deem-data/ArtiFact huggingface dataset:
Tetradrachm (Coin) Depicting the Goddess Athena
Object type: coin
Date: 490 – 490
Materials: metal, silver
Techniques: striking
Culture: greek
Location: athens
Inscriptions: Reverse: Α Θ Ε

The front (obverse) of this coin depicts thehead of the goddess Athena, facing to the right. On the back (reverse) is an owl, a symbol of Athena, perching on an olive branch.
Skirt panel
Object type: skirt panel
Date: 1740 – 1740
Materials: silk
Subjects: flowers,leaves
Allegorisch grafmonument voor Frederik, prins van Oranje-Nassau, 1799
Object type: print
Date: 1799 – 1801
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: the hague, willem george frederik (prins van oranje-nassau), knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), grave-building, monumental tomb

Allegorisch grafmonument voor Frederik, overleden te Padua op 6 januari 1799. Portret van Frederik in een ovaal. Daar omheen een aantal allegorische objecten en een treurende Gerechtigheid en Mars. Op het reliëf een voorstelling van een veldslag. Op een doek acht regels Nederlandse tekst.
Abbotsford - The Hall
Object type: photograph
Date: 1834 – 1866
Techniques: albumen print
Location: scotland
Artist: g. w. wilson
Artist nationality: scottish
Artist dates: 1823 – 1893
Standing cup (coupe Chenavard)
Object type: standing cup
Date: 1837 – 1837
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999

The Sevres factory developed this model of standing cup in 1836 and named it after its designer, Aimé Chenavard. Both its form and its decoration refer directly to French Renaissance metalwork and ceramics, and indeed one of the first coupes Chenavard produced was described in factory records as "a goblet in the 16th century style." The low-relief interlace patterns of the coupe are derived from those found on a type of French Renaissance pottery known as Saint-Porchaire ware. The first piece of Saint- Porchaire pottery to be identified as dating to the sixteenth century was sold at auction in Paris in 1837. It has been suggested that the then director of the Sevres factory was aware of its existence prior to the sale and used it as a source of inspiration for the coupe Chenavard. The exuberant color scheme of the coupe, however, is far removed from the restrained palette of white and browns that characterizes Saint-Porchaire pieces and reflects its nine- teenth-century origin. This coupe was likely the second one produced at Sevres. Archival records indicate that a coupe with this distinctive orange red ground was delivered to Queen Marie- Amelie, wife of King Louis Philippe, in August 1837.
Orycteropus afer (Aardvark)
Object type: album leaf
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: annotation: ‘onderaan: Caaps Sogenaamt Aardvarken / sijnde een regte Mieren - eter, van het Vrouwelijk geslagt ~.’

Een miereneter van het vrouwelijk geslacht.
Gezicht op Boer, bij Franeker
Object type: watercolor
Date: 1700 – 1800
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: prospect of village, silhouette of village
Caricatured  figure from the Sandwich Islands, 1 Keneta, from the series Coins of All Nations (N72, variation 1) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,coins
Fourth Form of the Afghanistan Medal, 1842
Object type: medal
Date: 1842 – 1842
Materials: bronze
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: queens,profiles
Oscar II, King of Sweden and Norway, from the Rulers, Flags, and Coats of Arms series (N126-1) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: kings,portraits,coat of arms,flags

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-1), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Covered Cup
Object type: cup
Date: 1401 – 1500
Materials: silver gilt, glass, pearl, quartz
Culture: german

Rock crystal was valued most highly throughout history for its hardness and brilliant clarity. In the Middle Ages is was viewed by the Church as a symbol of unblemished purity, and thus a most appropriate material for containers of holy relics and for other ecclesiastical vessels. For kings, princes, and other high-placed persons, drinking vessels made of cut and highly-polished rock crystal and decorated with precious metals and jewels had great appeal. Various locations in Central and Western Europe have been suggested as fourteenth- and fifteenth- century centers for the cutting of crystals, including Paris, Burgundy, Prague, Nuremberg, Venice, and Freiburg im Breisgau. Rock-crystal vessels cut with a pattern of concave roundels, such as this beaker, are usually considered to be of French workmanship. The cut rock-crystal cup of the beaker is believed to be French; however, its bejeweled mounting is thought to have been executed not in France or Burgundy, but in the Upper Rhine region of Germany, possibly in Freiburg im Breisgau. A comparable beaker of rock crystal, with a silver-gilt setting studded with jewels, is seen in the painting dated 1514, by Quentin Massys, The Money Changer and His Wife. The fact that Massys’ style was frequently archaicizing in response to the vogue of the day, makes the dating for the model of this beaker around the middle of fifteenth century quite credible. Such a splendid beaker undoubtedly was intended to grace the table or sideboard of some magnificent court of the mid-fifteenth century. Its appearance in an otherwise bourgeois setting in Massys’ painting could represent a status symbol and a reminder of the great changes in social structure which had taken place in the course of a half century, when the wealthy class adopted the customs formerly associated only with the nobility. On the other hand, this beaker could represent a "pledge" left by its owner for money borrowed from the money changer.
Border
Object type: border
Date: 1501 – 1700
Techniques: embroidery
Subjects: birds,flowers
Elegant gezelschap in een tuin (Fête Galante)
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: garden, garden of love, court of love, 'fête galante'
Inscriptions: collector's mark: Lugt 240
Christ bearing his cross to Golgatha
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: oberammergau
Subjects: group of actors, troupe; actors on the stage, from pilate's palace to golgotha: the procession to calvary (matthew 27:31-33; mark 15:20-22; luke 23:26-33; john 19:17)
Inscriptions: inscription: ‘Gemeinde Oberammergau Passionsspiel 1890’
Portret van Hans Joachim von Zieten
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: berlin, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Förster, Friedrich Christoph. Leben und Thaten Friedrich's des Grossen, Königs von Preussen. S.l.: s.n., 1843.
Vijf bladen uit de reeks: Grottesco in diversche manieren
Object type: print
Date: 1565 – 1571
Materials: paper
Techniques: etching
Location: netherlands

Op de bladranken boven de cartouche staan twee elkaar omhelzende kinderen, elk met een zwijn onder zijn voeten. Uit serie van titelblad + 16 bladen met cartouches of architectuurfantasieën met een voorstelling in een omlijsting van grotesken met fabelwezens, dieren, guirlandes, trofeeën en mascarons.
Creamer
Object type: creamer
Date: 1801 – 1900
Materials: hard paste porcelain
Girl with Cherries
Object type: painting
Date: 1860 – 1914
Materials: oil, panel
Artist: bernardus johannes blommers
Artist role: draughtsman, print maker
Artist dates: 1845 – 1914
Subjects: adolescent, young woman, maiden, fruits: cherry
Leda en de zwaan
Object type: print
Materials: paper
Techniques: engraving
Location: rome
Subjects: jupiter, in the shape of a swan, and leda
Inscriptions: number: ‘122’, collector's mark: Lugt 2228, collector's mark: Lugt 240

De naakte Leda ligt op een doek op de grond. Tussen haar benen Jupiter in de gedaante van een zwaan. Rechts een rivier.
Ballerina achter de schermen
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: photoaquatint
Subjects: adolescent, young woman, maiden, female dancer
Inscriptions: inscription: ‘F. IV.’, inscription: ‘Behind the scenes by Robert Demachy’
Studie-prentwerk / Etudes gravées
Object type: print
Date: 1807 – 1808
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: adolescent, young woman, maiden, youth, adolescent
Inscriptions: collector's mark: Lugt 2228

Serie voor het eerst uitgegeven door Jacob Ernst Marcus onder de titel Studiebeelden en Fragmenten. Amsterdam: ca.1816. Later heruitgegeven als: Studie-prentwerk/ Etudes gravées.
Lettered title: Christy
Object type: drawing
Date: 1845 – 1855
Materials: gouache
Artist: alfred henry forrester [alfred crowquill]
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1872
Gezicht op een bank aan de Behrenstrasse 7a in Berlijn, Duitsland
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: dresden
Subjects: bank, berlin
Inscriptions: inscription: ‘Kayser & v. Grossheim, Architecten.’, number: ‘Bl. 98.’

Deze prent maakt deel uit van een omslag met honderd prenten en zes tekstbladen.
Double-Lobed Bowl
Object type: bowl
Date: 200 – 1
Materials: ceramic
Culture: paracas
Location: peru
Het avondmaal onses Heeren Jesus Christus
Object type: print
Date: 1679 – 1717
Materials: paper
Techniques: engraving
Subjects: the episode of the last supper
Inscriptions: inscription: ‘Utrechts Fundatie huijs’

Prent voor: Hoet, Gerard, Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament, en andere boeken, bij de Heilige Schrift gevoegt, door Hoet, Houbraken, en Picart getekent en van de beste meesters in koper gesneden en met beschrijvingen uitgebreid, 3 delen, 's-Gravenhage, Pieter de Hondt, 1728
Knielende man
Object type: drawing
Date: 1869 – 1925
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Dinar of Tughril (r. 1040–63)
Object type: coin
Materials: gold
Location: iran

This gold dirham bears on its obverse an inscription listing the titles and name of the reigning Seljuq sultan, Tughrul Beg, as well as naming the prophet Muhammad. In the circular outer margin are the Qur’an verses 33:9 and 9:61. On its reverse, the tawhid is inscribed in the central field of the coin along with the name of the reigning Abbasid caliph, al-Qaʿim bi amrillah. Surrounding it are two circular margin inscriptions: the inner ring indicates the date and location of the dirham’s minting, and the outer bears verses 4-5:30 of the Qur’an.
Floral Canopy or Screen
Object type: hanging
Date: 1601 – 1800
Materials: cotton, gold leaf
Techniques: painting, weave
Location: india
Subjects: flowers

The flowering plants decorating this cotton hanging are applied in gold leaf glued to the surface of the textile. The fashion of decorating textiles with such plants developed at the Mughal court in the mid-seventeenth century, but spread throughout the courts of northern India in subsequent years. This piece has been attributed to Bikaner, a Rajasthani court where Mughal influence was very strong. Paintings show textiles like this, including the distinctive chevron border, employed as door or window screens, as well as being suspended as canopies.
Embroidered picture with farmyard scene
Object type: embroidered picture
Date: 1701 – 1725
Materials: canvas, gilt, silk, wood, wool
Techniques: carving
Subjects: animals,houses,windmills,farms,men,women,cows,dogs,horses
Terracotta bridge-spouted jar
Object type: jar
Date: 1900 – 1600
Materials: terracotta
Culture: minoan

This vase was restored at the Ashmolean Museum, Oxford, before it entered the Museum's collection.
Fragment groen zijdeweefsel met patroon in gouddraad
Object type: silk textile
Date: 1400 – 1499
Materials: gold thread, linen, silk
Techniques: weave
Location: germany
Artist: Anonymous

Fragment groene zijde met patroon in goud van grote hartvormige bladfiguren waartussen Franse lelies. Twee aan elkaar gezette delen.
La Cour de Ferme (1762)
Object type: print
Date: 1762 – 1762
Techniques: etching
Artist: jean claude richard, abbé de saint-non
Artist role: etcher
Artist nationality: french
Artist dates: 1727 – 1791
Subjects: animals,birds,children,women
Fashionable Figures, with Two Women Holding Fans
Object type: painting
Date: 1733 – 1735
Materials: aluminum, metal, oil, panel, plaster
Techniques: painting
Location: england
Artist: Anonymous
Artist nationality: British
Artist dates: 1700 – 1799
Subjects: women, fans, fashion, figures, interior, man, men, social, woman
Ontwerptekenings voor ex libris van Karel Henri Broekhoff
Object type: design drawing
Date: 1934 – 1934
Materials: paper, pencil
Techniques: drawing
Location: netherlands
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: amsterdam, coin, armorial bearing, heraldry, cellar, police
Inscriptions: inscription: ‘Clichédruk 1934.- De (...) Spreuk: Geen valschheid"’

Eigenaar van het ex libris was hoofdcommissaris van de politie in Amsterdam en belast met de bestrijding van valsmunterij. Voorstelling stelt het gezag (de politie) voor, die afdaalt naar het duister, de plaats waar misdrijf tiert. De politie werpt zijn schaduw vooruit.
Pepita en Agmed in een theaterloge
Object type: drawing
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: dress, gown: evening dress (+ women's clothes), boxes, loges ~ theatre, etc., head-gear: turban (+ men's clothes)
Inscriptions: annotation: ‘19 blz 152 " I wil even zegweten you, "zei hij.’, :, collector's mark: Lugt 2228a, signature: ‘HANS./ BORREBACH’

Pepita zit in een loge in een theater en draait zich om naar Agmed, gekleed in een pak met vlinderdas en tulband, die achter haar staat. Op de achtergrond zit een jonge vrouw in de loge.
Gezicht op de Maria Magdalenakerk in Stockholm
Object type: album leaf
Date: 1691 – 1691
Materials: paper
Techniques: etching
Subjects: traffic on land, church (exterior)
Inscriptions: date

De Maria Magdalenakerk in Stockholm. Op de voorgrond verschillende rijtuigen en koetsen. De prent maakt deel uit van een album.
Bronze kyathos (ladle) terminating in a duck's head
Object type: kyathos
Date: 101 – 200
Materials: bronze
Culture: roman
Subjects: ducks

Ladle, with a hinge and terminating in a duck's head.
Brief aan Philip Zilcken
Object type: letter
Date: 1902 – 1906
Materials: paper
Techniques: printing
Location: the hague
Artist: frits jansen
Artist role: painter
Artist dates: 1856 – 1928
Subjects: painter, print maker, draughtsman, hendrik willem mesdag, sientje mesdag-van houten, philip zilcken
l'Observatoire
Object type: page
Date: 1839 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Subjects: observatory (~ astronomy)
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 24.’

Prent op vijfennegentigste ongenummerde pagina.
Papier met handschrift waarin overblijfselen van het paradebed en lijkkleed van Napoleon I worden bewaard
Object type: fragment
Date: 1821 – 1821
Materials: paper
Artist: Anonymous
Subjects: the hague, sculptor, theo simons, napoleon i (emperor of the french), bed
Inscriptions: inscription: ‘Overblijfselen van het paradebed en lijkkleed van Napoleon I. Napoleon, S. Helena’

Papier met handschrift waarin overblijfselen van het paradebed en lijkkleed van Napoleon I worden bewaard. Op het stukje wit papier staat geschreven in zwarte inkt: Overblijfselen van het paradebed en lijkkleed van Napoleon I. Napoleon, S. Helena.
Inkwell
Object type: inkwell
Date: 1500 – 1500
Materials: bronze
Songs: "Ye Gentlemen of England That Live at Ease..."
Object type: print
Date: 1822 – 1822
Techniques: etching
Artist: henry alken
Artist role: artist
Artist nationality: british
Artist dates: 1785 – 1851
Subjects: men,women,horns

One sheet of a series of satires, designed as a song book. Composed of vignette scenes, each scene illustrating in a humourous fashion a single line from a popular song of the day. The imagery derives from hunting, shooting and horses, scenes from domestic life, fashion, town and country life, military and naval life.
Fragment of an Ewer
Object type: fragment
Date: 701 – 800
Materials: earthenware
Techniques: luster painting
Location: iran

This object was found and purchased near Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Portret van William van Juxon
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Portr. 61469’, collector's mark: Lugt 2760
Timon (Shakespeare, Timon of Athens, Act 4, Scene 3)
Object type: print
Date: 1827 – 1827
Techniques: printmaking, engraving, etching
Artist: benjamin phelps gibbon
Artist role: engraver
Artist nationality: british, born wales
Artist dates: 1802 – 1851
Subjects: shakespeare,men
Sailboat (from McGuire Scrapbook)
Object type: drawing
Date: 1801 – 1900
Materials: graphite, paper
Culture: american
Subjects: boats
A Parody of Yuranosuke in the Pleasure Quarters
Object type: print
Date: 1797 – 1797
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: chōbunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Subjects: men,women

Eishi, born of a samurai family, studied under Kano Eisen'in Sukenobu (1730–1790), the fifth-generation head of Kobikichō, one of four Kano academies in Edo. He was granted the artist's name of Eishi by Shogun Tokugawa Ieharu. Yuranosuke, a kabuki hero from Kana-dehon Cho-ushingura, posed as a playboy to show that he had no intention of taking revenge for his lord, who had been forced to commit suicide.
Ide Jewel River in Yamashiro Province (Yamashiro Ide), from the series "Six Jewel Rivers (Mu Tamagawa no uchi)"
Object type: print
Date: 1835 – 1839
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Ice cream spoon (one of a pair)
Object type: ice cream spoon
Date: 1801 – 1900
Materials: silver
Aquarellen betrekking hebbende op de drie reizen door de Kaap door Hendrik Swellengrebel
Object type: drawing
Date: 1711 – 1776
Materials: paper, watercolor
Techniques: brush, pen
Location: south africa
Artist: johannes schumacher
Artist role: draughtsman
Subjects: river, mountains
Inscriptions: label: ‘15’

De loop van de Van Stadensrivier door een kloof. Tekening gemaakt tijdens de tweede reis van Hendrik Swellengrebel, naar het noordoosten van de Kaapkolonie, 10 september - 26 december 1776. Volgens het reisjournaal bivakkeert het gezelschap op 18-19 november 1776 bij de rivier.
Landschap met boerderijen gezien vanaf de duinen bij Bergen
Object type: drawing
Date: 1931 – 1931
Materials: ink, paper
Techniques: brush, pen
Artist: frans huysmans
Artist role: draughtsman
Artist dates: 1885 – 1954
Subjects: dunes (sea not visible); in the dunes, cultivated land, farm or solitary house in landscape
Rokende man met drinkbeker
Object type: print
Date: 1873 – 1909
Materials: paper
Techniques: drypoint, etching
Subjects: drinking, tobacco
Inscriptions: collector's mark: Lugt 2228
The Yellow Swallowtail, from "The Butterflies and Moths of America", Part 2
Object type: print
Date: 1860 – 1860
Techniques: lithograph
Artist: louis prang & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1800 – 1950
Subjects: butterflies
Uittocht van boogschutters (vogelschieten)
Object type: print
Date: 1858 – 1864
Materials: paper
Techniques: hand coloring
Location: haarlem
Subjects: shooting with bow and arrow, archery (~ games of skill)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Hofdijk, W.F. Ons voorgeslacht in zijn dagelijksch leven geschilderd. Haarlem: Kruseman, Arie Cornelis, 1858-1864.
Piece
Object type: piece
Date: 1475 – 1475
Materials: metal thread, silk
Subjects: coat of arms
14. Le nouvel Opéra de Paris. Bronzes.
Object type: photograph
Date: 1878 – 1881
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: louis-emile durandelle
Artist role: fotograaf
Artist dates: 1839 – 1917
Inscriptions: number: ‘14’

bij boek in Bibliotheek RMA, Zie Frizot, pp. 217-223, vgl G. Vicaire, Manuel de l'amateur de livres du XIXe siècle, vol. 3, column 870.
Kwatrijnen bij de portretten van de courtisanes genaamd Deense Wywodin en Karne A.D.
Object type: text sheet
Date: 1635 – 1635
Materials: paper
Techniques: letterpress printing
Location: utrecht

Drie keer twee kwatrijnen in het Frans, Nederlands en Duits bij de portretten van de courtisanes genaamd Deense Wywodin en Karne A.D. Het blad maakt deel uit van een album.
Christ Before Pilate, from "The Fall and Salvation of Mankind Through the Life and Passion of Christ"
Object type: print
Date: 1513 – 1513
Techniques: woodcut
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Subjects: soldiers,men,christ