deem-data/ArtiFact huggingface dataset:
Folio from a Qur'an Manuscript
Object type: folio from a non illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: iraq
Artist: ahmad ibn al-suhrawardi al-bakri
Artist role: calligrapher
Artist dates: 1300 – 1345
Subjects: arabic,qur'an

During the Ilkhanid period, a series of magnificent, large‑scale Qur'an manuscripts were produced. While few can be directly linked to royal patronage, the size and quality of their paper, along with their splendid calligraphy and illumination, suggest they were produced for members of the Ilkhanid court. This folio from the "Anonymous Baghdad Qur'an" (so called due to its unknown patron) provides not only its date and place of production, but also the name of its masterful calligrapher and illuminator.
Terracotta fragment of a hydria: kalpis (water jar)
Object type: kalpis fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Around the handle root, a band of tongues
Pitcher
Object type: pitcher
Date: 1800 – 1830
Materials: earthenware
Culture: american
Location: new england
Binnenplaats met boeren
Object type: print
Date: 1778 – 1823
Materials: paper
Techniques: etching
Artist: johannes christiaan janson
Artist role: draughtsman, painter, print maker
Artist dates: 1763 – 1823
Subjects: mother and baby or young child, courtyard
Inscriptions: collector's mark: Lugt 2228

Binnenplaats met een vrouw en twee kinderen voor een huis. De vrouw houdt het jongste kind op haar arm. Voor hen een man, op een stok leunend. Links op de voorgrond een mand en kan. Mét bomen op de achtergrond. Meer bewerkt dan vorige staat.
La greffe
Object type: reproduction
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Subjects: parents with their children, civic architecture; edifices; dwellings, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Millet/ Galerie Contemporaine/ Ludovic Baschet, éditeur.’
Vrede van Vervins tussen Frankrijk en Spanje
Object type: jeton
Date: 1598 – 1598
Materials: copper
Techniques: striking
Location: nuremberg
Artist: chilia koch
Artist role: medailleur
Subjects: france, spain

Koperen penning. Voorzijde: Vrede met gevulde hoorn van overvloed in linker- en met olijftak versierd zwaard in rechterhand staande temidden van wapentropheen binnen omschrift; afsnede: opschrift. Keerzijde: gekroond wapenschild in versierd cartouche binnen omschrift.
Overlijdensbericht aan Philip Zilcken
Object type: overlijdensbericht, overlijdensadvertentie
Materials: paper
Techniques: printing
Artist: Anonymous
Subjects: catharina hendrika maris-horn, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Christiaan Andriessen tekenend aan tafel
Object type: drawing
Date: 1805 – 1808
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: picture, painting
Inscriptions: collector's mark: Lugt 1641a, inscription: ‘J Andriessen’, inscription: ‘Om uit den gewonen slenter der nieuwjaarsbrieven te blijven kostte mij eenige oogenblikken (...)’, collector's mark: Lugt 1641

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Dish
Object type: dish
Date: 1736 – 1795
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers,trees
Conowingodam bij Perrijville
Object type: photograph
Date: 1936 – 1936
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: united states
Artist: wouter cool
Artist role: engineer
Artist dates: 1877 – 1947
Subjects: dam (in canal)
Inscriptions: title: ‘CONOWINGODAM BIJ / PERRIJVILLE.’
Bag
Object type: bag
Date: 1701 – 1800
Materials: metal thread, silk
Gezicht op de Kokyo te Tokyo
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: japan
Subjects: palace, façade (of house or building)
Standing Female Figure
Object type: sculpture
Date: 300 – 250
Materials: ceramic, pigment
Location: michoacán
Subjects: people
Nähe des Wolfes
Object type: print
Date: 1847 – 1889
Materials: paper
Techniques: etching, intaglio
Location: germany
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2233
Gebedsnoot, binnenkant
Object type: photograph
Date: 1872 – 1872
Materials: photographic support
Techniques: albumen print
Subjects: carving ~ applied arts, piece of sculpture, reproduction of a piece of sculpture, interior of the house, wood carver, the (seven) acts of mercy
Inscriptions: collector's mark, collector's mark: Lugt 1641

Binnenkant van een geopende gebedsnoot met een uitbeelding van de zeven werken van barmhartigheid in een huiselijk interieur. De noot bevond zich in de collectie van dhr. C. Becker te Frankfurt am Main. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Beeldhouw- en snijkunst.
Kling voor ruiterdegen
Object type: knife
Date: 1550 – 1900
Materials: iron
Artist: Anonymous
Subjects: netherlands

Kling voor ruiterdegen met opschrift: SAHAGUM en afbeelding van een lopend dier.
A Woman Walking on a Rope
Object type: surimono
Date: 1830 – 1835
Materials: paper
Techniques: woodcut
Location: japan
Subjects: tight-ropewalker

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Sword
Object type: early sword
Date: 1500 – 1500
Materials: leather, steel
Culture: spanish
Location: spain
Stoomlocomotief op de Brünigbahn tussen Luzern en Interlaken
Object type: photomechanical print
Date: 1888 – 1930
Materials: cardboard, paper
Techniques: photograph
Location: switzerland
Artist: Anonymous
Subjects: railway, train, steam locomotive
Inscriptions: number: ‘296.’
Monstrans uit een klooster te Sinnich
Object type: monstrans, ostensorium
Date: 1525 – 1550
Materials: glass, silver
Techniques: gilding
Location: maastricht
Artist: Anonymous
Subjects: the virgin martyr cecilia of rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies, the virgin martyr catherine of alexandria; possible attributes: book, crown, emperor maxentius, palm-branch, ring, sword, wheel, augustine, bishop of hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen, madonna on the crescent of the moon (sometimes called queen of heaven) (in mandorla), the warrior martyr george (georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword, crucified christ with mary and john on either side of the cross; holy rood

Monstrance, given by Cecilia Einatten to the monastery at Sinnich. Silver, partially gilded, Maastricht, c. 1525 - 1550, maker's mark: a ship.
Bronze perirrhanterion (sprinkler)
Object type: perirrhanterion
Date: 350 – 301
Materials: bronze
Culture: greek

Perirrhanteria of this shape, with a separate stopper and a tongue ornament on the body, are well attested in the fourth century B.C. They are believed to have been used during funerary rituals.
Goblet decorated with quadrupeds
Object type: goblet
Date: 4000 – 3668
Materials: ceramic, paint
Location: central iran
Subjects: animals

This goblet has a flat base, straight sides, and an everted rim. It is made of buff clay, with painted brown decorations, including crosshatching and checkerboard patterns. These decorations also feature an animal with a stylized body, a long neck, a drooping tail, and crescent-shaped ears that extend to the rim. Wheel lines on the interior indicate that it was made on a potter’s wheel. The shape and decoration of this beaker resembles that of vessels excavated at Tepe Sialk, near Kashan in central Iran, though there are no exact parallels for the unusual shape of the animal’s horns. The site of Sialk is spread over two mounds. The northern mound was inhabited from ca. 6000 to 4000 B.C., and the southern mound, where similar pottery to this was found, from ca. 4000 B.C. until 2500 B.C., when the site abandoned for nearly a millennium. The animal on this beaker, possibly some sort of canine, cannot be identified with any specific species. No doubt this is intentional. Rather than illustrating the natural world as it appeared, the maker of this beaker depicts this creature in an abstract manner, perhaps to emphasize some aspect of its role in local beliefs – beliefs which are lost to us in the present day.
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 53 (recto)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: peacocks,flowers,leaves
Japon van wit katoen berdukt met motief in zwart en rood
Object type: robe, japon, jurk
Date: 1850 – 1920
Materials: cotton, metal
Techniques: printing
Location: europe
Artist: Anonymous
Inscriptions: number: ‘RBK15445’

Rond de taille en op de hals een bordeauxrode lint. De gestrikte ceintuur heeft aan de uiteinden een rond stuk kant. Het lijfje sluit net als de manchetten met haken en ogen van metaal.
Dish
Object type: dish
Date: 1705 – 1723
Materials: earthenware
Techniques: glazing
Artist: de witte starre manufactory
Artist role: manufactory
Subjects: flowers
Kaart van de Zeventien Provinciën met afstandstabel
Object type: print
Date: 1731 – 1740
Materials: paper
Techniques: engraving
Location: deventer
Artist: jan de lat
Artist role: bookseller
Artist dates: 1683 – 1756
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Links een afstandstabel waarin staat hoeveel loopuren 108 belangrijke steden van de Zeventien Provinciën van elkaar vandaan liggen. Rechts een kaart van de Zeventien Provinciën, voorzien van een zoekrooster, een gradenverdeling langs de randen en linksonder een schaalstok: Gemeene Duytsche mylen en Fransche mylen of uuren gaans. Links van de kaart staat een gebruiksaanwijzing van de afstandstabel. Onder de kaart staat een afstandstabel met uitleg waarin het aantal loopuren tussen verschillende buitenlandse steden en Amsterdam, Den Haag, Rotterdam en Utrecht staat.
The Sisters
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: printing, scraping, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women
Ruins of the Pinckney Mansion, Charleston, South Carolina
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: houses,ruins,american civil war
Vrede van Le Cateau-Cambresis, ter ere van Filips II, koning van Spanje
Object type: jeton
Date: 1559 – 1559
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: philip ii of spain, zeeland, utrecht, holland

Koperen penning. Voorzijde: borststuk man binnen omschrift, onderbroken door vijf wapenschilden. Keerzijde: opschrift binnen lauwerkrans
Box
Object type: box
Date: 1771 – 1772
Materials: silver
Artist: magdalen feline
Artist role: maker
Artist dates: 1753 – 1753
Subjects: coat of arms
Head of a Man
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: nicolas lancret
Artist role: artist
Artist nationality: french
Artist dates: 1690 – 1743
Kom uit V.O.C.-schip de 'Witte Leeuw'
Object type: bowl
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl. In the centre a motive is drawn encircled by a band of short lotus panels. On the lip-rim a frieze of peaches with leaves is drawn. The outside wall is decorated with alternating twice: a lion dog (fu) and a scroll of peonies. Around the footring a band of half-circles is drawn.
Taler uit Churpfalz op de voet van de Bourgondische rijksdaalder van Johann Wilhelm von Neuburg, 1711
Object type: taler
Date: 1711 – 1711
Materials: silver
Techniques: striking
Subjects: düsseldorf, hertog, keurvorst, johann wilhelm von der pfalz

Zilveren munt. Voorzijde: hoofd van de vorst naar rechts. Keerzijde: dubbelkoppige adelaar met twee ovale wapenschilden, waarboven één kroon op de borst.Jaartal aan het eind van het omschrift. Randschrift: NACH BURGUNDISCHEN FUES.
Harp, from the Novelties series (N228, Type 5) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,harps

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
The Dragon with two Horns and the Beast with Seven, from the Apocalypse
Object type: print
Techniques: engraving
Artist: jean duvet
Artist role: artist
Artist nationality: french
Artist dates: 1485 – 1561
Subjects: dragons
Adrianus le Fort de la Moriniere
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: adrien lefort de la morinière
Inscriptions: collector's mark: Lugt 240

Portret van Adrien Lefort de la Morinière, afgebeeld in ovale omlijsting waaronder een console met wapen.
Venetiaanse courtisane
Object type: drawing
Date: 1660 – 1687
Materials: paint, paper, watercolor
Techniques: brush
Location: zwolle

Kopie naar 15e eeuwse tekening toegeschreven aan de omgeving van Gentile Bellini. De tekening is naast twee andere tekeningen opgeplakt in het album.
Spreekwoorden
Object type: popular print
Date: 1845 – 1845
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 2760

Blad met 4 verbeeldingen van spreekwoorden. Boven elke voorstelling een titel en onder elke voorstelling een achtregelig vers. Genummerd rechtsboven: No. 15.
Susanna en de ouderlingen
Object type: print
Date: 1575 – 1657
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the elders spying upon susanna
Inscriptions: signature: ‘C. Schoneus’, caption: ‘Casta pudicitie cui dos, et conscia culpe / Nullius mens est, intemerata manet.’, collector's mark: Lugt 2228

De half-naakte Susanna zit aan de rand van het bad. Twee ouderlingen begluren haar tijdens het baden en spreken haar aan. De prent heeft een Latijns onderschrift.
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three kylix fragments with repairs; the largest fragment has part of handle patch preserved
Ladle
Object type: ladle
Date: 1850 – 1870
Materials: horn
Culture: haida
Location: canada
The Death of Saint Mary Magdalene
Object type: print
Date: 1692 – 1740
Techniques: etching
Artist: giuseppe antonio caccioli
Artist role: artist
Artist nationality: italian
Artist dates: 1672 – 1740
Reunion of the Heroes
Object type: print
Date: 1662 – 1722
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: chinese
Liggende schapen
Object type: print
Date: 1791 – 1839
Materials: paper
Techniques: etching
Location: netherlands
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228
Brief aan Philip Zilcken
Object type: letter
Date: 1925 – 1925
Materials: ink
Techniques: pen, writing
Location: satigny
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: draughtsman, philip zilcken, diseases, printed matter
Inscriptions: collector's mark: ‘RPK’
De la bibliothèque de Ms. Damours Consseiller de la Cour des Aides de Paris
Object type: bookplate
Date: 1600 – 1749
Materials: paper
Techniques: woodcut
Location: france
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Aardappelwinkel in de Tuinstraat
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: stirring up a fire, potatoes
Christ on the Cross
Object type: drawing
Date: 1650 – 1659
Materials: oil, paper, pencil, watercolor
Techniques: brush
Artist: giovanni benedetto castiglione
Artist role: draughtsman, print maker
Artist dates: 1610 – 1665
Subjects: 73d6411(+11)

Unlike most Italian artists, Castiglione was strongly influenced by foreign art. In his hometown of Genoa he came into contact with the work of Peter Paul Rubens. He also spent some time there in the studio of Anthony van Dyck. That Flemish influence is clearly reflected in this drawing: the striking use of colour and the animated composition recall oil sketches by Rubens and Van Dyck.
Oki Province: Takuhi Shrine (Oki, Takuhi no yashiro), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)"
Object type: print
Date: 1853 – 1853
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
View of Shiba Coast (Shibaura no kei), with very light and dark blue water, No.108 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Chelsea Rags
Object type: print
Date: 1888 – 1888
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gezicht op Queen Square te Londen
Object type: print
Date: 1707 – 1789
Materials: paper
Techniques: aquatint, etching
Location: london
Subjects: square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2233
Jean de Thevenot in gesprek met een Turk
Object type: titelblad, titelpagina
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: physicist, jean de thevenot, city-crown, mural crown, asiatic races and peoples: turks, gods of the waters: neptune and his environment, river-gods, globe
Inscriptions: collector's mark: Lugt 2228

Jean de Thevenot voert een gesprek met een Turk en aanschouwt daarbij een globe. Op de voorgrond houden een vrouwelijke personificatie met muurkroon en een riviergod samen een vellum met de titel van het boek op. In het water hiervoor blaast een zeegod op een schelp.
Balustrade met reliëf van de San Marco in Venetië
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: venice
Subjects: balustrade, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘N.22’, number: ‘265’, number: ‘N.22.’

Deze prent maakt deel uit van een omslag met 58 prenten op 50 bladen.
Portret van een jonge man met stropdas
Object type: photograph
Date: 1876 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: leamington spa
Subjects: historical persons, youth, adolescent
Inscriptions: date: ‘1876’, date: ‘1876’, inscription: ‘Under Royal Patronage/ BULLOCK BROTHERS/ 20, Lower Parade,/ Royal Leamington./ MEDAL/ OF THE ROYAL POLYTECHNIC SOCIETY CORNWALL 1866./ Honourable Mention/ of the Dublin International Exhibition./ INVENTORS AND PATENTEES OF/ LITHO PHOTOGRAPHY./ Messrs Bullock's Portraits bear the/ palm from all./ Times. notice./ NEGATIVES KEPT./ COPIES ALWAYS TO BE HAD.’
Apostelen
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: life and acts of james the great (the elder)
Inscriptions: collector's mark: Lugt 2228
Portret van Johann Georg IV von Sachsen
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: crown (symbol of sovereignty), armour, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Seckenddorf, Veit Ludwig von. Christen-Stat In Drey Bücher abgetheilet (...). Leipzig: Johann Friedrich Gleditsch, 1685.
Reproductie van een tekening van een ontwerp van een kasteel
Object type: page
Date: 1884 – 1889
Materials: paper
Techniques: photolithography
Subjects: castle, designing, sketching ~ architect
Inscriptions: inscription: ‘Arthur Keen, Del:’

Prent op tweede ongenummerde pagina na pagina 104.
Titelpagina voor: Justus Lipsius, De crvce libri tres. Amsterdam, 1670
Object type: titelblad, titelpagina
Date: 1670 – 1670
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham bloteling
Artist role: draughtsman, print maker, publisher
Artist dates: 1640 – 1690
Subjects: specific forms of the cross (+ angel(s))
Inscriptions: collector's mark: Lugt 2228

Een aantal engelen dragen een kruis met het opschrift: Lipsivs de Crvce.
Plate
Object type: plate
Date: 1720 – 1720
Materials: faience
Techniques: glazing

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Portret van Petrus Jacobus Joubert
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Subjects: politician, commander-in-chief, general, marshal
Knop van beige hoorn in de vorm van een vogelkop met iets geronde, spitse snavel
Object type: handle
Date: 1900 – 1930
Materials: glass, horn, metal
Techniques: manufacturing, casting, cutting
Location: netherlands

Knop van beige hoorn in de vorm van een vogelkop met iets geronde, spitse snavel, en roodroze ogen van glas. Aan de achterkant van de hals een diamantvormige inkerving. Met schroefdraad.
Key Latch
Object type: key latch
Date: 1 – 700
Materials: iron
Culture: roman