deem-data/ArtiFact huggingface dataset:
Portret van Johannes de Mey
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: theoloog, johannes de mey
Inscriptions: collector's mark: Lugt 240

Portret van Joannes de Mey, predikant en catecheet van de Latijnse school te Middelburg, op 44-jarige leeftijd. Onderaan in de marge een tweeregelig vers in het Latijn en in het Nederlands.
Boekverluchting - Edelsmeedkunst - Naaldkunst
Object type: triptych
Date: 1876 – 1885
Materials: oil, paint, paper, wood
Location: amsterdam
Artist: georg sturm
Artist role: draughtsman
Artist dates: 1855 – 1923
Subjects: rijksmuseum amsterdam
Inscriptions: signature

Drie voorstudies van de wandschilderingen in de Eregalerij van het Rijksmuseum, gecombineerd tot een drieluik.
Staal zijde in album
Object type: sample
Date: 1910 – 1932
Materials: silk
Techniques: printing block, weave
Location: vienna

Staal bedrukte zijde, blauw, groen, rood en geel op naturel, met gestileerde bloemplant binnen paralellepipedum-vormige omlijsting (dessinnr. 7134 6/5 736 5/5)
Beaker
Object type: beaker
Date: 1600 – 1600
Materials: ceramic
Culture: mitanni
Location: mesopotamia
Portret van een staande vrouw, een zittende man en een staand meisje
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: germany
Artist: Anonymous
Subjects: sitting figure, historical persons - bb - woman, historical persons, girl (child between toddler and youth), standing figure - aa - female human figure
Tile Depicting Bahram Gur and Azada
Object type: tile from a frieze
Date: 1300 – 1300
Materials: glaze, stonepaste
Techniques: luster painting, painting
Location: iran
Subjects: birds,kings,deer,horses

Illustrating a scene from the Persian national epic, the Shahnama, this tile depicts the hero Bahram Gur hunting with his favorite harp-playing companion, Azada - both atop a striding camel. Similar tiles bearing figures drawn from popular Persian literature are known to have decorated the Ilkhanid summer palace known as Takht-e Sulaiman, likely built in the late 13th century for the ruler Abaqa (1265-1282).
Head of an old man looking down, facing left, from "Small Studies of Heads in Oriental Headress"
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664
Subjects: heads,men,profiles
Imitation Splashware Dish
Object type: dish
Date: 901 – 1000
Materials: earthenware, glaze
Techniques: incising, polychrome
Location: iran

This dish’s decoration of concentric bands and gridded central roundel are typical of Nishapur splashware, and several other examples like this one were found during the excavations. Unusual, however, is the purplish-black glaze, which has disintegrated in some areas, leaving blank spots on the surface of the dish.
Interieur van de kerk de Collegiata di Santa Maria Assunta te Ariccia
Object type: album leaf
Date: 1665 – 1667
Materials: paper
Techniques: etching
Location: italy
Subjects: interior of church

Deze prent maakt deel uit van een reeks van 17 prenten met voorstellingen van gebouwen in Rome. Samen met vier andere reeksen vormt het de grote reeks: 'Il nuovo teatro di Roma moderna'.
Card 652, Maud Wentworth, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Nydia
Object type: painting
Date: 1882 – 1882
Materials: canvas, oil
Culture: american
Artist: george fuller
Artist role: artist
Artist nationality: american
Artist dates: 1822 – 1884
Subjects: women
Post Leyden, Paramaribo
Object type: photograph
Date: 1907 – 1908
Materials: photographic support
Techniques: photography
Subjects: andries augustus boom
Inscriptions: inscription: ‘Paramaribo "Post Leyden". Juli 1908’

Mevr. de Vries en A.A. Boom zittend op de trap van een gebouw "Post Leyden", Paramaribo, juli 1908. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Fragment in de vorm van een bodem van een schotel, beschilderd met schaakbordmotief
Object type: platter
Date: 1600 – 1650
Materials: earthenware
Location: north holland
Artist: Anonymous

Fragment in de vorm van een bodem van een schotel, beschilderd in blauw met een schaakbordmotief: op de witte vakken een cirkel met vijf punten; op de blauwe vakken vijf cirkels, uitgespaard in de fond.
Tester bed (lit à la duchesse en impériale)
Object type: bed
Date: 1782 – 1783
Materials: iron, wood, silk, wool
Techniques: carving, damask, gilding, painting, tapestry
Artist: georges jacob
Artist role: maker
Artist nationality: french
Artist dates: 1739 – 1814

As its full-size domed canopy is suspended from the ceiling rather than supported on posts, this tester bed, which bears the stamp of the menuisier Georges Jacob, is a type called lit à la duchesse en impériale. Its original but now fragile hangings, woven in 1782–83 at the Beauvais tapestry manufactory after designs by Jean-Baptiste Huet (1745–1811), have been replaced by modern silk damask, except for the lining of the interior dome. French eighteenth-century beds tended to be lofty, as it was customary to pile them with three or more mattresses filled with straw, wool, horsehair, or feathers. Tobias Smollett (1721–1771) noted in 1766, “French beds are so high, that sometimes one is obliged to mount them by the help of steps.”[1] The custom of receiving visitors while reposing in a large and elegantly fitted out bed was practiced in France during the eighteenth century mostly by aristocratic women. The Museum’s imposing piece of furniture with its exquisitely carved floral decoration, the work of an unknown carver, must have formed a splendid backdrop for such official calls or congratulatory visits. In 1791 the bed is documented as standing in the large bedchamber of Guyonne-Marguerite de Durfort de Lorge, duchesse de Choiseul-Praslin (1737–1806), at her Parisian home, the Hôtel de Belle Isle. Following the turmoil of the Revolution and the political changes of the early nineteenth century, the bed was sold in Paris in 1830. It became part of the famous collections at Hamilton Palace, South Lanarkshire, Scotland, the residence of Alexander Hamilton Douglas, tenth Duke of Hamilton (1767–1852), where it was placed in one of the state rooms. The duke’s grandson sold the contents of the palace, including the bed, at a highly anticipated auction that took place in 1882. Through the intermediation of several dealers, the bed was acquired in 1897 by the financier and railroad executive George J. Gould (1864–1923). His wife, the former actress Edith M. Kingdon (1864–1921), used it in her bedroom of their New York town house. [Daniëlle Kisluk-Grosheide, 2010] Footnotes: [1] Tobias George Smollett. Travels through France and Italy. London, 1766. New ed.: Introduction by James Morris. Travellers' Classics 11. Fontwell, Sussex, 1969, p. 43.
La mort et le bûcheron
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: drypoint, engraving, etching
Location: france
Subjects: death as man, old man
Inscriptions: collector's mark: Lugt 2228
Boekontwerp voor 'Gijsbrecht van Aemstel' van Joost van den Vondel
Object type: sketchbook leaf
Date: 1893 – 1901
Materials: ink, paper, pencil
Techniques: pen
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: decoration of printed matter
Inscriptions: annotation: ‘HET TWEEDE/ BEDRYF/ HET DERDE/ BEDRYF/ Willeborg/ BADC [...]oek’

Ontwerpen voor versierde pagina's met het tweede en derde bedrijf. Blad 45 recto uit een schetsboek met 51 bladen.
View on the Vecht
Object type: drawing
Date: 1682 – 1699
Materials: chalk, paper
Location: vecht
Artist: abraham rutgers
Artist role: draughtsman
Artist dates: 1632 – 1699
Subjects: river bank, vecht
Numismata virorum illustrium ex Barbadica gente
Object type: print
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: (story of) minerva (pallas, athena), (story of) mercury (hermes), trees: laurel, medal (considered as a piece of sculpture, regardless of its specific function), owls
Inscriptions: collector's mark: Lugt 2228

Voetstuk in de vorm van een cartouche. Daarop een medaillon met op de voorzijde het portret van Giorgio Barbarigo, Venetiaans ambassadeur in Zweden. Op de achterzijde alleen de spreuk: In Foederis Instauratione. Het voetstuk wordt geflankeerd door Minerva en Mercurius. De prent maakt deel uit van een album.
Design for a Silver Vessel (Wine Cooler?)
Object type: ornament architecture
Date: 1801 – 1900
Materials: chalk, gouache, graphite
Techniques: brush, heightening, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900

Large-scale design for a silver vessel, possibly a wine cooler, decorated with Rococo ornament. The vessel has a large solid foot, and a single handle that is connected on either side. The drawings presents the object in elevation, but the shapes have been enhanced through the addition of washes and heightening. Below the elevation, a schematic top view is added, which shows a partition into three circular compartments with worked open leaf decorations filling the spaces in between.
Inwijding van de tempel van Salomo
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: prayer of solomon; solomon kneels before the altar, the ark of the covenant is brought into the temple; a cloud fills the house of the lord
Inscriptions: collector's mark: Lugt 2228

Op het plein voor de tempel van Salomo wordt de tempel met feestelijkheden ingewijd. Koning Salomo zit geknield op een verhoog. Op de achtergrond de tempel en een groot altaar waar offers worden gebracht. God verschijnt als een donkere wolk aan de hemel.
Kaïn doodt Abel
Object type: print
Date: 1524 – 1524
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: the killing of abel: cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon
Inscriptions: date

Kaïn met opgeheven stuk bot, trekt hoofd van zittende Abel aan haren naar achter.
Tile with Impressed Figures of Emaciated Ascetics and Couples Behind Balconies
Object type: tile
Date: 401 – 600
Materials: terracotta
Culture: india, kashmir, harwan
Subjects: human figures,kashmir

This tile decorated the courtyard of an apsidal temple at Harwan, in Kashmir. As this site has a Buddhist affiliation, the presence of emaciated nude ascetics is not easy to explain; they are more readily understood within the Hindu Shaivite tradition. As this mixture of Buddhist and Hindu imagery is also found at other contemporary sites in Afghanistan and western India, the tile appears to be part of a larger exchange that perhaps occurred in relation to the emergence of Esoteric, or Vajrayana, Buddhism. Numerals in Kharoshthi script have been incised into the tile, presumably to aid its placement.
Terracotta fragment of a stamnos (jar)?
Object type: stamnos fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic

Bit of the neck, and, part of the shoulder of a column-krater with a band of tongues; below, head, neck, and shoulders of a youth
Nieuwjaarsprent van de Hoornse klapperwacht voor het jaar 1789
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: letterpress printing
Location: hoorn
Subjects: night patrol, hoorn (north holland)
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarsprent van de klapperwacht (nachtwacht) van de stad Hoorn voor het jaar 1789. Opgedragen aan de bestuurders en inwoners van Hoorn. Twee leden van de wacht staande bij een Oranjeboom met het wapen van Hoorn, op de achtergrond het plein de Roode Steen te Hoorn met het oude stadhuis, de Waag en het Statencollege. Op het blad onder de voorstelling een vers in drie kolommen met onderaan een lied in drie kolommen.
Maria Magdalena met schedel
Object type: print
Date: 1666 – 1669
Materials: paper
Techniques: engraving
Location: london
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 240

De boetvaardige Maria Magdalena, schedel in de hand. Op de achtergrond haar attributen. In de cartouche een tweeregelig Bijbelcitaat uit Spr. 31:30 in het Latijn.
Pijpenkoppen en fragment pijpensteel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 57; no hsm.
David met het hoofd van Goliath
Object type: print
Date: 1685 – 1723
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: david with goliath's head
Inscriptions: collector's mark: Lugt 240

David met zwaard en het hoofd van Goliath in zijn hand. Achter hem ligt de onthoofde Goliath op de grond omringd door soldaten. In de ondermaerge een bijbelvers in het Latijn.
A Study for a Frontispiece: The Trinity and Saints surrounding the Sacred Hearts of Christ and the Virgin Mary, a Coastal Landscape Below
Object type: drawing
Date: 1743 – 1779
Materials: chalk, ink, lead
Techniques: brush, highlighting, pen, wash
Location: germany
Artist: vitus felix rigl
Artist role: artist
Artist nationality: german
Artist dates: 1743 – 1779
Subjects: cross,saints,ships
Profeet Hosea predikend
Object type: print
Date: 1534 – 1600
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: the book of hosea
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit een onbekende publicatie.
Matelot, from National Dances (N225, Type 2) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,dancing,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Stelling voor vaten
Object type: gantry
Date: 1676 – 1676
Materials: wood
Location: amsterdam
Artist: Anonymous

Stelling voor vaten, vervaardigd uit twee lange horizontale leggers van grenenhout, twee dwarsregels en rustend op vier poten van lindehout. De verbindingen met metalen nagels.
Veld van vier tegels met fruitschalen
Object type: tegelveld
Date: 1620 – 1640
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van vier tegels (2 x 2) elk met een veelkleurige (blauw, groen, geel en oranje) geschilderde fruitschaal. In de hoeken, een ossenkop.
Sealing wax case (étui)
Object type: étui
Date: 1783 – 1784
Materials: enamel, gold
Artist: joseph etienne blerzy
Artist role: artist
Artist nationality: french
Artist dates: 1750 – 1806
Subjects: stars

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Vase with performance of dragon boat
Object type: vase
Date: 1667 – 1733
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: human figures,dragons,flowers,trees
Fragment
Object type: textile
Date: 1650 – 1700
Materials: linen, wool
Techniques: compound weave, lampas
Location: netherlands
9. Blad van Mengelmoes / Miscelaniorum tabula 9. / 9. feuille de melange
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, lacquer, paper, pencil, watercolor
Techniques: brush, pen
Location: prague
Subjects: tailless amphibians: frog, rodents: mouse, crustaceans: shrimp, insects

Blad met de negende natuurhistorische ensemble met dieren en planten, nummers 1-6. Twee kevers, kikker, muis, garnaal en schelp. Genummerd rechtsboven: 9. Onderdeel van het zevende album met tekeningen van reptielen, amfibieën en natuurhistorische ensembles. Het zevende van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Portret van een boeddhistische monnik in China
Object type: photograph
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: china
Artist: Anonymous
Subjects: religious functionaries ~ hinduism, buddhism, jainism, historical persons not known by name, china
Inscriptions: number: ‘5.’
Canal with an Angler and Two Swans
Object type: print
Date: 1650 – 1650
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Card Number 739, Erminie Vaughan, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Warrior
Object type: figure
Date: 301 – 500
Materials: copper alloy
Culture: byzantine
Blanche Thornton/ Clara Davenport/ Florence Baker, Corsair Co./ Maud Waldemere, Corsair Co., from the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 4), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes. Type 4 cards from the N45 series contain four miniature portraits of actresses on one card.
Pouch
Object type: pouch
Date: 1830 – 1860
Materials: glass, linen, silk
Culture: french
Zegelstempel met aan elkaar geschroefd handvat en een stempelvlak
Object type: zegelstempel, lakstempel
Date: 1590 – 1590
Materials: bone
Techniques: turning
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck
Inscriptions: inscription

Zegelstempel samengesteld uit een handvat en een stempelvlak die aan elkaar geschroefd kunnen worden. Het handvat is hol en heeft aan onderzijde een schroefdraad. De zegelstempel heeft waarschijnlijk toebehoord aan Claes Andrieszoon Goutijk, bemanningslid.
In Dove Dale
Object type: photomechanical print
Techniques: photogravure
Artist: george bankart
Artist role: artist
Artist nationality: british
Subjects: landscapes,streams
Situla with plain rim
Object type: situla
Date: 1279 – 1213
Materials: silver
Location: egypt

Wine was a coveted drink starting in Egypt’s earliest days, though wine services do not have a long history there, as strainers were not found before the New Kingdom. The importance of wine grew during that period, as intoxicating drinks played a prominent role in festivals and in communal celebrations. When associated with Bastet and other feline goddesses, these drinks helped partakers emulate the drunkenness that brought about the goddesses’ pacification. Such practices probably occurred in festivals for Bastet in Tell Basta, where this and other vessels were found. The vessels were buried in two caches close to the temple, along with silver and gold jewelry, ingots, and lesser objects. Rare in antiquity, most silver and gold vessels were later melted down and reused for new projects. The Tell Basta hoards are thus exceptional finds. Jars like this one, shaped like a long teardrop (situlae) were used for drinking.
Gezicht op het 's-Gravelandseveer met zicht over de Groenburgwal
Object type: drawing
Date: 1838 – 1838
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: augustus wijnantz
Artist role: draughtsman
Artist dates: 1795 – 1848
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', canal, street
Inscriptions: inscription: ‘32 / s Gravelandsche Veer’, collector's mark: ‘4A’ Lugt 1641b, inscription: ‘'s Gravelandsche veer (...) naar / de Zuiderkerkstoren’, signature and date: ‘A.Wijnantz 1838.’, inscription: ‘Port. 4A13’, check stamp: ‘Bristol / Board’

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel van Doelensluis tot Blauwbrug.
Gezicht op Edinburgh, Schotland, in de verte het monument voor Sir Walter Scott
Object type: photograph
Date: 1854 – 1854
Materials: cardboard, photographic support
Techniques: salted paper print
Location: edinburgh
Subjects: city-view in general; 'veduta', monument, statue
Inscriptions: retailer's mark: ‘MACGILL/ 7/ HANOVER/ ST./ EDINr.’

Zie History of Photography, jrg.1, no.1, p.78.
Portret van Friedrich Wilhelm von Steuben
Object type: photomechanical print
Date: 1882 – 1970
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: other sovereign (baron), historical persons

Fotomechanische afdruk uit een onbekende publicatie.
Portret van Johann Georg II Schelhorn
Object type: print
Date: 1779 – 1853
Materials: paper
Techniques: etching
Location: memmingen
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Nubian Sakkieh, or Water Wheel
Object type: photograph
Date: 1856 – 1856
Techniques: albumen silver print
Artist: robert murray
Artist role: artist
Artist nationality: british
Artist dates: 1822 – 1893
Subjects: landscapes
Lieve kinderen! deeze onderstaande voorbeelden zullen u leeren: dat, om door een handboom, met weinig magt veel kragt uit te oefenen [(...)]
Object type: print
Date: 1811 – 1829
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: dynamics, kinetics
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van de werking van dynamica en de hefboom. In het midden het zegel van de Maatschappij tot Nut van 't Algemeen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: L.B.
Coin Depicting the God Apollo and the Goddess Artemis
Object type: coin
Date: 200 – 1
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Subjects: gods (deities), goddesses