deem-data/ArtiFact huggingface dataset:
Fragment with Personifications of Victory and the Nile
Object type: plaque fragment
Date: 501 – 600
Materials: ivory
Culture: byzantine
Location: egypt
Subjects: heads,nike,wreaths

This is one of two fragments (see 1971.49.2) that may once have formed a single object celebrating the annual flooding of the Nile River. Holding a wreath, Nike (personification of victory) and the long-haired man Nilos (personification of the river) are surrounded by putti—small childlike figures that, in Egypt, symbolized the number of feet that the river rose each year, ushering in the season of growth and abundance.
Groep muzikanten voor een gebouw
Object type: book illustration
Date: 1624 – 1624
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: the course of life symbolized, village street, proverbs, sayings, etc., adult man (+ back view), night, taking leave, dog, small group of musicians, chamber orchestra, jazz band - cc - 'concert champêtre'
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Brune, Johan de. Zinne-werck, Voor-ghesyelt in Beelden, Ghedichten, ende breeder uyt-legginghen (...). Amsterdam: Evertsen Kloppenburch, 1624. Prent ook gebruikt in latere edities (1636 en 1661).
Portret van een bewoner van het gebied rond de Tapanahoni-rivier
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: suriname
Inscriptions: annotation: ‘Foto der Toemoek ....expeditie’

Krijger in volle tooi nabij de Tapanahoni-rivier in Suriname ten tijde van de Toemoek-expeditie of Tapanahoni-expeditie die werd geinitieerd, onder andere door het Koninklijk Nederlands Aardrijkskundig Genootschap
Folio from a Qur'an Manuscript
Object type: folio from a non illustrated manuscript
Date: 1301 – 1400
Materials: gold, ink, paper, watercolor
Location: india
Subjects: qur'an,calligraphy

This Qur’an which probably belongs to fourteenth century Iran is written in muhaqqaq script. Each folio has seven lines with interlinear Persian translation in naskhi script. This folio has an ornamental medallion on the margin as a tenth verse marker. Every ayat (verse) ends with a round verse-marker in gold and color. The verses 71-75 are from Surah al-A’raf (chapter 7), which narrates the dialogue between the people of ‘Aad and the Prophet Hud before God’s wrath upon them.
Sets met krijt van Eberhard Faber
Object type: album leaf
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: writing tools
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’, number: ‘442’
Panel of a Tent Lining
Object type: tent panel
Date: 1700 – 1740
Materials: cotton
Techniques: dyeing, painting, weave, resist
Location: india
Subjects: flowers

This panel was decorated using a traditional dyeing technique called kalamkari. This technique ws associated with the city of Burhanpur, which became a center for the production of dyed textiles in the late seventeenth and eighteenth centuries. Burhanpur textiles show great influence from the nearby Mughal tradition, favoring floral motifs within the cusped arches and arabesque decoration. On the Coromandel Coast, different types of kalamkari textiles were produced, including palampores (bed covers) made for the European market, and sarongs and ceremonial hangings traded to Southeast Asia. This panel lined an eighteenth-century Ottoman tent in Bulgaria, and its medallion-based design was probably made to suit that market.
Collar
Object type: collar
Date: 1880 – 1880
Materials: cotton
Culture: american
Subjects: flowers
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, drapery? and top of stick; part of an inscription, a gamma
Spoon Dish
Object type: spoon dish
Date: 1740 – 1760
Materials: stoneware
Culture: british
Location: england
Ceramic Fragment
Object type: ceramic fragment
Date: 1001 – 1100
Materials: earthenware, tin
Techniques: enamel, luster painting
Location: egypt
Figuur voor een paard-en-wagen
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, horse, (farm) wagon, freight wagon, cart

Pagina 86 uit een schetsboek met 67 bladen vervaardigd in Drenthe.
Chemin de Fer Americain Geneve-Carouge (tramlijn Geneve-Carouge)
Object type: adrespenning
Date: 1862 – 1880
Materials: brass
Techniques: striking
Artist: Anonymous
Subjects: genève

Messing penning. Voorzijde: naar rechts rijdende locomotief binnen omschrift. Keerzijde: drie concentrische, cirkelvormige banen, verdeeld in resp. vier, twaalf en twintig compartimentjes; compartiemente van buitenste cirkel en twee compartimenten van middelste cirkel gevuld met cijfers oplopend van 1 tot 22
Sambur stalking
Object type: page
Date: 1870 – 1880
Materials: photographic support
Techniques: albumen print
Subjects: drawing, sketch, hoofed animals: deer, hunt ~ mammals
Inscriptions: number: ‘Plate V.’
Allegorie op het slechte bewind van Maximiliaan, aartshertog van Oostenrijk
Object type: jeton
Date: 1488 – 1488
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: maximilian i (holy roman emperor)
Funerale
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: women
Corinthian capital, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1537 – 1537
Techniques: engraving
Artist: master ps
Artist role: artist
Artist nationality: italian or french
Artist dates: 1530 – 
Subjects: capitals

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 49 in the scrapbook.
Portrait of a patar (courtesan) from Dehradun, Uttarakhand, India
Object type: photograph
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: dehradun
Artist: Anonymous
Subjects: courtesan, hetaera, human races; peoples; nationalities
Inscriptions: inscription: ‘A PATAR./ DEHRA DHOON.’, number: ‘(173)’
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): I saw it (Yo lo vi)
Object type: print
Date: 1810 – 1810
Techniques: engraving, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: children,men,women
Brush pot
Object type: brush pot
Date: 1701 – 1800
Materials: iron
Culture: chinese
Subjects: human figures
Schiller / Goethe / Homer / Horaz / Lessing / Tacitus / Hero[...]t / Kaut / Müller
Object type: bookplate
Date: 1850 – 1899
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: history of art, angels
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Elevation of the Pantheon in Rome, reconstructed to its original form
Object type: print
Date: 1549 – 1549
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: temples

Huelsen states that this is a reduced version of an earlier plate by Beatrizet (Bartsch XV.269.100) published by Antonio Salamanca.
Portret van Simon Vouet
Object type: print
Date: 1632 – 1632
Materials: paper
Techniques: etching
Location: france
Subjects: paris, draughtsman, simon vouet, nymphs (in general); 'ninfe in commune' (ripa) (+ specific aspects, allegorical aspects), historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
Newes Modelbuch in Kupffer  (Page 57r)
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: etching
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: ornament

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.
Portret van Matheus van Heyningen Bosch
Object type: print
Date: 1821 – 1836
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: matheus van heyningen bosch, writing accessories
Inscriptions: collector's mark: Lugt 2228

Portret van de Nederlandse schrijver Matheus van Heyningen Bosch.
Bloem van een cereus
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: autotype
Subjects: plants and herbs: cactus
Inscriptions: inscription: ‘Aufnahme rasch erblühender Planzen mittel Magnesiumblitzlicht von J. Sachse in Berwyn (Pennsylvanien)./ Fig. 1. Cereu-Blüthe um 5 Uhr 45 Min. Nachmittags/ Fig. 2. Cereus-Blüthe 1 1/2 Sunden später.’

Prent op vijfendertigste ongenummerde pagina na pagina 520.
Man drinking soup while two people watch him
Object type: print
Date: 1624 – 1675
Techniques: engraving
Artist: pierre daret
Artist role: artist
Artist nationality: french
Artist dates: 1604 – 1675
Subjects: food,men,women,eating
Thirty-six views of the sacred peak of mount Fuji
Object type: print
Date: 1908 – 1944
Materials: paper
Techniques: woodcut
Location: japan
Artist: koizumi kishio
Artist dates: 1893 – 1945
Inscriptions: seal: ‘こいづみきしを’, signature: ‘小泉癸巳男’

Een gezicht op de Fuji-berg vanaf de noordelijke oever van het Kawaguchi-meer, laat op een bewolkte dag.
Koizumi Kishio begon in 1940 aan zijn project 'Zesendertig gezichten op de heilige berg Fuji', een knipoog naar de welbekende prenten uit de jaren 1830 van Katsushika Hokusai (1760–1849). Vanwege de geallieerde bombardementen vluchtte hij naar zijn schoonouders in Saitama, ten noorden van Tokyo. Hij voltooide 23 ontwerpen voor hij bezweek aan ziekte in 1945.
American Institute Award Medal
Object type: medal
Date: 1838 – 1838
Materials: silver
Culture: american
Location: united states
Artist: moritz fürst
Artist role: artist
Artist nationality: hungarian
Artist dates: 1782 – 1882
Subjects: eagles,women

During Fürst's approximately thirty-three year career in the United States, the Hungarian-born artist engraved numerous medals for private and government commissions. His award medal for the American Institute presents a seated Liberty alongside national symbols of freedom and bounty, including a bald eagle and a horn of plenty.
Strook gemengde kant voor een superplie met lelies
Object type: albestrook
Date: 1640 – 1660
Materials: linen
Techniques: lace
Location: burano
Artist: Anonymous

Strook naturelkleurig naaldkant: Venetiaanse lintjeskant. De gesloten, rondlopende strook is bestemd voor een superplie en heeft een patroon van voluutranken, wingerdbladeren en lelies op een open grond met gefestonneerde spijlen. De contouren van het patroon worden gevormd door een geweven lint. Binnen de contouren verschillende siergronden. De bovenzijde is afgezet met een geweven rand. De onderzijde is afgezet met een rechte rand.
Karikatuurportret van Francois Pieter ter Meulen
Object type: caricature
Date: 1860 – 1899
Materials: charcoal, paper
Techniques: stumping
Artist: elchanon verveer
Artist role: draughtsman, print maker
Artist dates: 1826 – 1900
Subjects: bodegraven, the hague, painter, françois pieter ter meulen
Inscriptions: signature: ‘Elchanon Verveer’, inscription

Karikatuurportret van de kunstschilder Francois Pieter ter Meulen (1843-1927), met zijn tekenportefeuille onder de arm het landschap in wandelend in de richting van zijn gebruikelijke onderwerp: een kudde schapen.
The West Front of Houghton Hall, Norfolk, Elevation
Object type: drawing
Date: 1735 – 1735
Materials: ink
Techniques: pen
Artist: isaac ware
Artist role: artist
Artist nationality: british
Artist dates: 1704 – 1766
Subjects: buildings

This drawing relates to Isaac Ware's and Thomas Ripley's book "The Plans, Elevations and Sections, Chimney-pieces and Ceilings of Houghton in Norfolk" (first published 1735; second edition 1755 with added "Description of the Pictures at Houghton" by Horace Walpole).
Portret van Elizabeth Ramsden
Object type: photomechanical print
Date: 1932 – 1932
Materials: paper
Techniques: rotogravure
Location: england
Artist: Anonymous
Subjects: historical persons - bb - woman

Prent uit: Veilingcatalogus van Christie's Londen, 27 mei 1932. Vermeld als Mrs. Weddell, de getrouwde naam van de geportretteerde.
Ziet hier twee fraaije printtafreelen, / ô jeugd! om uw gezigt te streelen [(...)]
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: colour, letterpress printing
Location: zaltbommel
Subjects: couple of lovers
Inscriptions: collector's mark: Lugt 2760

Blad met 2 voorstellingen. Boven: een wandelend paar. Op de achtergrond een molen. Onder: een paar met kind zittend op een bankje. Een man rechts komt drankjes brengen. Onder elke afbeelding een zesregelig vers in twee kolommen. Genummerd rechtsboven: No. 172.
Portret van Dootje
Object type: photograph
Date: 1934 – 1935
Materials: paper
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: historical persons - bb - woman, hand(s) bent towards the head, dutch east indies, the
Draped Figure Reclining
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: human figures
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, two lines of an inscription, PAIS; below, ...IS; Exterior, bit of stick; ivy leaf; drapery and stick
Actress holding leg aloft, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Portret van Ludwig Ernst von Braunschweig-Wolfenbüttel
Object type: print
Date: 1752 – 1798
Materials: paper
Techniques: etching
Location: nuremberg
Artist: hermann jakob tyroff
Artist role: print maker
Artist dates: 1742 – 1809
Subjects: ludwig ernst von braunschweig-wolfenbüttel, armour, historical persons
Inscriptions: collector's mark: Lugt 2228
Twee gezichten op de Kloveniersdoelen in Amsterdam
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: urban housing, rowing-boat, canoe, etc., bridge in city across river, canal, etc., tower (of house or building), parts of church exterior and annexes: tower

Prent gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 dln. Amsterdam: Willem Barents, 1725, plaat 11. Na 1725 is deze prent nog in verschillende heruitgaven verschenen, in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Dancer's Ornament
Object type: costume and accessory
Materials: feather
Culture: moche
Location: peru
Paperweight
Object type: glass
Date: 1845 – 1860
Materials: glass
Location: france

This paperweight uses a traditional glass-making technique called millefiori to great effect. Italian for “one thousand flowers,” millefiori was first developed in fifteenth-century Venice. In the nineteenth century, French glassmakers revived the technique with a cultural twist. Arranged to evoke traditional French gardens such as the Tuileries in Paris, paperweights like this example brought a little of this landscaping magic indoors.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Panel (Furnishing Fabric)
Object type: textile
Date: 1769 – 1769
Materials: cotton, linen
Techniques: printing block, weave, printing
Location: middlesex
Artist: robert jones & co.
Portret van Hendrik Tollens
Object type: album leaf
Date: 1850 – 1856
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: johannes hinderikus egenberger
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: rotterdam, hendrik tollens, historical persons, writer, poet, author
Inscriptions: inscription: ‘J.H. Egenberger/ Groningen’, annotation: ‘[...] 28/8150/ H. Tollens [...]’, annotation: ‘H.F.C. Tollens ned. schrijver/ 1780-1856 (Egenberger)’
Earflare, Warrior
Object type: earflare
Date: 390 – 450
Materials: gold, silver, stone
Culture: moche
Location: peru
Subjects: human figures
Standbeeld Joost van den Vondel
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: tone lithography
Location: amsterdam
Artist: andreas sebastian herzing
Artist role: print maker
Artist dates: 1845 – 
Subjects: cologne, amsterdam, joost van den vondel, monument, statue
Inscriptions: collector's mark: Lugt 2228

De schrijver zit op een stoel. Hij heeft een pen in zijn rechterhand en een boek in zijn linkerhand. Hij draagt een lauwerkrans op het hoofd.
Dianafontein van de Quattro Fontane te Rome
Object type: album leaf
Date: 1653 – 1691
Materials: paper
Techniques: etching
Location: vatican city
Subjects: ornamental fountain, rome

Genummerd rechtsonder: 7. De prent maakt deel uit van een album.
Loop
Object type: loop
Date: 900 – 801
Materials: glass
Culture: iranian
Location: iran
[Sculptures of the Tired Hunter, a Nymph Preparing to Bathe, Godiva, and an Allegorical Figure of Night]
Object type: photograph
Date: 1859 – 1859
Techniques: albumen silver print, glass negative
Artist: philip henry delamotte
Artist role: artist
Artist nationality: british
Artist dates: 1821 – 1889
Subjects: sculpture,male nudes,female nudes
Satan onkruid zaaiende
Object type: book illustration
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: netherlands
Artist: frans allen
Artist role: draughtsman, print maker
Artist dates:  – 1685
Subjects: while the sower and his servants slept, his enemy (the devil) sowed tares among the wheat
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Waarschijnlijk illustratie uit: C. Udemans, Af-beeldinge van de verkeerde werelt: ontdeckende de oude aen-geborene verkeertheyt der menschen, Middelburgh, Pieter Goetthem, Henrick Smidt, 1660. eerder gebruikt in: D.R. Camphuysen, Stichtelycke rymen, om te lesen ofte singhen, Amsterdam, Iacob Colom, 1647. (in RMA bibliotheek 330 F 3, p. 144)
Textile Fragment
Object type: textile fragment
Date: 901 – 1000
Materials: linen, silk
Techniques: weave, tapestry
Location: egypt
Schepen in de Kalkhaven van Dordrecht
Object type: photograph
Date: 1870 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: harbour, sailing-ship, sailing-boat
Inscriptions: number: ‘180’, inscription: ‘559 Dordrecht Le Kalkhaven’
Cover
Object type: cover
Date: 1701 – 1800
Materials: linen, silk
Location: caucasus
Straat in Groesbeek met slagbomen, kerktoren en huizen
Object type: photograph
Date: 1905 – 1907
Materials: photographic support
Techniques: collodion silver print
Location: groesbeek
Artist: folkert idzes de jong
Artist role: architect
Artist dates: 1877 – 1929
Subjects: barrier, village street, parts of church exterior and annexes: tower

Onderdeel van Topografisch album van Nederlandse dorpen en steden 1905.
Plein met markt en ezelkarren, vermoedelijk op Corsica
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: bastia
Artist: Anonymous
Subjects: ass, donkey, market, square, place, circus, etc. (+ city(-scape) with figures, staffage)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Plaat met tekst ter herinnering aan de brand van 1457 in de Grote Kerk te Dordrecht
Object type: plate
Date: 1915 – 1915
Materials: brass, wood
Location: netherlands
Artist: Anonymous

Plaat van messing met tekst ter herinnering aan de brand van 1457 in de Grote Kerk te Dordrecht. Het geheel is gevat in een houten lijst.
Study for an illustration in Tacitus "Tibère, ou Les Six Premiers Livres des Annales", Book III, Vol. 2, 2nd Study
Object type: drawing and watercolor
Date: 1768 – 1768
Materials: graphite, ink, paper
Techniques: incising, pen, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Claude Regnauldin
Object type: print
Date: 1658 – 1658
Materials: paper
Techniques: engraving
Location: france
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Plate with Isnik floral and foliate pattern
Object type: plate
Date: 1881 – 1881
Materials: bone china
Artist: minton(s)
Artist role: factory
Artist nationality: british
Artist dates: 1793 – 2001
Subjects: flowers