deem-data/ArtiFact huggingface dataset:
Cornemuse
Object type: cornemuse
Date: 1801 – 1900
Culture: french
Location: france
Artist: joseph bechonnet
Artist role: maker
Artist nationality: french
Artist dates: 1820 – 1900
Subjects: animals

This bagpipe has the characteristics of a bagpipe from Central France. Aside from the goat’s head and the hairy goat-skin bag, the work on the pipes resembles that of Joseph Béchonnet (1820-1900), a virtuoso bagpipe maker from Effiat in the Puy-de- Dôme, France (Chassaing 2015). It a visually powerful instrument, very well made, with fine workmanship demonstrated throughout the instrument. The bagpipe features a parallel chanter and tenor drone, fitted in a common stock, with a separate bass drone and an air source provided by bellows, clearly marking it as an instrument from central France. The drones, chanter, and airpipe are all intricately decorated with rings and a serrated inlaid pattern, creating a visual contrast between the dense black ebony and the delicate ivory or antler rings and points. The fingerholes are slightly scalloped to accommodate the musician’s fingers and the tenor drone both emerge from an exquisitely carved goat head with 16 tiny ivory teeth. The goat’s forehead is branded with a circular inlay of ivory and mother of pearl, complete with a miniature buck in the center. This instrument was purchased in 1895 by Mary Elizabeth Brown from the Count Eugène de Bricqueville. The instrument had been in the Count’s collection and was one of his prized possessions. This instrument was probably made in the second half of the nineteenth century and purchased by Bricqueville through a broker to add to his collection of period instruments (Balosso-Bardin 2024). (Cassandre Balosso-Bardin, 2023) Technical Description Conical single chanter of black wood 474 mm, 7/1 holes, the bottom hole doubled, 2 ventholes, reed missing (typically cane double reed on metal staple); Bass drone in 3 sections 712 mm, tenor a closed cylinder of red wood with cane tongue, tenor reed missing; 5-fold green and red leather bellows with 2 boards of black wood, blue velvet body straps, leather valve; Sewn goatskin bag with hair on the exterior; Ivory mounts inlaid with triangles of black wood; 2 cylindrical black wood stocks for bellows and bass drone; Chanter and tenor drone stock a carved goat's head with inlaid mother-of-pearl circle on forehead ornamented with ivory carved goat's head, leather ears, ivory teeth encircled by brass ring to form "mouth" (stocks); 8-point star of black wood on bass drone bell cap; 11-point star of mother-of-pearl inlaid on bellows board; References Balosso-Bardin, Cassandre, 2024. ‘The travelling goat: provenance story of a bagpipe’. Enduring Rhythms. New York: Metropolitan Museum of Art. Chassaing, Jean-François, 2015. Béchonnet et les cornemuses en France. Jenzat: Centre de recherche sur les musiques traditionnelles.
Transisalania provincia vulgo Over-yssel (...)
Object type: print
Date: 1721 – 1774
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), peat-cutting, maps of separate countries or regions, cattle, fisherman

Linksonder een cartouche met het wapen van Overijssel, daaromheen een visser en een turfsteker, turf en vee. Rechtsboven drie schaalstokken: Miliare Germanicum commune / 2 Duijtse mijlen van 15 in een graet inhoudende ijder 2000 Rijnlantse roeden, 2 uren gaens inhoudende 1500 Rijnlantse roeden, 2000 Rijnlantse roeden. Rechtsonder een legenda.
Biddende Maria
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving, etching
Location: berlin
Subjects: mary praying, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Zonder geld door 't land te wandlen, / Is als zonder waaren, handlen. / Let dus, leezer! op de munt, / Daar gij veel voor koopen kunt
Object type: print
Date: 1805 – 1808
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: coin
Inscriptions: collector's mark: Lugt 2760

Blad met 17 voorstellingen van oude Nederlandse munten, voor- en keerzijde. Boven elke voorstelling de naam en waarde van de munt, eronder een tweeregelig vers. Midden boven het zegel van de Maatschappij tot Nut van 't Algemeen. Genummerd rechtsboven: G.
Rivierlandschap met wasvrouwen
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: etching
Location: paris
Subjects: river, laundering, sunset
Inscriptions: collector's mark: Lugt 2228

Genummerd midden boven: Pl. No. 29. de l'Oeuvre.
Portret van Hendrik, prins der Nederlanden
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: nicolaas martinus schild
Artist role: draughtsman, print maker
Artist dates: 1822 – 1840
Subjects: hendrik (prins der nederlanden)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Fotoreproductie van La convalescance du pasteur
Object type: reproduction
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: garden, adult man, painting, drawing and the graphic arts
Inscriptions: annotation: ‘Die Genesung’, inscription: ‘Grenier./ 3068./ La convalescance du pasteur/ (...)’
Damesschoen van zwart leer versierd met zwart reptielleer en opstaande klep op de wreef
Object type: damesschoen
Date: 1940 – 1950
Materials: leather, metal
Techniques: tanning
Location: baarn
Artist: h.j. van gaver
Artist role: schoenmaker
Inscriptions: company name: ‘H. J. van Graver // BAARN. - penstraat 8. // Gédipl. pl. Luxe- en voetk. Schoenmaker. // Bekroond DEN HAAG’

Damesschoen van zwart leer met opstaande klep op de wreef. Afgeronde neus, blad uit één stuk leer. De voorkant van de hak loopt in een afgeronde hoek recht naar beneden. De zijkant en achterkant van de hak zijn iets getailleerd en bekleed met zwart reptielleer. Leren achterlapje met drie spijkers aan de hak vastgeslagen en leren zool. Blad gevoerd met bruin leer. Hiel gevoerd met geruwd ivoorwit leer. De binnenzool is van grijs leer. Versiering: Op de neus versierd met stuk reptielleer. Langs de schachtrand een golvende rand reptielleer. Op de opstaande klep twee banden reptielleer.
Grand Piano
Object type: grand piano
Date: 1868 – 1868
Materials: metal, wood
Culture: american
Location: united states
Artist: steinway & sons
Artist role: maker
Artist nationality: american
Artist dates: 1853 – 9999

This grand piano was known as a "Plain Grand Style 2" piano. The 8 foot 5 inch piano was Steinway's flagship model and their first piano with eighty-eight keys. It was the ancestor of the Centennial Grand introduced in 1875 that became the iconic "Model D" Steinway concert grand piano. This instrument has Steinway's patent resonator and patent double repeating action inside of the rosewood case and supported by three serpentine legs. By the time this instrument was built in 1868, Steinway & Sons had become the leading piano manufacturer in the United States. Innovations such as the cast iron frame and overstringing, both present on this instrument, were adopted by piano manufacturers worldwide. This "Plain Grand Style 2," case was finished January 9, 1869 by Hebeler was sold on September 29 to G. DeForest, 37 W. 96th Street. It was resold June 3, 1905 to Mrs. L. L. Haughwant, Reedsville, PA. Technical description: This instrument was probably pitched at a'=435. It has a French rocker action with tubular action frame (patented 1868), 2 pedals, a compression bar to maintain the soundboard crown, a 3/4 plate with holly-leaf openings with agragges throughout, and a glued up (not bent) rim. The present music rack (style in production until 1898) may date from 1905. (Kehl, 1995)
Suez
Object type: photograph
Date: 1885 – 1885
Materials: photographic support
Techniques: albumen print
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc.
Inscriptions: inscription: ‘No. 157 Panorama de Suez et de Focka’
Urpu (jar)
Object type: bottle
Date: 1400 – 1535
Materials: ceramic
Culture: inca
Location: peru
Artist: inca artist(s)
Artist role: artist
Laat ik deze gezegende plek met mijne oogen aftekenen;
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: park, kissing the hand (lovers)
Inscriptions: collector's mark: Lugt 240
Deutscher Kirchenbau im Mittelalter
Object type: portfolio
Date: 1911 – 1911
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Scaraboid: Monkey
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: baboon, floral motifs, hieroglyphs, monkeys
Basset Horn in F
Object type: basset horn in f
Date: 1860 – 1860
Materials: wood, nickel, silver
Culture: german
Location: germany
Artist: joseph seidel
Artist role: maker
Artist nationality: german
Artist dates: 1800 – 1870
Wild Animals, from antique wall paintings, plate 2, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1547 – 1547
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: animals

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 179 in the scrapbook.
Portret van een jongen
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: reims
Artist: abel bordéria
Artist role: fotograaf
Subjects: boy (child between toddler and youth)
Inscriptions: inscription: ‘Bordéria/ Photographe/ Succr. de Muret/ Place Drouet d'Erlon, 6/ près St. Jacques/ Reims’
Marble grave stele of Antigenes
Object type: grave stele of antigenes
Materials: marble
Culture: greek, attic

Attic grave monuments of the end of the sixth century B.C. tend to be simpler than their earlier counterparts. In particular, the sculpted finials in the form of sphinxes are replaced by palmettes that are integral with the shaft. The figures, moreover, may be painted instead of carved in relief. It is enlightening to compare a representation such as this with contemporary vase-painting. The light figure against a darker background is comparable to the red-figure technique in pottery. Indeed, the influence of painted sculpture has been adduced in precipitating the change from black-figure to red-figure.
Lucretia en Sextus Tarquinius
Object type: print
Date: 1553 – 1553
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: the rape of lucretia: sextus tarquin threatens her with a dagger or a sword
Inscriptions: date

Lucretia naakt zittend op haar bed, wordt bij de keel gegrepen door de eveneens naakte Sextus Tarquinius, die een zwaard in zijn rechterhand heeft. Hij dreigt haar te doden als zij zich niet aan hem geeft. Onder de voorstelling een regel tekst in het Latijn.
Portret van Johann Michael
Object type: print
Date: 1667 – 1685
Materials: paper
Techniques: engraving
Subjects: ornament ~ medallion, historical persons, pendant, trinket, 'breloque', armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Ruiterslag in de antieke oudheid
Object type: drawing
Date: 1590 – 1610
Materials: paint, gouache, paper
Location: italy
Artist: Anonymous
Dancing Girl
Object type: statue
Materials: bronze
Artist: ludwig michael von schwanthaler
Artist role: artist
Artist nationality: german
Artist dates: 1802 – 1848
Subjects: girls,female nudes,dancing

This piece is a replica of a somewhat over lifesize marble dancer, one of two commissioned in 1837 by Duke Wilhelm von Nassau for the dining room in the Castle at Wiesbaden, installed in 1841.
Set of four clock ornaments
Object type: clock ornament
Date: 1701 – 1800
Materials: gilt bronze
Statue of Dionysos leaning on a female figure ("Hope Dionysos")
Object type: statue of dionysos leaning on a female figure hope dionysos
Date: 27 – 68
Materials: marble
Culture: roman
Artist: pacetti, vincenzo
Artist role: artist
Subjects: men,women,dionysus

Roman copy of Greek original. Adaptation of a Greek work of the 4th century B.C. Dionysos, god of wine and divine intoxication, wears a panther skin over his short chiton and his high sandals with animal heads on the overhanging skin flaps. He stands beside an archaistic female image whose pose and dress imitate those of Greek statues carved in the sixth century B.C. It is difficult to know whether the original Greek bronze statue of Dionysos, of which this is a copy, included the female figure. Supports in the form of pillars, herms, and small statues were not uncommon in Classical art, but this figure may have been added to support the outstretched arm and may represent Spes, a Roman personification of Hope, who was commonly shown as an archaistic maiden.
Netsuke of Fukurokujin
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: human figures
Lago Maggiore. Isola Madre. Tramonto
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: lake maggiore
Artist: Anonymous
Subjects: island, lake, sunset
Gezicht op de Porte Saint-Denis te Parijs
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: charles gérard
Artist role: fotograaf
Subjects: triumphal arch
Inscriptions: inscription: ‘Porte St Denis’, inscription: ‘Photographie C. G. à Paris.’
Portret van Pierre Dupont
Object type: photograph
Date: 1865 – 1865
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: lyon, male singer, france
Fragment
Object type: textile
Materials: paper, textile, silk
Techniques: silvered
Location: japan
Le theatre de la guerre, dans les Pays-Bas, ou representation des principales villes qui sont en Flandres, Hainaut, Brabant &c. Avec leurs fortifications (...) premier volume
Object type: print
Date: 1693 – 1696
Materials: paper
Techniques: etching
Location: france
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om de stad Saint-Omer in Artois. Maakt deel uit van het eerste deel van het prentwerk: Le Theatre de la Guerre, dans les Pays-Bas, uitgegeven in 1696. Dit deel bevat 25 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog in de Nederlanden. Titel en opschriften in het Frans.
Onbekende jonge vrouw, 1950-1965, Duitsland / Zwitserland / Israël / Verenigde Staten?
Object type: photograph
Date: 1950 – 1965
Materials: paper, photographic support
Techniques: gelatin silver print
Subjects: historical persons not known by name - bb - woman
Inscriptions: inscription: ‘Diese Bild hat den zweiten Preis gewonnen ... Aber jetzt habe ich schon wieder langere Haare’

Albumblad bevat een foto met portret van onbekende vrouw met kort haar. Onderdeel van het fotoalbum met diverse foto's van de jeugd van Isabel Wachenheimer voor en tijdens de oorlog en diverse momenten van haar volwassen leven na de Tweede Wereldoorlog.
Allegorie op de Onbevlekte Ontvangenis
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: aquatint, etching
Location: france
Subjects: 'immaculata', 'purisima': mary, usually standing on a crescent moon, descending from heaven, exempt from original sin (sometimes trampling serpent)
Inscriptions: collector's mark: Lugt 2228

Onderaan zijn Adam en Eva vastgebonden aan de boom van de kennis van goed en kwaad met daarin de slang. Naast hen bevinden zich Mozes, koningen, priesters, een soldaat en overige figuren. Bovenaan de boom zweeft Maria met engelen op een wolk. Met haar linkervoet staat zij op een halve maan en vertrapt zij de slang in de boom.
Renaissance-style statue of a male saint
Object type: statue
Date: 1801 – 1900
Materials: terracotta
Techniques: polychromy
Subjects: men,saints

Presumably represents an apostle. Formerly believed to be 15th century Sienese, now believed to be a modern forgery.
Gouvernements Hotel, optocht d. Goudindustrie
Object type: photograph
Date: 1898 – 1902
Techniques: albumen print
Location: suriname
Subjects: suriname
Gezicht op het Cornelius Vanderbilt II House, New York
Object type: photomechanical print
Date: 1902 – 1902
Materials: paper
Techniques: photograph
Location: new york city
Subjects: exterior ~ representation of a building, street

Deze prent maakt deel uit van een album.
Huldiging van Bilderdijk door Dr. A. Kuyper
Object type: cartoon
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: amsterdam, haarlem, print maker, draughtsman, willem bilderdijk, the hague, abraham kuyper, political caricatures and satires

Ten overstaan van een groot publiek verheft Abraham Kuyper het podium waarop de Willem Bilderdijk staat steeds hoger, tot ongenoegen van de dichter.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, line border of tondo; Exterior, part of left thigh, greaved calf, and foot of warrior
Saint John with his head turned three-quarters to the left, with a book in his right hand and an eagle at his fee, plate 4 from "The Four Evangelists"
Object type: print
Date: 1541 – 1541
Techniques: engraving
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: eagles,books,saint john the evangelist
Kaarsenarm van kaarsenkroon
Object type: kaarsenarm
Date: 1475 – 1485
Materials: brass
Techniques: casting, metalworking

Kaarsenarm behorende bij een kaarsenkroon van drie hoogten met Mariakapel in het midden. De arm is twee maal gebogen en heeft elf bladeren. Aan het uiteinde rust de vetvanger, die aan de onderzijde een verticale gekartelde rand met kruisbloemmotieven heeft. De kaarsenhouder is zesvlakkig met een geperforeerde zijde aan voor- en achterkant en heeft een verticaal ringvormig onderstuk. Dit is de vijfde arm van de onderste ring (voetstuk), genummerd met 5 stippen.
Golven langs een strand
Object type: photomechanical print
Date: 1886 – 1896
Materials: paper
Techniques: autotype
Location: france
Subjects: surf, breakers
De slapende leeuw, 1567
Object type: propagandaprent
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: sleeping; unconsciousness

Allegorie op politieke situatie in de Nederlanden in het jaar 1567. Alle partijen verbeeld door dieren. Terwijl de Nederlandse Leeuw slaapt roven de vos en de wolf ganzen uit een kooi. Op de achtergrond slapende herders en plezier makende heren terwijl het vee gestolen wordt. Met opschrift van 1 regel boven de voorstelling en in het onderschrift de legenda 1-6 in 3 verzen van 6 regels in het Nederlands, Frans en Duits.
Janiculus. - Porticus der Octavia. - Circus Flaminius.
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, paper, ink
Techniques: photograph
Location: munich
Artist: franz seraph hanfstaengl
Artist role: painter, print maker, printer
Artist dates: 1804 – 1877
Subjects: (high) hill, courtyard, exterior ~ representation of a building, square, place, circus, etc. (+ city(-scape) with figures, staffage), prospect of city, town panorama, silhouette of city, rome

Onderdeel van Panorama van het oude Rome.
Gezelschap in een zitkamer, met rechts een man die door een schilderijlijst kijkt
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: living-room, parlour, sitting-room, europe
Inscriptions: number: ‘20’
Gebouwen van de Banka-tinwinning te Blinjoe
Object type: photograph
Date: 1907 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, rural housing, e.g. country-house, villa, cottage
Inscriptions: inscription

Albumblad met vier foto's genummerd 57-60 van verschillende gebouwen te Belinyu (Blinjoe) op Banka: woningen voor personeel van de Banka-tinwinning. Onderdeel van het Banka-Album met foto's over het eiland Banka en de tinwinning door het staatsbedrijf de Banka-tinwinning in de periode ca. 1907-1919.
Christus in de hel
Object type: ornament print
Date: 1560 – 1600
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: christ enters hell

Uit serie van 14 ovalen met grotesken waarin scènes uit de passie zijn afgebeeld. Gearceerde achtergrond.
Portrait of an ecclesiastic
Object type: medallion
Date: 1765 – 1765
Materials: gilt, terracotta, wood
Techniques: casting
Artist: jean-baptiste nini
Artist role: artist
Artist nationality: italian
Artist dates: 1717 – 1786
Subjects: men,profiles

In a technique of his own invention, Nini refined the local clay through a process of elutriation and used it to cast his medallions from finely engraved copper molds.
Fragments (Band)
Object type: textile
Culture: nazca
Location: peru
Handschoen van leer met twee parelmoer drukknopen
Object type: glove
Date: 1900 – 1950
Materials: leather, mother of pearl
Location: netherlands
Artist: Anonymous
Inscriptions: : ‘cijfers’

Rechter handschoen van leer met twee parelmoer drukknopen en op de rug drie uitstralende koorden.
Heuvellandschap met sawa's en palmbomen
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Location: java
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: low hill country, sawahs, rice paddies, trees: palm-tree
Inscriptions: kleurnotitie, handgeschreven

Pagina 15 uit een schetsboek met 67 bladen.
Portret van Johann Daniel Herz op 49-jarige leeftijd
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: mezzotint
Subjects: augsburg, print maker, publisher, johann daniel herz (i), tools, implements of graphic artist (with name), pipe ~ tobacco, tools, implements of graphic artist, skull as symbol of 'vanitas', portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760