deem-data/ArtiFact huggingface dataset:
Runderen in een weiland
Object type: sketchbook leaf
Date: 1828 – 1894
Materials: paper, pencil, watercolor
Techniques: brush
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: landscapes, meadow, pasture, artist (in general) making preliminary designs, sketching, bovine cattle

Pagina 41 recto uit een schetsboek met 54 bladen.
Monument citadel Antwerpen
Object type: sheet
Date: 1874 – 1874
Materials: paper
Techniques: printing
Artist: Anonymous
Subjects: citadel van antwerpen (19e eeuw)

Zes bladen, grijs papier, éénzijdig bedrukt, tekst voor monument citadel Antwerpen, in map.
Design for a Festival Gondola
Object type: drawing
Materials: graphite, ink
Techniques: pen
Artist: alessandro mauro (mauri)
Artist role: artist
Artist nationality: italian
Artist dates: 1711 – 1748
Ear Clip with Gold Bead set in Four Prong Mount
Object type: ear clip
Materials: gold
Culture: indonesian
Figuren op het strand
Object type: drawing
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: beach
Bowl
Object type: bowl
Date: 1368 – 1644
Materials: jade
Culture: chinese
Miniature vase (one of a pair)
Object type: vase
Date: 1767 – 1833
Materials: hard paste porcelain
Subjects: flowers
Briefkaart aan Jan Veth
Object type: postcard
Date: 1885 – 1885
Materials: cardboard, ink
Techniques: pen, writing
Location: naples
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: august allebé, jan veth, coast, mount vesuvius, pompeii
Hope
Object type: print
Techniques: etching, hand coloring
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: women,ships
Portret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1815 – 1899
Materials: paper
Techniques: aquatint
Location: amsterdam
Subjects: the hague, berlin, william i of the netherlands, knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, part of the lower face and beard of a gorgoneion; Exterior, at the juncture of the bowl and stem, a red glazed ring; the underside of the tondo Is unglazed
Jongleur met ballen
Object type: drawing
Materials: paint, paper
Techniques: brush
Artist: henri gabriel ibels
Artist role: print maker
Artist dates: 1867 – 1936
Inscriptions: monogram: ‘H.G.I.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, drapery?; part of an inscription, [HO P]AIS [KALOS]; Exterior, bent knee and part of calf of figure to right; lower legs and shod feet of draped male to right
Half of a Circular Ceiling Design with Nymphs
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: nymphs
Karikatuur van een intellectueel met zijn zoon en een militair
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: paris
Artist: jean-louis forain
Artist role: painter, print maker
Artist dates: 1852 – 1931
Subjects: caricatures (human types), private soldier, father and son(s) (family group) (with number of sons), political caricatures and satires
Inscriptions: date

Prent gebruikt voor: Psst...!, nr. 11, 16 april 1898. Psst..! was een politieke weekkrant met antisemitische en anti-Dreyfus cartoons.
Stad Utrecht, loodje met no. 164
Object type: hondenbelastingloodje
Date: 1864 – 1864
Materials: brass
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: utrecht

rechthoekig loodje met aan bovenzijde ronde hoeken en gat erin aan draagring. Voorzijde: cijfer 164 boven jaartal. Keerzijde: gekroond wapenschild, geflankeerd door twee leeuwen
Square with Warrior
Object type: textile fragment
Date: 401 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: shields,swords,warriors

The heads without necks and the large "jewels" and small pearls surrounding this warrior are features inspired by Sasanian silks.
Plattegrond van de stad Utrecht met stadsgezicht
Object type: area plan
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: riding a horse, ass, or mule; rider, horseman, coat of arms (as symbol of the state, etc.), city-view in general; 'veduta', (story of) minerva (pallas, athena), hunting dogs, maps of cities, passenger carriage, country-house, utrecht

Boven een stadsgezicht met daarop rechtsboven het wapen van de stad Utrecht. Daaronder een plattegrond in vogelvluchtperspectief. Linksonder een cartouche met de legenda, links daarvan Minerva. Verder een aantal figuren, een buitenhuis, een koets met paarden, ruiters en jachthonden.
Portret van een man
Object type: album leaf
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: historical persons
The Adoration of the Shepherds
Object type: plaque
Date: 1607 – 1607
Materials: silver
Techniques: repoussé
Location: prague
Artist: paulus willemsz. van vianen
Artist role: draughtsman, jeweler
Artist dates: 1570 – 1614
Subjects: adoration of the christ-child by the shepherds; mary and joseph present (+ angel(s) floating in the air)
Inscriptions: signature and date, inscription: ‘GLORIA . IN . EXCELSIS . DEO . ET. IN . TERRA . PAX . HOMINIBVS . BONAE . V[OLV]NTATIS’

Een rechthoekige plaquette van zilver met de voorstelling van de aanbidding der herders. In het midden is Maria weergegeven, neergeknield bij een mand waarin het naakte Christuskind ligt. Aan de onderzijde van de plaquette is een omgebogen rand met drie kleine gaten.
Valentine envelope
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: paper, watercolor
Techniques: embossing
Location: england
Artist: george kershaw
Artist nationality: english
Artist dates: 1800 – 1899
Christus en de Kanaänitische vrouw
Object type: print
Date: 1636 – 1686
Materials: paper
Techniques: etching
Location: italy
Subjects: a canaanite woman kneels before christ, asking him to heal her daughter; the metaphor of the dogs and bread (matthew 15:21-28; mark 7:24-30)
Inscriptions: collector's mark: Lugt 240

Een Kanaänitische vrouw werpt zich voor Christus en smeekt hem haar dochter, die door een demon wordt gekweld, te genezen.
Terracotta hydria: kalpis (water jar)
Object type: hydria, kalpis
Date: 450 – 440
Materials: terracotta
Culture: greek, attic
Artist: achilles painter
Artist role: artist
Subjects: men,women

Youth pursuing woman The scene may represent Peleus pursuing Thetis. Their child was the Greek hero Achilles.
Soldaten en edelmannen
Object type: print
Date: 1615 – 1638
Materials: paper
Techniques: etching
Artist: rudolph meyer
Artist role: print maker
Artist dates: 1605 – 1638
Subjects: helved weapons, polearms (for striking, hacking, thrusting): pike, armour, the soldier; the soldier's life, helved weapons, polearms (for striking, hacking, thrusting): halberd
Inscriptions: collector's mark, collector's mark: Lugt 2228

Onderdeel van een serie van zestien voorstellingen van soldaten (Soldatenbüchli).
Rijtuig over landweg naast een weiland met koeien
Object type: photomechanical print
Date: 1891 – 1951
Materials: paper
Techniques: autotype
Location: netherlands
Subjects: four-wheeled vehicle drawn by one animal, cow, netherlands
Two Mounted Warriors
Object type: illustrated single work
Date: 1534 – 1566
Materials: gold, ink, paper, watercolor
Location: iran
Subjects: bow and arrow,men,horses,flowers

The so-called Parthian shot, that is, the arrow shot delivered backward while galloping forward, required considerable practice and was an important skill of the Mongol cavalrymen, which allowed them to better many other armies. Although the horsemen wear post-Ilkhanid tunics, battle scenes from the early fourteenth century are similar in spirit to these sixteenth-century figures, which were drawn from earlier models. Likewise, the horses have the stance of Mongolian ponies, but details, such as their straight long tails and proportionally small heads, indicate Safavid taste.
Vrouw en kinderen op een boot
Object type: boekillustratie ontwerp
Date: 1900 – 1930
Materials: ink, paper, pencil
Techniques: brush, pen, spatter
Artist: elly verstijnen
Artist role: draughtsman
Subjects: river, boat propelled by man or animal
Inscriptions: :, collector's mark: Lugt 2228
Jar lid
Object type: jar with lid
Date: 712 – 343
Materials: limestone
Location: egypt
Glass bowl
Object type: bowl
Date: 201 – 300
Materials: glass
Culture: roman

Colorless with pale greenish tinge. Thick, rounded rim, with inner lip; short, convex, curving sides to body; solid pad base; flat bottom, with small kick at center and pontil mark. Intact; many pinprick bubbles; pitting, dulling, and iridescent weathering on exterior, slight soil encrustation and creamy brown weathering on interior.
Portret van een onbekende jonge man
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: strängnäs
Artist: anders anderzon
Artist role: fotograaf
Artist dates: 1834 – 1916
Subjects: youth, adolescent, anonymous historical person portrayed
Amulet of a Papyrus Column
Object type: costume and accessory
Materials: ceramic, faience
Culture: egyptian
Location: egypt
Sampler
Object type: sampler
Date: 1817 – 1817
Materials: canvas, silk, wool
Subjects: animals,birds,flowers,trees
Gezicht op Klein Trianon
Object type: stereograph
Date: 1868 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: versailles
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: palace
Inscriptions: number: ‘169.’
Goût du Jour, caricatures Parisiennes, 1808, No. 41 : Sont-ils Français? (...)
Object type: fashion print
Date: 1808 – 1808
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: trousers, breeches (+ men's clothes), coat (frac) (+ men's clothes), fence, wall, paling, fashion plates, spur
Inscriptions: title: ‘Caricatures Parisiennes’, caption: ‘Ils ne sont plus ces tems ou l'étranger surpris, / Français, voyait en vous ses plus parfairts modèles. / Ingrats! De par l'honneur et la gloire et les belles, / Faites-vous reconnaître, au moins, par vos habits.’, title: ‘Goût du Jour, No 41. / Sont -ils Français?’
Apothecary Jar
Object type: apothecary jar
Date: 1730 – 1740
Materials: earthenware
Culture: dutch
Location: netherlands
Sculptuur de Rejected Lover naar Leopold Harze op de Wereldtentoonstelling van 1872
Object type: stereograph
Date: 1872 – 1872
Materials: cardboard, paper
Techniques: albumen print
Location: london
Subjects: world fair, world exhibition, sculpture, vienna
Inscriptions: number: ‘33’

Verbeelding van een scène uit Dom Juan van Molière.
Gezicht op Oberlahnstein
Object type: drawing
Date: 1828 – 1828
Materials: ink, paper, pencil
Techniques: pen
Artist: jakob dietzler
Artist role: draughtsman
Artist dates: 1789 – 1855
Subjects: river, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)
Capital with the Adoration of the Magi
Object type: sculpture
Date: 1110 – 1130
Materials: limestone, stone
Techniques: carved
Culture: spanish
Location: spain
Subjects: architechture, architectural, architectural fragment, architectural fragments, christian subjects, christianity, king, religion, religious, religious scenes
Inscriptions: Inscribed: "MARIA DE N--- C---"
Storia nella vetrata di san Giovanni Evangelista
Object type: page
Date: 1879 – 1889
Materials: paper
Techniques: photograph
Location: milan
Subjects: church-window, e.g. rose-window, epistles of john
Inscriptions: number: ‘Tavola No. 40.’
Werken van Charles le Brun
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: (decorated) ceiling, caduceus (staff with two snakes, attribute of mercury), cupids: 'amores', 'amoretti', 'putti'

Prent uit: Massé, Jean Baptiste. La Grande Galerie de Versailles, et les deux salons qui l'accompagnent, peints par Charles le Brun premier peintre de Louis XIV, dessinés par Jean- Baptiste Masse peintre et conseiller de l'Academie royale de peinture & sculpture; et gravés sous ses yeux par les meilleurs maitres du tems. Parijs: Imprimerie Royale, 1752.
Portret van een jonge man
Object type: carte de visite
Date: 1889 – 1925
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: purmerend
Artist: josephus hendrikus petrus coppens
Artist role: fotograaf
Artist dates: 1864 – 1941
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘Levensgroote olieverfs/ Pastell en Craijon/ Portretten naar/ Photographie/ J. H. P. Coppens/ Photograaf/ en/ Portretschilder/ Purmerend./ Negatieven voor nabestelling bewaard.’
Cup
Object type: cup
Date: 1725 – 1730
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: houses,trees
Gezicht op het bordes van Paleis Huis ten Bosch tussen een rij bomen
Object type: print
Date: 1926 – 1926
Materials: paper
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: palace, terrace
Inscriptions: stamp: Lugt 2362b, collector's mark: Lugt 2228

Prent gebruikt voor: Moulijn, Simon en Gelder, Hendrik Enno van. Oude buitenplaatsen rondom 's-Gravenhage. 's-Gravenhage: Gemeentebestuur, 1929.
Relief with a royal foot
Object type: talatat, royal foot
Date: 1353 – 1336
Materials: limestone, paint
Subjects: feet
Plantstudie
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘39’

facher Vergrößerung. Afkomstig uit losbladige uitgave.
Aangemeerde zeilboot
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: chalk, paper
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: sailing-ship, sailing-boat

Op de achtergrond het silhouet van een dorp of stad. Blad 25 recto uit een schetsboek met 41 bladen.
The Well, plate 13 from Imaginary Prisons
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Hedendaags Frankrijk
Object type: print
Date: 1861 – 1872
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228a
Jaagpad van Leiden naar Utrecht voltooid
Object type: history medal
Date: 1664 – 1664
Materials: silver
Techniques: engraving
Location: leiden
Artist: arent schmeltzing
Artist role: medailleur
Artist dates:  – 1710
Subjects: leiden, utrecht

Zilveren penning. Voorzijde: opschrift binnen krans met vier wapenschilden boven wimpel met opschrift, binnen omschrift. Keerzijde: gekroond wapenschild van Leiden geflankeerd door twee leeuwen boven afbeelding van trekschuit voor stad, binnen rand met omschrift en vier wapenschilden.
Lappet (one of a pair)
Object type: lappet
Date: 1734 – 1766
Materials: linen
Techniques: lace

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of
Fragment of the Sarcophagus of Senenmut (see 31.3.95)
Object type: sarcophagus fragment, senenmut
Date: 1479 – 1458
Materials: quartzite
Location: egypt
Spiegel vande Doorluchtige, eerlicke, Cloucke, Deuchtsame ende verstandege vrouwen
Object type: print
Materials: paper
Techniques: engraving
Location: leiden
Subjects: suffering, misfortune of lucretia - apotheosis, deification of person from classical history, death of lucretia: she commits suicide by stabbing herself
Inscriptions: collector's mark: Lugt 2228

Lucretia staat in haar slaapkamer naast het bed. Ze is verkracht door Sixtus de zoon van de tiran Tarquinius. Uit schaamte steekt ze zelf haar ogen uit. Een bediende snelt naar haar toe om haar tegen te houden. Bladzijde uit een boek met tekst op het verso.
Le Tombeau (The Tomb), plate 20 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Object type: print
Date: 1621 – 1635
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Karl Klíč, geb. 1841
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: karel klíč, portrait, self-portrait of photographer
Inscriptions: number: ‘Fig. 130.’
The Bather
Object type: sculpture
Materials: marble
Culture: american
Artist: edmund austin stewardson
Artist role: artist
Artist nationality: american
Artist dates: 1865 – 1892
Subjects: female nudes

Philadelphia native Stewardson considered "The Bather," his first and only life-size figure, a study in form. The realistic seated nude, free of symbolic content, elegantly arranges her hair. At the Paris Salon of 1890, Stewardson was awarded an honorable mention for his plaster model. After he drowned in a sailing accident off Newport, Rhode Island, in 1892, his father arranged for the sculpture to be translated to marble in Paris by the French sculptor Agathon Léonard. In 1895, perhaps at the suggestion of his son’s former teacher Thomas Eakins, the senior Stewardson also had a bronze made from the plaster cast. Both this bronze and a plaster sketch of the work attributed to Stewardson are in the collection of the Pennsylvania Academy of the Fine Arts.
Nieuwjaarswensch (...) door de gezamenlijke Straatvegers, onder de eerste en algemeene directie van den heer E. Bresser (...) 1853
Object type: new year card
Date: 1852 – 1853
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: street - ii - ideal city, street sweeping, street sweeper, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens van de Amsterdamse straatvegers voor het jaar 1853. Gezicht in de Leidsestraat te Amsterdam met de Leidsepoort, waar meerdere mannelijke en vrouwelijke stratenvegers aan het werk zijn, op de voorgrond haalt een man geld op bij een huis. Met een vers in twee kolommen. Namens de straatveegster: A. Blind.
Woman's necktie
Object type: necktie
Date: 1870 – 1880
Materials: silk
Subjects: feathers,flowers
Prince Henry and Falstaff at the Boar's Head Tavern, Eastcheap (Shakespeare, King Henry the Fourth, Part I, Act 2, Scene 4)
Object type: print
Date: 1825 – 1826
Techniques: printmaking, engraving, etching
Artist: charles heath, the elder
Artist role: engraver
Artist nationality: british
Artist dates: 1785 – 1848
Subjects: swords,princes,shakespeare,men
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic
Artist: nikosthenes painter
Artist role: artist

Exterior, head, neck, shoulders, and part of extended left arm, with round shield, of helmeted warrior wearing a chlamys
Wine Bottle
Object type: wine bottle
Date: 1780 – 1780
Materials: clay, enamel, glaze, gold
Techniques: polychrome
Culture: japanese
Broadsheet with a ballad about camp life hardships for women, profile of a woman looking downcast wearing a slip and heels
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: women
De presidentscrisis in Frankrijk
Object type: cartoon
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., president ~ head of republic, political caricatures and satires, france

Marianne (Frankrijk) is teleurgesteld in de Franse president Jean Casimir-Perier, die op 14 januari 1895 ontslag nam als president.
Portret van Georg Major
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann friedrich braun
Artist role: printer, publisher
Artist dates: 1672 – 1721
Subjects: historical persons, mistress

Prent uit: Unschuldige Nachrichten Von Alten und Neuen Theologischen Sachen. Leipzig: Johann Friedrich Braun, 1719.
Hafted Flask-Shaped Ax with Face
Object type: hafted ax
Date: 500 – 300
Materials: bronze
Culture: indonesian
Portret van Ali-Bassa
Object type: book illustration
Date: 1665 – 1665
Materials: paper
Techniques: engraving, etching
Location: frankfurt am main
Subjects: asiatic races and peoples: turks, historical persons, head-gear: turban

Prent uit: Oertel, Hieronymus. Ortelius redivivus et continuatus oder der Ungarischen Kriegs-Empörungen, (...). Frankfurt am Main: Daniel Fievet, 1665. p. 312.
Karikatuur van Hercules en Omphale
Object type: cartoon
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: hercules in love with omphale; the hero is set to spin wool or to do other women's work among the servants, while omphale wears his lion's skin and wields his club and bow, caricatures (human types)
Inscriptions: collector's mark: Lugt 2228a, number: ‘71’

Prent gepubliceerd in: Le Charivari, Aubert: Parijs, 18-09-1842. Le Charivari was een humoristische krant met karikaturen en (politieke) cartoons.
Imperial Theatrical Coat for Court Lady
Object type: coat, imperial theatrical, for court lady
Date: 1701 – 1800
Materials: metal thread, silk
Culture: chinese
Hoek van een gracht
Object type: print
Date: 1900 – 1931
Materials: paper
Techniques: lithograph
Artist: jacob bendien
Artist role: draughtsman, print maker
Artist dates: 1890 – 1933
Subjects: bench, trees, canals, waters (in city)
Inscriptions: inscription: ‘Mod. Prents’

Links een hoekhuis met een bankje. Op de hoek aan het water twee bomen.
Mein/ Buch/ Roswitha/ Schöner
Object type: bookplate
Date: 1954 – 1954
Materials: paper
Techniques: hand coloring
Location: austria
Artist: karl haselböck
Artist role: print maker
Subjects: flowers: tulip
Inscriptions: workshop stamp: ‘Holzschnitt/ Haselbock/ 1954’
Van Saul, David, en Goliath
Object type: text sheet
Date: 1646 – 1646
Materials: paper
Techniques: hand coloring, letterpress printing
Location: alkmaar

Tekstblad bij een serie prenten over de geschiedenis van David en Saul. Linksboven initiaal H. Dit blad maakt deel uit van een album.
The Foolish Virgins Rejected
Object type: print
Date: 1635 – 1635
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: women