deem-data/ArtiFact huggingface dataset:
Drahomir Princesse van Bohemen, word Levendig met Wagen en Paarde, in de Aarde geswolgen
Object type: print
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: prague, buried alive (violent death), four-wheeled vehicle drawn by three animals, earthquake
Inscriptions: collector's mark: Lugt 2228

Een aardbeving verzwelgt het rijtuig van koningin Drahomira van Bohemen. De koningin en haar gevolg verdwijnen in de aardbodem. Op de achtergrond de stad Praag.
Vrouw toont een man een portret, mogelijk van Antonia Manichetti
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: sailing-ship, sailing-boat, anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie voor: Loosjes, Adriaan Pietersz. Het leven van Maurits Lijnslager : eene Hollandsche familiegeschiedenis uit de zeventiende eeuw. Haarlem: Adriaan Pietersz. Loosjes, 1808, p. 309.
Gezicht op de Haarlemmerpoort, gezien vanaf het Singel
Object type: drawing
Date: 1751 – 1816
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., city-gate
Inscriptions: inscription: ‘Port. 27’, collector's mark: ‘27’ Lugt 1641b, inscription: ‘Haarlemmer Poort van buyte te zien R Vinkeles’, inscription: ‘R. Vinkeles doed (...) Haarlemmer Plyn bevinden.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Haarlemmerpoort(en).
Terracotta fragment of a krater (bowl for mixing wine and water)?
Object type: krater fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic
Buckler (<i>Targhetta da Pugno</i>)
Object type: shield
Date: 1550 – 1575
Materials: gold, steel
Culture: italian
Location: italy

The hook in the center of the buckler was designed so it could hang from the sword belt, ready for use. The raised concentric bars were intended to trap, and possibly break, an opponent's blade.
Fashion Study: Woman in a White Floral Dress
Object type: drawing
Date: 1875 – 1900
Materials: ink, watercolor
Techniques: brush, heightening, pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: dresses,women
Bell
Object type: percussion instrument
Date: 1781 – 1781
Materials: bronze
Techniques: casting
Location: hoorn
Artist: l. haverkamp
Artist role: bellfounder
Inscriptions: inscription: ‘L.HAVERKAMP M.F. HORNAE Ao 1781’

Bronzen luidklok. Bovenaan een geprofileerd fries met opschrift in Latijnse majuskels: L.HAVERKAMP M.F. HORNAE Ao 1781. Boven het opschrift een fries bestaande uit rankenwerk. Onder het opschrift eveneens een fries met rankenwerk. Met ronde opening aan de bovenzijde.
Large Octagonal Plate
Object type: large octagonal plate
Date: 1830 – 1830
Materials: glaze, porcelain
Culture: japanese
Subjects: men,waterfalls,boats
The Second Spring
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: towns,crowd
Earring with lion-griffin head terminal
Object type: earring, lion griffin
Date: 400 – 201
Materials: gold
Location: egypt
Subjects: griffins

Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic earring. The griffin is a mythical winged animal that could have an eagle head or a horned lion-head. The latter is the only sort found on Egyptian jewelry; it has been suggested that it was associated with the Macedonian dynasty, while the eagle griffin was associated with the Achamenid Persians. The 'collar' behind the lion-griffin's head is decorated with granulation and filagree.
Rustic Seaside Scene
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: france
Artist: possibly jean-baptiste le prince
Artist nationality: french
Artist dates: 1734 – 1781
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, four fragments with bit of reserve
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head of youth to left with himation
Meijer's prenten
Object type: popular print
Date: 1881 – 1881
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: the soldier; the soldier's life, (military) uniforms
Inscriptions: collector's mark: Lugt 2760

Blad met 14 voorstellingen over soldaten, onder anderen soldaten uit verschillende landen en in verschillende uniformen, de ruiterij, een legerkamp en een gewonde soldaat. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 80.
Decorated Initial "T" with Flower from a Manuscript
Object type: drawing and watercolor
Materials: ink, silver, paint, parchment
Techniques: cutting
Culture: european
Location: europe
Schotel van porselein
Object type: platter
Date: 1774 – 1778
Materials: porcelain
Location: loosdrecht

Schotel van porselein. Beschilderd in sepia met figuren in een landschap. Langs de rand een lila fries tussen gouden biezen.
Gezicht op een stad met een kerktoren in de bergen
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: paper, watercolor
Techniques: brush
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: city-view, and landscape with man-made constructions, church (exterior), mountains

Blad 56 verso uit een schetsboek met 65 bladen.
The Three Fates
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Portretten van acht Europese vorsten
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: rome, the hague, william i of the netherlands, caserta, vienna, frans ii (rooms-duits keizer), frederik willem iii koning van pruisen, historical persons, ruler, sovereign, king
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 4088

Portretten van paus Gregorius XVI, Willem I (koning der Nederlanden), Ferdinand II (koning der Beide Siciliën), Mahmut II (sultan van het Ottomaanse Rijk), Nicolaas I Pavlovitsj (tsaar van Rusland), Frederik Willem III (koning van Pruisen), Karel Albert (koning van Sardinië) en Frans II (Rooms-Duits keizer). Linksonder en rechtsonder een verklarende lijst.
Paarden voor een dal
Object type: photomechanical print
Date: 1893 – 1897
Materials: paper
Techniques: autotype
Location: canada
Subjects: dale, valley, horse
Ex libris van Z.
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: crown (symbol of sovereignty)
Gezicht op een stad in vogelvluchtperspectief met een straat die bergopwaarts gaat
Object type: album leaf
Date: 1562 – 1562
Materials: paper
Techniques: etching
Location: antwerp
Subjects: architectural representations in general, city-view in general; 'veduta', bird's eye view ~ ideal or visionary architectural design or model

Gezicht op een stad in vogelvluchtperspectief met een straat die bergopwaarts gaat van rechtsonder naar linksboven. Deze prent maakt deel uit van een album.
Portret van een jongen met tennisracket in de hand en een jongen met hoepel in de hand
Object type: album leaf
Date: 1883 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hoorn
Artist: johannes laurens theodorus huijsen
Artist role: fotograaf
Artist dates: 1852 – 1910
Subjects: boy (child between toddler and youth) (+ two persons), historical persons, (bowling a) hoop, ball games in which ball is hit with racket (or hand)
Inscriptions: inscription: ‘J.L.T. HUIJSEN/ Photographe/ Bekroond op verschillende/ Tentoonstellingen/ HOORN/ Ramen 17./ De plaat blijft ter nabestelling bewaard.’
Head of a Male Deity
Object type: head
Date: 801 – 900
Materials: plaster
Culture: thai
Subjects: heads,men
Figuurstudie
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, adult man

Pagina 30 uit een als schetsboek gebruikte agenda met 80 bladen.
"Design for a Cup to Serve Wine at Drinking Parties", Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-Jazari
Object type: folio from an illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: syria
Artist: badi' al-zaman ibn al-razzaz al-jazari
Artist role: author
Artist dates: 1136 – 1206
Subjects: birds,cups

This page comes from a treatise on fantastic devices invented by the author al-Jazari. This goblet is described in the text as 'arbitrating' at drinking parties: the bird atop the lid whistles until the goblet is full of wine, and then continues to whistle until the chosen guest empties it. While illustrated manuscripts were growing increasingly popular in the fourteenth century, this folio is a rare survival from Syria, where few such manuscripts are known from this date.
L'Oeuvre d'Antoine Watteau, peintre du roy en son Academie roïale de peinture et sculpture (...)
Object type: print
Date: 1734 – 1735
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: marseille, paris, historical persons, the muses acting together (as group)

Maakt deel uit van een serie van 271 platen naar schilderijen door Watteau, verdeeld over drie delen, gecoördineerd door Jean de Jullienne en uitgegeven in Parijs in 1735. Sommige platen werden reeds tijdens Watteau's leven gemaakt.
Bowl
Object type: bowl
Date: 1744 – 1745
Materials: silver
Artist: paul de lamerie
Artist role: maker
Artist nationality: british
Artist dates: 1688 – 1751
Subjects: faces

English merchants carried luxury goods of all kinds to the American colonies, where they set a fashionable standard that was emulated by local artisans. These three pieces—teakettle, basket and bowl—formed part of a larger service that was owned by a prosperous merchant in Philadelphia. David Franks, the son of a prominent Jewish family in New York, married Margaret Evans in 1744, and this service was likely purchased to mark their marriage. The silversmith, Paul de Lamerie, was the head of a flourishing workshop, and these rococo pieces were in the vanguard of London taste.
Abklatsch van de krijttekening op blad 4 recto
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 3 verso uit schetsboek IX met 28 bladen.
Fragment laadstok van een handwapen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: rammer
Date: 1700 – 1743
Materials: copper, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Hand weapon, ramrod; fragm, end, id. NG 1980-27H1163.
Luifelhoed van stro, gevoerd met rozerode zijde
Object type: bonnet
Materials: silk
Location: netherlands
Artist: Anonymous

Luifelhoed van geel stro, gevoerd met rose-rode zij.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, bearded male to left with himation draped around his back and the upper part of his extended left arm; one letter of an inscription, H
Heilige brug, Japan
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: salted paper print
Location: japan
Artist: Anonymous
Subjects: japan
Inscriptions: annotation: ‘27. Sacred bridge.’
Journal des Luxus und der Moden 1790, Band V, T.12
Object type: magazine
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: weimar
Subjects: fashion plates

Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Plateau
Object type: plateau
Date: 1705 – 1720
Materials: faience
Techniques: glazing
Subjects: birds,cornucopia

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Portret van Johannes Wülfer
Object type: print
Materials: paper
Techniques: engraving
Subjects: johannes wülfer, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Onder het portret twee kolommen met elk drie regels Latijnse tekst.
Het dorp Ginneken
Object type: drawing
Date: 1729 – 1729
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: church (exterior), prospect of city, town panorama, silhouette of city
Restanten van gebouwen in Pompeï
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: column, pillar ~ architecture, excavation ~ archaeology, pompeii
Inscriptions: negative number: ‘4200’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.
Verbeeldende de Utrechtsche Poort
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: etching, letterpress printing
Artist: jan lamsvelt
Artist role: print maker
Artist dates: 1674 – 1743
Subjects: city-gate
Inscriptions: collector's mark: Lugt 1641b

Prent waarschijnlijk uit: Gebouwen, gezichten, en oudheden Der Stad Amsterdam. Haarlem: Johannes Marshoorn, 1741. Prent eerder gebruikt in: Leuve, Roeland van. 's Waerelds koopslot of De Amsteldamse beurs. Amsterdam: Jacobus Verheyden (I), 1723.
Scorn
Object type: print
Materials: ink
Techniques: etching, printing
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women
The Virgin on the Crescent, from The Life of the Virgin
Object type: print
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Frederik Augustus, koning van Polen en keurvorst van Saksen aangesteld tot stadhouder van het Roomse Rijk
Object type: history medal
Date: 1711 – 1711
Materials: gold
Techniques: striking
Location: dresden
Artist: johann lorenz holland
Subjects: august ii (king of poland)

Gouden penning. Voorzijde: portret ruiter met kroon en commandostaf boven wapenschild. Keerzijde: op linker tafel ligt keizerskroon, scepter en rijksappel, op rechter keurvorstelijke muts en degen tussen opschriften
Animal Ornament
Object type: ornament
Date: 501 – 700
Materials: copper
Culture: moche
Location: peru
Rip van Winkle
Object type: book
Date: 1894 – 1894
Materials: cardboard, linen, paper
Techniques: photoaquatint, printing
Location: boston
Inscriptions: name: ‘Janet D. [...[ravill from Mary Arnold Petrie’
Vissende en wandelende mensen op een pier en een houten pad tussen strandhuizen
Object type: photograph
Date: 1902 – 1902
Materials: paper
Techniques: gelatin silver print
Artist: jan van der mey
Subjects: cottage, pier, quay, wharf, beach, historical persons not known by name

Deze foto's maken deel uit van een album.
Tweehonderdvijfentwintigjarig bestaan van de Leidsche Hoogeschool 1825
Object type: history medal
Date: 1825 – 1825
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde Minerva staand en face, op de keerzijde zes regels tekst tussen samengestrikte olijftakken.
Bodice
Object type: bodice
Date: 1860 – 1869
Materials: cotton
Culture: american or european
Geschilderd raam in de Oudshoornse Kerk te Oudshoorn
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: oudshoorn
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church-window, e.g. rose-window
Inscriptions: annotation: ‘Geschilderd glas 8 in de N.H. Kerk Juli 1899/ Oudshoorn’, annotation: ‘Geschilderd glas in de Ned Herv kerk te Oudshoorn/ Juli 1899’, annotation: ‘[...] RPK A2840 [...]/ Willem III’
Studententijd van Henry Pauw van Wieldrecht
Object type: photograph album
Date: 1888 – 1889
Materials: paper, photographic support
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: label: ‘ZAEHNSDORF'S / SELF-BINDING / MOUNTS, / [...] / London, W.’, annotation: ‘H. Pauw van Wieldrecht / 1888’

Fotoalbum met 46 foto's uit de studententijd van Henry Pauw van Wieldrecht, met opnamen van Hyde Park, portretten, jachtscènes, Kloetinge, Dijnselburg, Hoog Beek en Royen, Zeist, interieurs in huis De Oorsprong (Biltstraat, Utrecht), Utrecht (o.a. ijsterrein), interieur kamer J.W. des Tombe, Plompetoren[gracht?] te Utrecht, interieur kamer Achter St. Pieter 340 te Utrecht, kamer Jenny Pauw van Wieldrecht (Mauritskade, Den Haag).
Lock
Object type: lock
Date: 1401 – 1600
Materials: iron
Culture: french

The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages.
The Wise and Foolish Virgins, plate five
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving, etching
Location: france
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676

Abraham Bosse’s Wise and Foolish Virgins is a sincere evocation of the joys of domesticity. These dutiful and industrious women embody the wisdom of moderation by staying indoors while their wilder, foolish counterparts run amok outside. In the New Testament parable that Bosse updates, it is only the wise virgins who are invited to a wedding feast (and by implication, into heaven), while the foolish ones are left outside in the graceless cold.
Barbarie, from "Jeu de la Géographie"
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: spears,women
Bracelet
Object type: bracelet
Date: 300 – 300
Materials: copper alloy
Culture: celtic
Model voor een klamp van een boekslot met de evangelist Mattheus
Object type: boekslot
Date: 1750 – 1775
Materials: copper
Techniques: metalworking, cutting
Location: amsterdam
Artist: Anonymous
Subjects: st. matthew writing the gospel, usually the angel present, dictating or assisting him

Model van roodkoper voor een gietvorm van een klamp van een boekslot. De voorstelling toont de evangelist Mattheus met de engel en is gevat in een rococo-ornament, gevormd door drie naar binnen gekeerde c-voluten en daartussen twee kleine, naar buiten gekeerde c-voluten. De bovenzijde is recht.
Armchair
Object type: armchair
Date: 1680 – 1680
Materials: wood
Spoon tray with a pheasant on a rock and flower scrolls
Object type: pattipan
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: china
Artist: Anonymous

Schotel,met gekartelde rand versierd met goud en zwarten rand en in famille rose kleuren een fazant.
Ornament
Object type: ornament
Date: 1301 – 1400
Materials: bronze
Culture: british
Location: england
Acala
Object type: stele
Date: 1101 – 1200
Materials: stone
Techniques: gilding
Culture: tibetan
Subjects: buddhism,deities

Acala is an esoteric deity whose role is to remove obstacles to enlightenment. He is also named in tantric texts as the protector of the rites associated with Manjushri. The Kriya Tantra, associated with the invocation of Acala, was popularized by both Atisha (982–1054), the founder of the Kadampa school, and Lobpon Sonam Tsemo (1142–1182) of the Sakya school.
Revue de la Mode, Gazette de la Famille, dimanche 16 novembre 1884, 13e Année, No. 672: Jupons & Corsets (...)
Object type: fashion print
Date: 1884 – 1884
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), border, ribbon, braid (+ women's clothes), lace (+ women's clothes), clothing for the upper part of the body (mantelet) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), bracelet, wristlet (+ women's clothes)
Inscriptions: title: ‘REVUE DE LA MODE / Gazette de la Famille’, caption: ‘Jupons & Corsets de la M.on de Plument, 33, r. Vivienne. Foulards de l'Union des Indes, 1,r. Auber. Passementeries & Rubans de la M.on Hallard & Martin, 68, B.d Sébastopol.’, address: ‘13 & 15, Quai Voltaire Paris’

Drie vrouwen in een interieur. Links: japon van crèmekleurige wol versierd met rode galons, geschikt voor een jonge vrouw. Midden: japon van grijs satijn, zwart kant en lint van 'moire'. Rechts: jpon van grijs gestreepte wol en bruin fluweel. Pelerine, dichtgeknoopt aan de linkerkant, van effen grijze stof gegarneerd met een biais van bruin fluweel. Met enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Revue de la Mode (1872-1913). Uitgebreide beschrijving van de kleding op pagina 366 "PLANCHE COLORIÉE".