deem-data/ArtiFact huggingface dataset:
Allegorische vrouwenfiguur beschildert in de wolken een paneel
Object type: titelblad, titelpagina
Date: 1683 – 1683
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ark of the covenant ~ jewish religion, painting (including book-illumination, miniature-painting), angels
Inscriptions: collector's mark: Lugt 2228

Een allegorische vrouwenfiguur beschildert in de wolken een paneel dat door een engel wordt vastgehouden. Hieronder bewaken twee engelen de Ark des Verbonds.
Interieur met theestoof, linnenkast, bordenrek, Assendelfsche wieg en Assendelfsche kast
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: cradle, crib, dish, plate, saucer, linen-closet
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Interieur met theestoof, linnenkast, bordenrek, Assendelfsche wieg en Assendelfsche kast. Onderaan een legenda van a tot en met h. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Binnenhuizen, Meubelen.
Fool’s Folly, from Disparates
Object type: print
Materials: paper
Techniques: aquatint, burnishing, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828

In this ludicrous vision, bulls tumble effortlessly in the air, completely unfazed by the fact that they are bobbing like balloons. This print is from an enigmatic series that Goya began in his late 70s but never finished before moving to France. Titled Disparates, which roughly translates to nonsense, absurdity, or fantasy, the series would have included at least 25 images, but only 22 plates are known to exist. Fool’s Folly is one of four plates that were separated from the 18 printed posthumously by the Royal Academy of Fine Arts of San Fernando. It was not printed until almost 50 years after Goya’s death.
't Reguliers-Klooster, Zoo als het zig in Welstant vertoonde in den Jaare 1502. buiten Amsterdam
Object type: print
Date: 1752 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church, monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2233

Deze prent is ook ingebonden in enkele exemplaren van: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). 3 delen [folio-uitgave]. Amsterdam: Isaak Tirion en Yntema & Tieboel, 1760-1767, dl. 2 (Isaak Tirion, 1765). Komt echter niet voor in de lijst met in te binden prenten van deze uitgave (te vinden in dl. 3) - en is er dus ook niet voor bedoeld.

Zie ook RP-P-AO-24X-43-1, RP-P-AO-24X-43-2 en RP-P-AO-24X-45.
Taferelen naar werken van andere kunstenaars
Object type: print
Date: 1825 – 1827
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: ass, donkey, landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2233

Prent maakt waarschijnlijk deel uit van een serie met taferelen naar andere kunstenaars. Over deze serie is verder niets bekend.
Portret van Hendrick Dircksz. Spiegel
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: amsterdam, mayor, hendrick dircksz. spiegel, head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 240

Portret van Hendrick Dircksz. Spiegel, burgemeester van Amsterdam in 1655, 1659, 1663 en 1665. Onder het portret twee fasces en zijn wapenschild.
Journal des Dames et des Modes, 15 fevrier 1835 , No. 3263 : Chapeaux de crêpe; (...)
Object type: fashion print
Date: 1835 – 1835
Materials: paper
Techniques: engraving, hand coloring
Subjects: dress, gown: redingote (+ women's clothes), ornamental parts of clothing (+ lace used for clothes), fashion plates, head-gear: hat (+ women's clothes), fan (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: address: ‘Journal des Dames & des Modes / 25 Rue du Helder (Chaussée d Antin)’, title: ‘Costumes Parisiens’, caption: ‘Chapeaux de Crêpe; Rédingotes de pou de soie garnies de blonde des Mins de Melle Jenny-Reybaud, 338. R.S.t honoré - Modes de Long-champ’

Twee vrouwen, van wie één op de rug gezien. Volgens het onderschrift: hoeden van crêpe. Redingotes van 'pou de soie' gegarneerd met Blonde (kloskant) uit de winkels van Jeny-Reybaud. 'Modes de Longchamp'. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, Parijs, 1797-1839.
Germany, 5 Mark, from the series Coins of All Nations (N72, variation 2) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Schedel van een holenbeer
Object type: page
Date: 1864 – 1869
Materials: paper
Techniques: photolithography
Subjects: mammals (+ skeleton of an animal)
Inscriptions: inscription: ‘PL.62’, inscription: ‘1/2 nature’, inscription: ‘Procédé spécial photo-lithographique’, monogram: ‘EL’
Landschap met slapende nimf
Object type: print
Date: 1633 – 1672
Materials: paper
Techniques: etching
Location: amsterdam
Artist: willem basse
Artist role: draughtsman, print maker
Artist dates: 1613 – 1672
Subjects: satyr(s) pursuing nymph(s), sleeping; unconsciousness
Inscriptions: collector's mark: Lugt 2228

Landschap met rechts een slapende nimf die bespied wordt door twee saters die achter haar in de bosjes staan.
Lamp
Object type: lamp
Date: 1600 – 1700
Materials: iron
Portret van Georg Prochaska
Object type: print
Date: 1789 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: vienna, draughtsman, georg prochaska, historical persons, portrait of a writer, physician, doctor
Dood van Lucas van Leyden
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: leiden, painter, print maker, draughtsman, lucas van leyden, death by disease, historical persons, nursing, tending the sick, dog
Inscriptions: inscription: ‘Lucas van Leijden 1533’

De kunstenaar Lucas van Leyden zit in een stoel met een deken over zijn benen. Naast hem staat een vrouw met een beker. Rechts staat zijn hond.
5 Pfennig uit het Duitse Rijk, 1876
Object type: coin
Date: 1876 – 1876
Materials: nickel
Techniques: striking
Location: stuttgart

Nikkelen munt. Voorzijde: gekroonde enkelkoppige adelaar naar links met op borst door keten van orde met juweel omhangen samengesteld wapenschild. Daaronder twee letters F. Keerzijde: waarde-aanduiding in twee regels. Jaartal in omschrift. Gladde rand.
The artist's mother seated at a table, looking right: three quarter length
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: etching
Subjects: historical persons - bb - woman
Inscriptions: signature: ‘ijn v’, collector's mark: Lugt 2228, collector's mark: Lugt 2760, stamp

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Marble left hand holding a small box
Object type: hand
Materials: marble
Culture: roman
Subjects: hands

The hand must have belonged to a female statue. The box has holes on the lid, perhaps for sprinkling incense.
Schotelscherf van geelbakkend aardewerk, voorzien van blauw glazuur aan de boven- en onderzijde, waarop een schildering van florale vormen op het plat en strepen en een gegolfde lijn op de rand, en op de achterzijde een patroon van halve cirkels in zwart
Object type: fragment
Date: 1500 – 1699
Materials: earthenware, glaze
Artist: Anonymous
Zoomorphic Vessel
Object type: ceramic
Date: 1201 – 1233
Materials: glaze
Techniques: painting
Culture: islamic
Location: iran
Design for Pony Phaeton, no. 3080
Object type: drawing
Date: 1874 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Mrs. Thomas Sully (Sarah Annis)
Object type: painting, miniature
Date: 1802 – 1802
Materials: ivory, watercolor
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: portraits,women

Sarah Annis (1779-1867) of Annapolis was first married to Lawrence Sully (q.v.). Following Lawrence's death, she married his younger brother Thomas in June 1806.
Neushoorn en drie olifanten
Object type: print
Date: 1581 – 1600
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: hoofed animals: rhinoceros, trunked animals: elephant
Inscriptions: inscription: ‘5: Infreris sum rhinoceros, qui grandia quonda. Bella gero adversus barrhos mea preda elephantos.’

Blad met rhinoceros (neushoorn), staand tegenover een soort konijn met hoorntjes. Op de achtergrond drie olifanten. Onderaan in de marge een verklarende tekst in het Latijn. Prent maakt deel uit van een album.
Basket Phaeton #1065
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Carolus VI dei gratia Francoru rex
Object type: book illustration
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paris, historical persons, king

Prent gebruikt in: Eudes de Mézeray, François. Chronyk van Vrankryk. 6 dln. Amsterdam: Jan Bouman en Timotheum ten Hoorn, 1685, dl. 3.
The Arch in the Entryway of the Right Portal (Die Porten des Adels); and the Outer Right Column of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18
Object type: print
Date: 1515 – 1515
Techniques: letterpress, woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

The portal columns, standing soldiers and portraits of Maximilian's ancestors and relatives are by Hans Springinklee or Wolf Traut; and the column base decorated with harpies is by Albrecht Dürer. The title of the portal was originally intended to be Die Porten der Obristen Freundschafft but was already changed in the first edtion.
Vinaigrette
Object type: metalwork
Date: 1806 – 1807
Materials: silver, silver gilt
Location: birmingham
Artist: kh & co.
Jacket
Object type: jacket
Date: 1899 – 1899
Materials: wool
Culture: american
Artist: haas brothers importers
Artist role: retailer
Artist nationality: american
Twee bladzijden met stalen van vignetten van goud- en zilverkleurig metaalpapier en bijbehorend tabel
Object type: sample
Date: 1830 – 1830
Materials: gold leaf, ink, paper, silver leaf
Techniques: manufacturing, writing
Location: france
Artist: Anonymous
Subjects: ornaments ~ art, interior of church, book-cover, binding

Twee bladzijden met rechts 2 opgeplakte en met etiketten genummerde (767 en 390) stalen van ornamenten van goud- en zilverkleurig metaalpapier. In de vorm van kerkarchitectuur en een boekband. Op de tegenoverliggende linkerbladzijde een tabel met de handgeschreven corresponderende specificaties (in code) per ornament. Onderdeel van het stalenboek geschonken door de dames Van Rijn, vermoedelijk van een Franse papierfabrikant van luxe papieren, of diens vertegenwoordiger in Nederland, ca. 1830.
Portret van de H. Filippo Neri
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hieronymus wierix
Artist role: draughtsman, print maker
Artist dates: 1553 – 1619
Subjects: rome, the founder of the congregation of the oratory (oratorians) philip neri; possible attributes: lily, rosary
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 514

De prent heeft een drieregelig bovenschrift in het Latijn. In de marge biografische gegevens van de geportretteerde in het Latijn.
Portret van Nikola Dras̆ković, graaf van Trakostyáni
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving
Location: vienna
Subjects: nikola dras̆ković (graaf van trakostyáni)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Gualdo Priorato, Galeazzo. Historia di Leopoldo Cesare, (...). 3 dln. Wenen, Giovanni Battista Hacque, 1670-1674, dl. 2.
Terracotta rim fragment of a stemless? kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, and right shoulder of a youth to right, with his himation draped over his left shoulder
De Nederlandsche politieke corrida
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: the hague
Artist: willem van konijnenburg
Artist role: draughtsman, painter, print maker
Artist dates: 1868 – 1943
Subjects: amsterdam, politician, nicolaas gerard pierson, bullfight, bull-fighter, toreador, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Kroniek 3 (1897), 8 augustus 1897.
Militairen staande voor een vrachtwagen
Object type: documentary photograph
Date: 1945 – 1949
Materials: photographic support
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: surabaya, politician, indonesia

Een groep van elf militairen met geweren en plunjezakken staat gereed voor vertrek. Op één van de gereed staande vrachtwagens staat de volgende tekst: Indië en Nederland is EEN, Weg met Soekarno. Gezien de "Hollandse" achtergrond is deze foto waarschijnlijk genomen vlak voor vertrek naar Indië.
Venus Giving Nectar to Cupid
Object type: print
Date: 1701 – 1800
Techniques: engraving
Artist: pierre françois basan
Artist role: artist
Artist nationality: french
Artist dates: 1723 – 1797
Subjects: cupid,venus
Pijpenkop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 91; 1hsm1.
The Creed
Object type: print
Date: 1450 – 1470
Techniques: hand coloring, woodcut
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: human figures,crucifixion
De Onder de Linden te Berlijn, 22 Dec. 1843
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: the hague, berlin, william i of the netherlands, vigils and wakes ~ burial rites
Inscriptions: collector's mark: Lugt 2228

Lijkstoet met de lijkkist van de voormalige koning Willem I bij het Altes Palais, het paleis aan de Onder de Linden (Unter den Linden) te Berlijn, 22 december 1843. In de beschrijving een lijst van de wagens en inzittenden in de stoet. Tweed plaat in het boekje met twee platen van het overlijden van de voormalige koning Willem I in Berlijn, 22 december 1843. Dit boekje verscheen als supplement op een groter werk met meer platen uit 1844.
Portret van Louis Andrieux
Object type: page
Date: 1876 – 1879
Materials: paper
Techniques: woodburytype
Artist: ferdinand mulnier
Artist role: painter
Artist dates: 1817 – 1891
Subjects: politician, politician, e.g. party leader
Inscriptions: inscription: ‘126, boul. Magenta.-Paris.’
Pint Mug
Object type: metalwork
Date: 1840 – 1840
Materials: pewter
Location: england
Portret van Giovanni Ricardo Starhemberg
Object type: print
Date: 1661 – 1699
Materials: paper
Techniques: engraving
Location: vienna
Subjects: hongarije, militair, luitenant, veldmaarschalk, kamerheer, johann reichard starhemberg
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Gualdo Priorato, Galeazzo. Historia di Leopoldo Cesare (...). Wenen: Giovanni Battista Hacque, 1630, dl. 2.
Het uitgavejaar 1630 is waarschijnlijk of later ingevoegd of verkeerd vermeld, aangezien het jaartal op de prent 1661 is. De uitgave zou dus van later dato moeten dateren.
Hexagonal Jar with Flower and Bird Decoration (one of a pair)
Object type: jar
Date: 1667 – 1700
Materials: enamel, porcelain
Techniques: overglaze
Culture: japanese
Subjects: birds,flowers
Textile Market, Cracow, from Au Pied du Sinaï
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Ex libris van Jan Felix
Object type: bookplate
Date: 1935 – 1935
Materials: paper
Techniques: printing block
Location: netherlands
Artist: h.f.d. oxenaar
Artist role: print maker
Subjects: print maker, politician, book, plants and herbs: ivy
Anne of Austria
Object type: print
Date: 1671 – 1671
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: queens,portraits
Scarab Inscribed for the God's Wife Hatshepsut
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
A: Clarke
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: roulette
Location: london
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Vase in the form of a head of Acheloos
Object type: vase in the form of a head of acheloos
Date: 550 – 525
Materials: terracotta
Culture: east greek
Subjects: heads

Acheloos was a river god who was able to transform himself into different shapes such as a bull or a serpent. This idea probably reflects the capacity of water to assume various forms and produce various sounds.
Expon 1900. Dans le Rue d'Alger
Object type: stereograph
Date: 1900 – 1900
Materials: paper, cardboard
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: world fair, world exhibition, market, paris
Inscriptions: number: ‘51.’
Bead Inscribed for the King's Wife (Ahmose-)Nefertari
Object type: bead, ahmose nefertari, king's wife
Date: 1550 – 1525
Techniques: glazing
Location: egypt
Subjects: hieroglyphs
Roma Antica
Object type: drawing and watercolor
Date: 1757 – 1760
Materials: gouache, graphite, ink, paper, paint, watercolor
Techniques: brush, heightening, pen, wash
Location: italy
Artist: after giovanni paolo pannini
Cardiff Castle from the West, plate two from Twelve Views in Wales
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist nationality: british
Artist dates: 1731 – 1809
Peaks of Mount Huang
Object type: folding fan mounted a an album leaf
Date: 1623 – 1697
Materials: gold, ink, paper
Culture: chinese
Artist: mei qing
Artist role: artist
Artist nationality: chinese
Artist dates: 1623 – 1697
Subjects: mountains
Coverlet
Object type: textile
Date: 1848 – 1848
Materials: cotton, wool
Techniques: bookbinding, interlacing, jacquard, patterning, weave
Location: pennsylvania
Subjects: medallions, circles, flowers, coverlet
Inscriptions: Inscription: Henry Probst  1848
Brief aan Jan Veth
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, writing
Location: berlin
Artist: max liebermann
Artist role: draughtsman, print maker
Artist dates: 1847 – 1935
Subjects: jozef israëls, rotterdam, george hendrik breitner, dordrecht, amsterdam, print maker, designer, jan veth, brussels, henri hymans, the hague, painter, draughtsman, willem maris, jacob maris, isaac israels, politician, elbert jan van wisselingh, antwerp, paris, nijmegen, exhibition ~ art, historical persons (portraits and scenes from the life), printed matter
Inscriptions: collector's mark: ‘RPK’, watermark

Opgenomen in: Ernst Braun, Max Liebermann: Briefe 1896-1901, Baden-Baden: Deutscher Wissenschafts-Verlag, 2012, Band 2, p. 392-394.
Je hais, je veux punir des peuples odieux...
Object type: print
Date: 1825 – 1825
Materials: chine, paper
Techniques: printmaking, lithograph
Location: france
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863