deem-data/ArtiFact huggingface dataset:
Evening vest
Object type: evening vest
Date: 1885 – 1895
Materials: cotton, silk
Culture: american

Waistcoats and vests of the 18th and 19th centuries served as a layer protection and ornamentation during a period in fashion when the coat was intended to be left open in the front. The color was often chosen to complement the suit and covered in imaginative embroideries, heavily woven patterns or shiny satins made to draw the eye. The style of the neck, the length and the hem treatment fluctuated as the tastes changed from over-sized coats of the early 18th century to narrow tightly fitted coats of the late 18th century and onward. This vest, paired with a black evening suit, would make a very elegant appearance. The beautiful textile is enhanced by intricate details such as the curve of the pocket which mimics the textile pattern and the embroidery detail.
Sampler
Object type: sampler
Date: 1744 – 1744
Materials: linen, silk
Terracotta column-krater (mixing bowl)
Object type: column krater
Date: 360 – 340
Materials: terracotta
Culture: greek, south italian, apulian
Artist: varrese painter
Artist role: artist
Subjects: shields,spears,women

Obverse, seated woman between two Oscan youths Reverse, three youths The red-figure vases in this case illustrate the so-called Plain Style in Apulian vase-painting, characterized by large shapes and non-mythological subjects depicted simply, with a uniform ground line and few filling ornaments. In the absence of mythological scenes, most of which originated in Greece, local practices and objects come to the fore.
Valentine
Object type: valentine
Date: 1874 – 1874
Materials: gilt
Techniques: chromolithography
Artist: kate greenaway
Artist role: artist
Artist nationality: british
Artist dates: 1846 – 1901
Subjects: poetry,couples,flowers,boats
Virgin and Child in a Niche
Object type: painting
Date: 1440 – 1450
Materials: oil, wood
Artist: jan van eyck
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1390 – 1441
Subjects: madonna and child,virgin mary
Les Maîtres de l'Affiche
Object type: print
Date: 1895 – 1900
Materials: paper
Techniques: lithograph
Location: paris
Subjects: weekly, monthly, magazine, etc., rodents: rabbit
Inscriptions: stamp: Lugt 1777c, collector's mark: Lugt 4780

Een vrouw met een konijn, door de lucht vliegt een exemplaar van het tijdschrift.
Plaque; Wedjat Eye
Object type: amulet, wedjat eye
Date: 664 – 332
Materials: stone
Location: egypt
Subjects: eyes
Stencil
Object type: stencil
Date: 1615 – 1868
Materials: paper
Culture: japanese
Subjects: cranes
Hoofd van een paard, met hoofdstel en oogkleppen
Object type: print
Date: 1856 – 1883
Materials: paper
Techniques: etching
Location: the hague
Artist: jan vrolijk
Artist role: draughtsman, painter, print maker
Artist dates: 1846 – 1894
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Sash
Object type: sash
Date: 1701 – 1800
Materials: metal thread, silk
Bras de Cheminée à la moderne
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: lion's head ~ ornament, sconce, wall lamp, vase ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een tweearmige wandkandelaar met een derde kaars in een vaas en een leeuwenkop. Prentnummer 318.
Moeder met kinderen in een landschap
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching, hand coloring
Location: france
Subjects: landscapes, mother and baby or young child, armorial bearing, heraldry
View of the Seafront at Yokohama and the British Trading House
Object type: print
Date: 1869 – 1869
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Subjects: human figures,houses,horses,ships
Celeste Richomme
Object type: drawing and watercolor
Materials: graphite, paper
Location: france
Artist: louis antoine léon riesener
Artist nationality: french
Artist dates: 1808 – 1878
Alex Martins, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Asia (part of a set)
Object type: figure
Date: 1763 – 1767
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: men
Square tray with birds in a garden
Object type: tray
Date: 1501 – 1600
Materials: lacquer
Techniques: carving
Culture: chinese
Subjects: birds,fruit,pheasants,flowers

This complicated decorative composition features two pairs of pheasants and sparrows and a background of fruit trees, flowers, and a stylized rock, a sign of an upscale garden. These motifs represent wishes for longevity, riches, and worldly success. The lacquer is built of red layers over yellow ones, and the artist carved to varying depths to expose the colors. An interest in bright color combinations, also found in ceramics and textiles, characterizes the art of the late Ming dynasty.
Three Types of Chrysanthemums
Object type: print
Date: 1790 – 1790
Techniques: woodblock print, surimono
Location: japan
Artist: kitao shigemasa
Artist role: artist
Artist nationality: japanese
Artist dates: 1739 – 1820
Abstract decoratief ontwerp
Object type: design
Date: 1874 – 1945
Materials: pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Medallion
Object type: glass
Date: 1830 – 1830
Materials: glass
Location: bohemia
Artist: dominik biemann
Artist nationality: bohemian
Artist dates: 1800 – 1857
Beloningspenning voor het neerslaan van het aansprekersoproer in Amsterdam 1696 (groot model)
Object type: history medal
Date: 1696 – 1696
Materials: silver
Techniques: striking
Artist: jacob van dishoecke
Artist role: silversmith
Artist dates: 1650 – 1723

Zilveren penning, op de voorzijde Neptunus in strijdwagen op zee tussen twee windgoden, met omschrift, op de keerzijde een vredige zee waarop een vogelnest, met bovenaan een tekstvlag en in afsnede XDCXCVI / I. V. DISHOECKE. F
Handle Spout Vessel Depicting Rows of Beans and Dots
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Kaart van Duitsland, 1726
Object type: map
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maps of separate countries or regions, germany

Kaart van Duitsland. Plaat nr. 143 in deel VII van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit eerste deel met 238 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in het Frans.
Portret Jacobus Grooff
Object type: print
Date: 1845 – 1847
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: amsterdam, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd.’

De geportretteerde draagt koorkleding en heeft een Bijbel in zijn rechterhand. Onder het portret zijn signatuur en functies.
Ordonius II
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: historical persons, ruler, sovereign

Portret afkomstig van een grote prent, getiteld 'Series Chronologica et Imagines Regum Hispaniae ab Ataulpho ad Carolum II', bestaande uit meerdere bladen die samengevoegd konden worden, uitgegeven door Petrus de la Tour in 1698.
Inner garment (nagajuban)
Object type: inner garment nagajuban
Date: 1801 – 1900
Materials: silk
Culture: japanese
Gezicht op de Amsterdamse Poort in Haarlem
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: netherlands
Subjects: canals, waters (in city), city-gate
Inscriptions: annotation: ‘Haarlem, de Amsterdamsche Poort/ Harlem, la porte d'Amsterdam’, signature: ‘uitgegeven door A. Jager. Water 110 Amsterdam’
Funerary Cone of the Chief of the Medjay Turo
Object type: cone, circular impression, turo, chief, medjay
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This cone has the impression of a stamp seal inscribed for a man named Turo who was chief of the Medjay. For a drawing of this impression see http://www.funerarycones.com/, number 57.
Daoist Robe
Object type: daoist robe
Date: 1601 – 1700
Materials: metal thread, silk
Techniques: weave
Culture: chinese
Subjects: dragons

This dazzling garment would have been worn by Daoist priests during ceremonies. The back of the robe, which is displayed here, depicts five dragons hovering above a primordial landscape of stylized mountains rising from a frothy sea.
Handkerchief
Object type: handkerchief
Date: 1801 – 1900
Materials: lace
Techniques: lace
Subjects: flowers
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, head and part of the frontal torso of a bearded warrior, with his helmet pushed back on top of his head, with a round shield over his left shoulder, and his bent right arm holding a spear (the spear is not preserved)
Fragment
Object type: textile
Date: 1601 – 1700
Materials: gilt, paper, textile, silk
Location: china
Twee rustende figuren bij de ruïne van een kerk
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Artist: noach van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Subjects: (traveller) resting in the open air, ruin of church, monastery, etc., sheep
Inscriptions: inscription: ‘door Noach v.d. Meer junior naar Dan. du Pré / geoffereert aan den Oeconomieschen Tak te Haarlem / en met een remuneratie van 10 ducaten beloont / in 't jaar 1785 / present gedaan aan den weled Heer van Leyden, Heer van Vlaardingen etc. etc. / N. v.d. Meer’, collector's mark: Lugt 240

Twee figuren rusten bij de ruïne van een kerk. Rechts schapen.
Gezicht op bloemen
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Subjects: flowers
Inscriptions: monogram: ‘BX’
Portrait of Mrs. Davies, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Morning toilet
Object type: photomechanical print
Date: 1886 – 1896
Materials: paper
Techniques: photograph, hand coloring
Location: japan
Subjects: making toilet, adult woman, interior ~ representation of a building
Inscriptions: inscription: ‘The coiffure (...) frequently quite artistic.’
Le Cap Martin
Object type: drawing
Date: 1910 – 1910
Materials: charcoal, paper
Artist: henri-joseph harpignies
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1916
Subjects: landscapes
Landschap met man bij een schutting
Object type: print
Date: 1796 – 1845
Materials: paper
Techniques: etching
Location: amsterdam
Artist: anthony oberman
Artist role: draughtsman, painter, print maker
Artist dates: 1781 – 1845
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Portret van Willem Hessels van Est
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Location: brussels
Artist: françois harrewijn
Artist role: print maker
Artist dates: 1700 – 1764
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Foppens, J.F. Bibliotheca Belgica (...). Brussel: Petrus Foppens, 1739.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Interior, eleven kylix fragments with part of line border from tondo
Bronzen kroonluchter met kristallen ornamenten
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous

De Bronzen midden basis van de kroonluchter is opengewerkt en om de bronzenkandelaars zijn kristallen druppelvangers aangedracht.
Fragments of a Hanging with a Lotus-Motif Band
Object type: textile fragment
Date: 401 – 600
Materials: linen, wool
Location: egypt

These fragments are elements of curtains or hangings. They would have formed the shafts of columns separating figures or floral and arboreal motifs. Depictions of large textile furnishings in mosaics and other works of art, as well as the significant number of colorful fragments in a variety of patterns, attest to the widespread use of such furnishings in official buildings, churches, and domestic settings. Large textile sets such as these were produced in specialized workshops.
Gezicht op de Hervormde Kerk te Bruinisse
Object type: photograph
Date: 1897 – 1897
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: bruinisse
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘N.H. Kerk, zuidzijde van het schip/ 6 Maart 1897/ Bruinisse’, annotation: ‘Bruinisse (Z.)/ N.H. Kerk (Zuidzijde v/h schip)/ 6 Maart 1897’
Card Case
Object type: card case
Date: 1701 – 1900
Materials: wood
Culture: chinese
Subjects: men
Po (鈸 )
Object type: po
Date: 1801 – 1900
Materials: metal
Culture: chinese
Location: china
Monument ter gelegenheid van de bruiloft van Jonas Witsen en Elisabet Basseliers
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: print maker, mayor, jonas witsen, charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, (story of) apollo (phoebus), (story of) minerva (pallas, athena), monument, statue, frankness, loyalty; 'lealtà', 'realtà' (ripa), cupids: 'amores', 'amoretti', 'putti', ornamenting, decorating ~ applied arts (+ monumental art)
Inscriptions: collector's mark: Lugt 2228

Een nis met een monument versierd met ornamenten. Links van het monument de personificatie Liefde. Rechts de personificatie Trouw. Links van het monument zit Apollo, rechts Minerva. De prent is gemaakt ter ere van de bruiloft van Jonas Witsen en Elisabet Basseliers
Female figure from a group statue
Object type: statuette of a woman
Date: 1981 – 1640
Materials: quartzite
Location: egypt
Subjects: women
Paris Fire (Great Hall of the State Council), from the series "Paris Incendié"
Object type: photograph
Techniques: albumen print
Location: france
Artist: charles soulier
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1875
Subjects: collected by hugh edwards, paris
"Seven Taluks," A Native House on the Road to Calcutta
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: gardens
Coin Depicting the Amazon Cyme
Object type: coin
Date: 253 – 268
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Man met ketens om zijn handen
Object type: print
Date: 1800 – 1874
Materials: paper
Techniques: etching
Subjects: adult man, prisoner; in fetters, beard
Inscriptions: collector's mark: Lugt 2228

Prent hetzelfde als RP-P-1913-4136 en RP-P-1913-3994 maar in de inventaris toegeschreven aan verschillende kunstenaars.
Portret van een man
Object type: photograph
Date: 1888 – 1893
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: antwerp
Artist: carl froehlich
Artist role: fotograaf
Artist dates: 1854 – 1902
Subjects: historical persons
Inscriptions: inscription: ‘Photographie/ Carl Froehlich/ Rue de la commune. 20/ ANVERS/ LES CLICHÉS SONT CONSERVÉS.’
The highly ornamented second gondola of Francesco Antonio Berka entering Venice, Gods on clouds in the upper section
Object type: print
Date: 1700 – 1700
Techniques: engraving, etching
Artist: johann georg wolfgang
Artist role: artist
Artist nationality: german
Subjects: birds,male nudes,female nudes,horses,boats

Liberal Benaglia was responsible for the design of the gondola. It is not certain if he provided the design for the print, but it is possible. The other name on the print 'Fratres Strud' cannot at this time be identified, but refers to a religious order (Brothers) who were involved in either the ceremony or the prints.
Plattegrond van Amsterdam (blad linksonder)
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 2228

Grote plattegrond van de stad Amsterdam uit 1625. Linksboven een gezicht op de stad en rechtsboven een kaart van de omgeving. Rechts een lijst met de namen van straten aan de Oude en de Nieuwe stadszijde. De plattegrond is samengesteld uit negen platen, waarvan twee ontbreken. Dit is het blad linksonder met de haven en het IJ en een gedicht op de stad Amsterdam door Petrus Scriverius.
Christ on the Cross, from "The Passion of Christ"
Object type: print
Date: 1598 – 1617
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: human figures,christ,cross
Glass perfume bottle
Object type: perfume bottle
Date: 67 – 300
Materials: glass
Culture: roman

Uncertain but probably colorless. Everted rim with uneven, slightly beveled lip; cylindrical neck with horizontal tooled indent at base; small, low conical body with rounded lower edge; bottom pushed in at center. Complete except for one large weathered chip in rim; many bubbles, some elongated; most of exterior surface heavily weathered, with pitting and brilliant iridescence, creamy brown weathering on interior.
Attraction I
Object type: print
Date: 1896 – 1896
Materials: paper, ink, ivory
Techniques: lithograph
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Terracotta fragment from a kantharos: head vase?
Object type: kantharos fragment, head vase
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

From the cuff of a plastic kantharos, part of a bent arm?
Het Bullenboekje
Object type: copper plate
Date: 1650 – 1650
Materials: copper
Techniques: etching
Subjects: ox
Portret van een onbekende man genaamd Ohnet
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: etching
Location: bergen
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: anonymous historical person portrayed alone
Inscriptions: annotation: ‘1er état’, annotation: ‘3 ex’, collector's mark: Lugt 2228
De peettante
Object type: drawing
Date: 1834 – 1882
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: alexander hugo bakker korff
Artist role: draughtsman
Artist dates: 1824 – 1882
Subjects: mother and baby or young child

Moeder en een andere vrouw bij een kind in een wieg.
Rhyton terminating in the forepart of a wild goat
Object type: rhyton
Date: 400 – 301
Materials: silver
Culture: thracian
Location: iran
Subjects: goats

This vessel is called a ‘rhyton’ (from the Greek rheo, meaning ‘flow through’) by scholars because it has a spout at the bottom. Like many rhyta, it consists of a horn-shaped beaker and a hollow sculptural element, in this case in the form of the foreparts of an ibex or wild goat. The beaker has vertical fluting with floral decoration at the top. The rim is folded over and decorated with an egg-and-dart pattern. The goat has extended forelegs, as if galloping. It has a long goatee, a pointed snout, a prominent brow, pointed ears and long curved horns. The pouring spout is on its chest between its legs. The goat’s body was hammered from a single sheet of silver, with the legs, horns and ears attached. The beaker is also hammered. Rhyta originated in the Achaemenid Persian Empire, and this example was originally attributed to Iran. However, recent research has shown that its beaker closely resembles in size and form two Thracian rhyta discovered in northern Bulgaria; in fact all three vessels may have been made in the same workshop. Accordingly, this rhyton has been re-attribution to Thrace, in what is today northern Greece and Bulgaria. Thrace was part of the Achaemenid Empire for about fifty years, until the end of the Persian Wars in 479 B.C. The Thracians adopted many features of Persian culture as their own, including the use of rhyta, and by the fourth century the Thracians were producing some of the most spectacular gold and silver vessels in the ancient world. The ibex may have been inspired by Persian rhyta, since ibexes have a long history of representation in ancient Iranian art. Alternatively, it may have had some special significance for the Thracians.
Koning Herodes bestrijdt rovers die zich in spelonken hebben verscholen / Rover doodt zijn mederovers voor de ingang van een spelonk / Wagenrennen in een amfitheater te Jeruzalem / Strijd tussen een stier en een leeuw in een amfitheater te Jeruzalem
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: wagon racing with two-wheeled vehicle, e.g.: chariot, sulky, bull, robber, theatre (building), cave, grotto, male persons from classical history (herod), sports, games ~ animals, beasts of prey, predatory animals: lion, killing ~ aggressive relationships
Inscriptions: collector's mark: Lugt 2228

Illustraties uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. II.
Huy. - La Collégiale
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: brussels
Subjects: interior of church
Design for a Chandelier with Acanthus Leaf, Grape, and Palmette Motifs
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: chandelier
Fragment borduurwerk versierd met bloemen en takken
Object type: embroidery
Date: 1860 – 1880
Materials: wool
Location: england
Artist: trellis

Fragment borduursel. Op een stramien zijn met grote steken gewerkt stammen, die zich in ruitvormen kruisen en grote, rose, gele en grijze bloemen en takken, met groene bladeren op een blauwgrijze grond. Imitatie-behangsel.
Vuurmandkleed van rode zijde met een ingeweven ruitmotief, afgezet met passement met gele en rode kwastjes
Object type: miniature
Date: 1690 – 1710
Materials: silk
Location: amsterdam
Artist: Anonymous

Vuurmandkleed van rode zijde met een ingeweven ruitmotief, afgezet met passement, afwisselend met gele en rode kwastjes; de bolvormige constructie bestaat uit een rond bovenvlak, waaraan een brede afhangende strook is aangerimpeld, waarvan de uiteinde niet aan elkaar zijn genaaid.
Terracotta rim of a bowl
Object type: vase fragment
Date: 3800 – 3300
Materials: terracotta
Culture: dimini culture

From Thessaly Dark lines on light ground.
Aanbidding door de koningen
Object type: print
Date: 1633 – 1634
Materials: paper
Techniques: etching
Location: paris
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: Lugt 240

Maria zit met het Christuskind op schoot bij de ingang van een gebouw. Naast haar staat Jozef. De drie koningen of wijzen uit het Oosten bieden Christus hun geschenken aan. Onder de voorstelling een onderschrift in Latijn. Deze prent is onderdeel van een reeks prenten rond het leven van Maria, bestaande uit een titelprent en dertien verhalende voorstellingen.