deem-data/ArtiFact huggingface dataset:
Saint Martin and the Beggar
Object type: drawing
Date: 1493 – 1500
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: vittore carpaccio
Artist role: artist
Artist nationality: italian
Artist dates: 1460 – 1526
Subjects: swords,men,horses

This small study appears to have been preparatory for an altarpiece in the Zara Cathedral, which Carpaccio probably undertook in 1493; although the drawing omits the landscape in the painting, it represents many other details of similar design. The subject is based on an episode from the life of Saint Martin of Tours (ca. 315-397 A.D.), as told in Jacobus de Voragine's 'Golden Legend.' The saint, a young soldier in the Roman army, is seen here on horseback, in the act of cutting off a piece from his cloak with his sword to clothe the beggar standing by his side toward the center. Vittore Carpaccio was the leading painter of late fifteenth-century Venice, along with Giovanni and Gentile Bellini.
Double Louis d’or of Louis XIV of France (b.1638; r. 1643–1715)
Object type: coin
Date: 1694 – 1694
Materials: gold

In 1640, Louis XIII introduced into circulation a gold coin of uniform fineness (22 carats) known as the Louis d’or. Denominations were determined by the standardized weights of the circular gold blanks (planchets) from which the coins were struck. The most important coin in the series was the Double Louis d’or. At twice the weight of the Louis d’or, it was equivalent in value to the gold pistole, the Spanish coin recognized throughout Europe as the standard unit of currency in international trade. Louis XIII’s successors issued the royal coinage until the French Revolution brought the reign of Louis XVI to a close in 1792. For over one hundred fifty years, the Louis d’or remained a symbol of the stability and power of France under the Bourbon monarchs.
Sleutel
Object type: key
Date: 1600 – 1699
Materials: iron

Sleutel waarvan de schacht tot aan de sleutelborst baluster-vormig is en voorbij de baard doorlopend. Het oog is ovaal met bovenaan een verdikking.
Die neue Caserne / La nouvelle caserne
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: augsburg
Artist: christian friedrich schwan
Artist role: bookseller, publisher
Artist dates: 1733 – 1815
Subjects: barracks
Inscriptions: collector's mark: Lugt 2228
Onbetrouwbaarheid van de Spanjaarden tijdens de vredesonderhandelingen te Middelburg
Object type: jeton
Date: 1596 – 1596
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: albrecht aartshertog van oostenrijk, brussels, earl, middelburg

Koperen penning. Voorzijde: paard van Troje, staande binnen muren van brandende stad binnen omschrift. Keerzijde: soldaat met geweer over zijn schouder, staande op toren binnen omschrift
Die Topographie des menschlichen Gehörorganes mit besonderer Berücksichtigung der Korrosions- und Rekonstruktionsanatomie des Schläfenbeines
Object type: book
Date: 1904 – 1904
Materials: paper, cardboard, textile
Techniques: gelatin silver print, letterpress printing, lithograph
Location: würzburg
Inscriptions: inscription: ‘M.18-’, number: ‘1325’, inscription: ‘M.18_’
Fragment van een monstrans
Object type: monstrans, ostensorium
Date: 1425 – 1450
Materials: brass
Techniques: casting, gilding
Location: cologne
Artist: Anonymous

Het fragment bestaat uit twee cilindermonturen, gevat tussen vier verticale verbindingsstukken (steunberen), geplaatst op een bolle deksel, welke is gevat in een gekanteelde rand, waartegen aan voor- en achterkant twee ogen zijn bevestigd, waardoor een pin gestoken kan worden. Het fragment onderscheidt zich door deze bevestiging en door de vier in plaats van twee verticale verbindingsstukken van vergelijkbare onderdelen van de overige hier besproken monstransen.
House post figure
Object type: house post figure
Date: 1801 – 1900
Materials: wood
Culture: sentani
Location: indonesia
Artist: lake sentani artist
Artist role: artist
Subjects: children,mothers,women
Lekythos
Object type: lekythos
Date: 420 – 420
Materials: terracotta
Culture: greek, attic
Artist: quadrate painter
Artist role: artist
Subjects: women
Voilà le moment (passé minuit), ou le calme et la paix régnent véritablement dans les heureux menages (Moeurs Conjugales, No. 29)
Object type: print
Techniques: hand coloring, lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: sleeping,infants,men,women
Portret van keizer Karel V
Object type: photomechanical print
Date: 1872 – 1872
Materials: paper
Techniques: photolithography
Subjects: ghent, charles v (holy roman emperor and king of spain), historical persons, knighthood order of the golden fleece, king

Prent mogelijk uit: Examples of the Engraved Portraiture of the Sixteenth Century. Londen en Edinburgh: William Stirling Maxwell, 1872.
Burns, 3rd Base, Chicago, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco
Object type: baseball card
Date: 1887 – 1887
Techniques: color lithograph, drawing
Artist: d. buchner & co., new york
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1900
Subjects: men,portraits,baseball,athletes

(Thomas) Burns, 3rd Base, Chicago, trade card from the "Gold Coin" series (N284), issued by D. Buchner in 1887 to promote Gold Coin Chewing Tobacco. In the American Card Catalog, Burdick refers to the series as "Leading Baseball Players, Police Inspectors and Captains, Jockeys, and Actors." The images in this series do not always represent the specific athletes named.
Three Musicians and Two Ladies in Outdoor Setting
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1700 – 1799
Fragment
Object type: textile
Materials: wool
Techniques: weave
Location: egypt
Letter to Adrien Dauzats
Object type: drawing
Date: 1845 – 1845
Materials: ink
Techniques: pen
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Clutch
Object type: clutch
Date: 1830 – 1850
Materials: glass, linen, silk
Culture: mexican
Subjects: ducks,churches,men

Despite the disproportionate figures of the man and the ducks on the face of this bag, overall the design displays an excellent use of color and good grasp of perspective. Probably of professional make, it is part of the Mexican beadwork collection of over 600 pieces assembled by Elizabeth Morrow (1873-1955), mother of writer Anne Morrow Lindbergh, the wife of renowned aviator Charles Lindbergh. Morrow collected the objects between 1927 and 1930, when her husband, Dwight Morrow, Sr., served as U.S. ambassador to Mexico. She lent the collection to the Brooklyn Museum in 1938 and upon her death, her children donated it. A collection of 155 pieces of Mexican ceramics and other decorative arts were given to Amherst College, her husband's alma mater. Mrs. Morrow collected Mexican beadwork, along with other examples of colonial and native arts, to decorate their country home in Cuernavaca in order to promote a more peaceful image of that country through its works. The Morrows sought to overturn the perception of post-revolutionary Mexico as a violent and unstable nation by highlighting the richness and diversity of its colonial, folk, and contemporary art. Glass beads were originally imported to New Spain (Mexico) from Italian and Asian sources via Spanish colonial trade routes. By the early part of the nineteenth century, Spain had suffered the loss of almost all of its colonies and with the succeeding establishment of free trade British ships undertook the importation of beads to Mexico. Many of the design influences on the bags and cases in the collection came from Europe; patterns for beadwork designs came from contemporary fashion publications such as "La Dama Elegante."
Van het verlooren Schaep, Penninck, en verlooren Sone
Object type: album leaf
Date: 1646 – 1646
Materials: paper
Techniques: hand coloring, letterpress printing
Location: alkmaar

Tekstblad bij een serie prenten over de gelijkenissen van het verloren schaap en het verloren muntstuk en van de verloren zoon. Linksboven initiaal S. Dit blad maakt deel uit van een album.
Amsterdam, Nieuwmarkt
Object type: photograph
Date: 1880 – 1895
Materials: photographic support
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: market, weigh-house, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Hendrik Groote. 43. Kalverstraat 43. Eastman Kodak Agency Darkroom at disposal.’

Onderdeel van Fotoalbum met opnames van het centrum van Amsterdam en reclameteksten voor winkels en bedrijven.
Zonnehoed, Walcherse dracht (?), van stro, gevoerd met sits
Object type: zonnehoed
Date: 1735 – 1765
Materials: textile, cotton
Techniques: braiding
Location: netherlands
Artist: Anonymous

Zonnehoed, Walcherse dracht(?) of quasi landelijke mode van "herderin" of "snellemerige". Model: zeer platte bol en vlakke brede rand. Materiaal: naturel stroo, gevoerd met echte sits. Voering: de sits heeft een indigo blauwe onder grond, waarop een groot dekor van rode ranken en rode bloemen, als roos, anjer en tulp. De blauwgroene blaadjes zijn geelgerand.
St. Blasien Bad. Schwarzwald
Object type: photograph
Date: 1893 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: schwarzwald
Artist: h. kaiser
Artist role: fotograaf
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, road, path
Inscriptions: number: ‘No. 71.’, inscription: ‘St. Blasien?’
Token of Andrew Jackson
Object type: token
Date: 1876 – 1876
Materials: bronze
De exercitie met schild en spies: de soldaat brengt in drie tijden de spies weer terug in de rustpositie, eerste beweging (nr. 10), 1618
Object type: print
Date: 1616 – 1618
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Illustratie in: Adam van Breen, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieu ordening [van] ... Maurits van Nassau, 's-Gravenhage, [Aert Meuris] 1618, plaat nr. 10. In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 22).
Exterieur van Hotel Schols te Driebergen-Rijsenburg
Object type: photograph
Date: 1927 – 1927
Materials: photographic support
Techniques: gelatin silver print
Location: driebergen-rijsenburg
Artist: jacobus hendrik spoormaker
Artist role: fotograaf
Artist dates: 1860 – 1944
Subjects: façade (of house or building), automobile, hotel, hostelry, inn
Inscriptions: name: ‘J. H. Spoormaker. Driebergen.’, inscription: ‘8. April. 1927’
Afconterfeytinge des Iselstrooms / het Sticht van Over-Isel / t'Graefschap Zutphen / alwaer nu ter tijt de beyde Legers (...) hun verhouden
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: deventer
Artist: baptista van doetechum
Artist role: print maker
Artist dates:  – 1611
Subjects: the hague, maurice (prince of orange), troop movements, transportation, maps of separate countries or regions

De militaire campagnes van het Staatse leger onder prins Maurits en het Spaanse leger onder Spinola in Overijssel en Zutphen, juli-augustus 1606. Kaart van Oost-Nederland van het gebied tussen Arnhem, Groenlo, Coevorden en Zwolle waarop met letters de route van het Staatse leger en met cijfers dat van het Spaanse leger is aangegeven. Bovenaan een cartouche met de Latijnse titel. Onder de prent gedrukt de Nederlandse titel en de legenda's A-O en 1-15.
Aan een voederbak vastgebonden paard
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: horse
Inscriptions: collector's mark: Lugt 240

Een paard staat vastgebonden aan een voederbak. Links een huis.
Pluto
Object type: statuette
Date: 1634 – 1666
Materials: bronze
Artist: giovanni battista di jacopo
Artist role: artist
Artist nationality: italian
Artist dates: 1494 – 1540
Subjects: male nudes,pluto

Although it is a poor, flawed cast, the single-figure version is engraved 211—its number in the inventory of the French royal collection of bronzes assembled under Louis XIV.
Design for Vis-A-Vis/Sociable Carriage
Object type: print
Date: 1870 – 1870
Materials: gum arabic
Techniques: hand coloring, lithograph
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
La vie indigène
Object type: reproduction
Date: 1900 – 1920
Materials: cardboard, paper
Techniques: rotogravure
Artist: Anonymous
Subjects: moving (house), card games
Leopard and Serpent
Object type: drawing
Date: 1810 – 1875
Materials: paper, watercolor
Location: france
Artist: antoine-louis barye
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: leopards,serpents

Barye worked primarily as a sculptor of animal subjects but also produced highly finished watercolors based on studies he made during his regular visits to the Jardin des Plantes in Paris, often in the company of his friend Eugène Delacroix. There, he observed and sketched the live animals in the zoo as well as stuffed and skinned specimens in the natural history museum. He then imagined violent confrontations among species, such as this standoff between a leopard and a snake. The generic rocky landscape background that Barye invented for his composition betrays the captive context for his observation of the animals.
Andiron
Object type: andiron
Date: 1770 – 1830
Materials: brass
Roma Isola Tiberina
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: island, landscape with bridge, viaduct or aqueduct
Inscriptions: number: ‘85’

Onderdeel van Reisalbum met opnames van kunstwerken en bezienswaardigheden in Italië, Griekenland en Frankrijk.
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1830 – 1890
Materials: graphite
Techniques: brush, wash
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: stage design
Lion Attacking a Stallion
Object type: sculpture
Date: 1600 – 1620
Materials: bronze, copper alloy, metal
Techniques: casting
Location: italy
Artist: antonio susini
Artist role: artist
Artist nationality: italian
Artist dates: 1558 – 1624
Subjects: animals, violence, horse, lions
Haan met esculaap
Object type: drawing
Date: 1884 – 1952
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: attributes of aesculapius: cock, aesculapian sign
Inscriptions: collector's mark: ‘R:MVS.’

Symbolen van Asclepius, de Griekse god van de geneeskunde.
The Neva at St Petersburg (Leningrad) in the Winter
Object type: painting
Date: 1844 – 1844
Materials: canvas, oil
Artist: theodor hildebrandt
Artist role: draughtsman, painter
Artist dates: 1804 – 1874
Subjects: sleigh, sledge (non-sport), ice ~ freezing weather
Inscriptions: signature and date: ‘Th. Hildebrand 1844’

De bevroren rivier de Neva bij Sint Petersburg (Leningrad) in de winter. Een vader en moeder trekken een slede, waarin een kind zit, over het ijs, links een hond. Links op de achtergrond regeringsgebouwen en een ingevroren zeilschip.
Sword with Scabbard
Object type: sword with scabbard
Materials: horn, silver, steel
Culture: arabian or turkish
Location: ottoman empire
Berlin. Unter den Linden - Hotel Adlon
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: berlin
Artist: Anonymous
Subjects: street, hotel, hostelry, inn
Terracotta fragment of a pot; unglazed on the inside
Object type: pot fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

End of a sceptre; part of the head, neck, and right shoulder of a woman to left, with a polos on her head, wearing a chiton and himation
Portret van Jan van Scorel
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Subjects: utrecht, painter, print maker, draughtsman, jan van scorel, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

In de marge een vijfregelig onderschrift in het Latijn.
Fragment
Object type: textile
Materials: gilt, paper, silk
Techniques: weave
Location: japan
Le Joueur de Musette
Object type: print
Date: 1764 – 1788
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, print maker, publisher, françois langlois, bagpipe, musette, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Het schilderij door Van Dyck bevindt zich in de collectie van The National Gallery te Londen, inv.nr. NG6567.
Spotprent op Napoleons verbanning naar Elba, 1814
Object type: cartoon
Date: 1814 – 1814
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: wijnand esser
Artist role: draughtsman, print maker
Artist dates: 1779 – 1860
Subjects: napoleon i (emperor of the french), telescope
Inscriptions: collector's mark: Lugt 2228

Spotprent op Napoleons verbanning naar Elba, mei 1814. Napoleon staande in profiel naar links, kijkend door een verrekijker.
Accessory set
Object type: accessory set
Date: 1850 – 1850
Culture: philippine

The production of pineapple cloth is specific to the Philippines and West Indies. Woven by hand from the leaf fiber of the pineapple plant, and embellished with intricate embroidery, this highly valued fabric was fashioned into clothing and accessories that were a part of the traditional Filipino cultural heritage for centuries. Exportation to Europe and America started early, but became widespread during the 19th century, when it was promoted by Christian missionaries. The exported items, fashioned for both men and women, were highly prized for their beauty and novelty.
Oriental Family
Object type: print
Date: 1496 – 1496
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Textile Design with Alternating Quatrefoils Bordered with Pearls and Framed by Interlacing Ribbons
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating quatrefoils of dark red color framed by pearls with offsetting thorns rendered with stipples of dark reddish-brown color on a light tan ground. The quatrefoils are framed by interlacing ribbons of light tan color with dark reddish-brown border and shade. The pearls bordering the quatrefoils are colored with white.
Shoes
Object type: shoe
Date: 1840 – 1849
Materials: leather, silk, wool
Culture: american
Langsdoorsnede van de villa Pallavicino delle Peschiere te Genua
Object type: ornament print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hôtel, i.e. small palace in city - aa - civic architecture: inside, section ~ architectural design or model
Inscriptions: collector's mark: Lugt 240
Kosode
Object type: kosode
Date: 1615 – 1868
Techniques: dyeing, resist
Culture: japanese
Jerusalem, Valley of Josaphat, Tomb of St. James (Jérusalem, Vallée de Josaphat, Tombeau de Saint Jacques)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: auguste salzmann
Artist nationality: french
Artist dates: 1824 – 1872

An amateur archaeologist trained as a painter, Auguste Salzmann learned photography in order to document archaeological finds in the field. He traveled to Jersualem in 1853, photographing holy sites for a year, until he was stricken by fever and forced to return home with some 150 paper negatives. The resulting prints were published in 1856 by the noted printer Louis-Désiré Blanquart-Evrard as a tourist album on the monuments of Jerusalem, available for purchase by the public; in the introduction, Salzmann wrote, "Photographs are not reports, but rather conclusive brute facts." Despite this assertion, his choice of medium did act as a vehicle of interpretation: the salted paper print gave a somewhat softened, textured appearance to the stone ruins, increasing the suggestion of nostalgia latent in the combination of archeology and tourism.
Plate
Object type: plate
Date: 1801 – 1900
Materials: pottery
Artist: william adams
Artist role: maker
Artist nationality: british
Artist dates: 1798 – 1865
Subjects: buildings,men,horses,flowers
Raccolta di teste, pensieri, trofei e prove varie d'acquaforte
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: aquatint, etching
Location: parma
Artist: benigno bossi
Artist role: print maker
Artist dates: 1727 – 1792
Subjects: (story of) bacchus (dionysus), liber, (story of) silenus
Curving Beaker with Rows of Abstract Human Faces and Sacrifice
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Liggend schaap en ram
Object type: print
Date: 1791 – 1839
Materials: paper
Techniques: etching
Location: netherlands
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228
Egg
Object type: decorative art
Date: 1865 – 1865
Materials: wax
Techniques: resist
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Finger stall
Object type: finger stall, group 2
Date: 1479 – 1425
Materials: gold
Location: egypt
Paardentrams
Object type: sketchbook leaf
Date: 1893 – 1894
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: diligence, omnibus, horse-tram, horse

Pagina 10 en pagina 11 uit een schetsboek met 36 bladen.