deem-data/ArtiFact huggingface dataset:
Fotoreproductie van Meisje voor het bad door Antoine Wiertz
Object type: reproduction
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: edmond fierlants
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: woman (showing herself) undressed, quasi-nude
Inscriptions: check stamp: ‘SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE/ 69, RUE KEYENVELD/ BRUXELLES’
Dish
Object type: dish
Date: 1735 – 1735
Materials: hard paste porcelain
Subjects: flowers
Marmeren buste Pompeïsch Meisje door C.F. Villa
Object type: cabinet photograph
Date: 1874 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: monument, statue, london
Inscriptions: number: ‘60’, number: ‘48’
Boatmen of Barcelona
Object type: painting
Date: 1886 – 1886
Materials: canvas, oil
Artist: dionisio baixeras y verdaguer
Artist role: artist
Artist nationality: spanish
Artist dates: 1862 – 1943
Subjects: men,boats,ships
Mitaine van zijde groen, beige en witgestreept
Object type: mitt
Date: 1800 – 1820
Materials: silk
Techniques: knitting
Location: zaanstreek
Artist: Anonymous

Een paar zijden mitaines in de breedte afwisselend groen met grijs en grijs met wit gestreept. Aan de onderzijde van zwarte kant voorzien.
Armlet
Object type: armlet
Date: 206 – 220
Materials: jade
Culture: chinese
Design for a Sidetable, Louis Quatorze Style
Object type: drawing
Date: 1835 – 1900
Materials: graphite
Artist: robert william hume
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1904
Subjects: tables
Portret van Bartholomäus Köpichen
Object type: print
Date: 1689 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Portret van Mehmet IV, sultan van het Ottomaanse Rijk
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons

Prent ook gebruikt in: Meyer, Martin. Theatrum Europaeum (...). Frankfurt am Main: erven Matthäus Merian I, Johann Phillip Abelinus en Heinrich Oraeus, 1691.
Federigo de’ Nigri (Peter Schwarz)
Object type: medal
Date: 1534 – 1566
Materials: lead
Artist: Anonymous
Artist role: artist
Herdersjongen Paris bij de waarzegster
Object type: sketchbook leaf
Date: 1829 – 1894
Materials: paper, pencil
Artist: gerrit postma
Artist role: draughtsman
Artist dates: 1819 – 1894
Subjects: herd, flock, (story of) paris (alexander)
Inscriptions: annotation: ‘Paris Sixt[...]s die in zijn jeugd/ herder was, werd door een/ waarzegster, voorspeld dat/ hij eens de Paris gelijke waar/ digheid zoude be[...]den’

Op de achtergrond staat een kudde koeien. Tekening in een kader. Blad 34 verso uit een schetsboek met 35 bladen.
Shawl
Object type: shawl
Date: 1853 – 1853
Culture: cuban
Bangle with Small Spiral Ornaments
Object type: bangle
Materials: bronze
Culture: thai
Mirandors meester, de advocaat, met het hoofd verward in de sporten van een brandladder
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ladder
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Heinsius, Nicolaas jr. Den vermakelyken avanturier, ofte De wispelturige, en niet min wonderlyke levens-loop van Mirandor, 2 delen. Amsterdam: Pieter van Amsterdam, 1695, dl. I.
Patrijzen!
Object type: drawing
Date: 1880 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hunting dogs, dog
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Patrijzen! Schets.’, signature and date: ‘Tavenraat 10/2 80.’
Observateur des Modes, fevrier 1819, No. 18: Chapeau bordé (...)
Object type: fashion print
Date: 1819 – 1819
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: clothing for the upper part of the body (pelerine) (+ women's clothes), border, ribbon, braid (+ feathers used for clothes), head-gear (+ girls' clothes), belt, girdle, waistband (+ girls' clothes), boots (+ girls' clothes), clothing for the upper part of the body (tunic) (+ girls' clothes), trousers, breeches (+ girls' clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), muff (+ fur used for clothes)
Inscriptions: caption: ‘...chapeau bordé en duvet de cigne surmonté de plumes; robe de velours simulé gris avec garnitures en cigne et pelerine semblable, manchon en chinchilla... (ontbreekt).. de 7 ans habille par M.r Barde Tailleur au musée de la mode, tunique polonaise bordée d'hermine avec ceinture et rotonde garnie d'une fourure semblable..(pant)alon large serré sur le brodequin.’, title: ‘Observateur des Modes No"18’

Hoed afgezet met zwanendons en met bovenop veren. Japon en pelerine van 'velours simulé gris' afgezet met zwanendons. Mof van chinchilla. Kinderkleding voor een kind van zeven jaar oud door Mr Barde, kleermaker of 'Tailleur au musée de la mode'. 'Tunique polonaise', afgezet met hermelijn. Ceintuur en 'rotonde', ook afgezet met hermelijn. Lange ruime broek, nauwsluitend op de laarzen. Prent uit het modetijdschrift Observateur des Modes (août 1818 - 30 novembre 1823).
Philibert the Pony
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Snuff Bottle with Floral Design
Object type: snuff bottle
Date: 1767 – 1800
Materials: glass
Culture: chinese
Nederlands-Indische pelgrims uit Martapura, te Djedda
Object type: page
Date: 1884 – 1888
Materials: paper
Techniques: photograph
Location: djedda
Subjects: the believer ~ islam, mohammedanism, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: number: ‘XXIX.’
1/8 tical of fuang uit Thailand,1650-1850
Object type: coin
Date: 1650 – 1850
Materials: silver
Techniques: casting

Zilveren, korrelvormige munt. voorzien van één instempeling (kra): water pot [?].
Gezicht op een bospad
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: trees, forest path or lane
Silhouette of Cecil Brent
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: brush, pen, wash
Artist: a. brent
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Bangle with Circular Motifs
Object type: bangle
Materials: bronze
Culture: thai
Portret van een vrouw
Object type: photograph
Date: 1880 – 1940
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: historical persons - bb - woman
Two Studies of a Male Nude (Althaemenes) Hiding in a Bush
Object type: drawing
Date: 1734 – 1833
Materials: graphite, ink
Techniques: pen, wash
Artist: nicolai abraham abildgaard
Artist role: artist
Artist nationality: danish
Artist dates: 1743 – 1809
Subjects: male nudes,plants
De wreedheid van de stier, 1647
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Subjects: bull, difficult and unusual birth
Inscriptions: date

Illustratie van de gebeurtenissen die bekend staan als de wreedheid van de stier, 1647. De boer en zijn zwangere echtgenote die op 29 augustus 1647 te Zaandam door een stier werden aangevallen. Deze kleine prent toont hoe de vrouw op de horens wordt genomen waarbij het kind uit de buik wordt geslingerd. Onder de voorstelling in vier kolommen een beschrijving van de gebeurtenissen, verschillende verzen over de hoofdrolspelers en een verklaring van Mr. Ireton, een van de betrokken artsen.
Furniture plaque carved in relief with a griffin in a floral landscape
Object type: relief
Date: 900 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: griffins,flowers

A griffin, a hybrid creature with the head and wings of an eagle and the body and tail of a lion, faces right and extends its beak upwards to nibble on the top of a tripartite palmette tree in this fragmentary low-relief plaque. This piece was found in a large storeroom at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign. A forest of papyrus flowers and palmettes surrounds the griffin. The scene is framed by a raised border on three sides that probably also continued on the left edge. The skillful carving technique, evident in details such as the long curled locks hanging from the head, and individually articulated wing feathers, combined with the slender proportions of the body, suggests that this piece can be attributed to the Phoenician style. Two tenons project from the upper and lower edges of this plaque, indicating that it was originally fitted into a frame, likely as part of a piece of furniture. Two fragmentary dowel holes pierce the tenons, probably to secure the ivory to a frame. The West Semitic letters Zayin and Tav are inscribed into the reverse. Known as fitter’s marks, these inscriptions would have served as guides to aid the craftsperson in the piece-by-piece assembly of the piece of furniture to which this plaque originally belonged. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Mrs. Samuel Vaughan
Object type: painting, miniature
Date: 1838 – 1838
Materials: ivory, watercolor
Culture: american
Artist: anna claypoole peale
Artist role: artist
Artist nationality: american
Artist dates: 1791 – 1878
Subjects: portraits,women
Stamp seal
Object type: stamp seal
Date: 201 – 700
Materials: stone
Culture: sasanian
Location: iran
Subjects: animals
Plaque with Portrait of Mrs. William Eden, Lady Auckland
Object type: ceramic
Date: 1789 – 1789
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" impressed
Gezicht op Ypsilon Peak
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: deer mountain
Artist: frederick hastings chapin
Artist role: antropoloog, archeoloog, fotograaf, schrijver
Artist dates: 1852 – 1900
Subjects: dale, valley, landscapes

Prent op tweede ongenummerde pagina na pagina 118.
Paard en wagen in een landschap
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: animal traction, animal-drawn vehicle (carriage etc.)

Blad 36 verso uit een schetsboek met 53 bladen.
Zittende vrouw met duif
Object type: drawing
Date: 1625 – 1629
Materials: chalk, ink, paper
Techniques: pen
Artist: abraham bloemaert
Artist role: draughtsman, painter, print maker
Artist dates: 1566 – 1651
Subjects: sitting figure - aa - female human figure, lying figure

Afkomstig uit een schetsboek van 43 (?) bladen.
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: album leaf
Date: 1570 – 1618
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: (story of) alexander the great, the world empires symbolized by four beasts (daniel ch. 7), the leopard with four bird's wings and four heads ~ daniel's visions

Alexander de Grote rijdt op een paard, in zijn hand een vlag met de afbeelding van een berggeit (Griekenland). Het paard vertrapt koning Cyrus van Perzië en Ninus van Babylonië. Op de achtergrond een stadsgezicht. Naast Ninus komt uit de zee een vierkoppige luipaard met vleugels tevoorschijn, een verwijzing naar een visioen van Daniël over de opkomst van vier koninkrijken in de wereld. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Dan. 7. Deze prent maakt deel uit van een album.
Textile Fragment
Object type: textile fragment
Date: 1634 – 1666
Materials: metal, silk, velvet, thread
Techniques: cutting, voiding
Location: india
Subjects: flowers
Miss Ellen Terry (Viola)
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: london
Artist: Anonymous
Subjects: portrait of actor, actress
St. Peter
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: master e. s.
Artist nationality: german
Artist dates: 1450 – 1467
Voorstelling van Adam en Eva in ornamentele omlijsting
Object type: sketchbook leaf
Date: 1862 – 1867
Materials: paper, pencil, watercolor
Techniques: brush
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: picture, painting
Inscriptions: annotation: ‘[...] Stuk nat. Arch. uit 't slot v.d. Grh/ v Ba[...] les Da[...] 64.1 deel xxii’

Blad 25 recto uit een schetsboek met 58 bladen.
Portret van de cisterciënzer abt Angelus
Object type: print
Date: 1669 – 1730
Materials: paper
Techniques: engraving
Location: würzburg
Subjects: flowers, insignia of bishop, e.g. mitre, crozier, ornament ~ medallion, historical persons, book, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Visitekaartje aan Philip Zilcken
Object type: visiting card
Date: 1858 – 1933
Materials: cardboard
Techniques: printing
Location: brussels
Artist: julius hoste
Artist role: auteur, hoofdredacteur
Artist dates: 1848 – 1933
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Speelpenning uit Neurenberg met Tsaar Alexander I en Generaal von Wittgenstein
Object type: history medal
Date: 1813 – 1820
Materials: brass
Techniques: striking
Location: nuremberg

Messing penning, op de voorzijde het botrstbeeld van Tsaar Alexander naar links met omschrift, op de keerzijde Von Wittgenstein te paard naar links, de sabel vooruitwijzend, met omschrift en afsnedetekst.
Baggerhaspel op het dek van de George S. Blake
Object type: page
Date: 1870 – 1880
Materials: paper
Techniques: photograph
Location: boston
Artist: Anonymous
Subjects: ships (in general), dredge, dredging machine
Inscriptions: name: ‘Heliotype Printing Co., 220 Devonshire St., Boston.’, number: ‘Plate 32.’, inscription: ‘The forward side of the dredge reel and its engine. The reel having on it 2700 fathoms of the steel rope recommended by professor Alexander Agassiz.’
Gezicht op Château du Verger in Seiches-sur-le-Loir
Object type: album leaf
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching, hand coloring
Location: frankfurt am main
Subjects: castle, landscape with tower or castle

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1657, dl. 7, na p. 70. De titel is uit de originele prent gesneden. Boven de gravure is een deel lucht en wolken (bij)geschilderd, waarin de titel gelijmd is.
Outing to Zhang Gong's Grotto
Object type: handscroll
Date: 1700 – 1700
Materials: ink, paper
Culture: chinese
Artist: shitao (zhu ruoji)
Artist role: artist
Artist nationality: chinese
Artist dates: 1642 – 1707
Subjects: landscapes,trees

Zhang Gong's grotto, a famous scenic spot and once the abode of Zhang Daoling (Zhang Gong; 2nd century A.D.), a patriarch of the Daoist church, is located near Lake Tai in Jiangsu Province, not far from the pottery center of Yixing. According to Daoist beliefs, such grottoes are wellsprings of nature's creative force and offer the potential for rejuvenation and renewal. Shitao's painting of the grotto, done at the peak of his artistic powers, about 1700, is one of his most sumptuous masterpieces. Following an earlier composition by Shen Zhou (1427–1509), Shitao painted as if he were reenacting the cosmic process of creation: by building up layers of energized brushwork in flowery hues of sky blue, pale green, orange, and fuchsia, he transformed Shen Zhou's topographical likeness into a glowing image redolent of nature's procreative power. In a long poem at the end of the scroll, Shitao acknowledges the mystical Daoist attributes of the cave and playfully suggests that through his art he has captured both the cave and its creative force.
Sampler
Object type: textile
Date: 1801 – 1900
Materials: cotton, linen, textile, silk
Techniques: lace, embroidery, interlocking, weave, stitching
Location: france
Le sopha : conte moral
Date: 1774 – 1774
Location: france
Artist: claude-prosper jolyot de crébillon
Artist role: author
Artist nationality: french
Artist dates: 1707 – 1777

Brown leather binding with gold-tooled board edges, marbled endpapers, and stained edges. Watson Library copy: bound with "Le Canapé couleur de feu : histoire galante" by Louis Charles Fougeret de Monbron, published in 1785.
Kaart van Rijnland en Amstelland
Object type: map
Date: 1647 – 1664
Materials: paper
Techniques: engraving, hand coloring, letterpress printing
Location: amsterdam
Subjects: maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial), holland
Inscriptions: collector's mark: Lugt 2228

Prent met Nederlandse tekst op verso ook gebruikt in: Blaeu, Willem Janszoon en Johannes Willemszoon Blaeu. Toonneel des aerdrycx, ofte nieuwe Atlas, dat is de beschryving van alle landen. 4 delen. Amsterdam: Johannes Willemszoon Blaeu, 1647-1650, dl. 1 (1647-1648). En in daaropvolgende Nederlandstalige atlassen van Blaeu (1649-1650, 1658-1661 en 1664).
Cup with a water landscape and a monogram
Object type: cup
Date: 1850 – 1850
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: europe
Artist: Anonymous
Inscriptions: mark: ‘VD’, inscription: ‘I:D:H.’

Kom van porselein, beschilderd in encre-de-Chine met een rivierlandschap. Brede gouden bies langs mond- en voetrand. Op de achterkant van de kom I:D:H: in goud. Gemerkt met schildje waarin de letters VD in reliëf. Opmerking: barst in kom.
Graflegging van Christus
Object type: print
Date: 1475 – 1480
Materials: paper
Techniques: engraving
Location: italy
Artist: andrea mantegna
Artist role: print maker
Artist dates: 1431 – 1506
Subjects: christ's entombment (possibly by angels)
Inscriptions: collector's mark: Lugt 10, inscription: ‘B 25 f 90-92’, collector's mark: ‘Hinloopen’ Lugt 11, collector's mark: Lugt 11

De voorstelling lijkt gebaseerd op een scène uit een Passie serie van Andrea Mantegna (zie documentatie).
Vase
Object type: vase
Date: 1801 – 1850
Materials: glaze, porcelain
Techniques: incising
Culture: chinese
Landschap met schuur tussen bomen
Object type: drawing
Date: 1700 – 1772
Materials: ink, paper, pencil
Techniques: brush, pen

Landschap met schuur tussen bomen, links wordt een kar geladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, forearm and part of hand and body of figure
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, top of head, right ear, and right eyebrow of youth to right
A Chinese Serow (Capricornis milneedwardsi argyrochaetes)
Object type: illustrated single work
Date: 1800 – 1800
Materials: ink, paper, watercolor
Location: india

The naturalistic treatment of this Chinese Serow, a type of goat-antelope, follows the aesthetic approach Indian artists had taken since the seventeenth century to communicate the wonder of the natural world. The animal is exquisitely rendered in isolation from a context or setting, allowing the viewer to focus on the fine detail of the painting. ‘Company School’ paintings satisfied the British taste for documenting the natural world; this example was probably created in Calcutta, Bengal.
Design for Pony Phaeton, no. 3801
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Figure of a dancer
Object type: figure
Date: 601 – 800
Materials: pigment
Culture: chinese
Subjects: dancers
E 26. Stadsoctrooi te Ghezireh. Caïro
Object type: photograph
Date: 1888 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Artist: jean pascal sébah
Artist role: fotograaf
Artist dates: 1872 – 1947
Subjects: market
Inscriptions: title: ‘E 26. Stadsoctrooi te Ghezireh. Caïro.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, check stamp: ‘Bristol/ L.M.’, number: ‘115’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Coin
Object type: coin
Date: 701 – 800
Materials: copper
Location: iran
Door knocker in the shape of a salamander
Materials: iron
Culture: spanish
Subjects: salamanders