deem-data/ArtiFact huggingface dataset:
Rue des Grands Carmes, Vue prise de la Rue Ste. Marthe
Object type: photograph
Date: 1862 – 1862
Techniques: albumen print
Location: france
Artist: albert terris
Subjects: cityscapes, photography, landscapes
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Plate 7: various boats on shore to left, a man carrying a bag, seen from behind and walking towards the background, a fortress in center background, a tree to the right, from "Various Landscapes" (Divers Paysages)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,landscapes,boats
Portret van Lodewijk van Orléans
Object type: print
Date: 1839 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Round gown
Object type: round gown
Date: 1798 – 1798
Materials: cotton, wool
Culture: british

The round gown of the 1790s stands just before the complete renunciation of three-dimensional shaping and color in the First Empire, more or less imitating Greek sculpture bereft of polychromy (as it was often seen and envisioned in the eighteenth century). Delicate polychrome wool crewel embroidery saves this dress from the austerity of the later style and assures a date of about 1798; the piece fully anticipates the Empire style but retains one last vestige of rococo ornament and incident.
Page from Ein new kunstlich Modelbuch...(Page 38r)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Beeldengroep, Artja [Arca] Domas, bij Buitenzorg (Bogor), West-Java
Object type: drawing
Date: 1819 – 1824
Materials: chalk, paper
Location: west java
Artist: adrianus johannes bik
Artist role: draughtsman, print maker
Artist dates: 1790 – 1872

zie litho [1] "De Artja Domas, of acht honderd beelden, bij Buitenzorg, door Ch. Rochussen naar A.J. Bik in atlas Javasche Oudheden. artikel over deze collectie in Bulletin van het Rijksmuseum 49 [2001], nr. 4, pp. 342 e.v.
Keinen kacho gafu
Object type: print
Date: 1811 – 1892
Materials: paper
Techniques: woodcut
Location: osaka
Subjects: plants; vegetation, birds
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937
Sock
Object type: sock
Date: 1767 – 1800
Materials: metal thread, silk
Location: iran
Subjects: peacocks
Fles, groen, met ingestoken ziel en uitlopende hals
Object type: bottle
Date: 1700 – 1799
Materials: glass
Location: netherlands
Artist: Anonymous

Fles van helder groen glas met ingestoken ziel en uitlopende hals.
Straatgezicht te Caïro
Object type: photomechanical print
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: street (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘No. 6./ Buurt Bab-el-Vesir (Caïro).’

Deze prent maakt deel uit van een album.
Un dragon de la Garde
Object type: print
Date: 1831 – 1840
Materials: paper
Techniques: aquatint, etching, roulette
Location: paris
Subjects: private soldier (+ infantry), fighting horses, preparation for battle
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 2140
Retable, XVIe siècle
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: altar with altar-piece
Inscriptions: inscription: ‘RETABLES. - PL. 11.’, monogram: ‘JJvY’, inscription: ‘RETABLE en pierre (...)’
Tea caddy (one of a pair)
Object type: tea caddy
Date: 1758 – 1758
Materials: silver
Artist: christopher jonsen
Artist role: maker
Artist dates: 1734 – 1775
Priest's Robe (Shichijō)
Object type: robe, priest's
Date: 1573 – 1592
Materials: silk
Culture: japanese
Kade van de Seine
Object type: print
Date: 1909 – 1910
Materials: paper
Techniques: lithograph
Location: paris
Artist: mommie schwarz
Artist role: print maker
Artist dates: 1876 – 1942
Subjects: trees, horse, bridge in city across river, canal, etc., paris
Zelfportret van Michiel van Musscher in allegorische omlijsting
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: michiel van musscher
Artist role: draughtsman, painter, print maker
Artist dates: 1645 – 1705
Subjects: (personifications of) 'vanitas', the vanity of human life; fragilità humana, fugacità delle grandezze & della gloria mondana, meditatione della morte, opera vana, piacere vano, vana gloria, vanità (ripa), portrait, self-portrait of painter, tools, implements of painter, hourglass, father time, man with wings and scythe, (children or putti) blowing bubbles, 'homo bulla' ~ scene symbolizing 'vanitas'
Inscriptions: collector's mark: Lugt 2760, poem: ‘Dus heeft hier Musschers hand, dees omtrek zelfs gegeven / Tot een geheugenis, hoe zijn gedaante was / Den Tijd ontdekt hem wel, maar thoont ook dat zijn glas / Al veel verloopen is, en keerd ons t brosze leven.’

De schilder, prentmaker en tekenaar Michiel van Musscher met een palet, schildersstok en penselen in de hand. Achter hem staat een schildersezel. Zijn portret is omringd door allegorische symbolen - Vader Tijd, een zandloper en zeepbellen. De schildersattributen en de symbolen verwijzen naar de vergankelijke tijd en de onsterfelijkheid van de kunstenaar door middel van zijn roem. Het vers op het tablet vermeldt dat vader Tijd het doek licht om de grootheid van de schilder te onthullen, maar verwijst tevens naar de zandloper die aangeeft dat zijn leven al gedeeltelijk voorbij is.
Gezicht op de ruïne van Huis Brederode
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: ruin of a dwelling, house, castle, etc., haarlem
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in Engeren zin, De woning, Kastelen en buitenplaatsen.
Figuren bij een stadspoort en ruiters
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, gate, entrance, street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘ruiter zonder/ [...]and [...]’

Boven de poort zijn huizen van een stad te zien. Pagina 67 en 68 uit een schetsboek met 62 bladen.
Portret van David Crinitus z Hlavácova
Object type: print
Date: 1772 – 1799
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Advertising posters for Ivens & Co and Guy de Coral & Co
Object type: poster
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Artist: johann georg van caspel
Artist role: draughtsman, print maker
Artist dates: 1870 – 1928
Subjects: photography

Chic shops for photographic articles, such as those of Guy de Coral and Ivens (the latter long known as CAPI), opened up in the cities. They engaged graphic designers to create a modern house style. The example of ‘Kitty, the Kodak girl’ in Eastman Kodak’s advertising campaigns was immediately adopted. The woman inspecting her glass negative in the darkroom graced the cover of Guy de Coral’s price list.
Kind met badmuts in de zee, mogelijk Koosje Ochse
Object type: photograph
Date: 1920 – 1930
Materials: cardboard, iron
Techniques: ferrotyping
Location: valkeveen
Artist: Anonymous
Subjects: child, girl (child between toddler and youth), head-gear: cap

Portret van een kind met badmuts in de zee (bij het strand bij Valkeveen?).
Veue de Nostre Dame de Bourgonge pres Nancy
Object type: print
Date: 1648 – 1692
Materials: paper
Techniques: etching
Location: paris
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2200, collector's mark: Lugt 414, collector's mark: Lugt 2161

Gezicht op een kapel in een heuvelachtig landschap. Op het pad naar de kapel enkele herders met hun kudde.
Mtesa, Emperor of Uganda, Africa, from the Savage and Semi-Barbarous Chiefs and Rulers series (N189) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,portraits

Trade cards from the "Savage and Semi-Barbarous Chiefs and Rulers" series (N189), issued in an unnumbered set of 50 cards in 1888 by Wm. S. Kimball & Co.
Nieuwe uitvindingen en ontdekkingen
Object type: print
Date: 1589 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: invention, discovery ~ science and technology, workshop (+ men (labourers)), watchmaker, clockmaker
Inscriptions: collector's mark: Lugt 2228

Werkplaats waar uurwerken worden vervaardigd. Links twee klokkenmakers bezig aan een werkbank met het raderwerk. Middenvoor een klok met wijzerplaat. Op de achtergrond links wordt een oven gestookt; rechts hangen klokken aan de wand. De prent maakt deel uit van een negentiendelige serie over nieuwe uitvindingen en ontdekkingen. Afgeknipt exemplaar.
Daedalus; or, the causes and principles of the excellence of Greek sculpture
Object type: book
Date: 1860 – 1860
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, etching, lithograph, printing
Location: london
Artist: edward falkener
Artist role: architect, kunsthistoricus
Artist dates: 1814 – 1896
The Chimera with Green eyes Turns, Bays, plate 7 from The Temptation of Saint Anthony (1st series)
Object type: print
Date: 1888 – 1888
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Edward Rawson
Object type: print
Materials: paper, steel
Techniques: engraving
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Portret van Claudius Ptolemeaus
Object type: book illustration
Date: 1549 – 1584
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240

Prent gebruikt in: Reusner, Nikolaus. Icones Sive Imagines Vivae. Bazel: Conrad Waldkirch, 1589.
Portret van Wilhelm Arnoldi, bisschop van Trier
Object type: print
Date: 1846 – 1847
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons
Schets van figuren in een landschap
Object type: drawing
Date: 1715 – 1798
Materials: paper, pencil
Artist: dionys van nijmegen
Artist role: draughtsman, painter
Artist dates: 1705 – 1798
Subjects: garden
Portret van Frederik de Grote
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving
Location: germany
Subjects: berlin, frederick ii (king of prussia), historical persons
Inscriptions: collector's mark: Lugt 240
Le Collège d'Exceter
Object type: print
Date: 1707 – 1707
Materials: paper
Techniques: etching
Location: leiden
Subjects: university building, college
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Beeverell, James. Les Delices de la Grande Bretagne et de l'Irlande (...). Leiden: Pieter van der Aa, 1707.
Christianissimvs
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: lodewijk xiii (koning van frankrijk), sceptre, staff (symbol of sovereignty), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', throne
Inscriptions: collector's mark: Lugt 2542, collector's mark: Lugt 2228

Lodewijk XIII als kind op een troon. In zijn rechterhand houdt hij een scepter. Linksboven zijn wapenschild. Naast de troon staat een engel met een wapenschild met drie lelies. Op de achtergrond de feestelijke intocht van Lodewijk XIII. Midden onder een Bijbelcitaat uit Pr. 17 in het Latijn. In de marge een achtregelig lofdicht, in vier kolommen, in het Latijn. Derde prent uit een serie van vier met wereldheersers.
Collage van uitgeknipte prenten geplakt op albumblad van blauw papier
Object type: collage visual work
Date: 1585 – 1700
Materials: paper
Techniques: collage
Snow on the Way Back from the Public Bath
Object type: print
Date: 1766 – 1767
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Pellet Bell
Object type: pellet bell
Date: 1801 – 1900
Materials: bronze
Culture: american
Location: united states
Snuff Bottle with the Chinese Character of Longevity
Object type: snuff bottle
Date: 1767 – 1800
Materials: glass, quartz
Culture: chinese
Vier Japanse vrouwen tijdens een theeceremonie
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: adult woman, tea-ceremony, japan
Portret van Charles Nicolas Fabvier
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Subjects: paris, politician, adult man, historical persons
Inscriptions: collector's mark: Lugt 2233

Prent verschenen in een uitgave van: Manneken, journal littéraire, industriel, politique, [1827].
Twee soorten zeewier
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: france
Subjects: algae, seaweed
Inscriptions: number: ‘69 (...) 70’, inscription: ‘Delesseria (...) sinuosa (Good. et Woodw.) Lamrx.’, number: ‘Planche 29.’

(69) is Delesseria sanguinea, (70) is Delesseria sinuosa.
Caricatures du jour
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: charles-joseph traviès
Artist role: print maker
Artist dates: 1804 – 1859
Subjects: press, journalism, adult man ( + one person), beggar
Inscriptions: collector's mark: Lugt 2228
Ann Chittenden
Object type: photograph
Date: 1875 – 1875
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: portraits,women
Wine or cordial glasses (set of six)
Object type: wine or cordial glass
Date: 1767 – 1800
Materials: glass
Lid of a bowl with knob
Object type: lid of a bowl with knob
Date: 750 – 480
Materials: terracotta
Culture: cypriot
Central Panel or Book Cover
Object type: panel
Date: 1401 – 1600
Materials: wood
Culture: tibetan
Gezicht op gebouwen
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: trees, civic architecture; edifices; dwellings
Inscriptions: kleurnotitie, handgeschreven

Gezicht op gebouwen en bomen. Blad 46 recto uit een schetsboek met 52 bladen vervaardigd in de omgeving van Kampen, Hattem, Hoorn en Zwolle.
Plan du Bombardement de Bruxelles, Par l'Armee du Roy le 13, 14 et 15 Aoust 1695
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: maps of separate countries or regions, brussels

Franse plattegrond van het bombardement van Brussel door de Fransen, 13-15 augustus 1695. In twee losse delen. In het bovenste deel de stellingen van waaruit de Fransen de stad hebben gebombardeerd, met cartouche met legenda A-E. In het onderste deel de plattegrond van de stad, met cartouche en het adres van de uitgever te Parijs.
Satyr Father and Son
Object type: statuette group
Date: 1701 – 1900
Materials: bronze
Artist: joseph-charles marin
Artist role: artist
Artist nationality: french
Artist dates: 1759 – 1834
Subjects: infants,fathers,satyrs
Portret van een jongeman
Object type: photograph
Date: 1886 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Artist: carl emil mögle
Artist role: fotograaf
Artist dates: 1857 – 1934
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘C.E. Mögle/ fotograaf/ Rotterdam/ Moriaanstraat 5/ (...)’
Saint Catherine of Alexandria
Object type: print
Date: 1620 – 1621
Materials: paper
Techniques: etching
Location: belgium
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640

Peter Paul Rubens was one of the most talented and famous artists in northern Europe in the 17th century. Throughout his career, he relied on professional printmakers to help him publicize his images, but he probably made no more than three etchings, of which Saint Catherine of Alexandria in the Clouds is most often accepted as his work. This sheet depicts the saint atop the wheel of her martyrdom, just as Rubens painted her in the Jesuit church in Antwerp (1620/21). The artist may have turned to printmaking in the 1630s, when he collaborated with Christoffel Jegher to produce 24 woodcuts, and this late state may not have been printed until after his death.
Vase (part of a set)
Object type: vase
Date: 1740 – 1750
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,chinoiserie,women,insects
Moord te Haarlem door de Spanjaarden, 1573
Object type: album leaf
Date: 1573 – 1575
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: violent death by hanging, massacre ~ war, violent death by beheading, haarlem

Terechtstelling en moord op de verdedigers van Haarlem door Spaanse soldaten onder Don Frederik, na de overgave van de stad op 13 juli 1573. Op de voorgrond onthoofdingen en ophangingen, links worden lichamen in een kar afgevoerd. Op de achtergrond worden anderen in het water verdronken. Met onderschrift van 8 regels in het Duits. Genummerd: 13.
Nieuwe Scheeps Batalien / Nouvelles inventions de Combats Navaeles
Object type: print
Date: 1652 – 1654
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Artist: reinier nooms
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1664
Subjects: battle (+ naval force)

Engelse en Hollandse schepen tijdens een zeeslag. Links een zinkend Engels schip en vele opvarenden in het water. Prent nr. 5 in een reeks van zeven genummerde platen van zeeslagen waarvan enkele gerelateerd kunnen worden aan de Eerste Engelse Oorlog van 1652-1654.
VIII Doleur non pareille
Object type: album leaf
Date: 1614 – 1614
Techniques: engraving, printing
Location: amsterdam

VIII Doleur non pareille. Derde schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Portret van Joseph Parker
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: london
Artist: Anonymous
Subjects: historical persons
Band (for Woman's Trousers or Robe)
Object type: costume and accessory
Date: 1875 – 1900
Location: china
Vorst met wit paard onder een tentdak in een rotsachtig landschap
Object type: indian miniature
Date: 1690 – 1710
Materials: paper
Techniques: brush
Location: bilaspur
Artist: Anonymous
Inscriptions: inscription

In een rotsachtig landschap zit onder een tentdak een vorst op een wit kleedje, achter hem twee dienaars, waarvan een een witte doek over hem heen houdt, voor hem drie aapmensen met een wit paard aan de leidsels die hem een schaal met lekkernijen aanbieden.
Portret van Philipp Ludwig, Reichsgraf von Sinzendorf
Object type: print
Date: 1732 – 1757
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: paris, cardinal, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Flask
Object type: glass
Date: 1860 – 1875
Materials: glass
Location: midwest
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Inscriptions: inscribed: "MY COUNTRY", reverse with prospector to right and inscribed: "FOR PIKE'S PEAK".
Jeremiah J. "Miah" Murray, Catcher, Washington Nationals, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
The Hill City
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Studies
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: ink, paper
Techniques: pen
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945

Mogelijk vliegtuigen. Blad 4 verso uit een schetsboek met 53 bladen.
Netsuke of Snail
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: snails
Altaar met beeldje van Jupiter
Object type: historical object representation
Date: 1713 – 1717
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: (story of) jupiter (zeus), altar ~ roman religion

Illustratie voor: Mattheus Gargon, Walchersche arkadia, Samuel (I) Luchtmans, Leiden 1715-1717, pag. 134 No. 2.
Studie voor het hoofd van een Maria Magdalena
Object type: drawing
Date: 1647 – 1682
Materials: chalk, paper
Artist: niccolò berrettoni
Artist role: draughtsman
Artist dates: 1637 – 1682
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge