deem-data/ArtiFact huggingface dataset:
Thesaurus novi testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi
Object type: picture bible
Date: 1585 – 1585
Materials: paper, parchment
Techniques: bookbinding, engraving
Location: antwerp
Subjects: new testament, old testament
Inscriptions: collector's mark: Lugt 2228

Dit exemplaar van Thesaurus sacrarum historiaru[m] veteris testame[n]ti bevat de prenten uit de uitgave van 1585 van Gerard de Jode en is ook zo gedateerd op de titelprent voor het Oude Testament. Het album bevat echter een serie die later moet worden gedateerd. De serie Handelingen van de apostelen (RP-P-1988-312-342 t/m RP-P-1988-312-353) draagt op een van de prenten het signatuur van de weduwe van Gerard de Jode. Met dit signatuur is deze serie tussen 1591, het sterfjaar van Gerard de Jode, en 1600, het jaar waarin zijn zoon overleed en de platen werden verkocht, te dateren. Het is mogelijk dat deze serie later aan het album is toegevoegd. Waarschijnlijker is het dat het gehele album tussen 1591 en 1600 is uitgegeven, omdat deze serie is meegebonden in het album.

Albumblad met objectnummer RP-P-1988-312-13 is toegevoegd aan het album door de prent met een strook vast te plakken aan de volgende prent in dezelfde serie van de Geschiedenis van de toren van Babel. Wellicht miste de prent met deze voorstelling in dit album of was deze eruit verdwenen. Het gaat hier om een latere staat die is uitgegeven door Claes Jansz. Visscher. Deze kan op zijn vroegst vanaf 1606 bewerkt zijn door Claes Jansz. Visscher.

Het originele albumblad met de prent van Susanna en de ouderlingen, moet eens uit het album zijn verwijderd. Een afgesneden blad is nog te zien. Hetzelfde of, wat waarschijnlijker is, een ander exemplaar (objectnummer RP-P-1988-312-177A), van deze prent is toegevoegd aan het album door de prent met een strook vast te plakken aan de volgende prent in dezelfde serie. Dit blad is kleiner dan de andere bladen.

Albumblad met objectnummer RP-P-1988-312-327 is eveneens toegevoegd aan het album door de prent met een strook vast te plakken aan de volgende prent in het album. De prent is dus niet mee gebonden. Dit blad is kleiner dan de andere bladen.
Plate
Object type: plate
Date: 1791 – 1791
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: birds,chinoiserie,men,hunting

Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in subtle tones of yellow, green, and red. Small decorative highlights were often executed in platinum, and the ability to apply platinum—first mastered by the factory in 1790—may have been an impetus to produce these lacquer-inspired pieces. [Jeffrey H. Munger, 2015]
"Four Seasons" enamel liqueur service
Object type: service
Date: 1710 – 1710
Materials: copper, enamel, silver gilt
Artist: elias adam
Artist role: silversmith
Artist nationality: german
Artist dates: 1669 – 1745
Subjects: men,female nudes
Robert G. Shaw
Object type: photomechanical print
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Minamoto no Yoshiie on horseback and a bird on a branch, from an untitled hexaptych depicting a pair of folding screens
Object type: print
Date: 1825 – 1825
Techniques: woodblock print, surimono
Location: japan
Artist: ryuryukyo shinsai
Artist role: draughtsman, print maker
Artist nationality: japanese
Artist dates: 1764 – 1820
Terracotta fragment of a kylix: band-cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, part of the reserved tondo; Exterior, tendril; below, part of a reserved band
Haven met aangemeerde zeil en stoomschepen
Object type: stereograph
Date: 1903 – 1903
Materials: paper, photographic support
Techniques: collodion silver print
Location: hamburg
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: hamburg
Portret van Hans, Freiherr von und zu Aufsess
Object type: print
Date: 1850 – 1914
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228
Stirrup Spout Bottle with Bird and Snake
Object type: bottle
Date: 401 – 700
Materials: ceramic
Culture: moche
Location: peru
Subjects: birds,snakes
Print
Object type: print
Date: 1800 – 1800
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: houses,women,working
Religious Scene (Job and His Comforters?)
Object type: drawing
Date: 1624 – 1663
Materials: chalk, ink
Techniques: pen
Artist: francesco allegrini
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1679
Subjects: men
Graven en gravinnen van Holland
Object type: print
Date: 1586 – 1587
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: jan van beieren, historical persons

Graaf Jan van Beieren, ten voeten uit en naar rechts gekeerd, met zwaard. Zijn wapenschild heeft vier kwartieren: twee met vier klimmende leeuwen en twee met diagonalen. De prent maakt deel uit van een boek met beschrijvingen en voorstellingen van de graven van Holland, Zeeland en Friesland.
Albumblad met drie portretten van een vrouw, waarbij op twee het gezicht is weggeknipt
Object type: album leaf
Date: 1920 – 1930
Materials: paper
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Colonel, 6th Regiment, Massachusetts, V.M., from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Titelprent van twaalf prenten over de inname van Constantine
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: paris
Artist: denis auguste marie raffet
Artist role: draughtsman, print maker
Artist dates: 1804 – 1860
Subjects: the soldier; the soldier's life, (military) flags and standards
Inscriptions: collector's mark: Lugt 964
Birth of King of Rome
Object type: medal
Date: 1811 – 1811
Materials: gilt bronze
Techniques: struck
Artist: bertrand andrieu
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1822

This medal was struck for the Metropolitan Museum of Art at the Paris Mint at the request of the donor, Hon. Levi P. Morton, formerly U.S. Minister to France.
A Poppy in Three Stages of Flowering, with a Caterpillar, Pupa and Butterfly
Object type: drawing
Date: 1667 – 1733
Materials: chalk, gouache, watercolor
Artist: johanna helena herolt (née graff)
Artist role: artist
Artist nationality: german
Artist dates: 1668 – 1723
Subjects: butterflies,poppies,leaves

This sheet shows the same insect, a species of moth, at several moments in time, moving through the different stages of its metamorphosis as the viewer's eye moves from the bottom of the drawing to the top. This transformation unfolds on leaves of a poppy, the insects’ natural habitat, shown here in multiple stages of bloom and carefully contorted to fill the sheet. This "ecological approach" approach to insect study, and the facile consolidation of multiple moments of time in a single image, are hallmarks of the approach to the depiction of insects developed by the artist’s mother, Maria Sibylla Merian (1647–1714)[1]. Both visual strategies are widely considered to be fundamental interventions in the histories of art and science. Here, Herolt continues her mother's legacy. Herolt was trained to paint by her mother and became a prolific watercolorist and contributor to the Merian workshop. She produced hundreds of watercolors, many of which repeat her mother’s designs and modify them to form novel compositions. The stages of the insect in this plant are precisely copied from working watercolor drawings produced by Merian to document in-person observations of the metamorphosis made during the summer of 1696 [2]. The composition of The Met's drawing follows loosely a design in plate 13 of the third volume of Merian's printed publication on the metamorphosis and ecology of European insects, Der rupsen begin..., published posthumously by Herolt and Merian’s younger daughter, Dorothea Maria Gsell neé Graff (1648–1743), in 1717. In The Met's drawing, Herolt modified the printed composition, disentangling the poppy blossom and spreading the blooms to fill the page. She transformed a book illustration into a composition more suitable to the larger format and for a new audience: collectors of drawings. The repetition of this flower and these insects in different artworks makes the Met drawing an important document of collaboration between mother and daughter, and the savvy with which the workshop transformed images between media to target new audiences. Olivia Dill, 8/20/24 [1] Natalie Zemon Davis, Women on the Margins: Three Seventeenth-Century Lives, ACLS Humanities E-Book (Cambridge, Mass.: Harvard University Press, 1997), 52. [2] Wolf-Dietrich Beer and Irina Lebedeva, Butterflies, Beetles and Other Insects: The Leningrad Book of Notes and Studies, ed. Wolf-Dietrich Beer (New York: McGraw-Hill, 1976), 70, entry 192.
Staand paard met hoofdstel
Object type: sketchbook leaf
Date: 1809 – 1872
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse
Inscriptions: workshop stamp: Lugt 291d

Blad 7 recto uit een schetsboek met 32 bladen.
Kop zonder oor, beschilderd met strooibloemen en gouden lovertjes
Object type: cup
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Tea service. Porcelain. Ouder-Amstel, c. 1790 - 1800. Factory under the direction of Friedrich Daeuber. Given by Mr and Mrs J.F. Heijbroek-Leendertz, 1985.
Brief aan anoniem
Object type: letter
Date: 1829 – 1874
Materials: ink, paper
Techniques: pen, writing
Artist: willem cornelius van der wayen pieterszen
Artist role: architect
Artist dates: 1819 – 1874
Subjects: education, tuition of the artist (in general)
Begraeffenisse van syne hoogheyt Frederick Henrick. Luxe ingekleurde uitgave van de prenten van de begrafenisstoet van Frederik Hendrik in 1647
Object type: text sheet
Date: 1651 – 1651
Materials: paint, paper
Techniques: letterpress printing
Location: amsterdam
Subjects: frederick henry (prince of orange), amalia of solms-braunfels
Inscriptions: date

De opdracht (achterzijde) aan Amalia van Solms, de weduwe van Frederik Hendrik. Blad uitgeknipt, versierd met goud en ingeplakt in de luxe editie uit ca. 1755 van het boek 'Begraeffenisse van syne hoogheyt Frederick Henrick' van Pieter Post, uitgegeven te Amsterdam in 1651.
Portrait of Albertus Seba
Object type: print
Date: 1731 – 1780
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, albertus seba, snakes, historical persons, cabinet of curiosities, 'kunst- und wunderkammer'
Inscriptions: collector's mark: Lugt 240

Kniestuk van Albertus Seba op 66-jarige leeftijd, in zijn hand een glazen fles met daarin een slang. Hij staat bij een tafel waarop schelpen, vellen papier en een boek dat is opengeslagen met afbeeldingen van vlinders en andere dieren. Op de achtergrond een kast met glazen flessen met dieren.
Poppenkamer
Object type: stereograph
Date: 1891 – 1891
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: ironing, (playing with) toys for housekeeping
Inscriptions: : ‘Strohmeyer & Wyman Publishers / New York, NY’, : ‘Sold only by Underwood & Underwood / New York, London,Toronto Canada, Ottawa, Kansas’, : ‘Poppenkamer’, : ‘Copyright, 1891, by Strohmeyer & Wyman’
Studie van een aquarium met waterplanten
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: plants (in general), aquarium
Inscriptions: number: ‘689’, number: ‘22’
Portret van een staande vrouw met boek
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman
Silhouetportret van Jacobus Jeremias Richard
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: hand coloring, lithograph
Location: zwolle
Subjects: amsterdam, historical persons, functionaries and dignitaries ~ protestant churches
Inscriptions: collector's mark: Lugt 2233, : ‘Gedeponeerd. / 1851.’

Met facsimile handtekening van de geportretteerde.
Gezicht op de Waalseilandsgracht gezien naar de Binnenkant in Amsterdam
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: ships (in general), canals, waters (in city), quay, amsterdam
Bronze sestertius of Alexander Severus
Object type: sestertius
Date: 222 – 231
Materials: bronze
Culture: roman
Subjects: men,profiles,jupiter

IMP SEV ALEXANDER AVG, head of emperor/IOVI CONSERVATORI S C, Jupiter holding thunderbolt over small figure of emperor Rome
Wood Panel with Calligraphy
Object type: panel
Date: 1001 – 1100
Materials: wood
Techniques: carving
Location: spain

The program of interior decoration for Andalusian palatial residences included a tile dado surmounted by carved stucco or stone, crowned by wooden friezes and cornice elements. This panel is probably a fragment of such a frieze. Carved in deep relief, it bears part of an inscription in kufic script against a vegetal background.
Aoi Slope, Outside Tora Gate (Toranomon-soto Aoizaka), No.113 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Habiti antichi, et moderni di tutto il mondo..
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, knee and part of calf of figure?; one letter of an inscription, H or K?; Exterior, lower drapery and feet of a male; lower torso in three-quarter view, with buttocks, and legs of male, in profile, to left
Eugene M. Johnson
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Vouwwaaier met blad van kloskant (Valenciennes) op een montuur van gesneden ivoor
Object type: vouwwaaier
Date: 1725 – 1775
Materials: iron, ivory, mother of pearl
Techniques: cutting, lace
Location: france
Artist: Anonymous
Sheath Knife
Object type: knife with sheath
Date: 1796 – 1875
Materials: jade
Culture: chinese
Paris. Le Trocadéro
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1906
Materials: cardboard
Techniques: autotype
Location: paris
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, palace
Portrait of Arent Franckensz van der Meer, Lord of Papendrecht, called Malicious Aertje
Object type: painting
Date: 1550 – 1560
Materials: oil, panel
Location: northern netherlands
Artist: Anonymous
Subjects: historical persons
Inscriptions: coat of arms, upper left: three silver water lilies, two above one, on a red field

Portret van Arent Franckensz van der Meer (overl. 1503), heer van Pendrecht, dijkgraaf en baljuw van Delfland en de schout van Delft, bijgenaamd 'quaet Aertje'. Buste, een stok in de rechterhand en een anjer in de linkerhand. Linksboven het familiewapen. Met integrale lijst. Pendant van SK-A-4716.
Bowl
Object type: bowl
Date: 1735 – 1740
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: flowers
Elijah C. Wadhams
Object type: page
Date: 1868 – 1873
Materials: photographic support
Techniques: albumen print
Artist: william h. schurch
Artist role: fotograaf
Subjects: historical persons
Inscriptions: collector's mark: ‘Essex Institute 1848’
Schotelscherf van roodbakkend aardewerk, aan de voorzijde voorzien van een bladmotief in sgrafitto-techniek met witte, gele en groene glazuur, aan de achterzijde ongeglazuurd
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Lectern
Object type: lectern
Date: 1501 – 1533
Materials: iron

Spanish ironmasters replaced the square-sectioned or twisted iron bar with the slender, rounded iron spindle in the early sixteenth century. Spindles were soon being used for everything from choir screens and window grilles to elegant lecterns for supporting books.
Fragment van een koorboek: onbekende profeet of monnik
Object type: miniature
Date: 1375 – 1400
Materials: paint, gold leaf, parchment
Techniques: brush
Artist: Anonymous
Subjects: monk(s), friar(s)
Footed beaker
Object type: beaker
Date: 1567 – 1600
Materials: silver
Techniques: gilding
Subjects: men,portraits,profiles
Eigentliche Delineatio des Dorffs Hornhausen sampt denen darin entspringenen Heylbronen im Jahr 1646
Object type: book illustration
Date: 1647 – 1647
Materials: paper
Techniques: etching
Location: dresden
Subjects: book-stall, kiosk, street-trader, watering-place, spa, tent-camp, city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 4780

Gezicht op het dorp Hornhausen waar een menigte zich heeft verzameld rond de heilzame bronnen op het dorpsplein. Op de voorgrond badende mensen en verschillende handelaren waaronder verkopers van vlees, brood en bier. Geheel links een vrouwelijke boekverkoper naast een boekenkraam. Met legenda onder de afbeelding waarin 25 verschillende scènes worden geïdentificeerd.
Bespanningsstof met patroon van bladeren en bloemen binnen spitsovale banden van blaadjes
Object type: upholstery fabric
Date: 1909 – 1924
Materials: cotton
Techniques: jacquard
Location: netherlands
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951

Bespanningsstof met patroon van bladeren en bloemen binnen spitsovale banden van blaadjes. Bruinzwarte inslag op mokkakleurige inslag.
Ring Pendant
Object type: pendant, ring shaped
Date: 1390 – 1352
Materials: faience
Location: egypt
The Villa Loredan, near Treviso
Object type: drawing
Date: 1778 – 1778
Materials: chalk, gouache, ink
Techniques: brush, pen, wash
Artist: francesco guardi
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1793
Subjects: houses,trees

This large and exceptionally luminous view of a villa in the Veneto was used by Francesco Guardi in a painting of approximately the same dimensions, now in a private collection. A fairly exact copy after this painting, drawn by Francesco himself or by his son Giacomo, is in the Ashmolean Museum, Oxford (WA1950.168). This copy bears an annotation that identifies the now-destroyed villa: "View of the Seat of S. E. Loredano at Paese near Treviso at present in the possession of John Strange Esq.r. N. B. grass ground within the Fence, without the post road from Treviso to Bassan". John Strange (1732-1799), a patron of the artist, was British Resident in Venice from November 1773 to 1790. Francesco made several drawings at the Villa Loredan. A smaller sketch of the entrance gate and façade is in the Rhode Island School of Design, Providence (inv. 57.250). A view from the front windows of the villa is in the Fodor Museum, Amsterdam (repr. by Morassi 1975, no. 425), and a view from the back windows is in the Ashmolean Museum (WA1937.187). Byam Shaw has suggested that the Met’s drawing probably dates from 1778, when the painter undertook a journey from Venice to a family property in the Val di Sole. (F.R.)
Bowl with flying cranes, a pomegranate spray and floral scrolls
Object type: bowl
Date: 1700 – 1799
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous
Inscriptions: mark: ‘九谷’

Kom, met decor van vliegende kraanvogels en wolken in ijzerrode grond met goud.
Becker, Boston, National League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: lithography
Artist: american tobacco company
Artist role: publisher
Subjects: men,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Drie schikgodinnen: Lachesis, Atropos en Clotho
Object type: print
Date: 1513 – 1513
Materials: paper
Techniques: woodcut
Location: freiburg
Artist: hans baldung grien
Artist role: draughtsman, print maker
Artist dates: 1484 – 1545
Subjects: fates, parcae (moirae)
Inscriptions: collector's mark: Lugt 240

De drie schikgodinnen Lachesis, Atropos en Clotho spinnen de levensdraad op een spinrokken en bepalen de levensloop en de lengte van de draad door deze te meten en door te knippen. De drie vrouwen zitten naakt in een landschap bij een boom. Ze verbeelden de drie levensfasen. Links op de voorgrond plukt een klein kind een bloem.
Tweede visioen van Ezra: Ezra getroost door de engel
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ezra commanded to write prophecies (2 esdras 15:1-2)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De engel Uriël troost Ezra en helpt hem overeind. Naast Ezra zijn visioen van de stralende vrouw Sion. Als zij verdwijnt ziet Ezra de stad die wordt gebouwd op de achtergrond. Onder de voorstelling een verwijzing in het Latijn naar de apocriefe Bijbeltekst in 4 Ezra 10.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 450 – 401
Materials: terracotta
Culture: greek, attic

Interior, head and upper torso of youth with long hair; Exterior, foot; draped figure
Petit Courrier des Dames, 10 mai 1849, No. 2433 : Chapeau et Coiffur (...)
Object type: fashion print
Date: 1849 – 1849
Materials: paper
Techniques: engraving, hand coloring
Location: london
Artist: jean-charles-michel barreau
Artist role: print maker
Artist dates: 1789 – 
Subjects: flowers, clothing for the upper part of the body (+ women's clothes), lace (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), viola, violoncello; double bass, neck-gear ~ clothing (+ women's clothes), bracelet, wristlet (+ women's clothes), pianoforte
Inscriptions: title: ‘Modes de Paris. / Petit Courrier des Dames.’, caption: ‘Chapeau et Coiffure des M"ns de M"me Desboroff, r. de Luxembourg, 25. Robes par M"me Camille. r"Choiseul, 15. Fleurs de Chagot. Dentelle de Violard.’, address: ‘Boulevart des Italiens, 1. / Mess. S. & J. Fuller, 34 Rathbone Pl. L.’

Twee vrouwen in een interieur, staande voor een contrabas en piano met bladmuziek. Volgens het onderschrift: hoed en 'coiffure' van de winkels van Desboroff. Japonnen door Camille. Hieronder enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).