deem-data/ArtiFact huggingface dataset:
Ice bucket (Seau à bouteille)
Object type: ice bucket
Date: 1765 – 1765
Materials: faience
Techniques: glazing

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Op de Win Winden van 't jaar 1720
Object type: manuscript
Date: 1720 – 1720
Materials: paper
Techniques: writing
Location: northern netherlands
Artist: Anonymous
Subjects: windhandel van 1720

Vers op de windhandel van 1720 getiteld: Op de Win Winden van 't jaar 1720. Bladzijde met handgeschreven gedicht in drie verzen. Los blad in de eerste uitgave (304 B 11) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Covered Bowl and Stand
Object type: glass
Date: 1830 – 1860
Materials: glass
Location: france
Artist: baccarat glassworks
Artist nationality: french
Artist dates: 1764 –
A Chines Grocery - San Francisco
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: photograph
Location: san francisco
Artist: Anonymous
Subjects: shop, store
Chocolate cup and saucer
Object type: platter
Date: 1725 – 1725
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: label: ‘SAMMLUNG / Dr. FRANZ OPPENHEIMER’, number: ‘134.’

Meissener Porzellan Manufaktur
Meissen, c. 1725
hard-paste porcelain
Fotoreproductie van een schilderij door Carl Fröschl, voorstellende een meisje bij een wastobbe
Object type: photograph
Date: 1875 – 1885
Materials: photographic support
Techniques: albumen print
Location: munich
Subjects: picture, painting, building or outbuilding where laundry is done
Undersleeves
Object type: undersleeves
Date: 1825 – 1825
Materials: silk
Culture: american
Jupiter met een Boogschutter en Vissen (tekens van de dierenriem)
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: (story of) mercury (hermes), (story of) jupiter (zeus), pisces (zodiacal sign of february), sagittarius (zodiacal sign of november), jupiter (planet)
Inscriptions: number: ‘52’, collector's mark: Lugt 2228

Maakt deel uit van een serie van zeven prenten met personificaties van de planeten, tekens van de dierenriem en verbeeldingen van verhalen uit de Metamorfosen van Ovidius.
Ewer
Object type: ewer
Date: 701 – 900
Materials: earthenware
Location: iran
Bagnères-de-Bigorre. Les Thermes
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring, perforating
Location: bagnères-de-bigorre
Artist: Anonymous
Subjects: watering-place, spa, village square, place
Inscriptions: number: ‘24’, monogram: ‘E.L.’
Panel fragment with the god Shiva/Oesho
Object type: painted panel
Date: 201 – 300
Materials: gouache, terracotta
Culture: kushan
Location: bactria
Subjects: deities

This rare Central Asian votive panel depicts a deity (with nimbus) being approached by a worshiper, probably nonroyal but portrayed as of equal stature to the god. Compositionally, they follow scenes of homage and investiture from the post-Hellenistic West and from Iran in which a king and a god appear side by side. Along with the hands of a missing worshiper, the god Siva/Oesho is depicted. Four-armed and three-headed, with a prominent third eye, he wears an animal skin and a belted, diaphanous garment and holds a trident. Here, the rich intercultural style that developed in the Kushan realm is most clearly displayed: Indian divine iconography; the Iranian type of two-figured composition; and Greco-Roman naturalism in the drapery and pose, as well as in the use of light and shadow to suggest modeling. The panel has holes at the corners and was probably set up, together with three others acquired by the Museum (MMA 2000.42.1, .2, .3), on the interior walls of a sanctuary, perhaps a family shrine.
Massachusetts, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: coat of arms

Trade cards from the "Flags of the States and Territories" series (N11), issued in 1888 in a set of 47 cards to promote Allen & Ginter brand cigarettes. There are also approximately 100 scroll color variations. The museum's collection contains the full set of 47 cards, as well as 54 scroll color variations and one cutout card.
The Triumph of Eternity, plate six from The Triumphs of Petrarch
Object type: print
Date: 1539 – 1539
Materials: paper
Techniques: engraving
Location: germany
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550

The final installment to Georg Pencz’s Italianate ode to Petrarch offers a dramatic rendition of the Last Judgment. Christ, the Evangelists, the Saints, and the Saved rise on clouds above the earthly turmoil of the Apocalypse. Rome burns to the left, and amid the skeletons, the Whore of Babylon ministers to the Damned below. The Parisian printseller Pieter Mariette II’s signature and the date, 1666, appear at the lower right in brown ink; clearly Pencz’s Triumphs series remained visually effective and eminently collectible over a century after its creation.
Studieblad met portretten van onbekende mannen en een ridder te paard
Object type: print
Date: 1829 – 1888
Materials: paper
Techniques: etching
Artist: edouard hamman
Artist role: draughtsman, print maker
Artist dates: 1819 – 1888
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Portret van Lodewijk Napoleon
Object type: print
Date: 1764 – 1806
Materials: paper
Techniques: etching, roulette
Location: paris
Subjects: louis napoleon (king of holland), historical persons, king
Inscriptions: : ‘Déposé à la Bibliothèque Impériale’, collector's mark: Lugt 2228
Martha's Vineyard, from the Fancy Bathers series (N187) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: girls

Trade cards from the "Fancy Bathers" series (N187), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Ewer
Object type: ewer
Date: 1101 – 1200
Materials: glaze, stonepaste
Techniques: painting
Location: syria
Gezicht op het Nieuwe Kasteel in Stuttgart, Duitsland
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: photograph
Location: stuttgart
Subjects: palace
Le Paysan Tenant un Gobelet (The Peasant Holding a Cup), from "Les Caprices" Series B, The Nancy Set
Object type: print
Date: 1617 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Jupiter bedaart de storm op zee in rechthoekige omlijsting met negen scènes uit epos Aeneis
Object type: print
Date: 1515 – 1516
Materials: paper
Techniques: engraving
Location: rome
Subjects: (story of) neptune (poseidon), the story of aeneas' wanderings to italy (virgil, aeneid), neptune quieting the storm, 'quos ego' (virgil, aeneid i 135)
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

Jupiter bedaart de storm op zee in rechthoekige omlijsting met negen scènes uit het epos Aeneis van Vergilius in willekeurige volgorde weergegeven. De voorstellingen worden geduid met teksten in het Latijn.
Bosrand bij Kalmthout
Object type: print
Materials: paper
Techniques: etching
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: lake, fringe, edge of the wood
Inscriptions: collector's mark: Lugt 2228

Landschap met bomen aan de rand van een meer.
Portret van Anthony Hoynck van Papendrecht
Object type: print
Date: 1809 – 1853
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de biografische gegevens van de geportretteerde.
Muzikanten en drinker in een herberg
Object type: print
Date: 1619 – 1668
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (lovers) kissing each other, hurdy-gurdy player, glass, rummer, the man is robbed (brothel scene), dog
Inscriptions: collector's mark: Lugt 240

In een herberg of bordeel zit een man achter een tafel met een glas in zijn hand. Hij wordt beroofd door een prostituee. Bij de tafel twee muzikanten, waarvan de een met een viool en de ander zingend met een draailier in de handen. Links een minnekozend paar en een kind. Rechtsachter houdt een vrouw de genuttigde consumpties bij. Onder de tafel een hond.
Briefkaart aan Jan Veth
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: august allebé, dordrecht, designer, jan veth, willem witsen, the graphic arts, paris
Inscriptions: collector's mark: ‘RPK’
Winter
Object type: print
Date: 1587 – 1595
Materials: paper
Techniques: engraving
Location: germany
Subjects: woodgathering, woodgatherer, woodcutting, woodcutter ~ forestry, winter ~ human activities (the four seasons of the year), slaughtered ox or pig, butcher, slaughterman, transport of timber, timber-trailer
Inscriptions: collector's mark: Lugt 240

Een winters landschap met winterse activiteiten. Op de voorgrond wordt hout gekapt en verzameld. Een ezel vervoert de takkenbossen op de rug. Rechtsachter een boerderij waarvoor een varken wordt geslacht. Onder een afdak zit een vrouw te spinnen. De prent heeft een Latijns onderschrift en maakt deel uit van een vierdelige serie met als onderwerp de vier seizoenen.
Tussenzetsel van geborduurd linnen met kantborduurwerk in een ruit tussen kruizen
Object type: strip
Date: 1700 – 1899
Materials: linen
Techniques: embroidery, embroidered, weave
Location: marken
Artist: Anonymous

Tussenzetsel van naturelkleurig geborduurd linnen - witwerk - met kantborduurwerk: gesneden werk. Het borduurpatroon bestaat uit een ruit die ontstaat tussen twee kruizen. Zowel de kruizen als de ruit zijn gemaakt met sierbanden waarin geometrische bloemen zijn geborduurd, omringd met talloze zeer kleine uitsparingen. Het opengewerkte centrum van de ruit bestaat uit vierkantjes die uit het linnen zijn gesneden en waarbij de snijranden zijn afgehecht met festonsteken.
Leven, passie en wederopstanding van Christus
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: descent from the cross: christ is taken down from the cross, usually by nicodemus and joseph of arimathaea who are standing on the ladders (both arms of christ detached)
Inscriptions: collector's mark: Lugt 2228

Christus wordt het kruis afgenomen door Jozef van Arimatea, Nikodemus en Johannes. Maria, Maria Magdalena en twee andere vrouwen helpen (Lucs 23:53). De prent heeft een Latijns onderschrift. De prent maakt deel uit van een serie over het leven van Christus.
Maria met Kind en Johannes
Object type: print
Date: 1616 – 1689
Materials: paper
Techniques: engraving
Location: france
Subjects: mary and the christ-child with john the baptist (as child)
Inscriptions: collector's mark: Lugt 240
Studie
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: paper, pencil
Artist: jonkheer johannes ludovicus paulus bosch van drakestein
Artist role: draughtsman
Artist dates: 1865 – 1929

Blad 35 recto uit een schetsboek met 58 bladen.
Louise Paullin, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van Willem Gustaaf Frederik Bentinck van Rhoon
Object type: print
Date: 1822 – 1826
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Stuart, Martinus. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden, van de vestiging van het Erfstadhouderschap in de mannelijke en vrouwelijke linie, tot aan 's Lands verlossing, uit de inlijving in het Fransche Keizerrijk. Amsterdam: Evert Maaskamp, 1822-1826.
Design for a Tomb
Object type: drawing
Date: 1700 – 1773
Materials: graphite, ink
Techniques: pen, wash
Artist: pietro bracci
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1773
Subjects: tombs,men,women,lions
Heerenstraat te Paramaribo
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘40’

Gezicht in de Heerenstraat te Paramaribo, op de voorgrond een groep meisjes. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Rim for Waste Bowl
Object type: waste bowl
Date: 1845 – 1845
Materials: silver
Culture: american
Location: united states
Artist: andrew ellicott warner
Artist role: maker
Artist nationality: american
Artist dates: 1786 – 1870
Culinary Mold in the Form of a Seated Woman
Object type: metalwork
Date: 1801 – 1900
Materials: pewter
Location: europe
Two Sketches of Boats
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: boats
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware, glaze, pigment
Techniques: painting, polychrome
Location: iran
Subjects: birds
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1914 – 1914
Materials: cardboard, ink
Techniques: pen, writing
Location: scheveningen
Artist: suze groshans
Artist role: schrijver
Artist dates: 1863 – 1944
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Très Parisien, 1927, No. 10 : 15.-Sylvette.-Jolie robe de form (...)
Object type: fashion print
Date: 1927 – 1927
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: border, ribbon, braid (+ leather used for clothes), cigarette-tube, cigarette-holder (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.), fashion plates, dress, gown (+ women's clothes)
Inscriptions: title: ‘"Très Parisien" / No 10. - 1927’, caption: ‘15. - SYLVETTE. - Jolie robe de forme droite en vellor amande employé des deux côtés. Robe originale en kashatullor bleu clair ceinturée d'étroites bandes de peau dorée. / Tissus de RODIER.’

Jurk, recht model, van amandelkleurige 'vellor'. Jurk van lichtblauwe 'kashatullor' met dunne banden van goudkleurig leer. Stoffen van Rodier. Accessoires: cloche (pothoed), pumps. Prent uit het modetijdschrift Très Parisien (1920-1936).
Gezelschap op een terras in Scheveningen
Object type: album leaf
Date: 1908 – 1932
Materials: paper
Techniques: gelatin silver print
Location: scheveningen
Artist: Anonymous
Subjects: pavement, terrace in front of inn or restaurant
Inscriptions: inscription: ‘Corry Mak, Theo Gouda, Dr Diehl, Theo Diehl/ Dr. Mak’
Card Number 204, Pauline Hall, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Candlestick
Object type: candlestick
Date: 1875 – 1900
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Subjects: dolphins
Twee schepen met zwaarden op het strand
Object type: print
Date: 1866 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: frans hens
Artist role: print maker
Artist dates: 1856 – 1928
Subjects: ships, boats on land, beached
Inscriptions: collector's mark: Lugt 2228
Katten
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: cat

Blad 26 recto uit een schetsboek met 42 bladen.
The Adoration of the Magi
Object type: print
Date: 1470 – 1475
Techniques: engraving
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Subjects: cows,dogs,horses,madonna and child,adoration of the magi,nativity,flags
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: copper, copper alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: men
Wash Basin
Object type: wash basin
Date: 1849 – 1858
Materials: earthenware
Culture: american
Location: united states
Artist: united states pottery company
Artist role: maker
Artist nationality: american
Artist dates: 1852 – 1852
Felix
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: rome, pope
Inscriptions: inscription: ‘2’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een staf met een dubbel kruis in zijn handen. De nimbus om zijn hoofd vertelt dat deze paus heilig is verklaard. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als paus Felix III. De prent maakt deel uit van een album.
“Channel Markers” (Miotsukushi)
Object type: handscroll
Date: 1367 – 1433
Materials: ink, paper
Culture: japanese
Subjects: men,horses,carriages

This section of a rare medieval polychrome handscroll illustrates a scene from “Channel Markers,” Chapter 14 of the tale. Genji visits Sumiyoshi Shrine to thank the local deities for answering his prayers and allowing his safe return from exile at Suma. Without showing landscape background, the artist remains faithful to the author’s description: “Genji had arranged for an escort of ten charming page boys, all the same height and outfitted in a most delightful style, their long hair bound in loops at their ears with thin white cords that had been dyed purple at the tips. All in all, they presented a vibrant, refined appearance that was strikingly modern.” Genji appears midway through the procession, partially concealed in his ox-driven carriage but with his face visible through the window. Genji writes to the Akashi Lady: みをつくし恋ふるしるしにここまでも めぐりあひけるえにはふかしな The channel markers show how far love has taken us, and how I’ve given fully of myself since fate brought us together because of our deep karmic ties.
Portret van Claude de la Sengle
Object type: print
Date: 1643 – 1659
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, military orders, e.g.: knights templars, knights of malta, teutonic knights ~ roman catholic church

Prent mogelijk uit: Baudoin, Jean. Histoire des chevaliers de l'ordre de s. Jean de Hierusalem (...). Parijs: Jacques Dallin, 1643. Of uit: Baudoin, Jean. Histoire des chevaliers de l'ordre de s. Jean de Hierusalem (...). Parijs: Thomas Jolly, 1659.
Paleistuin met een ronde fontein
Object type: album leaf
Date: 1568 – 1568
Materials: paper
Techniques: etching
Location: antwerp
Subjects: piece of sculpture, reproduction of a piece of sculpture, courtyard, ornamental fountain

Paleistuin met een fontein met een rond bassin dat wordt gedragen door vazen en een staande naakte man. Onderaan vier waterspuwende kikkers. Rond de tuin gangen van traliewerk. Deze prent maakt deel uit van een album.
Il disinganno
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: italy
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

Allegorische beeldengroep met een man, gevangen in een net, die kijkt naar een gevleugelde figuur. De gevleugelde figuur heeft een vlam op het voorhoofd, een symbool van menselijk intellect, en wijst op een globe. Naast de globe staat een Bijbel. Tekst in het Italiaans onder de voorstelling.
‘Shapes of Clouds and Figures in the Water’
Object type: print
Date: 1712 – 1714
Materials: paper
Techniques: engraving
Location: china
Artist: matteo ripa
Artist role: priest, print maker
Artist dates: 1682 – 1746
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘GW’

This print illustrates Ripa’s struggle to render the Chinese landscape in a copperplate engraving. He mimicked the shape of the mountains depicted in the woodcut: however, he did not entirely fill in their surface with lines, instead using sparse hatching to create shading and give them volume. The foliage of the trees, on the other hand, does adhere to the Chinese style in the woodcut.
Wallpaper
Object type: wallpaper
Date: 1790 – 1790
Materials: paper
Location: france
Artist: arthur and robert wallpapers
Artist role: maker
Artist dates:  – 9999
Subjects: women,trees
Wheellock Puffer (Pistol) for the Mounted Bodyguard of the Elector of Saxony
Object type: arm
Date: 1589 – 1589
Materials: steel
Location: germany
Artist: abraham dressler
Izaäk ontvangt Rachel
Object type: watercolor
Date: 1677 – 1755
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: isaac, walking in the fields, meets rebekah