deem-data/ArtiFact huggingface dataset:
Penning met portret Rudolph II, Duits keizer
Object type: history medal
Date: 1603 – 1608
Materials: gold
Techniques: casting
Location: prague
Artist: paulus willemsz. van vianen
Artist role: draughtsman, jeweler
Artist dates: 1570 – 1614
Subjects: vienna, prague, rudolf ii van habsburg (duits keizer), germany, austria

Penning goud met portret Rudolph II: Voorzijde: borstbeeld van voren en van rechts gezien, met lauwerkrans, gepijpte kraag, harnas en ordeteken van het Gulden Vlies. Randschrift: RUDOLPHUS II RO(manorum) IM(perator) REX HU(ngariae) BO(emiae). Parelrand. Keerzijde: Zodiak, beneden steenbok, boven gekroonde adelaar vliegend naar twee sterren. Randschrift: FULGET CAES (areum) ASTRUM.
Fotoreproductie van een gravure naar het schilderij The pet of the common door John Callcott Horsley
Object type: photomechanical print
Date: 1866 – 1871
Materials: paper
Techniques: woodburytype
Subjects: ass, donkey, print, e.g.: engraving, etching, lithograph, child, meadow, pasture

Prent op derde ongenummerde pagina na pagina 34.
Portret van een onbekend kind
Object type: carte de visite
Date: 1898 – 1915
Materials: paper, cardboard
Techniques: gelatin silver print
Location: sankt gallen
Subjects: anonymous historical person portrayed, infant, baby
Inscriptions: inscription: ‘St. Gallen/ Zur Börse/ TELEPHON 725/ Die Platte bleibt für Nachbestellungen aufbewahrt./ Vergrösserungen nach jedem Bilde bis Lebensgrösse/ B. P. GRIMAUD. PARIS.’
Apollo 11 Command and Service Modules Photographed from the Lunar Module in Orbit
Object type: photograph
Date: 1969 – 1969
Artist: national aeronautics and space administration (nasa)
Artist role: publisher
Artist nationality: american
Subjects: moon,astronomy
Terracotta kyathos (cup-shaped ladle)
Object type: kyathos
Date: 530 – 500
Materials: terracotta
Culture: greek, attic
Subjects: shields,men,centaurs

Battle of Lapiths and centaurs Although kyathoi were made in Athens for export to Etruria, the decoration seems to be typically Greek.
Journal des Dames et des Modes, Costumes Parisiens, 1837, (3463): Robe en circassienn (...)
Object type: fashion print
Date: 1837 – 1837
Materials: paper
Techniques: engraving, hand coloring
Subjects: quill, clothing for the upper part of the body: blouse (+ women's clothes), dress, gown: robe à la circassienne (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), interior of the house, letter, envelope, apron (+ women's clothes), neck-gear ~ clothing (+ women's clothes)
Inscriptions: address: ‘On s'abonne Rue du Helder 14 (Ch.ée d'Antin) / M. Séguin 's Library, 12, Regent Street London.’, caption: ‘Robe en circassienne brochée des Mags du petit St Thomas rue du Bac: Canezou à manches des mag.s Fonbonne B des Italiens 2 Chapeau de Mme Vaulout 28 rue de la Paix Robe en mousseline de laine et Tablier de percale garni de baptiste gauffrée’, title: ‘Costumes Parisiens / Journal des Dames et des Modes’

Vrouw gekleed in een 'robe en circassienne', uit de winkels van petit St Thomas. 'Canezou' met mouwen uit de winkels van Fonbonne B. Op het hoofd een luifelhoed van Vaulout. Schrijfveer in de hand. Zij geeft een brief aan een vrouw gekleed in een japon van wollen mousseline met een schort van 'percale'. Op het hoofd een muts. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, Parijs, 1797-1839.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1900
Materials: copper, gold alloy, gold, iron
Culture: japanese
Location: japan
Four Designs for the Decoration of Firearms
Object type: drawing
Date: 1797 – 1805
Materials: ink, paper, pencil
Techniques: wash
Culture: french
Location: france
Artist: nicolas noël boutet
Artist role: designer
Artist nationality: french
Artist dates: 1761 – 1833
Subjects: ornament
Pan foiled by Diana
Object type: print
Date: 1675 – 1741
Techniques: engraving
Artist: giovanni girolamo frezza
Artist role: artist
Artist nationality: italian
Artist dates: 1671 – 1753
Subjects: diana,satyrs,goats
Teapot (part of a service)
Object type: teapot part of a service
Date: 1805 – 1805
Materials: ivory, silver
Artist: digby scott
Artist role: maker
Artist nationality: british
Artist dates: 1780 – 1880
Vrouw staat met een gebroken kan bij een waterput
Object type: print
Date: 1635 – 1715
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: well, proverbs, sayings, etc., container of ceramics: jar, jug, pot, vase, dog
Inscriptions: stamp, collector's mark: Lugt 1641

Veel versies van dit embleem verschenen in verschillende uitgave van Spiegel van den Ouden ende Nieuwen Tydt. Zoals: Cats, Jacob. Spiegel van den Ouden ende Nieuwen-tijt, Bestaende uyt Spreeck-woorden (...). Dordrecht: Jacob Braat, 1647. Maar ook in andere publicaties (1665, 1671, 1715, 1722).
Dish with the Arms of the Anti-Gallican Society
Object type: dish
Date: 1760 – 1780
Materials: stoneware
Techniques: salt glaze, transfer
Subjects: eagles,lions,coat of arms

The Arms that decorate this plate make it an interesting piece of British cultural history. The Anti-Gallican Society was founded in ca. 1745 to discourage the importation of French goods—and French culture—into England. The Arms of the Society were adapted from the Society’s Badge, first produced in enamel at York House in Battersea. Ceramics decorated with the Arms of the Anti-Gallican Society are relatively rare. There is an elegance to the way the Arms have been incorporated into overall design of the plate. The salt-glazed surface was not initially well-suited for transfer-printed decoration, but after the technique was developed for porcelain in the late 1750s, it was soon adapted for Staffordshire stoneware. This plate shows a successful application of that technology, as well as offering testimony of British patriotism in the eighteenth century. [Elizabeth Sullivan, 2014]
Franciscus Guilielmus
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Artist: matthäus merian (i)
Artist role: print maker
Artist dates: 1593 – 1650
Subjects: priest, archbishop, bishop, etc. (roman catholic), historical persons

Prent gebruikt in: Schleder, Johann Georg. Theatri Europaei Sechster und letzter Theil (...). Frankfurt am Main: Erven Mattheüs Merian, 1652.
Design for Dog Cart or 2 Wheeler, no. 4013
Object type: drawing
Date: 1888 – 1888
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Toneeldecors van de nieuwe Amsterdamse Schouwburg, 1787-1794
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre, theatrical performance, stage design
Inscriptions: collector's mark: Lugt 2228

Toneelvoorstelling in de nieuwe Amsterdamse Schouwburg met het coulissendecor De Straat van Londen, met scène uit Beverly. Het decor gedrukt van een aparte plaat binnen een vernieuwde passe-partout met de zaal, zijloges, pilaren met standbeelden en de façade van het toneel. In het onderschrift een zesregelig vers. Onderdeel van de serie van veertien toneeldecors van de nieuwe Amsterdamse Schouwburg, 1787-1794.
Fontein van Enceladus in de tuinen van Versailles
Object type: album leaf
Date: 1686 – 1686
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: garden fountain, french or architectonic garden; formal garden

De fontein van Enceladus in de tuinen van Versailles. In het midden van de fontein de sculptuur van de gigant Enceladus. Rond de fontein wandelaars. Rechtsonder het serienummer: B3. Prent maakt deel uit van een album.
Coastal Landscape
Object type: drawing
Date: 1512 – 1600
Materials: ink
Techniques: pen
Artist: gherardo cibo
Artist role: artist
Artist nationality: italian
Artist dates: 1512 – 1600
Subjects: human figures,animals,houses,landscapes,trees
Scarab of Amenemhat III
Object type: scarab, amenemhat iii
Date: 1859 – 1813
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs

This scarab is inscribed with the prenomen of pharaoh Amenemhat III (Dynasty 12, ca. 1859-1813 B.C.), Nimaatre.
Sauce Dish
Object type: sauce dish
Date: 1870 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: adams and company
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Clock ornament
Object type: clock ornament
Date: 1701 – 1800
Materials: gilt bronze
Subjects: eagles,flowers,leaves
Militaire exercities
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: nancy
Subjects: private soldier, military instruction, officer
Inscriptions: collector's mark: Lugt 240

Links een officier, van opzij gezien, die zijn aanvoerdersstaf recht voor zich uit houdt. In het midden een soldaat, van voren gezien, zonder wapen. Rechts een soldaat, van opzij gezien, leunend op een stok of staf. Deze prent is onderdeel van een serie van 12 (13 incl. titelprent) prenten met voorstellingen van militaire (wapen)exercities. Op de meeste van die prenten staan drie soldaten in verschillende houdingen met een bepaald wapen of instrument.
Aanval bij Ouderkerk aan de Amstel, 1787
Object type: history print
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching, hand coloring
Location: ouderkerk aan de amstel
Subjects: (military) attack
Inscriptions: collector's mark: Lugt 2228

Aanval bij de Bullewijk bij Ouderkerk aan de Amstel door de Pruisische troepen onder commando van generaal Friedrich Adolf von Kalckreuth, verdedigd door Amsterdamse schutters onder commando van kolonel George Hendrik de Wilde, 1 oktober 1787. Onderdeel van een groep van zeven prenten van de gevechten met de Pruissische troepen rond Amsterdam in 1787.
Stamboom van het huis Oranje Nassau Beginnende met Z.D.H. Willem den Oud (...)
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Subjects: family lineage, pedigree, genealogical tree or table, armorial bearing, heraldry, series of rulers
Inscriptions: annotation: ‘Den abonnés der N.R.Ct aangeboden bij het Huwelijk van Koningin Wilhelmina.’, collector's mark: Lugt 2228

Namen en wapens, waartussen en waaromheen oranjeboompjes.
Spécimen des nouvelles peintures murales de l'eglise de Notre-Dame, au Sablon
Object type: photograph
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: picture, painting
Terracotta fragment of an open shape
Object type: undetermined open shape
Date: 600 – 501
Materials: terracotta
Culture: greek, corinthian
Kammarmer in rood, blauw, groen en oranje
Object type: marbled paper
Date: 1900 – 2000
Materials: lacquer, paint, paper
Techniques: marbled paper
Artist: Anonymous
Portret van Johannes Cocceius
Object type: print
Date: 1669 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Villa in een landschap
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching
Location: london
Subjects: country-house, london
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: European Magazine, 1801.
Costume for Bugaku Court Dance
From the Spring Rain Collection (Harusame shū), vol. 1
Object type: print
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: cats,tables

Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and images. This album forms part of a set of three containing more than four hundred surimono. The prints are arranged on facing leaves according to themes or in a way that creates an attractive arrangement of designs, complementary in both color and shape. The printing techniques, pigments, and paper used for surimono were often the highest quality, and represent the epitome of late Edo-period woodblock printing.
Infantry, Hungarian, 1853, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Jug with stylized floral pendants
Object type: jug
Date: 1701 – 1715
Materials: earthenware, enamel
Techniques: painting, glazing
Artist: the "greek a" factory
Artist role: maker
Subjects: flowers

The Japanese Imari palette of red, dark blue, and gold has been used to enliven a traditional Chinese blue-and-white pattern of the late seventeenth century.
Self-Portrait in a Fur Cap: Bust
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,self-portraits
K.K. Museum
Object type: photograph
Date: 1889 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vienna
Subjects: permanent exhibition, museum, exterior ~ representation of a building
Inscriptions: number: ‘571.’
Vier zwarte mannen zittend rond een kookpot in Zuid-Afrika
Object type: photograph
Date: 1890 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: south africa
Artist: Anonymous
Subjects: africans, kitchen-utensils: pot

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Duinweg
Object type: drawing
Date: 1821 – 1891
Materials: cardboard, oil
Techniques: brush
Artist: guillaume anne van der brugghen
Artist role: draughtsman, print maker
Artist dates: 1812 – 1891
Subjects: dunes (sea not visible); in the dunes
Begrafenis van keizer Ferdinand II
Object type: ornament print
Date: 1637 – 1637
Materials: paper
Techniques: etching
Location: italy
Subjects: ferdinand ii (duits keizer), church (exterior), funerary ceremonial, parts of church exterior and annexes: façade, public funeral
Inscriptions: collector's mark: Lugt 240

Façade van de San Lorenzo in Florence. De kerk is versierd ter ere van de begrafenis van keizer Ferdinand II. Op de gevel het wapen van keizer Ferdinand II. Voor de gevel staan vier beelden van skeletten, waarvan twee te paard. Op balkons boven de deuren staan muzikanten. Boven de centrale deur staat een engel. Titel in ondermarge.
De laatste woorden van een Patriot. / "Adieu, canaux, canards, canaille!"
Object type: cartoon
Date: 1888 – 1888
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: amsterdam, physician, doctor, taking leave, political caricatures and satires

Dokter Johann Georg Mezger vertrekt in 1888 van Amsterdam naar Wiesbaden. Achter hem worden karren vol goud en zilver, dat hij met zijn dokterspraktijken heeft verdiend, richting het station gebracht.
Landschap met groep dansende en pratende mensen
Object type: print
Date: 1650 – 1695
Materials: paper
Techniques: engraving, etching
Location: france
Artist: lodewijk xiv (koning van frankrijk)
Artist role: koning
Artist dates: 1638 – 1715
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Plaque (Mugiuolo)
Object type: plaque
Date: 1520 – 1535
Materials: earthenware
Stoof, ovaal, met vijf gaten in de bovenzijde
Object type: miniature
Date: 1740 – 1760
Materials: wood
Location: amsterdam
Artist: Anonymous

Stoof van mahoniehout, ovaal, met in de bovenzijde vijf gaten.
Portret van Omer Talon
Object type: print
Date: 1640 – 1650
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Baron Taylor
Object type: photomechanical print
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Subjects: brussels, paris, politician, isidore justin séverin baron taylor, adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine, 126, boulevard de Magenta.’
Plate 2: At top, the head of a young man, frontal view, at bottom, four eyes, from "The Book for Learning to Draw" (Livre pour apprendre à dessiner)
Object type: print
Date: 1649 – 1649
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,portraits
Actor's dressing table, from "A Picture Book of Stage Fans (Ehon butai ogi)"
Object type: print
Date: 1770 – 1770
Techniques: woodblock print
Location: japan
Artist: ippitsusai buncho
Artist nationality: japanese
Artist dates: 1755 – 1790
Maastricht
Object type: photomechanical print
Date: 1905 – 1927
Materials: cardboard
Techniques: photograph
Location: maastricht
Artist: Anonymous
Subjects: castle, mountains
Christus opstanding
Object type: print
Date: 1711 – 1720
Materials: paper
Techniques: engraving
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: christ stepping out of the tomb
Inscriptions: inscription: ‘Utrechts Fundatie huys’

gemaakt voor: Figures de la Bible, Amsterdam, B. Picart, 1720. ook gebruikt voor: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament, en andere boeken, bij de Heilige Schrift gevoegt. Den Haag: Pieter de Hondt, 1728.
Dans rond een beeld
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Location: france
Subjects: ritual music and dancing ~ non-christian religions
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een groep nimfen danst in een kring om het beeld van een rund op een sokkel. Linksvoor speelt een nimf op een schalmei.
Bemanningslid leunt tegen een sloep
Object type: sketchbook leaf
Materials: pencil
Location: novaya zemlya
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: rowing-boat, canoe, etc., adult man (+ leaning)
Inscriptions: annotation: ‘op hondewacht Brikker bij de sloep’

Mogelijk Brikker genaamd. Hij staat op hondenwacht. Blad 17 verso uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Gezicht op het Île Rousseau te Genève
Object type: photomechanical print
Date: 1890 – 1920
Materials: paper, photographic process
Location: geneva
Artist: Anonymous
Subjects: island, city-view in general; 'veduta'
Evening dress
Object type: evening dress
Date: 1809 – 1810
Materials: cotton
Culture: american

Fine Indian muslin used in the Empire period was manufactured and embroidered in India and exported to Europe and America. The finest and most sheer cottons were coveted because for these qualities. The embroidery on this dress is beautifully configured within the lines of the gown, most notably the way the lattice pattern is completed over the seam at front and the leaf pattern appears at intervals. The Empire silhouette is readily identified with its origins in the chiton of ancient Greco-Romans, which was a tubular garment draped from the shoulders and sometimes belted beneath the bust. Several re-interpretations have occurred throughout costume history but none have been as notable as the period bridging the rectangular panierred skirts of the 18th century and the conical hoop skirts of the 19th century. The neoclassic style was adopted in all forms of decoration after the French Revolution and was upheld during the Napoleonic Wars partly due to Napoleon Bonaparte's (1769-1821) alliance with Greco-Roman principles. In fashion, the style began as children's wear made from fine white cotton, but was adopted by women in the form of a tubular dress with skirts that were gathered under the bust with some fullness over a pad at the back. As the style progressed the skirts began to flatten at the front and solely gather from the bodice at the center back. The style persisted until the 1820s when the waist slowly lowered and the skirts became more bell shaped.
Saint-Germain-en-Laye. Le Château, le grand Escalier central
Object type: photomechanical print
Date: 1903 – 1918
Materials: cardboard
Techniques: photograph
Location: saint-germain-en-laye
Artist: Anonymous
Subjects: castle, staircase, interior ~ representation of a building
Portret van Marie-Jeanne Roland de la Platière
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: engraving
Artist: ludwig gottlieb portman
Artist role: print maker
Artist dates: 1772 – 1828
Subjects: paris, adult woman, historical persons

Andere staat (met tekst, zonder 'proefdruk') van prent gebruikt in: Tafereelen van de staatsomwenteling in Frankrijk. Amsterdam: Johannes Allart, 1804, dl. 18, p. 32.
Gekalligrafeerd alfabet
Object type: ornament print
Date: 1680 – 1701
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: calligraphy
Inscriptions: collector's mark: Lugt 2228
Landschap te Bergen, bij Alkmaar.
Object type: sketchbook leaf
Date: 1882 – 1882
Materials: paper, pencil
Location: bergen
Artist: george washington schwartze
Artist role: draughtsman
Artist dates: 1857 – 1909
Subjects: low hill country, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: title: ‘Landschap te Bergen, bij Alkmaar.’, signature and date: ‘G.W.Schwartze. 1882.’

Overhangende boom aan een waterkant met op de achtergrond een heuvelachtig landschap. Tekening in een kader. Blad 11 recto uit een schetsboek met 54 bladen.