deem-data/ArtiFact huggingface dataset:
Brief van J.L. Cornet aan dhr. Lamberts over de tekening van de kamer van Cornelis de Witt in de Gevangenpoort, 1844
Object type: letter
Date: 1844 – 1844
Materials: paper
Techniques: writing
Location: leiden
Artist: jacobus ludovicus cornet
Artist role: draughtsman, print maker
Artist dates: 1815 – 1882
Subjects: dordrecht, cornelis de witt
Inscriptions: collector's mark

Brief van de tekenaar J.L. Cornet aan dhr. Lamberts aangaande de tekening, een ruwe schets, van de kamer van Cornelis de Witt in de Gevangenpoort, Leiden 1 mei 1844.
Metrage lint van effen zwart zijden gaas
Object type: braid
Date: 1900 – 1900
Materials: silk
Techniques: weave
Location: france

Metrage lint van effen zwart zijden gaas.
Meesterwerken van Seiho - deel één
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1937 – 1942
Materials: paper
Techniques: woodcut, letterpress printing
Location: japan
Inscriptions: date
Martelaarschap van de heilige Andreas
Object type: print
Date: 1636 – 1686
Materials: paper
Techniques: etching
Location: rome
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll, andrew on his way to his execution (sometimes led by soldiers)
Inscriptions: collector's mark: Lugt 240, number: ‘503’

Een stoet van soldaten brengt Andreas naar zijn plek van executie. Bijstanders kijken toe. Andreas knielt op het moment dat hij het kruis ziet waaraan hij gekruisigd zal gaan worden.
Evening, Little Waterloo Bridge
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: printing, stumping, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: bridges,rivers
Studie
Object type: endleaf
Date: 1888 – 1901
Materials: paper, pencil
Artist: anna catharina maria van eeghen
Artist role: draughtsman, print maker
Artist dates: 1878 – 1924
Inscriptions: annotation: ‘f 1.05’, retailer's mark: ‘KUNSTHANDEL/ VAN/ GEBR. GEBRANDS/ GROOTEN OORD/ ARNHEM’

Achterste schutblad uit een schetsboek met 33 bladen.
L'Hôtel de France
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: Anonymous
Subjects: triumphal arch, hotel, hostelry, inn
The Races
Object type: print
Date: 1865 – 1872
Materials: chine, ivory, paper
Techniques: printmaking, lithograph
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: circles, landscapes, leisure
Inscriptions: Inscribed lower left corner of secondary support, in graphite: “Epreuve avant le nom de Lemercier”; verso, lower left quadrant, in graphite (partially erased): “eps du 1er etat sur chine, / avant le nom de Lemercier / [illegible]”; lower left corner, in graphite: “WT (encircled)” and “MN 85 imp. d’essai.”
Portret van Jacques-Louis David
Object type: print
Date: 1798 – 1870
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: jean marie leroux
Artist role: print maker
Artist dates: 1788 – 1870
Subjects: paris, brussels, draughtsman, jacques-louis david, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark, : ‘Déposé’
Rijstvelden bij de Goentoer, nabij Garoet, Nederlands-Indië
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: garut
Artist: onnes kurkdjian
Artist role: fotograaf
Artist dates: 1851 – 1903
Inscriptions: annotation: ‘62. Goentoer’, name: ‘Photo Kurkdjian Soerabaia / Serie Garoet No. 2’

Rijstvelden bij de Goentoer, nabij Garoet, Nederlands-Indië
Portret van Filips II, hertog van Orléans
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Artist: claude monnet
Artist role: print maker
Subjects: filips ii (hertog van orléans), adult man, historical persons
Jacht op herten en everzwijnen in aanwezigheid van een dame
Object type: print
Date: 1575 – 1613
Materials: paper
Techniques: etching
Location: rome
Subjects: coat of arms (symbol of sovereignty), stag-hunting, boar-hunting, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’, number: ‘3’

Rivierlandschap met jagers en jachthonden jagend op herten en everzwijnen. Rechts een dame te paard die toekijkt. Midden onder een wapenschild en cartouche met opdracht.
Virgin and Child
Object type: painting
Date: 1516 – 1516
Materials: oil, wood
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: madonna and child

At first glance, this small painting seems to represent simply the Virgin’s loving attention to her Child, wriggling on her lap. Certain details, however, subtly foreshadow Christ’s sacrifice: Mary’s red dress and cloak signal the color of Christ’s Passion, and her right hand, which is gripping the cloth taut beneath the Child, recalls the actions of Joseph of Arimathea and Nicodemus, who supported the weight of the dead Christ on a white burial shroud after the Deposition from the cross. The paint surface is unfortunately severely abraded, but what little remains of its original appearance supports Dürer’s authorship.
The Rape of Ganymede
Object type: plaquette
Date: 1501 – 1600
Materials: lead
Artist: giovanni bernardi da castel bolognese
Artist role: artist
Artist nationality: italian
Artist dates: 1494 – 1553
Subjects: eagles,male nudes

This plaquette was cast from a rock crystal carved by Giovanni Bernardi da Castel Bolognese (1496–1553) for Cardinal Ippolito de'Medici between 1533 and 1535. The gem was an exact copy of a drawing that Michelangelo (1475–1564) had made for Tommaso Cavalieri.
Edward Hugh "Ned" Hanlon, Center Field, Detroit Wolverines, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Butterfly
Object type: drawing and watercolor
Date: 1898 – 1899
Materials: cardboard, ink, paper
Techniques: pen
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Inscribed recto, right, in black ink, in Whistler's hand: "[length measure] distance across / outside measure / page 43-"; inscribed verso, center bottom, in graphite: "10"
Gezicht op het Nærødalen in Noorwegen
Object type: photograph
Date: 1880 – 1898
Materials: photographic support
Techniques: albumen print
Location: norway
Artist: knud knudsen
Artist role: fotograaf
Artist dates: 1832 – 1915
Subjects: dale, valley, norway
Inscriptions: number: ‘8210’, name: ‘K. Knudsen. Bergen.’

Onderdeel van Reisalbum met opnames van bezienswaardigheden in Zweden, Noorwegen, Denemarken, Beieren, Milaan en Parijs.
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: jade, pottery
Culture: chinese
Vase
Object type: vase
Date: 1902 – 1902
Materials: earthenware
Culture: american
Location: united states
Artist: newcomb pottery
Artist role: manufacturer
Artist nationality: american
Artist dates: 1894 – 1940
Subjects: flowers

Newcomb College of New Orleans is one of the earliest educational institutions to be associated with the Arts and Crafts Movement. It shared many of the movement’s concerns, such as creating opportunities for women in the arts. It was the brainchild of Ellsworth Woodward, who taught drawing and painting at Newcomb, and his brother William Woodward, professor at Tulane University, who was especially interested in developing a pottery program at the college. They hired Mary G. Sheerer, who had trained at both the Cincinnati Art Academy and the Art Students’ League in New York, as Instructor of China Decoration and Design, and she would exert an important influence on the direction of the pottery. Ultimately, Newcomb’s ceramic program was one of the most successful art potteries, and it enjoyed an almost fifty-year existence. The Newcomb Pottery soon evolved a cohesive style. Although some of the early work occasionally utilized other colors— green, yellow, pink and lavender— a combination of blues and gray became the pottery’s distinctive hallmark. The distinctive subject matter was determined from the start by Woodward and Sheerer. Sheerer famously declared “the whole thing was to be a southern product, made of southern clays, by southern artists, decorated with southern subjects!” The vase also exhibits the influence of Arthur Wesley Dow and his Japanese-inspired approach to design. As seen on this vase, conventionalized designs of nature, often highly abstracted and almost always composed in repeating patterns—dominated the pottery’s output. Dating 1902, the design of this vase is of upright lily pads and blossoms, separated by the doubled stems of the flowers, the whole creating a continuous, interlacing pattern. In its approach to conventionalized treatment of natural forms, it demonstrates the influence of Adelaide Alsop Robineau’s designs published in Keramic Studio. Robineau might have been referring to the design of this vase when she wrote of the “alternation of flower and bud, the stem making the connecting curves.”
Wandversiering van de Zaal van de Twee Zusjes in het Alhambra te Granada
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: alhambra
Artist: Anonymous
Subjects: fortress, flat decoration ~ applied arts (+ islamic art), interior ~ representation of a building
Inscriptions: collector's mark: Lugt 3937, number: ‘585’
Oogsten van tabak
Object type: album leaf
Date: 1925 – 1928
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bulgaria
Artist: Anonymous
Subjects: eugen wachenheimer, harvest, (non-fruit) products of plants or trees: tobacco, folk costume, regional costume, tobacco

Een groep vrouwen en mannen op het veld bezig met het oogsten van tabaksbladeren, de vrouwen dragen witte mutsen. Onderdeel van het fotoalbum voor Eugen Wachenheimer bij zijn afscheid als directeur van het filiaal van de Deutsche Bank in Sofia, december 1928.
Gezicht op de zogenaamde Tempel van Minerva Medica te Rome
Object type: print
Date: 1707 – 1746
Materials: paper
Techniques: etching
Subjects: (story of) minerva (pallas, athena), landscape with ruins (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
William Shakespeare
Object type: print
Date: 1891 – 1912
Techniques: engraving
Artist: charles william sherborn
Artist role: artist
Artist nationality: british
Artist dates: 1831 – 1912
Subjects: shakespeare,men,portraits,coat of arms

Derived from the famous sculpted effigy in Holy Trinity Church at Stratford-upon-Avon, this portrait print shows Shakespeare wearing a doublet, winged collar, earring and goatee. Laurels behind the head form a secular halo, and the subject is surrounded by emblematic objects–a skull, Tudor rose, and volume labeled "Comedia, Tragedia, Poesia," with a plaque below lauding the Bard as poet, philosopher and actor. Known as the “Victorian little master,” Sherborn worked for Swiss goldsmiths before returning to London to lead a revival of copper-engraved bookplates. This jewel-like print is close in scale to a bookplate but was not produced for a single collector. The Museum has examples of most of the nine states which together demonstrate how carefully the engraver developed the image. The artist's son donated this second state of nine, where parts of the composition remain undeveloped.
Gezicht op Montagu House, te Londen
Object type: print
Date: 1733 – 1766
Materials: paper
Techniques: etching
Location: london
Subjects: façade (of house or building), london
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende man
Object type: print
Date: 1677 – 1777
Materials: paper
Techniques: etching
Artist: friedrich johann kauke
Artist role: print maker
Artist dates:  – 1777
Subjects: ornament ~ medallion, anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228
Birkenhead from Herculaneum Potteries
Object type: drawing and watercolor
Date: 1834 – 1834
Materials: graphite, paint, paper, watercolor
Location: england
Artist: attributed to eliot thomas yorke
Artist nationality: english
Artist dates: 1805 – 1885
Punching Cattle on a Jack Rabbit
Object type: ansichtkaart, prentbriefkaart
Date: 1950 – 1960
Materials: paper
Techniques: autotype
Location: boston
Artist: Anonymous
Inscriptions: inscription: ‘TX5 Punching Cattle on a Jack Rabbit’, inscription: ‘A "COLOURPICTURE” PUBLICATION, BOSTON 15, MASS., U.S.A.’

Landschap met koeien en een man gezeten op een reusachtig konijn. Exaggeration.
Bontjassen en opgezette dieren van Nicholay op de Great Exhibition of the Works of Industry of All Nations van 1851 in Londen
Object type: photograph
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: london
Artist: hugh owen
Artist role: fotograaf
Artist dates: 1808 – 1897
Subjects: furrier, london
Untitled (Married Couple)
Object type: photograph
Date: 1852 – 1852
Techniques: daguerreotype
Location: united states
Artist: Anonymous
Artist nationality: probably american
Artist dates: 1800 – 1899
Subjects: portraits, people, photography

The daguerreotype was invented in France in 1839 but gained its longest-lived popularity in America, where it was prized for its faithful detail and affordability. In the 1850s especially, millions of daguerreotypes were made by "operators" who rapidly learned the technique—involving copper plates coated in silver, each producing a unique image—to fulfill burgeoning demand for portraits. The seated elderly couple shown here holds a note identifying their ages and the occasion for the image, their 50th wedding anniversary: "70 years, 2 months, 20 days. / 68 years, 3 months, 21 days. / THANKS BE TO GOD: / Oct. 11th, 1802 Marriage Jubilee, Oct. 11th, 1852." Lateral reversal through the camera lens caused all writing in daguerreotypes to appear backwards, while the fineness of the metal plate gave jewel-like precision and great tonal range to the images. These qualities prompted viewers to nickname the daguerreotype "mirror with a memory."
Gezicht by de Oude Jagthaven naar 't Blaauwhooft te zien / Vue du Y devant Amsterdam
Object type: print
Date: 1762 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: harbour, ships (in general), amsterdam
Inscriptions: collector's mark: Lugt 2228

Deze prent is ook gebruikt in de zogenaamde Atlas van Fouquet.* Pierre Fouquet gaf vanaf 1760 stadsgezichten van Amsterdam - naar tekeningen van verschillende kunstenaars, gemaakt door verschillende prentmakers - uit. Deze prenten werden aanvankelijk los of in series verkocht. Zoals toen gebruikelijk kon de koper de prenten zelf laten inbinden. Hiertoe gaf Fouquet tussen 1778 en 1783 een titelblad, plattegrond en inhoudsopgave van de tot dusver 100 uitgegeven prenten uit (1). Gezien de inhoud afhankelijk was van wat de koper had verzameld verschilt de inhoud van de verschillende bewaarde Fouquetatlassen onder deze titel sterk. Ook zijn er exemplaren bekend waar tevens andere prenten aan zijn toegevoegd. Omdat er behoefte bleek aan uitleg bij de platen werd in 1783 een nieuwe versie van de atlas uitgegeven, aangevuld met tekst en twee prenten. De aangegeven volgorde veranderde maar de platen van de al eerder uitgegeven prenten bleven ongewijzigd. Deze uitgave werd in opdracht van Fouquet gedrukt bij Daniël Jean Changuion en Petrus den Hengst (2). Een tiental platen werd bijgewerkt en verscheen, met nieuw impressum, in het vervolg van Wagenaars geschiedenis van Amsterdam, uitgeven door Petrus Conradi en Folkert van der Plaats (3). Een aantal jaar na het overlijden van Fouquet kwam Evert Maaskamp met een nieuwe uitgave van de atlas, met verbeterde tekst en toevoeging van twee prenten. Op alle platen verwijderde hij het oude en liet hij zijn eigen impressum zetten (4).

De huidige staat van de prent komt voor in exemplaren van de onder (1) en (2) genoemde werken.

* Onder de Atlas van Fouquet of Fouquetatlas verstaan we de hieronder vermelde publicaties (1), (2) en (4).
(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 delen. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.
(3). Stijl, Simon. Amsterdam, in zyne geschiedenissen, voorregten, koophandel, gebouwen, kerkenstaat, schoolen, schutterye, gilden en regeeringe, beschreeven. Om te dienen ten vervolge op het werk van Jan Wagenaar (…). 10 delen. Amsterdam en Harlingen: Petrus Conradi en Folkert van der Plaats, 1788-1801.
(4). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam. Met derzelver beknopte beschryvingen. Amsterdam: Evert Maaskamp, 1805.

* Het aantal vermelde staten is gebaseerd op het aantal gevonden staten. Mogelijk zijn er meer staten van deze prent.

Tekening in collectie Stadsarchief Amsterdam.
Zie RP-P-AO-25-83 voor latere staat.
Fotoreproductie van De homerische worsteling door Antoine Wiertz
Object type: reproduction
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: edmond fierlants
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: fighting
Inscriptions: check stamp: ‘SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE/ 69, RUE KEYENVELD/ BRUXELLES’
Kraters op de maan
Object type: photomechanical print
Materials: paper
Techniques: autotype
Artist: loewy et puiseux
Artist role: fotograaf
Subjects: surface of the moon
Inscriptions: inscription: ‘Société Belge d'Astronomie Atlas Lunaire Pl III/<BR />1895, Mars 04. 6h, 6m. (T. M. de Paris)’

Transparante pagina voor prent als kaart met daarop de namen van de verschillende kraters.
Burying Place, Finlarig
Object type: drawing and watercolor
Materials: gouache, ink, paint, paper, watercolor
Techniques: brush, heightening, pen, wash
Location: england
Artist: elizabeth murray
Artist nationality: english
Artist dates: 1815 – 1882
Portret van een onbekend meisje
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: robert de greck
Artist role: fotograaf
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: monogram: ‘C. Cie’
New York University College of Physicians and Surgeons, Buildings and Other Material
Object type: album
Date: 1801 – 1900
Techniques: drawing
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Candelabrum (one of a pair)
Object type: candelabrum
Materials: gilt bronze, soft paste porcelain
Artist: villeroy
Artist role: factory
Artist nationality: french
Artist dates: 1734 – 1748
Subjects: chinoiserie,men
Sampler
Object type: sampler
Date: 1798 – 1798
Materials: silk, thread
Subjects: women,butterflies,flowers
Tile
Object type: tile
Date: 1620 – 1650
Materials: earthenware
Techniques: glazing
Dwaasheid van tweedracht
Object type: print
Date: 1532 – 1590
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: fool, simpleton, numskull, disagreement, discord; 'discordia' (ripa), heart symbolism (+ fighting)
Inscriptions: collector's mark: Lugt 2228

Een zot in Romeinse wapenrusting leunt tegen een nis. Hij houdt een brandend menselijk hart vast. In de vlammen zijn twee mannen in een gevecht verwikkeld. De prent heeft een Latijns onderschrift dat waarschuwt voor de gevaren van twist (Spreuken 17:11a).
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 450 – 430
Materials: terracotta
Culture: greek, attic

Foot of a figure to left; the panel ornament is comprised of ivy
Scene in the Tuileries: The Chairs
Object type: print
Date: 1760 – 1760
Techniques: etching
Artist: gabriel de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1724 – 1780
Subjects: sculpture,men,women,trees,chairs

Saint-Aubin saw the lush greenery of the Tuileries gardens as a setting for lively social gatherings. Dwarfed by, and oblivious to, the monumental stone sculptures of figures from Roman history, the city’s residents engage in various forms of amusement, gallantry, and labor. Idealized scenes of garden recreation have a long history, but these are distinctly topical. Indeed, the catalyst for Saint-Aubin’s etchings must have been the amenities recently introduced by the governor of the Tuileries Palace, including a concession for chair rentals and the newly devised watering cart, intended to reduce the amount of dust stirred up by visitors.
Livre pour Vaisselle d'Eglise
Object type: album leaf
Date: 1700 – 1735
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: (liturgical) equipment of church, trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, ostensorium, monstrance, insignia of bishop, e.g. mitre, crozier
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Kopie in spiegelbeeld naar de serie "Livre pour Vaisselle d'Eglise" uitgegeven door Balthazar Pavillon.
Somerset House in Londen
Object type: photomechanical print
Date: 1889 – 1905
Materials: cardboard
Techniques: photograph, hand coloring
Location: london
Artist: Anonymous
Subjects: edifice, e.g.: public building, department store, london
Inscriptions: inscription: ‘DRGMS 83768/ 92395’, inscription: ‘Postkarte’, number: ‘754’
Vase
Object type: vase
Date: 1800 – 1550
Location: egypt
Faudrait un crâne maître d'armes
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Artist: nicolas toussaint charlet
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1792 – 1845
Subjects: (military) camp with tents, cooking food - cc - in the open air, broth, soup
Inscriptions: collector's mark: Lugt 2228a

De soldaat zegt grappend dat hij een schedel nodig heeft om een ei te kunnen laten barsten voor zijn soep.
Clara Lane, from the Actresses series (N671), promoting Alfreds Pets Tobacco
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N671), issued ca. 1888 to promote Alfreds Pets Tobacco.
S. Anthonis Marckt met de Waegh
Object type: print
Date: 1657 – 1670
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', amsterdam
Inscriptions: collector's mark: Lugt 240

Gezicht vanaf het water op de huidige Nieuwmarkt en de Waag.
Sophocles, Grieks tragediedichter
Object type: locket
Date: 1687 – 1757
Materials: brass, glass, gypsum
Techniques: casting
Location: berlin
Artist: gottfried eichler
Artist role: draughtsman, painter
Artist dates: 1677 – 1757
Subjects: sophocles

Eenzijdig medaillon in messing ring achter glas aan draagoog en draagring. Voorzijde: borststuk man met baard en krans in haar binnen tweeregelig omschrift in Grieks.
De hertog van Anjou gehuldigd te Antwerpen, 1582
Object type: history print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: netherlands
Subjects: paris, françois-hercule de valois (hertog van anjou), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', antwerp

Gebruikt als illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. V, pl. V.
Louvre, Paris
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: paris
Artist: Anonymous
Subjects: palace, permanent exhibition, museum