deem-data/ArtiFact huggingface dataset:
Nederlandse regering in Londen in ballingschap
Object type: photograph
Date: 1944 – 1944
Materials: photographic support
Techniques: photography, typewriting
Location: london
Artist: pieter sjoerds gerbrandy
Artist role: minister van staat, tweede kamerlid, hoogleraar, lid tweede kamer, minister-president
Artist dates: 1885 – 1961
Subjects: the hague, pieter sjoerds gerbrandy, willem drees, netherlands, london

Eén foto van in totaal drie foto's van een document, afkomstig van de Nederlandse regering in Londen in ballingschap, waarbij het illegale college van vertrouwensmannen werd opgericht, dat maatregelen moest nemen voor een tijdelijk bestuur van Nederland na de bevrijding van het gehele land. Drees was lid van dit college. Opschrift; r.b.: 'Arlington House, Arlington Street, Londen, SW 1'. Opmerking: Behoort bij inv. nrs. NG-685-a en c.
Zeeslag bij een Ottomaans schiereiland
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: etching
Location: antwerp
Artist: hieronymus cock
Artist role: print maker, publisher
Artist dates: 1518 – 1570
Subjects: battle (+ naval force)
Inscriptions: date

Zeeslag rond een schiereiland. Op het eiland ligt een Ottomaanse vestingsstad aangeduid als 'Sechagne'. Vanuit het land en de zee wordt het schiereiland belegerd door troepen van keizer Karel V.
Winter Scene: Removing Stumps, from "Le Magasin Pittoresque"
Object type: print
Date: 1852 – 1852
Techniques: engraving
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Onderscheide voorstellen
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: human types, drunkard, street-trader, drunkenness
Inscriptions: collector's mark: Lugt 2760

Blad met 15 voorstellingen van verschillende figuren, zoals een goochelaar, een dikke man en een tamboer. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 67.
Pair of Wine Coolers
Object type: metalwork
Date: 1873 – 1873
Materials: silver
Location: new york city
Artist: eugene j. soligny
Artist nationality: american
Artist dates: 1833 – 1901
Subjects: dining, drinking
Inscriptions: Marked on bottom: TIFFANY & CO. (in convex rectangle) / 2963 / Quality 925.1000 (in rectangle) / M (in oval) /5200/ UNION SQUARE (in convex rectangle)
Marked on underside of one foot: No. 1.

Executed in the “neo-grec” style, this suite of silver was commissioned by the United States government and presented to Viscount d’Itajubá of Brazil in gratitude for his role in arbitrating grievances between the United States and Great Britain after the American Civil War. It was the first of three identical suites made by Tiffany and Company, as indicated on each piece by the “No. 1” stamped on the underside. Figures and symbols decorating these objects represent ancient Greek themes. The handles on the punch bowl (1985.221.3) portray Dionysus, the god of wine, and the wine coolers depict facemasks of Silenus, a woodland god and Dionysus’s constant companion. The full-figure, chased plaques on the wine coolers represent Agriculture and Commerce and were meant to symbolize the continued stability and prosperity of the United States after the Civil War.
Snuffbox
Object type: snuffbox
Date: 1740 – 1740
Materials: gold
Subjects: men,female nudes,carriages

Heliotrope was known and valued during antiquity for its deep emerald green color and its purported magical qualities. The primary source of heliotrope, also known as bloodstone because of its red inclusions resembling blood, is India.
'Noorder Kerck', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Object type: book print ornament architecture
Techniques: engraving, lithography
Location: amsterdam
Artist: carel allard
Artist role: publisher
Artist nationality: dutch
Artist dates: 1648 – 1709
Subjects: churches,trees,boats

Depiction of the Noorderkerk (Northern Church) in Amsterdam. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.
Portret van Jan Victors
Object type: print
Date: 1650 – 1676
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: painter, jan victors, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Met zesregelig onderschrift in het Latijn.
Teapot
Object type: teapot
Date: 1740 – 1750
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,flowers
Stillen van het aansprekersoproer te Amsterdam, penning aan de gewapende burgers vereerd
Object type: history medal
Materials: silver
Techniques: striking
Location: amsterdam
Artist: reynier arondeaux
Artist dates: 1678 – 1727
Subjects: amsterdam

Zilveren penning. Voorzijde: Neptunus met drietand staande op zijn wagen in een woelige zee straft vertoornd de losgelaten stormwinden, op voorgrond twee vogels die uit nest vallen binnen omschrift. Keerzijde: twee vogels in nest op kalme zee, terwijl zon opkomt onder wimpel met opschrift; afsnede: jaartal.
Bather Stepping into a Tub
Object type: drawing
Date: 1890 – 1890
Materials: board, charcoal, paper, pastel
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: female nudes,bathing

Degas’s interest in the motif of a nude entering the water apparently dates to his student days, when he copied the figure of a man scrambling over a riverbank from an engraving by Marcantonio Raimondi after Michelangelo. This is one of seven pastels in which Degas ventured a modern version of the subject. The woman, her arms and legs splayed precariously against a zinc bathtub, powerfully manifests the combination of physical awkwardness and sensuality that characterizes the artist’s depictions of bathers.
Natfruitschaal van faience
Object type: vergiet
Date: 1750 – 1780
Materials: earthenware, glaze
Location: delft
Inscriptions: mark: ‘148/ figuratief teken ster’

Blauw beschilderd met bloemen en landschappen in medaillons. Hoort bij onderschotel NM-4447.
Stage Setting
Object type: drawing and watercolor
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: school of ferdinando galli bibiena
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: painter of brussels r 330
Artist role: artist

Interior, woman with sakkos, chiton and himation, right hand holding staff, sandal in field?; Exterior, left foot and drapery of figure, stick and toes of second figure
A Woman Reading, after Pieter Janssens Elinga
Object type: drawing
Date: 1846 – 1847
Materials: gouache, watercolor
Location: france
Artist: françois bonvin
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1887
Subjects: books,interiors,women,reading
Schets van een aquarium met vissen
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: aquarium, fishes
Venus Disarming Cupid
Object type: drawing and watercolor
Date: 1852 – 1857
Materials: charcoal, gouache, paper
Techniques: heightening, scraping, stumping
Location: france
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875

This drawing takes its subject and composition from Corot’s painting A Nymph Playing with a Cupid (1857; Musée d’Orsay, Paris), exhibited at the Salon of 1857—the first time the artist had shown a work at the Salon featuring a female nude. He apparently made this drawing for his close friend and fellow painter Constant Dutilleux.
The Flume from below, looking up
Object type: photograph
Date: 1834 – 1866
Techniques: albumen print
Location: new hampshire
Artist: n.w. pease
Artist nationality: american
Artist dates: 1868 – 1878
Saint Mark, from The Four Evangelists
Object type: print
Date: 1650 – 1650
Materials: ivory, paper
Techniques: engraving
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658
Inscriptions: Verso: stamped with collector's mark of Rudolf Peltzer (Cologne, 1825-1910; Lugt 2231)
Soldiers on the Gayo Road
Object type: photograph
Date: 1910 – 1913
Materials: photographic support
Techniques: gelatin silver print
Location: north sumatra
Artist: Anonymous
Subjects: arnhem, albertus dominicus laman trip, building activities, military service, traffic by road or path with motor-vehicle, landscapes in tropical and sub-tropical regions, road, path

Na de expedities naar de Gajo- en Alaslanden o.l.v. Van Daalen (eerste tocht in 1901), werd hij in 1903 belast met voorbereiding van permanente vestiging van Nederlands gezag. Aanleg van een weg van de Noordkust naar het binnenland was hierbij van groot belang. Deze zgn. Gajoweg werd aangelegd tussen 1903 en 1914, van Bireuen aan de kust naar Takinguen aan het bergmeer Danau Lauttawar, totale lengte 104 km.
Big Tree of Tule, full height
Object type: photograph
Date: 1897 – 1923
Materials: paper, cardboard
Techniques: gelatin silver print
Location: santa maría del tule
Artist: charles betts waite
Artist role: fotograaf
Artist dates: 1861 – 1927
Subjects: trees
Inscriptions: copyright notice: ‘Es propiedad/ Copyrighted.’
Marble funerary inscription
Object type: plaque with funerary inscription
Date: 201 – 233
Materials: marble
Culture: roman

The plaque was set up by Satria Epicharis for her slave Antoninus, who died aged twelve.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, forepaws of quadruped and end of stick or staff
Decorated fragment from the side of a canopic chest
Object type: canopic box, siptah, center side, drawing
Date: 1194 – 1188
Materials: stone
Location: egypt
Spinola
Object type: print
Date: 1732 – 1735
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: françois van bleyswijck
Artist role: draughtsman, print maker
Artist dates: 1671 – 1746
Subjects: glass, rummer

Gebruikt als illustratie in: Cornelis van Alkemade, Nederlands displegtigheden, vertoonende de plegtige gebruiken aan den dis (...) onder de (...) ingezetenen der Nederlanden, weleer gebruikelyk, 3 dln, Philippus Losel, Rotterdam, 1732-1735, dl. 3 (1735), p. 480/481.
Tea caddy
Object type: tea caddy
Date: 1767 – 1800
Materials: lacquer
Culture: japanese
Als 't buyten woedt, Is 't binnen soet
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: open hearth, fire-place, snow, opening the door
Inscriptions: collector's mark: Lugt 2228, number: ‘33’

Illustratie uit: Luyken, Jan. Voncken der liefde Jesu, van het godtbegerende zielenvier. Amsterdam: Pieter Arentsz (II), 1687, p. 136.
Cardinal Grosbeak, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of America" series (N4), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Het hooge land van Sagen, op Celebes, alsmen 2 1/2 Eng[els]e mijlen omtrent uyt de wal is
Object type: drawing
Date: 1749 – 1749
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: coast (in tropical and sub-tropical regions)
Inscriptions: collector's mark: Lugt 2228
Portret van Christoph Sonntag
Object type: print
Date: 1717 – 1722
Materials: paper
Techniques: engraving
Subjects: christoph sonntag, theologian, further education (+ portrait of teacher, professor), historical persons
Inscriptions: number: ‘22’, collector's mark: Lugt 2228
Foedraal van bruin fluweel, bevattend 24 (nood)munten
Object type: coin
Date: 1900 – 1925
Materials: velvet
Techniques: sewing
Artist: Anonymous

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Groepsportret van drie onbekende vrouwen rond een tafel, met daarop foto's
Object type: frame
Date: 1855 – 1860
Materials: cardboard, glass, leather, metal, paper, wood
Techniques: albumen print
Location: roermond
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: label: ‘Firma Gerard Pisters/ (H. Grevers)/ Steenweg 4/ Roermond’
Gezichten op dorpen en kastelen
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: etching
Location: haarlem
Subjects: castle
Gezicht op een ruïne van een kasteel
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: villandraut
Artist: j.a.g. de leur
Artist role: publisher
Artist dates: 1860 – 1914
Subjects: castle, ruin of a building ~ architecture
Inscriptions: check stamp: ‘[...]’, collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers Amsterdam’, inscription: ‘(Gironde)’, workshop stamp: ‘Kunsthandel/ J.A.G. de Leur/ Photograaf- Uitgever/ Huigenspark, 40b,/ Den Haag’, number: ‘No. 1636’
Mary Magdalene, penitent in the desert
Object type: print
Date: 1801 – 1801
Techniques: engraving
Artist: raphael morghen
Artist role: artist
Artist nationality: italian
Artist dates: 1758 – 1833
Desing for a base or support with three female figures
Object type: drawing
Date: 1801 – 1900
Materials: chalk
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: women
Signet ring with the Van Wijnbergen family arms
Object type: ring, signet
Date: 1535 – 1535
Materials: gold
Techniques: painted
Location: northern netherlands
Artist: Anonymous

In the 16th century, seals were sometimes made of rock crystal. The transparency of this stone made it possible to include a coat of arms both in relief and in colour (on the back of the stone). The one here – three black wheels with five spokes in a field of silver – belongs to the Van Wijnbergens, a noble family from the province of Overijssel. Accordingly, this ring was most likely made in the northern Netherlands.
Card Number 8, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: profiles,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Dressing Table
Object type: furniture
Date: 1729 – 1760
Materials: wood
Location: philadelphia
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Subjects: furniture
Woven Rug
Object type: rug
Date: 1800 – 1850
Materials: cotton, wool
Techniques: weave
Culture: american
Breastplate
Object type: armor
Date: 1500 – 1520
Materials: steel
Culture: italian or spanish
Location: spain

The Italian style of plate armor with smooth surfaces dominated the tastes of most Western European courts, particular in Flanders, France, and Spain. By about 1500, breastplates were commonly produced from a single plate rather than two overlapping ones. Here the arm-and-neck opening is raised with a heavy boxed edge to divert the point of weapons. The central ridge is another feature that emerged at this time to help glance away blows.
Ex libris van Beels-Quarles van Ufford
Object type: bookplate
Date: 1925 – 1925
Materials: paper
Techniques: printing block
Location: netherlands
Artist: charles nijpels
Artist role: print maker
Artist dates: 1895 – 1952
Subjects: clemens haro beels, armorial bearing, heraldry
Inscriptions: signature: ‘Ch. Nypels’
Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant
Object type: painting
Date: 1325 – 1335
Materials: paint, panel, wood
Techniques: painting
Location: italy
Artist: ugolino di nerio
Artist nationality: italian
Artist dates: 1317 – 1339
Subjects: virgin and child/madonna and child, virgin mary, throne, saints, saint john the baptist, religious scenes, religious figures, religious attire, religious, religion, mothers, mother and child, mother, men, madonna, jesus, family, families, devotion, christianity, christian subjects, children, book, blue (color), blue, bibles, babies, century of progress, world's fairs, chicago world's fairs

In 1260 Gerard de Frachet, an early chronicler of the Dominican order, noted that the friars had “in their cells . . . before their eyes images of Mary and her crucified son, so that while reading, praying, and sleeping they could look upon them and be looked upon by them, with eyes of compassion.” This image of the Virgin and Child with saints would have served such a purpose. A Dominican friar kneels before the enthroned Virgin, just below the figure of Saint Dominic, who intercedes on the friar’s behalf. Traces of hinges on the left edge suggest that the piece was part of diptych, probably paired with a painting of the Crucifixion.
Gezicht op de Amstel bij de Hogesluis gezien naar de Rhijnspoorweg
Object type: photograph
Date: 1860 – 1860
Materials: cardboard, paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: city-view in general; 'veduta', river, railway, train
Inscriptions: inscription: ‘Amstel b/d Hoogesluis ziende naar het Rhijnspoor / omstreeks 1860 / Geschenk van den heer J. van Eck. Juni 1919.’, collector's mark: ‘4C’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel van Hogesluis stroomopwaarts.
Salver
Object type: salver
Date: 1735 – 1750
Materials: silver
Artist: w. d.
Artist role: maker
Tuindorp Oostzaan Amsterdam
Object type: ansichtkaart, prentbriefkaart
Date: 1919 – 1929
Materials: photographic support
Techniques: photography, writing
Artist: Anonymous
Subjects: village square, place, amsterdam
Inscriptions: postage stamp
Jug
Object type: jug
Date: 201 – 700
Materials: ceramic
Culture: sasanian
Location: mesopotamia

Plain unglazed ceramics, like this jar, are the most common type of pottery found during the Sasanian period. These plain vessels were part of the everyday household materials. The ceramics during this period were mostly wheel-made. This jar was excavated from a house at the site of Ma’aridh II in the Ctesiphon area and is very well preserved The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. Over the course of the excavations in the Ctesiphon area, six houses from a series of small mounds called el Ma’aridh were excavated. These houses follow typical Sasanian design with a mix of square and elongated rooms. Ma’aridh II is a large house that is entered through a small entry way rather than directly from the street. The house is divided into a utilitarian, or service, sector on the eastern side of the building, and a monumental decorated space to the west of the entryway. The western rooms were decorated with pillars, a double horseshoe archway, and stucco reliefs. A long barrel vaulted arched room, 19 meters in length, was probably the most important room of the house. It was entered through a smaller room with four pillars. This large house, with the excavated portion revealing more than 1800 square meters, represents an elite household. Excavation Number: O.1527
Roundel with the Blinding of Tobit (from a Series)
Object type: roundel
Date: 1510 – 1510
Materials: glass, paint, pigment
Culture: south netherlandish
Location: south netherlands
Subjects: men,women,dogs
Ornament
Object type: ornament
Date: 801 – 1000
Materials: bronze
Techniques: casting, gilding
Location: iran

This object was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.