deem-data/ArtiFact huggingface dataset:
Eight Portraits
Object type: print
Techniques: engraving, etching
Artist: hubert
Artist role: artist
Artist nationality: french
Subjects: men,portraits,profiles
Hawk on a Plum Branch
Object type: print
Date: 1800 – 1800
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Fragment
Object type: fragment
Date: 1601 – 1633
Materials: silk
Apron
Object type: costume and accessory
Date: 1875 – 1875
Location: united states
Spaanse rattenvanger
Object type: print
Date: 1629 – 1630
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: europeans: spaniards, rodents: rat, rat exterminator, wandering or travelling merchant, merchant, salesman
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van twaalf prenten met straatverkopers en dienstverleners, uitgegeven door Jean Leblond (I) tussen 1629-1630 te Parijs.
Mug with cover (one of a pair)
Object type: mug with cover
Date: 1702 – 1703
Materials: silver
Artist: david willaume i
Artist role: maker
Artist nationality: british
Artist dates: 1658 – 1741
Isabella van Bourbon & Pleurants
Object type: tomb figure
Date: 1475 – 1476
Materials: bronze
Techniques: casting
Location: brussels
Artist: renier van thienen (i)
Artist role: brazier, caster
Artist dates: 1465 – 1498
Subjects: antwerp, 'pleurants', clothes, costume (+ women's clothes), bracelet, wristlet (+ women's clothes), necklace (+ women's clothes), nobility and patriciate; chivalry, knighthood
Inscriptions: inscription, on the back, at the bottom, incised after casting and finishing: indistinguishable location mark, number, on the back, at the top, in modern white paint: ‘10’

Mary of Burgundy had a mausoleum erected for her late mother, Isabella of Bourbon. Only the gisant (tomb effigy) of Isabella and 10 of the 24 figures originally surrounding the tomb have been preserved. These pleurants (weepers) represent five generations of grieving forebears. While the tomb commemorated Isabella, it mainly served to advertise Mary’s noble lineage. She was the sole remaining heir of the Dukes of Burgundy and therefore a highly desirable consort. A year after the monument was completed, she married Maximilian of Habsburg, whereby the Burgundian Netherlands became part of the vast Holy Roman Empire.
Dokter controleert urine terwijl een vrouw een extra deken over een zieke legt
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: examination of urine, nursing, tending the sick

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Gezicht op de Schreierstoren te Amsterdam
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: sailing-ship, sailing-boat, towers ~ fortified city, rowing-boat, canoe, etc., canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Schreierstoren.
4e Chaire
Object type: ornament print
Date: 1745 – 1755
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: garland, wreath, pulpit, ambo, chancel
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een preekstoel met een masker en guirlandes. Op de bekroning lauwerkransen en takken omgeven door wolken. Links en rechts panelen met schilderingen.
Ostrakon with Text from Song of Songs
Object type: ostrakon
Date: 580 – 640
Materials: ink, wood
Culture: coptic
Location: egypt
Subjects: coptic,documents
General Andrew Jackson
Object type: sculpture
Date: 1819 – 1819
Materials: terracotta
Techniques: carved
Location: philadelphia
Artist: william rush
Artist nationality: american
Artist dates: 1756 – 1833
Subjects: men, uniforms, generals, military, busts, people, portraits

Andrew Jackson was described by a contemporary as having “an erect military bearing, and a head set with considerable fierté [pride] upon his shoulders. . . . His eye is of a dangerous fixedness; . . . [and] the instant his lips close, a visor of steel would scarcely look more impenetrable.” William Rush rendered a remarkably similar depiction of the general. Demonstrating a blend of naturalism, subtlety, and strength, Rush avoided grandiosity in this terra-cotta portrait bust of the fifty-two-year-old military hero, who, ten years later, would begin to serve the first of two consecutive terms as president of the United States. The artist’s only concession to idealization was the replacement of the general’s well-known stiff, wiry hair with the soft curls that signify noble qualities in Neoclassical sculpture. Since there is no documentation that Jackson formally posed for Rush, the artist, a prominent resident of Philadelphia, may have observed the general during his three-day visit to the city in 1819. This sculpture achieved critical and commercial success, with one reviewer ranking it as “Rush’s masterpiece.” Hoping to benefit from Jackson’s popularity, Rush followed the European custom of producing plaster replicas of the bust.
Portret van Lucius Annaeus Seneca
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Subjects: lucius annaeus seneca, scholar, philosopher, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Gezicht op een verijst water, waarop mensen met klompen en schaatsen. Boten en een kerk op de achtergrond.
Object type: photograph
Date: 1880 – 1905
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Subjects: ice ~ freezing weather, skates (winter sports)
Inscriptions: annotation: ‘goedeljee’

Gezicht op een verijst water, waarop mensen met klompen en schaatsen. Boten en een kerk op de achtergrond.
Schön Neues Modelbuch (Page 24 recto)
Object type: book print ornament architecture
Date: 1597 – 1597
Techniques: etching
Artist: johann sibmacher
Artist role: designer
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: ornament

Designed by Johann Sibmacher, German, active 1590-1611, published by Caimox, Nürmberg. Illustrated title signed CM and Jo. Sibmacher, 7 pages of text surrounded by decorative borders, and 35 pages of designs for weaving, embroidery, and cut-linen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a kylix, with the handle root
Le parnasse
Object type: magazine
Date: 1881 – 1881
Materials: paper
Techniques: printing, woodburytype
Location: l'aigle
Nanette
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Figuur bij een portaal van de Mezquita kathedraal van Córdoba
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: paper, pencil
Location: córdoba
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: parts of church exterior and annexes: portal, standing figure, church (exterior)
Inscriptions: annotation: ‘Cordoba’

Pagina 24 uit een schetsboek met 30 bladen.
Study for a second edition, never published, of Colle's "La Partie de Chasse de Henri IV", Act III, Scene 10
Object type: drawing and watercolor
Date: 1766 – 1766
Materials: chalk, ink, paper
Techniques: incising, pen, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Helden en heldinnen van het Oude Testament
Object type: print
Date: 1585 – 1589
Materials: paper
Techniques: engraving
Subjects: judith with holofernes' head and the sword, holofernes beheaded by judith with his own sword; the maidservant may be keeping watch, female persons from the old testament (with name) (not in biblical context), judith (one of the nine worthiest women)
Inscriptions: collector's mark: Lugt 2165

Judit met het hoofd van Holofernes in de ene, het zwaard in de andere hand. Op de achtergrond de scène waarin zij de legeraanvoerder in zijn tent het hoofd afhakt, terwijl haar dienstmaagd op wacht staat.
Apis Bull Figure
Object type: apis figure
Date: 664 – 332
Materials: faience
Location: egypt
Subjects: bulls

The worship of the Apis bull is attested as early as Dynasty I. Arguably the Apis, unlike many sacred animals in Egypt, was not just favored by a certain deity, but was considered a deity in his own right. A single living representative was stabled near the Ptah temple in Memphis. The bull selected for this important role had certain colorful markings, such as a white triangle on the forehead, and black patches resembling winged birds or scarabs on the body. The bull is often shown, as here, wearing a large sun disc, a banded collar, and a decorated rectangular cloth on its back. The Apis bull participated in ceremonies of fertility and regeneration. When it died, it was embalmed and buried with all honors; at that time, a new bull bearing the requisite markings was selected. Beginning with the reign of Amenhotep III (1390–1352 B.C.) in Dynasty 18, the place of Apis burials gradually became a huge and growing underground system of chambers called the Serapeum in the Memphite necropolis, Saqqara. The bull was so revered that even the mothers of Apis bulls had their own cult and burial place.
Ceramic Fragment
Object type: fragment
Date: 1001 – 1100
Materials: earthenware
Techniques: glazing, incising
Location: saudi arabia
Lekythos
Object type: lekythos
Date: 500 – 500
Materials: terracotta
Culture: greek, attic
Subjects: women
Suit
Object type: suit
Date: 1875 – 1890
Materials: linen
Culture: british

This unique ensemble, with its loose jacket, vest and knee breeches, shows the style of dress adapted in the late-19th century for less strenuous sports such as shooting. Knee breeches, although replaced by long trousers for everyday wear in the early 19th century, were retained for country wear and formal court attire throughout the century. The complicated piecework on the back of the jacket is a distinctive and unexpected feature of an otherwise humble utilitarian object.
Port de Dieppe
Object type: stereoscopic photograph
Date: 1860 – 1890
Materials: glass
Techniques: slide
Location: dieppe
Artist: Anonymous
Subjects: harbour
Inscriptions: number: ‘5520/ No 1’
Portret van Carlo II Gonzaga, hertog van Mantua en Montferrat
Object type: print
Date: 1657 – 1672
Materials: paper
Techniques: engraving, etching
Location: vienna
Artist: frans van der steen
Artist role: print maker
Artist dates: 1625 – 1672
Subjects: carlo ii gonzaga (hertog van mantua en montferrat)
Inscriptions: collector's mark: Lugt 2228

Portret van Carlo II Gonzaga, hertog van Mantua en Montferrat, in harnas en met zijn hand op een staf.
Java
Object type: photograph album
Date: 1864 – 1864
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Album Ankersmit I/ Van Kinsbergen met .. foto's van monumenten van Java, waaronder de Borodudur, Indonesië.
Ontwerp voor een monument bij het herstel van de oude constitutie te Amsterdam, 1787
Object type: design
Date: 1787 – 1788
Materials: paper, pencil
Location: amsterdam
Artist: Anonymous
Subjects: the hague, william v (prince of orange), amsterdam
Inscriptions: inscription: ‘hy Zegepraalt -! Ten spyt zynes Haat'ren / Ter vereeuwiging van het Gelukkig Herstel der Gezegegende Constitutie Ao 1787 18/9 dag/m’, collector's mark: Lugt 2228

Ontwerp voor een allegorisch monument (of illuminatie?) te Amsterdam. Ter gelegenheid van het herstel van de oude constitutie, dwz de macht van stadhouder Willem V, 18 september 1787. Obelisk bekroond met een Oranjeboom en versierd met wapens en vignetten. Onderaan een krijger (de stadhouder?) staande op een voetstuk met het stadswapen van Amsterdam. Schets op de voorzijde van een dubbelgevouwen blad.
Cuneiform tablet: fragment of a table of reciprocals
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Location: mesopotamia
Roma - Palazzo dei Conservatori - Commodo con attributi di Ercole
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: milan
Artist: Anonymous
Subjects: statues, paintings, etc. ~ objects of worship in roman religion, permanent exhibition, museum

Prentbriefkaart maakt deel uit van een album.
Portret van bioloog en chemicus Carlo Lodovico Morozzo
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: intaglio
Location: italy
Subjects: historical persons, science and technology (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Brief aan Philip Zilcken
Object type: letter
Date: 1906 – 1906
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: jean buhot
Artist dates: 1885 – 1952
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Mrs. Russell (Mariana Mattioco della Torre)
Object type: bust
Materials: bronze, marble
Techniques: silvered
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: portraits,women

Mariana Russell, the wife of the Impressionist painter John Peter Russell, modeled for Rodin’s sculptures of ancient goddesses. Likely inspired by her evenly proportioned, classical features, the artist portrayed her variously as Ceres, Minerva, and Athena. In 1888 Rodin modeled her portrait in wax; this later bronze cast captures her dignified beauty. Her hair is pulled back, emphasizing her broad jaw, strong nose, and full lips. She appears aloof yet feeling, simple yet intelligent: a woman of depth and character. Rodin often expressed his preference for frank portraiture: "Even the most insignificant head is the dwelling-place of life . . . and so offers inexhaustible matter for the masterpiece."
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 21 (recto)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: birds,flowers,leaves
De zaal Frascati te Amsterdam, gedurende de kermis van 1854
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: club, meeting place
Inscriptions: collector's mark: Lugt 2228

Gezicht in de zaal van Frascati te Amsterdam tijdens de kermis van september 1854.
Bloemen
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, ink, paper
Techniques: pen
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: flowers

Recto van een ongenummerd blad tussen blad 10 en 11 uit een schetsboek met 105 bladen.
Lodewijk XIV neemt het bestuur van de staat over
Object type: print
Date: 1669 – 1695
Materials: paper
Techniques: engraving, etching
Subjects: lodewijk xiv (koning van frankrijk), ornaments ~ art, (decorated) ceiling, herald, installation of a ruler, paris

Plafondschildering in het Louvre. Deze prent maakt deel uit van een album.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, buttocks, genitals, and legs of male holding an unidentified object in his left hand over a column krater; chlamys, buttock and part of calf of male to right
Berlin. Kaiser Friedrich-Museum
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, lithograph, hand coloring
Location: berlin
Artist: Anonymous
Subjects: monument, statue, permanent exhibition, museum
Wall Street, New York
Object type: drawing
Date: 1848 – 1848
Materials: graphite, ink, watercolor
Techniques: pen
Artist: anonymous, american, 19th century
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: buildings,cities,streets,carriages,new york city
Aeneas breekt de gouden tak af
Object type: print
Date: 1633 – 1692
Materials: paper
Techniques: engraving
Location: rome
Subjects: aeneas plucks the 'golden bough' by the aid of two doves
Inscriptions: collector's mark: Lugt 240

Aeneas en zijn vriend Achates zijn in het bos van Proserpina. Aeneas breekt een tak van een boom. Een duifje houdt een twijg van die tak in haar snavel. Hij heeft de tak nodig om zich op zijn weg naar de onderwereld achter die tak te kunnen verbergen.
De blijde uittocht, 1815
Object type: text sheet
Date: 1809 – 1815
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: bevrijding van nederland (1815)
Inscriptions: collector's mark: Lugt 2228

Tekstblad behorend bij de spotprent op het vertrek van de Fransen uit Nederland, 1815. Tekst in vier kolommen in het Frans.
Mercury mulierem amplexantis statua in aedibus Farnesianis
Object type: album leaf
Date: 1584 – 1584
Materials: paper
Techniques: engraving, intaglio
Location: italy
Subjects: (story of) mercury (hermes), piece of sculpture, reproduction of a piece of sculpture

Deze prent maakt deel uit van een set van 79 prenten (+ titelprent) met voorstellingen van antieke sculpturen in Rome.
Flounce
Object type: textile
Date: 1875 – 1900
Materials: lace, silk
Techniques: lace
Location: france
Album de douze sujets (...)
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: child, watering plants, child with plant (games and plays), child (at home)
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 1828b
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic
Artist: telephos painter
Artist role: artist

Interior, meander; Exterior, calf and foot of male to left; three fronds of a palmette
Blad met cyanotypie fotogram van blad van een Witte albeel en het blad zelf
Object type: wrapper
Date: 1900 – 1920
Materials: cardboard, paper, photographic support
Techniques: cyanotype
Location: united states
Artist: Anonymous
Subjects: trees (+ leaf)
Inscriptions: annotation: ‘Scrap book’

Omslag van het album waarin onder meer cyanotypieën met fotogrammen van boombladeren en de boombladeren zelf zaten.
Terracotta fragment of a kylix: Lip cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Exterior, in the handle zone, a palmette with a tendril; below, a band of black glaze
Sampler
Object type: sampler
Date: 1701 – 1800
Techniques: embroidery, lace
Subjects: flowers
Nelri naar Cornelis Troost
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Location: leiden
Subjects: drawing-room, 'salon', drinks, stimulants, drugs (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.), board-games
Inscriptions: collector's mark: Lugt 2165, collector's mark: Lugt 2228

Een groep heren is bijeen in een rooksalon. Twee mannen spelen een bordspel en twee anderen kijken toe. De klok boven de open haard staat op 8 uur. Rechts op de voorgrond staat een man op een stoel om een ander een detail op een schilderij aan te wijzen. Deel een van de serie 'Nelri' naar pastels van Cornelis Troost.
Le furieuse
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: girls,portraits
Groepsportret van een gezelschap op een zeilschip
Object type: photograph
Date: 1915 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait

Zeven vrouwen en negen mannen zittend op de achterplecht van een zeilschip. Links op de bank flesjes bier.
Gezinsportret voor een boerderij met schuur.
Object type: photograph
Date: 1880 – 1920
Materials: paper
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: family life

Het gezin zit aan de zijkant van de boerderij zodat ook de ingang van de schuur te zien is waar een rijtuig in gestald staat.
Dagger (Dha or Dah Hmyaung)
Object type: dagger dha or dah hmyaung
Date: 1701 – 1800
Materials: ivory, steel
Culture: burmese
Location: myanmar
Hoeden maison H. v. Doorn
Object type: drawing
Date: 1906 – 1945
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: names of organizations, companies, trade unions, etc., head-gear: hat (+ men's clothes), advertisement, notice, the hague
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze tekening is mogelijk een ontwerp voor een advertentie.
Portret van Willem I, prins van Oranje
Object type: book illustration
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: delft, william i (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Wagenaar, Jan. Vaderlandsche historie. Amsterdam: Isaak Tirion, 1749-1759.
Four Classical Figures
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: françois roëttiers
Artist role: artist
Artist nationality: french
Artist dates: 1685 – 1742
Arcadisch landschap met dansende herderinnen
Object type: print
Date: 1788 – 1839
Materials: paper
Techniques: etching
Location: rome
Artist: hendrik voogd
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1839
Subjects: trees, dancing, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2228
G. Dow
Object type: print
Date: 1850 – 1880
Materials: paper
Techniques: engraving
Location: dresden
Subjects: leiden, painter, draughtsman, gerard dou, historical persons, portrait, self-portrait of painter, study; 'studiolo'; library, globe
Twee vrouwen gieten water over een man
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, lithography
Location: netherlands
Subjects: pouring
Inscriptions: collector's mark: Lugt 2228

Twee vrouwen gieten uit kruiken water over een man, die een schelp boven zijn hoofd houdt. Rechts een stenen reliëf in het landschap.
Plate
Object type: plate
Date: 1736 – 1795
Materials: porcelain
Location: china
Subjects: flowers

Chinese export porcelain was one of the luxuries deemed essential to a well-appointed eighteenth-century house. Until 1784, when direct trade began between China and America, Chinese porcelain came to the colonies by way of Europe. The overglaze floral decoration on this service, made for Samuel and Judith (née Commelin) Verplanck of New York, is entirely European. Were it not for its unbroken family history, the close relationship of the design to that on Meissen porcelain would suggest that it had been made for the German or Scandinavian market. The service was presumably ordered for the Verplancks’ house at 3 Wall Street, where they lived from 1763 until 1803.
Portret van Johannes Bon
Object type: print
Date: 1815 – 1849
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Tsuki hyakushi
Object type: print
Date: 1801 – 1886
Materials: paper
Techniques: woodcut
Location: japan
Subjects: adult woman, spirit, ghost, moon as celestial body
Inscriptions: date

Vrouw met zeer lang haar, op de rug gezien: Iga no Tsubone, tegenover de gevleugelde geest van Kiyotaka, de klauwachtige hand over het vierkanten cartouche houdend; op de achtergrond een volle maan, waarvoor een donkere wolk, en vallende herfstblaadjes.