deem-data/ArtiFact huggingface dataset:
Design for Vis-à-vis (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, watercolor
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Design for Two Masks Shaped as Satyr and a Winged Medusa Head
Object type: drawing
Date: 1752 – 1802
Materials: ink
Techniques: pen
Artist: carlo bianconi
Artist role: artist
Artist nationality: italian
Artist dates: 1732 – 1802
Subjects: medusa,satyrs
Gebeeldhouwde hermatlant en hermkariatide
Object type: furniture
Date: 1600 – 1649
Materials: wood
Location: northern netherlands
Artist: Anonymous

Een gebeeldhouwde hermatlant en hermcaryatide van eikenhout . Waarschijnlijk fragmenten van een beeldenkast. Zie: BK-16714-a/c.
Huismunt (winkelkaart) ter waarde van vijftien cent, uitgegeven door de algemene boekhouder der koloniën
Object type: waardepapier
Date: 1826 – 1830
Materials: cardboard
Techniques: printing, writing
Location: frederiksoord
Artist: william reese

Rechthoekige munt van wit karton. Voorzijde: opschrift: "Geld voor Brood Boter Spek Vlees Boekweitmeel Gort Aardappelen Groentens.". Keerzijde: opschrift in vier regels: "Goed Voor Cents De algemeene Boekhouder der kolonien"; daartussen met zwarte inkt ingevuld: waarde van munt en handtekening.
Decalogvs cvm acerbissimis
Object type: print
Date: 1585 – 1589
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: phinehas, eleazar's son, follows zimri and cozbi and drives his spear through both of them, zimri takes a midianite woman, cozbi, into his tent, while the people are lamenting at the entrance of the tabernacle on account of an epidemic, 'you shall not commit adultery' ~ separate representation of the seventh of the ten commandments
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Zimri, een leider van de Israëlieten, neemt Kozbi, een Midjanitische vrouw, mee naar zijn tent (Numeri 25: 6-8). Omdat zij van een ander volk was, is dit is een schending van het zesde Gebod: "Gij zult geen overspel plegen". Op de achtergrond hun straf: ze worden alletwee vermoord door de kleinzoon van Aäron. De prentserie beeldt de Tien Geboden uit door middel van scènes van het Oude Testament.
Octagonal plate with the arms of the Machell and Holloway family
Object type: plate dish
Date: 1750 – 1774
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous

Achthoekig bord van porselein, berschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op het plat het wapen van de families Machell en Holloway omgeven door bloemranken. Het helmteken is een hertenkop. Op de wand een band met schakelmotief; de rand met bloemtakken, vogels op een bladrank en een schakelmotief. Wapenporselein met emailkleuren.
Side Chair
Object type: side chair
Date: 1720 – 1740
Materials: wood
Culture: american
Location: united states
Mislukte mars van de Fransen naar de Nederlanden, 1793
Object type: print
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: london
Artist: c. tomlins
Artist role: publisher
Subjects: notation of music, monkeys, apes, animals acting as human beings, devil(s) and demons
Inscriptions: collector's mark: Lugt 2228

De duivel trekt een kar met een orkest van apen in de richting van een afgrond (de hel). Daarachter marcheren de Franse revolutionaire troepen als hanen, de sansculotten. In de lucht houden twee duivels met Jacobijnenmutsen een muziekblad omhoog waarop de noten van het lied 'Ah! ca ira'. In de wolken zweeft een kasteel, mogelijk de Bastille. Op het blad onder de plaat een vers in twee kolommen waarin de legenda a-i en een uitleg van de voorstelling. Heruitgave naar aanleiding van het vertrek van de Fransen uit de Nederlanden in 1793.
Slab van smal machinaal plumetis borduursel en Valenciennes-kant
Object type: bib
Date: 1880 – 1880
Materials: lace
Techniques: lace
Location: netherlands
Artist: Anonymous

Bavetje van smal machinaal plumetis borduursel, tusschenzetsels en kant van Valenciennes met rondom een smalle en een brede strook Valenciennes-kant.
Wang Ziyou Visiting Dai Andao on a Snowy Evening (Ō Shiyū hō Tai Andō zu)
Object type: screen
Date: 1634 – 1666
Materials: gold, ink, panel, paper
Culture: japanese
Artist: kano sansetsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1590 – 1651

According to a story recorded in a fifth-century Chinese compilation of tales, the poet-calligrapher Wang Ziyou (321–379), traveled by boat to visit his friend Dai Andao on a snowy night. However, once he reached his destination, Wang turned around and went home without actually seeing his friend, having fulfilled his interest in taking the trip. In this pristine and spartan scene of snow and distant mountains, in which empty space adds as much atmosphere as the pictorial elements, the poet is a diminutive element in the face of the vastness of the winter landscape. A major Kano-school artist of the early Edo period, Sansetsu produced a number of paintings on Chinese themes in ink monochrome, but he could also work in a manner that combined aspects of ink painting with the decorative, colorful, gold-enriched mode developed by the Kano atelier in the Momoyama period (1573–1615). This starkly evocative landscape, with clearly defined, crystalline rocks often found in his compositions, belongs to the first of these two styles.
Waterfall at Shanklin
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: aquatint
Location: england
Artist: p. roberts
Artist nationality: english
Artist dates:  – 19
Gezicht op de Nieuwe Waalse Kerk te Amsterdam
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: church (exterior), rowing-boat, canoe, etc., canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent uit: Commelin, Casparus. Beschryvinge van Amsterdam (…). 2de druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe Antony van Aeltwijk en Hermanus Uytwerf, 1726, dl. 1, p. 482.
Zittende Caraïb
Object type: figure
Date: 1810 – 1839
Materials: glue, paint, paper
Techniques: modeling
Location: suriname
Artist: gerrit schouten
Artist role: draughtsman
Artist dates: 1779 – 1839
Subjects: indigenous peoples of south america, suriname

Een los figuur uit een diorama van Gerrit Schouten, voorstellende een zittende Caraïb, van achteren gezien. De vrouw kan als Caraïb herkend worden door de beenbanden.
The Subscriber and His Newspaper. “- Listen darling, the first three columns of my morning paper are completely empty! It seems that they must have really said some nasty things. - May quite well be, but now that you mention it, to write nothing at all, I find that even more nasty!,” plate 2 from Caricatures Du Jour
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
1407 Chemin de fer de Monte Carlo a la Turbie, G.J. Phot
Object type: photograph
Date: 1886 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Straatgezicht te Frankrijk
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons, civic architecture; edifices; dwellings, street, france
Portret van Hendrik Jan de Marez Oyens
Object type: photomechanical print
Date: 1910 – 1930
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons
Inscriptions: inscription: ‘H.J. de Morez Oyens.’
Gezicht op de voorzijde van de schouwburg aan het Leidseplein te Amsterdam, 1774
Object type: book illustration
Date: 1774 – 1775
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre (building), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Historie van den nieuwen Amsterdamschen schouwburg. Met fraaije afbeeldingen. Amsterdam: Gerrit Warnars en Petrus den Hengst, 1775.*

* Twee uitgaven uit zelfde jaar. Prent komt in ieder geval voor in een van de twee uitgaven.
Jean Pierre Barre
Object type: painting, miniature
Date: 1820 – 1820
Materials: ivory, watercolor
Culture: american
Artist: nathaniel rogers
Artist role: artist
Artist nationality: american
Artist dates: 1788 – 1844
Subjects: men,portraits
Benen van voorovergebogen figuur
Object type: drawing
Date: 1865 – 1930
Materials: chalk, paper
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: legs
Portret van A. Grandmont met een boek en twee vrouwen
Object type: drawing
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: historical persons
Costume of a Japanese Gentleman
Object type: costume, gentleman's
Date: 1801 – 1900
Materials: cotton, leather, silk, fiber, thread, wood
Techniques: weave
Culture: japanese
The Peasant Carrying his Bag, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

Jacques Callot excelled at integrating colorful, often lowbrow details into his elegant etchings. His humorous series The Caprices includes snippets from the daily life of soldiers and peasants alike.
Briefkaart aan Mien Cambier van Nooten
Object type: postcard
Date: 1937 – 1937
Materials: cardboard, ink
Techniques: pen, writing
Location: bennekom
Artist: dick ket
Artist role: draughtsman, print maker
Artist dates: 1902 – 1940
Subjects: arnhem, mien cambier van nooten
Les Plaisirs d'Arlequin
Object type: print
Date: 1694 – 1727
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: garden of love, court of love, 'fête galante'
Inscriptions: collector's mark: Lugt 2228
A Short History of General Richard Stoddart Ewell, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: firearms,men,portraits,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Georgia O'Keeffe
Object type: photograph
Date: 1922 – 1922
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Portret van Philippus Erard van der Noot
Object type: print
Date: 1676 – 1755
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: ghent
Inscriptions: collector's mark: Lugt 2228

Portret in ovale lijst van Philippus Erard van der Noot, bisschop van Gent. Buste licht naar links. Hij draagt het bisschopsgewaad. Middenonder het wapenschild van de bisschop en de kardinaalshoed.
Anamorfose van een grazend hert
Object type: print
Date: 1678 – 1727
Materials: paper
Techniques: etching
Location: augsburg
Subjects: hoofed animals: deer, anamorphosis
Inscriptions: number: ‘869’, collector's mark: Lugt 2028, collector's mark: Lugt 2228, inscription: ‘No. 151. u.b.’, number: ‘23’

Dit betreft een spiegelbeeldige kopie naar plaat zes van een zesdelige serie met anamorfosen van verschillende dieren, uitgegeven door Joseph Friedrich Leopold in Augsburg.
Cipriani, The Triumph of Cupid
Object type: photograph
Date: 1855 – 1858
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: drawing, sketch

Fotoreproductie van tekening in 'The Reveley Collection of Drawings at Brynygwin', afb. 56.
Miniatuurschotel
Object type: miniature
Date: 1765 – 1765
Materials: silver
Location: amsterdam
Artist: Anonymous

Schotel van zilver, met bijbehorende kom (I). Schotel geheel glad, op standring. Gemerkt: stadsteken Amsterdam; jaarletter F.
Knife (Pichangatti) with Sheath
Object type: knife pichangatti with sheath
Date: 1701 – 1900
Materials: brass, horn, steel, wood
Culture: indian, kodagu
Location: india
Portret van Gerard Dou
Object type: photomechanical print
Date: 1870 – 1915
Materials: paper
Techniques: photoaquatint
Subjects: leiden, painter, draughtsman, gerard dou, historical persons, portrait, self-portrait of artist
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic
Artist: hermonax
Artist role: artist

Exterior, head, part of upper torso in profile to right, and bent raised right arm of filleted, draped youth holding a staff in his left hand; bit of hair, nose, mouth, frontal torso, right shoulder, and bent right arm of bearded man
Stone bowl
Object type: bowl, shallow
Date: 100 – 100
Materials: granite
Culture: roman

This bowl, made from granite, is a rare surviving example of the hard-stone vessels that were highly prized by wealthy Romans.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Exterior, part of round shield, seen in profile; one letter of an inscription, H
Hemelvaart van Maria
Object type: print
Date: 1575 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the assumption of mary ('assumptio corporis'): she is borne into heaven by angels
Inscriptions: collector's mark: Lugt 240

De apostelen zijn verzameld rondom de lege graftombe van Maria. In de lucht de knielende maagd Maria, haar armen uitgestrekt. Rondom haar het engelenkoor.
The Soldier's Departure
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dogs
18-cm Palliser Shell in a Wooden Box
Object type: chest
Date: 1870 – 1870
Materials: brass, iron, lead, wood
Location: woolwich
Inscriptions: inscription, on the lock of the box: ‘[SH]ELL / [P]ALLISER John Shaw & Sons / Wolverhampton / Safety patent lever lock.’

Een halve puntvormige 18 cm granaat, rood geverfd, in een houten kist. De granaat is 42 cm lang en heeft een kaliber van 176 mm. Hij is in de lengte opengebarsten, de neus is nog intact. De granaat heeft twee ringen gaten voor nokken, die niet zijn aangebracht, voor een getrokken loop met drie trekkende velden en is hol; in de bodem is een bus van een zachter metaal gegoten met een vulgat. Onder de neus zijn twee ondiepe gaten aangebracht, voor de munitie-kraan. In de wand bevinden zich twee grote, taps toelopende gaten, waardoor men de granaat heeft doen barsten.
Beaulne
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta'

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1656, dl. 4, na p. 8.
Relief section (one of a pair)
Object type: relief
Date: 1501 – 1533
Materials: terracotta
Vignet met het wapen van de stad Haarlem
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), vignette, haarlem
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 698

Het wapen van de stad Haarlem met een kroon en twee leeuwen.
Portret van Bartolomé Murillo
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: nicolaas martinus schild
Artist role: draughtsman, print maker
Artist dates: 1822 – 1840
Subjects: sevilla, painter, draughtsman, bartolomé esteban murillo, portrait, self-portrait of painter, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Portret van William Bouguereau
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: painter, historical persons, artist (in general), france
Ringen, handvatten en pennen der landmeterskettingen
Object type: drawing
Date: 1879 – 1879
Materials: ink, paper
Techniques: writing
Location: amsterdam
Artist: Anonymous
Subjects: netherlands

Technische tekening met 8 details van een landmetersketting. Met aantekeningen met pen uit 7 juli 1894.
Galeries historiques de Versailles
Object type: print
Date: 1839 – 1848
Materials: paper
Techniques: etching
Location: france
Subjects: paris, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Design Projects, Pavilion Plan and Elevation
Object type: architectural drawing
Date: 1860 – 1870
Materials: graphite, paper
Techniques: drawing
Location: united states
Artist: carl (charles) j. furst
Subjects: urban planning, architecture, projects, design
Cylinder seal and modern impression: offering bearer before winged deity; terminal: sphinxes, guilloche, lions
Object type: cylinder seal
Date: 1820 – 1730
Materials: mineral
Location: syria
Subjects: sphinx,lions
Rechtvaardigheid
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als illustratie in: Const-toonneel, inhoudende de beschrijvinghe ende XL. Heerlijcke afbeeldindinghen: Onses Heeren Jesu Christi, met sijne apostelen, ende evangelisten, midtsgaders de hooft-deuchden ende ondeuchden. Ende ten laetsten de seven planeten. In coper gesneden door Johannis Wierix. De beschrijvinge is (...). Delft: Nicolaes de Clerck, 1609.
Netsuke of Birds and Corn
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: vegetables
Bowl
Object type: bowl
Date: 1701 – 1900
Materials: jade
Techniques: painting
Culture: indian
Table fork
Object type: table fork
Date: 1601 – 1700
Materials: mother of pearl, silver, steel, wood
Gezicht op de Hervormde Kerk te Sint-Annaland
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint annaland
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Sint Anna Land’, annotation: ‘St. Annaland (Zeeland)/ Kerk v/d Ned. Herv. gemeente/ Juli 1893’
Square
Object type: square
Date: 1701 – 1800
Materials: linen
Two-handled bowl
Object type: bowl
Date: 1654 – 1655
Materials: silver gilt
Artist: t. g., london
Artist role: maker
Venus en Amor
Object type: print
Date: 1506 – 1506
Materials: paper
Techniques: woodcut
Location: germany
Artist: lucas cranach (i)
Artist role: draughtsman, print maker
Artist dates: 1472 – 1553
Subjects: venus and cupid (cupid not being mere attribute)
Inscriptions: collector's mark: Lugt 240

Naakte Venus in gezelschap van Amor die pijl en boog vasthoudt. In de boom rechts hangen drie schilden, twee met het keurvorstelijk en hertogelijk wapen van Saksen en een derde met het wapen van Cranach zelf.
Terracotta fragment of a lekanis (covered dish)
Object type: lekanis fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Fragment of a lekanis with parts of two red glazed lines
Purse frame
Object type: purse frame
Date: 1501 – 1600
Materials: steel
Subjects: lions
Portret van Jean Parisot de La Valette
Object type: book illustration
Date: 1617 – 1617
Materials: paper
Techniques: engraving, letterpress printing
Location: delft
Subjects: armour, historical persons

Prent uit: Tooneel der beroemder hertogen princen graven ende krygs-helden van christenrijck binnen deze drij laetste eeuwen. Delft: Nicolaes de Clerck, 1617, p. 356.
Alliance des Bataves et des Germains. Civilis s'attache les gaulois / planche VII
Object type: history print
Date: 1768 – 1770
Materials: paper
Techniques: engraving, etching
Subjects: extinct, 'historical' peoples (with name), netherlands

De Germaanse ambassadeur bezoekt Civilis en belooft steun. Prent 7 in een serie over de Bataafse Opstand, gekopieerd naar de reeks Batavorum cum Romanis bellum van Antonio Tempesta (Otto Vaenius, Antwerpen 1612). Illustratie voor: Marquis de St. Simon, Histoire de la guerre des Bataves et des Romains, d'après César; Corneille Tacite, Aux dépens de Marc-Michel Rey, Amsterdam 1770. Voorstellingen gedrukt in een grote ornamentele omlijsting waarin bovenaan een uitgeknipte titel en onderaan een onderschrift in het Frans is geplakt.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head of a filleted man with a himation
Portret van Jan Peeters I
Object type: book illustration
Date: 1662 – 1662
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: antwerp, draughtsman, jan peeters (i), adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 567

Prent uit: Bie, Cornelis de. Het Gulden Cabinet vande edel vry Schilder Const (...). 3 dln. Antwerpen: Joannes Meyssens, 1662 [1661 foutief op titelpagina].
Model Reading
Object type: print
Date: 1910 – 1910
Techniques: etching
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: female nudes,reading