deem-data/ArtiFact huggingface dataset:
Plate with Hercules and Lichas and arms of the Pucci family
Object type: plate
Date: 1532 – 1532
Techniques: maiolica, glazing
Artist: fra xanto avelli da rovigo
Artist role: artist
Artist dates: 1486 – 1582
Subjects: animals,hercules

In the early 1530s, the painter Xanto created an ambitious dinner service for a member of the Pucci family of Florence; six plates from the set are displayed here. On this example, the Pucci arms can be seen at upper left, while at the center, Hercules grabs a would-be assassin by the ankle. The action continues at right, where Hercules’s defeated opponent flies headlong into the sea.
The Slums of Glasgow
Object type: photograph
Date: 1868 – 1877
Materials: cardboard, photographic support
Techniques: carbon print
Location: glasgow
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: lane, alley, glasgow
Inscriptions: number: ‘10.’

In 1866 Annan purchased for Scotland the patent rights to Joseph Swan’s permanent carbon process to improve the photographic art reproductions he specialized in. As it turned out, his fame rests on the series of slums and alleys of Glasgow that he documented on commission from the Glasgow City Improvement Trust as of 1868. In 1877 he printed 60 sets (of the series of 40 photographs) as carbon prints.
Doctor Gruel
Object type: print
Techniques: etching
Location: london
Artist: matthias darly
Artist role: publisher
Artist nationality: british
Artist dates: 1720 – 1780
Subjects: men,profiles

This image comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. This etching likely satirizes either the primeminister William Petty, Earl of Shelburne, 1st Marquis Lansdowne, or Sir Nash Grose, more likely the latter because the latter was a judge, and the figure wears a legal wig.
Palestine - 169. Maison du mauvais riche
Object type: photograph
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: lane, alley
Jérusalem, Chapelle de l'Ascension
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,chapels
Zittende serimpies
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, female dancer, folk costume, regional costume
Inscriptions: kleurnotitie, handgeschreven

Pagina 30 uit een schetsboek met 74 bladen.
Twee gezichten op de Noorderkerk Amsterdam, waarvan één reproductie van een prent door Hermanus Petrus Schouten
Object type: photomechanical print
Date: 1890 – 1900
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: church (exterior), street (+ city(-scape) with figures, staffage)

Deze prenten maken deel uit van een album.
Parthenon
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘Helios/ Eastern Pediment/ Olympus or Theseus’

Deze foto's maken deel uit van een album.
Graaf Floris V sticht de orde van St. Jacob, 1290
Object type: print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: leiden, floris v (graaf van holland en zeeland), knighthood order

Illustratie voor: J. van Lennep en W. Moll en J. ter Gouw, Nederlands geschiedenis en volksleven in schetsen, A.W. Sijthoff, Leiden ca. 1870. Staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti en Amicitiae.
Self-Portrait with Two Young Ladies
Object type: print
Date: 1816 – 1817
Materials: paper
Techniques: lithograph
Location: france
Artist: dominique-vivant denon
Artist nationality: french
Artist dates: 1747 – 1825
Gezichten op gebouwen in Londen
Object type: print
Date: 1720 – 1731
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: hospital, city-view in general; 'veduta' (+ city(-scape) with figures, staffage), london
Inscriptions: collector's mark: Lugt 2233

Deze reeks werd voor het eerst compleet uitgegeven in 1731, al zijn de losse prenten al voor die tijd uitgebracht. De meeste prenten zijn vervaardigd door Sutton Nicholls. De serie werd aangeboden voor verkoop door John Bowles in zijn catalogus 1753, op pagina 76, nummer 16.
Hannibal steekt de Alpen over
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: hannibal crosses the alps with his army and his elephants
Inscriptions: inscription: ‘Hannibal op de toppen der Alpen aangekomen, wijst Italië aan zijne soldaten als wisse beloning voor hunne ontzaglijke...’, collector's mark: Lugt 2228

Hannibal en zijn leger met paarden en olifanten staat op de top van de Alpen. Hij wijst naar Italië.
Spiegel van meesterlijke ambachtslieden
Object type: book
Date: 1803 – 1803
Materials: paint, paper
Techniques: woodcut
Location: japan
Inscriptions: date
Trektafel (vermoedelijk) in het Rijksmuseum te Amsterdam
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: table
Inscriptions: number: ‘LIII kat 264 150’, collector's mark: ‘Kunstnijverheidschool Quellinus Amsterdam Frans Halsstraat 14.’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’
Groepje muzikanten speelt 's nachts voor het raam van een vrouw
Object type: book illustration
Date: 1830 – 1845
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: small group of musicians, chamber orchestra, jazz band, human figure at (open) window, seen from outside
Inscriptions: collector's mark: Lugt 2228
Glass jar
Object type: jar
Date: 201 – 400
Materials: glass
Culture: roman

Colorless with yellow green tinge; trail in same glass. Thickened, rounded rim, with beveled outer edge; flaring mouth; short, concave neck; tall, bulbous body; deep kick in bottom and circular pontil mark. Thick trail applied around neck. Intact; pinprick and a few larger bubbles; dulling and faint iridescent weathering on exterior; soil encrustation, dark enamel-like weathering, and brilliant iridescence on interior.
Fragment of an Inlay Depicting a Rosette
Object type: decorative art
Date: 100 – 100
Materials: glass
Techniques: mosaic glass
Culture: roman
Location: italy
Subjects: decoration, flowers

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
Comb
Object type: costume and accessory
Date: 1801 – 1900
Materials: ivory
Techniques: carving
Location: europe
Subjects: fashion
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, three fragments with leftward meander
Hippomenes wint de hardloopwedstrijd tegen Atalanta
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: during the foot-race hippomenes drops the three golden apples; atalante stops to pick them up, and is thus beaten
Inscriptions: collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Spotprent op de aanneming van de vestingwet, 1874
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: (vondel, gijsbrecht van aemstel) specific works of literature (with author, title), amsterdam

Spotprent op de aanneming van de vestingwet met generaal Weitzel als Gijsbrecht van Amstel. Spotprent op de. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 12, 1874.
Grietje Vermeulen-Luitjes en een andere vrouw lezen aan tafel
Object type: album leaf
Date: 1900 – 1925
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: reading, adult woman (+ two persons)
Inscriptions: inscription: ‘oma’
Kalender voor 1891
Object type: print
Date: 1890 – 1891
Materials: paper
Techniques: drypoint, etching, intaglio, letterpress printing
Location: netherlands
Artist: carel lodewijk dake
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1918
Subjects: calendar, almanac, making music; musician with instrument, lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 2228

Kalender voor 1891 met vrolijke man, gekleed in zeventiende eeuws kostuum, die speelt op een luit. Enkele feestdagen worden specifiek genoemd en bij de kalender zijn, behalve maanden en dagen, met afkortingen de maanstanden vermeld. Op een schild staat een monogram R&H dat verwijst naar de organisatie welke de kalender opdraagt aan haar begunstigers en vrienden aldus het opschrift.
Eene vrouw en twee kinderen van Assendelft/ Femme et deux enfants d'Assendelft
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: folk costume, regional costume, mother and daughter(s) (family group) (with number of daughters), assendelft
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Maaskamp, Evert. Tableau des principales vues des palais et édifices : représentations et des coutumes et usages, dans les provinces septentrionales du Royaume des Pays-Bas. Amsterdam, 1824.
Red House, Paimpol
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: printing, scraping, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: houses
Kaart van de Franse kust tussen Barfleur en Bayeux, ca. 1702
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions

Kaart van de Franse kust tussen Barfleur en Bayeux. Gemerkt rechtsonder: D. Onderdeel van het eerste van twee delen van het prentwerk: Les costes de France et d'Espagne (oftewel deel 13 van: Les Forces de l'Europe, Asie, Afrique et Amerique), uitgegeven ca. 1702. Het prentwerk bestaat in totaal uit 43 gemerkte platen van de kust van Frankrijk en Spanje, in het kader van de Spaanse Successieoorlog. Deze platen zijn gekopieerd naar anonieme Franse platen oorspronkelijk uitgegeven door Nicolas de Fer te Parijs. Titel en opschriften in de plaat in het Frans.
Deksel van aardewerk, Wedgwood Black Basalt.
Object type: chocoladeketel
Date: 1785 – 1800
Materials: earthenware
Location: england

Het deksel heeft een knop in de vorm van een zittende vrouw met in haar linker hand een stuk papier.
Seated Buddha
Object type: boeddha kop, boeddha beeld
Date: 900 – 1000
Materials: bronze
Techniques: gilding
Location: burma
Artist: Anonymous

The Buddha is here shown seated wearing the robes of a monk, his right hand folded downwards over his knee. This gesture refers to the fact that during meditation he touched the earth in order to defeat the forces of Mara, or illusion. Although gilded and decorated with depictions
of two royal elephants on the base, this image nevertheless emphasizes stillness and serenity.
Gezicht te West Cappelle, in de bogt van de Weg, regt op de Kerk te zien
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: zeeland
Artist: jan arends
Artist role: draughtsman, print maker
Artist dates: 1738 – 1805
Subjects: church (exterior), street
Inscriptions: collector's mark: Lugt 2228

Gezicht op een laan met wandelaars. Op de achtergrond de toren van de kerk van Westkapelle. Met onderschrift in het Nederlands en het Frans.
Panel (Furnishing Fabric)
Object type: textile
Date: 1820 – 1820
Materials: cotton
Techniques: weave, printing
Location: england
Drie fotoreproducties van afbeeldingen van cartouches
Object type: reproduction
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: drawing, sketch, ornament ~ cartouche, fruits, cupids: 'amores', 'amoretti', 'putti', garden vase, europe
Inscriptions: collector's mark: Lugt 3937, number: ‘212.’, number: ‘211.’, number: ‘63’, name: ‘C. Pini Firenze’, number: ‘213.’

Boven (211) een prent van een cartouche gedecoreerd met engelen en fruit, midden (212) een tekening van een cartouche gedecoreerd met putti en een vaas, onder (213) een tekening van een cartouche omringd door mannenfigureren.
Flounce
Object type: textile
Date: 1675 – 1700
Materials: linen
Techniques: lace
Location: italy
Fish Design Amulet Inscribed with the cartouche of Queen Ahmose Nefertari
Object type: amulet, queen ahmose nefertari, fish
Date: 1550 – 1479
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,fish

The inscription on the base of the amulet reads "Nefertari" and may refer to Ahmose-Nefertari, the wife of King Ahmose I and the mother of Amenhotep I. She was held in high regard throughout the New Kingdom.
Gazette du Bon Ton, 1914 - No. 6, p. IX: Advertentie Helena Rubinstein
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: fashion plates
Inscriptions: date

Advertentie Helena Rubinstein: producten "Valaze". Vrouw met handspiegel en potjes van "Valaze" . Pagina IX in Gazette du Bon Ton, 1914 - No. 6
Landschap met kasteel
Object type: drawing
Date: 1800 – 1900
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes van reijn
Artist role: draughtsman
Subjects: landscapes, castle
Terracotta fragment of a lekanis lid (covered dish)
Object type: lekanis fragment
Date: 375 – 351
Materials: terracotta
Culture: greek, attic

On the top of the lid, the bottom of a column; lower drapery and foot of a woman; on the downturned rim, an egg pattern with dots in the interstices; the underside is glazed
Design for Coupé, no. 3854
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Garnet Joseph Wolseley, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: historical figures,men,generals

Trade cards from the "Great Generals" series (N15), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Ice cream cup (Tasse à glace) (part of a service)
Object type: ice cream cup
Date: 1771 – 1771
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers
Portret van een onbekende man met baard
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, leather, velvet
Techniques: daguerreotype
Artist: Anonymous
Subjects: adult man, historical persons
Polished red ware jar with lugs
Object type: jar, red polished ware
Date: 4500 – 4000
Materials: pottery
Location: egypt
Quarts de plafons
Object type: album leaf
Date: 1644 – 1710
Materials: paper
Techniques: etching
Location: paris
Artist: franz ertinger
Artist role: print maker
Artist dates: 1640 – 1710
Subjects: ornaments ~ art, (decorated) ceiling, ornament ~ festoon, garland

Kwart plafond met een rand van alternerende consoles en rechthoekige panelen. De panelen ieder met een vruchtenguirlande. Uit serie van 6 bladen met tegenzijdige kopieën naar een serie Quarts de plafons van Jean Lepautre. Prent maakt deel uit van een album.
Round plate with scrolls
Object type: plate
Date: 1900 – 1900
Materials: glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: berlin
Inscriptions: mark: ‘scepter/ onleesbare cijfers/ M’

Ronde plaat (etiket?) van porselein op voetring. Op de voorzijde bedekt met een celadongroen glazuur, waarin uitgespaard een halfrond, ongeglazuurd schrijfvak. De voorzijde is verder versierd met gestempelde ranken. Gemerkt op de onderzijde met de scepter, onleesbare cijfers en de letter M. Art Nouveau.
Portret van vrouw, zittend op een stoel
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: broekhuizen
Artist role: fotograaf
Subjects: sitting figure, adult woman, historical persons
Inscriptions: inscription: ‘Broekhuizen/ Photograaf/ Gouwe 81, Gouda/ Lage Prijzen’
Bark op zee
Object type: drawing
Date: 1858 – 1860
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: sailing-ship, sailing-boat
Boss from a Horse Breast Collar
Object type: harness ornament
Date: 1667 – 1800
Materials: copper alloy
Culture: ottoman or tatar
Location: ottoman empire

This boss, decorated all over with flowers and foliage, adorned the cross-section of the three straps of a horse breast collar (straps preventing the saddle from slipping backwards). This example is a simpler version of the luxury bosses attached to some Ottoman deluxe tacks, usually made of silver and gold.
Stadsgezicht bij regen
Object type: print
Date: 1877 – 1886
Materials: paper
Techniques: etching
Artist: egbert rubertus derk schaap
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1939
Subjects: city-view, and landscape with man-made constructions, city dwellers, dog
Inscriptions: collector's mark: Lugt 2228

Links op de voorgrond loopt een jongen met een hond. Rechts loopt een man met een hoed en links daarvan een vrouw met een paraplu.
Portret van Moulay al-Rashid, sultan van Marokko
Object type: print
Date: 1630 – 1677
Materials: paper
Techniques: engraving
Location: antwerp
Artist: adriaen lommelin
Artist role: print maker
Artist dates: 1618 – 1675
Subjects: africans, king
Inscriptions: collector's mark: Lugt 2228

Portret van Moulay al-Rashid, sultan van Marokko, met tulband op het hoofd en een scepter in de hand.
Hoogwaardigheidsbekleder en smekeling, een kop en een lichaam
Object type: drawing
Date: 1564 – 1564
Materials: ink, paper
Techniques: pen
Artist: federico zuccaro
Artist role: draughtsman, print maker
Artist dates: 1540 – 1609

Tafereel met een hoogwaardigheidsbekleder die een smekeling ontvangt, schetsen van een kop en een liggend lichaam.
De drie stoepen, 1918-1968
Object type: thermometer
Date: 1968 – 1968
Materials: metal, plastic, wood
Location: netherlands
Artist: Anonymous
Subjects: the hague, willem drees, amsterdam
Inscriptions: signature and date: ‘De Drie Stoepen / 1918-1968’

Een wandthermometer bestaande uit een zwart houten plankje met drie horizontale strepen. Centraal op het plankje is de thermometer aangebracht. Deze geeft graden Celsius van -30 tot en met +50 aan.
Kapiteel van een zuil met acanthusbladeren
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: acanthus ~ ornament, capital (~ column, pillar), sculpture (+ relief ~ sculpture)
Inscriptions: collector's mark: Lugt 3937
Martyrs de la seconde Terreur, Eglise de Paris
Object type: photograph
Date: 1871 – 1871
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Subjects: priest (roman catholic), violent death, being killed; being mishandled and maltreated; seeking death - ee - death not certain; wounded person, paris
Inscriptions: address: ‘Rue de Sèvres 31, Place Cadet, 31’

Onderdeel van Herdenkingsalbum van rooms-katholieke geestelijken gevallen tijdens de Commune van Parijs.
Portret van Socrates
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: london
Subjects: scholar, philosopher, historical persons

Prent waarschijnlijk uit: Landon, Charles Paul. Galerie historique des hommes les plus célèbres (...). Parijs: Imprimerie des Annales du Musée, 1808, dl. 9.
Gezicht in Rome, bij kerk van S. Paolo alle Tre Fontane, buiten de Porta San Paolo
Object type: drawing
Date: 1761 – 1817
Materials: graphite, ink, paper
Techniques: brush, pen
Subjects: city-gate, rome

Tekening uit een groep tekeningen van landschappen en stadsgezichten in Italië (Rome, Tivoli, Civita Castellana en Pozzuoli).