deem-data/ArtiFact huggingface dataset:
Mercurius bestraft Battus
Object type: print
Date: 1600 – 1647
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: moyses van wtenbrouck
Artist role: painter, print maker
Artist dates: 1590 – 1647
Subjects: battus changed into a touchstone: for violating the promise to keep mercury's theft of apollo's cattle a secret, mercury turns battus, the shepherd, into a touchstone (ovid, metamorphoses ii 705)
Inscriptions: collector's mark: Lugt 240

Battus zit op zijn knieën in afwerende houding voor Mercurius. Omdat hij zijn belofte niet heeft gehouden, zal Mercurius hem als straf veranderen in een steen. Scène uit Ovidius’ Metamorfosen (Met. II, 704-707).
Portret van Anastasia Robinson, gravin van Peterborough
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving
Location: london
Subjects: adult woman, historical persons, opera-singer (female)

Prent uit: The Universal Magazine of Knowledge and Pleasure 60 (1777), januari 1777.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, bent leg of Argos Panoptes; behind leg, part of wing?
Portret van Johann Andreas Wolff
Object type: print
Date: 1719 – 1781
Materials: paper
Techniques: etching
Subjects: johann andreas wolff, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Het onderschrift waar overheen is geplakt geeft een andere naam aan, maar kan als incorrect worden beschouwd aangezien de prent Andreas Wolff verbeeld. Het zelfportret waarop deze prent is gebaseerd bevindt zich in de Staatliche Graphische Sammlung, München.
If Two to One, Stuff Your Arse with Straw, from Los Proverbios
Object type: print
Materials: paper
Techniques: aquatint, burnishing, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Document Sealing
Object type: sealing, walking lion
Date: 1390 – 1352
Materials: mud
Location: egypt
Glass one-handled hexagonal bottle
Object type: bottle, hexagonal
Date: 67 – 233
Materials: glass
Culture: roman

Translucent light blue with greenish tinge; handle in same color. Thick rim, partially tubular, folded out, down, round, and in; cylindrical neck, flaring downwards, with slightly convex profile; horizontal shoulder, slightly pushed in towards center, and sloping rounded shoulders; hexagonal body, with flat, vertical sides; slightly concave bottom; broad strap hand, reeded on exterior surface, attached to edge of shoulder above one side, drawn up vertically, then turned in at an acute handle, and trailed on to neck, with trail in folds extending upwards to underside of rim. On base, four concentric circles in relief. Intact, but one short internal crack in rim; bubbles, including many large and elongated bubbles in handle, and blowing striations, some horizontal scratches around neck; slight dulling and patches of faint iridescent weathering. This large handled bottle has been preserved because it was buried in a Roman tomb, said to have been found at Coriallum in northern Gaul (modern Cherbourg, France). It may have been used as a cinerary urn, although its shape clearly indicates that it was originally intended for daily use as a receptacle for liquids.
Portret van André Lemaistre, 20 maanden oud
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: rouen
Subjects: historical persons, infant, baby
Inscriptions: address: ‘ROUEN/ Place des Carmes, 46’, number: ‘No 96216’, inscription: ‘André Lemaistre/ 20 Mois’, inscription: ‘Tous les cliches sont conservés’
Snuffers tray
Object type: snuffer tray
Date: 1765 – 1766
Materials: silver
Artist: w. t., london
Artist role: maker
De exercitie met schild en spies: de soldaat met het schild gereed en de spies naast zijn rechtervoet op de grond (nr. 17), 1618
Object type: print
Date: 1616 – 1618
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Illustratie in: Adam van Breen, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieu ordening [van] ... Maurits van Nassau, 's-Gravenhage, [Aert Meuris] 1618, plaat nr. 17. In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 22).
Angle de Plafons de gallerie, et autres ornemens
Object type: ornament print
Materials: paper
Techniques: etching
Location: france

Aan de rechterkant staan twee hermen boven twee sfinxen aan weerszijden van een medaillon, aan de linkerkant een half ovaal medaillon met Apollo die de Niobiden doodt. Uit serie van 6 ongenummerde bladen.
Portret van Charles Russell
Object type: photomechanical print
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: magistracy, judges
Inscriptions: inscription
Beleg van La Rochelle, september 1627-oktober 1628 (centrale kaart, deel linksonder)
Object type: history print
Date: 1628 – 1631
Materials: paper
Techniques: etching
Location: paris
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: maps of separate countries or regions, ships (in general), warfare; military affairs (+ naval force), siege, temporary fortifications
Inscriptions: collector's mark: Lugt 240

Zestiende deel (centrale kaart, deel linksonder) van een prent van het beleg van het hugenotenbolwerk La Rochelle in de jaren 1627 en 1628, dat werd uitgevoerd in opdracht van de Franse koning door het Franse leger onder aanvoering van kardinaal Richelieu. Op dit blad een deel van het gebied om La Rochelle heen, bevolkt door vele figuurtjes. Hier en daar zijn belegeringswerken (schansen, versterkingen, wallen e.d.) herkenbaar. Op de voorgrond en rechts vele schepen voor de kust.
Konisch handvat en ronde knop van gedreven koper, voor een paraplu of parasol; met maansteen
Object type: handle
Date: 1910 – 1920
Materials: copper, mineral
Techniques: repoussé
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Konisch handvat en ronde knop van gedreven koper, voor een paraplu of parasol. De knop bestaat uit een in gedreven koper gevatte maansteen.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Novembre 1931, No. 135, 12e Année, p. 31
Object type: magazine
Date: 1931 – 1931
Materials: paper
Techniques: printing, photography
Artist: charles goy
Subjects: fashion plates, lace

Tekst met vijf afbeeldingen van verschillende soorten kant: 'Alençon, Malines, Chantilly, Venise, Point de Rose'. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Drinkende koe
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching
Location: netherlands
Artist: jacobus cornelis gaal
Artist role: print maker
Artist dates: 1796 – 1866
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Pair of anklets (paizel)
Object type: jewellery
Date: 1750 – 1750
Materials: silver
Location: surat
Artist: Anonymous

Een paar enkelbanden (paizel) van zilver. Bestaande uit gevlochten schakels waaraan kleine zilveren belletjes hangen. Met scharniersluiting.
Gezicht op een kuststrook van Corsica met op de achtergrond een stad
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: corsica
Artist: Anonymous
Subjects: coast, prospect of city, town panorama, silhouette of city

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Frl. Malten, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Scene on the Grand Canal, Venice
Object type: drawing
Date: 1801 – 1900
Materials: gouache, graphite, watercolor
Artist: hercules brabazon brabazon
Artist role: artist
Artist nationality: british
Artist dates: 1821 – 1906
Subjects: houses,canals,boats,venice

As a watercolorist, Brabazon responded to the waterways and changeable light of Venice. He looked closely at works that reponded to the city by his friend John Singer Sargent, as well as at earlier representations by J. M. W. Turner and James McNeill Whistler. Here, he records a view along the Grand Canal with the Palazzo Papadopoli at left, identified by the distinctive obelisk on its roof–the artist shows only one of what is actually a pair, and exaggerates its size. The Baroque palace was commissioned by the Coccina family from Giangiacomo dei Grigi in the mid-16th century, later owned by the Tiepolo family, then sold in 1864 to Niccolò and Angelo Papadopoli, bankers of Greek origin. Today it is a luxury hotel. The artist was born in Paris to English parents as Hercules Brabazon Sharpe. After earning a degree in mathematics at Trinity College, Cambridge, he moved to Rome to study art and music. This went against his father's determination that he should pursue law and forced him to lived on the edge of poverty until the death of an elder brother in 1847. He then inherited the Irish estate of a wealthy uncle, whose will stipulated that he change his last name to Brabazon. Now free to pursue art, the artist traveled widely and developed into a skilled watercolorist. Seeing himself as a gentleman amateur, however, he resisted public exhibition until 1891. When elected to the New English Art Club that year, he felt obliged to submit works to the club's winter and summer shows. Sargent and other friends then persuaded him to agree to hold a one-man exhibition at the Goupil Gallery on Bond Street in 1892. Many works sold and the resulting acclaim encouraged further exhibitions, concluding with a memorial display in 1905.
Terracotta vase in the form of a lobster claw
Object type: askos in the form of a lobster claw
Date: 460 – 460
Materials: terracotta
Culture: greek, attic
Artist: class of seven lobster-claws
Artist role: artist
Subjects: horses,lobsters

Donkey; keras (drinking horn) Because so many aspects of Greek life depended on the sea, a vase in the shape of a lobster claw is not surprising. It is, however, exceptional and may be a variant of the askos—a bag-shaped oil container provided with a vertical mouth and strap handle. The Dionysiac iconography of the lobster claw suggests that it was a novelty item used at symposia (drinking parties).
Brieflezende vrouw op een terras
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Subjects: reading, landscapes, letter, envelope, dog
Inscriptions: collector's mark: Lugt 2228

Op een terras leest een vrouw een brief voor aan twee andere vrouwen en een man. Voor haar zit een hondje. Op de achtergrond een glooiend landschap.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, bit of hair; part of staff; below rim, part of an inscription K[ALOS]?
Exterieur van een winkel met viswaren en scheepsbehoeften te Enkhuizen
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: enkhuizen
Artist: albert dekema
Artist role: publisher
Artist dates: 1824 – 1909
Subjects: shop, store, façade (of house or building)
Inscriptions: inscription: ‘Enkhuizen’
Inlay in the form of the Horus falcon
Object type: inlay, falcon, horus falcon
Date: 400 – 301
Materials: faience
Location: middle egypt
Subjects: falcons,horus

This inlay represents the falcon god Horus. As a god closely associated with kingship, the Horus hieroglyph appears prominently in the king's titularies, and may also - as it does in Dynasty 30 - appear in the king's particular names.
Fragment Preserving Both the Interior and Exterior Surfaces of Siptah's Canopic Chest.
Object type: canopic box, siptah, top surface
Date: 1194 – 1188
Materials: stone
Location: egypt
Stencil with Pine Branches
Object type: stencil
Date: 1801 – 1900
Materials: paper
Culture: japanese
Ex libris van Karl Michel
Object type: bookplate
Date: 1930 – 1930
Materials: paper
Techniques: printing block
Location: germany
Artist: Anonymous
Subjects: zwickau, painter, print maker, karl michel, painter at work, in his studio, sun as celestial body, cup of coffee
Inscriptions: inscription: ‘Prof Karl Michel Blei’
Design for Six Chairs with Scarlet Upholstery (verso: Sketch for Sofa)
Object type: drawing
Date: 1801 – 1833
Materials: graphite, ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: chairs
Man met een vaarboom, op de rug gezien
Object type: drawing
Date: 1636 – 1651
Materials: chalk, paper, pencil
Artist: ludolf bakhuysen
Artist role: draughtsman, print maker
Artist dates: 1631 – 1708
Subjects: standing figure, poling, punting
Earring with pendant and disc and pearl setting
Object type: earring with pendant
Date: 7000 – 330
Materials: gold, pearl
Square Piano
Object type: square piano
Date: 1815 – 1815
Materials: brass, wood, ivory
Culture: american
Location: united states
Artist: thomas evenden loud
Artist role: manufacturer
Artist nationality: british
Artist dates: 1792 – 1866

This is the oldest extant piano by Thomas Loud Evenden, the venerable Philadelphia piano maker who would later be a founder of Loud & Brothers. Technical description: Rectangular mahogany veneer case on integral table stand with 3 drawers (center one concave) over turned and reeded legs with brass claw feet; lid not hinged to spine, but composed of four hinged panels plus fall board, the narrow third panel from the front dowelled to case sides, the rear panel having 3 recessed sections formerly covered with cloth; compass FF-c4 (68 keys), ivory naturals with molded fronts, ebony accidentals; pedal mechanism missing (raised dampers by lifting hinged back rail of keyframe, raising key tails); iron oblong unpierced tuning pins; lowest 20 strings on separate bridge; thick (5 cm) spine; English double action with intermediate lever and escapement; dampers (missing) on rods running through a drilled batten alongside the nut, to rest on blocks on the key levers; double strung throughout, lowest 11 notes wound; top 11 keys mounted on separate frame below soundboard, with hammers striking through soundboard cutout; several shanks and heads not original. (L. Libin Dec. 1976)
Portret van James Scott hertog van Monmouth
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: rotterdam, london, wig

Deze prent is de pendant van Hollstein nr. 811, door dezelfde prentmaker.
New Inventions of Modern Times [Nova Reperta], The Invention of the Watermill, plate 10
Object type: print
Date: 1600 – 1600
Techniques: engraving
Artist: jan collaert i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1530 – 1581
Subjects: watermills,men,donkeys,working

Tenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of a watermill. In the background on the left are workers transporting sacks from the other side. On the upper level of the watermill are workers who empty out the contents of the sacks into large metal funnels. On the right are more watermills in the distant. In the foreground walk two men alongside their horses that carry sacks on their backs.
Paget. Jean, Louis. 41 ans, né le 15/7/52 à Thonon (Haute-Savoie). Cordonnier. Anarchiste. 12/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Wagens op het strand
Object type: print
Date: 1848 – 1888
Materials: paper
Techniques: etching
Location: netherlands
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: horse, two-wheeled vehicle drawn by one animal, beach
Inscriptions: collector's mark: Lugt 2625

Paard en wagen op het strand met links het achtersteven van een schip. Op de achtergrond een paard en wagen met een man op de bok.
Microscopische opname van een tongschub, 25 keer vergroot
Object type: album leaf
Date: 1887 – 1888
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: marinus pieter filbri
Artist role: instrument maker
Artist dates: 1852 – 1917
Subjects: fishes, netherlands
Inscriptions: number: ‘47’, inscription: ‘No. 47. Benaming Tongschub (onderdeel), 25 x vergroot, pose 4 m., Bewerking idem’
Armenpenning met letter A
Object type: loden penning
Date: 1650 – 1800
Materials: lead
Techniques: casting
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Loden penning. Voorzijde: gekroond wapenschild van Amsterdam, rustend op twee palmtakken. Keerzijde: letter A in parelrand.
Glass mosaic ribbed bowl fragment
Object type: fragment, ribbed bowl
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent honey brown, cobalt blue, and opaque white. Almost straight side, flaring outward at top. Ribbon mosaic pattern formed from sections of a single cane in a brown ground with irregular wavy threads and fine ribbons in parallel blue and white lines; on exterior, single vertical rib with rounded outer edge, tapering to point and with slight tooling marks at top. Pinprick and larger bubbles; polished interior; pitting of surface bubbles on interior; dulling and creamy iridescent weathering on exterior and jagged edges.
Exorcisme
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: adolescent, young woman, maiden, exorcizing the devil, priests ~ hierarchy of priests
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Taschenbuch für Aufklärer und Nichtaufklärer auf das Jahr 1791. Berlijn: Johann Friedrich Unger, [1790].
Gezicht op de Lijnbaansgracht, hoek Rozenstraat
Object type: drawing
Date: 1919 – 1919
Materials: ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, façade (of house or building)
Inscriptions: signature and date: ‘D[...]E[...]ter / 1919’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 18.
Court Lady Holding a Fan
Object type: surimono
Date: 1815 – 1820
Materials: paper
Techniques: woodcut
Location: japan
Artist: katsushika hokutai
Artist role: print maker
Subjects: adult woman, fan

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Serdinguesti, ou enfant perdu, plate 35 from "Recueil de cent estampes représentent differentes nations du Levant"
Object type: print
Date: 1714 – 1715
Techniques: engraving, etching
Artist: jean baptiste vanmour
Artist role: artist
Artist nationality: french
Artist dates: 1671 – 1737
Subjects: men
Fig. 24 'De Aqvifolio' in De Boodts herbarium van 1640
Object type: text sheet
Date: 1640 – 1640
Materials: ink, paper
Techniques: letterpress printing
Location: bruges
Artist: anselmus boëtius de boodt
Artist role: draughtsman
Artist dates: 1550 – 1632

Beschrijving bij Fig. 24 op p. 48 in: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Beaker
Object type: beaker
Materials: ceramic
Location: mesopotamia
Jug
Object type: jug
Date: 1601 – 1700
Materials: faience
Techniques: glazing

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Landschap met uitzicht op de Rotskoepel op de Tempelberg
Object type: sketchbook leaf
Materials: paper, pencil
Location: jerusalem
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, city-view, and landscape with man-made constructions, temple, shrine ~ islam, mohammedanism

Op de voorgrond een ruiter. Pagina 15 uit een schetsboek met 36 bladen.
Straatgezicht met houten gevel in de Lange Delft te Middelburg
Object type: cabinet photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: middelburg
Artist: Anonymous
Subjects: façade (of house or building), middelburg
Inscriptions: annotation: ‘Middelburg’
Pair of Fire Fans
Object type: costume and accessory
Date: 1867 – 1900
Materials: enamel, gilt, metal, silk
Techniques: embroidery, embroidered, gilding
Location: england
Subjects: flowers