deem-data/ArtiFact huggingface dataset:
Right hand section of St Peter preaching to the apostles
Object type: print
Date: 1540 – 1550
Techniques: woodcut
Artist: niccolò vicentino
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1550

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Gipsen afgietsel van een triptiek
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation: ‘M 0.27 hoog - M 0.22 breed / M 0.40 hoog - 0.31 breed M 0.40 hoog - 0.31 breed’, annotation: ‘Triptique uit Gotha’, annotation, annotation: ‘2 Boekomslagen Dom Mainz’
Combination Primer-Spanner-Ramrod
Object type: arm
Date: 1600 – 1620
Materials: steel
Culture: german
Location: germany
Untitled, from the series "Bois de Boulogne"
Object type: photograph
Date: 1850 – 1850
Techniques: albumen print
Location: france
Artist: charles marville
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1879
Inscriptions: Unmarked recto; inscribed verso, on mount, lower right, in graphite: CM7269C
Strand bij Sheerness, met badgasten
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: great britain
Artist: poulton
Artist role: fotograaf
Subjects: sheerness
Inscriptions: inscription: ‘Sheerness’, inscription: ‘1715 Garrison Beach Sheerness. Poulton's Series’, inscription: ‘TAMISE ET MEDWAY / Sheerness / Fort Garrison et Fort Grain vus de la chaussée du front nord du Sheerness’, annotation: ‘Fort Garrison // Fort Grain’

Foto uit een album met 35 topografische foto's van Britse kustplaatsen, waarop in pen militaire verdedigingswerken zijn aangegeven door een Franse militair.
Fotoalbum van Jet Vonk uit Zuid-Celebes
Object type: slip in album
Date: 1935 – 1947
Materials: lacquer, paper, photographic support
Techniques: gelatin silver print, lacquer, writing
Location: netherlands
Subjects: r.h. vonk

Familiealbum van Jet Vonk, bestaande uit 34 pagina's met foto's en 8 lege pagina's. De voorkant van het album bestaat uit een paneel met een landschap in Chinees lakwerk. Het album bevat onder meer foto's van de installatie van de sultan van Boeton, Vorst van Goa, begin 1938, en loopt door tot de terugkeer van de familie in 1947 naar Nederland. De meeste foto's hebben handgeschreven onderschriften. Jet Vonk kreeg het (toen lege) album van Roel Blok in 1935 ter herinnering aan haar tijd in "Pagar Alan". Jet Vonk was de dochter van R.H. Vonk, assistent-resident van Boeton, gestationeerd op Zuid-Celebes. Een aantal losse foto's is aan het album toegevoegd.
Het kleine mannetje
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: geldern
Subjects: quack, charlatan, mountebank, 'saltimbanco', tailor, dressmaker
Inscriptions: collector's mark: Lugt 2760

Blad met 17 voorstellingen over een klein mannetje die door een kwakzalver wordt bedrogen. Hij denkt te zijn gegroeid, terwijl in feite zijn kleren kleiner zijn gemaakt. Onder elke afbeelding een vers. Genummerd midden onder: Nro. 145. Genummerd rechtsboven: 145.
Anatomische studie van een menselijk hart
Object type: print
Date: 1700 – 1750
Materials: ink, paper
Techniques: printmaking
Artist: jan l admiral
Artist role: draughtsman, print maker
Artist dates: 1699 – 1773
Subjects: heart, other anatomical details
Inscriptions: collector's mark: Lugt 2228

Jan L'Admiral gebruikte voor de groep mezzotinten met het onderwerp 'Anatomische studie van een menselijk hart' vijf verschillende platen: A, B, C, D en E.
Lead-glazed stemmed cup
Object type: cup
Date: 201 – 300
Materials: terracotta
Culture: roman

This footed, two-handled cup is typical of the glazed pottery produced in the Rhône valley in Gaul (modern France) during the later imperial period
Serpentine blossom bowl
Object type: blossom bowl
Date: 1600 – 1450
Materials: stone
Culture: minoan

High shouldered blossom bowl carved with ribs and grooves. Minoan artists crafted vessels from a variety of stones using chisels, hammers, and copper-alloy saws. Finer tools like copper drills with abrasives were employed to hollow out their interiors. These vessels were durable versions of standard terracotta and metal forms, made with such high quality that they were exported throughout the Eastern Mediterranean. Stoneware has been found in settlements, cemeteries, and sanctuaries alike; the smallest examples were likely votive offerings. Particularly popular and long-lived forms are bird’s-nest (see 26.31.434 for example) and blossom bowls (such as this one), the latter perhaps imitating Egyptian lotus flowers in bloom. Both likely served as containers for ointments.
Beschrijving van praalgraf van Jan van Speyk in de Nieuwe Kerk te Amsterdam, 1832
Object type: text sheet
Date: 1832 – 1832
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: antwerp, jan van speyk
Inscriptions: collector's mark: Lugt 2228

Gedrukte beschrijving van het praalgraf van Jan van Speyk, opgericht in de Nieuwe Kerk te Amsterdam op 4 mei 1832. Boekje met acht genummerde bladzijden.
The Oiran Hanaogi of Ogiya attended by Two Shinzo and Her Kamuro Yoshino
Object type: print
Date: 1806 – 1806
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utamaro ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1750 – 1850
Subjects: women
Landschap met watermolen
Object type: print
Date: 1590 – 1662
Materials: paper
Techniques: etching
Location: antwerp
Artist: adriaen van stalbemt
Artist role: painter, print maker
Artist dates: 1580 – 1662
Subjects: brook, watermill in landscape
Inscriptions: collector's mark: Lugt 240

Landschap met rechts op de heuvel een watermolen en huizen. Op de voorgrond enkele wandelaars en een paardenkar. Links op de achtergrond in het dal een dorp en een kerk.
Portret van Adriaen van Ostade
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: etching, lithography
Location: amsterdam
Subjects: haarlem, print maker, draughtsman, adriaen van ostade, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

De schilder Adriaen van Ostade. Hij heeft zijn hoed schuin op het hoofd.
Papyrus
Object type: papyrus
Date: 601 – 700
Materials: ink, papyrus
Culture: coptic
Location: egypt
Subjects: coptic,documents
Sheet with overall floral pattern with birds
Object type: print
Date: 1767 – 1866
Techniques: relief print
Artist: Anonymous
Artist role: artist
Portret van een man met baard
Object type: photograph
Date: 1861 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons, beard
Inscriptions: inscription: ‘A. Greiner/ Photograf/ Nieuwendijk L.87/ Amsterdam’
Portret van Hugo de Groot
Object type: print
Date: 1668 – 1716
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: delft, hugo de groot, theologian, historical persons

Eerdere staat gebruikt in: Meursius, Joannes. Illustris Academia Lugd.-Batava. Leiden: Andries Clouck, 1613.
Prent waarschijnlijk gebruikt in: Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum, quorum gratia, favore, cura, doctrinaque Academia Lugduno-Batava incepit, auctaque et ornata est, effigies. Nec non urbis, Academiae ejusque Horti, Templorum notabiliorumque publicorum aedificiorum prospectus. Leiden: Pieter van der Aa (I), [1716].
A Village Road, plate 14 from "Regiunculae et Villae Aliquot Ducatus Brabantiae"
Object type: print
Date: 1610 – 1610
Techniques: etching
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652
Subjects: human figures,animals,houses,roads,villages
Portret van een onbekende hoogleraar aan de Universiteit van Amsterdam
Object type: page
Date: 1876 – 1881
Materials: paper
Techniques: albumen print
Location: amsterdam
Subjects: professor, historical persons not known by name
Inscriptions: inscription: ‘Photographie Française./ Warmoesstraat, 147./ Amsterdam.’
Portret van een vrouw
Object type: carte de visite
Date: 1882 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: france
Artist: j. perallo
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘J. Perallo R. REPUBLIQUE, 79’
Ontwerp voor een tafelstuk of jardinière
Object type: design drawing
Date: 1864 – 1894
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: paris
Artist: henri cameré
Artist role: designer
Subjects: centre-piece, epergne, 'surtout', 'milieu-de-table'
Inscriptions: signature: ‘h. Cameré’
Het Huis te Zuylen
Object type: drawing
Date: 1706 – 1759
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: jacob van liender
Artist role: draughtsman
Artist dates: 1696 – 1759
Subjects: castle
Breiner. Jean-Baptiste. 31 ans, né à Bar sur Aube (Aube). Mécanicien. Anarchiste. 5/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: cotton, silk
Subjects: dogs
Saint Francis Xavier with a divine light emanating towards him from the upper left, with a crucifix, mitre, and book on a table at left
Object type: print
Date: 1622 – 1622
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: saint francis,cross,jesus,crucifixion
Gezicht op abdij in de buurt van Tonnerre
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: etching
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 240
Cavalier (from Sketchbook)
Object type: drawing
Date: 1854 – 1855
Materials: ink, paper
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Tripod cup with ring handle (bei)
Object type: cup
Date: 701 – 750
Materials: earthenware, glaze
Culture: chinese
Maaiers onder een boom
Object type: print
Date: 1927 – 1927
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: trees, reaping, picking, mowing ~ harvest
Inscriptions: collector's mark: Lugt 2254, collector's mark: Lugt 2228
Oud-Amsterdam 100 Stadsgezichten
Object type: photomechanical print
Date: 1870 – 1923
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: square, place, circus, etc., city-view in general; 'veduta', the usual house or row of houses, façade (of house or building)
Inscriptions: collector's mark: ‘14.116’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Waal (Kromme en Oude), Walenpleintje, Warmoesgracht, Warmoesstraat, Waterlooplein, Westerdoksdijk, Westermarkt, Weteringschans, Willemspark, Willemsstraat, Wittenburg, Wittenkade (de), Wittenstraat (de).
The Wounded Guerilla
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: riding a horse, ass, or mule; rider, horseman, transport of the sick, wounded and dead (military), consequences of war
Inscriptions: collector's mark: Lugt 2228
Textile Fragment
Object type: textile fragment
Date: 1567 – 1600
Materials: metal thread, silk
Location: turkey
Bewegende figuren
Object type: drawing
Date: 1540 – 1620
Materials: ink, paper
Techniques: brush, pen

Schetsblad met bewegende figuren, kubistisch gezien.
Gezicht op de Teen Darwaza, een poort in Ahmedabad
Object type: photograph
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: ahmedabad
Artist: thomas biggs
Artist role: fotograaf, kapitein
Artist dates: 1822 – 1905
Subjects: gate ~ fortified city
Inscriptions: number: ‘11.’
Étui
Object type: étui
Date: 1760 – 1760
Materials: stone, enamel, gold

This étui, perhaps a container for needles, was evidently a gift, as the French inscription reads "Friendship finds a way."
Palatium D.D. Cornariorum ad fontem Trivii
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Location: rome
Subjects: palace, façade (of house or building)

Deze prent maakt deel uit van de reeks getiteld: Palazzi di Roma. Deze reeks bestaat uit twee boeken. Boek één getiteld: Palazzi di Roma dei più celebri architetti..., bestaat uit 44 prenten die worden toegeschreven aan Giovanni Battista Falda (naam staat enkel op prent 27) en uitgegeven door Giovanni Giacomo de'Rossi. Deze 44 prenten zijn bekend in twee staten (met en zonder nummer). Boek twee getiteld: Nuovi disegni dell'architetture... libro secondo, bevat 66 prenten door Giovanni Battista Falda en Simone Felice. Deze 66 prenten zijn bekend in twee staten (met en zonder nummer).
Landschappen met boerderijen
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 240

Prent uit serie van twintig Landschappen met boerderijen naar ontwerp van Abraham Bloemaert.
The Return of the Prodigal Son
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the parable of the prodigal son (luke 15:11-32)
Inscriptions: signature and date: ‘Rembrandt f 1636’, collector's mark: Lugt 240

The youngest son of a man demanded his inheritance and then squandered it abroad. Destitute, he returned home and begged his father’s forgiveness. The joyful father organized a festive meal to celebrate the fact that his son had seen the error of his ways. Rembrandt depicts the moment he lovingly receives his son and has fine clothes brought to him.
Karabijn Engelse dragonders
Object type: musketon, karabijn
Materials: brass, iron, wood
Location: england
Artist: Anonymous
Subjects: waterloo, england
Inscriptions: mark: ‘GR met kroon’, mark: ‘TOWER’

Karabijn van de Engelse dragonders, gemerkt op de slotplaat: `GR' onder kroon en `TOWER', controle merk. De karabijn heeft een vaste laadstok en een gladde loop. De haan is gerepareerd. De karabijn is meegebracht van het slagveld van Waterloo door J.J. Nepveu, 2e luitenant bij het 6e Regiment Huzaren.
Boys Peeping at Nature
Object type: print
Date: 1731 – 1751
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: painting,sculpture,boys,portraits
Kerk in aanbouw
Object type: print
Date: 1870 – 1914
Materials: paper
Techniques: etching, intaglio
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: church (exterior), building-site
Inscriptions: collector's mark: Lugt 2228
Kussenkast
Object type: furniture
Date: 1650 – 1675
Materials: wood
Location: netherlands
Artist: Anonymous

Cupboard. Oak, veneered with rosewood. Northern Netherlands, 2nd half 17th century.
Carl Ferdiner verrast Julie in het tuinhuis
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: reading, literature, book - mm - book open, summer-house, arbour, garden-house (dutch: 'theekoepel')
Inscriptions: collector's mark: Lugt 2228

Carl Ferdiner verrast Julie die in het tuinhuis zit te lezen in 'Messias' van Friedrich Gottlieb Klopstock. Wanneer Julie Carl opmerkt trekt ze haar omslagdoek over haar borst.
Gedenkteken voor Lukas Willem baron van Essen te Barneveld
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching, snipping
Location: netherlands
Subjects: the three theological virtues, victoria as roman personification, historical persons, other memorial structures, armorial bearing, heraldry
Inscriptions: inscription: ‘Monument voor L.W. van Essen, heer van Hel/ berg en Schaffelaar, vrijheer van Abbenbroek,/ in de Kerk te Barneveld. Voor Zijne echtgenoote’, collector's mark: Lugt 2228

Gedenkteken voor Lukas Willem baron van Essen in de Oude kerk van Barneveld. Victoria, de godin van de overwinning houdt een lauwerkrans in de hand en leunt met haar andere arm op het portret van baron van Essen. Aan haar voeten liggen een kruis, anker en een brandend hart, de symbolen voor geloof, hoop en liefde, en een Bijbel. Midden onder het wapenschild van baron van Essen.
Preekstoel met duif van de Heilige Geest en putti
Object type: ornament print
Date: 1690 – 1710
Materials: paper
Techniques: etching
Location: amsterdam
Artist: gerrit visscher
Artist role: print maker
Subjects: ornaments ~ art, pulpit, ambo, chancel, cupids: 'amores', 'amoretti', 'putti', holy ghost represented as a dove (in flames)
Inscriptions: collector's mark: Lugt 2228

Preekstoel met bovenaan de duif van de Heilige Geest. Putti sieren de preekstoel. Geheel boven dragen putti van verschillende continenten de wereldbol. Een putto draagt een tulband en houdt een zwaard in de hand, een andere putto met verentooi en speer.
O the Roast Beef of Old England--The Gate of Caiais
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: gates,men
Tobacco box
Object type: tobacco box
Date: 1691 – 1692
Materials: silver
Artist: caleb westbrooke
Artist role: maker
Artist dates: 1669 – 1691
Portret van een onbekende jongen
Object type: carte de visite
Date: 1878 – 1896
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: boy (child between toddler and youth)
Inscriptions: name: ‘C.J.L. Vermeulen Photographische Ateliers. Amsterdam Heerenstraat 6 & Heiligenweg hoek Singel. Specialiteit in vergrootingen’
Ex libris van N. Vansittart
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Bifacial Tool
Object type: tool
Date: 5000 – 3500
Materials: stone
Location: egypt
Portretten van Wilhelmina van Pruisen en Willem V, prins van Oranje-Nassau
Object type: print
Date: 1767 – 1791
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: the hague, william v (prince of orange), wilhelmina of prussia (princess of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Hond, liggend op een tafel
Object type: album leaf
Date: 1882 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: table, dog
Gezicht op de tuin en de achtergevel van het Corvershof te Amsterdam
Object type: photomechanical print
Date: 1855 – 1940
Materials: paper
Techniques: photolithography
Location: northern netherlands
Artist: Anonymous
Subjects: alms-house (dutch: 'hofje'), garden, rowing-boat, canoe, etc., canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: III. Verschillende gestichten en instellingen / Hofjes: Corvershof der N. Hervormde Gemeente.
Bust, bronze. Portrait of an unknown personage in civil costume
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: drypoint, etching
Artist: c.b. millar
Artist role: print maker
Subjects: sculpture
Inscriptions: collector's mark: Lugt 2228

Prent is deel van een groep prenten gemaakt door leerlingen van Alphonse Legros, naar kunstwerken in het Victoria & Albert Museum.
Rock Crystal Belt Buckle
Object type: belt buckle and tongue
Materials: gold foil, quartz
Culture: german

It is impossible to know precisely when the delicate gold tongue was added to the buckle, but the ensemble conveys the ease with which Byzantine and Germanic styles were combined.
Portret van Étienne Clavière
Object type: print
Date: 1792 – 1808
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: politician
Inscriptions: collector's mark: Lugt 2228
The Two Cows
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1814 – 1875
Two armed Ganesha (former Lichte collection). Yogyakarta, Yogyakarta district, D.I. Yogyakarta province, 9th century.
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Le Turc Vu de Dos (The Turk Seen from Behind), from "Varie Figure" (Various Figures)
Object type: print
Date: 1620 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Woman's Shoes
Object type: costume and accessory
Techniques: damask
Location: england
Stela of a Man
Object type: stela
Date: 2030 – 1981
Materials: limestone, paint
Location: egypt
Subjects: men

A large figure of a man with short hair takes up almost the entirety of this brightly painted monument. An offering formula is inscribed at the top of the rectangular stela, but the name of the owner is no longer legible. He is shown wearing a broad collar and a triangular kilt. He stands with one foot forward, holding a long walking staff in one hand and a shorter scepter in the other. A pile of food, including a leg of beef, a bundle of green onions, and a cucumber, as well as two ovoid jars of beverages, are stacked over a horizontal line in front of the man’s face. The right and left edges of the scene are decorated with block borders of alternating colors.
Plate 3: Psyche's two sisters are married to kings, with Psyche standing at left, accompanied by another king, from "The Story of Cupid and Psyche as told by Apuleius"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: kings,men,women,psyche,ceremony

This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.
Scarab
Object type: scarab
Date: 1850 – 1700
Location: egypt