deem-data/ArtiFact huggingface dataset:
Israëlieten verlaten het brandende Jeruzalem
Object type: book illustration
Date: 1706 – 1706
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: the fall of jerusalem ~ story of zedekiah
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Schabaalje, Jean Philipsz. De vermeerderde lust-hof des gemoeds. Amsterdam: Jan Rieuwertsz. (II) en Barent Visscher, 1706, p. 260.
Adolph Müllner
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2228
Livre de Diverses Veues, Perspectives, Paysages faits au naturel
Object type: print
Date: 1631 – 1691
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een genummerde serie van negen prenten, maar de nummers zijn afgesneden. Dit is de titelprent.
Romeins gebladerte
Object type: print
Date: 1679 – 1700
Materials: paper
Techniques: etching
Location: augsburg
Subjects: acanthus ~ ornament, flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Familie van Leuken
Object type: photograph
Date: 1904 – 1904
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: beek en donk
Inscriptions: inscription: ‘Familie van Leuken / Beek en Donk / 1904.’

Foto op bruin albumblad 23 van familiealbum van Alphons Diepenbrock.
Saucer
Object type: ceramic
Date: 1772 – 1772
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: meissen
Artist: meissen porcelain manufactory
Artist nationality: german
Artist dates: 1710 –
Titelpagina voor: Pierre Danet, Grand Dictionnaire François et Latin, 1728
Object type: titelblad, titelpagina
Date: 1728 – 1728
Materials: paper
Techniques: engraving
Location: lyon
Artist: gérard jean baptiste scotin (ii)
Artist role: print maker
Artist dates: 1698 – 1755
Subjects: arion rides on a dolphin, holding his lyre, (story of) arion
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De zanger Arion speelt op zijn lier op het achterdek van een schip en springt aan het einde van zijn lied overboord. Links in zee de dolfijn op wiens rug Arion verder zal reizen naar Tainaron. Boven de voorstelling twee engelen met het wapenschild van de Dauphin. Aan de onderzijde een meerman en -min aan weerszijden van de titel.
Winterlandschap met jagers en een hond
Object type: print
Date: 1850 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: h. van meerbeeck
Artist role: print maker
Subjects: hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), winter landscape; landscape symbolizing winter (the four seasons of the year), dog
Inscriptions: collector's mark: Lugt 2228
Expectation
Object type: painting
Date: 1913 – 1913
Materials: asbestos, asbestos cement, paint
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Inscriptions: signature and date: ‘[monogram] 13’

Verwachting. Allegorische voorstelling met een naakte man die rennend een pijl met boog afschiet, aan zijn voeten een hond. Op de achtergrond gestileerde golven en vogels in de lucht. Wandschildering gemaakt voor een interieur van Berlage dat tentoongesteld werd op de Bouwkunst tentoonstelling te Leipzig in 1913.
Portret van Ludwig Carl Ditzinger
Object type: print
Date: 1700 – 1737
Materials: paper
Techniques: engraving
Location: germany
Artist: andreas matthäus wolfgang
Artist role: print maker
Artist dates: 1660 – 1737
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 9
Willem Tell schiet de appel van Walters hoofd
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving, etching, roulette
Location: amsterdam
Artist: Anonymous
Subjects: william tell, archer's weapons: bow and arrow, throne
Inscriptions: collector's mark: Lugt 2228

Onder de voorstelling een zevenregelig onderschrift.
Fragment ingeschoren trijp met patroon van takken waarbinnen door bladeren omkranst ovaal met vogel
Object type: sample
Date: 1909 – 1920
Materials: cotton, hair
Techniques: shaving
Location: hengelo
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951

Fragment van bruingroen geschoren trijp met een patroon van fijne takken, waarbinnen een door bladeren omkranst ovaal met een vogel.
Flourishing of Edo Pictures Depicting Dances (Odori keiyo Edo-e no sakae)
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Ritual Object (Bi)
Object type: religious ritual object
Materials: jade
Culture: chinese
Kate Terry aan een tafel
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: historical persons - bb - woman, europe
Inscriptions: inscription: ‘Miss Kate Terry’
Molière's Tomb, Père-Lachaise Cemetery, Paris
Object type: print
Date: 1854 – 1854
Techniques: etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: tombs
Figure and Doorway
Object type: print
Date: 1890 – 1894
Materials: paper
Techniques: lithography
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Berglandschap met rustende figuur langs weg
Object type: print
Date: 1815 – 1867
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem matthias jan van dielen
Artist role: print maker
Artist dates: 1805 – 1867
Subjects: mountains
Inscriptions: collector's mark: Lugt 2228
The Last Judgement
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: the hague
Subjects: comprehensive representation of last judgement: christ (with sword and lily), often surrounded by elders and sometimes accompanied by mary and john the baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils
Inscriptions: collector's mark: Lugt 2228

Barbara van den Broeck based this impressive depiction of The Last Judgement on a painting by her father. Depictions of this important Biblical subject were popular, and such monumental prints, which were often mounted on the wall much like paintings, served a devotional purpose. Aiming at a wide audience, the plate was provided with a quote from the Bible in three languages.
Judith Preparing Herself to Leave for the Enemies' Camp, plate four from The Story of Judith and Holofernes
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: netherlands
Artist: philip galle
Artist nationality: flemish
Artist dates: 1537 – 1612
Panel
Object type: textile
Date: 1850 – 1850
Location: france
Mercure de Lezoux
Object type: photomechanical print
Date: 1820 – 1903
Materials: cardboard
Techniques: photograph
Location: saint-germain-en-laye
Artist: Anonymous
Subjects: monument, statue, permanent exhibition, museum
Manches Gut, thut kein gut
Object type: book illustration
Date: 1710 – 1710
Materials: paper
Techniques: etching, letterpress printing
Location: nuremberg
Subjects: church bell
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham a Sancta Clara. Heilsames Gemisch Gemasch, das ist: Allerley seltsame und verwunderliche Geschichten (...). Neurenberg: Christoph Weigel, 1710, p. 51.
Paar rode sokken
Object type: sock
Date: 1850 – 1920
Materials: metal, textile
Location: netherlands
Artist: Anonymous

De sokken hebben op de wreef een zwarte glanzende knoop en zijn met een label aaneen genaaid.
Binnenplaats met hooiberg en twee figuren
Object type: print
Date: 1603 – 1641
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: annexes and outbuildings; fencing; gate, smoke-stack, courtyard, hay-stack
Inscriptions: collector's mark: Lugt 240

Twee figuren op een binneplaats bij een huis met een poort. Zesde prent uit een serie van zes.
Koningin van Sheba ontvangen door Salomo
Object type: drawing
Date: 1528 – 1620
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: solomon and the queen of sheba (1 kings 10:1-3; 2 chronicles 9:1-9)
Edging
Object type: edging
Date: 1701 – 1800
Techniques: embroidery
Brief aan Philip Zilcken
Object type: letter
Date: 1923 – 1923
Materials: ink, paper, pencil
Techniques: pen, writing
Location: brussels
Subjects: jeanne boels de buck, the hague, painter, draughtsman, philip zilcken, vase ~ ornament
Inscriptions: collector's mark: ‘RPK’

Brief bevat conceptbrief van Philip Zilcken aan Jeanne Boels de Buck.
Beads from a Necklace
Object type: bead
Date: 1451 – 1500
Materials: enamel, gold, pearl
Techniques: enamel, filigree
Location: spain

Cloisonné enamel designs were made by attaching flattened gold wire to a gold surface, creating separate compartments. Into each compartment, a paste of powdered enamel was inserted. The object was then fired in a kiln, vitrifying the paste and giving it a jewellike character. The enameled cartouches on these beads contain Arabic inscriptions saying "Glory is God’s alone."
Een Pimpelmees en een Koolmees op een tak
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, lithography
Location: netherlands
Subjects: song-birds
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Basiliuskathedraal op het Kremlin
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Hanuman Bearing the Mountaintop with Medicinal Herbs
Object type: painting
Date: 1800 – 1800
Materials: textile, ink, watercolor
Culture: indian

This devotional image of Hanuman celebrates his most famous heroic feat—carrying the Himalayan Mount Vindaya to Rama and Laskmana, who, gravely wounded in combat, were in desperate need of the medicinal herbs that grow on its upper slopes (compare Hanuman Revives Rama and Lakshmana with Medicinal Herbs). Unsure which plants to gather, Hanuman breaks off the entire peak and carries it through the sky back to Rama. On his shoulder is a diminutive image of his Lord. Hanuman's mighty tail carries his army, which encircles the monkey general and Rama, emblematic of the strategic importance of Hanuman's alliance to Rama's victory against Ravana on Lanka. This painting is a reminder of the significant cult devoted to Hanuman that emerged in later periods; his supernatural strength, military prowess, and above all loyalty were qualities much admired, especially by the Rajputs.
Officieren in burgerlijke betrekking
Object type: cartoon
Date: 1878 – 1878
Materials: paper
Techniques: lithograph
Location: netherlands

Spotprent. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 8, 1878.
Buddhist monk Bodhidharma (Chinese: Damo)
Object type: figurine
Date: 1601 – 1700
Materials: horn
Culture: chinese
Subjects: men,buddhism,monks

The bald head, meditative posture, and monastic clothing identify this figure as Bodhidharma, the Indian monk credited with founding the Chan (or Zen) tradition of East Asian Buddhism.
General Plan of Platte Grond van de Heer van St. Annalands Hofstede genaamt Clingendaal, gelegen omtrent s' Gravenhage
Object type: print
Date: 1706 – 1746
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, susanna huygens, philips doublet (ii), 'cornucopia', horn of plenty, (story of) diana (artemis), (story of) apollo (phoebus), abundance; 'abondanza', 'abondanza maritima' (ripa) (+ personification), french or architectonic garden; formal garden, 'architectura', symbolic representations, allegories and emblems ~ architecture; 'architettura' (ripa), plan ~ architecture
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Twee voorstellingen op een blad. Boven: Links van het monument met de serietitel staat Apollo als de patroon van de kunsten. Hij geeft opdracht aan Architectuur. Zij houdt plattegronden in haar hand en een passer in de andere hand. Geheel links spelen putti onder het wapenschild van de eigenaar van het landgoed: Philips Doublet (II). Rechts staat Diana als patrones van de jacht met haar boog en jachthonden. Geheel rechts Flora, met een bloemenmand, en Overvloed met een hoorn des overvloeds. Zij staan bij het wapenschild van Susanna Huygens, de vrouw van Philips Doublet. Onder: Plattegrond van landgoed Clingendael bij Den Haag. Onderaan een legenda 1-28 in het Nederlands. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland.
Schotel, beschilderd met het Krokus-decor
Object type: platter
Date: 1896 – 1896
Materials: porcelain
Techniques: painted
Location: meissen
Artist: konrad hentschel
Inscriptions: model number: ‘Q111’, factory mark, mark: ‘69’, mark: ‘71’

Schotel van beschilderd porselein. De schotel is beschilderd in groen en bruin. De schotel is gemerkt.
Passie van Christus
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Subjects: city-gate, carrying of the cross: christ bearing the cross, alone or with the help of others (e.g. simon the cyrenian)
Inscriptions: collector's mark: Lugt 4404, collector's mark: Lugt 2228

De serie is deel twee van de vier-delige publicatie 'Oeuvre de Jean Holbein', Bazel 1780-1795, door Christian von Mechel.
Kelk op een sokkel en een Romeinse torenspits
Object type: sketchbook leaf
Date: 1862 – 1867
Materials: paper, pencil
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: chalice, parts of church exterior and annexes: spire
Inscriptions: annotation: ‘Rom torensp.’

Blad 7 verso uit een schetsboek met 58 bladen.
Lawn Tennis Exercise, from the Pretty Athletes series (N196) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,athletes

Trade cards from the "Pretty Athletes" series (N196), issued in an unnumbered set of 20 cards in 1889 by Wm. S. Kimball & Co. to promote Sweet Lavender, Old Gold, Black and Tan, and Hard Tack Tobacco.
Cup in the shape of a leaf
Object type: cup
Date: 1750 – 1774
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

Kop en schotel, schotel in de vorm van een blad met bloem- en bladversiering. (hoort bij AK-NM-13705)
Schepen op het strand te Scheveningen
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: scheveningen
Artist: Anonymous
Subjects: ships, boats on land, beached
Inscriptions: number: ‘14’
Portret van Frederik V, koning van Bohemen
Object type: print
Date: 1638 – 1693
Materials: paper
Techniques: engraving
Subjects: amberg, frederik v (keurvorst van de palts, koning van bohemen), historical persons, king
Fotoreproductie van een tekening, voorstellende een portret van een kind met een hoed
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: child, head-gear: hat
Ptolémée-Cæsarion - Bas-relief du Temple de Kalabcheh (Talmis)
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Trompe-l'oeil decoratie voor trappenhuis van Paleis Het Loo
Object type: print
Materials: paper
Techniques: etching
Subjects: 'trompe l'oeil', staircase

Decoratie voor het trappenhuis van Paleis het Loo met balustrade, gecanneleerde zuilen en een oculus in het plafond.
Ontwerp voor een menukaart met bloemmotief
Object type: drawing
Date: 1851 – 1930
Materials: paper, pencil, watercolor
Techniques: brush
Artist: theo colenbrander
Artist role: draughtsman
Artist dates: 1841 – 1930
Subjects: ornament derived from plant forms
Inscriptions: number: ‘8.’, inscription: ‘menu van Colenbrander’
Hampstead Heath
Object type: print
Date: 1829 – 1829
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: animals,storms

View of a man sitting on a hillside under a stormy sky, with a rainbow and donkey at right. In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Vase
Object type: vase
Date: 1701 – 1733
Materials: earthenware
Techniques: glazing
Subjects: birds,flowers
Portret van Peter Geiger
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Standard Club, Chicago, Illinois, Mosaic Floor for Vestibule and Main Hall
Object type: architectural drawing
Date: 1887 – 1888
Materials: graphite, ink, linen
Location: michigan avenue
Artist: adler and sullivan
Subjects: chicago, mosaic, architecture, buildings
Portret van een onbekende vrouw met muts en oorijzers
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, head-gear: cap
Netsuke of Sennin with Karashishi
Object type: netsuke
Date: 1701 – 1800
Materials: ivory
Culture: japanese
Jubileum van de bestorming van de Tuilerieën met mogelijk Marie-Jean Hérault de Séchelles bij de Fontaine de la Régénération
Object type: print
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, politician, historical persons, ornamental fountain, commemoration, jubilee, isis
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie getiteld 'La Révolution française depuis l'ouverture des États géneraux jusquáu 9 Brumaire' met vijftien prenten naar schilderijen met als onderwerp de eerste dagen van de Franse Revolutie. De serie werd verschillende malen uitgegeven, aanvankelijk onder de titel 'Les principales journées de la Révolution'. Voor meer informatie zie IFF 18e siècle, dl. 11, p. 291.
Pair of stools
Object type: stool
Date: 1710 – 1710
Materials: wood
Subjects: flowers,stools
St. Crispijn- of schoenmakersgilde van Delft, gildepenning met no. 86
Object type: medal
Date: 1624 – 1624
Materials: brass
Techniques: casting, engraving
Location: delft
Artist: Anonymous
Subjects: delft

Messing penning. Voorzijde: rechts gewende St. Crispinus met plamtak in rechter- en schoenmakersmes waarboven kroon zweeft in linkerhand; links boven: cijfer 86. Keerzijde: gekroond krommes naast een door een kroon gestoken els binnen omschrift
Landing van Willem III bij Torbay
Object type: history medal
Date: 1688 – 1688
Materials: silver
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), england

Zilveren penning. Voorzijde: Britannia met vrijheidshoed op lans en rustend op bijbel op altaar staat onder oranjeboom, rechts pilaar met gekroond wapenschild van Engeland en opschrift binnen omschrift. Keerzijde: leeuw met omkranst zwaard en pijlenbundel vertrapt met ene klauw slang en rust met andere op bijbel, op achtergrond landing binnen omschrift.
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Fragment of a reserved foot from an undetermined shape; the resting surface is reserved; the inner wall of the foot is glazed
Egypt, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 1 (N9), issued in 1887 in a series of 48 cards to promote Allen & Ginter Brand Cigarettes. The museum's collection contains the 48 cards from the Series 1 set, as well as 10 variations and 5 mis-printed cards.
Rotterdam. Standbeeld Holl: Maagd
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1912
Materials: cardboard
Techniques: photograph, writing
Location: amsterdam
Subjects: monument, statue, rotterdam
Inscriptions: postage stamp
Annales de la Société archéologique de Namur
Object type: book
Date: 1870 – 1870
Materials: paper
Techniques: photolithography, printing
Location: namur
Artist: adolphe wesmael-charlier
Artist role: printer
Artist dates: 1842 – 1906
Inscriptions: annotation: ‘[...] 500,-/ Walcourt’, annotation: ‘OCT/ 1990’
Calligraphic Exercise in Spanish
Object type: album print ornament architecture
Date: 1601 – 1633
Materials: ink
Techniques: pen
Artist: Anonymous
Artist role: artist

Calligraphic exercize in Spanish, presented in a double rectangular frame. The text runs for seven lines starting with the words 'Salomon dizes en sus Proverbios (...). The text is written with a left slant. Part of an album with 26 examples of calligraphy and micrography, thought to have been produced in France or possibly Antwerp at the beginning of the seventeenth century.
Spotprent op de nederlaag van de antirevolutionairen bij de verkiezingen, 1869
Object type: cartoon
Date: 1869 – 1869
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: voting, election

Spotprent op de nederlaag van de antirevolutionairen bij de verkiezingen. De zuil van drie op elkaar staande personen (conservatief, ultramontijn en antirevolutionair) valt om. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 24, 1869.
Plate (assiette à palmes) (1 of 102) (part of a service)
Object type: plate
Date: 1780 – 1780
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers
Portret van August Ernst Freiherr von Steigentesch
Object type: print
Date: 1784 – 1815
Materials: paper
Techniques: stippling
Artist: joseph franz freiherr von goez
Artist role: print maker
Artist dates: 1754 – 1815
Subjects: vienna, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228