deem-data/ArtiFact huggingface dataset:
The Farrier
Object type: painting
Materials: oil, wood
Artist: aert van der neer
Artist role: artist
Artist nationality: dutch
Artist dates: 1603 – 1677
Subjects: fire,landscapes,night,blacksmiths
Judge Bias Shedding Tears, plate 9 from Thrones of Justice (Thronus Iustitiae)
Object type: print
Date: 1606 – 1606
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: willem van swanenburgh
Artist role: print maker
Artist nationality: dutch
Artist dates: 1580 – 1612
Inscriptions: Lettered lower left: "JWtewael inventor. GSwanenb. sculp. CVSichem editor et excud." and below image: "VIIII / Iustitiae rigidus custos ... debita peona premat."
Fragment of block with beveled corner
Object type: fragment, beveled corner
Date: 1353 – 1336
Materials: limestone
Location: egypt
Leaves from an Ashtasahasrika Prajnaparamita Sutra
Object type: folio
Date: 1101 – 1133
Materials: ink, leaf, pigment, watercolor
Culture: indian or west bengali or bangladeshi
Artist: mahavihara master
Artist role: artist
Subjects: dancing,buddhism,deities
Hawks with Pine Trees and Camellias; Small Birds with Willows and Camellias
Object type: screen
Date: 1601 – 1633
Materials: ink, panel, paper
Culture: japanese
Artist: mitani tōshuku
Artist role: artist
Artist nationality: japanese
Artist dates: 1577 – 1654
Subjects: birds,flowers,trees

The simple contrast of two impressive trees—a thin, supple willow and a mighty pine—dominates this composition. The artist has skillfully utilized the two trees to evoke their symbolic associations: purity (the pine) and vitality (the willow). In this regal environment, the predatory hawks, ironically juxtaposed with the blossoms, suggest the indifference of the natural order. The hawk, a symbol of kings, was a favorite theme of Japanese warlords during the era of civil wars. Recent scholarship has helped attribute these screens to Mitani Tōshuku, a member of the Unkoku school. Founded by Unkoku Tōgan (1547–1618), a master of the Momoyama period, the Unkoku school enjoyed longlasting patronage in southern Japan. Although he did not use the Unkoku name, Mitani Tōshuku was a prominent member of the school. The dense foliage of the pine tree, the strong chiaroscuro defining its branches, the dark shadings on the hawks, and the protective pose of the bird toward its chicks closely resemble a painting that bears Tōshuku’s seals.
Archlute
Object type: archlute
Date: 1725 – 1725
Materials: wood, ivory, mother of pearl, shell
Culture: italian
Location: italy
Artist: david tecchler
Artist role: maker
Artist nationality: austrian, active italy
Artist dates: 1666 – 1747

Sometime after the invention of the chitarrone ("large kithara") in Florence around 1585, various local forms of long-necked lutes were developed. One variant appearing in Rome at the end of the sixteenth century, dubbed the Roman arch lute, accommodated unfretted diatonic bass strings and was tuned to a pitch standard of about 386 hertz (a full step below the modern pitch standard), and was used in many churches. Only ten such instruments are known today, of which this example is the latest and one of the most beautiful. By the end of the through bass period, in the middle of the eighteenth century, the arch lute had become an indispensable instrument of the orchestra. This example was built by the most prominent Roman luthier of the early eighteenth century, David Tecchler, who was born in Germany and moved from Augsburg to Rome in 1698 where he lived until his death. Renowned for his violins, and especially, his ‘cellos, Tecchler also occasionally made plucked instruments; however, this handsome instrument, signed Dav: Tecchler/fecit Roma AD 1725 on an ivory plaque on the final and similarly labeled within the body, seems to be his only extant archlute. Its bowl is comprised of fourtheen thin ebony staves separated by ivory double striping. The neck is veneered front and back with tortoiseshell over a thin layer of gold leaf. Six pairs of strings extend above the gut-fretted fingerboard, while eight single bass strings are fastened into a second extended pegbox. The fragile soundboard—currently in remarkably fine condition—is ornamented with an intricately carved rosette in the soundhole, mother-of-pearl inlays, and outlined with a bone and tortoiseshell lace. A clip on the back of the neck and a button at the tail secured a strap that supported this nearly six-foot-long instrument. (Jonathan Santa Maria Bouquet, 2009)
Diverse bloemen
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: anton weiss
Artist role: draughtsman, print maker
Artist dates: 1801 – 1851
Subjects: flowers
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd.’

Onderdeel van een omslag met een serie van eenenveertig lithografieën van bloemen en fruit.
Studieblad met negen putti
Object type: drawing
Date: 1571 – 1651
Materials: chalk, paint, paper
Artist: abraham bloemaert
Artist role: draughtsman, painter, print maker
Artist dates: 1566 – 1651
Subjects: infant, baby ~ the ages of man, cupids: 'amores', 'amoretti', 'putti'
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, youth to right, wearing a baldric, with his himation draped over extended left arm, holding a sword in his right hand; Exterior, torus foot, with a glazed resting surface ; the inner wall of the foot is also glazed; the underside of the foot has a band of reserve on the outer edge, followed by a wide band of black glaze; a thin band of reserve and black glaze frames the inner circle which is reserved; in the center there is a small black glaze circle with a dot in the middle
Carnelian Lentoid
Object type: seal, lentoid
Date: 1650 – 1500
Materials: gemstone
Culture: minoan

indeterminate subject with vegetation
Exterieur van een kerk
Object type: sketchbook leaf
Date: 1783 – 1797
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes huibert prins
Artist role: draughtsman, painter, print maker
Artist dates: 1757 – 1806
Subjects: church (exterior)

Tevens een studie van een voordeur aan een straat. Pagina 80 uit een schetsboek met 175 pagina's.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head of youth to right
Saucer
Object type: saucer
Date: 960 – 1127
Materials: pottery
Culture: chinese
Virgin and Child with Saints Jerome, Bernardino of Siena, and Angels
Object type: painting
Date: 1450 – 1460
Materials: oil, paint, panel, wood
Techniques: painting
Location: italy
Artist: sano di pietro (ansano di pietro di mencio)
Artist role: artist
Artist nationality: italian
Artist dates: 1405 – 1481
Subjects: century of progress, virgin and child/madonna and child, saints, angels, mother and child, mother, children, babies, jesus, virgin mary, woman, woman with children, men, religion, religious, religious figures, religious scenes, christian subjects, christianity, world's fairs, chicago world's fairs
Inscriptions: Inscribed: AVE GRATIA PLENA dOM (on Virgin's halo), O SVM L (on Child's halo)
Folio from a Qur'an Manuscript
Object type: folio from a non illustrated manuscript
Date: 801 – 900
Materials: ink, parchment
Location: central islamic lands
Subjects: qur'an,calligraphy

The tradition of dyed manuscripts developed in Byzantium for making valuable books, such as the Gospels. The technique continued into the early Islamic period, with the Blue Qur’an as its most spectacular manifestation. Tinted pages were used only in the most luxurious manuscripts, for they required extra work in preparing the already expensive parchment with precious pigments. Here, pages dyed red support a dense, regular script completed in a plain ink. This folio can be dated to the early Islamic period thanks to its simple kufic calligraphy. This script lacks the vowels or diacritical marks typical of the later, more developed written form of Arabic.
Neck ring
Object type: neck ring
Date: 101 – 400
Materials: iron, paint, shell
Culture: parthian or sasanian
Location: iran
Certosa di Pavia
Object type: photograph
Date: 1856 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: pavia
Subjects: parts of church interior: choir
Inscriptions: number: ‘1633.’, number: ‘13’
Theatrical robe for a Buddhist priest
Object type: robe, theatrical, for buddhist priest
Date: 1701 – 1800
Materials: silk
Techniques: brocade
Culture: chinese

This type of robe, known as a kasaya and intended for a Buddhist priest, is a piece of rectangular fabric that is wrapped over an inner robe and fastened in the front with a hook. The lining of this example bears a stamp that reads “Used in the Grand Theatre (Daxiji yong),” which indicates the robe was worn by an actor in the imperial theater in the Forbidden City rather than by an actual priest.
Portret van Adriaan van Vredenburch
Object type: print
Date: 1823 – 1880
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Onder het portret de naam, geboorte- trouw- en sterfdatum en het familiewapen van de geportretteerde. Daaronder de signatuur van de geportretteerde.
Man draagt een mand op zijn schouder
Object type: print
Date: 1772 – 1791
Materials: paper
Techniques: printmaking, etching
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: carrying something on the head or on the shoulders
Inscriptions: collector's mark: Lugt 2228

De prent verscheen vanaf 1818 tevens als onderdeel van een 33-delige reeks prenten door Mathias de Sallieth, samengebonden in: Perkois, Jacobus, Prins, Johannes Huibert. Verzameling van verschillende gekleede mans- en vrouwenstanden, ter oefening van jonge schilders en liefhebbers. Rotterdam: Johannes Immerzeel, 1818.
Terracotta plaque
Object type: pinax, palm leaf
Date: 600 – 501
Materials: terracotta
Culture: greek, cretan

Segment of a palmette-lotus band The two small holes at the top of the plaque suggest that it was suspended. The piece was probably part of a longer band of ornament.
Horse beneath a Flowering Plum Tree
Object type: print
Date: 1797 – 1799
Techniques: woodblock print, surimono
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Ruiters bij drinkplaats
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Subjects: man and animal (+ watering animal)
Inscriptions: collector's mark: Lugt 2228

Een man en een vrouw laten hun paarden drinken bij een fontein in een rotsmuur. Ze maken een praatje met een man die zijn honden uitlaat.
Ducks Resting in Sunshine
Object type: painting
Date: 1753 – 1753
Materials: canvas, oil
Artist: jean-baptiste oudry
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1755
Subjects: ducks,landscapes
Leeds Castle in the County of Kent, from Edward Hasted's "The History and Topographical Survey of the County of Kent", vols. 1-3
Object type: print
Date: 1777 – 1790
Techniques: engraving, etching
Artist: richard bernard godfrey
Artist role: artist
Artist nationality: british
Artist dates: 1728 – 1795

Plate 35, vol. II. Leeds Castle, the Seat of the Rt. Hon. Lord Fairfax. See 2014.599.1–.30 for comments.
Unfinished Pattern for the Official Coronation Medal of George IV
Object type: medal
Date: 1821 – 1821
Materials: gold
Artist: benedetto pistrucci
Artist role: artist
Artist nationality: italian
Artist dates: 1783 – 1855
Subjects: kings,men,profiles
Landschap met rivier en koeien
Object type: watercolor
Date: 1862 – 1862
Materials: chalk, paper, watercolor
Techniques: brush
Artist: jan vrolijk
Artist role: draughtsman, painter, print maker
Artist dates: 1846 – 1894
Subjects: low hill country, river
Inscriptions: date: ‘62’
Lisse. Gezicht bij 't Café "De Nachtegaal"
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: lisse
Artist: Anonymous
Subjects: inn, coffee-house, public house, etc., restaurant, street
Gekwetst door 't Fransche Moordgeweer (...)
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Artist: Anonymous
Subjects: william ii of the netherlands, berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), medical aid and nursing of the sick and wounded, visiting the sick in hospital, waterloo, brussels
Inscriptions: collector's mark: Lugt 2228

De koningin Wilhelmina van Pruisen bezoekt te Brussel haar zoon Willem Frederik George, prins van Oranje, die gewond is geraakt tijdens de slag bij Waterloo op 18 juni 1815. In het onderschrift een vierregelig vers. Zie ook pendant.
Goblet with cameos
Object type: goblet
Date: 1625 – 1626
Materials: silver
Techniques: embroidery, gilding
Location: antwerp
Artist: abraham valck
Subjects: predatory birds: eagle, ornament derived from plant forms
Inscriptions: maker's mark, date letter, stamp, town mark, inscription: ‘MINUS.; CYRUS.; ALEX. MAG.; ROMA.; IULIUS CAES.; AUGUSTUS.; TIBERIUS.; C. CALIGULA.; CLAUDIUS.; NERO.; SER. GALBA.; OTTO; VITELLIUS.; VESPASIANUS; TITUS. DOMITIANUS’, inscription: ‘IANUS; SATURN.; IUPITER; SOL; MERCUR.; MARS; VENUS; LUNA’

This exceptionally lavish cup is decorated with ancient cameos – relief carvings in banded or stratified quartz. The lid is set with images of Classical gods, while those on the goblet have profile portraits of ancient rulers and Roman emperors.
Plafondschildering in Versailles: Apollo deelt beloningen uit aan Kunsten en Wetenschappen, Minerva kroont het genie van Frankrijk
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: the liberal arts together with other disciplines, specific aspects, allegorical aspects of minerva; minerva as patroness - veneration, honoured by, specific aspects, allegorical aspects of apollo; apollo as patron
Inscriptions: number: ‘248’, collector's mark: Lugt 240
Cronica Cronicarum (...), blad 8 recto
Object type: album leaf
Date: 1521 – 1521
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: judas maccabeus (not in biblical context)

Blad 8 recto van een wereldkroniek. Tekst in boekdruk in het Frans. Rechtsboven een ronde voorstelling van Judas de Makkabeeër. De ronde voorstelling is verbonden met andere cirkels die gevuld zijn met namen: deze vormen samen een schematische weergave van genealogie en vorstenopvolging, die zich uitstrekt over meerdere bladzijden van de kroniek.
Deutschland - Nürnberg. Portal der Lorenz-Kirche
Object type: stereograph
Date: 1868 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: nuremberg
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: parts of church exterior and annexes: portal
Inscriptions: number: ‘No. 2.’
Runderen, schapen en geiten bij een waterplas
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: tone lithography
Location: london
Subjects: cattle, water course
Inscriptions: collector's mark: Lugt 2228

Prent behoort mogelijk tot de serie 'Thirty-four subjects of cattle & c. Designs for pictures'.
Portretten van kunstenaars
Object type: print
Date: 1752 – 1762
Materials: paper
Techniques: engraving
Location: italy
Subjects: print maker, draughtsman, lieven mehus, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: Lugt 2760

Prent mogelijk naar een zelfportret van Lieven Mehus. Prent uit: Moücke, Francesco. Serie di ritratti degli eccellenti pittori dipinti di propria mano, che esistono nell'Imiperial Galleria di Firenze. Florence: 1752-1762, dl. I.
Flask
Object type: flask
Date: 601 – 800
Materials: glass
Techniques: glassblowing
Location: iraq
Portret van Hendrik Spilman
Object type: print
Date: 1743 – 1800
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: pieter louw
Artist role: draughtsman, print maker
Artist dates: 1725 – 1800
Subjects: amsterdam, print maker, draughtsman, pieter louw, head-gear: hat (+ men's clothes), portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De prentmaker, tekenaar en schilder Hendrik Spilman. Hij laat zijn over elkaar gevouwen handen op zijn wandelstok rusten.
Necklace of Wah
Object type: necklace, bead
Date: 1981 – 1975
Materials: stone, gemstone, cord, linen, quartz
Techniques: glazing
Location: egypt

This asymmetrical bead necklace may have been worn during Wah's lifetime, but it was certainly restrung for the funeral as the linen cord shows no sign of wear. After Wah's mummy had been partially wrapped, the necklace was tied around the neck along with three others: one made of gold beads (40.3.17); one made of silver beads (40.3.19); and one made of faience beads (40.3.18).
Shawm in F
Object type: shawm in f
Date: 1801 – 1900
Materials: lead, pewter, wood
Culture: belgian or french
Location: france or belgium
Rivierlandschap
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching
Artist: christian ludwig von hagedorn
Artist role: painter, print maker
Artist dates: 1712 – 1780
Inscriptions: collector's mark: Lugt 240
Landschap met man en jongetje
Object type: print
Date: 1755 – 1814
Materials: paper
Techniques: etching
Location: germany
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228

Deze prent is een imitatie van Willem van Bemmel door Bartholomäus Ignaz Weiss.
Portret van Bernhard von Sanden
Object type: print
Date: 1646 – 1693
Materials: paper
Techniques: engraving
Subjects: bernhard von sanden, archbishop, bishop, etc. (roman catholic), theologian, historical persons, crucifix ~ personal devotion, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de banier om de omlijsting van guirlande en in de ondermarge.
Fingal vindt Conban-Cargla
Object type: print
Date: 1746 – 1785
Materials: paper
Techniques: etching
Artist: alexander runciman
Artist role: draughtsman, print maker
Artist dates: 1736 – 1785
Subjects: (scenes from) specific works of literature (with author, title), fingal, king of morven, father of ossian

Prent maakt mogelijk deel uit van een serie van 200 prenten. Deze serie is onder de titel 'A Collection of two hundred original etchings' voor het eerst uitgegeven door J.M. Greery in 1816.
Scènes uit het leven van Achilles
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Artist: j. alexander janssens
Artist role: print maker
Subjects: thetis holds achilles in the fire
Inscriptions: collector's mark: Lugt 2228

Interieur met een openhaard en een kandelaar met brandende kaars, bij nacht. Thetis zit gehurkt bij de openhaard en stookt het vuur op waar zij Achilles in wil houden om hem onsterfelijk te maken. Achilles leunt op haar knie. Rechts op de achtergrond kijkt Peleus toe. Midden onder: 4. Vierde prent uit een serie van veertien met scènes uit het leven van Achilles.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Exterior, unidentified subject; to the left, below the rim, two letters of an inscription, AN or NN?
Pendant Composed of Two Sets of Volutes
Object type: pendant
Date: 201 – 300
Materials: gold
Culture: indonesian, javanese
Steamboats off the Tower
Object type: print
Date: 1875 – 1875
Materials: ink, paper
Techniques: drypoint
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gezicht op een stad met bergen op de achtergrond, mogelijk Tétouan
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: north africa
Artist: antonio cavilla
Artist role: fotograaf
Artist dates: 1867 – 1908
Subjects: mountain-range, snow peaks, prospect of city, town panorama, silhouette of city

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Spanje en Marokko.
Flask
Object type: flacon, flakon
Date: 1715 – 1715
Materials: porcelain
Location: meissen

Meissener Porzellan Manufaktur
Meissen, c. 1715
hard-paste porcelain
Portret van boekverkoper William Hutton, in gesprek met een klant
Object type: print
Date: 1810 – 1867
Materials: paper
Techniques: engraving
Location: london
Artist: Anonymous
Subjects: birmingham, book-shop, bookseller
Inscriptions: collector's mark: Lugt 4780

De klant is gekleed in een lange jas en heeft een driehoekige steek op zijn hoofd; onder zijn arm houdt hij een wandelstok. Hij bekijkt de boeken die William Hutton heeft uitgestald voor zijn winkel in Birmingham. Met een levensbeschrijving van William Hutton op verso.
Der Sündenfall
Object type: photograph
Date: 1875 – 1880
Materials: photographic support
Techniques: albumen print
Subjects: expulsion of adam and eve from paradise (genesis 3:22-24)
Mustard spoon
Object type: mustard spoon
Date: 1801 – 1900
Materials: gilt, silver
Studie
Object type: sketchbook leaf
Date: 1905 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945

Blad 23 verso uit een schetsboek met 34 bladen.
Stand
Object type: bowl and stand
Date: 1775 – 1775
Materials: hard paste porcelain
Subjects: owls,insignia
Handschoen van een rijkostuum
Object type: glove
Date: 1934 – 1934
Materials: cotton
Techniques: knitting
Location: netherlands
Artist: Anonymous

Rechterhandschoen van witte katoen en gebreid in gerstekorrelpatroon, behorende bij een rijkostuum .
Index op de prenten, pagina 12 en 9
Object type: text sheet
Date: 1661 – 1715
Materials: paper
Techniques: letterpress printing

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Eendracht maakt macht
Object type: wensbrief
Date: 1700 – 1899
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: (story of) neptune (poseidon), sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2760

Wensbrief met onbeschreven cartouche binnen een decoratief kader met voorstellingen van Neptunus staand op zijn wagen die wordt getrokken door hippocampussen en van putti met verschillende attributen. De figuren bestaan grotendeels uit krullen (kalligrafie).
Nederlandse vloot voor Malaga, 1784
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: arnhem, pieter hendrik reynst, karel iii (koning van spanje (1716-1788), cannon shots (military salute) (+ sailing-ships), warfare; military affairs (+ sailing-ships)
Inscriptions: collector's mark: Lugt 2228

De Nederlandse oorlogsvloot onder vice-admiraal Pieter Hendrik Reynst op de rede van Malaga voor de viering van de verjaardag van Karel III, koning van Spanje, 20 januari 1784. Enkele oorlogsschepen vuren saluutschoten af.
Keizerskroon
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: plants and herbs
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Blankaart, Steven. Den Neder-landschen herbarius ofte Kruid-boek der voornaamste kruiden. Amsterdam: Jan Claesz ten Hoorn, 1698.