deem-data/ArtiFact huggingface dataset:
Design for Cabriolet or Victoria, no. 3890
Object type: drawing
Date: 1884 – 1884
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Sterrenbosch - Groningen
Object type: photomechanical print
Date: 1892 – 1905
Materials: cardboard
Techniques: autotype
Location: groningen
Artist: Anonymous
Subjects: park, pond, bridge in city across river, canal, etc.
Table geographique des Pays-Bas pour connoître la distance d'une villa à l'autre
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: netherlands, france, belgium
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Links een afstandstabel waarin staat hoeveel loopuren belangrijke steden uit Staats-Brabant, de Zuidelijke Nederlanden, Noord-Frankrijk en Parijs van elkaar vandaan liggen. Rechts de titelcartouche met daaronder een gebruiksaanwijzing.
Ontwerp voor een fauteuil met armsteunen in de vorm van sfinxen
Object type: design drawing
Date: 1784 – 1784
Materials: ink, paper
Techniques: brush, pen
Location: paris
Artist: jean démosthène dugourc
Artist role: draughtsman
Artist dates: 1749 – 1825
Inscriptions: label: ‘fauteuil à sphinx’, number: ‘29’, stamp: ‘TASSINARI & CHATEL.’, number: ‘70’, stamp: ‘CHATEL & TASSINARI’
Ornament
Object type: copper plate
Date: 1900 – 1930
Materials: copper
Techniques: engraving
Artist: g. acronius
Artist role: print maker
Gezicht op de binnenplaats van het Lutherse Diaconieweeshuis te Amsterdam en penningen voor het eerste eeuwfeest
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: medal (considered as a piece of sculpture, regardless of its specific function), courtyard, orphanage
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Vorstius, Jan Hendrik. Redevoering op het eerste eeuwfeest van het Luthersche Diakonie-weeshuis binnen Amsterdam (...). Amsterdam: Johannes Strander (II), 1778.
A Portrait: Mildred Howells
Object type: print
Date: 1894 – 1896
Materials: ink, paper
Techniques: lithograph, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed center right with printed butterfly
Uchiwa Daiko
Object type: uchiwa daiko
Date: 1801 – 1900
Materials: metal, wood
Culture: japanese
Location: japan
Paix de l'Autel du Saint-Esprit XVIe Siècle
Object type: page
Date: 1876 – 1883
Materials: paper, photographic process
Location: paris
Artist: léon vidal
Artist role: fotograaf
Artist dates: 1833 – 1906
Subjects: christ, altar with altar-piece
Inscriptions: inscription: ‘Musée National du Louvre Galerie d'Apollon’, inscription: ‘15 Quai Voltaire. Paris.’, inscription: ‘9e livraison’, inscription: ‘Ateliers de photochromie du moniteur’

RP-F-2001-7-1545B-4 toont de voorkant van het altaarstuk, RP-F-2001-7-1545B-5 toont de achterkant van het altaarstuk.
Afbeelding der Beugels, of Harnassen / Afbeelding der Palen, of Raderen
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: instruments of torture, execution or punishment
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen van de werktuigen waarmee de lichamen van de ter dood gebrachte muiters van het koopvaardijschip genaamd de Nijenburg in de duinen bij Huisduinen ten toon werden gesteld, september 1764. Links een soort harnas waarin het lichaam met riemen gebonden, rechts een paal waarop het lichaam werd gebonden.
The Basket of Apples
Object type: painting
Date: 1893 – 1893
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Subjects: still life, apples, basket, bottles, bread, table, tablecloth, food, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed at lower left:  P. Cézanne

Art, Paul Cézanne once claimed, is "a harmony running parallel to nature," not an imitation of nature. In his quest for underlying structure and composition, he recognized that the artist is not bound to represent real objects in real space. Thus, The Basket of Apples contains one of his signature tilted tables, an impossible rectangle with no right angles. On it, a basket of apples pitches forward from a slablike base, seemingly balanced by the bottle and the tablecloth’s thick, sculptural folds. The heavy modeling, solid brushstrokes, and glowing colors give the composition a density and dynamism that a more realistic still life could never possess. This painting, one of Cézanne’s rare signed works, was part of an important exhibition urged on the artist by the Parisian art dealer Ambroise Vollard in 1895. Since Cézanne had spent the majority of his career painting in isolation in his native Provence, this was the first opportunity in nearly twenty years for the public to see the work of the artist who is now hailed as the father of modern painting.
Capricci di varie Figure di Jacopo Callot
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: swimming (movement in water), bridge in city with structures, i.e. shops, houses, e.g. ponte vecchio in florence
Inscriptions: collector's mark: Lugt 240

Callot maakte een eerste versie van de prentserie 'Capricci di varie Figure' in Florence rond 1617. Omdat deze in relatief zachte koperplaten was geëtst en snel sleet, maakte hij een tweede in Nancy in 1621. De twee versies zijn slechts op details van elkaar te onderscheiden. De reeks die het Rijksmuseum bezit, bestaat op 1 prent (RP-P-OB-21.081) na uit Franse exemplaren d.d. 1621. Klinkert, C.
Portret van Maria Dérivis
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: woodburytype
Location: brussels
Subjects: portrait of actor, actress
Inscriptions: number: ‘No 11.’
Panel with the Marriage of the Virgin and Joseph
Object type: panel
Date: 1501 – 1533
Materials: wood
Culture: french
Location: france
Subjects: men,virgin mary

Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels (50.147.1–38) are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.
Muilezel met bel aan halster en twee liggende ezels
Object type: print
Date: 1653 – 1653
Materials: paper
Techniques: etching
Location: amsterdam
Artist: karel du jardin
Artist role: draughtsman, painter, print maker
Artist dates: 1626 – 1678
Subjects: ass, donkey, mule
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10
Rabbit in the Snow beneath the Moon 月下の兎
Object type: print
Date: 1819 – 1819
Materials: ink, paper, pigment
Techniques: surimono, woodblock print
Culture: japanese
Artist: katsushika hokushū 葛飾北秀
Artist role: artist
Artist nationality: japanese
Artist dates: 1810 – 1830
Subjects: rabbits,moon,flowers,snow

A white rabbit crouches in the snow beneath a silvery moon emerging from the clouds. A few buds and blossoms of plum are scattered nearby.This surimono (privately published woodblock print) was created to celebrate the first lunar month of spring of the year of the rabbit, 1819. The poet Chōkandō Harumichi 長閑堂春道 wrote a 31-syllable kyōka verse on the traditional poetic topic of snow, moon and flowers, and how they all appear together in this New Year’s scene: あわ雪の いろに月花 照そひて おもしろきことの そろう春かな The colors of the moon and blossoms shimmer in the light snow— what a delightful surprise for all to be arrayed this spring! (Trans. John T. Carpenter) The artist Hokushū became a pupil of the famous Katsushika Hokusai in the 1810s and was primarily active as a surimono illustrator and book illustrator. He also used the art names Joryūken 如柳軒, Joryū 如柳 (as in the seal here), and Taisōsha 戴藻舎 (recalling one of Hokusai’s art names, Taitō 戴斗).
Les Patineuses / Die Schlittschuhlauferinnen
Object type: print
Date: 1813 – 1879
Materials: paper
Techniques: etching
Subjects: skates (winter sports)
Inscriptions: collector's mark: Lugt 2228
Beleg van Kopenhagen door de Zweden, ter ere van Frederik III van Denemarken en zijn vrouw Sophie Amalia
Object type: medal
Date: 1658 – 1658
Materials: silver
Techniques: gilding, striking
Location: copenhagen
Artist: erich parise
Artist role: graveur
Artist dates:  – 1666
Subjects: copenhagen (city), frederik iii (koning van denemarken en noorwegen)

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: borststuk vrouw met lauwerkrans binnen omschrift
Collar
Object type: collar
Date: 1650 – 1650
Techniques: lace
Kruisboog en sabels
Object type: page
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: hacking and thrusting weapons (with name), archer's weapons: crossbow
Cup
Object type: cup
Date: 1900 – 1900
Materials: clay, glaze
Culture: japanese
Portret van Roemer Visscher
Object type: print
Date: 1827 – 1828
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: a. heyd
Artist role: print maker
Subjects: roemer visscher, historical persons (+ (full) bust portrait)

De geportretteerde draagt een hoed. Onder het portret zijn naam.
Slippers
Object type: slipper
Date: 1830 – 1839
Materials: silk
Culture: american or european
Foundation Deposit: Ox Head
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: cows, animals, sacrifice, food
Ordre van de Scheeps-vloot, soo als die onder het beleyt van sijn Koninghlijcke Hoogheyt den Heere Prince van Orange, op den 11 November 1688, uyt Hellevoet-sluys na Engelandt is gezeylt
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), warfare; military affairs (+ sailing-ships)

De formatie van de vloot waarmee prins Willem III vanuit Hellevoetsluis naar Engeland is vertrokken, 11 november 1688. Onder de plaat een lijst van de verschillende eskaders en kapiteins.
Gezicht op dokken voor de overslag van ertsen in het Bovenmeer bij Marquette
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: photograph
Location: michigan
Artist: Anonymous
Subjects: harbour, lake
Coeln am Rhein
Object type: stereograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: cologne
Artist: johann heinrich schönscheidt
Artist role: fotograaf
Artist dates: 1835 – 1903
Subjects: river, pontoon bridge, cologne
Inscriptions: inscription: ‘No 86’
De Beesemmaaker
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: handicrafts, craftsman at work, shrubs: broom
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk).
Portret van Johann Ludwig Hector, graaf van Isolani
Object type: book illustration
Date: 1647 – 1647
Materials: paper
Techniques: engraving, letterpress printing
Location: frankfurt am main
Subjects: head-gear, commander-in-chief, general, marshal, historical persons

Prent uit: Wassenberg, Eberhard. Der erneuerte teutsche Florus (...). Frankfurt am Main: Anton Humm, 1647.
Plate 10: Ruins of the Temple of Jupiter Stator (Jupiter the Supporter). 1. Temple of Antoninus and Faustina. 2. Temple of Peace. (Vestigi del Tempio di Giove Statore. 1. Tempio d'Antonino e Faustina. 2. Tempio della Pace.), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
Object type: print
Date: 1748 – 1748
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: columns,temples,ruins
Saucer
Object type: saucer
Date: 1730 – 1730
Materials: hard paste porcelain
Artist: ignaz preissler
Artist role: decorator
Artist nationality: bohemian
Artist dates: 1676 – 1741
Subjects: birds,men,female nudes
View of the Door and Peristyle of the Temple of Vesta
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Location: italy
Artist: francesco piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1758 – 1810
Tankard
Object type: tankard
Date: 1760 – 1760
Materials: silver
Culture: american
Location: united states
Artist: daniel christian fueter
Artist role: maker
Artist nationality: american
Artist dates: 1720 – 1785

The silversmith Daniel Christian Fueter was trained in his native Switzerland before moving in 1752 to London and in 1753 to New York. His relatively brief residence in the colonies, between 1754 and 1769, circumscribes the dating of his American oeuvre. In 1769 he returned to Europe, where he died. This tankard, a classic mid-eighteenth-century New York example, is struck underneath with Fueter's maker's mark--DCF in an oval--and is engraved with scratch weight in troy ounces and pennyweights, a standard measure for precious metals.
Sketch of Figure Leaning on Cane
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: england
Artist: attributed to thomas stothard
Artist nationality: english
Artist dates: 1755 – 1834
Border
Object type: textile
Date: 1850 – 1875
Materials: cotton, lace, linen
Techniques: lace
Location: denmark
Brush Rest with White Cockatoo
Object type: brush rest
Date: 1734 – 1766
Materials: enamel, porcelain
Techniques: overglaze, underglaze
Culture: japanese
Subjects: birds
Broek in Waterland gezicht op het havenrak
Object type: photomechanical print
Date: 1906 – 1915
Materials: cardboard
Techniques: photograph, lithograph
Location: broek in waterland
Subjects: city-view, and landscape with man-made constructions, lake
Tytel-Print der Actie-Kraam of Voor-hof van Quinquenpoix
Object type: cartoon
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: being refused, the proposal rejected

Titelpagina met de Actiekraam of het Voorhof van Quinquenpoix. In de centrale voorstelling knielt een man met een liefdesverklaring voor een vrouw die hem afwijst (volgens de tekst: John Law en Schoonschijn), in de omlijsting cupido's en pijlenkokers. Met twee regels in het onderschrift. Deze plaat is afgedrukt in het midden van een grotere plaat met een krans opgebouwd uit allerlei voorwerpen die met de windhandel te maken hebben. Onderaan zitten Mercurius en Neptunus. In de plaat een onderschrift met twee verzen. Titelpagina in de gebonden vierde uitgave (304 B 12) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Bloemtuin van de lente
Object type: page
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: flowers

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Oordeel van Salomo
Object type: tracing
Date: 1782 – 1782
Materials: chalk, paper
Subjects: the judgement of solomon (1 kings 3:16-28)

Koning Salomo zit op zijn troon en velt zijn oordeel. Hij geeft de opdracht om de baby in tweeën te laten delen om te bepalen wie de moeder van het kind is. Rechts trekt een man zijn zwaard. Voor de troon de twee vrouwen die beiden het moederschap van het kind claimen. De calque ligt los in een album, zie blad 34.
Portrait of the artist's mother
Object type: medal
Date: 1892 – 1892
Materials: stoneware
Artist: daniel jean-baptiste dupuis
Artist role: maker
Artist nationality: french
Artist dates: 1849 – 1899
Subjects: portraits,profiles,women
Terracotta fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of eyebrow and eye?
Drie studies van vrouwen
Object type: drawing
Date: 1827 – 1891
Materials: chalk, paper
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Uitnodiging voor de tentoonstelling van tekeningen door Theo van Hoytema bij firma Frans Buffa
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: the hague, painter, print maker, draughtsman, theo van hoytema, ornamental birds: cockatoo, collection, exhibition, show, amsterdam
Inscriptions: collector's mark: Lugt 2228

Twee kaketoes aan weerszijden van de tekst: 'De Firma Frans Buffa en Zn. heeft de eer U uit te noodigen tot hare tentoonstelling van teekeningen door Th. van Hoytema. 17 november - 17 december 1896, Kalverstraat Amsterdam'.
Ingang van de Dormitorio de los Reyes Moros in het Koninklijk Paleis van Sevilla
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: albumen print
Location: sevilla
Artist: rafael garzón
Artist role: publisher
Artist dates: 1863 – 1923
Subjects: palace - aa - civic architecture: inside
Inscriptions: number: ‘No 1.375.’
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic
Frederiksborg bij Kopenhagen, gothische kast
Object type: photograph
Date: 1880 – 1910
Materials: paper, cardboard
Techniques: collodion silver print
Location: unknown
Artist: Anonymous
Subjects: ornamental cupboard
Arcadisch landschap met Kephalos en Prokris
Object type: print
Date: 1690 – 1730
Materials: paper
Techniques: etching
Location: france
Subjects: landscapes in the temperate zone - hh - ideal landscapes, trees, cephalus and procris
Inscriptions: collector's mark: Lugt 240
Zeilschepen en een roeiboot op onrustige zee
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: etching, intaglio
Artist: egidius linnig
Artist role: draughtsman, print maker
Artist dates: 1821 – 1860
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228
Cardtable Cover
Object type: textile
Date: 1725 – 1775
Location: england
Unguent Jar from Neferkhawet's Tomb
Object type: jar, cosmetic, amenemhat
Date: 1504 – 1447
Materials: stone
Location: egypt
The Woman with Figs
Object type: print
Materials: ink, paper, zinc
Techniques: etching, pen
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Bijbelse voorstellingen
Object type: print
Date: 1529 – 1529
Materials: paper
Techniques: woodcut
Subjects: david brings goliath's head to saul
Inscriptions: collector's mark: Lugt 240

Vierde prent in een reeks van mogelijk tien.
Vrouwelijke naakten in verschillende houdingen
Object type: sketchbook leaf
Date: 1892 – 1900
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: standing figure - aa - female human figure, lying figure - aa - female human figure

Blad 3 verso uit schetsboek VIII met 12 bladen.
Densho
Object type: densho
Date: 1767 – 1800
Materials: bronze
Culture: japanese
Location: japan

In Japanese ceremonies, suspended cast iron bells are used for signaling during the prayer and for calling Buddhists to worship. In China, similar bells were employed in ensembles, where they represented the yin, or "receptive" principle, and were sounded after the beat of a large drum (yang, or "creative" element). The densho incorporates many symbolic motifs found in the Far East. The suspension loop (ryuzo) is formed by two dragon heads and a flame; the upper third contains nipples (nyu), symbols of fertility; and the barren field below (ikenomachi) provides a place for poetry or iconography. The chrysanthemum, a symbol of longevity and happiness, forms the striking surface (shuza). The densho may occasionally be heard in the kabuki theatre's off-stage ensembles.
Portret van Willem Bilderdijk
Object type: print
Date: 1824 – 1843
Materials: paper
Techniques: lithograph
Subjects: haarlem, print maker, draughtsman, willem bilderdijk, historical persons, portrait of a writer
Saucer
Object type: saucer
Date: 1700 – 1720
Materials: hard paste porcelain
Subjects: dragons,flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
St. Jans Kerck.
Object type: print
Date: 1688 – 1689
Materials: paper
Techniques: etching
Location: haarlem
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 195

Gezicht op de Janskerk te Haarlem, met vele mensen en enkele koetsen in de straat ervoor en op het plaatsje ernaast. Dit blad maakt deel uit van een omvangrijke prent met een grote plattegrond van Haarlem, omgeven door zeven wapenschilden, een profiel van de stad, gezichten op markante Haarlemse gebouwen en voorstellingen van belangrijke momenten uit de Haarlemse geschiedenis.