deem-data/ArtiFact huggingface dataset:
De kerk en hoogmoed stoken onrust
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: etching
Location: amsterdam
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: lodewijk xiv (koning van frankrijk), maximiliaan hendrik van beieren, paris, envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins, pride; 'superbia' (ripa) ~ personification of one of the seven deadly sins, netherlands, rampjaar (disaster year)

De kerk en hoogmoed stoken intriges en onrust. De Roomse kerk zet de bisschoppen van Münster, Keulen en Straatsburg en Wilhelm Egon von Fürstenberg aan tot oorlog. Centraal de verbeelding van de hoogmoed van de Franse koning Lodewijk XIV die meer kronen op het hoofd heeft dan hij kan dragen. Rechts wordt de welvaart van de Republiek met afgunst bekeken. Op de achtergrond smeden katholieken bisschopsstaven om tot wapens, rechts worden de banden om de wereld losgeslagen. Allegorie op de politieke situatie in de Republiek in het jaar 1674. Genummerd rechtsboven: 2.
Hieratic ostracon
Object type: ostracon, hieratic
Materials: ink, limestone, paint
Location: egypt
Portret van twee onbekende mannen
Object type: cabinet photograph
Date: 1895 – 1940
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: batavia
Subjects: studio requisites ~ photographer, adult man
Inscriptions: name: ‘Photografie Charls & van Es & Co Batavia (...)’, inscription: ‘papa.’
Hoofd van een oude man
Object type: print
Date: 1831 – 1890
Materials: paper
Techniques: etching
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: old man, beard
Inscriptions: collector's mark: Lugt 2228
Christian Charity
Object type: relief model
Date: 1801 – 1900
Materials: terracotta
Artist: bertel thorvaldsen
Artist role: artist
Artist nationality: danish
Artist dates: 1770 – 1844
Subjects: children,women

This work is a highly finished study for one of four marble reliefs originally conceived in 1807–8 for the baptismal font of the Church at Brahe-Trollenberg, but subsequently rejected by the church. Early accounts state that the marble was executed for the third Marquess of Lansdowne in 1810, and in 1822 in order to raise money for a destitute Norwegian officer. This relief appears to precede a plaster cast original model from 1810.
Portret van Christiaan, hertog van Brunswijk-Wolfenbüttel
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: london
Subjects: groningen, wolfenbüttel, bisschop, christiaan (ii) hertog van brunswijk-wolfenbüttel
Inscriptions: date

Portret van Christiaan, hertog van Brunswijk-Wolfenbüttel, ook wel "Dolle Hertog" genoemd. Hij was militair leider en Lutherse beheerder van het prinsbisdom Halberstadt. In het randschrift van de omlijsting de naam en functie van de geportretteerde in het Latijn. In de marge een drieregelig onderschrift in het Latijn.
Bingata Panel with Tree Peonies
Object type: bingata panel
Date: 1901 – 2000
Materials: cotton
Culture: japanese or ryukyuan
Artist: teruyo shinohara
Artist role: artist
Artist nationality: japanese
Subjects: peonies,leaves
Conical Bowl with Blossoming Plum
Object type: vessel
Materials: stoneware
Techniques: glazing
Location: china

This bowl’s striking, variegated blue hue was created accidentally during firing, when the iron-rich glaze chemically reacted with a mixture of wood or bamboo ash that was applied to its surface. The original dark brown hue is preserved in the more thinly coated rim and in the hauntingly delicate pattern of blossoming plum that was applied in resist by a stencil of cut paper. As the first flower to bloom in late winter, the plum blossom was associated with beauty, renewal, and fortitude, and became an auspicious motif in Chinese painting and decorative arts during the Song dynasty.
Brief aan Elsie Maud Cownie
Object type: letter
Date: 1906 – 1906
Materials: ink
Techniques: pen, writing
Location: brussels
Subjects: manchester, elsie maud cownie, travelling; tourism
Opera Nova Universali intitulata Corona di racammi, page 27 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573
Subjects: flowers

Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice. Grid with small black dots forming vine, flower, and leaves.
Engelants schoutoneel verbeeldende de Glorieuse overtogt met het kroonen van William III en Maria II tot Koning en Koningin van groot Brittany en Vrankryk en Yrlant, etc. II Deel.
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), coronation of a ruler, westminster abbey

Het voorstellen aan het verzamelde volk in de Westminster Abbey van prins Willem III en prinses Maria als de nieuwe koning en koningin van Engeland, 21 april 1689. Genummerd rechtsboven: 203. Plaat O in de serie 'Engelants schouwtoneel' over de Glorious Revolution 1688-1689 (tweede deel). Met onderschriften in het Nederlands en Frans.
Huis te Hoevelaken
Object type: drawing
Date: 1701 – 1759
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: castle
Model of a Section of an Armoured Turret
Object type: demonstration model
Date: 1864 – 1864
Materials: brass, wood
Location: netherlands
Inscriptions: inscription, on the base inside the model: ‘halfmodel / van een der beide / Gepantserde blokhuizen voor Scherpschutters / geplaatst op / Z.M. Stoombatterij de Ruyter / op 1/10 der ware grootte.’

Halfmodel van een veertienzijdige geschutkoepel, op een grondplank. De buitenschil bestaat uit verticale segmenten, die pantserplaten voorstellen, met een schietgat op driekwart hoogte, dat naar binnen toe wijder wordt. De binnenwand is van hout en heeft een cirkelvormige binnendiameter. Binnen kunnen de schietgaten worden afgesloten met pantserplaten, die tussen rails tegen de wand heen en weer worden geschoven. Zware houten balken verstevigen de onder- en bovenkant van de toren rondom. Het model laat alle bouten zien, die dwars door pantserplaten en binnenwand lopen. Schaal 1:10 (schaal op model).
Snuffbox
Object type: snuffbox
Date: 1750 – 1750
Materials: gold, quartz
Subjects: human figures,animals
Omslag met zeven fotoreproducties van etsproeven van Johannes Pieter van Wisselingh
Object type: wrapper
Date: 1867 – 1867
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: collector's mark: ‘R.P.K.’, annotation: ‘Cadeau aan 't genootschap/ Vriendschappelijke kunstliefde 26 oct. 1867/ vereeniging door J.P. van Wisselingh’

Omslag met zeven reproducties van prenten.
Water pot
Object type: water pot
Date: 1701 – 1800
Materials: stone, gemstone
Culture: chinese
L'Automne
Object type: print
Date: 1716 – 1774
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: seasons of the year represented by scenes showing human activities, usually in a landscape, autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 2228

Personificatie van de herfst als een vrouw met een tros druiven, naar links gewend.
Mounting without Stirrups
Object type: page
Date: 1879 – 1889
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, head-gear: bowler hat, horse
De vijf bouworden
Object type: book illustration
Date: 1640 – 1640
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: composite order ~ architecture, doric order ~ architecture, tuscan order ~ architecture, orders, order-books ~ architecture, ionic order ~ architecture, corinthian order ~ architecture

Prent uit: Vignola, Giacomo Barozzi da. Regola delli cinque ordini d'architettura (...). Amsterdam: Johannes Willemszoon en Cornelis Blaeu, 1640, p. 13.
Poseidon en een vorst op een boot
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: woodcut
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: (story of) neptune (poseidon), arm raised, with fist, ram, parts of ship's exterior: figure-head, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228

Een man met lang haar en een lange baard staat in zee. Rechts naast hem steken drie armen met gebalde vuisten uit het water. De man strekt zijn armen uit naar een magere figuur op een boot, die een scepter, kroon en rijksappel draagt. Rechts van deze figuur wordt de beeltenis van een ram in de lucht gestoken. Aan de boot hangt een boegbeeld van een man met een gehoornd hoofd. Op de achtergrond raakt de zon de zee aan de horizon.
Panel of tiles
Object type: tile panel
Date: 1501 – 1600
Materials: earthenware
Techniques: glazing
Design for the Decoration of the Drawing Room at Eastnor Castle, Herefordshire
Object type: drawing
Date: 1850 – 1850
Materials: gold, graphite, watercolor
Artist: john gregory crace
Artist role: artist
Artist nationality: british
Artist dates: 1809 – 1889
Subjects: architecture,interiors,curtains,couches

This watercolor records the redecoration of the drawing room at Eastnor Castle, a building designed by Robert Smirke in 1811. Parts of the interior were redesigned by A.W.N. Pugin In 1849-50 in a neo-Gothic style, with much of the work carried out by the London decorating firm of Crace. John Gregory Crace here shows the drawing room with a blue fan-vaulted ceiling with gilded ribs, green walls ornamented with a striped pattern, red curtains, paintings and a gothic mantlepiece and cabinet.
Portret van George Morley
Object type: print
Date: 1740 – 1747
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 240

Prent gebruikt in: Birch, Thomas. The heads of illustrious persons of Great Britain (...). Londen: John & Paul Knapton, 1747, p. 120.
Portret van Aloy Marchesi
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
283. - Petit Trianon - Le Musee - Salle a manger (l.p. phot) (Cheminee en marbre bleu turquin).
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: france
Artist: Anonymous
Inscriptions: annotation: ‘283. - Petit Trianon - Le Musee - Salle a manger (l.p. phot) (Cheminee en marbre bleu turquin).’

De schouw is in de bovenste balk voorzien van fruit decoraties, aan de zijkanten zijn schapenkoppen en druiventrossen zichtbaar. Het kaststel bestaat uit een middenvaas en twee beschilderde zijvazen.
Hofdienaren in de lijkstoet van Anna van Hannover te Delft, 1759
Object type: print
Date: 1759 – 1761
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: the hague, anna van hannover, cortege, funeral procession, delft
Inscriptions: collector's mark: Lugt 2228, serial number: ‘5’

Leden van de stadhouderlijke hofhouding. Onderdeel van een serie van 16 platen in etsdruk van de lijkstatie van de op 23 februari 1759 te Delft begraven prinses Anna van Hannover.
Design for 6 seat Rockaway, no. 3960
Object type: drawing
Date: 1886 – 1886
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Binnenplaats van een woning
Object type: photomechanical print
Date: 1887 – 1897
Materials: paper
Techniques: photoaquatint
Location: morocco
Subjects: housing, façade of inner court
Inscriptions: title: ‘Interior of a Dwelling’
Portret van een vrouw met muts
Object type: carte de visite
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: number: ‘49’, inscription: ‘Ghémar Frères/ Photographes/ de S.M. le Roi des Belges/ Bruxelles/ 27, rue de l'écuyer, 27’
Armorial tazza
Object type: tazza
Date: 1500 – 1525
Materials: gilt, glass
Techniques: glassblowing, enamel
Culture: italian
Subjects: coat of arms
Fragment
Object type: fragment
Date: 1501 – 1700
Materials: cotton, wool
Subjects: flowers,leaves
Standing Four-Armed Vishnu
Object type: figure
Date: 701 – 800
Materials: stone
Culture: kashmiri
Subjects: kashmir,vishnu
Fragment of a Garden Carpet
Object type: carpet fragment
Date: 1701 – 1800
Materials: cotton, wool
Techniques: pile
Location: iran

The design of this carpet is based on the classic Persian garden plan as seen from above. In many parts of the Islamic world, gardens take the form of four gardens separated by four narrow canals—symbolizing the four rivers of paradise—and joined in the center by a decorative fountain. Here, canals are lined with green cypress trees, flowers, and shrubs, and throughout the carpet are flowering plants and trees populated by colorful birds, all creating a scene evocative of a garden paradise. The earliest known garden carpet dates from around 1622–32 and is the likely prototype for subsequent examples, like this one.
Inname van de schans bij Zutphen, 1591
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: capture of city (after the siege)

Inname van de schans bij Zutphen bij verrassing door het Staatse leger, 24 mei 1591. Plan van Zutphen aan de IJssel en het omringende land met schansen. Met onderschrift van 4 regels in het Latijn. Genummerd 203. Bedrukt op achterzijde met tekst in het Latijn.
Battle Scene
Object type: painting
Date: 1671 – 1671
Materials: canvas, oil
Artist: johannes lingelbach
Artist role: artist
Artist nationality: dutch
Artist dates: 1622 – 1674
Subjects: battles,soldiers,men,horses
We Have Won!
Object type: print
Date: 1825 – 1826
Materials: paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
The Holy Friar
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,cross
Portret van Samuel Grosser
Object type: print
Date: 1675 – 1748
Materials: paper
Techniques: engraving
Location: görlitz
Subjects: historical persons, professor
Inscriptions: collector's mark: Lugt 2228
Terracotta oil lamp
Object type: lamp
Date: 40 – 100
Materials: terracotta
Culture: roman
Subjects: eros

Loeschcke Type 4. Mold-made. Discus: winged Eros standing at left on rocks, holding bow and arrow, which he aims at an indeterminate figure at right; a single small filling hole at bottom, slightly to right; band of lines and grooves towards edge; a narrow, horizontal shoulder. Volutes flanking nozzle. Incised base ring, and raised, slightly concave base. Intact, but slight surface chipping on base.
Aanlegplaats met boten in Sète
Object type: print
Date: 1924 – 1929
Materials: paper
Techniques: drypoint, etching
Location: sete
Subjects: village, pier, quay, wharf
Inscriptions: collector's mark: Lugt 2760, annotation: ‘Martin Hardie’, collector's mark: Lugt 2228
Brougham #3291
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Metz, La Moselle à Metz
Object type: stereograph
Date: 1860 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Location: metz
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, river
Inscriptions: number: ‘No 94’
The Rivals
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,pianos,dogs
A goddess, but not proud at all, from 'Theater sketches,' published in Le Charivari, June 12, 1865
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,goddess

Ah, if I had all these old pictures, how I could sell all these beautiful frames!
Kleine mens (karikatuur) met zwaard en wandelstok
Object type: print
Date: 1621 – 1625
Materials: paper
Techniques: engraving, etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: little people, walking-stick, staff, hacking and thrusting weapons: sword
Inscriptions: collector's mark: Lugt 240

Een kleine mens (karikatuur), op de rechterzijde gezien, met een hangende buik waarover een knopenrij loopt, een hoge hoed met veren op het hoofd, de rechterhand aan het gevest van zijn zwaard, een wandelstok in de linkerhand. Deze prent is onderdeel van een serie van 21 prenten met groteske figuren; vrijwel al die figuren zijn karikaturen van kleine mensen, velen zijn gebocheld.
Chasuble back
Object type: chasuble back
Date: 1501 – 1600
Materials: silk
Subjects: men,women
Brief aan Philip Zilcken
Object type: letter
Date: 1905 – 1906
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: jean françois raffaëlli
Artist role: print maker
Artist dates: 1850 – 1924
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Huis van ritmeester van Benthem te Havelte
Object type: sketchbook leaf
Date: 1732 – 1732
Materials: ink, paper, pencil
Techniques: pen
Location: havelte
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: farm or solitary house in landscape
Inscriptions: date and inscription: ‘'t huis vanden Ritmr: van Bentheim te Havelte.1Julij’

Blad 33 recto uit een schetsboek met 51 bladen.
Spotprent met de Minister van Oorlog, 1886
Object type: cartoon
Date: 1886 – 1886
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: ministerie van oorlog

Spotprent met de Minister van Oorlog. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 51, 1886.
Wind Instrument
Object type: wind instrument
Date: 1867 – 1900
Materials: bamboo
Culture: philippine
Location: philippines
Ladle
Object type: metalwork
Date: 1880 – 1880
Materials: wood, metal, silver
Location: birmingham
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904
Subjects: ladle

Electroplating, an electrical means to adhere a thin layer of silver to a base metal, was patented by a Birmingham manufactory in 1840. By the late 1800s, the region was home to many firms specializing in this technique. Christopher Dresser viewed electroplating as a means to produce elegant and modern design at reasonable prices for the middle class. This ladle and the tureen it accompanies are based on simple Buddhist metalwares he observed while in Japan in 1876.
Meiboom geplant door de Haagse Schutterij, 1762
Object type: print
Date: 1762 – 1762
Materials: textile
Techniques: engraving, etching
Location: northern netherlands
Subjects: maypole, the hague

De acht allegorische voorstellingen of emblemen van de meiboom geplant door de Schutterij van Den Haag in het jaar 1762.
Salt
Object type: salt
Date: 1815 – 1835
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Christ and the Woman of Samaria (Schr. 2215)
Object type: print
Date: 1460 – 1470
Techniques: hand coloring, printing
Artist: master with the cologne arms
Artist role: artist
Artist nationality: german
Artist dates: 1450 – 1500
Subjects: wells,women,christ