deem-data/ArtiFact huggingface dataset:
Thesaurus sacrarum historiarum veteris testamenti (...)
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: st. jerome as doctor of the latin church in his study with book, pen and ink; lion and cardinal's hat beside him
Inscriptions: collector's mark: Lugt 2228, number: ‘130’, inscription: ‘Jerome celebre docteur de l'eglise Romaine [...] pour la purité de la doctrine. il vivoit vers lan 376.’

De H. Hieronymus is aan het werk in zijn studeervertrek. Hij bekijkt een opengeslagen Bijbel en schrijft in een boek. Op tafel staan een crucifix en een schedel. Op de grond ligt de leeuw. Onder de voorstelling een verklarende tekst in het Latijn.
Page from the Mustard Seed Garden Manual of Painting
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Artist: wang gai
Artist role: artist
Artist nationality: chinese
Artist dates: 1645 – 1710
Subjects: mountains,trees
Ontwerp voor kamerversiering met een paneel met centraal een blauwe achthoek
Object type: design
Date: 1767 – 1823
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: abraham meertens
Artist role: draughtsman
Artist dates: 1757 – 1823
Subjects: wall-covering
Stadspark Les buttes de Chaumont met rechts de Tempel van de Sibylle in Parijs
Object type: cabinet photograph
Date: 1870 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: public gardens, park (+ city(-scape) with figures, staffage), temple, shrine ~ roman religion, temple, shrine ~ greek religion, paris

Onderdeel van Fotoalbum met kabinetfoto's van bezienswaardigheden in Parijs.
Oud-Antwerpen Le vieil Anvers / tekst door Max Rooses; waterverfschilderingen en teekeningen van Frans Van Kuyck
Object type: book
Date: 1894 – 1894
Materials: cardboard, paper
Techniques: photograph, lithograph, printing
Location: brussels
Inscriptions: annotation: ‘JULY/ 1988’, number: ‘300’
Fragmenten van koper uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: scheepswrakvondst
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Michael Sweerts: Kartenspieler. Galerie Harrach, Wien
Object type: photomechanical print
Date: 1906 – 1906
Materials: cardboard
Techniques: photograph
Location: vienna
Subjects: adult man (+ two persons), playing-cards
Inscriptions: date
Mold of a Lily petal
Object type: mold, bead, lily petal
Date: 1390 – 1352
Materials: pottery
Location: egypt
Sabrina
Object type: drawing
Date: 1856 – 1856
Materials: gold, gouache, graphite, gum arabic, shell, watercolor
Artist: samuel palmer
Artist role: artist
Artist nationality: british
Artist dates: 1805 – 1881
Subjects: human figures,animals,hills,landscapes,trees

Palmer’s poetic image contemplates evening quietude in Wales. Painted to mark the artist’s election to full membership in London’s Society of Painters in Water-Colours, the image uses sunlight to emphasize the form of Sabrina, a nymph of the river Severn who oversees drinking cattle. Palmer took the subject from John Milton’s Comus (1637), a masque, or dramatic performance, set near Mount Plynlimon in central Wales—a region the artist had toured. Replicating the dazzling effects of sunlight, the image moves from detailed hills in the center distance to broadly rendered passages in the left and right foreground. Shell gold (pure metal mixed with gum) was applied to brighten leaves near the sun, while touches of gouache (a matte, opaque form of watercolor) highlight nearer forms.
Koepoort te Leiden
Object type: drawing
Date: 1619 – 1690
Materials: chalk, paper
Techniques: brush
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: city-gate, public road
Bloemstuk
Object type: photograph
Date: 1907 – 1935
Materials: glass
Techniques: autochrome process
Location: netherlands
Artist: Anonymous
Subjects: cut flowers; nosegay, bunch of flowers, flowers in a vase, netherlands
Snuff Bottle with Scholars and Assistants Opening a Scroll
Object type: vessel
Materials: stone
Techniques: carving
Location: china
Groepsportret van negen jongens en een hond, staand en zittend in de open lucht, met op de achtergrond een boom en een huis
Object type: photograph
Date: 1880 – 1910
Materials: metal
Techniques: ferrotyping
Location: united states
Artist: Anonymous
Ziekenstoel van gevlochten wilgenteen
Object type: garden machine
Date: 1676 – 1676
Materials: glass, metal, plant material
Location: halle
Artist: Anonymous

De stoel is gevlochten van gespleten wilgenteen in de techniek van het fijnscheenwerk. In de wanden zijn ter versiering ruitmotieven gevlochten. De voor- en achterstijlen en de stijlen van de zijwangen eindigen in knoppen van zwarte glaskralen, die er met een speld op zijn vastgepind. De vier bolpootjes bestaan elk uit twee zwarte kralen.
Hat
Object type: hat
Date: 1870 – 1870
Materials: silk, fiber
Culture: american
Artist: pemberton-mercer
Artist role: maker
Burnoose, Narrow Shawl, or Scarf
Object type: textile
Date: 1862 – 1862
Materials: silk, thread, wool
Techniques: bookbinding, dyeing, jacquard, patterning, weave
Location: france
Subjects: fashion
Blouse
Object type: blouse
Date: 1861 – 1863
Materials: cotton
Culture: american or european
Gezicht op Tripoli in Libië in vogelvluchtperspectief
Object type: print
Date: 1567 – 1567
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: maps, atlases, fortified city, maps of cities
Print
Object type: print
Date: 1786 – 1854
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: women
Portrait of Doedt van Holdinga (1570-1646)
Object type: painting
Date: 1598 – 1598
Materials: oil, panel
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription, top right: ‘Aetatis. Suae 28.’

Portret van een vrouw uit het geslacht Holdinga, staande, ten voeten uit. Om de hals een aantal kettingen, in de rechterhand de langste ketting waaraan een hanger. Linksboven het familiewapen.
Brief aan jonkheer Charles Hubert de Stuers
Object type: letter
Date: 1944 – 1944
Materials: ink
Techniques: pen, writing
Location: wassenaar
Artist: arend hendriks
Artist role: print maker
Artist dates: 1901 – 1951
Subjects: draughtsman, print room, the graphic arts
Parrot (one of a pair)
Object type: figure
Date: 1741 – 1741
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: parrots

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…." [Elizabeth Sullivan, 2013]
Model of a granary with scribe and overseer
Object type: model, granary
Date: 2030 – 1850
Materials: wood
Location: egypt
Subjects: men,working
Paris
Object type: album leaf
Date: 1885 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: hospital
Inscriptions: number: ‘35’
Bomen aan een plas
Object type: print
Date: 1827 – 1888
Materials: paper
Techniques: etching
Location: austria
Artist: remigius adrianus haanen
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1894
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Deze prent is genummerd No.2 rechtsboven en zou om die reden een prent kunnen zijn uit de serie van zes waarvan het titelblad is beschreven onder RP-P-OB-55.650.
Ontrouwe schoolmeester
Object type: print
Date: 1731 – 1767
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, (story of) mars (ares), pupil punishing teacher
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een kleine groep kinderen leidt een ontrouwe leraar richting de vesting in de achtergrond. De leraar is geboeid en wordt door de kinderen met roedes geslagen. Rondom de voorstelling een rocaille omlijsting met de god Mars in harnas en een vrouwelijke personificatie van de voorzichtigheid met slang, spiegel en fakkel in haar handen. In de ondermarge tweemaal een vierregelige Duitse en Latijnse tekst.
Kopenhagen
Object type: photograph
Date: 1862 – 1904
Materials: cardboard, paper
Techniques: albumen print
Location: copenhagen
Subjects: stock exchange, stock-market, parts of church exterior and annexes: spire, copenhagen (city)
Inscriptions: inscription: ‘Khl. Dansk, Svensk og Norsk Hof-Fotograf/ Fotogr. Atelier/ ved/ Budtz Müller & Co./ Bredgade 21 Norgesgade/ Kiöbenhavn.’, inscription: ‘Eneret.’
Gate of Villa Belvedere in Frascati
Object type: drawing
Date: 1710 – 1727
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: pietro paolo coccetti (cocchetti)
Artist role: artist
Artist nationality: italian
Artist dates: 1710 – 1727
Subjects: architecture,gates
Fragment houten plank met concretie uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: plank
Date: 1700 – 1735
Materials: stone, wood
Artist: Anonymous
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Fragment hout met concretie met de afdruk van een schelp zit en fragment met touwafdruk.
Dronken Silenus
Object type: print
Date: 1644 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: jonas suyderhoef
Artist role: draughtsman, print maker
Artist dates: 1613 – 1686
Subjects: (story of) silenus
Inscriptions: collector's mark: Lugt 240

De dronken Silenus wordt ondersteund door saters. Silenus heeft een krans van wingerdbladeren op het hoofd.
Wraakgodin Tisiphone neemt wraak op Athamas en Ino
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: letterpress printing
Location: frankfurt am main
Subjects: athamas is driven mad by tisiphone, one of the furies, sent by juno, scrollwork, strapwork ~ ornament

Illustratie bij de Metamorfosen van Ovidius, afkomstig uit de publicatie: Posthius, Johannes. Tetrasticha in Ovidii metam. Frankfurt am Main: Georg Rab en Sigmund Feyerabend en erven Weigand Han, 1569. De voorstellingen en ornamentranden van deze boekillustraties zijn van twee aparte blokken gedrukt. Beide werden afzonderlijk van elkaar ook gebruikt voor andere publicaties, en de ornamentranden werden eveneens binnen deze publicatie meerdere keren gebruikt.
Composition Study for "The Street Pavers"
Object type: drawing
Date: 1914 – 1914
Materials: ink, paper
Techniques: pen
Artist: umberto boccioni
Artist role: artist
Artist nationality: italian
Artist dates: 1882 – 1916
Subjects: human figures
Portrait of three mendicants in ceremonial clothes from the Bairagi community in Delhi, India
Object type: photograph
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Location: delhi
Subjects: human races; peoples; nationalities, religious functionaries ~ hinduism, buddhism, jainism
Inscriptions: inscription: ‘[...]rtson Photo.’, inscription: ‘BAIRAGEES./ HINDOO DEVOTEES./ DELHI.’, number: ‘(203)’
La Cité, Paris
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Design for Altar Decorations for a Liturgical Celebration
Object type: drawing
Date: 1750 – 1775
Materials: ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: altars
Group of Monkeys
Object type: photograph
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: monkeys, apes
Inscriptions: number: ‘29’
Bowl
Object type: bowl
Date: 2960 – 2770
Materials: pottery
Location: egypt
Kerk van Buiksloot met een weiland ervoor
Object type: photograph
Date: 1910 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: buiksloot
Artist: Anonymous
Subjects: church (exterior) - qq - small church, chapel

Onderdeel van Album met foto's van Amsterdam en omgeving.
Ornamenten op de Romeinse triomfboog in Orange, 1639
Object type: print
Date: 1637 – 1640
Materials: paper
Techniques: engraving
Location: france
Subjects: ornaments ~ art, triumphal arch, piece of sculpture, reproduction of a piece of sculpture

Gebruikt als illustratie in: Joseph de la Pisé, Tableau de l'histoire des princes et principauté d'Orange, Den Haag, 1639-1640, p. 28.
Portret van Klaus Groth
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Artist: august weger
Artist role: print maker, printer
Artist dates: 1823 – 1892
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Warrior, with a spear, seen from behind
Portret van vier onbekende vrouwen in een park
Object type: photograph
Date: 1900 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: park, adult woman

Het gezelschap is ook afgebeeld op RP-F-F20914.
Ronde doos met goudlak
Object type: box
Date: 1775 – 1800
Materials: lacquer, tin
Location: japan

Rond doosje met goudlak. Op het deksel een adelaar op een tak. De rand van het doosje en van het deksel is met tin gemonteerd.
Umberto Biancomano of Savoy
Object type: medal
Date: 1893 – 1893
Materials: bronze
Subjects: human figures,swords,horses
Kaart van de rivier de Lek (tweede deel)
Object type: print
Date: 1764 – 1765
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: isaak tirion
Artist role: publisher
Artist dates: 1705 – 1765
Subjects: maps of separate countries or regions, river

Tweede deel van een kaart van de rivier de Lek, bestaande uit zeven delen. Linksboven genummerd: No. 2.
Christ in Limbo
Object type: print
Date: 1546 – 1547
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: birds,men,female nudes,mythical creatures,christ

The printmaker Davent was active at Fontainebleau, eventually settling in Paris. He began his career as an engraver but by about 1543–44 had turned to etching. Here Davent stayed close to Luca Penni's drawn composition (2014.264). He introduced only small changes, giving a halo to Christ and leaving out the tiny figures on the distant shore of the river Styx. He also chose to portray Eve as nude, even though Penni had added drapery.
Stamboom van het Habsburgse Huis
Object type: print
Date: 1533 – 1535
Materials: paper
Techniques: woodcut
Location: antwerp
Artist: robert péril
Artist role: draughtsman, print maker
Subjects: family lineage, pedigree, genealogical tree or table

Eén blad van twintig, vormen samen een stamboom. In de boom twee medaillons met Albrecht II, hertog van Oostenrijk en Albrecht V (II) koning van het Heilige Roomse Rijk. Elf kleine medaillons met namen van familieleden en zeven cartouches met teksten in het Frans.
Prima parte de' fiori, page 7 (recto)
Object type: book print ornament architecture
Date: 1591 – 1591
Techniques: woodcut
Location: italy
Artist: giovanni battista ciotti
Artist role: author
Artist nationality: italian
Artist dates: 1555 – 1659

Written by Giovanni Battista Ciotti, printed by Nicolo Moretti, Venice, published by Francesco de' Franceschi, Italian, active 16th century. From top to bottom, and left to right: Design composed of 4 horizontal registers. First register is decorated with 5 rounded triangular motifs ornamented with different floral patterns. Second register is decorated with 5 triangular motifs ornamented with different floral patterns. Third and fourth registers are each decorated with 8 triangular and circular motifs that are ornamented with different floral and linear patterns.
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 200
Materials: glass
Culture: roman

Translucent pale blue green. Rim folded out, over, and in, flattened on top and forming slight constriction to mouth; cylindrical neck with tooled line around base; ovoid body; small, flat bottom. Irregular tooled line around upper part of body. Broken and repaired, with vertical crack in neck; pinprick bubbles; dulling, pitting, and iridescent weathering, with some soil encrustation on interior.
Twee mannen in een bos, kijkend naar boven
Object type: photograph
Date: 1935 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: norbert van den berg (1901-1972)
Artist role: amateurfotograaf
Artist dates: 1901 – 1972
Subjects: adult man, forest, wood
Roman Campagna, Nov. 12, 1868 (verso, from sketchbook)
Object type: drawing
Date: 1868 – 1868
Materials: gouache, graphite, paper
Culture: american
Artist: jervis mcentee
Artist role: artist
Artist nationality: american
Artist dates: 1828 – 1891
Terracotta fragment of a kylix: Band or lip cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, part of the reserved tondo; Exterior, black glaze with a band of reserve
Temple of Mars Ultor with gateway of the Forum of Augustus
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: gate, entrance, temple, shrine ~ roman religion

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
Pen
Object type: pen
Location: egypt
Portret van Carl I von Braunschweig-Wolfenbüttel
Object type: print
Date: 1740 – 1757
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: carl i von braunschweig-wolfenbüttel, historical persons
Inscriptions: collector's mark: Lugt 2228
Box with cover
Object type: box
Date: 1701 – 1900
Materials: jade
Culture: indian
Gezicht op het Hospiz Bernina, Zwitserland
Object type: photograph
Date: 1905 – 1905
Materials: paper, cardboard
Techniques: gelatin silver print
Location: bernina pass
Artist: françois buys
Artist role: advocaat, amateurfotograaf
Artist dates: 1871 – 1934
Subjects: four-wheeled vehicle drawn by more than three animals, hotel, hostelry, inn

Deze foto maakt deel uit van een groep van 38 foto's.
Paperweight
Object type: glass
Date: 1801 – 1900
Materials: glass
Location: clichy

This paperweight uses a traditional glass-making technique called millefiori to great effect. Italian for “one thousand flowers,” millefiori was first developed in fifteenth-century Venice. In the nineteenth century, French glassmakers revived the technique with a cultural twist. Arranged to evoke traditional French gardens such as the Tuileries in Paris, paperweights like this example brought a little of this landscaping magic indoors.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Rembarquement des Troupes (Embarkation of Troops), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)
Object type: print
Date: 1614 – 1620
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.
Fredericus. d.g. Roman. rex. pi. fe. Aug
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: crown (symbol of sovereignty), historical persons, book - mm - book open, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 411. Eerste staat verschenen als grotere prent met 12 portretten, gedateerd 1695.
Jeu des reynes renommées
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: empress helena, mother of constantine the great; possible attributes: model of church, (royal) crown, crown of thorns, cross, three nails, ruler, sovereign - bb - female ruler

Deze prent maakt deel uit van een kaartspel met 52 kaarten met voorstellingen van beroemde koninginnen. De serie is uitgedacht door Jean Desmarests de Saint-Sorlin in opdracht van Kardinaal Mazarin. Het kaartspel werd gemaakt voor de jonge Lodewijk XIV, samen met het Jeu des Fables, Jeu de la Géographie en Jeu des Rois de France.
Begieten der Bibit
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, irrigation ~ cultivation, working class, labourers, tobacco, sumatra

Mogelijk gaat het om een contractarbeider. Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Summer in the Catskills
Object type: painting
Date: 1867 – 1867
Materials: canvas, oil
Location: united states
Artist: george inness
Artist nationality: american
Artist dates: 1825 – 1894
Subjects: landscapes
Inscriptions: Signed l.l.:" G. Inness 1867"
Miniature side chairs (part of a set)
Object type: side chair
Date: 1795 – 1795
Materials: wood
Techniques: veneering
Artist: pierre-eloi langlois
Artist role: maker
Artist dates: 1738 – 1805
Fotoreproductie van een schilderij met vermoedelijk Karel I van Engeland en een man die naar het schavot wordt geleid
Object type: album leaf
Date: 1875 – 1875
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: karel i (koning van engeland), on the scaffold or place of execution
Inscriptions: name: ‘Charles 1’
Section of Jin'o-ji Engi Emaki
Object type: hanging scroll
Date: 1301 – 1333
Materials: ink, paper
Culture: japanese
Subjects: men,monks,streams
Ixion, from The Four Disgracers
Object type: print
Date: 1588 – 1588
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower center: "C. Corneli Pictor Inve. HG. sulp. 4" and around border: "Exemplo sit ei Ixion ... gloria vana iuvat."