deem-data/ArtiFact huggingface dataset:
Lente
Object type: print
Date: 1570 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: spring landscape; landscape symbolizing spring (the four seasons of the year) (+ with venus), spring landscape; landscape symbolizing spring (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months), spring landscape; landscape symbolizing spring (the four seasons of the year) (+ with zodiacal signs of the spring season)
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond Venus en Cupido. Venus houdt een bloementuil in haar handen. Op de achtergrond voorjaarstaferelen: een melkende boerin, dansende paartjes, tuinieren, vissen, vogelvangst en de jacht. Boven in de lucht de drie astrologische tekens van het voorjaar: Ram, Stier en Tweeling. De prent heeft een Latijns onderschrift en is deel van een vierdelige serie over de vier seizoenen.
Interieur van een kerk (vermoedelijk) in Italië, met zicht op het koor
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: interior of church, parts of church interior: choir, italy
Inscriptions: collector's mark: Lugt 3937
Roundel, medallion with paste inlay
Object type: roundel, medallion with paste inlay
Date: 101 – 300
Materials: glass, gold, paste
Culture: roman
Landscape with an ancient temple converted into a church, at Rome (Smaller Italian sketchbook, leaf 4 recto)
Object type: drawing
Date: 1774 – 1775
Materials: ink, watercolor
Techniques: brush, wash
Artist: joseph wright (wright of derby)
Artist role: artist
Artist nationality: british
Artist dates: 1734 – 1797
Subjects: houses,landscapes
Rechtstoestanden in Duitschland
Object type: cartoon
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, political caricatures and satires

Gepubliceerd als bijvoegsel bij 'De Amsterdammer' van 7 december 1902.
Armchair
Object type: armchair
Materials: silk, wood, wool
Techniques: carving, gilding
Artist: beauvais
Artist role: manufactory
Subjects: men,women,dogs,horses
Design for a Gothic Cabinet
Object type: drawing
Date: 1841 – 1884
Materials: graphite, ink
Techniques: pen
Artist: charles hindley and sons
Artist role: artist
Artist nationality: british
Artist dates: 1841 – 1917
Subjects: cabinets
Wollenweversgilde van Leiden, uit Utrechtse duit vervaardigd merkloodje voor wollen dekens
Object type: coin
Date: 1739 – 1794
Materials: copper
Techniques: striking
Location: leiden
Artist: Anonymous
Subjects: leiden

Koperen penning. Voorzijde: opschrift, geslagen over oudere voorstelling: gekroond wapenschild, geflankeerd door twee leeuwen. Keerzijde: leeuw met getrokken zwaard boven zijn hoofd en schild aan lint in linkerklauw, geslagen over ouder voorstelling: opschrift.
The Gentleman in a Fur-Trimmed Mantle, Holding his Hands Behind his Back, plate seven from La Noblesse
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Mlle. Chalo, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
In Bed
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: city-view, and landscape with man-made constructions, river, church (exterior), mausoleum, roman catholic church, bridge, rome

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Ensemble
Object type: ensemble
Date: 1800 – 1957
Materials: silk
Culture: japanese
Vuurtoren van Alexandrië
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: lighthouse, lightship, island (in tropical and sub-tropical regions), non-aggressive activities of ptolemy philadelphus, pharos of alexandria (wonder of the world)
Inscriptions: collector's mark: Lugt 2228

De vuurtoren van de stad Alexandrië. Voorzover bekend de eerste vuurtoren die ooit werd gebouwd. Dit gebeurde in opdracht van de eerste hellenistische koning van Egypte Ptolemaeus II. De toren werd tussen 297 en 283 v. Chr. gebouwd en heeft bijna 1500 jaar dienst gedaan voor achtereenvolgens de Grieken, Romeinen, Byzantijnen en Arabieren. Hij stond op het eiland Pharos in de Middellandse Zee, net buiten de haven van het Egyptische Alexandrië. In de voorgrond rechts Ptolemaeus II en de architect van de vuurtoren, Sostratus van Knidos. De prent heeft een Latijns onderschrift en maakt deel uit van een serie over de acht wereldwonderen.
St-Leu d'Esserent (Oise) - Ancienne Abbaye. Le Cloître (XIIe siècle)
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: saint-leu-d'esserent
Subjects: abbey, monastery, convent ~ roman catholic church
Valentina Visconti op een troon met twee jonge kinderen aan haar zijde
Object type: print
Date: 1830 – 1880
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adult woman, child, throne, diadem, tiara
Inscriptions: collector's mark: Lugt 964

Op de troon staat: Rien ne m'est plus, plus ne m'est rien. Valentina Visconti zou die woorden gebruikt hebben na de in haar ogen onrechtvaardige afhandeling van de moord in 1407 op haar echtgenoot, de Franse hertog Lodewijk van Orleans.
The Fashions of the Day – or Time Past and Time Present: The Year (1740) a Lady's Full Dress of Bombazeen – The Year (1808) Lady's Undress of Bum-be-seen
Object type: print
Date: 1808 – 1808
Techniques: etching
Location: ireland
Artist: anonymous, irish, 19th century
Artist role: artist
Artist nationality: irish
Artist dates: 1800 – 1900
Subjects: satire,women,fashion

An Irish publisher pirated this print from a design issued in London. Title and image contrast contemporary taste for revealing classically inspired frocks with more modest historical styles. Low-necked, high-waisted dresses made of nearly translucent white muslin became fashionable in France in the late 1790s, were introduced to Britain shortly afterward, and held sway through the early Regency period. Since these frocks were often worn over minimal undergarments, the form of the wearer’s body could be revealed by sunlight, wind, or rain–to the delight of satirical printmakers. Here, a well-covered lady from 1740 wears a gown made out of bombazine (a sturdy twilled fabric) over stiff stays. She is startled to encounter a young woman from 1808 whose derriere is displayed through her gown as the result of simply standing in a strong light.
Terracotta calyx-krater (bowl for mixing wine and water)
Object type: calyx krater
Date: 400 – 368
Materials: terracotta
Culture: greek, attic
Subjects: men,women,ariadne

Obverse, woman seated between two men and two women Reverse, woman between two men The iconography here leaves unclear whether it belongs to the everyday world or the realm of Dionysos. The figure on the obverse suggests Ariadne.
Portret van Elisabeth in Beieren
Object type: print
Date: 1850 – 1854
Materials: paper
Techniques: lithograph
Location: munich
Subjects: historical persons - bb - woman
Portret van Carle Elshöecht
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: paris
Artist: p.c. van geel
Artist role: print maker
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde kijkt naar links. Hij draagt een jas met dubbele knopen. Onder het portret zijn signatuur.
Portret van een echtpaar met een kind in een tuin
Object type: photograph
Date: 1900 – 1915
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: parents with their children
's Gravenhage, Het Stadhuis
Object type: cabinet photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: Anonymous
Subjects: townhall, façade (of house or building)
Mending
Object type: print
Date: 1905 – 1905
Techniques: etching
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: female nudes
Servet van wit linnen
Object type: napkin
Date: 1400 – 1950
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

Wit linnendamasten servet met pellenpatroon, merk kroon IS en 36.
Aankondiging van het overlijden van Hendrik Danielsz. Hooft
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: amsterdam, mayor, hendrik danielsz. hooft, announcement of death, mayor, burgomaster
Inscriptions: collector's mark: ‘18.49AB’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [voor 1800].
Dress
Object type: dress
Date: 1780 – 1780
Materials: silk
Culture: french
Simson en Delila
Object type: print
Date: 1515 – 1519
Materials: paper
Techniques: woodcut
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: samson's hairlocks are cut off by delilah
Inscriptions: collector's mark: Lugt 240

Delila knipt de haren van de slapende Simson.
Portret van Franciscus Sylvius
Object type: print
Date: 1710 – 1725
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: jan baptist jongelinx
Artist role: print maker
Artist dates: 1689 – 
Subjects: theoloog, franciscus sylvius
Inscriptions: collector's mark: Lugt 2228

Busteportret van de theoloog en professor Franciscus Sylvius, met biretta. Hij zit op een stoel. Naast hem zijn wapenschild met een motto in het Latijn. Het portret is gevat in een ovale omlijsting met vierkant randwerk en een randschrift in het Latijn. Op de piëdestal een drieregelig onderschrift in het Latijn.
Saint John
Object type: statuette
Date: 1467 – 1500
Materials: bronze, gilt
Artist: neroccio de' landi
Artist role: artist
Artist nationality: italian
Artist dates: 1447 – 1500
Subjects: women,saint john the baptist
Side Chair
Object type: furniture
Date: 1890 – 1890
Materials: wood
Location: new york
Artist: r. j. horner and company
Artist nationality: american
Artist dates: 1886 – 1915
Subjects: furniture

Imported into the United States as early as the 1860s, East Asian bamboo furniture inspired the manufacture of Western goods such as this faux-bamboo chair and desk (2003.10). Such wares reached the height of their popularity after the 1876 Philadelphia Centennial Exhibition, where Japan’s display of bamboo furniture garnered much public attention. As the demand for Asian-inspired decorative arts and interiors intensified, American companies began using local materials such as this maple to produce faux-bamboo furniture in an attempt to compete with foreign imports. Firms such as R. J. Horner and Company advertised suites such as this one as most appropriate for the dining rooms and bedrooms of country houses.
Stoel
Object type: chair
Date: 1700 – 1700
Materials: wood
Location: northern netherlands
Artist: Anonymous

Stoel van palissanderhout met matten zitting. De poten vertonen gedraaide geledingen en zijn door acht geslingerde sporten verbonden. De rugstijlen zijn behandeld als de poten en eindigen bovenaan in gedraaide vaasjes met bollen en zijn verbonden door drie licht geholde, platte sporten, waarvan de bovenste aan de bovenzijde geschulpt is. Enige sporten zijn van notenhout.
Ex libris van W. Oostveen
Object type: bookplate
Date: 1930 – 1930
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: chemistry
Inscriptions: inscription: ‘Clichédruk - Jaar 1930. (...) 1931 Los Angeles.’

Verbeeld wordt een smeltpuntdiagram van een mengsel van twee stoffen en een apparaat dat metingen doet. Ontwerp werd door Verhagen ingezonden voor de 7th Annual ex libris exhibition van The Bookplate Association International, mei 1931 in Los Angeles.
Les Modes, 1903 : Mme Réjane / ROBE DE DINER
Object type: fashion print
Date: 1903 – 1903
Materials: paper
Techniques: printing, photochemical processes
Location: paris
Subjects: ring (+ women's clothes), dress, gown: dinner dress  (+ women's clothes), fashion plates, necklace (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: caption: ‘DOUCET. / Mme RÉJANE ROBE DE DINER / Cliché Reutlinger’, title: ‘LES MODES’

Volgens het onderschrift is dit de Franse actrice Gabrielle Réjane (1856–1920) in een dinerjapon van Doucet. Accessoires: collier, ceintuur, ringen. Prent uit het modetijdschrift Les Modes (1901-1937).
Onthoofding van de graven Egmond en Horne, 1567
Object type: print
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: grote markt, terechtstelling van egmond en horne
Inscriptions: collector's mark: Lugt 2228

De graven Egmond en Horne worden samen met andere edelen op de Grote Markt van Brussel met het zwaard onthoofd op bevel van de hertog van Alva. Een menigte heeft zich rond het schavot verzameld.
Christus aan het kruis
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving
Artist: tobias sadeler
Artist role: print maker
Subjects: comprehensive representations of the events on golgotha during christ's hanging on the cross, no particular event emphasized
Inscriptions: collector's mark: Lugt 1425, collector's mark: Lugt 2228

Prent ook gebruikt in: Lambeck, Peter. Commentarium de Augustissima Bibliotheca Caesarea Vindobonensi (...). Wenen: Matthaeus Cosmerovius, 1670. Dl. 3.
Wellington
Object type: print
Date: 1848 – 1886
Materials: paper
Techniques: engraving
Location: paris
Subjects: walmer castle, arthur wellesley of wellington, historical persons, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228
Saucer
Object type: saucer
Date: 1730 – 1730
Materials: glass
Linga Cover with Four Faces of Shiva (Caturmukhalinga)
Object type: linga cover
Date: 1401 – 1500
Materials: copper alloy
Culture: nepali
Subjects: faces,shiva,hinduism

Metal linga covers (kosha; literally, "sheath") have played a part in the worship of the Hindu deity Shiva since antiquity. The four faces of Shiva on this cover, each pointing toward a cardinal direction, evoke different aspects of the deity. This type of cover is sometimes described as a five-faced linga (ekhamukhalinga); the fifth face is understood rather than represented and thought to be facing skyward.
Plan du Rez-de-Chaussée
Object type: area plan
Materials: paper
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church
Brief aan Philip Zilcken
Object type: letter
Materials: cardboard, ink
Techniques: pen, writing
Location: katwijk aan zee
Artist: grada hermina marius
Artist role: painter
Artist dates: 1854 – 1919
Subjects: paris, eugène delacroix, print maker, draughtsman, vincent van gogh, sculptor, théophile alexandre steinlen, honoré daumier, félicien rops, philip zilcken, the graphic arts, printed matter
Inscriptions: collector's mark: ‘RPK’
Apis with an inscription invoking Ptah for the benefit of Pasheryta[...] whose mother was Isetemhat
Object type: figurine, apis
Date: 664 – 332
Materials: metal
Location: egypt
Subjects: bulls

The worship of the Apis bull is attested as early as Dynasty I. Arguably the Apis, unlike many sacred animals in Egypt, was not just favored by a certain deity, but was considered a deity in his own right. A single living representative was stabled near the Ptah temple in Memphis. The bull selected for this important role had certain colorful markings, such as a white triangle on the forehead, and black patches resembling winged birds or scarabs on the body. The bull is often shown, as here, wearing a large sun disc, a banded collar, and a decorated rectangular cloth on its back. Similar markings are easily visible on Apis 17.190.62. An inscription on the base provides the name of the donor and his parents. The Apis bull participated in ceremonies of fertility and regeneration. When it died, it was embalmed and buried with all honors; at that time, a new bull bearing the requisite markings was selected. Beginning with the reign of Amenhotep III (1390–1352 B.C.) in Dynasty 18, the place of Apis burials gradually became a huge and growing underground system of chambers called the Serapeum in the Memphite necropolis, Saqqara. The bull was so revered that even the mothers of Apis bulls had their own cult and burial place.
Landscape with Ruins and Viaduct
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: lithograph
Location: france
Artist: achille etna michallon
Artist nationality: french
Artist dates: 1796 – 1822
Nachtkastjes en een kast
Object type: sketchbook leaf
Date: 1857 – 1859
Materials: paper, pencil
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: furniture for storage
Inscriptions: annotation: ‘[...]’

Blad 57 verso uit een schetsboek met 77 bladen.
Right Leaf of a Diptych with Coronation of the Virgin
Object type: diptych leaf
Date: 1367 – 1400
Materials: ivory
Culture: italian
Location: italy
Subjects: musical instruments,angels,christ,virgin mary

This panel from an ivory diptych depicts the Coronation of the Virgin with Mary and Christ surrounded by angelic musicians, representing the court of heaven. A related ivory diptych in the Victoria and Albert Museum, London, illustrates the Coronation and the Dormition of the Virgin.
Jan Klaassens kluchtige bedrijven, / Ziet gij, tot uw vermaak, in prent [(...)]
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: punch and judy, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen over het leven van Jan Klaassen. Onder elke afbeelding een vierregelig vers. Genummerd midden boven: No 4.
Burgonet
Object type: burgonet
Date: 1550 – 1555
Materials: steel
Culture: german
Location: germany
Artist: desiderius helmschmid
Artist role: armorer
Artist nationality: german
Artist dates: 1513 – 1579
Subjects: battles,men,horses,chariots

In the mid-sixteenth century, armor covered with embossed figures and ornament in the Mannerist style was the specialty of Italian armorers such as the Negroli family of Milan and also of a few workshops in France and Flanders. This beautifully scuptural helmet is a rare example of embossed armor made by German craftsmen. It is very similar in design and workmanship to a parade armor made in 1549–50 by Helmschmid and Sigman for the future Philip II of Spain (1527–1598). Faint traces of engraved designs and damascening in gold and silver indicate that originally, this helmet was more lavishly decorated and colorful in appearance.
Nuttige dieren
Object type: print
Date: 1869 – 1882
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: kampen
Subjects: animals, ass, donkey, horse, goat, dog
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van dieren, zoals een ezel, een hond en een geit. Onder elke voorstelling een onderschrift. Genummerd midden boven: XVI.
P.J.H. Cuypers, penning aangeboden bij de opening van het Rijksmuseum te Amsterdam in cassette
Object type: honorary medal
Date: 1885 – 1885
Materials: bronze, cardboard, leather, linen, velvet
Techniques: striking
Location: utrecht
Artist: ludwig jünger
Artist role: medailleur
Artist dates: 1857 – 1908
Subjects: draughtsman, pierre joseph hubert cuypers, rijksmuseum amsterdam, amsterdam
Inscriptions: circumscription: ‘PETRUS . JOSEPHUS . HUBERTUS . CUYPERS . GEBOREN . TE . ROERMOND . 16 . MEI . 1827’, inscription: ‘DEN / ONTWERPER EN / BOUWMEESTER VAN / HET RYKS MUSEUM / TE AMSTERDAM / BY DE VOLTOOIING / EN OPENING / VAN DAT GEBOUW / AANGEBODEN’, signature: ‘L. JÜNGER . D .’, inscription: ‘J.P.M.F.’

Bronzen penning. Voorzijde: naar links gekeerd profiel van Cuypers in reliëf binnen omschrift. Keerzijde: opschrift binnen lauwerkrans. Geheel in cassette: binnenzijde paars fluweel, buitenzijde bruin leer met verguld randje omplakt. Met bijbehorende doos NG-2000-1-2.
Teapot
Object type: ceramic
Date: 1770 – 1770
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding
Location: worcester
Venice: The Rialto
Object type: painting
Date: 1732 – 1793
Materials: oil, wood
Artist: francesco guardi
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1793
Subjects: buildings,cities,canals,rivers,boats,venice
Set begroet Adam bij diens terugkomst van het veld
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: story of seth, declining years and death of adam and eve
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10

Adam komt terug van zijn werk op de velden met op zijn schouder de dagelijkse oogst. Set, de jongste zoon van Adam, rent zijn vader tegemoet. Links maakt Eva het avondeten klaar in een hut. De prent heeft een Latijns onderschrift.
Portret van Heinrich Schlick
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: vienna, earl, commander-in-chief, general, marshal, historical persons

Prent met omlijsting gebruikt in: Khevenhüller, Franz Christoph. Conterfet Kupfferstich (...). Leipzig: Moritz Georg Weidmann, 1722, dl. 2.
W. McMickan, from the Sea Captains series (N127) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: navy,men,portraits,lions,flags

Trade cards from the "Sea Captains'" series (N127), issued in an unnumbered set of 25 cards in 1887 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. Each card lists the name of the captain, the shipping company, and the vessel name.
Wide-rimmed bowl with Vulcan Forging Arms with Venus and Cupid
Object type: bowl
Date: 1528 – 1530
Techniques: maiolica, glazing
Artist: fra xanto avelli da rovigo
Artist role: artist
Artist dates: 1486 – 1582
Subjects: cupid,venus,vulcan
Tankard (schnelle) with the life of Jonas and two coats of arms
Object type: schnelle, snel
Date: 1574 – 1600
Materials: glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: siegburg
Artist: christian knütgen
Inscriptions: mark: ‘K’, inscription: ‘HERZOG ZU WIRTENBERG’, date: ‘1574’

Kruik (schnelle) van steengoed met een cilindrisch, iets taps toelopend lichaam en C-vormig oor. Profielen boven de voet en onder de rand. Op het lichaam in reliëf een gedrukte en opgelegde decoratie van een scène uit het leven van Jonas met het opschrift 'IONA' tussen twee wapens. Onder het linker wapen het opschrift 'HERZOG ZU WIRTENBERG'; rechts het wapen van Gulik, Kleef en Berg met de datum '1574' en het merk 'K.'. Siegburg.