deem-data/ArtiFact huggingface dataset:
Drie figuren bij een boom aan het water
Object type: print
Date: 1762 – 1829
Materials: paper
Techniques: etching
Artist: jean louis demarne
Artist role: draughtsman, painter, print maker
Artist dates: 1752 – 1829
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Studioportret van twee meisjes en een jongen met een kar
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dordrecht
Apothecary Cabinet
Object type: apothecary cabinet
Date: 1617 – 1618
Materials: wood, gilt brass, gilt silver, glass, gold, leather, silk, steel, velvet
Techniques: veneering
Artist: nicolaus i kolb
Artist role: goldsmith
Artist nationality: german
Artist dates: 1550 – 1621

Apothecary cabinets like this one were luxury goods made primarily for a princely clientele. The ebonized travelling case, veneered in pear wood, holds a silver medical garniture that would have contained only the most exclusive remedies, including exotic ingredients from far away countries such as pulverized ‘unicorn horn’ (narwhal horn), bezoar stones, and preparations of curative herbs, next to local favorites. The lid of the écuelle in this example, made by master Goldsmith Nicolaus I Kolb, is engraved with the armorial bearings of the Zobel von Giebelstadt family, several members of which held the powerful positions of Prince-Bishops in various German provinces and were discerning art collectors. Chests of this type served as intimate companions to their princely owners, equipped with the indispensable medicine, implements, and instructions for curing almost any of their ailments. It was common for princes to practice medicine themselves, and on a symbolic level, their personal skill in medical endeavors was equated with their ability to heal society, ensuring the wellbeing of their lands through skillful surgical interventions. Displayed in the Kunstkammer, fine surgical instruments and medicine chests could stand as an indication of the ruler’s ability to govern.
Preekstoel in de Nieuwe Kerk in Amsterdam
Object type: print
Date: 1816 – 1840
Materials: paper
Techniques: etching, hand coloring
Artist: willem schults
Artist role: print maker
Artist dates: 1806 – 1840
Subjects: interior of church, pulpit, ambo, chancel
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Gezicht op de tussen 1649 en 1664 door Albert Jansz. Vinckenbrinck vervaardigde preekstoel in de Nieuwe Kerk te Amsterdam. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Kerkgebouwen te Amsterdam.
Leunstoel vervaardigd van notenhout; stijlen, voorregel en H-vormig kruis met smalle en breede tors versierd
Object type: miniature
Date: 1690 – 1710
Materials: linen, board, silk, wood
Location: amsterdam
Artist: Anonymous
Portret van Carl Friedrich Zelter
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: engraving
Subjects: berlin, musician, historical persons, portrait of composer

Prent waarschijnlijk uit: Urania: Taschenbuch. Leipzig: Friedrich Arnold Brockhaus, 1834.
Denemarken, Christiaan IX, 2 øre, 1874
Object type: coin
Date: 1874 – 1874
Materials: bronze
Techniques: striking
Location: copenhagen

Bronzen munt. Voorzijde: gekroond monogram van de koning. Daaronder links jaartal. Keerzijde: tussen dolfijn en tak in twee regels waarde-aanduiding. Gladde rand.
Molly Mack, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Canopic Chest of Khonsu
Object type: canopic chest, khonsu
Date: 1279 – 1213
Materials: gesso, linen, paint, varnish, wood
Location: egypt
Miniature coffin of Saiah
Object type: coffin, miniature, saiah
Date: 2051 – 1981
Materials: wood
Location: egypt
Subjects: hieroglyphs,coffins
Dock and Shipyard (from Sketchbook)
Object type: drawing
Date: 1858 – 1916
Materials: graphite, ink, paper
Culture: american
Artist: henry ward ranger
Artist role: artist
Artist nationality: american
Artist dates: 1858 – 1916
Subjects: docks,ships

This sketchbook contains thirty-one undated drawings in graphite and ink of Noank and Lyme, Connecticut subjects. Beginning in 1899, Ranger became a leading member of the artists’ colony at Old Lyme, Connecticut, where a group of painters influenced by the Barbizon and impressionist styles gathered in the summer at the home of Florence Griswold. Ranger later acquired a country home in Noank, on Long Island Sound, near New London, Connecticut, and did much of his sketching there.
Flower Vase in "Crane's Neck" shape
Object type: vase
Date: 1734 – 1900
Materials: bronze
Culture: japanese
Fotoreproductie van een schilderij met een musicerend gezelschap
Object type: album leaf
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: making music; musician with instrument, vocal music, singing
Kloveniersburgwal / Herstelde Evang. Lutersch Kerk / Neu Lutherische Kirche / Eglise Lutherienne Unie / The Re-Established Evangelical Lutheran Church
Object type: print
Date: 1869 – 1869
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: protestant churches and denominations (lutherans), church (exterior)
Inscriptions: collector's mark: Lugt 1641b

Prent uit: Witkamp, Pieter Harme. Amsterdam in Schetsen. 2 dln. Amsterdam: George Wilhelm Tielkemeijer, 1869, dl. 2.
Nightgown
Object type: nightgown
Date: 1870 – 1879
Materials: cotton
Culture: american
A Boy Sitting on a Banked Vessel
Object type: print
Materials: paper
Techniques: lithograph, pen
Location: england
Artist: cornelius varley
Artist role: artist
Artist nationality: british
Artist dates: 1781 – 1873
Ornament met zwanen, vrouwelijke satyrs en putti
Object type: ornament print
Date: 1802 – 1802
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornament ~ arabesque, satyr(s) (in general) - ll - female satyrs (in general), water-birds: swan, cupids: 'amores', 'amoretti', 'putti', ornament derived from plant forms

Doordat dit album bestaat uit meerdere, deels eerder uitgegeven prentreeksen, is de datering niet consequent. Het geheel is op de titelpagina gedateerd op 1802. Deze reeks is niet afzonderlijk gedateerd.
De serietitel voor het gehele werk is "Recueil d'arabesques, contenant les loges du Vatican". De andere serietitel is de titel van de specifieke reeks binnen het geheel.
Landschap met bomen en kasteel
Object type: print
Date: 1820 – 1886
Materials: paper
Techniques: etching
Subjects: castle, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Een man en jongen wandelen op een weg. Links een muur met hek, bomen en een kasteel.
Portret van Richard Steele
Object type: print
Date: 1701 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, portrait of a writer, politician, e.g. party leader
Clam Chowder Picnic (from McGuire Scrapbook)
Object type: drawing
Date: 1824 – 1900
Materials: graphite, paper
Culture: american
Artist: william holbrook beard
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1900
Subjects: men,women,cooking,eating,picnics
Friesche meren
Object type: photomechanical print
Materials: paper
Techniques: rotogravure
Location: leiden
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, lake

Deze prent maakt deel uit van een album.
Jozef verklaart de dromen van de farao
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: joseph interpreting pharaoh's dreams
Inscriptions: collector's mark: Lugt 2228, number: ‘37’

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
La Né d'une Modiste, 1828 : Chap. III: Serez-vous inexorable
Object type: fashion print
Date: 1828 – 1828
Materials: paper
Techniques: hand coloring, lithograph
Subjects: fashion plates

Jongedame , hand in hand lopend met jongeman met hoge hoed op, naar rechts
Appareil stéréophotographique à convergence et à éscartement
Object type: page
Date: 1891 – 1901
Materials: paper
Techniques: autotype
Location: paris
Subjects: photographic apparatus
Inscriptions: number: ‘Fig. 46.’

Prent in album 'La photographie des objets immergés', 1901.
Brief aan Anna Dorothea Dirks
Object type: letter
Date: 1926 – 1926
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: johan huizinga
Artist dates: 1872 – 1945
Subjects: samuel muller (1848-1922), artist, anna dorothea dirks, amsterdam, cornelis winkler, painter, painting (including book-illumination, miniature-painting), exhibition ~ art
Inscriptions: watermark, collector's mark: ‘RPK’
Representanten van de eerste Nationale Vergadering van de Bataafse Republiek
Object type: silhouette
Date: 1796 – 1796
Materials: ink, paper
Techniques: drawing
Location: netherlands
Artist: hausdorff
Artist role: draughtsman, print maker
Subjects: historical persons (+ profile portrait), the hague, veghel

Silhouettes of members of the National Assembly. India ink on paper, 1796. Early in 1795 Stadholder William V fled to England. In the Republic a new regime was installed. A year later, the country held its first general election. Every Dutch man over the age of twenty and not on poor relief was entitled to vote for a candidate to the National Assembly, the parliament of the Batavian Republic, as the country was known between 1795 and 1806. The 126 representatives who sat in the assembly were drawn from the educated, progressive elite of Dutch society.
Theepot met een bruine vlekken (De Caluwe bakafval)
Object type: bakafval
Date: 1700 – 1725
Materials: earthenware
Techniques: firing, vitrification
Location: delft
Artist: jacobus de caluwe
Artist role: plateelbakkerij
Artist dates:  – 1730

Toegeschreven aan Jacobus de Caluwe, omdat dit voorwerp samen met gemerkte stukken (‘Jacobus De Caluwe’ en rennend hert) gevonden is op de plaats waar zich De Caluwes tweede werkplaats bevond. Er is een duidelijke stilistische overeenkomst tussen de gemerkte en niet gemerkte voorwerpen uit deze archeologische vondst.
Aanspreker
Object type: costume print
Date: 1806 – 1806
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Subjects: oral announcement (of death), undertaker's man, clothes, costume

Een aanspreker (aanzegger) deelt het overlijden van iemand mee aan een huisvrouw in de deuropening van een wijnhuis. Op het uithangbord: Vry Wyn. Onderdeel van de verkleinde kopieën uit 1806 naar de platen van Nederlandse klederdrachten uit de jaren 1803-1807.
Thackeray the humourist and the man of letters
Object type: book
Date: 1864 – 1864
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, engraving, etching, printing, marbled paper
Location: london
Heilige Bartholomeus als patroon van het Amsterdamse looiersgilde (?)
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Terracotta fragments of undetermined shapes
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Nine black glazed fragments from undetermined shapes; sheared
Emma Thiersby, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses
Terracotta fragment from a kantharos: head vase
Object type: kantharos fragment, head vase
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

From the cuff of a plastic kantharos, a draped winged woman to right, with a sakkos
Capitolijnse Venus in de Capitolijnse Musea te Rome
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: capitolijnse musea
Artist: Anonymous
Subjects: woman (showing herself) undressed, quasi-nude, (story of) venus (aphrodite), sculpture
Inscriptions: inscription: ‘Grieksche Kunst. <BR />Kapitoolsche Venus. (...) Navolging van de Venus van Cnidos van Praxiteles.’, inscription: ‘CWN.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS<BR />AMSTERDAM<BR />FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-<BR />NIJVERHEIDSONDERWIJS<BR />GABRIËL METSUSTRAAT No. 16.<BR />AMSTERDAM’
Portret van Giovanni Diodati
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Alejandra
Object type: print
Materials: paper
Techniques: relief print
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Esemplario di Lauori..., page 14 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Location: venice
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573

Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's brother), Italian, active 16th century. Reissued by Macmillan & Co., British, London and New York. From top to bottom, and left to right: Design continues from previous page. Design is illustration of Orpheus playing music that attracts the attention of various animals who then watch him perform. Scene is set upon a black background.
Walking dress
Object type: walking dress
Date: 1865 – 1865
Materials: silk
Culture: american

This is a sophisticated walking dress with ties to pull the skirts up to ankle length, which allowed the wearer to walk comfortably. It was common in the 1860s for the length of the skirt to be adjusted for walking by being pulled up in ribbon loops. This would create puffiness at the back where more length generally had to be adjusted from the train. The puffing at the back eventually led to the back puff of the bustle silhouette which followed in the later 1860s. The typical 1860s pagoda sleeves represented here are particularly elegant with classy ruched inner bands, unlike the typical box pleating normally used for such decorative purposes. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.
Windmill Hill, and O'Hara's Tower, Europa point
Object type: page
Date: 1860 – 1870
Materials: photographic support
Techniques: albumen print
Location: gibraltar
Artist: j.h. mann
Artist role: fotograaf
Subjects: rock-formations
Christus voor Pilatus
Object type: book illustration
Date: 1558 – 1558
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: christ before pontius pilate (matthew 27:11-26; mark 15:2-15; luke 23:2-7, 23:13-25; john 18:28 - 19:16)
Inscriptions: number: ‘180’

Gebruikt voor de publicatie: Rhau, Georg. Hortulus Animae. Neurenberg: Valentin Geißler, 1558.
Kuyper en Lohman in Zeeland op de weegschaal
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, jonkheer alexander frederik de savornin lohman, abraham kuyper, weighing, political caricatures and satires, zeeland

De antirevolutionaire voormannen Abraham Kuyper en Alexander de Savornin Lohman worden op een weegschaal gewogen. Om de weegschalen heen vechten de omstanders.
Portret van François-Michel le Tellier
Object type: book illustration
Date: 1680 – 1730
Materials: paper
Techniques: engraving
Location: france
Artist: Anonymous
Subjects: paris, françois-michel le tellier (markies de louvois), ornament ~ medallion, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent komt uit een onbekende publicatie.
Kustlandschap met groep bomen op duin
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem matthias jan van dielen
Artist role: print maker
Artist dates: 1805 – 1867
Subjects: dune coast
Inscriptions: collector's mark: Lugt 2228
Gezicht op Dane Hall van de Harvard-universiteit
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: university building, college
Tumi Fragment with Fist
Object type: knife fragment
Date: 101 – 700
Materials: copper
Techniques: casting
Culture: moche
Location: peru
Spotprent op de ministeriële krisis, 1870
Object type: cartoon
Date: 1870 – 1870
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: amsterdam, the hague, politician, personifications of countries, nations, states, districts, etc., tales and fairy tales (with title)

Spotprent op de langdurige ministeriële krisis. Blauwbaard (Heemskerk) dreigt zijn vrouw (Nederlandse Maagd) met het zwaard het hoofd af te slaan. Zij roept 'Anna! Zuster Anna! ziet gij ... nog niet komen?' Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 50, 1870.
Sugar Tongs
Object type: tongs
Date: 1887 – 1887
Materials: silver
Culture: american
Location: united states
Artist: tiffany & co.
Artist role: maker
Artist dates: 1837 – 9999

An 1898 article in The Jewelers’ Circular lauds this service as “one of the most artistic silver sets ever produced by the hands of an American silversmith.” Tiffany factory records describe it as a “tête-à-tête” and as “Persian.” Near Eastern and Asian sources clearly inspired both the forms and the ornament, which is executed in sophisticated, subtly shaded enamels.
Portret van een oude vrouw met muts en boek
Object type: album leaf
Date: 1859 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: eduard fuchs
Artist role: painter
Artist dates: 1832 – 
Subjects: historical persons, head-gear: cap
Inscriptions: inscription: ‘Photographie/ E. Fuchs/ Leeuwarden’
Carved Bead
Object type: bead
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: human figures
Mrs. Logan and Two Unknown Women, Newhaven
Object type: photograph
Techniques: carbon print
Location: scotland
Artist: david octavius hill
Artist role: artist
Artist nationality: scottish
Artist dates: 1802 – 1870
Bombario Actionist en de Geest van Esopus
Object type: print
Date: 1718 – 1720
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: caricatures (human types), little people

Een kleine mens als officier met grote verenhoed en een speelkaart in de hand. In het onderschrift een vers in het Nederlands. Genummerd rechts midden: 7. Onderdeel van de tweede Nederlandse gebonden uitgave uit 1720 (en gerelateerd aan de Windhandel in dat jaar) van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel.
Bullekerk te Zaandam
Object type: boekillustratie ontwerp
Date: 1801 – 1899
Materials: ink, paper, pencil
Techniques: pen
Location: zaandam
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: church (exterior)
Inscriptions: number: ‘23’
Portret van Andreas Gryphius
Object type: print
Date: 1704 – 1765
Materials: paper
Techniques: engraving
Artist: johann friedrich schmidt
Artist role: print maker
Subjects: historical persons, portrait of a writer, writer, poet, author
View of the Fountainhead of the Acqua Paola on Monte Aureo, from Vedute di Roma (Roman Views)
Object type: print
Date: 1751 – 1751
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: human figures,fountains,rome
Fontein in de tuin van Villa Borghese in Rome
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: garden, garden fountain
Josie Hall, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses
Palampore
Object type: bedcover or hanging
Date: 1767 – 1800
Materials: cotton
Techniques: dyeing, painting, weave, resist
Location: india
Subjects: flowers,trees

This type of dyed cloth, known as a palampore (from palangposh, the Hindi term for bedcover), was made in abundance in India for foreign markets in the late seventeenth and eighteenth centuries, and their decoration, often with a central tree laden with fruits and birds, combined patterns from English embroideries, Chinese decorative objects, and Indian textiles. In Europe, they were used as bedcovers and were also hung on the walls of bedrooms. In Southeast Asia, where this piece might have been traded, such textiles were displayed during religious ceremonies.
Boy with lion (representing Africa) (part of a set)
Object type: group
Date: 1755 – 1770
Materials: faience
Techniques: glazing
Subjects: shields,boys,lions

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Portret van een vrouw
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, historical persons
Inscriptions: name: ‘Brand Frères Bruxelles’