deem-data/ArtiFact huggingface dataset:
Joshua addressing the people at Schechem
Object type: print
Date: 1520 – 1550
Techniques: woodcut
Artist: niccolò vicentino
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1550

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161. The print is after a drawing (Teyler Museum) by a member of Raphael’s workshop for the Vatican Logge. See Nicole Dacos, The Loggia of Raphael. A Vatican Art Treasure. New York, 2008, pp. 193–95; Carel Tuyll van Serooskerken, The Italian Drawings of the Fifteenth and Sixteenth Centuries in the Teyler Museum. Harlem/Ghent/Doornspijk, 2000, no. 242.
Rivierlandschap
Object type: photograph
Date: 1905 – 1910
Materials: photographic support
Techniques: photography
Location: suriname
Artist: augusta curiel
Artist role: fotograaf
Artist dates: 1873 – 1937
Subjects: jacob evert wesenhagen, railway, tramway; rack railway, suriname

Landschap met oerwoud en rivier. Foto in het fotoalbum over de aanleg van de Lawaspoorweg in Suriname in de jaren 1903-1912. Onderdeel van een groep objecten afkomstig van de familie Wesenhagen in Suriname.
Yang Guifei  and the Tang Emperor Minghuang
Object type: print
Date: 1736 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Gezicht op gebouwen
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: civic architecture; edifices; dwellings, street

Vooraan een figuur. Pagina 30 uit een schetsboek met 72 bladen.
Double Capital
Object type: capital
Date: 1001 – 1300
Materials: marble
Culture: french or italian
Gezicht op de voorzijde van het Paleis Huis ten Bosch te Den Haag
Object type: opticaprent
Date: 1700 – 1799
Materials: cardboard, paint, paper, watercolor
Techniques: brush, cutting, etching, perforating
Location: france
Subjects: palace, four-wheeled vehicle drawn by more than three animals
Inscriptions: collector's mark: Lugt 2233

Rechts rijdt een koets getrokken door zes paarden.
Pelerine
Object type: pelerine
Date: 1801 – 1900
Techniques: lace
Natural history and antiquities of Selborne
Object type: book
Date: 1876 – 1876
Materials: cardboard, leather, linen, paper, photographic support
Techniques: carbon print, decorated paper, engraving, printing
Location: london
Young Ladies Viewing Cherry–blossoms at Asukayama
Object type: print
Date: 1742 – 1815
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: boys,girls,women,trees
Saltcellar (?)
Object type: saltcellar
Date: 1701 – 1800
Materials: glass
Reproductie van Arabes en prière door Eugène Fromentin-Dupeux
Object type: page
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Subjects: ritual objects and ritual means ~ non-christian religions, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Eugène Fromentin/ Galerie Contemporaine, Littéraire et Artistique/ 126, boulevard Magenta, Paris.’
Shawl
Object type: shawl
Date: 1801 – 1900
Materials: silk, wool
Culture: indian
Subjects: flowers
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of round shield and spear
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1918
Materials: ink
Techniques: pen, writing
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: dordrecht, painter, designer, jan veth, den bosch, antoon derkinderen, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
Modish and Prudish
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: women
Binnenplaats van Kasteel het Geudje te Ohé en Laak
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: ohé en laak
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle, courtyard
Inscriptions: annotation: ‘Ohé/ het Gödje’, annotation: ‘Het huis van Laak genaamd het Gödje op het eiland [...]/ (binnenplaats) aug 1896’
Landschap met boerderij
Object type: drawing
Date: 1832 – 1897
Materials: paper, pencil
Techniques: brush
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: farm or solitary house in landscape
Ex libris van de Sint Laurentiuskerk in Breda
Object type: bookplate
Date: 1957 – 1957
Materials: paper
Techniques: engraving
Location: breda
Artist: Anonymous
Subjects: the martyr and deacon laurence of rome; possible attributes: book, censer, cross, dalmatic, gridiron, palm, purse (or cup with golden coins)
Inscriptions: signature, date and inscription: ‘Houtg. / Ally Sm (?) '57’
Tijden van de dag
Object type: print
Date: 1660 – 1666
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., afternoon ~ other concepts, rocks
Inscriptions: collector's mark: Lugt 240

Herdersfamilie rust met kudde koeien bij bomen. Herderin zit met kind op schoot. Prent nummer 2 uit serie van vier prenten met tijden van de dag.
Portret van Frederik Hendrik, prins van Oranje
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: delft, the hague, frederick henry (prince of orange)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Portret van Juan Luis Vives
Object type: print
Date: 1842 – 1860
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: quill (+ scholar, scientist (at work)), historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit aan een tafel en schrijft met een veer op een vel papier.
Yaksha Relief
Object type: panel
Date: 701 – 900
Materials: stone
Culture: nepali
Subjects: buddhism,deities
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1301 – 1400
Materials: copper, enamel, gold
Culture: spanish
Location: spain
Subjects: dogs

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Charles H. Jones, Jacksonville Times Union, from the American Editors series (N35) for Allen & Ginter Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,trees

Trade cards from the "American Editors" series (N35), issued in 1887 in a set of 50 cards to promote Allen & Ginter brand cigarettes. This series is a physically larger version of the "American Editors" set (N1), including the corresponding small card design with other pictorial matter added.
De Zilversmit
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: cornelis van der sys
Artist role: publisher
Subjects: handicrafts, craftsman at work, jeweller, goldsmith, silversmith
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Prent oorspronkelijk verschenen in de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk). Daarna is de titel en het vers afgesneden. De prenten in diverse publicaties verschenen en gekopieerd. Huidige staat uit: Luyken, Jan en Caspar. Spiegel van het menselyk bedryf (...). Amsterdam: Cornelis van der Sys, 1718, p. 157. Prent waarschijnlijk ook gebruikt in eerdere (1704) en latere (1730, 1749, 1767) publicaties.
Landscape with a cow drinking
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: cow
Inscriptions: mark: Lugt 2165
Vechtend stel
Object type: drawing
Date: 1652 – 1652
Materials: ink, paper
Techniques: brush
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Henry Booth De La Mer of Dunham
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 240
Uitstalling van verschillende soorten Japanse schoenen
Object type: photograph
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: shoes, sandals
Inscriptions: inscription
In 't Bosch
Object type: drawing
Date: 1840 – 1870
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hoofed animals: deer, forest, wood
Inscriptions: signature: ‘Tavenraat’, annotation: ‘Tavenraat. "In 't Bosch."’

Hert in het bos. Op de achterzijde een schets van een vos.
Drawing of Capital from the Vatican
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: capitals,men,male nudes
Portret van Simon Episcopius
Object type: print
Date: 1657 – 1707
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 240

Borstbeeld van Simon Episcopius, onder de voorstelling zijn naam en titels en een Latijns vers van tien regels.
Portret van een jonge vrouw, aangeduid als Wanda
Object type: carte de visite
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: warsaw
Artist: conrad
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘Fotografija/ Artystyczna/ Conrad/ w Warszawie/ ULICA ERYWANSKA PLAC ZIELONY No 14.’, annotation: ‘Meiner lieben Agnes/ zur [freundlichen] Erinn./ [...] an ihre[.]/ Wanda’
Portret van een onbekende vrouw buiten bij een muur met klimop
Object type: carte de visite
Date: 1901 – 1907
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: sander van der zijl
Artist role: fotograaf
Artist dates: 1852 – 1935
Subjects: adult woman, anonymous historical person portrayed, amsterdam
Inscriptions: inscription: ‘Amsterdam/ S.v.d.Zijl./ Amsterdam/ 219 Kalverstraat 219.’, inscription: ‘Photographisch Atelier/ van/ Sander van der Zijl/ Amsterdam/ 219 Kalverstraat 219 b/d. Munt./ Voorheen gevestigd Nieuwendijk b/d. Dam./ Specialiteit in Kinderopnamen./ Vergrootingen van deze en andere Portretten/ tot levensgroote./ N.B. van deze Portretten kunnen steeds nabesteld worden./ 15 10 01/ Prager & Lojda, Berlin.’
String of 27 Eyed Beads
Object type: necklace, bead
Date: 1 – 366
Materials: glass
Location: egypt
Untitled
Object type: photograph
Date: 1870 – 1879
Techniques: albumen print
Location: england
Artist: samuel bourne
Artist role: fotograaf
Artist nationality: english
Artist dates: 1834 – 1912
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, thigh and knee of male?; right hand and part of forearm of figure; below hand, unidentified object
Portret van Stringer Lawrence
Object type: print
Date: 1747 – 1781
Materials: paper
Techniques: etching
Location: england
Subjects: london, ornament ~ medallion, commander-in-chief, general, marshal, historical persons

Prent komt uit een editie van The Universal Magazine.
Willem de Cock en Johannes Spicker, burgemeesters van Brussel
Object type: jeton
Date: 1494 – 1494
Materials: copper
Techniques: striking
Location: brussels
Artist: Anonymous
Subjects: brussels

Koperen penning. Voorzijde: door engel gedragen wapenschild binnen omschrift. Keerzijde: gehelmd wapenschild binnen omschrift.
Two actresses, one holding sword, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Interior Scene with Man Smoking and Woman Pointing (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: men,women,smoking

The execution of sketches and studies was a crucial part of Edmonds’s creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.
Radslotgeweer
Object type: radslotgeweer
Date: 1600 – 1620
Materials: copper, iron, wood
Techniques: cutting, engraving
Location: prague
Artist: Anonymous

Jachtgeweer. Loop achtkantig, gebruineerd, getrokken met acht trekken. Radslot met versneller, rad inwendig gedekt door koperen plaat in de vorm van een bloem. Slotplaat en haan gegraveerd met landschap en beesten. Lade en kolf met koper ingelegd en gegraveerd wapen. Midden 17de eeuw. Lengte van de loop 0,83 m, kaliber 15? mm.
Alb
Object type: alb
Date: 1601 – 1633
Materials: linen
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
A Couple in an Interior with a Fortune-Teller
Object type: painting
Date: 1632 – 1633
Materials: oil, wood
Artist: jacob duck
Artist role: artist
Artist nationality: dutch
Artist dates: 1598 – 1667
Subjects: fireplaces,interiors,couples,men,women

In this early work of about 1630–35 Duck adapts a subject found in pictures by his older Utrecht colleagues, such as Dirck van Baburen, to a scale and setting typical of Amsterdam genre painters like Pieter Codde and Willem Duyster.
Correspondentie tussen L.J. Hartkamp en F.I.M. Filmmaatschappij over de auteursrechten van foto's gebruikt in een kalender
Object type: correspondence
Materials: paper
Techniques: printing, printing block, typewriting
Location: the hague
Subjects: letter, envelope

Correspondentie bestaande uit vier brieven tussen L.J. Hartkamp en F.I.M. Filmmaatschappij over de auteursrechten van foto's gebruikt in een kalender voor het jaar 1942. Hartkamp vertegenwoordigt als advocaat zijn cliënt Ch. Kellerman die F.I.M. Filmmaatschappij waarschuwt tot een gerechtelijke procedure over te gaan wanneer laatstgenoemde niet met een passend voorstel komt. F.I.M. Filmmaatschappij beweert echter dat zij de foto's hebben gekocht en dat de kalender nooit officieel is uitgegeven wegens inbeslagname door de Duitse invallers.
Winterlandschap
Object type: watercolor
Date: 1794 – 1854
Materials: paper, watercolor
Techniques: brush
Artist: haatje pieters oosterhuis
Artist role: draughtsman
Artist dates: 1784 – 1854
Subjects: playing with snow and ice - cc - adult(s) ~ snow and ice, ice ~ freezing weather
Funerary staff
Object type: tomb staff
Date: 1400 – 1535
Materials: paint, wood
Culture: inca
Location: peru
Artist: inca artist(s)
Artist role: artist
Subjects: birds
Portret van Steven Blankaart
Object type: print
Date: 1670 – 1724
Materials: ink, paper
Techniques: pen
Location: amsterdam
Subjects: wig
Inscriptions: collector's mark: Lugt 2228

Steven Blankaart, Nederlands dichter en geneesheer te Amsterdam.
Portret van een jonge vrouw met hoed in de hand, staand bij een stoel
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, head-gear: hat, standing figure - aa - female human figure, chair
Marble pillar with Neo-Attic reliefs
Object type: pillar
Date: 34 – 33
Materials: marble
Culture: roman
Subjects: women,silenus

A fine example of classicizing art, this marble pillar bears on all four sides reliefs in the Neo-Attic style. The themes are drawn from the world of Dionysus. A flowering acanthus plant carved in low relief occupies one of the long sides, while on the other, in higher relief, two female figures with billowing garments surmount a Silenus herm. Their attributes identify them as Horae, the personifications of the Seasons. At the top is summer holding a garland in one hand and a sheaf of wheat in the other. At the bottom, autumn carries pomegranates and bunches of grapes in the fold of her himation, while a third figure, now missing, most probably represented spring. Both short sides are decorated with a thyrsos, the god’s characteristic staff. This work is notable for its unusual iconography. Decorative relief pillars are predominately adorned by elaborate trailing vegetation motifs; human figures and animals, if present, play only a secondary role in the composition. Mythological scenes as attested here are rare.
Portret van een onbekende man
Object type: photomechanical print
Date: 1893 – 1903
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: anonymous historical person portrayed
Inscriptions: number: ‘Fig. 8.’
Enquêteformulier ingevuld door Willem Pluijm
Object type: manuscript
Date: 1842 – 1842
Materials: ink, paper
Techniques: pen, printing, writing
Location: overveen
Subjects: amsterdam, print maker, willem pluijm
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Pin terminating in a male head
Object type: pin
Date: 1 – 100
Materials: silver
Culture: parthian or kushan
Location: indus region or eastern iran
Subjects: heads
Baliemand vervaardigd van gespleten wilgenteen
Object type: baliemand
Date: 1676 – 1676
Materials: plant material
Location: halle
Artist: Anonymous

Baliemand, rechthoekig van vorm, van gespleten wilgenteen, fijnscheenwerk, met ingevlochten ruitmotieven en vier handvatten.
Meisje omhelst een oude vrouw
Object type: drawing
Date: 1847 – 1899
Materials: paper, pencil
Artist: jacob maris
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1899
Engel vliegt weg met de kleding van een badende koning
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching, letterpress printing
Location: nuremberg
Subjects: washing and bathing - aa - in the open air, angels
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham a Sancta Clara. Heilsames Gemisch Gemasch, das ist: Allerley seltsame und verwunderliche Geschichten (...). Neurenberg: Christoph Weigel, 1704, p. 211.
Portret van keizer Carus
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: historical persons, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 219. Eerste staat verschenen in een grotere prent met twaalf portretten, gedateerd 1695.
Design for Mirror Frame
Object type: drawing ornament architecture
Date: 1720 – 1740
Materials: chalk, graphite, ink
Techniques: brush, pen, wash
Artist: giovanni battista natali iii
Artist role: artist
Artist nationality: italian
Artist dates: 1698 – 1765
Subjects: mirrors

This beautiful design for a mirror was made by the Italian artist Giovanni Battista Natali III. He has drawn one half of the mirror in full detail, and only suggested certain details for the other half where changes to the design could be considered. The mirror is rendered in a late Baroque style, which places it relatively early in Natali’s career. His later designs show the emergence of the new Rococo style which culminates in his involvement in the production of the so-called Salottino di Porcellana (Small Porcelain Room) for the Queen of Naples, Maria Amalia of Saxony. Not much is known about Natali’s career, which can partly be credited to the fact that he was active in various art disciplines in different cities throughout Italy, making it difficult to trace his oeuvre. He was, moreover, also involved in the production of artworks of an ephemeral nature, such as set pieces for festivals and the theater which were usually destroyed after they had served their purpose. The 18th-century Italian inscription on this sheet attributes its design to the Venetian artist Carlo de’ Nobili, demonstrating that even though in this case the work of art has survived, its author was forgotten relatively soon after its creation.
Zittende vrouw met een opengeslagen boek
Object type: drawing
Date: 1920 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: book, sitting on an elevation - aa - female human figure

De tekening is gemaakt op de laatste bladzijde van J.H. de Bois' Tweemaandelijksch Bulletin 3 (1920), nr. 5, 1 oktober 1920.
La Cathédrale
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: reims
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: church (exterior), façade (of house or building)
Inscriptions: number: ‘105’, initials: ‘N.D.’, retailer's mark: ‘librairie, papeterie, eliure/ Th. WARME/ REIMS/ 2, Pl. du Palais de Justice’, annotation: ‘fig.’, number: ‘105/ 176’
S.G. Carow, Knight
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Aartsengel Michaël in gevecht met de duivel
Object type: print
Date: 1628 – 1659
Materials: paper
Techniques: etching, intaglio
Location: italy
Artist: giovanni pietro possenti
Artist role: print maker
Artist dates: 1618 – 1659
Subjects: the archangel michael fighting the dragon (devil, satan)
Inscriptions: collector's mark: Lugt 2228
Lappet
Object type: lappet
Date: 1867 – 1933
Materials: linen
Culture: belgian