deem-data/ArtiFact huggingface dataset:
Chess Piece, Pawn
Object type: chess piece
Date: 701 – 1100
Materials: glass
Location: western islamic lands
Subjects: chess
Landscape with Fishermen and Farmers Extracting Peat in a Marsh
Object type: painting
Date: 1783 – 1783
Materials: oil, panel
Artist: hendrik willem schweickhardt
Artist role: draughtsman, painter, print maker
Artist dates: 1746 – 1797
Subjects: peat (soil type), peat-cutting, landscapes in the temperate zone, angling, netherlands
Inscriptions: signature and date: ‘H.W. Schweickhardt 1783’

Here, peat –an important source of fuel –is being extracted from below the water table, a common technique in the west and north of the Netherlands. The man in the little boat dredges the peat from the water; it is then spread out on the ground. The woman in the distance stamps the peat drying in the sun into a hard mass. This is subsequently cut with a spade into easy-to-use blocks, which are then left to dry out fully.
Ex libris van Hans Winkler
Object type: bookplate
Date: 1900 – 1975
Materials: paper
Techniques: woodcut
Location: austria
Artist: karl haselböck
Artist role: print maker
Subjects: armorial bearing, heraldry
Sir Walter Scott at Abbotsford
Object type: embroidered picture
Date: 1851 – 1875
Materials: canvas, wool
Subjects: interiors,men,reading,dogs
Aantekening betreffende Hildo Krop
Object type: aantekening
Date: 1932 – 1932
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: amsterdam, print maker, draughtsman, sculptor, hildo krop
Inscriptions: stamp: ‘Opgave Bevolkingsregister Amst 6.4.32’
Woman with Red Hair and Green Eyes. The Sin
Object type: print
Date: 1902 – 1902
Materials: ink, paper, stone
Techniques: printing, lithography
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Portret van Remy du Laury
Object type: print
Date: 1676 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: remi du laury
Inscriptions: collector's mark: Lugt 2228

Portret van Remy du Laury, proost van de Sint-Pierre kerk in Lille. Afgebeeld in ovale omlijsting met wapen, waaronder drie regels tekst in Latijn.
Portretstudies voor het (onvoltooide) schilderij van de Nederlandse rechtbank in Londen, juni 1942: de twee Chinese verdachten en leden van de rechtbank
Object type: drawing
Date: 1942 – 1942
Materials: paper, pencil
Location: westminster
Artist: anton abraham van anrooy
Artist dates: 1870 – 1949
Subjects: anton abraham van anrooy, historical persons, london

Schets van twee Chinese verdachten en leden van de Nederlandse rechtbank tijdens een zitting in Londen op 22 juni 1942. Anton van Anrooy, 1942 Links de advocaat Mr. D.J. Sannes, linksonder een wachter en de twee verdachten T.A.K. en L.K., rechtsboven Mr. H. van Everdingen en Prof. Mr. J.A. Veraart, daaronder de waarnemend officier van justitie Mr. C.W.A. Schürmann en rechts daarvan de voorzitter Mr. J.M. de Moor.
Feyghine (en 1881)
Object type: photograph
Date: 1881 – 1881
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: portrait of actor, actress, france
België, Albert I, franc, 1910
Object type: coin
Date: 1910 – 1910
Materials: silver
Techniques: striking
Location: brussels

Zilveren munt. Voorzijde: portret van Albert I naar links. Keerzijde:tussen twee samengebonden takken waarde-aaanduiding in twee regels. Daaronder jaartal. Kartelrand.
Maria Magdalena wast de voeten van Christus
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: haarlem
Subjects: a woman washes christ's feet with her tears, and wipes them with her hair
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Heropening van de Tweede Kamer
Object type: cartoon
Date: 1873 – 1873
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: tweede kamer der staten-generaal, voorzitter tweede kamer, willem hendrik dullert

Spotprent met de voorzitter van de Tweede Kamer Mr. Dullert. Op de bestaande verdeeldheid binnen de liberale partij. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 8, 1873.
Folios from a Qur'an Manuscript
Object type: folio from a non illustrated manuscript
Date: 1301 – 1400
Materials: gold, ink, paper, watercolor
Location: egypt or syria
Subjects: qur'an,calligraphy
Hur in Chaldea
Object type: drawing and watercolor
Date: 1665 – 1665
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: jan peeters (1624-1678)
Artist role: draughtsman
Artist nationality: flemish
Artist dates: 1624 – 1677
Pebble
Object type: pebble
Date: 1902 – 1902
Materials: jade
Culture: chinese or turkestani
Bluettes
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: various human types
Inscriptions: collector's mark: Lugt 2228a

Prent maakt deel uit van een omslag met achttien prenten.
Culver Cliff, Isle of Wight
Object type: drawing
Date: 1847 – 1847
Materials: chalk, gouache, graphite, watercolor
Artist: william dyce
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1806 – 1864
Subjects: beaches,landscapes

Dyce is best known for meticulously-rendered religious subjects that earned him the nickname "the British Nazarene." Completely different in character, this watercolor was made for his own pleasure in the summer of 1847, during a stay on the Isle of Wight to paint "Neptune Resigning his Empire of the Seas to Britainnia" for the royal residence of Osborne House. Turning his attention from allegory to the physical realities of the English coast, Dyce represents men collecting wood from a wrecked boat, and fishermen carrying bundles across Sandown Bay, with the distinctive chalk face of Culver Cliff standing out in the distance.
Summer Robe (Katabira) with Seasonal Landscapes and Scenes from The Tale of Genji
Object type: robe
Materials: gold thread, paste, thread
Techniques: embroidery, weave, resist
Culture: japanese

This robe exemplifies the exquisitely embroidered and dyed robes made in the late Edo period for high-ranking samurai ladies, especially in daimyo households. They came to be referred to as “imperial court style” garments, as the landscapes and seasonal plants combine with motifs referencing Noh plays, poems, or classical literature such as The Tale of Genji to evoke aristocratic life in the Heian period. The motifs consist of pines, plum and cherry blossoms, chrysanthemums, maple leaves, reeds, clouds, rocks, and streams. The stylized landscapes include spring patterns, a half-moon, and autumn flowers. The scene showing the Nonomiya shrine on the back of the right sleeve is from Chapter 10, “A Branch of Sacred Evergreens.” On the right of the lower section, the depiction of the koto refers to the best-known scene of Chapter 2, “Broom Cypress”—the so-called “appraisal of women on a rainy night” episode.
Brief aan Philip Zilcken
Object type: letter
Date: 1887 – 1887
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: publisher, edmond sagot, draughtsman, félicien rops, painter, philip zilcken, the graphic arts, painting (including book-illumination, miniature-painting), printed matter, brussels
Inscriptions: watermark, collector's mark: ‘RPK’
Review of Troops at the Aoyama Training Grounds
Object type: print
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: utagawa kunimasa v (baidō kokunimasa)
Artist role: artist
Artist nationality: japanese
Artist dates: 1874 – 1944
Subjects: military,horses,crowd,carriages
Untitled Valentine (Flowers)
Object type: drawing and watercolor
Date: 1840 – 1850
Materials: paper, watercolor
Techniques: collage, embossing
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Peasant Kermis
Object type: print
Date: 1549 – 1549
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: pieter van der borcht (i)
Artist role: print maker
Artist dates: 1545 – 1608
Subjects: carousal, drinking-bout, orgy, (annual) fair, trade fair, folk dancing (men and women together), bagpipe, musette - cc - out of doors, pleasure fair and circus, drunken brawl (usually peasants fighting in an inn)
Inscriptions: collector's mark: Lugt 2228, watermark: ‘kruik met klaverblad’, collector's mark: Lugt 1105b, collector's mark: Lugt 2760

Both painted and printed depictions of peasant fairs were popular until well into the 17th century. They are invariably packed with festive activities, including wild dancing, drinking, playing and making love. The consequences of dipsomania too are not omitted, with brawling and vomiting drunkards. This freely etched sheet from 1549, only two impressions of which are known, is one of the earliest examples.
Yatagan met ebbenhouten gevest
Object type: yatagan
Date: 1500 – 1699
Materials: wood, iron, leather, silver
Techniques: inlay, tanning
Location: turkey
Artist: Anonymous
Subjects: tromp

Yatagan, from European Turkey.
Vijf onbekende Congolese personen bij het paviljoen van Congo tijdens de Wereldtentoonstelling van 1894 te Antwerpen
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: world fair, world exhibition, africans, historical persons, antwerp
Inscriptions: inscription: ‘Exposition Universelle D'Anvers 1894.’
Mansportret
Object type: drawing
Date: 1700 – 1800
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: anonymous historical person portrayed alone
Metamorfosen van Ovidius
Object type: print
Date: 1650 – 1703
Materials: paper
Techniques: etching
Location: paris
Subjects: lycaon changed into a wolf: jupiter changes lycaon into a wolf as punishment for offering the god, who is sitting at table, human flesh to eat; lycaon's house is struck with lightning (ovid, metamorphoses i 237)
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 11

Lycaon (rechts) probeerde Jupiter (links, met adelaar) te bedriegen door diens zoon Arcas te slachten en hem als avondmaal aan te bieden, waarop Jupiter hem in een wolf verandert. Het paleis van de koning wordt getroffen door de bliksem. In de ondermarge een drieregelige toelichting op de voorstelling in het Frans.
Twee met vergulde ornamenten gedecoreerde deuren
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: france
Artist: Anonymous
Inscriptions: annotation: ‘156. Versailles - Le Musee - Salon de l'Abondance (L.P. Phot) (Porte Sculptee et doreé).’

Onderdeel van een serie met betrekking tot het interieur van het paleis van Versailles met kroonluchters, deuren, portalen en meubelstukken.
Fotoreproductie van een prent naar een schilderij door William Hodges, voorstellend een scene uit De koopman van Venetië door William Shakespeare
Object type: photograph
Date: 1854 – 1867
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. XXI. 83’

Te zien is akte V, scene 1 met Jessica en Lorenzo op een bankje en Stephano die toekijkt.
Bronze jug
Object type: jug
Date: 201 – 300
Materials: bronze
Culture: lydian

Bronze jug with rounded belly and flat handle.
Buste van Christus
Object type: print
Date: 1600 – 1850
Materials: paper
Techniques: engraving
Subjects: 'portraits' of christ
Inscriptions: collector's mark: Lugt 240
Book cover for Ferdinando Giorgi's Estratto, Florence, 1786
Object type: print
Date: 1786 – 1786
Techniques: relief print
Artist: Anonymous
Artist role: artist
Ornamenten met de triomftochten van Venus en Pan
Object type: ornament print
Materials: paper
Techniques: etching
Subjects: (story of) mars (ares), 'tropaion', i.e. decorative ornament ~ weapons, weapons, other hybrid forms in the shape of a pillar
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent maakt deel uit van een serie van zes prenten.
Chinese Sages
Object type: screen
Date: 1567 – 1633
Materials: ink, panel, paper
Culture: japanese
Artist: kano sanraku
Artist role: artist
Artist nationality: japanese
Artist dates: 1559 – 1635
Subjects: men

This pair of screens portrays well-known but seldom pictorialized stories. At right is Huang Chuping, a shepherd who gained the ability to transform stones into sheep. Flanked by his skeptical brother and a young attendant, Chuping fixes his gaze on a bright white rock in the bottom of the third panel, where a smudge of ink suggests an impending transformation. At left is a pair of recluses. Xu You, disquieted after declining an offer to take over the empire, rushes to wash his ears in a spring. Chaofu decides that the spring is now too polluted to water his bull. The screens are a masterwork of the so-called gyō, or “running,” style of ink painting. With origins in Southern Song Chinese painting, it is one of three styles assimilated by medieval Japanese artists and transformed by early Kano school painters, especially Kano Motonobu and his grandson Eitoku (1543–1590).
A Townscape with a Churchgate
Object type: drawing
Date: 1801 – 1833
Materials: graphite, ink
Techniques: pen
Artist: jan hendrik verheyen
Artist role: artist
Artist nationality: dutch
Artist dates: 1778 – 1846
Subjects: human figures,buildings,gates,churches,towns
Koffiekan met deksel van aardewerk met zwartdekkende glazuur
Object type: coffee pot
Date: 1740 – 1770
Materials: earthenware
Location: jackfield
Artist: Anonymous

Peervormige koffiekan met deksel van aardewerk met zwartdekkende glazuur. De kan heeft een C-vormig oor, een S-vormige tuit en een hoog gewelfd deksel met een knop. De tuit heeft een montuur met een ketting. De ketting loopt van de tuit naar de knop van het deksel en vandaar naar het oor. De kan staat op drie kleine poten.
Ear Ornament in the form of Vishnu Riding Garuda
Object type: ear ornament
Date: 867 – 933
Materials: gold
Culture: indonesian, javanese
Subjects: vishnu
Hondenkoopvrouw, Scheveningen
Object type: stereograph
Date: 1894 – 1894
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: scheveningen
Inscriptions: annotation: ‘'s Gravenhage en omstreken: Hondenkoopvrouw te Scheveningen’, annotation: ‘Seizoen 1894.’
Two pieces
Object type: piece
Date: 1701 – 1800
Materials: silk
Subjects: flowers,leaves
Hero en Leander
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: etching, letterpress printing
Location: rotterdam
Subjects: (story of) hero and leander

Boekillustratie in: Houwaert, Johan Baptista. Den handel der amoureusheyt inhoudende vier poetische spelen. Rotterdam: Jan van Waesberghe III, 1621.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: silver alloy, gold
Culture: japanese
Location: japan
Subjects: flowers
Portret van Christianus Lupus
Object type: book illustration
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Location: brussels
Artist: françois harrewijn
Artist role: print maker
Artist dates: 1700 – 1764
Subjects: bookshelves, theologian, historical persons, monk(s), friar(s)

Prent waarschijnlijk uit: Foppens, J.F. Bibliotheca Belgica (...). Brussel: Petrus Foppens, 1739.
Roodkapje, kind'ren! u bekend, / Wordt bij vernieuwing, thans / U voorgesteld in deze prent, / Naar 't spreukje van de gans
Object type: popular print
Date: 1830 – 1892
Materials: paper
Techniques: colour, letterpress printing
Location: zaltbommel
Subjects: tales and fairy tales: little red riding-hood
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen uit het sprookje van Roodkapje. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 41.
Album met honderd negatieven
Object type: filmnegatief
Date: 1930 – 1931
Materials: paper, cardboard, ink, metal, film, textile
Techniques: gelatin silver negative, pen
Location: netherlands
Artist: Anonymous
Subjects: the family travelling, on holiday, historical persons not known by name

Negatiefalbum met honderd negatieven van een onbekende familie, onder andere in Nunspeet, Ermelo en Alkmaar. Bevat handgeschreven bijschriften achterin.
Badende vrouwen
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: etching, roulette
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: woman (showing herself) undressed, quasi-nude, taking a bath - aa - in the open air
Inscriptions: collector's mark: Lugt 2760, watermark, collector's mark: Lugt 2228

Vijf gedeeltelijk en geheel ontklede vrouwen in een met bomen begroeid landschap. Achter hen bevindt zich water.
Skating cape
Object type: skating cape
Date: 1898 – 1899
Materials: wool
Culture: french
Subjects: profiles
Bowl
Object type: bowl
Date: 1885 – 1900
Materials: glass, textile
Techniques: glassblowing
Culture: american
Location: united states
Visser voor een groep bomen
Object type: print
Date: 1830 – 1878
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes pieter van wisselingh
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1899
Subjects: river, trees: oak, trees: fir, fisherman
Inscriptions: collector's mark: Lugt 2233

Aan de oever van een rivier zit een visser. Achter hem staan verschillende bomen, waaronder een eik en een spar. Linksboven het getal 15.
Bronzen deuren van het Baptisterium te Florence
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: closed door, sculpture (+ relief ~ sculpture)
Inscriptions: title: ‘Gates of Baptistery, Designed by Lorenzo Ghiberti.’
Oilette
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1912
Materials: cardboard
Techniques: color autotype
Location: london
Subjects: castle, canals, waters (in city), thames
Marie Françoise de La Cropte de St. Abre, Marquise d'Argence (born 1714)
Object type: painting
Date: 1744 – 1744
Materials: canvas, oil
Artist: jean marc nattier
Artist role: artist
Artist nationality: french
Artist dates: 1685 – 1766
Subjects: portraits,women

The marquise's name and the date are inscribed on the stretcher. In 1744, the year she sat for Nattier, she was married in Paris to François Achard Joumard Tison d'Argence (1719–1781), who descended from several families of great antiquity in Angoulême and Périgueux. In this formal, frontal portrait the young sitter wears a pointed bodice trimmed with lace and pearls. An extravagant length of taffeta-like fabric is knotted at her breast. The trees, some with leafless branches, are unusual for a portrait in this relatively small format.
Grillige takken met bloemen
Object type: print
Date: 1750 – 1750
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: paris
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Grillige takken met bloemen en knoppen. Een van 39 bladen met knipplaatjes en decoratieve randen.
Versailles, Fontaine du Point du Jour, (Tigre Terrassant un Ours par Houzeau)
Object type: photograph
Date: 1903 – 1903
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Elvira
Object type: photograph
Techniques: gelatin silver print
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Portret van Nicolas François de Neufchâteau
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: historical persons
Inscriptions: number: ‘5. 1799’

Prent waarschijnlijk uit: Revolutions-Almanach von 1799. Göttingen: Johann Christian Dieterich, 1799.
Jar
Object type: jar
Date: 1601 – 1800
Materials: stonepaste
Techniques: painting, underglaze
Location: iran
Cricket trap
Object type: cricket trap
Date: 1701 – 1900
Materials: ivory, jade
Culture: chinese
Infanteristen in een zonovergoten landschap
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: warfare; military affairs (+ infantry)
Inscriptions: collector's mark: Lugt 2228

Infanteristen lopen in een zonovergoten landschap. Tussen hen in wagens met kanonnen en munitie.
Landschap met twee liggende koeien
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: cow, landscapes in the temperate zone
Gezicht op een straat met een minaret
Object type: sketchbook leaf
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: temple, shrine ~ islam, mohammedanism, street
Inscriptions: kleurnotitie, handgeschreven

Pagina 66 uit een schetsboek met 54 bladen.
Glass head of Zeus Sarapis
Object type: head of zeus sarapis
Date: 1 – 200
Materials: glass
Culture: roman
Subjects: heads,zeus

Opaque deep red. Solid block. Carved in the round: bearded head with hair arranged in long flowing locks, ending in curls around neck, well-defined eyes with eyelids and pupils, and bushy beard covering lower half of face. Broken, with unweathered chip on nose, a large weathered break across lower proper left side of face, a large weathered circular patch on top of head (probably where a polos or crown has been broken off), and a jagged scar over proper right eye; green copper weathering surface. The red glass has acquired a green patina.
Grafmonument voor Maarten Tromp in de Oude Kerk te Delft
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photoaquatint
Location: oude kerk
Artist: charles l. mitchell
Artist role: fotograaf
Subjects: interior of church, grave-building, monumental tomb
Inscriptions: title: ‘Monument to Admiral Van Tromp, Delft.’
Gezicht op het Kartuizerhof in Amsterdam
Object type: book illustration
Date: 1693 – 1693
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: old-people's home

Prent uit: Commelin, Caspar. Beschryvinge van Amsterdam (...). 2 dln. Amsterdam: Weduwe Dircksz. Oossaan, 1693, dl. 2, p. 580-581.
Twee studies van een flamingo
Object type: drawing
Date: 1873 – 1917
Materials: chalk, paper
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: shore-birds and wading-birds: flamingo
Textile Fragment with Inscription
Object type: textile fragment
Date: 901 – 1100
Materials: cotton, gold, ink
Techniques: painting, weave
Location: iraq

Only the inscribed portion of this textile has survived. The kufic script and the interlaced border framing the inscription have been stamped in gold and outlined in red. The benedictory phrase is commonly found on objects throughout the Islamic world, often with the name of the recipient, as is the case here. Nothing is known about the owner, Abu ‘Abdallah ibn Nasr, but he probably belonged to the middle-class to afford such a personalized object. The shape and small size of the inscription may indicate that the fragment was originally part of a handkerchief.
La Belgique pittoresque et monumentale
Object type: stereograph
Date: 1866 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: jules hippolyte quéval
Artist role: publisher
Artist dates: 1824 – 
Subjects: square, place, circus, etc., urban housing, church (exterior)
Inscriptions: number: ‘No 1645’
Shabti of Bener
Object type: shabti, bener
Date: 1850 – 1775
Materials: paint, stone
Location: egypt
Subjects: hieroglyphs
Reclamefoto met serviezen en keukengerei van de firma C. Read & Co., Baltimore, Maryland
Object type: photograph
Date: 1920 – 1930
Materials: paper, textile
Techniques: photography
Location: united states