deem-data/ArtiFact huggingface dataset:
Bandontwerp voor: Louis Couperus, Extaze: een boek van geluk, 1894
Object type: study for binding design
Materials: paper
Techniques: lithograph
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: ornament ~ circle and derived from circle, e.g.: guilloche, flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228

Decoratieve belettering versierd met bloemmotieven. Onderaan vier cirkels met daarin onder andere de monogrammen van Louis Couperus en Richard Roland Holst.
Feathered Band
Object type: band
Date: 1301 – 1533
Materials: cotton, feather
Culture: peruvian
Location: peru
Le Blason de la Chambre
Object type: page
Date: 1892 – 1892
Materials: paper
Techniques: photograph
Location: antwerp
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: public festivities (+ parade, pageant, cavalcade ~ festive activities), antwerp
Inscriptions: number: ‘Pl. XVIII.’, inscription: ‘LA GUIRLANDE DE MARIE DE BRUXELLES. - HET MARIAKRANSKEN VAN BRUSSEL.’, inscription: ‘De Vriendenschaar.’
Grafmonument van de dichter Hendrik Tollens
Object type: print
Date: 1856 – 1906
Materials: paper
Techniques: engraving
Subjects: grave, tomb, fama as roman personification
Inscriptions: collector's mark: Lugt 2228
Portret van Anthelme Richerand
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Kaart van het beleg van Groenlo, 1627
Object type: history print
Date: 1681 – 1681
Materials: paper
Techniques: engraving, etching
Subjects: delft, the hague, frederick henry (prince of orange), maps of separate countries or regions, siege, position war
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Groot, Hugo de. Nederlandtsche Jaerboeken en Historien (...). Amsterdam: weduwe Joannes van Someren, Abraham Wolfgang en Hendrick en Dirk Boom, 1681.

Kopie naar de prent gebruikt in: Blaeu, Johannes Willemszoon. Novum ac magnum theatrum urbium Belgicae (...). 2 delen. 1e druk. Amsterdam: Johannes Willemszoon Blaeu, 1649, dl. 1. Wellicht uit hetzelfde werk als FMH 1573.
Fotoreproductie van een gravure van First Reading of the Bible in the Crypt of Old St Paul's - Anno 1540, naar het schilderij door Sir George Harvey
Object type: photograph
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: reading the scripture ~ holy mass
Lowland Pipe
Object type: lowland pipe
Date: 0 – 0
Culture: scottish
Location: scotland
Portret van een man met een hoed
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: germany
Artist: Anonymous
Subjects: head-gear, anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228
Portret van Wilhelmina van Pruisen
Object type: print
Date: 1815 – 1851
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: berlin, painter, draughtsman, wilhelmina of prussia (princess of orange)

Portret van Wilhelmina. In de ondermarge zeven regels Nederlandse tekst.
Border
Object type: border
Date: 1601 – 1700
Materials: linen, silk
Techniques: embroidery
Kohl Tube
Object type: kohl tube, papyrus column
Date: 1295 – 1070
Materials: glass
Location: egypt

Egyptian glassmaking, which had reached a high level of virtuosity in late Dynasty 18, continued to be practiced in the Ramesside Period; however, the quality, as well as quantity, of its production dropped off sharply in Dynasty 20. The "feathered" decoration of this kohl tube was achieved by winding thin colored glass rods around the vessel and pressing them onto the surface of the vessel while it was still soft, and then drawing the rods up or down with a metal instrument.
Sawamura Tosshō II (1838–86), from the series Mirror of Photographs  Backstage  (Shashin gakuya kagami - Sawamura Tosshō nisei)
Object type: print
Date: 1859 – 1861
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: toyohara kunichika
Artist role: artist
Artist nationality: japanese
Artist dates: 1835 – 1900
Subjects: men

Kunichika, a pupil of Utagawa Kunisada, produced a large number of actor prints in his early career; later, during the Meiji period, he popularized the triptych format. This print portrays the handsome actor Sawamura Gennosuke III (1804–1863) as reflected in a mirror in his room backstage. Gennosuke wears a cotton kimono and assumes a relaxed pose, holding a teacup from which steam rises and wiping his neck with a towel. Containers of makeup and tools for applying it appear below and beside the mirror.
Zuidwestelijke hoek van de kathedraal van Guincamp
Object type: page
Date: 1850 – 1859
Materials: photographic support
Techniques: albumen print
Location: guingamp
Artist: taylor
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: number: ‘9’
Shabti
Object type: shabti
Date: 1279 – 1213
Materials: limestone
Location: egypt
Cylinder seal
Object type: cylinder seal
Date: 1200 – 1001
Materials: stone
Culture: cypriot
Location: cyprus
Hellende straat met koetsen, voorbijgangers en gebouwen, vermoedelijk in Frankrijk
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), sloping street; street with steps or stairs, mountains (+ landscape with figures, staffage), exterior ~ representation of a building, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Fotoreproductie van een schilderij naar het gedicht In de kinderkamer door J.J.L. ten Kate
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: watching a sleeping child
Inscriptions: inscription: ‘IN DE KINDERKAMER./ (...) (Vrij naar FRIEDR. MARX.) J. J. L. TEN KATE.’
Antiquae Urbis Splendor
Object type: print
Date: 1612 – 1628
Materials: paper
Techniques: etching
Location: rome
Subjects: theatre (building) - aa - open-air performances, representation of real building (either existing or having existed), rome

Deze prent maakt deel uit van een set van 158 prenten (+ titelprenten), die verscheen in vier delen. In 1612 verschenen delen één en twee. In 1615 verscheen het derde deel en in 1628 verscheen deel vier. In 1637 publiceerde Vitale Mascardi de eerste heruitgave van de gehele set met nummering.
Klein gebouw tussen bomen aan het water
Object type: print
Date: 1816 – 1875
Materials: paper
Techniques: etching
Artist: paulus lauters
Artist role: print maker
Artist dates: 1806 – 1875
Subjects: farm or solitary house in landscape
Loggia di Raffaello in het Apostolisch Paleis te Vaticaanstad
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: apostolisch paleis
Artist: Anonymous
Subjects: corridor
Inscriptions: inscription: ‘Les Loges de Raphaël Vatican’, number: ‘No 65’
M'lle Noerette, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Maria met het Christuskind
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving
Location: rome
Subjects: naples, rome, clergyman, innocentius xii, mary sitting or enthroned, the christ-child standing on her knee (christ-child to mary's left) - ff - the christ-child to mary's right, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Maria slaat een arm om het Christuskind. Het Kind maakt een zegenend gebaar. In de cartouche onder de voorstelling het wapenschild van paus Innocentius XII en een zesregelig onderschrift in het Latijn.
Antiquitatum studiosis
Object type: print
Date: 1553 – 1553
Materials: paper
Techniques: engraving
Location: italy
Subjects: obelisk, needle, horse-racing, rome
Inscriptions: inscription: ‘[...] folio 63 - folio 7. [...]’, number: ‘6’

Deze prent behoort tot het prentcorpus dat bekend staat als de ‘Speculum Romanae Magnificentiae’ (‘Spiegel van Romeinse pracht’). Dit corpus, bestaande uit prenten met voorstellingen van kunstwerken en gebouwen uit het antieke en het moderne Rome, vond zijn oorsprong bij uitgevers Antonio Salamanca en Antonio Lafreri. Deze twee buitenlandse uitgevers bundelden hun krachten te Rome in de periode 1553-1563. Hun prenten werden al snel razend populair bij toeristen en verzamelaars, die de prenten individueel of in grote groepen aanschaften. Grote groepen Speculum-prenten werden vaak op aanvraag samengebonden in albums. Er zijn verschillende Speculum-albums overgeleverd die allemaal verschillen van inhoud. Tussen 1573 en 1577 gaf Antonio Lafreri een speciale titelpagina uit (met de titel ‘Speculum Romanae Magnificentiae’) die mensen voor hun verzamelingen konden voegen. Het overlijden van Lafreri in 1577 betekende niet het einde van het corpus. Een groot deel van de koperplaten ging over op Claudio en Stefano Duchetti. De rest raakte verspreid over verschillende andere uitgevers. De populariteit van de Speculum-prenten wist nog geruime periode uitgevers te inspireren tot het laten maken van kopieën en het toevoegen van nieuwe prenten aan het corpus.
Chatillon. Redoute du Plateau
Object type: photograph
Date: 1871 – 1872
Materials: photographic support
Techniques: albumen print
Location: châtillon
Artist: alphonse-justin liébert
Artist role: fotograaf, marinier
Artist dates: 1827 – 1914
Subjects: ruin of a building ~ architecture, obstructions, barricades (defensive measures)
Inscriptions: number: ‘(No. 70)’, address: ‘31, Rue St. Lazare’
Zeilboot op binnenwater
Object type: print
Date: 1832 – 1880
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: willem gruyter jr.
Artist role: draughtsman, print maker
Artist dates: 1817 – 1880
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2165

Zeilboot op binnenwater met daarachter een roeiboot, links een steiger en op de achtergrond een dorp.
Hollandse koopvaardijschepen aangevallen in de haven van Bergen in Noorwegen, 1665
Object type: history print
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: battle (+ naval force)

Slag bij Bergen (Noorwegen), 10 augustus 1665. Aanval door de Engelse vloot op de Hollandse koopvaardijvloot gelegen in de neutrale haven van Bergen in Noorwegen. De Engelsen worden door De Ruyter verjaagd. In het onderschrift de legenda A-E. Rechtsboven genummerd: XLVII.
Cuff
Object type: cuff
Date: 1801 – 1833
Techniques: lace
Helmet
Object type: helmet
Date: 1501 – 1700
Materials: iron
Culture: turkish
Location: ottoman empire
Twee koeien
Object type: drawing
Date: 1775 – 1851
Materials: chalk, paper
Artist: pieter janson
Artist role: draughtsman, print maker
Artist dates: 1765 – 1851
Subjects: cow
Trap der ouderdoms
Object type: print
Date: 1827 – 1860
Materials: paper
Techniques: hand coloring, letterpress printing
Location: rotterdam
Subjects: last judgement, the ages of man represented by a staircase
Inscriptions: collector's mark: Lugt 1641, stamp

Een trap des ouderdoms: een parentrap. Op de treden van de trap, in de vorm van een brug, staan mannen en vrouwen in de leeftijd van 0 tot 100 jaar. Onder de brug een voorstelling van het Laatste Oordeel. Aan weerszijden van de voorstelling een gordijn. Boven de afbeelding een vers in drie kolommen, onder de afbeelding een vers in vier kolommen. Genummerd rechtsboven: No. 4. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Plate in the Three Chinese Houses Pattern
Object type: ceramic
Date: 1760 – 1770
Materials: ceramic, earthenware, glaze
Techniques: glazing, underglaze
Location: dublin
Subjects: landscapes, chinoiserie
Vrouw met waaier bij een papegaai
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: etching
Artist: gaston talaupe
Artist role: print maker
Artist dates: 1865 – 1933
Subjects: adult woman, ornamental birds: parrot, fan
Inscriptions: collector's mark: Lugt 2228, inscription: ‘G. Wauters; 84. 1e état’
Angel Holding a Banderole
Object type: drawing
Date: 1700 – 1777
Materials: chalk
Artist: charles joseph natoire
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1777
Subjects: angels
Visite aux Tentes des Turcos...., from Au Camp de Saint-Maur, published in Le Charivari, August 13, 1859
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women
Laken. Merk: HW34.
Object type: beddenlaken, laken object
Date: 1700 – 1800
Materials: linen
Location: northern netherlands
Artist: Anonymous
Fruit Piece
Object type: painting
Date: 1860 – 1860
Materials: canvas, oil
Location: saint louis
Artist: hannah brown skeele
Artist nationality: american
Artist dates: 1829 – 1901
Subjects: still life, fruit, food, dining, drinking

This pristinely arranged still life by Hannah Brown Skeele features native-grown produce as well as imported specialties such as bananas, oranges, pineapple, and sugar cubes. Skeele skillfully rendered the various surfaces and textures of the food and tableware, and her composition was likely to appeal to middle- and upper-class consumers at midcentury. Born in Maine and active in Missouri, the artist exhibited Fruit Piece the year it was painted, then already in the collection of a Saint Louis businessman.

The tropical fruits and sweetener were products of empire. Enslaved and indentured laborers of color cultivated such crops in the West Indies and Central and South America. The goods were transported from those regions to New Orleans and then northward along the Mississippi River.
Tankard
Object type: tankard
Date: 1766 – 1766
Materials: silver
Culture: american
Location: united states
Artist: benjamin burt
Artist role: maker
Artist nationality: american
Artist dates: 1729 – 1805
Terracotta fragment of a hydria: kalpis (water jar)
Object type: kalpis fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of the head, neck, and upper torso of a woman to right, with an earring, wearing a chiton and himation
Side Chair
Object type: furniture
Date: 1742 – 1790
Materials: wood
Location: new york
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Subjects: furniture
Inscriptions: Inscribed on right interior seat rail and on lower surface of front slipseat rail: IIII
Inscribed on inner surface of rear seat rail: VII

This chair is from a set made to commemorate either the marriage of Judge Robert Livingston and his wife Margaret, in 1742, or that of their son Robert and his wife Mary, in 1770. The “RML” cipher-pierced back splat is unique in American chair design of this period. The contrast of the high-style Chippendale design with the crude craftsmanship of the carvings suggests that the chair was worked on by several hands or that it was made by a country craftsman unfamiliar with practices of the more sophisticated port cities. The powerful Livingston family controlled a large estate near Albany as well as land in New York City.
Engraved copies of The Little Passion
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: suffering,men,women,jesus
Counter Plate of a Belt Buckle
Object type: belt plate
Date: 567 – 633
Materials: iron, silver
Techniques: inlay
Culture: frankish
Hexagonal cup with landscapes and figures
Object type: cup
Date: 1750 – 1774
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: china
Artist: Anonymous
Subjects: landscapes

Zeshoekige kop van porselein, beschilderd in onderglazuur blauw. Op de bodem een rivierlandschap met paviljoens, bomen en een persoon; de buitenwand is verdeeld in zes vakken met afwisselend een persoon bij een hek en een rivierlandschap met een paviljoen en bomen. Blauw-wit.
Tree Peonies and Chinese Poem on Peonies
Object type: hanging scroll
Date: 1830 – 1839
Materials: ink, silk
Culture: japanese
Artist: matsumura keibun
Artist role: artist
Artist nationality: japanese
Artist dates: 1779 – 1843
Subjects: peonies

Matsumura Keibun carefully brushed these peonies to impart subtle changes of color to each petal and leaf, conveying three-dimensionality. Keibun was the half brother and pupil of Matsumura Goshun (1752–1811), who founded the Shijō school of painting in Kyoto. A quatrain of Chinese verse, composed and fluently brushed in cursive and semicursive scripts by the celebrated Confucian scholar Rai San’yō, praises the peonies: 洛水春風常掩關 不從姚魏酔雕欄 秋燈半壁高齋夜 却白霜縑看牡丹 As spring breezes reach the capital’s river, my gate remains shut, and I do not become drunk and lean on balustrades to admire peonies of the houses of Yao and Wei. Rather, on this autumn night, when a lamp lights up half of my study, I prefer to gaze quietly upon these painted peonies on the frost-white silk. —Trans. Tim T. Zhang
Portret van Henri de Lorraine
Object type: book illustration
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: paris
Subjects: lodewijk xiii (koning van frankrijk)
Inscriptions: collector's mark: Lugt 2228

Boekillustratie in: Estienne, Henry. Devises des roys, princes et generaux d'armees qui ont assiste ou servy Louis le Juste combattant. In: Les Triomphes de Louis le Juste XIII. Parijs: A. Estienne, 1649.
Saint Barbara
Object type: print
Date: 1615 – 1675
Techniques: engraving
Artist: lucas vorsterman (i)
Artist role: artist
Artist nationality: flemish
Artist dates: 1595 – 1675
Subjects: women,saints
Sugar bowl (part of a set)
Object type: sugar bowl
Date: 1808 – 1808
Materials: silver gilt
Bekken met Adam en Eva en het jaartal 1611
Object type: bekken schaal
Date: 1500 – 1600
Materials: brass
Techniques: casting, metalworking, engraving, punching
Location: nuremberg
Artist: Anonymous
Subjects: eve offers the fruit to adam
Inscriptions: inscription: ‘MK 1611’, maker's mark, inscription: ‘ART AL ZEIT GELUEK (vier maal)’

In het plat van de schotel, die in het midden het centerpunt heeft, zijn met behulp van stempelvormen geponst een voorstelling van Adam en Eva in het Paradijs (Genesis 3, 1-8) en een stuk rand met de tekst ART AL ZEIT GELUEK op gearceerde achtergrond, dat vier maal is herhaald. Om de letterrand is een geponst ornament aangebracht met als motief een wijwateremmer. Op de boord zijn rozetten geponst, zijn het huismerk en het jaartal gegraveerd en is een gaatje geboord.
Dagger
Object type: dagger
Date: 1000 – 801
Materials: bronze
Culture: iranian
Location: northwestern iran, caspian region
India Peacock, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: peacocks

Trade cards from the "Birds of the Tropics" series (N5), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Die photographischen Reproductionsverfahren
Object type: book
Date: 1898 – 1898
Materials: paper
Techniques: photograph, photoaquatint
Location: halle an der saale
Inscriptions: name: ‘Topographisches Bureau des K. Generalstabes. Konservatorium.’
'T Konings loo
Object type: print
Date: 1690 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), garden, garden fountain, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, palace

Gezicht op Paleis Het Loo en omgeving vanuit vogelvluchtperspectief, op 4 bladen. Deze bladen maken deel uit van een omvangrijke prent met een gezicht op Paleis Het Loo, omgeven door dertien gezichten op de bijbehorende gebouwen en het bijbehorende park (boven, links, rechts), en een profiel van het paleis (onder).
The Battle, plate three from The Miseries of War
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

Inscribed: However rough may be the assaults of Mars and the blows that his arm strikes everywhere, that does not shake the invincible courage of those whose valor can combat the storm, and who, in order to win the name of warrior, shed the blood of their enemies for their own glory.
A Winter's Walk
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: drypoint, etching
Artist: james tissot
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1902
Subjects: portraits,women
Fiori di Ricami Nuovamente Posti in Luce, page 13 (recto)
Object type: book print ornament archiecture
Date: 1591 – 1591
Techniques: woodcut
Location: italy
Artist: matteo florimi
Artist role: designer
Artist nationality: italian
Artist dates: 1581 – 1613
Subjects: ornament

Designed by Matteo Florimi, Italian, active Siena, ca. 1581-died 1613, published by Francesco de' Franceschi, Italian, active 16th century, Venice. From top to bottom, and left to right: Design composed of 3 horizontal registers. Top register is decorated with squares ornamented with different patterns, which are primarily characterized by diamonds, squares, and circles. Middle register is decorated with a line of white semi-circles from which several stacked curving lines emanate. Bottom register is decorated with squares ornamented with a pattern of flowers and diamonds.
Design for a Doorway
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: architecture,doorways
Portret van Lodewijk Hendrik Frederik Creutzberg
Object type: photomechanical print
Date: 1890 – 1933
Materials: paper
Techniques: letterpress printing
Artist: dirk gerardus schnabel
Artist role: clichémaker, fotograaf
Artist dates: 1870 – 1933
Subjects: historical persons
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Materials: terracotta
Culture: greek, attic

Interior, reserve line for tondo border; Exterior, lower legs?
Transmitting the Spirit, Revealing the Form of Things: Hokusai Sketchbooks, volume 14 (Denshin kaishu: Hokusai manga, jūyonpen)
Object type: illustrated book
Date: 1875 – 1878
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
She was "Sorry She Spoke"
Object type: drawing
Date: 1870 – 1891
Materials: gouache, ink
Techniques: brush, pen, wash
Artist: charles samuel keene
Artist role: artist
Artist nationality: british
Artist dates: 1823 – 1891
Subjects: animals,men,women

The lettered caption below this drawing reads: Young Farmer (surveying stock): 'A pretty tidy lot, Maria.' Wife (considerably the senior): 'Aye, but they would na be there maybe were it no for my brass!' Husband (nettled): 'Whoy, lass, gin it coom to that wi' ye, if it had no' been for your money, mayhap ye wid na been here yerself!' Keene was a leading British illustrator who worked for Punch between 1864 and 1890. His imagery generally focused on humorous situations in humble surroundings, unlike his contemporary George Du Maurier who tended to satirize London society.
Forêt du Mayombe, arbre abattu
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: autotype
Location: congo
Subjects: trees, forest, wood