deem-data/ArtiFact huggingface dataset:
Prijspenning van de Nederlandsche Jacht-Vereeniging Nimrod (1875) 1881
Object type: history medal
Date: 1875 – 1881
Materials: bronze
Techniques: engraving, striking
Location: amsterdam
Artist: jacob samuel cohen elion
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1893
Inscriptions: inscription: ‘Aan / MEVR: S.J. VAN DEN BERGH / voor een / MOPHOND. T: / 2e Prijs / UTRECHT 1881.’

Bronzen penning, op de voorzijde een medaillon met hondenkop boven een weitas, gekruiste geweren en een hertengewei, met omschrift, op de keerzijde een inscriptieveld met randschrift bovenaan.
Belgique
Object type: stereograph
Date: 1876 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Artist: Anonymous
Subjects: monument, statue
Inscriptions: inscription: ‘4/16 Juli 1876’, inscription: ‘No. 15’, inscription: ‘7’
Ruïne te Popkenskerke of Poppekerke te Walcheren
Object type: drawing
Date: 1754 – 1754
Materials: ink, paper
Techniques: brush, pen
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: ruin of a building ~ architecture, ruin of church, monastery, etc.
Inscriptions: date
Gezicht op de kust bij Marseille met boten, bebouwing en een weg
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: marseille
Artist: Anonymous
Subjects: coast, marseille

Onderdeel van Reisalbum met foto's van bezienswaardigheden in België en Frankrijk.
Telegram met gelukwensen, 1928
Object type: telegram
Date: 1928 – 1928
Materials: paper
Techniques: typewriting
Location: weltevreden
Subjects: batavia

Telegram met gelukwensen namens "dyrbye en echtgenoote", verzonden vanuit Medan op 29 september 1928. Document van Gouvernements Post-, Telegraaf- en Telefoondienst, kantoor Weltevreden, met gedrukte en getypte tekst, stempels en een verbroken zegel. Behoort bij het herinneringsalbum aangeboden aan Willem Ree van accountantsbureau Frese & Hogeweg bij zijn vertrek bij het kantoor in Weltevreden op 30 september 1928.
Panel
Object type: panel
Date: 1701 – 1733
Materials: cotton, metal thread, silk
Culture: chinese
Subjects: flowers,leaves
Civitas Embda
Object type: area plan
Date: 1607 – 1609
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maps of cities
Inscriptions: number: ‘78’

Plattegrond van de stad Emden. Midden boven een cartouche met de Latijnse titel. Onderdeel van de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
Begrafenisbriefje van Cornelis Hop, 19 juli 1762
Object type: text sheet
Date: 1707 – 1762
Materials: ink, paper
Techniques: letterpress printing, pen
Subjects: mayor, burgomaster, funerary ceremonial, amsterdam
Inscriptions: collector's mark: ‘18.31’ Lugt 1641b, name: ‘De Heer Mr Adriaen Isaac Valckenier / oud Scheepen’

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [voor 1800].
Liggende figuur met vogels
Object type: illustration
Date: 1894 – 1894
Materials: paper
Techniques: woodcut
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: birds, index finger and middle finger raised, closed, lying on one side, with uplifted upper part of the body and leaning on the arm
Inscriptions: collector's mark: Lugt 2228

Een figuur ligt op de zij, steunend op zijn rechterarm. Voor hem zit een vogel; achter hem vliegen vier vogels weg richting de zon. Rechts het gezicht van een man die twee vingers opsteekt.
Udyana, Image of Buddha
Object type: figure
Date: 1368 – 1644
Materials: wood
Techniques: polychrome
Culture: chinese
[Two Young Men, One Embracing the Other]
Object type: tintype
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Weilanden met koeien in de Limousin
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: paris
Subjects: cow, meadow, pasture (+ landscape with figures, staffage)
Inscriptions: date

Prent gebruikt voor: L'Artiste, journal de la littérature et des beaux-arts, 1835.
Portret van Georg Winckler
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: engraving
Subjects: mayor, city council, mayor, burgomaster, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een man met stropdas
Object type: photograph
Date: 1880 – 1918
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: historical persons
Inscriptions: inscription: ‘Photographische/ Ateliers/ J. Siewers & Zoon/ Edam/ Hilversum./ Specialiteit in vergrootingen.’
Fingered Gauntlet for the Left Hand
Object type: armor
Date: 1560 – 1560
Materials: brass, leather, steel
Culture: italian
Location: northern italy
Bloem, gezicht van een vrouw en een interieur met een leunstoel
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, ink, paper, pencil
Techniques: pen
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: flowers, armchair, seat, parts of the face

Blad 3 recto uit een schetsboek met 65 bladen.
The Pope's Rear Guard or the Fright of the Reverend Father Corporal (Arrière garde du pape, ou la frayeur du reverend pere caporal)
Object type: print
Date: 1767 – 1800
Techniques: etching
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: soldiers,men,caricature
"- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Oji Inari Shrine (Oji Inari no yashiro), from the series “One Hundred Famous Views of Edo (Meisho Edo hyakkei)”
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Gezicht op de citadel van Caïro, met op de voorgrond een begraafplaats
Object type: photograph
Date: 1888 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Artist: jean pascal sébah
Artist role: fotograaf
Artist dates: 1872 – 1947
Subjects: temple, shrine ~ islam, mohammedanism, churchyard, cemetery, fortified city
Inscriptions: title: ‘E 35. Citadel (door de Engelschen bezet), Moskee van Mohammed/ Ali (1800) en Mohammedaansche begraafplaats. Caïro.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, check stamp: ‘Bristol/ L.M.’, number: ‘121’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
War Hat
Object type: war hat
Materials: leather, pigment, steel
Culture: french
Location: france
Zitkamer
Object type: photograph
Date: 1935 – 1935
Materials: photographic support
Techniques: gelatin silver print
Location: bandung
Artist: elsa silberstein
Artist role: amateurfotograaf
Artist dates:  – 2006
Subjects: amsterdam, elsa silberstein, interior of the house

Hoek van de zitkamer met een bank, een Chinees beeldhouwwerk op een tafeltje en borden aan de wand. In het woonhuis van Elsa Silberstein en haar man, thesaurier-generaal in Bandung in 1935. Schilderijtjes aan de muur. Onderdeel van het fotoalbum met zwart-wit foto's van het interieur van het huis van de familie Silberstein in Bandung in Nederlands-Indië.
Paus Gregorius XI keert terug naar Italië
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rome, pope gregory xi returns from avignon to rome after a visit from st. catherine of siena
Inscriptions: collector's mark: Lugt 2228

Paus Gregorius XI keert met zijn gevolg terug naar het pauselijke hof in Italië. Onderweg komt hij Catharina en een andere dominicanes tegen. Deel van een serie over Catharina van Siena bestaande uit een titelprent, een portret en 32 genummerde scènes uit haar leven.
Silhouetportret van Dingena Sophia van Galen
Object type: print
Date: 1848 – 1862
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Série 12
Object type: photomechanical print
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: madonna: i.e. mary with the christ-child, church (exterior), monument, statue
Capri!
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: capri
Artist: Anonymous
Subjects: prospect of village, silhouette of village, capri, isola di

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.
Portret van Jan Kochanowski
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: moustache, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Java
Object type: print
Date: 1843 – 1845
Materials: paper
Techniques: lithograph
Location: indonesia
Subjects: group dancing, more than one musician with instrument, java

In het midden tussen de huizen dansen vrouwen en mannen. Daarbij zitten mannen op de grond met muziekinstrumenten. Links onder een boom kijkt een groepje mannen toe. Genummerd linksboven: Pl. XVII. De prent maakt deel uit van een omslag met vijf bladen.
Sugar bowl with cover
Object type: sugar bowl with cover
Date: 1811 – 1822
Materials: silver gilt
Artist: giovacchino belli
Artist role: maker
Artist nationality: italian
Artist dates: 1756 – 1822
Subjects: birds,women,putti,dogs

Belli’s version of the Empire style is seen here to be more relaxed and ingratiating than the contemporary French interpretation with its formal, rather static elegance. The friezes of putti are charming for their playfulness, and their dancelike rhythm is echoed in the graceful postures of the erotes on the handles and the figures of Loyalty and Friendship—attended by a faithful dog—on the cover. The iconography reflects a mixture of influences, including the reliefs of infants made in Rome in the seventeenth century by the Flemish-born sculptor François Duquesnoy, and such lighthearted figures as those painted on the walls of the house of Vettii at Pompeii. The bowl itself—possibly a sugar bowl ow an individual tureen—is of an attenuated neoclassical form well suited to the easy grace of the figures.
Design for a Stage Set at the Opéra, Paris: Church Interior
Object type: drawing
Date: 1830 – 1890
Materials: gouache, graphite
Techniques: brush, wash
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: interiors,churches,stage design
Zeemanshuis te Amsterdam
Object type: print
Date: 1850 – 1875
Materials: paper
Techniques: tone lithography
Artist: Anonymous
Subjects: garrison (+ naval force), amsterdam
Croquis de moulins
Object type: print
Date: 1890 – 1913
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: sailing-ship, sailing-boat, windmill in landscape
Inscriptions: collector's mark: Lugt 2228
Mannen in een roeiboot in een nagebouwd Congolees dorp op de Wereldtentoonstelling van Antwerpen in 1894
Object type: page
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: luxembourg
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: prospect of village, silhouette of village, rowing-boat, canoe, etc. (+ four persons or more ~ traffic and transport), world fair, world exhibition, adult man, antwerp
Portret van Johann Jacob Bodmer
Object type: print
Date: 1759 – 1815
Materials: paper
Techniques: etching
Artist: heinrich pfenninger
Artist role: print maker
Artist dates: 1749 – 1815
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Louis XIII, King of France (b. 1601, r. 1610–43)
Object type: medal
Date: 1623 – 1623
Materials: bronze
Artist: guillaume dupré
Artist role: artist
Artist nationality: french
Artist dates: 1579 – 1640
Subjects: kings,women
Studie van twee tulpen
Object type: watercolor
Date: 1677 – 1755
Materials: paper, pencil, watercolor
Techniques: brush
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: flowers: tulip
Bouwwerken uit de oudheid
Object type: album leaf
Date: 1575 – 1575
Materials: paper
Techniques: engraving, etching, intaglio
Location: italy
Subjects: city-view, and landscape with man-made constructions, ruin of a building ~ architecture, landscape with ruins, theatre (building) - aa - open-air performances, city-gate

Gezicht op de resten van het Amphitheatrum Castrense te Rome. Onderschrift in het Italiaans. Prent maakt deel uit van een album.
Pair of double doors
Object type: double door
Date: 1710 – 1710
Materials: gilt bronze, wood
Techniques: carving, gilding, painting

The decoration of these double doors is closely related to that of the doors in the Salon de la Chapelle, or the Chapel Room, on the second floor of Versailles, carved by Jules Degoullons (ca. 1671–1737) and his associates in 1710. Given the similarities, it is thought that these doors were formerly at Versailles as well, but it has not been possible to establish a precise location.
Trading posts of the Dutch East India Company (VOC)
Object type: painting
Date: 1662 – 1663
Materials: linen, oil
Artist: johannes vinckboons
Artist role: draughtsman, print maker
Artist dates: 1616 – 1670
Subjects: sailing-ship, sailing-boat, locations for trading
Inscriptions: inscription: ‘Canton.’

This series of paintings hanging high in a row here feature various trading posts of the Dutch East India Company (VOC) in Asia. It was a network between which not only products but also enslaved people were transported. The VOC shipped between 660,000 and 1,135,000 people in the 17th and 18th centuries.
Meisjeskopje in profiel naar links
Object type: drawing
Date: 1845 – 1845
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head-gear, folk costume, regional costume
Inscriptions: inscription: ‘1845 / Campine’
Terracotta spindle whorl
Object type: spindle whorl
Date: 1900 – 1725
Materials: terracotta
Culture: cypriot
Vrede van de Pyreneeën tussen Frankrijk en Spanje en huwelijk van Lodewijk XIV, koning van Frankrijk met Maria Theresia van Oostenrijk, rekenpenning geslagen ter ere van Filips IV, koning van Spanje
Object type: jeton
Date: 1660 – 1660
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: filips iv (koning van spanje), lodewijk xiv (koning van frankrijk), maria theresia (koningin van frankrijk), france, spain

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gevleugelde huwelijksgod Hymen met olijftak en myrtekrans in rechter- en toorts in linkerhand, steekt stapel krijgstuig in brand binnen omschrift
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Part of a circumscribed palmette
Naples
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: gulf, bay, landscape with tower or castle, volcano, mount vesuvius, naples
Inscriptions: number: ‘12’, number: ‘No. 4051’, number: ‘10-’
The Priest's House, Rouen
Object type: print
Date: 1894 – 1895
Materials: chine, ink, paper
Techniques: scraping, stumping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Ontmoeting van Aeneas met Pallas, de zoon van Euander (Evander)
Object type: drawing
Date: 1671 – 1671
Materials: paper
Techniques: brush
Artist: claude lorrain
Artist role: draughtsman, print maker
Artist dates: 1604 – 1682
Subjects: arrival of aeneas at pallanteum: while holding out an olive-branch he meets pallas on the shore
Inscriptions: date: ‘1671’

Voorstudie voor schilderij uit 1672: landschap met de aankomst van Aeneas te Pallantium.
[Stags Heads - Dibedale]
Object type: photograph
Date: 1856 – 1856
Techniques: salted paper print
Artist: horatio ross
Artist role: artist
Artist nationality: british, born scotland
Artist dates: 1801 – 1886
Subjects: animals,skulls

Far better known in his day as an athlete and a sportsman than as a photographer, Ross excelled in deerstalking and was judged the finest shot in Scotland. Keen on the challenge of pitting his knowledge, stamina, and experience against the deer's superior senses of smell, sight, and hearing, Ross brought to his sport an intimate knowledge of the terrain, a practiced ability to judge distance, and an exceptional attentiveness in observation–just the qualities needed when he took to the Highland countryside with a camera in place of his rifle.
Bericht aan de liefhebber van de natuurlijke historie
Object type: manuscript
Date: 1800 – 1825
Materials: ink, paper
Techniques: handwriting, pen
Location: bruges
Artist: joseph van huerne
Artist role: kunstliefhebber, mecenas, verzamelaar
Artist dates: 1752 – 1844
Subjects: handwriting, written text

Inleidende teksten in drie kolommen in het Nederlands, Latijn en Frans, waarin de samensteller van de albums zich tot de lezer richt. Onderdeel van het eerste album met tekeningen van viervoeters. Eerste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
The Three Trees
Object type: print
Date: 1643 – 1643
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669

Rembrandt’s masterful Three Trees is the artist’s largest landscape print, an atmospheric etching and drypoint creation that epitomizes the ever-changing drama of the outdoors. In the face of nature, the human element is reduced to a group of miniscule figures, including a fisherman and his uninterested female companion on the left, various cowherds, and two distant figures on the hills beyond. An elegantly attired couple embrace tenderly in a private bower on the lower right, seeking companionship as well as shelter against the coming storm.
Portret van Rodolphe Kreutzer
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: date
Bronze statuette of a philosopher on a lamp stand
Object type: statuette of philosopher on lamp stand, hermarchos
Date: 34 – 1
Materials: bronze
Culture: roman
Subjects: men,philosophers

Adaptation of a Greek statue of the 3rd century B.C. Surmounted by a portrait statuette of a philosopher. This statuette is a reduced copy of a Hellenistic original of the III century B.C.
Weiland met twee koeien bij een sloot met eenden
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Gezicht op een plein te Sint-Petersburg
Object type: opticaprent
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Location: bassano del grappa
Artist: Anonymous
Subjects: column (marking grave), square, place, circus, etc. (+ city(-scape) with figures, staffage)

Mogelijk linksonder genummerd geweest: D 1.
Portret van William Shakespeare
Object type: print
Date: 1799 – 1836
Materials: paper
Techniques: engraving
Artist: philippus velijn
Artist role: print maker
Artist dates: 1787 – 1836
Subjects: william shakespeare, historical persons, portrait of a writer
Titelpagina voor: Johannes Leusden, He Kaine Diatheke. Novum Testamentum, 1740
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: lamb bearing cross or banner, 'agnus dei' ~ symbol of christ, faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, the vision of the lamb and the book with the seven seals, holy ghost represented as a dove (in flames)
Inscriptions: collector's mark: Lugt 2228

De personificatie van het geloof met lauwerkrans, palmtak en zon op de borst zit naast een altaar met Griekse boektitel. Op het altaar het lam met vaandel op het boek met de zeven zegels. In de lucht een duif in driehoek en stralenkrans als symbool van de heilige geest.
St George Killing the Dragon
Object type: print
Date: 1542 – 1542
Techniques: engraving
Location: rome
Artist: enea vico
Artist role: artist
Artist nationality: italian
Artist dates: 1523 – 1567
Subjects: spears,women,dragons,horses,saint george
Goyu, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi)," also known as the Figure Tokaido (Jinbutsu Tokaido)
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Plate with a dragon and a tiger
Object type: plate dish
Date: 1775 – 1799
Materials: glaze, paint, porcelain, soft paste porcelain
Techniques: firing, forming, turning, vitrification
Location: chelsea

The popularity of Kakiemon motifs ensured that they were copied well into the 18th century, both in China and in Europe – at Meissen in Germany, Chantilly in France, and Chelsea (now a borough of London) in England. The painters of this English plate carefully imitated an
example of Kakiemon porcelain, although the delineation is somewhat stiff. The plate’s composition and form clearly reveal its European origin.
Terracotta statuette of a dancing woman
Object type: statuette of a girl
Date: 300 – 201
Materials: terracotta
Culture: greek, south italian, tarentine
Subjects: women,dancers

Draped, dancing, standing on left foot, right extended behind her.
Wine glass with a galloping horse
Object type: goblet
Date: 1795 – 1795
Materials: glass
Techniques: diamond point engraving, glassblowing, engraving
Location: northern netherlands
Artist: Anonymous
Subjects: galloping horse
Inscriptions: inscription, inscription

translation of inscription: Golden Freedom / Just as we see the life-like horse. Stippled by Wolf free-floating on the glass; thus carefree and free of pain, golden freedom must live with us!
Ngonge
Object type: ngonge
Date: 1867 – 1900
Materials: metal
Culture: congolese
Location: congo district
Armored Vest (Manchira)
Object type: armored vest manchira
Date: 1767 – 1833
Materials: iron, silk
Techniques: brocade
Culture: japanese
Location: japan

This vest-shaped manchira is lined around the neck with small iron plates sewn between the layers of fabric. Intended to be worn over an armor, it afforded the samurai added protection and warmth as well as a richer and more colorful appearance.
Fob
Object type: fob
Date: 1767 – 1800
Materials: brass
Culture: european
Still Life with Fruit
Object type: painting
Date: 1880 – 1890
Materials: canvas, oil
Artist: henri fantin-latour
Artist role: draughtsman, print maker
Artist dates: 1836 – 1904
Subjects: still life of related objects, fruits, vegetables and fruit; still life of vegetables and fruit
Inscriptions: signature: ‘Fantin’

Stilleven met fruit. Witte schotel met druiven en een peer, rechts een mandje met appels en andere vruchten.