deem-data/ArtiFact huggingface dataset:
Tankard
Object type: tankard
Date: 1701 – 1800
Materials: pewter, stoneware
Techniques: salt glaze

German stoneware tankards were brought to America in large numbers on Dutch fur-trading ships. Shards of these popular vessels have been uncovered at seventeenth century sites in New York and New England.
Diana
Object type: print
Date: 1538 – 1540
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: men,diana

In Mariette Album, folio 43, mid center
The Kitchen
Object type: print
Date: 1858 – 1858
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
The Hanging-cloud Bridge at Mount Gyōdō near Ashikaga (Ashikaga Gyōdōzan kumo no kakehashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Object type: woodblock print
Date: 1830 – 1830
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: houses,bridges,mountains,trees
Le Follet, 1852, No. 1758 : Chapeaux M.lle Grafetor (...)
Object type: fashion print
Date: 1852 – 1852
Materials: paper
Techniques: hand coloring, engraving
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ women's clothes), head-gear: hood (+ women's clothes), clothing for the upper part of the body (mantelet) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes), mourning customs
Inscriptions: address: ‘Boulevart S.t Martin, 69 / 8, Argyll Place, Regent Street, Londres.’, caption: ‘Chapeaux M.lle Grafetor, r. de la Paix, 24- Fleurs, Chagot ainé, r. Richlieu, 73-Gilet M.me Inger, r. de la Bourse, 4 Robes et mantelet à capuchon, M.me Verrier Richard, r. Richelieu, 77- Corsets, M.me Lepage, r. N.ve du Luxembourg, 21 Chaussures de Hoffmann, r. de la Convention, 9 - Parfumeries de la Société Hygiénique, r. J.J. Rousseau, 5.’, title: ‘Le Follet’

Twee vrouwen in een tuin. Volgens het onderschrift: hoeden van Grafetor. Vest van Inger. Japonnen en mantelet met capuchon van Verrier Richard. Hieronder enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Le Follet Courrier des Salons (novembre 1829-octobre 1882).
Schön Neues Modelbuch (Page 12 recto)
Object type: book print ornament architecture
Date: 1597 – 1597
Techniques: etching
Artist: johann sibmacher
Artist role: designer
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: lions,flowers

Designed by Johann Sibmacher, German, active 1590-1611, published by Caimox, Nürmberg. Illustrated title signed CM and Jo. Sibmacher, 7 pages of text surrounded by decorative borders, and 35 pages of designs for weaving, embroidery, and cut-linen.
Gezicht op Rolandseck
Object type: stereograph
Date: 1865 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: remagen
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Rolandseck’
Christus aan het kruis
Object type: album leaf
Date: 1628 – 1628
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: longinus pierces christ's side with a lance

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. De prent wordt voor het eerst gebruikt in: Thomas à Kempis, Qui Sequitur me. Leuven, J. Maes, 1628 [= Amsterdam, P.J. Paets] of Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629.
De voorstelling is gekopieerd naar een prent van Hieronymus Wierix.
The Half-Way House
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,horses,carriages
De twaalf koningen van Israël
Object type: print
Date: 1518 – 1522
Materials: paper
Techniques: brush
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: kings of israel and judah ~ the old testament (not in biblical context), male persons from the old testament (with name) (not in biblical context)
Inscriptions: collector's mark: Lugt 240

Eén van vier houtsneden, onderdeel van fries met koningen van Israël. Abia, Asa en Josafat te paard. Boven alle drie banderol met naam en toenaam.
Diana
Object type: print
Date: 1529 – 1529
Materials: paper
Techniques: engraving
Location: germany
Subjects: diana as moon-goddess, i.e. luna (selene)
Inscriptions: collector's mark: ‘Hinloopen’ Lugt 11, collector's mark: ‘Hinloopen’ Lugt 2228

Diana als de maangodin Luna, staand op het steerenbeeld kreeft, een staf in haar rechterhand en een maansikkel in heet linker.
Boerenvrouw staand bij een haard
Object type: print
Date: 1886 – 1912
Materials: paper
Techniques: aquatint, etching
Artist: emanuel samson van beever
Artist role: draughtsman, painter, print maker
Artist dates: 1876 – 1912
Subjects: open hearth, fire-place, farm (building) - aa - civic architecture: inside
Inscriptions: collector's mark: Lugt 2233

De vrouw draagt een hoofddoek. Tegen de haard leunt een bezem.
Strung Rattle
Object type: strung rattle
Date: 1801 – 1900
Materials: cord, cotton, shell
Culture: native american or guyanese or demerara
Location: guyana
Vue d'optique representant le Pont de St. Michel à Paris
Object type: print
Date: 1700 – 1799
Materials: cardboard, paint, paper, watercolor
Techniques: brush, cutting, etching, perforating
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), rowing-boat, canoe, etc.
1. Le nouvel Opéra de Paris. Sculpture Ornamentale.
Object type: photograph
Date: 1878 – 1881
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: louis-emile durandelle
Artist role: fotograaf
Artist dates: 1839 – 1917
Inscriptions: number: ‘34’

bij boek in Bibliotheek RMA, Zie Frizot, pp. 217-223, vgl G. Vicaire, Manuel de l'amateur de livres du XIXe siècle, vol. 3, column 870.
Portrait Medallion of King Louis XV set in a Decorative Frame with a Relief
Object type: drawing ornament architecture
Date: 1772 – 1772
Materials: chalk, ink, parchment
Techniques: pen, drawing
Artist: fontaine
Artist role: artist
Artist nationality: french
Naakte vrouw, knielend op een been
Object type: book illustration
Date: 1948 – 1948
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Subjects: kneeling figure - aa - female human figure, woman (showing herself) undressed, quasi-nude

Prent uit: Lucianus van Samosata. Dialogues des Courtisanes. [Vertaald uit het Grieks door] Charles Astruc. Parijs: s.n., 1948, p. 62.
John Hinchcliffe, Bishop of Peterborough
Object type: drawing
Date: 1779 – 1802
Materials: chalk, varnish
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Subjects: men,portraits,bishops
Pivier. Alexandre. 53 ans, né à Rochevan (Savoie). Tailleur d'habits. Anarchiste. 7/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Karikaturale voorstelling van een man en een vrouw
Object type: print
Date: 1620 – 1687
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: adult woman, caricatures (human types), adult man
Inscriptions: collector's mark: Lugt 240
The Old Mill
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: mezzotint
Location: london
Subjects: windmill in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: The Artist Engraver: A Quarterly Magazine of Original Work (1904).
Brief aan Cornelis Gerardus 't Hooft
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: painter, print maker, draughtsman, johannes bosboom, cornelis gerardus 't hooft, criticizing and discussing art, art criticism, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Martelaarschap van H. Erasmus
Object type: print
Date: 1615 – 1647
Materials: paper
Techniques: engraving
Location: paris
Subjects: st. erasmus lies naked on a block; his bowels are wound on to a windlass
Inscriptions: collector's mark: Lugt 240
Inhuldiging van keizer Karel VI als hertog van Brabant te Brussel, 1717
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: etching
Location: brussels
Artist: jacobus harrewijn
Artist role: print maker
Artist dates: 1660 – 1740
Subjects: charles vi (holy roman emperor), installation of a ruler, brussels
Inscriptions: collector's mark: Lugt 2228

Inhuldiging van keizer Karel VI als hertog van Brabant te Brussel, 11 oktober 1717. Ceremonie op een podium met ereboog en zuilen, opgericht op de Grote Markt voor het Stadhuis. Bovenaan vaandels met emblemen, onderaan wapens en een penning.
Formal Garden with Fountain in Foreground
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: bernard picart
Artist role: artist
Artist nationality: french
Artist dates: 1673 – 1733
Zittend mannelijk naakt, van voren gezien (3e prijs 1777)
Object type: drawing
Date: 1777 – 1777
Materials: chalk, charcoal, paper
Artist: jan bulthuis
Artist role: draughtsman, print maker
Artist dates: 1750 – 1801
Subjects: sitting figure (+ nude human being)
Voeten onder een rok
Object type: sketchbook leaf
Date: 1874 – 1945
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: head (human), skirt, legs, walking

Tevens een studie van een kop. Blad 21 verso uit een schetsboek met 41 bladen.
Gewelf met spinnenweb
Object type: album leaf
Date: 1514 – 1531
Materials: paper
Techniques: letterpress printing
Subjects: spiders, (decorated) ceiling

Deze prent is gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Silhouetportret van Jan Bernd Bicker
Object type: book illustration
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, the hague, historical persons

Prent uit: Rogge, Cornelis. Geschiedenis der staatsregeling, voor het Bataafsche volk. Amsterdam: Johannes Allart, 1799.
Eared Dagger
Object type: eared dagger
Date: 1350 – 1400
Materials: iron
Culture: british
Location: england
Landschap
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes

Blad 12 verso uit een schetsboek met 44 bladen.
Ruïne van Burg Altena te Schüttorf, graafschap Bentheim
Object type: drawing
Date: 1786 – 1850
Materials: chalk, paper
Techniques: brush
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: castle, ruin of a building ~ architecture, germany
Landschap met hut en herder met runderen
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Artist: friedrich christian klass
Artist role: painter, print maker
Artist dates: 1752 – 1827
Subjects: low hill country, (traveller) resting in the open air, cattle driving, cattle driver
Inscriptions: collector's mark: Lugt 240
Cave sépulcrale des Guanches / Grafspelonk der Guanchos
Object type: print
Date: 1749 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: mummy
Inscriptions: collector's mark: Lugt 2228

Enkele mannen bekijken de grafspelonk met mummies van de oorspronkelijke bewoners van de Canarische Eilanden, ook wel Guanches genoemd.
Holyrood-castle in Edinburg
Object type: album leaf
Date: 1865 – 1890
Materials: paper
Techniques: albumen print
Location: edinburgh
Artist: Anonymous
Subjects: palace
Schets met vissen
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: bony fishes
Le droit prime la force
Object type: reproduction
Date: 1878 – 1883
Materials: paper
Techniques: woodburytype
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues
A Turner and His Assistant
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: handicrafts, craftsman at work, machines; parts of machines; tools and appliances

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Vrouw met een baby op schoot in een interieur
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: paper, pencil
Location: laren
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: sitting figure, adult woman, interior of the house, infant, baby

Blad 11 verso uit een schetsboek met 43 bladen.
Fragment (voet) met rode scherf, aan de bovenzijde voorzien van rood, geel, wit, bruin, groen en blauw glazuur
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
La Reine Imaginée de la Terre Inconnue engloutissant tout ou il nya rien / Monarchina Rond-Kop, aldwingende Duivel-jaagster Barones van Doeniet / Porzellana Kinkank, Kuey Chinkim Choam Eine Mogolische Prinzessin desz Laplandischen obristen land Kuchlmeister in der Insul Deserta Nutsch Moloff, gemahlin
Object type: caricature
Date: 1716 – 1720
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: caricatures (human types), little people

De kleine mens Monarchina Rond-Kop, echtgenote van Brutal-tronius van Aldwing-burg. In het onderschrift verzen in het Duits, Frans en Nederlands. Genummerd rechts midden: 49. Afdruk binnen een decoratieve omlijsting gedrukt van een aparte plaat met monsters en een harlekijn. Onderdeel van deel II in de tweede Nederlandse gebonden uitgave uit 1720 (en gerelateerd aan de Windhandel in dat jaar) van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel, deels gekopieerd naar een ouder Duits voorbeeld.
Reproductie van een tekening van Roodkapje die de wolf ontmoet
Object type: photomechanical print
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: girl (child between toddler and youth), tales and fairy tales: little red riding-hood, beasts of prey, predatory animals: wolf
Inscriptions: inscription: ‘No. 4./ Roodkapje ontmoet den wolf.’

Deze prent maakt deel uit van een album.
Large red polished ware jar
Object type: jar, red polished ware
Date: 3850 – 2960
Materials: pottery
Location: northern upper egypt
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Date: 1922 – 1922
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: châtillon-en-diois
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van Hieronymus Meiting op 49-jarige leeftijd
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: etching
Subjects: augsburg, theologian, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van Jacob, baron van Wassenaer
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: jacob baron van wassenaer heer van obdam, armour, historical persons

Prent uit: Le Clerc, Jean. Geschiedenissen der Vereenigde Nederlanden. Amsterdam: Zacharias Chatelain (II), 1730, dl. 2, p. 588.
Portret van Rijckaart Aarts
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Artist: jan l admiral
Artist role: draughtsman, print maker
Artist dates: 1699 – 1773
Subjects: painter
Inscriptions: collector's mark: Lugt 2228

Prent opgenomen in: Mander, Karel van; Jongh, Jacobus de (vert.). Het leven der doorluchtige Nederlandsche en eenige Hoogduitsche schilders. Amsterdam: Steven van Esveldt, 1764.
The Brussels Packet
Object type: print
Date: 1625 – 1677
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: ships

Brussels packet with passengers on board sailing at centre foreground, another ship seen nearby at left, harbour of Antwerp in background at right and the town beyond
Summer Morning
Object type: print
Date: 1862 – 1862
Materials: gum arabic, paper
Techniques: heightening, lithograph, printing
Location: united states
Artist: frances flora bond palmer
Artist role: artist
Artist nationality: american, born england
Artist dates: 1812 – 1876
Portret van Frederik Hendrik, prins van Oranje
Object type: print
Date: 1627 – 1636
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: delft, frederick henry (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Hulde der Weezen aan den wel-edelen heer Jan Daniël Mercker
Object type: text sheet
Date: 1880 – 1920
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: orphanage
Inscriptions: collector's mark: Lugt 1641b

Vers van de wezen van het Burgerweeshuis aan Jan Daniël Mercker. Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Burgerweeshuis.
Teapot (part of a set)
Object type: teapot
Date: 1860 – 1880
Materials: silver
Subjects: human figures,snakes

Part of a set that includes a sugar bowl (1972.116.2) and cream jug (1972.116.3). The decoration combines Indian festival scenes amid palms and temples with domestic ones in European-style interiors.
Scherven van kraakporseleinen borden uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van kraakporseleinen borden uit V.O.C.-schip de 'Witte Leeuw'.
Terracotta fragments of a neck-amphora (jar)
Object type: neck amphora, tyrrhenian fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

Both fragments have, at the juncture of the neck and shoulder, a band of tongues, alternating with black and red; one fragment depicts a youth, mounted on a horse to left; a second fragment shows the head and neck of a youth to left, mounted on a horse
Kinder-spel
Object type: book illustration
Date: 1625 – 1625
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: middelburg
Subjects: children's games and plays, (playing with) toys
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent gebruikt in: Cats, Jacob. Houwelyck. Dat is de gansche gelegentheyt des echten staets. Middelburg: weduwe Jan Pietersz. van de Venne, 1625.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, small part of chariot and drapery of person in it; tip of spear
Brief aan August Allebé
Object type: letter
Date: 1892 – 1892
Materials: ink, paper
Techniques: pen, writing
Location: salins
Artist: ferdinand leenhoff
Artist role: print maker
Artist dates: 1841 – 1914
Subjects: august allebé, batavia, sculpture, historical persons (portraits and scenes from the life), amsterdam
Inscriptions: watermark
Joseph "Joe" Strauss, 3rd Base, Omaha Omahogs/ Lambs, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
The Surprise
Object type: print
Date: 1799 – 1799
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: male nudes,female nudes
Marble head of a bearded man from a herm
Object type: head of a man from a herm
Date: 450 – 425
Materials: marble
Culture: greek, attic
Subjects: heads,men

Bearded herm heads, which surmounted rectangular pillars, were commonly placed as protectors of sanctuaries, crossroads, private houses, and public areas such as the Athenian Agora.
Column Shaft
Object type: shaft
Date: 1267 – 1333
Materials: stone
Culture: french
Location: france
Saint Margaret of Antioch
Object type: statuette
Date: 1475 – 1475
Materials: alabaster
Techniques: gilding
Culture: french
Location: toulouse (?)
Subjects: women,dragons,saints

The legend of Saint Margaret, the Early Christian martyr also known as Marina, details the many painful ordeals she endured before her eventual death during the reign of Emperor Diocletian (r. 284–305). Having been swallowed by the devil in the guise of a dragon, the saint burst unharmed from its body after making the sign of the cross. Dating from about 1475, this work is an outstanding example of the Languedoc style of the late fifteenth century, which was centered in medieval Toulouse. This work is remarkable for the contrast of the idealism and delicacy of the figure set against the scaly and coarse textures of the lizard-turned-dragon at the base of the composition.
Twee poppen
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: drypoint
Artist: gerrit van der hoef
Artist role: print maker
Artist dates: 1879 – 1954
Subjects: (playing with) dolls, types in 'commedia dell'arte': harlequin
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Ph. J.’, collector's mark: Lugt 2760

Links een lachende harlekijn en rechts een Japanse pop.
Antique Relief of Chariot Race
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: attributed to sébastien le clerc, the elder
Artist nationality: french
Artist dates: 1637 – 1714
Bracelet
Object type: bracelet
Date: 2800 – 2800
Materials: copper
Culture: iranian
Location: iran

This simple bronze bracelet was found in a child’s grave at Yarim Tepe in northeastern Iran, six miles south of the modern town of Gonbad-e Kavus. Yarim Tepe was a small settlement, inhabited from the Neolithic to the Parthian period, with many interruptions. This bracelet dates to the Early Bronze Age, when this region served as an important link between the emerging cities of Mesopotamia and Afghanistan, one of the few sources of both tin and lapis lazuli in the ancient Near East.
Netsuke of Tiger and Cub
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: tigers