deem-data/ArtiFact huggingface dataset:
Plate
Object type: plate
Date: 1725 – 1725
Materials: faience
Techniques: glazing
Subjects: birds,flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Vooraanzicht van een koepelkerk op de Botermarkt te Amsterdam
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church (exterior), exterior ~ architectural design or model
Inscriptions: collector's mark: Lugt 195

Vooraanzicht van een koepelkerk voor op de Botermarkt, het huidige Rembrandtplein, te Amsterdam. Onder in het midden een schaalstok: 100 voeten. Niet uitgevoerd architectuurontwerp.
Ontwerp voor titelblad voor W. Bilderdijk De Mensch, 1807
Object type: design
Date: 1771 – 1807
Materials: ink, paper
Techniques: brush, pen
Artist: jacques kuyper
Artist role: draughtsman, print maker
Artist dates: 1761 – 1808

Ontwerp voor titelblad voor W. Bilderdijk "De Mensch", 1807
Portret van een staande jonge vrouw met boek in de hand
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, book, standing figure - aa - female human figure
Laurens de Medicis
Object type: print
Date: 1700 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons
Lezende figuren bij een boekenkraam
Object type: print
Date: 1860 – 1862
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: book-stall, kiosk, reading, globe
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Het Boek voor de Booijen’

Op de voorzijde staande en zittende figuren bij een boekenkraam. Op de achtergrond een of meerdere zeilschepen en een kerktoren. Op de achterzijde van het omslag boeken en schrijfgerei rond een globe.
Silk Textile with Seraphim and Crosses
Object type: textile fragment
Date: 1501 – 1700
Techniques: lampas, weave
Location: turkey
Subjects: cross
S. Anselme, évêque de Cantorbéry (St. Anslem, Bishop of Canterbury), April 21st, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
The Annunciation; on the left the archangel Gabriel approaches the praying Virgin Mary in her bedchamber, over her head a dove representing the Holy Ghost, in the sky above a figure of God the Father, from "The Passion of Christ", after Dürer
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: virgin mary,archangel gabriel,annunciation
Portrait of sumo wrestler Nuregami Chôgorô
Object type: print
Date: 1809 – 1864
Materials: paper
Techniques: woodcut
Location: japan
Subjects: portrait of actor, actress

Portret van kabuki acteur Nakamura Shikan IV in de rol van sumo worstelaar Nuregami Chôgorô, tegen een grijs-wit gestreepte achtergrond. Het portret is afgebeeld in een cartouche wat gevormd is uit vier (Japans: shi) ladegrepen (Japans: kan), verwijzend naar de naam van de afgebeelde acteur 'Shikan'.
Schilderingen in de Sixtijnse kapel
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: adamo scultori
Artist role: painter, print maker, sculptor
Artist dates: 1530 – 1585
Subjects: father and child(ren), man and child(ren) (family group)

Deze prent maakt deel uit van een serie bestaande uit een titelprent en 72 prenten naar schilderingen door Michelangelo in de Sixtijnse Kapel in het Vaticaan.
Vrouw begeleidt twee blinde mannen
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: adult woman, adult man, blind, blindness, old man
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie met religieuze scènes. Over deze serie is verder niets bekend. Mogelijk is het een aanvulling op de eerder uitgegeven serie 'Paroles de l'âme' van Adolf Fries in 1837.
Landscape, from a series of six landscapes dedicated to Madame La Marquise de Pompadour
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: quentin pierre chedel
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1763
Bell
Object type: bell
Date: 1779 – 1779
Materials: silver
Artist: jean-baptiste-joseph leroux (or le roux)
Artist role: maker
Artist dates: 1716 – 1815
Subjects: musical instruments,insignia
Gezicht op de Herengracht bij de Herenstraat
Object type: carte de visite
Date: 1849 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses, façade (of house or building)
Inscriptions: inscription: ‘Heerengr bij de / Heerenstraat’, stamp: ‘A. Jager / Water. 110. / Amsterdam.’, collector's mark: ‘8,79’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Haarlemmerplein, Halvemaansteeg, Handboogstraat, Handelskade, Haringpakkerij, Hartenstraat, Hasseltsteeg (Dirk van), Heerengracht.
Brief aan Max Wilhelm Carl Weber en Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1862 – 1927
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: anne antoinette weber-van bosse, leiden, print maker, rembrandt van rijn, anne mankes-zernike, amsterdam, painter, draughtsman, travelling; tourism, switzerland
Portret van Henrietta Maria, echtgenote van Karl I van Engeland
Object type: print
Date: 1645 – 1678
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: henriëtta maria van frankrijk (koningin van engeland, schotland en ierland)
Inscriptions: collector's mark: Lugt 2228

Portret van Henrietta Maria: kniestuk, van voren gezien. Ze houdt een bloem in de hand. Naast haar op een tafeltje ligt haar kroon.
Pelluspoort of Pellecussenpoort bij Utrecht
Object type: drawing
Date: 1619 – 1690
Materials: chalk, paper
Techniques: brush
Subjects: city-gate, utrecht
Two Allegorical Female Figures Clasping Hands before Book
Object type: drawing and watercolor
Date: 1830 – 1834
Materials: ink, paper
Techniques: brush, pen, wash
Location: england
Artist: attributed to thomas stothard
Artist nationality: english
Artist dates: 1755 – 1834
Piece
Object type: piece
Date: 1801 – 1900
Materials: lace
Techniques: lace
Subjects: flowers
Terracotta fragment of a pot; unglazed on the inside
Object type: pot fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Below the reserve line, head and neck of a wreathed, bearded satyr to right
Helen of Sparta
Object type: medal
Date: 1501 – 1600
Materials: bronze
Subjects: profiles,women
Pendant: Petals of Cornflower
Object type: pendant, cornflower
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: flowers
Horse, from the series "Twelve Hours of the Floating World (Ukiyo juni shi)"
Object type: print
Date: 1780 – 1801
Techniques: woodblock print
Location: japan
Artist: katsukawa shuncho
Artist role: artist
Artist nationality: japanese
Artist dates: 1781 – 1795
Versailles, Fontaine dans la Cour de Marbre
Object type: photograph
Date: 1903 – 1903
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Portret van Filips II
Object type: album leaf
Date: 1586 – 1587
Materials: paper
Techniques: engraving
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: philip ii of spain

Naar het portret door Hieronymus Wierix gedateerd 1586 (Hollstein 2134).
Eerst gebruikt als illustratie in: Michael Aitsinger, Belgici leonis chorographia, das ist ein newe Landt Beschreibung des Belgischen Lewen, in 17 Provincien des gantzen Niderlandts außgetheylet. Keulen: Frans Hogenberg, 1587.
S. Jérôme, docteur (St. Jerome, Doctor), September 30th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saint jerome

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Auf der Elbe
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: sailing-ship, sailing-boat, river
Inscriptions: inscription: ‘Hamburg’, monogram: ‘BX’
Gordeldier
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: other mammals: armadillo
Inscriptions: collector's mark: Lugt 11, number: ‘117’

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Joseph Morsler, Champion Pool Player, from the Champions of Games and Sports series (N184, Type 2) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: men,billiards,athletes

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 2.
[? Gres]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Mrs. Noah Smith and Her Children
Object type: painting
Date: 1798 – 1798
Materials: canvas, oil
Culture: american
Artist: ralph earl
Artist role: artist
Artist nationality: american
Artist dates: 1751 – 1801
Subjects: boys,girls,infants,portraits,mothers,women

In 1798, Ralph Earl left his home in Connecticut, traveling throughout New England in search of portrait commissions. While in Vermont, he painted the most ambitious work of his career, a large group portrait of Chloe Burrall Smith (1757–1810) with her five children. Earl, who had trained in England, adopted a simplified style to suit the tastes of his rural patrons. Wearing a fashionable, yet modest silk gown, Mrs. Smith embraces her youngest daughter in a maternal gesture. The four older children are posed before a landscape, each holding an attribute. Of particular note is son Daniel (second to the left), who holds a "Map of the World"—an emblem of the family’s education and global ambitions.
Portret van Carl Gall von Räcknitz
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving
Location: augsburg
Artist: lucas kilian
Artist role: draughtsman, print maker
Artist dates: 1579 – 1637
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: 2228
Portret van een kind, zittend op een stoel
Object type: photograph
Date: 1885 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: johannes hendrikus kramer
Artist role: fotograaf
Artist dates: 1846 – 1901
Subjects: child
Inscriptions: inscription: ‘J.H. Kramer/ Mariaplaats naast de Societeit de Vereeniging/ Utrecht’, annotation: ‘10 Sept, gedaan 1885’
The Hall and Stair Case, British Museum
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: museums,stairs,interiors

The British Museum was founded in 1753 and occupied, as its first home, the late seventeenth-century former private residence Montagu House. Here Rowlandson depicts the main staircase and entrance hall, with a painted ceiling by Charles de La Fosse (1636–1716) depicting "Phaeton Demanding the Chariot of the Sun." The French artist was employed to work at the property from 1690–92. The rapidly growing collection meant that Montagu House had to be gradually demolished early in the nineteenth century to make way for the present building designed by Robert Smirke (1780–1867). This print comes from a series devoted to prominent London landmarks and provides a record of one of the city's lost spaces.
Two Trees on a Hill (from Sketchbook)
Object type: drawing
Date: 1858 – 1916
Materials: graphite, ink, paper
Culture: american
Artist: henry ward ranger
Artist role: artist
Artist nationality: american
Artist dates: 1858 – 1916
Subjects: trees

This sketchbook contains thirty-one undated drawings in graphite and ink of Noank and Lyme, Connecticut subjects. Beginning in 1899, Ranger became a leading member of the artists’ colony at Old Lyme, Connecticut, where a group of painters influenced by the Barbizon and impressionist styles gathered in the summer at the home of Florence Griswold. Ranger later acquired a country home in Noank, on Long Island Sound, near New London, Connecticut, and did much of his sketching there.
Card Number 41, Ida Mulle, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-6), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the sixth subset, N145-6. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Twee paarden, twee schapen en koeien
Object type: print
Date: 1809 – 1859
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: pieter de goeje
Artist role: draughtsman, print maker
Artist dates: 1789 – 1859
Subjects: cow, meadow, pasture, sheep, horse, farm (building)
Inscriptions: collector's mark: Lugt 2228

Een paard kijkt over de rug van het tweede paard en heeft zijn mond open gesperd. Links twee schapen. In een weiland bij de boerderij drie koeien.
Gezicht op het Rapenburg te Leiden met de toren van de Saaihal na de buskruitramp van 12 januari 1807
Object type: history print
Date: 1807 – 1809
Materials: paper
Techniques: etching
Location: haarlem
Artist: leendert overbeek
Artist role: draughtsman, painter, print maker
Artist dates: 1752 – 1815
Subjects: gunpowder disaster
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Steenschuur, een gracht in het verlengde van het Rapenburg, te Leiden na de fatale buskruitramp van 12 januari 1807. In het midden is de toren van de Saaihal te zien. Reddingswerkers ruimen de brokstukken van de ontplofte gebouwen op. Planken worden naast de bomen langs de gracht verzameld.
Terracotta kylix (drinking cup)
Object type: kylix
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist
Subjects: maenads,satyrs

Interior, satyr and maenad Exterior, satyrs and maenads Makron's satyrs and maenads (male and female followers of Dionysos, the god of wine) are distinguished not only by their vivacity but also by their fine garments and meticulous grooming. Here, Makron has clearly enjoyed depicting flying skirts and hair and the different ways of wearing animal pelts.
Portret van Emile de Mot, schepen en later burgemeester van Brussel
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching, soft ground etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: antwerp, politician, mayor, historical person (...) - historical person (...) portrayed alone
Inscriptions: annotation: ‘1er état’, collector's mark: Lugt 2228
Cuffs
Object type: cuff
Date: 1834 – 1866
Culture: belgian
De fresco's van Andrea Mantegna in de Chiesa degli Eremitani in Padua
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: italy
Subjects: beheading of james
Inscriptions: collector's mark: Lugt 2228

Prent uit een reeks van vier prenten (+ titelprent) met weergaven van de fresco's van Andrea Mategna in de Chiesa degli Eremitani in Padua (fresco's zijn vernietigd tijdens bombardement 11 maart 1944).
Wedding shoes
Object type: wedding shoe
Date: 1889 – 1889
Culture: american
Overzicht van twee eikenhouten stoelen met overkapping
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: netherlands
Artist: Anonymous
Subjects: chair, sculpture (+ relief ~ sculpture), netherlands
Inscriptions: collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS <BR />AMSTERDAM <BR />FRANS HALSSTRAAT 14.’, name: ‘CWN.’, inscription: ‘Overgang van de Gothiek naar de Renaissance . Eikenhouten Stoel (...) met kerfsnedeversiering van lateren tijd.’, collector's mark: ‘INSTITUUT VOOR KUNST- <BR />NIJVERHEIDSONDERWIJS <BR />GABRIËL METSUSTRAAT No. 16. <BR />AMSTERDAM’

Links een eikenhouten stoel met kussen, rechts een eikenhouten stoel met reliëfs.
Emmaüsgangers
Object type: print
Date: 1857 – 1927
Materials: paper
Techniques: woodcut
Artist: gijsbertus antonius sluijters
Artist role: print maker
Artist dates: 1847 – 1927
Subjects: the journey to emmaus: two disciples (cleopas and peter) under way
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Kleopas en Petrus lopen met wandelstokken over een landweg. Achter hen staat Christus.
Na den val
Object type: cartoon
Date: 1905 – 1907
Materials: paper
Techniques: autotype
Location: netherlands
Artist: albert hahn (i)
Artist role: draughtsman
Artist dates: 1877 – 1918
Subjects: the hague, abraham kuyper, falling, political caricatures and satires

Abraham Kuyper, gevallen op straat, juli 1905. Onder de voorstelling een vierregelig vers van Multatuli. Onderdeel van het boek 'Albert Hahn Prenten', heruitgave van een selectie politieke prenten uit de periode 1902-1906.
Zie kinders in deez' prent, een aantal vreemde dieren, / Hun afkomst, hun bestaen, hun wreedheid en manieren / Je vous presente, enfans! ces bêtes ètrangères / Leur race et cruauté, leur vie et leurs manieres
Object type: print
Date: 1856 – 1900
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: beasts of prey, predatory animals: tiger, hoofed animals: dromedary, animals, beasts of prey, predatory animals: lion, trunked animals: elephant
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van dieren, zoals een leeuw, een tijger, een olifant en een zebra. Onder elke afbeelding een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: n. 50.
Omslagontwerp voor: Vademecum. Praktische 10 cents bibliotheek, 1903
Object type: design
Date: 1903 – 1903
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’, inscription: ‘Mevrouw de Vries/ Singel 146/ 16 Oct’
Spotprent op het vertrek van burgemeester Wilhelmus Frederik van Leeuwen
Object type: cartoon
Date: 1909 – 1909
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: mayor, burgomaster, political caricatures and satires, amsterdam
Inscriptions: collector's mark: ‘19,123’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [na 1800]. Burgemeester Van Leeuwen verlaat het koggeschip Amsterdam en stapt over in een sloep, tot ontsteltenis van de Amsterdamse Maagd.
Allegorie met Holland en West-Friesland
Object type: print
Date: 1704 – 1706
Materials: paper
Techniques: etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: personifications of countries, nations, states, districts, etc., holland

Illustratie voor: R. de Hooghe, Spiegel van staat des Vereenigde Nederlands, J. ten Hoorn, Amsterdam 1706, dl. I, tweede tafereel, p. 118.
Amulet in the Shape of a Persea Fruit
Object type: amulet, persea fruit
Date: 1479 – 1458
Materials: faience
Location: egypt
Pisa. Campo Santo. Statua di Nicolò Pisano - Salvini
Object type: photograph
Date: 1860 – 1881
Materials: paper
Techniques: albumen print
Location: pisa
Subjects: sculptor, nicola pisano, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘2092’
Portret van Johannes Sylvius
Object type: print
Date: 1660 – 1720
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: functionaries and dignitaries (with name) ~ protestant churches, historical persons

Onder het portret een zesregelig gedicht in het Nederlands.
Portret van Johann Kaspar Lavater op zijn sterfbed
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: aquatint
Location: basel
Artist: christian von mechel
Artist role: draughtsman, print maker, publisher
Artist dates: 1737 – 1817
Subjects: johann caspar lavater, deathbed, portrait of a writer
Autumn
Object type: panel
Date: 1775 – 1775
Materials: gilt, wood
Techniques: carving
Artist: françois joseph belanger
Artist role: maker
Artist nationality: french
Artist dates: 1744 – 1818
Subjects: animals,garlands,grapes,leaves,autumn
Brief aan Jan Veth
Object type: letter
Date: 1906 – 1906
Materials: ink
Techniques: pen, writing
Location: baarn
Artist: karel johan lodewijk alberdingk thijm
Artist role: criticus, prozaschrijver
Artist dates: 1864 – 1952
Subjects: jan veth, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, paris, stéphane mallarmé
Inscriptions: collector's mark: ‘RPK’