deem-data/ArtiFact huggingface dataset:
Old Sarum
Object type: print
Date: 1830 – 1830
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: landscapes

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Liggend mannelijk naakt, half opzittend geleund op de linkerarm
Object type: drawing
Date: 1780 – 1780
Materials: chalk, paper
Artist: jean grandjean
Artist role: draughtsman, print maker
Artist dates: 1752 – 1781
Portret van medicus Alexander Balthazaar
Object type: print
Date: 1762 – 1804
Materials: paper
Techniques: engraving, etching
Subjects: physician, doctor
Inscriptions: collector's mark: Lugt 2166

Prent naar schilderij van Christiaan Johann Elin.
Steek van ambassadeur Allard Merens
Object type: bicorne
Date: 1945 – 1976
Materials: metal, textile
Location: london
Subjects: the hague

Platte steek van donkerblauwe stof met witte struisvogelveren langs de rand. Rechts een oranje rozet met gouden band met knoop met gekroonde J, behorend bij de diplomatieke ambtskleding van ambassadeur Allard Merens.
Portret van Friedrich Carl von Savigny
Object type: print
Date: 1830 – 1863
Materials: paper
Techniques: tone lithography
Location: berlin
Subjects: berlin, historical persons, law and jurisprudence
Inscriptions: check stamp: Lugt 2141c, collector's mark: Lugt 2228
Prudence
Object type: pendant
Materials: stone, diamond, gemstone, enamel, gold, pearl
Artist: etienne delaune
Artist role: artist
Artist nationality: french
Artist dates: 1518 – 1583
Subjects: women,snakes

The practice of combining hardstone and gold in the same composition originated in Italy, where a piece of this sort was known as a commesso. Prudence gazes into a diamond mirror. The Italian Renaissance brought with it a wholehearted embrace of classical antiquity throughout the fifteenth and sixteenth centuries. Emulation of ancient cameos played a large part. Carvers invested ancient myths with increasingly refined compositions and techniques, paying close attention to the latest archaeological discoveries. Demand for Italian carvers took them to all the courts of Europe. Milan in particular developed a taste for cameos with wondrous atmospheric effects. One of the four cardinal virtues, Prudence gazes into a mirror while holding a snake—attributes symbolizing, respectively, her self-knowledge and her wisdom. The pendant is an example of the Italian commesso technique, in which carved gemstones are combined with gold and enamel to create figural compositions. The enamel on the reverse, a nineteenth-century addition, is after a design by Étienne Delaune (1518/19–1583).
Landschappen met mythologische en bijbelse voorstellingen
Object type: print
Date: 1550 – 1650
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: when abraham has his hand raised to kill isaac, an angel restrains abraham's hand
Inscriptions: collector's mark: Lugt 2228

Abraham staat op het punt om zijn zoon Isaak te offeren. Een engel houdt hem tegen en Abraham offert in plaats van Isaak een ram die zich links voor in een struik heeft verstrikt.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen, silk
Techniques: embroidery
Badge with Hunting Horn
Object type: pilgrim's badge
Date: 1401 – 1500
Materials: alloy, lead, tin
Culture: british
Subjects: horns
Strook naaldkant met spiralen
Object type: strip
Date: 1600 – 1699
Materials: linen
Techniques: needle lace
Location: italy
Artist: Anonymous

Strook naturelkleurig naaldkant. Patroon met dichtopeen gedrongen voluten en palmetten, zonder grond. Het volwerk bestaat uit dikke contourdraden die spiraalsgewijs gelegd zijn, waarbij verbindingen zijn gemaakt door gedraaide festonsteken in één toer-hoogte. De boven- en onderzijde zijn afgewerkt met een rechte rand, aan de onderzijde hangen echter zeer kleine steeltjes of puntjes. De korte zijden zijn gestikt om rafelen te voorkomen.
Holy Water Basin
Object type: holy water basin
Date: 1401 – 1600
Materials: brass, iron
Culture: dutch
Pieces
Object type: piece
Date: 1750 – 1800
Materials: metal thread, silk
Subjects: flowers,leaves
Design for the Decoration of the Lower Right Corner of a Ceiling, Plate 4 from: 'Unterschiedliche neü inventirte Decken oder Plafond.'
Object type: album print ornament architecture
Techniques: etching
Artist: carl pier
Artist role: artist
Artist nationality: german
Artist dates: 1700 – 1790
Subjects: dragons

Ornament print with a design for the decoration of the lower right corner of a ceiling with thin elegant rocaille motifs, a small dragon and rays of the rising sun. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Stadsgezicht met een brug
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: bridge in city across river, canal, etc., tower, clock tower ~ monumental adornment (+ city(-scape) with figures, staffage), amsterdam

Pagina 70 uit een schetsboek met 29 bladen.
Vase
Object type: vase
Date: 1801 – 1900
Materials: glaze, porcelain
Techniques: enamel
Culture: chinese
Kind met mand bij een toonbank waarachter een vrouw
Object type: print
Date: 1868 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: edgard farasyn
Artist role: print maker
Artist dates: 1858 – 1938
Subjects: counter ~ shop, child, container made of plant material other than wood: basket, old woman
Inscriptions: collector's mark: Lugt 2228, inscription: ‘4me Etat’

Het kind is bedroefd en voelt in de zakken omdat het onderweg het geld is verloren. De vrouw achter de toonbank steekt haar hand uit om af te rekenen.
Brief aan Philip Zilcken
Object type: letter
Date: 1875 – 1875
Materials: ink, paper
Techniques: pen, writing
Location: deventer
Artist: johannes jacobus franciscus wap
Artist role: letterkundige
Artist dates: 1806 – 1880
Subjects: the hague, painter, draughtsman, philip zilcken, family life, deventer, naples
Inscriptions: collector's mark: ‘RPK’
Uit de hand gelopen spellen
Object type: print
Date: 1840 – 1868
Materials: paint, paper
Techniques: hand coloring, lithograph
Location: metz
Subjects: group games, party games
Inscriptions: collector's mark: Lugt 1641, collector's mark: Lugt 2233, : ‘Déposé’, stamp:

Twaalf voorstelling met spellen die uit de hand lopen. Onder iedere voorstelling een regel tekst. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Jonge vrouw nadenkend aan een schrijftafel
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching, intaglio
Artist: willem geets
Artist role: print maker
Artist dates: 1838 – 1919
Subjects: writing-table, writing-desk, adolescent, young woman, maiden
Inscriptions: collector's mark: Lugt 2228
Aanslag van Alva, op den Prins van Oranje, Ao. 1572
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: theodoor koning
Artist role: print maker
Artist dates: 1748 – 1829
Subjects: delft, william i (prince of orange), attempt, political murder

Illustratie voor: J. Nomsz, Willem de eerste, of de grondlegging der Nederlandsche vryheid. : In vier en twintig zangen, Erven van David Klippink, Amsterdam 1779. Staat vóór de letter. Met de handgeschreven titel in pen in bruin op een apart papiertje.
Ornamentele letter V
Object type: album leaf
Date: 1745 – 1765
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: letters, alphabet, script, fancy letters

Ornamentele letter V, versierd met twee vogels en een naakte vrouw die uitloopt in ornament. Prent maakt deel uit van een album.
Gezicht op de achterzijde van het Diaconieweeshuis te Amsterdam
Object type: print
Date: 1675 – 1725
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: public welfare, orphanage, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Gezicht op de achterkant van het in 1657 in gebruik genomen Diaconieweeshuis op Vlooienburg te Amsterdam, gezien vanaf de Binnen-Amstel. Dit weeshuis lag op de hoek van de Binnen-Amstel en de Zwanenburgerstraat. Bedoeld voor wezen van Nederduits Gereformeerde (later Hervormde) huize wier ouders geen poorters waren.
Plate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!)
Object type: print
Date: 1811 – 1811
Techniques: aquatint, burnishing, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: children,men,women
Kap van roze damast
Object type: cap
Date: 1800 – 1900
Materials: felt, silk, wool
Techniques: damask
Location: friesland
Artist: Anonymous

Kap van roze damast met bloemen, zonder koralen maar met zwart lint, gevoerd met naturel kleurig vilten wol.
Fragment bedrukt katoen
Object type: fragment
Date: 1850 – 1899
Materials: cotton, linen
Techniques: printing, weave

Fragment van bedrukt katoen. De opdruk is zwart en heeft een patroon van blad- en bloemranken en een dier (hert ?).
Gezicht op het Monument Indië-Nederland
Object type: drawing
Date: 1935 – 1947
Materials: chalk, gouache, paper, pencil
Techniques: brush
Location: amsterdam
Artist: frans everbag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1947
Subjects: square, place, circus, etc., city-view in general; 'veduta', river
Inscriptions: collector's mark: Lugt 800a, inscription: ‘van Heutz monument’, signature: ‘F Everbag’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 32.
Napoli. Interno della Villa con veduta di Sant'Elmo
Object type: photomechanical print
Date: 1906 – 1910
Materials: cardboard
Techniques: autotype
Location: terni
Artist: Anonymous
Subjects: square, place, circus, etc., (high) hill, naples
Incense Box (Kogo) with Design of Autumn Grasses
Object type: incense box
Date: 1401 – 1500
Materials: gold, lacquer
Techniques: maki
Culture: japanese
Havengezicht
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: harbour

Blad 34 verso uit een schetsboek met 42 bladen.
Valkenburg (L.). Heksenkeuken
Object type: photomechanical print
Date: 1905 – 1908
Materials: cardboard
Techniques: photograph
Location: valkenburg
Artist: Anonymous
Subjects: cave, grotto, rocks
Glass mosaic bowl fragment
Object type: fragment, mosaic glass
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent honey brown, blue, and opaque white. Vertical, flattened rim; convex curving side, tapering downward. Body decorated with mosaic pattern formed from irregular sections of a single cane in brown ground with blue bands and white lines and streaks. Exterior polished, with pitting of surface bubbles; creamy weathering on rim, interior, and edges.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, seated youth with himation wrapped around lower body, with arms bent
Rowel Spur
Object type: spur
Date: 1501 – 1600
Materials: metal alloy
Culture: hungarian
Location: hungary

This type of spur, with its large and impressive rowel, was popular among Hungarians in the 16th century. Its general shape is an evolution of late medieval spurs. The proportions of the rowel, rather impractical, mostly served the purpose of showing off the high social status of the rider. The buckle attached to one of the dragon’s head-shaped terminals does not originally belong to this spur.
Landschap, mogelijk een duinlandschap
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper
Techniques: stumping
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: dunes (sea not visible); in the dunes

Landschap, mogelijk een duinlandschap. Blad 1 verso en blad 2 recto uit een schetsboek met 29 bladen.
Gezicht op het Rembrandtmonument
Object type: photograph
Date: 1852 – 1886
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: johannes leeuwenkuijl
Artist role: boekhandelaar, fotograaf
Artist dates: 1834 – 1886
Subjects: square, place, circus, etc., city-view in general; 'veduta', monument, statue
Inscriptions: collector's mark: ‘12,8’ Lugt 1641b, check stamp: ‘[...] M&E / Photographie [...]’

Onderwerpsrubriek binnen de Atlas Amsterdam: Rembrandtplein (Botermarkt), Roeterseiland.
Watch
Object type: watch
Date: 1640 – 1660
Materials: gilt, metal, quartz, silver
Artist: david buschman
Artist role: maker
Artist nationality: german
Artist dates: 1626 – 1701
Female Figure (from Sketchbook)
Object type: drawing
Date: 1796 – 1886
Materials: graphite, paper
Culture: american
Artist: asher brown durand
Artist role: artist
Artist nationality: american
Artist dates: 1796 – 1886
Subjects: women
Design for Landau, No. 3050
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Sully
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: paris
Subjects: maximilien de béthune (duke of sully), historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van paus Eugenius II
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope

Prent uit: Ciccarelli, Antonio. Le vite de Pontefici di Antonio Ciccarelli (...). Rome: Domenico Basa, 1587. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Design for the Decorative Scheme of a Wall
Object type: drawing
Date: 1700 – 1740
Materials: chalk, drawing material
Techniques: brush, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800

Design for the decoration scheme of a wall, with a door. The decoration scheme is made up out of architectural elements that could either be executed in high relief or in trompe l'oeil fresco painting. The consoles, volutes and cartouches that make up the scheme are executed in a late Baroque style, suggesting a dating in the first half of the eighteenth century.
Blank sheet of papyrus
Object type: papyrus, blank, washed
Date: 2051 – 1981
Materials: ink, papyrus
Location: egypt
Drie portretten van Edith Whitney
Object type: album leaf
Date: 1900 – 1930
Materials: cardboard, ink, photographic support
Techniques: photograph, gelatin silver print, pen
Subjects: historical persons - bb - woman, portrait of actor, actress
Inscriptions: monogram: ‘R/ [P]/ H’

Deze foto's en prent maken deel uit van een album.
Spotprent op Lodewijk Willem I, markgraaf van Baden-Baden, 1705
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: weighing gold or money, political caricatures and satires

Spotprent op Lodewijk Willem I, markgraaf van Baden-Baden, staande met zwaard in de hand, in de andere hand met een balans een zwaard wegend tegen een zak met goudstukken. Met verzen in het Nederlands en Frans in de plaat. Prent nr. 7 (De Gerechtigheid - La Justice) in de serie van 7 prenten in de Koninklyke Almanach van 1705 in het prentwerk uitgegeven onder de verzameltitel 't Lust-Hof van Momus met de gebundelde series van spotprenten tijdens de jaren 1701-1713 van de Spaanse Successieoorlog.
Musard
Object type: print
Date: 1832 – 1937
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: historical persons, portrait of composer
Inscriptions: number: ‘46.’

Prent uit een publicatie van: Le Charivari (1832-1937).
Engeland en Spanje
Object type: cartoon
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: vienna, maria christina van oostenrijk (1742-1798), ruler, sovereign, personifications of countries, nations, states, districts, etc. (+ nation; national), political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 7 juli 1901.
Tapijt met daarop heiligen en scènes uit het Nieuwe Testament geborduurd
Object type: photomechanical print
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: new testament, embroidery (ornamentation)
Inscriptions: monogram: ‘JJvY’, inscription: ‘TAPIS en laine (...)’, inscription: ‘BRODERIE. PL.2.’
Portret van de Jezuïet Carolus Scribani
Object type: print
Date: 1629 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Artist: paulus pontius
Artist role: draughtsman, print maker
Artist dates: 1603 – 1658
Subjects: brussels, antwerp, priest, hierarchy of jurisdiction ~ roman catholic church, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 240, name: ‘Carolus Scribani’
The Vision of Saint Francis
Object type: print
Date: 1581 – 1581
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: federico barocci
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1612

In this dramatic etching, Saint Francis of Assisi kneels in an ecstatic trance, with his palms outstretched toward the vibrant holy host he envisions above him. This print reproduces the painted altarpiece that Federico Barocci completed in 1576 for the church of San Francesco, Urbino. The setting of the chapel in which the altarpiece still hangs is included in this composition. The print, though technically reproductive, transcends didactic repetition through the graphic zeal of Barocci’s etched line.
Russisch driespan
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
De Ziel wederspreekt het Vleesch
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: spirit (or soul) versus body
Inscriptions: collector's mark: Lugt 2228

De gepersonifieerde ziel spreekt de personificatie van het Vlees (wereldse verlokkingen) tegen. Onder haar voeten liggen spelkaarten, een stokkenbeurs, munten en andere voorwerpen die symbool staan voor een zondig leven.
Untitled
Object type: photograph
Date: 1839 – 1860
Techniques: daguerreotype
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Entombment
Object type: print
Date: 1545 – 1550
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: men,women,christ,lamentation,death

In Mariette Album, folio 22, bottom
Gezicht op de opgravingen van Delphi
Object type: photograph
Date: 1895 – 1905
Materials: paper
Techniques: photograph
Location: delphi
Artist: Anonymous
Subjects: excavation ~ archaeology
Inscriptions: number: ‘9’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Zicht in een galerij met een buste
Object type: album leaf
Date: 1870 – 1880
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: gallery (spacious corridor)
Leprozenbedelaar in de gedaante van de Duivel
Object type: print
Date: 1474 – 1566
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: leper's rattle, devil(s) and demons, beggar, leprosy
Inscriptions: collector's mark: Lugt 1967, collector's mark: Lugt 2228

De leprozenbedelaar is als de Duivel met klauwen afgebeeld. Hij beschikt over zijn attributen: de klepper, bedelnap met geldstukken, pelgrimsstaf en het vormseldoek met het pelgrimsteken van Santiago de Compostella. Voor de figuur kruipt een adder uit een ei (addergebroed) en naast hem een brandende vuurtest. Zijn huid vertoont een schubachtige uitslag met puisten en etterende wonden. Zijn linkerarm rust in een draagdoek.
The Agony in the Garden
Object type: painting
Date: 1851 – 1851
Materials: canvas, oil
Artist: eugène delacroix
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: christ's prayer in the garden of gethsemane during the night
Inscriptions: signature and date: ‘Eug. Delacroix 1851’

Christus in Gethsemané. Christus ligt uitgestrekt op de grond, links een lichtschijnsel.
Studieblad met gitaarspelers
Object type: sketchbook leaf
Date: 1930 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: cithern, mandolin, guitar, balalaika (+ artist at work)

De mannen spelen gitaar of een aanverwant snaarinstrument. Ze dragen een hoed. Blad 5 recto uit schetsboek I met 26 bladen.
Naar het noord-westen
Object type: print
Date: 1815 – 1824
Materials: paper, watercolor
Techniques: brush, etching
Location: nijmegen
Artist: derk anthony van de wart
Artist role: draughtsman, painter, print maker
Artist dates: 1767 – 1824
Subjects: river
Inscriptions: collector's mark: Lugt 2228

Rechts stroomt de Waal. Op de rivier varen enkele boten. Links ligt de Sint-Nicolaaskapel op het Valkhof. De prent is een onderdeel van een suite van negen prenten, inclusief de titelprent.