deem-data/ArtiFact huggingface dataset:
Beeld van Psyche in het Museo Nazionale te Napels
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: naples
Artist: Anonymous
Subjects: psyche, woman (showing herself) undressed, quasi-nude, sculpture
Inscriptions: inscription: ‘CWN.’, collector's mark: ‘INSTITUUT VOOR KUNST-<BR />NIJVERHEIDSONDERWIJS<BR />GABRIËL METSUSTRAAT No. 16.<BR />AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS<BR />AMSTERDAM<BR />FRANS HALSSTRAAT 14.’, inscription: ‘Grieksche Kunst. Marmeren Psyche, gevonden te Capua. Nationaal museum te Napels.’
Portraits of Serafina, Gaetanino and Ciccillo di Ottaiano
Object type: painting
Date: 1815 – 1815
Materials: glass, paint, silk
Techniques: embroidery
Location: naples
Artist: princess isabella albertini de medici di ottaiano
Artist nationality: italian
Artist dates: 1784 – 1819
Subjects: portraits: italian subject, children, family, landscapes, bird
Gezicht op het interieur van het Palais de l'Industrie met plattegrond
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: world fair, world exhibition, paris

Prent uit: L'Illustration, vol. 24, nr. 611, 11 november 1854, p. 329.
Panorama depuis le chalet suisse
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: Anonymous
Subjects: city-view in general; 'veduta', river, watering-place, spa
Inscriptions: number: ‘No 4905.’
Jurors Listening to Counsel, Supreme Court, New York City Hall, New York (from "Harper's Weekly," Vol. XIII)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: men,law
Woman Strolling
Object type: sculpture
Date: 1880 – 1880
Materials: wood
Techniques: coloring, stain
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: woman, figure, black (color), red (color), wood, sculpture, fashion, walking

When Paul Gauguin first exhibited this doll-like figurine at the Sixth Impressionist Exhibition in 1881, critics disparaged what they considered its simplistic coloring and crudely whittled surface. The avant-garde set, however, celebrated its stylized form. Gauguin’s younger colleague Georges Seurat, who may have seen the sculpture at the exhibition and in Gauguin’s studio, presented similarly pared-down, columnar figures in A Sunday on La Grande Jatte—1884 only a few years later.

Gauguin came to painting through sculpture and preferred to work with wood, an unusual artistic medium at the time in part because of its humble nature. He sought to expand the Impressionists’ narrow definition of fine art to include objects—like this sculpture—that might be dismissed as decoration or craft.
Portret van Johann Baptist Homann
Object type: print
Date: 1706 – 1765
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: print maker, publisher, bookshelves, historical persons
Inscriptions: inscription: ‘G. hambach in Mildenheim 1664 20/3 1724 1/7’, collector's mark: Lugt 2228, inscription: ‘Homann 351’
Partial curtain, blue-resist textile
Object type: partial curtain, blue resist textile
Date: 1725 – 1775
Materials: cotton
Techniques: dyeing, painting, printing, resist
Culture: indian
Location: united states
Subjects: peacocks,flowers
Roma. Vaticano. Galleria. Braccio Mantovani
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1930
Materials: cardboard
Techniques: photograph
Location: terni
Subjects: arcade ~ architecture, guard duty, keeping sentry
Inscriptions: signature: ‘G. F[..]rr[..]tto’
Jean-Jean in de cel met andere gevangenen
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: bread, loaf, prisoner in cell or locked place
Inscriptions: collector's mark: Lugt 964

Serie bestaat uit titelprent en zestien prenten. Elfde prent in de serie van zeventien prenten.
Onderkimono voor mannen
Object type: kimono
Date: 1920 – 1940
Materials: paint, silk
Techniques: weave
Location: japan
Artist: Anonymous
Twenty Ways of Cooking Potatoes, from the Honest Library series (N115) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1896 – 1896
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: girls

Trade cards/ booklets from the "Honest Library'" series (N115), issued in an unnumbered set of 25 in 1896 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. Each booklet consists of 16 pages of text and illustrations on a theme. Two other cigarette companies released the series in the same year, Gail & Ax (Navy Library) and Whitlock (Cheroots Library).
Fragment of a Dish
Object type: ceramic fragment
Date: 901 – 1100
Materials: earthenware
Techniques: luster painting
Location: egypt
Linnen servet van damastweefsel met pellenpatroon (motief II), aan vier zijden omzoomd
Object type: miniature
Date: 1690 – 1710
Materials: linen
Location: amsterdam
Artist: Anonymous
Gezicht in vogelvlucht op Bologna
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: bologna
Artist: r. peli
Artist role: fotograaf
Subjects: prospect of city, town panorama, silhouette of city
Schipbreuk
Object type: sketchbook leaf
Date: 1830 – 1860
Materials: paper, pencil
Artist: albertus van beest
Artist role: draughtsman, print maker
Artist dates: 1820 – 1860
Subjects: sailing-ship, sailing-boat, lifeboat, shipwreck
Inscriptions: signature: ‘A Van Beest.’

Op de voorgrond een grotendeels kapot geslagen schip op een stormachtige zee. Naast het schip een figuur in een reddingsloep en een overlevende op een rots. Deze figuur gebaart met de handen in de lucht naar een passerende driemaster. Blad 27 recto uit een schetsboek met 46 bladen.
Fotoreproductie van een prent van de Britse Koninklijke familie met reclame voor warenhuis City of Paris, Chicago
Object type: reproduction
Date: 1861 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), vienna, politician, london, louise van saksen-coburg en gotha (hertogin van argyll), advertising, family of a ruler, and court, historical persons - bb - woman
Inscriptions: inscription: ‘(...)’
Revolutie van de Aarde en de Zon rond het centrum van de wereld
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: paris
Subjects: earth, world as celestial body, sun as celestial body

Prent uit: Leclerc, Sébastien. Nouveau systeme du monde conforme à l'Ecriture sainte. Où les phénomènes sont expliquez sans excentricité de mouvement (...). Paris: Pierre Giffart, 1706.
Twee jongens vallen van een slede
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching
Location: germany
Artist: wilhelm carl august zimmer
Artist role: print maker
Artist dates: 1853 – 1937
Subjects: boy (child between toddler and youth), sleigh, sledge (non-sport), snow
Inscriptions: collector's mark: Lugt 2228
Visitekaartje van horlogemaker S. Pierrot
Object type: print
Date: 1814 – 1879
Materials: paper
Techniques: etching
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: hourglass, agricultural implements, other allegories of time, e.g. 'tempo' (ripa), watchmaker, clockmaker
Inscriptions: collector's mark: Lugt 2228

Cirkelvorming visitekaartje van de horlogemaker S. Pierrot, gehuisvest aan de Oude Gracht bij de Jacobiebrug te Utrecht. Om het adres heen is een allegorie op de tijd afgebeeld. Onder het adres staan een zandloper, een zakhorloge en een klok en naast het adres staan twee putti, waarvan de linker een zeis in zijn hand heeft.
Fotoreproductie van een gravure van de ontsnapping van Hugo de Groot uit Slot Loevestein in een boekenkist op 22 maart 1621
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: delft, hugo de groot, escape, escape attempts, loevestein castle
Inscriptions: number: ‘47’, inscription: ‘Huig de Groot (...) te Parijs.’, number: ‘47’
Dish
Object type: dish
Date: 1401 – 1433
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain
Subjects: coat of arms

Lusterware is the term used to describe a glazed earthenware ceramic decorated with an iridescent finish. The technique for creating this finish was developed in the ninth century under the rule of the Abbasid Caliphate in present-day Iraq. The medium involves a technique that is difficult to master, but if completed successfully, the surfaces of the ceramic objects display an iridescent sheen which is achieved through multiple firings and the application of a metal-based pigment (including silver, copper, tin, or a combination of these). Lusterware manufacture is still difficult to understand from a technical perspective because for generations, production was kept secret to protect workshop practices from being replicated by competitors. Therefore, pigment formulas and trade techniques were passed down from master to pupil and rarely recorded. Knowledge of the technique for creating lusterware made its way to the Iberian Peninsula by the twelfth century, when most of the region was still under Islamic rule. By the 1400s, the Iberian center of lusterware production was in Manises, near the city of Valencia. Previously a Muslim taifa, or principality, the Kingdom of Valencia was conquered in the thirteenth century by James I for the Crown of Aragon, and it was here that Christians and Muslim potters worked, sometimes together, for a diverse clientele with a voracious appetite for high quality lustered wares.
Portret van Nicolas Potier de Novion
Object type: print
Date: 1633 – 1676
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: ornament ~ medallion, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Allegorische landschappen
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: hendrick hondius (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1650
Subjects: cow, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Een weids rivierlandschap met op de voorgrond koeien en op de achtergrond schapen. Onder de voorstelling een regel in het Nederlands. Allegorie op de sociaal-economische situatie in de Nederlanden in 1644. Prent uit een serie van vijf allegorische landschappen met spreuken.
Rol met wit lint met één gerafelde zijde en drie zwarte horizontale strepen
Object type: ribbon material
Date: 1930 – 1930
Materials: cardboard, paper, textile
Location: france

Rol met wit lint met één gerafelde zijde en drie zwarte horizontale strepen.
Catharina-gasthuis van Leiden, armenpenning ter waarde van een oord
Object type: oord, oortje
Date: 1573 – 1573
Materials: copper
Techniques: striking
Location: leiden
Artist: Anonymous
Subjects: leiden

Koperen penning. Voorzijde: gekroond rad. Keerzijde: wapenschild onder jaartal binnen omschrift.
Zestien prenten van Paleis Honselaarsdijk (Danckerts / Covens en Mortier)
Object type: print
Date: 1696 – 1717
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis danckerts (ii)
Artist role: print maker, publisher
Artist dates: 1664 – 1717
Subjects: palace, road, path
Inscriptions: collector's mark: Lugt 2233

Plein met wandelaars, in het midden de laan voor Paleis Honselaarsdijk richting Delft. Op de laan rijtuigen en ruiters, aan weerszijden bomen. Rechtsonder genummerd: 14. Prent uit een serie van zestien prenten van Paleis Honselaarsdijk.
Studioportret van een oudere man in kostuum met overjas
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: unknown
Artist: Anonymous
Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux
Object type: collection ornament architecture
Date: 1601 – 1700
Materials: ink, drawing material
Techniques: pen
Artist: anonymous, italian, venetian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: men,sphinx,acanthus
Passement- en lintwerkersgilde van Amsterdam, gildepenning van Steven Rouson
Object type: medal
Date: 1705 – 1705
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Guilds were urban organisations of people in specific occupations. The guild represented the interests of the profession. Each member had a token as proof of membership. The person’s name was engraved on one side of the token, often together with the arms of the guild or of the city in which it was based. The other side carried a motif signifying the occupation represented by the guild.
Vreugdebetoon van het volk in Caïro bij het doorsteken van de Nijldijk
Object type: book illustration
Date: 1681 – 1681
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: dikes, levee, rejoicing on special occasions
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in deel I van: Thevenot, Jean de. Gedenkwaardige en zeer naauwkeurige reizen van den heere de Thevenot. Amsterdam: Jan Bouman, 1681-1682.
Votive Mirror with Eleven-Headed Kannon
Object type: votive mirror
Date: 1101 – 1200
Materials: gilt bronze
Culture: japanese
Subjects: bodhisattvas

Images of deities carved in bronze mirrors (kyōzō) had spiritual and ritual significance in the late Heian period. The incised representation of the Eleven-headed Kannon (Ekādashamukha) merges visual and symbolic attributes of both Shinto and Buddhist religions. Kannon sits on a lotus flower, holding a hanging rosary with his right hand and forming a gesture that signifies the discussion and transmission of Buddha’s teachings with his left hand. He wears a headdress composed of eleven small-scale heads, which symbolize Kannon’s ability to see and care for the suffering of all sentient beings. The two bronze loops on the upper portion of the disc suggest that the mirror was suspended.
Pijp van aarde
Object type: pipe
Date: 1400 – 1950
Materials: earthenware, clay
Artist: Anonymous
Gezicht op de Haarlemmerweg gezien naar het Station Willemspoort
Object type: drawing
Date: 1842 – 1904
Materials: ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: willem hekking jr.
Artist role: print maker
Artist dates: 1825 – 1904
Subjects: city-view in general; 'veduta', station; shelter (railway, tramway), city-gate
Inscriptions: signature: ‘WHjr’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 24.
Tronies
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: etching
Location: augsburg
Subjects: old man

Gebaseerd op de verschillende staten van de titelprent van deze serie (voor tweede staat zie RP-P-2002-384), is deze serie in ieder geval vier keer uitgeven. Voor het eerst in 1626 (jaartal vermeld op titelprent) en vervolgens in ieder geval drie keer door de Augsburgse uitgever Jeremias Wolf, die van 1686 tot 1724 actief was. Het is onduidelijk tot welke uitgave dit exemplaar behoort.
De laatste dag van een veroordeelde
Object type: cartoon
Date: 1862 – 1862
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: the hague, johan rudolf thorbecke, watering-place, spa
Inscriptions: collector's mark: Lugt 2228

Spotprent waarin een verdrietig kijkende man (Thorbecke?) ingepakt staat voor een reis naar een kuuroord om te baden. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 30, 26 juli 1862.
Gezicht op Napels en de Vesuvius, Italië
Object type: stereoscopic photograph
Date: 1860 – 1870
Materials: glass, paper
Techniques: slide
Location: naples
Subjects: canals, waters (in city), prospect of city, town panorama, silhouette of city, mountains, mount vesuvius, naples
Inscriptions: number: ‘336’
Het metalen kruis
Object type: popular print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: board-games of chance, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2760

Bordspel genaamd Het Metalen Kruis, 1832. Centraal het ereteken verleend door koning Willem I aan allen die gevochten hadden tijdens de Belgische revolutie in 1830-1831. Om het kruis ligt een kronkelig lint met dobbelstenen. Genummerd midden boven: 93.
Zonsondergang over de Marne
Object type: page
Date: 1860 – 1865
Materials: paper
Techniques: albumen print
Location: marne river
Artist: ildefonse rousset
Artist role: fotograaf
Subjects: river, sunset

Foto op ongenummerde pagina tegenover pagina 128.
Monk (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Object type: drawing
Date: 1801 – 1900
Materials: chalk, paper
Techniques: heightening, stumping
Artist: isidore pils
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1875
Subjects: monks
Ovaal ruiterportret (mogelijk A.E. Simon Thomas)
Object type: photograph
Date: 1861 – 1894
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: matthijs adolph conen
Artist role: painter
Artist dates: 1833 – 1894
Subjects: anonymous historical person portrayed, horse, netherlands
Portret van Johann Jacob Lungerhausen
Object type: print
Date: 1703 – 1725
Materials: paper
Techniques: mezzotint
Artist: christoph weigel
Artist role: goldsmith, print maker, publisher
Artist dates: 1654 – 1725
Subjects: mühlhausen, historical persons
Inscriptions: collector's mark: Lugt 2228
Fan with Poetic Verses
Object type: fan
Materials: wood
Techniques: gilding, lacquer, painting
Location: iran
Subjects: poetry

This rare lacquer fan consists of twenty wooden blades painted with floral and vegetal scrolls and poetic inscriptions. The design is European whereas the construction is related to nineteenth‑century Cantonese fans exported to Europe in quantity. The verses are rhyming couplets by the renowned Persian mystical poet Hafiz. While luxury objects such as this were often exported and thus tailored to the tastes of Europeans, they were also collected by the Iranian elite.
Figuur in een heuvellandschap
Object type: sketchbook leaf
Date: 1936 – 1936
Materials: paper, pencil
Location: maghreb
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: landscapes (+ landscape with figures, staffage)

Blad 49 verso uit een schetsboek met 73 bladen.
Heilige bisschop met aan zijn voeten de evangelist Marcus en een staande heilige
Object type: design
Date: 1700 – 1800
Materials: chalk, ink, paper
Techniques: pen
Artist: santipiatte
Artist role: draughtsman
Subjects: archbishop, bishop, etc. (roman catholic), st. mark the evangelist writing the gospel, usually a (winged) lion present, male saints (with name)
Pioneer, Austria, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Gevel aan het Damrak te Amsterdam
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: shop, store, civic architecture; edifices; dwellings
Inscriptions: inscription: ‘Theemagazijn/ Henri G Snel/ [...] Gebr Snel/ Warmoesstraat 34’

Achterzijde van Warmoesstraat 34, het Theemagazijn van Snel. Pagina 37 uit een schetsboek met 32 bladen.
William Charles Farmer, Catcher, Pittsburgh, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen print, photography
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Silhouetportret van Daniël Hendriksz
Object type: print
Date: 1808 – 1844
Materials: paper
Techniques: etching
Location: unknown
Subjects: groningen, predikant, daniël hendriksz
Inscriptions: collector's mark: Lugt 2228

Silhouetportret van Daniël Hendriksz, buste naar rechts.
Terracotta stirrup jar
Object type: false necked jar
Date: 1300 – 1201
Materials: terracotta
Culture: mycenaean
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1900
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Artist: ichiyosai hironao
Artist role: maker
Artist nationality: japanese
Artist dates: 1825 – 1850
Subjects: men
Case (Inrō) with Design of Fans
Object type: inrō
Date: 1801 – 1833
Materials: gold, ivory, lacquer, silver
Techniques: maki
Culture: japanese
Subjects: birds,fans
La Salle de Conseil à Versailles
Object type: album leaf
Date: 1672 – 1703
Materials: paper
Techniques: etching
Location: paris
Subjects: garden fountain, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Gezicht op een straat te Glasgow
Object type: stereograph
Date: 1913 – 1913
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: glasgow
Subjects: street, glasgow
Inscriptions: inscription: ‘Izdanie 1913 gora, wsjakoje wosproizwedenije wjezoeslovno wospretsajetsja Moskwa/St Petersburg’, number: ‘167.’
't Hoogh-heemraetschap vande Uytwaterende Sluysen in Kennemerlant ende West-Frieslant
Object type: print
Date: 1734 – 1739
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions

Dit object is omwille van een betere presentatie virtueel samengevoegd maar bestaat fysiek uit losse onderdelen.

In 1680 verscheen een zestiendelige wandkaart (RP-P-AO-6-26), vervaardigd door landmeter Jan Jansz. Dou in opdracht van het Hoogheemraadschap van de Uitwaterende Sluizen in Kennemerland en West-Friesland. Vlak daarna werd besloten tevens een vierblads (de huidige kaart, zie ook RP-P-AO-6-25A, RP-P-AO-6-25B en RP-P-AO-6-25D) en een éénblads uitgave (RP-P-AO-6-24-1 en RP-P-AO-6-24-2) te laten maken. Alle drie de kaarten werden gegraveerd door Coenraet Decker en Abraham Jansz. Deur, die verantwoordelijk was voor het graveren van de letters. Van deze drie kaarten bestaan verschillende staten, waarop telkens de namen en/of wapens van de dijkgraaf, hoogheemraden en rentmeester werden aangepast. De verschillende staten zijn gedateerd aan de hand van het archief van het hoogheemraadschap en/of de samenstelling van het bestuur (dijkgraaf, hoogheemraden en rentmeester).
Reading a sutra by moonlight
Object type: hanging scroll
Date: 1332 – 1332
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,reading

Chan/Zen art and philosophy blend strict rigor with playful irreverence. The dignified image of an aging master learnedly poring over an abstruse scripture is undercut by the poetic inscription, which suggests that true enlightenment may just as well be found elsewhere: In this volume of scripture, The words have no clear meaning. The sun rises, the moon sets, When will I finish reading it? —Translation after Wen C. Fong
Cap
Object type: cap
Date: 1701 – 1900
Materials: cotton
Vught bij 's-Bosch. Taalstraat
Object type: photomechanical print
Date: 1909 – 1909
Materials: cardboard
Techniques: photograph
Location: vught
Artist: Anonymous
Subjects: street
Inscriptions: date