deem-data/ArtiFact huggingface dataset:
[...] Pompae [...]
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jacob savery (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1566 – 1603
Subjects: robert dudley (1st earl of leicester), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', historical persons, the hague
Inscriptions: collector's mark: Lugt 2228, number: ‘2’

Dit blad is het tweede blad uit een reeks van twaalf bladen die samen de intocht van Robert Dudley te Den Haag vormen, zie RP-P-OB-80.445.
Apron
Object type: apron
Date: 1830 – 1870
Materials: cotton, linen
Culture: russian

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Depictions of the goddess are common in Russian embroidery, traditionally associated with fertility. Birds are associated with goddess worship for their proximity to divine beings through their home in the sky. A small daughter or minor goddess often accompanies the great goddess in embroideries intended to represent reproductive fertility. In this example, the great goddess alternates with horses ridden by minor goddesses. The horse is significant for its importance to the agricultural livelihood of the country.
Procession of a Courtesan with Her Four Attendants
Object type: print
Date: 1789 – 1789
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: women
Expon 1900 Cour interieur du Petit Palais
Object type: stereograph
Date: 1900 – 1900
Materials: paper, cardboard
Techniques: gelatin silver print
Location: rueil-malmaison
Artist: Anonymous
Subjects: world fair, world exhibition, inner court of palace or 'hôtel'
Inscriptions: number: ‘67’
Rekenpenning van de raad van Financiën
Object type: jeton
Date: 1577 – 1577
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: philip ii of spain

Koperen penning. Voorzijde: opschrift binnen lauwerkrans. Keerzijde: jaartal binnen versierd cartouche
Koorhek van marmer in de Sint-Maartenskerk in Ieper, België
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: ieper
Subjects: parts of church interior: choir
Inscriptions: monogram: ‘JJvY’, inscription: ‘CLOTURE en marbre (...)’, inscription: ‘CLOTURES. - PL. 8.’
Pendant Design with a Temple and Vase Above Cross-Shaped Ornaments
Object type: print ornament architecture
Date: 1573 – 1573
Techniques: embroidery, engraving
Artist: jan collaert i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1530 – 1581
Subjects: pendants

Vertical panel with pendant design at center with the facade of a temple with a vase on a pedestal, with a vegetal-arabesque pattern. The pendant hangs from a ribbon and has three pearls descending below. At bottom left and right, cross-shaped earrings or buttons, also with arabesque design. From a set of ten plates with pendant designs incorporating arabesque decoration. This plate belongs to the first edition, published by Hans I Liefrinck in Antwerp before 1573.
Twee schapenkoppen
Object type: drawing
Date: 1646 – 1672
Materials: chalk, paper
Artist: adriaen van de velde
Artist role: draughtsman, painter, print maker
Artist dates: 1636 – 1672
Subjects: sheep (+ head of an animal)
Een rode draagband met groene banden
Object type: bandolier
Materials: textile
Location: bangkok
Artist: Anonymous
Subjects: amsterdam, the hague, willem drees, netherlands, thailand

De draagband bestaat uit een brede rode band met aan weerszijden twee smalle violette en gele banden en aan beide zijden begrensd door een wat minder smalle groene band; bij de aanhechting met het draagteken heeft de band de vorm van een strik.
Declaratie ende maniere hoe het Fort Knock Ghewonnen is den 22. April 1649
Object type: text sheet
Date: 1649 – 1649
Materials: paper
Techniques: letterpress printing
Location: southern netherlands
Artist: Anonymous
Subjects: vienna, leopold willem van oostenrijk (landvoogd der zuidelijke nederlanden)

Tekstblad bij de kaart met de inname van Fort Knokke op 22 april 1649 door het leger van de landvoogd Leopold Willem. Tekst in twee kolommen in het Nederlands en Frans, met de legenda A-F.
Textile Fragment
Object type: textile fragment
Date: 1601 – 1700
Materials: metal thread, silk
Location: turkey or iran
Subjects: flowers
Don Juan van Oostenrijk (1547-1578). Landvoogd der Nederlanden
Object type: painting, miniature
Date: 1560 – 1580
Materials: copper, glass, oil
Location: southern netherlands
Artist: Anonymous
Subjects: don juan van oostenrijk

Don Juan of Austria (1547 - 87), Regent of the Netherlands. Flemish school. Oilpaint on copper, c. 1570.
Variae antiquitates Romanae
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: riding a horse, ass, or mule; rider, horseman, landscape with ruins
Inscriptions: collector's mark: Lugt 2233

Een ruïne met bogen en een toren aan het water. Rechts een wandelaar en een man op een ezel. Links op de voorgrond drie figuren en geiten.
Plattegrond van Amsterdam (blad midden)
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 2228

Grote plattegrond van de stad Amsterdam uit 1625. Linksboven een gezicht op de stad en rechtsboven een kaart van de omgeving. Rechts een lijst met de namen van straten aan de Oude en de Nieuwe stadszijde. De plattegrond is samengesteld uit negen platen, waarvan twee ontbreken. Dit is het middenblad met de Dam, de Oudekerk en de Nieuwekerk.
Mourning bonnet
Object type: mourning bonnet
Date: 1870 – 1879
Materials: silk
Culture: american
The Four Seasons
Object type: handscroll
Date: 1401 – 1500
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: mountains,landscapes

The theme of this painting is the progress of the seasons from spring to winter. The scroll begins with a scene of jagged peaks and mist-filled valleys: trees are tinged with the delicate red of new leaf buds and blossoms; turbulent mountain streams suggest the melting snow of early spring. The composition next opens into a broad vista of a lake whipped by a summer rainstorm. Autumn, with its clear skies, is a time for climbing, and the perspective shifts to high mountains with a view across distant pinnacles. In the final scene, wintry sky and water appear dark against snow-covered mountains, where only the pine and bamboo remain green. In its combination of eclectic Northern and Southern Song compositional elements and brush techniques, this landscape belongs to the revival of Song styles patronized by the conservative early Ming court. Kept alive during the fourteenth century by such artists as Tang Di (ca. 1296–1364), this style gained new prominence during the early fifteenth century in the hands of such artists as Dai Jin, Zhou Wenjing, and Li Zai.
Portière drapée / Coupes et détails de la portière
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: door, hangings and drapery

Een deur met gedrapeerde gordijnen. Rechts details van de draperieën. Prent uit 296e Livraison.
Brougham #3427
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages
Verovering van Rio Grande in Brazilië, 1633
Object type: print
Date: 1651 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, maps of separate countries or regions, capture of city (after the siege), brasil
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Verovering van Rio Grande in Brazilië, december 1633. Plan van de Braziliaanse kust met een kasteel aan de monding van de rivier Rio Grande. De naam van het kasteel Tres Reyes werd na verovering veranderd in Keulen. Voor de kust en in de rivier liggen Nederlandse schepen voor anker. Linksboven genummerd: Fig. 17 Fol. 185. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Zeemacht.
Gezicht op het Schloss Moritzburg
Object type: opticaprent
Date: 1745 – 1775
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: garden fountain, hunting-seat, hunting lodge, 'rendez-vous de chasse', 'jagdschloss'
Inscriptions: collector's mark: Lugt 2166, watermark
Design for Phaeton, no. 565
Object type: drawing
Date: 1850 – 1874
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kruisoprichting
Object type: album leaf
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the erection of the cross: raising of the cross (without christ)

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. De prent wordt voor het eerst gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629.
De voorstelling is gekopieerd naar een prent van Hieronymus Wierix voor: Nadal, Jerónimo. Evangelicae Historiae Imagines. Antwerpen, M. Nutius, 1593.
Twee fauteuils
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Twee fauteuils. Prent uit 323e nummer (livraison).
Design drawing
Object type: drawing
Materials: gouache, graphite, ink
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904
Subjects: flowers,abstraction
Bakers, Enkhuizen
Object type: medal
Date: 1770 – 1770
Materials: silver
Techniques: engraving
Location: enkhuizen
Artist: Anonymous
Subjects: enkhuizen

Guild medals
Members of trade guilds had to identify themselves
with a medal at their meetings.
Portret van een meisje
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: bernardus bruining
Artist role: fotograaf
Artist dates: 1834 – 1900
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘B. Bruining/ Leiden’, annotation: ‘AV’
Little Theresa
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: france
Artist: jacques couché
Artist role: etcher
Artist nationality: french
Artist dates: 1750 – 1750
Terracotta fragment of a situla (bucket)
Object type: situla fragment
Date: 400 – 380
Materials: terracotta
Culture: greek, sicilian
Artist: sicilian
Artist role: artist

Draped woman to right, wearing a peplos, nebris, and shoes, holding a tympanum in her left hand; bearded, frontal satyr, wearing white shoes, playing the aulos; draped woman seen from the back, wearing a peplos, with her hair tied back in a white band, wearing jewelry, holding a tray with cakes in her left hand, with a sash draped over her forearms and around her lower back; above the tray, a bird; below the picture, an egg pattern with dots in the interstices; benath the egg pattern, wave pattern with dots
Vase with "cloisonné" decoration
Object type: vase
Date: 1870 – 1880
Materials: bone china, enamel
Techniques: gilding
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
Portret van een onbekende vrouw
Object type: photograph
Date: 1897 – 1915
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: stockholm
Artist: oscar ellquist
Artist role: fotograaf
Artist dates: 1867 – 1937
Subjects: adolescent, young woman, maiden, historical persons
Inscriptions: inscription: ‘OSCAR ELLQVIST/ STOCKHOLM/ HAMNGATAN 18A./ SVEASALEN./ ALLM. TELEFON 131./ PRISBELÖNT i/ STOCKHOLM 1897.’, address: ‘STOCKHOLM/ HAMNGATAN 18A’
Boogbrug, mogelijk de Sint Servaasbrug over de Maas in Maastricht
Object type: print
Date: 1888 – 1931
Materials: paper
Techniques: woodcut
Artist: henri jonas
Artist role: draughtsman, print maker
Artist dates: 1878 – 1944
Subjects: parts of church exterior and annexes, bridge, maastricht
Inscriptions: collector's mark: Lugt 2228

Met gezicht op het stadsdeel Wyck en silhouet van de Sint-Martinuskerk. Vanaf 1932 stond deze boogbrug bekend als de Sint-Servaasbrug.
Pitcher
Object type: pitcher
Date: 1750 – 1760
Materials: stoneware
Culture: british
Location: england
Subjects: birds,flowers
Inspectie van de Haagsche Schutterij door de koning, 1830
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: the hague, berlin, william i of the netherlands, review, inspection (of company, unit, troop), leave-taking (of soldiers)
Inscriptions: collector's mark:, collector's mark: Lugt 2228

Inspectie van de manschappen van de vrijwillige Haagsche Schutterij door de koning Willem I, 16 oktober 1830. De troepen maken zich gereed om naar Breda te vertrekken.
Berlioz
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: paris, hector berlioz, portrait of composer
Inscriptions: inscription: ‘Compositeur de Musique’
Nasturtium: Patriotism, from the series Floral Beauties and Language of Flowers (N75) for Duke brand cigarettes
Object type: print
Date: 1892 – 1892
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: women,flowers

Trade cards from the "Floral Beauties and Language of Flowers" series (N75), issued in a set of 50 cards in 1892 to promote the W. Duke Sons & Co. branch of the American Tobacco Company.
Hab.t de la Savoie, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Object type: print
Date: 1700 – 1799
Techniques: etching, hand coloring
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: animals,men,women,playing cards
Stuiver van Ceylon, 1792
Object type: coin
Date: 1792 – 1792
Materials: copper
Techniques: striking
Location: colombo

Koperen munt. Voorzijde: monogram van de VOC, waarboven letter C. Keerzijde:eenregelig opschrift: waarde-aanduiding stuiver, waarboven I en waaronder jaartal. Gladde rand.
Maaltijden van Christus
Object type: print
Date: 1570 – 1570
Materials: paper
Techniques: woodcut, etching
Location: antwerp
Artist: Anonymous
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread

Christus zit met de Emmaüsgangers aan tafel en breekt het brood. Op de voorgrond ligt een hond. Op de achtergrond loopt Christus met de twee discipelen naar Emmaüs.
Saint Cecilia playing the organ surrounded by putti
Object type: print
Date: 1640 – 1659
Techniques: engraving
Artist: schelte adams à bolswert
Artist role: artist
Artist nationality: dutch
Artist dates: 1581 – 1659
Subjects: organs,angels,saints
Tomahawk, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,axes

Trade cards from the "Arms of All Nations" series (N3), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Sculptuur van Maria met kind uit de Dom van Mainz, te Duitsland
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation: ‘M 1.36’, annotation: ‘Dom Mainz’, annotation
Marba en Eckart Titzenthaler, kinderen van de fotograaf, en een onbekend meisje en een onbekende vrouw in een bos
Object type: photograph
Date: 1918 – 1919
Materials: paper
Techniques: gelatin silver print
Location: germany
Artist: waldemar titzenthaler
Artist role: fotograaf
Artist dates: 1869 – 1937
Subjects: boy (child between toddler and youth), girl (child between toddler and youth), forest, wood, germany
Prestige seat
Object type: stool
Materials: wood
Culture: duala
Location: cameroon
Artist: duala artist
Artist role: artist
Subjects: animals
Without Stereoscopic Effect 1
Object type: photograph
Date: 1875 – 1899
Techniques: photolithograph
Location: united states
Artist: Anonymous
Hemelvaart van Maria
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: saints, angels
Inscriptions: collector's mark: Lugt 10, collector's mark: ‘Hinloopen’, collector's mark: Lugt 11, number: ‘8’

Prent uit een reeks van 8 prenten naar de fresco's door Giovanni Lanfranco in de koepel van de San Andrea della Valle te Rome.
Relief showing procession of offering bearers
Object type: relief, senwosret i, offering bearer
Date: 1961 – 1917
Materials: limestone, paint
Location: egypt
Subjects: birds,men,lotuses
Opern-Ring No. 19, Wohnhaus des Herrn Karl Herzfeld
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: austria
Artist: Anonymous
Artist nationality: austrian
Artist dates: 1800 – 1899
Ex libris van Joaquim Andrade
Object type: bookplate
Date: 1934 – 1934
Materials: paper
Techniques: printing block
Location: portugal
Subjects: carrying a person on one's back, man (showing himself) undressed, quasi-nude
Inscriptions: date
Strook naaldkant met afwisselend een rozet en een ruit in geometrisch verdeelde vlakken
Object type: strip
Date: 1630 – 1640
Materials: linen
Techniques: needle lace, punto in aria
Location: england
Artist: Anonymous

Strook naturelkleurige naaldkant: punto in aria. Het patroon bestaat afwisselend uit een rozet en een ruit in een vierkant die is opgebouwd uit zestien kleine vierkantjes. Tussen de grote vierkanten in staat steeds een kolom van drie vierkantjes met in elk een rozet. Onder elk groot vierkant hangt een drielobbige schulp, die ter hoogte van de kolom met rozetjes met elkaar wordt verbonden door een vierde rozet. De bovenzijde is afgewerkt met een geklost bandje. De schulpenrand is afgewerkt met picots.
Dish
Object type: dish
Date: 1501 – 1533
Materials: brass
Culture: german
Subjects: lions,samson
Textile with Floral Pattern
Object type: textile
Date: 1267 – 1366
Materials: metal thread, silk
Techniques: lampas
Culture: chinese

Central Asian silks with small dense patterns in gold were part of the international trade that flourished under the Mongols, and most known examples survive in European church treasuries. This piece was part of a liturgical vestment long associated with Pope Benedict XI (d. 1304). Textiles such as these were also depicted in Italian—particularly Sienese—paintings, for example Simone Martini's Annunciation of 1333.
Fotoreproductie van een schilderij van de Meester van de Virgo inter Virgines, 'Maria met kind en de heiligen Catharina, Cecilia, Barbara en Ursula' (coll. Rijksmuseum)
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: carbon print
Gezicht op een landschap op het Diengplateau
Object type: print
Date: 1853 – 1854
Materials: paper
Techniques: lithograph, hand coloring
Location: the hague
Subjects: temple, shrine ~ hinduism, buddhism, jainism, landscapes in the non-temperate zone, exotic landscapes
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Junghuhn, Franz. Java: zijne gedaante, zijn plantentooi en inwendige bouw. 4 dln. Den Haag: Carl Wilheml Mieling, 1853-1854.
Appliqué Figure
Object type: appliqué figure
Date: 1220 – 1240
Materials: copper, gilt, glass
Techniques: chasing, engraving, repoussé
Culture: french
Location: france
Serang. Hoofdplaats van de residentie Bantam
Object type: print
Date: 1843 – 1845
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: street (+ city(-scape) with figures, staffage)

Genummerd linksboven: Pl. IX. De prent maakt deel uit van een omslag met zes bladen.
Bow-Drill Fragment
Object type: drill
Date: 580 – 640
Materials: leather
Culture: coptic
Location: egypt
Portret van een man
Object type: painting
Date: 1535 – 1540
Materials: oil, paint, panel
Location: antwerp
Artist: jan van hemessen
Artist role: painter
Artist dates: 1500 – 1575
Inscriptions: inscription: ‘inventarisnummer 178’, stamp: ‘koninklijke insignes van Willem, Prins van Oranje (1792-1849)’, inscription: ‘ÆTATIS / SVAE 34 / FORTVNE / LE VEVLT’
Snuff Box
Object type: metalwork
Date: 1740 – 1740
Materials: enamel, gold, metal
Location: berlin
Artist: possibly the workshop of pierre fromery
Artist nationality: prussian
Artist dates: 1644 – 1738