deem-data/ArtiFact huggingface dataset:
Harness Pendant
Object type: harness pendant
Date: 1201 – 1433
Materials: copper, enamel, gold
Culture: spanish
Location: spain

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Ahmet. II.
Object type: print
Date: 1692 – 1745
Materials: paper
Techniques: engraving, etching
Location: france
Artist: claude dubosc
Artist role: print maker
Artist dates: 1682 – 1745
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 240
Oosters tapijt
Object type: oriental rug
Date: 1900 – 1900
Materials: wool
Location: central asia

Oosters tapijt, ruitenkleed. In het middenveld een repeterende versiering van concentrische ruiten met sterren in het hart. Rand en bovenaan een baard.
Virgin and Child (Madonna Lactans)
Object type: painting
Date: 1500 – 1500
Materials: oil, panel
Location: southern netherlands
Artist: Anonymous
Subjects: madonna: mary standing (or half-length), christ-child close to her bosom, 'ablactatio'; christ not drinking, mary's breast bare ~ madonna-representations
Inscriptions: inscription, Around the cuffs of the Virgin’s sleeves, outer left cuff: ‘&gt;[D?]EI MEMENTO MEI AVE REGIN[A] // AV’, inscription, Around the cuffs of the Virgin’s sleeves, outer right cuff: ‘O MATER DEI MEM[ENTO] // [S?]TOA DVLCERE AVE MATER DOMINI’, inscription, Along the edge of the Virgin’s hood to the left of her face: ‘AVE REGINA CELORUM AVE’

Maria met het kind aan de borst, ten halven lijve voor een draperie van goudbrokaat.
Wilson, A Sketch
Object type: photograph
Date: 1855 – 1858
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: drawing, sketch

Fotoreproductie van tekening in 'The Reveley Collection of Drawings at Brynygwin', afb. 58.
Marsch opgedragen aan de Delftsche Studenten door D.
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: notation of music, student, book-shop, bookseller
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: the hague
Artist: margaretha roosenboom
Artist role: draughtsman, painter
Artist dates: 1843 – 1896
Subjects: johan gram, delft, pieter anne haaxman, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
De begrafenisstoet van Frederik Hendrik, plaat nr. 23
Object type: print
Date: 1651 – 1651
Materials: paint, paper
Techniques: colour, etching
Location: amsterdam
Subjects: delft, the hague, frederick henry (prince of orange)

De begrafenisstoet van Frederik Hendrik, plaat nr. 23. Ingekleurde prent in een omlijsting versierd met goud en ingeplakt in de luxe editie uit ca. 1755 van het boek 'Begraeffenisse van syne hoogheyt Frederick Henrick' van Pieter Post, uitgegeven te Amsterdam in 1651.
Double Spouted Miniature Silver Vessel
Object type: bottle
Date: 1001 – 1200
Materials: silver
Culture: chancay
Location: peru
Vier twijgjes met bloemen
Object type: ornament print
Date: 1670 – 1685
Materials: paper
Techniques: etching
Location: paris
View of a plain and the snow-capped mountain range of Chomolhari in Bhutan
Object type: photograph
Date: 1906 – 1906
Materials: photographic support
Techniques: gelatin silver print
Location: chomolhari
Artist: d.t. dalton
Artist role: sergeant
Subjects: mountain-range, snow peaks, plain, chomolhari
Inscriptions: title: ‘Chumlahari Range Tibet 1906’

Onderdeel van Fotoalbum met 24 foto's van de reis van legertelegrafist D.T. Dalton door Tibet.
Arcadische landschappen
Object type: print
Date: 1600 – 1647
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 240

Een groep herders trekt met een kudde koeien en geiten langs een grote ronde toren. Op de voorgrond een bloeiende distel.
Saint Alena
Object type: cut paper
Date: 1701 – 1800
Materials: lace, paint, paper
Techniques: engraving, hand coloring
Artist: anonymous, 18th century
Artist role: artist
Artist dates: 1700 – 1800

In the seventeenth and eighteenth centuries, devotional images composed of cut and reassembled prints elaborately adorned with paint, fabric, and other materials found a ready market throughout Catholic Europe. Vividly colored and multitextured, these works stimulated spiritual devotion through their alluring optical and tactile qualities. Long thought to be the products of amateur practitioners, devotional assemblages were more often professionally made, with dedicated industries concentrated in Antwerp and Southern Germany. These works belong to a well-established practice of altering, combining, and repurposing printed images, and they exhibit a sophisticated handling of materials. In this image of Saint Alena, a seventh-century woman who lost an arm when attacked for her Christian faith, the head, arms, and outlines of the engraved figure were colored by hand and laid over textile fragments, accentuating the severed limb.
Asashina Saburô probeert een rijstkoek te breken
Object type: surimono
Date: 1790 – 1800
Materials: paper
Techniques: woodcut
Location: japan

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Personificatie van verschillende tijdstippen
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: personification of the evening, 'vesper', child, satyr(s) (in general)
Inscriptions: collector's mark: Lugt 240
Glass fragmentary bottle
Object type: fragmentary bottle
Date: 1 – 50
Materials: glass
Culture: roman
Handkerchief
Object type: handkerchief
Date: 1851 – 1875
Materials: fiber
Culture: philippine
Subjects: flowers
Verlovingsaankondiging aan Philip Zilcken
Object type: wedding announcement
Date: 1902 – 1905
Materials: cardboard, ink
Techniques: pen, writing
Artist: Anonymous
Subjects: marie metz-koning, the hague, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Cylinder seal
Object type: cylinder seal
Date: 3100 – 2700
Materials: marble
Location: mesopotamia
Gezicht op het oxaal van de Sint-Janskathedraal te 's-Hertogenbosch
Object type: drawing
Date: 1851 – 1851
Materials: chalk, paint, paper
Techniques: brush
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: interior of church
Inscriptions: signature: ‘JBosboom’
Twee zittende kinderen en koppen
Object type: sketchbook leaf
Date: 1895 – 1895
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: sitting figure, child

Blad 4 verso uit een schetsboek met 11 bladen.
Portret van Michael Friedrich Lochner
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: engraving
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 24. Leipzig: Johann Gottlieb Gleditsch, 1714.
Pair of Lappets (Joined)
Object type: costume and accessory
Date: 1775 – 1785
Materials: lace, linen
Techniques: lace
Location: valenciennes
Trade card for W&H Cave, Engraver, Printer, and Pattern Card Maker
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Design for 4 Seat Sleigh, no. 3415
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portrait of Voltaire
Object type: print
Date: 1801 – 1801
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: men,portraits
Tunic
Object type: costume and accessory
Date: 1701 – 1800
Materials: cord, gilt, silk
Techniques: printing block, braiding, brocade, weave, printing
Culture: persian
Subjects: floral motifs, roses, flowers, carnations, circles
Beaker
Object type: metalwork
Date: 1820 – 1857
Materials: silver
Location: new york city
Artist: gerardus boyce
Inscriptions: script initial "H" engraved on one facte; incised on bottom in Roman capitals: "J.E. SPEAR & CO.," "G. BOYCE" in rectangle
Kop van een man met bril en figuurstudies
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: eyeglasses, spectacles, head (human)

Blad 8 verso uit een schetsboek met 60 bladen.
Afwijzing van een oude man
Object type: print
Date: 1584 – 1630
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: purse, money-bag, one-sided courting; pursuit; difficult choice, married couple of unequal age, young versus old age; young and old, adolescent, young woman, maiden (+ old male (human being)), ugly old man
Inscriptions: collector's mark: Lugt 2228

Een oude man zit op een stoel en tast in zijn geldbuidel. Naast hem een jonge vrouw op een stoel. De oude man probeert de vrouw te kussen, maar zij draait zich weg van hem en houdt hem tegen. De prent heeft een Latijns en Nederlands onderschrift
A Nude Model Arranging Flowers
Object type: print
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Segawa Kikunojo III in an Unidentified Role
Object type: print
Date: 1794 – 1795
Materials: ink, mica, paper
Techniques: woodblock print
Culture: japanese
Artist: tōshūsai sharaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Subjects: fans,men,actors
Gezicht op het Oosterpark aan de Linnaeusstraat
Object type: drawing
Date: 1861 – 1899
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: johan martinus anthon rieke
Artist dates: 1851 – 1899
Subjects: city-view in general; 'veduta', open-air recreation, public gardens, park
Inscriptions: collector's mark: Lugt 800a, stamp: ‘J. van Eck.’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 25.
Rivieroever in Suriname
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: landscapes in tropical and sub-tropical regions, suriname
Inscriptions: annotation

Rivierbedding in de buurt van het dorp Gégé in Suriname met twee personen aan de waterkant. Onderdeel van een groep objecten afkomstig van de familie Wesenhagen in Suriname.
Plate
Object type: plate
Date: 1788 – 1788
Materials: faience
Techniques: glazing
Artist: levavasseur
Artist role: manufactory
Artist nationality: french
Artist dates: 1715 – 1825
Subjects: men,women,flowers,trees

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Brief aan Cornelis Gerardus 't Hooft
Object type: letter
Date: 1909 – 1909
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: cornelis gerardus 't hooft, anonymous historical person portrayed, painting (including book-illumination, miniature-painting), exhibition ~ art, berlin
Inscriptions: watermark, collector's mark: ‘RPK’
Osiris-Iah
Object type: statuette, osiris
Date: 664 – 332
Materials: metal, metal leaf
Location: egypt

Osiris-Iah is a form of Osiris specifically linked to the moon, a feature made explicit in this figure through the crown, which represents the moon disk resting on the crescent moon, thereby encompassing the moon in all of its phases. The statuette conforms to the standard iconography for this deity in which he is shown with the moon crown, seated and wearing an enveloping garment, and holding the crook and flail. This figure is further elaborated with bracelets, visible where the cloak opens on the chest. Osiris-Iah can also be shown striding and wearing a short kilt, such as on 04.2.452. The god Osiris is linked to the moon because, as the moon changes from crescent to full from month to month, it recalls Osiris’ continual rebirth and regeneration.
Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Juli  1807, No. 17 : Chapeau de Paille...
Object type: fashion print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), embroidery (ornamentation) (+ women's clothes), border, ribbon, braid (+ women's clothes), head-gear (straw hat) (+ women's clothes), fashion plates, dress, gown (+ women's clothes), apron (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)
Inscriptions: caption: ‘Chapeau de Paille orné de Rubans Taffetas. Fichu Soie et Coton’

Volgens de beschrijving in het tijdschrift (p. 232): Japon van 'petite toile'. Schort van mousseline-gaas. Zijden fichu met katoen geborduurd. 'Shawl de Bagnères' (sjaal) van gele zijde. Strohoed met wit satijnen linten. Handschoenen van lichtbruin 'cabret'. Prent uit het modetijdschrift Elegantia, of tijdschrift van mode, luxe en smaak voor dames 1807-1814 (onderbroken door de periode 1811-1813).
J.C. Musaeus
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van Johann Karl August Musäus, Duits filoloog, schrijver en verzamelaar van Duitse volksverhalen.
Japanese koban with a stamp (coat of arms of Holland) applied in Batavia
Object type: coin
Date: 1690 – 1690
Materials: gold
Techniques: striking
Location: batavia
Artist: Anonymous

Money often already existed in areas in Asia that the Netherlands conducted trade with and which became colonies. The Dutch occasionally used these original coins, which often look different from the European ones. At the same time, Dutch money was adapted for the colonies, and sometimes even entirely new coins were minted. The monetary system of the Dutch colonies in Asia and America was therefore a cultural mishmash.
Saint Margaret
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: belgium
Artist: godfried maes
Artist role: artist
Artist nationality: flemish
Artist dates: 1649 – 1700
Expulsion from Paradise
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: an angel chases adam and eve out of paradise with a (flaming) sword
Inscriptions: number: ‘181’

Gebruikt voor verschillende publicaties die werden gedrukt door Valentin Geißler tussen 1552 en 1560 te Neurenberg.
Gezicht op de Grande Rue te Mont Saint-Michel
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Location: mont-saint-michel
Subjects: street
Inscriptions: inscription: ‘Direction montante/ une commune miniscule, avec son maire, son conseil municipal, ses auberges, son école, sa gendarmerie, s'il vous plaît’
Zeegezicht met boten
Object type: drawing
Date: 1831 – 1915
Materials: paper, pencil
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: ships (in general), sea (seascape)
Gezigt van de batterije te Ouderkerk aan de sluis bij / 't Groote Loopveld 1787
Object type: drawing
Date: 1787 – 1899
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: defence of fortification or city, defensive measures (military)
Inscriptions: inscription: ‘Gezigt van de batterije te Ouderkerk aan de sluis bij / 't Groote Loopveld 1787’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 36.
Javaanse paddestoel
Object type: drawing
Date: 1785 – 1785
Materials: paper, pencil, watercolor
Techniques: brush
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: mushrooms, batavia
Inscriptions: inscription: ‘Oost Indische Fungus of uitwas van een boom of uit de aarde, gezien in Batavia den 20 Maji 1785. Was zeer ligt, even als graauw papier, drie voet hoog, van binnen rond en hol als een kelk. Ik denk hierby aan de wonderboom van Jonas: in de fransche bybel staat kikajon of cucajon.<BR />Peziza Cacabus’, inscription: ‘3 voet hoog’

Kleurtekening van een groeisel door de tekenaar gevonden op Java in de vorm van een kelk met een steel. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 105.
Wild boar, plate 19 from "Various Animals" (Diversi Animali)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: boars
Set of Sword Fittings (Mitokoromono)
Object type: set of sword fitting mitokoromono
Date: 1801 – 1900
Materials: silver alloy, gold, iron
Culture: japanese
Location: japan
Artist: ginshōtei tōmei
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1817 – 1870
Subjects: plants

This set of sword fittings features a design of millet.
Romerska dagar
Object type: book
Date: 1877 – 1877
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, engraving, printing
Location: stockholm
Singalees kanon of Lewuke's kanon
Object type: gun mount
Date: 1745 – 1745
Materials: bronze, gold, gemstone, silver, wood
Techniques: casting, inlay, painted, sawing
Location: sri lanka
Artist: Anonymous
Subjects: the hague, william v (prince of orange), netherlands, sri lanka
Inscriptions: inscription: ‘Saka-war a ekwadahäsa -sa _ siya häta-hatata pämini<BR />Krodha-namwu mema war a _ yehi Iswaradhipatiwu a -<BR />ntima-winstiyehidi sata _ ra Korale Disawa läbi ti -<BR />bena Lewuke-tenannä _ hawisin wädakrawa da -<BR />kkawapu kalatuwa _ kkuwayi’

This cannon was part of a group of six Sinhalese weapons from the Rijksmuseum’s collection that the Dutch State returned to Sri Lanka in 2023. After conducting joint provenance research, it was concluded that these weapons had been captured by Dutch troops during the siege of the city of Kandy in Sri Lanka in 1765. Hence, there was involuntary loss of possession, prompting the restitution of these objects. The cannon and the other weapons are now on display at the Colombo National Museum.
Brief aan jonkheer Hendrik Teding van Berkhout (1879-1969)
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: anneke van der feer
Artist role: draughtsman, print maker
Artist dates: 1902 – 1956
Subjects: haarlem, amsterdam, jonkheer hendrik teding van berkhout (1879-1969), drawing, the graphic arts, money
Inscriptions: watermark, collector's mark: ‘RPK’

De tekeningen onder gerelateerd object worden genoemd in de brief.
Hurstmonceaux, Sussex
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print, paper negative
Artist: alfred capel cure
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1896
Subjects: architecture,castles