deem-data/ArtiFact huggingface dataset:
Pair of Shoes
Object type: textile
Materials: leather, silk
Techniques: damask, weave
Location: england
Doos voor Everybody needs a rock
Object type: brooch
Date: 2016 – 2016
Materials: cardboard, paper
Techniques: printed materials
Location: amsterdam
Artist: sae honda

Rechthoekige doos met los deksel van bruin karton met daarin een vel zwart karton met tekst en een zwart vel papier met tekst. De teksten gaan over de materialen waaruit de broche is opgebouwd.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment, eye cup, bilingual
Date: 433 – 567
Materials: terracotta
Culture: greek, attic
Artist: pheidippos
Artist role: artist

Interior, head and neck of horse to right; part of a pseudo-inscription
"The Ascetic and his Guest with the Mouse Steal the Ascetic's Food", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: men,mice

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Bowl with Boys and Grapes
Object type: vessel
Materials: stoneware
Techniques: celadon glazed, underglaze
Location: korea
Laadstok met houtfragmenten uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: rammer
Date: 1700 – 1743
Materials: copper, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Tomb figure
Object type: tomb figure
Date: 206 – 220
Materials: paint, pottery
Culture: chinese
Subjects: human figures
Musique militaire
Object type: print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: military band, warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 3 horizontale rijen met voorstellingen van militaire muzikanten en militairen te paard. In de ondermarge een achtregelig onderschrift in het Nederlands en in het Frans in twee kolommen. Genummerd rechtsboven: 9.
Plate 15: Psyche relating her misfortunes to her sisters, from "The Fable of Cupid and Psyche"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: buildings,women,psyche
Gezicht op het Stadhuis te Naarden
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: naarden
Artist: Anonymous
Subjects: townhall
Inscriptions: inscription: ‘Naarden/ Stadhuis’
Fotoreproductie van een prent naar een schilderij door Francis Wheatley, voorstellend een scene uit Het temmen van de feeks door William Shakespeare
Object type: photograph
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. XXXIV. 135’

Te zien is akte III, scene 2 met Bianca, Katherina, Petruchio en anderen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower legs of male, with left leg bent, in front of frontal right calf; to the right, part of leg of a second figure?; Exterior, part of ground line
Schuur
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: barn
Inscriptions: annotation: ‘[...]’

Achterste schutblad uit een schetsboek met 32 bladen.
Vrouwelijk naakt op stoel met bloem in haar hand
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: léo
Artist role: fotograaf
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure, france
Inscriptions: number: ‘31’
Bracelet with Seed Shaped Beads (Pahunchi), One of a Pair
Object type: bracelet
Date: 1801 – 1900
Materials: gold, silk
Location: northern india

This bracelet, known as pahunchi, is decorated on the exterior with seed-shaped ornaments. These small generators of life can be interpreted as symbols of reproduction and fertility. Along with other plant components such as flowers, leaves, and vines, such forms are often found ornamenting Indian jewelry. This jewel was formerly in the collection of American artist and designer Lockwood de Forest (1850–1932) who purchased many jeweled objects while traveling in India between 1879–1881. Today, his collection of Indian jewelry in the Met serves as a near-comprehensive assemblage of late nineteenth century bodily adornment.
Card Number 3, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: gloves,women

Series G29 presents cut-outs from a tobacco advertising banner issued by Allen & Ginter between 1885 and 1890. Citing Burdick's "The American Card Catalog": "Banners are paper hangers with a metal binding at top and bottom edges. The popular size was about 30 inches long but a few measured over five feet in length...The tobacco firms were prolific advertisers using a constant procession of banners, especially to publicize their current insert card sets...The usual design illustrates the card pictures [from the series inserted into tobacco packaging] with a large appropriate center picture." Many consumers would cut up banners in order to "collect" the whole series of cards at once. Although series G29 is not listed in Burdick's "The American Card Catalog," he included notes in his own edition of the book, now included in the collection at the Metropolitan Museum, labeling the series as G29. They are included not as the original banner, but as cut-outs affixed to an album. Each card in the series is numbered and depicts a leather opera glove holding a portrait of a woman. The original banner advertised Richmond Straight Cut Number 1 Cigarettes issued by Allen & Ginter as a branch of the American Tobacco Company. In 1890, the American Tobacco Company purchased Allen & Ginter, as well as many of the large American cigarette manufacturers.
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 520
Materials: terracotta
Culture: greek, attic

Exterior, part of the outer area of an eye in black glaze and added white
Portret van Jakob Matthias Schmutzer
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: vienna
Subjects: vienna, jakob matthias schmutzer, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228
Tekst door Alexander Ver Huell over een prentcollectie
Object type: text sheet
Date: 1884 – 1884
Materials: paper
Techniques: letterpress printing
Artist: alexander ver huell
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: arnhem, print maker, draughtsman, alexander ver huell, brielle

Tekst door Alexander Ver Huell over prentcollecties. Recto: overzicht prenten 'Patriae' voor de 'Brielsche verzameling' en ontbrekende prenten van Cornelis Troost. Verso: een verhaal over de 'Transvaalsche Tentoonstelling' in Amsterdam in 1883. Tekstblad bedrukt op beide zijden.
Crito
Object type: drawing
Date: 1786 – 1787
Materials: chalk
Techniques: heightening, drawing, stumping
Artist: jacques louis david
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1825
Subjects: men
Male Deity
Object type: fragment
Date: 701 – 800
Materials: stone
Culture: kashmiri
Subjects: kashmir,men
Rebel Works in Front of Atlanta, GA, No. 5
Object type: photograph
Date: 1864 – 1864
Techniques: albumen print, photography
Location: united states
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: collected by hugh edwards, sherman's campaign 1866
Inscriptions: Printed recto, on album page, lower center, below image, in black ink: "Photo. from nature By. G. N. Barnard. / REBEL WORKS IN FRONT OF ATLANTA, GA. No. ["o" in superscript] 5."; unmarked verso
Profile Bust of Young Woman
Object type: drawing and watercolor
Materials: graphite, paper
Location: france
Artist: after a cartoon by françois boucher
Artist nationality: french
Artist dates: 1703 – 1770
Gezicht in een bebost dal in de Romeinse Campagna
Object type: drawing
Date: 1788 – 1839
Materials: ink, paper, pencil
Techniques: pen
Location: rome
Artist: hendrik voogd
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1839
Subjects: forest, wood, mountains, campania
Pocket
Object type: pocket
Date: 1800 – 1810
Materials: cotton
Culture: american
Brief aan Ary Johannes Lamme
Object type: letter
Date: 1859 – 1859
Materials: ink, paper
Techniques: pen, writing
Artist: pierre jules cavelier
Artist role: sculptor
Artist dates: 1814 – 1894
Subjects: dordrecht, print maker, draughtsman, ary johannes lamme, drawing
Inscriptions: collector's mark: Lugt 2228
Bust of a Man
Object type: sculpture
Date: 1875 – 1875
Materials: bronze, copper alloy, marble, metal
Techniques: casting, carved
Location: italy
Artist: pietro calvi
Artist nationality: italian
Artist dates: 1833 – 1884
Inscriptions: Inscribed: CALVI, MILANO (right side)
[Unidentified Woman]
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: southworth and hawes
Artist role: photography studio
Artist nationality: american
Artist dates: 1843 – 1863
Subjects: portraits,women
Straat met figuren in Biskra
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil
Location: biskra
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: africans, folk costume, regional costume, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Op de voorgrond een Algerijn in traditioneel Noord-Afrikaans kostuum. Pagina 7 uit een schetsboek met 31 bladen.
Ruins of a Roman Bath or Reservoir
Object type: drawing
Materials: canvas, oil, paper
Location: france
Artist: louis gauffier
Artist role: artist
Artist nationality: french
Artist dates: 1762 – 1801
Subjects: reservoirs,ruins,trees
Mattimore, Pitcher, Philadelphia Athletics, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Panel
Object type: textile
Date: 1750 – 1800
Materials: silk
Techniques: patterning, weave, satin weave
Location: france
Landschap met vissers aan de oever van een rivier
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Artist: friedrich christian klass
Artist role: painter, print maker
Artist dates: 1752 – 1827
Subjects: low hill country, (traveller) resting in the open air, cattle driving, cattle driver, angling
Inscriptions: collector's mark: Lugt 240
Confession (?)
Object type: sculpture
Date: 1535 – 1565
Materials: wood
Techniques: polychromy
Location: gouda
Artist: Anonymous
Subjects: gouda

St. Clement's Mass. Oak, original polychromy. Holland, c. 1530-1540. From St. John's Church, Gouda.
Jaloerse echtgenoot ziet hoe zijn vrouw versierd wordt in de schuur
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Subjects: envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins, lovers; courting, flirting
Inscriptions: collector's mark: Lugt 240

Tekst in het Engels in de ondermarge. Genummerd: 11.
Gezichten op het gouvernementsgebouw en de markt van Batavia
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: governmental and representative bodies, landscapes in the non-temperate zone, exotic landscapes, market, batavia
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen van een plaat met gezichten op het gouvernementsgebouw (boven) en de markt van Batavia (onder).
Gezicht langs de vloedlijn aan het Scheveningse strand, met twee dames en kinderen
Object type: watercolor
Date: 1874 – 1927
Materials: chalk, paper, watercolor
Techniques: brush
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: beach

Gezicht langs de vloedlijn aan het Scheveningse strand, met twee dames bij een strandstoel en kinderen aan het pootje baden.
Little Evelyn
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: girls
Dom Thadee Barberin Prefect de Rome
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: rome, paris, taddeo barberini, historical persons
Inscriptions: collector's mark: Lugt 2228
Enquêteformulier ingevuld door Theodoor Soeterik
Object type: questionnaire
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: utrecht
Subjects: utrecht, draughtsman, theodoor soeterik
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Strijkende vrouw
Object type: drawing
Date: 1820 – 1830
Materials: chalk, paper
Location: the hague
Artist: Anonymous
Subjects: ironing, adult woman

Tekeningen waarschijnlijk ontstaan bij het Haagse kunstgenootschap ‘Tot Nut der Tekenkunst’, waar twee keer per week tekenavonden werden georganiseerd met geklede modellen.
China prentbriefkaart 'De Kaiser'
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1918
Materials: paper
Techniques: printing
Location: netherlands
Artist: alfaro reijding
Artist role: draughtsman, engineer
Artist dates: 1863 – 1930
Subjects: wilhelm ii (keizer van duitsland), personifications of countries, nations, states, districts, etc., political caricatures and satires, germany, china
Inscriptions: : ‘De Kaiser: 'Dien smet op de Duitsche vlag / zal ik uitwisschen!" John Bull en Kwang Soe: / "Mooi gesproken, Sire, ja, ga uw gang."’

Prentbriefkaart in zwart en geel met twee knielende mannen, John Bull en Guangxu (Kwang-siu) die elk een hand van de staande keizer Wilhelm II kussen.
Marriage Contract Between Jean Baptiste Claude Allevin, Gunmaker, and Barbe Françoise Bernard, Paris, July 13, 1759
Object type: marriage contract
Materials: paper
Techniques: pen
Culture: french
Location: france
Subjects: documents

Although their works were highly regarded and influential across Europe, remarkably little is known today about the lives and careers of the leading gunmakers of seventeenth- and eighteenth-century France. This marriage agreement provides welcome biographical information on Jean-Baptiste Claude Allevin, a celebrated Parisian gunmaker, and his family. The document indicates that his father and a paternal uncle were both gunmakers, as was Pierre Descheaux, a family friend and witness to the contract. At the time, Allevin had not yet become gunmaker to the king and to Monsieur, the king's brother.
Emma Van Name
Object type: painting
Date: 1805 – 1805
Materials: oil
Location: united states
Artist: joshua johnson
Artist role: artist
Artist nationality: american
Artist dates: 1758 – 1829
Subjects: strawberries,girls,portraits,goblets

This compelling portrait of a Maryland toddler is widely regarded as an icon of American folk painting. Included in numerous international exhibitions since its discovery in the late 1950s by Edith Halpert, then New York’s leading dealer of folk and modern art, it is now accepted as an important work by Joshua Johnson, the earliest known professional African American painter. Son of a White man and an enslaved mother of color, Johnson apprenticed to a blacksmith before securing his freedom in 1782, becoming part of Baltimore’s large free Black population. "Emma Van Name" is arguably his most ambitious and engaging portrait of an individual child. Revealing the hallmarks of the presumably self-taught artist’s characteristic style, the painting is distinguished by a bravura demonstration of his talents in its nuanced palette, compositional complexity, and deft handling of details, especially in the child’s dress and demeanor. The portrait’s combination of naturalist precision and imaginative flair underlies the particular appeal of historical folk painting to early twentieth-century modernists.
The Bell (valentine)
Object type: print
Date: 1830 – 1830
Materials: ivory
Techniques: engraving, hand coloring
Location: united states
Artist: Anonymous
Artist nationality: american or english
Artist dates: 1800 – 1899
Various Ornamental Designs
Object type: drawing
Date: 1801 – 1900
Materials: chalk, ink, paper
Techniques: inlay, pen, wash
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
Subjects: ornament,faces
Relief fragment, Intef inscription
Object type: relief fragment, intef
Date: 2100 – 2090
Materials: limestone
Location: egypt
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Draped woman, running to right, looking over her right shoulder, holding the lower part of her chiton in her left hand
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, right hand; above hand, an omicron
Le C.nal. Fesch
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a

De serie Iconographie des contemporains depuis 1789 jusqu'à 1820 is uitgegeven tussen 1822 en 1833 in verschillende livraisons.
Light Infantry Soldier, Greece, B.C., from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,soldiers,shields,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Saint Justina of Padua Enthroned, with Saints James the Less and John the Baptist
Object type: drawing and watercolor
Date: 1600 – 1605
Materials: chalk, ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: jacopo negretti, called palma il giovane
Artist role: draughtsman, painter, print maker
Artist nationality: italian
Artist dates: 1548 – 1628
Zes scènes met Christus en vrouwen uit de evangeliën
Object type: print
Date: 1575 – 1581
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ and the woman of samaria: sitting at jacob's well he asks her for a drink from her jug

Christus rust bij de Jakobsbron, nadat hij zijn discipelen naar de stad heeft gestuurd. Links vertrekken zij richting de stad. Een Samaritaanse vrouw komt om water te putten en spreekt met Christus. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst. Deze prent maakt deel uit van een album.
Portret van Friedrich Karl Joseph, Reichsfreiherr von Erthal
Object type: print
Date: 1764 – 1813
Materials: paper
Techniques: etching
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Figure of a Man
Object type: figure
Date: 1801 – 1900
Materials: enamel, gold, iron, porcelain
Techniques: polychrome
Culture: japanese
Subjects: men
Immortal Liu Hai playing with a frog
Object type: figure
Date: 1701 – 1800
Culture: chinese
Reverse corner frame
Object type: frame
Materials: wood
Culture: southern italian
Vestment border
Object type: vestment border
Date: 1826 – 1850
Materials: metal thread, silk
Tankard
Object type: ceramic
Date: 1734 – 1766
Materials: earthenware, pewter
Techniques: glazing
Location: nuremberg
Copy of Scapino and Capitano Zerbino, from "Balli di Sfessania" (Dance of Sfessania)
Object type: print
Date: 1622 – 1622
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,dancing

This is a copy of a print from a series of 24 plates designed in Florence and published in Nancy. The figures depicted are Italian performers, dancing the "Sfessania."
Belt
Object type: girdle
Date: 1651 – 1700
Materials: enamel, pearl, silver gilt, stone
Culture: transylvanian
Arcus S. Georgii, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Object type: album print ornament architecture
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: architecture,arches

Perspectival depiction of the right half of a triumphal arch, referred to as the ‘Arcus S. Georgii’ set in a stylized landscape. The arch is placed on a raised platform and appears stripped from all its ornaments and relief decorations, aside from the Ionic pillars placed on the four corners of the piers. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as 'Tem. Ro. Penatibus Dicatu'. This group of prints was purchased as part of an an album in 1926, but taken apart by the Museum in 1934. The album appears to have been compiled in the 17th century, although the majority of prints date from the 16th century. The larger part of the prints is focused on mythological subjects and objects and architecture from Antiquity. The album was part of the collection of the architect Hippolyte Destailleur and was sold in the sale of his books and prints in 1895. The Museum acquired the album at G. Rapilly & Fils in 1926. Where the album had been kept in the mean time is unclear and several prints were taken out in this period. The museum's numbering does not reflect the order of the original album, but Destailleur's numbering system is retained on the inidividual sheets, allowing for the reconstruction of its original content.
Duit van de VOC uit Zeeland, 1736
Object type: coin
Date: 1736 – 1736
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.