deem-data/ArtiFact huggingface dataset:
Anagram in Honor of Charles III, Duke of Lorraine and Bar
Object type: drawing
Date: 1595 – 1605
Materials: gouache, ink
Techniques: incising, pen, wash
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Subjects: eagles,dogs,lions,coat of arms,crowns

In a complex synthesis of text and image, this work by Aegidius Sadeler praises Charles III, Duke of Lorraine and Bar (1543-1608), a staunch defender of Catholicism during the French Wars of Religion. At the center of the medallion, within the circle formed by the snake eating its own tail, is Charles’s coat of arms, inverted from left to right. Although it is somewhat abraded, the rampant lions at lower center and the fleurs-de-lis and pair of fish on either side can be discerned. Inscribed on the double-cross from which the medallion appears to hang, also inverted and executed in the same combination of white gouache and black ink, are the names of Christ (IHS) and the Virgin (MARIA, the five letters intertwined). Woven through the medallion is a kind of acrostic poem. Beginning with the A at top center, and continuing clockwise and inward from the outermost ring toward the center, the capital letters in red read: "ARX DEDALEA CAROLI DUCIS", which can be translated from the Latin to “Duke Charles, Skillful Defender.” Each of these letters also forms part of one or more of the phrases, written in brown ink, that form a poem celebrating Charles’s leadership and resulting peace. The banderole below bears an inscription referring to the duke as an “impregnable fortress against the guilty French," referring presumably to the Huguenots and those who supported tolerance of Protestants in France; the text between the two strands of pearls encircling the medallion refers to the Dominican friars (predicants) of Brussels, conceivably the patrons of this drawing. Charles’s chief connection to Brussels was his niece by marriage, Isabella, Archduchess of the Spanish Netherlands from 1598. Sadeler, who left his native Antwerp in 1586, became, in 1597, court artist to the Holy Roman Emperor Rudolf II, brother of Isabella’s husband, Albert. Although tenuous, these connections may begin to explain the circumstances under which this unusual and intriguing drawing was created. (JSS, 8/27/2018)
Portret van Lamoraal van Egmond
Object type: print
Date: 1611 – 1620
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: earl, armour, historical persons, knighthood order of the golden fleece

Prent komt mogelijk uit een herdruk van: Meteren, Emanuel van. Nederlantsche historien ofte geschiedenissen (...). S.l.s.n., 1611.
Gezicht op Rhenen
Object type: drawing
Date: 1813 – 1863
Materials: chalk, paper
Techniques: brush
Artist: arnoldus johannes eymer
Artist role: draughtsman, print maker
Artist dates: 1803 – 1863
Subjects: prospect of city, town panorama, silhouette of city, rhenen
Wapenschild met leeg veld
Object type: ornament print
Date: 1611 – 1625
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Provincetown
Object type: painting
Date: 1916 – 1916
Materials: board, oil
Location: united states
Artist: marsden hartley
Artist nationality: american
Artist dates: 1877 – 1943
Portret van Samuel Strimesius op 58-jarige leeftijd
Object type: print
Date: 1706 – 1707
Materials: paper
Techniques: engraving
Location: germany
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: theologian, historical persons, professor
Inscriptions: collector's mark: Lugt 2233

Prent mogelijk uit: Beckmann, Johann Christoph. Notitia Universitatis Francofurtanae (...). Frankfurt an der Oder: erven Jeremias Schrey en Johann Hartmann, 1707, p. 58
Tegel
Object type: tile
Date: 1800 – 1830
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Tegel met een blauw geschilderde interieur scène van een schoenmakerij.
The Engagement of John Paul (Jones) (1747–92) with the British ship Serapis off Flamborough Head, September 23, 1779
Object type: medal
Date: 1779 – 1779
Materials: bronze
Techniques: struck
Artist: augustin dupré
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1833
Subjects: men,profiles,ships
Statuette of Arsinoe II for her Posthumous Cult
Object type: statuette, standing queen, arsinoe ii, deified
Date: 150 – 100
Materials: gold leaf, limestone, paint
Location: egypt
Subjects: goddess

The inscription on the back of this figure refers to Queen Arsinoe II as a goddess, indicating it was made after 270 B.C. when her cult was established at the time of her death in by her brother and husband, Ptolemy II. Gilding indicating divinity once covered her face, and traces still remain at the edges of her neckline. While the overall frontal pose and disposition of the limbs in this small statue follows Egyptian traditions, the cornucopia the queen holds is a Greek divine attribute, and her corkscrew are strongly associated with Hellenistic traditions in Egypt. Features of the depiction – the small Cupid’s bow mouth and the large rounded eyes – are also elements from Greek style. Stylistic comparisons indicate this statue was created in the second half of the second century B.C. Arsinoe’s deification is part of the phenomenon of ruler cults in the Hellenistic world established to honor leaders, sometimes even while living; statues of the deified ruler might be placed in the temples of other gods. The importance of native goddesses like Isis and Hathor might have encouraged the Ptolemies to establish a prominent queen. Worship of Egyptian pharaonic period queens is rather rare, although there are notable exceptions such as Ahmose-Nefertari
Nobile d’Anversa
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates

Adellijke oudere vrouw uit Antwerpen, een strohoed in de vorm van een halve bol op het hoofd. Lang overkleed met schort.
Bust of an Old Bearded Man, Looking Down, Three Quarters Right
Object type: print
Date: 1631 – 1631
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, satyr kicking a draped figure
Anaxarete en Iphis / Dood van Dido / Venus troost Amor
Object type: print
Date: 1680 – 1800
Materials: paper
Techniques: engraving
Artist: monogrammist mp
Artist role: print maker
Subjects: death of iphis, a youth of salamis: desperate for the love of anaxarete he hangs himself at her door, crying cupid, surrounded by bees, runs or clings to his mother venus to be soothed, death of dido; she climbs the funeral pyre and falls upon the sword of aeneas
Inscriptions: collector's mark: Lugt 2228

Drie voorstellingen op een blad. Boven: Iphis heeft zichzelf opgehangen voor de deur van de vrouw van wie hij hield, Anaxarete. Zij minachtte hem. Anaxarete kijkt toe vanaf het balkon. Op de achtergrond wordt het lichaam van Iphis weggedragen. Midden: Dido doodt zichzelf met Aeneas' zwaard. Op zee de vertrekkende schepen van Aeneas. Onder: Amor laat zich toosten door Venus, nadat hij door bijen gestoken is.
Study
Object type: drawing and watercolor
Date: 1811 – 1812
Materials: chalk, crayon, paper
Location: france
Artist: jacques-louis david
Artist role: draughtsman, painter
Artist nationality: french
Artist dates: 1748 – 1825
Open book pendant / brooch
Portret van keizer Maximiliaan I
Object type: print
Date: 1770 – 1780
Materials: paper
Techniques: mezzotint
Subjects: maximilian i (holy roman emperor), historical persons, emperor, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Vinaigrette
Object type: vinaigrette
Date: 1830 – 1830
Materials: silver
Artist: thomas shaw
Artist role: maker
Artist nationality: british
Artist dates: 1818 – 1845
Subjects: flowers

Thomas Shaw’s premises were in Caroline Street, Birmingham, the center of the silver manufacturing industry; he worked between 1818 and 1845. The maker’s mark (T S) was used by three different silversmiths in Birmingham at the time, all of whom made snuff boxes and vinaigrettes: Thomas Smith, Thomas Shaw and Thomas Simpson. This rectangular vinaigrette has reeded sides while the base and cover are decorated with basket-weave engine-turning. The name "E. Taylor" is engraved on the reserve of the cover. The hinged silver-gilt grille is pierced and engraved with foliate decoration. An attached ring allows the vinaigrette to be carried around the neck or to be suspended from a chatelaine worn around the waist. A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. Its interior Is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged and decoratively pierced inner lid or grille kept the sponge in place while its perforations allowed the odor to waft through. A whiff of the vinegar might revive someone from a fainting spell.
Portret van een man, zittend op een stoel
Object type: carte de visite
Date: 1861 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons, chair
Inscriptions: inscription: ‘A. Greiner/ Photograf/ NIEUWENDIJK L. 87/ AMSTERDAM’
Historia Septem Infantium de Lara/ Historia de los Siete Infantes de Lara
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: garden fountain, tales and fairy tales, surprise attack (from ambush)
Inscriptions: number: ‘12’, collector's mark: Lugt 11, collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 40 prenten (+ titelprent) met voorstellingen uit het volksverhaal over de zeven infanten van Lara.
Opstanding van Christus
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: comprehensive representations of the events on golgotha during christ's hanging on the cross, no particular event emphasized
Inscriptions: collector's mark: Lugt 2228

Kopie naar illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 22.
Mustard pot
Object type: mustard pot
Date: 1768 – 1769
Materials: silver
Artist: alexis micalef
Artist role: maker
Artist dates: 1726 – 1818

During the eighteenth century, mustard was served at the table either as a dry powder or mixed with vinegar to form a paste or sauce. The dry powder was contained in a caster left un-pierced or fitted with a removable sleeve that blocked the holes. Most of the mustard pots in the Museum’s collection were made to serve the condiment mixed into a sauce; they take the form of a small jug barely distinguishable from a lidded milk jug with a spout. Some lidded pots have an opening to accommodate a small spoon. The early eighteenth-century pots are cylindrical in shape, often with typical cut card decoration and applied lambrequins. By the 1740s, the rounded shapes of the Rococo with swirling forms and floral ornament predominate as seen in this example. A mustard pot of a very similar design by the same maker Alexis Micalef, but of silver gilt, is also in the Met’s collection (48.187.187). By the mid-18th century, mustard pots were also made in porcelain. Indeed, the journals and inventories of the Paris luxury dealers, the marchand merciers, itemize many more mustard pots made of ceramics than of silver, and often were listed as having a plateau and a spoon. Rarely do these survive in silver, although some precious metal examples had a matching plateau as recorded in the account books of the marchands merciers. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes several rare early pieces.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Exterior, part of an inscription, LOL?
Portret van Juliana, gravin van Nassau-Siegen
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: crispijn van den queborn
Artist role: print maker
Artist dates: 1595 – 1652
Subjects: juliana gravin van nassau-siegen
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Dans la Grande forêt de l'Afrique Centrale
Object type: book
Date: 1899 – 1899
Materials: cardboard, linen, paper
Techniques: photograph, lithograph, printing, marbling
Location: brussels
Artist: franz thonner
Artist role: botanicus, ontdekkingsreiziger
Artist dates: 1863 – 1928
Meubilair
Object type: furniture
Date: 1700 – 1750
Materials: silk, wood
Location: northern netherlands
Artist: Anonymous

Stoel van notenhout. Het zitraam en de rug zijn aan de voorzijde belijmd met wortelnotenhout. Het zitraam is geschulpt en draagt een op raam gespannen los kussen met zijden bekleding. De stoel staat op gebogen poten. De lichtgeholde rug is plat en heeft een symmetrisch geschulpte omtrek.
Portret van Jozef Klemens van Beieren
Object type: print
Date: 1681 – 1704
Materials: paper
Techniques: engraving
Artist: leonhard heckenauer
Artist role: print maker
Artist dates: 1650 – 1704
Subjects: priest, trees: laurel (branch, stick), historical persons
Inscriptions: collector's mark: Lugt 2228
Abraham met de engelen in een landschap
Object type: print
Date: 1560 – 1564
Materials: paper
Techniques: engraving, etching
Location: deventer
Subjects: abraham kneels before the angels, pyramid (marking grave), abraham entertaining the three angels, sodom and gomorrah burning, dale, valley (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 845

Landschap met centraal op de voorgrond Abraham die de drie engelen begroet (Gen. 18:2). Naast hem een piramide en een graftombe. Op de achtergrond geeft Abraham de engelen te eten. In de verte staat de stad Sodom in brand. De prent is deel van een serie van landschappen met christelijke verhalen als thema.
Portret van mevrouw Cross als H. Catharina
Object type: print
Date: 1697 – 1742
Materials: paper
Techniques: mezzotint
Subjects: the virgin martyr catherine of alexandria; possible attributes: book, crown, emperor maxentius, palm-branch, ring, sword, wheel, historical persons, actor, actress (non-work situations)
Inscriptions: collector's mark: Lugt 240
Fotoreproductie van een prent naar een schilderij door Johann Heinrich Füssli, voorstellend een scene uit Hamlet door William Shakespeare
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: hamlet, prince of denmark
Inscriptions: number: ‘Ph. LXXXII. 327’

Te zien is akte I, scene 4 met Hamlet en Horatio voor het kasteel met de Geest.
Kop met bontmuts
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types)
Inscriptions: collector's mark: Lugt 2228
Vignet met een zwaard met een lauwerkrans en het wapen van de stad Haarlem
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), garland, wreath, hacking and thrusting weapons: sword, vignette, haarlem
Inscriptions: collector's mark: Lugt 240
Gerard Brouwers op de veranda van Plantage Accaribo
Object type: stereograph
Date: 1913 – 1930
Materials: glass
Techniques: photography
Location: suriname
Artist: theodoor brouwers
Artist role: amateurfotograaf
Artist dates: 1874 – 1932
Subjects: amsterdam, theodoor brouwers, plantation, suriname

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
Johann Gustaf von Baner, or Banier
Object type: reproduction
Date: 1860 – 1865
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: politician, historical persons
Inscriptions: inscription: ‘Born 1596/ Died 1641/ A Swedish general’
Deez' printjes, lieve kindren, zyn niet geschikt tot vreugd, / Maar om u voor te lichten op 't smalle pad der deugd. / Door afkeer inteboezmen voor de ondeugd, die ons leidt / Tot de ysselykste rampen, in tyd en eeuwigheid
Object type: print
Date: 1830 – 1892
Materials: paper
Techniques: colour, letterpress printing
Location: zaltbommel
Artist: Anonymous
Subjects: tales and fairy tales, the soldier; the soldier's life, imprisonment
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen over het leven en avonturen van Schinderhannes, de Duitse tegenhanger van Cartouche. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 256.
Les vrais pourtraits de quelques unes des plus grandes dames de la chrestiente desguisees en bergeres.
Object type: album leaf
Date: 1640 – 1640
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: initial

Gezang in tien Franstalige en Nederlandstalige kwatrijnen, op drie pagina's: pagina 1. Het eerste Franstalige kwatrijn onder vier notenbalken. De tekst begint met een gedecoreerde initiaal M. Het blad maakt deel uit van een album.
Studie van een hand met een nap
Object type: album leaf
Date: 1649 – 1723
Materials: chalk, paper
Techniques: pasting
Subjects: postures and gestures of hand and fingers, bowl
Gezichten op diverse kastelen
Object type: album leaf
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: castle

Uit een serie van twaalf ongenummerde prenten.
Snuff Bottle
Object type: snuff bottle
Date: 1801 – 1900
Materials: gold, porcelain
Techniques: molding
Culture: chinese
Subjects: dragons
Duiker tijdens hoogspringen
Object type: photomechanical print
Date: 1907 – 1912
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: diving (sport)
Inscriptions: inscription: ‘Taken with a 1/4-Plate "Popular Pressman." Extra Rapid Plate, exposure 1/1000.’
Figuurstudies
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper, pencil
Location: scheveningen
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, adult man, child

Pagina 61 uit een schetsboek met 37 bladen.
Keyed bugle in E-flat
Object type: keyed bugle in e flat
Date: 1840 – 1840
Materials: silver
Culture: american
Location: united states
Artist: henry sibley
Artist role: maker
Artist nationality: american

The keyed bugle was a particularly prominent brass instrument in America during the mid-nineteenth century. It was a featured solo instrument in military and civilian bands through the 1860s, despite the advent in 1814 of valved brass instruments, which produce a louder and more homogenous sound. In the US, the keyed bugle remained the preeminent solo brass instrument long after the cornet was adopted in Europe. Consequently, the instrument attained a more sophisticated key system and production values in the US. This keyed bugle by the Boston maker Henry Sibley is associated with Edward Kendall, the most celebrated US performer of the instrument. Kendall played with a number of bands including the celebrated Boston Brass Band and toured throughout the country. He is remembered for his encounter with the band leader Patrick Gilmore, with whom he entered into a musical duel. The contest pitted Kendall, performing on keyed bugle, against Gilmore on cornet. While the keyed bugle was prized for its warm sound and subtle tonal inflections, the more technically agile cornet eventually became the undisputed leader of the band. Sibley was the first notable US maker of keyed bugles. Modification of placement of the tone holes on this example suggest that Kendall and Sibley may have worked together to refine the design of this instrument. Sibley’s instruments clearly informed the design of later keyed bugles by E.G. Wright, including an example held in the Met collection (2004.269a-e, made in 1854)
San Marco Plein met de Basiliek van San Marco en het Dogenpaleis
Object type: sketchbook leaf
Date: 1895 – 1895
Materials: chalk
Location: venice
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: square, place, circus, etc., flags flown from a mast, palace, roman catholic church, street (+ city(-scape) with figures, staffage)

Voor de basiliek staan grote vlaggenmasten. Rechts van het Dogenpaleis een doorkijkje naar de San Giorgio Maggiore. Pagina 24 en 25 uit een schetsboek met 28 bladen.
Kop, gevonden bij V.O.C.-schip Witte Leeuw, mogelijk afkomstig van Zeelelie
Object type: cup
Date: 1775 – 1800
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherf van een kop gemaakt voor export naar Anglo-Saxische landen, Nanking-ceramiek bord. Dit object is 18e-eeuws en kan dus niet van de vracht van de Witte Leeuw zijn. Onduidelijk is of het object van de site komt of dat het later is vermengd, mogelijk met materiaal van de Zeelelie.
Accessory set
Object type: accessory set
Date: 1715 – 1774
Culture: french
Raderstoomboot bij een kade
Object type: print
Date: 1800 – 1864
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: steamship, motorship, paddle-wheel boat
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Les Cigognes
Object type: print
Date: 1870 – 1879
Techniques: etching
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: birds
De schilder door liefde / L'amant peintre
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: kneeling figure, apelles paints campaspe and falls in love with her; alexander yields her to him, painter working from clothed model
Inscriptions: collector's mark: Lugt 2488

De schilder Eduard verklaart Leonoor, wier portret hij vervaardigd heeft, zijn liefde. Bij de deur staat Leonoors jaloerse man Don Pedro, die door de schildersknecht bezig wordt gehouden. Boven de deur hangt een schilderij met een voorstelling van Alexander, die de schilder Apelles zijn minnares Campaspe ten geschenke geeft. Onderaan in de marge vierregelige verzen in het Nederlands en het Frans. Scène uit het tweede bedrijf van het toneelstuk De schilder door liefde, van Molière.
Vase
Object type: vase
Date: 1835 – 1850
Materials: gemstone, glass, lead
Techniques: glassblowing
Culture: american
Location: united states
Bodice
Object type: bodice
Date: 1837 – 1840
Materials: cotton
Culture: american

This is a charming girl's bodice which replicates the form of an adult garment of the period. Like women's dress during the 1830s, this bodice marks the beginning of the collapse of the full sleeve, an event that occurred in 1837.
Marble memorial sculpture in book form
Location: united states
Large wavy-handled jar
Object type: jar, wavy handled
Date: 3850 – 2960
Materials: pottery
Location: egypt