deem-data/ArtiFact huggingface dataset:
Arthur Albert "Doc" Irwin, Shortstop, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Piece
Object type: piece
Date: 1401 – 1600
Materials: silk
Boten op het water
Object type: titelblad, titelpagina
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Titelpagina voor: Bosboom Toussaint, A.L.G. Een Leydsch Student in 1593. Amsterdam: Loman, J.C. (Junior), 1858.
Titelpagina voor een boek over Floris II van Pallandt als student te Leiden.
Jar with Abstract Human Face Painted on Shoulder
Object type: vessel
Date: 650 – 150
Materials: ceramic, paint, pigment
Culture: paracas
Location: peru
Coin Depicting the Goddess Athena
Object type: coin
Date: 246 – 225
Materials: bronze
Culture: greek
Location: greece
H. M. de Koningin op een inspectietocht
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: leiden
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, riding a horse, ass, or mule; rider, horseman, queen, netherlands
Inscriptions: inscription: ‘Nederland/ in/ Mobilisatie/ Deze foto's zijn voor het grootste deel uit het/ boek: De Nederlandsche Strijdmacht en hare/ Mobilisatie van den Kapitein J. Kooiman/ (uitgever J Muusses te Purmerend), die/ deze - met goedvinden van den Opperbevel-/ hebber - welwillend aan ons ten gebruike/ heeft afgestaan.’

Deze prent maakt deel uit van een album.
Olivia and Viola
Object type: print
Materials: paper
Techniques: engraving
Location: england
Artist: william hamilton
Artist role: artist
Artist nationality: british
Artist dates: 1751 – 1801
Stad Antwerpen, loodje dat bij uitdeling recht gaf op turf
Object type: armenloodje
Date: 1620 – 1620
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: antwerp

Koperen penning. Voorzijde: twee geopende handen boven burcht binnen omschrift. Keerzijde: letter T binnen omschrift
Fotoreproducties van twee portretten, mogelijk door Hans Holbein
Object type: reproduction
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Subjects: picture, painting
De vier temperamenten
Object type: print
Date: 1590 – 1632
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: purse, money-bag, melancholic temperament
Inscriptions: collector's mark: Lugt 1967, collector's mark: Lugt 2228

Landschap met een jonge vrouw, met neergeslagen ogen, leunend op een kistje. Een oude man biedt haar juwelen en een stokkenbeurs vol geld aan. In de marge, in twee kolommen, een onderschrift in het Latijn. Vierde prent uit een serie van vier met de vier temperamenten.
Portret van Boguslaw Radziwill
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: engraving
Location: stockholm
Subjects: danzig, königsberg, prins, boguslaw radziwill
Inscriptions: collector's mark: Lugt 240

Busteportret van prins Boguslaw Radziwill, in harnas. Afgebeeld in ovale omlijsting met onderschrift in Latijn.
Hunting Couple
Object type: group
Date: 1775 – 1775
Materials: hard paste porcelain
Artist: fulda pottery and porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1764 – 1789
Subjects: birds,firearms,couples,dogs
[Doorway Into Crumbling Brick Building]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print, paper negative
Artist: Anonymous
Artist role: artist
Subjects: buildings,doorways
Plaque with Figure Holding a Sword
Object type: plaque
Date: 401 – 500
Materials: terracotta
Culture: indian
Subjects: gupta,swords,men
The Calm
Object type: print
Date: 1750 – 1790
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Souvenir spoon with view of a monument to Dante
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt
Subjects: coat of arms
Woningen met tennisbaan voor werknemers van suikerfabriek Goedo te Djombang op Java
Object type: photograph
Date: 1925 – 1930
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: jombang
Subjects: plantation, tennis, lawn-tennis, rural housing, e.g. country-house, villa, cottage, plants and herbs: sugarcane, sugar, dutch east indies, the

Onderdeel van Fotoalbum met opnames van vier suikerfabrieken op Java.
Overhandiging van gouden en zilveren vaten en 
de farao verdrinkt
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: pharaoh and his army engulfed in the red sea (israelites not or barely visible), the egyptians handing over their jewellery and clothing to the israelites
Inscriptions: collector's mark, collector's mark: Lugt 2233

Twee Bijbelse voorstellingen uit Ex. 12 en 14. Genummerd rechtsonder: 28.
As (Coin) Portraying Germanicus
Object type: coin
Date: 39 – 41
Materials: bronze
Culture: roman
Location: roman empire
Inscriptions: Obv: GERMANICVS CAESAR TI AVG F DIVI AVG
Rev: C CAESAR DIVI AVG PRON AVG P M [TR POT III or IIII PP]
Five Dancing Female Figures
Object type: drawing and watercolor
Date: 1865 – 1865
Materials: chalk, paper
Location: france
Artist: jean baptiste carpeaux
Artist role: draughtsman, print maker, sculptor
Artist nationality: french
Artist dates: 1827 – 1875
Trompette de dragons
Object type: print
Date: 1890 – 1890
Techniques: lithograph
Artist: john-lewis brown
Artist role: artist
Artist nationality: french
Artist dates: 1829 – 1890
Subjects: men,horses
Dice
Object type: dice
Date: 801 – 1000
Materials: bone, ivory, paint
Techniques: incising, inlay
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Kaarsensnuiter
Object type: drawing
Date: 1750 – 1849
Materials: chalk, paper
Artist: Anonymous
Subjects: snuffers
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Huisraad, Koperwerk.
4e Cahier Suite De Cheminées De Différentes Formes dans le Goût Antique
Object type: ornament print
Date: 1778 – 1782
Materials: paper
Techniques: etching
Location: paris
Subjects: chandelier, candelabrum, open hearth, fire-place
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een geornamenteerde schouw met twee tweearmige kandelaars, guirlandes en een paneel met figuren. In de haard staan twee vuurbokken.
Monreale Sicilië
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: monreale
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: interior of church
Inscriptions: inscription: ‘'19.173’, stamp: ‘R: MVS.’, number: ‘134’
Le Nouveau Vignole ou Regles Des Cinq Ordres D'Architecture (...)
Object type: ornament print
Materials: paper
Techniques: etching, letterpress printing
Location: paris
Subjects: monumental door, porch, 'aediculum', column, pillar ~ architecture, doric order ~ architecture
Inscriptions: collector's mark: Lugt 2228

Pagina 10 uit: Babel, Pierre Edme. Le Nouveau Vignole ou Regles Des Cinq Ordres D'Architecture (...). Parijs: Chereau, François (II), 1755.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a lipped cup, with the handle attachments
Dressing gown
Object type: dressing gown
Date: 1861 – 1865
Materials: wool
Culture: american or european
English Horn
Object type: english horn
Date: 1860 – 1870
Materials: wood, nickel, silver
Culture: austrian
Location: austria
Artist: johann tobias uhlmann
Artist role: maker
Artist nationality: austrian
Artist dates: 1776 – 1838
Gezicht op het eiland Cythera
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: 'ile de cythère'
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie van 271 platen, inclusief twee titelprenten, naar schilderijen door Watteau en verzameld door Jean de Jullienne. Sommige platen werden reeds tijdens Watteau's leven vervaardigd en de rest kwam pas na zijn dood tot stand. In 1734 werd het eind van de serie aangekondigd.
Ball gown
Object type: ball gown
Date: 1872 – 1872
Materials: silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

Worth rarely scrutinized or adapted forms from the East; in this unusual example, he has emulated Middle Eastern enamels. More often, he was an instrument of a Western taste that was projected globally via imperialism. He is said to have created 250 dresses on commission from Empress Eugénie for her appearances at the opening of the Suez Canal in 1868. This gown was worn by Mrs. William De Forest Manice, the donor's grandmother, at both the French and English courts during the reigns of Napoleon III and Queen Victoria. When worn on such occasions, the dress had a detachable brocade train, since destroyed.
Terracotta jug
Object type: jug
Date: 1725 – 1600
Materials: terracotta
Culture: cypriot

This type of jug, with a long, narrow neck and funnel spout, most likely was used to hold perfumed oils. The shape and decoration were probably inspired by Tell-el-Yahudieh jugs. The shape is the most common of Black Slip III Ware, which, with its thin walls and metallic quality, is a precursor of Base Ring Ware pottery of the Late Cypriot period.
Ex libris A.D. Geervliet
Object type: design drawing
Date: 1945 – 1945
Materials: ink, paper
Techniques: drawing, pen
Location: netherlands
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: trees, caduceus (staff with two snakes, attribute of mercury)
Inscriptions: inscription: ‘Afgekeurd/ ontwerp/ meer/ geschikt/ voor/ een/ rubber-/ planter’, inscription: ‘Mercuriusstaf = appollo (...) = philatelie, 1945’
Title Page: The Causes of Decay of Christian Piety, with vignette of St. Paul's Burning, (Lex ignea)
Object type: print
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: buildings,churches,fire

Richard Allestree or Allestry (1621/2 – 1681) was an English Royalist churchman and provost of Eton College from 1665.
Speisesaal/Weinsalon, Neues Kurhaus, Wiesbaden, Duitsland
Object type: photograph
Date: 1907 – 1907
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Subjects: wiesbaden
Inscriptions: caption: ‘DER RHEIN. Wiesbaden. Neues Kurhaus. Speisesaal-Weinsalon.’, name: ‘Neue Photographische Gesellschaft A. G.//Steglitz-Berlin 1907’, number: ‘1618.’

Speisesaal/Weinsalon, Neues Kurhaus, Wiesbaden, Duitsland.
Fragment kom van een fluitglas uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: drinking glass
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Glass, stem glass, bowl; fragment of base, circular, curved, plain with knop underneath, eroded.
Ziet, wat de zinnen kan vermaaken, / Door allerhande fraaije zaaken, / Wel meest, die 't buitenleven geeft / Aan elk, die geld, dat 's alles, heeft
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Artist: johan noman
Artist role: printer, publisher
Artist dates:  – 1833
Subjects: human types, garden fountain, fishing (sports), couple of lovers
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van verschillende figuren en bezigheden. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 166.
Box
Object type: box
Date: 1701 – 1800
Materials: paper, varnish
Techniques: painting
Studies van het menselijk lichaam
Object type: drawing
Date: 1710 – 1767
Materials: ink, paper
Techniques: pen
Subjects: movements of the human body (+ positions (of the human figure))
Inscriptions: collector's mark: Lugt 2228

Acht studies van het menselijk lichaam in verschillende poses, onder andere zittend en staand met een gebogen knie.
Soba cup
Object type: soba cup
Date: 1615 – 1735
Materials: porcelain
Techniques: underglaze
Culture: japanese
Winter Landscape with Two Women and a Sledge and Other Figures on the Ice, a Gallows in the Distance
Object type: drawing
Date: 1620 – 1625
Materials: chalk, graphite, ink, paper, watercolor
Techniques: brush, pen
Artist: hendrick avercamp
Artist role: draughtsman
Artist dates: 1585 – 1634
Subjects: instruments of torture, execution or punishment: gallows, sleigh, sledge (non-sport), sledge, sleigh (winter sports)
Inscriptions: title: ‘Het IJ by Winter/op het 2de plan de Volewyk’, date: ‘1620’

Twee vrouwen met een slede en andere figuren op het ijs; in de verte een galg.
Paris - Louvre. Galerie d'Apollon
Object type: photograph
Date: 1870 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: gallery (spacious corridor), permanent exhibition, museum
Inscriptions: inscription: ‘432 Paris - Louvre. Galerie d'Apollon J.D.’, number: ‘14’, stamp: ‘J. Réségotti/ Editeur/ 8, Rue Vivienne/ Paris’
The Serval
Object type: print
Materials: paper
Techniques: printing, woodcut
Location: england
Artist: thomas bewick
Artist role: draughtsman, painter, print maker
Artist nationality: british
Artist dates: 1753 – 1828
Returning Home
Object type: album
Date: 1695 – 1695
Materials: ink, paper
Culture: chinese
Artist: shitao (zhu ruoji)
Artist role: artist
Artist nationality: chinese
Artist dates: 1642 – 1707
Subjects: landscapes,boats

Landscapes alternate with flowers in this album of twenty-four small leaves of paintings and poetic comments that is designed to be perused slowly, one pair of leaves at a time. Each painting and its accompanying poem were conceived as a single expressive image in a superb harmony of painting, poetry, and calligraphy. The paintings are "written" with the same type of brushstrokes as the calligraphy, while in the "painterly" calligraphy individual characters and brushstrokes in varying sizes and ink tones frequently imitate such pictorial motifs as orchid petals and leaves and misty and wavy landscape elements. Even the painter's seals are integrated into the design. Shitao ("Stone Wave"), a scion of the Ming imperial family, became a monk and a painter after the Manchu conquest of 1644. After many years of wandering from place to place in the south and spending nearly three years in Beijing, he "returned home" to Yangzhou toward the end of 1692.
Liggende leeuw
Object type: album leaf
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: beasts of prey, predatory animals: lion
Inscriptions: inscription: ‘No. 1./ Leeuw.’
A family group - just landed
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Location: new york city
Artist: Anonymous
Subjects: (descendants of) european emigrants to america, family relationships (first, second, third and fourth degree), generations, historical persons not known by name, new york (city)

Prent op eenendertigste ongenummerde pagina.
Grafmonument van Willem Joseph baron van Gendt in de Dom van Utrecht
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: willem joseph baron van gendt, interior of church, grave-building, monumental tomb
Inscriptions: annotation: ‘Domkerk te Utrecht/ Monument in het koor/ sept 1891’, annotation: ‘Utrecht’
Plate
Object type: plate
Date: 1744 – 1749
Materials: hard paste porcelain
Artist: imperial porcelain manufactory
Artist role: manufactory
Artist nationality: austrian
Artist dates: 1744 – 1864
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Schildering op doek van Vasudhara
Object type: tangka
Date: 1500 – 1600
Materials: canvas, dye, paint
Location: nepal
Artist: Anonymous
Early Morning, Battersea (Battersea Dawn) (Cadogan Pier)
Object type: print
Date: 1863 – 1863
Materials: ink
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: dawn,boats

Whistler here responds to the calm of the Thames at dawn, placing a beached rowboat across the foreground , and small sailboats clustered around a wooden dock at center. Beyond is a wooden ferry terminal on Cadogan Pier and Battersea Bridge extending across the river. Drypoint was combined with etching to create soft effects evocative of misty water under an overcast sky. The was like finished in 1863, and published in 1871 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (the "Thames Set").
Untitled
Object type: photograph
Techniques: gelatin silver print, photography
Artist: Anonymous
Artist dates: 1800 – 1899
Roadside cottage in Hampshire
Object type: page
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Location: west norwood
Artist: f.w. brookman
Artist role: fotograaf
Subjects: cottage, façade (of house or building)
Twee mannen bij een tunnel door rotsen in Engeland
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: underground road, tunnel, england

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Feline Mask
Object type: mask
Date: 100 – 500
Materials: copper, metal
Culture: moche
Location: peruvian north coast
Subjects: masks
Malay Creese, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: weapons,men

Trade cards from the "Arms of All Nations" series (N3), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Wildes wald- und felsenthal
Object type: page
Date: 1866 – 1876
Materials: photographic support
Techniques: albumen print
Subjects: 'nibelungenlied', siegfried, forest, wood
Mametita-gin [=zilveren boontje] van 1 bu van het keizerrijk Japan, uit de 17e, 18e en 19e eeuw tot 1865
Object type: coin
Date: 1600 – 1836
Materials: silver
Techniques: striking

Zilveren langwerpige munt. Voorzijde: deel van een formele inscriptie met tijdperk-aanduiding: Of: "God van de Veelvuldigheid-symbool met op zijn buik tijdperk-aanduiding. Keerzijde: glad.
Winged lions
Object type: andiron
Date: 1801 – 1825
Materials: bronze, gilt bronze
Subjects: lions
Zittende hond
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: etching
Location: netherlands
Artist: jean zacherie mazel
Artist role: draughtsman, print maker
Artist dates: 1792 – 1884
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Die zehende Plag und lezte Straff in Egypten
Object type: print
Date: 1755 – 1779
Materials: paper, watercolor
Techniques: brush, etching
Location: augsburg
Subjects: cortege, funeral procession, the plague of the first-born: the destroying angel passes through the land and kills every egyptian first-born of man and animal
Inscriptions: collector's mark: Lugt 2228

De plaag van de dood van de eerstgeborenen bij de Egyptenaren. Gezicht op een plein in een stad met treurende mensen, rouwstoeten en begrafenisrituelen. Op de achtergrond dode dieren. Onder de afbeelding uitleg in het Duits en het Frans.
Gauntlet for the Right Hand, from Tannenberg Castle
Object type: gauntlet for the right hand
Date: 1380 – 1380
Materials: steel
Culture: german
Location: germany

This gauntlet was found in 1849 during the excavation of Tannenberg Castle (near Darmstadt), which had been destroyed by siege in 1399.
Sterfbed van Lodewijk XIII, 1643
Object type: history print
Date: 1701 – 1701
Materials: paper
Techniques: etching, letterpress printing
Location: frankfurt am main
Subjects: paris, anna van oostenrijk (koningin van frankrijk), lodewijk xiv (koning van frankrijk), lodewijk xiii (koning van frankrijk), filips i (hertog van orléans), deathbed
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Hiob Ludolff. Allgemeine Schau-Bühne der Welt. Deel II. Frankfurt am Main: Johann David Zunnern, 1701, p. 1050.
Terracotta fragments of bell-kraters (bowls for mixing wine and water)?
Object type: bell krater fragment
Date: 450 – 401
Materials: terracotta
Culture: greek, attic

Four black glaze fragments from bell-kraters?
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, parts of two draped figures