deem-data/ArtiFact huggingface dataset:
Johannes de evangelist op Patmos
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: john (writing) on the island of patmos, possibly the eagle beside him
Inscriptions: collector's mark: Lugt 2228, number: ‘148’

Proefdruk van illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. II.
Allegorie op de kroning van Willem en Mary tot koning en koningin van Groot-Brittannië, 1689
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: netherlands
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), maria ii stuart (koningin van engeland, schotland en ierland), coronation of a ruler, homage to a ruler

Allegorie op de kroning van Willem en Maria als koning en koningin van Groot-Brittannië, 21 april 1689. Het echtpaar zittend voor een gedrapeerd gordijn, scepters in de hand. Links enkele toeschouwers, op de achtergrond het paleis van Whitehall te Londen. Onderaan het wapen van Groot-Brittannië en medaillons met portretten van eerdere Engelse koningen.
Calligraphic Composition in Ghubari Script
Object type: non illustrated album leaf
Date: 1851 – 1900
Materials: gold, ink, paper, watercolor
Location: iran
Subjects: calligraphy

The names of the Ahl al-Bayt or Panj tan, the five holy figures central to Shi’i piety, appear on a wide range of objects including weapons, armor, and military accoutrements from Iran, India, and other regions with large Shi’ite populations. At the top of this calligraphic composition, a rectangular cartouche bears the words "Allah," "Muhammad," and "ʿAli" against a ground of micrographia of Qur’anic verses. Below, the names "Fatima" (the youngest daughter of the Prophet Muhammad and ʿAli’s wife) and "Hasan and Husain" (their two sons) appear in large ornate lettering containing Qur’anic verses in ghubar (dust-like) script. The seven inscriptions in red at the top of the page identify the corresponding suras within the contours of the letters.
Voorgevel van de Basiliek van San Marco te Venetië
Object type: stereograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: san marco square
Artist: Anonymous
Subjects: church (exterior), façade (of house or building)
Inscriptions: name: ‘Kunsthandlung von Joh. Heinrigs CÖLN. Hochstrasse 152.’, inscription: ‘St. Marco Venetië’
Sherd
Object type: sherd
Date: 960 – 983
Materials: stoneware
Culture: chinese
Cabinet
Object type: furniture
Date: 1655 – 1660
Materials: bone, wood, glass, ivory, silver, shell
Location: antwerp
Artist: Anonymous

Around 1650, Antwerp was the leading centre of production for cabinets. They were made in large numbers and exported to many European countries. In general, they were richly and strikingly ornamented. This cabinet is notable for its simplicity. It is almost entirely veneered with expensive tortoiseshell and inlaid with decorative lines of bone. It may have been intended for the Paris market.
Smith, Shortstop, Pittsburgh, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco
Object type: baseball card
Date: 1887 – 1887
Techniques: color lithograph, drawing
Artist: d. buchner & co., new york
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1900
Subjects: men,baseball,athletes

(Pap) Smith, Shortstop, Pittsburgh, trade card from the "Gold Coin" series (N284), issued by D. Buchner in 1887 to promote Gold Coin Chewing Tobacco. In the American Card Catalog, Burdick refers to the series as "Leading Baseball Players, Police Inspectors and Captains, Jockeys, and Actors." The images in this series do not always represent the specific athletes named.
Gezicht op een plantage
Object type: photograph
Date: 1890 – 1910
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: plantation, dutch east indies, the
The Tempest, Act I: Ferdinand and Miranda
Object type: print
Date: 1788 – 1788
Techniques: etching
Artist: samuel middiman
Artist role: engraver
Artist nationality: british
Artist dates: 1751 – 1831
Subjects: shakespeare,men,women,caves

On a rocky shore, Miranda catches sight of Ferdinand for the first time. Her father Prospero stands beside his daughter as the spirit Ariel plays a lyre, and the disgruntled Caliban watches at left. Cipriani and Barret's conception of this famous scene from Shakespeare's "Tempest" emphasizes the dramatic coastline in keeping with an established Franco-Italian tradition of landscape painting. The oval shape and small figures suggest a work conceived as part of a decorative scheme in a grand house, the sort of thing that Cipriani often worked on for architects such as Robert Adam.
Spoelkom met decoratie van trofeeën aan gestrikte linten
Object type: slop bowl
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Theeservies bestaande uit een theepot, een suikerpot, een spoelkom en twaalf koppen en schotels veelkleurig beschilderd met trofeeën hangend aan blauwe strikken. De trofeeën hebben betrekking op diverse beroepen. Gemerkt in zwart: Amstel (de suikerpot Amstel N. 805 en ingegrift A). Verschillende ingegrifte merken in de koppen en schotels.
Panel
Object type: textile
Date: 1725 – 1735
Materials: textile, silk, velvet
Techniques: cutting, satin weave, voiding, weave
Location: italy
Subjects: red (color)
Miniature porringer
Object type: porringer
Date: 1703 – 1704
Materials: silver
Artist: william flemming
Artist role: maker
Artist dates: 1697 – 1697
Portret van Boudewijn van België
Object type: album leaf
Date: 1870 – 1890
Materials: paper
Techniques: relief print
Location: brussels
Subjects: prince, historical persons
Inscriptions: inscription: ‘S. A. R. le prince Baudouin-Léopold-Philippe-Marie/ Charles-Antoine-Joseph-Louis, né a Bruxelles, le/ 3 Juin 1869; décédé le 23 Janvier 1891.’
Bucket with attachments and handle
Object type: bucket
Date: 900 – 801
Materials: bronze
Culture: iranian
Location: iran
Schrijfvoorbeeld: Moijse estant le premier inventeur (...)
Object type: album leaf
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: cornelis dircksz. boissens
Artist role: draughtsman, print maker
Artist dates: 1567 – 1635
Subjects: calligraphy

Schrijfvoorbeeld met vijf regels tekst in het Frans: Moijse estant le premier inventeur ... Daaronder de tekst: A Dieu seul Honneur et gloire. De prent maakt deel uit van een album.
Putto at left reclining on sheaves of wheat, another at right carrying a sheave over his shoulder, an allegory of the seasons (Summer), an oval composition
Object type: print
Date: 1650 – 1680
Techniques: etching
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
The Interesting Type (Omoshiroki so), from the series “Ten Types in the Physiognomic Study of Women" ("Fujin sogaku juttai")
Object type: print
Date: 1792 – 1793
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Scudello
Object type: scudello
Date: 1501 – 1600
Materials: earthenware
Techniques: luster painting, glazing

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
The Eritrean Sibyl
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: master with the name of jesus
Artist role: artist
Artist nationality: italian
Artist dates: 16 – 16
Subjects: sibyl

In Mariette Album, folio 61, bottom center
Zittend naakt
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: adamo scultori
Artist role: painter, print maker, sculptor
Artist dates: 1530 – 1585
Subjects: the (nude) human figure; 'corpo humano' (ripa), fruits: acorn

Zittende naakte man, naar rechts gedraaid met opgetrokken been en een guirlande van eikels. Eén van de 'ignudi' (naakte mannen) van Michelangelo's plafondschildering. Genummerd rechtsonder: 20. De prent maakt deel uit van een album.
Trade Card for Cond & Co., Manufacturing Stationers and Art Printers
Object type: print, trade card
Date: 1801 – 1900
Techniques: lithography
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Portret van François de Chasseloup-Laubat
Object type: book illustration
Date: 1820 – 1821
Materials: paper
Techniques: engraving, etching, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: ranks in the army, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tardieu, Ambroise. Portraits des députés, écrivains et pairs constitutionnels, défenseurs invariables de la charte et de la loi des élections du 5 février 1817. Parijs: Tardieu, Ambroise, 1820-1821.
Attachment for a Strap
Object type: strap attachment
Date: 100 – 300
Materials: copper alloy
Culture: celtic or roman

With sinuous, asymmetrical designs and swirling arrangements of commas, circles, and fan shapes, this varied group of objects conveys the pervasiveness of a Celtic aesthetic in the Empire's western provinces in the first centuries a.d.
Und Doch, from the series Vom Tode Zweiter Teil
Object type: print
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: male nudes
Pendant
Object type: pendant
Date: 1701 – 1900
Materials: jade
Culture: chinese
Eerste gesticht van de strafkolonie Veenhuizen, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van 1 gulden
Object type: huismunt prison money
Date: 1818 – 1859
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, veenhuizen

Voorzijde: opschrift boven waardeaanduiding. Keerzijde: opschrift V 1
Killermont
Object type: page
Date: 1868 – 1878
Materials: paper
Techniques: carbon print
Location: bearsden
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: rural housing, e.g. country-house, villa, cottage, façade (of house or building)
Anthropomorphic Lime Spatula
Object type: lime spatula
Date: 500 – 300
Materials: bronze
Culture: indonesian
Terracotta oinochoe (wine jug)
Object type: oinochoe
Date: 570 – 550
Materials: terracotta
Culture: greek, corinthian
Artist: lotus-cross painter
Artist role: artist
Subjects: owls,roosters

Owl between cocks Although the animal style of decoration originally came to Athens from Corinth, as the sixth century progressed, Attic features influenced developments in Corinth. This is such a work, with the Attic element particularly evident in the shape.
Jaqueline, XXVe (Comtesse) de Holl.
Object type: book illustration
Date: 1757 – 1757
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: jacoba of bavaria (countess of hainaut), historical persons - bb - woman, ruler, sovereign - bb - female ruler, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sellius en Dujardin. Histoire générale des Provinces-Unies. Parijs: Pierre Guillaume Simon, 1757, dl. 3 p. 399.
Kapelvormige ruïne met hek in rotsachtig landschap
Object type: print
Date: 1849 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: karel theodoor hippert
Artist role: print maker
Artist dates: 1839 – 1919
Subjects: landscape with ruins, rocks
Inscriptions: collector's mark: Lugt 2228
Gezicht op Dubar Castle
Object type: print
Date: 1803 – 1803
Materials: chalk, ink, paper
Techniques: brush, lithograph
Location: london
Subjects: landscape with ruins, water course (+ landscape with figures, staffage), ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2233

Deze prent behoort tot de serie 'Twelve views in Scotland, delineated by a lady in the polyautographic art of drawing on stone'. Deze serie met twaalf lithografieën is een van de vroegste reeksen lithografieën in Groot-Brittannië.
Man met een emmer
Object type: drawing
Date: 1820 – 1830
Materials: chalk, paper
Location: the hague
Artist: Anonymous
Subjects: wooden container: barrel, cask, bucket, wooden shoes, clogs, adult man

Tekeningen waarschijnlijk ontstaan bij het Haagse kunstgenootschap ‘Tot Nut der Tekenkunst’, waar twee keer per week tekenavonden werden georganiseerd met geklede modellen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, part of head and left shoulder? of youth to left
Ex libris van N.K.
Object type: bookplate
Date: 1900 – 1950
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: personifications of countries, nations, states, districts, etc., beasts of prey, predatory animals: lion
Portret van Johann Jacob Holzapfel von Herxheim
Object type: print
Date: 1731 – 1772
Materials: paper
Techniques: engraving
Subjects: adult man, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Tax Gatherer
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,cats
A Hail Storm
Object type: print
Techniques: etching
Artist: henry william bunbury
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1811
Subjects: satire,men,horses
Bowl with Phoenixes and Auspicious Motifs
Object type: bowl
Date: 1851 – 1900
Materials: cobalt, glaze, gold, porcelain
Techniques: painting
Culture: japanese
Artist: eiraku tokuzen
Artist role: artist
Artist nationality: japanese
Artist dates: 1853 – 1909
Subjects: phoenix
Boaz spreekt tot Ruth op de akker
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: boaz speaks to ruth; ruth usually bowing down, or kneeling before him
Inscriptions: collector's mark: Lugt 2228, number: ‘93’

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Jar
Object type: jar
Date: 2600 – 2300
Materials: ceramic
Culture: iranian
Location: iran, luristan

This jar has a flat base, bulging body, carinated shoulder and everted rim. It is made of a buff clay. It was found at Kamterlan I, a mound in Luristan in the Zagros Mountains of western Iran that was the site of both settlement and burials. The shape of the jar parallels that of bronze vessels, called ‘inkwells’ by archaeologists, which have been found in burials elsewhere in Luristan, as well as in Elam; in fact, the carinated shoulder is a feature of metalwork but not of pottery. Although their purpose is unclear, bronze inkwells attest to interaction and exchange between the elites of Elam and Luristan during the Bronze Age. This ceramic version suggests that its owner aspired to elite status. It is often thought that the inhabitants of Luristan in this period were pastoral nomads, who moved with their herds from the high valleys of the Zagros during the summer to lowland pastures in the winter. This theory arises from the dearth of evidence for settlements, and the occurrence of isolated cemetery sites. The remains of buildings at Kamterlan I, however, indicates sedentary society, and it is likely pastoralism was practiced alongside agriculture there
Recueil de vues de monuments de Paris, des principales résidences royales et des principaux châteaux de France et de Rome
Object type: print
Date: 1660 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Oostpoort te Delft
Object type: print
Date: 1725 – 1770
Materials: paper
Techniques: etching
Artist: gottfried eichler (ii)
Artist role: draughtsman, print maker
Artist dates: 1715 – 1770
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze prent is met draad gebonden aan drie soortgelijke stadsgezichten van Gottfried Eichler.
Dress
Object type: dress
Date: 1886 – 1886
Materials: metal thread, silk
Culture: american
Artist: mrs. c. petterson
Artist role: maker
Gezicht op de Houtgracht, gezien vanaf de Zwanenburgwal
Object type: drawing
Date: 1799 – 1869
Materials: chalk, paper
Location: amsterdam
Artist: jan van ravenswaay
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1869
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Houtgracht / Geschenk v/d heer / Koch sept 1882 / Ravenswaay del.’, collector's mark: ‘8’ Lugt 1641b, inscription: ‘Port. 8-200’

Onderwerpsrubriek binnen de Atlas Amsterdam: Heerengracht (Nieuwe), Heiligeweg, Heisteeg, Heintjehoeksteeg, Hekelveld, Hemelrijk, Hoedemakerspad, Hol (‘t), Houtgracht, Houtewaelerboom, Houtkoopersdwarsstraat, Houttuinen (Joden), Houttuinen (Haarlemmer), Hugo de Grootkade, Huidenstraat, Huidenvetterstraat, Huydecoperstraat.
Portret van Pieter Cornelisz. van Slingelandt
Object type: book illustration
Date: 1861 – 1861
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: draughtsman, pieter cornelisz. van slingelandt, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit: Blanc, Charles M. Histoire des peintres de toutes les écoles. Parijs: Henri Loones, 1861, dl. 2.
Stool
Object type: furniture
Date: 1817 – 1837
Materials: wood
Location: zoar
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: furniture
Portret van een onbekende man, mogelijk C.H. Schultz
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Buch u:kunsth. von E.H. Schroeder in Berlin’
Guan Yu, Liu Bei, and Zhang Fei
Object type: print
Date: 1825 – 1825
Techniques: woodblock print, surimono
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Imayo shokunin zukushi uta awase
Object type: book
Techniques: woodblock print
Location: japan
Artist: kitao masayoshi
Artist role: print maker
Artist nationality: japanese
Artist dates: 1764 – 1824
Marine met gezicht op het fort van Rammekens
Object type: print
Date: 1591 – 1659
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: warfare; military affairs (+ naval force)
Inscriptions: collector's mark: Lugt 2228

Zeevloot met gezicht op het fort van Rammekens, met Middelburg en Veere op de achtergrond.
Drentse schaapskooi
Object type: print
Date: 1865 – 1936
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: nicolaas van der waay
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1936
Subjects: piglet, suckling pig, stall, stable
Inscriptions: inscription: ‘distel 1886’, collector's mark: Lugt 2228
Glass mosaic fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Thin-walled bottom fragment. Translucent blue, opaque white and yellow, and colorless. Flat, curving upward along two edges. Confused pattern of mosaic lengths including a colorless network cane wound spirally with white thread. Polished exterior; pitting of surface bubbles on exterior; dulling, pitting, and creamy iridescent weathering on interior and edges.
Broek van piqué, met lange pijpen en met banden
Object type: pant
Date: 1910 – 1910
Materials: cotton, textile
Location: netherlands
Artist: p. titjen-baas
Artist dates: 1900 – 

Broek van piqué , met lange pijpen en met banden. Behorend bij pop "LILLY".
Portret van kunstenares Berthe Morisot
Object type: print
Date: 1872 – 1872
Techniques: printmaking, lithograph
Artist: edouard manet
Artist role: painter, print maker
Artist dates: 1832 – 1883
Subjects: berthe morisot, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret van kunstenares Berthe Morisot met hoed weergegeven in slechts een paar lijnen.
Autumn Moon of the Strumpets (Kekoro no Aki no Tsuki), from the series "Eight Views at the Foot of Ueno Hill (Toei fumoto hakkei)"
Object type: print
Date: 1777 – 1777
Techniques: woodblock print
Location: japan
Artist: kitao shigemasa
Artist role: artist
Artist nationality: japanese
Artist dates: 1739 – 1820
Landschap met molen bij maanlicht
Object type: print
Date: 1862 – 1912
Materials: paper
Techniques: aquatint, etching
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: moonlight, windmill in landscape
Inscriptions: collector's mark: Lugt 2228
Portret van François de Villemontée
Object type: print
Materials: paper
Techniques: engraving, etching
Subjects: paris, archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘François de Villemontée Eveque de Saint Malo’
E. Libris Frederici Arthuri Crisp S.A.S.
Object type: bookplate
Date: 1899 – 1999
Materials: paper
Techniques: etching
Location: england
Artist: george william eve
Artist role: print maker
Artist dates: 1855 – 1914
Subjects: horseshoe, armorial bearing, heraldry
Inscriptions: date
Bisschop Athanasius
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: athanasius the great, bishop of alexandria; possible attributes: book, heretic under feet, scroll
Inscriptions: collector's mark: Lugt 240, date: ‘1753’

Bisschop Athanasius met staf en boek; onder de octagonale voorstelling een tekstregel.
Table de Salon Louis XVI, Bronze et marqueterie de cuivre
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: table
Heer daagt een ander uit voor een gevecht met de degen
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: hacking and thrusting weapons: sword, threatening behaviour, challenging
Inscriptions: collector's mark: Lugt 240

Deze prent is mogelijk gebruikt als illustratie voor: King en Trueman, of de menschen-proef. Amsterdam: Erven Pieter Meĳer en Gerrit Warnars, 1786.
Lion
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Techniques: stain
Culture: japanese
Subjects: lions
Side chair
Object type: side chair
Date: 1750 – 1760
Materials: wood