deem-data/ArtiFact huggingface dataset:
Petit Courrier des Dames, 25 février 1827, No. 452 : Gilet de Cachemire brodé en soie...
Object type: fashion print
Date: 1827 – 1827
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), embroidery (ornamentation) (+ men's clothes), coat (+ men's clothes), styles of hairdress, fashion plates, shoes, sandals (+ men's clothes), neck-gear: collar (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), stockings, socks (+ men's clothes)
Inscriptions: title: ‘Modes de Paris.’, address: ‘Boulevard des Italiens No.2 près le passage de l'Opèra.’, title: ‘Petit Courrier des Dames.’, caption: ‘Gilet de Cachemire brodé en soie, dessous blanc en gros de Naples, Col en gros de Naples couleur paille, Culotte en croisé de soie, bas a mailles coulées Coupe de cheveux par M.r foucher galerie de pierre No. 7.’

Staande man gekleed in een jas met lange pofmouwen. Vest van cachemire geborduurd met zijde, waaronder een wit hemd van gros de Naples. Kraag van strokleurige gros de Naples. Kniebroek en kousen. Kapsel door Foucher. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868). Ingebonden (met enkele pp. Le Journal des Dames et des Modes). 15 Januari 1827 t/m 20 maart 1830. Incompleet.
Euphorbia Canariensis on the sea-coast of Orotava
Object type: page
Date: 1856 – 1858
Materials: paper
Techniques: albumen print
Location: la orotava
Subjects: plants and herbs: cactus
Inscriptions: inscription: ‘Photo-Stereograph 14.’
Box
Object type: box
Date: 1834 – 1866
Materials: cardboard, paper, textile, silk, wood
Subjects: men,flowers,boats
Henricus. IIII. imp
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: liège, crown (symbol of sovereignty), historical persons, hacking and thrusting weapons: sword, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 377. Eerste staat verschenen als grotere prent met 12 portretten, gedateerd 1695.
God Shiva Seated with His Consort Parvati
Object type: sculpture
Date: 1301 – 1400
Materials: bronze
Location: kerala
Shoe buckles
Object type: shoe buckle
Date: 1795 – 1795
Materials: metal, paste
Culture: british
Censer in the Form of a Cock on a Drum
Object type: censer
Date: 1800 – 1800
Materials: enamel, gold, stoneware
Culture: japanese
Subjects: drums,censers
Gazelle
Object type: illustrated single work
Date: 1601 – 1800
Materials: lead
Techniques: drawing
Location: india
Subjects: animals
Three fragments of friezes; on top, a grotesque head of a man, a skull of a ram at bottom left and a chimera at bottom right, plate 2 from "Friezes, foliage, and grotesques" (Frises, feuillages et grotesques)
Object type: print
Date: 1638 – 1643
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: ornament,heads,mythical creatures
Initiaal I
Object type: photomechanical print
Date: 1904 – 1904
Materials: paper
Techniques: printing block
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’

Het initiaal is gebruikt voor: Veth, Jan. Jozef Israëls en zijn kunst. Arnhem en Nijmegen: Gebroeders E&M Cohen, 1904.
De anti-Engelsche geruchten en de Telegraaf
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: willy sluiter
Artist role: draughtsman, painter, print maker
Artist dates: 1873 – 1949
Subjects: pavement, terrace in front of inn or restaurant, personifications of countries, nations, states, districts, etc. (+ nation; national), beasts of prey, predatory animals: lion, political caricatures and satires, netherlands

Hoofdredacteur van de Telegraaf Schröder als de Nederlandse leeuw in gesprek met een onbekende man (Lion?), John Bull kijkt glimlachend toe. Spotprent over Nederlandse binnenlandse politiek, 8 april 1916.
Passement van linnen en gele zijde in zigzagpatroon
Object type: braid
Date: 1700 – 1899
Materials: linen, silk
Techniques: weave
Location: europe
Artist: Anonymous

Passement van linnen en gele zijde in een patroon van evenwijdige lijnen in een zigzagpatroon. Object overeenkomstig met BK-NM-12186-22.
Mace
Object type: mace
Date: 1801 – 1900
Materials: metal, silver
Artist: john swift ii
Artist role: maker
Artist dates: 1696 – 1796

This electrotype is after an eighteenth-century original (1766), at the time of reproduction the possession of Viscount Massereene and Ferrard.
Kris with Sheath
Object type: kris with sheath
Date: 1501 – 1900
Culture: javanese
Location: indonesia
Gezicht op een buitenwijk te Québec
Object type: opticaprent
Date: 1755 – 1779
Materials: paper, watercolor
Techniques: brush, etching
Location: augsburg
Subjects: city-view, and landscape with man-made constructions, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, québec
Inscriptions: collector's mark: Lugt 2228
Sampler
Object type: sampler
Date: 1832 – 1832
Materials: canvas, silk, wool
Subjects: human figures,birds,deer
Notre-Dame te Parijs
Object type: cabinet photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: church (exterior), façade (of house or building)
Inscriptions: annotation: ‘Notre Dame’
Portret van Dirck Helmbreeker
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: printing, printmaking
Location: haarlem
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: haarlem, rome, painter, draughtsman, dirck helmbreeker
Inscriptions: collector's mark: Lugt 240

Portret van de schilder Dirck Helmbreeker.
Portret van Christiaan Kramm
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: utrecht, christiaan kramm, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit: Immerzeel, Johannes. De levens en werken der Hollandsche en Vlaamsche kunstschilders. Amsterdam: Johannes Christoffel van Kesteren, 1843, dl. 2, p. 134.
Literary Illustration: Gentleman and Kneeling Gardener
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: jacob wilhelm mechau
Artist role: artist
Artist nationality: german
Artist dates: 1745 – 1808
Double Snuff Bottle
Object type: double snuff bottle
Date: 1801 – 1900
Materials: coral, jade, wood
Culture: chinese
Subjects: fish
Mountain Landscape with Trees near a River
Object type: drawing
Date: 1700 – 1705
Materials: chalk, graphite, ink, paper
Techniques: brush
Location: haarlem
Subjects: forest, wood

Berglandschap met op de voorgrond een pad.
Portret van een onbekende man met witte vlinderstrik
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: etching, intaglio
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: adult man
Inscriptions: annotation: ‘3me etat’, collector's mark: Lugt 2228
Portret van Johan de Knuyt
Object type: print
Date: 1754 – 1793
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons

Prent mogelijk uit: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...). 21 dln. Amsterdam: Isaak Tirion, 1754, dl. 11. Prent ook gebruikt in latere publicaties (1793).
Plate 15: Valets marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Object type: print, fete, ornament architecture
Date: 1623 – 1623
Techniques: etching, hand coloring
Location: brussels
Artist: cornelis galle (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1576 – 1650
Subjects: men

Plate from 'Pompa Funebris ... Alberti Pii', after Jacques Francquart, illustrating the funeral procession of Albert the Pious (1559–1621), Archduke of Austria, son of Emperor Maximilian II. 2 sheets pasted together at center. The first edition of this series contains 54 numbered plates and an engraved title page, published in 1623. The second and third editions contain 66 plates and were published in 1728 and 1729 respectively.
Gesperrt!
Object type: tissue stereograph
Date: 1879 – 1879
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Location: berlin
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: adult woman, adult man, bridge
Inscriptions: number: ‘36.’, inscription: ‘2.50’
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1930
Materials: ink, paper
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, painter, philip zilcken, education, tuition of the artist (in general), antwerp
Inscriptions: collector's mark: ‘RPK’
Pruissische lansier en Cosakken, in gevecht / Lancier Prussien et Cosaques combattants
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: inscription: ‘Deze prent gekocht 12 February 1856 op Dingsdag zulk een prent heeft mijn vader ook gebruikt voor de Chineesche schim.’, collector's mark: Lugt 2760

Blad met 3 horizontale rijen met voorstellingen van militairen te voet, met wapens en te paard. Onder elke voorstelling een onderschrift in het Nederlands en in het Frans, zesregelig bovenschrift in het Nederlands en in het Frans in twee kolommen. Genummerd linksboven: N. 28 B.
Tilt-top Tea Table
Object type: tilt top tea table
Date: 1800 – 1800
Materials: wood
Culture: american
Case (Inrō) with Benkei and Yoshitsune Disguised on the Flight to Ōshū
Object type: inrō
Date: 1801 – 1900
Materials: gold, ivory, lacquer, silver
Techniques: fundame, hiramakie, inlay, stain, maki-e
Culture: japanese
Subjects: men,reading,trees
Dish
Object type: dish
Date: 1750 – 1775
Materials: earthenware
Techniques: glazing
Artist: de porceleyne bijl
Artist role: factory
Subjects: flowers
Gezicht op Deventer vanaf de overkant van de IJssel
Object type: print
Date: 1770 – 1800
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, river, deventer
Panel
Object type: panel
Date: 1601 – 1700
Materials: gold, lacquer
Culture: japanese
Subjects: birds,leaves,trees
Terracotta fragment of a mastoid (drinking cup with narrow base) or a kyathos (cup-shaped ladle)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Bent elbow seen from beneath drapery of a figure to left; part of a draped figure to right, wearing a garment patterned with rosettes
Funerary Cone of the Wab-Priest Nebseny
Object type: cone, nebseny, circular impression, wab priest
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Manshoofd met lange baard
Object type: drawing
Date: 1587 – 1640
Materials: ink, paper
Techniques: pen
Artist: peter paul rubens
Artist role: draughtsman, painter, print maker
Artist dates: 1577 – 1640
Subjects: head (human), male sex; man
Vierkante holle sokkel van hout gestoffeerd met groen linnen, behorend bij Figuur, afkomstig uit de Mariakerk te Utrecht
Object type: pedestal
Date: 1960 – 1980
Materials: linen, wood
Techniques: cutting
Location: unknown
Artist: Anonymous
Inscriptions: annotation: ‘II’, annotation: ‘2’, annotation: ‘2’, annotation: ‘II’

Groen gestoffeerde sokkel van multiplex met grenen pin, behorend bij 'Figuur, afkomstig uit de Mariakerk te Utrecht'. De grenen pin is deels gestoffeerd en met twee schroeven aan de sokkel bevestigd. De sokkel is hol.
Quadrille - Evening Fashions - Dedicated to the Heads of the Nation. La Poule
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: styles of hairdress, more than one couple dancing, hairdress, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Spotprent met twee dansende paren, alle vier met overdreven haardracht.
Brug over de Aroel
Object type: photograph
Date: 1903 – 1913
Materials: photographic support
Techniques: photography
Location: north sumatra
Artist: Anonymous
Subjects: albertus dominicus laman trip, landscapes in tropical and sub-tropical regions, bridge

Na de expedities naar de Gajo- en Alaslanden o.l.v. Van Daalen (eerste tocht in 1901), werd hij in 1903 belast met voorbereiding van permanente vestiging van Nederlands gezag. Aanleg van een weg van de Noordkust naar het binnenland was hierbij van groot belang. Deze zgn. Gajoweg werd aangelegd tussen 1903 en 1914, van Bireuen aan de kust naar Takinguen aan het bergmeer Danau Lauttawar, totale lente 104 km.
Hanger met Victoria, laurierkrans in de hand
Object type: ornament print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: pendant, trinket, 'breloque', victory

No. 9 uit serie van 10 bladen met ornamentontwerpen voor voorzijden van hangers, Antwerpen 1581. W. 20
Creamer
Object type: cream pot
Date: 1876 – 1876
Materials: silver
Culture: american
Location: united states
Artist: tiffany & co.
Artist role: maker
Artist dates: 1837 – 9999
Subjects: fish
Diverses Especes de Poissons d'eau douce
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: bony fishes: roach
Inscriptions: collector's mark: Lugt 2228

Vier vissen op een rivieroever bij een visnet. Op de achtergrond een toren.
Kunstenaar zittend onder een eikenboom
Object type: print
Date: 1815 – 1823
Materials: paper
Techniques: lithograph
Location: mulhouse
Subjects: artist (in general) (+ artist at work), landscapes, trees: oak
Inscriptions: collector's mark: Lugt 2228
Groepsportret van een gezin met twee kinderen
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: family group, especially parents with their child(ren)
Moses and Other Figures
Object type: drawing
Date: 1570 – 1580
Materials: chalk, ink, drawing material
Techniques: pen
Artist: cesare nebbia
Artist role: artist
Artist nationality: italian
Artist dates: 1536 – 1614
Subjects: men,moses
Portret van Christian Fürchtegott Gellert
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving
Subjects: historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Carpet
Object type: textile
Date: 1601 – 1625
Materials: cotton, gilt, metal, silk
Techniques: brocade, cutting, treatment, weave, silvered
Location: iran
Harpocrates, Philosophus, Silentii Deus
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: putting a finger to the lips, 'silentium'; 'silentio' (ripa), harpocrates
Inscriptions: collector's mark: Lugt 2228

Harpocrates, de god van de stilte, houdt zijn vinger tegen zijn lippen.
Servet van linnendamast met de verheerlijking van Karel VI van Habsburg
Object type: napkin
Date: 1711 – 1711
Materials: linen
Techniques: damask
Location: flanders
Artist: Anonymous

Wit linnendamasten servet met de verheerlijking van Karel VI van Habsburg. Rode borduursteek: BB en in rood gestikt 21.
Portret van Willem Hendrik Suringar
Object type: photograph
Date: 1851 – 1868
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, lawyer, attorney at law
Inscriptions: inscription: ‘Van W.H. Suringar ontvangen,/ der 31e December 1868/ Adv P.J. Koch./ H.H.L. overleed 17 Sept: 1872 oud 82 jaren’
Engelse hulp aan de opstandelingen
Object type: jeton
Date: 1586 – 1586
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: greenwich, richmond (surrey), koningin, elizabeth i tudor (koningin van engeland), tachtigjarige oorlog
Landau #942a
Object type: drawing
Date: 1850 – 1860
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
H. Gregorius van Utrecht
Object type: print
Date: 1638 – 1708
Materials: paper
Techniques: etching
Location: haarlem
Artist: Anonymous
Subjects: heilige, gregorius van utrecht
Inscriptions: collector's mark: Lugt 2228

De heilige Gregorius van Utrecht, afgebeeld als een bisschop met mijter en kromstaf.
Ceramic Fragment
Object type: fragment
Date: 1301 – 1500
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: egypt
Ruïne van Huis Kranenburg
Object type: sketchbook leaf
Date: 1633 – 1634
Materials: ink, paper, pencil
Techniques: brush, pen
Location: berkum
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Subjects: ruin of a dwelling, house, castle, etc.

Vanuit het zuidoosten gezien. Blad 42 recto uit een schetsboek met 55 bladen.
A Fair Reward Presented in 1800 by the Un-Prudish Savages of North America to Louis-Philippe of Orléans, surgeon and expatriate, but still a Frenchman. (I salute you, gracious Black Lady, the Lord is with you.) A Namaquan Ave Maria, plate 466
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879

In this print Daumier transformed an actual event from Louis Philippe’s years in exile in America (1796–99) into a bawdy bedroom farce. To thank him for successfully providing medical aid to a member of his tribe, a Native American chief invited Louis Philippe to sleep between his grandmother and great aunt—an offer he could not politely refuse. The depiction of Native Americans as tattooed and sagging figures with eager sexual appetites reflects 19th-century racial prejudices and inverts the bourgeois societal and bodily ideals signaled by the pile of discarded European clothing on the left.
Statuette of a Woman
Object type: sculpture
Date: 450 – 450
Materials: terracotta
Techniques: polychromy
Culture: greek
Subjects: woman, beauty, rituals

Industrious workshops in Boeotia produced thousands of mold-made terracotta statuettes for religious, decorative, and funerary use for several centuries. This engaging statuette represents a woman whose down-turned eyes and pursed lips lend her a dejected air. Her hair is drawn up on the crown of her head and wrapped in a length of patterned cloth. She is clothed in a full-length, sleeveless dress and adorned with a necklace with seven pendants and a pair of bracelets on each arm. Remarkable for the preservation of its bold red, vivid yellow, and black coloration, this figurine reminds viewers that many ancient sculptures were once brightly painted.
Mr. and Mrs. Atherton Curtis
Object type: print
Date: 1906 – 1906
Techniques: etching
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: couples,men,women
Japonisme. Dix Eaux-Fortes
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: aquatint, etching, intaglio
Artist: félix hilaire buhot
Artist role: draughtsman, print maker
Artist dates: 1847 – 1898
Subjects: musician, piece of sculpture, reproduction of a piece of sculpture, japanese
Inscriptions: collector's mark: Lugt 2233

Prent uit een serie bestaande uit acht platen plus titelprent en ex libris, naar Japanse objecten uit de collectie van Philippe Burty, uitgegeven in Parijs door Edmond Sagot in (april) 1883.
In dat jaar vond er een belangrijke tentoonstelling plaats evenals andere Japan-georiënteerde activiteiten. Op 10 april 1883 opende de eerste retrospectieve tentoonstelling van Japanse kunst in de Westerse wereld in de Gallery Georges Petit op de Rue de Sèze te Parijs. Volgens een brief van Buhot aan Octave Uzanne, gedateerd 4 april 1883, had Buhot in 1875 reeds negen van de tien platen vervaardigd.
Bourcard & Goodfriend vermelden dat er van de serie vijftig waren gedrukt op Japans papier, honderd op Nederlands papier en enkelen op geel met goud bewerkt papier.
Drama of Areshi Soga
Object type: woodblock print
Date: 1711 – 1785
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Subjects: women,trees,actors
Portret van Johann Philipp von Schönborn, aartsbisschop van Mainz
Object type: print
Date: 1648 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Liefde (Caritas)
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Regena
Object type: photograph
Date: 1917 – 1917
Techniques: gelatin silver print
Artist: morton schamberg
Artist role: artist
Artist nationality: american
Artist dates: 1881 – 1918
Subjects: portraits,women
Titelprent voor: Henricus Vos, Alle de voornaamste historien des Ouden en Nieuwen Testaments. Verbeeld in uytsteekende konst-platen, 2 delen, Amsterdam, 1703.
Object type: titelprent, frontispice
Date: 1703 – 1703
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: christian religion (+ holy ghost (as a dove)), tetragram (in roman or hebrew script) ~ symbol of god the father

Titelprent voor: Henricus Vos, Alle de voornaamste historien des Ouden en Nieuwen Testaments. Verbeeld in uytsteekende konst-platen, 2 delen, Amsterdam, 1703.