deem-data/ArtiFact huggingface dataset:
A Home Run, from the Talk of the Diamond set (N135) issued by Duke Sons & Co., a branch of the American Tobacco Company
Object type: print, baseball card
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys,men,women,baseball,athletes

Trade cards from the "Talk of the Diamond" series (N135), issued in an unnumbered set of 25 cards in 1888 by W. Duke Sons & Co., a branch of the American Tobacco Company, to promote Honest Long Cut Tobacco.
Aimée Desclée
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of actor, actress
Inscriptions: inscription: ‘Du 5 au 11 Février 1874.’, number: ‘No 38.’
Prick Spur
Object type: spur
Date: 1101 – 1200
Materials: copper alloy, metal alloy
Culture: german
Location: germany

The prick spur was the first type of spur to be invented, and it consists of a goad or prick, more or less pointed, connected to side arms or a heel plate. The earliest spurs were probably simple thorns attached at the back of the heel, before they started to be made out of metal in antiquity. Prick spurs were the main type of spurs used in the Middle Ages until the mid-14th century, when they were supplanted by rowel spurs, which appeared in Europe a century before and with which they had cohabitated for a time. As a knight’s status was closely related to his horse, spurs became one of the symbols of chivalry, and one of the tokens given to him during his knighting.
Portret van Jan Sloot
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving
Location: the hague
Subjects: jan sloot
Inscriptions: collector's mark: Lugt 2228

Buste naar rechts van Jan Sloot, in een ovale omlijsting, waarop een randschrift met zijn naam en titel in het Latijn. Onder het portret vier regels in het Frans. Prent uit een serie van veertig portretten van vredestichters in de Nederlanden.
A Young Lady with a Parrot
Object type: drawing and watercolor
Date: 1730 – 1730
Materials: board, paper, pastel
Techniques: drawing
Location: venice
Artist: rosalba carriera
Artist role: artist
Artist nationality: italian
Artist dates: 1673 – 1757
Subjects: women, pearls, jewelry, french, fabric, hairstyles, pink (color), blue (color), flowers, birds, parrots, fashion, animals

Rosalba Carriera is renowned for the distinction she brought to pastel portraiture in Italy and France during the first half of the eighteenth century. No female artist enjoyed greater success or exerted more influence on the art of her era than Rosalba, as she is known. The artist’s work in pastel divides itself into two categories: portraits and allegories. A shrewd judge of character, she enhanced but never obscured the actual appearance of the sitters in her portraits. In contrast, her allegorical types are often so generalized that they can seem repetitive, bland, and undistinguished. A Young Lady with a Parrot is an intriguing combination of both genres. The colorful parrot is a witty conceit that subtly transfers the provocative gesture of baring one’s breast from the young woman to a mischievous bird, whose beak pulls back the gauzy fabric that edges the sitter’s bodice. With its rich colorism and vaporous effects, A Young Lady with a Parrot is a mature work, exhibiting the assurance of Rosalba’s finest and most famous portraits. The pastel may depict a young Englishwoman, perhaps one of the daughters of Lord Manchester. Whoever the model, this image’s aura of grace and seduction was to characterize the arts of much of the century, marking Rosalba as one of the originators of the Rococo style in Italy and France.
Grand Hotel Trinacria in Palermo
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Location: italy
Artist: g. di giovanni
Artist role: print maker
Subjects: hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Grand Hotel Trinacria aan de kust in Palermo.
Pair of Stirrups
Object type: pair of stirrup
Date: 1767 – 1866
Materials: silver
Culture: mongolian
Location: mongolia
Cylinder seal
Object type: cylinder seal
Date: 1001 – 2000
Materials: mineral
Location: syria
Pons la Hongrie / Mongast / Canise ou Kanischa / Sigeth ou Zigeth
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: mukachevo, oost-europa, sziget, spaanse successieoorlog

Blad met vier gezichten op Oost-Europese steden. Plattegrond van en gezicht op de vesting Munkács of Mongats (Mukachevo) in Boven-Hongarije, het huidige Oekraïne en twee gezichten op Kanischa en Sziget. Plaat nr. 113 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
God the Father Supported by Angels in the Clouds, I
Object type: drawing and watercolor
Date: 1759 – 1759
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Exterieur van de Sint-Laurens buiten de Muren te Rome
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: parts of church exterior and annexes: campanile, church (exterior)
Inscriptions: annotation: ‘Roma - S. Lorenzo fuori le mura’
Sarape (Interpretation of Mexican Saltillo Serape)
Object type: textile
Date: 1875 – 1900
Materials: cotton, wool
Techniques: painting, weave
Location: germany
Quilt, Four Eagles pattern
Object type: quilt
Date: 1880 – 1880
Materials: cotton
Culture: american
Location: united states
Subjects: eagles

In commemoration of the United States’ one hundredth birthday, a great celebratory exhibition took place in Philadelphia in 1876, and proved influential on the arts of all types. A particular type of Centennial-era quilt was made in Pennsylvania that featured American eagles, which were extremely popular design motifs beginning in 1782, when the Great Seal of the United States was adopted by the Continental Congress. Like this example, such quilts include four eagles, one in each corner, their wings outspread and their heads all facing center. Four Eagle quilts with white backgrounds are most often found in the counties of central Pennsylvania, especially Union, Snyder, Centre, and Clinton Counties. Quilts in this pattern with orange or yellow grounds as in this example were made in counties with larger Pennsylvania German populations, such as Lebanon, Berks, and Lancaster. The majority of dated examples are from the 1880s, but quilts in this pattern were made through the 1920s.
Handle
Object type: handle
Date: 201 – 700
Materials: ivory
Culture: sasanian
Location: mesopotamia
Upholstery panels for a side chair
Object type: upholstery panel
Date: 1763 – 1764
Materials: silk
Techniques: painting
Subjects: flowers

These upholstery panels were made for a chair that was part of a set (see 1974.356.114–.121) made for the Franckenstein Pavilion in the gardens of Seehof Castle near Bamberg, one of the three summer residences in Southern Germany used by Adam Friedrich von Seinsheim, prince bishop of Würzberg and Bamberg. A true garden enthusiast, it was under von Seinsheim that the gardens of Seehof were embellished, which must have resembled the still extant Rococo gardens completed by von Seinsheim at Veitshöchheim. His love for gardens and garden imagery also carried over into the interior decoration and furnishings of his castles, as the Seehof furniture demonstrates. A unique example of German Rococo furniture executed in a more flamboyant style than its French prototypes, the ensemble was designed specifically for the Garden Room in the Franckenstein Pavilion. Used as an audience room, it was referred to as the "Green Trellis Chamber" in the 1774 Seehof inventory and painted entirely with trompe l'oeil trellis and foliage. The garden room's furniture was made to match: the backs of the chairs and settees are richly carved in the form of garden trellis-work with colored flowers and foliage.
Vlooienmarkt in een landschap
Object type: print
Date: 1882 – 1941
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: auguste brouet
Artist role: painter, print maker
Artist dates: 1872 – 1941
Subjects: landscapes, market, merchant, salesman
Inscriptions: collector's mark: Lugt 2228
Mug
Object type: mug
Date: 1820 – 1840
Materials: glass, lead
Techniques: glassblowing, molding
Culture: american
Location: united states
Incised bowl with geometric pattern
Object type: bowl
Date: 500 – 201
Materials: ceramic, pigment
Culture: paracas
Location: peru
Brief aan Jan Veth
Object type: letter
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen, printing, writing
Location: nieuwer-amstel
Artist: pieter lodewijk tak
Artist role: politician
Artist dates: 1848 – 1907
Subjects: designer, jan veth, utrecht, johan philip van der kellen, maastricht, the hague, print maker, draughtsman, jonkheer victor eugène louis de stuers, haarlem, anton molkenboer, amsterdam, painter, cornelis gerardus 't hooft, the graphic arts, printed matter
Inscriptions: collector's mark: ‘RPK’, watermark
Besneeuwd bos
Object type: print
Date: 1906 – 1908
Materials: paper
Techniques: aquatint, etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: forest, wood, snow
Inscriptions: annotation: ‘14a/ 14-7-'78 [in getekende driehoek]’
Tekeningen van Géricault
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: lithograph
Location: paris
Subjects: hoofed animals: camel, land forces (+ cavalry, horsemen), land forces (+ mounted troops on other animals than horses), battle, desert
Inscriptions: collector's mark: Lugt 2228a
Beveled rim bowl
Object type: bowl
Date: 3300 – 3100
Materials: ceramic
Location: mesopotamia
Granaatappel (Punica granatum) met twee vlinders, rups en pop
Object type: page
Date: 1705 – 1705
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: insects: pupa, fruits: pomegranate, trees: pomegranate-tree, insects: butterfly, insects: caterpillar, suriname

Rechtsonder genummerd: 9. Prent maakt deel uit van een boek.
Vertical panels with garland
Object type: tapestry panel
Materials: silk, wool
Artist: jacques germain soufflot
Artist role: designer
Artist nationality: french
Artist dates: 1713 – 1780
Subjects: flowers

The Tapestry Room from Croome Court, Worcestershire, the seat of the Earls of Coventry, was begun in 1763 and finished in 1771. The sixth Earl of Coventry (1722–1809) commissioned these tapestries for Croome Court from Jacques Neilson's workshop at the Royal Gobelins Manufactory in Paris in August 1763. Portraying scenes from classical myths symbolizing the elements, the medallions are based on designs by François Boucher. The set was delivered and in place by June 1771. The group was the first using this design to be woven with a crimson background and it may have been the first made specifically to extend around four walls of a room without architectural frames.
Marble torso of Eros
Object type: statue of eros, fragmentary
Materials: marble
Culture: roman
Artist: praxiteles
Artist role: artist
Subjects: eros

Roman copy of Greek original. Adaptation of a Greek bronze statue representing the Apollo Sauroktonos (Lizard Slayer) of ca. 350 B.C. by Praxiteles. The delicately modeled surface and sinuous curve of this torso are typical of the style of Praxiteles. The original bronze statue showed the young Apollo leaning against a tall tree trunk and holding an arrow; he was poised to slay a lizard climbing up the tree. The Romans did not hesitate to alter and adapt famous Greek works. Here, Apollo has been transformed into Eros, as can be seen by the remains of wings on his back.
Decorated ware jar
Object type: jar, decorated ware
Date: 3500 – 3500
Materials: paint, pottery
Location: egypt
George W. Hamilton, Champion Jumper of the World, from the Champions of Games and Sports series (N184, Type 2) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: men,sports,athletes

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 2.
Jachtscènes (deel 3)
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: italy
Subjects: beasts of prey, predatory animals: leopard, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van vijftien prenten met jachtscènes (+ opdracht).
Horned Lion (Vyala)
Object type: figure
Date: 701 – 800
Materials: bronze
Culture: tamil nadu
Subjects: mythical creatures
Dish with Peony and Lotus Flowers
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, underglaze
Location: china
Portrait of a man, possibly La Mothe Fénélon (1651–1715)
Object type: medallion
Date: 1801 – 1900
Materials: copper, enamel, gilt
Techniques: painting
Subjects: men,profiles,insignia
Landschappen met Bijbelse voorstellingen
Object type: print
Date: 1673 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: landscapes, gethsemane, mount of olives, 'oelberg' (matthew 26:36-56; mark 14:32-52; luke 22:39-53; john 18:1-12)
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van zes prenten.
Morituri
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Artist: henri de groux
Artist role: painter, print maker, sculptor
Artist dates: 1866 – 1930
Subjects: riding a horse, ass, or mule; rider, horseman, death as skeleton, violent death, being killed; being mishandled and maltreated; seeking death, the corpse
Inscriptions: inscription: ‘Morituri’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een dergelijke voorstelling als op deze prent heeft De Groux gebruikt ter illustratie van het theaterprogramma voor het stuk Morituri van Romain Rolland (Théâtre de l'Oeuvre, 18 May 1898).
Frankrijk, particuliere 5 sols van de gebroeders Monneron,1792
Object type: coin
Date: 1792 – 1792
Materials: bronze
Techniques: striking
Location: paris

Bronzen munt. Voorzijde: afbeelding van voor de vrijheid stijdende personen met een allegorische voorstelling. Keerzijde: vierregelig opschrift, waarin waarde-aanduiding. Daaronder jaartal in nieuwe telling: An 4. Jaartal onderaan. Randschrift.
Frog Ornament
Object type: necklace ornament
Date: 101 – 600
Materials: gold
Culture: moche
Location: peru
Subjects: frogs
Lavabo
Object type: lavabo
Date: 1201 – 1300
Materials: limestone
Culture: french
Location: france

This lavabo (from the Latin for "I will wash") has two basins; presumably, one was intended for washing hands and the other for washing Eucharistic vessels, which could then be placed on the shelf above. Two small heads look down from the cusps above.
Portret van Karel Frederik van den Berg
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: batavia, karel frederik van den berg
Inscriptions: name: ‘ALBERT GREINER / AMSTERDAM / NIEUWENDIJK 89, / Specialiteit in Vergrootingen.’, name: ‘K.F. van den Berg’, name: ‘A. GREINER AMSTERDAM.’
The Actor Otani Hiroji as Honda Harunaga
Object type: print
Date: 1745 – 1745
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyomasu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1696 – 1716
Subjects: birds,men,butterflies,trees
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic
Artist: painter of the paris gigantomachy
Artist role: artist
Een helling
Object type: stereograph
Date: 1900 – 1902
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: dry-dock, floating-dock, pier, quay, wharf
Inscriptions: inscription: ‘F.3.’, inscription: ‘aan 's Rijks Marinewerf te Amsterdam (...) lang.’, number: ‘3.’, inscription: ‘Scheepsbouwwerf’
Blad met maskers tussen bladranken met bloemen
Object type: wrapper
Date: 1700 – 1850
Materials: gold leaf, paper
Techniques: relief print
Artist: Anonymous
Subjects: mask, mascaron ~ ornament, ornament derived from plant forms

Blad met maskers tussen bladranken met bloemen en bandwerk. Links en rechts identieke helften. Gebruikt als omslag.
Iston, Pouffamatus, Cracozie et Transmouff, célèbres médecins persans examinant les selles du roi Darius après la bataille d'Arbelles
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: etching, intaglio
Artist: james ensor
Artist role: print maker
Artist dates: 1860 – 1949
Subjects: physician, doctor, defecation, (story of) darius, king of persia
Inscriptions: collector's mark: Lugt 733, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Iston, Pouffamatus, Cracozie en Transmouffe, Perzische geneesheren, onderzoeken de stoelgang van Darius na de slag van Arabela.
Paris Bordone. Venus und Adonis
Object type: reproduction
Date: 1861 – 1874
Materials: cardboard, paper
Techniques: albumen print
Location: vienna
Subjects: picture, painting, venus and adonis as lovers
Inscriptions: inscription: ‘VERVIELFÄLTIGUNG VORBEHALTEN.’, number: ‘154.’, inscription: ‘AUF LEINWAND. 108 CTM., 126 CTM.’, inscription: ‘MIT K.K. AUSSCHLIESS PRIVILEGIUM’, collector's mark: ‘VOSMAER’
Portret van Matthias Pasor
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: engraving
Location: groningen
Subjects: matthias pasor, adult man, historical persons
Inscriptions: collector's mark: Lugt 2233

Prent uit: Effigies & vitae Professorvm Academiae Groningae & Omlandiae. Groningen: Hindrick Lussinck en Jan Claessen, 1654.
Ex libris van Frans von Baüla Freijherr von Reigersberg
Object type: bookplate
Date: 1650 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: engineer, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Portret van Christian Gottfried Junge
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: christoph wilhelm bock
Artist role: print maker
Artist dates: 1755 – 1836
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Sample
Object type: textile
Date: 1835 – 1840
Materials: silk, fiber
Techniques: interlacings, jacquard, weave
Location: france
Straatgezichten in Wenen
Object type: album leaf
Date: 1955 – 1970
Materials: paper, cardboard
Techniques: gelatin silver print
Location: vienna
Subjects: city-view, and landscape with man-made constructions, façade (of house or building), vienna

Blad bevat drie foto's. Zonder personen gerelateerd aan de familie Wachenheimer. Deze foto's maken deel uit van een album.
Le Jeu enfantin / Het Kinderspel
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: children's games and plays, cat, soap-bubble
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Overwinning op de Spaanse vloot bij Vlissingen, 1573
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: battle (+ naval force), flushing
Inscriptions: collector's mark: Lugt 1641, collector's mark

Overwinning op de Spaanse vloot bij Vlissingen, 22 -23 april 1573. De Spaanse schepen die Middelburg wilden ontzetten worden door de watergeuzen verslagen op de Schelde bij Vlissingen. Met onderschrift van 4 regels in het Latijn. Genummerd: 39. Bedrukt op achterzijde met tekst in het Nederlands. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen; prenten van Baudart. 80j. oorlog.
Pictorial print
Object type: furnishing textile
Date: 1820 – 1820
Materials: cotton
Subjects: children,men,women,dogs,horses,winter
Spring View of the New Embankment at Shinobazu Pond (Shinobazu ike shin dote haru no kei), from the series "Newly Selected Famous Places in Edo (Shinsen Edo meisho)"
Object type: print
Date: 1839 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Beaker
Object type: beaker
Date: 1401 – 1500
Materials: glass
Culture: german

While not created for religious use, glass vessels of this type were sometimes used at the Seder, as illustrations from medieval manuscripts bear witness.
Disk Brooch
Object type: brooch
Date: 601 – 700
Materials: copper alloy, glass, gold, mother of pearl, silver
Culture: frankish
Portret van Anna van Oostenrijk, koningin van Frankrijk
Object type: print
Date: 1643 – 1668
Materials: paper
Techniques: engraving, etching
Subjects: paris, anna van oostenrijk (koningin van frankrijk), historical persons - bb - woman, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Brief aan Jan Weissenbruch
Object type: letter
Date: 1866 – 1866
Materials: ink, paper
Techniques: etching, pen, writing
Location: rotterdam
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: painter, print maker, jan weissenbruch, the graphic arts, family life, diseases, farm (building), the hague
Inscriptions: collector's mark: ‘RPK’
Kozakken, Huzaren en Kurassiers in gevecht
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: battle, firearms (with name), europeans (with name)
Inscriptions: collector's mark: Lugt 2228
Visiting dress
Object type: visiting dress
Date: 1845 – 1850
Materials: silk
Culture: american

The interest of this visiting dress is in the playfulness of the stripes on the bodice which create a mesmerizing effect that is furthermore enhanced by the patterning offered by the self piping. The fit of the bodice, sleeves and bertha give an elongated streamlined effect which was contrary to the large sleeves and higher waist of the decade prior to it. The style emphasizes the inactivity of women who were relegated to various forms of handwork and developing the art of conversation. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.
Francisco Xavier Lopes
Object type: page
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: damião da graça
Artist role: fotograaf
Subjects: historical persons, commander-in-chief, admiral