deem-data/ArtiFact huggingface dataset:
Portrait of Baldassare Castiglione
Object type: print
Date: 1870 – 1870
Techniques: printmaking, engraving
Artist: henri dubouchet
Artist role: engraver
Artist nationality: french
Artist dates: 1833 – 1909
Subjects: men,portraits

Dubouchet's meticulous engraving reproduces a celebrated sixteenth-century portrait of the author and ambassador Castiglione by his friend Raphael in the Musée du Louvre, Paris. In 1869, the engraver, who made a number of prints after the Italian Renaissance artist, solicited a commission from the Chalcographie du Louvre to create this work. Founded at the end of the eighteenth century, the Chalcographie's mission was to assure the diffusion of works of art by copper engraving. During the Second Empire (1852–70), it was particularly active in commissioning engravings after the masterpieces in the Louvre's collection. Prints after Raphael were especially popular as he was held up as an artistic paradigm throughout the nineteenth century.
Nightgown
Object type: nightgown
Date: 1880 – 1889
Materials: cotton
Culture: american or european
Wilhelm Blumenthal en de kozak
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: staircase, (military) uniforms, gripping someone by the hand or the wrist; clasped hands
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Schummel, Johann Gottlieb. Wilhelm von Blumenthal oder das Kind der Natur (...). 2 dln. Leipzig: Weygandschen Buchhandlung, 1780, dl. 1.
Bladzijde uit het fotoalbum van de familie Diepenbrock met 2 foto's van Alphons Diepenbrock
Object type: photograph
Date: 1912 – 1912
Materials: cardboard, photographic support
Techniques: photography
Location: netherlands
Subjects: alphons diepenbrock
Inscriptions: date: ‘1912 1912.’

Bruin albumblad 8 van familiealbum van Alphons Diepenbrock.
Bomen langs een rivier
Object type: sketchbook leaf
Date: 1834 – 1906
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: trees, river

Blad 37 verso uit een schetsboek met 46 bladen.
The Fourth Ichikawa Danjuro as a Samurai of High Rank Standing
Object type: woodblock print nishiki e
Date: 1770 – 1770
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: theatre,men,actors
Ruïne van Newport Tower te Newport
Object type: page
Date: 1868 – 1873
Materials: paper
Techniques: photograph
Location: newport
Artist: Anonymous
Subjects: ruin of a building ~ architecture
Portret van Karel IV, keizer van het Heilige Roomse Rijk
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: prague, crown (symbol of sovereignty), sceptre, staff (symbol of sovereignty), historical persons, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 407. Eerste staat verschenen als grotere prent met 12 portretten, gedateerd 1695.
Aarde
Object type: print
Date: 1729 – 1800
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: shaking down, tossing down the fruit, picking fruit, 'terra', 'carro della terra' (ripa)
Inscriptions: collector's mark: Lugt 2228

Allegorie van het element aarde in een omlijsting van bloemen, manden en herdershoeden- en staffen. Een vrouw staat onder een fruitboom en vangt de vruchten die een man in de boom plukt. Op de grond verzamelen kinderen de gevallen vruchten. In de ondermarge tweemaal een vierregelige Duite en Franse tekst.
Medallion
Object type: medallion
Date: 1870 – 1900
Materials: copper, patina
Location: france
Artist: jean martin renaud
Artist role: maker
Artist nationality: french
Artist dates: 1746 – 1821
Subjects: benjamin franklin,men,profiles
Ink Tablet with Peach Tree
Object type: ink tablet
Date: 1867 – 1933
Materials: ink
Culture: chinese
Subjects: peaches,trees

Ink for calligraphy and painting was made from soot mixed with a binding medium and formed into ink tablets, which were then ground with water to yield the liquid ink. Ink tablets were among the objects especially treasured and keenly appreciated by Chinese scholars. This ink tablet is decorated with a design of a peach tree, symbolic of longevity. An inscription indicates that it was made in 1576 in the workshop of Fang Yulu (active ca. 1570–1619) under the supervision of Cheng Dayue (Cheng Junfang, 1541–ca. 1616), both famous inkmakers
Cabinet Design with a Central Urn Ornament
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
Portret van Hermanus Boerhaave (versie A)
Object type: print
Date: 1762 – 1782
Materials: paper
Techniques: etching
Subjects: leiden, hermanus boerhaave, historical persons, physician, doctor (+ scholar, scientist (at work))
Inscriptions: collector's mark: Lugt 2488

Portret van Hermanus Boerhaave, buste, driekwart naar links. Versie A van het portret, door Ver Huell aan Troost zelf toegeschreven.
Cascadefontein en beelden in het stadspark van Barcelona
Object type: album leaf
Date: 1880 – 1898
Materials: paper, ink
Techniques: photograph
Location: barcelona
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ sculpture), ornamental fountain (+ city(-scape) with figures, staffage), public gardens, park

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Frankrijk, Spanje, Italië, Duitsland, Zwitserland en Oostenrijk.
Staand mannelijk naakt met stok, van voren
Object type: drawing
Date: 1842 – 1842
Materials: chalk, paper
Artist: Anonymous
Subjects: standing figure
Portret van een onbekende zittende man
Object type: frame
Date: 1880 – 1900
Materials: cardboard, glass, metal, paper, wood
Techniques: albumen print
Artist: Anonymous
Subjects: sitting figure, adult man, anonymous historical person portrayed
Heilige Lucas schildert Madonna met kind
Object type: print
Date: 1526 – 1526
Materials: paper
Techniques: engraving
Artist: dirck vellert
Artist role: draughtsman, painter, print maker
Artist dates: 1480 – 1547
Subjects: st. luke as patron of painters, painter at work with assistants or pupils
Inscriptions: collector's mark: Lugt 240

Volgens de legende zou de H. Lukas* het portret van Maria hebben geschilderd. In de Nederlanden wordt dit thema sinds de 15de eeuw in de schilderkunst en de grafiek uitgebeeld: Maria zit, met het Kind, model voor de schilderende heilige, die te herkennen is aan het rund, zijn evangelistensymbool. De H. Lukas is hier weergegeven als een eigentijdse meester met palet, penseel en schilderstok. In het aangrenzende vertrek staat een knechtje verf te wrijven.
Karel V, Duits keizer, rekenpenning van de hofmeester van de keizer
Object type: jeton
Date: 1516 – 1540
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain)

Koperen penning. Voorzijde: tweekoppige adelaar onder kroon met wapenschild binnen omschrift. Keerzijde: vuurslag, waaraan Gulden Vlies hangt op Bourgondisch kruis onder jaartal binnen omschrift
Steeple cup
Object type: steeple cup
Date: 1608 – 1609
Materials: silver gilt
Glass cup
Object type: cup
Date: 201 – 300
Materials: glass
Culture: roman

Translucent pale blue green. Rim slightly outsplayed, cracked off, and ground flat; slightly convex sides expanding downwards to rounded carination, then curves in sharply to bottom with slightly pushed-in central circle. Band of horizontal wheel-cut decoration above carination, comprising two thin lines flanking a broad, deeper groove. Intact; few bubbles and blowing striations; dulling and small patches of iridescence weathering on exterior, milky white weathering on interior with thick layer of soil encrustation on bottom.
Gezicht op strand van Zeeland met zeeweringen en kleedhokjes
Object type: cabinet photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: middelburg
Artist: carl wilhelm bauer
Artist role: fotograaf
Artist dates: 1844 – 1911
Subjects: beach, zeeland
Man's Formal Jacket (Haori)
Object type: man's formal jacket haori
Date: 1901 – 1933
Materials: dye, silk
Techniques: painting, weave
Culture: japanese
Subjects: volcanoes

By the early twentieth century, the focal point of stylish men’s clothing had turned inward, and the lining of a haori, a formal outer jacket worn over a kimono, often boasted eye-catching designs. On this example, Mount Fuji’s snowy peak dominates the composition.
A Short History of General Franz Sigel, from the Histories of Generals series of booklets (N78) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits

Miniature booklets from the "Histories of Generals" series (N78), issued in a set of 50 booklets in 1888 to promote W. Duke Sons & Co. brand cigarettes. Each booklet consists of 16 pages with covers.
Covered flask with poet Li Bai and landscape
Object type: covered flask
Date: 1801 – 1900
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: men
A General Plan and Prospective of Lord Viscount Cobham's Gardens at Stowe
Object type: album
Date: 1733 – 1734
Materials: ink
Techniques: brush, drawing, etching, pen, wash
Artist: jacques rigaud
Artist role: artist
Artist nationality: french
Artist dates: 1681 – 1754
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: landscapes,plants
Smiths’ Guild
Object type: medal
Date: 1718 – 1718
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: goldsmith, amsterdam

Guild medals
Members of trade guilds had to identify themselves
with a medal at their meetings.
Het Kleine Karthuizers-Hof, omtrent den jaare 1630 / Het Groote Karthuizers-Hof, omtrent den jaare 1630
Object type: print
Date: 1760 – 1767
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: trees, civic architecture; edifices; dwellings

Prent verschenen in: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas geschiedenissen, voorregten, koophandel, gebouwen, kerkenstaat, schoolen, schutterye, gilden en regeeringe, beschreven door Jan Wagenaar, historieschryver de Stad. Amsterdam: Isaak Tirion, 1760-1767.
Unidentified profile portrait, older man facing left
Object type: cut paper
Date: 1773 – 1820
Materials: paper
Techniques: cutting
Artist: anonymous, german
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 2050
Subjects: men,profiles

Wrapped in paper with five other profiles (2013.141.1–.6). Inscription on the packet in brown ink: Frau Röntchen.
Huisje bij boomrand en vrouwen met visnetten
Object type: painting
Date: 1872 – 1944
Materials: linen, oil
Techniques: brush
Artist: frans smissaert
Artist role: draughtsman, print maker
Artist dates: 1862 – 1944
Subjects: dunes (sea not visible); in the dunes, farm or solitary house in landscape, mending of fishing nets

Huisje bij boomrand, waar vrouwen bezig zijn met de visnetten, op de achtergrond een duinenrij tegen een donkere wolkenlucht.
Zak met scherven aardewerk uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: dye, earthenware, stoneware
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Zak met scherven van roodbakkend en grijsbakkend aardewerk en steengoed uit V.O.C.-schip de 'Witte Leeuw'. Een aantal zijn met gekraste lijnen versierd, en één scherf heeft sporen van verf.
Kanonneersloepen in de Dordtsche Kil, 1793
Object type: history print
Date: 1800 – 1800
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: chains across waterway, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: P.A. Loosjes. Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie. Amsterdam: Johannes Allart, dl. 25 (1800), p. 442. Gekopieerd naar de prent van Bendorp naar Schouman, zie FMH 5208.
Teapot
Object type: teapot
Date: 1667 – 1733
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome, underglaze
Culture: chinese
Invitation to a Glass of Milk
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Rome omringd door Europa, Afrika en Azië
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: europe represented allegorically; 'europa' (ripa), asia represented allegorically; 'asia' (ripa), africa represented allegorically; 'africa' (ripa), personification of a city, town-patron(ess), romulus and remus are washed ashore and suckled by a she-wolf; 'lupa romana', river-gods
Inscriptions: collector's mark: Lugt 2228

De personificatie van de stad Rome zit op een verhoging met een klein beeld van Victoria in haar handen. Rond haar staan de personificaties van Europa (met stier), Afrika (met krokodil) en Azië (met leeuw). Op de voorgrond liggen een riviergod, Romulus en Remus met de wolvin.
Trade Card for Leadbetter, Seal Engraver and Lapidary
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Terracotta fragment of a stemless kylix (drinking cup)?
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Exterior, black glazed line with dots; band of black glaze; thin line of reserve
Boeren en boerinnen uit het Verenigd Koninkrijk der Nederlanden
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: etching
Subjects: gardening-tools
Inscriptions: collector's mark: Lugt 2228

Staande boer uit de Ardennen met een schoffel over zijn schouder en een stok in zijn hand. Proefdruk van de derde prent uit een serie van zes prenten met voorstellingen van verschillende boeren en boerinnen uit het Verenigd Koninkrijk der Nederlanden.
Portret van Charles Le Brun
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: tone lithography
Location: paris
Artist: françois séraphin delpech
Artist role: print maker, printer, publisher
Artist dates: 1778 – 1825
Subjects: paris, print maker, draughtsman, charles le brun, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2233
Sherd with a bird on a rock
Object type: sherd
Date: 1600 – 1624
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Schotelscherf van porselein, voorzien van een schildering van planten en een vogel in blauw aan de voorzijde en van kleurloze glazuur aan de voor- en achterzijde
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, lower part of garment; Exterior, on the left, toes of left foot; part of body and foot of a vase in front of an unidentified object
Portret van vermoedelijk de kok van Louis Daguerre
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: france
Artist: louis jacques mandé daguerre
Artist dates: 1787 – 1851
Subjects: cook - cc - female cook
November effigies
Object type: photomechanical print
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Location: london
Subjects: ass, donkey, periodic celebrations, popular feasts (+ decorated float, wagon ~ festive activities)
Inscriptions: number: ‘Plate 13.’
Bord met het familiewapen Ploos van Amstel
Object type: plate dish
Materials: tin
Location: dordrecht
Artist: jan gardenier
Inscriptions: quality mark, family arms, inscription: ‘KOG’

Rond bord van tin met omgevouwen rand. Op de rand het familiewapen Ploos van Amstel.
Buckle Loop
Object type: buckle loop
Date: 1401 – 1500
Materials: bronze, patina
Culture: french
Location: france
Friezes after Giulio Romano, in Palazzo del Te
Object type: print
Date: 1675 – 1675
Techniques: etching
Location: france
Artist: antoinette bouzonnet stella
Artist role: etcher
Artist nationality: french
Artist dates: 1641 – 1676

During his artistic studies in Italy in the early 1660s, Antoine Bouzonnet Stella drew copies of Giulio Romano’s stucco frieze at the Palazzo del Te in Mantua. After his return to Paris, Antoine shared the drawings with his sister Antoinette, who reproduced them in a series of twenty-four etchings. In 1675, their older sister Claudine published the etchings under commission from Jean Baptiste Colbert, the superintendent of Royal Buildings, Arts, and Manufactories for Louis XIV. As an allegory of Claudine’s leadership of her family workshop and artistic instruction of her sisters, the dedication page illustrates Bellona, the Roman goddess of war, watching over two women seated atop the central cartouche. Yasemin Altun, June 2024
Ceylonese Woman
Object type: photograph
Date: 1875 – 1879
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: portraits,women
Portret van Willem Vrolik
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: amsterdam, historical persons (+ (full) bust portrait)
Inscriptions: : ‘Aangeboden aan het Gemeente Bestuur der stad Amsterdam door de ondergeteekenden, als uitgevers van dit / portret, ter voldoening van Art: 6 van de Wet van 25 Januari1817 / Amsterdam 15 Nov. 1848 Mijer&Co’, : ‘Dit portrait is gedrukt ter steendrukkerij / van de ondergeteekenden alhier / Amsterdam 15 nov 1848 Meijer&Co.’

Onder het portret de signatuur van de geportretteerde.
Deksel van een theepot met een bruin glazuur (De Caluwe bakafval)
Object type: lid
Date: 1700 – 1725
Materials: earthenware
Techniques: firing, vitrification
Location: delft
Artist: jacobus de caluwe
Artist role: plateelbakkerij
Artist dates:  – 1730

Toegeschreven aan Jacobus de Caluwe, omdat dit voorwerp samen met gemerkte stukken (‘Jacobus De Caluwe’ en rennend hert) gevonden is op de plaats waar zich De Caluwes tweede werkplaats bevond. Er is een duidelijke stilistische overeenkomst tussen de gemerkte en niet gemerkte voorwerpen uit deze archeologische vondst.
Herder met hond en schapen
Object type: drawing
Date: 1894 – 1919
Materials: ink, paper
Techniques: pen
Artist: françois pieter ter meulen
Artist role: painter
Artist dates: 1843 – 1927
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., herd, flock
Allegory of Painting
Object type: drawing and watercolor
Date: 1600 – 1600
Materials: chalk, ink, paper
Techniques: brush, pen, drawing, wash
Location: italy
Artist: andrea lilio
Artist nationality: italian
Artist dates: 1555 – 1642
Keurvorst van Saksen en Martin Luther met Christus aan het kruis
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: woodcut
Location: europe
Artist: monogrammist gk (prentmaker
Artist role: print maker
Subjects: priest, martin luther, atlantes ~ architecture, the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: collector's mark: Lugt 2228

Johan de Standvastige, keurvorst van Saksen en Martin Luther geknield ter weerszijden van Christus aan het kruis. In een boog met links en rechts een atlant, op de achtergrond een landschap.
Mary, Queen of Scots
Object type: print
Date: 1787 – 1787
Techniques: engraving
Artist: n. thomas
Artist role: artist
Artist nationality: french
Artist dates: 1750 – 1812
Subjects: queens,portraits,women,mary queen of scots
Compendium Operum Virgilianorum
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: engraving
Location: utrecht
Artist: simon van de passe
Artist role: print maker
Artist dates: 1595 – 1647
Subjects: other female roman deities: pales, groups of animals
Inscriptions: collector's mark: Lugt 2228

Landschap met de godin Pales (Romeinse godin van de herders, landbouw en veeteelt), omringd door diverse dieren. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.
Abaya Cloak
Object type: cloak
Date: 1867 – 1933
Materials: cotton, metal thread, silk
Techniques: embroidery, weave, satin weave, tapestry weave
Location: syria

The abaya (cloak) is a unisex type of garment, perhaps the most characteristic garment in the Arab world. Wealthy Bedouin and people living in cities and villages commissioned ornate silk abayas (cloaks) from workshops in Aleppo and Damascus for weddings and ceremonies or as diplomatic gifts for high-ranking officials. Sophisticated abayas often feature special motifs centered on the wearer’s back, which most likely convey symbolic meanings, such as protective powers, or perhaps reflect the wearer’s socio-religious identity. Syrian abayas were worn by different social groups in Syria and beyond and were considered one of the most characteristic and fashionable garments of Arab dress.
Compositie met drie hoofden van mannen van verschillende leeftijden, een ram en een bok
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: drypoint, etching, roulette
Location: france
Artist: jean jacques de boissieu
Artist role: draughtsman, print maker
Artist dates: 1736 – 1810
Subjects: head (human), ram, he-goat, billy-goat
Inscriptions: collector's mark: Lugt 12
Le sourire: Journal sérieux, Aug. 21, 1899
Object type: print
Date: 1899 – 1899
Materials: ink, paper, watercolor
Techniques: woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Monogrammed top of page 3: "P G"
Caddy spoon
Object type: caddy spoon
Date: 1817 – 1818
Materials: silver
De overlieden van het Sint Lucasgilde te Haarlem, 1675.
Object type: drawing
Date: 1790 – 1810
Materials: ink, paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: wybrand hendriks
Artist role: draughtsman, painter, print maker
Artist dates: 1744 – 1831
Subjects: amsterdam, jan de bray, haarlem, painter, print maker, draughtsman, dirck de bray, wouter knijff, historical persons, guild of st. luke

Groepsportret van de overlieden van het Sint Lucasgilde te Haarlem, 1675. Van links naar rechts: Wouter Knyff, Jan de Bray, Gerrit Mulraet, Jan Golingh, Jan Claesz Marselis, Dirck de Bray en Jan de Jongh. De zilversmid Mulraet houdt in zijn hand een gedreven plaque met een afbeelding van de heilige Lucas. Tegen de wand twee schilderijen met landschappen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, reserve line
Storage jar
Object type: storage jar
Date: 1500 – 1525
Techniques: maiolica, glazing
Subjects: flowers

Restrained yet vibrant, the decoration on these globe-shaped jars (see also 41.100.272) does not emphasize any one side, suggesting that they were designed to be seen in the round.