deem-data/ArtiFact huggingface dataset:
Letter to Samuel P. Avery with a drawing of a military figure
Object type: drawing, letter
Date: 1880 – 1880
Materials: gouache, ink
Techniques: pen, wash
Artist: ernest meissonier
Artist role: artist
Artist nationality: french
Artist dates: 1815 – 1891
Subjects: military,men

Written in black ink by the artist below the drawing: "Cher Monsieur Avery voici un méchant croquis d'un des figures de mon bon tableau, Le Renseignement que vous avez tiré d'Allemagne pour mon ami Mr. Vanderbilt. J'aurais voulu le faire meillieur, mais tel qu'il est je le laisse dans votre livre un souvenir du plaisir que j'ai eu d'avoir le tableau [...] le savoir entre les mains d'un amateur aussi distingué. / à vous bien cordialement / 1880 21 Juillet Meissonier" Translation: "Dear Mr. Avery here is a rough sketch of one of the figures in my beloved picture 'Le Renseignement', which you took from Germany for my friend Mr. Vanderbilt. I would have liked to have done it better, but such as it is, I leave it in your book as a souvenir of my pleasure in having seen the picture again, and of knowing it is in the hands of so distinguished an amateur, very cordially yours, 1880 21 July Meissonier" This letter was reproduced in The Century Magazine in 1897 (p. 234) in an article recounting the return of Meissonier's "Le Renseignement" to France from Dresden. Meissonier painted "Le Renseignement", which portrays Marshal Saxe accompanied by troops of soldiers interrogating a peasant, for the 1867 Exposition. The painting was purchased at the Exposition by French art dealer Georges Petit (1856–1920) from whom William T. Walters of Baltimore attempted to buy the work, but was outbid by a German banker living in Paris, Mr. M. Mayer. At the outbreak of the Franco-Prussian war in 1870, Mayer fled Paris, bringing the painting with him to Dresden, where it remained until Mr. Vanderbilt bought the work back with the help of Samuel P. Avery. Petit had tried without success to purchase the work back, as Meissonier was upset to see it leave France. Avery visited the painting numerous times in Mayer's home in Dresden. While Meissonier was completing a portrait of Vanderbilt, Avery and Vanderbilt decided to make another attempt to purchase the work back for the artist. Avery wrote to Mayer, specifying that it was a friend who wished to buy the painting, assuring the collector that it would be for the friend to keep, not to buy and sell. Mayer, according to Avery, agreed explaining that at his old age (then 80 years old) he should think of his heirs and their inheritance. Avery telegraphed Vanderbilt and he quickly purchased the painting which was received by post directly to Avery's hotel room. Avery and Vanderbilt surprised Meissonier with the canvas upon his completion of Vanderbilt's portrait. According to Avery, he exclaimed "mon bon tableau! mon bon tableau!" and fell to his knees with joy.
6e Cahier
Object type: print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: fire-screen, table, flowers in a vase

Een geornamenteerd haardscherm met een vaas met bloemen en aan weerszijden geornamenteerde bijzettafels met guirlandes. Prentnummer 34.
Portret van een onbekende baby
Object type: photograph
Date: 1885 – 1913
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: anonymous historical person portrayed, infant, baby ~ the ages of man, the hague
Inscriptions: inscription: ‘Adolphe/ De Riemerstraat No. 21. La Haye.’, inscription: ‘Anvers 1885./ Adolphe Zimmermans/ Photographe./ De Riemerstraat No. 21./ La Haye.’
The Bear with His Snout and Forepaws Caught in the Trunk of a Tree from Hendrick van Alcmar's Renard The Fox
Object type: print
Date: 1634 – 1666
Techniques: mezzotint
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: bears,foxes
Basket Box with Design of Two Chinese Children and Snowball
Object type: box
Date: 1801 – 1900
Materials: ivory, mother of pearl
Techniques: lacquer
Culture: japanese
Subjects: boys,snow
Le Songe d'Amour
Object type: print
Techniques: etching
Artist: jean honoré fragonard
Artist role: artist
Artist nationality: french
Artist dates: 1732 – 1806
Subjects: women
Twee knopen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: button
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Twee knopen. (2) flat, plain (1.5d, 0.1t), loop-shank
Le Pompe: Opera Nova, page 11 (verso)
Object type: book print ornament architecture
Date: 1557 – 1557
Techniques: woodcut
Artist: giovanni battista & marchio sessa
Artist role: publisher
Artist nationality: italian
Subjects: ornament

Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column is decorated with a pattern of ovals interspersed among a pattern of small diamonds. Middle column is decorated with an interlace pattern that forms oval and star shapes. Right column is decorated with an interlace motif forming ovals in the center that are surrounded by squares, triangles, and diamonds.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, reserve band framed at the bottom by four thin black glazed lines; bit of black glaze
Spring
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: mezzotint
Location: england
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: landscapes
Prinses Beatrix te paard
Object type: photograph
Date: 1959 – 1959
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Subjects: beatrix (koningin der nederlanden)
Inscriptions: annotation: ‘Saturday 31st, 1959 H.R.H. Crown Princess Beatrix celebrates het 21st birthday and thus attains Her majority. Picture from the files: in April, 1952, during a cross country. PHOTO ANEFO 28-1-1959’
Ontwerp voor een meubel met spiegel
Object type: design drawing
Date: 1887 – 1911
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: gust van de wall perné
Artist role: draughtsman, painter, print maker
Artist dates: 1877 – 1911
Subjects: decorative furniture, mirror
Inscriptions: collector's mark: Lugt 2228
Dish
Object type: dish
Date: 501 – 800
Materials: marble
Culture: sasanian or islamic
Location: mesopotamia
Portret van Juan Domingo de Zuñiga y Fonseca
Object type: print
Date: 1645 – 1668
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: juan domingo méndez de haro y fernández de córdoba, baton of general
Inscriptions: collector's mark: Lugt 2228

Portret van veldheer Juan Domingo de Zuñiga y Fonseca, gekleed in harnas, met een bevelhebberstaf in zijn hand. Twee engelen kronen hem met een lauwerkrans. Linksonder draagt een putto zijn wapenschild en rechtsonder draagt een putto een helm.
Brief aan Jan Veth
Object type: letter
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen, printing, writing
Location: nieuwer-amstel
Artist: pieter lodewijk tak
Artist role: politician
Artist dates: 1848 – 1907
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, nelly bodenheim, andré jolles, the graphic arts, printed matter
Inscriptions: watermark, collector's mark: ‘RPK’
Portret van Claude Ballin I
Object type: book illustration
Date: 1696 – 1700
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, print maker, claude ballin (i), historical persons, jeweller, goldsmith, silversmith
Inscriptions: collector's mark: Lugt 2228

Prent uit: Perrault, Charles. Les hommes illustres qui ont paru en France pendant ce siècle. Parijs: Antoine Dezallier, 1696-1700.
Forum van Pompeï met zicht op de tempel van Jupiter, op de achtergrond de Vesuvius
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: foro civile
Artist: Anonymous
Subjects: column, pillar ~ architecture, ruin of a building ~ architecture, temple, shrine ~ non-christian religions, street, village square, place
Inscriptions: number: ‘1201.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16. AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, inscription: ‘Pompeji. Burgerlijk Forum. Aan de Noordzijde de Tempel van Jupiter, aan de andere zijden een Dorische portiek , waarboven een Ionische galerij . Rondom standbeelden van verdienstelijke burgers . Op den achtergrond de Vesuvius.’
Janette Peereboom uit Marken
Object type: sketchbook leaf
Date: 1875 – 1875
Materials: paper, pencil
Location: marken
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: sitting figure, girl (child between toddler and youth), folk costume, regional costume, home sewing; repair of clothes
Inscriptions: annotation: ‘legs too/ short/ Janette Peerboom - Marken’

Het meisje zit in Marker klederdracht te handwerken. Blad 24 verso en 25 recto uit een schetsboek met 46 bladen.
Week van de liefde
Object type: print
Date: 1852 – 1857
Materials: paper
Techniques: hand coloring
Location: paris
Subjects: awakening love, amorousness, desire, fashionable woman, 'belle'
Inscriptions: collector's mark: Lugt 2233, check stamp: Lugt 1090
Alphons Diepenbrock met vrouw en twee dochters
Object type: photograph
Date: 1910 – 1910
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: alphons diepenbrock, jonkvrouw wilhelmina elisabeth petronella cornelia de jong van beek en donk
Inscriptions: date

Foto op bruin albumblad 3 van familiealbum van Alphons Diepenbrock.
Pan
Object type: glass
Date: 1824 – 1832
Materials: glass
Techniques: glassblowing
Location: ohio
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Ex libris van Chris van der Straaten
Object type: bookplate
Date: 1955 – 1955
Materials: paper
Techniques: drypoint, etching, intaglio, roulette
Location: germany
Artist: karl blossfeld
Artist role: print maker
Subjects: london, church-window, e.g. rose-window, historical persons, church organ, composer
Inscriptions: signature: ‘Paul [...]pper [?]’, inscription: ‘Karl Blossfeld’
Glass Fragment
Object type: fragment
Date: 1200 – 1215
Materials: glass, metal, paint
Culture: french
Subjects: men

The Cathedral of Saint-Étienne in Bourges still preserves a distinguished series of stained glass in its chapels. These fragments from some of the destroyed ambulatory windows exemplify the high quality of the original decoration. Note especially the blood red devil, probably from a Last Judgment scene, and the elegant figure of Christ from the Crucifixion.
Diefstal en een ziek kind
Object type: print
Date: 1820 – 1865
Materials: paper
Techniques: colour, lithograph
Location: stuttgart
Subjects: ass, donkey, theft, patient, sick person
Inscriptions: collector's mark: Lugt 2760

Blad met 2 voorstellingen. Boven: een jongen en een meisje die fruit van een slapende man proberen te stelen. Onder: drie vrouwen met een ezel die een mand met een ziek kind draagt. Onder elke afbeelding een onderschrift in het Engels, Duits, Frans en Nederlands. Genummerd linksonder: No. 47.
Teakettle and Stand
Object type: metalwork
Materials: copper, silver
Location: new york city
Artist: edward c. moore
Artist nationality: american
Artist dates: 1827 – 1891
Subjects: dining, drinking
Inscriptions: Marked on bottom of kettle: TIFFANY & CO. /5046 MAKERS 9481 / STERLING SILVER / -AND- / OTHER-METALS
Marked bottom of burner: TIFFANY & CO / 10369 M 7930 / STERLING SILVER

The New York firm Tiffany and Company was founded in the mid-19th century and quickly became world renowned. This teakettle was created for the 1878 Exposition Universelle in Paris and was most likely designed by Edward C. Moore (American, 1827–1891). Twelve years later, the firm produced the accompanying stand. The kettle and stand harmoniously blend the designs of the Aesthetic and Arts and Crafts movements, both of which were influenced by non-Western design. These works are quintessential representations of international taste during the late 19th century.
Well, This is a New Way of Taking a Fence-She Doesn't Seem to Take Offence Anyhow
Object type: drawing and watercolor
Materials: gouache, graphite, paint, paper, watercolor
Techniques: heightening
Location: england
Artist: hablot knight browne
Artist role: print maker
Artist nationality: english
Artist dates: 1815 – 1882
Openen der Westfriese muntbus onder muntmeester J. Knol, penning vereerd aan de burgemeesters der westfriese steden
Object type: history medal
Date: 1736 – 1736
Materials: silver
Techniques: striking
Location: west frisia
Artist: jan knol
Artist role: mintmaster
Artist dates: 1715 – 1751
Subjects: mintmaster, jan knol

Zilveren penning. Voorzijde: gekroond wapenschild geflankeerd door twee leeuwen boven geopende muntbus temidden van olijftakken binnen omschrift. Keerzijde: gekroond wapenschild, omgeven door drie met lint verbonden wapenschilden, daartussen olijftakken binnen omschrift
Studioportret van Pauline van den Berg
Object type: photograph
Date: 1895 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: batavia
Subjects: the hague
Inscriptions: name: ‘Photografie / CHARLS & vab ES &’, name: ‘Pau v. Blommen’
Cabasset
Object type: cabasset
Date: 1567 – 1633
Materials: brass, steel
Techniques: polychromy
Culture: italian
Location: italy
Subjects: lions,saint mark
Flask
Object type: flask
Date: 601 – 800
Materials: glass
Techniques: glassblowing, tooling
Location: iraq

This glass flask was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this flask attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Stichting van het oude mannen- en vrouwenhuis van de diaconie van de Nederduitsch Hervormde gemeente te Leeuwarden
Object type: history medal
Date: 1758 – 1758
Materials: silver
Techniques: striking
Location: leeuwarden
Artist: eise andeles
Artist dates: 1731 – 1766
Subjects: nederlands hervormde gemeente (amsterdam), leeuwarden
France
Object type: stereoscopic photograph
Date: 1920 – 1925
Materials: glass
Techniques: gelatin silver transparency
Location: alps
Artist: Anonymous
Subjects: prospect of village, silhouette of village, mountains
Inscriptions: inscription: ‘Made in France (...) Brevete S.G.D.G. (...)’
V.or Hugo
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, victor hugo, historical persons
Inscriptions: collector's mark: Lugt 2228a
Panel with Tiger and Birds on Floral Ground
Object type: kesi panel
Date: 901 – 1200
Materials: metal thread, silk
Techniques: tapestry
Culture: eastern central asian
Subjects: birds,tigers,flowers
Two Horses by a Plough
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: etching
Location: netherlands
Artist: karel dujardin
Artist nationality: dutch
Artist dates: 1622 – 1678
A Picnic
Object type: painting, miniature
Date: 1766 – 1772
Materials: paper
Artist: edmé charles de lioux de savignac
Artist role: artist
Artist nationality: french
Artist dates: 1766 – 1772
Subjects: men,women,landscapes,picnics
Fresco di Pompei
Object type: album leaf
Date: 1860 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: animals, painting (including book-illumination, miniature-painting) (+ plaster ~ arts), pompeii
Inscriptions: number: ‘5356’

Onderdeel van Fotoalbum met opnames van opgravingen in Pompeï door Giorgio Sommer.
Sabelantilope
Object type: print
Date: 1927 – 1927
Materials: paper
Techniques: woodcut
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: hoofed animals: antelope
Inscriptions: collector's mark: Lugt 2228
Kwitantie voor P. Chomel, Amsterdam, 1786
Object type: ontvangstbewijs, kwitantie
Date: 1786 – 1786
Materials: ink, paper
Techniques: letterpress printing, writing
Location: amsterdam
Artist: hendrik linsen
Artist role: publisher
Subjects: advertising, receipt, newspaper, news-sheet, amsterdam

Kwitantie voor de heer P. Chomel, Amsterdam, 11 juli 1786, voor de betaling van een advertentie in de Amsterdammer Courant van 11 juli 1786, ondertekend door Hend.k Linsen. Voorgedrukt briefje, ingevuld met handschrift.
Standing Bodhisattva
Object type: relief
Date: 1368 – 1644
Materials: wood
Culture: chinese
Subjects: buddhism,bodhisattvas
Veld van vier tegels met vogels
Object type: tegelveld
Date: 1640 – 1660
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van vier tegels (2 x 2) elk met een veelkleurig (blauw, groen, geel en oranje) geschilderde vogel op een grondje met in de hoeken een lelie.
Theodore A. "Ted" Kennedy, Pitcher, Des Moines Prohibitionists, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
De Villa Pratolino
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: italy
Artist: stefano della bella
Artist role: draughtsman, print maker
Artist dates: 1610 – 1664
Subjects: garden, piece of sculpture, reproduction of a piece of sculpture, giants, colossi
Inscriptions: collector's mark: Lugt 240

Het sculptuur De Kolos van de Apennijnen (Colosso dell'Appennino) door Giambologna, in de tuin van Villa Pratolino. Een sculptuur van een oude man met baard die losbreekt uit een grot. Hij buigt voorover naar een hondenkop. Uit de hondenkop komt water. Voor het sculptuur een vijver. Verschillende figuren op de voorgrond bij de vijver. Op de achtergrond een dennenbos.
Portret van Hermanus Boerhaave (versie B)
Object type: print
Date: 1762 – 1782
Materials: paper
Techniques: printmaking, etching
Location: the hague
Subjects: hermanus boerhaave, historical persons, physician, doctor (+ scholar, scientist (at work))
Inscriptions: collector's mark: Lugt 2488

Portret van Hermanus Boerhaave, buste, driekwart naar rechts. Tegendruk van de versie B van het portret, door Heenck. Samen met drie andere versies van deze prent opgezet op een blad met een handschrift met de anekdote over het aan stukken snijden van de koperplaat door de dochter van Boerhaave.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Exterior, part of right thigh, genitals, and left thigh of male to right; part of leg of a second male to right
The Designs of Inigo Jones, Consisting of Plans and Elevations for Publick and Private Buildings
Object type: book print ornament architecture
Date: 1727 – 1727
Techniques: engraving, etching
Artist: william kent
Artist role: publisher
Artist nationality: british
Artist dates: 1684 – 1748
Capture of Christ
Object type: plaquette
Date: 1520 – 1530
Materials: enamel, glass, gold, silver
Techniques: lampwork
Subjects: men,christ

These sculptural reliefs (2015.388.1–.4) display extraordinary, jewel-like enameling accomplished through an innovative technique involving molten glass paste built up over an armature of gold wires on a silver base. In expressive detail, they represent four scenes of Christ’s Passion at a tiny scale—fully appreciable only to those privileged enough to view the reliefs at close range. (The compositions owe more than a little to the Small Passion print series by the famous Northern Renaissance master Albrecht Dürer.) Expensive as they were, the plaques would have been worth only a fraction of the treasure in the container they decorated: most likely some lost relic, imbued with spiritual power and believed to bridge our world with the divine. [Elizabeth Cleland, 2017]
Studie van een staand vrouwelijk naakt
Object type: drawing
Materials: chalk, paper
Location: amsterdam
Artist: christian forssell
Artist role: print maker
Artist dates: 1777 – 1852
Inscriptions: inscription: ‘21 Maart 1806 Welmeer / 28 dito - Welmeer / 4 April 1806 - Welmeer / 10 April 1806 [naam onleesbaar]’

Vrouwelijk naakt stapt met rechtervoet op een verhoging en houdt met beide handen een brede pot vast.
Fotoreproductie van een prent naar een schilderij, voorstellende een kudde met een herder in een weide bij schemering
Object type: reproduction
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: cattle, meadow, pasture, sunset
Brief aan Jan Veth
Object type: letter
Date: 1887 – 1887
Materials: ink, paper
Techniques: pen, writing
Location: goes
Artist: chap van deventer
Artist role: kunstcriticus, scheikundige, schrijver
Artist dates: 1860 – 1931
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, photography, cinematography, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’, watermark
Model Ointment Jar from a Foundation Deposit
Object type: model, ointment jar, foundation deposit, hatshepsut merytre
Date: 1479 – 1425
Materials: paint, stone
Location: egypt
De Bilt bij Utrecht
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: aquatint, drypoint, etching
Location: nieuwer-amstel
Artist: elias stark
Artist role: draughtsman, print maker
Artist dates: 1849 – 1933
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Twee mannen rijden op een kar langs een woning in De Bilt.
Plate
Object type: plate
Date: 1368 – 1644
Materials: porcelain
Culture: chinese
Subjects: deer,leaves
White Jambhala on a Dragon
Object type: figure
Date: 1701 – 1900
Materials: brass, copper, pigment, silver, wax
Techniques: casting, inlay
Culture: mongolian
Subjects: dragons

Although part of the jewel-born family associated with the Buddha Ratnasambhava, white Jambhala is said to have been born from the right eye of the compassionate bodhisattva Avalokiteshvara. He is identifiable by the dragon he rides and his gold sword, a variant of the khatvanga ritual staff, which he holds in his left hand. He alleviates suffering from poverty and sickness and purifies nonvirtuous karmic actions.
Alameda de Apodaca, à Cadix.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: cádiz
Artist: Anonymous
Subjects: church (exterior), sculpture, façade (of house or building)
Inscriptions: number: ‘No 363.’, inscription: ‘Espagne’