deem-data/ArtiFact huggingface dataset:
Panorama met berg Eryx en vlakte, locatie van de oude Venus tempel
Object type: drawing
Date: 1778 – 1778
Materials: chalk, paper, watercolor
Techniques: brush, pen
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Inscriptions: inscription: ‘No 287 Vue du Mont Eryx & Emplacement de l'ancien temple de Venus’

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Coin Depicting the God Zeus
Object type: coin
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Subjects: zeus
Inscriptions: Reverse: ΠΤΟΛΕΜΑΙΟΥ ΒΑΣΙΛΕΩΣ

The front of this coin depicts the god Zeus.

On the back, an eagle stands on a fulmen.
Design for Wagon, no. 1098a
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Offerande van de buit van de Midjanieten
Object type: book illustration
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: the officer's oblation after the battle of the israelites against the midianites; moses and eleazar take the gifts to the tabernacle
Inscriptions: collector's mark: Lugt 2228

Mozes en de priester Eleazar nemen de gouden sieraden uit de buit van de Midjanieten aan als offerande voor God (Num. 31:50-54). De prent heeft een Hebreeuws, Latijns, Frans, Engels, Duits en Nederlands onderschrift.
Pantalone
Object type: figure
Date: 1770 – 1770
Materials: soft paste porcelain
Artist: cozzi manufactory
Artist role: factory
Artist nationality: italian
Artist dates: 1764 – 1812
Subjects: human figures
Bowl with Plum, Peach, Bamboo, and Lingzhi Mushrooms
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting
Location: china
Sampler
Object type: sampler
Date: 1701 – 1800
Materials: linen, silk
Subjects: human figures,trees
Kin Chinois
Object type: design drawing
Materials: graphite, ink, paper
Techniques: pen in black ink
Location: brussels
Artist: pierre félix van doren
Artist dates: 1797 – 1856
Subjects: musical instruments; group of musical instruments, trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament
Inscriptions: inscription: ‘Kin Chinois’, watermark

Een van 103 ontwerpen voor marqueterie van aan linten opgehangen muziekinstrumenten in ronde medaillons, bestemd voor de set stoelen gemaakt door Van Doren voor de grote zaal van het Paleis van de Prins van Oranje in Brussel in 1828.
Snuffbox
Object type: snuffbox
Date: 1765 – 1766
Materials: enamel, gold
Artist: pierre médard mothet
Artist role: maker
Artist dates: 1761 – 1791
Subjects: children,women

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Pruikenmaker
Object type: print
Date: 1800 – 1805
Materials: paper
Techniques: etching
Location: netherlands
Subjects: wigmaker, 'perruquier', phrenology, caricatures (human types), wig
Inscriptions: collector's mark: Lugt 2228

Een frenoloog zoekt als pruikenmaker de juiste pruik voor een man. Een grote groep zogenaamde wetenschappers kijkt toe. Op tafel ligt een verhandeling van de Duitse frenoloog Franz Joseph Gall. Onderdeel van een reeks van die karikaturale platen over de maatschappij rond 1800.
Serpentine blossom bowl
Object type: blossom bowl
Date: 1750 – 1450
Materials: stone
Culture: minoan

Hand-carved with lily petals in low relief.
Minature meiping vase
Object type: vase
Date: 1701 – 1800
Materials: glaze, iron, porcelain
Culture: chinese
The Nativity
Object type: plaque
Date: 1526 – 1550
Materials: copper, enamel, gilt
Techniques: painting
Subjects: animals,angels,virgin mary,jesus,nativity
Verkiezingsaffiche van de Partij van de Arbeid
Object type: poster
Date: 1952 – 1952
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: amsterdam, the hague, willem drees, netherlands
Inscriptions: inscription: ‘Drees vraagt uw vertrouwen voor lijst 2’

Affiche van de Partij van de Arbeid. Grote foto van een man (W. Drees), met daaronder tekst in witte letters op rode achtergrond.
Young Woman
Object type: glass
Date: 1701 – 1800
Materials: glass, metal
Techniques: lampwork
Location: france
Patience in a Punt
Object type: print
Date: 1803 – 1803
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,fishing,boats

A youth poles an open boat that holds three men. Two of them fish and one has caught a dog. The other smokes a pipe as a swan floats at right.
Card 536, Nellie Larkell, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 6), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes. Type 4 cards from the N45 series contain four miniature portraits of actresses on one card. Type 6 cards are a bit larger in dimension than the other types in the N45 series.
Schets voor een portret van een schrijvende man in een interieur, driekwart naar links (C. Ploos van Amstel?)
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Subjects: anonymous historical person portrayed alone, study; 'studiolo'; library
Wedding vest
Object type: wedding vest
Date: 1856 – 1856
Materials: silk
Culture: american
Subjects: flowers
"Study of a Nilgai (Blue Bull)", Folio from the Shah Jahan Album
Object type: album leaf
Materials: gold, ink, paper, watercolor
Location: india
Artist: mansur
Artist role: artist
Artist dates: 1584 – 1626
Subjects: bulls

The nilgai, though known as a blue bull, is a type of antelope found in central and northern India and eastern Pakistan. This study was painted by Mansur, probably after observing the animal in Jahangir’s (r. 1605–27) zoological garden. While great detail is lavished on the depiction of the animal, down to the distinctive swirl of hair where his neck meets his body, the background makes no reference to the nilgai’s natural habitat. As in portraits of people, a neutral or harmonious setting prevailed in Mughal animal paintings.
Fotoreproductie van een schilderij met vader en dochter
Object type: album leaf
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: father and daughter(s) (family group)
Vogels
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: shore-birds and wading-birds: heron, water-birds: teal, shore-birds and wading-birds: sawbill, shore-birds and wading-birds: bittern
Inscriptions: collector's mark: Lugt 2228

Vier waadvogels langs een oever: een middelste zaagbek, een roerdomp, een reiger en een taling. Deze prent is deel van een serie over vogels.
Veneration of the Bodhi Tree
Object type: sculpture
Date: 201 – 300
Materials: limestone
Location: nagarjunakonda
Rouw-Klacht, over de doot van de uytgelesene, kloeckmoedige jonghman Monsr. Moses Ter Borch, (...)
Object type: printed matter
Date: 1667 – 1667
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: draughtsman, moses ter borch, raid on the medway

Gepubliceerd rouwgedicht, hoogstwaarschijnlijk niet door een amateur als Sijbrant Schellinger opgesteld maar door een professionele schrijver die geoefend was in het schrijven van dergelijke standaard gedichten.
Paris. Jardin d'acclimatation: [(...)]
Object type: stereograph
Date: 1903 – 1903
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: jardin d'acclimatation
Subjects: botanic garden, 'hortus botanicus', greenhouse, orangery
Inscriptions: inscription: ‘Neue Photographische Gesellschaft A.-G. Steglitz-Berlin 1903.’, number: ‘329’
Boerderij in een winterlandschap
Object type: print
Date: 1931 – 1931
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: lake, winter landscape; landscape symbolizing winter (the four seasons of the year), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Een boerderij met hooischuur aan een meer in een besneeuwd landschap. Rechts op de voorgrond een afgemeerde schuit.
Trousers
Object type: trouser
Date: 1840 – 1849
Materials: cotton
Culture: american or european
Tien munten met Romeinse keizers, gezien van voor- en achterkant
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Artist: léopold verguet
Artist role: abt, fotograaf
Artist dates: 1817 – 1914
Subjects: miseno, coin
Inscriptions: number

Nummers 7 tot en met 15: Augustus nummer 16: Tiberius.
De EURO. ONS geld 
Echtheidskenmerken van de eurobankbiljetten
Object type: poster
Date: 2001 – 2001
Materials: paper
Techniques: printing
Location: netherlands
Subjects: netherlands, europe

Eenzijdig gedrukt full-colour affiche waarop links alle bankbiljetten staan afgebeeld in blauw vlak. In het midden in blauw vlak zijn 2 bankbiljetten afgebeeld, zowel voor- als keerzijde van 20 en 50 EURO. Hierin zijn rode kaders geplaatst die verwijzen naar enkele kaders met de echtheidskenmerken, zowel links als rechts van het biljet. De echtheidskenmerken zijn de veiligheidsdraad, de foliestreep, het watermerk, de iriserende streep, de hologram en de inkt met kleuromslag. Bij elk kenmerk wordt een toelichting gegeven hoe deze te herkennen.
Processional Cross
Object type: cross
Date: 1401 – 1433
Materials: copper alloy
Culture: ethiopian
Location: ethiopia
Subjects: cross

This work is an exceptional example of a popular early 15th century cast copper alloy openwork processional cross developed in Ethiopia -- an art form that has been endlessly reinvented by regional artists. In this example, the ornament is freely worked, while the form is highly symmetrical. From the time of the adoption of Christianity -- around 330 A.D. -- crosses have been omnipresent not only as liturgical objects in the region's churches and monasteries, but also in popular devotion and everyday life. Functioning as apotropaic objects to ward off evil spirits and as spiritual emblem of the entire community, members of the clergy carry the large-scale metal processional crosses on poles during processions and liturgical ceremonies. Ethiopian monarchs made gifts of processional crosses to important monasteries whose clergy remembered them in their prayers. In Ethiopia the Cross is perceived of as an emblem of triumph rather than of death. As such it is not only a symbol of the Passion but an instrument by which God affords health to mankind and reestablishes the life of the spirit as well as that of the body. These ideas relating to the significance of this seminal motif are especially beautifully expressed through this work in a regional vernacular style. It has been suggested that the sinuous, serpent-like line that runs through the entire design of this example might relate to symbols associated with the brazen serpent of Moses in the Book of Numbers (21:4-9) and to infinity.
Humani generis renovatio
Object type: print
Date: 1582 – 1593
Materials: paper
Techniques: etching, letterpress printing
Location: antwerp
Subjects: the apostles take leave, and depart in all directions, pentecost: the holy ghost descends upon (mary and) the apostles, sometimes paul and/or representatives of the nations present (acts 2:1-4)
Inscriptions: inscription: ‘La descente du saint esprit, et le don des langues accordé aux apotres’

In een zaal daalt de Heilige Geest neer op Maria, Maria Magdalena en de twaalf apostelen. De mensen in Jeruzalem drommen samen en zijn buiten zichzelf van verbazing, omdat zij de apostelen ieder in hun eigen taal horen spreken (Handelingen 2). Met een motto in het Latijn boven de voorstelling en een vierregelig onderschrift in het Latijn onder de prent. De prent maakt deel uit van een album.
Goblet
Object type: glass
Date: 1850 – 1875
Materials: glass
Techniques: glassblowing, cutting, engraving, stain
Location: bohemia
Inrō with Grapevine
Object type: inrō
Date: 1751 – 1800
Materials: amber, gold, gold foil, horn, ivory, lacquer, mother of pearl, wood
Techniques: hiramakie, inlay, lacquer, stain
Culture: japanese
Artist: nomura choheisai
Artist role: artist
Artist nationality: japanese
Artist dates: 1750 – 1799
Subjects: grapes
Mokubo Temple, Uchigawa Inlet, Gozensaihata (Mokuboji Uchigawa Gozensaihata), No.92 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Oude man steunend op een stok
Object type: print
Date: 1784 – 1837
Materials: paper
Techniques: etching
Location: the hague
Artist: johannes bisschop
Artist role: print maker
Artist dates: 1774 – 1837
Subjects: old man (+ back view), dog
Inscriptions: collector's mark: Lugt 2228

Een oude man steunend op een stok op de rug gezien. Naast hem een hond.
Ornament
Object type: drawing
Date: 1884 – 1952
Materials: pencil, paper
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: ornaments ~ art
Taima Mandala
Object type: painting
Date: 1767 – 1800
Materials: gold, ink, silk
Location: china
Artist: Anonymous
Pair of candlesticks
Object type: candlestick
Date: 1701 – 1800
Materials: brass
Imp. Henricus. VI. perp. Aug.
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching
Artist: jan van vianen
Artist role: print maker
Artist dates: 1660 – 1726
Subjects: nijmegen, crown (symbol of sovereignty), historical persons, emperor

Prent gebruikt in: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 387. Eerste staat verschenen als grotere prent met 12 portretten, gedateerd 1695.
Doos van sieradenreeks
Object type: box
Date: 1940 – 1945
Materials: cardboard, leather, silk, velvet
Artist: Anonymous
Inscriptions: : ‘REGINA ET PATRIA’

Doos van sieradenreeks BK-2010-2-432-.. Zwart (nep)leer met gouden hoeken. Binnenzijde deksel: De Schatkamer HAARLEMMERDIJK 22 AMSTERDAM. Voering van fluweel en zijde.
Très Parisien, 1925, No 6, Pl. 4: Créations Jean MAGNIN. - LOUP-GAROU.
Object type: fashion print
Date: 1925 – 1925
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: dress, gown: day dress (+ women's clothes), ensembles of pieces of clothing (tailleur) (+ women's clothes), fashion plates, parasol, sunshade (+ women's clothes)
Inscriptions: caption: ‘4.--LOUP-GAROU. Ce tailleur élégant est en kasha naturel garni de tissu pied de poule. CACHOTTIÈRE. - Cette robe en crêpe imprimé souligne une taille un rien plus haute.’

Loup-Garou: mantelpak en Cachottière: japon van crêpe. Parasol in dezelfde stof als de japon. Prent uit het modetijdschrift Très Parisien...La Mode, Le Chic, L'Élégance (1920-1936)
Longcase clock with calendar and alarm
Object type: longcase clock
Date: 1690 – 1694
Materials: brass, wood, steel
Techniques: gilding, silvered, veneering
Artist: ahasuerus ii fromanteel
Artist role: maker
Artist nationality: british
Artist dates: 1640 – 1703

The longcase pendulum clock with anchor escapement was developed in England in 1670 and soon afterwards English clockmakers began making similar clocks in The Netherlands. The movement of this example was the work of such an English ex-patriot working in Amsterdam, Ahaseurus II Fromanteel (London has mistakenly been added to the dial). The maker of the case, which follows English prototypes, has not been identified but the exuberant acanthus scroll cresting with eagles perched at the corners is distinctly Dutch.
The Persian Ambassador
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: richard dighton
Artist nationality: english
Artist dates: 1795 – 1880
Pair of Earrings (Chand Bali)
Object type: pair of earring
Date: 1850 – 1900
Materials: gold
Location: india
Teapot (part of a service)
Object type: teapot
Date: 1775 – 1775
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Cup (part of a service)
Object type: cup
Date: 1750 – 1770
Materials: hard paste porcelain
Subjects: men,dogs
Fragment pijpenkop met stuk steel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 47; fragment, 2hsm3.
Man met paard bij wasvrouw
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: printmaking, roulette
Location: amsterdam
Subjects: laundering, horse
Inscriptions: collector's mark: Lugt 2228

Een man, houdt de teugels van zijn paard vast, terwijl hij bij een vrouw staat die de was doet. Zij staat tot haar knieën in het water.
Mug
Object type: metalwork
Date: 1705 – 1715
Materials: silver
Location: boston
Artist: john coney
Subjects: dining, drinking
Inscriptions: Maker's mark on body left of top of handle, and twice on bottom, within a shield: "[picture of a crown]/ IC/ [picture of a coney]"
Engraved on bottom: "S*B"
Gewicht van sluitgewicht uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: weight scale component
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Weight, cupweight, cup; id. NG 1980-27H2775, eroded, no marks legible.
Theebus
Object type: tea caddy
Date: 1722 – 1722
Materials: silver
Location: utrecht
Artist: Anonymous
Inscriptions: mark

Tea caddy. Silver. Utrecht, 1722, maker's mark unknown.
Reclining Female Nude
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: ink, paper
Techniques: pen
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: lying on one side, with uplifted upper part of the body and leaning on the arm - aa - female human figure

Ze ligt op haar zij en steunt op haar rechterarm. Blad 15 verso uit schetsboek II met 23 bladen.
Interieur van één van de gebouwen van het tempelcomplex Zojo-ji in Shiba, Tokyo, Japan
Object type: photograph
Date: 1890 – 1903
Materials: paper, photographic support
Techniques: albumen print, hand coloring
Location: tokyo
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, interior of the house
Inscriptions: inscription: ‘199 Oth Shogun Shiba Tokio’
Five Figures [Woman Extending her Right Hand Towards an Altar]
Object type: print
Date: 1540 – 1540
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: animals,men,women,female nudes

In Mariette Album, folio 43, center right. Right half of a composition, whose left half shows Mutius Scaevola burning his hand
Gezicht op Trafalgar Square, Londen
Object type: album leaf
Date: 1906 – 1933
Materials: paper
Techniques: gelatin silver print
Location: london
Artist: Anonymous
Subjects: square, place, circus, etc.
Portret van Albert van Pruisen
Object type: print
Date: 1820 – 1871
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 963

Portret van Albert van Pruisen. Op de achtergrond een doorkijkje.
Gezelschap op straat in L'Isle-Adam
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: daylight paper print
Location: l'isle-adam
Artist: delizy
Artist role: manufacturer
Subjects: village street

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Pottery Flute
Object type: pottery flute
Date: 1801 – 1900
Materials: clay
Culture: mexican
Location: mexico
Subjects: human figures
Plafond van Vismarkt 16-17 te Leiden
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: (decorated) ceiling
Inscriptions: annotation: ‘Huis Vischmarkt 16-17/ plafond (niet gesloopt)/ Juli 1901/ Leiden’, collector's mark: ‘R:MUS.’ Lugt 2228, annotation: ‘Leiden/ Huis 16-17 vischmarkt (Z.H.)/ plafond (niet gesloopt)/ Juli 1901’