deem-data/ArtiFact huggingface dataset:
Coffeepot
Object type: coffeepot
Date: 1760 – 1760
Materials: stoneware
Culture: british
Location: england
Subjects: flowers
Cup and Saucer
Object type: ceramic
Date: 1775 – 1775
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: worcester
Portret van Wilhelm Xylander
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving, letterpress printing
Location: france
Artist: robert boissard
Artist role: print maker
Artist dates: 1570 – 1611
Subjects: augsburg, historical persons, book
Inscriptions: collector's mark: Lugt 2228, inscription: ‘n. 1530.’
Bomen bij zonsopgang
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: marcel vanderkindere
Artist role: fotograaf
Artist dates: 1864 – 1941
Subjects: trees
Gezicht op de Oostenburgergracht
Object type: photomechanical print
Date: 1875 – 1975
Materials: paper
Techniques: line block
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, ships (in general) - cc - more than one ship, boat propelled by man or animal
Inscriptions: collector's mark: ‘10.92’ Lugt 1641b, inscription: ‘Nieuwe Vaart’

Onderwerpsrubriek binnen de Atlas Amsterdam: Oetgensstraat, Olifantspad, Olofspoort (St.), Onkelboerensteeg, Oosterparkstraat, Oostenburgergracht, Oosterdoksdijk, Osjessluis en Kalverstraat, Ossenspooksteeg, Oudekerksplein, Oudemanhuispoort, Oude Schans.
Ontginning en aanplant in ravijnen op Kanopan Oeloe, 1931
Object type: photograph
Date: 1903 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: rubber, sumatra
Inscriptions: inscription

Blad met vier foto's van ontginning en beplanting van ravijnen op Kanopan Oeloe, maart 1931. Onderdeel van het fotoalbum over de plantages Leidong West en Kanopan Oeloe van de Cultuur Maatschappij Leidong West op Sumatra in de jaren 1925-1939.
Portrait of actress facing left, from the Transparencies series (N137) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: profiles,women,actresses

Trade cards from the "Transparencies" series (N137), issued in an unnumbered set of 25 cards in the late 1880s by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco. Each image is printed on very thin paper, intended to be transparent when held up to the light.
Vijftigjarig bestaan van het Koninklijk Zoologisch genootschap "Natura Artis Magistra"
Object type: history medal
Date: 1888 – 1888
Materials: bronze
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: amsterdam
Inscriptions: date: ‘1838 1 MEI 1888’, circumscription: ‘KONINKLIJK ZOOLOGISCH GENOOTSCHAP NATURA ARTIS MAGISTRA’

Bronzen penning. Voorzijde: twee met lint samengebonden wapenschilden voor heuvellandschap, omringd door leeuw, tijger en olifant binnen lauwerkrans. Keerzijde: opschrift boven twee samengebonden lauwertakken binnen omschrift.
Vrouw in een kimono naast een houten pilaar
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: japan
Subjects: adult woman, column, pillar ~ architecture, dress, gown
Firenze. Palazzo del Bargello
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1906
Materials: paper
Techniques: gelatin silver print
Location: italy
Subjects: palace, permanent exhibition, museum, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Schippersgilde te 's-Hertogenbosch, gildepenning door het gilde geschonken aan opperdeken Willem Cornelis Ackerdyck
Object type: medal
Date: 1750 – 1750
Materials: silver
Techniques: engraving
Location: den bosch
Artist: Anonymous
Subjects: den bosch

Zilveren penning aan draagoog in vorm van bloem met drie bladeren. Voorzijde: naar links varende tjalk met tweekoppige bemanning binnen omschrift en bladerkrans. Keerzijde: gekroond wapenschild, geflankeerd door twee halfnaakte mannen met knots over schouder; daaronder siermotief binnen omschrift en bladerkrans
Gezicht op de ridderzaal van het Kasteel van Gaasbeek, België
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: kasteel van gaasbeek
Artist: gustave choppinet
Artist role: fotograaf
Subjects: castle, throne-room
Inscriptions: inscription: ‘à Madame la Marquise ARCONATI-VISCONTI/ La Salle des Chevaliers’, number: ‘PLANCHE 32’

Deze prent maakt deel uit van een omslag met 89 prenten en 5 tekstbladen.
Gezicht op Montigny-sur-Loing met stroomversnelling en kerk
Object type: photograph
Date: 1897 – 1897
Materials: paper, photographic support
Techniques: gelatin silver print
Location: montigny-sur-loing
Artist: delizy
Artist role: manufacturer
Subjects: prospect of village, silhouette of village, rapids

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Lower body of a draped figure to right, seated on a chair
Conceptbrief aan anoniem
Object type: letter
Date: 1848 – 1927
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: amsterdam, painter, print maker, draughtsman, marie van regteren altena, workshop, studio of the artist (in general), paris
Tea Service
Object type: ceramic
Materials: bone china, enamel, porcelain
Techniques: casting, gilding
Location: england
Artist: worcester porcelain factory
Artist nationality: worcester
Artist dates: 1751 – 
Subjects: tea, tea service
Inscriptions: Stamped crowned circle mark surmounting an M or N, (on all objects’ bases; in
purple or green; for 1877 or 1878), some with impressed crowned circle mark (on base)
Vier krijgslieden in gesprek
Object type: print
Date: 1862 – 1908
Materials: paper
Techniques: etching, retroussage
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: adult man (+ four persons), pipe ~ tobacco, hacking and thrusting weapons: sword, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228
Heiligdom met centrale koepel en op de hoeken vier torens
Object type: album leaf
Date: 1550 – 1550
Materials: paper
Techniques: etching
Location: orléans
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: exterior ~ representation of a building

Heiligdom met centrale koepel en op de hoeken vier torens. Deze prent maakt deel uit van een album.
Het dorp Charlois
Object type: book illustration
Date: 1791 – 1793
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

afkomstig uit: L. van Ollefen, De Nederlandsche stad- en dorp-beschrijver. Deel 1, Amsterdam: Hendrik Arend Banse, 1793.
Oorlogsschepen op een woelige zee
Object type: print
Date: 1640 – 1660
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: monogrammist abk
Subjects: sailing-ship, sailing-boat, sea
Inscriptions: collector's mark: Lugt 2228
Terracotta bowl
Object type: bowl
Date: 400 – 301
Materials: terracotta
Culture: greek or south italian or campanian

Black-glazed bowl with impressed patterns.
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Back of head of wreathed head to left; three branches with leaves; above, part of the upper band of the panel ornament; start of handle root
Gezicht op Monte Carlo vanaf Monaco
Object type: photograph
Date: 1890 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: monaco
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: prospect of village, silhouette of village
Inscriptions: negative number: ‘599’

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Folio from a Qur'an Manuscript in Floriated Script
Object type: folio from a non illustrated manuscript
Date: 1001 – 1100
Materials: gold, ink, paper, watercolor
Location: iran

The manuscript to which this page once belonged, copied in floriated "new style" script, exhibits a striking balance of rigorous discipline and exuberant imagination. The calligrapher pushes the boundaries of the "new style" script by transforming the vertical shafts of the letters into plaited designs and vegetation. The playful use of this script is also seen in Seljuq architectural decoration.
Veldslag van Malplaket, door de Prinsen van Savoije en van Mindelheim, den 11 September 1709, gewonnen
Object type: print
Date: 1709 – 1755
Materials: paper
Techniques: engraving, etching, writing
Location: northern netherlands
Artist: adolf van der laan
Artist role: draughtsman, print maker
Artist dates: 1689 – 1742
Subjects: vienna, eugenius van savoye, john churchill (1e hertog van marlborough), battle (+ land forces)

De slag bij Malplaquet tussen de Geallieerden onder de hertog van Marlborough en prins Eugenius van Savoye en de Fransen, 11 september 1709. De prent geplakt op een dubbelgevouwen blad met handschrift op twee zijden met een beschrijving van het verloop van de slag. De bladzijden zijn bovenaan gemerkt met pen: MAL.
De poort voor een woning op Bali
Object type: photograph
Date: 1890 – 1915
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: indonesia
Artist: Anonymous
Inscriptions: title: ‘Ingangen van Bal. woningen. Het als duiventilletje uitziende bouwseltje rechts, is de woning van den huisgod. Daarin behoort zich te bevinden miniatuur huisraad, zooals een zeer kleine gendie (?), voor het gebruik van den huisgod.’

Rechts naast de poort staat een minituur huis op een paal wat doorgaat als godenhuisje.
Portret van Jan Hendrik Vorstius
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: cleves
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve van Jan Hendrik Vorstius in een architectonische omlijsting, zijn hand rustende op een bijbel. Onder de vensterbank zijn naam en gegevens in zes regels in het Nederlands.
Navigation
Object type: graadstok
Date: 1590 – 1596
Materials: wood
Techniques: printing, cutting
Location: amsterdam
Artist: claes andrieszoon goutum
Subjects: willem barendsz., amsterdam, jacob van heemskerck
Inscriptions: inscription: ‘Dit is die son sijde Claes Andriesson Goutom [of ... Andriessen Goutijk]’, inscription: ‘Dit is die Noersters siede Gout om deught’

To determine the ship’s position and chart its course, the captain had an entire arsenal of instruments at his disposal. Among the items found on Nova Zembla are an astrolabium catholicum (universal astrolabe), a fragment of a copper sounding line, a cross staff, a sextant and a chart compass.
When the weary moon was in the wane, Dort
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: mezzotint
Artist: frank short
Artist role: print maker
Artist dates: 1857 – 1945
Subjects: night ~ landscape (sometimes titled 'nox'), lake (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Bust-Length Portrait of an Ecclesiastic
Object type: drawing
Date: 1501 – 1600
Materials: chalk, charcoal
Artist: carletto caliari
Artist role: artist
Artist nationality: italian
Artist dates: 1567 – 1596
Subjects: men,portraits

This portrait shows the sitter, a middle-aged cleric with aquiline nose, short beard and slightly balding, with his intent gaze directed to the upper right (heavenward), to denote his spiritual disposition. The artist was the talented, second-born son of the great painter, Paolo Veronese (1528-1588). Carletto Caliari was a close assistant of his father especially in the late years of the great master; in Venice painting was conducted as a family business. The present drawing bears a very close resemblance to the main saint in Paolo Veronese's late canvas of the Conversion of Saint Pantaleon (San Pantaleone, Venice), begun in 1587, and so the drawing was probably inspired by it. The style and colored chalk technique of the portrait reveal the marked influence of Jacopo Bassano and his family. Along with Leandro Bassano, Carletto had worked in the 1580's in Jacopo Bassano's workshop. The painter of this portrait was the talented, second-born son of the celebrated painter Paolo Veronese (1528-1588). Carletto Caliari was a close assistant of his father's, especially in the late years of the great master; in Venice, painting was conducted as a family business. The present drawing bears a very close resemblance to the main saint in Veronese's late canvas The Conversion of Saint Pantaleon (San Pantaleone, Venice), begun in 1587, so the drawing was probably inspired by it. The style and the colored-chalk technique of the portrait reveal the marked influence of Jacopo Bassano and his family. Along with Leandro Bassano, Carletto had worked in Jacopo Bassano's workshop in the 1580s. (C.C.B.)
Nijmegen. Universiteitsgebouw
Object type: photomechanical print
Date: 1927 – 1935
Materials: cardboard
Techniques: photograph
Location: the hague
Artist: Anonymous
Subjects: university building, college, nijmegen
Nécessaire
Object type: nécessaire
Date: 1770 – 1772
Materials: stone, diamond, gemstone, enamel, gold, paste, silver
Artist: james cox
Artist role: maker
Artist nationality: british
Artist dates: 1723 – 1800

Containing dark inclusions that resemble moss or ferns, the milky white mineral decorating this sumptuous nécessaire is known as moss agate. It is found in multiple areas around the world, including Central Europe. In addition to various toilet implements, the case contains a watch and an automaton and is an excellent example of the complex and ambitious objects made in the workshop of James Cox.
Portret van Philippe-Emmanuel de Lorraine hertog van Mercoeur
Object type: book illustration
Date: 1755 – 1765
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en André-François Le Breton, 1755-1765.
Herinnerings Geschenkje aan 1840, voor de Nederlandsche Jeugd, ter gedachtenis aan de Plegtige Inhuldiging van Z.M. Koning Willem II. Met XII plaatjes waarop het merkwaardigste is voorgesteld
Object type: print
Date: 1840 – 1841
Materials: paper
Techniques: hand coloring, lithograph
Location: amsterdam
Subjects: william ii of the netherlands, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée' (+ illumination, fire-works ~ festive activities), other forms of installation, amsterdam
Inscriptions: collector's mark: Lugt 2228

Illuminatie op de Hogesluis. Onderdeel van mapje met een serie van twaalf prentjes van de intocht van Willem II, de erepoorten opgericht in de stad en de inhuldiging op 28 november 1840 in de Nieuwe Kerk te Amsterdam.
Handboogschutterij 'Willem Tell' te Rotterdam
Object type: medal
Date: 1800 – 1875
Materials: silver
Techniques: engraving
Location: rotterdam
Artist: Anonymous
Subjects: rotterdam

Eenzijdig zilveren opengewerkt insigne aan draagoog, in vorm van gekruiste boog en pijlenkoker, waarover lint met opschrift is gedrapeerd binnen lauwerkrans
Ruine der Luthersche Nieuwe Kerk te Amsterdam, Na den Verschrikkelyken Brand, op den 18den September 1822, van den Ingang op den Singel te Zien
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: amsterdam
Subjects: on fire, ablaze, ruin of a building ~ architecture
Inscriptions: collector's mark: Lugt 1641b

Gezicht op de ruïne van de Nieuwe Lutherse Kerk op het Singel te Amsterdam, na de brand op 18 september 1822. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Ev. Lutherse Gemeente: 1822 Brand in de Nieuwe Luthersche Koepelkerk - Ruïne.
Gezicht op de Maas met veerpont
Object type: print
Date: 1651 – 1699
Materials: paper
Techniques: etching
Subjects: ferry
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Gezicht op de Maas met veerpont. De veerpont zet een koets en twee paarden over. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, Vervoermiddelen te water.
Portret van Bartolomeo Bergami
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: lithograph
Location: paris
Subjects: earl, historical persons
Inscriptions: collector's mark: Lugt 2228a
Duitse jeton op de Italiaanse veldtocht van generaal Napoleon Bonaparte 1796
Object type: history medal
Date: 1796 – 1796
Materials: brass
Techniques: striking

Messing penning, op de voorzijde het borstbeeld van Napoleon naar rechts met omschrift, op de keerzijde vijf regels tekst tussen lauwer- en eikentakken.
Gevel van een gebouw te Rome
Object type: page
Date: 1870 – 1880
Materials: photographic support
Techniques: gelatin silver print
Location: rome
Artist: Anonymous
Subjects: housing, façade (of house or building)
Die Salzgasse in Dresden
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: etching, intaglio
Location: leipzig
Subjects: church (exterior), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Linksonder gemerkt: Zeitschrift für Bildende Kunst. N.F. XXIII, Heft 4.
Console van wit en goud beschilderd lindehout
Object type: fragment
Date: 1740 – 1760
Materials: wood
Techniques: gilding, painted
Location: northern netherlands
Artist: Anonymous

Console van wit en goud beschilderd lindehout, meubelfragment. De dekplaat wordt omsloten door een halfronde lijst, gevat tussen twee profiellijsten. Links rust deze plaat op een gebroken C-voluut, waaromheen acanthusblad; rechts op een gestrekte S- en C-voluut, omgeven door rozentakken. De verbinding tussen de genoemde voluten wordt gevormd door een omslaande kuifschelp, omgeven met rozentakken. De console eindigt in asymmetrische acanthusbladeren. Deze console is wellicht afkomstig van een buffetkast.
Monument voor de Dynastie, Brussel
Object type: cabinet photograph
Date: 1881 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Artist: Anonymous
Subjects: monument, statue
Inscriptions: collector's mark: ‘Vosmaer’
Portrait Bust of Antinous as Osiris
Object type: sculpture
Materials: marble
Culture: roman
Subjects: gods (deities)

Antinous (about 111–130), the young lover of Emperor Hadrian (reigned 117–38), drowned in the Nile River in the year 130 while they were on an imperial tour of Egypt. Devastated by the untimely death, Hadrian founded a city in his honor, Antinoupolis, located on the east bank of the Nile, and pronounced him a god. Worship of Antinous spread, and over time portraits of him were produced throughout the Roman Empire.

In this depiction, Antinous wears the traditional headdress of an Egyptian pharaoh known as a nemes. This regalia identifies him with Osiris, the Egyptian god of the underworld, who drowned in the Nile and was reborn from its waters.
Gold earring with figure
Object type: earring with human figure
Date: 300 – 101
Materials: gold
Culture: greek
Subjects: human figures
Manchu Woman's Headdress
Object type: headdress
Date: 1767 – 1800
Materials: feather, pearl, stone
Culture: chinese
Portret van Jacques Le Roy
Object type: print
Date: 1630 – 1677
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: official
Inscriptions: collector's mark: Lugt 240

Portret van Jacques le Roy, hoogwaardigheidsbekleder aan het hof in Brussel.
Order of Civil Merit, Saxony, from the World's Decorations series (N44) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: medals

Trade cards from the "World's Decorations" series (N44), issued in 1890 in a numbered set of 50 cards to promote Allen & Ginter brand cigarettes. Series N44 reproduces the cards from N30 in a larger size.
Couplet by Han Yu
Object type: fan mounted a an album leaf
Date: 1147 – 1200
Materials: ink, silk
Culture: chinese
Artist: emperor guangzong
Artist role: artist
Artist nationality: chinese
Artist dates: 1147 – 1200

This writing is related to the regular script style of Emperor Gaozong (r. 1127–62) but is quite different from that of Emperor Lizong (r. 1224–64). The closest stylistic comparison is a transcription of the Diamond Sutra by the Song courtier Zhang Jizhi (1186–1266) written in the same large regular script and dated 1246. While no extant work by Guangzong is known, this writing may prove to be by his hand. The couplet is taken from the poem New Bamboo by the great Tang writer Han Yu (768–824): [The bamboo's] lofty appearance defies the austerity of autumn, Its chaste color surpasses the lush beauty of spring. (Wen C. Fong, trans., in Beyond Representation: Chinese Painting and Calligraphy, 8th-14th Century [New York: The Metropolitan Museum of Art, 1992], p. 233) DOCUMENTATION Artist's inscription (2 columns in standard script, undated) [The bamboo's] lofty appearance defies the austerity of autumn, Its chaste color surpasses the lush beauty of spring. [Trans. by Wen Fong] 高標凌秋嚴，貞色奪春媚。 Collectors' seals Pan Zhengwei 潘正煒 (1971–1850) Pan shi Tingfan Lou cang 潘氏聼颿樓藏 Jitong xin shang 季彤心賞 Pan Yanling 潘延齡 (19th c.) Jian'an yanfu 健盦眼福 Xiang Family 香氏 (20th c.) Ceng cang Xiang shi Mengshi Lu 曾藏香氏夢詩廬 Gu Luofu 顧洛阜 (John M. Crawford, Jr., 1913–1988) Gu Luofu (twice) 顧洛阜 Hanguang Ge (twice) 漢光閣 Illegible, 1
De klapperman van 's-Gravenhage, 1840-1841
Object type: book illustration
Date: 1841 – 1841
Materials: paper
Techniques: letterpress printing, engraving
Location: the hague
Subjects: night patrol, professional clothes, the hague

De klapperman van 's-Gravenhage. Man al roepend lopend met klapper, lans en hond door een straat. Genummerd: 28. Illustratie in het boek 'De Nederlanden: karakterschetsen, kleederdrachten, houding en voorkomen van verschillende standen', een boek met karakterschetsen, beroepen en klederdrachten van Nederlandse volkstypen uit 1841.
The Pool of Bethesda (St. John, Chapter 5)
Object type: print
Date: 1772 – 1772
Techniques: engraving, etching
Artist: simon francis ravenet, the elder
Artist role: artist
Artist nationality: french
Artist dates: 1706 – 1774
Subjects: men,women,angels,christ
Frog Seal Amulet with a Maat Hieroglyph on the Base
Object type: stamp seal, frog
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: hieroglyphs,frogs
Block Statue of a Prophet of Montu and Scribe Djedkhonsuefankh, son of Khonsumes and Taat
Object type: block statue, djedkhonsuefankh
Date: 690 – 610
Location: upper egypt, thebes
Subjects: men,hieroglyphs

In the late 25th dynasty and early 26th Dynasty the austere beauty of the block statue form, here particularly enhanced by the hard gleam of dark surfaces, was greatly appreciated. The form puts a strong emphasis on the face and complements the often stern countenances favored at the time. The front of the statue gives the names, titles and parentage of Djedkhonsuiuefankh, son of Khonsumes and Taat. Djedkhonsuiuefankh can be linked to a multigeneration illustrious family of priests at Thebes. On the top of the base is an appeal to the living, a request for offerings to those who would pass the statue where it was placed in Luxor Temple. On the back pillar is an inscribed formula known as the Saite formula.
The Actor Ichikawa Ebizo as Kudo Suketsune Disguised as a Komuso in the Play Waka Murasaki Edokko Soga, Performed at the Ichimura Theater in the First Month, 1792
Object type: print
Date: 1792 – 1792
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792