deem-data/ArtiFact huggingface dataset:
Man
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: the (nude) human figure; 'corpo humano' (ripa), piece of sculpture, reproduction of a piece of sculpture

Studie van een beeldhouwwerk in het Louvre.
Hafted Ax with Abstract Face
Object type: ax
Date: 500 – 300
Materials: bronze
Culture: indonesian
Spotprent op Groen van Prinsterer, 1866
Object type: cartoon
Date: 1866 – 1866
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: guillaume groen van prinsterer
Inscriptions: collector's mark: Lugt 2228

Spotprent op het voornemen van Groen van Prinsterer om samen met de katholieken het Openbaar Lager Onderwijs te bestrijden. Groen van Prinsterer maakt een jonge vrouw (de Tijd) tevergeefs het hof. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 16, 21 april 1866.
Nederland, bij Frankrijk ingelijfd, 20 francs, 1813
Object type: twintig franc
Date: 1813 – 1813
Materials: gold
Techniques: striking
Location: utrecht
Artist: napoleon i (emperor of the french)
Artist role: generaal, keizer, staatsman
Artist dates: 1769 – 1821
Subjects: napoleon i (emperor of the french), netherlands

Gouden munt. Voorzijde: gelauwerd borstbeeld van Napoleon I naar links. Keerzijde: binnen olijfkrans waarde-aanduiding 20 francs. Jaartal in omschrift onderaan. Randschrift.
Portret van de zuster van de Friese schilder C.J. van Baar van Slangenburgh
Object type: drawing
Date: 1806 – 1806
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: historical persons not known by name - bb - woman, folk costume, regional costume
Inscriptions: stamp: Lugt 1641a, inscription: ‘21 ap: als jufv. van Holst er nog zo uitzag (mej. Slangenburg van Leeuwarden’, signature: ‘J Andriessen’, stamp: Lugt 1641

In het commentaar van Andriessen staat dat hij had gewild dat zijn beoogde verloofde er zo uitzag. Op verso een tweede portret van haar.
Fotoreproductie van een prent van de triomf van de liefde
Object type: photograph
Date: 1852 – 1857
Materials: photographic support
Techniques: salted paper print
Subjects: vase ~ ornament, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: inscription: ‘medit col. V. Sestic[h]’
Interieur van een schildersatelier
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: the hague
Artist: adrianus van der grient
Artist role: fotograaf
Artist dates: 1858 – 1941
Subjects: workshop, studio of the artist (in general), netherlands
Scene of the Pleasure Quarter at Fukagawa
Object type: print
Date: 1767 – 1800
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harushige
Artist role: artist
Artist dates: 1747 – 1818
Subjects: women
Schouwen
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: open hearth, fire-place, cupids: 'amores', 'amoretti', 'putti'

Schouw met rocaille ornamenten, bloemmotieven, drie putti en een driearmige kandelaar. Uitgeversnummer 274.
The Collation from a set of the Italian Village Scenes
Object type: tapestry
Materials: silk, wool
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: couples,men,women,dogs,drinking

Images of gardens were popular in the tapestry medium from the medieval era, where the so-called mille-fleurs (thousand flowers) (see also MMA 2013.506) provided a decorative, and sometimes symbolic, setting for scenes of romance and play. Park and garden tapestries continued to enjoy popularity throughout the sixteenth and seventeenth centuries, particularly for the decoration of more intimate chambers, where they provided a pleasant contrast with the grander subject matter of tapestries used in more formal settings. The theme enjoyed new popularity with the advent of the Rococo style during the eighteenth century, and a number of highly decorative landscape and garden series were produced in French and Netherlandish workshops during the second third of the eighteenth century. Among the most notable was the series of romantic pastorals that Boucher designed for the Beauvais workshops between 1734 and 1736 (MMA 64.165.1–.8). Known as the Fetes Italiennes, and loosely inspired by the idyllic park scenes of Antoine Watteau, this series depicted handsome gentlefolk and peasants in idealized exterior settings.
Portret van Maarten Harpertszoon Tromp
Object type: print
Date: 1630 – 1683
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: salomon savery
Artist role: print maker, publisher
Artist dates: 1594 – 1683
Subjects: maarten harpertszoon tromp, historical persons, commander-in-chief, admiral
Covered Dish
Object type: glass
Date: 1835 – 1840
Materials: glass
Techniques: pressed
Location: sandwich
Subjects: dining, drinking
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 351
Materials: terracotta
Culture: greek, attic

Exterior, part of the upper torso and extended arm of a male wearing a chitoniskos and baldric
The Genius of Music
Object type: plaquette
Date: 1467 – 1533
Materials: bronze, patina
Subjects: musical instruments,male nudes
The Inconvenience of Having His Hair Curled. “Oh blast.... look here, watch out... you are burning me.... I am meeting someone, and I want you to make me look good....... but in order to declare my burning passion, I don't need to smell scorched!,” plate 31 from Les Beaux Jours De La Vie
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Hedendaags Frankrijk
Object type: print
Date: 1856 – 1874
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: city-view, and landscape with man-made constructions, church (exterior), cloisters ~ monastery, permanent exhibition, museum
Inscriptions: collector's mark: Lugt 2228

Gevestigd in het voormalige Augustijnerklooster.
Panel
Object type: textile
Date: 1810 – 1825
Materials: cotton
Techniques: printing block, weave, printing
Location: france
Fragment
Object type: textile
Date: 1 – 1532
Materials: textile
Location: peru
Funerary Cone of Djehutynefer called Seshu
Object type: cone, djehutynefer, seshu, scribe, cattle, fowl, amun
Date: 1550 – 1295
Materials: pottery
Subjects: hieroglyphs

This cone has the impression of a stamp seal inscribed for a man named Djehutynefer who was scribe of accounts of cattle and fowl of Amun. He was also called Seshu. For a drawing of this impression see http://www.funerarycones.com/, number 14.
Portret van Peter Ernst II van Mansfeld
Object type: book illustration
Date: 1625 – 1625
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: peter ernst von mansfeld (graaf), ornament ~ medallion, historical persons

Prent waarschijnlijk uit: Baudartius, Willem. Memoryen ofte cort verhael der gedenck-weerdichste so kercklicke als werltlicke gheschiedenissen (...). Arnhem: Jan Janssen, 1625, dl. 2.
Sampler
Object type: sampler
Date: 1833 – 1833
Materials: cotton, linen
Palmboom geschonken aan C.J.M. Nagtglas
Object type: miniature
Date: 1871 – 1871
Materials: gold, marble
Location: elmina
Artist: Anonymous
Subjects: gouverneur, c.j.m. nagtglas, elmina
Inscriptions: inscription: ‘Souvenir door het personeel te Elmina aan den regeringscommissaris C.J.M. Nagtglas aangeboden den 8en Juny 1871.’

Miniatuur van goud in de vorm van een palmboom. Op het rechthoekige marmeren voetstuk zit een bronzen plaatje met opschrift.
Design for a Decorated Wall with Grottesque over Blue Background
Object type: drawing
Date: 1762 – 1844
Materials: gold, gouache, ink, drawing material, paper
Techniques: brush, pen, wash
Artist: giuseppe bernardino bison
Artist role: artist
Artist nationality: italian
Artist dates: 1762 – 1844
Subjects: grotesques,ornament
Den Bosch, Bargemen’s Guild, Honoring the Head Deans Claude Antoine Lormier and Willem Cornelis Ackersdyck
Object type: medal
Date: 1780 – 1781
Materials: silver
Techniques: casting, engraving
Location: den bosch
Artist: andreas van beugen
Artist dates: 1779 – 1781
Subjects: den bosch
Brief aan Philip Zilcken
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: baronne madeleine deslandes
Artist role: schrijver
Artist dates: 1866 – 1929
Subjects: sophia frederika mathilda van württemberg, baronne madeleine deslandes, painter, draughtsman, philip zilcken, literature ~ arts, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1830 – 1890
Materials: graphite
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: castles,stage design
Puzzle jug
Object type: puzzle jug
Materials: earthenware
Techniques: glazing
Oude man met hoed en wandelstok gezeten op een stoel
Object type: print
Date: 1875 – 1876
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: adrien de witte
Artist role: print maker
Artist dates: 1850 – 1935
Subjects: sitting figure, walking-stick, staff, old man, head-gear: hat
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent verschenen in: Rops, Félicien (red.). Cahier d'études: eaux-fortes originales et inédites. Brussel: Felix Callewaert père, 1875.
Regent Circus
Object type: photograph
Date: 1850 – 1900
Techniques: albumen print
Location: england
Artist: Anonymous
Artist nationality: probably english
Artist dates: 1800 – 1899
Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to agostino mitelli
Artist nationality: italian
Artist dates: 1609 – 1660
Drie courtisanes
Object type: print
Date: 1814 – 1815
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa kunisada (i)
Artist role: print maker
Artist dates: 1786 – 1865

De courtisane Egawa uit het Ebiya huis, tegen een achtergrond van bloeiende pioenrozen.
Pair of cuffs
Object type: cuff
Date: 1501 – 1600
Techniques: lace
Solidus (Coin) of Tiberius II
Object type: coin
Date: 574 – 582
Materials: gold, metal
Culture: byzantine
Location: byzantine empire
Inscriptions: Obverse: DMTIBCONS  TANTPPAVC
Reverse: VICTORI AAVCCI CONOB

Coins were an ideal way for Byzantine emperors to circulate their images throughout the empire and beyond, since they were used to pay for imported merchandise and to pay foreign mercenaries. They could also be employed as powerful vehicles for propaganda, promoting dynastic succession and emphasizing the earthly emperor’s god-given right to rule. Tiberius had an image of a monumental cross in Jerusalem placed on the back of his coin.

This coin is a gold solidi weighing 4.5 grams. From the fourth century on, the solidus was the preferred gold coin issued by Byzantine emperors. The solidus remained essentially unaltered in weight and purity until the tenth century.
Rest on the Flight into Egypt
Object type: print
Date: 1588 – 1590
Materials: paper
Techniques: engraving
Location: vatican city
Subjects: rest on the flight into egypt
Inscriptions: collector's mark: Lugt 240

De vlucht naar Egypte met links Jozef die takken van een boom breekt en aan Maria met kind aan de rechterzijde geeft.
Chess Piece, Pawn or Backgammon Piece
Object type: chess or backgammon piece
Date: 1601 – 1800
Materials: stone
Location: india
Subjects: chess
Steen met wapen van de ruïne van het slot te Heemstede
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: heemstede
Subjects: architectural detail, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: annotation: ‘Ruine van het slot te Heemstede, steen met wapen/ mei 1890/ vader Touw/ (Adristiaan?, van Heemstede)/ Heemstede’, annotation: ‘Ruine van het slot Heemstede te Heemstede/ steen met wapen/ Mei 1890’
Fragment (Dress Fabric)
Object type: textile
Date: 1701 – 1800
Materials: textile, gold, silk
Techniques: brocade
Location: iran
Zie hier, o lieve jeugd! van uit het verre Oosten, / Veel volkeren bij een, elk in zijn kleederdragt, / Tartaar en Arabier, Armeniers, Kalmukken, / Vindt gij, tot uw vermaak, hier nu te zaam gebragt
Object type: popular print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: netherlands
Artist: Anonymous
Subjects: asiatic races and peoples, human types, characters (human types)
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van verschillende figuren uit het Oosten. Onder elke afbeelding een onderschrift. Genummerd midden boven: No. 39.
Briefkaart aan Willem Frederik Gouwe
Object type: postcard
Date: 1936 – 1936
Materials: cardboard, ink
Techniques: pen, writing
Location: zundert
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: the hague, amsterdam
Inscriptions: collector's mark: ‘RPK’
Verhouding tussen twee rechte gegeven lijnen met onderaan een kerk
Object type: book illustration
Date: 1669 – 1669
Materials: paper
Techniques: etching, letterpress printing
Location: france
Subjects: church (exterior), planimetry, geometry

Prent uit: Pratique de la géometrie, sur le papier et sur le terrain. Avec un nouvel ordre et une méthode particulière. Parijs: Thomas Jolly, 1669.
Ehon taka kagami - nihen jo
Object type: book
Date: 1877 – 1879
Materials: paper
Techniques: woodcut
Location: tokyo
Inscriptions: collector's mark: Lugt 2228
Deksel, crèmekleurig, met kettingrand in reliëf
Object type: kettle
Date: 1860 – 1890
Materials: creamware, metal thread
Techniques: vitrification
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘P. REGOUT // 36 // MAASTRICHT’

Deksel van aardewerk, crèmekleurig. Het gewelfde deksel met twee parelranden. Het deksel wordt bekroond door een eikelvormige knop met luchtgat.
Gezicht op de Grosse Scheidegg en de Eiger, Zwitserland
Object type: album leaf
Date: 1860 – 1890
Materials: paper
Techniques: albumen print
Location: grote scheidegg
Artist: Anonymous
Subjects: farm or solitary house in landscape, mountains
Standing Figure of Ptah
Object type: statuette, ptah
Date: 664 – 332
Materials: faience
Location: egypt
Views of the Rhine and its Vicinity / Der Rhein und seine Umgebungen
Object type: stereograph
Date: 1867 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: kaub
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: river, village, landscape with tower or castle
Inscriptions: inscription: ‘(Registered)’, number: ‘44’
Snuffbox with four maritime scenes; Louis XIV crossing the Rhine in 1672
Object type: snuffbox, painting
Date: 1798 – 1838
Materials: enamel, gold
Artist: adrien jean maximilien vachette
Artist role: maker
Artist nationality: french
Artist dates: 1753 – 1839
Subjects: battles,kings,louis xiv,horses

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer. The miniatures are set in a box made in Paris shortly before 1800.
Leden van de stadspolitie van Telokbetong in de weer met brandspuiten tijdens brandoefening
Object type: photograph
Date: 1932 – 1933
Materials: photographic support
Techniques: gelatin silver print
Location: lampung
Artist: Anonymous
Subjects: fire-fighting, firemen, police

Onderdeel van Herinneringsalbum voor F.J. Junius, vertrekkend resident van Lampong (Zuid-Sumatra).
Studieblad met figuren
Object type: drawing
Date: 1843 – 1911
Materials: paper, pencil
Artist: johannes huygens
Artist role: draughtsman
Artist dates: 1833 – 1911
Subjects: drawing, pulling something, arm raised upward - aa - both arms or hands
Imperial Robe
Object type: robe, imperial
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: dragons
Alfred, Lord Tennyson (Dirty Monk)
Object type: photograph
Techniques: photogravure
Location: england
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: collected by hugh edwards, lord tennyson and his friends
Machines in een hal van suikerfabriek Meritjan te Kediri op Java
Object type: photograph
Date: 1925 – 1930
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: kediri
Subjects: plantation, factory-interior, machine shop, plants and herbs: sugarcane, sugar, dutch east indies, the

Onderdeel van Fotoalbum met opnames van vier suikerfabrieken op Java.
Karikatuur van Le Figaro en Le Charivari als narren
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: court jester, court fool, caricatures (human types), newspaper, news-sheet
Inscriptions: collector's mark: Lugt 2228a

Prent gepubliceerd in: Le Charivari, 26 februari 1833. Le Charivari was een humoristische krant met karikaturen en (politieke) cartoons.
Hotel de la Tremouille, Paris
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: lithograph
Location: england
Artist: thomas shotter boys
Artist role: artist
Artist nationality: british
Artist dates: 1803 – 1874
Spreekwoorden
Object type: popular print
Date: 1601 – 1652
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Subjects: proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met 8 voorstellingen van spreekwoorden, waaronder 'Den enen blinde verleyt den andre', 'Quade voorgang maeckt quaet gevolgh' en 'De jonge te werck De oude te rust'. Onder elke afbeelding een onderschrift. Gemerkt midden: O.
Gezicht op de Oude Schans en de Montelbaanstoren, gezien richting het IJ, Amsterdam
Object type: photograph
Date: 1900 – 1925
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: alb. kapteijn
Artist role: amateurfotograaf
Artist dates: 1848 – 1927
Subjects: canals, waters (in city)
Inscriptions: annotation: ‘A//20 F22 E32" / left corner 27"’
Untitled
Object type: photograph
Date: 1860 – 1894
Techniques: albumen print
Location: england
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Portret van een vrouw in luxueus kostuum
Object type: photograph
Date: 1890 – 1910
Materials: photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Les Forces de l'Europe, Asie, Afrique et Amerique, ou description des principales villes avec leurs fortifications. Dessignées par les meilleurs ingenieurs, particulierement celles qui sont sous la domination de la France (...) et ornées de plusieurs superbes edifices
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions, france

Kaart van de Franse zuidkust bij Saint-Tropez. Gemerkt rechtsonder: KK. Onderdeel van het tweede van twee delen van het prentwerk: Les costes de France et d'Espagne (oftewel deel 14 van: Les Forces de l'Europe, Asie, Afrique et Amerique), uitgegeven ca. 1702. Het prentwerk bestaat in totaal uit 43 gemerkte platen van de kust van Frankrijk en Spanje, in het kader van de Spaanse Successieoorlog. Deze platen zijn gekopieerd naar anonieme Franse platen oorspronkelijk uitgegeven door Nicolas de Fer te Parijs. Titel en opschriften in de plaat in het Frans.
Portret van Jean-Baptiste de Boyer, Marquis d'Argens
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: wig
Inscriptions: collector's mark: Lugt 2228

Ook gebruikt als illustratie in: Jean-Baptiste de Boyer marquis d' Argens. Lettres juives ou Correspondance philosophique, Den Haag: Pierre Paupie, 1738.
Vijf gipsen afgietsels van beeldhouwwerken van het Raadhuis Amsterdam, door Artus Quellinus I
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: royal palace of amsterdam
Inscriptions: annotation
The Virgin and Child enthroned surrounded by saints and angels
Object type: print
Date: 1490 – 1530
Techniques: engraving
Artist: girolamo mocetto
Artist role: artist
Artist nationality: italian
Artist dates: 1470 – 1531
Subjects: angels,madonna and child,saints
Pont-Y-Pair
Object type: stereograph
Date: 1859 – 1859
Materials: paper, photographic support
Techniques: albumen print, printing
Location: wales
Subjects: lake
Inscriptions: number: ‘Stereograph No. 4.’
Composition (No. 1) Gray-Red
Object type: painting
Date: 1935 – 1935
Materials: canvas, oil
Location: netherlands
Artist: piet mondrian
Artist nationality: dutch
Artist dates: 1872 – 1944
Subjects: geometric, red (color), white (color), black (color), grids, lines
Inscriptions: Signed and dated, l.r.: "PM 35"

The roots of 20th-century abstract art can be traced to the late 19th century, when artists began to move away from the direct representation of objects toward the communication of emotional states or moods. In doing so, the formal properties of art—such visual elements as line, color, and composition—assumed a primary role in its production. After World War I, many artists, including Piet Mondrian, believed that abstract art could contribute to a more harmonious society by communicating in a universal, visual language. In the wake of the war's destruction, artists associated with De Stijl (meaning, "the style") in the Netherlands recognized the need for a break with the past, as well as a new aesthetic language to correspond to their utopian vision of the world. In 1917 Mondrian joined the De Stijl movement and began to develop a purely visual language of verticals and horizontals, restricting his compositions to predominantly off-white grounds divided by black rectilinear lines that framed smaller blocks of primary colors.
Drumsticks
Object type: beater
Date: 1817 – 1817
Materials: wood, ivory, silver
Location: netherlands
Artist: Anonymous

Een ebbenhouten tromstok met ivoren knop.
Honderd ontwerpen - deel één
Object type: book
Date: 1910 – 1911
Materials: paper
Techniques: woodcut
Location: japan
Inscriptions: date