deem-data/ArtiFact huggingface dataset:
Prudence, from The Virtues
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacob matham
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1631
Inscriptions: Lettered lower left: "5"; and below image: "Praeteritis ventura ... mente sagax."
Drie naakten
Object type: print
Materials: paper
Techniques: etching
Location: amsterdam
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Inscriptions: signature: ‘Aat Verhoog’

Rechts twee naakte mannen met uitgestrekte armen lopend naar links waar zich een buitenproportioneel groot naakt lichaam van een vrouw bevindt.
Runderen
Object type: titelprent, frontispice
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Subjects: cow
Inscriptions: collector's mark: Lugt 2166
Raccolta di vasi diversi
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: vase ~ ornament, garden vase
Inscriptions: collector's mark: Lugt 240
Portret van Johann Adam Georg Christoph Geuder von Heroldsberg
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Subjects: mayor, city-view in general; 'veduta', other non-personal regalia, e.g. mayor chain, historical persons, hacking and thrusting weapons: sword, pendant, trinket, 'breloque', armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, name, name
Hersilia Romuli coniunx in Oram deam a Iunone constituitur
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: italy
Subjects: apotheosis of hersilia: the wife of romulus is taken up to heaven by juno and isis, and becomes the goddess hora quirina, (story of) hersilia
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Dish
Object type: dish
Date: 1753 – 1754
Materials: soft paste porcelain
Artist: jeffreyes hammet o'neale
Artist role: maker
Artist nationality: irish
Artist dates: 1734 – 1801
Subjects: human figures,landscapes,trees
Buste van Filibert van Savoye
Object type: drawing
Date: 1664 – 1664
Materials: paper, pencil
Techniques: brush, pen, wash
Location: the hague
Artist: jan de bisschop
Artist role: draughtsman, print maker
Artist dates: 1628 – 1671
Subjects: pont-d'ain, filibert ii van savoye
Inscriptions: date: ‘28 Sept 1664’, date: ‘28 Sept 1664’

De afgebeelde buste is nog in twee versies bekend, beide in buxushout, en zonder het voetstuk en de schuine armafsnijding zoals in de tekening. Deze twee bevinden zich respectievelijk in het Bodemuseum Berlijn (inv.no. 818) en British Museum (Waddesdon Bequest, inv.nr. 261). Zie cat. Small Wonders, no. 71 voor het exemplaar uit het Bodemuseum. De tekening geeft dus een onbekend derde exemplaar weer, dat zich in 1664 in Nederland bevond.
The Actor Ichikawa Ebizo (Danjuro V) as the Lady-in-Waiting Iwafuji in the Play Gozen-gakari Sumo Soga, Performed at the Kawarazaki Theater in the First Month, 1793 (?)
Object type: print
Date: 1793 – 1793
Techniques: woodblock print
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Negen gipsen afgietsels
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation: ‘Misericordes Chorstuhle Dordrecht’, annotation
Strandgezicht met zeilschepen
Object type: print
Date: 1924 – 1924
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: sailing-ship, sailing-boat, horse, beach, (farm) wagon, freight wagon, cart, sea

Op het strand is een paard-en-wagen te zien. In de branding ligt een bemand zeilschip. In de verte zijn nog twee zeilschepen op zee weergegeven.
Musicerende Apollo te midden van herders
Object type: print
Date: 1815 – 1820
Materials: paper
Techniques: engraving
Location: brussels
Subjects: apollo playing the lyre, apollo citharoedus
Inscriptions: collector's mark: Lugt 2228
Stoomlocomotief met machinisten
Object type: stereograph
Date: 1857 – 1870
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: railway, train, steam locomotive
Inscriptions: inscription: ‘N. 9/ f 25’
De hupsche boer
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: farmers, courting
Inscriptions: collector's mark: Lugt 1641, stamp

Prent waarschijnlijk uit: Wolff, Betje. Economische liedjes: met plaaten. Den Haag: Isaac van Cleef, 1792.
Miss Sleven, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Crest rail of a settee
Object type: settee rail
Date: 1601 – 1800
Materials: wood
Artist: françois roumier
Artist role: maker
Artist nationality: french
Artist dates: 1701 – 1748
Subjects: sleeping,putti

The crest rail with its symmetric design was executed during the early stage of the Rococo style known as Régence which encompassed the period of 1715-1723, when Philippe II, duc d’Orléans, served as regent to the young Louis XV. The Régence style was a reaction against the Baroque grandeur and formality of the court under Louis XIV and transitioned to a more frivolous and intimate sensibility developing into the full-blown Rococo with its penchant for asymmetry by circa 1730. The carved ornament on this railing, consisting of trelliswork inscribed by rosettes, flanked by asymmetrical C and S-shaped scrolls, shells, as well as floral decoration, bears resemblance to a design by François Roumier, published in his Livre de plusieurs coins de Bordures of 1724. As a decorative carver employed by the Bâtiments du Roi, the agency in charge of the construction and maintenance of the various French royal palaces, Roumier was during the 1720s responsible for much of the carved interior decoration at the Château de Versailles. Symbolizing love, the winged putti with their bow and quiver, are sleeping. This suggests that the settee of which this exquisitely carved crest rail was once part, was placed either in a private bedroom or in one of the more intimate smaller rooms which, with the increasing desire for comfort and privacy during the eighteenth century, became more and more important.
Ontwerp voor illustratie voor De Kolossus der Negentiende Eeuw door P.J. Andriessen (Textill., blz. 9); scène uit het leven van Napoleon
Object type: drawing
Date: 1877 – 1942
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: george lodewijk de wetstein pfister
Artist role: draughtsman
Artist dates: 1867 – 1942
Subjects: napoleon i (emperor of the french), (andriessen, de kolossus der negentiende eeuw) specific works of literature (with author, title), historical persons, illustration ~ printed matter, book, historical events and situations
Adoration of the Magi, with Mary bracing Jesus with her right hand and reaching for a gift with her left
Object type: print
Date: 1621 – 1635
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,christ,virgin mary,adoration of the magi
Hoofdman van Kafarnaüm smeekt Christus om hulp
Object type: album leaf
Date: 1777 – 1778
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: instruments for perspective drawing, the centurion of capernaum, kneeling before christ, begs him to heal his paralytic servant (or son) (matthew 8:5-13; luke 7:1-10; john 4:46-54)

Een afbeelding van een lijst met een schilderij over de hoofdman van Kafarnaüm die Christus om hulp smeekt. Het schilderij is in omtrek getekend met behulp van een grafometer. In Kafarnaüm knielt een Romeinse centurio, omringd door zijn soldaten, voor Christus. Hij vraagt hem zijn knecht te genezen. Hij heeft zijn helm afgenomen voor Christus, een schildknaap houdt hem vast. Christus stuurt de centurio naar huis en geneest tegelijkertijd diens knecht. Rechtsboven gemerkt: Planche X. De prent maakt deel uit van het boek: A.G. Eckhardt, Beschryving van een algemeenen graphometer, 1778.
Drie maskers tussen bladranken
Object type: ornament print
Materials: paper
Techniques: engraving
Location: amsterdam
Prentmaker in zijn atelier
Object type: print
Date: 1866 – 1886
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: printing press, graphic artist
Inscriptions: collector's mark: Lugt 2228

Een prentmaker bekijkt een prent bij het licht van een open raam. Op de voorgrond een drukpers en een distel.
Robe (Kosode) with Pine, Ivy, Chrysanthemums, and River
Object type: robe
Date: 1834 – 1866
Materials: metal thread, silk
Techniques: embroidery, resist
Culture: japanese

This sumptuous robe was made for the young Kyoto noblewoman Yuki-gimi (Princess Yuki), who was the daughter of the twentieth head priest of the influential Higashi Honganji Temple in Kyoto. It is very rare that the name of the original owner of an Edo-period garment is recorded. This kosode is a formal garment featuring the lady’s family crest on the back and around the neckline on the front. Its chartreuse ground, which was created using a Western aniline dye, is animated around the hem with vividly colored pine, ivy, and chrysanthemums—all auspicious symbols of longevity and youth that also featured in Japanese literary classics.
L'Entretien
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: village
Inscriptions: collector's mark: Lugt 240

Links vooraan twee mannen in gesprek, daarachter een huis met een vrouw in de deuropening. Rechts op de achtergrond een kerktoren.
Pha-nung with Celestial Worshippers Design
Object type: textile
Date: 1701 – 1800
Materials: cotton
Techniques: drawing, dyeing, painting, weave, resist
Culture: indian
Roundel with Architecture (from a series of The Septem Artes Mechanicae)
Object type: roundel
Date: 1563 – 1563
Materials: glass, paint, pigment
Culture: german
Location: germany
Artist: monogrammist sz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1600
Subjects: buildings,men,working
Brussel. Grote markt.
Object type: photograph
Date: 1860 – 1925
Materials: photographic support
Techniques: photograph
Artist: Anonymous
Subjects: grote markt
Friedrich Wilhelm I. 1713-1740 / Stollwerck-Postkarten - Gruppe 19. Könige von Preussen
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: autotype
Location: germany
Artist: a. unger
Artist role: designer
Subjects: berlin, advertising, chocolate (solid), historical persons

Reclamekaart van Stollwercksche Chocolade: portret van Friedrich Wilhelm I, koning van Pruissen.
Study for the Triumphs of Julius Caesar: Canvas No. I
Object type: drawing and watercolor
Materials: ink, paper, pencil
Techniques: pen
Location: italy
Artist: after andrea mantegna
Portret van een staand meisje met hoed en een boek in de hand
Object type: album leaf
Date: 1892 – 1909
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: brussels
Artist: gustave narcisse
Artist role: fotograaf
Artist dates: 1857 – 1920
Subjects: historical persons - bb - woman, girl (child between toddler and youth), head-gear: hat, book
Inscriptions: inscription: ‘Gve Narcisse/ PHOTOGRAPHIE/ DE L'EPOQUE./ 12 Rue de L'Empereur/ Bruxelles./ Les Clichés sont conservés.’
Medallion
Object type: medallion
Date: 1667 – 1733
Materials: wood
Subjects: cupid
Snuff Bottle
Object type: snuff bottle
Date: 1701 – 1900
Materials: stone
Culture: chinese
Subjects: horses,monkeys
Huis en schuur aan de voet van een heuvel
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: paper, pencil, watercolor
Techniques: brush
Artist: jonkheer johannes ludovicus paulus bosch van drakestein
Artist role: draughtsman
Artist dates: 1865 – 1929
Subjects: low hill country, shed

Blad 10 recto uit een schetsboek met 58 bladen.
Tongs
Object type: tongs
Date: 1800 – 1800
Materials: silver
Culture: american
Location: united states
Artist: thomas underhill
Artist role: maker
Artist dates: 1737 – 1837
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: voorburg, print maker, renée hélène laure zilcken, helène lambertine hauzeur, the hague, painter, draughtsman, philip zilcken, passions, emotions, affections, christian religion
Gezicht op haven van Paramaribo
Object type: photograph
Date: 1898 – 1902
Techniques: gelatin silver print
Location: suriname
Subjects: suriname
Boomstronk
Object type: drawing
Date: 1899 – 1920
Materials: chalk, paper, pencil
Artist: jan mankes
Artist role: draughtsman, painter, print maker
Artist dates: 1889 – 1920
Subjects: trees
Inscriptions: :, collector's mark: Lugt 2228
Studies
Object type: sketchbook leaf
Date: 1906 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Inscriptions: annotation: ‘[...]’

Blad 24 recto uit een schetsboek met 27 bladen.
Staande koe
Object type: print
Date: 1761 – 1784
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: cow
Inscriptions: collector's mark: Lugt 240

Weiland met staande koe, van opzij gezien. Prent uit een serie met landschappen met vee.
Portret van Anna van Kleef, koningin van Engeland
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving
Artist: adriaen van der werff
Artist role: draughtsman, painter, print maker
Artist dates: 1659 – 1722
Subjects: london, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Larrey, Isaac de. Histoire d'Angleterre, d'Ecosse, et d'Irlande. 4 dln. Rotterdam: Reinier Leers, 1697-1713.
Drawings for Two Masquerade or Ballet Costumes ('Sospiri' and 'Baci')
Object type: drawing
Date: 1554 – 1627
Materials: ink
Techniques: brush, pen, wash
Artist: giovanni battista paggi
Artist role: artist
Artist nationality: italian
Artist dates: 1554 – 1627
Subjects: costumes,men,women,ballet
Glass appliqué with Medusa
Object type: appliqué with medusa
Date: 1 – 200
Materials: glass
Culture: roman
Subjects: medusa

Colorless with pale blue green tinge. Circular disk with flat back, edge partially beveled, and convex upper surface. Head of a Gorgon in relief, portrayed with wings on top of her head, hair parted to either side, forming fringe to forehead, ears to sides of head, and tongue protruding downward. Intact, with weathered edges, but small chip behind proper left ear; dulling, iridescence, and some creamy weathering.
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of a draped male to left wearing a himation
Panel
Object type: panel
Date: 1576 – 1600
Materials: canvas, silk, wool
Subjects: animals,houses,trees
Menu van een diner op 18 maart 1888
Object type: menu, menukaart
Date: 1888 – 1888
Materials: paper
Techniques: chromolithography, letterpress printing
Artist: Anonymous
Subjects: flowers: rose

Op de voorzijde, hangt in het midden van een decoratief kader van rozen een laken met daarop de naam 'Maria Steyns' in handschrift. Op de achterzijde, binnen een decoratief kader, het menu van het diner.
Glass ornament
Object type: ornament in the form of an ivy leaf
Date: 1370 – 1200
Materials: glass
Culture: aegean, helladic or mycenaean

Translucent blue. Ivy-leaf shape; flat back; straight sides; two holes pierced through top and side of leaf on each side, joining at an angle. Molded decoration on front: a circular depression at top on each half of leaf, with a fan-shaped relief motif between and below. Complete except for small weathered chip on left front edge; dulling, slight pitting, and small patches of creamy brown weathering.
Duit van de VOC uit Westfriesland, 1745
Object type: coin
Date: 1745 – 1745
Materials: copper
Techniques: striking
Location: medemblik

Koperen munt. Voorzijde: gekroond wapenschild van Westfriesland. Keerzijde: monogram van de VOC, waarboven muntmeesterteken en waaronder jaartal. Gladde rand.
Schets van crucifix en doodshoofd
Object type: drawing
Date: 1573 – 1610
Materials: chalk, paper
Artist: francesco vanni
Artist role: draughtsman, print maker, publisher
Artist dates: 1563 – 1610
Ngombo
Object type: ngombo
Date: 1801 – 1900
Materials: fiber, skin, wood
Culture: tsogo
Location: gabon

Also known as ngombi or ngombo, this arched-harp, made by the Tsogo people of Gabon, utilizes palm-fiber strings that are held taut by small studs under its skin belly. It is played in an upright position, with the face of the decorated extension positioned close to the performer's face. This suggests that the sound of the harp is an extension of the performer's face. This suggests that the sound of the harp is an extension of the performer's voice. Harps like this are used by women's groups during healing rituals. Among the Fang people, they are symbolic of Nyingwan Mebege, the sister of their god and the giver of life.
Catania and Mount Etna
Object type: drawing
Date: 1847 – 1847
Materials: board, oil
Artist: edward lear
Artist role: artist
Artist nationality: british
Artist dates: 1812 – 1888
Subjects: mountains,landscapes
Gezicht op Sankt Goar, Duitsland
Object type: photomechanical print
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Location: sankt goar
Artist: Anonymous
Subjects: prospect of village, silhouette of village
Inscriptions: inscription: ‘No. 5./ Sankt Goar.’

Deze prent maakt deel uit van een album.
Rapid photographs
Object type: snapshot
Date: 1912 – 1920
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, adult man

Between 1912 and 1930, anyone could have their portrait taken at the many so-called rapid photography studios in the shopping streets of mainly (medium) large-size European cities. As if on an assembly line, the youngest clerk shot the photographs with a special camera and in artificial light and developed them. Later in the day, the customer collected a sheet with 12 portrait photos for 25 cents. This form of photographic mass production gave rise to a fascinating tableau of boys, girls, men and women not previously seen in photographs; candid and informal. There were at least 150 quick-photo studios, from Alkmaar to Zutphen. Many called themselves ‘American,’ mistakenly as it turns out because hardly any examples from that country have been found.
Schoolboys Giving Charity to a Blind Man
Object type: print
Date: 1781 – 1781
Techniques: hand coloring, mezzotint
Artist: john raphael smith
Artist role: artist and engraver
Artist nationality: british
Artist dates: 1751 – 1812
Subjects: boys,men,dogs

Bigg was a Royal Academician who often depicted charity performed by children. This mezzotint reproduces a work he exhibited in 1780 and shows boys responding to a blind man. The latter’s red coat identifies him as a former soldier, perhaps a veteran of the American Revolutionary War. Little state support was available to needy Britons at this date and the children’s empathy highlights that problem. After reading the blind man’s sign, the boys share what they can—one reaches into a basket, another his pocket. This genre image recalls the plight of the sixth-century Roman general Belisarius, who after being blinded at the order of Emperor Justinian I, was reduced to begging for alms. A proof of the print was shown at the Society of Artists in 1782.
Ontwerp voor een tafel
Object type: drawing
Date: 1825 – 1839
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: paris
Artist: Anonymous
Subjects: table (+ wood and other phytogenic material), furniture to put things on (+ stone)
Inscriptions: inscription: ‘394 Table à Modillon en acajou 30 33 36*’

Ontwerp voor een tafel met gebeeldhouwde mahoniehouten voet en rond, marmeren blad. Het blad op de achterzijde genummerd: 51, het tegenoverliggende blad met informatie over de afgebeelde meubelen genummerd: 51 bis. Onderdeel van een album met 80 bladen met tekeningen en een prent van gefineerde en gelakte meubelen, alsmede zitmeubelen.
Magere Brug over de Amstel, gezien richting het noorden, Amsterdam
Object type: cabinet photograph
Date: 1867 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: bridge in city across river, canal, etc.
Inscriptions: inscription: ‘5,-’, inscription: ‘Phot. P. Oosterhuis, Amsterdam.’
De tocht van Barcelona naar Genua; intocht van Ferdinand te Antwerpen in 1635 (nr. 7)
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: north wind, 'aquilo', 'boreas', 'septentrionarius' (one of eight directions), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', specific aspects, allegorical aspects of neptune; neptune as patron
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ferdinands reis over zee van Barcelona naar Genua in Italië (11 april - 5 mei 1633). Op de voorgrond Neptunus in zijn strijdwagen met zeenimfen, terwijl hij de noorderwind Boreas verjaagt. De linker voorstelling op het welkomsttoneel. Gemerkt linksboven: Pag. 15. Met onderschrift van 5 regels in het Latijn. Blad nr. 7 in een geheel van 43 platen die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Antwerpen op 5 mei 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreren.
Asarias
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: high priest ~ hierarchy of priests, persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘229’

Een bloemkelk met een man in priesterkledij, naar rechts gekeerd. De tekst identificeert hem als Azarja II, hogepriester. De voorstelling is onderdeel van de opeenvolging priesters in de Liber Chronicarum. De prent maakt deel uit van een album.
Tongerloa (...)
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: drypoint, etching
Location: antwerp
Subjects: coat of arms (as symbol of the state, etc.), abbey, monastery, convent ~ roman catholic church
Inscriptions: date

Links een cartouche met opdracht in het Latijn. Bovenin twee cartouches met wapenschilden en de titelcartouche. In de smalle marge onder de prent een legenda in het Latijn.
Deksel met geslingerd lintmotief met bladertakken, bloemboeketten en gestrooide bloemtakken
Object type: lid
Date: 1780 – 1820
Materials: porcelain
Location: amsterdam

Deksel, behorend bij een servies van porselein met geslingerd motief in paars en goud met groene bladertakken, bloemboeketten en gestrooide bloemtakken. Randen lichtgegolfd met decoratie in goud met paars bladmotief waartussen groen gekruist bladmotief. Gemerkt: M.O.L. en AMSTEL. Serie van elf stuks.
Medal of Major General Winfield Scott
Object type: medal
Date: 1847 – 1847
Materials: bronze
Artist: charles cushing wright
Artist role: maker
Artist nationality: american
Artist dates: 1796 – 1854
Subjects: men,profiles