deem-data/ArtiFact huggingface dataset:
Fragment of a wall decoration with part of a bird
Object type: relief
Date: 501 – 600
Materials: plaster
Culture: sasanian
Location: mesopotamia

Stucco reliefs were commonly used to decorate the iwans and reception halls of elite Sasanian houses. Many examples were found in excavated houses in the Ctesiphon area including this fragment from Ma’aridh V depicting part of a bird. It may have been part of a larger nature scene including vines and trees. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. Over the course of the excavations in the Ctesiphon area, six houses from a series of small mounds called el Ma’aridh were excavated. The excavations at Ma’aridh V were undertaken when some stucco fragments were washed out by recent rainfall. More recent graves on top of the mound prevented a full scale excavation and the excavators were unable to recover a plan of the building. The stucco fragments excavated appear to have all been part of a double iwan structure, with several archivolt fragments recovered.
Portret van Sandro Botticelli
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: painter, draughtsman, sandro botticelli, historical persons, portrait, self-portrait of painter

Prent waarschijnlijk afkomstig uit een Italiaanse editie van: Vasari, Giorgio. Vite de' più eccellenti architetti, pittori, et scultori italiani (...).
Jan klaassens klugtige bedryven, / Ziet gy, tot uw vermaak, in prent [(...)]
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: colour, letterpress printing
Location: sneek
Subjects: punch and judy, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen over het leven van Jan Klaassen. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 107.
Portret van Anna Allebé
Object type: drawing
Date: 1846 – 1846
Materials: chalk, paper, pencil, watercolor
Techniques: brush
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: anna allebé, historical persons

Portret van Anna Allebé, de zuster van August Allebé.
Kudde Afrikaner rundvee bij Shewasaulu, Zuid-Afrika
Object type: album leaf
Date: 1967 – 1967
Materials: paper, cardboard
Techniques: chromogenic print
Location: shewasaulu
Artist: willem jacob van den berg
Artist role: boer
Artist dates: 1902 – 1983
Subjects: cattle

Deze foto's zijn onderdeel van een album.
Een jongen houdt een paard aan de toom
Object type: print
Date: 1800 – 1841
Materials: paper
Techniques: etching
Subjects: horse
Inscriptions: collector's mark: Lugt 2228

Een jongen houdt een paard aan de toom. Het paard is alleen in omtrek weergegeven.
Schildknaap
Object type: sculpture
Date: 1475 – 1500
Materials: bronze
Location: padua
Whistle
Object type: whistle
Date: 1867 – 1900
Materials: wood
Culture: african
Portret van Martin Luther
Object type: print
Date: 1827 – 1862
Materials: paper
Techniques: lithograph
Subjects: priest, martin luther, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Statuette
Object type: statuette of a woman
Date: 1850 – 1640
Materials: wood
Location: egypt
Subjects: women
Bowl
Object type: bowl
Date: 1573 – 1620
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Zittende naakte man met fluit
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: printing, printmaking
Location: haarlem
Subjects: wind instruments, sitting on the ground
Inscriptions: collector's mark: Lugt 240, inscription: ‘na een Tekening van Rembrant door Corn : van Noorde in 't koper gebragt 1765’

Een naakte zittende man met een fluit of een stok in zijn handen.
Terracotta hemispherical strainer
Object type: strainer
Date: 600 – 501
Materials: terracotta
Culture: lydian

This bowl-shaped strainer, provided with a handle, may have been used to prepare a cheese- or yoghurt-like food.
Cabinet
Object type: cabinet
Date: 1700 – 1700
Materials: brass, wood, gilt bronze, shell
Techniques: veneering
Artist: andré charles boulle
Artist role: maker
Artist nationality: french
Artist dates: 1642 – 1732
Portret van een huzarenofficier
Object type: drawing
Date: 1785 – 1837
Materials: ink, paper
Techniques: brush, pen
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Portret van Edward Jenner
Object type: print
Date: 1781 – 1835
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann christiaan böhme
Artist role: print maker
Artist dates: 1771 – 1835
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Rechtsboven genummerd: No. 8; linksboven: z.f.d.j.
Medal Awarded to the Sword Makers Robert Mole and Sons
Object type: medal
Date: 1851 – 1851
Materials: bronze
Culture: british
Location: england
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: men,profiles
Studies van de Dood te paard
Object type: drawing
Date: 1836 – 1888
Materials: chalk, paper
Artist: carel vosmaer
Artist role: draughtsman, print maker
Artist dates: 1826 – 1888
Subjects: riding a horse, ass, or mule; rider, horseman, death as skeleton
Watch
Object type: watch
Date: 1680 – 1680
Materials: silver
Artist: pierre derssigny
Artist role: maker
Artist nationality: french
Artist dates: 1646 – 1746
Sculpture Gallery. Municipal Gallery of Modern Art, Dublin
Object type: postcard
Date: 1920 – 1950
Materials: photographic support
Techniques: rotogravure
Location: dublin
Artist: Anonymous
Subjects: dublin
Melkkan, gestrekt bolvormig en afgezet met parelranden
Object type: milk jug
Date: 1892 – 1892
Materials: silver
Location: voorschoten

Melkkan van zilver. Gestrekt bolvormig en afgezet met parelranden.
Pijpekomfoor van zilver met vier gebogen poten op blad van mahoniehout. Binnenbak van rood koper. Blad op vier bolpoten.
Object type: pijpenkomfoor
Date: 1826 – 1826
Materials: copper, wood, silver
Location: sneek
Artist: meinardus warren
Artist role: silversmith
Inscriptions: mark

Ovaal pijpekomfoor van zilver met roodkoperen binnenbak, op een mahoniehouten blad. Het komfoor rust op vier gebogen pootjes. Het blad rust op vier gebolde pootjes. De binnenbak, het komfoor en het blad, zijn door een zilveren moer met elkaar verbonden.
Miniature kettle with cover, stand, and lamp
Object type: kettle with cover, stand, and lamp
Date: 1720 – 1730
Materials: silver, wood
Artist: david clayton
Artist role: artist
Artist nationality: british
Artist dates: 1659 – 1719
Poort van het voormalige St. Nicolaas- of Kramerijgild
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: tone lithography
Subjects: monumental door, porch, 'aediculum', merchant guild, haarlem

Prent uit: Allan, Francis. Geschiedenis en beschrijving van Haarlem (...). 4 dln. 1874-1888, dl. 1 (1874), p. 388-389.
Door Mount
Object type: door mount
Date: 1001 – 1100
Materials: iron
Culture: french
Location: france
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, tendril and three fronds of a palmette
St. Paul à Rome
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: tomasso cuccioni
Artist role: print maker
Artist dates: 1790 – 1864
Subjects: interior of church
Inscriptions: inscription: ‘St. Paul près de Rome’, inscription: ‘Roma Via Condotti Ni. 18.19.’
A8: Massachusetts Bedroom, c. 1801
Object type: miniature room
Date: 1940 – 1940
Location: united states
Artist: narcissa niblack thorne
Sluitvignet met twee libellen
Object type: book illustration
Date: 1893 – 1893
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: insects: dragon-fly

Prent uit: Catalogus van handboeken, pracht- en plaatwerken, dicht- en prozabundels en kinderliteratuur (...). Amsterdam: Scheltema & Holkema's Boekhandel, 1894, p. 9.
Deze prent werd origineel ontworpen voor: Crane, Walter. Kunst en samenleving. [Vertaald uit het Engels door] Jan Veth. Amsterdam: Scheltema & Holkema's Boekhandel, 1894 [1893], p. 171.
Gezicht in een tuin, vermoedelijk in Rome
Object type: glasnegatief, glasplaatnegatief
Date: 1851 – 1868
Materials: glass
Techniques: collodion process
Location: rome
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909
Subjects: garden, rome

Onderdeel van een groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, met stillevens, portretten, zelfportretten en kunstreproducties.
Vera anatomiae Lugduno-Batavae cum sceletis et reliquis quae ibi extant delineatio
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving, etching
Subjects: university, anatomy lesson
Inscriptions: collector's mark: Lugt 2228

Anatomisch theater van de Universiteit van Leiden. Bij de anatomische les zijn verschillende toeschouwers aanwezig. In de ruimte hangen skeletten van mensen en dieren. Onderdeel van een groep van vier gezichten van de Universiteit van Leiden, later gebruikt als illustratie in het supplement van het boek van Meursius over de Leidse universiteit.
Covered vase with phoenix
Object type: vase
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: mythical creatures,flowers
Tattersall's, Horse Repository, Hyde Park Corner
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,horses,london
Twee kinderen langs een beek en een liggende vrouw
Object type: photomechanical print
Date: 1886 – 1896
Materials: paper
Techniques: photograph, printing
Artist: Anonymous
Subjects: child, brook, lying figure - aa - female human figure
Nine-Panel Buddhist Monk’s Vestment (Kujō kesa) with Lotus Arabesque
Object type: robe, priest's
Date: 1667 – 1766
Materials: gold, silk
Techniques: patterning
Culture: japanese

The transmission of the Buddhist master’s vestment (kesa) to the disciple represents the transmission of the dharma (teaching), especially in Zen Buddhism. The only person able to recognize that the disciple is on the way to enlightenment (or has reached it) is the master, who has already experienced it. Kesa are treasured and associated with those who wore or owned them. Small, rectangular pieces of fabric are joined together to form one kesa. Many robes have been created from cut-up religious offerings, reflecting the idea that what is worthless in the secular world translates into the sacred in the Buddhist realm.
Terracotta kylix (drinking cup)
Object type: kylix
Date: 500 – 490
Materials: terracotta
Culture: greek, attic
Artist: apollodoros
Artist role: artist
Subjects: human figures

Youth at an altar The youth is shown in an athletic context, indicated by the sponge suspended in the background. J.D. Beazley has attributed the composition here to the influence of the contemporary vase-painter Douris.
Plate 9: Colonnaded hall according to the custom of the ancient Romans (...), from "Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe" (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)
Object type: print
Date: 1743 – 1743
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: architecture,interiors
Portret van Ambrogio Spinola
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: helmet, historical persons, knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228

Portret van Ambrogio Spinola, markies de los Balbases, gekleed in harnas met een bevelhebbersstaf in zijn hand. Rechts op tafel zijn helm.
Pistol Shield
Object type: pistol shield
Materials: iron, steel, textile, wood
Culture: british
Location: england
Rivierlandschappen met bebouwing en figuren
Object type: print
Date: 1597 – 1650
Materials: paper
Techniques: etching
Location: the hague
Subjects: ferry, tow-boat, towing-barge, river (+ landscape with figures, staffage), mountains
Inscriptions: collector's mark: Lugt 240

Door een bergachtig landschap stroomt een rivier. Over de rivier varen een trekschuit en een pont. Beide oevers zijn bebouwd.
Monument to Sir John Malcolm on Langholm Hill
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: paris
Artist: Anonymous
Subjects: obelisk, needle
Duck (one of a pair)
Object type: figure
Date: 1760 – 1770
Materials: hard paste porcelain
Subjects: ducks
Zijden geborduurd fragment van een japon
Object type: womenswear
Date: 1750 – 1800
Materials: silk
Techniques: embroidered
Location: indonesia
Artist: Anonymous

Een heidetak staat midden tussen twee verspreide vlinders, een libelle en vier andere middelgrote bloemtakken.
Portretten van Mattheus Verheijden, Jan George Freezen en Pieter Lyonet
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: print maker, pieter lyonet, the hague, painter, draughtsman, mattheus verheyden, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent waarschijnlijk uit: Gool, Johan van. De nieuwe Schouburg der Nederlantsche kunstschilders en schilderessen (...). Den Haag: 1751, dl. 2, p. 278.
Titelpagina voor: Quintus Curtius Rufus, Historia Alexandri Magni, 1664
Object type: titelblad, titelpagina
Date: 1664 – 1664
Materials: paper
Techniques: engraving, etching
Location: leiden
Artist: Anonymous
Subjects: (story of) alexander the great, fama as roman personification
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een cartouche met de titel waarboven Alexander de Grote te paard. Onder het paard ligt een gevallen figuur en een wereldbol. Aan de bovenzijde blaast Fama op een bazuin.
Candlestick
Object type: candlestick
Date: 1790 – 1820
Materials: brass
Pigault Lebrun
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Smallsword
Object type: smallsword
Date: 1650 – 1650
Materials: copper, leather, steel, wood
Culture: dutch
Location: netherlands
Subjects: unicorns

By the early seventeenth century, the rapier, a long slender thrusting sword, began to dominate as the gentleman’s weapon of choice. During the course of the century, however, as civilian fencing techniques became more specialized and refined, the rapier developed into a lighter, trimmed-down weapon known by about 1700 as the smallsword. Smallswords, often richly decorated, remained an integral part of a gentleman’s wardrobe until the wearing of swords in civilian settings went out of fashion at the end of the eighteenth century, at which time pistols were replacing swords as arms most frequently used in personal duels. The majority of smallsword hilts are made of silver or steel, but many also employ a wide variety of luxurious materials, such as gold, porcelain, and enamel. At their best, smallswords combine the crafts of swordsmith, cutler, and jeweler to create an elegant weapon that was also a wearable work of art.
Ontwerpen voor een historiepenning voor raad, schepen en oud-burgemeester van Haarlem Pieter van der Camer
Object type: drawing
Date: 1743 – 1743
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228a

Bovenaan een ontwerp met het wapen van Pieter van der Camer boven een kussen en achter het wapen twee gekruiste fasces (of bijlbundels: bundels houten pijlen die een bijl insluiten). Onderaan een ontwerp met een blanco wapenschild en daarachter twee gekruiste fasces.
Rotslandschap met twee wandelaars
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: rocks
Inscriptions: collector's mark: Lugt 2228
Austriacae gentis imaginum
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 58 prenten. Het meerendeel van de prenten bevat portretten van 74 leden van het Oostenrijkse Huis, naar tekeningen door Francesco Terzio, die deels getekend zijn naar de 28 levensgrote bronzen beelden die rond de cenotaaf van Maximiliaan I in de Hofkirche te Innsbruck staan.
Ongunstig verloop van de strijd tegen Spanje
Object type: jeton
Date: 1626 – 1626
Materials: copper
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: staten van utrecht, eemland, tachtigjarige oorlog

Koperen penning. Voorzijde: gevecht tussen ruiters en soldaten, beschenen door hemellicht met daarin naam jehovah in hebreeuws schrift boven wapenschild binnen omschrift. Keerzijde: schepen op zee met elkaar in gevecht binnen omschrift.
Bead
Object type: bead
Date: 701 – 1300
Materials: stone
Techniques: cutting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Staande man, van opzij naar links
Object type: drawing
Date: 1868 – 1940
Materials: paper, pencil
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: political meeting, propaganda meeting, historical events and situations, political caricatures and satires

Ontwerp voor spotprent op het Sociaaldemocratisch Congres te Amsterdam, 1904. Ontwerp voor een prent.
Lake in the Tyrol
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: etching
Location: france
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
2 skilling courant uit Noorwegen van Frederik VI, 1810
Object type: coin
Date: 1810 – 1810
Materials: copper
Techniques: striking
Location: kongsberg

Koperen munt. Voorzijde: gekroond monogram van de vorst. Keerzijde: waarde-aanduiding in drie regels. Jaartal onderaan, waartussen aanduiding van de muntplaats. Gladde rand.
Servet van linnendamast met de verovering van Lille
Object type: napkin
Date: 1709 – 1709
Materials: linen
Techniques: damask, weave
Artist: Anonymous

Servet van linnendamast met de verovering van Lille
Bowl
Object type: bowl
Date: 4400 – 3800
Materials: pottery
Location: egypt
Hylas de argonaut
Object type: print
Date: 1633 – 1676
Materials: paper
Techniques: etching
Location: haarlem
Artist: pieter casteleyn
Artist role: draughtsman, print maker
Artist dates: 1618 – 1676
Subjects: the argonauts in mysia
Inscriptions: collector's mark: Lugt 240

Een jonge man met snor en krullend haar en profiel naar rechts. Op de achtergrond een zeeslag.
Verhaal van Tobias
Object type: print
Date: 1570 – 1580
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: tobias and his father offer gifts to the angel
Inscriptions: collector's mark: Lugt 847a, collector's mark: Lugt 919 bis, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Tobit zit geknield voor een kist met geldstukken en biedt deze aan aan de engel. Tobias en Anna staan achter hem.
Oberhof i. Thür., 825 m ü. d. M. Obere Schweizerhütte
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: oberhof
Artist: Anonymous
Subjects: villa
Gezicht op de Prins Hendrikkade
Object type: photograph
Date: 1861 – 1938
Materials: cardboard, paper
Techniques: albumen print
Subjects: city-view in general; 'veduta', street, hotel, hostelry, inn
Inscriptions: inscription: ‘Legaat Joh. M. Coffeng. 1966’, collector's mark: ‘11B.60’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Prinsengracht, Korte Prinsengracht, Prins Hendrikkade. Zie ook Portefeuille 1: gezichten van het IJ op de stad.
The bodhisattva Maitreya
Object type: figure
Date: 500 – 525
Materials: limestone
Location: longmen
Artist: Anonymous
Subjects: representations ~ gods, demi-gods, heroes, etc. (hinduism, buddhism, jainism), statues, paintings, etc. ~ objects of worship (hinduism, buddhism, jainism)

Maitreya, the Buddha of the Future, will appear during the following world cycle and rule an earthly paradise as successor to the Buddha. At present he is still in his heaven, awaiting his descent to earth. This figure comes from Longmen, a complex of Buddhist temples carved from the living rock. The fine stylization of the drapery and the facial features are typical of sculpture from this site.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Black glaze fragment from the neck of a column-krater