deem-data/ArtiFact huggingface dataset:
Kan
Object type: ewer
Date: 1550 – 1600
Materials: glass
Techniques: glassblowing
Location: venice
Artist: Anonymous

Kan met geribde, licht ingestoken bodem. Gedrukt, bolvormig lichaam met een geribde draad en opgesmolten gladde draden. De hals loopt uit in een driepasvormige mond. Onregelmatig gevormd hoog opgaand oor.
Nubie. Kalabscheh. Sculptures de la Facade postérieure du Temple
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
De geschiedenis van Ruth
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: ruth uncovers the feet of the sleeping boaz and lies down
Inscriptions: date: ‘1580’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ruth staat met een deken in de handen aan de voeten van de liggende Boaz in een graanschuur. Twee regels Latijn en twee regels Duits in marge onder prent.
Tekenvoorbeelden
Object type: print
Date: 1610 – 1672
Materials: paper
Techniques: engraving
Location: antwerp
Artist: michael snijders
Artist role: print maker, publisher
Artist dates: 1586 – 1672
Subjects: head (human), cut flowers; nosegay, bunch of flowers, madonna: i.e. mary with the christ-child, tortoises, turtles, fruits: fig, model-books ~ implements of painter, trees: fig-tree (leaves, putting forth leaves), lizards: lizard, insects: butterfly, insects, hoofed animals: giraffe
Inscriptions: collector's mark: Lugt 3751, collector's mark: Lugt 2228

Twintigste prent uit een serie met tekenvoorbeelden. Studieblad met fruit, dieren en koppen. In het midden een vijg op bijbehorend blad, eronder een opengesneden vijg. Aan weerszijden dieren: een neushoornkever, rups, hagedis en zeeschildpad. Eronder twee koppen. Linksboven een Madonna met Christuskind (naar Rafaël). Rechtsboven een kievitsbloem, ernaast een giraffe. In het midden een insect en een pauwoogpijlstaartvlinder.
Portret van maarschalk Étienne Maurice Gérard
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a

Prent gepubliceerd in: 'Galerie Universelle de Blaisot', een boek met 38 portretten van eminente mannen en vrouwen van de zeventiende tot en met de negentiende eeuw.
Portretten van Willem IV, prins van Oranje-Nassau, en Anna van Hannover
Object type: print
Date: 1747 – 1799
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: t. jefferys
Artist role: publisher
Subjects: willem iv (prins van oranje-nassau), the hague, anna van hannover, knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: collector's mark: Lugt 2228

Portretten van Willem IV en Anna, elk in een geornamenteerd ovaal met randschrift. Midden onder hun wapens met een kroon en twee leeuwen, gedecoreerd met de Kousenband en het devies van de Orde van de Kousenband.
Bird
Object type: figure
Materials: gilt silver, quartz, gemstone
Subjects: birds,coat of arms

The coveted qualities of both natural wonder (naturalia) and fine craftsmanship (artificialia) are embodied in this hollow vessel. In the 1500s, rock crystal was priced at its weight in gold. The material’s extreme hardness allows it to be worked—cut, carved, or drilled—without shattering, while at its finest, as here, it is luminous and transparent. Through artistry, a pricey mass of heavy pure quartz has here been transformed into a seemingly weightless bird, complete with beady eyes of ruby and a collar and legs of gilded silver.
Swan
Object type: decorative art
Materials: jade
Location: china
General Joubert, from the "Generals" series (T64), issued by D.H. McAlpin & Co. Tobacco Company
Object type: print
Date: 1901 – 1901
Techniques: color lithograph
Artist: d.h. mcalpin & co. tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1901

Tobacco insert card from the "Generals" series (T64), issued by D.H. McAlpin & Co. Tobacco Company.
Fribourg. Couvent des Ursulines et Rue de Lausanne
Object type: photomechanical print
Date: 1903 – 1905
Materials: cardboard
Techniques: photograph
Location: neuchatel
Subjects: tramway, tram, street (+ city(-scape) with figures, staffage)
Portret van Frederik Karel van Pruisen
Object type: print
Date: 1811 – 1870
Materials: paper
Techniques: etching
Location: berlin
Subjects: berlin, prince, historical persons
Inscriptions: check stamp: Lugt 5326
De stoet met aartshertog Ernst bij de intocht te Brussel (deel 3), 1594
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: brussels
Subjects: vienna, brussels, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'

De stoet met aartshertog Ernst bij de intocht te Brussel (deel 3), in het midden de erewacht van de aartshertog. Feestelijke intocht van aartshertog Ernst als gouverneur der Nederlanden gehouden te Brussel op 30 januari 1594. Onderdeel van de beschrijving van deze intocht Descriptio et explicatio pegmatum, arcuum spectaculorum quae Bruxellae Brabant. pridie Cal. Febr. Ao. 1594 exhibita fuere, sub ingressum ... Ernesti ... Archiducis Austriae ... pro Philippo II. Belgicae ditionis gubernatore, J. Mommaert, Brussel 1594.
Landschap met bergen en meer
Object type: album leaf
Date: 1880 – 1923
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: indonesia
Artist: Anonymous
Subjects: lake, mountains, indonesia
Inscriptions: annotation: ‘MAART/ (...)’
Portret van John Campbell
Object type: print
Date: 1728 – 1780
Materials: paper
Techniques: etching
Location: france
Artist: françois-antoine aveline
Artist role: print maker
Artist dates: 1718 – 1780
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Belt Hook in the Shape of an Ungulate
Object type: belt hook
Date: 500 – 401
Materials: bronze
Culture: northwest chinese
Subjects: animals
Scene with Family and Guest in Seventeenth-Century Interior
Object type: drawing
Date: 1825 – 1878
Materials: graphite, watercolor
Artist: joseph nash
Artist role: artist
Artist nationality: british
Artist dates: 1809 – 1878
Subjects: interiors,children,men,women,family
Francesco I d'Este Aids the Duke of Mantua After his Territories were Devastated by the German Armies, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Object type: print
Date: 1659 – 1659
Techniques: etching
Location: italy
Artist: bartolomeo fenice (fénis)
Artist role: artist
Artist nationality: italian
Subjects: animals,men,trees

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.
Memyō Bosatsu (Ashvaghosha Bodhisattva) Mounted on a Horse
Object type: hanging scroll
Date: 1401 – 1600
Materials: gold, ink, paper
Culture: japanese
Artist: unidentified
Artist role: artist

The Bodhisattva Memyō is represented sitting regally upon a white horse while balancing a scale in one hand and a red disc in the other. Memyō is the Japanese reading of the name of Indian-born Ashvaghosha (circa 80–150 AD), who was not only a scholar of Mahayana Buddhist philosophy, but also a renowned poet and dramatist. His name literally means "the sound (ghosha), or neighing, of a horse (ashva)," which we can assume led to the development of the association with equine iconography. The way of representing the bodhisattva is thought to have originated from depictions of a folk deity associated with sericulture in Chinese folk religion. This deity was later assimilated into the pantheon of Buddhist deities in Japan, where he protects those involved with silkworm raising and the production or weaving of silk, and is said to provide clothing for those in need.
Overlijdensbericht betreffende Jean Bernard
Object type: overlijdensbericht, overlijdensadvertentie
Date: 1833 – 1833
Materials: paper
Techniques: printing
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam, print maker, draughtsman, jean bernard
Inscriptions: collector's mark: Lugt 2166, watermark
Asia
Object type: figure
Date: 1763 – 1765
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: animals,men
Hamamatsu
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: men,women,lakes,trees,boats
Panorama van de Prins Hendrikkade en het Damrak
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1913
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: city-view in general; 'veduta', station; shelter (railway, tramway), street
Inscriptions: date: ‘In 1913’, collector's mark: ‘11.56’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Prinsengracht, Korte Prinsengracht, Prins Hendrikkade. Zie ook Portefeuille 1: gezichten van het IJ op de stad.
Voorzigtigheid
Object type: print
Date: 1710 – 1719
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: mask, precaution, carefulness, diligence; 'diligenza' (ripa), square (drawing-instrument)
Inscriptions: collector's mark: Lugt 2228

Een vrouwfiguur als personificatie van de voorzichtigheid, met in haar handen een winkelhaak en een masker met twee gezichten. Prent uit een serie van 41 zinnebeelden.
South Bank of the Chattahoochie, Ga.
Object type: photograph
Date: 1866 – 1866
Techniques: albumen print, photography
Location: united states
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: collected by hugh edwards, sherman's campaign 1866
Inscriptions: Printed recto, on album page, lower center, below image, in black ink: "Photo. from nature By. G. N. Barnard. / SOUTH BANK OF THE CHATTAHOOCHIE, GA."; unmarked verso
La cruz de Mayo
Object type: reproduction
Date: 1880 – 1905
Materials: paper
Techniques: albumen print
Location: sevilla
Subjects: public festivities, sevilla
Inscriptions: number: ‘No 77.’
Paperweight
Object type: glass
Date: 1846 – 1855
Materials: glass
Location: lunéville
Artist: baccarat glassworks

This paperweight uses a traditional glass-making technique called millefiori to great effect. Italian for “one thousand flowers,” millefiori was first developed in fifteenth-century Venice. In the nineteenth century, French glassmakers revived the technique with a cultural twist. Arranged to evoke traditional French gardens such as the Tuileries in Paris, paperweights like this example brought a little of this landscaping magic indoors.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Toneelspeler
Object type: print
Date: 1700 – 1730
Materials: paper
Techniques: woodcut
Location: japan
Artist: otsu matahei
Artist role: painter, print maker
Subjects: helved weapons, polearms (for striking, hacking, thrusting), actor (on the stage)

Man op blote voeten met opgeheven lans in rechter hand.
Kaart van de routen der Pruisische troupen door de Nederlanden tot aan Amsterdam in de maand september 1787
Object type: print
Date: 1787 – 1788
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions, gelderland
Inscriptions: collector's mark: Lugt 2228

Marskaart waarop de routes zijn aangegeven die de Pruisische troepen gevolgd hebben onderweg naar Amsterdam, tijdens de interventie in de Nederlanden in september 1787.
Duprat. François, Louis. 34 ans, né à St-Martin (Gers). Marchand de vins. Anarchiste. 27/4/92.
Object type: mugshot
Date: 1892 – 1892
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Portrait of a Woman
Object type: painting, miniature
Date: 1805 – 1815
Materials: ivory
Artist: german painter
Artist role: artist
Artist nationality: german
Subjects: portraits,women
Portret van Edward Hitchin
Object type: print
Date: 1703 – 1774
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons, portrait of a writer
Inscriptions: date

Prent uit: The Gospel Magazine, februari 1774.
Mons / Porte de Nimy, Façade vers la Ville, 1861
Object type: print
Date: 1875 – 1878
Materials: paper
Techniques: drypoint, etching
Subjects: city-gate
Inscriptions: collector's mark: Lugt 2228
Kanaal - Leeuwarden
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: autotype
Location: leeuwarden
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, sailing-ship, sailing-boat, canal
Two Oiran with Two Female Attendants in the Yoshiwara
Object type: print
Date: 1756 – 1829
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: chōbunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Subjects: women
Wassende mensen in een rivier op Sicilië
Object type: photograph
Date: 1880 – 1890
Materials: paper
Techniques: albumen print
Location: sicily
Subjects: river, washing and bathing - aa - in the open air
Inscriptions: inscription: ‘bis/ 21’, inscription: ‘Sicilie’, inscription: ‘(t) Interguglielmi’
Plaque with the Symbol of the Evangelist John
Object type: plaque
Date: 1100 – 1100
Materials: copper, enamel, gilt
Techniques: enamel, cutting
Culture: french
Location: france
Subjects: saint john the evangelist,emblems

This plaque, part of an ensemble including four plaques with the symbols of the evangelists and a central roundel with the crucifixion, probably from a book cover, can be securely attributed to the celebrated pilgrimage abbey of Saint Foy at Conques, France's richest surviving repository of medieval goldsmith's work. Several of the rare works dispersed from the abbey's treasury in the nineteenth century share with others still in situ a technique, style, and palette uniquely combined during the abbacy of Bégon III in the late eleventh century. For these pieces the monk goldsmiths employed superimposed copper plaques, the lower one to receive the delicate cloisons that define features and drapery, the upper one cut to delineate the silhouettes of the figures and the cross. Hallmarks of the style include the single cloison used to define eyebrows and noses and the thin loop of gold that creates cowlicks. In the Metropolitan's reconstituted ensemble, the same remarkable oxblood color was used for the symbol of Saint Luke and the hair of the image of the Sun ("Sol") above the Crucifixion. Furthermore, scientific analysis has determined that common enamel compositions and the same metallic oxides were used to tint and opacify all five pieces.
Conoid seal
Object type: stamp seal
Date: 5000 – 3001
Materials: mineral, stone
Location: northern syria (?)
Decorated base, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1537 – 1537
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: architecture

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 43 in the scrapbook.
Cup with Lü Dongbin (one of the Eight Immortals)
Object type: cup
Date: 1767 – 1833
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: men
Uitgebrande huizen in de Goudsbloemstraat te Amsterdam, 1682
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan van der heyden
Artist role: draughtsman, painter, print maker
Artist dates: 1637 – 1712
Subjects: print maker, draughtsman, jan van der heyden, urban housing, ruin of a building ~ architecture, fire-fighting
Inscriptions: collector's mark: Lugt 1641b

Twee uitgebrande, maar staande gebleven huizen in de Goudsbloemstraat te Amsterdam, na een brand op 25 december 1682. Drie regels onderschrift in het Nederlands en het Frans. Centraal bovenaan: 13de Figuur. Pag: 30. Onderwerpsrubriek binnen de Atlas Amsterdam: Gemeentewerken: B. Branden in particuliere gebouwen.
End Man, from the Jokes series (N87) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920

Trade cards from the "Jokes" series (N81), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes.
Ringkiezelmarmer in bruin
Object type: marbled paper
Date: 1700 – 1950
Materials: paint, paper
Techniques: marbled paper
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Vijftigjarige viering van slag bij Waterloo, draagteken ter ere van Willem II
Object type: insignia
Date: 1865 – 1865
Materials: silver, textile
Techniques: striking, weave
Location: netherlands
Artist: Anonymous
Subjects: the hague, william ii of the netherlands, waterloo

Eenzijdig zilveren draagteken op gele strik, bestaande uit twee losse delen: boven een lauwerkrans op wimpel met opschrift; daaronder borststuk man naar links
Merklap van veelkleurige zijde op wollen mousseline
Object type: merkdoek, merklap
Date: 1741 – 1741
Materials: silk, wool
Techniques: embroidered
Location: amsterdam
Artist: Anonymous
Inscriptions: date

Merklap van zijde op wol. Het borduurwerk heeft het wapen van Amsterdam, de initialen CVW, de datering ANNO 1741, de Nederlandse maagd in de Hollandse tuin, honden, bomen en bloempotten.
Liggende figuur
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: lying figure

Op een laag bed. Vooraan een ton of tafel en schoeisel. Blad 19 recto uit schetsboek XIII met 25 bladen.
Portret van Scévole de Sainte-Marthe
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: paris
Artist: étienne desrochers
Artist role: print maker, publisher
Artist dates: 1668 – 1741
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Behoort waarschijnlijk tot een serie portretten, grotendeels door Etienne Desrochers, getiteld: 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes que dans Belles-Lettres et les Arts, comme aussi la famille royale de France et autres cours étrangères'. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985. Echter was Desrochers reeds enkele jaren eerder begonnen met het uitgeven van de serie. Na de dood van Desrochers werd de serie voortgezet door Gilles Edme Petit. Een latere staat werd uitgegeven door Jean François Daumont in Parijs.
Plate
Object type: plate
Date: 1501 – 1600
Materials: earthenware
Techniques: glazing
Subjects: animals
Milk jug with cover
Object type: milk jug with cover
Date: 1760 – 1780
Materials: hard paste porcelain
Subjects: women
View of Huis Broekhuizen, Seen from the South
Object type: drawing
Date: 1646 – 1647
Materials: chalk, ink, paper
Techniques: brush
Location: kasteel broekhuizen
Artist: roelant roghman
Artist role: draughtsman, painter, print maker
Artist dates: 1627 – 1692
Subjects: castle, utrecht, kasteel broekhuizen
Portret van een onbekend meisje
Object type: photograph
Date: 1900 – 1930
Materials: paper, celluloid, metal
Techniques: gelatin silver print, gilding
Artist: Anonymous
Subjects: historical persons
Inscriptions: inscription: ‘mw Belly[?]’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 334 – 301
Materials: terracotta
Culture: etruscan

Interior, unidentified subject; Exterior, tongues or rays?
Fishermen's Wives
Object type: drawing
Date: 1855 – 1860
Materials: graphite, watercolor
Artist: eugène boudin
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1898
Subjects: women,boats
Zie deez' soldaten hier marcheren, / Om zich dapper te verweren. / Indien napoleon tegen ons zich steld, / Onze kracht en moed hem nederveld
Object type: print
Date: 1781 – 1828
Materials: paper
Techniques: letterpress printing
Location: rotterdam
Subjects: military band, weapons, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van militairen met wapens, vlaggen en muziekinstrumenten. Onder elke afbeelding een onderschrift. Genummerd linksboven: N. 88.