deem-data/ArtiFact huggingface dataset:
Serpent (Tunjo)
Object type: snake
Date: 901 – 1600
Materials: gold
Culture: muisca
Location: colombia

Depictions of snakes are frequent among the many animal tunjos the Muisca people made as offerings. They are often shown with whiskered heads, as on these examples. Lakes were believed to be inhabited by mythical ancestors in the form of snakes that required offerings. One well-known ritual during which tunjos were offered to Lake Guatavita, north of Santa Fé de Bogotá, gave rise to the famous legend of "El Dorado" (The Gilded Man). Sixteenth-century Spaniards recount that, before taking office, each Muisca ruler was covered from head to toe in gold dust and conveyed on a raft to the middle of the lake. There, he threw quantities of gold objects into the water as offerings to the gods. In the centuries since the conquest in the 1530s, countless lives and great fortunes have been lost in attempts to recover the treasures from Lake Guatavita. One, undertaken at the end of the sixteenth century, cut a great notch into the mountain on one side of the lake in an effort to drain it. Many gold objects and other offerings, including an emerald the size of a hen's egg, were recovered from the edges of the lake bed. Many such efforts have followed, but the central zone of the lake remains untouched. In 1965, the Colombian government declared the lake a cultural heritage site and placed it under legal protection.
Giraffes, hippopotamus
Object type: page
Date: 1876 – 1886
Materials: paper
Techniques: photograph
Location: london
Subjects: hoofed animals: hippopotamus, zoological garden, zoo, seen as place where non-domestic animals are kept, hoofed animals: giraffe
Inscriptions: inscription: ‘The Well-known "Guy Fawkes" belonging to the Zoological Society.’

Boven twee giraffen, onder een nijlpaard, allen in een dierentuin.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, part of ground line
Japanese Long Sword, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: swords,men

Trade cards from the "Arms of All Nations" series (N3), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Sr. George Bridges Rodney, Rear Admiral of the Blue
Object type: print
Techniques: mezzotint
Artist: anonymous, british, late 18th century
Artist role: engraver
Artist nationality: british
Artist dates: 1750 – 1800
Subjects: men,portraits

Naval portraiture was a mainstay of Reynolds's career in the seventeen-fifties and sixties. Rodney was born into an aristocratic and military family and became one of the most distinguished British naval commanders of the eighteenth century. Here he is depicted in the uniform of a Rear-Admiral with his right arm resting on the fluke of an anchor and the sea glimpsed behind. The print is based on a splendid portrait by Reynolds whose primary version is at Petworth House, Sussex. James Watson (ca. 1740–1790) ​was the first ​to engrave the latter as a large mezzotint in 1762, wishing to capitalise on Rodney's growing fame–that year his fleet successfully attacked Martinique in the West Indies and captured the islands of Saint Lucia, Grenada and Saint Vincent. This smaller plate was published in 1780 by an unidentified engraver.
M.me Duchâtelet
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: physicist, historical persons
Inscriptions: collector's mark: Lugt 2228a
Vase
Object type: vase
Date: 1763 – 1774
Materials: gemstone, glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Oil Lamp
Object type: lamp
Date: 1300 – 1500
Materials: bronze
Location: east java
Artist: Anonymous
Subjects: garuda, half man half bird, ritual objects and ritual means ~ hinduism, buddhism, jainism

Fire, like water, plays an important role in rituals. Oil lamps are often suspended before the effigy of a god, both at home and in a temple. An essential part of a Hindu temple ceremony (puja) is worshipping the god by moving a lamp in front of his or her image. In ancient India, lamps
were the most popular gifts to temples, along with cows to supply clarified butter (the fuel).
Histoire de Jason et de la conquête de la toison d'or
Object type: print
Date: 1563 – 1563
Materials: paper
Techniques: engraving
Artist: rené boyvin
Artist role: print maker
Artist dates: 1525 – 1598
Subjects: after ploughing, jason sows dragon's teeth; armed men emerge, the dragon-men kill each other when jason throws a stone among them, the story of the argonauts: the quest for the golden fleece
Inscriptions: collector's mark: Lugt 11

Maakt deel uit van een serie van 26 prenten met scènes uit het verhaal van Jason en het gulden vlies, uitgegeven in 1563 te Parijs.
Plate 20 of 38 from Oeuvres de J. B. Huet
Object type: print
Date: 1796 – 1799
Materials: paper
Techniques: etching
Location: france
Artist: jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
Strasbourg - cathedrale
Object type: carte de visite
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: straatsburg
Artist: Anonymous
Subjects: parts of church exterior and annexes: west façade
Inscriptions: inscription: ‘€1’
"The Angel Gabriel Reveals Sura Annama 55 to the Prophet," Folio from a Hamla-yi Haidari (Attack of the Lion)
Object type: folio from an illustrated manuscript
Date: 1801 – 1900
Materials: gold, ink, paper, watercolor
Location: iran

This illustrated folio is from a Shi'i epic recounting the life of 'Ali, the Prophet's son-in-law and, according to Shi'is, the legitimate successor to the Prophet. It depicts the Angel Gabriel revealing the Sura 55 (Sura Ma'ida) to the Prophet. The Prophet is depicted with a white face-veil while 'Ali's face is in full view. The style and palette are consistent with paintings of the 1820's and 30's. Shi'i epics were a popular genre in the Qajar period although only a few illustrated manuscripts survive, making this a rare example from the period.
Portret van Nicolaas Verkolje
Object type: print
Date: 1751 – 1753
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: delft, amsterdam, print maker, draughtsman, nicolaas verkolje
Inscriptions: collector's mark: Lugt 2228

Portret ten hlaven lijve naar rechts van Nicolaas Verkolje in een architectonisch ovaal, met achter hem een zuil en een schildersezel. Onder het portret een leeg veld.
Stoke by Neyland, Suffolk
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: mezzotint
Location: england
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: landscapes
Vase
Object type: vase
Date: 1801 – 1900
Materials: copper alloy, silver
Location: iran
Goudse glazen
Object type: historical object representation
Date: 1738 – 1754
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: william i (prince of orange), raising the siege with outside assistance, relief, church-window, e.g. rose-window, leiden
Inscriptions: collector's mark: Lugt 2228

Het vijfentwintigste glasraam in de Sint-Janskerk te Gouda met de voorstelling van het ontzet van Leiden op 3 oktober 1574. Op de voorgrond prins Willem I van Oranje staande tussen Leidenaren, soldaten en geuzen. Op de achtergrond vertrekken de boten van de geuzen richting Leiden. Onderaan: Anno 1603.
A slightly strained relationship, from 'At the court of justice,' published in Le Petit Journal pour Rire, March 3, 1866
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,reading
Brief aan anoniem
Object type: letter
Date: 1875 – 1875
Materials: ink, paper
Techniques: pen, writing
Location: utrecht
Artist: theodoor soeterik
Artist role: draughtsman, print maker
Artist dates: 1810 – 1883
Subjects: drawing, money
Inscriptions: collector's mark: ‘RPK’
Tobacco box
Object type: tobacco box
Date: 1667 – 1700
Materials: brass
Subjects: madonna and child

An oval box. The lid is engraved with a representation of the Madonna and Child. Inscribed below her feet is: [?] Vroude Kevelaar (Virgin Kevelaer). A small angel head surmounts this inscription, below: Komt pilgrims met vlijt wilt dese maget eere so hoort sij u geber, eer gij suit weederkeere, sij is een voorspraak voor ons alle gaar daarom besoekt haar te kevelaar (Come pilgrims, honor this virgin with diligence; then she will hear your prayer before you return. She is the advocate for us all, therefore visit her at Kevelaer). The underside carries an image of Antony of Padua holding his attributes, the Christ Child and a lily. Inscribed below is: S. Antonius van Padua (St. Antony of Padua). See the discussion of this box in the text, above. With lined and corded rims. The borders and sides have leaf scrolls. A number of similar boxes are in the collection of the Niederrheinisches Museum für Volkskunde und Kulturgeschichte at Kevelaer.
Franse haan aangevallen door de geallieerden, 1708
Object type: cartoon
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Artist: carel allard
Artist role: print maker, publisher
Artist dates: 1648 – 1709
Subjects: spaanse successieoorlog

Spotprent met de Franse haan aangevallen door de geallieerden: de hond (Engeland), de Nederlandse Leeuw en de keizerlijke adelaar. Alle verzen en opschriften in de plaat in het Nederlands. Onderdeel van een reeks getiteld Palmhof der Bondgenooten met 9 spotprenten op de Fransen en bondgenoten uit het jaar 1708.
Schapen in een wei
Object type: sketchbook leaf
Date: 1885 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: meadow, pasture, sheep

Blad 14 recto uit een schetsboek met 26 bladen.
Son of Horus (Imseti) from Bead Net
Object type: amulet, son of horus
Date: 1070 – 525
Materials: faience
Location: egypt
Portret van Damiao de Gois
Object type: print
Date: 1587 – 1612
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: head-gear (bonnet) (+ men's clothes), historical persons, historical disciplines; philology (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 240

Portret van de Portugese humanist en historicus Damiao de Gois, vriend van Erasmus. Buste naar rechts. Met bonnet op hoofd, gekleed in mantel met bont.
Toegangspoort van het Gemeenlandshuis aan de Oude Delft in Delft
Object type: photograph
Date: 1900 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: delft
Artist: Anonymous
Subjects: gate, entrance
Inscriptions: number: ‘12’, inscription: ‘Het recht van reproductie dezer photo's wordt door den Uitgever voorbehouden.’, inscription: ‘Delft. Begin 16e eeuw en midden 17e eeuw.’
Très Parisien, 1925, No. 6, pl. 19: Créations ANNA. -FRAICHEUR
Object type: fashion print
Date: 1925 – 1925
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: dress, gown: day dress (+ women's clothes), ensembles of pieces of clothing (tailleur) (+ women's clothes), fashion plates
Inscriptions: caption: ‘10. - FRAICHEUR. - Pour les jours de soleil, à la mer ou à la campagne, cette robe légère aux tons vifs, et ce petit tailleur blanc, réchauffé de garnitures citron, seront tout à fait de mise.’

Luchtige japon en zomers mantelpak voor aan zee of op het platteland. Prent uit het modetijdschrift Très Parisien...La Mode, Le Chic, L' Élégance (1920-1936)
Brief aan Willem Bogtman
Object type: letter
Date: 1924 – 1924
Materials: cardboard, ink
Techniques: pen, writing
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: haarlem, willem bogtman, applied arts, arts and crafts; industrial design, paris
Amulet of Wepwawet
Object type: amulet, wepwawet
Date: 1850 – 1775
Location: egypt
Subjects: animals

This amulet is part of a group of objects found in tomb V21 at Abydos with two bodies. The group includes 04.18.1–04.18.49.
Le flirt
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: farmers, lovers; courting, flirting
Inscriptions: collector's mark: Lugt 2228

Een Zeeuws meisje leunend tegen een hek flirt met een Zeeuwse boer met pijp, zittend op het hek. In de achtergrond koeien in een wei, water en een kerktoren.
Kurama Tengu, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Leiden. Academie Rapenburg No 73
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: leiden
Subjects: canal, university building, college
Portret van Jasmin
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons, writer, poet, author
Essempio di recammi, page 2 (recto)
Object type: book print ornament architecture
Date: 1530 – 1530
Techniques: woodcut
Artist: giovanni antonio tagliente
Artist role: author
Artist nationality: italian
Artist dates: 1465 – 1528
Subjects: ornament

Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right: design composed of 6 horizontal registers (alternating black to white): white dots forming lines and small diamonds, squares formed by 3x2 'x's followed by 2 stacked diamonds, thick zigzag line, zigzag line with diamonds at each angle, series of 'X's formed by diamonds, various patterns including 2 birds.
Octobre 1910. Pernantian "le long du trace du chemin"
Object type: photograph
Date: 1910 – 1910
Materials: photographic support
Techniques: collodion silver print
Location: east sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: rubber, woodcutting, woodcutter ~ forestry
Inscriptions: inscription: ‘Octobre 1910. Pernantian "le long du trace du chemin"’

Beboste terrein voor de weg naar Pernatian in 1910. Onderdeel van het fotoalbum over de plantages Brussel en Pernantian van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1910-1935.
Vijftigjarig bestaan van de Maatschappij tot Nut van 't Algemeen 1834
Object type: history medal
Date: 1834 – 1834
Materials: bronze
Techniques: striking
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879

Bronzen penning, op de voorzijde de Maatschappij als getroonde vrouw met hoorn des overvloeds en fakkel bij een altaar, waarop een open boek beschreven VOOR ALLEN, waarnaast een knaapje met een open granaatappel, alles te midden van wolken en vanaf de penningrand beschenen door vijftig stralen, met afsnedetekst, op de keerzijde vier regels tekst tussen samengestrikte eikentakken.
Seated Nude
Object type: drawing
Date: 1916 – 1916
Materials: graphite, paper
Artist: amedeo modigliani
Artist role: artist
Artist nationality: italian
Artist dates: 1884 – 1920
Subjects: female nudes
Casimir Périer
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Staande man met een stok in de hand
Object type: sketchbook leaf
Date: 1875 – 1875
Materials: paper, pencil
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: standing figure
Inscriptions: annotation: ‘[...]’

Tevens studies van twee voorwerpen. Blad 1 recto uit een schetsboek met 38 bladen.
Large Seated Statue of Hatshepsut
Object type: statue, hatshepsut seated
Date: 1479 – 1458
Materials: granite
Location: egypt
Subjects: men

In this statue, Hatshepsut is portrayed as a male pharaoh dressed in the costume of an Egyptian king, although she does not wear the usual false beard. Like all the statues from Hatshepsut's temple, this one was broken into many pieces by her nephew and co-ruler, Thutmose III. Unlike most of the others, the features of her face have also been systematically destroyed. Certain details of the statue were originally painted, and traces of pigment are still visible on the headdress and broad collar.
Octagonal covered jar
Object type: covered jar
Date: 1736 – 1795
Materials: brass, pewter
Techniques: inlay
Culture: chinese
Subjects: animals,horses
Woman Walking beside a River
Object type: watercolor
Date: 1902 – 1902
Materials: graphite, watercolor, paper
Culture: american
Artist: henry farrer
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1903
Subjects: women,walking,rivers,trees
Hondenkarren
Object type: print
Date: 1845 – 1877
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: church (exterior), windmill, two-wheeled vehicle drawn by one animal
Inscriptions: collector's mark: Lugt 2233

Een race tussen twee karren, voortgetrokken door honden, op een onverharde weg. Op de achtergrond de contouren van een molen en een kerk.
The Royal Scottish Academy
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: drypoint, etching
Location: scotland
Artist: david young cameron
Artist role: draughtsman, print maker
Artist nationality: scottish
Artist dates: 1865 – 1945
Ludovicus Vives Valanetinus
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: bruges, handwriting, writing as activity, scholar, philosopher, historical persons

Met vierregelig onderschrift in het Latijn. Rechtsonder genummerd: B2 (2 als z in spiegelbeeld).
Oorkonde voor Dr. W. Drees: 50 jaar lid van de Nederlandse Vereniging tot Afschaffing van Alcoholhoudende Dranken
Object type: charter
Date: 1953 – 1953
Materials: ball point pen, cardboard, ink
Techniques: gilding, pen, printing, typewriting, writing
Location: utrecht
Subjects: amsterdam, the hague, willem drees, netherlands
Inscriptions: date
Bouw van een brug
Object type: photograph
Date: 1903 – 1913
Materials: photographic support
Techniques: photography
Location: north sumatra
Artist: Anonymous
Subjects: arnhem, the hague, albertus dominicus laman trip, landscapes in tropical and sub-tropical regions, bridge

Na de expedities naar de Gajo- en Alaslanden o.l.v. Van Daalen (eerste tocht in 1901), werd hij in 1903 belast met voorbereiding van permanente vestiging van Nederlands gezag. Aanleg van een weg van de Noordkust naar het binnenland was hierbij van groot belang. Deze zgn. Gajoweg werd aangelegd tussen 1903 en 1914, van Bireuen aan de kust naar Takinguen aan het bergmeer Danau Lauttawar, totale lente 104 km.
Processie bij intocht van paus Clemens VIII in Ferrara
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: vatican city
Subjects: clemens viii, ceremonial procession, parade, pageant ~ pope
Inscriptions: collector's mark: Lugt 240

Een processie met soldaten, kardinalen, paarden en paus Clemens VIII de stad Ferrara in. Boven elk groepje een bijschrift in het Italiaans.
Alva verlaat de Nederlanden, 1573
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: fernando álvarez de toledo (3rd duke of alba), brussels, mayor, luis de zúñiga y requesens, (carrying a person in a) sedan-chair

Alva verlaat de Nederlanden, december 1573. In een grote stoet vertrekt de hertog in een draagstoel uit Brussel naar Spanje. Hij groet de nieuwe landvoogd Requesens die richting Brussel rijdt. Met onderschrift van 4 regels in het Latijn. Genummerd: 47. Bedrukt op achterzijde met tekst in het Frans.
Verona
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: verona
Artist: Anonymous
Subjects: landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: ‘VOSMAER’
Manhood
Object type: print
Techniques: etching
Artist: claude gillot
Artist role: artist
Artist nationality: french
Artist dates: 1673 – 1722
Subjects: male nudes,female nudes,working
The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception)
Object type: drawing
Date: 1625 – 1713
Materials: chalk, paper
Artist: carlo maratti
Artist role: artist
Artist nationality: italian
Artist dates: 1625 – 1713
Subjects: saint john the evangelist,virgin mary,saints

Maratti painted an altarpiece of this theologically complex subject- Saint John the Evangelist Expounding the Doctrine of the Immaculate Conception to Saints Gregory, Augustine, and John Chrysostom-for the Cybo Chapel in S. Maria del Popolo in Rome. The work was completed in 1686, and the chapel was consecrated the following year. Another composition study for the same painting, executed in a different technique, is in the Museum's collection (inv. 63.18). In that related study, John the Evangelist stands to the right. Here, his pose has been reversed and he has been shifted to the left, while still gesturing at the open Book of Revelation held by Saint Gregory. The composition recorded in this drawing is closer to the final scheme, although Maratti introduced further revisions to the arrangement of the figures in the painting. In addition to the two composition studies for the Cybo Chapel altarpiece, there is in the Museum's collection a drawing by Maratti for the seated figure of Saint Gregory (inv. 1981.364).
Notre Dame te Parijs
Object type: history medal
Date: 1855 – 1855
Materials: bronze
Techniques: striking
Location: brussels
Artist: jacob wiener
Artist role: medailleur
Artist dates: 1815 – 1899
Subjects: notre-dame
Gezicht op de hoek van de Korte Dijkstraat en de Krom Boomssloot te Amsterdam
Object type: sketchbook leaf
Date: 1897 – 1897
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: urban housing, canals, waters (in city)
Inscriptions: kleurnotitie, handgeschreven

Pagina 3 uit een schetsboek met 13 bladen.
Portret van Harry George Wakelyn Smith
Object type: print
Date: 1846 – 1850
Materials: paper
Techniques: lithograph
Location: london
Subjects: adult man, historical persons, (military) uniforms
Inscriptions: collector's mark: Lugt 2228
Buffet de salle à manger Louis XV
Object type: print
Date: 1895 – 1935
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Bottle with stopper
Object type: bottle with stopper
Date: 1767 – 1800
Materials: glass