deem-data/ArtiFact huggingface dataset:
Brief aan anoniem
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: utrecht, otto mengelberg, arend willem maurits odé, designer, sculptor, pier pander, applied arts, arts and crafts; industrial design, distribution of awards ~ art contest
De inneming van 's Hertogenbosch door Frederik Hendrik
Object type: history print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: frederick henry (prince of orange), capture of city (after the siege), den bosch

De inname van 's-Hertogenbosch door het Staatse leger onder Frederik Hendrik, 17 september 1629. Onderdeel van de groep staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti et Amicitiae.
Vignet met keeshond, 1795
Object type: drawing
Date: 1795 – 1795
Materials: paint, paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: dog, alliance with france (1795)
Inscriptions: collector's mark: Lugt 2228

Vignet met een keeshond die door een engel wordt gelauwerd. Bovenaan een roze strik. Onderdeel van een groep van zes getekende vignetten, mogelijk voor chasinetten bij een feest ter gelegenheid van de alliantie met Frankrijk in 1795.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, part of a circumscribed palmette; right buttock, bent right leg, and part of left calf of a dancing male with drapery?
Souvenirs d'une vieille femme. Les trois plus beaux rêves de sa vie
Object type: drawing
Date: 1839 – 1839
Materials: ink, paper
Techniques: brush, pen
Location: spa
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873
Portret van Michael Albertus Francis von Schwan
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving, etching, intaglio
Location: germany
Artist: matthias van sommer
Artist role: draughtsman, print maker
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Volgens Hollstein werd de prent gebruikt voor de publicatie: Sommer, Matthias van. Hasce Omnium Electorum. Regensburg: s.n., 1667. Alhoewel op de titelpagina van de publicatie het jaar 1667 wordt vermeld, zijn meerdere prenten later gedateerd. Waarschijnlijk werd de publicatie pas in 1671 daadwerkelijk uitgegeven.
Ex libris van A.T. Hellberg
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: trees: oak, oil-lamp, sun as celestial body, armorial bearing, heraldry, mountains
Vue de la ville et des forts de Berg-op-Zoom assiegée par l'armée Françoise sous les ordres de Mgr. le Mal. de Lowendalh le 14 Juillet 1747. et prise par assaut le 16. Septembre
Object type: print
Date: 1747 – 1750
Materials: paper
Techniques: etching
Location: france
Subjects: siege, position war, bergen op zoom
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228

Gezicht op het beleg en bombardement van de stad Bergen op Zoom door het Franse leger onder Löwenthal. In het onderschrift de legenda A-Y in het Frans.
Aristoteles en Phyllis
Object type: print
Date: 1483 – 1531
Materials: paper
Techniques: woodcut
Artist: hans burgkmair (i)
Artist role: draughtsman, print maker
Artist dates: 1473 – 1531
Subjects: aristotle and phyllis
Inscriptions: collector's mark: Lugt 240

Aristoteles kruipt op handen en voeten door zijn tuin met Campaspe (Phyllis) op zijn rug. Campaspe maant hem met een hooivork in zijn nek tot bewegen.
10 cent uit Sierra Leone op naam van de Sierra Leone Company, 1796
Object type: coin
Date: 1796 – 1796
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: aanziende leuw in aanvallende houding. Keerzijde: tussen tweemaal het cijfer: 10 twee ineen geslagen handen, de ene blank en de andere gearceerd. In het omschrift waarde-aanduiding: ten cent piece met onderaan het jaaratal. Gladde rand.
Boom met Thomas van Aquino (deel linksonder)
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: etching
Location: rome
Subjects: thomas van aquino, christ crucified on a tree or on a vine, christian doctrine, the dominican theologian, 'angelic doctor' thomas of aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast)
Inscriptions: collector's mark: Lugt 240

De filosoof en theoloog Thomas van Aquino ligt onderaan een boom. Op de stam van de boom de gekruisigde Christus. De vertakkingen van de boom representeren de drie delen van Aquino's 'Summa Theologiae'. Bovenaan in het midden God de Vader en de Heilige Geest als duif. Linksboven en rechtsboven een wapenschild.
Faience workshop refuse
Object type: fragment, clay section
Date: 1802 – 1450
Materials: clay
Techniques: firing
Location: egypt
Origen de kluizenaar in de Nitrische woestijn
Object type: print
Date: 1583 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: withdrawal into the wilderness or desert ~ ascetic life, anchorite, hermit
Inscriptions: collector's mark: Lugt 240

Op de voorgrond Origen de kluizenaar. Hij maakt een hut in de woestijn van Nitra. Andere hutjes met kluizenaars op de achtergrond.
Hand die een voorwerp vastpakt
Object type: sketchbook leaf
Date: 1887 – 1892
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: hand, grasping something

Pagina 30 uit een schetsboek met 17 bladen.
Lakshmana and Sugriva Being Carried by Palanquin to Receive Rama's Blessings: Folio from the dispersed “Mankot" Ramayana series
Object type: folio
Date: 1710 – 1725
Materials: ink, paper, watercolor
Culture: indian
Subjects: bears,men,monkeys

This depiction does not match the regal description of the event in the Ramayana: "Sugriva and Lakshmana mounted the golden litter that shone like the sun andwas supported by a large number of monkeys. A white canopy was spread over Sugriva's head and magnificent fans made of yaks' tails were waived about him. Eulogized by bards, to the sound of conches and trumpets, he set out in regal state." Here, Lakshmana and the monkey king Sugriva are conversing in a palanquin carried by four monkeys to offer allegiance to Rama. Leading the way through the forest are Hanuman and the bear king Jambavan and accompanying monkeys. This page, along with Hanuman before Rama and Lakshmana, is part of a large Ramayana series thought to be from the court studio at Mankot.
Zittende man met wandelstok
Object type: drawing
Date: 1820 – 1830
Materials: chalk, paper
Location: the hague
Artist: Anonymous
Subjects: sitting figure, walking-stick, staff, adult man

Tekeningen waarschijnlijk ontstaan bij het Haagse kunstgenootschap ‘Tot Nut der Tekenkunst’, waar twee keer per week tekenavonden werden georganiseerd met geklede modellen.
Russischer Prospect
Object type: print
Date: 1780 – 1830
Materials: paper, watercolor
Techniques: brush, etching
Location: germany
Subjects: street (+ city(-scape) with figures, staffage), russia
Inscriptions: collector's mark: Lugt 2233

Op de voorgrond rijdt een paardenslee met zeven figuren. Rechtsboven genummerd: 15.
The Drunken Silenus
Object type: print
Date: 1560 – 1609
Materials: silver
Techniques: engraving
Artist: annibale carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1560 – 1609
Subjects: male nudes,silenus,drinking
Cap
Object type: cap
Date: 1830 – 1850
Materials: linen
Equestrian Scene in a City
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: france
Artist: jean baptiste carpeaux
Artist role: draughtsman, print maker, sculptor
Artist nationality: french
Artist dates: 1827 – 1875
Tretes 1915
Object type: photograph
Date: 1914 – 1914
Materials: cardboard, paper
Techniques: gelatin silver print
Location: madura
Artist: frits freerks fontein fz.
Artist role: fotograaf
Artist dates: 1882 – 1928
Inscriptions: caption: ‘Tretes 1915’
Hoekbeslag uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: beslag
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Corner-fitting; fragm, id. NG 1980-27H801: 1 half.
Brief aan Philip Zilcken
Object type: letter
Date: 1929 – 1929
Materials: pencil
Techniques: writing
Location: satigny
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: rembrandt van rijn, painter, draughtsman, philip zilcken, drawing, music, family life, painting (including book-illumination, miniature-painting), architecture
Inscriptions: collector's mark: ‘RPK’
Panel with San Millán
Object type: panel
Date: 1060 – 1080
Materials: glass, ivory
Techniques: inlay
Culture: spanish
Location: spain
Artist: master engelram and his son redolfo
Artist role: artist
Artist nationality: spanish
Artist dates: 1060 – 1095
Subjects: musical instruments,men,sheep,saints

The relics of the sixth-century Spanish saint Aemilian were housed in an ornate shrine crafted of ivory, gold, and gems. We are remarkably well informed about the reliquary, which was made on the occasion of the translation (or transport) of the saint's relics from the monastery of Suso to the church of San Millán de la Cogolla, dedicated in 1067. Although the reliquary was damaged during the Napoleonic invasion of Spain in 1809, we know from a 1601 description that The Cloisters' plaque decorated the roof of the shrine. On it we see the saint tending his sheep in the bottom register, while above he receives a blessing from the hand of God at the top of a mountain. In addition to this plaque, several other ivories from the shrine survive in European and American collections. One, in the State Hermitage Museum, Saint Petersburg, depicts the ivory carver and his assistant in the workshop and bears an inscription that identifies them as Master Engelram and his son Redolfo. Such images of artists were rare in this period, as was the practice of identifying artists by name.
Portail de la Calende, Rouen Cathédral
Object type: photograph
Date: 1852 – 1854
Techniques: glass negative, salted paper print
Artist: edmond bacot
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: architecture,doorways,cathedrals
Woman's Kimono
Object type: woman's kimono
Date: 1801 – 1900
Materials: silk
Culture: japanese
Windmolen achter een hut
Object type: print
Date: 1855 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: windmill in landscape, cottage
Inscriptions: collector's mark: Lugt 2228
Ouderkerk aan de Amstel
Object type: stereograph
Date: 1859 – 1859
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: village, bridge in village across river, canal, etc.
Inscriptions: initials: ‘P.O.’, inscription: ‘foto Pieter Oosterhuis’, inscription: ‘Gephotographiëerd in Julij 1859./ Uitgegeven door A. Jager, Water 110, te Amsterdam.’
Peter and John Healing the Cripple at the Gate of the Temple
Object type: print
Date: 1659 – 1659
Techniques: drypoint, engraving, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: gates,temples,men,saint peter
Button or Bead
Object type: button or bead
Date: 801 – 1000
Materials: bone, iron, paint
Techniques: incising, inlay, tinting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Bijbelse scènes
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: etching
Location: rome
Subjects: the israelites leave their camp to cross the jordan; the priests, carrying the ark, lead the march
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘15’, collector's mark: Lugt 11

Op een blad geplakt met rechtsboven handgeschreven in pen in bruin: 135. Prent uit een reeks van 54 genummerde prenten naar schilderingen in de Loggia van Rafael in het Vaticaan.
's-Hertogenbosch, vroedschapspenning op de vrede van Aken
Object type: council medal
Date: 1748 – 1748
Materials: bronze
Techniques: striking
Location: den bosch
Subjects: den bosch
Portret van Laurent Cunin-Gridaine
Object type: print
Date: 1830 – 1856
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Hampton Court, the Long Palace
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Cartridge Box
Object type: cartridge box
Date: 1571 – 1571
Materials: iron, leather, metal thread, textile
Culture: german
Location: germany
Subjects: lions
Gezichten op Boulogne-sur-Mer
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: beach (as place of recreation), prospect of village, silhouette of village, pier, quay, wharf, public baths - aa - in the open air
Inscriptions: check stamp: Lugt 3977, number: ‘108 /1.25 /25’, collector's mark: Lugt 2228
“- That's quite alright... isn't asphalt a marvellous invention?,” plate 1 from Paris L'hiver
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Portret van Jan Philip van Thielen
Object type: print
Date: 1661 – 1662
Materials: paper
Techniques: engraving
Subjects: mechelen, painter, jan philip van thielen, historical persons, portrait, self-portrait of painter, armorial bearing, heraldry

Prent met tekst op verso gebruikt in: Bie, Cornelis de. Het gulden cabinet vande edele vry schilder-const (...). Antwerpen: Juliaen van Montfort, 1662.
Ring
Object type: ring
Date: 801 – 1100
Materials: gemstone, silver
Location: iran

In medieval Iran, carnelian is popularly found in jewelry owing largely to qualities such as its availability, toughness, and resistance to abrasion. According to al-Biruni, an eleventh-century polymath who wrote an important treatise on gemstones, carnelian was meant to provide courage in battle and cease hemorrhaging on the body. Excavated at Nishapur, this striking ring, therefore would have served as a talisman for its wearer.
Wapenhandelinghe van Roers Musquetten ende Spiessen
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: manoeuvre ~ military training, warfare; military affairs (+ mercenary troops, e.g.: lansquenets), helved weapons, polearms (for striking, hacking, thrusting): lance

Een soldaat, ten voeten uit, op de rug gezien, die een spies (lans) met beide handen horizontaal op neushoogte draagt, zijn rechterhand bij de voet van het wapen, zijn gezicht naar links gewend. Deze prent is onderdeel van de reeks van 32 genummerde prenten van spiesdragers uit de Wapenhandelinghe.
Dish with scene of a woman and children
Object type: dish
Date: 1734 – 1766
Materials: enamel, gold, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: men,women
Broadside with 48 scenes for a game of recreational lottery
Object type: print
Date: 1861 – 1861
Techniques: woodcut
Artist: josé maría marés
Artist role: publisher
Artist nationality: spanish
Artist dates: 1850 – 1870
Subjects: men,women
Toy Cart with Elephant
Object type: sculpture
Date: 100 – 100
Materials: terracotta
Location: west bengal
Jug (Hu)
Object type: jug
Date: 2500 – 2300
Materials: earthenware
Techniques: painting
Culture: chinese
Casta placent superis
Object type: print
Date: 1582 – 1593
Materials: paper
Techniques: etching, letterpress printing
Location: antwerp
Subjects: the elders making advances towards susanna, susanna bathing, usually in or near a fountain and sometimes accompanied by two female servants, the elders are stoned to death ~ story of susanna
Inscriptions: inscription: ‘La chaste Suzanne calomniee par deux infames vieillards’

Een hoftuin met Susanna en de ouderlingen. Susanna, badend bij een fontein in een tuin. De twee ouderlingen komen op haar af. Uit het huis in de achtergrond stromen de bewoners naar buiten om te zien wat er aan de hand is. Rechts twee pauwen, twee kippen en een haan. In de verte worden de twee ouderlingen ter dood gebracht (Dan. 13:7). Met een motto in het Latijn boven de voorstelling en een vierregelig onderschrift in het Latijn onder de prent. De prent maakt deel uit van een album.
Portret van Reginald Pole
Object type: print
Date: 1550 – 1699
Materials: paper
Techniques: engraving, snipping
Artist: Anonymous
Subjects: cardinal, historical persons
Inscriptions: inscription: ‘Ons [...]’
Portret van ds. Petrus Haack
Object type: print
Date: 1789 – 1824
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: jacobus wijsman
Artist role: print maker
Artist dates: 1768 – 1827
Subjects: the hague, berlin, william i of the netherlands, brielle, amsterdam, petrus haack, ceremonial celebration of installation of a ruler, new ruler taking the oath
Inscriptions: collector's mark: Lugt 2228

Portret van ds. Petrus Haack, de predikant die de ceremonie leidde bij de inhuldiging van Willem Frederik, prins van Oranje als souverein vorst in de Nieuwe Kerk te Amsterdam op 30 maart 1814, waar de vorst de eed aflegde op de grondwet.
Kustlijn met paard en wagen
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Location: amsterdam
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: city-view, and landscape with man-made constructions, sailing-ship, sailing-boat, horse, coast, (farm) wagon, freight wagon, cart, sea
Inscriptions: stamp, collector's mark: Lugt 567

Links liggen enkele zeilschepen voor en op de kust, mogelijk te Scheveningen. Rechts rijdt een bemande kar met twee paarden achter een ruiter en enkele wandelaars. Links in de verte ligt een dorp of stad met een kerktoren.
Card Number 15, Miss Southerland, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-6), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the sixth subset, N145-6. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Outline Sketch of a Ship's Stern (from Sketchbook)
Object type: drawing
Date: 1891 – 1891
Materials: gilt, graphite, leather, paper
Techniques: bookbinding
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: ships
Fotoreproductie van een tekening van een jonge vrouw met een lier door Arthur von Ramberg
Object type: page
Date: 1855 – 1862
Materials: paper
Techniques: albumen print
Subjects: adolescent, young woman, maiden, lyre, cithara, psaltery
Man met spade, mogelijk een heiwerker
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: building-site (+ men (labourers)), agricultural implements: spade

Pagina 11 uit een schetsboek met 49 bladen.
Gezichten op diverse kastelen en landschappen
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: castle, landscape with tower or castle

Deze prent maakt deel uit van een album.
(From Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: children,men,women
Albumblad met acht ronde Kodak-foto's in en om Leeuwarden
Object type: photograph
Date: 1897 – 1897
Materials: paper, cardboard
Techniques: gelatin silver print
Location: leeuwarden
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Prins Willem II
Object type: reproduction
Date: 1860 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: sint-petersburg
Subjects: the hague, william ii of the netherlands, prince, historical persons
Inscriptions: inscription: ‘Prins Willem II naar het olieverfportret van Ant. van Dyck/ in het Museum "Hermitage" te St Petersburg.’, inscription: ‘[...] A. van Dyck/ prins Willem II/ [...]’
Bomschuit
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Location: scheveningen
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: sailing-ship, sailing-boat

Blad 14 recto uit een schetsboek met 33 bladen.
Medallion of the Marquis de Lafayette
Object type: medallion
Date: 1800 – 1883
Materials: brass, gilt, shell
Location: france
Subjects: men,profiles,marquis de lafayette
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, legs of male to left, with end of spears; Exterior, feet
Wij, kind'ren u met deze snaken, / En met hun zang en spel vermaken / Ofschoon 't niet door uw ooren dringt, / Wat elk van hun of speelt of zingt
Object type: popular print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: musician, musician - cc - out of doors
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van muzikanten. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 106.