deem-data/ArtiFact huggingface dataset:
Portret van keizer Maximiliaan II
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: maximiliaan ii (keizer van heilige roomse rijk), ornament ~ medallion, historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)

Prent met dezelfde tekst op verso, maar in een andere druk, gebruikt in: Meteren, Emanuel van. Historie der Nederlandscher ende haerder Na-buren Oorlogen ende geschiedenissen (...). Den Haag: weduwe Hillebrant Jacobsz. van Wouw, 1623.
Clarence #603
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
"Akashi", "Channel Buoys" ("Miotsukushi"),  "The Wormwood Patch" ("Yomogiu"),  "Gatehouse" ("Sekiya"), and  "Picture Contest" ("E-awase") chapters from the Tale of Genji (Genji monogatari)
Object type: handscroll
Date: 1392 – 1573
Materials: ink, paper
Culture: japanese
Subjects: men,women

The Tale of Genji, Japan’s most famous work of literature, has been the subject of painting since its creation, in the early 11th century, by Murasaki Shikibu. The life and loves of the handsome, sensitive Prince Genji made him an ideal hero to members of court society. Numerous illustrations of the tale exist, some sumptuous and colorful, but this example, which contains poems and prose notes from five chapters, is similar in style to a number of Muromachi-period Genji scrolls painted in a rather ingenuous, simplified version of the classic monochrome hakubyō (white drawing) style. These images, rendered with a touch of naiveté and lively, sometimes crowded compositions, resemble other Muromachi hakubyō handscrolls in their small size; at less than 20 centimeters in height they can be called ko-e, literally “small pictures.” This type of narrative painting was popular among amateur painters—including women—of the courtier class.
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: houses,flowers,leaves
Wine jar with early <em>serekh</em>
Object type: jar, wine
Date: 3300 – 2960
Materials: pottery
Location: egypt
Anglicana
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche, calligraphy
Inscriptions: signature and date: ‘Op titelblad: Judoco Hondio celatore. Amstelodami apud Joannem Janssonium. 1614’

Schrijfvoorbeeld in een gotische hand met een titel in het Latijn en vier regels tekst in het Engels. Daarbij wat krulwerk. Het voorbeeld is gevat in een rolwerkcartouche. De prent maakt deel uit van een album.
Portret van twee onbekende vrouwen
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, leather, velvet
Techniques: daguerreotype, hand coloring
Artist: Anonymous
Subjects: adult woman, historical persons
Optocht van Karel V met de paus te Bologna na zijn kroning tot keizer, 1530
Object type: print
Date: 1530 – 1536
Materials: paper
Techniques: engraving, etching
Location: mechelen
Artist: nicolaas hogenberg
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1539
Subjects: ghent, charles v (holy roman emperor and king of spain), drunkard, festivities (+ parade, pageant, cavalcade ~ festive activities)

In plaats van de geneologische afstamming van Karel V in het huis van Oostenrijk is in deze uitgave bovenin de platen een nieuw lucht gegraveerd. De platen zijn genummerd 1-38. Deze uitgave is later dan die van Hondius. De platen zijn aanelkaar geplakt en vormen zo één lang (opgevouwen) fries. Het opgevouwen fries ligt los in een map.
Ex libris van John Peachey Esqr.
Object type: bookplate
Date: 1750 – 1782
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Baboon (?) Amulet
Object type: amulet, baboon
Date: 1802 – 1450
Materials: faience
Location: egypt
Handle
Object type: handle
Date: 801 – 1100
Materials: bronze
Techniques: casting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, two fragments with parts of circumscribed palmettes
Ein new getruckt model Büchli...Page 12, verso
Object type: book print ornament architecture
Date: 1529 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: ornament

Published by Schoensperger, Augsburg. Title page, 45 pages of designs for weaving and embroidery, and 5 manuscript pages of weaver's notations at back.
Bowl
Object type: bowl
Date: 1701 – 1900
Materials: glaze, porcelain
Culture: korean
Portret van Frederik Karel Antonius Pantekoek
Object type: print
Date: 1855 – 1898
Materials: paper
Techniques: engraving
Artist: friedrich wilhelm burmeister
Artist role: print maker
Artist dates: 1845 – 1933
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Portret in ovale lijst van F.C.A. Pantekoek, een Amsterdamse predikant. Buste naar links. De man is gekleed in een net pak met strikdas. Met de handtekening van de geportretteerde.
Door lock and key
Object type: door lock and key
Date: 1770 – 1770
Materials: gilt bronze, steel

Designed for a double door, this splendid object is as decorative as it is practical. Long thought to be French, this lock was probably made in Vienna by an Austrian locksmith for one of the rooms of Palais Paar, an impressive Baroque residence that was renovated between 1765 and 1772 by the French-born architect Isidor Canevale (active 1760-1788). Paneling in a late Rococo style, assembled from two separate rooms of Palais Paar, is installed in the Wrightsman Galleries of French Decorative Art.
Portret van een onbekende man
Object type: carte de visite
Date: 1904 – 1948
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: haarlem
Artist: jan van roon
Artist role: fotograaf
Artist dates: 1879 – 1948
Subjects: historical persons, youth, adolescent
Inscriptions: address: ‘J. van Roon/ Generaal Cronjé Straat 41 en 43./ HAARLEM.’
Commodore Perry, Pamunkey River
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: soldiers,american civil war,rivers,boats
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 450 – 450
Materials: terracotta
Culture: greek, attic
Artist: achilles painter
Artist role: artist
Subjects: women

Woman and servant The sakkos (snood) hanging on the wall suggests that the scene takes place indoors. The woman at the left holds a large basket called a kanoun that was used for offerings; three fillets (bands) hang over the side. The other figure holds a plemochoe, a container for perfumed oil. The women are probably bringing their gifts to a tomb. The colors that were used to render the garments have disappeared.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, part of bent left arm; one letter of an inscription, pi
Stadsgezicht met de crypte van de Sint-Walburgiskerk in Antwerpen
Object type: book illustration
Date: 1868 – 1868
Materials: paper
Techniques: etching, intaglio
Location: antwerp
Subjects: street, antwerp
Inscriptions: collector's mark: Lugt 2228

Prent uit: Mertens, F.H. Album historique de la ville d'Anvers [...]. Antwerpen: J.E. Buschmann, 1868.
Waare afbeelding van 't koninglyk lust-hof van zyn Brittannische majesteit, Willem de derde, op 't Loo
Object type: print
Date: 1689 – 1702
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: william iii (prince of orange and king of england, scotland, and ireland), palace, french or architectonic garden; formal garden, bird's eye view ~ representation of building

Gezicht op Paleis Het Loo te Apeldoorn in vogelvluchtperspectief, in de tijd dat het in bezit van stadhouder-koning Willem III was. Rondom en achter het paleis de tuinen. Links het Oude Loo. Onderaan in de marge de titel en de legenda.
Man met handen op zijn rug
Object type: zinkplaat
Date: 1881 – 1934
Materials: zinc
Techniques: etching
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Portret van een onbekende vrouw met de achternaam Stoltenfotz
Object type: print
Date: 1820 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman
Blad met zesendertig rebussen
Object type: rebus
Date: 1820 – 1835
Materials: paper
Techniques: etching
Location: lyon
Subjects: printing press, book-shop, bookseller
Inscriptions: collector's mark: Lugt 4780

Blad met zesendertig scènes, voornamelijk voorstellingen uit het dagelijks leven. Onder elke scène een driegelige rebus in het Frans. Onder de voorstellingen bevinden zich ook het interieur van een boekhandel en de werkplaats van een boekdrukker.
K. Kidder, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: calling of peter and andrew (john 1:40-42)

Christus roept Andreas en Petrus op om hem te volgen en hun vissersnetten achter te laten. Rechts op de achtergrond wat voorafging: Andreas en Petrus gooien hun netten uit in het meer. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 4:18. Deze prent maakt deel uit van een album.
Fragmenten rechte steel van glas uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: flute glass
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Glass, stem glass, stems, plain; fragm of lower end, circular, solid.
Menselijke wervels
Object type: sketchbook leaf
Date: 1877 – 1880
Materials: paper, pencil
Location: amsterdam
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: spine
Inscriptions: annotation: ‘[...]/ van ach/ op zij’

Blad 19 recto uit een schetsboek met 27 bladen.
Landscape with a Hunter and other Figures
Object type: painting
Date: 1660 – 1670
Materials: canvas, oil
Artist: jan wijnants
Artist role: draughtsman, painter
Artist dates: 1632 – 1684
Subjects: low hill country, hunter
Inscriptions: signature: ‘J.Wijnants’

Jan Wijnants (1631/32 - 1684). Landscape with a hunter and other figures, c. 1670. A half-dead tree dominates this work, a motif which the artist borrowed from Jacob van Ruisdael. Jan Wijnants produced a great many paintings, not all of them of equally high quality. From 1660 on he lived in Amsterdam, where Philips Wouwerman was one of the most sought-after landscape artists of his day. Jan Wijnants undoubtedly studied the work of his successful fellow Amsterdammer. Bequest of A. van der Hoop, 1854. On loan from the city of Amsterdam, 1885.
Gezichten in Italië
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 1397c

Prent maakt deel uit van een omslag met tien prenten.
Pair of gloves
Object type: glove
Date: 1601 – 1633
Materials: leather, metal thread, silk
Subjects: flowers

“Some carry in their hands feather fans, others nothing; but all wear very costly gloves,” noted an Italian visitor to London in summer 1618. Indeed, by the early seventeenth century, small goods could be purchased from shops or peddlers, making objects such as readymade gloves, purses, ribbons, caps, and trimmings available to consumers. “This fashion of gloves is so universal,” the visitor continued, “that even the porters wear them very ostentatiously.” These tapestry-woven, light colored gloves, which showcase an arrangement of popular flowers—carnations, roses, harebells, pansies, and strawberry plants—were likely purchased from a shop, rather than designed for an individual. Although readymade, the gloves were still a luxury; this pair comprises pink, green, citron, and blue silks joined with salmon-colored silk ribbon, lined in taffeta, and edged with metallic bobbin lace and paillettes. They may originally have been perfumed, as well. -Sarah Bochicchio, 2020
Spout-and-bridge bottle with funerary procession
Object type: bottle
Date: 1100 – 1470
Materials: ceramic
Culture: chimú
Location: peru
Artist: chimú artist(s)
Artist role: artist
Subjects: human figures
Case (Inrō) with Design of Pine Branches
Object type: inrō
Date: 1701 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie, roiro
Culture: japanese
Subjects: trees
Panel
Object type: textile
Date: 1650 – 1700
Materials: textile
Techniques: brocade
Location: france
Man onder parasol
Object type: print
Date: 1773 – 1774
Materials: paper
Techniques: etching
Location: paris
Artist: jean jacques avril (i)
Artist role: print maker
Artist dates: 1744 – 1831
Subjects: sitting figure, parasol, sunshade
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

In een landschap zit een man onder een parasol met guirlandes, onder hem een trap.
Svatý Václav
Object type: photomechanical print
Date: 1891 – 1895
Materials: paper
Techniques: photograph
Location: prague
Subjects: the martyr and duke of bohemia, wencesla(u)s; possible attributes: bunch of grapes, knight's armour, ducal hat, lance, shield, sword, wine press, equestrian statue
Studie, mogelijk een figuurstudie
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa)

Blad 6 recto uit schetsboek XI met 30 bladen.
Het graf van Frederik de Groote
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: berlin, frederick ii (king of prussia), interior of church, pulpit, ambo, chancel, parts of church interior (crypt)
Inscriptions: collector's mark: Lugt 2228

Het lichaam van Frederik II van Pruisen is later meerder malen verplaatst.
Portret van Franciscus Costerus
Object type: print
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: antwerp
Artist: lucas vorsterman (i)
Artist role: print maker
Artist dates: 1595 – 1675
Subjects: mechelen, brussels, clergyman, insignia of cardinal, e.g. hat, mantle
Inscriptions: inscription: Lugt 240

Portret van de katholiek geestelijke en schrijver Franciscus Costerus.
Roma. Anfiteatro Flavio o Colosseo
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: rome
Artist: Anonymous
Subjects: ruin of a building ~ architecture, amphitheatre
Buffalo and Herdsman
Object type: album leaf
Date: 1887 – 1887
Materials: ink, silk
Culture: japanese
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Subjects: men,buffalos

One of the most engaging of Zen (Ch'an) Buddhist instructional tales is the "Ten Scenes with an Ox" (Jugyuzu), a Southern Song invention. The story of an ox-herding boy in search of his lost charge is an analogy for discipline and enlightenment as the wayward ox, standing for the self, is found, roped, and led home. Appealing as genre scenes, the fifth scene, of the ox being led by the boy (religious training), and the sixth scene, of the boy riding the ox toward home (the two as one), are often repeated apart from the set. Kawanabe Kyosai trained in the Kano studios and was well acquainted with popular Chinese themes in Japanese painting. His eccentric point of view makes even the most academic and conventionally executed of his works compelling.
Tea Caddy (Natsume)
Object type: tea caddy natsume
Date: 1851 – 1900
Materials: enamel, gold, stoneware
Techniques: overglaze, polychrome
Culture: japanese
Subjects: fish

The surface of the unusual ceramic tea caddy shows fish and crabs behind a fishing net. The net pattern may have been inspired by lacquer tea caddies. Both the technique and the playful design bear resemblances to compositions by Makuzu Kōzan, one of the master potters of the period. Fish, crabs, and lobsters often appear on Moore’s silverwares. Examples include a creamer and sugar bowl designed in 1876 and a rectangular vase made in 1877—both featuring a scene with fish and seaweed—and a chocolate pot from 1879 decorated with a lobster.
Tea caddy
Object type: tea caddy
Date: 1739 – 1739
Materials: silver
Artist: augustinus van der steene
Artist role: maker
Artist dates: 1721 – 1731
De Amsterdamsche telefoonmisère
Object type: photomechanical print
Date: 1914 – 1914
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Subjects: telegraph pole, telephone pole, pylons, power lines, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Prent uit: De Amsterdammer 38 (1914), nr. 1913, 22 februari 1914, p. 11.
St Joseph
Object type: sculpture
Date: 1600 – 1625
Materials: alabaster
Location: mechelen
Artist: Anonymous

Saint Joseph (?). Alabaster. Southern Netherlands, c. 1600. Gift of Dr. A.F.E. van Schendel on his retirement as director of the Rijksmuseum in 1975.
A Man Writing at his Desk
Object type: painting
Date: 1784 – 1784
Materials: oil, panel
Location: northern netherlands
Artist: jan ekels (ii)
Artist role: draughtsman
Artist dates: 1759 – 1793
Subjects: writing-table, writing-desk
Inscriptions: signature and date: ‘I. Ekels A.no 1784’

Interieur met een man schrijvend aan een lessenaar op een tafel. Aan de muur hangen twee schilderijen: een landschap en een mansportret.
Tongs (part of a set)
Object type: tongs
Date: 1730 – 1760
Materials: gilt bronze, steel

The shovel and tongs are made of steel with gilt-bronze handles and are resting against gilt-bronze holders.
The Ponte Vecchio in Florence, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
B 3 A front hall of Buddest Temple Nikko.
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: salted paper print
Location: nikko
Artist: Anonymous
Subjects: nikko
Inscriptions: number: ‘3.3.’
Portret van Johann Goercke
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: engraving
Location: weimar
Subjects: knighthood order, historical persons, (military) uniforms
Inscriptions: collector's mark: Lugt 2228
Bronze statuette of a Lar
Object type: statuette of a lar dancing
Date: 1 – 200
Materials: bronze
Culture: roman
Subjects: men
Dagger
Object type: dagger
Date: 1000 – 801
Materials: bronze
Culture: iranian
Location: western iran