deem-data/ArtiFact huggingface dataset:
Boetvaardige Maria Magdalena met schedel en aureool
Object type: print
Date: 1613 – 1661
Materials: paper
Techniques: etching
Location: netherlands
Subjects: the penitent st. mary magdalene (often before a cave, possibly at la sainte-baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven
Inscriptions: collector's mark: Lugt 2228

Prent naar ontwerp van Cornelis van Poelenburch.
Parkgezicht met een jachtgezelschap
Object type: drawing
Date: 1697 – 1761
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: jacques lajoue
Subjects: assembling, 'départ pour la chasse', wood and park (as places of recreation)
Inscriptions: collector's mark, verso, lower centre: Lugt 2228
Roma
Object type: print
Date: 1621 – 1631
Materials: paper
Techniques: engraving, etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: wandering communities: romani or roma, woman giving birth (lying-in), cooking food - cc - in the open air
Inscriptions: collector's mark: Lugt 240

Een groep zigeuners heeft zijn kamp opgeslagen tussen een aantal bomen. Links en in het midden bereiden enkelen van hen een maaltijd. Rechts op de voorgrond spelen een aantal mannen een kaartspel. Rechts op de achtergrond brengt een vrouw een kind ter wereld. Bovenin de voorstelling twee regels Franse tekst. Deze prent is onderdeel van een serie van vier prenten met voorstellingen van het leven van zigeuners.
Untitled (Portrait of a Woman)
Object type: photograph
Date: 1840 – 1900
Techniques: tintype
Location: united states
Artist: Anonymous
Food Case Probably Containing a Preserved Pigeon
Object type: food, case, pigeon, duck, goose, mummy
Date: 1550 – 1479
Materials: plaster, wood
Location: egypt
Subjects: pigeons

During much of ancient Egyptian history, food and drink was placed in tombs to provide sustenance for the spirit of the deceased. In the late 17th and early 18th dynasties, foodstuffs were mummified and stored in boxes that echoed the shape of their contents. Carved in the shape of a pigeon, this container was plastered and painted white on the outside, with the interior coated with some sort of resin. Once the desiccated and linen-wrapped remains of a bird had been put inside, the two halves were stuck together and tied closed with a strip of linen. This was one of a large collection of "victual mummies," which included a variety of meats and fowl, found in and around a small shaft tomb high in the cliffs of the Theban massif. About 10 meters away, hidden beneath a large rock, was the re-burial of an 18th Dynasty royal child named Amenemhat (see 19.3.207a, b); these supplies for the afterlife may have been part of his original burial.
Gezicht op een huis in South Walsham
Object type: page
Date: 1886 – 1891
Materials: paper
Techniques: photograph
Location: surrey
Artist: john payne jennings
Artist role: fotograaf
Artist dates: 1843 – 1926
Subjects: façade (of house or building)
China Shelf, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: furniture

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CXVI in the 1754 and 1755 editions, not reprinted in the 1762 edition.
Portret van een kind met een pop
Object type: carte de visite
Date: 1857 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Subjects: studio requisites ~ photographer, child, historical persons, family, relationship, descent, (playing with) dolls, dress, gown, necklace, java
Inscriptions: address: ‘Java’

Onderdeel van Familiealbum van H.W.F. Ligtenberg en L.M. Swart met 149 foto's en cartes-de-visite.
Hercules wurgt de Nemeïsche leeuw
Object type: print
Date: 1563 – 1563
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the twelve labours of hercules: second series
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10

Hercules doodt de leeuw die de inwoners van de stad Nemea terroriseerde. De enige manier om de leeuw te doden was hem te wurgen. Hercules staat met zijn voet op het hoofd van een andere, al dode leeuw en wurgt de Nemeeïsche leeuw. De leeuw heeft Hercules' knots in zijn bek.
Krishna doodt slang-demon Aghasura
Object type: indian miniature
Date: 1700 – 1799
Materials: paper
Techniques: brush
Location: bikaner
Artist: Anonymous
Inscriptions: inscription
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, draped youth to left, sitting on a rock
Sestertius (Coin) Portraying Emperor Maximinus
Object type: coin
Date: 235 – 238
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP MAXIMINVS PIVS AVG
Reverse: VICTORIA AVG

The front (obverse) of this coin portrays the emperor Maximinus, facing right and wearing a crown of laurels.
On the back (reverse), the personification of victory is depicted standing, facing right and holding a palm branch and a wreath.
Tassel
Object type: tassel
Date: 1801 – 1900
Materials: cotton, silk
Two Sketches of Females Looking out of a Window; Seated Female; Mother Playing with Child; Seated Male and Female Looking at a Book (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: infants,men,mothers,women,reading
Vase with iris
Object type: vase
Date: 1903 – 1904
Materials: stoneware
Techniques: glazing
Artist: lucien jules clément d'eaubonne
Artist role: designer
Artist nationality: french
Artist dates: 1870 – 1970
Portret van Simon Harcourt
Object type: print
Date: 1749 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Artist: james mcardell
Artist role: print maker, publisher
Artist dates: 1728 – 1765
Subjects: simon harcourt (1e graaf van harcourt), commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 240
[Boy in Uniform]
Object type: photograph
Date: 1855 – 1855
Techniques: glass negative, salted paper print
Artist: jean-baptiste frénet
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1889
Subjects: boys,portraits

Known until recently as a painter and draftsman of portraits and religious and allegorical subjects-a member of the so-called Mystic School of mid-nineteenth-century painting in Lyon-Jean-Baptiste Frénet also turns out to have been a remarkably fine photographer. Like so many other painters, he took up the camera in the mid-1850s, first as an amateur and later, beginning 1860, as a professional. Among the most painterly and engaging of Frénet's pre-professional images-when his family and friends were his models and his garden was his studio-is this darkly printed and deeply Romantic portrait of a boy in his school uniform. Nestled among the foliage and subsumed by shadow, the youth's sensitive features temper and humanize his princely pose.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, gold alloy, gold, iron
Culture: japanese
Location: japan
Subjects: dragons
Foto van actrice Danielle Darrieux
Object type: photograph
Date: 1950 – 1960
Materials: paper, cardboard, ink
Techniques: gelatin silver print, pen
Location: france
Artist: Anonymous
Subjects: portrait of actor, actress, france
Inscriptions: inscription: ‘Pour Nico/ Danielle Darrieux’

Gesigneerd en met opdracht voor Nico Meijer.
Stadsgezicht en een landschap met een huis aan het water
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: city-view, and landscape with man-made constructions, rural housing, e.g. country-house, villa, cottage

Blad 15 recto uit een schetsboek met 19 bladen.
St Jerome Penitent in the Wilderness
Object type: print
Date: 1573 – 1573
Techniques: engraving
Artist: cornelis cort
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1533 – 1578
Subjects: lions,trees,saint jerome,cross
Het lossen van sinaasappelkisten in de haven van Rotterdam
Object type: documentary photograph
Date: 1946 – 1946
Materials: photographic support
Techniques: photography
Location: rotterdam
Artist: van t hof
Artist role: fotograaf
Subjects: publisher, rotterdam
Inscriptions: number

Zie ook Collectie ANEFO, Nationaal Archief, fotonummers: 901_3518, 901_3519, 901_3526 tot en met 901_3529.
Zie voor meer info en foto's Ons vrije Nederland: geïllustreerd weekblad, jaargangen 1944 - 1950.
Beer Street
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: buildings,men,street scene,drinking
Naakte vrouw met spiegel en een weegschaal
Object type: drawing
Date: 1915 – 1916
Materials: paper, pencil, watercolor
Techniques: brush
Location: amsterdam
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: mirror
Bead in the Form of a Lotus Sepal
Object type: bead, lotus sepal
Date: 1390 – 1352
Materials: faience
Location: egypt
Vlotschuitvoerdersgilde van Amsterdam, gildepenning van Sander Cornelis Leely
Object type: medal
Date: 1695 – 1695
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: schuit; daarboven datering. Keerzijde: opschrift boven jaartal, onderbroken door lelie
Christuskind met globe en scepter
Object type: print
Date: 1632 – 1660
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ-child ~ types of adult christ
Inscriptions: collector's mark: Lugt 2228
Circular salt
Object type: salt
Date: 1610 – 1625
Materials: silver gilt
Subjects: heads
Fragment pijpenkop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: dog; fragm, 1hsm1.
Masinissa reikt Sophonisbe de gifbeker
Object type: drawing
Date: 1677 – 1755
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: death of sophonisbe: she receives from a servant a cup of poison sent to her by masinissa
Portret van een Fransman, aangeduid als Emile, en profil
Object type: photograph
Date: 1883 – 1886
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: adult man

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Zijdelakenkopers- en -kramersgilde van Middelburg, begrafenispenning met no. 3
Object type: medal
Date: 1617 – 1617
Materials: brass
Techniques: casting, engraving
Location: middelburg
Artist: Anonymous
Subjects: middelburg

Messing penning met gat erin. Voorzijde: lakenkoopman, staande achter toonbank in zijn winkel meet met een el stof; links en rechts: man en vrouw. Keerzijde: lijkbaar met cijfer 3 op kleed onder jaartal binnen omschrift
Reproduction of the Seal of Wilhelm, Graf von Catzenelnbogen, L. 12th–14th century
Object type: seal reproduction
Date: 1167 – 1400
Culture: german
Location: germany
Subjects: horses
Portret van Jacob Wilhelm Imhof
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: engraving
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons, lawyer, attorney at law, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit: Deutsche Acta Eruditorum (...). Leipzig: Johann Gottlieb Gleditsch en zoon, 1712, dl. 6.
Design for Dog Cart or 2 Wheeler, no. 4137
Object type: drawing
Date: 1891 – 1891
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gros-Temps
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: sea (seascape), ships (in general) - cc - more than one ship, storm at sea
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 1999d
Saints Luke and Dominic
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: school of francesco solimena
De schilder door liefde
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: kneeling figure, apelles paints campaspe and falls in love with her; alexander yields her to him, painter working from clothed model
Inscriptions: collector's mark: Lugt 2488

De schilder Eduard verklaart Leonoor, wier portret hij vervaardigd heeft, zijn liefde. Bij de deur staat Leonoors jaloerse man Don Pedro, die door de schildersknecht bezig wordt gehouden. Boven de deur hangt een schilderij met een voorstelling van Alexander, die de schilder Apelles zijn minnares Campaspe ten geschenke geeft. Staat vóór alle tekst. Scène uit het tweede bedrijf van het toneelstuk De schilder door liefde, van Molière.
Scarab Inscribed With a Private Name (?)
Object type: scarab, private
Date: 1550 – 1458
Materials: jasper
Location: egypt
Subjects: scarabs
Bodhidharma Seated in Meditation
Object type: figure
Date: 1368 – 1644
Materials: iron
Culture: chinese
Subjects: men,buddhism
Een strandt en zee, gezigt op de hoogte van Egmond aan Zee, als meede het verlaaten van een schip door het volk, 11-14 1780
Object type: print
Date: 1780 – 1782
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: shipwreck, beach (+ landscape with figures, staffage)
Inscriptions: inscription: ‘Een strandt en zee, gezigt op de hoogte van Egmond aan Zee, als meede het verlaaten van een schip door het volk, 11-14 1780’

Deze prent ook bij Muller beschreven onder nummer FMH 3829 en vermeld bij 4403.
Round-topped Stela of Wenenkhu
Object type: stela, wenenkhu, penpakhenty, re harakhty, solar
Date: 1275 – 1237
Materials: limestone
Location: upper egypt, thebes

Wenenkhu and his son Penpakhenty worship the god Re-Harakhty as he crosses the sky in his barque. A similar stela in the British Museum depicts the father and the son adoring a similar image of the god, who is represented as a falcon headed deity. According to the inscriptions, both stelae were made by Wenenkhu. The name Wenenkhu is rare among the villagers, and its attestations suggest that he worked there between year 2 and 40 of the reign of Ramesses II.
Funerary relief
Object type: funerary relief
Date: 150 – 200
Materials: stone
Location: syria
Subjects: men,portraits

Inscription: 1 ‘Akiba, 2 son of ‘Ate’akab, 3 (son of) Gaddaia. 4 Alas! Transliteration: 1 ʿqybʾ 2 br ʿtʿqb 3 gdyʾ 4 ḥbl This relief is a type of funerary monument characteristic of the prosperous caravan city of Palmyra during the first three centuries A.D. Reliefs with a representation of the deceased and a short identifying inscription were used to seal burial niches in elaborately decorated communal tombs; those with a half-length or bust format became prevalent sometime after A.D. 65. Shown here is the upper body of a bearded man dressed in a Greek cloak known as a himation, worn over a chiton, or tunic, and wrapped around the right arm like a sling. He holds a small object, probably a schedula (book roll), in his left hand, and wears a ring on the little finger of that hand. The background of the relief is blank except for an inscription in Palmyrene Aramaic to the right of his head giving his name and his father and grandfather’s names, ending with an expression of sorrow common on funerary reliefs at Palmyra. His eyelids are carefully outlined and the pupil and iris indicated by a solid drilled circle inside a larger incised one. The large eyes and the modeled ridge indicating the eyebrows emphasize the intensity of his gaze, directed far beyond the viewer. The man’s hair is represented by a row of wavy locks which fall at an even length upon his forehead, creating a cap-like hairstyle. His short beard is composed of individual wavy locks. This relief can be stylistically dated to around 150-200 A.D. because of the figure’s beard and the deeply modeled folds of the himation.
Joseph L. Silsbee
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: portrait, self-portrait of architect
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, filleted woman wearing a patterned, belted garment
Muts, twee helften, fijn gebreid van lichtbruine wol
Object type: cap
Date: 1650 – 1800
Materials: wool
Techniques: knitting
Artist: Anonymous
Subjects: noordse compagnie, spitsbergen, zeeuwsche uytkyck, svalbard

Muts, twee helften, fijn gebreid van lichtbruine wol. Gebreid in tricot-steek, de rand in averechte steek. De twee delen waren op elkaar genaaid, maar nu los.
Vrouw met kruik
Object type: print
Date: 1797 – 1836
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: adolescent, young woman, maiden, container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: Lugt 2228
Relief with foreign musicians
Object type: talatat, foreign musician
Date: 1353 – 1336
Materials: limestone, paint
Untitled Valentine (Children, Swans, and Butterflies)
Object type: drawing and watercolor
Date: 1860 – 1869
Materials: paper, watercolor
Techniques: collage, cutting, embossing
Location: england
Artist: john windsor
Artist nationality: english
Artist dates: 1800 – 1899
Plate 11: A Polish bust in profile, turned to the right, another Polish head seen from behind in the background, from "The Book for Learning to Draw" (Livre pour apprendre à dessiner)
Object type: print
Date: 1649 – 1649
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,profiles
Kantklossende vrouw
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: drypoint, etching
Artist: frans lauwers
Artist role: print maker
Artist dates: 1854 – 1931
Subjects: lace-making
Inscriptions: collector's mark: Lugt 2228, annotation: ‘1er Etat de la planche’
Heilige Antonius de Grote met taukruis en varken
Object type: print
Date: 1510 – 1520
Materials: paper
Techniques: engraving
Location: italy
Artist: nicoletto da modena
Artist role: print maker
Subjects: personal devotion of st. antony abbot
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee exemplaren bekend, andere prent met herkomst collectie Friedrich August von Sachsen wordt in Dresden bewaard. De figuur van de heilige kopieerde de kunstenaar in spiegelbeeld naar een prent van Marcantonio Raimondi, de achtergrond gaf hij echter een geheel eigen invulling (zie documentatie).
Galloon
Object type: galloon
Date: 1734 – 1766
Materials: cotton, metal thread
Court train
Object type: court train
Date: 1809 – 1809
Materials: metal thread, silk
Culture: french

This court train is said to have been worn by Armandine-Marie-Georgine de Serent at Napoleon's Marriage to Marie-Louise in 1810. In 1808, the wearer had married the prince de Leon, chamberlain to the emperor, and this costume closely follows the ettiquette for ladies at court, as established by the designs of the painter Jean-Baptiste Isabey for Napoleon's coronation as emperor in 1804. The heavy train hangs from shoulder straps and is secured at the front with a belt. The standing lace collar, or cherusque, part of Isabey's design and reminiscent of 16th-century costume , was de rigueur, and the embroidery also follows the regulations set down in 1804. The border does not exceed the four-inch width prescribed for a woman who was neither a princess of the Empire nor a close female relative of the emperor or empress.
Bed cover
Object type: bed cover
Date: 1730 – 1760
Materials: silk
Reverse ogee frame
Object type: frame
Date: 1667 – 1733
Materials: wood
Culture: southern italian
Artist: southern italy
Artist role: artist
Artist nationality: southern italy
Artist dates: 1670 – 1729
My Soul, from "The Complete Works of Béranger"
Object type: print
Date: 1829 – 1829
Location: paris
Artist: ary scheffer
Artist role: designer
Artist nationality: french
Artist dates: 1795 – 1858
Subjects: men
Christ Appears to the Magdalen, from The Fall and Redemption of Man
Object type: print
Date: 1513 – 1513
Materials: paper
Techniques: woodcut
Location: germany
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538

Albrecht Altdorfer, known as one of the Little Masters (in German, Kleinmeister) along with Georg Pencz and the brothers Barthel and Sebald Beham, excelled at creating prints on a minute scale, whether in intaglio or relief. This woodcuts is part of a series entitled The Fall and Redemption of Man contrasting the expulsion of Adam and Eve from paradise with Christ’s Passion narrative. Connoisseurs would have collected these diminutive prints as an entire cycle and often pasted them into albums.
Herder en herderin rusten uit bij een boom
Object type: print
Date: 1666 – 1706
Materials: paper
Techniques: etching, lithography
Location: amsterdam
Subjects: pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 1904, collector's mark: Lugt 2749

Illustratie voor Ecloga 1 van Virgilius. Een herder en een herderin rusten uit in de schaduw van een boom. Vanuit hun plek hebben ze mooi uitzicht over een dal met een meer en een stad die tussen de rotsen verborgen ligt.