deem-data/ArtiFact huggingface dataset:
Stedenmaagd van Venetië
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: italy
Artist: monogrammist vf (graveur)
Artist role: print maker
Subjects: island, personifications of countries, nations, states, districts, etc., sceptre, staff (symbol of sovereignty), ring, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Op een eiland zit de Venetiaanse stedenmaagd met een scepter en een leeuw naast zich. In haar linkerhand houdt ze de ring van het huwelijk tussen Venetië en de Adriatische Zee. De voorstelling is gevat in een ovaal met daarin de tekst: ubique merito potens. In de hoeken zitten vrouwen met wapenschilden met daarop de namen van de steden Padua, Verona, Bergamo en Brescia.
Kop van een visser
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types), commercial fishery (+ labourers ~ crafts, industries, agriculture)
Inscriptions: annotation: ‘Visscher’, collector's mark: Lugt 2228
Gezicht op de Slatuinen
Object type: drawing
Date: 1777 – 1831
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: isaac uyttenbogaert
Artist role: draughtsman
Artist dates: 1767 – 1831
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', canal, windmill in landscape, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 800a, inscription: ‘in de slatuintjes’, signature: ‘Iuijtenbogaart’, inscription: ‘In de Slaatuyngens / I. Uytenbogaart.’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 30.
Gebouw met een koepeltoren
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: parts of church exterior and annexes (with name)

Vermoedelijk een kerk. Blad 18 recto uit een schetsboek met 45 bladen.
Saucer-dish with the arms of England
Object type: platter
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: inscription: ‘Engelandt’

Schotel van porselein met geribde wand en geschulpte rand, beschilderd in onderglazuur blauw en op het glazuur blauw, rood, groen, geel, zwart en goud. Op het plat in een medaillon het wapen van Engeland met daaronder het opschrift 'Engelandt', om het wapen bloemtakken, twee vlinders en twee vogels. De wand is verdeeld in twaalf bloembladvormige vakken met afwisselend een bloemenvaas en een persoon in een landschap; tussen de vakken servetwerk. De achterzijde met twee bloemtakken. Een barst in de wand. Wapenporselein met famille verte emailkleuren.
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1911
Materials: cardboard, ink
Techniques: pen, writing
Location: arnhem
Artist: maria baukema-philipse
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1952
Subjects: publisher, philip zilcken, drawing
Inscriptions: collector's mark: ‘RPK’
Twee Javanen
Object type: print
Date: 1682 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: asiatic races and peoples
Inscriptions: collector's mark: Lugt 2228

Deze serie bestaat uit kopieën naar de prenten in: Vries, Simon de. Curieuse aenmerckingen der bysonderste Oost en West-Indische verwonderens-waerdige dingen. Utrecht: Johannes Ribbius, 1682.
Drie zittende meisjes
Object type: drawing
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Kop van een man met baard
Object type: print
Date: 1768 – 1796
Materials: paper
Techniques: engraving
Location: leiden
Artist: pieter de mare
Artist role: print maker
Artist dates: 1758 – 1796
Subjects: head (human), head-gear: cap (+ men's clothes), beard
Inscriptions: collector's mark: Lugt 240
Kawasaki: The Rokugo Ferry (Kawasaki, Rokugo no watashi)—No. 3, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido
Object type: print
Date: 1847 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Joanna Lion Cachet-Cordes
Object type: sketchbook leaf
Date: 1935 – 1940
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: eyeglasses, spectacles, head (human) (+ female (human being) (not to be used where -aa- is prescribed)), hand(s) bent towards the head

Lion Cachet-Cordes houdt haar rechterhand tegen haar kin. Blad 14 recto uit een schetsboek met 25 bladen.
Design for Pony Phaeton, no. 3926
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Verzameling gedecoreerde metalen plaatjes opgezet in een lijst
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: minerals and metals, frame of painting, etc.
Inscriptions: number: ‘Pl. 9’

Aan de prent is een dun vloeipapier bevestigd met daarop rode nummers gedrukt. Deze nummers vallen precies op de metalen plaatjes op de prent wanneer dit vel over de prent ligt.
Visitatie
Object type: print
Date: 1530 – 1582
Materials: paper
Techniques: engraving
Location: italy
Subjects: visitation (possibly joseph and/or zacharias present) (luke 1:39-56)
Inscriptions: collector's mark: Lugt 240

Maria en Elisabet, beiden zwanger, ontmoeten elkaar op een trap. Verschillende mannen, vrouwen en kinderen kijken naar de ontmoeting.
Landschap met man en schaap
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: paris
Subjects: qualities of love: first series (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2166

Een schaap rent op en man af. Op een banderol een devies in Latijn en een onderschrift in Frans, beide over de liefde.
Blue glass ring stone
Object type: intaglio
Date: 300 – 101
Materials: glass, paste
Culture: italic
Subjects: soldiers
Heilige familie in een ornamentele cartouche met twee vogels
Object type: print
Date: 1600 – 1699
Materials: parchment
Techniques: engraving, hand coloring
Location: netherlands
Artist: Anonymous
Subjects: other birds: hoopoe, other birds: woodpecker, holy family (alone), 'trinitas terrestris', ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228
Soldaten bij een stadspoort
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: etching
Location: rome
Artist: hyacinth de la pegna
Artist role: print maker
Artist dates: 1706 – 1772
Subjects: (lovers) kissing each other, soldiers and civilians, city-gate
Inscriptions: collector's mark: Lugt 2228

Soldaten bij een Romeinse stadspoort, op de achtergrond een ruïne. Links op de voorgrond een soldaat en een vrouw die elkaar stiekem kussen. Met een lege marge.
Shipwreck on a Rocky Shore
Object type: print
Date: 1819 – 1819
Techniques: etching
Artist: johan christian dahl
Artist role: artist
Artist nationality: norwegian
Artist dates: 1788 – 1857
Subjects: shipwrecks,seas,waves,ships
Noli me tangere
Object type: drawing
Date: 1580 – 1610
Materials: chalk, paper
Techniques: highlighting
Artist: anonymous, italian, florentine, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: mary magdalene,jesus
Covered Dish with Tray
Object type: drawing
Date: 1800 – 1900
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Subjects: dishes,trays
Sacrificial Vessel (Yi lu)
Object type: vessel
Date: 1368 – 1644
Materials: jade
Culture: chinese
Titelpagina voor: Petrus Gudelinus, Juris Utriusque Doctoris Academiae Lovaniensis Antecessoris Opera Omnia, 1685
Object type: titelblad, titelpagina
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: historical persons, portrait of a writer

Titelpagina voor: Gudelinus, Petrus. Juris Utriusque Doctoris, Academiae Lovaniensis Antecessoris Opera Omnia (...). Antwerpen: Hieronymus Verdussen, 1685.
Venezia. Canal Grande
Object type: photograph
Date: 1906 – 1920
Materials: photographic support
Techniques: photography
Location: italy
Artist: tensi
Artist role: publisher
Subjects: canal, gondola, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Exaltation of the Holy Cross
Object type: drawing
Date: 1700 – 1700
Materials: charcoal, paper
Artist: antonio puglieschi
Artist role: artist
Artist nationality: italian
Artist dates: 1660 – 1732
Subjects: putti,angels,christ,virgin mary,saints

At the center of the composition Christ in glory points to the Holy Cross supported by angels. In the foreground are seated, among angels and putti, Saint Peter, the Blessed Virgin, Eve, Adam, Saint John the Baptist, and another Apostle, probably Saint Paul. The old annotation on the reverse of the sheet correctly identifies the purpose of the drawing: it is a study for the central section of the frescoed cupola in the chapel dedicated to the Holy Cross and the Passion of Christ, the second on the right in Saint Frediano in Cestello, Florence. This chapel was endowed in 1700. See nos. 1987.288 and 1987.307 for other drawings by Antonio Franchi (il Lucchese) related to San Frediano in Cestello.
Sheet of Sketches, from "Livre d’étude d’après les desseins originaux de Blomart"
Object type: print
Date: 1735 – 1735
Techniques: etching
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: women,leaves
Fob
Object type: fob
Date: 1701 – 1800
Materials: metal thread, silk
Culture: french
Molenaarshuis bij het Klein Trianon in de tuinen van Versailles
Object type: photograph
Date: 1887 – 1900
Materials: paper
Techniques: albumen print
Location: versailles
Subjects: garden, cottage
Inscriptions: inscription: ‘616 Parc du Petit Trianon. La Maison du Meunier. X. Phot.’, number: ‘14’

Tussen 1887 en ca. 1900 werkten Neurdein frères onder andere onder de naam 'X phot.'.
Banded agate intaglio set in a large gold ring
Object type: intaglio in ring
Date: 300 – 201
Materials: stone, gold
Culture: etruscan
Subjects: satyrs,goats
Stamp-cylinder seal with cultic scene, surmounted by (a plaster copy?) double-faced Pazuzu head
Object type: stamp cylinder seal
Date: 800 – 601
Materials: alloy, bronze, copper, plaster
Culture: urartian
Location: urartu
Portret van Jan van Hoogstraten
Object type: print
Date: 1700 – 1747
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: bookseller, quill, writing tools, wig
Inscriptions: collector's mark: Lugt 2228

Portret van de schrijver en boekverkoper Jan van Hoogstraten. Hij houdt in de hand een vel papier en een schrijfveer. Op de achtergrond een boekenkast en een sculptuur.
Terracotta cup with lid
Object type: cup with lid
Date: 650 – 650
Materials: terracotta
Culture: etruscan

The wide, flat handles are decorated with stamped sphinxes, popular hybrid creatures associated with protection. 96.9.67a, b shown at left, together with 96.9.110.
Belt Hook
Object type: belt hook
Date: 1046 – 256
Materials: bronze
Culture: chinese
Moord op Willem van Oranje, 1584
Object type: print
Date: 1810 – 1812
Materials: paper
Techniques: etching
Location: netherlands
Subjects: delft, william i (prince of orange), attempt, political murder

De prins van Oranje te Delft vermoord door Balthasar Gerards, 10 juli 1584. Willem van Oranje wordt op een trap bij de openstaande deur neergeschoten door Balthasar Gerards. Met onderschrift van 1 regel in het Nederlands.
Dronkaard in een kruiwagen
Object type: print
Date: 1803 – 1842
Materials: paper
Techniques: etching
Subjects: pushing something - aa - female human figure, old woman, drunkenness, wheelbarrow
Inscriptions: collector's mark: Lugt 2227

Een man met kan en glas in de handen wordt door een oude vrouw naar links voortgeduwd in een kruiwagen.
Verschillende vogels
Object type: print
Date: 1654 – 1712
Materials: paper
Techniques: etching
Location: london
Artist: Anonymous
Subjects: fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 240

Kopie naar prent die deel uitmaakt van de negendelige serie met voorstellingen van verschillende vogels: "Diversae avium species".
Zicht op de Rosenlauigletsjer
Object type: print
Date: 1836 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Subjects: glacier (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 4619
Cow amulet
Object type: necklace, bead
Date: 2700 – 2600
Materials: shell
Culture: sumerian
Location: mesopotamia
Subjects: cows
Particuliere kaart van Amstellandt, of het omleggende van Amsteldam, Muyden, Weesp, Naarden &c. / Carte particuliere d'Amstelland , ou les environs d'Amsteldam, Muyden, Weesp, Naarden &c.
Object type: print
Materials: ink, paper
Techniques: brush, engraving, pen
Location: amsterdam
Subjects: maps of separate countries or regions, amsterdam
Inscriptions: collector's mark: Lugt 19

Deze kaart is gedrukt van twee platen en deels met de hand getekend. Het grootste deel van de kaart is gedrukt van een plaat die in 1749 werd gegraveerd door Johannes Condet (zie RP-P-AO-72-2 en RP-P-AO-8-72-1). Op de huidige kaart is de linkerrand van deze plaat opgeschuurd voordat de plaat werd gedrukt. Vervolgens is het linkerdeel van de huidige kaart toegevoegd. Dit stuk is deels van een nieuwe plaat gedrukt en deels met penseel en pen bijgetekend.

De eerste staat van de rechterplaat is ook gebruikt in: Atlas nouveau, contenant toutes les parties du monde, ou sont exactement remarquées les empires, monarchies, royaumes, etats, republiques &c. (…). Amsterdam: Covens & Mortier, s.a. [na 1757].
Ceremonial Shoulder Cloth (Kain songket lepus)
Object type: religious ritual object
Materials: cotton, gilt, metal thread, silk
Techniques: brocade, patterning, weave, silvered
Culture: malay
Location: indonesia
Interieur van een zaal in het Palazzo Serra in Genua, met binnenvallend zonlicht
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Subjects: hôtel, i.e. small palace in city - aa - civic architecture: inside, sunbeams
Bronze bowl from a thymiaterion (incense burner)
Object type: thymiaterion
Date: 334 – 301
Materials: bronze
Culture: etruscan

"Suthina" is deeply inscribed in Etruscan letters around the inner rim of the bowl.
Bottle
Object type: bottle
Date: 1840 – 1840
Materials: glaze, porcelain
Techniques: relief
Culture: japanese
Jongen wijst een heer op een bedelaar
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: gate, entrance, beggar, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 240

Proefdruk van een prent die ook gebruikt is als illustratie bij het verhaal 'Valmiers' voor: Baculard d'Arnaud, F.T.M. de. Zedelijke verhaalen, deel 10. Amsterdam: A. Mens Jansz., 1786.
Celebratory scene
Object type: hanging scroll
Date: 1601 – 1700
Materials: paint, silk
Techniques: embroidery
Culture: chinese
Subjects: birds,houses,men,women

Dozens of guests and family members converge at a reception hall to pay their respects to an honored couple. Despite the absence of written inscriptions, the imagery of the work identifies the event and its setting: the birthday party of the celebrated Tang-dynasty general Guo Ziyi (697–781) at his residence. According to legend, Guo had many sons and grandsons, all of whom were highly successful in their official careers. By the seventeenth century, Guo’s reception had become a metaphor for auspicious birthday celebrations in general. It was frequently depicted on large works that were given as congratulatory gifts to distinguished individuals.
Brief aan anoniem
Object type: letter
Date: 1907 – 1907
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: painter, rijksmuseum amsterdam, painting (including book-illumination, miniature-painting)
Inscriptions: watermark
Mercury and Argus
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: anthonie waterloo
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1690
Subjects: animals,mercury,trees
Gezicht op Borgo Santa Lucia in Napels
Object type: stereograph
Date: 1861 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: harbour, city-view in general; 'veduta'
Inscriptions: number: ‘40.’
Rhea, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of the Tropics" series (N5), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Watch
Object type: watch
Date: 1740 – 1760
Materials: enamel, silver
Artist: charles cabrier ii
Artist role: maker
Artist nationality: british
Artist dates: 1719 – 1776
No. 3: Silent Flower (Mono iwanu hana), from the series "A Comparison of Flowers (Hana awase)"
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: yanagawa shigenobu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1820 – 1859
Colored Battery, Petersburg, June
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: army,soldiers,cannons,american civil war
Fragmentary marble sarcophagus with scenes from the Oresteia
Object type: sarcophagus fragment, orestes
Date: 134 – 166
Materials: marble
Culture: roman
Subjects: male nudes,women,boats

Enough remains to identify the figures on this sarcophagus with the Oresteia legend known especially from the Greek plays of Aeschylus, Sophocles, and Euripides. FRONT: Separate dramatic events from the cycle of plays were combined into one continuous scene. A complete sarcophagus in the Vatican Museum shows the entire relief as it was probably originally represented here. In the center, Orestes was represented killing his mother, Clytaemnestra, and her husband, Aegisthus, because his mother had murdered his father, King Agamemnon, on his return from the Trojan War. Immediately to the right, Furies, concealed behind a curtain, begin to attack Orestes for his crime of matricide. At the far right, he has taken refuge at the temple of Apollo at Delphi in order to be cleansed of his guilt, and he threatens the Furies who have followed him with his drawn sword. One exhausted Fury sleeps at his feet. RIGHT SHORT SIDE: Electra, the sister of Orestes, together with another woman, mourning at the tomb of Agamemnon. LEFT SHORT SIDE: The fragmentary left short side showed the recognition scene between Orestes and his sister Iphigenia, who had been sacrificed by King Agamemnon to appease the goddess Artemis at the outset of the Trojan War but had been spirited away by the goddess to Tauris on the Black Sea. LID: The relief on the side of the 1id of this sarcophagus showed the entire story of Orestes and lphigenia at Tauris as recounted in a play by Euripides. At the far right, Orestes strides up the gangplank of a ship in which his sister awaits him with her attendant and a sailor.
Claudius Civilis
Object type: history print
Date: 1770 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: extinct, 'historical' peoples (with name), netherlands

Illustratie voor een toneelstuk over Claudius Civilis, IIIe Bedrijf IIIe Tooneel. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Historie van het ezelsvel / Histoire de peau d'ane
Object type: print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: ass, donkey, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen uit het sprookje van Ezelsvel. Onder elke voorstelling een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: N. 223.
Man met een pet
Object type: sketchbook leaf
Date: 1874 – 1874
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: standing figure (+ sideview, profile)
Inscriptions: date: ‘7 January 74’

Man met een pet en een schort, in profiel naar links. Blad 30 uit een schetsboek met 46 bladen.
Wandelaars kijken uit op het dal rondom de Polenz
Object type: print
Date: 1851 – 1910
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: walking, hiking (recreation)

Deze prent maakt deel uit van een album.
Stephen Whitney Phoenix
Object type: painting
Date: 1892 – 1892
Materials: canvas, oil
Culture: american
Artist: platt powell ryder
Artist role: artist
Artist nationality: american
Artist dates: 1821 – 1896
Subjects: men,portraits
N. 67 Palermo Cathedrale
Object type: photograph
Date: 1893 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: palermo
Artist: giuseppe incorpora
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: palermo

De Kathedraal van Palermo met het ommuurde plein.
Fotoreproductie van een prent van een man die aanklopt bij een huis door Rembrandt van Rijn
Object type: reproduction
Date: 1860 – 1890
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: knocking at the door, human figure at (open) window, seen from outside
Inscriptions: stamp: ‘ICON’, inscription: ‘71F34.1/ Br. 499’, number: ‘495’