deem-data/ArtiFact huggingface dataset:
Snuff Bottle with Poisonous Animals
Object type: snuff bottle
Date: 1801 – 1900
Materials: stone, ivory
Culture: chinese
Subjects: frogs,butterflies,scorpions,lizards
The Virgin and Child in Glory Adored by Saints Catherine and Lucy
Object type: drawing
Date: 1534 – 1633
Materials: chalk, ink
Techniques: brush, heightening, pen, wash
Artist: dirck hendricksz., called centen, also called teodoro d'errico
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1542 – 1618
Subjects: angels,madonna and child,saint catherine
Scenes from the Lives of Jacob and Joseph (?): Unidentified scene
Object type: panel
Date: 1601 – 1700
Subjects: animals,spears,men,women,trees
Kaart van de kasselrij Rijsel
Object type: print
Date: 1690 – 1744
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: maps of cities, lille
Inscriptions: collector's mark: Lugt 2228

Kaart van de kasselrij Rijsel (Lille). Boven de kaart de titel. Rechtsonder een schaalstok: Echelle de deux Lieues.
Bord beschilderd met het portret van Mr Gerard Aarnout Hasselaar
Object type: plate dish
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht
Subjects: mayor, gerard aarnout hasselaer

Plate with a portrait of Gerard Aarnout Hasselaer (1698 - 1766). Porcelain, Loosdrecht, c. 1778-1782. Factory of Joannes de Mol. H.C. Hooft Hasselaer bequest, 1963.
S. Dunstan, évêque (St. Dunstan, Bishop), May 19th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Loentje Onnen met Luze, Robbie, Joop, Frank, Haska en Wothka bij een tennisbaan
Object type: photograph
Date: 1915 – 1915
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: amsterdam, carolina frederika onnen (lien/loen), tennis, lawn-tennis, friends

Deze foto's zijn onderdeel van een album.
Three Goats in a Moutainous Landscape
Object type: drawing
Date: 1830 – 1864
Materials: paint, chalk
Techniques: cutting, heightening
Artist: alexandre calame
Artist role: artist
Artist nationality: swiss
Artist dates: 1810 – 1864
Subjects: goats,mountains,landscapes,trees
Het springen van de kanonneerboot van Jan van Speyk, 1831
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: amsterdam, antwerp, jan van speyk, navy (+ sailing-ships), self-sacrifice, death in the service of a higher purpose, gunpowder disaster
Inscriptions: collector's mark: Lugt 2228, workshop stamp: ‘PLC RMWO’

Het in de lucht springen van de kanonneerboot van Jan van Speyk, 5 februari 1831. Zie ook de pendant. Bij de beide platen behoort een tekstblad met uitlegging van de voorstelling.
Portret van Johann Adam Osiander
Object type: print
Date: 1657 – 1716
Materials: paper
Techniques: engraving
Location: germany
Subjects: johann adam osiander, writing tools, historical persons
Inscriptions: collector's mark: Lugt 2228
Italiaans landschap
Object type: drawing
Date: 1836 – 1888
Materials: paper, pencil
Artist: carel vosmaer
Artist role: draughtsman, print maker
Artist dates: 1826 – 1888
Subjects: city-view, and landscape with man-made constructions, italy
Abklatsch van de krijttekening op blad 2 verso
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 3 recto uit schetsboek XII met 19 bladen.
Letterkundig Gezelschap V.W. te Amsterdam, penning toegekend aan H.J. Foppe
Object type: medal
Date: 1825 – 1825
Materials: gold
Techniques: striking
Location: netherlands
Artist: hendrik de heus
Artist role: medailleur
Artist dates:  – 1838
Subjects: amsterdam

Gouden penning. Voorzijde: letters V en W in krans van eikeloof. Keerzijde: opschrift binnen lauwerkrans.
Carpet
Object type: textile
Date: 1450 – 1500
Materials: wool
Techniques: weave
Location: spain

Even as the Christian kingdoms of Spain, led by Castile and Aragon, drove Muslimrulers from the Iberian Peninsula, the Spanish elite acquired a taste for the refined products of Muslim craftsmen, including splendid carpets. Rare surviving 15th-century examples, like this one, repeat small geometric shapes in their central field, sometimes also incorporating the coats of arms of their noble owners. Often of great size—this one is almost 18 feet in length—such carpets softened and enlivened the floors of palaces. Many survived as donations to Spanish convents, entering the art market and private collections around 1900.
Reproductie van Le Printemps door K. Spilar
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: adult woman, spring landscape; landscape symbolizing spring (the four seasons of the year)
Inscriptions: inscription: ‘(Voir "Photographische Correspondez"1897, p. 464.)’
Kruisiging
Object type: print
Date: 1585 – 1600
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: crucified christ with mary, john, and mary magdalene
Inscriptions: collector's mark: Lugt 240, signature: ‘HGoltzius fecit’

Onvoltooide prent van de kruisiging van Christus. Gedeeltelijk voltooid is de figuur van Johannes, op de rug gezien. Op de achtergrond zijn de contourlijnen te zien van de drie kruizen en de drie Maria's.
Viering van de kroning van Willem III en Maria te Rotterdam, penning geslagen op last van het stadsbestuur van Rotterdam
Object type: council medal
Date: 1689 – 1689
Materials: silver
Techniques: striking
Location: dordrecht
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), rotterdam

Zilveren penning met gat. Voorzijde: gekroond wapenschild opgehouden door twee leeuwen boven wimpel met opschrift, op achtergrond palmboom en stad aan haven. Keerzijde: groep mensen bij standbeeld van Erasmus voor opgerichte triomfboog met daarop opschrift en gekroond borstbeeld van Willem III.
Woman’s Rights Quilt
Object type: quilt
Date: 1875 – 1875
Materials: cotton
Culture: american
Location: united states
Artist: emma civey stahl
Artist role: artist
Artist nationality: american
Subjects: animals,soldiers,men,women,flowers

This unique pictorial quilt tells two distinct stories. Three of the circular appliquéd vignettes depict soldiers who fought in the American Civil War, assuredly still a fresh memory when the quilt was made. Three other blocks feature dynamic scenes of social activism in the fight for women’s rights. In one vignette, the reformer leaves her husband and child, a “WOMAN’S RIGHTS” banner slung jauntily over her shoulder. In another she is driving a horse-drawn cart, undoubtedly going to the meeting depicted in a third circle, where she vociferously lectures the cowering audience. The quiltmaker’s comical take on one of the most serious issues of the late nineteenth century raises the question of her own viewpoint on the subject.
Ex libris van C.Tj. Tuymelaar
Object type: bookplate
Date: 1937 – 1937
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: c.tj. tuymelaar, riding a horse, ass, or mule; rider, horseman, quill, ass, donkey, book
Inscriptions: signature, date and inscription: ‘CTj Tuymelaar / Cl. '37’
Gedenkprent ter ere van Willem I, prins van Oranje, 1872
Object type: print
Date: 1872 – 1874
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: delft, william i (prince of orange)

Gedenkprent ter ere van Willem I, 1872. Portret van Willem I met een hoed in een ovaal. Linksonder en rechtsonder een kolom met vier regels Nederlandse tekst. In de ondermarge twee regels Nederlandse tekst.
Portret van een man in militair uniform in tuin
Object type: album leaf
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: garden, adult man, historical persons, (military) uniforms, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Tekst bij een prent van de Roomse processie te Utrecht, 1673
Object type: text sheet
Date: 1673 – 1673
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jan claesz ten hoorn
Artist role: publisher
Artist dates: 1638 – 1715
Subjects: priest, utrecht, battle of the texel

Tekstblad behorend onder een prent met een voorstelling van de Roomse sacramentsprocessie gehouden te Utrecht op Sacramentsdag, 22 augustus 1673 (een verzonnen datum, wellicht verwijzend naar de overwinning van de Hollanders in de zeeslag bij Kijkduin op 21 augustus 1673). Tekst in 2 kolommen waarin de gebeurtenis beschreven wordt en de legenda 1-17. Op het eind het spotvers: Omkeringe der walvisch-veersen.
Taler van Johan Georg III, keurvorst van Saksen
Object type: taler
Date: 1683 – 1683
Materials: silver
Techniques: gilding, striking
Location: dresden
Artist: christoph fischer
Artist dates: 1620 – 1686
Subjects: tübingen, keurvorst, keurvorst van saksen johan georg iii

Voorzijde: portret man naar rechts met zwaard over rechter schouder en voor zich helm [?] binnen omschrift. Keerzijde: wapenschild bedekt door acht helmen binnen omschrift
Willem III, koning der Nederlanden, penning van de derde grootte
Object type: medal
Date: 1849 – 1849
Materials: bronze
Techniques: striking
Location: utrecht
Artist: johan philip menger
Artist role: medailleur
Artist dates: 1818 – 1895
Subjects: willem iii (koning der nederlanden)

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: blanco veld binnen krans van myrtebladeren
Jan Six
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: amsterdam, mayor, jan six (1618-1700)
Inscriptions: signature and date: ‘Rembrandt. f.. 1647’, collector's mark: Lugt 2228 a, collector's mark: Lugt 788
Willem Treub als Odysseus tussen Scylla en Charybdis
Object type: cartoon
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: voorschoten, political caricatures and satires, netherlands
Inscriptions: collector's mark: Lugt 2228

Spotprent op Mr. Treub die zijn schip veilig tussen Scylla en Charybdis door stuurt, een verbeelding van de moeilijke keuze van Treub tussen het wethouderschap en het hoogleraarschap te Amsterdam. In het onderschrift wordt gerefereerd aan zijn kandidatuur voor het hoofdbestuur van de Maatschappij tot Nut van 't Algemeen. Verschenen in het bijvoegsel van 'De Kroniek' van 16 februari 1896.
Plate
Object type: plate
Date: 1750 – 1770
Materials: hard paste porcelain
Subjects: men,dolphins,ships
Bacchus en Ariadne
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: printmaking, etching
Subjects: (story of) ariadne and bacchus
Inscriptions: date

Bacchus en Ariadne zittend in de wolken. Om hem heen drie figuren. Eén speelt fluit, een tweede tamboerijn. De derde houdt een krans boven het hoofd van Ariadne. De prent maakt deel uit van een album.
Design for Two Gothic Style Armchairs
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: chairs
Kaart van de Zuidelijke Nederlanden
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions, southern netherlands, belgium

Kaart van de Zuidelijke Nederlanden. De titel boven de kaart. Linksboven een cartouche met tweede titel. Rechtsonder een cartouche met legenda en drie schaalstokken: 7 Lieues Communes d'Allemagne à 15 au Degré / 10 Lieues Communes de France à 20 au Degré / 30 Mile de Italie a 60 au Degré. De kaart is voorzien van een coördinaten-net en een gradenverdeling langs de randen.
Five Musicians (Gonin bayashi)
Object type: print
Date: 1783 – 1783
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: music
Ex libris Ualentin Movrie'
Object type: bookplate
Date: 1850 – 1913
Materials: paper
Techniques: letterpress printing, relief print
Location: france
Artist: Anonymous
Subjects: devil(s) and demons, scroll
Inscriptions: collector's mark: Lugt 2233, collector's mark: ‘S’, collector's mark: Lugt 2760
Bronze statuette of Athena flying her owl
Object type: statuette of athena flying her owl
Date: 460 – 460
Materials: bronze
Culture: greek
Subjects: athena,owls

Owls of a type that can still be seen flitting about the Akropolis of Athens were associated with Athena, whose sanctuary was on top of that high rocky plateau. For centuries, the principle coinage of Athens showed the head of Athena on one side and an owl on the other. Here the goddess stands relaxed, ready to let the bird fly.
Equestrian Portrait of Lord Simpson
Object type: drawing and watercolor
Materials: board, gouache, paint, paper, varnish, watercolor
Location: england
Artist: joshua dighton
Artist nationality: english
Artist dates: 1820 – 1840
Beaker with birds and animals
Object type: beaker
Date: 400 – 301
Materials: silver
Location: thrace
Subjects: birds,deer

The ancient land of Thrace encompassed a large area now divided into Bulgaria, southern Romania, eastern Yugoslavia, northeastern Greece, and European Turkey. The first inhabitants of Thrace came from the northern part of Europe and appeared at least as early as the second millennium B.C. Thracian tribes of the mid-first millennium B.C. adopted some of the decorative traditions and nomadic habits of their Scythian neighbors to the east, but they had closer cultural relations with European prehistoric peoples and preserved many of the traditions of the European Bronze Age. From the mid-first millennium, such objects as ceremonial helmets, armor, cups, and ornamental gear for horses—worked from silver and sometimes gilded—have been discovered in graves and in finds that must have been the buried hoards of Thracian princes and chiefs. This silver beaker is a fine example of fourth century B.C. Thracian workmanship. It probably was made in the region of present-day Romania or Bulgaria, as similar beakers have been found in a princely tomb at Agighiol, near the delta of the Danube in eastern Romania. The beaker is raised from a single piece of silver with a stamped, chased, and repoussé design. The decoration depicts a horned bird of prey holding a fish in its beak and clutching what seems to be a hare in its claws. The bird is flanked by one horned and two antlered animals, and, facing the large bird, a tiny bird of prey hovers over the horned animal. Almost opposite the large bird is a staglike creature with eight legs indicating two stags. His antlers extend into a border of tines ending in bird heads that circle the upper portion of the cup. Around both the rim and the base of the beaker runs a pattern of overlapping semicircles; below, the pattern is fringed with scrolling that suggests waves. On the bottom of the cup a winged, griffinlike monster chews an animal leg and grasps a small beast in its clawed feet. Although certain contemporary Scythian and Iranian stylistic influences can be seen, the iconography of these scenes is clearly Thracian and probably refers to a native myth or legend. The monstrous bird of prey with land and water creatures in its grasp appears to symbolize dominance over land and water. Though a precise interpretation of the iconography remains uncertain, scholars have suggested that these animals were symbols associated with a heroic ruler and served as protective spirits, avatars, and tribal totems.
Grafstenen langs een pad in een landschap
Object type: sketchbook leaf
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: upright gravestone, landscapes

Blad 32 recto uit een schetsboek met 77 bladen.
Jonge man met een roemer
Object type: print
Date: 1652 – 1690
Materials: paper
Techniques: engraving
Subjects: glass, rummer
Inscriptions: collector's mark: Lugt 2228
A bit in Polerro, Cornwall
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: kallitype
Subjects: building a ship, ship under construction, street
Portret van Childerik III, koning der Franken
Object type: book illustration
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: sceptre, staff (symbol of sovereignty), historical persons, king
Inscriptions: watermark

Prent voor het eerst gebruikt in: Cronica Breve de i fatti illustri de're di Francia, con le loro effigie dal naturale cominciando da Faramondo (...). Venetië: Bernardo Giunti, 1588. Prent in ieder geval ook gebruikt in de editie van 1590 en mogelijk ook in een Franse uitgave van 1597.
Waldemar Titzenthaler, de fotograaf, met zijn echtgenote Olga en kinderen Marba en Eckart zittend in een veld
Object type: photograph
Date: 1917 – 1917
Materials: paper
Techniques: gelatin silver print
Location: germany
Artist: waldemar titzenthaler
Artist role: fotograaf
Artist dates: 1869 – 1937
Subjects: engineer, waldemar titzenthaler, the family travelling, on holiday, portrait, self-portrait of photographer (+ the artist and his family, relatives, etc.), family group, especially parents with their child(ren), germany
Portret van Johann Melchior Grimm
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: mezzotint
Location: augsburg
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228
Chapel Pond Pass (State land)
Object type: page
Date: 1891 – 1891
Materials: paper
Techniques: photograph
Location: new york
Subjects: mountains
Inscriptions: number: ‘Plate XVII.’
Venus and Adonis, from "The Story of Adonis"
Object type: print
Date: 1579 – 1579
Techniques: engraving
Artist: philips galle
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1537 – 1612
Subjects: adonis,venus
Cavalerie nabij een veldslag
Object type: print
Date: 1758 – 1805
Materials: paper
Techniques: etching
Artist: dirk langendijk
Artist role: draughtsman, painter, print maker
Artist dates: 1748 – 1805
Subjects: battle, fighting in general, military discipline (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485

Een groep ruiters staat, in afwachting van het overleg dat twee bevelhebbers met elkaar voeren, klaar om deel te nemen aan de veldslag die in de verte reeds gevoerd wordt.
Coverlet
Object type: textile
Date: 1854 – 1854
Materials: textile, cotton, wool
Techniques: jacquard, weave
Location: new york
Artist: ira hadsell
Artist nationality: american
Artist dates: 1813 – 1896
Subjects: coverlet
Inscriptions: Inscription: Liberty E Pluribus Unum 1854 Sarah E. Cornwell Woven at Palmyra N.Y. by Ira Hadsell
Terracotta pyxis (box)
Object type: pyxis
Date: 575 – 550
Materials: terracotta
Culture: greek, corinthian

This pyxis is noteworthy for the sureness of the potting and decoration, however sparse.
Panorama van de Rue de Rivoli in Parijs
Object type: panoramic photograph
Date: 1900 – 1900
Materials: paper, cardboard
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Gezicht op de Wildkarspitze
Object type: page
Date: 1879 – 1889
Materials: paper
Techniques: photograph
Location: austria
Subjects: mountain-top, peak
Inscriptions: number: ‘IX.’
Apollo vilt Marsyas
Object type: book illustration
Date: 1569 – 1569
Materials: paper
Techniques: letterpress printing
Location: frankfurt am main
Subjects: scrollwork, strapwork ~ ornament, punishment of marsyas: he is flayed by apollo

Illustratie bij de Metamorfosen van Ovidius, afkomstig uit de publicatie: Posthius, Johannes. Tetrasticha in Ovidii metam. Frankfurt am Main: Georg Rab en Sigmund Feyerabend en erven Weigand Han, 1569. De voorstellingen en ornamentranden van deze boekillustraties zijn van twee aparte blokken gedrukt. Beide werden afzonderlijk van elkaar ook gebruikt voor andere publicaties, en de ornamentranden werden eveneens binnen deze publicatie meerdere keren gebruikt.
Vrouw met twee schapen
Object type: print
Date: 1890 – 1916
Materials: paper
Techniques: linocut
Artist: franz marc
Artist role: print maker
Artist dates: 1880 – 1916
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep
Inscriptions: collector's mark: Lugt 733, stamp: ‘Nachlass Franz Marc bestätigt: Maria Marc’
Arcade met rondbogen
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: arcade ~ architecture

Pagina 86 uit een schetsboek met 58 bladen.
The Last Supper, from "The Passion of Christ"
Object type: print
Date: 1598 – 1617
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: apostles,christ,last supper
Tea service
Object type: slop bowl
Date: 1774 – 1778
Materials: porcelain
Location: loosdrecht

Tea services represented a significant part of the production of the Loosdrecht porcelain factory. On display here are a teapot, milk jug and sugar bowl along with other less familiar parts of a tea service, such as a slop bowl, which is used to rinse and warm the cups between two ‘courses’, and a drip catcher (pattipan), which catches the drips from the spout of the teapot.
Spring Dawn in the New Yoshiwara (Shin Yoshiwara haru akebono no zu), from the series "Famous Places in Edo (Edo meisho no uchi)"
Object type: print
Date: 1839 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Jar
Object type: jar
Date: 201 – 300
Materials: glass
Techniques: glassblowing
Culture: roman
Constructie voor een puntdak
Object type: sketchbook leaf
Date: 1860 – 1861
Materials: paper, pencil
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: roof (of house or building)
Inscriptions: annotation: ‘[...]’

Blad 23 verso uit een schetsboek met 29 bladen.
Beaker
Object type: beaker
Date: 1670 – 1671
Materials: silver gilt
Artist: georg reischl
Artist role: maker
Artist dates: 1600 – 1700
Fan
Object type: costume and accessory
Date: 1860 – 1870
Materials: lace, textile, silk, shell
Techniques: backing, lace, weave, satin weave
Location: france
Subjects: fashion
Portret van een vrouw, zittend aan een tafel
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: germany
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, table
livre, noodmunt uit Aire, geslagen tijdens het beleg door de Spanjaarden
Object type: livre
Date: 1641 – 1641
Materials: silver
Techniques: striking
Location: aire-sur-la-lys
Artist: Anonymous
Subjects: filips iv (koning van spanje)

Eenzijdige, rechthoekige, zilveren noodmunt van Aire, rechts onder schuin afgeneden. Voorzijde: opschrift.
Gavarnie. Le Cirque et le Village
Object type: photomechanical print
Date: 1958 – 1990
Materials: cardboard
Techniques: offset printed
Location: nice
Subjects: prospect of village, silhouette of village, dale, valley, mountains, gavarnie
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, metal
Culture: japanese
Subjects: flowers
Buddhist Water Sprinkler (Kundika)
Object type: vessel
Materials: glaze, stoneware
Location: china