deem-data/ArtiFact huggingface dataset:
Gezicht op de Weerdpoort en de Oude Rijn te Utrecht
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: engraving
Location: darmstadt
Subjects: city-view, and landscape with man-made constructions, canals, waters (in city), utrecht
Inscriptions: collector's mark: Lugt 2233

Prent uit: Terwen, J.L. Het koningrijk der Nederlanden voorgesteld in eene reeks van 136 naar de natuur geteekende schilderachtige gezigten. Darmstadt: G.G. Lange, 1863.
Siege Helmet
Object type: siege helmet
Date: 1650 – 1700
Materials: steel
Culture: french
Location: france

Wearing this extremely thick, heavy helmet could not have been comfortable. The adjustable face defense alone weighs almost four pounds. The shallow dent at the front of the bowl is a proofmark. The form of the bowl is curiously archaic, recalling sallets of the fifteenth century (for example, acc. nos. 04.3.230 and 29.158.3a), whereas the sliding nasal––an Oriental innovation––is reversed, so that the enlarged finial has become the principal face defense (see acc. no. 14.25.601 for a typical sliding nasal). The bowl and face defense are both stamped with the number 21, indicating that the helmet was part of a series.
Sarakreek
Object type: photograph
Date: 1909 – 1911
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: suriname
Inscriptions: inscription: ‘Sarakreek, Suriname. 1911’

Gezelschap bij de rotsen aan de waterkant van de Sarakreek, september 1911. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
A Sailor Smoking with His Arms Crossed, from "Matelots"
Object type: print
Date: 1769 – 1769
Techniques: etching
Artist: joseph françois foulquier
Artist role: artist
Artist nationality: french
Artist dates: 1744 – 1789
Subjects: men,smoking,sailors
Model of a 60-Gun Ship of the Line
Object type: hull model
Date: 1715 – 1720
Materials: brass, textile, glass, paper, wood
Techniques: polychromy
Location: united kingdom
Artist: Anonymous
Subjects: great britain

Het model stelt een Engels linieschip van het 4de charter voor. Bij een gebruikelijke schaal van 1:48 komen de verhoudingen exact overeen met het charter van 1719, dat tot 1733 gold, maar bepaalde aspecten wijzen op een zelfs iets vroeger datum. Hoewel het model naar Engelse begrippen vrij grof is uitgevoerd en de kwaliteit van stukken uit dezelfde periode niet eens benadert, is het belangrijk doordat het nauwkeurig de vorm, algemene constructie en uitrusting van een vroeg 18e-eeuws Engels linieschip weergeeft.
Zes veelvlakken met een icosaëder als uitgangspunt
Object type: book illustration
Date: 1568 – 1568
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: other polyhedrons, icosahedron

De geometrische figuren (polyhedra) worden van boven naar beneden complexer. Rechtsonder genummerd: C.VI. Deze prent maakt deel uit van een boek.
Lucia
Object type: painting
Materials: canvas, oil
Artist: frederic, lord leighton
Artist role: artist
Artist nationality: british
Artist dates: 1830 – 1896
Subjects: portraits,profiles,women
Studie van een muilezel, etend uit een trog
Object type: drawing
Date: 1778 – 1839
Materials: chalk, paper
Location: rome
Artist: hendrik voogd
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1839
Inscriptions: inscription: ‘.’
Ornamental Band with Nilotic Elements
Object type: textile fragment
Date: 501 – 700
Materials: linen, wool
Techniques: weave
Location: egypt

This luxurious band is woven from a combination of silk and linen, revealing a love of finery that was characteristic of early Byzantine art. The skillfully rendered Nilotic fauna (a duck, a fish, an ibis, and snake) was not simply illustrative of abundance and prosperity, it was meant to attract wealth as well.
Uitnodiging voor de begrafenis van Jean Bernard
Object type: invitation
Materials: paper
Techniques: printing
Location: amsterdam
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2233, watermark
Portret van Willem III, prins van Oranje
Object type: print
Date: 1688 – 1711
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Untitled (Letter from Andrew Jackson, Washington, December 26, 1836)
Object type: photograph
Date: 1870 – 1870
Techniques: ambrotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, letters (correspondence), photography
Galerie contemporaine artistique : peintres et sculpteurs
Object type: book
Date: 1881 – 1881
Materials: cardboard, leather, paper
Techniques: marbled paper, printing, woodburytype
Location: paris
Portret van een staande vrouw
Object type: album leaf
Date: 1865 – 1894
Materials: cardboard, photographic support
Techniques: albumen print
Artist: constantin schwendler
Artist role: fotograaf
Subjects: historical persons, standing figure - aa - female human figure
Inscriptions: inscription: ‘Constantin Schwendler/ Atelier für Photographie/ Dresden/ Theaterplatz No.’, annotation: ‘[...]’
Glass Fragments
Object type: fragment
Date: 301 – 400
Materials: glass
Culture: coptic
Location: egypt

Excavations by the Metropolitan Museum at a necropolis in Egypt's Libyan Desert revealed a domed funerary chapel with an intriguing form of decoration: glass vessels of various shapes and colors impressed into the plaster of the dome. These fragments come from a plate composed of yellow-green and dark-green glass fused to form a pattern.
Medaille voor het jubileum van de Franse kerk in Berlijn
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 240

Prent van de medaille die werd geslagen ter ere van het 100 jarig jubileum van de Franse kerk te Berlijn. Na de herroeping van het Edict van Nantes in 1685 was een grote groep Franse hugenoten gevlucht naar Parijs. Op het schild is de Französischer Dom te zien, gebouwd tussen 1701 en 1705.
Portret van David Bailly
Object type: album leaf
Date: 1649 – 1662
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: leiden, draughtsman, david bailly, historical persons, portrait, self-portrait of painter

Prent mogelijk uit: Meyssens, Joannes. Image de divers hommes desprit sublime qui par leur art et science deburovent vivre eternellement et des quels la louange et renommée faict estonner le monde. Antwerpen: Joannes Meyssens, 1649, dl. 1, p. 71.

Andere staat van prent gebruikt in: Bie, Cornelis De. Het gulden Cabinet vande edel vry schilder const, inhoudende den lof vande vermarste schilders, architecte, beldthowers ende plaetsnyders van dese eeuw. Antwerpen: Joannes Meyssens, 1662 [1661 foutief op titelpagina], p. 271.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 1, p. 24.
Girandole
Object type: girandole
Date: 1767 – 1800
Materials: wood
Techniques: gilding
Subjects: eagles
Bonnet
Object type: bonnet
Date: 1886 – 1889
Materials: feather, metal, silk
Culture: american
Portret van de theoloog Gisbertus Voetius
Object type: print
Date: 1776 – 1851
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: predikant, theoloog, hoogleraar, gijsbert voet
Inscriptions: number: ‘-40’, collector's mark: Lugt 2228
Architectuurstudie
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: architecture, city-gate
Inscriptions: annotation: ‘[...]’

Mogelijk een stadspoort. Pagina 55 uit een schetsboek met 19 bladen en 9 losse tekeningen.
Portret van William Degouve de Nunques
Object type: copper plate
Date: 1904 – 1904
Materials: copper
Techniques: drypoint
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: print maker, william degouve de nuncques
Portret van Karl Eberhard Herwarth von Bittenfeld in uniform
Object type: album leaf
Date: 1860 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, (military) uniforms
Inscriptions: name: ‘Herwarth v. Bittenfeld’, name: ‘Herwarth v Bittenfeld’
A statue of Apollo, naked standing in a niche, holding a lyre in his left hand and leaning on a tree trunk
Object type: print
Date: 1512 – 1515
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: harps,apollo
Gevelsteen met jaartal in cartouche
Object type: sketchbook leaf
Date: 1877 – 1880
Materials: paper, pencil
Location: amsterdam
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: stone tablet in façade, ribbon, scroll, banderole ~ ornament

Gevelsteen met jaartal '16[...]' versierd met rolwerk. Blad 23 verso uit een schetsboek met 27 bladen.
Staande figuur en een sleepboot
Object type: drawing
Date: 1874 – 1925
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: tug, pusher tug
Design for T-Cart, no. 3512
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Studies for a Ceiling (recto and verso)
Object type: drawing
Date: 1660 – 1680
Materials: ink, drawing material
Techniques: pen
Artist: michel corneille the younger
Artist role: artist
Artist nationality: french
Artist dates: 1642 – 1708
Subjects: architecture,ceilings

This sheet of energetic sketches has been attributed to the French seventeenth-century painter Michel Corneille the Younger, a successful and prolific decorator of royal residences. The artist studied in Italy and trained under Pierre Mignard (French, 1613–1676) and Charles Le Brun (French, 1619–1690). Corneille the Younger was also a practiced printmaker, who was employed by the German banker Everhard Jabach (1618–1695) to engrave the best Italian drawings in his collection. The artist covered the sheet here with a large number of individual sketches, featuring ideas for figural groups, for ornament, and for the overall scheme of a compartmentalized ceiling. Although it is not certain for which building this ceiling design was intended, the ornamental motifs and the crisp style of draftsmanship are thoroughly characteristic of Corneille’s work.
Elements d'orfevrerie divisés en deux parties de cinquante feuilles
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Subjects: serving-dish, platter

Een aantal van de objecten in deze reeks heeft een eigen ondertitel, die verwijst naar genummerde 'cahiers' (afleveringen) waarin de prenten werden uitgegeven. Het is onduidelijk welke objecten recies bij welke aflevering horen. Daarom is die ondertitel enkel verwerkt bij de prent waarop die voorkomt.
Landschappen van oblong formaat
Object type: print
Date: 1603 – 1641
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: prospect of village, silhouette of village, lake, village-gate, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 964

Figuren op een pad bij een poort naar en dorp aan een meer. Links aangemeerde sloepen. Prent uit een serie van acht.
Brief aan Willem Vogelsang
Object type: letter
Date: 1907 – 1907
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: hendrik petrus berlage
Artist role: draughtsman
Artist dates: 1856 – 1934
Subjects: leiden, utrecht, willem vogelsang, amsterdam, print maker, draughtsman, designer, mathieu lauweriks, money
Inscriptions: collector's mark: Lugt 2228
Pet Pug, from the Household Pets series (N194) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dogs

Trade cards from the "Household Pets" series (N194), issued in an unnumbered set of 25 in 1891 by Wm. S. Kimball & Co. to promote Sweet Lavender, Old Gold, Black and Tan, and Hard Tack Tobacco.
Portret van Frederik, prins van Oranje-Nassau
Object type: print
Date: 1790 – 1849
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: the hague, willem george frederik (prins van oranje-nassau)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Left halves of ten kylix handles with handle patch
L'amateur d'excursions photographiques
Object type: book
Date: 1804 – 1896
Materials: cardboard, paper
Techniques: photograph, printing
Inscriptions: date: ‘JUNE 1990’, annotation: ‘P.A. 76- 11,-’
Korenbeurs en brug. Leiden
Object type: ansichtkaart, prentbriefkaart
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph
Location: leiden
Artist: Anonymous
Subjects: canal, church (exterior), bridge in city across river, canal, etc.
Beroepen
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: leiden
Artist: jan gillisz. van vliet
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1668
Subjects: tools, aids, implements ~ crafts and industries: tongs, tools, aids, implements ~ crafts and industries: file, lock-smith, tools, aids, implements ~ crafts and industries: hammer
Inscriptions: collector's mark: Lugt 240

Twee slotenmakers aan het werk in een werkplaats.
Journal des Femmes, ca. 1850, No. 1614
Object type: fashion print
Date: 1850 – 1850
Materials: paper
Techniques: engraving, hand coloring
Subjects: gloves, mittens (short gloves) (+ women's clothes), gloves, mittens (mitaines) (+ women's clothes), clothing for the upper part of the body: blouse (+ girls' clothes), head-gear: cap (+ women's clothes), fashion plates, balustrade, balcony, bracelet, wristlet (+ women's clothes), dress, gown (+ girls' clothes)
Inscriptions: title: ‘Journal des Femmes’, address: ‘Bureaux rue des Martyrs, No. 20.’

Drie vrouwen en een meisje staan op een balkon bij een balustrade. Prent uit het modetijdschrift Journal des Femmes (1840-1851).
Voet van een molen in Voorburg
Object type: print
Date: 1888 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: windmill, voorburg
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond een aanlegsteiger op een oever.
Internationale Gartenbau-Ausstellung zu Cöln / Exposition internationale de l'horticulture à Cologne
Object type: stereograph
Date: 1875 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: cologne
Artist: anselm schmitz
Artist role: publisher
Artist dates: 1831 – 1903
Subjects: botanic garden, 'hortus botanicus', garden pond, cologne
Bowl
Object type: bowl
Date: 1796 – 1820
Materials: jade
Culture: chinese
Aardrijkskundige beeldengalerij, verzameld door M.J. Broekhuijsen, hoofd eener school te Amsterdam
Object type: stereograph
Date: 1900 – 1902
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: military parade, pageant
Inscriptions: inscription: ‘E.3.’, inscription: ‘van de Amsterdamsche schutterij achter het Oosterpark.’, number: ‘3.’
La sainte Face couronnee d'epines, (grand format)
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: jesus
Gezicht op een tuin met een vijver in Japan
Object type: page
Date: 1895 – 1905
Materials: paper
Techniques: photograph
Location: japan
Artist: kōzaburō tamamura
Artist role: fotograaf
Artist dates: 1856 – 1923
Subjects: garden, garden pond, japan
Gold earring with head of a bull
Object type: earring with head of bull
Date: 400 – 201
Materials: gold
Culture: greek
Subjects: bulls

This is one of the most widespread types of earring during the later Classical and early Hellenistic period throughout the Greek world.
National Museum München (Studiengebäude)
Object type: photomechanical print
Date: 1885 – 1905
Materials: cardboard
Techniques: photoaquatint
Location: munich
Subjects: permanent exhibition, museum
Standing Horse with Head Turned
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: sawrey gilpin
Artist role: print maker
Artist nationality: english
Artist dates: 1733 – 1807
Vogels, bloemen, insecten etc.
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: flowers, song-birds: crow, insects: butterfly
Inscriptions: collector's mark: Lugt 2228

Bloemen waaronder lelie, insecten en een vlinder, waarschijnlijk een nachtpauwoog en een grote vogel die het meest lijkt op een kraai.
Gesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Buckle, chape buckle, chape; single-pronged loop, oval.
Sand Glass of 15 Seconds
Object type: sand glass
Date: 1860 – 1860
Materials: brass, cork, glass, mineral, wood
Location: france
Artist: Anonymous
Inscriptions: inscription, on the top: ‘15 S / MARINE / Nº 199 / IMPERIALE’

In totaal werden vier logglazen in 1862 door de heer De la Marche, hydrografisch ingenieur van de Franse Marine, aan de Nederlandse Marine aangeboden; een glas van 15 seconden is verloren.
Panel
Object type: panel ornament area
Date: 1671 – 1671
Materials: marble, mother of pearl, stone
Location: amsterdam
Artist: dirk van rijswijck
Artist role: medailleur, paarlemoerinlegger
Artist dates: 1596 – 1679
Inscriptions: date: ‘Ao 1671’, signature: ‘Dirck van Rijswijck // invenit et fecit // Amstelodami’

Lydian stone, inlaid with mother-of-pearl and marble The calligraphic composition is composed of letter from the name Nicolas Verburch, which is repeated at the bottom of the panel. Verburch was a high-ranking functionary of the Dutch East India Company.
Fragment (part of a set)
Object type: fragment
Date: 1670 – 1680
Materials: faience
Techniques: glazing

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Grafmonument voor Theodor Körner
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: london
Subjects: grave, tomb
Inscriptions: date

Prent uit: Ackermann's Repository of Arts, nr. 81, 1 september 1815.
Plate
Object type: plate
Date: 1801 – 1900
Materials: soft paste porcelain
Artist: edmé samson
Artist role: maker
Artist nationality: french
Artist dates: 1810 – 1891
Subjects: flowers
Gezicht op de Zaagmolensloot met molens De Ruiter en Bouwlust
Object type: drawing
Date: 1869 – 1869
Materials: gouache, paper, pencil
Techniques: brush
Location: amsterdam
Artist: johan george lodewijk rieke
Artist role: draughtsman, print maker
Artist dates: 1817 – 1898
Subjects: city-view in general; 'veduta', windmill in landscape
Inscriptions: signature and date: ‘31 Juli 1869 / J G L Rieke’, inscription: ‘de Molens de Ruyter. Bouwlust / en zeskant Buiten de / Utrechtsche Bariëre’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 26.