deem-data/ArtiFact huggingface dataset:
Panel
Object type: textile
Date: 1770 – 1770
Materials: textile, silk
Techniques: bookbinding, brocade, interlacings, patterning, satin weave, weave
Location: france
Artist: philippe de lasalle
Artist role: designer
Artist nationality: french
Artist dates: 1723 – 1804
Subjects: birds, animals, foliage
Cleopatra
Object type: print
Date: 1652 – 1688
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: (story of) cleopatra
Inscriptions: collector's mark: Lugt 2228

Cleopatra, koningin van Egypte, maakt een eind aan haar leven door zich te laten bijten door een giftige slang. In haar handen twee slangen. Ze besluit de hand aan zichzelf te slaan omdat ze niet gevangen wil worden door de Romeinen.
Vier monniken uit verschillende orden
Object type: costume print
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Inscriptions: number: ‘4’

Prent uit het boek 'Omnium pene Europae, Asiae, Aphricae atque Americae gentium habitus...', 1581. De prent maakt deel uit van een album.
Oud-Zermatt
Object type: glasdia
Date: 1907 – 1935
Materials: glass, ink, paper
Techniques: slide
Location: zermatt
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Biberon
Object type: biberon
Date: 1501 – 1700
Materials: glass

These typically Catalan vessels (see also 83.7.10) display the loopy handles and latticinio technique, with its combed opaque white stripes, derived from Venetian prototypes.
Fuji no uraba, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)"
Object type: print
Date: 1789 – 1794
Techniques: woodblock print
Location: japan
Artist: chobunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Karnak. North Ptolomey gateway
Object type: photomechanical print
Date: 1907 – 1925
Materials: cardboard
Techniques: writing
Location: luxor
Artist: Anonymous
Subjects: gate, entrance
Inscriptions: postage stamp
Uitnodiging aan Philip Zilcken
Object type: invitation
Date: 1929 – 1929
Materials: cardboard
Techniques: printing
Subjects: print maker, gerardus johannes roermeester, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Sir Walter Scotts Study
Object type: photograph
Date: 1880 – 1890
Materials: photographic support
Techniques: albumen print
Location: abbotsford house
Artist: Anonymous
Subjects: study; 'studiolo'; library
Inscriptions: inscription: ‘Poulton's series.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 434 – 368
Materials: terracotta
Culture: etruscan

Interior, unidentified subject; added color is worn
Schets van een staande man
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Tien jaren later
Object type: print
Date: 1844 – 1876
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: club (students), meeting, student life, leiden
Inscriptions: collector's mark: Lugt 2228

De serie met omslag werd samengesteld door Jan van der Hoeven (Leiden 1834 - Rotterdam 1900). Van der Hoeven was mede oprichter van het Sophia-Kinderziekenhuis in Rotterdam en was als heelmeester verbonden aan het stedelijk ziekenhuis aldaar.
Portret van Pierre Abélard
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Album
Object type: slip in album
Date: 1890 – 1900
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print
Location: russia
Artist: Anonymous
Subjects: prospect of village, silhouette of village, travelling; tourism, prospect of city, town panorama, silhouette of city

Fotoalbum in roodbruine band met op het voorplat het woord 'Album' en versieringen in gouddruk en in reliëf. De schutbladen zijn van blauwgroen papier. Het album bevat 100 bladen met in totaal 78 foto's. De afdrukken zijn op het blad bevestigd met gekleurde strips papier waarachter de hoekpunten gestoken zijn. Oorspronkelijk bevatte het album meer foto's, getuige de bladen met stripjes zonder foto. De band bevat anonieme opnames van bezienswaardigheden in Sint-Petersburg en Moskou, zoals straten, poorten, kerken en pleinen. Een groot deel van de foto's is vervaardigd door Dimitri Ivanovitch Ermakov (1846-1916), die naast studioportretten, ook uitgebreide fotoreportages maakte van archeologische en topografische expedities. Van één van deze projecten, het fotograferen van de militaire weg door Georgië, zijn in het album afdrukken aanwezig. Niet uitgesloten is dat ook andere foto's in het album door hem vervaardigd zijn.
Huwelijk van Tobias en Sara
Object type: print
Date: 1547 – 1591
Materials: paper
Techniques: etching
Location: low countries
Subjects: raguel gives sarah to tobias as his wife
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Links geeft Raguel zijn dochter Sara ten huwelijk aan Tobias. Naast Tobias staat de aartsengel Rafaël. Achter hen zitten enkele gasten aan een tafel. Rechts een stadsgezicht met een drukke weg waarop Rafaël, Tobias en zijn hond aan komen lopen. Onderaan in de marge een verklarende, éénregelige tekst in het Latijn.
Ein new getruckt model Büchli...
Object type: book print ornament architecture
Date: 1529 – 1529
Techniques: printing, woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550

Published by Schoensperger, Augsburg. Title page, 45 pages of designs for weaving and embroidery, and 5 manuscript pages of weaver's notations at back. This copy # 303 Fairfax-Murray Sale, Christie Manson Woods Sale Dec. 10-12, 1917, Fairfax-Murray Catalogue # 293. Strange- Bibl. Soc. VII.p. 231 no. 41. Lotz - Zietschrift f. Buchfreunde, 1936, vol. 18, Heft 3, pp. 45-46 ill. Destailleurs - Cat. Livres et Estampes p. 387 1618. 24 leaves unnumbered. Sigs: A b- F 4 (A & F unlettered, verso last leaf blank). Fifth and last edition of Schonsperger's second book (See note below). MMA has an imcomplete, but the only known copy of the 1st edition 29.71. According to Lotz p. 39 the borders which are the only leves of the original 1524 book might well have been designed by Lucas Cranach the Elder. Note ink on B 4 vo. Philip Hofer has a later edition of this book printed by Steyner in 1533 who brought out a reprint of Schonsperger's first book in the same year. He used the title border which appears in Lotz 2 a-d, however. Same contents. 24 leaves, verso title and last page blank. See Cambridge Feb. 1940. See back of second flyleaf at back for notes by Mr. Ivins copied from earlier binding.Bound by Alfred Lauder August 1930 in white and red marbled boards, half bound in white vellum, gilded.
Isabel Wachenheimer in München, midden mei 1929
Object type: photograph
Date: 1905 – 1929
Materials: photographic support
Techniques: gelatin silver print
Location: munich
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Infantry, Prussia, 1840, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,swords,men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Virginal
Object type: virginal
Date: 1600 – 1600
Materials: bone, wood
Culture: european
Artist: c ruckers
Artist role: maker
Pijpenkop
Object type: pipe
Date: 1630 – 1650
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: the hague, rotterdam

Pijpenkop. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Hall Chairs, in Chippendale Drawings, Vol. I
Object type: drawing ornament architecture
Date: 1762 – 1762
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: chairs

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XVIII in the third edition of 1762.
The Third Princess and Kashiwagi, from Chapter 34, “New Herbs I (Wakana I)” (Nihon shinnō onna sannomiya)
Object type: print
Date: 1890 – 1890
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: princesses,men,trees

Like his master, Toyohara Kunichika, Chikanobu is known for genre scenes in the triptych format. This triptych is related to an episode from Chapter 34, or New Herbs I, in the Tale of Genji, in which the youth Kashiwagi happens to notice a kitten running out from under a bamboo blind. He glimpses the elegant figure of the Third Princess, one of Genji's wives, behind the blind and falls in love with her, to disastrous effect. In this image, Chikanobu has transformed the Third Princess into a monumental image of woman. She is no longer the traditionally mysterious woman cloistered in an interior; she invades the outside world, as if she rules over the three courtiers.
Leven van de heilige Turibius de Mogrovejo
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: turibius de mogrovejo, archbishop, bishop, etc. (roman catholic)
Inscriptions: collector's mark: Lugt 240, inscription: ‘Car: Maratus inv: et fec:’

De heilige Turibius de Mogrovejo, aartsbisschop van Lima, staat links. Achter hem staan twee mannen. Voor de aartsbisschop een groep Inca's die een boek aan hem presenteren. Onderaan een lege cartouche.
Suspenders
Object type: suspender
Date: 1840 – 1849
Materials: linen, silk
Culture: portuguese
Subjects: birds,dogs
Portret van een onbekende vrouw met boek
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, leather, velvet
Techniques: daguerreotype
Artist: edwin fehrenbach
Artist role: fotograaf
Artist dates: 1848 – 1888
Subjects: adult woman, historical persons, book
Inscriptions: inscription: ‘E. Fehrenbach/ Artist/ 111 Strand’
Buckle Loop
Object type: buckle loop
Date: 401 – 500
Materials: bronze
Culture: french
Location: france
Chili, centavo, 1853
Object type: coin
Date: 1853 – 1853
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: vijfpuntige ster. Jaartal onderaan. Keerzijde: tussen twee samengebonden takken in twee regels waarde-aanduiding: un centavo. Gladde rand.
Portret van Maurits, prins van Oranje
Object type: print
Date: 1580 – 1637
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: the hague, maurice (prince of orange)

Portret van Maurits in een ovaal met randschrift en een balustrade met een devies. Daar omheen een aantal allegorische objecten. In de ondermarge zes regels Latijnse tekst.
Designs for Gothic tracery
Object type: drawing
Date: 1805 – 1805
Materials: ink
Techniques: pen
Artist: Anonymous
Artist role: artist
Subjects: ornament
Amphiteathrum Castrense, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1560 – 1560
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: architecture,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 60 in the scrapbook.
Female Mask Surrounded by Tendrils
Object type: drawing
Date: 1672 – 1725
Materials: chalk, ink
Techniques: pen
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: masks,women
Stadhuis van Maastricht
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: townhall, section ~ architectural design or model
Inscriptions: collector's mark: Lugt 2228

Oost-west doorsnede van het stadhuis van Maastricht met links de toegangstrap.
Tros-narcisse. / Narcissus medio lutens. / Narcisse en bouquet.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: narcissus

Trosnarcis. Genummerd rechtsboven: 222. Rechts de Latijnse naam. Onderdeel van het derde album met tekeningen van bloemen en planten. Tiende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Spinster en hoefsmid
Object type: print
Date: 1626 – 1677
Materials: paper
Techniques: etching
Artist: thomas wijck
Artist role: draughtsman, painter, print maker
Artist dates: 1616 – 1677
Subjects: ass, donkey, smith, blacksmith, spinning (manufacture of yarn)
Inscriptions: collector's mark: Lugt 240

Een man is een ijzer aan het smeden. Links zit een spinnende vrouw. Een man en een vrouw kijken toe. Op de achtergrond een ezel.
Head of a Bearded Man Looking to Upper Right
Object type: drawing
Date: 1634 – 1689
Materials: chalk, paper
Artist: ciro ferri
Artist role: artist
Artist nationality: italian
Artist dates: 1634 – 1689
Subjects: men,profiles
The Garter
Object type: painting
Date: 1724 – 1724
Materials: canvas, oil
Artist: jean françois de troy
Artist role: artist
Artist nationality: french
Artist dates: 1679 – 1752
Subjects: interiors,men,women

A man offers to help a woman reattach her garter, a common conceit in erotic painting and literature in eighteenth-century France. Her hand firmly rejects his advance, but the indecorous decision to reveal her leg in his presence suggests a ruse—perhaps inspired by the contents of the book she has discarded next to an already disrobed bronze statuette. The clock resembles the latest models by the famed furniture maker André Charles Boulle and includes a figure of Saturn, or Father Time, whose scythe has been stolen by Cupid.
Exterieur van het stationsgebouw te Equateurville
Object type: page
Date: 1896 – 1896
Materials: paper
Techniques: photograph
Location: equateurville
Artist: franz thonner
Artist role: botanicus, ontdekkingsreiziger
Artist dates: 1863 – 1928
Subjects: façade (of house or building), station; shelter (railway, tramway)
Inscriptions: number: ‘Pl. 23.’
Shard:  Neckpiece with Head of Offerer
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: gandhara,heads
The Contrast
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: devil,goddess,boats
Portret van Charles Rollin
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: paris, charles rollin, wig
Inscriptions: collector's mark: Lugt 2228

Portret van Charles Rollin, Frans pedagoog en historicus, en vanaf 1694 rector van de universiteit van Parijs. In de marge een gedicht in het Frans.
Earring
Object type: earring
Date: 101 – 300
Materials: gold, stone
Culture: coptic
Location: egypt
Ensemble
Object type: ensemble
Date: 1876 – 1900
Materials: cotton, glass, metal, silk, wool

This object was collected by Stewart Culin (1858-1929) during a collection expedition in 1922. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
IJspret op de Maas ter hoogte van Rotterdam
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: with chair on ice, skates (winter sports), playing with snow and ice, rotterdam
Inscriptions: collector's mark: Lugt 2228

Gezicht op het oosten van Rotterdam met de bevroren Maas. Op de Maas is een grote menigte te zien. Er wordt geschaatst, gesleed, gegeten en gedronken. Ook vinden er goederentransporten plaats over het ijs. Links rijdt een koets. Onder de voostelling het wapen van erfstadhouder Willem V. Links en rechts de titel van de prent en de opdracht in het Nederlands en Frans.
Studieblad met kindertekeningen
Object type: drawing
Date: 1649 – 1649
Materials: chalk, paper, pencil
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘Joannesken dewin’
Dish
Object type: dish
Materials: earthenware
Techniques: glazing
Artist: bernard palissy
Artist role: maker
Artist nationality: french
Artist dates: 1510 – 1590
Subjects: cornucopia
Angra Oowena
Object type: angra oowena
Date: 1867 – 1900
Materials: wood
Culture: baganda
Location: uganda
Portret van Karel Bernard hertog van Saxen-Weimar-Eisenach
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: head turned to the left, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een militair uniform. Onder het portret zijn naam.
Half-length Virgin and Standing Child with Indications of a Young Saint John the Baptist at Left
Object type: drawing
Materials: chalk
Artist: pedro del pozo
Artist role: artist
Artist nationality: spanish
Artist dates: 18 – 1785
Subjects: madonna and child,saint john the baptist
Portret van een katholieke geestelijke, zittend in soutane met een boek in de hand
Object type: photograph
Date: 1920 – 1920
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: liturgical vestments, canonicals, priest (roman catholic), adult man, historical persons, head-gear: cap, netherlands

Onderdeel van Fotoalbum met portretten vervaardigd door Nederlandse studio's waaronder automaatfoto's.
Triomf van de twee Romeinse keizers
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: italy
Subjects: conqueror triumphing, triumphal entry of victor
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’

Een stoet van Romeinse soldaten, leeuwen en muzikanten voorafgaand aan een strijdwagen met twee Romeinse keizers en een gevleugelde figuur (Victoria). Op een plaquette onder de voorstelling tekst in het Latijn. Genummerd linksonder: 5.
Kaartspel geografie
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: europeans

Deze prent maakt deel uit van een kaartspel met 52 kaarten met voorstellingen van vrouwen uit landen over de hele wereld. De serie is uitgedacht door Jean Desmarests de Saint-Sorlin in opdracht van Kardinaal Mazarin. Het kaartspel werd gemaakt voor de jonge Lodewijk XIV, samen met het Jeu des Fables, Jeu des Reynes Renommées en Jeu des Rois de France.
Ten-Sided Bowl
Object type: bowl
Date: 1780 – 1780
Materials: enamel, porcelain
Culture: japanese
Subjects: flowers,leaves
Gezicht op de Saint-Michel d'Aiguilhe in Le Puy-en-Velay
Object type: photograph
Date: 1880 – 1945
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: le puy-en-velay
Artist: Anonymous
Subjects: parts of church exterior and annexes
Inscriptions: annotation: ‘Le Puy/ [...] l'aiguilhe [...]’
Karauta of the Ogiya in Evening Snow (Ogiya Karauta bosetsu), from the series "Eight Views of Famous Beauties of the Pleasure Quarters (Seiro meifu hakkei)"
Object type: print
Date: 1773 – 1775
Techniques: woodblock print
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
IJspret aan de Amstel bij de Weesperzijde te Amsterdam
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: horse-sleigh, skates (winter sports), city-walls
Inscriptions: collector's mark: Lugt 2228

Een paar wordt voortgetrokken door een door twee paarden getrokken slede, aan de Weesperzijde te Amsterdam. Op het bevroren water veel schaatsers en rechts een koek-en-zopietent.
Nellie Page, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Necklace
Object type: necklace
Date: 1900 – 1900
Materials: silk
Culture: american or european
Cup and saucer
Object type: cup and saucer
Date: 1763 – 1774
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,houses,trees
Terracotta skyphos (deep drinking cup)
Object type: skyphos
Date: 520 – 510
Materials: terracotta
Culture: greek, attic
Artist: psiax
Artist role: artist
Subjects: satyrs

Obverse, satyr with wineskin Reverse, warrior in Scythian dress