deem-data/ArtiFact huggingface dataset:
Fragment of a Dish
Object type: fragment of a dish
Date: 1001 – 1200
Materials: earthenware, glaze
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Portret van Willem Vrolik
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: etching
Location: netherlands
Subjects: scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Amsterdamsche Studentenalmanak (1841).
Snow Peaks, Bull Run Mining District, Nevada
Object type: photograph
Date: 1871 – 1871
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards
No. 24. Nieuwe Schouwburg geopend in 1894
Object type: photomechanical print
Date: 1894 – 1900
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: theatre (building), square, place, circus, etc. (+ city(-scape) with figures, staffage)

Deze prenten maken deel uit van een album.
Glass mosaic carinated bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent deep purple, turquoise blue, greyish blue, opaque white and yellow. Carinated side, with part of one narrow convex curve, then slanting sharply downward below. Mosaic pattern formed from polygonal sections of three canes: one in a purple ground with a hollow white circle and an inner, small yellow circle around a purple band and central white rod; another in a purple ground with a hollow rosette of greyish blue rods outlined in yellow around a purple band and a central yellow rod, and a third in a turquoise blue ground with an indeterminate pattern. Polished exterior; pitting and slight weathering of surface bubbles on exterior; dulling and iridescent weathering on interior and jagged edges.
Cypraea arabica shell from the wreck of the Dutch East India ship Witte Leeuw
Object type: cypraea arabica
Date: 1613 – 1613
Materials: shell
Artist: niet van toepassing
Subjects: verenigde oostindische compagnie, sint-helena

Schelp uit V.O.C.-schip de 'Witte Leeuw'.
“Paul and Virginie” Furnishing Fabric
Object type: textile
Date: 1818 – 1818
Materials: cotton
Techniques: engraving, weave, printing
Location: france
Subjects: people, trees, diamond shapes
Inscriptions: Inscription: L.F. (or I. E) Cornelis
Portret van George Hendrik Wachter
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: the hague
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: rotterdam, the hague, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde heeft zijn rechterhand in zijn vest gestoken.
Teabowl and saucer
Object type: teabowl and saucer
Date: 1770 – 1775
Materials: hard paste porcelain
Artist: cozzi manufactory
Artist role: factory
Artist nationality: italian
Artist dates: 1764 – 1812
Subjects: birds,flowers
Vignet van Uitgeversmaatschappij L.J. Veen
Object type: boekillustratie ontwerp
Date: 1890 – 1930
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: rocaille ornament, magic mathematical figures; magic numbers, words, monograms

Monogram met de letters L, J en V gevat tussen twee parallel lopende horizontale lijnen en een rocaille.
Hairpin Knob
Object type: knob
Date: 1 – 400
Materials: bronze, gilt
Culture: roman
Dish with Peaches
Object type: dish
Date: 1690 – 1720
Materials: enamel, porcelain
Techniques: overglaze, polychrome, underglaze
Culture: japanese
Subjects: peaches
Carte Historique & Cronologique pour Servir d'Introduction à l'Histoire des Provinces Unies des Païs-Bas
Object type: print
Date: 1700 – 1701
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Artist: Anonymous
Subjects: netherlands

Overzichtsblad met in kleine medaillons de ingekleurde portretten van de graven van Holland en de graven van Vlaanderen. Plaat 39 uit Histoire abregée des Provinces-Unies des Païs-Bas, 1701.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Part of warrior to left and shield in profile
Sheet from the Papyrus of Amenhotep
Object type: papyrus, book of the dead, amenhotep, tt a 7
Date: 1427 – 1390
Materials: ink, papyrus, pigment
Subjects: birds,hieroglyphs
Charles François d'Autriche, Empereur
Object type: print
Date: 1716 – 1740
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: vienna, charles vi (holy roman emperor), historical persons, emperor
Inscriptions: collector's mark: Lugt 2228
Caron Rôle de Nevers les Huguenots
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of opera-singer
Inscriptions: inscription: ‘Journal hebdomadaire paraissant le jeudi Du 9 au 16 Octobre 1873’, number: ‘No 21’
Ceramic Fragment
Object type: fragment
Date: 801 – 1000
Materials: earthenware
Techniques: painting
Location: iran
Christuskind bouwt een huis
Object type: book illustration
Date: 1617 – 1617
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: joseph and the christ-child ~ daily life in nazareth, angels, household occupations of mary

De prent verscheen in 1617 bij J.P. Paets als onderdeel van de serie over de jeugd van Christus. Daarnaast werd de houtsnede gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629; Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646 en tSchat der Zielen. Amsterdam, P.J. Paets, 1648.
Drie studies van een kerk, huisje en hek
Object type: drawing
Date: 1841 – 1841
Materials: paper, pencil
Artist: frederik hendrik weissenbruch
Artist role: draughtsman, print maker
Artist dates: 1828 – 1887
Subjects: rural housing, e.g. country-house, villa, cottage, church (exterior)
Portret van Willem van Ripperda
Object type: print
Date: 1824 – 1827
Materials: paper
Techniques: lithograph
Location: munster
Artist: christian espagne
Artist role: print maker, printer
Artist dates: 1794 – 1838
Subjects: adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bildnisse der beim westfälischen Friedensschluß zu Münster und Osnabrück versammelt gewesenen Gesandten. Münster: Christian Espagne, [1824-1827]. Deze publicatie bevat een onbekend aantal lithografieën, die in afleveringen verschenen als illustratie bij de tekst.
Verzierungen in Knorpelwerk für Schreiner
Object type: ornament print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: auricular ornament, lobe style ~ ornament, column, pillar ~ architecture

Twee voorstellingen op een tweedelig albumblad. Links een herm met een Korinthisch hoofdgestel geflankeerd door ornamenten in kwabstijl. Rechts een op een voetstuk en met een Ionisch hoofdgestel, eveneens geflankeerd door ornamenten in kwabstijl. De prent maakt deel uit van een album.
Moeder met kinderen voor een deuropening
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: open door, mother and child(ren), woman and child(ren) (family group)

Blad 14 recto uit een schetsboek met 51 bladen.
Painted Textile
Object type: textile
Date: 1000 – 1000
Materials: cotton, paint
Techniques: painting, weave
Location: peruvian north coast
Artist: chimu capac
Subjects: figures (representations), feline, birds, waves, serpents
Shield of Henry II of France (reigned 1547–59)
Object type: shield
Date: 1555 – 1555
Materials: gold, silver, steel
Culture: french
Location: france
Subjects: battles,soldiers,men,horses

The battle scene at the center is thought to depict the victory of Hannibal and the Carthaginians over the Romans in Cannae in 216 B.C., which here could be interpreted as an allusion to the struggle of France against the Holy Roman Empire during the sixteenth century. In the strapwork borders are the intertwined letters: H for Henry II (reigned 1547–59); C for Catherine de Médicis, his queen; and possibly also D for Diane de Poitiers, his mistress. Interspersed with the initials are crescents, the king's personal badge and a reference to the moon goddess Diana and her namesake Diane de Poitiers. The design is very similar to a series of drawings for the decoration of armor attributed to Etienne Delaune, Jean Cousin the Elder, and Baptiste Pellerin, all artists active in Paris.
J.C. Rücker
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: leiden
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Springer, Leendert. Galerij van hoogleeraren aan de Hoogeschool te Leijden, naar de oorspronkelijke afbeeldsels op de Senaat-zaal aldaar berustende. Leiden: Springer, Leendert., s.a. [circa 1850].
Three-Line Calligraphy
Object type: hanging scroll
Date: 1615 – 1868
Materials: ink, paper
Culture: japanese
Artist: shinozaki shōchiku
Artist role: artist
Artist nationality: japanese
Artist dates: 1781 – 1851
Ewer
Object type: ewer
Date: 1710 – 1720
Materials: faience
Techniques: glazing
Subjects: men

The form of this ewer is based on a French silver example, and it is likely that it was originally accompanied by a basin. The painted designs of arabesques and fanciful figures reflect the influence of the French court designer, Jean Bérain (1640-1711), whose work had enormous influence on the decorative arts in the decades around 1700.
Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike
Object type: print
Date: 1816 – 1816
Techniques: aquatint, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,bulls,horses

Unaware of the danger, a blindfolded horse is trapped to keep it from fleeing in panic. The animal’s defenselessness is emphasized by the light area on its chest, suggesting a stationary target. The gaze of the picador prepares the viewer for the violence about to be unleashed, while the dramatic resolution of the clash is prefigured at left by another horse rearing in fright and a dead animal ready to be dragged away. In their apparent disinterest, the two spectral figures in the background imply the routine nature of death in rituals of bullfighting.
Oude vrouw in bed
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: drypoint, etching
Location: scandinavia
Artist: carl bloch
Artist role: print maker
Artist dates: 1834 – 1890
Subjects: old woman, bed
Inscriptions: collector's mark: Lugt 2228, signature and date: ‘l.o. gesigneerd en gedateerd Carl Bloch 1882’

Oude vrouw (of man?) met muts op in bed liggend, de beschouwer aankijkend.
Kaart van het eiland Elba
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: island, maps, atlases
Inscriptions: collector's mark: Lugt 2228
Portret van een man met snor
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: robert ruegg
Artist role: fotograaf
Subjects: moustache, adult man, historical persons
Inscriptions: inscription: ‘Photographie/ Robert Ruegg/ Badstrasse No. 516/ Baden/ Schweiz (...)’
IJsclub
Object type: photograph
Date: 1917 – 1917
Materials: photographic support
Techniques: photography
Location: netherlands
Inscriptions: inscription: ‘IJsclub . 1917’

Foto op bruin albumblad 27 van familiealbum van Alphons Diepenbrock.
Roeiboten
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: shipyard, shipdock - cc - more than one ship
Inscriptions: collector's mark: Lugt 2228

Drie lege boten liggen langs de oever bij een werft. Twee mannen staan bij een van de boten te praten, een derde man draagt een stuk hout op zijn rug en loopt weg. In een van de boten liggen twee houten vaten.
Haardsteen met voorstelling van twee klimmende leeuwen
Object type: hearthstone
Date: 1600 – 1625
Materials: earthenware
Techniques: vitrification
Location: southern netherlands
Artist: Anonymous

Haardsteen met voorstelling van twee twee klimmende leeuwen, geplaatst in geprofileerde ruit. De halve ruiten aan de boven- en onderkant zijn opgevuld met bladmotief.
Design for Sculpted Ornament
Object type: drawing
Date: 1825 – 1850
Materials: chalk, graphite
Techniques: heightening
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: ornament
Ontwerp voor het timpaan aan de westzijde van het Amsterdamse Stadhuis
Object type: drawing
Date: 1646 – 1650
Materials: ink, paper, pencil
Techniques: pen
Subjects: piece of sculpture, reproduction of a piece of sculpture, cities represented allegorically or symbolically, architectural design or model, allegory of trade; 'commertio della vita humana' (ripa), amsterdam

Ontwerp voor de beeldengroep in het timpaan aan de westzijde van het Amsterdamse Stadhuis.
Needle Case
Object type: needle case
Date: 1800 – 1830
Materials: gold, ivory
Culture: american
Kwatrijnen bij voorstellingen van een officiersvrouw en een houtdrager
Object type: album leaf
Date: 1641 – 1641
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Inscriptions: date

Drie keer twee kwatrijnen in het Frans, Nederlands en Engels bij voorstellingen de huisvrouw van een officier aan het hof en een houtdrager. Het blad maakt deel uit van een album.
Virgin and Child Adored by Saint Francis
Object type: painting
Date: 1606 – 1606
Materials: copper, oil
Techniques: painting
Location: italy
Artist: francesco albani
Artist role: artist
Artist nationality: italian
Artist dates: 1578 – 1660
Subjects: virgin and child/madonna and child, biblical, religion, religious figures, religious scenes, saints, christian subjects, christianity
Piece
Object type: piece
Date: 1701 – 1733
Materials: lace
Techniques: lace
Subjects: horses,flowers,leaves
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the lower body and foot of a lekythos; the underside of the foot is unglazed
Monstransen
Object type: ornament print
Date: 1637 – 1637
Materials: paper
Techniques: etching
Location: italy
Artist: giacomo laurenziani
Artist role: print maker
Artist dates: 1600 – 1650
Subjects: ostensorium, monstrance, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een monstrans met steel in de vorm van twee engelen die het bovenste, driehoekige gedeelte van de monstrans dragen. De driehoek wordt geflankeerd door putti en bekroond door cherubijnen en een crucifix. De voet van de monstrans is gedecoreerd met putti met palmtakken en engelenkopjes. In het midden een leeg vignet.
De boerenrechtbank te Puiterveen
Object type: print
Date: 1754 – 1764
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: lawyer, attorney at law, pregnant woman, comedy, court-room
Inscriptions: collector's mark: Lugt 2488

Voor de boerenrechtbank van Puiterveen staan links de huilende Fobert en zijn vader en rechts de zwangere Swaantje tussen jonker Jan en haar ouders. Swaantje is bezwangerd door de zoon van de heer van Puijterveen, maar Fobert wordt van deze daad beschuldigd. De corrupte advocaat van Fobert is aan het pleiten, terwijl de advocaat van de tegenpartij toehoort. Achter de tafel zitten schout en schepenen. Onderaan in de marge een vierregelig vers in het Nederlands en het Frans. Scène uit het derde bedrijf van het toneelstuk Beslikte Swaantje, en Drooge Fobert; of de boere rechtbank, van Abraham Alewijn.
Frontispiece and Colophons to the Album "Five Old Men of Suiyang"
Object type: album leaf
Date: 1000 – 1911
Materials: ink, paper
Culture: chinese
Artist: various scholars
Artist role: artist
Degen van Jhr. J.M. de Bosch Kemper
Object type: sword
Date: 1810 – 1810
Materials: copper, gold, iron, mother of pearl, wood
Techniques: amalgam gilded, etching, forging, sawing
Location: netherlands
Artist: Anonymous
Subjects: jonkheer j.m. de bosch kemper

Degen met vuurverguld koperen gevest, Lodewijk XVI stijl. Knop in de vorm van een vrouwernbuste met helm. Geornamenteerde voorbeugel, o.a. met leeuwenkoppen. Een parelmoeren plaat aan deels metalen greep. Halve pareerstang met leeuwenkop. Stootplaat met wapentrofee en leeuwenkoppen. Achterzijde: kleine stootplaat met leeuwenkop. Driezijdig geblauwde en vuurvergulde geëtste kling. Gedragen door Jhr. J.M. de Bosch Kemper.
The Baker's Cart
Object type: painting
Date: 1656 – 1656
Materials: canvas, oil
Artist: jean michelin
Artist role: artist
Artist nationality: french
Artist dates: 1616 – 1670
Subjects: bread,boys,men,women,bakers,carts
Slippers
Object type: slipper
Date: 1835 – 1845
Materials: silk
Culture: french

While plain black or white satin slippers were favored for eveningwear in the second quarter of the 19th century, daywear shoes, particularly house slippers, could be more colorful and ornate. The appealing embroidery on this pair of tabbed slippers transforms an otherwise mundane object and reflects the lingering taste for neoclassical designs. Curiously, the heavy sole and small wedge heel suggest that they were intended for public wear, as opposed to domestic confinement, however shoes where generally considered excessively immodest and inappropriate for walking and visiting at this time.
Engel en oude man bewerken het land
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: etching
Subjects: birds (+ feeding and care of young), sowing, farm or solitary house in landscape, angels
Inscriptions: collector's mark: Lugt 2228

Prent uit: Müller, Anton en Joseph von Führich. Das Vater Unser in neun Blättern. Praag: Peter Bohmanns Erben, 1840.
The Wrestlers
Object type: woodblock print nishiki e
Date: 1785 – 1785
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,wrestling
Doorsnede van Paleis Huis ten Bosch
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: palace, section ~ architectural design or model
Inscriptions: collector's mark: Lugt 2228

Doorsnede van Paleis Huis ten Bosch te Den Haag met de schilderingen in de Oranje Zaal.
Design for a Settee
Object type: drawing
Date: 1701 – 1800
Materials: graphite
Artist: anonymous, german, 18th century
Artist role: artist
Artist nationality: german
Artist dates: 1700 – 1800
Subjects: couches
Window
Object type: window
Date: 1601 – 1700
Materials: iron, wood
Culture: spanish
Décor de Croisée dans le style Japonais
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery

Kruisvenster met gedrapeerde gordijnen in Japanse stijl. Prent uit 263e Livraison.
Portret van een zittende vrouw met de ogen neergeslagen
Object type: drawing
Date: 1820 – 1883
Materials: paper, pencil
Artist: theodoor schaepkens
Artist role: draughtsman, print maker
Artist dates: 1810 – 1883
Subjects: anonymous historical person portrayed alone
Portret van een zittende man bij een tafel met boeken
Object type: photograph
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: historical persons
Inscriptions: inscription: ‘Ancne Maison E. Defonds/ Bousseton & Appert/ peintres photographes (...) 21, Rue Louis le Grand/ au 1er étage/ Paris’
Brabants beurtschip of gaffelaar
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Subjects: sailing-ship, sailing-boat, ships (in general)
Inscriptions: collector's mark: ‘PLC RMWO’, collector's mark: Lugt 2228

Genummerd rechtsboven: Pl. 19. Deze prent maakt deel uit van een omslag met negentien prenten.
Woman at Spinet
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Techniques: heightening
Location: switzerland
Artist: attributed to angelica kauffmann
Artist nationality: swiss
Artist dates: 1741 – 1807
Portret van de Amsterdamse predikant Petrus Broes
Object type: print
Date: 1770 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: petrus broes
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Zandhoek
Object type: drawing
Date: 1873 – 1943
Materials: chalk, paper
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: city-view in general; 'veduta', canal
Inscriptions: inscription: ‘Zandhoek’, signature: ‘VanTeyne’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 19.
Borstbeeld van een man en vrouw in zestiende-eeuwse kleding
Object type: print
Date: 1831 – 1877
Materials: paper
Techniques: etching
Artist: joseph delin
Artist role: painter, print maker
Artist dates: 1821 – 1892
Subjects: anonymous historical persons portrayed in a double portrait
Inscriptions: collector's mark: Lugt 2228
Every Man for Himself!
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860