deem-data/ArtiFact huggingface dataset:
A woman crying with a handkerchief in her hand talking to an old hag, illustration for 'La Niña de las Perlas, published by Antonio Vanegas Arroyo
Object type: print
Date: 1880 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: women
Gezicht op de Oberer Grindelwaldgletscher
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: obere grindelwaldgletsjer
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: glacier
Inscriptions: inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’, number: ‘305.’
Slab met puntvorm met ingeweven kristalvormig strooimotief, een wit geborduurde bladrank en afgezet met een geschulpte rand van Engels borduurwerk; flanellen onderlaag
Object type: childrenswear
Materials: textile
Techniques: embroidered
Location: europe
Artist: Anonymous

Slab met puntvorm met ingeweven kristalvormig strooimotief, een wit geborduurde bladrank en afgezet met een geschulpte rand van Engels borduurwerk; flanellen onderlaag.
Portret van Martin von Molitor
Object type: print
Date: 1774 – 1818
Materials: paper
Techniques: etching
Location: vienna
Artist: joseph abel
Artist role: print maker
Artist dates: 1764 – 1818
Subjects: vienna, painter, martin von molitor, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Bedspread
Object type: textile
Materials: linen
Techniques: embroidery, weave
Location: england
Friezen met kinderen, engeltjes en dieren
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: netherlands
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van zes prenten met Friezen met kinderen, engeltjes en dieren. Hollstein beschrijft deze serie twee keer onder de nrs. 142-147 en 268-273.
Figuren op straat, mogelijk in Amsterdam
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: street (+ city(-scape) with figures, staffage), amsterdam

Onder andere mannen met bolhoeden. Pagina 34 uit schetsboek XLVII met 52 pagina's.
Portret van François Broussais
Object type: print
Date: 1818 – 1832
Materials: paper
Techniques: engraving, roulette
Location: france
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Journal complémentaire du Dictionnaire des sciences médicales. Parijs: Panckoucke, Charles Louis Fleury, 1818-1832.
Autocoureur Lemaître, deelnemer aan de Course du Mille, een race voor automobielen in Nice
Object type: photograph
Date: 1899 – 1899
Materials: paper, photographic support
Techniques: gelatin silver print
Location: nice
Artist: delizy
Artist role: manufacturer
Subjects: motorcar racing, automobile

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Landscape with Shepherd and Shepherdess
Object type: print
Date: 1776 – 1776
Techniques: etching, mezzotint
Artist: richard earlom
Artist role: engraver
Artist nationality: british
Artist dates: 1743 – 1822
Subjects: human figures,cows,landscapes,trees,shepherds
Meisje liggende op divan/bed in interieur, ca. 1916
Object type: album leaf
Date: 1916 – 1916
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous

Meisje liggend op divan/bed in interieur, ca. 1916. Interieur met hoge rieten overkapping. Meerdere bedden, banken, bloemen en kunst aan de muur en op de grond. Vergelijk RP-F-00-6023: zelfde album, zelfde interieur (hetzelfde ingelijst landschap hier links op de foto, in ander albumblad rechts).
Design for the Ceiling of a Bedchamber at Curraghmore, County Waterford, Ireland
Object type: drawing
Date: 1786 – 1787
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: james wyatt
Artist role: artist
Artist nationality: british
Artist dates: 1746 – 1813
Subjects: ceilings
Gezicht op het interieur van de Raadkamer, in de Grafelijke Zalen
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: lithograph
Location: the hague
Artist: h.c. susan chzn
Artist role: publisher
Subjects: national government
Arrowhead (<i>Yanone</i>)
Object type: arrowhead i yanone i
Materials: steel
Culture: japanese
Location: japan
Subjects: men

Although today Japanese warriors are renowned most for their swordsmanship, archery, especially from horseback, has been an essential part of samurai warfare and culture for centuries. Arrows were fitted with heads of varying shape according to their intended use in war, the hunt, or target practice. Arrowheads made for use on the battlefield incorporated different designs intended for specialized purposes such as the piercing of armor or to cause maximum damage to horses and unarmored personnel. Large arrowheads, pierced and elaborately chiseled with landscapes, birds, flowers, dragons, and Buddhist divinities, were created to be admired for the beauty of their metalwork and design rather than for use in archery. Such highly elaborate examples may have been made for presentation or as a votive offerings to a shrine.
Bowl with cover
Object type: bowl with cover
Date: 1730 – 1735
Materials: porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,chinoiserie
From the Girls and Children series (N65) promoting Richmond Gem Cigarettes for Allen & Ginter brand tobacco products
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: boys,smoking

Trade cards from the "Girls and Children" series (N65), issued ca. 1886 to promote Virginia Brights, Richmond Gem, Richmond Straight Cut No. 1, and Opera Puffs Cigarettes, all distributed by Allen & Ginter Tobacco Manufacturers.
Portret van Gerard Seghers
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: antwerp, painter, print maker, gerard seghers, necklace (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Busteportret van Gerard Seghers. Hij draagt een keten om zijn hals en heeft zijn armen over elkaar geslagen. In de marge de naam van de geportretteerde en een vierregelig onderschrift in het Frans.
A Hermit in a Ruin
Object type: painting
Date: 1650 – 1668
Materials: oil, panel
Artist: jan adriaensz. van staveren
Artist role: painter
Artist dates: 1613 – 1669
Subjects: anchorite, hermit
Inscriptions: signature: ‘JAStaveren’

Een kluizenaar in een ruïne. Een oude man zit met een boek op schoot onder een dorre boom. Aan de voet van de boom groeit een kalebas of pompoen.
Three Dogs, plate 9 from a set of Four Legged Animals
Object type: print
Date: 1597 – 1597
Techniques: engraving
Artist: adriaen collaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1618
Subjects: dogs
3 kepengs van Engels Sumatra, Benkoelen,1787
Object type: coin
Date: 1787 – 1787
Materials: copper
Techniques: striking
Location: birmingham

Koperen munt. Voorzijde: monogram van de Engelse Oostindische Compagnie, waaromheen jaartal. Keerzijde: op een regel in het Maleis waarde-aanduiding: tiga kepeng in Arabische lettertekens. Daarboven waarde-aanduiding: 3 in Arabische cijfers en daaronder jaartal in Islamitische tijdsrekeningen Arabische cijfers. Kabelrand.
Actor Nakamura Nakazô I as Osada no Tarô in The Genji Clan Now at Its Zenith (Ima o sakari suehiro Genji)
Object type: print
Date: 1768 – 1768
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Livre de Moresques, page 14 (recto)
Object type: book print ornament architecture
Date: 1546 – 1546
Techniques: woodcut
Location: france
Artist: francesco di pellegrino
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1552

This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrino’s designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Germany (Nuremberg) by 1546.
Très Parisien, février 1922: 5.- LYETTE
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: caption: ‘5. - LYETTE / Lainage uni et satin imprimé sont assemblés en une seyante robe printanière.’, title: ‘Très Parisien / Février 1922’

Japon van wol en bedrukt satijn, met ceintuur. Hoed met brede rand in dezelfde stof. Prent uit het modetijdschrift Très Parisien (1920-1936).
Grafmonument van Piet Hein
Object type: print
Materials: paper
Techniques: etching
Artist: willem swidde
Artist role: print maker
Artist dates: 1660 – 1697
Subjects: delfshaven, historical persons, grave-building, monumental tomb, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Nederlands helden-tooneel, vertoonende zeer cierlijk in koper gesneeden alle de grafsteden, (...). S.l.s.n.s.a.
Guizot
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Gillis van Breen
Object type: print
Date: 1586 – 1590
Materials: paint, paper
Techniques: woodcut
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: print maker, gillis van breen, historical persons, portrait, self-portrait of artist
Inscriptions: caption: ‘Gillis de Vreen kunstdrucker van H. Goltzius’, collector's mark: Lugt 2228a

Portret van een man (Gillis van Breen, een vriend, misschien ook assistent van Goltzius) met krullend haar en een geplooide kraag, op de linkerzijde gezien, de blik gericht op de beschouwer.
Jubileum van Johan Hendrik Nicolaas Ruijsch van Dugteren provoost van de Muntgezellen van 's Rijks Munt te Utrecht 1898
Object type: history medal
Date: 1898 – 1898
Materials: zinc
Techniques: galvanoplasty
Location: utrecht
Artist: johan melchior faddegon
Artist dates: 1871 – 1941

Rechthoekige deels verbronste plaquette, afgebeeld Ruijsch van Dugteren ten halven lijve naar linkst schrijvend aan een lessenaar, op de achtergrond de muntzaal van 's Rijks Munt en een beeld van Moneta, met onderaan tekstband.
L'Autel
Object type: panel
Date: 1780 – 1800
Materials: silk
Artist: jean démosthène dugourc
Artist role: designer
Artist nationality: french
Artist dates: 1749 – 1825
Subjects: birds,garlands
Birds of a Feather (Entre los suyos)
Object type: drawing
Date: 1807 – 1845
Materials: chalk, ink
Techniques: pen
Artist: leonardo alenza y nieto
Artist role: artist
Artist nationality: spanish
Artist dates: 1807 – 1845
Monument voor de inwijding de Sint-Willibrorduskerk te Den Haag, 1823
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: engraving
Location: the hague
Subjects: rome, clergyman, pius vii, church (exterior), allegorical representations ~ religion; 'religione', 'religione de ss. mauritio e lazaro', 'religione vera christiana' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: collector's mark: Lugt 2228

Allegorisch monument bij de inwijding van de Sint-Willibrorduskerk te Den Haag in 1823. Naast een brandend altaar staat de Godsdienst met wierookvat, in de lucht de Faam, rechts drie putti die een portret van paus Pius VII met bloemen versieren. Op de achtergrond de nieuwe kerk.
A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York (1885–1903)
Date: 1885 – 1904
Culture: american
Artist: luigi palma di cesnola
Artist role: author
Artist nationality: american
Artist dates: 1832 – 1904
Elevations et Profils de Portes Cocheres sous un Imposte avec Entre-Sol et Balcon
Object type: ornament print
Date: 1752 – 1794
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: 'cornucopia', horn of plenty, monumental door, porch, 'aediculum', balcony, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerp en profiel van een koetspoort met daarboven een balkon. De deuren van de poort zijn gedecoreerd met hoornen des overvloeds en een guirlande.
Self-portrait in a cap and scarf with the face dark: bust
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: brush, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: leiden, amsterdam, print maker, draughtsman, rembrandt van rijn
Inscriptions: collector's mark: Lugt 240
Strafgevangenis Ommerschans, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van 1¼ cent
Object type: een en een kwart cent
Date: 1818 – 1859
Materials: iron
Techniques: casting
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, ommerschans

Voorzijde: letters O en S. Keerzijde: cijfer 1¼
Werkhuis te Amsterdam, huismunt ter waarde van vijf cent
Object type: vijf cent
Date: 1824 – 1837
Materials: lead
Techniques: striking
Location: amsterdam
Subjects: amsterdam

Voorzijde: waardeaanduiding binnen omschrift en parelrand. Keerzijde: wapenschild binnen parelrand.
Cronica Cronicarum (...), blad 2 verso
Object type: album leaf
Date: 1521 – 1521
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: the ark ~ story of noah, the mocking of noah: ham finds his father (partially) naked sleeping out of doors (or in his tent, or in the vineyard cottage); ham calls his brothers (+ variant), the tower of babel

Blad 2 verso van een wereldkroniek. Tekst in boekdruk in het Frans imet versierde initialen. Linksonder de titel: Le seco[n]d aage. Links midden een ronde voorstelling van de slapende Noach in zijn wijngaard. Daaronder een voorstelling van de ark van Noach. Rechts een voorstelling van de toren van Babel. Het medaillon met Noach is verbonden met andere cirkels die gevuld zijn met namen: deze vormen samen een schematische weergave van genealogie en vorstenopvolging, vanaf Adam en Eva die zich uitstrekt over meerdere bladzijden van de kroniek.
Zittende jongen met hengel
Object type: sketchbook leaf
Date: 1868 – 1887
Materials: pencil
Artist: jan willem van borselen
Artist role: draughtsman, print maker
Artist dates: 1825 – 1892
Subjects: trees (+ branch, stick), boy (child between toddler and youth)

Blad 9 verso uit een schetsboek met 51 bladen.
Terracotta oinochoe: chous (jug)
Object type: oinochoe, chou
Date: 430 – 420
Materials: terracotta
Culture: greek, attic
Subjects: women,dionysus,satyrs

Dionysos and a satyr The artist has produced a noteworthy juxtaposition here between Dionysos, wholly wrapped in a chiton and himation, and the nude, balding satyr who brandishes a torch and carries a pack or sack on his back.
Leven van Maria in emblemen
Object type: text sheet
Date: 1625 – 1629
Materials: paper
Techniques: letterpress printing
Location: france
Inscriptions: collector's mark: Lugt 240

Een lovende tekst, gericht aan Maria, gesteld in Franse verzen. Dit blad (aan beide zijden bedrukt) is onderdeel van de eerste staat van de embleemserie 'Leven van Maria in emblemen', die naast een titelpagina en deze lofzang nog twee lofzangen en 26 emblemen behelst.
Zuidzijde van de Rooms-Katholieke Kerk te Oud-Vroenhoven
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: oud-vroenhoven
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘R.K. Kerk te oud Vroenhoven (Vroenhoven) (L.)/ bij Maastricht/ Aug 1895’, annotation: ‘N:278 N:1003’, annotation: ‘gem. Maastricht/ Vroenhoven’
"Get onto the Dude," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys

Trade cards from the "Terrors of America" series (N136), issued in a set of 50 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The original lithographs for the series were created by Knapp & Company, N.Y. This is the second time that Duke released the "Terrors of America" series. The cards of the first set (N88) are smaller than N136 cards.
Architectuurstudie
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: architecture
Inscriptions: kleurnotitie, handgeschreven

Pagina 53 uit een schetsboek met 19 bladen en 9 losse tekeningen.
Evening jacket
Object type: afternoon jacket
Date: 1870 – 1870
Materials: silk, wool
Culture: american
The Sultana-Mother
Object type: painting
Date: 1700 – 1737
Materials: canvas, oil
Location: istanbul
Artist: jean baptiste vanmour
Artist role: painter
Artist dates: 1671 – 1737
Subjects: historical persons not known by name - bb - woman, mother of the ruler
Inscriptions: number: ‘4’, inscription: ‘Sultane’

Portret van de sultane-moeder, staande ten voeten uit. Rechts het hoofd van een zwarte eunuch van de harem.
Landschap studiën vierde levering
Object type: print
Date: 1844 – 1845
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: ruin of a building ~ architecture, farm (building)
Inscriptions: collector's mark: Lugt 2228

In 1829 en 1830 gaf Koekkoek, samen met Daiwaille, zes cahiers uit met ieder zes prenten getiteld Landschapstudiën. Deze werden gebruikt in het tekenonderwijs. Vijftien jaar later werd deze reeks, in een andere samenstelling nogmaals uitgegeven door Meyer en Comp in Amsterdam. Zie: De Bruyn Kops, 1963.
Gezichten op enkele straten in de omgeving van de Jodenbreestraat rond de Paasviering
Object type: photomechanical print
Date: 1913 – 1913
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', street
Inscriptions: stamp: ‘Van het Koninklijk / Oudheidkundig Genootschap / te Amsterdam.’, collector's mark: ‘8,131’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Jacobszstraat (Pieter), Jodenbreestraat, Jodenhoek, Jonge Roelensteeg, Jonker- en Ridderstraat.
Limestone fragment of a sphinx supporting an incense burner
Object type: statue of a sphinx
Date: 467 – 435
Materials: limestone
Culture: cypriot
Subjects: sphinx

The incense burner, with traces of red paint on the edges, the tips of the wings, and the head of the sphinx, remain. The sphinx shows a serious expression.
Miss Younge, Mr. Dodd, Mr. Love, and Mr. Waldron, in th Characters of Viola, Sir Andrew Aguecheek, Sir Toby Belch, and Fabian (Shakespeare, Twelfth Night, Act 3, Scene 4)
Object type: print
Techniques: mezzotint
Artist: john raphael smith
Artist role: engraver
Artist nationality: british
Artist dates: 1751 – 1812
Subjects: shakespeare,men,women,actors,actresses

Eighteenth-century actors appear here in the duel scene in act 3 of Shakespeare's "Twelfth Night." Elizabeth Younge portrays Viola (disguised as the page Cesario), timorously holding a sword while urged on by Francis Waldron as Fabian. Her opponent Sir Andrew Aguecheek (portrayed by James Dodd), draws his weapon with equal reluctance, encouraged by Sir Toby Belch (portrayed by James Dance, whose stage name was James Love). In December 1771 actor-manager David Garrick revived the play at the Covent Garden Theatre, and these actors were all his protégés.
Terracotta fragment of a mastoid (drinking cup with narrow base) or a kyathos (cup-shaped ladle)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the oculis of an eye, with a red pupil
Blue Plate
Object type: drawing
Date: 1940 – 1940
Materials: chalk, graphite, paper, watercolor
Artist: leon kelly
Artist role: artist
Artist nationality: american
Artist dates: 1901 – 1982
Subjects: still life
Alexander Pope (1688–1744)
Object type: bust
Date: 1767 – 1800
Materials: marble
Artist: joseph nollekens
Artist role: artist
Artist nationality: british
Artist dates: 1737 – 1823
Subjects: men,portraits

Joseph Nollekens, an extremely able portraitist, made a thriving business out of his sculpture. While learning his trade in Rome, Nollekens also dealt profitably in antiquities. It was in Rome in the year 1765–1766 that he modeled the features of Laurence Sterne, whose Tristram Shandy, still appearing in installments, was then the rage in England. The bust was often replicated; in the rather malicious words of Nollekens's biographer, J. T. Smith, it "brought him into great notice. With this performance, Nollekens continued to be pleased even unto his second childhood.... " The sculptor developed the companion portrait of Alexander Pope from a bust by Louis François Roubiliac, modeled during Pope's lifetime. The rather gaunt faces of the writers, one looking slightly downward and the other looking slightly upward, form a harmonious pair. Marble busts of the two subjects were in Nollekens's estate sale, along with the original terra-cotta model of Sterne. Those two were later separated. The present two are unrecorded before 1937, when they belonged to Lord Hore-Belisha, minister of war in the Chamberlain cabinet. They were part of the mélange of English art which the late Benjamin Sonnenberg brought together in his house on Gramercy Park, and were bought by the Museum at the Sonnenberg estate sale. English eighteenth-century sculpture was long undervalued by American collectors, who preferred the French school. The Metropolitan Museum's representation of Nollekens and his peers is accordingly sparse; only in 1974 did we acquire our first Nollekens, a good example of his popular bust of William Pitt. Dignified Georgian portraits such as these are sometimes dismissed as "library busts," but at their best, as in the Sterne, the characterizations are of a high order of sensitivity and deserve close, admiring attention.
Seitei kacho
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: woodcut
Location: tokyo