deem-data/ArtiFact huggingface dataset:
Bruiloft te Paramaribo
Object type: photograph
Date: 1903 – 1908
Materials: photographic support
Techniques: photography
Location: paramaribo
Artist: augusta curiel
Artist role: fotograaf
Artist dates: 1873 – 1937
Subjects: (civil) marriage ceremonies

Op een waranda staat een groep feestelijk gekleede dames en heren, in het midden een bruid en bruidegom. Naast de bruid staat de heer P. Hofstede Crull. Voor de groep zitten vier bruidsmeisjes op de grond. Te Paramaribo, Suriname.
Diana (Diana Triuia in aedibus), from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: arrows,diana,dogs

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 159 in the scrapbook. On a sheet with 41.72(2.157)-41.72(2.167)
Presentation Drawing of a late Baroque Altar inside a Church
Object type: ornament architecture
Date: 1720 – 1730
Materials: ink, pigment, watercolor
Techniques: brush, pen, wash
Artist: anonymous, central european, 18th century
Artist role: artist
Artist nationality: central european
Artist dates: 1700 – 1800
Subjects: altars
Gezicht op Diemen
Object type: print
Date: 1760 – 1796
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: diemen
Inscriptions: inscription: ‘H. Schouyten fec. ad v.’, collector's mark: Lugt 2228

Gezicht op de kerk in Diemen. Op straat trekt een man een rund voort. Een vrouw veegt het stoepje van de kerk schoon. Mannen en vrouwen maken een praatje op straat.
Grund-Riss des Forts Negombo
Object type: print
Date: 1736 – 1744
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: fortress, plan ~ architecture
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Heydt, Johann Wolffgang. Allerneuester geographisch- und topographischer Schau-platz (...). Neurenberg: erven Johann Baptista Homann, 1744.
Madame Adelaide de France
Object type: print
Date: 1756 – 1756
Techniques: engraving, etching
Artist: jacques firmin beauvarlet
Artist role: artist
Artist nationality: french
Artist dates: 1731 – 1797
Krijgsgevangenen
Object type: photograph
Date: 1943 – 1945
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: muhlberg
Artist: dick w.b. van maarseveen
Artist role: fotograaf
Artist dates: 1905 – 1990
Subjects: the hague, dick w.b. van maarseveen

Albumblad met twee foto's: overzicht van de grote straat in het kamp en een groep krijgsgevangenen uit een kolonie en een blad met acht portretfoto's van Oost-Europese krijgsgevangenen. Onderdeel van een fotoalbum met foto's door Dick van Maarseveen van het krijgsgevangenenkamp Stalag IV B in Mühlberg in de periode 1943-1945.
Alfonso I d'Este (1476–1534), Duke of Ferrara
Object type: painting
Date: 1526 – 1550
Materials: canvas, oil
Culture: italian
Location: italy
Artist: italian (ferrarese) painter
Artist role: artist
Artist nationality: italian
Artist dates: 1400 – 1499
Subjects: armor,men,portraits
The Last Supper
Object type: panel
Date: 1548 – 1548
Artist: fra damiano da bergamo (damiano di antoniolo de zambelli)
Artist role: maker
Artist nationality: italian
Artist dates: 1480 – 1549
Subjects: last supper

Commissioned by Claude d'Urfé, Ambassador of the King of France to the Council of Trent. Executed by Fra Damiano da Bergamo and his assistants in the Convent of San Domenico at Bologna, and set up in the Chapel of the Château de la Bastie d'Urfé, near Lyons. The altarpiece, representing the Last Supper, is signed by Fra Damiano and dated 1548. It was designed by Jacopo Barozzi da Vignola. The inlaid panels show architectural views, still lifes, landscapes, sacred subjects and ornamental patterns. The carved cartouches display the cipher of Claude d'Urfé and his wife, Jeanne de Balzac, the Eucharistic sacrificial lamb, adopted as an emblem by Claude d'Urfé, and various Trinitarian symbols. The design of these cartouches was also probably due to Vignola. The inscription running around the wainscoting is based upon the words of the Eucharistic hymn of Saint Thomas Aquinas. It indicates that the Chapel was dedicated to the Holy Sacrament as well as to the Trinity.
James Morton
Object type: page
Date: 1876 – 1881
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult man
Coffeepot
Object type: coffeepot
Date: 1760 – 1765
Materials: enamel, stoneware
Techniques: polychrome, salt glaze
Subjects: women,trees

The decoration was probably added in London.
Veerallée - Zwolle
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: zwolle
Artist: Anonymous
Subjects: canals, waters (in city), villa, street
Design for an Overmantel or Door with a Variant
Object type: drawing
Date: 1801 – 1900
Materials: crayon
Techniques: brush, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Covered Jar with Loop Handles
Object type: vessel
Materials: stoneware
Techniques: glazing
Location: china
Suecia Antiqua et Hodierna
Object type: album leaf
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: stockholm
Subjects: city-view in general; 'veduta'
Inscriptions: date

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Fotoreproductie van een tekening van de Basilique Sainte-Anne in Sainte-Anne-d'Auray, Frankrijk
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: inscription: ‘E. de Perthes ARCHte’, inscription: ‘LITANIES DE SAINTE ANNE/ (...)/ Se vend UN franc/ du profit de la reconstruction de la Chapelle.’
Kindermoord te Betlehem, rechtsonder
Object type: print
Date: 1668 – 1693
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the massacre of the innocents
Inscriptions: collector's mark: Lugt 240

Fragment van de kindermoord te Betlehem. Wanhopige moeders proberen hun kinderen te beschermen tegen de soldaten van Herodes. In de marge een twaalfregelig onderschrift, in twee kolommen, in het Frans.
Vijftigjarig huwelijk van Barthold de Geer, heer van Jutphaas en Johanna Gisbertha Beatrix van Vianen, penning aangeboden door kinderen en kleinkinderen
Object type: family medal
Date: 1833 – 1833
Materials: bronze
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: utrecht

Bronzen penning. Voorzijde: opschrift binnen sterrekrans. Keerzijde: staande, geopende bijbel met opschriftbinnen omschrift; afsnede: opschrift
Landschap met op de achtergrond een kasteel
Object type: drawing
Date: 1797 – 1870
Materials: paper, pencil
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: landscapes, castle
[Frederick Goodall]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Bronze statue of an aristocratic boy
Object type: statue of a boy, gaius caesar
Date: 27 – 14
Materials: bronze
Culture: roman
Subjects: boys

This life-sized statue was found on the eastern Mediterranean island of Rhodes, whose ancient Greek cities were wealthy, flourishing centers ofcommerce and culture under the Romans. With his broad face and short hair, the boy resembles young princes in the family of Augustus, the first Roman emperor, but he may have been the son of an important Roman official stationed on Rhodes or the son of a wealthy Greek. As Roman influence spread throughout the Mediterranean world, there was interchange of fashion, customs, and culture. Romans had great admiration for Greek culture; the island of Rhodes was famous for its schools of philosophy and rhetoric, and this boy even wears a Greek himation (cloak) instead of the traditional Roman toga.
Elegantia, of tijdschrift van mode, luxe en smaak voor dames, December 1807, No. 30: Capote de Levantine...
Object type: fashion print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: handkerchief (+ women's clothes), head-gear (capote) (+ women's clothes), monocle, single lorgnette - aa - female human figure, coat (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), sleeves (+ women's clothes)
Inscriptions: caption: ‘Capote de Lévantine. Douillette Couleur Cheveux d'Apollon’

Volgens de begeleidende tekst (p. 392): 'Doeillette' van kastanjebruine zijde ('couleur cheveux d'Apollon'), gegarneerd met een brede 'froncé'. Mouwen 'en amadis'. 'Capote de lévantine', met lilakleurige garnering. Prent uit het modetijdschrift Elegantia, of tijdschrift van mode, luxe en smaak voor dames 1807-1814 (onderbroken door de periode 1811-1813).
Caricature of Berlioz, from "La Caricature Provisoire, no. 1"
Object type: print
Date: 1838 – 1838
Techniques: lithograph
Artist: benjamin roubaud (called "benjamin")
Artist role: artist
Artist nationality: french
Artist dates: 1811 – 1847
Subjects: musical instruments,men,writing,caricature
Landschap met stadszicht en stralende zon
Object type: print
Date: 1550 – 1570
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, landscapes
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Landschap met bomenpartij links en uitgestrekt landschap met zicht op een ommuurde Italiaanse stad met prominente kerktoren. Het geheel baadt in het zonlicht dat door de wolken heen straalt. Een ruiter bevindt zich op de landweg die naar de stad leidt.
Covered Cup
Object type: covered cup
Date: 1767 – 1800
Materials: enamel, porcelain
Techniques: incising, overglaze, painting
Culture: chinese
Subjects: flowers
De Boeren bij het hooren van Edwards troonrede
Object type: cartoon
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: political caricatures and satires

De Zuid-Afrikaanse Boeren lachen om de troonrede van de Engelse koning Edward VII, uitgesproken in februari 1901.
Studie, mogelijk een straat met figuren
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: street (+ city(-scape) with figures, staffage)

Pagina 61 uit een schetsboek met 67 bladen.
Ink Traces of Kenzan (Kenzan iboku)
Object type: illustrated book
Date: 1823 – 1823
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: sakai hōitsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1761 – 1828
Subjects: deer,flowers,leaves,trees
Portret van Jean-Paul Habans
Object type: album leaf
Date: 1905 – 1905
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: male singer, france
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, five fragments with tendrils from handle ornament
Kop van een onbekende man, lachend met pijp in zijn hoed
Object type: print
Date: 1787 – 1844
Materials: paper
Techniques: etching
Artist: johann friedrich morgenstern
Artist role: print maker
Artist dates: 1777 – 1844
Subjects: adult man, laughing
Inscriptions: collector's mark: Lugt 2228
Group of Figures, with Owl on a Pole
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: guercino
Side Chair
Object type: furniture
Date: 1805 – 1812
Materials: wood
Location: new york city
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: furniture
The Virgin and Child on the lap of St. Anne, with St. Roch and St. Sebastian
Object type: print
Date: 1517 – 1524
Techniques: engraving
Artist: giovanni jacopo caraglio
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1565
Subjects: men,madonna and child,saint anne
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Exterior, part of torso wearing a corselet?; hilt of sword?
Ewer
Object type: ewer
Date: 767 – 900
Materials: earthenware
Location: iran

This ceramic ewer was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, part of a round shield, seen from the inside
Bezoek van Juliana, koningin der Nederlanden, en Bernhard van Lippe-Biesterfeld aan het prinsenjacht Hr. Ms. 'Piet Hein' te Muiden op 28 augustus 1937
Object type: photograph
Date: 1937 – 1937
Materials: photographic support
Techniques: photography
Location: amsterdam
Artist: Anonymous
Subjects: utrecht, bernhard (prins der nederlanden), the hague, juliana of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Tile
Object type: tile
Date: 1620 – 1640
Materials: earthenware
Techniques: glazing
Subjects: fruit,flowers
Zittend mannelijk naakt, geleund tegen een steen, van voren gezien
Object type: drawing
Date: 1765 – 1781
Materials: chalk, paper
Artist: jean grandjean
Artist role: draughtsman, print maker
Artist dates: 1752 – 1781
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of a draped male to left, with shod feet
Armor
Object type: drawing
Date: 1891 – 1891
Materials: charcoal, crayon
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Subjects: armor,helmets,women

This fantastical drawing of a helmeted woman in profile is one of four similar charcoal drawings Redon executed during the last decade of the nineteenth century. The sitter, rendered strangely mute by her helmetlike covering and untouchable by its thorny needles, varies slightly from sheet to sheet. While the exact meaning of Redon's image is unclear, it has been thought that the bizarre bondage imposed on his sitter expresses subconscious fear of female sexuality or, conversely, serves as a symbol of female fecundity. Equally important, however, is Redon's virtuoso handling of charcoal and his ability to capture its full range of tones, from the dark velvet quality of the helmet to the pallor of the woman's skin.
Arbeid
Object type: print
Date: 1723 – 1767
Materials: paper
Techniques: etching, letterpress printing
Subjects: fruitfulness, productiveness, fertility, fecundity; 'fecondità' (ripa)
Inscriptions: collector's mark: Lugt 2228

Vignet met de beeltenis van de gepersonifieerde Arbeid in een architecturale omlijsting dat getooid is met een bijenkorf. De Arbeid leest een boek, achter hem ligt een rund in het gras. De prent maakt deel uit van een reeks boekillustraties over deugden en ondeugden.
Mount for Spear-Shaft
Object type: spear shaft
Date: 400 – 400
Materials: niello, silver gilt
Culture: roman
Location: france

This object comes from the Vermand Treasure, the most richly appointed barbarian-warrior grave ever found. The grave was likely that of an auxiliary soldier stationed in the Roman province of Gaul. It also contained a shield, parts of which of which are on view in the Arms and Armor Galleries.
Sinne-beeld deses tydts
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), personifications of countries, nations, states, districts, etc., allegorical representations ~ religion; 'religione', 'religione de ss. mauritio e lazaro', 'religione vera christiana' (ripa), patient, sick person, netherlands, rampjaar (disaster year)

Allegorie op de politieke situatie in het jaar 1672. Voorstelling met de Nederlandse Maagd die ziek in bed ligt. Nu de eenheid van de zeven provincies verbroken is, keert de Nederlandse leeuw zich naar het portret van Willem III. Rond het bed verschillende regenten en allegorische figuren, waaronder Religie en Vrijheid. Onder de voorstelling een Nederlandse vers in 3 kolommen die grotendeels overeen komt met het vers onder de oorspronkelijke plaat van De Passe uit 1665.
The Lamentation
Object type: painting
Date: 1514 – 1516
Materials: oil, wood
Artist: ludovico mazzolino
Artist role: artist
Artist nationality: italian
Artist dates: 1480 – 1528
Subjects: men,women,christ,saint john the evangelist,virgin mary,lamentation
Two Dwarfs Playing Dice, a Dog at Left (recto); Study of a Leg (verso)
Object type: drawing
Date: 1659 – 1742
Materials: chalk, ink
Techniques: pen
Artist: faustino bocchi
Artist role: artist
Artist nationality: italian
Artist dates: 1659 – 1741
Subjects: men,dice,dogs
Gezichten van de Zes Voornaamste Poorten der Stad Amsterdam. 1ste Cahier
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: city-gate
Inscriptions: : ‘Déposé’, collector's mark: Lugt 1641b

Onderdeel van een omslag met een serie van zes lithografieën van Amsterdamse poorten. Onderwerpsrubriek binnen de Atlas Amsterdam: Poorten, verzamelbladen, A. Raampoort.
Kleine figuren
Object type: print
Date: 1656 – 1657
Materials: paper
Techniques: drypoint, etching, intaglio
Location: italy
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: hacking and thrusting weapons: sword, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van de serie 'Figurine', bestaande uit een titelprent en 80 prenten van klein formaat met voorstellingen van mannelijke en vrouwelijke figuren. Rosa produceerde de serie waarschijnlijk gedurende de jaren 1656 en 1657.
Voorbeelden van verschillende foto's, onder andere stereofoto's
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons not known by name
Inscriptions: inscription: ‘Aufgenohmen mit Goerz' Photo-Stereo-Binocle./ (Siehe Artikel in diesem Heft.)’
Scarab
Object type: scarab
Date: 2124 – 1504
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Gezicht op huizen, mogelijk in de Marnixstraat te Amsterdam
Object type: sketchbook leaf
Date: 1907 – 1907
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street

Gezicht op huizen, mogelijk in de Marnixstraat te Amsterdam. Pagina 65 en pagina 66 uit een schetsboek met 46 bladen vervaardigd in Amsterdam, Rotterdam en Haarlem.
Winter
Object type: print
Date: 1601 – 1700
Techniques: engraving
Artist: gilles rousselet
Artist role: artist
Artist nationality: french
Artist dates: 1614 – 1686
Subjects: fireplaces,women
M.H. de Young, San Francisco Chronicle, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Editors" series (N1), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Parakeet
Object type: watercolor
Date: 1670 – 1719
Materials: paper, watercolor
Techniques: brush
Artist: jan weenix
Artist role: draughtsman, painter
Artist dates: 1640 – 1719
Subjects: ornamental birds: parakeet

Painters of bird and dead game pieces, like Jan Weenix and his nephew Mechior d’Hondecoeter, had all kinds of tricks for studying birds. For instance, they drew from stuffed specimens, possibly the case for these two drawings of exotic birds. They also may have used a kind of gallows-like framework to keep dead birds in the desired position to show off their feathers to best advantage.