deem-data/ArtiFact huggingface dataset:
Portret van Geeraert Brandt
Object type: print
Date: 1687 – 1690
Materials: paper
Techniques: engraving
Location: leiden
Subjects: amsterdam, geeraert brandt (i), historical persons, book
Inscriptions: inscription: ‘G. in Amsterdam (...)’
Textile Fragment
Object type: textile fragment
Date: 701 – 900
Materials: silk
Techniques: weave
Location: iran
Subjects: birds
Deel van Maarsen; waer in het Huis te (1) Boelestein en (2) Vechtleeven / Partie de Maarsen, ou se voit (1) La Maison de Boelestyn et (2) Vechtleven
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: rural housing, e.g. country-house, villa, cottage, river (+ landscape with figures, staffage), maarssen, vecht

Prent mogelijk uit: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719. Of uit: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1900
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: flowers
Standbeeld van generaal Hans Karl von Winterfeldt op het Wilhelmplatz, Berlijn
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: monument, statue
Inscriptions: number: ‘No. 73.’
Ierland, Dublin, ½ penny-token, 1794
Object type: monetary token
Date: 1794 – 1794
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: monogram. Waarde-aanduiding in omschrift. Keerzijde: zittende Ierse maagd, de linkerhand rustend op een harp. Jaartal in afsnede. Randschrift.
Georges Bergsma en een vriendin op Sumatra
Object type: photograph
Date: 1917 – 1918
Materials: photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: utrecht, child, sumatra

Onderdeel van fotoalbum met opnames van de familie Bergsma in Tandjong Poera en Rantan Pandjang (Sumatra).
The Terror of Grenelle
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Komurasaki of the Kadotamaya with Attendants Hatsune and Utano
Object type: print
Date: 1790 – 1790
Techniques: woodblock print
Location: japan
Artist: chobunsai eishi
Victoria #3916
Object type: drawing
Date: 1884 – 1884
Materials: gum arabic, ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Landschap met bomen en een rustende reiziger
Object type: sketchbook leaf
Date: 1846 – 1851
Materials: paper, pencil
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: (traveller) resting in the open air, prospect of village, silhouette of village (+ city(-scape) with figures, staffage)
Inscriptions: date: ‘NOV 7 , ,,’

Op de achtergrond het silhouet van een dorp of stad. Blad 2 recto uit een schetsboek met 25 bladen.
Gebreide muts van wit katoen met opengewerkte zigzagranden en een boomvormig motief
Object type: cap
Date: 1800 – 1900
Materials: cotton
Techniques: embroidery, knitting
Location: europe
Artist: Anonymous

Gebreide muts van wit katoen met opengewerkte zigzagranden en een boomvormig motief.
Comforts of Bath, Plate 8
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women
A la mémoire de feue sa majesté la Reine des Pays-Bas
Object type: print
Date: 1837 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Subjects: the hague, wilhelmina frederica louisa (koningin der nederlanden), coat of arms (symbol of sovereignty), the place of worship and its equipment ~ christian churches, historical persons, cortege, funeral procession, grave-building, monumental tomb, burial rites, delft
Inscriptions: check stamp: ‘F. Desterbecq [...]’, collector's mark: Lugt 2228

Begrafenisstoet op de markt voor de Nieuwe Kerk van Delft van konigin Wilhelmina van Pruisen. Rondom een versierde lijst met het portret van de koningin, familiewapens, medaillons, een adelaar, een leeuw en het grafmonument in de Nieuwe Kerk.
Design for 4 seat Phaeton, no top, no. 3447
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Plate
Object type: plate
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Subjects: boats
Rotterdam tijdens de overgave
Object type: photograph
Date: 1940 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: Anonymous
Subjects: the defeated (after the battle), march into the conquered place, rotterdam

Een vijftal Duitse militairen staan met de Nederlandse sergeant-majoor Van Ommering, met de witte vlag, in de Van der Takstraat in Rotterdam. Het is omstreeks 1600 uur in de middag van de 14de mei, kort na het Duitse bombardement. Kapitein Backer en Kolonel Scharroo zijn op dat moment bij de Duitse bevelhebber om de overgave van de stad aan te bieden.
De Notenkraker, 5 mei 1907 / De gebroken ladder
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: albert hahn (i)
Artist role: draughtsman
Artist dates: 1877 – 1918
Subjects: jonkheer alexander frederik de savornin lohman, abraham kuyper, amsterdam, utrecht, minister ~ government, political caricatures and satires, netherlands

Aflevering van het satirische tijdschrift De Notenkraker van 5 mei 1907, eerste jaargang, nummer 18. Omslag met illustratie van Heemskerk, Kuypers, de Savornin Lohman en een andere man die het niet lukt om met een ladder bij de hoog gehangen ministeriële ambtskostuums te geraken. Onderdeel van een volledige eerste jaargang (1907). Elk nummer bevat 8 bladzijden, deels nog niet losgesneden, met op de voorzijde steeds een spotprent van Albert Hahn, op de overige pagina's prenten van Hahn steeds tussen de tekst. In de letter 'D' van de titel is een kop van een zgn. notenkraker afgebeeld.
Scherven van kistflessen uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: glass
Techniques: green glass
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van kistflessen uit V.O.C.-schip de 'Witte Leeuw', van groen glas. Concretie, koraalachtige aanslag en bruine aanslag aanwezig.
Gezicht op het voormalige Ottawa Beach Hotel aan het water in Michigan
Object type: album leaf
Date: 1902 – 1902
Materials: paper
Techniques: gelatin silver print
Location: michigan
Artist: jan van der mey
Subjects: canal, pier, quay, wharf, hotel, hostelry, inn
Inscriptions: inscription: ‘"Hotel", Ottawa Beach, Mich./ Channel and Hotel’

Deze foto's maken deel uit van een album.
Hydria fragment
Object type: hydria fragment
Date: 410 – 380
Materials: terracotta
Culture: greek, south italian, lucanian
Artist: hamburg painter
Artist role: artist
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, extended left arm, part of the right forearm, hand, lower torso, genitals, and thighs of a nude youth to right; left hand and part of the left thigh of a youth to left?; boxers?
Five Butterflies
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: butterflies

Swallow-tailed butterfly with open wings above on right, next to small butterfly in profile to left; two small butterflies with open wings and butterfly with closed wings looking left on right below.
Mary, Queen of Scots
Object type: print
Date: 1751 – 1800
Techniques: engraving
Artist: thomas de leu
Artist role: artist
Artist nationality: french
Artist dates: 1560 – 1620
Subjects: queens,portraits,women,mary queen of scots

According to Labanoff, this is the sixth state of Thomas de Leu's portrait (no. 126). The plate was extensively reworked for the fifth state, which was included in the third volume of Dreux du Radier's "L'Europe illustre, contenant l'histoire abrégée des souverains...," published by Odieuvre between 1755-65. The sixth state, dating from the second half of the 18th century, differs greatly from the first state, published by de Leu between 1570 and 1612. The face has been reworked, the inscription removed from the border, and the pedestal added to the bottom.
Zittende Indiërs
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: chalk, paper
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, necklace, asiatic races and peoples: indians

De figuur op de voorgrond zit op een kleed en draagt een halsketting. Pagina 19 uit een schetsboek met 23 bladen.
Vessel
Object type: vessel
Date: 900 – 801
Materials: ceramic
Culture: iranian
Location: iran
Two Studies for the Madonna and Child (recto); Flagellation (verso)
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: human figures,madonna and child
Gondel met vrouwen op de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: jan schüller
Artist role: draughtsman, painter, print maker
Artist dates: 1871 – 1915
Subjects: world fair, world exhibition
Inscriptions: annotation: ‘Gondel met dames’

Gondel met vrouwen op de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904.
Gezicht op een waterval te Aix-les-Bains
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: aix-les-bains
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: waterfall
Inscriptions: inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’, number: ‘338.’
Gezicht op het Piazza del Campidoglio te Rome
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: piazza del campidoglio
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', equestrian statue
Inscriptions: inscription: ‘place de Tibère Rome’, number: ‘No. 1863.’
Gezicht op de oostzijde van de Vondelkerk te Amsterdam
Object type: print
Date: 1880 – 1885
Materials: paper
Techniques: etching
Location: netherlands
Artist: petrus johannes arendzen
Artist role: draughtsman, print maker
Artist dates: 1846 – 1932
Subjects: vondelkerk
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een deel van de fresco's op de muur van de Sixtijnse Kapel te Vaticaanstad door Michelangelo, voorstellende het Laatste Oordeel met Petrus en heiligen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: vatican
Artist: Anonymous
Subjects: last judgement, saints, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 3937
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: douris
Artist role: artist

Exterior, extended right arm, upper torso, in three-quarter view, and part of upper left arm of youth; part of a column
Achterplaats van het Markiezenhof te Bergen op Zoom
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: markiezenhof
Subjects: hôtel, i.e. small palace in city, bergen op zoom
Inscriptions: annotation: ‘Bergen op Zoom’, annotation: ‘Markiezenhof te Bergen-op-Zoom. / gezicht op de achterplaats / sept 1890/ NB A-B’
Geschiedenis van de Makkabeeën
Object type: album leaf
Date: 1572 – 1576
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: riders are seen in the sky above the city of jerusalem (2 maccabees 5:2)

Het leger van Timoteüs trekt op tegen Judea en vecht tegen de Joden. Aan de hemel verschijnen vijf ruiters op paarden met gouden teugels, die zich aan het hoofd stellen van de Joodse troepen. Ze bestoken de mannen van Timoteüs met pijlen en bliksem. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 2 Makk. 10. Deze prent maakt deel uit van een album.
Tête de Christ IV
Object type: print
Date: 1928 – 1928
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: crown of thorns ~ instruments of the passion, eyes closed, 'portraits' of christ
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2228
Pieter Brueghel de jonge gezegd "de Helsche"
Object type: photograph
Date: 1891 – 1892
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: netherlands
Subjects: picture, painting
Interior of a Lottery
Object type: watercolor
Date: 1821 – 1821
Materials: gouache, graphite, watercolor, paper
Culture: american
Artist: james kidder
Artist role: artist
Artist nationality: american
Artist dates: 1793 – 1837
Subjects: windows,interiors
Frets, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1754 – 1754
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: ornament

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CLV in the 1754 and 1755 editions, not reprinted in the 1762 edition.
Allegorie op de vrede van Amiens, 1797
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: europe represented allegorically; 'europa' (ripa), symbols, allegories of peace, 'pax'; 'pace' (ripa), europa and her maidens play with the bull, and/or adorn it with flowers, great britain, france
Inscriptions: collector's mark: Lugt 2228

Allegorie op de vrede van Amiens tussen Frankrijk en Groot-Brittannië, 27 maart 1802. Ovale voorstelling waarin de Een vrouw de hand kust van de zittende Vrede. Op de voorgrond worden wapenschilden bijeen gebonden. Op de achtergrond Europa (met stier) met twee geniussen en een engel. Onderaan de titel en een bijbeltekst in het Hebreeuws en Nederlands.
Leeuwen
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: beasts of prey, predatory animals
Inscriptions: collector's mark: Lugt 240
The Third Tournament, with Knights Breaking Lances
Object type: print
Date: 1509 – 1509
Materials: paper
Techniques: woodcut
Location: germany
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Zermatt et le Mont Cervin (4505 m)
Object type: photomechanical print
Date: 1903 – 1904
Materials: cardboard, photographic process
Location: zurich
Artist: Anonymous
Subjects: prospect of village, silhouette of village, mountain-range, snow peaks
Staff Weapon
Object type: staff weapon
Date: 1520 – 1520
Materials: steel, wood
Culture: italian
Location: italy
Fragment steel van vork of lepel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fork
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cutlery, fragment: stem of fork or spoon; fragm, flat, widening, corroded.
Sluitstenen
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: foliage ~ ornament, keystone ~ architecture
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee sluitstenen met bladmotieven. Prentnummer 258.
Spoon
Object type: spoon
Date: 1689 – 1690
Materials: silver
Artist: lawrence coles
Artist role: maker
Artist dates: 1669 – 1714
Allegorische voorstelling met Maarten Luther
Object type: book illustration
Date: 1703 – 1703
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: adolf visscher (1605-1652), amsterdam, henricus vos, priest, martin luther

Allegorische voorstelling met Maarten Luther. Buste van Maarten Luther met tekst eronder. Daaronder bustes van Adolphus Visscher en Henricus Vos, eveneens met tekst eronder. Op achterzijde blad tekst in boekdruk.
Livre de Tables de Diverses Formes
Object type: album print ornament architecture
Techniques: etching
Artist: jean bernard toro
Artist role: designer
Artist nationality: french
Artist dates: 1672 – 1731
Subjects: faces,tables
Kroning van Maria
Object type: book illustration
Date: 1506 – 1507
Materials: paper
Techniques: woodcut
Subjects: the christ-child crowning mary ~ madonna-representations

Prent voor het eerst gebruikt in: Speculum Passionis. Neurenberg: Ulrich Pinder, 1507.
Zelfportret van Jan Brandes 1803
Object type: drawing
Date: 1803 – 1803
Materials: ink, paper, pencil
Techniques: brush
Location: skälsebo
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: bodegraven, draughtsman, jan brandes, historical persons, portrait, self-portrait of artist
Inscriptions: inscription: ‘Jan Brandes 60 är gammal ipse fecit 1 Nov 1803’

Zelfportret van Jan Brandes uit 1803. Borstbeeld. Brandes draagt een soort muts en een zware dubbelsluitende overjas met schouderkleppen. Met opschrift.
Alle naties aan de wieg van Prinses Juliana
Object type: cartoon
Date: 1909 – 1909
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, juliana of the netherlands, personifications of countries, nations, states, districts, etc., cradle, crib, political caricatures and satires

Engeltjes van verschillende landen van over de hele wereld rondom de wieg met de baby prinses Juliana. Onderaan de tekst van een liedje over veertien engeltjes.
Portrait of a Woman
Object type: drawing
Materials: chalk, paper
Artist: ottavio leoni (il padovano)
Artist role: artist
Artist nationality: italian
Artist dates: 1578 – 1630
Subjects: portraits,women
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: gold alloy, gold
Culture: japanese
Location: japan
Subjects: mice
Afriquaine, en habit de Cèrèmonie, plate 96 from "Recueil de cent estampes représentent differentes nations du Levant"
Object type: print
Date: 1714 – 1715
Techniques: engraving, etching
Artist: jean baptiste vanmour
Artist role: artist
Artist nationality: french
Artist dates: 1671 – 1737
Subjects: women
Pictures with Letters
Object type: painting
Date: 1601 – 1700
Materials: ink, paper
Culture: japanese
Artist: iwasa matabei
Artist role: artist
Artist nationality: japanese
Artist dates: 1578 – 1650
Subjects: women
Architectuurstudies
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: architectural detail
Inscriptions: kleurnotitie, handgeschreven

Pagina 2 uit een schetsboek met 12 bladen.