deem-data/ArtiFact huggingface dataset:
Altaar opgericht door de predikheren, 1685
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: gaspar bouttats
Artist role: print maker
Artist dates: 1640 – 1695
Subjects: other decorative structures (~ triumphal entry, etc.), antwerp

Gebruikt als illustratie in: Hondert-jaerigh jubile-vreught bewesen in dese stadt Antwerpen ter oorsaecke vande herstellinge des geloofs in't jaer 1585. door de glorieuse waepenen van sijne catholijcke majesteyt, onder t'beleyt van ... Alexander Farnesius ... / Ghemaeckt ende by-een vergadert door ... Petrus Franciscus de Smidt, Hieronymus Verdussen den jonghere, Antwerpen 1685.
Button or Bead
Object type: button or bead
Date: 801 – 1000
Materials: bone, paint
Techniques: incising, inlay
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Allegory of God's Creation, Haarlem, Time and Diligence
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: illustration ~ printed matter, book, carefulness, diligence; 'diligenza' (ripa), device (as symbol of the state, etc.), father time, man with wings and scythe, haarlem
Inscriptions: collector's mark: 2228, title: ‘HAERLEM VICIT VIM VICTUS’, signature and address: ‘CIVisscher fect. et. excudebat.’ Lugt

In het midden het wapen van Haarlem, bekroond met een lauwerkrans en boomtakken. Achter het wapen een schip en de tekst HAERLEM. Onder het wapen: VICIT VIM VIRTUS. In het midden vier regelige titel: Villarum varias facies...vicinia praebet. Links zit Naarstigheid of Diligentia met een open boek op schoot en staf in de hand. Rechts staat Tempus als gevleugelde oude man met zeis en zandloper Met bijschriften NEER=STICHEYT en DE TYDT. Vier regelige Nederlandse titel onderaan: Plaisante Plaetsen hier...sonder lag te peijse.
Coat
Object type: coat
Date: 1863 – 1863
Materials: fur, wool
Culture: british
Kan met polychroom gestileerd bloempatroon
Object type: ewer
Date: 1910 – 1910
Materials: earthenware
Techniques: painted, vitrification
Location: arnhem
Inscriptions: mark: ‘haan in veelhoek; getal 67.’, monogram: ‘JZ’

Kan van bruin aardewerk, afgeplat bolvormig lichaam met cilindervormige lange hals met tuit en oor tussen mondrand en schouder. Beschilderd in groen, geel, turkoois, blauw, zwart en wit, met een gestileerd bloempatroon.
Maanden van het jaar
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months', adult woman (+ kneeling), adult man (+ standing), orchard, adult man (+ kneeling)
Inscriptions: collector's mark: Lugt 2228
Sample
Object type: sample
Date: 1801 – 1833
Materials: silk
Maisons, XVIIe Siècle
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: photograph, photolithography
Location: bruges
Subjects: civic architecture; edifices; dwellings, bruges
Inscriptions: inscription: ‘MAISON construite à (...)’, monogram: ‘JJvY’, inscription: ‘LITT. M. - PL. 40’
Portret van Nicolaas Wigger als minderbroeder
Object type: print
Date: 1628 – 1655
Materials: paper
Techniques: engraving
Artist: pieter fransz de grebber
Artist role: painter, print maker
Artist dates: 1600 – 1653
Subjects: priest, monks and nuns
Inscriptions: collector's mark: Lugt 2228a, inscription: ‘moeilijk leesbaar’

Portret van Nicolaas Wigger als minderbroeder op medaillon met randschrift en een cartouche met een motto onder het portret. Volgens het opschrift sloot hij zich op 8 april 1628 aan bij de orde van de minderbroeders in het Sint Jacobsgodshuis te Haarlem.
Auti te pape (Women at the River) from the Noa Noa Suite
Object type: print
Materials: paper, ink, ivory
Techniques: woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Monogrammed lower left, in image: "P G O"; inscribed lower left, in margin, in graphite: "Paul Gauguin fait"; lower right, in margin, in graphite: "Pola Gauguin imp."
s'Lands Magazijn te Harlingen
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: city-view, and landscape with man-made constructions, pier, quay, wharf, harlingen

Afgebeeld is niet de havenpoort van Franeker, zoals in de titel vermeld, maar die van Harlingen.

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Head of Christ
Object type: drawing and watercolor
Date: 1655 – 1655
Materials: chalk, paper
Location: italy
Artist: giovanni andrea sirani
Artist nationality: italian
Artist dates: 1610 – 1670
Principes van het tekenen naar de natuur, deel drie
Object type: print
Date: 1784 – 1796
Materials: paper
Techniques: printmaking, etching
Location: paris
Subjects: drawing, sketch, child, head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Executies en oproer op de Dam, 1748
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan smit (ii)
Artist role: print maker
Subjects: anti-riot measures, violent death by hanging, street-fights, riots
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Dam met het stadhuis, de Nieuwe Kerk, de Waag en het Damrak, met het schieten door de burgerwacht in de rijen van de opdringende toeschouwers op de Dam, 28 juni 1748. Aan de Waag hangen de lichamen van de terechtgestelde man en een vrouw (Piet van Dort en de citroen- en gedroogde scholverkoopster Mat van den Nieuwendijk) wegens hun rol in het Pachtersoproer. Zonder het onderschrift.
Delen van degenscheden
Object type: print
Materials: paper
Techniques: etching
Location: amsterdam
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: ornaments ~ art, foliage ~ ornament, hacking and thrusting weapons: sword (+ variant), ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760, monogram: ‘MB (M boven B)’, collector's mark: Lugt 2228

Twee decoratieve randen voor mondblikken boven elkaar en twee kleine vlakdecoraties met gebladerde ranken.
Portret van Johannes Christiaan Janson
Object type: drawing
Date: 1780 – 1820
Materials: chalk, paper
Artist: nicolaas van der worm
Artist role: draughtsman, print maker
Artist dates: 1757 – 1828
Subjects: leiden, the hague, painter, print maker, draughtsman, johannes christiaan janson, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, graphic artist, portrait, self-portrait of draughtsman
Gezicht op het monument voor de Montgenèvrepas bij Montgenèvre
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: montgenèvre
Artist: j.g. beers
Artist role: fotograaf
Subjects: monument, statue
Inscriptions: number: ‘26771’, number: ‘1283’
Lorient. Vue de l'éntrée du port Marchand
Object type: print
Date: 1863 – 1864
Materials: paper
Techniques: tone lithography
Location: rouen
Subjects: harbour, ships (in general) - cc - more than one ship, pier, quay, wharf
Inscriptions: collector's mark: Lugt 2228
Stamp seal
Object type: stamp seal
Date: 2333 – 1668
Materials: lapis lazuli
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Subjects: flowers
Portret van Marie Thérèse Charlotte van Frankrijk
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: vienna, marie thérèse charlotte van frankrijk, historical persons
Inscriptions: collector's mark: Lugt 2228a
Self-Portrait
Object type: drawing
Materials: chalk, graphite, paper
Techniques: heightening
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: men,self-portraits

Degas portrayed his aloof, slightly pouty, patrician features a number of times in the course of his career, particularly as a young man. This early example, executed when the artist was little more than twenty-years old, served as the model for a self-portrait etching he made in 1857, which reproduces the image in reverse. Both the pose and expression seen here relate closely to two nearly contemporaneous painted self-portraits by Degas. The shadowy contrast of light and dark may reflect his interest, at this particular moment of his career, in the work of Rembrandt.
Dish
Object type: dish
Date: 1830 – 1835
Materials: glass
Culture: american
Location: united states
Plan de la ville d'Erford, captiale de la Thuringe, avec ses deux citadelles (...)
Object type: area plan
Date: 1758 – 1758
Materials: paper
Techniques: etching, letterpress printing
Location: the hague
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities
Inscriptions: collector's mark: Lugt 2228

Linksonder een wapen van Erfurt. Met Franse tekst in boekdruk op recto.
Fox Terrier, from the Dogs of the World series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: dogs

The "Dogs of the World" series of trading cards (N163) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The series of 50 cards depicts dogs of various breeds. The Metropolitan Museum of Art owns 23 of the series' 50 cards.
Dress
Object type: dress
Date: 1882 – 1886
Materials: silk
Culture: american
Artist: m. a. connelly
Artist role: designer
Artist nationality: american, born ireland
Artist dates: 1834 – 1899

By the 1880s, an American dress such as this one gave obvious clues of eighteenth-century revival: the polonaise at the back and lace garnissements. Antithetically, Victorian America did not wholly yield to the rococo, and a dour brown velvet and high neckline bespeak a much more reserved and bourgeois culture. The dressmaker's label is "M. A. Connelly, 7 East 16th Street, New York."
Mules
Object type: mule
Date: 1601 – 1625
Materials: leather, linen, silk
Culture: british

By the sixteenth century, embroidery had become a highly developed art form in England and on the Continent. The proliferation of printed materials, particularly books of embroidery designs, supplied a wealth of motifs for both the amateur and professional embroiderer. The superb workmanship found on this pair of early-seventeenth-century mules suggests professional design and manufacture.
Novissima Delflandiae, Schielandiae et circumiacentium insularum ut Voornae, Overflackeae, Goereae, Iselmondae, aliarumque tabula
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions

Kaart van Delfland, Schieland en de Zuid-Hollandse eilanden (onder andere Voorne, Overflakkee, Goeree en IJsselmonde). Linksonder de titelcartouche. Rechts daarvan een schaalstok zonder maat. Oriëntatie: noorden rechts. Op verso Latijnse tekst.
Stier en een kalf
Object type: print
Date: 1809 – 1841
Materials: paper, pencil
Techniques: lithograph
Location: amsterdam
Subjects: cow, calf
Inscriptions: signature: ‘A vd Velde del’, signature: ‘Joh Bemme Az Fec’, collector's mark: Lugt 2228

De stier ligt op de grond, het kalf staat ernaast.
Design for 2 seat Parasol Top Phaeton, no top, no. 3936
Object type: drawing
Date: 1885 – 1885
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Sheet with an overall geometric pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
The Coal Wagon, plate 7 from Various Subjects Drawn from Life and on Stone (The English Suite)
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Lady in Open Window with Bird Cage
Object type: photograph
Techniques: paper negative, salted paper print
Artist: calvert richard jones
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1802 – 1877
Subjects: windows,portraits,women
Kustlijn bij Studland
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: drypoint, etching
Location: studland
Subjects: dunes (sea not visible); in the dunes, beach
Inscriptions: annotation: ‘Martin Hardie’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Palen waarover vissersnetten werden opgehangen vooraan.
Teapot stand with a crucifixion scene
Object type: pattipan
Date: 1780 – 1780
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Pattipan van porselein met zeslobbige wand, beschilderd op het glazuur in zwart en goud. Op het plat een voorstelling van de Kruisiging met de twee Maria's; op de binnenrand een band met een decoratief patroon. Onderzijde ongeglazuurd. Onderdeel van een theeservies. Europese voorstelling in encre de Chine.
Untitled (Fern Study), c. 1850, from the Hatton Fern Album
Object type: photograph
Date: 1850 – 1850
Techniques: cyanotype
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Schotel, geelgelakt
Object type: platter
Date: 1750 – 1800
Materials: alabaster
Techniques: lacquer
Location: germany
Artist: Anonymous
Hamon
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: painter, jean-louis hamon, adult man, historical persons
Symbola Divina et Humana Pontificum Imperatorum Regum
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: vienna, prague, rudolf ii van habsburg (duits keizer), earl, bull, horn, trumpet, cornet, trombone, tuba, fowl (cock, hen, chicken, etc.)

Pagina uit Jacob Typotius, Symbola Divina & Humana Pontificum Imperatorum Regum. Arnhem, J.F. Hagen, 1666 of uit de titeluitgave van 1669 of 1679. Het werk van Typotius werd voor het eerst uitgegeven in 1601 met prenten van Aegidius Sadeler.
Etsproces verduidelijkt in vier landschappen
Object type: print
Date: 1750 – 1778
Materials: paper
Techniques: etching
Location: augsburg
Subjects: prospect of village, silhouette of village
Inscriptions: collector's mark: Lugt 2228

Het creatieve proces van de etser verduidelijkt in vier landschappen. Links twee landschappen voor opwerking en arcering. Rechts dezelfde landschappen, maar ditmaal uitgewerkt. Midden onder genummerd: 9.
Sportsman's Hall, or Fox-Hunters Relaxing
Object type: print
Date: 1812 – 1812
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dogs,drinking
Plate 17: street musicians and dancing figures, from the series of customs and pastimes of the Spanish people
Object type: print
Date: 1850 – 1850
Techniques: etching
Artist: francisco lameyer y berenguer
Artist role: artist
Artist nationality: spanish
Artist dates: 1825 – 1877
Subjects: streets,men,women,dancing,musicians
Mountain Valley with Fenced Fields
Object type: print
Date: 1625 – 1630
Materials: oil, paper
Techniques: brush, drypoint, etching, hand coloring, intaglio
Location: amsterdam
Artist: hercules segers
Artist role: draughtsman, painter, print maker
Artist dates: 1589 – 1640
Subjects: low hill country, balustrade, farm or solitary house in landscape

Heuvelig landschap met omheinde velden, rechts een houten balustrade.
Harlequin and the Quack Doctor
Object type: group
Date: 1745 – 1745
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,doctors
Village Cart #3629
Object type: drawing
Date: 1880 – 1880
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Veduta della Fontana di Trevi
Object type: book illustration
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: rome
Subjects: square, place, circus, etc., city-view in general; 'veduta', church (exterior), ornamental fountain
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Barbault, Jean. Les plus beaux édifices de Rome moderne publiés par Jean Barbault peintre (...). Rome: Bouchard et Gravier, 1763.
"Zulaikha Seizing the Skirt of Joseph's Robe", Folio of a Yusuf and Zulaykha of Jami
Object type: folio from an illustrated manuscript
Date: 1523 – 1524
Materials: gold, ink, paper, watercolor
Location: uzbekistan
Artist: maulana nur al-din `abd al-rahman jami
Artist role: author
Artist nationality: iranian
Artist dates: 1414 – 1492