deem-data/ArtiFact huggingface dataset:
Windflowers
Object type: painting
Date: 1912 – 1912
Materials: canvas, oil
Culture: american
Artist: ruger donoho
Artist role: artist
Artist nationality: american
Artist dates: 1858 – 1916
Subjects: flowers,landscapes
Twee vakwerkbuggen
Object type: photograph
Date: 1931 – 1931
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: colonial system, factory-interior, machine shop, machines; parts of machines; tools and appliances, bridge, java, dutch east indies, the
Inscriptions: date

Twee vakwerkbruggen vervaardigd in 1931 en bestemd voor de Indische Centrale Aanschaffingsdienst (I.C.A.). Onderdeel van de multomap met foto's van bruggen gebouwd door de N.V. Machinefabriek Braat te Soerabaja en bestemd voor verschillende plaatsen in Nederlands-Indië, uit de periode 1931-1940.
High Jumping, from the Games and Sports series (N165) for Old Judge Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,women,sports,athletes

The "Games and Sports" series of trading cards (N165) was issued by Goodwin & Company in 1889 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
Herr Aristide von Baltazzi
Object type: photomechanical print
Materials: paper
Techniques: photograph, hand coloring
Artist: Anonymous
Subjects: vienna, aristocracy; 'aristocratia' (ripa), historical persons

Deze prent maakt deel uit van een omslag met 86 prenten op 78 bladen en 11 tekstbladen.
White Lines
Object type: drawing
Date: 1941 – 1941
Materials: paint, paper
Techniques: scraping
Artist: irene rice pereira
Artist role: artist
Artist nationality: american
Artist dates: 1902 – 1971
Reproductie naar een foto, schilderij, tekening of prent
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Subjects: amsterdam, the hague, willem kloos
Ankerboei
Object type: drawing
Date: 1802 – 1882
Materials: chalk, paper, pencil
Artist: john linnell (ii)
Artist role: draughtsman, print maker
Artist dates: 1792 – 1882
Subjects: beacon, parts of ship's exterior: anchor
Table screen with landscape scene
Object type: table screen
Date: 1701 – 1900
Materials: jade
Culture: chinese
Subjects: buildings,landscapes
Twee huizen en een schuur
Object type: print
Date: 1887 – 1952
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: chris van der windt
Artist role: print maker
Artist dates: 1877 – 1952
Subjects: farm (building)
Inscriptions: collector's mark: Lugt 2228
Certosa - Pozzo nel chiostro
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: gelatin silver print
Location: berlin
Artist: Anonymous
Subjects: well, cloisters ~ monastery
Inscriptions: inscription: ‘Edizione inalterabile.’, number: ‘38.’, number: ‘5042.’

Deze foto maakt deel uit van een omslag.
Necklace with a Compartment for Magical Texts
Object type: costume and accessory
Materials: silver
Location: nestorion
Adèle Hugo (née Foucher, wife of Victor Hugo) (d. 1868)
Object type: medallion
Date: 1828 – 1828
Materials: bronze, patina
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: profiles,women

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Filips de Schone, koning van Leon en Castilie
Object type: jeton
Date: 1505 – 1505
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: filips de schone (hertog van bourgondië)

Koperen penning. Voorzijde: vuurslag, waaraan Gulden Vlies hangt, op Bourgondisch kruis; daarboven, en aan weerszijden: gekroond wapenschild binnen omschrift. Keerzijde: wapenschild, geflankeerd door twee letters P onder gekroonde helm binnen omschrift
Schauguldiner (taler) van Maximiliaan I, Duits keizer
Object type: schauguldiner
Date: 1490 – 1519
Materials: silver
Techniques: gilding, striking
Location: hall am inn
Artist: benedict burgkart
Artist dates: 1496 – 1508
Subjects: maximilian i (holy roman emperor)
Inscriptions: circumscription: ‘* XPs . AC . A . REGx . Rx . HER . Q . ARCHIDx . AVe . PLVRIx . EVROPi . PVIx . PN . POTETIx’, circumscription: ‘+ MAXIMILIANVS . - . DEI . GRA . ROMANOR . REX . SP . AVGVST'’

Zilveren munt. Voorzijde: borststuk man (Maximiliaan I) met kroon, zwaard en scepter binnen omschrift. Keerzijde: gekroond wapenschild met daaraan orde van Gulden Vlies tussen twee gekroonde wapenschilden, boven twee wapenschilden binnen omschrift
Column Shaft
Object type: shaft
Date: 1267 – 1333
Materials: marble
Culture: french
Location: france
Portret van Filips V van Spanje
Object type: costume print
Date: 1702 – 1702
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: filips v (koning van spanje), styles of hairdress (allonge), historical persons, battle, knighthood order of the golden fleece, clothes, costume (+ men's clothes), baton of general
Inscriptions: signature: ‘Desiiné par B. Picart’, poem: ‘En votre faveur tout conspire, / La Vertu, le sang, et le Choix / Le Grand Louis soutient vos droits: / Peut-on vous disputer l'Empire.’, date: ‘1702’, address: ‘se vendent a Paris rue Stl. Jacques au Buste de Monseigneur’, collector's mark: Lugt 2228

Portret van Filips V, koning van Spanje. Hij draagt een keten met de Orde van het Gulden Vlies en houdt een commandostaf in de hand. Op de achtergrond een landschap met een veldslag. In de marge een vierregelig gedicht, in twee kolommen, in het Frans.
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: birds,peacocks,plants
Collier van Nederlandse stuivers met Willem III
Object type: necklace
Date: 1940 – 1950
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: willem iii (koning der nederlanden)

Collier van dertig Nederlandse stuivers met Willem III door middel van ogen aan elkaar verbonden en voorzien van een veerringsluiting.
Vase with cover
Object type: vase with cover
Date: 1720 – 1720
Materials: enamel, porcelain
Culture: japanese
Marie Burroughs, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van Maria en Olga Nikolajevna
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: historical persons, adult woman (+ two persons)
Inscriptions: collector's mark: Lugt 2228
Verloren zoon als varkenshoeder
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the prodigal son, suffering want, asks a farmer for work, the prodigal son repents his former life and prays, the prodigal son tends the swine and eats from their trough

De verloren zoon heeft zijn erfenis verkwist en verhuurt zichzelf bij een boer als varkenshoeder. Hij knielt tussen de varkens om met hen samen uit de voederbak te eten. Op de achtergrond komt hij tot inkeer en vertrekt hij naar zijn vader. Bij verschillende elementen uit de voorstelling staan letters. De prent maakt deel uit van een album.
Head of a Man
Object type: drawing
Date: 1837 – 1911
Materials: chalk
Location: france
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Subjects: heads,men,profiles
Plane scale or logaritmic ruler from the wreck of the Dutch East Indiaman Hollandia
Object type: schaalstok
Date: 1700 – 1743
Materials: wood
Location: netherlands
Artist: johannes van keulen (i)
Artist role: bookseller
Artist dates: 1653 – 1715
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Inscriptions: initials: ‘J V K’

Tools and instruments, navigation, plane scale; ruler: oblong, straight, rectangular, flat, one longitudinal edge bevelled, different (logaritmic) scales inscribed on both sides, as well as a maker's mark [initials JVK, Jan van Keulen], small tubes inserted into certain points on the scales.
Portret van Philips van Montmorency
Object type: print
Date: 1708 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: nevele, admiraal, stadhouder, staatsman, philips van montmorency (graaf van horne)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Buste naar rechts van Philips van Montmorency, graaf van Hoorne, in een ovaal. Hij is gekleed in een harnas en draagt om zijn hals het teken van de Orde van het Gulden Vlies. Het portret rust op een plint waarop zijn naam en titel in twee regels in het Nederlands.
Ridderkruis 4e klasse van de Militaire Willemsorde voor moed, beleid en trouw, tweede kruis op gouden gesp
Object type: ereteken
Date: 1815 – 1831
Materials: gold, silver, textile
Techniques: gilding
Artist: Anonymous

Zilveren draagteken met verguldsel, email, knop en lint. Aan het lint een tweede kruis op gouden gesp.
Portret van Antoine Christophe Merlin
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons

Met facsimile signatuur van de geportretteerde.
Plate
Object type: plate
Date: 1730 – 1730
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: human figures,flowers
The Virgin with the infant Christ seated on a cushion and the young Saint John the Baptist at his feet, an oval composition
Object type: print
Date: 1600 – 1640
Techniques: etching
Artist: guido reni
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1642
Subjects: christ,saint john the baptist,virgin mary
Onbekende personen, mogelijk tijdens rondreis van Eugen Wachenheimer en Else Wachenheimer-Moos door Bulgarije, 1926-1927
Object type: photograph
Date: 1926 – 1927
Materials: paper
Location: bulgaria
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: bulgarije

Albumblad bevat twee foto's van onbekende personen. Afkomstig uit album half formaat, kartonomslag met koordbinding en lichte veelvormige vormen op voorzijde.
Pemjean. Lucien, Pierre. 32 ans, né à Lyon (Rhône). Publiciste. Anarchiste. 2/1/93.
Object type: mugshot
Date: 1893 – 1893
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Autumn Flowers: Peonies and Bellflowers, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. ２
Object type: print
Date: 1776 – 1776
Techniques: woodblock print, cutting
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Two spoons
Object type: spoon
Date: 1766 – 1767
Materials: silver
Artist: william tant
Artist role: maker
Artist dates: 1762 – 1767
District d'Alberta. Bow Lane et environs (Canada)
Object type: photomechanical print
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: alberta
Artist: Anonymous
Subjects: landscapes in the temperate zone
Inscriptions: inscription: ‘Vue prise de la station no. 1 (24-6).- Grandeur réelle des épreuves.’, number: ‘Fig. 10.’
Stencil with Pattern of Fans on Water
Object type: stencil
Date: 1801 – 1900
Materials: paper, silk
Culture: japanese
Subjects: fans
Dubois
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Houtsnijwerk boven een deur in de gevangenis op de Prinsegracht te Den Haag
Object type: photograph
Date: 1900 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: prinsegracht
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: prison, jail, door
Inscriptions: collector's mark: ‘R:MUS.’ Lugt 2228, annotation: ‘Gevangenis Prinsengracht gesloopt 1908/ Houtsnijwerk boven een deur in de gang/ 's Gravenhage’
Resten van een verwoeste spoorbrug bij Umquanhene in Mozambique
Object type: page
Date: 1886 – 1895
Materials: photographic support
Techniques: albumen print
Location: lisbon
Subjects: bridges by construction
Inscriptions: number: ‘22’
Ringhandvat uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: handle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fittings, handles, loop handle; fragm, id. NG 1979-223H2806: shaft on a circular base without holes, ring broken off.
Helmet in the Classical Style
Object type: helmet
Date: 1760 – 1770
Materials: bronze, gold, silk, silver, thread
Culture: french
Location: france
Subjects: dragons
Relief Fragment
Object type: relief, man
Date: 1479 – 1458
Materials: limestone
Location: upper egypt, thebes
Subjects: men,owls
Signature Quilt
Object type: quilt
Date: 1855 – 1855
Materials: cotton
Location: united states
Artist: julianna diehl fenstermacher
Artist role: artist
Artist nationality: american
Artist dates: 1837 – 1902

This quilt is made up of six blocks across and six blocks down, surrounded by a border and sashing of red printed pattern on white ground. Each block has a central square of white cotton fabric that is inscribed in black ink with a person’s name underlined with a flourish, all in the same hand. The quilt was likely made by or for Julianna Fenstermacher on the occasion of her marriage to Benneville Fenstermacher. The square that contains Julianna’s name reads in German: "Julianna. Fenstermacher/ her carpet/ 1855." Benneville’s name can be found in the square beside hers. The quilt also includes the names of Julianna’s parents, Hannah and Tobias Diehl, and her brothers and sisters, Dianna Heinrich, Jacob, and Emilie Diehl. This quilt demonstrates the bright colors and sentimental traditions popular with German-speaking immigrant communities in Pennsylvania.
Reproductie van een geschilderd portret van Alfred Stieglitz door William Merritt Chase
Object type: photomechanical print
Date: 1904 – 1909
Materials: paper
Techniques: autotype
Subjects: new york (city), alfred stieglitz, adult man, historical persons
Zilveren fanam uit Madras in Brits Indië onder de East India Company,1764-1807
Object type: coin
Date: 1764 – 1807
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: afbeelding van de Godheid Vishnu. Keerzijde: twee naar elkaar gewende en in elkaar verstrengelde letters C [=Company].
Albumblad voor een album voor Prof. Hugo de Vries
Object type: print
Date: 1918 – 1918
Materials: paint, ink, paper
Techniques: brush, lithograph, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: haarlem, hugo de vries, flowers ~ ornament
Inscriptions: collector's mark: ‘R:MVS.’, annotation: ‘pag 27’

Rechthoekig kader met bloem- en bladornamenten met daarin vier vakken voor portretten met onder elk vak de naam van de geportretteerde.
Wild Boar Hunt with Spears, from "Hunting Scenes in Ornamental Frames"
Object type: print
Date: 1570 – 1570
Techniques: engraving
Artist: jan van der straet, called stradanus
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1523 – 1605
Subjects: hunting,boars,dogs,horses

This engraving of a wild boar hunt is based on one of a series of six tapestry designs that Stradanus made for the Florentine Duke Cosimo I de’ Medici’s villa in Poggio a Caiano. In addition to this series, Stradanus made enough cartoons, or full-scale preparatory drawings, to decorate twenty rooms in the villa. Hunting boar was an activity limited to the aristocracy, and here we see the members of Cosimo’s court mounted on horseback, assisted by various servants on foot. A second engraving from the series shows the hunters catching the boars in nets.
Piece (one of 116)
Object type: piece
Date: 1801 – 1900
Materials: cotton
Horn
Object type: horn
Date: 1801 – 1900
Materials: brass, leather
Culture: german
Location: germany
Subjects: animals
Het Menselyk Bedryf
Object type: book illustration
Date: 1694 – 1694
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: officer, (military) uniforms
Inscriptions: collector's mark, collector's mark: Lugt 1641

Blad genomen uit een editie van: Spiegel van het menselyk bedryf, vertoonende honderd verscheiden ambachten, konstig afgebeeld en met godlyke spreuken en stichtelyke verzen verrykt / door Jan en Kasper Luiken. Eerst uitgegeven te Amsterdam in 1694.
Dress
Object type: dress
Date: 1860 – 1865
Materials: cotton
Culture: american
Rabat
Object type: rabat
Date: 1720 – 1740
Techniques: lace
Stadsgezichten en landschappen in Frankrijk en Italië
Object type: album leaf
Date: 1677 – 1703
Materials: paper
Techniques: etching
Location: france
Subjects: garden fountain, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Suikerdrooginstallatie
Object type: photograph
Date: 1932 – 1932
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: colonial system, factory-interior, machine shop, machines; parts of machines; tools and appliances, (non-fruit) products of plants or trees: sugarcane, java
Inscriptions: date

Suikerdroger vervaardigd in 1932 voor de Suikerfabriek Watoetoelis bij Krijan ten westen van Sidoardjo. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja bestemd voor de Nederlandse suikerindustrie op Java, uit de periode 1917-1938.
Bedelmonnik
Object type: print
Date: 1516 – 1516
Materials: paper
Techniques: etching, letterpress printing
Subjects: rotterdam, desiderius erasmus, monastic orders, monastic life ~ roman catholic church

Prent afkomstig uit: Erasmus, Desiderius. Morias enkomion (...). Bazel: Johann Rudolf Genath, 1676.
De prenten hierin zijn naar tekeningen die Hans en Ambrosius Holbein maakten voor de theoloog Oswald Myconius in diens uitgave van de Moriae encomium (Lof der Zotheid) van 1516.
Kop met oor, beschilderd met bloem in wit, rood en groen
Object type: miniature
Date: 1800 – 1849
Materials: glass
Location: bristol
Artist: Anonymous

Kop van opaak wit glas, bol model op voet, met s-vormig oor. De kop is beschilderd met een bloem in wit, rood en groen.
Saint Barbara
Object type: painting
Date: 1776 – 1800
Materials: canvas, oil
Culture: ecuadorian
Artist: Anonymous
Artist role: artist
Subjects: women,saint barbara

The virgin martyr St. Barbara is lifted heavenward on a cloud, accompanied by pairs of putti and cherubim. In her outstretched right hand, she grasps a palm branch, a symbol of martyrdom. In her left hand, she holds a chalice and host. She is flanked by heaps of symbolic objects and attributes that contrast earthly riches and pleasures with the instruments of her torture and martyrdom. The landscape below the saint is the setting for two narrative vignettes and a sacred allegory. On the left is the martyrdom of St. Barbara at the hands of a turbaned executioner who is struck by lightning as he swings his sword. Behind them is the tower where, according to legend, Barbara was sequestered by her pagan father in an unsuccessful effort to keep her from both suitors and Christian proselytizers. The tower’s three windows, one of which Barbara caused to be added, make symbolic reference to the Trinity. On the opposite side of the canvas is a deathbead scene that almost certainly depicts St. Stanislaus Kostka receiving the Viaticum from an angel after invoking St. Barbara. The scene exemplifies St. Barbara’s role as patroness at the hour of death, intervening to assure that last sacraments are received. In the central scene, the Lamb of God (Agnus dei) stands on a mound at the center of an enclosed garden (hortus conclusus). The lamb bleeds into a chalice, which overflows in four streams (an allusion to the four rivers of Paradise) and irrigates the garden plots below. The phrase "Vinum germinare faciens Virgines," inscribed above the lamb, is taken from the prophecy of Zacharias (9:17): "For what is the good thing of him, and what is his beautiful thing, but the corn of the elect, and the wine springing forth virgins." The Eucharistic theme of the allegory is underscored by the inclusion of a small shell cartouche containing a depiction of the Last Supper.
Gezelschap in een herberg
Object type: print
Date: 1630 – 1698
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: inn, coffee-house, public house, etc., lovers; courting, flirting
Inscriptions: collector's mark: Lugt 2228

Interieur van een herberg met mannen en vrouwen die roken en drinken. De herbergierster zet een kan drank op tafel. Rechts op de achtergrond staan twee mannen met een vrouw te praten. Eén van hen wijst naar een gordijn waarachter een been te voorschijn komt.
Reizigers bij de tempel van Apollon Epikourios
Object type: page
Date: 1905 – 1910
Materials: paper
Techniques: photograph
Location: berlin
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: (traveller) resting in the open air, temple, shrine ~ greek religion
Inscriptions: number: ‘19.’