deem-data/ArtiFact huggingface dataset:
Zittende man en een vrouw met kind in Volendamse klederdracht
Object type: sketchbook leaf
Date: 1875 – 1875
Materials: paper, pencil
Location: volendam
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: adult woman, adult man, child, folk costume, regional costume
Inscriptions: annotation: ‘Volendam’

Blad 6 verso uit een schetsboek met 38 bladen.
Algemeen Handelsblad
Object type: newspaper
Date: 1945 – 1945
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: tweede wereldoorlog
Inscriptions: date

Krant, klein formaat, met bericht over de oorlog uit Duits gezinde hoek. Gedateerd: Zaterdag, 21-04-1945.
Portret van Christoph August Lämmermann
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: mezzotint
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Cathédrale de Chartres (E. et-L). Notre Dame de la Belle Verrière (XIIe siècle)
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: chartres
Subjects: church-window, e.g. rose-window
Inscriptions: collector's mark: ‘AFE v S’
Underwear
Object type: underwear
Date: 1890 – 1899
Materials: cotton
Culture: american
Proef van kalligrafie
Object type: manuscript
Date: 1641 – 1708
Materials: ink, paper
Techniques: pen, writing
Artist: ludolf bakhuysen
Artist role: draughtsman, print maker
Artist dates: 1631 – 1708
Subjects: (story of) silenus
Inscriptions: collector's mark: Lugt 2233, watermark
Drukkersmerk van Plantijn
Object type: print
Date: 1576 – 1576
Materials: paper
Techniques: hand coloring
Location: antwerp
Subjects: device (trade-mark of printer or publisher)

Drukkersmerk van Plantijn. Hand met passer en het motto: Labore et Contantia. Op de laatste pagina in de complete beschrijving van de intochten van het paar te Brussel, Antwerpen, Gent en Valenciennes, 1599.
Aquaduct
Object type: photograph
Date: 1905 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: colonial system, factory-interior, machine shop, machines; parts of machines; tools and appliances, aqueduct (~ water supply), java, dutch east indies, the
Inscriptions: date

Aquaduct vervaardigd voor de Onderneming Tempel Djocja. Octrooi ca. 1905-1907. Onderdeel van de multomap met foto's van bruggen gebouwd door de N.V. Machinefabriek Braat te Soerabaja en bestemd voor verschillende plaatsen in Nederlands-Indië, uit de periode 1905-1940.
Verblijf in Nice en Marseille
Object type: album leaf
Date: 1900 – 1925
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: nice
Artist: Anonymous
Subjects: adult woman, adult man, rowing-boat, canoe, etc., pier, quay, wharf, street (+ city(-scape) with figures, staffage), marseille
Inscriptions: number: ‘5625’, number: ‘1656’

Albumblad met foto's van een gezelschap in Nice en Marseille, op straat, in een park en in een boot. Ook een foto van twee vrouwen op de pier van Scheveningen. Onderdeel van Fotoalbum van een onbekende Nederlandse familie met connecties in Suriname en Nederlands-Indië (2).
Dicang (Khsitigarbha), or "He Who Encompasses the Earth," Seated and Holding a Wish-Bearing Jewel (Cintamani)
Object type: sculpture
Materials: bronze, copper alloy, gilt
Location: china
Plate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)
Object type: print
Date: 1814 – 1814
Techniques: aquatint, engraving, burnishing, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,women
Beker met bloemenmanden
Object type: cup
Date: 1700 – 1800
Materials: glass
Techniques: glassblowing
Location: bohemia
Artist: Anonymous

Beker van helder, kleurloos glas. Op de kelk gegraveerde bloemenmanden in nissen.
Lepeldoos van mahoniehout, rood gevoerd
Object type: box
Date: 1868 – 1868
Materials: wood, silver, velvet
Location: netherlands
Artist: Anonymous

Lepeldoos van mahoniehout, rood gevoerd. Inhoud 6 theelepels (slechts 3 aangetroffen) afgezet met een fijn geribde kabel.
Zestien prenten van Paleis Honselaarsdijk (Danckerts / Covens en Mortier)
Object type: print
Date: 1696 – 1717
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis danckerts (ii)
Artist role: print maker, publisher
Artist dates: 1664 – 1717
Subjects: palace, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2233

Fontein in het park van Paleis Honselaarsdijk met eromheen groepjes wandelaars. De lanen en het plein met de fontein worden begrensd door schuttingen. Op de achtergrond een prieel. Rechtsonder genummerd: 8. Prent uit een serie van zestien prenten van Paleis Honselaarsdijk.
Portret van Frederik Hendrik, prins van Oranje
Object type: print
Date: 1831 – 1880
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: delft, the hague, frederick henry (prince of orange)

Portret van Frederik Hendrik. Hij staat in een vertrek naast een tafel, daarop de helm van zijn harnas. Hij houdt een commandostaf in de hand. In de ondermarge zijn naam.
Straatgezicht met smederij in de sneeuw
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Artist: Anonymous
Subjects: snow, smith, blacksmith, street
Portret van Robert Wilks
Object type: print
Date: 1747 – 1814
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: number: ‘26.’

Prent mogelijk afkomstig uit een volume van The Universal magazine of Knowledge and Pleasure (1747-1814).
Design for a brooch with bird motif
Object type: drawing
Date: 1801 – 1900
Materials: cardboard, gouache
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: birds,jewelry
Alexander Pope (1688–1744)
Object type: medal
Date: 1741 – 1741
Materials: bronze
Artist: jacques-antoine dassier
Artist role: artist
Artist nationality: swiss
Artist dates: 1715 – 1759
Subjects: men,profiles
Toren in een landschap
Object type: sketchbook leaf
Date: 1631 – 1633
Materials: ink, paper
Techniques: pen
Location: zwolle
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Subjects: towers ~ fortified city

Blad 35 recto uit een schetsboek met 55 bladen.
The Doctor Dismissing Death
Object type: print
Materials: ink
Techniques: aquatint, etching, printing
Artist: peter simon
Artist role: artist
Artist nationality: british
Artist dates: 1764 – 1813
Subjects: interiors,skeletons,men

A skeleton, representing death, enters through a window at left, while a doctor points a syringe at him at right. The patient is seated next to the doctor, holding up a spoon to protect him from the advance of Death.
The Reis Effendi, Head of the Chancery
Object type: painting
Date: 1727 – 1730
Materials: canvas, oil
Artist: jean baptiste vanmour
Artist role: painter
Artist dates: 1671 – 1737
Subjects: writing accessories, historical persons not known by name
Inscriptions: inscription: ‘Mehemet Reis Effendi’

The office of reis effendi or reisü’l küttab, the head of the chancery, could be likened to the minister of foreign affairs. This official at the Ottoman court had the most contact with Western diplomats. Ambassador Calkoen would have met him on a regular basis.
Gezicht op het Novodevitsjiklooster te Moskou
Object type: photomechanical print
Date: 1957 – 1957
Materials: cardboard
Techniques: rotogravure
Location: moscow
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: date

De titel op object staat in het Russisch.
Bowl with Eight Immortals
Object type: bowl
Date: 1368 – 1644
Materials: biscuit, enamel, porcelain
Techniques: polychrome
Culture: chinese
Subjects: human figures
Maskers voor den duivelsdans, Thibet
Object type: photograph
Date: 1897 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: rijks ethnographisch museum
Artist: Anonymous
Subjects: mask
No. 6: Tama River of Koyasan in Kii Province, from the series "Six Jewel Rivers of the Floating World (Ukiyo Mu Tamagawa)"
Object type: print
Date: 1769 – 1769
Techniques: woodblock print
Location: japan
Artist: kitao shigemasa
Artist role: artist
Artist nationality: japanese
Artist dates: 1739 – 1820
Panel
Object type: panel
Date: 1797 – 1797
Artist: aug. forberger
Artist role: artist
Artist dates: 1762 – 1865
Subjects: human figures,dogs,trees,writing
River Landscape
Object type: handscroll
Date: 1483 – 1544
Materials: ink, paper
Culture: chinese
Artist: chen chun
Artist role: artist
Artist nationality: chinese
Artist dates: 1483 – 1544
Subjects: rivers,landscapes
Bed curtain border
Object type: border
Date: 1801 – 1833
Materials: linen, silk
Subjects: eagles

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Russian bed curtains and towels were not only used for decorative purposes, but also provided an important role in ceremony. Bed curtains often adorned sleighs for weddings or carnival processions. Towels were draped over mirrors, trees, and temples, hung on walls, or used as offerings to the church in addition to their traditional uses.
Zittende figuren bij een kinderwagen
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper, pencil
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: beach (as place of recreation), baby-carriage, pram, perambulator, urban housing, sitting figure - aa - female human figure, mother and child(ren), woman and child(ren) (family group)

Vooraan zitten twee figuren, mogelijk op het strand, bij een kinderwagen. Achter hen een muur en gebouwen. Rechtsboven een vrouw met een kind. Blad 4 verso uit een schetsboek met 29 bladen.
Gibbon and Bamboo
Object type: hanging scroll
Date: 1501 – 1600
Materials: ink, paper
Culture: japanese
Artist: sesson shūkei 雪村周継
Artist role: artist
Artist nationality: japanese
Artist dates: 1504 – 1589

This scroll painting portrays a gibbon hanging from a vine near stalks of bamboo. The gibbon’s lowered left hand suggests that he is reaching for something, probably the reflection of the moon in the water below—a scene common in Japanese gibbon paintings and one rooted in Zen Buddhist teachings about the delusional nature of the unawakened mind. Painted entirely in ink, the image belongs to a long line of monochrome Japanese simian paintings inspired by the late thirteenth-century Chinese painter Muqi, whose works, including several of gibbons, were collected in Japan during the artist’s own lifetime. Sesson Shūkei, who was raised and spent his early career in northeastern Japan, relocated in midcareer to Kamakura and nearby Odawara, cities with large Zen monasteries and powerful warrior patrons whose collections were replete with old Chinese paintings. Sesson’s work during and after this period makes clear that he closely studied paintings by Muqi and other celebrated Chinese painters of the Song and Yuan dynasties held in local collections. The work is impressed at lower right with a square, red seal reading Shūkei.
Paard met huifkar
Object type: drawing
Date: 1780 – 1849
Materials: ink, paper, pencil
Techniques: pen
Artist: david pièrre giottino humbert de superville
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1849
Subjects: (farm) wagon, freight wagon, cart
Gezicht op het Damrak te Amsterdam
Object type: sketchbook leaf
Date: 1909 – 1912
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, canals, waters (in city)
Inscriptions: kleurnotitie, handgeschreven

Gezicht op het Damrak te Amsterdam met de achterzijde van de panden aan de Warmoesstraat 32-48, waaronder Theemagazijn Snel. Pagina 28 uit een schetsboek met 46 bladen vervaardigd te Amsterdam.
Travelers with Two Mules
Object type: drawing and watercolor
Materials: chalk, ivory, paper
Location: netherlands
Artist: jan miel
Artist role: artist
Artist nationality: flemish
Artist dates: 1599 – 1663
Fred J. Mann, Right Field, Hartford, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Vues de Hollande, Amsterdam
Object type: stereograph
Date: 1859 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: harbour
Inscriptions: initials: ‘P.O.’, inscription: ‘gesigneerd P(ieter) O(osterhuis)’, number: ‘261.’
Alcohol measure "Demoiselle"
Object type: measure
Date: 1743 – 1779
Materials: pewter
Artist: robert toussaint baillard
Artist role: maker
Artist nationality: french
Artist dates: 1743 – 1786
F.e de la B. des Manilles, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Object type: print
Date: 1700 – 1799
Techniques: etching, hand coloring
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: portraits,women,playing cards
Portret van Johann Carl Spies
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann friedrich rosbach
Artist role: print maker
Subjects: historical persons, wig
Inscriptions: collector's mark: Lugt 2228
Iean Both
Object type: book illustration
Date: 1649 – 1662
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: utrecht, painter, print maker, draughtsman, jan both, historical persons, portrait, self-portrait of painter

Prent mogelijk uit: Meyssens, Joannes. Image de divers hommes desprit sublime qui par leur art et science deburovent vivre eternellement et des quels la louange et renommée faict estonner le monde. Antwerpen: Joannes Meyssens, 1649, dl. 1, p. 5.

Andere staat van prent gebruikt in: Bie, Cornelis De. Het gulden Cabinet vande edel vry schilder const, inhoudende den lof vande vermarste schilders, architecte, beldthowers ende plaetsnyders van dese eeuw. Antwerpen: Joannes Meyssens, 1662 [1661 foutief op titelpagina], p. 157.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 1, p. 72.
Mountain Valley with Fenced Fields
Object type: print
Date: 1625 – 1630
Materials: paint, paper
Techniques: drypoint, etching, intaglio
Location: amsterdam
Artist: hercules segers
Artist role: draughtsman, painter, print maker
Artist dates: 1589 – 1640
Subjects: low hill country, balustrade, farm or solitary house in landscape

Segers printed this nocturnal scene with a generous amount of plate tone: he did not wipe all of the ink from the etching plate. Next he overpainted the impression with blue watercolour. The valley seems bathed in the light of an invisible moon.
Stelling met plaats voor vier vaten
Object type: gantry
Date: 1700 – 1799
Materials: wood
Location: amsterdam
Artist: Anonymous

Een stelling van lindehout, met plaats voor vier vaten.
Portret van Paul Gottlieb Werlhof
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: paul gottlieb werlhof, bookshelves, historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta kylix: lip-cup (drinking cup)
Object type: kylix, lip cup
Date: 550 – 526
Materials: terracotta
Culture: greek, attic
Subjects: amazons,warriors

Obverse, warrior with helmet, spear, and shield; Reverse, Amazon with spear and shield.
Catalogue of the collection of glass formed by Felix Slade : with notes on the history of glass making
Date: 1871 – 1871
Location: england
Artist: alexander nesbitt
Artist role: author
Artist dates: 1817 – 1886
Calligraphy
Object type: folding fan mounted a an album leaf
Date: 1501 – 1600
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: calligraphy
Road Wagon #706
Object type: drawing
Date: 1870 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Decanter
Object type: decanter
Date: 1820 – 1830
Materials: glass
Techniques: cutting
Culture: american
Artist: apsley pellatt
Artist role: maker
Artist nationality: american
Bureau en hospitaal van de Banka-tinwinning te Soengeiliat
Object type: photograph
Date: 1914 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, mining, hospital, exterior of industrial structures, factories
Inscriptions: inscription

Albumblad met 2 foto's van het oude atelier en het hospitaal van de Banka-tinwinning te Soengeiliat. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
The Broad Bridge
Object type: print
Date: 1878 – 1878
Materials: ink, ivory, paper
Techniques: scraping
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
The Cat's Lunch
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: etching
Location: france
Artist: théodule augustin ribot
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1823 – 1891
Pharaoh Gives Sarah Back to Abraham
Object type: painting
Date: 1640 – 1640
Materials: canvas, oil
Artist: isaac isaacsz
Artist role: painter
Artist dates: 1598 – 1649
Subjects: abraham is summoned before pharaoh, and is ordered to leave egypt with sarah
Inscriptions: signature and date, bottom right: ‘Isaac Isacsen. Fecit Aº 1640’

Farao geeft Sara aan Abraham terug. De handeling vindt plaats bovenaan de trappen voor het paleis van de koning. De koning staat rechts met een tulband op het hoofd en gekleed in een lange hermelijnen mantel. Achter hem hogepriesters en soldaten. Links Abraham met een hond.
A soldier pulling out the ramrod from its holder, from the Musketeers series, plate 25, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms)
Object type: print
Date: 1575 – 1629
Techniques: engraving
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Subjects: soldiers,firearms

From a series of 117 numbered plates from the military drill manual, "Wapenhandelinghe van Roers Musquetten ende Speissen" (The Exercise of Arms). The series is divided into three sets: Marksmen (42 plates), Musketeers (43 plates), and Lansquenets (32 plates). The Exercise of Arms was first published as a complete volume in 1608, and several more editions followed shortly after, with Dutch, French, German, English, and Danish versions produced.
Le Garde-Meuble / Collection de Tentures
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: decorations (interior of the house), drawing-room, 'salon', hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Interieur van een salon in empirestijl (Eerste Franse Keizerrijk). Prent uit 327e Livraison.
Salome with the Head of John the Baptist
Object type: reverse painting on glass
Date: 1550 – 1600
Materials: glass
Techniques: verre églomisé
Subjects: the head of john the baptist brought to or lying on the banqueting table, salome with the head of john the baptist on a dish

Salome met het hoofd van Johannes de Doper. Links zitten Herodes en Herodias onder een baldakijn aan een feestmaal. Op de vloer ligt een hond. Op de achtergrond is door een venster te zien hoe een beul het hoofd van Johannes de Doper aan Salome overhandigt. Kopie naar de houtsnede van Lucas van Leyden.
Drouet Cte. d'Erlon, gouverneur d'Alger
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, commander-in-chief, general, marshal, historical persons
Inscriptions: check stamp: Lugt 4733, collector's mark: Lugt 2228
Berg en Daal, van de rivier
Object type: photograph
Date: 1898 – 1902
Techniques: albumen print
Location: suriname
Subjects: plantation, suriname

Berg en Dal, een dorp en plantage in Suriname, gezien vanaf de rivier.
Fragment pijpenkoppen en pijpenstelen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 57; no hsm, 1hsm1, 2hsm1,2.
Madonna and Child
Object type: relief
Date: 1425 – 1450
Materials: terracotta
Techniques: gilding, painting
Subjects: madonna and child