deem-data/ArtiFact huggingface dataset:
Pierre Paul Royer-Collard (1763–1845), French editor, philosopher, statesman, and Member of the Academy
Object type: medallion
Date: 1830 – 1830
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Portret van Willem Hendrik van Westreenen van Tiellandt
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: carel christiaan antony last
Artist role: print maker
Artist dates: 1808 – 1876
Subjects: the hague, willem hendrik baron van westreenen van tiellandt, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt ridderorden om zijn hals en op zijn borst.
Portret van Hendrik Cuyk op 63-jarige leeftijd
Object type: print
Date: 1609 – 1739
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons

Prent mogelijk uit: Foppens, Joannis Francisci. Bibliotheca belgica, sive virorum in Belgio vita (...). Brussel: Petrum Foppens, 1739.
Hollands Lustpark besluitende zyn Britannische majesteits hof-gebouw tot Honslaardyk
Object type: album leaf
Date: 1689 – 1702
Materials: paper
Techniques: etching
Location: amsterdam
Artist: carel allard
Artist role: print maker, publisher
Artist dates: 1648 – 1709
Subjects: road, path
Inscriptions: number: ‘352’

Weg langs een sloot met wandelaars, ruiters en rijtuigen. Rechts een bos, links weilanden met koeien, op de achtergrond de kerk van Naaldwijk. Prent maakt deel uit van een album.
Studie-prentwerk / Etudes gravées
Object type: print
Date: 1808 – 1810
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: adolescent, young woman, maiden, sleeping on the ground - bb - out of doors
Inscriptions: collector's mark: Lugt 2228

Serie voor het eerst uitgegeven door Jacob Ernst Marcus onder de titel Studiebeelden en Fragmenten. Amsterdam: ca.1816. Later heruitgegeven als: Studie-prentwerk/ Etudes gravées.
Plate with the Amsterdam coat of arms
Object type: plate dish
Date: 1730 – 1740
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: label: ‘Scilhas Price coll/ Christies May 1906/ [...]’

The quality of this plate is superb. The porcelain is extremely thin, and the back is covered entirely with a ruby-pink glaze (ruby back). The front is decorated with painstakingly painted floral motifs and a geometric pattern. A fairly small Amsterdam coat of arms is depicted in the rim at the top.
Writing cabinet
Object type: writing cabinet
Date: 1567 – 1633
Materials: brass, wood
Jug with Masonic Iconography
Object type: ceramic
Date: 1824 – 1824
Materials: earthenware
Techniques: gilding, transfer
Location: stoke on trent
Artist: manufacturer: spode pottery & porcelain factory
Artist nationality: english
Artist dates: 1776 –
Fragment van een schotel van aardewerk, versierd met granaatappel
Object type: platter
Date: 1600 – 1600
Materials: earthenware
Location: northern netherlands
Artist: Anonymous

Fragment van een schotel van aardewerk in geel, oranje, groen en blauw, versierd met een granaatappel. pen en in blauwe grond weggekraste ornamenten. Merk aOpmerking: opgegraven te Dordrecht.
Piece
Object type: piece
Date: 1701 – 1900
Techniques: lace
Subjects: leaves
Chair Strip
Object type: chair strip
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Royal Standard, Great Britain, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 1 (N9), issued in 1887 in a series of 48 cards to promote Allen & Ginter Brand Cigarettes. The museum's collection contains the 48 cards from the Series 1 set, as well as 10 variations and 5 mis-printed cards.
Teapot
Object type: teapot
Date: 1701 – 1800
Materials: soft paste porcelain
Subjects: flowers
Miss Belle, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Head of Buddha
Object type: sculpture
Date: 201 – 400
Materials: pigment, plaster
Location: gandhara
Untitled (Temple of Minerva)
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print, photography
Location: scotland
Artist: robert macpherson
Artist role: artist
Artist nationality: scottish
Artist dates: 1811 – 1872
Subjects: collected by hugh edwards
Al wat ge uw oog op deze print, / Zoo geestig afgeteekend vindt [(...)]
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: musical instruments; group of musical instruments, animals, human types, characters (human types), (household) utensils and implements
Inscriptions: collector's mark: Lugt 2760

Blad met 48 voorstellingen van voorwerpen, figuren en dieren. Onder elke voorstelling een tweeregelig vers. Genummerd midden boven: N. 74.
Study of Clouds
Object type: drawing and watercolor
Materials: chalk, charcoal, paper
Techniques: drawing, heightening, stumping
Location: england
Artist: william turner
Nederland, cent,1899
Object type: coin
Date: 1899 – 1899
Materials: bronze
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Bronzen munt. Voorzijde: in een veld rijkswapen. Jaartal onderaan in omschrift. Keerzijde: binnen twee samengebonden oranjetakken waarde-aanduiding 1 cent. Kartelrand.
Jan Steen. Die Katzentanzstunde. (Sammlung Van de Pool.)
Object type: reproduction
Date: 1886 – 1886
Materials: cardboard, paper
Techniques: carbon print
Location: amsterdam
Subjects: children playing musical instruments, child playing with animals
Inscriptions: inscription: ‘Photographie nach dem Originale/ Rijks Museum Amsterdam/ Registered. Déposé.’, number: ‘51’
The Mystic Marriage of Saint Catherine
Object type: print
Date: 1650 – 1657
Techniques: etching
Artist: jan miele
Artist role: artist
Artist nationality: flemish
Artist dates: 1599 – 1664
Subjects: men,christ,saint catherine
Gezicht op het Rijksmuseum in Amsterdam
Object type: photograph
Date: 1885 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: permanent exhibition, museum
Portret van François-Louis Colins
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving
Location: the hague
Subjects: conservator
Inscriptions: collector's mark: Lugt 2228

De Franse kunsthandelaar François-Louis Colins. Hij was vanaf 1743 conservator en restaurator van het Louvre.
Overlijden van Petrus Martyr, hervormer in Italië, Zwitserland en Frankrijk
Object type: history medal
Date: 1725 – 1725
Materials: silver
Techniques: striking
Location: geneva
Artist: jean dassier
Artist role: medailleur
Artist dates: 1676 – 1763
Subjects: italy, france, switzerland

Zilveren penning. Voorzijde: borststuk man. Keerzijde: opschrift
Strook naaldkant met twee soorten rozetten in vierkanten
Object type: strip
Date: 1600 – 1609
Materials: linen
Techniques: needle lace, reticella
Location: italy
Artist: Anonymous

Strook naturelkleurig naaldkant: reticella. De bovenzijde van het patroon bestaat uit vierkanten, die zijn opgebouwd uit vier kleine vierkanten. In de vierkanten staan afwisselend een kleine en een grote cirkel. Rond de kleine cirkel staan in de hoeken bloemen. Rond de grote cirkel staan in de hoeken blaadjes. Dit patroon verspringt en herhaalt zich in de onderzijde van de strook, de vierkanten zijn hier echter aan zijkant en onderkant afgerond tot een schulpenrand met halfcirkelvormige diepe schulpen. De bovenzijde van de strook is afgewerkt met een smalle rechte rand met vierkantjes.
Portret van George Buchanan
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: engraving
Location: london
Subjects: george buchanan, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Making Hay
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Twee schilderijen op de zijden van de triomfbogen voor het Buitenhof, 1691
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: william iii (prince of orange and king of england, scotland, and ireland), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Bidloo, Govard. Komste van zyne majesteit Willem III. Koning van Groot Britanje, enz. in Holland; ofte omstandelyke beschryving van alles, (…) vercierd met kopere plaaten. Den Haag: Arnoud Leers, 1691.
Jar with floral patterns
Object type: jar
Date: 1667 – 1733
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers
Theater van bisschoppen, keizers, koningen, hertogen, prinsen, enz.
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: unknown
Artist: pieter de jode (ii)
Artist role: draughtsman, print maker
Artist dates: 1606 – 1674
Subjects: elisabeth of france (queen of spain and portugal)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘40’

Busteportret van Elisabeth van Bourbon, in rijk versierde jurk. Het portret is gevat in een boogvormige omlijsting. In een kader een onderschrift in het Latijn.
Portret van de schoolmeester en schoonschrijver Theodore Bleuet
Object type: print
Date: 1637 – 1665
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: schoolmeester, theodore bleuet
Inscriptions: collector's mark: Lugt 964
Wooded hillside with deer
Object type: drawing
Date: 1780 – 1827
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: deer,hills,trees
Cornice (from Sketchbook)
Object type: drawing
Date: 1796 – 1886
Materials: graphite, paper
Culture: american
Artist: asher brown durand
Artist role: artist
Artist nationality: american
Artist dates: 1796 – 1886
Hemelvaart van Christus
Object type: drawing
Date: 1570 – 1580
Materials: chalk, paint, paper
Artist: denys calvaert
Artist role: draughtsman
Artist dates: 1540 – 1619
Subjects: the ascension (christ surrounded by radiant light or in a mandorla)
Sainte Thérèze aquaduct in Rio de Janeiro
Object type: photomechanical print
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: photograph
Location: rio de janeiro
Subjects: landscape with bridge, viaduct or aqueduct
Woonhuis en zes portretten
Object type: album leaf
Date: 1863 – 1866
Materials: cardboard, photographic support
Techniques: albumen print
Location: batavia
Subjects: historical persons not known by name - bb - woman, detached house in city, historical persons not known by name, batavia
Inscriptions: inscription: ‘Rahden Maas Trengono’

Albumblad met zeven foto's. Centraal een gezicht op een woonhuis met oprijlaan waarlangs potten met planten staan. Bovenaan drie portretten, links portret van Raden Mas Trengono. Onderaan drie portretten van vrouwen. Onderdeel van het tweede groene fotoalbum met foto's van Java, uit het bezit van apotheker Specht-Grijp, die in 1865 vanuit Batavia naar Nederland terugkeerde.
Wie stelt der menschen oefning perk, / Als zij, door kunst en handenwerk (...)
Object type: print
Date: 1794 – 1804
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: handicrafts, craftsman at work, crafts and industries
Inscriptions: inscription: ‘21’

Blad met 12 voorstellingen van verschillende ambachten. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: E.
Burgonet
Object type: burgonet
Date: 1601 – 1700
Materials: leather, steel
Culture: german
Location: germany
Sibillen
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: cumaean sibyl
Inscriptions: collector's mark: Lugt 2228

De Sibille van Cumae zit op een boomstronk. Ze heeft een boek vast. De prent heeft een Latijns onderschrift en maakt deel uit van een tiendelige serie over de Sibillen.
Naastenliefde
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 11

Personificatie van de naastenliefde. Vrouw met kind op haar linkerarm, in haar rechterhand een vaandel met daarom een afbeelding van een hond. Rechtboven een wapenschild met de leeuwin die haar dode jongen lucht in blaast, bovenop een lam. Onder de voorstelling een tweeregelige tekst in het Latijn. Zesde prent uit een serie van zeven.
Riviergezicht met aangemeerde zeilschepen
Object type: print
Date: 1832 – 1880
Materials: paper
Techniques: etching
Location: amsterdam
Artist: willem gruyter jr.
Artist role: draughtsman, print maker
Artist dates: 1817 – 1880
Subjects: rowing-boat, canoe, etc., sailing-ship, sailing-boat (+ four persons or more ~ traffic and transport)
Inscriptions: collector's mark: Lugt 2165

Houten huis bij een pier met aangemeerde zeilschepen en rechts op de voorgrond een roeiboot met drie mannen erin.
Spring Rain Collection (Harusame shū), vol. 1: Crabs and Lotus Blossoms
Object type: print
Date: 1805 – 1810
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: crabs,lotuses

Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and images.
Terracotta fragments of skyphoi (deep drinking cups)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Two fragments with bit of the ground line
Bertha
Object type: bertha
Date: 1675 – 1725
Culture: italian
Gezicht op Battak Kampong Bekiven, Sumatra (Battak Kampong Bakioen)
Object type: photograph
Date: 1885 – 1900
Materials: photographic support
Techniques: collodion silver print
Location: sumatra
Artist: carl j. kleingrothe
Artist role: fotograaf
Artist dates: 1864 – 1925
Subjects: sumatra

Gezicht in het Batakdorp Bekiven. Dorpelingen poseren voor de karakteristieke woningen op palen. Onderdeel van het Sumatra fotoalbum van Paul en Lucie Sandel uit 1900.
De kapel in de Zoute Veen
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: church (exterior)

Afbeelding van de kapel in Zouteveen met daaronder een afbeelding van een wapenschild.
Terracotta stirrup jar
Object type: stirrup jar
Date: 1200 – 1050
Materials: terracotta
Culture: aegean, helladic or mycenaean

Groups of broad bands, incised symbols on handle.
Study for a Garden Capriccio
Object type: drawing
Materials: graphite, ink
Techniques: pen, drawing
Artist: gilles-marie oppenord
Artist role: artist
Artist nationality: french
Artist dates: 1672 – 1742
Subjects: fountains,gardens
Portret van Karl von Drachsdorf
Object type: print
Date: 1767 – 1843
Materials: paper
Techniques: etching
Location: nuremberg
Artist: johann carl bock
Artist role: print maker
Artist dates: 1757 – 1843
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van koning Pharamond
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Tuinpoort gedecoreerd met vrouwelijke hermen, guirlandes, standbeelden en dieren
Object type: page
Date: 1593 – 1595
Materials: paper
Techniques: etching
Location: straatsburg
Subjects: parts of church exterior and annexes: portal, pedestal of a piece of sculpture (perhaps in the form of a herm), ornament derived from architectural details, public gardens, park
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent gebruikt in: Dietterlin, Wendel (I). Wendel Dietterlin, Architectura de Polstium seu Portalium ornatu uario Liber II. Straatsburg: Bernhard Jobin, 1594.
Funerary Cone of the Overseer of the Ships of Amun Seshi
Object type: cone, seshi, circular impression, overseer, ship, amun, anubis
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This cone and three others in the collection (15.2.67, .69, .70) have the impression of a seal inscribed for a man named Seshi who was overseer of the ships of the god Amun. Compared to other cones in the collection, these are larger in both diameter and length. They also differ in shape and manufacture. Whereas most funerary cones are solid and roughly conical in shape, these are hollow and become wider towards the middle before they taper to a blunt end. One example, 15.2.70, is preserved for its full length, but the best preserved impression is on cone 15.2.67. The tomb of Seshi has not been identified and most of the cones impressed with his seal have no archaeological context. However, two examples were uncovered during excavations in the Dira Abu el-Naga area by Henri Gauthier in 1906 and it is possible that Seshi’s tomb was in this part of the Theban necropolis.
Portret van een man, mogelijk een zelfportret van Christian Gottlieb Werner
Object type: print
Date: 1755 – 1789
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: zwickau, print maker, christian gottlieb werner (prentmaker), head-gear, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Thick Flat Section of Jadeite
Object type: fragment
Date: 1902 – 1902
Materials: jade
Culture: burmese
Vase
Object type: vase
Date: 1801 – 1850
Materials: glaze, porcelain
Techniques: molding
Culture: chinese
Memorial of opening of Chamber of Commerce of St. Nazaire, 1879
Object type: jeton
Date: 1893 – 1893
Materials: bronze
Techniques: silvered, struck
Artist: louis-oscar roty
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1911
Subjects: female nudes
Kamer met tentoongestelde gravures in het huis van Christoffel Plantijn
Object type: photomechanical print
Date: 1877 – 1882
Materials: paper
Techniques: photograph
Location: antwerp
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: print, e.g.: engraving, etching, lithograph, interior of the house
Pattens
Object type: patten
Date: 1767 – 1800
Materials: leather, metal, wood
Culture: american

Walking on rough unpaved or cobbled streets was perilous business in the thin silk-covered shoes of the 18th and early 19th centuries. This pair of overshoes is a rare and interesting combination of the two styles worn at the time, the clog and the patten. The clog was essentially a thick sole made to conform to the bottom of a shoe, with straps securing it to the foot. The patten consisted of a wooden sole elevated on an iron ring. The hobnailed leather pads and serrated iron ring suggest that this pair was made for icy winter conditions.
Peacock (one of a pair)
Object type: figure
Date: 1720 – 1730
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: fruit,parrots,peacocks
Design for a ceiling with putti
Object type: drawing
Date: 1851 – 1900
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: birds,flowers
Fontein bestaande uit de Torloni vaas en een sculptuur van Silenus met een wijnzak
Object type: album leaf
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: vase ~ ornament, (story of) silenus, piece of sculpture, reproduction of a piece of sculpture, ornamental fountain, garden vase
Inscriptions: inscription: ‘Ende [...] lib. No. 27./ Ende lib. No. 21. fol. 2./ Ende lib. No. 23. fol. 143.’, number: ‘85’, inscription: ‘Ende lib. no. 2. fol. 13.’

Deze prent maakt deel uit van een reeks van ten minste 50 prenten van sculpturen uit de oudheid.
Fichu
Object type: fichu
Date: 1700 – 1942
Materials: cotton
Culture: american
1 Augustus Zwitserse Nationale Feestdag 1928
Object type: history medal
Date: 1928 – 1928
Materials: brass
Techniques: striking

Ronde messing broche waarop drie staande mannen, twee met hoorns en de middelste met het Zwitserse wapenschild, met omschrift en afsnedetekst.
Metamorfosen van Ovidius
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: arethusa changed into a fountain: diana changes her attendant arethusa into a fountain, after first having hidden her in a cloud to escape alpheus, the river-god (ovid, metamorphoses v 621)
Inscriptions: annotation: ‘Arethusa en Alpheus. lib. 5.’, number: ‘40’, collector's mark: ‘Hinloopen’

Deze incomplete serie, bestaande uit 77 van de in totaal 85 prenten met scènes uit Ovidius' Metamorfosen, werd in 1709 samen met Ovidius-illustraties van Tempesta, Goltzius en Le Pautre in één album, Schijnvoet nummer 43, ingebonden. In de negentiende eeuw werd deze band weer uit elkaar gehaald.