deem-data/ArtiFact huggingface dataset:
Zinneprent ter nagedachtenis aan Maria Stuart, 1695
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: maria ii stuart (koningin van engeland, schotland en ierland), gravestone, tombstone, fettered cupid, 'amor cruciatus', specific aspects of cupid, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228

Allegorische voorstelling vervaardigd ter nagedachtenis aan Maria II Stuart, overleden op 7 januari 1695. Een treurende Amor staat bij het graf van de koningin. Zijn pijl en boog liggen gebroken op de grond. Op het strookje papier dat op de grond ligt staat de tekst 'Virtus in Astra'.
Miniature Koto  (箏)
Object type: miniature koto
Date: 1834 – 1900
Materials: ivory, lacquer, metal, silk, wood
Culture: japanese
Location: japan
Staande figuur, de linkerarm op de zij
Object type: sketchbook leaf
Date: 1875 – 1875
Materials: paper, pencil
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: standing figure

Blad 15 verso uit een schetsboek met 46 bladen.
Landscape
Object type: album leaf
Date: 1885 – 1889
Materials: ink, silk
Culture: japanese
Artist: hashimoto gahō
Artist role: artist
Artist nationality: japanese
Artist dates: 1835 – 1908
Subjects: mountains,landscapes
Design for a Box-Lid
Object type: drawing
Date: 1701 – 1800
Materials: chalk, graphite
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Titelpagina voor: De Schoolmeester, De gedichten van den Schoolmeester, 1872
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: cat, birds, teacher and pupil, beasts of prey, predatory animals: lion, trunked animals: elephant
Inscriptions: collector's mark: Lugt 2760

Portret van een schoolmeester onder een toog. Daar omheen een aantal dieren, waaronder een kat, een olifant, een leeuw en verschillende vogels.
Pedestal vessel
Object type: bowl
Date: 800 – 1000
Materials: marble
Culture: ulúa valley
Location: honduras
Artist: ulúa valley artist(s)
Artist role: artist
Gezicht op de tuin van het kasteel Axarienne te Sint-Petersburg
Object type: print
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: garden, ornamental plants, garden ornaments
Inscriptions: collector's mark: Lugt 2166, watermark
Aanleg van het Viaur Viaduct in Frankrijk door de Societé de Construction des Battignolles, 18 januari 1901
Object type: photograph
Date: 1901 – 1901
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)
Inscriptions: inscription: ‘128’
Piece of Nephrite from Daiwan
Object type: jade carving material
Date: 1901 – 2000
Materials: jade
Culture: chinese
Landaulet (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
100 Afbeeldinge der voornaamste gebouwen van Amsterdam
Object type: book illustration
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: bell-founder, factory-building, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Rechtsonder genummerd: 66. Onderwerpsrubriek binnen de Atlas Amsterdam: Krijgswezen I: De Admiraliteit van Amsterdam, F. Magazijnen, Geschutsgieterij, Artillerieën, Korenhuizen.
Sketchbook: Souvenir of Naples
Object type: sketchbook
Date: 1821 – 1821
Materials: gouache, graphite, watercolor
Techniques: bookbinding
Culture: italian
Artist: Anonymous
Artist role: artist
Subjects: cities

This charming sketchbook, assembled in Naples and bound in France, combines fifty-two topographical and architectural scenes including several of Vesuvius erupting against a night sky. The album was probably made by a Neapolitan artist specializing in ricordi (memories) for tourists. The drawings in watercolor or gouache appear to record a journey in and around Naples, with side trips to the Amalfi Coast, Capri, and parts of northern Sicily. While several artists may have contributed to the souvenir book, the volcanic imagery appears to have been drawn by a single hand. That the album includes so many Vesuvian views along with scenes of the recently unearthed Pompeii and then modern Naples gives it a treasured value as a document of record.
One of the Taoist Masters
Object type: hanging scroll
Date: 1368 – 1911
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Abklatsch van de tekening op pagina 32
Object type: sketchbook leaf
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 33 uit een schetsboek met 32 bladen.
Pair of saltcellars
Object type: saltcellar
Date: 1714 – 1715
Materials: silver
Artist: thomas folkingham
Artist role: maker
Artist dates: 1703 – 1729
Na dat gij soete jongelingen / Altijt tracht na nieuwe dingen (...)
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: new testament, old testament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met 24 voorstellingen van verhalen uit de Bijbel, waaronder Abraham die Isaak offert, Jona en de walvis en de bevrijding van Petrus. Onder elke voorstelling een tweeregelig vers.
Brief aan anoniem
Object type: letter
Date: 1852 – 1852
Materials: ink, paper
Techniques: pen, writing
Location: antwerp
Artist: nicaise de keyser
Artist role: draughtsman, painter
Artist dates: 1813 – 1887
Subjects: painting (including book-illumination, miniature-painting), exhibition ~ art, art collecting, netherlands, antwerp
Portret van Sigmund Stromer von Reichenbach
Object type: print
Date: 1656 – 1722
Materials: paper
Techniques: mezzotint
Location: germany
Artist: georg fennitzer
Artist role: print maker
Artist dates: 1646 – 1722
Subjects: historical persons, counsellor
Fockenbachmühle bei Kurtscheid, Kreis Neuwied
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: kurtscheid
Subjects: windmill
Alderney Street
Object type: print
Techniques: etching
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: animals,buildings,streets,london
Zeilschepen op kalme zee
Object type: print
Date: 1888 – 1891
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Enkele schepen voor de kust op een gladde zee. Op de voorgrond enkele figuren bij een aangemeerde boot. Linksonder in de marge een wapenschild op een takje met bladeren.
[Five Members of the Wild Bunch?]
Object type: photograph
Date: 1892 – 1892
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits

The Wild Bunch was the largest and most notorious band of outlaws in the American West. Led by two gunmen better known by their aliases, Butch Cassidy (Robert LeRoy Parker) and Kid Curry (Harvey Logan), the Wild Bunch was an informal trust of thieves and rustlers that preyed upon stagecoaches, small banks, and especially railroads from the late 1880s to the first decade of the twentieth century. This crudely constructed tintype portrait of five members of the gang dressed in bowler hats and city clothes shows, clockwise, from the top left, Kid Curry, Bill McCarty, Bill (Tod) Carver, Ben Kilpatrick, and Tom O'Day. Without their six shooters and cowboy hats the outlaws appear quite civilized and could easily be mistaken for the sheriffs and Pinkerton agents who pursued them in a "Wild West" already much tamed by the probable date of this photograph. Gone was the open range--instead, homesteads and farms dotted the landscape and barbed-wire fences frustrated the cattleman's drive to market. Gone too was the anonymity associated with distance, as the camera and the telegraph conspired to identify criminals. Bank and train robbery were still lucrative, but the outlaw's chances for escape gradually shifted in favor of the sheriff's chances for arrest and conviction. By 1903 the Wild Bunch had disbanded. A few members of the gang followed Butch Cassidy to South America, while the majority remained in the West, trying to avoid capture. McCarty was shot dead in 1893, in a street in Delta, Colorado, after a bank robbery; Carver died in prison; Kilpatrick was killed during a train robbery in 1912; Tom O'Day was captured by a Casper, Wyoming, sheriff in 1903; and Kid Curry died either by his own hand in Parachute, Colorado, in 1904, or, as legend has it, lived until he was killed by a wild mule in South America in 1909. The photograph comes from the collection of Camillus S. Fly, a pioneer photographer in Tombstone, Arizona, in the 1880s and sheriff of Cochise County in the 1890s.
The actor Ichikawa Monnosuke II as Date no Yosaku
Object type: print
Date: 1794 – 1794
Techniques: woodblock print
Location: japan
Artist: toshusai sharaku 東洲斎 写楽
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Gore (Notched Flute)
Object type: gore notched flute
Date: 1867 – 1900
Materials: bamboo
Culture: polynesian or norfolk island
Location: australia
Fragment veelkleurig zijde mexicaine
Object type: fragment
Date: 1765 – 1765
Materials: silk
Techniques: brocade, gadrooning, weave
Location: france

Twee fragmenten veelkleurig zijdeweefsel. Een paarse grond heeft paarse strepen waarop een witte kantslinger en gestrooide veelkleurige bloemboeketten.
Eilanden in de Ha Longbaai, Frans-Indochina
Object type: photograph
Date: 1902 – 1902
Materials: paper, cardboard
Techniques: gelatin silver print
Location: vietnam
Artist: Anonymous
Subjects: island, sea (seascape), rock-formations
Burcht te Kervenheim, 1743
Object type: print
Date: 1761 – 1792
Materials: paper
Techniques: engraving, etching
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Beijer, Jan de. Het verheerlykt Kleefschland of Kabinet van Kleefsche oudheden en gezigten. Amsterdam: Jan de Groot et al., 1792.
Fontainebleau (Château)
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: fontainebleau
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: art collection, art gallery, palace, interior ~ representation of a building, historical persons (+ (full) bust portrait)
Inscriptions: number: ‘No. 719’, name: ‘Monsters worden door de Representant<BR />J. A. G. de LEUR-den haag<BR />op franco aanvrage verzonden’, collector's mark: Lugt 3937, name: ‘MIEUSEMENT, PARIS’, inscription: ‘MONUMENTS HISTORIQUES’
Tray
Object type: tray
Date: 1801 – 1900
Materials: porcelain
Culture: japanese
Subjects: cranes,trees
Plattegrond van Amsterdam
Object type: area plan
Date: 1935 – 1937
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', maps of cities, amsterdam
Inscriptions: collector's mark: ‘17 68’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, van binnen: Stadhuis Frederiksplein. Prijsvraag voor een nieuw te bouwen stadhuis op de plek van het afgebrande Paleis voor Volksvlijt bij het Frederiksplein, maar nooit gerealiseerd.
Reproductie van een ontwerp van de transfiguratie van Christus in mozaïek
Object type: reproduction
Date: 1859 – 1864
Materials: paper
Techniques: photolithography
Location: paris
Subjects: the transfiguration: moses and elijah appear on either side of christ on mount tabor (matthew 17:1-13; mark 9:2-13; luke 9:28-36)
Inscriptions: name: ‘Photog. col. A. Noël./ Kellerhoven lith.’
Cup Holder
Object type: cup holder
Date: 1701 – 1800
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: turkey

This cup holder is typical of the objects that were stored in open niches in reception chambers of upper-class residences in Syria during the Ottoman period
Miniature teapot (part of a service)
Object type: teapot
Date: 1780 – 1790
Materials: enamel, soft paste porcelain
Techniques: gilding
Artist: caughley factory
Artist role: factory
Artist nationality: british
Artist dates: 1772 – 1799
Subjects: flowers
Babels Tragische Comoedie
Object type: cartoon
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maurice (prince of orange), utrecht, the hague, antwerp, spain, priest, martin luther, jacobus i (koning van engeland), false prophets in sheep's clothing ~ parable of the good shepherd (matthew 7:15), execution of heretic, e.g. by burning at the stake, 'auto-da-fé', the scarlet woman, the whore of babylon; she is usually sitting on a scarlet beast with seven heads and ten horns, procession ~ christian religion, the roman catholic church vs. protestantism; (reformation and counter reformation)

Spotprent op de misbruiken van de Roomse kerk, 1616. Links de hellemond met duivels. Een valse profeet in schaapskleren predikt uit een boek. Hervormers Calvijn en Luther hakken een boom om waarin de paus en de Hoer van Babylon zitten. Aan deze boom en aan een tweede boom gemerkt Inquisitie trekt met touwen een groep protestantse vorsten waaronder Maurits en Jacobus I van Engeland. Met ketterverbrandingen. Op de achtergrond een processie geleid door de Hoer van Babylon met pauselijke driekroon gezeten op het zevenkoppig beest, duivels, gevolgd door de valse profeet, wereldse vorsten en katholieke geestelijken. Rechts vissen katholieken kostbaarheden uit een vijver. Met veel andere details en prominenten waaronder Jan Neyen, Johannes Wtenbogaert en Jacobus Taurinus. De prent behoort in het begeleidende pamflet (RP-P-1957-7B).
Portret van Alexandra Fjodorovna, tsarina van Rusland
Object type: print
Date: 1820 – 1825
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: berlin, historical persons - bb - woman, emperor - bb - female ruler
Corner of Lake and La Salle Streets, Chicago, Marine Bank Building in the Year 1864
Object type: print
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: france
Artist: raoul varin
Artist nationality: french
Artist dates: 1865 – 1943
Subjects: chicago
Madonna and Child
Object type: painting
Date: 1490 – 1520
Materials: oil, panel
Artist: giovanni bellini
Artist role: draughtsman
Artist dates: 1430 – 1516
Subjects: madonna: mary sitting or enthroned, the christ-child in her lap (or in front of her bosom) (mary sometimes represented half-length)

Maria met kind. Maria zittend achter een balustrade met het Christuskind op schoot. In de linkerhand een boek.
Drie zittende beren
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: beasts of prey, predatory animals: bear

Blad 42 recto uit een schetsboek met 69 bladen.
Sugar bowl
Object type: sugar bowl
Date: 1775 – 1785
Materials: metal
Portret van Balthasar Bekker
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: balthasar bekker
Inscriptions: collector's mark: Lugt 240, signature

Balthasar Bekker, predikant en letterkundige te Amsterdam.
Exterieur van de Cathédrale Notre-Dame in Parijs
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: louis antoine pamard
Artist role: fotograaf
Artist dates: 1840 – 1893
Subjects: church (exterior), parts of church exterior and annexes: tower
Inscriptions: negative number: ‘36’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in België en Frankrijk.
Cuckoo and pinks
Object type: print
Date: 1843 – 1846
Materials: paper
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
The Charmers of the Age
Object type: print
Techniques: etching
Artist: richard livesay
Artist role: publisher
Artist nationality: british
Artist dates: 1750 – 1826
Subjects: men,women,spectators,dancing
Zelfportret
Object type: print
Date: 1663 – 1695
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: christiaan hagen
Artist role: draughtsman, print maker
Artist dates: 1635 – 1707
Subjects: print maker, draughtsman, christiaan hagen, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Spotprent op de Franse boerensoldaten, 1706
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: filips v (koning van spanje), farmers, political caricatures and satires

Spotprent op de Franse boerensoldaten die als het op vechten aankomt vluchten naar het kakhuis. Staande Franse boer met vlegel en wan, achter hem blaast een boer met een zeis op een hoorn. In het onderschrift een vers van twee keer vier regels in het Nederlands. Op het blad onder en naast de plaat verzen gedrukt in het Nederlands. Onderdeel van een reeks van 19 spotprenten op de Fransen en bondgenoten uit het jaar 1706.
Gezicht op Nigtevecht
Object type: print
Date: 1742 – 1784
Materials: paper
Techniques: etching
Location: haarlem
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: river, church (exterior), angling
Inscriptions: collector's mark: Lugt 2228
Delft van binnen, na de verwoesting, veroorzaakt door 't springen van den Kruidtooren, in't jaar 1654
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: collapsing building, gunpowder disaster, delft
Inscriptions: date

Gezicht op de verwoeste straten en huizen in Delft na de ontploffing van het buskruitmagazijn op 12 oktober 1654. Op de grond zitten en liggen gewonde mensen. Links de Oude en de Nieuwe Kerk.
Bay of Baia
Object type: photograph
Date: 1846 – 1846
Materials: paper
Techniques: printing, salted paper print
Location: wales
Artist: rev. calvert r. jones
Artist nationality: welsh
Artist dates: 1804 – 1877
Subjects: collected by hugh edwards
Noord-Hollandse klederdrachten
Object type: print
Date: 1620 – 1624
Materials: paper
Techniques: etching
Location: haarlem
Subjects: folk costume, regional costume

Naast een huis staat een jonge vrouw uit Edam, gekleed in klederdracht. Voor haar een vaart en een weide met koeien. De prent maakt deel uit van een serie van acht jonge vrouwen in Noord-Hollandse klederdrachten.
Pelerine
Object type: pelerine
Materials: cotton
Culture: american
Berliner-Modenblatt, Mai 1881, Nr. 653 : Die elegante Sommertoilett (...)
Object type: fashion print
Date: 1881 – 1881
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: clothing for the upper part of the body (shawl) (+ women's clothes), trousers, breeches, etc. (breeches) (+ boys' clothes), boots (+ boys' clothes), clothing for the upper part of the body (vest) (+ boys' clothes), gloves, mittens (mitaines) (+ women's clothes), dress, gown: day dress (+ women's clothes), head-gear: hat (+ boys' clothes), bag (+ boys' clothes), fashion plates, dress, gown (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: title: ‘EBHARDT'S / BERLINER MODENBLATT’, address: ‘W., Potsdamerstr. 140. / Mai 1881’, caption: ‘Die elegante Sommertoilette besteht aus dem unterkleid von farbigem Baumwollen - Satin und aus einem Ueberkleid von durch-brochenem Gewebe. Der fussfreie Rock ist mit mehreren Plissés umgeben und jedes derselben mit breitem Spitzenvolant zu drei Vierteln bedeckt. Das halblange Ueberkleid zeigt oben gekräuselten Einsatz und Spitzen-garnirung. Atlasgürtel in der Farbe des Unterkleides mit vorderem Schleiifenabschluss. Garnirung des bauschigen Hinterbahn ebenfalls aus / Spitzen und Atlasband. Lange Filethandschuhe, mit Gold durchzogen. / Der Knaben-Anzug aus klein carrirtem englischen leder ist für Knaben von 7-8 Jahren bestimmt und setzt sich aus langer Jacke, Weste und kurzem Beinkleid zusammen. Die mit Umlegekragen versehene Jacke wird durch zwie Reihen Knöpfe geschlossen. Kragen, taschen und Aermel sind abgesteppt und letztere, sowie die Seitennähte der Beinkleider, mit Knöpfen verziert.’

Zomerjapon van wol en satijn. Prent uit het modetijdschrift Berliner-Modenblatt (1879-1881).
Kaart van de Molukken, Celebes, Timor en het westelijke deel van het eiland Nieuw-Guinea
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: hand coloring, lithograph
Location: batavia
Subjects: marine charts, island (in tropical and sub-tropical regions)
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Van Haren Noman & Kolff uitgevers te Batavia’

Prent uit: Melvill van Carnbee, Pieter baron & Versteeg, W.F. Algemeene Atlas van Nederlandsch-Indië (...). Batavia: Van Haren Noman & Kolff, 1853-1862. Dl.2, krt. 18.