deem-data/ArtiFact huggingface dataset:
Obstructions in James River near Drewry's Bluff
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: william frank browne
Artist role: artist
Artist nationality: american
Artist dates:  – 1867
Subjects: american civil war,rivers,boats,wagons
Bewening van Christus
Object type: print
Date: 1625 – 1656
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: the cross(es) in the background, single instruments of the passion, lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Grafmonument voor de heer Hoeffel
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: engraving
Artist: sigmund gabriel hipschmann
Artist role: painter, print maker
Artist dates: 1639 – 1683
Subjects: trees: laurel (branch, stick), horn, trumpet, cornet, trombone, tuba, trees: cypress, historical persons, pyramid (marking grave), needle, obelisk (marking grave), angels, flowers (+ plants used symbolically)
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Heerdenthor in Bremen
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: bremen
Subjects: tramway, tram, street
Inscriptions: inscription: ‘Heerdenthor. (No. 79.)’, inscription: ‘L.O. Grienwaldt/ Bremen/ 1890’
March Winds
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
The Toilet of Psyche
Object type: plate
Date: 1570 – 1570
Materials: copper, enamel, gilt
Techniques: painting
Artist: pierre reymond
Artist role: enameler
Artist nationality: french
Artist dates: 1513 – 1590
Subjects: women,beds
Terracotta fragments of an amphora (jar)
Object type: amphora fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

The largest fragment shows on the obverse, a draped male to right wearing a himation, with his left arm extended and his hand gesturing to Theseus, who holds a sword in his right hand, and is grasping the neck of the Minotaur with his left hand; lower body of a woman to left, wearing a garment with a patterned hem; the second fragment has part of the scene from the obverse, the hair and right arm and shoulder of Theseus; Reverse, back of the head, neck, left shoulder and part of the upper left arm of a draped youth to left; on both the observe and reverse, at the top of the panel, a palmette-lotus chain; start of handle root; the third fragment has part of the scene from the reverse, Hermes? to left, wearing a patterned chitoniskos, nebris, and winged boots, holding a kerykeion in his left hand; two forelegs of a galloping horse to left; at the far left, part of a single palmette from under the handle; a fourth fragment is part of a palmette from under the handle; a fifth fragment is from the bottom of the amphora and has rays; a sixth fragment is part of the flanged handle from an amphora, with ivy
Face of half a Double Saddle Bag (Khorjin)
Object type: saddle bag
Date: 1850 – 1850
Materials: wool
Techniques: weave
Location: iran

This face, together with # 2015.490.36, once formed a double saddlebag of the Shahsevan tribe, whose name means "those who love the king." The historical migratory range of these Turkic nomads reaches from the southwest shores of the Caspian Sea to the southern part of Transcaucasia. Art historians have identified Shahsevan weavings, including a variety of small-format bags, only in the past half century. Many Shahsevan weavings from the nineteenth and twentieth centuries, especially those with centralized geometric designs - such as seen here - show a striking relationship with Anatolian carpets from the fifteenth and sixteenth centuries. Often compositions are dominated by an octagonal star-like central medallion. Many of the motifs found on Shahsevan textiles are thought to be centuries-old tribal emblems, a symbolic language that today we are frequently unable to decipher.
Poster Klosterpilz
Object type: poster
Date: 1912 – 1912
Materials: paper
Techniques: lithograph
Location: dortmund
Artist: carl kunze

The designer Karl Kunze chose the graphic image of a frothing glass of beer under a mushroom to market the Klosterpils brand of beer. Thanks to effective advertising campaigns and factory production, this lager became a popular alcoholic beverage.
Brief aan Jan Veth
Object type: letter
Date: 1919 – 1919
Materials: ink, paper
Techniques: pen, printing, writing
Location: baarn
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: dordrecht, designer, jan veth, the graphic arts
Inscriptions: watermark, collector's mark: ‘RPK’
Bomen aan een waterplas
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: etching, intaglio, retroussage
Artist: frans de vadder
Artist role: print maker
Artist dates: 1862 – 1936
Subjects: water course
Inscriptions: inscription: ‘Premier epreuve d etat; 1886’, collector's mark: Lugt 2228
Koe, vogel, schildersezel
Object type: print
Date: 1985 – 1985
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: harrie a. gerritz
Artist role: draughtsman, painter, print maker
Artist dates: 1940 – 
Inscriptions: signature and date: ‘H. Gerritz’

De huidige titel en serietitel zijn door het museum toegekend bij gebrek aan informatie over de originele titels.
Portret van Christaan VI, koning van Denemarken en Noorwegen
Object type: print
Date: 1730 – 1756
Materials: paper
Techniques: engraving
Location: berlin
Artist: georg paul busch
Artist role: print maker
Artist dates:  – 1756
Subjects: copenhagen (city), knighthood order, armour, historical persons, baton of general, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228

Geportretteerd met de versierselen van de Orde van de Olifant.
Two Shoes
Object type: two shoe
Date: 1501 – 1600
Materials: leather
Culture: british
Location: england
Spa. La cascade monumentale
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: spa
Subjects: monumental adornments (in city), garden cascade
Schotelscherf van aardewerk, voorzien van tinglazuur aan de boven- en onderzijde en eenbloemdecor in blauw aan de bovenzijde, beschadigd
Object type: sherd
Date: 1500 – 1799
Materials: earthenware, glaze
Artist: Anonymous
Galerie Napoléon
Object type: print
Date: 1829 – 1830
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: friedrich von schiller, scholar, philosopher, historical persons, portrait of a writer

Dit portret maakt deel uit van de serie 'Galerie Napoléon', een collectie van honderd portretten van vooraanstaande figuren uit de omgeving van Napoleon Bonaparte. De serie werd uitgegeven door Bénard in Parijs in 1829-30.
Sleeve-Letter Takasago (Sodefumi Takasago), no. 2 from a series of 12 prints depicting parodies of plays
Object type: print
Date: 1716 – 1735
Techniques: hand coloring, woodblock print, sumizuri
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
A Perspective View of the City Hall in New York, Taken from Wall Street
Object type: print
Date: 1791 – 1793
Techniques: engraving, etching, hand coloring
Artist: cornelius tiebout
Artist role: artist
Artist nationality: american
Artist dates: 1773 – 1832
Subjects: buildings,new york city
Children and Satyr Children with a Pantheress and Her Cubs
Object type: relief
Date: 1781 – 1781
Materials: terracotta
Artist: clodion (claude michel)
Artist role: artist
Artist nationality: french
Artist dates: 1738 – 1814
Subjects: animals,children,satyrs

One of two rectangular panels in the Museum's collection (see also 59.87.1) which are models for stucco reliefs made to decorate the courtyard of the Hôtel de Bourbon-Condé, Paris. Two friezes plus an oeils-de-boeuf (59.24a–c) are also in the Metropolitan's collection.
Animalivm Qvaddrvpedvm
Object type: print
Date: 1628 – 1679
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: hoofed animals: camel, hoofed animals: dromedary, river
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond twee dromedarissen en een kameel. Op de achtergrond een berglandschap. De prent maakt deel uit van een serie met dieren als onderwerp.
Tile with Niche Design
Object type: tile
Materials: glaze, stonepaste
Techniques: luster painting, painting
Location: iran
Artist: nusrat al-din  muhammad
Artist role: calligrapher
Subjects: arabic

Arabic Inscription: "In the name of God, the Merciful, the Compassionate. The building of this structure was ordered by the supreme Sultan Abu Anbiyya al-Muzaffar A[bu] Sa'id Bahadur Khan, May God perpetuate his kingdom. Nusrat al-Din Muhammad wrote this in the year 860/1455–56." Along with two calligraphic frieze tiles in London’s Victoria and Albert Museum displaying similar floral designs, this luster tile once adorned an as‑yet‑unidentified building commissioned by Abu Sa'id (1424–69), great‑grandson of Timur. From the inscription on this small tile, we learn not only the name of the patron, and the date of the building’s construction, but also the name of the tile’s calligrapher—Nusrat al‑Din Muhammad.
The Virgin of The Apocalypse with Saint Catherine and Saint Barbara
Object type: antependium
Date: 1525 – 1550
Materials: wool
Culture: south netherlandish
Location: south netherlands
Subjects: women,madonna and child,saints
Collar and yoke section
Object type: collar and yoke section
Date: 1767 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: flowers
Koe in een plas
Object type: print
Date: 1862 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Grote rotspartij bij rivier
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: rock-formations (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Gezicht op een grote rotspartij aan het water, bij nacht. Op de voorgrond een kleine sloep en enkele houten tonnen.
Star-Shaped Tile
Object type: tile
Date: 1201 – 1400
Materials: glaze, stonepaste
Techniques: luster painting, painting
Location: iran
Subjects: poetry,stars

This eight-pointed star tile was once part of a panel of star- and cross-shaped tiles adorning the walls of an Ilkhanid building. Probably produced in the ceramic center of Kashan in Central Iran, it displays many characteristics typical of tiles found at this site. Surrounded by two full quatrains of poetry and part of a third, the tile’s abstract decoration extends into each point of the star, occupying all available space. Luster was applied after the first firing of blue, turquoise, and white glazes.
Bead Stringers
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: infants,women,venice
Enkele mannen en een soldaat in een herberg
Object type: drawing
Date: 1832 – 1891
Materials: chalk, paint, paper
Techniques: brush
Artist: herman frederik carel ten kate
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1891
Subjects: inn, coffee-house, public house, etc.
Suecia Antiqua et Hodierna
Object type: album leaf
Date: 1695 – 1695
Materials: paper
Techniques: etching
Subjects: plan, map of garden, plan ~ architecture

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Livre de Moresques, page 13 (verso)
Object type: book print ornament architecture
Date: 1546 – 1546
Techniques: woodcut
Location: france
Artist: francesco di pellegrino
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1552
Subjects: ornament

This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrino’s designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Germany (Nuremberg) by 1546.
Dish (part of a set
Object type: dish
Date: 1726 – 1750
Materials: earthenware, silver
Table Screen with Tree Peonies
Object type: table screen
Date: 1701 – 1800
Materials: jade, wood
Culture: chinese
Subjects: peonies
Partial Figure of a Pregnant Women
Object type: religious ritual object
Date: 1000 – 300
Materials: earthenware
Location: japan

This figurine (dogû) is clearly a female form, and judging from the swollen belly, it may be a representation of a pregnant woman. It is possible, therefore, that it was used in rituals to secure safe childbirth or as a prayer for rebirth. The piece is missing the head, one arm, and one leg, but this is not unusual for figurines of this period that were likely broken ritually. Many Jômon figurines contain significant linear or geometric surface patterning, though a small number, including this work, are more sculptural. Figurines of this kind tend to concentrate on the carefully modeled volume of the figure rather than on the lines on its surface.
Façade et plan de l'Amirauté dans le jardin à Tsárskoye Selò...
Object type: print
Techniques: engraving
Artist: ivan kuvakin
Artist role: artist
Artist nationality: russian
Artist dates: 1751 – 
Subjects: architecture,buildings,gardens
Twee vrouwen en een man eten samen
Object type: photomechanical print
Materials: paper
Techniques: photograph, lithograph, hand coloring
Location: tokyo
Subjects: visiting; receiving guests; elegant company, eating, japan
Inscriptions: inscription: ‘Japanese etiquette (...) festive occasions.’
Woman with Baby on Her Back
Object type: painting
Date: 1801 – 1900
Materials: ink, paper
Techniques: painting
Culture: japanese
Artist: hokusai school
Artist role: artist
Subjects: infants,women
Zangvogel in komkommerplant
Object type: print
Date: 1925 – 1936
Materials: paper
Techniques: woodcut
Location: tokyo
Subjects: plants; vegetation, birds

Zwart met rood zangvogeltje op klimplant met oranje-groene vruchten
Juno Delivering Io, plate 1 from The Story of Mercury and Argus
Object type: print
Date: 1620 – 1626
Materials: paper
Techniques: etching
Location: netherlands
Artist: moses van uyttenbroeck
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Head and upper torso of an Amazon, looking to right, with her left arm bent; hindquarters of a horse; on the horse, an Amazon?
Bergrede
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ's sermon on the mount (matthew 5-7)
Inscriptions: collector's mark: Lugt 2165

Christus zit op de top van een berg en zet zijn leer uiteen. Hij is omringd door mannen die naar hem luisteren. Bovenaan in medaillons diverse scènes. Bij verschillende elementen uit de voorstelling staan letters die corresponderen met de legenda in de marge.
F. Giovanni da Fiesole
Object type: print
Date: 1568 – 1650
Materials: paper
Techniques: letterpress printing
Location: italy
Artist: cristoforo coriolano
Artist role: print maker
Artist dates: 1540 – 1610
Subjects: rome, painter, fra angelico, historical persons, monk(s), friar(s), portrait, self-portrait of painter

Prent komt uit een editie van Vasari's 'Vite'. Prent met andere omlijsting is gebruikt in edities uit 1568 en 1647.
Trefoil-shaped covered box with decoration of chrysanthemums
Object type: covered box
Date: 1101 – 1200
Materials: brass, lacquer, mother of pearl, pigment, shell, metal
Techniques: inlay
Culture: korean

Lacquer, celadon, or bronze ensembles composed of four trefoil boxes surrounding a larger round or flower-shaped box served as containers for cosmetics or incense. Very few Goreyo-period lacquer boxes with mother-of-pearl inlay have survived; this is a particularly fine example.
Ernestus Casimir Graef van Naẞouw
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 1641, stamp

Prent waarschijnlijk uit: Montanus, Arnoldus. 't Leven en bedryf der Prinsen van Oranie: Wilhem de eerste, Maurits, Frederik Henrik, Wilhem de tweede, Wilhem de derde. Amsterdam: Arent van den Heuvel en Samuel Imbrecht, 1664. Eerdere staat gebruikt in: Montanus, Arnoldus. 't Vermeerderde leven en bedryf van Frederik Hendrik, prinse van Oranjen. Amsterdam: Cornelis Jansz. 1653.
Kabuki Actor Ichikawa Monnosuke II
Object type: woodblock print nishiki e
Date: 1793 – 1793
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shun'ei
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: men,actors
Spotprent op de debatten over de cultuurwet, 1866
Object type: cartoon
Date: 1866 – 1866
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: debate, discussion (~ parliament)
Inscriptions: collector's mark: Lugt 2228

Spotprent over de debatten in de Tweede Kamer over de cultuurwet. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 20, 19 mei 1866.
Embleem met man die moet kiezen of hij God of de duivel zal dienen
Object type: book illustration
Date: 1620 – 1649
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the holy trinity, 'trinitas coelestis'; father, son and holy ghost ~ christian religion, devil(s) and demons, the life of man
Inscriptions: collector's mark: Lugt 2228

Een engel toont een knielende man twee mogelijkheden. Door te leven in deugd kan hij God dienen. De heilige Drieëenheid is tronend in de hemel met engelenkoren weergegeven. Zijn andere optie is leven in zonde en daarmee de duivel dienen. De duivel als Lucifer troont voor het vagevuur.
Portret van Jacobus I, koning van Engeland
Object type: print
Date: 1721 – 1721
Materials: paper
Techniques: engraving
Location: london
Subjects: jacobus i (koning van engeland), historical persons, king
Inscriptions: collector's mark: Lugt 240
Portret van Otto IV, keizer van het Heilige Roomse Rijk
Object type: book illustration
Date: 1597 – 1610
Materials: paper
Techniques: letterpress printing
Location: leipzig
Subjects: historical persons, armorial bearing, heraldry

Prent uit: Reusner, Elias. Genealogiae regum electorum ducum (...). Leipzig: Henning Grosse I, 1610. Of een eerdere publicatie (1597).
Bord van loodglazuuraardewerk
Object type: plate dish
Date: 1615 – 1615
Materials: earthenware, glaze
Location: germany
Artist: Anonymous
Inscriptions: date

Rond bord van loodglazuuraardewerk. Het plat is in witte slib versierd met een vis, een plant en het jaartal 1615 en de rand met een geometrisch ornament tussen biezen.
A Woman Showing Bulls to a Man
Object type: print
Date: 1540 – 1545
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: men,female nudes,bulls
Reparaties aan de spoorlijn naar Kroonstad, Zuid-Afrika
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: military engineering ~ communication and transport
Inscriptions: inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, inscription, number: ‘108’, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’
Merrymakers in an Inn
Object type: painting
Date: 1674 – 1674
Materials: oil, paint, panel
Techniques: painting
Location: netherlands
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: taverns, children, dance, dancing, drinking, figures, instruments, interior, men, music, musicians, smoking, woman
Inscriptions: Inscribed lower left: A. van Ostade 1674

Over the course of a long and successful career in Haarlem, Adriaen van Ostade specialized in scenes of peasant life, including tavern scenes and village fairs. This late painting combines elements from both types, like smoking and drinking figures and musicians serenading a dancing couple. The artist used clear, relatively bright colors and fine brushwork, in keeping with the market demand of the later 1600s. Collectors also appreciated the range of emotions and gestures exhibited by Van Ostade’s jolly figures.
Galerie
Object type: reproduction
Date: 1920 – 1945
Materials: cardboard
Techniques: four-color autotype
Location: amsterdam
Subjects: jar, jug (used as drinking-vessel), still life of related objects, fruits
The Three Fates: Lachesis, Atropos and Klotho
Object type: print
Date: 1513 – 1513
Techniques: woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: female nudes
Pembroke Table
Object type: pembroke table
Date: 1795 – 1805
Materials: wood
Culture: american
Location: united states
Intocht van Maria Henrietta Stuart, prinses van Oranje te Amsterdam (plaat 6)
Object type: print
Date: 1660 – 1662
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'
Inscriptions: collector's mark: Lugt 2228

Bezoek van Maria Henrietta Stuart, prinses van Oranje, vergezeld door Amalia van Solms, de jonge prins Willem III en anderen te Amsterdam, 15 juni 1660. Blad met het rijtuig met Maria Henrietta Stuart, Amalia van Solms en de prins en een deel van de stoet met ruiters. De ruiter rechts, gemerkt met de letter C, is luitenant Dirck Tulp. Zesde plaat in een ongemonteerd ensemble van de stoet bestaande uit zeven bladen.
Wolken gezien vanaf de Koninklijke Sterrenwacht van België
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Subjects: clouds
Inscriptions: inscription: ‘FIG. III’
Gezicht op de Vernal Fall in Yosemite Valley, Californië
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: san francisco
Artist: george fiske
Artist role: fotograaf
Artist dates: 1835 – 1918
Subjects: waterfall, mountains
Inscriptions: inscription: ‘(See pages 441-2.)’
Struisveer, bruin van kleur
Object type: hoedenveer
Date: 1895 – 1915
Materials: ostrich feather
Techniques: painting
Location: western europe
Artist: Anonymous
Schemering
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Artist: edzard koning
Artist role: draughtsman, print maker
Artist dates: 1869 – 1954
Subjects: well, meadow, pasture, child (at home)
Inscriptions: collector's mark: Lugt 2760, number: ‘6’, collector's mark: Lugt 2228

Een heidelandschap met een kind, een ketel en een paar klompen naast een waterput. Op de achtergrond een huis met rieten dak.
Portret van Pierre Jean David d'Angers
Object type: print
Date: 1830 – 1850
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: paris, sculptor, pierre jean david d'angers, adult man, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

David von Angers (1788-1856), beeldhouwer en lid van de Academie des Beaux Arts in Parijs. Buste naar rechts.