deem-data/ArtiFact huggingface dataset:
Serbia, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 2 (N10), issued in 1890 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
The Poet Otomo no Kuronushi, from the series Six Immortal Poets (Rokkasen)
Object type: print
Date: 1810 – 1810
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
De Keyzer Theodosius doet 7000 persoonen te Thessalonika ombrengen / Ambrosius weygert aan den Keyzer Theodosius den ingang in de Kerk
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: violent death by sword, the early christian churches, e.g. armenians, copts, syrians, st. ambrose refuses emperor theodosius admission to the church, massacre ~ war
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen op een plaat. Boven: Op het centrale plein van Thessaloniki worden zevenduizend burgers afgeslacht door soldaten. Rechts op de achtergrond Keizer Theodosius I, die het bevel tot de slachting geeft. Onder: de H. Ambrosius staat in het portaal van een kathedraal met de handen uitgestoken. Tegenover hem staat keizer Theodosius I. Ambrodius verbiedt hem de kerk te betreden omdat Theodosius zevenduizend burgers van Thessaloniki heeft laten afslachten.
Hertog van Sully bij het lijk van Hendrik IV
Object type: book illustration
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maximilien de béthune (duke of sully), hendrik iv (koning van frankrijk en navarra), vigils and wakes ~ burial rites, violent death by dagger, knife (+ variant), attempt, political murder, paris
Inscriptions: collector's mark: Lugt 240

De hertog van Sully kijkt verschrikt naar het mes waarmee Hendrik IV werd vermoord. Op de achtergrond wordt het lichaam van Hendrik IV beweend. Rechtsboven: VI.D.Pl.IV. rechtsonder: bladz.482.
Design for Sociable
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cover of a teapot with a gothic arcade decoration
Object type: service set
Date: 1800 – 1899
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: saint-yrieix-la-perche

Theepot van porselein, deel van een servies, beschilderd in goud op een koningsblauw fond met een arcademotief met gotische traceringen. Buiten dit decor is het gehele oppervlak verguld. Merken: zie algemeen record.
Rouw-Staetelijcke Lijk-pracht in de Uyt-Vaert en Begraefenisse van het ont-zielde Lichaem van (...) Wilhelm Frederich (...) Overleden binnen Leeuwarden (...) den een-en-twintichsten October, MDCLXIV. en aldaer in 't Choor van de Jacobijner Kerck, den vyfthienden december MDCLXIV. Oude Stijl (...)
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving
Location: leeuwarden
Subjects: arnhem, cortege, funeral procession

Begrafenisoptocht van Willem Frederik, graaf van Nassau-Dietz, in Leeuwarden op 6 januari 1665. Deel van de begrafenisstoet. Plaat nr. 11 in een ensemble van 24 (van de 25) ongemonteerde genummerde platen (zonder tekstbladen) die samen een lange fries vormen.
Poëzie bestudeert vaas met bloemen
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: year divided into four seasons, symbolic representations, allegories and emblems ~ poetry; 'poesia' (ripa), flowers in a vase
Inscriptions: collector's mark: Lugt 2228

Prent uit: Willink, Daniël. Amsterdamsche tempe of de nieuwe plantagie Begrepen in twee boeken. Nevens den amstelstroom. Gaete, Hendrik van de, 1712.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 115 van dit album.
Ex libris van Helena Mary Molyneux
Object type: bookplate
Date: 1898 – 1898
Materials: paper
Techniques: engraving
Artist: charles william sherborn
Artist role: print maker
Artist dates: 1831 – 1912
Subjects: initial, armorial bearing, heraldry
Inscriptions: date
Pastor, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Song Birds of the World" series (N23), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Metamorphoseon sive transformationum
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: italy
Subjects: byblis changed into a fountain: after looking for caunus everywhere, byblis at last lies down, bathed in tears, and is changed into a fountain (ovid, metamorphoses ix 663)
Inscriptions: collector's mark: ‘Hinloopen’

Byblis was verliefd op haar broer Caunus. Toen hij verdween en zij hem niet kon vinden baadde Byblis in tranen. Ze verandert in een beek. Titel in het Latijn in ondermarge.
Panel
Object type: panel
Date: 1701 – 1800
Materials: wood
Techniques: gilding, painting
Subjects: roses
Nymphs and Cupids
Object type: drawing
Date: 1769 – 1769
Materials: chalk, paper
Techniques: stumping
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: cupid,nymphs
Handdoek van pellendamast
Object type: towel
Date: 1800 – 1900
Materials: linen
Techniques: cross stitching, weave
Location: north brabant

Handdoek van linnen pellendamast. Het veld heeft rijen rozetten en de rand gestreepte rijen die bestaan uit korte gegolfde lijnen. De handdoek is in rood met een kruissteek gemerkt: SG.
Terracotta rim fragments of kylikes: Band cups (drinking cups)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Four black glazed rim fragments from band cups
Bowl with pine tree, bamboo, and plum blossom
Object type: bowl
Date: 1767 – 1800
Materials: cobalt, enamel, porcelain
Techniques: overglaze, painting, polychrome, underglaze
Culture: chinese
Subjects: bamboo
James Russell Lowell
Object type: photograph
Techniques: photogravure
Location: england
Artist: henry herschel hay cameron
Artist role: fotograaf
Artist nationality: english
Artist dates: 1852 – 1911
Subjects: collected by hugh edwards, lord tennyson and his friends
Les ministres
Object type: page
Date: 1895 – 1897
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: minister ~ government, historical persons (+ (full) bust portrait)
Inscriptions: inscription: ‘M. Darlan (...) Ministre de l'Intérieur’
Portret van een oude man
Object type: photograph
Date: 1850 – 1883
Materials: cardboard, photographic support
Techniques: albumen print
Location: den bosch
Artist: emmanuel adrianus henricus van der ven
Artist role: draughtsman, painter
Artist dates: 1821 – 1883
Subjects: historical persons, old man
Inscriptions: inscription: ‘Em. van der Ven/ Artiste-peintre/ Bois-le-Duc’
River View
Object type: painting
Date: 1643 – 1650
Materials: oil, panel
Artist: abraham van beyeren
Artist role: painter
Artist dates: 1620 – 1690
Subjects: sailing-ship, sailing-boat, river, dordrecht
Inscriptions: signature, with ligated monogram, lower centre, on the leeboard of the sailing boat: ‘AVB F’

Riviergezicht. Schepen en bootjes op woelig water met in de verte een stadsprofiel (Dordrecht?).
Binnentuin van een paleis met aan de façade standbeelden in muurnissen
Object type: ornament print
Date: 1600 – 1600
Materials: paper
Techniques: etching
Location: antwerp
Subjects: palace, ornamental fountain

Ommuurde tuin van een paleis met standbeelden in muurnissen. In het midden een fontein, bestaande uit een vierkant bekken op een voetstuk. Water spuitende vazen staan op de vier hoeken van het bekken. In het midden van het bekken staat een vaasvormige decoratieve bekroning. De prent maakt deel uit van een album.
The Raising of Lazarus: The Smaller Plate
Object type: print
Date: 1642 – 1642
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,women,jesus
Beheading of St. John the Baptist
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: master of the beheading of st. john the baptist
Box with Cover
Object type: covered box
Date: 1662 – 1722
Materials: porcelain
Techniques: underglaze
Culture: chinese
Subjects: lotuses
Bosrijk landschap met reizigers
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: printmaking
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 12, collector's mark: Lugt 2725

Door Christiaan Josi opgenomen in een uitgave met 100 werken naar Hollandse en Vlaamse meesters: Collection d'imitations de dessins d'après les principaux maîtres hollandais et flamands, Londen, C.Josi, 1821. Alle prenten in deze uitgave dragen op het verso het wapen van Cornelis Ploos van Amstel, de initiatiefnemer voor de uitgave.
Cuff (one of a pair)
Object type: cuff
Date: 1801 – 1900
Techniques: crochet
Latwerkpaviljoens
Object type: print
Date: 1670 – 1703
Materials: paper
Techniques: etching
Location: france
Inscriptions: inscription: ‘Middenonder meetllat met tekst: Echelle de 6 pieds. L.o. bij vaas: Vase du Pilastre marquéD. r.b. bij vaas: Vase pour l'Amortissement marqué a. Onder de vaas: Proportionde la Corniche marqué C. Daaronder: B. Imposte.’

Met plan en details van het kroonelement, twee halve vazen, een kroonlijst en een impost. Uit serie van 6 bladen, tweede editie.
Het uittrekken der Patriotten uit Utrecht
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching, hand coloring
Location: augsburg
Subjects: putting the enemy to flight - hh - being put to flight, fleeing (+ citizen soldiery, civil guard, citizen militia), utrecht
Inscriptions: collector's mark: Lugt 2228

De legers van de patriotten verlaten in paniek door een stadspoort de stad Utrecht in de nacht van 15 op 16 september 1787 bij het naderen van de Pruisische troepen.
Gezicht op een stadspoort
Object type: print
Date: 1771 – 1817
Materials: paper
Techniques: etching
Location: netherlands
Artist: daniël dupré
Artist role: draughtsman, print maker
Artist dates: 1751 – 1817
Subjects: city-view, and landscape with man-made constructions, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 240
Two Men in the Hollow
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie waterloo
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1690
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: children,women,axes
Plate
Object type: plate
Date: 1870 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: adams and company
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Fibula, boat-shaped type
Object type: fibula, boat shaped type
Date: 900 – 701
Materials: bronze
Culture: italic

The bow is hollow. Its outer surface it is decorated with incised patterns.
Plate
Object type: plate
Date: 1740 – 1745
Materials: faience
Techniques: glazing
Subjects: human figures,chinoiserie,butterflies,flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Coffee Cup and Saucer
Object type: cup and saucer
Date: 1885 – 1885
Materials: porcelain
Culture: american
Location: united states
Artist: union porcelain works
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1922

Union Porcelain Works was one of the most important and inventive American porcelain manufacturers in the second-half of the nineteenth century. In addition to their imaginative works designed by the German-born artistic director, Karl H. L. Müller, the firm’s mainstay was the production of heavy porcelain hotel dinnerware. This extensive service was made by Thomas Carll Smith, head of the Union Porcelain Works, as a gift to his daughter, Pastora Forest Smith Chace. The neoclassical decoration of the gilt bellflower and basket motif is complimented by turquoise enamel. Unlike the firm’s more eccentric and lavish designs created for their display at the Philadelphia Centennial Exposition in 1876, the pottery favored a more restrained classical style for their dinner services. This service descended in the Chace family.
Notities
Object type: sketchbook leaf
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Inscriptions: signature and date: ‘Tavenraat/ Cleve. 1854./ Westphalen & Waldeck’, annotation: ‘[...]’

Voorste schutblad uit een schetsboek met 88 bladen.
Helsingfors Maria Hemelvaartkerk
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: helsinki
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Landschap met vervallen monument in een waterplas
Object type: book illustration
Date: 1837 – 1837
Materials: paper
Techniques: etching
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: landscape with monument
Inscriptions: collector's mark: Lugt 2228
Corset
Object type: corset
Date: 1890 – 1890
Culture: american
Platter
Object type: platter
Date: 1883 – 1885
Materials: earthenware
Culture: american
Location: united states
Artist: willets manufacturing company
Artist role: maker
Artist nationality: american
Artist dates: 1879 – 1908
Subjects: birds,trees,boats

By using the process of transfer printing, in which a medium printed with decorative motifs is impressed on the biscuit body of an object before firing, Willets and other Trenton firms strove to emulate the plethora of English transfer-printed dinner services in the Aesthetic style.
The Prophet Elias
Object type: print
Techniques: engraving, etching
Artist: nicolas pitau
Artist role: artist
Artist nationality: french
Artist dates: 1670 – 1724
Subjects: men
Portret van een Zoeloe leider in klederdracht
Object type: page
Date: 1877 – 1882
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: africans, adult man, historical persons
Gold House, Brussels
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Hoofd van een kind
Object type: print
Date: 1679 – 1701
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: human beings (legendary or not) of abnormal proportions, size, strength, etc. (+ head, face)
Inscriptions: collector's mark: Lugt 2228

Zijaanzicht van het hoofd van een kind met bijna-gesloten ogen en krullend haar.
Aanbidding der koningen
Object type: print
Date: 1480 – 1500
Materials: paper
Techniques: woodcut
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)

Eén blad van 113 uit Ludolphus de Saxonia, "Dit es dleué ons liefs heeren ihesu christi". Anonieme Nederlandse vertaling. Uitgegeven door Henrick Eckert van Homberch te Antwerpen in 1503. Botke, K. Deze 113 houtsneden, die meestal reeds in vroege Nederlandse boeken gebruikt zijn, worden toegeschreven aan de tweede Meester van Delft, de Meester van de Delbecq-Schreiber-passie en de Meester van de Virgo inter Virgines. In Conway (1884) en in "De gulden passer"(1951) zijn ook eerdere versies opgenomen. Botke, K.
Collection de costumes du peuple des provinces de la Belgique
Object type: print
Date: 1825 – 1835
Materials: paper, pencil
Techniques: lithograph
Location: brussels
Subjects: adolescent, young woman, maiden, folk costume, regional costume, bruges
Inscriptions: : ‘Déposé’

Van den Burggraaff wilde een serie (twintig afleveringen met telkens vier platen) uitgeven met kostuums uit alle provincies van Nederland en België onder de titel 'Costumes du peuple de toutes les provinces des Pays-Bas'. Hij begint met deze serie in 1825 en eindigt hiermee bij de dertiende aflevering in 1830. Omdat in 1830 België zicht afsplitst van Nederland geeft hij de prenten daarna apart uit onder de titels 'Costumes de peuple Hollandais' en 'Collection de costumes du peuple des provinces de la Belgique' (1835).
Two Helmeted Soldiers Conversing
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: possibly giuseppe passeri
Artist nationality: italian
Artist dates: 1654 – 1714
Gezicht op het stoomschip George S. Blake
Object type: page
Date: 1870 – 1880
Materials: paper
Techniques: photograph
Location: boston
Artist: Anonymous
Subjects: steamship, motorship
Inscriptions: inscription: ‘The United States coast survey steamer "G. S. Blake," 350 tons, fitted for deep-sea sounding and dredging’, name: ‘Heliotype Printing Co., 220 Devonshire St., Boston.’, number: ‘Plate 1.’
Nienoort, de Leek
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1904
Materials: cardboard
Techniques: photograph, writing
Location: leek
Artist: Anonymous
Subjects: gate, entrance, country-house
Inscriptions: postage stamp
Netsuke of Noh Mask: One-Eyed Hyottoko
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: masks
Sauceboat, cream pots and plate, part of a service
Object type: plate dish
Date: 1784 – 1809
Materials: porcelain
Location: loosdrecht

Porceleinfabriek aan den Amstel
Manufactuur Oud-Loosdrecht
Ouder-Amstel and Loosdrecht, c. 1784-1809
hard-paste porcelain
Verzameling van arabesken, met de Vaticaanse loggia's
Object type: ornament print
Date: 1788 – 1802
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: panelling

Doordat dit album bestaat uit meerdere, deels eerder uitgegeven prentreeksen, is de datering niet consequent. Het geheel is op de titelpagina gedateerd op 1802. Deze tweede reeks over de Loggia van Rafaël is wisselend gedateerd tussen 1785 en 1790. Aangezien onduidelijk is wanneer de prenten in deze vorm precies uitgegeven zijn, worden beide data gehanteerd: zowel 1802 als publicatiedatum, en de eerdere datum zoals vermeld op de prent (dan wel 1785 indien de prent ongedateerd is).
De serietitel voor het gehele werk is "Recueil d'arabesques, contenant les loges du Vatican". De andere serietitel is de titel van de specifieke reeks binnen het geheel.