deem-data/ArtiFact huggingface dataset:
De. Vt. Denon
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, print maker, draughtsman, dominique vivant denon (baron), historical persons
Inscriptions: collector's mark: Lugt 2228a
Spoelkom van hardgebakken aardewerk; Leeds creamware
Object type: slop bowl
Date: 1770 – 1790
Materials: earthenware
Location: leeds

Halfbolvormige spoelkom van hardgebakken aardewerk, met een blauwe decoratie onder de glazuur en een veelkleurige decoratie op de glazuur. De decoratie doet Japans aan en bestaat uit een landschap waarin gestileerde bomen, planten en huizen. De kom staat op een standring
Terracotta fragment of a lid
Object type: lid fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

In the center of the top surface of the lid, a band of rays; on the outer edge of the lid, ivy
Daniel Maclise, R.A., from "Illustrated London News"
Techniques: engraving
Artist: mason jackson
Artist role: engraver
Artist nationality: british
Artist dates: 1819 – 1903
Subjects: men,portraits

Mason Jackson worked as an engraver at the "Illustrated London News" 1850-78, and art editor from 1860. This example of his skill was based on a photograph by the London partners John and Charles Watkins and portrays the artist Daniel Maclise. Born in Cork to Scottish parents, Maclise arrived in London in 1828 to attend the Royal Academy Schools, and became known for portraits of celebrities published in "Fraser’s Magazine" between 1830 and 1836. From 1858 he worked on large murals at the new Houses of Parliament and Halifax Town Hall, commissions that undermined his health and forced him to decline the presidency of the Royal Academy.
Doric base, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1537 – 1537
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: architecture

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 15 in the scrapbook.
Portret van Barthold Willem Floris van Riemsdijk
Object type: print
Date: 1870 – 1910
Materials: paper
Techniques: engraving
Artist: bertrant fleuret
Artist role: print maker
Artist dates: 1820 – 1910
Subjects: maastricht, amsterdam, print maker, engineer, jonkheer barthold willem floris van riemsdijk, historical persons
Koor van de Nieuwe Synagoge in Berlijn
Object type: photograph
Date: 1878 – 1890
Materials: photographic support
Techniques: albumen print
Location: berlin
Artist: Anonymous
Subjects: choir in synagogue ~ jewish religion, berlin

Onderdeel van Reisalbum Europese steden, vermoedelijk Zweeds.
Berglandschap met een meer
Object type: sketchbook leaf
Date: 1812 – 1880
Materials: paper, pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-view, and landscape with man-made constructions, trees: pine, mountains

Pagina 6 uit een schetsboek met 34 bladen.
Portret van een zittende man, aangeduid als Van Opstal
Object type: carte de visite
Date: 1876 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: maastricht
Subjects: sitting figure, historical persons
Inscriptions: inscription: ‘No.../ Photographie/ P. Weynen & fils/ Rue du Casque 1776./ Maestricht/ Les clichés sont conservés.’, annotation: ‘3 Aug 1876/ [..] v Opstal’, name: ‘v. Opstal’
Fotoreproductie van (vermoedelijk) een prent met een speelman en dansende kinderen
Object type: reproduction
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: dancing, child, making music; musician with instrument - cc - out of doors

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Portret van Peter III van Rusland
Object type: print
Date: 1762 – 1763
Materials: paper
Techniques: engraving, etching
Artist: johann christoph teucher
Artist role: print maker
Artist dates: 1715 – 1763
Subjects: castle, historical persons, baton of general, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Portret van John Hanning Speke
Object type: print
Date: 1854 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons, explorer
Inscriptions: collector's mark: Lugt 2228
Portretten van leden van het Oostenrijkse Huis
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons - bb - woman, ruler, sovereign - bb - female ruler
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 58 prenten. Het meerendeel van de prenten bevat portretten van 74 leden van het Oostenrijkse Huis, naar tekeningen door Francesco Terzio, die deels getekend zijn naar de 28 levensgrote bronzen beelden die rond de cenotaaf van Maximiliaan I in de Hofkirche te Innsbruck staan.
Jeux d'enfants
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: child, 'jeu de volant', badminton, games using special objects (marbles, top, hoop, etc.)
Inscriptions: check stamp: Lugt 1397c, collector's mark: Lugt 2166
Portret van Augusta Caroline van Brunswijk
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: london
Artist: k. mackenzie
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Nederlands Indië, 1/10 gulden, 1884
Object type: tiende gulden
Date: 1884 – 1884
Materials: copper
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Zilveren munt. Voorzijde: tussen waarde-aanduiding 1/10 G gekroond rijkswapenschild. Boven kroon landsaanduiding en onder wapenschild jaartal. Keerzijde: tweeregelig Maleis opschrift in Arabische tekens, waaromheen omschrift in het Javaans. Kartelrand.
Dish
Object type: dish
Materials: copper, glaze, iron, stoneware
Culture: japanese

A quintessential example of Utsutsugawa ware, this dish was formed on the wheel, then pressed over a mold to shape the foliate rim, and, finally, decorated with white slip and a painted ginkgo-leaf design. The meticulously brushed slip follows the turn of the potter's wheel, revealing the method of its application. Two large, nearly symmetrical ginkgo leaves with overlapping and entwined stems completely cover the interior of the dish. Superbly executed in iron-oxide pigment and copper-green glaze (and sheathed entirely with a thin layer of clear glaze), they create a design that is almost abstract. Compared to the earthy and exuberant decoration on Takeo Karatsu ware, which also combines iron-brown painting and copper-green glaze, Utsutsugawa pieces are subtler, smoother, and exquisite.
Portret van Joël Emanuel Goudsmit
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: leiden, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een ridderorde. Onder het portret zijn signatuur.
New South Wales, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 2 (N10), issued in 1890 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Transport van tabak per ossenkar naar een fermenteerschuur van een plantage op Sumatra
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: sumatra
Subjects: plantation, field filled with a crop, two-wheeled, animal-drawn vehicle, tobacco, sumatra
Inscriptions: number: ‘28’

Onderdeel van Album met heliogravures van Sumatra's oostkust.
Dress
Object type: dress
Date: 1876 – 1900
Materials: linen, metal, silk
Jongen met officiersstokje
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: rome
Subjects: the (nude) human figure; 'corpo humano' (ripa) (+ young male (human being)), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘103’, collector's mark: Lugt 2228

Beeld van een naakte jongen met een officiersstokje in zijn hand. Het beeld is afkomstig uit de collectie van Vincenzo Giustiniani, wiens wapen op de sokkel te zien is.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 470 – 440
Materials: terracotta
Culture: greek, attic

Part of the neck of a column-krater
Plaat van grafzerk Gijsbert Willemsz. Raet
Object type: book illustration
Date: 1865 – 1878
Materials: paper
Techniques: etching
Location: netherlands
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: gravestone, tombstone

Geelkoperen plaat van de grafzerk van Gijsbert Willemsz. Raet, priester aan de St. Johanneskerk te Gouda.
Proposal (first plate)
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Jacques Sarazin l'Aîné
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: engraving, etching
Location: france
Artist: charles nicolas cochin (i)
Artist role: print maker
Artist dates: 1688 – 1754
Subjects: paris, jacques sarazin, portrait, self-portrait of sculptor, ornament ~ medallion
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Gezicht op het Damrak
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: tone lithography
Artist: Anonymous
Subjects: shop, store, city-view in general; 'veduta', canal, the usual house or row of houses, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘7’ Lugt 1641b, inscription: ‘Geschenk van den heer / Lanting’, inscription: ‘[...]aar winkel Verschuur / Damrak’

Onderwerpsrubriek binnen de Atlas Amsterdam: Damrak, Damstraat, Doelensluis, Doelenstraat (Nieuwe), Driehoekstraat, Droogbak, Duvelshoek, Dijkstraat en Korte -.
Tankard
Object type: tankard
Date: 1790 – 1790
Materials: metal
Subjects: lions,coat of arms
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1885 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: adult woman, studio requisites ~ photographer
Inscriptions: name: ‘W.G. Kuijer & Zonen Hofphotographen Amsterdam Westermarkt 19. (...)’
Overseer Shabti of Henettawy (C), Daughter of Isetemkheb
Object type: shabti, henettawy c
Date: 990 – 970
Materials: faience
Location: egypt
Abklatsch van de krijttekening op pagina 18
Object type: sketchbook leaf
Date: 1884 – 1891
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 19 uit een schetsboek met 49 bladen.
Fotoreproductie van een straatgezicht te Pompeï
Object type: reproduction
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: the graphic arts, street
General Washington
Object type: print
Date: 1794 – 1794
Techniques: engraving, etching
Location: london
Artist: charles willson peale
Artist role: artist
Artist nationality: american
Artist dates: 1741 – 1827
Subjects: battles,soldiers,american revolution,george washington,portraits,generals
Prentjesdruk van Épinal
Object type: popular print
Date: 1902 – 1902
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: epinal
Artist: Anonymous
Subjects: story teller; listening to story teller, animals acting as human beings, tales and fairy tales, beasts of prey, predatory animals: fox
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen over een oude verminke vos, die een verhaal vertelt aan zijn kleinkinderen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 62.
Petrvs Victorivs
Object type: print
Date: 1587 – 1606
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: schrijver, filoloog, piero vettòri
Inscriptions: collector's mark: Lugt 2228

Portret van Pietro Vettori, een Italiaanse geleerde aan het hof van de Medici. Buste naar rechts. De prent heeft een Latijns onderschrift en maakt deel uit van een serie van beroemde geleerden.
Statuette of a harp (lyre) player, male
Object type: statuette of a harp lyre player, male
Date: 550 – 526
Materials: bronze
Culture: greek
Subjects: men,harps,musicians
Inro (seal case)
Object type: inrō
Date: 1775 – 1800
Materials: lacquer, metal, textile, wood
Location: japan
Artist: Anonymous
Subjects: standing figure, clothes, costume (+ men's clothes), walking the dog

Inro, bestaande uit 5 delen, met knoop (ojime) en gordelknoop (netsuke). Op de ene kant een Hollandse koopman, op de andere kant een Portugees. Het koord is niet authentiek. Vijf doosjes bij elkaar gehouden door een koord.
The Carousal (Scene from Faust?)
Object type: painting
Date: 1860 – 1870
Materials: oil, paint, panel
Techniques: painting
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1800 – 1899
Subjects: people, literature, men, taverns, women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 351
Materials: terracotta
Culture: greek, attic

Exterior, genitals, right buttock, and part of thighs of male to right, holding an oinochoe in his right hand
Schilderskist van satijnhout
Object type: schilderskist
Date: 1780 – 1795
Materials: wood, lacquer
Location: netherlands
Artist: Anonymous

Painter's box. Oak, veneered with various woods, inlaid with a Japanese (?) lacquer panel. Netherlands, c. 1780 - 1795. On loan from the Koninklijk Oudheidkundig Genootschap.
Ilustrated Discourse on the Entrance to Learning
Object type: book
Date: 1631 – 1631
Techniques: woodblock print
Location: japan
Artist: Anonymous
Artist nationality: japanese
Portret van een onbekende vrouw
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, paper
Techniques: daguerreotype, hand coloring
Artist: Anonymous
Subjects: adult woman, historical persons
Pricket Candlestick
Object type: candlestick
Date: 1401 – 1500
Materials: iron
Culture: european
Brief aan August Allebé
Object type: letter
Date: 1888 – 1888
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: jérôme alexander sillem
Artist role: politician
Artist dates: 1840 – 1912
Subjects: print maker, draughtsman, august allebé, money
Het Steen, Antwerpen
Object type: postcard
Date: 1900 – 1925
Materials: photographic support
Techniques: rotogravure
Location: antwerp
Artist: Anonymous
Subjects: het steen
Tile
Object type: tile
Materials: earthenware, wax
Techniques: gilding, glazing, molding, polychrome, resist
Location: turkey

This tile matches a border frieze adorning the portal of the tomb of Sultan Mehmed I (r. 1403–21) in Bursa, where monuments were badly damaged in an 1855 earthquake. It has a deeply carved pattern of lattices formed by pairs of undulating vine scrolls that meet at regular intervals along the centerline. The interlacing of the arabesque lattices is complex, but clarity is achieved through the use of different colored glazes. The tile predates the period, later in the fifteenth century, of widespread Chinese influence on Ottoman Turkish ceramics. In its deep relief and choice of colors, it exhibits similarities to tiles of Timurid Central Asia dating from the late fourteenth century, a resemblance probably explained by the documented presence of Persian tileworkers in Bursa at that time.
Your Mouth
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Donorportret van Willem Moreel
Object type: print
Date: 1875 – 1899
Materials: paper
Techniques: etching
Artist: joseph dujardin
Artist role: print maker
Subjects: bruges, adult man, historical persons, hands folded
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1e Etat’
Traveling clock with alarm and calendar
Object type: traveling clock with alarm and calendar
Date: 1700 – 1710
Materials: brass, silver, steel
Techniques: gilding
Artist: joseph paulet
Artist role: maker
Artist nationality: probably french
Artist dates: 1687 – 1716

In the late seventeenth and early eighteenth century small clocks adapted for traveling were comparatively rare. This example, in an exquisite case of engraved and repoussé silver, with a champlevé silver dial, belongs to a group of five or six examples, all signed "Paulet London." The universal ball joint at the top allows the clock to swing from its suspension ring, cushioning the jolts of motion.
Case (Inrō) with Design of Chinese Sages in Mountain Landscape
Object type: inrō
Date: 1850 – 1880
Materials: lacquer, wood
Techniques: carving, roiro
Culture: japanese
Blackwork Design for Goldsmithwork with a Bee-Keeper, a Farmer and a Boar
Object type: print ornament architecture
Date: 1612 – 1612
Techniques: embroidery, engraving
Artist: mathais beitler
Artist role: artist
Artist nationality: german
Artist dates: 1582 – 1616
Subjects: boars,dogs,horses,bees,trees,farmers

Ornamental panel, divided into three registers. The top register shows a kneeling figure collecting bee-hives from a tree at center. In the middle register, a farmer tills his land. At bottom, a boar chased by two dogs. From a series of six plates.
Landschap met ruïne
Object type: print
Date: 1813 – 1863
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerardus emaus de micault
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: landscape with ruins
Flintlock Wall Piece
Object type: musketoon
Date: 1825 – 1840
Materials: brass, iron, wood
Location: unknown
Artist: Anonymous

Vestinggeweer of vuursteen walbus, voorlader. De loop wordt niet met beugels aan de lade vastgehouden, maar heeft een klein oog onderop, waar doorheen pennen gestoken worden, die tevens dwars door de lade gaan. Het geweer heeft een ijzeren laadstok.
Zittende man omringd door vier staande figuren met attributen
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: weapons, temple, shrine ~ greek religion
Inscriptions: collector's mark: Lugt 2228
Copper-Alloy Balance Weight with Figures in an Architectural Setting
Object type: weight
Date: 401 – 600
Materials: copper alloy
Culture: byzantine
Subjects: portraits

Symbols and people are often depicted within an architectural setting on Byzantine weights. Under an arcaded ceiling on this three-ounce weight are two imperial bust portraits and a standing figure between them. This figure, partially worn away, is most likely an angel or a winged victory. In Byzantium, precise measurement of goods was achieved by a set of standard balance weights.
Canopic jar of Tetinakht: Duamutef
Object type: canopic jar, jackal lid
Date: 1550 – 1525
Materials: pottery
Location: egypt
Subjects: jackals

Three canopic jars (12.181.253a–c) were found in a tomb dating to the beginning of Dynasty 18. Two of the lids are shaped like animal heads and the third has a human head. This jar, with the jackal-headed lid, represent the deity Duamutef, protector of the stomach. Another jar, with a falcon-headed lid, represents Qebehsenuef, protector of the intestines. The third jar has a lid with a human head and represents Imsety, protector of the liver. These are three of the Four Sons of Horus. Missing from the set is the fourth jar which probably had a baboon-headed lid representing Hapy, protector of the lungs. These are the earliest datable examples of animal-headed lids on canopic jars, a style that did not become common until later in the New Kingdom. In earlier periods, the lids were different. Old Kingdom canopic jars were often covered with simple disk-shaped lids (see 14.7.16–.19), and from the Middle Kingdom to the early 18th Dynasty, they were usually covered with human-headed lids (see 11.150.17a–d). For a complete set of animal-headed canopic jars, see 12.183.1a–d.
Papieren en een hoed op een tafel
Object type: print
Date: 1851 – 1902
Materials: paper
Techniques: drypoint, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: writing-table, writing-desk, head-gear: hat, communal rooms
Inscriptions: number: ‘421’, collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 421.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, head, shoulders, upper arms, and right buttock of a filleted, bearded male with his himation draped around his upper left arm and back, bending to right; part of an inscription, …IS
Cremation of Jujaka's Body(?): Scene from Vessantara Jataka
Object type: painting
Date: 1801 – 2000
Materials: paper
Culture: thai
Subjects: men
La Galerie du Palais Royal
Object type: print
Date: 1786 – 1808
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: hendrik iv (koning van frankrijk en navarra), historical persons, historical persons (portraits and scenes from the life) (+ full length portrait), king
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van 354 prenten naar schilderijen uit de collectie van de Hertog van Orléans, getiteld: La Galerie du Palais Royal, uitgebracht tussen 1786 en 1808. De serie werd uitgegeven door Jacques Couché die het project samen met Jacques Bouillard leidde.
Gezicht over Rome vanaf de Janiculum en heuvellandschap
Object type: photograph
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: rome
Artist: Anonymous
Subjects: tourism, prospect of city, town panorama, silhouette of city, rome
Inscriptions: inscription: ‘Rome, vue de Janicule’

Albumblad met twee foto's in Rome. Onderdeel van een fotoalbum van een reis door Italië, ca. 1900.
Teapot
Object type: teapot
Date: 1750 – 1750
Materials: earthenware
Techniques: glazing
Artist: john astbury
Artist role: maker
Artist dates: 1688 – 1743
Subjects: human figures,flowers