – 1815
Materials: wood
Location: new york city
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1899
Subjects: furniture
Plate
Object type: plate
Date: 1801 – 1900
Techniques: printing
Artist: j. & g. meakin
Artist role: factory
Artist dates: 1851 – 9999
Subjects: houses,landscapes,trees,boats
Portret van Willem IV, prins van Oranje-Nassau
Object type: print
Date: 1747 – 1799
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: the hague, willem iv (prins van oranje-nassau)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
The Holy Family
Object type: print
Date: 1809 – 1809
Techniques: lithograph
Artist: baron dominique vivant denon
Artist role: artist
Artist nationality: french
Artist dates: 1747 – 1825
Figure Dish
Object type: dish
Date: 1880 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: mckee and brothers
Artist role: maker
Artist nationality: american
Artist dates: 1856 – 1889
Subjects: cows
Fotoreproductie van een geschilderd zelfportret
Object type: reproduction
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: amsterdam, painter, print maker, draughtsman, jacob cornelisz van oostsanen, historical persons, picture, painting
Pair of Mittens
Object type: textile
Date: 1850 – 1850
Materials: textile, cord, cotton, silk
Techniques: cutting, embroidery, stitching
Location: england
Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso)
Object type: drawing
Date: 1501 – 1600
Materials: graphite, ink
Techniques: brush, pen, drawing, transfer, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: aeneas,crowd
Vestingplattegronden van Fort Sint-Ambrosius, Fort Sint-Martijn, de Kruisdijkschans, Fort Sint-Jacob, Fort Stabroek, Fort van Pekgat
Object type: area plan
Date: 1649 – 1728
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: fortified city, zeeland

Deze prent is ook gebruikt in Stedenboeken van Blaeu, atlassen van De Wit en Galérie Agréable du Monde van Van der Aa. Uit welke publicatie deze prent afkomstig is, is niet na te gaan.

Hier is aan de onderkant een deel van de prent afgesneden, aan de rechterkant is wellicht ook een deel afgesneden. Voor een volledige versie zie RP-P-AO-16-52-1 en RP-P-AO-16-23.
Ongeïllustreerde opdracht bij de embleemserie 'Kloosterleven in emblemen'
Object type: text sheet
Date: 1646 – 1646
Materials: paper
Techniques: letterpress printing
Location: nancy
Inscriptions: collector's mark: Lugt 240

Latijnse tekst in boekdruk. Dit blad (aan beide zijden bedrukt) bevat de opdracht aan een zekere geestelijke van de tweede staat van de embleemserie 'Kloosterleven in emblemen', die naast een ongeïllustreerde titelpagina en dit ongeïllustreerde blad met opdracht tevens een geïllustreerde titelpagina en 26 emblemen behelst.
Vier landschappen
Object type: print
Date: 1623 – 1652
Materials: paper
Techniques: etching
Location: haarlem
Subjects: landscapes in the temperate zone, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2227

Landschap met uiterst links een huis op een heuvel. Rechts komen twee landlieden aangelopen. Deze prent is onderdeel van een serie van vier prenten van landschappen met landlieden in hoofd- of bijrol.
Piece
Object type: piece
Date: 1701 – 1800
Materials: cotton
Ontwerpen voor hangers
Object type: print
Date: 1508 – 1572
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous

Linksboven staat in het rolwerk een vrouwelijke sater en rechtsboven een mannelijke. Aan de onderzijde van de hanger hangen twee mannen met mutsen op languit voorover in het rolwerk. Eén van vijf bladen met edelstenen en parels in zettingen van rolwerk en grotesken.
Figuren, waaronder een boerin
Object type: sketchbook leaf
Date: 1822 – 1880
Materials: paper, pencil
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: head (human), standing figure - aa - female human figure
Inscriptions: annotation: ‘Lucas van L/ nog schoone kostuums/ te vinden bij L/ boerin/ sleutels/ t[...]p[...]/ camersack’

Blad 27 recto uit een schetsboek met 45 bladen.
President of Uruguay, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,coat of arms

Trade cards from the "World's Sovereigns" series (N34), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Viscera figure with falcon head (Qebehsenuef)
Object type: four son of horus, qebehsenuef, falcon headed, djedmutesankh
Date: 1000 – 945
Materials: wax
Location: egypt
Het Kasteel Tongelaar bij Gassel
Object type: drawing
Date: 1632 – 1666
Materials: paper, pencil
Techniques: brush
Artist: jan abrahamsz. beerstraten
Artist role: draughtsman, painter
Artist dates: 1622 – 1666
Subjects: castle
View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow
Object type: painting
Date: 1836 – 1836
Materials: canvas, oil
Culture: american
Artist: thomas cole
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1848
Subjects: rivers,mountains,landscapes,pastoral,storms

Long known as "The Oxbow," this work is a masterpiece of American landscape painting, laden with possible interpretations. In the midst of painting "The Course of Empire" (New-York Historical Society), Cole mentioned in a letter dated March 2, 1836, to his patron Luman Reed that he was executing a large version of this subject expressly for exhibition and sale. The picture was shown at the National Academy of Design in 1836 as "View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm." Cole's interest in the subject probably dates from his 1829–32 trip to Europe, during which he made an exact tracing of the view published in Basil Hall's "Forty Etchings Made with the Camera Lucida in North America in 1827 and 1828." Hall criticized Americans' inattentiveness to their scenery, and Cole responded with a landscape that lauds the uniqueness of America by encompassing "a union of the picturesque, the sublime, and the magnificent." Although often ambiguous about the subjugation of the land, here the artist juxtaposes untamed wilderness and pastoral settlement to emphasize the possibilities of the national landscape, pointing to the future prospect of the American nation. Cole's unequivocal construction and composition of the scene, charged with moral significance, is reinforced by his depiction of himself in the middle distance, perched on a promontory painting the Oxbow. He is an American producing American art, in communion with American scenery. There are both sketchbook drawings with annotations and related oil sketches of this subject. Many other artists copied or imitated the painting.
Piece from a Kosode with Crane and Chrysanthemums
Object type: piece from a kosode
Date: 1615 – 1868
Materials: metal thread, silk
Techniques: damask, embroidery
Culture: japanese
Subjects: cranes,flowers
Glaive
Object type: glaive
Date: 1701 – 1733
Materials: gold, steel, textile, wood
Techniques: polychromy
Culture: italian
Location: italy
Subjects: coat of arms
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: copper, silver alloy, gold
Culture: japanese
Location: japan
Subjects: dragons
Vijf gipsen afgietsels van kapitelen uit een kerk te Marburg, mogelijk de Elisabethkerk
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: marburg
Artist: Anonymous
Inscriptions: annotation, annotation: ‘Kapiteelen Kerk Marbourg’
Electrum earring with lobes and rosettes
Object type: earring with lobe and rosette
Date: 600 – 501
Culture: east greek

Five lobes and filigree rosettes.
Seated Woman Holding Mirror
Object type: decorative art
Materials: earthenware, glaze, lead, pigment
Techniques: polychrome
Location: china

This mature woman with a topknot gazing into a hand-mirror reflects life in a sophis-ticated and fashion-conscious Tang court. She may be applying cosmetics, which included mineral pigments that were im-ported from Persia (now Iran) and Central Asia. She sits upon round, waisted stools that were a new furniture style for the time.
Brouthers, 1st Base, Boston, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
In timore de (...)
Object type: ornament print
Date: 1596 – 1616
Materials: paper
Techniques: engraving
Location: germany

Onderaan hangen drie parels. Blad afkomstig uit een serie, bestaande uit een titelblad en 7 bladen met hangers.
Council of the Gods
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giacomo zoboli
Artist role: artist
Artist nationality: italian
Artist dates: 1681 – 1767
Subjects: men,women,gods
Badge of George Washington
Object type: badge
Date: 1876 – 1876
Materials: silk
Techniques: weave
Culture: american
Subjects: george washington
Titelprent voor het treurspel Den Ondergang van Jonkheer Willem van Arkel
Object type: print
Date: 1660 – 1665
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: violent death, being killed; being mishandled and maltreated; seeking death

Titelprent voor het treurspel Den Ondergang van Jonkheer Willem van Arkel. Willem Heer van Arkel sneuvelt tijdens een gevecht op straat in de Krijtsteeg te Gorinchem, 1 december 1417.
The Blessed Catherine
Object type: relief statuette
Date: 1762 – 1762
Materials: silver
Artist: giacomo serpotta
Artist role: artist
Artist dates: 1656 – 1732
Subjects: women

This statuette and its mate Saint Felicity (69.133.2) after the stucco figures of Augustinian nuns by Serpotta in Sant'Agostino, Palermo, dating from between 1711 and 1713.
Servet van damast met geornamenteerde lengtestrepen binnen rand met voluten, bloemen en een bloemenmand.
Object type: napkin
Date: 1840 – 1860
Materials: linen
Techniques: damask
Location: netherlands

Wit linnen damasten servet met geornamenteerde lengtestrepen binnen een rand met voluten, bloemen en een bloemenmand. Gemerkt: WdW en 24.
Ruïnes in de Magdalenasteenweg te Brussel, 1695
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: devastated, ruined place or city (~ warfare), brussels

Voorstelling van de ruïnes in de Magdalenasteenweg te Brussel na het bombardement door de Fransen, 13-15 augustus 1695. Twaalfde prent in de reeks van twaalf.
Dancer Ready to Dance, Right Foot Forward
Object type: sculpture
Materials: bronze, copper alloy, metal
Techniques: casting, modeling, carved
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: dancers, woman, nudes, ballet, women
Inscriptions: Marked: 57 / HER.D; DEGAS; CIRE PERDUE A.HEBRARD [Foundry mark]
Ruïnelandschap met de vlucht naar Egypte
Object type: print
Date: 1634 – 1693
Materials: paper
Techniques: etching
Location: augsburg
Artist: jonas umbach
Artist role: print maker
Artist dates: 1624 – 1693
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass
Inscriptions: collector's mark: Lugt 240

Landschap met een ruïne van een tempel. Links Maria met het Christuskind op een ezel, geleid door Jozef.
Alban Berg en Helsingborg
Object type: album leaf
Date: 1933 – 1933
Materials: paper, photographic support
Techniques: gelatin silver print, rotogravure
Location: helsingborg
Subjects: portrait of composer
Inscriptions: inscription

Albumblad met een portret van en een tekst over de componist Alban Berg en een foto uit 1933 van een man in Helsingborg (op verso tekst in Esperanto). Onderdeel van het Esperanto album uit ca. 1933-1936.
A Travelling Tutor and Monkey Child
Object type: print
Date: 1797 – 1797
Techniques: aquatint, etching
Artist: george murgatroyd woodward
Artist role: artist
Artist nationality: british
Artist dates: 1765 – 1809
Subjects: human figures,satire
Church Interior
Object type: painting
Date: 1850 – 1891
Materials: oil, panel
Location: netherlands
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: interior of church
Inscriptions: inscription: ‘Kerk van een dorp tusschen Edam en Alkmaar.’, signature: ‘J. Bosboom’

Kerkinterieur. Een man en een jongen wandelen door het gangpad.
Portretten van beroemde Italianen in ovalen
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: italy
Artist: niccolò bettoni
Artist role: print maker, publisher
Artist dates: 1770 – 1842
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks portretprenten van onbekende omvang. De reeks is in meerdere staten uitgegeven. De eerste staat met enkel het portret in ovaal. Een tweede staat met naam van de geportretteerde in holle letters onder de voorstelling. Een derde staat met de naam van de geportretteerde in gevulde letters onder de voorstelling. En een vierde staat met een rechthoekig kader rondom het ovale portret.
Landschap met landweg en vaart, bruggen en een landhuis
Object type: color slide
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Location: netherlands
Artist: Anonymous
Vessel in the shape of a waterfowl (fuzun)
Object type: vessel
Date: 1401 – 1600
Materials: copper alloy, gold, silver
Techniques: inlay
Culture: chinese
Subjects: birds

The bird form of this vessel is almost identical to an ancient one illustrated in the twelfth-century antiquarian catalogue Xuanhe bogutu. Neither the woodblock illustration nor the accompanying text, however, provides any indication that the archaic prototype had any inlay. The vessel’s sumptuous surface decoration would have been favored in the Ming dynasty.
Sappho embracing Love
Object type: print
Date: 1786 – 1791
Techniques: etching, printing, engraving
Artist: john mannin
Artist role: artist
Artist nationality: irish
Artist dates: 1691 – 1791
Bobbin
Object type: bobbin
Date: 1840 – 1840
Materials: wood
Ringsteken en attributen voor ringsteken
Object type: print
Date: 1884 – 1951
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: children's games and plays
Inscriptions: collector's mark: Lugt 1641, stamp

Bovenaan genummerd: XV. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Anatomische studie van een schedel
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: (human) skull
Inscriptions: collector's mark: Lugt 240, inscription: ‘van Hollar’
Jezus en de Ziel zien een hond, die op een steen bijt
Object type: book illustration
Date: 1678 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: the soul, christ and the soul, dog
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Pieter Arentsz II, 1678-1687. Tussen 1678-1744 verschenen van dit emblemataboek 10 edities.
Portret van Giovanni Francesco Negri
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving, letterpress printing
Location: venice
Subjects: historical persons, portrait, self-portrait of painter

Prent uit: Brusoni, Girolam en Giovanni Francesco Loredano. Le glorie de gli Incogniti o vero gli huomini illustri dell'Accademia de' signori Incogniti di Venetia. Venetië: Francesco Valvasense, 1647.
Zeegod Protheus
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: proteus
Inscriptions: collector's mark: Lugt 2228

De zeegod Protheus, leunend tegen een waterkruik waar vissen uit stromen. In de achtergrond een havenstad. De prent maakt deel uit van een zeventiendelige serie over rivier- en zeegoden.
Peignoir
Object type: peignoir
Date: 1821 – 1823
Materials: cotton
Culture: british
Portret van Johann Carl Ebner von Eschenbach
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Vrouwelijke gevangenen in het kamp Mühlberg
Object type: photograph
Date: 1943 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: muhlberg
Artist: dick w.b. van maarseveen
Artist role: fotograaf
Artist dates: 1905 – 1990
Subjects: dick w.b. van maarseveen

Een groep van twaalf vrouwelijke gevangenen in het kamp Mühlberg. Poserend in gestreepte kampjassen en met een bord met registratienummer in de handen. Waarschijnlijk de vrouwelijke verdedigers van Warschau tijdens de grote opstand eind 1944. Onderdeel van een groep foto's gemaakt door Dick van Maarseveen in het Duitse krijgsgevangenenkamp Stalag IV B in Mühlberg in de periode 1943-1945.