deem-data/ArtiFact huggingface dataset:
Nederlandse 25 cent,1911
Object type: coin
Date: 1911 – 1911
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: gedrapeerd borstbeeld naar links. Keerzijde: binnen twee samengebonden eiketakken waarde-aanduiding 25 cents en jaartal. Kartelrand.
Altaar van de zogenaamde Griekse Kapel in de Russisch-orthodoxe Kerk op de Neroberg, Wiesbaden, Duitsland
Object type: photograph
Date: 1897 – 1897
Materials: cardboard, paper
Techniques: albumen print
Location: wiesbaden
Subjects: wiesbaden
Inscriptions: inscription: ‘Altar d. Griechischen Kapelle’, signature and date: ‘Mondel & Jacob (Inh. G. Jacob) Hof-Phot. Wiesbaden 1897.’, caption

Foutief 'Griekse Kapel' genoemde deel in de Russisch-orthodoxe kerk "der heiligen Elisabeth in Wiesbaden", die Adolf von Nassau als graf voor zijn jong overleden vrouw Elisabeta Michailovna (dochter van de jongere broer van de tsaren Alexander I en Nicolaas I van Rusland) tussen 1847-1855 liet bouwen.
Portret van Jacob Joseph Eeckhout
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: antwerp, paris, print maker, draughtsman, jacob joseph eeckhout, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Terracotta lekythos (oil jar)
Object type: lekythos
Date: 560 – 560
Materials: terracotta
Culture: greek, euboean
Subjects: men,horses

Youth on horseback and two runners.
Amsterdam, Monument Rembrandt
Object type: photomechanical print
Date: 1875 – 1930
Materials: cardboard
Techniques: photograph
Artist: paa
Artist role: fotograaf
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, monument, statue
Master John Blockhead or The Lute Maker
Object type: print
Date: 1534 – 1566
Techniques: engraving
Artist: frans huys
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1522 – 1562
Subjects: musical instruments,men,women,lutes,cats
Archelaüs, zoon van Herodes, knielt te Rome voor keizer Augustus
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: kneeling before a ruler
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Josephus, Flavius. Alle de Werken, 2 delen. Amsterdam: Pieter Mortier, 1704, dl. 1, p. 422.
Dichtmaken van de dijk te Kruiningen, 1808
Object type: print
Date: 1808 – 1810
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: flood
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Sander van Hoek, Natuur- en geschiedkundige beschrijving van den verschrikkelijken watervloed tusschen den XIVden en XVden van louwmaand des jaars MDCCCVIII. 3 dln. Haarlem: Adriaan Loosjes Pz., 1808-1810.
Portret van Wilhelmina, koningin der Nederlanden
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: haarlem
Artist: richard kameke
Artist role: fotograaf
Artist dates: 1847 – 1898
Subjects: the hague, print maker, wilhelmina of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Residence of gen. Benj. F. Butler, Belvidere
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: photograph
Location: belvidere
Artist: Anonymous
Subjects: villa, façade (of house or building)
Sts. Thomas and Bartholomew
Object type: print
Date: 1518 – 1518
Techniques: woodcut
Artist: monogrammist g.z.
Artist role: artist
Artist nationality: german
Artist dates: 1514 – 1521
Subjects: spears,apostles
The Trojans pulling the wooden horse into the city
Object type: print
Date: 1545 – 1545
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: soldiers,trojan war,men,horses

Since the Trojans had been persuaded that bringing the horse into their city would lead to the Greeks' defeat, the walls were breached and the horse was wheeled in, with the most valiant Greek soldiers hidden inside. This engraving is based on a drawing by Primaticcio, now in the Royal Library at Windsor Castle, that probably represents an early idea for the fresco of the defeat of Troy in the Galerie d'Ulisse at Fontainebleau (1541–47).
Portret van Johannes Henricus Westerhoff
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: gouda, amsterdam, the bible as a book
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve van Johannes Henricus Westerhoff, in een architectonische venstervormige omlijsting, met voor hem een opengeslagen bijbel. Onder de vensterbank een plaquette met daarop de naam en gegevens van de geportretteerde in drie regels in het Nederlands en daaronder twee naast elkaar geplaatste verzen: links een tienregelig vers in het Nederlands en rechts een achtregelig vers in het Nederlands.
La simple comédie ne suffisant plus à l'ambition artiste de Mr. de Boisfumé..., from Les Comédiens de Société, published in Le Charivari, May 11, 1858
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,women
Italiaanse tegels
Object type: sketchbook leaf
Date: 1890 – 1922
Materials: ink, paper, pencil, watercolor
Techniques: brush
Artist: johanna van de kamer
Artist dates: 1873 – 1922
Subjects: tiles, bricks ~ building material
Inscriptions: annotation: ‘Italiaansche tegelvulling’

Blad 6 recto uit een schetsboek met 49 bladen.
Gezicht op het interieur van het Paleis voor Volksvlijt in Amsterdam
Object type: stereograph
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: palace
Inscriptions: inscription: ‘No. 139./ HET PALEIS VOOR VOLKSVLIJT/ te Amsterdam./ VAN BINNEN. No. 1./ A. JAGER, WATER 110, TE AMSTERDAM.’
Fragment of a Bowl
Object type: fragment
Date: 701 – 900
Materials: earthenware
Techniques: glazing
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Wall Pocket
Object type: wall pocket
Date: 1745 – 1745
Materials: stoneware
Culture: british
Location: england
Subjects: masks
Man en een vrouw die mais malen
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: grinding, milling (industrial processes) (+ labourers ~ crafts, industries, agriculture)
Het eenig noodige voor Spanje
Object type: cartoon
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: violent death by bomb, hand-grenade, organization, functionaries and dignitaries in roman catholic church; clergy in general, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228a

Een bom ontploft te midden van verschillende vertegenwoordigers van de katholieke geestelijkheid.
Standing Figure
Object type: figure
Date: 501 – 700
Materials: gold, shell, silver
Culture: nasca or wari
Location: peru
Subjects: human figures
Lierspelende vrouw en twee spelende kinderen
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: flowers, mask, lyre, cithara, psaltery, yoke
Inscriptions: collector's mark: Lugt 2228

Een lierspelende vrouw en twee met bloemen spelende kinderen op de grond aan haar voeten. Op de voorgrond een masker en een gebroken juk.
Cosmetic Box from the tomb of Sennedjem
Object type: cosmetic box
Date: 1279 – 1213
Materials: wood
Techniques: painting
Location: egypt
Portret van Philippe Fleming op 64-jarige leeftijd
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: official; civil servant; functionary (in general), historical persons, portrait of a writer

Prent waarschijnlijk uit: Fleming, Philippe. Oostende. Vermaerde, gheweldighe, lanckduyrighe, ende bloedighe belegheringhe (...). Den Haag: Aert van Meurs, 1621.
Actor Arashi Hinaji I, (possibly) as Yuya Gozen in “The Genji Clan Now at Its Zenith” (Ima o Sakari Genji)
Object type: print
Date: 1768 – 1768
Techniques: woodblock print
Location: japan
Artist: ippitsusai buncho
Artist nationality: japanese
Artist dates: 1755 – 1790
Abbey of Cong. Co.Mayo
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: london
Subjects: city-view, and landscape with man-made constructions, abbey, monastery, convent ~ roman catholic church, landscape with ruins
Inscriptions: date

Prent verschenen in: Grose, Francis. The antiquities of Ireland. Londen: S. Hooper, 1795, dl. 2.
Hebe, Goddess of Youth, from the Goddesses of the Greeks and Romans series (N188) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: goddess

Trade cards from the "Goddesses of the Greeks and Romans" series (N188), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Scheepsvlag
Object type: flag
Date: 1800 – 1890
Materials: wool
Location: netherlands
Artist: Anonymous
Inscriptions: : ‘NED VL 6 KL’

Drie banen rood-wit-blauw. Opschrift: NED VL 6 KL.
Furniture element carved in the round
Object type: furniture element
Date: 900 – 701
Materials: ivory
Culture: assyrian
Location: syria

During the early first millennium B.C., ivory carving was one of the major luxury arts that flourished throughout the ancient Near East. Elephant tusks were carved into small decorative objects such as cosmetic boxes and plaques used to adorn wooden furniture. Gold foil, paint, and semiprecious stone and glass inlay embellishments enlivened these magnificent works of art. Based on certain stylistic, formal, and technical characteristics also visible in other media, scholars have distinguished several coherent style groups of ivory carving that belong to different regional traditions including Assyrian, Phoenician, North Syrian and South Syrian (the latter also known as Intermediate). Several ivories in the Metropolitan Museum’s collection are from the Aramaean town of Arslan Tash, ancient Hadatu, in northern Syria just east of the Euphrates River, close to the modern Turkish border. French archaeological excavations at the site in 1928 revealed city walls and gates in addition to a palace and temple that were built when the Neo-Assyrian king Tiglath-Pileser III (744-721 B.C.) turned the town into a provincial capital and military outpost. During the excavations, over one hundred ivory furniture inlays that can be attributed to the South Syrian and Phoenician styles were found in a building near the palace. One piece bears a dedicatory inscription in Aramaic to King Hazael, mentioned in the Bible, who ruled Damascus during the second half of the 9th century (ca. 843-806 B.C.), suggesting that this collection of ivory furniture inlays could have been taken by the Assyrian state as tribute or booty from Damascus. The Arslan Tash ivories share an amalgamation of Egyptianizing motifs typical of the Phoenician style and forms characteristic of North Syrian art that may indicate a South Syrian or Damascene origin of this group. Today, these ivories are housed in museums in Paris, Aleppo, Jerusalem, Karlsruhe, and Hamburg, as well as The Metropolitan Museum of Art. This hemi-cylindrical furniture element may have been veneer for a stretcher, the horizontal support element of a bed or stool. Carved in the round with one end and the entire back flat and smooth, the front is divided into three sections. A large sphere, broken in the back, is bordered by two thin concentric half circular ribs in relief at one end. In the center, four stylized petals are set in a row, followed by a torus molding flanked by two sets of ribs. Several mortises cut into the piece indicate that it was likely made to receive pegs for insertion onto a piece of furniture. A West Semitic Aleph is inscribed into the back of the element, probably as a guide for assembly.
Textile Design with Alternating Stylized Leaves with Rosettes over a Background of a Honeycomb Pattern with Pearls
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating stylized leaves of light tan color with stipples of dark reddish-brown color with two rosettes of four petals over a background of a honeycomb pattern of light tan color over a dark reddish-brown base decorated with scattered pearls. The rosettes are colored with white and framed with red; the pearls are colored with red.
Hab.t de Hapae, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Object type: print
Date: 1700 – 1799
Techniques: etching, hand coloring
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: men,women,playing cards,sun
Votive offering
Object type: votive offering
Date: 1701 – 1800
Materials: iron, paint
Subjects: flowers,leaves,insignia,ships
"Tumanba Khan, His Wife, and His Nine Sons", Folio from a Chingiznama (Book of Genghis Khan)
Object type: folio from an illustrated manuscript
Date: 1596 – 1596
Materials: gold, ink, paper, watercolor
Location: pakistan
Artist: basawan
Artist role: artist
Artist nationality: indian
Artist dates: 1556 – 1600
Subjects: men,women,horses

The text of the Chingiznama records the life of the legendary conqueror Chingiz Khan (Genghis Khan) and his family. The emperor Akbar (r. 1556–1605) commissioned many historical manuscripts in the 1590s, but because the Mughals claimed descent from Genghis Khan, this book must have had particular resonance for him. This illustration depicts the ruler Tumanba Khan, an ancestor of Genghis Khan, with his wife and nine sons.
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1830 – 1890
Materials: gilt, gold, watercolor
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: stage design
Prenten-magazijn voor de jeugd
Object type: popular print
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: maps, atlases, switzerland
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen over Zwitserland met een kaart en belangrijke monumenten en steden: de klokkentoren te Bern, een brug in Fribourg en het klooster van St. Bernard. Boven elke voorstelling een titel en onder elke voorstelling een onderschrift. Genummerd rechtsboven: No. 4.
Orphrey
Object type: orphrey
Date: 1401 – 1500
Materials: silk, thread
Culture: german
Subjects: soldiers,shields,spears,madonna and child
Copy of The Virgin and Child with Saint Anne at the Cradle
Object type: print
Date: 1500 – 1650
Techniques: engraving
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Subjects: madonna and child,saint anne,cradles
Mold
Object type: mold
Date: 867 – 933
Materials: clay
Techniques: molding
Location: iran
Studie van een timmerman
Object type: drawing
Date: 1869 – 1925
Materials: paper
Techniques: brush
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: handicrafts ~ wood, timber
Fabrieksgebouw met een schoorsteen aan een water
Object type: photograph
Date: 1878 – 1890
Materials: photographic support
Techniques: albumen print
Location: karlberg palace
Artist: Anonymous
Subjects: factory in landscape, workshop

Onderdeel van Reisalbum Europese steden, vermoedelijk Zweeds.
Douze Portraits par William Nicholson
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: paris
Artist: henri floury
Artist role: publisher
Artist dates: 1862 – 1961
Subjects: historical persons, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De serie met lithografieën is gemaakt naar ontwerpen van houtsneden door William Nicholson.
Kabinet gedecoreerd met metaal, uit de collectie van Christopher Beckett Denison
Object type: page
Date: 1880 – 1885
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: ornamental cupboard (+ wood and other phytogenic material)
Inscriptions: number: ‘812’
Puss in Boots or General Junot Taken by Surprise
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,cats,beds

A woman, girding up the skirts of her dress, has dressed up in the cocked hat, boots, and sword-belt of General Junot, and joyfully marches beside his bed, brandishing his sword in her right hand, while she looks over her shoulder at the general. Junot sits up in bed at right and looks at her angrily.
Doosje behorende bij cilindervormige vaas
Object type: box
Materials: wood
Wij syn met ons sevenen
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: etching
Location: haarlem
Subjects: pig, ass, donkey, fool, simpleton, numskull, owls, disguise
Inscriptions: collector's mark: Lugt 2228

Op een ezel zit een man met een blaasbalg. Op zijn schouders een verklede kleine mens. Voor hem zit een uil met een kraag. Naast de ezel staat een man met een melkbus(?) op zijn hoofd, worsten om zijn nek en een varken onder zijn arm.
Chalice Cover
Object type: textile
Date: 1601 – 1633
Materials: linen, thread
Techniques: lace
Location: italy
Eetkamer met schouw in renaissance-stijl
Object type: drawing
Date: 1925 – 1925
Materials: paper, watercolor
Techniques: brush
Location: amsterdam
Artist: monogrammist hk (nederland
Subjects: communal rooms, dining-room
Inscriptions: monogram: ‘HK’

Mogelijk is dit een demonstratietekeningen van een meubel- of inrichtingszaak.
Portret van Jean Antoine Dutilh
Object type: print
Date: 1825 – 1849
Materials: paper
Techniques: lithograph
Location: utrecht
Artist: j. monnie
Artist role: draughtsman
Subjects: rotterdam, gouda, ranks in the army, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Het West Indisch Huys
Object type: book illustration
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: warehouse (~ harbour), trade-company, bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)

Prent uit: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.

De tweede staat van de prent heeft een toegevoegde Franse titel.
Furniture plaque: hawk
Object type: furniture element
Date: 1800 – 1701
Materials: ivory
Culture: assyrian
Location: anatolia
Subjects: hawks

This piece belongs to a group of five carved ivory plaques probably found at the site of a palace at Acemhöyük in central Anatolia. Originally, they formed the composition of a falcon with outstretched wings grasping antelopes in its extended talons. The central plaque forms the head and body of the bird, finely carved to indicate the swelling of the breast, the stylized peregrine falcon cheek markings, and the large eyes with holes for inlaid pupils, now missing. Traces of gilding survive on the eyes and beak. The plaque is discolored with a combination of reddish areas, where iron oxides are present on the surface, and a gray hue that indicates the object was exposed to considerable heat, perhaps during the destruction of the palace. Scans of the surface revealed traces of silver in the more intensely red areas, although it cannot be determined whether this is due to a metal overlay that is no longer preserved or to the proximity of a silver object during burial. There is one hole in the top of the head for attachment to another furniture element and two on the bottom, probably for attachment to the missing legs. Mortises at the sides of the breast held the tenons that extended from the large wings; only one of the original wings survives in the Metropolitan Museum collection. Two small plaques depicting antelopes held by powerful talons must have belonged to such an ensemble. While there are two holes at the bottom of each plaque, there are no visible means by which to attach them to the bird’s body. The larger antelope has a light pink surface discolored by black stains, while the smaller is red with a surface that has bubbled from burning. As only one plaque is in proper proportion to this falcon, the antelopes probably belonged to two different but similar compositions. This image of a bird of prey recalls Egyptian depictions of the god Horus as a falcon. Here, it has been transformed from divine symbol to hunter, clasping prey in its talons, perhaps deriving from a Near Eastern tradition in which the lion-headed eagle known as the Imdugud bird is sometimes depicted with stags held in its talons.
Tiger Devouring a Gavial (Tigre dévorant un gavial)
Object type: statuette
Materials: bronze
Artist: antoine-louis barye
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: crocodiles,tigers
Portret van Melchior von Diepenbrock
Object type: print
Date: 1829 – 1874
Materials: paper
Techniques: tone lithography
Location: berlin
Subjects: priest, hierarchy of jurisdiction ~ roman catholic church, adult man, historical persons, the bible as a book
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘F. Karsch’
Portret van Nikolaus Vigel
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: straatsburg
Subjects: historical persons
Inscriptions: number: ‘59.’, collector's mark: Lugt 2228