deem-data/ArtiFact huggingface dataset:
Figuurstudies
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: standing figure

Blad 29 verso uit schetsboek LXIV met 29 bladen.
Sibylla Erythraea
Object type: album leaf
Date: 1546 – 1562
Materials: paper
Techniques: engraving
Location: antwerp
Artist: frans huys
Artist role: print maker
Artist dates: 1522 – 1562
Subjects: erythraean sibyl

De Sibille van Erythrae zittend met een boek in haar rechterhand en wijzende met haar linkerhand. Op de achtergrond links een rond gebouw in een landschap. Deze prent maakt deel uit van een album.
Livre pour apprendre à dessiner
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: parts of the face: nose, mouth
Inscriptions: collector's mark: Lugt 240
Study of Two Soldiers and a Hand
Object type: drawing
Date: 1601 – 1700
Materials: chalk, gouache, paper
Techniques: heightening
Artist: adam frans van der meulen
Artist role: artist
Artist nationality: flemish
Artist dates: 1632 – 1690
Subjects: soldiers,hands,men
Camelia
Object type: print
Date: 1910 – 1910
Materials: paper, watercolor
Techniques: etching, hand coloring
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: flowers
Inscriptions: date
Kaart van Overijssel (deel rechtsboven)
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, hand coloring
Location: deventer
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 19

Prent ook gebruikt in: Nieuwe atlas inhoudende de vier gedeeltens der waereld (...). 5 delen. Amsterdam: Covens & Mortier, s.a. [1721-1759].
Aspect d'Enschedé après l'incendie, vue prise sur la place
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: engraving
Location: france
Artist: monogrammist pb (houtgraveur)
Artist role: print maker
Subjects: ruin of a building ~ architecture, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

Gezicht op de ruïnes na de grote brand te Enschedé op 7 mei 1862. Blad genomen uit een tijdschrift of boek, op de achterzijde bedrukt met tekst.
Colosseum te Rome
Object type: album leaf
Date: 1500 – 1599
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: theatre (building) - aa - open-air performances, representation of real building (either existing or having existed)

Deze prent behoort tot het prentcorpus dat bekend staat als de ‘Speculum Romanae Magnificentiae’ (‘Spiegel van Romeinse pracht’). Dit corpus, bestaande uit prenten met voorstellingen van kunstwerken en gebouwen uit het antieke en het moderne Rome, vond zijn oorsprong bij uitgevers Antonio Salamanca en Antonio Lafreri. Deze twee buitenlandse uitgevers bundelden hun krachten te Rome in de periode 1553-1563. Hun prenten werden al snel razend populair bij toeristen en verzamelaars, die de prenten individueel of in grote groepen aanschaften. Grote groepen Speculum-prenten werden vaak op aanvraag samengebonden in albums. Er zijn verschillende Speculum-albums overgeleverd die allemaal verschillen van inhoud. Tussen 1573 en 1577 gaf Antonio Lafreri een speciale titelpagina uit (met de titel ‘Speculum Romanae Magnificentiae’) die mensen voor hun verzamelingen konden voegen. Het overlijden van Lafreri in 1577 betekende niet het einde van het corpus. Een groot deel van de koperplaten ging over op Claudio en Stefano Duchetti. De rest raakte verspreid over verschillende andere uitgevers. De populariteit van de Speculum-prenten wist nog geruime periode uitgevers te inspireren tot het laten maken van kopieën en het toevoegen van nieuwe prenten aan het corpus.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, hind quarters and part of abdomen of quadruped?
Gezicht op een hotel in het Berner Oberland, Zwitserland
Object type: stereoscopic photograph
Date: 1856 – 1890
Materials: glass, paper
Techniques: slide
Location: berner oberland
Artist: Anonymous
Subjects: mountains (+ landscape with figures, staffage), hotel, hostelry, inn
Inscriptions: number: ‘113.’, annotation: ‘Suisse. Oberland. Pension de l'Hôtel de l'Aiole.’
Cord
Object type: cord
Date: 1767 – 1800
Materials: silk
Gezicht op de Königssee, de Sint-Bartholomeüskerk en de achterliggende bergen
Object type: photograph
Date: 1860 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: königssee
Artist: Anonymous
Subjects: lake, mountain-range, snow peaks, church (exterior) - qq - small church, chapel

Onderdeel van Reisalbum met foto's van Zwitserland, Oostenrijk, Italië en Duitsland.
Design for 2 Seat Victoria Sleigh, no. 3548
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op een huis van medewerkers van een tabaksplantage op Sumatra
Object type: page
Date: 1883 – 1894
Materials: paper
Techniques: photograph
Location: haarlem
Artist: Anonymous
Subjects: housing, sumatra
Pair of Lappets (Joined)
Object type: costume and accessory
Date: 1750 – 1759
Materials: lace, linen
Techniques: lace
Location: belgium
Purse
Object type: purse
Date: 1767 – 1800
Materials: metal, silk
Culture: french
Trame 120 lignes au pouce pour travaux d'éditions et tirages commerciaux
Object type: page
Date: 1922 – 1932
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: adult woman
Inscriptions: number: ‘Fig. 90.’
Portret van Marsiandus
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: jan molijns
Artist role: print maker, publisher
Artist dates: 1498 – 
Subjects: hacking and thrusting weapons: sword, armorial bearing, heraldry

Prent uit: Dit is die afcoemste ende genalogie der hertoghen ende hertoginnen van Brabandt, (...). Antwerpen: Jan Molijns, 1565.
Portret van Filips VI, koning van Frankrijk
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: engraving
Artist: jacques de bie
Artist role: print maker, publisher
Artist dates: 1581 – 1647
Subjects: historical persons, ruler, sovereign

Prent waarschijnlijk voor het eerst verschenen in: Bie, Jacques de. Les vrais portraits des rois de France (...). 3 dln. Parijs: Jacques de Bie en Pierre Rocolet, 1634, dl. 2. Prent ook gebruikt in latere publicaties.
Strook naaldkant met bessentakjes strooimotief
Object type: strip
Date: 1775 – 1799
Materials: linen
Techniques: lace
Location: unknown
Artist: Anonymous

Strook naturelkleurige naaldkant: Alençon-kant. Strooimotief van bessentakjes op een fijne zeshoekige maasgrond. De bovenzijde is afgezet met een rand kloskant. Het patroon aan de onderkant bestaat uit cirkels, die met een nog fijnere maasgrond zijn gevuld. De cirkels overlappen elkaar deels. De ovale vormen die daardoor ontstaan zijn met afwisselend een siergronden en één raderpicot opgevuld. Gepicoteerde boogjesrand aan de onderkant.
Kylix (Drinking Cup)
Object type: vessel
Date: 530 – 520
Materials: terracotta
Artist: attributed to the workshop of nikosthenes
Artist nationality: Greek

This vase honors Dionysos as the god of both wine and the theater. When the drinker raised the cup to his mouth, it doubled almost as a theatrical mask, with the handles serving as ears and the circular hollow representing a mouth. The round, wide eyes staring back at the viewer symbolize the intoxicating effects of the drink, the wine god’s gaze, or both. Drinking vessels decorated in this manner are called eye cups.
Sometimes a nose appeared between the eyes, but the painter of this cup drew boxers, perhaps to celebrate the winner of a local match.
Romp van de Venus van Milo
Object type: drawing
Date: 1873 – 1886
Materials: charcoal, paper
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: parts of the human body (skeleton excepted) - aa - female human figure, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: signature: ‘G H Breitner’, annotation: ‘Plei[...]’
Hoofd van een paard
Object type: print
Date: 1814 – 1845
Materials: paper
Techniques: etching
Artist: george jooss
Artist role: print maker
Artist dates: 1799 – 1845
Subjects: horses and kindred animals
Inscriptions: collector's mark: Lugt 2228

Hoofd van een paard met een hoofdstel om.
Portret van een jongen, staand bij een zuil
Object type: photograph
Date: 1895 – 1920
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: edam
Subjects: historical persons, toddler (male), pedestal of a piece of sculpture (perhaps in the form of a herm)
Inscriptions: inscription: ‘Atélier Siewers/ EDAM.’
Old woman sleeping
Object type: album leaf
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: sleeping; unconsciousness

Kopie naar de gelijknamige prent van Rembrandt.
Prent maakt mogelijk deel uit van een serie van 200 prenten. Deze serie is onder de titel 'A Collection of two hundred original etchings' voor het eerst uitgegeven door J.M. Greery in 1816.
Bedriegertje met prenten, een krant en een blad met muziek
Object type: drawing
Date: 1750 – 1759
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: 'trompe l'oeil', print, e.g.: engraving, etching, lithograph, printed edition of musical score

Bedriegertje of trompe l'oeuil met deels over elkaar liggende prenten, een 'Dingsdagse Gazet van Antwerpen' en bladen met blanco notenbalken.
Allegorische rekenpenning, geslagen op last van de Staten van Gelderland
Object type: jeton
Date: 1622 – 1622
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: gelderland

Koperen penning. Voorzijde: leeuw eet druiven van struik binnen omschrift; afsnede: wapenschild tussen jaartal. Keerzijde: zwaan brengt zijn jong, dat op nest zit een worm binnen omschrift
Scene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa Fiora
Object type: drawing
Date: 1706 – 1706
Materials: chalk, graphite, ink
Techniques: brush, heightening, pen, wash
Artist: matthieu elias
Artist role: artist
Artist nationality: french
Artist dates: 1658 – 1741
Subjects: men,women,monks
Snuff Bottle
Object type: snuff bottle
Date: 1767 – 1800
Materials: stone, gemstone
Culture: chinese
Three-Quarter Length Sketch of Woman in Evening Dress Leaning Head on Right Hand
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: Anonymous
Fragment baksteen uit het wrak van de Oost-Indiëvaarder Princesse Maria
Object type: brick clay product
Date: 1682 – 1686
Materials: brick
Location: netherlands
Artist: Anonymous
Subjects: princesse maria (schip), verenigde oostindische compagnie

Ca 20 hele en stukken van gele bakstenen, enkele door metselwerk verbonden. De bakstenen zijn veelal donker verkleurd (beroet) hetgeen erop wijst dat ze deel hebben uitgemaakt van de kombuis. En 80 hele en gebroken gele IJsselstenen of tichelstenen. Brick.
Cane
Object type: cane
Date: 1883 – 1883
Materials: metal, wood
Culture: american

The completion of the Brooklyn Bridge in 1883 was a major cultural and engineering landmark of New York history. The event was celebrated with much fanfare, including the sale of assorted souvenirs and memorabilia. The wood used for this walking stick is said to have come from the Brooklyn Bridge. The cane was donated to the Brooklyn Museum from a retirement home, with no specific history as to its history save the inscribed name and the anecdote about the wood. Despite this lack of documentation, the association with this historical event, whether true or false, demonstrates the importance of the event and the consequent desire to associate oneself with it through physical objects.
Brief aan onbekend
Object type: letter
Date: 1806 – 1864
Materials: ink, paper
Techniques: pen, writing
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864
Subjects: delft, physicist, applied arts, arts and crafts; industrial design
Inscriptions: seal, collector's mark: Lugt 2233
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: orleans painter
Artist role: artist

Interior, woman to left, wearing a chiton and himation with her right arm extended, and her hand holding a mirror; below, a kalathos; behind her, a stool with a cushion; Obverse, part of palmettes, tendrils, and a volute; woman to right, wearing a sakkos, chiton, and a himation, with her right arm extended, and her hand holding a mirror; stool with a cushion; lower drapery and feet of a woman to right, wearing a chiton and himation; chiton and feet of a woman to left; part of a handle palmette; Reverse, heel of a figure to right; lower drapery of a woman?
Paviljoen der stad Amsterdam
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: chromolithography
Location: netherlands
Artist: Anonymous
Subjects: world fair, world exhibition, amsterdam

Paviljoen van de stad Amsterdam op de Wereldtentoonstelling op het Museumplein te Amsterdam. Onderdeel van een groep van zestien platen en een plattegrond van de Wereldtentoonstelling in Amsterdam van 1 mei tot 1 oktober 1883. Uitgave van het Nieuws van den Dag.
Glass Fragment
Object type: fragment
Date: 1101 – 1300
Materials: glass
Culture: french
Location: france
[Wilton House from the Grounds]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print, paper negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,houses
Design for a Door and Stucco Overdoor Decorations
Object type: drawing ornament architecture
Date: 1740 – 1760
Materials: graphite, ink
Techniques: pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: doors,ornament

This drawing shows a design for a door and overdoor, both decorated with moldings. The inscription added on the left side of the drawing contains instructions for the execution and gilt finishings. It also describes that mirrors should be added in the compartments of the door which is indicated by the use of gray wash. The door gave access to a ‘Stanza di Udienza’, an official room for receiving guests, which indicates that this until now unidentified design was meant for an important building, possibly a palace or a seat of government.
Portret van Luise von Mecklenburg-Strelitz, koningin van Pruisen
Object type: print
Date: 1797 – 1836
Materials: paper
Techniques: stippling
Location: berlin
Subjects: historical persons - bb - woman, diadem (symbol of sovereignty) - bb - female ruler
Inscriptions: collector's mark: Lugt 2141c, collector's mark: Lugt 2228
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1890 – 1915
Materials: cardboard, photographic support
Techniques: daylight paper print
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘CV/ C. J. L. Vermeulen/ DEN HAAG/ Toussaintkade 11./ Intercommunal Telephoon: 774./ AMSTERDAM/ Heiligenweg hoek Singel./ Telephoon No 2340./ UTRECHT/ Nieuwe gracht 50./ Telephoon No 750./ BLOCK & Co. BERLIN S.W.’
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 425
Materials: terracotta
Culture: greek, attic

Diamond pattern; below, myrtle wreath with berries, in added white; below, a tongue pattern
Loom Heddle Jack
Object type: heddle jack
Date: 1850 – 1070
Materials: wood
Location: egypt
Drie mannen dragen een balk
Object type: copper plate
Date: 1881 – 1934
Materials: copper
Techniques: engraving
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Sprei met dubbelkoppige pauwen
Object type: bedspread
Date: 1750 – 1770
Materials: linen, silk
Techniques: embroidered
Location: china
Artist: Anonymous

Geel zijden beddensprei met geborduurde dubbelkoppige pauwen, vlinders, granaatappels en bloemranken in veelkleurige zijde, gevoerd met grof linnen.
Getal der Dooden, die in de Pest-tyt van 't Jaar 1664 in yder week tot Amsteldam zyn begraven
Object type: text sheet
Date: 1728 – 1749
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: amsterdam

Twee gedrukte lijstjes van de aantallen doden gevallen in Amsterdam. Voorzijde: het aantal doden in de jaren 1727-1728: 16598. Achterzijde: het aantal doden gestorven aan de pest in het jaar 1664: 24148.
The Plowing Soldier, after Horace Vernet
Object type: print
Date: 1821 – 1821
Techniques: lithograph
Artist: jean pierre marie jazet
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1871
617. Douai_ Bras Louis XVI
Object type: photograph
Date: 1860 – 1900
Materials: canvas, cardboard, paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Inscriptions: annotation: ‘617. Douai_ Bras Louis XVI’

Onderdeel van een serie met betrekking tot het interieur van het paleis van Versailles met kroonluchters, deuren, portalen en meubelstukken.
Huizen te Scheveningen
Object type: sketchbook leaf
Date: 1820 – 1896
Materials: paper, pencil, watercolor
Techniques: brush
Location: scheveningen
Artist: kasparus karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1896
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), village

Blad 34 recto uit een schetsboek met 68 bladen.
See 21.9.608
Object type: see 21. 9. 608
Date: 1353 – 1336
Materials: limestone
Location: egypt
Pui van een winkel op de Nieuwendijk in Amsterdam
Object type: sketchbook leaf
Date: 1892 – 1900
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: shop-window, show-window
Inscriptions: kleurnotitie, handgeschreven

Pagina 21 en pagina 22 uit een schetsboek met 38 bladen.
Le panthéon français
Object type: print
Date: 1820 – 1827
Materials: paper
Techniques: lithograph
Artist: jean pierre sudre (1783-1866)
Artist role: painter, print maker
Artist dates: 1783 – 1866
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Wandtafels
Object type: print
Date: 1731 – 1756
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: rocaille ornament, table
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Voor- en bovenaanzicht van twee wandtafels met fantasiedieren en rocaille ornamenten. Prentnummer 360.
Zeeuwse duit, 1741
Object type: coin
Date: 1741 – 1741
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond, zijdelings ingedeukt wapenschild van Zeeland. Keerzijde: opschrift in drie regels, waarboven muntteken burcht tussen twee sterren en waaronder jaartal.
A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro'
Object type: print, fete, ornament architecture
Date: 1668 – 1668
Techniques: engraving, etching
Artist: mathäus küsel
Artist role: artist
Artist nationality: german
Artist dates: 1621 – 1682
Subjects: opera,ruins,women,chariots

The twenty-second of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina—also designed by Burnacini.
Cabinet
Object type: cabinet
Date: 1700 – 1750
Materials: wood
Culture: american
Location: united states
Rank Badge with Lion
Object type: rank badge
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: bats,lions
Weduwe van Pheroras probeert zelfmoord te plegen door zich op straat te werpen
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: seeking death, suicide
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Josephus, Flavius. Alle de Werken, 2 delen. Amsterdam: Pieter Mortier, 1704, dl. 2, p. 552.
Uraeus in white crown
Object type: uraeus in white crown
Date: 712 – 664
Materials: paint, papyrus, wood
Location: egypt

This wooden uraeus (hooding cobra) wears the white crown associated with the south of Egypt. A dowel hole in the back, at the bottom of the snake's body, indicates that it was once attached to something else, most likely a piece of funerary furniture. The purpose of the loop of papyrus cord found around the neck is unknown; this may simply be accidental, as it was found in an embalming cache, mixed in with a great deal of used mummification material.
Roofvogel
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: predatory birds
Inscriptions: collector's mark: Lugt 2228
Verovering van Molsheim in de Elzas, 1610
Object type: print
Date: 1610 – 1612
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: capture of city (after the siege)

Verovering van Molsheim in de Elzas, 8 juli 1610. Episode uit de Gulik-Kleefse kwestie. Met onderschrift van 16 regels in het Duits. Ongenummerd.
Memorable Jugement de Sanco.
Object type: print
Date: 1723 – 1724
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: judgement, discrimination; 'giuditio' (ripa), sancho panza
Inscriptions: collector's mark: Lugt 240