deem-data/ArtiFact huggingface dataset:
Design for a Mantle Clock
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: musical instruments,women,clocks
Portret van Gerard Conrad Bernard Suringar
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: leiden
Artist: johann peter berghaus
Artist role: print maker, printer
Artist dates: 1810 – 1870
Subjects: leiden, historical persons, book
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een toga en heeft een boek in zijn rechterhand. Onder het portret zijn signatuur.
Portret van Julius Ayssonius Husinga
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: julius ayssonius husinga
Inscriptions: collector's mark: Lugt 240

Portret van Julius Ayssonius Husinga, predikant te Lexmond, op 74-jarige leeftijd.
Hototogisu
Object type: magazine
Materials: paper
Techniques: letterpress printing, lithograph
Location: japan
Inscriptions: date

Nummer 13 van jaargang 14 (augustus 1911) van het literaire maandblad Hototogisu: oranjebruine kaft met sakefles waarop afbeelding van blauwe duivel met penseel; achterkant, personen op rivieroever.
Hercules met de aardbol op zijn hoofd
Object type: ornament print
Date: 1528 – 1583
Materials: paper
Techniques: engraving
Location: france
Inscriptions: inscription: ‘PRIVILEGIO’
Sherd
Object type: sherd
Date: 1300 – 1101
Materials: ceramic, glaze
Location: syria
Horloge van zilver
Object type: jewellery
Date: 1870 – 1870
Materials: silver
Techniques: engine turning
Location: switzerland
Artist: Anonymous

Horloge van zilver, met duplexgang en witgeëmailleerde wijzerplaat. De achter- en voorbodem zijn geguillocheerd.
Brunnen
Object type: photomechanical print
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: photograph
Location: treib
Artist: Anonymous
Subjects: city-view in general; 'veduta', lake, mountains
Inscriptions: inscription: ‘70. Brunnen’, number: ‘9’

Deze fotomechanische afdruk maakt deel uit van een omslag.
Charioteer
Object type: statuette of a female from a ring dance
Date: 400 – 301
Materials: terracotta
Culture: cypriot
Subjects: men

The handmade solid figurine is from a chariot group. The face is mold-made. The standing figure is preserved to the hem of his Greek charioteer's long chiton.
Koot-jongen
Object type: print
Date: 1731 – 1732
Materials: paper
Techniques: woodcut
Location: haarlem
Subjects: caricatures (human types)

Koddige figuur, in het onderschrift in de overzichtsprent draagt deze figuur de naam: Koot-jongen. Onderdeel van het boekje: XXXVI. aartige figuuren, geinventeert door Izaak van Ostade tot Haarlem [1731-1732].
Solitudo Sive Vitae Patrum Eremicolarum
Object type: print
Date: 1583 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: anchorite, hermit, male saints (with name)
Inscriptions: collector's mark: Lugt 2228

De H. Abraham als kluizenaar in een hutje. Hij leest uit een bijbel en heeft een rozenkrans vast. Achter hem zijn nicht, de H. Maria van Edessa. Op de achtergrond wandelt een monnik.
Ruwine der abdye van Rynsburg 1630
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 77.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Portret van Constantin von Alvensleben
Object type: book illustration
Date: 1870 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: berlin, historical persons
Inscriptions: collector's mark: ‘JVB’
Gustave Doré, calling card
Object type: print, calling card
Date: 1849 – 1883
Techniques: engraving
Artist: Anonymous
Artist role: artist

F. C. Schang donated 64 artists’ calling cards to The Met between 1977 and 1989. The calling cards are housed in an album that also includes Schang’s collection of stamps and other related ephemera. Calling cards derived from a custom, originating in England, in which messages were inscribed on the backs of playing cards. Cards made for the express purpose of sharing hand-written messages were manufactured beginning in the eighteenth century; by the early-nineteenth century, calling cards had become a popular means for sending well wishes, holiday greetings, condolences, and messages of courtship. The black border on this calling card indicates that Doré was in mourning.
Oude vrouw snijdt een plak brood af
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: old woman, slicing bread
Inscriptions: annotation: ‘Imp. Van Campenhout’

Sterfdatum kunstenaar onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
Carpet
Object type: textile
Date: 1880 – 1890
Materials: textile, wool
Techniques: weave
Location: united states
Frontal and Profile Studies of a Lion's Head
Object type: drawing
Date: 1816 – 1879
Materials: graphite, paper
Culture: american
Artist: william rimmer
Artist role: artist
Artist nationality: american, born england
Artist dates: 1816 – 1879
Subjects: lions
Boomlandschap met een waterput
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: well, trees, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., flute, aulos, tibia - cc - out of doors

Zittende fluitspelende herder bij een kudde in een landschap. Naast hem een tweede figuur. Voor een bomenrij een waterput. Tweede prent van deel vijf van een serie van in totaal zestig prenten met landschappen, verdeeld over vijf delen van elk twaalf prenten.
Timpanen van het Sint-Janshospitaal te Brugge
Object type: photomechanical print
Date: 1876 – 1881
Materials: paper
Techniques: photograph, photolithography
Location: bruges
Subjects: parts of church exterior and annexes: tympanum
Inscriptions: inscription: ‘LITT. T. - PL. 8.’, monogram: ‘JJvY’, inscription: ‘TYMPANS exécutés vers (...)’
Armstoel
Object type: design drawing
Date: 1830 – 1850
Materials: graphite, paper
Location: paris
Love (Valentine)
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: ink, paper, watercolor
Techniques: collage, cutting, embossing, pen
Location: england
Artist: george kershaw
Artist nationality: english
Artist dates: 1800 – 1899
Twee foto's van kinderen op straat en een laan met bomen
Object type: album leaf
Date: 1895 – 1910
Materials: paper
Techniques: collodion silver print
Artist: Anonymous
Subjects: infant, baby ~ the ages of man, public road, child between toddler and youth (of undetermined sex)

Deze foto's maken deel uit van een album.
British, Ioway, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N2), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Fotoreproductie van een geschilderd portret van Pierre Corneille
Object type: carte de visite
Date: 1879 – 1879
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Subjects: pierre corneille, historical persons, portrait of a writer, picture, painting
Inscriptions: inscription: ‘Gesetzlich geschützt.’, inscription: ‘Corneille’
Justice Welch
Object type: print
Date: 1794 – 1794
Techniques: etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: men,portraits
An allegory with Innocent X who is seated on horsback on the right, figures represting Rome in the lowe left
Object type: print
Date: 1645 – 1655
Techniques: etching
Artist: françois collignon
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1687
Wandelstok van bamboe met twaalfzijdige zilveren knop met op bovenzijde de H. Christoffel met Kind Jezus op de arm
Object type: walking stick
Date: 1775 – 1800
Materials: copper, metal, rattan, silver
Techniques: cutting, forging
Location: europe
Artist: Anonymous
Inscriptions: mark

Rottan wandelstok met zilveren knop. De zilveren knop is twaalfzijdig, voorzien van drie bloemfestoenen verbonden door strikken, terwijl op het bovenvlak met reliëf voorstellende een heilige met het Christuskind gedreven is. De punt van den stok is van koper. Een gevlochten metalen koord met twee kwasten, is bevestigd onder den knop. Merken op den knop: 13 en lopende leeuw.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Part of the rail of a chariot?; lower drapery and feet of a figure
Biddende vrouw
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: adolescent, young woman, maiden, one person praying
Inscriptions: copyright notice: ‘Copyright.’
Funerary Cone of the Chief of the Merchants Tjay
Object type: cone, tjay, oval impression, chief of the merchant
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Zes reproducties van tekeningen van een voetbalwedstrijd in Engeland
Object type: photomechanical print
Date: 1905 – 1906
Materials: cardboard, paper
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: soccer, football (early names: soule, choule, cholle)
Inscriptions: inscription: ‘Serie 4.’

Dergelijke prenten stonden bekend als 'zwartjes'. Men verkreeg ze bij aanschaf van bepaalde merken thee, cacao, sigaretten, beschuit, etc. om te verzamelen. Er waren speciaal voor de 'zwartjes' vervaardigde verzamelalbums in omloop.
Design for a Title Page
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, incising, pen, transfer, wash
Artist: anonymous, german, 18th century
Artist role: artist
Artist nationality: german
Artist dates: 1700 – 1800
Subjects: women,coat of arms
Portret van Magnus Gottfried Lichtwer (I)
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: engraving, etching
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: ornament ~ medallion, historical persons, wig
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent waarschijnlijk uit: Deutsche Acta Eruditorum (...). Leipzig: Johann Gottlieb Gleditsch, 1719, dl. 62.
Sortie of the Roman garrison..., from Souvenirs d’Italie: Expédition de Rome
Object type: print
Date: 1854 – 1854
Materials: chine, paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Covered Urn
Object type: glass
Date: 1810 – 1830
Materials: glass
Location: england
Libation jar with with lid
Object type: libation jar with lid
Date: 1887 – 1750
Materials: stone
Location: egypt
Vechtende mannen
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: jacobus harrewijn
Artist role: print maker
Artist dates: 1660 – 1740
Subjects: feeling (one of the five senses), fighting
Inscriptions: collector's mark: Lugt 2228

Het Gevoel. Twee mannen zijn met elkaar in gevecht. De prent maakt deel uit van een serie van vijf prenten met de vijf zintuigen.
Design for Canopy Top Phaeton, no. 3859
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragment from a closed shape
Date: 450 – 401
Materials: terracotta
Culture: greek, attic

Part of an egg pattern (glaze worn); below, unidentified object
Boslandschap
Object type: photograph
Date: 1903 – 1913
Materials: photographic support
Techniques: photography
Location: north sumatra
Artist: Anonymous
Subjects: arnhem, the hague, albertus dominicus laman trip, truck, van

Na de expedities naar de Gajo- en Alaslanden o.l.v. Van Daalen (eerste tocht in 1901), werd hij in 1903 belast met voorbereiding van permanente vestiging van Nederlands gezag. Aanleg van een weg van de Noordkust naar het binnenland was hierbij van groot belang. Deze zgn. Gajoweg werd aangelegd tussen 1903 en 1914, van Bireuen aan de kust naar Takinguen aan het bergmeer Danau Lauttawar, totale lente 104 km.
Fotoreproductie van de gravure Les bulles de savon door Hieronymus Wierix
Object type: page
Date: 1855 – 1860
Materials: paper
Techniques: albumen print
Artist: edmond fierlants
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: bubble-blowing (children's games and plays), workshop-interior
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, rear of crouching lion, with part of tail
Église Saint-Béat te Épône
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Location: épone
Artist: gerrit postma
Artist role: draughtsman
Artist dates: 1819 – 1894
Subjects: church (exterior)
Inscriptions: annotation: ‘Eglise d'Epone’

Blad 12 recto uit een schetsboek met 52 bladen.
St. John the Baptist in the Desert
Object type: print
Date: 1513 – 1513
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: deserts,saint john the baptist
Goeschenen in dem Bahnhof
Object type: photomechanical print
Date: 1870 – 1930
Materials: cardboard, paper
Techniques: photograph
Location: göschenen
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘139.’
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, printing, writing
Location: brussels
Artist: alice holbach
Subjects: painter, draughtsman, philip zilcken
Inscriptions: monogram: ‘AH’, collector's mark: ‘RPK’
Pestle
Object type: pestle
Date: 0 – 0
Materials: stone
Culture: japanese
Portret van Joseph Knight
Object type: photomechanical print
Date: 1879 – 1884
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: inscription: ‘'I am nothing if not critical.'/ Othello’, signature: ‘Joseph Knight’
Dienstmeisje met brandende kaars
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: etching
Location: netherlands
Artist: pierre louis dubourcq
Artist role: draughtsman, painter, print maker
Artist dates: 1815 – 1873
Subjects: maid ~ house personnel, chandelier, candelabrum (+ kindling a light; lit, burning light, lamp, candle)
Inscriptions: collector's mark: Lugt 2228
Portret van Aeneas Mackay
Object type: print
Date: 1816 – 1876
Materials: paper
Techniques: tone lithography
Artist: Anonymous
Subjects: nijmegen, the hague, historical persons, physician, doctor (+ portrait of scholar, scientist), professor
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Left halves of ten kylix handles
Eisenhower inspecteert Nederlandse marine
Object type: photograph
Date: 1905 – 1951
Materials: photographic support
Techniques: photography
Location: hilversum
Subjects: nato
Inscriptions: date: ‘may 1951’, inscription: ‘GEN DWIGHT D EISENHOWER IS SHOWN INSPECTING DUTCH NAVAL PERSONNEL AT / HILVERSUM NAVAL TRAINING STATION HOLLAND, THIS IS IN CONNECTION WITH / THE NORTH ATLANTIC TREATY’, stamp: ‘SHAPE PHOTOGRAPH...’

Generaal Eisenhower met achter hem militairen van de zeemacht.Aan weerszijden staan matrozen in het gelid. Vermoedelijk is dit het bezoek dat Eisenhower als opperbevelhebber van de Nato bracht op 8/ 9 mei. Met bijbehorend blad met opschrift.
Christi Iesu vitae admirabiliumque actionum speculum a Philippo Gallaeo apparatum Bened. Ariae Montani singuloribus distichis instructum
Object type: titelprent, frontispice
Date: 1573 – 1573
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mirror, 'portraits' of christ
Inscriptions: watermark: ‘gotische letter P’

Onderdeel van een album met een titelprent en een serie van 50 prenten betreffende het leven en de passie van Christus.
Female Figurine
Object type: sculpture
Date: 800 – 1400
Materials: ceramic, pigment
Techniques: modeling, painting
Culture: huaxtec
Location: veracruz state
Subjects: people, female
Glamourportret vrouw met diverse juwelen
Object type: photograph
Date: 1925 – 1935
Materials: paper
Techniques: gelatin silver print
Location: munich
Artist: anton sahm
Artist role: fotograaf, fotostudio
Subjects: adult woman, putting on jewels - aa - (for) women, anonymous historical person portrayed
Inscriptions: signature: ‘A. Sahm/ Mchn.’, stamp: ‘Vervielfältigung nur mit Angabe/ "Anton Sahm, München"/ gestattet. Das Honorar gilt für die/ einmalige Veröffentlichung./ Copyright by Anton Sahm, München.’
Kraantje van chocoladekan van faience
Object type: chocolate pot
Date: 1775 – 1820
Materials: metal
Location: delft
Artist: Anonymous
Rooster, Umbrella, and Morning Glories
Object type: print
Date: 1830 – 1830
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: roosters,flowers

Nakeba koso wakere o oshime tori no ne no kikoenu sato no akatsuki kana When the cock crows it means we must part, where, at the crack of dawn, roosters cannot be heard! —Trans. John T. Carpenter
Stadsschouwburg aan het Leidseplein, Amsterdam
Object type: stereograph
Date: 1894 – 1910
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: theatre (building)
Inscriptions: inscription: ‘Stadsschouwburg/ Amsterdam’
Een toros. 25 Oct. 1882.
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: glauchau
Subjects: iceberg, landscapes in polar regions
Inscriptions: inscription: ‘De Nederlandsche Pool-Expeditie 1882-1883.’
Dorpsfeest
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: etching
Location: france
Subjects: public festivities, village square, place
Inscriptions: collector's mark, collector's mark: Lugt 1641

Dorpsfeest. Vóór het onderschrift en de titel '4me. Fête Flamande'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Boerenleven; prenten van bijzonder groot formaat.
Portret van een vrouw
Object type: album leaf
Date: 1850 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Location: lyon
Artist: victoire
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Victoire/ E S: Pierre No 22/ Etage/ Lyon’
Hebe
Object type: sculpture
Date: 1801 – 1806
Materials: wood
Techniques: painting
Culture: american
Location: united states
Artist: simeon skillin
Artist role: artist
Artist nationality: american
Artist dates: 1757 – 1806
Subjects: women

Probably intended as a garden sculpture, this figure was originally painted gray and red in imitation of marble. The piece bears a striking resemblance to Antonio Canova's marble "Hebe" of 1801, which was widely known through engravings.
Portret van Lorenz Muhrbeck
Object type: print
Date: 1769 – 1793
Materials: paper
Techniques: engraving
Location: sweden
Artist: jakob gillberg
Artist role: print maker
Artist dates: 1724 – 1793
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van Lorenz Muhrbeck, Zweeds magistraat, ten halven lijve in ovaal naar rechts.
Portret van Heinrich August Ottokar Reichard
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: engraving, etching
Location: gotha
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Litteratur- und Theater-Zeitung. Derde jaargang, vierde deel. Berlijn: Arnold Wever, 1780.
Salver
Object type: salver
Date: 1847 – 1847
Materials: silver
Subjects: flowers
Gezicht op de Onze-Lieve-Vrouwebasiliek te Maastricht
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 1641, collector's mark

Prent eerst gebruikt in: Spilman, Hendrik. Het verheerlykt Nederland, of kabinet van hedendaagsche gezigten. 9 dln. Amsterdam: Isaac Tirion, 1745-1774, dl. 2 (1746), ill. 127-128. Later in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (...). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 2, ill. 127-128.
Shabti of Isetemkheb (D), wife of Painedjem II
Object type: shabti, princess isetemkheb
Date: 988 – 966
Materials: faience
Location: egypt
Gezicht op de Binnen-Amstel
Object type: print
Date: 1668 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sluice, weir, sailing-ship, sailing-boat, city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘4B no 78’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel van Blauwbrug tot Hogesluis.
Tuinportaal met hekwerk, cartouche en vaas
Object type: ornament print
Date: 1699 – 1726
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: vase ~ ornament, fence, wall, paling, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228

Prent uit: Schübler, Johann Jakob. Weitere Eröffnung zur Gründlichen Säulen Ordnung von neu inventirten Garten Portalen (...). [Neurenberg]: Weigel, Johann Christoph, [voor 1726].