deem-data/ArtiFact huggingface dataset:
Initiation Card (Tsakalis): Vairochana
Object type: initiation card
Date: 1401 – 1433
Materials: paper, watercolor
Culture: tibetan
Subjects: buddhism

These tsakali cards, when arranged on the ground as a mandala, create a fixed sacred space like a temple. They show the celestial Buddhas, bodhisattvas, protectors, and, at bottom, the six possible realms of rebirth. Monastic teachers used tsakali cards to align (initiate) a disciple with one of many Vajrayana Buddhist deities. The disciple sought permission from the deity (via dream or supervised by a teacher) and visualized the deity as described in recited mantras and represented on the card. A Nepali artist probably made this set for a Tibetan patron of the Nyingma school of Tibetan Buddhism.
Basrelief op het voetstuk eener pendopo (?) (oostzijde). Panataran (r. Kediri)
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Candi Panataran (Temple Complex), Pendopo Terrace, unidentified reliefs 27-30 (inscription above no. 28 reads pupu sowasa, on the gate pupu), east side. Panataran, Blitar district, East Java province, 1375 AD
Portret van een geleerde
Object type: print
Date: 1867 – 1874
Materials: paper
Techniques: lithograph
Location: the hague
Artist: jan mesker
Artist role: print maker
Artist dates: 1843 – 1890
Subjects: scholar, philosopher, lectern ~ reading, historical persons (+ full length portrait), neck-gear: collar
Inscriptions: collector's mark: Lugt 2228

De man draagt een mantel, plooikraag en hoed. Met zijn linkerhand bladert hij door een boek dat op een lessenaar ligt.
Vrouwenhoofd
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human) - aa - female human figure

Blad 7 verso uit schetsboek LV met 21 bladen.
Overstroming te Kruiningen, 1808
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: haarlem
Subjects: flood, flushing
Inscriptions: collector's mark: Lugt Lugt 2228

Prent gebruikt in: Hoek, S. van. Natuur- en geschiedkundige beschrijving van den verschrikkelijken watervloed tusschen den XIVden en XVden van Louwmaand des jaars 1808. Haarlem: Adriaan Pietersz. Loosjes, 1808.
Paleis van Carl Pipers in Stockholm
Object type: album leaf
Date: 1702 – 1702
Materials: paper
Techniques: etching
Location: stockholm
Subjects: palace
Inscriptions: date

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Still Life with Flowers, Fruit, a Great Tit and a Mouse
Object type: drawing
Date: 1700 – 1710
Materials: paint, gouache, parchment, watercolor
Techniques: brush
Artist: herman henstenburgh
Artist role: draughtsman
Artist dates: 1667 – 1726
Subjects: still life of plants, flowers and fruit

Herman Henstenburg earned his living baking pies, the takeaway meal of the period. He painted his delightful watercolours of flowers, fruit and insects purely for pleasure. Henstenburg developed a special kind of watercolour paint that was so bright and powerful, a contemporary remarked that it rivalled oil paint. His superb still lifes were famous among collectors in his own day, and far beyond his hometown of Hoorn.
Gezicht op de Notre-Dame te Parijs
Object type: cabinet photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: ernest ladrey
Artist role: fotograaf, illustrator
Artist dates: 1830 – 1889
Subjects: city-view in general; 'veduta', church (exterior), paris
Inscriptions: number: ‘1753.’, retailer's mark: ‘Maison Martinet/ 12, boulevard des capucines 12,/ Grand-Hotel, Paris.’, : ‘Passage des Princes PARIS.’
Praying Saint (Moses?) with Christ in a Historiated Initial "L", from a Choirbook
Object type: drawing and watercolor
Date: 1300 – 1300
Materials: gold leaf, ink, parchment, paint
Techniques: cutting
Location: italy
Artist: neri da rimini
Artist nationality: italian
Spelen en bezigheden
Object type: print
Date: 1822 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: deventer
Subjects: musician at work, children's games and plays, walking, hiking (recreation), swinging (children's game)

Blad met 16 voorstellingen van verschillende spelen en bezigheden, zoals fluit spelen, reizen en schommelen. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: N. 100.
Figures de différents caractères, de Paysages, et d'Etudes dessinées d'après nature par Antoine Watteau (...)
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: etching
Location: france
Subjects: child, head-gear: hat, sitting on the ground
Inscriptions: collector's mark: Lugt 533b

Prent is in 1728 gebruikt voor het tweede deel van 'Figures de différents caractères, de Paysages, et d'Etudes dessinées d'après nature par Antoine Watteau (...)', een project waar vijftien prentmakers aan meewerkten. De platen werden gedrukt door Jean de Julienne. Het eerste deel bevat de nummers 1 t/m 132 en werd in 1726 geadverteerd in de Mercure. Het tweede deel bevat 133 t/m 350 en werd in 1728 geadverteerd. In 1739 werden de platen verkocht aan Chereau, waarna ze in handen kwamen van Huquier. Deze zette zijn adres op de platen.
Creamboat
Object type: creamboat
Date: 1753 – 1753
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: flowers
Voet
Object type: sketchbook leaf
Date: 1874 – 1923
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: foot

Pagina 3 uit een schetsboek met 72 bladen.
Affkomst ende korte historie der graven van Hollandt Zeelandt ende Vrieslandt
Object type: print
Date: 1586 – 1587
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: historical persons

Graaf Dirk VII van Holland, ten voeten uit. Zijn zwaard steunt met de punt op de grond. Op het wapen een klimmende leeuw. De prent maakt deel uit van een boek met beschrijvingen en voorstellingen van de graven van Holland, Zeeland en Friesland.
Meisjes van de Jeugdstorm
Object type: photograph
Date: 1934 – 1943
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: military celebrations, netherlands

Meisjes van de Jeugdstorm vermaken zich tijdens een bijeenkomst in de open lucht. Ze zijn aan het eten en drinken. Op de achtergrond twee mannen in uniform, een fietsenrek en huizen.
Just Up to Your Weight
Object type: drawing and watercolor
Materials: crayon, gouache, paint, paper, watercolor
Techniques: heightening
Location: england
Artist: hablot knight browne
Artist role: print maker
Artist nationality: english
Artist dates: 1815 – 1882
Lappets
Object type: lappet
Date: 1701 – 1733
Techniques: lace
Subjects: flowers
Interieur van de Wasserkirche te Zürich, 1715
Object type: book illustration
Date: 1848 – 1848
Materials: paper
Techniques: aquatint, etching
Location: zurich
Artist: franz hegi
Artist role: draughtsman, painter, print maker
Artist dates: 1774 – 1850
Subjects: crocodiles, globe, public library, bony fishes: sword-fish
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Een eerder gebouwde verdieping is verwijderd en er zijn balustrades aangelegd. De benedenverdieping is in gebruik als bibliotheek. Aan het plafond hangen een krokodil en een zaagvis. Op de bovenste verdieping is een globe te zien.
Kaart van de Zeventien Provinciën
Object type: print
Date: 1630 – 1645
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: abraham goos
Artist role: print maker, publisher
Subjects: (story of) neptune (poseidon), maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial), fisherman, low countries, belgium
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Kaart van de Zeventien Provinciën. Rechtsboven de titelcartouche met daaromheen de provinciewapens. Links een cartouche met legenda en informatie over het aantal steden in iedere provincie, daarbovenop een visser. In de zee vissersboten, zeilschepen en een voorstelling met Neptunus. De kaart is voorzien van een gradenverdeling langs de randen.
Zittend mannelijk naakt, op de grond, met de rechterarm leunend op een blok
Object type: drawing
Date: 1765 – 1781
Materials: chalk, paper
Artist: jean grandjean
Artist role: draughtsman, print maker
Artist dates: 1752 – 1781
Domus aurea Neronis ad aede s. io et Pauli Colosseu versus ad hortos maesena.tis
Object type: album leaf
Date: 1612 – 1628
Materials: paper
Techniques: etching
Location: rome
Subjects: palace, representation of real building (either existing or having existed)

Deze prent maakt deel uit van een set van 158 prenten (+ titelprenten), die verscheen in vier delen. In 1612 verschenen delen één en twee. In 1615 verscheen het derde deel en in 1628 verscheen deel vier. In 1637 publiceerde Vitale Mascardi de eerste heruitgave van de gehele set met nummering.
Portret van Maximilian Stoll
Object type: print
Date: 1778 – 1796
Materials: paper
Techniques: engraving, etching
Location: vienna
Subjects: vienna, historical persons
Inscriptions: collector's mark: Lugt 2228
Gerard, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Bekende tijdgenooten
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: hendrik jan schimmel, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Jan Veth’

Deze prent werd uitgegeven als bijvoegsel van De Amsterdammer op 1 februari 1891.
Queen Louise of Prussia
Object type: sculpture
Materials: bronze, copper alloy, metal, patina
Techniques: casting, painting, carved
Location: germany
Artist: johann gottfried schadow
Artist role: artist
Artist nationality: german
Artist dates: 1764 – 1850
Subjects: portraits: female subject, medallions, head, busts, nobility, queens, royal, woman, portrait, portraits

Queen Louise, wife of King Frederick William III, was an enormously popular figure in Prussia. She was renowned for her patriotism, which she displayed, for example, by accompanying her husband to war in full military uniform. Napoleon himself nicknamed her “my beautiful enemy” for her resistance to French encroachment on Prussian territories. Here, Louise wears a classically inspired headdress. The coin around her neck commemorates her father, Charles II, Grand Duke of Mecklenburg-Strelitz.

Johann Gottfried Schadow was one of the first German sculptors to adopt the Neoclassical style. He was close friends with celebrated Italian sculptor Antonio Canova, whose works are also in the collection of the Art Institute.
Brief aan Christiaan Kramm
Object type: letter
Date: 1862 – 1862
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: salomon leonardus verveer
Artist dates: 1813 – 1876
Subjects: the hague, painter, jan weissenbruch, elchanon verveer, utrecht, print maker, draughtsman, christiaan kramm, distribution of awards ~ art contest, photography, cinematography, the graphic arts, painting (including book-illumination, miniature-painting), exhibition ~ art, historical persons (portraits and scenes from the life), brussels, paris
Inscriptions: seal, collector's mark: Lugt 2233
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 600 – 401
Materials: terracotta
Culture: unknown fabric

Fragment from an undetermined closed shape with thin black glazed lines alternating with bands of reserve
Washington Monument and State Capitol,  No. 1311 from the series "Views of Richmond and Vicinity, and Mountain Scenery of Virginia and West Va."
Object type: photograph
Techniques: albumen print
Location: richmond
Artist: Anonymous
Kasteel Hoensbroek
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hoensbroek
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle
Inscriptions: annotation: ‘Hoensbroek kasteel oct: 1910’
Portret van Ulrich Zwingli
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: stippling
Artist: johann heinrich lips
Artist role: draughtsman, painter, print maker
Artist dates: 1758 – 1817
Subjects: clergyman, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228, name
Portret van Maria, hertogin van Bourgondië
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: cornelis visscher (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1658
Subjects: brussels, bruges, maria (hertogin van bourgondië), head-gear
Inscriptions: inscription, collector's mark: Lugt 240

Proefdruk van de tweeendertigste prent uit de serie 'Graven en gravinnen van Holland, Zeeland en West-Friesland', bestaande uit 38 prenten.
Holy Family with St. John the Baptist
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: anne claude philippe de tubières, comte de caylus
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1765
Subjects: holy family,saint john the baptist
Vier liggende en een staand schaap
Object type: print
Date: 1668 – 1670
Materials: paper
Techniques: engraving, etching
Artist: johann heinrich roos
Artist role: draughtsman, print maker
Artist dates: 1631 – 1685
Subjects: landscape with ruins, sheep
Inscriptions: collector's mark: Lugt 240

Serie van twaalf prenten, waarvan één titelprent. Deze staat rechtsonder genummerd met een c.
Fan
Object type: fan
Date: 1701 – 1733
Materials: ivory, skin
Subjects: women
Een Sammoreus
Object type: print
Date: 1652 – 1714
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: Anonymous
Subjects: sailing-ship, sailing-boat (with name)
Inscriptions: collector's mark: Lugt 2228

Kopie in spiegelbeeld. Een Samoreus, een in de streek van Keulen gebouwde rijnaak.
Jupiter bedaart de storm op zee in rechthoekige omlijsting met negen scènes uit epos Aeneis
Object type: print
Date: 1515 – 1516
Materials: paper
Techniques: engraving
Location: italy
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: (story of) neptune (poseidon), the story of aeneas' wanderings to italy (virgil, aeneid), neptune quieting the storm, 'quos ego' (virgil, aeneid i 135)
Inscriptions: collector's mark: Lugt 240

Jupiter bedaart de storm op zee in rechthoekige omlijsting met negen scènes uit epos Aeneis van Vergilius in willekeurige volgorde weergegeven. De voorstellingen worden geduid met Latijnse teksten.
Heilige Dominicus en de ketterse vrouwen
Object type: drawing
Date: 1580 – 1585
Materials: chalk, ink, paper
Techniques: brush, pen, drawing
Artist: bernardino poccetti
Artist role: draughtsman, painter
Artist dates: 1545 – 1612
Subjects: dominic(us) guzman of calerueja, founder of the order of preachers (or dominican (black) friars; possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star
Heilige Cecilia met muziekinstrumenten omringd door vier heiligen
Object type: print
Date: 1515 – 1516
Materials: paper
Techniques: engraving
Location: italy
Subjects: the virgin martyr cecilia of rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies, the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll, organ, male saints (with name), the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge, the apostle paul of tarsus; possible attributes: book, scroll, sword
Inscriptions: collector's mark: Lugt 240

Prent naar ontwerp van Raphael. In de collectie van het Musée du Petit Palais, Parijs, wordt een tekening bewaard met dezelfde voorstelling welke is toegeschreven aan een leerling van Raphael, Giovanni Francesco Penni. Waarschijnlijk hebben de vervaardigers van zowel de tekening als de gravure dezelfde inspiratiebron gebruikt, een ontwerptekening voor het schilderij van Raphael in de S. Giovanni in Monte, Bologna (Shoemaker 1981, p. 112).
The Angel Departing from the Family of Tobias
Object type: print
Date: 1641 – 1641
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,women,angels,family
Coin
Object type: coin
Date: 967 – 978
Materials: silver
Location: amul

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Heilige Simon de Zeloot en Heilige Judas Taddeüs, Heilige Narcissus van Gerona, Heilige Marcellus van Tanger, Heilige Quintinus van Saint-Quentin (28-31 oktober)
Object type: print
Date: 1632 – 1636
Materials: paper
Techniques: etching
Location: nancy
Subjects: the apostle jude thaddaeus; possible attributes: book, club, halberd, scroll, the apostle simon zelotes (or simon the canaanite); possible attributes: book, saw, scroll, martyrdom and death of simon zelotes: he is sawn in two, or beaten to death, martyrdom and death of judas thaddaeus: he is beaten to death and beheaded, the martyr quintin(us) (quentin) of vermand; possible attributes: nail(s), male saints (with name)
Inscriptions: collector's mark: Lugt 240

Blad met vier ovale voorstellingen, elk met opschrift en datum in het Latijn: linksboven de apostelen Simon de Zeloot en Judas Taddeüs die gemarteld worden met respectievelijk een zaag en een knuppel, rechtsboven de Heilige Narcissus van Gerona staand naast een tafel waarop een mijter ligt, linksonder de Heilige Marcellus van Tanger die zijn wapens aflegt, rechtsonder de Heilige Quintinus van Saint-Quentin bij een gebroken wiel met weerhaken. Deze prent is onderdeel van een serie prenten met voorstellingen van de heiligen en de christelijke feestdagen van het jaar. Er zijn steeds vier scènes van één plaat op één blad gedrukt. Inclusief bijbehorend titelblad en frontispice gaat het in totaal om 124 platen (490 voorstellingen). De drie platen met de laatste 12 scènes (de veranderlijke christelijke feestdagen) zijn in de derde staat versneden tot 12 kleine plaatjes, en met een apart titelblad uitgegeven.
Plaque with Interlinked Scrolls
Object type: covering and hanging
Materials: jade
Location: china
Tobacco box
Object type: tobacco box
Date: 1701 – 1800
Materials: brass
Subjects: men,women

The box is oval. On the lid is a roundel showing the prophet Elijah seated in a landscape and receiving food from two ravens (I Kings 17:4): Inscribed below is: Elias. Two figures in early-18th-century dress, standing on pedestals, flank the medallion. The man holds a hat, the woman a fan. They are rendered against a crudely hatched background with drapery. The roundel on the underside shows the nude figure of an angel next to a truncated tree. This may illustrate I Kings 19:4-5, in which Elijah, resting under a juniper tree, is awakened by an angel who gives him food. Two figures similar to those on the cover flank the medallion. With lined rims and molded edges. The borders and sides are decorated with chevron ornament.
Portret van een staande man bij een zuil met vaas, voor een achtergrond waarop het Colosseum is afgebeeld
Object type: carte de visite
Date: 1870 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Subjects: historical persons, pedestal of a piece of sculpture (perhaps in the form of a herm), container of metal: bucket, can, canister, drum, tin
Inscriptions: inscription: ‘FRATELLI D'ACESSANDRI/ ROMA/ 65, Via del Babuino.’
Pugahm Myo: Thapinyu Pagoda
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: linnaeus tripe
Artist role: artist
Artist nationality: british
Artist dates: 1822 – 1902
Subjects: architecture,pagodas

Here the Thapinyu Pagoda, the tallest structure at Pugahm Myo, rises toward a cloudy sky. Because early negatives were overly sensitive to blue, clouds were difficult to photograph. To evoke them and other atmospheric effects, Tripe retouched his negatives by applying pigment in thin layers, gradually building up density and form with highlights and shadows. Demonstrating his dexterity, he would bring his retouching up to the edge of a structure, defining its silhouette with the precision of an architectural draftsman.
Netsuke of Boar with a Human Skull
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: skulls,boars
Mythologische scène met een offerende koningin in een bos, mogelijk Althaea, en drie gorgonen
Object type: print
Date: 1697 – 1741
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: gorgons, queen, sacrifice
Inscriptions: collector's mark: Lugt 240
Portret van een onbekende man
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Artist: david octavius hill
Artist role: fotograaf
Artist dates: 1802 – 1870
Subjects: adult man, anonymous historical person portrayed