deem-data/ArtiFact huggingface dataset:
Schetsboek met 42 bladen
Object type: sketchbook
Date: 1901 – 1901
Materials: cardboard, chalk, linen, paper, pencil
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: ornaments ~ art, calendar, almanac

De volgende bladen uit het schetsboek zijn blanco: 5(V) t/m 11(V), 12(R), 15(R), 16(R), 18(R) t/m 21(R), 22(V) t/m 24(V), 27(V), 28 t/m 32 en 33(R) t/m 38(R).
Le Antichità Romane
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: italy
Subjects: sarcophagus
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Gezelschap met een automobiel bij een veer te Bernkastel
Object type: photograph
Date: 1900 – 1906
Materials: paper, photographic support
Techniques: gelatin silver print
Location: rhineland-palatinate
Artist: delizy
Artist role: manufacturer
Subjects: ferry, automobile

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Kom uit V.O.C.-schip de 'Witte Leeuw'
Object type: kraaikop
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A high bowl. The interior panels decorated with peach-sprays and thorny branches. The exterior with flower- and fruit-sprays, bamboo and a bird.
Brochure uit archief Philip Zilcken
Object type: brochure
Date: 1903 – 1903
Materials: paper
Techniques: printing
Artist: Anonymous
Subjects: rotterdam, herman heijermans, painter, draughtsman, philip zilcken, charitable works
Inscriptions: collector's mark: ‘RPK’

Brochure is bewaard bij correspondentie van Herman Heijermans aan Philip Zilcken. Zilcken ontving eerder van Heijermans een oproep tot ondertekening van deze brochure (RP-D-1982-43-HEIJERMANS(H.)-1).
Portret van Heinrich Laube
Object type: print
Date: 1845 – 1899
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: vienna, historical persons, portrait of a writer
Figure Studies
Object type: drawing
Date: 1659 – 1734
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: sebastiano ricci
Artist role: artist
Artist nationality: italian
Artist dates: 1659 – 1734
Subjects: men,women
Portret van Frederik Willem III van Pruisen
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: berlin, frederik willem iii koning van pruisen, historical persons, (military) uniforms, king
Acedia, plate 7 from The Seven Vices
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: belgium
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Visser in een boot aan de bosrand
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: drypoint, etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: river, forest, wood, hut, cabin, lodge, fisherman
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Dish for a ewer (bacile da versatore)
Object type: ewer dish
Date: 1530 – 1540
Techniques: maiolica, glazing
Culture: italian
Necklace
Object type: costume and accessory
Date: 100 – 100
Materials: glass
Culture: roman
Location: egypt
Subjects: beauty, rituals

Initially affordable among only the wealthy, glass was used widely in the Roman world to create a variety of everyday objects such as those displayed here, including delicate cosmetic containers that held perfumes and oils and various forms of tableware designed for serving food and drink. Glass was also used to imitate precious stones in jewelry. The faces on these beads were made by fusing bundles of canes of glass.
Netsuke of Dragon in a Nut
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: dragons
Bowl or Deep Plate
Object type: bowl or plate
Date: 1801 – 1900
Materials: gilt, silver
Culture: french
Suit
Object type: suit
Date: 1775 – 1780
Materials: cotton, metal thread
Culture: british
Staande naakte man
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: frans molenaar (1821-1886)
Artist role: print maker
Artist dates: 1821 – 1886
Subjects: the (nude) human figure; 'corpo humano' (ripa)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Den WE Heer Buchter Lid van de Raad van Bestuur der Kon" Ak" van Beeld" Kunsten te Amst" aangeboden door ZWE Dienaar F. Molenaar 1843’

Staande naakte man met baard, de handen ineen geslagen.
De jongste phase van de Dreyfus-Zaak
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: emile zola, paris, historical persons, justitia (justice) as roman personification, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 11 juni 1899.
Okitsu, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi)," also known as the Figure Tokaido (Jinbutsu Tokaido)
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Nicolas Boileau met een sater
Object type: ornament print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: paris, nicolas boileau, ornaments ~ art, parnassus, sacred to apollo musagetes, satyr(s) (in general)
Inscriptions: number: ‘11.’, collector's mark: Lugt 2165

De schrijver Nicolas Boileau-Despréaux pakt een sater, die de satire verbeeldt, bij de arm. De sater houdt een weegschaal met de namen van Virgilius en Chapelain vast. Op de achtergrond de berg Parnassus. De voorstelling is gevat in een ornamentele lijst met in de bovenhoeken twee draken.
Die Zähne werden gespitzt
Object type: stereograph
Date: 1898 – 1935
Materials: paper
Techniques: gelatin silver print
Location: berlin
Artist: Anonymous
Subjects: care of the body, hygiene, teeth
Inscriptions: monogram: ‘NPG’, number: ‘S 6004’
Studieblad met mannen voor een café, een ruiter en soldaat
Object type: sketchbook leaf
Date: 1839 – 1894
Materials: paper, pencil
Artist: lambertus lingeman
Artist role: draughtsman, painter, print maker
Artist dates: 1829 – 1894
Subjects: riding a horse, ass, or mule; rider, horseman, the soldier; the soldier's life, street (+ city(-scape) with figures, staffage)

Tevens studies van figuren en een straatscène met arbeiders die schoppen op de schouder dragen. Blad 35 recto uit een schetsboek met 51 bladen.
Oak Carving from Fireplace in the Jerusalem Chamber, Westminster
Object type: drawing
Date: 1838 – 1838
Materials: watercolor
Artist: charles james richardson
Artist role: artist
Artist nationality: british
Artist dates: 1806 – 1871
Subjects: fireplaces
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: akestorides painter
Artist role: artist

Exterior, left hand of youth holding a diskos; bent right arm of a second figure
Basket
Object type: basket
Date: 1550 – 1295
Location: egypt
Old Sarum
Object type: print
Date: 1830 – 1830
Techniques: drypoint, mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: landscapes,clouds

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Voorwoord bij de Grooten Emblemata Sacra
Object type: text sheet
Date: 1653 – 1654
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: initial

Voorwoord bij de Grooten Emblemata Sacra, ondertekend door Jan Philipsz Schabaelje. De tekst vangt aan met een gedecoreerde initiaal D. Het blad maakt deel uit van een album.
Mislukte vredesonderhandelingen te Keulen
Object type: jeton
Date: 1579 – 1579
Materials: copper
Techniques: striking
Location: dordrecht
Artist: gerard van bylaer
Artist role: die cutter
Artist dates: 1540 – 
Subjects: philip ii of spain, rome, gregorius xiii, cologne
Stoel van mahoniehout, bekleed met trijp met een doorlopend patroon van aan strikken hangende ovalen waarin bloem op streeppatroon
Object type: furniture
Date: 1775 – 1800
Materials: wood, textile
Location: northern netherlands
Artist: Anonymous

Chair. Mahogany, with the original upholstery of moquette (trijp). Netherlands, c. 1780 - 1800. Mr and Mrs Drucker-Fraser bequest, 1949.
Munchener platen
Object type: popular print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: munich
Artist: j. beeg
Artist role: draughtsman, print maker
Subjects: playing-cards
Inscriptions: collector's mark: Lugt 2760

Blad met 13 voorstellingen van speelkaarten (harten), met verschillende figuren. Onder de titel een tienregelig vers. Genummerd midden onder: Nr. 9. Genummerd rechtsboven: 9.
Hermitage in Mount Lu
Object type: hanging scroll
Date: 1644 – 1707
Materials: ink, paper
Culture: chinese
Artist: shitao (zhu ruoji)
Artist role: artist
Artist nationality: chinese
Artist dates: 1642 – 1707
Subjects: mountains,landscapes
Tiraz Textile Fragment
Object type: tiraz fragment
Date: 901 – 1000
Materials: silk
Techniques: embroidery, weave
Location: iran
Subjects: arabic

Tiraz is a term derived from Persian meaning embroidery. Tiraz textile bands present a line of Arabic inscription on the upper sleeves of a robe or on a turban. They were part of an official Islamic custom, the khila' ceremony, in which robes of honor were presented to a deserving subject by the caliph.
Stilleven met gevogelte
Object type: stereograph
Date: 1857 – 1870
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: birds, meat; still life of meat
Inscriptions: name: ‘PAUL FLEURY’
Schetsen van H. Marcus die het leven van een slaaf redt
Object type: drawing
Date: 1600 – 1699
Materials: chalk, paper
Subjects: slavery; serfs and enslaved persons, st. mark rescues a slave from martyrdom by coming down from heaven; the instruments of torture break

Enige schetsen naar het schilderij van Tintoretto met de H. Markus die het leven van een slaafgemaakte redt.
Portret van Mumtaz Mahal en twee bediendes
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: historical persons - bb - woman, princess, house personnel, servants

Prent uit: Valentijn, François. Oud en nieuw Oost-Indien, vervattende een naaukeurige en uitvoerige verhandelinge van Nederlands mogentheyd in die gewesten (...). Dordrecht en Amsterdam: Johannes van Braam en Gerard onder de Linden, 1726, dl. 4.
Gezicht op de Utrechtsestraat vanaf het Frederiksplein
Object type: cabinet photograph
Date: 1826 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: square, place, circus, etc., city-view in general; 'veduta', the usual house or row of houses, street
Inscriptions: inscription: ‘Utrechtschestraat / van het / Frederiksplein / gezien. / 5’, collector's mark: ‘8’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Egelantiersdwarsstraat, Egelantiersgracht, Elandsgracht, Engelschesteeg, Foeliedwarsstraat, Frederiksplein, Funen.
Feline-shaped belt buckle
Object type: belt buckle
Date: 201 – 300
Materials: bronze
Culture: korean
Subjects: animals
Dish with a bouquet and flower sprays
Object type: service set
Date: 1800 – 1849
Materials: glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: vienna
Inscriptions: mark: ‘schild/ S/ P56/ C/ 88’

Vierkante schaal van porselein met geknepen hoeken en gelobde wand en rand, beschilderd op het glazuur in rood, roze, groen en geel. Op het plat een boeket van verschillende bloemen (o.a. pioenroos) omgeven door losse takjes en bloemtakken. Gemerkt op de onderzijde met het schild, de letter S, P56, C en nummer 88.
Portretten van geleerden
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: clemens ammon
Artist role: print maker
Artist dates: 1627 – 
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2233

Prent waarschijnlijk uit: Boissard, Jean Jacques. Bibliotheca chalcographica (...) VIII Pars. Frankfurt am Main: Johannes Ammon, 1652.
Frontispiece for Exercises de Devotion sur la Vie de Nostre Seigneur Iesus-Christ [...]
Object type: print
Date: 1655 – 1655
Techniques: engraving
Artist: grégoire huret
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1670
Subjects: men,women,virgin mary,jesus
Catalog des Kunstverlags der Photographischen Gesellschaft Berlin 1. October 1883
Object type: book
Date: 1883 – 1883
Materials: paper, photographic support
Techniques: albumen print
Location: berlin
Artist: c. koepsel
Artist role: printer
Inscriptions: name: ‘Henri Hymans, Bruxelles’
Gezicht op een strand
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: hamburg
Subjects: beach
Architectura
Object type: page
Date: 1593 – 1595
Materials: paper
Techniques: etching
Location: straatsburg
Subjects: column, pillar ~ architecture, monsters of mixed human and animal shape; 'mostri' (ripa), 'laub- und bandelwerk' ~ ornament, other architectural details, ionic order ~ architecture, foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent gebruikt in: Dietterlin, Wendel (I). Architectura de quinq[ue] columnarum simmetrica distributione et variis eorundem or namentis: Liber I. Straatsburg: Bernhard Jobin, 1593.
Door Knocker Ring
Object type: door knocker ring
Date: 1401 – 1600
Materials: iron
Culture: european
Passie van Christus
Object type: print
Date: 1800 – 1891
Materials: paper
Techniques: engraving
Subjects: letters, alphabet, script
Inscriptions: collector's mark: Lugt 2166

Dit betreft de omslag van een serie die in de negentiende eeuw is herdrukt met de titel: Die Leiden Christi 14 Blatt. Nach Lucas von Leyden in Kupfer gestochen von J. Müller.
Galau. Charles. 18 ans, né à Nogent s/Marne (Seine). Charron. Cris séditieux. Anarchiste. 21/2/91.
Object type: mugshot
Date: 1891 – 1891
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Sheet Folded into a Mattress
Object type: sheet, mattress, tufted, weaver's mark preserved
Date: 1981 – 1975
Materials: linen
Location: egypt
Calliope, from "Twelve Muses and Goddesses"
Object type: print
Date: 1542 – 1545
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: women,muses
Padlock
Object type: padlock
Date: 1601 – 1700
Materials: iron
Subjects: lions
Naakte vrouwenfiguur
Object type: sculpture
Date: 1525 – 1575
Materials: bronze
Location: italy
Artist: Anonymous
Cravat
Object type: cravat
Date: 1888 – 1888
Materials: cotton
Culture: american
Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Gyosho Tokaido
Object type: print
Date: 1841 – 1844
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Ewer
Object type: ewer
Date: 767 – 900
Materials: earthenware
Location: iran
A Roadside Chapel near Tivoli
Object type: drawing
Date: 1835 – 1835
Materials: graphite, watercolor
Artist: august georg friedrich lucas
Artist role: artist
Artist nationality: german
Artist dates: 1803 – 1863
Band Fragment
Object type: band fragment
Date: 301 – 500
Materials: wool
Techniques: tapestry, weave
Location: egypt
Gezicht op Isola Bella, Lago Maggiore
Object type: print
Date: 1700 – 1900
Materials: paper
Techniques: aquatint, hand coloring
Artist: Anonymous
Subjects: island, castle

Gezicht op het eiland Isola Bella met paleis en tuinen.
Twee portretten van Hugo Donellus
Object type: print
Date: 1669 – 1732
Materials: paper
Techniques: engraving, etching
Subjects: further education (+ portrait of teacher, professor), historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2228, annotation: ‘22’

In de bovenste druk tekst in Latijn in het medaillon. De onderste druk heeft tekst in het Latijn in de ondermarge.
Kettle drums
Object type: timpani
Date: 1850 – 1899
Materials: brass, leather, wood
Location: europe
Artist: Anonymous

Set van twee vroeg 19e-eeuwse pauken, gemaakt van koper met messing stemschroeven, op originele onderstellen.
Geraamte van een struisvogel
Object type: book illustration
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: animals (+ skeleton of an animal), walker and runner birds: ostrich
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Dyk, Cornelis van. Osteologia, of nauwkeurige geraamt beschryving van verscheyde dieren, nevens hare historien. Amsterdam: Jan Claesz ten Hoorn, 1680.
Bakstenen uit het wrak van de Oostindiëvaarder Hollandia
Object type: brick clay product
Date: 1700 – 1743
Materials: brick
Artist: Anonymous

Zesendertig bakstenen uit het wrak van de Oostindiëvaarder Hollandia. Constructional elements, brick. Allemaal ongeveer dezelfde afmetingen.
Section of a Qur'an Manuscript
Object type: section from a non illustrated manuscript
Date: 1367 – 1433
Materials: gold, ink, paper, watercolor
Location: uzbekistan
Artist: `umar aqta'
Artist role: calligrapher
Subjects: qur'an,calligraphy

These two lines of calligraphy in elegant muhaqqaq script are from chapter 40 (Sura al-Mu'min, The Believer) of the Qur'an. The fragment on which they are written was once part of a Qur'an manuscript that is probably the largest ever produced. Originally, each page included seven lines of script copied on one side only. A double-page would fit perfectly into the gigantic stone Qur'an stand made for the congregational mosque of Bibi Khanum in Samarqand and commissioned by a grandson of Timur (Tamerlane, d. 1405). Its calligrapher was likely the renowned 'Umar Aqta'. Historical sources tell us that 'Umar tried to impress Timur by writing a Qur’an so small that it could fit under a signet ring. When the sultan was unmoved, 'Umar wrote a Qur'an so large that it had to be brought to Timur on a cart.
Dood rijst op uit het graf
Object type: print
Date: 1848 – 1849
Materials: paper
Techniques: woodcut
Subjects: dance of death; death together with one or more human beings, revolution, revolt

Allegorie op de revolutie in de Duitse landen van 1848: "Ein Totentanz aus dem Jahre 1848", Volksuitgave van Augustus.
Portret van Eduard von Bauernfeld
Object type: print
Date: 1832 – 1866
Materials: paper
Techniques: engraving
Location: leipzig
Artist: moritz lämmel
Artist role: print maker
Artist dates: 1822 – 1866
Subjects: vienna, vienna state, historical persons, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Een facsimile signatuur in de ondermarge.
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Drapery; hindquarters of an animal to right?; behind the animal, lower torso of a draped male
Nightgown
Object type: nightgown
Date: 1880 – 1889
Materials: cotton
Culture: american
Herder met vee bij rivier
Object type: print
Date: 1761 – 1823
Materials: paper
Techniques: etching
Subjects: cow, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Heuvelachtig landschap met herder, zittend bij een rivier. Een koe drinkt uit de rivier. Vóór de lucht.
Kleine cartouche met trossen fruit
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: fruits and vegetables ~ ornament, scrollwork, strapwork ~ ornament, ornament ~ cartouche

Kleine rolwerkcartouche met trossen fruit. De cartouche is een fragment van een kaart van de Zwarte Zee. De prent maakt deel uit van een album.
Nederlandse ½ cent, 1862
Object type: coin
Date: 1862 – 1862
Materials: copper
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Koperen munt. Voorzijde: tussen jaartal gekroonde rechte letter W. Keerzijde: tussen waarde-aanduiding ½ C. gekroond rijkswapenschild. Gladde rand.
Thailand, speelhuispenning uitThailand ter waarde van een fuang, 1760-1871
Object type: coin
Date: 1760 – 1871
Materials: porcelain
Techniques: firing

Vierkanten, gekartelde porseleinen speelhuispenning, die ook als munt is gebruikt. Voorzijde: drie Chinese karakters. Keerzijde: afbeelding.
Het nemen van de brug van Walhem
Object type: history medal
Materials: bronze
Techniques: striking
Location: brussels
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864
Subjects: generaal, anne-francois mellinet, walem, inname van de brug van walem, belgische revolutie
Boxing Match for 200 Guineas, Betwixt Dutch Sam and Medley, Fought 31 May 1810, on Moulsey Hurst Near Hampton
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,spectators,boxing,athletes

Two boxers face each other on the turf, each accompanied by a second, with bottlemen seated at lower left and right. The ring is formed by densely packed male spectators with a few women shown standing at the back on the roofs of coaches. "Dutch Sam" was a Jewish pugilist from Holland who remained unbeaten until December 1814. This match took place on May 31, 1810, went 49 rounds, and lasted 52 minutes before Ben Medley was defeated. In the years that followed the French Revolution, British boxing and Spanish bullfighting rose to new prominence as demonstrations of individual skill and courage, replacing armored princely pageants.
Paard in stal
Object type: print
Date: 1860 – 1894
Materials: paper
Techniques: etching
Location: the hague
Subjects: horses and kindred animals, fowl (cock, hen, chicken, etc.), stall, stable
Inscriptions: collector's mark: Lugt 2228