deem-data/ArtiFact huggingface dataset:
De vlieg
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: munich
Subjects: fly swatter, insects: fly
Inscriptions: collector's mark: Lugt 2760

Blad met 15 voorstellingen over een man dier er na veel moeite in slaagt een irritante vlieg (wesp?) te vangen. Genummerd midden onder: Nro. 122. Genummerd rechtsboven: 122.
Beggar woman leaning on a stick
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: signature and date: ‘Rembrandt f. 1646’, collector's mark: Lugt 240
Design for a ceiling decoration
Object type: drawing
Date: 1801 – 1900
Materials: graphite, watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Bird-Cages, Chelsea
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Freilichtporträt
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Kopenhagen’, monogram: ‘BX’
Pair of Small Bracelets
Object type: bracelet
Date: 701 – 933
Materials: gold
Culture: indonesian, javanese
Die Judengasse in Frankfurt a/m
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: ghetto ~ anti-semitism, street
Inscriptions: collector's mark: Lugt 2228
Descending Geese
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: surimono, woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858

This image was printed only in shades of black and gray, except for the seal below the signature. In addition, it was sprinkled with cut squares of metal leaf, including silver and gold. The upper portion of the print (now missing) would have contained poetry.
Hollande
Object type: stereograph
Date: 1864 – 1864
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: gaston braun
Artist role: fotograaf
Artist dates: 1845 – 1928
Subjects: interior of church
Inscriptions: number: ‘No 3939.’
Lepel met ronde bak en zich naar het uiteinde verbredende steel
Object type: spoon
Date: 1907 – 1907
Materials: alloy
Techniques: silvering
Location: vienna
Artist: josef hoffmann
Artist role: designer
Artist dates: 1870 – 1956
Inscriptions: : ‘WW dooreen’

Lepel van zilver, met ronde bak. De steel is plat en verbreedt naar het uiteinde toe.
Shoeing the bay mare
Object type: page
Date: 1878 – 1878
Materials: paper
Techniques: woodburytype
Location: london
Subjects: horse, smith, blacksmith, horseshoe
Chinees op sijn Rust bedde en haer Groetingen
Object type: print
Date: 1682 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: chinese
Inscriptions: collector's mark: Lugt 2228

Deze serie bestaat uit kopieën naar de prenten in: Vries, Simon de. Curieuse aenmerckingen der bysonderste Oost en West-Indische verwonderens-waerdige dingen. Utrecht: Johannes Ribbius, 1682.
Gezicht op de Breestraat te Leiden
Object type: cabinet photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: jan goedeljee
Artist role: fotograaf
Artist dates: 1824 – 1905
Subjects: diligence, omnibus, horse-tram, city-view in general; 'veduta'
Inscriptions: retailer's mark: ‘J. GOEDELJEE/ PHTOGRAAF/ VAN/Z.K.H. PRINS ALEXANDER/ der Nederlanden/ PRINS van ORANJE./ LEIDEN,/ HOOGEWOERD 160./ nabij de Plantage.’
Gezicht op gebouwen van de Evangelische Broedergemeente in Paramaribo
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: lithograph
Location: dusseldorf
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Prent uitgegeven ten behoeve van de Surinaamse Zending, bij de 100-jarige gedenkdag van de inwijding van de Broederkerk.
Candlestick
Object type: candlestick
Date: 1852 – 1860
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: christian dorflinger
Artist role: maker
Artist nationality: french
Artist dates: 1828 – 1915
Ornamentele friezen met arabesken
Object type: ornament print
Date: 1561 – 1561
Materials: paper
Techniques: etching, intaglio
Location: venice
Subjects: ornaments ~ art, foliage ~ ornament, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt onderdeel uit van een reeks.
Goddess of Chaste Love
Object type: painting, fragment of a cassone panel
Date: 1468 – 1475
Materials: gold, paint, wood
Artist: francesco di giorgio martini
Artist role: artist
Artist nationality: italian
Artist dates: 1439 – 1501
Subjects: women,griffins,goddess,chariots

This is a fragment from a cassone panel representing the Triumph of Chastity, here meaning fidelity in marriage, a common subject for nuptial chests. She is in her triumphant cart accompanied by virtuous women.
Jar with Painted Decoration
Object type: vessel
Materials: ceramic, pigment
Culture: egyptian
Location: egypt
Subjects: containers, dining, drinking

The form of this pottery jar imitates the more costly vessels made of stone. The swirl pattern is characteristic of the late Predynastic Period.
Dress
Object type: dress
Date: 1880 – 1889
Materials: linen
Culture: american
Portret van een man met bril en snor
Object type: carte de visite
Date: 1883 – 1905
Materials: cardboard, photographic support
Techniques: albumen print
Location: zwolle
Artist: franz wilhelm heinrich deutmann
Artist role: fotograaf
Artist dates: 1840 – 1906
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Amsterdam 1883/ F.W.H. Deutmann/ Zwolle/ Kamperstraat’
Fragment speld uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pin
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tools and instruments, sewing and sailmaking, pin; fragm of shaft with blade-mount, 3 rivet-holes, id. NG 1980-27H3265.
Miniature Relief of Saint John the Evangelist at His Writing Table
Object type: relief
Date: 1200 – 1225
Materials: wood
Techniques: gilding, polychromy
Culture: german
Location: germany
Subjects: reading

Originally these five panels may have been mounted as frame elements for a devotional image or reliquary container.
Salt Shovel
Object type: salt shovel
Date: 1770 – 1800
Materials: silver
Culture: american
Location: united states
Artist: nehemiah norcross
Artist role: maker
Artist nationality: american
Artist dates: 1765 – 1804
Design for  Vis-à-vis
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Design for a Cabinet witha Porcelain Plaque on the Center Panel
Object type: drawing
Date: 1801 – 1900
Materials: graphite, watercolor
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
Twee bladranken
Object type: print
Date: 1670 – 1693
Materials: paper
Techniques: etching
Location: france

In het midden een achthoekig medaillon met twee goden.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, symposiast reclining on a kline with a himation draped around his lower body; below kline, one letter of an inscription, A
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, upper body of Athena with helmet and aegis
Wall Cupboard
Object type: cupboard
Date: 1725 – 1790
Materials: wood
Culture: american
Location: united states
Subjects: flowers,trees
Vis-a-Vis #4142
Object type: drawing
Date: 1891 – 1891
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Limestone statue of a god
Object type: statue of a man
Date: 300 – 201
Materials: limestone
Culture: cypriot
Subjects: men,gods

The identity of this young plump figure with horns at his forehead and a lion in his right hand is uncertain. Although Herakles is usually shown with a lion, statues of the young Herakles are more likely to show him with the snake that he strangled while still in the cradle. Moreover, Herakles does not appear with animal horns. Possibly Bes, an Egyptian god with a lion's face, is shown here in a Cypriot adaptation. On Cyprus, Bes is sometimes shown with horns sprouting from his leonine head and holding a lion; this figure may be intended to show the deity in a youthful form.
Gibbon snatching sake pot from flower-viewing party
Object type: print
Date: 1772 – 1772
Techniques: woodblock print, hashira
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Mrs. Abington as Thalia
Object type: print
Materials: ink
Techniques: etching, printing, engraving
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Subjects: masks,shakespeare,women,actresses

Beauty and talent propelled Fanny Barton (later Mrs. Abington) to fame, from humble beginnings as a flower girl and milliner's assistant. Associated with the Drury Lane Theatre, she excelled in contemporary comic roles by Richard Brinsley Sheridan and Colley Cibber and, in Shakespeare's plays, performed Ophelia, Desdemona, Beatrice and Portia. Horace Walpole compared her favorably to Garrick, and the artist James Northcote noted that, "in her acting she has all the simplicity of nature and not the least tincture of the theatrical." In this image she embodies Thalia, the muse of music, dance, comedy and idyllic poetry, to crown Shakespeare with laurels.
Wenskaart met zes ganzen
Object type: print
Date: 1878 – 1917
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: geese (domestic waterbirds)
Inscriptions: collector's mark: Lugt 2228
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Translucent pale blue green. Uneven rim folded out, over, and in; short cylindrical neck with tooling indent around base; conical body, rounded at base; flat bottom. Traces of horizontal indent around middle of body. Complete but with many internal cracks; pinprick bubbles; deep pitting and dulling, patches of creamy weathering with brilliant iridescence.
Merry Company on a Terrace
Object type: painting
Date: 1670 – 1670
Materials: canvas, oil
Artist: jan steen
Artist role: artist
Artist nationality: dutch
Artist dates: 1626 – 1679
Subjects: food,children,men,women,dogs,dining,musicians,toys

Steen made a specialty of self-deprecating depictions of his own unruly household. This painting centers on the inviting figure of his wife, who looks out at the viewer with an empty wineglass in her hand. Steen, his face flushed with drink and a comic hat on his head, sits at the far left; next to him, with a sausage in his cap, is Hans Worst, the same theatrical figure depicted by Hals in a nearby work. To this day in the Netherlands, “a household by Jan Steen” remains proverbial for disorder and domestic chaos.
Moeurs conjugales
Object type: cartoon
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), parts of the face (chin), marriage, married couple, 'matrimonium'
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 29 maart 1840.
Dubois
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Verpakking voor één lege vloeipapieren hoes en twee vloeipapieren hoezen met daarin twee cartes-de-visite gemaakt door M.H. Laddé
Object type: verpakking
Date: 1911 – 1911
Materials: cardboard
Techniques: lithograph
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Inscriptions: inscription: ‘Fotografie Artistique/ M.H. Laddé/ Ateliers/ Nieuwendijk 57 en 59/ Amsterdam.’, inscription: ‘28 zoz [?]/ Hanse [?]’, date: ‘29 apr 1911’
Saucepan with cover
Object type: saucepan with cover
Date: 1767 – 1800
Materials: silver, wood
Artist: h. p., london
Artist role: maker
Artist dates: 1693 – 1697
Portret Johannes Polraus
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
Inscriptions: number: ‘39’, number: ‘21’

Prent waarschijnlijk uit: Rothscholtz, Friedrich. Icones virorum omnium ordinum eruditione: omnique item genere et varietate artium de republica litteraria et speciatim de Academiis et Gymnasiis (...). Neurenberg: erven Johann Daniel Tauber, 1725, dl. 1 of 2.
Carel en Frank van den Berg voor een venster
Object type: photograph
Date: 1918 – 1918
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: carel frederik van den berg (cay), amsterdam, frank willem van den berg (1912-1998), window
Lamp
Object type: lamp
Date: 801 – 1100
Materials: earthenware
Location: iran
Ruit met in het wapenschild onder meer vier vogels
Object type: light window
Date: 1650 – 1700
Materials: glass, lead
Techniques: leading
Artist: Anonymous

Ronde wapenruit met in het wapenschild een plant, vier gekleurde vogels en een zwart kruis op goud.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, part of head, right eyebrow, eye, and nose of filleted youth; behind youth, an unidentified object, with a kappa; part of an inscription, KA[LOS?]
Studie, mogelijk van twee wielen
Object type: drawing
Date: 1873 – 1923
Materials: pencil
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: wheel (of vehicle)
Inscriptions: annotation: ‘[...]’
Italian landscapes
Object type: print
Date: 1703 – 1746
Materials: paper
Techniques: etching
Location: london
Subjects: trees, (high) hill, village, lake
Inscriptions: collector's mark: Lugt 240

De serie werd tussen 1741 en 1746 door Knapton en Pond uitgegeven.
Actress wearing military-inspired costume, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
L'Eglise des Lutheriens
Object type: print
Date: 1675 – 1725
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: protestant churches and denominations, amsterdam
Enquêteformulier ingevuld door Johan Hendrik Koelman
Object type: questionnaire
Date: 1840 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: johan hendrik koelman
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Frieze with Antique Motifs
Object type: print
Date: 1791 – 1791
Techniques: aquatint, printmaking, engraving, etching
Location: germany
Artist: louise pithoud
Artist role: artist
Artist nationality: french
Subjects: men,women,boars

One of a pair of friezes (see 2009.187.2)
Kinderdeugden
Object type: popular print
Date: 1842 – 1842
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: godliness ~ the three theological virtues, satisfaction, contentment; 'contento' (ripa), helpfulness, docility; 'docilità' (ripa), honesty; 'honestà' (ripa), mercy, compassion; 'compassione', 'misericordia' (ripa)
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van kinderdeugden, zoals leerzaamheid, godsvrucht en hulpvaardigheid. Boven elke voorstelling een titel en onder elke voorstelling een zesregelig vers. Genummerd rechtsboven: No. 9.
Cap (Peasant Work)
Object type: textile
Date: 1875 – 1900
Materials: cord, cotton, lace, linen, ribbon, textile, silk
Techniques: lace, treatment, embroidery, weave, satin weave, stitching
Location: france
Subjects: fashion
Portret van een baby
Object type: carte de visite
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Artist: léon rousseaux
Artist role: fotograaf
Subjects: historical persons, infant, baby
Inscriptions: inscription: ‘Agrandissement/ Photographie/ au platine/ et sur porcelaine/ spécialités/ portraits d'enfants (...)’, name: ‘Léon Rousseaux 2 Rue Leys 2 Anvers’
Publicatie van de ratificatie van de Vrede te Breda, 1667
Object type: historical object representation
Date: 1800 – 1881
Materials: paper
Techniques: lithograph
Location: low countries
Artist: Anonymous
Subjects: vrede van breda (1667)

Publicatie van de ratificatie van de Vrede te Breda, gepubliceerd in het Nederlands op 24 augustus 1667. Met de handtekeningen en cachetten van de twee Engelse ambassadeurs D. Holles en H. Coventry en vijf Hollandse afgevaardigden Ripperda van Buirse, H. van Beverningh, Pr. de Huijbert, A.P. Jongestall en L.T. van Starckenborch.
Panel with Armored Soldier
Object type: panel
Date: 1801 – 1900
Materials: bone
Culture: european
The Truffle Hunter
Object type: print
Date: 1845 – 1845
Techniques: etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Hat
Object type: hat
Date: 1801 – 1900
Materials: glass, pearl, silk
Culture: russian
Dish with a landscape
Object type: dish
Date: 1850 – 1860
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: europe
Inscriptions: signature: ‘A.T.V.’, mark: ‘V?’

Bladvormige schaal van porselein, beschilderd op het glazuur in sepia en goud. Op de smalle zijde een gemodelleerd blad, aangezet met goud. Op het plat een winterlandschap met kale bomen en besneeuwde huizen langs een rivier. Gouden rand. Gesigneerd in de voorstelling met A.T.V. en gemerkt op de onderzijde met V[?].
Fotoreproductie van een geschilderd portret van Adam Jerzy Czartoryski door Paul Delaroche
Object type: photograph
Date: 1853 – 1858
Materials: paper
Techniques: albumen print, engraving
Location: paris
Subjects: adam jerzy czartoryski, historical persons, diplomacy, diplomat
Inscriptions: check stamp: ‘Goupil & Cie’
Mitaine van witte gestreepte katoen
Object type: clothing
Date: 1880 – 1900
Materials: cotton
Techniques: embroidered
Location: western europe
Artist: Anonymous

Linker mitaine van witte gestreepte katoen. Op de rug drie geborduurde slingerlijnen.
Bezoek van Sultan Abdul Aziz aan de Wereldtentoonstelling te Parijs 1867
Object type: history medal
Date: 1867 – 1867
Materials: brass
Techniques: striking

Messing penning met draagoog, op de voorzijde het borstbeeld van de Sultan naar rechts met omschrift, op de keerzijde vijf regels tekst tussen samengestrikte lauwer- en eikentakken, met omschrift.