deem-data/ArtiFact huggingface dataset:
Versieringen in Leeuwarden ter gelegenheid van de inhuldiging van koningin Wilhelmina, 1898
Object type: photograph
Date: 1898 – 1898
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: mindert scheepstra
Artist role: fotograaf
Artist dates: 1865 – 1951
Subjects: the hague, print maker, wilhelmina of the netherlands, public festivities at other royal events, not meant or mentioned above (+ festive decoration ~ festive activities), amsterdam

Versieringen in Leeuwarden ter gelegenheid van de inhuldiging van koningin Wilhelmina op 6 september 1898.
Graflegging van Christus
Object type: print
Date: 1750 – 1810
Materials: paper
Techniques: hand coloring
Subjects: christ's entombment (possibly by angels)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 3761
Tulp. / Tulipa. / Tulipe.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, paper, watercolor
Techniques: brush
Subjects: flowers: tulip

Twee geel-rode en een wit-rode tulp. Genummerd rechtsboven: 48. Onderdeel van het eerste album met tekeningen van bloemen en planten. Achtste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Portrait Medallion of Cornelis de Witt (1623-1672)
Object type: relief sculpture
Date: 1735 – 1750
Materials: ivory
Techniques: cutting
Location: netherlands
Artist: Anonymous
Subjects: cornelis de witt, historical persons
Inscriptions: inscription, on the reverse, in ink: ‘Cornelis de Witt / D. Franken Dz’

Portrait medallions of the De Witt brothers. Ivory, Northern Netherlands, 17th century.
Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 6 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: domenico da sera
Artist role: publisher
Artist nationality: french
Artist dates: 1500 – 1599
Subjects: ornament

Published by Domenico da Sera Lyons. From top to bottom, and left to right: Design composed of 2 vertical columns. Left column is decorated with twisting vines of leaves. Right column is decorated with a knot work pattern that forms small diamonds ornamented with a cross in the center.
Pilgrim flask with botanical spray and butterfly
Object type: pilgrim flask
Date: 1877 – 1877
Materials: earthenware
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
Woman in a Bathhouse
Object type: print
Date: 1769 – 1770
Techniques: woodblock print, cutting
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Samuel E. Turner
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Bakkersgilde, gildepenning van Cornelis Vooren
Object type: medal
Date: 1735 – 1735
Materials: brass
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: bakker, vooren, cornelis

Messing penning met gat erin. Voorzijde: monogram van letters B en G, gescheiden door sterretje binnen cirkel. Keerzijde: opschrift binnen sterrenkrans
Plaque with The Annunciation
Object type: plaque
Date: 1826 – 1850
Materials: gilt copper, enamel
Techniques: enamel
Culture: german
Subjects: angels,virgin mary
Portret van een man en vrouw, op een bank, in interieur
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: utrecht
Artist: gerardus cornelis kooyker
Artist role: fotograaf
Inscriptions: check stamp: ‘G.C.KOOYKER//ATELIER INGELSE//UTRECHT’

Portret van man en vrouw (zittend)in een woonkamer/studio, een opvallende chinese siervaas op de achtergrond. Gat en afdruk van punaise in karton, midden boven. Foto op klein paars karton dan op bruin karton gelijmd. Vergelijk met foto RP-F-00-6018:dezelfde man en vrouw.
Lezende Joanna Lion Cachet-Cordes
Object type: sketchbook leaf
Date: 1935 – 1940
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: adult woman, reading

Blad 16 verso uit een schetsboek met 25 bladen.
Portret van een zittende vrouw
Object type: carte de visite
Date: 1862 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: inscription: ‘PHOTOGr ATELIER/ WEGENER & MOTTU,/ KALVERSTRAAT/ Over den Heyligenweg D. 26/ AMSTERDAM’
Een nieuw vermakelijk Ganzenspel, voor de lieve jeugd aan onze Hoogeschool
Object type: cartoon
Date: 1864 – 1864
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: goose-game, beadle, students' organization, utrecht

Spotprent over de Utrechtse Hogeschool in de vorm van een ganzenbordspel. In het middel de spelregels. Rechtsonder een portret van de Utrechtse pedel en boekverkoper J. de Kruyff. Plaat uit de studentenalmanak van de Utrechtse Hogeschool van 1864.
Sampler
Object type: sampler
Date: 1830 – 1830
Materials: linen, silk
Subjects: houses,plants
Portret van Michael Kelly
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: stippling
Location: aldermanbury
Subjects: historical persons, portrait of composer, portrait of opera-singer
Inscriptions: number: ‘404’, collector's mark: Lugt 2228

Prent gebruikt in: Thespian Magazine (1793).
Design for a ceiling painted with a trompe l'oeil awning and putti in clouds
Object type: drawing
Date: 1851 – 1900
Materials: graphite, paper, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Kaart van het beleg van Leiden, 1573-1574
Object type: print
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), siege, position war, maps of cities, leiden
Inscriptions: collector's mark: Lugt 240

Belegeringen van de stad Leiden in de jaren 1573-1574 door de Spanjaarden. Kaart met plattegrond van de stad en de omgeving tot Leiderdorp en De Kwakel, met alle schansen in de omgeving. Links een cartouche met de titel en het stadswapen, rechts een cartouche op een voetstuk met de legenda 1-49 in het Nederlands.
Pair of Miquelet Pistols
Object type: pair of miquelet pistol
Materials: brass, steel
Culture: scottish
Location: scotland
Inhaling van Willem IV als stadhouder te Den Haag, 1747
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: the hague, willem iv (prins van oranje-nassau), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'
Inscriptions: collector's mark: Lugt 2228

De inhaling van prins Willem IV als stadhouder te Den Haag, 14 mei 1747. De wagen met de prins rijdt door een ereboog op straat. Langs de straat een erewacht en publiek.
Beaker with the Emperor and Seven Electors (Kurfürsten Humpen)
Object type: glass
Date: 1600 – 1600
Materials: enamel, glass
Culture: bohemian or german
Location: germany
Wolvenjacht met lokaas
Object type: print
Date: 1567 – 1601
Materials: paper
Techniques: engraving
Subjects: hunt ~ predatory animals (fox, lion), hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), beasts of prey, predatory animals: wolf
Inscriptions: stamp, collector's mark: Lugt 1641

Een man te paard sleept een dood schaap mee als lokaas voor de wolven. De poot van het schaap is vastgebonden aan de staart van het paard. Tussen het gebladerte van bomen zitten jagers met jachtgeweren verscholen om de wolven af te schieten. Onder de voorstelling een vierregelig vers in het Latijn. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, jacht.
Chess Piece: Knight
Object type: ceramic
Date: 1801 – 1900
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 –
Terracotta jug
Object type: jug
Date: 1600 – 1150
Materials: terracotta
Culture: cypriot

White slip ware with handle, pinched lip, lattice, lozenge and wavy lines.
Bead Plaque
Object type: plaque, paser, scribe of the granary of the divine offering of all the god
Date: 1295 – 1185
Materials: stone
Location: egypt
Reconstructie van de Nikè van Paionios te Olympia
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, paper, ink
Techniques: photograph
Location: munich
Artist: Anonymous
Subjects: sculpture, (story of) nike
Inscriptions: collector's mark: Lugt 3937, number: ‘No. 32.’, inscription:
Koeien bij het water
Object type: print
Date: 1809 – 1837
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: cow, sheep, horse
Inscriptions: collector's mark: Lugt 2228

Links staat een paard achter een hek. Rechts van de koeien staan drie schapen.
Gezicht op Tholen
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: aquatint, etching
Location: antwerp
Artist: egidius linnig
Artist role: draughtsman, print maker
Artist dates: 1821 – 1860
Subjects: prospect of village, silhouette of village, sailing-ship, sailing-boat, windmill
Inscriptions: collector's mark: Lugt 2228
Ex libris van Eugen Pawlik
Object type: bookplate
Date: 1890 – 1913
Materials: paper
Techniques: autotype
Location: czech republic
Subjects: landscapes, (story of) minerva (pallas, athena), woman (showing herself) undressed, quasi-nude
Woedende Medea
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Subjects: medea kills her two children; she flees from corinth in a chariot drawn by winged dragons
Inscriptions: collector's mark: Lugt 2233
Oprichting van de Kapel St Ferdinand ter ere van de hertog van Orléans 1843
Object type: history medal
Date: 1843 – 1843
Materials: brass
Techniques: striking

Twaalfhoekige messing penning, op de voorzijde het portret van de hertog van Orléans naar links met omschrift, op de keerzijde het aanzicht van een kapel met omschrift en afsnedetekst.
Male god
Object type: statue, god
Date: 1390 – 1352
Location: egypt

The god's elegant features are carved in a style belonging to the reign of the pharaoh Amenhotep III (see 56.138). In his massive fist the god holds a was-scepter, signifying dominion, and in his missing right hand he would have held the ankh hieroglyph, meaning life. Though attributes or an inscription that would identify this god are missing, the statue was almost certainly one of the series of divine statues erected by Amenhotep III in his vast mortuary temple in western Thebes. These represented the congregation of the Egyptian gods in attendance at the king's 30 year festival, or heb-sed. The site of this temple is identified by the colossi of Memnon, two monumental seated statues representing the king which stood in front of the entrance pylon of the temple. Amenhotep III celebrated three Heb-sed’s and constructed a palace city for this purpose at the site of Malqata, a mile or so south of his mortuary temple. This site was excavated by the Museum’s Egyptian Expedition in the early twentieth century, and objects from these excavations are on view in galleries 119 and 121.
Alt-Hamburg. Hohlerweg 13 u 14
Object type: photomechanical print
Date: 1905 – 1905
Materials: cardboard
Techniques: photograph
Location: hamburg
Subjects: street
Inscriptions: date
Tacks
Object type: tack
Date: 900 – 801
Materials: bronze, copper
Culture: iranian
Location: iran
Portret van een onbekende man
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: etching, intaglio
Artist: albert dillens
Artist role: print maker
Artist dates: 1844 – 1915
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘2m Etat’

Mogelijk gaat het om een kamerlid genaamd Janson.
Portret van twee vrouwen en een meisje
Object type: snapshot
Materials: photographic support
Techniques: gelatin silver print
Location: alkmaar
IV Cahier des Serruriers
Object type: ornament print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: paris
Artist: johann thomas hauer
Artist role: print maker
Artist dates: 1748 – 1820
Subjects: forging (industrial process)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Drie ontwerpen voor smeedwerk met blad- en bloemmotieven, guirlandes en vazen.
Trade Card for W. H. Lizars, Engraver
Object type: print, trade card
Date: 1701 – 1800
Techniques: engraving
Artist: anonymous, british, late 18th–early 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1771 – 1835

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Vlissingen, haven
Object type: stereograph
Date: 1865 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: middelburg
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: harbour, middelburg
Inscriptions: inscription: ‘Vlissingen,/ Haven’, number: ‘No. 1’, inscription: ‘P.’, number: ‘34’, number: ‘1’, inscription: ‘= Middelburg (MB)’

In tegenstelling tot het opschrift gaat het hier niet om Vlissingen maar om Middelburg.
Wood-Nymphs (The Discovery)
Object type: print
Date: 1799 – 1799
Techniques: etching, stippling
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,female nudes
Afkondiging van de Pacificatie van Gent, 1576
Object type: design
Date: 1785 – 1787
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: proclamation of peace

Bekendmaking van het ondertekenen van de Pacificatie van Gent op 8 november 1576. Op een stellage wordt aan het aanwezige publiek de vrede bekend gemaakt en voorgelezen. Uit de ramen blazen twee mannen op bazuinen. Ontwerp voor een prent.
The Valley of the Shadow of Death
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards, documentary
Inscriptions: Printed recto, on mount, lower left, in black ink: "Deposé"; recto, on mount, lower right, in black ink: "The Valley of the Shadow of Death."; recto, on mount, along bottom edge, in black ink: "No. 218. Photographed by R. Fenton. Manchester, Published by T. Agnew & Sons, Jan'y 1st 1856. / London, P. & D. Colnaghi H[?] Paris, Moulin, 23, Rue Richer. New York, Williams H[?]"; unmarked verso

Prominent in photographic circles and favored by Queen Victoria and Prince Albert, Roger Fenton was commissioned to document the British military during the Crimean War; his pictures there represent one of the first uses of photography in wartime. He spent March through June 1855 with the troops, producing 360 wet-plate glass negatives in his horse-drawn darkroom. The laborious process and lengthy exposure times precluded photographs of battle, yet Fenton captured the psychological intensity of war in pictures such as The Valley of the Shadow of Death. A superficial sense of barren calm is belied by the numerous Russian cannonballs, which cover the ground to indicate past violence and suggest imminent future danger in the area. Fenton exhibited this and related images in London in the fall of 1855, provoking enormous public interest, and he published them in portfolio editions.
Sneeuwwitje en de jager in het bos, hij spaart haar leven
Object type: photomechanical print
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: tales and fairy tales
Inscriptions: inscription: ‘No. 1./ De jager spaart het leven van Sneeuwitje op voorwaarde, dat zij nooit weer thuis zal komen.’

Deze prent maakt deel uit van een album.
Plaat 23. - Fig. 1. De Nederlandsche Gravers- en Baggerlieden Vereeniging (...) De St. Jozefs Gezellen-Vereeniging (...) Leden van de Bazenvereeniging
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: brussels, willem iii (koning der nederlanden), public festivities at other royal events, not meant or mentioned above (+ parade, pageant, cavalcade ~ festive activities), modern professional organization, trade union, amsterdam

Plaat nr. 23 met het deel van de optocht met leden van de verschillende vakverenigingen. Onderdeel van een serie van 24 platen van de gekostumeerde historische en allegorische optocht gehouden te Amsterdam op 12 mei 1874, als onderdeel van de feestelijkheden tijdens de viering van het 25-jarige regeringsjubileum van koning Willem III.
Angel
Object type: crèche figure
Date: 1751 – 1800
Materials: terracotta, fiber, metal
Techniques: polychrome
Artist: lorenzo mosca
Artist role: maker
Artist dates: 1689 – 1789
Subjects: angels

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Irish Stew: Not All Hot – Rather Too Much So
Object type: print
Date: 1840 – 1840
Techniques: lithograph
Artist: mssrs. fores
Artist role: publisher
Artist nationality: british
Artist dates: 1761 – 1999
Subjects: food,men

This political satire published by Fores comments on political responses to the Irish Potato Famine. A man standing at left with a spoon (probably William Lamb, Viscount Melbourne, prime minister 1834-41) says "That's the Irish fashion, its reckoned an amendment," while others seated at a table near a huge basin labeled "Irish Stew à la Normande" say "The Taters want skinned and the Peel has nearly choked me," "There don't seem to be enough Lambs Head in it or it would be more palatable," and "This will nearly settle our Hash its so scalding hot." Sir Robert Peel was the leader of the Conservative Party in Parliament and became prime minister in 1841, and the dialogue references the rivalry between Peel and Melbourne (Lamb).
Bushong, Catcher, Brooklyn, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Cup and saucer
Object type: kop en schotel, kop en schotel
Date: 1784 – 1809
Materials: porcelain
Techniques: painted
Location: ouder-amstel

Porceleinfabriek aan den Amstel
Ouder-Amstel, c. 1784–1809
hard-paste porcelain
La Jeune Sultane.
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: adolescent, young woman, maiden, harp
Brazil, from "Court Game of Geography"
Object type: print
Date: 1838 – 1855
Techniques: engraving, hand coloring
Artist: william and henry rock
Artist role: publisher
Artist nationality: british
Artist dates: 1821 – 1884
Subjects: playing cards,maps
Porringer
Object type: porringer
Date: 1791 – 1806
Materials: pewter
Culture: american
Location: united states
Artist: william billings
Artist role: maker
Artist nationality: american
Artist dates: 1765 – 1813
Tutocanula, or El Capitan, 3600 ft., Yosemite Valley, Mariposa County, Cal., No. 1118 from the series "Watkins' Pacific Coast"
Object type: photograph
Date: 1861 – 1876
Techniques: albumen print
Location: united states
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Planten en een meisje met lang haar en het hoofd voorovergebogen
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, charcoal, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: plants (in general), head bent forward; bowing, girl (child between toddler and youth)

Blad 22 recto uit een schetsboek met 65 bladen.
Portret van Cornelis van der Myle
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving, letterpress printing, snipping
Location: leiden
Subjects: the hague, politician, historical persons, politician, e.g. party leader, diplomacy, diplomat

Prent uit: Meurs, Johannes van. Illustrium Hollandiae et Westfrisiae ordinum alma Academia Leidensis contenta proxima pagina docebit (...). Leiden: Jacob Marcus en Joost van Colster, 1614.
Salver
Object type: salver
Date: 1775 – 1776
Materials: silver
Artist: w.c., london
Artist role: maker
Artist dates: 1775 – 1776
Subjects: coat of arms
China, from the International Cards series (N238), issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,dragons,flags

Trade cards from the "International Cards" series (N238), issued in 1888 to promote Kinney Bros. Cigarettes.
Nederlandse handelsagent pioenrozen bewonderend als zijnde zijn vrouw.
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: woodcut
Location: tokyo
Artist: utagawa sadahide
Artist role: draughtsman, print maker
Artist dates: 1807 – 1873
Subjects: flowers: peony, happy marriage, europeans (with name), merchant, salesman
Inscriptions: collector's mark: Lugt 2228
Stylus or tool
Object type: stylus or tool
Date: 7000 – 330
Materials: bronze