deem-data/ArtiFact huggingface dataset:
A Harlot's Progress, Plate 1
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: men,women,horses

Set outside the Bell Inn, London. Mary Hackabout, a country girl, has just arrived on the York Wagon and is examined by an extravagantly dressed bawd Mother Needham. Behind them a clergyman on horseback fails to notice the encounter but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation.
Drie mannen in uniform, lopend over een breed pad
Object type: photograph
Date: 1905 – 1905
Materials: cardboard, paper
Techniques: photography
Location: paramaribo
Artist: Anonymous
Subjects: suriname

Drie mannen in uniform, lopend over een breed pad. Onderdeel van fotoalbum 'Suriname'.
Handkerchief
Object type: textile
Date: 1801 – 1825
Materials: cotton
Techniques: weave, printing
Location: france
Terracotta rim fragments of stemless kylikes (drinking cups)?
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Two black glazed rim fragments from stemless kylikes?; lipped inside and out
Portret van Cornelis Bellaar Spruyt, hoogleraar letteren en wijsbegeerte aan de Universiteit van Amsterdam
Object type: page
Date: 1888 – 1889
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, professor
Inscriptions: signature: ‘C.B. Spruyt’
Vaderlandsche geschiedenis
Object type: print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: formosa, the hague, politician, johan de witt, jacob cats (1577-1660), brielle, maarten harpertszoon tromp, history
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van gebeurtenissen ten tijde van het Eerste Stadhouderloze Tijdperk tussen 1650 en 1672. Boven elke voorstelling een titel en onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 49.
Fotoreproductie van een prent met hond op een kleed bij een bord met afgekloven botten
Object type: photograph
Date: 1875 – 1875
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: dog
The Sleep of Cupid
Object type: print
Date: 1748 – 1804
Techniques: engraving, etching
Artist: jean-baptiste michel
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1804
Subjects: sleeping,cupid
Etienne Denis Duc de Pasquier (1767–1862), French statesman and President of the House of Peers, 1844
Object type: medallion
Date: 1832 – 1832
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Scheveningen
Object type: stereograph
Date: 1859 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: scheveningen
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: street
Inscriptions: inscription: ‘Scheveningen’, number: ‘No. 235.’, number: ‘3’, inscription: ‘P.’
Pilgrim's Badge: Saint Theobald of Thann
Object type: pilgrim's badge
Date: 1400 – 1450
Materials: alloy, lead, tin
Culture: french
Location: france
Subjects: bishops,saints
Glass jug
Object type: jug
Date: 201 – 400
Materials: glass
Culture: roman

Small jug. Translucent light blue green; handle, foot ring, and trail in same color. Uneven rim folded over and into flaring mouth; cylindrical neck, expanding downwards; biconical body; low, applied foot ring; flat bottom, with pontil scar; three-ribbed strap handle, attached to upper body with long downward claws, drawn up, round, and in, folded down and up, and attached to underside of mouth and edge of rim over trail, with projecting hollow loop. One thicker trail wound horizontally slightly more than once around underside of mouth, then wound nearly twice down in a spiral on top of neck. Complete, but crack extending from rim down mouth; many bubbles, some large and elongated, with streaky black impurities in rim and mouth; faint weathering and iridescence on exterior, patches of creamy brown weathering and brilliant iridescence on interior.
Key
Object type: key
Date: 1 – 200
Materials: copper alloy
Culture: roman
Envelop aan Philip Zilcken
Object type: envelope
Date: 1862 – 1925
Materials: ink, paper, pencil
Techniques: pen, writing
Location: voorschoten
Artist: hendrikus hubertus van kol
Artist role: engineer, politician
Artist dates: 1852 – 1925
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’, address: ‘H. H. VAN KOL,/ VOORSCHOTEN’
Articles of China
Object type: photograph
Date: 1843 – 1844
Materials: paper
Techniques: salted paper print
Location: england
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877

One of the inventors of photography, William Henry Fox Talbot also produced the first commercially published book to feature photographic illustrations. The Pencil of Nature, issued in six volumes between 1844 and 1846, included Articles of China as plate three of the first volume. Talbot used this image to extol the practical virtues of the new art, claiming that “the whole cabinet of a Virtuoso and collector of old China might be depicted on paper in little more time than it would take him to make a written inventory describing it in the usual way.” Moreover, he argued presciently, if a thief should take the treasures, such an image could provide a new kind of evidentiary record in court.
Bowl
Object type: bowl
Date: 201 – 700
Materials: glass
Culture: sasanian
Location: mesopotamia
Miniature Vase
Object type: vase
Date: 1901 – 2000
Materials: jade
Culture: chinese
Subjects: flowers
Dorp
Object type: photograph
Date: 1948 – 1949
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: village, dutch east indies, the
Inscriptions: inscription

Albumblad met vier foto's van een dorp en de lokale bevolking. Onderdeel van het fotoalbum 'Ter herinnering aan mijn diensttijd overzee' 1948-1949.
Portret van Karel Fredrik Holle met baard
Object type: photograph
Date: 1855 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Subjects: amsterdam, historical persons
Inscriptions: inscription: ‘Frederik / Oom Karel v Holle / broer van grootmoeder / C.F. van den Berg / Holle’
Lamp
Object type: lamp
Date: 901 – 1100
Materials: bronze
Techniques: casting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Button or Bead
Object type: button or bead
Date: 701 – 1000
Materials: stone
Techniques: carving
Location: iran
Arnhem. Stadhuis
Object type: reproduction
Date: 1935 – 1960
Materials: cardboard
Techniques: printing block, writing
Subjects: church (exterior), townhall, street
Het dorp Ruynen
Object type: print
Date: 1760 – 1796
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), village square, place (+ city(-scape) with figures, staffage)
Card Number 4, Patrice, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Piece
Object type: piece
Date: 1750 – 1760
Materials: metal thread, silk
Subjects: leaves
Filips de Schone, hertog van Bourgondie, rekenpenning van de rekenkamer van Holland
Object type: jeton
Date: 1490 – 1490
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: maximilian i (holy roman emperor), bruges, filips de schone (hertog van bourgondië), holland
Fragment of a Tunic
Object type: textile fragment
Date: 501 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
XXXIII Een vat vol en bomt niet
Object type: album leaf
Date: 1614 – 1614
Techniques: engraving, printing
Location: the hague

XXXIII Een vat vol en bomt niet. Eerste schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
The family physician volume I
Object type: book
Date: 1890 – 1890
Materials: linen, paper, wood
Techniques: lithograph, printing, woodburytype
Location: london
Boomwortels
Object type: sketchbook leaf
Date: 1874 – 1874
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: trees (+ root, tuber)

Blad 2 recto uit een schetsboek met 47 bladen.
Portret van een moeder met kind
Object type: carte de visite
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: a coruña
Artist: l. sellier et avrillon
Artist role: fotostudio
Subjects: mother and baby or young child
Inscriptions: inscription: ‘L. Sellier et Avrillon/ Fotografos/ Acevedo 19/ Coruña’
Plafond met helmen en schilden
Object type: ornament print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: helmet, protective weapons: shield, (decorated) ceiling
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een rond geornamenteerd plafond met in het midden een rozet. In de vier hoeken pluimenhelmen en schilden. Aan weerszijden van de cirkel panelen met vazen en vlechtwerk.
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, printing, writing
Location: paris
Artist: léonce bénédite
Artist role: conservator, museumdirecteur
Artist dates: 1856 – 1925
Subjects: the hague, painter, philip zilcken, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
A Branch of White Plum Blossoms in a Porcelain Vase, with Two Carved Stone Seals
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: printing block, woodblock print, surimono
Location: japan
Artist: haruki nanmei
Artist nationality: japanese
Artist dates: 1795 – 1878
Amsterdamsche Courant, 9 januari 1816
Object type: newspaper
Date: 1816 – 1816
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jacobus van bonga jr.
Artist role: printer
Subjects: newspaper, news-sheet

Exemplaar van de krant 'Amsterdamsche Courant' van 9 januari 1816. Dubbelbladig, alle zijden bedrukt. Bovenaan een vignet met het stadswapen. Rechtsboven een stempel betaalde accijnzen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Officieele Nieuwsbladen.
Portret van Hans Felix Werdmüller
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: engraving
Location: schaffhausen
Subjects: castle, armour, historical persons, battle, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
De herstemming in Schoterland tusschen F. Domela Nieuwenhuis en B.H. Heldt
Object type: cartoon
Date: 1888 – 1888
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: amsterdam, ferdinand domela nieuwenhuis, furniture worker, (vondel, gijsbrecht van aemstel) specific works of literature (with author, title), political caricatures and satires

De herstemming in het Friese district Schoterland tussen Ferdinand Domela Nieuwenhuis en Bernardus Heldt voorgesteld als het ridderlijk afscheid van Gijsbrecht, een scène uit Vondels Gijsbrecht van Amstel. Tussen de twee ridders staat de socialist Jan Antoon Fortuyn.
Standing female figurine
Object type: statuette of a woman
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: women

The solid figurine was made of reddish clay from a worn mold. The back is smooth and flat. Her body stands in high relief against a wide background.
Stoel Kops-ameublement
Object type: chair
Date: 1793 – 1795
Materials: wood, silk
Location: netherlands
Subjects: griffin (lion/eagle); 'griffo' (ripa), flowers ~ ornament
Man en een jongetje, naar rechts lopend
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: boy (child between toddler and youth), walking
Portret in profiel van Tampi, een man van Tondano, Noord-Celebes
Object type: drawing
Date: 1821 – 1824
Materials: paper, pencil
Location: north celebes
Artist: adrianus johannes bik
Artist role: draughtsman, print maker
Artist dates: 1790 – 1872
Inscriptions: annotation: ‘Tampi / Kinarat [?] Tondano/k. Tolomambot[?]’

artikel over deze collectie in Bulletin van het Rijksmuseum 49 [2001], nr. 4, pp.343 e.v.
Pissende man met paard
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: horse, occupations ~ cattle
Inscriptions: collector's mark: Lugt 2228

Een man pist tegen een schutting, met zijn hand houdt hij de teugels van een paard vast.
Young Man Strolling near the Sea
Object type: print
Date: 1770 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: men
Plattegrond van Amsterdam
Object type: print
Date: 1572 – 1618
Materials: ink, paper
Techniques: engraving, etching, hand coloring, letterpress printing
Location: cologne
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), folk costume, regional costume, maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Braun, Georg en Frans Hogenberg. Civitates orbis terrarum. Keulen: Theodorus Graminaeus, 1572. Of uit latere edities in het Latijn, tot 1618.
Garnet ring stone
Object type: intaglio
Date: 100 – 1
Materials: gemstone
Culture: italic
Subjects: eros

Carved on this almandine garnet is Eros walking to the right and proudly carrying off the weapons of Herakles: the lion's skin, club, bow, and the quiver.
A Philosopher Shewing an Experiment on the Air Pump
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, mezzotint
Location: england
Artist: valentine green
Artist role: engraver
Artist nationality: british
Artist dates: 1739 – 1813

The consummate mezzotint engraver Valentine Green created this iconic image a year after the Enlightenment-era painter Joseph Wright of Derby completed the original painting (National Gallery, London). Green’s limpid moonlit effects and riveting velvet-black ink aptly render this nocturnal scientific demonstration as a matter of life or death: the bird in the glass sphere begins to suffocate as air is pumped out of the chamber, leaving the breathless viewers uncertain of its ultimate fate.
Basin
Object type: basin
Date: 1736 – 1795
Materials: enamel, porcelain
Techniques: overglaze, painting
Culture: chinese
Subjects: roosters
Jug and Lid with the Head of a Bull or Calf
Object type: jug and lid, ox head
Date: 1390 – 1352
Materials: limestone, paint
Location: egypt
Subjects: animals
Ruïnes op de Palatijn te Rome, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: palace, landscape with ruins
Inscriptions: inscription: ‘fr 2,50’, inscription: ‘Geristilio [?]’
Design for the painted decoration of a ceiling
Object type: drawing
Date: 1830 – 1897
Materials: gold paint, graphite, paper, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
General Robert E. Lee
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: mathew b. brady
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1823 – 1896
Subjects: american civil war,men,portraits,generals

Confederate General Robert E. Lee surrendered his army to Union General Ulysses S. Grant at Appomattox Court House, Virginia, on April 9, 1865. The Civil War was over. If not whole, the nation was at least reunited, and the slow recovery of Reconstruction could begin. As soon as he heard that Lee had left Appomattox and returned to Richmond, Mathew B. Brady headed there with his camera equipment. The Lees’ Franklin Street residence had survived the fires that had devastated many of the commercial sections of the city. Through the kindness of Mrs. Lee and a Confederate colonel, Brady received permission to photograph the general on April 16, 1865, just two days after President Lincoln’s assassination. Brady’s portrait of General Lee holding his hat, on his own back porch, is one of the most reflective and thoughtful wartime likenesses. The fifty-eight-year-old Confederate hero poses in the uniform he had worn at the surrender. It would be Brady’s last wartime photograph.
Rekenpenning uit Antwerpen op de haat tegen Spanje 1583
Object type: history medal
Date: 1583 – 1583
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde een wapenschild op twee gekruiste speren gedekt door twee helmen en geflankeerd door twee letters B, met omschrift, op de keerzijde vier radiaal geplaatste wapenschilden waartussen letters F rond een klimmend leeuwtje, met omschrift.
Laeken. La Résidence Royale
Object type: photomechanical print
Date: 1906 – 1918
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: palace, gate, entrance, laeken
Porceleinkamer in het Koninklijk Paleis van Aranjuez
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: royal palace of aranjuez
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: palace, interior ~ representation of a building
Inscriptions: number: ‘2634.’
Landschap met molen in de Binckhorst in Den Haag
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: trees (+ bare plant), windmill in landscape

Op de voorgrond kale bomen. Op de achtergrond het silhouet van een molen en andere gebouwen.
Portret van een vrouw
Object type: photograph
Date: 1881 – 1901
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: haarlem
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘C.F. & L.J. Cordes/ Haarlem’
Twee liggende koeien
Object type: print
Date: 1803 – 1841
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes van cuylenburgh
Artist role: print maker
Artist dates: 1793 – 1841
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Panel
Object type: textile
Date: 1750 – 1759
Materials: silk
Techniques: brocade, patterning, weave
Location: spitalfields
Hall met de grote trap in het stadhuis te Nancy
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: nancy
Subjects: townhall, vestibule, hall, staircase
Inscriptions: inscription: ‘Hotel de ville/ Vestibule d'honneur & grand escalier (...)’

Deze prent maakt deel uit van een omslag met 103 prenten op 101 bladen en een titelblad.
Model Chisel from a Foundation Deposit
Object type: chisel, model, tool, senenmut
Date: 1479 – 1458
Materials: bronze, copper alloy, wood
Location: egypt
Ik rust nog
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: dog, freedom, liberty; 'libertà' (ripa) (+ symbolical representation of concept), patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Rond vignet met een zittende keeshond, aangelijnd aan de standaard met vrijheidshoed vastgehouden door een hand uit de wolken. Waarschijnlijk rond 1787, toen de patriotten na het herstel van de stadhouder het land ontvlucht waren.
Jupiter, plate two from Der VII Planeten
Object type: print
Materials: paper
Techniques: etching
Location: switzerland
Artist: conrad meyer (i)
Artist role: artist
Artist nationality: swiss
Artist dates: 1618 – 1689
Fotoreproductie van een schilderij van de vlucht naar Egypte, mogelijk door Guercino
Object type: photograph
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Subjects: flight into egypt and miracles during the journey, picture, painting