deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, hanging on wall, a sakkos; back of woman's head with sakkos and ponytail
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1918 – 1918
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: willem matthijs maris jbzn
Artist role: print maker
Artist dates: 1872 – 1929
Subjects: the hague, painter, draughtsman, philip zilcken, exhibition ~ art, venice, amsterdam
Inscriptions: collector's mark: ‘RPK’
Fragmenten van gebrandschilderde ruit met vijf wapens
Object type: light window
Date: 1600 – 1600
Materials: glass, lead, pigment
Techniques: leading
Location: germany
Artist: Anonymous

Ruit van gebrandschilderd glas waarin vijf verschillende wapens: drie boven en twee onder. Onder de twee onderste wapens de onderschriften: "Henricus Loning" en "Henriette Weizel".
Twee ontwerpen voor kandelabers
Object type: design drawing
Date: 1835 – 1835
Materials: graphite, ink, paper
Techniques: pen
Location: france
Inscriptions: number: ‘No 172’, signature and date: ‘Bertrand Paraud / 7 May 1835. Opschrift in pen en bruine inkt: hauteur 20 à 22 ~ / Prix, argenté / 200 à 225 ~ / La paire. / l’un ou l’autre / Le modèle à branches / étagées est plus / élevé il porte / environ 22 a 24’

Getekend op de achterzijde van gegraveerd factuurpapier van Bertrand-Paraud (RP-T-2019-350(V)).
Quod caret alterna requie durabile non est: Haec reparat vires, fessaque membra levat
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: diana hunting with her nymphs (+ variant), landscape with ruins - ii - ideal landscapes, resting - bb - out of doors
Inscriptions: collector's mark: Lugt 240

In een landschap rust een groep nimfen uit na de jacht. De jachthonden worden weggestuurd, de pijlen worden opgeborgen of weggehangen. Links zicht op een ruïne.
Okabe, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi)," also known as the Figure Tokaido (Jinbutsu Tokaido)
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Head of Jean-Baptiste Faure (1830–1914)
Object type: painting
Date: 1882 – 1883
Materials: canvas, oil
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: men,portraits

Painted in the winter of 1882–83, this study of the baritone Jean-Baptiste Faure was one of three executed in preparation for a portrait left unfinished when Manet died a few months later. Earlier, Manet had painted a full-length portrait of the singer in the role of Hamlet (Folkwang Museum, Essen), which drew adverse criticism when it was shown in the Salon of 1877; Faure, who owned many paintings by Manet, refused to accept it.
Shoe-Bill, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of the Tropics" series (N5), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Portret van Jacobus Wilk van Imhoff
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: engraving, etching
Subjects: helmet, historical persons, book, piece of sculpture, reproduction of a piece of sculpture, sitting on an elevation
Inscriptions: collector's mark: Lugt 2228
Schaatsers op het ijs en boeren op een weg
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: skates (winter sports), public road
Inscriptions: collector's mark: Lugt 240

Schaatsers op het ijs en boeren op een weg bij huizen. Achtste prent van een serie van zestien.
Gildeprent van het Sint Ewoutsgilde met de H. Ewout een duivel vertrappend
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: insignia of a guild, saints
Inscriptions: collector's mark: Lugt 2228

Mogelijk betreft dit een prent van het Kuipers- of Sint-Ewoutsgilde.
Ordnance survey of Jerusalem : made with the sanction of the Right Hon. Earl de Grey and Ripon, Secretary of State for War / by Charles W. Wilson, under the direction of Henry James
Object type: book
Date: 1865 – 1865
Materials: cardboard, leather, linen, paper, photographic support
Techniques: albumen print, marbled paper, printing
Inscriptions: retailer's mark: ‘ORDNANCE MAPS/ ENGRAVING/ PRINTING/ BOOKS.GLOBES. STATIONERY/ STANFORD,/ 6, Charing Cross,/ LONDON./ ADMIRALTY CHARTS’, annotation: ‘niet compleet:/ Er ontbreken: Foto titelpagina/ Foto 1b/ pag.: 9, 25, 30, 39 t/m 43’, date: ‘JULY/ 1992’
Plate
Object type: ceramic
Date: 1839 – 1839
Materials: ceramic, hard paste porcelain, porcelain
Techniques: gilding
Location: sèvres
Artist: sèvres porcelain manufactory
Artist nationality: french
Artist dates: 1740 –
Feest in tuin van kasteel
Object type: print
Date: 1590 – 1633
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: visiting; receiving guests; elegant company, garden, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Prent naar ontwerp van David Vinckboons.
Shoes
Object type: shoe
Date: 1732 – 1759
Materials: leather, metal, silk
Culture: british

Robustly pattered fabrics were a common choice for the footwear of aristocratic ladies in the late 17th and early 18th centuries. The bold, eye-catching and appealing textile of this pair of latchet shoes creates a luxurious feeling by the combination of velvet and metallic trim. Although the white rand (leather strip along the front edge of the sole) and red heel were not unusual features, here they make an especially pleasing coordination with the fabric of the uppers. While perhaps excessive to modern eyes, the wide metallic ribbon trim on the vamp was a favorite decorative element of the period.
Nagoya in Owari Province, section of sheet no. 4 from the series "Cutout Pictures of the Provinces (Kunizukushi harimaze zue)"
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Frankfurt a. M., Kaiserstrasse
Object type: photograph
Date: 1880 – 1904
Materials: paper
Techniques: albumen print
Location: frankfurt am main
Artist: carl hertel
Artist role: publisher
Artist dates: 1832 – 1906
Subjects: street
Inscriptions: stamp: ‘Photographie/ C. Hertel, Mainz/ grosse Bleiche 50’, inscription: ‘C. Hertel, Mainz. No 536b, Frankfurt a. M. Kaiserstrasse 3.’

Rechts is de fotostudio Atelier van Bosch aan Kaiserstraße 34 te zien.
Wapenschild geflankeerd door allegorische figuren
Object type: print
Date: 1702 – 1767
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: (story of) minerva (pallas, athena), fowl (cock, hen, chicken, etc.) (+ animals used symbolically), holy ghost represented as a dove (in flames) (+ variant), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Een gekroond wapenschild met de beeltenis van drie vissen wordt geflankeerd door Minerva en een allegorische figuur met een boek op schoot. Haar helm is getooid met een haan, symbool van de waaksheid, en haar hand rust op een schild waarop een duif staat afgebeeld, het christelijke symbool voor de Heilige Geest. Onder het wapen staat op een banderol de tekst: Waakt Huybert.
Portret van Bruno van der Dussen
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: mayor, bruno van der dussen, mayor, burgomaster, historical persons

Prent mogelijk uit: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (...). Amsterdam: Johannes Allart, 1795, dl. 17.
Design for Omnibus or Wagonette, no. 3986
Object type: drawing
Date: 1887 – 1887
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Typus Cosmographicus Universalis, Sim. Grynaeus, Novus Orbis, Basileae 1532
Object type: print
Materials: paper
Techniques: woodcut
Location: germany
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Entrée van Parc Monceau in Parijs
Object type: photograph
Date: 1870 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: gate, entrance, public gardens, park
Metamorphoseon sive transformationum
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: italy
Subjects: (story of) mercury (hermes)
Inscriptions: collector's mark: Lugt 240

Mercurius, zwevend op wolken, wordt verliefd op Herse. Herse loopt samen met haar metgezellinnen naar de tempel met vers geplukte bloemen. Titel in het Latijn in ondermarge.
Two Poems
Object type: folding fan mounted a an album leaf
Date: 1500 – 1533
Materials: gold, ink, paper
Culture: chinese
Artist: shen shi
Artist role: artist
Artist nationality: chinese
Artist dates: 1488 – 1565
Subjects: poetry
Kelkglas met geslepen elipsen
Object type: goblet
Date: 1850 – 1875
Materials: glass
Techniques: glassblowing, grinding

Zeshoekige, conische voet, balustervormige stam met een ingesloten luchtbel en twee knopen. Conische, aan de onderzijde afgeronde kelk. Facetgeslepen voet en stam, kelk in ellipsen geslepen.
Wall Pocket
Object type: ceramic
Date: 1750 – 1750
Materials: stoneware
Techniques: salt glaze
Location: staffordshire
Exercise of Arms
Object type: book
Date: 1608 – 1608
Materials: copper, paper, parchment
Techniques: bookbinding, engraving
Location: netherlands
Artist: jacob de gheyn ii
Artist nationality: dutch
Artist dates: 1565 – 1629
Potpourri bowl with cover (one of a pair)
Object type: potpourri bowl with cover
Materials: gilt bronze, hard paste porcelain
Subjects: flowers

Japanese porcelains with French mounts from the mid-eighteenth century are less common than mounted Chinese porcelains of the same period. Porcelains from Japan were sometimes chosen for mounting in silver in the first part of the century, but it seems that within several decades Chinese porcelains embellished with gilt bronze became the preferred choice of European collectors. Not only are surviving examples of mounted Chinese porcelains more numerous than their Japanese counterparts but the former appear with greater frequency in eighteenthcentury auction catalogues and inventories. These covered porcelain bowls were produced at Arita, in southwestern Japan, in the late seventeenth century. Their decoration displaying highly stylized vegetation and rock work is in the Kakiemon style, named after a family of potters working in Arita whose wares were commonly painted in a palette dominated by red, deep blue, turquoise, and yellow. The appearance of these bowls has been transformed by the addition of giltbronze mounts in the full-blown Rococo style. The design of the mounts incorporates sinuous C-shaped scrolls, elongated acanthus leaves, and bulrushes, and the asymmetrical upward curve of the cover mount imparts the sense of movement that characterizes the best Rococo design. The cartouche-shaped openings in the gilt-bronze rim that separates the cover from the bowl suggest that these pieces were used as containers for petals, herbs, and spices to scent the air, but it is likely that they were intended primarily to be decorative. They would have been viewed as important works of art, and both their imposing size and the high cost of the Japanese porcelain and the mounts would have signaled the owner’s elevated financial status.
11 p.m., from the series "Twenty-Four Hours at Shinyanagi (Shinyanagi nijuyoji)"
Object type: print
Date: 1880 – 1880
Techniques: woodblock print
Location: japan
Artist: tsukioka yoshitoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1839 – 1892
Gezicht in Amsterdam, mogelijk het Beurspleintje tijdens de afbraak
Object type: drawing
Date: 1912 – 1912
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: square, place, circus, etc., civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2228, workshop stamp: Lugt 291d
Slapende jachthonden
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: etching
Location: amsterdam
Artist: karel du jardin
Artist role: draughtsman, painter, print maker
Artist dates: 1626 – 1678
Subjects: hunting dogs
Inscriptions: collector's mark: Lugt 2228a
Portraits of men of eminence in literature, science, and art, with biographical memoirs, dl.4
Object type: book
Date: 1866 – 1866
Materials: cardboard, paper, linen
Techniques: albumen print, letterpress printing
Location: london
Kuiper aan het werk in zijn werkplaats
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: etching
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: handicrafts, craftsman at work, wooden container: barrel, cask, bucket, workshop-interior
Inscriptions: collector's mark: Lugt 2228
Twee foto's van het Parthenon op de Akropolis van Athene
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Location: athens
Artist: Anonymous
Subjects: ruin of a building ~ architecture, temple, shrine ~ greek religion
Inscriptions: inscription: ‘Parthenon’

Deze foto's maken deel uit van een album.
Anne d'Autriche
Object type: print
Date: 1816 – 1831
Materials: paper
Techniques: engraving
Location: paris
Artist: jean bonvoisin
Artist role: print maker
Artist dates: 1752 – 1837
Subjects: paris, anna van oostenrijk (koningin van frankrijk), historical persons, queen
Inscriptions: collector's mark: Lugt 2228
Vrouw aan een waterkant met bomen
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photoaquatint
Location: united states
Subjects: adolescent, young woman, maiden, river bank
Portret van Mathias Stephani op 40-jarige leeftijd
Object type: print
Date: 1650 – 1685
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een tekening van Theodor Körner na een overval in het bos
Object type: page
Date: 1860 – 1875
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: drawing, sketch, forest, wood, being attacked; defence
Inscriptions: inscription: ‘Kunze, Kaufmann aus Leipzig./ NACH DEM ÜBERFALL IM WALDE BEI KITZEN/ am 19. Juni 1813.’
Madonna
Object type: painting, miniature
Date: 1674 – 1674
Materials: cardboard, glass, gouache, oil, tin, wood
Subjects: 'mater dolorosa'
Inscriptions: signature and date: ‘WP 74’

Madonna. Halffiguur van Maria, met gevouwen handen, naar rechts opziend. Naar een origineel van Guido Reni.
Haven van La Goulette
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: etching, intaglio
Artist: vicomte arthur-jean le bailly dinghuem
Artist role: print maker
Artist dates: 1839 – 
Subjects: sailing-ship, sailing-boat, pier, quay, wharf
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van twaalf prenten.
Table snuffbox
Object type: table snuffbox
Date: 1745 – 1750
Materials: niello, shell, silver
Techniques: engraving, gilding
Artist: jacques de lajoüe
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1761
Subjects: triton

The niello, a preeminently important Russian technique of decorating silver, follows the print Naufrage by Jacques de Lajoue (1687–1761), published in Paris in 1736 and integrated into a pattern book. A copy was in Catherine's extensive library. The exuberant wave and shell-like rocaille formations perfectly illustrate the Central European Rococo style, referring to the turban snail's origins in the exotic Indo-Pacific Ocean. Related turban-snail cases bearing Chinese inscriptions document that they were imported into Russia from China, where they originally served as ceremonial wine cups.
Bospad in de herfst
Object type: sketchbook leaf
Date: 1916 – 1916
Materials: paper, pencil, watercolor
Techniques: brush
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: forest path or lane
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 62 recto uit een schetsboek met 72 bladen.
Medewerkers van de Wolseley Motor Company in de Ward End Works, de fabriek in Birmingham
Object type: photograph
Date: 1932 – 1932
Materials: paper
Techniques: gelatin silver print
Location: birmingham
Artist: f.r. logan
Artist role: fotograaf
Subjects: automobile, birmingham
Inscriptions: address: ‘33 GT: CHARLES ST. B'HAM.’
Plaque: Sphinx with Cartouche/Maatkare Flanked by Feathers
Object type: decorative art
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: sphinxes, feathers, hieroglyphs, pharaohs
Inscriptions: Obverse: "The good god Maat-ka-Re"
Reverse: "Maat-ka-Re"
Portret van Ahasver Fritsch op 42-jarige leeftijd
Object type: print
Date: 1672 – 1673
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: ahasver fritsch, gloves, mittens, etc., historical persons, portrait of a writer, book

Prent waarschijnlijk uit: Fritsch, Ahasver. Manuale Jurisprudentiae publicae. Jena: Johann Bielcke, 1672. Of uit: Fritsch, Ahasver. Tractatus de Jure ac Statu Pagorum Germaniae. Jena: Johann Bielcke, 1673.
Portret van Willem Bilderdijk
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: amsterdam, haarlem, print maker, draughtsman, willem bilderdijk, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of left forearm, hand, and knee? of figure to right
Capriccio: The Lagoon
Object type: painting
Date: 1770 – 1770
Materials: canvas, oil, paint
Techniques: painting
Location: italy
Artist: francesco guardi
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1793
Subjects: lagoons, tents, boatman, boats, trees, ruins, men, figures, poverty, water
Briefkaart aan Pieter Haverkorn van Rijsewijk
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: hilversum
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: pieter haverkorn van rijsewijk
Inscriptions: collector's mark: ‘RPK’
Tweemaal dezelfde boerin met opgeheven arm, op de rechterzijde gezien
Object type: print
Date: 1621 – 1624
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: farmers - aa - female farmer, farmer's wife

Een boerin, de rechterarm in een wijzend gebaar opgeheven, op de rechterzijde gezien, tweemaal afgebeeld: rechts als lijnfiguur, links meer uitgewerkt met schaduwpartijen. Op de achtergrond twee figuurtjes en drie koeien. Deze prent is onderdeel van een serie van 16 prenten (15 volgens Lieure; 17 resp. 16 incl. titelprent) met mannen en vrouwen in diverse houdingen. Mogelijk zijn deze prenten bedoeld geweest als tekenvoorbeelden.
Rennende hond
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: etching
Artist: pierre-françois le roy
Artist role: draughtsman, painter, print maker
Artist dates: 1771 – 1862
Subjects: dog
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Model Saw from a Foundation Deposit
Object type: saw, model, tool, senenmut
Date: 1479 – 1458
Materials: bronze, copper alloy, wood
Location: egypt
Gezicht op een straat met figuren
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: etching
Artist: h. becker
Artist role: print maker
Subjects: street
Inscriptions: collector's mark: Lugt 2228

Mogelijk gaat het om een straat in Antwerpen.
Vision of the True Cross appearing to St. Helen
Object type: drawing
Date: 1795 – 1836
Materials: chalk, graphite
Artist: william young ottley
Artist role: artist
Artist nationality: british
Artist dates: 1771 – 1836
Subjects: women,cross,saints

Saint Helen, mother of Emperor Constantine, is seated on a low cushioned stool and looking toward a cross enveloped in light. This compositional study illustrates the discovery of relics related to Christ’s Crucifixion. Ottley is remembered as a scholar and a connoisseur, but he was also an accomplished artist, living in Italy from 1791 to 1799 and carefully recording fresco cycles by Giotto and other masters. He certainly knew Renaissance renditions of the Legend of the True Cross; the present drawing is not a copy but an imaginative rethinking of the subject. In style and treatment of anatomy it recalls drawings at the British Museum, where Ottley served as keeper of prints and drawings, and the dynamic pose is indebted to representations of the ancestors of Christ on Michelangelo’s Sistine Chapel ceiling.
Kerkuitgang, Staphorst
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph, hand coloring, writing
Location: staphorst
Subjects: leaving the church after service
Inscriptions: postage stamp
Sketches of five statues:  Love, Aristides, Putto with a Cat, Psyche, and Putto with a Dog
Object type: drawing
Date: 1850 – 1850
Materials: graphite, ink
Techniques: pen
Artist: john gibson
Artist role: artist
Artist nationality: british, born wales
Artist dates: 1790 – 1866
Subjects: men,cats,dogs