deem-data/ArtiFact huggingface dataset:
Mannen, vrouwen en kinderen poserend voor een vergaderhuis in Minangkabou op Sumatra
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: exterior ~ representation of a building, façade (of house or building), sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
A State Yacht and Other Craft in Calm Water
Object type: painting
Date: 1660 – 1660
Materials: oil, wood
Artist: jan van de cappelle
Artist role: artist
Artist nationality: dutch
Artist dates: 1626 – 1679
Subjects: boats,ships

Van de Cappelle was one of the most celebrated marine painters of Amsterdam, where his income from property and his father’s dyeworks gave him a comfortable living; he collected hundreds of paintings and drawings by artists such as Jan van Goyen, Simon de Vlieger, and Rembrandt. The image of great and small ships at rest on calm waters spoke volumes to the Dutch at this time—of peace and prosperity after years of war, and of things far greater than themselves.
Diverse kerkelijke voorwerpen
Object type: ornament print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: rome
Subjects: chalice, christ, cupids: 'amores', 'amoretti', 'putti', angels, sacrifice
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een reeks van 100 ornamentprenten naar ontwerp van Giovanni Giardini.
Ada Rehan, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic
Artist: sabouroff painter
Artist role: artist

Interior, filleted, draped youth seated in a chair, playing the lyre; filleted youth to left, wearing a himation
Verzameling van verschillende gedramatiseerde poses
Object type: print
Date: 1732 – 1740
Materials: paper
Techniques: etching
Location: rome
Subjects: passions, emotions, affections, asiatic races and peoples (+ costume), head-gear: turban, characters (human types), actor (on the stage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Staande figuur met tulband met veren, lange mantel en degen in de hand. Rechtsboven genummerd: 11. Onderdeel van een serie van twaalf prenten met figuren in gedramatiseerde poses, veelal gekleed in ‘Oosterse’ fantasiekostuums, naar tekeningen van Carle van Loo, gemaakt tijdens zijn verblijf in Rome (1728-1732).
Donatello. S. Petrus. 1408. Statue aan ,, Or San Michele" (1336-1412) te Florence.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: life and acts of peter, monument, statue
Inscriptions: collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, inscription: ‘CWN.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, number: ‘1386-1466’
Vereniging A.R.K.A.
Object type: insignia
Date: 1825 – 1875
Materials: silver, textile
Techniques: engraving
Location: netherlands
Artist: Anonymous

eenzijdig insigne, bestaande uit langwerpig schild met aan onder- en bovenzijde vier lobben en met afgeronde zijden, gemonteerd op vaalgroene strik
La Machine de Marly
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Artist: anna beeck
Artist role: publisher
Artist dates: 1657 – 1717
Subjects: river, pump

De Machine van Marly. Pompinstallatie voltooid in 1684 om water vanuit de Seine naar de tuinen van het paleis van Versailles te pompen. Plaat nr. 220 afkomstig uit een prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans. Prent maakt deel uit van een album.
Blad met reisnotities en berekeningen
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Inscriptions: annotation: ‘W. 9.25 [...] 8.15/ Linz 4.5 12.12/ Wels 5.19 12.41 [...]’

Pagina 97 uit een schetsboek met 49 bladen.
Portret van Albrecht Dietrich von Egloffstein
Object type: print
Date: 1770 – 1800
Materials: paper
Techniques: etching
Artist: eberhard siegfried henne
Artist role: print maker
Artist dates: 1759 – 1828
Subjects: historical persons
Henri Benjamin Constant de Rebecque (1767–1830), Swiss-French political writer and politician
Object type: medallion
Date: 1830 – 1830
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Brief aan Philip Zilcken
Object type: letter
Date: 1918 – 1918
Materials: cardboard, ink
Techniques: pen, writing
Location: utrecht
Artist: n.j. singels
Artist role: leraar, schrijver
Artist dates: 1857 – 1931
Subjects: the hague, painter, draughtsman, philip zilcken, naples
Inscriptions: collector's mark: ‘RPK’
Pau. La Chaîne des Pyrénées
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: paris
Subjects: rural housing, e.g. country-house, villa, cottage, mountain-range, snow peaks
Marble handleless cup
Object type: cup
Date: 2000 – 1700
Materials: marble
Culture: minoan

Handleless jar. Minoan artists crafted vessels from a variety of stones using chisels, hammers, and copper-alloy saws. Finer tools like copper drills with abrasives were employed to hollow out their interiors. These vessels were durable versions of standard terracotta and metal forms, made with such high quality that they were exported throughout the Eastern Mediterranean. Stoneware has been found in settlements, cemeteries, and sanctuaries alike; the smallest examples were likely votive offerings.
The Holy Shroud of Besançon
Object type: print
Date: 1634 – 1634
Materials: gouache, silk
Techniques: engraving, satin weave
Location: france
Artist: jean de loisy
Artist nationality: french
Artist dates: 1603 – 1660
Proof sovereign of William IV
Object type: proof sovereign
Date: 1831 – 1831
Materials: gold
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: men,profiles,coat of arms
Dancing Girl Wearing a Sword
Object type: print
Date: 1700 – 1899
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: sunayama gosei
Artist role: artist
Artist nationality: japanese
Artist dates: 1700 – 1900
Subjects: swords,women,dancing
Reclame voor een tentoonstelling van Honest Mac met fotoreproductie van een schilderij van een vrouw met fruitmand
Object type: photograph
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, cleaning fruit, e.g. peeling, exhibition ~ art
Inscriptions: inscription: ‘Honest Mac's Novelty/ AND ART EXHIBITION,/ [ESTABLISHED JUNE 1870.]/ (...)’
Schouwburg met toneeldecor: De Italiaansche Straat
Object type: print
Date: 1736 – 1738
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre, theatrical performance, stage design
Inscriptions: collector's mark: Lugt 2228

Toneelvoorstelling in de Amsterdamse Schouwburg op de Keizersgracht met het coulissendecor De Italiaansche Straat met scène uit: De Gewaande Advocaat. Het decor gedrukt van een aparte plaat binnen een passe-partout met de zaal, zijloges, orkestbak en de façade van het toneel met zuilen, guirlandes en kroonluchters. De titel en een vierregelig vers ook gedrukt van een aparte plaat. Onderdeel van een serie van 12 toneeldecors.
Gezicht in Kampen, mogelijk met de Bovenkerk
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: kampen
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: city-view, and landscape with man-made constructions, decorated gable, church (exterior)
Inscriptions: annotation: ‘Kampen’

Gezicht in Kampen, mogelijk met de Bovenkerk. Daaronder een studie van een klokgevel. Blad 3 recto uit een schetsboek met 52 bladen vervaardigd in de omgeving van Kampen, Hattem, Hoorn en Zwolle.
Crossbow Bolt Box (Bolzenkasten) with Accessories
Object type: crossbow bolt box bolzenkasten with accessory
Date: 1735 – 1750
Materials: copper alloy, feather, metal alloy, steel, wood
Culture: german
Location: germany
Vase
Object type: vase
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: leaves
Fries met vier bustes in medaillons
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: chest, bust, scrollwork, strapwork ~ ornament, head-gear, ornament ~ medallion
Inscriptions: collector's mark: Lugt 2228, number: ‘13’
The God Danda and the Goddess Niksubha (Attendants of Surya, the Sun God)
Object type: stele fragment
Date: 1001 – 1100
Materials: stone
Culture: indian
Laken. Merk: kroon IIVG en ?
Object type: beddenlaken, laken object
Date: 1692 – 1735
Materials: linen
Location: northern netherlands
Artist: Anonymous

Laken van wit linnen, merk kroon IIVG en (?)
Mississippi, from the Industries of States series (N117) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: shields,women

Trade cards from the "Industries of the States'" series (N117), issued in an unnumbered set of 25 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Grêce Victoire de Paeon (Mycènes)
Object type: photograph
Date: 1895 – 1905
Materials: paper
Techniques: photograph
Location: greece
Artist: pc
Artist role: fotograaf
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) nike

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Stucco Fragment
Object type: fragment
Date: 701 – 1200
Materials: gypsum
Techniques: carving
Location: iran

This fragment was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
William Shenkel, Pitcher, Milwaukee, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Scherven van een schotel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: porcelain
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Porcelain, saucer, type 2; fragm of base, fragm of rim sim. NG 1979-209H1318.
Le Grand Russe
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: children,portraits
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Head, neck, right shoulder, and part of the upper torso of a filleted woman to left, wearing a chiton, holding krotala? in her right hand; ancient repair visible
Card Number 169, Fannie Milton, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Human remains from the coffin of Ahmose
Object type: human remains from the coffin of ahmose
Date: 1640 – 1550
Location: egypt

These fragmentary human remains, which include a skull, several vertebrae, and pieces of bone, belong with coffin 12.181.298a, b, inscribed for an individual named Ahmose. The excavators of this coffin, Lord Carnarvon and Howard Carter, unwrapped the mummy that they found inside. They state in their 1912 publication: "The mummy was sewn up in a sheet, which, when removed, exposed transverse bindings which continued down to the bitumenized body. The arms were crossed over the abdomen. On the head, over the natural hair, a plaited wig much decayed." The fragmentary human remains and pieces of braids were inside the coffin when it was purchased by the Museum from the Egyptian government in 1912. A wooden comb (26.7.1448), which entered the Museum’s collection later, in 1926, comes from the same burial. According to the excavators, this comb was wrapped in linen with a hair piece and placed to the side of the woman’s head: "On the right side of the head was a broken kohl-pot; and at the top of the head, rolled in linen, a chignon, a pottery vase containing a kind of pomade which bore prints of the ancient fingers, and an ebony comb (26.7.144) and bone hair pin."
Pendant for Horse Trappings
Object type: pendant for horse trapping
Date: 1401 – 1500
Materials: copper alloy, enamel, gold
Culture: spanish
Location: spain
Subjects: coat of arms

The decoration of this and similar pendants in the Metropolitan Museum's collection (04.3.305, .326, .365, .371, .384, .429) includes heraldic arms, mottoes, and religious expressions. Originally, they were attached to the straps of a horse's bridle, reins, crupper, or saddle.
Portret van Joseph von Führich
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Artist: august weger
Artist role: print maker, printer
Artist dates: 1823 – 1892
Subjects: vienna, painter, print maker, draughtsman, joseph von führich, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
B. ter Haar
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: engraving
Subjects: bernard ter haar
Inscriptions: collector's mark: Lugt 2228

Portretbuste naar links van Bernhard ter Haar, dichter en hervormd predikant te Arnhem en Amsterdam.
Design for a frame with Eagles and Trophies
Object type: drawing
Date: 1750 – 1788
Materials: chalk, ink
Techniques: brush, incising, transfer, wash
Artist: johann oktavian salver
Artist role: artist
Artist nationality: german
Artist dates: 1732 – 1788
Kwitantie voor Hendrik Jan Zimmerman
Object type: ontvangstbewijs, kwitantie
Date: 1884 – 1884
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: hendrik jan zimmerman
Artist role: bookseller, publisher
Subjects: utrecht, drawing, money
Inscriptions: collector's mark: Lugt 2233
Portret van een onbekende man
Object type: carte de visite
Date: 1862 – 1874
Materials: cardboard, paper
Techniques: albumen print
Location: ghent
Artist: paul joseph nicolas nestor schaffers
Artist role: fotograaf
Artist dates: 1826 – 1896
Subjects: adult man, anonymous historical person portrayed
Inscriptions: address: ‘GAND/ RUE DU PONT MADOU, 15’
Schip onder zeil op de Maas, in de verte de dorpen Oud en Nieuw Beijerland
Object type: drawing
Date: 1758 – 1815
Materials: ink, paper
Techniques: brush, pen
Artist: nicolaas wicart
Artist role: draughtsman
Artist dates: 1748 – 1815
Subjects: sailing-ship, sailing-boat, river
Inscriptions: inscription: ‘de dorpe Oud, en Nieuwbeyerland, aan de Maas’
Epitaph for Zhe Chan Master Fawan
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: chinese
Sword guard (<i>Tsuba</i>) with Flower Basket Motif (花籠図鐔)
Object type: sword guard tsuba
Date: 1767 – 1833
Materials: gold alloy, gold
Culture: japanese
Location: japan
Subjects: flowers
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 530 – 530
Materials: terracotta
Culture: greek, attic
Artist: painter of new york 07
Artist role: artist
Subjects: battles,horses,chariots

On the body, Herakles fighting Amazons. On the shoulder, racing chariots.
Twee meisjes bij een stapelbed
Object type: documentary photograph
Date: 1945 – 1947
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: netherlands

Twee glimlachende meisjes staan voor een stapelbed. Boven hun hoofd hangt wasgoed. Langs de muur achter hen loopt een dikke buis.
Sampler
Object type: sampler
Date: 1806 – 1806
Materials: linen, silk
Subjects: human figures,birds,deer
Textile Fragment
Object type: textile fragment
Date: 1601 – 1700
Materials: silk
Location: turkey
Dezelve illuminatie: van de west-zyde te zien / La meme illumination: vûë du côté de l'occident
Object type: print
Date: 1745 – 1747
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: anthoni de groot, frans i stefan (duits keizer), public festivities (+ decorated staff, portable structure ~ festive activities), coronation of a ruler, bonfire, fire-works (+ illumination, fire-works ~ festive activities), the hague

Illuminatie ter gelegenheid van de kroning van Frans I Stefan tot keizer op 4-6 oktober 1745 opgericht voor het huis van de uitgever Anthoni de Groot te Den Haag, gezien vanuit de westzijde. Een groot verlicht bord hangend over de straat met obelisken en allegorische figuren.
Staande vrouw met hoed
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: cape (+ women's clothes), head-gear: hat (+ women's clothes), adult woman (+ standing)

Ze draagt mogelijk een cape. Blad 24 recto uit schetsboek XIII met 25 bladen.
La Cour des Fontaines de Fontne. Bleau, à main gauche de l'Etang
Object type: print
Date: 1726 – 1743
Materials: paper
Techniques: etching
Artist: jan lamsvelt
Artist role: print maker
Artist dates: 1674 – 1743
Subjects: palace, courtyard
Inscriptions: collector's mark: Lugt 2228

Deze prent is tevens opgenomen in deel III van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne (1726). Dit is het eerste deel met 238 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Five complete kylix handles with handle patch
Limbo, plate four from In Dreams
Object type: print
Date: 1879 – 1879
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Portret van Thomas Day
Object type: print
Date: 1750 – 1821
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Funabashi, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927