deem-data/ArtiFact huggingface dataset:
Allegory of Time in Honor of a Painter (Claude Lorrain?)
Object type: drawing and watercolor
Date: 1675 – 1750
Materials: chalk, graphite, paper
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Portret van een onbekende vrouw
Object type: crayon enlargement
Date: 1897 – 1897
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: emile sohl
Artist role: fotograaf
Subjects: anonymous historical person portrayed alone - bb - woman
Groep mannen en vrouwen bij een fabriekscomplex voor oliewinning te Pangkalan-Brandan op Sumatra
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: oil; oil refinery, sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Violin
Object type: violin
Date: 1783 – 1783
Materials: wood
Culture: italian
Location: italy
Artist: antonio gragnani
Artist role: maker
Artist nationality: italian
Artist dates: 1765 – 1795

Although Cremona is the most celebrated center of violin making, the trade flourished in other Italian cities as well. Gragnani is particularly noted for his elegantly crafted violins, which draw on the work of both the Stradivari and Amati families.
Zestien objecten, waaronder Chinese vazen
Object type: photograph
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Subjects: container of ceramics: jar, jug, pot, vase
Inscriptions: inscription: ‘No. 322. Grand vase, Chine, fon bleu de roi. H. 65 c. (...)’
Air, from "The Elements"
Object type: print
Date: 1735 – 1735
Techniques: engraving
Artist: johann justin preissler
Artist role: artist
Artist nationality: german
Artist dates: 1698 – 1771
Subjects: birds,female nudes,peacocks
Rivierlandschap met visser in boot
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Location: paris
Subjects: commercial fishery, fishing net, river, rowing-boat, canoe, etc., fisherman
Inscriptions: collector's mark: Lugt 2228

Een visser bekijkt vanuit zijn boot op het water de vangst in zijn kaar.
Lithografisch album 1830
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Artist: nicolas toussaint charlet
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1792 – 1845
Subjects: canteen ~ the soldier off duty, drunkard, private soldier
Inscriptions: collector's mark: Lugt 2228a
Treinongeluk waarbij een locomotief een tuin in is gereden
Object type: photomechanical print
Date: 1902 – 1904
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: locomotive, railway-accident
Inscriptions: collector's mark: Lugt 1641, stamp

Spoorwegongeluk van 18 januari 1902 bij Station Staatsspoor te Den Haag. Nadat de remmen niet blijken te werken wordt de handrem hard aangetrokken, maar de trein komt niet tot stilstand. Uiteindelijk eindigt de trein in een tuin. Bij het ongeluk zijn er geen doden gevallen. Rechtsonder de tekst: (Zie pagina 9). Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, vervoermiddelen te land, Spoorwegen.
Gelijkenis van de zoon die bevel krijgt naar de akker te gaan
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: at last the lord sends his son, '... they cast him out of the vineyard, and killed him'
Inscriptions: number: ‘99’, collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. II.
Brieflezende boer
Object type: print
Date: 1679 – 1704
Materials: paper
Techniques: mezzotint
Location: haarlem
Artist: cornelis dusart
Artist role: draughtsman, painter, print maker
Artist dates: 1660 – 1704
Subjects: reading, letter, envelope
Inscriptions: collector's mark: Lugt 240

Een boer zit een brief te lezen en houdt in zijn hand een flesje drank. Op het tafeltje naast hem ligt een pijp.
Spoon
Object type: spoon
Date: 301 – 500
Materials: silver
Culture: byzantine or roman
Vijver bij Hampton Court Palace
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: hampton
Artist: Anonymous
Subjects: garden fountain, french or architectonic garden; formal garden
Gezicht op Le Mont-Dore
Object type: photograph
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: gelatin silver print
Location: mont-dore
Artist: delizy
Artist role: manufacturer
Subjects: prospect of village, silhouette of village

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Long Live the Japanese Navy and Army! The Great Battle near Weihaiwei (Nihon kairiku banzai, Ikaiei fukin daigekisen no zu)
Object type: print
Date: 1895 – 1895
Techniques: woodblock print
Location: japan
Artist: kobayashi ikuhide
Artist nationality: japanese
Artist dates: 1885 – 1898
Fragment of edging
Object type: edging fragment
Date: 1601 – 1700
Techniques: lace
The theatre
Object type: magazine
Date: 1894 – 1894
Materials: cardboard, paper, textile
Techniques: carbon print, printing
Location: london
Inscriptions: annotation: ‘[...]/ Calcutta’
On Sentry Duty: Autumn –and the password? Time–Fraternity and artillery, from 'News of the day,' published in Le Charivari, September 30, 1867
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,weapons,men,women
Haar- of kapnaald van zilver
Object type: kapnaald
Date: 1700 – 1800
Materials: silver
Artist: Anonymous

Een zilveren haar- of kapnaald, met aan het einde een halve maan. Gegraveerd met een voorstelling van twee honden die een haas in een net jagen.
Chanzy
Object type: photomechanical print
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine, 126, boul. Magenta. - Paris./ Né à Nouart (Ardennes), 18 Mars 1823.’
Spoon
Object type: spoon
Date: 1791 – 1791
Materials: silver
Culture: american
Location: united states
Artist: van voorhis & schanck
Artist role: maker
Artist nationality: american
Artist dates: 1788 – 1793
Section of a Pebble
Object type: section of a pebble
Date: 1902 – 1902
Materials: jade
Culture: burmese
Portret van Georg Christoph von Haslang
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Subjects: politician, historical persons, negotiations, conference ~ diplomacy, armorial bearing, heraldry

Prent waarschijnlijk uit: Legatorum omnium tam Monasterij, quam Osnabrugae (...). Parijs: s.n., 1648. Latere staat gebruikt in: Bignon, François. Les portraictz au naturel avec les armoiries et blasons noms et qualitez de messieurs les plénipotentiaires assemblez à Munster et Osnaburg (...). Parijs: Henry Sara en Jean Paslé, [1648].
Portretten van Tiebout Regters, Jan ten Compe en Jan Palthe
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Subjects: deventer, leiden, jan palthe, dordrecht, amsterdam, painter, draughtsman, tibout regters, jan ten compe, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent waarschijnlijk uit: Gool, Johan van. De nieuwe schouburg der Nederlantsche kunstschilders en schilderessen. Den Haag: Johan van Gool, 1751, dl. 2, p. 353.
Straatje
Object type: drawing
Date: 1867 – 1923
Materials: chalk, paper
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: street
Wine Merchants’ Guild, with the name of Lucas Bols
Object type: medal
Date: 1621 – 1621
Materials: silver
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam
Inscriptions: inscription: ‘LUCAS BOLS’, inscription: ‘DISCE MORI’

Zilveren penning. Voorzijde: binnen een krans, gevormd door twee lauriertakken, een schedel, driekwart frontaal naar links geplaatst voor twee gekruiste beenderen. Daaronder een cartouche met opschrift. Keerzijde: binnen een vrij brede gladde rand een roemer waarboven een wijnrank. Van deze rank hangt een druiventros af precies boven het glas. Op de tafel = afsnede het jaartal 1621. Bovenaan in gladde rand opschrift.
Ensemble
Object type: ensemble
Date: 1889 – 1889
Materials: cotton, silk
Culture: american
Wall decoration with floral and vegetal design
Object type: relief
Date: 501 – 600
Materials: plaster
Culture: sasanian
Location: mesopotamia

Stucco reliefs were commonly used to decorate elite Sasanian houses like these examples from Ma’aridh VI in the Ctesiphon area. These four tiles (MMA 32.150.5, 32.150.6, 32.150.7, 32.150.8), found in the remains of a vaulted reception room, or iwan, formed part of a larger wall covering. Because only one mold was needed to create the tiles, the intricate vine motif could be repeated endlessly and still be quite complex. The reconstruction suggests the effect of such panels in their original setting. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. Over the course of the excavations in the Ctesiphon area, six houses from a series of small mounds called el Ma’aridh were excavated. The house at Ma’aridh VI was only partially excavated and a plan of the building was not made. The stucco fragments from the house, however, suggest that the cruciform niches in the reception area were richly decorated.
Plus que ça d'ballon...excusez!, from Actualités, published in Le Charivari, June 13, 1855
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women,fashion,caricature
Diversitez d'Habillemens a la mode (...)
Object type: costume print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: france
Artist: isaac briot
Artist role: print maker
Artist dates: 1585 – 1670
Subjects: bow (ornamental part of clothing) (+ women's clothes), ear-rings (+ women's clothes), dress, gown (vlieger) (+ women's clothes), styles of hairdress - aa - ~ women, 'décolleté', neck-gear: collar (+ women's clothes), fashion plates, skirt (+ women's clothes), fan (+ women's clothes), dignitary at court - bb - female dignitary: lady-in-waiting, sleeves (+ women's clothes), necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 240, caption: ‘Puisqu'il est bon qu'une beauté / Sestudie a la nouveauté / Et qu'an temps elle s'accomode; / En matiere de changement / Soit d'humeur, ou dhabillement, Ie veux tousiours suivre la mode.’

Franse hofdame gekleed volgens de mode ca. 1630, van opzij gezien, staand voor een landschap. Zij is gekleed in een vliegerkostuum met ballonvormige open mouwen met ronde, breed uitstaande manchetten. Ze heeft een hoog aangegeven taillelijn met strik van voren en een onbedekt décolleté. In de hals heeft zij een breed uitstaande kraag (van schouder tot schouder). Ze draagt een kort kapsel met versiering en in haar hand een dichtgevouwen waaier. Met onderaan een onderschrift.
River trout
Object type: print
Date: 1832 – 1844
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Gezicht op een dal bij de Lauteraarhorn in de Berner Alpen
Object type: photograph
Date: 1861 – 1866
Materials: paper
Techniques: albumen print
Location: berner alpen
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: dale, valley, mountains
Finger Bowl
Object type: finger bowl
Date: 1815 – 1850
Materials: glass
Techniques: glassblowing, molding
Culture: american or british
Location: england
Fragment van boorijzer, aan het ene uiteinde plat en aan het ander uiteinde met gleuf
Object type: bit
Date: 1590 – 1596
Materials: iron
Techniques: forging
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Fragment van een boorijzer, aan het ene uiteinde een gleuf (als een guts) en aan het andere uiteinde rechthoekig plat.
The Ballet Girl, from the "Girls and Men in Costume" series (T65), issued with Golden Eagle Cigars by I. Lewis & Co.
Object type: print
Date: 1903 – 1903
Techniques: color lithograph
Artist: i. lewis & co., newark, new jersey
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1950

Tobacco insert card from the "Girls and Men in Costume" series (T65), issued with Golden Eagle Cigars by D.H. McAlpin & Co. Tobacco Company in 1903.
Ex libris van Wilhelm en Selma Feige
Object type: photomechanical print
Date: 1894 – 1943
Materials: paper
Techniques: photograph
Location: italy
Artist: Anonymous
Subjects: woman (showing herself) undressed, quasi-nude, forest, wood, sunset, couple of lovers, man (showing himself) undressed, quasi-nude
Portret van George Frans Haspels
Object type: photomechanical print
Date: 1900 – 1935
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: nijmegen, arnhem, historical persons, portrait of a writer
Latronico, provincia di Basilicata, regno di Napoli
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: hand coloring, lithograph
Location: london
Artist: maxim gauci
Artist role: print maker
Artist dates: 1774 – 1854
Subjects: adult woman, adult man, folk costume, regional costume, europeans (with name)
Inscriptions: collector's mark: Lugt 2228, mark: ‘School voor de grafische vakken te Utrecht’
Piece
Object type: piece
Date: 1806 – 1806
Materials: cotton
Subjects: human figures,soldiers,trees
Gezicht op het IJ nabij het Oost-Indisch Huis
Object type: print
Date: 1694 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: harbour, city-view, and landscape with man-made constructions, ships (in general) - cc - more than one ship, amsterdam

Prent uit: Admirandorum Quadruplex Spectaculum. Amsterdam: Pieter Schenk (I), [1694-1697]. In Hollstein vermeld bij een serie van 100 prenten over Amsterdam, maar de prenten die in Hollstein worden genoemd zijn groter.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, head and part of extended left arm of a filleted woman, wearing a chiton with buttoned sleeves
Fragmentary Model of a Weavers Shop
Object type: model, weaver
Date: 2030 – 1640
Materials: gesso, paint, wood
Location: northern upper egypt
Vlakdecoratie met in het midden twee saters ter weerszijden van een mand
Object type: ornament print
Date: 1525 – 1594
Materials: paper
Techniques: etching
Location: germany
Subjects: container made of plant material other than wood: basket, satyr(s) (in general)
Inscriptions: collector's mark: Lugt 240

Gelijkzijdige kopie naar prent van Jacques Androuet Ducerceau, ontleend aan een vlakdecoratie van Enea Vico. Blad uit serie met architectuurfantasieën en grotesken met fabelwezens, guirlandes, kandelabers en mascarons.
Serrated Rocks or Devil's Slide, (Near View)-Weber Canon, Utah
Object type: photograph
Date: 1868 – 1869
Techniques: albumen print
Location: united states
Artist: andrew j. russell
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: collected by hugh edwards
Wapen van de landgraven van Hessen
Object type: drawing
Date: 1683 – 1733
Materials: ink, paper
Techniques: brush, pen
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: armorial bearing, heraldry
Watch
Object type: watch
Date: 1650 – 1660
Materials: enamel, gilt brass, quartz, silver, steel
Artist: jean rousseau the younger
Artist role: maker
Artist nationality: swiss
Artist dates: 1606 – 1684

Constantijn Huygens wrote to his brother, the brilliant mathematician Christiaan Huygens, from Geneva on January 5, 1650, that he had just bought a watch "á la mode" with a case of rock crystal that permitted a view of the movement such as one would see if the case were made of ice. Indeed, Geneva was well-known for its rock crystal watchcases made from a local source of the mineral. The movement of this watch has a verge escapement, and it is probably the product of the younger Jean Rousseau, a son of a master clockmaker in Geneva and the great-grandfather of the philosopher Jean-Jacques Rousseau.
Strip
Object type: strip
Date: 1801 – 1833
Techniques: lace
Subjects: flowers
Jérusalem, Arc de l'Ecce-Homo, Détails
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,ruins
Ex libris van E.P.B. Phillips
Object type: bookplate
Date: 1889 – 1913
Materials: paper
Techniques: printing block
Location: england
Subjects: reading, adult man, head-gear: top hat
Inscriptions: collector's mark: Lugt 2233, inscription: ‘E.P.B. Phillips / Liverpool / by J.W. Simpson / Edinburgh’, collector's mark: Lugt 2760
Haystacks, Morning, Eragny
Object type: painting
Date: 1899 – 1899
Materials: canvas, oil
Artist: camille pissarro
Artist role: artist
Artist nationality: french
Artist dates: 1830 – 1903
Subjects: landscapes,morning,haystacks

Made the same year as Pissarro’s bird’s-eye views of the Jardin des Tuileries in Paris, this idyllic scene of a meadow near the artist’s home in rural Eragny is a counterpoint to his paintings of modern urban life. Pissarro depicted the same trio of haystacks, seen from a slightly different vantage point, and under afternoon rather than morning light (private collection), a practice recalling Monet’s Haystacks series of the early 1890s.
Portret van Johannes Guler von Wyneck
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving
Artist: johann heinrich lips
Artist role: draughtsman, painter, print maker
Artist dates: 1758 – 1817
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
October
Object type: ceramic
Date: 1770 – 1770
Materials: enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: berlin
Brief aan Jan Veth
Object type: letter
Date: 1907 – 1907
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: dordrecht, amsterdam, designer, jan veth
Inscriptions: collector's mark: ‘RPK’, watermark
Box
Object type: box
Date: 1736 – 1738
Materials: gold

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Serie prenten naar schilderijen
Object type: print
Date: 1860 – 1900
Materials: paper
Techniques: drypoint, engraving, etching
Location: france
Subjects: triumph of aurora: in her chariot drawn by two (sometimes four) horses, and possibly scattering flowers; aurora's victory over the night; 'carro dell'aurora' (ripa), historical persons
Inscriptions: collector's mark: Lugt 2228
Xi Wang Mu with Feng Wang
Object type: hanging scroll
Date: 1368 – 1911
Materials: ink, silk
Culture: chinese
Artist: jiang feng
Artist role: artist
Artist nationality: chinese
Subjects: women
Eerlijkheid duurt het langst
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: woodcut
Location: japan
Artist: kobayashi toshimitsu
Artist role: print maker
Subjects: mother and daughter(s) (family group)

Een moeder zit aan tafel en geeft een muntstuk aan haar dochter. Nummer tien uit een serie over westerse zeden. (Yokohama-e).
Evening dress
Object type: evening dress
Date: 1894 – 1894
Materials: silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

Charles Frederick Worth was born in England and spent his young adulthood working for textile merchants in London while researching art history at museums. In 1845 he moved to Paris and worked as a salesman and a dressmaker before partnering with Otto Bobergh to open the dressmaking shop, Worth and Bobergh, in 1858. They were soon recognized by royalty and major success followed. In 1870 Worth became the sole proprietor of the business. At his shop, Worth fashioned completed creations which he then showed to clients on live models. Clients could then order their favorites according to their own specifications. This method is the origin of haute couture. Worth designed gowns which were works of art that implemented a perfect play of colors and textures created by meticulously chosen textiles and trims. The sheer volume of the textiles he employed on each dress is testimony to his respect and support of the textile industry. Worth's creative output maintained its standard and popularity throughout his life. The business continued under the direction of his sons, grandsons and great-grandsons through the first half of the twentieth century. Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion after 1900. Around 1910 Jean-Philippe limited his design work to important orders and hired his nephew, Jean-Charles Worth, as the new lead designer before leaving the company entirely after World War I.