deem-data/ArtiFact huggingface dataset:
Table screen, converted to a wall panel
Object type: table screen
Date: 1801 – 1900
Materials: marble, wood
Culture: chinese
Artist: ruan yuan
Artist role: artist
Artist nationality: chinese
Artist dates: 1764 – 1849
Subjects: mountains
Bobsleigh
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard, photographic process
Techniques: writing
Location: switzerland
Artist: Anonymous
Subjects: snow, small sleigh (winter sports), switzerland
Inscriptions: postage stamp
Morning dress
Object type: morning dress
Date: 1844 – 1844
Materials: wool
Culture: british
G 26. Graf eener vrouw, hare sieraden overreikend (Hegeso). Oude begraafplaats, Athene
Object type: photomechanical print
Date: 1890 – 1893
Materials: cardboard, paper
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, gravestone, tombstone
Inscriptions: stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, check stamp: ‘Bristol/ L.M.’, title: ‘G 26. Graf eener vrouw, hare sieraden overreikend (Hegeso)./ Oude begraafplaats, Athene.’, number: ‘4’

De overleden Hegeso, dochter van Proxenos, staat haar sieraden af aan haar bediende. Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze fotomechanische afdruk is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Design for 2 seat Park Phaeton, no. 3971
Object type: drawing
Date: 1886 – 1886
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Righteousness (Gi), from the series "Five Designs for the Katsushika Poetry Circle (Katsushika goban)"
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Les Singuliers et Nouveaux Portraicts... page 41 (recto)
Object type: book print ornament architecture
Date: 1588 – 1588
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: women,coat of arms

Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. Title page for Part II of the book. Title is printed in black and is framed inside of a rectangle at the center of the page. Central rectangle is surrounded by a border decorated with a coat of arms at the top center that is flanked on either side by an ornamented piece of textile held up by a winged putto. At the bottom of the left and right sides of the border are 2 women who sew textile designs.
A notre epoux et père bien-aimé
Object type: sepulchral monument
Date: 1900 – 1960
Materials: porcelain
Techniques: porcelain photography
Location: france
Artist: Anonymous
Subjects: gravestone, tombstone, historical persons not known by name
Inscriptions: inscription: ‘A notre/ Epoux/ et Père/ bien-aimé’
Spitsovaalvormige kousinzet van kloskant met bloemenmand
Object type: kousinzet
Date: 1911 – 1911
Materials: silk
Techniques: lace
Location: geraardsbergen
Artist: Anonymous

Kousinzet van zwarte kloskant: Chantilly-kant. Spitsovaalvormig model. Het patroon bestaat uit een bloemenmand met linten, die tot in de punt van de kousinzet hangen. De motieven zijn gemaakt in netslag met dikkere contourdraden. Ze zijn met elkaar verbonden door een zeshoekige traliegrond, een tulegrond. Als siergrond is spaarzaam een rozengrond toegepast. Langs de omtrek van de kousinzet is een randje in netslag gemaakt, die aan binnen en buitenzijde is afgewerkt met een dikkere contourdraad.
Portret van Johannes Bugenhagen
Object type: print
Date: 1775 – 1840
Materials: paper
Techniques: engraving
Artist: ernst ludwig riepenhausen
Artist role: print maker
Artist dates: 1765 – 1840
Subjects: theologian, historical persons
Trekkerbeugel van een pistool uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pistol
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pistol, trigger guard; id. NG 1978-54H1651.
Blekerijen achter een vaart
Object type: watercolor
Date: 1820 – 1872
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: cleaning of material by bleaching, bleaching (laundering)
Inscriptions: inscription: ‘Agter Zandhoeven’
Fig. 58 'De Linaria' in De Boodts herbarium van 1640
Object type: text sheet
Date: 1640 – 1640
Materials: ink, paper
Techniques: letterpress printing
Location: bruges
Artist: anselmus boëtius de boodt
Artist role: draughtsman
Artist dates: 1550 – 1632

Beschrijving bij Fig. 58 op p. 115 in: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Parasol
Object type: parasol
Date: 1801 – 1900
Materials: silk, fiber
Culture: american or european
The Martyrdom of Saint Stephen
Object type: drawing and watercolor
Date: 1660 – 1660
Materials: ink, paper
Techniques: pen
Location: italy
Artist: pietro da cortona (pietro berrettini)
Artist role: artist
Artist nationality: italian
Artist dates: 1596 – 1669
Fragment riemgesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Rectangular, ring, spindle eroded, id. NG 1980-27H2852, belt buckle.
Paris. Opéra / The Opera
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: rotogravure
Location: paris
Artist: Anonymous
Subjects: opera house
Inscriptions: collector's mark: ‘AFE v S’
Verschillende voorstellingen
Object type: popular print
Date: 1828 – 1913
Materials: paper
Techniques: letterpress printing, line block, engraving
Location: netherlands
Artist: Anonymous
Subjects: ships (in general), office (~ administration), royal palace of amsterdam
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van verschillende aard, waaronder een intocht, het Paleis op de Dam, de overwintering op Nova Zembla en een gehavend schip. Onder elke afbeelding een onderschrift. Onder de eerste afbeelding het onderschrift: Huur- en verhuurkantoor. Genummerd rechtsboven: No. 7.
Huntsman's knife
Object type: huntsman's knife
Date: 1701 – 1800
Materials: silver, steel, wood
Mt. St. Victoire by Cézanne
Object type: photomechanical print
Date: 1925 – 1948
Materials: cardboard
Techniques: autotype
Location: washington d.c.
Subjects: prospect of village, silhouette of village, mountains
The Last Defenders of Missolonghi, 22 April 1826: an episode from the Greek War of Independence
Object type: painting
Date: 1826 – 1826
Materials: oil, paint, panel
Artist: joseph-denis odevaere
Artist role: painter, print maker
Artist dates: 1778 – 1830
Subjects: seeking death, suicide, the defeated (after the battle)
Inscriptions: signature and date: ‘J. Odevaere 1826’

De laatste verdedigers van Missolonghi (Mesolongi), 22 april 1826: episode uit de Griekse vrijheidsoorlog. De overgebleven inwoners van de stad staan op het punt zichzelf met vaten buskruit op te blazen. Enkele mannen omhelzen elkaar, een hogepriester richt een pistool op een vat met buskruit, rechts een hond. Rechts bovenaan de trap de naderende Turkse soldaten.
La dame blanche II acte scene 3
Object type: stereograph
Date: 1867 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: group of actors, troupe; actors on the stage, paris
Wilhelmina van Pruisen en haar kinderen rijden Den Haag binnen
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Subjects: the hague, berlin, william i of the netherlands, draughtsman, wilhelmina of prussia (princess of orange), louise (prinses van oranje-nassau), willem george frederik (prins van oranje-nassau), public festivities at other royal events, not meant or mentioned above, human being(s) drawing or pushing a vehicle not usually propelled by manpower

Wilhelmina van Pruisen en haar drie kinderen rijden de stad binnen in een koets die getrokken wordt door een groep burgers van Den Haag. De stoet wordt voorafgegaan door een groep militairen. Het volk staat langs de weg en verwelkomt de vorstin.
Portret van Reinhard Bake
Object type: print
Date: 1607 – 1657
Materials: paper
Techniques: engraving
Artist: monogrammist ab (17e eeuw)
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, date
Kanonikessen
Object type: print
Date: 1865 – 1874
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: torch, nun(s)

De prent is zonder het adres van C.W. Mieling gebruikt in: Hofdijk, W.J. De klooster-orden in Nederland. Haarlem: A.C. Kruseman, 1865. En in de editie van 1874.
Anna Muller as donor with her five sons
Object type: panel
Date: 1599 – 1599
Materials: glass
Artist: franz fallenter
Artist role: artist
Artist nationality: german
Artist dates: 1550 – 1616
Subjects: men,women,horses
Queen Anne spice box
Object type: spice box
Date: 1750 – 1750
Materials: wood
Culture: american
Location: united states
Hoofden van mannen met uitheemse hoofddeksels
Object type: drawing
Date: 1500 – 1525
Materials: ink, paper
Techniques: brush, pen
Artist: jacopo ripanda
Artist role: draughtsman

Blad uit serie met hoofden van mannen met uitheemse hoofddeksels op blauw en paars geprepareerd papier.
Else Mauhs
Object type: photograph
Date: 1900 – 1959
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: amsterdam, historical persons - bb - woman
Smallsword
Object type: smallsword
Date: 1775 – 1775
Materials: gold, silver, steel, textile, wood
Culture: french
Location: france

By the early seventeenth century, the rapier, a long slender thrusting sword, began to dominate as the gentleman’s weapon of choice. During the course of the century, however, as civilian fencing techniques became more specialized and refined, the rapier developed into a lighter, trimmed-down weapon known by about 1700 as the smallsword. Smallswords, often richly decorated, remained an integral part of a gentleman’s wardrobe until the wearing of swords in civilian settings went out of fashion at the end of the eighteenth century, at which time pistols were replacing swords as arms most frequently used in personal duels. The majority of smallsword hilts are made of silver or steel, but many also employ a wide variety of luxurious materials, such as gold, porcelain, and enamel. At their best, smallswords combine the crafts of swordsmith, cutler, and jeweler to create an elegant weapon that was also a wearable work of art.
Vermaaklyk kinderspel
Object type: popular print
Date: 1831 – 1854
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: children's games and plays, fishing (sports), (flying a) kite, games using special objects (marbles, top, hoop, etc.)
Inscriptions: collector's mark: Lugt 2760

Blad met 36 voorstellingen van kinderspelen en bezigheden, zoals hoepelen, vliegeren en vissen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 23.
Casket with Erotes and Animals
Object type: casket
Date: 1101 – 1200
Materials: bone, copper, silk
Techniques: lining
Culture: byzantine or italian
Location: adriatic sea
Subjects: animals,children,musicians

In scenes recalling antiquity, two panels on the lid of this casket show erotes (nude children), fighting (left) and playing music (right). The style of the animals represented on the four sides suggests that the carving was done by Italian artists drawing on Byzantine models.
Advertentie voor Chr. Sanatorium voor Zenuwlijders te Zeist
Object type: album leaf
Materials: paper
Techniques: printing
Location: netherlands
Artist: Anonymous
Subjects: advertising

Deze pagina maakt deel uit van een album.
Avond: herder bij herberg in rots
Object type: print
Date: 1660 – 1666
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., inn, coffee-house, public house, etc., rocks, evening ~ other concepts
Inscriptions: collector's mark: Lugt 240

Herder zittend op muilezel drinkt glas leeg terwijl het beest staat te plassen voor een herberg in een rots. Een groepje mannen drinkt en rookt aan een tafeltje voor een rotswand. Prent nummer 3 uit serie van vier prenten met tijden van de dag.
Vase in Meiping Shape
Object type: vase
Date: 1767 – 1833
Materials: coral, glaze, porcelain
Culture: chinese
Musketkogels uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: musketkogel
Date: 1700 – 1743
Materials: stone, lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Putto met lauwerkrans en loftrompet
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, drypoint, engraving, roulette, lithography
Location: netherlands
Subjects: crowning with laurel, fame; 'fama', 'fama buona', 'fama chiara' (ripa), cupids: 'amores', 'amoretti', 'putti'

Putto, met lauwerkrans en loftrompet in de handen. Wellicht een personificatie van de faam. Deze prent maakt deel uit van een album.
Collar
Object type: collar
Date: 1848 – 1860
Culture: american
Honor praemium virtutis
Object type: bookplate
Date: 1841 – 1912
Materials: paper
Techniques: engraving
Artist: charles william sherborn
Artist role: print maker
Artist dates: 1831 – 1912
Subjects: (story of) neptune (poseidon), foliage ~ ornament, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Hafted Ax with Moko-Style Face
Object type: ax
Date: 500 – 300
Materials: bronze
Culture: indonesian
Arita-ware Kakiemon Octagonal Dish
Object type: vessel
Date: 1801 – 1933
Materials: enamel, porcelain
Location: japan
Portret van de heer Doncieux verkleed als Guignol
Object type: page
Date: 1803 – 1891
Materials: photographic support
Techniques: albumen print
Location: lyon
Artist: Anonymous
Subjects: actor (on the stage)
Stencil
Object type: stencil
Date: 1801 – 1900
Materials: paper
Culture: japanese
Subjects: fans
Three Turks and an Italian gentleman standing to right, men work on small boats in center, a fortress to left in the background, from "Set of eight nautical landscapes" (Suite de huit Marines)
Object type: print
Date: 1639 – 1639
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,working,boats
Young man in a velvet cap (Petrus Sylvius?)
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Subjects: youth, adolescent
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Mogelijk een portret van Petrus Johannes Sylvius.
Border
Object type: border
Date: 1600 – 1600
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Mme Duvall-Melchisédech
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: adult woman, historical persons
Boerenkop
Object type: drawing
Date: 1928 – 1928
Materials: chalk, paper
Location: amsterdam
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Inscriptions: inscription: ‘Aan Mr. B. Kist.’, signature and date: ‘Henriët / 1928’

Titel zoals die wordt gegeven in: Th. de Vries en J.Q. van Regteren Altena, Henriët (1946), pl. 25
Portret van Maria II Stuart, koningin van Engeland en Schotland
Object type: print
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland), trees: olive-tree (+ sprig, twig)
Inscriptions: stamp: ‘FOTO’

Buste van Maria Stuart in ovaal. Boven het ovaal het wapen van Willem III tussen twee vrouwenfiguren met bazuinen. Onder het ovaal de naam van de voorgestelde met haar jaartallen tussen twee treurende vrouwenfiguren. Onder de afbeelding een vierregelig Frans gedicht.
Portret van H. Hinlopen
Object type: photograph
Date: 1862 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: haarlem
Subjects: historical persons
Inscriptions: inscription: ‘CHs BINGER & Cie/ Zylstraat, HAARLEM’
Witte pioenroos in de regen
Object type: print
Date: 1878 – 1882
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Artist: shibata zeshin
Artist role: print maker
Artist dates: 1807 – 1891
Subjects: flowers
Stanstead from the Lea
Object type: photograph
Date: 1880 – 1889
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Exterieur van de abdijkerk van Saint-Ouen in Rouen
Object type: album leaf
Date: 1901 – 1901
Materials: paper, photographic support
Techniques: albumen print
Location: rouen
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal, church (exterior), parts of church exterior and annexes: tower

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Portrait of Théodore Ballu
Object type: drawing
Date: 1842 – 1842
Materials: graphite
Artist: isidore pils
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1875
Subjects: men,portraits,smoking,pipes
Rank Badge with Peacock
Object type: rank badge
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: peacocks,clouds
Journal des Dames et des Modes, Costumes Parisiens, 1823, (2147): Chapeau de tissu de coton (...)
Object type: fashion print
Date: 1823 – 1823
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: eyeglasses, spectacles, fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Chapeau de tissu de coton, imitant la paille. Robe d'étoffe de Lyon, garnie de rouleaux et de feuilles de satin.’

Staande vrouw gekleed in een japon van 'étoffe de Lyon' gegarneerd met een rouleaux en gebladerte van satijn. Op het hoofd een hoed van een katoenen stof, imitatie van stro. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Terracotta fragments of an amphora (jar)
Object type: amphora fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

The larger fragment has in the panel, part of a chariot to right and 4 tails and legs of horses to right; the smaller fragment has in the panel, one leg of a horse to right, and a dog wearing a collar
Tronende Maria omringd door heiligen en donoren
Object type: print
Date: 1604 – 1608
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: madonna: i.e. mary with the christ-child (+ donor(s), supplicant(s), whether or not with patron saint(s)), mary enthroned (+ donor(s), supplicant(s), whether or not with patron saint(s)), madonna: mary sitting or enthroned, the christ-child in her lap (or in front of her bosom) (mary sometimes represented half-length) (+ donor(s), supplicant(s), whether or not with patron saint(s))
Inscriptions: collector's mark: Lugt 2228

Tronende Maria met kind, omgeven door heiligen en donoren. Links de heilige Lucia met ogen op een schaal en rechts de heilige Catharina met haar rad. Rechts op de voorgrond de heilige Fransicus met de stigmata.
John Dryden
Object type: print
Materials: paper
Techniques: aquatint
Location: france
Artist: jean-baptiste de grateloup
Artist role: painter, print maker, sculptor
Artist nationality: french
Artist dates: 1735 – 1817
Fruit dish (compotier carré) (one of six) (part of a service)
Object type: fruit dish
Date: 1780 – 1780
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers
The Tear of Gratitude
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: united states
Artist: thomas moore
Artist nationality: american
Artist dates: 1834 – 1840
String of 27 Eye Beads
Object type: necklace, bead
Date: 600 – 201
Materials: glass
Location: egypt

Mosaic glass beads had long been popular in Egypt. The period of large intercontinental empires beginning about 500 BC initiated a period of widespread trade of these small items. These are all modern stringings; most ancient stringing patterns are lost as the string decays.
Gezicht op een façade van vermoedelijk een paleis in Rome
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: façade (of house or building), rome
Sardonyx cameo fragment with Hercules tying up Cerberus
Object type: cameo, fragment
Date: 100 – 100
Materials: gemstone
Culture: greek or roman
Subjects: male nudes,hercules

Sardonyx cameo fragment with Hercules tying up Cerberus.
Voxenkollen
Object type: ansichtkaart, prentbriefkaart
Date: 1909 – 1909
Materials: cardboard
Techniques: photograph
Location: oslo
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, public road
Inscriptions: date

Prentbriefkaart maakt deel uit van een album.