deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, part of head and shoulder? of wreathed, bearded male to right
Djed Pillar Amulet
Object type: amulet, djed pillar
Date: 664 – 630
Materials: faience
Location: egypt

The djed-pillar is a stylized representation of an early fetish that probably consisted of plant material. From the beginning of ancient Egyptian history it was used as a symbol signifying permanence. From the New Kingdom on it was associated with the god Osiris and identified as his backbone. The djed-pillar here was used as funerary amulet to ensure permanence and to closely connect the deceased to Osiris, a god who was revived after death.
Essempio di recammi, page 19 (verso)
Object type: book print ornament architecture
Date: 1530 – 1530
Techniques: woodcut
Artist: giovanni antonio tagliente
Artist role: author
Artist nationality: italian
Artist dates: 1465 – 1528

Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right: Design composed of 9 horizontal registers. Each register is decorated with a different decorative pattern, some of which are floral, figural, architectural, etc.
Portret van Pierre-Claude Nivelle de La Chaussée
Object type: print
Date: 1778 – 1787
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Annales poétiques, ou Almanach des Muses. Parijs: Delalain, 1778-1787, dl. 38.
Omslag voor de serie 'Het Paard'
Object type: wrapper
Date: 1921 – 1921
Materials: paper
Techniques: woodcut
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: horse
Inscriptions: date

Omslag met een inhoudsopgave en zes prenten.
Studioportret van een vrouw in Noord-Hollandse klederdracht
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Subjects: folk costume, regional costume
Lissabon
Object type: opticaprent
Date: 1742 – 1801
Materials: paper, watercolor
Techniques: brush, etching
Location: augsburg
Subjects: sailing-ship, sailing-boat, palace, rowing-boat, canoe, etc., firearms: cannon, military parade, pageant, sea (seascape) (+ landscape with figures, staffage), square, place, circus, etc. (+ city(-scape) with figures, staffage), ornamental fountain (+ city(-scape) with figures, staffage), canals, waters (in city) (+ city(-scape) with figures, staffage)

Links de rivier de Taag met daarachter de zee. In het midden vuurt een aantal figuren kanonnen af en loopt een stoet naar de ingang van het paleis. Rechtsboven genummerd: 279. Linksonder genummerd: 69.
Portret van Otto Derk Gordon
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: engraving, etching
Subjects: utrecht, otto derk gordon, historical persons, officer
Inscriptions: collector's mark: Lugt 2228

Tekst in het Nederlands in de ondermarge.
Twee zeilboten op zee, vermoedelijk ter hoogte van Le Moulleau bij Arcachon
Object type: photograph
Date: 1803 – 1897
Materials: paper, photographic support
Techniques: gelatin silver print
Location: arcachon
Artist: delizy
Artist role: manufacturer
Subjects: sailing-ship, sailing-boat

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Portret van Louise de Coligny
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: louise de coligny, neck-gear: collar (+ women's clothes)
Inscriptions: collector's mark: Lugt 2228

Portret van Louise de Coligny, vierde echtgenote van Willem I, Prins van Oranje. Zesde prent uit een serie van zes met de afbeeldingen van de gemalinnen en moeders van de stadhouders.
Patiënten lijdend aan de huidziekte 'eczema e venis varicosis' en 'ulcus varicosum'
Object type: photomechanical print
Date: 1870 – 1881
Materials: paper
Techniques: photograph, hand coloring
Location: new york city
Subjects: skin and venereal diseases, legs
Ritual Wine Vessel (Jiao)
Object type: wine vessel
Date: 1034 – 1001
Materials: bronze
Culture: chinese

This elaborate set of wine vessels provides an idea of the splendor of Shang and early Zhou ritual ceremonies. The set is said to have come from a tomb uncovered in 1901; shortly thereafter, it entered the collection of Duan Fang, a senior Manchu official and one of the preeminent antiquarians of the late Qing period. The pieces vary in style and execution. Although eleven of the vessels are inscribed, only one grouping shares identical inscriptions: the two wine containers, or you (nos. 2, 3) and the tall wine container, or zun (no. 4). A second grouping has largely comparable inscriptions: the spouted water vessel, or he (no. 5) and one cup, or zhi (no. 11). A partial reconstruction of the set’s arrangement in the tomb may be established from corrosion outlines on the three principal vessels—the two wine containers, or you, and the central tall wine container, or zun—that were etched onto the surface of the altar table. The diagram shows a hypothetical arrangement of the remaining vessels around the major pieces. Even if this is accepted as the original grouping, the disparate inscriptions and vessel styles remain unexplained. Created around the time of the Zhou conquest of the Shang, and clearly by different foundries, the pieces of the set may represent the accumulated wealth of a family shrine. 青銅禁 1. Ritual Altar Table (Jin) (24.72.1) 青銅帶座卣 2. Ritual Wine Container (You) (24.72.2a-c) 青銅卣 3. Ritual Wine Container (You) (24.72.3a, b) 青銅尊 4. Ritual Wine Container (Zun) (24.72.4) 青銅盉 5. Spouted Ritual Water Vessel (He) (24.72.5a, b) 青銅觶 6. Ritual Wine Cup (Zhi) (24.72.6) 青銅斚 7. Ritual Wine Container (Jia) (24.72.7) 青銅斗 8. Ritual Ladle (Dou) (24.72.8) 青銅爵 9. Ritual Wine Vessel (Jue) (24.72.9) 青銅觚 10. Ritual Wine Beaker (Gu) (24.72.10) 青銅觶 11. Ritual Wine Cup (Zhi) (24.72.11) 青銅觶 12. Ritual Wine Cup (Zhi) (24.72.12) 青銅角 13. Ritual Wine Vessel (Jiao) (24.72.13) 青銅觶 14. Ritual Wine Cup (Zhi) (24.72.14)
Drie opnamen van panelen
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: photograph
Artist: emile aubry
Artist role: print maker, printer
Artist dates: 1829 – 1900
Subjects: panelling
Inscriptions: inscription: ‘Fascicule 3/ PL. XXII’
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Four black glazed rim fragments from kylikes with pitted surfaces
Snuff Bottle with Peony, Fish, and Bat
Object type: snuff bottle
Date: 1801 – 1900
Materials: jade, quartz
Culture: chinese
Aansporing van Karel V, Duits keizer, om de rust te bewaren, rekenpenning van raad van Financiën
Object type: jeton
Date: 1546 – 1546
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain)

Koperen penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: tweekoppige adelaar onder kroon met wapenschild binnen omschrift
Beleg van Oostende: brand in fort Albertus op 13 november 1601
Object type: print
Date: 1601 – 1604
Materials: paper
Techniques: engraving, etching
Subjects: on fire, ablaze, siege, position war

Eerdere staat van prent ook gebruikt in contemporaine journalen van het beleg van Oostende uit 1604 (exemplaren in de collectie van de Rijksmuseum Research Library (326 F 10 en 326 F 11). En in: Haestens, Hendrick van. De Bloedige ende strenge Belegeringhe Der Stadt Oostende in Vlaenderen, Leiden: Hendrick van Haestens, 1613.

Huidige staat van prent ook gebruikt in: Haestens, Hendrick van. La nouvelle Troye ou memorable histoire du siege d’Ostende. Leiden: Hendrick van Haestens, 1615.
Rockaway #558
Object type: drawing
Date: 1865 – 1865
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Vertrek van Gustaaf Willem, vrijheer van Imhoff, gouverneur-generaal van Nederlands-Indië uit Amsterdam
Object type: medal
Date: 1742 – 1742
Materials: silver
Techniques: striking
Location: amsterdam
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764
Subjects: leer (duitsland), gouverneur-generaal, gustaaf willem baron van imhoff (1705-1750)
The Ide Jewel River in Yamashiro Province (Yamashiro Ide no Tamagawa), from the series "Six Jewel Rivers in Various Provinces (Shokoku Mu Tamagawa)"
Object type: print
Date: 1835 – 1837
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Gezicht op de Ponte dei Sospiri in Venetië
Object type: cabinet photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: ponte dei sospiri
Artist: Anonymous
Subjects: canals, waters (in city), bridge
Inscriptions: annotation: ‘Venezia ponte dei Sospiri’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, bit of right calf and right foot of male to right
Zeven sacramenten
Object type: print
Date: 1649 – 1734
Materials: paper
Techniques: engraving, etching
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een zevendelige serie met de sacramenten.
Kast met op de deuren decoraties van Daphne die transformeert in een laurierboom en Apollo met Marsyas
Object type: page
Date: 1870 – 1870
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: ornamental cupboard, (story of) marsyas, daphne changed into a laurel-tree: while fleeing from apollo, daphne is changed into a laurel-tree by her father peneus (ovid, metamorphoses i 548)
Inscriptions: number: ‘267’, name: ‘De Goupil & Cie Imp. Photoglytique Paris’
Portret van Johann Caspar Lavater
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: augsburg
Subjects: johann caspar lavater, ornament ~ medallion, historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: date
Prints of the Brain and the Heart
Object type: print
Date: 1733 – 1738
Materials: paper
Techniques: color etching, mezzotint
Location: amsterdam
Artist: jan l admiral
Artist role: draughtsman, print maker
Artist dates: 1699 – 1773
Subjects: (human) skull, other anatomical details
Inscriptions: collector's mark: Lugt 2228

Around 1735 Jan l’Admiral printed several remarkable anatomical prints in colour, among others on commission for the celebrated physician Frederik Ruysch. For his illustrations of the cerebral membrane (the skull of an unborn child) and a human heart he experimented with ever different colours, and made various versions of them. The objective was to provide medical practitioners with the most precise and realistic images possible.
Gezicht op een portaal naar de mihrāb in het Alhambra in Granada, Spanje
Object type: album leaf
Date: 1851 – 1890
Materials: paper
Techniques: albumen print
Location: granada
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: inscription: ‘Alhambra/ Granada/ La Mezquita’
Sir Joseph Banks (1743–1820)
Object type: medal
Date: 1837 – 1837
Materials: silver
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: men,profiles
Kastricum 1622
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: prospect of village, silhouette of village, church (exterior)

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 51.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Door stop (one of a pair)
Object type: door stop
Date: 1801 – 1900
Materials: glass
Subjects: flowers
Textile
Object type: textile
Date: 1301 – 1400
Materials: metal thread, silk
Culture: italian
Location: italy
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of greaved leg of warrior to right
Fotoreproductie van een schilderij van Hans Holbein de Jongere, 'Portret van een jonge vrouw' (coll. Mauritshuis)
Object type: photograph
Date: 1887 – 1887
Materials: cardboard, paper, photographic support
Techniques: carbon print
Beeld van een zittende man
Object type: figure
Date: 1400 – 1950
Materials: stoneware

Zittende man met hoed. Aan het werk. Schoenmaker? Op het voetstuk: "MAANDAG".
Fotoreproductie van een ontwerp van een gezicht op het kasteel van Meudon, met op de voorgrond een waterpartij en oranjerie
Object type: photograph
Date: 1860 – 1865
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: pierre petit
Artist role: fotograaf
Artist dates: 1832 – 1909
Subjects: castle, greenhouse, orangery, garden pond
Inscriptions: number: ‘8’, check stamp: ‘PHOTOGRAPHIE des DEUX MONDES/ PIERRE PETIT/ 31, Rue Cadet, 31/ PARIS’

Deze foto maakt deel uit van een omslag met 38 foto's en 17 tekstbladen.
The Four Continents Bringing Tribute to Amsterdam: Model for the West Tympanum of the Amsterdam Town Hall (now Royal Palace) at Dam Square
Object type: model
Date: 1650 – 1653
Materials: terracotta
Techniques: modeling
Location: amsterdam
Artist: artus quellinus (i)
Artist role: draughtsman, print maker, sculptor
Artist dates: 1609 – 1668
Subjects: europe represented allegorically; 'europa' (ripa), asia represented allegorically; 'asia' (ripa), africa represented allegorically; 'africa' (ripa), personification of a city, town-patron(ess), america represented allegorically; 'america' (ripa), river personified, 'fiumi' (ripa), amsterdam

The front and rear elevation of the Town Hall are each dominated by a sculpted marble tympanum approximately twenty metres in width and surmounted by bronze statues. This design for the rear façade shows the four (then known) continents bringing prosperity to Amsterdam. It symbolizes the Amsterdam merchants’ worldwide trading network.
Filips, erfprins van Spanje en Maria I, koningin van Engeland
Object type: jeton
Date: 1555 – 1555
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: philip ii of spain, london

Zilveren penning. Voorzijde: naar elkaar gewende borststukken man en vrouw onder een kroon binnen omschrift. Keerzijde: gekroond wapenschild; links van kroon cijfer X, rechts twee cijfers I binnen omschrift
Soldaat die zijn musket op zijn linkerschouder draagt en zijn furket in zijn linkerhand vasthoudt, ca. 1645
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, met een musket (een bepaald type vuurwapen) steunend op zijn linkerschouder. In zijn linkerhand behalve de kolf van het musket ook een furket (musketvork) en een brandende lont, ca. 1645. Bedrukt op achterzijde met tekst in het Frans. Vrij naar plaat 2 in de instructies voor het hanteren van het musket in de Wapenhandelinghe van J. de Gheyn. Krijgswezen rond 1600.
Terminal, possibly for a scepter, with the name of Meketaten
Object type: scepter, terminal, meketaten
Date: 1353 – 1336
Materials: gold
Location: middle egypt
Subjects: hieroglyphs

This small gold object is inscribed for the princess Meketaten, second daughter of Akhenaten. It has recently been pointed out that the object, historically termed a miniature situla (a bucket-shaped ritual vessel), is more likely an end piece from another element, perhaps a scepter or some other insignia. The princess died before her father and was buried in a chamber of his tomb at Amarna. This object is likely to have originated there.
Tankard with light brown and panels with flower scrolls
Object type: cup
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

Bierpul van porselein, beschilderd in onderglazuur blauw en met café-au-lait glazuur. Het onderste, bolvormige deel van het lichaam is met licht ingegrifte lijnen en bedekt met een lichtbruin glazuur, hierboven een bruine band; het bovenste, rechte deel van het lichaam met gelobde cartouches in onderglazuur blauw met bloemranken in reserve. Gemerkt op de onderzijde met een artemisiablad. Oor ontbreekt. Monochroom bruin met blauw-wit.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, two fronds of a circumscribed palmette; part of a draped figure with a stick
Portret van Maurits, prins van Oranje
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: mezzotint
Location: leeuwarden
Subjects: the hague, maurice (prince of orange)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Bosch, Johannes van den. De heeren stadhouderen van Vriesland, zedert den jare acht-hondert, volgens hoogst derzelver successie kortelyk beschreven. Leeuwarden: Abraham Ferwerda en Gerrit Tresling, 1770.
Titelpagina voor: W. Séwel, A new dictionary English and Dutch (...). Nieuw woordenboek der Engelsche en Nederduytsche taale, 1691
Object type: titelblad, titelpagina
Date: 1691 – 1691
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: group of scholars or philosophers, study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Séwel, Willem. A new dictionary English and Dutch (...). Nieuw woordenboek der Engelsche en Nederduytsche taale. Amsterdam: weduwe Steven Swart, 1691.
Ein Jungling (Titus)
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: cornelis ploos van amstel
Artist role: artist
Artist nationality: dutch
Artist dates: 1726 – 1798
Gezicht op het interieur van de kathedraal van York
Object type: print
Date: 1733 – 1766
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2228
Portrait of a lady, possibly the Marquise de Vaudreuil
Object type: medallion
Materials: gilt, terracotta, wood
Techniques: casting
Artist: jean-baptiste nini
Artist role: artist
Artist nationality: italian
Artist dates: 1717 – 1786
Subjects: profiles,women

In a technique of his own invention, Nini refined the local clay through a process of elutriation and used it to cast his medallions from finely engraved copper molds.
The pulpit
Object type: photograph
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: st michael
Artist: Anonymous
Subjects: pulpit, ambo, chancel
Daken, mogelijk van gebouwen aan de Nieuwendijk te Amsterdam
Object type: sketchbook leaf
Date: 1890 – 1900
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: roof (of house or building)

Pagina 9 uit een schetsboek met 33 bladen.
Trium Humani generis ordinum sive statuum
Object type: print
Date: 1583 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, the eucharist ~ the fourth of the seven sacraments, truth; 'verità' (ripa), confession; 'confessione sacramentale' (ripa) ~ the third of the seven sacraments, preaching (in general), organization, functionaries and dignitaries in roman catholic church; clergy in general, charitable works, baptism, christening ceremony ~ the first of the seven sacraments - qq - baptism in the open air, triumphs (allegorical and symbolic) (+ decorated float, wagon ~ festive activities), the three estates: nobility, clergy, commoners
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een triomfwagen met de vertegenwoordiger van de kerkelijke macht, de Paus. Naast hem zit de allegorische figuur van Waarheid. De triomfwagen wordt getrokken door een schaap (het Lam Gods), een slang (de Voorzienigheid) en een duif (De Heilige Geest) en bestuurd door de allegorische figuur van Geloof. Op de achtergrond enkele taken van de geestelijkheid: de doop, de liefdadigheid, de biecht, de eucharistie en de preek. De prent heeft een Latijnse opschrift en een Latijns onderschrift en is deel van een vierdelige serie over de goddelijke taken van de drie standen.
Trapeze Exercise, from the Pretty Athletes series (N196) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,athletes

Trade cards from the "Pretty Athletes" series (N196), issued in an unnumbered set of 20 cards in 1889 by Wm. S. Kimball & Co. to promote Sweet Lavender, Old Gold, Black and Tan, and Hard Tack Tobacco.
The Rape of Helena; verso: Study of a Kneeling Nude Male Figure
Object type: drawing
Date: 1667 – 1800
Materials: chalk, ink
Techniques: heightening, pen
Location: austria
Artist: daniel seiter
Artist role: artist
Artist nationality: austrian
Artist dates: 1647 – 1705
Subjects: men,male nudes,female nudes,boats