deem-data/ArtiFact huggingface dataset:
Autumnal Landscape with a Waterfall
Object type: hanging scroll
Date: 1751 – 1800
Materials: ink, paper
Culture: japanese
Artist: ike (tokuyama) gyokuran
Artist role: artist
Artist nationality: japanese
Artist dates: 1728 – 1784
Subjects: landscapes

Ike Gyokuran was one of the best-known women artists of the Edo period. She grew up in Kyoto, where her family owned a tea shop and her mother and adoptive grandmother published waka poetry. Later, Gyokuran and her husband, the influential and prolific Nanga (literati) painter Ike Taiga (1723–1776), built their home and studio by Gion Shrine, east of Kyoto’s Kamo River. In this painting of an autumn landscape with crystalline foreground rocks before a background waterfall, the artist combines soft brush lines and angular, darkly inked, calligraphic strokes. Abundant short blue-green marks and pink dots indicate evergreen trees alongside the maples and other deciduous trees changing color in the mountains.
Spotprent op de Engelsgezindheid van het jonge Holland, 1780
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: wig, fashion, political caricatures and satires, fourth anglo-dutch war
Inscriptions: collector's mark: Lugt 2228

Spotprent op de Engelsgezindheid, wuftheid en vermaakzucht van het jonge Holland, 1780. Een jonge rijke Hollander gezeten op een geldkist wijst de kraam met de Hollandse waren af en laat zich naar de Engelse Kraam en de Franse Kraam met de Modes de Paris rijden. Zie ook de pendant. Bij de prent behoort een afzonderlijk gedrukte uitleg (ontbreekt hier).
Jacht op everzwijnen
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: etching
Location: rome
Subjects: boar-hunting, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van negen prenten met jachtscènes (+ opdracht).
Negen gezichten op gebouwen in West Dorset
Object type: photomontage
Date: 1868 – 1873
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: church (exterior), exterior ~ representation of a building
Inscriptions: inscription: ‘Ilminster (...) Ilminster’
De Groote of St. Jans Kerk te Gouda
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: engraving, etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: church (exterior)

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Portret van Johann Jacob Starck
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: bookshelves, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Pilgrim's Visiting Album
Object type: book
Date: 1701 – 1800
Materials: gilt, gold, ink, metal thread, paper, silk
Techniques: calligraphy, embroidery, painting
Culture: japanese
Subjects: buddhism

An adherent of the Pure Land School of Buddhism compiled the content of these albums—slips of paper brushed with the name of the Buddha Amida (Sanskrit: Amitābha)—on temple visits. The signed and sealed slips indicate that most of the calligraphers were abbots of Pure Land temples in the greater Edo (Tokyo) area. The albums also have paintings of Amida, as well as Shandao, an influential Tang dynasty (618–907) monk; Hōnen, the founder of the Pure Land School in Japan; and a youthful Shinran, the founder of the True Pure Land School. A portrait of the monk Yūten Kenyo (1637–1718), who served as the thirty-sixth abbot of the Edo temple Zōjōji, appears on the right-hand side of a page of one album. Yūten was born in the south of what is now Fukushima Prefecture, and entered Zōjōji as a novice at the age of twelve. He struggled in the academic environment there and left, but later, a dream encounter with the deity Fudō Myōo (Sanskrit: Achala Vidyārāja) is said to have led to a personal transformation, following which he became famous for his ability to ensure birth in the Pure Land for those afflicted by tormented human spirits (onryō). One from a set (94.18.2–.5)
Cistophoric Tetradrachm (Coin) Portraying Mark Antony
Object type: coin
Materials: metal, silver
Techniques: striking
Culture: roman
Location: roman empire
Inscriptions: Obverse: M ANTONINVS IMP COS DESIG ITER ET TERT
Reverse: III VIR / R P C

The Roman general Mark Antony forged an alliance with Queen Cleopatra of Egypt in an attempt to capture Rome’s eastern territories. On this coin he had himself depicted wearing the ivy-leaf crown of Dionysos in order to reinforce his claim that he was “the new Dionysos” and therefore had divine right to rule. The Greek historian Plutarch (Antony, 24:3) described Antony’s entry into Ephesus in 41 CE as follows:

"When he entered Ephesus, women dressed like Bacchants, men and boys like satyrs and Pans, led the way. The city was full of ivy and thyrsos-wands and harps, pipes and flutes. People were calling him Dionysos Giver of Joy and the Benefactor."
Block of Relief
Object type: relief
Date: 1961 – 1917
Materials: limestone, paint
Location: egypt
Hambourg / Hamburg / Anburgo / Hamburgh / Hamburgo
Object type: print
Date: 1870 – 1889
Materials: paper
Techniques: lithograph, hand coloring
Location: weissenburg
Subjects: sailing-ship, sailing-boat, pond, steamship, motorship
Inscriptions: collector's mark: Lugt 2233, : ‘Déposé’
Sugawara Michizane Going into Exile
Object type: print
Date: 1763 – 1764
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770

Through the efforts of the Fujiwara clan, Sugawara Michizane was discredited in the eyes of Emperor Daigo and ordered to assume a post in remote Kyushu. Here, he is seated on an ox. According to the long cartouche on the right, Michizane gazes over the sea and waning moon, reflecting that he cannot see the moon that shines on the capital. He died in remote Dazaifu in 903. Because of his reputation as a scholar and accomplished poet in both Chinese and Japanese, a Shinto festival soon began to take place at his tomb in the eighth month of each year.
Reproductie van een geschilderd portret van Louis Jacques Mandé Daguerre door Paul Carpentier
Object type: reproduction
Date: 1886 – 1891
Materials: paper
Techniques: photoaquatint
Location: paris
Artist: paul claude michel le carpentier
Artist role: painter
Artist dates: 1787 – 1877
Subjects: louis jacques mandé daguerre, camera ~ photography, historical persons, portrait, self-portrait of photographer
Herinneringsbord Boerenoorlog: twee mannen
Object type: plate dish
Date: 1899 – 1925
Materials: earthenware
Techniques: firing, printing
Location: south africa
Artist: Anonymous
Subjects: battle, fighting in general

Commemorative plates with scenes from the Boer War. Earthenware, c. 1910. Made by Petrus Regout, Maastricht. Sympathy for the Boers was so strong in Holland that the memory of the war continued to live on for many years. Particularly popular were the various Afrikaner songs, as well as plates such as these.
Restoration of the Aqueduct of Pisa, from The Life of Ferdinand de' Medici
Object type: print
Date: 1616 – 1620
Materials: paper
Techniques: engraving
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Schaapherder in Campagna
Object type: photomechanical print
Date: 1900 – 1905
Materials: paper
Techniques: autotype
Location: campagna
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., campagna
Inscriptions: inscription: ‘G. VIII.’, inscription: ‘Flock of sheep in the Campagna by L. Kusmitsch’
Java Deer
Object type: statuette model
Date: 1838 – 1838
Materials: wax, wood
Artist: antoine-louis barye
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: deer

In 1838 Barye obtained a commercial patent for casting small bronzes, and by 1845 he had formed a partnership with the entrepreneur Emile Martin for the purpose of producing small bronzes in quantity for middle-class collectors. Barye soon began to market his bronzes with the aid of a series of catalogues that permitted the purchaser to order from a variety of models. The earliest catalogue was published in 1844. The catalogue of 1847 stated that each bronze would be numbered and punch marked, but the marking system was quickly abandoned, perhaps because of its very success. After Barye's death, the models were bought by a number of founders, some of whom continued to use them for many years.
Canapé van mahoniefineer op eiken, bekleed en à l'Etrusque beschilderd
Object type: furniture
Date: 1785 – 1800
Materials: wood, textile
Location: netherlands
Artist: Anonymous

Canapé van mahoniefineer op eiken, bekleed en "à l'étrusque" beschilderd, rustend op acht vierkante, zich naar onderen verjongende poten met cannelures. De zitregels zijn op zwarte grond in roodbruin en wit beschilderd met palmetten, afgewisseld door stralenkransen. Tussen de middelste palmetten een vrouwenkop met vlechten. De aan de beide uiteinden geplaatste, gestrekte S-vormige leuningen zijn in dezelfde kleuren beschilderd met hoornen des overvloeds, waaruit korenaren en bloemranken ontspruiten.
Internationale Ausstellung von Jagd- und Luxus-Hunden zu Frankfurt a. M. 1891
Object type: page
Date: 1891 – 1891
Materials: paper
Techniques: photograph
Location: frankfurt am main
Subjects: dog
Inscriptions: inscription: ‘II. Preis. Flock. Besitzer : H. Schumacher, Frankfurt a. M.’, number: ‘Cat.-No. 1148.’
Centaur
Object type: statuette
Date: 1601 – 1700
Materials: bronze, marble
Subjects: centaurs
Two Variant Half Designs for a Cartouche
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink, lead
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: cartouches
Beleg van Maastricht, 1579
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: etching
Location: rome
Artist: jan miel
Artist role: draughtsman, painter, print maker
Artist dates: 1599 – 1663
Subjects: siege, position war, fortifications, military engineering, maastricht

Belegering van Maastricht door het leger van de hertog van Parma, van 12 maart tot 29 juni 1579. Gezicht op de stad, het bouwen van schansen, gevechten voor de stad en het afvoeren van gewonden. Bovenaan een banderol met de titel en de legenda A-L in het Latijn.
Ruitertafereel op Koninklijke Houtvesterij Het Loo: ruiters met een meute honden op een landweg
Object type: album leaf
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, hunting, chase, hunting-ground, forest path or lane

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
Een biddende muzelman
Object type: drawing
Date: 1882 – 1882
Materials: paper, watercolor
Techniques: brush
Artist: enrico tarenghi
Artist role: draughtsman
Artist dates: 1848 – 
Subjects: asiatic races and peoples, prayer ~ islam, mohammedanism
Inscriptions: date: ‘82’
Profile Portrait of Woman
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: drawing, stumping
Location: france
Artist: Anonymous
Kalligrafie: ‘Waerde Sone daer is nuet nutzamer omme te komen tot het gemeine als tot particuliere goeden….’
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: calligraphy
Inscriptions: date

De tekst staat midden boven in een frame van kalligrafische versiering. Uit serie van 34 bladen.
Georgius Maior theologus Wittenbergensis
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving, etching
Subjects: theologian, historical persons
Inscriptions: inscription: ‘*27’, collector's mark: Lugt 2228

Eerste staat van de prent verschenen in: Effigies praestant aliquot virorum qui veram in primis religion nostro seculo propagarunt. Den Haag: Hendrick Hondius, [ca. 1610].
Tegeltableau van 49 tegels
Object type: tile
Date: 1750 – 1800
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Tegeltableau van 49 tegels (7 x 7) met een paars geschilderd stadsgezicht van een straat met een toren aan het einde en figuren op de voorgrond.
Famileuitstapjes
Object type: photograph
Date: 1936 – 1938
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: celebes
Artist: Anonymous
Subjects: r.h. vonk, family life, swimming (sport), outing, pleasure trip, coast
Inscriptions: inscription

Albumblad met zeven foto's van verschillende uitjes van de familie Vonk naar de kust in 1936 en 1938. Onderdeel van het fotoalbum van familie Vonk op Zuid-Celebes.
Portret van Lucas de Wael en Cornelis de Wael
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Subjects: rome, print maker, draughtsman, cornelis de wael, antwerp, painter, historical persons
Inscriptions: watermark:, collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 2166

De prent maakt deel uit van een zevendelige serie portretten naar Anthony van Dyck, uitgegeven door Joannes Meyssens.
Portret van jonkheer Marten Wilhelmus Bowier
Object type: photograph
Date: 1861 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons
Inscriptions: annotation: ‘15e Nov. 1876 van den colonel eigenhandig ontv. [...] van zijn vertrek naar O.J.’, inscription: ‘A. Greiner/ photograf/ Nieuwendijk. L.89/ Amsterdam’
Portraits of Isabey and Taunay
Object type: print
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: felix milius
Artist nationality: french
Artist dates: 1843 – 1894
The Deposition, from "The Small Passion"
Object type: print
Date: 1509 – 1509
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,women,christ,descent from the cross
Cabinet (credenza)
Object type: cabinet
Date: 1551 – 1600
Materials: wood
Saint Francis de Sales
Object type: figurine
Materials: gemstone, copper, glass, iron, metal
Techniques: lampwork
Culture: french
Artist: haly workshop
Artist role: artist
Artist dates: 18 – 18
Subjects: men
The Adoration of the Shepherds
Object type: plaquette
Date: 1501 – 1600
Materials: bronze, patina
Subjects: men,women,madonna and child,adoration of the shepherds
Kermisprent van de Amsterdamse karrenman voor het jaar 1754
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: hand coloring, letterpress printing
Location: amsterdam
Subjects: garbage collection
Inscriptions: collector's mark: Lugt 1641, stamp, inscription: ‘Deze prent is zeer raer en in Holland soms voor 20-glen meer verkogt’

Kermisprent voor het jaar 1754 van Pieter Baas, de karrenman (askarrenman of vuilnisman) in de wijk 30, opgedragen aan de burgers van Amsterdam. Paard met askar gemerkt 30 op de Dam voor het Stadhuis. Op het blad onder de voorstelling een vers in twee kolommen met een lied in de nagalm in drie kolommen. In het vers wordt verwezen naar Daniël Raap en de orangisten. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Gezicht op schepen in een haven, vermoedelijk Urk
Object type: album leaf
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: matte daylight collodion silver print
Location: urk
Artist: Anonymous
Subjects: harbour (+ view ~ vehicle, ship, etc.)

Foto genomen tijdens een tocht naar Urk met Rudloph Maximiliaan Crommelin (1887-1959). Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Infantry Armor
Object type: infantry armor
Date: 1600 – 1600
Materials: leather, steel
Culture: german
Location: germany

The armorers of Nuremberg were famous for their ability to produce large quantities of plate armor relatively quickly. In the second half of the sixteenth century, they specialized in making high-quality infantry armors with simple but bold decoration in the form of bright bands that contrast with the black-painted surfaces. This late example is typical of these armors for its open-faced helmet (burgonet) and plates covering only the upper half of the arms, the torso, and the legs from the hips to the knees. The blackened surfaces presumably rendered the armor less susceptible to rust, so that it required little maintenance.
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: roman
Subjects: eagles,rabbits

Mold-made. Large discus: in high relief, an eagle facing right, with open wings and head turned back to left, seizing a hare, also running to right; a single filling hole between eagle's left wing and leg; narrow shoulder band decorated with close-set egg-and-dart. Volutes to sides of nozzle. Base ring comprising three raised concentric circles, and slightly uneven, plain base; two raised bands extend down side from ends of volutes to base ring. Broken with much of nozzle and back of discus and body missing.
Cacao
Object type: drawing
Date: 1783 – 1783
Materials: paper, pencil, watercolor
Techniques: brush
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: fruits: cacao, java, batavia
Inscriptions: inscription: ‘Theobroma Cacao<BR />Kakao vrugt en blad. 27 Nov 1783 Waare groote<BR />Het blad is glad en dikagtig, de aaderen zyn fynder als hier geteekend is, de vrugt heeft 4 ryen boontjes<BR />de vrugt aan de takken op de zyde, niet aan de toppen of ijndens’

Kleurtekening van de cacaovrucht, blad en de vrucht met gebroken schil zodat de cacaobonen zichtbaar zijn. Op ware grootte. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 131.
Lid
Object type: lid
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Abraham wordt de geboorte van een zoon voorspeld
Object type: design
Date: 1677 – 1755
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: the promise of a son is renewed; sarah, overhearing it, laughs incredulously
Ornament, lijnen en cirkels
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: ink, pencil
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: ornaments ~ art

Blad 3 verso uit een schetsboek met 11 bladen.
Plate
Object type: plate
Date: 1800 – 1800
Materials: earthenware
Culture: mexican
Location: mexico
Subjects: buildings
Fragmentary Head of a King
Object type: head fragment, king
Date: 1400 – 1390
Materials: jasper
Location: egypt
Subjects: kings,heads

For many years the fragments of this face were dispersed in various collections, but in 1993 it became possible to reunite the pieces through an exchange with the Petrie Museum, London (the cheek, 1993.27a, b), and a long-term loan from the Musée du Louvre, Paris (the eye, L.1993.21a, b). Part of a red jasper thumb in the collection (26.7.1398b) probably belonged to the same statue. The original statue was probably what we call a "composite statue" in which the face and other areas of exposed flesh (the hands and feet) were carved from jasper and rest of the statue was carved from Egyptian alabaster, limestone, or wood. Although such statues most frequently come from the the reign of Akhenaten in the Amarna period (ca. 1353-1336 B.C.), this work has been dated to the reign of Akhenaten's grandfather, Thutmose IV, on stylistic grounds.
Portret van een man, zittend aan een tafel met boek en hoge hoed
Object type: album leaf
Date: 1861 – 1862
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: sitting figure, historical persons, head-gear: top hat
Inscriptions: annotation: ‘à mon bon camarade/ le capitaine Lemoine/ [Gand], le 6 mars 1862 [...]’, inscription: ‘Disderi & Cie/ Photographes de S.M. l'empereur/ 8, Boulevart des Italiens/ Paris’
Brief aan Filippo Tessaro
Object type: letter
Date: 1891 – 1891
Materials: ink
Techniques: pen, writing
Location: voorburg
Artist: willem maris
Artist role: draughtsman, painter
Artist dates: 1844 – 1910
Subjects: art trade, art shop, painting (including book-illumination, miniature-painting), money
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2233
Christiania. Carl Johans Gade
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1925
Materials: cardboard
Techniques: photograph
Location: oslo
Artist: Anonymous
Subjects: tram, palace, avenue, boulevard, promenade, esplanade

Prentbriefkaart maakt deel uit van een album.
Portret van Martin Pasche
Object type: print
Date: 1671 – 1751
Materials: paper
Techniques: engraving, etching
Subjects: berlin, mayor, burgomaster, historical persons

De prent is uitgegeven als onderdeel van een serie. Later is de prent mogelijk ook als boekillustratie gebruikt in: Küster, Georg Gottfried. Martin Friedrich Seidels Bilder-Sammlung in welcher hundert, gröstentheils in der Mark Brandenburg (…). Berlijn: Buchladen bey der Real-Schule, 1751. Het is onduidelijk tot welke uitgave de huidige prent behoort.
Silver handle
Object type: handle of a vase or lamp
Date: 1 – 100
Materials: silver
Culture: roman
Subjects: lions

This handle belongs to a small vessel—a cup or possibly a lamp—and is said to have been found near Rome.
St Peter's, entablature profile; reflected ceiling details of the cornice, and profiles of column bases and pedestals (recto)
St. Peter's, section through drum of model and entablature of upper story (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Germanicus
Object type: intaglio
Date: 1787 – 1787
Materials: stone
Artist: josiah wedgwood
Artist role: artist
Artist nationality: british
Artist dates: 1730 – 1795
Subjects: men,profiles
Portret van Rembrandt van Rijn
Object type: print
Date: 1696 – 1727
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: leiden, painter, draughtsman, rembrandt van rijn
Inscriptions: collector's mark: Lugt 240
Grote kanoetstrandlopers
Object type: print
Date: 1900 – 1930
Materials: paper
Techniques: woodcut
Location: japan
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945
Subjects: sea (seascape), shore-birds and wading-birds
Inscriptions: collector's mark: Lugt 2228

Twee vogels, lopend op een zwarte kust, langs een woelige zee.
Plate 17: Venus chastising Cupid, who sits on a bed, with Psyche at right, from "The Story of Cupid and Psyche as told by Apuleius"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: cupid,psyche,venus

This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.
The Jumma Mosque.- Niche between the side Arches
Object type: page
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: ahmedabad
Artist: thomas biggs
Artist role: fotograaf, kapitein
Artist dates: 1822 – 1905
Subjects: temple, shrine ~ islam, mohammedanism, ornamenting, decorating ~ applied arts, ornament derived from plant forms
Inscriptions: number: ‘20.’