deem-data/ArtiFact huggingface dataset:
Lekythos
Object type: lekythos
Date: 434 – 401
Materials: terracotta
Culture: greek, attic
Artist: group of london e 614
Artist role: artist
Subjects: women
Gentleman Seen from the Back Indicating a Landscape
Object type: print
Date: 1629 – 1629
Techniques: etching
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: men
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment, eye cup
Date: 525 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of eyebrow and top of eye, with an oculus consisting of black, red, and black bands
Drie personen in een boot voor de Vesuvius
Object type: print
Date: 1870 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Artist: charles burckhardt
Artist role: publisher
Artist dates:  – 1889
Subjects: rowing-boat, canoe, etc., sunrise, venice
Inscriptions: stamp: Lugt 2233, : ‘Déposé’, collector's mark: Lugt 1641, stamp:

Onderaan genummerd: 663. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Page of ribbon samples from a bound textile sample book
Object type: sample book
Date: 1888 – 1890
Materials: silk
Jack of Clubs (black), from the Playing Cards series (N84) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: playing cards

Trade cards from the "Playing Cards" series (N84), issued in a set of 53 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes. The versos display a matching abstract floral pattern. The Joker and the Ace of Spades display an ad for Duke brand cigarettes. Besides Duke's Cigarettes, the same set of playing cards was also released to promote Turkish Cross Cut Cigarettes.
Jean François Sarrasin
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Illustrations du Cours de Littérature de la Harpe, ou collection de 400 portraits destinés à l'ornement de cet ouvrage. Parijs: Boblet, 1830.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1634 – 1733
Materials: gold alloy, gold
Culture: japanese
Location: japan
Artist: gotō renjō (mitsutomo)
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1628 – 1708

This kozuka features a design of flowers for the Chrysanthemum Festival (Chouyou, September 9).
Vue générale prise de Saint-Elme (Naples).
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: castel sant'elmo
Artist: Anonymous
Subjects: city-view in general; 'veduta', naples
Inscriptions: number: ‘758.’, inscription: ‘DBR’
Landschap
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes

Blad 21 verso uit een schetsboek met 33 bladen.
Triumph of Death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at center
Object type: print
Date: 1588 – 1588
Techniques: woodcut
Artist: andrea andreani
Artist role: artist
Artist nationality: italian
Artist dates: 1558 – 1629
Subjects: skeletons,skulls,cross,death

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Plate (fragment)
Object type: plate fragment
Date: 1801 – 1900
Materials: glass
Subjects: men,jesus

An enlarged copy of fourth-century Roman gold-leaf medallions, or fondi d'oro. Gold-glass fondi d'oro with Christian, Judaic, mythological, and contemporary secular subjects were placed in the walls of the catacombs of Rome. They were set in the bases (fondi) of glass beakers and cups that were the property of the buried person.
Old Woman Approaching the Grave
Object type: print
Date: 1528 – 1528
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Subjects: skulls,women
De allesweter
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: engraving, etching
Artist: giuseppe maria mitelli
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1634 – 1718
Subjects: scholar in his study, scenes symbolizing 'vanitas', the 24 hours of day and night, book, personifications ~ the life of man

Een wetenschapper die alles weet (Dottore Versato). Man zittend in een studeerkamer omringd door boekenkasten met boeken. Met twee vierregelige verzen in het Italiaans. Genummerd rechtsboven: 22. Onderdeel van de serie 'De vierentwintig uren van het menselijk geluk'.
The Actor Onoe Tamizo I as Sotoku Taishi (?) Disguised as a Young Building Worker, in the Play Shitenno-ji Nobori Kuyo, Performed at the Ichimura Theater in the Eighth Month, 1773
Object type: print
Date: 1773 – 1773
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Watermolen op het landgoed van Paleis Soestdijk
Object type: print
Date: 1725 – 1747
Materials: paper
Techniques: etching
Subjects: watermill in landscape
Inscriptions: collector's mark: Lugt 2228

De watermolen op het landgoed van Paleis Soestdijk, op de voorgrond wandelen figuren. De prent maakt deel uit van een serie met zestien gezichten op Paleis Soestdijk en het bijbehorende landgoed.
Herstel van Willem V als erfstadhouder
Object type: history medal
Date: 1787 – 1787
Materials: silver
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: the hague, william v (prince of orange), berlin, draughtsman, wilhelmina of prussia (princess of orange)

Zilveren penning met gat erin. Voorzijde: naar elkaar gewende borststukken van man en vrouw binnen omschrift. Keerzijde: opschrift binnen krans van oranjetakken
St. Jude Thaddeus, from "Christ, the Apostles and St. Paul with the Creed"
Object type: print
Date: 1589 – 1589
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: men,saints
Evening mitts
Object type: evening mitt
Date: 1880 – 1880
Materials: silk
Culture: american
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "Trophée d'armes" door Ambroise Choiselat en rechts "Trophée d'armes et d'attributs des arts" door Pierre Rouillard
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘266’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Terracotta skyphos (deep drinking cup)
Object type: skyphos
Date: 500 – 500
Materials: terracotta
Culture: greek, attic
Artist: theseus painter
Artist role: artist
Subjects: poseidon,seahorses

The god of the sea, Poseidon, riding sea horse Under each handle, heron Many wine vessels were decorated with images related to the sea. Here Poseidon or the kindly old sea god Nereus rides an undulating sea horse.
Wagoner Climbing a Hill, from "Four Diverse Subjects" (Quatre sujets divers)
Object type: print
Date: 1823 – 1823
Techniques: lithograph
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Subjects: men,horses,snow
Twee sluitvignetten met bloemen
Object type: drawing
Date: 1870 – 1937
Materials: ink, paper, pencil
Techniques: pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: flowers
Inscriptions: :, collector's mark: Lugt 2228, annotation: ‘Sluitvignetten’
Strafgevangenis te Leeuwarden, huismunt ter waarde van 1 cent
Object type: cent
Materials: zinc
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: leeuwarden

Zinken betaalpenning. Voorzijde: letter L binnen omschrift. Keerzijde: waardeaanduiding
Actor
Object type: glass
Date: 1701 – 1733
Materials: glass, metal
Techniques: lampwork
Location: france
Duitse windmolen
Object type: cartoon
Date: 1787 – 1790
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Artist: Anonymous
Subjects: vienna, jozef ii (duits keizer), windmill, brabant
Inscriptions: collector's mark: Lugt 2228

Spotprent met een Duitse windmolen waarin allerlei soorten papier gemaakt worden. Op de molensteen de kop van Jozef II. Met Frans onderschrift van drie regels. Onderdeel van een grote groep van prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
Fotoalbum met foto's van Leiden
Object type: scrapbook
Date: 1900 – 1910
Materials: paper, cardboard, linen
Techniques: collodion silver print
Location: leiden
Artist: Anonymous
Subjects: canals, waters (in city), street, leiden

Fotoalbum met zeven foto's van huizen, plaatsen en een tram in Leiden. De foto's hebben handgeschreven bijschriften en zijn geplakt op bladen met decoratieve krullen rondom.
Design for a Tabernacle, Plate 2 from the series 'Tabernacle'
Object type: album print ornament architecture
Techniques: etching
Artist: franz xavier habermann
Artist role: artist
Artist nationality: german
Artist dates: 1721 – 1796
Subjects: tabernacles,cross

Ornament print with a design for a tabernacle in frontal elevation. The tabernacle has a symmetrical, late-Baroque shape, but is decorated with rocaille ornaments. The structure has a deep central niche flanked by pillars, and is crowned by a baldachin of rocaille ornaments upon which a Latin cross is placed. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Plate 9, from Little Egypt Actresses series (T2), issued by Monopole Tobacco Works to promote Khedive Egyptian Cigarettes
Object type: print
Date: 1902 – 1902
Techniques: photolithograph
Artist: monopole tobacco works
Artist role: publisher
Subjects: portraits,women,actresses

Cigarette cards from the Little Egypt Actresses series (T2), Issued in 1902 by Monopole Tobacco Works to promote Khedive Egyptian Cigarettes.
Light
Object type: print
Date: 1893 – 1893
Materials: chine, ink, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
De Nieuwe Kerck
Object type: print
Date: 1681 – 1728
Materials: paper
Techniques: etching
Location: the hague
Artist: cornelis elandts
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1687
Subjects: city-view, and landscape with man-made constructions, the place of worship and its equipment ~ christian churches, bridge in city across river, canal, etc., the hague
Inscriptions: collector's mark: Lugt 2228

Deze prent is oorspronkelijk uitgegeven als onderdeel van de rand van de zogenaamde figuratieve kaart van Den Haag uit 1681-1682 (zie RP-P-AO-12-9D). De rand bestond uit een gezicht op de stad en veertien kleinere gezichten in en om Den Haag.

Veertien van de vijftien prenten van de rand zijn later ook gebruikt in: Aa, Pieter van der. La galerie agreable du monde (...). 66 dln. Leiden: Pieter van der Aa, 1728, dl. 18 en 19. De huidige prent komt als enige niet voor in deze publicatie.

Voor de overige prenten van de rand, zie: RP-P-AO-12-8, RP-P-AO-12-8-2, RP-P-OB-50.201, RP-P-OB-50.202, RP-P-OB-50.203, RP-P-OB-50.204, RP-P-OB-50.205, RP-P-OB-50.206, RP-P-OB-50.207, RP-P-OB-50.208, RP-P-OB-102.387, RP-P-OB-50.209, RP-P-OB-50.210, RP-P-OB-50.211, RP-P-OB-50.213, RP-P-AO-12-5-4 en RP-P-OB-50.214.
Ruïnes van Zaragoza
Object type: print
Date: 1808 – 1814
Materials: paper
Techniques: aquatint, etching
Location: madrid
Subjects: standing figure, banner, standard (as symbol of the state, etc.), head-gear: top hat
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie bestaande uit 36 prenten over de Franse aanvallen op de Spaanse stad Zaragoza in 1808. De serie werd uitgegeven tussen 1812 en 1814.
Jean Jacques Caffiéri (1725–1792)
Object type: painting
Date: 1765 – 1765
Materials: canvas, oil
Artist: jean-baptiste greuze
Artist role: artist
Artist nationality: french
Artist dates: 1725 – 1805
Subjects: men,portraits
Charles XII at Bender (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...,"  London, 1724, vol. II, pl. 30)
Object type: print
Date: 1723 – 1724
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: men,horses

Hogarth made this print early in his career to illustrate a travel book by the French author Aubry de La Mottraye. Charles XII of Sweden is shown at Bender, a Turkish fortress on the Dniester river. In a vignette above, the king appears on horseback near a riverbank accompanied by Baron Ernest Fredrick de Fabrice and several janissaries, with a fortress in the left distance. Below a map shows the king's first and second encampments marked "A" and "AA," with the river "Niester" at center.
Schouwburg van den Oorlog, Beginnende van Koning Karel den II. Tot op Koning Karel den III. Bestaande in IX. Historische Figuren op een Olifants Blad, als Veldslagen, Belegeringen te Water en te Lande, met de voornaamste Vestingen (...)
Object type: print
Date: 1712 – 1720
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: filips v (koning van spanje), vienna, charles vi (holy roman emperor), fortress, maps of separate countries or regions, maps of cities, battle (+ land forces)

Blad met negen voorstellingen van gebeurtenissen uit het jaar 1712 van de Spaanse Successieoorlog en van plattegronden van versterkte steden. Blad XIII in: Schouwburg van den oorlog (editie van 1720), het prentwerk met de gebundelde reeks van 31 platen over de Spaanse Successieoorlog.
Titelprent met cartouche met kwabornament
Object type: titelprent, frontispice
Date: 1636 – 1661
Materials: paper
Techniques: etching
Location: france
Subjects: auricular ornament, lobe style ~ ornament, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 240
Design for Pony Phaeton, no. 224
Object type: print
Date: 1870 – 1870
Materials: gum arabic
Techniques: hand coloring, lithograph
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Interior, left hand holding part of stick or staff; part of architrave?
House and Old Trees
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: england
Artist: henry stacy marks
Artist role: artist
Artist nationality: english
Artist dates: 1829 – 1898
Madeira
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: madeira
Artist: Anonymous
Subjects: animal-drawn sledge (dutch: 'toeslede')

Onderdeel van Reisalbum met foto's van Zuid-Afrika, Madeira, Portugal, Frankrijk en Duitsland.
Portret van François Dolez, burgemeester van Mons
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: politician, historical person (...) - historical person (...) portrayed alone
Inscriptions: inscription: ‘Tiré à 25 exemplaries. No. 5.’

Dezelfde prentmaker heeft meerdere portretten van Dolez geëtst, die sterk op elkaar lijken. Zie RP-P-1909-3497 t/m RP-P-1909-3503.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: gold alloy, gold
Culture: japanese
Location: japan
Subjects: boats
Verbond van Gewapende Neutraliteit, tussen Rusland, Denemarken, Zweden en de Nederlanden, ter ere van Catharina II de Grote, tsarina van Rusland
Object type: history medal
Materials: silver
Techniques: striking
Location: amsterdam
Subjects: catharina de grote
Ludwig Wilhelm Wittich, Art Dealer and Publisher in Berlin
Object type: print
Techniques: aquatint, etching
Artist: friedrich jügel
Artist role: print maker
Artist nationality: german
Artist dates: 1772 – 1833
Subjects: men,portraits
Landscape with Cowherd
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
The Agony in the Garden, plate two from The Passion of Christ
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Stage Coach Passengers
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: james pollard
Artist nationality: english
Artist dates: 1797 – 1867
Loop-Handled Dish
Object type: metalwork
Date: 1902 – 1903
Materials: stone, metal, silver
Techniques: dyeing
Location: england
Artist: charles robert ashbee
Beeld van Herakles als kind, worstelend met twee slangen, door G. Della Porta
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: snakes, early life, prime youth of hercules, (6) the stymphalian birds are shot by hercules, or driven away with a bronze rattle, (1) hercules chokes the nemean lion with his arms, (12) cerberus captured and carried away by hercules, sculpture, sculpture (+ relief ~ sculpture)
Inscriptions: collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16. AMSTERDAM’
Serie van Ecce Homo, de gekruisigde Christus, Maagd Maria en Johannes de Evangelist
Object type: print
Date: 1625 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ alone (also called 'ecce homo')
Inscriptions: collector's mark: Lugt 240 of 1838

Op de voorgrond van de prent staat de 'Ecce Homo', de gegeselde en met een doornenkroon gekroonde Christus. Christus staat op een verhoog waarop Ecce Homo staat geschreven. Hij draagt een gewaad en zijn handen zijn vastgebonden. In zijn rechterhand houdt hij een rietstengel vast als scepter. Hij huilt. De prent heeft een Latijns onderschrift.
Purse
Object type: purse
Date: 1630 – 1630
Materials: leather
Culture: european
Louis XV (1710–1774)
Object type: medallion
Date: 1701 – 1800
Materials: biscuit, paste, porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: men,profiles
Twee afbeeldingen van een Franse gedenkpenning in nagedachtenis van de Slag bij Waterloo
Object type: page
Date: 1865 – 1865
Materials: paper, photographic support
Techniques: albumen print
Location: the hague
Artist: willem matla
Artist role: fotograaf
Subjects: predatory birds: eagle, memorial medal, adult man (+ sideview, profile)

Links de voorzijde met een buste van Napoleon Bonaparte, rechts de keerzijde met een arend in gevecht met vier vogels.
The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border
Object type: drawing
Date: 1510 – 1561
Materials: ink
Techniques: pen
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Subjects: men,cross
Stormy Sea
Object type: drawing
Date: 1851 – 1851
Materials: board
Techniques: brush, wash
Artist: eduard hildebrandt
Artist role: artist
Artist nationality: german
Artist dates: 1818 – 1869
Subjects: birds,seascapes,storms
Gym suit
Object type: gym suit
Date: 1893 – 1898
Materials: cotton, leather, wool
Culture: american

The movement towards women's physical education being included in school curricula was first introduced in the 1850s, although it was not fully accepted until later in the century. Women were seen as frail and easily exhausted from the mental and physical strains placed upon them by a sedentary lifestyle and the newfound entrance into Universities. Initially, basic calisthenics were employed, but later 19th-century exercises were more strenuous and included props, such as scarves and weights. This ensemble is exemplary of the typical garment created by women participating in a physical education course in the late 19th century. The middy style blouse and bloomers allowed movement and fully concealed the female figure, while the balls on the end of the sash could be used as props in calisthenics. Its striking trim, nautical sensibility and unique sash make it an intriguing peek into the early gymnasium of women.