deem-data/ArtiFact huggingface dataset:
Bonn
Object type: print
Date: 1642 – 1644
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: buildings,windmills,rivers

View from the river Rhine, with Bonn on the left bank, where buildings include a windmill;. One of a set of 12 views in Germany, formerly in an album, now disbound. According to Vertue, these prints based on drawings made in 1632 when Hollar made a Rhine journey from Cologne.
Portret van een oudere man
Object type: print
Date: 1856 – 1900
Materials: paper
Techniques: engraving
Location: netherlands
Artist: petrus johannes arendzen
Artist role: draughtsman, print maker
Artist dates: 1846 – 1932
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228

Borstbeeld van een onbekende oudere man.
Underdress
Object type: underdress
Date: 1822 – 1822
Materials: cotton
Culture: american

This underdress is poised between a period of classicism, with its columnar silhouette, and eclectic romanticism, with its burgeoning skirt forms. Made of plain white cotton with an applied hem of broderie anglaise, the dress has been trimmed with fine self-piping along the seamlines of its bodice. Originally catalogued as a finished dress because of its fully constructed sleeves and the fineness of its detailed workmanship, it was more likely intended to be worn under another dress of some transparency. The dress is sewn completely by hand, the horizontal tucks above the applied hem done painstakingly after the skirt's front and back panels were sewn together. Such tucking was a common feature of undergarments in the period and served as a decorative means to shorten the length of a skirt without cutting away material. The tucks, by fortifying the lower perimeter of a petticoat or skirt, also reinforced the fullness of the garment's flare, especially when starched. The luxury such an undergarment embodies is as much in the nature of its maintenance as its construction: a substantial staff was required to press and launder linens and whites that were so easily sullied and wrinkled. As with the immaculately starched neckpieces of George "Beau" Brummell, this white cotton underdress was status masked as simplicity and seemingly self-effacing modesty.
Laocoon, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: nicolas beatrizet
Artist role: artist
Artist nationality: french
Artist dates: 1515 – 1566
Subjects: male nudes,serpents

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 76 in the scrapbook.
[Paper Silhouette Portrait of a Woman]
Object type: photograph
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: portraits,profiles,women

Silhouettes and photographs share a similar origin in the cast shadow. Tracing a person's shadow created a silhouette portrait that served as an enduring reminder of a fleeting presence-an elegy based on the simple principles of light and dark-while fixing a shadow chemically resulted in some of the earliest known photographs, which were themselves silhouettes of leaves placed directly on sensitized paper. However, the first photographic process, unveiled in 1839, was the daguerreotype, which produced a unique image on a highly polished sheet of copper. The daguerreotype quickly became popular for portraiture and began to encroach upon the territory of talented miniature painters and silhouettists such as T. P. Jones, the maker of the silhouette reproduced in this daguerreotype. This object is essentially a portrait of a portrait-both a keepsake and a reproduction that suggests the replacement of one American portrait tradition with another.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen, silk
Subjects: men,flowers
Staande koe bij wolkenlucht
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Dozen met elastieken van Eberhard Faber
Object type: album leaf
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: writing accessories
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’, number: ‘271’
Gezicht op een vlakte met octocorallia voor een eiland van Fiji
Object type: page
Date: 1885 – 1899
Materials: paper
Techniques: photograph
Location: boston
Subjects: coral reef, coast
Inscriptions: name: ‘The Heliotype Printing Co. Boston’, number: ‘Plate 76.’, name: ‘Max Agassiz, Photo.’
Cap
Object type: cap
Date: 1830 – 1830
Materials: linen
Culture: american
Bloemenmandduit voor Nederlands Indië
Object type: coin
Date: 1836 – 1836
Materials: copper
Techniques: striking
Artist: Anonymous

Koperen proefmunt. Voorzijde: bloemenmand met bloemen. Keerzijde: drieregelig opschrift, waarboven en waaronder versiering. Gladde rand.
Hunebed met eikeboom en staande man, Drenthe
Object type: cabinet photograph
Date: 1891 – 1896
Materials: paper, photographic support
Techniques: albumen print
Location: assen
Artist: johannes gerardus kramer
Artist role: fotograaf
Artist dates: 1845 – 1903
Subjects: drenthe
Inscriptions: annotation: ‘no 79.’, label: ‘VAN GORCUM & CO / A.D. BRINK/ ASSEN’
The Great Jewish Bride
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: bride (in wedding-dress)
Inscriptions: monogram and date: ‘R 1635’, collector's mark: Lugt 240, inscription: ‘2 __ 0’, inscription: ‘diverse geometrische figuren’

Why this print is traditionally called The Jewish Bride is uncertain. It probably depicts Rembrandt’s wife, Saskia, in the guise of a biblical figure: the Jewish queen Esther, who would beseech her husband, the Persian king Ahasuerus, to save her people. Here she holds the order to kill the Jews issued by Haman, her husband’s vizier. In the end, Ahasuerus did not consent, and ignored the order.
Portret van Lodewijk van Deyssel op 29-jarige leeftijd
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: letterpress printing, lithograph
Location: netherlands
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: lodewijk van deyssel
Inscriptions: collector's mark: Lugt 2228

Portret van Lodewijk van Deyssel in een rechthoekige omlijsting. Rechtsboven zijn leeftijd. In de bovenmarge drie regels Nederlandse tekst. In de ondermarge zijn naam.
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1830 – 1890
Materials: graphite, ink
Techniques: pen
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: buildings,stage design
Panel of Ornament
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink
Techniques: pen
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: caryatids,ornament,cross
Annotaties
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘Antje Slooten.[?]/ 10 uur./ Spaarndammerstraat/ 102.’

Pagina 158 uit een als schetsboek gebruikte agenda met 108 bladen.
Ontwerp voor ex libris voor Joyce Haworth
Object type: design
Date: 1915 – 1915
Materials: paint, paper
Techniques: brush
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: ex-libris
Afbeeldingen van oude bestaande gebouwen
Object type: print
Date: 1854 – 1907
Materials: paper
Techniques: lithograph
Location: the hague
Artist: ruurt de vries
Artist role: print maker, printer
Artist dates: 1813 – 1874
Subjects: architectural detail, townhall
Inscriptions: collector's mark, collector's mark: Lugt 1641

Details van het stadhuis van Leiden. Onderaan een schaalstok. Architectuurvoorstelling. Plaat LXVI. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Stadhuizen (H-M).
Frontispiece, from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Object type: print
Date: 1621 – 1635
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Titelpagina voor: Europische Mercurius Veertiende Stuk Eerste Deel, 1703
Object type: titelblad, titelpagina
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: specific aspects, allegorical aspects of mercury; mercury as patron
Inscriptions: inscription: ‘EUROPISCHE/MERCURIUS/ ... / het Jaar/1703.’, signature: ‘TOT LEYDEN./By DANIEL VANDEN DALEN/Boekverkopers/T'AMSTERDAM/By ANDRIES VAN DAMME.’

Titelpagina voor: Europische Mercurius Veertiende Stuk Eerste Deel, behelzende de eerste 6 maanden van het jaar 1703. Altaar met het jaar 1702 en wapens waarboven een aan zijn voeten geketende Mercurius en de Overwinning. Rechts heft een krijger (het Duitse keizerrijk) het zwaard tegen een leeuw (Frankrijk). Op de voorgrond de riviergod van de Rijn.
Diana and Nymphs
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening, tinting
Location: italy
Artist: alessandro magnasco
Artist role: artist
Artist nationality: italian
Artist dates: 1667 – 1749
At Cologne, from Facsimiles of Sketches made in Flanders and Germany
Object type: print
Date: 1833 – 1833
Materials: chine, ivory, paper
Techniques: lithograph
Location: england
Artist: samuel prout
Artist role: artist
Artist nationality: british
Artist dates: 1783 – 1852
Portret van een jonge vrouw met witte klederdrachtmuts
Object type: carte de visite
Date: 1890 – 1918
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘Photographische/ Ateliers/ J. Siewers & Zoon/ Edam/ Hilversum./ Specialiteit in vergrootingen.’
Armchair (one of a pair)
Object type: furniture
Date: 1780 – 1785
Materials: wood
Techniques: gilding, painting
Location: paris
Artist: jean avisse
Ringvormig fragment met schakel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: ring
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, rings or ring-shaped fragments; id. 80H1, squashed, oval with link of chain.
Pendant Cross
Object type: pendant
Date: 401 – 700
Materials: bone
Location: egypt

This small cross would haven been strung on a necklace or string and worn around the neck. It is decorated with a pattern of incised circles. Similar patterns of concentric circles are found throughout early Byzantine art. These circles may have represented the reflective qualities of mirrors, which in the ancient and early Byzantine world were believed to deflect evil. Crosses were everywhere in the early Byzantine world. They marked religious, secular, and domestic buildings, public works, clothes and jewelry, and objects in the home. The cross was a sign of Christ's triumph over death and the hope of eternal life and was frequently ascribed apotropaic, or protective, powers by the faithful.
St Lawrence
Object type: sculpture
Date: 1480 – 1520
Materials: wood
Techniques: polychromy
Location: north brabant

Op een veelhoekig, geprofileerd voetstukje staat hij met het linkerbeen gebogen en met de blik schuin naar beneden gericht. De kop met grote kruinschering vertoont krullend haar. In de linkerhand draagt hij een boek aan de buidel, de rechter, waarin het attribuut ontbreekt, houdt hij voor zich uit. Hij is gekleed in dalmatiek, albe en amict, over de linkerpols hangt de manipel. Vooraan in het voetstuk een gat ter bevestiging van het attribuut.
Mijn en fabriek te Moengo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Het terrein van de mijn en fabriek te Moengo. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Steen uit een huis te Alkmaar, mogelijk Marcus de evangelist
Object type: drawing
Date: 1800 – 1877
Materials: paper, pencil
Artist: Anonymous
Subjects: stone tablet in façade
Inscriptions: stamp, collector's mark: Lugt 1641

Steen uit een huis te Alkmaar, mogelijk Marcus de evangelist. Man staat op een leeuw eronder de letters: LVO. Mogelijk uit de Langestraat te Amsterdam. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Uithangteekens, gevelstenen.
Legs of Boy Wearing Knickers
Object type: drawing and watercolor
Materials: charcoal, paper
Techniques: drawing, stumping
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Shabti with horizontal bands of inscription
Object type: shabti
Date: 1295 – 1070
Materials: paint, plaster, wood
Location: egypt
Haardsteen, Susanna, de onthoofding van de boeven
Object type: hearthstone
Date: 1525 – 1575
Materials: earthenware
Location: antwerp
Artist: Anonymous

haardsteen met een voorstelling van de steniging, door twee soldaten, van de twee ouderlingen uit de geschiedenis van Susanna. Op de achtergrond een mand met stenen en een boom.
Fragment of Nativity Scene with Music-Making Angels on Clouds Above
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, drawing, wash
Artist: anonymous, spanish, school of seville, 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1600 – 1700
Subjects: angels,nativity
Australië, koning George VI, 3 pence, 1943
Object type: coin
Date: 1943 – 1943
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: hoofd van de koning naar links. Keerzijde: tussen jaartal drie met lint samengebonden korenaren. Lands-aanduiding bovenaan en waarde-aanduiding onderaan als omschrift. Gladde rand.
Vrouw die zich ontkleedt en opmaakt
Object type: ansichtkaart, prentbriefkaart
Date: 1920 – 1930
Materials: paper
Techniques: gelatin silver print
Location: unknown
Inscriptions: inscription: ‘GG / Co / 1457/6’, inscription: ‘P.R.A.’

Een van zes postkaarten/prentbriefkaarten met een voorstelling van een vrouw die zich ontkleedt en opmaakt, gezien door een sleutelgat.
The Cobbler
Object type: drawing
Date: 1601 – 1700
Materials: graphite, ink
Techniques: brush, incising, pen, transfer, drawing, wash
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: shoes,men,dogs,working
Landscape with Herdsmen and Cattle
Object type: painting
Date: 1660 – 1690
Materials: canvas, oil
Artist: dirck van bergen
Artist role: painter
Artist dates: 1645 – 1690
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: signature: ‘D.vand. Bergen’

Italiaans landschap met herders en vee, links een stenen brug.
Buste van een lachende boer
Object type: print
Date: 1650 – 1652
Materials: paper
Techniques: etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: laughing
Inscriptions: collector's mark: Lugt 240

De buste van een lachende boer heeft een pendant met een vergelijkbare voorstelling van een lachende boerin. Zij is weergegeven vanuit een ander gezichtspunt zodat de koppen naar elkaar toe gewend zijn.
Drinkend paard
Object type: print
Date: 1780 – 1855
Materials: chalk, paper
Techniques: etching
Location: amsterdam
Artist: jan dasveldt
Artist role: draughtsman, print maker
Artist dates: 1770 – 1855
Subjects: horses and kindred animals
Inscriptions: collector's mark: Lugt 2228
David toont Saul het stuk van zijn mantel
Object type: book illustration
Date: 1711 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: when saul comes out of the cave, david calls him, falls down on his knees and shows him the piece of cloth
Inscriptions: collector's mark: 2228, collector's mark: Lugt Utrechts Fundatie Huys

David weerhoudt zijn mannen ervan om Saul te doden. Hij toont de verraste Saul een stuk van diens mantel dat hij eerder afgesneden heeft. Illustratie voor het Oude Testament, I Sam 24:12. Onder de voorstelling een titel in het Hebreeuws, Engels, Duits, Latijn, Frans en Nederlands.
Portrait of a Man, Seated in Front of a Writing Desk
Object type: drawing
Date: 1795 – 1800
Materials: gouache, graphite, watercolor
Artist: henry edridge
Artist role: artist
Artist nationality: british
Artist dates: 1769 – 1821
Subjects: men,portraits,desks

In the 1790s Edridge was a proponent of a new type of small-scale full-length portrait drawn in graphite and finished using ink and watercolor washes. This striking example depicts a country gentleman at work in his study; the artist emphasized his bookcase by adding a strip of paper at the top. A small vase near the sitter’s shoulder suggests his love of the outdoors, a rough caricature on the wall introduces a note of humor, and a collapsed hanging scale at upper left hints at the practicalities of running a country estate. An old inscription on the verso of the sheet identifies the sitter as Henry Duncombe (1728–1818), a Yorkshire gentleman who entered Parliament in 1780, voted with the Opposition, and supported the reform efforts of William Pitt the younger
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, filleted youth with himation; to the left, in field, strap of aryballos?
Veld van vier tegels met vogels
Object type: tile
Date: 1640 – 1660
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van vier tegels (2 x 2) elk met een veelkleurige (blauw, groen, geel, oranje en paars) vogel op een tak. In de hoeken, een ossekop.
Allegorisch embleem bij de Vrede van Rijswijk, 1697
Object type: drawing
Date: 1697 – 1697
Materials: ink, paper
Techniques: brush, pen
Location: northern netherlands
Artist: Anonymous
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), festivities on events of national importance (+ festive decoration ~ festive activities)

Embleem met twee gekruiste lansen met vrijheidshoeden tussen een brandend altaar en raam van gebouw. Op de achtergrond een riviergezicht. Boven het wapen van Willem III met spreuk: Honi soit qui mal y pense. Opschrift: Ie maintiendray / Pro aris et focis. Op de achterkant een kindertekening van een man met hoed. Ontwerp voor een decoratie bij de viering van de Vrede van Rijswijk in 1697.
Kop van een rund, en profil
Object type: page
Date: 1864 – 1869
Materials: paper
Techniques: photolithography
Subjects: mammals (+ skeleton of an animal)
Inscriptions: inscription: ‘2/5 nature’, monogram: ‘EL’, inscription: ‘Procédé spécial photo-lithographique’, inscription: ‘PL. 59 bis’
Reclining calf: lid attachment
Object type: lid attachment
Date: 900 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: animals
Card Number 107, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Susannah and the Elders
Object type: roundel
Date: 1501 – 1600
Materials: glass
Subjects: men,women
The Sudarium
Object type: print
Date: 1470 – 1475
Techniques: hand coloring, woodcut
Artist: hans schlaffer of ulm
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1475
Subjects: christ

Signed at the lower margin by Hans Schlaffer, a woodcutter and publisher active in Ulm during the last thirty years of the fifteenth century, this is one of the few prints from this period that displays the name of its creator. A true capitalist, Schlaffer (and others) frequently rendered simple versions of existing compositions to fill the popular demand for sacred imagery. For the prototype to this woodcut, Schlaffer copied a finer print, probably created in Nuremberg and now in London's Guildhall Library. The sudarium was believed to have been the only true image of Christ; Saint Veronica offered him her cloth as he struggled under the weight of the cross, and his image miraculously appeared on the fabric as he wiped his face.
Petrus met kraaiende haan
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: drypoint, etching
Location: scandinavia
Artist: carl bloch
Artist role: print maker
Artist dates: 1834 – 1890
Subjects: the crowing cock ~ denial of peter
Inscriptions: collector's mark: Lugt 2228, signature and date: ‘l.o. gesigneerd en gedateerd Carl Bloch 1882’

Petrus, in gebogen houding zittend op de sokkel van een zuil, zijn hand steunt het gebogen hoofd. Naast hem een kraaiende haan.
The Waking River
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photoaquatint
Location: great britain
Subjects: river, morning, mist, fog, great britain
Inscriptions: inscription: ‘PLATE X/ THE WAKING RIVER/ To face page 102’
Portret van Rembrandt Harmensz. van Rijn
Object type: book illustration
Date: 1842 – 1843
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: leiden, painter, print maker, rembrandt van rijn
Inscriptions: collector's mark: Lugt 2228

Prent uit: Immerzeel, Johannes. De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters : van het begin der vijftiende eeuw tot heden. Amsterdam: J.C. van Kesteren, 1842-1843.
Vase ornament
Object type: vase ornament
Date: 1701 – 1800
Materials: gilt bronze
Subjects: garlands,faces