deem-data/ArtiFact huggingface dataset:
Portret van een onbekende vrouw
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: berlin
Subjects: historical persons - bb - woman
Inscriptions: monogram: ‘BX’
Kerk van het dorp Westkapelle in Zeeland
Object type: watercolor
Date: 1757 – 1822
Materials: paper, watercolor
Techniques: brush
Artist: hermanus petrus schouten
Artist role: draughtsman, painter, print maker
Artist dates: 1747 – 1822
Subjects: village, church (exterior), windmill

De kerk van het dorp Westkapelle in Zeeland, van de dijk af gezien; op de voorgrond een molen.
Spotprent in Leidse studentenalmanak, 1854
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: tone lithography
Location: netherlands
Subjects: student life, leiden

Spotprent op de Aprilbeweging van 1853. Lange stoet van pelgrims met palmtakken op weg naar de heuveltop waar een officier met bisschopsmijters samen met de duivel wacht. Spotprent in de studentenalmanak van de Universiteit van Leiden van het jaar 1854.
Terracotta fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Nude youth left, with his arm raised
Caleche (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Militairen op een schietbaan, vermoedelijk in Frankrijk
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: artillery range, firing range, shooting range ~ military training, land forces, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Fragmenten pijpenstelen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe stem
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, stem; fragments, decoration id. NG 1980-27H501 inscription [?G?VSCHU?T?, GOUDA?].
Fish appliqué
Object type: fish, appliqué
Materials: glass
Location: egypt
Subjects: fish
Naailap van linnen en katoen, gemerkt: GG 1889
Object type: handwerk
Materials: cotton, linen
Location: deventer
Artist: g. glas

Naailap van linnen en katoen. Gemerkt. Vervaardigd op de Normaalschool te Deventer voor de akte `Nuttige handwerken'.
Portret van Carlos de Gurrea
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: minister ~ government, commander-in-chief, general, marshal, historical persons

Prent waarschijnlijk uit: Le mercure Hollandois, contenant les choses les plus remarquables (...). Amsterdam: Henry en Theodoor Boom, 1678, p. 214.
'T Hooge Heemraedschap van Delflant
Object type: map
Date: 1712 – 1735
Materials: paper
Techniques: engraving, etching
Location: delft
Subjects: maps of cities
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Onderdeel van de grote wandkaart 'T Hooge Heemraedschap van Delflant. De kaart zelf bestaat uit vijfentwintig bladen, de titelstrook is gedrukt van twee platen. Meerdere prentmakers hebben aan deze kaart gewerkt. In volgorde van meest gewerkte dagen zijn dit: Luggert van Anse (1091 dagen), Thomas Doesburgh (952 dagen), Jacobus Deur (806 dagen), Johannes Deur (683 dagen) en Pieter Sluyter (151 dagen). Sluyter was verantwoordelijk voor de versieringen, de anderen voor de rest. Wie precies aan welk blad heeft gewerkt is niet duidelijk. Pieter Haringh had het ontwerp voor de wapenschilden geleverd en Arnold Houbraken het ontwerp voor de rest van de versieringen.

Het drukken, uitgeven en verkopen van de kaart lag, zoals blijkt uit het privilege, in handen van het hoogheemraadschap. Voor zover bekend is de kaart in zijn geheel twee keer gedrukt, in 1712 en 1735. Het hoogheemraadschap beheerde de voorraad kaarten voor verkoop.

In een aantal atlassen van Covens & Mortier (Nieuwe atlas inhoudende de vier gedeeltens der waereld (...). 5 delen. Amsterdam: Covens & Mortier, s.a. [1721-1759], dl. 3) zijn de zevenentwintig bladen van de kaart en de overzichtskaart opgenomen. Het is dus vermoedelijk niet zo dat de kaart voor deze atlassen opnieuw werd gedrukt. Waarschijnlijk werd een aantal exemplaren bij het hoogheemraadschap afgenomen.
Portret van Quinten Massijs
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: printmaking, etching
Artist: felix bogaerts
Artist role: print maker
Artist dates: 1805 – 1851
Subjects: louvain, antwerp, painter, draughtsman, quinten massijs (i), portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Portret van een onbekende vrouw
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Artist: david octavius hill
Artist role: fotograaf
Artist dates: 1802 – 1870
Subjects: adult woman, historical persons
Tekstblad bij de Allegorie op de Vrede van Aken, 1748
Object type: text sheet
Date: 1748 – 1748
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Subjects: vrede van aken (1748)
Inscriptions: collector's mark: Lugt 2228

Tekstblad bij de prent met de Allegorie op de Vrede van Aken gesloten op 18 oktober 1748 tussen de Geallieerden (Republiek, Engeland en Oostenrijk) enerzijds en Frankrijk, Pruisen en Spanje anderzijds. Verklaring van de voorstelling in versvorm in vier kolommen en een vierregelig vers.
Le nez et les pincettes
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: france
Artist: Anonymous
Subjects: injection ~ medicine, activities of devil(s)
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Grecourt, Jean Baptiste Joseph Willart de. Oeuvres diverses de M. de Grécourt, nouvelle édition, augmentée d'un grand nombre de pièces, revus sur les originales et du Philotanis. Amsterdam: s.n., 1763.
Brief aan Andries Bonger
Object type: letter
Date: 1904 – 1904
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: camille redon-falte, arï redon, amsterdam, andries bonger, drawing, photography, cinematography, the graphic arts, the arts of the stage: ballet, theatre, musical drama, motion picture, printed matter
Portret van Johann Michael Sutorius
Object type: print
Date: 1708 – 1799
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons, wig, meditation over skull and/or crucifix, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Real Admiral Winfield S. Schley, U.S. Navy, from the "Generals" series (T63), issued by LeRoy Little Cigars
Object type: print
Date: 1898 – 1901
Techniques: color lithograph
Artist: leroy little cigars
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1950

Tobacco insert card from the "Generals" series (T63), issued by LeRoy Little Cigars.
Marble sarcophagus with the Triumph of Dionysos and the Seasons
Object type: sarcophagus, triumph of dionysos and the season
Date: 260 – 270
Materials: marble
Culture: roman
Subjects: animals,men,male nudes,dionysus,satyrs,dogs,panthers

This highly ornate and extremely well-preserved Roman marble sarcophagus came to the Metropolitan Museum from the collection of the Dukes of Beaufort and was formerly displayed in their country seat, Badminton House in Gloucestershire, England. An inscription on the unfinished back of the sarcophagus records that it was installed there in 1733. In contrast to the rough and unsightly back, the sides and front of the sarcophagus are decorated with forty human and animal figures carved in high relief. The central figure is that of the god Dionysos seated on a panther, but he is somewhat overshadowed by four larger standing figures who represent the four Seasons (from left to right, Winter, Spring, Summer, and Fall). The figures are unusual in that the Seasons are usually portrayed as women, but here they are shown as sturdy youths. Around these five central figures are placed other Bacchic figures and cultic objects, all carved at a smaller scale. On the rounded ends of the sarcophagus are two other groups of large figures, similarly intermingled with lesser ones. On the left end, Mother Earth is portrayed reclining on the ground; she is accompanied by a satyr and a youth carrying fruit. On the right end, a bearded male figure, probably to be identified with the personification of a river-god, reclines in front of two winged youths, perhaps representing two additional Seasons. The sarcophagus is an exquisite example of Roman funerary art, displaying all the virtuosity of the workshop where it was carved. The marble comes from a quarry in the eastern Mediterranean and was probably shipped to Rome, where it was worked. Only a very wealthy and powerful person would have been able to commission and purchase such a sarcophagus, and it was probably made for a member of one of the old aristocratic families in Rome itself. The subjects - the triumph of Dionysos and the Seasons - are unlikely, however, to have had any special significance for the deceased, particularly as it is clear that the design was copied from a sculptor's pattern book. Another sarcophagus, now in the Hessisches Landesmuseum in Kassel, Germany, has the same composition of Dionysos flanked by the four Seasons, although the treatment and carving of the figures is quite different. On the Badminton sarcophagus the figures are carved in high relief and so endow the crowded scene with multiple areas of light and shade, allowing the eye to wander effortlessly from one figure to another. One must also imagine that certain details were highlighted with color and even gilding, making the whole composition a visual tour de force. Very few Roman sarcophagi of this quality have survived. Although the Badminton sarcophagus lacks its lid, the fact that it was found in the early eighteenth century and soon thereafter installed in Badminton Hall means that it has been preserved almost intact and only a few of the minor extremities are now missing.
Voyage en Italie, en Sicile et à Malte - 1778
Object type: drawing
Date: 1778 – 1778
Materials: paper
Techniques: pen
Artist: louis mayer
Artist role: draughtsman
Inscriptions: inscription: ‘Pianta della cathedrale ... La m[...] di mezzo’

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Kabuki Actor Segawa Kikunojō III in a Female Role
Object type: print
Date: 1788 – 1788
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: trees,actors
Stadsgezicht met figuren op een brug
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Societé Philantropique des Mds Tailleurs de Paris
Object type: history medal
Date: 1870 – 1930
Materials: brass
Techniques: striking

Achthoekige messing penning, op de voorzijde vijf regels tekst, op de keerzijde drie regels tekst binnen een parelcirkel.
Interieur van de San Marco, Venetië
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: florence
Subjects: interior of church, venice
Inscriptions: number: ‘107.’
Leiden. Collegekamer Theologie. Rapenburg No. 25
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: leiden
Subjects: university building, college, leiden
Dalmatie, from "Jeu de la Géographie"
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: shields,men
Square
Object type: square
Date: 301 – 500
Materials: linen, wool
Techniques: weave
Location: egypt
Pan
Object type: pan
Date: 1800 – 1860
Materials: gemstone, glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Ma pirogue sur son chariot de transport (1871-1876)
Object type: photograph
Date: 1876 – 1876
Materials: paper
Techniques: albumen print
Location: les petites-dalles
Artist: Anonymous
Subjects: sailing-ship, sailing-boat
Inscriptions: inscription: ‘Ma pirogue sur son chariot de transport (1871-1876)’, inscription: ‘1876’
G.A. Schmidt
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: tone lithography
Location: brussels
Subjects: dordrecht, painter, print maker, draughtsman, george adam schmidt, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Galerie des peintres des Ecoles Flamandes et Hollandaises. Brussel: A. Wahlen, 1826.
Tekenende man met hoed
Object type: print
Date: 1694 – 1752
Materials: paper
Techniques: etching
Artist: peeter snijers
Artist role: painter, print maker
Artist dates: 1681 – 1752
Subjects: artist (in general) making preliminary designs, sketching
Inscriptions: collector's mark: Lugt 514, collector's mark: Lugt 2228
Portret van Martín de Redín
Object type: print
Date: 1633 – 1676
Materials: paper
Techniques: engraving, etching
Artist: jean frosne
Artist role: print maker
Artist dates: 1623 – 1676
Subjects: politician, historical persons, warfare; military affairs (+ naval force)
Fotoreproductie van de aquarel Hoog water in het weiland door Geo Poggenbeek
Object type: reproduction
Date: 1910 – 1930
Materials: glass
Techniques: gelatin glass negative
Subjects: cow, meadow, pasture
Dus unverantwortliche von Dem zu Der
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: violent death by dagger, knife, violent death, being killed; being mishandled and maltreated; seeking death (+ death by murder)
Inscriptions: collector's mark: Lugt 240

Illustratie uit: Abraham a Sancta Clara. Heilsames Gemisch Gemasch, das ist: Allerley seltsame und verwunderliche Geschichten (...). Neurenberg: Christoph Weigel, 1710, p. 430.
Plate
Object type: plate
Date: 1791 – 1791
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: men,flowers

Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in subtle tones of yellow, green, and red. Small decorative highlights were often executed in platinum, and the ability to apply platinum—first mastered by the factory in 1790—may have been an impetus to produce these lacquer-inspired pieces. [Jeffrey H. Munger, 2015]
Portret van Bertel Thorvaldsen
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: etching, lithograph
Location: middelburg
Subjects: copenhagen (city), draughtsman, bertel thorvaldsen, portrait, self-portrait of sculptor, historical persons, frame of painting, etc.
Inscriptions: collector's mark: Lugt 2228

Een ornamentrand om het portret en de facsimile signatuur.
Massacre of the Innocents
Object type: drawing and watercolor
Date: 1585 – 1600
Materials: chalk, charcoal, paper
Techniques: heightening
Location: italy
Artist: circle of tiziano vecellio, called titian
Sword-Hilt Collar (Fuchi)
Object type: sword hilt collar fuchi
Date: 1615 – 1868
Materials: copper, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: fish
Wet
Object type: print
Date: 1911 – 1911
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Ex libris van Gert Wetter
Object type: bookplate
Date: 1880 – 1950
Materials: paper
Artist: Anonymous

Ex libris van Gert Wetter, geplakt op de binnenzijde van de voorzijde van de band met een reeks van 44 prenten met scènes uit het leven van Filippo Neri.
Portret van Cornelis Witsen
Object type: print
Date: 1779 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: cornelis witsen, mayor, burgomaster, historical persons

De prent is gemaakt ca. 1779-1780 en kon worden ingevoegd in: Wagenaar, Jan. Amsterdam in zyne opkomst, aanwas, geschiedenissen, (...). Amsterdam: Isaak Tirion, 1765, vol. 7. De prenten zijn tussen 1765 en 1786 in dit boek gevoegd. Zie: Compleete lyst of register van alle de portraiten en plaaten, (...). Amsterdam: A. van der Kroe en A. Capel, 1786.
Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children
Object type: print
Date: 1756 – 1756
Techniques: engraving, etching
Artist: bartolomeo crivellari
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Aankomst van Jacobus II in Frankrijk
Object type: history medal
Date: 1689 – 1689
Materials: silver
Techniques: striking
Location: leiden
Artist: jan smeltzing (i)
Artist role: modelleur
Artist dates: 1656 – 1693
Subjects: jacobus ii (koning van engeland en schotland), france

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: vos die arendsnest in brand steekt boven opschrift, binnen omschrift
The Sea off Satta in Suruga Province (Suruga Satta no kaijo), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Don Gaspar de Guzman, Marchese del Carpio y de Liche
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: gaspar de haro y guzmán (markies van carpio en liche), historical persons

Prent mogelijk uit: Jumel de Barneville d' Aulnoy, Marie Catherine le. Spanische Staats-Geschichte beschrieben von der Gräfin d'Aunoy (...). Leipzig: Thomas Fritsch, 1703, p. 416.
Lint op rol, paars, aan één zijde twee strepen in lila met reliëf
Object type: ribbon material
Date: 1890 – 1935
Materials: cardboard, paper, textile
Techniques: weave
Location: france
Inscriptions: number: ‘Pon 05943’

Lint op rol, paars, aan één zijde twee strepen in lila met reliëf.
Hal van landhuis De Wildbaan, Driebergen, met  jachttrofeeën
Object type: photograph
Date: 1903 – 1907
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Vase
Object type: vase
Date: 1735 – 1795
Materials: porcelain
Culture: chinese
Subjects: animals,fruit,trees
Bas-reliëf van een sarcofaag met zeenimfen
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Location: rome
Artist: reinier van persijn
Artist role: draughtsman, painter, print maker
Artist dates: 1614 – 1668
Subjects: vincenzo giustiniani (1564-1637), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘98’, collector's mark: Lugt 2228

Romeins bas-reliëf van een sarcofaag met zeenimfen en in het midden het portret van een vrouw in een schelp. Rechtsonder het wapenschild van Vincenzo Giustiniani. Prent uit een publicatie met reproductieprenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Plate One (Title Page) from Nouveavx Desseins D'Arquebvseries
Object type: engraving
Techniques: engraving
Culture: french
Location: france
Artist: de lacollombe
Artist role: engraver
Artist nationality: french
Artist dates: 1702 – 1736
Subjects: firearms,ornament

This is the title page from a rare series of engravings begun by an enigmatic engraver known only as De Lacollombe. It was added to after his death and then published by his better-known pupil Gilles Demarteau (1722–1776) in about 1749. Individual motifs taken from this pattern book can be seen on guns made throughout the eighteenth century in France, Germany, the Netherlands, Italy, and Spain.
Ôhi (Stole)
Object type: textile
Materials: textile, silk
Techniques: damask, weave
Location: japan
Omlijsting
Object type: drawing
Date: 1809 – 1814
Materials: paper, pencil, watercolor
Techniques: brush, pen
Location: southern netherlands
Artist: Anonymous

Lege omlijsting. Rechtsboven genummerd: 347. Onderdeel van het vierde album met tekeningen van bloemen en paddestoelen. Elfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Portret van Martha Luther-Blumenstengel
Object type: print
Date: 1733 – 1733
Materials: paper
Techniques: engraving
Artist: johann georg mentzel
Artist role: print maker
Artist dates: 1677 – 1743
Subjects: historical persons - bb - woman, pendant, trinket, 'breloque', book, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Richter, David. Genealogia Lutherorum (...). Berlin/Leipzig: Johann Andreas Rüdiger, 1733.