deem-data/ArtiFact huggingface dataset:
Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes
Object type: album leaf
Date: 1583 – 1583
Materials: paper
Techniques: engraving
Location: antwerp
Artist: eduwart van hoeswinckel
Artist role: publisher
Subjects: beasts of prey, predatory animals: leopard, landscapes in the temperate zone, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Drie leeuwen en een luipaard in een landschap. Op de achtergrond een burcht. Deze prent maakt deel uit van een album.
Fragment van een collage van uitgeknipte prenten, geplakt op blauw papier
Object type: print
Date: 1680 – 1720
Materials: paper
Techniques: etching, snipping
Subjects: blind, blindness, procession ~ christian religion
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Optocht van blinden, voorafgegaan door een man met een vaandel. Fragment van een collage van uitgeknipte prenten, geplakt op blauw papier.
Sofa
Object type: sofa
Date: 1859 – 1859
Materials: wood
Culture: american
Location: united states
Artist: joseph meeks & sons
Artist role: maker
Artist nationality: american
Artist dates: 1829 – 1835
Studieblad met dansende en musicerende figuren
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: court jester, court fool, drum (musical instrument), harp, man dancing alone, attributes of court jester, candlestick, flute, aulos, tibia

Studieblad met dansende en musicerende figuren in Middeleeuwse kleding. Links een dansende nar met marot en rechts een man die tegelijk een fluit en een trom bespeelt. In het midden een dame met een punthoed op het hoofd en een appel in haar rechterhand. Onder een vrouw die een harp bespeelt en een puntmuts draagt. Naast haar een aantal Middeleeuwse meubels, waaronder een wieg en een gedecoreerde kaarsenstandaard. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De Reformatie. (1500 – 1550).
Scarf
Object type: scarf
Date: 1860 – 1865
Materials: wool
Culture: european
The presentation in the temple: oblong print
Object type: print
Date: 1850 – 1906
Materials: paper
Techniques: drypoint, etching
Subjects: simeon, holding the christ-child, sings his canticle: 'nunc dimittis'
Inscriptions: inscription: ‘Coppier’
Loggia
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: arches
Gedecoreerd kabinet
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: ornamental cupboard (+ wood and other phytogenic material)
Inscriptions: number: ‘Pl. 59’
Portret van Ignacio Comonfort
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, part of head and upper torso of draped figure to right; part of a second draped figure
Zittende man met baard
Object type: print
Date: 1690 – 1739
Materials: paper
Techniques: engraving
Location: italy
Subjects: hands folded with fingers knit, old man, rabbi
Inscriptions: collector's mark: Lugt 240, inscription: ‘Rembrandt pinx Theodore Vercruys sc du cabinet du gran duc’

Zittende man (rabbi) met baard, met gevouwen handen achter een tafel.
Reproductie van een schilderij van The poison cup door John Dawson Watson
Object type: reproduction
Date: 1874 – 1879
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: poisoner, cup
Apron
Object type: apron
Date: 1501 – 1700
Materials: linen
Gezicht over het Canal Grande met Punta della Dogana en de Santa Maria della Salute in Venetië
Object type: page
Date: 1888 – 1898
Materials: paper
Techniques: photoaquatint
Location: venice
Subjects: canals, waters (in city), bridge in city across river, canal, etc.
Inscriptions: inscription: ‘qq’
Cystoseira granulata
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants
Square
Object type: square
Date: 1601 – 1700
Materials: silk
Techniques: lace
Whose Sleeves? (Tagasode)
Object type: screen
Date: 1601 – 1700
Materials: gold, ink, panel, paper
Culture: japanese
Subjects: robes
Evening slippers
Object type: evening slipper
Date: 1845 – 1865
Materials: silk
Culture: french
Artist: p. rouillier
Artist role: maker
Designs for Ornamental Motifs with Figures, Real and Imaginary Animals, and Coats of Arms of the Medici Grand Dukes
Object type: drawing
Materials: chalk, ink, drawing material
Techniques: pen
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: animals,mythical creatures,dogs,coat of arms
Shell Fragment
Object type: fragment
Date: 601 – 1000
Materials: pigment, shell
Location: iraq

This fragment of a shell with traces of a red paint was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The complete shell would have been likely used as a painter’s pigment holder, much likely as seen in another example also excavated at Ctesiphon that contains traces of a blue paint (32.150.161). The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this shell attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman-i Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Brief aan Andries Bonger
Object type: letter
Date: 1812 – 1895
Materials: ink, paper
Techniques: pen, writing
Location: cairo
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: paris, painter, print maker, draughtsman, vincent van gogh, amsterdam, andries bonger, drawing, passions, emotions, affections, family life, money, italy
Peintres Belges
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: brussels, draughtsman, charles louis verboeckhoven, moustache, adult man, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Terracotta fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, two fronds from a palmette
Head of Columbine
Object type: toy
Date: 1750 – 1755
Materials: soft paste porcelain
Artist: saint james's factory
Artist role: maker
Artist nationality: british
Artist dates: 1749 – 1759
Subjects: heads,flowers
Militair te paard richt zich tot liggende man
Object type: print
Date: 1822 – 1856
Materials: paper
Techniques: lithograph
Location: paris
Subjects: warfare; military affairs (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 3856
Netsuke of Ox with Bokudo
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, wood
Culture: japanese
Subjects: boys,flutes,ox

Carvers often select rare and expensive woods for their creations or juxtapose various materials in novel compositions. Embedding one material into another requires the utmost precision, particularly when joining materials of differing physical properties, such as wood and ivory. In this example, a young boy playing a flute, carved of ivory, serenades a recumbent ox, made of wood. Fine lines incised on the surface of the ox delineate individual hairs on its hide. The red seal on the ox's underside reads "Tokoku."
Tankard
Object type: tankard
Materials: stone, silver
Subjects: lions,flowers
Piece
Object type: piece
Date: 1700 – 1715
Materials: silk
Subjects: animals,birds,leaves
Staand vrouwelijk naakt, leunend op een fauteuil
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: armchair, seat, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ standing), leaning sideways - aa - female human figure

Blad 23 recto uit schetsboek IX met 28 bladen.
Gezicht op de ruïne van Kasteel Waardenburg, 1612
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscape with ruins, ruin of a dwelling, house, castle, etc.

Prent voor het eerst gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 dln. Amsterdam: Willem Barents, 1725, ill. 272.

Daarna is de prent in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803.
Haarlem. Hertekamp
Object type: ansichtkaart, prentbriefkaart
Date: 1911 – 1911
Materials: cardboard
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: hoofed animals: deer, haarlem
Flowers
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: sato suiseki
Artist nationality: japanese
Artist dates: 1800 – 1899
Subjects: flora, green (color), red (color), pink (color), flowers
Interieur van de drukkerij van Joseph Albert, München
Object type: page
Date: 1865 – 1870
Materials: paper
Techniques: photograph
Location: munich
Subjects: printing, printing office, printer
Inscriptions: inscription: ‘(Lichtdruck.)’
Waerachtighe affbeeldinge der Stadt Ooste[n]de, door den Doorluchtigen Prince Albertus Ertzhertogh van Oostenrijck (...) den 3. Julij Anno 1601. tot desen tege[n]woordigen 16. Februarij 1604. belegert (...)
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: low countries
Artist: Anonymous
Subjects: engineer, pompeo targone, protective weapons, siege, position war, siege arms, e.g.: battering ram

Beleg van de stad Oostende in Staatse handen, door het Spaanse leger onder aartshertog Albrecht en later onder Spinola van 1601-1604. De centrale voorstelling toont de stand van zaken van het beleg in februari 1604. Centraal een voorstelling in twee delen, met bovenaan een kaart van Oostende en omgeving met de posities van de belegerende troepen; onderaan de door paarden voortgetrokken stormbrug uitgevonden door Targone. Ongemonteerd geheel bestaande uit een prent met 9 losse tekstdelen met beschrijvingen van de gebeurtenissen en de stormbrug, met de legenda's a-c, 1-30 en A-C.C. in het Nederlands.
Studie-prentwerk / Etudes gravées
Object type: print
Date: 1802 – 1813
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: boy (child between toddler and youth) (+ standing), bending figure - aa - female human figure (+ left side visible; left - (l. hand, l. foot, etc.)), container made of plant material other than wood: basket
Inscriptions: collector's mark: Lugt 2228

Serie voor het eerst uitgegeven door Jacob Ernst Marcus onder de titel Studiebeelden en Fragmenten. Amsterdam: ca.1816. Later heruitgegeven als: Studie-prentwerk/ Etudes gravées.
Portret van Jan Goeree
Object type: print
Date: 1731 – 1780
Materials: paper
Techniques: engraving
Subjects: middelburg, amsterdam, print maker, draughtsman, jan goeree, historical persons, portrait, self-portrait of painter
Kalender 1893
Object type: calendar
Date: 1892 – 1892
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: flowers, herd, flock
Inscriptions: collector's mark: Lugt 2233

Bovenaan een voorstelling van een herderin met een kudde schapen. Linksonder en langs de randen van de voorstelling bloemen.
Reliekschrijn afkomstig van Lavoûte-Chilhac
Object type: photograph
Date: 1850 – 1857
Materials: photographic support
Techniques: salted paper print
Location: france
Artist: hippolyte malègue
Artist role: archeoloog, fotograaf, schrijver
Artist dates: 1825 – 1901
Subjects: relics (and reliquaries)
Inscriptions: number: ‘PL. 14.’, inscription: ‘eglise de Lavoute-Chillac (Haute-Loire).’
Portret van Hendrik van Tuyll van Serooskerken
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: lierre, the hague
Inscriptions: collector's mark: Lugt 2228, number: ‘5’, number: ‘114’

Portret van Hendrik van Tuyll van Serooskerken, op 49-jarige leeftijd. Hij was heer van Stavernisse in Zeeland en van Rijnhuizen in Utrecht en buitengewoon gezant aan het hof van Groot-Brittannië en gedeputeerde in de Raad van State. In de marge een vierregelig onderschrift met de naam en functies van de geportretteerde in het Latijn.
Vignet met putto tussen gieter, bloempotten en hark
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: cut flowers; nosegay, bunch of flowers, gardening-tools, vignette, cupids: 'amores', 'amoretti', 'putti', garden vase
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Arena na het stierengevecht, Barcelona
Object type: album leaf
Date: 1955 – 1955
Materials: paper
Techniques: gelatin silver print
Location: barcelona
Artist: Anonymous
Subjects: grounds, fields and accomodations for sports, games and physical performances
Design for 4 seat Rockaway, no. 3933
Object type: drawing
Date: 1884 – 1884
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Exterior, part of a vine; part of an eyebrow and upper right corner of an eye, outlined in added white; head and upper torso of a youth to right, with his arms bent
Terracotta fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Interior, satyr to right holding grapes; Exterior, part of a pair eyes, in between, a nose
Babyportret van prinses Juliana
Object type: photograph
Date: 1909 – 1909
Materials: cardboard, paper, photographic support
Techniques: photograph
Location: the hague
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962
Subjects: juliana of the netherlands
Inscriptions: annotation: ‘Het origineele eerste portret van H.K.H. Prinses Juliana vervaardigd door H.M. de Koningin’, name: ‘Uitg. Guy de Coral & Co,, Hof-Fotohandel, Amsterdam - den Haag’
Portret van Johann Friedrich Degen
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Standing Four-Armed Vishnu
Object type: figure
Materials: bronze
Culture: indonesian, javanese
Subjects: weapons,vishnu,hinduism
Psyche op haar knieën met handen op de rug
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Artist: bernard eugène antoine rottiers
Artist dates: 1771 – 1857
Subjects: psyche
Inscriptions: collector's mark: Lugt 2228
Terechtstelling van schutter Cornelis Costerman en verwoesting van het huis van hoofdschout Jacob Zuylen van Nijevelt te Rotterdam
Object type: satirical medal
Date: 1690 – 1690
Materials: silver
Techniques: striking
Location: leiden
Artist: jan smeltzing (i)
Artist role: modelleur
Artist dates: 1656 – 1693
Subjects: rotterdam
Icones consiliariorum de illustri republica Noribergensi (…)
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, lawyer, attorney at law, armorial bearing, heraldry
Inscriptions: number: ‘21’, number: ‘57’

Prent waarschijnlijk uit: Rothscholtz, Friedrich. Icones consiliariorum de illustri republica Noribergensi (...). Neurenberg en Altdorf: erven Johann Daniel Tauber, 1723.
Portret van Jean-Chrysostome Teniers
Object type: book illustration
Date: 1701 – 1701
Materials: paper
Techniques: engraving, letterpress printing
Subjects: clergyman
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Mansi, Guiseppe. Locupletissima bibliotheca moralis praedicabilis, hoc est, Discursus varii exquisiti (...). Antwerpen: Johannes Baptist Verdussen, 1701
Portret van Justus Lipsius
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: brussels
Artist: Anonymous
Subjects: louvain, justus lipsius, history and archaeology (+ portrait of scholar, scientist), historical persons
Opstelling van ovens van Abbott & Noble, Philadelphia
Object type: photograph
Date: 1871 – 1871
Materials: cardboard, paper
Techniques: albumen print, printed materials
Location: philadelphia
Subjects: philadelphia

Pagina uit Gallery of Arts and Manufactures of Philadelphia.
Sibillaru decem
Object type: print
Date: 1606 – 1609
Materials: paper
Techniques: etching
Location: italy
Artist: raffaello schiaminossi
Artist role: painter, print maker
Artist dates: 1572 – 1622
Subjects: writing tablets, sibyls
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie bestaande uit een titelprent en tien prenten met voorstellingen van Sibillen. De serie is driemaal uitgegeven: eenmaal in 1606 en tweemaal in 1609 (door Nicolaus van Aelst en door Giovanni Orlandi). Om deze reden worden de prenten uit deze serie hier 1606-1609 gedateerd, behalve indien de individuele prent zelf gedateerd is.
Fotoreproductie van een tekening door vermoedelijk Jean Paul Laurens, voorstellend een groep mannen rond een tafel
Object type: photomechanical print
Date: 1876 – 1879
Materials: paper
Techniques: autotype
Subjects: drawing, sketch
Versailles, Coin de Parc
Object type: photograph
Date: 1904 – 1904
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Tocht van de Leidse Schutterij naar Grave, 1622
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching, letterpress printing
Subjects: the hague, maurice (prince of orange), troop movements, transportation

Schutterij van Leiden in slagorde op de Mookerheide, 26 september 1622. De bugers en soldaten trekken samen in slagorde op. Onderdeel van een serie van 3 prenten van de tocht van de schutterij van Leiden naar Grave om de stad bezet te houden zodat Maurits ter ontzet naar Bergen op Zoom op kan trekken. Onder de voorstelling twee verzen van acht regels in het Nederlands.
Tabaksplanteryen aan de hoge weg by't Lazarushuis buiten Amersfoort. 1759
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: etching
Location: utrecht
Artist: paulus van liender
Artist role: draughtsman, print maker
Artist dates: 1731 – 1797
Subjects: plantation (+ variant), tobacco
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Bemmel, Abraham van. Beschryving der stad Amersfoort […]. 2 delen. Utrecht: Henrikus Spruit, 1760.
Sacrifice to Priapus
Object type: plaquette
Materials: copper alloy, patina
Artist: cristoforo di geremia
Artist role: artist
Artist nationality: italian
Artist dates: 1456 – 1476
Subjects: women

This plaquette is in the form of the cover of an all’antica oil lamp, decorated with three women offering sacrifices to an ithyphallic Priapus herm statue on a tripod altar. This work and the closely related Sacrifice to Cupid have been attributed to the Mantuan medalist Cristoforo di Geremia, who was active in Rome. Originally both plaquettes were often combined with all’antica oil lamps, and in the antiquarian literature were confused with authentic Roman bronze lamps. The inscription .L.C.I. has been interpreted as “Lucerna Continui Ignis” (the eternally burning lamp), following a seventeenth-century interpretation by Fortunius Licetus, who related this type of plaquette and its accompanying lamp to legendary ancient Roman lamps that were found burning after 1,500 years or more. The Lehman plaquette appears to be an old aftercast with some loss of detail, possibly dating from the sixteenth or seventeenth century.
Library Bookcase, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: furniture

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LXXV in the 1754 and 1755 editions, renumbered as plate CI in the 1762 edition.