deem-data/ArtiFact huggingface dataset:
Portret van paus Paulus III
Object type: print
Date: 1590 – 1665
Materials: paper
Techniques: engraving
Location: germany
Artist: friedrich van hulsen
Artist role: print maker
Artist dates: 1580 – 1660
Subjects: rome, paulus iii
Inscriptions: collector's mark: Lugt 2228

Portret van paus Paulus III gehuld in het pauselijk gewaad. Buste naar rechts in een ovale lijst met randschrift. Boven een tweeregelige tekst in het Latijn en midden boven is zijn pauselijk wapen afgebeeld. Onder het portret zes tekstregels in het Latijn.
Portretten van beroemde mensen
Object type: print
Date: 1818 – 1832
Materials: paper
Techniques: stippling
Location: berlin
Artist: friedrich wilhelm bollinger
Artist role: print maker
Artist dates: 1777 – 1825
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt door de serie 'Bildnisse der berühmtesten Menschen aller Völker und Zeiten' van de gebroeders Schumann, uitgegeven in 1818-1832 te Zwickau.
Paper knife with carved handle of nude with sun in hair standing in a half shell holding a swag
Object type: paper knife
Date: 1601 – 1650
Materials: gilt, ivory, steel
Koperen kroonluchter met twaalf armen
Object type: photomechanical print
Date: 1875 – 1880
Materials: paper
Techniques: photograph, photolithography
Location: amsterdam
Subjects: chandelier, candelabrum
Inscriptions: inscription: ‘LUSTRE en cuivre (...)’, inscription: ‘LITT. L. - PL. 2’, monogram: ‘JJvY’
Two Panels and Two Fragments from an Image Robe
Object type: textile
Date: 1729 – 1730
Materials: silk
Techniques: bookbinding, interlacings, patterning, satin weave, weave
Location: france
Portrait of Simon von Liebenstein (?)
Object type: drawing
Date: 1516 – 1516
Materials: charcoal
Techniques: cutting
Artist: hans schwarz
Artist role: artist
Artist nationality: german
Artist dates: 1492 – 1521
Subjects: men,portraits,profiles

This sensitive portrait is one of a series of some 168 drawings said to have been owned by the patrician Pfinzing family of Nurnberg. Originally attributed to Albrecht Durer, they were correctly reassigned to the celebrated German medalist Hans Schwarz in the late nineteenth century following the discovery of his fragmentary monogram on a drawing’s verso. Schwarz’s oeuvre includes remarkable profile portraits of the burghers of the early German Renaissance, as imposing in quality as the imagery on antique coins. The Lehman drawing was preliminary to the carving of a portrait medal of Simon von Liebenstein, a canon of the cathedral in Speyer. The annotation “Maister Arnold” refers to a much later inscription relating to the sheet’s misattribution to Albrecht Durer.
Montreux. Vue du Palace-Hôtel sur Montreux et la Dent du Midi
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: montreux
Artist: Anonymous
Subjects: lake, mountain-range, snow peaks, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Relief fragment
Object type: relief
Date: 1000 – 668
Materials: stone
Location: anatolia
Subjects: men,horses

This fragment of a relief depicts a scene with three human figures. The relief is broken vertically, and much of the left side is missing, leaving only the legs and feet of the largest figure, who is shown seated and wearing a long robe and shoes. A smaller figure is shown on the right, facing the larger seated figure and offering a goblet in his right hand while holding a palm frond or feather in the left. The smaller figure is beardless and can be identified as male by the garments he wears, which have short sleeves, a decorated belt, and a short skirt allowing for freedom of movement, worn with ankle-high boots. He wears his curled, shoulder-length hair held back by a plain headband. A cross-legged table between the two figures holds several stacked objects that may be dishes, atop which is a duck with its head turned back across its body. The scene may represent offerings being made to a seated deity, represented by the large seated figure at left. An element at top resembling a pole from which is suspended a loop of rope is broken at the left side and may originally have been an attribute of this figure, although the missing areas of the relief make it difficult to understand. Below the two figures, a smaller figure holds a spear with the left hand and leads a horse by the bridle with his right, facing toward the right edge of the scene. This area of the relief is heavily worn, but the details of the horse’s musculature at the shoulder and eye remain vivid. Although carved from basalt, a rough volcanic stone, the details of the relief in areas that are less damaged by wear are remarkably fine and skillfully carved. The artisan has created a composition in which almost no empty space remains, and elements are fitted together without a sense of spatial perspective. The figures are stocky and powerful, and together with the crowded composition they present a strikingly dynamic image. The subject matter, the distinctive style of the carving, and the use of basalt, indicate that this relief can be classified as a Neo-Hittite work. The Neo-Hittite kingdoms were located in southeastern Turkey and northern Syria, regions that had been ruled by the powerful Hittite and Mitanni empires from about 1600-1200 B.C. After the collapse of the great imperial powers at the end of the Late Bronze Age, these lands were divided into small states ruled by local populations as well as by nomadic groups from the Syrian-Arabian steppe who had migrated north. These small kingdoms produced a wealth of carved stone steles (freestanding monuments) and orthostats (slabs which covered the interior or exterior wall of a structure), which borrowed from the distinctive imagery and styles of their Hittite and Mitanni predecessors.
Het vrijmaken van een pad door het ijs naar de zee, 1597
Object type: print
Date: 1615 – 1617
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: willem barendsz., amsterdam, jacob van heemskerck, landscapes in polar regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie eerst in: G. de Veer, De waerachtige beschrijvinge vande drie seylagien, drie jaren achter mal-kanderen deur de Hollandtsche ende Zeelandtsche Schepen, by noorden Noorweghen, Moscovien ende tartarien nae de Coninckrijcken van Catthay ende China ghedaene, [Michiel Colijn, Amsterdam 1617]. Later gebruikt in: Kort verhael van d'eerste Schipvaerd der Hollandsche ende Zeeusche Schepen by noorden Noorwegen, Moscovien ende Tartarien om, nae de Coningrijcken van Cathay ende China, getogen uyt het Journael van Gerrit de Veer. Opgenomen in: I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 21.
Bust of Minerva
Object type: drawing
Date: 1798 – 1798
Materials: chalk, crayon, paper
Techniques: heightening, stumping
Artist: louis léopold boilly
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1845
Subjects: minerva

This study of a bust of Minerva set into a niche is related to Reunion of Artists, Boilly’s famous group portrait of contemporary artists, sculptors, and architects gathered in the studio of Jean-Baptiste Isabey (French, 1767–1855). The bust was part of a stylish up-to-the-minute décor designed by Charles Percier (French, 1764–1838) and Pierre François Léonard Fontaine (French, 1762–1853), the leading architects of the period. Indeed, Jean-Baptiste Isabey’s studio was featured in no fewer than five plates from their influential publication Recueil de décorations intérieures (1812) and embodied an up-to-the-moment style that was integral to the painting’s articulation of the artist’s place in society. In the finished work, Percier and Fontaine stand together, admiring a drawing just below the oversize statue.
Ernita en Maria de Vries
Object type: photograph
Date: 1901 – 1912
Materials: photographic support
Techniques: photography
Subjects: taking care of children, maid ~ house personnel
Inscriptions: inscription: ‘Ernita en Maria de Vries. / Jan. 1912. Curaçao’

Portret van de twee kleine zusjes Ernita en Maria de Vries samen met een kindermeisje, op Curaçao, januari 1912. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Mathematische Of Wiskundige Behandeling Der Schriftkonst
Object type: ornament print
Date: 1737 – 1737
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: calligraphy
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van (vermoedelijk) een schilderij van een staande monnik met een boek in de hand
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: monk(s), friar(s)

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en Zuid-Frankrijk.
Portici della piazza di S. Pietro di Roma. Plate 44 from the Album 'Basilica di S. Pietro in Vaticano'
Object type: print
Date: 1656 – 1667
Techniques: engraving
Location: rome?
Artist: giovanni battista bonacina
Artist role: artist
Artist nationality: italian
Artist dates: 1620 – 1670
Subjects: architecture

Floor plans, aerial view and frontal view of the arcade in front of Saint Peter's Basilica in Rome. The aerial view shows that it concerns an earlier, not executed, stage of the plans in which the square would almost have been closed off completely by a third part of the arcade on the far side of the square. The scale of the images has been indicated below. Explanation of the different designs and measurements are given on the left and right. In the middle, on two banners held up by angels, the reason for the erection of the arcade is explain in Latin and Italian.
Portret van een vrouw
Object type: album leaf
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: nice
Artist: pierre séraphin ciaïs
Artist role: fotograaf
Artist dates: 1855 – 1886
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Ciaïs/ PHOTOGRAPHE/ Boulevard du Pont neuf, 24/ NICE/ Les Clichés sont conservés./ No.’
La Flagellation
Object type: page
Date: 1866 – 1871
Materials: paper
Techniques: woodburytype
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: passion of christ, flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: number: ‘6’
Plate 6, from Little Egypt Actresses series (T2), issued by Monopole Tobacco Works to promote Khedive Egyptian Cigarettes
Object type: print
Date: 1902 – 1902
Techniques: photolithograph
Artist: monopole tobacco works
Artist role: publisher
Subjects: portraits,women,actresses

Cigarette cards from the Little Egypt Actresses series (T2), Issued in 1902 by Monopole Tobacco Works to promote Khedive Egyptian Cigarettes.
Dorpsstraat met een brillenverkoper
Object type: sketchbook leaf
Date: 1696 – 1696
Materials: chalk, paper
Artist: hendrick van beaumont
Artist role: draughtsman
Subjects: merchant, salesman, village street (+ city(-scape) with figures, staffage)

Blad 38 recto uit een schetsboek met 91 bladen.
Valentine
Object type: valentine
Date: 1775 – 1775
Materials: ink, parchment
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: flowers,landscapes
Lezende vrouw met een parasol
Object type: sketchbook leaf
Date: 1892 – 1893
Materials: paper, pencil
Artist: alfred william rich
Artist role: draughtsman
Artist dates: 1856 – 1921
Subjects: reading, sitting figure - aa - female human figure, parasol, sunshade

Blad 82 recto uit een schetsboek met 86 bladen.
Blad met notities
Object type: sketchbook leaf
Date: 1810 – 1891
Materials: charcoal, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: helmet, riding a horse, ass, or mule; rider, horseman, armour, knight
Inscriptions: annotation: ‘49 - 63/ 51 1/2 - 52. [...]’, retailer's mark: ‘Magazijn van/ Papier/ Kantoor-/ H.J.T. Matveld/ 2E Wagenstraat, 127/ Teeken- &/ Schilderbehoeften’

Pagina 71, achterste schutblad, uit een schetsboek met 35 bladen.
Jupiter and Mercury in the Clouds
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: giacinto gimignani
Artist role: artist
Artist nationality: italian
Artist dates: 1606 – 1681
Scherven van wijnflessen uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: wine bottle
Materials: glass
Techniques: green glass
Location: netherlands
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Scherven van uivormige wijnflessen van groen glas waar rode (port)wijn in heeft gezeten. Bodemfragmenten.
Staande dame, naar links
Object type: drawing
Date: 1730 – 1774
Materials: ink, paper
Techniques: pen
Artist: antoon overlaet
Artist role: draughtsman, print maker
Artist dates: 1720 – 1774
Subjects: standing figure - aa - female human figure
Limestone statuette of a coursing hound seizing a hare
Object type: statuette of a dog seizing a hare
Materials: limestone
Culture: cypriot
Subjects: hunting,dogs,rabbits

A lean hound, wearing a collar, seizes a hare by the hindquarters.
Professor John Berg
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
British Museum in Londen
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: permanent exhibition, museum
Inscriptions: number: ‘62.’
Zittende vrouw met boek
Object type: print
Date: 1760 – 1779
Materials: paper, silk
Techniques: drypoint, etching
Location: england
Subjects: sitting figure - aa - female human figure, book - mm - book open
Scheeps Drinkhoorn van den Admiraal Piet Hein, in het kabinet van den Wel Ed. Heere H.A. Dibbets
Object type: print
Date: 1780 – 1782
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: delfshaven, warmond, hendrik albert dibbets, drinking-vessel in unusual shape, drinking-horn, capture of the spanish treasure fleet
Inscriptions: collector's mark: ‘Nederlandsch Museum voor Geschiedenis en Kunst / Rijks-Museum, Amsterdam’

De scheepsdrinkhoorn van Piet Hein in het kabinet van H.A. Dibbets. Een met zilver beslagen schelp, met zeewezens en ornamenten, gezien van twee zijden.
St. Familiae Comit. Nassauiorum
Object type: print
Date: 1612 – 1619
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: family lineage, pedigree, genealogical tree or table

Stamboom van het Huis Nassau, van 972 tot en met 1612, blad D in een reeks van zeven bladen gemerkt A-G. Meerdere wapens met in cirkels en cartouches namen, titels en jaartallen.
Panel with the Head of a Bishop
Object type: stained glass fragment
Date: 1440 – 1460
Materials: glass, paint, pigment
Culture: south netherlandish
Subjects: heads,men,bishops
Angelus custos
Object type: print
Date: 1632 – 1675
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: gripping someone by the arm, guardian angel

Deze prent maakt deel uit van een album.
Portret van Karl Grün
Object type: page
Date: 1874 – 1879
Materials: photographic support
Techniques: albumen print
Location: verviers
Artist: jean edouard wettstein
Artist role: fotograaf
Artist dates: 1839 – 1899
Subjects: vienna, politician, karl grün, historical persons
Gezicht op het San Marcoplein te Venetië vanaf de kant van de Canal Grande
Object type: print
Date: 1650 – 1670
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: square, place, circus, etc., city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2228
Imperial Court Robe
Object type: robe, imperial court
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: dragons
Athènes. Ambélokipi (Environs d'Athènes)
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, hand coloring
Location: athens
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions

Voor de Franse titel staat de titel in het Grieks.
Haven
Object type: print
Date: 1648 – 1705
Materials: paper
Techniques: etching
Location: france
Subjects: harbour
Inscriptions: collector's mark: Lugt 2926, collector's mark: Lugt 2252, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Gezicht op een haven met zeilschepen en roeiboten. Op de voorgrond badende mensen, op de achtergrond een stad met kathedraal.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Exterior, nose, mouth, bent elbow of draped figure; head, right arm, and belly of portly satyr to right
Titelpagina:  J.T. Hermes, 'Geschiedenis van den heer Leopold Kerker of Moeder Zoogster en Kind', 1810
Object type: titelblad, titelpagina
Date: 1810 – 1810
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: art (+ working from live model), forest, wood, horse, four-wheeled vehicle drawn by two animals
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Hermes, Johann Timotheus. Geschiedenis van den heer Leopold Kerker of Moeder Zoogster en Kind. Haarlem: Adriaan Pietersz. Loosjes, 1810.
Portret van een jonge man in kostuum met zwaard, aangeduid als W. Birnie
Object type: album leaf
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: antonius joannes van der stok
Artist role: fotograaf
Artist dates: 1862 – 1941
Subjects: historical persons, hacking and thrusting weapons: sword, historical costume
Inscriptions: inscription: ‘Ant. J. van der Stok/ PHOTOGRAPHE/ Leiden Rapenburg 13.’, name: ‘W. Birnie 249.’
Gezicht op de Middenweg
Object type: drawing
Date: 1892 – 1892
Materials: paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: albert martin
Artist role: draughtsman
Artist dates: 1827 – 1900
Subjects: city-view in general; 'veduta', canal, windmill in landscape, shed, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 800a, inscription: ‘Gezicht aan den Middenweg / 1892.’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 28.
Tray
Object type: tray
Date: 1740 – 1745
Materials: soft paste porcelain
Techniques: glazing
Artist: chantilly
Artist role: factory
Artist nationality: french
Subjects: butterflies,flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Stadsgezicht met een molen, mogelijk Delft
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper
Location: delft
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: bridge in city across river, canal, etc., windmill, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), delft

Stadsgezicht met een molen en een brug, mogelijk Delft. Vooraan figuren op de kade. Pagina 132 uit een schetsboek met 70 bladen.
Seated Women Holding Aloft a Sword, and Supported by Two Putti
Object type: drawing
Date: 1696 – 1770
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: women
A Group of Saints and Angels (recto); Studies of a Male Figure in a Pendentive (verso)
Object type: drawing
Date: 1613 – 1699
Materials: chalk
Techniques: brush, wash
Artist: mattia preti (il cavalier calabrese)
Artist role: artist
Artist nationality: italian
Artist dates: 1613 – 1699
Subjects: angels,saints
Descent of the Holy Spirit
Object type: drawing and watercolor
Date: 1607 – 1608
Materials: board, chalk, gold paint, ink, paper
Techniques: brush, heightening, pen, drawing, wash
Location: italy
Artist: after guido reni
Fragment of a Bowl
Object type: fragment, mosaic bowl
Date: 1427 – 1400
Materials: glass
Location: upper egypt, thebes
Overzicht van zes foto's ter illustratie van huilende baby's en kinderen
Object type: photomechanical print
Date: 1867 – 1872
Materials: paper
Techniques: photoaquatint
Subjects: child, morphology of facial expression, crying, shouting
Inscriptions: inscription: ‘Pl.1’
Ecuador, from the International Cards series (N238), issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,flags

Trade cards from the "International Cards" series (N238), issued in 1888 to promote Kinney Bros. Cigarettes.
Apaloderma narina (Narina trogon)
Object type: drawing
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: annotation: ‘Andere [spatie] Couroúcoúckou.’

Vogelstudie: Bosloerie (Apaloderma narina). Gordon noemt dit een andere couroucouc(k)ou, maar er is slechts één soort in zuidelijk Afrika.
Model of an 18-Gun Cutter
Object type: fully rigged model
Date: 1775 – 1805
Materials: brass, glass, iron, leather, fiber, textile, wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Inscriptions: inscription, on the taffrail: ‘VLIEG’

Dit model behoorde in 1807 tot de privé-collectie van J.P. Asmus en stond in de modellenzaal op de Marinewerf te Amsterdam. Volgens de beschrijving had het toen nog een sloepje in de davits aan het hek hangen, en een zonnetent over geheel het dek gespannen. Asmus omschreef het model als een voorbeeld van de snelste Engelse kotters.
Jar
Object type: jar
Date: 901 – 1000
Materials: earthenware
Techniques: glazing
Location: iran
Page from the Mustard Seed Garden Manual of Painting
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Artist: wang gai
Artist role: artist
Artist nationality: chinese
Artist dates: 1645 – 1710
Subjects: landscapes

In 1679, the author Li Yu published a primer for aspiring landscape painters called the Mustard Seed Garden Manual of Painting, and he commissioned the versatile painter Wang Gai to provide designs for the illustrations. The first edition features volumes on the components of landscape painting—trees, rocks, and human figures—with instructions on how to draw different types of each. It also includes two volumes of landscapes in the styles of old masters, which show readers how to transform what they have learned into their own historically minded compositions. The manual transmitted the fashion for studying old masters' styles beyond the rarified elite circles that had given rise to the practice, and it went on to become the most widely used introduction to painting not only in China, but in Korea and Japan as well. Subsequent editions added flowers as a subject and expanded sections on human figures. It remains in use today across the world.
Pommel Plate from a Saddle
Object type: pommel plate from a saddle
Date: 1201 – 1500
Materials: gold, iron, silver
Culture: mongolian
Location: mongolia
Subjects: men,horses

The style, materials, and decorative techniques of this pommel plate are like those on Tibetan saddles, but this is the only known pommel plate to feature human figures or a secular scene of any kind, in this case a tiger hunt. It is very similar to hunting scenes that occur frequently on early fourteenth-century metalwork from the Ilkhanate, a state founded by the Mongols in Persia, which suggests that this plate was made for a Mongol patron, either in Persia or in Tibet, based on Ilkhanid designs.