deem-data/ArtiFact huggingface dataset:
Incaleider Atahualpa wordt bekeerd tot het katholieke geloof
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ancient american script (maya, aztec, inca), europeans: spaniards, indigenous peoples of south america, crucifix ~ personal devotion, extinct, 'historical' peoples (with name), the bible as a book
Inscriptions: collector's mark: Lugt 240

Spanjaarden proberen de Incaheerser Atahualpa te bekeren tot het katholieke geloof. Hij heeft zijn oor tegen de bijbel. Voor hem houdt een geestelijke een crucifix vast. Rechtsboven: IX.D.Pl.II. Rechtsonder: Bladz.88.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, right hand and part of forearm
Koetsier met passagier in Londen
Object type: photomechanical print
Date: 1876 – 1877
Materials: cardboard, paper
Techniques: woodburytype
Location: england
Subjects: passenger carriage, london

Plaat uit dit boek J. Thomson en Adolphe Smith, Street Life in London, Part 8 (1st September, 1877).
Landschap met een kronkelende rivier
Object type: print
Date: 1615 – 1655
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: lodewijk de vadder
Artist role: print maker
Artist dates: 1605 – 1655
Subjects: river
Inscriptions: collector's mark: Lugt 2228

Bosachtig landschap met een meanderende rivier, op de oever twee personen, in de verte een dorp.
Overlijden van jonkheer Arend Frederik Godert Jan, baron van Boecop
Object type: overlijdenspenning
Date: 1811 – 1811
Materials: silver
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: arend frederik godert jan baron boecop

Zilveren penning. Voorzijde: wapenschild hangend aan lint omringd door geknoopt touw en treurwilgtakken. Keerzijde: opschrift onder gevleugelde zandloper op twee gekruiste zeisen
Bird peddler
Object type: hanging scroll
Date: 1467 – 1533
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: birds,boys,men,merchants
Studie voor Prometheus
Object type: drawing
Date: 1781 – 1781
Materials: chalk, paper
Artist: jean grandjean
Artist role: draughtsman, print maker
Artist dates: 1752 – 1781
Subjects: an eagle tears at prometheus' liver
Voorzetraam
Object type: storm window
Date: 1700 – 1710
Materials: gouache, resin, silk, wood
Artist: Anonymous

Sassinet of beschilderde voorzetraam; vervaardigd uit een smal houten raamwerk, bespannen met crème-kleurige zijde die beschilderd is met druivenranken en een voorstelling uit de fabels van Aesopus: het verhaal van 'De vos en de Kraen'. De afbeelding is ontleend aan de illustratie van de betreffende fabel nr. VII uit Vondels 'Vorstelijke waronde der dieren', uitgave 1617.
Jeremy Bentham
Object type: medallion
Materials: bronze
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Studie, mogelijk van een doorgang of poort
Object type: sketchbook leaf
Date: 1880 – 1906
Materials: chalk, paper
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: gate, entrance, passage

Pagina 12 uit een schetsboek met 81 bladen.
Portret van Leonaert Bramer
Object type: drawing
Date: 1700 – 1799
Materials: paper
Techniques: brush, pen
Artist: Anonymous
Subjects: delft, painter, print maker, draughtsman, leonaert bramer, historical persons, portrait, self-portrait of artist
Inscriptions: inscription: ‘Leonard Bramer, schilder a Amsterdam’
Kroonlijsten en omlijstingen
Object type: print
Date: 1758 – 1820
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornaments ~ art (+ framing decorations)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerpen voor vijf geornamenteerde lijsten, in het midden een lijst met strik en laurier. Uitgeversnummer 27.
De Zonheuvel: Eetkamer schouw
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1950
Materials: cardboard
Techniques: photograph, writing
Location: doorn
Artist: Anonymous
Subjects: open hearth, fire-place, villa, dining-room
Cream jug
Object type: cream jug
Date: 1760 – 1760
Materials: stoneware
Techniques: salt glaze
Subjects: men
Peacock (one of a pair)
Object type: figure
Date: 1720 – 1730
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: parrots,peacocks
Plattegrond van de Wereldtentoonstelling in Amsterdam, 1883
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: chromolithography
Location: netherlands
Artist: Anonymous
Subjects: world fair, world exhibition, amsterdam

Plattegrond van het terrein van de Wereldtentoonstelling op het Museumplein te Amsterdam. Dubbelgevouwen blad, op de achterzijde de verklaring 1-98 en A-E. Onderdeel van een groep van zestien platen en een plattegrond van de Wereldtentoonstelling in Amsterdam van 1 mei tot 1 oktober 1883. Uitgave van het Nieuws van den Dag.
Portret van Frederik Frans, hertog van Brunswijk-Luneburg
Object type: print
Date: 1729 – 1774
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: christian friedrich fritzsch
Artist role: print maker
Artist dates: 1719 – 1774
Subjects: frederik frans hertog van brunswijk-luneburg
Inscriptions: collector's mark: Lugt 2228

Portretbuste in achthoek van Frederik Frans, hertog van Brunswijk-Luneburg. Het hoofd is licht naar links gedraaid en getooid met een steek. Onder het ovaal staan zijn naam en titels.
A Picardy Plough
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: etching
Location: jumièges
Subjects: agricultural implements: plough
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Martin Hardie’, collector's mark: Lugt 2760
Titelhoofd met pauwen
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: ornamental birds: peacock, ornament derived from plant forms

Prent uit: Catalogus van handboeken, pracht- en plaatwerken, dicht- en prozabundels en kinderliteratuur (...). Amsterdam: Scheltema & Holkema's Boekhandel, 1894, p. 12.
Deze prent werd origineel ontworpen voor: Crane, Walter. Kunst en samenleving. [Vertaald uit het Engels door] Jan Veth. Amsterdam: Scheltema & Holkema's Boekhandel, 1894 [1893], voorafgaand aan de Inleiding.
Crimean Photographs
Object type: photograph
Date: 1855 – 1855
Materials: leather, paper
Techniques: bookbinding, photography
Location: scotland
Artist: james robertson
Gotenyama-no Hana
Object type: print
Date: 1797 – 1858
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,mountains,landscapes
Gewicht uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: weight scale component
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Disc-shaped weight, sim. NG 1980-27H2928, eroded
Billingsgate
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,fish,drinking
Gustav Mahler
Object type: sculpture
Date: 1909 – 1909
Materials: bronze
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: heads,men,portraits

Ascetic, sharp features give the composer an aristocratic look. Gustav Mahler (1860–1911) modeled for Rodin, though the sittings were difficult to endure for the nervous composer, who saw rest as "time wasted away from his work," as Alma Mahler remembered.
Portret van Sophia Frederika Mathilda van Württemberg
Object type: photograph
Date: 1870 – 1880
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: the hague, sophia frederika mathilda van württemberg, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Portretten, Portretten van Vorsten uit het huis van Oranje, Regeerende Vorsten, Koningen uit het huis van Oranje.
Zelfportret van Gijsbertus Craeyvanger
Object type: drawing
Date: 1876 – 1876
Materials: paper, pencil
Artist: gijsbertus craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1810 – 1895
Subjects: utrecht, gijsbertus craeyvanger, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
The Vision of St Eustace
Object type: print
Date: 1499 – 1503
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: the conversion of st. eustace: while hunting (on horseback) he is confronted with a stag bearing a crucifix between its antlers; eustace is shown kneeling before the stag (that appears on a rock)

The Roman commander Placidus is hunting a stag, when it suddenly stands still. In a vision he sees a crucifix lodged between its antlers, and the stag speaks to him in Christ’s voice. Placidus converts and changes his name to Eustace. Dürer counted this print among his best works,
and repeatedly gave impressions of it to friends and acquaintances.
Swerelts afbeeldingh vanden onversadighen pracht / En ghenoeghende armoede
Object type: cartoon
Date: 1618 – 1625
Materials: paper
Techniques: engraving, letterpress printing
Location: low countries
Subjects: contrast between rich and poor

Spotprent op de onverzadigbare rijkdom en de bevredigende armoede, 1618. Tegenstelling tussen een naakte man slechts gekleed in een rieten vogelkooi rijdend op een stokpaard en een rijk en modieus geklede man die zichzelf in een handspiegel bekijkt. Op de achtergrond drinken en feesten voor een herberg en kooplieden in een havenstad. Met onderschrift van 2 keer 4 regels in het Latijn. De plaat gedrukt op een blad met verzen genummerd 1-12 met een samenspraak tussen Onversadighen Pracht en Genoegende soberheyt.
Vier dagdelen
Object type: print
Date: 1590 – 1637
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: afternoon ~ landscape (sometimes titled 'meridies'), personification of the afternoon, 'meridies'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 972

Landschap met de personificatie van Meridiës. Op een pad een herder met zijn kudde schapen. Op de voorgrond rustende figuren. In de marge een zesregelig onderschrift, in drie kolommen, in het Latijn. Tweede prent uit een serie met de vier dagdelen.
Cuff
Object type: cuff
Date: 1801 – 1900
Materials: linen, wool
Plate
Object type: plate
Date: 1751 – 1775
Materials: pewter
Artist: thomas giffin
Artist role: maker
Artist dates: 1760 – 1777
Ex libris uit de collectie van William Stirling Maxwell
Object type: pastedown
Date: 1852 – 1878
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: politician, william stirling maxwell, ex-libris

Ex libris van William Stirling Maxwell. Dit label verwijst naar de 'Arts of Design' sectie in de bibliotheek van William Stirling Maxwell in zijn buitenhuis in Keir. Prent geplakt op het achterste dekblad van het album. Deze prent maakt deel uit van een album.
Picture Depicting the Queen of Sheba before King Solomon
Object type: textile
Date: 1601 – 1650
Materials: feather, gilt, glass, metal, paint, pearl, textile, silk
Techniques: appliqué, embroidery, embroidered, laid work, painting, satin weave, silvered, stitching, weave
Location: england
Subjects: portraits: multiple subjects, crowns, christian subjects, dresses, clouds, insects, flowers, buildings, birds, lions, king, queens
William W. Welch
Object type: painting
Date: 1837 – 1837
Materials: canvas, oil
Location: united states
Artist: sheldon peck
Artist nationality: american
Artist dates: 1797 – 1868
Subjects: people, portraits
Inscriptions: Signed, middle left: "Wm. W. Welch / Born AD 1777"

Sheldon Peck rendered the distinctive likenesses of his two sitters, William and Phebe Welch, using hard-edged lines and modeled forms (see Phebe Russell Swain Welch, 1990.100.2). Amid a dark setting, the couple’s intense gazes hold our attention. Their names and dates of birth are inscribed in golden yellow paint, emphasizing their identities. The Welches were among the white settler-colonialists who established homesteads in Illinois in the early 19th century. Beginning in 1834, they lived near Elgin along the Fox River.

Peck likewise has a local history. Born in Vermont, he lived in New York before moving to Babcock’s Grove (today Lombard, Illinois), where he worked as a farmer, portraitist, and social reformer.
Terracotta duck-shaped askos (flask with spout and handle over the back)
Object type: askos in the form of a duck
Date: 850 – 750
Materials: terracotta
Culture: cypriot
Subjects: ducks
Love Scene
Object type: folio from an illustrated manuscript
Date: 1567 – 1633
Materials: paper, watercolor
Location: iran
Subjects: men,women,flowers,trees
Bruxelles - Perspective du Boulevard Anspach
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: brussels
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: avenue, boulevard, promenade, esplanade
Inscriptions: signature: ‘231/ ND Phot’, title: ‘Bruxelles - Perspective du Boulevard Anspach’
In the Forest
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Populieren
Object type: print
Date: 1832 – 1893
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: landscapes, trees: poplar, pond, pool
Inscriptions: collector's mark: Lugt 2228

Landschap met enkele populieren aan de rand van een waterplas. In het water is een reflectie van de bomen te zien.
Wintergezicht bij de Hogesluis, gezien vanaf de Weesperzijde
Object type: drawing
Date: 1751 – 1816
Materials: ink, paper, pencil
Techniques: brush, pen, snipping
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: city-view in general; 'veduta', river, winter landscape; landscape symbolizing winter (the four seasons of the year), bridge in city across river, canal, etc., windmill
Inscriptions: name: ‘Vinkeles’, collector's mark: Lugt 800a, : ‘246 Wintergezicht op (...) breed 28 cM.’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 8.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 425 – 401
Materials: terracotta
Culture: greek, attic

Head, neck, and right shoulder of a balding, bearded satyr to right
Medallion with Sacrifice
Object type: ceramic
Date: 1780 – 1780
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 –
Gezicht op de Fontana dell'Acqua Paolo in Rome
Object type: photograph
Date: 1870 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: ornamental fountain
Inscriptions: inscription: ‘276 FONTANA DELL' ACQUA PAOLA’
Gaming Die
Object type: dice
Date: 1 – 300
Materials: ivory
Culture: afghanistan or gandhara
Subjects: satavahana
Stellingkast met drie planken
Object type: stellingkast
Date: 1820 – 1840
Materials: wood
Location: amsterdam
Artist: Anonymous

Stellingkast van mahoniehout, bestaande uit zware massieve plint, drie dunne planken en een massieve kap met dekplaat, onderling verbonden door ronde gladde stijlen.
Group of Portrait and Compositional Studies
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: france
Artist: jules-élie delaunay
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1891
Roermond. Kapel in't Zand
Object type: ansichtkaart, prentbriefkaart
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph
Location: roermond
Artist: Anonymous
Subjects: full moon, church (exterior) - qq - small church, chapel
Obi with Dragon and Phoenix
Object type: obi
Date: 1801 – 1900
Materials: silk, thread
Techniques: patterning
Culture: japanese
Subjects: birds,dragons,phoenix

A dragon and a phoenix, fantastic creatures of Chinese origin, are shown here in a Japanese obi against a background crowded with peonies and chrysanthemums. The dragon is seen in its usual Qing dynasty Chinese milieu, which includes stylized motifs of a mountain, waves, and flaming jewel.
Cornelis Tromp door de koning van Denemarken tot Ridder geslagen, 1676
Object type: history print
Date: 1690 – 1692
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: amsterdam, cornelis tromp, knighting ceremonies, ruler bestowing nobility

Admiraal Cornelis Tromp wordt na de overwinning behaald door de gecombineerde Hollands-Deense vloot op de Zweedse vloot in de slag bij Öland op 11 juni 1676 door de koning Christiaan V van Denemarken tot ridder geslagen.
Anton bij sluis in achterdam van "Ma retraite"
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘A14 / Anton bij sluis in achterdam van "Ma retraite".’

De Nederlandse jongen Anton staande op een boom bij de sluis op het terrein van de plantage Ma Retraite. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Historical Sycamore Tree, Orchard Knob in the distance, No. 1750 from the series "Kansas City Panorama. Battle Missionary Ridge"
Object type: photograph
Date: 1889 – 1889
Techniques: albumen print
Location: wisconsin
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Bowl
Object type: bowl
Date: 1501 – 1600
Materials: glass

During the Renaissance, Venetian glassmakers, working on the island of Murano, were celebrated across Europe for their fine and sparkling work. Called “cristallo” emulating the clarity of rock crystal, in the hands of the most skilled glassblowers the medium could be delightfully manipulated, variously stretched paper-thin flat, or playfully twisted, or blown into molds with spectacular patterns.
See 11.151.391
Object type: vase fragment
Date: 1295 – 1070
Materials: glass
Location: egypt
Snuff Bottle
Object type: snuff bottle
Date: 1801 – 1900
Culture: chinese
Subjects: flowers
Portret van Josje Westerweel op bidprent
Object type: photograph
Date: 1949 – 1949
Materials: paper
Techniques: gelatin silver print, letterpress printing
Location: bussum
Artist: Anonymous
Subjects: boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘Bidt voor onze lieve Josje Westerweel, geboren (...) Mijn kleine hartje winnen kon.’
Portret van een vrouw in traditionele kleding
Object type: album leaf
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, folk costume, regional costume
Inscriptions: inscription: ‘Fritz Küken/ Bielefeld’
Eiken omsluiting uit de Kapel van het Krijgshospitaal van Bergen
Object type: print
Date: 1870 – 1899
Materials: paper
Techniques: lithograph
Location: brussels
Artist: Anonymous
Subjects: parts of church interior: chapel
Turbaned soldier on horseback
Object type: print
Date: 1632 – 1632
Materials: paper
Techniques: etching, intaglio
Subjects: riding a horse, ass, or mule; rider, horseman
Inscriptions: collector's mark: Lugt 240

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Terracotta rim fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

Head of a draped figure to right; top of head and bent right arm of a youth to right
Kraamkamer van de apen, ca. 1720
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: matthijs pool
Artist role: print maker
Artist dates: 1676 – 1740
Subjects: monkeys, apes, animals acting as human beings, lying-in room
Inscriptions: collector's mark: Lugt 2228

De kraamkamer van de apen, met voedvrouw, moeder en het pasgeboren aapje. In het onderschrift versjes in het Frans en Nederlands. Prent nr. 1 in een serie van 16 prenten van ca. 1720 waarin apen als mensen figureren in allerlei huishoudelijke taferelen.
Portret van een oude vrouw
Object type: album leaf
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, old woman
Shiva Guru (Agastya)
Object type: sculpture
Date: 800 – 930
Materials: stone
Location: central java
Artist: Anonymous

A guru or religious teacher serves a god by spreading his doctrine among the people. This particular guru is a servant of Shiva, as is clear from the trident (Shiva’s weapon). He is carrying a string of prayer beads and a water jar, essential for periods of retreat and contemplation. Such figures often stood in a niche on the south side of Shiva temples.
Fragment
Object type: textile
Date: 1601 – 1700
Materials: gilt, metal, silk
Techniques: brocade, weave, satin weave, silvered
Location: italy
Portret van David Williams, zittend met een hoed op de knie
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sitting figure, child, historical persons, head-gear: hat
Inscriptions: number: ‘15’
Allegorie op de helden van de slag bij Waterloo, 1815
Object type: print
Date: 1815 – 1820
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william ii of the netherlands, walmer castle, arthur wellesley of wellington, battle (+ land forces), waterloo
Inscriptions: collector's mark: Lugt 2228

Allegorie met een monument op de overwinning van de bondgenoten in de Slag bij Waterloo op 18 juni 1815. Centraal een groot medaillon met het portret van de prins van Oranje, links de Britse Maagd met portret van Wellington, rechts een Pruisische huzaar met het portret van Blücher. Op hetmonument een voorstelling van de veldslag. Achter de prins van Oranje een Oranjeboom en het koninklijke wapen.