deem-data/ArtiFact huggingface dataset:
Lady Seated at a Table (recto); Dancing Figures (verso)
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: george romney
Artist role: artist
Artist nationality: british
Artist dates: 1734 – 1802
Subjects: women,dancing,writing

After three years studying art in Italy, Romney returned to London in 1775 and established himself as a successful portrait painter. He attracted important patrons and charged fees only slightly below those commanded by Sir Joshua Reynolds and Thomas Gainsborough. Romney often made rapid working studies when exploring compositions; here he used pen to define the figure and expressive passages of wash to establish light and shade. Since the sitter is seen in profile writing a letter, she may relate to a contemplated literary subject rather than a portrait. Wishing to extend his range toward history painting, Romney began a series of female figures in the 1780s inspired by characters in poems and novels.
Netsuke of Fukurokujin
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, wood
Culture: japanese
Subjects: men,deer
Le Follet Courrier des Salons, Lady's Magazine, 1833, No. 244: Bonnet fanchon (...)
Object type: fashion print
Date: 1833 – 1833
Materials: paper
Techniques: engraving, hand coloring
Location: london
Subjects: handkerchief (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), embroidery (ornamentation) (+ women's clothes), head-gear (fanchon) (+ women's clothes), clothing for the upper part of the body: blouse (+ lace used for clothes), head-gear: cap (+ women's clothes), fashion plates, dress, gown (+ women's clothes), shoes, sandals, stockings, socks (+ women's clothes), necklace (+ women's clothes)
Inscriptions: title: ‘Le Follet Courrier des Salons. Lady's Magazine.’, address: ‘On s'abonne au Magasin de Musique, Boulevart des Italiens, Passage de l'Opèra, No. 2. / L'administration du Journal, Rue Notre-Dame de Nazareth, No. 25. / Published by J. Page, 112, Fetter lane. London.’, caption: ‘Modes. / Bonnet fanchon des M'ins de M"me Hocquet. Cannezou en blondes des M"ins de M"r Violard, Rue de Choiseuil, 2 bis. Robe en Crêpe brodé des M"ins de M"elle Rambach, Boulevart S"t Denis, 19.’

Vrouw met op het hoofd een 'bonnet fanchon' met gekartelde zoom uit de winkels van Hocquet. 'Canezou' van Blonde (kloskant) uit de winkels van Violard. Japon van geborduurde crêpe uit de winkels van Rambach. Verdere accessoires: sjaal, collier, lange handschoenen, zakdoek, schoenen met gekruiste banden en vierkante neuzen (cothurnes). Zittende figuur in eenzelfde japon, op de rug gezien. Prent uit het modetijdschrift Le Follet Courrier des Salons (novembre 1829- octobre 1882).
Fragment
Object type: fragment
Date: 1501 – 1600
Materials: linen, silk
Wooded Walk with Figure
Object type: print
Materials: paper, zinc
Techniques: aquatint, etching
Location: italy
Artist: giovanni fattori
Artist role: print maker
Artist nationality: italian
Artist dates: 1825 – 1908
Scènes uit het Oude en Nieuwe Testament
Object type: print
Date: 1612 – 1616
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: Lugt 240

Maria en Jozef tonen het Christuskind aan de drie wijzen. De drie bieden het kind hun geschenken aan. Op de achtergrond leden van hun gevolg. In de verte schijnt de ster die hen naar de stal in Bethlehem heeft geleid. De prent is deel van een serie met scènes uit het Oude en Nieuwe Testament.
Landschap met waterval en ruïnes
Object type: print
Date: 1666 – 1695
Materials: paper
Techniques: etching
Artist: jean pesne
Artist role: print maker
Artist dates: 1623 – 1700
Subjects: waterfall, landscape with ruins
Inscriptions: number: ‘6’

Prent maakt deel uit van een serie van 283 prenten, ongenummerde staat.
Huwelijkspenning van huwelijk prinses Beatrix en Claus von Amsberg, 1966
Object type: marriage medal
Date: 1903 – 1966
Materials: silver, textile
Location: netherlands
Artist: Anonymous
Subjects: beatrix (koningin der nederlanden), amsterdam, the hague, willem drees, netherlands
Inscriptions: inscription: ‘CB’, date: ‘10 MAART 1966’

Zilveren penning aan draagring en oranje lint met met donkerblauwe banen aan de uiteinden en in het midden twee banen van groen en wit, aan speld. Voorzijde: Beatrix en Claus, met profiel naar links. Keerzijde: gekroonde CB en datum. Gemerkt op rand.
Plan for a Church with a Nave (recto); Framing Outlines (verso)
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: brush, incising, pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: architecture,churches
God with four ram heads facing in four directions, probably Khnum
Object type: amulet, khnum, ram, four headed
Date: 664 – 630
Materials: faience
Location: egypt
Subjects: rams

The god has four ram heads, each facing in a different direction. Above his heads he wears an atef crown. The figure probably represents the ram-headed god Khnum, who can be shown with four heads facing in different directions. Another ram god, Banebdjed, can also be shown with four ram heads, but then two face forward and two face back (see 26.7.894).
Flower Design: Daffodils and Calla Lilies
Object type: drawing
Date: 1801 – 1900
Materials: gouache, graphite, watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: lilies,leaves
Portret van een onbekende vrouw
Object type: print
Date: 1867 – 1928
Materials: paper
Techniques: lithograph
Artist: hendrik johannes haverman
Artist role: draughtsman, print maker
Artist dates: 1857 – 1928
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: collector's mark: Lugt 2228
Fragments of a Bowl
Object type: fragment
Date: 1101 – 1200
Materials: earthenware, glaze, pigment
Techniques: painting, polychrome, underglaze
Location: iran

These ceramic fragments were excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Fruit (or Pomegranate)
Object type: wallpaper
Date: 1866 – 1866
Techniques: printing
Artist: william morris
Artist role: designer
Artist nationality: british
Artist dates: 1834 – 1896
Subjects: pomegranates,flowers,leaves

William Morris designed forty-one wallpapers and five ceiling papers, working from 1862 with Morris, Marshall, Faulkner, and Company, and from 1875 with Morris & Company. "Fruit" (or Pomegranate) was one of Morris's early wallpapers, his first idea captured in a drawing of ca. 1862 (Victoria & Albert Museum, London). After some reworking, production took place inl 1864–65. A repeating pattern of lemons, oranges, pomegranates, peaches, fruit blossoms and foliage is printed against a French blue ground, and a variant was also produced using a light cream background.
Jar
Object type: jar
Date: 1101 – 1300
Materials: glaze, stonepaste
Techniques: painting
Location: syria
Daslook (Allium ursinum)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: ramsoms

Daslook. Rechtsboven genummerd: 164. BIj de bloemen de Latijnse namen. Onderdeel van het tweede album met tekeningen van bloemen en planten. Negende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Piazza del Popolo te Rome
Object type: album leaf
Date: 1729 – 1729
Materials: paper
Techniques: etching
Location: leiden
Subjects: square, place, circus, etc., city-view, and landscape with man-made constructions, church (exterior), city-gate

Gezicht op Piazza del Popolo en de Porta del Popolo te Rome. Op het plein staat de Egyptische obelisk van Ramses II. Aan het einde van het plein staan de tweelingkerken de Santa Maria dei Miracoli en de Santa Maria in Montesanto. De prent maakt deel uit van een album.
Landschap met de ruïne van een poort naast een vervallen brug
Object type: print
Date: 1744 – 1744
Materials: paper
Techniques: etching
Subjects: madonna: i.e. mary with the christ-child, river, landscape with ruins, monument, statue, mountains
Inscriptions: collector's mark: Lugt 240
halve escudo uit Spanje van koning Karel III,1788
Object type: coin
Date: 1788 – 1788
Materials: gold
Techniques: striking
Location: madrid

Gouden munt. Voorzijde: borstbeeld van de koning naar rechts. Keerzijde: ovaal gekroond, met keten en juweel van de orde van het gulden vlies omhangen wapenschild. Links daarvan gekroonde letter M [=Madrid]. Kartelrand.
Stenen pad leidt naar een ommuurde stad met gotische kathedraal
Object type: print
Date: 1926 – 1928
Materials: paper
Techniques: etching
Artist: frederick landseer maur griggs
Artist role: print maker
Artist dates: 1876 – 1938
Subjects: city-walls - ii - ideal city, city-gate - ii - ideal city, church (exterior), road, path
Inscriptions: collector's mark: Lugt 760a, signature: ‘F.L. Griggs’, collector's mark: Lugt 2228
Openbare voorlezing van psalmen in de vergaderzaal van de Gemachtigden in het Mauritshuis, 1 oktober 1777
Object type: drawing
Materials: ink, paper
Techniques: brush, pen
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: singing of psalms, hymns, etc., meeting, historical events and situations, the hague
Lord Minamoto Yoritomo Captures Takadate Castle in His Conquest of Mutsu Province (Minamoto Yoritomo ko Oshu seibatsu Takadachi no shojo o koraku su), and View of the Coast of Mutsu Province (Oshu kaigan ichiran)
Object type: print
Date: 1868 – 1868
Techniques: woodblock print
Location: japan
Artist: utagawa kuniteru ii (kunitsuna ii)
Eethoek
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: amsterdam

Foto op bruin albumblad 56 van familiealbum van Alphons Diepenbrock.
Finial
Object type: finial
Date: 1801 – 1900
Materials: gilt bronze
Plantstudie
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘16’

facher Vergrößerung. Afkomstig uit losbladige uitgave.
Part of a Forearm Defense (Vambrace)
Object type: part of a forearm defense vambrace
Date: 1450 – 1470
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Kaberdar koopt de manchetknopen van de jongeman
Object type: book illustration
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: lauenburg
Subjects: literature
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor 'De Indianen in Engeland' van August von Kotzebue. Prent gebruikt in: Königl. Grosbritannischer Historischer Genealogischer Calender für 1791. Lauenburg: Berenberg, [1790].
Man in a broad-brimmed hat
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: collector's mark: Lugt 240, monogram and date: ‘RHL 1638’
Sybil Sanderson, from Treize Lithographies
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Architectural Fantasy
Object type: drawing
Date: 1785 – 1790
Materials: chalk
Artist: jean laurent legeay
Artist role: artist
Artist nationality: french
Artist dates: 1710 – 1788
Subjects: architecture,palaces,trees
De Stedenwet
Object type: cartoon
Date: 1890 – 1890
Materials: paper
Techniques: letterpress printing, lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, jonkheer alexander frederik de savornin lohman, personification of a city, town-patron(ess), politician, e.g. party leader, tools, aids, implements ~ crafts and industries: scissors, maps of cities, political caricatures and satires, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Minister van Binnenlandse Zaken Alexander Frederik de Savornin Lohman zet de schaar in een plattegrond van Amsterdam die op een tafel ligt voor de Amsterdamse stedenmaagd. Naast en achter haar meerdere liberale politici. Onderwerpsrubriek binnen de Atlas Amsterdam: Kiesverenigingen, Politieke partijen.
Vase decorated with flowers
Object type: vase
Date: 1662 – 1722
Materials: enamel, porcelain
Techniques: overglaze, painting
Culture: chinese
Subjects: flowers
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1900
Materials: gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: dragons,boars,horses,monkeys,rabbits,snakes
Vaart van Ellert Viscarn in een schuitje van koehuiden van Hoorn naar Danzig, 1558
Object type: history print
Date: 1704 – 1706
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: rowing-boat, canoe, etc.

Vaart van Ellert of Ellerd Viscarn, alias De Graaf, in een schuitje van vier koehuiden van Hoorn naar Dantzig, waar het scheepje door de koning van Polen gekocht en in de kerk te Krakow opgehangen zou zijn, 1558. Ellert arriveert roeiend bij Danzig aan de Poolse kust.
Sleeve band (?)
Object type: piece
Date: 1701 – 1800
Materials: cotton
Portret van Judith Cotermans
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: judith cotermans
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 963
Drie bomen in een bos
Object type: print
Date: 1844 – 1845
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: forest, wood, groups of trees
Inscriptions: collector's mark: Lugt 2228

In 1829 en 1830 gaf Koekkoek, samen met Daiwaille, zes cahiers uit met ieder zes prenten getiteld Landschapstudiën. Deze werden gebruikt in het tekenonderwijs. Vijftien jaar later werd deze reeks, in een andere samenstelling nogmaals uitgegeven door Meyer en Comp in Amsterdam. Zie: De Bruyn Kops, 1963.
Watervallen van Tivoli, Italië
Object type: album leaf
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: tivoli
Artist: Anonymous
Subjects: city-view in general; 'veduta', waterfall, landscapes with waters, waterscapes, seascapes (in the temperate zone), tivoli
Duit voor Nederlands Indië uit Gelderland,1805
Object type: coin
Date: 1805 – 1805
Materials: copper
Techniques: striking
Location: harderwijk

Koperen munt. Voorzijde: tussen wapenspreuk gekroond wapenschild van Gelderland. Keerzijde: monogram van de VOC, waarboven muntmeesterteken en waaronder jaartal. Kabelrand.
Landschap met Christus en twee mannen voor antieke ruïne
Object type: print
Date: 1613 – 1695
Materials: paper
Techniques: engraving, etching
Subjects: landscape with ruins, christ
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Charles Claude de Flahaut (1730–1809), Comte d'Angiviller
Object type: painting
Date: 1763 – 1763
Materials: canvas, oil
Artist: jean-baptiste greuze
Artist role: artist
Artist nationality: french
Artist dates: 1725 – 1805
Subjects: men,portraits
Bride Rose, from the Flowers series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: flowers,leaves

The "Flowers" series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
The Graces in a High Wind – a Scene taken from Nature in Kensington Gardens
Object type: print
Techniques: aquatint, engraving, etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,women,dogs,wind

Caught in a strong wind during a stroll in Kensington Gardens, three young women wear fashionable neo-classically inspired dresses with high waists and tight sleeves, together with straw bonnets trimmed with ribbons. The weather flattens the fabric against their bodies and leave little to the imagination. The figures are beleived to represent the daughters of Sir William Manners–Catherine, Emily and Louisa, whose poses and implied nudity, together with the title, evoke sculptures of the Three Graces (such as a Roman 2nd century A.D. example at the Met, 2010.260) while also suggesting that classically styled gowns of this type were impractical choices for England's unpredictable summer weather.
Fan
Object type: fan
Date: 1800 – 1800
Materials: silk
Culture: european
Subjects: birds,men,women,flowers
Portret van Johanna van Blois
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: johanna van blois
Inscriptions: collector's mark: Lugt 240

Portret van Johanna van Blois, ten halven lijve. In de marge de naam van de geportretteerde.
Buste van keizer Nero in de Vaticaanse Musea, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Artist: Anonymous
Subjects: head (human), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘216’
Button
Object type: button
Date: 1850 – 1850
Materials: glass, ivory
Culture: french
Subjects: portraits,women
Brandewijnskom van gedreven zilver. Ovale cuppa op gewelfde voet. Opengewerkte horizontale oren. Vals.
Object type: drinking bowl
Date: 1400 – 1950
Materials: silver
Artist: Anonymous

Brandewijnkom van gedreven zilver. De ovale cuppa staat op een gewelfde voet. De gegoten horizontale oren zijn opengewerkt en vertonen een bloemenmand met engeltjes.
Mirror
Object type: mirror
Date: 1650 – 1700
Materials: silver
Subjects: men,women
Seven Spool-Shaped Gaming Pieces
Object type: gaming piece 7
Date: 1550 – 1295
Materials: faience
Location: egypt
Subjects: games
Bracelet, Hammered Wire
Object type: bracelet
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Design for an Oblong Panel Carved with Foliage
Object type: drawing
Date: 1822 – 1822
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: ornament
Portret van graaf Albrecht Theodor Emil von Roon
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: letterpress printing, line block
Location: leipzig
Subjects: poland, berlin, politician, historical persons
Inscriptions: signature: ‘CC’, stamp: ‘JVB’

Prent uit: Daheim: ein Deutsches Familienblatt mit Illustrationen 6 (1870), nr. 45, 1870.
Werknemers poserend in een werkplaats van een tinonderneming te Koba
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: koba
Artist: Anonymous
Subjects: mining, minerals and metals: tin, working class, labourers, workshop-interior

Onderdeel van Fotoalbum over de tinwinning op Bangka.
Fotoreproductie van een prent van een vrouw met spinnewiel en twee kinderen, buiten voor een woning
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Artist: théodore lemonnier
Artist role: fotograaf
Subjects: spinning-wheel, mother and child(ren), woman and child(ren) (family group)
Inscriptions: inscription: ‘Photographie Artistique/ Lemonnier Théodore./ Rue Bréa, 7/ Quartier du Luxembourg/ Paris.’, annotation: ‘[...]’, annotation: ‘2 [...] 74’
Shaped neckpiece
Object type: neckpiece
Date: 1701 – 1733
Techniques: lace
Portret van Heinrich Cornelius Agrippa von Nettesheim
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Artist: bernhard jobin
Artist role: printer, publisher
Artist dates: 1545 – 1593
Subjects: cologne, historical persons, portrait of a writer
Inscriptions: inscription: ‘[...]’

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium (...). Straatsburg: Bernhard Jobin, 1587. Prent ook gebruikt in de Duitse editie, uitgegeven in hetzelfde jaar, en de 1590-editie. Prent ook gebruikt in latere publicaties.
Moskee met cellen voor studenten op de Marktplaats te Samarkand
Object type: photomechanical print
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photograph
Location: samarqand
Artist: Anonymous
Subjects: samarqand
Inscriptions: annotation: ‘10. Moskee met cellen voor de studenten op de Marktplaats te Samarkand.’
The Labors of Hercules: Hercules and Cacus
Object type: print
Date: 1528 – 1528
Materials: paper
Techniques: woodcut
Location: france
Artist: gabriel salmon
Artist nationality: french
Artist dates: 1504 – 1542