deem-data/ArtiFact huggingface dataset:
Tankard (Stein)
Object type: tankard
Date: 1701 – 1800
Materials: pewter, stoneware

German stoneware tankards were brought to America in large numbers on Dutch fur-trading ships. Shards of these popular vessels have been uncovered at seventeenth century sites in New York and New England.
Portret van Johann Ulrich Samson
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: johann ulrich samson, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Füssli, Johann Caspar. Geschichte der besten Künstler in der Schweitz: Nebst ihren Bildnissen. Zürich: Orell, Geßner, Füßli & Co, 1774, dl. 4.
Rectangular tea caddy with a crucifixion scene
Object type: tea caddy
Date: 1780 – 1780
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous

Rechthoekige theebus van porselein met iets verdikte, ronde schouder en deksel, beschilderd op het glazuur in zwart en goud. Op de buitenzijde tweemaal een voorstelling van de Kruisiging met de twee Maria's; de nek en de dekselrand met een band met een decoratief patroon. Dekselknop in de vorm van een perzik. Onderzijde ongeglazuurd. Onderdeel van een theeservies. Europese voorstelling in encre de Chine.
H.M. Koningin Wilhelmina
Object type: photograph
Date: 1896 – 1896
Materials: cardboard
Techniques: photography
Location: the hague
Artist: kameke
Artist role: painter
Subjects: the hague, print maker, wilhelmina of the netherlands, netherlands

Foto op dik karton: meisje, half figuur naar rechts. Foto van koningin Wilhelmina. Merk. Keerzijde: plakkertje: 'J. Meeussen & Fils'. Opschrift; voorz.: 'Reproductie Kameke La Haye peintre et phot. de la cour Javastraat No 20'.
Wine Pot
Object type: wine pot
Date: 1101 – 1300
Materials: clay
Culture: korean
Subjects: ducks
Ruïne van de Tempel van Venus in Baia
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: baia
Artist: Anonymous
Subjects: temple, shrine ~ non-christian religions

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.
La Chaine du Mont Blanc, Courmayeur. Italie (1)
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: courmayeur
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: mountain-range, snow peaks
Inscriptions: number: ‘4’, inscription: ‘N4. Chaine du Mont Blanc Courmayeur Italie’, inscription: ‘By Permission: Dedicated to The Alpine Club’
Stoel van mahoniehout, bekleed met trijp met een doorlopend patroon van aan strikken hangende ovalen waarin een bloem op gestreepte grond
Object type: seating furniture
Date: 1775 – 1800
Materials: wood, textile
Location: northern netherlands
Artist: Anonymous

Chair. Mahogany, with the original upholstery of moquette (trijp). Netherlands, c. 1780 - 1800. Mr and Mrs Drucker-Fraser bequest, 1949.
Armet-à-Rondelle
Object type: armet
Date: 1850 – 1850
Materials: steel
Culture: polish
Location: poland
On to Liberty
Object type: painting
Date: 1867 – 1867
Materials: canvas, oil
Culture: american
Artist: theodor kaufmann
Artist role: artist
Artist nationality: american
Artist dates: 1814 – 1896
Subjects: children,men,women,slavery

Before coming to the United States in 1850, the German-born Kaufmann studied painting in Düsseldorf and Munich and fought in the 1848 popular uprisings in favor of German national unity. As a Union soldier in the American Civil War, he may have seen Confederate troops retreating with enslaved men, leaving behind women and children. Here, his portrayal of a group of fleeing figures indicates the lack of a clear route to liberty. Recent scholarship suggests that Kaufmann’s scene may have been inspired by a different cultural narrative—an 1859 work, produced in Brazil, by the French painter, Francois-Auguste Biard.
Two Late Mughal Letters
Object type: non illustrated single work
Date: 1780 – 1780
Materials: gold, ink, paper
Location: india
Fragment of a Plate
Object type: fragment
Date: 901 – 1000
Materials: earthenware, glaze
Techniques: incising, polychrome
Location: iran
Op het ijs
Object type: print
Date: 1892 – 1905
Materials: paper
Techniques: letterpress printing, printing block, engraving
Location: the hague
Subjects: skates (winter sports), playing with snow and ice
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van volwassenen en kinderen in de sneeuw en op het ijs. Tussen de afbeeldingen versjes in boekdruk. Genummerd rechtsboven en linksonder: No. 21.
Portret van Mary Smith
Object type: print
Date: 1720 – 1766
Materials: paper
Techniques: drypoint, etching
Location: london
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: historical person (with name) - bb - woman - historical person (with name) portrayed alone
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Courtesan Riding a Carp (parody of the Daoist Immortal Kinko [Chinese: Qin Gao])
Object type: print
Date: 1768 – 1769
Techniques: woodblock print, hashira
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
The Tenth Month
Object type: print
Date: 1767 – 1767
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ishikawa toyomasa
Artist role: artist
Artist nationality: japanese
Artist dates: 1770 – 1790
Subjects: boys,girls,men,women,playing
Handbell
Object type: musical instrument
Date: 1544 – 1544
Materials: bronze, iron
Techniques: casting, granulation
Location: mechelen
Artist: johan van den eynde
Artist role: brazier
Artist dates: 1515 – 1556
Subjects: ram's head ~ ornament, ornament ~ festoon, garland, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: inscription: ‘ME FECIT PER IOHAN DE FINE Ao 1544*’, inscription: ‘LOFSI GODT VAN AL+’

Table bell with inscription: LOFSI GODT V AN AL(Praised be God above all). Bronze. Mechelen, 1544, Johan van den Eynde.
Design for a covered vase
Object type: drawing
Date: 1815 – 1817
Materials: ink
Techniques: pen
Artist: thomas fletcher
Artist role: artist
Artist nationality: american
Artist dates: 1787 – 1866
Subjects: birds,weapons,horses,vases
Portret van Wilhelm Verdugo
Object type: print
Date: 1588 – 1630
Materials: paper
Techniques: engraving
Location: cologne
Artist: peter isselburg
Artist role: print maker
Artist dates: 1568 – 1630
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 964, collector's mark: Lugt 2228

Portret van Wilhelm Verdugo (Guilelmus Verdugo) in medaillon met tekst in het Latijn in de omlijsting en marge.
Vrouw op binnenplaats en kind met pop in gang
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: adult woman, vestibule, hall, (playing with) dolls, courtyard
Inscriptions: collector's mark: Lugt 2228

Een vrouw zit met naaiwerk op haar schoot op een binnenplaats van een huis naast een gang. In de gang staat een meisje met poppenwagen. Door de gang is de straat te zien. Een man aan de overkant van de straat is in gesprek met een vrouw leunend op de deur.
Samisen Player and Dancer
Object type: painting
Date: 1701 – 1833
Materials: ink, paper
Location: japan
Artist: Anonymous
Castella, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Presentiepenning van het Kleermakers- en droogscheerdersgilde te 's-Hertogenbosch 1754
Object type: medal
Date: 1754 – 1754
Materials: brass
Techniques: engraving
Inscriptions: circumscription: ‘ST - MACHIEL’, inscription: ‘1 - 7 / 5 - 4 rond N° - 32’

Achtvormig plaatje messing gegraveerd op de voorzijde Sint Michiel die een gehoornd monster verslaat, op de keerzijde een schaar tussen de cijfers van het jaartal 1754 en het nummer 32, met draaggat
Ex libris van Thure en Siri Petrén
Object type: photomechanical print
Date: 1900 – 1938
Materials: paper
Techniques: autotype
Location: sweden
Artist: Anonymous
Subjects: trees: oak, song-birds: swallow, book, urn, sunset, sea
Icones legatorum Monasterii et Osnabrugae existentium
Object type: print
Date: 1644 – 1646
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: historical persons, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een serie van 43 prenten. Latere staat van prent gebruikt in de serie 'Pacificatores orbis Christiani in Westphaliam missi anno 1641', uitgegeven door Rombout van den Hoeye in Amsterdam.
Engelen houden de vier winden tegen
Object type: album leaf
Date: 1629 – 1646
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: the four winds are restrained by four angels

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. De prent wordt mogelijk al gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629. Ze komt in ieder geval voor in: Het Nieuwe Testament ons Salichmaeckers Jesu Christi. Amsterdam, P.J. Paets, 1646.
Gezicht op een straat te Santander
Object type: stereograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: new york city
Artist: Anonymous
Subjects: crowd, mob, street
Inscriptions: inscription: ‘The ''Perfec'' Stereograph. (Trade Mark.) Edition de Luxe. Patented April 14, 1903.’, name: ‘H. C. White Co., Chicago, New York, London. Gen'l Office and Works, North Bennington, Vt., U.S.A.’, inscription: ‘All Perfec-Stereograph subjects may be secured in Lantern Slides and Enlargements.’, number: ‘10879’
Nightingale, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Song Birds of the World" series (N23), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Dahlia's geschikt in bloemenmand door de heer B.H. Wagenvoorde
Object type: photograph
Date: 1900 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Subjects: flowers in a vase
Inscriptions: : ‘Rosette Dahlie / Juweeltje, / in einem Korb / Rosette Dahlia / "Juweeltje / geschikt in een bloemenmandje / door den heer B.H Wagenvoorde / Bloemenmagazijn de Lelie / te Apeldoorn’, signature: ‘foto / R. Tepe’
Design for 4 seat Phaeton, no top, no. 3704
Object type: drawing
Date: 1881 – 1881
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Interieur van een ruïne met figuren
Object type: drawing
Date: 1596 – 1667
Materials: chalk, paper
Techniques: brush, pen
Artist: cornelis van poelenburch
Artist role: draughtsman, painter
Artist dates: 1594 – 1667
Subjects: ruin of a building ~ architecture, italy
Inscriptions: monogram: ‘CP’
Slippers
Object type: slipper
Date: 1850 – 1859
Materials: leather, linen, wood
Culture: french
Megaphone
Object type: megaphone
Date: 1701 – 1800
Materials: wood
Culture: congolese
Location: congo
Subjects: crocodiles

Wood megaphone with transforming mask motif. In profile, the voice disguiser is a ferocious crocodile but from the front it is an ancestor spirit.
Portret van twee onbekende meisjes hand in hand
Object type: photograph
Date: 1880 – 1900
Materials: paper, cardboard, glass, wood
Techniques: gelatin silver print
Artist: Anonymous
Subjects: gripping someone by the hand or the wrist; clasped hands - aa - both arms or hands, girl (child between toddler and youth), anonymous historical persons portrayed in a double portrait
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: zandvoort
Artist: karel johan lodewijk alberdingk thijm
Artist role: criticus, prozaschrijver
Artist dates: 1864 – 1952
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
De Revolutie, decoratie op het Koningsplein, 1795
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Artist: a. schol (ii)
Artist role: print maker
Subjects: hercules as personification of some other abstract notion, festivities on events of national importance (+ festive decoration ~ festive activities), amsterdam, alliance with france (1795)
Inscriptions: collector's mark: Lugt 2228

De Revolutie, allegorische decoratie opgericht op het Koningsplein te Amsterdam bij het Alliantiefeest op 19 juni 1795. Afgeknotte zuil met ovaal chassinet met Hercules (Bataafse dapperheid en moed) die de juk van de aristocratie breekt. Onder zijn voet vertreedt hij een kroon en ketting. Bovenaan Nederlandse en Franse vlaggen. Onderdeel van een serie van dertien platen.
Le Calvaire
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Location: antwerp
Subjects: crucified christ, with particular persons under the cross
Inscriptions: inscription: ‘(Musée d'Anvers)/ Pl. III. Déposé.’
Portret van Petrus Hofstede
Object type: print
Date: 1831 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: groningen (province), politician, historical persons, governor, etc. of province
Terracotta rim fragment with linear motifs
Object type: vase fragment
Date: 2300 – 2100
Materials: terracotta
Culture: minoan

From Gournia, Crete Rim fragment with horizontal motifs.
Hemd of mouwhemd van katoen met twee koperen knopen aan het boord
Object type: streekdracht, streekkleding
Date: 1850 – 1900
Materials: copper, cotton
Location: netherlands
Artist: Anonymous

Hemd of mouwhemd van katoen met twee koperen knopen aan het boord.
't Leven van Adam en Eva in het paradijs
Object type: print
Date: 1765 – 1767
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: craft-production, skilled handiwork, children's games and plays, old testament, crafts and industries
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van verhalen uit het Nieuwe Testament en van kinderspelen en ambachtslieden. Onder elke afbeelding een tweeregelig vers. Genummerd midden boven: 1.
Plateau
Object type: plateau
Date: 1801 – 1900
Materials: copper, gilt
Artist: elkington & co.
Artist role: manufacturer
Artist nationality: british
Artist dates: 1829 – 1963
Subjects: battles,soldiers,elephants,horses

This electrotype is after an eighteenth-century original (1736) in the Winter Palace, St. Petersburg, at the time of reproduction.
Gezicht op de Royal Exchange, te Londen
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: exchange, bourse
Inscriptions: collector's mark: Lugt 2228
de Avondpost; dagblad voor stad en land
Object type: newspaper
Date: 1898 – 1898
Materials: paper
Techniques: printing
Location: the hague
Subjects: wilhelmina of the netherlands, netherlands

Eén van een serie kranten, nrs. 4056 t/m 4073, van "de Avondpost" met berichten over de inhuldiging van koningin Wilhelmina 1898.
Fotoreproductie van een geschilderd portret van François René de Chateaubriand naar Ernst Hader door Sophus Williams
Object type: carte de visite
Date: 1877 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: paris, politician, françois-rené de chateaubriand, historical persons, writer, poet, author
Inscriptions: name: ‘Chateaubriand’, annotation: ‘25/ Chateaubriand’
Portret van Daniel Georg Morhof
Object type: print
Date: 1690 – 1695
Materials: paper
Techniques: engraving
Location: kiel
Artist: johann friedlein
Artist role: print maker
Subjects: daniel georg morhof, chest, bust, historical persons, sculpture
Inscriptions: collector's mark: Lugt 2228
Bloemen
Object type: print
Date: 1751 – 1822
Materials: paper
Techniques: etching
Subjects: flowers
Inscriptions: collector's mark: Lugt 2228

Verschillende pluizen en zaden van bloemen.
Tafel van notenhout
Object type: table
Date: 1500 – 1600
Materials: wood
Location: tuscany
Artist: Anonymous

Tafel van notenhout met achthoekig blad, dat met geprofileerde ronde schijven op de poot rust. Deze bestaat uit een driezijdige, met gestoken vlechtband versierde middenstijl, waaraan straalsgewijze drie platte wangen, die met voluutkrullen versierd zijn en in klauwen eindigen. Het blad is met de bovenste schijf door middel van een daarin bevestigde pen in de middenstijl gestoken en daardoor afneembaar en draaibaar. De ondereinden der poten ontbreken.
Fragment droguet met vlechtbandmotieven en granaatappels
Object type: fragment
Date: 1725 – 1799
Materials: textile, metal thread, silk
Techniques: brocade
Location: france
Artist: Anonymous

Fragment van 2 aan elkaar gezette stukken (niet op patroon) zijden droguet met slingerbandversiering met in de ontstane openingen granaatappels.
Model of a Land Beacon
Object type: demonstration model
Date: 1850 – 1855
Materials: paint, wood
Location: den helder

De oude houten kustkapen werden in de eerste helft van de negentiende eeuw door ijzeren vervangen.
Plate
Object type: plate
Date: 1767 – 1800
Materials: earthenware
Subjects: houses,mountains,trees
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Subjects: birds
Soldaat die zijn musket, steunend op zijn furket, afvuurt (nr. 12), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: chalk, paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met beide handen richt op een doelwit, de loop steunend op een furket (musketvork), en afvuurt (nr. 12), ca. 1600. Plaat 12 in de instructies voor het hanteren van het musket: Brief enseignement, sur les pourtraitz figurez, touchant le droit maniement du Mousquet. Onderdeel van de illustraties in een Franse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, Maniement d'armes, d'arquebuses, mousquetz et piques : en conformité de l'ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. Krijgswezen rond 1600.
Het schip vastgelopen in het ijs, 1596
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Op de voorgrond het schip waarvan de voorkant door kruiend ijs uit het water is getild. Rechts op de achtergrond brengen bemanningsleden de sloepen en voorraden aan land, links vinden de mannen aangespoelde bomen aan een rivieroever. Tegenover pagina 62 in: 'Warhafftige Relation. Der dreyen newen unerhörten seltzamen Schiffart so die Holländischen und Seeländischen Schiff....Anno 1594, 1595 und 1596 verricht' (1598).
Unwrapping the Mummy
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: lithograph
Location: england
Artist: harriet cheney
Artist nationality: british
Artist dates: 1771 – 1848

Harriet Cheney learned how to make lithographic prints under the tutelage of Dominique-Vivant Denon, the diplomat, explorer, and director of the Musée du Louvre. This print by Cheney, showing a curious gathering in Denon’s Paris apartments, was once misinterpreted as depicting the autopsy of a monkey. What is actually taking place is the unwrapping of a mummy acquired by Denon on his Egyptian travels; Harriet can be seen, midsketch, at lower left.
Bonnet
Object type: bonnet
Date: 1880 – 1880
Culture: american
Academie van Plato
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: drypoint, etching
Location: italy
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: debate, discussion (~ meeting), philosophy
Inscriptions: number: ‘1135 99’, collector's mark: Lugt 240

Verscheidene voorstudies voor figuren op deze prent zijn bewaard gebleven en bevinden zich in diverse collecties. Een tekening in het British Museum is mogelijk de laatste voorstudie die is gebruikt voor deze prent(inv.nr. 1855,0714.54).
The Ruins of the Pirnaischer Suburb with the Palais Fürstenhof
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: bernardo bellotto
Artist role: artist
Artist nationality: italian
Artist dates: 1722 – 1780

Known for his majestic urban landscapes, the Venetian born Bernardo Bellotto apprenticed with the famed Canaletto, his uncle. In 1747 Augustus III, king of Poland and elector of Saxony, invited Bellotto to Dresden, where his career quickly took off. Bellotto’s 37 paintings depicting the architecture of the city were part of Augustus’s plan to make Dresden into one of the major capitals of Europe. When the Prussians invaded on the brink of the Seven Years’ War, Bellotto sought refuge and new work in Vienna. Upon returning in 1761, Bellotto found Dresden, its suburbs, and his home destroyed. This print documents his beloved city ruined by war.
Namen van de schenker (keizer Napoleon III) en de ontvanger (minister Rouland) van het fotoalbum
Object type: album leaf
Date: 1857 – 1857
Materials: paper, textile
Techniques: printing
Artist: Anonymous
Subjects: permanent exhibition, museum, paris, tuileries palace

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 4.
Terracotta fragment from a closed shape
Object type: unidentified closed shape
Date: 500 – 480
Materials: terracotta
Culture: etruscan

Fragment from the neck of a closed shape, with a bit of the ornament (palmette fronds?)