deem-data/ArtiFact huggingface dataset:
Icones Biblicae Veteris et N: Testamenti
Object type: titelblad, titelpagina
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the twelve apostles ~ other themes, the ten commandments represented together on stone tablets, angels, works of mercilessness
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor 'Icones Biblicae Veteris et Novi Testamenti', 1708. In het midden blaast een engel op een bazuin, omringd door een mensenmassa. Rechts van de engel een vrouw met de stenen tafelen der wet. Iets lager rechts worden de personificaties van Nijd, Dronkenschap, Gulzigheid, Gierigheid, Geveinstheid en Geweld door engelen bestreden. Links van de engel de zeven werken van barmhartigheid. Op de voorgrond de apostelen met hun attributen.
Hercules worstelt met Acheloüs
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: while fighting with hercules the river-god achelous changes himself into a serpent
Inscriptions: collector's mark: ‘Hinloopen’

Hercules in gevecht met de riviergod Acheloüs om Deïanira, de dochter van de riviergod Oeneus. Links heeft Acheloüs de gedaante aangenomen van een serpent. Rechts heeft hij de gedaante aangenomen van een stier. Op de voorgrond is hij in menselijke gedaante aan het worstelen met Hercules. Titel in het Latijn in ondermarge.
Versailles, Le Parc
Object type: photograph
Date: 1906 – 1906
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Coffeepot
Object type: coffeepot
Date: 1701 – 1733
Materials: pewter
Subjects: flowers
Fotoreproductie van een schilderij, voorstellende een portret van Leonora Christina Ulfeldt
Object type: photograph
Date: 1858 – 1862
Materials: photographic support
Techniques: albumen print
Artist: julius wulff
Artist role: fotograaf
Subjects: female royal bastard
Nota aan Philip Zilcken
Object type: nota
Date: 1801 – 1894
Materials: chalk, ink, paper
Techniques: pen, printing, writing
Location: the hague
Subjects: the hague, painter, philip zilcken, sitting figure - aa - female human figure, the arts of the stage: ballet, theatre, musical drama, motion picture
Inscriptions: collector's mark: ‘RPK’
Bergrede
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: beatitudes of the sermon on the mount
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
Hieratic ostracon with remains of red numeral
Object type: ostracon, hieratic
Date: 1295 – 1070
Materials: ink, limestone, paint
Location: egypt

Ostraca (plural for ostracon) are potsherds used as surfaces on which to write or draw. The term is used, by extension, to refer to chips of limestone, which were employed for similar purposes. Despite their humble appearances, ostraca bear a wide range of images and texts, including administrative documents, literary texts, and depictions of royal and divine figures. The texts were mostly written with reed pen and ink of two colors, red and black, and inscribed in Hieratic, the cursive script of ancient Egypt throughout most of its periods. This ostracon is inscribed with few unintelligible hieratic signs.
Bead
Object type: bead
Date: 7333 – 7001
Materials: stone
Location: syria
Twee personen aan een schandblok
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: in the pillory, in the stocks
Inscriptions: inscription: ‘Registered.’, inscription: ‘6,-’
Doodbed van Prinse Willem den IV. in 't jaar 1751
Object type: print
Date: 1756 – 1758
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: the hague, willem iv (prins van oranje-nassau), deathbed
Inscriptions: collector's mark: Lugt 2228

Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller. Gebruikt als illustratie in: Jan Wagenaar en Simon Fokke, Vaderlandsche historie verkort, en by vraagen en antwoorden voorgesteld, Isaak Tirion, Amsterdam 1758.
Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Object type: print
Date: 1837 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Groepsfoto's
Object type: album leaf
Date: 1939 – 1943
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, barracks, germany

Albumblad met vier foto's van groepen soldaten en van barakken. Onderdeel van het fotoalbum over soldaten van de Wehrmacht, ca. 1939-1943.
Marat
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: paris, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Study Models of Parts of the Body
Object type: model
Date: 1560 – 1570
Materials: terracotta
Techniques: casting, molding
Location: florence
Artist: johan gregor van der schardt
Artist role: sculptor
Artist dates: 1530 – 1581

This group of small models of parts of the body is carefully copied after famous sculptures, in particular by Michelangelo, in Florence and Rome. They came from the workshop of the Nijmegen sculptor Johan Gregor van der Schardt, who had a successful career in Italy, Nuremberg, and Copenhagen. They are extremely rare examples of the, in part autograph, study material of a 16th-century sculptor.
Portret van Jean de La Fontaine
Object type: print
Date: 1760 – 1775
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paris, jean de la fontaine, ornament ~ medallion, historical persons, portrait of a writer

Met Frans onderschrift en vierregelig Frans vers onder het portret.
Portret van Philippine Charlotte von Braunschweig-Lüneburg
Object type: print
Date: 1780 – 1824
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: berlin, historical persons, old woman

Philippine Charlotte is afgebeeld als weduwe.
Edging
Object type: edging
Date: 1750 – 1800
Techniques: lace
Time, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Roundel with a rosette and recumbent horned animals
Object type: roundel
Date: 1400 – 1201
Materials: bronze, foil, gold, silver
Culture: elamite
Location: iran
Subjects: animals,flowers
Study of a Kneeling Saint
Object type: drawing and watercolor
Date: 1570 – 1575
Materials: chalk, paper
Location: italy
Artist: orazio samacchini
Artist role: artist
Artist nationality: italian
Artist dates: 1532 – 1577
Inscriptions: Inscribed verso, lower right, in red chalk: "40"
Route du St. Gothard
Object type: stereograph
Date: 1879 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: Anonymous
Subjects: road, path, underground road, tunnel, mountains
Inscriptions: number: ‘6941 [?]’
Portret van musicus Henri W. Petri
Object type: album leaf
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: photoaquatint
Location: charlottenburg
Artist: Anonymous
Subjects: making music; musician with instrument
Inscriptions: number: ‘4583’

Onderdeel van Fotoalbum van de familie Petri.
Penny-token, Willey, Engeland, 1790
Object type: penny
Date: 1790 – 1790
Materials: copper
Techniques: striking

Koperen particuliere munt. Voorzijde: man, werkzaam in een gieterij. Keerzijde: borstbeeld van een man naar rechts. Randschrift.
Christ among the Doctors
Object type: drawing
Date: 1652 – 1652
Materials: ink
Techniques: brush, pen
Artist: nicolaes maes
Artist role: former attribution
Artist nationality: dutch
Artist dates: 1634 – 1693
Subjects: men,christ,doctors
Glass Fragment
Object type: fragment
Date: 1401 – 1600
Materials: glass, paint, pigment
Culture: european
Bedstead
Object type: bedstead
Date: 1810 – 1815
Materials: wood
Techniques: gilding, painting, veneering
Culture: american
Location: united states
Artist: thomas seymour
Artist role: maker
Artist nationality: american
Artist dates: 1771 – 1848

According to the most recent scholarship on Thomas Seymour, there is no Boston carving of the Federal period more spectacular than the lavish decoration on the footposts of this bedstead carved by Thomas Wightman. Wightman is documented as working as a sub-contractor for Thomas Seymour in 1809 on an order of furniture for Elizabeth Derby West (1762-1814) for Oak Hill, her country estate in Danvers, Massachusetts.
Sailors Riding For A Turn From Shields to Newcastle
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,horses
Gezicht op de Escalier de la Renaissance in de Tour de l'horloge, Riom, Frankrijk
Object type: album leaf
Date: 1867 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: riom
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, staircase
Inscriptions: inscription: ‘RIOM’
The Supper at Emmaus
Object type: drawing and watercolor
Date: 1626 – 1669
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: follower of rembrandt van rijn
Inscriptions: Inscribed verso, center, in graphite: "165"
Horace W. Wright
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Wandbordje hulp van Curaçao aan Nederland na de Watersnoodramp 1953
Object type: wandbord
Date: 1953 – 1953
Materials: earthenware, porcelain
Techniques: painted, vitrification
Location: curacao
Subjects: zeeland, north sea flood of 1953

Wandbordje watersnoodramp 1953 in Nederland. Het bordje werd in Curaçao gemaakt en verkocht ten bate van de slachtoffers van de ramp. Opschrift: OVERSTROMINGSRAMP NEDERLAND-1953 / DE ZEE NAM CURACAO GAF. Op het bordje de kaart van Nederland in groen met in rood aangegeven de overstroomde gebieden. Keerzijde opschrif: 74 'EERSTE CURAÇAOSE AARDEWERKFABRIEK 'E.C.A.F'.
Towel
Object type: textile
Date: 1700 – 1900
Materials: linen, silk
Techniques: embroidery, weave, stitching
Location: greece
Portret van Friedrich von Schiller
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: engraving
Subjects: friedrich von schiller, scholar, philosopher, historical persons, portrait of a writer
Afzetting van Keizer Napoleon III en zijn dynastie 1871
Object type: history medal
Date: 1871 – 1871
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde het portret van Napoleon naar links met omschrift, op de keerzijde elf regels tekst.
Vase
Object type: vase
Date: 1667 – 1733
Materials: earthenware
Techniques: glazing
Subjects: flowers

It is a fairly safe assumption that vases of this type (see also 94.4.315) originally would have had high-domed, conforming lids.
Portret van Francesco Pandolfini
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of opera-singer
Inscriptions: number: ‘Numéro 200’, inscription: ‘Journal Hebdomadaire paraissant le Jeudi, Du 15 au 21 Mars 1877’
Temple guardian
Object type: sculpture
Date: 1300 – 1400
Materials: wood
Techniques: polychromy
Location: japan
Artist: Anonymous
Subjects: temple watch ~ non-christian religions

De tempelwachters (AK-RAK-2007-1-A/B) stonden bij de ingang van de tempel Iwayaji in de West-Japanse prefectuur Shimane.
3 figuren
Object type: print
Date: 1966 – 1966
Materials: paper, ink
Techniques: etching, intaglio
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Inscriptions: signature and date: ‘aat verhoog 1966’, edition: ‘8/20’, signature: ‘Aat Verhoog’, title: ‘" 3 figuren "’

Drie staande gedeformeerde vrouwelijke naakten, de middelste op de rug gezien, met de handen achter hun hoofd.
Staande man met pijp en dweil
Object type: drawing
Date: 1784 – 1845
Materials: chalk, paper
Artist: hillebrand dirk loeff
Artist role: painter
Artist dates: 1774 – 1845
Subjects: standing figure, pipe ~ tobacco
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Schilderkunst, Tekeningen.
Portaal met nissen met daarin de beelden van Mars en Hercules en bovenaan een wapenschild met Diana en een stadspatroon
Object type: page
Date: 1593 – 1595
Materials: paper
Techniques: etching
Location: straatsburg
Subjects: parts of church exterior and annexes: portal, personification of a city, town-patron(ess), ornament derived from architectural details, specific aspects, allegorical aspects of hercules; hercules as patron
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent gebruikt in: Dietterlin, Wendel (I). Wendel Dietterlin, Architectura de Polstium seu Portalium ornatu uario Liber II. Straatsburg: Bernhard Jobin, 1594.
Linnen servet van damastweefsel met pellenpatroon (motief III), geen zomen
Object type: miniature
Date: 1690 – 1710
Materials: linen
Artist: Anonymous
Brisé fan with three painted reserves
Object type: fan
Date: 1767 – 1800
Materials: glass, ivory, metal
Techniques: enamel, gilding, painting
Subjects: birds,women

Composed only of sticks of ivory- a type of fan called "brisé"- this example holds our attention because of its blend of color, texture and different materials. The fine decoration of the ivory creates a lace-like effect; imitating pricier Chinese imports (like The Met's 65.80.13), its drilled technique reveals that this was made in Britain. Three painted medallions, representing the Roman goddesses Venus and Ceres flanking a central lady and children in a landscape, all imitate the popular style of Swiss painter Angelica Kauffman (1741-1807). Variety is cleverly achieved by inlays of enamel studs and gilding. On the outer sticks are two tiny blue and white jasperware plaques, representing Hope and Hercules; these were perhaps sourced from the famous and successful English porcelain manufactory founded some decades earlier by Josiah Wedgwood.
Gold Stater, Miletus, 800 B.C., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Pair of vase handles
Object type: vase handle
Date: 1767 – 1800
Materials: gilt bronze
Subjects: garlands,faces
Portret van Karel VII, koning van Frankrijk
Object type: print
Date: 1642 – 1678
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paris, historical persons, king
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Lady on Horseback and Landsknecht
Object type: print
Date: 1497 – 1497
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

This tender image celebrates the unlikely love between a noblewoman and a mercenary. The lady is mounted and wears her lover’s feathered hat, indicating she has the upper hand in the relationship. The soldier’s sword hilt serves as an suggestion of baser desires, but his grip on her elbow is more than matched by her hold on his shoulder. Urs Graf’s nearby woodcut features a Landsknecht with a more typical paramour, a prostitute.
Cebetis Thebani Tabula
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: 'tabula cebetis'
Inscriptions: collector's mark: Lugt 2228

Tafel van Cebes. Allegorische voorstelling van de levensweg als de passage door concentrische ringen naar de tempel van geluk op een berg in het midden. Gedetailleerde voorstelling met talloze personen en allegorische figuren met opschriften. Onder de voorstelling een legenda met 22 verwijzingen; links in het Latijn, rechts in het Nederlands.
Portrait of a Gentleman
Object type: painting, miniature
Date: 1804 – 1804
Materials: ivory, watercolor
Culture: american
Artist: william m. s. doyle
Artist role: artist
Artist nationality: american
Artist dates: 1769 – 1828
Subjects: men,portraits
The Two Cows
Object type: print
Date: 1847 – 1847
Materials: ink, paper
Techniques: drypoint, etching
Location: france
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1814 – 1875
Geogaphic Scarves. "Look Dodolphe, this is really the last sacrifice I'll do for your education... if you still don't get your geography right, it means you are completely clogged up... this time I'll stick your nose into it. To start with, you'll just need to make sure during the first day to only blow your nose in Normandy.... I'll slap you in the face if you blow your nose in the Channel!," plate 89 from Actualités
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
I Am Don Juan Tenorio
Object type: print
Materials: paper
Techniques: engraving, relief
Location: mexico
Artist: manuel manilla
Artist role: artist
Artist nationality: mexican
Artist dates: 1830 – 1895
Portret van Willem II, koning der Nederlanden
Object type: print
Date: 1848 – 1892
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: edouard taurel
Artist role: draughtsman, print maker
Artist dates: 1824 – 1892
Subjects: william ii of the netherlands

Portret van Willem II met een hermelijnen mantel. Hij staat in een vertrek naast een tafel met daarop zijn kroon en wijst met zijn rechterhand naar de herziening van de Nederlandse grondwet. Midden boven 'MAART 1848'.
"Zie," zeide Laura, "de gevolgen van dat vermaak"
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: lying face downwards, garden fountain
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent gebruikt als boekillustratie in: Hazeu Cornelisz., Johannes. De geschiedenis van Laura Guldenbeek: Een onderhoudend en leerzaam leesboek voor jonge lieden. Amsterdam: M.H. Helmig, 1823.
Jérusalem
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: louis de clercq
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1901
Subjects: cities
Burg Lauenstein. Thüringisch-fränkische Grenzwarte gegen Norden
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: ludwigsstadt
Artist: Anonymous
Subjects: castle
Portret van Erycius Puteanus op 39-jarige leeftijd
Object type: print
Date: 1614 – 1650
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: Anonymous
Subjects: erycius puteanus, pegasus, the winged horse, predatory birds: eagle, historical persons, portrait of a writer, caduceus (staff with two snakes, attribute of mercury), attributes of medusa
Brougham #3908
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Dish with Peony Scroll
Object type: vessel
Materials: stoneware
Techniques: molding, underglaze
Location: china
Karnak (Thèbes), Enciente du Palais - Détails de Sculptures au Point O
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: sculpture,horses
Etende vrouw, aan tafel
Object type: drawing
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: eating
Chateau de Chenonceau (I-et-L.-37). La Salle des Gardes
Object type: photomechanical print
Date: 1958 – 1990
Materials: cardboard
Techniques: offset printed
Location: chenonceaux
Artist: Anonymous
Subjects: castle, interior ~ representation of a building, tapestry
Onderdeel van een kraan uit het wrak van de Oost-Indiëvaarder Meresteijn
Object type: spigot
Date: 1693 – 1702
Materials: brass
Location: netherlands
Artist: Anonymous
Subjects: cape of good hope

Deel van een kraan: taps toelopend rond massieve tap met een dwarsgeboord gat. Tap, spigot.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, part of handle patch; ivy leaf; back of head and part of upper back of youth to right, with his himation draped over his left shoulder
Ring seal
Object type: ring
Date: 201 – 700
Materials: alabaster, marble
Culture: sasanian
Location: iran or mesopotamia
Tempelreiniging
Object type: drawing
Date: 1661 – 1661
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: date: ‘1661’, annotation: ‘Mozes T.B. / A’, annotation: ‘Dürer / B VII 119-23’

Kopie naar houtsnede uit de prentserie 'De kleine Passie' van Albrecht Dürer.