deem-data/ArtiFact huggingface dataset:
Journal des Dames et des Modes, Costume Parisien, 15 janvier 1820, (1872): Coeffure ornée de gaze-velours (...)
Object type: fashion print
Date: 1820 – 1820
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), diadem, tiara (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), ornamental parts of clothing (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), necklace (+ women's clothes), cup and saucer
Inscriptions: caption: ‘Coeffure ornée de gaze-velours pailletée, par Mr. Albin. Robe de tulle à volans et entre deux ornés de coquilles de crêpe.’, title: ‘Costume Parisien.’

Staande vrouw gekleed in een japon van tule met gerimpelde stroken stof, ertussen versierd met 'coquilles' van crêpe. 'Coeffure' versierd met 'gaze-velours' met pailletten, door Mr Albin. Accessoires: oorbel in het linkeroor, collier, lange handschoenen, platte schoenen met gekruiste banden en strikken. Kop en schotel in de handen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
A.C. Anson, Captain, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Venus treurt bij de dode Adonis
Object type: print
Date: 1672 – 1677
Materials: paper
Techniques: etching
Location: rome
Artist: augustinus terwesten (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1649 – 1711
Subjects: venus mourning adonis
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Venus, op een wolk, treurt om haar geliefde Adonis, die tijdens de jacht is gedood door een wild zwijn. Amor bestuurt de door duiven getrokken wolk.
Upholstered armchair, originally from a set of eight, from Burley-on-the-Hill, Rutland (one of a pair)
Object type: armchair
Date: 1689 – 1689
Materials: wood, velvet
Artist: thomas roberts
Artist role: maker
Artist dates: 1685 – 1714
Subjects: flowers

Supplied to Daniel Finch, 2nd Earl of Nottingham and 7th Earl of Winchilsea (1647–1730), for Cleveland House, St. James's, in 1689.
Studies of Bathers
Object type: drawing
Date: 1838 – 1909
Materials: graphite, paper
Culture: american
Artist: walter shirlaw
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1838 – 1909
Subjects: male nudes,bathing
Fragments depicting a group of foreigners including a child
Object type: relief fragment, senwosret i temple, foreigner, child
Date: 1961 – 1917
Materials: limestone, paint
Location: egypt
Subjects: human figures
The Rhine from its source to the sea vol. II
Object type: book
Date: 1899 – 1899
Materials: cardboard, linen, paper
Techniques: lithograph, photoaquatint, printing
Location: philadelphia
Inscriptions: inscription: ‘Feb 28th 1900 J. B. & H. C. Baldwin’
Brief aan Philip Zilcken
Object type: letter
Date: 1897 – 1897
Materials: ink
Techniques: pen, printing, writing
Location: paris
Artist: arsène alexandre
Artist role: auteur, verzamelaar
Artist dates: 1859 – 1937
Subjects: marius bauer, leiden, amsterdam, print maker, rembrandt van rijn, publisher, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Woonhuisje bij de ruine Brederode
Object type: print
Date: 1827 – 1828
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: care and laundering of clothes; home sewing, sitting figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228

Een vrouw zit bij een raam met handwerk op schoot. Voor haar staat een mand waaruit een doek of kledingstuk hangt.
Twee boerinnen met mutsen bij hooibergen op het land
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: lithography
Subjects: bretagne
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Deze prent werd in deze staat gedrukt in een oplage van dertig tot vijfitg exemplaren.
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1873 – 1873
Materials: ink, paper
Techniques: pen, writing
Location: hilversum
Artist: hendrik albert van trigt
Artist role: draughtsman, painter, print maker
Artist dates: 1829 – 1899
Subjects: publisher, drawing
Inscriptions: collector's mark: Lugt 2233
Chaumont
Object type: drawing
Date: 1675 – 1675
Materials: ink, paper
Techniques: pen
Artist: constantijn huygens (ii)
Artist role: draughtsman
Artist dates: 1628 – 1697
Subjects: prospect of village, silhouette of village, church (exterior)
Urformen der Kunst
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘89’

facher Vergrößerung. Afkomstig uit losbladige uitgave.
Portret van Andreas Paul Gammersfelder
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: politician, historical persons, commander-in-chief, admiral
Inscriptions: : ‘Paul Andreas Gammersfelder [...]’
Panorama van het Nieuwe Louvre: Tuilerieën, cour Napoléon en Carrousel
Object type: photograph
Date: 1857 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, paris, tuileries palace

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
"Dites Merci"
Object type: furnishing textile
Date: 1798 – 1798
Materials: cotton
Artist: lecler, père et fils
Artist role: manufactory
Subjects: human figures
Square
Object type: square
Date: 1501 – 1700
Techniques: embroidery
Rivierlandschap met stadsprofiel
Object type: print
Date: 1833 – 1862
Materials: paper
Techniques: etching
Location: netherlands
Artist: gijsbertus johannes verspuy
Artist role: print maker
Artist dates: 1823 – 1862
Subjects: river, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228

Gezicht op een rivier met aan de horizon een stad. Links een vrouwenfiguur op de oever.
Laughing Peasant
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: men,portraits
Oude man met plunjezak voor een schutting
Object type: print
Date: 1868 – 1909
Materials: paper
Techniques: etching
Artist: charles boom
Artist role: print maker
Artist dates: 1858 – 1939
Subjects: old man
Inscriptions: annotation: ‘st I’
Father, Mother, and Child in a Park
Object type: minature
Date: 1810 – 1810
Materials: glass, paint, wax
Culture: american
Artist: john christian rauschner
Artist role: artist
Artist nationality: german
Artist dates: 1760 – 1812
Subjects: children,men,fathers,mothers,women,family

Born in Frankfurt, Germany, Rauschner came to the United States by 1799. Specializing in wax miniatures, he was based in New York, but like many portrait artists of the day, traveled extensively to other East Coast cities in search of sitters. The family in this ambitious landscape scene is unidentified. Rauschner lavishes attention on their fashionable appearance, from the hand-tinted facial features to the small pearls set in the woman’s elaborately styled hair. He includes such whimsical and wondrous details as the pet rabbit in the boy’s outstretched arms and a snail with real shell at the lower right of the composition.
Ontwerp voor raam in het Noordertransept in de Dom te Utrecht
Object type: photograph
Date: 1878 – 1938
Materials: ink, paper
Techniques: pen, photography
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: church-window, e.g. rose-window, interior of church, utrecht
Ceramic Fragment
Object type: fragment
Date: 601 – 900
Materials: earthenware
Techniques: glazing
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Metamorfosen van Ovidius
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Artist: magdalena van de passe
Artist role: print maker
Artist dates: 1600 – 1638
Subjects: cephalus and aurora
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘45’

Deze incomplete serie, bestaande uit 77 van de in totaal 85 prenten met scènes uit Ovidius' Metamorfosen, werd in 1709 samen met Ovidius-illustraties van Tempesta, Goltzius en Le Pautre in één album, Schijnvoet nummer 43, ingebonden. In de negentiende eeuw werd deze band weer uit elkaar gehaald.
Naumachia in the Court of Palazzo Pitti, from an Album with Plates documenting the Festivities of the 1589 Wedding of Arch Duke Ferdinand I de’ Medici and Christine of Lorraine
Object type: book
Date: 1589 – 1592
Techniques: etching
Artist: orazio scarabelli
Artist role: artist
Artist nationality: italian
Artist dates: 1589 – 1589
Subjects: battles,ships

The wedding celebrations of Francesco I, Grand Duke of Tuscany and Christine of Lorraine were held in Florence in 1589. Officially, they had already been married since 1586, but it was not until Christine travelled to Florence in 1589 that the wedding would be celebrated. The preparations required a full year and mobilized most of the artists and artisans in the city of Florence to create a landmark event in the realms of art, architecture, theatre, music and political ceremony. The festivities themselves, consisting of pageants, balls, games and performances, lasted all throughout the month of May. They started with the official entrance of Christine into the city of Florence on April 30th when a series of triumphal arches were erected along her route into the city. The festivities continued on May 2nd, with the so-called intermedi, a Florentine theatre tradition which combined several shorter performances, both tragedies and comedies in a larger show with acting, song and dance. All in all, there were 6 intermedi, each with their own stage set and costumes. On May 9th, a demonstrative soccer match was hosted in front of the church of Santa Croce, and the same arena was used on May 10th for a joust. From there, the festivities were continued on the other bank of the river Arno, at the Medici stronghold Palazzo Pitti. On May 11th, the inner courtyard was turned into a water basin for the staging of a ‘naumachia’, or sea battle. The final event took place on May 28th: the so-called Chariot procession of Neptune. It was organized by young nobleman from the city of Florence who dressed up as rivergods to accompany the Sea God Neptune as he was driven around the city of Florence in his chariot. The party would stop at the houses of prominent gentlewomen and break out in a song which explained how the waters of the world had come to pay tribute to the new Grand Duchess.
Portret van een onbekende vrouw in een omlijsting met rozen
Object type: cabinet photograph
Date: 1895 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: arnhem
Artist: e. v.d. kerkhoff
Artist role: fotograaf
Artist dates: 1861 – 1943
Subjects: adult woman, flowers: rose
Inscriptions: inscription: ‘E. v. d. Kerkhoff Ridderstraat No 27 Arnhem’
Epistle CXI to Paula and Eustochio from Epistolae (Letters of Saint Jerome), Plate 47 from Woodcuts from Books of the 15th Century
Object type: print
Materials: paper
Techniques: letterpress, woodcut
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1450 – 1499
Iconoclasm in a Church
Object type: painting
Date: 1630 – 1630
Materials: wood, oil, paint
Location: netherlands
Artist: dirck van delen
Artist role: painter
Artist dates: 1604 – 1671
Subjects: interior of church, iconoclasm, netherlands, beeldenstorm (1566)
Inscriptions: date: ‘1630’, signature: ‘D. V. Delen’

A man on a ladder has placed a noose around the neck of a statue of a saint, while below three men stand ready to topple it from its socle. At the right a statue has been brutally hacked in half. In August 1566 fanatic Protestants destroyed altarpieces, statues and sacred vessels used for the Catholic Mass in countless churches throughout the Netherlands. It was a black day in Dutch history, and one rarely depicted in art.
The Artisan (Ko) from the series "Beauties Illustrating the Four Social Classes (Adesugata shi no ko sho)"
Object type: print
Date: 1779 – 1779
Techniques: woodblock print, koban
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
The Domyoji Scene (Domyoji no dan), from the series "Sugawara's Secrets (Sugawara denju)"
Object type: print
Date: 1830 – 1844
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Dood van Lucretia
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: woodcut
Location: netherlands
Subjects: death of lucretia: she commits suicide by stabbing herself
Inscriptions: collector's mark: Lugt 240

Lucretia pleegt zelfmoord door zich met een dolk te doorsteken, omdat ze de schaamte na de verkrachting door Sextus niet meer aan kan. Haar naakte lichaam ligt op de grond naast haar bed. Haar man Collatinus rent op haar af.
[View of the Jungle, Bengal]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: captain r. b. hill
Artist role: artist
Artist nationality: british
Subjects: houses,forests,landscapes
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1894 – 1894
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: jacob nicolaas van hall
Artist role: politician
Artist dates: 1840 – 1918
Subjects: max rooses, the hague, painter, philip zilcken, exhibition ~ art, antwerp
Inscriptions: collector's mark: ‘RPK’
Portret van Clemens XI
Object type: print
Date: 1700 – 1721
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: jacobus harrewijn
Artist role: print maker
Artist dates: 1660 – 1740
Subjects: rome, clergyman, clemens xi, pope, symbols of the trinity ~ circular and/or triangular forms or arrangements, abstract ideas and concepts (+ personification), holy ghost represented as a dove (in flames)
Inscriptions: collector's mark: Lugt 2228

Buste naar links van paus Clemens XI in een ovaal. Links van het portret de personificatie van vrede en trouw (Clementia) en rechts die van reinheid en deugdzaamheid (Candore). Boven het portret een lint met de naam. Daarboven de verbeelding van de Drieëenheid met de Heilige Geest als duif. Onder het portret zijn wapen en vier regels in het Latijn.
Woodblock for The Great Plover, from A History of British Birds
Object type: print
Date: 1797 – 1797
Techniques: engraving
Location: england
Artist: thomas bewick
Artist role: draughtsman, painter, print maker
Artist nationality: british
Artist dates: 1753 – 1828
Braccio meridionale e guglia maggiore
Object type: page
Date: 1879 – 1889
Materials: paper
Techniques: photograph
Location: milan
Subjects: church (exterior), parts of church exterior and annexes: spire
Inscriptions: number: ‘Tavola No. 3.’
Bacchanten in een bosrijk landschap
Object type: print
Date: 1847 – 1889
Materials: paper
Techniques: etching
Location: germany
Artist: william unger
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1932
Subjects: panpipes, maenad(s), female bacchant(es), male bacchant(es)
Inscriptions: collector's mark: Lugt 2228

Prent naar het schilderij door Nicolas Poussin in de Gemäldegalerie Alte Meister te Kassel (inv.nr. GK 459).
Poliphilo valt in slaap en droomt
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, sleeping on the ground, dream

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, verso fol. 3.
In the House of Mourning, from "American Art Review", vol. 1, no. 8 (republished in "The Art Journal," October 1880)
Object type: print
Techniques: etching
Artist: friedrich leonhard meyer
Artist role: etcher
Artist nationality: german
Artist dates: 1842 – 1880
Subjects: corpses,boys,women,beds

An elderly woman, young woman and boy stand by a bed in a humble interior where a body has been reverently laid out, the coverlet draped with garlands. The title echoes Ecclesiastes 7:2, "It is better to go to the house of mourning than to the house of feasting: for that is the end of all men." Sylvester Rosa Koehler ​(1837–1900) wrote of the print in the American Art Review, "The subject of this picture is of that "literary" nature which is so vigorously condemned by those who advocate "painting, simply for the sake of painting." The popularity of artists like Karl Hoff...goes to show that there are still a good many people who have not yet been converted to this latest gospel of art. The etching, a careful, conscientious piece of work...was executed by a young German artist, F. L. Meyer...who followed the calling of a wood-engraver until about the year I872....America needs a few good reproductive etchers, and they are more likely to be found in the ranks of the many excellent who at present give their entire attention to the wood-block than anywhere else." A few months afterward, the print was reissued in Britain in "The Art Journal" (October 1880).
Koning Ferdinand IV
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: rome
Subjects: vienna, emperor
Inscriptions: collector's mark: Lugt 240, inscription: ‘P. Mariette 1648’

Koning Ferdinand IV op een sokkel, omgeven door allegorische figuren. Boven hem zweven engeltjes. Een van de engelen heeft een kroon in zijn handen. Aan de voet van de sokkel zit Justitia. Waarschijnlijk wordt er door de tweede kroon een toespeling gemaakt op de naderende kroning van Ferdinand tot keizer van het Heilige Roomse Rijk.
Tonnen bij een boomstam
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: wooden container: barrel, cask, bucket, trees (+ stem, trunk)
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 64 verso uit een schetsboek met uit 75 bladen.
Design for a Cushion or Chair Seat Cover
Object type: textile
Date: 1804 – 1814
Materials: paper
Location: france
Model of a Rudder for Paddle Steamers
Object type: demonstration model
Date: 1840 – 1842
Materials: brass, wood
Location: netherlands
Artist: Anonymous
Inscriptions: label, centre: ‘223’ former inventory label

Model van een roer en achtersteven. Het roer heeft een ronde roerkoning (Soetermeers versie; zie NG-MC-219, NG-MC-220 en NG-MC-221) en is een stukje korter dan de achtersteven. De kop heeft geen gat voor een roerpen, maar er steekt een korte pin doorheen. Drie houten roerstellen en een houten zorgband met twee ogen. Het roerblad heeft zogklampen achterop en onderop. Onder tegen het roer zit een draaibare lip, die in een opening in de achtersteven draait en het omhoogkomen van het roer belemmert.
Kraag van katoen, nauwsluitend om de hals, versierd met floraal Engels borduurwerk en Rijsselse kant
Object type: womenswear
Date: 1875 – 1900
Materials: cotton
Techniques: lace, weave
Location: netherlands
Artist: Anonymous

Kraag van katoen, nauwsluitend om de hals, versierd met floraal Engels borduurwerk en Rijsselse kant.
Gezelschap in een open koets met paarden voor een huis
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, four-wheeled vehicle drawn by two animals
Kannon on a Lotus Petal
Object type: hanging scroll
Date: 1672 – 1672
Materials: ink, paper
Culture: japanese
Artist: shōzan gen’yō 照山元瑶
Artist role: artist
Artist nationality: japanese
Artist dates: 1634 – 1727

This painting of Guanyin (Kannon, in Japan) encapsulates the remarkable history of the Ōbaku school of Zen, which was brought from China to Japan in the seventeenth century. The school’s religious and political influence would grow to hold sway even in the imperial palace in Kyoto. The painting is by an imperial princess, daughter of the highly cultured and spiritually inclined Emperor Go-Mizunoo. Genyō trained in Zen teachings and meditation practice in her youth, and then encouraged her father to support Ingen and his Ōbaku sect. The two inscriptions on this painting are by Yinyuan (on the left) and his top pupil Muan.
Draagpenning van de Vereeniging van Officieren der Schutterijen in Nederland 1871
Object type: draagpenning
Date: 1871 – 1871
Materials: bronze, silver
Techniques: striking
Inscriptions: circumscription: ‘VEREENIGING VAN OFFICIEREN DER SCHUTTERIJEN IN NEDERLAND’

Bronzen penning met oog en draagring, op de voorzijde een muurkroon met omschrift, de keerzijde blanco.
Ampaspers
Object type: photograph
Date: 1917 – 1938
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: colonial system, factory-interior, machine shop, machines; parts of machines; tools and appliances, (non-fruit) products of plants or trees: sugarcane, java

Ampaspers, bestemd voor een onbekende suikerfabriek. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja bestemd voor de Nederlandse suikerindustrie op Java, uit de periode 1917-1938.
The Deposition, from "The Small Passion"
Object type: print
Date: 1509 – 1509
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,women,christ
[The Qutub Minar, Delhi]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: architecture,towers
Fragment of a Bowl
Object type: fragment
Date: 801 – 900
Materials: earthenware, glaze
Techniques: incising, polychrome
Location: iran