deem-data/ArtiFact huggingface dataset:
The Accomplices
Object type: book illustration
Date: 1859 – 1859
Materials: paper
Techniques: etching, roulette
Location: london
Artist: hablot knight browne
Artist role: print maker
Artist dates: 1815 – 1882
Subjects: alarm, fright; 'spavento', 'terrore' (ripa), table, candle, tools, aids, implements ~ crafts and industries: saw
Inscriptions: collector's mark: Lugt 2228

Prent uit: Dickens, Charles. A Tale of Two Cities. Londen: Chapman and Hall, 1859.
Het boek werd van april tot november 1859 eerst in delen uitgegeven.
Psalter en brevier (gedeeltes) in het Latijn
Object type: manuscript
Date: 1500 – 1600
Materials: paint, paper, parchment
Techniques: pen in colors, brush in colors
Artist: Anonymous
Carmosine
Object type: photograph
Date: 1852 – 1867
Materials: paper
Techniques: albumen print
Artist: collin
Subjects: print, e.g.: engraving, etching, lithograph
The Warren
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: etching
Location: london
Subjects: wildlife reserve, national park, hunting dogs beside the spoils
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 4736
Toegangshek van een landhuis in Fort William
Object type: photograph
Date: 1867 – 1867
Materials: cardboard, paper
Techniques: albumen print
Location: fortwilliam house
Artist: francis edmond currey
Artist role: fotograaf
Artist dates: 1814 – 1896
Subjects: gate, entrance
Portrait of a Nobleman
Object type: illustrated single work
Date: 1851 – 1900
Materials: paper, watercolor
Location: iran
Subjects: men,portraits
Landschap met wandelaar
Object type: print
Date: 1809 – 1841
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: joannes bemme
Artist role: print maker, printer
Artist dates: 1775 – 1841
Subjects: low hill country, walking-stick, staff, public road (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Een zandpad loopt door een heuvelachtig landschap. Sommige stukken zijn afgezet met een hekwerk. Rechts loopt een figuur met een lange stok en een rugzak.
Egyptische reis van 1858-1859
Object type: sketchbook leaf
Date: 1858 – 1859
Materials: paper, pencil
Subjects: communal rooms
Inscriptions: signature: ‘A [...]ot’

Onderdeel van 20 losse bladen met tekeningen gemaakt tijdens Famars Testas zijn Egyptische reis van 1858, met voornamelijk figuren en dorpsgezichten met notities.
Princely Couple on Balcony Watching Maidens on Swing and Dancers
Object type: leaf from a ragamala
Date: 1800 – 1800
Materials: gold, paper
Culture: indian
Subjects: balconies,men,women,dancers
Rommelpot-speler
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: carnival, shrovetide (non-liturgical celebration), improvised musical instruments: rumbling pot, one person playing an instrument
Inscriptions: collector's mark: Lugt 240

Een jongen maakt muziek met een rommelpot. De jongen is carnevalesk gekleed. Zijn hoed is versierd met een pollepel, kaarten en veren. Om zijn schouder draagt hij een ketting van worsten. Met tweeregelig Nederlands onderschrift.
Fauchard
Object type: fauchard
Date: 1550 – 1550
Materials: gold, steel, textile, wood
Techniques: polychromy
Culture: italian
Location: italy
Subjects: coat of arms
Cong
Object type: religious ritual object
Materials: jade
Location: china

Elaborately furnished Chinese tombs of the late fourth and third millennia B.C. reveal that jade objects were prestigious burial gifts, particularly among the Liangzhu people of the eastern coast (present-day Zhejiang and Jiangsu provinces). Individuals of high status were buried with slightly tapering prisms like this, usually together with jade discs and weapons. Some graves afford evidence that the jade-laden body was burned during funerary rites.

Intriguing forms and precisely executed surface designs characterize jade prisms. The inner cylinders were smoothly bored with a tubular drill, probably a shaft of bamboo. The tapered exterior surfaces are subdivided into tiers of masklike images composed of circles and bars, immediately suggesting eyes and nose or mouth. The Liangzhu may have attributed some magic, protective qualities to these masks.
Prisms like this have been found only in tombs. They may be among the earliest objects made specifically for mortuary rituals. Jade-rich burials suggest that Chinese beliefs in the stone's life-preserving properties originated in prehistoric times.
Wapen met vaandels
Object type: sketchbook leaf
Date: 1845 – 1891
Materials: chalk, paper
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: banner, standard (as symbol of the state, etc.), armorial bearing, heraldry

Blad 45 verso uit een schetsboek met 46 bladen.
Weide met bomen, struiken en narcissen
Object type: sketchbook leaf
Date: 1913 – 1916
Materials: paper, pencil, watercolor
Techniques: brush
Artist: jonkheer johannes ludovicus paulus bosch van drakestein
Artist role: draughtsman
Artist dates: 1865 – 1929
Subjects: meadow, pasture, flowers: narcissus

Blad 2 recto uit een schetsboek met 47 bladen.
Heilige Rochus smeekt bescherming van oudere edelman af
Object type: print
Date: 1584 – 1623
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: the confessor and pilgrim roch(us) (rocco, rock) of montpellier; possible attributes: angel (with ointment box or spoon), dog (sometimes with loaf), (pointing at) plague-spot on thigh, pilgrim's shell, staff, hat and wallet
Inscriptions: collector's mark: Lugt 240

De heilige Rochus leunt met een hand op de schouder van een oude edelman. Zijn andere hand houdt hij op zijn borst. Hij kijkt naar de hemel. Achter zijn benen ligt een hond.
Boer en de Dood
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: etching
Artist: johann jakob bodmer
Artist role: printer, publisher
Artist dates: 1629 – 1650
Subjects: personifications of death; 'morte' (ripa), dance of death; death together with one or more human beings
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228

Prent uit: Meyer, Rudolph. Sterbenspiegel, das ist sonnenklare Vorstellung menschlicher Nichtigkeit durch alle Ständ und Geschlechter (...). Zürich: J.J. Bodmer, 1650.
Gezicht op de pyramide van Cestius te Rome
Object type: photograph
Date: 1857 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: gustave eugène chauffourier
Artist role: fotograaf
Artist dates: 1845 – 1919
Subjects: piramide van cestius
Inscriptions: stamp: ‘Rijksschool voor Kunstnijverheid’
Gezicht over het terrein
Object type: photograph
Date: 1950 – 1950
Materials: paper, photographic support
Techniques: gelatin silver print
Location: new york city
Artist: Anonymous
Oudheden in Ierland
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: london
Subjects: abbey, monastery, convent ~ roman catholic church, landscape with ruins
Inscriptions: mark: ‘Brien Del.’

Prent lijkt te horen bij RP-P-2018-3722, maar is niet in de uitgave verschenen.
Nederlands Indië, duit Java,1808
Object type: coin
Date: 1808 – 1808
Materials: copper
Techniques: striking
Location: surabaya
Artist: louis napoleon (king of holland)
Artist role: koning
Artist dates: 1778 – 1846

Koperen munt. Voorzijde: initialen L en N van Lodewijk Napoleon. Daarboven muntteken. Keerzijde: eenregelig opschrift, waaronder jaartal. Boven opschrift muntteken.
Blazoen van de rederijkerskamer te Hazerswoude
Object type: insignia
Date: 1600 – 1625
Materials: silver
Techniques: gilding
Location: leiden
Artist: bartholomeus willemsz. dolendo
Artist role: print maker
Artist dates: 1560 – 1626
Subjects: trees, ornaments ~ art

Draagteken van zilver van de Rederijkerskamer te Hazerswoude. Aan het cartouevormige schild hangen zeven eikels. Aan de voorzijde een gegraveerde boom waaromheen een banderolle; aan de achterzijde de Verrijzenis van Christus.
Stained Glass Panel with the Flight into Egypt
Object type: panel
Date: 1485 – 1500
Materials: glass, metal, paint, pigment
Culture: german
Subjects: donkeys,holy family
Stenen kist met rebus
Object type: book illustration
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, rebus, chest, coffer

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, recto fol. 96.
The Horseman on the Stone Bridge
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: bridges,men,horses
Pair of orange tubs (caisses carrées)
Object type: orange tub
Date: 1754 – 1754
Materials: soft paste porcelain
Artist: vincennes manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 1756
Subjects: fruit,flowers
Album lithographique, douze sujets d'après Decaisne par Léon Noël
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: brothers or sisters (second degree family relationships), waving farewell ~ departure on a journey
Inscriptions: check stamp: Lugt 4944, collector's mark: Lugt 2228
Festival
Object type: painting
Materials: gold, ink, panel, paper
Location: japan
Artist: Anonymous
Artist nationality: japanese
Artist dates: 1700 – 1799
Portret van een man
Object type: photograph
Date: 1867 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Artist: johannes ephraim
Artist role: fotograaf
Artist dates: 1838 – 1921
Subjects: adult man, historical persons
Inscriptions: inscription: ‘J. Ephraim, Arnhem’
Orchestrion
Object type: musical instrument
Date: 1815 – 1825
Materials: copper, wood, marble
Location: amsterdam
Artist: dietrich nikolaus winkel
Artist dates: 1777 – 1826

Mechanisch orgel in de vorm van een secretaire, van eiken en mahonie (de kleppen van bloemplaat), de zijvakken bekleed met groen saaikleppen, friezen en stijlen versierd met koperen figuren en ornament in klassieke stijl: pansfiguurtjes, centauren, dansende vrouwenfiguren, meerminnen, maskers. Trapbekroning met wit marmeren blad. Van binnen: twee rollen en een slinger. Gemerkt: D.N. WINKEL à Amsterdam. Bijbehorend rollenkastje BK-NM-14353-B.
Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)
Object type: print
Date: 1810 – 1810
Techniques: engraving, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,women
J.F. van Son / Necessitas medicinam invenit experientia perfecit, Opinionum Commenta delet dies
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: tone lithography
Location: leiden
Artist: abraham uytenbogaart
Artist role: print maker
Artist dates: 1803 – 1865
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Vase
Object type: vase
Date: 1877 – 1882
Materials: bone china
Artist: crown derby
Artist role: maker
Artist nationality: british
Artist dates: 1750 – 9999

The history of the Derby porcelain manufactory can generally be divided into two periods. The old Derby porcelain was produced from 1750 to 1848, and was foremost distinguished by the ownership of William Duesbury I and II. When the original factory closed in 1848, a number of former workers established a separate smaller factory at King Street, Derby, using Crown Derby’s original molds and patterns and oftentimes incorporating the factory marks on its wares. Around 1876, a separate company established a factory at Osmaston Road under the name Derby Crown Porcelain Company (and eventually bought the King Street factory in 1935), although the firm did not being producing commercial pieces until two years later. In 1890, the factory was granted the privilege of using the title "Royal Crown Derby Porcelain Company." Although the new Crown Derby continued to produce the firm’s old eighteenth-century Japan patterns, it became known for making vessels lavishly decorated with raised and chased gold work and Persian-style decoration.
H. Bruno geknield in een grot
Object type: print
Date: 1608 – 1688
Materials: paper
Techniques: engraving
Location: france
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: the founder of the order of the carthusians, bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s), cave, grotto
Inscriptions: collector's mark: Lugt 240
Marble head of a veiled man
Object type: head of a man, veiled
Date: 1 – 50
Materials: marble
Culture: roman
Subjects: heads,men

The emperor was the chief state priest, and many statues show him in the act of prayer or sacrifice, with a fold of his toga pulled up to cover his head as a mark of piety. However, this highly idealized head may represent the Genius, or protective spirit, of the living emperor. Traditionally the protective spirit of every Roman household was worshiped at the family shrine. It was represented by a statuette with veiled head holding implements of sacrifice. Similar veneration of the Genius Augusti, introduced by the paternalistic Augustus, was widespread at public shrines and altars.
Beleegeringh Van de stercke Stadt en Vestingh Philipsburgh
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: etching, letterpress printing
Location: low countries
Artist: Anonymous
Subjects: leopold i (keizer van duitsland), siege, position war, maps of cities

Blad met een plattegrond en beschrijving van het beleg en de verovering van Philippsburg, in Franse handen, door de troepen van keizer Leopold I, mei-september 1676. Fortificaties en de schipbrug over de Rijn. In de plaat de legenda 1-7. Aan weerszijden van de plaat de gedrukte legenda's A-Z en 1-3.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1751 – 1800
Materials: gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: swords
Tekstblad met het opschrift van het herdenkingsmonument voor Josephus Scaliger
Object type: text sheet
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: handwriting, written text, other memorial structures

Dit tekstblad hoort bij een tekening van herdenkingsmonument voor Josephus Scaliger. Op hetzelfde opzetvel van de tekening zit een tweede blad bevestigd met de vermelding dat het herdenkingsmonument voor Josephus Scaliger in 1819 van de Vrouwekerk naar de Pieterskerk in Leiden is overgebracht.
Emperor Charles V
Object type: print
Date: 1531 – 1531
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: barthel beham
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1540
Penserosa, Tally! Ho! Rum!, Allegora
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men

From a series of six etchings of eighteen heads, called "Attributes" or "Designs for Borders."
Portret van Henrik de Fromantiou
Object type: print
Date: 1653 – 1680
Materials: paper
Techniques: engraving
Subjects: gallery of sculptures
Inscriptions: collector's mark: Lugt 2228

De stillevenschilder Henrik de Fromantiou met in de hand een rol papier en op de achtergrond twee sculpturen. Hij was vanaf 1670 conservator van de kunstcollectie van de hertog van Brandenburg.
Presentiepenning van het Sint Lucas- of Schildersgilde te 's-Gravenhage 1654
Object type: medal
Date: 1654 – 1654
Materials: brass
Techniques: casting
Inscriptions: inscription: ‘N / 1654’, circumscription: ‘DE PENNING VAN SINDT LVCAS GILDT (roos)’, inscription: ‘78’, number: ‘6.’

Gegoten messing penning, op de voorzijde een lucasschild met omschrift, op de keerzijde twee regels tekst door een koord gescheiden
Terras bij een stad
Object type: print
Date: 1903 – 1935
Materials: paper
Techniques: etching
Artist: cornelis koning (1893-1951)
Artist role: print maker
Artist dates: 1893 – 1951
Subjects: inn, coffee-house, public house, etc.
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een met bomen begrensd terras met tafels en stoelen. Op de achtergrond bebouwing.
Gold ring with green jasper scaraboid
Object type: ring with scaraboid
Date: 500 – 401
Materials: gold, jasper
Culture: cypriot

Scaraboid winged uraeus snake and obscure sign; in a claw mounting. These rings, like the pendant rings, all have a swivel bezel with engraved scarabs decorated with Egyptian gods and symbols. However, this type of ring originates from Phoenicia, where Egyptianizing designs were very popular.
Zestien afbeeldingen van oren, gerangschikt op vorm
Object type: photomechanical print
Date: 1880 – 1893
Materials: paper
Techniques: photograph
Location: france
Artist: Anonymous
Subjects: ears, france
Inscriptions: inscription: ‘Bord supr plat. (...) Pli supr. accentué et très long’, number: ‘Planche 56.’, number: ‘1. (...) 16.’
Portrait of a Man
Object type: painting
Date: 1575 – 1575
Materials: oil, paint, panel
Techniques: painting
Culture: flemish
Location: belgium
Subjects: man, portraits: male subject, portrait, men

A mottled background, pitch-black costume, and bright ruff all serve to highlight the enigmatic visage of this unidentified man. Though his arresting gaze invites the viewer in, his face is also turned away and cast partially in shadow, as if he seeks to keep his distance from the individual on the other side of the picture plane. Other versions of this composition exist, suggesting that the man’s mysterious character and distinctive appearance captivated many artists and patrons of his time.
Witte bloem in een glas
Object type: drawing
Date: 1874 – 1945
Materials: paper, watercolor
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: flowers
Bag
Object type: bag
Date: 1601 – 1650
Materials: metal thread, silk
Subjects: birds,flowers
Dood van Niobes kinderen
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: apollo and diana kill niobe's children
Inscriptions: collector's mark: Lugt 240
Arrius hereticus
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: priest
Inscriptions: inscription: ‘79’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 130v.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Part of a draped figure sitting on a block?; start of handle root
Ex-libris de Ma.Tsa. Cusí
Object type: photomechanical print
Date: 1937 – 1937
Materials: paper
Techniques: autotype
Location: spain
Artist: Anonymous
Subjects: reading, sitting figure - aa - female human figure, arch, archivolt ~ architecture
Inscriptions: inscription: ‘El ex-libris de Ma. Teresa Cusí representa (...) Masnou, 9 abril de 1937.’
Skippet
Object type: skippet
Date: 1825 – 1852
Materials: silver, silver gilt
Culture: american
Location: united states
Artist: seraphim masi
Artist role: maker
Artist nationality: american
Artist dates: 1819 – 1852
Subjects: eagles
Portret van Max Slevogt
Object type: print
Date: 1908 – 1932
Materials: paper
Techniques: etching, retroussage, roulette
Artist: emil orlik
Artist role: painter, print maker
Artist dates: 1870 – 1932
Subjects: print maker, max slevogt, historical persons, portrait, self-portrait of artist
Inscriptions: signature: ‘Orlik’, name: ‘Slevogt’, edition: ‘6/50’, collector's mark: Lugt 2228
Wie der Prins von Parma Rouan Entsetz und Proviandirdr den 22 April 1592
Object type: print
Date: 1592 – 1594
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), paris, hendrik iv (koning van frankrijk en navarra), raising the siege with outside assistance, relief

Rouen door de hertog van Parma ontzet en van proviand voorzien, 22 april 1592. Rechts boven trekken de troepen van de hertog van Parma op naar de stad, op de voorgrond heffen de troepen van de koning hun beleg op en vertrekken. Met onderschrift van 12 regels in het Duits en 3 regels in het Frans. Ongenummerd. Blad afkomstig uit een album dat uit elkaar is gehaald. Rechtsboven genummerd (in pen): 24(.).
Palatium Brugense Comitis Flandriae
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: etching
Location: antwerp
Artist: lucas vorsterman (ii)
Artist role: print maker
Artist dates: 1624 – 1667
Subjects: palace, inner court of palace or 'hôtel', armorial bearing, heraldry, bruges

Prent waarschijnlijk uit: Sanderus, Antonius. Chorographia sacra Brabantiae. Brussel: Philips Vleugaert, 1659.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of handle patch and start of handle root; hand
Tynemouth Priory
Object type: photograph
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: tynemouth
Artist: stephen thompson
Artist role: fotograaf, schrijver
Artist dates: 1831 – 1893
Subjects: ruin of church, monastery, etc.
Card 426, Marion Elmore, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van Jacchaeus Gilbertus
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving
Artist: de passe
Subjects: leiden
Inscriptions: inscription: ‘Ao 1612’, collector's mark: Lugt 2228, inscription: ‘geb: t' Aberdon in Anglia’

Prent ook gebruikt als boekillustratie in: Meursius, Joannes. Athenæ Batavæ. Sive, De vrbe Leidensi, & academiâ, virisque claris. Leiden: Andries Clouck, Bonaventura en Abraham Elzevier, 1625.
Joseph Herr, Shortstop, Milwaukee, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Strook groen zijde met grote bloemen en bladeren van zilverkant en goudkant
Object type: strip
Date: 1680 – 1720
Materials: gold thread, silk, thread
Techniques: lace
Location: western europe
Artist: Anonymous

Strook rood gevoerde groene zijde waarop een versiering is genaaid van gekloste zilverkant en goudkant. Het doorlopende patroon bestaat uit grote bloemen en bladeren. Binnen contourlijnen van drie tegen elkaar aan geplaatste draden zijn siergronden en motiefjes in vormslag aangebracht. Er is gewerkt met lamelgouddraad en - zilverdraad en met filégaren, in verschillende diktes. Aan de strook hangt een etiket van de kunsthandel: "French & Co, Inc.", waar de strook is aangekocht.
Vita Deiparæ Virginis Mariæ
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (joachim and anna with) the baby mary (+ angel(s)), holy ghost represented as a dove (in flames)
Inscriptions: collector's mark: Lugt 240, number: ‘46.’

De jonge Maria zit op de schoot van haar moeder Anna. Naast hen zit haar vader Joachim. Ze krijgen bezoek van twee engelen die hen bloemen brengen. In de lucht omgeven door hemelse stralen de Heilige Geest als duif, omringd door musicerende engelen. In de marge een zesregelig onderschrift, in twee kolommen, in het Latijn.
Shawl (Chaddar)
Object type: shawl
Date: 1701 – 1800
Materials: metal thread, silk
Location: india