deem-data/ArtiFact huggingface dataset:
Portret van Johan van der Does
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: ear-rings (+ men's clothes), armour, necklace (+ men's clothes), leiden
Inscriptions: collector's mark: Lugt 240

Johan van der Does, heer van Noordwijk en commandant van de vrijwillige troepen in de stad tijdens het beleg van Leiden in 1574. Op de achtergrond weilanden en de contouren van Leiden. Prent uit een serie van 5 prenten met portretten van belangrijke figuren tijdens het Beleg van Leiden.
Scarab with Wings from Bead Net
Object type: amulet, winged scarab
Date: 1070 – 525
Materials: faience
Location: egypt
Kruisafneming
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: descent from the cross: christ is taken down from the cross, usually by nicodemus and joseph of arimathaea who are standing on the ladders (both arms of christ detached)
Inscriptions: collector's mark: Lugt 240

Nikodemus en Josef van Arimatea halen de gestorven Christus van het kruis.
Adam met Eva en kinderen en met de dood als skelet
Object type: print
Date: 1530 – 1530
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: personifications of death; 'morte' (ripa), adam and eve (not in biblical context)
Inscriptions: collector's mark: Lugt 240

Onderdeel van een serie van tien houtsnedes met de patriarchen.
Procavia capensis (Rock hyrax or dassie)
Object type: drawing
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: annotation: ‘dit dier word aan de Caap dasje [onderstreept] genoemt. [...]’

Klipdas (Procavia capensis), of Kaaps dasje; met schaalverdeling in Rijnlandse duim.
Cuneiform tablet: fragment of Syllabary B
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Location: mesopotamia
Il terzo libro del'novo teatro delle chiese di Roma date in luce sotto il felice pontificato di nostro signore papa Clemente IX... (libro terzo)
Object type: album leaf
Date: 1669 – 1670
Materials: paper
Techniques: etching
Location: italy
Subjects: square, place, circus, etc., city-view, and landscape with man-made constructions, church (exterior)

Deze titelprent maakt deel uit van een reeks van 38 prenten met voorstellingen van kerken in Rome. Samen met vier andere reeksen vormt het de grote reeks: 'Il nuovo teatro di Roma moderna'.
Landschap met wagen voortgetrokken door paarden
Object type: print
Date: 1625 – 1677
Materials: paper
Techniques: etching
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: low hill country, (farm) wagon, freight wagon, cart
Inscriptions: collector's mark: Lugt 2228
Man op balkon voor huis
Object type: photograph
Date: 1930 – 1950
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons not known by name

Man zittend op railing van balkon voor huis. In envelop met losse foto's behorend bij het fotoalbum over de bewoners van het huis aan de Reguliersgracht te Amsterdam in de periode 1924-1932.
Man en vrouw met twee kinderen in een landschap
Object type: print
Date: 1832 – 1905
Materials: paper
Techniques: engraving
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), parents (first degree family relationships)
Inscriptions: collector's mark: Lugt 2228
Tobacco box
Object type: tobacco box
Date: 1701 – 1800
Materials: brass, copper
Artist: i. h. becker
Artist role: artist
Artist dates: 1725 – 1825
Subjects: profiles
Pair of Shoes
Object type: textile
Materials: leather, silk
Techniques: weave
Location: england
Tempel van Aphaia op Egina
Object type: photomechanical print
Date: 1905 – 1910
Materials: paper
Techniques: photograph
Location: egina
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: temple, shrine ~ greek religion, temple of aphaea
Inscriptions: number: ‘56.’
Altaar in de kathedraal van Granada, een misboek, zwaard en kist
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: missal, hacking and thrusting weapons: sword, chest, coffer, altar
Inscriptions: inscription: ‘1. High Altar. 2, Missal, Sword, and Casket.’
Drie zittende naakte vrouwen
Object type: print
Date: 1889 – 1943
Materials: paper
Techniques: linocut
Artist: moissej kogan
Artist role: print maker
Artist dates: 1879 – 1943
Subjects: sitting figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Spelende kinderen in een tuin
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: (playing with) movable toys
Inscriptions: inscription: ‘359’
The Tarn from W.
Object type: page
Date: 1890 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: lake, mountains
South African Light Horse, coming down Adderly St. to entrain for the front, Cape Town
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: army 'en route', street
Inscriptions: inscription, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, number: ‘297’, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’
Visored Bascinet
Object type: visored bascinet
Date: 1375 – 1400
Materials: leather, steel
Culture: european, western

The visored bascinet served as the standard helmet worn throughout Europe from about 1300 to about 1420. The pierced studs along the rim held the aventail (a defense of mail covering the lower face, neck, and shoulders).
Coin
Object type: coin
Date: 1301 – 1400
Materials: copper
Location: iran
[The Photographer's Daughter]
Object type: photograph
Date: 1842 – 1842
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: girls,portraits
Twaalf platen van de aankomst en inhuldiging van Willem I in Brussel en de slagen bij Quatre-Bras en Waterloo in 1815
Object type: print
Date: 1825 – 1826
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: brussels
Subjects: the hague, berlin, william i of the netherlands, new ruler taking the oath, brussels

Inhuldiging van koning Willem I te Brussel op 21 september 1815. Staande op een platform in de open lucht legt de koning ten overstaan van het publiek de eed af. Onderaan de titels in het Nederlands en Frans gescheiden door het wapen van koning Willem I. Onderdeel van een serie platen van de aankomst en inhuldiging van Willem I in Brussel.
Valentine envelope
Object type: print
Materials: ink, paper
Techniques: embossing, pen
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Drie vrouwen in een tuin
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, garden
Stud
Object type: stud
Date: 1701 – 1900
Culture: french
Botervloot, beschilderd met rivierlandschappen met figuren en monumenten
Object type: butter dish
Date: 1774 – 1778
Materials: porcelain
Location: loosdrecht

Botervloot van porselein. Schelpvormige oren, vrucht met blaadje op het deksel als knop. Aan beide zijden en op het deksel beschilderd met rivierlandschappen met figuren en monumenten in bietenrood. Ornament in goud op de oren en dekselknop. Gouden bies langs mond- en dekselrand.
Clearing Away the Rubbish
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: etching
Location: england
Artist: charles williams
Artist nationality: english
Artist dates: 1797 – 1830
Handkerchief
Object type: handkerchief
Date: 1830 – 1850
Materials: cotton
Culture: american
Gipsmodel van een voet
Object type: drawing
Date: 1800 – 1900
Materials: chalk, paper
Artist: alexander cranendoncq
Artist role: draughtsman, print maker
Artist dates: 1799 – 1869
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ reproduction ~ work of art), foot
Portret van Jean François Regnard
Object type: print
Date: 1826 – 1841
Materials: paper
Techniques: etching
Subjects: paris, historical persons, portrait of composer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Marines van Ierseke laat een Afrikaanse man vanaf een boot Vlissingen zien
Object type: book illustration
Date: 1804 – 1804
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: sailing-ship, sailing-boat, africans, pipe ~ tobacco, index finger forwards, pointing, indicating, flushing

Proefdruk van een boekillustratie gebruikt in: Loosjes, Adriaan Pietersz. Zedelijke Verhaalen. Haarlem: Adriaan Loosjes, 1804-1805. Tweede druk Haarlem: Adriaan Loosjes, 1815.
Der Schrittenschuhfahrer
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: skates (winter sports)
Inscriptions: collector's mark: Lugt 4731, collector's mark: Lugt 2228

Prent is waarschijnlijk gebruikt in: Zindel, Christian Siegmund, Klopstock, Friedrich Gottlieb, Klein, Johann Adam. Der Eislauf oder das Schrittschuhfahren, ein Taschenbuch für Jung und Alt. Mit Gedichten von Klopstock, Goethe, Herder, Cramer, Krummacher etc: und Kupfern von J.A. Klein. Neurenberg: Friedrich Campe, 1825.
Staggering-Bobs, a Tale for Scotchmen, or Munchausen Driving his Calves to Market
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,men,cows,horses

George Hanger, who fought in Prussian, British and Hessian armies during the American War of Independence rides a pony piled with calves intended for market (text at upper left mentions the horse dealer Richard Tattersall and the print is dedicated to George Hay, 16th Earl of Errol, a Scottish representative peer. After the war, Hanger became a close friend of George, Prince of Wales who appointed him Equerry in 1791. This print responds to the subject's money troubles which led him to move regiments multiple times–in 1795 he purchased a Lieutenant-Colonelcy of the 125th Foot, exchanged this six months later for a commission in the 1st Battalion the 82nd Foot, then sold the latter in 1796 to purchase an ensigncy in the 70th Foot. By June 1798, his debts led to a ten-month stint in the King's Bench Prison.
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: coral, porcelain
Culture: chinese
Subjects: flowers
Studie van twaalf figuren
Object type: costume print
Date: 1550 – 1649
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: clothes, costume
Inscriptions: collector's mark: ‘Sachsisches Kupferstichkabinett duplum veräussert’, collector's mark: Lugt 2228
Portret van Wilhelmina van Pruisen
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Location: leeuwarden
Artist: rienk jelgerhuis
Artist role: draughtsman, print maker
Artist dates: 1729 – 1806
Subjects: berlin, painter, draughtsman, wilhelmina of prussia (princess of orange)

Ook gebruikt als illustratie in: Bosch, Johannes van den. De heeren stadhouderen van Vriesland, zedert den jare acht-hondert. Leeuwarden: Abraham Ferwerda en G.Tresling, 1770.
Nasleep van de Slag bij de Milvische brug
Object type: print
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: the soldier; the soldier's life, the roman emperor constantine the great; possible attributes: crown, sceptre, standard (labarum) with chi-rho monogram or cross
Inscriptions: collector's mark: Lugt 240

De nasleep van de Slag bij de Milvische brug (28-10-312). Rechts Keizer Constantijn die wordt gekroond door Victorie en luistert naar de gevangenen die voor hem worden gebracht. Centraal liggen en drijven dode paarden en soldaten. Links wordt het dode lichaam van Maxentius uit de rivier gehaald. Op de voorgrond links een liggende riviergod. Legenda in ondermarge.
Interior of Halle aux Blés, Paris [The Corn Exchange]
Object type: drawing
Materials: graphite, ink
Techniques: pen, wash
Artist: jean démosthène dugourc
Artist role: designer
Artist nationality: french
Artist dates: 1749 – 1825
Subjects: interiors,men,women,dogs,paris
Brief aan Philip Zilcken
Object type: letter
Date: 1910 – 1910
Materials: ink, paper
Techniques: pen, printing, writing
Location: paris
Artist: e. plichon
Subjects: paris, lugné-poe, amsterdam, willem cornelis royaards, painter, draughtsman, philip zilcken, printed matter
Inscriptions: watermark, collector's mark: ‘RPK’
In een vertrek staat een man met een kruiwagen waarop een ton
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: wooden container: barrel, cask, bucket, wheelbarrow
Inscriptions: collector's mark: Lugt 240

Proefdruk van illustratie die mogelijk is gebruikt in: Mercier, Louis-Sébastien. De Kruiwagen van den Azijnverkooper. Amsterdam, 1777.
Foreign dancer
Object type: figure
Date: 601 – 700
Materials: earthenware, pigment
Culture: chinese
Subjects: dancers

Representations of foreigners are frequently found among Tang pottery sculptures, illustrating the cosmopolitan culture of the period. This figure can be identified by his dark skin, prominent eyes, curly hair, and scanty clothing as a dancer from South or Southeast Asia.
Bomen
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: trees

Blad 15 verso uit een schetsboek met 37 bladen.
Invenzioni diverse di mobili ed utensili sacri e profani per usi comuni della vita
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: etching
Location: italy
Artist: pietro ruga
Artist role: print maker
Subjects: bench, ornaments ~ art, table, bed

Prent maakt deel uit van een reeks van 100 prenten (+ titelprent) met ontwerpen voor religieuze en profane voorwerpen.
Sewing steps
Object type: sewing step
Date: 1842 – 1842
Materials: wood
Culture: american, shaker
Location: united states
Artist: united society of believers in christ’s second appearing (“shakers”)
Artist role: maker
Artist nationality: american
Artist dates: 1750 – 9999

Sewing steps provided a resting place for the feet of Shaker sisters while they were seated during handiwork. The rugged, hand-hooked needlework cover protected the wood finish. This example belonged to A. Rosetta Stephens (1861–1947) who was born in England and emigrated to New Lebanon, New York.
G 12. Theater van Bacchus aan den voet van de Acropolis. Athene
Object type: photomechanical print
Date: 1890 – 1893
Materials: cardboard, paper
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: ruin of a building ~ architecture, amphitheatre
Inscriptions: stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, title: ‘G 12. Theater van Bacchus aan den voet van de Acropolis./ Athene.’, check stamp: ‘Bristol/ L.M.’, number: ‘28’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze fotomechanische afdruk is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Plate
Object type: plate
Date: 1601 – 1633
Materials: earthenware
Techniques: luster painting, glazing

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Tea Bowl with Crescent Moon, Clouds, and Blossoming Plums
Object type: teabowl
Date: 1601 – 1700
Materials: glaze, stoneware
Techniques: painting
Culture: japanese
Bulgaarse kinderen en volwassenen in een Bulgaars dorp tijdens een rondreis van Else Wachenheimer-Moos en haar echtgenoot Eugen Wachenheimer, 1926-1927, Bulgarije
Object type: photograph
Date: 1926 – 1927
Materials: paper
Location: bulgaria
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: bulgarije

Albumblad bevat drie foto's. Zonder personen gerelateerd aan de familie Wachenheimer. Afkomstig uit album half formaat, kartonomslag met koordbinding en lichte veelvormige vormen op voorzijde.
Shard:  Shoulder of Vessel with Profile of Offerer with Flower
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: gandhara
Little boy holding a wreath and basket of flowers, from Deuxième Livre de Figures d'après les porcelaines de la Manufacture Royale de France (Second Book of Figures after porcelains from the Manufacture Royale de France)
Object type: collection ornament architecture
Date: 1757 – 1757
Techniques: engraving, etching
Artist: pierre françois tardieu
Artist role: artist
Artist nationality: french
Artist dates: 1711 – 1771
Subjects: boys,flowers,wreaths
Straattafereel in Londen
Object type: drawing
Date: 1888 – 1888
Materials: cardboard, chalk, ink, pencil
Techniques: pen
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: outcasts, pariahs, united kingdom, london
Inscriptions: inscription: ‘La porte d'un Rufuge’, date: ‘88’
Sutro Tunnel Shaft No. 2
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: mountains,landscapes
Portret van Piet van Eijk, de jongere broer van G.N.P. van Eijk
Object type: cabinet photograph
Date: 1910 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Location: utrecht
Subjects: hand in the pocket, boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘Blankenburg & Luca/ Utrecht/ Catharijne Singel 23./ Telefoon 1699.’
Jehu verwoest de tempel en het beeld van Baal
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: the worshippers of baal are killed
Inscriptions: number: ‘15’, caption: ‘Grande Bahal numen fortis disiecit Iehu...Regum 4 Cap. 10’

Op de voorgrond wordt het grote afgodsbeeld van Baal in brand gestoken en met hamers verwoest. Op de achtergrond de tempel die eveneens brandt.
The Porta Galliera, the entrance gate to Bologna and drawbridge with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598
Object type: print
Date: 1598 – 1598
Techniques: etching
Artist: guido reni
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1642
Subjects: architecture,gates,coat of arms

Plate from 'Descrittione de gli apparati fatti in Bologna per la venuta di N.S. Papa Clemente VIII', a book containing a description of the festivities for Pope Clement VIII's entry to Bologna and eight etchings by Reni illustrating the temporary decorations made for the event, published by Vittorio Benacci in Bologna in 1598. A second edition containing an additional plate was published by Benacci in 1599 and a later edition (undated) was published by Gioseffo Longhi.
Het nieuw vermakelijk ganzenspel
Object type: game of goose
Date: 1856 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: goose-game
Inscriptions: collector's mark: Lugt 2760

Ganzenbordspel met een spiraal met vakjes genummerd van 1 tot en met 63. In enkele vakjes voorstellingen van ganzen. Op het middenveld de spelregels in boekdruk in het Nederlands en in het Frans. Genummerd: No. 143.
Design for Stanhope Phaeton
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Corner ornament
Object type: corner ornament
Date: 1701 – 1800
Materials: gilt bronze
De vier stadia van wreedheid
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Subjects: murder, adultery, (story of) nero, the roman emperor, cruelty, ferocity; 'crudeltà', 'ferocità' (ripa)
Inscriptions: collector's mark: Lugt 2228

Deze serie weergeeft vier stadia van wreedheid: bewuste, onbewuste en geplande wreedheid en sadisme. Hogarth verwijst naar de fictieve Tom Nero en zijn wrede gedachtegoed door in alle prenten impliciet of expliciet naar hem te verwijzen.
Droogvloer op "Ma retraite"
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘B6 / Droogvloer op "Ma retraite".’

Cacaobonen drogend in de zon op droogvloeren bij loodsen op het terrein van de plantage Ma Retraite. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.