deem-data/ArtiFact huggingface dataset:
Portret van de schilder Theodoor van Loon
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: painter, theodoor van loon, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
Ontwerpen voor elektrische hanglampen
Object type: sketchbook leaf
Date: 1905 – 1905
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: electric lamp

Blad 12 verso uit een schetsboek met 27 bladen.
Larkspur
Object type: wallpaper
Date: 1875 – 1875
Techniques: printing
Artist: william morris
Artist role: designer
Artist nationality: british
Artist dates: 1834 – 1896
Subjects: plants

William Morris designed forty-one wallpapers and five ceiling papers, working from 1862 with Morris, Marshall, Faulkner, and Company and from 1875 with Morris & Company. First produced in 1875, "Larkspur" began as a monochrome (single color) foliate design elaborated with flowers. In this example, yellow was printed over white, but the pattern was also available in light blue, gray or brick red. When "Larkspur" proved popular, variations were developed–in one example, blue and pink blossoms appear with leaves in two tones of green.
Mummy Cloth Fragment of Djedptahefankh
Object type: cloth sample, djedptahefankh, pink dye
Date: 1070 – 945
Materials: linen
Location: egypt
Landscape
Object type: hanging scroll
Materials: ink, textile
Culture: chinese
Artist: wang yin
Artist role: artist
Artist nationality: chinese
Artist dates: 1850 – 1899
Chariot axle cap and linchpin
Object type: chariot fitting
Date: 600 – 401
Materials: bronze
Culture: chinese
Deelgenoten
Object type: cartoon
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: paris
Subjects: standing figure, cigarette, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 964

Prent gebruikt voor: Paris (journal), 14 november 1852.
Fragment
Object type: fragment
Date: 1801 – 1900
Techniques: lace, embroidery
Hooger onderwijsdiscussie
Object type: cartoon
Date: 1876 – 1876
Materials: paper
Techniques: lithograph
Location: the hague

Spotprent . Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 11, 1876.
Javelin with Sheath
Object type: javelin with sheath
Date: 1615 – 1868
Materials: lacquer
Culture: japanese
Location: japan
Detail van de waterpoort te Gorinchem
Object type: photograph
Date: 1890 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: gorinchem
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: watergate
Inscriptions: annotation: ‘Gorinchem Waterpoort’, annotation: ‘Waterpoort/ Gorinchem’
Messina. Campo Santo
Object type: photomechanical print
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph
Location: messina
Artist: Anonymous
Subjects: consequences of an earthquake, collapsing building, cemetery, park-like burying ground
Cuneiform tablet: Utukku lemnutu, tablet 12
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Culture: seleucid
Location: mesopotamia
Portrait of La Val de Pramence
Object type: drawing
Date: 1501 – 1600
Materials: chalk
Artist: françois clouet
Artist role: artist
Artist nationality: french
Artist dates: 1536 – 1572
Subjects: men,portraits
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Translucent light blue-green. Slightly tubular rim folded out, round, and in, forming uneven inner lip; cylindrical neck, with horizontal tooling indent at base; conical body with slightly convex-curving side, turned in sharply to flat bottom. Complete but cracks in rim and neck, and on one side of bottom; many pinprick and larger bubbles, elongated in neck; dulling, patches of creamy weathering, and iridescence on exterior, and soil encrustation and iridescent weathering on most of interior.
Glass striped mosaic bowl fragment
Object type: fragment, striped mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent blue, purple, turquoise green, yellow, and white, with colorless glass. Applied coil rim with vertical lip, slightly beveled inward; convex curving side, tapering inward at bottom. Rim in colorless glass with blue spiral thread; body decorated with vertical bands forming a pattern: yellow, green, purple with spiral white thread, white, purple, yellow, and blue. Pinprick bubbles; exterior polished, with pitting of surface bubbles; dulling and creamy iridescent weathering on interior; some iridescent weathering on edges.
Preston Hodges
Object type: painting
Date: 1850 – 1850
Materials: canvas, oil
Culture: american
Artist: charles loring elliott
Artist role: artist
Artist dates: 1812 – 1868
Subjects: men,portraits
Gezicht op Banda Neira
Object type: album leaf
Date: 1821 – 1821
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Location: banda neira
Artist: jannes theodorus bik
Artist role: draughtsman
Artist dates: 1796 – 1872
Subjects: prospect of village, silhouette of village, island, sailing-ship, sailing-boat
Inscriptions: annotation: ‘Banda Nayra’, signature and date: ‘Th. Bik fect 1821.’

Blad 6 uit een album met 14 tekeningen en een prent.
Rivierlandschap met bank aan de oever
Object type: drawing
Date: 1830 – 1830
Materials: ink, paper, pencil
Techniques: pen
Artist: l.h. büse
Artist role: draughtsman
L'eau-forte en 1874
Object type: wrapper
Date: 1874 – 1874
Materials: cardboard, leather, paper, ribbon, textile
Techniques: gold embossing
Location: paris
Artist: alfred cadart
Artist role: print maker, printer, publisher
Artist dates: 1828 – 1875
Subjects: city-view, and landscape with man-made constructions, landscapes, historical persons - bb - woman, horse
Inscriptions: number: ‘302’, collector's mark: Lugt 2760, collector's mark: ‘AFE v S’, collector's mark: Lugt 2228
Shower Bath
Object type: print
Date: 1813 – 1813
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,men,women,dogs,bathing
Handkerchief
Object type: handkerchief
Date: 1851 – 1900
Materials: linen
Culture: french
Subjects: cupid,narcissus

The level of embroidery detail on this handkerchief is extraordinary. The workmanship is of a type commonly done by convent nuns. Each scene has a common theme of love and romance from mythology, including Narcissus gazing at his reflection in the water, and Cupid holding his arrow. The imagery is particularly charming for a man's accessory and reflects on the aristocratic status of the owner.
Gezicht op Plaats te Den Haag
Object type: album leaf
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: square, place, circus, etc. - ii - ideal city, historical persons

Deze pagina maakt deel uit van een album.
Straat met figuren
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper, pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: street (+ city(-scape) with figures, staffage)

Mogelijk staan en zitten enkele van de figuren op een olifant. Pagina 23 uit een schetsboek met 87 bladen.
Wallet
Object type: wallet
Date: 1860 – 1869
Materials: leather
Culture: french
Gesprek tussen keizer Theodosius I en Johan Willem, hertog van Saksen-Eisenach
Object type: book illustration
Date: 1704 – 1737
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: landscape with ruins, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Prent uit het tijdschrift: S.n. Maandelyksche berichten uit de andere waerelt; of de spreekende dooden. Amsterdam: Ratelband, erven Johannes, april 1737.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald.
Brief aan Jan Veth
Object type: letter
Date: 1919 – 1919
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: willem kloos
Artist role: dichter
Artist dates: 1859 – 1938
Subjects: dordrecht, amsterdam, painter, draughtsman, designer, jan veth, passions, emotions, affections
Inscriptions: collector's mark: ‘RPK’
Genova. Camposanto. La Chiesa.
Object type: photograph
Date: 1870 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: genoa
Artist: alfredo noack
Artist role: fotograaf
Artist dates: 1833 – 1895
Subjects: parts of church interior: dome, interior of church
Inscriptions: negative number: ‘3192’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Genua, Florence en Venetië.
Twee mannen te paard in rotsachtig landschap
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: riding a horse, ass, or mule; rider, horseman, landscapes
Inscriptions: collector's mark: Lugt 2228
Figuren uit Don Quichot
Object type: drawing
Date: 1819 – 1849
Materials: chalk, paper
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: (scenes from) specific works of literature (with author, title), don quixote, sancho panza
Gezicht op een rivier tussen de bergen
Object type: page
Date: 1877 – 1882
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: river, landscape with bridge, viaduct or aqueduct, mountains
Capella Palatine
Object type: photograph
Date: 1857 – 1914
Materials: paper
Techniques: albumen print
Location: palermo
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: parts of church interior
Inscriptions: number: ‘1373’
Zeilschip met sloep langszij
Object type: drawing
Date: 1844 – 1844
Materials: paper, pencil
Techniques: brush
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc.
Portret van Giuseppe Parini
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: engraving, roulette
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Finial with nemes and crowned figure, probably Osiris
Object type: finial, osiris, nemes
Materials: bronze
Location: egypt

This object in its form as a figural finial for furniture or a stand belongs to a Greco-Roman tradition. Most images of the god Osiris in Greco-Roman period are either typical images of the mummiform god or images of Osiris of Canopus where the god takes the form of a jar. But it has been argued that some figures of a male in shendyt kilt and nemes seen in Isaic contexts outside Egypt represent Osiris because they appear against or as pillars. While Egyptologists recognize that historically in Egypt such architectonic figures in fact represented kings, it is difficult to evaluate the understanding of such figures by the Greco-Roman Period and made for Isaic cults. But on the basis of that theory, the bust rising out of the floral element here has been identified as Osiris.
Military parade ground, Fort de Kock (Sumatra)
Object type: photograph
Date: 1857 – 1864
Materials: glass
Techniques: slide
Location: bukittinggi
Subjects: fortress
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 132 : Robe à volants - (...)
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving
Subjects: head-gear (+ women's clothes), fashion plates, dress, gown (+ women's clothes), clothing for the upper part of the body (shawl) (+ fur used for clothes)
Inscriptions: title: ‘Costumes Parisiens’, caption: ‘Robe à volants - Parure d'hermine’

Vrouw gekleed in een japon met geplooide stroken stof. 'Parure' van hermelijn. Pumps met rode hakken. Proefdruk van een prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Crucifix on a Golgotha base
Object type: statuette
Materials: bronze, gilt
Artist: giuseppe de' levi
Artist role: maker
Artist nationality: italian
Artist dates: 1522 – 1614
Subjects: skulls,snails,shells,christ,crucifixion
Amour
Object type: print
Date: 1899 – 1911
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adolescent, young woman, maiden, sleeping in chair, garland, wreath
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a, stamp: ‘Expositions douanes Paris’

Dit is de eerste prent uit een serie van twaalf.
Hollands Arcadia, of de vermaarde rivier den Amstel
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', river, rural housing, e.g. country-house, villa, cottage, angling

Prent waarschijnlijk uit: Tijsens, Gijsbert. Hollands Arcadia, of de vermaarde rivier den Amstel (...) naar 't léven getekend en in 't ligt gebragt door Abraham Rademaker (...). Amsterdam: Leonardus Schenk, 1730.
New York Daily News
Object type: painting
Date: 1888 – 1888
Materials: oil, wood
Culture: american
Artist: william michael harnett
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1892
Subjects: still life,pipes,newspapers

Working on a very small scale, Harnett depicted with rich color and convincing impasto a ceramic beer mug; the New York Daily News for April 3, 1888; a meerschaum pipe; two biscuits; and a variety of crumbs, matches, ashes, and tobacco flakes. In a published interview, he described his early dependence on objects of this sort: “I could not afford to hire models as the other students did, and I was forced to paint my first picture from still life models.” The catalogue of Harnett’s estate sale, which included an extensive collection of pipes, attests to his lifelong interest in such typically masculine possessions.
William Darnbrough, Pitcher, Denver, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Miss Italio, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Henry VII
Object type: bust
Date: 1867 – 1900
Materials: bronze
Artist: pietro torrigiano
Artist role: artist
Artist nationality: italian
Artist dates: 1472 – 1528
Subjects: men,portraits
Portret van Christoph Fürer von Haimendorf
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: mayor, historical persons
Inscriptions: collector's mark: Lugt 2228
Schutsluis aan de IJssel
Object type: print
Date: 1892 – 1938
Materials: paper
Techniques: etching
Artist: johannes proost
Artist role: print maker
Artist dates: 1882 – 1942
Subjects: river, lift-lock, canal lock
Inscriptions: collector's mark: Lugt 2228
Gravestone Dated 1062, Reused in 1128
Object type: stele fragment
Materials: stone
Techniques: carving
Location: iran
Subjects: arabic

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Gezicht op de Porta Maggiore in Rome
Object type: album leaf
Date: 1870 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: city-gate
Inscriptions: inscription: ‘448 PORTA MAGGIORE’
1ste kamer Staten Generaal
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper
Techniques: photography
Location: haarlem
Artist: peter clausing
Artist role: fotograaf
Artist dates: 1870 – 1913
Subjects: netherlands

Eén van acht foto's van ambtskostuums, in grijsbruin passe-partout met onder benaming in verf, kapitalen, zwarte letter met witte 'schaduw'. Onderschrift: 1ste KAMER STATEN GENERAAL. Gemerkt; r.o.: reliëfstempel: 'P. Clausing jr / Haarlem'. Opmerking: zie NG-1029-A t/m H.
Portret van Johann Albrecht Philippi
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘C - 12’

Prent ook gebruikt in: Krünitz, Johann Georg. Oekonomische Encyklopädie. Berlijn: Joachim Pauli, 1774, dl. 3.
Bottle
Object type: bottle
Date: 1601 – 1700
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: flowers

The twisted shape of the vertical lobes that define this bottle, and the density of the decoration, suggest that it was made for the Japanese market. The inscription on the lower section of the vessel is a paean to diligence and to the importance of scholarship at court.
N. 1532 Roma. Museo della Villa Borghese. Paolina Bonaparte (di Canova)
Object type: photograph
Date: 1880 – 1904
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: rome
Mourning ring
Object type: mourning ring
Date: 1840 – 1840
Materials: leather, metal
Culture: british
Het Hof van Willem den Eerste
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: hand coloring
Location: utrecht
Subjects: william i (prince of orange), students' pageant, costumes used in pageants, utrecht
Inscriptions: collector's mark: Lugt 2228

Het Hof van Willem van Oranje, deel één: voetvolk en ruiters. Onderdeel van een groep van vijf platen met verklaring van de historische optocht in maskerade opgevoerd door de studenten van de Utrechtse Hogeschool op 17 juni 1856 ter gelegenheid van de viering van haar 220-jarige bestaan.
Portret van Josephus Jodocus Moerenhout
Object type: drawing
Date: 1841 – 1841
Materials: paper, pencil
Artist: coenraad hamburger
Artist role: draughtsman
Artist dates: 1809 – 1891
Subjects: antwerp, joseph moerenhout, historical persons, portrait, self-portrait of artist
Band
Object type: band
Date: 1501 – 1600
Materials: silk
Asymmetric Pediform Hafted Ax with Striated Decoration
Object type: hafted ax
Date: 500 – 300
Materials: bronze
Culture: vietnamese
Ontwerpen voor vazen door Jacques Saly
Object type: album leaf
Date: 1746 – 1746
Materials: paper
Techniques: etching
Artist: jacques francois joseph saly
Artist role: print maker, sculptor
Artist dates: 1717 – 1776
Subjects: merman - aa - mermaid, siren, mask, mascaron ~ ornament, garden vase

Deze prent maakt deel uit van een album.
The Blocade on the "Connecticut Plan"
Object type: print
Date: 1862 – 1862
Techniques: lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: satire,navy,american civil war,men,boats,politics
Fotoreproductie van een schilderij, voorstellende Damon en Alphesiboeus met fluiten
Object type: photograph
Date: 1850 – 1858
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., pastorals, arcadian scenes, flute, aulos, tibia
The Smithy
Object type: print
Date: 1879 – 1883
Materials: paper
Techniques: drypoint, etching
Artist: james abbott mcneill whistler
Artist role: painter, print maker
Artist dates: 1834 – 1903
Subjects: smith, blacksmith
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760, signature: ‘JW imp’

Interieur van een smidse. Rechts een man aan het werk op een aambeeld.
Engelse Oostindische Compagnie (EIC), Northern Circars, Madras, India, 1/96 roepie,1797
Object type: coin
Date: 1797 – 1797
Materials: copper
Techniques: striking
Location: birmingham

Koperen munt. Voorzijde: door twee op banderol, waarin opschrift, staande leeuwen met pijl, waaraan vlag, in de klauw, gehouden wapenschild van de EIC, waarboven helmteken. Daaronder in twee regels waarde-aanduiding: 96 to one rupee. Keerzijde: monogram van de EIC. Jaartal onderaan in omschrift. Randschrift.
Cylindrical food box with decoration of morning glories
Object type: food box
Date: 1601 – 1700
Materials: gold, lacquer
Techniques: hiramakie
Culture: japanese
Voorstellen van Gracchus
Object type: book illustration
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: non-aggressive activities of cornelia
Inscriptions: collector's mark: Lugt 2228

Tiberius Sempronius Gracchus III trekt, op verzoek van zijn moeder Cornelia, een hervorming in. Het volk is blij en men richt te harer ere een standbeeld op. Op de de piëdestal staat: "Cornelia, moeder van de Gracchen".
Standing Officer Holding a Lance
Date: 1755 – 1771
Techniques: etching
Artist: philippe jacques de loutherbourg
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1812
Subjects: soldiers,men

Loutherbourg, an Alsatian painter who studied etching in Johann Georg Wille’s academy, clearly admired the prints of the seventeenth-century Neapolitan painter Salvator Rosa, as did many other French printmakers of the time. In the set to which this print belongs (2018.52.1-6), entitled "First suite of Soldiers,"Loutherbourg took up a format associated with Rosa in order to showcase his own inventiveness and fluency.
Gezicht op Perth en een uitzicht over Killiecrankie
Object type: album leaf
Date: 1874 – 1874
Materials: paper, photographic support
Techniques: albumen print
Subjects: city-view in general; 'veduta', landscapes with waters, waterscapes, seascapes (in the temperate zone), railway, tramway; rack railway
Inscriptions: inscription: ‘Queen's view. Killiecrankie No. 87 G.W.W.’

Deze pagina maakt deel uit van een album.