deem-data/ArtiFact huggingface dataset:
Serie 3: Franse Godsdienstoorlogen, 1559-1573
Object type: history print
Date: 1565 – 1573
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: paris, siege, position war, violent death, being killed; being mishandled and maltreated; seeking death, attempt, political murder

Gekopieerd naar de prent in: Jean Tortorel et Jacques Perrissin, Premier volume contenant quarante tableaux ou Histoires diverses qui sont memorables touchant les Guerres, Massacres et Troubles advenus en France en ces dernieres annees : le tout recueilly selon le tesmoignange de ceux qui y ont esté en personne et qui les ont veus : lesquels sont pourtraits à la vérité, Genève ca. 1570. Bibliotheek Rijksmuseum: 329 A 2, pl. 24 [ontbreekt in dit exemplaar].
Busk
Object type: busk
Date: 1600 – 1825
Materials: wood
Culture: italian
David with the head of Goliath
Object type: statuette
Date: 1534 – 1566
Materials: bronze
Artist: severo calzetta da ravenna
Artist role: artist
Artist nationality: italian
Artist dates: 1496 – 1543
Subjects: swords,heads,david

By the mid-sixteenth century, Severo’s shop was already in decline, and the downturn in quality of its output is painfully obvious.[1] The modeler knew our Bellano David (cat. 2) as well as that in the Philadelphia Museum of Art, which we attribute to Severo (see p. 00, fig. 2a), but apparently at some remove. An inscription, MARCO.ANTonio.RAVenna F.G.F., occurs on a slightly better example in the National Museum of Scotland, Edinburgh, introduced into the literature by Patrick De Winter, who notes a Marcantonio at work in the cloister of Santa Maria in Porto, Ravenna, in 1506.[2] Severo’s relations have otherwise gone unnamed, but Marcantonio may well have been among them. The shop’s takeoffs on the Davids of Bellano and Severo take two forms: a broad-browed youth of greater allure, represented by a good statuette in the V&A,[3] and a more widespread type including ours, where the hero reflects upon an absurdly small head of Goliath while feebly wielding a sword. Ours is a scimitar, but the weapons vary.[4] Richard Stone notes that the positioning of plugs in the rear of the shoulders is characteristic of Severo’s figures when clothed.[5] -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. For the late production of Severo’s workshop, see Warren 2014, p. 140. 2. De Winter 1986, p. 121, figs. 122, 123. Radcliffe 1986, p. 185, doubts the inscription is a signature but more likely records the name of an owner. The present writer’s recollection is that the letters were cast-in and thus probably original. 3. V&A, 593-1865; see De Winter 1986, p. 106, fig. 74 (to Severo and workshop). A good one was in the Abbott Guggenheim collection (Camins 1988, cat. 4). 4. See De Winter 1986, p. 138 n. 79, for a list of casts. 5. Stone 2006, pp. 813–14, fig. 8.
Portret van Joost van den Vondel
Object type: photomechanical print
Date: 1937 – 1937
Materials: paper
Techniques: line block
Artist: Anonymous
Subjects: cologne, joost van den vondel, historical persons, portrait of a writer, writer, poet, author
Inscriptions: monogram: ‘cR’

Fotomechanische afdruk waarschijnlijk uit: Vondel, Joost van den, en Verwey, Albert. Volledige dichtwerken en oorspronkelijk proza (...). Amsterdam: H.J.W. Becht, 1937.
The Elements: Fire
Object type: panel
Date: 1601 – 1633
Materials: glass
Techniques: painting
Artist: christoph murer
Artist role: maker
Artist nationality: swiss
Artist dates: 1558 – 1614
Subjects: animals,women,fire,volcanoes
Dorps- en stadsgezichten te Kleef
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: etching
Subjects: rural housing, e.g. country-house, villa, cottage, village
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen van één plaat. Gezichten op het Kasteel Poelwijk in Oud Zevenaar (boven) en het Huis Rijswijk te Groessen (onder). De prent maakt deel uit van een 100-delige serie met gezichten op dorpen en steden te Kleef.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, extended arm of draped male holding a kylix in his hand
Mountain Gorge
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: john sell cotman
Artist role: artist
Artist nationality: british
Artist dates: 1782 – 1842
Voet van een kandelaar met zittende leeuw
Object type: candlestick
Date: 1400 – 1500
Materials: brass
Techniques: casting, metalworking
Location: northern netherlands
Artist: Anonymous

Voet van een kandelaar. Het als geheel gegoten en bijgeciseleerde voorwerp bestaat uit een met een zittende leeuw versierde voet en een vierkant gedeelte, waarin de vierkante pin kan worden geklonken ter bevestiging aan de kandelaar.
Mislukte aanslag op de prins van Oranje, 1572
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: delft, william i (prince of orange), attempt, political murder
Inscriptions: date

Illustratie voor: J. Nomsz, Willem de eerste, of de grondlegging der Nederlandsche vryheid. : In vier en twintig zangen, Erven van David Klippink, Amsterdam 1779. Staat met de letter.
Renard Promises the Bear to Take Him to a Place Where He Will Find Honey from Hendrick van Alcmar's Renard The Fox
Object type: print
Date: 1650 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: bears,foxes
The Staircase with Trophies, plate 8 from Imaginary Prisons
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Pair of lappets
Object type: lappet
Date: 1801 – 1900
Techniques: lace
Tamerlan
Object type: print
Date: 1684 – 1743
Materials: paper
Techniques: engraving
Artist: jan lamsvelt
Artist role: print maker
Artist dates: 1674 – 1743
Subjects: krijgsman, timoer lenk
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovaal naar links van Timoer Lenk, stichter van het Timoeridische rijk, met bontmuts. Het portret steunt op een sokkel waarop de naam van de geportretteerde staat.
Sibylle Tiburtine
Object type: print
Date: 1635 – 1635
Techniques: engraving, etching
Artist: gilles rousselet
Artist role: artist
Artist nationality: french
Artist dates: 1614 – 1686
Subjects: portraits,women
Boer achter een ploeg
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: farmers, horse, agricultural implements: plough

De ploeg wordt mogelijk door twee paarden getrokken. Pagina 34 uit een schetsboek met 67 bladen vervaardigd in Drenthe.
Op Tourtonne
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘E14 / Op Tourtonne.’

Familiefoto van moeder met vier kinderen (o.a. Pim, Anton en To), in de tuin onder een boom op Plantage Tourtonne. Onderdeel van het fotoalbum Souvenir de Voyage (deel 4), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Portret van een man met baard
Object type: carte de visite
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: photograph
Artist: e. swift
Artist role: fotograaf
Subjects: adult man, historical persons, beard
Inscriptions: inscription: ‘E.Swift & Son/ Artist & Photographers/ 126, Bond Street/ Liverpool’
Dronkenschap van Silenus
Object type: print
Date: 1702 – 1765
Materials: paper
Techniques: etching
Location: france
Subjects: attributes of bacchus, beasts of prey, predatory animals: panther, (story of) silenus
Inscriptions: collector's mark: Lugt 240
Portret van Leopold II van België, op jonge leeftijd als hertog van Brabant
Object type: print
Date: 1835 – 1865
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: carl mayer
Artist role: print maker
Artist dates: 1798 – 1868
Subjects: brussels, laeken, leopold ii (koning der belgen), knighthood order, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk afkomstig uit de Almanach de Gotha.
Rhododendron Bilder aus den schweizer Alpen
Object type: book
Date: 1873 – 1873
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print
Location: munich
Inscriptions: name: ‘L. Hauser.’
Beaker
Object type: beaker
Date: 1701 – 1733
Materials: glass
Subjects: putti
A short memoir of the late eminent Shropshire genealogist and antiquary William Hardwick
Object type: book
Date: 1879 – 1879
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing, woodburytype
Location: shropshire
Portret van een onbekende man bij een stoel
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: valenciennes
Artist: raverdy
Artist role: fotograaf
Subjects: adult man, anonymous historical person portrayed
Inscriptions: address: ‘23, rue St. Géry, 23/ VALENCIENNES’
Vijver van Auteuil in het Bois de Boulogne
Object type: stereoscopic photograph
Date: 1860 – 1890
Materials: glass
Techniques: slide
Location: bois de boulogne
Artist: Anonymous
Subjects: lake
Shallow bowl with Ruggiero
Object type: bowl
Date: 1525 – 1525
Techniques: maiolica, glazing
Subjects: helmets,men,profiles

These two footed bowls (see also 65.6.8), or coppe, are part of one of the most striking series of maiolica produced in the 1520s. They were made for an unidentified patron and are painted with busts of illustrious heroes and heroines, ancient and modern. The helmets, in their classicizing style, are comparable to those on ancient coin portraits and on contemporary medals.
Landhuis en poortgebouw met fronton in Frankrijk
Object type: photograph
Date: 1807 – 1884
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: castle, rural housing, e.g. country-house, villa, cottage, gate, entrance, france

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed fragments from kylikes, each with the start of the handle root
Romeinsche Katakomben, Valkenburg
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1927
Materials: cardboard
Techniques: photograph
Location: valkenburg
Artist: Anonymous
Subjects: interior ~ representation of a building, catacombs
Roundel with griffin heads
Object type: roundel
Date: 1 – 200
Materials: silver
Techniques: gilding, inlay
Culture: sarmatian
Location: eurasian steppes
Subjects: griffins
Stamp
Object type: stamp
Date: 1800 – 1883
Materials: enamel, silver
Subjects: men,profiles
Fragments of a terracotta kylix: band-cup
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Animals a: parts of two confronted animals b: head of a bull c: lower rear part of a bull d-f: lower part of bowl, with reserved stripe
Portret van een jonge man met hoed in de hand
Object type: album leaf
Date: 1895 – 1920
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: straatsburg
Artist: louis frohwein
Artist role: fotograaf
Subjects: historical persons, youth, adolescent, head-gear: hat
Inscriptions: number: ‘12656/ [.] 4’
Herders met kudde vee op landweg
Object type: print
Date: 1636 – 1695
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: nicolas de poilly (i)
Artist role: print maker, publisher
Artist dates: 1626 – 1696
Subjects: landscapes, road, path, herd, flock

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Vuë de la mer au soleil couchant
Object type: print
Date: 1745 – 1775
Materials: paper, watercolor
Techniques: brush, etching
Location: france
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., sunset, sea (seascape) (+ landscape with figures, staffage)
Inscriptions: watermark, collector's mark: Lugt 2233
Mannen en vrouwen aan tafel op een feest
Object type: photograph
Date: 1930 – 1950
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, adult man, festivities
Two Market Women
Object type: drawing
Date: 1789 – 1789
Materials: chalk, watercolor
Artist: jacobus perkois
Artist role: artist
Artist nationality: dutch
Artist dates: 1756 – 1804
Subjects: women,fish,baskets
Card Number 136, Fay Templeton, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Glass bowl
Object type: bowl
Date: 51 – 100
Materials: glass
Culture: roman

Translucent cobalt blue. Inverted tubular rim, folded over, out, and down; side bulges outwards, then curves in sharply; outsplayed low base ring with flattened bottom edge; small central kick on bottom with traces of pontil mark. Intact, except for small chip in base ring; some bubbles, striations, and streaky impurities; only very slight weathering.
Ornament met bladeren
Object type: boekillustratie ontwerp
Date: 1910 – 1910
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox, foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910. Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, head and left shoulder of helmeted warrior with round shield and spear
Head of a Man
Object type: drawing
Date: 1718 – 1718
Materials: chalk
Artist: antoine watteau
Artist role: artist
Artist nationality: french
Artist dates: 1684 – 1721
Subjects: heads,men

This expressive sheet is a study for the man's head in Watteau's painting Mezzetin, also in the Museum's collection (34.138). Mezzetin was a character in the popular commedia dell'arte, typically amorous and sentimental. In the Museum's painting, he sits on a stone bench outside a building, playing a guitar and gazing plaintively at an unseen window. The artist placed a female garden statue in the woods behind the Mezzetin, its back turned to the actor, suggesting an unrequited love. In this robust red and black study, Watteau established the angle of the head, the uplifted eyes, and the parted lips that were carried over into the painting. In its emotional force and the melding of the two colors of chalk, this sheet recalls the precedent of Rubens, an artist much admired by Watteau.
The Court of the Great Mogul ('t Hof vanden grooten Mogol)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: animals,architecture,elephants,crowd
Het Laatste Oordeel
Object type: drawing
Date: 1552 – 1609
Materials: ink, paper
Techniques: pen
Artist: federico zuccaro
Artist role: draughtsman, print maker
Artist dates: 1540 – 1609
Subjects: last judgement

Naar een voorstudie voor de schildering in de koepel van de Dom te Florence.
Portret van George V, koning van Hannover
Object type: print
Date: 1851 – 1890
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, king
Portret van Adriana Werner-Droogendijk met haar eerste kind, Catharina Lamberdina (* 1854)
Object type: frame
Date: 1855 – 1856
Materials: copper, glass, paper, wood
Techniques: daguerreotype
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, mother and baby or young child
Embroidered spot sampler
Object type: sampler
Date: 1601 – 1650
Materials: linen, metal thread, silk

Spot samplers feature motifs that are scattered in a seemingly random fashion over the surface of the foundation fabric, usually linen. These samplers are rarely signed or dated, and often include motifs that are only partially worked, leading to the conclusion that this type of sampler was made as a personal stitch reference for its maker, and not for display, as band samplers were signed by student embroiderers. The sampler features geometric spots, many of which are worked as diaper patterns (a pattern that has a regular repeat in all directions). The spots are stitched primarily of green and metal threads.
Fragment pijpenkop
Object type: pipe
Date: 1790 – 1794
Materials: clay
Location: schoonhoven
Artist: nicolaas walter
Artist role: pijpenfabrikant
Subjects: the hague, rotterdam

Fragment pijpenkop met de letters N K W en gekroonde N. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Casting a curse at the hour of the ox (ushi no koku mairi)
Object type: print
Date: 1765 – 1765
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Venezia - Ponte dei Sospiri
Object type: photograph
Date: 1860 – 1881
Materials: photographic support
Techniques: albumen print
Location: venice
Artist: carlo ponti
Artist role: fotograaf
Artist dates: 1820 – 1893
Subjects: prison, jail, palace, bridge
Inscriptions: check stamp: ‘Carlo Ponti Venezia’, negative number: ‘62’

Onderdeel van Topografisch album van Venetië 1881.
Female attendant
Object type: figure
Date: 601 – 700
Materials: earthenware, glaze
Culture: chinese
Subjects: women
Damme
Object type: print
Date: 1654 – 1700
Materials: paper
Techniques: etching
Location: frankfurt am main
Artist: caspar merian
Artist role: print maker
Artist dates: 1627 – 1689
Subjects: fortified city, maps of cities
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Zeiller, Martin. M.Z. Topographia Circuli Burgundici Oder Beschreibung une Eigentliche Abbildung der Vornehmsten Örter in dem Hochlöblichen Burgund- un Niderlandischen Crayse. Frankfurt am Main: Caspar Merian, 1654. Of in: Zeiller, Martin. M. Z. Topographia Germaniae-Inferioris vel Circuli-Burgundici, das ist Beschreibung (…). Frankfurt am Main: Caspar Merian, 1659. Of in een van de twee latere uitgaven van deze publicatie die, hoewel het jaar 1659 erin staat vermeld als jaar van uitgave, zijn uitgegeven in respectievelijk ca. 1670 en ca. 1700.
Portret van Johann Carl Burckhardt
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228
Het Hooge Heemraadschap van de Crimpenre Waard
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: armorial bearing, heraldry

Deel van de wapenrand van de vijfde druk van 'Het Hooge Heemraadschap van de Crimpenre Waard', een wandkaart (bestaande uit een kaart en een wapenrand) van het Hoogheemraadschap van de Krimpenerwaard.
Vrouw aan het koken en een jongeman eet
Object type: print
Date: 1850 – 1863
Materials: paper
Techniques: hand coloring
Location: frankfurt am main
Artist: monogrammist lb (duitsland 19e eeuw)
Artist role: draughtsman, print maker
Subjects: kitchen, cooking food, eating
Inscriptions: collector's mark: Lugt 2228
Handelsmerk van de fabriek van André Desmas in Leiden
Object type: print
Date: 1635 – 1694
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: factory-building, trade mark, trade token, trade sign, trade card
Inscriptions: collector's mark: Lugt 240
Whistle Jar
Object type: whistling jar
Date: 100 – 900
Materials: ceramic
Culture: calima
Location: colombia
Mme Armand Dayot
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Nyonganyonga
Object type: nyonganyonga
Date: 1900 – 1900
Materials: metal, shell, wood
Culture: barwe
Location: mozambique

The nyonganyonga is a lamellaphone, an instrument consisting of thin metal or split cane tongues mounted on a resonating board or box. Depressing the free ends of the tongues with the thumbs produces a gentle ringing sound, sometimes augmented by jingling objects attached to the board. The instrument may be amplified by holding it in a hollow gourd. Tuning is accomplished by sliding the tongues in or out to change their vibrating length. Lamellaphones are distributed across sub-Saharan Africa and were brought to Latin America by enslaved Africans. They are known by many names that also may be shared with xylophones. Most names have word stems that include -mbila -mira -limba or -rima. Westerners, not recognizing differences in construction, have simplified the name to two regional terms, calling them either mbira or sanza.
Christus en de gepersonifieerde ziel aanschouwen een hond die op een steen bijt
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the soul, christ and the soul, dog
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1714, dl. III, p. 147.
Hercules and the Nemean Lion, from "The Labors of Hercules"
Object type: print
Date: 1608 – 1608
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: hercules,lions
De Koninglyke Beurs te Londen
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: exchange, bourse
Inscriptions: collector's mark: Lugt 2228
Het gesprek
Object type: print
Date: 1646 – 1650
Materials: paper
Techniques: etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: female sex; woman, conversation, dialogue; conversation piece, male sex; man
Inscriptions: collector's mark: Lugt 240

Een man en vrouw zijn met elkaar in gesprek in een dorp. De vrouw draagt over haar boerenkleding een huikje.
Graeciae pars meridionalis / Graeciae antiquae tabula nova
Object type: map
Date: 1721 – 1774
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions, column, pillar ~ architecture
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1641a