deem-data/ArtiFact huggingface dataset:
Le Antichità Romane
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: tools and machines ~ building, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Meander and cross squares; torus foot with glazed outer edge; the resting surface is unglazed; the inner wall of the foot is glazed; the underside of the foot has miltos
Chair Strip
Object type: chair strip
Date: 1701 – 1800
Materials: velvet
Techniques: cutting
Culture: chinese
Subjects: dragons
Rosary
Object type: rosary
Date: 1601 – 1900
Materials: gold, pearl
Culture: filipino
Target, Bow and Arrows
Object type: print
Date: 1801 – 1833
Techniques: woodblock print, surimono
Location: japan
Artist: ryuryukyo shinsai
Artist role: draughtsman, print maker
Artist nationality: japanese
Artist dates: 1764 – 1820
Borstbeeld van een man
Object type: drawing
Date: 1659 – 1711
Materials: chalk, paper
Artist: augustinus terwesten (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1649 – 1711
Subjects: anonymous historical person portrayed alone, male sex; man
Court Ladies Sewing Western Clothing  (Jokan yōfuku saihō no zu)
Object type: woodblock print
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: boys,girls,women,sewing
De geboorte van Christus
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: drypoint, etching
Location: dresden
Artist: christian wilhelm ernst dietrich
Artist role: artist, painter, print maker
Artist dates: 1712 – 1774
Subjects: adoration of the christ-child by the shepherds; mary and joseph present, adoration of the christ-child ~ christ's birth
Inscriptions: collector's mark: Lugt 2304, collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 1888
München, Justizpalast
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: color autotype
Location: roda
Subjects: court building, ornamental fountain
Grande Pagode - Colonnade de l'Esplanade
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: emile gsell
Artist role: artist
Artist nationality: french
Artist dates: 1838 – 1879
Subjects: architecture,columns
Chatelaine
Object type: costume and accessory
Date: 1825 – 1835
Materials: silver
Location: wilmington
Artist: emmor jefferis
Inscriptions: Engraved: "S.J."; marked: "E. JEFFERIS" on inside of hook
Friezen met zeemonsters
Object type: ornament print
Date: 1580 – 1610
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Karte von Bad Ems & dessen Umgebungen / Des environs des Bains d'Ems
Object type: print
Date: 1820 – 1875
Materials: canvas
Techniques: lithograph
Subjects: maps, atlases, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Rivaux Abbey, plate 51 from Liber Studiorum
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Jousting Armor
Object type: jousting armor
Materials: copper alloy, horn, leather, steel, textile
Culture: german
Location: france
Artist: daniel tachaux
Artist role: armorer
Artist nationality: french
Artist dates: 1857 – 1928

This colorful equestrian figure is a faithful reconstruction of a German jouster of ca. 1500. Among the Metropolitan Museum’s earliest acquisitions of arms and armor, purchased with the Duc de Dino Collection in 1904, the armor was exhibited in the Arms and Armor Galleries until 1988. It is once again on display, now in the Great Hall, to herald the Museum’s celebration of the Department of Arms and Armor’s centennial (1912–2012), a century in which the collection has become one of the largest and most encyclopedic of its kind. The armor is a special type worn in Germany and Austria for the "joust of peace" (Gestech), fought by two contestants on horseback armed with blunt lances. The aim was to unseat the opponent or at least to break a lance against his armor. An extreme sport, the joust was a test of the rider’s skill, courage, and horsemanship. Safety was of greater concern than mobility, so the armor was thick, heavy, and rigid. The helmet was bolted firmly to the breast- and backplate. Inside, the wearer’s head was encased in a padded hood and strapped firmly in place against the shock and whiplash of being struck with a lance. The lance was supported by a hook (lance-rest) and a long counter-hook (queue) bolted to the right side of the breastplate. Leg armor was not necessary, as blows below the belt were forbidden. The horse wears a "blind" shaffron (head defense), with the eyes covered so as to prevent it from shying away from the encounter. Similarly, a collar of bells muffled the noise of the oncoming horse and roaring crowd. The horse is fitted with brocade and velvet trappings (modern) that include a straw-filled bolster hung across its chest that acted like a "bumper" to protect the horse and the rider’s legs in the event of a collision. This was necessary in a joust fought in an open field, which lacked a barrier (called the tilt) to keep the horses separated. The textile fittings for the man and horse are inspired by tournament illustrations of the sixteenth century. The man’s armor is assembled from pieces of approximately the same date but from different sources. The helmet, shield (here covered with plaques of horn), and tassets (upper-thigh defenses) are restorations. The masterfully forged helmet was made in Paris in 1891 by the armorer Daniel Tachaux. In 1909 Dr. Bashford Dean, the Metropolitan’s first curator of arms and armor, hired Tachaux to establish an armor conservation workshop. Still active today, the workshop is responsible for conserving, mounting, and installing the Department of Arms and Armor’s collection of 14,000 objects.
Collar
Object type: collar
Date: 1701 – 1900
Materials: cotton, metal thread
Carte-de-visite-album van de familie Boelen
Object type: photograph album
Date: 1860 – 1880
Materials: brass, cardboard, leather, paper, textile
Techniques: albumen print
Artist: Anonymous

Insteekalbum met 34 cartes-de-visite, en 1 bijgesneden kabinetfoto, met portretten van leden van de familie Boelen.
Plate depicting Signore Bolognesi, from a series of twelve showing knights and their attendants dressed for a tournament (plate 9)
Object type: print
Date: 1565 – 1565
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: men,horses,knights

See 53.601.153 for a description of the series. See 53.601.153–159, 161–163 for the rest of the plates.
Cupido heeft Venus verwond met zijn pijl
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: cupid shooting a dart, venus and cupid (cupid not being mere attribute)
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 652g
Draadbroche van goud met vijf melkopalen
Object type: brooch
Date: 1953 – 1966
Materials: gold, opal
Techniques: grinding
Location: amsterdam
Artist: j.f. homburger
Artist role: juwelier
Inscriptions: maker's mark, alloy mark

Draadbroche van goud met vijf melkopalen voorzien van een kogelsluiting. Vier opalen zijn ovaal cabochon geslepen en één rond cabochon.
Paviljoen van E. de Beukelaer et Cie tijdens de Wereldtentoonstelling van 1894 te Antwerpen
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: luxembourg city
Subjects: world fair, world exhibition, civic architecture; edifices; dwellings, antwerp
Inscriptions: inscription: ‘Exposition Universelle D'Anvers 1894’
Gezicht op Dover en de krijtrotsen
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: great britain
Artist: Anonymous
Subjects: dover (engeland)
Inscriptions: inscription: ‘Douvres’, inscription: ‘DOUVRES / Citadelle et batterie Est du Château vues de l'Est’, annotation: ‘Citadelle’

Foto uit een album met 35 topografische foto's van Britse kustplaatsen, waarop in pen militaire verdedigingswerken zijn aangegeven door een Franse militair.
Ceramic Fragment
Object type: ceramic fragment
Date: 901 – 1200
Materials: earthenware
Techniques: painting, underglaze
Location: egypt
Uitnodiging van de Amsterdamse modezaak Israëls
Object type: photomechanical print
Date: 1903 – 1925
Materials: paper
Techniques: hand coloring, printing block
Location: paris
Subjects: delivering; receiving (~ postal matter), fashionable woman, 'belle'

Op de voorzijde komen twee bodes bloemen en dozen met nieuwe kleding (met op de dozen de naam Israëls) brengen aan een rijk uitgedoste vrouw. Binnenin de tekst: 'Wij hebben de eer U de ontvangst te berichten der nieuwe collectie Parijsche Modellen en noodigen U beleefd tot een bezoek uit', gevolgd door het adres (Van Baerlestraat 18 Amsterdam).
Colonnade in the Ramanathaswamy temple in Rameswaram, Tamil Nadu, India
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: gelatin silver print
Location: rameswaram
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, corridor
Inscriptions: title: ‘Ramiswaram/ Long aisle’, number: ‘363’

Deze zuilengang behoort tot de langste tempelgangen in India. Hij maakt deel uit van de hindoeïstische Ramanathaswamy-tempel in Rameswaram, in de deelstaat Tamil Nadu. De tempel is een van de twaalf Jyotirlinga Shiva-tempels. Volgens de Ramayana bad Rama hier tot de god Shiva voor zegen van Ravana, de koning van Lanka. De tempel is beroemd om de lange gangen, die de langste ter wereld zijn.
Decorated Roman alphabet
Object type: print
Date: 1499 – 1499
Techniques: woodcut
Artist: anonymous, french, 15th century
Artist role: artist
Artist nationality: french
Artist dates: 1400 – 1500
Frankfurt a. M. Paulsplatz und Einheitsdenkmal
Object type: photomechanical print
Date: 1905 – 1908
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: frankfurt am main
Artist: Anonymous
Subjects: square, place, circus, etc., monument, statue
Terugkomst van de ark des verbonds uit het land der Filistijnen
Object type: print
Date: 1705 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the ark of the covenant and the box with the guilt offering, drawn by two cows, sent back to israel
Inscriptions: collector's mark: Lugt 2228

Het volk stroomt uit de stad ter verwelkoming van de ark des verbonds, die op een verhoging buiten de stad staat. Mannen staan op het punt een kalf te offeren. Een tweede kalf wordt naar de offerplaats geleid. Illustratie van de Bijbeltekst 1 Sam. 6: 14-15. Onder de voorstelling de titel in het Hebreeuws, Engels, Duits, Latijn, Frans en Nederlands.
Dode fazant en twee dode hazen
Object type: watercolor
Date: 1822 – 1880
Materials: paper, watercolor
Techniques: brush
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: rodents: hare, walker and runner birds: pheasant, spoils of the hunt, game, venison
A Night in Venice, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: women,actresses,dancers

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Swolla diu celbris meruit ...
Object type: print
Date: 1607 – 1609
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: Anonymous
Subjects: maps of cities
Inscriptions: number: ‘80’

Plattegrond van de stad Zwolle. Linksboven het wapen van Overijssel, rechtsboven een cartouche met de Latijnse titel en het stadswapen. Onderdeel van de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
Plate 4 from "The Lions"
Object type: print
Date: 1664 – 1664
Techniques: etching
Artist: marcus de bye
Artist role: etcher
Artist nationality: dutch
Artist dates: 1639 – 1639
Subjects: lions,trees
Vues choisies d'Amsterdam et ses Environs
Object type: print
Date: 1827 – 1900
Materials: paper
Techniques: aquatint, engraving, etching
Location: amsterdam
Subjects: rowing-boat, canoe, etc., bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Kruyff, Cornelis de. Vues choisies d'Amsterdam et ses environs. Amsterdam: Frans Buffa en Zonen, 1825.
Hunting and fishing scenes
Object type: length
Date: 1769 – 1769
Materials: cotton, linen
Artist: robert jones
Artist role: manufactory
Artist dates: 1700 – 1800
Subjects: men,women,fishing,hunting

This furnishing fabric shows fashionably dressed ladies and gentlemen leisurely pursuing the pastimes of hunting and fishing; it represents, both aesthetically and technically, the height of English textile printing in the eighteenth century. By 1761 Robert Jones had established his manufactory at Old Ford in the East End of London and had mastered the secret of colorfast copperplate printing on textiles, a process invented nine years earlier by Francis Nixon of Drumcondra, Ireland. The new technique allowed for much larger repeats and finer modeling of forms than could be achieved with traditional wood-block printing. This compensated for the fact that the complexity of the design and the restrictions of copperplate printing required that only one color be used. In this tour de force Jones combined the best aspects of both processes and used each to full advantage. The vertical repeat of the pattern is exceptionally long, slightly more than eighty-one inches, and necessitated two separate copperplates. The principal elements of the design were first plate printed in aubergine. Additional colors were subsequently added by wood-block printing—a technique involving great skill and time to ensure that all impressions register properly—and penciling. It is not surprising, therefore, that only two other examples of this particular composition exist in public collections (Victoria and Albert Museum, London; Musée des Arts Décoratifs, Paris). Although the designer of these scenes has not been identified, such stylishly adorned gentry sporting in a landscape replete with architectural ruins and towering trees frequently appear in contemporary English paintings and prints.
Ornamenten en in het centrum putti met een hoorn des overvloeds in de hand
Object type: ornament print
Date: 1719 – 1719
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: 'cornucopia', horn of plenty, ornaments ~ art, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Ornamenten en in het centrum twee putti met een hoorn des overvloeds in de handen. Bovenaan een devies: Ubertas Ex Foedere et Pace.
Folding Fan with Scene of Figures in a Courtyard Garden
Object type: fan
Date: 1767 – 1833
Materials: ivory, paper
Subjects: men,women
Een Boisseau uit Zutphen
Object type: inhoudsmaat droge waren
Date: 1800 – 1800
Materials: wood
Location: zutphen
Artist: Anonymous
Subjects: zutphen (stad)
Inscriptions: : ‘1800’, title: ‘Zutphen / 1 schepel’, title: ‘de Zutphen un Boisse’, number: ‘65’

Spanen inhoudsmaat met ijzeren beslag voor droge waren van 1 Boisseau met brug en stijl, v.z.v. merk, label aan een lintje en etiketten.
Blad met strooipatroon van bloemen
Object type: printed paper
Date: 1750 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met strooipatroon van bloemen. Helft van een omslag.
War with Venice, plate 21 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal Arch
Object type: print
Materials: ink, paper
Techniques: woodcut
Location: germany
Artist: hans springinklee
Artist role: artist
Artist nationality: german
Artist dates: 1495 – 1530
Portret van Franz Pons
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: engraving
Artist: jakob von sandrart
Artist role: print maker, publisher
Artist dates: 1630 – 1708
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Copy of Halte de Calmouks
Object type: drawing and watercolor
Date: 1772 – 1772
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: possibly john kirby balrey
Artist nationality: english
Artist dates: 1754 – 1828
Plate Twenty of 38 from Oeuvres de J. B. Huet
Object type: print
Date: 1796 – 1799
Materials: paper
Techniques: etching
Location: france
Artist: jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
Bokaal met het wapen van Willem IV
Object type: goblet
Date: 1733 – 1750
Materials: glass
Techniques: glassblowing, grinding
Location: bohemia
Artist: Anonymous
Inscriptions: inscription: ‘HONI SOIT QUI MAL Y PENSE’

Bokaal van helder, kleurloos glas met het gekroonde wapen van stadhouder prins Willem IV en de Engelse kroon en inscriptie HONI SOIT QUI MAL Y PENSE
Fotoreproductie van een portret van Friedrich von Schiller door Carl Jäger
Object type: page
Date: 1868 – 1878
Materials: photographic support
Techniques: albumen print
Subjects: friedrich von schiller, writer, poet, author
The Deposition and Burial of Christ
Object type: relief
Date: 1901 – 1933
Materials: stone
Culture: italian
Subjects: men,women,christ,descent from the cross,entombment
Dish
Object type: ceramic
Date: 1760 – 1760
Materials: ceramic, enamel, porcelain, soft paste porcelain
Location: worcester
Hindere Facade des Garten-Hausses im Grundriss mit C D. bemercket
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: rear façade, summer-house, arbour, garden-house (dutch: 'theekoepel')
Inscriptions: collector's mark: Lugt 2228
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: mission of peter ('pasce oves meas'): christ pointing to a lamb, peter perhaps with keys in his hands (+ variant), the good shepherd (christ) defending his sheep against wolves; 'i am the good shepherd' (john 10:1-16), other groups of apostles, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara

De apostel Petrus als goede herder. Hij leidt zijn kudde schapen in een stal die door de andere apostelen in gereedheid wordt gebracht. Op de achtergrond een dorp. Aan de horizon Christus aan het kruis. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Joh. 21:15. Deze prent maakt deel uit van een album.
Portret van Georg Joachim Zollikofer
Object type: print
Date: 1801 – 1829
Materials: paper
Techniques: lithograph
Subjects: historical persons, functionaries and dignitaries ~ protestant churches
Inscriptions: collector's mark: Lugt 2228
Vrouw op muilezel
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: printmaking, etching, roulette
Location: amsterdam
Subjects: ass, donkey, river, cattle
Inscriptions: collector's mark: Lugt 2228

Een vrouw rijdt op een muilezel langs een rivier. Naast de ezel staan koeien, schapen en een geit. Op het water een schuit.
De goede Sint in Europa's Kinderkamer
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Artist: petrus van geldorp
Artist role: draughtsman, print maker
Artist dates: 1872 – 1939
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), copenhagen (city), wilhelm ii (keizer van duitsland), personifications of countries, nations, states, districts, etc., historical persons, festivities on st. nicholas (eve) (december 5), political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: Neêrland’s Weekblad, nr. 49, 4 december 1897.
Bedcover
Object type: textile
Date: 1701 – 1800
Materials: linen, silk, thread
Techniques: embroidery, weave, stitching
Location: greece
Toproller
Object type: photograph
Date: 1931 – 1937
Materials: photographic support
Techniques: gelatin silver print
Location: java
Artist: Anonymous
Subjects: colonial system, factory-interior, machine shop, machines; parts of machines; tools and appliances, (non-fruit) products of plants or trees (with name), tea (leaves), java

Open toproller in de theefabriek Sinumbra op Java. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja en Soekaboemi bestemd voor de Nederlandse theeindustrie op Java en Sumatra, uit de periode 1931-1937.
Saltcellar
Object type: saltcellar
Date: 1780 – 1825
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Omslag voor de prenten van de Groningse maskerade, 1864
Object type: folder container
Date: 1864 – 1864
Materials: paper
Techniques: lithograph
Location: groningen
Artist: johannes hermanus van de weijer
Artist role: print maker, printer, publisher
Artist dates: 1817 – 1889
Subjects: brussels, maria van hongarije (landvoogdes der nederlanden), students' pageant, costumes used in pageants, commemoration of the founding of a university

Omslag voor de vier platen plus verklaring van de gekostumeerde optocht georganiseerd door de studenten van de Hogeschool van Groningen op 14 september 1864, ter viering van het 250-jarig bestaan van de hogeschool, voorstellende de intocht van Maria van Hongarije in Groningen op 20 juni 1545. Dubbelgevouwen blad bedrukt op voorzijde met de titel en een vignet.
Miniatuurketel, vervaardigd uit duit van provincie Zeeland
Object type: kettle
Date: 1600 – 1700
Materials: copper
Techniques: striking
Location: middelburg
Artist: Anonymous
Subjects: zeeland