deem-data/ArtiFact huggingface dataset:
Medal of Kolman Helmschmid (1471–1532)
Object type: medal
Materials: lead
Culture: german
Location: germany
Artist: hans kels the younger
Artist role: designer
Artist nationality: german
Artist dates: 1508 – 1565
Subjects: men,profiles

This is an exceedingly rare example of a Renaissance medal of an armorer, which celebrates the life and accomplishments of Kolman Helmschmid (1471–1532), one of the greatest armorers of sixteenth-century Europe, and one of the most important artists represented in the Metropolitan Museum of Art’s holdings of arms and armor. Designed by the Augsburg medalist Hans Kels the Younger, the medal is among his earliest works, and one of only four examples known. The comparable examples are preserved in the Münzkabinett of the Staatliche Museen zu Berlin–Preussischer Kulturbesitz, Berlin; the Münzkabinett of the Herzog Anton Ulrich Museum, Brunswick; and the Staatliche Münzsammlung, Munich. The medal provides an eloquent testimony of the high standing of Kolman Helmschmid among the artists of his day, and of the recognized need to preserve his memory from oblivion. Renaissance medals were almost exclusively created in honor of princes and powerful noblemen and patricians. Kolman is not only one of very few European armorers of whom medals are known; he also is the earliest to have secured that distinction. Since the date on the medal is the year of his death, it is probable that the latter was commissioned posthumously, as a supplement to an earlier medal of him, which the Augsburg medalist Hans Schwarz had created in 1518.
Medal of the Naval Battle of Lake Erie, 1813
Object type: medal
Date: 1801 – 1900
Materials: bronze
Culture: american
Location: united states
Artist: moritz fürst
Artist role: maker
Artist nationality: hungarian
Artist dates: 1782 – 1882
Subjects: birds,battles,lakes,ships
Sjaal van kant
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: chicago
Artist: Anonymous
Subjects: accessories (~ clothing), lace
Inscriptions: inscription: ‘XIXe siècle.’
Het neerhalen van de Nederlandse vlag en hijsen van de hakenkruisvlag
Object type: album leaf
Date: 1941 – 1945
Materials: paper, photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: Anonymous
Subjects: flag display, occupation ~ war, rotterdam

Albumblad met zes foto's. Het neerhalen van de Nederlandse vlag en hijsen van de hakenkruisvlag. Rechtsonder twee foto's van de samensteller van het album: op wacht en in de deur van een treinwagon in Rotterdam. Onderdeel van het fotoalbum van Heinrich Clausen over de Kriegsmarine.
Cascade de Grippe
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: waterfall, mountains
Inscriptions: collector's mark: Lugt 2228
Sacrificial Cup
Object type: cup
Date: 1701 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: mythical creatures
Bamboo and rock
Object type: hanging scroll
Date: 1360 – 1367
Materials: ink, paper
Culture: chinese
Artist: deng yu
Artist role: artist
Artist nationality: chinese
Artist dates: 1300 – 1378
Subjects: bamboo

Deng Yu, a leading late Yuan literary Daoist, joined the Orthodox Unity sect of Daoism at the age of twelve. By 1360 he had become the abbot of a Daoist temple in Wenzhou, near the Zhejiang coast, and in 1371 he accompanied the 42nd Celestial Master to the Ming capital, where he repeatedly performed miracles of rainmaking. Bamboo and Rock, executed according to the precepts of the early Yuan scholar-artist Zhao Mengfu (1254–1322), demonstrates Deng's familiarity with the literati aesthetic of calligraphic painting. The bamboo leaves are done in clerical script; the stalks, in seal script; and the rocks, drawn in mixed ink tones, simulate the "flying-white" style of calligraphy. A poem inscribed by Liu Renben, the governor-general of Wenzhou under the rebel leader Fang Guozhen, establishes the date of Deng's painting: After fog and rain, in Jiangnan, Few friends of integrity remain. As autumn fills the shores of the Xiao and Xiang Rivers, Clouds paint the bamboo a deep green.
Drie vrouwen en een meisje op straat
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, girl (child between toddler and youth), street (+ city(-scape) with figures, staffage)

Op de achtergrond nog twee figuren en een rijtuig. Pagina 16 en pagina 17 uit schetsboek XLII met 32 pagina's.
Gezicht op Château d'If
Object type: print
Date: 1867 – 1890
Materials: paper
Techniques: etching
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: fortress
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Bijin hana kurabe
Object type: print
Date: 1887 – 1896
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: woman dancing alone, drum (musical instrument), boat propelled by man or animal
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vrouw met kleine trommel in handen, dansend onder boom, bij boot.
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 159 : Robe de Garden Party (...)
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving
Subjects: flowers, birds, fashion plates, dress, gown (+ women's clothes), smell, smelling (one of the five senses) - aa - female human figure
Inscriptions: title: ‘Costumes Parisiens’, caption: ‘Robe de Garden Party en mousseline blanche et liberty orange.’, inscription: ‘Cop. J. N. A. et Cie 1914’

Japon voor een tuinfeest van witte mousseline en oranje 'liberty'. Pumps met gekruiste banden. Proefdruk van een prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Vlakdecoratie met grotesken
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: etching
Location: germany
Inscriptions: collector's mark: Lugt 240

In het midden pakt Venus een pijl van Cupido af, terwijl zijn boog naar beneden valt. Blad 6 uit serie met groteske vlakdecoraties met kwabornamenten.
Untitled (Portrait of Two Men)
Object type: photograph
Date: 1855 – 1855
Techniques: daguerreotype, photography
Location: united states
Artist: jesse harrison whitehurst
Artist nationality: american
Artist dates: 1819 – 1875
Subjects: lundberg collection, portrait, men, male, portraits: multiple subjects, portraits: male subject, portraits
Vreugdevuren te Den Haag na de verovering van Namen, 1695
Object type: print
Date: 1695 – 1695
Materials: chalk, paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Subjects: bonfire, fire-works, festivities (+ illumination, fire-works ~ festive activities)

Blad met een voorstelling en beschrijving van de viering van de verovering van Namen door de geallieerden (op 5 september) bij de Vijverberg in Den Haag op 28 september 1695. Stellages, vreugdevuren en vuurwerk. Verschillende onderdelen van de prent zijn met rood krijt gekleurd. Onder de voorstelling een beschrijving in twee kolommen.
Cover
Object type: cover
Date: 1601 – 1633
Techniques: lace
Portret van Jacques Necker
Object type: print
Date: 1776 – 1799
Materials: paper
Techniques: stippling
Artist: Anonymous
Subjects: minister ~ government, historical persons
Trade card for William Taylor, engraver, embosser and printer
Object type: trade card
Date: 1801 – 1900
Techniques: lithograph
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Soldato in guarnigione
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Man met zak op de schouder bij zonsopgang
Object type: print
Date: 1779 – 1781
Materials: paper
Techniques: transfer, print drawing
Location: amsterdam
Subjects: sailing-ship, sailing-boat, sunrise, carrying something on the head or on the shoulders
Inscriptions: collector's mark: ‘RIJKS / MUSM’

Rechts op de voorgrond een man met een zak op de schouder kijkend naar de schepen en de zonsopgang. De prent ligt los in een album, zie blad 32.
Vrouw met mof bij een kale boom
Object type: drawing
Date: 1800 – 1899
Materials: gouache, paper
Techniques: brush
Artist: Anonymous
Subjects: trees, standing figure (canon, proportions) - aa - female human figure, muff, winter, 'hyems'; 'inverno' (ripa)
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Diverse liefhebberijen (o.a. prikprenten).
Glass cup
Object type: cup
Date: 101 – 300
Materials: glass
Culture: roman

Translucent pale blue green. Knocked-off, uneven rim; slightly bulging collar below rim; sides expanding downward, then angled in to join convex bottom, flattened at center. Intact, except for chips in rim; a few pinprick bubbles; dulling, pitting, and patches of brilliant iridescence on exterior; soil encrustation and creamy weathering on interior.
Portretten van schilders
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: brussels, painter, draughtsman, bernard van orley, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

In de marge een vierregelig onderschrift in het Latijn.
Fotoreproductie van een tekening van een grasmus door Philip Henry Delamotte
Object type: photograph
Date: 1850 – 1876
Materials: photographic support
Techniques: carbon print
Location: selborne
Subjects: birds
Alderney Street, from "Gazette des Beaux-Arts," 1881
Object type: print
Materials: ink, paper
Techniques: etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: animals,buildings,streets,london
Button
Object type: button
Date: 1850 – 1880
Materials: enamel
Culture: french
Subjects: couples,men,women
Portret van keizer Karel VI
Object type: print
Date: 1701 – 1711
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: vienna, charles vi (holy roman emperor), historical persons, knighthood order of the golden fleece, emperor
Kasteel
Object type: print
Date: 1834 – 1876
Materials: paper
Techniques: lithography
Location: the hague
Artist: carel christiaan antony last
Artist role: print maker
Artist dates: 1808 – 1876
Subjects: castle

Gezicht op een kasteel en een toren. Twee vrouwen, een kind en een hond lopen op een pad in de voorgrond. Links in de achtergrond staan twee koeien.
Document Sealing With Multiple Seal Impressions
Object type: sealing, amenhotep iii, nebmaatre, tiye, female sphinx,
Date: 1390 – 1352
Materials: mud
Vue générale, de Nice
Object type: stereograph
Date: 1865 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Location: nice
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: city-view, and landscape with man-made constructions
Inscriptions: number: ‘1702.’, inscription: ‘10126 no’
Twee engelen met de monstrans met het H. Sacrament, 13
Object type: print
Date: 1639 – 1699
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: ostensorium, monstrance, adoration of the host, e.g. perpetual adoration, amsterdam

Twee engelen met een monstrans waarin het H. Sacrament. Prent nr. 13 uit de serie van 16 voorstellingen van Het Mirakel van Amsterdam, naar de gebeurtenissen op 15 maart 1345. Kopieën naar de reeks van Bolswert. Onder de voorstelling in de plaat gegraveerd een zesregelig vers in het Latijn, daaronder een zesregelig vers in boekdruk in het Nederlands.
Goblet (Roemer)
Object type: goblet
Date: 1701 – 1900
Materials: glass

This shape of drinking vessel, with a foot made of a continuous spiral thread coiled and fused, originated in medieval times and was long popular in Germany.
Sword (Falcata)
Object type: sword
Date: 500 – 1
Materials: metal alloy
Culture: iberian
Location: iberian peninsula

The falcata was a popular type of sword in the Iberian Peninsula from the fifth to the first century B.C. Closely related in form to slashing weapons found in Greece, it is distinguished by the fact that its blade is double-edged for about half of its length, whereas Greek specimens normally have a single cutting edge. Although its old patina was removed and an inaccurate modern wood grip was added sometime before it was acquired, The Metropolitan Museum's falcata occupies an important place among the examples known to survive because of the otherwise fine state of preservation of its blade, which is structurally intact and only superficially corroded.
De kerk van Onze-Lieve-Vrouw-over-de-Dijle, te Mechelen
Object type: drawing
Date: 1600 – 1699
Materials: ink, paper
Techniques: brush, pen
Subjects: church (exterior), public road
Snuffbox
Object type: snuffbox
Date: 1768 – 1769
Materials: gold, shell
Artist: louis roucel
Artist role: maker
Artist nationality: french
Artist dates: 1751 – 1787
Subjects: animals,birds,trees

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Reclame voor verschillende zaken in een winkelcentrum te Brooklyn met een portret van een onbekend kind
Object type: carte de visite
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, child
Inscriptions: inscription: ‘Turn-Hall, 61-73 Meserole St. / Louis A Phillips, supt. / The most commodious and largest Hall for Entertainments in the Eastern District. / DON'T LOOK ON THE OTHER SIDE.’
Portret van een man met snor en in uniform
Object type: album leaf
Date: 1812 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: moustache, adult man, historical persons
Inscriptions: annotation: ‘Mrs E. [Booker]/ Dec[...]/ 67’, inscription: ‘226 Oxford St 228/ The West End Photographic Company/ between/ Quebec STreet & Portman Street/ Established 1854’
The Scoop-Net
Object type: print
Date: 1800 – 1801
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
XIX Exonerat et arcet
Object type: print
Date: 1614 – 1614
Techniques: engraving, printing
Location: the hague

XIX Exonerat et arcet. Eerste schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Terracotta statuette of a woman
Object type: statuette of a woman
Date: 200 – 1
Materials: terracotta
Culture: cypriot
Subjects: women

The figurine is mold-made and solid. The back is handmade, flat, and pared. The back of the head is chipped. The drapery and facial features are crudely retouched.
Bosviolen
Object type: print
Date: 1876 – 1924
Materials: paper
Techniques: woodcut
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: flowers: violet
Inscriptions: collector's mark: Lugt 2228
Panel (Furnishing Fabric)
Object type: textile
Date: 1870 – 1880
Materials: cotton
Techniques: weave, printing
Location: united states
Opening van de Nationale Synode te Dordrecht, 1618
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: organizations, assemblies, etc. in protestant churches

Vermeld op de prent: Naar het oorspronkelijke Schilderij berustende op het Raadhuis der Stad Dordrecht. Dit is het schilderij toegeschreven aan Pouwels Weyts (II) gedateerd 1621 op het stadhuis van Dordrecht. Het schilderij is gebaseerd op de vroegere prent van François Schillemans uit 1618-1619.
Fragment (voet) met rode scherf, aan de binnenkant in dubbele cirkel in witte slib een zittend konijntje
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Gezicht op een herberg in Watertown, Massachusetts
Object type: page
Date: 1874 – 1879
Materials: photographic support
Techniques: albumen print
Location: watertown
Artist: thomas r. lewis
Artist role: publisher
Artist dates: 1845 – 1901
Subjects: hotel, hostelry, inn
Details van Griekse vazen
Object type: drawing
Date: 1876 – 1951
Materials: ink, paper
Techniques: brush, pen
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: container of ceramics: jar, jug, pot, vase, work of applied art (+ greek art)
Wil, kind'ren u met deze snaken, / En met hun zang en spel vermaken. / Ofschoon 't niet door uw ooren dringt, / Wat elk van hun of speelt of zingt
Object type: popular print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: musician at work, making music; musician with instrument, dancing
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van muzikanten en dansers. Onder elke voorstelling een tweeregelig vers. Genummerd rechtsboven: No. 77.
Spoon
Object type: spoon
Date: 1712 – 1713
Materials: silver
Artist: thomas spackman
Artist role: maker
Artist dates: 1700 – 1713
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Right half of a handle from a kylix, with crosspiece
Port Nouveau alimenté par le canal de l'Urêtre
Object type: cartoon
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: southern netherlands
Artist: Anonymous
Subjects: europeans: spaniards, asiatic races and peoples: turks, chinese, canal, indigenous peoples of north america, native peoples of the americas, urination, traffic on the water
Inscriptions: collector's mark: Lugt 2228

Spotprent op het nieuwe kanaal van Charleroi naar Brussel, gebouwd tussen 1827-1832. Rechts pist Manneken Pis in het kanaal, links varen mensen uit onder andere Canada, Peking, Amerika, Alicante en het Ottomaanse Rijks op vaten en vaartuigen door het kanaal. Met schalen of kommen proberen ze de pis van Manneke Pis op te vangen. Onderschrift in het Frans.
Julius Civilis onderhandelt met een Romeins bevelhebber
Object type: print
Date: 1611 – 1612
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: commander-in-chief, general, marshal, the soldier; the soldier's life, negotiations between combatants
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 36 prenten (+ titelpagina) over de oorlogen tussen de Romeinen en de Bataven.
Pesto Templo di Cerere (facciata)
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paestum
Artist: Anonymous
Subjects: landscape with ruins, temple, shrine ~ greek religion
Inscriptions: inscription: ‘Pesto. 26/III.1885’, collector's mark: ‘Rijks Opleidingsinstituut/ voor Teekenleeraren/ vrb hooger; middelb:/ & nijverheidsonderwijs/ Rijksmuseum/ Amsterdam’, number: ‘612’
Bijgebouw op de plantage Gambar te Java
Object type: print
Date: 1921 – 1921
Materials: paper
Techniques: etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: plantation, barn, landscapes in tropical and sub-tropical regions
Inscriptions: workshop stamp: ‘Atelier Witsen’
Sherd
Object type: sherd
Date: 4500 – 4500
Materials: ceramic, paint
Culture: halaf
Location: mesopotamia
Ticket for Henry Fielding's The Mock Doctor
Object type: print
Date: 1792 – 1792
Techniques: etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: theatre,men,women
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: delft
Artist: franz melchers
Artist role: draughtsman, painter
Artist dates: 1868 – 1944
Subjects: cyriel buysse, philip zilcken, photography, cinematography
Inscriptions: collector's mark: ‘RPK’
Ruins of the Ruwanwelisaya stupa at Anuradhapura, Sri Lanka
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: woodburygravure
Location: anuradhapura
Subjects: temple, shrine ~ hinduism, buddhism, jainism, ruin of a building ~ architecture
Inscriptions: title: ‘RUANWELI DAGABA.’
Fragment hals met kurk en glasscherf van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: wine bottle
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, neck, onion-shaped bottle or bottle with vertical side; fragm, f-string rim.
Herovering van Fort Bath, 1809
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Artist: friedrich christoph dietrich
Artist role: print maker
Artist dates: 1779 – 1847
Subjects: deventer, bombardment (+ sailing-ships)
Inscriptions: collector's mark: Lugt 2228

Herovering van het door de Britten bezette fort Bath, 4 september 1809. Nederlandse troepen onder bevel van generaal Cort Heijligers waden door het water van de Kreekrak naar het fort.
Panel
Object type: panel
Date: 1601 – 1700
Materials: metal thread, silk, velvet
Techniques: cutting, voiding
Location: turkey
Zittende man, mogelijk schrijvend of tekenend
Object type: sketchbook leaf
Date: 1887 – 1887
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: rotterdam, print maker, draughtsman, george hendrik breitner, writing-table, writing-desk, sitting figure

Mogelijk een zelfportret. Pagina 6 uit een schetsboek met 12 bladen.
Intaglio Ring with Two Figures
Object type: intaglio in ring
Date: 100 – 1
Materials: bronze
Culture: gandhara
Subjects: gandhara,men,women
Plate
Object type: plate
Date: 1670 – 1679
Techniques: maiolica, glazing
Artist: francesco grue
Artist role: maker
Artist nationality: italian
Artist dates: 1618 – 1673
Subjects: men,cupid
Ruins in a Park, Two Figures
Object type: drawing and watercolor
Materials: graphite, paper
Location: italy
Artist: style of francesco guardi
Artist nationality: italian
Artist dates: 1712 – 1793
Portrait of a Woman
Object type: painting, miniature
Materials: ivory
Artist: james jennings
Artist role: artist
Artist nationality: british
Artist dates: 1763 – 1793
Subjects: portraits,women