deem-data/ArtiFact huggingface dataset:
Schetsboek met 6 bladen
Object type: sketchbook
Date: 1888 – 1888
Materials: cardboard, chalk, linen, paper, pencil
Techniques: marbling
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: street
Inscriptions: annotation: ‘2 geteekend/ Amsterdam/ Landschap met koeien/ Amst./ 1888./ V.’, workshop stamp: Lugt 291d

Schetsboek bestaande uit 6 bladen met stadsgezichten.
Design for a Fountain with River Gods and Nymphs
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: fountains
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 430
Materials: terracotta
Culture: greek, attic

Part of the wing of an owl, with dots
Portrait of William II, King of the Netherlands
Object type: painting
Date: 1839 – 1839
Materials: canvas, oil
Artist: jan adam kruseman
Artist role: draughtsman, painter, print maker
Artist dates: 1804 – 1862
Subjects: the hague, william ii of the netherlands, dune coast, historical persons, dog

This is a portrait of King William II in military uniform, but with a decidedly informal air. Accompanied by his hound, he poses casually in the dunes, which in the Romantic era was considered the quintessentially Dutch landscape. In 1848 –when revolutions were raging throughout Europe –William II renounced royal autocracy and the Netherlands became a parliamentary democracy.
Deksel van wierookbrander
Object type: incense burner
Date: 1850 – 1899
Materials: bronze, gold
Location: japan
Artist: Anonymous

Op de deksel een zittende man met baard.
Egg-Shaped Box
Object type: metalwork
Date: 1755 – 1755
Materials: enamel, metal
Location: england
Buckle
Object type: buckle
Date: 1401 – 1600
Materials: bronze, gold, patina
Culture: european
Location: germany
Portret van Johann Nepomuk Grün
Object type: print
Date: 1804 – 1838
Materials: paper
Techniques: stippling
Location: prague
Artist: johann berka
Artist role: painter, print maker
Artist dates: 1759 – 1838
Subjects: prague, historical persons
Inscriptions: collector's mark: Lugt 2228
Cilindervormige vaas met gestileerde liervogels in wit en blauw op geelbruine fond
Object type: vase
Date: 1902 – 1902
Materials: earthenware, glaze
Location: amsterdam
Artist: chris van der hoef
Artist role: ceramicist, draughtsman, sculptor
Artist dates: 1875 – 1933

Vase. Earthenware. Ouder-Amstel, Amstelhoek, c. 1900 - 1903, after a design by Christiaan J. van der Hoef. Factory under the direction of L. Zijl. Given by the Commissie voor Fotoverkoop, 1970.
Untitled
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print
Location: france
Artist: gustave le gray
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1884
Subjects: paris
Jérusalem, Saint-Sépulcre, Entrée principale
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,churches

Unlike later tourist views produced by the Bonfils firm, for example, Salzmann’s photographs of the church avoid showing its present-day life. As a major pilgrimage center, the site would have seen streams of worshippers moving through the main portal pictured here. The closed door indicates that Salzmann set up his camera before the church opened, while the exposure time for paper negatives was so long that moving figures would not have been captured. Though the long exposure time may have been a technological limitation to some, Salzmann turned it to his advantage. Per his account, he sketched beside his camera until it was time to close the shutter. The resulting unobstructed view of the church’s diverse architectural elements facilitates in-depth examination.
Gezicht op Hannover Hauptbahnhof en een fotoreproductie van de plattegrond van het station
Object type: page
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Location: hannover
Artist: Anonymous
Subjects: maps, atlases, railway, train, façade (of house or building), station; shelter (railway, tramway)
Armor Scales
Object type: armor scale
Date: 589 – 570
Materials: bronze, copper alloy, iron
Location: egypt

Discovered in the Palace of Apries at Memphis, these pieces of scale armor may have been used for gauntlets. In five cases, scales of copper alloy were adhering to iron scales, as if armor of both materials had lain against one another.
Rustende soldaten bij tenten
Object type: print
Date: 1643 – 1701
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: riding a horse, ass, or mule; rider, horseman, (military) camp with tents, landscapes, lovers; courting, flirting, dog
Inscriptions: collector's mark: Lugt 240

Soldaten met paarden voor een met een vaandel, een pul en een krans versierde tent in een legerkamp. Een van de soldaten is van zijn paard gestegen en raakt de hals van een vrouw met een bierpul aan, zij lacht.
Zeven pentekeningen van dierfabels van Wilhelm Koller
Object type: drawing
Date: 1839 – 1884
Materials: ink, paper
Techniques: pen
Artist: wilhelm koller
Artist role: draughtsman
Artist dates: 1829 – 1884
Subjects: animals acting as human beings

Een vos, komend van rechts, een kippetje opzij dragend, in gesprek met twee spreeuwen.
A Light Squall (Un leger grain), plate 8 from The Parisian Boaters (Les canotiers Parisiens)
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Aeneas en zijn familie vluchten uit Troje
Object type: print
Date: 1692 – 1739
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: 'pius aeneas': aeneas, leading ascanius, escapes from burning troy, carrying his father anchises with the penates; his wife creusa, who sets out with them, is lost on the way
Inscriptions: collector's mark: Lugt 240
Manon Lescaut en Chevalier des Grieux bij de verkoper van tweedehands kleding
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: etching
Artist: léopold flameng
Artist role: print maker
Artist dates: 1831 – 1911
Subjects: clothes, costume
Inscriptions: collector's mark: Lugt 2228

Prent uit: Prévost, Antoine François. Histoire de Manon Lescaut et du Chevalier Des Grieux (...). Paris: Glady frères, 1875.
Plate
Object type: plate
Date: 1815 – 1830
Materials: porcelain
Culture: french
Location: france
Subjects: flowers
Berekeningen en huishoudelijke lijsten
Object type: sketchbook leaf
Date: 1854 – 1868
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Inscriptions: annotation: ‘[...]’

Blad 85 verso uit een schetsboek met 88 bladen.
Fontane di Roma
Object type: print
Date: 1653 – 1691
Materials: paper
Techniques: etching
Location: rome
Subjects: ornamental fountain

Genummerd rechtsonder: 3. De prent maakt deel uit van een album.
Heilige Fabiola van Rome als kluizenares
Object type: print
Date: 1590 – 1612
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: anchorite, hermit, female saints
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sacra Eremus Ascetriarum, uitgever Boëtius Adamsz. Bolswert, 1612 of Hendrik Aertssen, Antwerpen 1619. Prent uit de serie van vijfentwintig kluizenaressen in deze uitgaven. In 1612 verscheen een ongebonden editie maar op basis van de gewijzigde opschriften en samenstelling van de serie kluizenaars wordt aangenomen dat de prenten van de uitgave 1619 ook in 1612 of iets daarvoor gedrukt werden. De serie kluizenaressen bleef vrijwel ongewijzigd in de ongebonden uitgave van 1612, dit compliceert de datering van de losse bladen in de collectie van het RMA, zie Roethlisberger 1993, p. 171-175.
Chinezen vieren bevrijding
Object type: photograph
Date: 1909 – 1945
Materials: photographic support
Techniques: photography
Location: amsterdam
Artist: koos raucamp
Artist role: fotograaf
Subjects: amsterdam

Een groep Chinezen in een kleedkamer van de Stadsschouwburg. Zij bereiden zich voor op de opvoering van het drakenspel: "De draak ontwaakt" ter ere van de bevrijding van Nederland
Portret van Elisabeth van Frankrijk
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Panel (Dress Fabric)
Object type: textile
Materials: textile
Techniques: embroidery
Culture: han chinese
Location: china
Maaltijd te Emmaüs
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: bernard vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1632 – 1698
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread
Inscriptions: collector's mark: Lugt 2228

Christus zit met de Emmaüsgangers aan tafel. Hij breekt het brood en spreekt de zegen uit en op dat moment herkennen de twee mannen hem.
Terracotta fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 525 – 515
Materials: terracotta
Culture: greek, attic

Exterior, top of eye with a red pupil and oculus consisting of black and red bands
Bospad
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: forest path or lane

Blad 61 verso uit een schetsboek met 68 bladen.
Jozef wordt door zijn broers in de put gegooid / Jozef door zijn broers verkocht
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: joseph is thrown into a pit (usually depicted as a well or cistern), joseph sold into slavery and taken to egypt (genesis 37:12-35)
Inscriptions: collector's mark: Lugt 2228

Illustraties uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. I.
Saint John on Patmos
Object type: statue
Date: 1450 – 1500
Materials: limestone
Techniques: polychrome
Culture: french
Location: france
Subjects: saint john the evangelist,writing

Writing on a long scroll, the youthful saint records divinely inspired revelations. The composition conforms to a well-known type of the evangelist-author portrait, which shows the evangelists writing their Gospels. Due to his youthfulness, he probably represents Saint John, who, in addition to his own Gospel, was believed to have written the Apocalypse (Book of Revelation) while living in exile on the Greek Island of Patmos. This episode is frequently portrayed in late medieval manuscripts.
Gebouwen langs de Dijver te Brugge, met op de achtergrond het belfort
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: bruges
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', river, façade (of house or building), bruges
Inscriptions: inscription: ‘Brugge. Brugge. Quai du Rosaire. Op den achtergrond: de Hal-toren (begonnen 1282. voltooid einde 14 eeuw).’, collector's mark: ‘INSTITUUT VOOR KUNST- <BR />NIJVERHEIDSONDERWIJS <BR />GABRIËL METSUSTRAAT No. 16. <BR />AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS <BR />AMSTERDAM <BR />FRANS HALSSTRAAT 14.’, name: ‘C.WN.’
RIKE-MOEI.
Object type: boekillustratie ontwerp
Date: 1880 – 1920
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: old woman, knitting
Inscriptions: :, collector's mark: Lugt 2228a

Een oude vrouw met een bril zit aan een tafel te breien. Achter haar staan twee stoelen en een kast
Plaque in the Form of a Cartouche; two ankhs; ankh, two nefers
Object type: seal plaque, cartouche, ankhs, nefers
Date: 1492 – 1473
Materials: stone
Techniques: glazing
Location: egypt
Subjects: cartouches,hieroglyphs
Big Tree Logging-Blast rending a section of a great Tree-Converse Basin, California
Object type: stereograph
Date: 1902 – 1902
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: beam, log of wood
Inscriptions: copyright notice: ‘Copyright 1902 by Underwood & Underwood.’, number: ‘3’, inscription: ‘(See No. 1 of this series for the beginning of/ this dramatic piece of woodcraft.)/ The crash of the explosion is a mighty one./ You can see chips, splinters (...)’, title: ‘Big Tree Logging. Blast Rending the Tree. California.’, number: ‘2’, check stamp: ‘(ENERET)’, inscription: ‘SUN SCULPTURE/ UU/ TRADEMARK/ Works and Studios/ Arlington, N.J. Westwood, N.J. Washington, D.C.’, number: ‘P. 59.’
Studie voor een portret van een dame met een brede kraag
Object type: drawing
Date: 1610 – 1630
Materials: chalk, paper
Location: verona
Artist: Anonymous
Subjects: sitting figure - aa - female human figure
Saint Jerome and the Lion
Object type: print
Date: 1509 – 1509
Materials: paper
Techniques: woodcut
Location: italy
Artist: giovanni battista palumba

The marking “IB” and the bird are both characteristic of the Master IB, who was recently identified as Giovanni Battista Palumba. Here Saint Jerome, known for his Latin translation of the Bible, sits in a rocky wilderness and removes a thorn from a lion’s paw. The skull at his feet corresponds to his period of penance, in which he lived humbly in the desert and became interested in studying and writing. Palumbra’s woodcut demonstrates highly sophisticated tonal qualities that were likely influenced by Albrecht Dürer, with cast shadows over each stone and heavily articulated contrasts of light within the lion’s mane.
"The Execution of the Brahmins", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: men

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Figuren bij een tent
Object type: print
Date: 1653 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: tent, ass, donkey, distaff, lying on one side, with uplifted upper part of the body and leaning on the arm
Inscriptions: collector's mark: ‘F.G.W.’, collector's mark: Lugt 2228

Een zittende vrouw met een spinrok in de hand in gesprek met een liggende man, leunend op zijn elleboog, voor een tent. In de tent nog een derde figuur, links een ezel, een schaap en een geit.
Evariste Boulay-Paty (1804–1864), French poet
Object type: medallion
Date: 1847 – 1847
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Miniature chair (one of four) (part of a set)
Object type: chair
Date: 1690 – 1691
Materials: silver
Artist: george manjoy
Artist role: maker
Artist nationality: british
Artist dates: 1685 – 1685
Spoorwegenkaart van Noord-Holland
Object type: photomechanical print
Date: 1915 – 1915
Materials: paper
Techniques: printing block, rotogravure
Artist: Anonymous
Subjects: maps of separate countries or regions, railway, tramway; rack railway

Deze prent maakt deel uit van een album.
Sword knife hilt
Object type: zwaardmesheft, kozuka
Date: 1500 – 1900
Materials: iron
Location: japan
Artist: Anonymous

Versiering in cloisonné: iets meer dan één derde deel wordt in besslag genomen door een geometrisch patroon van witte en bruine driehoekjes; de rest door florale motieven in o.a. rood, donkergroen en blauw.
Man en vrouw krijgen bloemen aangeboden
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: cut flowers; nosegay, bunch of flowers
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Sammlung witziger Einfälle kleiner scherzhafter Erzählungen und Sinngedichte. Besonders für Kinder und junge Leute. Berlijn: August Mylius, 1779.
Chess Piece: King
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" and "15" impressed
Allegorie op de overwinningen op de Turken, 1685
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: antwerp
Artist: philibert bouttats
Artist role: print maker
Artist dates: 1635 – 1708
Subjects: fame; 'fama', 'fama buona', 'fama chiara' (ripa), battle (+ land forces)

Deze prent hier in de eerste staat met volledige figuur van de Faam en met naam en adres Philibert Bouttats. In een latere staat (zie de afbeelding in het artikel in Oud-Holland) is de plaat afgesneden waardoor alleen een buste van de Faam overblijft en gebruikt in een groter blad met de naam van Romeyn de Hooghe en adres Philibert Bouttats te Antwerpen.
Dwarsfluit spelende vrouw met een schaal
Object type: page
Date: 1886 – 1896
Materials: paper
Techniques: photoaquatint
Location: france
Subjects: serving-dish, platter, adult woman, transverse flute
Collar
Object type: collar
Date: 1700 – 1941
Culture: american
Reliquary
Object type: reliquary
Materials: stone
Culture: gandhara
Subjects: gandhara
Plaque with the Massacre of the Innocents
Object type: plaque
Date: 1150 – 1150
Materials: gilt copper, enamel
Techniques: enamel
Culture: german
Location: germany
Subjects: swords,kings,men,women
Study for a Monument to a Princely Figure
Object type: painting, drawing
Date: 1723 – 1770
Materials: board, oil, paper
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: sculpture,men,women
Cylinder Seal of King Amenemhat Sebekhotep
Object type: cylinder seal
Date: 1765 – 1763
Materials: stone
Techniques: glazing
Location: egypt
Idealisten II en verdere Kanttekeningen
Object type: print
Date: 1923 – 1923
Materials: paper
Techniques: lithograph
Artist: erich wichmann
Artist role: print maker
Artist dates: 1890 – 1929
Subjects: caricatures (human types), embracing each other, kissing
Inscriptions: collector's mark: Lugt 2228

Onderaan de tekst: 'Practische hygiene: géén zoen zonder Formamint-tablet!'
September
Object type: drawing
Date: 1574 – 1651
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: abraham bloemaert
Artist role: draughtsman, painter, print maker
Artist dates: 1566 – 1651
Subjects: harvest, september and its 'labours'

Het verzamelen van de graanoogst. Ontwerp voor een prent.
Box from Van Braam Houckgeest's toilet set
Object type: dressing case
Date: 1795 – 1795
Materials: lacquer, glass, wood
Techniques: lacquer
Location: guangdong
Artist: Anonymous

Rechthoekige doos behorend bij de spiegelstandaard AK-RAK-2003-8-1. Bedekt met zwarte lak met gouden decoraties. Op de deksel een monogram ECVB omgeven door een smalle b and met bladmotieven en vier kleine bloemen. Rond het centrale medaillon een bloemband en buiten deze band is het oppervlak gevuld met geometrische motieven. Op de zijkanten losse bloemtakken.
Designs for Trophies Containing Medallion and Urn
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: medallions,profiles,leaves,urns
Vernieling van het slot van Gijsbrecht II van Amstel, 1204, en beleg van het slot Vreeland, 1278
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: leiden, floris v (graaf van holland en zeeland), siege, position war, destruction of buildings (~ revolutionary action)
Inscriptions: collector's mark: Lugt 2228

Voorstellingen uit de vaderlandse geschiedenis. Boven: Terwijl het slot in brand staat, verlaten muitende figuren de vesting. Onder: Beleg van het slot Vreeland of Vredelant door graaf Floris V. Twee voorstellingen van één plaat.
Man met hoed
Object type: sketchbook leaf
Date: 1896 – 1897
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult man

Pagina 67 en pagina 68 uit een schetsboek met 39 bladen.
Twee mannen
Object type: sketchbook leaf
Date: 1886 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman (+ two persons)

Pagina 25 uit een schetsboek met 18 bladen.
Glass mosaic inlay fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Translucent purple and opaque white. Thin, flat parallelogram. Marbled mosaic pattern formed from sections of a single cane in purple ground with irregular white threads and streaks. Weathered chip at one corner; polished upper side; pitting and weathering of surface bubbles; dulling, deep pitting, and iridescent weathering on underside and edges
Portret van drie onbekende kinderen
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: child (at home) - aa - girl, child (at home)
Inscriptions: inscription: ‘Villy’, inscription: ‘Mademoiselle G. Delcorde (...) Molenbeek ouest’