deem-data/ArtiFact huggingface dataset:
Victoria # 1050
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Groepsportret van zes onbekende zussen
Object type: photograph
Date: 1905 – 1930
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: sisters (second degree family relationships), historical persons not known by name, netherlands
Inscriptions: inscription: ‘6 zusters’
Offerceremonie met zeegoden, nereïden en tritons
Object type: print
Date: 1608 – 1650
Materials: paper
Techniques: etching
Artist: pierre brebiette
Artist role: draughtsman, print maker
Artist dates: 1598 – 1650
Subjects: triton(s), nereids, daughters of nereus; sea-nymphs, gods of the waters: the older dynasty (first series): offspring of pontus and the monsters of the sea, sacrifice ~ non-christian religions
Inscriptions: collector's mark: Lugt 240
Blad met uitgespaarde bloemen op lijnenfond
Object type: wrapper
Date: 1700 – 1850
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228

Blad met een lijnenfond met uitgespaarde bloemen. Gebruikt als omslag.
Schoorsteenmantel van Kasteel Arnay-le-Duc in Côte-d'Or
Object type: sketchbook leaf
Date: 1806 – 1866
Materials: paper, pencil
Location: arnay-le-duc
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: curtains, architectural detail, chimney-piece, mantelpiece
Inscriptions: date and inscription: ‘schoorst/ kast. Arnay/ -le-Duc/ (Cote d'or)/ [...]/ 8 Juny 66’

Tevens studies van een gordijn, venster en een geveltop. Blad 41 recto uit een schetsboek met 58 bladen.
Hampton Court. The River
Object type: photomechanical print
Date: 1902 – 1918
Materials: cardboard, photographic process
Location: hampton
Subjects: river, palace, rowing-boat, canoe, etc., thames
Portret van twee meisjes
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: north yorkshire
Artist: john bordley
Artist role: fotograaf
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘Jno Bordley/ Photographer/ Kirkgate, Settle’
Studioportret van een onbekende vrouw in jurk
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: historical persons - bb - woman, dress, gown: evening dress

Prent op achtste ongenummerde pagina na pagina 68.
Portret van Jacob van der Tocht
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: netherlands
Subjects: mayor, mayor, burgomaster, historical persons

Prent waarschijnlijk uit: Wijn, Hendrik van, e.a. Bijvoegsel en aanmerkingen voor het dertiende deel der Vaderlandsche Historie van Jan Wagenaar. Amsterdam: Johannes Allart, 1794.
Storage jar
Object type: jar
Date: 201 – 700
Materials: ceramic
Culture: sasanian
Location: iran
Dr. Franz Volkmar Reinhard
Object type: print
Date: 1820 – 1860
Materials: paper
Techniques: lithograph
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Minbar op de binnenplaats van de Omarmoskee, Jeruzalem
Object type: stereograph
Date: 1866 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: frank mason good
Artist role: publisher
Artist dates: 1839 – 1928
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘No. 33A.’
Twee schenkkannen
Object type: print
Materials: paper
Techniques: etching
Location: netherlands

Op de schenkkan links staat de Voetwassing, op de schenkkan rechts de Doop van Christus. Nederlandse kopie naar blad 3 uit de serie Vases ou Burettes a la Romaine uitgegeven door Nicolas Langlois.
Gezicht op het huis van Raden Saleh op Java
Object type: photograph
Date: 1855 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: painter, draughtsman, raden sarief bastaman saleh, country-house
Inscriptions: annotation: ‘Huis van Raden Saleh’
Saint Maclou de Rouen
Object type: photograph
Techniques: albumen print
Location: france
Artist: bisson frères (louis-auguste bisson)
Artist role: fotograaf
Artist nationality: french
Artist dates: 1814 – 1876
Subjects: collected by hugh edwards, architecture
Stadt Huys
Object type: book illustration
Date: 1693 – 1694
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: townhall, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). 2 delen. Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge, Johannes Janssonius van Waesberge II, weduwe Dirk Boom I, Hendrick Boom en Rembertus Goethals, 1693. En in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Latere staat ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. 2e druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.
George II, from the English Monarchs series
Object type: medal
Date: 1731 – 1732
Materials: bronze
Artist: jean dassier
Artist role: artist
Artist nationality: swiss
Artist dates: 1676 – 1763
Subjects: kings,profiles

This medal of George II belongs to the English Monarchs series by the Swiss medalist Jean Dassier (1676–1763). Dassier was the chief engraver of the Geneva mint, and the group to which this medal belongs (2014.457.1–10) are among his most important medallic works, part of a series of 33 medals of the English sovereigns begun during his second stay in London and approved by Queen Caroline. These medals represent an important European medalist in one of his most significant series. The English Monarchs are also important precedents for medal making in 18th- and 19th-century Britain, examples of which are also found in the Museum's collection.
Fragment of a Hanging
Object type: fragment of a hanging
Date: 1701 – 1800
Materials: linen, silk
Techniques: embroidery
Location: algeria
Volksvermaak op het Bairamfeest
Object type: book illustration
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: public festivities, swing
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Thevenot, Jean de. Voyages Tant en Europe qu'en Asie et en Afrique, 4 delen. Parijs: Charles Angot, 1689, dl. I.
Dorpsgezicht met rivier
Object type: drawing
Date: 1737 – 1779
Materials: paper, pencil
Techniques: brush
Bes-image as part of a mirror
Object type: mirror handle, be head
Date: 1390 – 1327
Materials: faience
Location: egypt
Subjects: bes
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Interior, part of the reserve line of the tondo border; horse hooves
Minerva throwing her aegis over Achilles
Object type: intaglio
Date: 1801 – 1833
Materials: gemstone
Subjects: achilles,minerva

The intaglio is one of six known fakes at the Met from the storied gems collection of Prince Stanislaw Poniatowski of Poland. Carried out in a classicizing style indebted to Antonio Canova, the gem bears a false signature intended to announce its authorship by one of the celebrated carvers of ancient Greece. The deception of the Poniatowski gems – most of which are nineteenth-century forgeries – was discovered in 1895. The Museum’s six were mounted in velvet boxes by Tiffany & Co.
Haan
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1501 – 1600
Materials: textile, linen, wool
Subjects: birds
Portret van Alphonse de Lamartine
Object type: print
Date: 1830 – 1844
Materials: paper
Techniques: lithograph
Subjects: paris, minister ~ government, historical persons
Inscriptions: collector's mark: Lugt 2228
Tsushima Province: Clear Evening on the Coast (Tsushima, kaigan yubare), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Ianus A[n]tonius Baifius
Object type: book illustration
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: venice, paris
Inscriptions: collector's mark: Lugt 2228

Portret van de Franse dichter Jean Antoine de Baïf, in ovaal met randschrift. Met een sierlijst met bladranken en uilen en een cartouche met een Latijns vers onder het portret
Station Hollands Spoor
Object type: photomechanical print
Date: 1900 – 1920
Materials: paper
Techniques: photograph, letterpress printing
Artist: Anonymous
Subjects: station; shelter (railway, tramway), the hague
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Station Den Haag HS. Rechtsonder de tekst: Groete uit 's Gravenhage. Tekst linksonder: Station Holl. Spoor. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, vervoermiddelen te land, Spoorwegen.
Epaulets
Object type: epaulet
Date: 1801 – 1833
Materials: metal thread, wool
Culture: italian
Dam en Waaggebouw. Schoonhoven
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: schoonhoven
Artist: Anonymous
Subjects: street, weigh-house
Portret van paus Pius IX
Object type: print
Date: 1846 – 1876
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: rome, historical persons, pope
Male Head
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: possibly after michelangelo buonarroti
Inscriptions: Inscribed verso, lower center, in pen and black ink: "Michelangelo Buonarroit - 1475-1564"; lower center on mount, in graphite: "Le dessin complet (Gurley hand) la figure entière / sur une croix est au B.M"
Finding of Moses
Object type: painting
Date: 1690 – 1710
Materials: canvas, oil, paint
Artist: johannes voorhout (i)
Artist role: draughtsman, painter
Artist dates: 1647 – 1723

Schoorsteenstuk in de kraamkamer van een poppenhuis; voorstellende bijbelse historie van Farao's dochter, begeleid door twee hofdames, die het kindje Mozes vindt in een mandje aan de oever van de Nijl. De scène vindt plaats in een bergachtige omgeving, met links op de achtergrond gebouwen.
Plate (one of a pair)
Object type: plate
Date: 1731 – 1731
Materials: hard paste porcelain
Subjects: birds,flowers
Leven van de heilige Hieronymus
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving, etching, intaglio
Location: italy
Subjects: miraculous activities and events ~ st. jerome - stigmatization of male saint, st. jerome as penitent in his study, the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een door Andrea Vaccari uitgegeven serie, bestaande uit ten minste tien prenten met voorstellingen van heiligen, omringd door kleinere voorstellingen met scènes uit het leven van desbetreffende heilige.
Landschap met rechts gebouwen tussen bomen
Object type: print
Date: 1612 – 1655
Materials: paper
Techniques: engraving, etching
Subjects: trees, obelisk, needle, landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 240

Landschap met rechts enkele gebouwen op een heuvel. In de achtergrond een obelisk.
Gebeeldhouwde console van eikenhout, afkomstig uit het z.g. Huis van Alva, Warmoestraat te Amsterdam
Object type: console
Date: 1500 – 1699
Materials: wood
Location: northern netherlands
Artist: Anonymous

Gebeeldhouwde eikenhouten console, afkomstig uit het z.g. Huis van Alva, Warmoestraat te Amsterdam. In totaal gaat het om twee consoles, drie brede en drie smalle stijlen (BK-KOG-755-A t/m E, G t/m H). Zie tevens BK-KOG-754-1 t/m 7, dit zijn 6 beschilderde stijlen die uit hetzelfde huis afkomstig zijn.
Stoomlocomotief 322 met machinisten
Object type: stereograph
Date: 1857 – 1870
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: railway, train, steam locomotive
Inscriptions: inscription: ‘P’, number: ‘132’, inscription: ‘as/ 30’, number: ‘29’
Songs of Innocence: Introduction
Object type: print
Materials: gold, ink, shell, watercolor
Techniques: etching, hand coloring, printing, relief
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827

Blake etched twenty-seven printing plates for Songs of Innocence in 1789, completing those for the Songs of Experience in 1794. He then printed and hand-colored copies of the combined sets over succeeding decades as patrons ordered them, each one visually distinct. Verse and image work together to celebrate poetic inspiration and reveal aspects of the divine as expressed through nature. The poetic voice is often that of a child, whose emotions range from delight to fear, with darker feelings usually resolved in the earlier Songs of Innocence by adult intervention. This first group of Songs was shaped by the heady early days of the French Revolution, when British liberals and radicals believed that true reform was imminent on both sides of the Channel. The artist Edward Calvert met Blake around 1825 and commissioned this copy of Songs of Innocence and of Experience soon thereafter. These richly decorated pages, with their deeply saturated hues and distinctive ornamental borders, reveal Blake’s late vision and the order is established by small red numbers at upper right. This copy of Songs was later the first work to be purchased by the Museum’s new Department of Prints in 1917, recommended by its distinguished curator William M. Ivins, Jr.
Stanhope Gig #3333
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
14. midden Bali.
Object type: photograph
Date: 1900 – 1915
Materials: paper, photographic support
Techniques: albumen print
Location: jakarta
Artist: johanna hermina marmelstein
Artist dates: 1897 – 1990
Subjects: bali
Inscriptions: annotation: ‘14. midden Bali. vooraanzicht. Poera te Batoer , met meroek achtergrond. Bij de laatste uitbarsting van de Batoer ong. 30 jaar geleden, kwam de lavastroom niet verder dan tot deze binnepoort. Sinds dien is deze poera in hoog aanzien gekomen en worden elk jaar groote bedevaarten er heen ondernomen.’
Pair of chutes
Object type: chute
Date: 1701 – 1750
Materials: gilt bronze
Subjects: flowers,leaves,insignia
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, back of head, left ear, and neck of filleted satyr holding a pointed amphora?
Voila-t-on Mort!!!
Object type: print
Materials: paper
Techniques: etching, letterpress
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Terracotta skyphos (deep drinking cup)
Object type: skyphos
Date: 367 – 335
Materials: terracotta
Culture: etruscan or faliscan
Artist: painter of the villa giulia 1664
Artist role: artist
Subjects: eros

Obverse, youth with Eros. Reverse, winged female figure
Portret van een onbekende procurator van San Marco
Object type: print
Date: 1861 – 1889
Materials: paper
Techniques: etching
Location: vienna
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228
Waterplas in een bos
Object type: print
Date: 1852 – 1906
Materials: paper
Techniques: etching, intaglio, retroussage
Artist: emilie rolin-jacquemijns
Artist role: print maker
Artist dates: 1842 – 1906
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), forest, wood
Inscriptions: collector's mark: Lugt 2228
Element with cartouche ending and following epithets
Object type: cartouche ending, epithet
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Pace Mare Terraque Composita / Non Sufficit Orbis
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: philip ii of spain, earth, world as celestial body, symbols, allegories of peace, 'pax'; 'pace' (ripa), horse, (military) equipment and supply

Pagina uit Jacob Typotius, Symbola Divina & Humana Pontificum Imperatorum Regum. Arnhem, J.F. Hagen, 1666 of uit de titeluitgave van 1669 of 1679. Het werk van Typotius werd voor het eerst uitgegeven in 1601 met prenten van Aegidius Sadeler.
Henry Frederick, Prince of Wales
Object type: print
Date: 1796 – 1796
Techniques: etching, stippling
Artist: r. clamp
Artist role: engraver
Artist nationality: british
Artist dates: 1788 – 1798
Subjects: swords,princes,men,hunting,deer,dogs,horses,forests
Gipsmodel voor beeldhouwwerk op het Palais du Louvre: "L'alliance de l'Art antique et de la Renaissance" door Jean Bonnassieux
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘1027’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Plate
Object type: ceramic
Date: 1771 – 1771
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: sèvres
Artist: sèvres porcelain manufactory
Dish with Scrolling Flowers and Breaking Waves
Object type: decorative art
Materials: porcelain
Techniques: painting, underglaze
Location: china
Paarden uit verschillende landen
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: etching
Location: italy
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: horse
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 28 prenten van paarden (+ titelprent en opdracht).
Woudreuzen in het Maboegoesoedal
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘10. / Woudreuzen in het Maboegoesoedal.’

Grote bomen in het oerwoud in het Maboegoesoedal. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Fireworks display, Nuremberg, 1659
Object type: print, fete, ornament architecture
Date: 1659 – 1659
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: fireworks,night

The image is divided into two halves: the upper half of the print depicts a fireworks display ocurring at night, and the lower half shows the same scene of launching devices but at closer range, without the fireworks being set off, and possibly in the day time. The fireworks may be in celebratation of the final peace agreements of the Thirty Years War.
[Japanese Embassy, Navy Yard, Washington, DC]
Object type: photograph
Date: 1860 – 1860
Techniques: albumen silver print, glass negative
Artist: mathew b. brady
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1823 – 1896
Subjects: men
Flirting Lovers
Object type: print
Date: 1673 – 1681
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: hishikawa moronobu