deem-data/ArtiFact huggingface dataset:
Ruïnes in landschappen
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: landscape with ruins, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Figuren bij een ruïne van een burcht, die is begroeid met bomen en struiken. Tweede prent van een serie van zestien.
Portret van een baby in doopjurk
Object type: album leaf
Date: 1858 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: a. böeseken
Artist role: fotograaf, lithograaf
Artist dates: 1834 – 1919
Subjects: baptism, christening gown, historical persons, infant, baby ~ the ages of man
Inscriptions: inscription: ‘Photographisch Atelier/ A. Böeseken/ Hoogstraat over de Vlasmarkt/ ROTTERDAM.’
Tiered Box with Westerners and Landscapes
Object type: tiered box
Materials: faience
Culture: japanese
Subjects: landscapes
Bonifacius.
Object type: book illustration
Date: 1517 – 1517
Materials: paper
Techniques: woodcut
Location: leiden
Subjects: the martyr boniface, 'apostle of germany', and archbishop of mainz; possible attributes: axe in root of tree, book pierced by a sword, fountain (springing up from under his staff), whip
Inscriptions: collector's mark: Lugt 240

Uit "Cronycke van Hollandt, Zeelandt ende Vrieslant, uitgegeven door Jan Seversz. te Leiden. Houtsnede gebruikt in de editie van 1517 en van 1517-1530, folio 49v.
Portret van Ludmilla de Nolinsky
Object type: drawing
Date: 1846 – 1846
Materials: paper, pencil
Artist: johan hendrik koelman
Artist role: draughtsman, print maker
Artist dates: 1820 – 1887
Subjects: historical persons
Inscriptions: date: ‘1846’
Three Seated Figures (recto); Seated Man in Profile (verso)
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1600 – 1699
Grover Cleveland II
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Mannen aan een tafel spelen spellen in een koffiehuis
Object type: print
Date: 1719 – 1759
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: board-games of chance, inn, coffee-house, public house, etc.
Inscriptions: collector's mark: Lugt 1641, stamp

Prent met andere letterzetting gebruikt in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Janssoons van Waesberge, 1719, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman de Jonge, 1741, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman, 1759, dl. 2. Huidige prent uit een andere editie. Naar een prent van: Jan Luyken.
20 sujets composés et gravés à l'eau-forte par Ch. Jacque
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: drypoint, etching, roulette
Artist: charles emile jacque
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: sharpening, grinding (industrial processes), street-trader, tools, aids, implements ~ crafts and industries: knife
Inscriptions: collector's mark: Lugt 964

Maakt deel uit van een twintigdelige serie met verschillende onderwerpen door Jacque.
Landschap met twee wandelaars
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: landscapes in the temperate zone (+ landscape with figures, staffage)
Panel (For a Screen)
Object type: textile
Materials: gold leaf, linen, paper, silk
Techniques: lacquer, painting, patterning, weave, satin weave, slit, tapestry
Location: china
Collar
Object type: collar
Date: 1701 – 1800
Culture: british
Cabinet des Modes ou les Modes Nouvelles, 1 Avril 1786, pl. II
Object type: fashion print
Date: 1786 – 1786
Materials: paper
Techniques: engraving
Location: paris
Subjects: bow (ornamental part of clothing) (+ women's clothes), head-gear (baigneuse) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)

Twee vrouwenbustes. De beschrijving van de begeleidende tekst luidt: de vrouw rechts draagt een appelgroene 'Pierrot' en op het hoofd een zwarte hoed 'à la Maltoise", afgezet met een lint "au diadème". Op de bol van hoed een toef roze crêpe die verscheidene strikken vormt en waarvan twee slippen tot op de schouders hangen. Versierd met een aigrette van zwarte hanenveren en een witte pluim. Over de kraag van de japon een fichu van gaze, met middenvoor een toefje rozen. Kapsel 'à la Conseillère'. Lange oorbellen 'à la plaquette`. De vrouw links is gekleed in een roze 'Pierrot' en draagt op het hoofd een "Baigneuse" van witte gaze met een grote voile. Voor op de hoed een strik van een lint 'au diadème', waarvan de twee uiteinden tot op de schouders vallen. Over de kraag van de japon een grote halsdoek of 'Mouchoir' van gaze. Lange oorbellen 'à la plaquette'. Kapsel met een platte chignon op het achterhoofd en een lange krul die op de borst valt.
Mold for Jewelry
Object type: jewelry mold
Date: 901 – 1100
Techniques: carving
Location: egypt

This greenish gray, irregularly shaped mold made of soapstone was meant to produce crescent-shaped earrings. The holes in the mold allow for the accurate positioning and fixing of the other half of the mold during the casting of the earring. The signature "the work of Muúammad al-Maghribi [the North African]" is legible in the left corner.
Nederland,10 cent,1941
Object type: coin
Date: 1941 – 1941
Materials: zinc
Techniques: striking
Location: utrecht

Zinken munt. Voorzijde: drie gestyleerde tulpen. Keerzijde: tussen twee twijgen waarde-aanduiding 10 cents, waaronder jaartal. Kartelrand.
James Reynolds, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Printer's samples for the collector's album "World's Inventors" (A25), issued in 1888 to promote Allen & Ginter brand cigarettes. Citing Burdick's "The American Card Catalog": "Souvenir albums of this type, as issued by the tobacco companies, were probably intended to replace the individual cards if the smoker so desired, or at least enable him to own the entire collection of designs without the difficulty attendant to obtaining all the individual cards in a set. Later, their popularity induced the tobacco companies to publish a few albums that had no card counterparts. All were given in exchange for coupons packed with the cigarettes, usually 75 or 100 coupons for each album...All date in the 1888-1890 period." This series depicting inventors was never issued as individual cards and only released in album form. However, this set of printer's proofs retain individual card form.
Delectare in Domino
Object type: print
Date: 1580 – 1600
Materials: paper
Techniques: engraving
Subjects: the virgin and dominican tertiary, catherine of siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata - portrait of female saint
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Deze prent heeft tot 1966 deel uitgemaakt van een prentalbum met op de rug de titel: Print Boeck van Justus Sadeler. Bij aankoop in 1966 bevatte het album 32 prenten. 18 bladen met prenten zijn uit het album verwijderd en opgenomen in de collectie van het Rijksprentenkabinet. Zie voor dit album het gerelateerd object.
Cladostephus verticillatus
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants
Picturesque Selections: Text Page, from Picturesque Selections
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: letterpress
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
New Modelbüch allen Nägerin u. Sydenstickern (Page 20v)
Object type: book print ornament architecture
Date: 1556 – 1556
Techniques: woodcut
Artist: hans hoffman
Artist role: designer
Artist nationality: german
Artist dates: 1556 – 1556

Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frӧlich, Strasbourg. Illustrated title page with Hoffman's monogram, narrative scene on verso of title page, dedication (2 pages), 49 pages of designs, page with publisher’s information, and narrative scene on last page.
Portret van een vrouw met een halssieraad
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, styles of hairdress - aa - ~ women, clothing for the upper part of the body, brooch, agraffe, clasp

Onderdeel van Fotoalbum van een Nederlandse familie met 168 cartes-de-visite en kabinetfoto's.
Terracotta statuette of a woman with raised arms
Object type: statuette of a woman
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: women

The pose of the figure is a time-honored one connected with worship or prayer. It is impossible to be sure whether the statuette shows a deity or a worshipper.
They've Turned the Light-Ship Homeward Bound..., from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,profiles

Trade cards from the "Magic Changing Cards" series (N223), issued in a set of 50 in 1889 by Kinney Tobacco Company. When held up to the light, a hidden image is revealed on each card.
Adminstrateurs woning van Delimaatschappij op Paya Bakong
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: singapore
Artist: Anonymous
Inscriptions: caption: ‘Ferdinand's huis, als administrateur van Paja-Bakong Tabaksplantage Deli Sumatra’

Voor de woning poseren twee mannen en een vrouw, allen in het wit gekleed, de mannen dragen een tropenhelm.
Fragment
Object type: fragment
Date: 1801 – 1900
Materials: lace
Broche, deel van een demi-parure
Object type: brooch
Date: 1840 – 1849
Materials: diamond, gold, pearl
Techniques: enameling
Location: germany
Artist: Anonymous
Inscriptions: mark: ‘IL (?) in rechthoek’

Parure. Gold, diamonds, pearls and enamel. Germany (?), c. 1840 - 1850.
Kudde schapen
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: berlin
Artist: arthur burchett
Artist role: painter
Artist dates: 1853 – 
Subjects: sheep, herd, flock
View from "Petersham Wood"
Object type: photomechanical print
Date: 1902 – 1930
Materials: cardboard
Techniques: autotype
Location: england
Subjects: garage, hotel, hostelry, inn
Girl Bringing Food to Poor Children
Object type: drawing and watercolor
Materials: crayon, gouache, paint, paper, watercolor
Location: england
Artist: hablot knight browne
Artist role: print maker
Artist nationality: english
Artist dates: 1815 – 1882
Your Portrait or your Life
Object type: stereograph
Date: 1858 – 1870
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: beasts of prey, predatory animals: tiger, girl (child between toddler and youth)
Inscriptions: inscription: ‘2.50’
Ewer
Object type: ewer
Date: 1101 – 1300
Materials: earthenware
Techniques: glazing
Location: iran
Fotoreproductie van (vermoedelijk) een tekening voorstellend Michelangelo's studio
Object type: reproduction
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: painter at work, in his studio

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Embleem: aap
Object type: print
Date: 1695 – 1705
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: monkeys, apes, street, abstract ideas and concepts
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Weigel, Christoph. Ethica Naturalis seu Documenta Moralia e Variis rerum Naturalium proprietatibus Virtutum Vitiorumq symbolicis imaginibus collecta. Neurenberg: Christoph Weigel: c. 1700.
Bead
Object type: bead
Date: 701 – 1200
Materials: stone
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Horse Headstall
Object type: costume and accessory
Date: 1870 – 1879
Materials: leather, silver
Culture: navajo, diné
Location: new mexico
Subjects: horse, ornaments, silver (color)

During the 1860s and early 1870s, Navajos (Diné) learned silversmithing from Hispanic artisans in New Mexico, and Plains Indian craftsmen whose own metalwork stemmed from Colonial sources in the eastern United States. Mexican pesos, U.S. American dollars, and ingot silver were melted down and recast in molds carved from soft volcanic tufa. Navajo silversmiths employed steel tools and punches to develop decorative patterns. Early concho belts, bow guards, bracelets, necklaces, horse headstalls, and other items of silver jewelry display massive forms and simple ornamentation. By the 1890s turquoise was increasingly used; although most turquoise was obtained from Southwestern sources, some was imported from China and Iran. Navajo silversmiths rapidly established a distinctive elegant style that has become one of the classic hallmarks of Native American art in the greater Southwest. Today, Navajo jewelry, like that of their neighboring Pueblo neighbors, exhibit much greater complexity of design and the use of diverse semiprecious stones, shell, and a variety of metals.
Sketch of a Classical Pedestal with Griffins
Object type: drawing
Date: 1776 – 1779
Materials: graphite
Artist: thomas hardwick
Artist role: artist
Artist nationality: british
Artist dates: 1752 – 1829
Subjects: griffins
Fragment (Loincloth)
Object type: costume and accessory
Materials: animal fiber, cotton, wool
Techniques: cutting, treatment, weave, slit, tapestry weave, tapestry
Culture: chimú
Location: peru
Subjects: anthropomorphic figure, abstract motifs, grids, headdresses, male, staffs, stepped motif

Following the decline of their ancestors, the Moche, the Chimú emerged as one of the most powerful cultures of South America, dominating several rich valleys across the north coast of Peru for more than five centuries, from around A.D. 900 to 1465. Chimú weavers created strikingly graphic designs through the repetition of simple, abstract forms in vivid color combinations—particularly red, white, and yellow—against a solid background. Most of these textiles depict an anthropomorphic male figure wearing a "toothed" crescent headdress and holding a set of staffs—details that suggest supernatural or exalted status. This stark representation of a frontal human figure wearing an arched crown recalls the Chimú-made gold and turquoise ceremonial knife (tumi). The slit-tapestry panel depicts a seated animal-like figure with a long tail, arms reaching forward, and a row of spikes down its back. This being wears a similar crescent headdress, indicating a connection with the human representations on the other works. The use of repeated abstract motifs arrayed in a grid-like pattern and the stepped shape of the loincloths resemble not only the gold repoussé breastplate, but also architectural details of certain Chimú buildings, reflecting the cohesive artistic style that was presented across different media.
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 367 – 335
Materials: terracotta
Culture: greek or south italian or campanian

Nude, seated figure to right, with the right arm extended
Head
Object type: head
Date: 1101 – 1600
Materials: stone
Culture: bullom or temne
Location: sierra leone
Artist: temne or bullom artist(s)
Artist role: artist

Little is known of the original use and significance of this tradition of steatite sculpture, created in southeastern Sierra Leone and western Guinea in the sixteenth century. The massive head, bulging eyes, broad nose with flaring nostrils, full lips, and jaw relate stylistically to works in carved ivory from the same period created by local artisans for European patrons. Attributes of this figure, such as the elaborate coiffure, scarifications, and filed teeth, suggest that it represents an individual of rank and distinction. Such works in durable materials are important documents that provide a glimpse into indigenous cultural practices of earlier periods. In the relatively recent past, these sculptures have been unearthed by local farmers of Kissi and Mende heritage who have assimilated them into new contexts as part of their own ritual life.
"A Raja Seated on a Palace Rooftop Smoking a Huqqa", Folio from a manuscript of the Raga Darshan of Anup
Object type: folio from an illustrated manuscript
Materials: paper, watercolor
Location: india
Subjects: animals,palaces,men,smoking,hookah
Centennial of Washington's Inauguration as President
Object type: medal
Date: 1889 – 1889
Materials: metal
Culture: american
Subjects: eagles,george washington,profiles,stars
Ex libris van L.C.
Object type: bookplate
Date: 1700 – 1800
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: rocaille ornament, book, tools, implements of architect, chest, bust - aa - female human figure
Inscriptions: inscription: ‘Ex libris journal II 90’, collector's mark: Lugt 2760, collector's mark: Lugt 2233
Prinses van Hatzfeldt smeekt Napoleon Bonaparte het leven van haar man te sparen
Object type: drawing
Date: 1806 – 1819
Materials: paper
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: napoleon i (emperor of the french), historical events and situations; historical persons
Inscriptions: inscription: ‘grootmoedigen daad, beweesen te berlijn int paleis des K. van pruisschen/ door Napoleon Bonaparte aan de princesse van Hatsfeld smeekende/ om pardon voor haar gemaal, met te zeggen daar is vuur werp den brief/ van zijn eijgen hand, welke is overtuijgd van den <BR />misdaad, daar in/ dan is 't bewijs van schuld vernietigd. in Oct 1806’
Portret van Johann Winckler
Object type: photograph
Date: 1840 – 1881
Materials: paper
Techniques: photography
Location: amsterdam
Artist: Anonymous
Subjects: golzern, hamburg, predikant, oriëntalist, luthers theoloog, johann winckler
Inscriptions: collector's mark: Lugt 2228

Fotografische reproductie van de eerste staat van een prent met een portret in ovale lijst van Johann Winckler.
Vrouw in traditionele Japanse kledij met vinger voor de mond
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching
Artist: peter von halm
Artist role: print maker
Artist dates: 1854 – 1923
Subjects: japanese, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228

Rechtsonder in een kader het woord Micado.
Kasuga Ryujin, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Buste van Octave Pirmez
Object type: photograph
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: octave pirmez, historical persons, piece of sculpture, reproduction of a piece of sculpture
Ceramic Fragment
Object type: fragment
Date: 801 – 900
Materials: glaze
Techniques: luster painting
Location: iraq
Egijptenaars
Object type: book illustration
Date: 1807 – 1807
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: pipe ~ tobacco, human races; peoples; nationalities (+ costume), veil
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Stuart, Martinus. De mensch, zoo als hij voorkomt op den bekenden aardbol, deel VI, p. 254. Amsterdam: Johannes Allart, 1807.
Effigies Nomina et Cognomina S.D.N. Alexandri Papae VII et RR. DD. SRE. Cardd (...).
Object type: album leaf
Date: 1673 – 1691
Materials: paper
Techniques: engraving
Location: rome
Subjects: cardinal

Portret van kardinaal Pietro Basadonna. Linksboven het wapen van paus Clemens X en rechtsboven het wapen van de kardinaal. Onderaan een onderschrift in het Latijn. De prent maakt deel uit van een album.
Fringe
Object type: fringe
Date: 1767 – 1800
Gezicht op Hofstede Sparenhout
Object type: print
Date: 1688 – 1690
Materials: paper
Techniques: engraving, etching
Artist: jan vincentsz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1663 – 1721
Subjects: sailing-ship, sailing-boat, landscapes (+ landscape with figures, staffage), outskirts of village
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Gezicht op de hofstede Sparenhout te Haarlem. Op het water twee zeilschepen en een roeiboot met vier figuren. Rechtsonder genummerd: 8. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Buitenleven.
Portret van Willem de Rijck
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving
Subjects: book
Inscriptions: collector's mark: Lugt 240

De Amsterdamse oogarts Willem de Rijck op 46-jarige leeftijd. Hij heeft zijn hand op zijn borst. Naast hem staan boeken en achter hem hangt een wapenschild.