deem-data/ArtiFact huggingface dataset:
Molé (Mathieu) (...)
Object type: print
Date: 1838 – 1841
Materials: paper
Techniques: engraving, etching
Location: france
Artist: charles gavard
Artist role: print maker, publisher
Artist dates: 1794 – 1871
Subjects: official; civil servant; functionary (in general), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: s.n. Galeries historiques de Versailles. Parijs: Charles Gavard, 1838-1841.
Fragment of a Checkerboard Patterned Inlay
Object type: decorative art
Date: 100 – 100
Materials: glass
Techniques: mosaic glass
Culture: roman
Location: italy
Subjects: decoration

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
Happy New Year 1890, from the New Years 1890 series (N227) issued by Kinney Bros.
Object type: print
Date: 1889 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men

Trade cards from the "New Years 1890 Cards" series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company.
Trionfo Di Virtu. Libro Novo..., page 25 (recto)
Object type: book print ornament architecture
Date: 1563 – 1563
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: ornament

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated with a pattern of diamonds; the central diamond appears to be ornamented with an image of a double-headed bird, while the other diamonds frame illustrations of flowers. Bottom register is decorated with a pattern of diamonds formed by lines with coils; inside each diamond is a snowflake motif.
Gezicht op Tarbert
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: tarbert
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Meerval
Object type: messingplaat
Date: 1878 – 1944
Materials: brass
Techniques: etching
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Terracotta stirrup jar
Object type: false necked jar
Date: 1400 – 1050
Materials: terracotta
Culture: mycenaean

Broad and narrow bands, and waves on shoulder.
Seath mother and child from an ikoro drum(?)
Object type: mother and child figure
Date: 1401 – 1700
Materials: pigment, wood
Culture: mbembe
Location: nigeria
Artist: mbembe artist
Artist role: artist
Subjects: women

This spectral relic of a maternity figure was carved hundreds of years ago by a Mbembe artist working at the confluence of two major sculptural traditions - those of Cameroon and Nigeria. It is one of only a dozen related works that may have been created as early as the seventeenth century making them the oldest wood sculptures to have survived south of the Western Sudan. Each of these figures was originally an integral part of a monumental carved drum positioned at the epicenter of Mbembe spiritual life. The exposure of all of the surviving examples to the elements over extended periods of time has resulted in intensive weathering that has become a dramatic dimension of their aesthetic. This is one of three Mbembe depictions of the subject of mother and child - each of which is unique. This interpretation is striking for the handling of the passage of the child that is rendered extending horizontally across the mother's torso with its legs wrapped around the proper right side of her body emphatically underscoring their intersection.
Plate (one of a set of two of graduated size)
Object type: plate
Date: 1771 – 1772
Materials: silver
Artist: edme-pierre balzac
Artist role: maker
Artist dates: 1705 – 1786
Subjects: coat of arms
Earl of Chatham
Object type: print
Date: 1756 – 1800
Materials: paper
Techniques: engraving, etching
Artist: charles townley
Artist role: print maker
Artist dates: 1746 – 1800
Subjects: london, earl, politician, william pitt (i), historical persons
Inscriptions: collector's mark: Lugt 2228
Design for the painted decoration of a ceiling in strapwork and rinceaux
Object type: drawing
Date: 1851 – 1900
Materials: gouache, graphite, watercolor, paper
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Straatveger getrokken door een paard
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: letterpress printing, engraving
Location: haarlem
Subjects: street sweeping, street sweeper, two-wheeled vehicle drawn by one animal, amsterdam
Inscriptions: monogram: ‘TS (?)’, collector's mark: Lugt 1641b

Prent uit: Eigen Haard 4 (1878), nr. 52, 28 december 1878, p. 503.
Portret van Odet de Foix, burggraaf van Lautrec
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Location: france
Artist: Anonymous
Subjects: helmet, historical persons
Portret van onbekende man
Object type: cabinet photograph
Date: 1882 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: sumatra
Subjects: historical persons not known by name, sumatra
Inscriptions: name: ‘H. Ernst & Co. Photographers Medan Deli Sumatra’

Portret van een onbekende man. Ingestoken foto in het herinneringsalbum aangeboden door de Tabak Maatschappij Arendsburg aan hoofdadministrateur M.J. Tiele bij zijn terugkeer naar Nederland in 1887.
Strook kloskant met drie beschilderde zigzag-lijnen
Object type: strip
Date: 1805 – 1815
Materials: silk
Techniques: lace
Location: france
Artist: Anonymous

Strook naturelkleurige kloskant, blonde, waarbij het patroon is beschilderd met goudkleur, rood, roze en groen. Het patroon begint op de onderste helft van de strook en bestaat uit drie boven elkaar geplaatste en verschillend vormgegeven zigzag-lijnen. De bovenste lijn bestaat uit rozenknopjes die met een zigzaglijn met elkaar zijn verbonden. De middelste lijn bestaat uit een zigzag-lijn van afwisselend een sterk in elkaar gedrukte kronkelende lijn en een lijn die is opgebouwd uit aan elkaar geschakelde cirkeltjes. De onderste lijn bestaat uit een zigzag-lijn die is opgebouwd met contourdraden met daaronder een smal bandje in linnenslag. Op de toppen van deze zigzag-lijn staat afwisselend een cirkel en een dubbele rozenknop. De rozenknopjes zijn gemaakt in linnenslag met contourdraden. De overige motieven zijn vrijwel uitsluitend met contourlijnen gemaakt en zijn met elkaar verbonden door een maasgrond, een tulegrond. Als siergrond is in zowel de kleine als de grote cirkels een rozengrond toegepast. De bovenzijde van de strook is recht afgewerkt. De onderste zigzag-lijn vormt tevens de puntige schulpenrand en deze is afgewerkt met picots.
Hubertus Prins en de Wed. Jurdaan, welke mede gebragt heeft den opvolger van den Boer van Lekkerkerk, de Jonge Mammeloekin als ook de Jonge Streke Steenvreter
Object type: text sheet
Date: 1806 – 1815
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: pleasure fair and circus, human monstrosities ~ freak show, amsterdam
Inscriptions: collector's mark: Lugt 1641, collector's mark
Pinksterbrief geschreven door een kind ADR, zonder jaartal
Object type: wensbrief
Date: 1800 – 1825
Materials: ink, paper, watercolor
Techniques: engraving, etching, hand coloring, writing
Location: netherlands
Subjects: pentecost, whitsunday, calendar festivals, non-liturgical celebrations of days belonging to the ecclesiastical calendar, banquet of elegant company - cc - out of doors
Inscriptions: collector's mark, collector's mark: Lugt 1641

Pinksterbrief geschreven door een kind met de initialen ADR, zonder jaartal. Gericht aan de ouders. Handgeschreven vers binnen een voorgedrukte omlijsting met een elegant gezelschap dat zich in een tuin vermaakt met muziek, drinken en kaartspel. Rechtsboven genummerd: 51. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Nieuwjaars- en kermiswenschen.
Mansches de Coutiaus, aveques les feremens de la gain (...)
Object type: ornament print
Date: 1571 – 1623
Materials: paper
Techniques: engraving
Location: germany
Artist: johann theodor de bry
Artist role: print maker
Artist dates: 1561 – 1623
Subjects: prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, title-page, table-knife, christ in the house of martha and mary (luke 10:38-42)

Linksboven een mondblik met in het midden een ovaal met Christus in het huis van Martha en Maria. Rechtsboven een oirband met in het midden een ovaal met Prudentia. Titel geflankeerd door twee halve ontwerpen. Hoort bij serie van 5 bladen, elk met twee ontwerpen.
Ewer
Object type: ewer
Materials: copper
Location: turkey
Gezicht op de Tuilerieën te Parijs
Object type: stereograph
Date: 1850 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: jardin des tuileries
Artist: Anonymous
Subjects: french or architectonic garden; formal garden
Inscriptions: inscription: ‘Jardin des Tuileries’
Ornamenten met bladeren
Object type: drawing
Date: 1876 – 1924
Materials: chalk
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: foliage, tendrils, branches ~ ornament
A Basket and Birds
Object type: painting, overdoor
Date: 1631 – 1661
Materials: canvas, oil
Artist: jan fyt
Artist role: artist
Artist nationality: flemish
Artist dates: 1611 – 1661
Subjects: birds,still life,baskets
Boekontwerp voor: 'Gijsbrecht van Aemstel' van Joost van den Vondel
Object type: sketchbook leaf
Date: 1893 – 1901
Materials: ink, paper, pencil
Techniques: pen
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: decoration of printed matter
Inscriptions: annotation: ‘Voorspel.van.gysbreght./ van amstel. aen.schout.burg/ meesters.schepens/.en.raed/ van.Amsterdam.’

Ontwerp voor een versierde pagina met het Voorspel. Blad 44 verso uit een schetsboek met 51 bladen.
Design for Vis-à-vis, no. 883a
Object type: drawing
Date: 1850 – 1870
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Allegorie op intocht van Johan Willem Friso en Maria Louise in Leeuwarden, 1710
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: johan willem friso (prins van oranje-nassau), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', symbolic triumphs of individual persons, parnassus, sacred to apollo musagetes

Allegorie op intocht van prins Johan Willem Friso en prinses Maria Louise te Leeuwarden op 2 januari 1710. Centraal de prins en prinses van Oranje met de personificaties van Wijsheid, Voorzichtigheid en Godsdienst, Hercules slaat Bedrog, Laster en Afgunst in de afgrond. Rechts spreidt de Waakzaamheid een kleed waarop de militaire overwinningen van de prins zijn uitgebeeld, hierbij ook de Nederlandse Leeuw en de provinciemaagd van Friesland. Links een intocht door een triomfpoort (van de Nederlandse Maagd of Vrijheid), op de achtergrond de Parnassus met Apollo, Pegasus en de Muzen. In de wolken de Faam, het Alziende Oog en de Eer. Rechts op de achtergrond een gebouw dat lijkt op het Stadhuis (bouw begonnen in 1715). In het onderschrift de opdracht in het Latijn aan de landgraaf van Hessen-Kassel, de vader van de prinses van Oranje.
“An Imperial Excursion” (Miyuki), “A Boat Cast Adrift” (Ukifune), and “The Barrier Gate” (Sekiya)
Object type: screen
Date: 1534 – 1633
Materials: gold leaf, ink, panel, paper
Techniques: painting
Culture: japanese
Artist: tosa mitsuyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1539 – 1613
Subjects: men,women,horses,boats

Originally mounted on sliding-door panels, these screens once formed two walls of a Genji room. They demonstrate how Genji paintings, with their origins in small formats, were transformed into panoramic architectural programs, here depicting three outdoor scenes within a unified, expansive landscape. The dynamic composition and lavish use of gold epitomize the spectacular large-scale works commonly associated with Momoyama painting, while Tosa Mitsuyoshi’s fine craftsmanship and decorative tendencies are evident in the elaborate gold clouds, some of which contain the small squares of gold foil and gold dust characteristic of his miniature works. On the right is a falconry expedition by Emperor Reizei in Oharano. In the lower left corner is the famous scene of Ukifune and Niou traversing the Uji River in a boat.
Scherf van een kelderfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: case bottle
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Case bottle, fragm, neck, id. NG 1980-27H1286a.
Coin Portraying Emperor Constantine I
Object type: coin
Date: 307 – 337
Materials: bronze, copper alloy, metal
Culture: roman
Location: trier
Subjects: portrait

The front (obverse) of this coin portrays the emperor Constantine.
On the back (reverse) a Genius is depicted standing.
Cup plate
Object type: glass
Date: 1840 – 1850
Materials: glass
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Automaton clock in the form of the Madonna and Child
Object type: automaton clock
Date: 1620 – 1625
Materials: brass, wood, gilt brass, iron, silver
Techniques: veneering
Artist: nikolaus schmidt the elder
Artist role: maker
Artist nationality: german
Artist dates: 1545 – 1630
Subjects: madonna and child
Vrouw met juk aait man over zijn hoofd
Object type: print
Date: 1635 – 1715
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: proverbs, sayings, etc., rock-formations, lovers spied upon, yoke, couple of lovers
Inscriptions: stamp, collector's mark: Lugt 1641

Vrouw met juk aait man over zijn hoofd, terwijl een andere man zich achter de rotsen verschuilt. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in engeren zin. Volksleven. Zinnebeeldige voorstellingen uit het volkleven op serieprenten. Maanden en diversen (allegorieën).
Armlet of Neferkhawet
Object type: bracelet, armlet, neferkhawet
Date: 1504 – 1447
Materials: faience
Location: egypt
Richelieu (Armand-Jean du Plessis, Cardinal, duc de)
Object type: print
Date: 1812 – 1869
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, armand-jean du plessis hertog van richelieu, cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228
Two Groups of Three Putti
Object type: print
Techniques: engraving
Artist: anonymous, french, school of fontainebleau, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Walter W. Ouless
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: painter, portrait, self-portrait of painter, historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Vrouwenhoofd met hoed
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: ink, paper
Techniques: pen
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head-gear: hat (+ women's clothes), head (human) - aa - female human figure

Pagina 12 uit schetsboek XLIII met 61 pagina's.
Miniature candlestick (one of a pair)
Object type: candlestick
Date: 1828 – 1829
Materials: silver
Artist: henry flavelle
Artist role: artist
Artist dates: 1750 – 1850
Ojime
Object type: ojime
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: leaves
Landscape
Object type: painting
Date: 1835 – 1835
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: théodore rousseau
Artist role: artist
Artist nationality: french
Artist dates: 1812 – 1867
Subjects: landscape, rocks, water, river, lake, figure, wilderness, weather/seasons, trees, sky, nature, landscapes, foliage, clouds
Inscriptions: Signed lower right: Th. Rousseau.
Menukaart van het ‘Constantinopel-Scheveningen’ diner in het American Hôtel te Amsterdam
Object type: menu, menukaart
Date: 1895 – 1895
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: amsterdam, print maker, draughtsman, marius bauer, charles snabilié, painter, philip zilcken, riding a horse, ass, or mule; rider, horseman
Inscriptions: name: ‘PHZilcken’, name: ‘CSnabilié’, collector's mark: ‘RPK’, name: ‘MBauer’
Ruif met hooi onder een boom
Object type: drawing
Date: 1853 – 1860
Materials: chalk, paper, pencil
Location: netherlands
Artist: joannes carolus alberdingk thijm (jan)
Artist role: pater, schrijver
Artist dates: 1847 – 1926
Subjects: trees
Inscriptions: inscription: ‘A.Th.’
Servet van linnen met pellenpatroon
Object type: napkin
Date: 1690 – 1710
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

wit linnen servet met pellen patroon, merk kroon G 36
The Temptation of Adam and Eve, from "The Story of Adam and Eve"
Object type: print
Date: 1540 – 1540
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: fruit,lions,snakes,adam,eve

Adam and Eve stand to the left of the Tree of Knowledge, each holding up fruit. The serpent is wrapped around a branch at top center and a lion is visible behind the tree. Based on Genesis 3:1-7. Plate 3 from a series of six engravings.
Pictorum aliquot celebrium praecipuae Germaniae Inferioris effigies
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Subjects: cleves, antwerp, painter, draughtsman, joos van cleve, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

In de marge een vierregelig onderschrift in het Latijn.
Sarasa with Figures, Birds, and Fantastic Animals
Object type: sarasa
Date: 1667 – 1733
Materials: cotton
Techniques: dyeing, painting, resist
Culture: indian
Subjects: human figures,birds,mythical creatures,flowers

This extremely rare sarasa—Indian painted cotton produced for the Japanese market—offers an Indian version of an Oriental fantasy. The unparalleled design includes whimsical figures and fanciful creatures in a lush forest. In each repeat, figures carry palanquins (covered litters) and hold umbrella canopies. The dark ground evokes late seventeenth-century Chinese lacquer screens. Its overtly Oriental flavor represents an Indian interpretation of chinoiserie, which itself developed from European reinterpretations of motifs found on decorative art objects imported from China. cat. no. 33
Altar frontal (?)
Object type: altar frontal
Date: 1601 – 1700
Techniques: lace
Twee herders bij een ruïne
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins, goat
Inscriptions: collector's mark: Lugt 2233

Gezicht op een glooiend landschap met twee herders die een gesprek voeren bij een ruïneus gebouw. Om hen heen staat geiten. Een van de herders wijst op de ruïne. Op de achtergrond ruïnes en een stad.
's Konings Wapen
Object type: print
Date: 1840 – 1876
Materials: paper
Techniques: chromolithography
Location: groningen
Artist: johannes hermanus van de weijer
Artist role: print maker, printer, publisher
Artist dates: 1817 – 1889
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark, collector's mark: Lugt 1641

Wapen van de koning van het Koninkrijk der Nederlanden (mogelijk ontwerp). Wapendier en schilderhouders nu zonder rangkronen. Met motto, gouden helm met pauwevlucht als helmteken. Met mantel en kroon. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Wapens (Heraldiek), Wapens van Regeerende Huizen.
Head of a youth
Object type: frieze panel
Date: 1467 – 1500
Materials: paint, wood
Artist: north italian painter
Artist role: artist
Artist nationality: italian
Subjects: heads,men,profiles

One of fourteen panels from a frieze (23.188.1–.14), each depicting a profile portrait bordered by a molding of dentils to simulate architecture.
België behoudt haar onafhankelijkheid in 1848
Object type: history medal
Date: 1848 – 1848
Materials: bronze
Techniques: striking
Artist: adolphe jouvenel
Artist dates: 1798 – 1867

Bronzen penning, op de voorzijde het borstbeeld van Koning Leopold I naar links met omschrift, op de keerzijde het stralende jaartal 1830 binnen een kring van negen wapenschilden, met omschrift.
Albumblad met diverse voorstellingen
Object type: print
Date: 1814 – 1869
Materials: paper
Techniques: snipping, engraving
Location: nijmegen
Artist: alexander cranendoncq
Artist role: draughtsman, print maker
Artist dates: 1799 – 1869
Subjects: city-view, and landscape with man-made constructions, abel's death, landscapes, adam and eve in paradise (before the fall), sleigh, sledge (non-sport), skates (winter sports), den bosch
Inscriptions: inscription: ‘Het huis Zwanenburg bij Haarlem [...]’

Albumblad met 7 uitgeknipte voorstellingen uit voornamelijk volksprenten, van onder andere Huis Zwanenburg te Halfweg, Adam en Eva in het paradijs en de dood van Abel.