deem-data/ArtiFact huggingface dataset:
Veel schoene stucken om te drijven den Goudt smeden dienlijck
Object type: ornament print
Date: 1594 – 1635
Materials: paper
Techniques: engraving
Location: northern netherlands

Links en rechts hangt een mascaron. Tegenzijdige kopieën van de onder Orn Cat I-324.A vermelde serie. Titelblad en 14 deels genummerde bladen uit een serie van 25.
Ensemble
Object type: ensemble
Date: 1870 – 1879
Materials: feather, hair, leather, metal, silk, wool
Culture: american
Artist: l.p. hollander & co.
Artist role: manufacturer
Artist nationality: american
Figure of a bird of prey on a rock
Object type: dierfiguur
Date: 1800 – 1899
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: china
Artist: Anonymous

Beeld van porselein, beschilderd in onderglazuur blauw en op het glazuur blauw, rood, groen, geel, bruin, zwart en goud. Beeld van een roofvogel staande op een rots met de vleugels licht gespreid en de kop omhoog. Enkele bakscheuren. Porselein met emailkleuren.
Portret van Johan Lodewijk, graaf van Nassau-Hadamar
Object type: print
Date: 1610 – 1699
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: low countries
Artist: Anonymous
Subjects: dillenburg, hadamar, johan lodewijk graaf van nassau-hadamar

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
A27: Virginia Kitchen, 18th Century
Object type: miniature room
Date: 1940 – 1940
Location: united states
Artist: narcissa niblack thorne
L'eau-forte en 1876
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: village, snow
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, watermark, collector's mark: ‘AFE v S’
Oprichting van het kruis
Object type: album leaf
Date: 1706 – 1706
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: raising of the cross to which christ is nailed already
Inscriptions: date

Deze prent maakt deel uit van een album.
La photographie moderne : pratique et applications
Object type: book
Date: 1888 – 1888
Materials: paper
Techniques: photograph, letterpress printing, photoaquatint, engraving
Location: corbeil
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, left hand and bit of drapery of figure
Huaisu in the Banana Grove
Object type: folding fan mounted a an album leaf
Materials: ink, paper
Culture: chinese
Artist: gu yun
Artist role: artist
Artist dates: 1835 – 1896
Subjects: men

Gu Yün was the leader of a group of painters working in Shanghai during the last quarter of the 19th century who called themselves "The Nine Friends" in imitation of Dong Qichang's (1555–1636) literati circle. the group included Wu Dacheng, Lu Hui, Ren Yü, Jin Lan and Ni Dian, all represented in this exhibition. In Gu's portrayal of Huai Su (737–?), the Tang monk is seated in the banana grove he called "Green Sky Temple," practicing calligraphy on nature's affordable paper—the banana leaf. Flywhisk in hand and drowsy from effort and perhaps drink, he wipes moisture from his brow, giving the impression that he is preparing for a nap. This amusing and very human portrayal is typical of the 19th century populist artist's approach to venerable and traditional subjects.
Container with a Woman between Two Men (Nécessaire de table)
Object type: print
Date: 1525 – 1600
Techniques: engraving
Artist: rené boyvin
Artist role: artist
Artist nationality: french
Artist dates: 1525 – 1598
Villégiature, from Nos Troupiers, published in Le Charivari, July 26, 1859
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,trees
Studie van een staande naakte vrouw
Object type: print
Date: 1903 – 1904
Materials: paper
Techniques: lithography
Artist: henri fantin-latour
Artist role: draughtsman, print maker
Artist dates: 1836 – 1904
Subjects: woman (showing herself) undressed, quasi-nude, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a

Het blad is een fragment van de hele prent.
Buddhist Priest's Robe (Kesa) with Pattern of Lotus Petals on Water
Object type: kesa
Date: 1701 – 1800
Materials: metal thread, silk
Techniques: brocade, weave
Culture: japanese

The lotus is a Buddhist symbol of purity and perfection because it grows out of mud but is not defiled. The pattern of lotus petals on water is found at least as early as the late Heian period and is seen, for example, in the illustrated sutras given by the Heike family to Itsukushima Shrine in 1164. This kesa's corner and central patches are no longer attached, allowing a rare glimpse of the vestment's original bright coloration.
Printing types with the characters W, ∆ and X from the wreck of the Dutch East India ship Hollandia
Object type: type
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Printing type; concreted together, rectangular, groove in one side, characters on both ends [W,: W,(?)].
Portret van keizer Maximiliaan II
Object type: print
Date: 1753 – 1774
Materials: paper
Techniques: etching
Artist: christian friedrich fritzsch
Artist role: print maker
Artist dates: 1719 – 1774
Subjects: vienna, maximiliaan ii (keizer van heilige roomse rijk), knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228

Portret opgenomen in: Meteren, Emanuel van. Historie van de oorlogen en geschiedenissen der Nederlanderen, en der zelver Naburen: beginnende met den Jare 1315, en eindigende met den Jare 1611, deel 2 van 10. Amsterdam: Steven Jacobus Baalde, 1786.
David en Bathseba
Object type: stained glass
Date: 1520 – 1520
Materials: glass, lead, pigment
Techniques: enamel painting
Location: low countries
Artist: Anonymous

David en Bathseba (2 Samuel 11:2). Ruit van gebrandschilderd glas in grisaille en zilvergeel, boogvormig. De scene wordt aan de gebogen bovenzijde afgesloten door een rand van Gotisch acanthuswerk, voortspruitend uit de rand van de voorstelling. De ruit behoort tot een reeks gewijd aan oudtestamentische scenes uit het leven van David.
Polonius and Hamlet
Object type: print
Date: 1834 – 1843
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: princes,shakespeare,men,hamlet

In 1834 Delacroix began a series of lithographs devoted to Hamlet, creating moody images that mirror the troubled psyche of the prince. Choosing key scenes and poetic passages, the artist's highly personal and dramatic images were unusual in France, where interest in Shakespeare developed only in the nineteenth century. Here, in act 2, scene 2, the prince mocks the officious courtier Polonious who asks what he is reading, and receives the reply of "Words, words, words." Gihaut frères published the artist's thirteen-print set in 1843, with a second expanded edition of sixteen issued by Bertauts in 1864. Cooly received at first, the prints eventually were recognized as one of the artist's most significant achievements.
Gezicht op de Pont d'Austerlitz
Object type: print
Date: 1820 – 1856
Materials: paper
Techniques: lithograph
Location: paris
Subjects: bridge in city across river, canal, etc., traffic on the water, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), paris
Inscriptions: collector's mark: Lugt 2228

Prent behoort mogelijk tot de serie 'Vues principales de Paris'.
Drie onbekende mannen bij de tombes van de rechters
Object type: page
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: landscapes, grave, tomb
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, part of palmette
Cimon en Pero (Caritas Romana)
Object type: print
Date: 1640 – 1660
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: pero suckling cimon ('caritas romana')
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Pero geeft haar vader, die geboeid in de gevangenis zit, de borst. Cimon zit op de grond in het stro een doek om zijn midden geslagen. Rechts een getralied raam.
Bowl
Object type: glass
Date: 1701 – 1800
Materials: glass
Location: england
Covered Cosmetic Box
Materials: stoneware
Techniques: celadon glazed, incising, underglaze
Location: china
Animalivm Qvaddrvpedvm
Object type: print
Date: 1628 – 1679
Materials: paper
Techniques: engraving, etching
Location: unknown
Subjects: landscapes, ram, ewe
Inscriptions: collector's mark: Lugt 2228

Een bok, een ooi en een ram op de voorgrond. Op de achtergrond een landschap. De prent maakt deel uit van een serie met als onderwerp dieren.
Stuk asbest, versierd met een gestileerde mand met bloemen
Object type: furniture
Date: 1900 – 1920
Materials: asbestos, paint
Location: netherlands
Artist: Anonymous

Stuk asbest, versierd met een gestileerde mand met bloemen in de kleuren bruin, grijs, wit en goud.
The Three Heathen Heroines (Drei Gut Haidin), from "Heroes and Heroines"
Object type: print
Date: 1519 – 1519
Techniques: woodcut
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
Subjects: swords,women,coat of arms

Standing, from left to right, are Lucretia (with a sword), Veturia (with a necklace), and Virginia (with the model of a building). On the ground at the feet of each figure is a shield with a coat of arms. From a series of six woodcuts each with groupings of three heroes or heroines.
Fotoreproductie van een tekening van Mephistopheles en Faust, uit het eerste deel van de tragedie Faust door Johann Wolfgang von Goethe
Object type: photograph
Materials: photographic support
Techniques: albumen print
Artist: friedrich bruckmann
Artist role: publisher
Artist dates: 1814 – 1898
Subjects: mephistopheles, name of the demonic tempter in the literary versions of the faust legends, (scenes from) specific works of literature: goethe, faust
Inscriptions: inscription: ‘(Durch des Künstler's Tod unvollendet geblieben.)’
Portret van Antoon van Straalen
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: antwerp, on the scaffold or place of execution
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Deel IV.
Portret van een proefpersoon tijdens elektrostimulatie: 'un vieillard'
Object type: photograph
Date: 1860 – 1862
Materials: paper, photographic support
Techniques: albumen print
Location: paris
Artist: guillaume benjamin amand duchenne
Artist role: fotograaf, medicus
Artist dates: 1806 – 1875
Subjects: face, physiology and anatomy ~ nervous system, neurology, physiology and anatomy, old man, morphology of facial expression, physiognomy, experiment, test ~ science and technology, france

Ongenummerde pagina met foto 8 uit Mécanisme de la physionomie humaine ou analyse électro-physiologique de l'expression des passions (Atlas).
Asch-Karmans kermis-wensch
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: letterpress printing, engraving
Artist: dirk wijbrand tollenaar
Artist role: print maker
Artist dates: 1808 – 1858
Subjects: pleasure fair and circus, garbage collection, amsterdam

Kermisprent namens de askarrenmannen (karrenman of vuilnisman) te Amsterdam, september 1859. Gezicht op de kermis op de Botermarkt met de Regulierswaag. Op de markt twee vuilniskarren. Onderaan een gedicht in twee kolommen. Namens P. Landzaad, de askarreman van wijk no. 7. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Mantle
Object type: mantle
Date: 1885 – 1885
Materials: metal, silk
Culture: french
Terracotta kylix (drinking cup)
Object type: kylix
Date: 467 – 435
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist
Subjects: men

Interior, man with staff Exterior, obverse, warriors arming and youth; reverse, men and youth The figures depicted on this cup indicate the fine line between athletes and warriors. The young men with their cloaks and staves need only a change of equipment to go to war.
Plate, from the Novelties series (N228, Type 3) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: profiles,women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Large candlestick (one of a pair, part of a set)
Object type: candlestick
Date: 1851 – 1851
Materials: gilt bronze
Artist: asprey
Artist role: maker
Artist nationality: british
Artist dates: 1781 – 9999

The set (1982.88.1–.8) was shown at the Crystal Palace exhibition in 1851. Except for the paper knife, each piece is engraved underneath with Asprey's name and address and the words Exhibition 1851.
Paar geliefden in een slaapkamer en twee afbeeldingen van kussende paren
Object type: photomechanical print
Date: 1900 – 1930
Materials: cardboard, photographic support
Techniques: photograph, gelatin silver print
Subjects: (lovers) kissing each other, bedroom
Inscriptions: monogram: ‘M [ H] B’

Deze foto en prenten maken deel uit van een album.
Verbond van Gewapende Neutraliteit en vierde Engelse zeeoorlog
Object type: history medal
Date: 1781 – 1781
Materials: silver
Techniques: striking
Location: amsterdam
Artist: johannes michiel lageman
Artist role: silversmith
Artist dates: 1735 – 1809
Subjects: fourth anglo-dutch war
Mute Viola d'Amore
Object type: mute viola d'amore
Date: 1734 – 1766
Materials: wood
Culture: austrian
Location: austria
Artist: daniel achatius stadlmann
Artist role: maker
Artist nationality: austrian
Artist dates: 1690 – 1744

The viola d'amore, or viola "of love," is a bowed stringed instrument which gained great popularity in the eighteenth century. Much of its history, including the derivation of its name, is unknown. It has many characteristics of the viol family such as a flat back, ribs that are flush with the top and back, and a rosette in addition to soundholes. Yet, like a violin, it is unfretted and held under the chin while played. Violas d'amore typically have seven playing strings, though instruments with other numbers of strings are not unusual. Perhaps the most distinguishable characteristic of the eighteenth-century viola d'amore is the presence of sympathetic strings, which are not played but located behind the bowed strings and vibrate "in sympathy." The sympathetic strings contribute to produce a tone that is clear and often described as "silvery," as well as creating a more resonant sound with a longer decay. Sympathetic strings are found on several European folk instruments, including the Swedish nyckelharpa and the Norwegian hardanger fiddle. They are prevalent on stringed instruments from India, most notably the sitar. The viola d'amore was popular with eighteenth-century composers and can be found in the works of J. S. Bach, Vivaldi, Telemann, Haydn, and Locatelli. The very small, shallow body of this viola d’amore gives it a quiet, lean sound. Mute violin-family instruments were generally used for practice in environments where a conventional instrument was too loud. This instrument’s scroll takes the typical form of a blindfolded cupid, representing the notion that "love is blind." Description: mute violino d'amore (pochette) with six strings to bow and six sympathetic strings. The inscriptions are the following: A brand stamp of the maker is to be found on the heel: "D A S", which probably stands for Daniel Achatius Stadlmann (1690-1744, Vienna). On the lower inner side there is the number: "228/ 27" written three times with red ink, black ink, and on a label. It appears to be an inventory number from the end of the 19th century. While the entire neck is that of a regular but very small viola d'amore, the body consists only of a top in viola shape, underneath of which a sound body similar to that of a pochette is attached. The neck is crowned with a Cupid's head. The ebony finger board, underlaid with a wedge, is apparently a later replacement, as are bridge and nut. The ebony pegs and the veneered ebony tail piece are original. The neck shows marks of scratches of unclear purpose. The top has the outline of a small viol and is made of birds eye maple, has no sound holes but a rose covering the entire body of the pochette. There is a pair of small purflings. To provide stability to the construction, the lower and upper bouts are supported by fractional small sides. The varnish is deep yellow as is typical for Viennese bowed instruments and for Stadlmann in particular.
Het orakel bepaalt de namen van de jongeren die aan Minotaurus geofferd moeten worden
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: etching
Location: antwerp
Artist: mattheus ignatius van bree
Artist role: draughtsman, print maker
Artist dates: 1773 – 1839
Subjects: the athenian youths draw lots for the yearly tribute to crete: seven youths and seven maidens to be devoured by the minotaur
Inscriptions: collector's mark: Lugt 2228

Op een groot plein in Athene is een grote groep mensen bijeen. Op een verhoging staat een urn waaruit het orakel de namen van de Atheense jongeren bepaalt die aan het monster Minotaurus geofferd moeten worden. Links staat de Griekse held Theseus die het monster uiteindelijk zal doden en de Atheners zal verlossen van de last.
De kerk van Steinkirchen
Object type: drawing
Date: 1713 – 1780
Materials: ink, paper
Techniques: brush, pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: church (exterior), germany
Powder Flask with Bullet Pouch
Object type: arm
Date: 1634 – 1666
Materials: brass, horn, iron, leather, mother of pearl, wood
Culture: polish
Location: central europe
Onoe Matsusuke I as an Oiran Stands at the Left, Talking to Nakamura Nakazo I as a Samurai
Object type: print
Date: 1788 – 1788
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: fans,men,women
Standing Girl, Back View
Object type: drawing
Date: 1908 – 1908
Materials: graphite, paper, watercolor
Artist: egon schiele
Artist role: artist
Artist nationality: austrian
Artist dates: 1890 – 1918
Subjects: girls
Dog Cart # 899
Object type: drawing
Date: 1870 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Francesco I de' Medici
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: francesco i de' medici
Inscriptions: collector's mark: Lugt 240

Francesco de' Medici, groothertog van Toscane, ten voeten uit afgebeeld met bontmantel en wandelstok. Op de achtergrond een balustrade met draperie. Onder de voorstelling vier regels in het Frans.
Opstand van de façade van een gebouw met rondboogvensters
Object type: sketchbook leaf
Date: 1864 – 1864
Materials: ink, paper, pencil
Techniques: pen
Artist: willem springer jr.
Artist role: draughtsman
Artist dates: 1815 – 1907
Subjects: façade (of house or building)
Inscriptions: annotation: ‘[...] 250 [...]’

Pagina 67 uit een schetsboek met 164 pagina's.
Ringvormig fragment uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, rings or ring-shaped fragments; id. 80H625.
Aedes Christi in Academia Oxoniensi
Object type: bookplate
Date: 1903 – 1903
Materials: paper
Techniques: engraving
Artist: charles william sherborn
Artist role: print maker
Artist dates: 1831 – 1912
Subjects: foliage ~ ornament, insignia of cardinal, e.g. hat, mantle, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Bartolomeo, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)
Object type: print
Date: 1611 – 1619
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, part of a reserve band
Terracotta oinochoe (jug)
Object type: oinochoe
Date: 525 – 500
Materials: terracotta
Culture: etruscan
Artist: micali painter
Artist role: artist
Subjects: eagles,sirens

Sirens and an eagle The Micali Painter is the most prolific and best-known Etruscan painter of black-figure pottery. His workshop was probably located at Vulci.
Heilige Augustinus
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: woodcut
Location: amsterdam
Subjects: augustine, bishop of hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen
Inscriptions: collector's mark: Lugt 240

Prent uit: Sichem, Christoffel van (II). 'tSchat der zielen, dat is: Het geheele leven ons Heeren Iesu Christi. Amsterdam: Pieter Jacobsz. Paets, 1648.