deem-data/ArtiFact huggingface dataset:
Summer
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: engraving, etching, roulette
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, part of a palmette with a palmette heart
Tankard
Object type: tankard
Date: 1640 – 1650
Materials: silver gilt
Artist: ludwig wachman
Artist role: maker
Artist dates: 1632 – 1632
Hazelwort from Gart der Gesundheit (Garden of Health), Plate 16 from Woodcuts from Books of the 15th Century
Object type: print
Materials: ink, paper
Techniques: letterpress, pen, woodcut
Location: germany
Artist: Anonymous
Artist dates: 1400 – 1500
Groet uit Geulem. Molen met park
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: geulhem
Artist: Anonymous
Subjects: canal, watermill, bridge
Cup
Object type: cup
Date: 1900 – 1501
Materials: ceramic
Culture: iranian
Location: iran
Valentine envelope
Object type: drawing and watercolor
Date: 1860 – 1869
Materials: ink, paper
Techniques: pen
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Stage Set Design of an Ancient Roman Ruin being Converted into a Barn
Object type: drawing
Date: 1767 – 1866
Materials: ink, watercolor
Techniques: pen
Artist: johann heinrich ramberg
Artist role: artist
Artist nationality: german
Artist dates: 1763 – 1840
Subjects: theatre,stage design
Tapestry Band Fragment with Grotesque Heads
Object type: band fragment
Date: 901 – 1500
Materials: animal fiber
Culture: peruvian
Location: peru
Nederlandse ½ cent, 1852
Object type: coin
Date: 1852 – 1852
Materials: copper
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Koperen munt. Voorzijde: tussen jaartal gekroonde rechte letter W. Keerzijde: tussen waarde-aanduiding ½ C. gekroond rijkswapenschild. Gladde rand.
The Farrier's Shop
Object type: print
Techniques: mezzotint
Artist: william pether
Artist role: engraver
Artist nationality: british
Artist dates: 1733 – 1821
Subjects: buildings,men,horses,moon,night
Tobacco Box
Object type: metalwork
Date: 1760 – 1760
Materials: pewter
Location: netherlands
Rustende ezel
Object type: print
Date: 1708 – 1762
Materials: paper
Techniques: drypoint, etching
Artist: paul troger
Artist role: print maker
Artist dates: 1698 – 1762
Subjects: ass, donkey, container made of plant material other than wood: basket, sheep, bovine cattle
Inscriptions: collector's mark: Lugt 240
Gezicht op het oude stadhuis te Rotterdam
Object type: print
Date: 1694 – 1695
Materials: paper
Techniques: etching
Subjects: townhall, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Prent oorspronkelijk gedrukt als onderdeel van de sierrand van 'Rotterdam met al syn gebouwen net op haer maet geteekent en gesneden', een wandkaart van Rotterdam, in prent gebracht door Romeyn de Hooghe en Johannes de Vouw. De rand om de plattegrond bestond uit wapenranden (langs de bovenkant en zijkanten), twaalf stadsgezichten (A-F langs de linker zijkant en G-M langs de rechter zijkant) en een stadsprofiel (langs de onderkant). Zie documentatie voor meer informatie.

Zie ook RP-P-AO-13-87.
Studie
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913

Blad 30 recto uit een schetsboek met 38 bladen.
Landau #3294
Object type: drawing
Date: 1877 – 1877
Materials: gouache, graphite, gum arabic, ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezelschap op een landweg
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: etching
Location: austria
Artist: remigius adrianus haanen
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1894
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Drie figuren en een hond op een landweg bij een boerderij tussen bomen.
Gezicht op een molen
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: berlin
Artist: dr. alander
Artist role: advocaat, fotograaf
Subjects: windmill
Inscriptions: monogram: ‘MR/ &Co’
Het korporaalschap van kapitein Frans Banninck Cocq en luitenant Willem van Ruytenburch, bekend als de 'Nachtwacht'
Object type: print
Date: 1863 – 1864
Materials: paper
Techniques: drypoint, engraving, etching, roulette
Location: amsterdam
Subjects: proclamation of peace, celebration meal, feast, banquet, festivities on events of national importance, picture, painting, land forces (+ citizen soldiery, civil guard, citizen militia), historical events and situations, dog
Inscriptions: collector's mark: Lugt 2228
De Germaanse veldheer Arminius standvastig tegenover de Romeinen, ca. 10
Object type: history print
Date: 1751 – 1799
Materials: paper
Techniques: etching
Location: netherlands
Subjects: extinct, 'historical' peoples (with name), netherlands

Illustratie waarschijnlijk voor: Jacobus Kok, Vaderlandsch Woordenboek, Johannes Allart, Amsterdam 1785-1799. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Tiraz Textile Fragment
Object type: textile fragment
Materials: linen, silk
Techniques: embroidery, weave
Location: iraq
Subjects: arabic

Inscribed textiles are called tiraz, from the Persian word for "embroidery." Many were produced in royal workshops and presented by rulers to honor courtiers and officials at formal ceremonies. They bear inscriptions naming and blessing the current ruler or caliph – a reminder to the recipient that they owed their allegiance to that ruler. This textile’s embroidered inscription reads, "…Allah. Ja’far, the Imam (al-Maktadir billah, Commander of the faithful) May Allah prolong his days… Of what was made in the factory in the year three hundred and twenty (A.D. 932–33)" A smaller embroidered inscription reads, " 'Abdallah".
Spiegel in een vergulde lijst met bloemmotieven
Object type: miniature
Date: 1740 – 1760
Materials: amalgam, glass, metal alloy, wood, wool
Techniques: gilding
Location: amsterdam
Artist: Anonymous

Twee spiegels, gevat in een lijst van verguld metaal (tin legering) en gemonteerd op lichtbruin geverfd hout. De gegoten lijst is gedecoreerd met bloemmotieven en een piramidaal opzetstuk met lobben en knop. Tussen het spiegelglas en de houten achterwand bevindt zich een stukje stof.
Terracotta fragment of an open shape
Object type: undetermined open shape
Date: 434 – 368
Materials: terracotta
Culture: etruscan

Part of the left shoulder, arm, back and thigh of a male to left
Kennisgeving door Schilder- en Teekenkundig Genootschap "Kunstliefde", 1907
Object type: print
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts
Inscriptions: collector's mark: Lugt 2228

Kennisgeving van Schilder- en Teekenkundig Genootschap "Kunstliefde" dat de tekenoefeningen zullen eindigen op 15 maart 1907. Op de achterzijde nog een handgeschreven notitie.
Ceramic Tripod Vessel
Object type: bowl
Date: 801 – 1200
Materials: ceramic, pigment
Culture: mexican
Location: mexico
Mourning Virgin from a Crucifixion Group
Object type: relief figure
Date: 1501 – 1600
Materials: bronze
Subjects: virgin mary,crucifixion
Drie jagers bij een rivier in een bos
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: hunting dogs, hunter, forest, wood
Inscriptions: collector's mark: Lugt 240

Boslandschap met omgevallen dode bomen bij een rivier. Rechts aan de oever drie jagers en een hond. Eerste prent van een zesdelige reeks met berglandschappen uit Tirol.
Ecuador, 2 Reals, from the series Coins of All Nations (N72, variation 1) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
The Opening Scene (Daijo), from the series "Sugawara's Secrets (Sugawara denju)"
Object type: print
Date: 1830 – 1844
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Bokaal met de wapens van Groot-Brittanië, Oranje en de Generaliteit
Object type: goblet
Date: 1680 – 1700
Materials: glass
Techniques: façon de venise, glassblowing
Location: northern netherlands
Artist: Anonymous

Gewelfde voet met omgeslagen rand. Balusterstam met twee holle, vierlobbige knopen tussen schijven. Op de conische kelk het wapen van Groot-Brittanië (Stadhouder Willem III volgens glascatalogus) en het volledig Oranje-wapen als hartschild; dan het Generaliteitswapen (Republiek der Zeven Verenigde Nederlanden) gescheiden door wapentrofeeën.
Dish with King of Prussia inscription
Object type: dish
Date: 1756 – 1756
Materials: earthenware
Techniques: glazing

The “Success to the King of Prussia” plates (see also 2014.712.6) can be dated to the time of Frederick the Great’s successes against the French in the Seven Years’ War, after an alliance was formed between Britain and Prussia in 1756. In this context, the two plates offer insight into the political and military history of the time, as well as providing an interesting comparison between two styles of decoration. [Elizabeth Sullivan, 2014]
Fragment van een boeddha-beeld
Object type: fragment
Date: 1500 – 1700
Materials: bronze
Location: thailand
Artist: Anonymous

Boeddha-hoofd met spitstoelopende hoofdtooi.
Coiffures, Poufs, Hats and Bonnets: Eleven Coiffures and Headdresses
Object type: fashion print
Date: 1780 – 1780
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), head-gear (pouf) (+ women's clothes), border, ribbon, braid (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, head-gear: hat (+ women's clothes), necklace (+ women's clothes), pearl; pearl necklace (+ women's clothes)
Inscriptions: inscription: ‘Coefure a l'Americaine vue de profil avec une barriere et un gland de perle.’, inscription: ‘Coefure a l'enfant vue par derriere surmonté d'un pouf de gaze entrelasse d'un ruban étroit orné par devant de plumes et de fleurs un noeud de gaze derriere.’, address: ‘A Paris chez Esnauts et Rapilly rue St. Jacques a la Ville de Coutances. A.P.D.R.’, inscription: ‘Frisure simple sans toque avec un pouf de gaze et une plume a droite’, inscription: ‘Coëfure a 2 boucles recouverte d'un Chapeau fortnegligé dit a la Pendilvaine.’

Ladies’ hairstyles were ingenious works of art, built around a core of cushions and horsehair. Hair was piled high in curls and twists (chignons) and adorned with feathers, ribbons, artificial flowers, tulle and jewels to create various fancifully named poufs. Because the hair was dressed using animal fat and powdered with wheat flour, these poufs attracted all manner of insects. Far from hygienic, they moreover did not last long. When they went out, ladies protected their hairdos with a voluminous ribbed hood called a calèche 1. Hairdressers of the time, who styled themselves as artists, used prints to advertise their latest creations and craftsmanship 2 3.
Panel with portraits of two boys
Object type: panel
Date: 1801 – 1833
Subjects: boys,profiles
Kintoki Hanbei lifting a heavy carriage
Object type: print
Date: 1802 – 1863
Materials: paper
Techniques: woodcut
Location: japan
Subjects: two-wheeled, animal-drawn vehicle, adult man

De getatoeeerde held Kintoki Hanbei, tilt een houten kar boven zijn hoofd op.
Busts of Achilles, Agamemnon, and Hector in Conference (from Scenes from The Story of The Trojan War)
Object type: tapestry
Date: 1470 – 1490
Materials: silk, wool
Culture: south netherlandish
Location: south netherlands
Artist: pasquier grenier of tournai
Artist role: artist
Artist nationality: burgundian
Artist dates: 1393 – 1493
Subjects: trojan war,achilles,agamemnon
Perseus met het hoofd van Medusa
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Subjects: ornament ~ grotesque, fabulous animals ~ fishes, vase ~ ornament, ornament ~ cartouche, perseus beheading medusa, with pegasus, and possibly also chrysaor, the warrior with the golden sword, springing from the blood of medusa's head
Inscriptions: title: ‘MEDUSA’, number: ‘3’

Ovaal cartouche in omlijsting van grotesken, tegen gearceerde achtergrond. Perseus staat in een landschap en houdt het hoofd van Medusa omhoog. Haar lijk ligt aan zijn voeten. Rechts Pegasus. In de omlijsting linksonder en rechtsonder een man op een zeemonster. Daarboven een krijgsman met vaandel.
Augsburg, Rathhaus
Object type: reproduction
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: ferdinand brauer
Artist role: publisher
Artist dates:  – 1915
Subjects: relics (and reliquaries)
Inscriptions: number: ‘18’
Postament, Basis, Capitael und Gebälk Römischer Ordnung/ vom Bogen des Septimius Severus zu Rom
Object type: photomechanical print
Date: 1855 – 1930
Materials: paper
Techniques: photolithography
Artist: Anonymous
Subjects: drawing, sketch, column, pillar ~ architecture
Inscriptions: annotation: ‘Komp. R.’, collector's mark: ‘RIJKS NORMAALSCHOOL voor TEE[...] AMSTERDAM’
Swallow, yellow bird, and wisteria
Object type: print
Date: 1830 – 1849
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Enigme Joyeuse, pour les bons esprits
Object type: print
Date: 1610 – 1680
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Artist: Anonymous
Subjects: neck-gear: collar (+ women's clothes), dress, gown (+ women's clothes), bed, lute, and special forms of lute, e.g.: theorbo, one person playing an instrument
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Notitie mevr. De Hoop Scheffer op opzetkarton: Eén prentje (zonder tekst) gesigneerd Van Halbeeck. De andere uit de serie (met teksten in kader) zijn kopieën. De originelen zijn (niet compleet) in een verzamelband in bezit van de heer Van Hattum te Santpoort (maart 1965). Kleinere kopieën door Cr. de Passe (KB Den Haag), Franken 1352. Vergelijk ook dezelfde serie door Mattheus Merian: Emblemata Amatoria (Wühtrich I, p. 20, no. 12 + afb. 38, 39, 40).
Portret van Ernest Alexandre Honoré Coquelin
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: historical persons

Prent uit: Le monde illustré: journal hebdomadaire 23 (1879), nr. 1168, 16 augustus 1879.
Fragment of Porcelaneous Ware
Object type: ceramic fragment
Date: 801 – 900
Materials: glaze
Location: iraq
Portretten van Heinrich Joseph König, Heinrich Heine en Karl Isidor
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: paris, heinrich heine, vienna, heinrich joseph könig, mask, historical persons, harp, portrait of actor, actress, trees: oak (+ branch, stick)
Bead, control
Object type: bead, control
Date: 7000 – 330
Materials: gold
Culture: greek or roman
Afbeelding van de Sint-Lievensmonsterkerk te Zierikzee
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: engraving, snipping
Location: zierikzee
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), merman, merman - aa - mermaid, siren, church (exterior), coat of arms (as symbol of the state, etc.) (+ province; provincial), parts of church exterior and annexes: tower
Inscriptions: date

Afbeelding van de Sint-Lievensmonsterkerk te Zierikzee (C) met links van het kerkgebouw de toren zoals die in werkelijkheid gebouwd is (B) en helemaal links de toren zoals die eruit had moeten zien als de bouw voltooid zou zijn geweest (A). Rechtsboven het wapen van Zeeland. Daaronder het wapen van Zierikzee geflankeerd door een meerman en -vrouw met daaronder de opdracht, een vers over de kerk en de legenda A-C. Daaronder een plattegrond van de kerk en de toren ('Grondt vande Monster Kerck ende Thoren tot Ziericzee').
Terracotta neck-amphora with twisted handles (jar)
Object type: neck amphora with twisted handle
Date: 350 – 325
Materials: terracotta
Culture: greek or south italian or campanian
Artist: pilos head group
Artist role: artist
Subjects: male nudes,warriors

Obverse, young warrior seated on an altar and bearded warrior. Reverse, youth On the neck, obverse, head of youth with pilos (pointed cap). Reverse, female head The protagonist of the main scene has been identified as either Orestes, son of Agamemnon and Klytemnestra, or Neoptolemos, son of Achilles and Deidameia. In one account, both men vied for the hand of Hermione, daughter of Menelaos and Helen, resulting in Orestes' murder of Neoptolemos. The representation poignantly conveys the misfortune visited upon the children of Greece's greatest heroes.
Pair of Tomb Chamber Doors
Object type: sculpture
Materials: earthenware
Techniques: carving
Location: china

In northern China during the Han dynasty, hollow clay bricks were used to construct the small, rectangular chambers of underground tombs. The doors, pillars, and lintel assembled here reconstruct the entrance to such a chamber. Before firing, the bricks were stamped with vigorous images from daily life and from mythology. This combination of subject matters reflects a dualistic view of the human soul: separating at death, one part of the soul was thought to remain in the earthly tomb, while the other ascended to a paradise—the realm of ancestral spirits and of the special beings who have achieved immortality.

Guardian images, both realistic and symbolic, are centered on each door. Two long-robed men (identified by inscription as tingzhang, village officials) flank another protective symbol, a ring-snouted monster mask. Surrounding this central square are border strips depicting scenes of entertainment and of animals, hunters, and chariots charging across mountains. Winged xian—immortal, elf-like figures—are also depicted in a mountainous setting. Other emblematic designs that appear repeatedly on these doors include a spade-shaped evergreen tree, designating family continuity and longevity, and a disk enclosing a bird in flight, which can be identified with the sun.
On the lintel above, soldiers bearing shields flank a protective monster mask. On either side of this mask, jade disks tied by cords may symbolize prosperity or other auspicious wishes for the soul. Other auspicious symbols include the dragon and phoenix (also known as the Red Bird), identified in Han cosmological texts as the animals of the east and south, respectively.
Esther before Ahasuerus
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Silhouetportret van Heinrich Klausing
Object type: print
Date: 1785 – 1858
Materials: paper
Techniques: engraving, etching
Artist: friedrich rossmässler
Artist role: print maker
Artist dates: 1775 – 1858
Subjects: sphere, globe ~ stereometry, historical persons, other allegories of time, e.g. 'tempo' (ripa), caduceus (staff with two snakes, attribute of mercury)
Inscriptions: collector's mark: Lugt 2228
Portret van Franz von Meinders
Object type: print
Date: 1695 – 1706
Materials: paper
Techniques: engraving
Location: berlin
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228
Uraga Harbor
Object type: print
Date: 1837 – 1837
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: mountains,boats,harbors
Portret van een onbekende jonge vrouw, mogelijk een dienstmeisje
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: emile crépin
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed, maid ~ house personnel, paris
Inscriptions: inscription: ‘Émile Crépin/ photographe/ 6, Rue Marengo, 6/ En face le Magasin du Louvre/ Paris’
Portret van een acteur als Faust met baret
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: copenhagen
Subjects: historical persons, portrait of actor, actress
Inscriptions: annotation: ‘Herald als Faust/ Kopenhagen’
Large Vase
Object type: vase
Date: 1700 – 1700
Materials: enamel, glaze, porcelain
Culture: japanese
Subjects: birds,flowers
Portret van een vrouw in geruite jurk, staand bij een stoel
Object type: album leaf
Date: 1863 – 1906
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: johannes baer
Artist role: fotograaf
Artist dates: 1840 – 1912
Subjects: historical persons - bb - woman, standing figure - aa - female human figure, chair
Inscriptions: inscription: ‘J. Baer/ PHOTOGRAPHE/ ROTTERDAM.’
Charles S. Lester
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Gezicht op een es bij Turtle Pond te Beverly
Object type: photomechanical print
Date: 1872 – 1872
Materials: paper
Techniques: photograph
Location: beverly
Artist: Anonymous
Subjects: trees: ash-tree, pond, pool

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