deem-data/ArtiFact huggingface dataset:
Design for Cabriolet or Victoria, no. 3943
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
A Black Curassow
Object type: drawing
Date: 1667 – 1733
Materials: chalk, gouache, watercolor
Artist: johannes bronckhorst
Artist role: artist
Artist nationality: dutch
Artist dates: 1648 – 1727
Subjects: birds
View of Hashiba in the Eastern Capital (Toto Hashiba no zu), from the series "Views of the Eastern Capital (Toto no zu)"
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Flowering Plum and Rock
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: hu yuan
Artist role: artist
Artist nationality: chinese
Artist dates: 1823 – 1886

Hu Yuan, raised in the arts of painting, calligraphy, and poetry, was denied the income of his gentry birthright when Taiping rebels confiscated his property. He came to Shanghai to earn a living selling paintings. Hu's literal taste is evident in this traditional subject of rock and plum. His inscription records that he first painted the strange and powerful rock by lanternlight on a cold night and then added a branch of winter plum, "the soul of the world." Hu's romantic intensity goes beyond the tradition of chaste nobility associated with this genre.
The Crucifixion
Object type: plaque
Date: 1801 – 1933
Materials: copper, enamel, gilt
Techniques: painting
Artist: alfred andré
Artist role: maker
Artist nationality: french
Artist dates: 1839 – 1919
Subjects: sadness,horses,christ,mary magdalene,virgin mary,crucifixion
Straathoek in Garut met de ingang van Hotel Papandajan en naambord van artsenpraktijk A. Kampman
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: garut
Artist: Anonymous
Subjects: physician, doctor, hotel, hostelry, inn, street (+ city(-scape) with figures, staffage)

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
The Second Day (Dies II): The Division of the Waters, plate 2 from "The Creation of the World"
Object type: print
Date: 1589 – 1589
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: adam,eve

In 1589 Jan Muller, son of the Amsterdam book printer, engraver, and publisher, was in a member of or working Hendrick Goltzius’s workshop in Haarlem. During that time, he engraved a series of prints depicting the creation of the world after designs by Goltzius, the premier draftsman and printmaker in the northern Netherlands. Although some preliminary sketches for the series still exist, the finished designs are now lost. The series itself is extraordinary. Rather than following the centuries old traditional representations of the seven days of creation, based on the Book of Genesis, Goltzius looked instead to classical mythology for his imagery. It is often suggested that he was inspired by Ovid, the first century Latin poet, who describes the creation at the beginning of The Metamorphoses, his long poem about the gods and humankind. The same genius (a mythological figure similar in appearance to an angel) who appeared in Day One now separates the Waters. The older bearded figure wearing a headdress made of shells is a traditional representation of a sea god, but the young woman at the right is more unusual. She is perched on a cloud, one hand resting on a rainbow and the other holding a vessel pierced with small holes from which water drains. The sea god is symbolic of the waters of the earth, and she is a representation of the waters from the heavens – rain, snow, etc. Given the prominence of the rainbow, she might be the Greek goddess Iris, who was the goddess of the rainbow and also a messenger of the gods.
An der Enz - Altstädter Kirche. Pforzheim
Object type: ansichtkaart, prentbriefkaart
Date: 1889 – 1905
Materials: cardboard
Techniques: photograph
Location: dresden
Artist: Anonymous
Subjects: church (exterior), canals, waters (in city), bridge in city across river, canal, etc.
Rebel Works in Front of Atlanta, Georgia No. 4
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: tents,cannons,american civil war
Christus met het kruis, omringd door knielende figuren
Object type: drawing
Date: 1613 – 1677
Materials: chalk, paper
Artist: jan gerritsz. van bronckhorst
Artist role: draughtsman, painter, print maker
Artist dates: 1603 – 1661
Schaal
Object type: dish
Date: 1600 – 1635
Materials: earthenware, glaze
Location: france
Artist: Anonymous

Ovale schaal van loodglazuuraardewerk. De schaal heeft de vorm van een badkuip. In het bad ligt een naakte vrouw (genre Palissy).
Portret van een onbekende man
Object type: carte de visite
Date: 1892 – 1906
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: adult man, anonymous historical person portrayed, amsterdam
Spoon with Thai mythical figure
Object type: spoon
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Freshwater Jar (Mizusashi), titled Hotei
Object type: freshwater jar mizusashi
Date: 1600 – 1600
Materials: wood, glaze, stoneware
Culture: japanese
Aantekening uit collectie August Allebé
Object type: aantekening
Date: 1911 – 1911
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: antwerp, joachim bueckelaer, leiden, rembrandt van rijn, rijksmuseum amsterdam, painting (including book-illumination, miniature-painting)
La Suisse, la Savoie et le Tyrol
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Location: london
Subjects: mountain-range, snow peaks (+ landscape with figures, staffage), prospect of village, silhouette of village (+ city(-scape) with figures, staffage)
Inscriptions: check stamp: Lugt 1090
Atalanta and Meleager
Object type: print
Date: 1631 – 1631
Techniques: etching
Artist: willem panneels
Artist role: artist
Artist nationality: flemish
Artist dates: 1600 – 1632
Figure of a Standing Warrior
Object type: sculpture
Date: 600 – 900
Materials: ceramic, pigment
Location: veracruz state
Subjects: people
Owl Head
Object type: ornament
Date: 501 – 700
Materials: gilt copper, shell
Culture: moche
Location: peru
Subjects: owls
Round box with a green glaze
Object type: lid
Date: 900 – 999
Materials: glaze, stoneware
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Deksel van ronde doos van steengoed, bedekt met een groen glazuur. Celadon (Yue).
Een jonge man vlucht voor Bacchus, Venus en Amor
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: amsterdam
Artist: louis fabritius dubourg
Artist role: draughtsman, print maker
Artist dates: 1693 – 1775
Subjects: (story of) bacchus (dionysus), liber, venus and cupid (cupid not being mere attribute)
Inscriptions: collector's mark: Lugt 237a, collector's mark: Lugt 2228

Een jonge man, volgens het Latijnse onderschrift geniaal, ontvlucht Bacchus, Venus en Amor.
Vijftigjarig bestaan van de loge der vrijmetselaars Amicitia te Soerabaya 1859
Object type: history medal
Date: 1859 – 1859
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde twee zuilen waartussen een ster, ineengeslagen handen, de letters M.B. tussen gekruisde acaciatakken en een trap waarop een passer en driehoek, onderaan een tekstlint, alles binnnen een kord met negen knopen, op de keerzijde zeven regels tekst tussen samengestrikte acacia- en eikentakken.
Portret van Peter II, koning van Portugal
Object type: print
Date: 1678 – 1726
Materials: paper
Techniques: engraving
Artist: joseph friedrich leopold
Artist role: print maker, publisher
Artist dates: 1668 – 1726
Subjects: historical persons, land forces, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
Hair accessory
Object type: hair accessory
Date: 1870 – 1879
Culture: american
A Speedy & Effectual Preparation for the Next World
Object type: print
Techniques: etching
Artist: matthias darly
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1720 – 1780
Subjects: skeletons,hair,men,women,caricature,wigs
Roundel with Christ Healing the Blind Man
Object type: roundel
Date: 1517 – 1527
Materials: glass, metal, paint
Culture: german
Location: germany
Artist: hirschvogel workshop
Artist role: artist
Subjects: men,christ
Ernst Christian Carl, Fürst zu Hohenlohe Langenburg
Object type: print
Date: 1817 – 1893
Materials: paper
Techniques: lithograph
Subjects: moustache, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, lower body of draped figure
Water te Pangkalan-Brandan op Sumatra met op de oever een olieboortoren
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: derrick ~ oil, oil; oil refinery, sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Coin Portraying Emperor Maximianus
Object type: coin
Date: 288 – 289
Materials: alloy, metal, silver
Culture: roman
Location: alexandria
Inscriptions: Obverse: AKMAOVA MAXIMIANO[C CEB]
Reverse: L Γ

The front (obverse) of this coin portrays a bust of emperor Maximianus, cuirassed, laureate, and facing right. The back (reverse) depicts Homonoia walking to the left, right hand outstretched, left hand cradling a double cornucopia. The date this coin was struck is indicated in the obverse inscription " L Γ ", which means the third year of Maximianus's reign, or 288-289 CE. Maximianus reigned as emperor from 286-305 CE.
Vajolet-Türme.
Object type: stereograph
Date: 1902 – 1908
Materials: cardboard, ink
Techniques: color autotype
Location: dolomites
Artist: hans hildenbrand
Artist role: fotograaf
Artist dates: 1870 – 1957
Subjects: mountains
Inscriptions: inscription: ‘Beste Wirkung bei Betrachtung durch das ,,Isostereo''.’, number: ‘Nr. 28.’, inscription: ‘,,Chromoplast''-Bild.’, inscription: ‘D. R. G. M. Nr. 437 756.’, inscription: ‘Warenzeichen 142 123.’
A Pair of Lovers
Object type: print
Date: 1795 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: couples,men,women
Terracotta lekythos (perfume flask)
Object type: lekythos
Date: 460 – 460
Materials: terracotta
Culture: greek, attic
Artist: sabouroff painter
Artist role: artist
Subjects: human figures

Woman and youth at a tomb There are many aspects of these funerary representations that are not clear, such as the relationship of the two figures here. On the other hand, they illuminate many practical details concerning objects of daily life and how they were handled. Note the young woman carrying the large basket on her head.
Man met staf in oosterse kleding
Object type: sketchbook leaf
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, walking-stick, staff
Inscriptions: kleurnotitie, handgeschreven

Vooraanzicht met hoofddeksel en half ontbloot bovenlijf. Pagina 8 uit een schetsboek met 51 bladen.
Ex libris van Leo Polak
Object type: bookplate
Date: 1917 – 1917
Materials: paper
Techniques: printing block
Location: netherlands
Artist: albert hahn (i)
Artist role: draughtsman
Artist dates: 1877 – 1918
Subjects: birds, sea
Houten masker van den Duivelskoning
Object type: photograph
Date: 1897 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: tibet
Artist: Anonymous
Subjects: mask
Inscriptions: inscription: ‘Houten masker van den/ Duivelskoning/ door Lamaistische priesters/ gedragen/ Afmeting 3hx55 cM/ Thibet’
The coronation of the Virgin, Christ holding the crown over her head, God the Father  blessing above
Object type: print
Date: 1532 – 1532
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: angels,christ,virgin mary
Desseins de la Mode neuve au Gout antique (...)
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: johann thomas hauer
Artist role: print maker
Artist dates: 1748 – 1820
Subjects: ornamental fountain
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerp voor een pedestal met drie waterstromen waarvan één uit de mond van een saterachtige kop. Bovenop een antieke vaas.
Harz. Gernrode, Inneres der Stiftskirche
Object type: photograph
Date: 1900 – 1911
Materials: photographic support
Techniques: gelatin silver print
Location: gernrode
Subjects: interior of church
Inscriptions: number: ‘4770’
Munchener platen
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: geldern
Subjects: the four seasons of the year ~ human activities
Inscriptions: collector's mark: Lugt 2760

Blad met 4 horizontale rijen met voorstellingen van de vier jaargetijden uitgebeeld door typische activiteiten per seizoen, tegen een zwarte achtergrond. Onder elke afbeelding de naam van het seizoen. Genummerd midden onder: Nr. 24. Genummerd rechtsboven: 24.
Ecu of 6 livres uit Frankrijk van Lodewijk XVI, 1792
Object type: coin
Date: 1792 – 1792
Materials: silver
Techniques: striking
Location: paris

Zilveren munt. Voorzijde: borstbeeld van de koning naar links. Daaronder jaartal. Keerzijde: gevleugelde jongeling naar rechts die op een op voetstuk staand bord in twee regels schrijft: constitution. Links en rechts van hem attributen. In afsnede jaartal 4 in nieuwe telling. Uiterst rechts de letter A [=Parijs]. Randschrift.
Ontwerp voor marqueterie van aan linten opgehangen muziekinstrument(en) in rond medaillon
Object type: design drawing
Materials: graphite, ink, paper
Techniques: pen in black ink
Location: brussels
Artist: pierre félix van doren
Artist dates: 1797 – 1856
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, string instruments (bowed)
Inscriptions: inscription: ‘une vielle du 14 siècle’, watermark

Een van 103 ontwerpen voor marqueterie van aan linten opgehangen muziekinstrumenten in ronde medaillons, bestemd voor de set stoelen gemaakt door Van Doren voor de grote zaal van het Paleis van de Prins van Oranje in Brussel in 1828.
Madame Abdel-Kader se promenant avec son épagneul
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: cham
Artist role: print maker
Artist dates: 1818 – 1879
Subjects: riding a horse, ass, or mule; rider, horseman, beasts of prey, predatory animals: lion, friendship between man and animal; caressing, petting
Inscriptions: collector's mark: Lugt 2228

Prent uit: Le Charivari 13 (1844), nr. 33, 2 februari 184. De serie ‘Moeurs algériennes. Chinoiseries Turques’ is ook los van deze krant uitgegeven bij Aubert & Cie.
La Galerie du Palais Royal
Object type: print
Date: 1786 – 1808
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: venice, painter, draughtsman, titiaan, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van 354 prenten naar schilderijen uit de collectie van de Hertog van Orléans, getiteld: La Galerie du Palais Royal, uitgebracht tussen 1786 en 1808. De serie werd uitgegeven door Jacques Couché die het project samen met Jacques Bouillard leidde.
Lux claustri/La Lumiere du Cloistre
Object type: text sheet
Date: 1646 – 1646
Materials: paper
Techniques: letterpress printing
Location: paris
Inscriptions: collector's mark: Lugt 240

Franstalige teksten in boekdruk. Dit blad is de ongeïllustreerde titelpagina voor de tweede staat van de embleemserie 'Kloosterleven in emblemen', die naast deze ongeïllustreerde titelpagina tevens een ongeïllustreerd blad met opdracht, een geïllustreerde titelpagina en 26 emblemen behelst.
The Annunciation
Object type: ansichtkaart, prentbriefkaart
Date: 1932 – 1940
Materials: cardboard
Techniques: photograph, lithograph
Location: new york city
Subjects: the annunciation: mary standing, angels
Kaart van het eiland Urk
Object type: drawing
Date: 1720 – 1720
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: maurits walraven
Artist role: draughtsman
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Manuscriptkaart van het eiland Urk, in 1720 getekend door landmeter Maurits Walraven aan de hand van twee anonieme kaarten. Onderaan in het midden een schaalstok: Schaal van 160 Rijnlandsche roeden. Rechtsonder een legenda en informatie over verdronken stukken land op het eiland, die met de letters A t/m F staan aangegeven op de kaart.
Bronze handle attachment with antelope heads
Object type: handle attachment with antelope head
Date: 300 – 101
Materials: bronze
Culture: greek
Subjects: antelope

Handle attachment with antelope heads on either end.
A Short History of Admiral Andrew Hult Foote, from the Histories of Generals series of booklets (N78) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits

Miniature booklets from the "Histories of Generals" series (N78), issued in a set of 50 booklets in 1888 to promote W. Duke Sons & Co. brand cigarettes. Each booklet consists of 16 pages with covers.
Officier met patroontas
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228, stamp: ‘A’

Een officier toont een soldaat zijn patroontas.
Portret van twee onbekende vrouwen
Object type: carte de visite
Date: 1878 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: david snooij
Subjects: historical persons, adult woman (+ two persons)
Inscriptions: inscription: ‘VOLKSVLIJT/ [...] TIJDSCHRIFT [...]/ LANDBOUW, HANDEL, SCHEEPVAART.’
Tien centimes, noodmunt uit Antwerpen op naam van koning Lodewijk XVIII, 1814
Object type: coin
Date: 1814 – 1814
Materials: bronze
Techniques: striking
Location: antwerp

Bronzen noodmunt. Voorzijde: binnen een krans van twee samengebonden takken tweemaal letter L in ligatuur. Bovenaan plaats-aanduiding: Anvers en onderaan jaartal. Keerzijde: waarde-aanduiding: 10 cent. in twee regels. Omschrift: Monnaie Obsidionale.
Portret van een zittend naakt
Object type: photograph
Date: 1915 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: historical persons not known by name - bb - woman, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Fotoreproductie van een schilderij van een zittende vrouw met een mand vol spullen
Object type: carte de visite
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: carrying something in basket, bag, rucksack, etc., sitting on an elevation - aa - female human figure
Vier leeftijden van de mens
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: human life divided into stages, e.g. three, four, seven, twelve stages (with number), old age, 'senectus'; 'vecchiezza' (ripa), the ages of man, open hearth, fire-place, old man, old woman, tapestry
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van vier platen met als onderwerp de vier leeftijden van de mens.
Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right
Object type: print
Date: 1761 – 1790
Techniques: etching, printing
Artist: stefano mulinari
Artist role: artist
Artist nationality: italian
Artist dates: 1736 – 1795

Although the print credits the design to Polidoro da Caravaggio, a hand written note in pencil on the mount by Philip Pouncy attributes its design to Neroni.
Boite en bois assemblée avec de petits clous en fer
Object type: page
Date: 1886 – 1896
Materials: paper
Techniques: autotype
Subjects: x-ray examination
Inscriptions: number: ‘Pl. II.’, inscription: ‘Photographie à la lumière ordinaire et radiographie montrant le contenu de la boîte.’
Dessaunais
Object type: page
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Artist: harald paetz
Artist role: fotograaf
Artist dates: 1837 – 1895
Subjects: stage costume, portrait of actor, actress
Inscriptions: inscription: ‘Eneberettiget Michel Perrin, 2den Akt, 9de Scene.’
Goden van de landbouw
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) vertumnus
Inscriptions: collector's mark: Lugt 2542, collector's mark: Lugt 2228, collector's mark: Lugt 1379

Vertumnus, hier de god van de tuinen, is planten aan het verpotten. Naast hem staat een reiger op de grond. Op de achtergrond een tuin en vlinders.
Moon flask with Japanese woman
Object type: moon flask
Date: 1872 – 1872
Materials: porcelain
Artist: worcester factory
Artist role: maker
Artist nationality: british
Artist dates: 1751 – 2008