deem-data/ArtiFact huggingface dataset:
Luthersche Nieuwe Kerck in Amstelredam
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: priest, martin luther, church (exterior), canals, waters (in city), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op de Ronde Lutherse Kerk, ook wel bekend als de Nieuwe Lutherse Kerk of de Koepelkerk, aan de Singel te Amsterdam. Gezien vanaf de overkant van het water. Op straat voor de kerk een aantal figuren. Boven in het midden een zwaan als luthers symbool. Daaronder een banderol met de titel. Onder een cartouche met een portret van Martin Luther en de namen van (en opdracht aan) belangrijke personen van deze kerk (predikanten, zittende ouderlingen, voormalige ouderlingen, zittende diakenen, voormalige diakenen, bouwmeesters en leggers van de eerste zes stenen).
Pillow with a falcon attacking a swan
Object type: pillow
Date: 1101 – 1300
Materials: glaze, pigment, stoneware
Techniques: painting
Culture: chinese
Artist: zhang family workshop
Artist role: artist
Subjects: hawks,swans

The spring hunt and a related autumnal event were integral to the yearly cycle of the Jurchen, a nomadic people from the northeast who controlled much of northern China as the Jin dynasty. The motif of a tiny hawk capturing a much larger swan (or goose) was found in jade, textiles, and ceramics produced during their rule.
Mary, Queen of Scots's Sundial, in the garden of Holyrood Palace
Object type: print
Techniques: etching
Location: england
Artist: t. levens
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1875
Soldaat die zijn furket onder zijn musket plaatst (nr. 11), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met de rechterhand schuin omhoog gericht vasthoudt, terwijl hij een furket (musketvork) onder de loop plaatst (nr. 11), ca. 1600. Plaat 11 in de instructies voor het hanteren van het musket: Corte onderrechtinghe op de figuerliicke afbeeldinghe, soo veel aengaet het recht ghebruyck vant Musquet. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, 's-Gravenhage, 1607. Krijgswezen rond 1600.
De eedsaflegging op de Grote Markt, 1582
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: françois-hercule de valois (hertog van anjou), new ruler taking the oath, float ~ triumph, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', swearing an oath (with two fingers raised)
Inscriptions: collector's mark, collector's mark: Lugt 1641

De eedsaflegging door de hertog van Anjou aan de stad Antwerpen op de Grote Markt voor het stadhuis, 22 februari 1582. Rechts een praalwagen met allegorische figuren. Met onderschrift van 4 regels in het Latijn. Genummerd 133. Bedrukt op achterzijde met tekst in het Nederlands. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen; prenten van Baudart. 80j. oorlog.
Manuscript album of designs for lace and embroidery
Object type: book print ornament architecture
Date: 1596 – 1596
Techniques: woodcut
Artist: anonymous, german, 16th century
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1600
Subjects: birds,griffins,peacocks,lizards

Manuscript book of designs for lace and embroidery. 69 pages of various designs hand-drawn ink designs against a printed grid. At back of book there are several designs in color.
Brazier from the Burial of Amenhotep
Object type: brazier, marl, amenhotep
Date: 1479 – 1458
Materials: pottery
Location: egypt
Paardenhoofd met oogkleppen
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: blinkers, horse

Paardenhoofd met oogkleppen. Pagina 35 uit een schetsboek met 45 bladen vervaardigd in Amsterdam en Pittsburgh.
Box with plum spray
Object type: box
Date: 1501 – 1600
Materials: lacquer
Techniques: carving
Culture: chinese
Subjects: flowers
Black Mustard (Brassica nigra)
Object type: drawing
Materials: paint, paper, pencil
Techniques: brush
Artist: alida withoos
Artist role: draughtsman
Artist dates: 1659 – 1730
Subjects: flowers: brassica
Inscriptions: collector's mark: Lugt 646a, number: ‘2026’

Rechts boven genummerd 29, rechts onder genummerd B-18.
Gazelle. / Antelope. / Gazella
Object type: popular print
Date: 1829 – 1880
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: mainz
Artist: Anonymous
Subjects: hoofed animals: gazelle
Inscriptions: collector's mark: Lugt 2760

Twee gazellen in een graslandschap met bomen op de achtergrond. Genummerd rechtsonder: No. 32n.
Servet met bloemen en vruchten
Object type: napkin
Date: 1650 – 1650
Materials: linen
Techniques: damask
Location: northern netherlands
Artist: Anonymous
Inscriptions: mark: ‘IVDH 6’

Servet van linnendamast met patroon van "gesaaide blom" en vruchten. Een laag symmetrisch patroon vertoont vrij grote bloemen en vruchten aan een gezwenkt takje. Onder andere herkenbaar zijn roos, granaatappel, tulp, druiventros en meloen. Staande randen: enkelvoudige spiraalrank met narcis, druiventros en bloemen.
Rapier
Object type: arm
Date: 1630 – 1630
Materials: iron, metal alloy, metal, silver, steel
Culture: english
Location: england
Ewer
Object type: ewer
Date: 1667 – 1700
Materials: glass
Out, from the Talk of the Diamond set (N135) issued by Duke Sons & Co., a branch of the American Tobacco Company
Object type: print, baseball card
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys,men,baseball,athletes

Trade cards from the "Talk of the Diamond" series (N135), issued in an unnumbered set of 25 cards in 1888 by W. Duke Sons & Co., a branch of the American Tobacco Company, to promote Honest Long Cut Tobacco.
Design for "Dog Cart" Phaeton, no. 611
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Oude vrouw biedt jongen een ei aan
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: child, old woman, eggs, egg-dishes
Inscriptions: collector's mark: Lugt 240

Voor een huis staat in de buitenlucht een tafel waaraan een oude vrouw zit. Ze wijst de jongen tegenover haar op de drie eieren die op het bord voor haar liggen.
Uittocht der Salzburger emigranten
Object type: history medal
Date: 1732 – 1732
Materials: silver
Techniques: striking
Location: nuremberg
Artist: daniel sigismund dockler (ii)
Artist role: goldsmith
Artist dates: 1667 – 1753
Subjects: drievuldigheidskerk, uittocht van salzburger emigranten (1732)

Zilveren penning. Voorzijde: man met stok, vrouw en kind binnen omschrift; afsnede: opschrift. Keerzijde: wolken binnen stralenkrans en omschrift
Fragmenten pijpensteel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe stem
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Allegorie met mythologische figuren
Object type: print
Date: 1650 – 1705
Materials: paper
Techniques: etching
Location: venice
Subjects: (story of) hercules (heracles), triumph of juno, crowning with laurel, assemblies of the gods (outdoors)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Mythologische scène. Een zittende vrouw (Juno?) krijgt van een staande man (Apollo?) een lauwerkrans. Links kijkt Hercules toe. Met meerdere andere figuren.
Gauntlet for the Right Hand
Object type: gauntlet for the right hand
Date: 1450 – 1460
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Adam en Eva eten van de vrucht / Adam en Eva verbergen zich
Object type: book illustration
Date: 1716 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: adam and eve holding (and possibly eating) the fruit, adam and eve discover their nakedness; they cover themselves with their hands or with leaves
Inscriptions: collector's mark: Lugt 3937, collector's mark: Lugt 2233

Prent uit: Hamelsveld, Ysbrand van. De gewigtigste geschiedenissen des Bybels, afgebeeld in twee honderd twee en vĳftig printverbeeldingen (...) met eene zaaklĳke uitbreiding opgehelderd. Amsterdam: Jan de Groot, Gerrit Warnars, Petrus van Hengst, Dordrecht: Abraham Blussé, Pieter Blussé, Leiden: Samuel Luchtmans (III), Johannes Luchtmans, Harlingen: Volkert van der Plaats, 1791.
Model Sheet from a Foundation Deposit for Hatshepsut's Temple
Object type: linen
Date: 1479 – 1458
Materials: linen
Location: egypt
The Bath of Psyche
Object type: drawing
Materials: chalk, ink
Techniques: pen, wash
Artist: pierre jacques cazes
Artist role: artist
Artist nationality: french
Artist dates: 1676 – 1754
Subjects: female nudes,psyche,bathing
London Bridge
Object type: print
Date: 1877 – 1877
Materials: ink, paper
Techniques: drypoint
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Marie Therese Reine de Hongrie
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: vienna state
Subjects: vienna, maria theresia (rooms-duits keizerin), historical persons - bb - woman, emperor - bb - female ruler
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Brief aan Alphons Diepenbrock
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: den bosch, amsterdam, painter, print maker, draughtsman, antoon derkinderen, alphons diepenbrock, applied arts, arts and crafts; industrial design, printed matter
Inscriptions: watermark, collector's mark: ‘RPK’

Brief betreft kladversie van brief RP-D-1984-40-J.P.VETH-112.
Grafmonument aan de Via Ostienze
Object type: album leaf
Date: 1559 – 1559
Materials: paper
Techniques: engraving
Location: italy
Artist: monogrammist ihs
Artist role: print maker, publisher
Subjects: grave, tomb, rome
Inscriptions: watermark, number: ‘113’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Folio 113 uit het prentalbum van Johann Georg I. Zobel von Giebelstadt (Röttingen 1543-07-20 - Bamberg 1580-09-07), de latere bisschop van Bamberg. Het album is vermoedelijk samengesteld tussen 1568 en 1570 in Venetië. Het album werd in 1999 uit elkaar genomen door een antiquair. De in totaal 124 folio's met prenten uit het "Zobel Album" werden aangekocht door verschillende musea en privéverzamelingen. De grootste groep (68 folio's) bevindt zich in de collectie van het Rijksmuseum.

Spiegelbeeldige kopie naar een prent door een anonieme prentmaker, uitgegeven door Antonio Lafereri (Londen, British Museum, inv. nr.: 1947,0319.26.108).
Chili, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from the "Types of All Nations" series (N24), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Fotografie d'Italia, in tutte le grandezze
Object type: stereograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: italy
Subjects: waterfall, italy
Inscriptions: number: ‘5409’
Return of the Redwing
Object type: painting
Date: 1900 – 1900
Materials: oil, wood
Culture: american
Artist: allen b. talcott
Artist role: artist
Artist nationality: american
Artist dates: 1867 – 1908
Subjects: landscapes
Bowl
Object type: bowl
Date: 1770 – 1770
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008

The pattern is directly copied from imported Japanese Imari porcelain.
Piramide of Caius Cestius with protestant burial ground
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: pyramid (historical grave form), gravestone, tombstone, cemetery, park-like burying ground

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
Ceramic Fragment
Object type: fragment
Date: 1301 – 1400
Materials: glaze, stonepaste
Techniques: painting
Location: egypt
Servet van wit linnendamast
Object type: napkin
Date: 1708 – 1709
Materials: linen
Techniques: damask
Location: flanders
Inscriptions: mark: ‘B’

Wit linnen damasten servet met de verovering van Lille en het inschrift "PRINCEPS EVGENIUS INSVLAS DEBELLAVIT 1708", gemerkt B.
Twee kinderen in een winkel in de Sloterdijkstraat te Amsterdam
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: shop, store, child (+ two persons)
Inscriptions: annotation: ‘Sloterdijkstraat. winkeltje’

Pagina 55 uit een schetsboek met 46 bladen vervaardigd in de omgeving van Amsterdam, Rotterdam en Haarlem.
Pair of teabowls and saucers
Object type: teabowl and saucer
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: buildings,flowers,trees
Strook naaldkant met klaverblaadjes en waaiervormige bloemen
Object type: strip
Date: 1775 – 1799
Materials: linen
Techniques: lace
Location: alençon
Artist: Anonymous

Strook naturelkleurige naaldkant: heren-Alençon. Strooimotief met klaverblaadjes op een fijne zeshoekige maasgrond. Langs de bovenrand een rij moesjes. Het patroon aan de onderzijde van de strook bestaat uit een aaneenschakeling van bladertakken met pluimen. Daaronder waaiervormige bloemen die vanuit de onderrand ontspringen, gevuld met een siergrond. De onderzijde is afgewerkt met geschulpte rand van gepicoteerde cirkeltjes met daarin een raderpicot. De bovenzijde is afgewerkt met een rechte rand.
Kinderbank
Object type: sofa
Date: 1850 – 1875
Materials: wood, textile
Location: northern netherlands
Artist: Anonymous

Bankje van een kinderameublement (bk-1967-182), rustend op vier bolvormige poten, versierd met draaiwerk. Hieronder bevinden zich vier zwenkwieltjes. De zijregels zijn enkel gebogen en de voor- en achterregel zijn dubbel gebogen. De terugwijkende armleggerstutten zijn versierd met voluten; de armleggers zijn grotendeels gestoffeerd. De gestoffeerde rugleuning bestaat uit twee overhoeks geplaatste hogere delen, die een lager gelegen middenstuk flankeren. De kanten van al deze onderdelen zijn opgebouwd uit S- en C-voluten.
Collar
Object type: collar
Date: 1892 – 1892
Materials: linen, silk
Culture: french
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1301 – 1400
Materials: copper
Culture: spanish
Location: spain

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Fragmenten karton voor het glasraam in de westgevel van Joris van Egmond (Bisschop van Utrecht 1535-1559) voor de Sint Bavo Kerk te Haarlem
Object type: drawing
Date: 1541 – 1541
Materials: chalk, charcoal, paper
Techniques: brush
Subjects: joris van egmond, sint-bavokerk
Inscriptions: date
Tsii' Edo' Ai (Apache Fiddle)
Object type: tsii' edo' ai
Materials: hair, wood
Culture: native american, apache
Location: united states

The wooden body pierced by the peg that tunes a single string has a slit-like sound hole.
Vijzel met opschrift: jhesus.maria.anno.domini.m.cccc.xxxvii
Object type: mortar
Date: 1537 – 1537
Materials: bronze
Techniques: casting
Location: cleves
Artist: albert hachmann
Artist dates: 1520 – 1565
Inscriptions: inscription: ‘jhesus.maria.anno.domini.m.cccc.xxxvii’

Mortar and pestle with inscription: 'jhesus maria anno domini MCCCCXXXVII' Bronze. Cleves, 1537, Albert Hachman (?).
Gezicht op het strand te Zandvoort
Object type: photomechanical print
Date: 1880 – 1920
Materials: paper
Techniques: photograph
Location: zandvoort
Artist: Anonymous
Subjects: beach
Inscriptions: retailer's mark: ‘Boek-, Papier, Muziekhandel/ en aanverwante artikelen/ H. Goebergh/ Grote Houtstraat/ Haarlem’
Studieblad
Object type: sketchbook leaf
Date: 1877 – 1932
Materials: pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932

Pagina 78 uit een schetsboek met 68 bladen.
Mountain Landscape
Object type: watercolor
Date: 1836 – 1892
Materials: paper, watercolor
Culture: american
Artist: alexander h. wyant
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1892
Subjects: mountains,landscapes
Gezicht op Phantom Canyon
Object type: photograph
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: ravine, chasm, abyss, canyon, rock-formations, united states of america
Inscriptions: annotation: ‘Grand Canyon’
Ex libris van H. Verstijnen
Object type: bookplate
Date: 1892 – 1940
Materials: paper
Techniques: engraving
Location: netherlands
Artist: henri verstijnen
Artist role: draughtsman, print maker
Artist dates: 1882 – 1940
Subjects: print maker, draughtsman, henri verstijnen, book, owls
Censer
Object type: crèche figure
Date: 1751 – 1800
Materials: gilt copper

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Berliner Bauakademie, Berlijn
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: edifice, e.g.: public building, department store
Inscriptions: number: ‘No. 87.’
Schets van een aquarium
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: aquarium
Brief aan Philip Zilcken
Object type: letter
Date: 1902 – 1902
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: jonkvrouw cécile de jong van beek en donk
Artist role: schrijver
Artist dates: 1866 – 1944
Subjects: draughtsman, sculptor, antoine bourdelle, frits lapidoth, painter, philip zilcken, photography, cinematography, printed matter
Inscriptions: collector's mark: ‘RPK’