deem-data/ArtiFact huggingface dataset:
Lobed bowl
Object type: bowl
Date: 501 – 700
Materials: niello, silver gilt
Techniques: inlay
Culture: sasanian
Location: central asia
Subjects: birds

This bowl is shaped like a boat, with large lobes at the ends and middle of each side interspersed with smaller ones. The edges of the lobes are gilt, as are the interiors of the four large lobes. The exteriors of the large lobes are decorated with guineafowl (a close relative of the pheasant) inside round borders of floral and geometric motifs, which are incised and filled with niello. The small lobes are scalloped. The interior of the bowl has an image of a fish with a forked tailfin and four rows of horizontal scales. The fish is likely a saltwater species, such as a tuna or queenfish (scomberoides), native to the Indian Ocean, though it may just as well not be intended to represent a specific species. The fish is also rendered in niello and gilt. The bowl sits on an oblong ring base. On the bottom is a stamp, with an indeterminate design. This bowl was probably part of a table service owned by someone closely connected to the Sasanian royal court. This is because the production of silver vessels was closely monitored by the court; the stamp on the bottom of this vessel presumably indicates that it was made in an official workshop. The shape suggests that it was a serving vessel. Lobed elliptical bowls are well-known in Sasanian metalwork. This bowl, however, exhibits certain features that are common in Byzantine silver vessels, including the high base, the concave rim, the fluting on the scalloped lobes, and the detailed rendering of the fish. The guineafowl similarly occurs in both Sasanian and Byzantine metalwork. It seems that this bowl was made in a workshop that drew on diverse models. Thus it reflects the cosmopolitan nature of the Sasanian Empire in the sixth and seventh centuries A.D.
Kaart van Kennemerland en West-Friesland (veertiende deel)
Object type: map
Date: 1680 – 1811
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions, river-gods

Deze prent is oorspronkelijk onderdeel van een zestiendelige wandkaart van Kennemerland en West-Friesland, gemaakt door landmeter Jan Jansz Dou in opdracht van het Hoogheemraadschap van de Uitwaterende Sluizen in Kennemerland en West-Friesland. Voor een volledige versie van deze kaart zie: RP-P-AO-6-26. Voor een ander exemplaar van dit blad zie: RP-P-AO-6-26-14.

Van deze kaart zijn drie staten bekend waarvan de eerste verscheen in 1680 bij uitgever Jan Karels te Amsterdam, de tweede in 1729 bij Andries en Hendrik de Leth te Amsterdam en de derde in 1745 bij Isaak Tirion te Amsterdam. De derde staat werd in 1811 nogmaals gedrukt bij A. Koning te Amsterdam. De verschillende staten van de kaart zijn te dateren aan de hand van de namen van de dijkgraaf, hoogheemraden en rentmeester die te vinden zijn op de bovenste bladen van de kaart. Aangezien het huidige exemplaar een los blad is van de onderste rij bladen van de kaart kan het niet precies gedateerd worden.

Vlak na het verschijnen van de wandkaart werd besloten tevens een vierblads (RP-P-AO-6-25A, RP-P-AO-6-25B, RP-P-AO-6-25C en RP-P-AO-6-25D) en een éénblads uitgave (RP-P-AO-6-24-1 en RP-P-AO-6-24-2) te laten maken. Alle drie de kaarten werden gegraveerd door Coenraet Decker en Abraham Jansz. Deur, die verantwoordelijk was voor het graveren van de letters.
Fotoreproductie van een ontwerp van een biddende man, met achter hem een bisschop
Object type: page
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), one person praying
Frontispiece, from Capricci di varie figure (The Caprices) - The Nancy Set
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Soldaat op wacht die zijn roer met zijn rechterhand schuin omhoog gericht vasthoudt, terwijl hij de loop in zijn linkerhand laat vallen (nr. 35), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving, hand coloring
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat op wacht, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) met zijn rechterhand vasthoudt, de loop schuin omhoog gericht (nr. 35), ca. 1600. Hij laat de loop juist in zijn linkerhand vallen, waarin ook een brandende lont. Plaat 35 in de instructies voor het hanteren van de roer: Shorte instruction upon the contrefaictinges, touching the right use of calivers. Onderdeel van de illustraties in een Engelse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, The exercise of armes for calivres, muskettes and pikes after the ordre of Maurits Prince of Orange, 's-Gravenhage 1608. Krijgswezen rond 1600.
Acht kapitelen
Object type: drawing
Date: 1866 – 1900
Materials: paper, pencil
Techniques: drawing
Artist: Anonymous

Onder een aantal kapitelen staat vermeld tot welk bouwwerk ze behoren.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a kylix with the lower part of the handle patch; start of the right handle root
Drie taferelen met familieleden van Eva Boelen, waaronder Charlotte Boelen-Matthes, August Matthes, Hendrik Matthes en Charlotte Matthes-Doorman, rond haar kinderwagen
Object type: photograph
Materials: paper
Techniques: gelatin silver print
Artist: charlotte alida boelen-matthes (lot)
Artist role: amateurfotograaf
Artist dates: 1889 – 
Subjects: amsterdam, thailand, eva charlotte pennink-boelen, charlotte alida boelen-matthes (lot), baby-carriage, pram, perambulator, child(ren) with other members of the family

Deze foto's zijn onderdeel van een album.
Objecten van Museum van Oudheden te Napels
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: adult woman, cupids: 'amores', 'amoretti', 'putti'

Reproductie van een fresco in Pompejaanse stijl. Links zitten twee vrouwen bij een putto. Rechts haalt een dienstmaagd putti uit een ronde box.
Two Dogs
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, drawing, wash
Artist: anonymous, spanish, school of seville, 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1600 – 1700
Subjects: dogs
Ornament met staand mannetje bij zittende vrouw
Object type: drawing
Date: 1769 – 1769
Materials: ink, paper
Techniques: pen
Artist: hendrik nieuwenhuysen
Artist role: draughtsman, print maker
Artist dates: 1747 – 1794
Bruxelles. Portail Saint-Michel (Cathédrale)
Object type: photomechanical print
Date: 1906 – 1918
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Chlorite mortar or plate
Object type: plate or palette
Date: 1200 – 1050
Materials: mineral
Culture: cypriot

The bowl is shallow and the lip is nicked.
Vijfentwintigjarig regeringsjubileum van Koning Willem III 1874
Object type: history medal
Date: 1874 – 1874
Materials: brass
Techniques: striking
Inscriptions: circumscription: ‘WILLEM III KONING - DER NED. G.H.V.L.’, inscription: ‘25 JARIG KRONINGS FEEST / MEY / 1849 / 1874’

Messing penninkje met fors draagoog, op de voorzijde het portret van Willem III naar rechts met omschrift, op de keerzijde drie regels tekst met omschrift.
Klein maanlicht avontuur
Object type: print
Date: 1978 – 1978
Materials: paper
Techniques: screen printing in color
Artist: harrie a. gerritz
Artist role: draughtsman, painter, print maker
Artist dates: 1940 – 
Subjects: trees, bull, landscapes in the temperate zone
Inscriptions: inscription: ‘Shirley’, dedication: ‘voor Piet’, collector's mark: Lugt 2228
Writing table
Object type: table
Date: 1790 – 1790
Materials: gilt bronze, wood
Artist: david roentgen
Artist role: maker
Artist nationality: german
Artist dates: 1743 – 1807

The initials CA under the ducal crown indicate that this elegant writing table was among the pieces of furniture Grand Duke Karl August von Sachsen Weimar-Eisenach (1757–1828), acquired from David Roentgen for his ducal palace which was rebuilt after the disastrous fire of 1774. Roentgen made a series of trips to Weimar in 1797–98 where he met the duke and sold him some of his inventory to furnish the new Residenz Schloss.
Vignaud. Antoine. 32 ans, né à Cussey (Allier). Cordonnier. Vol anarchiste. 21/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
St. Stephen's Hall
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: houses of parliament
Artist: Anonymous
Subjects: chapel (interior of the house)
Inscriptions: number: ‘122’, name, inscription: ‘(Photographed by special permission.)’
Christus en de apostelen
Object type: print
Date: 1500 – 1599
Materials: paper
Techniques: etching
Location: italy
Artist: monogrammist fp (italië; 16e eeuw)
Artist role: print maker
Subjects: christ
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van dertien prenten van Christus en de twaalf apostelen.
Gezicht op de Hervormde Kerk te Siegerswoude, afgebroken in 1909
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: siegerswoude
Subjects: church (exterior)
Inscriptions: annotation: ‘Siggerswoude / Interieur aanzicht / naar oost / Oct 1908/ Opsterland’
Marble relief of a chisel and mallet
Object type: relief of a mallet and chisel
Date: 101 – 200
Materials: marble
Culture: roman
Subjects: tools

The relief, probably votive in purpose, depicts a metal chisel and a wooden mallet, the basic tools of the ancient stone cutter.
Terracotta kylix (drinking cup)
Object type: kylix
Date: 490 – 490
Materials: terracotta
Culture: greek, attic
Artist: euphronios
Artist role: artist
Subjects: male nudes,herakles

Interior, Herakles and young boy Exterior, Herakles fighting the sons of Eurytos; Herakles fighting Ops Euphronios is probably the best known of the early red-figure artists called the Pioneers. During the latter part of his career, he signs as potter rather than painter, and he collaborates with various painters of whom Onesimos is one of the most accomplished. The representation on the interior shows the almost coloristic effects that Onesimos achieved with dilute glaze as well as his marvelous characterization of Herakles—young, wide-eyed, jaunty, and finely turned out.
Miss Troja, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Twee voorstellingen met meerdere figuren
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, historical persons

Ornamentprent met twee voorstellingen met meerdere figuren, onderaan o.a. Hippocrates en Socrates. Onderdeel (2e. Cah. N. 10) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.
"St. Michael, the Archangel," Folio from the Bellini Album
Object type: illustrated album leaf
Date: 1600 – 1600
Materials: gold, ink, paper, watercolor
Location: italy
Subjects: mythical creatures,angels
Verzameling van arabesken, met de Vaticaanse loggia's
Object type: album leaf
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: paris
Subjects: 'cornucopia', horn of plenty, ornament ~ arabesque, lyre, cithara, psaltery, vase ~ ornament, mask, mascaron ~ ornament

Doordat dit album bestaat uit meerdere, deels eerder uitgegeven prentreeksen, is de datering niet consequent. Het geheel is op de titelpagina gedateerd op 1802. Deze reeks is niet los gedateerd.
De serietitel voor het gehele werk is "Recueil d'arabesques, contenant les loges du Vatican". De andere serietitel is de titel van de specifieke reeks binnen het geheel.
La Pentecôte (The Pentecost), scene 6 from Images des Fêtes Mobiles (Images of Moveable Feasts from the Christian Calendar), part of "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1632 – 1632
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Fries met de personificatie van Geschiedenis op een rond tablet schrijvend tussen wapens
Object type: print
Date: 1583 – 1638
Materials: paper
Techniques: etching
Location: vatican city
Subjects: sitting figure, weapons

Prent uit een reeks van vijf prenten, plus titelprent.
Petticoat
Object type: petticoat
Date: 1776 – 1800
Materials: cotton, silk
Culture: american
Voltaire
Object type: bust
Date: 1750 – 1786
Materials: marble
Artist: jean-claude-françois-joseph rosset
Artist role: artist
Artist nationality: french
Artist dates: 1706 – 1786
Subjects: men
Portret van koningin Ultragotha
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Wooden Loom Bar
Object type: loom bar
Date: 1501 – 1600
Materials: wood
Culture: peruvian
Location: peru
Gezicht op Krakau
Object type: book illustration
Date: 1847 – 1847
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Hollandsch Penning-Magazijn voor de jeugd. Amsterdam: J.H. Laarman, 1847.
Proportiestudie van een vrouw
Object type: drawing
Date: 1858 – 1858
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions) - aa - female human figure, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: inscription: ‘d ff EH’
Alliantie tussen Nederlandse en Franse republiek, 1795
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: angels, alliance with france (1795)
Inscriptions: collector's mark: Lugt 2228, date

Een engel bindt de wapens van de Nederlandse en Franse Republiek samen aan een boom.
Fragmenten van metaal uit V.O.C.-schip de 'Witte Leeuw'
Object type: fragment
Date: 1613 – 1613
Materials: metal, tin
Artist: Anonymous

Zes metaalfragmenten en een zakje met gruis. Fragiel.
Side Chair
Object type: side chair
Date: 1795 – 1795
Materials: wood
Culture: american
Location: united states
Artist: slover and taylor
Artist role: maker
Artist nationality: american
Artist dates: 1799 – 1804
Portret van Jan Verkade
Object type: print
Date: 1894 – 1894
Materials: ink
Techniques: lithograph
Location: copenhagen
Artist: johan gudmann rohde
Artist role: designer
Artist dates: 1856 – 1935
Subjects: painter, draughtsman, designer, jan verkade, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Object type: altarpiece
Date: 1434 – 1434
Materials: marble
Culture: italian
Location: italy
Artist: andrea da giona
Artist role: artist
Artist nationality: italian
Artist dates: 1434 – 1450
Subjects: angels,christ,saint john the baptist

At the center of this finely carved relief, heavenly angels with musical instruments surround the figure of Christ in Majesty. At the corners are symbols of the four Evangelists, authors of the Gospels. Saints John the Baptist and Margaret, associated with the commissioners of the altarpiece, appear at either side. Above them, in smaller scale, an earlier chapter in the Christian story is evoked by the scene of the angel Gabriel addressing the Virgin Mary with the news that she will be the mother of Jesus. At the time the Knights of Rhodes commissioned this altarpiece, they were notorious heavily armed sailors, pursuing Muslim merchant ships across the Mediterranean, often pillaging their cities and gaining great wealth in the process. The altarpiece is inscribed along the lower edge of the central panel: HOC OPUS FECIT MAGISTER AND[R]EAS DA GIONA MCCCCXXXIIII (This work was made by Master Andrea from Giona 1434).
Très Parisien, 1923, No. 4: 2. - SÉVILLE. Une adorable toilette ....
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: corsage (+ women's clothes), cut flowers; nosegay, bunch of flowers, diadem, tiara (+ women's clothes), fashion plates, dress, gown (+ women's clothes)
Inscriptions: title: ‘Très Parisien / No 4. - 1923’, caption: ‘2. - SÉVILLE. Une adorable toilette de crêpe Colette brodé; l'ampleur a tendance à se ramener en arrière, maintenue par un bouquet de petites fleurs rouges et jaunes. / Tissus DIÉDERICHS-SOIERIES.’

Stoffen van Diéderichs-Soieries. 'Toilette' van geborduurde 'crêpe Colette'. Accessoires: hoofdband, bloemcorsage, pumps. Prent uit het modetijdschrift Très Parisien (1920-1936).
Bewening van Christus
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving, etching
Subjects: lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Inscriptions: collector's mark: Lugt 240

Bewening van Christus. Onder de voorstelling een epigram in het Latijn van de hand van de Poolse dichter Maciej Kazimierz Sarbiewski.
Bowl (part of a service)
Object type: bowl
Date: 1780 – 1790
Materials: enamel, soft paste porcelain
Techniques: gilding
Artist: caughley factory
Artist role: factory
Artist nationality: british
Artist dates: 1772 – 1799
Cuffs
Object type: cuff
Date: 1801 – 1900
Materials: linen
Culture: british
Portret van Joachim de Watt
Object type: print
Date: 1759 – 1815
Materials: paper
Techniques: etching
Artist: heinrich pfenninger
Artist role: print maker
Artist dates: 1749 – 1815
Subjects: mayor, historical persons
Inscriptions: collector's mark: Lugt 2228
Cuneiform tablet: account of blanket delivery, Ebabbar archive
Object type: cuneiform tablet
Date: 605 – 605
Materials: clay
Culture: babylonian
Location: mesopotamia
Septem orbis admiranda
Object type: titelprent, frontispice
Date: 1608 – 1608
Materials: paper
Techniques: etching
Location: antwerp
Subjects: title-page, piece of sculpture, reproduction of a piece of sculpture, the seven wonders of the world, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: number: ‘1’, collector's mark: Lugt 11, collector's mark: ‘Hinloopen’

Titelprent bij een reeks van zeven prenten van de zeven wereldwonderen.
Gezicht op de Noorderkerk te Amsterdam
Object type: print
Date: 1680 – 1730
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: church (exterior), market
Bowl with birds and flowers
Object type: bowl
Date: 1667 – 1700
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: birds
Painted Bowl
Object type: bowl
Date: 600 – 301
Materials: ceramic, pigment
Culture: paracas
Location: peru
Militaire instructie aan Lambertus Frederik Geerling, 20 april 1815
Object type: bevel
Date: 1815 – 1815
Materials: ink, paper
Techniques: engraving, pen
Location: brussels
Artist: Anonymous
Subjects: militair, lambertus frederik geerling, slag bij waterloo
Inscriptions: date

MIlitaire instructie gedateerd Brussel 20 april 1815 aan Lambertus Frederik Geerling (de vader van Frederik Lambertus Geerling), adjudant bij de 7e bataljon infanterie, om zich te voegen bij de 29e bataljon militie te Leuven.
The Holy Trinity; Christ on the cross flanked by two angels, the Holy Spirit as a dove and God in heaven above the cross, a rectangular composition with half-circle at the top, after Reni
Object type: print
Date: 1683 – 1687
Techniques: etching
Artist: robert van audenaerde
Artist role: artist
Artist nationality: flemish
Artist dates: 1663 – 1743
Subjects: doves,angels,christ,cross,gods

After a painting made by Reni in 1625 in the church of Santissima Trinità dei Pelligrini in Rome.
Twee versierde grotten bij het Meer van Albano
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: cave, grotto
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Di due spelonche ornate dagli antichi alla Riva del Lago Albano'. De serie bestaat uit een vignet en twaalf prenten.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, five fragments with parts of circumscribed palmettes and tendrils
Gastein, Anlauftal, Tunnel
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1907
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: vienna
Artist: Anonymous
Subjects: dale, valley, underground road, tunnel
Trofeeën met manden, thyrsus en dorsvlegel
Object type: album leaf
Date: 1704 – 1762
Materials: paper
Techniques: etching
Location: augsburg
Subjects: thyrsus ~ attribute of bacchus, trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, agricultural implements: flail, container made of plant material other than wood: basket
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Links een trofee met een mand, een thyrsus, druivenranken, twee flessen en drinkbekers. Rechts een trofee met een mand, korenaren, sikkels, een ton en een dorsvlegel. Rechts boven B genummerd. Prent maakt deel uit van een album met een serie van zes trofeeën.
Strook gehaakte kant met vijfpuntige sterren en bloemen gemaakt met open cirkels
Object type: strip
Date: 1890 – 1909
Materials: cotton
Techniques: crocheted lace, irish crochet lace
Location: ireland
Artist: Anonymous

Het is een aanname dat deze Ierse gehaakte kant ook daadwerkelijk in Ierland is gemaakt. Ierse gehaakte kant kent zijn oorsprong rond 1760 en kwam vanaf 1840 in ontwikkeling. Aangezien volgens Martine Bruggeman (Kant in Europa) de Ierse haakindustrie aan het eind van de 19e eeuw gereorganiseerd werd en in populariteit groeide, is het hier beschreven stuk gedateerd rond 1890, tot 1909 vanwege de datering in het eerste decennium van populariteit van Ierse gehaakte kant volgens het Kantlexicon (Johan Coene).