deem-data/ArtiFact huggingface dataset:
Figures in a Rocky Landscape with Waterfall
Object type: drawing and watercolor
Materials: chalk, charcoal, paper
Location: germany
Artist: attributed to johann samuel bach
Artist nationality: german
Artist dates: 1749 – 1778
Ziet, lieve kind'ren! in deez' prent, een reeks versgeidenheden, / Hier wordt het krijgsbedrijf vertoond en 's landmans werk en zeden
Object type: popular print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: willem bal
Artist role: print maker
Artist dates: 1808 – 1897
Subjects: farmers, ships (in general), the soldier; the soldier's life, rural life, amsterdam
Inscriptions: collector's mark: Lugt 2760, inscription: ‘P. Leidekker’

Blad met 24 voorstellingen van verschillende aard, zoals voorstellingen van militairen en van het boeren leven. Onder elke afbeelding een vierregelig vers. Rechtsboven genummerd: No. 34.
Panel ornament
Object type: panel ornament
Date: 1701 – 1800
Materials: gilt bronze
4. De stem van eenigh Prins of Heer, Heeft groot geluyt, men hoort hem veer
Object type: history print
Date: 1613 – 1613
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: willem iii de goede (graaf van holland en henegouwen), netherlands, dordrecht

De schout van Dordrecht ontvangt de brief van graaf Willem III waarin hij gevraagd wordt samen met de baljuw van Zuid-Holland naar het hof Valenciennes te komen. Voorstelling nr. 4 in een serie van zes kleine scènes van de opeenvolgende episoden van het verhaal van de Rechtspraak van graaf Willem III in het jaar 1336. Deze kleine prenten behoren aan weerszijden van de grote centrale voorstelling. Bij elke voorstelling een onderschrift bestaande uit een spreuk en een vers van twee kolommen van acht regels.
Miss Buroughs, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, drapery; head and raised arms of a youth with a himation draped around his neck and shoulders
Antiquum ex pario marmore in aedibus Hadriani Epsicopi Aquinatis, et numeris omnibus absolutum et omniu quae muleis ab hinc annis eruta Romae suntinte gerrimu simulacrum
Object type: print
Date: 1595 – 1622
Materials: paper
Techniques: etching
Location: italy
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) meleager
Inscriptions: inscription: ‘Ende lib. No. 4. fol. 134 lib. No. 5. fol. 107.’

Een sculptuur van Meleager met een hond, een speer en de kop van het Calydonische everzwijn. De prent maakt deel uit van een album.
Gezicht op Dinant
Object type: sketchbook leaf
Date: 1809 – 1865
Materials: paper, pencil
Location: dinant
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: city-view, and landscape with man-made constructions
Inscriptions: date and inscription: ‘Dinant 18 Sept. 1865.’

Blad 32 recto uit een schetsboek met 55 bladen.
Lobed Dish with Lotus Scrolls
Object type: vessel
Materials: porcelain
Techniques: molding, underglaze
Location: china
Zweedse kostuums
Object type: costume print
Date: 1704 – 1707
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: europeans (with name) (+ costume), farmers, clothes, costume (+ women's clothes), clothes, costume (+ men's clothes)
Inscriptions: collector's mark: Lugt 240

Figuren in klederdracht. De prent heeft een titel in het Zweeds en een onderschrift in het Frans.
Landschappen met scènes uit de gelijkenis van de barmhartige Samaritaan
Object type: print
Date: 1588 – 1589
Materials: paper
Techniques: engraving
Location: aachen
Subjects: the samaritan and the wounded traveller arrive at the inn; the traveller is cared for
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1337

De barmhartige Samaritaan betaalt een herbergier om de gewonde reiziger verder te verplegen. In de marge een regel in het Latijn.
Afbeelding (in twee Plaaten) van een Koffer, waar mede Hugo de Groot van Loevestein naar Gorinchem, volgens alöude Overleveringen zou zijn Getransporteerd, in den toestand zo als dezelve thans binnen Amsteldam, berustende is, onder den Heer Mr. Jacob Klinkhamer, die de Aftekening daar van, op gedaan versoek, heeft toegestaan, in de maand December des Jaars 1783
Object type: print
Date: 1783 – 1785
Materials: paper
Techniques: etching
Location: netherlands
Subjects: delft, hugo de groot, trunk, suit-case

Volgens het bericht van de uitgever in deze vorm vervaardigd om toe te kunnen voegen aan Jan Wagenaar, Vaderlandsche historie, dl. X en in andere werken. Ook gebruikt als illustratie in: J. Klinkhamer, Het leven van Hugo de Groot : getrokken uit de voornaamste historieschryvers en dichters; doormengd met onpartydige aanmerkingen, en versierd met twee juiste afbeeldingen van het koffer, waarin De Groot zyne gevangenis ontkomen is: getekend naar het echte koffer zelf, thans berustende onder den heer, Mr. Jacob Klinkhamer, J.B. Elwe en D.M. Langeveld, Amsterdam 1785.
The Sensitive Plant
Object type: watercolor
Date: 1808 – 1808
Materials: graphite, watercolor, paper
Culture: american
Artist: maria edgar
Artist role: artist
Artist nationality: american
Subjects: women,plants,trees

Maria Edgar’s watercolor, her only known work, has been categorized as a mourning picture by at least one scholar. It includes some of the common features of such scenes, for example, the urn and the garden setting. Yet there is no sorrow or loss indicated in the composition. A symbol of modern womanhood, she stoops amid thriving roses and plants--foxgloves or ﬁgwort--and turns her attention to a potted mimosa, which is also called “the sensitive plant” for the way the leaves respond to stimulus. It seems likely that Edgar’s painting is not about death or grief, but about life and the nurturing power of the female touch.
Bronze statuette of Eros sleeping
Object type: statuette of eros sleeping
Date: 100 – 200
Materials: bronze
Culture: greek or roman
Subjects: sleeping,eros

Reduced version of a Greek bronze statue of the 3rd or 2nd century B.C. During the Hellenistic period, bronzes came to be appreciated, collected, and displayed for their own sake. Ownership spread most widely in the private sphere, and new types and motifs were introduced to meet the demand. The sleeping Eros had such wide appeal that it was reproduced in bronze, terracotta, and marble in many sizes and was marketed all over the Greek world.
Medallion with Cupid and Swan
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" impressed
Dish with cover (part of a service)
Object type: dish with cover
Date: 1767 – 1833
Materials: hard paste porcelain
Subjects: coat of arms
Wonderbaarlijke ommekeer der Nederlandse staatszaken, rekenpenning op de verovering van de Zeeuwse eilanden door de opstandelingen
Object type: jeton
Date: 1576 – 1576
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: zeeland
Ontzet van Peterwaradin, innemen van Huy en overtrekken van de Rijn
Object type: history medal
Date: 1694 – 1694
Materials: silver
Techniques: striking
Location: nuremberg
Subjects: liège
Candlestick
Object type: candlestick
Date: 1700 – 1800
Materials: brass
Culture: american or british
Location: england
Kinderspelen
Object type: print
Date: 1806 – 1858
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: tennis, lawn-tennis, children's games and plays, (flying a) kite, games using special objects (marbles, top, hoop, etc.)
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van kinderspelen, waaronder hoepelen, tennissen en vliegeren. Onder elke afbeelding een tweeregelig vers.
Earring-hook type with pendants and paste setting
Object type: earring hook type with pendant and paste setting
Date: 101 – 200
Materials: glass, gold, paste
Culture: roman
Christus in de tuin van Gethsemane
Object type: drawing
Date: 1600 – 1699
Materials: ink, paper
Techniques: pen
Subjects: agony of christ; three (or eleven) apostles sleeping
Female figure holding infant
Object type: figurine, nude woman
Date: 664 – 332
Materials: terracotta
Location: egypt
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of a kylix foot with bit of stem; underside has a band of black glaze
Laver
Object type: laver
Date: 1401 – 1500
Materials: brass, iron
Culture: dutch
Subjects: faces
Twee vrouwen bij een poort
Object type: photograph
Date: 1900 – 1915
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: netherlands

Foto op bruin albumblad 53 van familiealbum van Alphons Diepenbrock.
De Handel en de Beurs
Object type: photomechanical print
Date: 1903 – 1911
Materials: paper
Techniques: letterpress printing, line block
Subjects: p.f. laarman, stock exchange, stock-market, allegory of trade; 'commertio della vita humana' (ripa), specific aspects, allegorical aspects of mercury; mercury as patron
Inscriptions: collector's mark: Lugt 1461b

Onderwerpsrubriek binnen de Atlas Amsterdam: B. Beurs op het Damrak.
Coat
Object type: coat
Date: 1701 – 1800
Materials: silk
Culture: american or european
Jan C. Schüller in de tuin bij het Japanse theehuis (‘Japan Tea Palace’) op de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: painter, print maker, draughtsman, jan schüller, world fair, world exhibition
Inscriptions: annotation: ‘In Japan // ’t mooiste plekje van de Fair’, annotation: ‘Jan C. Schüller’

Jan C. Schüller in de tuin bij het Japanse theehuis (‘Japan Tea Palace’) op de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904.
Hier ziet gy in deze prent, een aantal handelaren, / Hun koopmanschap is niets, als acties van den wind, / Op 't scheiden van de markt, zoo moeten zy ervaren, / Dat men het hoofd berooid, de geldbeurs ledig vindt
Object type: print
Date: 1842 – 1866
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: stock exchange, stock-market
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van actiehandelaren (aandelenhandelaren) in actie. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 25.
Neptune
Object type: sculpture
Date: 1580 – 1580
Materials: copper alloy, patina
Artist: pietro da barga
Artist role: artist
Artist nationality: italian
Artist dates: 1574 – 1588
Subjects: male nudes,neptune

Small-scale copies after the Antique such as this figure were a specialty of Pietro da Barga, who created many such reductions of Classical statuary for wealthy and discerning patrons such as the Medici grand dukes of Florence. Inspired by a Hellenistic Greek or Roman statue or statuette, this figure was probably intended to represent Neptune, the Roman god of the sea. However, the figure could also depict Jupiter, the Roman god of the sky and king of the gods. The figure's identity remains ambiguous because the attribute he likely once brandished in his raised right hand—for example, a trident for Neptune or a thunderbolt for Jupiter—is now absent.
Brief aan Philip Zilcken
Object type: letter
Date: 1910 – 1910
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: rome
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: print maker, jozef israëls, the hague, painter, draughtsman, philip zilcken, anonymous historical person portrayed, printed matter
Inscriptions: collector's mark: ‘RPK’
Nürnberg. Luginsland
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: color autotype
Location: nuremberg
Subjects: castle, towers ~ fortified city
Inscriptions: inscription: ‘J Wien K’
Double Vase
Object type: double vase
Date: 1736 – 1795
Materials: glaze, porcelain
Culture: chinese
Manchet van naaldkant genaaid op het middenstuk van een blauw-roze satijnen band
Object type: womenswear
Date: 1860 – 1860
Materials: linen, textile, silk
Techniques: lace, weave
Location: brussels
Artist: Anonymous

Manchet van naturelkleurige naaldkant - Brusselse gaaskant - genaaid op het middenstuk van een satijnen band. De band is aan de ene kant roze en aan de andere kant blauw. Het kant is op het blauwe gedeelte genaaid, waarbij een smal randje over de rand is gebogen en is vastgezet aan het roze gedeelte. Aan de andere lange zijde van de band loopt het kant niet helemaal tot de rand. Het kantpatroon bestaat langs de boven- en onderzijde uit trapeziumvormige velden waartussen ruitvormige velden gevormd worden. In elk trapeziumvormig veld aan de ene kant ligt steeds één rozetbloem en in de tegenoverliggende velden staan halfovaalvormige lobben met cirkeltjes erin. De ruitvormige velden zijn gevuld met ruitvormig rasters.
Liberiaanse ridderorde (Order of the Star of Africa), ontvangen door Willem Drees
Object type: ordeteken
Date: 1950 – 1960
Materials: gold
Artist: Anonymous
Subjects: amsterdam, willem drees, netherlands

Het tweezijdige draagteken bestaat uit een negenpuntige, wit geemailleerde gouden ster, waartussen negen gouden punten van stralen waarop negen kleine vijfpuntige blauwe sterren; in het midden een gouden medaillon met ineengevlochten de letters R L, waaronder 1920, met omschrift in gouden letters op lichtblauwe ondergrond 'The love of liberty brought us here'. De keerzijde heeft als medaillon in goud een figuur en profil naar rechts gekeerd die de handen gestrekt ten hemel heft, met als omschrift op dieprode ondergrond 'Light in darkness'. Het draagteken is met een oog aan gouden krans van bladeren verbonden, die met draagoog vastzit aan lichtblauw draaglint met rode baan in midden.
Library Bookcase, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: furniture

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LXXIII in the 1754 and 1755 editions, and renumbered as plate XCVIII in the 1762 edition.
Gezicht op de Église Saint-Sulpice in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: church (exterior)
Inscriptions: inscription: ‘Eglise St Sulpice’
Lieven Willemsz. van Coppenol, writing master: the smaller plate
Object type: print
Date: 1733 – 1797
Materials: paper
Techniques: etching
Artist: pierre françois basan
Artist role: print maker, publisher
Artist dates: 1723 – 1797
Subjects: lieven willemsz. coppenol, historical persons
Inscriptions: collector's mark: Lugt 240
T-Cart Phaeton #1016
Object type: drawing
Date: 1850 – 1870
Materials: gum arabic, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Section H: Saint Christopher carrying the Christ Child, from "The Triumph of Christ"
Object type: print
Date: 1836 – 1836
Techniques: lithograph, woodcut
Artist: andrea andreani
Artist role: artist
Artist nationality: italian
Artist dates: 1558 – 1629
Subjects: men,christ,saint christopher

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Funerary Cone of the Scribe Neta
Object type: cone, davy 605, neta, scribe, prophet, thutmose i, amun
Date: 1390 – 1213
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Schotelscherf van aardewerk met aan de achterzijde loodglazuur en aan de voorzijde tinglazuur en een decoratie van bloemen in blauw, beschadigd
Object type: sherd
Date: 1500 – 1799
Materials: earthenware, glaze
Artist: Anonymous
Portret van Jacob Wilhelm Feuerlein
Object type: print
Date: 1715 – 1732
Materials: paper
Techniques: engraving
Subjects: theologian, further education (+ portrait of teacher, professor), historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘22’
Portret van Carl Ludwig, graaf van Sulz
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret een vierregelig onderschrift in het Latijn.
Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon
Object type: drawing and watercolor
Date: 1770 – 1771
Materials: graphite, ink, ivory, paper
Techniques: brush, pen, wash
Location: england
Artist: henry fuseli
Artist role: artist
Artist nationality: swiss
Artist dates: 1741 – 1825

Fuseli often dwelled on the macabre and the sensational, as in this drawing, and occasionally allowed his unconscious mind to dictate his subject matter. “For if these images so pursue us when our minds are in a kind of waking dream,” he wrote, “why should we not use this vice of the mind?”
Fuseli’s art played a role in his age’s taste for the Gothic. It was an era that saw the emergence of distinctly modern forms of cultural consumption: romances, sentimental novels and, most important, Gothic novels and plays focusing on themes of terror and the supernatural. As Fuseli’s student Benjamin Haydon wrote, “Amongst all classes [Fuseli] was considered a painter of horrors.”
Baambrugge
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1910
Materials: cardboard
Techniques: photograph
Location: baambrugge
Subjects: canals, waters (in village), street
Inhoudsmaat van 10 liter
Object type: inhoudsmaat droge waren
Date: 1823 – 1823
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Inscriptions: mark: ‘R * E’, number: ‘34’, mark: ‘N * L’, seal: ‘T.F. Wolschot’

Spanen inhoudsmaat van 10 liter (decalitre) met houten meet- bodemrand. Aan de onderzijde v.z.v. oranje lakzegel met opschrift. V.z.v. merken en stempels.
Apothecary Jar
Object type: apothecary jar
Date: 1700 – 1700
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Armor Garniture of George Clifford (1558–1605), 
Third Earl of Cumberland
Object type: armor garniture
Date: 1586 – 1586
Materials: gold, leather, steel, textile
Culture: british
Location: england
Artist: jacob halder
Artist role: armorer
Artist nationality: british
Artist dates: 1558 – 1608
Haagse bos met een man bij een in stukken gescheurde beuk
Object type: sketchbook leaf
Date: 1810 – 1868
Materials: paper, pencil
Location: the hague
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: forest, wood, trees: beech, the hague
Inscriptions: date and inscription: ‘bij het Loomhuis/ 's Gravenhage 17/10 68 met Dirk & [...]/ afgescheurde beuk’

Blad 26 verso in een schetsboek met 45 bladen.
Tazza
Object type: tazza
Date: 1601 – 1633
Materials: glass
Proefstuk met balein
Object type: reception piece
Date: 1400 – 1950
Materials: baleen
Artist: Anonymous
Subjects: zeeuwsche uytkyck

Proefstuk met balein; één van de korte kanten is gekarteld.
Studieblad met vrouwen, mogelijk boerinnen
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: chalk, paper
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: adult woman, farmers - aa - female farmer, farmer's wife

Studieblad met vrouwen, mogelijk boerinnen. Blad 7 verso uit een schetsboek met 31 bladen.
Marchionatus Sacri Imperii et dominii Mechelini tabula
Object type: print
Date: 1666 – 1667
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of separate countries or regions, (story of) mercury (hermes), justitia (justice) as roman personification, coat of arms (as symbol of the state, etc.) (+ province; provincial), antwerp
Inscriptions: collector's mark: Lugt 195

Kaart van een deel van Vlaanderen, het gebied rond Antwerpen en Mechelen. In een balk boven de kaart de titel. Rechtsonder de wapens van Antwerpen en Mechelen met daarnaast Mercurius en Justitia. Onder de wapens twee schaalstokken: 1 Gemeene Duytsche Myle van 15 in een Graadt / 1 Ure Gaens.
Buste van Arthur Hallam door Francis Leggatt Chantrey
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photoaquatint
Artist: henry herschel hay cameron
Artist role: fotograaf
Artist dates: 1852 – 1911
Subjects: historical persons, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘Arthur Hallam/ bust by Chantrey’