deem-data/ArtiFact huggingface dataset:
Portret van een onbekende vrouw
Object type: drawing
Date: 1868 – 1928
Materials: chalk, paper, pencil
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: historical persons (portraits and scenes from the life)

Portret van een onbekende vrouw, haar linker gezichtshelft gaat schuil achter uitbottende takjes.
Design for Vis-à-vis, no. 866
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Head from a figure
Object type: head
Date: 1101 – 1500
Culture: yoruba
Location: nigeria
Artist: yoruba artist
Artist role: artist
Subjects: heads

This stone head of a woman is part of a group of over a thousand known sculptures identified with a site in the Yoruba town of Esie in north central Nigeria. There, an assemblage of soapstone figures of women, men, and animals were found lying in a forest grove, most showing signs of deliberate damage from an apparent act of organized defacement. It is not known when the objects were created or vandalized, although it is estimated that they were carved between the twelfth and fifteenth century. The disarray of the site has limited attempts to provide dates and establish the cultural origins of these works, however, and even the best estimations remain informed speculation. This sculpted head possesses many traits common to Esie figures, including sharply defined almond eyes, ears set far back on the head, and three protruding scarification marks beside its left eye. While some statues from Esie have been described as solemn in expression, here the mouth seems to part in a slight but gentle smile. The sculptor has given particular attention to the woman's elaborate coiffure, which is almost as large as her head and provides a lively contrast to it. This fragmentary head was originally part of a full-sized figural sculpture. All Esie figures' heads are disproportionately large in relation to their bodies, a visual emphasis also common in the sculptural traditions of Ife, with which they have sometimes been compared. As in the arts of many African peoples, this visual accenting of the head was undoubtedly intended to reflect the importance accorded to it by the culture.
Gezicht op de Bridalveilwaterval in Yosemite Valley, Californië
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: printing block
Location: yosemite valley
Artist: george fiske
Artist role: fotograaf
Artist dates: 1835 – 1918
Subjects: waterfall
Inscriptions: inscription: ‘(909 feet high).’
Coat
Object type: coat
Date: 1885 – 1885
Materials: wool
Culture: british

This overcoat, which does not follow the bustle silhouette of the period, would have been worn for sporting activities where the popular bustle style would have been difficult to wear, such as shooting and hiking. It is well-made and presents standard construction details which are still in use on the modern overcoat.
Mug
Object type: mug
Date: 1830 – 1840
Materials: gemstone, glass
Techniques: glassblowing
Culture: american
Location: united states
Calisto in Her Retirement
Object type: print
Materials: paper
Techniques: engraving, etching, mezzotint, printing
Location: england
Artist: richard earlom
Artist role: engraver
Artist nationality: british
Artist dates: 1743 – 1822

Richard Earlom’s painterly handling of flesh tones amply demonstrates the charms of reproducing bathing beauties from the Dutch Baroque in mezzotint. Earlom designed this voyeuristic glimpse of the lustrous, somewhat demure nymph after an Anthony van Dyck painting. Alessandro Mastro-Valerio’s search for the ideal printmaking medium likely culminated in seeing a similar work during his inspiring visit to the Century of Progress Exposition in 1933. At least one mezzotint was on display at the Art Institute at the time: The Junction of Severn and Wye, from J. M. W. Turner’s Liber Studiorum
Collar
Object type: collar
Date: 1867 – 1900
Culture: belgian
Het laatste oordeel
Object type: print
Date: 1548 – 1548
Materials: paper
Techniques: engraving
Location: vatican city
Subjects: last judgement
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een groep van twaalf prenten die samen één grote voorstelling vormen naar het fresco met het Laatste Oordeel door Michelangelo in de Sixtijnse Kapel in het Vaticaan.
The Giant Factotum Amusing Himself
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Portret van John Flavel
Object type: print
Date: 1670 – 1725
Materials: paper
Techniques: engraving
Location: antwerp
Artist: michiel van der gucht
Artist role: print maker
Artist dates: 1660 – 1725
Subjects: bromsgrove, predikant, john flavel
Inscriptions: collector's mark: Lugt 2228

Busteportret van John Flavel in toga, met kalot. Het portret is gevat in een ovale omlijsting. In een kader op het piëdestal de naam en geboorte- en sterfdata van de geportretteerde.
't Cecilie Klooster nu het Princen Hof
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church

Prent ook gebruikt in: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). 3 dln. [folio-uitgave]. Amsterdam: Isaak Tirion en Yntema & Tieboel, 1760-1767, dl. 1 (Isaac Tirion, 1760).

Zie RP-P-AO-24X-20 voor proefdruk.

Dat de prent de situatie rond 1544 weergeeft gaat terug op het feit dat voor het maken van deze en andere prenten van kloosters en kerken van voor de Alteratie (1578) is uitgegaan van de plattegrond van Cornelis Anthonisz. uit 1544 (zie RP-P-OB-70.399 en RP-P-AO-20-15).
Textile Fragment
Object type: textile fragment
Date: 801 – 900
Materials: linen
Location: egypt
Servet met een bloempatroon
Object type: napkin
Date: 1650 – 1650
Materials: linen
Techniques: damask
Inscriptions: mark: ‘MJU**-’, mark: ‘12’

Servet van linnendamast met een bloempatroon. Middenveld: Het symmetrisch patroon vertoont losse takken met rozen of tulpen, en kievits- of rozetvormige bloemen. Staande randen: symmetrische tekening van slingerende bloemranken en vogels; daarbuiten: blokkenrand.
Ornithon Sive Aviarum, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1558 – 1558
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: architecture,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 92 in the scrapbook.
Brief aan Philip Zilcken
Object type: letter
Date: 1904 – 1904
Materials: cardboard, ink
Techniques: pen, writing
Location: doorn
Artist: a. smit kleine-fastré
Artist role: schrijver
Artist dates: 1856 – 1924
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Beads
Object type: bead
Date: 501 – 1200
Materials: amber
Location: egypt
Stadsgezicht met water
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper, pencil
Subjects: ships (in general), civic architecture; edifices; dwellings, canals, waters (in city) (+ city(-scape) with figures, staffage)

Pagina 38 uit een schetsboek met 29 bladen.
Plate
Object type: plate
Date: 1824 – 1828
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: henshall, williamson & co.
Artist role: maker
Artist dates: 1799 – 1828
Subjects: flowers,landscapes,boats
Oceaanhaven Belawan
Object type: photograph
Date: 1921 – 1921
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: harbour, building-site
Inscriptions: inscription: ‘No. 39 / Oceaanhaven Belawan / Panorama werkterrein’, date: ‘Belawan. 30 Juni 1921’

Gezicht over het gehele werkterrein voor de aanleg van de haven. Panorama opgebouwd uit 8 aan elkaar geplakte foto's. Genummerd: 39. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Menu van een diner op 18 maart 1888
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: chromolithography, letterpress printing
Artist: Anonymous
Subjects: flowers: rose, doves, pigeons

Op de voorzijde een jongen en een meisje bij een kar met flessen wijn. De jongen schenkt een glas vol uit één van de flessen. Op de achterzijde, in een decoratief kader, de tekst van het menu.
Portret van Emanuel Lebrecht von Anhalt-Köthen
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving
Location: leipzig
Artist: gottlieb leberecht crusius
Artist role: print maker
Artist dates: 1730 – 1804
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Tweede staat met toegevoegde vervaardigingsgegevens.
Standing cup with cover
Object type: standing cup with cover
Date: 1701 – 1800
Materials: glass
Subjects: ships
Meiping vase with dragon
Object type: vase
Date: 1701 – 1800
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: dragons
Noe, Jekemine, als je joe beuter en eijers te mert gebrogt hebt, zullen wi te geeren Annetieliesses mert gaen houên
Object type: print
Date: 1806 – 1812
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: going to the market, clothes, costume (+ men's clothes), folk costume, regional costume, eggs, egg-dishes
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Reis door Holland in het jaar 1806 [en 1807-1812] : met afbeeldingen. Amsterdam: Evert Maaskamp, 1806-1812.
Reproductie van Het Familieconcert door Peter Paul Rubens
Object type: page
Date: 1874 – 1879
Materials: paper
Techniques: woodburytype
Location: liège
Subjects: family life at home, more than one musician with instrument
Inscriptions: inscription: ‘IMAGERIE FRANKLIN No 27. -1879.’, inscription: ‘Ce tableau (...) en famille.’, name: ‘J. HERMAN, INV.’, name: ‘EM. TASSET, SC.’

Deze prent maakt deel uit van een album.
Glass squat alabastron (perfume bottle)
Object type: alabastron, squat
Date: 334 – 268
Materials: glass
Culture: greek or eastern mediterranean or italian

Translucent cobalt blue, with handles in same color; trails in opaque yellow and opaque white. Very broad, thick rim-disk, made as a spiral coil around top of neck; cylindrical neck, tapering downwards; sloping shoulder; slightly elongated bell-shaped cylindrical body; almost flat bottom; on upper body, two vertical ring handles, with long tapering tails, applied over trail pattern. A yellow trail attached at upper edge of rim-disk; on body, alternating bands of yellow and white, tooled from top of body to undercurve at bottom into a regular feather pattern in twelve vertical panels with alternating upward and downward strokes, forming vertical indents in sides and large round loops at bottom and bottom. Body complete, but rim-disk broken and repaired, with part missing; dulling, pitting, and creamy iridescent weathering. Squat alabastra such as these are unusual. The highly weathered surfaces–the result of their being buried in the ground–have obscured the colors and decoration.
Clamator jacobinus (Jacobin cuckoo)
Object type: drawing
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795

de vogel is vrijwel identiek aan G. 292. Jacobin cuckoo (Eng.)
Wien. Neuer Markt
Object type: ansichtkaart, prentbriefkaart
Date: 1915 – 1916
Materials: cardboard
Techniques: photograph
Location: vienna
Artist: Anonymous
Subjects: square, place, circus, etc.
The Supper at Emmaus
Object type: sculpture
Date: 1520 – 1520
Materials: wood
Techniques: gilding, polychromy
Location: ulm
Artist: Anonymous
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread

These three groups depict scenes from the life of Christ in which he appears at a meal table. They would originally have formed part of the predella (lower zone) of a large carved altar. The three table scenes refer to the celebra-tion of Mass, when bread and wine are presented at the altar as the body and blood of Christ.
Interieur van de Oude Kerk te Delft
Object type: book illustration
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Prent ook gebruikt in: Bleyswijck, Dirk Evertsz. Beschryvinge der stadt Delft, betreffende des selfs situatie, oorsprong en ouderdom, opkomst en voortgangh (…). Delft: Arnold Bon, 1667 (prenten vanaf 1680 ingebonden), p. 174.

Hoewel deze publicatie al in 1667 werd uitgegeven, zijn de bijhorende prenten pas in 1680, tegelijkertijd met het tweede deel ('Vervolg van de beschryvinge der stadt Delft'), verschenen. In het tweede deel zat een bijlage waarin beschreven staat welke prenten waar in het eerste en tweede deel ingebonden dienden te worden. Zodoende zijn de prenten uit het eerste deel dus pas in of na 1680 ingebonden. Hierdoor wordt vaak gedacht dat de prenten uit het eerste deel dateren uit 1667, hetgeen niet klopt. De prenten werden geleverd door drukker/uitgever Pieter Smith.
Glass perfume bottle
Object type: perfume bottle
Date: 67 – 300
Materials: glass
Culture: roman

Thick-walled bottle. Translucent green. Everted rim, folded over and in, with beveled upper surface; cylindrical neck, with a broad tooled indent around base; elongated conical body, curving in to uneven, slightly concave bottom. Complete, but broken and repaired, with cracks running from rim to bottom; pinprick and elongated bubbles, with blowing striations; dulling, pitting, and iridescent weathering.
Actress holding headpiece of floral vines, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Portret van Gottfried Barth
Object type: print
Date: 1720 – 1743
Materials: paper
Techniques: engraving
Subjects: bookshelves, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Stockings
Object type: stocking
Date: 1801 – 1833
Materials: cotton
Culture: american
Chalice
Object type: metalwork
Date: 1800 – 1800
Materials: pewter
Location: scotland
Schelpvormige schaal met Neptunusfiguur, uit het Louvre
Object type: photomechanical print
Date: 1866 – 1890
Materials: paper
Techniques: woodburytype
Location: louvre museum
Subjects: scallop, shell ~ ornament
Inscriptions: inscription: ‘Photographed by C. Thurston Thompson.’
Uitzichten over Israël tijdens een vlucht naar Egypte
Object type: photograph
Date: 1930 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, church (exterior), temple, shrine ~ islam, mohammedanism, mountains

Negen foto's van Israël, gemaakt tijdens een vlucht naar Egypte, waaronder gezichten op de Heilige Grafkerk te Jeruzalem, de Omarmoskee te Jeruzalem, oude vestingmuren van Jeruzalem, Getsemane en de Olijfberg. Op sommige foto's is de schaduw van de zeppelin te zien. Alle foto's zijn voorzien van een nummer en titel. Deze pagina maakt deel uit van een album.
Repeating watch
Object type: repeating watch
Date: 1801 – 1833
Materials: gold
Subjects: interiors,women
Watch with a Chased Scene of the Wedding at Cana
Object type: pocket watch
Date: 1783 – 1785
Materials: gold
Techniques: metalworking
Location: amsterdam
Inscriptions: inscription: ‘N.S. 1783’, town mark: ‘Amsterdam’, maker's mark: ‘HLP’, signature: ‘Jos Smith London’

Rond zakhorloge met gegraveerde en geciseleerde gouden kast en gedreven gouden overkast. De laatste versierd met de voorstelling van de bruiloft te Kana.
Taste
Object type: print
Date: 1701 – 1800
Techniques: engraving, etching
Artist: chez huquier
Artist role: artist and publisher
Artist nationality: french
Artist dates: 18 – 18
Subjects: birds,fruit,men,trees
Partial Design for the Decoration of the Surround of the Barrel Tang of a Firearm
Object type: drawing
Date: 1797 – 1805
Materials: ink, paper, pencil
Techniques: wash
Culture: french
Location: france
Artist: nicolas noël boutet
Artist role: designer
Artist nationality: french
Artist dates: 1761 – 1833
Subjects: ornament,griffins
Bottle with a brown glaze
Object type: bottle
Date: 1700 – 1799
Materials: glaze, paint, stoneware
Techniques: firing, turning
Location: karatsu
Artist: Anonymous
Inscriptions: label: ‘W691’

Fles van steengoed met een eivormig lichaam en een korte, spreidende nek, bedekt met een gecraqueleerd crèmekleurig en bruin glazuur. Oud label op de onderzijde met 'W691'. Karatsu.
Jacobus Frans Eduard, prins van Wales, 1688-1689
Object type: print
Date: 1688 – 1713
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: rome, infant, baby
Inscriptions: collector's mark: Lugt 2228

Het kind Jacobus Frans Eduard, prins van Wales, zittend op een fluwelen kussen. In het onderschrift wordt hij genoemd als één van de drie problemen van Groot-Brittannië.
Military Trident
Object type: arm
Date: 1530 – 1530
Materials: steel, wood
Culture: italian
Location: italy
Fotoreproductie van een geschilderd portret van een vrouw met waaier op het strand door Charles Amable Lenoir en twee portretten van vrouwen
Object type: album leaf
Date: 1900 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: paris
Subjects: flowers, historical persons - bb - woman, fan, beach
Inscriptions: monogram: ‘AN/ PARIS’

Deze foto's maken deel uit van een album.
Brief aan Philip Zilcken
Object type: letter
Date: 1922 – 1922
Materials: ink, paper
Techniques: pen, printing, writing
Location: paris
Artist: armand dayot
Artist role: historicus
Artist dates: 1851 – 1934
Subjects: painter, draughtsman, philip zilcken, drawing, printed matter
Inscriptions: collector's mark: ‘RPK’
Herder met schapen in een bos
Object type: print
Date: 1871 – 1909
Materials: paper
Techniques: etching
Artist: charles doudelet
Artist role: print maker
Artist dates: 1861 – 1938
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., forest, wood, sheep
Inscriptions: collector's mark: Lugt 2228
Man met zweep bij een paard
Object type: print
Date: 1669 – 1717
Materials: paper
Techniques: etching
Location: unknown
Artist: dirk maas
Artist role: draughtsman, print maker
Artist dates: 1659 – 1717
Subjects: training of horses, horse, riding-school, manège
Inscriptions: collector's mark: Lugt 240

Man met een zweep bij een paard dat is vastgebonden aan een paal, op een binnenplaats. Prent uit een serie van negen prenten met onderwerp de manege.
Blad 36 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949)
Object type: photograph
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 31e driemaandelijkse cursus van 21 september tot en met 20 december 1931, stamboeknummers 704 tot en met 708. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949).
Tree
Object type: drawing and watercolor
Date: 1875 – 1875
Materials: charcoal, paper
Techniques: drawing, scraping, stumping
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Inscriptions: Signed lower right, in black ink: "ODILON REDON"
Gezicht op Uzerche aan de Vézère
Object type: photograph
Date: 1903 – 1903
Materials: paper, photographic support
Techniques: gelatin silver print
Location: uzerche
Artist: delizy
Artist role: manufacturer
Subjects: prospect of village, silhouette of village, river

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
South Slope of Spion Kop, the bloodiest battle ground of the War, South Africa
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: spionkop
Subjects: (high) hill
Inscriptions: name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’, number: ‘201’