deem-data/ArtiFact huggingface dataset:
The Feast of the Gods at the Marriage of Cupid and Psyche
Object type: print
Date: 1587 – 1587
Techniques: engraving, printing
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: cupid,psyche,satyrs

Comprising about seventy figures and printed from three engraved plates, this print was the largest and most famous of the Haarlem engraver's collaborations with Bartholomeus Spranger, court painter to Emperor Rudolf II in Prague. The daring composition—a bravura display of elegant twisting and turning figures—was of great importance in disseminating Spranger's Mannerist aesthetic and Goltzius's virtuoso engraving style throughout Europe. As is typical of Mannerist works, the main subjects of the scene are placed in the background: the small figures of Cupid with large wings and his bride, Psyche, the mortal beauty who is being admitted to the ranks of the gods, are at the head of the table in the center. The wedding guests surround the couple; Bacchus pours the drinks, while Apollo and the Muses serenade the company. The drawing for the print is in the Rijksmuseum, Amsterdam.
Portret van Paul Lersch
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Terracotta fragments of a lekythos (oil flask)
Object type: lekythos fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

One fragment depicts the tail and heel of foot of a satyr to right, with a wineskin (loop of wineskin is preserved); below, ivy; a second fragment has a pointed amphora with ivy; a third fragment is a large black glaze fragment from the body of the lekythos; the fourth fragment is the foot with a bit of the bottom of the lekyhos; the top surface of the foot is glazed; the outer edge and resting surface of the foot is unglazed
Cascadilla Creek, Ithaca, N.Y. 1st Fall
Object type: photograph
Date: 1860 – 1865
Techniques: albumen print
Location: ithaca
Artist: j. c. burritt
Artist nationality: american
Artist dates: 1860 – 1869
Scorpion Ornament
Object type: ornament
Date: 501 – 700
Materials: metal
Culture: moche
Location: peru
Subjects: scorpions
Thiers
Object type: photomechanical print
Date: 1867 – 1877
Materials: cardboard, paper
Techniques: woodburytype
Location: paris
Subjects: marseille, politician, adult man, historical persons
Inscriptions: address: ‘GALERIE CONTEMPORAINE, 126, boulevard de Magenta.’, address: ‘rue d'Anjou-Saint-Honoré, 51.’, number: ‘565[?]/ 200,=’, number: ‘1568’, number: ‘81’
Zuidelijke gevel van de Sint-Annakerk te Hantumhuizen
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: hantumhuizen
Subjects: church (exterior)
Inscriptions: annotation: ‘Westdongeradeel/ Hantumhuizen’, annotation: ‘Hantumhuizen (Fr.) / Zuid gevel N.H. Kerk / Augustus 1900’
Philipp Melanchthon
Object type: print
Date: 1515 – 1586
Techniques: woodcut
Artist: lucas cranach the younger
Artist role: artist
Artist nationality: german
Artist dates: 1515 – 1586
Subjects: men,portraits
Foyers et coulisses
Object type: book
Date: 1875 – 1875
Materials: paper, photographic support
Techniques: albumen print, printing
Beaker
Object type: beaker
Date: 1820 – 1820
Materials: glass
Subjects: cathedrals
Ferdinand Victor Eugène Delacroix (1798–1863)
Object type: medallion
Date: 1828 – 1828
Materials: bronze, patina
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Maria Tesselschade Visscher
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: amsterdam, maria tesselschade roemers visscher, anonymous historical person portrayed alone - bb - woman

Prent waarschijnlijk uit: Scheltema, Jacobus. Anna en Maria Tesselschade, de dochters van Roemer Visscher. Amsterdam: J.W. Ijntema en Comp., 1808.
View of the Temple of the Temple of the Sibyl at Tivoli, from Vedute di Roma (Roman Views)
Object type: print
Date: 1761 – 1761
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: temples,rome
Quilt Cover
Object type: quilt cover
Date: 1900 – 1900
Materials: gold, textile, silk
Techniques: embroidery
Culture: chinese
Subjects: birds,children,men,women,horses,flowers
Gore Besje
Object type: print
Date: 1657 – 1670
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: old woman, chamber-pot, chamber-pot is emptied from above ~ chasing away (unwanted) lover
Inscriptions: collector's mark: Lugt 2228

Een oude vrouw gooit de inhoud van haar pispot uit het raam. Onder de voorstelling een vers van vier regels in het Nederlands.
Die Männer des deutschen Volks, besonders nach Biows Lichtbildern auf Stein gezeichnet von Schertle und Hickmann, oder Deutsche National-Gallerie
Object type: print
Date: 1848 – 1849
Materials: paper
Techniques: lithograph
Location: frankfurt am main
Subjects: politician, adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
Actress with monocle and cigarette, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,smoking,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Landschap rond Amersfoort
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching
Location: leiden
Artist: jacobus ludovicus cornet
Artist role: draughtsman, print maker
Artist dates: 1815 – 1882
Subjects: river
Inscriptions: collector's mark: Lugt 2228

Gezicht op het landschap rond Amersfoort, gezien van op de toren van Ridderhofstad Sterkenburg. Op de voorgrond rechts de kantelen van het kasteel. De zon breekt door de wolken.
Kanunnikskraag van kloskant met symmetrisch patroon
Object type: collar
Date: 1725 – 1729
Materials: linen
Techniques: lace
Location: europe
Artist: Anonymous

Kanunnikskraag van naturelkleurige Brabantse kloskant. Symmetrisch patroon met palmetten, voluten en bloemmotieven met verhoogde contouren. De motieven zijn gemaakt in netslag en linnenslag met reliëfcontouren. Ze zijn met elkaar verbonden door verschillende siergronden. De schulpenrand rondom de kraag komt voort uit het patroon. Niet geschulpt maar glad is de de rand die om de nek sluit. De 18e-eeuwse kraag heeft in de 19e eeuw toebehoord aan monseigneur Simon, aalmoezenier van Marie-Henriëtte, gemalin van Koning Leopold II van België.
Untitled
Object type: drawing
Date: 1916 – 1916
Materials: graphite, paper
Artist: morton schamberg
Artist role: artist
Artist nationality: american
Artist dates: 1881 – 1918
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of helmet, upper torso, and right arm and hand of warrior holding a spear
Figuren op straat
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: street (+ city(-scape) with figures, staffage)

Blad 15 verso uit schetsboek LV met 21 bladen.
Bottle-Shaped Vase with Dragons
Object type: vessel
Materials: porcelain
Techniques: incising, underglaze
Location: china
The Actor Yamashita Kinsaku II as Oishi (?) in the Play Kanadehon Chushin Nagori no Kura (?), Performed at the Nakamora Theater (?) in the Ninth Month, 1780 (?)
Object type: print
Date: 1780 – 1780
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Figure
Object type: female figure
Date: 3000 – 2001
Materials: stone
Culture: valdivia
Location: ecuador

The Valdivia figurine tradition represents the earliest known example of this form of artistic expression in the Americas. Initially produced from stone, these tiny statuettes have been interpreted as fertility figures, shamanic spirits, and mythical ancestors, although their precise meaning remains uncertain. Typically female, early stone figurines varied in form from simple engraved tablets to carefully carved miniature sculptures, like the one pictured here. This tiny figurine stands but 3.5 inches tall, and was probably made from a form of calcium carbonate. Most likely female, the figure's face is formed by a series of incised lines surrounded by a halo of straight, long hair. Her arms are indicated just barely and the faint impression of breasts is apparent. Her legs are formed by two vertical lines that flare slightly at the waist and feet. Although ceramic figurines eventually came to replace stone figures in Valdivian culture, many of the traits were based on their stone predecessors.
Apostel Judas Taddeüs
Object type: print
Date: 1591 – 1629
Materials: paper
Techniques: engraving
Location: prague
Subjects: male saints (with name)
Inscriptions: collector's mark: Lugt 2228

Apostel Judas Taddeüs met pelgrimsstaf op zendingsreis. Onder de voorstelling staat een Latijnse regel uit de apostolische geloofsbelijdenis.
Kasteelpoort en een stadspoort
Object type: print
Date: 1796 – 1837
Materials: paper
Techniques: etching
Artist: domenico quaglio (ii)
Artist role: painter, print maker
Artist dates: 1787 – 1837
Subjects: city-view, and landscape with man-made constructions, city-gate - ii - ideal city, gate, entrance, village-gate
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2228
Ronde terrine met deksel en onderschotel van aardewerk
Object type: tureen
Date: 1760 – 1775
Materials: faience
Techniques: kiln
Location: straatsburg

Tureen and stand. Faience with petit feu decoration. Strasbourg (France), c. 1760 - 1775, factory of Joseph Hannong. The tureen marked J.H. for Joseph Hannong, the stand P.H. for Paul Hannong. On anonymous loan.
Portret van Johann Oldendorp
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Location: france
Artist: robert boissard
Artist role: print maker
Artist dates: 1570 – 1611
Subjects: historical persons, book, spiders, insects: butterfly
Inscriptions: collector's mark: Lugt 2228
Huizen aan een gracht, mogelijk in Beijing
Object type: album leaf
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: china
Artist: Anonymous
Subjects: urban housing, bridge in city across river, canal, etc.
Christ from Christ and the Apostles
Object type: print
Date: 1519 – 1519
Techniques: woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: angels,christ
Studies
Object type: sketchbook leaf
Date: 1901 – 1901
Materials: chalk, pencil
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924

Blad 68 recto uit een schetsboek met 79 bladen.
Drijvend nest van een zwarte stern bij het Naardermeer
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: albumen print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Inscriptions: annotation: ‘Schwimmendes Nest / der Trauerseeschwalbe / oder schwarze Seeschwalbe / im Naardermeer Holland’, signature: ‘foto / R Tepe’
Chop plate
Object type: chop plate
Date: 1800 – 1810
Materials: hard paste porcelain
Subjects: human figures,coat of arms
Portret van Anton Wilhelm Solnitz
Object type: print
Date: 1743 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: leiden, portrait of composer
Inscriptions: collector's mark: Lugt 240

Anton Wilhelm Solnitz, Duits-Boheems musicus en componist, was werkzaam in Nederland. Onder het portret een zesregelige tekst in het Latijn.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Left halves of six kylix handles with crosspiece
Portret van Maarten van Rossum
Object type: print
Date: 1542 – 1548
Materials: paper
Techniques: hand coloring
Location: antwerp
Artist: sylvester van parijs
Artist role: publisher
Subjects: antwerp
Inscriptions: number: ‘176’

Maarten van Rossum ten voeten uit. Bovenaan tienregelige tekst in het Nederlands. Links en rechts van zijn hoofd zijn naam. Uitgegeven als vlugschrift; drukte de woede van bevolking uit over de aanslag op Antwerpen in 1542.
Landschap met een familie, een schaap en een hond
Object type: watercolor
Date: 1842 – 1842
Materials: paint, paper, pencil, watercolor
Techniques: brush
Artist: willem valter pzn
Artist role: draughtsman
Artist dates: 1821 – 1847
Subjects: dog
Antennae Sword
Object type: antenna sword
Date: 1500 – 500
Materials: copper
Culture: indian
Letter to Pierre Marie Pietri, with envelope
Object type: drawing
Materials: ink
Techniques: pen
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Portret van Friedrich Leopold, Freiherr von Schrötter
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: stippling
Location: berlin
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Neue Berlinische Monatschrift, juli 1801.
Ovoid covered jar with a woman reading a letter and finial in the shape of a shishi
Object type: covered jar
Date: 1650 – 1699
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Eivormige dekselpot van porselein, beschilderd in onderglazuurblauw en op het glazuur goud. Op de buik twee vakken met in één een zittende vrouw met een brief in haar hand, de ander met twee bloeiende bomen bij rotsen en een hek. Op de schouder een band met spriralen en prunusbloemen. Rond de voet een band met puntige bladmotieven. De hals met een decoratieve band. De deksel met dezelfde decoratie als de schouder; dekselknop in de vorm van een shishi (leeuwhond) op een rots, bedekt met goudverf. Pot is gebroken geweest, dekselknop is afgebroken geweest. Arita, blauw-wit.
Ear Ornament with Image of Visnu
Object type: ear ornament
Materials: gold
Culture: indonesian, javanese
Subjects: vishnu
Sampler
Object type: textile
Date: 1701 – 1800
Materials: ribbon, textile, silk, thread
Techniques: embroidery, embroidered, weave, stitching
Location: germany
New Modelbüch (Page 8r)
Object type: book print ornament architecture
Date: 1615 – 1615
Techniques: woodcut
Location: germany
Artist: andreas bretschneider
Artist role: designer
Artist nationality: german
Artist dates: 1573 – 1645
Subjects: flowers

Designed by Andreas Bretschneider, German, ca. 1578-?1640, printed by Henning Gross the younger, Leipzig. Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates.
Chessman
Object type: chessman
Date: 1801 – 1900
Materials: ivory
Subjects: chess,elephants,games
Cap
Object type: cap
Date: 1840 – 1840
Materials: linen
Culture: american
Fotoreproductie van de tekening door Arthur Grottger uit de serie Litouwen, voorstellende een man met een vlag tijdens een gevecht
Object type: reproduction
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: drawing, sketch, battle, flag, colours (as symbol of the state, etc.)
Inscriptions: name: ‘[...]ert [...]ograf’, name: ‘Vosmaer’
Glass and rock crystal beads
Object type: bead 15
Date: 1 – 200
Materials: glass, quartz
Culture: roman
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 351
Materials: terracotta
Culture: greek, attic

Exterior, head and extended arms of a youth to right; in the field, a fillet
De Chineesche automaat
Object type: cartoon
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: europe represented allegorically; 'europa' (ripa), personifications of countries, nations, states, districts, etc., (story of) mercury (hermes), political caricatures and satires, china, europe
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 1 juli 1900.
Aanleg van het Viaur Viaduct in Frankrijk door de Societé de Construction des Battignolles, 20 april 1900
Object type: photograph
Date: 1900 – 1900
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)
Inscriptions: inscription: ‘Carmaux’
Onze Reiziger
Object type: cartoon
Date: 1889 – 1889
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), waving farewell ~ departure on a journey, peace, political caricatures and satires

Rijkskanselier Otto von Bismarck wenst zijn zoon, de buitenlandse gezant, Herbert von Bismarck een goede reis. Zijn reisgenoot bij deze missie om vrede te brengen in Europa, de Duitse keizer Wilhelm II, loopt de deur al uit.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, tendril; winged male to right, with arms extended in front of him
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander with billeting; Exterior, genitals and thighs of a male with a himation, holding a staff in his left hand
Ceiling Design, with Sketches of Ornamental Border, Helmeted Head (recto); Sketches of Ornamental Details (verso)
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: italy
Artist: school of giovanni da udine, called giovanni dei ricamatori
Artist nationality: italian
Artist dates: 1487 – 1561
Bodhisattva Guanyin Riding a White Lotus Petal
Object type: album leaf
Date: 1601 – 1800
Materials: metal thread, silk
Techniques: embroidery, weave
Culture: chinese
Subjects: buddhism,bodhisattvas
Gezicht op de Engelenburcht in Rome
Object type: cabinet photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: engelenburcht
Artist: Anonymous
Subjects: parts of church exterior and annexes: chapel - qq - small church, chapel, monument, statue
Inscriptions: annotation: ‘Roma/ [...]’
Collar
Object type: collar
Date: 1895 – 1895
Materials: linen
Culture: american
Zoutlepel met ronde bak en ronde steel met bolbekroning
Object type: spoon
Date: 1800 – 1900
Materials: silver
Artist: Anonymous

Zoutlepel van zilver met een ronde bak en ronde steel met bolbekroning.
Das Hallische Tor
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: aquatint, etching
Artist: gottfried schadow
Artist role: print maker
Artist dates: 1764 – 1850
Subjects: political caricatures and satires
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Enige Franse soldaten staan voor de Hallische Tor die met succes wordt verdedigd door een beer en nog twee figuren. Op de achtergrond Napoleon te paard bij een legertent en vluchtende ruiters. Tussen de figuren Franse teksten en "22. August 1813".
Stoomkraansysteem Brown
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, paper
Techniques: photography, printing
Location: haarlem
Subjects: indië

Foto van een kraan, op karton geplakt, in rood gelijnd kader met tekst onder en boven waarop opdrachtgever e.d. Vervaardigd voor Staatsspoorwegen Sumatra. Opschrift; b. en o.: 'Gebr. Figee - Haarlem - Holland'.
Vignetten
Object type: print
Materials: paper
Techniques: engraving
Location: paris
Artist: Anonymous

Vignet. De ene putto heeft een passer vast, de andere een rechthoek. In het medaillon staan twee gekruiste palmbladeren, een ster en een halve maan.
Harness Pendant
Object type: harness pendant
Date: 1400 – 1400
Materials: copper alloy
Culture: french
Location: france

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Latonavijver in de tuinen van Versailles
Object type: page
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: ornamental fountain
Inscriptions: inscription: ‘VERSAILLES DAGUERRÉOTYPÉ No. 36.’

Prent op honderddrieënveertigste ongenummerde pagina.
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1884 – 1896
Materials: cardboard, paper
Techniques: albumen print
Location: groningen
Artist: friedrich julius von kolkow
Artist role: fotograaf
Artist dates: 1839 – 1914
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘GOUDEN MEDALJE VOOR KUNST EN WETENSCHAP v Z. M. de KONING v WÜRTTEMBERG/ aan het lint der Frederiksorde/ PHILADELPHIA 1876. WIEN 1873./ FR. JUL. VON KOLKOW/ KONINKLIJK NEDERLANDSCH HOF-PHOTOGRAPH/ Silberne Voigtländer Medaille Kunst u Wissenschaft Oldenburg/ en tien zilveren Medaljes op andere Tentoonstellingen./ GRONINGEN/ Groote Markt bij de/ Martinitoorn./ Specialiteit in Vergrootingen.’
Fabrieksarbeidsters met emmers te Sereda in Rusland
Object type: photograph
Date: 1903 – 1904
Materials: photographic support
Techniques: gelatin silver print
Location: russia
Artist: joseph cheetham
Artist role: engineer
Subjects: factory-interior, machine shop, barefoot, working class, labourers - aa - women, container of metal: bucket, can, canister, drum, tin, russia

Onderdeel van Fotoalbum van de Engelse familie Cheetham met opnames van hun verblijf in Rusland.
Drie vrouwen in een prieel op een heuvel te Japan
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: japan
Subjects: (high) hill, summer-house, arbour, garden-house (dutch: 'theekoepel')
Inhoudsmaat van 1/2 decaliter
Object type: inhoudsmaat droge waren
Date: 1825 – 1825
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: netherlands