deem-data/ArtiFact huggingface dataset:
Ceramic Fragment
Object type: fragment
Date: 201 – 700
Materials: earthenware
Techniques: stamping
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Maison à Chartres.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: chartres
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: timber framing, staircase, shed, façade (of house or building)
Inscriptions: name: ‘MONUMENTS HISTORIQUES’, name: ‘MIEUSEMENT PHOTOGRAPHE’, name: ‘KUNSTBOEKHANDEL J. A. G. DE LEUR <BR />PHOTOGRAAF - UITGEVER<BR />Huigenspark, 40b.<BR />DEN HAAG’, number: ‘No. 493 bis.’, inscription: ‘X ki pl 1’, collector's mark: Lugt 3937
Stuiver met op Sint Maarten aangebrachte klop: St M op 2 sous uit Frans Guiana (Cayenne) van koning Lodewijk XVI, [1798]
Object type: coin
Date: 1798 – 1798
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: drie lelies, waarboven kroon. Keerzijde: waarde-aanduiding: 2 sous in twee regels, waaronder jaartal. Daaronder letter A [=Parijs]. Gladde rand. Met klop: St M. Ook genaamd: sou marqué, black dog.
Portret van Julius Gustav Alberti op 38-jarige leeftijd
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving
Subjects: bookshelves, theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Framed Design for an Architectural Interior: Coffered Ceiling with Central Hexagonal Cartouche and Walls with Floral Ornament and Drapery.
Object type: drawing
Date: 1774 – 1839
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: antonio basoli
Artist role: artist
Artist nationality: italian
Artist dates: 1774 – 1843
Subjects: architecture,interiors,ceilings
Tenement House, New York City, from the Habitations of Man series (N113) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: the giles company
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: new york city

Trade cards from the "Habitations of Man" series (N113), issued in a set of 25 cards in 1890 by W. Duke, Sons & Co., a branch of The American Tobacco Company, to promote Honest Long Cut Smoking and Chewing Tobacco.
Panel (Furnishing Fabric)
Object type: textile
Date: 1801 – 1900
Location: france
Gezicht op Pacoima Canyon
Object type: photograph
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: pacoima canyon
Artist: Anonymous
Subjects: ravine, chasm, abyss, canyon, mountains
Inscriptions: annotation: ‘Pacoima Canyon’
Een krijgstocht bij de Kabylen
Object type: popular print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 10 voorstellingen over fuselier Dumanet die een partij kisten moet bewaken. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 398.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1907 – 1907
Materials: cardboard, ink
Techniques: pen, writing
Location: baarn
Artist: karel johan lodewijk alberdingk thijm
Artist role: criticus, prozaschrijver
Artist dates: 1864 – 1952
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Arcadia
Object type: painting
Date: 1883 – 1883
Materials: canvas, oil
Culture: american
Artist: thomas eakins
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1916
Subjects: male nudes,female nudes,flutes

Like other academically trained American artists in the 1880s, Eakins explored classical themes but without the typical narrative contrivances and idealized models. Dating from the time of his appointment as director of the school of the Pennsylvania Academy of the Fine Arts, Eakins’s series of Arcadian works declared his commitment to the nude as the basis of art and art instruction. To execute this work, he projected photographic images with a magic lantern onto the canvas, and incised reference marks into the pigment to guide his brush. The female figure at left has been identified as Susan Macdowell, the artist’s future wife.
Hoofd van een paard, reclame voor Kahrel's Thee Groningen
Object type: photograph
Date: 1895 – 1910
Materials: paper
Techniques: gelatin silver print
Location: groningen
Artist: Anonymous
Subjects: horse

Dergelijke foto's stonden bekend als 'zwartjes'. Men verkreeg ze bij aanschaf van bepaalde merken thee, cacao, sigaretten, beschuit, etc. om te verzamelen. Er waren speciaal voor de 'zwartjes' verzamelalbums in omloop.
Gezichten in Kennemerland
Object type: print
Date: 1735 – 1742
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ruin of church, monastery, etc., landscape with ruins (+ city(-scape) with figures, staffage)

Prent uit: Leth, Hendrik de en Matthaeus Brouërius van Nidek. Het zegenpralend Kennemerland, vertoont in 100 heerelyke gezichten (...). Amsterdam: Jan Roman, [ca. 1735-1742].
Page from the Album of the Photographer: Tennis Court behind the Rijksmuseum, Amsterdam
Object type: photograph
Date: 1890 – 1894
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: tennis, lawn-tennis, amsterdam

Foto 1 op albumblad 26 uit album "Amsterdam 1890-1894".
Ontwerp voor een kan
Object type: design drawing
Date: 1550 – 1550
Materials: ink, paper
Techniques: brush, pen
Location: italy
Artist: Anonymous
Inscriptions: collector's mark: ‘ICR’ Lugt 1433, collector's mark: ‘SR/ IR’ Lugt 2364

Ontwerp voor een kan met twee maskers en een oor in de vorm van een slakkenkop.
Portret van Johann August Eberhard
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: mezzotint
Subjects: scholar, philosopher, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van keizer Frans I Stefan
Object type: print
Date: 1745 – 1800
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: frans i stefan (duits keizer), historical persons, emperor
Bottom of a vase
Object type: vase bottom
Date: 1662 – 1722
Materials: glaze, porcelain
Culture: chinese
Artist: chinese
Artist role: artist
De smaak
Object type: print
Date: 1670 – 1704
Materials: paper
Techniques: engraving
Location: haarlem
Artist: cornelis dusart
Artist role: draughtsman, painter, print maker
Artist dates: 1660 – 1704
Subjects: pancakes, taste, tasting (one of the five senses), theft
Inscriptions: collector's mark: Lugt 2228

Een pannenkoekenbakster zit voor haar tent en probeert een landloper, die een pannenkoek heeft gestolen, op zijn handen te slaan. Op de voorgrond een jongen die een pannenkoek eet. De prent maakt deel uit van een serie van vijf prenten met de vijf zintuigen.
Ein new Modelbuch..., page 2 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: ornament,vines

Published by Johann Schӧnsperger the Younger, Zwickau. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column is decorated with a pattern of horizontal hatch marks. Middle column is decorated with a series of curving vines of leaves and fruit that emanate from a grotesque head at the upper left corner. Right column is decorated with a curving white line.
Petit Courrier des Dames, 1827, No. 466 : Habit de cheval (...)
Object type: fashion print
Date: 1827 – 1827
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), riding a horse, ass, or mule; rider, horseman, neck-gear ~ clothing (+ men's clothes), coat (+ men's clothes), fashion plates, trousers, breeches, etc. (breeches) (+ men's clothes), two-wheeled vehicle drawn by one animal, boots (+ men's clothes), walking-stick, staff, cane (+ men's clothes)
Inscriptions: title: ‘Petit Courrier des Dames.’, address: ‘Boulevard des Italiens No.2 près le passage de l'Opera.’, title: ‘Modes de Paris.’, caption: ‘Costume de Long Champs. / Habit de cheval de forme carrée garni de boutons...(ontbreekt)...’

'Costume de Longchamps'. Rijkostuum. 'Habit de cheval' met vierkante panden en knopen. Vest van piqué met revers en dubbele rij knopen. Kniebroek van suéde. Tweekleurige laarzen of 'Bottes Anglaises en castor gris de Gérard'. Geknoopte halsdoek. Accessoires: hoge hoed met een smalle opstaande rand, handschoen, wandelstok. Op de achtergrond: ruiter te paard en een paar zittend in een rijtuig. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Figure
Object type: figure
Date: 150 – 100
Materials: ivory
Culture: old bering sea
Location: united states
Subjects: human figures

The ivory half-figures or torsos made during the late centuries of the first millennium BCE were often rendered with such a minimum of detail that they remain enigmatic to the most insightful of viewers. Armless and legless, with faces reduced to essential elements, the figures are part of a larger group of works that have been called dolls by some, ceremonial or shamanistic objects by others. Most frequently they represent females. In Siberia during the nineteenth century, armless female figures were house guardians and spirits of illness; it has been suggested that in ancient times they may have had a similar role. The ivory torsos are known primarily from the region of the St. Lawrence and Punuk islands in the Bering Sea between Alaska and Siberia.
Roeiboot met een enkel zeil
Object type: book illustration
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: sailing-ship, sailing-boat, (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, rowing-boat, canoe, etc.

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, recto fol. 106.
Two Seated Apostles from a Pentecost Scene
Object type: panel
Date: 1245 – 1248
Materials: glass, metal, paint
Culture: french
Location: france
Subjects: men,apostles

It is possible that the figure of the Virgin and the two seated apostles (the head of the figure behind is a medieval replacement) come from a panel representing the Pentecost. The figure of Saint Martin came from another window dedicated to that saint.
Hirschberger Tor met gezicht op Arnsberg
Object type: album leaf
Date: 1873 – 1875
Materials: paper
Techniques: albumen print
Location: arnsberg
Artist: Anonymous
Subjects: city-view in general; 'veduta', gate, entrance
Inscriptions: inscription: ‘Herr zeige mir deine Wege/ und lehre mich deine Steige./ Psalm 25,4.’
Marching Beggar Woman with a Basket, from T is al verwart-gaern (It's already confusing)
Object type: print
Date: 1634 – 1638
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: pieter jansz quast
Artist role: artist
Artist nationality: dutch
Artist dates: 1605 – 1647
Portret van een vrouw bij een rozenstruik
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: shrubs: rose-bush, necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 963, collector's mark: Lugt 2165
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 440 – 430
Materials: terracotta
Culture: greek, attic

At the left, part of a draped figure with left arm extended; unidentified object
Studie van drie veren
Object type: drawing
Date: 1813 – 1838
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: dirk salm
Artist role: draughtsman
Artist dates: 1803 – 1838
Subjects: birds (+ feathers)
Hat
Object type: hat
Date: 1868 – 1868
Materials: fiber
Culture: american
Portret van Alexander de Muncq op 55-jarige leeftijd
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: making music; musician with instrument, historical persons
Inscriptions: collector's mark: Lugt 2228
Staand mannelijk naakt met stok
Object type: drawing
Date: 1650 – 1655
Materials: chalk, paint, ink, paper
Techniques: brush, pen
Artist: constantijn à renesse
Artist role: draughtsman, print maker
Artist dates: 1626 – 1680
Subjects: standing figure
Mylpaal en Tulpenburg
Object type: print
Date: 1736 – 1773
Materials: paper
Techniques: engraving, etching
Location: amstelveen
Subjects: city-view in general; 'veduta', river, rural housing, e.g. country-house, villa, cottage, milestone, boat propelled by man or animal
Inscriptions: collector's mark: ‘5 30’ Lugt 1641b

Prent ook gebruikt in: Schoemaker, Gerrit ed. Daniel Willinks Amstellandsche Arkadia, of beschryving van de gelegenheit, toestant en gebeurtenissen van Amstellandt, met deszelfs onderhoorige dorpen, heerlykheden, ambachten, lusthoven, wateren, enz. (…). 2 delen. 1e druk. Amsterdam: Arend van Huyssteen, 1737, dl. 1, p. 104. Of in: Schoemaker, Gerrit ed. Daniel Willinks Amstellandsche Arkadia, of beschryving van de gelegenheit, toestant en gebeurtenissen van Amstellandt, met deszelfs onderhoorige dorpen, heerlykheden, ambachten, lusthoven, wateren, enz. (…). 2 delen. 2e druk. Utrecht: Samuel de Waal, 1773, dl. 1, p. 101.
Fragment of a shirt
Object type: textile
Date: 1750 – 1799
Materials: linen, silk
Subjects: flowers,leaves
Belt Hook
Object type: belt hook
Date: 960 – 1279
Materials: silver
Culture: chinese
Brief aan Andries Bonger
Object type: letter
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: émile bernard, andries bonger, the graphic arts, printed matter, sevilla
Inscriptions: watermark
The First Race Course, Horse-Dealer's Street
Object type: woodblock print
Date: 1857 – 1857
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,towers,streets,trees
Northwoodside House
Object type: photograph
Date: 1868 – 1878
Materials: paper
Techniques: carbon print
Location: glasgow
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: rural housing, e.g. country-house, villa, cottage, façade (of house or building)
Portret van paus Gregorius III
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope

Prent uit: Ciccarelli, Antonio. Le vite de Pontefici di Antonio Ciccarelli (...). Rome: Domenico Basa, 1587. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Portret van Wilhelmina van Pruisen
Object type: print
Date: 1815 – 1830
Materials: paper
Techniques: aquatint, etching
Location: brussels
Subjects: berlin, the hague, wilhelmina frederica louisa (koningin der nederlanden)
Inscriptions: collector's mark: Lugt 963

Portret van Wilhelmina. Ze staat voor een troon. Midden onder haar wapen met een kroon, een leeuw en Hercules. In de ondermarge haar titel en twee kolommen met elk twee regels Franse tekst.
Cup and saucer
Object type: cup and saucer
Date: 1765 – 1765
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: flowers
Portret van Veit Pfaud
Object type: print
Date: 1631 – 1692
Materials: paper
Techniques: etching, engraving
Artist: johann reinhold mühl
Artist role: print maker
Artist dates: 1631 – 1692
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Inkstand on a tray
Object type: inkstand on tray
Date: 1726 – 1726
Materials: silver
Artist: samuel lee
Artist role: maker
Artist dates: 1675 – 1775
Subjects: coat of arms
Diverse onderwerpen
Object type: album leaf
Date: 1946 – 1949
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: colonial system, military service, firearms (with name), dutch east indies, the
Inscriptions: inscription: ‘Besa Post / Gombang’

Albumblad met vier foto's: stelling met Besa mitrailleur te Gombang, Nederlandse militairen op patrouille en twee foto's van Indonesische kinderen. Onderdeel van het fotoalbum over de diensttijd van Nederlandse militairen in Nederlands-Indië, ca. 1946-1949.
Applique
Object type: appliqué
Date: 1801 – 1900
Techniques: lace
Subjects: flowers
Close Helmet for Tournament
Object type: close helmet
Date: 1600 – 1600
Materials: brass, steel
Culture: italian
Location: italy
Cream jug
Object type: cream jug
Date: 1753 – 1753
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: chinoiserie
Tuitkan van tin met deksel
Object type: tuitkan
Date: 1600 – 1650
Materials: tin
Techniques: casting, turning
Location: netherlands
Artist: Anonymous
Inscriptions: quality mark, house mark

Schenkkan van tin, balustervormig met zijdelings geplaatst eenvoudig oor, waaraan het zwak gewelfde deksel met een scharnier is bevestigd. De tuit bestaat uit een buis, die uit de bodem ontspringt, schuin naar boven gaat en door middel van een verbindingsstuk aan de bovenrand aan de kan is bevestigd. Gemerkt in het deksel: gekroonde vaas.
Serie 11: Varia Buitenlandse Gebeurtenissen, 1571-1631
Object type: print
Date: 1605 – 1607
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: capture of city (after the siege)

Inname van Oldenzaal door Spinola, 10 augustus 1605. Gezicht op de stad en de omsingeling door het leger van Spinola. Met onderschrift van 12 regels in het Duits. Ongenummerd.
Portret van Eleonora Duse
Object type: cabinet photograph
Date: 1890 – 1905
Materials: cardboard, paper
Techniques: albumen print
Location: barcelona
Artist: pau audouard
Artist role: fotograaf
Artist dates: 1857 – 1918
Subjects: portrait of actor, actress
Inscriptions: inscription: ‘Eleonore Dusé.’, inscription: ‘Audouard y Cia/ FOTÓGRAFOS/ HDIFICIO CONSTRUIDO EXPROFESO PARA GALÉRIA FOTOGRAFICA Y TALLER HIPICC[...]/ CONCESIONARIOS DE LA FOTOGRAFIA EN LA EXPOSICION UNIVERSAL DE 1888/ TELEFONO 12 351/ Calle de las Cortes 273 y 275/ Barcelona/ L&D. PARIS’
Details en versieringen van drinkvat van koning van Kandy
Object type: drawing
Date: 1786 – 1786
Materials: paper, pencil
Location: indian ocean
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: drinking-vessels

Potloodschets van de deksel, handvaten en bevestiging aan de zeeklapper. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 42-43 en zie p. 39-41, 44.
Altaren
Object type: print
Date: 1722 – 1740
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: the dormition: mary on her deathbed; the apostles are gathered around her (john the evangelist may be shown sleeping or dreaming), the assumption of mary ('assumptio corporis'): she is borne into heaven by angels, the entombment of mary, altar
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerp voor een altaar met een beschildering van Maria op haar sterfbed, omgeven door de apostelen. Daaronder een scène met de graflegging van Maria. Het altaar wordt geflankeerd door vier engelen met vier vleugels. Putti met guirlandes en de hemelvaart van Maria bekronen het geheel.
Algerijnse vrouw, ten halven lijve
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil
Location: biskra
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: adult woman, africans
Inscriptions: kleurnotitie, handgeschreven

De vrouw draagt een sluier en steunt haar hoofd op haar arm. Pagina 3 uit een schetsboek met 32 bladen.
Portret van Jodocus Heringa
Object type: print
Date: 1820 – 1853
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: utrecht, historical persons
Inscriptions: check stamp: ‘Toestem[ming] v[an] d[e] burgem[eester] v[an] Utr[echt]’
Boerderij met een rieten dak
Object type: sketchbook leaf
Date: 1874 – 1875
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: farm (building)

Blad 44 recto uit een schetsboek met 46 bladen.
Baluster
Object type: baluster
Date: 1750 – 1750
Materials: iron
Portret van een jonge vrouw
Object type: album leaf
Date: 1867 – 1879
Materials: cardboard, photographic support
Techniques: albumen print
Artist: alfred hugh harman
Artist role: fotograaf
Artist dates: 1841 – 1913
Subjects: adolescent, young woman, maiden, historical persons
Inscriptions: inscription: ‘Alfred Harman & Co./ Photographic Establishment/ 79, High Street Peckham/ (...)’
Dawn
Object type: painting, ceiling decoration
Date: 1709 – 1767
Materials: canvas, oil
Artist: gaspare diziani
Artist role: artist
Artist nationality: italian
Artist dates: 1689 – 1767
Subjects: putti,dawn
François-Joseph Lefebvre
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: colmar
Artist: anton meyer
Artist role: fotograaf
Subjects: ranks in the army, historical persons
Inscriptions: inscription: ‘Déposé’

Deze foto maakt deel uit van een omslag met 29 foto's op 29 bladen en 23 teksbladen.
Gezicht op een straat te Londen
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: aquatint, etching, hand coloring
Artist: Anonymous
Subjects: street, london
Inscriptions: collector's mark: Lugt 2228
Wooden Spindle with Needlework Decoration
Object type: non art
Date: 1000 – 1476
Materials: wood
Location: peru