deem-data/ArtiFact huggingface dataset:
Portret van Giotto
Object type: book illustration
Date: 1675 – 1679
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: sculptor, giotto de bondone, historical persons, portrait, self-portrait of painter

Prent uit: Sandrart, Joachim von. Teutsche Academie der Edlen Bau- Bild- und Mahlerey-Künste (...). Neurenberg: Jakob von Sandrart, [1675-1679], dl. 1, p. 60.

Latere staat van de prent gebruikt in: Sandrart, Joachim von. Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben. 14 dln. Neurenberg: erven Johann Andreas Endter, [1774], dl. 7, p. I.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 222.
The Church of San Giacomo di Rialto, at right Palazzo dei Dieci and the bridge of Rialto
Object type: print
Date: 1763 – 1763
Techniques: etching
Artist: giovanni battista brustolon
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1796
Anatomische studie van het hoofd, de neus en de tong
Object type: book illustration
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: head (internal) (+ front view), nasal cavity, mouth and throat cavity, mouth wide open (+ front view), skin (human)
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Bidloo, Godefridus. Anatomia humani corporis centum & quinque tabulis, per art. G. de Lairesse ad vivum delineatis, de monstrata, veterum recentiorumque inventis explicata plurimisque, hactenus non detectis, illustrata. Amsterdam: Weduwe Joannes van Someren, Hendrick Boom en erven Dirk Boom, 1685.
Amice
Object type: religious ritual object
Date: 1601 – 1700
Materials: cord, gilt, metal, textile, silk
Techniques: embroidery, cutting, embroidered, interlacings, weave, stitching
Location: spain
Subjects: vestments
Jongetje met hoed
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching
Location: leiden
Artist: jacobus ludovicus cornet
Artist role: draughtsman, print maker
Artist dates: 1815 – 1882
Subjects: head-gear, male infant
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1de Proef’

Een jongetje met een hoed. Buste naar links.
Mortar on Carriage
Object type: arm
Date: 1753 – 1753
Materials: bronze, iron, wood
Culture: german
Location: nuremberg
Portret van Filips IV, koning van Spanje
Object type: print
Date: 1652 – 1678
Materials: paper
Techniques: etching
Location: antwerp
Subjects: filips iv (koning van spanje)
Inscriptions: collector's mark: Lugt 2228
Dancing Man
Object type: statuette
Date: 1534 – 1566
Materials: bronze
Subjects: men,dancing
Portret van Prins Willem van Oranje
Object type: print
Materials: linen, paper, varnish
Techniques: chromolithography, oleograph
Location: den bosch
Subjects: the hague, william ii of the netherlands, historical persons
Inscriptions: inscription: ‘C. Kruseman f. in 't hoofdkwartier 's Hertogenbosch 1831’

Portret van Prins Willem van Oranje, borststuk naar links, in uniform met een onderscheidingsteken aan de kraag. Zonder hoofddeksel. Rode kraag en goudkleurige knopen en epauletten.
RAVENNA - Emilia. Chiesa di S. Apollinare Nuovo. L'Interno.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: basiliek van sant'apollinare nuovo
Subjects: parts of church interior: nave, parts of church interior: choir
Inscriptions: collector's mark: Lugt 3937, number: ‘P.e I.a N.o 18056.’
Portret van Willem II, prins van Oranje
Object type: photomechanical print
Date: 1850 – 1949
Materials: paper
Techniques: photograph
Location: netherlands
Artist: Anonymous
Subjects: william ii (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Fontaine des innocents
Object type: print
Date: 1840 – 1842
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: ernest jaime
Artist role: print maker
Artist dates: 1802 – 1884
Subjects: market, square, place, circus, etc. (+ city(-scape) with figures, staffage), ornamental fountain (+ city(-scape) with figures, staffage)

Prent uit: Philipon, Charles ed. Parys en deszelfs omstreken, voorgesteld door de daguerréotype, onder toezigt van M. Ch. Philipon. Bewerkt naar het Fransch met de oorspronkelyke platen. Amsterdam: Elix & Co., 1840-1842. Deze uitgave is in delen uitgegeven en kon uiteindelijk tot een boek worden ingebonden.

Dit is de Nederlandse uitgave van: Philipon, Charles ed. Paris et ses environs reproduits par le daguerréotype, sous la direction de M. Ch. Philipon (…). Parijs: Aubert & Cie, 1840.

Gevouwen blad met lithografie en drie tekstpagina's (p. 14-16).
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 434 – 368
Materials: terracotta
Culture: greek, attic

Interior, part of head of draped youth to left; Exterior, part of ground line
Portrait of Emperor Charles V
Object type: print
Date: 1519 – 1519
Techniques: etching
Artist: daniel hopfer
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1536
Subjects: birds,men,profiles
Rubbing of Monkeys
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: cambodian
Subjects: monkeys
Model of a section of an armoured turret
Object type: demonstration model
Date: 1862 – 1862
Materials: wood
Location: flushing

The process of converting large sailing ships into floating artillery batteries led to a stream of innovations. One example is this armoured turret, from behind which riflemen could safely fire their weapons at the enemy.
Festoen van schelpen en zeedieren
Object type: print
Date: 1665 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous

Kopie naar festoen uit de serie Prima Pars Praecipuarum.../ Het Eerste Deel Van de voornaemste Statuen ende Cieraten.../ La Premier Partie....
Study of Plants
Object type: photograph
Date: 1900 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: eugène atget
Artist role: fotograaf
Artist dates: 1857 – 1927
Subjects: flowers, paris

Eugène Atget is one of the best-known photographers to document Paris in the 20th century. He photographed countless streets, interiors, lampposts, and other street furniture. Less known are his studies of plants – taken in and outside of Paris. After Atget’s death in 1927, his
photographs of a vanished Paris secured his reputation as one of the most important and beloved figures in the history of photography.
Catalogusomslag met bladeren en bloemen
Object type: print
Date: 1811 – 1896
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: flowers, trees (+ leaf)
Inscriptions: collector's mark: Lugt 2233

Catalogusomslag voor een tentoonstelling van tekeningen van Theo van Hoytema. Twee kaders met bladeren en bloemen.
Piece from a Kosode with Chrysanthemums
Object type: piece from a summer kosode katabira
Date: 1615 – 1868
Materials: fiber, silk
Techniques: embroidery, weave
Culture: japanese
Subjects: flowers
Teapot in the form of a pineapple
Object type: teapot with cover
Date: 1750 – 1770
Materials: earthenware
Techniques: glazing
Artist: whieldon type
Artist role: maker
Subjects: fruit
Portret van een vrouw
Object type: photograph
Date: 1865 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: haarlem
Artist: jan george mulder
Artist role: fotograaf
Artist dates: 1816 – 1895
Subjects: historical persons - bb - woman
'A Mother's Blessing'
Object type: painting
Date: 1844 – 1844
Materials: canvas, oil
Artist: moritz calisch
Artist role: draughtsman, print maker
Artist dates: 1819 – 1870
Subjects: family group, especially parents with their child(ren), parental blessings and admonitions
Inscriptions: signature and date: ‘M. Calisch fec.t 1844’

Een meisje knielt bij haar moeder en ontvangt haar zegen. Achter haar staat de vader. Naast de moeder een spinnewiel.
Flight into Egypt
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, tinting, wash
Location: italy
Artist: attributed to cornelis bisschop
Artist nationality: dutch
Artist dates: 1630 – 1674
Filips II, koning van Spanje, rekenpenning van de rekenkamer van Holland te 's-Gravenhage
Object type: jeton
Date: 1561 – 1561
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: philip ii of spain, the hague

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: vijf wapenschilden binnen omschrift
Gig #3507
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Figuren bij een toegangspoort met daarop een lijst met de tarieven
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: adult man, gate, entrance, horse, mother and child(ren), woman and child(ren) (family group)
Zoutlepel, schepvormig met gegraveerde steel en ovaal op de punt
Object type: salt spoon
Date: 1400 – 1950
Materials: silver
Location: the hague
Artist: jan pieter barbier
Artist role: jeweler

Vier zoutlepeltjes van zilver. Schepvormig met gegraveerde steeltjes, op de punt een ovaal. Merk: Den Haag (onleesbaar), meesterteken I.P.B. (toegeschreven aan Jan Pieter Barbie(r)). Genummerd A t/m D.
Regels van het biljartspel, ca. 1780-1790
Object type: text sheet
Date: 1780 – 1790
Materials: paper
Techniques: letterpress printing
Location: rotterdam
Artist: jan hendriksen
Artist role: bookseller, printer, publisher
Subjects: billiards
Inscriptions: collector's mark: Lugt 2228

Tekstblad met de spelregels voor verschillende soorten biljartspelen. Tekst in drie kolommen. Onderdeel van een groep van kinder- en gezelschapsspelen gedrukt in de periode ca. 1750-1850.
Pierre à Béranger, Glacier de Léchaud, près Chamonix. (Savoie)
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: haute-savoie
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: glacier, rock-formations
Inscriptions: number: ‘29.’
The Virgin holding the infant Christ, an oval composition, after Reni
Object type: print
Date: 1600 – 1640
Techniques: etching
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: madonna and child

Copy in reverse with small dots in between rays of Virgin's halo and with a brick-like pattern surrounding the oval image.
Cup with Repeated Spotted, Curved Line Motif
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Vaas van aardewerk, versierd met palmetmotieven in blauw, groen, geel en oranje.
Object type: vase
Date: 1910 – 1910
Materials: earthenware, glaze
Location: arnhem
Inscriptions: mark: ‘haan, waaromheen de letters ARNHEM binnen een veelhoek en ARNHEM en 38 met een doorsneden Z in blauw.’

Vaas van aardewerk, versierd met palmetmotieven in blauw, groen, geel en oranje.
Portret van Cornelis Danckerts de Ry
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Subjects: historical persons, portrait, self-portrait of architect, compass
Plate 26, from Landscapes with Scenes from the Old and New Testament and Ovid’s Metamorphoses
Object type: print
Date: 1574 – 1574
Materials: ink, paper
Techniques: etching
Location: belgium
Artist: hans bol
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1534 – 1593
Inscriptions: Lettered lower right: "26"
Eye Cover
Object type: costume and accessory
Materials: jade
Location: china
Carl Theodor Ottmer
Object type: print
Date: 1814 – 1875
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: berlin, historical persons, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2228
The Priest's House, Rouen
Object type: print
Date: 1894 – 1895
Materials: ink, paper
Techniques: scraping, stumping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Havenpoort te Harlingen
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: engraving, etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: harbour, ships (in general) - cc - more than one ship, city-gate, harlingen

Prent waarschijnlijk uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave. Alle prenten in deze publicatie zijn gemaakt door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis. Latere staat uitgegeven door Maaskamp als onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden.
Plaque with female figure
Object type: plaque with female figure
Date: 900 – 100
Materials: gold
Culture: etruscan
Subjects: women

Thin gold plate embossed with female figure.
Book cover with red geometric and flower pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Saddle-back, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Song Birds of the World" series (N23), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Gezicht op kasteel Radboud in Medemblik
Object type: print
Date: 1825 – 1925
Materials: paper
Techniques: letterpress printing, engraving
Artist: arnoldus cornelius verhees
Artist role: print maker
Artist dates: 1859 – 1929
Subjects: castle
Fabriek en schip
Object type: album leaf
Date: 1929 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: suriname
Artist: Anonymous
Subjects: opencast mine; strip mining, exterior of industrial structures, factories, steamship, motorship, suriname

Albumblad met twee foto's: gezicht op het fabriekscomplex en een vrachtschip (Britt-Marie). Onderdeel van het album van de familie Guilonard over de bauxietwinning in Moengo en Albina in Suriname in de jaren 1929-1930.
Beeld van Mozes in de San Pietro in Vincoli in Rome
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: san pietro in vincoli
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘414’, inscription: ‘Edizione inalterabile’

Onderdeel van Fotoalbum van een reis door Zuid-Europa en het Midden-Oosten.
A Hunter Stalking a Lion in the Mountains of North Africa
Object type: drawing
Date: 1849 – 1849
Materials: charcoal, pastel
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Engelse hulp aan de opstandelingen
Object type: jeton
Date: 1586 – 1586
Materials: silver
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: greenwich, koningin, elizabeth i tudor (koningin van engeland), tachtigjarige oorlog
Harpspelende David
Object type: drawing
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: david as musician, usually playing the harp, harp (+ artist at work)

Voorstudie voor het schilderij 'David en Saul' dat zich in het Groninger Museum bevindt.
Child Drawing or Writing
Object type: drawing
Date: 1649 – 1649
Materials: chalk, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘Har[men] t.Borch. naet leve[n] de[n] 23.Decembr 1649’

The children in the Ter Borch family learned how to draw at a young age at home. Little Harmen too had a flair for this. He made this drawing ‘naet leve’ (from life) on 23 December 1649 – he was then a mere eleven years old. The sitter is probably his younger brother Moses, who rests his feet on a foot stove while writing or drawing.
Brabant,  Jan I, sterling
Object type: coin
Date: 1268 – 1294
Materials: silver
Techniques: striking
Location: brussels

Voorzijde: in een punt uitlopend wapenschild met leeuw, waaromheen omschrift. Keerzijde: lang dubbellijnig kruis, in de hoeken letters B,R,V en X. Daaromheen omschrift.
Cuneiform cylinder: inscription of Esarhaddon
Object type: cuneiform cylinder
Date: 680 – 669
Materials: clay
Culture: assyrian
Location: mesopotamia
Fietsende acrobaten op het toneel
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: acrobat ~ circus, bicycle

Vooraan zit een acrobate op de schouders van een fietsende man. Vooraan toeschouwers en de dirigent in de orkestbak. Blad 10 verso uit schetsboek V met 33 bladen.
Koninkrijk Holland, gulden, 1808
Object type: coin
Date: 1808 – 1808
Materials: bronze
Techniques: striking
Location: utrecht
Artist: louis napoleon (king of holland)
Artist role: koning
Artist dates: 1778 – 1846

Bronzen munt. Voorzijde: zes-regelig opschrift met naam Salneuve. Keerzijde: zes-regelig opschrift, waaronder jaartal. Randschrift. Proefslag in brons ter grootte van gulden met randschrift volgens het systeem van Salneuve.
Venus de' Medici in de Galleria degli Uffizi te Florence
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: albumen print
Location: galleria degli uffizi
Subjects: (story of) venus (aphrodite), permanent exhibition, museum, sculpture
Inscriptions: collector's mark: Lugt 3937, name: ‘Alinari’, number: ‘2040.’
Gate of Elvira, Granada
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Twee havenarbeiders lossen een vrachtschip
Object type: documentary photograph
Date: 1940 – 1950
Materials: photographic support
Techniques: photography
Subjects: netherlands

Twee havenarbeiders, gekleed in broek en wit hemd, lossen een vrachtschip.
Vestingwerken van Mons
Object type: print
Date: 1875 – 1878
Materials: paper
Techniques: etching
Artist: léon dolez
Artist role: print maker
Artist dates: 1837 – 1902
Subjects: city-view, and landscape with man-made constructions, village-gate
Inscriptions: collector's mark: Lugt 2228
Drawing of Sasanian rock relief: Shapur I (r. A.D. 241-272) and members of his court at Naqsh-i Radjab, southern Iran
Object type: drawing
Materials: ink, paper, pencil
Culture: qajar
Location: iran
Artist: lutf-'ali shirazi
Artist role: artist
Artist nationality: iranian
Subjects: men,horses
De vier seizoenen
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: etching
Location: london
Subjects: winter, 'hyems'; 'inverno' (ripa), head-gear: cap (+ women's clothes), neck-gear: collar (+ women's clothes), clothes, costume (+ women's clothes), gloves, mittens, etc. (+ women's clothes), muff (+ women's clothes)
Inscriptions: collector's mark: Lugt 240

Staande vrouw met mof en masker als personificatie van de Winter.
Genji roku no hana
Object type: print
Date: 1854 – 1854
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: animals,women,flowers,trees
Terracotta oil lamp
Object type: lamp
Date: 301 – 500
Materials: terracotta
Culture: roman, cypriot
Subjects: bulls

Vessberg Type 18. Unpierced handle. Mold-made. Discus: victorious racehorse running left and wearing ornate collar, flanked to either side by herringbone wreath. Above bull: indistinct letters; below bull: indistinct letters. Two large filling holes at top and bottom. On shoulder, vine tendril with stylized bunches of grapes. On undefined, slightly concave base, in relief Greek letters: EYTYXHTOC. Broken and repaired; top of handle missing and chip in wick hole. Some limy encrustation on underside.
Filips II van Croy, markies van Aarschot
Object type: jeton
Date: 1527 – 1527
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: brussels, earl

Koperen penning met gat erin. Voorzijde: gekroond wapenschild binnen omschrift. Keerzijde: ruitvormig wapenschild binnen omschrift
Groepje van drie kinderen
Object type: drawing
Date: 1872 – 1931
Materials: chalk, paper
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: child
Man met vuurpot van faience
Object type: figure
Date: 1750 – 1780
Materials: faience
Location: delft
Artist: Anonymous

Man met vuurpot van faience. Veelkleurig beschilderd.
Inspiratie
Object type: photograph
Date: 1865 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: haarlem
Subjects: amsterdam, jacob van lennep, inspiration of the poet; 'furore poetico' (ripa)
Inscriptions: signature: ‘Jozef Israels’, check stamp: ‘Ch. B & C.’
Geboorte van Adonis
Object type: print
Date: 1577 – 1581
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: birth of adonis: the tree splits open to release the baby; the naiads take care of him
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Adonis, de zoon van Myrrha en haar vader Cinyras, wordt geboren uit de stam van een boom. Zijn moeder werd tijdens haar zwangerschap namelijk op haar eigen verzoek in een mirreboom veranderd. De nimfen van het woud helpen bij de geboorte. De prent heeft een Latijns onderschrift en maakt deel uit van een serie over Adonis' leven.