deem-data/ArtiFact huggingface dataset:
Key
Object type: key
Date: 1501 – 1600
Materials: iron
Culture: italian

The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages.
Anklet
Object type: anklet
Date: 4400 – 3800
Materials: bone, stone
Location: egypt
Portret van een onbekende man
Object type: print
Date: 1625 – 1719
Materials: paper
Techniques: etching
Location: low countries
Subjects: anonymous historical person portrayed alone, old man
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Buste van een onbekende oude man met baard, ketting en muts, driekwart naar links.
Portret van een jonge vrouw
Object type: carte de visite
Date: 1882 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: ormskirk
Artist: alfred wragg
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘Alfred Wragg/ Burscough St/ Ormskirk’
Gillis van der Misse gedood te Goes, 1657
Object type: history print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: netherlands
Subjects: violent death, being killed; being mishandled and maltreated; seeking death, street-fights, riots

Gillis van der Misse gedood te Goes bij een poging het oproer op straat over de verkiezing van rentmeesters te stillen, maart 1657. Van der Misse wordt geraakt tijdens een vuurgevecht op straat.
The Actor Sawamura Sojuro III as Sonobe Zaemon in the play "Shin Usuyuki Monogatari," performed at the Ichimura Theater in the eighth Month, 1779
Object type: print
Date: 1779 – 1779
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Textile Fragment with Inhabited Vine in an Eight-Pointed Star
Object type: textile fragment
Date: 401 – 600
Materials: linen, wool
Culture: coptic
Location: egypt
Mug
Object type: decorative art
Date: 1820 – 1860
Materials: earthenware
Location: pennsylvania
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Ring from a Pennanular Brooch
Object type: brooch
Date: 801 – 900
Materials: bronze
Culture: anglo-saxon
Music Box
Object type: music box
Date: 1810 – 1810
Culture: swiss
Location: switzerland

Purse-form gold music box with blue enamel borders. Decorated with the Russian Imperial Eagle and sword.
Generaal Alexandr von Bilderling en baron Adolf Freedericksz te Krasoye Selo
Object type: page
Date: 1897 – 1897
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: commander-in-chief, general, marshal
Inscriptions: inscription: ‘Krasnoié-Sélo-(...) Fréedericksz.’
Vis-à-vis #4182
Object type: drawing
Date: 1892 – 1892
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kakegawa, Fukuroi, Mitsuke, Hamamatsu, and Maisaka, no. 7 from the series "Cutout Pictures of the Tokaido Road (Tokaido harimaze zue)"
Object type: print
Date: 1848 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Castel Pelesch
Object type: photomechanical print
Date: 1876 – 1886
Materials: paper
Techniques: photograph
Location: heidelberg
Subjects: castle, façade (of house or building)
Fragments of a Green Glazed Handle with Knob
Object type: handle
Date: 801 – 900
Materials: earthenware
Techniques: glazing
Location: iraq
Venster met gordijnen
Object type: drawing
Date: 1886 – 1899
Materials: paper, pencil
Artist: Anonymous
Subjects: window, hangings and drapery

Venster met gordijnen waarbij lengte- en breedtematen zijn aangegeven.
Tafel vervaardigd van een without, waarop los liggend lessenaar
Object type: miniature
Date: 1690 – 1710
Materials: iron, wood
Location: amsterdam
Artist: Anonymous

Tafel vervaardigd van een withoutsoort, waarop los liggend een lessenaar. Eenvoudige stevige tafel op vier iets schuin geplaatste vierkante poten, onderling verbonden door een H-vormig kruis. Verbindingen zijn verstevigd met houten en ijzeren pennen, het blad is op het onderstel vast gespijkerd met 14 zigzag geplaatste spijkertjes.
Quinque Sensuum
Object type: ornament print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Location: england

Een vrouw ruikt aan een bloem afkomstig van een schaal met bloemen op haar schoot. Blad uit serie bestaande uit een titelblad en 5 bladen met personificaties van de zintuigen, derde editie.
Twee tafels met varianten voor de ondersteuning
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous

De bovenste tafel is in perspectief getekend, bij de onderste is het tafelblad rechtop afgebeeld. Aan beide kanten zijn vier maskers weergegeven.
Cowroid seal
Object type: stamp seal
Date: 1700 – 1520
Materials: stone
Location: egypt or levant
Card Number 147, Alice Harrison, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Giovanni Antonio Orsini del Balzo, prins van Taranto
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving, letterpress printing
Location: venice
Subjects: altamura, historical persons, river-gods, angels

Prent uit: Sansovino, Francesco. L'Historia di Casa Orsina di Francesco Sansovino. Venetië: Filippo en Bernardino Stagnino, 1565.
Zeeslag bij Kaap La Hogue, de Fransen verslagen door de vloot van Engeland en Holland
Object type: history medal
Date: 1692 – 1692
Materials: silver
Techniques: striking
Location: netherlands
Artist: jan luder (i)
Artist role: medailleur
Artist dates: 1648 – 1719
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Neptunus met de trekken van Willem III straft met zijn drietand een tweede zeegod met de trekken van Lodewijk XIV, die zich zijn rol en zijn attributen aanmatigde binnen omschrift; afsnede: opschrift
Prospect of ye North side of Tangier regarding the mayne Sea from the hill as you come from Whitby or the West, toward the Towne, from "Views of Tangier"
Object type: print
Date: 1673 – 1673
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: landscapes

Series title, from a series including five additional Tangier views. View from Tangier onto York Castle and Peterborough Tower; in the foreground, three figures and a dog; on the left, the coast, with horses and carts, and the sea, with ships; in the distance, hills; ornate cartouche at top center.
Cap crown
Object type: cap crown
Date: 1801 – 1833
Materials: cotton, metal thread
Architectuurperspectieven
Object type: ornament print
Date: 1601 – 1601
Materials: paper
Techniques: etching
Location: antwerp
Subjects: city-view in general; 'veduta', gate, entrance, street

Oplopende brede straat met monumentale bebouwing. Aan het einde van de straat ligt een poortgebouw met twee torens. De prent maakt deel uit van een album.
Allegory (Nature as the Nursemaid of Art)
Object type: painting
Date: 1540 – 1557
Materials: oil, panel
Artist: jan van hemessen
Artist role: painter
Artist dates: 1500 – 1575
Subjects: 'natura' (allegorical figure or scene; or as diana of ephesus, with many breasts); 'natura' (ripa), breasts giving milk - aa - female human figure, 'musica', symbolic representations, allegories and emblems ~ music; 'musica'(ripa), viola, violoncello; double bass - cc - out of doors

A partially nude woman sprinkles milk from her breast on a man’s viol. This enigmatic scene may represent Mother Nature, who inspires and nourishes Art. Van Hemessen was a leading Antwerp painter in the second quarter of the 16th century. His figures betray a marked Italian influence, especially in his use of soft, ‘smoky’ contours, the so-called sfumato painting technique.
Straattafereel met een vrouw die over een touw gevallen is
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: falling, comedy
Inscriptions: number: ‘2,50’, number: ‘8’
Zeilschepen
Object type: print
Date: 1610 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: salomon savery
Artist role: print maker, publisher
Artist dates: 1594 – 1683
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

De prent maakt deel uit van een zesdelige serie met voorstellingen van verschillende zeilschepen.
Collar and Cuff
Object type: textile
Date: 1875 – 1900
Materials: cotton
Techniques: lace
Location: belgium
Baan zijde met een dessin van afwisselend bloemen, bloemen op rasterwerk, haas naast zeshoek en vogels in cirkel
Object type: baan
Date: 1900 – 1920
Materials: silk
Techniques: weave
Location: japan

Baan zijde met dessin van afwisselend bloemen, bloemen tegen rasterwerk, haas naast zeshoek en vogels in cirkel in blauw, bruin, roze, wit, paars, groen en rood op oranje fond. Oosters textiel.
Portret van Alexandre Petau
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Subjects: adult man, historical persons, armorial bearing, heraldry
Inscriptions: mark: Lugt 533b
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 375 – 351
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, tendrils
Door knocker
Object type: door knocker
Date: 1567 – 1600
Materials: bronze
Subjects: human figures,faces
Corset
Object type: corset
Date: 1830 – 1839
Materials: cotton
Culture: american or european
Fotoreproductie van een schilderij van een snoepend kind
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: child, civic architecture; edifices; dwellings, painting, drawing and the graphic arts
Inscriptions: annotation: ‘[...]’, inscription: ‘Meyer von Bremen/[...]’
Portret van John Barclay
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: leiden
Subjects: historical persons, portrait of a writer

Prent uit: Barclay, John. Argenis. Leiden: Franciscus Hackius, 1659. Prent ook gebruikt in de editie van 1664.
Portrait of a Young Prince
Object type: painting
Materials: ink, paper
Culture: islamic
Location: isfahan
Cover of a cup (pot de crème) with stylized floral scrolls
Object type: covered cup
Date: 1800 – 1810
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: france
Artist: Anonymous

Deksel van porselein waarop een vergulde knop. Versierd met gouden biezen en langs de randen beschilderd met een doorlopende tak met aan de ene zijde bladeren, aan de andere zijde steeds een tak met drie vruchten.
Archibald M. Howe
Object type: page
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: lawyer, attorney at law
Van Maarseveen en twee anderen in het bevrijde kamp
Object type: photograph
Date: 1945 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: muhlberg
Artist: dick w.b. van maarseveen
Artist role: fotograaf
Artist dates: 1905 – 1990
Subjects: the hague, dick w.b. van maarseveen
Inscriptions: inscription: ‘muhlberg '45’

Fotograaf Van Maarseveen en twee andere gevangenen wachten op hun vertrek uit het bevrijde kamp. 1945. Zij poseren achter een prikkeldraadversperring. Onderdeel van een groep foto's gemaakt door Dick van Maarseveen in het Duitse krijgsgevangenenkamp Stalag IV B in Mühlberg in de periode 1943-1945.
Portret van Franz Heinrich Schönemann
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: engraving
Location: hamburg
Artist: christian fritzsch
Artist role: print maker
Artist dates: 1695 – 1769
Subjects: bookshelves, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Facsimile van een brief van J.C.J. van Speyk aan zijn nicht mevrouw De Dieu van Tongeren
Object type: facsimile
Date: 1830 – 1832
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: amsterdam, antwerp, jan van speyk
Prayer in Stonewall Jackson's Camp (from Confederate War Etchings)
Object type: print
Date: 1861 – 1863
Techniques: etching
Artist: adalbert john volck
Artist role: artist
Artist nationality: american
Artist dates: 1828 – 1912
Subjects: soldiers,american civil war,men
Miniatuurpijpenkomfoor
Object type: miniature
Date: 1755 – 1755
Materials: silver
Location: amsterdam
Artist: daniël van strant
Artist role: silversmith
Artist dates: 1694 – 1756
Inscriptions: date letter: ‘V (=1755)’, maker's mark: ‘DVS (Citroen 1975, nr. 198)’, town mark: ‘kleine stadskeur Amsterdam’

Pijpenkomfoor van zilver op drie gebogen poten, ronde bak met geschulpte rand met ebbenhouten, gedraaide steel.
Plattegrond van de Internationale Tentoonstelling van Tuinbouw in het Paleis voor Volksvlijt te Amsterdam. (7-12 April 1865.)
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: horticulture, vegetable culture, market gardening

Plattegrond van de Internationale Tentoonstelling van Tuinbouw gehouden in het Paleis voor Volksvlijt te Amsterdam, 7-12 april 1865. De verschillende onderdelen van de tentoonstelling dragen nummers die vermeld zijn in het programma.
Teniers. Paysage avec intérieur de ferme
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’, inscription: ‘L. N. Musée du Louvre’
Gordijn van een hemelbed van machinale tule met borduurwerk
Object type: curtain
Date: 1890 – 1910
Materials: fiber
Techniques: embroidered, stitch
Location: france
Artist: Anonymous

Gordijn van een hemelbed van machinale tule in wit geborduurd met ketting- en festonsteek met opengewerkte partijen op de manier van Richelieu-borduurwerk. Groot bloem- en bladmotief binnen een cartouche van C-voluten, waaromheen bloemslingers en takken.
Vijf gezichten op Neu-Wien
Object type: photograph
Date: 1930 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: vienna
Artist: berti hoppe
Artist role: fotograaf
Subjects: public library, nursery school, square, place, circus, etc. (+ city(-scape) with figures, staffage), vienna

In de onderschriften is vermeld dat het gaat om een bibliotheek, een kleuterschool, Atto en twee gezichten op de Hauptplatz. Deze foto's maken deel uit van een album.
Armchair
Object type: armchair
Date: 1730 – 1730
Materials: wood
Subjects: elephants
Spoon
Object type: spoon
Date: 1750 – 1750
Materials: silver
Culture: american
Location: united states
Artist: john tanner
Artist role: maker
Artist nationality: american
Artist dates: 1713 – 1785
Philadelphia Sunday Press, February 23, 1896
Object type: poster
Date: 1896 – 1896
Techniques: lithograph
Artist: george reiter brill
Artist role: artist
Artist nationality: american
Artist dates: 1867 – 1918
Subjects: men,women,advertisements
Ovaal vloermatje, vervaardigd van een strook gevlochten platte bies of stro, met rimpels in een ovaal gelegd en met touw bijeengenaaid; omzoomd met linnen band met lusje.
Object type: mat
Date: 1675 – 1710
Materials: plant fiber, linen, fiber
Location: halle
Artist: Anonymous

Ovale (vloer)matje, vervaardigd van een strook gevlochten platte bies of stro, met rimpels in een ovaal gelegd en met touw bijeengenaaid; omzoomd met linnen band met lusje.
[Charlie and Peel Ross with Horse after a Hunt]
Object type: photograph
Date: 1856 – 1859
Techniques: albumen silver print
Artist: horatio ross
Artist role: artist
Artist nationality: british, born scotland
Artist dates: 1801 – 1886
Subjects: firearms,boys,horses

Far better known in his day as an athlete and a sportsman than as a photographer, Ross excelled in deerstalking and was judged the finest shot in Scotland. Keen on the challenge of pitting his knowledge, stamina, and experience against the deer's superior senses of smell, sight, and hearing, Ross brought to his sport an intimate knowledge of the terrain, a practiced ability to judge distance, and an exceptional attentiveness in observation–just the qualities needed when he took to the Highland countryside with a camera in place of his rifle.
Kambara
Object type: woodblock print
Date: 1838 – 1838
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,houses,mountains,trees
The Betrayal of Christ, plate three from The Passion of Christ
Object type: print
Date: 1598 – 1598
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Zeilboten op de Schelde bij nacht
Object type: print
Date: 1889 – 1903
Materials: paper
Techniques: drypoint
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: sailing-ship, sailing-boat, river, night
Inscriptions: number: ‘294’, collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 294.
Perfume Bottle with Stopper
Object type: glass
Date: 1867 – 1900
Materials: glass
Location: lunéville
Artist: baccarat glassworks
Bracelet
Object type: costume and accessory
Date: 1301 – 1500
Materials: glass
Culture: islamic

For hundreds of years, women up and down the eastern coast of Africa wore bracelets like these as highly fashionable accessories. Simple monochromatic glass bangles first became common in Egypt beginning in the Ptolemaic Period (332–30 BCE), with multiple color chips and new designs emerging during the Roman period (30 BCE–395 CE). After the arrival of Islam in the 7th century, elaborately designed bracelets became the norm. Glass workshops continued to produce such bangles until the end of the 19th century.
Serie 1: Landschappen
Object type: print
Date: 1633 – 1670
Materials: paper
Techniques: etching
Location: amsterdam
Artist: herman naiwincx
Artist role: draughtsman, print maker
Artist dates: 1623 – 1670
Subjects: bridge, mountains
Inscriptions: collector's mark: Lugt 240

Een brug over een waterval, links bergen.
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 175
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving
Subjects: walking-stick, staff, cane (+ women's clothes), clothing for the upper part of the body (vest) (+ women's clothes), cape (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes)

Vrouw in een jurk en cape van blauwe crêpe de chine. Vest van 'velours pékiné'. Proefdruk van een prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Grafdelver met schep
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: engraving
Subjects: adult man, grave digger
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Andere staat verschenen in: Brown, Henry. De Nederlanden: karakterschetsen, kleederdragten, houding en voorkomen van verschillende standen. Den Haag: Nederlandsche Maatschappij van Schoone Kunsten, 1841.
Man en vrouw bij de dierentuin van Moskou
Object type: photograph
Date: 1907 – 1911
Materials: paper, cardboard
Techniques: collodion silver print
Location: moscow
Artist: Anonymous
Subjects: historical persons, terrace, zoo (as place of recreation)
Inscriptions: inscription: ‘- Moscou - "du jardin zoologique -" Juillet 1911.’, inscription: ‘- Moscou - "du jardin zoologique." - Juillet 1911.’

Deze foto's maken deel uit van een album.
Design for Pink, Mauve and White Floral Curtains with a Gold and White Pediment
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: curtains
Promenade bonnet
Object type: promenade bonnet
Date: 1882 – 1882
Materials: silk, fiber
Culture: american
Dummy Jar Inscribed for Sennefer and Senetnay
Object type: model, jar, senetnay, sennefer, kv 42
Date: 1427 – 1400
Materials: limestone
Location: egypt
Subjects: hieroglyphs
De steiger aan de Maas
Object type: print
Date: 1888 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: canals, waters (in city), pier, quay, wharf, rotterdam

Op de achtergrond schepen op de Maas bij Rotterdam.