deem-data/ArtiFact huggingface dataset:
Take no Yuki, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Portret van David Wijnkoop
Object type: print
Date: 1929 – 1929
Materials: paper, ink
Techniques: woodcut
Artist: meijer bleekrode
Artist role: draughtsman, painter, print maker
Artist dates: 1896 – 1943
Subjects: politician
Inscriptions: monogram and date: ‘MB '29’, collector's mark: Lugt 2228, signature: ‘MBleekrode’, title: ‘Wijnkoop’

Kop van een man met een puntbaard en een bril, en profil, gestileerd weergegeven.
Landschap
Object type: watercolor
Date: 1874 – 1945
Materials: chalk, paper, watercolor
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Tea jar
Object type: tea jar
Date: 1701 – 1800
Materials: clay, glaze
Techniques: overglaze
Culture: japanese
Equivalent, from Set E (Print 3)
Object type: photograph
Date: 1923 – 1923
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Plattegrond van het Wilhelmina Gasthuis
Object type: photomechanical print
Date: 1890 – 1890
Materials: paper
Techniques: letterpress printing, line block
Artist: Anonymous
Subjects: floor plan ~ architectural design or model
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Wilhelminagasthuis.
Plate 9: The Pulley: a man and a woman conversing to right, a lantern hung on a post to left, from "Les soirées de Rome"
Object type: print
Date: 1763 – 1764
Techniques: etching
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Subjects: men,women,ladders,lanterns
Ornamental drawings (recto) blank (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: flowers
Windswept Landscape
Object type: drawing
Materials: chalk, gouache, watercolor
Artist: louis gabriel moreau
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1806
Subjects: hills,landscapes,trees,wind
Gladday Virvian, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Frühjahrsmoden, 1877, Nr. 334
Object type: fashion print
Date: 1877 – 1877
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: clothes, costume (+ girls' clothes), clothes, costume (+ boys' clothes), head-gear (+ women's clothes), fashion plates, clothes, costume (+ women's clothes), dress, gown (+ women's clothes), clothes, costume (+ men's clothes)
Inscriptions: title: ‘Frühjahrsmoden. (C. 334.)’
Spotprent over de toestand van de conservatieve partij te Leiden, 1873
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: amsterdam, the hague, rutger jan graaf schimmelpenninck van nyenhuis, leiden

Spotprent over de toestand van de conservatieve partij te Leiden. Links staat Rutger Jan Graaf Schimmelpenninck in zijn hemd, een jezuïet en een antirevolutionnair lopen met zijn kleren weg. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 12, 1873.
Miniature ointment jar
Object type: miniature ointment jar
Date: 2465 – 2150
Location: egypt
Fragment of a Torso of Buddha
Object type: fragment
Date: 701 – 800
Materials: bronze
Culture: indonesian, kalimantan
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1601 – 1700
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Subjects: butterflies
De vier werelddelen
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: hoofed animals: dromedary, asia represented allegorically; 'asia' (ripa), incense-burner ~ scents, perfumes
Inscriptions: collector's mark: Lugt 2228

Het werelddeel Azië. De personificatie van Azië staat in een grot bij een wierookvat. Op de achtergrond een drommedaris.
Johannes van Capestrano
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: the franciscan friar john of capestrano; possible attributes: (monstrance with) ihs-monogram, banner with red cross, crucifix, turk under feet, monk(s), friar(s)
Inscriptions: inscription: ‘Johannes Capistrano / 300’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 249v.
The Actor Matsumoto Koshiro IV and a geisha, from an untitled series of prints showing Actors in private life
Object type: print
Date: 1783 – 1783
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Aanval op de stad Weesp, 30 september 1787
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: cornelis brouwer
Artist role: print maker
Artist dates: 1731 – 1803
Subjects: (military) attack
Inscriptions: collector's mark: Lugt 2228

Aanval op Weesp door de Pruisische troepen op 30 september 1787. De stad wordt verdedigd door de Amsterdamse en Weesper schutters onder commando van kolonel H. van de. Poll. Op de voorgrond de patriotten, in de verte de Pruisische troepen. Onderdeel van een groep van zeven prenten van de gevechten met de Pruissische troepen rond Amsterdam in 1787.
Table Napkin Commemorating the Marriage of Louis XIV (1638–1715) and Marie-Therese (1638–1683) in 1660
Object type: textile
Date: 1660 – 1660
Materials: cotton, linen, textile
Techniques: embroidery, satin weave, weave
Location: france
Subjects: propaganda, coat of arms, royalty
The Craincourt Arms
Object type: armorial medallion
Date: 1533 – 1533
Materials: glass
Artist: valentin bousch
Artist role: artist
Artist nationality: french
Artist dates: 1514 – 1541
Subjects: lions,coat of arms

This window comes from a series of seven windows made for the choir of the Benedictine priory church of Saint-Firmin in Flavigny-sur-Moselle in the Lorraine region of France. The windows had been commissioned by the prior, Wary de Lucy (1510–1557) from Valentin Bousch, a glass painter in Metz who had already worked on a number of important projects including Metz cathedral. Bousch was occupied by the Flavigny-sur-Moselle project in the early 1530s. Three of the extant monumental windows from the series each bear a date (1531, 1532 and 1533). Bousch was one of the most significant master glaziers in north-eastern France in the sixteenth century and has long been recognized as an important participant in the stylistic and technical developments of the Northern Renaissance. Together, the windows presented a Biblical narrative reflecting the story of humanity, starting with the Creation and Fall of Man (now in a private collection, Langley, British Columbia), then consecutively depicting the Deluge (MMA 17.40.2a–r), Moses presenting the tablets of Law (MMA 17.40.1a–r), the Nativity or Annunciation at the east end (lost), the Crucifixion (Saint Joseph's church, Stockbridge, Mass.), the Resurrection or the Supper at Emmaus (lost) and, finally, the Last Judgement (lost). This medallion, together with the medallions of Isaiah (MMA 17.40.3), Moses (MMA 17.40.4) and the Savigny arms (MMA 17.40.6), was originally part of the window from the set depicting the Creation and Fall of Man (until recently in a private collection, Langley, British Columbia), inscribed with the date 1533; a drawing in Nancy, Bibliothèque municipale (Fonds Abel, carton 152), records the complete window intact in the priory church of Saint-Firmin before it was sold. In these windows, Valentin Bousch rejected traditional compartmentalization, instead treating each composition like an enormous painted or carved retable, with trompe l'œil architectural frames. Brilliant hues of colored glass are combined with painted areas of grisaille and silver-stain on clear glass. The windows provide an early example of daring virtuoso glass-cutting to achieve sharp and sinuous contours. As a group, the windows are remarkable because of their nuanced modeling, their vitality of composition, lifelike features and the contrast of exquisite landscape details (like those in the Moses window) with dramatic dynamism (most skilful in the Deluge window).
Rank Badge with Mandarin Duck
Object type: rank badge
Date: 1701 – 1800
Materials: silk
Culture: chinese
Subjects: bats,ducks
Tutte l'opere d'architettura
Object type: book
Date: 1584 – 1584
Techniques: printing, woodcut
Location: italy
Artist: sebastiano serlio
Artist role: author
Artist nationality: italian
Artist dates: 1475 – 1554
Subjects: architecture,arches

As the first practical and fully illustrated "handbook" of architecture including plans and elevations, Serlio's work, begun in 1537 and published book by book, had a profound impact on the development of Renaissance architecture. In the seventh book, on "Miscellenea" or "Accidenti" (1584), containing a section on villas, Serlio divided his designs into buildings in the city and those in the countryside. Unlike Palladio, he offered different designs for private dwellings distinguishing between various socioeconomic levels in society, a principle worked out in further detail in his unpublished sixth book on domestic architecture (the completed manuscript of which is kept in the Avery Library at Columbia University, New York). Libro Estraordinaria, p. 17, Rustic Gate, "Questa porta rien del Dorico del Corinthio, del Rustico...": Serlio's Libro estraordinario, the sixth book in this first edition of his complete works, deals with the design of gateways. His model for a dramatic rustic gate on Page 17 of Book 6 is quite unusual in that it breaks all the rules of classical architecture, including the order of columns and principles of decoration. Inspired by the often eccentric designs of contemporary Mannerist architecture, Serlio combined rough elements with the more traditional treatment of the Doric order to stress the difference between nature and artifice. Entirely appropriate to the entry of a villa-park, his gate is designed in a heavy rustic manner with a touch of brutishness, which Serlio called bestiale, underlined by the bulls' heads set in the cornerstones of the archway. Libro VII, p. 47, "Della undecima casa fuori della città Capitolo XIX.": The print on Page 47 of Book 6 depicts Serlio's project for a "casa fuori della città" or villa for the wealthy patron on the outskirts of the city. The villa has a perfect square plan with a large courtyard at the center and in front. The villa's front elevation, shown here, consists of an open gallery flanked by pavilions. Serlio specifically stressed the importance of open loggias instead of closed facades in houses "alla campagna," since they provide easy access to the outdoors and delightful prospects of the natural surroundings.
Pierrot met worst
Object type: print
Date: 1774 – 1799
Materials: paper
Techniques: stippling
Location: france
Subjects: types in 'commedia dell'arte': pierrot, sausage
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of column; hand holding unidentified object
Man zittend op de rand van een kruiwagen
Object type: print
Date: 1772 – 1791
Materials: paper
Techniques: printmaking, etching
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: adult man, head-gear: hat (+ men's clothes), agricultural implements: spade, wheelbarrow, resting
Inscriptions: collector's mark: Lugt 2228

De prent verscheen vanaf 1818 tevens als onderdeel van een 33-delige reeks prenten door Mathias de Sallieth, samengebonden in: Perkois, Jacobus, Prins, Johannes Huibert. Verzameling van verschillende gekleede mans- en vrouwenstanden, ter oefening van jonge schilders en liefhebbers. Rotterdam: Johannes Immerzeel, 1818.
Officer Seeking Shelter with his Wife and Children from a Storm (recto); Sketch of Castle on Hill (verso)
Object type: drawing and watercolor
Date: 1800 – 1820
Materials: graphite, ink, paint, varnish, watercolor, paper
Techniques: brush, heightening, highlighting, pen, wash
Location: england
Artist: after richard westall
Loose Drawing—Soldier and Man (from Sketchbook)
Object type: drawing
Date: 1811 – 1893
Materials: graphite, paper
Culture: american
Artist: john william casilear
Artist role: artist
Artist nationality: american
Artist dates: 1811 – 1893
Subjects: soldiers,men
Aenkomst van S.K. Maj. op Honslerdyk / Arrivée de sa majesté a Honslerdyk
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: etching
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), prince, palace, arrival and return ~ travelling
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Aankomst van stadhouder-koning Willem III op Paleis Honselaarsdijk, februari 1691. Soldaten en rijtuigen voor het paleis. De koning wordt verwelkomt op het paleis. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Openbare feesten. Vorstelijke intochten, (Illuminaties, vuurwerken en dergelijke, openbare feesten).
Saucer (part of a service)
Object type: saucer
Date: 1780 – 1785
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: parrots,flowers
Canapé, Louis XV
Object type: print
Date: 1895 – 1935
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Gezigten uit Neêrlands Indië
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: sailing-ship, sailing-boat, sea (seascape) (+ landscape with figures, staffage), batavia
Inscriptions: collector's mark: Lugt 2228
The Actor Ichikawa Yaozo III in the Role of Fuwa Banzaemon from the Play "Ukiyozuka hiyoku no inazuma"
Object type: print
Date: 1774 – 1774
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa toyokuni i
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Subjects: fans,swords,men,actors

Ichikawa Yaozo III (1747–1818), a student of Danjūrō V, is shown in the role of Fuwa Banzaemon, who is a rival with Nagoya Sanza for the love of the same women. Yaozo wears a "thunder" robe, a striking pattern of lightning and clouds, embellished with the crest of the three nested squares. His straw hat rests on the ground behind him. Toyokuni added delicate touches of color to this bold print, such as light blue for details of Banzaemon's eyes and beard and light pink on the folds of the fan.
Brief aan Jan Veth
Object type: letter
Date: 1875 – 1925
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: painter, print maker, draughtsman, designer, jan veth, printed matter
Inscriptions: watermark, collector's mark: ‘RPK’

Gedateerd 3 september. In latere hand 19.
Snowy Landscape
Object type: hanging scroll
Date: 1824 – 1824
Materials: ink, paper
Culture: japanese
Artist: takahashi sōhei
Artist role: artist
Artist nationality: japanese
Artist dates: 1804 – 1835
Subjects: landscapes,snow

This work by the Nanga painter Takahashi Sōhei shows a solitary fisherman casting his pole near a snowy embankment lined with budding plum trees. The image is accompanied by a quatrain: The tattered bamboo hat is all covered with snow. In a lone boat is an old fisherman. Gazing at the empty woods at sunset, he seems tied down in the frozen stream. (translated by Miyeko Murase and Shi-yee Liu) According to Sōhei's signature, it was executed in 1824 at the residence of Tanomura Chikuden (1777–1835), a leading literati painter and fellow native of Bungo Province (modern-day Oita Prefecture) on the far western island of Kyūshū who was Sōhei's first painting teacher, making this an especially early work by the artist. Sōhei first encountered Chikuden in 1822 when the master visited Sōhei's hometown of Kitsuki from Kyoto. Soon thereafter, Sōhei took Chikuden as a teacher and returned with him to Kyoto, where he was quickly recognized as one of Chikuden's most promising students. This work was created shortly thereafter. Active primarily in Osaka after his initial training with Chikuden and other painters in his circle, Sōhei was so highly regarded that in the Chikuden's Record of Painting Teachers and Friends of Chikuden-sō (Chikudensō shiyū garoku), he is the only of Chikuden's disciples listed alongside many senior, leading artists of the day. However, by his mid-twenties, Sōhei had contracted an illness that forced him to spend most of his time back home in Bungo. Although his age at death, thirty-two, is known, there is some confusion about the exact year. He is thought to have stayed in Bungo permanently after 1830, and rumors that he had died began circulating in 1833, but he is believed to have survived a couple more years, until around 1835.
Teapot
Object type: teapot
Date: 1801 – 1900
Materials: hard paste porcelain
Artist: royal porcelain manufactory
Artist role: factory
Artist nationality: danish
Artist dates: 1775 – 9999
Subjects: flowers
Saucer with translucents rice-grain roundels
Object type: kop en schotel, kop en schotel
Date: 1700 – 1724
Materials: glaze, porcelain
Techniques: embroidery, firing, turning, vitrification
Location: jingdezhen
Artist: Anonymous

Schotel van porselein, bedekt met een doorschijnend wit glazuur. De wanden zijn opengewerkt (ajourwerk) in vijf rozetten van rijstwerk. Wit porselein, monochromen.
Funerary Cone of the High Priest of Amun Hapuseneb
Object type: cone, davy 518, hapuseneb, prophet, amun, seal bearer
Date: 1479 – 1458
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Coffeepot
Object type: coffeepot
Date: 1760 – 1760
Materials: stoneware
Techniques: salt glaze
Subjects: insects,flowers
Dagger (Khanjar) with Sheath
Object type: dagger khanjar with sheath
Date: 1801 – 1900
Materials: gold, jade, pearl, steel, velvet, wood
Culture: indian, mughal
Location: india
Four of Clubs, Japanese Courtship, from Harlequin Cards, 2nd Series (N220) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,women,playing cards

Playing cards issued as trade cards from the "Harlequin Cards, 2nd Series" (N220), issued in 1889 to promote Kinney Tobacco Company.
The Adoration of the Magi
Object type: print
Date: 1401 – 1500
Techniques: woodcut
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: men,women,horses,madonna and child,adoration of the magi
Firenze
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: gelatin silver print
Location: berlin
Artist: Anonymous
Subjects: (story of) alexander the great, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: ‘RIJKS SCHOOL VOOR KUNSTNIJVERHEID/ GROEP’, number: ‘5246.’, inscription: ‘Edizione inalterabile.’

Deze foto maakt deel uit van een omslag.
Nihon Bridge and Edo Bridge (Nihonbashi, Edobashi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
The Cottage (La Chaumière)
Object type: print
Date: 1800 – 1850
Techniques: etching
Artist: françois jules collignon
Artist role: artist
Artist nationality: french
Artist dates: 1750 – 1850
Subjects: fireplaces,interiors,women,cats,dogs
Pars I Frisiae Liberae quae Westfresia (...)
Object type: print
Date: 1697 – 1700
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) neptune (poseidon), triton(s), maps of separate countries or regions, netherlands
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Maakt deel uit van 16 kaarten van het land van de Bataven en de Friezen eerst vervaardigd voor en opgenomen in Alting, Menso. Descriptio, secundum antiquos, agri Batavi & Frisii. 2 delen. Amsterdam: Henricus Wetstein, 1697-1700. Hergebruikt in Halma, François. Tooneel der Vereenigde Nederlanden, en onderhorige landschappen (...). 2 delen. Leeuwarden: Hendrik Halma, 1725.

Deze kaart is gebruikt in Halma's Tooneel der Vereenigde Nederlanden (1725) en is waarschijnlijk te vinden in deel 2, p. 308.
Two Torch-Bearers, plate two from The Large Wedding-Dancers
Object type: print
Date: 1538 – 1538
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561

The figures in Aldegrever’s lively series of couples and musicians at a wedding show off daggers and swords as gentlemen’s fashion accessories rather than as weapons. As the couples pivot, pace, and embrace, blades peek out at different angles, whether impeding intimacy or visually alluding to increasing amorousness. Moving from left to right in triumphal procession, dancers sway to the tune of trombonists in their wake.
Portret van Meletius Tapeinos
Object type: print
Date: 1633 – 1750
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons

Met tweeregelig onderschrift in het Grieks.
Portret van Pascha Johann Friedrich Weitsch
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: mezzotint
Subjects: draughtsman, pascha johann friedrich weitsch, portrait, self-portrait of painter, candlestick
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 1092a
Three Fragments of Yue Ware Bowls
Object type: fragment
Date: 801 – 900
Materials: stoneware
Techniques: celadon glazed
Location: iraq
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, lower drapery of figure; one letter of an inscription, L
Textielfragment
Object type: textile
Date: 1644 – 1648
Materials: silk
Location: japan
Artist: Anonymous

Textielfragment, zilver-versiering van bamboe en zeilen op roze zijden fond.
Scherf van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: wine bottle
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Typologically not identifiable, belly, fragment.
Cup
Object type: cup
Date: 1740 – 1750
Materials: stoneware
Culture: british
Location: england
Subjects: birds,men