deem-data/ArtiFact huggingface dataset:
The Entombment
Object type: print
Date: 1622 – 1622
Techniques: engraving
Artist: giovanni temini
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Gezicht op de Rue Royale in Parijs na de brand door de Commune van Parijs
Object type: photograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: jr
Artist role: fotograaf
Subjects: ruin of a building ~ architecture, street
Inscriptions: annotation: ‘rue royale’
Stela fragments
Object type: stela fragment
Date: 1981 – 1802
Materials: limestone, paint
Location: egypt
The Three Trees, after Rembrandt
Object type: print
Date: 1758 – 1758
Techniques: drypoint, etching, roulette
Artist: william baillie
Artist role: artist
Artist nationality: irish
Artist dates: 1723 – 1810
Subjects: landscapes,trees,lightning
Portret van een jonge man met bril
Object type: album leaf
Date: 1879 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: friedrich julius von kolkow
Artist role: fotograaf
Artist dates: 1839 – 1914
Subjects: eyeglasses, spectacles, historical persons, youth, adolescent
Inscriptions: inscription: ‘1879./ (...)/ Fr. Jul. von Kolkow/ Koninklyk Nederlandsch Hof-Photograph/ GRONINGEN.’
Portret van Dirk Jacob Wolterbeek
Object type: print
Date: 1819 – 1891
Materials: paper
Techniques: lithograph
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Portret van Karel Emanuel III van Sardinië
Object type: print
Date: 1730 – 1767
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: karel emanuel iii (koning van sardinië), armour, historical persons, mantle, gown, dress (symbol of sovereignty), knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228
Registratie van electriciteitsgolven opgewekt door een vonkinductor
Object type: page
Date: 1865 – 1870
Materials: paper
Techniques: albumen print
Artist: willem cornelis van dijk
Artist role: painter, print maker
Artist dates: 1826 – 1881
Subjects: electrical phenomena
Inscriptions: number: ‘Pl. VII.’

Foto op vijftiende ongenummerde pagina na pagina 95.
Coin Depicting the Goddess Tyche
Object type: coin
Date: 200 – 1
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Subjects: goddesses
Inscriptions: Reverse: [IM]YP[NAIΩN] [...]

The front (obverse) of this coin depicts a turreted head of the goddess Tyche, facing right. On the back (reverse) is a statue of Aphrodite Stratonikis standing, facing right, with her left hand resting on a short column. The goddess Nike stands in her left hand.
Allegorische waarschuwing tegen de onanie
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching
Location: rome
Artist: david pièrre giottino humbert de superville
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1849
Subjects: death as skeleton, other scenes ~ the book of jeremiah (with book chapter:verse), masturbation, onanism (+ variant)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een naakte jongen ligt op zijn buik op een rustbed. Rechtsboven reikt de Dood met zijn hand door een raam naar de jongen. De Dood draagt een sjaal over zijn schedel. Op basis van het bijbelvers in Jer. 9:20 gaat het hier om een allegorische waarschuwing tegen onanie of zelfbevrediging.
Cylinder seal of Amenemhat III
Object type: cylinder seal, amenemhat iii
Date: 1802 – 1550
Materials: glaze, stone
Location: egypt
Subjects: hieroglyphs
Dire que dans mon temps, moi aussi..., from Croquis Dramatiques, published in Le Charivari, January 24, 1857
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: women,spectators
Miniature litter
Object type: litter bed
Date: 1100 – 1470
Materials: gilt silver
Culture: chancay or chimú
Location: peru
Artist: chimú or chancay artist(s)
Artist role: artist
Romeinse veldheer Germanicus treurt over het verlies van zijn vloot
Object type: book illustration
Date: 1840 – 1884
Materials: paper
Techniques: engraving
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: male persons from classical history
Inscriptions: collector's mark: Lugt 2228

De Romeinse veldheer Germanicus staat samen met zijn soldaten aan de kust van Chauken (tussen de Eems en de Elbe) en heeft zijn rechterhand en zijn hoofd opgeheven richting de hemel. Hij betreurt het lot van zijn verongelukte vloot. Op de achtergrond is de mast van een gehavend zeilschip te zien. Gebeurtenis uit het jaar 17.
Gezicht op de ruïne van kasteel Kenilworth
Object type: print
Date: 1827 – 1879
Materials: ink, paper
Techniques: brush, etching, intaglio
Artist: guillaume van der hecht
Artist role: print maker
Artist dates: 1817 – 1891
Subjects: landscape with tower or castle, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Grafbord van Marten Huysman (gestorven 1685), directeur van Bengalen (1683-85)
Object type: rouwbord
Date: 1767 – 1767
Materials: panel
Location: bengal
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: inscription: ‘M.H. Obijt 5 Iunij ANo 1685’

Grafbord van Marten Huysman. Ruitvormig van indisch hout met zwart geschilderde geprofileerde houten lijst, beschilderd met op zwarte grond een wapen met helm, dekkleden en als helmteken een halve koe. Opschrift in gele letters: 'M.H. Obijt 5 Iunij ANo 1685'.
Panorama der Jungfraukette
Object type: photomechanical print
Date: 1870 – 1889
Materials: paper
Techniques: photograph
Location: berner alpen
Subjects: mountains
Inscriptions: collector's mark: ‘VOSMAER’, inscription: ‘Silberhorn. 3705m. Mittaghorn. 3887m. Grosshorn. 3895m. Breithorn. 3779m. Tschingelhorn. 3581m’, number: ‘6190.’

Vormt samen met de gerelateerde objecten een panorama van de Berner Alpen.
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Part of the head, neck, and chest of a harnessed horse to right
Trade card for Hugh A. Bayly, printseller
Object type: print, trade card
Date: 1801 – 1900
Techniques: lithograph
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Lithographic Plates
Object type: lithographic plate
Date: 1850 – 1850
Techniques: lithograph
Culture: french
Location: france
Artist: alexandre désiré collette
Artist role: print maker
Artist nationality: french
Artist dates: 1814 – 1876
Subjects: musical instruments,men,women,musicians
Mes van geslepen bergkristal met verguld zilver
Object type: table knife
Date: 1600 – 1650
Materials: silver
Location: freiburg
Artist: Anonymous

Goblet. Rock crystal, gold and enamel. Germany, c. 1600-1625. Knife, fork and spoon. Rock crystal and silver-gilt. Breisgau, c. 1600-1650.
Shoes
Object type: shoe
Date: 1860 – 1860
Materials: leather
Culture: european

Not all garments were created to be worn. The extremely unusual style and degree of ornamentation make it clear that this pair of shoes is not normal childrenswear. Most outstanding is the intricate impressed diaper and leaf pattern which has been composed to fit the cut of each piece of the upper exactly. The shoes are most probably a craftsman’s sample made to exhibit the quality and skill of his workmanship. As was traditional across the skilled trades, a shoemaker would develop his skill through many years of apprenticeship, ultimately demonstrating his proficiency with sample works exhibiting a variety of techniques. Masterworks were also made by experienced craftsmen as exhibition pieces to display their advanced skills to potential customers and peers.
Grazende koe
Object type: print
Date: 1724 – 1798
Materials: paper
Techniques: printmaking
Location: antwerp
Subjects: cow
Inscriptions: collector's mark: Lugt 2725, collector's mark: Lugt 2228
Veld van negen tegels met fruitschalen
Object type: tegelveld
Date: 1620 – 1640
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van negen tegels (3 x 3) elk met een veelkleurige (blauw, groen, geel en oranje) geschilderde fruitschaal. In de hoeken, een ossenkop.
David met slinger bij een beek
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: london
Artist: george heywood maunoir sumner
Artist role: print maker
Artist dates: 1853 – 1940
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), story of david, casting weapons: sling
Gezicht op een groep gebouwen
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: urban housing

Gezicht op een groep gebouwen. Blad 13 recto uit een schetsboek met 52 bladen vervaardigd in de omgeving van Kampen, Hattem, Hoorn en Zwolle.
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1400 – 1400
Materials: copper, enamel, gold, silver
Culture: spanish
Location: spain
Subjects: coat of arms

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Studies van een vrouw
Object type: drawing
Date: 1812 – 1861
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Studeerkamer - eikenhout. Ontwerp van T. Nieuwenhuis
Object type: photograph
Date: 1899 – 1902
Materials: paper, cardboard
Techniques: gelatin silver print
Location: netherlands
Subjects: print maker, draughtsman, theo nieuwenhuis, furniture for storage, amsterdam

Dossierkast in de studeerkamer in het huis van mr. Ferdinand Kranenburg te Amsterdam, ontworpen door Theo Nieuwenhuis in de werkplaats van E.J. van Wisselingh & Co., Amsterdam. Uit een serie van oorspronkelijk vijf foto's die samen op een karton geplakt zijn.
Studieblad, onder andere met een zittende figuur
Object type: endleaf
Date: 1908 – 1919
Materials: pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: sitting figure

Achterste schutblad uit een schetsboek met 33 bladen.
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, printing, writing
Location: rotterdam
Artist: derk wiggers
Artist role: draughtsman, painter
Artist dates: 1866 – 1933
Subjects: the hague, painter, draughtsman, philip zilcken, the graphic arts, money
Inscriptions: watermark, collector's mark: ‘RPK’
Terracotta rim fragments of skyphoi (deep drinking cups)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Four black glaze rim fragments from skyphoi
Portret van Alexander François Sifflé
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: philippus velijn
Artist role: print maker
Artist dates: 1787 – 1836
Subjects: middelburg
Inscriptions: collector's mark: Lugt 2228

Latere staat prent volgens Van Someren ook gebruikt in: Nederlandsche Muzen-Almanak. J. Immerzeel, 1836.
Vijf familiefoto's, onder andere bij een huwelijk
Object type: album leaf
Date: 1920 – 1950
Materials: paper, cardboard
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), bride and groom in wedding-dress, historical persons not known by name, netherlands
Inscriptions: number: ‘64’

Deze foto's maken deel uit van een album.
Beggar couple
Object type: relief
Date: 1767 – 1800
Materials: ivory
Subjects: couples,men,women
Reclame voor een kruk van E.D. Castelow uit West Meriden, Connecticut
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: connecticut
Artist: Anonymous
Subjects: advertising, stool
Inscriptions: inscription: ‘MANUFACTURED BY/ E.D. CATELOW,/ WEST MERIDEN, CONN./ (...)’
Vestingplattegrond van Wageningen met beschrijving
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: fortress, coat of arms (as symbol of the state, etc.), maps of cities
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Blaeu, Johannes Willemszoon. Toonneel der steden van de Vereenighde Nederlanden. 2 delen. Amsterdam: Johannes Willemszoon Blaeu, 1652, dl. 1.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, head of a draped woman to right, with a sakkos
Two Laborers
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: william henry pyne
Artist role: author
Artist nationality: english
Artist dates: 1769 – 1843
Embleem met allegorie op bedachtzaamheid (middelmatigheid)
Object type: book illustration
Date: 1681 – 1737
Materials: paper
Techniques: etching
Location: leiden
Artist: françois van bleyswijck
Artist role: draughtsman, print maker
Artist dates: 1671 – 1746
Subjects: forethought, deliberation; 'previdenza', 'providenza' (ripa)
Inscriptions: collector's mark: Lugt 2228

Embleem met allegorie op bedachtzaamheid of ingetogenheid, in de titel met verouderde term middelmatigheid aangeduid. Verbeeld als vrouw houdt zowel lam als leeuw aan een teugel in toom. In het landschap achter haar zien we Icarus in problemen, de was in zijn vleugels smelt door de warmte van de zon en hij stort neer, geen weloverwogen handeling. Onder de voortelling staat een gedicht dat op het verso wordt vervolgd.
Night Table
Object type: night table
Date: 1880 – 1880
Culture: american
Location: united states
Artist: herter brothers
Artist role: maker
Artist nationality: american
Artist dates: 1864 – 1906
Subjects: flowers
40 reis van het keizerrijk Brazilië van D. Pedro I, 1824
Object type: coin
Date: 1824 – 1824
Materials: copper
Techniques: striking
Location: rio de janeiro

Koperen munt. Voorzijde: tussen twee samengebonden takken gekroond wapenschild van Brazilië. Keerzijde: binnen cirkel van bloemen waarde-aanduiding: 40. In omschrift onderaan jaartal met rechts daarvan letter R [=Rio]. Gladde rand.
[Mammoth Tree; General View of Nave, Looking South; View from North Gallery; Classical Fountain]
Object type: photograph
Date: 1859 – 1859
Techniques: albumen silver print, glass negative
Artist: philip henry delamotte
Artist role: artist
Artist nationality: british
Artist dates: 1821 – 1889
Subjects: sculpture,fountains,interiors
Scarab Inscribed with the Throne Name of Thutmose II
Object type: scarab, thutmose ii, aakheperenre
Date: 1492 – 1479
Materials: stone
Location: egypt
Subjects: hieroglyphs,scarabs
Association belge de photographie bulletin 9me année: 1882
Object type: book
Date: 1882 – 1882
Materials: paper, cardboard, leather
Techniques: marbled paper, photograph, heliotype, letterpress printing, marbling, photoaquatint, woodburytype
Location: ghent
Artist: c. annoot-braeckman
Artist role: printer, publisher
Brief aan J.R.H. Neervoort van de Poll
Object type: letter
Date: 1905 – 1908
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: drawing, art collecting
Length
Object type: length
Date: 1850 – 1859
Subjects: flowers
Fish and Bamboo
Object type: print
Date: 1860 – 1869
Techniques: woodblock print, surimono
Location: japan
Artist: maezawa otei

This is a depiction of a nabeka, a saltwater fish that lives in the shallows by the coast, and bamboo plumes, which were an autumnal gourmet treat. As such, they are a tasty symbol of the season and are used in communal feasts in fine restaurants.
As in Shoki Banner, Kiitsu is the host of this group. The other members of the group, however, are different, indicating that Kiitsu must have been the leader of multiple groups in the Osaka region and was perhaps active as a poetry teacher. The artist Maezawa Ohtei designed numerous surimono in the 1850s and 1860s and was probably a popular designer for poetry groups at the time.
Vrouw kijkt in een wieg
Object type: print
Date: 1855 – 1885
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: bernardus johannes blommers
Artist role: draughtsman, print maker
Artist dates: 1845 – 1914
Subjects: cradle, crib, mother and baby or young child
Inscriptions: collector's mark: Lugt 2228
Schouwburg van den oorlog (blad XXIX), ca. 1700-1710
Object type: print
Date: 1700 – 1710
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: fortress, maps of cities

Blad met negen plattegronden van versterkte steden. Blad XXIX in: Schouwburg van den oorlog (editie van 1720), het prentwerk met de gebundelde reeks van 31 platen over de Spaanse Successieoorlog.
Eutyches
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: priest
Inscriptions: inscription: ‘103’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 140v.
Hoe moed en trouw, gepaard aan list; / Weleer De Groot te redden wist; / En hoe hij vlugtte als metselaar, / Wordt ge in deez' fraaije prent gewaar
Object type: print
Date: 1832 – 1850
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: delft, hugo de groot
Inscriptions: collector's mark: Lugt 2228

Blad met twaalf voorstellingen van de ontsnapping van Hugo de Groot uit Slot Loevestein in 1621. Onder elk plaatje een tweeregelig versje. Genummerd rechtsboven: No. 32. Ca. 1832-1849.
Portret van de Amsterdamse predikant Hermanus Langelius
Object type: print
Date: 1655 – 1673
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: predikant, hermanus langelius
Inscriptions: collector's mark: Lugt 2228
Lady Sarah Bunbury Sacrificing to the Graces
Object type: painting
Date: 1763 – 1765
Materials: canvas, oil, paint
Techniques: painting
Location: england
Artist: sir joshua reynolds
Artist role: artist
Artist nationality: british
Artist dates: 1723 – 1792
Subjects: portraits, woman, venus, vase, trees, statues, portraits: female subject, portrait, pitcher, nature, mythology, marriages/weddings, love, greek mythology, greek gods, foliage, flowers, flora, fire, classical, architecture, architecture, architechture, water, green (color), alters, dresses, mythological figures, pink (color), shrines, women

Dressed in Classically inspired robes, Lady Sarah Bunbury pours a libation of oil as an offering to the Three Graces, positioned behind her. Her soon-to-be husband, Charles Bunbury, commissioned this marriage portrait, making her association with the Graces—symbols of fertility and attendants to the Roman goddess of love, Venus—all the more appropriate.

The first president of the Royal Academy in London, Sir Joshua Reynolds urged his fellow artists to paint historical and edifying subjects based on the art of antiquity and the Renaissance. As a portrait painter, he developed a grand style that ennobled the genre by giving his sitters Classical attributes and poses.
Autumnal Sunset
Object type: print
Date: 1830 – 1830
Techniques: drypoint, mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: landscapes,autumn

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Abdij Rijks-archief Middelburg / L'Abbaye Archives de l'etat Middelbourg
Object type: photomechanical print
Date: 1890 – 1910
Materials: paper
Techniques: photograph
Location: middelburg
Subjects: archive, abbey, monastery, convent ~ roman catholic church
Inscriptions: collector's mark: ‘Vosmaer’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, draped figure with striped staff, drapery of another?
Brug over de rivier Alue Teungoh
Object type: photograph
Date: 1903 – 1913
Materials: photographic support
Techniques: gelatin silver print
Location: north sumatra
Artist: Anonymous
Subjects: albertus dominicus laman trip, building activities, traffic by road or path with motor-vehicle, landscapes in tropical and sub-tropical regions, road, path, bridge

Na de expedities naar de Gajo- en Alaslanden o.l.v. Van Daalen (eerste tocht in 1901), werd hij in 1903 belast met voorbereiding van permanente vestiging van Nederlands gezag. Aanleg van een weg van de Noordkust naar het binnenland was hierbij van groot belang. Deze zgn. Gajoweg werd aangelegd tussen 1903 en 1914, van Bireuen aan de kust naar Takinguen aan het bergmeer Danau Lauttawar, totale lengte 104 km.
Twee mannen bij een kookvuur
Object type: book illustration
Date: 1490 – 1537
Materials: paper
Techniques: letterpress printing
Subjects: open fire, fire-place, stove (in kitchen)
Inscriptions: annotation: ‘chirurgie’