deem-data/ArtiFact huggingface dataset:
Gezicht op de Hoogduitse en Portugese synagoge van Amsterdam
Object type: print
Date: 1659 – 1731
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter van gunst
Artist role: print maker
Artist dates: 1658 – 1731
Subjects: 'sephardim' ~ jewish communities, 'ashkenazim' ~ jewish communities, the synagogue (as building and place of worship ~ jewish religion), church (exterior), street (+ city(-scape) with figures, staffage), amsterdam
Inscriptions: collector's mark: Lugt 2233

De Hoogduitse en Portugese synagoge van Amsterdam. Op de voorgrond de straat met wandelaars, venters, een koets met paarden en een brug over een kanaal. Twee putti in de lucht houden een banderol met de titel omhoog.
Catharina van Alexandrië met gebroken wiel
Object type: print
Date: 1505 – 1507
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: hans baldung grien
Artist role: draughtsman, print maker
Artist dates: 1484 – 1545
Subjects: the virgin martyr catherine of alexandria; possible attributes: book, crown, emperor maxentius, palm-branch, ring, sword, wheel
Inscriptions: collector's mark: Lugt 240

Heilige Catharina van Alexandrië zit op een stoel naar rechts gewend in een landschap. Zij houdt een boek vast en naast haar ligt een zwaard. Op de grond ligt haar attribuut, een gebroken wiel.
Glass beaker
Object type: beaker
Date: 101 – 300
Materials: glass
Culture: roman

Uncertain, probably colorless with pale blue green tinge. Thickened, rounded, vertical rim with slight inner lip; straight sides expanding downwards, then turned in at sharp angle to uneven bottom with shallow kick at center. Intact; pinprick bubbles and blowing striations; dulling, pitting, and brilliant iridescence, with whitish weathering on bottom of interior.
Teabowl and saucer (not en suite)
Object type: teabowl and saucer
Date: 1750 – 1750
Materials: glass
Subjects: human figures,flowers
Acht toelichtingen bij voorstellingen over het leven van David
Object type: text sheet
Date: 1653 – 1654
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: initial

Acht toelichtingen bij voorstellingen over het leven van David, genummerd 25 tot en met 32. De tekst vangt aan met een gedecoreerde initiaal A. Het blad maakt deel uit van een album.
Nicolaas de Roever
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: etching, intaglio
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: amsterdam, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Oud-Holland 1893’

Prent in 1893 gebruikt als illustratie bij een artikel van Abraham Bredius in het tijdschrift Oud-Holland.
Piece
Object type: piece
Date: 1800 – 1830
Materials: silk
Techniques: weave
Culture: chinese
Location: china
Steatite triangular prism
Object type: seal
Date: 1900 – 1750
Materials: stone
Culture: minoan

Man with spear; bird and insect; long-horned goat.
The betrayal
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: oberammergau
Subjects: the kiss of judas: accompanied by soldiers with torches and lanterns, he kisses christ, group of actors, troupe; actors on the stage
Inscriptions: inscription: ‘Gemeinde Oberammergau Passionsspiel 1890’
Gezicht op de Sint-Bavokerk, vanuit het zuidoosten
Object type: print
Date: 1628 – 1678
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: church (exterior), public funeral
Inscriptions: collector's mark: Lugt 964

Kopie in spiegelbeeld van de prent gebruikt in: Ampzing, Samuel. Beschryvinge ende lof der stad Haerlem in Holland […]. Haarlem: Adriaen Roman (I), 1628.
Sleeve band
Object type: sleeve band
Date: 1867 – 1900
Materials: cotton
Subjects: flowers,leaves
Kalenderblad voor januari van de kalender 'Bloem en blad'
Object type: calendar leaf
Date: 1900 – 1910
Materials: cordage, paper
Techniques: lithograph
Location: amsterdam
Subjects: flowers, ornaments ~ art, calendar, almanac

Randdecoratie van dennenappels en dennennaalden.
Cocoanut Palms near Aguadilla, Porto Rico - As the tree is bent the boy is inclined
Object type: stereograph
Date: 1899 – 1899
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: trees: coconut-tree
Inscriptions: number: ‘5’, check stamp: ‘(ENERET)’, number: ‘N 12.’, title: ‘Cocoanut Palms near Aguadilla, Porto Rico - As the tree is bent the boy is inclined.’, copyright notice: ‘Copyright 1899 by Strohmeyer & Wyman.’, inscription: ‘SUN SCULPTURE/ UU/ TRADEMARK/ Works and Studios/ Arlington, N.J. Westwood, N.J. Washington, D.C.’
Fireback
Object type: fireback
Date: 1763 – 1763
Materials: iron
Culture: american
Location: united states
Artist: colebrookdale furnace
Artist role: maker
Artist nationality: american
Artist dates: 1720 – 1765

Iron firebacks protected the chimney’s masonry and reflected heat back into the room. This example features a central design of an arcade supported on twisted columns, interspersed with hearts and tulips. It was cast at Colebrookdale Furnace, the first iron foundry in the colony of Pennsylvania.
Portret van een zittende moeder met twee meisjes
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: morel
Artist role: fotograaf
Subjects: girl (child between toddler and youth), mother and baby or young child
Inscriptions: inscription: ‘Morel/ Photographe/ Elève de Disdéri/ Boult Militaire, No2, Port Neuilly’
Bokaal, met voorstellingen van putti met brandende harten
Object type: goblet
Date: 1700 – 1725
Materials: glass
Techniques: glassblowing

Bokaal, van helder, kleurloos glas, met gegraveerde voorstellingen van putti. Aan de voorzijde een voorstelling van een putto boven een altaar waarop twee brandende harten liggen. Hierboven het opschrift: ICH HAB GE NUNG AN EINEN. Op de achterzijde een putto in een landschap met vijf brandende harten in zijn rechterhand. Hierboven het opschrift: NIMT WELCHES DU WILST.
Pair of Rowel Spurs
Object type: spur
Date: 1701 – 1750
Materials: metal alloy
Culture: mexican
Location: mexico
Turret top for Whitby, William P. Chapman House, Rye, New York
Object type: drawing ornament architecture
Date: 1853 – 1853
Materials: graphite
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: buildings
Rainforest shield
Object type: shield
Materials: pigment, wood
Culture: northeastern queensland
Location: australia
Artist: aboriginal artist
Artist role: artist

Vibrantly patterned rainforest shields were made by the Yidinj people and neighboring clans from the region around Cairns in northeast Queensland. The shields were used in both combat and ceremony and were only carried by men, who would receive a shield following the completion of their initiation rites that marked the transition into adulthood.
Petrus doopt de H. Prisca van Rome
Object type: print
Date: 1586 – 1610
Materials: paper
Techniques: engraving
Location: italy
Subjects: baptismal font, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara, female saints (with name) - baptism, consecration, taking vows of female saint
Inscriptions: collector's mark: Lugt 2228

De heilige Petrus, met de sleutels in zijn hand, doopt de heilige Prisca van Rome. Prisca knielt voor een doopvond met gevouwen handen. Petrus giet uit een kommetje water over haar hoofd. Een tweede vrouw knielt achter Prisca en wacht haar beurt af.
Journal des Dames et des Modes, Costumes Parisiens, 1913, No. 46 : Robe du soir..
Object type: fashion print
Date: 1913 – 1913
Materials: paper
Techniques: engraving, hand coloring, pochoir
Subjects: dress, gown: evening dress (+ women's clothes), border, ribbon, braid (+ other materials used for clothes), fashion plates, lighting; lamps, fruits: lemon
Inscriptions: caption: ‘Robe du soir satin noir et tulle, bordée de brillants.’, title: ‘Costumes Parisiens’

Vrouw met citroen in de hand, in een avondjurk van zwart satijn en tule, afgezet met briljanten. Achter haar een staande lamp. Prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Large Bowl
Object type: bowl
Date: 1790 – 1790
Materials: pottery
Culture: japanese
Subjects: leaves
The Gallery of Notre-Dame, Paris
Object type: drawing and watercolor
Date: 1853 – 1853
Materials: crayon, graphite, paper
Techniques: drawing
Location: paris
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Inscriptions: Signed lower left corner, in image, in brown ink: "C. Meryon"
Soup Plate
Object type: soup plate
Date: 1785 – 1790
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,flowers,coat of arms

This object belongs to a large dinner service (10.149.1–.248) bearing the Townley family coat-of-arms. The service, probably ordered by Justice Samuel Chase (1741–1811) of Annapolis, Maryland, displays the enamel-painted arms of Margaret Townley, Chase's aunt.
Portret van Jean Baptiste Tavernier
Object type: print
Date: 1679 – 1699
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: hendrik causé
Artist role: print maker
Artist dates: 1648 – 1699
Subjects: paris, traveler
Inscriptions: collector's mark: Lugt 2228
Design for Ceiling of the Duchess of Newcastle's Petit Salon, Hôtel Hope
Object type: drawing
Date: 1867 – 1867
Materials: gouache, ink, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: cartouches
Coin Portraying Empress Faustina the Younger
Object type: coin
Date: 161 – 176
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Subjects: goddesses
Inscriptions: Obverse: FAVSTINA AVGSTA

The front of this coin portrays the empress Faustina the Younger, facing right.

On the back, the goddess Juno is shown standing with a peacock.
Ornements de la proue de différents vaisseaux
Object type: album leaf
Date: 1800 – 1801
Materials: paper
Techniques: engraving, etching
Subjects: sailing-ship, sailing-boat, parts of ship's exterior: bow
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Deze prent maakt deel uit van een album.
Portret van een man, aangeduid als grootvader Duparc
Object type: album leaf
Date: 1855 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: alphonse
Artist role: fotograaf
Subjects: old woman
Inscriptions: inscription: ‘Photographie Artistique/ Alphonse/ 28, Faubourg St. Honoré, 28/ Paris’
Vrouw in klederdracht, staande tussen kale bomen
Object type: album leaf
Date: 1920 – 1940
Materials: photographic support
Techniques: collodion silver print
Location: netherlands
Artist: george hidderley
Artist role: fotograaf
Subjects: trees, historical persons - bb - woman, folk costume, regional costume
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of a draped figure, wearing a chiton and himation
Nightgown
Object type: nightgown
Date: 1886 – 1886
Materials: cotton
Culture: american
Ernst van Oostenrijk aangesteld als landvoogd over de Zuidelijke Nederlanden, 1593
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: letterpress printing
Location: würzburg
Subjects: vienna, quintus fabius maximus, surnamed cunctator, gives the council of carthage the choice between war and peace; he is seen gathering the folds of his toga
Inscriptions: date

Blad naar aanleiding van de aanstelling van Ernst van Oostenrijk als landvoogd over de Zuidelijke Nederlanden, 1593. Fabius Maximus met zwaard en vredestak in zijn opgehouden toga. Met cartouches met teksten in het Latijn. Het blad heeft een versierde rand.
Duit van de VOC uit Zeeland, 1751
Object type: coin
Date: 1751 – 1751
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
La magnifique, et sumptueuse Pompe Funebre, faite aus Obseques & Funerailles du tres-grand & tres-victorieus Empereur Charles Cinquième, Celebrées en la Vile de Bruxelles le XXIX. Iour du Mois de Decembre M.D.LVIII. par Philippes Roy Catholique d'Espaignes son Fils.
Object type: text sheet
Date: 1559 – 1559
Materials: paper
Techniques: hand coloring, letterpress printing
Location: antwerp
Subjects: ghent, charles v (holy roman emperor and king of spain), brussels

Tekstblad bij de Begrafenisoptocht van keizer Karel V, 1558. Tekstblad met titel en beschrijving van de optocht. In ornamentele randen in houtsnede. Vijfde blad.
Portret van Otto Heinrich von Schwarzenberg
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: engraving
Location: cologne
Artist: johann sadeler (i)
Artist role: print maker
Artist dates: 1550 – 1600
Subjects: earl, politician, otto heinrich von schwarzenberg, patience; 'patienza' (ripa), ornament ~ cartouche, virtuousness; 'amor di virtù', 'attione virtuosa', 'guida sicura de' veri honori', 'virtù', 'virtù insuperabile' (ripa), labour
Inscriptions: collector's mark: Lugt 240

Otto Heinrich van Schwartzenberg, Keizerlijke commisaris in Keulen en adviseur van hertog Willem van Beieren. Rondom het portret een cartouche met bovenaan de personificaties Deugd (Virtute), Arbeid (Labor) en Geduld (Patientia). Onder de cartouche een Latijnse tekst.
Chicago Public Library Design Competition, Chicago, Illinois, Perspective
Object type: architectural drawing
Date: 1891 – 1891
Materials: ink, paper
Location: chicago
Artist: peter bonnett wight
Artist nationality: american
Artist dates: 1838 – 1925
Figuren bij een versierde poort omringd door palmbomen
Object type: sketchbook leaf
Date: 1664 – 1664
Materials: ink, paper
Techniques: pen
Artist: wouter schouten
Artist dates: 1638 – 1704
Subjects: garland, wreath, gate, entrance, trees: palm-tree

De poort, die mogelijk toegang biedt tot een stad of dorp, is versierd met guirlandes en bloemen. Naast de poort staan bouwwerken (vermoedelijk een soort steigers) opgesteld. Blad 8 recto van een katern van 10 bladen afkomstig uit een schetsboek.
Werkplaats en opvoering van een toneelstuk
Object type: photograph
Date: 1943 – 1945
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: muhlberg
Artist: dick w.b. van maarseveen
Artist role: fotograaf
Artist dates: 1905 – 1990
Subjects: the hague, dick w.b. van maarseveen
Inscriptions: inscription: ‘80236’, inscription: ‘10623’

Albumblad met twee foto's: een werkplaats een toneelscène op een podium. Onderdeel van een fotoalbum met foto's door Dick van Maarseveen van het krijgsgevangenenkamp Stalag IV B in Mühlberg in de periode 1943-1945.
Staande en zittende bedelaar met staf
Object type: sketchbook leaf
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, standing figure, sitting figure, walking-stick, staff, beggar
Inscriptions: annotation: ‘zak’

Man in oosterse kleding met baard en zak, de rechterhand uitgestoken. Pagina 75 uit een schetsboek met 54 bladen.
Haard met pilasters
Object type: print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: open hearth, fire-place, half-column, pilaster ~ architecture
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Voor-, zij- en bovenaanzicht van een geornamenteerde haard met pilasters.
Design for Canopy Top Wagon
Object type: drawing
Date: 1850 – 1870
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cleopatra
Object type: statuette
Date: 1501 – 1525
Materials: bronze
Artist: severo calzetta da ravenna
Artist role: artist
Artist nationality: italian
Artist dates: 1496 – 1543
Subjects: cleopatra,female nudes

The suicide of Cleopatra by pressing a poisonous asp to her breast is one of the great melodramatic moments in Western art. In the nineteenth century, this composition was probably seen as Greco-Roman. Baron Larrey presumably acquired the first bronze as a reminder of his heroic service as a physician in Napoleon Bonaparte’s Egyptian campaign (1798–1801). Richard Stone’s radiographs show these two statuettes to have been similarly cast, with Severo’s telltale rectangular plugs in the smalls of their backs.[1] The second (B) better preserves his intentions, however, with a more detailed head and scaly skin for the serpent. On the other hand, the diadem of the first (A) is slightly more elegant. The only real differences are in their subsequent treatment: the first was stripped and given a coat of mock verdigris, which survives on much of its surface, while the second was almost entirely stripped of its dark, painted patination, then covered with wax. Patrick De Winter saw unfathomable resemblances to a Venus in the Walters Art Museum, Baltimore, sometimes ascribed to Antico.[2] He also sensed a strong relationship to Severo’s Queen Tomyris in the Frick, which indeed has similarly sloping shoulders and a knock-kneed stance but is far more vibrant and engagingly theatrical.[3] It is as yet unclear when Severo developed this un-anatomical female physiognomy, which sometimes works but more often fails. -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. Stone 2006, p. 813. 2. Accepted as Antico in Luciano 2011, pls. 55A–B. 3. Introduced by Pope-Hennessy 1970, pp. 146–50. For it, see especially Stone 2006, p, 811, fig. 1.
Vijfentwintigjarig huwelijk van Koning Willem III en Sophia van Wurtemberg 1864
Object type: history medal
Date: 1864 – 1864
Materials: tin
Techniques: striking
Inscriptions: inscription: ‘1839. / 18 JUNIJ / 1864.’

Tinnen penning met oog en draagring, op de voorzijde de geconjugeerde portretten van Sophia en Willem naar links, op de keerzijde drie regels tekst tussen samengestrikte lauwer- en eikentakken.
Virgo Mater S. Maria
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: specific aspects of christ-child and mary ~ madonna-representations (n.b. secondary notation only) (+ angel(s)), feeding a baby
Inscriptions: collector's mark: Lugt 2228

Maria voedt het Christuskind dat voor haar staat. De engel die naast haar troon staat houdt een bord vast, terwijl Maria een lepel in de mond van Christus stopt. Andere engelen brengen vruchten. In de marge een drieregelig Bijbelcitaat uit Jes. 7 in het Latijn.
Vrouw wijst een man af
Object type: print
Date: 1700 – 1900
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: being refused, the proposal rejected
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een naakte vrouw wijst een man af in een landschap. Onder de voorstelling een vierregelig vers in het Nederlands.
Glaive of the Bodyguard of the Tiepolo Family
Object type: glaive
Date: 1600 – 1600
Materials: gold, steel, textile, wood
Culture: italian
Location: italy
Subjects: coat of arms
Achterkant van landhuis Dijnselburg
Object type: photograph
Date: 1888 – 1888
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912

De achterkant van landhuis Dijnselburg. Met onderschrift: Dijnselburg, achterkant.
Pin in the form of a lion
Object type: pin
Date: 900 – 801
Materials: bronze, iron
Culture: iranian
Location: iran
Subjects: lions

One of the most characteristic objects from Hasanlu is the so-called lion pin. Over sixty have been excavated at the site, most in Burned Building II, where they are associated—in groups of one, two, or three—with the many skeletons of individuals killed within the building at the time of its destruction. The pin, presumably used to fasten a garment, is a solid bronze reclining lion with the front paws extended and joined at the rear to an iron pin. A bronze chain attached to a loop created by a curve in the tail held the pin securely to the garment. The lion pins found at Hasanlu vary in size and weight as well as in decorative details. This example has a long mane running the length of its back. An upward curling tongue protrudes from its wide gaping mouth, and globular eyes are set on either side of its flattened head.
Upright bell (nao)
Object type: bell
Date: 1300 – 1201
Materials: bronze
Culture: chinese
Subjects: musical instruments

Nao were typically arranged in sets of three or five. Played with the mouth facing upward, smaller examples could be held in the hand while larger ones, known as yong, required a frame support. Shang-dynasty instruments such as this nao were frequently decorated with the taotie motif—a symmetrical design representing the flattened face, or "split representation," of a mythological animal.