deem-data/ArtiFact huggingface dataset:
Fotoreproductie van L'appel des dernières victimes de la Terreur door Charles Louis Lucien Muller
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: charles louis lucien muller
Artist role: painter
Artist dates: 1815 – 1892
Subjects: prison, jail
Inscriptions: inscription: ‘No 779/ DERNIERES VICTIMES DE LA TERREUR/ The last victimes of/ the "region of Terror"/ Die letzten Opfer/ der Schreckenszeit/ Peint par Ch. L. Muller/ GOUPIL & Cie/ Éditeurs/ 9, rue Chaptal, 9/ PARIS’
Spotprent op Napoleon, 1813
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Subjects: napoleon i (emperor of the french), political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Spotprent op Napoleon van 1813 waarbij zijn gezicht is opgebouwd uit de lijken van zijn slachtoffers, zijn hoed is de Pruisische adelaar, zijn epaulet is een grijpende hand waarvan de vingers zijn vijanden zijn en de pols het Alziende Oog. De kraag is een rivier van bloed, zijn jas het slagveld van Europa en het ordeteken van het Legioen van Eer op zijn borst is een spinnenweb. Bij de prent behoort een afzonderlijke verklaring.
Tantalus, from "The Four Disgracers"
Object type: print
Date: 1588 – 1588
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: male nudes

This extraordinary tondo is one of the most daring works to have resulted from the brief collaboration between Goltzius and the painter Cornelis Cornelisz van Haarlem. The common bond of the series of four fallers is that each one tried to enter the realm of the gods and was punished for his hubris. Although he worked from Cornelisz's designs, Goltzius should be given just as much credit as the painter for the striking nature of these scenes. His bold, meshed, swelling strokes lend the figures a powerful presence and masterfully evoke the reflections of light and shadow on their rippling muscles. The sense of confusion surrounding the falls of Ixion (54.601.338(65)) and Tantalus (seen here) into their hellish surroundings is heightened by repeated patterns of swirling lines. The four seemingly varied poses are in fact more or less the same pose (one leg bent down, the other raised; one arm raised, the other lowered) viewed from different angles.
Karnak. Propylone du Temple de Khons. Hauteur 21 mèt.; largeur, 12 mèt. 50 c.; hauteur de la baie, 15 mèt.
Object type: photograph
Date: 1849 – 1851
Materials: photographic print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Half-Length Portrait of George Michael Moser
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: attributed to george dance, ii
Artist nationality: english
Artist dates: 1741 – 1825
Portret Hans von Zürich
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: etching
Location: antwerp
Subjects: head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 240

Portret van de Zwitserse goudsmid Hans von Zürich.
Bouwen van een schelpengrot
Object type: book illustration
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: handicrafts, craftsman at work, handicrafts ~ stone, cave, grotto
Inscriptions: stamp, collector's mark: Lugt 1641

Volgens de beschrijving een afbeelding van een gebouwtje met decoraties van schelpen en koralen. Rechts een nis met waterval en links een fontein met beelden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Complete suites.
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: compound weave
Culture: chinese
Subjects: butterflies
Fragment
Object type: textile
Date: 1722 – 1727
Materials: silk
Techniques: bookbinding, interlacings, patterning, satin weave, weave
Location: france
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: venice, rome, politician, antonio fradeletto, painter, philip zilcken, the graphic arts, exhibition ~ art
Inscriptions: watermark, collector's mark: ‘RPK’, address: ‘DEN HAAG/ NIEUWE PARKLAAN 5./ VILLA MARGARETHA’
Vase with owl heads and "cloisonné" decoration
Object type: vase
Date: 1868 – 1868
Materials: bone china
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
The Right hon. Sir Winston Churchill, k.G., D.C., C.H., T.D Prime Minister of Great Britain and First Lord of the Treasury
Object type: photomechanical print
Date: 1941 – 1941
Materials: paper
Techniques: four-color autotype
Subjects: historical persons, politician, e.g. party leader
Inscriptions: inscription: ‘SUPLLEMENT TO THE ILLUSTRATED LONDON NEWS’

Fotomechanisch portret van Winston Churchill, afkomstig uit de Illustrated London News.
Ex libris van P.A. Pijnappel
Object type: bookplate
Date: 1885 – 1935
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: fruits: pine-cone
Non tussen een prior en een jonge monnik
Object type: print
Date: 1550 – 1600
Materials: paper
Techniques: engraving
Artist: pieter aertsen
Artist role: draughtsman, painter, print maker
Artist dates: 1508 – 1575
Subjects: monks and nuns, spinning (manufacture of yarn), laid table: table-ware, table-decoration, etc., moses striking water from the rock (exodus 17:1-7; numbers 20:2-13), hidden love
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1967

Satire op het kloosterleven, de kuisheid en matigheid. Een prior en een jonge monnik zitten aan een gedekte tafel vol eten voor een haardvuur. Voor de prior staat een jonge non, die door hem terechtgewezen wordt. Achter haar rug streelt de non het gezicht van de jonge monnik. De haard is versierd met een medaillon waarop Maria met het Christuskind. Achter het gezelschap hangt een voorstelling van Mozes die water uit de rots slaat voor de Israëlieten. Rechtsachter zitten nonnen te spinnen.
Tapezzerie de Papa
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: engraving, intaglio
Location: rome
Subjects: tortoises, turtles, monkeys, apes, rattle ~ acoustic signalling, insects: butterfly, molluscs: snail
Inscriptions: collector's mark: Lugt 10, collector's mark: ‘Hinloopen’, collector's mark: Lugt 11

Op een grote guirlande staat een aap met een in stof gewikkelde putto. Rechts een putto met een vrucht in de hand en links een putto met een rammelaar. Op de grond een slak, een schildpad en een vlinder.
Coffeepot
Object type: coffeepot
Date: 1767 – 1800
Materials: silver
Subjects: flowers
Gezigt by de Hofstede het Klooster over de Kleverlaan / Gezigt van de Garenbleekeryen, aan de Nieuwe Cingel / Gezigt by Halfwegen Overveen
Object type: album leaf
Date: 1762 – 1762
Materials: paper
Techniques: etching
Location: haarlem
Subjects: river, canal, lane, alley, haarlem

Drie voorstellingen. Boven: De Kleverlaan te Haarlem bij Hofstede Het Klooster. Midden: Garenblekerijen aan de singel bij de Zijlpoort te Haarlem. Onder: Enkele huizen tussen Haarlem en Overveen bij de huidige Julianalaan te Haarlem. Deze prent maakt deel uit van een album.
Eliphalet W. Blatchford House, Chicago, Illinois, LaSalle Street Elevation and Partial Section
Object type: architectural drawing
Date: 1873 – 1875
Materials: ink, paper, watercolor
Location: lasalle street
Artist: peter bonnett wight
Artist nationality: american
Artist dates: 1838 – 1925

New York architect Peter B. Wight was one of the first to bring the High Victorian Gothic style from England
to the United States. Wight used this style for many early commissions, such as this house for industrialist Eliphalet Blatchford and his family, built just after the Great Chicago Fire. With polychromatic masonry, metalwork, and an asymmetrical form, this house would have stood out in Chicago as a bold hybrid of influences from 19th-century Great Britain and 15the-century Italy. Wight’s designs for the interior of the house also embraced the modern idea of gesamtkunstwerk, or cohesive design, with medievalinspired
schemes for woodwork, furnishings, and brightly colored wall papers.
Sampler
Object type: sampler
Date: 1781 – 1781
Materials: linen, silk
Subjects: birds,cross
Pair of leg mounts
Object type: leg mount
Date: 1701 – 1800
Materials: gilt bronze
Subjects: women,roses
Meubelen. (12e eeuw)
Object type: historical object representation
Date: 1857 – 1864
Materials: paper
Techniques: tone lithography
Location: haarlem
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: furniture and household effects, netherlands

Illustratie voor: W.J. Hofdijk, Ons voorgeslacht in zijn dagelyksch leven geschilderd, Kruseman, Haarlem 1859-1864, dl. 3, p. 305.
Gezicht
Object type: print
Date: 1642 – 1685
Materials: paper
Techniques: etching
Location: antwerp
Artist: conrad lauwers
Artist role: print maker
Artist dates: 1632 – 1685
Subjects: eyeglasses, spectacles, sight, looking (one of the five senses), head-gear: cap (+ men's clothes), container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: Lugt 2228

In een venster staat een boer met een hoge muts op het hoofd. Aan de muts is een bril bevestigd. De man lijkt door een kruik zonder bodem te kijken. Op de achtergrond drie figuren op een heuvel. Een verbeelding van zicht, een van de vijf zintuigen.
Portret van Johannes Paulinus Olivecrants op 55-jarige leeftijd
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: brussels
Subjects: gouverneur, diplomaat, johan paulinus olivecrantz
Inscriptions: collector's mark: Lugt 2228

Borstbeeld van de Zweedse diplomaat Johannes Paulinus Olivecrants. In ovaal met randschrift. Op een piëdestal staat een tekst over Olivecrants in het Latijn.
Design for Pony Phaeton, no. 3383
Object type: drawing
Date: 1877 – 1877
Materials: gouache, graphite, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Handschrift over de diensttijd
Object type: album leaf
Date: 1941 – 1942
Materials: cardboard, ink
Techniques: pen
Location: germany
Artist: Anonymous
Subjects: wehrmacht, tweede wereldoorlog, bezetting van nederland
Inscriptions: annotation

Handschrift over de diensttijd, op het schutblad voorin het album. Onderdeel van het fotoalbum Abrechnungsintendantur van de Wehrmacht 1941-1943.
Saint Catherine
Object type: print
Materials: paper
Techniques: woodcut
Location: germany
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Gezicht op Place Vendôme, Parijs
Object type: photograph
Date: 1855 – 1865
Materials: glass
Techniques: photography
Location: paris
Artist: Anonymous
Subjects: square, place, circus, etc.
Vue de Pont-Neuf (View of the Pont-Neuf), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris)
Object type: print
Date: 1630 – 1630
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: towers,rivers,boats,paris
Moses and the Brazen Serpent
Object type: drawing and watercolor
Materials: crayon, gouache, paper, paint, watercolor
Techniques: brush, heightening, wash
Location: france
Artist: françois verdier
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1651 – 1730
Walled village on a hill, with church at left and buildings constructed on the downslope at right, trees and hillside in the foreground
Object type: print
Date: 1658 – 1658
Techniques: etching
Artist: karel dujardin
Artist role: artist
Artist nationality: dutch
Artist dates: 1622 – 1678
Subjects: buildings,churches,villages,hills,trees
Dish from Tutankhamun's Embalming Cache
Object type: dish
Date: 1336 – 1327
Materials: mineral, pottery
Techniques: wash
Location: egypt

This large pottery dish has been discolored by traces of food.
Lioness and Cubs
Object type: print
Date: 1832 – 1832
Techniques: lithograph
Artist: antoine-louis barye
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: lions

Barye's skills as a lithographer are demonstrated in this freely drawn family group. The inert form of the sleeping lioness is contrasted with the wide-eyed stares of her wary cubs. Studies of lions, which the artist made in the Zoological Gardens in Paris, underpin the careful foreshortening of the recumbent adult.
Plate
Object type: ceramic
Date: 1840 – 1840
Materials: ceramic, earthenware, enamel, porcelain
Techniques: polychrome
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" impressed; four black dots and unknown stamp.
Fruit dish
Object type: fruit dish
Date: 1701 – 1800
Materials: earthenware
Techniques: glazing
Artist: the dreye porceleyne flesschen
Artist role: maker
Subjects: birds,insects,flowers
Staande heilige
Object type: print
Date: 1781 – 1783
Materials: ink, paper
Techniques: woodcut
Location: england
Subjects: standing figure, saints
Inscriptions: dedication: ‘Rev: J. Webb / Typum ... / DD / JS’

Staande man met baard, waarschijnlijk een apostel of heilige. Onderdeel van een album met 26 ingeplakte clair-obscur houtsneden naar Italiaanse kunstenaars uit de zestiende eeuw.
Plattegrond van de grafkelder van het Huis Oranje-Nassau
Object type: drawing
Date: 1767 – 1767
Materials: ink, paper
Location: low countries
Subjects: interior of church, grave-building, monumental tomb, delft

Plattegrond en doorsneden van de grafkelder van het Huis Oranje-Nassau onder de Nieuwe Kerk te Delft met de daarin geplaatste kisten, voorzien van letters. In een kader een verklarende lijst.
Daniël voedt de draak
Object type: album leaf
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: daniel gives food to the dragon; king cyrus looking on

Koning Cyrus vraagt Daniël om de draak als god te vereren. Daniël weigert dit en vraagt toestemming om de draak te doden zonder het gebruik van wapens. Hij voedt de draak met koeken van teer, vet en graten die de draak van binnen openrijten. Onder de voorstelling een verklarende tekst in het Latijn. Deze prent maakt deel uit van een album.
The Ship of Fortune
Object type: print
Date: 1633 – 1633
Materials: parchment
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: at the sight of the ruins of carthage, c. marius talks with a lictor about the cruel vicissitudes of fortune, roman personifications of abstract concepts, luck, fortune, lot; 'fato', 'fortuna', 'fortuna aurea', 'fortuna buona', 'fortuna pacifica overo clemente', 'sorte' (ripa)
Inscriptions: signature and date: ‘Rembrandt f. 1633’, collector's mark: Lugt 240
Noord-Amerika en Panama
Object type: cartoon
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., political caricatures and satires

Uncle Sam (Verenigde Staten) beschermt het kereltje Panama / Panamakanaal tegen het kereltje Colombia. Marianne (Frankrijk) en John Bull (Engeland) kijken goedkeurend toe.
The Opening of the Fifth and Sixth Seals, from "The Apocalypse"
Object type: print
Date: 1497 – 1498
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: infants,men,women,angels,apocalypse
Actors Onoe Tamizô I, Ichikawa Danjûrô V, and Osagawa Tsuneyo II, in (possibly) “A Dandyish Brocade: Opposing Warriors” (“Date Nishiki Tsui noYumitori”)
Object type: print
Date: 1778 – 1778
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Doorsneden van een gebouw in de lengte en breedte
Object type: sketchbook leaf
Date: 1864 – 1864
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: willem springer jr.
Artist role: draughtsman
Artist dates: 1815 – 1907
Subjects: section ~ architectural design or model

Pagina 103 uit een schetsboek met 164 pagina's.
Jewel-Holding Dragon
Object type: netsuke
Date: 1701 – 1800
Materials: ivory
Culture: japanese
Subjects: dragons

The dragon is the only mythical beast included in the zodiac. A cosmological symbol of Chinese origin, the dragon is associated with water and is often depicted emerging from vapor and clouds to produce rain. Represented here is the dragon of Handaka Sonja (one of the sixteen special disciples of Buddha), shown emerging from an alms bowl and holding a jewel (tama).
Ornament
Object type: ornament
Date: 1867 – 1900
Materials: metal, wood
Culture: japanese
Subjects: flowers,leaves
Two Beauties Reading a Letter
Object type: print
Date: 1780 – 1800
Techniques: woodblock print, hashira
Location: japan
Artist: chokosai eisho
Artist nationality: japanese
Artist dates: 1780 – 1800
The Dissolution; or The Alchymist Producing an Aetherial Representation
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Fibula, semi-circular type
Object type: fibula, semicircular type
Date: 1200 – 901
Materials: bronze
Culture: italic
Beggar Women
Object type: print
Materials: paper
Techniques: aquatint, drypoint, engraving, etching, printing
Location: france
Artist: camille pissarro
Artist role: artist
Artist nationality: french
Artist dates: 1830 – 1903
Portret van George Godwin
Object type: photograph
Date: 1853 – 1867
Materials: photographic support
Techniques: albumen print
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: studio requisites ~ photographer, portrait, self-portrait of architect
Hoofd en hand van een man
Object type: print
Date: 1881 – 1931
Materials: paper
Techniques: lithograph
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: head (human) (+ sideview, profile), hand
Inscriptions: collector's mark: Lugt 2228

Het hoofd en de hand van een man, in profiel gezien.
Basin (part of a set)
Object type: basin
Date: 1701 – 1800
Materials: pewter
The pancake woman
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: pancakes
Inscriptions: mark: Lugt 240, signature: ‘Rembrandt. f 1635’
Handschrift betreffende Willem Valter Pzn
Object type: manuscript
Date: 1847 – 1847
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: amsterdam, utrecht, painter, print maker, draughtsman, louis meijer, cornelis kruseman, hendrikus van de sande bakhuyzen, the hague, lodewijk anthony vintcent, deventer, willem valter pzn, drawing, education, tuition of the artist (in general), painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: Lugt 2233
La comptabilité
Object type: print
Date: 1884 – 1892
Materials: paper
Techniques: lithograph
Location: paris
Subjects: book-keeping, accountant
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Revue de l'Art français ancien et moderne, uitgegeven tussen 1884-1892.
Terracotta fragment of a krater (deep bowl)?
Object type: krater fragment
Date: 367 – 335
Materials: terracotta
Culture: greek or south italian or campanian

Helmeted warrior to left, seen from the back, with a shield over his left shoulder and a spear in his right hand; tendrils from the ornament
Gedenkteken voor Johan Diederich Deiman
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching, letterpress printing
Artist: monogrammist ab (18e eeuw ; schrijver)
Artist role: schrijver
Subjects: utrecht, other memorial structures
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee allegorische figuren bij een grafmonument. De godsvrucht wordt gepersonifieerd door een engel met vlam op het hoofd, die wijst naar een lichtstraal. De vriendschap wordt verbeeld door een wenende vrouw met een schedel onder haar voet en een lauwerkrans en enkele boeken op de grond naast haar. Zij toont het silhouetportret van J.D. Deiman. Onder de voorstelling zes regels tekst in het Nederlands.
Onderzijden van zes emaillen borden, opgesteld tijdens de Exposition Rétrospective van 1873 in Tours, Frankrijk
Object type: page
Date: 1873 – 1873
Materials: paper
Techniques: woodburytype
Location: tours
Artist: gabriel blaise
Artist role: printer
Artist dates: 1827 – 1897
Subjects: enamelling ~ applied arts, dish, plate, saucer, temporary exhibition, 'salon'