deem-data/ArtiFact huggingface dataset:
Essempio di recammi, page 22 (verso)
Object type: book print ornament architecture
Date: 1530 – 1530
Techniques: woodcut
Artist: giovanni antonio tagliente
Artist role: author
Artist nationality: italian
Artist dates: 1465 – 1528
Subjects: flowers

Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right: Design composed of 4 horizontal registers. 1st register is decorated with a geometric interlace pattern. 2nd register is decorated with curving vines of leaves and flowers that attach to urn in center. 3rd register is decorated with a Moresque pattern. 4th register is decorated with vine coils ending with a flower, which are then connected to a central architectural element.
Eerste dijkschouw in Drechterland, 1288
Object type: history print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: drechterland, nederland tijdens de late middeleeuwen

Eerste dijkschouw in Drechterland, 1288. Een groepje personen op een dijk. Op de voorgrond een ploegende boer. Onderdeel van de groep staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti et Amicitiae.
Clio
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: clio (one of the muses); 'clio' (ripa)
Inscriptions: collector's mark: Lugt 2228

De zittende Clio, de muze van de geschiedenis, onderwijst enkele putti die boeken bestuderen.
La Mode Illustrée, 1876, No. 24 : Costumes d'Enfants (...)
Object type: fashion print
Date: 1876 – 1876
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: head-gear (+ girls' clothes), boots (+ girls' clothes), parasol, sunshade (+ girls' clothes), punch and judy, fashion plates, skirt (+ women's clothes), (bowling a) hoop, dress, gown (+ girls' clothes)
Inscriptions: address: ‘Bureaux du Journal, 56, Rue Jacob. Paris’, title: ‘La Mode Illustrée’, caption: ‘Costumes d'Enfants des Magasins du Louvre’

Zeven kinderen spelen buiten, gekleed in kledij van het warenhuis Grands Magasins du Louvre. De rokken van de japonnen zijn aan de achterkant opgetrokken en vastgezet met strikken.Prent uit het modetijdschrift La Mode Illustrée (1860-1937).
Distant View of Mount Fuji at Dawn from Hakone
Object type: print
Date: 1828 – 1830
Techniques: woodblock print, surimono
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Card Case
Object type: case, card
Date: 1701 – 1900
Materials: gold, porcelain, silk
Culture: chinese
Gezichten op Château de Vaux-le-Vicomte
Object type: print
Date: 1681 – 1724
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: garden fountain, french or architectonic garden; formal garden

Gezicht op de kroonfontein in de tuinen van Château de Vaux-le-Vicomte. Prent maakt deel uit van een album.
Card Number 750, Mrs. James Brown Potter, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses
Twee schetsen van minister Heemskerck in de Tweede Kamer
Object type: drawing
Date: 1887 – 1887
Materials: ink, paper
Location: the hague
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: amsterdam, the hague, politician, minister ~ government, historical persons, netherlands
Inscriptions: inscription: ‘443 / 444 / Heemskerck’

Twee schetsen van de Minister van Staat en Binnenlandse zaken Mr. J. Heemskerck Azn., links voorovergebogen over een document op een tafel, rechts met papier en pen onder zijn neus. Onderdeel van een groep schetsen van de bespreking in de Tweede Kamer van de grondwetsherziening van 1887 gepubliceerd in het weekblad Eigen Haard (1887).
Christus klopt op een muur waarachter de gepersonifieerde ziel staat
Object type: print
Date: 1678 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: the soul, christ and the soul
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Pieter Arentsz II, 1678-1687. Tussen 1678-1744 verschenen van dit emblemataboek 10 edities.
Fotoreproductie van een tekening van een auto
Object type: page
Date: 1905 – 1910
Materials: paper
Techniques: cyanotype
Location: paris
Subjects: drawing (industrial process), automobile, paris
Inscriptions: inscription: ‘Ferro EXTRA RAPIDE No 300 / Mêmes prix que le No 30’, inscription: ‘Téléphone - 214-09.’

Foto op derde ongenummerde pagina na voorplat.
The Crowned Virgin With Child in Glory
Object type: print
Date: 1512 – 1512
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: madonna and child
Straat in Frankfurt am Main met links de synagoge
Object type: photomechanical print
Date: 1880 – 1895
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: the synagogue (as building and place of worship ~ jewish religion), street (+ city(-scape) with figures, staffage)

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in België, Duitsland en Noorwegen.
Perfume receptacle
Object type: perfume receptacle
Date: 1736 – 1795
Materials: jade
Culture: chinese
The Virgin seated, resting her head on her right hand and holding the sleeping infant Christ on her lap
Object type: print
Date: 1630 – 1680
Techniques: etching
Artist: lorenzo loli
Artist role: artist
Artist nationality: italian
Artist dates: 1607 – 1691
Subjects: sleeping,madonna and child

Bartsch catalogues this print under School of Reni and remarks that it is apparently identical to a print by Tinti. However, it has also been linked to Lorenzo Loli.
Panel
Object type: panel
Date: 1811 – 1811
Materials: metal thread, silk
Artist: séguin et cie
Artist role: manufactory
Portret van Willem Vrolik
Object type: print
Date: 1824 – 1845
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit op een stoel. Op de revers van zijn jas draagt hij twee ridderorden en in zijn rechterhand heeft hij een boek. Onder het portret staat zijn signatuur.
Vrede van Luneville
Object type: strooipenning
Date: 1801 – 1801
Materials: silver
Techniques: striking
Location: england
Artist: Anonymous
Subjects: lunéville, tweede coalitie-oorlog, franse revolutie, vrede van lunéville

Zilveren penning. Voorzijde: gevulde hoorn van overvloed, waarop dolk ligt; daarboven duif met olijftak in bek binnen omschrift. Keerzijde: opschrift boven twee olijftakjes
Kris with Sheath
Object type: kris with sheath
Date: 1501 – 1900
Materials: horn
Culture: sumatran
Location: indonesia
Man en vrouw op rocaille
Object type: ornament print
Date: 1736 – 1762
Materials: paper
Techniques: etching
Location: augsburg
Subjects: rocaille ornament, couple of lovers
Inscriptions: collector's mark: Lugt 2228

Een man met hoofddeksel en lange pijp staat op een rocaille in een landschap. Achter hem staat een vrouw met pluimen in haar hand. Links schijnt de zon door de wolken. Rechts boven N genummerd.
Landschap ten westen van Sumedang, Priangan, West-Java
Object type: drawing
Date: 1816 – 1846
Materials: chalk, paper
Location: west java
Artist: adrianus johannes bik
Artist role: draughtsman, print maker
Artist dates: 1790 – 1872
Inscriptions: inscription: ‘gezigt van den berg/ Palassari bewesten Sumadang/ 1 Katjapé/ 2 Boelat/ 3 Tji Salak/ 4 Pangadegang/ 5 Passir Ringit/ publieke weg. Loeloerong; 1 Babango/ 2 Lawang Tenge/ 3 Gedong/ Lawang Derok’

artikel over deze collectie in Bulletin van het Rijksmuseum 49 [2001], nr. 4, pp 342 e.v.
Small tray (one of a pair)
Object type: tray
Date: 1757 – 1759
Materials: silver gilt
Artist: johann martin satzger i
Artist role: maker
Artist dates: 1707 – 1785
Doorwerth aan de Rijn
Object type: sketchbook leaf
Date: 1860 – 1865
Materials: paper, pencil
Location: doorwerth
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: annotation: ‘Doorwerth’

Blad 1 recto uit een schetsboek met 55 bladen.
Teapot
Object type: teapot
Date: 1764 – 1798
Materials: pewter, wood
Culture: american
Location: united states
Artist: william will
Artist role: maker
Artist nationality: american
Artist dates: 1742 – 1798
Twee studies van een vrouw met kind
Object type: drawing
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: mother and baby or young child
Bier- of wijnvat, van eikenhouten duigen, omwonden door 4 x 3 hoepels van rotan
Object type: vessel
Date: 1690 – 1710
Materials: brass, wood, rattan
Techniques: gilding
Location: amsterdam
Artist: Anonymous

Bier- of wijnvat, van eikenhouten duigen, omwonden door 4 x 3 hoepels van rotan. Op de voorkant is met witte verf een zwaantje geschilderd.
Hunting Sword and Scabbard
Object type: sword with scabbard
Materials: gold alloy, gold, skin, steel, wood
Culture: hilt

The European taste for Asian designs and materials was particularly strong in the early eighteenth century. European-style sword hilts made of shakudō, an alloy of copper and gold that was popular in Japan for sword fittings, appear to have been made at Deshima for the Dutch East India Company, which exported them to Holland to be fitted out with European blades.
Willebord, Gysbreght van Aemstel
Object type: print
Date: 1894 – 1901
Materials: paper
Techniques: lithograph
Subjects: saints, monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2233

Een horizontale, decoratieve titelband waarin de prior Willebrord en Gijsbrecht van Aemstel worden aangekondigd. Links van de titelband een verticale sierrand met daarin de beeltenissen van Sint Bruno met gevouwen handen en Willebrord met staf.
Abstract-futurist Composition
Object type: painting
Date: 1912 – 1912
Materials: canvas, oil, paint
Location: gouda
Artist: chris lanooy
Artist dates: 1881 – 1948

In 1912-1913 paintings by Italian Futurists were exhibited in various Dutch cities. Their picturing of movement with ‘lines of force,’ as they called them, was unprecedented. While Futurism became a hype in the newspapers, it found less resonance among Dutch artists. An exception was the Gouda ceramist and painter Chris Lanooy. His dynamic composition of rays and circles evokes the image of an explosion, or a car racing by.
Plate 7: Psyche attended in her bath, from "The Story of Cupid and Psyche as told by Apuleius"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Subjects: psyche,bathing

This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.
Shell Inscribed with the Cartouche of Senwosret I
Object type: shell, senwosret i
Date: 1981 – 1550
Materials: shell
Location: egypt
Subjects: cartouches

Polished down to its inner layer of nacre (mother of pearl), this iridescent oyster shell has been pierced with two holes so that it could be strung and hung around the neck. The royal name Senwosret has been incised into the surface. It is one of about fifty such shells known, most inscribed, like this example, with the nomen (birth name) Senwosret, or with the prenomen (throne name) Kheperkare. Since Kheperkare is the throne name of Senwosret I, it is generally assumed that it is this king (rather than another of the monarchs with the same name) who is meant here. Although few of these shells have archaeological contexts, several of those that do are connected with military personnel, and therefore may have been worn primarily by soldiers. However, there was no clear evidence of a military connection in the burial from which this example comes, and recent scholarship suggests that they may have been buried with women or men in the late Middle Kingdom, and have served an amuletic purpose.
John Churchill (1650–1722), First Duke of Marlborough
Object type: painting, miniature
Date: 1698 – 1732
Materials: parchment
Artist: christian richter
Artist role: artist
Artist nationality: swedish
Artist dates: 1678 – 1732
Subjects: men,portraits
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of an eye, with the outer area in added white, and a black and red oculus, with a red dot in the center as a pupil; misfired
Familieportret in een tuin
Object type: photograph
Date: 1880 – 1940
Materials: photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: annotation: ‘Nunspeet’, number: ‘2429’

Op verso staan lijnen voor adres en postzegel gedrukt.
Pair of Stirrups
Object type: stirrup
Date: 1801 – 1900
Materials: wood
Culture: guatemalan or south mexican
Location: guatemala
Subjects: birds

This pair of heavy and impressive wooden carved stirrups was probably made in the south of Mexico or in Guatemala. Their decoration is inspired from the double-headed imperial German eagle, a motif introduced to Spain during the Habsburg dynasty and from there imported to America. In this example however eagles seem to have been replaced by pairs of more peaceful tropical birds, possibly quetzals or parrots.
Joris W. Vezeler
Object type: painting
Materials: oil, panel
Subjects: den bosch, antwerp, goldsmith, mintmaster, historical persons

Portret van Joris W. Vezeler (Vezelaer) die een handschoen aantrekt.
Passie en wederopstanding van Christus
Object type: print
Date: 1590 – 1638
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Christus en zijn apostelen zitten samen aan een gedekte tafel. Christus toont zijn leerlingen een stuk brood. Judas staat rechtop. In zijn rechterhand een geldbuidel. De prent heeft een Latijns onderschrift met een tekst uit de Bijbel en is de eerste prent van een veertiendelige serie over de passie van Christus.
Staande os
Object type: print
Date: 1724 – 1798
Materials: paper
Techniques: printmaking
Location: amsterdam
Subjects: ox
Inscriptions: collector's mark: Lugt 2228
Berglandschap met bergmeer
Object type: photograph
Date: 1855 – 1880
Materials: paper
Techniques: albumen print
Location: germany
Artist: Anonymous
Subjects: lake, mountains, germany
Gevecht tijdens de Slag aan de Berezina
Object type: photomechanical print
Date: 1905 – 1920
Materials: cardboard
Techniques: three-color autotype
Location: germany
Artist: fritz neumann
Artist role: printer, publisher
Subjects: battle
Inscriptions: inscription: ‘Marke E.G.M.S. Serie 105.’, inscription: ‘68, oorlog’, title: ‘1812 r. [Cyrillisch schrift]/ Passage de la Bérésina./ Uebergang über die Beresina.’
Ding Lan (Tei Ran), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"
Object type: print
Date: 1848 – 1850
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Kerstkaart van J.C. v.d. Mark Solleveld
Object type: christmas card
Date: 1900 – 1935
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: christmas decorations, christmas card

Een kerstversiering met daarin de tekst: 'Een gelukkig kerstfeest wordt u toegewenscht door J.C.V.D. Mark Solleveld'.
H. Guerillot
Object type: album leaf
Date: 1746 – 1807
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, portrait of a musician
De Nederlandse handelsfactorij op Deshima
Object type: emakimono
Date: 1810 – 1810
Materials: ink, paper
Techniques: brush in colors
Location: nagasaki
Subjects: verenigde oostindische compagnie, deshima

Drie scènes: Het wegen van handelswaar (mogelijk koper) bij twee grote weegschalen. Het verhandelen van laken onder een afdak van gestreepte stof. De baai van Nagasaki met links een deel van het eiland Deshima en rechts een Nederlands schip.
Kinderportretten
Object type: photomechanical print
Date: 1890 – 1900
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: clothes, costume, child (at home)

Zes portretten van kinderen, waaronder twee portretten van kinderen in kostuums. Deze pagina is deel van een album.
Vazen met bloemen
Object type: ornament print
Date: 1500 – 1600
Materials: paper
Techniques: engraving
Location: germany

In de vaas staan ondermeer rozen en een helianth. Rechts van de vaas kruipt een slak, links zit een insect.
Reading by Lamplight
Object type: print
Date: 1859 – 1859
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Huwelijk van Psyche en Cupido
Object type: print
Date: 1590 – 1650
Materials: paper
Techniques: etching
Artist: françois perrier
Artist role: draughtsman, painter, print maker
Artist dates: 1594 – 1649
Subjects: marriage of cupid and psyche
Inscriptions: collector's mark: Lugt 240
Allegorical composition celebrating the Humanities
Object type: print
Date: 1695 – 1695
Techniques: etching
Artist: sir nicolas dorigny
Artist role: artist
Artist nationality: french
Artist dates: 1655 – 1746
Subjects: men,women,satyrs
Italianiserend landschap: middag
Object type: print
Date: 1603 – 1641
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: pack-animal, lake, afternoon ~ landscape (sometimes titled 'meridies'), farm or solitary house in landscape (+ city(-scape) with figures, staffage)

Gezicht op een Italianiserend landschap met een meer en figuren bij een huis, voorstellende de middag. Linksvoor twee figuren bij pakezels. Prent uit een serie van vier.
De kranigste koning, 1831
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: belgium
Artist: Anonymous
Subjects: the hague, berlin, william i of the netherlands, trampling, treading, stamping on someone or something
Inscriptions: collector's mark: Lugt 2228

Spotprent op koning Willem I na het verwerpen van het verdrag der XXIV artikelen van de Londense Conferentie, 13 oktober 1831. De koning vertreedt onder de voet het document van de 24 artikelen.
Landschap met ruïnes en reizigers (EX. VARIIS RVINES PR. ROMANAE)
Object type: print
Date: 1561 – 1561
Materials: paper
Techniques: etching
Location: vicenza
Artist: giovanni battista pittoni (i)
Artist role: print maker
Artist dates: 1520 – 1583
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Fantasielandschap met antieke ruïnes en reizigers op een weg. Rechts zijn de beelden van de twee Dioskuren ter herkennen en in de achtergrond de zuil van Trajanus. Uit een serie met negentien fantasielandschappen met ruïnes uitgegeven in 1561.
Landschap met de verloren zoon als zwijnenhoeder
Object type: print
Date: 1650 – 1655
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: the parable of the prodigal son (luke 15:11-32)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240
Handle
Object type: handle
Date: 901 – 1000
Materials: bronze
Techniques: casting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Schepen op de Theems bij Greenwich
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: thames
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: river, ships (in general), thames
Inscriptions: inscription: ‘Juni 1886.’, number: ‘No. 328.’, name: ‘G. W. Wilson, Photographer, Aberdeen.’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, part of a tendril loop
Evening slippers
Object type: evening slipper
Date: 1855 – 1869
Materials: silk
Culture: american
Groep mensen op een markt, mogelijk in Algiers
Object type: stereoscopic photograph
Date: 1890 – 1910
Materials: glass
Techniques: slide
Location: algiers
Artist: Anonymous
Subjects: village, market, trees: palm-tree
Geldersch panorama of rondgezicht naar het leven geteekend op belvedére te Nymegen
Object type: print
Date: 1815 – 1824
Materials: ink, paper
Techniques: etching, pen
Location: nijmegen
Artist: derk anthony van de wart
Artist role: draughtsman, painter, print maker
Artist dates: 1767 – 1824
Subjects: landscapes, fence, wall, paling, nijmegen
Inscriptions: inscription: ‘No. 1. Kuik. 2. Mook. 3. Boxmeer.’, collector's mark: Lugt 2228

Glooiend landschap ten zuiden van Nijmegen met een muur. In de verte zijn de steden Cuijk, Mook en Boxmeer met nummers aangeduid. De prent is een onderdeel van een suite van negen prenten, inclusief de titelprent.
Dish
Object type: dish
Date: 1271 – 1368
Materials: porcelain
Culture: chinese