deem-data/ArtiFact huggingface dataset:
Gezicht op burcht Pfalzgrafenstein bij Kaub
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: etching, hand coloring, lithography
Location: netherlands
Subjects: fortress
Inscriptions: collector's mark: Lugt 2228

Gezicht op de tolburcht Pfalzgrafenstein in de Rijn. Op de achtergrond de stad Kaub met daarboven op de heuvel burcht Gutenfels.
Portret van Ramón Perellós y Roccaful
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving
Artist: johann sebastian müller
Artist role: print maker
Artist dates: 1715 – 1790
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Rf.Th.E.p.67’

Prent waarschijnlijk uit: Myller, Angelicus Maria. Peregrinus in Jerusalem: oder ausführl. Reiß-Beschreibungen (...). Wenen en Neurenberg: Peter Conrad Monath, 1735. Eerdere staat gebruikt in: Myller, Angelicus Maria. Peregrinus in Jerusalem (...). Königs-Hoff: Mathias Adam Höger, 1732.
Medea Flees from Jason (L'épée au poing court Jason la poursuivre mais ne peut celle en vitesse aconsuivre...), from "Jason and the Golden Fleece"
Object type: print
Date: 1563 – 1563
Techniques: engraving
Artist: rené boyvin
Artist role: artist
Artist nationality: french
Artist dates: 1525 – 1598

Plate 26 of 26. Jason, armed with a sword, watches Medea as she flees in a chariot drawn by two dragons; within an ornate border. One of a set of illustrations to the Livre de la Conqueste de la Toison d'or, published in Paris in 1563 and engraved by René Boyvin based on drawings by Léonard Thiry. Jason, the famous hero of antiquity, sets off on a quest to find the Golden Fleece which leads him to meet Medea with whom he has a love affair ending in tragedy.
Temple Bell
Object type: bell
Date: 1001 – 1200
Materials: bronze
Culture: indonesian, javanese
Portret van een onbekende man en vrouw
Object type: carte de visite
Date: 1900 – 1914
Materials: paper, cardboard
Techniques: gelatin silver print
Location: leipzig
Subjects: adult woman, adult man, anonymous historical person portrayed
Inscriptions: address: ‘ROSENTHALERSTR.’, number: ‘372’
Fotoreproductie van een schilderij van een biddende moeder en kind
Object type: photograph
Date: 1865 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: prayer at going to bed, or at getting up, mother and baby or young child, painting, drawing and the graphic arts
Inscriptions: number: ‘3573’
Portret van Georg Henrik Petri
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: nicolaas martinus schild
Artist role: draughtsman, print maker
Artist dates: 1822 – 1840
Subjects: amsterdam, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Portret van een zittende vrouw met boek in de hand
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, book
Inscriptions: number: ‘13533’
Panorama van Genève
Object type: album leaf
Date: 1860 – 1865
Materials: paper, photographic support
Techniques: albumen print
Location: geneva
Artist: Anonymous
Subjects: bridge in city across river, canal, etc., prospect of city, town panorama, silhouette of city

Panorama bestaande uit twee afdrukken. Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Design for Hall Chimney-piece, Charlemont House, Dublin
Object type: drawing
Date: 1762 – 1762
Materials: ink
Techniques: brush, pen, wash
Artist: sir william chambers
Artist role: artist
Artist nationality: british, born sweden
Artist dates: 1723 – 1796
Subjects: fireplaces,ornament
Man met reusachtige waaier
Object type: drawing
Date: 1808 – 1861
Materials: paper, watercolor
Techniques: brush
Artist: utagawa kuniyoshi
Artist role: draughtsman, print maker
Artist dates: 1798 – 1861
Gezicht op een rotskust bij een meer of zee, vermoedelijk in Engeland
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: coastal cliff or crag, england

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Plaque
Object type: plaque
Date: 664 – 332
Materials: glass
Location: egypt
Subjects: cartouches,hieroglyphs
Portret van Louise Danse
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: etching, intaglio
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: brussels, painter, print maker, louise danse, portrait, self-portrait of artist
Inscriptions: watermark: ‘MBM’, annotation: ‘2 etat; trois epreuves de c'est etat’, collector's mark: Lugt 2228
Necklace: Pendant
Object type: necklace
Date: 1501 – 1800
Materials: ceramic, raffia, wood
Culture: chokwe
Location: angola

The broad expanse of open savanna in present-day Democratic Republic of Congo and Angola became a major center of trade between European and African peoples as early as the seventeenth century. The region was intersected by multiple trade routes that connected the Atlantic coast to the Central African interior and facilitated the exchange of European goods for African slaves and forest products such as ivory, rubber, and wax. Chiefs who managed to control this trade became exceptionally wealthy and powerful individuals.
Design for a Wall with a Flower Vase, Birds, Two Gold Fish and Globe Fountains
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: birds,fountains,roses,vases
Bowl with Lotus Design
Object type: decorative art
Materials: stoneware
Techniques: celadon glazed, incising, underglaze
Location: korea
Noord Poort op zeide te zien 1625
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: rowing-boat, canoe, etc., fortifications, military engineering, fortified city, city-gate, fisherman

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 21 en 22.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Koffiekan met deksel, veelkleurig beschilderd met Chinezen in uitgespaarde vierpassen in een violette fond
Object type: eating drinking utensil
Date: 1730 – 1735
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: label: ‘SAMMLUNG / Dr. FRANZ OPPENHEIMER’, number: ‘118.’, factory mark

Coffee pot. Porcelain. Meissen, c. 1730 - 1735.
O navus referent in mare te novi Fluctus: at nihil est sub moderamine Tanti quod metuas ducis
Object type: print
Date: 1635 – 1636
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: brussels, landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, ships (in general) (+ propulsion of vehicle, ship, etc. by wind), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', ghent

Zeilschip die de veiligheid ter zee symboliseert aan een kade te Gent. Op de kades veel toeschouwers. Blad nr. 38 in een geheel van 42 platen die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Gent op 28 januari 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreren.
Fragment with a Lotus Band Motif
Object type: band
Date: 401 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Albrecht de Gelukkige (Albrecht III de Kloekmoedige, hertog van Saksen?)
Object type: print
Date: 1515 – 1515
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: maximilian i (holy roman emperor), coat of arms (symbol of sovereignty), crown (symbol of sovereignty), orb (symbol of sovereignty; sphere with cross on top), ruler, sovereign, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Albrecht de Gelukkige ('gluckhaftig' - wellicht gaat het om Albrecht III de Kloekmoedige, hertog van Saksen), staand met een zwaard in de ene hand en een rijksappel in de andere hand. Onder zijn portret zijn naam in het Duits in gotisch schrift; daaronder zijn wapenschild. Detail van de triomfboog van keizer Maximiliaan I.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, right half of handle patch; part of ivy leaf and stem
Paris-Reims = 156 kilomètres
Object type: photomechanical print
Date: 1930 – 1960
Materials: paper
Techniques: rotogravure
Subjects: maps, atlases
Inrō in the Shape of a House
Object type: inrō
Date: 1767 – 1833
Materials: gold, gold foil, ivory, lacquer, metal, silver, wood
Techniques: hiramakie, lacquer, maki-e
Culture: japanese
Subjects: houses

Decorated with a combination of lacquer techniques in silver and gold, the inrô in the shape of a thatched hut bears the signature of Koami Shinsaburo. The ivory netsuke, signed by ôhara Mitsuhiro, depicts one of the Seven Gods of Good Luck known as Hotei. A rotund, jolly figure, Hotei's attributes often include a fan and a bag to carry his treasures.
Ein guter Fund
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: autotype
Location: saint louis
Subjects: purse, money-bag, adult man, umbrella
Inscriptions: inscription: ‘"So sieht er's" und "so bemerkt es Niemand."’
Sample of Grain from Merimda
Object type: food, grain, burned
Date: 4500 – 4000
Location: egypt
Subjects: food
Staande man met de hand op de rug, op de rug gezien
Object type: drawing
Date: 1770 – 1825
Materials: chalk, paper
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825
The Virgin at the Window
Object type: print
Date: 1502 – 1540
Techniques: engraving
Artist: barthel beham
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1540
Subjects: windows,interiors,virgin mary,jesus,nursing
Nr. 8 Ossen van de Maatschappij
Object type: photograph
Date: 1912 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: curacao
Artist: Anonymous
Subjects: plantation, ox

Os van de plantage Mount Pleasant op Curaçao. Onderdeel van het fotoalbum uit ca. 1912-1913 met 92 foto's van de plantages Peperpot en Dordrecht in Suriname en Mount Pleasant op Curaçao.
Das Palais und das neue schloss zu Hannover
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: engraving
Location: rinteln
Subjects: palace

Deze prent maakt deel uit van een omslag met drie prenten.
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 530 – 510
Materials: terracotta
Culture: greek, attic

Interior, tail feathers of a rooster; Exterior, the larger fragment has at the far left, the start of the handle root, and, parts of two ships; the smaller fragment has part of a ship
Annunciation
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: after andrea boscoli
Cambyses Appointing Otanes Judge
Object type: painting
Date: 1700 – 1799
Materials: oil, wood
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: boys,girls,men,women,dogs
High chest of drawers
Object type: chest of drawer
Date: 1710 – 1725
Materials: wood
Techniques: painting
Culture: american
Location: united states
Subjects: birds,flowers

The decoration on this chest, with its motifs and palette of red, orange, and what was originally bright yellow on a black ground, was meant to imitate a technique known as japanning. Beginning in the mid-seventeenth century, imported Japanese and Chinese lacquer cabinets and screens became extremely popular in England. This lacquer work was much imitated in London on furniture and wall paneling. The technique eventually spread to Boston by about 1700.
Akasaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Object type: print
Date: 1837 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Drie hoge bomen
Object type: print
Date: 1807 – 1861
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis steffelaar
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1861
Subjects: trees
Inscriptions: collector's mark: Lugt 2228
View of Antwerp from Braun and Hogenberg's Civitates Orbis Terrarum
Object type: print
Date: 1572 – 1594
Techniques: etching
Location: germany
Artist: joris hoefnagel
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1542 – 1600
Subjects: men,women,emblems,maps
Body (thigh ?) with garment, pleated
Object type: body thigh with garment, pleated
Date: 1353 – 1336
Materials: limestone
Location: egypt
Staande man met een pak op de rug, geleund tegen een verhoging
Object type: drawing
Date: 1763 – 1833
Materials: chalk, paper
Artist: jordanus hoorn
Artist role: draughtsman
Artist dates: 1753 – 1833
Study of a Male Nude
Object type: drawing
Date: 1701 – 1800
Materials: chalk, paper
Techniques: highlighting
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: male nudes
Vlucht naar Egypte
Object type: print
Date: 1579 – 1582
Materials: paper
Techniques: engraving
Location: cologne
Subjects: falling of the idols ~ miracles during the flight into egypt, flight into egypt and miracles during the journey
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De Heilige Familie op reis naar Egypte. Jozef te voet en Maria met het Christuskind in de armen op een ezel. Rechtsboven in een kapel aan een boom breekt een godenbeeld in tweeën. Linksboven een groep engelen in de hemel. Op de achtergrond een korenveld met maaiers en het leger van Herodes dat naar het Christuskind zoekt. De prent heeft een Latijns Bijbelcitaat als onderschrift en is de achtste prent van een twaalfdelige serie over de geboorte en de eerste jaren van Christus.
Beroepen
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: leiden
Artist: jan gillisz. van vliet
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1668
Subjects: making the carcass (~ building activities), clay and sand, etc. ~ building material, stone ~ building material, mason at work
Inscriptions: collector's mark: Lugt 240
Portret van sultan Bayezid I
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving, letterpress printing
Location: london
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Knolles, Richard. The lives of the Othoman Kings and Emperors (...). Londen: Adam Islip, 1603. Prent ook gebruikt in: Knolles, Richard. The Generall Historie of the Turkes from the First Beginning of that Nation to the Rising of the Othoman Familie. Londen: Adam Islip, 1603.
Beschrijving van het Stadhuis op de Dam
Object type: text sheet
Date: 1661 – 1661
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: dancker danckerts
Artist role: print maker
Artist dates: 1633 – 1666
Subjects: townhall
Inscriptions: collector's mark: Lugt 195

Tekst gebruikt in: Afbeelding van 't stadt huys van Amsterdam, In dartigh Coopere Plaaten, geordineert door Jacob van Campen; en Geteeckent door Iacob Vennekool. Amsterdam: Dancker Danckerts, 1661.

Zie RP-P-AO-21-13-30 voor de bijhorende titelpagina.

Zie RP-P-AO-21-13-2, RP-P-AO-21-13-3, RP-P-AO-21-13-4, RP-P-AO-21-13-5, RP-P-AO-21-13-6, RP-P-AO-21-13-7, RP-P-AO-21-13-8, RP-P-AO-21-13-9, RP-P-AO-21-13-10, RP-P-AO-21-13-11, RP-P-AO-21-13-12, RP-P-AO-21-13-13, RP-P-AO-21-13-14, RP-P-AO-21-13-15, RP-P-AO-21-13-16, RP-P-AO-21-13-17, RP-P-AO-21-13-18, RP-P-AO-21-13-19, RP-P-AO-21-13-20, RP-P-AO-21-13-21, RP-P-AO-21-13-22, RP-P-AO-21-13-23, RP-P-AO-21-13-24, RP-P-AO-21-13-25, RP-P-AO-21-13-26, RP-P-AO-21-13-27, RP-P-AO-21-13-28 en RP-P-AO-21-13-29 voor prenten uit deze publicatie.
Aristide Bruant
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister)
Object type: capital
Date: 1167 – 1233
Materials: limestone
Culture: french
Location: france
Subjects: christ

The series of capitals, abaci, shafts, and engaged piers incorporated into this cloister come from the upper story of the cloister of the Benedictine abbey of Saint-Guilhem-le-Désert, near Montpellier. An important stop on the pilgrimage route to Santiago de Compostela, the cloister was constructed in the late twelfth or early thirteenth century-in any case, before 1206. Abandoned during the French Revolution, the abbey fell into ruin. The carving is notable for the skillful use of the drill and the deep undercutting. Many of the capitals are based on classical models. In addition to the many examples with carefully observed foliate decoration, the capital representing standing saints and the Presentation of Christ in the Temple is of particular interest but is possibly not from Saint-Guilhem. The limestone capital in the center (25.120.246), recut as a font, dates from the late eleventh century and comes from the Auvergne or the Guyenne region of France.
Hannah and the Infant Samuel
Object type: tapestry
Date: 1767 – 1800
Materials: metal thread, wool
Artist: imperial russian tapestry manufactory, saint petersburg
Artist role: manufactory
Subjects: infants,women,reading

Cyrillic script on a fictive plaque adorning a trompe l’oeil frame identifies “Rembrandt”, the artist of the painting this tapestry imitates. Large-scale figurative tapestries like this one had been woven in Saint Petersburg since at least 1716 when Peter the Great founded a tapestry weaving workshop under royal protection; by 1756, its weavers were directed by Jean Baptiste Rondet, who had worked at the great Manufacture Royale des Gobelins in Paris. This tapestry, woven during the reign of Empress Catherine II of Russia, was probably entirely the work of Russian weavers, and is part of a large group of technically proficient tapestries modelled after great paintings in the Russian royal collection.
Knoop bestaande uit een ronde bol met koperen draadoog
Object type: button
Date: 1590 – 1596
Materials: copper, glass
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Knoop bestaande uit een ronde bol met koperen draadoog. Aan de knoop zitten textielresten.
Oude man met pet
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching, intaglio
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: old man
Inscriptions: collector's mark: Lugt 2228
Kop van een papegaai en een ontwerp voor een maandkalender
Object type: sketchbook leaf
Date: 1895 – 1900
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: calendar, almanac, ornamental birds: parrot
Inscriptions: annotation: ‘ZONDAG/ MAANDAG/ DINSDAG/ WOENSDAG/ DONDERDAG/ VRIJDAG/ ZATERDAG/ MEI’

Mogelijk een voorstudie voor een kalenderblad voor de maand mei uitgevoerd als litho (zie documentatie).
Poedel Puck die een tweede prijs heeft gewonnen op de Internationale Ausstellung von Jagd und Luxus Hunden in 1891
Object type: page
Date: 1891 – 1891
Materials: paper
Techniques: photograph
Location: frankfurt am main
Subjects: dog
Inscriptions: inscription: ‘II. Preis. Puck. Besitzer : Lieutenant Sieg, Berlin’, number: ‘Cat.-No. 1009.’
Portret van August Wilhelm Iffland
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: letterpress printing
Subjects: historical persons, portrait of a writer, portrait of actor, actress
Inscriptions: monogram: ‘MR&C’

Prent uit: Veldhagen & Klasings Monatshefte 19 (1904), p. 447.
Werken van Hercules
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: death of hercules, (3) the ceryneian hind of arcadia is captured by hercules
Inscriptions: number: ‘106’

Hercules, staand achter het hert, houdt met beide handen het gewei vast, terwijl hij met een been het dier op de grond duwt. Daarachter is Hercules te zien na zijn dood, liggend op de brandende brandstapel. Onder de voorstelling een tweeregeleige tekst in het Latijn. Dertiende prent van dertien met de werken van Hercules.
Seated Statue of King Senwosret I
Object type: statue, senwosret i
Date: 1961 – 1917
Subjects: kings,hieroglyphs

The sensitive modeling of this statue's body makes it one of the finest royal images of the early Twelfth Dynasty. The head had either broken off or was removed from the body in antiquity. A horizontal, albeit roughened plane, was carefully prepared at neck height and a hole was drilled in its center so that a new head could be placed onto the body. Was this undertaken to replace a broken head, or to change the identity of the person represented? The shallow inscriptions and incised representations on the sides of the throne were certainly changed and what we now see is a second version: no royal name is preserved among the traces of the earlier version, but the second version shows two kneeling fertility gods holding up the names of Senwosret I.
Cuisson de l'émail
Object type: page
Date: 1922 – 1932
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: enamelling ~ applied arts
Inscriptions: number: ‘Fig. 152.’
Landschappen met kampementen
Object type: print
Date: 1632 – 1668
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: robert van den hoecke
Artist role: draughtsman, painter, print maker
Artist dates: 1622 – 1668
Subjects: tent
Inscriptions: collector's mark: Lugt 2228
Blechhütte im Bodethal
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: thale
Artist: hermann selle
Artist role: fotograaf
Subjects: prospect of village, silhouette of village
Inscriptions: number: ‘No. 39.’
Oude man met baard
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: etching
Subjects: old man
Inscriptions: date
S. Saba (St. Sabas), April 24th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Ex libris van Irmberta Leitner
Object type: bookplate
Date: 1937 – 1937
Materials: paper
Techniques: linocut
Location: vienna
Artist: karl bock
Artist role: print maker
Subjects: predatory birds: eagle
Inscriptions: inscription: ‘karl bock . wien/ linolschnitt 1937’