deem-data/ArtiFact huggingface dataset:
Portret van Gabriel Schweder
Object type: print
Date: 1710 – 1751
Materials: paper
Techniques: engraving
Location: schaffhausen
Artist: johannes ammann
Artist role: print maker
Artist dates: 1695 – 1751
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Dijkgezicht buiten Amsterdam
Object type: drawing
Date: 1785 – 1785
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: prospect of city, town panorama, silhouette of city
Seven Gods of Good Fortune
Object type: hanging scroll
Date: 1837 – 1837
Materials: ink, silk
Culture: japanese
Artist: nagasawa roshū
Artist role: artist
Artist nationality: japanese
Artist dates: 1767 – 1847
Subjects: men,women,deer

The Seven Gods of Good Fortune, principal icons of popular culture in the Edo period, were depicted by Nagasawa Roshū in an accessible and lively manner, as though partaking in a meal—replete with wine—together. Most of the deities are shown seated beside the attributes or animals commonly associated with them; for instance, Jurōjin leans against a deer, Fukurokuju has a scroll (in this instance, three scrolls), and Bishamonten holds a miniature pagoda. The long-tailed tortoise below the only female deity, Benzaiten, could belong to either Jurōjin or Fukurokuju. Although he never attained the stature of his father, Nagasawa Rosetsu (1754–1799), Roshū perpetuated his style of soft, impressionistic brushwork in emotionally compelling paintings on natural and figural subjects. The artist signed the painting “Roshū, Old Man of 71 Years” (Shichijū-ichi ō, Roshū), which is seventy years old by Western reckoning, so we know the work was executed in 1837.
Allegorie op het Oude en Nieuwe Testament met Mozes en Aäron
Object type: print
Date: 1651 – 1679
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: ark of the covenant ~ jewish religion, aaron (not in biblical context); possible attributes: attributes of aaron: censer, dressed as high priest or bishop, ointment jar, rod or flowering wand, moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, tables of the law, the ten commandments represented together on stone tablets
Inscriptions: collector's mark: Lugt 2228

Allegorie op het Oude en Nieuwe Testament met verheerlijking van de Tafelen der Wet en de Ark des Verbonds op een voetstuk. Mozes en Aäron als hogepriester staan aan weerszijden.
Cover design for the "Illustrirte Zeitung"
Object type: drawing
Date: 1860 – 1860
Materials: graphite, ink
Techniques: brush, pen, wash
Location: germany
Artist: caspar johann nepomuk scheuren
Artist role: artist
Artist nationality: german
Artist dates: 1810 – 1887
Subjects: men,women
De grote slag bij Port Arthur tijdens de Russisch-Japanse Oorlog
Object type: triptych
Date: 1904 – 1904
Materials: paper
Techniques: woodcut, polish
Location: japan
Subjects: riding a horse, ass, or mule; rider, horseman, battle, officer
Inscriptions: collector's mark: Lugt 2228

Een Russische officier in rood vecht met een Japanse officier in zwart uniform, van beide kanten trekken soldaten ten strijde. In februari 1904 valt Japan de Russische vloot aan bij Port Arthur. Dit gebeurde enkel te water, dit gevecht op land heeft in die maand nooit plaats gevonden.
Einde van de zeeslag bij Doggersbank, 1781
Object type: print
Date: 1782 – 1782
Materials: textile
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, johan arnold zoutman, hyde parker, battle (+ naval force)
Inscriptions: collector's mark: Lugt 2228

Het einde van de zeeslag bij Doggersbank op 5 augustus 1781 tussen de Nederlandse vloot onder schout-bij-nacht Johan Zoutman en de Engelse vloot onder vice-admiraal Hyde Parker. In de marge de titels in het Nederlands en Frans. Onderdeel van een serie van drie platen van de Zeeslag op de Doggersbank, op satijn.
Galleria Giustiniana del Marchese Vincenzo Giustiniani I
Object type: print
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: (story of) vesta (hestia), piece of sculpture, reproduction of a piece of sculpture

Standbeeld van de Griekse godin Hestia met haar rechterhand in haar zij en met haar linkerhand omhoog wijzend. Op de basis het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Teapot
Object type: teapot
Date: 1756 – 1756
Materials: wood, silver
Artist: l.f.
Artist role: maker
Isabel Wachenheimer met haar neven Klaus en Werner Zürndorfer, in de tuin van de familie Wachenheimer in Stuttgart, 1935
Object type: photograph
Date: 1935 – 1935
Materials: photographic support
Techniques: gelatin silver print
Location: stuttgart
Artist: Anonymous
Subjects: isabel wachenheimer-elon

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
The Story of Joseph
Object type: casket
Date: 1851 – 1900
Materials: copper, enamel, gilt
Techniques: painting
Subjects: kings,men,women
The Apocalyptic Woman, from "The Apocalypse", Latin Edition
Object type: print
Date: 1511 – 1511
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: angels,apocalypse
Fan
Object type: fan
Date: 1870 – 1889
Materials: silk, shell
Culture: french
Subjects: flowers
Kaart van Schieland en Krimpenerwaard
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: maps, atlases
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

afkomstig uit: L. van Ollefen, De Nederlandsche stad- en dorpbeschrijver. Deel 5. Amsterdam: H.A. Banse, 1797
Norfolk Picturesque Scenery (...) thirty-one etchings, by the late John Crome
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: etching
Location: norwich
Subjects: lake, windmill in landscape, cottage
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent staat samen met RP-P-1973-186 en RP-P-1973-187 op een onversneden blad.
Ooievaarsnest
Object type: photograph
Date: 1907 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: shore-birds and wading-birds: stork (+ nest, den, burrow), netherlands

Ooievaarsnest, tussen bomen, naast een hooischuur. Onderdeel van het losbladige fotoalbum met 39 foto's van een reis door Nederland, ca. 1907-1910.
Reverse Copy of Le Mendiant a la Jambe de Bois (The Beggar with the Wooden Leg), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Model of a Cart
Object type: demonstration model
Date: 1797 – 1801
Materials: brass, wood
Location: france

J.P. Asmus zag dit type wagen op zijn reis naar Frankrijk in 1797; het werd gebruikt voor het transport van artillerie, ankers en andere zware lasten tussen Parijs en Versailles. Hij vernoemt het model als onderdeel van de modellenkamer van de Rijkswerf te Amsterdam in 1801.
Two camels
Object type: figure
Date: 601 – 800
Materials: earthenware, pigment
Culture: chinese
Subjects: camels
Textile Fragment
Object type: textile fragment
Date: 1601 – 1633
Materials: silk
Location: turkey
Rothenburg
Object type: print
Date: 1908 – 1921
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: city-view, and landscape with man-made constructions, trees
Inscriptions: collector's mark: Lugt 2228

Rothenburg ob der Tauber in Beieren. Op de voorgrond twee bomen. Links op de achtergrond de toren van het stadhuis.
Portret van Adalbert, prins van Pruisen
Object type: print
Date: 1835 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Artist: monogrammist st (19e eeuw)
Artist role: draughtsman, print maker
Subjects: berlin

Portret van Adalbert. In de ondermarge zijn naam en titel in boekdruk.
The Monk in the Cornfield
Object type: print
Date: 1646 – 1646
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669

Rembrandt was never shy about showing naked bodies or erotic subjects in a realistic way. In the 1640s he created several scenes of courting couples outdoors, and The Monk in the Cornfield is one of the most sexually charged of these prints. Despite the print’s tiny size, the graphic depiction of an unchaste monk and an enthusiastic milkmaid coupling surreptitiously makes for a powerful sculptural grouping. The etched suggestion of a farmer with a scythe in the background reinforces the temporary nature of their haven in the wheat field and emphasizes the voyeurism of the viewer.
Beaker with bronze pin in base
Object type: beaker
Date: 900 – 801
Materials: bronze, jasper
Culture: iranian
Location: iran

This conical stone vessel tapers towards a rounded base. Stone vessels were very common in all areas of the ancient world, and stones of striking color and appearance were often traded over great distances. It is one of the thousands of artifacts of terracotta, bronze, iron, gold, silver, and ivory which were recovered from monumental buildings at the site of Hasanlu in northwestern Iran. Hasanlu is best known for its early first-millennium B.C. occupation. At that time, it was a major local center of commerce and artistic production with close ties to other political and creative centers of the Near East. In 1957, the University Museum of the University of Pennsylvania initiated large-scale excavations at the site with the Iranian Archaeological Service. The Metropolitan Museum of Art co-sponsored the excavations from 1959 to 1977 and received a share of the finds. Many of these objects are now on display in the Museum. Hasanlu was settled from the sixth millennium B.C. through the Achaemenid Persian period of the fifth and fourth centuries B.C., as well as later in the thirteenth and fourteenth centuries. Excavations included both stratigraphic soundings and horizontal clearance of the early first-millennium B.C. levels, when the settlement included a fortified citadel and a surrounding lower town and cemeteries. A violent attack and subsequent fire destroyed Hasanlu at the end of the ninth century B.C. and the resulting collapse of buildings buried not only numerous artifacts but also many of the inhabitants.
Cuneiform tablet: Utukku lemnutu, tablet 3
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Culture: seleucid
Location: mesopotamia

The invention of writing in approximately 3300 B.C. was one of many developments in administrative technology--including the use of geometric tokens for counting and cylinder seals to guarantee transactions--that accompanied the growth of the first cities and states in southern Mesopotamia. Proto-cuneiform is the name given to the earliest form of writing--pictograms that were drawn on clay tablets. Gradually, the pictograms became abstracted into cuneiform (Latin, "wedge-shaped") signs that were impressed rather than drawn. At its greatest extent, cuneiform writing was used from the Mediterranean coast of Syria to western Iran and from Hittite Anatolia to southern Mesopotamia. It was adapted to write at least fifteen different languages. The last dated cuneiform text has a date corresponding to A.D. 75, although the script probably continued in use over the next two centuries. In later periods especially, scribes produced long, multi-tablet series of writings. One series, known as Utukku lemnuti, records incantations to aid in and prevent against attack by demons and ghosts. Some incantations derive from texts dating back to the third millennium B.C., when such texts were first composed, and were transmitted over the centuries as part of the lore of the magician (Akkadian ashipu). This clay tablet, partially reconstructed from fragments, is the third in the series. The text, which reads from left to right, focuses on the protection of the magician himself, when he goes to visit a patient. Several tablets of the series Utukku lemnuti are in the collection of the Metropolitan Museum of art: in addition to this tablet (tablet 3), there are multiple copies of tablet 12 (86.11.367 + 86.11.486 + 86.11.537; 86.11.366 + 86.11.542; 86.11.379b + 86.11.534) and a copy of tablet 16 (86.11.382a, b + 86.11.382c).
Locket (one of a pair)
Object type: locket
Date: 1801 – 1900
Materials: glass
Subjects: profiles
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the upper torso and hand of a figure to right; part of the arm of a second figure to right?
Parasol
Object type: parasol
Date: 1890 – 1899
Materials: metal, silk, wood
Culture: american or european
Card Number 164, Susie Rowe, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Rue de Schaerbeck a Bruxelles. / Samedi 25 Sep.bre 1830
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: barricades ~ riot, battle, brussels
Inscriptions: collector's mark: Lugt 2228

Gevechten tussen de Nederlandse troepen en Belgische opstandelingen in de Schaarbeekstraat te Brussel 25 september 1830. Onderdeel van een recueil met platen over de gebeurtenissen tijdens de Belgische Revolutie in Brussel, Antwerpen en andere steden in de periode 25 augustus 1830 tot 27 maart 1831.
Grijsaard, vrouw en kind op een bospad
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: haarlem
Artist: leendert overbeek
Artist role: draughtsman, painter, print maker
Artist dates: 1752 – 1815
Subjects: young versus old age; young and old
Inscriptions: collector's mark: Lugt 2228
Havengezicht
Object type: print
Date: 1851 – 1902
Materials: paper
Techniques: lithograph
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: harbour
Inscriptions: collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 7.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, bit of hair and right forearm of figure to left; part of an inscription, an epsilon
Cup with women and flower sprays
Object type: cup
Date: 1875 – 1899
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark, mark
Dish with fish
Object type: dish
Date: 1567 – 1600
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: fish
Textile
Object type: textile fragment
Date: 901 – 1100
Materials: gold, ink, linen
Techniques: painting, weave, printing
Location: egypt
Subjects: arabic

This dyed linen fragment is hand-blocked with a repeating inscription in kufic, “Sovereignty is Allah’s” in black outline and gilded. Above the inscription is a simple horizontal border of alternating circles and ovals within straight lines. The print is ornamented further through the stylization of the vertical shafts of the letters and the purposeful mirror images that are created within the inscription, giving the design a rhythmic cadence. The uneven printing of the inscription and the quotidian nature of the phrase suggest the textile may have been mass produced.
Amsterdam, amstel
Object type: photograph
Date: 1880 – 1920
Materials: paper
Techniques: matte daylight collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: canals, waters (in city), bridge in city across river, canal, etc.
Woman Cutting Her Nails after GatHering Herbs
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, bent right arm with hand holding an aryballos and mid-torso of draped figure
1 Augustus Zwitserse Nationale Feestdag 1930
Object type: history medal
Date: 1930 – 1930
Materials: metal alloy
Techniques: pressing

Rechthoekige witmetalen broche waarop een meisjesportret boven een Zwitsers kruis, met omschrift.
Vase
Object type: vase
Date: 1701 – 1800
Materials: paste, porcelain
Techniques: painting, underglaze
Culture: chinese
't Leven van Adam en Eva / in 't paradys / met hare kinderen
Object type: print
Date: 1782 – 1793
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: craft-production, skilled handiwork, expulsion of adam and eve from paradise (genesis 3:22-24), old testament, crafts and industries
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van verhalen uit het Oude Testament en voorstellingen van ambachten en bezigheden. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: 6.
Cong
Object type: religious ritual object
Materials: jade
Location: china
Stirrup-shaped Ring with Oval Bezel with Diaper Design
Object type: ring
Materials: gold
Culture: indonesian, javanese
Aankondiging aan Zacharias
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: annunciation of the birth of john the baptist to zacharias: while he is offering incense in the temple an angel (gabriel) appears to him
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
Man Standing (from Sketchbook)
Object type: drawing
Date: 1854 – 1855
Materials: ink, iron, paper
Techniques: pen
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men
Fotoreproductie van een prent naar een schilderij, voorstellende de Sixtijnse Madonna
Object type: photograph
Date: 1882 – 1887
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: madonna: i.e. mary with the christ-child
Bronze bowl with handles terminating in lotuses
Object type: bowl
Date: 850 – 750
Materials: bronze
Culture: cypriot

Although the lotus motif came from the East, bronze bowls or basins with lotiform handles seem to have been a Cypriot invention that flourished from the Geometric into the Archaic period. Such large examples are rare. Smaller bowls are more common and exist also in terracotta. Moreover, they were exported to the Levant, the Aegean region, and Italy.
Theatrical Robe for the Role of a Guard
Object type: robe, imperial theatrical, for guard
Date: 1701 – 1800
Materials: metal thread, silk
Techniques: appliqué, embroidery, weave
Culture: chinese

This costume, for the role of a guard, mimics armor. Animal heads decorate the geometric armorlike pattern at the shoulder and thigh. Unusual winged animals appear at the waist, powerful tigers at the hem. A similar costume, in white, is in the Qing court collection of theatrical costumes of the Palace Museum, Beijing.
Surveillanten in het Nederlandse deel van de Wereldtentoonstelling van 1885 in Antwerpen
Object type: page
Date: 1880 – 1885
Materials: paper
Techniques: autotype
Location: antwerp
Artist: Anonymous
Subjects: world fair, world exhibition, guard duty, keeping sentry, antwerp
Salver (one of a pair)
Object type: salver
Date: 1731 – 1732
Materials: silver
Artist: paul de lamerie
Artist role: maker
Artist nationality: british
Artist dates: 1688 – 1751
Subjects: heads,dogs,flowers,coat of arms
"The Hare, the Lion, and the Well", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: wells,lions,rabbits

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Zomer
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Subjects: summer, 'aestas'; 'estate' (ripa)
Inscriptions: stamp, collector's mark: Lugt 1641

Ceres met sikkel en hoorn des overvloeds. Op de achtergrond wordt de graan geoogst. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in engeren zin. Volksleven. Zinnebeeldige voorstellingen uit het volkleven op serieprenten. Jaargetijden.
Gezicht op het Abdijplein te Middelburg, 1743
Object type: book illustration
Date: 1746 – 1746
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church, law and jurisprudence (+ court building)
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Abdijplein te Middelburg, in de situatie omstreeks 1743. Het Hof van Zeeland zetelde in de gebouwen van de voormalige abdij aan het Abdijplein. Rechts op de achtergrond de Lange Jan.
Briefkaart aan jonkheer Hendrik Teding van Berkhout (1879-1969)
Object type: postcard
Date: 1932 – 1932
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: haarlem, amsterdam, jonkheer hendrik teding van berkhout (1879-1969), money
De laatste zonnestralen, Benares
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: etching, intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: city-view in general; 'veduta', river, temple, shrine ~ islam, mohammedanism, sunset
Inscriptions: collector's mark: Lugt 2233

De oever van de Ganges in Benares tijdens zonsondergang. In het water enkele schepen. Op de oever stenen trappen en terrassen. Bovenaan de Aurangzeb-moskee, ook bekend als de Alamgir-moskee.