deem-data/ArtiFact huggingface dataset:
Portret van een onbekende vrouw
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: lithograph
Location: the hague
Artist: johan heinrich neuman
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1898
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2760
't Huis het Wilt by Gendringen
Object type: print
Date: 1745 – 1792
Materials: paper
Techniques: etching
Location: haarlem
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: castle

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 1 (1745), ill. 69. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 1, ill. 69.
A Beauty
Object type: hanging scroll
Date: 1368 – 1911
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: tents,women,beds,pavilions
Rusland, tsaar Alexander II, 5 kopeken, 1858 EM
Object type: coin
Date: 1858 – 1858
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: dubbelkoppige gekroonde adelaar met gespreide vleugels en met op zijn vleugels kleine wapenschilden en op zijn borst een groot, met een ridderorde omhangen wapenschild en in zijn poten een scepter en een gekroonde bol. Boven de adelaar een kroon. Keerzijde: binnen een krans van bladeren in twee regels de waarde-aanduiding, waaronder jaartal. Daaronder in het Cyrillisch de letters E en M [=Ekaterinenburg]. Gladde rand.
Portret van Johann Andreas Quenstedt
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Artist: michael fennitzer
Artist role: print maker, printer
Artist dates: 1641 – 1702
Subjects: theologian, historical persons, book
Inscriptions: inscription: ‘n. 1617.’
Dog Cart Phaeton #374
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Groepsportret van vier mannen
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: platinum process
Artist: Anonymous
Subjects: standing figure, sitting figure, adult man, book, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: annotation: ‘[...]/ Belgium’
The Drunkard
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Elliot Marbles and Other Sculpture from the Central Museum Madras: Group 26
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: linnaeus tripe
Artist role: artist
Artist nationality: british
Artist dates: 1822 – 1902
Subjects: sculpture

In 1853 the newly founded Government Central Museum in Madras acquired a collection of notable marble sculptures that the Scottish Orientalist Walter Elliot had excavated from the Buddhist stupa at Amaravati in south India in 1845. A contemporary author referred to them as the "Elliot marbles," linking them to the recently discovered "Elgin marbles" from ancient Greece. The guardian lion, central column section, and stepped base date from the second century, and the relief of the standing bodhisattva Avalokiteshvara dates from the eighth century. Tripe photographed them where they had been left haphazardly on the grounds of the museum, their display showing no understanding of their original location or arrangement.
Chasteau de Moulins en Bourbonnois
Object type: print
Date: 1631 – 1691
Materials: paper
Techniques: engraving, etching
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 240
Christ and the Disciples in the Field, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: belgium
Artist: adriaen collaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1618
A View of the Black-Lead Mine, in Cumberland
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: aquatint
Location: vienna
Subjects: miner, (high) hill (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, number: ‘No. 1896.’
Portret van een onbekende man uit Zeeland
Object type: photograph
Date: 1855 – 1870
Materials: cardboard, linen, paper
Techniques: albumen print, hand coloring
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: folk costume, regional costume, historical persons not known by name, zeeland
Inscriptions: inscription: ‘Le droit de reproduction réservé.’
Exterieur van de winkel van Hannah Humphrey te Londen
Object type: print
Date: 1802 – 1808
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: caricatures (human types), print, e.g.: engraving, etching, lithograph, publishing, publisher, barometer, shop-window, show-window
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779, collector's mark: Lugt 4780

Exterieur van de winkel van uitgever en prentverkoper Hannah Humphrey, St James's Street 27 te Londen. Een man met een barometer in zijn linkerhand en een stok in zijn rechterhand is zojuist uitgegleden op de gladde stoep waardoor munten uit zijn zak vallen en zijn kale hoofd onder zijn hoed en pruik zichtbaar is. In de etalage hangen prenten die worden bekeken door de klanten buiten en achter de voordeur staat een man met een prent in zijn handen.
Rivierlandschap
Object type: print
Date: 1837 – 1900
Materials: paper
Techniques: etching
Location: the hague
Artist: lambertus hardenberg (1822-1900)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1900
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 2228
Portret van Joseph Ignace Hubert Pypers
Object type: print
Date: 1832 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, chemistry (+ scholar, scientist (at work))
Gezicht op een dorp aan het water
Object type: sketchbook leaf
Date: 1803 – 1818
Materials: paper, pencil
Artist: arnoldus johannes eymer
Artist role: draughtsman, print maker
Artist dates: 1803 – 1863
Subjects: prospect of village, silhouette of village, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Bladzijde 22 uit een schetsboek met 74 bladzijden.
Philips de Schone, hertog van Bourgondië, ingehuldigd als graaf van Holland, rekenpenning van de rekenkamer van Holland
Object type: medal
Date: 1497 – 1497
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: filips de schone (hertog van bourgondië), county of holland

Koperen penning. Voorzijde: wapenschild onder gekroonde helm binnen omschrift. Keerzijde: vrouw met muts, zittend temidden van bloeiende rozen binnen omschrift
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of draped figure with right hand holding an unidentified object
Seated sheep
Object type: crèche figure
Date: 1751 – 1800
Materials: terracotta
Techniques: polychrome
Subjects: sheep

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Borculo - na de cycloon op 10 augustus 1925
Object type: ansichtkaart, prentbriefkaart
Date: 1925 – 1927
Materials: cardboard
Techniques: rotogravure
Location: borculo
Artist: Anonymous
Subjects: consequences of weather, e.g. after the drought, before the storm, after the cyclone, whirlwind, cyclone, hurricane, typhoon, tornado on land
Father of the Forest
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: forests,landscapes
Granada-La torre de Justicia(entrada de la Alhambra)
Object type: photograph
Date: 1857 – 1880
Techniques: albumen print
Artist: juan laurent
Artist role: publisher
Artist dates: 1816 – 1896
Subjects: alhambra
Portret van Christine Marie van Frankrijk
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving
Location: paris
Artist: nicolas pitau (i)
Artist role: print maker, publisher
Artist dates: 1632 – 1671
Subjects: ear-rings (+ women's clothes), 'cornucopia', horn of plenty, brooch, agraffe, clasp (+ women's clothes), veil (+ women's clothes), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1490

Portret van Christine Marie van Frankrijk, hertogin van Savoye. Het portret is gevat in een ovale omlijsting met aan weerszijden een hoorn des overvloeds. Onder de omlijsting haar wapenschild.
Design for a ceiling
Object type: drawing
Date: 1851 – 1900
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: architecture
Afbeelding vant voren gemelde aliantie chassinet vertoont ten huyze van Adr. Groenendijk op de Wijnhaven te Rotterdam op den 7 augustus ao. 1788.
Object type: book illustration
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: berlin, draughtsman, wilhelmina of prussia (princess of orange), fortitude, 'fortitudo' ~ one of the four cardinal virtues, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, rotterdam
Inscriptions: date

Chassinet met een allegorische voorstelling van de Triple Alliantie tussen de Republiek, Pruisen en Engeland uit 1788 in rebusvorm. Onderdeel van de illuminatie van het huis van Adriaen Groenendijk te Rotterdam, ter gelegenheid van de verjaardag van prinses Wilhelmina van Pruisen op 7 augustus 1788.
Hippocrates van Kos
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: writing tablets, bookshelves
Inscriptions: collector's mark: Lugt 2227

Een oude man met baard, voorstellende Hippocrates, houdt een tablet vast met daarop de titel, auteur en bezorger van het boek in het Latijn en Grieks. Daaronder het impressum. Achter Hippocrates aan de muur een boekenplank en een schrijftablet.
Pendant plaque
Object type: pendant plaque
Date: 1101 – 1300
Materials: jade
Culture: chinese
Subjects: birds
O Shichi and Kichisaburo
Object type: print
Date: 1780 – 1780
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: men,women
The fisherfleet leaving; relatives send the last goodbye
Object type: photograph
Date: 1920 – 1925
Materials: paper
Techniques: gelatin silver print
Location: south holland
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, sea
Vessel with Pedestal
Object type: vessel
Date: 300 – 200
Materials: earthenware
Culture: thai
Afgemeerde tweemaster voor een kust
Object type: sketchbook leaf
Date: 1806 – 1843
Materials: paper, pencil
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: sailing-ship, sailing-boat, coast
Inscriptions: date: ‘12 Junij’

Blad 24 recto uit een schetsboek met 40 bladen.
De jeneververkoper en de drie bedelaars
Object type: print
Date: 1647 – 1674
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan van ossenbeeck
Artist role: print maker
Artist dates: 1623 – 1674
Subjects: genever, gin, wandering or travelling merchant
Inscriptions: collector's mark: Lugt 2228

Langs een weg zitten drie bedelaars met hun ezel bij een stenen blok. Een van hen zit op de steen. Een koopman die een mand met flessen voor zijn buik draagt komt langs om zijn jenever te verkopen.
De voetwassing
Object type: painting
Date: 1935 – 1943
Materials: canvas, oil
Location: netherlands
Artist: han van meegeren
Artist role: painter, print maker
Artist dates: 1889 – 1947
Subjects: christ's feet are anointed by mary (magdalene)
Inscriptions: signature (false): ‘IVMeer’

De voetwassing. Maria zalft de voeten van Christus, geschilderd in de trant van Johannes Vermeer.
Denarius (Coin) Portraying King Ancus Marcius
Object type: coin
Materials: metal, silver
Techniques: striking
Culture: roman
Location: roman empire
Inscriptions: Obverse: ANCVS
Reverse: PHILIPP[VS]; AQVA MAR (in arches of aqueduct)

Portraits of important people appear on local currency all around the world. The same was true in ancient Rome, which began producing its first coinage in the late 4th century BC. Early coins depicted the heads of gods and goddesses on the front side, often in profile, while the back depicted animals, natural resources, symbols, and references to historical events. It was not until 44 BC that the portrait of a living person—Julius Caesar—appeared on coins. Thereafter, profile portraits of rulers or other members of the imperial family became the standard subject on coins throughout the Roman Empire.

In the mid-50s BC, it became common to portray ancestors that reinforced an important family lineage. The politician Lucius Marcius Philippus, who commissioned this coin, traced his lineage to the legendary King Ancus Marcius, who was believed to have lived in the late seventh century BCE.

The front (obverse) of this coin depicts the head of King Ancus Marcius diademed and facing right; behind him is a lituus (curved augural staff). The back (reverse) of the coin depicts an equestrian statue facing right on an aqueduct between arches of which are the letters: AQVA MAR. Under horse, a branch tipped.
Lowell House, Harvard University
Object type: photograph
Date: 1926 – 1945
Materials: photographic support
Techniques: photography
Location: cambridge
Artist: Anonymous
Subjects: university (+ building ~ education, tuition), exterior ~ representation of a building
De St. Jans-poort der stad Haarlem omtrent den jaare 1620. Sederd afgebrooken
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: rowing-boat, canoe, etc., bridge in city across river, canal, etc., city-gate
Inscriptions: collector's mark: Lugt 2228
Man die op een paard in galop rijdt
Object type: photomechanical print
Date: 1879 – 1889
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, head-gear: bowler hat, galloping horse
Ring with Hieroglyphs
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Portret van Aletta Cornelia Anna Voombergh, getrouwd Pauw van Wieldrecht
Object type: photograph
Date: 1888 – 1888
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: amsterdam
Giulia Astallia
Object type: medal
Date: 1485 – 1485
Materials: bronze
Artist: Anonymous
Artist role: artist
Christ and the woman of Samaria among ruins
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the woman of samaria (john 4:4-42)
Inscriptions: mark: Lugt 2228, mark: Lugt 2760, signature and date: ‘Rembrandt f. 1634’
Sutra Cover with Pattern of Diagonal Bands of Clouds
Object type: sutra cover
Date: 1501 – 1600
Materials: metal thread, silk
Culture: chinese
Subjects: clouds
Architectuur- Sculptuur - Schilderkunst
Object type: triptych
Date: 1876 – 1885
Materials: oil, paint, paper, wood
Location: amsterdam
Artist: georg sturm
Artist role: draughtsman
Artist dates: 1855 – 1923
Subjects: rijksmuseum amsterdam
Inscriptions: signature

Drie voorstudies van de wandschilderingen in de Eregalerij van het Rijksmuseum, gecombineerd tot een drieluik.
De eerste schermutselingen tussen Staatse en Spaanse soldaten op het strand bij Nieuwpoort, 1600
Object type: drawing
Date: 1600 – 1600
Materials: paper
Location: northern netherlands
Artist: floris balthasarsz. van berckenrode
Artist role: print maker
Artist dates: 1562 – 1616
Subjects: battle (+ land forces), battle of nieuwpoort

De eerste schermutselingen tussen Staatse en Spaanse soldaten op het strand bij Nieuwpoort, 2 juli 1600. Links de Spaanse troepen van Albrecht, rechts Staatse cavalerie. Ontwerptekening voor de rechterhelft van de grote prent van Floris Balthasarsz. van Berckenrode. Ontwerp voor een prent.
Figuren, mogelijk op straat
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: street (+ city(-scape) with figures, staffage), amsterdam

Pagina 17 en pagina 18 uit een schetsboek met 27 bladen.
Clearing Weather at Susaki (Susaki seiran), from the series "Eight Views of the Eastern Capital (Toto hakkei)"
Object type: print
Date: 1836 – 1837
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Head, neck, part of the upper torso, and bent left arm of a centaur to left
Preken van de Vereenigde Doopsgezinde Gemeente op 14 augustus 1831
Object type: text sheet
Date: 1831 – 1831
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: preaching (in general)
Inscriptions: stamp, collector's mark: Lugt 1641

Preken van de Vereenigde Doopsgezinde Gemeente op 14 augustus 1831 in Amsterdam. Bij de preken staan de namen van de predikanten. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Predikbeurtenlijstjes.
Vrede van Rijswijk, penning uitgedeeld aan ieder die in de loterij van Muiden geen prijs heeft gewonnen
Object type: medal
Date: 1697 – 1697
Materials: silver
Techniques: striking
Location: netherlands
Artist: jan luder (i)
Artist role: medailleur
Artist dates: 1648 – 1719
Subjects: muiden, rijswijk, vrede van rijswijk (1697)

Zilveren penning. Voorzijde: Barmhartigheid met vredestak beurt bedrukte moeder met kind in de armen op, rechts een vogeltje binnen omschrift. Keerzijde: oorlogstuig brandend op een altaar, waarvoor twee meermannen wapenschild houden binnen omschrift; afsnede: jaartal
Slippers
Object type: slipper
Date: 1830 – 1849
Culture: british
Gezicht op het kasteel Ginhoven te Wuustwezel
Object type: print
Date: 1825 – 1874
Materials: paper
Techniques: etching
Location: antwerp
Artist: de vinck (baron)
Artist role: print maker
Artist dates: 1808 – 
Subjects: civic architecture; edifices; dwellings, brabant
Inscriptions: collector's mark: Lugt 2228
Fortezza e chiesa di S. Miniato al monte presso Firenze
Object type: print
Date: 1785 – 1875
Materials: paper
Techniques: etching
Location: italy
Subjects: city-view in general; 'veduta', building of church
Inscriptions: collector's mark: Lugt 2228

Gezicht op de San Miniato al Monte, gelegen bovenop een heuvel te Florence. Links de onafgewerkte klokkentoren. Genummerd rechtsboven: 36.
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1830 – 1890
Materials: graphite
Techniques: heightening
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: stage design
Portret van Hugh Latimer
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ornament ~ medallion, historical persons, violent death by burning at the stake; pyre, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Larrey, Isaac de. Histoire d’Angleterre, d’Écosse, et d’Irlande (...). Rotterdam: Reinier Leers, 1697.
I tried to escape from this philological discussion, from "Little Miseries of Human Life"
Object type: print
Date: 1843 – 1843
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: men