deem-data/ArtiFact huggingface dataset:
Praalbed van Willem IV
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: the hague, willem iv (prins van oranje-nassau), lying in state
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Achterzijde van de zaal met het praalbed van prins Willem IV. Aan weerszijden van het bed kandelaren met wapens en skeletten. Onderdeel van de serie van vier platen van het praalbed waarop de op 22 oktober overleden prins Willem IV gedurende de maanden november en december van het jaar 1751 opgebaard heeft gelegen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Vorstelijke lijkstaties.
il lit les poètes a l'etalage des bouquinistes
Object type: drawing
Date: 1890 – 1928
Materials: paper, pencil, watercolor
Techniques: brush
Artist: alcide théophile robaudi
Artist role: painter
Artist dates: 1850 – 1928
Subjects: book-stall, kiosk, boy (child between toddler and youth), literary characters and objects, newspaper, news-sheet
Inscriptions: annotation: ‘page 63 il lit les poètes a l'etalage des bouquinistes’, collector's mark: Lugt 2228, collector's mark: Lugt 4779

Ontwerp voor een boekillustratie voor: 'Toute une jeunesse' door François Coppée, voor het eerst uitgegeven in 1890.
Koning Leeuw ontvangt de pruik van oom Cassander
Object type: drawing
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: nelly bodenheim
Artist role: designer, draughtsman, print maker
Artist dates: 1874 – 1951

Omringd door de papegaai, zijn hofnar, de vos, zijn eerste minister en zijn lakei de aap ontvangt Koning Leeuw van de ekster de pruik van oom Cassander als geschenk van Vogel Rok.
Au pays de la discipline
Object type: photomechanical print
Date: 1887 – 1892
Materials: paper
Techniques: photograph
Artist: r. koehler
Artist role: fotograaf
Subjects: riding a horse, ass, or mule; rider, horseman, adult man, horse, dog
Inscriptions: inscription: ‘Le muete impériale allemande’
Brougham #3823a
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Allegorische voorstelling met man in wapenrusting
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni battista sintes
Artist role: print maker
Artist dates: 1680 – 1760
Subjects: romulus and remus are washed ashore and suckled by a she-wolf; 'lupa romana', horn, trumpet, cornet, trombone, tuba, historical persons
Inscriptions: collector's mark: Lugt 2228

Een man gekleed in wapenrusting, mogelijk Lodewijk Rudolf van Brunswijk-Wolfenbüttel. Rechts een zittende vrouw met oorlogsattributen. Boven hen blaast een engel op een trompet, waaraan een doek hangt met een afbeelding van Romulus en Remus met de zogende wolvin.
Rowel Spur (Right)
Object type: spur
Date: 1500 – 1500
Materials: metal alloy
Culture: german or hungarian
Location: hungary

In the 15th century, rowel spurs with very long necks were of common use in western Europe. At this period, the elevated war saddles and the very specific riding style, with long stirrup leathers and legs extended forward, had the consequence of taking away the rider’s feet from the horse’s flank. Thus, these long necks gave them easier access without having to disturb the rider’s position.
Piece
Object type: piece
Date: 1701 – 1800
Materials: linen, silk
Equivalent
Object type: photograph
Date: 1927 – 1927
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: Unmarked recto; inscribed verso, on second mount, upper left, in graphite: 178 B

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Sampler
Object type: sampler
Date: 1797 – 1797
Materials: cotton, silk
Subjects: houses,trees
Poenitentiae Sacramentum
Object type: print
Date: 1712 – 1786
Materials: paper
Techniques: engraving, etching
Location: venice
Subjects: the seven sacraments of the roman catholic church, confession; 'confessione sacramentale' (ripa) ~ the third of the seven sacraments
Inscriptions: collector's mark: Lugt 240

Het sacrament van de biecht. Een rij vrouwen staat in de rij om te biechten bij een geestelijke in een biechtstoel.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, part of arm or leg?; Exterior, frontal calf and foot of a fallen male
Buffetkast, kast en tafel
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage, table

Een buffetkast, lage kast en ovale tafel in de Lodewijk XV-stijl. Prent uit 291e Livraison.
Saint Matthew
Object type: statuette
Date: 1700 – 1700
Materials: terracotta
Subjects: putti,saint matthew
Saint Ita (of Toggenburg), from "The Habsburg Saints"
Object type: print
Date: 1516 – 1518
Techniques: woodcut
Artist: leonhard beck
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1542
Subjects: birds,books,trees,saints,insignia
Amber from bow of a fibula (safety pin)
Object type: fibula or amulet
Date: 700 – 501
Materials: amber
Culture: etruscan

Too heavy to be worn in life, this piece of amber from a fibula may have been made for burial with the deceased.
Cornelio Musso, Franciscan, Bishop of Bitonto 1544, d. 1574
Object type: medal
Date: 1500 – 1599
Materials: bronze
Artist: Anonymous
Artist role: artist
Tankard
Object type: tankard
Date: 1700 – 1730
Materials: silver
Culture: american
Location: united states
Artist: benjamin wynkoop
Artist role: maker
Artist nationality: american
Artist dates: 1675 – 1751

The smooth, flat covers of early New York tankards were ideal venues for decorative engraving. Here, period ornament surrounds an interlaced monogram of the script initials “JD” for the original owner, Jonas Douw (ca. 1655-1736). The tankard’s body is engraved with a cartouche of leafy mantling surrounding the coat of arms and crest used by the Douw family. The tankard’s provenance is remarkably complete, and its successive owners include some of Albany’s best-known colonial families. Jonas’s son Petrus Douw (1692-1775) married Anna van Rensselaer (1696-1756) in October 1717, thereby uniting the Douws with one of Albany’s most prosperous families. The initials of Petrus and Anna are engraved on the handle of the tankard.
Mitaine van witte gestreepte katoen
Object type: glove
Date: 1880 – 1900
Materials: cotton
Techniques: embroidered
Location: western europe
Artist: Anonymous

Linkermitaine van witte gestreepte katoen. Op de rug drie geborduurde slingerlijnen.
Seated Prophet or Evangelist Writing
Object type: drawing and watercolor
Materials: chalk, gouache, ink, paper, paint, watercolor
Techniques: brush, heightening, pen, wash
Location: italy
Artist: giuseppe porta
Artist nationality: italian
Artist dates: 1520 – 1575
Le Parc du Chateau (Furnishing Fabric)
Object type: textile
Date: 1783 – 1783
Materials: cotton
Techniques: weave, printing
Location: jouy-en-josas
Artist: jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
Gezicht van een jonge vrouw, in profiel
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adolescent, young woman, maiden, face (+ sideview, profile)

Blad 5 recto uit schetsboek III met 36 bladen.
Glass spacer bead
Object type: bead
Date: 1 – 33
Materials: glass
Culture: roman

Translucent cobalt blue and opaque white. Plano-convex oval with thin white layer as backing to blue. Pierced vertically with two small holes. Three ribs in high relief. Complete except for two chips in edge, and internal cracks; dulling and slight weathering.
Portret van een zittende man met boek
Object type: carte de visite
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: nottingham
Artist: walter clayton
Artist role: fotograaf
Artist dates: 1833 – 1893
Subjects: sitting figure, historical persons
Inscriptions: inscription: ‘W. Clayton/ Artist & Photographer/ Grey Hound Street/ Long Row/ facing exchange corner/ Nottingham’
H. Theresia met een boek voor een altaar
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: engraving
Location: france
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: the foundress of the reformed (discalced) carmelites, t(h)eres(i)a of avila; possible attributes: angel, arrow, dove, heart (flaming or pierced by an arrow)
Inscriptions: collector's mark: Lugt 240

Tweede staat gebruikt voor: Cureau de la Chambre, Pierre. Panégyrique de sainte Thérèse prononcé devant la reine en l'église des Carmélites de la rue du Boulloy. Parijs: Jean-Baptiste Coignard, 1678.
Sword
Object type: arm
Date: 1401 – 1433
Materials: cord, iron, metal, steel, wood
Culture: european
Location: europe
Terracotta fragments of a psykter (vase for cooling wine)
Object type: psykter fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

One fragment has the legs of a male to right; the second fragment has a hand protruding from drapery, and also bears an inscription, ANDRON
David Elwood "Dave" Rowe, Manager and Center Field, Denver, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Venus schenkt Aeneas zijn wapenrusting
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: etching, intaglio
Location: italy
Artist: pietro testa
Artist role: draughtsman, painter, print maker
Artist dates: 1611 – 1650
Subjects: venus hands over the armour to aeneas, river personified, 'fiumi' (ripa), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Venus schenkt Aeneas de wapenrusting die Vulcanus voor hem heeft gemaakt. Een harnas hangt links in een boom en een schild, helm en zwaard worden door putti aan Aeneas gepresenteerd. Rechts een riviergod.
Portret van Justus von Liebig
Object type: print
Date: 1873 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: germany
Artist: Anonymous
Subjects: chemistry (+ portrait of scholar, scientist), historical persons
Verscheyde schoone en vermaakelyke gezigten, in de Hofstede van Clingendaal gelegen by 's Gravenhage
Object type: print
Date: 1706 – 1767
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden, greenhouse, orangery, garden pond
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Op de voorgrond een houten poort met een doorkijk naar de vijver en de orangerie op landgoed Clingendael te Den Haag. Bij de poort een elegant gezelschap. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland.
See 07.228.215
Object type: jug fragment
Date: 1295 – 1070
Materials: silver
Location: egypt
Schroefdoppen uit het wrak van de Oost-Indiëvaarder Princesse Maria
Object type: screwcap
Date: 1670 – 1686
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: princesse maria (schip), verenigde oostindische compagnie

Ronde tinnen schroefdoppen voor een kelderfles, zwart gecorrodeerd. Screw cap.
Vaas met putto op deksel
Object type: ornament print
Date: 1606 – 1657
Materials: paper
Techniques: engraving, etching
Location: france
Inscriptions: number: ‘11’

Onderaan staat: Mr. le President Boisot.
Portret van Willem III, prins van Oranje
Object type: print
Date: 1688 – 1725
Materials: paper
Techniques: mezzotint
Location: england
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: collector's mark: Lugt 963

Portret van Willem III met een kroon. Hij staat in een vertrek met in zijn rechterhand een scepter en in zijn linkerhand de rijksappel. In de ondermarge zijn naam en titels.
Relation, De la Glorieuse Victoire, remportée par l'Armée des Alliés sous le Commandement de S.A. le Pr. & Duc de Marlborough, & S.E. le Velt-Maréchal d' Ouwerkerk: contre l'ARmée des deux Couronnes, commandée par S.A.E. le Duc de Baviere, & Mr. le Maréchal de Villeroy, à Ramaillé le 23 de May 1706
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: lyon, paris, françois de neufville (hertog van villeroy), maximiliaan ii emanuel (keurvorst van beieren), john churchill (1e hertog van marlborough), battle (+ land forces)

De slag bij Ramillies tussen de Geallieerden onder de hertog van Marlborough en de Heer van Ouwerkerk en de Fransen en Spanjaarden onder de keurvorst van Beieren en de hertog van Villeroy, 23 mei 1706. Centraal een voorstelling en een situatiekaart van de veldslag, aan weerszijden teksten in het Frans en Nederlands.
Incense Burner
Object type: incense burner
Date: 1101 – 1200
Materials: brass
Techniques: casting, chasing
Location: iran
Subjects: birds

Incense was widely used in the medieval Islamic world. At receptions and special events, servants would waft the guests with the aromatic smoke emanating from the openwork of the incense burner and sprinkle them with drops of scented water. This bird‑shaped incense burner represents a class of metalwork that would have been sold at market. Birds figure prominently in the decorative repertoire of the Seljuq period, and were probably associated with good fortune.
Dubbele aggele uit Delft
Object type: inhoudsmaat droge waren
Date: 1800 – 1800
Materials: wood
Location: delft
Artist: Anonymous
Subjects: delft
Inscriptions: title: ‘Delft<BR />Een halve Aggelen’, title: ‘de Delft 1/2 Boisseau<BR />28’, mark: ‘N’

Spanen inhoudsmaat voor droge waren van een dubbele aggele, gemerkt en v.z.v. etiketten.
Figure of a seated boy
Object type: figure
Date: 1573 – 1619
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: china
Artist: Anonymous

Beeld van porselein, beschilderd in onderglazuur blauw. Een zittende jongen (zotje). Blauw-wit.
Gezicht op San Remo
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: san remo
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: number: ‘1990 [?]’
Landschap met een grote boom in Rhenen
Object type: sketchbook leaf
Date: 1878 – 1878
Materials: chalk, paper
Techniques: stumping
Location: rhenen
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: trees, forest, wood, rhenen
Inscriptions: annotation: ‘Rhenen’, date: ‘4 Juni 78’

Pagina 11 uit een schetsboek met 23 bladen.
Portret van Sarah Bernhardt als Doña Maira de Neubourg in Ruy Blas
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Subjects: paris, sarah bernhardt, interior ~ representation of a building
Inscriptions: inscription: ‘Du 3 au 10 Juillet 1873’, number: ‘No 7’
Little Greengrocer's Shop, Chelsea
Object type: print
Date: 1886 – 1886
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Interior, part of an inscription ATHEN[A]
S. Frédéric, évêque et martyr (St. Frederick, Bishop and Martyr), July 18th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Djed pillar amulet
Object type: amulet, djed pillar
Date: 664 – 380
Materials: gold
Twee bloembollen
Object type: drawing
Date: 1880 – 1930
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: flowers: hyacinth
Inscriptions: :, collector's mark: Lugt 2228a, number: ‘2’

Twee bloembollen, vermoedelijk van een hyacint.
Portret van Johannes Wtenbogaert
Object type: print
Date: 1624 – 1670
Materials: paper
Techniques: etching
Artist: jacob van loo
Artist role: painter, print maker
Artist dates: 1614 – 1670
Subjects: the hague
Inscriptions: collector's mark: Lugt 2228

Portret van de predikant Johannes Wtenbogaert. Aan het eind van de zestiende eeuw werd hij hofpredikant van stadhouder prins Maurits.
Candlestick
Object type: candlestick
Date: 1790 – 1800
Materials: silver
Techniques: glassblowing
Location: england
Poort van het kasteel Assemburg
Object type: drawing
Date: 1898 – 1898
Materials: paper, pencil
Artist: jan striening
Artist role: draughtsman
Artist dates: 1827 – 1903
Subjects: switchback, scenic railway, castle
Inscriptions: date: ‘21 Aug 98’
Crown
Object type: crown
Date: 1801 – 1900
Materials: copper alloy, enamel, gilt, glass
Culture: french
Subjects: crowns
Hairpin
Object type: hairpin
Date: 1368 – 1644
Materials: silver gilt, pearl
Culture: chinese
Portret van Florent Willems
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: printing block, woodburytype
Subjects: liège, florent willems, adult man, historical persons
Surrey Institution, plate 81 from "Microcosm of London"
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: crowd

Intended to encourage a knowledge of science, music and literature, the Surrey Instituion was founded by private subscription in 1807, modeled on the Royal Institution which had been in existence since 1799. Suitable premises were found in the Rotunda Building, south of the Thames, close to the Surrey side of Blackfriars Bridge. Joseph T. Parkinson was employed to renovate the decayed structure, and the results were a lecture hall that seated 500 (seen here), lending library and reading room, chemical lab, collection of philosophical apparatus and committee rooms. These opened in May 1808, shortly before the publication of Rowlandson and Pugin's print, with the costs borne by 458 subscribing members who each contributed 30 pounds. By 1810 the library contained 5000 volumes, but enthusiasm waned and the organization dissolved in 1823.
Polizan en Dalmatie
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: fortress

Gezicht op de vesting van Polizan in Dalmatië (Kroatië). Plaat nr. 196 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans. Blad uitgeknipt en opgeplakt.
Man met een fluit
Object type: print
Date: 1625 – 1709
Materials: paper
Techniques: engraving
Subjects: adult man, flute, aulos, tibia
Inscriptions: : ‘De fluijt gaet soet, tgeluijt is eel/ Maer heer hoe klinckt een out wijfs keel’

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 1, p. 20.
Germanicus ontrolt een papier
Object type: print
Date: 1783 – 1788
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paper (writing material), (story of) germanicus

Volgens Muller werden de prenten uit deze serie door verschillende prentmakers in 1783 gemaakt naar de kleine schilderijen van Grandjean te Rome, en in 1788 uitgegeven. De prent wordt ook ingebonden gevonden in: Winter, Lucretia Wilhelmina van. Germanicus in Zestien Boeken. Amsterdam: Pieter Meijer, 1779.
Ring with Large Purple Oval-Shaped Stone in Plain Mount
Object type: ring
Date: 701 – 933
Materials: gold, stone
Culture: indonesian, javanese
Portret van Maria van Utrecht
Object type: print
Date: 1758 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maria van utrecht
Inscriptions: collector's mark: Lugt 2228

Portret van Maria van Utrecht, echtgenote van Johan van Oldenbarnevelt, op 63-jarige leeftijd.
Bacchus ontmoet Ariadne op Naxos
Object type: print
Date: 1618 – 1674
Materials: paper
Techniques: etching
Location: genoa
Subjects: bacchus finds ariadne on naxos, (story of) ariadne and bacchus, bacchanal: bacchus with his wine-flushed train (thiasos)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De originele drukplaat wordt bewaard in de Calcografia Nazionale te Rome (inv.nr. 1051). Naar een schilderij door Titiaan in de National Gallery in Londen.
Aankondiging van de veiling van een tjalk bij de Beur van Berlage
Object type: photomechanical print
Date: 1906 – 1906
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: stock exchange, stock-market, amsterdam
Inscriptions: collector's mark: Lugt 1461b

Onderwerpsrubriek binnen de Atlas Amsterdam: B. Beurs op het Damrak.