deem-data/ArtiFact huggingface dataset:
The Connoisseur
Object type: drawing
Date: 1860 – 1865
Materials: chalk, crayon, gouache, ink, watercolor, paper
Techniques: lithograph, pen, wash
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: sculpture,interiors,contemplation,men

When, in 1860, Daumier was temporarily let go by his primary employer—the popular magazine that published his lithographs, Le Charivari—he began to produce highly finished watercolors such as this one to appeal to a burgeoning market of bourgeois collectors. Throughout his career, he often treated the theme of art spectators and enthusiasts. Here, he portrayed an exemplary connoisseur reclining in an armchair and contemplating his surrounding collection. The object of his gaze is a tabletop replica of the Venus de Milo, the monumental Greek marble that came to symbolize the beauty of Antique art upon its installation in the Musée du Louvre in 1821. This watercolor was included in Daumier’s only one-man exhibition during his lifetime, held at the Durand-Ruel Gallery in 1878.
Seal impression
Object type: sealing
Date: 1981 – 1640
Materials: clay
Location: egypt
Portret van Petrus Cunaeus
Object type: print
Date: 1667 – 1709
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann christoph boecklin
Artist role: print maker
Artist dates: 1657 – 1709
Subjects: flushing, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Cunaeus, Petrus. Orationes argumenti varii (...). Leipzig: Moritz Georg Weidmann, 1720.
Dish (one of two)
Object type: dish
Date: 1775 – 1775
Materials: hard paste porcelain
Subjects: coat of arms
Groot van keizer Karel V, hertog van Brabant, 1512
Object type: coin
Date: 1512 – 1512
Materials: silver
Techniques: striking
Location: maastricht
Artist: hertog van brabant

Zilveren munt. Voorzijde: wapen. Keerzijde: lang versierd kruis, in het hart ster, in de hoeken afwiosselend een lelie en een leeuw.
Portret van een oude vrouw en een meisje op een veranda te Strijen
Object type: photograph
Date: 1902 – 1902
Materials: photographic support
Techniques: gelatin silver print
Location: strijen
Artist: Anonymous
Subjects: girl (child between toddler and youth), old woman, loggia, verandah, porch
Inscriptions: inscription: ‘Strijen 29/7 '02 P.’, inscription: ‘den Weled. Heer J. J. Honig Zaandijk’
Scarf
Object type: scarf
Date: 1790 – 1810
Materials: linen
Culture: french

Of note here are the varieties of grounds executed in the border motifs.
Half Model of a Frigate
Object type: builder's model
Date: 1780 – 1825
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Inscriptions: label, bottom right: ‘284’ former inventory label

Gepolychromeerd mallenmodel (stuurboord) van een driemaster. Vier en twintig geschutpoorten verdeeld over drie dekken. Gewrongen spiegel, hol wulf, geen details van hek of zijgalerij; recht roer met vierkante roerkoning. Zeeg aan beide uiteinden oplopend, één berghout en één reehout. Gepiekt rondspant.
Terracotta fragment of a lekythos (oil flask)?
Object type: lekythos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic
Skelet van een hond van opzij
Object type: drawing
Date: 1797 – 1875
Materials: paper, pencil
Techniques: brush
Artist: christiaan kramm
Artist role: draughtsman, print maker
Artist dates: 1797 – 1875
Subjects: dog

Skelet van een hond van opzij. Samen met nog een skelet van een hond van opzij (RP-T-1993-93(B)) op één opzetkarton.
Twee vrouwen en putti met een mand vis
Object type: book illustration
Date: 1745 – 1745
Materials: paper
Techniques: etching, letterpress printing
Location: venice
Subjects: fisherman showing catch, (scenes from) specific works of literature: tasso, gerusalemme liberata, cupids: 'amores', 'amoretti', 'putti'

Prent uit: Tasso, Torquato. La Gerusalemme liberata di Torquato Tasso con le figure de Giambatista Piazzetta. Venetië: Giambatista Albrizzi, 1745.
Deel van een beschrijving van het Aalmoezeniershuis en het Aalmoezeniersweeshuis te Amsterdam
Object type: text sheet
Date: 1693 – 1694
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: caspar commelin
Artist role: botanicus
Artist dates: 1668 – 1731
Subjects: orphanage
Inscriptions: collector's mark: Lugt 2228

Tekst gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). 2 delen. Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge, Johannes Janssonius van Waesberge II, weduwe Dirk Boom I, Hendrick Boom en Rembertus Goethals, 1693. Of in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Zelfde tekst, net anders vormgegeven (zeer onopvallende kleine details), ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. 2e druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.

Zie RP-P-AO-26-32-1, RP-P-AO-26-32-3 en RP-P-AO-26-32-4 voor de rest van de beschrijving.
Zie RP-P-AO-26-32-5 voor de bijhorende afbeelding van het Aalmoezeniersweeshuis.
Fragment of a pitcher naming Atumemtaneb
Object type: strainer or vase fragment
Date: 1295 – 1070
Materials: silver
Location: egypt
Verschillende dierenhoofden, een masker en een fruittrofee
Object type: ornament print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Brief aan Filippo Tessaro
Object type: letter
Date: 1891 – 1891
Materials: ink, paper
Techniques: pen, writing
Location: voorburg
Artist: willem maris
Artist role: draughtsman, painter
Artist dates: 1844 – 1910
Subjects: amsterdam, art trade, art shop
Inscriptions: collector's mark: Lugt 2228, watermark, collector's mark: Lugt 2233
The Explanation
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Brug over een dorpskanaal
Object type: print
Date: 1597 – 1629
Materials: paper
Techniques: engraving
Location: prague
Subjects: bridge in village across river, canal, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een dorpskanaal met langs twee kanten huizen. Op de achtergrond een brug met een reiziger. De laatste prent van een zesdelige reeks met landschappen in Tirol
Portret van Mary I
Object type: print
Date: 1546 – 1562
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: london

Buste van Mary I, koningin van Engeland, naar links in een ovale lijst met randschrift in het Latijn.
"The Man who Discovers the Treasure has it Carried Away by Hired Workmen", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: men,working

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
The White House, Treasury and Pennsylvania Avenue - Washington, D.C.
Object type: photomechanical print
Date: 1883 – 1893
Materials: paper
Techniques: photograph
Location: washington d.c.
Artist: Anonymous
Subjects: national government
Afternoon Tea
Object type: print
Date: 1897 – 1897
Materials: ink, parchment
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
The Great American Tanner
Object type: print
Date: 1868 – 1868
Techniques: lithograph
Artist: thomas b. worth
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1917
Subjects: satire,men,generals,politics
Lijkstatie van prinses Maria Louise, 1765
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: leeuwarden
Subjects: cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

De leden van de stadhouderlijke hofhouding. Gemerkt rechtsonder: Pl. VI. Op het blad onder de plaat de titel en de namen van personen in de stoet. Onderdeel van de serie platen van de begrafenis van prinses Maria Louise te Leeuwarden op 13 juni 1765.
Twee leeuwen
Object type: drawing
Date: 1650 – 1690
Materials: chalk, paper
Artist: peter paul rubens
Artist role: draughtsman, painter, print maker
Artist dates: 1577 – 1640
Subjects: beasts of prey, predatory animals: lion
Groepsportret van negen vrouwen (onder wie Estelle Hopping) en vier mannen staand en zittend in het gras
Object type: photograph
Date: 1892 – 1892
Materials: metal, paper
Techniques: ferrotyping
Location: united states
Artist: Anonymous
Inscriptions: annotation: ‘Sept.6.1892 / Estelle Hopping / standing extreme right’
Kniegesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knee buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Buckle, chape buckle, knee buckle; ring, rectangular outline, relieved decoration of check motif (spindle longitudinal).
Girl
Object type: glass
Materials: glass, metal
Techniques: lampwork
Location: france
Interlaken. Hotel Jungfraublick und die Jungfrau (4166 m)
Object type: photomechanical print
Date: 1905 – 1920
Materials: cardboard, photographic process
Location: zurich
Artist: Anonymous
Subjects: mountain-range, snow peaks, hotel, hostelry, inn
Nieuwe Nederlandsche kinderprenten
Object type: print
Date: 1865 – 1875
Materials: paper
Techniques: letterpress printing, lithograph
Location: haarlem
Subjects: water-birds: goose, castle, farm (building)
Inscriptions: collector's mark: Lugt 2760

Blad met 7 voorstellingen van een kasteel, boerderijen en ganzen om uit te knippen. Genummerd rechtsboven: No. 39.
Gezicht in de Souk el-Trouk in de Medina van Tunis, rechts de winkel van de Barbouchi Frères
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: medina of tunis
Artist: j. andré garrigues
Artist role: fotograaf
Subjects: market
Inscriptions: number: ‘N. 64.’
Blad met handschrift
Object type: page
Date: 1200 – 1599
Materials: paint, ink, parchment
Techniques: brush, pen
Inscriptions: number: ‘141’
"All in the Gay and Golden Weather"
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Millard. Victor. 53 ans, né le 5/6/40 à Moyon (Oise). Cordonnier. 16/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Landscape with Trees (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: landscapes,trees

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Three oriental figures (Jacob and Laban?)
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the partnership with laban ~ story of jacob (genesis 30:25-43)
Inscriptions: collector's mark: Lugt 2165, signature and date: ‘Rembrandt f 1641 (spiegelbeeldig)’
Christus in verzoeking gebracht door de duivel en de bruiloft te Kana
Object type: book illustration
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: christ, sometimes accompanied by guardian angel(s), tempted by satan, who usually appears in human form, the marriage-feast at cana (john 2:1-11)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Garthwait, Henry. Historie des levens en stervens onses Heeren en saligmakers Jesu Christi. Amsterdam: Jan Claesz ten Hoorn, 1690.
St Lawrence's Church, South Hinksey
Object type: page
Date: 1907 – 1912
Materials: paper
Techniques: autotype
Location: south hinksey
Artist: henry w. taunt
Artist role: fotograaf
Artist dates: 1842 – 1922
Subjects: church (exterior)
Christmas Gambols
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,couples,men,women

The scene shows the results of holiday festivities, with mistletoe overhead and four couples embracing, kissing, or attempting to kiss below.
Nachtelijk gevecht met muzikanten
Object type: book illustration
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: leiden
Subjects: court jester, court fool, street-fights, riots, more than one musician with instrument, serenade to the beloved
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond ontvluchten twee gemaskerde personen een gevecht. Achter hen een kar met muzikanten verkleed als duivels en narren die ketelmuziek maken. Deze muzikanten houden een serinade voor Faustina. Een scène uit het werk 'De nachtloper' van Francisco de Quevedo.
Portret van een onbekende vrouw in klederdracht van Marken, Noord-Holland
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: folk costume, regional costume (+ women's clothes), historical persons - bb - woman, europeans (with name), netherlands
Inscriptions: inscription: ‘Uitgave van A. JAGER, Water 110 te Amsterdam.’

Deze foto maakt deel uit van een omslag met 48 foto's op 12 bladen.
[Union Officer Standing at Attention]
Object type: ambrotype
Date: 1861 – 1865
Techniques: ambrotype
Artist: Anonymous
Artist role: artist
Subjects: soldiers,american civil war,men,portraits

This formal portrait of a Union officer standing at attention in a handsomely appointed studio is typical of the thousands of similar likenesses of new recruits leaving home, perhaps for the first time in their lives. Dressed in a fitted single-breasted blue frock coat and light blue trousers, the soldier seems well prepared to meet whatever challenge is asked of him.
Rouwcollier van zwarte kralen van hout
Object type: necklace
Date: 1880 – 1900
Materials: metal, wood
Techniques: sewing
Location: europe
Artist: Anonymous

Rouwcollier van zwarte kralen van hout. Het collier bestaat uit twintig langgerekte kralen die steeds worden afgewisseld met drie kralen in bolvorm, waarvan telkens de middelste het grootst is. Het collier sluit met een haak en oog.
Brief aan Jan Veth
Object type: letter
Materials: ink, paper
Techniques: pen, typewriting, writing
Location: utrecht
Artist: cornelis adrianus pekelharing
Artist role: arts
Artist dates: 1848 – 1922
Subjects: amsterdam, painter, draughtsman, designer, jan veth, drawing, photography, cinematography, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Rheinstein
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: castle
Inscriptions: collector's mark: Lugt 2228
Puerta de Alcalá in Madrid
Object type: photograph
Date: 1880 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: madrid
Artist: Anonymous
Subjects: city-gate

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Frankrijk, Spanje, Italië, Duitsland, Zwitserland en Oostenrijk.
Goblet with Round Medallions
Object type: print ornament architecture
Date: 1530 – 1530
Techniques: engraving
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: medallions,male nudes,drinking glasses

Design for a double goblet with medallions between winged figures. In roundels, classical scenes, with two figures and a burning altar at center. From a set of three designs for goblets.
Taira no Kiyomori Sees an Apparition (Taira no Kiyomori kaii o miru zu)
Object type: print
Date: 1843 – 1847
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Bustle
Object type: bustle
Date: 1880 – 1889
Culture: european

The bustle, by extending the body, became a point of demarcation for the back of the waist. By enlarging the derriere visually, the bustle became a foil for the constricted waist in profile. Bustles were silk-floss, cotton, or feather down-filled. Small ones could be found sewn into Empire gowns; more prominent ones were used in the 1870s and 1880s and had an ingenious range of configurations and materials, including wire coil, rattan, and horsehair.
Livre des Arts
Object type: ornament print
Date: 1750 – 1778
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: 'sculptura', symbolic representations, allegories and emblems ~ sculpture; 'scoltura' (ripa), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Allegorie van de beeldhouwkunst. Twee putti met attributen behorende bij beeldhouwkunst, zoals ontwerptekeningen, een klein model en delen van sculpturen. Uitgeversnummer 190.
Lodewijk van Nassau verovert Wachtendonk, 1600
Object type: print
Date: 1600 – 1602
Materials: paper
Techniques: engraving, etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: capture of city (after the siege)

Verovering van Wachtendonk door het Staatse leger onder Lodewijk Gunther, graaf van Nassau, 23 januari 1600. Gezicht op de ommuurde stad, rechtsboven inzet met portret van Lodewijk van Nassau, linksboven een cartouche met tekst. Rechtsonder een passer met schaal. Met onderschrift van 16 regels in het Duits. Ongenummerd.
Terracotta fragment of a rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: unknown fabric
Wine beaker (gu)
Object type: wine beaker
Date: 1300 – 1001
Materials: bronze
Culture: chinese

The gu is a type of ritual bronze that was used to drink wine and to offer ritual libations. It has a tall, slender profile with a trumpet-like mouth and a slightly flared base. Below center, there is often a demarcated section with geometric patterns and animal mask (taotie) imagery.
The Horse Sekitoba and the General Guan Yu (Jp: Kan'u), from the series "A Series of Famous Horses (Meiba bantsuzuki)"
Object type: print
Date: 1822 – 1822
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Dish
Object type: dish
Date: 801 – 1000
Materials: earthenware, glaze
Techniques: polychrome
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Object type: print
Date: 1650 – 1700
Techniques: etching
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Ontwerp voor een lichtkroon
Object type: drawing
Date: 1780 – 1790
Materials: chalk, ink
Techniques: drawing
Location: paris
Artist: Anonymous
Inscriptions: collector's mark: ‘Ovaal verzamelaarsmerk Col. L. BONGARD’, inscription: ‘Wellicht: Lustre en Metalle […]’