deem-data/ArtiFact huggingface dataset:
Drag  #1040
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Sauceboat
Object type: sauceboat
Date: 1753 – 1754
Materials: silver
Artist: robert lowe
Artist role: maker
Artist dates: 1742 – 1742
Paardje rijden
Object type: photomechanical print
Date: 1908 – 1908
Materials: cardboard
Techniques: writing
Location: leipzig
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, beach
Paar dat samen het huishoudboek nakijkt
Object type: sketchbook leaf
Date: 1822 – 1880
Materials: paper, pencil
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: head (human), reading, (lovers) embracing each other, 'symplegma'
Inscriptions: annotation: ‘huis boekje/ nazien’

De man houdt het boek in de hand. Tevens studies van koppen en een figuur met uitgestrekte arm. Blad 3 verso uit een schetsboek met 45 bladen.
Gezicht op Kasteel Doorwerth
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: kasteel doorwerth
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle, landscape with tower or castle
Inscriptions: annotation: ‘l’, annotation: ‘Kasteel Doorwerth/ Hoofdingang bij gebouw a’
Landschappen uit Tirol
Object type: print
Date: 1580 – 1629
Materials: paper
Techniques: engraving
Location: prague
Subjects: harbour, road, path, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘3ft.’

Gezicht op een haven in rotsachtig landschap. Links een landweg met reizigers en een hond. De tweede prent van een zesdelige reeks met landschappen uit Tirol.
Manuscript Leaf with the Holy Communion, from a Book of Hours
Object type: book of hour
Date: 1500 – 1500
Materials: gold, ink, parchment, shell, paint
Culture: dutch
Location: netherlands
Subjects: saints

The rubric at the top tells us that the prayers that follow are to be said before and after Communion. Therefore, the artist portrayed a priest administering the sacrament to a man in a fur-trimmed cloak, presumably the owner of the manuscript. The man, whose family arms appear on the adjacent leaf, appears again in the margin, following the priest, choir, and acolytes in procession, probably representing the feast of Corpus Christi.
La Mode Illustrée, 1869, No. 30: Toilettes de Mme Breant-Castel (...)
Object type: fashion print
Date: 1869 – 1869
Materials: paper
Techniques: hand coloring, engraving
Location: paris
Subjects: ear-rings (+ women's clothes), pendant, trinket, 'breloque' (+ women's clothes), cut flowers; nosegay, bunch of flowers, head-gear (+ girls' clothes), boots (+ girls' clothes), underclothes for the lower part of the body (+ girls' clothes), head-gear (+ women's clothes), fashion plates, gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), neck-gear ~ clothing (+ women's clothes), dress, gown (+ girls' clothes)
Inscriptions: caption: ‘Toilettes de M.me Breant-Castel 28.r Nve des P.ts Champs.’, title: ‘La Mode Illustrée’, address: ‘Bureaux du Journal, 56, Rue Jacob. Paris’

Twee vrouwen en een meisje zitten buiten. Een vrouw doet een bloemenkrans in het haar van het meisje. Volgens het onderschrift: ensembles van Bréant-Castel. Prent uit het modetijdschrift La Mode Illustrée (1860-1937).
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Right shoulder, part of upper right arm, and upper torso of a youth bending to right; part of an inscription, …IOE…?
Jar
Object type: jar
Date: 501 – 600
Materials: earthenware
Techniques: glazing
Location: iran
Candlestick
Object type: candlestick
Date: 1800 – 1800
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Subjects: dogs
Dood van Maarten Harpertsz. Tromp, gesneuveld bij Katwijk
Object type: overlijdenspenning
Date: 1653 – 1653
Materials: silver
Techniques: casting, engraving
Location: amsterdam
Artist: wouter muller
Artist role: publisher
Artist dates: 1604 – 1673
Subjects: maarten harpertszoon tromp, battle of scheveningen
Inscriptions: circumscription: ‘MART HARP TROMP R L AD V HOL ZE WES’, circumscription: ‘Tromp driemaal in dit jaar verlaten is in noot sijn ronde goedigheit was oorzaak van sijn doot den 10 Augusti 1653’

Zilveren penning. Voorzijde: borststuk man met ordeteken van Sint Michaël binnen omschrift en lauwerkrans. Keerzijde: zeeslag binnen omschrift.
Twee vrouwen op straat
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing), street (+ city(-scape) with figures, staffage)

Pagina 18 uit schetsboek XLI met 38 pagina's.
Brief aan Christiaan Kramm
Object type: letter
Date: 1844 – 1844
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: isaac warnsinck
Artist role: architect
Artist dates: 1811 – 1857
Subjects: utrecht, print maker, draughtsman, christiaan kramm, drawing, architecture, rotterdam
Inscriptions: collector's mark: Lugt 2233
Statuette of Neit
Object type: statuette, neit
Date: 664 – 332
Materials: metal
Techniques: inlay
Location: egypt

Beginning in Dynasty 26, Sais became more prominent as the home of the kings. The main goddess of Sais was Neith, and many statues of the goddess were created during Dynasty 26, both for Sais, but certainly also for cities where her cult was respected such as the capital Memphis or the emporium Naukratis that lay downstream from Sais. After Dynasty 26, the goddess and the city both retained some prominence, although the city was no longer the dynastic seat. The level brows and narrow but full-lipped slightly smiling mouth closely resemble features that may be seen in the bronze statuette of king Amasis (35.9.3) or stone statuettes of his officials such as General Amasis (66.99.68).
Olifant in het oerwoud van India
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper, pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: jungle, trunked animals: elephant

Pagina 146 uit een schetsboek met 75 bladen.
Flora en haar metgezellinnen
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving
Location: italy
Subjects: nymphs (in general); 'ninfe in commune' (ripa), piece of sculpture, reproduction of a piece of sculpture, (story of) flora
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘1’, collector's mark: Lugt 11, number: ‘T. 105’

Spiegelbeeldige kopie naar een prent gebruikt als boekillustratie in: Ferrari, Giambattista. Flora/Sive/Florvm Cvltvra, Libri IV, Rome 1633 (Italiaanse editie: Ferrari, Giambattista. Flora/overo/Cvltvra di Fiori/Del P. Gio. Battista Ferrari Sanese/della Comp. di Giesù/Distinta in Quattro Libri/e trasportata dalla lingua Latina nell' Italiano/da Ludouico Aureli Perugino/In Roma Per Pier' Ant. Facciotti. 1638).
Near the Lake
Object type: painting
Date: 1879 – 1880
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: landscapes, water, vines, trees, sailing, road, paths, nature, lake, hat, girl, foliage, boats, children, leisure, weather/seasons, men, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed lower right: Renoir
Galvanoplastische reproductie van het deksel van de beker van het St. Jorisgilde van Middelburg
Object type: lid
Date: 1881 – 1881
Materials: copper, silver
Techniques: galvanoplasty
Location: london
Subjects: middelburg

Galvanoplastische reproductie van het deksel van de beker van het St. Jorisgilde van Middelburg. De cuppa, op een balustervormige stam, met drie wapenschilden en leeuwenkoppen; op het deksel vier medaillons met vrucht- en bloemornamenten en een figuur van St. Joris.
Oorlog in Korea
Object type: color slide
Date: 1952 – 1952
Techniques: slide
Location: korea
Artist: david ketel
Artist role: diplomaat, sinoloog
Artist dates: 1913 – 2008
Subjects: united nations
Spelende kinderen aan de waterkant bij de kathedraal van Quimper
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: quimper
Artist: Anonymous
Subjects: child and nature (games and plays)
Inscriptions: number: ‘No. 57.’
portret van Koning Willem I naar schilderij
Object type: photograph
Date: 1849 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: m.m. couvée
Artist role: publisher
Subjects: the hague, berlin, william i of the netherlands
Inscriptions: signature: ‘Libraire royale de M.M. Couvee lange Pooten 41 La Haye Photographies Tableaux Modernes Objets d'Art’
Table
Object type: table
Date: 1800 – 1800
Materials: wood
Culture: american
Location: united states
Ferguson, Pitcher, Philadelphia, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1923
Materials: pencil
Techniques: printing, writing
Location: bussum
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: painter, print maker, draughtsman, designer, jan veth
Inscriptions: collector's mark: ‘RPK’, watermark
Making Ceramics
Object type: hanging scroll
Materials: ink, paper
Culture: japanese
Artist: eiraku hozen
Artist role: artist
Artist nationality: japanese
Artist dates: 1795 – 1854
Subjects: men,working
Wine Glass
Object type: glass
Date: 1795 – 1795
Materials: glass
Techniques: cutting, engraving, stippling
Location: england
Coachman, for the hand of our daughter!..., from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: ink, paper
Techniques: lithograph, pen
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,women,carriages
Dish
Object type: dish
Date: 1770 – 1775
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Lieve kind'ren kan 't u strelen, dat gy speelgenoten ziet, / gy moogt in hun blydschap deelen, maar in hunne twisten niet
Object type: print
Date: 1700 – 1899
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: children's games and plays, blind-man's buff
Inscriptions: collector's mark: Lugt 2760

Blad met 2 voorstellingen van spelende kinderen. Onder elke voorstelling een vierregelig vers in twee kolommen. Genummerd rechtsboven: 19.
Reproductie van een tekening van de passage in Old Bond Street te Londen
Object type: photomechanical print
Date: 1884 – 1889
Materials: paper
Techniques: photolithography
Subjects: passage (+ city(-scape) with figures, staffage)

Prent op zesde ongenummerde pagina na pagina 284.
Naakte vrouwen
Object type: shunga
Date: 1870 – 1880
Materials: paper
Techniques: woodcut
Location: japan
Artist: kawanabe kyôsai
Artist role: draughtsman, print maker
Artist dates: 1831 – 1889
Subjects: vagina, woman (showing herself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Humoristisch erotische prent; vijf naakte vrouwen met opengesperde vagina`s.
De Nachtwacht
Object type: print
Date: 1866 – 1867
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: night patrol, hotel, hostelry, inn, amsterdam

Nieuwjaarswens van de Amsterdamse nachtwacht (ratelwacht) voor het jaar 1867. Onderaan een gedicht, bovenaan een gezicht op het Amstelhotel. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Boten op het water
Object type: drawing
Date: 1791 – 1791
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: sailing-ship, sailing-boat, river
Jugate busts of Czarevitch Paul and Maria Feodorovna of Russia
Object type: cameo
Date: 1791 – 1791
Materials: glass
Techniques: casting
Artist: james tassie
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1735 – 1799
Subjects: men,profiles,women

Catherine the Great’s daughter-in-law Maria Feodorovna, born Princess Sophie Dorothea of Württemberg, was an accomplished cameo carver. James Tassie produced several glass replicas of the cameo she made of herself alongside her ill-favored spouse, the future Paul I. Most of the replicas, like the original hardstone in the State Hermitage Museum, Saint Petersburg, are dated April 21, Catherine the Great’s name day; the original was presumably Maria Feodorovna’s tribute when that occasion was celebrated in 1791. The Russian court had known contacts with Tassie, whose small glass portraits emulating cameos enjoyed wide circulation, and there can be little doubt that it was to him they turned for replications of Maria Feodorovna’s cameo.
Life of Moses
Object type: length
Date: 1820 – 1829
Materials: cotton
Subjects: children,men,women,landscapes,moses
An Unpleasant Aspect of the New Type of Omnibus, plate 13 from Croquis Parisiens
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
At Prayer
Object type: print
Date: 1912 – 1912
Techniques: etching
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: women
Design for a Cartouche, Plate 1 from 'Neu Inventierte auf die artigste Facon Sehr nutzliche Schild.'
Object type: album print ornament architecture
Techniques: etching
Artist: johann georg pintz
Artist role: engraver
Artist nationality: central european
Subjects: cartouches,ornament

Page from an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. The binding describes the content as cartouches (after the first series in the album) but it is much more varied, ranging from rocaille ornament and cartouches to designs for altars and pulpits, as well as allegorical compositions in which rococo ornament is featured, all by well-known Rococo designers working in Augsburg.
Acht bladeren
Object type: album leaf
Date: 1872 – 1873
Materials: leaf
Techniques: printmaking
Artist: p.j. kool
Inscriptions: annotation: ‘Novemb. 1873.’, annotation: ‘Sept. 1872.’

Opgeplakte bladeren waaronder twee eikenbladeren en een varenblad.
Mascarons en helmen
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: etching
Location: berlin
Subjects: medusa (one of the gorgons), mask, mascaron ~ ornament, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent is gemaakt naar de sculpturen van Andreas Schlüter in het Zeughaus (tegenwoordig het Deutsches Historisches Museum) te Berlijn.
Mogelijk prent uit: Rode, Bernhard. Larven nach den Modelen des berühmten Schlüters gezeichnet und in Kupfer geätzt von B. Rode. Berlijn: Rode, Heinrich, 1759.
Stoke-by-Neyland
Object type: print
Date: 1829 – 1829
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: villages,landscapes,trees

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Schroefdaalder met aankleedplaatjes, bestaande uit de voorzijde van een taler met het portret van aartshertog Jozef I en de keerzijde van een andere taler
Object type: schroefdaalder
Date: 1725 – 1750
Materials: paint, silver
Techniques: striking
Location: munich
Artist: Anonymous
Subjects: vienna, jozef i (duits keizer)
Inscriptions: circumscription: ‘ARCHID.AUST.DUX / BU.COM.TYROL.1725’, circumscription: ‘IOSEPHVS D.R.I.S.A.G.H.B.Rx’
Le Midy
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: engraving
Location: france
Artist: jacques philippe le bas
Artist nationality: french
Artist dates: 1707 – 1783
Vase
Object type: vase
Date: 1886 – 1894
Materials: glass
Techniques: enamel, glassblowing
Culture: american
Location: united states
Artist: mount washington glass company
Artist role: maker
Artist nationality: american
Artist dates: 1837 – 1958
Subjects: flowers
Zittende handwerkende vrouw
Object type: drawing
Date: 1822 – 1893
Materials: chalk, paper
Artist: eugène françois de block
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: sitting figure - aa - female human figure, home sewing; repair of clothes
Card Number 133, Lillian Russell, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
St. Jerome
Object type: print
Date: 1521 – 1521
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: animals,skulls,saint jerome
Ostracon with sketch of a grazing antelope
Object type: ostracon, figured, antelope grazing
Date: 664 – 610
Materials: ink, limestone
Location: egypt
Bloedband van fluweel met aan beide uiteinden het wapen van Amsterdam
Object type: bloedband
Date: 1595 – 1595
Materials: silver, velvet
Location: netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), amsterdam

Bloedband van rood en zwart fluweel, waarop aan beide uiteinden het Amsterdamse wapen is bevestigd, zwart en rood geëmailleerd en met verguld zilveren kroon en dito leeuwen. Onder deze wapens zilveren, gedeeltelijk vergulde cartouches waarin het jaartal 1595. Op de band zijn zesentwintig maal en éénmaal één kruisje van zilver aangebracht.
Dress
Object type: dress
Date: 1890 – 1899
Materials: silk
Culture: british
Artist: liberty & co.
Artist role: design house
Artist nationality: british
Artist dates: 1875 – 2050
Nasanunaka
Object type: book
Materials: paper
Location: japan
Inscriptions: date

Part one from a novel complete in three volumes and a sequel. Slipcase, book cover and endpapers are designed by Sugiura Hisui; Two frontispiece colour woodcuts by Eiho.
Female figure from an obu (house of images)
Object type: figure
Date: 1867 – 1900
Materials: pigment, wood
Culture: igbo
Location: nigeria
Artist: igbo artist
Artist role: artist
Gezicht op de grot van Thetis
Object type: album leaf
Date: 1664 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: garden fountain, (story of) thetis; 'thethi, ninfa del mare' (ripa), french or architectonic garden; formal garden, landscape with tower or castle, artificial grotto in garden
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Portret van Agatha Wilhelmina Züllich
Object type: print
Date: 1717 – 1722
Materials: paper
Techniques: mezzotint
Subjects: historical persons
Inscriptions: collector's mark: Lugt 358, signature, collector's mark: Lugt 2228
Gezicht op een snoepkraam op de Noordermarkt
Object type: photomechanical print
Date: 1908 – 1908
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: square, place, circus, etc., city-view in general; 'veduta', stall, booth (~ market), market
Inscriptions: collector's mark: ‘10,84’ Lugt 1641b, name: ‘Dallmer’

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwmarkt, Noordermarkt.
Soldaat die zijn roer met zijn linkerhand rechtop vasthoudt (nr. 30), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) met zijn linkerhand vasthoudt, de loop omhoog wijzend, alvorens het wapen over te brengen naar zijn rechterhand. In zijn linkerhand behalve het roer ook een brandende lont (nr. 30), ca. 1600. Plaat 30 in de instructies voor het hanteren van de roer: Brief enseignement, sur la representation des figures, du droit maniement de l'Harquebuse. Onderdeel van de illustraties in een Franse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, Maniement d'armes, d'arquebuses, mousquetz et piques : en conformité de l'ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. Krijgswezen rond 1600.