deem-data/ArtiFact huggingface dataset:
Vase
Object type: vase
Date: 1897 – 1900
Materials: earthenware
Culture: american
Location: united states
Artist: george e. ohr
Artist role: maker
Artist nationality: american
Artist dates: 1857 – 1918

In many ways George Edgar Ohr was the quintessential Arts and Crafts potter, combining artistic vision with extraordinary skill with his hands. Working in the seaside resort town of Biloxi, Mississippi, he dug the clay, processed and prepared it, threw the shape on the wheel, altered the piece according to his vision, mixed and applied his own glazes, fired the kiln, created his own style of advertising, and took his wares on the road. Ohr’s personal mantra was "no two alike," and he was as eccentric as his work was individualistic, with its manipulated forms on ultra-thin thrown vessels, crimping, ruffling, off-centering, and twisting, to create unprecedented forms for the 1890s. To these forms, he applied his own completely new and unusual glazes, applied by sponging, splashing, and spattering, resulting in works that in many ways anticipated the abstract art movements that would find form decades later. Ohr altered his finely thrown pots while they were in a damp, plastic state. In many instances he manipulated the wet clay quite forcefully, denting in the sides and folding the walls together, sometimes almost totally collapsing the form. On this vase, Ohr pleated the walls vertically from bottom to top, creating an undulating effect. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known. The unparalleled work of George E. Ohr is well represented in the collection. Ellison was an early admirer, collector, and scholar of Ohr’s work and has written extensively on the artist.
Portret van Jodocus de Momper
Object type: drawing
Date: 1627 – 1691
Materials: chalk, paper
Techniques: brush
Artist: Anonymous
Subjects: antwerp, painter, draughtsman, joos de momper (ii), historical persons, portrait, self-portrait of painter
La séparation imaginaire
Object type: print
Date: 1965 – 1972
Materials: paper, watercolor
Techniques: brush, etching
Location: amsterdam
Artist: pieter holstein
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1934 – 
Inscriptions: signature: ‘p. holstein’, inscription: ‘125’, title: ‘LA SÉPARATION IMAGINAIRE’

Moeder en kind, gefragmenteerd weergegeven, met leegtes op de plekken waar hun kleding hoort te zitten, welke rechts van hen zwevend is afgebeeld.
Sheet with overall pattern of petals
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Reproductie van het schilderij 'Mitternachtsonne' van Louis Douzette
Object type: page
Date: 1886 – 1891
Materials: paper
Techniques: autotype
Location: berlin
Subjects: sunset, farm or solitary house in landscape
Portret van een vrouw
Object type: album leaf
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: adult woman, historical persons
Ex libris van Prof. Dr. Oskar Fischer
Object type: bookplate
Date: 1919 – 1919
Materials: paper
Techniques: etching
Location: prague
Artist: georg jilovsky
Artist role: painter, print maker
Artist dates: 1884 – 1958
Subjects: snakes, brains, ex-libris
Inscriptions: collector's mark: Lugt 2228

Ovaal met een lezende man voor een opengeslagen boek, zijn hersenen zichtbaar en twee slangen kronkelend om zijn armen. In de hoeken een fascis met helm, een nar, een viool en een doodshoofd met zandloper.
Belt Buckle
Object type: belt buckle
Date: 601 – 700
Materials: bronze, iron, silver
Techniques: inlay
Culture: burgundian or frankish
Portret van Adolph Diesterweg
Object type: photograph
Date: 1860 – 1866
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: berlin, adult man, politician, e.g. party leader
Dancer with Tambourine
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: women,dancing,dancers
Journal des Dames et des Modes 1830, Costumes Parisiens (2843)
Object type: fashion print
Date: 1830 – 1830
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: head-gear (bonnet) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: date

1, Chapeau de satin du Magasin de Mme Millet, Boulevard Italien, No 20. 2, Chapeau de velours du Magasin de Mme Millet. 3. Bonnet de tulle.
Royal hand
Object type: talatat, royal hand
Date: 1353 – 1336
Materials: limestone, paint
Subjects: hands
Een overleden vorst wordt op een draagbaar een Romeins gebouw in- of uitgedragen.
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: funerary ritual, ancestor cult ~ roman religion

Blad uit: Johannes Kirchmann, De funeribus Romanorum libri quatuor, Leiden 1672, p. 1.
Reclame voor Johnson's houtverf, uit de catalogus 'Proper Treatment of Floor, Woodwork and Furniture' gepubliceerd door S.C. Johnson & Son
Object type: page
Date: 1904 – 1909
Materials: paper
Techniques: three-color autotype
Location: milwaukee
Artist: Anonymous
Subjects: wood, timber ~ building material, colours, pigments, and paints

Prent op derde ongenummerde pagina na pagina 201.
Le trouvère No 27
Object type: book
Date: 1809 – 1886
Materials: paper, photographic support
Techniques: albumen print, printing, engraving
Hofker, Kloos en Boeken
Object type: photograph
Date: 1860 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: willem kloos
Vue générale des Ruines du Rhamesseum, à Thèbes (Tombeau d'Osymandian)
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Bison
Object type: photograph
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: hoofed animals: bison
Inscriptions: inscription: ‘No. 1./ Bison.’
Cape Gooseberry or Goldenberry (Physalis peruviana)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: physalis

The fact that the Historia Naturalis albums were sold only three times in four centuries accounts for the excellent condition of the individual drawings. The colours – like the deep orange in this sheet – are as pristine as the day they were applied. This gooseberry may be one of the many botanical drawings in the albums made by the Delft floral painter Elias Verhulst, from whom De Boodt commissioned around 200 drawings.
Glass gold-band mosaic bowl fragment
Object type: fragment, gold band mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent cobalt blue, deep honey brown, turquoise green, opaque white, and colorless enclosing gold leaf. Applied vertical coil rim, with slightly rounded top edge; convex curving side tapering downward. Rim in blue with white spiral thread; body decorated with gold-band mosaic pattern formed from polygonal sections of serpentine layered canes in combinations of blue with white central line, brown with white central line, colorless glass with gold leaf, and green. Pinprick bubbles; exterior polished, with pitting of surface bubbles and joins between canes; creamy weathering on interior and some iridescent weathering on edges.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Below the rim, an egg pattern with dots in the interstices
Portret van Ludovicus Roelandt
Object type: drawing
Date: 1841 – 1841
Materials: paper, pencil
Artist: félix de vigne
Artist role: draughtsman
Artist dates: 1806 – 1862
Subjects: ghent, painter, louis roelandt, historical persons, portrait, self-portrait of artist
Portret van Winoldus Budde
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: deventer, amsterdam, historical persons
Inscriptions: date
Stone of Three Lights: Sun, Moon and Star
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: keisai eisen
Artist role: artist
Artist nationality: japanese
Artist dates: 1790 – 1848
Subjects: moon,stars,sun
Netsuke of Sculptor Modelling a Large Head
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: masks,children
Portret van fysioloog Franz Josef Gall
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: stippled etching
Location: amsterdam
Subjects: pforzheim, fysioloog, anatoom, franz joseph gall
Inscriptions: collector's mark: Lugt 2228
'Ecce Homo' Christ seated, crowned, his wounds showing
Object type: print
Date: 1750 – 1765
Techniques: engraving
Location: mexico
Artist: anonymous, mexican
Artist role: artist
Subjects: suffering,christ
Toren van de Sint-Bonifatiuskerk te Vries
Object type: photograph
Date: 1898 – 1898
Materials: cardboard, photographic support
Techniques: albumen print
Location: vries
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: parts of church exterior and annexes: tower
Inscriptions: annotation: ‘Vries’, annotation: ‘Toren a/d Ned. Herv. Kerk te Vries/ (Drenthe)/ Aug 1898’
Design for a fan featuring scenes of courting figures
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: anonymous, austrian, 18th century
Artist role: artist
Artist nationality: austrian
Artist dates: 1700 – 1800
Kleine kom van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; decoratie van twee 'bloemtakken'.
Object type: miniature
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous

Kleine kom van melkglas met blauwe emailverf beschildering, imitatie Chinees blauw porselein; met decoratie van bloesemtakken.
De walvis aan een lijn, 1682
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: abraham de blois
Artist role: print maker
Artist dates: 1679 – 1717
Subjects: whale fishery, whaling, swimming mammals: whale

De walvis aan een lijn van de visser Abr. Jansz. van Oelen en zijn zoon. In het onderschrift een vers van 4 regels. Prent nr. 4 in een serie van zes prenten over het vangen van een walvis bij Sint Annaland op het eiland Tholen, 7 oktober 1682.
Disegni Varii di Polifilo Zancarli
Object type: collection ornament architecture
Techniques: etching
Location: italy
Artist: polifilo giancarli
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1625
Subjects: satyrs,snakes,acanthus

Vertical panel design with an acanthus rinceau with various figures interspersed between the scrolls. The rinceau springs forth from the lower body of a hybrid satyr figure on the lower right. He carries a female satyr figure on his shoulders while she holds on to the acanthus scroll. In the scroll a flying fantastical creature with a long neck, two snakes and another satyr can further be noted.
Peacock
Object type: toy
Date: 1755 – 1755
Materials: diamond, soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: peacocks,flowers,leaves
Kap of calèche (Thérèse) van gewatteerde zwarte ripszijde, oorspronkelijk gesteund door drie (één ontbreekt) baleinen, gevoerd met zwarte zijde en afgezet met zwarte kant
Object type: calash
Date: 1775 – 1783
Materials: textile, silk
Techniques: padding, weave
Location: netherlands
Artist: Anonymous

Kap of calèche van gewatteerde zwarte ripszijde. Rond het gezicht is een 1 cm breed lint anagebracht als tunnel voor een dunne, metalen (?) balein. Onder aan de kap een tunnel waardoor een zwart satijnen lint kan worden aangetrokken ter sluiting onder de kin. Hieraan is een loss strook gerimpeld, die tot op de schouders valt. Aan de voorkant van de kap een brede teruggeslagen rand zijde. Halverwege de kap een tunnel waaruit de balein ontbreekt. De kap wordt aan de achterkant gesloten door midddel van aanrimpelen vanuit één centraal punt in het midden. Het materiaal van de vulling is vooralsnog onbekend.
Twee staande figuren, mogelijk acrobaten
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Subjects: acrobat ~ circus, adult woman (+ standing), adult man (+ standing)

Mogelijk een man en een vrouw. Blad 19 verso uit schetsboek XVI met 32 bladen.
Cassone
Object type: cassone chest
Date: 1550 – 1550
Materials: wood
Techniques: carving, gilding
Culture: italian
Subjects: putti,lions
Jane Avril
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901

This poster was Lautrec’s last image of Avril. With her arms raised in a playful surrender, the dancer yields to an appliquéd snake, whose coils wrap around her slender black dress.

Her twisted body might seem exaggerated, but it could have been prompted by Avril’s performances. As the poet Arthur Symons recalled, “She was so thin and supple that she could turn over backward…until she brushed the floor with her shoulders.”
Veld van vier tegels met bloemvaas
Object type: tile
Date: 1720 – 1750
Materials: faience
Techniques: kiln, painted, polychromy
Inscriptions: collector's mark: ‘verzameling Isaac’, inscription: ‘D’

Four tiles. Faience. Delft, c. 1725 - 1750. Given by Arthur Isaac, 1955.
Ex libris van M.R.R.S.
Object type: bookplate
Date: 1891 – 1941
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: utrecht, book
Dress
Object type: dress
Date: 1841 – 1841
Materials: silk
Culture: british
Korseke
Object type: korseke
Date: 1550 – 1550
Materials: copper alloy, gold, leather, steel, wood
Culture: italian
Location: italy
Ecce Homo, from The Fall and Redemption of Man
Object type: print
Date: 1513 – 1513
Materials: paper
Techniques: woodcut
Location: germany
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Gold earring in the form of a bearded satyr or triton
Object type: earring in the form of a bearded satyr or triton
Date: 300 – 101
Materials: gold
Culture: greek
Subjects: satyrs

Hoop, now bent straight, of two wires twisted together, with finial in the form of a satyr whose legs, complete with hairy curls, emerge from the two wires of the loop. The satyr is naked, with his back arched; his left hand resting on his buttock, while his right is raised and bent back below his head, a leafy garland crowns his head.
Vues de Paris
Object type: page
Date: 1845 – 1850
Materials: paper
Techniques: engraving
Location: paris
Subjects: military academy

Prent op vijftiende ongenummerde pagina na titelpagina. Prent gemaakt naar daguerreotypie.
Coat
Object type: coat
Date: 1860 – 1860
Materials: feather
Culture: latvian

The ultimate luxury of the North was wintry warmth achieved in the white-on-white harmony of a textural eiderdown coat. A luxurious camouflage in the monochromatic landscape of the season, this coat anticipates a later version worn by Czarina Alexandra.
Portret van Jean de Labadie
Object type: print
Date: 1660 – 1692
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: historical persons

Met vierregelig vers in het Nederlands onder het portret.
Aantekening uit archief Jan Veth
Object type: aantekening
Date: 1943 – 1984
Materials: ink
Techniques: pen, writing
Artist: Anonymous
Subjects: august allebé, dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, jan knoef
Inscriptions: collector's mark: ‘RPK’
Olympia (published plate)
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: aquatint, etching
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Coin
Object type: coin
Materials: silver
Location: iran

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Kruisafname
Object type: print
Date: 1881 – 1922
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: jacobus gerardus veldheer
Artist role: draughtsman, print maker
Artist dates: 1866 – 1954
Subjects: descent from the cross: christ is taken down from the cross, usually by nicodemus and joseph of arimathaea who are standing on the ladders (both arms of christ detached)
A Copying-Day at the Metropolitan Museum of Art, from "Harper's Weekly"
Object type: print
Date: 1902 – 1902
Techniques: drawing
Artist: w. c. peters
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: painting,museums,easels

Two women (at right) and other visitors watch artists (including three women artists) copy artwork in the museum's collection.
Des Esseintes, Frontispiece for A Rebours by J.K. Huysmans
Object type: print
Date: 1888 – 1888
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Figuren op een weg bij de Graven van de Kaliefen in Caïro
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: chalk
Location: cairo
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-view, and landscape with man-made constructions, grave-building, monumental tomb
Inscriptions: annotation: ‘tombes der/ Califen.’

Pagina 46 uit een schetsboek met 48 bladen.
Monnik op een ezel wordt met monstrans in de handen voort geleid
Object type: book illustration
Date: 1840 – 1840
Materials: paper
Techniques: etching
Subjects: bell ~ musical instruments, ostensorium, monstrance, monk(s), friar(s), kneeling figure, procession ~ christian religion
Inscriptions: collector's mark: Lugt 2228

Prent uit: Müller, Anton en Joseph von Führich. Das Vater Unser in neun Blättern. Praag: Peter Bohmanns Erben, 1840.
The Departure
Object type: print
Date: 1861 – 1861
Techniques: etching
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: rivers,boats,trains
Calash
Object type: calash
Date: 1810 – 1820
Materials: silk
Culture: american
Beaker
Object type: beaker
Date: 1822 – 1824
Materials: pewter
Culture: american
Location: united states
Artist: thomas danforth boardman
Artist role: maker
Artist nationality: american
Artist dates: 1784 – 1873
Le Messager des Modistes et des Salons, Modes de Paris, Journal Aglaja, mars 1864, No. 29
Object type: fashion print
Date: 1864 – 1864
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (+ women's clothes), head-gear: hat (+ girls' clothes), skirt (crinoline skirt) (+ women's clothes), fashion plates, dress, gown (+ girls' clothes)
Inscriptions: caption: ‘Propriété du Journal Aglaja publié par John Noman & fils à Zalt Bommel.’, title: ‘Modes de Paris / Le Messager des Modistes et des Salons.’

Twee vrouwen in japonnen met wijde rokken. Kinderkleding: meisje in japon met korte pofmouwen en strik op de rug. Randloos hoedje met veer. De prent werd opgenomen in Aglaja (1848-1864), maandboekje voor dames handwerken, uitgegeven door A. C. Kruseman te Haarlem.
Marmeren beeld van een vrouw in toga met gedeeltelijk ontbloot bovenlichaam.
Object type: photograph
Date: 1878 – 1881
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: louis-emile durandelle
Artist role: fotograaf
Artist dates: 1839 – 1917
Inscriptions: number: ‘10’

bij boek in Bibliotheek RMA, Zie Frizot, pp. 217-223, vgl G. Vicaire, Manuel de l'amateur de livres du XIXe siècle, vol. 3, column 870.
Heur et Malheur
Object type: print
Date: 1787 – 1787
Materials: ink, paper
Techniques: aquatint, engraving
Location: france
Artist: louis philibert debucourt
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1832