deem-data/ArtiFact huggingface dataset:
Bustehouder van zalmkleurig satijn met kant
Object type: lingerie
Date: 1932 – 1940
Materials: mother of pearl, silk
Techniques: lace
Location: paris
Artist: charmis
Artist role: modeontwerper
Inscriptions: address: ‘CHARMIS/Corsets-Deshabillés/ 7. Place de la Madeleine-Paris/ Made in France. Maison de Bonneterie/Amsterdam-Den Haag’

Bustehouder van zalmkleurig satijn met kant. Model: puntige cups, samengesteld uit zalmkleurig satijn voor de onderkant en kant aan de bovenkant. Smalle bandjes van satijnband met aan de uiteinden op de rug een klein stukje elastiek. Sluiting aan de zijkanten door middel van twee, op de rug gekruiste, smalle elastieke banden met knoopsgaten en twee kleine parelmoeren knoopjes aan de buitenkant van de borsten. Het kant is gevoerd met zalmkleurige tule; het satijn met satijn. Ondersteunende kleding.
Bergketen in de sneeuw
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: mountain-range, snow peaks
Inscriptions: name: ‘Prof. Wilczeck’, monogram: ‘C. Cie’
Panel with Saint John the Baptist Enthroned from Retable
Object type: painting
Date: 1401 – 1500
Materials: gold leaf, paint, wood
Culture: spanish
Location: spain
Artist: domingo ram
Artist role: artist
Artist nationality: spanish
Artist dates: 1464 – 1507
Subjects: lambs,saint john the baptist
Portret van Richard Steele
Object type: print
Date: 1712 – 1744
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: wouter jongman
Artist role: print maker
Artist dates:  – 1753
Subjects: schrijver, journalist, richard steele
Inscriptions: collector's mark: Lugt 2228

Busteportret van Richard Steele, met hoofddeksel. Het portret is gevat in een ovale omlijsting. In een kader de naam van de geportretteerde.
Afbraak van oude gebouwen te Amsterdam
Object type: drawing
Date: 1912 – 1912
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, demolition of building, amsterdam
Inscriptions: workshop stamp: Lugt 291d, collector's mark: Lugt 2228
Pass-Room Bridewell
Object type: print
Date: 1808 – 1808
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: women,beds
St. Peter's, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1564 – 1564
Techniques: engraving
Artist: vincenzo luchino
Artist role: artist
Artist nationality: italian
Artist dates: 1552 – 1571
Subjects: architecture,buildings,insignia,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 23 in the scrapbook.
Glass bottle with two handles
Object type: bottle, two handled
Date: 301 – 400
Materials: glass
Culture: roman

Translucent pale blue green; handles, foot ring, and trail in same color. Thick, vertical, cracked-off rim; cylindrical neck; pushed-in shoulder; globular body; applied solid foot ring; flat bottom, slightly pushed-in at center; two three-ribbed strap handles applied to top of body in large pads with downturned fins, drawn up in a circular loop, and attached to neck and underside of collar. Broad, flat collar applied as a coil to neck at midpoint; on body, bands of faint horizontal wheel-cut lines, either as single lines or in groups. Broken and repaired, with numerous cracks and three small losses to side of body; some pinprick bubbles; dulling, iridescence, and creamy brown weathering, with some soil encrustation on inside of neck. Greenish, two handled bottle with handle ridge.
Penning ter ere van Jan van Speyk, 1831
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, antwerp, jan van speyk, medal (considered as a piece of sculpture, regardless of its specific function)
Inscriptions: collector's mark: Lugt 2228

Penning ter ere van Jan van Speyk. Op de voorzijde de Nederlandse Maagd met gedoofde fakkel treurend bij een grafsteen waarop een voorstelling van het in de lucht springen van de kanonneerboot van Jan van Speyk op de Schelde voor Antwerpen op 5 februari 1831. Op de keerzijde tekst binnnen een mirtekrans.
Portret van marine-officier Claude de Forbin
Object type: print
Date: 1835 – 1851
Materials: paper
Techniques: lithograph
Location: paris
Subjects: marseille, historical persons
Inscriptions: collector's mark: Lugt 2228
Tekst bij de graftombe van Willem I, prins van Oranje
Object type: text sheet
Date: 1856 – 1879
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: delft, william i (prince of orange), historical persons, interior of church, grave-building, monumental tomb
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Part of the chest of a frontal horse?
Loom equipment (?)
Object type: small heddle jack from a loom
Date: 1850 – 1070
Materials: wood
Location: egypt
Tragische gezichten
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: story of athalia, queen of judah (2 kings 11:1-3, 11:13-16; 2 chronicles 22:10-12, 23:12-15)
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 8 maart 1851. De scène is afkomstig uit de tragedie Athalie van Jean Racine.
Galloon
Object type: galloon
Date: 1600 – 1600
Materials: metal thread
Portret van Andreas Gryphius
Object type: print
Date: 1638 – 1664
Materials: paper
Techniques: engraving
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Pantalets
Object type: pantalets
Date: 1846 – 1846
Materials: linen
Culture: american or european
Nieuwe Kerk en een trapgevel te Delft
Object type: drawing
Date: 1827 – 1892
Materials: chalk, paper
Artist: everhardus koster
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1892
Subjects: church (exterior), delft
Wheellock Rifle of Archduke Charles of Styria
Object type: arm
Date: 1571 – 1571
Materials: wood, steel
Location: graz
Artist: hans paumgartner
Artist nationality: austrian, graz
Artist dates: 1556 – 1582
Inscriptions: Marked by stock maker Hans Paumgartner

This rifle, a masterpiece of stock inlay, may have been given as a wedding present to Archduke Charles of Styria (eastern Austria), the youngest son of Emperor Ferdinand I. The engraving on the butt end of the stock combines Charles’s Habsburg coat of arms with that of his wife, the Duchess Maria of Bavaria; the couple was married in 1571, the year the gun was made.

Curiously the lock is mounted on the left side, a rare feature suggesting that Charles was left-eye dominant, or that he aimed with his left eye.
Albumblad met diverse voorstellingen
Object type: album leaf
Date: 1814 – 1869
Materials: paper
Techniques: snipping, engraving
Location: nijmegen
Subjects: picking fruit, the soldier; the soldier's life, horse, cheese

Albumblad met 9 uitgeknipte voorstellingen uit voornamelijk volksprenten, onder andere van hoepelende kinderen, Romeinen, een boer die muizen probeert te vangen en van boeren die appels plukken.
De Kerk van Buyten, op t' Rockin te Zien. Om Zeker verhaald Mirakel voor desen de Hylige stee geheten
Object type: print
Date: 1685 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: church (exterior) - qq - small church, chapel, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Is waarschijnlijk oorspronkelijk één van de randprenten van 'Afbeeldinge vande Sitplaatsen inde Nieuwe-zyds Capel' (RP-P-1912-2295) of 'Caart vande Sitplaat-sen inde N.Z. Capel', beide plattegronden van de zitplaatsen in de Heilige Stede (Nieuwezijds Kapel). Daniël Stopendaal staat als prentmaker vermeld op de plattegronden zelf, de randprenten zijn mogelijk ook door hem gemaakt.

Zie RP-P-AO-23-35A-1, RP-P-AO-23-36A en RP-P-AO-23-36B voor andere bijhorende randprenten.

Zie RP-P-AO-23-57 voor een soortgelijke plattegrond van de Oosterkerk met randprenten.
Terracotta hydria (water jar)
Object type: hydria
Date: 575 – 551
Materials: terracotta
Culture: greek, attic
Subjects: birds,lions,herakles

On the body, Herakles and the Nemean Lion. On the shoulder, lions. The shape of the hydria, as the neck-amphora, tended toward rotundity during the second quarter of the sixth century B.C.
Ceramic Fragment
Object type: fragment
Date: 1401 – 1500
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: egypt or syria
Stazione I Gesu condannato a morte
Object type: print
Date: 1747 – 1749
Materials: paper
Techniques: engraving, etching
Location: venice
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Subjects: pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit serie Kruiswegstaties of Via Crucis met zestien prenten. Giovanni Domenico Tiepolo vervaardigde de etsen naar de schilderijen met Kruiswegstaties in het Oratorio del Crocefisso in de kerk San Polo te Venetië.
Portret van de schrijver Jan Jacob Lodewijk ten Kate
Object type: drawing
Date: 1826 – 1854
Materials: paper, pencil
Artist: gerhardus fredericus eilbracht
Artist role: draughtsman, print maker
Artist dates: 1816 – 1854
Subjects: the hague, amsterdam, jan jakob lodewijk ten kate, historical persons, portrait of a writer, portrait, self-portrait of artist
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Interior, band of laurel leaves; in tondo, unidentified subject; Exterior, part of circumscribed palmette
Plattegrond van de stad Utrecht
Object type: book illustration
Date: 1612 – 1648
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), folk costume, regional costume, maps of cities, utrecht

Deze staat van prent voor het eerst ook gebruikt in: Guicciardini, Lodovico. Beschryvinghe van alle de Neder-landen, anderssins ghenoemt Neder-Duytslandt (…). Amsterdam: Willem Janszoon Blaeu, 1612.

Hierna is deze prent tot 1648 nog gebruikt in latere uitgaven van deze publicatie, uitgegeven door Blaeu en daarna door Janssonius. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
House Model
Object type: decorative art
Materials: ceramic, glaze
Techniques: painting
Culture: islamic
Location: iran
Madonna del Granduca, the standing Virgin holding the Christ child
Object type: print
Date: 1823 – 1823
Techniques: engraving
Artist: raphael morghen
Artist role: artist
Artist nationality: italian
Artist dates: 1758 – 1833
Subjects: madonna and child
Het eerste kwartier van het wapen van Michiel Adriaenszoon de Ruyter
Object type: shield
Materials: wood
Techniques: polychromy, carving
Location: netherlands
Artist: Anonymous
Subjects: flushing, michiel adriaenszoon de ruyter

Arms of the De Ruyter family, made between 1676 and 1683. Michiel de Ruyter was a commoner by birth. In gratitude for his exploits against the Swedes, the king of Denmark ennobled the Dutch admiral in 1660. De Ruyter received a coat of arms of which the four quarters represented the Danish flag, a ship at sea, a gun and a horseman - a play on his name. The Spanish king awarded De Ruyter's son Engel a baronetcy in 1678. This added a heart-shaped shield with a lion to the family coat of arms.
Fragmenten ijzer en gruis uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: iron
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Design for a House Façade
Object type: drawing ornament architecture
Date: 1701 – 1800
Materials: ink, watercolor
Techniques: brush, cutting, pen, wash
Artist: anonymous, german, 18th century
Artist role: artist
Artist nationality: german
Artist dates: 1700 – 1800
Subjects: architecture,houses
Overmantel mirror
Object type: mirror
Date: 1701 – 1800
Materials: wood
Techniques: gilding, painting
Rechtvaardigheid, Matigheid en Mercurius bij een gedenkzuil
Object type: print
Date: 1741 – 1767
Materials: paper
Techniques: etching
Subjects: temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, (story of) mercury (hermes), other memorial structures

De kardinale deugden Rechtvaardigheid en Matigheid staan met Mercurius rond een gedenkzuil waar met een lint een wapenschild is opgehangen.
Vrouw met mand met vruchten in de hand bij het raam
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: engraving
Location: versailles
Subjects: nesting-box, instrumental and vocal music together, human figure at (open) window, seen from outside, attributes of aesculapius: cock, maid ~ house personnel, shop-window, show-window
Inscriptions: collector's mark: Lugt 2228, inscription: ‘6de Proef van vordering / door J de Mare te Versailles / 5 Mei 1854 ontvangen / Ph Duboureg’

Een jonge vrouw met een mand met vruchten in de hand hangt uit een venster. Ze houdt het gordijn opzij zodat het interieur achter haar zichtbaar is. In het vertrek zijn een man en een vrouw aan het musiceren. In de vensterbank hangt een vogelhuis, ligt een dode haan en staat een vaas met bloemen.
Groep arbeiders onder een deels ingestort gewelf
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Portret van Nuno Álvares Pereira
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: commander-in-chief, general, marshal, battle
Inscriptions: collector's mark: Lugt 240

Portret van de Portugese generaal Nuno Álvares Pereira. Op de achtergrond een veldslag. In de marge een vierregelig onderschrift in het Latijn.
Portrait of Maria Anna Schaubach
Object type: print
Date: 1785 – 1785
Techniques: engraving, etching
Artist: adam von bartsch
Artist role: artist
Artist nationality: austrian
Artist dates: 1757 – 1821
Subjects: portraits,women
Miniature shovel (part of a set)
Object type: shovel
Date: 1667 – 1733
Materials: silver
Artist: david clayton
Artist role: maker
Artist nationality: british
Artist dates: 1659 – 1719
S. Anastase, pape (St. Anastasius, Pope), April 27th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Portret van Alfonso Pérez de Vivero, graaf van Fuensaldaña
Object type: print
Date: 1640 – 1700
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: alonso pérez de vivero y menchaca (graaf van fuensaldaña), historical persons, armorial bearing, heraldry
Gezicht op Heesbeen
Object type: print
Date: 1643 – 1677
Materials: paper
Techniques: etching
Location: amsterdam
Artist: roelant roghman
Artist role: draughtsman, painter, print maker
Artist dates: 1627 – 1692
Subjects: prospect of village, silhouette of village, church (exterior)
Inscriptions: collector's mark: Lugt 2228a

Gezicht op het dorp Heesbeen bij Heusden. Links het dorp met de kerk en op de voorgrond enkele passanten.
Overmantel Picture with Diana
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: diana
James G. Blaine
Object type: print
Materials: paper, steel
Techniques: engraving
Location: united states
Artist: Anonymous
Artist nationality: likely american or british
Artist dates: 1800 – 1899
Berekeningen
Object type: sketchbook leaf
Date: 1825 – 1907
Materials: paper, pencil
Artist: willem springer jr.
Artist role: draughtsman
Artist dates: 1815 – 1907
Inscriptions: annotation: ‘[...]’

Pagina 24 uit een schetsboek met 86 pagina's.
Vieja columpiándose
Object type: print
Date: 1824 – 1828
Materials: paper
Techniques: etching
Location: bordeaux
Artist: francisco de goya
Artist role: draughtsman, painter, print maker
Artist dates: 1746 – 1828
Subjects: old woman, swinging (children's game), swing
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1975, collector's mark: ‘ZB’

Een oude vrouw op een schommel. Op de tak van een boom een kat.
Portret van de theoloog Herman Johan Royaards
Object type: print
Date: 1834 – 1859
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: utrecht, herman johan royaards
Inscriptions: collector's mark: Lugt 2228
Aeneas en zijn familie vluchten uit Troje
Object type: print
Date: 1530 – 1560
Materials: paper
Techniques: engraving, intaglio
Location: rome
Subjects: 'pius aeneas': aeneas, leading ascanius, escapes from burning troy, carrying his father anchises with the penates; his wife creusa, who sets out with them, is lost on the way
Inscriptions: collector's mark: Lugt 10, collector's mark: ‘Hinloopen’, number: ‘1’, collector's mark: Lugt 11

Aeneas loopt met zijn vader Anchises op de rug. In zijn rechterhand draagt Anchises de huisgoden (Penates). Achter Aeneas loopt zijn zoon Ascanius. Op de achtergrond het brandende Troje. Italiaanse tekst in twee kolommen in ondermarge.
Settai, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Ruïne van het klooster buiten Emmerik
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: etching
Subjects: landscape with ruins, ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 1641, collector's mark

Ruïne van het klooster buiten Emmerik, in de toestand omstreeks het jaar 1736. Bovenste helft van een blad met oorspronkelijk twee voorstellingen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Kerk en kerkwezen & Armwezen en liefdadige instellingen; Kerkgebouwen elders. V-Z.
Cover
Object type: textile cover
Date: 1801 – 1900
Materials: metal, silk
Culture: russian
L'Epreuve
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: aquatint, soft ground etching
Location: paris
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Verschenen in album met tien originele prenten als supplement bij tijdschrift: L'Epreuve, april 1895, prent nr. 7
Gezicht op Huis te Schagen, 1612
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, rowing-boat, canoe, etc., fisherman
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 25.
Casket with scenes of Genesis
Object type: casket
Date: 1601 – 1625
Materials: copper, enamel, gilt, silver
Techniques: painting
Artist: suzanne de court
Artist role: enameler
Artist nationality: french
Artist dates: 1575 – 1625
Subjects: wells,men,sheep,isaac,rebecca

Decorated with stories from Genesis derived from prints by Étienne Delaune (1518–1583), this casket may have been used for jewelry. It is signed by Susanne de Court, the only known female enameler in Limoges. She created energetic and expressive, albeit somewhat awkward, figures in wonderful translucent colors.
Piëta
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the dead christ in mary's lap
Inscriptions: collector's mark: Lugt 2542, collector's mark: Lugt 2228

Het lichaam van Christus ligt op de schoot van Maria, die haar zoon beweent. In de marge een Bijbelcitaat uit Hoogl. 1 in het Latijn.
Relief fragment with the Son of Re name of Amenemhat I
Object type: relief, son of re, name of amenemhat i
Date: 1981 – 1952
Materials: limestone
Location: egypt
Subjects: birds

Preserved on this block from the pyramid temple of Amenemhat I is the epithet "son of Re" and the top of a cartouche containing one of the names of the king. Still visible are the tops of a reed leaf and a game board, the hieroglyphs that spell the beginning of the name Amun. This god was honored in the king's name, Amenemhat (meaning, perhaps, Amun-is-in-the-front).
Beaker Vase in the Shape of an Ancient Bronze Beaker (Zun)
Object type: vessel
Materials: chine, porcelain
Techniques: molding, underglaze
Location: china
Portret van Coenraat Roepel
Object type: drawing
Date: 1680 – 1748
Materials: chalk, paper
Artist: richard van bleeck
Artist role: draughtsman
Artist dates: 1670 – 1748
Subjects: painter, coenraet roepel, historical persons, portrait, self-portrait of artist
De zeven deugden
Object type: print
Date: 1574 – 1637
Materials: paper
Techniques: engraving
Location: unknown
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, when abraham has his hand raised to kill isaac, an angel restrains abraham's hand
Inscriptions: collector's mark: Lugt 2773, collector's mark: Lugt 2228

Landschap met de vrouwelijke personificatie van Geloof (Fides), een van de drie theologische deugden, met een miskelk en een opengeslagen boek in haar handen. Op de achtergrond het offer van Abraham. De voorstelling is gevat in een ornamentele omlijsting. Prent uit een serie met de zeven deugden.
Pictorial print
Object type: furnishing textile
Date: 1804 – 1804
Materials: cotton
Artist: jean-baptiste huet i
Artist role: designer
Artist nationality: french
Artist dates: 1745 – 1811
Subjects: birds,putti