deem-data/ArtiFact huggingface dataset:
Chatillon. Jean-Baptiste. 31 ans, né à Toiseron des Minard (Cher). Employé de commerce. Note du cabinet. 10/5/82
Object type: mugshot
Date: 1882 – 1882
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Gezicht op het Nieuwezijds Heerenlogement in Amsterdam
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: animal traction, animal-drawn vehicle (carriage etc.), hotel, hostelry, inn

Prent uit: Vijver, Cornelius van der. Geschiedkundige beschrijving der stad Amsterdam (...). 4 dln. Amsterdam: Gebroeders Diederichs, 1844-1848, dl. 1 (1844), p. 182-183.
A Merry Christmas and A Happy New Year
Object type: photograph
Date: 1855 – 1900
Materials: cardboard, iron, paper
Techniques: ferrotyping
Artist: london
Artist role: fotograaf
Subjects: historical persons, old man, beard
Inscriptions: inscription: ‘LONDON & BRISTOL PHOTOGRAPHY/ COMPANY./ LATEST NOVELTY,/ 12 GEMS FOR 7 1/2 d./ 5, CLARESTREET,/ BRISTOL,/ NEXT THE AUCTION ROOMS.’
Gezicht op het Academiegebouw van de Universiteit Leiden
Object type: photograph
Date: 1882 – 1914
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: hendrik jonker
Artist role: fotograaf
Artist dates: 1846 – 1932
Subjects: university
Inscriptions: annotation: ‘De Academie’, inscription: ‘H. Jonker, Apothekersdijk No7, Leiden/ No 12’
Grafmonument van Johannes van Gheel, Daniël van Gheel en Jacoba Casembroot in de Hervormde Kerk van Spanbroek
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: spanbroek
Subjects: amsterdam, piece of sculpture, reproduction of a piece of sculpture, grave-building, monumental tomb
Inscriptions: annotation: ‘Grafmonument van Daniel v. Gheel en Jacoba Casembrood/ Spanbroek/ -Naarden-’, number: ‘'11.3911’, collector's mark: ‘R:MUS.’ Lugt 2228, annotation: ‘R. [...]’, annotation: ‘# géén inv. nr. prenten!’
Plate
Object type: plate
Date: 1662 – 1722
Materials: porcelain
Culture: chinese
Subjects: birds,flowers,coat of arms
Brief aan Henriette Wilhelmina van Baak, Philip Zilcken, Renée Hélène Laure Zilcken et al.
Object type: letter
Date: 1911 – 1911
Materials: ink, pencil
Techniques: pen, writing
Location: copenhagen
Subjects: voorburg, print maker, renée hélène laure zilcken, henriette wilhelmina van baak, the hague, draughtsman, philip zilcken, drawing, sketch
Inscriptions: collector's mark: ‘RPK’
Autumn from a set of The Seasons of Lucas
Object type: tapestry
Materials: silk, wool
Artist: master of the months of lucas
Artist role: designer
Artist nationality: netherlandish
Artist dates: 1535 – 1535
Subjects: men,women,autumn
Figuurstudies, waaronder een zittende vrouw
Object type: sketchbook leaf
Date: 1849 – 1917
Materials: pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: sitting figure (+ female (human being) (not to be used where -aa- is prescribed))

Blad 26 verso uit een schetsboek met 35 bladen.
Bedelaar. / Krygsman. / Boer. / Edelman
Object type: popular print
Date: 1842 – 1866
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: social position, farmers, the soldier; the soldier's life, beggar, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van een bedelaar, een soldaat, een boer en een edelman (de vier standen). Boven elk figuur een banderol met tekst. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 2.
Covered vase
Object type: covered vase
Date: 1701 – 1800
Materials: jade
Culture: chinese
Opkijkende jongeman
Object type: print
Date: 1716 – 1789
Materials: paper
Techniques: engraving
Artist: pieter lyonet
Artist role: draughtsman, print maker
Artist dates: 1706 – 1789
Subjects: youth, adolescent
Inscriptions: collector's mark: Lugt 2228
Border
Object type: textile
Date: 1701 – 1800
Materials: lace, linen
Techniques: lace
Location: italy
Panel
Object type: textile
Date: 1675 – 1725
Materials: gilt, linen, metal, panel, silk
Techniques: backing, embroidery, weave
Location: italy
Subjects: flowers, foliage
Carnelian ring stone
Object type: intaglio
Date: 300 – 101
Materials: gemstone
Culture: italic
Subjects: men,working
Gezicht op het Marischal College in Aberdeen
Object type: photomechanical print
Date: 1860 – 1887
Materials: paper
Techniques: photograph
Location: aberdeen
Subjects: university
Vignet met een geblinddoekt kind dat door de Waarheid geleidt wordt
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: jan matthias cok
Artist role: draughtsman, print maker
Artist dates: 1720 – 1771
Subjects: truth; 'verità' (ripa)
Inscriptions: collector's mark: Lugt 2228

Een geblinddoekte putti wordt door de personificatie van de Waarheid geleidt door de wolken. Rechts achter een ronde tempel. Op een banderol het motto: De Waarheid geleid my.
Miss Sadie Kirby/ Fannie Batchelder, from the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses
Brief aan de Commissie van de Tentoonstelling van Levende Meesters in Utrecht
Object type: letter
Date: 1866 – 1866
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: johannes huygens
Artist role: draughtsman
Artist dates: 1833 – 1911
Subjects: drawing, exhibition ~ art, money, the hague
Dish (part of a service)
Object type: dish
Date: 1737 – 1737
Materials: hard paste porcelain
Subjects: flowers,coat of arms

The arms on this dish are those of James, fifth duke of Hamilton (1702/3–1743), and it is possible that this dish is part of a large service created for him at the time of his marriage to his third wife in 1737.
Table Design with Bacchus and Boar's Head, and Alternate Design
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: bacchus,boars
Tile
Object type: tile
Date: 1701 – 1800
Materials: earthenware
Techniques: glazing
Subjects: bow and arrow,firearms,men
Glass perfume bottle
Object type: perfume bottle
Date: 67 – 300
Materials: glass
Culture: roman

Translucent pale blue green. Rim folded out, over, and in; tall, slender, cylindrical neck, with irregular indents above and around base; conical body; slightly concave bottom. Intact; many pinprick and a few large, elongated bubbles; dulling, pitting, and brilliant iridescent weathering.
Seal
Object type: glass
Date: 1880 – 1880
Materials: glass
Location: new york city
Artist: gilliland glass manufactory
Artist nationality: american
Artist dates: 1820 –
Judith with the Head of Holofernes
Object type: print
Materials: paper
Techniques: engraving, printing
Location: italy
Artist: girolamo mocetto
Artist role: artist
Artist nationality: italian
Artist dates: 1470 – 1531

This engraving illustrates a scene from the Apocryphal book of Judith. Judith, angered that her country was under foreign rule, decided to kill the enemy leader, Holofernes. She visited him and drank wine with him until he fell asleep; then, taking his sword, she “struck his neck twice with all her might, and severed his head from his body.” Girolamo Mocetto depicted Judith immediately after this act, handing Holofernes’s severed head to her maid.
Donker heuvelachtig landschap, rechts huizen
Object type: drawing
Date: 1773 – 1843
Materials: chalk, paper
Artist: georges michel
Artist role: draughtsman
Artist dates: 1763 – 1843
Subjects: landscapes in the temperate zone

Een van 120 tekeningen, afkomstig uit een 19e eeuws album met tekeningen van Georges Michel.
Carved pillars of the Meenakshi temple in Madurai, Tamil Nadu, India
Object type: photograph
Date: 1878 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: madurai
Subjects: temple, shrine ~ hinduism, buddhism, jainism, column, pillar ~ architecture, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘1’, title: ‘Madura./ Carved Pillars - East Entrance to Puthoo Muntapan.’
Bird sculpture
Object type: sculpture
Date: 1000 – 1000
Materials: ceramic
Culture: iranian
Location: northwestern iran
Subjects: birds
Lappet
Object type: lappet
Date: 1701 – 1725
Materials: linen
Culture: flemish

The variations of vase forms and the overall fanciful quality of the design are the notable features of this piece and are expressive of the design vocabluary used in the decorative arts and textile design of the early eighteenth century.
Brief aan Anna Dorothea Dirks
Object type: letter
Date: 1875 – 1929
Materials: cardboard, ink
Techniques: photograph, pen, writing
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: dordrecht, designer, jan veth, artist, anna dorothea dirks, passions, emotions, affections, family life, amsterdam
Inscriptions: collector's mark: ‘RPK’, watermark
Bakasura, the Crane Demon, Arrives in Brindavan: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu)
Object type: folio
Date: 1700 – 1700
Materials: ink, paper, watercolor
Culture: indian
Subjects: cranes,men,women,cows,demons

The gopas (cowherds) of Brindavan, peacefully herding their cows by a pond, are suddenly disrupted by Bakasura, one of the demons sent by Kamsa to kill Krishna.
Dress
Object type: dress
Date: 1841 – 1845
Materials: cotton
Culture: american
Textile Fragment
Object type: textile fragment
Date: 1601 – 1700
Materials: velvet
Location: turkey
Ingang, ramen, beelden en ornamenten van het stadhuis van Middelburg
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: gelatin silver print
Location: middelburg
Artist: Anonymous
Subjects: window, gate, entrance, townhall, monument, statue, travelling; tourism, ornament derived from architectural details, middelburg

Onderdeel van Fotoalbum van de excursie naar Nederland van de Britse amateurfotografenvereniging P.C.U.K.
Arrowhead
Object type: arrowhead
Date: 201 – 700
Materials: bronze
Culture: sasanian
Location: iran
Pass in the Racoon Range, Whiteside No. 1
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: bridges,american civil war
Dickhauter.Pachydermata
Object type: print
Date: 1837 – 1868
Materials: paper
Techniques: hand coloring, lithograph
Location: nuremberg
Artist: Anonymous
Subjects: hoofed animals (with name), horse, mule
Inscriptions: collector's mark: Lugt 1641, stamp

Vijf voorstellingen van diverse soorten paardachtigen. Onder iedere voorstelling de naam van het soort in het Duits, Latijn en Frans. Daaronder de afmeting en land van herkomst van het dier. Linksonder genummerd: No. 715. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Bottle
Object type: vessel
Date: 601 – 1300
Materials: glass
Culture: islamic
Location: mediterranean region
Grafmonument voor Johannes Schelhammer
Object type: print
Date: 1730 – 1736
Materials: paper
Techniques: etching
Location: leiden
Subjects: the hague, johannes schelhammer, 'pleurants', epitaph
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Grafmonument of epitaaf voor Duitse theoloog Johannes Schelhammer in de Evangelisch Lutherse kerk aan de Lutherse Burgwal te Den Haag. Een plaat met Latijns opschrift ter nagedachtenis aan hem is het middelpunt van een architecturale omlijsting. Deze wordt bekroond met een medaillon waarop het symbool van Christus' lijden is afgebeeld: een pelikaan voedt haar jongen met haar eigen bloed. Twee treurende vrouwen flankeren een portret van Schelhammer.
Hoofd van man in de schaduw
Object type: print
Date: 1645 – 1650
Materials: paper
Techniques: etching
Artist: giovanni benedetto castiglione
Artist role: draughtsman, print maker
Artist dates: 1610 – 1665
Subjects: head (human), head-gear: cap (+ men's clothes), shadow

Prent uit een serie van zes prenten door Castiglione. Prent maakt mogelijk deel uit van een serie van 200 prenten. Deze serie is onder de titel 'A Collection of two hundred original etchings' voor het eerst uitgegeven door J.M. Greery in 1816.
Fragment kom uit V.O.C.-schip de 'Witte Leeuw'
Object type: bowl
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl. The cobalt blue is of a dark purple colour. In the centre the character for a long life: shou is drawn, encircled by a double band. On the lip-rim a stylized wave band is drawn. The outside wall is decorated with two four-clawed dragons chasing a flaming pearl.
Fragment of a Plate
Object type: fragment
Date: 1301 – 1500
Materials: earthenware, glaze
Techniques: coloring, incising
Location: egypt
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, part of head of youth with hair tied in a band
Page from Ein new kunstlich Modelbuch...(Page 34v)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Tafellaken van linnendamast met bladeren
Object type: tablecloth
Date: 1890 – 1910
Materials: linen
Techniques: damask, weave
Artist: Anonymous
Inscriptions: number: ‘2559’, mark: ‘KUP’, monogram: ‘KS’

Tafellaken van linnendamast met bladeren aan kronkelende stengels en een rand van gestileerde bloemen. Het laken is gemerkt: KUP en een aangenaaid nummer (2559 in rood op wit) en een monogram: KS. Bij het tafellaken horen zes servetten (BK-1970-129-B t/m BK-1970-129-G).
Designs for the Decoration of Two Vases and Two Handles
Object type: design drawing
Date: 1897 – 1897
Materials: ink, paper
Techniques: pen
Location: sèvres
Artist: anatole-alexis fournier
Artist dates: 1864 – 1926
Subjects: flowers: iris, flowers ~ ornament

These small drawings demonstrate how the artist adapted a repeating or a single, asymmetrical pattern to the shape to be painted. The designs were probably made for the Sèvres porcelain manufactory.
Stoomboten in Montréal, Canada
Object type: stereograph
Date: 1867 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: montreal
Artist: william notman
Artist role: fotograaf
Artist dates: 1826 – 1891
Subjects: harbour, pier, quay, wharf, steamship, motorship
Inscriptions: number: ‘19’, inscription: ‘W. NOTMAN/ (...)/ MONTREAL./ Branches at/ Toronto and Halifax.’
Medea: or the marriage of Jason and Creusa
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: marriage of jason and creusa (glauce); possibly with medea watching the scene
Inscriptions: collector's mark: Lugt 2773, collector's mark: Lugt 2228
Young Woman in the Vaudois after the Grape Harvest
Object type: drawing
Date: 1821 – 1821
Materials: chalk, graphite, ink, watercolor
Techniques: pen
Location: switzerland
Artist: wolfgang adam töpffer
Artist role: artist
Artist nationality: swiss
Artist dates: 1766 – 1847
Subjects: grapes,women,leaves
Zelfportretten van Cor van Teeseling
Object type: drawing
Date: 1942 – 1942
Materials: chalk, paper
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman
Inscriptions: date

Zelfportret van Cor van Teeseling: B-1-1, 13 februari. Getekend zelfportret van Cor van Teeseling driekwart, naar links kijkend, waarbij de boven- en achterkant van het hoofd zijn weggelaten.
Day Dress
Object type: womenswear
Date: 1868 – 1872
Materials: silk
Location: netherlands
Artist: Anonymous

The fabric of this dress is moiré antique, which features large, irregular, undulating lines. This effect is achieved by folding ribbed fabric a particular way and subjecting it to heat and pressure to give it a watered appearance. The distorted ribs reflect light in different directions. The colours of the dress, black and brown, were all the rage in 1869.
Plaque with Ramayana Scene
Object type: relief plaque
Date: 1201 – 1400
Materials: terracotta
Culture: indonesian, javanese
Subjects: animals
Titelpagina voor: L. van den Bos, Het leven en bedryf van Willem de Darde, 1694
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), battle
Inscriptions: collector's mark: Lugt 2228

Vier scènes uit het leven van Willem III, prins van Oranje-Nassau, koning van Engeland. Hoofdvoorstelling: Willem III als bevelhebber tijdens een veldslag. Boven: Benoeming van Willem III tot stadhouder; Kroning van Willem III en Maria II Stuart in de Westminster Abbey. Onder: Hevige veldslag.
Kop, beschilderd met ornamentband, waaraan een bladguirlande en een bloemboeket hangen
Object type: cup
Date: 1774 – 1778
Materials: porcelain
Location: loosdrecht

Coffee cup and saucer, c. 1774 - 1778.
Bead
Object type: bead
Date: 601 – 700
Materials: glass, lacquer
Culture: japanese
The Temple of Vespasian and the Roman Forum, from "Six large views, four of Rome, and two of the Roman countryside" (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine)
Object type: print
Date: 1656 – 1656
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: human figures,ruins
The Massacre at Jerusalem, from The Story of Titus and Vespasian
Object type: textile
Date: 1650 – 1675
Materials: silk, wool
Techniques: interlocking, slit, weave
Location: brussels
Artist: after a design by charles poerson
Artist dates: 1609 – 1667

This tapestry belongs to the eight-piece Story of Titus and Vespasian suite designed by Charles Poerson, who practiced the French academic-decorative manner that supplanted the dramatic and monumental Flemish High Baroque. Poerson clearly based the series on book two of Tacitus’s The Jewish War (c. A.D. 75–79). Both Vespasian and his son Titus led the Roman troops during the First Jewish-Roman War (A.D. 66–73), a major rebellion by the Jews of Judaea against the Roman Empire. This tapestry depicts the massacre that took place at Jerusalem six months after the initial siege. The Arabian and Syrian soldiers who were part of Titus’s army slaughtered the Jews who were attempting to flee, cutting open their victims’ bellies to get the gold coins some of them had swallowed before surrendering to the Romans. Titus can by seen on horseback, in the background on the right, rushing to stop the carnage.
Inner Pommel Plate
Object type: pommel plate
Materials: steel
Culture: italian
Location: italy

The dates assigned to armor, whether complete armor or individual pieces, are usually estimates based on assessments of style and typology. Occasionally, the precise date of a specific armor may be known through a surviving document recording its commission or by a connection to a particular historical event. A relatively small number of armors, however, actually have dates on them, usually worked somewhere into the decoration. These securely dated examples serve as important benchmarks for understanding the development of armor styles, in terms of both form and decoration. This plate, which would have been attached to the inner face of the top of the saddle pommel, is a good example of how a seemingly minor piece can be used in establishing the dating paramenters for a particular type of decoration. The significance of this pommel plate lies in the fact that it appears to be the earliest precisely dated example of the use of trophies in the etched decoration on armor. The date, 1546, can be seen near the top of the right page of a stylized book located on the left half of the plate. The handling of the motifs has a spontaneity and clarity often lacking in later examples (see, for instance, acc. nos. 14.25.1666, 04.3.252) and suggests the earlier phases of a decorative style, before standardization has set in. The most notable features distinguishing the trophies here from more typical later forms are that the individual motifs, while still overlapping, are bold and distinct and that they are arranged asymmetrically rather than being laid out mirrorwise in pairs, which subsequently became standard. Armors with this form of trophy decoration are usually dated to the 1550s and 1560s. One of the best examples is the complete horse armor from the Collalto Castle armory, Treviso, now in the Metropolitan Museum (acc. nos. 21.139.2a–h, .9, .10). The existence of this pommel plate, however, shows that the decorative style found on the Collalto armor was fully developed by the mid-1540s.
Laatste Avondmaal
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: paris
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)

Deze prent maakt deel uit van een album.
Sideboard
Object type: furniture
Date: 1820 – 1820
Materials: wood
Location: baltimore
Artist: attributed to edward priestley
Landschap III
Object type: print
Date: 1963 – 1963
Materials: gouache, paper, ink
Techniques: aquatint, brush
Artist: pieter holstein
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1934 – 
Inscriptions: signature, date and inscription: ‘p. holstein '63 5/8’

Compositie in zwart, groen, blauw, rood en geel. Rechtsboven een punt in blauw met zwarte contouren.
Strip
Object type: strip
Date: 1601 – 1800
Materials: linen, silk
A Sibyl
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: circle of pier francesco mazzucchelli, called il morazzone
The mystic hickory
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: massachusetts
Subjects: plants; vegetation, meadow, pasture
Inscriptions: number: ‘XXXVI.’
Portret ven een zittende dienstbode met een kat op schoot
Object type: album leaf
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: john h. williams
Artist role: fotograaf
Subjects: sitting figure - aa - female human figure, cat, historical persons, house personnel, servants
Inscriptions: inscription: ‘John H. Williams/ Photographer/ 42, Hornsey Park Rd. London N.’