deem-data/ArtiFact huggingface dataset:
Medal with Portrait of Caligula in the 6th Book, from Tibère ou les six premiers livres es Annales de Tacite Traduits par M. l'abbé de la Bléterie Professeur d'Eloquence au Collège Royal et de l'Académie Royale des Inscriptions et Belles-lettres. A Paris de l'Imprimerie Royale
Object type: print
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: animals,birds,men,profiles
The Swiss Room
Object type: period room
Date: 1682 – 1684
Materials: wood

The carved and inlaid paneling of the walls and ceiling came from Flims, an Alpine village in the canton of Grisons in eastern Switzerland. The "Schlössli" or little castle, was built in 1682 by Johann Gaudenz von Capol (1641–1723), an eminent member of the leading family of Flims, who represented his country in Italy, Austria and England (he was created a baronet by King William III), and served prominently in local government. His coat of arms, consiting of an arrow, is displayed in the center of the ceiling, next to a tower, the arms of his wife, Amalie von Schorsch. They died without heirs, and the Schlössli" subsequently passed to the Salis-Seewis family. The carving has been attributed to master Thaddäus Acker of Feldkirchen, who is noted as "joiner to Governor Gaudenz of Capol" in a parish record. The decorative elements of the carving combine local tradition with motifs derived from the Italian Renaissance. The caryatid figures portray native men and women, as well as Turks and a Moor who personify the fear of a Turkish invasion, widespread in central Europe at the time. These figures flank reliefs carved with fantastic animals. The panels representing Danäe in a cartouche over the door, and Fortune with a sail on the back of the door are taken from late Renaissance prototypes. The "Schlössli" now serves as a parish house for the village of Flims. The room or "reichestube", which lay behind the windows below the painted sun-dial in the photograph, was removed from Flims in 1884, and was bought by the Metropolitan Museum in 1906 from the Kaiser Friedrich Museum in Berlin.
Drie putti en een engel met banderol
Object type: muziekblad
Date: 1864 – 1864
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: notation of music, cupids: 'amores', 'amoretti', 'putti', angels
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Déposé à Bruxelles’

Prent uit: Cecilia, journal mensuel de musique d'église 18 (1864), nr. 1.
Cylinder seal
Object type: cylinder seal, personal name
Date: 2960 – 2770
Materials: ivory
Location: egypt
Document bij penning A.W.L. Tjarda van Starkenborgh Stachouwer
Object type: document
Date: 1986 – 1986
Materials: ink, paper
Techniques: folding, printing
Location: zeist
Subjects: politician, dutch east indies, the

Document met eerbetoon aan A.W.L. Tjarda van Starkenborgh Stachouwer als laatste gouverneur-generaal van Nederlands-Indië. Tweezijdig gedrukt in bruin op crèmekleurig papier en 2 maal gevouwen.
Petticoat panel
Object type: panel
Date: 1751 – 1775
Materials: cotton
Techniques: dyeing, painting, resist
Subjects: birds,men,women,dogs,horses,rabbits,flowers,carriages

The primary goal of the Dutch East India Trade Company and its English equivalent (established in 1597 and 1600, respectively) was the acquisition of pepper and spices in Malaysia, but the Indian painted and dyed cottons used for subsequent foreign barter also generated excitement at home. Introduced perhaps by accident during the seventeenth century, the fabrics fascinated European consumer's, who had no local equivalent that could compete for brightness, variety, and fastness of color at relatively low cost. The designs were achieved by repeatedly painting with mordants and resist dyeing the cloth for each color and shade. Experts at customizing exports, Indian chintz makers had manufactured specific designs for their earlier trading partners in the Near East, Africa, and Asia. Similarly, designs were developed to meet the needs of individual European markets and to appeal to regional tastes. This type of pattern, with lively and anecdotal figural compositions—from a semimilitary parade to couples visiting and dining—was intended for the Dutch market. It found particular favor in the northern Netherlands province of Friesland and especially in the town of Hindelopen, where it would most likely have been everyday wear for a wealthy farmer's wife.
Tassel
Object type: tassel
Date: 1801 – 1900
Materials: metal thread
Verschillende schepen serie F
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: ships (in general)
Inscriptions: collector's mark: Lugt 2228

Een Keulenaar of Samoreus vanaf de zijkant gezien. Enkele figuren zijn bezig om goederen van de Keulenaar op twee kleinere boten te laden. Deze prent maakt deel uit van een serie van twaalf prenten met verschillende zeilschepen.
Gezicht op Hôtel de Vendôme te Parijs
Object type: album leaf
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching, hand coloring
Location: frankfurt am main
Subjects: hôtel, i.e. small palace in city, paris

Prent origineel vervaardigd als boekillustratie voor: Zeiller, Martin. Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Frankreich, 13 delen. Frankfurt am Main: Caspar Merian, 1655-1661. De prent werd voor het eerst gepubliceerd in deel 1: Topographia Galliae, 1655.

De prent is langs de bovenrand van de voorstelling afgescheurd. De voorstelling is aan de bovenzijde aangevuld met een geschilderde lucht.
Gemel flask
Object type: gemel flask
Date: 1701 – 1800
Techniques: glassblowing
Culture: american
Location: united states
Vrouwenhoofd met muts
Object type: sketchbook leaf
Date: 1883 – 1885
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: head-gear (+ women's clothes), head (human) - aa - female human figure

Pagina 59 uit een schetsboek met 48 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower torso, left buttock and upper left thigh of male with drapery
Frederika Sophia Wilhelmina (1751-1820), prinses van Pruisen, echtgenote van prins Willem V
Object type: painting, miniature
Date: 1775 – 1775
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: painter, wilhelmina of prussia (princess of orange)

Portret van Frederika Sophia Wilhelmina (1751-1820), prinses van Pruisen, echtgenote van prins Willem V. Buste, naar rechts, de beschouwer aanziend. Onderdeel van de collectie portretminiaturen.
Personificatie van vrijgevigheid (Liberalitas)
Object type: titelblad, titelpagina
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: 'cornucopia', horn of plenty, generosity, liberality; 'generosità', 'liberalità' (ripa)
Inscriptions: inscription: ‘Schola salernitana sive De conservanda Valetudine autore Joanne de Mediolano Roterodami Ex officina A Leers MDCXLIV 1649 by Dr de Ridder het boekje’, collector's mark: Lugt 2228

Prent gebruikt voor de publicatie: Mediolano, Johannes de. Schola Salernitana. Rotterdam: Arnold Leers, 1649.
Blad 91 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929)
Object type: photograph
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 22e driemaandelijkse cursus van 1 oktober tot en met 21 december 1928, stamboeknummers 429 tot en met 433. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929).
Fontein met dolfijnen
Object type: ornament print
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: dolphin ~ ornament, ornamental fountain
Inscriptions: collector's mark: Lugt 2228

Een fontein met twee dolfijnen. Aan de bovenzijde wapens, een boek, korenaren, een mand met bloemen en een schild met putti en runderen. Rechts boven 4 genummerd.
Stad Delft, loodje met no. 319
Object type: tax token
Date: 1867 – 1867
Materials: brass
Techniques: striking
Location: delft
Artist: Anonymous
Subjects: delft

eenzijdig loodje met gat erin aan draagring. Voorzijde: gekroond wapenschild tussen jaartal boven cijfer 319. Keerzijde: blanco
Gezicht op de Oost-Indische Werf te Middelburg
Object type: print
Date: 1696 – 1728
Materials: paper
Techniques: engraving, etching
Location: middelburg
Subjects: pier, quay, wharf, shipyard, shipdock
Inscriptions: collector's mark: Lugt 195

Oorspronkelijk van één plaat gedrukt met twee andere voorstellingen (zie RP-P-AO-15-141O-3 en RP-P-AO-15-141O-4). Prent in zijn geheel ook gebruikt in: Smallegange, Mattheus. Nieuwe Cronyk van Zeeland (…). Middelburg en Amsterdam: Johannes Meertens en Abraham van Someren, 1696. En huidige voorstelling los ook gebruikt in: Aa, Pieter van der. La galerie agreable du monde (...). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 20.
Christuskind als Salvator Mundi
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: engraving
Location: england
Subjects: 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet, christ-child ~ types of adult christ
Inscriptions: collector's mark: Lugt 240
Portret van een onbekende vrouw met een paraplu en handschoenen in haar hand
Object type: photograph
Date: 1888 – 1896
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: historical persons - bb - woman, gloves, mittens, etc., umbrella
Inscriptions: inscription: ‘Photographische/ ATELIERS/ C. J. L. Vermeulen/ Heerenstraat 6,/ Heiligenweg/ hoek Singel/ AMSTERDAM,/ Specialiteit in vergrootingen.’
"The Combat of Tus and Human," Folio from a Shahnama (Book of Kings)
Object type: folio from an illustrated manuscript
Date: 1330 – 1340
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: battles,soldiers,horses
Box
Object type: box
Date: 1401 – 1500
Materials: leather, textile, wood
Culture: italian

Ink containers of different shapes and sizes frequently appear in manuscript illuminations and in paintings depicting scribes or scholars in their studies. Although it is difficult to determine their material from the pictorial evidence, ink containers are known to have been made not only of horn, but also of silver, tin, and leather, and, in later periods, of glass and stoneware. Horn was used early in the Middle Ages; a twelfth-century manuscript shows two containers made of ox horns set in holes in the scribe’s desk. By the fifteenth century, however, ink pots were designed as free-standing containers. Twelfth-century recipes for ink indicate that pigments, made of lampblack, gallnut, and similar materials, were stored in powder form and mixed with liquid in small amounts according to the scribes’ immediate requirements. This practice, which continued throughout the Middle Ages, allowed ink containers to be carried without fear of spilling. Portable writing cases, which could be attached to a belt, were equipped with a well for the ink pigment container and sheaths for quill pens. Unlike several leather ink pits which have been excavated in London, this leather case is fitted with strap loops and was probably designed to carry either a pigment container or a more elaborately worked inkwell.
Plattegrond van Brussel, ca. 1701-1713
Object type: map
Date: 1727 – 1729
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: johan willem friso (prins van oranje-nassau), john churchill (1e hertog van marlborough), maps of cities, brussels

Plattegrond van Brussel, ca. 1701-1713. Genummerd rechtsonder: Tom. II. No. 25. Illustratie in het tweede deel van : [Jean] du Mont, Oorlogskundige beschryving van de veldslagen en belegeringen, der drie ... wydvermaarde krygsoversten... den Prins Eugenius van Savoye, den ... Hertog van Marlborough, en den Prins van Oranje en Nassau-Vriesland, in de editie van 1729. Dit tweede deel is hoofdzakelijk gewijd aan de daden van de hertog van Marlborough en prins Johan Willem Friso.
The First Nakamura Nakazō in the Role of Shimada no Hachizō
Object type: woodblock print nishiki e
Date: 1783 – 1783
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors
Terracotta oil lamp
Object type: lamp
Date: 1 – 100
Materials: terracotta
Culture: roman

Mold-made. Deep body. Deep, concave discus: a central filling hole, surrounded by a band of raised circles; an outer band decorated with four alternating raised motifs, one a four-petalled rosette, the other a pointed leaf. Volutes flanking nozzle, with large wick hole. Raised base ring, and flat base. Intact, but one chip on right side of nozzle.
Salomé
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: woodcut
Artist: jan heyse
Artist role: painter, print maker
Artist dates: 1882 – 1954
Subjects: salome with the head of john the baptist on a dish
Inscriptions: collector's mark: Lugt 2228

Een naakte Salomé met een kroon op het hoofd. In haar linkerhand houdt zij het hoofd van Johannes de Doper; in haar rechterhand een bord.
Portret van Karel V Leopold, hertog van Lotharingen
Object type: print
Date: 1675 – 1690
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: wels, karel v leopold (hertog van lotharingen)
Inscriptions: collector's mark: Lugt 2228
Vande twee aanbidders
Object type: print
Date: 1613 – 1649
Materials: paper
Techniques: woodcut
Location: netherlands
Subjects: the worship of god, kneeling on both knees
Inscriptions: collector's mark: Lugt 240

Twee knielende mannen naast elkaar in gebed. Op de achtergrond links en rechts twee vrijwel identieke voorstellingen met een vrouw in de deuropening van een woning, vee en gewassen op het land en schepen in het water. In twee kaders regels Nederlandse tekst. (Joh. 4:23 en Jes. 29:13)
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1301 – 1400
Materials: copper, enamel, gold
Culture: spanish
Location: spain
Subjects: men,women

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Terracotta skyphos (deep drinking cup)
Object type: skyphos
Date: 600 – 501
Materials: terracotta
Culture: lydian

Red ware with horizontal bands of white.
Panel
Object type: panel
Date: 801 – 1000
Materials: wood
Techniques: carving
Location: egypt

Wood was treasured in Egypt, as it was scarce, and pieces like this one were used to decorate important buildings, such as mosques. The beveled style, as exemplified by this piece, continued to be used under the Fatimids. The style changed slowly and stylized wood carvings began to be enriched by the use of arabesques, figural subjects, and animals.
Head of Buddha
Object type: head
Date: 1401 – 1500
Materials: bronze, patina
Culture: thai
Subjects: heads,buddhism,buddha
Buste van de heilige Lucas
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: st. luke as patron, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: date

Buste van de heilige Lucas onder een toog. Daar omheen meerdere allegorische objecten uit de schilder- en beeldhouwkunst, waaronder het schilderswapen en een os. In een kader vier regels Nederlandse tekst.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, two fragments with tendrils and leaves from handle ornament
Ewer
Object type: ewer
Date: 1501 – 1600
Materials: gilt bronze
Plaque (one of two)
Object type: plaque
Date: 1751 – 1800
Materials: copper, enamel
Artist: micault
Artist role: maker
Artist dates: 1725 – 1825
Subjects: butterflies,roses,leaves
Scènes uit een roman
Object type: print
Date: 1833 – 1880
Materials: paper
Techniques: etching
Artist: auguste numans
Artist role: print maker
Artist dates: 1823 – 1883
Subjects: wave, waning moon, i.e. facing this way (, gondola
Inscriptions: collector's mark: Lugt 2228
Alternate Designs for a Cove Decoration
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: eagles,female nudes
Huis Oldenhuis te Vollenhove
Object type: drawing
Date: 1730 – 1730
Materials: ink, paper
Techniques: brush, pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: castle
Vinaigrette
Object type: vinaigrette
Date: 1823 – 1823
Materials: silver
Artist: thomas shaw
Artist role: maker
Artist nationality: british
Artist dates: 1818 – 1845

Similar maker’s marks were used in Birmingham by Thomas Smith and Thomas Simpson as well as Thomas Shaw between 1818 and 1839; vinaigrettes are known by all these makers. The ornate grill of this vinaigrette, pierced and chased with a basket of flowers amid foliage, strongly resembles that of 1983.575.35, made by John Shaw who made have been related to Thomas Shaw. The lid is pricked with a basketwork pattern. A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. Its interior is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged and decoratively pierced inner lid or grill kept the sponge in place while its perforations allowed the odor to waft through. A whiff of the vinegar might revive someone from a fainting spell. Such vinaigrettes were worn around the neck, on a chatelaine suspended from the waist, or carried in a pocket.
Petites macédoines d'Aubert
Object type: print
Date: 1832 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: garden, interior of the house, family life at home
Inscriptions: collector's mark: Lugt 2228a
Statue of the God Ptah
Object type: statuette, ptah
Date: 1070 – 712
Materials: bronze, glass, gold leaf
Location: egypt
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: colmar painter
Artist role: artist

Interior, part of meander; Exterior, part of cushion and draped, reclining figure?
Wine Bottle
Object type: wine bottle
Date: 1760 – 1760
Techniques: glassblowing
Culture: british
Location: england
Schreierstoren in Amsterdam, gezien vanaf het water bij de Geldersekade
Object type: photograph
Date: 1910 – 1930
Materials: paper, photographic support
Techniques: rotogravure
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Onderdeel van Album met foto's van Amsterdam en omgeving.
Landschap, mogelijk een duinlandschap
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: dunes (sea not visible); in the dunes
Inscriptions: annotation: ‘zand’

Landschap, mogelijk een duinlandschap. Blad 19 verso uit een schetsboek met 34 bladen.
Teapot
Object type: ceramic
Date: 1755 – 1755
Materials: earthenware
Techniques: glazing
Location: staffordshire
Prenten naar tekeningen uit het kabinet Jabach
Object type: print
Date: 1666 – 1695
Materials: paper
Techniques: etching
Artist: jean pesne
Artist role: print maker
Artist dates: 1623 – 1700
Subjects: city-view, and landscape with man-made constructions - ii - ideal landscapes, fantastic architecture, unrealistic architectural fantasies
Inscriptions: collector's mark: Lugt 240, number: ‘58’

Prent maakt deel uit van een serie van 283 prenten, ongenummerde staat.
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1801 – 1833
Materials: copper, copper alloy, gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: deer
Card 436, Mary Anderson, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, head of bearded man with a fillet, to right; Exterior, buttocks and legs of a male with a himation and a stick; lower drapery and foot of a woman to right
Portret van Gabrino Fondulo
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: (feigned) picture curtain, historical persons

Prent in eerdere staat gebruikt in: Graevius, Joannes Georgius. Thesaurus antiquitatum et historiarum Italiae (...). Leiden: Pieter van der Aa, 1704, dl. 3-1.
Fraktur Motifs
Object type: drawing, fraktur
Date: 1780 – 1780
Materials: ink, iron, paper, watercolor
Techniques: pen
Culture: american
Location: united states
Artist: johann heinrich otto
Artist role: maker
Artist nationality: american
Artist dates: 1730 – 1800
Subjects: birds,flowers,leaves
Brug met verkeer over een rivier in Genève, met de Mont-Blanc en bebouwing op de achtergrond
Object type: ansichtkaart, prentbriefkaart
Date: 1949 – 1949
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: genève
Inscriptions: date: ‘18.2.1949.’

Brug met verkeer over een rivier in Genève, met de Mont-Blanc en bebouwing op de achtergrond.
Noord-Hollandse klederdrachten
Object type: print
Date: 1620 – 1624
Materials: paper
Techniques: etching
Location: haarlem
Subjects: folk costume, regional costume

In een vlak landschap met kanalen staat een jonge vrouw uit Edam, gekleed in klederdracht. Naast haar liggen een juk en een emmer. Op de achtergrond een boerenhoeve. De prent maakt deel uit van een serie van acht jonge vrouwen in Noord-Hollandse klederdrachten.
S. Catharina de Suède (St. Catherine of Sweden), March 22nd, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,women,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.