deem-data/ArtiFact huggingface dataset:
Design for 4 Seat Sleigh, no. 3992
Object type: drawing
Date: 1887 – 1887
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Christus aan het kruis met Maria en Maria Magdalena en Johannes de Evangelist en Franciscus van Assisi
Object type: print
Date: 1623 – 1660
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: crucified christ with mary, john, and mary magdalene, crucified christ with other persons
Inscriptions: collector's mark: Lugt 240

Prent naar schilderij van Anthony van Dijk. De prent is opgedragen aan Ioanni Casspeels, een kunstschilder uit Antwerpen, juni 1643. Het is onduidelijk onder welke naam deze kunstenaar bij ons bekend is.
Marble head of a youth
Object type: head of a youth
Date: 400 – 301
Materials: marble
Culture: greek
Subjects: heads,men

Small marble head In the style of Praxiteles.
Gezicht op de Nieuwe Brug
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., boat propelled by man or animal
Inscriptions: collector's mark: ‘10,59’

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Brug.
Document over de protestantse gedenk- en verbondspenning
Object type: document
Date: 1854 – 1854
Materials: paper
Techniques: printing, writing
Location: the hague

Eenzijdig gelithografeerd document over de protestantse gedenk- en verbondspenning (aprilbeweging): oorspronkelijk een handgeschreven tekst in kader met bladmotief in de hoeken. Midden boven: afbeelding van penning (voorzijde en keerzijde). Naam van nieuw verbondslid is niet ingevuld. In dit document staat de reden, verklaring en strekking van de penning die met betrekking tot de aprilbeweging werd geslagen.
Dubbelportret van een onbekende man en vrouw ter herinnering aan hun gouden jubileum
Object type: carte de visite
Date: 1896 – 1896
Materials: paper, cardboard
Techniques: gelatin silver print
Location: tilburg
Artist: adrianus van beurden
Artist role: fotograaf
Artist dates: 1843 – 1915
Subjects: adult woman, adult man
Inscriptions: inscription: ‘Specialiteit in Vergrootingen./ G. JANSSEN & Co CÖLN A/RH.’, inscription: ‘HERINNERING/ AAN/ HET/ GOUDEN FEEST/ 1846/ 1896’, address: ‘Tilburg/ Willem II Straat.’
The House with the Inscription and The House with the Peristyle, from Vedute
Object type: print
Date: 1735 – 1744
Materials: paper
Techniques: etching
Location: italy
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
Romeins patricier in toga
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: other sovereign, mantle, gown, dress (symbol of sovereignty)

Romeins patricier in toga, naar rechts, in ornamentrand
Vrouw met een mand voor een huis te Staphorst
Object type: print
Date: 1773 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: farm (building)
Inscriptions: collector's mark: Lugt 2233, inscription: ‘Shorst in het Landt Drenthe’
Slag van Waterloo / Bataille de Waterloo
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: battle, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen over de Slag bij Waterloo. Onder elke voorstelling een vierregelig vers in het Nederlands en in het Frans. Genummerd midden boven: 48.
Ploegen van het land
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ploughing
Inscriptions: collector's mark: Lugt 2228

Een boer ploegt zijn akker. Hij drijft zijn voor de wielploeg gespannen paarden voort met een zweep. Vogels pikken korrels uit het omgeploegde land. Op de prent een toelichting op de voorstelling in het Duits, het Nederlands en het Frans.
Design for a Clock
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: human figures,animals,clocks
Portrait of the Emperor Akbar
Object type: illustrated album leaf
Date: 1801 – 1900
Materials: gold, ink, paper, watercolor
Location: india
Subjects: buildings,men,women,flowers,trees
Portret van de vrouw van Victor-Charles Mahillon
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: historical person (with name) - bb - woman - historical person (with name) portrayed alone
Inscriptions: collector's mark: Lugt 2228, annotation: ‘3ème état; epreuve unique; ce portrait ne sera tiré qu'à six exemplaires’
Historie van Bertoldo, Bertoldino en Cacasenno
Object type: print
Date: 1710 – 1715
Materials: paper
Techniques: etching
Location: italy
Subjects: ass, donkey, literary characters and objects, man tormenting animal(s)
Inscriptions: collector's mark: Lugt 2228

Bertoldino heeft de oren van de ezel afgesneden. In zijn rechterhand de schaar, in zijn linker een oor. Achter hem staat de ezel te balken en komt Malcolfa ontzet aanrennen. Onder de voorstelling een drieregelig rijmpje in het Italiaans. Prent uit een reeks van acht met de streken van Bertoldino, onderdeel van een serie van twintig prenten.
Vinaigrette
Object type: vinaigrette
Date: 1834 – 1834
Materials: silver
Artist: taylor & perry
Artist role: maker

Joseph Taylor had premises in Birmingham and a show room in London. His trade card described him as a “Working Gold & Silversmith, Jeweller, Tortoiseshell & Ivory Box, Gilt and General Toy Manufacturer.” Besides the satchel-shaped vinaigrette (1983.575.45) and snuffbox (1983.575.3) made by Taylor, The Met also has this unusual vinaigrette in the form of a book made by his brother John and brother-in-law John Perry who took over the business upon Joseph Taylor’s death in 1827. Engine-turned engraving decorates the front and back while the spine is ribbed. The blank reserve would have allowed for the engraving of a name or initials. The hinged gilded grille has pierced and engraved floral scrolls and a flowerhead. The grille is very similar to that on 1983.575.40 made by a different silversmith. This might suggest some type of factory or mass production of elements or the use of a pattern book. A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. Its interior Is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged and decoratively pierced inner lid or grille kept the sponge in place while its perforations allowed the odor to waft through. A whiff of the vinegar might revive someone from a fainting spell. Such vinaigrettes were worn around the neck, on a chatelaine suspended from the waist, or carried in a pocket.
Opengesneden noordzeekrab met de organen zichtbaar
Object type: photomechanical print
Date: 1891 – 1901
Materials: paper
Techniques: autotype
Location: paris
Subjects: crustaceans: crab
Inscriptions: number: ‘Fig. 5.’

Prent in album 'La photographie des objets immergés', 1901.
Design for Landau, No. 3930
Object type: drawing
Date: 1884 – 1884
Materials: gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Vue de la Grande Salle de l'Hotel de Ville d'Amsterdam / Gezigt van de Groote Zaal op het Stadhuis te Amsterdam
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: amsterdam, mayor, hendrik danielsz. hooft, crowd, mob, mayor, burgomaster, person addressing a group, orator, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

De Amsterdamse burgemeester Hendrik Danielsz. Hooft spreekt in de Burgerzaal van het Stadhuis de samengestroomde burgers toe en verzekert hen de belangen van de stad en het vaderland te zulllen verdedigen, 26 februari 1787. In de marge de titels in het Frans en Nederlands aan weerszijden van het wapen van Hooft.
De Domus Petronius Maximus te Rome
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: etching
Location: paris
Subjects: representation of real building (either existing or having existed), village square, place

Deze prent maakt deel uit van een serie van 98 prenten gedrukt op 48 bladen. De bladen zijn verknipt en een selectie van de losse prenten is in dit album geplakt.
Visitation
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: Anonymous
Artist nationality: german
Artist dates: 1700 – 1799
Judith
Object type: print
Date: 1524 – 1527
Techniques: etching
Artist: parmigianino (girolamo francesco maria mazzola)
Artist role: artist
Artist nationality: italian
Artist dates: 1503 – 1540
Subjects: soldiers,shields,swords,men,judith

In Mariette Album, folio 1, top second
Field with Laborers (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: landscapes,trees

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Gonzales Coques (Cox.) Familienbild
Object type: photograph
Date: 1885 – 1885
Materials: cardboard, photographic support
Techniques: carbon print
Location: munich
Subjects: antwerp, painter, draughtsman, gonzales coques, drawing, lace-making, interior of the house, family life at home, parental love, kitchen-maid, kitchen servant
Inscriptions: collector's mark: Lugt 1641, collector's mark

Naar het schilderij in de collectie van de Hessen Kassel Heritage.
Adoration of the Shepherds
Object type: plaque
Date: 1567 – 1600
Materials: gilt, quartz
Techniques: cutting, painting, polish
Culture: italian
Subjects: adoration of the shepherds
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, top of head of wreathed male to right
Trade Card for E. Orme, Printseller and Publisher
Object type: print, trade card
Date: 1801 – 1833
Techniques: etching
Artist: anonymous, british, late 18th–early 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1771 – 1835
Apostle spoon
Object type: apostle spoon
Date: 1610 – 1610
Materials: gilt, silver
Fragment of a Head of Avalokiteshvara
Object type: fragment
Date: 701 – 800
Materials: bronze
Culture: indonesian, kalimantan
Kaartspelers
Object type: print
Date: 1825 – 1852
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, games of calculation and chance, e.g.: card games, gambling, puzzles, etc., painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: Lugt 2233, check stamp: ‘JC’

Prent ook gebruikt in: Chabert, Jean Claude. Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Accompagnée d'une notice sur chacun d'eux, et de copies de dessins originaux / Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Accompagnée de leur notice historique, de leurs dessins et d'un discours sur les arts. Parijs: Jean Claude Chabert, s.a. [1822-1834].

De samenstelling van tegenwoordig bekende en al dan niet gebonden exemplaren van deze uitgave verschillen. Dit omdat de prenten en bijhorende stukken tekst op inschrijving en waarschijnlijk ook los verkrijgbaar waren.
Patroclus
Object type: photograph
Date: 1840 – 1840
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: patroclus
Compositiestudie met ruiters
Object type: sketchbook leaf
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: riding a horse, ass, or mule; rider, horseman

Pagina 45 uit een schetsboek met 32 bladen.
Battle of Wagram
Object type: medal
Date: 1809 – 1809
Materials: gilt bronze
Techniques: struck
Artist: bertrand andrieu
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1822

This medal was struck for the Metropolitan Museum of Art at the Paris Mint at the request of the donor, Hon. Levi P. Morton, formerly U.S. Minister to France.
Medal:  Benedetto de Pasti
Object type: medal
Materials: copper alloy, patina, wax
Artist: matteo de' pasti
Artist role: artist
Artist nationality: italian
Artist dates: 1420 – 1467
Subjects: men,portraits

Matteo de' Pasti was an Italian medallist, architect, painter, and illuminator. The obverse presents a portrait of Benedetto de’ Pasti, canon of Verona and brother of the medalist, and the reverse shows an archer shooting arrows at a rock. This medal has been assigned to Matteo’s mature phase and dated to about 1453 – 56. The piece is probably an old aftercast, possibly from the sixteenth century.
Verovering van de citadel van Antwerpen, ter ere van Lodewijk Filips, koning der Fransen
Object type: history medal
Date: 1832 – 1832
Materials: bronze
Techniques: striking
Location: paris
Artist: jacques edouard gatteaux
Artist role: sculptor
Artist dates: 1788 – 1881
Subjects: lodewijk filips i (koning van frankrijk)

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gehelmde vrouw in Romeinse wapenrusting, voorstellende Frankrijk, houdt in rechterhand bliksemschichten boven haar hoofd en in linkerhand olijftak binnen omschrift; afsnede: opschrift.
Portret van Georges-Louis Leclerc de Buffon
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: paris, georges-louis leclerc de buffon (graaf), scholar, philosopher, historical persons
Portret van Joseph Joachim
Object type: carte de visite
Date: 1871 – 1871
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: musician, adult man, historical persons, portrait of composer
Portret van Maximiliaan de Hennin graaf van Boussu
Object type: book illustration
Date: 1731 – 1780
Materials: paper
Techniques: engraving
Location: vienna
Subjects: antwerp, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Strada, Famiano. De bello belgico, ab excessu Caroli V. Imp. usque ad initia praefecturae Alexandri Farnesii Parmae et Placentiae Ducis III (...). Wenen: Emericus Felix Bader, 1754.
Paperweight
Object type: glass
Date: 1801 – 1900
Materials: glass
Location: france
Putti, een vrouw in toga en mannen in verschillende buig- en stahoudingen
Object type: sketchbook leaf
Date: 1658 – 1728
Materials: ink, paper, pencil
Techniques: pen
Artist: Anonymous
Subjects: standing figure, bending figure, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: annotation: ‘p p’

Blad 29 verso uit een schetsboek met 33 bladen.
Vitrinekasten met objecten bij de Tentoonstelling voor Nationale Nijverheid en Kunst in het Paleis voor Volksvlijt, Amsterdam
Object type: stereograph
Date: 1866 – 1866
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: amsterdam
Inscriptions: label: ‘Boek & Kunsthandel Jan D. Brouwer, Kalverstraat E, Nº 37 Amsterdam.’, stamp: ‘JDB’
Terracotta bell-krater (mixing bowl)
Object type: bell krater
Date: 430 – 410
Materials: terracotta
Culture: greek, south italian, lucanian
Artist: pisticci painter
Artist role: artist
Subjects: male nudes,women,maenads,satyrs

Obverse, satyr and maenad at a herm Reverse, three draped youths The Pisticci Painter is significant as the artist with whom the introduction of red-figure painting into Lucania is connected. As this work indicates, he was well familiar with Attic conventions. Of note in this representation is the kerykeion (herald's staff) on the side of the herm. The kerykeion is one of the attributes of Hermes, the messenger god who also presided over boundaries. The addition of this symbol emphasizes the presence of Hermes in the scene, even though he is not actually depicted.
Perzikkruid
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: plants and herbs
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Blankaart, Steven. Den Neder-landschen herbarius ofte Kruid-boek der voornaamste kruiden. Amsterdam: Jan Claesz ten Hoorn, 1698.
Casket
Object type: decorative art
Materials: brass, iron, silk, steel, textile
Location: augsburg

By the end of the sixteenth century, the arms trade in Nuremberg had reduced considerably. Armorers and etchers adapted by applying their skills to broader markets by producing all-steel pistols and all-steel caskets such as this. The etched figures, birds, and hunting scenes on this casket derive from printed pattern books by Nuremberg artists Virgil Solis and Jost Amman. Caskets like this one were highly popular; made in a variety of sizes and used for safekeeping valuables, they were often given as betrothal gifts to brides.
Ontwerpen voor cartouches
Object type: album leaf
Date: 1682 – 1729
Materials: paper
Techniques: etching
Subjects: ornament ~ cartouche, incense-burner ~ scents, perfumes, cupids: 'amores', 'amoretti', 'putti'

Prent maakt deel uit van een serie van zes prenten.
Lingerie
Object type: lingerie
Date: 1860 – 1880
Materials: cotton
Culture: american
Reliëf met engeltjes naast een medaillon, samen houden zij een fruitslinger vast.
Object type: photograph
Date: 1878 – 1881
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: louis-emile durandelle
Artist role: fotograaf
Artist dates: 1839 – 1917
Inscriptions: number: ‘9’

bij boek in Bibliotheek RMA, Zie Frizot, pp. 217-223, vgl G. Vicaire, Manuel de l'amateur de livres du XIXe siècle, vol. 3, column 870.
Stone Blockade off Charleston, South Carolina (from Confederate War Etchings)
Object type: print
Date: 1861 – 1863
Techniques: etching
Artist: adalbert john volck
Artist role: artist
Artist nationality: american
Artist dates: 1828 – 1912
Subjects: american civil war,rivers,boats
Fugaku sanjurokkei
Object type: print
Date: 1829 – 1833
Materials: paper
Techniques: woodcut
Location: japan
Artist: katsushika hokusai
Artist role: draughtsman, print maker
Artist dates: 1760 – 1849
Subjects: lake, temple, shrine ~ non-christian religions, mountains

Gezicht over het Suwa meer met de berg Fuji op de achtergrond; op de voorgrond een rots waarop een heiligdom en twee bomen.
Poolse man te paard op de rug gezien
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: france
Artist: stefano della bella
Artist role: draughtsman, print maker
Artist dates: 1610 – 1664
Subjects: europeans, riding a horse, ass, or mule; rider, horseman, the soldier; the soldier's life, horse
Inscriptions: collector's mark: Lugt 240

Een Poolse man te paard op de rug gezien, uitkijkend over een vlakte. Op zijn rug hangen pijlen en een boog. Rechts een ruiter te paard en links twee ruiters te paard. Op de achtergrond lopen troepen over de vlakte.