deem-data/ArtiFact huggingface dataset:
Textile Design with Undulating Vertical Strips of Overlapping Scales Separated by Undulating Ribbons and Pearls
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of undulating vertical strips of overlapping scales rendered with stipples of dark reddish-brown color over a light tan base separated by undulating ribbons of light tan color with red outlines and groups of four pearls colored with white.
Koning Meleander dobbelt met zijn dochter
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: engraving
Location: paris
Subjects: dice-games, king
Inscriptions: collector's mark: Lugt 240

Prent uit: Barclay, Jean. L'Argenis. Traduction nouvelle enrichie de figures. Parijs: Nicolas Buon, 1624, dl. 2, hoofdstuk 6.
In 1625 werd een tweede editie uitgegeven, eveneens door Nicolas Buon en in 1636 werd een Engelse vertaling uitgegeven door Henry Seile in Londen.
Gezicht op Huis Zwanenburg
Object type: print
Date: 1809 – 1869
Materials: paper
Techniques: engraving
Location: netherlands
Artist: alexander cranendoncq
Artist role: draughtsman, print maker
Artist dates: 1799 – 1869
Subjects: dog
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond zit een man met een stok en twee honden. Naast hem staat een vrouw met een mand die naar het huis wijst.
Sleutel
Object type: key
Date: 1500 – 1600
Materials: iron

Sleutel met boonvormig oog en kleine haakvormige baard. De schacht loopt even voorbij de baard door.
Cup with handle with a European waterlandscape in a panel
Object type: cup
Date: 1740 – 1760
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Hoge kop op een voetring, met oor. Gedecoreerd in emailkleuren, met een waterlandschap. Binnen een cartouche zijn verschillende Europese figuurtjes, een kerkje en een hondje afgebeeld, op de achtergrond een groot zeilschip. Rondom een decoratief ornament.

De decoratie is ontleend aan Meissen porselein. Dit porselein werd vaak met havengezichten gedecoreerd. In China werd dit (duurdere) Meissen porselein gekopieerd. Het decoratieve patroon dat men vaak aantreft op Meissen porselein is een zich herhalend patroon van krullen en lijnen die door elkaar lopen, meestal in goud geschilderd.
Pitcher
Object type: pitcher
Date: 1848 – 1857
Materials: earthenware
Culture: american
Location: united states
Artist: woodward and blakely company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1848 – 1848
Luxury
Object type: print
Techniques: etching
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,umbrellas
Uitladen van het huisraad
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: moving (house), carrying something

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Van de Wercken der Barmherticheyt
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: feeding the hungry, 'esuriens cibatur' ~ one of the (seven) acts of mercy - vv - christ present
Inscriptions: number: ‘125’

Op de voorgrond delen een man en een vrouw voedsel uit aan de hongerigen. Links kijkt Christus toe. Op de achtergrond wordt eveneens voedsel uitgedeeld. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 25:35. Deze prent maakt deel uit van een album.
Paar mouwen
Object type: doll's clothing
Date: 1850 – 1920
Materials: textile
Location: netherlands
Artist: Anonymous
Farren
Object type: page
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: ferns, forest, wood
Card Number 30, Violet Cameron, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Head of a Helmeted Guineafowl
Object type: drawing
Date: 1720 – 1792
Materials: paper, pencil, watercolor
Techniques: brush
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: birds (+ snout, jaw, beak, nib)

Kop naar links gewend van een helmparelhoen (Numida meleagris).
Raadhuis te Bamberg
Object type: print
Date: 1928 – 1928
Materials: paper
Techniques: etching, intaglio
Location: amsterdam
Artist: jan c. van der ven
Artist role: draughtsman, print maker
Artist dates: 1896 – 1930
Subjects: city-view in general; 'veduta', townhall
Inscriptions: collector's mark: Lugt 2228

De prent is als premie voor het jaar 1928 uitgegeven door de Vereniging Sint Lucas.
Eight Great Events from the Life of the Buddha
Object type: sculpture
Materials: mineral
Location: bihar

Narrative events are depicted on all sides of this stele. A miniaturized scene at the lower left of the base, below the central Buddha’s feet, shows his miraculous birth from his mother’s side. Above this is the Buddha’s descent from heaven, where he went to preach to his dead mother, and farther up, the moment of his enlightenment, with his proper right hand touching the earth to witness. The upper left scene depicts his first sermon at the Deer Park in Sarnath.
On the right side are scenes representing the miracles that the Buddha performed at Shravasti, including the gift of honey from a monkey—shown in miniature at the lower right corner of the platform near his gift-giving hand—and the Buddha’s taming of a wild elephant, by his left foot. The scene of the parinirvana tops the stele: the Buddha’s life flame is extinguished as he reaches nirvana.
Slag bij Sasbach, 1674
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: violent death, being killed; being mishandled and maltreated; seeking death, battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Veldslag bij Sasbach (of Salzbach of Rosentach) tussen het keizerlijke leger en het Franse leger, 27 juli 1675. Bij de slag komt maarschalk Turenne om het leven. Turenne wordt zittend op zijn paard door een kogel getroffen.
Bearded old man with high forehead
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: etching, intaglio
Inscriptions: collector's mark: Lugt 2165, monogram and date: ‘Rt 163’
Little Bulls' Folly, from "The Disparates" (Disparates, Plate D)
Object type: print
Date: 1815 – 1815
Techniques: aquatint, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: bulls

One of the four additonal plates prepared for the set but not included in the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios',
Harness or bridle fittings
Object type: harness or bridle fitting
Date: 900 – 801
Materials: bronze
Culture: iranian
Location: iran
Table fork
Object type: table fork
Date: 1801 – 1833
Materials: silver, steel
Light Expelling Darkness,-Evaporation of Stygian Exhalations,-or-The Sun of the Constitution, Rising Superior to the Clouds of Opposition
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Fort Rammekens ingenomen, 1573
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: brussels, capture of city (after the siege)

Fort Rammekens in Zeeland ingenomen door watergeuzen onder bevel van Charles en Louis de Boisot, 5 augustus 1573. Met onderschrift van 4 regels in het Latijn. Genummerd: 40. Bedrukt op achterzijde met tekst in het Latijn.
Two Awls
Object type: arm
Date: 1567 – 1600
Materials: iron, leather, metal, silver
Location: germany
Marble relief fragment with the head of Mars
Object type: relief fragment with the head of mar
Date: 201 – 233
Materials: marble
Culture: roman
Subjects: heads,mars

Mars was one of the more important gods of the Roman pantheon. Numerous temples, shrines, and altars were dedicated to him in Rome and throughout the Empire. As the god of war, he had many of the same attributes as the Greek god Ares, but he was also closely associated with the imperial cult, since the emperor's power and popularity depended heavily on the army and its military successes. Mars was therefore often depicted on monuments celebrating imperial victories, notably on triumphal arches, a distinctively Roman type of public building. This fragment presumably comes from one such monument, perhaps even from the now lost Portico of Septimius Severus in Rome. Mars is represented in the canonical guise of an older, bearded man wearing a Corinthian helmet tipped back on his head.
De Blauwe Huyck (blad 3)
Object type: print
Date: 1577 – 1577
Materials: paper
Techniques: engraving
Location: low countries
Artist: joannes van doetechum (i)
Artist role: print maker
Artist dates: 1528 – 1605
Subjects: proverbs, sayings, etc.

De Blauwe Huyck (blad 3). Verschillende spreekwoorden op een blad: l.o.: dese siet doer de vingeren / r.o.: dat sluijt gelijck ee[n] tanghe op een verrken / r.b.: dese scheert den geck / m.b.: wacht u voer de catzen, die voer lecken, en achter kratzen.
Weghalen van kanonnen uit het Huis de Gelder, 1785
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: warfare; military affairs (+ citizen soldiery, civil guard, citizen militia), deventer, wijhe, patriots (1780-1795)

De leden van de vrijkorps van Deventer, aan wie de twee kanonnen door jhr. Frederik Gijsbert van Dedem tot den Gelder geschonken zijn, halen plechtig de stukken geschut op uit het Huis de Gelder te Wijhe, 31 januari 1785.
Bowl (part of a service)
Object type: bowl
Date: 1810 – 1810
Materials: hard paste porcelain
Subjects: coat of arms
Drie wandelende mannen: links Willem Mengelberg, midden Gustav Mahler, rechts Alphons Diepenbrock, Valkenerveen
Object type: photograph
Date: 1906 – 1906
Materials: photographic support
Techniques: gelatin silver print, pasting
Location: amsterdam
Subjects: utrecht, amsterdam, alphons diepenbrock, vienna, gustav mahler
Inscriptions: date: ‘1912.’

Foto op bruin albumblad 11 van familiealbum van Alphons Diepenbrock.
Head of a Child (from McGuire Scrapbook)
Object type: drawing
Date: 1806 – 1887
Materials: graphite, paper
Culture: american
Artist: edward dalton marchant
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1887
Subjects: faces,heads,children
Ewer
Object type: ewer
Date: 801 – 1000
Materials: earthenware
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Le Commandant a Cheval (The Commander on Horseback), from "Les Caprices" Series B, The Nancy Set
Object type: print
Date: 1617 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Munchener platen
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: germany
Subjects: historical costume, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2760

Nederlandse editie van een prent uit de reeks "Munchener platen" uitgegeven door K. Braun & Fr. Schneider te München met het adres van wederverkoper Hermann van der Moolen.
Gezicht op de toegangspoort van het kasteel van Fontainebleau
Object type: photomechanical print
Date: 1859 – 1869
Materials: paper
Techniques: photoaquatint
Location: fontainebleau
Artist: Anonymous
Subjects: gate, entrance, façade (of house or building)
Kop van een ridder, naar rechts
Object type: drawing
Date: 1829 – 1829
Materials: chalk, paper
Lingerie
Object type: lingerie
Date: 1876 – 1885
Materials: cotton
Culture: american
Portret van een onbekende Turkse vrouw met waterpijp
Object type: photograph
Date: 1887 – 1900
Materials: paper
Techniques: albumen print
Location: middle east
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: number: ‘No 156’
The Steel Bridge at Yokohama
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Subjects: bridges,men,women,horses,carriages
Studies van een kabeljauw
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: fishes
Inscriptions: number: ‘491’, number: ‘34’
World's Galleries
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: saxony
Subjects: series of scenes from the life of mary, permanent exhibition, museum
Inscriptions: collector's mark: ‘AFE v S’
Fragment ruit uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: light window
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, window glass; fragm, broken, flat.
Kreeft
Object type: miniature
Date: 1700 – 1799
Materials: papier mâché
Subjects: fish; still life of fishes

Kreeft, rood, gemaakt van onduidelijke substantie.
Glass pendant in the form of a vase
Object type: pendant in the form of a vase
Date: 301 – 433
Materials: glass
Culture: roman

Translucent blue green; trails in same color; handle in translucent cobalt blue. Tall cylindrical hollow body; flat pad base; handle applied over trail decoration. Two irregular horizontal trails around the lower half of the body. Broken at top and most of handle missing; dulling, pitting, and faint weathering.
Verovering van Tunis door keizer Karel V
Object type: book illustration
Date: 1676 – 1676
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: capuche, charles v (holy roman emperor and king of spain), surrender of keys (+ outside city-wall or fortress)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘De keizer wordt meester van Tunis / Leven en daden van Horusce en Haread Barbarossa. /.’, collector's mark: Lugt 3761, collector's mark: Lugt 2760

Prent gebruikt in: Lambert van den Bos, Leeven en daden der doorluchtighste zee-helden. Amsterdam: Jan Claesz ten Hoorn en Jan Bouman, 1676, dl. I, p. 128/129.
Wine Glass
Object type: glass
Date: 1765 – 1765
Materials: glass
Location: england
Portret van Jean Victor Moreau
Object type: print
Date: 1800 – 1825
Materials: paper
Techniques: stippling
Location: berlin
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Armband van goud van Wilhelminaschakels
Object type: bracelet
Date: 1900 – 1910
Materials: gold
Artist: Anonymous
Inscriptions: alloy mark, maker's mark, : ‘2’

Armband van goud van Wilhelminaschakels voorzien van een veerring.
Windblown bamboo
Object type: hanging scroll
Date: 1686 – 1686
Materials: ink, paper
Culture: chinese
Artist: yang han
Artist role: artist
Artist nationality: chinese
Artist dates: 1686 – 1699
Subjects: bamboo

Backed by a waterfall and a cliff, stalks of bamboo shake in a violent wind. This powerful image was painted by Yang Han, an obscure artist from Shandong Province who was active during the early Qing dynasty. Images of windswept bamboo were often associated with “loyalist” (yimin) painters—those who refused to serve the non-Chinese rulers of the newly established Qing dynasty. In bamboo, whose flexibility allowed it to bend without breaking, loyalists saw a powerful symbol of quiet resistance.
Wine goblet
Object type: wine goblet
Date: 1765 – 1765
Materials: glass
Techniques: engraving
Gezicht (Visus), een vrouw met een handspiegel
Object type: print
Date: 1583 – 1650
Materials: paper
Techniques: engraving
Artist: andries jacobsz. stock
Artist role: print maker
Artist dates: 1572 – 1648
Subjects: sight, looking (one of the five senses)
Inscriptions: collector's mark: Lugt 2228

Een elegante dame, zittend aan een tafel voor een open raam, houdt een handspiegel in haar hand en kijkt daarin naar zichzelf. Op de tafel zit een kat. Personificatie van het gezicht, prent uit een serie van de vijf zintuigen.
S. Martial, évêque (St. Martial, Bishop), June 30th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,bishops,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Edith Jetten en een vrouw bij struikgewas
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Edith Jetten en een andere vrouw staande bij struikgewas, met twee hondjes. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Fan
Object type: fan
Date: 1745 – 1755
Materials: gouache, ivory, mother of pearl, paint, paper, wood
Culture: french
Subjects: men,women,dining
Die Leiden Christi 14 Blatt. Nach Lucas von Leyden in Kupfer gestochen von J. Müller
Object type: print
Materials: paper
Techniques: engraving
Subjects: gethsemane, mount of olives, 'oelberg' (matthew 26:36-56; mark 14:32-52; luke 22:39-53; john 18:1-12)

Maakt deel uit van een serie die in de negentiende eeuw is herdrukt met de titel: Die Leiden Christi 14 Blatt. Nach Lucas von Leyden in Kupfer gestochen von J. Müller.
Two Kosode Fragments
Object type: piece from a kosode
Date: 1651 – 1700
Materials: textile
Techniques: damask
Culture: japanese
Topographia Variarum Regionum
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: etching
Subjects: river

Door een heuvelachtig landschap stroomt een brede rivier waarin zeilbootjes. Verspreide huizen en kerktorens. Op de voorgrond een man met een mand met vis op zijn hoofd en een kind, lopend op een landweg.
Drie sculpturen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ sculpture), horse, europe
Inscriptions: name: ‘[...]LBINET 4. Rue Choiseul PARIS’, collector's mark: Lugt 3937, inscription: ‘2 - Chevaue ,, Marly Julien d. Inodieis Michel. Ange’, number: ‘No 26.’

Links en rechts: reproducties van de de Chevaux de Marly , midden: een reproductie van een sculptuur van Giuliano de' Medici door Michelangelo.
Piece
Object type: piece
Date: 1805 – 1805
Materials: cotton
Subjects: human figures,hunting,dogs,donkeys,horses,landscapes,farmers,harvesting,cooking
Mount Stephen, giant of the Canadian Rockies
Object type: photomechanical print
Date: 1890 – 1900
Materials: paper
Techniques: autotype
Location: canada
Artist: Anonymous
Subjects: mountains
Water-reservoir Aden
Object type: photograph
Date: 1880 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: aden
Artist: Anonymous
Subjects: water-supply (~ public services)

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Trofeeën
Object type: ornament print
Date: 1675 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous

Daartussen hangen schelpen, koraal, bladeren en dode vogels.
George Washington
Object type: plaque
Date: 1805 – 1810
Materials: ivory
Location: france
Subjects: george washington,men,profiles
Twee etende varkens
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: etching, intaglio
Artist: charles emile jacque
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: trough, pig
Inscriptions: collector's mark: Lugt 964
Lamp
Object type: lamp
Date: 1201 – 1400
Materials: earthenware
Techniques: glazing
Location: syria

This heavily potted lamp contains an open reservoir that would have held burning oil and a wick. Soaked in the oil and lighted, the wick would transport the fuel to the flame. Similar ceramic lamps were common in Egypt and in Syria in the thirteenth to fourteenth century, together with other examples in which the reservoir is placed on a stem. The undocumented provenance record on this piece states it comes from Syria.