deem-data/ArtiFact huggingface dataset:
Man balt zijn vuisten bij het aanzicht van een dode vrouw
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: violent death, being killed; being mishandled and maltreated; seeking death - ee - death not certain; wounded person (+ death by murder), hand made into a fist
Inscriptions: collector's mark: Lugt 240

Proefdruk van een prent die ook gebruikt is als illustratie bij het verhaal 'Adelson en Salvini' voor: Baculard d'Arnaud, F.T.M. de. Zedelijke verhaalen, deel 7. Amsterdam: A. Mens Jansz., 1782.
Gezicht op de Aelbrechtskolk te Rotterdam
Object type: photomechanical print
Date: 1908 – 1913
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: urban housing, canals, waters (in city) (+ city(-scape) with figures, staffage), rotterdam
Inscriptions: inscription: ‘Aelbrechtskolk.’

Deze prent maakt deel uit van een album.
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: men
Plan of a Columbarium
Object type: drawing
Date: 1710 – 1727
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: pietro paolo coccetti (cocchetti)
Artist role: artist
Artist nationality: italian
Artist dates: 1710 – 1727
Subjects: architecture
VOC, duit Zeeland, 1791
Object type: coin
Date: 1791 – 1791
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Halberd
Object type: halberd
Date: 1600 – 1600
Materials: steel, wood
Culture: french
Location: france
Taking the Census
Object type: painting
Date: 1854 – 1854
Materials: canvas, oil
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: interiors,children,infants,men,women,writing

The United States Census of 1850 initiated the requirement that heads of households provide information about each of their dependents. The new regulation caused a good deal of confusion. Edmonds’s humorous image, which is the earliest known portrayal of the census-taking process, features a father’s painstaking efforts to recall his family statistics, while several of his children hide from sight. The small framed portrait of George Washington above the mantel evokes not only the genesis of the country’s political system but also the legendary admonition never to tell a lie. The carefully lit interior and wealth of detail in the composition were inspired, in part, by earlier Dutch genre scenes.
Portret van een onbekende baby
Object type: album leaf
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: batavia
Subjects: anonymous historical person portrayed
Portret van een man
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: jacques prévot
Artist role: fotograaf
Artist dates: 1857 – 
Subjects: adult man, historical persons
Inscriptions: name: ‘6, Rue de l'Offrande J. Prévot/Anvers’, inscription: ‘Photographie/ J. Prévot/ 6, Rue de l'Offrande/ coin de la rue Dambrugge/ Anvers’
Pilgrim's Badge
Object type: pilgrim's badge
Date: 1301 – 1600
Materials: lead
Culture: french
Subjects: angels
Court suit
Object type: court suit
Date: 1774 – 1793
Materials: silk
Culture: french

This formal suit, made or worn with a contrasting waistcoat, handsomely shows the richness of embroidery added to the luxury of patterned silk velvet. The height of the collar and the narrowness of the sleeves, cuffs, and coat fronts date this suit to the fourth quarter of the eighteenth century. Suits of this general type were retained for court wear well into the nineteenth century.
Clearing Breeze from a Fan (Ogi no seiran), from the series "Eight Views of the Parlor (Zashiki hakkei)"
Object type: print
Date: 1766 – 1766
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Spoorwegenkaart van Nederland
Object type: album leaf
Date: 1915 – 1915
Materials: paper
Techniques: printing block, rotogravure
Artist: Anonymous
Subjects: maps of separate countries or regions, railway, tramway; rack railway, netherlands

Deze prent maakt deel uit van een album.
Edging
Object type: edging
Date: 1701 – 1733
Techniques: lace
Zuilen van het zuidelijk portaal van de Église Sainte-Marthe de Tarascon
Object type: photograph
Date: 1858 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: tarascon
Artist: Anonymous
Subjects: parts of church exterior and annexes
Inscriptions: monogram: ‘APA’, address: ‘168 NEW BOND ST.’, number: ‘21’
Vandiest / Le Piper
Object type: print
Date: 1730 – 1763
Materials: paper
Techniques: engraving
Location: london
Subjects: the hague, london, painter, print maker, adriaen van diest, historical persons, portrait, self-portrait of painter

Prent uit: Walpole, Horace. Anecdotes of painting in England : with some account of the principal artists : and incidental notes on other arts; collected by the late Mr. George Vertue : and now digested and published from his original Mss. / by Horace Walpole. 4 dln. Londen: Horace Walpole, [1762-1789], dl. 3, p. 129.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 1, p. 155.
Salver for a teakettle
Object type: salver
Date: 1735 – 1736
Materials: silver
Artist: augustin courtauld
Artist role: maker
Artist nationality: british
Artist dates: 1685 – 1751
Subjects: coat of arms

The arms engraved on the side of the kettle are those of David Franks and his wife, Margaret Evans. Franks was born in New York, and the couple lived in Philadelphia. They moved to England after the Revolution. The present stand is similar to the original, which is in a private collection.
Fragment
Object type: fragment
Date: 1701 – 1733
Materials: silk
Subjects: flowers,leaves
Half Model of a 54-Gun Ship of the Line
Object type: builder's model
Date: 1782 – 1782
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Subjects: zeeland

Gepolychromeerd mallenmodel (bakboord) op kleine achterplaat. De huid boven het berghout is gesloten. Vijf en twintig geschutpoorten op twee dekken; bakdek en bovenkampanje door gillingen aangegeven. Het schegbeeld is een gekroonde leeuw. Gewrongen spiegel, hol wulf, hek en zijgalerij van twee verdiepingen, met verguld snijwerk van wapentrofeeën en lofwerk. Onder het hek een lege rechthoekige cartouche. Recht roer met vierkante roerkoning in groot rond hennegat met versierde rand. Zeeg naar achteren oplopend, twee berghouten en één reehout. Gepiekt rondspant.
Gezicht op een begraafplaats in 40 Rue St. Bernard
Object type: print
Date: 1906 – 1911
Materials: paper
Techniques: drypoint, engraving, etching, intaglio
Location: france
Artist: henri manesse
Artist role: print maker
Artist dates: 1854 – 1940
Subjects: cemetery, park-like burying ground
Inscriptions: collector's mark: Lugt 2228

Dit is de elfde serie uit een prentreeks die uit minstens elf series bestaat.
Altaar van het bisdom 'Eijstett'
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: altar
Inscriptions: collector's mark: Lugt 2228

Mogelijk betreft dit een altaar van de kathedraal van Eichstätt.
Schoorsteen van kunstmarmer, onderdeel van betimmering 1626
Object type: schoorsteenfries
Date: 1626 – 1626
Materials: marble
Location: northern netherlands
Artist: Anonymous
Subjects: dordrecht

De schoorsteen heeft een witgeaderde, zwart kunstmarmeren stoel met vrijstaande Toscaanse kolommen op voetstukken, die voor vlakke pilasters zijn geplaatst en consoles dragen. Basis en kapiteel zijn van bruin geaderd wit marmer. Op de consoles rust de schoorsteenmantel. De fries draagt in het midden en op de hoeken een boogstelling, waarin de figuren van Geloof, Hoop en Liefde zijn geschilderd. De middelste cartouche boven de boogstelling draagt het jaartal 1626.
Fotoreproducties van De oude drinker door Gabriël Metsu en De stier door Paulus Potter
Object type: reproduction
Date: 1866 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, pipe ~ tobacco, old man, drinking, bovine cattle
Inscriptions: annotation: ‘Musée d'Amsterdam’, annotation: ‘Musée de La Haye’

Deze foto maakt deel uit van een omslag met 25 foto's.
Zeus and Psyche
Object type: drawing and watercolor
Materials: chalk, gouache, ink, paper, paint, watercolor
Techniques: brush, heightening, pen, wash
Location: italy
Artist: lazzo tavarone
Artist nationality: italian
Artist dates: 1556 – 1641
Landschap met bomen
Object type: photograph
Date: 1869 – 1871
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: landscapes
((...)) Marken / (Hollande)
Object type: photograph
Date: 1885 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Inscriptions: annotation: ‘(...) Marken / (Hollande)’
Sampler
Object type: sampler
Date: 1814 – 1814
Materials: linen, silk
Techniques: embroidery
Culture: american
Location: united states
Artist: catherine cassady
Artist role: maker
Artist nationality: american
Artist dates: 1803 – 1827
Subjects: houses,flowers
Vijfde suite
Object type: print
Date: 1807 – 1861
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis steffelaar
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1861
Subjects: well
Inscriptions: collector's mark: Lugt 2228

Een waterput met windas en afdak. Links een emmer.
Bowl
Object type: bowl
Date: 1835 – 1840
Materials: glass
Culture: american
Location: united states
Das Könige Palatium, samt dem Capuciner und Minoritten Closter zu Breslau
Object type: print
Date: 1742 – 1801
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: germany
Subjects: abbey, monastery, convent ~ roman catholic church, palace
Inscriptions: collector's mark: Lugt 2233

De serie “Wroclaw”, met het nummer 64, bevat vier prenten met de nummers 258-261, waarvan dit nummer 259 is.
Folding Fan with Scene of Figures in a Courtyard Garden
Object type: fan
Date: 1801 – 1900
Materials: bamboo, paper, silk
Subjects: musical instruments,birds,men,women
Spindle (distaff)
Object type: spindle
Date: 1701 – 1800
Materials: wood
Japanese Drawing
Object type: drawing
Date: 1801 – 1833
Materials: paper
Culture: japanese
Artist: kano naonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1607 – 1650
Subjects: birds
Les bergers de Virgile
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228
Le Sérapéum de Memphis
Object type: wrapper
Date: 1857 – 1857
Materials: cardboard, paper
Techniques: photograph, printing
Inscriptions: collector's mark: ‘Benjamin Duprat/ Libraire de L'Institut (...)’, annotation: ‘3 fevrier 1860’
Battle
Object type: print
Date: 1865 – 1865
Materials: ink, paper
Techniques: etching
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Patrick Byrne
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,harps,musicians
Daniël geknield voor een venster wordt bespied
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: daniel, while praying on his knees before an open window, is discovered by the conspirators
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 16.
Hoogstraten. Gestoelte der oude kerk. Gotische stijl der 15de eeuw
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1913
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: bench, interior of church
Portret van Frederik Hendrik, prins van Oranje
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: delft, frederick henry (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
In de sneeuw op Yanagibashi
Object type: print
Date: 1927 – 1927
Materials: calcium oxide, paper
Techniques: blind stamped, woodcut
Location: tokyo
Subjects: umbrella, snow, landscapes (+ landscape with figures, staffage)

Sneeuwlandschap; twee vrouwen onder paraplu`s lopend over een brug waarnaast treurwilgen. Yanagibashi betekent Wilgenbrug.
Jodocus van Schoonhoven
Object type: print
Date: 1607 – 1611
Materials: paper
Techniques: engraving
Location: haarlem
Artist: jacob matham
Artist role: draughtsman, print maker
Artist dates: 1571 – 1631
Subjects: male saints (with name), brielle

De zalige Jodocus (Joost) van Schoonhoven, martelaar te Den Briel. In zijn handen een misklek, waaruit hij weigerde te drinken.
Burma, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: coat of arms,flags

Trade cards from the set, "Flags of All Nations," Series 2 (N10), issued in 1890 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Interieur van de Scuola Grande di San Rocco te Venetië, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: column, pillar ~ architecture, interior ~ representation of a building, wall-covering
Inscriptions: inscription: ‘pl 10 Italie.. [...]’, inscription: ‘I’
Staande soldaat met musket over de schouder en geweerhouder in de linkerhand.
Object type: costume print
Date: 1630 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: salomon savery
Artist role: print maker, publisher
Artist dates: 1594 – 1683
Subjects: head-gear: hat (+ men's clothes), weapons, clothes, costume (+ men's clothes), the soldier; the soldier's life, trousers, breeches, etc. (breeches) (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes), boots (+ men's clothes)
Inscriptions: collector's mark: Lugt 240

De prent maakt deel uit van een tiendelige serie met voorstellingen van gewapende officieren en soldaten, gekleed volgens de Nederlandse mode ca. 1625-1635.
Rijstcultuur, Slametan voor 't staande gewas
Object type: stereograph
Date: 1900 – 1935
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: malang
Artist: neville keasberry
Artist role: fotograaf
Artist dates: 1866 – 1944
Inscriptions: annotation: ‘S 5 no 54. Rijstcultuur. Slametan voor 't staande gewas’, signature: ‘Neville Keasberry, Malang (Java)’, inscription: ‘Stereoscopische Fotografie’

Een slametan is een terug kerend gemeenschapsfeest waarbij de eenheid van de betrokkenen gevierd wordt. Deze worden bij diverse sociale gebeurtenissen gegeven, oogsten, verjaardagen, begrafenissen, etc. [M. Knops, 2008].
Portret van Samuel von Pufendorf
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Subjects: history and archaeology (+ portrait of scholar, scientist), scholar, philosopher, historical persons

Prent waarschijnlijk uit: Pufendorf, Samuel von. Histoire de suede, avant et depuis la fondation de la monarchie. Amsterdam: Zacharie Chatelain, 1732.
Xylophone and Lyre, from the Musical Instruments series (N121) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: musical instruments,women

Trade cards from the "Musical Instruments" series (N121), issued in an unnumbered set of 25 cards in 1888 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The series incorporates the 50 images of the N82 set, including two images on each card.
Sleeve Pieces
Object type: textile
Date: 1758 – 1758
Techniques: cutting
Location: france
Sheet with overall lattice pattern with rosettes
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Fragment of a Bowl
Object type: fragment
Date: 1301 – 1400
Materials: glaze, stonepaste
Techniques: underglaze
Location: syria
Plate with egrets in a lotus pond
Object type: plate
Date: 1867 – 1900
Materials: cobalt, copper, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: birds,lotuses,leaves
Nederlandse militaire uniformen in de jaren 1830-1832
Object type: print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2227

Staande officier van het Korps Noord-Hollandse Jagers. Onderdeel van een serie van 157 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.
Breeches
Object type: breech
Date: 1795 – 1795
Materials: leather
Culture: british

Leather breeches were popular with sports-minded English gentlemen for hunting and riding. They were usually made in tan or yellow leather with trouser legs long enough to meet the tops of the boots. Gentlemen bought their breeches from special breeches-makers, who, because of the nature of the material they worked in, organized a separate business. The fashion for English leather breeches spread to the Continent during the anglomania of the 1770s and 1780s. European dandies appreciated the tight fit of these breeches while finding them supple enough to wear while riding.
De Laan na Ceres, tegen over 't Beeld van Phaunus
Object type: print
Date: 1689 – 1702
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), (story of) ceres (demeter), palace, french or architectonic garden; formal garden

Prent ook gebruikt in: Allard, Carel. Neerlands veldpracht, of 't Lusthof gesticht door Z.B.M. Willem III op't Loo (...). Amsterdam: Carel Allard, s.a. [1702?].
Groep mannen langs de baan van de Amsterdamse IJsclub
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: sigmund löw
Artist role: publisher
Artist dates: 1845 – 1920
Subjects: adult man (+ more than eight persons), skates (winter sports), amsterdam
Inscriptions: inscription: ‘Eera Diploma Donaueschingen 1874/ ZILVEREN MEDAILLE KARLSRUHE 1877/ Photographie Artistique/ &/ Kunsthandel/ van/ S. Herz Amsterdam./ Heerengracht 80 & Heerenstraat 4.’, number: ‘No 1’
Amulet of the Goddess Bastet
Object type: costume and accessory
Materials: ceramic
Culture: egyptian
Location: egypt
Subjects: goddesses
Steatite Stamp Seal
Object type: stamp seal
Date: 1900 – 1700
Materials: stone
Culture: minoan
Portret van Julius Schramm
Object type: print
Date: 1830 – 1863
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons, portrait of actor, actress
Inscriptions: check stamp: Lugt 2141c, collector's mark: Lugt 2228
Statuette of woman
Object type: statuette of a woman
Date: 1981 – 1640
Materials: paint, wood
Location: egypt
Subjects: women
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Exterior, part of an inscription, a pi
Fotoreproducties van prenten naar fresco's met voorstellingen van Isaak die Jacob zegent en Esau die vraagt om zegening door Rafaël voor de loggia's in het Vaticaan
Object type: page
Date: 1851 – 1861
Materials: photographic support
Techniques: albumen print
Location: berlin
Subjects: esau seeks his father's blessing; isaac realizes he has mistakenly blessed jacob instead of esau, isaac sitting in bed blesses jacob who, disguised in esau's clothes, brings food to his father; jacob's hands and neck are covered with goatskins
Inscriptions: number: ‘No 19. No 20. Bild 3. Bild 4. V. Loge.’
Vuursteenpistool met gordelhaak
Object type: flintlock pistol
Date: 1680 – 1690
Materials: iron, wood
Techniques: engraving
Location: utrecht
Inscriptions: inscription: ‘LASONDER // A. UTRECHT’, coat of arms: ‘C’
Adoration of the Shepherds
Object type: drawing
Date: 1645 – 1650
Materials: ink
Techniques: brush, pen, wash
Artist: jusepe de ribera (called lo spagnoletto)
Artist role: artist
Artist nationality: spanish
Artist dates: 1591 – 1652
Subjects: adoration of the shepherds
The arrival of Princess Juliana and her children in Canada
Object type: album leaf
Date: 1940 – 1940
Materials: cardboard, paper
Techniques: screen printed
Location: canada
Artist: Anonymous
Subjects: beatrix (koningin der nederlanden), juliana of the netherlands, parents with their children, canada
Inscriptions: inscription: ‘1940’

Albumblad met reproductie van een foto van de aankomst in Canada van prinses Juliana met de prinsessen Beatrix en Irene, 1940. Onderdeel van fotoalbum over het familieleven van de leden van het Koninklijk Huis tussen 1937-1945.
A Long Tale for an Autumn Night (Aki no yo nagamonogatari)
Object type: handscroll
Date: 1400 – 1400
Materials: gold, ink, paper
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: bow and arrow,swords,men,landscapes

A Long Tale for an Autumn Night represents a genre of story that became popular in Japan in the late fourteenth and fifteenth centuries. It tells of an amorous affair between a Buddhist monk and a younger male acolyte (chigo). The usual outcome of these tragic tales is the monk's attainment of religious salvation after repenting his obsession with carnal pleasures. A Long Tale for an Autumn Night comprises three illustrated handscrolls (emaki), with the narrative progressing from right to left. Note the use of a device called iji dōzu (literally, "different time, same illustration"), in which the same figures appear multiple times in a single pictorial segment so that several events can be depicted simultaneously. At an earlier point, the first section of this handscroll was excised and mounted separately as a hanging scroll. In 2005 the Museum acquired the missing section and restored it to its original location in the story. A Long Tale for an Autumn Night Scroll 2 Keiju led Umewaka to Keikai’s room, where they spent one night together. Afterward Keikai returned to Mount Hiei, but he could no longer focus on his religious practice, for he missed Umewaka too much. Heartsick, he retreated from public life. When Umewaka heard of Keikai’s condition, he hurried to Mount Hiei with Keiju at his side. The journey was arduous, and they stopped to rest. An old man approached in a palanquin and offered to take them up the mountain. Exhausted, they accepted his offer, but when they climbed into the vehicle, the man, a mountain goblin in disguise, abducted them. Umewaka’s disappearance sparked a terrible row, for the monks of Miidera, aware of the relationship between Umewaka and Keikai, suspected that Keikai’s fellow monks at Mount Hiei were responsible. Assuming also that Umewaka’s father was involved, they burned his mansion to the ground. The monks of Mount Hiei, led by Keikai, retaliated by razing the Miidera compound, sparing only the shrine to their tutelary god, Shinra.
Fall Creek, Ithaca, N.Y. 1st, or Ithaca Fall, from bridge, 150 feet high
Object type: photograph
Date: 1860 – 1865
Techniques: albumen print
Location: ithaca
Artist: j. c. burritt
Artist nationality: american
Artist dates: 1860 – 1869