deem-data/ArtiFact huggingface dataset:
Thou Art the Star that Guides Me (valentine)
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: cutting, embossing, hand coloring, lithograph
Location: england
Artist: joseph addenbrooke
Artist nationality: english
Artist dates: 1800 – 1899
Anti-joodse spotprent, ca. 1943-1944
Object type: cartoon
Date: 1943 – 1944
Materials: paper
Techniques: printed materials
Location: netherlands
Artist: Anonymous
Subjects: anti-semitism
Inscriptions: collector's mark: Lugt 2228

Duitse anti-joodse spotprent, ca. 1943-1944. Een karikaturale joodse soldaat in antieke kleding, met davidster en gebroken zwaard, wordt getroffen door een grote 'V' (van Viktorie, Duitschland wint op alle fronten).
Kosode
Object type: kosode
Date: 1868 – 1912
Materials: metal thread, silk
Culture: japanese
Südliche Aussicht des Forts Dickse aus Smithen, Z.W. Gezigt van 't Fort Winneka; Sudwestliche Aussicht von Williams Fort; Chinesisches Leichenbegaengniss; Sudw. Aussicht des Englischen und holl. Fort zu Sukkondi
Object type: print
Materials: paper
Techniques: etching
Artist: jacob van der schley
Artist role: draughtsman, print maker
Artist dates: 1715 – 1779
Schoen of muil met zolen van hout die in de buiging van de voet scharnieren
Object type: mule shoe
Date: 1800 – 1900
Materials: copper, leather, wood
Location: netherlands
Artist: Anonymous

Schoen of muil met zolen van hout die in de buiging van de voet scharnieren. Voorzool en hak van leer, vierkante neus. Hielband en gespen van koper.
Édouard Manet, Seated, Right Profile
Object type: drawing
Date: 1868 – 1868
Materials: chalk, paper
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: men,portraits,artists

This exploratory sketch fumbles with the sitter's arms and overcoat, but the head appears strong and sure; Manet's hair has been tousled by the removal of his hat. The full-bearded profile served as practice for the striking bust-length portrait Degas etched not long afterward.
Achterzijde van de Willemspoort te Amsterdam
Object type: photomechanical print
Date: 1897 – 1897
Materials: paper
Techniques: letterpress printing, line block
Subjects: city-gate
Inscriptions: collector's mark: Lugt 1641b

Achterzijde van de Willemspoort te Amsterdam. Onderwerpsrubriek binnen de Atlas Amsterdam: Poorten, verzamelbladen, F. Willemspoort.
Portret van Johan Casimir van Palts-Lautern
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: historical persons, ruler, sovereign

Prent met andere tekst op verso gebruikt in: Tooneel der beroemder hertogen princen graven ende krygs-helden van christenrijck binnen deze drij laetste eeuwen. Delft: Nicolaes de Clerck, 1617, p. 226.
Krijgslieden voor een stad
Object type: print
Date: 1645 – 1646
Materials: paper
Techniques: woodcut, pasting
Location: amsterdam
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: the israelites prepare for battle ~ the siege of bethuliah, the soldier; the soldier's life

De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
Jo's Bent Head
Object type: print
Date: 1861 – 1861
Materials: ink, paper
Techniques: drypoint, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: heads,women
Brief aan Philip Zilcken
Object type: letter
Date: 1923 – 1923
Materials: cardboard, ink
Techniques: pen, printing, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
De Cimbren trekken over de Alpen
Object type: history print
Date: 1782 – 1784
Materials: paper
Techniques: etching
Location: netherlands
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: extinct, 'historical' peoples (with name)

Illustratie voor: E.M. Engelberts, De aloude staat en geschiedenissen der Vereenigde Nederlanden, Johannes Allart, Amsterdam 1784-1799, deel I, p. 234. Druk vóór de letter.
San Giorgio
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: boats,venice
Letter in Kana Characters
Object type: hanging scroll
Date: 1201 – 1233
Materials: ink, paper
Culture: japanese
Artist: myōe kōben
Artist role: artist
Artist nationality: japanese
Artist dates: 1173 – 1232

Monk Myōe came of age at the outset of the Kamakura period, a time when Japan’s political and religious structures were undergoing transformational change—when a court-centered government was shifting to a military one, and new sects of Buddhism led by charismatic leaders would emerge from the Pure Land Buddhism that flourished during the Heian period. Monk Myōe emerged as one of these spiritual leaders and was a dedicated diarist and correspondent, and more than twenty letters in his hand survive, including the one here. Some, quite lengthy, provide revealing insights into his thoughts, relationships, and circumstances. Other brief notes, such as here are difficult to interpret without more context. Since this letter has not previously been published or scrutinized by Myōe scholars, and is considered a new discovery, further research remains to be carried out on its contents. During the early Kamakura period, when Myōe was active, the Hosshōji style (Hosshōji-ryū 法性寺流) of calligraphy flourished among both court nobles and the warrior elite. This style was bold and sometimes even brash compared with elegant, graceful style associated with the handwriting of court nobles in the Heian period. At the same time, bokuseki 墨跡, the brusque, idiosyncratic calligraphy of monks, mainly of the Rinzai sect, came to be prized, both for its rule-breaking individuality, but also due to association with the personalities of famous prelates. Similarly the distinctive brush writing of spiritual leaders of other Buddhist sects such as Shinran (the founder of the Pure Land offshoot Jōdo Shinshū) and Nichiren was cherished, and Myōe’s calligraphy was similarly sought after and preserved as autograph traces of an inspiring religious personality. Myōe, scion of a samurai family in the Heike lineage, was born in Arita, Kishū province (Wakayama prefecture). At age nine, he lost both parents and was placed in the care of his uncle, Monk Jōkaku上覚of Jingoji Temple on Mount Takao, Kyoto, and began Buddhist training under his uncle. He became an adherent of the Kegon sect at Tōdaiji in Nara and rose quickly in the monastic ranks. Also known by his Buddhist name Kōben 高弁, he went on to found of Kōzanji Temple in Togano’o, Kyoto. Retired Emperor Go-Toba, Kenreimon-in (Taira no Tokuko), Kujō Kanezane, Hōjō Yasutoki and many other powerful political figures of the day embraced his teachings. He also achieved esteem as a waka poet and calligrapher. He is best remembered for his Dream Diary Diary (Yume no ki 夢記), a personal journal he maintained for almost forty years, represented by two sections in The Met’s collection (2014.719.3 and 2014.719.4).
God Blesses Noah's Family
Object type: tapestry
Date: 1567 – 1567
Materials: silk, wool
Techniques: tapestry
Location: brussels
Subjects: animals, god's covenant with noah: never again shall there be a flood; as a sign of this covenant god puts a rainbow in the sky, god blesses noah and gives him his commandments, birds

Tapestry with the Covenant of God and Noah. With the arms of Margaret of Parma, regent of the Netherlands. From a series with the history of Noah. Wool and silk. Brussels, ca. 1565, by Willem de Pannemaker, the design attributed to Michiel Coxcie. Gift of the Committee for Photographic Sales, 1955.
Aigentliche wahrhaffte Delineation unnd Abbildung aller fürstlichen Auffzüg und Rütterspilen
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Subjects: horn, trumpet, cornet, trombone, tuba - cc - out of doors, performance in the open air (pleasure fair)

Genummerd: 55. Deze prent maakt deel uit van een album.
[Henry Weekes]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Dry Nurses
Object type: print
Techniques: lithograph
Artist: john doyle
Artist role: artist
Artist nationality: irish
Artist dates: 1797 – 1868
Subjects: boys,girls,women
Ring
Object type: ring
Date: 1776 – 1800
Materials: diamond, glass, gold, gemstone, silver
Portret van Jacob Cats op 58-jarige leeftijd
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: delft
Subjects: the hague, jacob cats (1577-1660), portrait of a writer, neck-gear: collar (+ men's clothes)
Inscriptions: collector's mark: Lugt 240

Portret van Jacob Cats op 58-jarige leeftijd, borststuk met plooikraag en toga. Ovale omlijsting met opschrift, twee Nederlandse verzen, mogelijk van Jacob Cats.
Titelpagina voor: R. van Leuve, Mengelwerken, 1723
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: whip
Inscriptions: collector's mark: Lugt 2228

Rechts staat een man die met zijn zweep een aantal mannen, vrouwen en dieren bijeen heeft gedreven. Een duivels figuur met slangenharen en een brandende toorts staat samen met de gepersonifieerde Hoogmoed achter deze groep figuren. Prent links- en rechtsboven gemerkt: III Deel - Pag. 251.
Evening Rain at Nihonzutsumi (Nihonzutsumi no yau), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)"
Object type: print
Date: 1768 – 1769
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Empirevoorwerpen
Object type: ornament print
Date: 1820 – 1840
Materials: paper
Techniques: lithograph
Subjects: styles in the fine arts (+ later developments), dish, plate, saucer
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerpen voor empirevoorwerpen zoals rechts vijf schalen. Alle objecten zijn genummerd.
Aftreden van baron Surlet de Chokier als regent van België
Object type: history medal
Date: 1831 – 1831
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: liège
Maybe the firemen really shouldn't leave just yet, from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,working
Letter D
Object type: ornament print
Date: 1700 – 1799
Materials: paper
Techniques: etching, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: fancy letters

Letter D tegen een achtergrond met vlechtwerk.
Van Klischnig
Object type: print
Date: 1820 – 1865
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Bell
Object type: bell
Date: 1000 – 1500
Culture: colombian
Location: colombia
Artist: tairona
Artist role: culture

The anthropomorphic effigy seen here was common at the time.
Shelf Clock
Object type: shelf clock
Date: 1820 – 1820
Materials: wood
Culture: american
Location: united states
Artist: seth thomas
Artist role: maker
Artist nationality: american
Artist dates: 1785 – 1859
Subjects: houses
Vinaigrette box, M. or A. Ebsen, 1845
Date: 1845 – 1845
Trousers
Object type: trouser
Date: 1850 – 1859
Materials: wool
Culture: american
Inwijding van de Boulevard Eugene, penning met borstbeeld van Eugene de Beauharnais, onderkoning van Italië
Object type: history medal
Date: 1862 – 1862
Materials: copper
Techniques: gilding, striking
Location: paris
Artist: monogrammist ct (medailleur)
Artist role: medailleur
Subjects: eugène de beauharnais

Koperen penning aan draagoog en draagring. Voorzijde: borststuk man naar rechts binnen omschrift. Keerzijde: opschrift.
Portret van Hugo Everhard Cratz graaf van Scharfenstein
Object type: print
Date: 1623 – 1660
Materials: paper
Techniques: engraving
Subjects: bisschop, diplomaat, hugo everhard cratz (graaf van scharfenstein)
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een schilderij, voorstellende een portret van Mrs. Stewart Smith
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: number: ‘121’
Portret van Guy Patin
Object type: titelblad, titelpagina
Date: 1691 – 1691
Materials: paper
Techniques: engraving
Location: cologne
Subjects: adult man, historical persons, physician, doctor, study; 'studiolo'; library

Titelpagina voor: Patin, Guy. Lettres choisies de feu M. Guy Patin, docteur en medecine (...). 3 dln. Keulen: Pierre du Laurens, 1691, dl. 1.
Metamorphoseon sive transformationum
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: italy
Subjects: the iron age, 'aetas ferrea'; characterized by mars, war and rapine
Inscriptions: collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Hoofd van een oude man
Object type: print
Date: 1831 – 1890
Materials: paper
Techniques: etching
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: old man, beard
Inscriptions: inscription: ‘1 Etat’, collector's mark: Lugt 2228
Servet
Object type: napkin
Date: 1752 – 1783
Materials: linen
Techniques: twill, peeled fabric
Location: northern netherlands

Wit linnen servet met pellen patroon, merk kroon H 21 en P.
Pen Rest
Object type: pen rest
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: birds,fish,flowers
Deel van de optocht, nr. 14
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving, etching, hand coloring
Location: southern netherlands
Subjects: ghent, charles v (holy roman emperor and king of spain), cortege, funeral procession, brussels

Vier deelnemers aan de optocht, paarden en de vaandels met de wapens van Mallorca en Galicië. Onderdeel van de prentreeks van de Begrafenisoptocht van keizer Karel V op 29 december 1558 te Brussel.
Spieghel der schrijfkonste
Object type: text sheet
Date: 1605 – 1605
Materials: paper
Techniques: letterpress printing
Location: rotterdam
Subjects: initial

Tekstblad met dedicatie aan Pieter de Carpentier. De tekst begint met een gedecoreerde initiaal E. Het tekstblad maakt deel uit van een album.
Les Gueux / Les Mendiants / Les Baroni / Les Barons
Object type: print
Date: 1622 – 1623
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: sitting cross-legged, as tailor at work, standing, leaning, sitting or lying with legs crossed, container of ceramics: jar, jug, pot, vase, beggar
Inscriptions: collector's mark: Lugt 240

Man, gekleed in lompen, van voren gezien, zittend met gekruiste benen, het rechterbeen met de handen iets opheffend, een kruik bij de linkervoet. Deze prent is onderdeel van een serie van 25 prenten met bedelaars en zwervers, zoals Callot die waarschijnlijk in Italië heeft gezien.
Design for a ceiling painted with clouds and flowering vines
Object type: drawing
Date: 1830 – 1897
Materials: graphite, ink, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: architecture
Bearded Male Term with a Raised Left Arm
Object type: drawing ornament architecture
Date: 1545 – 1565
Materials: ink
Techniques: heightening, pen, wash
Location: italy
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: men
Onderjurk met achtersluiting met striklinten van wit piqué met wafeltjespatroon; merkbandje: V.E.
Object type: slip
Date: 1905 – 1910
Materials: cotton
Location: netherlands
Artist: Anonymous
Armorial dish: The story of Phaeton
Object type: dish
Date: 1532 – 1532
Techniques: maiolica, glazing
Artist: francesco xanto avelli da rovigo
Artist role: artist
Artist nationality: italian
Artist dates: 1482 – 1542
Subjects: men,swans,trees

This plate formed part of one of the largest majolica services ever made, commissioned by Piero Maria Pucci (1467–1547), a member of a prominent Florentine family whose coat of arms features the head of a Black man in profile, a reference to their original surname, Saracini (meaning "Saracens"). Similar images had frequently appeared in European heraldry since the thirteenth century. Rooted in the subjugation of Muslims and peoples of Arab and African descent, this imagery often signified triumph in the Crusades or involvement in the slave trade. Here, a white band tied around the man’s head is inscribed with three T’s, an acronym for the Pucci family motto: Tempore tempora tempera (Time alleviates all troubles). Thirty-seven pieces from the maiolica service survive (including four in the Lehman Collection: see also 1975.1.1131; 1975.1.1134; 1975.1.1137), all painted in Urbino by the celebrated maiolica painter Francesco Xanto Avelli da Rovigo in 1532 and 1533. Some pieces were sent to Gubbio to be completed with luster decoration under Xanto’s direction. The subject depicted here is the mythological story of Phaeton, a mortal youth, who fell to his death from the celestial chariot of his father, the sun-god Phoebus. This plate shows the aftermath, as Phaeton’s loved ones are literally transformed by their grief: at right, his sisters change into trees, and at left, his friend Cygnus becomes a swan. The figure of Cygnus, like several appearing in Xanto’s imagery, was adapted from a print source.
Rest on the Flight Into Egypt
Object type: drawing and watercolor
Date: 1600 – 1600
Materials: chalk, paper
Location: italy
Artist: attributed to giulio cesare procaccini
Artist nationality: italian
Artist dates: 1574 – 1625
Staande vrouw met bloemen en een handschoen
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: gloves, mittens, etc., folk costume, regional costume
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De Spaansche tijd. (1550 – 1600).
Regierer/Burgher/Vreemde gast Vint hier een yeder sijne[n] last
Object type: print
Date: 1540 – 1567
Materials: paper
Techniques: hand coloring
Location: low countries
Subjects: agreement, unity; 'concordia', 'concordia insuperabile', 'concordia militare', 'concordia di pace', 'unione civile' (ripa), city-view in general; 'veduta'
Inscriptions: number: ‘83’

Drie mannen, een vreemde, een regent en een burger, met op de achtergrond een stad. Tekst in het Nederlands.
Portret van Willem V, prins van Oranje-Nassau
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, william v (prince of orange)
Inscriptions: collector's mark: Lugt 240
Portret van Valentin Heider
Object type: print
Date: 1650 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: official; civil servant; functionary (in general), historical persons
Inscriptions: collector's mark: Lugt 2233

Prent gebruikt in: Theatrum Europaeum. Frankfurt am Main: erven Matthäus Merian, 1652, dl. 6. Ook gebruikt in latere edities van dit werk.
Wagtail and monochoria
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Gyr Falcon/Dark Variety
Object type: page
Date: 1871 – 1876
Materials: paper, photographic support
Techniques: albumen print
Artist: william notman
Artist role: fotograaf
Artist dates: 1826 – 1891
Subjects: predatory birds: falcon, collection of animals
Inscriptions: number: ‘PLATE IV’, inscription: ‘Copy Right Secured for Canada & U.States’
Plage
Object type: print
Date: 1863 – 1880
Materials: paper
Techniques: etching
Subjects: ebb, low tide, beach, sea and coastal fishery
Inscriptions: collector's mark: Lugt 2228
The Kabuki Actor Ichikawa Danjûrô VI
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: woodcut, polish
Location: japan
Subjects: portrait of actor, actress

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Portret van twee kinderen, Portret van een vrouw en een kind en Portret van een jongen
Object type: album leaf
Date: 1872 – 1897
Materials: paint, photographic support, watercolor
Techniques: albumen print, brush, hand coloring
Artist: Anonymous
Subjects: adult woman, boy (child between toddler and youth), child
Bern. Bubenbergdenkmal
Object type: stereograph
Date: 1906 – 1906
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bern
Subjects: monument, statue, sculpture
Inscriptions: inscription: ‘Neue Photographische Gesellschaft A. G., Steglitz-Berlin 1906.’, number: ‘29’
Kist van hout
Object type: chest
Date: 1760 – 1760
Materials: copper alloy, wood
Artist: Anonymous

Behorend bij 29 toverlantaarnplaatjes in houten frame met (vijf) ronde glasplaten gebruikt voor toverlantaarn.
Vrouwelijk fantasiefiguur
Object type: drawing
Date: 1783 – 1783
Materials: paper, pencil
Artist: Anonymous
Subjects: monsters ~ snakes - aa - female human figure (+ body)

Schets van een vrouwelijk figuur met slangenlichaam en fruit in het haar.
J.J. Witsen
Object type: photograph
Date: 1860 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Piece from a sampler
Object type: sampler fragment
Date: 1801 – 1900
Materials: metal thread, silk
Subjects: birds,dice,flowers,hammers
Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), plate 20 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Object type: print
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: women,mercury
De Amsterdammer van 17 juli 1884 met een artikel over de begrafenis van prins Alexander
Object type: newspaper
Date: 1884 – 1884
Materials: paper
Techniques: letterpress printing
Subjects: the hague, funerary ceremonial

Opgevouwen exemplaar van de krant De Amsterdammer / Dagblad voor Nederland, nr. 556, van 17 juli 1884 met een artikel over de begrafenis van prins Alexander op 17 juli.
Valentine's Series
Object type: photomechanical print
Date: 1902 – 1930
Materials: cardboard
Techniques: photograph
Location: london
Subjects: church (exterior), westminster abbey
De kleine Passie
Object type: print
Date: 1523 – 1523
Materials: paper
Techniques: woodcut
Location: amsterdam
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass

Maria zit met het Christuskind in haar armen op de ezel, die door Jozef wordt voortgeleid. Prent maakt deel uit van een boek.
Man, vrouw en (vermoedelijk) Georges Bergsma op straat in Nederland
Object type: photograph
Date: 1904 – 1926
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: utrecht, parents with their children, street (+ city(-scape) with figures, staffage), netherlands

Onderdeel van fotoalbum met opnames van de familie Bergsma in Tandjong Poera en Rantan Pandjang (Sumatra).