deem-data/ArtiFact huggingface dataset:
Maillard. Louis. 30 ans, né à Rennes (Ille & Vilaine). Employé de commerce. Anarchiste. 27/2/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Interior of Saint Severin Church in Erfurt
Object type: drawing
Date: 1855 – 1855
Materials: pencil, watercolor
Artist: carl georg anton graeb
Artist role: artist
Artist nationality: german
Artist dates: 1816 – 1884
Subjects: interiors,men,women,crucifixion
Ex libris van J.H. Benier
Object type: bookplate
Date: 1911 – 1971
Materials: paper
Techniques: linocut
Location: utrecht
Artist: jan kraan
Artist role: print maker
Artist dates: 1901 – 
Subjects: civic architecture; edifices; dwellings
Priester met twee misdienaars voor een altaar
Object type: book illustration
Date: 1661 – 1661
Materials: paper
Techniques: etching, letterpress printing
Location: france
Subjects: priest (roman catholic), altar with altar-piece

Prent uit: Mengin, L. Tableaux ou sont representees la passion de N.S. Christ et les actions du prestre a la S. Messe (...). Metz: Claude Bouchard, 1661.
Russians (Roshiajin), from the series "People of the Five Nations (Gokakoku no uchi)"
Object type: print
Date: 1861 – 1861
Techniques: woodblock print
Location: japan
Artist: utagawa kunihisa ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1832 – 1891
Eierlijst behorende bij plaquette met allegorische voorstelling over De Trouw
Object type: locket
Date: 1590 – 1596
Materials: wood
Techniques: cutting
Artist: Anonymous
Subjects: willem barendsz., jacob van heemskerck

Eierlijst van hout behorende bij de plaquette met allegorische voorstelling over De Trouw.
Terracotta medallion fragment
Object type: vase fragment
Date: 134 – 166
Materials: terracotta
Culture: roman
Subjects: eagles,herakles,prometheus

Prometheus tied up with arms outstretched and eagle pecking at his chest; below Hercules armed with bow and arrow, and wearing lionskin: in field: HERCU LES. The medallion was applied to a vessel as decoration.
Brief aan Philip Zilcken
Object type: letter
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen, printing, writing
Location: arnhem
Artist: christina elizabeth perk
Artist role: painter, sculptor
Artist dates: 1833 – 1906
Subjects: print maker, karel petrus cornelis de bazel, amsterdam, brussels, draughtsman, david oyens, mathieu lauweriks, the hague, philip zilcken, applied arts, arts and crafts; industrial design, music, painting (including book-illumination, miniature-painting), exhibition ~ art, arnhem
Inscriptions: collector's mark: ‘RPK’
Kazuifel versierd met aaneengeschakelde vierpassen waarbinnen gestileerde passiebloemen, distelbladeren en een doornenkroon
Object type: chasuble
Date: 1850 – 1900
Materials: cotton, silk
Techniques: embroidered, weave
Location: germany
Artist: Anonymous

Kazuifel van zijde met het Christusmonogram IHS. Zijdeweefsel Duitsland (?), gemaakt in Nederland, 2de helft 19de eeuw.
Cylindrical jar
Object type: pot
Date: 1600 – 1699
Materials: glaze, stoneware
Techniques: firing, turning, vitrification
Location: germany
Artist: Anonymous

Kleine, cilindrische pot van steengoed met een iets spreidende rand.
Titelpagina voor: S.n., Nassouser heldens pronk-toonneel opgetooydt, en volcierdt met de keurlĳkste helden van Nassou en Oranje, 1664.
Object type: titelblad, titelpagina
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: personifications of countries, nations, states, districts, etc., prince, ruler, sovereign, fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: collector's mark: Lugt 2228

Een groep geharnaste mannen (mogelijk prinsen van Oranje en/of stadhouders) staat rondom een zittende man. Voor hem ligt een soldaat op zijn rug op een Medusa-figuur. Links zit de Hollandse Maagd met wapenschild. Aan de bovenzijde vliegt Faam met bazuin en lauwerkrans.
Glass globular bottle
Object type: bottle
Date: 1 – 200
Materials: glass
Culture: roman

Colorless with light green tinge. Collared rim, folded out, down, up, and out, and flattened upper surface; cylindrical, slightly convex neck, tooled in at base; horizontal shoulder; globular body; slightly concave bottom. On body, three bands of wheel-cut horizontal lines: above, two shallow lines; at center, three deeper lines; below, two more shallow lines. Intact; some bubbles; dulling, iridescent weathering, and some brown, limy encrustation around lower body. Globular bottle with short neck: the body is decorated with horizontal cut bands.
Architectural Capriccio
Object type: panel
Date: 1547 – 1547
Materials: wood
Artist: francesco orlandini
Artist role: maker
Artist dates: 1500 – 1600
Subjects: buildings

Commissioned by Claude d'Urfé, Ambassador of the King of France to the Council of Trent. Executed by Fra Damiano da Bergamo and his assistants in the Convent of San Domenico at Bologna, and set up in the Chapel of the Château de la Bastie d'Urfé, near Lyons. The altarpiece, representing the Last Supper, is signed by Fra Damiano and dated 1548. It was designed by Jacopo Barozzi da Vignola. The inlaid panels show architectural views, still lifes, landscapes, sacred subjects and ornamental patterns. The carved cartouches display the cipher of Claude d'Urfé and his wife, Jeanne de Balzac, the Eucharistic sacrificial lamb, adopted as an emblem by Claude d'Urfé, and various Trinitarian symbols. The design of these cartouches was also probably due to Vignola. The inscription running around the wainscoting is based upon the words of the Eucharistic hymn of Saint Thomas Aquinas. It indicates that the Chapel was dedicated to the Holy Sacrament as well as to the Trinity.
Portret van Gaspard Monge
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: nicolaas martinus schild
Artist role: draughtsman, print maker
Artist dates: 1822 – 1840
Subjects: paris, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Gezicht op een haven aan de kust, vermoedelijk in Engeland
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: harbour (+ view ~ vehicle, ship, etc.), england

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Column of Antoninus and a Roman Obelisk, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: architecture,columns,obelisks,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 104 in the scrapbook.
Waaierdoos van karton beplakt met grijs/beige papier
Object type: waaierdoos
Date: 1950 – 1970
Materials: cardboard, paper
Techniques: pasting, scooping
Location: netherlands
Artist: Anonymous
Subjects: amsterdam
Inscriptions: inscription: ‘C.I. Six, souvenir F[reu]le Louk Blaauw-Six/ L.D.C. Six 1862-1934’

Smalle, langwerpige doos voor waaier. Wit karton beplakt met papier met grijze en beige strepen en punten.
Bowl with floral and abstract motifs and hangeul inscription
Object type: bowl
Materials: cobalt, porcelain
Techniques: underglaze
Culture: korean

The striking, abstract designs on this bowl closely resemble those found on so-called Kraak ware, Chinese export blue-and-white porcelain from the late sixteenth and early seventeenth centuries. The style is unusual in Korean porcelain. Based on the Korean-character (Hangeul) inscription drilled over the glaze above the foot, we can surmise that this was one of thirty bowls for use at Sunhwa Palace on the occasion of the royal wedding in 1847 of King Heonjong (r. 1834–49) to his formally selected concubine.
Baarn, Paleis "Soestdijk." - achterzijde met uitzicht op den vijver
Object type: photomechanical print
Date: 1913 – 1950
Materials: cardboard
Techniques: photograph
Location: baarn
Artist: Anonymous
Subjects: palace, pond
Large Storage Jar (Ōtsubo)
Object type: jar
Date: 1501 – 1600
Materials: wood, glaze, stoneware
Culture: japanese
Frieze tile
Object type: tile from a frieze
Date: 1600 – 1600
Materials: earthenware
Techniques: glazing
Subjects: hunting,dogs
Plate
Object type: plate
Date: 1601 – 1700
Materials: pewter
Geïllustreerde gedichten van Pierre-Jean de Béranger
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: couple of lovers
Inscriptions: collector's mark: Lugt 2228

Onderschrift: Près de Rose, je le confesse, mon habit me parait bien lourd.
Portret van Michael Denis
Object type: print
Date: 1721 – 1771
Materials: paper
Techniques: engraving
Subjects: priest, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Design for Domed Ceiling for Mme Païva's Chateau at Neudeck
Object type: drawing ornament architecture
Date: 1877 – 1884
Materials: gouache, ink, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: animals,architecture,ornament

This beautiful design combines various 16th century ornaments in a monumental domed ceiling. It was designed by the Parisian architectural firm Lachaise and Gourdet which specialized in the interior decoration of upper-class houses and palaces from the 1840s until the last quarter of the 19th century. The design was part of their commission for the illustrious courtesan known as ‘La Paiva’ who had worked her way up in society through several advantageous marriages. Her last husband, Count Guido Henckel von Donnersmarck, who was 11 years her junior and one of the richest men of his day, owned the Castle Neudeck, known as ‘Little Versailles’ where they moved from Paris in 1877, and where she spent the last years of her life. Several designs by Lachaise and Gourdet for the castle survive, all executed in different Renaissance styles. This particular one is exceptional, for it shows two different options for the decoration of the dome which had to be decided on by the Count and Countess. Which one was chosen is difficult to ascertain as the castle was completely destroyed during World War II.
Fox Hunt
Object type: print
Date: 1622 – 1653
Materials: paper
Techniques: etching
Location: antwerp
Subjects: fox hunting
Inscriptions: collector's mark: Lugt 2165, collector's mark: Lugt 2228

Landschap met een vossenjacht. Links op de achtergrond een gezicht op Château de Meudon, nabij Parijs. In de marge een onderschrift in het Frans.
Self-Portrait, from "Image de divers hommes: The true effigies of the most eminent Painters"
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: men,self-portraits,women

Portrait of Wenceslaus Hollar, half-length almost facing front, wearing doublet buttoned down the front and open over left shoulder; holding copper-plate of his St Catherine, standing next to table covered with etching tools in front of open window on right with church and roofs seen in distance on r, coat of arms on l; after Joannes Meyssens
Gezicht op de Seine in Parijs
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: canals, waters (in city) - ii - ideal city, city-view, and landscape with man-made constructions, river, canals, waters (in city), paris
Inscriptions: collector's mark: ‘Timbre’

Prent uit: L'Illustration, vol. 28, nr. 705, 30 augustus 1856, p. 129.
Plafond en fries
Object type: print
Date: 1866 – 1900
Materials: paper
Techniques: tone lithography
Location: liège

Bovenaan een kwart van een vierkant plafond met in de hoek een putto, onderaan een fries met rechts een putto knielend op bladeren. Linksboven staat vermeld: Motifs de décoration, rechtsboven: Peinture et sculpture, rechtsonder: N° 12. J. 71.
Ansicht des hohen Dachstein vom Gipfel des Thorstein
Object type: page
Date: 1888 – 1888
Materials: paper
Techniques: autotype
Location: salzburg
Artist: oskar simony
Artist role: wiskundige
Artist dates: 1852 – 1915
Subjects: mountain-range, snow peaks
Inscriptions: number: ‘11.’
Twee zingende vrouwen met sluier
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: two-color autotype
Subjects: singing of psalms, hymns, etc., adult woman
Inscriptions: inscription: ‘F. II.’, inscription: ‘Sacred song by C. Puyo’
Caparisoned viceroyal elephants, Varanasi (Benares), Uttar Pradesh, India
Object type: photograph
Date: 1865 – 1866
Materials: paper
Techniques: albumen print
Location: varanasi
Artist: samuel bourne
Artist role: fotograaf
Artist dates: 1834 – 1912
Subjects: trunked animals: elephant
Inscriptions: inscription: ‘A group of H. E. the Viceroy's Elephants/ with their state wrappings/ most probably by Bourne/ ±1870/ f200,-/ 1132D/ 56/ 1258’
Portret van Johann Wolfgang Pfeil
Object type: print
Date: 1640 – 1696
Materials: paper
Techniques: engraving
Subjects: historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de marge en tekst in het Duits op de brief.
Environs de Spa. La Promenade des Artistes
Object type: photomechanical print
Date: 1892 – 1906
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: forest, wood, bridge
Ngombi (ombi)
Object type: ngombi ombi
Date: 1801 – 1900
Materials: leather, skin, wood
Culture: fang
Location: gabon

Unlike the triangular European harp, the arched harp, like this Ngombi, consists of two elements, a soundbox and a curved neck rising from it. Strings made of gut or plant fiber attach diagonally from the soundtable.
Brief aan Philip Zilcken
Object type: letter
Date: 1928 – 1928
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: charles destrée
Subjects: the hague, painter, draughtsman, philip zilcken, diseases, money
Inscriptions: collector's mark: ‘RPK’
Sibille van Cumae
Object type: print
Date: 1516 – 1516
Materials: paper
Techniques: engraving
Location: italy
Subjects: cumaean sibyl
Inscriptions: collector's mark: Lugt 2228

De Sibille van Cumae staat in een landschap met een mand vol zand in haar handen. Apollo schonk haar voor elke zandkorrel een levensjaar. Links naast haar staat een hond. In de achtergrond een dorp aan een rivier.
De geboorte van den zaligmaaker Jesus Christus, uit de maaget Maria
Object type: popular print
Date: 1787 – 1822
Materials: paper
Techniques: colour, letterpress printing
Location: deventer
Subjects: adoration of the christ-child by the shepherds; mary and joseph present, new testament, the annunciation: mary sitting, series of scenes from the life of christ
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen uit het leven van Christus, zoals de aanbidding door de herders en en verzoeking in de woestijn. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: 12.
Alle heiligen en de Christelijke feestdagen van het jaar
Object type: print
Date: 1632 – 1636
Materials: paper
Techniques: etching
Location: paris
Subjects: st. laurence is roasted on a gridiron, male saints (with name)
Inscriptions: collector's mark: Lugt 240

Blad met vier ovale voorstellingen, elk met opschrift en datum in het Latijn: linksboven de Heilige Albertus van Trapani die een duivels wezen verjaagt, rechtsboven de Heilige Marinus van Anazarbus die door wilde dieren wordt verslonden, linksonder de Heilige Demetrius en gezellen bij een portret van Christus, rechtsonder de Heilige Laurentius die geroosterd wordt. Deze prent is onderdeel van een serie prenten met voorstellingen van de heiligen en de christelijke feestdagen van het jaar. Er zijn steeds vier scènes van één plaat op één blad gedrukt. Inclusief bijbehorend titelblad en frontispice gaat het in totaal om 124 platen (490 voorstellingen). De drie platen met de laatste 12 scènes (de veranderlijke christelijke feestdagen) zijn in de derde staat versneden tot 12 kleine plaatjes, en met een apart titelblad uitgegeven.
Hooded Male Head (from Sketches on The Coast Survey Plate)
Object type: print
Date: 1854 – 1855
Materials: board
Techniques: cutting, etching
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: heads,men

Whistler made his first etchings while employed as a draftsman at the U.S. Coast and Geodetic Survey in Washington, D.C., between 1854 and 1855. A staff member taught him the technique and supplied him with a copper plate, on which he etched topographic renderings of coastlines, then sketched freely drawing figures. This fragment represents a Spanish hidalgo, or minor nobleman, and likely was intended as a self-portrait. It was trimmed from a printed proof and given to given to Thomas Winans, a friend in Baltimore who financed Whistler's move to Paris in 1855, allowing him to pursue an artistic career. Winans mounted the fragment in an album of Whistler's early work that his descendants gave to the Museum.
Gezicht op de Hervormde Kerk te Westmaas
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: westmaas
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Westmaas Z.H./ N.H. Kerk’, annotation: ‘Westmaas (Z.H.)’
Portret van Lodewijk VI van Frankrijk
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Flounce
Object type: flounce
Date: 1601 – 1633
Techniques: lace
[Unidentified Woman]
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: southworth and hawes
Artist role: photography studio
Artist nationality: american
Artist dates: 1843 – 1863
Subjects: portraits,profiles,women
Landweg langs heuvels met bomen
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: etching, intaglio
Artist: karel theodoor hippert
Artist role: print maker
Artist dates: 1839 – 1919
Subjects: low hill country, trees, forest path or lane
Inscriptions: collector's mark: Lugt 2228
Dood van Albrecht Beiling
Object type: book illustration
Date: 1840 – 1884
Materials: paper
Techniques: engraving
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: jacoba of bavaria (countess of hainaut), windmill
Inscriptions: collector's mark: Lugt 2228

Albrecht Beiling, bevelhebber in Schoonhoven, werd door Jacoba van Beieren veroordeeld om levend begraven te worden, in het jaar 1426. Albrecht staat met een kruis in zijn handen en zijn gezicht naar de hemel gericht voor zijn eigen graf. De geestelijke naast hem wijst op de hemel en heeft een rozenkrans bij zich.
10 centimes van de Franse koloniën tijdens Louis Philippe I, 1843
Object type: tien centime
Date: 1843 – 1843
Materials: bronze
Techniques: striking
Location: paris

Bronzen munt. Voorzijde: gelauwerd hoofd van Louis Philippe I naar links. Keerzijde: binnen een krans van twee takken in twee regels waaarde-aanduiding. Omschrift: COLONIES FRANCAISES. Onderaan jaartal, links daarvan letter A [=Parijs].
Kop van een jonge geit
Object type: print
Date: 1919 – 1919
Materials: paper
Techniques: woodcut
Artist: rijk van lavieren
Artist role: print maker
Artist dates: 1889 – 1952
Subjects: kid (goat)
Inscriptions: collector's mark: Lugt 2228, number: ‘III’, collector's mark: Lugt 2760
Satirische voorstellingen
Object type: print
Date: 1830 – 1840
Materials: paper
Techniques: hand coloring, lithograph
Location: london
Subjects: counter ~ shop, political caricatures and satires, book-shop, bookseller
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228, collector's mark: Lugt 4779

Voor de toonbank staat een map met titels van prentseries die werden uitgeven door Tregear.
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Part of left forearm with hand holding a helmet; upper torso, in three-quarter view, genitals, and thighs of a nude Herakles to left, grasping one leg of the tripod in his left hand; draped Apollo to right, grasping the tripod in his right hand and holding a bow in his left; in between Herakles and Apollo, a deer
Saint Peter Martyr Healing the Leg of a Young Man
Object type: painting
Date: 1450 – 1450
Materials: gold, paint, wood
Artist: antonio vivarini
Artist role: artist
Artist nationality: italian
Artist dates: 1440 – 1484
Subjects: men,women,saint peter

This painting belongs to a series of eight scenes that would have been arranged around an image or statue of Saint Peter Martyr (1205–1252). Here the saint ministers to a youth who had kicked his mother and cut off his leg in remorse. A genial storyteller, Antonio sets the scene in a carpenter’s shop. Together with his younger brother Bartolomeo, his partner Giovanni d’Allemagna (who died in 1450), and his son Alvise, Antonio established a family enterprise in Venice surpassed in prestige only by that of Jacopo Bellini and his sons.
Musée de Mariemont. Torse d'Aphrodite. Epoque Hellénistique
Object type: photomechanical print
Date: 1917 – 1946
Materials: cardboard
Techniques: photograph, writing
Location: brussels
Subjects: statues, paintings, etc. ~ objects of worship in roman religion, permanent exhibition, museum
Inscriptions: postage stamp