deem-data/ArtiFact huggingface dataset:
Kylix
Object type: kylix
Date: 600 – 501
Materials: terracotta
Culture: cypriot

Cup with offset lip and two reserved bands.
Glass beaker
Object type: beaker
Date: 301 – 400
Materials: glass
Culture: roman

Colorless with a pale blue green tinge; trail in translucent deep blue green. Everted rim with rounded lip; cylindrical body with concave side, then curving in sharply to solid pad base; kick in bottom with central pontil scar. Single horizontal trail wound once round upper body. Intact; some bubbles and blowing striations; soil encrustation, thick enamel-like whitish weathering, and brilliant iridescence.
Pierced Blue Pot with Animals and Vegetal Scroll
Object type: vase
Materials: glaze, stonepaste
Techniques: carving
Location: iran
Subjects: animals

Archaeological evidence reveals that carved and pierced vessels with a monochrome glaze are among the earliest stonepaste wares produced in Iran. They were produced already in the last quarter of the 11th century, in a range of new shapes and forms. Some of them, like lobed bowls, animal-shaped spouts and jug-like ewers, became common forms used for luster and mina’i objects; others, like this sub-globular vessel, were used distinctively for monochrome wares. Before being glazed in blue, the object was carved. It features a main band of walking quadrupeds in sequence, such as a dog, a feline, a boar (?), and a fox (?). These creatures were associated with the hunt, one of the chief royal pastimes in both Iranian and Central Asian territories.
Sword Grip (?)
Object type: finger grip
Date: 901 – 1000
Materials: ivory
Culture: punuk
Location: united states
Portugeese Joode Kerck
Object type: print
Date: 1675 – 1725
Materials: paper
Techniques: engraving, etching
Subjects: 'sephardim' ~ jewish communities, the synagogue (as building and place of worship ~ jewish religion), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Vermoedelijk onderdeel van een reeks prenten van gebouwen in Amsterdam (zie 'Portugeese Joode Kerck', 'Stadthuys ende Waegh', 'De Beurs', 'S. Lants. Magasyn', 'Lütherse Kerck', 'Ooster Kerck', 'Hooghduijtse Joode Kerck', 'Admiralitijts Werf' en 'De Amstel Sluys' op http://mapy.mzk.cz/en/mollova-sbirka/atlas-austriacus/XXIX//).

Mogelijk zijn deze prenten uitgegeven als onderdeel van de randprenten van een kaart: 'Amstelodamum cum antiquis et nuperrimis pomoeriis'.
Planisphaerium Braheum sive structura mundi totius ex hypothesi Tychonis (...)
Object type: map
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: zodiac; the twelve zodiacal signs together, star-chart, star map, planets; planetary system, solar system, instruments used in geodesy, surveying instruments
Inscriptions: collector's mark: Lugt 2228

Hemelkaart waar het geocentrische stelsel van Tycho Brahe op te zien is. In het midden de aarde, met daaromheen de banen van de zon en de maan. Om de zon de banen van de planeten. In de buitenste ring de dierenriem. Links- en rechtsboven de titelcartouches, gedragen door putti. Rechtsonder is Tycho Brahe, te herkennen aan zijn snor, zittend afgebeeld. Rechtsonder genummerd: 6.
Portret van hellenist Anton Maria Salvini
Object type: print
Date: 1677 – 1730
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: anton maria salvini, historical persons
Inscriptions: collector's mark: Lugt 2710, collector's mark: Lugt 2228
Zeven werken van barmhartigheid
Object type: print
Date: 1648 – 1665
Materials: paper
Techniques: etching
Location: paris
Subjects: praying for the living and the dead ~ one of the (seven) spiritual acts of mercy
Inscriptions: collector's mark: Lugt 2228

Een vrouw zit geknield met een rozenkrans in haar handen voor een tafel met een crucifix. Naast de tafel slaapt een hond. Op de achtergrond een bed en een klok. Onder de voorstelling een Frans vers van vier regels. Zeshoekig blad, waarschijnlijk onderdeel van een cirkelvormige prent.
Landschap met pad aan de rand van een bos
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching, intaglio
Location: france
Artist: Anonymous
Subjects: barn, fringe, edge of the wood, forest path or lane (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Pine of Success and Oumayagashi, Asakusa River (Asakusagawa shubi no matsu Oumayagashi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van keizer Matthias
Object type: print
Date: 1581 – 1620
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), historical persons, emperor
Inscriptions: collector's mark: Lugt 1097
The Windmill (reverse copy)
Object type: print
Techniques: etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: windmills
Iconographie
Object type: print
Date: 1630 – 1632
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: lucas vorsterman, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a, collector's mark: Lugt 2166

Portret van Lucas Vorsterman I met onderschrift LVCAS VORSTERMANS CALCOGRAPHVS ANTVERPIAE IN GELDRIA NATVS
Slooten
Object type: book illustration
Date: 1663 – 1664
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: sailing-ship, sailing-boat, church (exterior), rowing-boat, canoe, etc., bridge
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663, tussen p. 36 en 36. En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam: darinnen von derselben ersten Ursprunge bis auf gegenwärtigen Zustand (…). Amsterdam: Joachim Nosche, 1664, tussen p. 138 en 139.
Portret van Paul I, tsaar van Rusland
Object type: print
Date: 1796 – 1816
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: paul i (tsaar van rusland)
Inscriptions: collector's mark: Lugt 240
Vase fragment
Object type: vase fragment
Date: 1981 – 1640
Materials: faience
Location: egypt
Subjects: hieroglyphs
Twee bladzijden met stalen van zilverkleurig metaalpapier met vlinders
Object type: album leaf
Date: 1830 – 1830
Materials: ink, paper, silver leaf, watercolor
Techniques: etching, hand coloring
Location: france
Artist: Anonymous
Subjects: ornaments ~ art, insects: butterfly

Twee bladzijden met 2 stalen van papieren met vignetten. Links de enige twee nog intacte gedrukte en ingekleurde vignetten van vlinders opgeplakt op zilverkleurig metaalpapier. Bij de overige zeven stalen zijn de vignetten, waarschijnlijk ook allemaal vlinders, weggehaald. Alle stalen voorzien van etiketten met nummers (844-896) en handgeschreven codes. Onderdeel van het stalenboek geschonken door de dames Van Rijn, vermoedelijk van een Franse papierfabrikant van luxe papieren, of diens vertegenwoordiger in Nederland, ca. 1830.
Kasteel Drakenburg bij Baarn
Object type: drawing
Date: 1701 – 1759
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: castle
The Crucifixion
Object type: plaquette
Date: 1467 – 1500
Materials: bronze
Subjects: christ,cross,crucifixion
Fragment of a Handle with Wavy Band and Rosette-Shaped Thumb Rest
Object type: handle
Date: 801 – 1100
Materials: earthenware
Techniques: molding
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city was known in Arabic as al-Mada’in, or "the cities", for its extended area. Arab historians indulge in describing al-Mada’in/Ctesiphon’s grand monuments, which obsessed Muslim rulers and may have acquired a symbolic meaning related to its imperial past. This was the case of the Taq-i Kisra, an impressively-sized ivan (a vaulted hall with one side open) partially dismantled to reuse its bricks in caliphal buildings in the new capital Baghdad. Finds like this fragment, which was excavated at a site named Selman Pak III, attest to the continued occupation of Ctesiphon’s urban area in the early Islamic period. The handle would have originally belonged to a ewer. Similar features could have thumb rests in the shape of an animal or a turban, a creative practice that reached a peak in unglazed wares of the 9th to 11th centuries.
Mourning dress
Object type: mourning dress
Date: 1848 – 1848
Materials: silk
Culture: american
Untitled
Object type: drawing
Date: 1910 – 1910
Materials: graphite, paper
Artist: jan preisler
Artist role: artist
Artist nationality: czechoslovakian
Artist dates: 1872 – 1918
Subjects: men,portraits
Ruit met als helmteken twee trompetblazende engelen die een omgekeerde ton ophouden
Object type: wapenruit
Date: 1700 – 1900
Materials: glass, lead
Techniques: leading
Artist: Anonymous

Wapenruit met ornamenten in grisaille. Boven het wapenschild twee trompetblazende engelen die een omgekeerde ton ophouden.
Portret van Jan Jansz Starter
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: london, publisher, jan jansz starter, portrait of a writer, cupids: 'amores', 'amoretti', 'putti', water-birds: swan (+ animals used symbolically)
Inscriptions: collector's mark: Lugt 964

Prent gebruikt in: Starter, Jan Jansz. Friesche lust-hof, beplant met verscheyde stichtelĳcke minne-liedekens, gedichten, ende boertige kluchten. Tweede editie. Amsterdam: weduwe Dirck Pietersz Voscuyl, 1623.
Nederland, ½ cent, 1854
Object type: coin
Date: 1854 – 1854
Materials: copper
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Koperen munt. Voorzijde: tussen jaartal gekroonde rechte letter W. Keerzijde: tussen waarde-aanduiding ½ C. gekroond rijkswapenschild. Gladde rand.
Messitt, Right Field, Omaha Omahogs/ Lambs, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Looking Up Yosemite Valley
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: landscapes
Plattegrond van Limburg
Object type: album leaf
Date: 1703 – 1733
Materials: paper
Techniques: etching
Location: leiden
Subjects: fortifications, military engineering, maps of cities

Plattegrond van de stad Limburg (Limbourg) in de Spaanse Nederlanden, veroverd door de geallieerden op de Fransen, 27 september 1703. Met teksten in het Nederlands en Frans. De prent maakt deel uit van een album.
Portret van Paolo Giovio
Object type: book illustration
Date: 1577 – 1577
Materials: paper
Techniques: letterpress printing
Location: basel
Subjects: historical persons, portrait of a writer, book

Prent uit: Giovio, Paolo. Elogia virorum literis illustrium, quotquot (...). Bazel: Peter Perna, 1577. Prent eerder gebruikt in: Giovio, Paolo. Elogia virorum bellica virtute illustrium (...). Bazel: Peter Perna, 1575. Prent ook gebruikt in latere publicaties.
Portret van een oude vrouw met muts
Object type: carte de visite
Date: 1865 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: haarlem
Artist: jan george mulder
Artist role: fotograaf
Artist dates: 1816 – 1895
Subjects: old woman, head-gear: cap
Inscriptions: inscription: ‘Photogr. Atelier/ J.G. Mulder/ Lange Bagijnestraat/ Haarlem’
D'Estrée à son amant prodiguait ses appas...
Object type: print
Date: 1825 – 1825
Materials: chine, paper
Techniques: printmaking, lithograph
Location: france
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Textile Fragment
Object type: textile fragment
Date: 1551 – 1600
Materials: metal thread, silk
Location: turkey
Bronze axe head
Object type: axehead
Date: 2500 – 1900
Materials: bronze
Culture: cypriot

Cutting edge slightly expanded.
Two candlesticks
Object type: candlestick
Date: 1687 – 1687
Materials: silver
Techniques: casting
Location: the hague
Artist: adam loofs
Artist role: goldsmith
Artist dates: 1645 – 1710
Subjects: standing figure - aa - female human figure, carrying something on the head or on the shoulders
Inscriptions: alloy mark, maker's mark, inscription: ‘W’, date letter: ‘N’, town mark

Adam Loofs was silversmith and silver steward to Stadtholder William III. After having worked for King Louis XIV in Paris, he moved to The Hague in 1680. These candlesticks may have been made for William III. They are based directly on the silver furnishings and other objects at Versailles.
The Actors Segawa Kikunojo III as Koito, Sawamura Sojuro III as the monk Sainenbo, and Ichikawa Monnosuke II as the monk Renseibo, in the shosa "Mata Saku Hana Museume Dojoji," performed at the Nakamura Theater in the fourth month, 1783
Object type: print
Date: 1783 – 1783
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Cup plate
Object type: glass
Date: 1838 – 1838
Materials: glass
Techniques: pressed
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Covered Box
Object type: covered box
Date: 1736 – 1795
Materials: jade
Culture: chinese
Staand mannelijk naakt, op de rug gezien, iets naar rechts
Object type: drawing
Date: 1793 – 1793
Materials: chalk, paper
Artist: Anonymous
Portret van Daniel Ernst Jablonski
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: engraving, etching
Location: berlin
Subjects: daniel ernst jablonski, historical persons
Inscriptions: collector's mark: Lugt 2228

Restanten van een andere prent op verso.
Portret van Jan en Cornelis de Wit
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: dordrecht, the hague, cornelis de witt, amsterdam, france, historical persons, historical events and situations
Equituis germani domesticus Vestitus
Object type: costume print
Date: 1592 – 1594
Materials: paper
Techniques: engraving, hand coloring
Location: padua
Portraits of Roman Jurisconsults, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1583 – 1583
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: men,portraits,profiles,women

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 101 in the scrapbook.
Evening Snow on the Nurioke, from the series Eight Parlor Views
Object type: print
Date: 1766 – 1766
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: interiors,women,working

The nurioke was a lacquered wooden form used for drying silk floss. This print series parodies a ubiquitous academic painting subject, the Eight Views of Xiao and Xiang.
Portret van Martinus Schoock
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: engraving
Subjects: martinus schoock, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2233

Prent met tekst op verso gebruikt in: Effigies & vitae Professorvm Academiae Groningae & Omlandiae. Groningen: Johannes Nicolai, 1654.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, toes of left foot; part of a palmette
A Portrait of a Woman
Object type: drawing and watercolor
Date: 1650 – 1650
Materials: chalk, paper
Location: netherlands
Artist: jan de bray
Artist role: draughtsman, print maker
Artist nationality: dutch
Artist dates: 1627 – 1697
Inscriptions: Inscribed recto, center right, in black chalk: "AETAT: 56/Ao 1650"; inscribed verso, upper center in graphite: "45"; lower center, in graphite: "54/4 dBray f"

Jan de Bray used finely pointed red and black chalk in alternation to describe the facial features of middle-aged residents of the city of Haarlem. He also captured the distinctive features of their clothing, such as buttons, pleats, seams, and the stiffly pressed lace of their elaborate collars.
Zeegezicht met schepen
Object type: print
Date: 1708 – 1779
Materials: paper
Techniques: etching
Location: france
Subjects: sailing-ship, sailing-boat, ships (in general), sea (seascape)
Inscriptions: collector's mark: Lugt 2228
Panel (Furnishing Fabric)
Object type: textile
Materials: textile, gold, panel
Techniques: embroidery, cutting, lining, stitching
Location: china
Animaux
Object type: print
Date: 1701 – 1800
Materials: ink
Techniques: printmaking, etching, printing
Location: france
Artist: gilles demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1722 – 1776
Lübeck. Rathaus von der Breitenstraβe
Object type: ansichtkaart, prentbriefkaart
Date: 1911 – 1911
Materials: cardboard
Techniques: color autotype
Location: lübeck
Subjects: townhall
Inscriptions: date
Plate
Object type: plate
Date: 1781 – 1782
Materials: silver
Artist: robert joseph auguste
Artist role: maker
Artist nationality: french
Artist dates: 1723 – 1805
Archer's Bracer
Object type: archer's bracer
Date: 1401 – 1700
Materials: gold, leather, pigment
Culture: mongolian or tibetan
Location: mongolia
Earring with head of lion
Object type: earring with head of lion
Date: 7000 – 30
Materials: gold
Culture: greek, south italian, tarentine
Subjects: lions
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, tendril; back of leg of draped figure
Rape of the Sabines
Object type: drawing and watercolor
Date: 1701 – 1800
Materials: chalk, paper, lead, pigment
Techniques: heightening
Location: europe
Artist: Anonymous
Artist nationality: european
Artist dates: 1700 – 1799
Venus, Schule des Ant. Canova.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: monument, statue, (story of) venus (aphrodite)
Inscriptions: collector's mark: Lugt 3937, name: ‘J. Löroy k. k. Hof-Photograph WIEN’
Knoop van de Duitse keizerlijke marine
Object type: button
Date: 1900 – 1925
Materials: metal
Artist: Anonymous
Subjects: eugen wachenheimer, else wachenheimer-moos

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Portret van een echtpaar, staand
Object type: carte de visite
Date: 1900 – 1905
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: haarlem
Artist: willem hendrik dikkenberg
Artist role: fotograaf
Artist dates: 1872 – 1946
Subjects: marriage, married couple, 'matrimonium', haarlem
Inscriptions: address: ‘Ged. Oude Gracht 70 Haarlem’, date: ‘1900-1905’
Death the Strangler, The First Outbreak of Cholera at a Masked Ball in Paris, 1831
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: woodcut
Location: germany
Artist: alfred rethel
Artist nationality: german
Artist dates: 1816 – 1859
Studie van een voet
Object type: drawing
Date: 1830 – 1880
Materials: chalk, paper
Location: netherlands
Artist: Anonymous
Subjects: foot
Inscriptions: inscription: ‘No 7’
God The Father Creating (?) (recto); Study of neo-classical statue of a nude male (verso)
Object type: drawing
Date: 1772 – 1850
Materials: graphite, ink
Techniques: pen
Artist: luigi sabatelli
Artist role: artist
Artist nationality: italian
Artist dates: 1772 – 1850
Subjects: god the father
Naqqareh
Object type: naqqareh
Date: 1867 – 1900
Materials: brass, parchment
Culture: syrian
Location: syria
Tiger Claw Jewel
Object type: jewel
Date: 601 – 700
Materials: stone, jade, jasper
Culture: japanese
Portret van Agatha Deken
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: haarlem
Subjects: the hague, agatha deken, historical persons - bb - woman, historical persons, portrait of a writer

Deze prent en de eerdere staten van deze prent zijn in 1905 ter herinnering samen met het portret van Elisabeth Bekker uitgegeven in een omslag getiteld: Portraiten van Elizabeth Wolff geb. Dekker, en Agatha Deken (...).
Cannon Street Station, from the River
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: drypoint, etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Jezuïtische toepassing van de spreuk: Eendracht maakt Macht
Object type: cartoon
Date: 1869 – 1869
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: voting place, polling station, regular clerics, e.g. jesuits, redemptorists

Spotprent waarin een jezuïet Heemskerk en een anti-revolutionair aan een leiband naar de stembus leidt. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 21, 1869.
Graf op een begraafplaats in Nederland
Object type: stereograph
Date: 1880 – 1920
Materials: paper, cardboard
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: cemetery, park-like burying ground, netherlands