deem-data/ArtiFact huggingface dataset:
Terracotta oil lamp
Object type: lamp
Date: 1 – 100
Materials: terracotta
Culture: roman
Subjects: chariots

Loeschcke Type 4. Mold-made. Discus: charioteer driving biga to right, holding reins in left hand and whip in right over his head; a single filling hole at center below horses' bodies; curving ground line below; band of lines and grooves towards edge. Volutes flanking nozzle with large wick hole. Incised base ring, and uneven base. Intact, but some surface loss, especially on underside of nozzle.
Landschap met kudde schapen
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: landscapes, sheep, herd, flock

Prent op derde ongenummerde pagina na pagina 80.
Zittende man
Object type: drawing
Date: 1600 – 1699
Materials: chalk, paper
Location: netherlands
Artist: Anonymous
Fukusa (Gift Cover)
Object type: textile
Materials: cotton, dye, gold leaf, paper, silk
Techniques: interlacings, lacquer, lining, weave, tapestry weave
Location: japan
Silver phiale (libation bowl) with gilding
Object type: bowl with gilding
Date: 400 – 301
Materials: gold, silver
Culture: greek

The decoration of the exterior consists of a rosette surrounded by two series of silver and gilded petals. Two Greek letters and a dotted circle appear on the lip.
The Original Sin
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: etienne delaune
Artist role: artist
Artist nationality: french
Artist dates: 1518 – 1583
Hals met kurk van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: cork, glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, neck, onion-shaped bottle or bottle with vertical side; fragm, mouth, vs-string rim.
Terracotta head of a woman
Object type: head of a woman
Date: 300 – 101
Materials: terracotta
Culture: greek, cypriot
Subjects: heads,women

The head is mold-made and solid. The rounded back is probably handmade. The head is broken at the left side, as if originally attached to something.
Limestone statue of a bearded man with votive offerings
Object type: statue of a man, bearded, wearing a wreath
Date: 475 – 450
Materials: limestone
Culture: cypriot
Subjects: men

After the absorption of Cyprus into the Persian Empire in 526/5 B.C. contacts increased with the wealthy East Greek cities on the western coast of Asia Minor, which had also fallen under Persian rule. The influence of Greek sculptural style can by seen in this statue of a man dedicated in a temple at Golgoi. He wears typical East Greek dress, a finely pleated linen chiton, and a woolen himation (cloak), and stands with left foot advanced in a pose that gives a subtle sense of movement. His smile and the jewel-like precision with which his hair and beard are carved remind one of Greek Archaic art of the sixth century B.C., but the style appears stiff and somewhat artificial in this statue, which was carved in the second quarter of the fifth century. Like many Cypriot votive statues this figure wears a wreath of leaves and flowers. It is composed of oak leaves and stylized narcissus flowers, which must have evoked ideas of fertility and regeneration. The man holds gifts for the deity—a dove in his left hand and a cylindrical object, which probably represented a container of incense, in his right hand.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: onesimos
Artist role: artist

Interior, lower legs of male wearing boots, and part of stick; Exterior, right foot
Six Flounces
Object type: textile
Date: 1850 – 1850
Materials: silk
Techniques: brocade, weave
Location: france
Subjects: fashion
Magasin des Modes Nouvelles Françaises et Anglaises, 10 octobre 1787, 33e cahier, 2e année
Object type: magazine
Date: 1787 – 1787
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Artist: buisson
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

33e Cahier, 10 octobre 1787, (Seconde Année), pp. 258-262 (1 pag. uitgescheurd) + 3 prenten. Cahier uit het modetijdschrift Magasin des Modes Nouvelles Françaises et Anglaises, Parijs, 20 november 1786 - 21 décembre 1789.
Vessel
Object type: vessel
Date: 1000 – 1
Materials: ceramic
Culture: iranian
Location: northwestern iran, caspian region
Subjects: animals
Arrowhead
Object type: arrowhead
Date: 1000 – 300
Materials: bone
Culture: japanese

The Jōmon period is the earliest period in Japanese history, lasting from roughly 14,000 to 300 BCE. The Jōmon people were primarily hunter-gatherers, using arrowheads such as this one to hunt a variety of land animals. Archaeological evidence indicates that the Jōmon hunted over 60 species of mammal throughout the Japanese archipelago, including tanuki (Japanese raccoon dogs) and monkeys, both of which would likely be considered unpalatable in contemporary Japanese society.
Madonna van de Rozenkrans
Object type: print
Date: 1619 – 1675
Materials: paper
Techniques: engraving
Subjects: madonna of the rosary
Inscriptions: collector's mark: Lugt 240
Design for the Gallery ceiling, Richmond House, Whitehall, London
Object type: drawing
Date: 1760 – 1760
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: sir william chambers
Artist role: artist
Artist nationality: british, born sweden
Artist dates: 1723 – 1796
Subjects: ornament
Vismarkt te Scheveningen
Object type: print
Date: 1664 – 1674
Materials: paper
Techniques: engraving, etching, intaglio
Location: brussels
Subjects: harbour, market, selling, fisherman
Inscriptions: collector's mark: Lugt 240

Twee heren doen inkopen op de vismarkt in Scheveningen. De vissers en vissersvrouwen zitten op kisten aan het strand, voor hun op de grond ligt de vis uitgestald. Op de achtergrond zijn schepen op zee en aan het strand te zien.
Design for Square Pianoforte, Louis Quatorze Style
Object type: drawing
Date: 1835 – 1900
Materials: graphite, ink, watercolor
Techniques: pen
Artist: robert william hume
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1904
Subjects: musical instruments
Sauce Dish
Object type: sauce dish
Date: 1850 – 1860
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Beeldengroep met allegorie op de Kracht van Amsterdam aan de oostzijde van de Burgerzaal in het Stadhuis op de Dam
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: 'cornucopia', horn of plenty, earth (one of the four elements), predatory birds: eagle, symbols, allegories of peace, 'pax'; 'pace' (ripa), (story of) minerva (pallas, athena), attributes of hercules, wisdom; 'sapienza', 'sapienza humana', 'sapienza vera' (ripa), water (one of the four elements), fire (one of the four elements), air (one of the four elements), cities represented allegorically or symbolically, strength, power; 'fortezza', 'fortezza d'animo e di corpo', 'fortezza del corpo congiunta con la generosità dell'animo', 'fortezza & valore del corpo congiunto con la prudenza & virtù del animo', 'forza' (ripa), caduceus (staff with two snakes, attribute of mercury), attributes of mercury, parts of ship's exterior: rudder, beasts of prey, predatory animals: lion, cupids: 'amores', 'amoretti', 'putti', amsterdam
Inscriptions: collector's mark: Lugt 2228

Huidige staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).

Eerdere staat van prent ook gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Frederik de Wit, 1668. En komt ook voor in later ingebonden exemplaren van: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Artus Quellinus (I), 1663.
The Honble. Robert Moncton, Brigadier General
Object type: print
Date: 1755 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Subjects: robert monckton, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 240
Portret van twee jongens
Object type: carte de visite
Date: 1881 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: boy (child between toddler and youth), historical persons, drum (musical instrument)
Inscriptions: inscription: ‘Photographisch Atelier/ van/ Brainich & Leusink/ Menthensteeg No. 7/ Arnhem’
Untitled
Object type: photograph
Date: 1875 – 1899
Techniques: albumen print
Location: united states
Artist: Anonymous
Artist dates: 1800 – 1899
Karavaan rust uit bij water en bebouwing in woestijnlandschap
Object type: print
Date: 1830 – 1880
Materials: paper
Techniques: lithograph
Location: paris
Subjects: hoofed animals: camel, resting - bb - out of doors
Inscriptions: collector's mark: Lugt 964

Prent mogelijk verschenen in de prentserie 'L'orient artistique et pittoresque'. Deze serie bestaat uit een onbekend aantal prenten.
Stories of a Fortunate Rat (Komochi nezumi hana no yamauba) 持子鼠花山姥
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: akatsuki no kanenari 暁鐘成
Artist role: artist
Artist nationality: japanese
Artist dates: 1793 – 1861
Subjects: human figures,mice
Exterieur van de First Parish Church te Dorchester
Object type: page
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Location: dorchester
Artist: Anonymous
Subjects: functionaries and dignitaries ~ protestant churches
Warachtige afbeelding van de beleghering van de wiit vermaerde stercke stadt van Sluys (...)
Object type: map
Date: 1604 – 1604
Materials: paper
Techniques: etching, letterpress printing
Location: delft
Artist: floris balthasarsz. van berckenrode
Artist role: print maker
Artist dates: 1562 – 1616
Subjects: maurice (prince of orange), maps of separate countries or regions, siege, position war
Inscriptions: date

Het beleg en de inname van Sluis door het Staatse leger onder Maurits, 20 augustus 1604. Kaart van het land rondom Sluis, Aardenburg en Middelburg met de aankomst van de vloot bij Biervliet en Breskens en de tocht van de legers over land. Bovenaan een opschrift van één regel in het Latijn, rechtsonder een cartouche met een vers van 16 regels in het Latijn, links de opdracht. Links en onderaan vastplakte apart gedrukte tekstbladen met een beschrijving van de gebeurtenissen in het Nederlands.
Marjo wordt ontslagen
Object type: drawing
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: eddy de smet
Artist role: draughtsman
Subjects: director, boss (in modern industry), typewriter
Inscriptions: :, signature: ‘Eddy de Smet’, collector's mark: Lugt 2228, annotation: ‘Pag. 42. U bent ontslagen! riep de directeur’, annotation: ‘Marjo’

Marjo zit achter een schrijfmachine. Ze heeft een rond voorwerp in haar hand en draait zich om. Achter haar staat de directeur die vermanend zijn vinger opsteekt.
The Prayer of the Polish Jews, from Au Pied du Sinaï
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Pedestal vase and bulb pot (piédestal en gaine) (one of a pair)
Object type: pedestal vase
Date: 1760 – 1760
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers
Armorial Roundel
Object type: roundel
Date: 1500 – 1500
Materials: glass, metal, paint, pigment
Culture: german
Location: germany
Subjects: coat of arms

This roundel probably represents the members of a confraternity or honorary society. In the nineteenth century, this glass roundel was in a castle on the Moselle River, the home of Baron von Liebig, a collector of stained glass.
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 520
Materials: terracotta
Culture: greek, attic

Exterior, part of an eyebrow, and an eye, with a black, white, and red oculus; above the eyebrow, part of a vine
La fille du bûcheron (soir) / Woodcutters daughter (evening) / Des Holzfällers Töchterlein (Abend)
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: adolescent, young woman, maiden
Inscriptions: inscription: ‘SERIE VI. - No. 1237.’
Les Singuliers et Nouveaux Portraicts... page 28 (recto)
Object type: book print ornament architecture
Date: 1588 – 1588
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599

Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top to bottom, and left to right: Design is decorated with a triangular frieze that is ornamented in the center with a winged nude female figure, which is framed within a rectangle; flanking this central element are 2 reclining spotted figures. This frieze sits upon a base formed by 2 squares that are each ornamented with a diverse 4-petaled floral motif.
Gezicht op de Sint Urbanuskerk te Bovenkerk
Object type: print
Date: 1806 – 1887
Materials: paper
Techniques: aquatint, etching
Location: nieuwer-amstel
Artist: elias stark
Artist role: draughtsman, print maker
Artist dates: 1849 – 1933
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228

Gezicht op de St. Urbanuskerk te Bovenkerk met op de voorgrond water en een roeiboot. In de roeiboot zit een hengelaar en op de oever staat een vrouw.
Nunquam amicorum
Object type: bookplate
Date: 1843 – 1878
Materials: paper
Techniques: etching
Location: france
Artist: félix bracquemond
Artist role: print maker
Artist dates: 1833 – 1914
Subjects: book
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760, inscription: ‘23’
Putto met een drietand, rijdend op een zeepaard
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: germany

Tegenzijdige kopie naar een prent van Giovanni Andrea Maglioli.
Evangelist Marcus
Object type: print
Date: 1763 – 1764
Materials: paper
Techniques: etching
Location: italy
Subjects: st. mark the evangelist writing the gospel, usually a (winged) lion present
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, inscription: ‘Lanfranc aux Sts Apôstre à Naples’

De evangelist Marcus op een wolk, omringd door drie putti en een leeuw. Eén putto houdt het boek vast.
Chevaux Tartare
Object type: print
Date: 1616 – 1689
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: charles ii errard
Artist role: print maker
Artist dates: 1601 – 1689
Subjects: rearing (horse in motion)
Veil
Object type: veil
Date: 1801 – 1833
Materials: cotton, silk
Techniques: embroidery
Location: turkey
Naruto Whirlpool, Awa Province, from the series Views of Famous Places in the Sixty-Odd Provinces
Object type: print
Date: 1853 – 1853
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: seascapes,waves
Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,horses,volcanoes,trees
Model of a Wellhead with Roosters
Object type: sculpture
Materials: earthenware
Techniques: incising, molding, stamping
Location: china

These jaunty roosters once sat atop a model well in Han-dynasty China. They are perched on the roof, which covered a pulley for raising and lowering buckets. Both the wellhead and the pigsty in the adjacent case resemble objects excavated from a tomb in Huixian, a city in northern China, and they may have come from the same workshop.
Portret van Marie-Jean Hérault de Séchelles
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Plate
Object type: plate
Date: 1822 – 1834
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: james and ralph clews
Artist role: maker
Artist nationality: british
Artist dates: 1813 – 1836
Subjects: flowers,landscapes
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1910 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: rotterdam
Subjects: adult woman
Inscriptions: inscription: ‘Fotografie Strauss Rotterdam in het gebouw de Galerij Korte Hoogstraat (...) Vergrootingen in alle Formaten.’
Meubel met kapstokken en jachtattributen
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: hanging clothes, hunting accoutrement

Een meubel met kapstokken, een standaard voor geweren en jachtattributen. Prent uit 90e Livraison.
Armchair
Object type: armchair
Date: 1675 – 1700
Materials: wood
Culture: american
Location: united states
Initiation Card (Tsakalis)
Object type: initiation card
Date: 1401 – 1433
Materials: paper, watercolor
Culture: tibetan
Subjects: buddhism

These tsakali cards, when arranged on the ground as a mandala, create a fixed sacred space like a temple. They show the celestial Buddhas, bodhisattvas, protectors, and, at bottom, the six possible realms of rebirth. Monastic teachers used tsakali cards to align (initiate) a disciple with one of many Vajrayana Buddhist deities. The disciple sought permission from the deity (via dream or supervised by a teacher) and visualized the deity as described in recited mantras and represented on the card. A Nepali artist probably made this set for a Tibetan patron of the Nyingma school of Tibetan Buddhism.
Portret van Kaat Mossel, 1784
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: kaat mossel, rotterdam, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Het is onduidelijk waarom Van der Kellen in het Supplement de vervaardiging van deze prent toeschrift aan T. de Roode ipv Hulstkamp.
Zadeltas, versierd met gekruiste ranken en bladeren en vier rozetbloemen
Object type: zadeltas
Date: 1800 – 1900
Materials: animal fiber, wool
Location: kurdistan

Zadeltas, Kurdistan. Het middenvled is versierd met gekruiste ranken met bladeren die een ruit vormen. Uit de middenruit komen vier rozetbloemen. Rand met rozen en bladeren. Aan een zijde een baard met splitten, waartegenover sluitlussen van geitenhaar op de achterzijde. Achterzijde van vlak weefsel met dwarsstrepen.
High-Ranking Samurai Girl with Four Attendants, from the series A Brocade of Eastern Manners (Fūzoku Azuma no nishiki)
Object type: print
Date: 1784 – 1784
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: fans,girls,women
Actress seated with hands on knee, from the Actresses series (N666) to promote Reliable Cheroots
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N666), issued ca. 1888 to promote Reliable Cheroots.
The Marriage of the Virgin
Object type: print
Materials: paper
Techniques: engraving
Location: netherlands
Artist: schelte adamsz. bolswert
Artist role: print maker
Artist nationality: dutch
Artist dates: 1586 – 1659
Coat
Object type: coat
Materials: linen
Culture: european
Lans uit het wapenrek van Gouverneur-Generaal J.C. baron Baud
Object type: pike
Date: 1800 – 1900
Materials: iron, paint, wood
Techniques: braiding, cutting, forging, painting
Location: kalimantan
Artist: Anonymous
Subjects: the hague

Holle zwartgeverfde houten schacht, waarop smalle kling uitlopend in een scherpe punt. De kling is met fijngevlochten riet aan de schacht bevestigd. De basis van de kling heeft kleine puntvormige uitsteeksels. Onderaan de schacht zit een handvat van gevernist riet.
Plate (assiette à palmes) (1 of 102) (part of a service)
Object type: plate
Date: 1786 – 1786
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: fruit,flowers
Madonna and Child
Object type: painting fragment
Date: 1280 – 1280
Materials: paint, wood
Artist: master of the magdalen
Artist role: artist
Artist nationality: italian
Artist dates: 1265 – 1295
Subjects: madonna and child

Painted in the 1280s, this head is a fragment of a large painting of the Madonna and Child (whose blessing hand and knee can be seen). The artist was a close follower of Cimabue, the principal painter in Florence before Giotto. It was not uncommon to excise the head of the Madonna from a venerated image and encase it in another work of art as a focus of devotion.
Vase in the Shape of an Ancient Ritual Bronze Hu Vessel
Object type: vessel
Materials: glaze, porcelain
Location: china
Tweehonderdjarig bestaan van het Hoogheemraadschap van de Eem 1816
Object type: history medal
Date: 1816 – 1816
Materials: silver
Techniques: striking

Zilveren penning met op voor- en keer zijde zeven regels tekst.
Irish Poets Grace to Short Allowance!
Object type: print
Date: 1805 – 1810
Materials: paper
Techniques: etching, hand coloring
Location: england
Artist: isaac cruikshank
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1764 – 1811