deem-data/ArtiFact huggingface dataset:
Portret van Johann Caspar Lavater
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: mezzotint
Location: augsburg
Subjects: johann caspar lavater, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Kaart van het bisdom Doornik
Object type: print
Date: 1697 – 1721
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions

Kaart van het bisdom Doornik. Linksonder een Franse titelcartouche, in een balk boven de kaart de Nederlandse titel. Rechtsboven een kader met legenda. Linksboven een kader met drie schaalstokken: 6 Milles Pas Geometriques ou Milles d'Italie / 2 Lieües de Flandres d'une heure de Chemin / 2 Lieües Communes de France. De kaart is voorzien van een gradenverdeling langs de randen.
Une Ecrevisse Regardant Le Soleil (A Crayfish Looking at the Sun), plate 18 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Object type: print
Date: 1621 – 1635
Techniques: etching, letterpress
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Oviri
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: brush, printing, wash, woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Signed recto of secondary support, lower center, in pen and brown ink: á / Stephane / Mallarme / Cette étrange figure cruelle enigme P. Gauguin 1895
Dansend paar
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: one pair dancing; man and woman dancing as a couple, one person playing an instrument
Inscriptions: collector's mark: Lugt 2228

Een man en een vrouw dansen op de muziek van de zittende fluitspeler rechts in het landschap. Rondom de voorstelling een geornamenteerde omlijsting, daaronder de serietitel in een cartouche.
[Unidentified Man]
Object type: daguerreotype
Date: 1850 – 1850
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Fork
Object type: fork
Date: 1 – 400
Materials: copper alloy
Culture: roman
Man, tekenend naar een gipsmodel
Object type: album leaf
Date: 1639 – 1643
Materials: paper
Techniques: etching
Location: paris
Subjects: drawing, art (+ artist studying classical remains)
Venus and Adonis
Object type: drawing and watercolor
Date: 1601 – 1700
Materials: graphite, ink, paper
Techniques: brush, pen, transfer, wash
Location: italy
Artist: attributed to gennaro landi
Clogs
Object type: clog
Date: 1730 – 1740
Materials: leather, silk, wool
Culture: british
Lepel met drielobbig uiteinde
Object type: miniature
Date: 1775 – 1800
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: spoon

Ovale lepel met een breed uitlopende steel. De steel heeft een lobbig uiteinde. De lepel is niet gemerkt.
Thermogram van een menselijk hoofd
Object type: instant photograph
Date: 1950 – 1984
Materials: paper
Techniques: dye diffusion transfer print
Artist: Anonymous
Subjects: head (human)
Inscriptions: inscription: ‘Kohan/ 970-70 [?]’, number: ‘D7211-10’
Ex libris van Sigmund von Erlach
Object type: bookplate
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: bookshelves
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Bibliotheek met in het midden het wapen van Sigmund von Erlach op een verhoging.
Madonna and Child
Object type: painting
Date: 1470 – 1480
Materials: oil, panel
Artist: giovanni bellini
Artist role: draughtsman
Artist dates: 1430 – 1516
Subjects: madonna: i.e. mary with the christ-child

Madonna met kind. Maria met het zegenende Christuskind staande op haar schoot.
Abklatsch van de krijttekening op pagina 16 recto
Object type: sketchbook leaf
Date: 1874 – 1925
Materials: paper
Techniques: printmaking
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925

Blad 15 verso uit een schetsboek met 42 bladen.
Ex libris van Boros Jenö
Object type: bookplate
Date: 1899 – 1932
Materials: paper
Techniques: linocut
Location: hungary
Artist: alexander gergely
Artist role: print maker
Artist dates: 1888 – 1932
Subjects: spinning-wheel
Maria bij Christus
Object type: print
Date: 1590 – 1637
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mary interceding (with christ), 'maria mediatrix' (sometimes mary showing her breasts)
Inscriptions: collector's mark: Lugt 240

Christus ontvangt Maria in de hemel. Hij houdt zijn kruis vast en toont zijn stigmata. Maria knielt voor hem en houdt haar hand tegen haar borst. Drie engelen kijken toe, één van hen houdt het kruis vast. In de marge twee maal tweeregelig onderschrift in het Latijn.
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: "Les Arts et les Sciences" door François Jouffroy
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘490 beide’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Vossen
Object type: print
Date: 1849 – 1853
Materials: paper
Techniques: woodcut
Location: tokyo
Subjects: beasts of prey, predatory animals: fox, boat propelled by man or animal
Inscriptions: collector's mark: Lugt 2228

Blad, opgedeeld in 64 vakjes met komische afbeeldingen van vossen die op verschillende manieren hun staart proberen niet te laten opvallen.
The frightened lion
Object type: book illustration
Materials: paper
Techniques: wood engraving
Location: london
Subjects: tailless amphibians: frog, water course, beasts of prey, predatory animals: lion

Prent uit: The baby's own Aesop being the fables condensed in rhyme. Londen: Routledge & Sons, 1887. Of een latere uitgave.
Lappets (2)
Object type: lappet
Date: 1667 – 1700
Materials: linen
Techniques: lace

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of thirty-eight laces recently given to the Museum by her nieces, Mrs. Donald P. Spence and The Lady Reigate, in memory of her sister, their mother, Mrs. William Redmond Cross. These represent a selection of the finest of Miss Newbold's personal lace collection, a collection probably made at the time she was active in lace circles in New York about the last decade of the nineteenth and early part of the twentieth century, under the guidance of Marian Hague, a distinguished connoisseur and collector herself. This period witnessed the last peak of appreciation of and connoisseurship in an art form that had been in tremendous vogue from its beginnings in the fifteenth century. And it was the last period in which fine laces were available in any number. Among choice examples of the great lace types represented in Miss Newbold's small collection are: early Italian pieces combining cut-work, pulled work, reticella, embroidery on linen ground; Sicilian polychrome silk filet; seventeenthcentury Venetian points (point de Venise à reseau and the widely known rose point de Venise); famous French needlepoints (Point de Paris, Argentan, Alençon); French and Flemish bobbin laces (Binche, Valenciennes, Brussels, Point d'Angleterre, and Point de Gaz); and a beautiful cap crown of Argentella (1979.310.9), a rare eighteenth-century European lace whose place of origin has never been surely determined.
Veüe et perspective du Pont-neuf de Paris
Object type: album leaf
Date: 1660 – 1703
Materials: paper
Techniques: etching
Location: paris
Subjects: monument, statue, equestrian statue, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Bathing suit
Object type: bathing suit
Date: 1876 – 1880
Materials: cotton, wool
Culture: american
Jesus and the Adulterous Woman, from The New Testament
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Two parts of feet type B with chamfer; outer face of foot is glazed
Pet Horse, from the Household Pets series (N194) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,horses

Trade cards from the "Household Pets" series (N194), issued in an unnumbered set of 25 in 1891 by Wm. S. Kimball & Co. to promote Sweet Lavender, Old Gold, Black and Tan, and Hard Tack Tobacco.
Ex libris van Gertrude Lenvilh
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: 'cornucopia', horn of plenty
Beleg en inname van Antwerpen in 1584/1585: plan van de stad en omgeving
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maps of cities, antwerp

Plan van Antwerpen en het omliggende land. Onderdeel van een groep voorstellingen van het beleg en inname van Antwerpen door de hertog van Parma, juli 1584 tot 17 augustus 1585. Linksonder een cartouche met de legenda 1-14 in het Nederlands. Ongenummerd. Bedrukt op achterzijde met tekst in het Latijn.
Designs for a clock, Illustrations for "Saggi di naturali esperienze"
Object type: drawing
Date: 1666 – 1666
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: circle of giuseppe cocchini
Artist role: artist
Artist nationality: italian
Artist dates: 1661 – 1671
Subjects: clocks
Baksteen, afkomstig van de abdij te Aduard
Object type: brick clay product
Materials: brick
Location: unknown
Artist: Anonymous
Subjects: aduard abbey

Gave baksteen, in de vorm van een cirkel-segment, aan één van de lange kanten concaaf afgerond. De bovenkant en één van de lange zijkanten geheel bedekt met dik opgelegd donkerbruin loodglazuur, waarin sporen van groen. Het glazuur is aan de andere kanten op onregelmatige wijze afgedrukt. Afkomstig van de Abdij te Aduard.
Hoofdportaal van de San Marco te Venetië
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Inscriptions: number: ‘No. 2221.’
Corte onderrechtinghe op de figuerliicke afbeeldinghe, soo veel aengaet het recht ghebruyck vant Musquet
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: handling of weapons ~ military training, firearms: rifle

Een soldaat, ten voeten uit, die met beide handen een musket (een bepaald type vuurwapen) bij zijn mond houdt en erover blaast, om eventueel buiten de pan (het kruitreservoir) gevallen kruit ervan af te krijgen. In zijn linkerhand behalve de loop van het musket ook een furket (musketvork) en een brandende lont. Deze prent is onderdeel van de reeks van 43 met de hand genummerde prenten van musketiers in de Wapenhandelinghe.
Pavillon de ferme
Object type: print
Date: 1861 – 1861
Techniques: printmaking, etching
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Boerderij met erf waar een boerin de was op hangt en kinderen kijken naar passerende reizigers zoals een man op een ezel links die het dier laat drinken. In de waterplas op de voorgrond staat een vrouw tot haar middel in het water. Boven de voorstelling staat de tekst Revue Fantaisiste.
Shabti and Coffin of the King's Son Wahneferhotep
Object type: shabti coffin, wahneferhotep
Date: 1981 – 1640
Materials: gold leaf, paint, wood
Location: egypt
The descent from the cross: second plate
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: descent from the cross: christ is taken down from the cross, usually by nicodemus and joseph of arimathaea who are standing on the ladders (both arms of christ detached)
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt. f. cvm pryvl.o .1633.’
A Lapland Hut (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...,"  London, 1724, vol. II, pl. 38)
Object type: print
Date: 1723 – 1724
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: animals,houses,men,women,landscapes

Hogarth made this print early in his career to illustrate a travel book by the French author Aubry de La Mottraye. We are shown a Lapland landscape, with sections devoted to a hut, figures and local customs. Numbered elements include: 1. a large tee-pee like tent with figures cooking within, 4: a small wooden structure built in a tree, for drying fish, 5: a woman holding a baby in a carrier, 6 and 11: men on skis, 8: a woman milking a reindeer, 9: a magic drum, 10: a sledge drawn across ice by a reindeer, 12: a man leading a reindeer.
Doily
Object type: doily
Date: 1801 – 1900
Materials: lace
Two Men Before a Judge in a Crowded Courtroom
Object type: drawing
Date: 1667 – 1700
Materials: chalk
Techniques: heightening
Location: netherlands
Artist: egbert jasperszoon van heemskerck i
Artist role: artist
Artist nationality: dutch
Artist dates: 1634 – 1705
Subjects: men,crowd
Ensemble
Object type: ensemble
Date: 1838 – 1838
Materials: wool
Culture: american
Portret van Adalbert, prins van Pruisen
Object type: print
Date: 1830 – 1911
Materials: paper
Techniques: engraving
Location: germany
Artist: august volkert
Artist role: print maker
Artist dates: 1818 – 
Subjects: berlin, historical persons
Inscriptions: inscription: ‘A.d.G. 1851 / n. 29 oct. 1811.’, collector's mark: Lugt 2228
The presentation of Christ in the temple
Object type: print
Date: 1543 – 1546
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: temples,men,women,christ
Miss Eastlake, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Falcon Amulet
Object type: amulet, falcon
Date: 664 – 630
Materials: lapis lazuli
Location: egypt
Subjects: falcons

This small falcon is standing on a small rectangular base. The artisan used the light colored striations of the stone to stress the falcon’s head and wings which stand in contrast to the dark blue of the falcon’s chest and legs. The falcon was associated with different gods, such as Horus and Re-Harakhty. In the absence of a headdress, it is uncertain which deity is represented here.
A young Woman with a Parrot
Object type: painting
Date: 1660 – 1680
Materials: oil, panel
Artist: ary de vois
Artist role: painter
Artist dates: 1632 – 1680
Subjects: adolescent, young woman, maiden, adult woman, fruit, ornamental birds: parrot
Inscriptions: signature: ‘ADVois f.’

Een jonge vrouw zittend met een mand met fruit op schoot onder een boom, geeft een druif aan een papegaai.
Portret van François van Aerssen
Object type: print
Date: 1612 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: brussels, the hague

Portret van François van Aerssen in een ovale omlijsting. In een kader zijn naam en titels.
Schapen en geiten bij ruïnes
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: engraving, etching
Artist: johann heinrich roos
Artist role: draughtsman, print maker
Artist dates: 1631 – 1685
Subjects: landscape with ruins, sheep
Inscriptions: collector's mark: Lugt 240

Serie van acht prenten, waarvan één titelprent.
Nash, 3rd Base, Boston, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Kalki on Horseback
Object type: figure
Date: 901 – 1000
Materials: bronze
Culture: bangladeshi
Subjects: men,horses
Hammered Gold Sheathing Fragment
Object type: sheathing fragment
Date: 1101 – 1500
Materials: gold
Culture: chimú
Location: peru
Wheellock Pistol
Object type: arm
Date: 1590 – 1590
Materials: brass, iron, steel
Techniques: gilding
Location: nuremberg
Artist: peter danner

By the end of the sixteenth century, the arms trade in Nuremberg had begun to weaken. Armorers and etchers applied their skills to broader markets by producing pistols like this, and all-steel caskets for safekeeping valuables. The etched figures, birds, and hunting scenes on this pistol derive from printed pattern books by Nuremberg artists Virgil Solis and Jost Amman.
Vechtende soldaten in een stad
Object type: book illustration
Date: 1574 – 1574
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: christoffel van sichem (i)
Artist role: print maker, publisher
Artist dates: 1546 – 1624
Subjects: battle, attack ~ siege, emperor titus destroying the temple of jerusalem

Krijgslieden met zwaarden en speren bevechten elkaar binnen de muren van een stad. Op de achtergrond vluchten de inwoners en gebouwen staan in brand. De voorstelling is onder meer gebruikt als afbeelding van de val van de stad Jeruzalem in 70 n.C. en de vernietiging van de grote tempel door Titus. De prent maakt deel uit van een album.
Portret van M.H. Witbols
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: etching
Location: netherlands
Artist: antoni zürcher
Artist role: print maker
Artist dates: 1754 – 1837
Subjects: rotterdam, historical persons (+ profile portrait), the hague

Portret in silhouet van Michaël Henricus Witbols, naar rechts, borstbeeld, met pruik en strikdas in een ovaal kader.
Groepsportret van Annie Bennink met haar kinderen en een vrouw
Object type: album leaf
Date: 1933 – 1933
Materials: paper
Techniques: gelatin silver print
Location: the hague
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, mother and child(ren), woman and child(ren) (family group)
Inscriptions: inscription: ‘Annie Bennink/ +/ kinderen’
Een Nieu Liet
Object type: calligraphy
Date: 1646 – 1650
Materials: ink, paper
Techniques: calligraphy
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Liefdesklacht op de melodie van Clooris en Belle.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the echinus mouth of a neck-amphora; the top is unglazed; the inside is glazed
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of a foot type B with chamfer; outer face is profiled; graffito on the underside
Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
Object type: print
Date: 1799 – 1799
Techniques: aquatint, engraving, burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,women
Portret van Jacob Boon
Object type: print
Date: 1849 – 1907
Materials: paper
Techniques: tone lithography
Location: groningen
Subjects: delft, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde is frontaal afgebeeld en draagt een toga en dubbele bef. Onder het portret zijn signatuur.
Fish in a stream
Object type: print
Date: 1840 – 1840
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Étui for sealing wax and case
Object type: étui
Date: 1785 – 1786
Materials: gold
Artist: antoine-louis anthiaume
Artist role: maker
Artist nationality: french
Artist dates: 1784 – 1806
Subjects: animals,birds

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Fragment of a Ship Flag
Object type: ship flag
Date: 1630 – 1702
Materials: wool
Location: england
Artist: Anonymous
Subjects: flag, colours (as symbol of the state, etc.), england

Fragment van de broekingzijde van een scheepsvlag, wit met in de bovenhals een witte rechthoek met een rood kruis (St. George's cross). Dit is een witte scheepsvlag van de periode 1630-1702.
Die Jungfrauen seynd nix werth
Object type: book illustration
Date: 1710 – 1710
Materials: paper
Techniques: etching, letterpress printing
Location: nuremberg
Subjects: violent death by beheading
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham a Sancta Clara. Heilsames Gemisch Gemasch, das ist: Allerley seltsame und verwunderliche Geschichten (...). Neurenberg: Christoph Weigel, 1710, p. 329.
Galloon
Object type: galloon
Date: 1701 – 1800
Materials: silk
Twee meisjes spelend met een pop
Object type: print
Date: 1779 – 1779
Materials: paper, pencil
Techniques: etching
Location: leiden
Subjects: (playing with) dolls, child (at home) - aa - girl
Inscriptions: collector's mark: Lugt 240