deem-data/ArtiFact huggingface dataset:
Via del Corso
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: rome
Subjects: carnival, shrovetide (non-liturgical celebration), rome

Carnavalsoptocht over de Via del Corso. Onderdeel van een prentwerk met een serie van twintig prenten over de viering van carnaval in Rome.
St Francis Penitent in the Wilderness
Object type: print
Date: 1575 – 1575
Techniques: engraving
Artist: cornelis cort
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1533 – 1578
Subjects: saint francis
"Tomb of Rousseau"
Object type: fragment
Date: 1790 – 1790
Materials: cotton
Artist: petitpierre et cie
Artist role: manufactory
Artist nationality: french
Artist dates: 1790 – 1802
Subjects: animals,tombs,windmills,cows,trees
Opschik
Object type: drawing
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen
Artist: alfred ronner
Artist role: draughtsman
Artist dates: 1852 – 1901
Subjects: shop, store, (reiger, a.f.j., vluchtige schetsen uit het volksleven) specific works of literature (with author, title), head-gear

Illustratie voor 'Vluchtige Schetsen uit het Volksleven' door A.F.J. Reiger. Ontwerp voor een prent.
Terracotta fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

Part of the head of a horse looking to left; part of a spear; head of a horse looking to right; part of a spear
Rokophouder van verguld koper met haak en klem, versierd met een motief van voluten en bloembladen
Object type: rokophouder
Date: 1860 – 1860
Materials: copper, velvet
Techniques: forging
Location: united states
Artist: Anonymous

Rokophouder van verguld (?) koper. Een haak, die over de tailleband wordt geklemd, waaraan een groot rond oog waar met een ander ovaal oog de klem aan hangt. De klem wordt gesloten door een schuifje. Een van de uiteinden is voorzien van een beschermend stukje rood fluweel. Op de taillehaak een versiering van een druppelvormige uitstulping verdeeld in drie gelijke delen. De hele ophouder versierd met voluten en bloembladen. Binnen op de klem staat: Registered 1 jan. 1846.
Galoubet
Object type: galoubet
Date: 1770 – 1770
Materials: ivory, leather
Culture: french
Location: france
Artist: gilles lot
Artist role: maker
Artist nationality: french
Artist dates: 1721 – 1775

The galoubet provided melody and rhythmic accompaniment for dancing. A musician could operate it with one hand and with the other play a drum or tambourin de béarn, a dulcimer with strings that were struck with a beater to create a drone. Alternate tuning joints enabled the galoubet to play in tune with other instruments.
Familie Janschen te Medan
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: medan
Artist: Anonymous
Subjects: child

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Portret van een man met snor
Object type: photograph
Date: 1894 – 1900
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: netherlands
Artist: emile muns
Artist role: fotograaf
Artist dates: 1878 – 1964
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Fotografie/ MUNS/ Spui 7 hoek Kalverstraat/ AMSTERDAM/ Arnold Hoogvlietstraat/ VLAARDINGEN.’
Zelfportretten van Cor van Teeseling
Object type: drawing
Date: 1942 – 1942
Materials: paper, pencil
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman
Inscriptions: date

Zelfportret van Cor van Teeseling met pet: B-1-1, 16 februari. Getekend zelfportret van Cor van Teeseling driekwart naar links kijkend, met pet.
Silk textile with Seraphim and Crosses
Object type: woven silk length
Date: 1601 – 1700
Materials: silk
Techniques: lampas, weave
Subjects: angels,cross

This textile may be compared with another textile in the Museum’s collection (17.22.2a–d) with a very similar pattern, but incorporating metal-wrapped threads. The all-silk version would have been less expensive to manufacture, and could possibly have been a provincial imitation of textiles produced in Constantinople and Bursa. Note that the Greek letters of the inscriptions have been reversed. The size and shape of the piece suggest that it formed part of a phelonion, or chasuble.
Gruss aus Berlin. Electrische Hochbahn - Oberbaumbrücke
Object type: photomechanical print
Date: 1890 – 1903
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: berlin
Subjects: canals, waters (in city), bridge in city across river, canal, etc.
Inscriptions: postage stamp
De vijf zintuigen
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: mezzotint
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: hearing, listening (one of the five senses), money-changer
Inscriptions: collector's mark: Lugt 2228

Het Gehoor. Een man met een hoed op telt geldstukken. De prent maakt deel uit van een serie met de vijf zintuigen.
Weidelandschap met molen
Object type: print
Date: 1867 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: windmill in landscape - ii - ideal landscapes, small canal, ditch
Inscriptions: collector's mark: Lugt 2233
Landscape with Abraham and Three Angels
Object type: print
Date: 1560 – 1570
Techniques: engraving, etching
Artist: lucas gassel
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1495 – 1500
Subjects: houses,landscapes,trees,angels,abraham
Portret van een man en een vrouw
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: studio requisites ~ photographer, clothing for the lower part of the body, moustache, historical persons, styles of hairdress - aa - ~ women, clothing for the upper part of the body, dress, gown

Onderdeel van Fotoalbum van een Nederlandse familie met 168 cartes-de-visite en kabinetfoto's.
Fries met acht bustes van vrouwen
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: adult woman, head-gear, hairdress - aa - ~ women, chest, bust - aa - female human figure
Inscriptions: collector's mark: Lugt 2228, number: ‘10’

Acht bustes van vrouwen, en profil. De linker vier bustes zijn naar rechts gericht en de rechts vier naar links.
Plattegrond van Venetië
Object type: map
Date: 1700 – 1702
Materials: paper
Techniques: engraving, etching, hand coloring, lacquer
Location: amsterdam
Subjects: maps of cities, venice

Plattegrond van de stad Venetië, in vogelvlucht. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Tobacco Box with Log Cabin (Symbolic of William Henry Harrison Campaign)
Object type: metalwork
Date: 1880 – 1880
Materials: silver
Location: birmingham
Sketch: Self-Portrait with Miss R. Birnie Philip
Object type: print
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
La Gorge aux Loups (Forêt de Fontainebleau)
Object type: page
Date: 1891 – 1896
Materials: paper
Techniques: autotype
Location: fontainebleau forest
Subjects: forest, wood
Inscriptions: inscription: ‘Développé avec le révélateur &lt;&lt; l'Eclair &gt;&gt; de M. H. Reeb/ Négatif de M. H. Reeb/ Photocollogravure L. Geisler/ Cliché zinc/ Papier &lt; Philoglyphe &gt; et Impression des Papeteries des Chatelles, par Raon-l'Etape (Vosges)’
Triptych of the Virgin and Child with Saints
Object type: painting
Date: 1510 – 1510
Materials: oil, panel, paint
Techniques: painting
Culture: german
Location: germany
Subjects: century of progress, woman with children, woman, women, saint margaret, christian subjects, christianity, garden, saints, virgin and child/madonna and child, virgin mary, world's fairs, chicago world's fairs
Inscriptions: Inscribed: center panel: ·SCA·CECILIA, ·SA·AGATHA, ·SA· MARGARE-TA, ·SCA·LVCIA, ·SA·BARBARA, ·S·APPOLONIA [sic] (on halos from left to right), HR· (on Saint Barbara’s belt), ihs (on Saint Apollonia’s bodice); left wing: ·SA·VRSVLA (on halo), GGGGG (on belt of virgin at lower left), GHOV[O] (on hemline of virgin at lower right), Crucifige (exterior, twice on banderoles); right wing: SA·AGNETIS (on halo), Innocens ego / sum a sanguin[e] / iusn huius (exterior, on banderole)

In this triptych, Mary, crowned as the queen of heaven, is surrounded by female saints in an enclosed garden (called a hortus conclusus) evoking paradise. Singled out on the right wing is Saint Ursula, thought to have been a British princess who set out on a pilgrimage to Rome, only to be martyred along with her throng of companions, depicted here at a miniature scale. Saint Agnes, another martyr of the early Christian era, is on the left wing. The gold framing arches refer to the combination of gilded sculpture and painting that was a common feature of German altarpieces in this period. The emphasis on youthful, female saints suggests that this was a devotional triptych for a community of nuns.
Het vermakelijk ganzenspel
Object type: game of goose
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: goose-game, board-games of chance
Inscriptions: collector's mark: Lugt 2760

Een rechthoekig ganzenbordspel met vakjes genummerd 1-63. In het midden de spelregels. Genummerd midden: No. 19.
Taler (schroeftaler) uit het graafschap Mansfeld van Philip Ernst met de namen van Vollrad VI, Wolfgang III en Johann Georg IV van Mansfeld-Artern (1620-1628), tevens taler van Brandenburg-Ansbach van regent Sophie van Solms-Laubach, voor Friedrich, Albrecht en Christian (1625-1634)
Object type: coin
Date: 1625 – 1634
Materials: silver
Techniques: striking
Location: nuremberg
Subjects: regent, sophie van solms-laubach

Zilveren uitgeholde en, aan binnenzijde van de rand, van schroefdraad voorzien samenstel van twee munten, waarin mica-plaatjes met bijbelse voorstellingen. Voorzijde: samengesteld wapenschild, waarop drie helmtekens. Keerzijde: Taler van Friedrich, Albrecht en Christian van Brandenburg-Ansbach. Gladde rand.
Le labour
Object type: photomechanical print
Date: 1920 – 1920
Materials: cardboard
Techniques: four-color autotype
Location: zurich
Subjects: ploughing
De vier excellensten der older regenten
Object type: print
Date: 1509 – 1553
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: cornelis anthonisz.
Artist role: draughtsman, painter, print maker
Artist dates: 1499 – 1553
Subjects: kneeling figure, kneeling before a ruler, regent, substitute ruler; viceroy
Inscriptions: collector's mark: Lugt 2228

Vier rijkgeklede regenten met elk een knielend figuur voor zich, waaronder een ridder en een priester. Daar omheen twaalf kolommen met Nederlandse tekst in boekdruk.
Circe with the companions of Ulysses changed into animals
Object type: print
Date: 1650 – 1651
Materials: chalk
Techniques: etching
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664
Subjects: ruins,women,peacocks,deer,sheep
Portret van Anna Luise Karsch
Object type: print
Date: 1721 – 1771
Materials: paper
Techniques: etching
Subjects: berlin, lyre, cithara, psaltery, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Old Woman with a Book
Object type: tapestry
Date: 1767 – 1800
Materials: metal thread, wool
Artist: imperial russian tapestry manufactory, saint petersburg
Artist role: manufactory
Subjects: books,women

Cyrillic script on a fictive plaque adorning a trompe l’oeil frame identifies “Rembrandt”, the artist of the painting this tapestry imitates. Large-scale figurative tapestries like this one had been woven in Saint Petersburg since at least 1716 when Peter the Great founded a tapestry weaving workshop under royal protection; by 1756, its weavers were directed by Jean Baptiste Rondet, who had worked at the great Manufacture Royale des Gobelins in Paris. This tapestry, woven during the reign of Empress Catherine II of Russia, was probably entirely the work of Russian weavers, and is part of a large group of technically proficient tapestries modelled after great paintings in the Russian royal collection.
Don Juan
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: theatre, theatrical performance
Inscriptions: collector's mark: Lugt 2228

Prent uit: Argo, Album für Kunst und Dichtung (1859).
Plate
Object type: plate
Date: 1884 – 1890
Materials: porcelain
Culture: american
Location: united states
Artist: ott and brewer
Artist role: maker
Artist nationality: american
Artist dates: 1871 – 1893
Subjects: dragonflies,water lilies

This plate features a Japanesque design of lily pads and blossoms, grasses and a dragonfly in finely executed raised gold paste work.
Pier van Scheveningen in aanbouw
Object type: print
Date: 1851 – 1902
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: sea (seascape), pier, quay, wharf
Inscriptions: collector's mark: Lugt 2228, number: ‘435’

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 435.
Mei
Object type: book illustration
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: alliance with france (1795)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Midden boven een voorstelling van figuren lopend naar de kerk. Daaronder een aantal voorstellingen van gebeurtenissen die plaatsvonden in de maand mei, waaronder de Vrede van Aken in 1668 en de alliantie met Frankrijk in 1795. Midden onder voorspellingen voor de maand mei in 1849.
Kleine figuren
Object type: print
Date: 1656 – 1657
Materials: paper
Techniques: etching
Location: italy
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: walking-stick, staff, hacking and thrusting weapons: sword, the soldier; the soldier's life
Inscriptions: number: ‘[...]’, collector's mark: Lugt 240

Prent spiegelbeeldig naar een tekening die zich eens bevond in de collectie van Ladislao Odescalchi te Rome. De tekening werd in 1976 geveild te Londen. Deze prent maakt deel uit van de serie 'Figurine', bestaande uit een titelprent en 80 prenten van klein formaat met voorstellingen van mannelijke en vrouwelijke figuren. Rosa produceerde de serie waarschijnlijk gedurende de jaren 1656 en 1657.
Studies en annotaties
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘[...] Cyanosus’

Studies en annotaties. Pagina 4 uit een schetsboek met 46 bladen vervaardigd te Amsterdam en Haarlem.
Plate with a pair of oxen
Object type: plate
Date: 1567 – 1633
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
[The Earl Canning, Barnes Court, Simla]
Object type: photograph
Date: 1861 – 1861
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: men,portraits

Charles John, Viscount and later Earl Canning (1812–1862), assumed his role as governor general of India in 1856 and had the difficult task of dealing with the Indian Mutiny against British rule the following year and pacifying the country after the insurrection. In 1858, Queen Victoria appointed him the first viceroy of the subcontinent. Even in a private moment, looking out over the countryside from the terrace of Barnes Court, his Gothic-style summer residence in Simla, Lord Canning exudes the authority of his rank and displays in his dress the same fastidious style that characterizes his dispatches. Tall and stately in bearing, with a cold, handsome face, Lord Canning was reserved and uncommunicative, though as an administrator he had the reputation of being a stickler for fairness. British residents who opposed his policy of reconciliation in the aftermath of the mutiny gave him the nickname Clemency Canning. Both Lord Canning and his wife, Lady Charlotte, were major patrons of photography in India, and Lady Canning was herself an amateur photographer. The elegant album, bound in green morocco, that includes this image comprises 117 photographs which offer a close look at the life of the Cannings from 1858 and 1861. It revolves in great measure around the personality and interests of Lady Charlotte Canning (1817–1861), a fabled beauty in her youth and a former lady-in-waiting to Queen Victoria, with whom she maintained a lively correspondence (see no. 101). Lady Canning's unexpected death left her husband inconsolable. A view of the gardens at her favorite country house at Barrackpur, near Calcutta, is among the last pictures in the album; it is dated November 18, 1861, the day of her death.
Potter's stamp
Object type: potter's stamp
Date: 670 – 330
Materials: terracotta
Culture: roman
Subjects: nymphs
Theepot van hardgebakken aardewerk; Leeds creamware
Object type: pot
Date: 1770 – 1790
Materials: earthenware
Location: leeds

Bolvormige theepot van hardgebakken aardewerk, met een blauwe decoratie onder de glazuur en een veelkleurige decoratie op de glazuur. De decoratie doet Japans aan en bestaat uit een landschap waarin gestileerde bomen, planten en huizen. De pot heeft een S-vormige tuit en een gevlochten C-vormig oor.
Clasp
Object type: clasp
Date: 1701 – 1900
Materials: enamel, silver, stone
Techniques: gilding
Location: turkey
The Moored Boat, from Cahier de six eaux-fortes, vues de Hollande
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: etching
Location: netherlands
Artist: johan barthold jongkind
Artist role: artist
Artist nationality: dutch
Artist dates: 1819 – 1891
Tombak
Object type: tombak
Date: 1801 – 1900
Materials: brass, parchment
Culture: iranian or persian
Location: iran
A Muse of Poetry
Object type: drawing
Date: 1801 – 1900
Materials: chalk, graphite, paper
Artist: pierre puvis de chavannes
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1898
Subjects: poetry,muses
Ivory Figure of a Gazelle. Egyptian, about 1375 B.C. (XVIII Dynasty)
Object type: photomechanical print
Date: 1926 – 1940
Materials: cardboard
Techniques: photograph, lithograph
Location: vienna
Subjects: sculpture, hoofed animals: gazelle
Portret van Guy-Jean-Baptiste Target
Object type: print
Date: 1792 – 1808
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: politician
Inscriptions: inscription: ‘Fransman van een Zwak Caracter’, collector's mark: Lugt 2228
De waardijns van het Amsterdamse lakenbereidersgilde, bekend als ‘De Staalmeesters’
Object type: print
Date: 1844 – 1845
Materials: paper
Techniques: etching
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: historical persons (+ state-portrait), officers trusted with control of quality
Inscriptions: collector's mark: Lugt 2228
Oil lamp in the form of a bearded athlete balanced on his knees
Object type: oil lamp
Date: 1520 – 1530
Materials: bronze, gilt, oil
Artist: agostino zoppo
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1572
Subjects: men,acrobats

Small desk lamps of this type, in which the figure on top would seem, naughtily, to blow flames from his backside when the wick was lit, were fairly common in Renaissance households, to judge by the large numbers that survive. The earliest published examples of our model were considered ancient. That in Bologna’s Museo Civico Archeologico was engraved when it belonged to the Bolognese nobleman Ferdinando Cospi in 1677.[1] Another, in the Louvre, inventoried in 1684, was called a “très bel antique romain.”[2] A third was illustrated in 1722 when owned by Dom Emmanuel Martí, an antiquarian of Alicante.[3] The closest in composition to The Met’s, in the Museo Nazionale del Palazzo di Venezia, Rome, has an almost identical foliate stem flanked by animals’ paws, but its hair and beard are rendered somewhat more crudely.[4] The stem served to insert the figure into its base, which, as in some of the lamps, may have taken the form of a raptor’s talons. The well-formed chased and gilt hair, crown of grapes and leaves, and beard distinguish the present bronze from all others, which since the early twentieth century have been assigned generically to Riccio.[5] Wolfram Koeppe proposed an attribution to Agostino Zoppo on the basis of the river gods in the monument to Livy in Padua (p. 00, fig. 32a),6 but Zoppo’s beards are curlier, not straight and stringy like our athlete’s. -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. See Lugli 1983, figs. 132, 133. 2. Paris 1999, cat. 114; Malgouyres 2020, p. 252, cat. 16. 3. Montfaucon 1719–22, vol. 5.2, pl. CLII. 4. Beck and Bol 1985, cat. 220a. 5. Planiscig 1927, fig. 201. Planiscig also gave to Riccio another flame shooter in which the nude figure thrusts his head between upstretched legs. 6. ESDA/OF.
Snake amulet probably representing Atum
Object type: amulet, atum, snake
Date: 664 – 332
Materials: limestone
Location: egypt
Air (with a view of Haarlem), from The Four Elements
Object type: print
Date: 1622 – 1622
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1593 – 1641
Inscriptions: Lettered lower center: "1622"; lower left: "Buijtenweg in G valck ex"; below image: "Aer / Aer jam sequityr animae ... Pennigerique greges / 1."
Burning of a Corpse
Object type: print
Date: 1543 – 1543
Techniques: etching
Artist: antonio fantuzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1537 – 1545
Subjects: corpses,men,male nudes,women,fire
Verdrijving van de geldwisselaars uit de tempel
Object type: print
Date: 1548 – 1548
Materials: paper
Techniques: etching
Location: haarlem
Subjects: purification of the temple ('first' and 'second'): christ driving the money-changers from the temple with a whip (matthew 21:12-13; mark 11:15-17; luke 19:45-46; john 12:12-19)

Christus verjaagt handelaars en geldwisselaars uit de tempel met een zweep. De prent is deel van een dertigdelige serie met prenten over de zondeval en Christus' passie.
Vase (from a garniture of three)
Object type: vase
Date: 1725 – 1730
Materials: enamel, gold, hard paste porcelain
Techniques: polychrome, tinting
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,dragons,butterflies
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, buttocks, tip of helmet crest, left hand, and shield of warrior; left half of handle
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, shaft with an inscription, an iota or sigma?; Exterior, toes of left foot and drapery of a figure to right