deem-data/ArtiFact huggingface dataset:
Portret van een onbekende man, mogelijk Franciscus Cornelis Donders
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: heinrich dilcher
Artist role: print maker
Artist dates: 1824 – 1885
Subjects: historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De geportretteerde zit op een stoel. In zijn rechterhand heeft hij enkele beschreven vellen papier.
Schuttersbrief van kapitein Jan Valk
Object type: schuttersbiljet
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), personification of a city, town-patron(ess), military service (+ citizen soldiery, civil guard, citizen militia), amsterdam
Inscriptions: collector's mark: Lugt 1641b

Schuttersbrief met oproep van kapitein Jan Valk, gericht aan Douwe Willems met een snaphaan, om zich bij het eerste korporaalschap van Jan Hogeboom van de Amsterdamse schutterij te melden. Voorgedrukte brief met open delen die met pen zijn ingevuld. Onderwerpsrubriek binnen de Atlas Amsterdam: Schutters-oproepingsbriefjes.
Storm
Object type: drawing
Materials: gouache, paper
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Subjects: storms,boats,ships
Admiraliteitstoren
Object type: photograph
Date: 1902 – 1950
Materials: photographic support
Techniques: offset printed
Location: russia
Artist: Anonymous
Subjects: russia
The Miseries of Human Life: Getting Up Early in a Cold Gloomy Morning...Before an Empty Grate
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,cats
Le Dèbarquement / The Disembarking
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: harbour, pier, quay, wharf
Inscriptions: check stamp: Lugt 3977, collector's mark: Lugt 2233, collector's mark: Lugt 2228
Portret van Ascon
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: historical persons, ruler, sovereign

Prent uit: Soeteboom, Hendrik Jacobszoon. Oudheden van Zaan-land, Stavoren, Vronen en Waterland: (...). Amsterdam: Wilhem Linnig van Koppenol, 1702.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, right hand grasping an unidentified object
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 434 – 368
Materials: terracotta
Culture: etruscan

Interior, head, neck, and part of the upper frontal torso of a youth looking to left, holding a large branch in his right hand; Exterior, part of the calf and foot of a male to right; lower legs of a draped male to left
Card Players with Woman Smoking a Pipe
Object type: painting
Date: 1635 – 1640
Materials: oil, panel
Artist: pieter jansz quast
Artist role: draughtsman, painter, print maker
Artist dates: 1605 – 1647
Subjects: inn, coffee-house, public house, etc., pipe ~ tobacco, card games
Inscriptions: signature, lower left (P and Q ligated): ‘PQuast’

Twee staande kaartspelers en een zittende pijprokende vrouw.
Bruxelles. Hôtel de Ville
Object type: photomechanical print
Date: 1894 – 1906
Materials: cardboard
Techniques: autotype
Location: brussels
Artist: Anonymous
Subjects: square, place, circus, etc., townhall
Ibex and Dog from the Tomb of Qenamun
Object type: facsimile, qenamun tt 93, hunting
Date: 1427 – 1400
Materials: paper, paint
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Subjects: dogs,ibex
Portret van Simon Episcopius op 60-jarige leeftijd
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 240

Met zesregelig vers in het Nederlands onder het portret.
Landscape
Object type: drawing
Date: 1825 – 1864
Materials: graphite
Artist: alexandre calame
Artist role: artist
Artist nationality: swiss
Artist dates: 1810 – 1864
Subjects: landscapes,trees
Gezicht op Tienen
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: etching
Subjects: animal traction, animal-drawn vehicle (carriage etc.), city-view, and landscape with man-made constructions, pedlar, 'en route', traveller under way

Gezicht op de stad Tienen. Op de voorgrond zitten drie jongens bij een hek. Verderop kijkt een meisje naar de hond die blaft naar een wegrijdende huifkar. Rechts loopt een marskramer. De prent maakt deel uit van een album.
Portret van Anne Fortescue
Object type: print
Date: 1755 – 1790
Materials: paper
Techniques: mezzotint
Location: london
Artist: james watson (prentmaker)
Artist role: print maker, publisher
Artist dates: 1740 – 1790
Subjects: historical persons - bb - woman, pearl; pearl necklace
Inscriptions: collector's mark: Lugt 240
Golden Jubilee Medal of Queen Victoria
Object type: medal
Date: 1887 – 1887
Materials: bronze
Artist: joseph edgar boehm
Artist role: maker
Artist nationality: british, born austria
Artist dates: 1834 – 1890
Subjects: profiles,women,queen victoria
Portret van Maria II Stuart
Object type: print
Date: 1695 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland)
Inscriptions: collector's mark: Lugt 240

Portret van Maria II in een geornamenteerd ovaal met oranjetakken. Daar omheen een aantal allegorische objecten. Midden boven een kroon. Links- en rechtsonder zinnebeelden op haar dood. Op een doek haar geboortejaar, sterfjaar en haar naam en titels.
Frisia Occidentalis
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions

Linksonder titelcartouche met daarboven het wapen van Friesland. Rechtsboven legenda, rechtsonder twee schaalstokken: Milliaria Germanica communia, Milliaria Gallica communia. Daarboven een manfiguur met een passer. Gradenverdeling langs de randen.
The English Jesuit
Object type: print
Techniques: etching
Location: london
Artist: matthias darly
Artist role: publisher
Artist nationality: british
Artist dates: 1720 – 1780
Subjects: men,profiles

This image comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. This etched satire of a man with a hat and cane resembles both William Petty, 2nd Earl of Shelburne or Sir Nash Grose (see plate no. 17). Shelburne had been nicknamed Malagrida, in the Public Advertiser on Sept. 16, 1767, after a notorious Portuguese Jesuit, which makes him the more likely subject.
S. Elie, prophète (St. Elias, Prophet), July 20th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,horses,saints,chariots

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Mast van een zeilschip
Object type: drawing
Date: 1834 – 1893
Materials: ink, paper, pencil
Techniques: pen
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: sailing-ship's rigging, parts of ship's exterior: mast
Rustende vrouw in leunstoel
Object type: drawing
Date: 1751 – 1814
Materials: paper, pencil
Artist: jean michel moreau
Artist role: draughtsman, print maker
Artist dates: 1741 – 1814
Subjects: sleeping in chair
Inscriptions: annotation, verso, lower right, pencil: ‘42’, annotation, verso, lower centre, pencil: ‘4a / 8-4-’76’, collector's mark: Lugt 2228
Vrouw met opgestoken haar op de rug gezien
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: adult woman (+ back view)
Inscriptions: collector's mark: Lugt 240
Gebouwen, mogelijk boerderijen, in een landschap
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes, rural housing, e.g. country-house, villa, cottage, farm (building)
Inscriptions: kleurnotitie, handgeschreven

Gebouwen, mogelijk boerderijen, in een landschap. Pagina 73 uit een schetsboek met 43 bladen.
Fotoreproductie van een schilderij, gezeten vrouw met open boek
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adolescent, young woman, maiden, sitting figure, book - mm - book open
Mme. Materna, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from "World's Beauties," Series 2 (N27), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Seated Tara
Object type: figure
Date: 901 – 1000
Materials: bronze
Culture: indian
Subjects: buddhism,deities
Overwinning van keizer Karel V op Frans I van Frankrijk bij Pavia, 1525
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: frans i van valois-angoulême (koning van frankrijk), ghent, charles v (holy roman emperor and king of spain), battle, fighting in general
Inscriptions: collector's mark: Lugt 240

Overwinning van Karel V op Frans I, koning van Frankrijk in de slag bij Pavia in 1525. De soldaten van Karel V verslaan in gevecht de Franse soldaten. Rechts op de achtergrond een stad aan een kust. Met onderschrift van vier regels in het Latijn. Deze prent is onderdeel van een reeks van acht prenten, elk een triomf van Karel V voorstellende.
Fotoreproductie van een schilderij, voorstellende een portret van Anton Anderledy
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: theologian
Inscriptions: inscription
Rivier in boomrijk landschap
Object type: print
Date: 1800 – 1815
Materials: paper
Techniques: etching
Location: netherlands
Artist: hermanus van brussel
Artist role: draughtsman, print maker
Artist dates: 1763 – 1815
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Zelten-Etablissement No. 2. Berlin
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: großer tiergarten
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: tea garden, garden restaurant
Inscriptions: number: ‘No. 52.’

Tegenwoordig staat op deze locatie het Haus der Kulturen der Welt.
Plate 48: Men bearing arms and heraldic flags marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Object type: print, fete, ornament architecture
Date: 1623 – 1623
Techniques: etching, hand coloring
Location: brussels
Artist: cornelis galle (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1576 – 1650
Subjects: weapons,men,flags,insignia

Plate from 'Pompa Funebris ... Alberti Pii', after Jacques Francquart, illustrating the funeral procession of Albert the Pious (1559–1621), Archduke of Austria, son of Emperor Maximilian II. 2 sheets pasted together at center. The first edition of this series contains 54 numbered plates and an engraved title page, published in 1623. The second and third editions contain 66 plates and were published in 1728 and 1729 respectively.
Plattegrond van de Dam en omgeving, in Amsterdam
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: maps of cities
Inscriptions: collector's mark: Lugt 2228
Portret van Jan van Walré
Object type: print
Date: 1815 – 1851
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: haarlem, publisher, jan van walré
Inscriptions: collector's mark: Lugt 2228

Portret van de Haarlemse schrijver en uitgever Jan van Walré.
Vue générale des Ruines du Château d'Arlay, Franche Comté
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: landscape with ruins, ruin of a dwelling, house, castle, etc., france
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Deze prent behoort tot de serie 'Voyages pittoresques et romantiques dans l'ancienne France'. De serie is uitgevoerd onder leiding van Isidore Justin Séverin baron Taylor en bevat begeleidende teksten van Charles Nodier en Alphonse de Cailleux. Voor het project zijn vele kunstenaars naar delen van Frankrijk afgereisd. De reeks is tussen 1821 en 1878 in ca. 21 delen gepubliceerd.
Vest van crème ripszijde met blauwe lijnen met pailletten en twee nepzakken, gevormd door een geborduurd "feestmuts"-motief met pailletten, zilverdraad en blauwe stenen
Object type: vest
Date: 1795 – 1805
Materials: glass, linen, sequin, silk, thread
Techniques: rib binding
Location: netherlands
Artist: Anonymous

Herenvest van crèmekleurige zijde geborduurd met blauwe en rose zijde, zilverdraad, zilveren pailletten en geslepen glazen steentjes. Opstaand boord, sluiting door middel van 9 knopen.
Vase
Object type: glass
Date: 1898 – 1902
Materials: bronze, glass
Location: corona
Artist: tiffany glass and decorating company
Artist role: artist
Artist nationality: american
Artist dates: 1894 – 1902
Inscriptions: Base marked with symbol "TGD CO" "Tiffany Studios/New York" and numbered 23819.
Christus wast de voeten van de discipelen
Object type: book illustration
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: christ washes the feet of the apostles (john 13:1-20)

Christus wast de voeten van Petrus. Rondom wachten de andere discipelen om ook hun voeten door Christus te laten wassen.
Charles Sprague
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: southworth and hawes
Artist role: photography studio
Artist nationality: american
Artist dates: 1843 – 1863
Subjects: men,portraits,profiles
Kwitantie voor Frans Buffa en Zonen
Object type: ontvangstbewijs, kwitantie
Date: 1874 – 1874
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: willem maris
Artist role: draughtsman, painter
Artist dates: 1844 – 1910
Subjects: publisher, art trade, art shop, painting (including book-illumination, miniature-painting), money
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228
Honderd jaar onafhankelijkheid te Rotterdam 1913
Object type: medal
Date: 1913 – 1913
Materials: brass
Techniques: striking

Vergulde penning met draagoog, op de voorzijde het aanzicht van Rotterdam in 1813, met onder- en omschrift, op de keerzijde het aanzicht in 1913, met onder- en dubbel omschrift.
Cylinder seal
Object type: cylinder seal
Date: 1333 – 1001
Materials: copper alloy
Location: levant
Subjects: birds
Women’s Pendant
Object type: plate
Date: 1601 – 1900
Materials: gemstone, gold
Culture: nepali

Precious gemstones became increasingly available in the nineteenth century, and compositions became more elaborate over time.
Mirror with fantastic animals amid grape vines
Object type: mirror
Date: 601 – 800
Materials: bronze
Culture: chinese

Fantastic animals amid grape vines are one of the most popular decorative themes on Tang mirrors. The motif of figures amid scrolling vines can be traced to Roman art; the theme of imaginary animals may also draw inspiration from Persian art.
John Frederick Blumenbach (1752–1841), German physician and physiologist
Object type: medallion
Date: 1834 – 1834
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Kolenfabrieken te Königshütte
Object type: print
Date: 1840 – 1860
Materials: paper
Techniques: hand coloring, lithograph
Location: schmiedeberg
Artist: Anonymous
Subjects: smoke-stack, factory-building, crafts and industries (+ men (labourers))
Inscriptions: collector's mark: Lugt 2228
Notities
Object type: sketchbook leaf
Date: 1900 – 1903
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Inscriptions: annotation: ‘Libertas aurea, enjus moderatus habenas ratio/ t is een gulde vrijheid, daarvan de reden der [...]engel/ voert/ [...] v. Loon. I 204’

Blad 13 verso uit een schetsboek met 45 bladen.
Full-length Sketch of a Male Figure; Study of a Sculpture of a Female Figure (Possibly by L. G. Mead?) (from Sketchbook)
Object type: drawing
Date: 1860 – 1860
Materials: graphite, paper
Culture: american
Artist: john quincy adams ward
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910
Subjects: men,women

Ward, a student of Henry Kirke Brown, became known as the "Dean of American Sculpture." This page is from a sketchbook, which provides an intimate look at the artist’s working methods. Ward’s sketches include several classically influenced figures mingled with American Indians on horseback as well as a number of bison.
Nouveau Livre de Vases
Object type: ornament print
Date: 1755 – 1782
Materials: paper
Techniques: etching
Location: paris
Subjects: vase ~ ornament, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Een vaas met guirlandes op de buik en twee handvaten.
Designs for wall panels
Object type: album
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Scènes uit het Nieuwe Testament
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: paris
Subjects: the raising of lazarus ('lazarus, come out')
Inscriptions: collector's mark: Lugt 240

Christus staat, omringd door een grote groep mensen, in een grot bij een graf, waaruit een man opstaat (Lazarus). Deze prent is onderdeel van een reeks van tien prenten met voorstellingen uit het Nieuwe Testament, waaraan na Callots dood een titelprent is toegevoegd.
Loofgang (berceau) met aan het einde een hek
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: garden, gate, entrance
Nieuwe kaart van den lande van Utrecht (...)
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: coat of arms (as symbol of the state, etc.), peat-cutting, maps of separate countries or regions, hunting, chase, cattle, river-gods, fishing (sports), agriculture
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 195

Dit object is omwille van een betere presentatie virtueel samengevoegd maar bestaat fysiek uit losse onderdelen.

In de literatuur is altijd verondersteld dat er vier staten van deze kaart bestonden en dat de gewijzigde titel en inhoud van de titelcartouche, advertentie onder de cartouche, schaalstok links van de cartouche en andere wijzigingen op de kaart op de veronderstelde tweede staat in 1743 zouden zijn aangebracht door Covens & Mortier.

Het huidige exemplaar is echter een tot dusver onbekende tussenstaat die niet alleen aantoont dat de genoemde veranderingen eerder zijn aangebracht, maar ook dat deze tweede staat is uitgegeven door Nicolaes Visscher II, de uitgever van de eerste staat.
[Jama Masjid Mosque, Delhi]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: architecture,mosques
Dansende vrouw
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: paper, pencil, watercolor
Techniques: brush
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: woman dancing alone

Pagina 51 uit een schetsboek met 30 bladen.
Sconce
Object type: sconce
Date: 1868 – 1870
Materials: brass
Artist: mitchell, vance & co.
Artist role: maker

This brass sconce, one of four (see 68.143.7, .15-.16), and its corresponding twelve-light chandelier (68.143.5) originally illuminated the sitting room, or rear parlor, of the mansion built for Jedediah Wilcox at 816 Broad Street in Meriden, Connecticut. Completed in 1870, the house was heralded as one of the state’s grandest residences. Previously outfitted for gas lighting, the fixture has been electrified for use in the Museum. Likely made by Mitchell, Vance and Co., the sconce incorporates a Néo-Grec decorative vocabulary that features stylized palmettes, fleur-de-lis, and portrait medallions above the gas keys and coordinates with the room's original suite of seating furniture, overmantel mirror, and window cornices (see 68.133.1-.5, .8-10, and 68.134.11).
Portret van een vrouw
Object type: carte de visite
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: george lodewijk mulder
Artist role: fotograaf
Artist dates: 1841 – 1920
Subjects: adult woman
Inscriptions: inscription: ‘G.L. Mulder / Utrecht’, inscription: ‘G.L. Mulder / van Wijckskade H. 326 / Utrecht. / Photogr. Atelier / GLM’
Tôt Perdu tôt Retrouvé
Object type: print
Date: 1787 – 1790
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Artist: Anonymous
Subjects: brabant

Vijf mannen staande bij een op de grond liggende kaart waaruit de Oostenrijkse Nederlanden gescheurd zijn. De middelste man speelt op een trommel. Met Frans onderschrift. Heeft betrekking op de gebeurtenissen van juni 1787. Linksonder genummerd: No 5. Onderdeel van de gebundelde verzameling prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.