deem-data/ArtiFact huggingface dataset:
Lilly Baretter, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Vase
Object type: vase
Date: 1878 – 1882
Materials: earthenware
Culture: american
Location: united states
Artist: john bennett
Artist role: artist
Artist nationality: american
Artist dates: 1840 – 1907
Subjects: flowers
Undeviating Rectitude
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Le Vigneron
Object type: print
Date: 1744 – 1797
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: vineyard, wine production, farmers, glass of wine
Inscriptions: collector's mark: Lugt 2228
Design for Vis-à-vis, no. 615
Object type: drawing
Date: 1870 – 1870
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Serving Spoon
Object type: spoon
Date: 1730 – 1740
Materials: silver
Culture: american
Location: united states
Artist: jacob hurd
Artist role: maker
Artist nationality: american
Artist dates: 1702 – 1758
Green Silk Damask
Object type: piece
Date: 1651 – 1700
Materials: silk
Techniques: damask, weave

Like the nearby crimson example, this is a damask. Its subtle pattern was achieved by contrasting the shiny warp face with the matte weft face of the same weave, a technique that European weavers learned by studying imported Chinese silks. The motif’s midsize scale renders this design versatile enough to be used for furnishings, wall coverings, or dress fabric. This green silk damask was displayed in European Textiles and Costume Figures, on view at the Staten Island Institute of Arts and Sciences (visible at center bottom in the photograph of 1938), and at Walton High School (visible at right in the photograph of February 9, 1939). [Elizabeth Cleland, 2020]
Liber Chronicarum
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: pope
Inscriptions: inscription: ‘36’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een staf met een dubbel kruis in zijn handen. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als tegenpaus Clemens VII (in de titel ten onrechte Clemens VI genoemd). De prent maakt deel uit van een album.
Vase fragment
Object type: vase fragment
Date: 120 – 300
Materials: terracotta
Culture: roman, gaul
Subjects: animals,men
Vervolg-alphabet
Object type: popular print
Date: 1861 – 1929
Materials: paper
Techniques: letterpress printing, engraving
Location: europe
Subjects: hoofed animals (with name), iceberg, letters, alphabet, script, urn, heating stove
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van de letters van het alfabet (K, Z, Y, W, Q, F, X, T en U) geïllustreerd met voorwerpen, dieren en figuren waarvan de woorden met de betreffende letter beginnen. Onder enkele voorstellingen een onderschrift in boekdruk.
No. 6 Garde d'Honneur / Leyden
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: napoleon i (emperor of the french), guard of honour, (military) uniforms, leiden
Inscriptions: date

Twee leden van de cavalerie en de infanterie van de erewacht te Leiden. Onderdeel van het plaatwerk met twaalf platen van de verschillende uniformen van de erewachten in de zeven Nederlandse departementen, opgericht voor het bezoek van Napoleon Bonaparte aan Nederland in 1811.
Allegorie op de verheffing van Willem IV tot stadhouder in 1747
Object type: book illustration
Date: 1747 – 1747
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, willem iv (prins van oranje-nassau), anna van hannover, fenced or walled garden; 'hortus conclusus'
Inscriptions: collector's mark: Lugt 2228

Allegorie op de verheffing van prins Willem IV tot stadhouder in mei 1747. De Nederlandse Leeuw met zwaard, lans en vrijheidshoed wakend in de Hollandse Tuin bij de door het goddelijke licht beschenen Oranjeboom. In omlijsting met wapens van de zeven provincies en portretmedaillons van prins Willem IV en zijn vrouw Anna van Hannover en de eerdere prinsen van Oranje. Rechtsboven: Pag. 1.
Rock carved by drifting sand, near mouth of Grand Wash, Utah
Object type: page
Date: 1871 – 1875
Materials: paper
Techniques: photograph
Location: utah
Subjects: ravine, chasm, abyss, canyon, rock-formations
Inscriptions: number: ‘Plate VIII’
See, Mr. Réac, it is quite enought!, from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: paper
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women

Following France’s defeat in the Franco-Prussian War and the fall of Napoleon III, thousands of working-class Parisians revolted against the new royalist-leaning, Versailles-based government and declared Paris an independent commune on March 28, 1871. Published just two days after the proclamation, this print shows Daumier’s concern for the lives already lost in recent conflict and the bloodshed to come. An allegory of Paris points to a hillside filled with graves to tell the cowering reactionary that there are more than enough dead. This work proved to be prophetic as the Commune ended two months later with violent suppression by the French Army, known as "Bloody Week."
Eene dame klavier spelende
Object type: print
Date: 1843 – 1876
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: musician training pupils, music-lesson, spinet, virginal, capital (~ column, pillar), corinthian order ~ architecture
Inscriptions: collector's mark: Lugt 2228

Een vrouw staat met haar handen op de toetsen van een instrument, mogelijk een virginaal. Naast haar een man en een vrouw, rechts komt een bediende een glas brengen. Achter het gezelschap twee zuilen met Korintische kapitelen.
Portret van Wilhelmina van Pruisen, te paard
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: berlin, painter, wilhelmina of prussia (princess of orange), horse
Inscriptions: collector's mark: Lugt 2228

Portret van Wilhelmina van Pruisen, te paard in een landschap. Achter haar haar gevolg.
Column of Trajan, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1544 – 1544
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: columns,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 97 in the scrapbook.
Die letzte Ladung
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: c. j. baynton
Artist role: fotograaf
Artist dates: 1866 – 1924
Subjects: harvest, horse
Mrs. Thomas Hicks
Object type: painting
Date: 1884 – 1884
Materials: canvas, oil
Culture: american
Artist: thomas hicks
Artist role: artist
Artist nationality: american
Artist dates: 1823 – 1890
Subjects: portraits,profiles,women

Angela D. King (1834-1917) was born in Brooklyn and became the wife of Thomas Hicks in 1855. Both she and Hicks were active in the city's artistic and literary circles. Mrs. Hicks was evidently both fascinating and popular. It is said that "Angie" inspired the poet and diplomat George H. Boker of Philadelphia to compose many sonnets to her over a period of thirty years. Her admirers also included the author and editor Parke Godwin. Hicks probably painted this portrait of his wife in 1884, the year it was exhibited at the National Academy of Design in New York.
Mejufvrouw Carolien, wat trotsch en spytig in haar aart, / Ziet zig met schoorsteenveger Jan, op 't einde hier gepaard
Object type: print
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: handicrafts ~ maintenance and repair (with name of trade or profession), betrothal and marriage, marriage contract, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen uit het verhaal van Carolien en schoorsteenveger Jan. Twee afgewezen minnaars van de hoogmoedige Carolien sturen haar een schoorsteenveger die zij rijk hebben uitgedost en goed van geld voorzien. Carolien wordt verliefd en trouwt de vermeende edelman, die daags na het huwelijk zich voordoet voor wat hij werkelijk is. Chrysenia schikt zich in haar lot en kleedt haar man volgens haar rang. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 29.
Portret van Adolphe Thiers
Object type: print
Date: 1871 – 1873
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: marseille, politician, eyeglasses, spectacles, historical persons, politician, e.g. party leader
Riviergezicht met schepen
Object type: drawing
Date: 1697 – 1746
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: hendrik rietschoof
Artist role: draughtsman
Artist dates: 1678 – 1746
Subjects: ships (in general) - cc - more than one ship
Hammered Copper Half Dome
Object type: dome
Date: 701 – 1566
Materials: copper, gilt
Techniques: hammering
Culture: peruvian
Location: peru
Straatgezicht met tram en verhoogde spoorlijn
Object type: photograph
Date: 1911 – 1912
Materials: paper
Techniques: gelatin silver print
Artist: liesbeth overhoff
Artist role: fotograaf
Artist dates: 1895 – 1969
Subjects: tram, city-view in general; 'veduta', station; shelter (railway, tramway), street
Trionfo Di Virtu. Libro Novo..., page 22 (recto)
Object type: book print ornament architecture
Date: 1563 – 1563
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: flowers

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design is decorated on the top by 2 horizontal registers. Top register is ornamented with flowers, fleurs-de-lis, and a dragon. Bottom register is decorated with squares that are ornamented with an alternating pattern of flowers and figures. Below the 2 horizontal registers is a large square that frames a wreath made of branches and leaves, inside which exists a turtle that bites the foliage.
Gezicht op een molen in een landschap
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Location: halle an der saale
Artist: th. u. o. hofmeister
Artist role: fotograaf
Subjects: windmill in landscape
Paul Verlaine, staande met de handen in de zakken
Object type: drawing
Date: 1892 – 1892
Materials: chalk, paper
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: paris, paul verlaine, historical persons, portrait of a writer

Paul Verlaine, staande met de handen in de zakken. Geportretteerd in zijn sjamberloek.
Copy of The Rich Man Transported to Hell, from "The Parable of the Rich Man and Lazarus"
Object type: print
Date: 1554 – 1554
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: demons,hell

The rich man carried by winged demons at upper left, above a landscape with a city in the background below. At right, three demons with shovels digging a hole. The demon at left gestures towards the group of flying figures. Plate 4 from a series of five prints with scenes from Luke 16:19–31.
Tetradrachm (Coin) Depicting a Macedonian Shield with the Goddess Artemis
Object type: coin
Date: 158 – 149
Materials: metal, silver
Culture: roman
Location: roman empire
Inscriptions: Reverse: MAKEΔΟΝΩΝ ΠΠΩΤΗΣ

The front (obverse) of this coin emulates a Macedonian style shield; with the goddess Artemis Tauropolis depicted in the center. Her hair is rolled at the back with three locks falling to her neck; a bow and quiver appear behind her.
On the back (reverse), a large club is shown horizontally.
Baritone shoulder horn in B-flat
Object type: baritone horn in b flat
Date: 1875 – 1875
Materials: brass, nickel, silver
Culture: american
Location: united states
Artist: henry g. lehnert
Artist role: maker
Artist nationality: german
Artist dates: 1838 – 1916

The unique and ingenious design of this instrument was patented in 1875, in anticipation of the American centennial. Its body takes the form of an oval, with the mouthpipe and mouthpiece extending inwards. The instrument is placed over the player's head and the main tubing rests on the shoulders, evenly distributing the weight of the horn between both sides of the body. The bell points forward in front of the performer. Players on the march appreciated the ergonomic design of these "Centennial model" basses and baritones. It is thought that Lehnert conceived of the instruments as a family and that tenor and alto models were also produced. A handful of other instruments made by Lehnert with a different configuration (alto and tenor valve trombones and an alto horn) were also marked with the centennial stamp but do not bear the patent specification and presumably did not take the oval shoulder horn form.
Portret van jonge vrouw
Object type: photograph
Date: 1877 – 1884
Materials: photographic support
Techniques: photography, snipping
Location: netherlands

Foto op bruin albumblad 16 van familiealbum van Alphons Diepenbrock.
Vier wapens
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry

Vier voorstellingen op een albumblad. Het gaat om vier wapens. Als tweede het wapen van de Republiek der Zeven Verenigde Nederlanden. Onderaan het wapen van de familie Bicker. De prenten maken deel uit van een album.
Fries met elf vogels en een insect
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: birds

De vogel in het midden heeft de vleugels gespreid en kijkt omhoog. Nummer 5 uit serie van 12 genummerde bladen.
Kandelaars met vrouw en putti
Object type: ornament print
Date: 1775 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: chandelier, candelabrum, standing figure - aa - female human figure, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Drie geornamenteerde kandelaars, links met bokkenpoten, in het midden met een staande vrouw en rechts met twee putti op bokkenpoten.
Theatrum biblicum (...)
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: story of elisha (eliseus), the book of jonah, the four major prophets (not in biblical context): isaiah, jeremiah, ezekiel, daniel, the book of obadiah, naaman comes to the jordan, dips himself seven times and is cured, swimming mammals: whale
Inscriptions: collector's mark: Lugt 2228

De profeten Elisa, Jona en Obadja staan naast elkaar in een landschap. Elisa heeft een tweekoppige vogel op de schouder staan en staat naast Naäman, die op Elisa's advies zich baadt in de Jordaan. Jona staat naast de vis, Obadja heeft drie broden en een kruik in zijn handen. Onder de voorstelling toelichtingen in het Latijn.
Naauwkeurige Kaart van het Oude Nederland en eenige aangrenzende Gewesten
Object type: history print
Date: 1747 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions, netherlands

Kaart van de Nederlanden ten tijde van de Bataven. Linksboven een cartouche met de titel versierd met attributen van de visserij, jacht en landbouw.
View of Putuoshan on the Southern Sea
Object type: print
Date: 1796 – 1820
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: chinese
Magazine of Female Fashions of London and Paris: London Head Dresses, May, 1800
Object type: fashion print
Date: 1800 – 1800
Materials: paper, ink, watercolor
Techniques: engraving, etching, hand coloring
Location: london
Artist: richard phillips
Artist role: bookseller, publisher
Artist dates: 1767 – 1840
Subjects: head-gear (straw hat) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: collector's mark: Lugt 2228, : ‘London head Dresses, May 1800’

Negen Engelse hoeden en mutsen voor vrouwen, van voren, opzij en van achteren gezien.
Surinaamse Caraïben
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: indigenous peoples of south america, suriname

Een groep Surinaamse Indiaanse Karaïben. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Pair of sleeve pieces
Object type: sleeve piece
Date: 1801 – 1833
Materials: fiber
Subjects: coat of arms

The Spanish arms and the symbols of Law and Justice suggest that these sleeve pieces were worn by an official of the law-courts during the Spanish occupation of the Philippine Islands.
Reisverslag van medio juli 1880
Object type: sketchbook leaf
Date: 1807 – 1880
Materials: chalk
Location: vardø
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: vardø, nova zembla expedities 1880
Inscriptions: annotation: ‘[...]’

Blad 64 verso uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Tile
Object type: tile
Date: 1640 – 1660
Techniques: glazing
Kop van een man
Object type: drawing
Date: 1916 – 1916
Materials: ink, linen
Techniques: pen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: head (human)
Inscriptions: date
Dish with Phoenixes
Object type: dish
Date: 1667 – 1700
Materials: earthenware, glaze
Techniques: painting
Location: syria
Subjects: phoenix

This dish is typical of the objects that were displayed in open niches in reception rooms of upper-class Syrian residences during the Ottoman period
Waistcoat
Object type: waistcoat
Date: 1790 – 1790
Materials: cotton, silk
Culture: french
Zonde achtervolgd door drie mannen
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the seven deadly sins (personified)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Bernard, Richard. Het menschen-eyland, ofte Rechts-pligtige procedure tegens de sonde, in't raad-huys van 'smenschen-herte. Amsterdam: Abraham Boekholt, 1686.
Half Mask (Menpō) with Ear Guards
Object type: half mask menpō
Date: 1701 – 1800
Materials: lacquer, steel
Culture: japanese
Location: japan
Study for "Alexander III, King of Scotland, Saved from a Stag by Colin Fitzgerald"
Object type: drawing
Date: 1784 – 1784
Materials: chalk, graphite, ink, paper
Techniques: pen, wash
Culture: american
Artist: benjamin west
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1820
Subjects: weapons,men,deer,horses

West’s drawings reveal his genius as a teacher, who not only respected the academic tradition of making drawings before painting but also had a great flair for the expressive media of ink, watercolor, and graphite. He made several sketches for his interpretation of an apocryphal episode from the history of Clan MacKenzie: the clan’s founder, Colin Fitzgerald, is depicted in the act of killing the stag that attacked Alexander III of Scotland in the forests near Kincardine. West’s composition and manner of rendering were surely inspired by the battle and hunt pictures of Peter Paul Rubens, especially “Wolf and Fox Hunt” (10.73), which West had seen at Corsham Court in 1763.
Untitled (Portrait of a Standing)
Object type: photograph
Date: 1848 – 1848
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, military uniforms, military, uniforms, soldiers, portrait, portraits, portraits: male subject