deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, drapery? and tendril from handle palmette
Lieutenant General, United States Army, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,generals

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Handkerchief
Object type: textile
Date: 1856 – 1856
Materials: silk
Techniques: weave, printing
Location: england
Subjects: propaganda
Inscriptions: Inscription: Map of the Seat of War in the Black Sea.
Du dessin perspectif du paysage par Thénot
Object type: print
Date: 1840 – 1870
Materials: paper
Techniques: tone lithography
Location: london
Subjects: village, building of church
Inscriptions: collector's mark: Lugt 2228
Snuffbox
Object type: snuffbox
Date: 1750 – 1750
Materials: gold, hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: women,landscapes,trees
Mirrors
Object type: mirror
Date: 1300 – 1400
Materials: bronze
Location: east java
Artist: Anonymous

In making these mirrors the disk and the handle were cast separately. The bronze disc was polished to a high shine and the handle adorned with decorative details, such as openwork motifs or gilded reliefs. Bronze mirrors could also have a ritual function, whereby the image
of the divinity was reflected in the polished surface and thus establishing a connection between the spiritual and the mundane worlds.
Terracotta fragment of a Neck-amphora (jar)
Object type: neck amphora fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of a triple reeded handle from a neck-amphora
Terracotta lentoid flask
Object type: flask, lentoid
Date: 1100 – 1001
Materials: terracotta
Culture: levantine
Subjects: birds,goats

Both sides of the flask are decorated with goats, birds, and rudimentary foliage. The skeletal character of the birds' wings provides a noteworthy antecedent to the renderings on Cypro-Archaic vases. The origin of this piece has been much discussed. The shape, clay, burnishing, and other technical features have stronger parallels in Levantine than in Cypriot pottery. Indeed, it is probably one of the earliest Phoenician vases imported into Cyprus.
Socrate, prêt à boire la cigüë (...)
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Subjects: death of socrates: in prison, surrounded by his grieving disciples, he calmly drinks the cup of poison after having made a libation to the gods
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Fragment
Object type: textile
Date: 1701 – 1800
Materials: textile, gold, silk, silver
Techniques: brocade
Culture: islamic
Location: iran
Skelet
Object type: drawing
Date: 1640 – 1649
Materials: chalk, paper
Location: low countries
Subjects: (human) skeleton
Inscriptions: collector's mark: Lugt 2228

De houding waarin het skelet is afgebeeld gaat terug tot: Vesalius, Andreas. De humani corporis fabrica libri septem (...). Bazel: Johannes Oporinus, 1543. De illustraties in dit werk worden toegeschreven aan Jan Stefan van Calcar. Latere geïllustreerde anatomische boeken grijpen vaak terug op het werk van Vesalius, zie bijvoorbeeld: Gracht, Jacob van der. Anatomie der wtterlicke deelen van het menschelick lichaem (...). Den Haag: Jacob van der Gracht, 1634. Tekening zit in een omslag met meerdere anatomische tekeningen, genummerd RP-T-1989-258 t/m RP-T-1989-289.
Portret van een onbekende man met pet
Object type: print
Date: 1886 – 1941
Materials: paper
Techniques: aquatint, etching
Artist: alfred napoléon delaunois
Artist role: print maker
Artist dates: 1876 – 1941
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Fragment
Object type: textile
Date: 1501 – 1600
Materials: textile, silk
Techniques: damask, weave
Location: spain
Stervormig horloge van kristal
Object type: wrist watch
Date: 1400 – 1950
Materials: copper, crystal, silver
Location: paris
Artist: gribelin
Artist role: clockmaker

Stervormig horloge van kristal met een koperen montuur en ring en een zilveren wijzerplaat
Ladies School, Simla
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: schools,landscapes
Gen. Appel / Parade New-Zeelanders
Object type: album leaf
Date: 1943 – 1945
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: muhlberg
Artist: dick w.b. van maarseveen
Artist role: fotograaf
Artist dates: 1905 – 1990
Subjects: the hague, dick w.b. van maarseveen

Albumblad met twee foto’s: generaal appel en een parade van de Nieuw Zeelanders. Onderdeel van een fotoalbum met foto's door Dick van Maarseveen van het krijgsgevangenenkamp Stalag IV B in Mühlberg in de periode 1943-1945.
Portret van Guusje Bruins als baby
Object type: photograph
Date: 1885 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: dutch east indies
Artist: Anonymous
Subjects: java, historical persons - bb - woman, infant, baby, dutch east indies, the
Inscriptions: inscription: ‘Guusje Bruins ?’
Gezicht op het oud-Hollands stadhuis gebouwd voor de tentoonstelling van Voedingsmiddelen op het Museumplein van 1887
Object type: drawing
Date: 1887 – 1887
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: trade exhibition, industries fair, city-view in general; 'veduta'
Inscriptions: signature: ‘C.G.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Tentoonstellingen (chronologisch).
Portret van Elisabeth von Schwarzburg
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons - bb - woman, cupids: 'amores', 'amoretti', 'putti'

Prent waarschijnlijk uit: Winckelmann, Johann Just. Oldenburgische Friedens- und der benachbarten Oerter Kriegs-Handlungen. Oldenburg: Hans Erich Zimmer, 1671, tussen p. 22 en 23.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, part of the lower torso, genitals, and legs of a male to right; start of handle root
Bataafse kusttelegraaf, 1799
Object type: drawing
Date: 1799 – 1799
Materials: paper
Location: netherlands
Artist: Anonymous
Subjects: semaphore
Inscriptions: collector's mark: Lugt 2228

Bataafse kusttelegraaf, semafoor of seinpaal, opgesteld aan de kust bij Scheveningen, september 1799.
Plattegrond van Chalon-sur-Saône
Object type: album leaf
Date: 1657 – 1657
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Subjects: maps of cities

Plattegrond uit: Theatrum exhibens celebriores Galliae et Helvetae urbes. Amsterdam: Johannes Janssonius, 1657.
Snuff bottle with monks on a ground of pierced clouds
Object type: flacon, flakon
Date: 1800 – 1899
Materials: glaze, porcelain
Techniques: embroidery, forming, turning, vitrification
Location: china
Artist: Anonymous

Kleine snuiffles van porselein met een dubbele wand, bedekt met een doorschijnend wit glazuur. De buitenwand van de flacon met een groep monninken tegen een grond van opengewerkte wolken. Monochromen, wit porselein.
Gezicht op Keulen en de Rijn
Object type: photograph
Date: 1880 – 1910
Materials: paper
Techniques: albumen print
Location: deutz
Artist: Anonymous
Subjects: city-view in general; 'veduta', river, pontoon bridge, cologne

De foto is gemaakt vanaf de rechter oever van de Rijn, vanuit Deutz, met zicht op de pontonbrug tussen Keulen en Deutz.
Miracle in the Life of St. Francis of Paola
Object type: sculpture
Date: 1701 – 1800
Materials: foil, glass, paper, terracotta, wax, wood
Subjects: men,jesus
Twee voorstellingen uit het leven van Theseus
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: theseus takes the sword and the sandals of his father aegeus from under the rock; usually in the presence of his mother aethra, theseus captures the bull of marathon, (story of) theseus
Inscriptions: collector's mark: Lugt 2228

Prenten gebruikt voor: Becker, Wilhelm Gottlieb. Taschenbuch und Almanach zum geselligen Vernügen von W. G. Becker für 1795. Leipzig: Voss und Companie, s.a.
Bloementuin
Object type: page
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: flowers

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Herberginterieur met rokers
Object type: print
Date: 1838 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: pipe ~ tobacco, jar, jug (used as drinking-vessel)
Inscriptions: collector's mark: Lugt 2228

In een herberg zitten vijf mannen rond een tafel, die pijp roken. De man in het midden blaast rook uit en houdt een kruik in zijn hand.
Stadsgezicht in Zuid-Holland, mogelijk met een markt
Object type: sketchbook leaf
Date: 1882 – 1882
Materials: chalk, paper
Subjects: stall, booth (~ market)

Pagina 21 en pagina 22 uit een schetsboek met 31 bladen vervaardigd te Den Haag en Rotterdam.
Buste van een jonge vrouw
Object type: print
Date: 1652 – 1690
Materials: paper
Techniques: mezzotint
Inscriptions: collector's mark: Lugt 2228
Japan 1884
Object type: photograph
Date: 1884 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: (high) hill, japan

Onderdeel van een blad met zeven foto's.
Dress
Object type: dress
Date: 1865 – 1870
Materials: cotton, silk
Culture: american
Ontwerp voor een titelpagina voor een Amsterdamse Atlas
Object type: drawing
Date: 1818 – 1818
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: city-view in general; 'veduta', canal, townhall, bridge in city across river, canal, etc., amsterdam
Inscriptions: signature and date: ‘G.Lamberts. inv. et fec. 1818.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Landmacht: Gebouwen / Heinneringen aan officieren, stadssoldaten / Nationale militie / (diverse korpsen) / Padvinders / Parade.
Zich vlooiende vrouw
Object type: print
Date: 1667 – 1718
Materials: paper
Techniques: engraving
Subjects: nightwear: night-gown
Inscriptions: collector's mark: Lugt 2228

Bij het licht van een kaars zoekt een jonge vrouw in haar kleding naar vlooien.
Zelfportret van Hendrik Kuipers, zittend achter een tafel, tekenend
Object type: drawing
Date: 1790 – 1800
Materials: graphite, paper
Techniques: brush
Artist: hendrik kuipers
Artist role: print maker
Artist dates: 1764 – 1798
Subjects: dordrecht, print maker, hendrik kuipers
Inscriptions: date: ‘Anno 1797’, signature and date: ‘H. Kuipers’
A Short History of General James Ewell Stuart, from the Histories of Generals series of booklets (N78) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits

Miniature booklets from the "Histories of Generals" series (N78), issued in a set of 50 booklets in 1888 to promote W. Duke Sons & Co. brand cigarettes. Each booklet consists of 16 pages with covers.
Greep van gevest uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: greep gevest
Materials: copper, wood
Location: middelburg
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Greep van een gevest van een blank wapen bestaande uit een ronde houten kern verticaal dekkend omwonden door driestrengs koperdraad en één diagonale tweestrengs koperdraad. Van dit exemplaar glimt het koperdraad. De greep is rechthoekig uitgeboord.
De kerk waar de hostie wordt bewaard brandt af maar de hostie blijft gespaard, 8
Object type: history print
Date: 1639 – 1699
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: amsterdam

De kerk waar de hostie wordt bewaard brandt af maar de hostie blijft gespaard. Op de voorgrond jammerende toeschouwers. Prent nr. 8 uit de serie van 16 voorstellingen van Het Mirakel van Amsterdam, naar de gebeurtenissen op 15 maart 1345. Kopieën naar de reeks van Bolswert. Onder de voorstelling in de plaat gegraveerd een zesregelig vers in het Latijn, daaronder een zesregelig vers in boekdruk in het Nederlands.
St. Bartholomew, standing in frontal view with head facing to right and holding martyr's palm with both arms, from "Christ and the Twelve Apostles"
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: master f. p.
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: saints
The Poet Virgil in a Basket
Object type: print
Date: 1512 – 1512
Techniques: woodcut
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: buildings,swords,men,dogs,crowd,baskets
Fringe
Object type: fringe
Date: 1750 – 1750
Materials: metal thread, silk
Katholische Hofkirche te Dresden
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: italy
Artist: bernardo bellotto
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1780
Subjects: city-view, and landscape with man-made constructions, river, church (exterior)
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Katholische Hofkirche aan de Elbe te Dresden. Titel en wapenschild in ondermarge.
Antependium
Object type: antependium
Date: 1501 – 1600
Materials: metal thread, silk

A great ornamental development of the ancient palmette motif was inseparably linked in the fifteenth and sixteenth centuries in Spain and Italy with the development of patterned velvet weaving. This particularly magnificent example of the combination appears also in a cope at the Hispanic Society.
Angarkha
Object type: coat
Date: 1701 – 1800
Materials: cotton
Location: india
Upright Piano (Ditanaklasis)
Object type: upright piano ditanaklasis
Date: 1800 – 1800
Materials: wood
Culture: austrian
Location: austria
Artist: matthias müller
Artist role: maker
Artist nationality: german
Artist dates: 1770 – 1840
Zes moralistische en satirische voorstellingen
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Inscriptions: collector's mark: Lugt 2228

Zes prenten uit een serie van twaalf moralistische en satirische voorstellingen. De scènes werden op een plaat geëtst. Deze serie is ook gebruikt in: Almanac genéalogique pour l'an 1779. Lauenburg: J.G. Berenberg. Deze serie is een herhaling van de serie met Duitse onderschriften die werd gebruikt voor de Duitse versie van deze almanak (zie: RP-P-OB-13.938). Later herhaalde Chodowiecki de serie nogmaals.
Naval Battle between Michiel Adriaenszoon de Ruyter and the Duke of York on the "Royal Prince" during the Battle of Solebay, 7 June 1672:  episode from the Third Anglo-Dutch War
Object type: painting
Date: 1691 – 1691
Materials: canvas, oil
Artist: willem van de velde (ii)
Artist role: draughtsman, painter
Artist dates: 1633 – 1707
Subjects: flushing, michiel adriaenszoon de ruyter, sailing-ship, sailing-boat, battle (+ sailing-ships), battle of solebay
Inscriptions: signature: ‘W. vand. Velde Int.’, signature and date: ‘W. v. Velde J. 1691’

Het gevecht van Michiel Adriaenszoon de Ruyter tegen de hertog van York op de 'Royal Prince' tijdens de zeeslag bij Solebay, 7 juni 1672: episode uit de Derde Engelse Zeeoorlog (1672-74). In het midden vaart het Engelse schip, zonder het bovendeel van de mast. Rond dit schip zeilen enkele kleine schepen.
Interieur van een atelier met een tafel bij het venster
Object type: print
Date: 1851 – 1924
Materials: paper
Techniques: lithograph
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: window, workshop, studio of the artist (in general)
Inscriptions: number: ‘n. 30’, collector's mark: Lugt 2228, inscription: ‘13 1/2 Cm. [...] 8011’

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 30.
Bronze of Antonius, 138 A.D., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Meditation
Object type: print
Materials: paper
Techniques: etching
Location: spain
Artist: mariano fortuny, 1838–1874
Artist role: artist
Artist nationality: spanish
Artist dates: 1838 – 1874
Study of Venus and Cupid, from Prove di Vari Rami Inediti [...]
Object type: print
Date: 1801 – 1900
Materials: ink
Techniques: aquatint, etching
Artist: francesco rosaspina
Artist role: artist
Artist nationality: italian
Artist dates: 1762 – 1841

According to a list compiled by Bertha H. Wiles in 1952, pages 2, 32, 33, 37, 38 and 39 of this portfolio are proofs for a work actually published: Inig's Disegni Originali, 14 plates published in Bologna before 1788. (Weigel 59.63). The notice printed on the verso of the Frontispiece (41.97.286(2)) refers to proofs of about 70 prints by Rosaspina after Parmigianino of drawings in the collection of Antonio Armano in Venice. This work was never published (Copertini, op. cit, II.63). According to Wiles, the drawings reproduced in the proofs of this portfolio most likely belong to this unpublished work. Seventeen of them feature the inscription: "Dal Gabinetto del Sig. Giovanni Antonio Armano Veneto." The others either are proofs, or the inscription has been cut away.
Rape of Persephone with Pluto on horseback at right
Object type: print
Date: 1590 – 1607
Techniques: woodcut
Artist: giuseppe scolari
Artist role: artist
Artist nationality: italian
Artist dates: 1562 – 1607
Subjects: men,women,horses,chariots,persephone,pluto

Smitten by love for Proserpina, Pluto (also known as Hades), lord of the Underworld, carried her off violently in his infernal chariot, plunging through the Bay of Cyane into his subterranean realm. Scolari, who was also a painter, is best known today for his technically inventive and highly expressive woodcuts, which he both designed and cut. In his only depiction of a mythological subject, the artist captures the moment when the earth splits open, the waters of the bay pour into the void, and the fires of Hades issue forth, while the maiden struggles to free herself from her captor. This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Portrait of a Man
Object type: painting
Date: 1800 – 1850
Materials: canvas, oil
Culture: american
Subjects: men,portraits
At Dinner
Object type: print
Date: 1790 – 1790
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: food,satire,men,dogs,dining

A man eats dinner at left while another man pours him wine at right. A begging dog tries to jump up to the table.
Voorzichtigheid
Object type: print
Date: 1654 – 1666
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues
Inscriptions: collector's mark: Lugt 2228

Prudentia (voorzichtigheid) als naakte vrouw, zittend, op de rug gezien, kijkend in een spiegel.
De S. Antonis poort 1544
Object type: book illustration
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bridge in city across river, canal, etc., city-gate

Prent uit: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (...). 2 dln. Amsterdam: Isaak Tirion, 1760, dl. 1, p. 325.
Serie 1: Landschappen
Object type: print
Date: 1633 – 1670
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: water course
Inscriptions: collector's mark: Lugt 240

Landschap met twee bomen op een heuvel, links water.
Groepsportret van medewerkers van Schaefer's Sprookjesstad Lilliput
Object type: photomechanical print
Date: 1920 – 1940
Materials: paper
Techniques: photograph
Location: lübeck
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Schaefers Liliput Revue’
Length of roller printed cotton
Object type: piece
Date: 1830 – 1835
Materials: cotton
Techniques: glazing, printing
Subjects: windows,coat of arms

Probably intended for use as a window shade, this furnishing fabric presents a Gothic Revival motif of stained-glass windows replete with tracery, Tudor rose, and Campbell coat-of-arms. Although extremely popular, such repeating architectural patterns were condemned by Augustus Welby Pugin, who noted that "a moment's reflection must show the extreme absurdity of repeating a perspective over a large surface with some hundred different points of sight: a panel or wall may be enriched and decorated at pleasure, but it should always be treated in a consistent manner."
The water reservoirs, known as the Bends, in the Forest of Belgrado near Istanbul.
Object type: painting
Date: 1744 – 1763
Materials: canvas, oil
Location: dresden
Artist: johann christian vollerdt
Artist role: painter
Artist dates: 1708 – 1769
Subjects: dammed-up lake

Calkoen owned a country house in Belgrade Forest, north of Istanbul. Vanmour painted that landscape, from which Vollerdt made this copy. Calkoen met Vollerdt in Dresden (his next diplomatic post), where he planned once again to acquire a large number of paintings by a single artist. He probably had Vollerdt copy Vanmour’s painting to assess his skills.
Tassel
Object type: tassel
Date: 1567 – 1633
Materials: silk
A Dead Bird (Quail?) Seen from Below
Object type: drawing
Date: 1685 – 1755
Materials: graphite, watercolor
Artist: count giorgio durante (duranti)
Artist role: artist
Artist nationality: italian
Artist dates: 1685 – 1755
Subjects: birds
Seahorse pendant
Object type: pendant
Date: 400 – 900
Materials: gold
Culture: international style
Location: panama
Artist: international style artist(s)
Artist role: artist
Subjects: animals
Print
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: men,portraits,mountains
Gezicht op een eed aan Vazerol en een opvoering tijdens de Calven-Feier te Chur
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: chur
Subjects: activities in the air ~ public festivities, e.g. fly-past, musical drama, performance of musical drama, swearing an oath (with two fingers raised)
Inscriptions: number: ‘I. II.’
Crown of Cornflowers, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847