deem-data/ArtiFact huggingface dataset:
Design for 6 seat Rockaway, no. 3521
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ruit met 16e en 17e-eeuwse glasscherven afkomstig uit het raam van het Sterfbed van Maria in de Oude Kerk te Amsterdam
Object type: light window
Date: 1555 – 1555
Materials: glass, lead, pigment
Techniques: enamel painting
Location: amsterdam
Subjects: oude kerk
Microscopische opname van schub van een paling, 25 keer vergroot
Object type: photograph
Date: 1887 – 1888
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: marinus pieter filbri
Artist role: instrument maker
Artist dates: 1852 – 1917
Subjects: eels: eel, netherlands
Inscriptions: number: ‘5’, inscription: ‘No. 5. Benaming Schub van een paling, vergroot 25 x, Pose 3 id, bemerking id. eigen prep.’
Naples, Palais royal
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: Anonymous
Subjects: square, place, circus, etc., palace
Komt lustig jongens, loopt met vlijt / Hier hebje de Rotterdamsche slagttijd
Object type: popular print
Date: 1791 – 1812
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: slaughtered ox or pig, butcher, slaughterman
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van het fokken, slachten en bereiden van koeien en varkens. Onder elke afbeelding een onderschrift. Genummerd linksboven: No. 45.
Gezicht op het kasteel Hagenstein
Object type: drawing
Date: 1624 – 1652
Materials: ink, paper
Techniques: brush, pen
Artist: bonaventura peeters (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1614 – 1652
Subjects: castle, river, germany
Ex libris van P. Zwart
Object type: bookplate
Date: 1936 – 1936
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: notation of music, quill
Inscriptions: inscription: ‘1936. Cliché bestemd (...) muziek = sleutels.’

Ex libris was bestemd voor een notaris, een liefhebber van muziek. Het paragraafteken staat voor het notariaat, de muzieksleutels duiden op zijn liefhebberij.
Jar with Handles
Object type: vessel
Materials: stone
Culture: egyptian
Location: egypt
Subjects: containers, dining, drinking

This jar was carved from very hard stone using a simple drill fitted with a copper tip. The small lug handles allowed for it to be suspended by cords. Vessels like this one were probably used for the storage of ointment or liquids.
Plaat met vijf openingen, behorend bij een bloemhouder veelkleurig beschilderd met strooibloemen
Object type: bloemhouder
Date: 1770 – 1780
Materials: faience
Location: delft
Artist: hendrik van hoorn
Artist role: eigenaar plateelbakkerij

Plaat met vijf openingen, behorend bij een bloemhouder van faïence. Veelkleurig beschilderd met strooibloemen.
J.H. Schaefer's Edition Fotochrom.
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: lithograph
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions, church (exterior)
Ter Gedagtenisse en Lof, Der Evangelische om de Godtsdienst verdrevene Saltzburgers
Object type: print
Date: 1733 – 1733
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: persecuted believers (hiding), e.g. huguenots, pilgrim fathers
Inscriptions: collector's mark: Lugt 2228

Blad met bovenaan zestien voorstellingen van de Salzburgse emigranten: de vervolging van deze lutherse Salzburgers in hun eigen land, hun gedwongen vertrek en de opname van deze vluchtelingen in Nederland in de jaren 1732-1733. Op het blad onder de plaat een vers en de beschrijving van twee zilveren penningen op de verdreven Salzburgers met verzen.
Colt Dragoon Percussion Revolver, Third Model, serial no. 12403
Object type: percussion revolver
Date: 1852 – 1852
Materials: brass, silver, steel, wood
Culture: american
Location: united states
Artist: samuel colt
Artist role: manufacturer
Artist nationality: american
Artist dates: 1814 – 1862

In 1835 and 1836, the American inventor and industrialist Samuel Colt (1814–1862) patented a revolutionary type of multishot pistol that is still used today. Colt's revolvers had a rotating cylinder that could be loaded with several rounds and fired quickly by cocking and releasing the hammer or, in later models, by simply pulling the trigger. Early Colt firearms used percussion ignition and had to be loaded with powder, bullets, and ignition caps in separate operations. After 1870, Colt models were produced for self-contained cartridges that are much like modern pistol ammunition. First manufactured by Colt's factory in Paterson, New Jersey (1836–42), from 1847, the revolvers were made at a much larger plant in Hartford, Connecticut. A special workshop at the Hartford factory employed highly skilled decorators and artisans, many of German origin. Their ornamental motifs, still popular in American gunmaking, centered on fine scrollwork. Animal and human figures and allegorical images were added to floral scrolls, sometimes enhanced with gold and silver inlay, particularly on deluxe firearms made for exhibition and display or as personal gifts from Colt to prominent individuals, including several heads of state.
Stephen Thorn
Object type: painting, miniature
Date: 1818 – 1818
Materials: ivory, watercolor
Culture: american
Artist: george augustus baker sr.
Artist role: artist
Artist nationality: american
Artist dates: 1760 – 1847
Subjects: men,portraits
Chest of Drawers
Object type: chest of drawer
Date: 1800 – 1810
Materials: wood
Culture: american
Location: united states
Artist: michael allison
Artist role: maker
Artist nationality: american
Artist dates: 1773 – 1855
Festoen van fruit, met granaatappels
Object type: ornament print
Date: 1655 – 1678
Materials: paper
Techniques: engraving
Location: amsterdam
De raadkamer op het stadhuis te Amsterdam (...)
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: moses chooses seventy elders to assist him and places them round the tabernacle; the spirit of god descends upon them, city council, solomon's prayer for wisdom (1 kings 3:4-15)
Inscriptions: collector's mark: Lugt 2228

Het interieur van de vroedschapskamer tijdens een vergadering van de vroedschap. Boven de schouw hangt het door Govert Flinck vervaardigde schilderij Salomo's gebed om wijsheid. Links het door Jacob de Wit vervaardigde schilderij De verkiezing van de zeventig oudsten door Mozes. Midden onder in de marge twee leeuwen bij het wapen van Amsterdam.
Vlaamse spreekwoorden
Object type: print
Date: 1566 – 1570
Materials: paper
Techniques: engraving
Location: antwerp
Artist: johannes wierix
Artist role: draughtsman, print maker
Artist dates: 1549 – 1618
Subjects: violin, fiddle (+ variant), proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 2228

Een rijke man gekleed in bontmantel speelt zittend op een kaakbeen, viool op een kaakbeen. In het randschrift een toelichting op de voorstelling en op het spreekwoord in het Nederlands.
Allegorische titelpagina in: Pieter Christiaansz Bor, Den oorspronck, begin ende aenvanck der Nederlandtscher oorlogen, 1617
Object type: titelblad, titelpagina
Date: 1615 – 1617
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: personifications of countries, nations, states, districts, etc., wealth, opulence; 'opulenza', 'richezza' (ripa), inquisition, netherlands

Allegorische titelpagina in: Pieter Christiaansz Bor, Den oorspronck, begin ende aenvanck der Nederlandtscher oorlogen, 1617. Nederlandse Maagd Belgyca toont haar buik waarin de vrijheidsstrijd woedt. Om haar heen staan de Nieuwe Bisschoppen, Rijkdom, Weelde en een Spaanse soldaat gewapend met de brandende toorts van de Spaanse Inquisitie.
Herberginterieur met mannen in gesprek over de dood van Hendrik IV
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: inn, coffee-house, public house, etc., king
Inscriptions: collector's mark: Lugt 2228

Prent uit: Désormeaux, Joseph-Louis-Ripault. Histoire de la maison de Bourbon. Parijs: L'Imprimerie Royale, 1788, dl. 5, p. 157.
"Bhima Defeates Duryodhana", Folio from a Razmnama
Object type: folio from an illustrated manuscript
Date: 1616 – 1617
Materials: gold, ink, paper, watercolor
Location: india
Artist: 'abd al-rahim ibn muhammad bairam khan khan-i khanan
Artist role: patron
Artist nationality: indian
Artist dates: 1556 – 1627
Subjects: battles,men,hinduism
Textile Fragment
Object type: textile fragment
Date: 1701 – 1800
Materials: metal thread, silk
Location: india
Flacon van bergkristal met schroefdop. Montuur van goud met veelkleurig email. Versierd met ranken,verbonden door een kroon. Aan de onderkant straalsgewijs geplaatste godrons.
Object type: flacon, flakon
Date: 1590 – 1610
Materials: gold
Location: milan
Artist: Anonymous

Bottle. Rock crystal, gold and enamel. Milan, c. 1600.
Gazette du Bon Ton, 1924, No. 9, Pl. 51: Eros. Robe et manteau pour le soir, de Worth
Object type: fashion print
Date: 1924 – 1924
Materials: paper
Techniques: hand coloring, letterpress printing, photochemical processes, pochoir
Location: paris
Subjects: dress, gown: evening dress (+ women's clothes), column, pillar ~ architecture, ornamental parts of clothing (+ fur used for clothes), chest, bust (+ male human being (not to be used where -a- is prescribed)), coat (evening coat) (+ women's clothes), fashion plates, (story of) cupid, amor (eros), flowers: rose, bracelet, wristlet (+ women's clothes)
Inscriptions: inscription: ‘No 9 de la Gazette / Année 1924. - Planche 51 / Modèle déposé. Reproduction interdite.’, caption: ‘EROS / ROBE ET MANTEAU, POUR LE SOIR, DE WORTH’

Twee vrouwen staan bij een zuil waarop een buste van de god Eros. De vrouw links draagt een avondjapon met sleep van Worth; de vrouw rechts een avondmantel afgezet met bont van Worth. Planche 51 uit Gazette du Bon Ton 1924, No. 9.
Coal—Abomination of Work, Mahanoy River
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: drypoint
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Godefroid de Bouillon à l'Assaut de Jérusalem
Object type: photograph
Date: 1855 – 1860
Materials: photographic support
Techniques: albumen print
Subjects: militant proselytizing: religious war, crusade, etc.
Jérusalem, Enceinte du Temple, Poterne de Josaphat
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture
Feathered Tunic
Object type: tunic
Date: 1400 – 1700
Materials: cotton, feather
Culture: chimú
Location: peru
Artist: chimú artist(s)
Artist role: artist
Subjects: birds

The Chimú urban capital of Chan Chan housed thousands of specialized artisans living in densely populated areas close to the monumental architectural complexes. These artisans—potters, metallurgists, bead makers, woodworkers, and weavers—were closely supervised by members of the ruling elite, who provided raw materials and controlled the symbolic content of artistic production. The Chimú elite had to maintain contacts with populations from the Amazonian Basin in order to be supplied with foreign materials such as brilliantly colored feathers. Feather workers used a few coastal birds such as cormorants, egrets, ducks, and flamencos for their white, black, and pink feathers. However, the most popular feathers came from the rainforest. Macaws, parrots, parakeets, curassows, and tanagers provided the most vivid colors: yellow, green, blue, purple, and turquoise. This tunic includes feathers from Muscovy Ducks, Razor-billed Corassows, and Amazona parrots and macaws, and depicts sea birds in squares of alternating colors. In Chimú religion, sea birds such as pelicans were closely associated with the idea of human and agricultural fertility.
Bokaal met de wapens van de Zeven Verenigde Provincieën
Object type: goblet
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing, grinding
Location: germany
Artist: Anonymous

Bokaal met gewelfde, gefacetteerde voet met omgeslagen rand. Gefacetteerde balusterstam met drie knopen en een langgerekte luchtbel. Op de conische kelk de gekroonde wapens van de Zeven Verenigde Gewesten.
Titelpagina voor: Johannes van der Kemp, De christen geheel en al het eigendom van Christus in leven en sterven, vertoont in drieenvyftig predikatien over den Heidelbergschen katechismus, 1736
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: truth; 'verità' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Titelpagina voor: Johannes van der Kemp, De christen geheel en al het eigendom van Christus in leven en sterven, vertoont in drieenvyftig predikatien over den Heidelbergschen katechismus, 1736
Ivory pomegranate-shaped finial
Object type: pinhead
Date: 1300 – 1101
Materials: ivory
Culture: cypriot

The finial, in the shape of a pomegranate, formed the head of a pin, the exact purpose of which is unknown. Similar objects have been found in the Levant and Egypt.
Bokaal met deksel, met het opschrift: Vreede en Vryheid
Object type: goblet
Date: 1670 – 1700
Materials: glass
Techniques: diamond point engraving, façon de venise, glassblowing
Location: northern netherlands
Subjects: w. post

Platte voet met omgeslagen rand. Holle balusterstam met een schijf. Gewelfd deksel met een bolvormige knop. Op de conische kelk het gekalligrafeerd opschrift: Vreede en Vryheid. Op de onderzijde van de voet het monogram AMvS.
Currus triumphalis Illustris / Triomftocht van Willem van Oranje
Object type: text sheet
Date: 1626 – 1626
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: jan jansz starter
Artist role: publisher
Artist dates: 1593 – 1626
Subjects: delft, william i (prince of orange)
Inscriptions: date

Tekstblad met de kolommen 5-8 behorend bij de zinnebeeldige voorstelling van de deugden van Prins Willem van Oranje.
Doornenkroning
Object type: print
Date: 1629 – 1729
Materials: paper
Techniques: engraving
Artist: benoît thiboust
Artist role: print maker
Artist dates: 1619 – 
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)
Inscriptions: collector's mark: Lugt 240
Assumption of the Virgin
Object type: print
Date: 1624 – 1624
Techniques: engraving
Artist: paulus pontius
Artist role: engraver
Artist nationality: flemish
Artist dates: 1603 – 1658
Subjects: men,women,angels,assumption of the virgin
Flounce
Object type: flounce
Date: 1801 – 1900
Techniques: lace
Sebastien Antoine Slodtz l'ainé
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving, etching
Subjects: sculptor, sébastien antoine slodtz, historical persons, portrait, self-portrait of graphic artist
Glass gold-band mosaic bottle
Object type: bottle, gold band mosaic
Date: 1 – 50
Materials: glass
Culture: roman

Translucent cobalt blue, translucent turquoise blue and opaque yellow partially mixed together to appear green, opaque white, and colorless encasing shattered gold leaf. Everted, horizontal rim with rounded outer lip; cylindrical neck; sloping shoulder; small carinated body, with straight side above and curving side below point of greatest diameter; flat bottom. Gold-band mosaic pattern formed from a single serpentine length of layered canes formed in the following order: blue outlined in white, blue, colorless with gold leaf, and green outlined in white and blue; the length is wound three times round body, being fused together across bottom. Intact; slight dulling and pitting, and faint iridescent weathering; encrustation on inside of neck. Rotary grinding marks on exterior. Gold-band cast glass was a particularly opulent type of early Roman glassware. It combines canes of brightly colored translucent and opaque glass with strips of gold leaf encased between layers of colorless glass. Only a limited number of vessel shapes were made in this way, and some of the most common are small globular or carinated bottles such as these. Similar shapes are also found amongst the earliest free-blown and mold-blown bottles that made glass cheap and accessible to most Romans. Gold-band glass, however, was undoubtedly a luxury product that only the very rich could afford.
Filosofen naar Spaanse voorbeelden
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: bernard vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1632 – 1698
Subjects: scholar, philosopher, (story of) heraclitus, the philosopher, compasses
Inscriptions: collector's mark: Lugt 2028
La sémite prudente
Object type: magazine
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: paris
Artist: jean-louis forain
Artist role: painter, print maker
Artist dates: 1852 – 1931
Subjects: paris, caricatures (human types), historical persons, political caricatures and satires
Inscriptions: date

Prent gebruikt voor: Psst...!, nr. 29, 20 augustus 1898. Psst..! was een politieke weekkrant met antisemitische en anti-Dreyfus cartoons.
Omgekomen Duitse soldaten in een weiland
Object type: stereograph
Date: 1914 – 1918
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: private soldier, the corpse
Inscriptions: number: ‘2611.’
St Philip, from Christ, the Apostles and St Paul with the Creed
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower left: "HG."; and below image: "V. Descendit ad inferna ... resurrexit a mortuis. / 5"
Isabel Wachenheimer in een tuin tijdens een bezoek aan haar oom Willy Moos in Hamburg, september 1934
Object type: photograph
Date: 1909 – 1934
Materials: photographic support
Techniques: gelatin silver print
Location: hamburg
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: date: ‘September 34’
Rennend varken
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: pig
Portret van een onbekende baby
Object type: carte de visite
Date: 1871 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: batavia
Subjects: anonymous historical person portrayed
Twee jongens dragen een meisje op een stoel
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: children's games and plays, chair
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Portret van Ernst van Beieren
Object type: print
Date: 1590 – 1599
Materials: paper
Techniques: engraving
Location: low countries
Subjects: ernst van beieren (prins-bisschop van luik), historical persons
Engel verschijnt aan Hagar
Object type: drawing
Date: 1770 – 1787
Materials: chalk, paper
Location: karlberg palace
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: an angel appears and reveals a well of water to hagar

Nadat Hagar Ismaël onder een struik heeft gelegd verschijnt een engel aan de treurende Hager en wijst haar op een waterbron. Achterkant: psalm of versnummers.
Model of King Ludwig II of Bavaria's Neo-Rococo Sleigh
Object type: model
Date: 1872 – 1880
Materials: ivory, silk, velvet
Techniques: carving, engraving
Artist: franz seitz
Artist role: designer
Artist nationality: german
Artist dates: 1817 – 1883
Palermo Monreale. De kloostergangen.
Object type: photograph
Date: 1893 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: giuseppe incorpora
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: palermo
Destruction of Hood's Ordinance Train
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: railways,american civil war
Wapen met een klimmende leeuw op een schild
Object type: print
Date: 1544 – 1544
Materials: paper
Techniques: engraving
Location: frankfurt am main
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: urban life, beasts of prey, predatory animals: lion (+ heraldic animals)
Inscriptions: collector's mark: Lugt 2228a

Wapen met een klimmende leeuw op een schild met een fantasietekst in een rondschrift: VON GOTTES GENADEN HER VON WEISS NIT WEER DORT GESSET IN GENEM DORF
Ploegen voortgetrokken door runderen
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Inscriptions: caption: ‘Ploegen in Deli. Systeem Macdonald’
Hamlet and Horatio in the Graveyard
Object type: drawing
Date: 1827 – 1828
Materials: graphite, paper, watercolor
Techniques: brush, wash
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: shakespeare,men,hamlet
Grafmuren op het oude kerkhof van Barcelona
Object type: album leaf
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: barcelona
Artist: josep esplugas puig
Artist role: fotograaf
Subjects: niche-tomb, wall-tomb, churchyard, cemetery
Inscriptions: address: ‘Escudillers.89.’

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.