deem-data/ArtiFact huggingface dataset:
Bomen en struiken
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes

Op de voorgrond mogelijk een figuur en schapen. Blad 11 recto uit een schetsboek met 33 bladen.
Embleem: schelpen
Object type: print
Date: 1695 – 1705
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: rocky coast, molluscs, beach, abstract ideas and concepts
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Weigel, Christoph. Ethica Naturalis seu Documenta Moralia e Variis rerum Naturalium proprietatibus Virtutum Vitiorumq symbolicis imaginibus collecta. Neurenberg: Christoph Weigel: c. 1700.
Fragment
Object type: fragment
Date: 1801 – 1900
Materials: lace, silk
Hercules en Omphale
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: hercules in love with omphale; the hero is set to spin wool or to do other women's work among the servants, while omphale wears his lion's skin and wields his club and bow
Inscriptions: collector's mark: Lugt 240

Het schilderij door Le Moine is 1724 gedateerd.
Bodhisattva Guanyin standing on a dragonfish
Object type: figure
Date: 1801 – 1900
Materials: glaze, ivory, porcelain
Culture: chinese
Subjects: buddhism,bodhisattvas
Vignet met gevleugeld wezen
Object type: drawing
Date: 1884 – 1952
Materials: ink, paper, pencil
Techniques: brush
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: ornaments ~ art
Inscriptions: collector's mark: ‘R:MVS.’
Mis van Gregorius
Object type: page
Date: 1497 – 1552
Materials: paper, parchment
Techniques: engraving, etching, hand coloring
Location: mechelen
Artist: frans crabbe van espleghem
Artist role: print maker
Artist dates: 1480 – 1552
Subjects: man of sorrows, 'imago pietatis', 'erbärmdebild', 'schmerzensmann'; the upright christ showing his wounds, usually bearing the crown of thorns, and accompanied by the instruments of the passion, standing or sitting in his tomb, the mass of st. gregory the great: christ appears above the altar with the instruments of the passion; maybe blood spouts from christ's side

Gregorius zit op zijn knieën voor het altaar. Op het altaar verschijnt Christus die hem zijn bloedende wonden toont. Naast Christus verschijnen de passiewerktuigen. Op de achtergrond geestelijken. Een kardinaal draagt de pauselijke tiara van Gregorius. Deze prent maakt deel uit van een handgeschreven gebedenboek.
Toneeldecors van de nieuwe Amsterdamse Schouwburg, 1787-1794
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre, theatrical performance, stage design
Inscriptions: stamp, collector's mark: Lugt 1641

Toneelvoorstelling in de nieuwe Amsterdamse Schouwburg met het coulissendecor De Straat van Londen, met scène uit Beverly. Het decor gedrukt van een aparte plaat binnen een vernieuwde passe-partout met de zaal, zijloges, pilaren met standbeelden en de façade van het toneel. Onderdeel van de serie van veertien toneeldecors van de nieuwe Amsterdamse Schouwburg, 1787-1794. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Tooneel, Decors voor de Schouwburg.
Ansichten von Deutschland / Berlin und Potsdam
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: tea garden, garden restaurant
Inscriptions: number: ‘No. 46.’
Christus en engel met kelk op Olijfberg (Getsemane)
Object type: print
Date: 1623 – 1710
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: agony of christ: to comfort him one or more angels appear to christ with chalice and/or cross
Inscriptions: collector's mark: Lugt 2228

Christus en engel met kelk op Olijfberg (Getsemane). Onder de voorstelling staan vier Latijnse versregels waarin wordt verwezen naar het lijden van Christus voor de gelovige.
The Entombment, plate eleven from The Passion of Christ
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Cowroid
Object type: cowroid
Date: 1550 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Cup with cover
Object type: cup with cover
Date: 1801 – 1900
Materials: gold
Artist: johann ludwig ii biller
Artist role: maker
Artist nationality: german
Artist dates: 1692 – 1746

This electrotype is after an eighteenth-century original (1730–40) at the Winter Palace, St. Petersburg, at the time of reproduction. It belongs to a toilet service made for and presented to the Empress Anna Ivanovna.
Sugar bowl
Object type: sugar bowl
Date: 1753 – 1754
Materials: silver
Artist: sébastien igonet
Artist role: maker
Artist dates: 1695 – 1796
Subjects: coat of arms

Europeans not only used sugar to sweeten coffee, tea, and chocolate imported from the Americas, India, and East Asia, but also to complement savory dishes and flavor fruit and desserts. The taste for sugar drove a rapid expansion of enslaved labor in the Caribbean. Crystallized sugar was shipped in hard, paper-wrapped, cones which had to be broken or cut into small pieces. Served in a bowl, small lumps of sugar were offered with tea and coffee, the hot liquids quickly dissolving the lumps. Alternatively, the imported sugar was refined in France and crushed into a fine powder for use as a condiment during the meal. This required a different type of serving vessel: either a caster with an openwork lid for sprinkling, or a lidded bowl with a pierced spoon for dusting. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The Wentworth collection is particularly strong in domestic silver as illustrated by this lidded sugar bowl made by the Paris silversmith Sébastien Igonet, in 1753-54. Playfully referring to the sweet content, the strawberry finial on the lid indicates the bowl’s purpose.
Landscape with a cow drinking
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: drypoint, etching
Artist: john smith of chichester
Artist role: print maker
Artist dates: 1717 – 1764
Subjects: cow
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Portret van een peuter, aangeduid als Carl Hecht
Object type: album leaf
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: frankenthal
Artist: f. salmon
Artist role: fotograaf
Subjects: historical persons, toddler (male)
Inscriptions: annotation: ‘Carl Hecht/ alt 2. J. 10. M.’, inscription: ‘F. Salmon/ Langes Nachfolger/ FRANKENTHAL/ gegenüber dem/ Bahnhof./ Die Platte bleibt für Nachbestellung aufbewahrt.’
Bottle
Object type: bottle
Date: 1601 – 1700
Materials: glaze, silver, stonepaste
Techniques: luster painting
Location: iran

This pear-shaped bottle with a silver top is in many ways typical of the pieces created during the late seventeenth-century revival of the lusterware technique. These were often small objects decorated with floral and vegetal motifs on a deep blue ground. Unlike the Chinese wares also popular at this time, the shape and design of these lusterwares were based on Near Eastern prototypes, and not those from the Far East. Most common were bottles, ewers, jars, huqqa bases, bowls, and goblets. To create the luster effect, the white frit body of the ceramic was coated with a slip, possibly of pure ground quartz, here stained deep blue, other times a turquoise or lemon yellow. The vessel was then covered with a transparent glaze and painted with a coppery colored luster pigment that contrasted nicely with the matte glaze.
A Fiddler in a Tavern, with Three Men in the Background
Object type: drawing
Date: 1834 – 1866
Materials: graphite, watercolor
Artist: johannes hendrik van west
Artist role: artist
Artist nationality: dutch
Artist dates: 1803 – 1881
Subjects: taverns,men,violins,musicians
Gezicht op een kapel en kerk in Antwerpen
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: brussels
Subjects: parts of church exterior and annexes: chapel, church (exterior), antwerp
Gardner's Photographic Sketchbook of the War, Volume 2
Object type: album
Date: 1863 – 1863
Materials: glass
Techniques: albumen silver print
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: ruins,american civil war,men
Taking a Nap
Object type: painting
Date: 1866 – 1866
Materials: oil, panel
Location: netherlands
Artist: alexander hugo bakker korff
Artist role: draughtsman
Artist dates: 1824 – 1882
Subjects: sleeping in chair, old woman, communal rooms
Inscriptions: signature and date: ‘A.H. Bakker Korff 66’, inscription: ‘Le soussigné déclare que [le] tableau représentant 'Une Siestre' est peint par lui. Leyde le 6 Oct. 1867. AH Bakker Korff’

Het middagdutje. Een oude vrouw slaapt, zittend in een leunstoel naast een étagère-tafel.
Titelprent met lijst, cartouche en draperie met titel
Object type: titelprent, frontispice
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: italy
Subjects: ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228

Titelprent bij een reeks ornamentprenten.
Beeld van Antinous Albanie in het Capitolijns Museum te Rome
Object type: drawing
Date: 1780 – 1780
Materials: chalk, paper
Techniques: brush
Artist: jean grandjean
Artist role: draughtsman, print maker
Artist dates: 1752 – 1781
Subjects: names of artefacts and man-made objects (buildings excluded), the (nude) human figure; 'corpo humano' (ripa), piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum

De Deense oriëntalist en theoloog Andreas Christian Hviid bij de zogenaamde Antinous Albani in het Capitolijns Museum te Rome.
Medaillon en trofee met muziekinstrumenten
Object type: design
Date: 1600 – 1800
Materials: paper, pencil, watercolor
Techniques: brush
Artist: Anonymous
Subjects: musical instruments; group of musical instruments, trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, ornament ~ medallion
Inscriptions: collector's mark: Lugt 2228

Een waaierblad met een medaillon met een staande figuur en een trofee met muziekinstrumenten.
Osiris
Object type: statuette, osiris
Date: 664 – 630
Materials: metal
Location: egypt

Osiris, foremost of the Egyptian funerary gods and ruler of the underworld, stands upright in a close-fitting mummiform garment. The garment has a stiff upper edge along the back of the neck, a feature that occurs with some regularity on this garment, but one with an unclear meaning. Here the high collar emphasizes the figure’s squat neck. The god holds the royal crook and flail with his hands poised asymmetrically. In general, Osiris statuettes were some of the most abundant temple offerings in Egypt by the first millennium B.C., reflecting both the god’s importance and changing cult practices that spurred the wide-scale dedication of deity statuettes. Many statues of Osiris were offered in temples and shrines belonging to him, but they have also been found in other contexts, for example near temples and shrines honoring other prominent deities or in animal necropoleis.
Pendant: winged female head
Object type: head, winged female
Date: 500 – 301
Materials: amber
Culture: italic
Subjects: heads,women

Simple human head in profile with large eyes and a conical hat.
Panel Fragment
Object type: panel fragment
Date: 601 – 700
Materials: linen, wool
Location: egypt
Subjects: faces
Kensington Gardens
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Straat met figuren
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: street (+ city(-scape) with figures, staffage)

Blad 26 recto uit een schetsboek met 39 bladen.
Aberistwith, from "Remarks on a Tour to North and South Wales, in the year 1797"
Object type: print
Techniques: aquatint, etching
Artist: john hill
Artist role: artist
Artist nationality: british
Artist dates: 1714 – 1775
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 334 – 268
Materials: glass
Culture: greek, eastern mediterranean

Opaque light turquoise green, with handles in same color; trails in opaque white and opaque yellow. Broad, flat rim-disk, slanting to one side; short cylindrical neck; almost imperceptible sloping shoulder; straight-sided cylindrical body, tapering upward; uneven pushed-in bottom; at top of body, two lug handles, applied over trail pattern, both with tooled upward indents. A yellow trail attached to edge of rim-disk; another yellow trail and a white trail, applied after the yellow, wound spirally from top of body in alternate lines down to edge of bottom; both tooled, forming almost vertical indents in sides of body, with alternating upward and downward strokes, making a close-set zigzag pattern on lower half of body. Broken and repaired around middle of body, with cracks and some small holes; dulling and small patches of iridescent milky weathering and encrustation mainly around neck and rim-disk.
Plaques from a Reliquary Casket with the Martyrdom of a Saint
Object type: decorative art
Date: 1200 – 1250
Materials: enamel, copper gilt
Techniques: enamel
Culture: french
Location: limoges
Portret van Hieronymus Fetzer
Object type: book illustration
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: historical persons, armorial bearing, heraldry

Prent waarschijnlijk uit: Roth-Scholtz, Friedrich. Icones virorum omnium ordinum eruditione omnique item genere (...). Neurenberg: erven Johann Daniel Tauber, 1725.
Bed Curtain
Object type: textile
Date: 1720 – 1720
Materials: cotton, linen, panel, textile, wool
Techniques: embroidery, embroidered, stitching, weave
Location: united states
Norwegian Peasant (Bridegroom from Fanøe)
Object type: figure
Date: 1780 – 1780
Materials: hard paste porcelain
Artist: royal porcelain manufactory
Artist role: manufactory
Artist nationality: danish
Artist dates: 1775 – 9999
Subjects: men,farmers
Renaissance Window
Object type: print
Date: 1888 – 1888
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Aanbidding der herders
Object type: print
Date: 1633 – 1692
Materials: paper
Techniques: engraving
Location: rome
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 240

De herders aanbidden het kind in de stal. Ze knielen voor Maria, Jozef en het kind, een van hen heeft een offerlam meegenomen. In een hoekje van de stal maken engelen muziek op snaarinstrumenten. Jozef zit achterovergeleund tegen een zuil, Maria staat op het punt om het kind de borst te geven.
"King Salih of Syria Entertaining Two Dervishes", Folio from a Bustan (Orchard) of Sa'di
Object type: folio from an illustrated manuscript
Date: 1601 – 1700
Materials: gold, ink, paper, watercolor
Artist: sa'di
Artist role: author
Artist nationality: iranian
Artist dates: 1213 – 1291
Subjects: men
Portret van Robert Poirier de Narçay
Object type: photograph
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: politician, historical persons
Cinerary Urn of Plautia Hesperis
Object type: funerary object
Date: 1 – 100
Materials: marble
Culture: roman
Location: italy
Subjects: writing
Inscriptions: PLAVTIA HESPERIS / VIXIT AN[NOS] XVI ("Plautia Hesperis, lived sixteen years")

Prior to A.D. 100, the Romans typically cremated their dead and placed the ashes and remaining bones in urns and ossuaries (containers used to hold skeletal remains). The front of this urn is adorned with heart-shaped ivy leaves and an inscription that identifies the deceased, a young woman named Plautia Hesperis. Much like modern headstones, the inscription indicates the length of her life (“Lived 16 years”). The lid is adorned with simple rosettes at the corners, while an eagle, thought by the Romans to carry the deceased’s soul into the realm of the gods, is perched at its center.
De werken van Odysseus
Object type: print
Date: 1632 – 1633
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ulysses comes to the land of the laestrygones, the cannibal giants, who devour some of ulysses' comrades and destroy their ships (homer, odyssey x)
Inscriptions: collector's mark: Lugt 2228

In het land van de Laistrygonen wordt een aantal van Odysseus' mannen opgegeten door de reuzen die er wonen. Op de voorgrond varen drie mannen weg van het eiland.
Ex libris van Antonio Vasconcelos
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: autotype
Location: portugal
Artist: Anonymous
Subjects: castle, comet
De staatsgreep in Servië, of de jongste vertooning in de kinderkamer van Europa
Object type: cartoon
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: vienna, revolutionary government, the old government and its supporters (after revolution), marionette, barrel-organ player, political caricatures and satires

Koning Milan I van Servië en zijn vrouw koningin Natalija Keško met een draaiorgel halen geld op bij een poppenkast met marionettenvoorstelling van de staatsgreep door hun zoon koning Alexander Obrenović van Servië.
Sampler
Object type: sampler
Date: 1817 – 1817
Materials: cotton, linen, silk
Subjects: human figures,animals,cross
Gold necklace
Object type: necklace
Date: 1400 – 1200
Materials: gold
Culture: aegean or cypriot

The general shape and allocation of the decoration may be compared with glass pendants of the Mycenaean period, examples of which (25.78.14–.21) can be seen downstairs on the west side of the Museum's Robert and Renée Belfer Court.
Arrowhead (<i>Yanone</i>)
Object type: arrowhead i yanone i
Materials: steel
Culture: japanese
Location: japan
Subjects: men
Bead
Object type: bead
Date: 1981 – 1550
Materials: gemstone
Location: egypt
Fotoalbum van Carolina (Loentje) Onnen
Object type: photograph album
Date: 1912 – 1912
Materials: paper, cardboard, fiber
Techniques: collodion silver print, gelatin silver print
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: batavia, emilie albertina onnen (milly), carolina frederika onnen (lien/loen), friends, brussels

Fotoalbum van Carolina (Loentje) Onnen met 61 foto's op 23 bladen.
Vue par élévation du port de Luogo Vivo
Object type: watercolor
Date: 1778 – 1778
Materials: chalk, paper, watercolor
Techniques: brush
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Oirband met een cartouche waarin een krijgsman staat
Object type: print
Date: 1500 – 1552
Materials: paper
Techniques: engraving
Location: eastern europe
Artist: Anonymous
Inscriptions: collector's mark: Lugt 240

Op een console van rolwerk, geflankeerd door twee vazen en twee vogels, zit een vrouwelijke sater. Daarboven staat een man in wapenrusting met een mantel om. De knop onderaan is gedecoreerd met drie mascarons, waarvan twee in de vorm van leeuwenkoppen. Uit serie, bestaande uit een titelblad en 12 bladen.
Sampler
Object type: sampler
Date: 1749 – 1749
Materials: linen, silk
Subjects: birds,trees
Mannen haori met Yuya en de tempel Kiyomizu
Object type: kimono
Date: 1920 – 1940
Materials: silk
Techniques: weave
Location: japan
Artist: Anonymous

Haori voor een man met een versiering op de voering van een rechthoekig vlak waarin een No-acteur die een brief leest, met daarnaast een tekst met kersenbloesembladeren, het geheel tegen een achtergrond van een afbeelding van een tempelgebouw met bloeiende bomen. De akteur speelt in het gelijknamige No-theaterstuk de rol van Yuya, de maîtresse van Taira no Munemori, wiens moeder haar brieven stuurt om haar te vragen te komen voor zij sterft. Munemori verhindert haar te gaan voor het einde van het kersenbloesem-festival, dat zij bijwonen bij de tempel Kiyomizu. De tekst is een gedicht dat Yuya uitspreekt om haar gevoelens te uiten en verwijst naar de vergankelijkheid der dingen: ‘Hana mae ni cho mau funpun taru yuki. Yanagi ue ni hotaru tobu henpen taru kane. Hana wa ryusui [ni shitagatte kaori no kuru koto toshi]’ (‘Vlinders dansen boven de bloesems als dwarrelende sneeuw. Boven de wilg vliegen vuurvliegjes als stukjes goud. De geur van de bloesems, door de stroom meegevoerd, arriveert al snel’) Even later in het stuk schrijft Yuya een gedicht op een strook papier om het aan Munemori op een waaier gelegd aan te bieden, als hier afgebeeld, om zijn toestemming af te smeken, waarna zij eindelijk mag vertrekken. Zwarte glanzende zijde (habutae) met brokaat geweven decoratie. Vijf familiewapens (mon) van klimop (tsuta).
Drie figuren op de brandstapel
Object type: print
Date: 1822 – 1893
Materials: paper
Techniques: etching
Artist: eugène françois de block
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: violent death by burning at the stake; pyre
Inscriptions: collector's mark: Lugt 2228

Drie figuren op de brandstapel met een kerktoren op de achtergrond.
Portret van Filips van Saint-Pol
Object type: print
Date: 1546 – 1562
Materials: paper
Techniques: engraving
Location: antwerp
Artist: frans huys
Artist role: print maker
Artist dates: 1522 – 1562
Subjects: hertog, filips van saint-pol
Inscriptions: collector's mark: Lugt 2228

Portret van Filips van Saint-Pol, hertog van Brabant, ten voeten uit, in zijn rechterhand een scepter. Rechtsboven zijn wapen. Het drieregelige onderschrift in het Latijn is op een afzonderlijke plaat gegraveerd.
Stock Buckle
Object type: costume and accessory
Date: 1745 – 1775
Materials: silver
Location: philadelphia
Artist: daniel dupuy
Inscriptions: Maker's mark on front of chape in rectangle: "DD"
One outside stub engraved on back with an "I" and the other with an "E"
Bokaal met zes putti met schoorsteenvegersgereedschap
Object type: goblet
Date: 1680 – 1700
Materials: glass
Techniques: façon de venise, glassblowing
Location: northern netherlands
Artist: Anonymous

Wine glass. Wheel engraving with putti with chimney sweeping tools. Northern Netherlands, c. 1680 - 1700. A.J. Enschedé bequest, 1896.
Design for a Small Gothic Pedestal Table and Two Brackets
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: tables
Convivio delle Belle Donne, page 22 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Location: italy
Artist: nicolò zoppino
Artist role: publisher
Artist nationality: italian
Artist dates: 1478 – 1544
Subjects: men,women

Published by Nicolo Zoppino, Italian, active 16th century, Venice, designed by Matteo da Treviso, Italian, active 16th century. From top to bottom, and left to right: Woodcut printer's device with closing remarks printed in black (1st line) and red (remaining lines).
Molen te Marteau bij Spa
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching, intaglio
Artist: henri joseph marcette
Artist role: print maker
Artist dates: 1824 – 1890
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228