deem-data/ArtiFact huggingface dataset:
Decagonal dish with shishi and tree peony
Object type: plate dish
Date: 1670 – 1690
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: arita
Artist: Anonymous
Inscriptions: label: ‘Collectie Westendorp/ 7’

Plate. Kakiemon. Japan, Arita, c. 1700. Porcelain, decoration in underglaze blue and enamels. Westendorp bequest.
Seated Warrior (recto); Striding Warrior (verso)
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: united kingdom
Artist: follower of henry fuseli
A corner in the Spanish room, Indian building, Albuquerque, New Mexico
Object type: photomechanical print
Date: 1928 – 1928
Materials: paper
Techniques: chromolithography
Artist: Anonymous
Subjects: interior of the house
Inscriptions: number: ‘H-1932’
Mozaïek in de Sint-Jan van Lateranen te Rome, voorstellende Christus en heiligen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-jan van lateranen
Subjects: art (+ mosaic making), saints, christ, interior of church
Inscriptions: collector's mark: Lugt 3937, number: ‘P.e 2.a N.o 7149.’
The Sainte Chapelle Paris
Object type: photograph
Date: 1855 – 1865
Materials: cardboard, paper
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: church (exterior), hôtel, i.e. small palace in city
Inscriptions: inscription: ‘BALDUS/ Ref 0490/ 2’, stamp: ‘E. Baldus’, check stamp: ‘Architectural Photographic Association’
Terracotta cup
Object type: cup, fragment
Date: 100 – 100
Materials: terracotta
Culture: roman
Kremlin: de kanonnen. Moskou
Object type: photograph
Date: 1860 – 1925
Materials: photographic support
Techniques: photograph
Location: russia
Artist: Anonymous
Subjects: moskou
Le Cabinet des Beaux Arts (...) / De Schatkamer der Vrye Konsten (...)
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa), (decorated) ceiling

Plafondstuk met de personificatie van Schilderkunst. Zij houdt penseel en schilderspalet in haar handen en werkt aan een schilderij. Putti assisteren haar. Geheel rechts wrijft een putto verf. Prent maakt deel uit van een album.
Frisia Occidentalis
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ornaments ~ art, fruits and vegetables ~ ornament, maps, atlases, ornamental birds: peacock, ornament ~ cartouche
Inscriptions: date

Rechthoekige cartouche met een kaart van Oud-Friesland. Bovenop een sater en links een pauw en trossen fruit. De prent maakt deel uit van een album.
Horsley's Cottages
Object type: print
Date: 1865 – 1865
Materials: paper, zinc
Techniques: etching, printing
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Indian Killing White Man (Vincent Price Ledger)
Object type: drawing
Date: 1880 – 1880
Materials: paper, pencil
Culture: arahapo
Location: united states
Subjects: firearms,men,horses
Pendant: Bunch of Grapes
Object type: pendant, grape
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: grapes
Kastelen in Nederland
Object type: print
Date: 1711 – 1774
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacobus schijnvoet
Artist role: draughtsman, print maker
Artist dates: 1685 – 1743
Subjects: castle

Prent opgenomen in: Smids, Ludolph. Schatkamer der Nederlandsse[!] oudheden; of Woordenboek, behelsende Nederlands steden, Amsterdam: Pieter de Coup, 1711. Verscheen tevens in de heruitgave van voorgenoemd werk in 1737 en 1774. In 1721 verscheen er een uitgave met alleen de prenten: Nederlandsche oudheden, bestaande in zestig verbeeldingen (...) gelegen in Holland, 't Sticht van Utrecht en Gelderland enz. Amsterdam: Hendrik Bosch, 1721.
Headscarf
Object type: headscarf
Date: 1801 – 1900
Materials: linen, silk
Techniques: embroidery
Location: palestine
Subjects: birds
Fotoreproductie van drie tekeningen, afgebeeld twee gezichten en een schedel
Object type: reproduction
Date: 1853 – 1858
Materials: photographic support
Techniques: salted paper print
Subjects: face, (human) skull
Inscriptions: inscription: ‘Duch. voyag. p. 327. col. Brisard’

Foto op vijfde ongenummerde pagina na pagina 142.
de Heer Hakebeeke tusschen de sisal op Mount Pleasant
Object type: photograph
Date: 1912 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: curacao
Artist: Anonymous
Subjects: (non-fruit) products of plants or trees: sisal

Man (Hakebeeke) poserend tussen de sisalplanten op Mount Pleasant op Curaçao. Onderdeel van het fotoalbum uit ca. 1912-1913 met 92 foto's van de plantages Peperpot en Dordrecht in Suriname en Mount Pleasant op Curaçao.
Op den Dam bij de taptoe (1 Juli)
Object type: cartoon
Date: 1891 – 1891
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: military band, political caricatures and satires, police

Het zgn. taptoeschandaal. De politie slaat met de wapenstok in op het publiek aanwezig bij de taptoe op de Dam op 1 juli 1891, ter ere van het bezoek van de Duitse keizer Wilhelm II.
Torso of a Nude Woman
Object type: drawing
Date: 1918 – 1918
Materials: graphite, paper
Artist: amedeo modigliani
Artist role: artist
Artist nationality: italian
Artist dates: 1884 – 1920
Subjects: female nudes
Portretten van Jan Baptiste en Franciscus Mercurius van Helmont
Object type: print
Date: 1648 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: brussels, berlin, historical persons, physician, doctor, armorial bearing, heraldry

Prent voor het eerst gebruikt in: Helmont, Jan Baptiste van. Ortus medicinae. Id est, initia physicae inaudita. Amsterdam: Lowijs Elzevier (III), 1648. Prent ook gebruikt in de tweede editie van 1652.
Bloem, zwart, met metalen hart en twee ophangoogjes
Object type: jewellery
Date: 1880 – 1890
Materials: metal
Location: netherlands

Bloem, zwart, met metalen hart en twee ophangoogjes.
La Vera Perfettione del Disegno di varie sorti di recami, page 3 (verso)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. Author's remarks to readers printed in black with illustrated initial woodcut "H".
Deksel met concretie van martavaan uit V.O.C.-schip de 'Witte Leeuw'
Object type: martavaan
Date: 1613 – 1613
Materials: earthenware
Location: southeast asia
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

An earthenware cover. The round cover have a concave base and usually a knob on top. The clay is orange red, brown, grey or cream-coloured and contains impurities. The inside of the covers show signs of scratches indicating that a sharp tool has been used to even out the clay. The body is orangr-red with black and white specks. The rim is decorated with an incised line. On the top is a conical shaped knob.
Beeld van Caïn met opgeheven arm
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: sculpture, the story of cain and abel (genesis 4:3-17)
Inscriptions: collector's mark: Lugt 2228

Het beeld van Louis Jéhotte stond in 1851 op de Salon van Brussel.
Pier Table
Object type: furniture
Date: 1685 – 1690
Materials: marble, wood
Techniques: carving, gilding
Location: france
Subjects: furniture
Koninginnedag
Object type: photograph
Date: 1903 – 1908
Materials: photographic support
Techniques: photography
Location: paramaribo
Subjects: meppel, tiel, rechter, jurist, gouverneur, procureur-generaal, advocaat-generaal, petrus hofstede crull, paramaribo (stad), koninginnedag

Optocht ter ere van Koninginnedag in Paramaribo, mogelijk 1908. Langs de kant staan militairen. Vijf heren lopen langs, waaronder Hofstede Crull. Misschien omdat hij toen waarnemend Gouverneur van Suriname was.
Canopic Jar of Amenhotep
Object type: funerary object
Materials: ceramic, pigment, terracotta
Culture: egyptian
Location: egypt
Subjects: funerary art, mummies, containers, faces, heads, hieroglyphs
Inscriptions: Words spoken by Serket: “I place my arms on that which is in me, I protect the Imsety which is in me [of] the Overseer of the Builders of Amun, Amenhotep, revered by Imsety.”

One of a set of four jars that belonged to Amenhotep, who oversaw architectural projects in the temple of Amun at Karnak (in present-day Luxor). Now empty, the jars once held Amenhotep’s liver, lungs, intestines, and stomach, which were removed during the mummification process. Each jar has a hand-sculpted stopper that may represent its owner or one of the four sons of Horus, a set of gods associated with these vital organs. An inscription in hieroglyphs on each container promises divine protection over its contents by a different goddess: Selket, Neith, Nephthys, or Isis.
Waterval bij de waterleiding Ambon
Object type: album leaf
Date: 1900 – 1920
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: ambon
Artist: Anonymous
Subjects: water-supply (~ public services), dutch east indies, the

Onderdeel van Reisalbum met foto's van Ambon.
Zittende vrouw, twee honden en een leeuw (Nobel)
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox

Prent gebruikt in: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
And over there, the Astral Idol, the Apotheosis
Object type: print
Date: 1891 – 1891
Techniques: lithograph
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Subjects: bow and arrow,men
Ferdinand I, Rooms koning en koning van Bohemen en Hongarije
Object type: history medal
Date: 1532 – 1532
Materials: silver
Techniques: striking
Location: germany
Artist: Anonymous
Subjects: vienna, ferdinand i van habsburg (duits keizer)

Zilveren penning. Voorzijde: borststuk man met kroon tussen jaartal binnen omschrift. Keerzijde: gekroond wapenschild, omringd door zes wapenschilden binnen omschrift
Karel Frederik van den Berg lezend en een handwerkende vrouw op een bank buiten
Object type: photograph
Date: 1906 – 1941
Materials: photographic support
Techniques: photography
Artist: Anonymous
Subjects: batavia, karel frederik van den berg
Saucer (part of a set)
Object type: saucer
Date: 1735 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,chinoiserie,men
Design for a Small Tower or Stepped Gable, dated 1683
Object type: drawing ornament architecture
Date: 1683 – 1683
Materials: ink
Techniques: pen, wash
Artist: anonymous, flemish
Artist role: artist
Artist nationality: flemish
Subjects: architecture
Organisatie
Object type: design
Date: 1878 – 1938
Materials: chalk, paper, pencil
Techniques: brush
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: agreement, unity; 'concordia', 'concordia insuperabile', 'concordia militare', 'concordia di pace', 'unione civile' (ripa) (+ allegorical scene, i.e. two or more personifications involved in an action), order, arrangement, organization (+ allegorical scene, i.e. two or more personifications involved in an action), working class, labourers
Schotel van gedraaid hout
Object type: miniature
Date: 1800 – 1899
Materials: wood
Techniques: tropisch hardhout
Location: england
Artist: Anonymous

Schotel zonder rand, gedraaid van een donkere hardhoutsoort.
Kaart van de vesting Lierort
Object type: book illustration
Date: 1743 – 1743
Materials: paper
Techniques: etching
Location: groningen
Artist: hendrik hofsnider
Artist role: print maker
Subjects: maps, atlases
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee afdrukken op één blad: Bovenaan een afdruk met een voorstelling van de vesting Lierort en daaronder een afdruk met de titel in een cartouche. In de bovenste afdruk bovenaan een deel van de titel op een lint, linksboven een schaal en: bl. 215.
The Huntsman Rising; The Gamester Going to Bed
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,sleeping,men,women,gambling,dogs

Two companion plates on one sheet. At top, the huntsman gets out of bed and puts on his boots with two hunting dogs waiting for him at left. Below, an angry gambler is seated next to a table with a pistol, dice, purse, dice-box, and an open pocketbook which is inscribed "Money Lost 10.000." His wife is startled in bed at left.
Settee
Object type: settee
Date: 1760 – 1760
Materials: wood
Le Garde-Meuble / Collection de Tentures
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’, annotation: ‘No. 206’

Kruisvenster met gedrapeerde gordijnen. Prent uit 290e Livraison.
Portret van Jac van Looy
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: haarlem, painter, print maker, draughtsman, jac van looij, portrait, self-portrait of artist
Inscriptions: inscription: ‘Jac. van Looy.’
Tekenaar tussen wilgen
Object type: print
Date: 1781 – 1822
Materials: paper
Techniques: etching
Location: amsterdam
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: artist at work, in his workshop - bb - out of doors
Inscriptions: collector's mark: Lugt 924, collector's mark: Lugt 2228

Een landschap met drie wilgen naast elkaar. Tussen de bomen zit een man met een schetsboek.
Chemin de fer des Rochers de Naye
Object type: photomechanical print
Date: 1905 – 1920
Materials: cardboard
Techniques: photograph, lithograph
Location: geneva
Artist: Anonymous
Subjects: passenger train, mountain-range, snow peaks (+ landscape with figures, staffage)
Isaak
Object type: print
Date: 1577 – 1577
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: male persons from the old testament (with name) (not in biblical context)
Inscriptions: collector's mark: Lugt 240

Boekillustratie voor Hillesem, Louis. Sacrarum antiquitatum monumenta. Antwerpen: Christoffel Plantin, 1577.
Verheffing van Willem III tot opperbevelhebber van land-en zeemacht
Object type: history medal
Date: 1672 – 1672
Materials: bronze
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: william iii (prince of orange and king of england, scotland, and ireland)

Bronzen penning. Voorzijde: borststuk man. Keerzijde: portret man te paard met commandostaf binnen omschrift
Ostrakon with Biblical Text
Object type: ostrakon
Date: 580 – 640
Materials: ink, pottery
Culture: coptic
Location: egypt
Subjects: greek
Boudewijn graaf van Vlaanderen en boer Cnillis reiken elkaar de hand
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: etching
Location: netherlands
Artist: jacobus van dijck
Artist role: print maker
Artist dates: 1817 – 1896
Subjects: farmers, emperor
Inscriptions: collector's mark: Lugt 2228

Boudewijn graaf van Vlaanderen en boer Cnillis reiken elkaar de hand voor de ogen van het gehele hof. Illustratie voor het verhaal De dorschvlegel van J.J. van der Horst.
Mlle. Debray, Paris, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
The Atlantic Telegraph
Object type: book
Techniques: lithograph
Artist: sir william howard russell
Artist role: author
Artist nationality: irish
Artist dates: 1820 – 1907
Subjects: men,transatlantic cable

This book documents the great 19th century technological achievement of laying a telegraphic cable beneath the Atlantic to allow messages to speed back and forth between North America and Europe in minutes, rather than the ten or twelve days it took to cross the ocean by steamer. Led by Cyrus W. Field and financed by the Atlantic Telegraph Company, an initially successful attempt in 1858 failed after three weeks. Repeated efforts by Field, a cadre of engineers, technicians, and sailors, backed by two groups of investors with help from the British and American navies, finally produced two working cables in July and September 1866. Illustrations here reproduce watercolors by Robert Dudley that document the extended, arduous process, and the title page shows sailors raising the anchor of the Great Eastern as the ship sets out from the Thames Estuary on July 15, 1865, fully loaded with cable. Field donated this book and related art works by Dudley to the Museum in 1892, together with commemorative medals, memorabilia, and specimens of cable.
Mantle Fragment
Object type: mantle fragment
Date: 500 – 201
Materials: animal fiber, cotton
Culture: paracas
Location: peru
Subjects: human figures
Halberd Head with Hooked Blade
Object type: halberd head
Date: 1251 – 1300
Materials: copper alloy
Culture: indonesian, javanese
Sappho bij een meer in een berglandschap
Object type: drawing
Date: 1824 – 1824
Materials: chalk, paper, pencil
Location: naples
Artist: christoph heinrich kniep
Artist role: draughtsman
Artist dates: 1755 – 1825
Subjects: (story of) sappho, the poetess, lake, mountains
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Sappho.’, inscription: ‘Napoli 1824.’
L'Assiette au Beurre, themanummer gewijd aan het veilinghuis
Object type: magazine
Date: 1905 – 1905
Materials: paper
Techniques: lithograph
Location: paris
Subjects: auctioneer, caricatures (human types), picture, painting, art sale, auction, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Aflevering 216 van het Franse tijdschrift L'Assiette au Beurre, verschenen op 20 mei 1905. Het betreft een themanummer gewijd aan het veilinghuis (L'Hotel des ventes') met satirische illustraties naar ontwerp van Emmanuel Barcet. Op de voorkant een portret van veilingmeester Paul Chevallier met de hamer opgeheven in zijn rechterhand. Op de voorgrond wordt een schilderij getoond met een liggend vrouwelijk naakt in een landschap met de tekst 'Vrai Troyon', een verwijzing naar de schilder Constant Troyon.
Design for a Candlestick
Object type: drawing
Date: 1510 – 1563
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: ottavio strada
Artist role: artist
Artist dates: 1550 – 1606
Subjects: candlesticks
Poort in de oostelijke vleugel van het Sint-Pietershof te Hoorn
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: hoorn
Artist: gerrit dirk siewers
Artist role: fotograaf
Artist dates: 1846 – 1899
Subjects: gate, entrance
Inscriptions: name: ‘G.D. SIWERS PHOTOGRAPHE/ CABINET PORTRAIT/ HOORN B.D. GROOTE KERK’, inscription: ‘De raamsteeg/ thans Spoorstraat Hoorn/ tegenover het Munnickenveld/ Munnickenveld/’
Verenigde Staten van Amerika, 3 cents, 1865
Object type: coin
Date: 1865 – 1865
Materials: nickel
Techniques: striking

Koper-nikkelen munt. Voorzijde: hoofd (coronet head) naar links, waaronder jaartal. Keerzijde: tussen twee samengebonden takken waarde-aanduiding: III. Gladde rand.
Blade and Mounting for a Sword (Katana)
Object type: blade and mounting for a sword katana
Materials: gold alloy, silver alloy, lacquer, skin, steel, thread, wood
Culture: japanese
Location: japan
Artist: sukemitsu of bizen
Artist role: swordsmith
Artist nationality: japanese
Artist dates: 1400 – 1500

This is the only known complete set of daishō mountings (paired with 36.120.418a–c) by Iwamoto Konkan, one of the most famous makers of sword fittings in the eighteenth century. The artist's inscription identifies the patron as Iwata Takanori and the design as the Six Tama Rivers.
Grafcirkel in Mycene
Object type: photomechanical print
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: photograph
Location: mycene
Artist: Anonymous
Subjects: ancient grave forms
Inscriptions: check stamp: ‘Bristol/ L.M.’, title: ‘G 49. Het graf van Agamemnon te Mycenae.’, number: ‘3’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze fotomechanische afdruk is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Copper Openwork Mace Head
Object type: mace head
Date: 300 – 200
Materials: copper
Techniques: casting
Culture: vicús
Location: peru
Spacer-bead with images of divinities and a king
Object type: bead, spacer, atum, raharakhty, winged
Date: 1070 – 715
Materials: faience
Location: egypt

This bead spacer is decorated with religious and royal imagery. On one side, it shows the king before solar deities —the falcon headed god Reharakhty and the anthropomorphic god Atum. The latter holds the branch—the hieroglyph for year—alongside the king, while the former offers him the khepesh sword. On the other side, two winged deities protect the image of a lion-headed god. Perforations on the piece’s ends would allow its stringing alongside other beads to prevent sagging and angling. However, spacer-beads like this one were not merely decorative, often bearing religious and royal imagery. In the Third Intermediate Period, the themes on such spacer-beads often borrow from the repertoire found in palaces and temples, where the image of the god presenting the king with the khepesh sword is most common.
L'heureuse Jeannette
Object type: print
Date: 1761 – 1811
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: vegetables, cat, interior of the house
Inscriptions: collector's mark: Lugt 2228
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed fragments, each with the start of the handle root
The Mildmay Sea-Piece, part ViII, plate 40 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: beaches,seascapes,boats

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Annis and Easling here added mezzotint to describe a sun setting over the sea, with barrels piled on the shore near a beached fishing boat. As two sailboats move past, a woman holds a child near an anchor, as a boy runs across the sand. The letter "M" in the top margin indicates Turner's category of Marine landscape.