deem-data/ArtiFact huggingface dataset:
Design for Vis-à-vis/ Caleche, no. 726a
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, paint, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cup
Object type: cup
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: derby porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 1785
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Aankomst van Leicester te Vlissingen, 1585
Object type: drawing
Date: 1753 – 1753
Materials: ink, paper
Techniques: brush, pen
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: robert dudley (1st earl of leicester), square, place, circus, etc., war and peace, bridge, flushing
Inscriptions: date: ‘1753’

Aankomst van Robert Dudley, graaf van Leicester, in Vlissingen op 20 december 1585. Ontvangst van de graaf op de kade door een grote menigte. Ontwerp voor een prent.
Disegni Varii di Polifilo Zancarli
Object type: collection ornament architecture
Techniques: etching
Location: italy
Artist: polifilo giancarli
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1625
Subjects: mythical creatures,putti,acanthus

Vertical panel design with an acanthus rinceau with various figures. On the lower left two putti are depicted holding the head of a giant fish. In the lower left a male figure whose lower body consists of acanthus leaves holds its tail together with two other putti. Two snake-like creatures can be noted on the upper left, of which the smaller bites the head of the bigger one.
De ontmoeting van Jakob en Rachel bij de bron
Object type: ornament print
Materials: paper
Techniques: engraving
Location: unknown
Subjects: ornament ~ cartouche, jacob kisses rachel and is moved to tears, jacob moves the stone which covers the opening of the well and waters rachel's sheep
Inscriptions: caption: ‘Jacob offendit Rahel ad puteum, et osculatus est / eamque in uxorem ducit.’, signature: ‘Cor Cort fec’, collector's mark: Lugt 2228

Ornament voor een schotelrand. Jakob en Rachel omhelzen elkaar bij de waterput van Haran. Rachel was bezig de schapen van haar vader te drenken. Jakob's mannen verwijderen de steen van de put voor haar. Met Latijnse tekst in cartouches. Met tekst in latijn in cartouche boven de voorstelling.
Paris. - Panorama des Neuf Ponts, vue prise de Saint-Gervais
Object type: photograph
Date: 1889 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Subjects: urban housing, city-view in general; 'veduta', bridge in city across river, canal, etc., paris
Inscriptions: inscription: ‘189 Paris. - Panorama des Neuf Ponts, vue prise de Saint-Gervais X. Phot.’

Tussen 1887 en ca. 1900 werkten Neurdein frères onder andere onder de naam 'X phot.'.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Part of the head, left shoulder, upper left arm, and part of the upper torso of a filleted, bearded man to left, with head tilted back; at the right, start of handle root
Element from a Stalactite Squinch (Muqarnas)
Object type: squinch
Date: 901 – 1000
Materials: plaster
Techniques: painting
Location: iran

Probably originally part of a muqarnas, or stalactite squinch, this and other muqarnas elements would have been stacked, in descending size, in the upper corner of a room in order to make the transition to a dome. This, together with objects 38.40.249–38.40.251 are among the earliest known examples of muqarnas, a feature that became quite popular in Islamic architecture in subsequent centuries. The painting on these elements is intriguing, with disembodied eyes that peer out from the vegetal decoration.
Tobias and the Angel
Object type: painting, predella panel
Date: 1479 – 1479
Materials: gold, paint, wood
Artist: davide ghirlandaio (david bigordi)
Artist role: artist
Artist nationality: italian
Artist dates: 1452 – 1525
Subjects: men,dogs,fish,angels

Ghirlandaio painted these three captivating narrative scenes about 1479 for the base (predella) of an important altarpiece commissioned from his brother, Domenico, for the church of San Giusto alle Mura outside Florence. Two further scenes are known; the main panel is in the Uffizi in Florence. According to legend, at the burial of Saint Zenobius a dead tree sprang to life when it was touched by the saint's bier. The baptistery and bell tower (campanile) of the cathedral of Florence provide the setting. Florence appears in the background of the scene where Tobias catches a fish whose innards will heal his father’s blindness.
Black Horseman
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: italy
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664

Florentine by birth, della Bella worked extensively for the Medici family before going to Rome around 1638. A prolific graphic artist, he later traveled to Paris before returning to Florence around 1650.
Ostende. Les enfants à la plage
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1914
Materials: cardboard
Techniques: photograph
Location: oostende
Subjects: beach (as place of recreation), children's games and plays
Terracotta fragments of bell-kraters (bowls for mixing wine and water)?
Object type: bell krater fragment
Date: 450 – 401
Materials: terracotta
Culture: greek, attic

Three black glaze fragments from bell-kraters; sheared?
Portret van Johan Philip Lansberge op 67-jarige leeftijd
Object type: print
Date: 1628 – 1638
Materials: paper
Techniques: engraving
Location: delft
Subjects: ghent, middelburg, physicist, philippus lansbergen, portrait of a writer
Inscriptions: collector's mark: Lugt 240

Portret van schrijver en astronoom Johan Philip Lansberge op 67-jarige leeftijd, borststuk gekleed in toga in ovale omlijsting. Latijns vers van zes regels in ondermarge.
Street Scene in the Outskirts of Edo on an Evening in Winter
Object type: print
Date: 1878 – 1878
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kobayashi kiyochika
Artist role: artist
Artist nationality: japanese
Artist dates: 1847 – 1915
Subjects: human figures,houses,streets,carriages
Spoon
Object type: spoon
Date: 1834 – 1866
Materials: silver
Artist: a.d. boulenger
Artist role: maker
Artist dates: 1800 – 1900
Old man on a swing
Object type: print
Date: 1825 – 1827
Materials: ivory, paper
Techniques: aquatint, burnishing, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Sugar Tongs
Object type: tongs
Date: 1800 – 1800
Materials: silver
Culture: american
Location: united states
Artist: bernard wenman
Artist role: maker
Artist nationality: american
Artist dates: 1784 – 1838
Ornament
Object type: ornament
Date: 900 – 801
Materials: bronze
Culture: iranian
Location: iran
Berchmans Hall. Xavier, Kansas. Residence hall for upperclassmen at Saint Mary College
Object type: photomechanical print
Date: 1907 – 1959
Materials: cardboard
Techniques: writing
Location: xavier
Artist: Anonymous
Subjects: university building, college
Portret van Wilhelm Martin Leberecht de Wette
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: stippling
Location: berlin
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1868 – 1926
Materials: cotton
Techniques: dyeing
Culture: japanese
Subjects: fish
Vous êtes deux braves! ça ne finira fras comme ça
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: canteen ~ the soldier off duty, fist-fight
Inscriptions: collector's mark: Lugt 2228a

Achter de vechtende soldaten is de muur van een kroeg te zien, waarop de ironische tekst 'in het verlangen naar vrede' te lezen is.
Ontwerp voor een ereboog voor aartshertog Leopold Willem
Object type: drawing
Date: 1646 – 1648
Materials: ink, paper
Techniques: brush, pen
Subjects: vienna, leopold willem van oostenrijk (landvoogd der zuidelijke nederlanden), triumphal arch
Landscape
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Location: france
Artist: b. chalameau
Artist nationality: french
Animal Mask
Object type: mask
Date: 934 – 768
Materials: copper, silver gilt
Culture: chinese
Merry Christmas and Happy New Year, from the New Years 1890 series (N227) issued by Kinney Bros.
Object type: print
Date: 1889 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: girls,women

Trade cards from the "New Years 1890 Cards" series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company.
Estate Figure
Object type: statue, standing woman, offering
Date: 1981 – 1975
Materials: gesso, paint, wood
Location: egypt
Subjects: ducks,women,meketre-models
Fotoreproductie van een prent naar een schilderij door Robert Smirke, voorstellend een scene uit Het temmen van de feeks door William Shakespeare
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. XXXIII. 131’

Te zien is de introductie, scene 4 met Sly en bedienden.
Molen van de diamantslijpers
Object type: print
Date: 1747 – 1749
Materials: paper
Techniques: engraving, etching
Artist: frans de bakker
Artist role: print maker
Subjects: diamond polisher, diamond cutter, precious and semiprecious stones: diamond

Prent waarschijnlijk uit: Pluche, Noël-Antoine. Schouwtoneel der Natuur, of samenspraaken over de Bysonderheden der Natuurlyke Histori (...). [Vertaald uit het Frans door] Pieter le Clercq. 14 dln. Amsterdam: S. Schouten et al., 1749. dl. 13, na p. 64.
Pyx
Object type: pyx
Date: 1467 – 1533
Materials: silver, silver gilt
Culture: spanish
Brief aan Philip Zilcken
Object type: letter
Date: 1928 – 1928
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: léon paschal
Artist role: schrijver
Artist dates: 1873 – 
Subjects: the hague, painter, draughtsman, philip zilcken, the graphic arts, painting (including book-illumination, miniature-painting), exhibition ~ art, printed matter, venice
Stad Amsterdam, loodje met no. 3166
Object type: hondenbelastingloodje
Date: 1881 – 1881
Materials: brass
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

eenzijdig loodje aan draagoog met afgeronde hoeken, holle zijden en aan onderzijde punt. Voorzijde: gekroond wapenschild tussen jaartal boven cijfer 3166. Keerzijde: blanco
Spindle-back armchair
Object type: spindle back chair
Date: 1660 – 1700
Materials: wood
Culture: american
Location: united states

The finials on this chair fall within a broad category that features a prominent spherical form at the top above one or two reels, a ring, or ball in many configurations. Such finials are found on seventeenth-century turned chairs from southern New England, in southeastern Massachusetts (10.125.236) and the Connecticut shore (10.125.208) that appear to date toward the end of the 1600s, and in the eighteenth century they become ubiquitous.
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Techniques: carving
Culture: chinese
Subjects: frogs
Albumblad voor een album voor Prof. Hugo de Vries
Object type: drawing
Date: 1918 – 1918
Materials: paint, ink, paper
Techniques: brush, lithograph, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: hugo de vries, flowers ~ ornament
Inscriptions: collector's mark: ‘R:MVS.’, annotation

Rechthoekig kader met bloem- en bladornamenten met daarin vier vakken voor portretten met onder elk vak de naam van de geportretteerde.
Berglandschap met koeien bij een beek
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: etching
Location: geneva
Artist: alexandre calame
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1864
Subjects: cow, brook, mountains
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Portret van Peter Ernst I van Mansfeld
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: Anonymous
Subjects: ornament ~ medallion, armour, historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), ornament derived from architectural details
Inscriptions: collector's mark: Lugt 2228, number: ‘41’

Prent waarschijnlijk uit: Meerbeeck, Adriaen van. Chroniicke van de Gantsche Werelt, ende sonderlinghe vande Seventhien Nederlanden (...). Antwerpen: Hieronymus Verdussen, 1620.
Offerte bij tekeningen voor een nieuw beursgebouw te Amsterdam
Object type: manuscript
Date: 1836 – 1840
Materials: paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: stock exchange, stock-market, amsterdam

Object bestaat uit drie aan elkaar gebonden bifolia. Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart: Hulpbeurs op de Dam en Beurs (Dam).
Langs Oude-Wetering
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1915
Materials: cardboard
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: river, street

Prentbriefkaart maakt deel uit van een album.
Portret van Cesare Brancadoro
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching, roulette
Location: haarlem
Subjects: rome, cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228
Parijzenaars verkleden zich
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: paris
Artist: eugène guérard
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1866
Subjects: folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 1844.
Grafmonumenten op Père-Lachaise
Object type: print
Date: 1803 – 1869
Materials: paper
Techniques: lithograph
Location: paris
Subjects: cemetery, park-like burying ground
Portret van Edward Barry
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching
Location: london
Subjects: theologian, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Egyptian Harp, from the Musical Instruments series (N82) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,harps,musicians

Trade cards from the "Musical Instruments" series (N82), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
Promenade dress
Object type: promenade dress
Date: 1862 – 1864
Materials: cotton
Culture: american

In the 1860s, dress swelled in volume, but like the dresses we most associate with Scarlett O'Hara, their grand circumferences were supported by crinolines or hoops, allowing some air to circulate below. In fact, some caricatures rendered the new forms almost like unstable parachutes. As seen in Impressionist paintings, like French dresses were worn outdoors in parks and for summer promenades. Women could hardly sprint, but there was a modicum of buoyancy.
Thuiskomst van de verloren zoon
Object type: album leaf
Date: 1580 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the prodigal son kneels before his father who takes him in his arms, festive reception of the prodigal son

De verloren zoon keert terug naar huis. Hij wordt daar opgewacht door zijn vader, die hem hartelijk verwelkomt. Hij laat een kalf slachten voor een feestmaal om de terugkeer van zijn zoon te vieren. Onder de voorstelling een verklarende tekst in het Latijn. Deze prent maakt deel uit van een album.
Mirage observé le 17 juin 1886, à Madras, et reproduit d'après une photographie
Object type: photomechanical print
Date: 1886 – 1886
Materials: paper
Techniques: autotype
Location: chennai
Artist: Anonymous
Subjects: mirage, 'fata morgana', rowing facing backward, pulling

Prent op ongenummerde pagina tegenover pagina 85.
The Tribute Money
Object type: drawing
Date: 1843 – 1843
Materials: graphite, paper
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: boys,men,fish

On the strength of his work in the Salon du Roi, Delacroix received a commission to decorate the Palais Bourbon’s newly completed library. This drawing on tracing paper represents part of his process of refinement in determining a composition for a pendentive devoted to the biblical subject of The Tribute Money, in which Jesus tells Peter he will find money for the temple tax in a fish’s mouth. Whereas Delacroix painted the Salon du Roi himself, he had the help of assistants for the library, which explains in part why more exacting drawings for this project exist.
Large Beaker (Humpen)
Object type: glass
Date: 1608 – 1608
Materials: glass
Location: bohemia
Portret van kardinaal Felice Rospigliosi
Object type: print
Date: 1673 – 1691
Materials: paper
Techniques: engraving
Location: rome
Subjects: rome, cardinal

Portret van kardinaal Felice Rospigliosi. Linksboven het wapen van paus Clemens X en rechtsboven het wapen van de kardinaal. Onderaan een onderschrift in het Latijn. De prent maakt deel uit van een album.
Kalenderblad voor januari 1922 uit Veen's Kalender-Schrijfmap
Object type: photograph
Date: 1922 – 1922
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: calendar, almanac
Inscriptions: number: ‘1187’, collector's mark: Lugt 2228a

Kalenderblad van 1 tot en met 14 januari 1922 uit Veen's Kalender-Schrijfmap op vloeikarton met notitieruimte en vermelding van feestdagen en geboortedagen van het Koninklijk Huis.
Joseph Méry
Object type: page
Date: 1866 – 1866
Materials: paper
Techniques: woodburytype
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine/ 126, boul. Magenta. - Paris./ Né aux Aygalades (Bouches-du-Rhône), le 21 janvier 1798; mort a Paris, le 17 juin 1866.’
The Supper at Emmaus
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread
Inscriptions: inscription: ‘199’, signature and date: ‘Rembrandt f. 1634’, collector's mark: Lugt 240
Portret van Constantijn Huygens I
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: constantijn huygens (i), historical persons, portrait of a writer, armorial bearing, heraldry
Cabinet de XLI portraits des grands ducs, electeurs, archiducs, & autres princes & princesses
Object type: print
Date: 1715 – 1730
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: historical persons
Inscriptions: inscription: ‘+22’

Vroegere staat van de prent gebruikt in: Clerck, Nicolaes de. Princelyck cabinet. Verthoonende 't leven afcomste ende afbeeldingen der voornaemste vorste[n] princen graven en[de] heeren van Europa (...). Delft: weduwe Nicolaes de Clerck, s.a. Prent met tekst op verso ook gebruikt in de 1625-editie.
Stencil with Pattern of Water Plants (Omodaka)
Object type: stencil
Date: 1801 – 1900
Materials: paper, silk
Culture: japanese
Subjects: plants
Stad Utrecht, loodje met letter AA en no. 468
Object type: tax token
Date: 1859 – 1859
Materials: lead
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: utrecht

loodje met gat erin aan draagring. Voorzijde: letters AA en cijfer 468 boven jaartal. Keerzijde: gekroond wapenschild, geflankeerd door twee leeuwen
Kenji Morita
Object type: ambrotype
Date: 1886 – 1886
Techniques: ambrotype
Artist: fujita
Artist role: artist
Artist nationality: japanese
Artist dates: 1880 – 9999
Subjects: boys,portraits

When Japan opened its ports to the West in the 1850s, photography—called shashin, literally, a copy of truth—soon became widely available. High-end professional salons and open-air studios operated by itinerant practitioners offered portraits at every price range. While the popularity of ambrotypes, a positive photograph on glass, was short-lived in the United States, Japanese ambrotypes were in demand from the early 1870s until the end of the nineteenth century. These two ambrotype portraits depict a dreamy-eyed, fourteen-year-old student and a barefoot geisha with her attendant. Housed in poetry-inscribed kiri-wood boxes, they provide an intimate and rare glimpse of how modern Japanese society represented itself.
Gezicht op de Nieuwmarkt te Amsterdam
Object type: print
Materials: paper
Techniques: etching
Location: the hague
Artist: lambertus hardenberg (1822-1900)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1900
Subjects: market, bridge, weigh-house
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op de Nieuwmarkt in Amsterdam, met op de voorgrond figuren bij een houten brug en markthallen, op de achtergrond de Waag of de St. Anthonispoort en de toren van de Zuiderkerk.
Jongeling in middeleeuwse kleding ligt bij een meer
Object type: print
Date: 1864 – 1909
Materials: paper
Techniques: drypoint, etching
Artist: jean-baptiste anthony
Artist role: painter, print maker
Artist dates: 1854 – 1930
Subjects: youth, adolescent, sleeping on the ground - bb - out of doors
Inscriptions: collector's mark: Lugt 2228