deem-data/ArtiFact huggingface dataset:
R.T.C. Een fotografisch overzicht van de Ronde Tafel Conferentie samengesteld door de Regeringsvoorlichtingsdienst 's-Gravenhage 1949
Object type: titelblad, titelpagina
Date: 1949 – 1949
Materials: paper
Techniques: printing
Location: the hague
Subjects: willem drees, netherlands

Titelblad voor het fotoalbum met 37 foto's van de rondetafelconferentie gehouden tussen 23 augustus en 2 november in Den Haag in 1949 tussen vertegenwoordigers van Nederland, de Republiek Indonesië en de Bijeenkomst Federaal Overleg. Het exemplaar aangeboden aan premier Willem Drees.
Voorgevel van het Pantheon te Rome
Object type: photograph
Date: 1870 – 1880
Materials: photographic support
Techniques: gelatin silver print
Location: piazza della rotonda
Artist: Anonymous
Subjects: church (exterior), façade (of house or building)
Brief aan Philip Zilcken
Object type: letter
Date: 1868 – 1928
Materials: ink
Techniques: pen, writing
Location: brussels
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: the hague, painter, draughtsman, philip zilcken, money
Inscriptions: collector's mark: ‘RPK’
Toneeldecors van de Amsterdamse Schouwburg, ca. 1760
Object type: print
Date: 1736 – 1738
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre, theatrical performance, stage design
Inscriptions: collector's mark: Lugt 2228

Scène uit het toneelstuk "De ontdekte schyndeugd, bly-spel" door David Lingelbach, Amsterdam 1687. Deze platen zijn in verschillende groepen in verschillende periodes vervaardigd tussen 1738-1760 en uitgegeven in verschillende series ca. 1760 en ca. 1770-1772. De platen zijn door Muller ingedeeld bij de platen van de brand van de Amsterdamse Schouwburg in 1772.
Ceres
Object type: figure
Date: 1748 – 1750
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: ceres
Narz
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: etching
Artist: johann jakob bodmer
Artist role: printer, publisher
Artist dates: 1629 – 1650
Subjects: personifications of death; 'morte' (ripa), dance of death; death together with one or more human beings
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2233

Prent uit: Meyer, Rudolph. Sterbenspiegel, das ist sonnenklare Vorstellung menschlicher Nichtigkeit durch alle Ständ und Geschlechter (...). Zürich: J.J. Bodmer, 1650.
Ardaine - Portail de l'église abbatiale
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: door
Inscriptions: inscription: ‘Association belge de photographie’
Plate
Object type: plate
Date: 1801 – 1900
Materials: silver
Culture: byzantine
Subjects: animals,male nudes,women
Amsterdam van de water kant aan 't Ye
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: city-view in general; 'veduta', river, ships (in general) - cc - more than one ship, amsterdam

Onderwerpsrubriek binnen de Atlas Amsterdam: Gezichten van den geheelen IJkant der Stad.
Fragment (Dress Fabric)
Object type: textile
Date: 1801 – 1900
Materials: textile, gold, silk
Techniques: brocade
Location: iran
Treurige toestand van zeven matrozen van het bij Halmstad verongelukte schip De Karseboom, 1678
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: reef ~ coast, drowning, shipwrecked person
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. II, p. 1355.
Ruit met vlinder
Object type: light window
Date: 1850 – 1863
Materials: glass
Techniques: diamond point engraving
Location: amsterdam
Artist: daniël henriques de castro
Artist role: glasgraveur
Artist dates: 1806 – 1863
Inscriptions: signature: ‘D.H. de Castro. f.’

Ruit, vierkant, met in het midden een vlinder. Ingelijst met zwart papier met een vergulde lijst.
Portrait of a Lady
Object type: painting, miniature
Date: 1748 – 1816
Materials: ivory, watercolor
Culture: french
Artist: david boudon
Artist role: former attribution
Artist nationality: swiss
Artist dates: 1748 – 1816
Subjects: portraits,women
Sakata Kinpira Nyudo
Object type: print
Date: 1701 – 1733
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Subjects: swords,men

Masanobu combines the framed observer with another popular compositional device, the picture within a picture, for a humorous effect. Sakata Kinpira Nyudo is a legendary strong man in children's stories, in which he wrestles with wild beasts and goblins. Here he has been brought to the ground by drink. He leans his fierce head against a cask of sake; a giant, empty sake cup stands at his side. A painting of Daruma, the founder of Zen Buddhism, hangs in the alcove behind him. Legend has it that Daruma meditated for nine years, during which he resisted all manner of temptations with which demons besieged him. The irises below his portrait signify victory. Daruma gives this hero, who holds a string of Buddhist prayer beads in his hand, a reproachful look because of his lack of fortitude.
Racing
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827

A horse race with a group of spectators at left. At the center of the field are various carriages and horse riders.
Kind zet eerste stapjes
Object type: print
Date: 1831 – 1871
Materials: paper
Techniques: hand coloring
Location: paris
Subjects: playing toddler; child amusing itself, mother and baby or young child, infant, baby, learning to walk, the first steps
Inscriptions: inscription: ‘v. Stockum, 24 Nov. 1964/ No. 172 (81 st.) f. 520-’, collector's mark: Lugt 2228

Onder een deel van het gedicht 'Le mérite des femmes' van Gabriel-Marie Legouvé: Sa mère est près de lui: c'est elle dont le bras. Dans leur débile effort aîde ses premiers pas; Elle suit la lenteur de sa marche timide, Elle fut sa nourrice, elle deveniet son guide.
Arrestatie van S.J van Langen, 1798
Object type: history print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: leiden, arrest (of criminal)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Gebruikt als illustratie in: Cornelis Rogge, Geschiedenis der staatsregeling, voor het Bataafsche volk. Amsterdam: Johannes Allart, 1799, p. 592/593.
Clothing box decorated with dragons
Object type: clothing box
Date: 1801 – 1900
Materials: lacquer, mother of pearl, skin, shell
Techniques: inlay
Culture: korean
Subjects: dragons

This box’s lively design features two dragons chasing a flaming jewel. The beasts’ long, sinewy bodies wrap around the sides of the box; their heads face each other at opposite corners at the top. The masterful mixture of diverse materials—mother-of-pearl, tortoiseshell, and ray skin—highlights different textures, emphasizing not only the tactile quality of the mythical beasts but also their dynamic character.
Stirrup Spout Vessel in Form of a Pack Llama
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Musée de Cluny. Buste en faïence de Luca della Robbia
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: musée de cluny
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: anonymous historical person portrayed, sculpture
Inscriptions: annotation: ‘Cluny 13.’, check stamp: ‘MIEUSEMENT/ PHOTOGRAPHE’, collector's mark: ‘RIJKS NORMAALSCHOOL voor T[EEKENONDERWIJZERS] AMSTERDAM’
Rome, Boog van Constantijn tijdens restauratie
Object type: photograph
Date: 1850 – 1870
Techniques: albumen print
Artist: Anonymous
Subjects: arch of constantine
Gezicht op de Canale di Cannaregio te Venetië
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: london
Subjects: canals, waters (in city), bridge in city across river, canal, etc., venice
Inscriptions: collector's mark: Lugt 2228
Egglestone Abbey, from the River
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Arbeiten in Flussbett der Etsch
Object type: print
Date: 1906 – 1945
Materials: paper
Techniques: hand coloring, linocut
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: river, working class, labourers
Inscriptions: collector's mark: Lugt 2228

Gezicht op de rivierbedding van de Adige in de stad Meran, waar arbeiders aan het werk zijn. Op de brug over de rivier staan toeschouwers.
Evening, plate two from Four Times of Day
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Chippendale Drawings, Vol. I
Object type: album
Date: 1753 – 1770
Materials: ink
Techniques: brush, pen, wash
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: columns

Volume one of two scrapbooks of drawings. Contains 95 drawings, most of which were made as preparatory drawings for publication in Thomas Chippendale's Gentleman and Cabinet Maker's Director, first published in London in 1754. A second (unchanged) edition was published in 1755 to accommodate the demand for the book. The third edition was published in 1762 with additional designs as well as some revisions of plates in the first edition. The Museum's albums of drawings contain designs for both editions. 27 drawings in the albums do not relate directly to the Director. The drawings are arranged by subject matter and have been pasted onto deep blue paper folios. This album contains 3 blank pages, followed by 95 pages with drawings, followed by 15 blank pages.
Landweg langs een vaart
Object type: drawing
Date: 1653 – 1653
Materials: chalk, paper
Techniques: brush
Artist: jan van goyen
Artist role: draughtsman, painter
Artist dates: 1596 – 1656
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Die Scaligerburg von Sirmione
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: berlin
Artist: franz goerke
Artist role: fotograaf
Artist dates: 1856 – 1931
Subjects: castle
Pruikenpoederstrooier van veelkleurig beschilderd Meissen porselein
Object type: strooibus, strooier
Date: 1750 – 1775
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark, mold mark: ‘10’

Wig powder sprinkler. Porcelain. Meissen, c. 1750 - 1775. Given by the Commissie voor Fotoverkoop, 1953.
Landschap met vrouw en jongen onderweg
Object type: drawing
Date: 1700 – 1800
Materials: gouache, paper
Techniques: brush
Imagerie Artistique / Série 1
Object type: print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Artist: albert quantin
Artist role: printer, publisher
Artist dates: 1850 – 1933
Subjects: correction of naughty children, ringing doorbells (mischief-making), tales and fairy tales, shoe-maker, cobbler
Inscriptions: collector's mark: Lugt 2760, : ‘marque de fabrique / deposée’

Blad met 4 rijen met voorstellingen van kinderen die belletje trekken bij een kwade schoenmaker. Onder elke voorstelling een onderschrift. Genummerd linksboven: Série 1. - No. 2.
Terracotta fragments of an open shape
Object type: undetermined open shape
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

One fragment has part of the head of a wreathed male to right; a second fragment has part of a bent arm or leg; a third fragment has an unidentified subject
Design for a Gothic Style Sofa Upholstered in Red
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: couches
Vetustae Ruinae et Venustissimae aliquot Regiones
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins, landscape with tower or castle, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 964, collector's mark: Lugt 698

Een herder met drie geiten op een houten brug bij een ruïne van een toren in een landschap. Zevende prent van een serie van zestien.
Bodhisattva Avalokiteshvara (Guanyin)
Object type: figure
Date: 667 – 733
Materials: gilt bronze
Culture: chinese
Subjects: buddhism,avalokiteshvara,bodhisattvas
Pijprokende man en een lezende man
Object type: print
Date: 1700 – 1730
Materials: paper
Techniques: etching
Location: france
Subjects: reading, pipe ~ tobacco
Inscriptions: collector's mark: Lugt 240
33rd New York Infantry
Object type: photograph
Date: 1861 – 1861
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: tents,soldiers,firearms,american civil war,men
Twee acteurs in kostuum uit een toneelstuk in India
Object type: page
Date: 1860 – 1865
Materials: photographic support
Techniques: albumen print
Location: india
Artist: melville clark
Artist role: engineer
Subjects: stage costume, portrait of actor, actress
Inscriptions: number: ‘6’

Foto op vijfde ongenummerde pagina na pagina 74. Foto is de helft van een stereofoto.
Zwart geverfde profiellijst lijst met langs de dagkant een rand verguld pâte
Object type: frame
Date: 1400 – 1950
Materials: wood
Techniques: gilding

Zwart geverfde profiellijst lijst met langs de dagkant een rand verguld pâte met een geornamenteerd randje en een glad randje langs de dagkant.
Amsterdam Atlary
Object type: costume print
Date: 1789 – 1789
Materials: paper
Location: northern netherlands
Artist: Anonymous
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), amsterdam, patriots (1780-1795)

Montering of uniform van de artillerie van Amsterdam, ca. 1785. Onderdeel van een schetsboek met 41 gekleurde tekeningen van de monteringen van de gewapende schutterijen en burgercorpsen in Nederland in de periode ca. 1783-1789.
La Vera Perfettione del Disegno di varie sorti di recami, page 12 (recto)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: ornament

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design is decorated with a pattern of overlapping lines ornamented with black triangle with a leaf motif, which form diamonds. At the left and right corners of each diamond is a 4-petaled floral motif.
Fragment
Object type: textile
Materials: fiber, silk
Techniques: tapestry
Culture: islamic
Location: egypt
The Parable of the Good Shepherd
Date: 1570 – 1570
Techniques: etching, printing
Artist: anonymous, netherlandish, late 16th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1550 – 1600

This large political broadsheet is just a fragment of the original. The figures and animals cut off on either side indicate that the original would have extended further on either side. The only other known impression from this plate is an even smaller fragment in the Kunstsammlungen der Veste Coburg which only consists of the scene in the bottom right where they are burning sheep on a bonfire. The image is an anti-Catholic and anti-Spanish Reformation period broadsheet that relates to the bibilcal passages from Ezekiel 34 and John 10. In the bottom right sheep are thrown on a bonfire to cook while a bishop, a pope a monk look on. Among the group on the right is a cardinal wearing the brimmed hat associated with his position, who resembles Cardinal Granvelle, the Spanish appointed chief councilor to the Regent, Margaret of Parma, and behind him on horseback, a man in armor who resembles the Duke of Alva, Governor of the Netherlands from 1567. The scene relates to the passage from Ezekiel 34 : "Shepherds ought to feed their flock, yet you have fed on milk, you have dressed yourselves in wool, you have sacrificed the fattest sheep but failed to feed the flock...On the contrary, you have ruled them cruelly and violently" The scene in the center is focused on a cottage where a pope is trying to enter through the roof while Christ, dressed as a shepherd, leads a flock of sheep out the front door. It relates to the passage from John 10: "I tell you solemnly anyone who does not enter the sheepfold through the gate but gets in some other way is a thief and a brigand"
Overwinning op de Dood
Object type: print
Date: 1601 – 1667
Materials: paper
Techniques: engraving
Subjects: death as skeleton, victoria as roman personification
Inscriptions: collector's mark: Lugt 240

Overwinning van het Geloof, in de gedaante van een engel met een Bijbel in de hand, staat met haar voet op het skelet van de dood. Ze leunt op een kruis waaraan een paardentoom hangt.
Gezicht op de Via Serbelloni te Bellagio
Object type: photograph
Date: 1898 – 1898
Materials: photographic support
Techniques: albumen print
Location: bellagio
Artist: bosetti
Artist role: publisher
Subjects: street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘1898’, inscription: ‘141. Lago di Como/ Via Serbelloni a Bellagio Salita/ Ediz. Bosetti - Bellagio’
Vrouw in verschillende houdingen
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing), the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure

Blad 4 recto uit schetsboek LII met 43 bladen.
Katoenen sprei met een vis- en jachttafereel in geel borduurwerk; imitatie Bengaals borduurwerk
Object type: textile
Date: 1600 – 1650
Materials: cotton, silk
Techniques: embroidered, weave
Location: portugal

Katoenen sprei, gewatteerd, doorgestikt en geborduurd met gele zijde. Het patroon heeft een cirkel in het middenveld waarbinnen een oosterse vorst (tulband en een lange jas), die een bloem plukt, een vijver met mannen (in 17de eeuwse pofbroek geklede Europeanen) die op een vis gezeten met een net aan het vissen zijn en een kring van duellerende krijgers, zowel te voet en met rondas en zwaard als te paard met speer. Oosterse textiel.
Landschap met watermolen
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: watermill in landscape (+ city(-scape) with figures, staffage)

Gezicht op enkele huizen en een watermolen bij een waterval. Tegen een kleine heuvel op de voorgrond zitten twee personen, terwijl een derde iets op zijn rug sjouwt.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen
Subjects: animals
Portret van John Flaxman
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Vissersboten in een haven
Object type: sketchbook leaf
Date: 1908 – 1927
Materials: chalk, paper
Location: france
Artist: gerrit van blaaderen
Artist role: draughtsman
Artist dates: 1873 – 1935
Subjects: harbour, sailing-ship, sailing-boat

Blad 27 recto uit een schetsboek met 33 bladen.
Portret van dichter Hendrick Laurensz. Spieghel
Object type: print
Date: 1780 – 1822
Materials: paper
Techniques: etching
Location: netherlands
Artist: daniël vrijdag
Artist role: draughtsman, print maker
Artist dates: 1765 – 1765
Subjects: amsterdam, hendrick laurensz. spieghel, lyre, cithara, psaltery
Inscriptions: collector's mark: Lugt 2228

In het kader onder zijn portret boeken en een lier.
Overlijden van predikant Ludolphus de With 1736
Object type: history medal
Date: 1736 – 1736
Materials: silver
Techniques: engraving

Forse beiderzijds gegraveerde ronde plaat zilver, op de voorzijde onder een doodshoofd elf regels tekst en een bladornament binnen een bladerkrans, op de keerzijde onder een zandloper negen regels tekst en een engelenkopje binnen een bladerkrans.
Clarion in E-flat
Object type: clarion in e flat
Date: 1820 – 1820
Materials: metal, wood
Culture: american
Location: united states
Artist: george catlin
Artist role: maker
Artist nationality: american

George Catlin (born Weathersfield, CT, 1778; died Camden, NJ, 1 May 1852) made different kind of musical instruments. He invented the ‘patent clarion’, that is a bassoon shaped bass clarinet. (Waterhouse, NLI, 59.) Overall size: 608 Technical description: Maple or mahogany (?) with brass keywork and ferrules. 3 pieces: mouthpiece with integral barrel, crook and one-piece-body with bell. Mouthpiece marked for a ligature. Crook not movable, so that the clarinet cannot be played, because the mouthpiece must point to the player instead of pointing sideward. All keys mounted in blocks with push pins. All tone holes heavily undercut and lined with brass. In opposite to other bassoon shaped instruments this cannot be cleaned, for example by providng a removable lid at the bottom of the butt. Bevelled F3/C5 touch piece. Extension to C3. L0: TT; speaker. L1: T; throat A♮. L2: T. L3: T. L4: E3/B♮4. R0: T (C3); D3; G♯3. R1: T. R2: T. R3: T. R4: F3/C5. Keyhead type: flat square. Keymount type: blocks. No inscriptions. Playing accessories: Very simple brass ligature. (Heike Fricke, 2014)
Owl Mace Head
Object type: mace head
Date: 1 – 500
Materials: stone
Culture: atlantic watershed
Location: costa rica
Subjects: owls
Marines où sont representez divers sujets des Galeres
Object type: print
Date: 1720 – 1754
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: shipyard, shipdock
Inscriptions: collector's mark: Lugt 240
Portret van Stephanus Szegedinus
Object type: print
Date: 1739 – 1791
Materials: paper
Techniques: engraving
Artist: johanna dorothea sysang
Artist role: print maker
Artist dates: 1729 – 1791
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Maria van Bourgondië
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching
Location: haarlem
Subjects: brussels, bruges, maria (hertogin van bourgondië), historical persons - bb - woman, ruler, sovereign - bb - female ruler, armorial bearing, heraldry

Prent waarschijnlijk uit: Langendijk, Pieter. De Graaven van Holland, in jaardichten beschreven door Pieter Langendijk. Verrijkt met alle de beeldtenissen dier prinsen, naauwkeurig getekend naar de echte aloude tafereelen of de zaal van't raadhuis der stad Haarlem. Haarlem: J. Bosch, 1745, dl. 2.
Fotoreproductie van het fresco Madonna del Garofano door Bernardino Luini in de Certosa di Pavia
Object type: photograph
Date: 1877 – 1882
Materials: cardboard, photographic support
Techniques: albumen print
Location: certosa di pavia
Subjects: madonna: i.e. mary with the christ-child, painting (including book-illumination, miniature-painting) (+ mural painting)
Inscriptions: number: ‘984’, inscription: ‘No. 10. Madonna von Luini in der Sacristei.’
Rathhaushalle, Treppe
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: bremen
Artist: louis koch
Artist role: fotograaf
Subjects: townhall, staircase
Inscriptions: address: ‘Bremen, auf der Brake 20.’, number: ‘149.’, workshop stamp: ‘Louis Koch/ Photographisches Atelier/ Bremen, auf der Brake No. 20/ (...)’