deem-data/ArtiFact huggingface dataset:
Bead
Object type: bead
Date: 801 – 1100
Materials: onyx
Techniques: cutting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Werken van Charles le Brun
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: wall-covering, reception ~ ambassador
Inscriptions: collector's mark: Lugt 2228

Prent uit: Massé, Jean Baptiste. La Grande Galerie de Versailles, et les deux salons qui l'accompagnent, peints par Charles le Brun premier peintre de Louis XIV, dessinés par Jean- Baptiste Masse peintre et conseiller de l'Academie royale de peinture & sculpture; et gravés sous ses yeux par les meilleurs maitres du tems. Parijs: Imprimerie Royale, 1752.
La Belgique pittoresque et monumentale / Views of Belgium
Object type: stereograph
Date: 1866 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Artist: jules hippolyte quéval
Artist role: publisher
Artist dates: 1824 – 
Subjects: square, place, circus, etc., monument, statue
Inscriptions: number: ‘No 1621’
François de Troy
Object type: album leaf
Date: 1745 – 1745
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: paris, painter, françois de troy, historical persons, portrait, self-portrait of painter

Prent uit: Dézallier d'Argenville, Antoine Joseph. Abrégé de la vie des plus fameux peintres. 4 dln. Parijs: De Bure l'aîné, 1745, dl. 2, p. 358.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 4, p. 569.
Rozendaal
Object type: print
Date: 1865 – 1875
Materials: paper
Techniques: tone lithography
Location: arnhem
Subjects: castle, arnhem
Inscriptions: collector's mark: Lugt 2228
Portret van Charles Edward Jennings de Kilmaine
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Schepen worden op het strand getrokken
Object type: print
Date: 1866 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: frans hens
Artist role: print maker
Artist dates: 1856 – 1928
Subjects: ships, boats on land, beached
Inscriptions: collector's mark: Lugt 2228
Portret van Henry Pauw van Wieldrecht met zijn oudste dochter Sacha
Object type: photograph
Date: 1901 – 1906
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: adriana johanna pauw van wieldrecht
Artist dates: 1865 – 1936
Inscriptions: annotation: ‘Daddy / + Sacha’, signature and date: ‘J. Pauw fecit/ January 1906’
Tegeltableau van vier met een samenhangend patroon van palmetten, bladvormen en bloemen versierde tegels
Object type: tile tableau
Date: 1500 – 1600
Materials: earthenware
Location: iznik
Artist: Anonymous

Tegeltableau van vier met een samenhangend patroon van palmetten, bladvormen en bloemen versierde tegels. Op iedere tegel één palmetblad. Met vier te zamen vormen deze palmetten van turkoois blauw het kader waarbinnen een groot rood getand blad als middenstuk is gevat. De palmetten en bladen zelf zijn bezet met bloemvormen, tulpen, rozetvormige kleine bloemen en bladen. De witte grond vertoont een tekening van blauwe rozetvormige kleine bloemen ontspruitend aan doorlopende stengels. Het geheel in donker en lichter blauw, nuance ultramarijn, turkoois blauw en rood op witte grond. Turks. Voor een deel is het wit in de grond bezoedeld door een vetvlek onder het glazuur.
Brief aan Philip Zilcken
Object type: letter
Date: 1921 – 1921
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, painter, draughtsman, philip zilcken, money
Inscriptions: collector's mark: ‘RPK’
Broadsheet about the authors of Mexico's national anthem, portrait of Don Jaime Nuvo at center
Object type: print
Date: 1903 – 1903
Materials: metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,portraits
Portret van een onbekende man
Object type: photograph
Date: 1866 – 1896
Materials: cardboard, glass, metal, paper, wood
Techniques: carbon print
Location: amsterdam
Artist: louis robert werner
Artist role: fotograaf
Artist dates: 1834 – 1896
Subjects: adult man, anonymous historical person portrayed
Inscriptions: inscription: ‘PHOTOGRAPHIE/ van/ L.R. WERNER/ voorheen/ P. CARSTENSEN./ Nieuwendijk 3de huis van de Dirk/ van Hasfeltsteeg, No. 150./ AMSTERDAM.’
Twee echtparen, gearmd lopend
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons, walking arm in arm
The Peeler
Object type: print
Date: 1742 – 1742
Techniques: engraving
Artist: bernard lepicié
Artist role: artist
Artist nationality: french
Artist dates: 1698 – 1755
Subjects: food,vegetables,women
Gezicht op de Montelbaanstoren in Amsterdam
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: photograph
Location: unknown
Artist: Anonymous
Subjects: tower (of house or building), amsterdam
Inscriptions: inscription: ‘geschonken door de historical society of western pennsylvania, Pittsburgh’
Boomrijk landschap
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: lithograph
Location: dusseldorf
Subjects: trees, landscapes
Inscriptions: collector's mark: Lugt 2228
Le départ
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: drypoint, engraving, etching
Location: paris
Subjects: landscapes, river, railway, train
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Christus en Johannes de Doper
Object type: print
Date: 1663 – 1666
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: series of scenes from the life of john the baptist, series of scenes from the life of christ
Inscriptions: collector's mark: Lugt 240
Thorne Monument op Greenwood Cemetery
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: cemetery, park-like burying ground, new york (city)
Léon Pallière (1787–1820) in His Room at the Villa Medici, Rome
Object type: painting
Date: 1817 – 1817
Materials: canvas, oil
Artist: jean alaux
Artist role: artist
Artist nationality: french
Artist dates: 1786 – 1864
Subjects: interiors,bedrooms,men,guitars

Both the sitter and the artist of this work received the prestigious Prix de Rome for history painting, allowing them to live and study for several years at the Villa Medici, seat of the French Academy in Rome. There, Alaux painted a group of portraits of fellow laureates in their private rooms. In this example, Pallière plays a guitar in a space decorated with the drawings, casts, and books that speak to his ongoing artistic education. A far more intimate image than the public commissions these artists completed, the portrait is a testament to friendship in a pivotal chapter in the lives of two young painters.
Model voor de vlag van de Bataafse Marine, 1796
Object type: watercolor
Date: 1796 – 1796
Materials: paint, paper, pencil, watercolor
Techniques: brush
Location: netherlands
Artist: dirk langendijk
Artist role: draughtsman, painter, print maker
Artist dates: 1748 – 1805
Subjects: (military) flags and standards (+ naval force), personifications of countries, nations, states, districts, etc., beasts of prey, predatory animals: lion, netherlands

Ontwerp voor het allegorisch embleem dat voor de vlag van de Marine van de Bataafse Republiek toegevoegd wordt aan de linker bovenhoek van de bestaande vlag van de Bataafse Republiek, ingaande 1 maart 1796. Embleem waarin de Nederlandse Maagd en de Nederlandse Leeuw samen een speer met de vrijheidshoed vasthouden.
Belisarius
Object type: print
Date: 1767 – 1777
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: blind, blindness, recognizing, belisarius
Inscriptions: collector's mark: Lugt 240

De blinde Belisarius zit op een stoel en houdt zijn rechterhand op voor een aalmoes. Voor hem staan drie vrouwen met een kind en een hond. Een soldaat kijkt toe.
Schaal met de wapens van Caspar Hendrik Schickhart en Judith ter Welberg
Object type: dish
Date: 1646 – 1646
Materials: silver
Location: zwolle
Artist: claes hansen
Artist role: silversmith
Artist dates: 1619 – 1675
Subjects: flowers ~ ornament, armorial bearing, heraldry

Salver with the arms of Capar Hendrik Schickhart, sheriff of Meppel, and his wife Judith ter Welbergh. Silver. Zwolle, 1646, by Claes Hansen.
Arrowhead (<i>Yanone</i>)
Object type: arrowhead i yanone i
Date: 1501 – 1600
Materials: steel
Culture: japanese
Location: japan

Although today Japanese warriors are renowned most for their swordsmanship, archery, especially from horseback, has been an essential part of samurai warfare and culture for centuries. Arrows were fitted with heads of varying shape according to their intended use in war, the hunt, or target practice. Arrowheads made for use on the battlefield incorporated different designs intended for specialized purposes such as the piercing of armor or to cause maximum damage to horses and unarmored personnel. Large arrowheads, pierced and elaborately chiseled with landscapes, birds, flowers, dragons, and Buddhist divinities, were created to be admired for the beauty of their metalwork and design rather than for use in archery. Such highly elaborate examples may have been made for presentation or as a votive offerings to a shrine.
Aangelijnde hond liggend bij een hek in Frankrijk
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: fence, wall, paling, dog, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Portrait of Maximilian III, Archduke of Austria
Object type: print
Date: 1650 – 1650
Techniques: engraving, etching
Artist: jonas suyderhoef
Artist role: artist
Artist nationality: dutch
Artist dates: 1613 – 1686
Subjects: men,portraits
Gezicht op een onbekende man en een onbekende vrouw bij een boom
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Location: berlin
Artist: Anonymous
Subjects: trees, adult woman, adult man
Inscriptions: inscription: ‘Rathenower optische Industrie-Anstalt/ (...)’

Prent op pagina tussen pagina 158 en pagina 159.
Embleem met keeshond
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: dog, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 1641, stamp
Madonna van Loreto
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving
Location: rome
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11, number: ‘5’

Het Christuskind ligt op een bed. Maria en Jozef staan naast het bed. Maria probeert Christus te bedekken met een doek.
Herdenkingsbord
Object type: plate dish
Date: 1918 – 1918
Materials: earthenware
Techniques: firing, painted, vitrification
Location: enschede
Subjects: netherlands
Inscriptions: inscription: ‘Distributie<BR />O! kaarten en bons Wat een tijd kost gij ons.’
Duinlandschap met zandafgraving onder stormachtige lucht
Object type: drawing
Date: 1872 – 1944
Materials: paper, pencil, watercolor
Techniques: brush
Artist: frans smissaert
Artist role: draughtsman, print maker
Artist dates: 1862 – 1944
Subjects: dunes (sea not visible); in the dunes
Golden Rod (Solidago Canadensis), from the Flowers series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: plants

The "Flowers" series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: stone, jade, gemstone
Culture: chinese
Subjects: animals
Veue du Bassin Berceaux et Piramide
Object type: print
Date: 1721 – 1774
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: magdalena poulle, obelisks (garden ornaments), garden pond
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

De vijver en de obelisk in de tuin van Kasteel Gunterstein te Breukelen. Op de voorgrond figuren in en bij een trekschuit. Linksonder genummerd: 14. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Utrecht (vervolg.).
Gezicht op de voorgevel van het Corvershof te Amsterdam (rechterdeel)
Object type: print
Date: 1723 – 1748
Materials: paper
Techniques: engraving, etching
Subjects: alms-house (dutch: 'hofje'), public welfare, old-people's home, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641, collector's mark: ‘ARMWEZEN EN LIEFDADIGHEID’, collector's mark

Rechterdeel van een gezicht op de voorgevel van het Corvershof te Amsterdam, bestaande uit twee delen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Armwezen en Liefdadigheid.
Coin Portraying Emperor Nero
Object type: coin
Date: 66 – 67
Culture: roman or egyptian
Location: egypt
Inscriptions: Obverse: NEPW KLAV KAIS SEB GEP AV, LIΓ to left
Reverse: [SEBASTO] FORO[S]

The front (obverse) of this coin portrays a bust of Emperor Nero, facing left, radiate and wearing a lorica (leather breastplate) and aegis (shield). The date this coin was struck is indicated in the inscription " LIΓ ", which means the thirteenth year of Nero's reign, or 66-67 CE. Nero reigned as emperor from 54-68 CE.
On the back (reverse) is depicted a galley (warship) sailing to the right, and two dolphins below.
Gezicht op een landgoed met brug
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: garden
Praelium in Belgio / Veldslag in de Nederlanden
Object type: print
Date: 1701 – 1703
Materials: paper
Techniques: etching
Location: unknown
Subjects: battle (+ cavalry, horsemen)

Gezicht op een woest ruitergevecht in de Nederlanden, ten tijde van de Spaanse Successieoorlog, ca. 1702. Op de achtergrond een kerk. Onderaan in de marge een zesregelige tekst in het Latijn en een zesregelige tekst in het Nerderlands.
Rokers op rococo-ornament
Object type: ornament print
Date: 1731 – 1788
Materials: paper
Techniques: engraving, etching
Location: augsburg
Artist: johann esaias nilson
Artist role: draughtsman, print maker, publisher
Artist dates: 1721 – 1788
Subjects: pipe ~ tobacco, gardening-tools
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Na de overname van de firma Niemeyer door British American Tabacco Group besloot deze de collectie van het Niemeyer Tabaksmuseum af te stoten. De beheerder van de collectie, het Noordelijk Scheepvaartmuseum, organiseerde in januari 2011 open dagen voor musea waar deze hun voorkeuren voor collectieonderdelen kenbaar konden maken. De objecten zijn getaxeerd door medewerkers van Christie's en vervolgens ter overname aangeboden aan de belangstellende musea. Het Rijksprentenkabinet koos 46 prenten uit de collectie tegen door de medewerkers van Christie's vastgestelde waarde. [H. Leeflang, 2011-06-09].
Nummer 1-4, 3-8 en 9-12 komen van één plaat.
Jonah Cast Up by the Whale
Object type: drawing and watercolor
Date: 1601 – 1700
Materials: gouache, ink, paper, paint, watercolor
Techniques: brush, heightening, pen, wash
Location: italy
Artist: after jacopo robusti, called tintoretto
Dish (coppa)
Object type: dish
Date: 1532 – 1532
Techniques: maiolica, glazing
Artist: francesco xanto avelli da rovigo
Artist role: artist
Artist nationality: italian
Artist dates: 1482 – 1542
Subjects: men,snakes
Isabel Wachenheimer met onbekende vrouw, staand in een grasveld met een haag voor een gebouw met een gebeeldhouwde adelaar op de voorkant
Object type: photograph
Date: 1947 – 1955
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: inscription: ‘Phone 3823 Copyright by photo-attar (at the yard) 16, Mendele St. Tel-Aviv, Israël 8468’

Isabel Wachenheimer (links) met onbekende vrouw (rechts), staand in een grasveld met een haag voor een gebouw met een gebeeldhouwde adelaar op de voorkant.
William Charnley, Bookseller Newcastle upon Tyne
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: engraving, etching
Subjects: publisher, bookseller, book-shop, bookseller
Inscriptions: collector's mark: Lugt 2228, dedication: ‘To Thomas Bell by ECharnley’

Bij de prent wordt een gedrukte verklaring bewaard, gedateerd 3 februari 1817. Hierin verklaart Emerson Charnley, de zoon van geportretteerde, dat hij het portret heeft laten maken uit respect voor zijn vader. Dit document bevat een handgeschreven opdracht van Emerson Charnley aan Thomas Bell, mogelijk de boekverzamelaar Thomas Bell (1785-1860).
Men Playing a Game of Dice
Object type: print
Date: 1520 – 1520
Materials: paper
Techniques: engraving
Location: netherlands
Inscriptions: Lettered lower left: "PVL"
Slijpsteen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: whetstone
Date: 1700 – 1743
Materials: stone
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Hone; fragm, one end broken: tapering rounded end, flat underside, oblique rounded sides.
Le Buste
Object type: print
Techniques: etching
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Subjects: sculpture,trees
Censer with Six Holy Figures
Object type: censer
Date: 582 – 602
Materials: silver
Techniques: gilding
Culture: byzantine
Location: probably constantinople
Subjects: christ,saint paul,saint peter,virgin mary

Each of the six elegantly worked figures stands under an arcade. Christ is flanked by the apostles Peter and Paul, and the Virgin by archangels.The inscription indicates that this beautiful censer was given as a votive gift to a church or a shrine.
Knoop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: button
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knoop. (1) slightly domed, plain (1.9d, 0.4t), flat base, loop-shank
Allegory of Music
Object type: panel
Date: 1570 – 1590
Materials: leather
Techniques: embossing, incising, molding
Subjects: musical instruments,women,mythical creatures,allegory

To create this panel three leather sheets decorated in the cuir bouilli technique, whereby the wet leather was manipulated and molded into the desired shape, were joined together. After the material was hardened and dry, the ornamental details were incised and punched into the surface. The decorated panel and the separate egg-and-dart frame, also made of leather and possibly original to the piece, were then mounted on an oak panel that was at one point installed as a door. The large elongated female figure clad in a richly draped costume and holding a viola da braccio is most likely Polyhymnia, the ancient Greek muse of sacred music, or the personification of music. The panel may have been part of an extensive wall decoration incorporating the Seven Liberal Arts, a typical Humanist scheme, for a modestly sized studiolo, or study. If so, this is the largest known Renaissance leather panel of its kind. The Mannerist scrollwork and grotesque figures recall the ornamental vocabulary of the "second school" of artisans at the Château de Fontainebleau in northern France, hired by King Henry IV (1553-1610). The sculptural creatures and masterfully conceived linear motifs, combined with the architectural texture of the composition, point to an experienced workshop.
Twee gezichten op het Paleis van Justitie in München, Duitsland
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: leipzig
Subjects: square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Aktiengesellschaft Camerawerk Palmos Jena./ Vergrösserung nach einem Film-Negativ, aufgenommen mit Zeiss-Unar 1:4,5, F=112 mm/ und/ Film Palmos 6 x 9 cm.’

Prenten op tweede en derde ongenummerde pagina na pagina 204. Deze prenten maken deel uit van een reclameboodschap voor Aktiengesellschaft Palmos Jena, een fabrikant van fotocamera's.
Plate
Object type: plate
Date: 1750 – 1750
Materials: earthenware
Techniques: glazing
Artist: thomas cantle
Artist role: maker
Artist nationality: british
Subjects: women
Small rectangular table
Object type: table
Date: 1765 – 1765
Materials: brass, leather, wood
Techniques: veneering
Artist: léonard boudin
Artist role: maker
Artist nationality: french
Artist dates: 1735 – 1807
Portail, XIIIe Siècle
Object type: photomechanical print
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: dinant
Subjects: parts of church exterior and annexes: portal, parts of church interior: transept
Inscriptions: monogram: ‘JJvY’, inscription: ‘PORTAIL en pierre (...)’, inscription: ‘PORTAILS. PL. 4.’
Piece
Object type: piece
Date: 1867 – 1900
Materials: metal thread, silk
Subjects: flowers,leaves
Design for a decorated door
Object type: drawing
Date: 1830 – 1897
Materials: gold paint, graphite, ink, watercolor, paper
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: birds,ducks,architecture,women
Wit linnen pellen servet
Object type: napkin
Date: 1800 – 1850
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

Wit linnen pellen servet, gemerkt kroon H.
Cup
Object type: cup
Date: 1701 – 1800
Materials: glass
Culture: german or italian
Location: italy
Subjects: birds,men