deem-data/ArtiFact huggingface dataset:
Bomullsväfnad. Ruin 9
Object type: photomechanical print
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: mesa verde national park
Artist: gustaf nordenskiöld
Artist role: fotograaf, schrijver
Artist dates: 1868 – 1895
Subjects: cotton (material ~ textile industry)
Inscriptions: number: ‘Fig. 128. Fig. 129.’
Portret van Abel-Louis de Sainte-Marthe
Object type: print
Date: 1697 – 1756
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: abel-louis sainte-marthe
Inscriptions: collector's mark: Lugt 2228

Portret van de Franse geestelijke Abel-Louis de Sainte-Marthe.
Round Plaque
Object type: plaque
Date: 300 – 200
Materials: copper, gilt
Techniques: hammering
Culture: vicús
Location: peru
Medallion Portrait of Mlle de Fontanges
Object type: drawing and watercolor
Date: 1832 – 1832
Materials: chalk, graphite, paper
Location: france
Artist: eugène devéria
Artist nationality: french
Artist dates: 1805 – 1865
The Celebrated Dodworth Family of New York newspaper illustration
Object type: newspaper illustration
Date: 1850 – 1859
Culture: american
Location: united states
Subjects: men,musicians
Crossing the Monkey Bridge
Object type: print
Date: 1824 – 1824
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Blad met banenpatroon van cirkels bestaande uit punten met rozet
Object type: printed paper
Date: 1750 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament ~ geometric motifs, ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met banenpatroon van cirkels bestaande uit punten met rozet en diagonale stippellijnen. Helft van een omslag.
Handkerchief
Object type: textile
Date: 1601 – 1650
Materials: lace, linen
Techniques: lace, cutting, drawing, treatment, weave
Location: italy
Sauce Dish
Object type: sauce dish
Date: 1835 – 1835
Materials: glass
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Making a Crossing. Hold Her Heavy, Pard. , from the series "The Camera's Story of Raftman's Life on the Wisconsin"
Object type: photograph
Date: 1886 – 1886
Techniques: albumen print
Location: united states
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Pinksteren
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: etching
Location: rome
Artist: raffaello schiaminossi
Artist role: painter, print maker
Artist dates: 1572 – 1622
Subjects: pentecost: the holy ghost descends upon (mary and) the apostles, sometimes paul and/or representatives of the nations present (acts 2:1-4)
Inscriptions: collector's mark: Lugt 240, number: ‘13’

De prent maakt deel uit van de serie 'Quindecim Mysteria Rosarii Beatae Mariae Virginis'. De serie bestaat uit een titelprent en vijftien prenten met voorstellingen van de Mysteries van de Rozenkrans (episodes uit de levens van Christus en Maria). In een andere staat is de prent in de plaat genummerd linksonder: 13.
Armchair (part of a set)
Object type: armchair
Date: 1754 – 1756
Materials: wood, silk, wool
Techniques: carving, gilding, tapestry
Artist: nicolas-quinibert foliot
Artist role: maker
Artist dates: 1706 – 1776
Subjects: birds
Hypocaustum in Pompeï
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: italy
Subjects: grave, tomb, (human) skeleton, basement, cellar, cellar, pompeii
Inscriptions: date

Gezicht in een hypocaustum of een grafkelder te Pompeï. Onderschrift in het Italiaans in ondermarge. Genummerd linksboven: Vol. V., rechtsboven: Pl. CL.
Optocht van musketiers, hellebaardiers en lansdragers, voorafgegaan door een ruiter
Object type: drawing
Date: 1510 – 1550
Materials: ink, paper, pencil
Techniques: pen
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: land forces (+ mercenary troops, e.g.: lansquenets), land forces (+ infantry), heating stove
Sint Nicolaas te paard gezeten, / Laat alle goede kindren weten [(...)]
Object type: print
Date: 1831 – 1854
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: the bishop nicholas of myra (or bari); possible attributes: anchor, boat, three golden balls (on a book), three purses, three children in a tub, three maidens, festivities on st. nicholas (eve) (december 5)
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van Sint Nicolaas te paard, die snoep en speelgoed uitdeelt aan kinderen op straat. Op de achtergrond Sint Nicolaas te paard op het dak. In de ondermarge een vers in vier kolommen.
Vuursteenpistool
Object type: flintlock pistol
Date: 1770 – 1770
Materials: brass, stone, horn, iron, wood
Techniques: printing, metalworking, cutting, embroidery, engraving, gilding, relief
Location: amsterdam
Artist: jacobus van solingen
Artist role: geweermaker, pistoolmaker
Inscriptions: coat of arms, inscription: ‘I:VAN SOLINGEN // AMSTERDAM’, : ‘J : P’
The Birth and Naming of Saint John the Baptist
Object type: glass
Date: 1525 – 1525
Materials: glass, paint, pigment
Location: netherlands
Shirt
Object type: shirt
Date: 1767 – 1800
Materials: linen
Culture: british

This is a beautifully detailed infant's garment with almost infinitesimal stitching. The pleating of the sleeves is labor-intensive and refined, as well as intricate, with almost miniscule needlework at the shoulders. The ruffle around the collar and the front edges is made from a finer, sheerer fabric than the rest, showing a sense of thoughtfulness. To have such a refined example of pre-nineteenth century babywear is fairly rare.
Coat
Object type: coat
Date: 1880 – 1889
Materials: metal, silk
Culture: american

This charming girl's coat mimics an adult fur-trimmed coat. Well-cut, it not only fits nicely but also creates a stylish appearance. The buckle is eye-catching and quite sophisticated.
Zeegezicht
Object type: drawing
Date: 1708 – 1781
Materials: paper
Techniques: brush
Artist: pieter idserts
Artist role: draughtsman
Artist dates: 1698 – 1781
Brief aan Philip Zilcken
Object type: letter
Date: 1913 – 1913
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: henrietta buhot
Artist dates:  – 1913
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
The Face of Christ
Object type: print
Date: 1849 – 1849
Materials: paper, ink, ivory
Techniques: etching, roulette
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Stucco Fragment
Object type: fragment
Date: 701 – 1200
Materials: plaster
Techniques: carving
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Portret van een onbekende jonge vrouw
Object type: photograph
Date: 1870 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: coenraad cornelis roskam
Artist role: fotograaf
Artist dates: 1829 – 1892
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed, amsterdam
Inscriptions: inscription: ‘Photogr. Atelier/ C.C. Roskam/ Utrechtsestraat/ tusschen de Keizersgracht en Kerkstraat/ Z.60./ Amsterdam.’
Piece
Object type: piece
Date: 1801 – 1900
Materials: cotton, metal thread
Landschap met een schaapherder
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes adrianus van der drift
Artist role: print maker
Artist dates: 1808 – 1883
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Vrouw lopend met vier kinderen
Object type: drawing
Date: 1649 – 1649
Materials: chalk, ink, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: number: ‘31’, annotation: ‘Harma[n] ter Borch.inventor. Anno 1649. de[n] 17.Janu[ary]’
Kammarmer in roze, blauw en geel met opschrift
Object type: marbled paper
Date: 1700 – 1850
Materials: paint, paper
Techniques: marbled paper
Artist: Anonymous

Kammarmer in roze, blauw en geel. Gebruikt als omslag met (op verso) opschrift in pen: 'omslag van papier van 1650'.
Architectur oder Bawmeisterschaft...
Object type: book
Date: 1628 – 1628
Techniques: engraving, etching
Location: amsterdam
Artist: hans vredeman de vries
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1527 – 1606
Subjects: musical instruments,architecture,buildings,men,women
Socketed Ax-Head (Celt)
Object type: socketed ax head celt
Date: 800 – 500
Materials: bronze
Culture: irish
Location: ireland
Studie
Object type: sketchbook leaf
Date: 1901 – 1901
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924

Blad 38 verso uit een schetsboek met 42 bladzijden.
Jakob ontmoet Rachel
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: jacob kisses rachel and is moved to tears
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Theatrum biblicum : hoc est historiae sacrae veteris et novi testamenti tabulis aeneis expressae. Opus praesentatissimorum huius ac superioris seculi pictorum atque sculptorum, summo studio conquisitum et in lucem editum. Amsterdam: Claes Jansz. Visscher, 1643.
Portret van Duits keizer Jozef II
Object type: print
Date: 1765 – 1767
Materials: paper
Techniques: etching
Location: haarlem
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: jozef ii (duits keizer), knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228

Portret van Jozef II, Duits keizer, met een ketting om zijn hals van de Orde van het Gulden Vlies.
Zittende man met zwarte steek, in profiel, naar rechts
Object type: drawing
Date: 1766 – 1815
Materials: chalk, paper
Techniques: brush
Artist: jacob van strij
Artist role: draughtsman, painter, print maker
Artist dates: 1756 – 1815
Subjects: sitting figure
Inscriptions: signature: ‘J: van Strij’
Allegory of Victory with Two Captives
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: follower of giorgio vasari
Inscriptions: Inscribed recto, lower center, in graphite: "San MarkXX/Lord Arundel Colln/Perino del Vaga"; lower right, in graphite: "Battle of Centaurs & Lapiths"; verso, lower right, in graphite: "il Salviati d / (...) Vasari"; lower center, in graphite: "11. 7bre 1829 / I (?)r 4";  inscribed recto, lower right on former mount, in graphite: "Copia dal Tibaldi"
Pianospelende man
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: one person playing keyboard instrument

Blad 3 recto uit een schetsboek met 69 bladen.
Embroidery sample for a man’s suit
Object type: sample
Date: 1785 – 1785
Materials: metal thread, silk, wool
Cuneiform tablet: promissory note for silver
Object type: cuneiform tablet
Date: 652 – 652
Materials: clay
Culture: assyrian
Location: mesopotamia
Portret van een jonge vrouw
Object type: photograph
Date: 1886 – 1912
Materials: cardboard, photographic support
Techniques: albumen print
Location: hameln
Artist: louis müller
Artist role: fotograaf
Artist dates: 1853 – 1912
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘Louis Müller/ Hameln a/ W’
Gezicht op Foix
Object type: photograph
Date: 1906 – 1906
Materials: paper, cardboard
Techniques: gelatin silver print
Location: foix
Artist: françois buys
Artist role: advocaat, amateurfotograaf
Artist dates: 1871 – 1934
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘32’

Deze foto maakt deel uit van een groep van 49 foto's.
Jonge vrouw in een bos met sprokkelhout onder de arm
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paint, paper
Techniques: brush
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: carrying something, farmers, girl (child between toddler and youth), forest, wood

Blad 52 verso uit een schetsboek met 53 bladen.
Tabernacle
Object type: tabernacle
Date: 1200 – 1210
Materials: copper, enamel, gilt, wood
Techniques: enamel, chasing, engraving, painting, repoussé
Culture: french
Location: france
Subjects: angels,christ,saints

This tabernacle was found in Bethlehem Square, Prague, in the nineteenth century, on the site of the Romanesque church of Saints Philip and James.
Mukisi Mupasi (ancestor figure)
Object type: male figure
Date: 1834 – 1866
Materials: cord, glass, wood
Culture: tabwa peoples
Location: democratic republic of the congo
Artist: tabwa artist
Artist role: artist
Subjects: men

This work is a pair with 1978.412.591. This elegant and refined couple from the Lake Tanganyika region of southeastern Democratic Republic of Congo depicts the respected ancestors of a Tabwa ruler. During the mid-nineteenth century, a group of elite Tabwa families who prospered through regional trade challenged traditional forms of governance and assumed control of regional leadership. These new Tabwa rulers looked to ancestry to legitimize their right to lead, invoking and, when necessary, inventing a chiefly lineage through sculptural representations of royal predecessors. A new genre of figural sculpture was developed to depict these chiefly ancestors. Passed down from one generation to the next, these works were visual representations of enduring dynastic power. The legitimacy of the chiefly family's rule depended upon its perceived superiority within the community, and ancestral sculptures such as this couple were intended to reinforce these notions. Decoration of the skin with raised geometric designs was one way of indicating exceptional character: to transform one's body into an ordered, ornate, and visually pleasurable object was to attain the highest ideals of enlightenment and civilization. Both of these figures exhibit facial markings that draw attention to areas of the head associated with acute perception and intelligence. Lines on the cheeks and temples indicate the spot just above the bridge of the nose that was considered the origin of wisdom and foresight. Two long, textured bands frame the forehead, home of dreams that were considered a special form of vision bestowed upon gifted individuals. These Tabwa figures, like most other works of this genre, are nude except for strands of beads around their necks, wrists, ankles, and, on the female figure, the waist. Period sources tell us that Tabwa individuals generally wore very few articles of clothing, but that beaded belts were commonly worn by both men and women, and acted as markers of kinship. When an elder died, his or her belt was passed down to a younger relative, maintaining ancestral continuity and family identity. In the context of these sculptures, such belts were vital signs of lineage that reinforced links to previous generations of rulers.
Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35)
Object type: print
Techniques: aquatint, etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: mountains,morning,boats

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for "Book of Studies"), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. In a few instances, as here, Turner also developed the tone, using aquatint and mezzotint to describe a Scottish loch bordered by mountains with the foreground enlivened by boats and fishermen near a pier, a floating buoy, and the fluke of a submerged anchor piercing the water. Despite the engraved title, the image does not represent Loch Fyne, but the smaller adjacent Loch Shira, and the "M" in the upper margin indicates Turner's category of Marine landscape.
Portret van Sophia Hedwig van Brunswijk-Wolfenbüttel
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving, etching
Location: delft
Subjects: sophia hedwig van brunswijk-wolfenbüttel
Inscriptions: collector's mark: Lugt 699, collector's mark: Lugt 2228

Portret van Sophia Hedwig van Brunswijk-Wolfenbüttel in een ovaal met randschrift. In de ondermarge vier regels Latijnse tekst.
Messenheftring uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: ferrule
Date: 1700 – 1743
Materials: copper, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knife-handle, ferrule; id. NG 1980-27H426.
Paleis Honselaarsdijk in vogelvlucht
Object type: print
Date: 1682 – 1726
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: palace, bird's eye view ~ representation of building
Inscriptions: collector's mark: Lugt 2228

Gezicht op Paleis Honselaarsdijk met de tuinen en landerijen in vogelvlucht. Op het voorplein een koets met vier paarden. Op de voorgrond koetsen, een draagstoel, elegant geklede wandelaars, ruiters, bedelaars en kooplieden.
De twee linker kariatiden uit de Vierschaar van het Stadhuis op de Dam
Object type: print
Date: 1655 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: caryatids ~ architecture, townhall, court-room
Inscriptions: collector's mark: ‘16,47’ Lugt 1641b

Prent gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Artus Quellinus (I), 1655.

Zie RP-P-AO-22-1-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-1-2 voor bijhorend register.
Zie RP-P-AO-22-1A, RP-P-AO-22-1B, RP-P-AO-22-1C, RP-P-AO-22-1D-2, RP-P-AO-22-1E, RP-P-AO-22-1F, RP-P-AO-22-1G, RP-P-AO-22-1H, RP-P-AO-22-1I, RP-P-AO-22-1K-1, RP-P-AO-22-1K-2, RP-P-AO-22-1K-3, RP-P-AO-22-1K-4, RP-P-AO-22-1K-5, RP-P-AO-22-1L-1, RP-P-AO-22-1L-2, RP-P-AO-22-1M-1, RP-P-AO-22-1M-2, RP-P-AO-22-1N-1, RP-P-AO-22-1N-2, RP-P-AO-22-1N-3, RP-P-AO-22-1N-4, RP-P-AO-22-1N-5, RP-P-AO-22-1O-1, RP-P-AO-22-1O-2, RP-P-AO-22-1O-3, RP-P-AO-22-1O-4, RP-P-AO-22-1P-1, RP-P-AO-22-1P-2, RP-P-AO-22-1P-3, RP-P-AO-22-1P-4, RP-P-AO-22-1Q-1, RP-P-AO-22-1Q-2, RP-P-AO-22-1Q-3, RP-P-AO-22-1Q-4, RP-P-AO-22-1R-1, RP-P-AO-22-1R-2, RP-P-AO-22-1R-3, RP-P-AO-22-1R-4, RP-P-AO-22-1R-5, RP-P-AO-22-1S-1, RP-P-AO-22-1S-2, RP-P-AO-22-1S-3, RP-P-AO-22-1S-4, RP-P-AO-22-1S-5, RP-P-AO-22-1T-1 en RP-P-AO-22-1T-2 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Frederik de Wit, 1665.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).

Zie BK-AM-51-24-A-1, BK-AM-51-24-A-2, BK-AM-51-24-B-1 en BK-AM-51-24-B-2 voor modellen van de beelden van de kariatiden.
Nesting Bowl
Object type: bowl
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Subjects: bowls
Landschappen
Object type: print
Date: 1726 – 1799
Materials: paper
Techniques: etching
Subjects: riding a horse, ass, or mule; rider, horseman, landscape with bridge, viaduct or aqueduct, dog
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Buitenleven.
Saint Peter Visiting Saint Agatha in Prison and Healing her Wounds
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: anton raffael mengs
Artist nationality: german
Artist dates: 1728 – 1779
Mable Clark, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Rudolf Brun
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Artist: johannes meyer (ii)
Artist role: print maker
Artist dates: 1655 – 1712
Subjects: mayor, theologian, historical persons, armorial bearing, heraldry
Inscriptions: date