deem-data/ArtiFact huggingface dataset:
Ontzet van Oran, rekenpenning van de rekenkamer van Holland te 's-Gravenhage, ter ere van Filips II, koning van Spanje
Object type: jeton
Date: 1564 – 1564
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: philip ii of spain, the hague

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: vijf wapenschilden, waarvan bovenste tussen jaartal binnen omschrift
Exterieur van de Kathedraal van Sint-Michiel en Sint-Goedele in Brussel
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: brussels
Artist: Anonymous
Subjects: church (exterior), parts of church exterior and annexes: tower, brussels

Onderdeel van Reisalbum met foto's van bezienswaardigheden in België en Frankrijk.
Miniature tongs (part of a set)
Object type: tongs
Date: 1690 – 1691
Materials: silver
Artist: george manjoy
Artist role: maker
Artist nationality: british
Artist dates: 1685 – 1685
Chessmen (32)
Object type: chessman
Date: 1701 – 1800
Materials: ivory
Subjects: chess,games
Dansende boerin
Object type: print
Date: 1622 – 1668
Techniques: engraving
Subjects: scabrous scenes, pornography (+ variant), gesture-language, farmers
Inscriptions: collector's mark: Lugt 2228

Een dansende boerin in een landschap, met de handen in de zij. Onder de ovale voorstelling een tweeregelig Frans vers.
Gezicht op de Nieuwezijds Voorburgwal in Amsterdam
Object type: sketchbook leaf
Date: 1896 – 1901
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: civic architecture; edifices; dwellings, street
Inscriptions: annotation: ‘2 maal 200 breed/ [...]/ water/ [...] NZ. Voorburgwal/ vroeger water’

Pagina 33 en pagina 34 uit een schetsboek met 37 bladen.
Patroonhuls uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: cartridge shell
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cartridge case, tube; fragm, squashed, id. NG 1979-205H549.
Koe en een landschap
Object type: endleaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: cow, landscapes
Inscriptions: annotation: ‘schetsboekje van J.H. Weissenbruch/ uit collectie Hiddenijland/ D.N.’, collector's mark: Lugt 2228a, annotation: ‘G Rademaker’

Voorste schutblad uit een schetsboek met 34 bladen.
Twee schepen
Object type: print
Date: 1827 – 1884
Materials: paper
Techniques: lithograph
Subjects: ships (in general)
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een prentalbum met een serie van vier lithografieën van schepen.
Snuffbox
Object type: snuffbox
Date: 1735 – 1735
Materials: gold, hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: human figures,chess,playing cards
Landschap met rivier en man met hond
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes van cuylenburgh
Artist role: print maker
Artist dates: 1793 – 1841
Subjects: (high) hill
Inscriptions: collector's mark: Lugt 2228

Dit landschap is geïnspireerd door een prent van Jan Both.
School van Athene
Object type: print
Date: 1637 – 1686
Materials: paper
Techniques: engraving
Subjects: group of scholars or philosophers
Inscriptions: collector's mark: Lugt 240
Three People, a Mask, a Fox and a Bird, headpiece for Le sourire
Object type: print
Date: 1899 – 1899
Materials: ink, ivory, paper
Techniques: woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
De onheilsdagen van het Joodse volk
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: signature: ‘Phs. Gal fecit’, caption: ‘Stella notat tuguri congestum cespite culmen...Oriente profecti’, number: ‘20’, signature: ‘Mart Heemskerck Inve[ntor]’

In het atrium van een tempel zit Maria met het Kind en Jozef. Een van de drie koningen zit geknield voor hen. De anderen komen aanlopen van rechts en links. Een lichtstraal valt naar binnen door een gat in het plafond.
Key
Object type: key
Date: 1201 – 1300
Materials: iron
Culture: german
Fragment
Object type: fragment
Date: 1701 – 1800
Materials: wood
Subjects: flowers,leaves
Harlech, No. I
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: etching, mezzotint
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Lantern with Christ in the Guise of a Gardener and Mary Magdalene
Object type: lantern
Date: 1680 – 1720
Materials: paper, wood
Techniques: engraving, hand coloring
Inscriptions: name: ‘I. Bosch in Biberach’

The maker of this lantern took a print depicting Christ as a gardener and Mary Magdalene and pleated it many times, shaped it into a circle, and sewed it together with needle and thread. The print can be folded into a small, round wooden box. This box is created when the wooden
top and bottom of the lantern are fastened with a tiny metal pin.
Het leven van Johannes de Doper
Object type: print
Date: 1553 – 1558
Materials: paper
Techniques: etching
Artist: hans liefrinck (i)
Artist role: print maker
Artist dates: 1518 – 1573
Subjects: story of john the baptist (matthew 3; mark 1:4-11; luke 3:1-22; john 1:19-34)
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760

Johannes met twee leerlingen, wijst naar Christus die aan komt lopen.
Jan Philipsweg. Gouda
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph, writing
Location: gouda
Subjects: road, path, trees: willow, gouda
Inscriptions: postage stamp
William Cross
Object type: painting, miniature
Date: 1800 – 1800
Materials: foil, gilt copper, glass, ivory, watercolor
Culture: american
Subjects: men,portraits
Glass striped mosaic bowl fragment
Object type: fragment, striped mosaic, quadripartite
Date: 34 – 33
Materials: glass
Culture: roman

Translucent cobalt blue, purple layered with colorless and appearing red, turquoise blue layered with yellow and appearing green; opaque yellow and white, and colorless. Shallow convex curving bottom. Quadripartite striped mosaic pattern formed from lengths of at least four different canes laid side by side in parallel rows: green, yellow, blue outlined in colorless, and red outlined in yellow; four sections laid at right angles around a central square cane in a colorless ground with a white spiral around a green ground and a central yellow spiral in a purple ground. Polished exterior; slight pitting of surface bubbles on exterior; dulling and iridescent weathering on interior and jagged edges.
Bringing the Message of Victory to Dongshan
Object type: hanging scroll
Date: 1862 – 1862
Materials: ink, paper
Culture: chinese
Artist: wang su
Artist role: artist
Artist nationality: chinese
Artist dates: 1794 – 1877
Subjects: men,women,horses,games
Twee koeien langs weg bij boerderij
Object type: print
Date: 1803 – 1841
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes van cuylenburgh
Artist role: print maker
Artist dates: 1793 – 1841
Subjects: cow, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Cartouche met bovenlichamen van twee gevleugelde vrouwen
Object type: print
Date: 1613 – 1657
Materials: paper
Techniques: engraving
Location: france
Hunting horn
Object type: musical instrument
Date: 1849 – 1849
Materials: silver
Techniques: gilding
Location: utrecht
Artist: johannes mattheus van kempen
Artist role: silversmith
Artist dates: 1814 – 1877
Inscriptions: alloy mark: ‘staande leeuw met 1’, maker's mark: ‘meesterteken VK boven 47 in vierkant’, mark: ‘Minervakop met u’

In 1849 King William II presented this horn as a prize for the fastest hunter at Het Loo Palace. Its shape is derived from an ox horn, and is embellished with both predators and prey. Concealed in the asymmetrical Rococo scrolls are a red deer beset by a hound, a fox cornered by a pair of lions, and a hooded falcon waits to hunt its prey.
Titelpagina voor: Blankaart, Steven. Anatomia practica rationalis, sive Rariorum cadaverum morbis denatorum anatomica inspectio. Amsterdam: Cornelis Blankaart, 1688.
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: hospital, anatomy lesson
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Blankaart, Steven. Anatomia practica rationalis, sive Rariorum cadaverum morbis denatorum anatomica inspectio. Amsterdam: Cornelis Blankaart, 1688.
Zeven portretten van historische figuren
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving
Artist: adriaen van der werff
Artist role: draughtsman, painter, print maker
Artist dates: 1659 – 1722
Subjects: london
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Larrey, Isaac de. Histoire d'Angleterre, d'Ecosse, et d'Irlande. Rotterdam: Reinier Leers, 1697.
La Bretagne
Object type: print
Date: 1928 – 1928
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: prospect of village, silhouette of village, rocky coast, ships (in general)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 5i

Links op de voorgrond een afgemeerd schip op het strand. Rechts op de achtergrond een nederzetting met kerk en molen.
Kaart van het Hoogheemraadschap van de Krimpenerwaard (deel wapenrand)
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions

Deel van de wapenrand van de vijfde druk van 'Het Hooge Heemraadschap van de Crimpenre Waard', een wandkaart (bestaande uit een kaart en een wapenrand) van het Hoogheemraadschap van de Krimpenerwaard.
Blad met zeilschepen
Object type: printed paper
Date: 1990 – 1994
Materials: paper
Techniques: printing block
Location: venice
Artist: legatoria piazzesi
Artist role: printer
Artist dates: 1905 – 
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Blad met patroon in vijf rijen met drie varende zeilschepen op een blauw fond.
Portret van keizer Rudolf II
Object type: print
Date: 1603 – 1650
Materials: paper
Techniques: engraving, etching
Artist: matthäus merian (i)
Artist role: print maker
Artist dates: 1593 – 1650
Subjects: vienna, prague, rudolf ii van habsburg (duits keizer), garland, wreath, historical persons
Bonk van 1 stuiver van Nederlands Indië,1803
Object type: coin
Date: 1803 – 1803
Materials: copper
Techniques: striking
Location: batavia

Koperen rechthoekige munt. Voorzijde: binnen een rechthoekige lijst van parels waarde-aanduiding 1 S. Keerzijde: binnen een rechthoekige lijst van parels jaartal.
Fotoreproductie van een gravure van Het huwelijk van Maria de'Medici met koning Hendrik IV door Jean-Marc Nattier, naar het schilderij door Peter Paul Rubens
Object type: page
Materials: photographic support
Techniques: albumen print
Artist: peter paul rubens
Artist role: draughtsman, painter, print maker
Artist dates: 1577 – 1640
Subjects: cologne, print maker, maria de' medici, paris, hendrik iv (koning van frankrijk en navarra), marriage, married couple, 'matrimonium', king
Friese penning van graaf Egbert II, 1068-1090
Object type: penny
Date: 1068 – 1090
Materials: silver
Techniques: striking
Location: stavoren
Artist: egbert ii van meissen (graaf van friesland)
Artist dates: 1060 – 1090

Zilveren munt. Voorzijde: aanziende vorst. Daaromheen omschrift. Keerzijde: aanziende Simon en Judas. Daaromheen omschrift /TAVE/ON
Untitled (Portrait of a Man)
Object type: photograph
Date: 1853 – 1853
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, portraits: male subject, male, photography, portrait
Takken op een heuvel
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: trees (+ branch, stick)

Blad 38 recto uit een schetsboek met 44 bladen.
2 centimes uit België van Leopold I
Object type: twee centime
Date: 1832 – 1865
Materials: copper
Techniques: striking
Location: brussels

Koperen munt. Voorzijde: zittende, omkijkende leeuw naar links met onder rechter klauw paneel met opschrift. In afsnede waarde-aanduiding. Keerzijde: voorzijde incusum. Kartelrand.
Fotoreproductie van een prent, voorstellende de Transfiguratie
Object type: reproduction
Date: 1871 – 1881
Materials: paper
Techniques: photograph
Subjects: the transfiguration: moses and elijah appear on either side of christ on mount tabor (matthew 17:1-13; mark 9:2-13; luke 9:28-36)
Brisé Fan, with representations of warriors in a Chinese landscape, and EN monogram
Object type: fan
Date: 1801 – 1833
Materials: mother of pearl
Subjects: men,horses
Bronzen voet van een kan of kookpot
Object type: ewer
Date: 1300 – 1500
Materials: bronze
Techniques: casting
Location: low countries
Artist: Anonymous

Bronzen voet van een kan of kookpot. Aan de bovenzijde hol.
Patterned frieze
Object type: relief
Date: 800 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia

This fragmentary piece of ivory was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. Shaped like a half cylinder, it takes the shape of a section of the elephant tusk from which it was cut. The fragment was found with another piece of similar shape and decoration, suggesting that the two may have originally been part of the same object, which may have been a decorative furniture element like one section of a table leg. The top and bottom edges of the cylinder are decorated with a row of deeply drilled circles set between two plain border strips, with small abstract flowers filling the space between the outer edges of the circles. Within each drilled circle is a deeper hole for a peg, probably for anchoring the material that was originally inlaid within the circles and is now lost. Between the two rows of circles is a pattern of overlapping scales, shown in three orderly registers. Scale patterns were regularly used in the art of ancient Mesopotamia to indicate a mountainous landscape setting. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Vrouw in een lange jurk, ten halven lijve
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: adult woman, dress, gown (+ women's clothes)

Blad 5 recto uit een schetsboek met 65 bladen.
Comic Valentine original illustration: The Flirt
Object type: drawing
Date: 1860 – 1860
Materials: ink, watercolor
Techniques: hand coloring
Artist: Anonymous
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1899
Sleeping sheep
Object type: crèche figure
Date: 1701 – 1900
Materials: metal, terracotta
Techniques: polychrome
Artist: francesco gallo
Artist role: maker
Artist dates: 1700 – 1800
Subjects: sheep

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Beslag uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: beslag
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fittings, bands and bracing, flat; fragm, one end broken, sim. NG 1980-27H3053.
Japanese Pines (of Nikko)
Object type: photograph
Date: 1870 – 1900
Materials: paint, photographic support
Techniques: albumen print, hand coloring
Location: nikko
Artist: Anonymous
Subjects: hand-cart, forest path or lane, trees: pine
Inscriptions: number: ‘I 3’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Japan en studioportretten.
Portretten van Willem III, koning der Nederlanden, en Sophie van Württemberg
Object type: print
Date: 1839 – 1845
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: brussels, willem iii (koning der nederlanden), the hague, sophia frederika mathilda van württemberg

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Gold Animal Ornament
Object type: ornament
Date: 1001 – 1600
Materials: gold
Culture: veraguas
Location: panama
Subjects: animals
Kustlandschap met ruïnes
Object type: drawing
Date: 1590 – 1633
Materials: ink, paper
Techniques: pen
Subjects: ruin of a building ~ architecture, coast

Drawings from the Ter Borch Studio Estate [2 dln.]. Catalogus van de Nederlandse tekeningen in het Rijksprentenkabinet, Amsterdam. Dl. V, 1988; dl. 2, p 773
Beaker with cover
Object type: beaker with cover
Date: 1665 – 1674
Materials: glass
Artist: hermann schwinger
Artist role: maker
Artist nationality: german
Artist dates: 1640 – 1683
Subjects: coat of arms

The coats-of-arms are those of two Regensberg families; George Friedrich Gumpelsheimer married November 7, 1665, Barbara Elisabeth Hamman; he died 1674.
Heart Scarab, Owner's Name Erased
Object type: scarab, name erased
Date: 664 – 380
Materials: stone
Location: egypt
Subjects: hieroglyphs,scarabs
Terracotta rim fragment of a cup-skyphos (drinking cup)?
Object type: cup skyphos fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a cup-skyphos with a concave lip
Saucer with a putto on clouds
Object type: service set
Date: 1785 – 1785
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: germany
Inscriptions: mark: ‘ooievaar’

Schotel van porselein, beschilderd op het glazuur in roze (camaïeu) en goud. Op het plat een putto met een wereldbol en een passer op een wolk. De binnenrand met een gedraaide band, waaraan guirlandes en bloemtakken hangen. Gouden rand. Gemerkt op de onderzijde met de ooievaar.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Part of the upper torso of a draped, frontal male
Landscape with Travelers on a Woodland Path
Object type: painting
Date: 1607 – 1607
Materials: copper, oil
Artist: jan brueghel the elder
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1568 – 1625
Subjects: men,women,horses,landscapes,wagons

Working on copper, Brueghel created small and jewel-like paintings defined by vivid color and anecdotal detail. Here, a variety of travelers of different classes traverse a woodland landscape, inviting beholders to engage in imaginative journeys of their own.
Blouse
Object type: blouse
Date: 1866 – 1866
Culture: american
Kruisdraging van Christus
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: woodcut
Location: amsterdam
Subjects: carrying of the cross: christ bearing the cross, alone or with the help of others (e.g. simon the cyrenian)
Inscriptions: collector's mark: Lugt 240

Prent uit: Sichem, Christoffel van (II). 'tSchat der zielen, dat is: Het geheele leven ons Heeren Iesu Christi. Amsterdam: Pieter Jacobsz. Paets, 1648.
Prent uit: Biblia sacra dat is De geheele Heylighe Schrifture bedeylt in 't Out en Nieu Testament. Amsterdam: Pieter Jacobsz. Paets, 1657.