deem-data/ArtiFact huggingface dataset:
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Four black glazed rim fragments from kylikes
Katholieken aan de staatsruif
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: autotype
Location: amsterdam
Subjects: protestant churches and denominations, agricultural products and by-products: hay, roman catholic church, political caricatures and satires

Terwijl de katholieken hooi eten uit de staatsruif, krijgt de gereformeerde jeugd slechts een handje hooi toebedeeld. Met vierregelig onderschrift. Onderdeel van de prentserie 'Onder Zwart Regime'.
Broche van goud met robijn en diamanten
Object type: brooch
Date: 1945 – 1953
Materials: diamond, gold, gemstone
Techniques: grinding
Location: the hague
Inscriptions: maker's mark: ‘V.Z.K.’, alloy mark: ‘leeuw, zogenaamde kies’

Broche van goud in de vorm van een bloem met centraal een rozet met daarin een pendaloque geslepen robijn in entourage van vier rond gefacetteerde robijnen en drie gefacetteerde diamanten, voorzien van een kanonsluiting. In de steel in witgoud gezet twee gefacetteerde diamanten.
10 öre uit Zweden van Oskar II, 1874
Object type: coin
Date: 1874 – 1874
Materials: silver
Techniques: striking
Location: slot rörstrand

Zilveren munt. Voorzijde: tussen drie kronen monogram van de koning, waarboven koningskroon. Keerzijde: binnen twee samengebonden takken waarde-aanduiding in twee regels. Daaronder jaartal. Gladde rand.
"The Thin Man"
Object type: toby jug
Date: 1770 – 1780
Materials: earthenware
Techniques: glazing
Subjects: men
Kindren! zo ge u wilt vermaaken, / Koomt, beschouwt dan deeze snaaken, / Elk in zynen stand en doen; / Wilt daar by uw leeslust voên
Object type: print
Date: 1715 – 1813
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: human types, characters (human types)
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van verschillende figuren. Onder elke afbeelding een zesregelig vers. Genummerd rechtsboven: No. 14.
De beschrijving van de begrafenis van Frederik Hendrik, p. 08
Object type: book
Date: 1651 – 1651
Materials: paint, paper
Techniques: letterpress printing
Location: amsterdam
Subjects: delft, frederick henry (prince of orange)
Inscriptions: date

Pagina 8 van de beschrijving van de begrafenis van Frederik Hendrik. Blad uitgeknipt, versierd met goud en ingeplakt in de luxe editie uit ca. 1755 van het boek 'Begraeffenisse van syne hoogheyt Frederick Henrick' van Pieter Post, uitgegeven te Amsterdam in 1651.
Cabinet of a Militia Company
Object type: furniture
Date: 1520 – 1530
Materials: wood
Location: alkmaar
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain), crown (symbol of sovereignty), angel(s) with other object(s), e.g. weapons, beasts of prey, predatory animals: lion

This cabinet would have held a militia company’s valuables, such as drinking cups and guild chains. The imperial crown and the lily on the front panels pay homage to the sovereign, Emperor Charles V. Richly decorated and well preserved, this Gothic-style cabinet is considered one of the finest pieces of 16th-century furniture in the world.
Duit van de VOC uit de stad Utrecht,1790
Object type: coin
Date: 1790 – 1790
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: op balk, waaronder guirlande, staand, door twee leeuwen gehouden gekroond wapenschild van de stad Utrecht. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Gefragmenteerde sluithaak uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: clasp
Date: 1700 – 1743
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Locks, fastenings and accessories, clasp: fragm, eroded, sim. NG 1980-27H2438, one end missing, originally openwork centre with at least 4 openings, underneath one end 2 tenons or studs.
Veduta in Vicenza presa alla parte del Quartiero
Object type: print
Date: 1744 – 1787
Materials: paper
Techniques: etching
Location: italy
Artist: cristoforo dall acqua
Artist role: draughtsman, print maker
Artist dates: 1734 – 1787
Subjects: city-view, and landscape with man-made constructions, garden, warfare; military affairs (+ cavalry, horsemen), hôtel, i.e. small palace in city
Inscriptions: collector's mark: Lugt 2228

Gezicht op verschillende gebouwen en het palazzo en de tuin van Angelo Vecchia in de Quartiero wijk in Vicenza. Op de voorgrond links een groep soldaten te paard. Verklarende lijst met nummers en titel in cartouche in ondermarge.
Music
Object type: relief
Date: 1780 – 1790
Materials: terracotta
Artist: clodion (claude michel)
Artist role: artist
Artist nationality: french
Artist dates: 1738 – 1814
Subjects: musical instruments,infants,women,music

This relief and its companion (62.213.2) are pared-down versions of two of the terracotta reliefs Clodion exhibited at the Salon of 1779 representing Music, Architecture, Astronomy, and Painting (believed to be the set of four in the Musée Henry, Cherbourg). These reliefs appear to have served as the models for architectural reliefs for the Hôtel d'Osmond, Paris.
Amphitrite op een vis
Object type: print
Date: 1720 – 1770
Materials: paper
Techniques: engraving, etching
Artist: pierre charles trémolière
Artist role: painter
Artist dates: 1703 – 1739
Subjects: amphitrite riding on a dolphin; possibly brought to neptune
Inscriptions: signature: ‘selis’

Cupido vliegt boven haar met oesterschelp en parels. Met achtregelig vers in twee kolommen in het Frans.
Double Spout Bottle, Bird
Object type: bottle
Date: 700 – 301
Materials: ceramic
Culture: topará
Location: peru
Subjects: birds
Kostuumprenten met figuren uit Rome en omgeving
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: city-view, and landscape with man-made constructions, adolescent, young woman, maiden, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., head-gear: hat, folk costume, regional costume, carrying something on the head or on the shoulders
Inscriptions: date

Drie vrouwen en een herder in een landschap. Eén van de vrouwen draagt een groot blad op haar hoofd. De prent maakt deel uit van een album.
Visioen van de heilige Dominicus over de apostelen Petrus en Paulus
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: st. dominic receives the commission to preach: st. peter and st. paul appear to him in a vision and give him a staff and a book (the gospels)
Inscriptions: collector's mark: Lugt 2228

In de Sint-Pieterskerk te Rome krijgt de heilige Dominicus in een visioen het bezoek van de apostelen Petrus en Paulus. Ze geven hem respectievelijk een staf en een boek en bevelen hem aan het woord van God te verspreiden. De prent heeft een Latijns opschrift en onderschrift en maakt deel uit van een prentserie voor een boek over het leven van de heilige Dominicus.
Grotesque Head With a Large Eyebrow Looking to the Left Within a Circle
Object type: drawing
Date: 1727 – 1727
Materials: ink
Techniques: pen
Artist: gaetano piccini
Artist role: artist
Artist nationality: italian
Artist dates: 1710 – 1730
Subjects: heads
Side chair
Object type: side chair
Date: 1877 – 1880
Materials: wood
Culture: american
Location: united states
Korendragers- en -stortersgilde van Amsterdam, gildepenning van Pieter Keyser
Object type: medal
Date: 1797 – 1797
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: lichtelijk naar rechts gewende man met last op hoofd binnen sierrand. Keerzijde: opschrift
Porta Antonae, from a series of prints depicting (reconstructed) buildings from Roman Antiquity
Object type: album print ornament architecture
Date: 1530 – 1550
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: architecture,arches

Perspectival depiction of the right half of a triumphal arch, referred to as the ‘Porta Antonae’ set in a stylized landscape. The arch appears to have been stripped from all its ornaments and relief decorations, aside from the Ionic or Composite pillars on the corners of the piers. The arch is crowned by a tall attica, which supports a tympanum placed over the central arch. While the proportions are incorrect, the overall composition of the arch, aside from the tympanum, resembles the arch of Trajan in Benevento, Italy. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as the 'Arcus in Hispania'. This group of prints was purchased as part of an an album in 1926, but taken apart by the Museum in 1934. The album appears to have been compiled in the 17th century, although the majority of prints date from the 16th century. The larger part of the prints is focused on mythological subjects and objects and architecture from Antiquity. The album was part of the collection of the architect Hippolyte Destailleur and was sold in the sale of his books and prints in 1895. The Museum acquired the album at G. Rapilly & Fils in 1926. Where the album had been kept in the mean time is unclear and several prints were taken out in this period. The museum's numbering does not reflect the order of the original album, but Destailleur's numbering system is retained on the inidividual sheets, allowing for the reconstruction of its original content.
Cope
Object type: cope
Date: 1476 – 1500
Materials: metal, silk

The large pomegranate and parallel waving branch motifs make this a quintessential example of the opulent metallic and silk velvet textiles of the late 15th century. The scale and richness of the design give the cope a sense of grandeur appropriate for ecclesiastical purposes. The orphrey textile is also made from a classic Italian textile from the 17th century. Together, they illustrate how textiles used in ecclesiastical garments were kept and reused over time.
Tureen
Object type: ceramic
Date: 1725 – 1725
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: vienna
Artist: du paquier porcelain manufactory
Artist nationality: austrian
Artist dates: 1718 – 1744

This is one of a group of ten tureens of differing size said to have been made for a Prince de Rohan in about 1725. These tureens are among the first to have been made in silver or porcelain, as tureens did not become an essential element in table services until the next decade.
Helm for Foot Combat
Object type: foot combat helm
Date: 1500 – 1520
Materials: steel
Culture: british
Location: england

English armor of the early sixteenth century is extremely rare, and tournament armor even more so. This helm, also called a “great bascinet” in the sixteenth century, is one of only a few of its kind in existence today. It was made for use in a type of tournament that was fought between two fully armored men, on foot and equipped with pole axes, spears, swords, and daggers.
Paarden beladen met hooi
Object type: print
Date: 1686 – 1710
Materials: paper
Techniques: etching
Location: augsburg
Subjects: agricultural implements: scythe, private soldier (+ cavalry, horsemen), agricultural products and by-products: hay

Onderdeel van in totaal 37 prenten door Georg Conrad Bodenehr naar Georg Philip Rugendas I. Deze prent maakt onderdeel uit van serie 'B', bestaand uit acht prenten met ruiters.
Karttikeya, the God of War
Object type: figure
Date: 701 – 800
Materials: brass, silver
Techniques: inlay
Culture: kashmiri
Subjects: kashmir

Here, the god of war sits regally on his vehicle, a peacock, as if enthroned. He displays the rosary (aksamala) favored by his father, Shiva, and, instead of his usual javelin, holds a disk standard seemingly with solar symbolism. This iconography is unprecedented.
Wreedheden in een dorp in de winter, 1672
Object type: print
Date: 1673 – 1677
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: rape, violation, violent death, being killed; being mishandled and maltreated; seeking death, massacre ~ war, bodegraven

Prent ook gebruikt in: Bosch, Lambert van den. Toneel des oorlogs, opgerecht in de Vereenigde Nederlanden; door de wapenen van de koningen van Vrankrijk en Engeland, Keulsche en Munstersche (…). 4 delen. Amsterdam: Jacob van Meurs en Johannes van Someren, 1675, dl. 3, p. 120. En in: Valckenier, Peter en Andreas Muller. Das verwirrte Europa (…). 3 delen. Amsterdam: Hendrik en Dirk Boom, Joannes van Someren en Jacob van Meurs, 1677-1683, dl. 1 (1677), p. 194.

Deze prent is gekopieerd naar een prent van Romeyn de Hooghe (RP-P-OB-77.197). Die prent is gebruikt in: Wicquefort, Abraham van. Avis fidelle aux veritables hollandois. Touchant ce qui s’est passé dans les villages de Bodegrave & Swammerdam, & les cruautés inoüies, que les françois y ont exercées (…). S.l. [Den Haag]: s.n.[Daniel en Johannes Steucker], 1673.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: cotton, silk
Subjects: flowers
Nablûs-The ancient Samaritan Pentateuch
Object type: photograph
Date: 1861 – 1866
Materials: photographic support
Techniques: albumen print
Location: nabloes
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: scroll
Inscriptions: number: ‘Plate 30.’, inscription: ‘Photographed by Francis Bedford during the Tour in the East on which by Command he accompanied His Royal Highness The Prince of Wales’
Azumaya no Hana
Object type: print
Date: 1790 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: women
A Bashi-Bazouk
Object type: painting
Date: 1875 – 1875
Materials: canvas, oil
Artist: charles bargue
Artist role: artist
Artist nationality: french
Artist dates: 1825 – 1883
Subjects: men,orientalist,pipes
Bolton Woods; The Strid.
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: bolton
Artist: Anonymous
Subjects: river (+ landscape with figures, staffage), boulder, stone
Inscriptions: negative number: ‘18533’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Musée de Saint-Germain-en-Laye
Object type: photomechanical print
Date: 1903 – 1918
Materials: cardboard
Techniques: photograph
Location: saint-germain-en-laye
Artist: Anonymous
Subjects: monument, statue, permanent exhibition, museum
Ilfracombe, Capstone Parade and Wildersmouth
Object type: photograph
Date: 1860 – 1894
Techniques: albumen print
Location: england
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Robe de cortège faille marron, garni à l'envelure et aux poches broderie or, ceinture lamé or.
Object type: fashion plate
Date: 1938 – 1939
Materials: paper, pencil, watercolor
Techniques: brush
Location: paris
Artist: jean dessès
Artist role: modeontwerper
Artist dates: 1904 – 1970
Subjects: dress, gown (afternoon dress) (+ women's clothes), fashion plates
Inscriptions: title: ‘Robe de cortège faille marron, garni à l'envelure et aux poches broderie or, ceinture lamé or. 3.800 frs.’, number: ‘848’

Avondjapon van kastanjebruine faille. Getailleerd lijf met breed uitstaande, tulpvormige halflange mouwen en twee schuin geplaatste borstzakjes. Ronde hals en knoopsluiting middenvoor. Brede ceintuur van goud lamé. Klokkende rok met schuin ingezette zijpanden. Rond de hals en de steekzakjes goudborduursel. In de rechter benedenhoek een staaltje kastanjebruine faille. Prijs: 3.800 frs.
Coverlet
Object type: coverlet
Date: 1830 – 1839
Materials: silk
Het raadhuis te Bolsward uit 1614
Object type: print
Date: 1870 – 1875
Materials: paper
Techniques: etching
Subjects: piece of sculpture, reproduction of a piece of sculpture

Illustratie in: Friesche Oudheden. Afbeeldingen van merkwaardige voorwerpen van Wetenschap en Kunst, gevonden in de archieven, kerken, kasteelen, terpen enz. van Friesland, Leeuwarden 1875. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Armida Abandoned by Rinaldo
Object type: painting
Date: 1742 – 1745
Materials: canvas, oil, paint
Techniques: painting
Location: italy
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: narrative, travel, ships, ruins, woman, woman, weapons, trees, soldiers, sky, shields, rocks, nature, men, man, love, landscapes, landscape, helmets, decorative, decoration, clouds, beauty, armor, century of progress, world's fairs, chicago world's fairs

The third scene from Giovanni Battista Tiepolo’s four-part suite of decorations, this painting shows the emotional climax of the story. The knight Rinaldo has been persuaded by his companions, Carlo and Ubaldo, to renounce the love of the sorceress Armida. Bareheaded and pensive, Rinaldo has taken up his shield again and appears to hesitate as the older knights gesture toward the boat that will carry them back to the crusader army and Armida implores him to stay.
Bruxelles
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: low hill country (+ landscape with figures, staffage), firearms: rifle, brussels
Inscriptions: collector's mark: Lugt 2228
Aanleg spoorweg
Object type: photograph
Date: 1910 – 1935
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: east sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: rubber, railway, tramway; rack railway

Blad met vijf foto's van een op de plantage aangelgde spoorlijn en brug. Zonder onderschriften. Onderdeel van het fotoalbum over de plantages Brussel en Pernantian van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1910-1935.
Face Mask Ornament
Object type: ornament
Date: 501 – 700
Materials: feather, gilt copper, shell
Culture: moche
Location: peru
Subjects: faces
"The Four Knights of Kai Khusrau in the Mountains", Folio from a Shahnama (Book of Kings)
Object type: folio from an illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: men,horses,knights

One of the stories of the Shahnama tells of the Shah Kai Khusrau, riding off into the mountains and disappearing in the snow. When his knights realize he is missing, they set off to find him. As they stop to rest, however, a snowstorm descends and they perish in their sleep. This painting depicts the four companions and their horses amid the mountain peaks, which appear as though in miniature.
Landschap met berken
Object type: print
Date: 1835 – 1885
Materials: paper
Techniques: etching
Artist: jan willem van borselen
Artist role: draughtsman, print maker
Artist dates: 1825 – 1892
Subjects: forest path or lane, trees: birch

Landschap met een bosweggetje en enkele berken.
Sword Guard (<i>Tsuba</i>) Depicting Horned Owl in Plum Tree (梅樹に木菟図鐔)
Object type: sword guard tsuba
Date: 1801 – 1900
Materials: brass, copper, gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: owls,trees
Candlestick
Object type: candlestick
Date: 1740 – 1770
Materials: brass
Location: england
Spoon Holder
Object type: spoon holder
Date: 1888 – 1888
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: richards and hartley flint glass co.
Artist role: maker
Artist nationality: american
Artist dates: 1867 – 1890
Man Holding a Scroll
Object type: print
Date: 1634 – 1666
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: artist
Artist nationality: dutch
Artist dates: 1623 – 1677
Madonna met kind en Johannes de Doper
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Subjects: 'regina coeli', 'regina angelorum', 'maestà', john the baptist present
Inscriptions: collector's mark: Lugt 240
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, head and upper torso of a filleted, draped woman to left, with her arm extended
S. Charles Borromée (St. Charles Borommeo), from November 4th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: altars,men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Coin Depicting the Catanian Brothers
Object type: coin
Date: 300 – 101
Materials: bronze
Culture: roman
Location: roman empire
Vijftigjarige viering van de bevrijding van Deventer
Object type: insignia
Date: 1864 – 1864
Materials: silver, textile
Techniques: striking, weave
Location: netherlands
Artist: Anonymous
Subjects: deventer

Eenzijdig zilveren draagteken aan draagoog en rood-witte strik; daaraan: gekroond wapenschild met aan weerszijden stralen [?] boven lint met jaartallen
Admiral Cornelis Evertsen d. 1666
Object type: medal
Date: 1666 – 1666
Materials: silver
Artist: o. wouter muller
Artist role: artist
Artist nationality: dutch, amsterdam
Artist dates: 1653 – 1688
Arts en de Dood
Object type: book illustration
Date: 1524 – 1526
Materials: paper
Techniques: woodcut
Subjects: dance of death; death together with one or more human beings, physician, doctor

De houtblokken werden voor 1526 vervaardigd door Hans Lützelburg en pas in 1538 voor het eerst gebruikt als boekillustraties in: Les simulachres & historiees faces de la mort avtant elegamment pourtraictes que artificiellement imaginées... a Lyon, Soubsz l'escu de Coloigne, MDXXXVIII, (M. en G. Trechsel, voor F. Frellon in Lyon), 1538. Later verschenen nog andere uitgaven.
Necklace
Object type: necklace, bead
Date: 1550 – 1425
Materials: paste
Location: egypt
The Prodigal Son Receiving His Patrimony
Object type: print
Materials: paper
Techniques: engraving, hand coloring
Location: united states
Artist: amos doolittle
Artist nationality: american
Artist dates: 1754 – 1832
De Stadt van Gamalama in't Eylant Ternate, by den Spaensche beseten
Object type: print
Date: 1644 – 1646
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: rotterdam, mayor, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie: Historisch Verhael Vande treffelijcke Reyse, gedaen naer de Oost-Indien ende China, met elf Schepen. Door den Manhaften Admirael Cornelis Matelief de Jonge. Inden Jaren 1605. 1606. 1607. ende 1608. Deze tekst opgenomen in : I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 8.
Lappet (one of a pair)
Object type: lappet
Date: 1801 – 1833
Techniques: lace
Portret van een onbekende man
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, leather, velvet
Techniques: daguerreotype
Artist: Anonymous
Subjects: adult man, historical persons