deem-data/ArtiFact huggingface dataset:
Sumida River, from vol. 1 of the illustrated book "Fine Views of the Eastern Capital at a Glance (Toto shokei ichiran)"
Object type: print
Date: 1800 – 1800
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Avignon. Papes ayant régné en Avignon et armoiries
Object type: ansichtkaart, prentbriefkaart
Date: 1932 – 1958
Materials: photographic support
Techniques: photography
Location: paris
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, historical persons, pope
Inscriptions: poststempel, verso, gestempeld

Dit is een foto van een collage van negen voorstellingen.
Portret van Robert Peel
Object type: print
Date: 1817 – 1835
Materials: paper
Techniques: engraving
Artist: joseph berkowetz
Artist role: print maker
Subjects: london, adult man, historical persons

Prent behoort waarschijnlijk tot de serie 'Zeitgenossen'.
Henry Louis Zekain, Comedien ord.e du Roi
Object type: print
Date: 1758 – 1804
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: historical persons, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228
Narcissus
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: laurent de la hyre
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1656
Subjects: men,dogs
Portret van een onbekende vrouw, gevat in een lijst van karton
Object type: photograph
Date: 1890 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, anonymous historical person portrayed
Interieuronderdeel
Object type: mirror
Date: 1700 – 1750
Materials: wood
Techniques: gilding
Location: france
Artist: Anonymous
Inscriptions: : ‘F1/C’
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: roman
Subjects: eros

Loeschcke Type 4. Mold-made. Discus: seated Eros, facing right, with right arm and wing extended behind him and left wing above his head to right and a lyre held before him. Single filling hole at bottom near nozzle, with a band of lines and grooves towards edge. Volutes flanking nozzle. Shallow base ring, and flat base. Complete, except for one small hole at base of right side of nozzle.
Cancantree bij de plantage "Ma retraite"
Object type: photograph
Date: 1895 – 1898
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: plantation
Inscriptions: inscription: ‘Cancantree bij de plantage "Ma retraite".’

Een grote kankantrie, een wilde kapokboom, bij de plantage Ma Retraite. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Portret van Johann Wolfgang von Goethe
Object type: print
Date: 1822 – 1863
Materials: paper
Techniques: engraving
Subjects: draughtsman, johann wolfgang von goethe, historical persons, portrait of a writer
Portret van François Guizot
Object type: photograph
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Artist: andré-adolphe-eugène disdéri
Artist role: fotograaf
Artist dates: 1819 – 1889
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Galerie des Contemporains’
Marble stele (grave marker) of Lysistrate
Object type: grave stele of lysistrate
Date: 350 – 325
Materials: marble
Culture: greek, attic
Subjects: mothers,women
Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 7 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Artist: domenico da sera
Artist role: publisher
Artist nationality: french
Artist dates: 1500 – 1599
Subjects: ornament

Published by Domenico da Sera Lyons. From top to bottom, and left to right: Design is decorated with a pattern of hexagons formed by thick lines with coils wrapped around them. In the center of each hexagon is either an interlace motif or a series of 3 knot work motifs and 2 hearts.
De keurvorsten van Beieren en van Brandenburg op bezoek bij koning Willem III, 1691
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: william iii (prince of orange and king of england, scotland, and ireland), shaking hands, 'dextrarum junctio'

De keurvorsten van Beieren en van Brandenburg op bezoek bij koning Willem III, 1691. De vorsten begroeten elkaar en schudden elkaar de hand. Plaat nr. 19 in de serie 'Engelands schouwtoneel' over de oorlog tussen Willem III en Jacobus II in de jaren 1690-1691 na de Glorious Revolution, (derde deel). Met onderschriften in het Nederlands en Frans.
Brief aan Jan Veth
Object type: letter
Date: 1812 – 1889
Materials: ink, paper
Techniques: pen, printing, writing
Location: london
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, marseille, sculptor, henri de groux, the hague, willem kloos, criticizing and discussing art, art criticism
Inscriptions: collector's mark: ‘RPK’, watermark
Bust of Christ
Object type: cameo
Date: 1600 – 1600
Materials: gold, onyx, gemstone
Subjects: christ

The carver’s drill followed the dark to pale amber coloration, offsetting hair and beard against pale flesh.
Panel
Object type: panel
Date: 1601 – 1700
Materials: silk
Culture: chinese
Subjects: flowers
Ploegende ossen
Object type: print
Date: 1927 – 1928
Materials: paper
Techniques: engraving
Artist: bernard essers
Artist role: print maker
Artist dates: 1893 – 1945
Subjects: trees, ox, farm or solitary house in landscape, ploughing
Inscriptions: collector's mark: Lugt 2228

Twee ossen trekken een ploeg door een akker. Een man op klompen loopt achter hen. Links op de voorgrond een man op klompen gezeten op een paard. Rechts een boom met vogels, mogelijk reigers. In de lucht een zwerm vogels. Op de achtergrond een boerderij in een heuvellandschap.
Portret van een onbekende vrouw
Object type: frame
Date: 1895 – 1905
Materials: cardboard, metal, porcelain, wood
Techniques: porcelain photography
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman
Kandelaber met satyr met viool
Object type: ornament print
Date: 1505 – 1565
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: chandelier, candelabrum, harness, satyr(s) (in general)
Inscriptions: collector's mark: Lugt 240

Kandelaber opgebouwd uit een satyr zittend met een viool voor een sokkel met vaas geflankeerd door wapentrofeeën. Daarboven twee kinderen die elkaar omarmen omgeven door bladranken en bekroning met borstkuras van opzij gezien.
Oranje-Bulletin
Object type: newspaper
Date: 1944 – 1944
Materials: paper
Techniques: printing
Location: netherlands
Artist: jm (uitgever)
Artist role: publisher
Subjects: netherlands

Krant, illegale uitgave van samenwerkende verzetsorganisaties, Oranje-Bulletin nr. 8 voor Zuid-Holland; met officiele mededelingen, o.a. van de samenwerkende illegale organisaties, 4 pp.
Joint stool
Object type: joint stool
Date: 1650 – 1700
Materials: wood
Culture: british
Location: england

Because joint stools were subject to hard useage, relatively few have survived. Most--like this example-were imported from Europe. Makers left their individual imprint through distinctive patterning on the legs.
Seated hound
Object type: crèche figure
Date: 1701 – 1900
Materials: silver, terracotta
Techniques: polychrome
Artist: saverio vassalo
Artist role: maker
Artist dates: 1725 – 1825
Subjects: dogs
Cypriot Ring Base Juglet
Object type: juglet, cypriot, ring base
Date: 1550 – 1525
Materials: pottery
Location: egypt
Margaretha van Parma door Alva uitgeleid, 1568
Object type: print
Date: 1568 – 1570
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: fernando álvarez de toledo (3rd duke of alba), law and jurisprudence (+ arrest), brussels

Margaretha van Parma door Alva Brussel uitgeleid, 30 augustus 1568. Stoet met Alva en de landvoogdes verlaat de stad, op de achtergrond de ommuurde stad. Met onderschrift van 8 regels in het Duits. Genummerd: 10. De prent maakt deel uit van een album.
Design for Dos-a-Dos Sleigh, no. 3481
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Zelfportret van Pieter Louw
Object type: print
Date: 1743 – 1760
Materials: paper
Techniques: pen
Location: amsterdam
Artist: pieter louw
Artist role: draughtsman, print maker
Artist dates: 1725 – 1800
Subjects: amsterdam, print maker, draughtsman, pieter louw, portrait, self-portrait of graphic artist
Inscriptions: inscription: ‘P: Louw Pixtor A Fecit’, collector's mark: Lugt 2165, collector's mark: Lugt 2228
Landscape with the Sacrifice of Isaac within a Decorative Border of Plants and Animals
Object type: drawing and watercolor
Date: 1584 – 1584
Materials: ink, paper
Techniques: incising, pen, transfer, wash
Location: netherlands
Artist: hans bol
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1534 – 1593
Inscriptions: Signed and dated in center, in image, in pen and brown ink: "HBol 1584"
The Banks of the Oise
Object type: painting
Date: 1863 – 1863
Materials: oil, wood
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: rivers

In 1860, Daubigny purchased property in Auvers, a town near Paris. His frequent boating expeditions on the nearby Oise exposed him to a wide variety of river scenes and atmospheric effects.
Fragment bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Fragment bord uit V.O.C.-schip de 'Witte Leeuw'.
Jug
Object type: ceramic
Date: 1765 – 1765
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: polychrome, transfer
Location: worcester
Mevr. Bensjes [?]
Object type: photograph
Date: 1860 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: herman bückmann
Artist role: fotograaf
Artist dates: 1820 – 1884
Subjects: anonymous historical person portrayed - bb - woman
Lijkstatie van Willem IV, 1752, plaat 25
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: engraving, etching, hand coloring
Location: northern netherlands
Subjects: the hague, willem iv (prins van oranje-nassau), cortege, funeral procession, royal household; courtiers, retinue, train, delft
Inscriptions: collector's mark: Lugt 2228

Leden van de stadhouderlijke huishouding en een groep edelen. In de marge het onderschrift in Nederlands, Frans en Engels. Onderdeel van een serie van 41 platen van de begrafenisstoet van stadhouder Willem IV te Delft op 4 februari 1752. Genummerd rechtsboven: 25.
Seated bodhisattva (left attendant of a triad)
Object type: statue
Date: 1634 – 1666
Materials: gilt, wood
Culture: korean
Subjects: buddhism,bodhisattvas

This elegant figure represents a bodhisattva—a compassionate, enlightened being who has chosen to remain on earth to help mortals attain enlightenment. This statue was originally one of two attendant bodhisattvas that flanked a Shakyamuni or Amitabha Buddha. The tall, ornate crown, oblong face, and drapery with cascading folds indicate that the statue was likely produced by an esteemed school of Buddhist monksculptors led by Ingyun (active 1615–63) for a temple in the South Jeolla Province, an important Buddhist power base at the time.
Cup, miniature
Object type: cup, miniature
Date: 500 – 101
Materials: terracotta
Culture: etruscan

Yellow clay with two handles; no decoration.
Degen met bewerkte garde
Object type: sword
Date: 1500 – 1600
Materials: iron
Location: europe
Artist: Anonymous

Degen. De kling aan het achtereinde gegroefd. Het gevest heeft een lange rechte pareerstang, waarvan de uiteinden even zijwaarts zijn omgebogen. Schutbeugel (pas j'âne) en drie dubbele pareerbeugel. Zwaar door roest beschadigd. Lengte van de kling 1.065. Eind 16de of begin 17de eeuw.
Malta. Victoria Gate
Object type: ansichtkaart, prentbriefkaart
Date: 1890 – 1903
Materials: cardboard
Techniques: photograph, writing
Location: milan
Subjects: city-gate
Inscriptions: poststempel, verso, gestempeld
Langobard
Object type: history print
Date: 1712 – 1714
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: extinct, 'historical' peoples (lombards), extinct, 'historical' peoples (with name)

Gebruikt als illustratie in: Hugo de Groots Antiquitates Germanicæ, of Hoogduitsche oudtheden: waar in de gelegentheid en zeeden der Germaanen, beschreeven door Tacitus, naaukeurig verklaart, en met printverbeeldingen opgeheldert worden: benevens H. Grotius verhandeling van de oudtheid der Batavische republyk. Amsterdam: Jacob van Royen, 1714.
Huwelijk van prinses Juliana en Bernhard van Lippe-Biesterveld 1937
Object type: history medal
Date: 1937 – 1937
Materials: metal
Techniques: pressing
Inscriptions: inscription: ‘7-1-'37’

Verzilverd speldje met twee ovalen medaillons met de borstbeelden van Juliana en Bernhard, onderaan een tekstlint, bovenaan een gekroond Nederlands wapenschild tussen oramjetakken. NB speld afgebroken.
Head of Buddha
Object type: head
Date: 1301 – 1400
Materials: bronze
Culture: thai
Subjects: faces,heads,buddha
Lid
Object type: lid
Date: 1101 – 1300
Materials: earthenware, glaze
Techniques: carving
Location: iran
Subjects: birds

This bowl belongs to a group known as Garrus ware, named after a district southwest of the Caspian Sea, where examples were reportedly found. They epitomize two of the most typical Garrus ware designs: vegetal motifs within interlaced frameworks, and animals in heraldic poses. The designs are carved through the creamy slip coating the body, exposing the reddish earthenware, to which darkening agents are applied. Finally the whole piece is covered with the transparent glaze.
Bowl Decorated in the 'Beveled Style'
Object type: dish
Date: 901 – 1000
Materials: earthenware, glaze
Techniques: polychrome
Location: uzbekistan

The Beveled style of surface ornament painted onto the surface of this bowl is similar to that seen on the molded stucco surfaces of the palaces in Samarra. This motif, which first appeared in ninth‑century Samarra, spread to a variety of places, including Samarqand.
Portret van een onbekende jonge vrouw
Object type: photograph
Date: 1900 – 1909
Materials: paper, ink
Techniques: gelatin silver print, pen, writing
Artist: Anonymous
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: inscription: ‘Artje./ Mejuf. Anna van Aalst/ p/a Mevrouw de Wed:/ Sillenis/ Kerk-Avezaath.’, number: ‘3424/1’
Garment hook
Object type: garment hook
Date: 1801 – 1900
Materials: jade
Culture: chinese
Blackwork Designs with Flowers, Plate 6 from a Series of Blackwork Ornaments combined with Figures, Birds, Animals and Flowers
Object type: album
Date: 1622 – 1622
Techniques: embroidery, engraving
Artist: meinert gelijs
Artist role: artist and engraver
Artist nationality: dutch
Subjects: ornament

Plate 6 from a print series consisting of a title page (missing) and seven numbered plates displaying motifs for the application in goldsmith's work, executed in blackwork, combined with figures and other motifs borrowed from other print series, executed in engraving. This plate contains five distinct motifs in blackwork, with a large design in the center of the plate and two smaller designs on either side. The central motif represents the decoration of a knife hilt, the four smaller motifs are decorations for a lock plate with a keyhole at center. Surrounding the blackwork motifs are engraved figures of flowers and leafs taken from a botanical source. Due to the similarity in their production techniques, blackwork prints often relate to precious objects decorated with champlevé enamel work. However, on the title page of his second series, characterized by the almost square copperplates and exclusive use of the blackwork technique, Gelijs indicates that his patterns may be used in other disciplines as well. This series is one of two print series known by Gelijs. The style of his ornaments is quite unique, blending elements from the late sixteenth-century schweifwerk ornament, with stylized peapods, floral elements and some forms related to the auricular style. Prints from both series are bound in a single (modern) binding in the Met's collection.
Fotoreproductie van een schilderij, voorstellende een boslandschap met een poel
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Artist: auguste allongé
Artist role: print maker
Artist dates: 1833 – 1898
Subjects: forest, wood, pond, pool, water-birds: duck
Gezicht op het Nieuwe Werkhuis te Amsterdam
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: spin- en nieuwe werkhuis
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk naar tekening van Hendrik Keun.
Daniël geknield voor een venster wordt bespied
Object type: book illustration
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: daniel, while praying on his knees before an open window, is discovered by the conspirators
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 16.
Het kinderspel / Le jeu d'enfants
Object type: popular print
Date: 1828 – 1913
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: children's games and plays, (playing with) dolls, (flying a) kite, games using special objects (marbles, top, hoop, etc.), jumping-rope games
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van kinderspelen, waaronder golven, met poppen spelen, hoepelen en tollen. Onder elke afbeelding en onder de titel een tweeregelig vers in het Nederlands. Genummerd rechtsboven: n. 7. B.
Vitruvius Des aller namhafftigiften unnd Hocherfarnesten Römischen Architecti unnd Kunstreichen Werck oder Bawmeysters Marci Vitruvij Pollionis Zehen Bücher von der Architectur und künstlichem Bawen
Object type: book
Date: 1614 – 1614
Techniques: printing, woodcut
Location: switzerland
Artist: marcus pollio vitruvius
Artist role: author
Artist nationality: italian
Artist dates: 100 – 1
De zeven deugden
Object type: print
Date: 1578 – 1582
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues
Inscriptions: collector's mark: Lugt 1967, collector's mark: Lugt 2228a

De Rechtvaardigheid, voorgesteld als een vrijwel naakte vrouw met een zwaard in de ene hand en een weegschaal in de andere. Deze prent is onderdeel van een prentserie van de zeven deugden, elk in de gedaante van een vrouwenfiguur met attributen, staand in een nis.
Flower vase
Object type: flower vase
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: flowers
Glass mosaic fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Thin-walled body fragment. Translucent purple, light blue appearing green, opaque yellow and white, and colorless. Very shallow curving side, with two straight edges at right angle to each other. Mosaic pattern formed from polygonal sections of two canes: one in a purple ground with a hollow white circle and a central white rod outlined with fine green and yellow circles, and the other (only partially preserved) in a colorless ground with white or yellow lines. Polished exterior; pitting of surface bubbles on exterior; iridescent weathering on interior and edges. Perhaps cut down into a square shape in antiquity.
Soemoncho, the gay quarter
Object type: print
Date: 1947 – 1947
Materials: paper
Techniques: woodcut
Location: japan
Inscriptions: date

Een maiko danst met een waaier in de hand en een vrouw bespeelt een Japanse luit (shamisen), op de achtergrond het Dôtonbori kanaal.
John O. "Kick" Kelly, Manager, Louisville Colonels, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Staande koning
Object type: drawing
Date: 1654 – 1654
Materials: ink, paper, watercolor
Techniques: brush, calligraphy
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Het gedicht is te vinden in de Haerlemsche Laurier-Krans uit 1643 (p. 42) en in het Utrechts Zang-Prieeltien uit 1649 (I, p. 17-20).
PARIS. Panorama des neuf Ponts (...)
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Subjects: bridge in city across river, canal, etc., prospect of city, town panorama, silhouette of city, paris
Inscriptions: negative number: ‘189’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in België en Frankrijk.
Kade te Port Arthur, met zicht op de baai
Object type: photomechanical print
Date: 1898 – 1899
Materials: paper
Techniques: photograph
Location: port arthur
Subjects: gulf, bay, rickshaw, pier, quay, wharf
Inscriptions: number: ‘16’
Landscape in the Style of Li Gonglin
Object type: tapestry
Materials: ink, silk
Culture: chinese
Artist: wang hui
Artist role: artist
Artist nationality: chinese
Artist dates: 1632 – 1717
Subjects: hills,landscapes
Paard met tuig
Object type: sketchbook leaf
Date: 1845 – 1845
Materials: paper, pencil
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: saddle and bridle (saddlery), horse
Inscriptions: date: ‘1845.’

Losse tekening tussen blad 61 en het achterste schutblad uit een schetsboek met 61 bladen.