deem-data/ArtiFact huggingface dataset:
Knobbelfles, bleu poudré met velden in famille verte
Object type: bottle
Date: 1690 – 1710
Materials: cobalt, glaze, porcelain
Techniques: gilding, vitrification
Location: china
Artist: Anonymous

Fles op een hoge, spreidende voet, een bol lichaam en een lange uitlopende hals geleed met twee bollen en een scherp gekante rand vlak boven het lichaam. De fles is met poederblauw bedekt waarop decoratieve banden in goud. Op het lichaam vier maal afwisselend een rond en langwerpig veld met daarin een oranje leeuw die naar links loopt in een landschap, geschilderd in famille verte-kleuren. Bleu poudré met famille verte.
Bookcase
Object type: bookcase
Date: 1835 – 1850
Materials: wood
Culture: american
Location: united states

The overlay of Gothic tracery, trefoils, and cluster columns on this otherwise classical bookcase reveals the emerging interest in the Gothic Revival style in New York beginning in the mid-1830s. The lower section, with its scroll support, door arrangement, and ogee-molded drawer, follows the design of a sideboard illustrated in the New York cabinetmaker Joseph Meeks’s broadside advertisement of 1833.
Clutha vase
Object type: vase
Date: 1888 – 1888
Materials: glass
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904

Christopher Dresser came to glassware relatively late in his career. This vase belongs to the group of glassware trademarked "Clutha" in 1888 by the Glasgow-based glassworks of James Couper & Sons. From this date until 1896, Dresser was sole designer of Couper & Sons’ Clutha glassware, which was retailed by Liberty & Co. in London from the 1880s until around 1900. The name "Clutha" was deliberately historicizing, being the old, perhaps romanticized, Gaelic name for Glasgow’s river Clyde. In an article published in the 1870-73 Technical Educator, Dresser celebrated how "Glass has a molten state in which it can be blown into the most beautiful shapes" and the designs of most of Dresser’s Clutha vases depend upon this singularity of the production process; embracing irregular, organic forms and prizing the colored striations, as well as bubbles, particular to the medium, which Dresser also admired in Roman glass. Liberty & Co.’s publicities described Dresser’s Clutha glassware as "decorative, quaint, original and artistic." However, "quaint" hardly applies to this example, which shows Dresser’s taste for the techniques and properties of the medium in a different, very particular way: its elongated form and clean, uninterrupted outline is attainable thanks to the lack of any necessary joins in the blown, drawn glass; the graceful patterning in opaque green glass accentuates this quality, being not applied to the vase’s surface but rather fused within it and developed as the glassblower gave the vase its form. The vase is flawlessly executed, showcasing the great skill and craftsmanship of its maker at James Couper & Sons’ glassworks. The vase's regularity, which is quite unlike most other Clutha vases, finds its closest parallel in the crisp contour and ribbed decoration of the second, smaller, blown and molded Clutha vase in the Met's own holdings: 1991.20.2. More akin in outline to Dresser’s designs for metalwork of the 1880s, it is likely that this object, and less distinctively 1991.20.2, are early examples of Clutha designs, before Dresser developed the more popular, organic, consciously archaic and more art nouveau-like forms most typically associated with his Clutha glassware, characterized by the museum's other example, 1998.160.
The Bard, from The World's Racers series (N32) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,horses,jockeys

Trade cards from the "The World's Racers" series (N32), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Cornée de la mouche ordinaire
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: autotype
Location: france
Artist: Anonymous
Subjects: insects: fly, microscope
Inscriptions: inscription: ‘Grossissement linéaire environ 150.’
Kar op een landweg bij de duinen
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: printmaking
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228
Building Site in Amsterdam
Object type: painting
Date: 1900 – 1900
Materials: canvas, oil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse, building-site
Inscriptions: signature: ‘G.H. Breitner’

Amsterdam underwent tremendous growth at the turn of the 20th century. The city expanded with new residential areas built on millions of piles. Breitner was fascinated by the modern metropolis and its many building sites. In this painting, we see new homes rising on the left, while a horse drags a pile into the construction pit in the foreground. On the right, another pile is driven into the ground with a steam hammer, a recent invention.
Still Life: Flowers and Fruit
Object type: painting
Date: 1850 – 1855
Materials: canvas, oil
Culture: american
Artist: severin roesen
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1872
Subjects: fruit,flowers,still life,eggs

Over a dozen varieties of fresh flowers and fruit are featured in this visual spectacle. Nineteenth-century improvements in cultivation and shipping practices enabled the extravagant assortment, which includes a tropical pineapple and a pomegranate that allude to the nation’s future bounty. A German immigrant, Roesen fled the revolutions of 1848 for the promises of America. He exhibited in New York in the 1850s, sending eleven paintings to the American Art-Union’s Free Gallery exhibitions between 1848 and 1852. In 1863 he settled in Pennsylvania, where his patrons included lumber industry moguls who reveled in the perceived limitlessness of American resources.
Miss Kate Uart, Corsair Co./ Eva Shaler, Corsair Co./ Eva Shaler, Corsair Co./ Carrie Behr, Corsair Co., from the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 4), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes. Type 4 cards from the N45 series contain four miniature portraits of actresses on one card.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1900
Materials: copper, gold alloy, gold, silver
Culture: japanese
Location: japan
Artist: gotō ichijō
Artist role: maker
Artist nationality: japanese
Artist dates: 1791 – 1876
Subjects: cranes
Sample
Object type: sample
Date: 1801 – 1900
Techniques: lace
Subjects: flowers
Salt cellar
Object type: salt condiment vessel
Date: 1740 – 1765
Materials: earthenware, glaze
Techniques: kiln, painted, polychromy
Location: delft
Artist: Anonymous
Subjects: landscapes in the temperate zone

Achthoekig zoutvat, veelkleurig beschilderd met een mediterraans landschap in een cartouche.
Microscoopopname van de kern van een tarweplant
Object type: photograph
Date: 1882 – 1892
Materials: photographic support
Techniques: albumen print
Artist: robert w. dunham
Artist role: fotograaf, wetenschapper
Subjects: plants and herbs: wheat
Inscriptions: inscription: ‘Magnified 16 diameters.’
Portret van een onbekende man in uniform
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, anonymous historical person portrayed, (military) uniforms
The port of Inverary
Object type: print
Date: 1801 – 1802
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: castle
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Scotia Depicta; or the antiquities, castles, public buildings, noblemen (...). Londen: William Miller, 1801.

Zie ook: RP-P-2018-1945.
Portret van Nicolaas Oostdyck
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Artist: de passe
Subjects: goes, schepen, rentmeester, nicolaas oostdijck
Inscriptions: collector's mark: Lugt 2233

Portret van Nicolaas Oostdyck, schepen en stadsrentmeester te Goes, op 57-jarige leeftijd.
Cape
Object type: cape
Date: 1870 – 1879
Culture: french
A woman making water
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: urination, defecation
Inscriptions: mark: 2165, monogram and date: ‘RHL 1631’ Lugt

Gehurkte vrouw doet haar behoefte op de grond.
Design for an Unexecuted Funerary Monument for the First Duke of Marlborough
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: john michael rysbrack
Artist role: artist
Artist nationality: flemish
Artist dates: 1694 – 1770
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: brygos painter
Artist role: artist

Interior, head, part of upper torso, and extended arms of a wreathed aulos player; one letter of an inscription, O
Man ondersteund jongeman
Object type: book illustration
Date: 1873 – 1873
Materials: paper
Techniques: tone lithography
Location: arnhem
Subjects: adult man
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ver Huell, Alexander. Cornelist troost en zijn werken. Arnhem: Gouda Quint, Paulus, 1873.
Portret van A.J. Swart in toga
Object type: carte de visite
Date: 1857 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Subjects: the hague, professional clothes, studio requisites ~ photographer, head-gear, neck-gear: jabot (+ men's clothes), historical persons, family, relationship, descent, decorations, honours (as symbols of the state, etc.), java
Inscriptions: address: ‘Java’

Onderdeel van Familiealbum van H.W.F. Ligtenberg en L.M. Swart met 149 foto's en cartes-de-visite.
Card Number 81, Miss Sutherland, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Bastard. Élisée, Joseph, Michel. 22 ans, né à Birnel (Oise). Polisseur. Anarchiste. 20/8/93.
Object type: mugshot
Date: 1893 – 1893
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Vignet met een bellenblazende putto op een berg van schedels
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: skull as symbol of 'vanitas', (children or putti) blowing bubbles, 'homo bulla' ~ scene symbolizing 'vanitas'
Inscriptions: collector's mark: Lugt 240
Sibylla Persica
Object type: titelprent, frontispice
Date: 1575 – 1575
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: persian sibyl
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1967

De Perzische Sibille zit op een rots. Op haar schoot een open boek. De prent heeft een Latijns onderschrift en is de titelprent van een tiendelige serie over de Sibillen.
Dokterskoetsje
Object type: drawing
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen
Artist: cornelis van der griendt
Artist role: draughtsman, painter, print maker
Artist dates: 1827 – 1918
Subjects: four-wheeled vehicle drawn by one animal
Portret van een onbekende zittende vrouw
Object type: photograph
Date: 1864 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: stockholm
Artist: rosalie sophie sjöman
Artist role: fotograaf
Artist dates: 1833 – 1919
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Rosalie Sjöman/ Fotografi Atelier/ STOCKHOLM/ 42 Drottninggatan 42/ öfver gården 2 tr. upp./ Plåten bevaras för efterbeställning.’
Piece
Object type: piece
Date: 1801 – 1900
Materials: metal thread, silk
Culture: japanese
Subjects: insects,flowers
Relief with Akhenaten's cartouche
Object type: talatat, akhenaten's cartouche
Date: 1353 – 1336
Materials: limestone, paint
Subjects: cartouches
Geschiedenis van Tobias
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: tobias and his father offer gifts to the angel
Inscriptions: watermark

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Gezicht op Antwerpen, uit het zuiden
Object type: watercolor
Date: 1692 – 1692
Materials: paper, watercolor
Techniques: brush
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city, antwerp
Ruïne van de Keizerthermen in Trier
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: etching
Artist: hendrik jozef franciscus van der poorten
Artist role: draughtsman, print maker
Artist dates: 1789 – 1874
Subjects: ruin of a building ~ architecture, landscape with ruins
Inscriptions: collector's mark: Lugt 2228
Portret van Alessandro Falconieri
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Die Europäische Fama, Welche den gegenwärtigen Zustand der vornehmsten Höfe entdecket. dl. 281. Leipzig: Gleditsch, 1725.
Pluimvee
Object type: print
Date: 1833 – 1900
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: water-birds: swan, fowl (cock, hen, chicken, etc.), water-birds: duck, walker and runner birds: turkey
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van pluimvee: een zwaan, een kalkoen, een kip, een haan en eenden. Onder elke afbeelding een tweeregelig vers. Genummerd midden onder: No 146.
[Actress wearing pointed hat], from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Georgientje
Object type: photograph
Date: 1895 – 1898
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: historical persons - bb - woman, suriname
Inscriptions: inscription: ‘Georgientje’

Portret van de Surinaamse vrouw genaamd Georgientje, gekleed in kotomisi. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
New Harbor
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
St. George's Chapel Choir, Windsor (from Elias Ashmole's "The Order of the Garter," 1672)
Object type: print
Date: 1663 – 1663
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: churches
Bronze statuette of a bull
Object type: statuette of a bull
Date: 1 – 200
Materials: bronze
Culture: roman
Subjects: bulls

Many statuettes of this type, belonging to the Roman Imperial period, are thought to be adaptations from an Egyptian original type and may be associated with Apis, the sacred animal of Memphis.
Fragment
Object type: fragment
Date: 1401 – 1500
Materials: silk
Subjects: flowers
Beker met een medaillon met de letter "L"
Object type: cup
Date: 1790 – 1810
Materials: glass
Techniques: glassblowing
Location: france
Artist: Anonymous

Platte, concaaf geslepen bodem, cylindervormig lichaam waarop een ovaal medaillon in Lodewijk XVI stijl, omgeven door een bladrank. In het medaillon de letter 'L'. Langs de bovenrand een eierlijst.
Theepot, meloenvormig
Object type: teapot
Date: 1778 – 1779
Materials: wood, silver
Techniques: casting
Location: nijmegen
Artist: willem schiff
Artist role: silversmith
Artist dates: 1707 – 1775
Subjects: foliage ~ ornament
Inscriptions: town mark, maker's mark, date letter

Tea pot and milk jug. Silver. Nijmegen, ca. 1770, by Willem Schiff.
Militaire costumen van het Koninkryk der Nederlanden : opgedragen aan zyne excellentie Willem van Bylandt
Object type: costume print
Date: 1823 – 1827
Materials: paper
Techniques: hand coloring, lithograph
Location: brussels
Subjects: (military) uniforms (+ infantry)

Gebruikt als illustratie in: Militaire costumen van het Koninkryk der Nederlanden : opgedragen aan zyne excellentie Willem van Bylandt. Brussel, ca. 1825.
Bombario Actionist en de Geest van Esopus
Object type: caricature
Date: 1718 – 1720
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: caricatures (human types), little people
Inscriptions: collector's mark: Lugt 2166

Eerste register voor de prenten 1-24 en A-E in de serie getiteld: Bombario Actionist en de Geest van Esopus. Register met in twee kolommen lijsten van de prenten genummerd 1-24 en A-E in het Nederlands en Frans. Afdruk binnen een omlijsting met verkleinde weergaven van de kleine mensen in volgende prenten, gedrukt van een aparte plaat. Onderdeel van de tweede Nederlandse gebonden uitgave uit 1720 (en gerelateerd aan de Windhandel in dat jaar) van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel, deels gekopieerd naar een ouder Duits voorbeeld.
Dorp aan een waterkant bij een berg
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: paper, pencil, watercolor
Techniques: brush
Artist: jonkheer johannes ludovicus paulus bosch van drakestein
Artist role: draughtsman
Artist dates: 1865 – 1929
Subjects: prospect of village, silhouette of village, landscapes with waters, waterscapes, seascapes (in the temperate zone), mountains

Blad 4 recto uit een schetsboek met 58 bladen.
Twee vrouwen eren de drie gratiën met bloemen en muziek
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: pegasus, the winged horse, lyre, cithara, psaltery, ornament ~ medallion, graces (charites), generally three in number; 'gratie' (ripa), sacrifice ~ non-christian religions, crowning with laurel, ornament ~ festoon, garland, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Matthisson, Friedrich von. Gedichte von Friedrich Matthisson. 3de druk. Zürich: Orell, Gessner, Füssli & Comp., 1794.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, youth with himation draped over left shoulder and back, right arm extended, in field, sandal?
Ontwerp voor torchère met hermfiguren
Object type: design drawing
Date: 1864 – 1894
Materials: paper, pencil
Location: paris
Artist: henri cameré
Artist role: designer
Subjects: torch, candlestick
Earspool
Object type: ear spool
Date: 100 – 700
Materials: gold
Techniques: hammering
Culture: calima-yotoco
Location: colombia
Artist: calima (yotoco) artist
Artist role: artist
Panel for a hand screen (one of a pair)
Object type: hand screen panel
Date: 1701 – 1750
Materials: canvas, wool
Subjects: musical instruments,birds,men,dogs,sheep,trees,shepherds

Panels of this sort were mounted with handles and used to protect the face from the heat of an open fire.