deem-data/ArtiFact huggingface dataset:
Aanbidding door de herders
Object type: print
Date: 1500 – 1599
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adoration of the christ-child by the shepherds; mary and joseph present, cupids: 'amores', 'amoretti', 'putti', mary, joseph and the new-born christ (nativity)
Inscriptions: signature: ‘H.V.L. exc.’, stamp, collector's mark: Lugt 1641, signature: ‘IAD W F’, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Roomsch-Katholieken, Processies, Herinneringen.
Gerontocomium; prope Pandocheum Principum in quo putens ille profundissimus / 't Oude Mannen-Huys; wiens beginselen zyn van het jaar 1550, en de vermeerderingen 1604
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: courtyard, old-people's home
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Pieter Schenk (I), s.a. [1710-1711]. Of uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, s.a. [1757-1766]. In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Bust of a woman
Object type: medallion
Date: 1501 – 1533
Materials: wood
Subjects: profiles,women
Spoon
Object type: spoon
Date: 1750 – 1770
Materials: silver
Culture: american
Location: united states
Artist: benjamin brenton
Artist role: maker
Artist nationality: american
Artist dates: 1710 – 1766
Muziekschrift uit de veertiende eeuw
Object type: print
Date: 1858 – 1860
Materials: paper
Techniques: lithograph
Location: utrecht
Artist: philippus anthonius alexander kanne
Artist role: draughtsman, print maker
Artist dates: 1833 – 1872
Subjects: notation of music, manuscript of musical score
Inscriptions: inscription: ‘Uit Lieflands Kronijk van Utrechts Beeldende Kunst, Nijverheid. 1858 p. 39’, collector's mark: Lugt 2228

Volgens het opschrift op het recto is deze prent afkomstig uit: Liefland, J. van 'Kronijk voor Utrechts Beeldende Kunst en Nijverheid' Utrecht, P.W. van de Weijer, 1858-1860.
Melpomene, from the Mattei sarcophagus, Rome
Object type: print
Date: 1540 – 1545
Techniques: etching
Artist: antonio fantuzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1537 – 1545
Subjects: weapons
Portrait of Karl Ludwig Johann
Object type: drawing
Materials: graphite
Techniques: brush, wash
Artist: jean-baptiste-françois bosio
Artist role: artist
Artist nationality: french
Artist dates: 1764 – 1827
Subjects: swords,men,portraits
Portrait of a Youth Holding a Sword
Object type: illustrated album leaf
Date: 1601 – 1633
Materials: paint, paper, watercolor
Location: iran
Subjects: swords,portraits,women
Boney Turned Moralist
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,politics
Mules
Object type: mule
Date: 1710 – 1729
Materials: leather, silk
Culture: french
White House, Camp Nelson, Kentucky
Object type: photograph
Date: 1863 – 1864
Techniques: albumen silver print, glass negative
Artist: g. w. foster
Artist role: artist
Artist nationality: american
Subjects: houses,american civil war,horses,carriages
Hoorn, Hoofdtoren
Object type: photograph
Date: 1900 – 1950
Materials: paper
Techniques: gelatin silver print
Location: hoorn
Artist: Anonymous
Subjects: landscape with tower or castle
Inscriptions: inscription: ‘Dromedaris Enkhuizen’
The Morning
Object type: print
Date: 1864 – 1864
Techniques: etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Voorstelling van een verhaal uit de Aesopus fabelen
Object type: print
Date: 1746 – 1788
Materials: paper
Techniques: woodcut
Location: haarlem
Artist: hendrik numan
Artist role: draughtsman, print maker, publisher
Artist dates: 1736 – 1788
Subjects: fables
Inscriptions: collector's mark: Lugt 240

Een zwijn en een geit staan tegenover elkaar.
Amsterdam. Rembrandtsplein
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1907
Materials: cardboard
Techniques: writing
Location: haarlem
Subjects: square, place, circus, etc.
O opened it
Object type: book illustration
Date: 1886 – 1927
Materials: paper
Techniques: wood engraving
Location: london
Subjects: pie, child (+ three persons), preparation of food

Prent uit: Greenaway, Kate. A apple pie. Londen: George Routledge & Sons, 1886. Of een latere uitgave.
Brug over de Theems
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: drypoint, etching
Location: england
Subjects: bridge in city across river, canal, etc., thames
Inscriptions: signature: ‘Seymour Haden’, inscription: ‘Zinc. A monsieur Victor Schoelcher 1868’, collector's mark, collector's mark: Lugt 2228, collector's mark: Lugt 2760

De rivier de Theems bij volle maan. Aan de horizon de Battersea brug over het water, en de kerk en huizen van Chelsea.
Noach gaat met zijn familie en de dieren aan boord van de ark
Object type: print
Date: 1600 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the animals enter the ark, noah and his family enter the ark
Inscriptions: number: ‘2’, collector's mark: Lugt 2228, address: ‘CIVisscher excu.’

Een stoet van dieren trekt de ark binnen, van elk soort een paar. Boven de ark een zwerm vogels. Rechtsvoor Noach en zijn familie.
Bloemstudies
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: flowers: orchid
Inscriptions: stamp: ‘Goedgekeurde druk Rn. RH’, collector's mark: Lugt 2228, dedication: ‘voor mejuffrouw Lizzy Ansingh’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, top of head of wreathed youth; Exterior, foot
Unguent Bottle with Pointed Base
Object type: vessel
Date: 1 – 100
Materials: glass
Techniques: glassblowing
Culture: roman
Location: roman empire

Initially affordable among only the wealthy, glass was used widely in the Roman world to create a variety of everyday objects such as those displayed here, including delicate cosmetic containers that held perfumes and oils and various forms of tableware designed for serving food and drink. Glass was also used to imitate precious stones in jewelry.
Alexander Hamilton, from the series Great Americans (N76) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men

Trade cards from the "Great Americans" series (N76), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes. There are two variations of the Beecher card, one where he faces left and one where he faces right. This is the left-facing variation.
Second Part of The Story of the Lute
Object type: print
Date: 1736 – 1795
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: chinese
Gezicht van de Nieuwe Waalen-Kerk, tot Amsterdam / Vue de la Nouvelle Eglise Walonne, à Amsterdam
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church (exterior), rowing-boat, canoe, etc., canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Vanaf 1760 gaf Pierre Fouquet stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars uit. Deze prenten werden aanvankelijk los verkocht. Later werden ze samengebonden verkocht in verschillende volgordes en aantallen in:

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783. Deze 'uitgave' bestond waarschijnlijk alleen uit een titelblad en inhoudsopgave van de tot dusver 100 uitgegeven prenten, die de koper zelf aan zijn of haar reeds verzamelde prenten kon toevoegen. De hoeveelheid en volgorde van prenten verzameld onder deze titel verschilt dus sterk.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.

Ook werden er door verschillende uitgevers tussen 1788 (Amsterdam: Petrus Conradi) en 1805 (Amsterdam: Evert Maaskamp) heruitgaven gepubliceerd.
Studie
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888

Blad 35 verso uit een schetsboek met 53 bladen.
Gezichten in Zwitserland, Savoye en Tirol
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Location: paris
Subjects: waterfall, landscape with bridge, viaduct or aqueduct
Inscriptions: check stamp: Lugt 1090, collector's mark: Lugt 2228a
Dress
Object type: dress
Date: 1806 – 1810
Materials: cotton
Culture: french
Phoenix Flying Over Waves in front of Morning Sun
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Jar with loop handles
Object type: jar
Date: 618 – 907
Materials: glaze, stoneware
Culture: chinese
The Anglers
Object type: painting
Date: 1744 – 1744
Materials: oil, paint, panel
Location: amsterdam
Artist: nicolaas verkolje
Artist role: draughtsman, painter, print maker
Artist dates: 1673 – 1746

Gotcha! Both the men and the women gesture in the direction of the float lying on its side. But who is being hooked here? The ambiguous meaning of this innocentlooking scene will not have escaped the 18th-century viewer. In those days, fishing and catching birds, the subject of the accompanying painting (also on view on this wall), were well-known metaphors for making love.
De Brittenburg bij Katwijk
Object type: historical object representation
Date: 1650 – 1750
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: huis te britten, romeinse periode in nederland

Illustratie voor een onbekend werk. Staat vóór de letter van de tweede prent beschreven onder nummer FMH 88C. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Hoofd in profiel en een paard
Object type: sketchbook leaf
Date: 1883 – 1885
Materials: chalk, paper
Subjects: head (human) (+ sideview, profile), horse

Pagina 21 uit een schetsboek met 16 bladen.
Portret van John Evelyn
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: drypoint, etching
Location: london
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: john evelyn, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent volgens O'Donoghue later gebruikt in: Evelyn, John. Sculptura, or the History and Art of Chalcography (...). S.l.s.n., 1755.
Stanhope Gig (unnumbered)
Object type: print
Date: 1850 – 1874
Techniques: engraving
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Groepsportret van een gezelschap bij een feest in een woonkamer
Object type: photograph
Date: 1934 – 1935
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: private festivities, merry company, anonymous historical persons portrayed in a group, in a group-portrait, netherlands
Avondtasje van glasbatist, met aan weerszijden drie geborduurde zilverkleurige zijden bloemen
Object type: evening bag
Date: 1920 – 1920
Materials: silk
Techniques: embroidered, weave
Location: netherlands
Artist: Anonymous

Avondtasje van glasbatist in een schildvorm, waarlangs de gehele rand een geplooide strook. De voor- en achterkant van het tasje zijn geborduurd met drie zilverkleurige bloemen van vloszijd. Het tasje heeft een hengsel van glasbatist en is ook gevoerd met glasbatist.
Hercules
Object type: statuette
Date: 1534 – 1566
Materials: bronze
Subjects: hercules
King of Hearts, from a Set of Piquet Cards
Object type: print
Date: 1767 – 1900
Techniques: hand coloring, woodcut
Artist: claude fayolle
Artist role: artist
Artist nationality: french
Artist dates: 1752 – 1826
Subjects: birds,kings,playing cards
Cavalier en Manteau
Object type: print
Date: 1687 – 1690
Materials: paper
Techniques: engraving
Location: paris
Artist: henri bonnart
Artist role: print maker
Artist dates: 1642 – 1711
Inscriptions: caption: ‘Enveloppé de son manteau / Ce cavalier attend quelque heureuse aventure...’

Frans edelman, van voren gezien, gekleed in losse schoudermantel over zijn kostuum. Op zijn lange haren een hoed met brede rand en pluimen.
Portret van Tomáš Pálffy, bisschop van Nitra
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: johann alexander böner
Artist role: draughtsman, print maker
Artist dates: 1647 – 1720
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Gualdo Priorato, Galeazzo. Historia di Leopoldo Cesare. 3 dln. Wenen: Johann Baptist Hacque, 1670-1674, dl. 3 [1674], na p. 720.
Landschap met herder en vee bij beek
Object type: print
Date: 1761 – 1784
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Heuvelachtig landschap met een herder, die zijn vee naar een beekje drijft om te drinken. Prent uit een serie met landschappen.
Portret van Jan Gildemeester Jansz.
Object type: drawing
Date: 1793 – 1793
Materials: chalk, paper
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: historical persons
Inscriptions: date: ‘1793’, date: ‘18 febr. 1793’
A Contemporary Parody of Komachi Prays for Rain (Tosei yatsushi Amagoi Komachi)
Object type: print
Date: 1792 – 1792
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Twee textielfragmenten
Object type: fragment
Date: 1736 – 1740
Materials: gold thread, silk
Location: japan
Artist: Anonymous

Textielfragmenten, twee, borduursel en kirikane op gouddraad van bloemen en planten.
Der Tantzmeister
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: man dancing alone
Inscriptions: number: ‘7’, collector's mark: Lugt 2228

Illustratie uit: Weigel, Christoff. Abbildung Der Gemein-Nützlichen Haupt-Stände Von denen Regenten Und ihren So in Friedens- als Kriegs-Zeiten zugeordneten Bedienten an, biß auf alle Künstler Und Handwercker. Regenspurg 1698, p. 179.
Trade Card for Robert Jackson, Picture Dealer, Printseller, and Restorer
Object type: print, trade card
Date: 1801 – 1900
Materials: ink
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Sestertius (Coin) Portraying Emperor Vespasian
Object type: coin
Date: 71 – 71
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obv: IMP CAES VESPAS AVG P M TR P P P COS III
Rev: PAX AVGVSTI, S C
Goge
Object type: goge
Date: 1867 – 1900
Materials: brass, shell, velvet
Culture: egyptian
Location: egypt
One Half of a Design for a Frame of a Stage Proscenium, with a Figure of Justice at the Right, and the Barberini Arms in a Cartouche at the Top
Object type: drawing
Date: 1701 – 1800
Materials: chalk, graphite, paper
Artist: giovanni francesco romanelli
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1662
Subjects: swords,cartouches,men
Vase with Dragons
Object type: vase
Date: 1701 – 1800
Materials: quartz
Culture: chinese
Subjects: dragons
Brief aan Philip Zilcken
Object type: letter
Date: 1905 – 1905
Materials: ink
Techniques: pen, writing
Location: the hague
Artist: cyriel buysse
Artist role: schrijver
Artist dates: 1859 – 1932
Subjects: camille lemonnier, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Sigismundi Augusti
Object type: prentrecueil, prentenalbum, prentalbum
Materials: cardboard, ink, leather, paper
Techniques: bookbinding, etching, marbling, pen
Location: italy
Inscriptions: number: ‘301’

Simon Schijnvoet heeft in 1709 aan het album het Schijnvoet-nummer 4, liber nummer 7 toegekend.
Huis te Vliet bij Lopikerkapel
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: utrecht
Subjects: rural housing, e.g. country-house, villa, cottage, huis te vliet
Inscriptions: date

Prent mogelijk uit: Specht, Caspar. Het verheerlykt Utrecht vertoont in de afbeeldingen der adelijke en riddermatige hofteden, in de heerlijkheid van Utrecht. Amsterdam: Reinier en Josua Ottens, s.a.
Silhouetportret van Pieter Frederik van Os
Object type: cut paper
Date: 1819 – 1845
Materials: ink, paint, paper
Techniques: brush, snipping
Artist: elisabeth alida haanen
Artist role: draughtsman, print maker
Artist dates: 1809 – 1845
Subjects: haarlem, pieter frederik van os, historical persons, portrait, self-portrait of painter
Inscriptions: number: ‘76’, inscription: ‘Schilder’, collector's mark: ‘Ex-libris van Beresteyn’, inscription: ‘P.F. Van Os.’, inscription: ‘Neg. D. 1790’, number: ‘14002’

Met onder het portret de handtekening van de geportretteerde.
Portret van Frankie Kemble
Object type: carte de visite
Date: 1857 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: paul henri jean reynet de la rue
Artist role: boekhandelaar, drukkerij, fotograaf, lijstenmaker
Artist dates: 1839 – 1927
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Inrichting voor Photografie./ VAN/ P.H.J. REYNET DE LA RUE,/ Muziek=, Boek=, Photographie=, Papierhandel enz./ Utrechtschestraat 35. Amsterdam./ Photografeert Gebouwen, Groepen,/ Portretten enz. (bij ieder aan huis), zoowel binnen/ als buiten Amsterdam. Maakt VERGROOTINGEN en COPIËN/ van Photografiën, Teekeningen, Gravures, Schilderijen enz./ Verkleiningen van af 25 stuks voor 60 Ct./ LIJSTENFABRIEK./ ENCADREMENTEN./ BOEKDRUKKERIJ./ BOEKBINDERIJ.’
Sarcophagus of Harkhebit
Object type: sarcophagus, harkhebit
Date: 595 – 526
Location: egypt

Horkhebit was a "Royal Seal Bearer, Sole Companion, Chief Priest of the Shrines of Upper and Lower Egypt, and Overseer of the Cabinet" in early Dynasty 26. His tomb was a great shaft over sixty feet deep sunk into the desert and solid limestone bedrock in the Late Period cemetery that covers most of the area east of the Djoser complex at Saqqara. In a huge plain chamber at the bottom of the shaft, a rectangular rock core was left standing and hollowed out to house this anthropoid sarcophagus. When the tomb was excavated by the Egyptian government in 1902, the sarcophagus contained the remains of a badly decomposed gilded cedar coffin, and a mummy that wore a mask of gilded silver, gold finger and toe stalls, and numerous small amulets. Other canopic and shabti equipment accompanied the burial. The finds went to the Egyptian Museum, Cairo, while this sarcophagus was purchased from the Egyptian government by the Metropolitan Museum. The sarcophagus is one of a group with plump, squarish broad faces, smooth unarticulated bodies, and slightly protruding feet that originate in the Memphite area and date, when their dates can be closely ascertained, to the time from the reign of Psamtik II (ca. 595–589 B.C.) through the reign of Amasis (570-526 B.C.). Several of them may have been produced by the same workshop; this one bears a strong resemblance to one in Leiden datable by his name to the reign of Amasis. Technically the sarcophagus is one of the masterpieces of late Egyptian hard-stone carving. The interiors of the extraordinarily rendered sunk-relief hieroglyphs and figures were left rough and may have been intended to be painted, perhaps in green. The long text on the lid comes from the Book of the Dead.
Studie en annotaties
Object type: drawing
Date: 1890 – 1890
Materials: pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: collector's mark: Lugt 2228, annotation: ‘[...]/ Kerkstraat b/d Spiegelstr/ 's morgens met zon’, workshop stamp: Lugt 291d
Wine pouring vessel (Gong)
Object type: wine vessel
Date: 1300 – 1001
Materials: bronze
Culture: chinese
Subjects: dragons,fish

Every surface of this vessel is animated with fantastic creatures: an owl-like bird with coiled serpent wings dominates the body while another bird forms the handle. Felines, dragons, and fish fill the spaces in between.
[Wilton Church, Facade and Bell Tower]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print, paper negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,towers,churches
Straatzicht in Barcelona
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: drypoint, engraving, etching, intaglio
Location: france
Artist: maxime françois antoine lalanne
Artist role: draughtsman, print maker
Artist dates: 1827 – 1886
Subjects: city-view in general; 'veduta', street
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Gepubliceerd in: "Douze croquis à l'eau-forte (...)".
Potpourri vessel
Object type: potpourri
Date: 1800 – 1800
Materials: bronze, wood
Techniques: gilding, lacquer
Artist: benjamin vulliamy
Artist role: maker
Artist nationality: british
Artist dates: 1747 – 1811
Portret van Johann Franz Buddeus
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228