deem-data/ArtiFact huggingface dataset:
Perziken, pruimen, druiven en braam
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: fruits
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een omslag met in totaal zevenenzeventig lithografieën van bloemen en fruit.
Two Mantelpiece Ornaments
Object type: glass
Date: 1845 – 1870
Materials: glass
Location: lunéville
Artist: baccarat glassworks
't Huys den Ham
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: castle, landscape with tower or castle

Prent uit: De Ridder-matige Huysen en Gesichten in de Provincie van Utrecht. Utrecht: Caspar Specht, 1698.
Side chair
Object type: side chair
Date: 1870 – 1870
Materials: wood
Techniques: gilding
Culture: american
Location: united states
Artist: herter brothers
Artist role: maker
Artist nationality: american
Artist dates: 1864 – 1906

William H. Vanderbilt, son of Cornelius “Commodore” Vanderbilt, inherited a vast fortune and a lucrative transport business, which he expanded exponentially, becoming one of the wealthiest men in America. In 1879, to mark his elevated social and economic status, he built a mansion that spanned an entire city block on Fifth Avenue, between Fifty-First and Fifty-Second Streets. He commissioned Herter Brothers, one of the premier cabinetmaking firms in New York City, to decorate and furnish his home. In devising distinct decorative schemes for each room of the mansion, Herter Brothers drew inspiration from a wide range of historical styles and utilized expensive, exotic materials. Originally fashioned by Herter Brothers for Vanderbilt’s previous residence, this side chair, one of a pair, was incorporated in the boudoir of his new mansion on Fifth Avenue. While Vanderbilt desired to construct a completely new and modern residence, the boudoir was part of the family’s apartments not used for formal entertaining and thus offered the opportunity to reuse furnishings. Hallmarks of Herter’s earlier style include the turned legs and ionic capitals, the overall form of the back, and the graceful swans’ necks and heads at the crest rails. For the new room, Christian Herter reupholstered the chairs in a custom fabric, manufactured in France, of his own design— a Japanesque pattern with lines of gold thread to suggest water, interspersed with small dragonflies, tiny waterlily blossoms, and leaves.
Dan-l. Lambert the Wonderful Great Pumpkin of Little Brittain [sic]
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women
Plate
Object type: metalwork
Date: 1777 – 1777
Materials: pewter
Location: czech republic
Artist: joseph heilingotter iv
Inscriptions from the Stele of Mount Yi
Object type: rubbing
Materials: ink, paper
Culture: chinese
Artist: xu xuan
Artist role: calligrapher
Artist nationality: chinese
Artist dates: 916 – 991

In 219 B.C., on the first of many inspection tours of his vast empire, the First Emperor of Qin visited Mount Yi. He ordered that a stele be erected there, and calligraphed with a text in the newly standardized script. The text praises the emperor for bringing peace to the world by defeating Qin’s six rival states and unifying them under his rule. Although the stele was destroyed by fire during the Tang dynasty (618–907), the inscription was passed down by scholars; the present rubbings were taken from a stele that dates from the tenth century A.D. While the calligraphic style is of that era, the balanced structure and relatively uniform size of the characters derive from the seal script established by the Qin, echoing the glorious tradition of this mighty but short-lived state.
Wide-Mouthed Jar
Object type: jar
Materials: pottery
Culture: chinese
Le Nouveau Paris
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: parc des buttes-chaumont
Artist: charles gérard
Artist role: fotograaf
Subjects: park, waterfall
Inscriptions: inscription: ‘Cascade des buttes Chaumont’, inscription: ‘Photographie C. G. à Paris.’
Tas, bol model, bezet met namaak stenen
Object type: clothing
Date: 1880 – 1890
Materials: leather
Location: netherlands
Artist: Anonymous

Tas, bol model, bezet met namaak stenen.
The Guard House
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: gustave leheutre
Artist role: print maker
Artist nationality: french
Artist dates: 1861 – 1932
Mirror
Object type: mirror
Date: 1201 – 1300
Materials: bronze
Techniques: casting
Location: iran

Cast bronze mirrors were often used for divination or magical medicine. The polished metallic front provided a reflective surface. Often, the decoration on the back depicted the zodiac or mythological themes. The trilobed crown on this handled piece is associated with Ghaznavid imagery.
Landschap met watermolen
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: lithograph
Artist: richard sasse
Artist role: print maker
Artist dates: 1774 – 1849
Subjects: paddle wheel, watermill in landscape
Inscriptions: collector's mark: Lugt 2228

Prent behoort mogelijk tot de serie 'L'art de dessiner le paysage d'apres nature'. Deze serie is in tien delen met elk zes lithografieën uitgegeven.
Vrouw en kind bij een wieg
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: sitting figure, adult woman, child, cradle, crib

Blad 44 recto uit een schetsboek met 53 bladen.
A Girl Kissing a Satyr Boy, Allegory of Love
Object type: sculpture
Date: 1720 – 1730
Materials: stone
Location: antwerp
Artist: jan pieter van baurscheit (i)
Artist role: draughtsman, sculptor
Artist dates: 1669 – 1728

Attributed to Jacob Vennekool (?- 1711). Two allegorical groups of children: Love and Hatred. Sandstone. Holland, c. 1700
Landschap met het Canal Saint-Martin
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: drypoint, engraving, etching, intaglio
Location: paris
Subjects: river
Inscriptions: watermark, collector's mark: Lugt 2228
Baluster-Shaped Vase with Loop Handles
Object type: vessel
Materials: glaze, porcelain
Location: china
Portret van Jean-Joseph de Verneilh-Puyraseau
Object type: print
Date: 1820 – 1821
Materials: paper
Techniques: engraving, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tardieu, Ambroise. Portraits des députés, écrivains et pairs constitutionnels, défenseurs invariables de la charte et de la loi des élections du 5 février 1817. Parijs: Tardieu, Ambroise, 1820-1821.
The Virgin Annunciate
Object type: drawing
Date: 1470 – 1480
Materials: ink, parchment
Techniques: brush, pen, wash
Artist: anonymous, italian, ferrarese, 15th century
Artist role: artist
Artist nationality: italian
Artist dates: 1400 – 1500
Subjects: virgin mary

Facing right with her eyes closed, ready to embrace the message of the Annunciation, the Virgin Mary here stands under an arch decorated with a classical frieze. She is wrapped in a long mantle defined through flat, broad, metallic folds that have a distinctly Ferrarese character, as do her square face and broad hand. The precise use of pen and ink on parchment makes this drawing nearly comparable in sharpness to a print. The author of the sheet is still unknown but might be identified as a painter-engraver active in the late fifteenth century between the Marches and the Valpadana—the area between the cities of Milan, Padua, and Ferrara. It is likely that the figure of the Archangel Gabriel making his announcement was originally included in the composition, before it was cut down on its left side by a previous collector. The drawing was first published with an attribution to Francesco del Cossa proposed by Tancred Borenius, and it was exhibited as such at the Royal Academy in 1930. On that occasion, A. G. B. Russell suggested the rather unlikely name of the Lombard Bernardino Butinone, and the drawing figured in the Oppenheimer collection under this designation. Cossa, however, seems nearer the mark, for the flat, broad, metallic folds of the drapery have a distinctly Ferrarese character, as do the square face and broad hands of the figure. Ferrarese drawings of the late fifteenth century are rare, and often of problematic attribution. At the present state of our knowledge of this material it seems impossible to say anything more specific of this fine design on parchment than that it is probably by a Ferrarese, or more generally North Italian, artist not far from Parentino, Cosmé Tura or Marco Zoppo.
Oracle bone fragment
Object type: oracle bone fragment
Date: 1610 – 1036
Materials: bone
Culture: chinese
Dish Cross
Object type: metalwork
Date: 1768 – 1768
Materials: metal, silver
Location: london
Artist: richard mills
Drie roze chrysanten
Object type: photomechanical print
Date: 1887 – 1897
Materials: paper
Techniques: photograph, hand coloring
Location: japan
Subjects: flowers
Christus spreekt de apostelen toe
Object type: print
Date: 1540 – 1540
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: adult christ together with apostles, evangelists, saints, etc.
Inscriptions: inscription: ‘f 220 : - : -’, collector's mark: Lugt 240

De prent is rechtsonder beschadigd en met een gedeelte van een andere prent aangevuld.
Theatrical jacket with peacock feather design
Object type: jacket, imperial theatrical
Date: 1701 – 1800
Materials: metal thread, silk
Techniques: brocade, embroidery
Culture: chinese

This jacket from an ensemble (with 32.63.1) features colorful embroidered peacock feathers. Silk flosses in green, yellow, blue, and orange were painstakingly twisted to mimic the feather’s patterns and radiant effects. An exotic bird to the Chinese, the peacock was cherished for its beautiful feathers and is connected with fairies or spirits in Chinese legends. This type of garment is often characterized as an arhat robe (luohanyi), and it is believed that it would have been worn to play the role of a sacred monk in dramas based on Buddhist history. There are many such robes preserved in the Forbidden City in Beijing and elsewhere, and their varied decoration suggests that this form of dress was probably donned by different characters in large-scale court performances.
Portret van François-Michel Le Tellier
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Subjects: paris, françois-michel le tellier (markies de louvois), historical persons, politician, e.g. party leader, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Fukusa (Gift Cover)
Object type: textile
Materials: cotton, gold leaf, ink, paper, textile, silk
Techniques: embroidery, lacquer, lining, painting, weave, satin weave, stitching
Location: japan
Bowl with Stylized Flowers and Leaves
Object type: vessel
Materials: stoneware
Techniques: celadon glazed, underglaze
Location: korea
Koeienkop naar links
Object type: print
Date: 1800 – 1841
Materials: paper
Techniques: etching
Artist: joannes bemme
Artist role: print maker, printer
Artist dates: 1775 – 1841
Subjects: cow (+ head of an animal)
Inscriptions: collector's mark: Lugt 2228
Portret van Élisabeth Philippine Marie Hélène de France
Object type: print
Date: 1794 – 1834
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: élisabeth philippine marie hélène de france
Inscriptions: collector's mark: Lugt 2228
Josh. Odevaere
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: lithograph
Location: paris
Subjects: bruges, brussels, painter, print maker, joseph-denis odevaere, historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228

Odevaere draagt de Orde van de Nederlandse Leeuw.
Shabti of Petosiris, son of Djedhor
Object type: shabti, petosiris
Date: 360 – 300
Materials: faience
Location: egypt
Adam en Eva knielen voor Maria
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Artist: cornelis schut (i)
Artist role: draughtsman, print maker
Artist dates: 1597 – 1655
Subjects: adam and eve (not in biblical context) - personal devotions of male persons from the old testament, e.g. vision, prayer, penitence, madonna accompanied by saint(s), god the father
Inscriptions: collector's mark: Lugt 2228

Adam, met naast hem de Dood, en Eva, met achter haar de gevleugelde slang, knielen voor Maria in de wolken. Maria wordt omgeven door de gemeenschap van heiligen en door putti. Bovenaan God de Vader die zijn handen zegenend spreidt en de Heilige Geest.
Trionfo Di Virtu. Libro Novo..., page 3 (recto)
Object type: book print ornament architecture
Date: 1563 – 1563
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: birds,peacocks,insects,vases

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design divided into 6 horizontal registers. First 5 registers consist of squares and rectangles that are each illustrated with a bird or insect. Sixth register is decorated with 3 ornamented vases.
Incense bowl
Object type: incense bowl
Date: 1734 – 1900
Materials: bronze
Culture: japanese
Subjects: birds
Wetcunie, Otoes, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N36), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N36 reproduces the cards from N2 in a larger size.
St. Alexis
Object type: print
Date: 1649 – 1649
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: men,women,cross,saints
Vier seizoenen
Object type: print
Date: 1811 – 1867
Materials: paper
Techniques: lithograph
Location: paris
Subjects: spring, 'ver'; 'primavera' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Chasuble
Object type: chasuble
Date: 1467 – 1500
Materials: metal thread, silk
Culture: italian or spanish
Portret van een onbekende man
Object type: photograph
Date: 1894 – 1898
Materials: cardboard, paper
Techniques: albumen print
Location: edam
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Photographie/ Instantanée/ Gebrs. IJpma, voorheen/ P. Siewers/ Voorhaven/ b/d R. C. Kerk/ EDAM/ Het Cliché blijft ter nabestelling bewaard’
Ten designs for the decoration of interiors
Object type: drawing
Date: 1830 – 1897
Materials: cardboard, graphite, ink, paper
Techniques: pen, wash
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Portret van de kunstenaar Rafaël
Object type: print
Date: 1584 – 1585
Materials: paper
Techniques: etching
Location: italy
Subjects: rome, painter, rafaël, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 240
Gezicht op de westzijde van de Burgerzaal in het Stadhuis op de Dam
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Artist: paulus van liender
Artist role: draughtsman, print maker
Artist dates: 1731 – 1797
Subjects: (story of) atlas, townhall
Inscriptions: collector's mark: ‘17.3’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, van binnen: Groote zaal, Raadkamer, Schepenkamer, Troonzaal, Mozeszaal, Zitkamer.
Standbeeld van William Tell, Lugano, Zwitserland
Object type: album leaf
Date: 1865 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: lugano
Artist: antonio nessi
Artist role: fotograaf
Subjects: monument, statue, street
Inscriptions: name: ‘NESSI A.’, annotation: ‘Monumento a Guiglielmo Tell in Lugano’
Herder met kudde op bergpad
Object type: print
Date: 1817 – 1828
Materials: paper
Techniques: etching
Location: brussels
Artist: frédéric théodore faber
Artist role: print maker
Artist dates: 1782 – 1844
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Joseph Louis Gay-Lussac, French physician and scientist (1778–1850)
Object type: medallion
Date: 1830 – 1839
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Gedecoreerde handgreep van de degen van Keizer Karel V
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: weapons
Inscriptions: inscription: ‘U’, inscription: ‘Prachtdegen/ van Keizer Karel V/ goud [...]’, inscription: ‘Degen van Karel V.’, collector's mark: ‘Rijks normaalschool voor teekenonderwijzers Amsterdam’
Mensen steken met roeiboten een rivier over naar de abdij van Andechs
Object type: print
Date: 1850 – 1859
Materials: paper
Techniques: tone lithography
Location: munich
Artist: anton doll
Artist role: painter, print maker
Artist dates: 1826 – 1887
Subjects: crossing a river, rowing-boat, canoe, etc., river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Piloty&Loehle, München’, : ‘Mit gesetzl Schutze gegen Nachbildung’

Prent afkomstig uit de serie 'Album Seiner Majestät des Königs Ludwig I. von Bayern', verschenen in verschillende afleveringen. De prenten gaan terug op het album dat Lodewijk I van Beieren op 9 oktober 1850 kreeg overhandigd van verschillende kunstenaars.
Coin
Object type: coin
Materials: silver
Location: arrijan

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Tuin Rijksmuseum Oct. 1917
Object type: photograph
Date: 1917 – 1917
Materials: glass, ink, paper
Techniques: slide
Location: amsterdam
Artist: Anonymous
Subjects: baby-carriage, pram, perambulator, toddler (female), confinement, birth
Paard
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: chalk, paper
Subjects: horse

Pagina 53 uit een schetsboek met 83 bladen.
Matrasomhang
Object type: silk textile
Date: 1720 – 1740
Materials: linen, silk
Location: guangdong
Artist: Anonymous

Geel zijden matrasomhang van een bedgarnituur geborduurd met pauwen, bloemen, vlinders, hoorns van overvloed in veelkleurige zijde, omboord en versierd met blauw passement, gevoerd met grof linnen. Bestemd voor linkerkant van het bed.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head and part of upper torso, with left arm, extended, of filleted, draped? youth
Voorraadpot, cilindervormig, met ingestoken ziel
Object type: storage jar
Date: 1700 – 1799
Materials: glass, leather, fiber
Location: netherlands
Artist: Anonymous

Voorraadpot van helder groen glas, cilindervormig, met enigszins ingestoken ziel, en wijde halsrand en insnoering. Afgesloten door middel van een stuk roze leer, omwonden door touw. De pot is gevuld met een wit poeder.
Portret van Lodewijk XIII van Frankrijk
Object type: print
Date: 1611 – 1614
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: lodewijk xiii (koning van frankrijk), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', historical persons, throne, king, armorial bearing, heraldry, royal mantle (symbol of sovereignty)

Lodewijk XIII als kind op een troon. In zijn rechterhand houdt hij een scepter. Linksboven zijn wapenschild. Naast de troon staat een engel met een wapenschild met drie lelies. Op de achtergrond de feestelijke intocht van Lodewijk XIII. Midden onder een Bijbelcitaat uit Pr. 17 in het Latijn. In de marge een achtregelig lofdicht, in vier kolommen, in het Latijn.
Sessho-seki, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Cup with lions
Object type: cup
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: lions
Collar
Object type: collar
Date: 1850 – 1850
Materials: cotton
Culture: european
Armchair
Object type: armchair
Date: 1715 – 1720
Materials: wood, silk, wool
Techniques: carving, gilding, tapestry
Artist: beauvais
Artist role: factory