deem-data/ArtiFact huggingface dataset:
Portret van Michel Eyquem de Montaigne en zeven anderen
Object type: print
Date: 1786 – 1835
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: rené descartes, rome, christina (koningin van zweden), michel eyquem de montaigne, historical persons - bb - woman, historical persons
Inscriptions: collector's mark: Lugt 2228

Originele prent uit: Lavater, Johann Caspar. Essai sur la physiognomonie (...). Den Haag: Karnebeek, 1786. Waarschijnlijk komt deze prent uit een latere editie die tot circa 1835 zijn uitgegeven.
Bag
Object type: costume and accessory
Date: 1601 – 1700
Location: italy
Parade of the Emperor's Troops
Object type: print
Date: 1867 – 1867
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshifuji
Artist role: artist
Artist nationality: japanese
Artist dates: 1828 – 1887
Subjects: musical instruments,soldiers,firearms,men
Mythologische figuren, vermoedelijk uit was, voor een decor
Object type: tissue stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support, paper
Techniques: albumen print, hand coloring
Location: europe
Artist: Anonymous
Subjects: satyr(s) (in general), cupids: 'amores', 'amoretti', 'putti', europe
Gravy spoon
Object type: gravy spoon
Date: 1718 – 1718
Materials: silver
Haven met zeilboten en een steiger
Object type: sketchbook leaf
Date: 1879 – 1879
Materials: paper, pencil
Location: amsterdam
Artist: theo hanrath
Artist role: draughtsman, painter
Artist dates: 1853 – 1883
Subjects: harbour, sailing-ship, sailing-boat, amsterdam
Inscriptions: annotation: ‘ALKMAARPA[...]/ AMSTERDAM/ Artilus [...]aeru[...]/ [...] Burgerschool’

Blad 18 verso en 19 recto uit een schetsboek met 27 bladen.
Ontwerp voor een vaas
Object type: drawing
Date: 1874 – 1945
Materials: squared paper
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: work of applied art (+ ceramics ~ arts), container of ceramics: jar, jug, pot, vase
The Angler
Object type: print
Date: 1650 – 1650
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: fishing,landscapes

Two men fishing in stream crossed by two plank bridges with cottages and trees at left; city with tall square tower seen in distance at right.
Rond bassin met korte zuil
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: nuremberg

De zuil heeft een denkbeeldig kapiteel, het water spuit omhoog via gestileerde bloembladeren die een langere pijp omringen. Blad 11 uit deel III van een serie bestaande uit 226 bladen, verdeeld over vier boeken, elk met een eigen titelblad.
Vaas met deksel, beschilderd met putti
Object type: vase
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Vase and cover. Porcelain. Loosdrecht, c. 1778 - 1782. Factory of Joannes de Mol.
Glass Fragment
Object type: fragment
Date: 1101 – 1500
Materials: glass
Culture: unknown
Eight of Diamonds, from the Transparent Playing Cards series (N220) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the series "Transparent Playing Cards" (N233), issued in 1888 to promote Kinney Bros. Cigarettes for Kinney Tobacco Company. Some card versos state that there are 52 cards included in the deck whereas other versos confirm the number at 53. Each card verso reads, "Hold to the light/ Read your fortune."
The Virgin of Sorrows: Angel; one of nine surrounding compartments from the Virgin of Sorrows, now separated
Object type: print
Techniques: engraving
Artist: giorgio ghisi
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1582
Subjects: angels
Vier gipsen afgietsels van panelen, vermoedelijk afkomstig uit Oudenaarde
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation, annotation: ‘Oudenaarde’, annotation: ‘M 0.53 hoog - M 0.30 breed’
Earrings
Object type: earring
Date: 1810 – 1810
Materials: gold, pearl
Culture: indian
Portret van Karl Otfried Müller
Object type: photomechanical print
Date: 1882 – 1970
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: scholar, philosopher, historical persons
De Zanderij van de Heer Hoopen
Object type: drawing
Date: 1759 – 1842
Materials: chalk, paper
Artist: pieter pietersz. barbiers
Artist role: draughtsman
Artist dates: 1749 – 1842
Subjects: dunes (sea not visible); in the dunes, haarlem
Inscriptions: : ‘De Zanderij van de Heer Hoopen, zeyn Buyteplaas Boove Harelem’
Chasuble Back with an Orphrey Cross
Object type: chasuble with orphrey
Date: 1451 – 1500
Materials: animal substrate, gilt, linen, silk
Techniques: embroidery, weave
Culture: italian or spanish
Subjects: animals,cows,angels,virgin mary,adoration of the magi,annunciation
Ex libris met een lezende man voor een raam
Object type: print
Date: 1900 – 1950
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: reading, book, sun as celestial body, ploughing
Inscriptions: collector's mark: Lugt 2228

Het raam biedt uitzicht op een ploegende boer en een opkomende of ondergaande zon. Onder het motto: 'Leesen Leert Altijd'.
The Duke of Buckingham Tea and Coffee Service
Object type: service
Date: 1804 – 1805
Materials: ivory, silver
Artist: digby scott
Artist role: maker
Artist nationality: british
Artist dates: 1780 – 1880
Jonge vrouw
Object type: drawing
Date: 1800 – 1800
Materials: cardboard, ink, paper, watercolor
Techniques: brush, pen
Location: netherlands
Artist: jacob willemz. de vos
Artist role: draughtsman
Artist dates: 1774 – 1844
Subjects: amsterdam, utrecht, adolescent, young woman, maiden, historical persons - bb - woman

Een jonge vrouw ten halve lijve in een witte empire jurk. Onderdeel van een serie van elf ronde tekeningen die mogelijk als toverlantaarnplaat zijn gemaakt.
Gezicht op Schiedam
Object type: book illustration
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: middelburg
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bruin, Claas. Kleefsche en Zuid-Hollandsche Arkadia, of Dag-verhaal van twee reizen, in en omtrent die gewesten gedaan. Amsterdam: Evert Visscher, 1730, na p. 158.
Gathering Honey, Tomb of Rekhmire
Object type: facsimile, rekhmire tt 100, beekeeping
Date: 1479 – 1425
Materials: paper, paint
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Subjects: men,working,rekhmire-exhibition
Gazette du Bon Ton, 1922 - No. 9 : p. 258: les robes assymétriques
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: letterpress printing, lithograph
Location: london
Subjects: fashion plates, dress, gown (+ women's clothes)

Pagina 258: les robes assymétriques: tekst en illustraties van drie assymetrische lange japonnen.
Zinnebeeld
Object type: print
Date: 1677 – 1744
Materials: paper
Techniques: etching, hand coloring
Subjects: chastity, abstract ideas and concepts (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2228

Vrouw ziet in spiegel ontrouw van haar geliefde.
Self-portrait, aged 21
Object type: drawing
Date: 1863 – 1863
Materials: watercolor
Artist: sir william blake richmond
Artist role: artist
Artist nationality: british
Artist dates: 1842 – 1921
Subjects: men,self-portraits

This sitter’s namesake was William Blake, a poet-painter revered by his artist-father George Richmond. The younger Richmond was godson to Samuel Palmer and took drawing lessons from the critic John Ruskin, shaping a career path that must have seemed preordained. He entered the Royal Academy Schools in 1858 at age sixteen and painted this work five years later. It pays tribute to a miniature self-portrait that his father had painted in 1830, when he was the same age (now in the National Portrait Gallery, London). The subjects in both works adopt similar poses and soulful expressions, but the heightened tonality and use of blue shadows here are more up-to-date and demonstrate an interest in the Pre-Raphaelites.
Neque lux sine umbra
Object type: bookplate
Date: 1750 – 1849
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: armorial bearing, heraldry
Hare Hunting
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: human figures,hunting,horses,rabbits
Kimono with Pines and Mist
Object type: kimono
Date: 1926 – 1950
Materials: gold, paste, silk
Techniques: weave, resist
Culture: japanese

With its stylized, colorful pine trees and gold mist set against a black ground, this kimono demonstrates the legacy and enduring popularity of designs by Ogata Kōrin (1658–1716). Kōrin came from a family of textile artisans and merchants, whose shop, the Kariganeya, was one of the most well-known businesses in Kyoto. His hand-painted garments gained fame in the city during his lifetime, and in the eighteenth century his characteristic, graphic patterns were included in woodblock-printed pattern books and became known as “Kōrin patterns” (Kōrin moyō). The fashion for these decorative motifs—as well as for the so-called Rinpa style they helped inspire—endured well into the twentieth century. Modern formal kimonos like this one are often black but embellished with brightly colored patterns positioned below the waist and concentrated on the front, leaving much of the back undecorated.
Matrozen met een accordeon
Object type: photograph
Date: 1940 – 1943
Materials: photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, accordion - cc - out of doors, sailor, france

Groep Duitse matrozen aan boord van het schip maken plezier met een accordeon, sommigen zijn geschminkt. Onderdeel van het fotoalbum over de Kriegsmarine 1940-1943.
"Jahangir and His Vizier, I'timad al-Daula", Folio from the Shah Jahan Album
Object type: album leaf
Materials: gold, ink, paper, watercolor
Location: india
Artist: manohar
Artist role: artist
Artist dates: 1577 – 1624
Subjects: men

While Jahangir (r. 1605–27) and l'timad al-Daula (a title meaning "reliance of the state") greet each other formally in this painting, they had a warm personal relationship, for in 1611 l'timad al-Daula’s daughter had married Jahangir. By virtue of this connection, her father became the chief minister of the realm, a position he retained until his death in 1622.
Teapot
Object type: teapot
Date: 1770 – 1830
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds
Allegorie op de komst van Ferdinand van Oostenrijk naar Antwerpen
Object type: titelblad, titelpagina
Date: 1642 – 1642
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: filips iv (koning van spanje), brussels, landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, the chariot of the moon, the chariot of the sun, (story of) mars (ares), symbols, allegories of peace, 'pax'; 'pace' (ripa), (story of) mercury (hermes), 'victoria'; 'vittoria', 'vittoria navale', 'vittoria degl'antichi' (ripa)
Inscriptions: collector's mark: Lugt 2228

Allegorische voorstelling ter ere van de intocht van Ferdinand van Oostenrijk, landvoogd der zuidelijke Nederlanden, op 5 mei 1635 in Antwerpen. Een klassieke tempel wordt bekroond door het portret van Filips IV van Spanje, en profil naar links. Het portret is geplaatst in een ronde lauwerkrans, aan weerszijden geflankeerd door een cornucopia. Op het fronton is te zien hoe Ferdinand van Oostenrijk de scepter krijgt aangereikt van Filips IV. Boven dit tafereel vliegt een adelaar, achter Ferdinand van Oostenrijk staat een vrouw met een staf en kronkelt een slang om een zuil. De vier zuilen van de tempel stellen de Overwinning, Mars, Mercurius en de Vrede voor. Bovenaan de gepersonifieerde zon en maan.
Gezicht op de Veemarkt te Mechelen
Object type: stereoscopic photograph
Date: 1893 – 1920
Materials: glass
Techniques: gelatin silver transparency
Location: mechelen
Artist: Anonymous
Subjects: square, place, circus, etc., mechelen
Inscriptions: number: ‘No 103.905’
Portret van Jacob Pancratius Bruno op 58-jarige leeftijd
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: engraving
Subjects: historical persons, pendant, trinket, 'breloque'
Inscriptions: collector's mark: Lugt 2228
Gezicht op huizen en een brug in Amsterdam
Object type: print
Date: 1915 – 1919
Materials: chalk, paper
Techniques: aquatint, etching, intaglio
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: urban housing, canals, waters (in city), bridge, amsterdam
Versierde initialen
Object type: book illustration
Date: 1543 – 1543
Materials: paper
Techniques: woodcut
Subjects: cow, letters, alphabet, script, physiology and anatomy
Inscriptions: collector's mark: Lugt 2227

Prent uit: Vesalius, Andreas. De Humani Corporis Fabrica. Bazel: Jan Herpst, 1543.
Oeuvre de P.P. Rubens
Object type: reproduction
Date: 1853 – 1858
Materials: photographic support
Techniques: albumen print
Location: brussels
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: number: ‘Vol. 1er. No 13.’
Tray
Object type: tray
Date: 1876 – 1883
Materials: porcelain
Culture: american
Location: united states
Artist: ott and brewer
Artist role: maker
Artist nationality: american
Artist dates: 1871 – 1893
Subjects: butterflies,dragonflies,shells
Marken. Binnenhuis
Object type: photomechanical print
Date: 1896 – 1896
Materials: cardboard, paper
Techniques: photograph
Location: marken
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: parents with their children, historical persons, interior ~ representation of a building, fisherman
Inscriptions: number: ‘6.’

Deze prent maakt deel uit van een omslag met 43 lichtdrukken op 43 bladen.
Cream jug
Object type: cream jug
Date: 1760 – 1760
Materials: silver
Subjects: fruit,lions,flowers
Dress Ornament
Object type: costume and accessory
Date: 1501 – 1600
Materials: stone, enamel, gold, pearl
Location: germany
Lamp with Deified Figure Upheld by Garuda
Object type: decorative art
Date: 1401 – 1500
Materials: pigment, terracotta
Location: nepal
Beaker
Object type: beaker
Date: 1775 – 1775
Materials: silver
Culture: american
Location: united states
Artist: thomas lynde
Artist role: maker
Artist nationality: american
Artist dates: 1745 – 1811
Design for Road Wagon
Object type: drawing
Date: 1850 – 1870
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
PROVERBII
Object type: print
Date: 1560 – 1590
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: proverbs, sayings, etc.

Tweeëndertig kleine, genummerde voorstellingen met verbeeldingen van spreekwoorden.
Iedere scène is voorzien van twee regels Spaanse tekst.
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: batavia
Subjects: anonymous historical person portrayed - bb - woman
Blade for a Model Saw from a Foundation Deposit
Object type: saw, model, tool, senenmut
Date: 1479 – 1458
Materials: bronze, copper alloy
Location: egypt
Exterieur van de Sint-Petrusbasiliek te Oirschot
Object type: photograph
Date: 1887 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: oirschot
Artist: Anonymous
Subjects: church (exterior), façade (of house or building)
Inscriptions: inscription: ‘Oorschot. R.K. Kerk na de restauratie’, collector's mark: ‘Rijks-Normaalschool voor Teekenonderwijzers Amsterdam’
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1881 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: sneek
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: inscription: ‘Byzondere inrichtingen voor vergrootingen à charbon./ Van alle portretten kunnen steeds nabesteld worden.’
Tiles with a Qur'anic Inscription in Knotted-Style Calligraphy
Object type: architectural fragment
Materials: ceramic, earthenware, glaze
Techniques: carving
Culture: islamic
Location: iran
Landscape with a Cottage and a Large Tree
Object type: print
Date: 1641 – 1641
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Page from the Mustard Seed Garden Manual of Painting
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Artist: wang gai
Artist role: artist
Artist nationality: chinese
Artist dates: 1645 – 1710
Subjects: landscapes,snow

In 1679, publishers Shen Xinyu and Li Yu printed the first edition of the Mustard Seed Garden Manual of Painting. Produced in five volumes, it included sections on technique, trees, rocks, figures, and reproductions of works by famous painters. Nanjing painter Wang Gai was chosen to illustrate the book, and he did so by adapting a painting primer from an earlier artist. For an aspiring painter without access to a collection of their own, the Mustard Seed Manual and others like it were invaluable resources, as they offered a glimpse into the elite training available to painters of privilege. While numerous painting manuals found favor in China, Korea, and Japan, none had so great an impact as the Mustard Seed Manual, which was widely reproduced and disseminated.
Studie
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 1 verso uit schetsboek XXV met 23 bladen.
Elias Offerhande door 't Vuur van de Hemel verteert
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: ahab is reproved by elijah and asked to gather the priests of baal on mount carmel for a contest
Inscriptions: collector's mark: Lugt 2228

Het altaar met het offer van Elia wordt door God ontstoken als teken van zijn macht. Links staan de Baälpriesters die tevergeefs hebben geprobeerd hun offer te laten branden. Rechts knielt Elia terwijl hij God aanroept.
Necklace Ornaments
Object type: necklace ornament
Date: 401 – 1000
Materials: gold
Techniques: casting
Culture: tolima
Location: colombia
Drie mannen aan het werk met een verbrandingsoven
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: photoaquatint
Location: berlin
Subjects: fire, oven, furnace ~ interior of industrial structure (+ men (labourers))

Prent op tweede ongenummerde pagina na pagina 160.
Miss Bouchee, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Saint Andrea Corsini dressed as Bishop of Fiesole, holding a crosier and looking up, after Reni
Object type: print
Date: 1780 – 1841
Techniques: etching
Artist: francesco rosaspina
Artist role: artist
Artist nationality: italian
Artist dates: 1762 – 1841
Subjects: saints
Servet van linnen met pellenpatroon
Object type: napkin
Date: 1675 – 1700
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

wit linnen servet met pellen patroon, merk HW 32
Portret van Joseph Lies
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: etching
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: antwerp, joseph lies, adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
Groepsportret van een onbekende man, vrouw en kind op een gracht
Object type: photograph
Date: 1895 – 1910
Materials: paper, cardboard
Techniques: matte daylight collodion silver print
Location: france
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), canals, waters (in city), anonymous historical persons portrayed in a group, in a group-portrait, netherlands
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: copper, gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: birds
Portret van Otto Otto von Mauderode
Object type: print
Date: 1640 – 1686
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: minister ~ government, historical persons
Inscriptions: collector's mark: Lugt 2228

Met zesregelig onderschrift in het Latijn.
Lintel with a Mask of Kala
Object type: lintel
Date: 1001 – 1025
Materials: stone
Culture: thai
Cann
Object type: cann
Date: 1750 – 1760
Materials: silver
Culture: american
Location: united states
Artist: john coverly
Artist role: maker
Artist nationality: american
Artist dates: 1713 – 1783
Koning, ridders, vrouwen met kind
Object type: book illustration
Date: 1894 – 1901
Materials: paper
Techniques: lithograph
Subjects: mother and baby or young child, king, knight
Inscriptions: collector's mark: Lugt 2233

Vijf horizontale, decoratieve banden met daarboven en daartussenin ruimte voor tekst. Links van de banden een verticale sierrand met daarin de beeltenissen van een koning, twee ridders en twee vrouwen met kind.
Portret van Lucie Keyser
Object type: photograph
Date: 1880 – 1940
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: guillame maximilien zimmermann
Artist role: fotograaf
Artist dates: 1873 – 1951
Subjects: historical persons, amsterdam
Inscriptions: annotation: ‘Lucie Keyser’