deem-data/ArtiFact huggingface dataset:
Twelve emergency coins from Dutch cities
Object type: koningsdaalder
Materials: silver
Techniques: striking
Location: groningen
Artist: balthasar wijntgens
Artist role: mintmaster
Artist dates: 1577 – 1592
Subjects: groningen, tachtigjarige oorlog, inname van groningen

The cities besieged by the Spanish army for having revolted against Spanish rule in the 1570s experienced severe shortages of virtually everything, including money to pay the soldiers. Emergency money was therefore minted. Gold, silver, paper: anything in the cities under siege could be used as temporary currency.
Monk Seated Before a Ruined Gateway
Object type: drawing
Materials: ink, watercolor
Techniques: pen
Location: france
Artist: françois marius granet
Artist role: artist
Artist nationality: french
Artist dates: 1775 – 1849
Subjects: ruins,monks
Flora Aestiva, Goddess of Summer, from the Goddesses of the Greeks and Romans series (N188) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: fans,goddess

Trade cards from the "Goddesses of the Greeks and Romans" series (N188), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
De Bedelaar
Object type: print
Date: 1719 – 1759
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: beggar
Inscriptions: collector's mark: Lugt 1641, stamp

Prent met andere letterzetting gebruikt in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Janssoons van Waesberge, 1719, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman de Jonge, 1741, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman, 1759, dl. 2. Huidige prent uit een andere editie. Naar een prent van: Jan Luyken.
Cup-Hilted Rapier
Object type: cup hilted rapier
Date: 1650 – 1650
Materials: steel
Culture: german or spanish
Location: germany

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Slangenzuil te Constantinopel
Object type: photomechanical print
Date: 1885 – 1895
Materials: paper
Techniques: photoaquatint
Location: constantinople
Artist: Anonymous
Subjects: column, pillar ~ architecture
Inscriptions: title: ‘Serpentine Column in the Hippodrome.’
Actress wearing pink fez, from Stars of the Stage, First Series (N129) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Stars of the Stage, First Series" (N129), issued in an unnumbered set of 25 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Jacht op rijkdom
Object type: print
Date: 1576 – 1580
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: flattery; 'adulatione' (ripa), justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, hunting, chase, industriousness, assiduity; 'assiduità', 'industria', 'zelo' (ripa), covetousness; 'avaritia' (ripa) ~ personification of one of the seven deadly sins, saving, frugality, parsimony; 'parsimonia' (ripa), luck, fortune, lot; 'fato', 'fortuna', 'fortuna aurea', 'fortuna buona', 'fortuna pacifica overo clemente', 'sorte' (ripa), squandering, extravagance, prodigality, waste; 'prodigalità' (ripa), 'pecunia' (ripa)
Inscriptions: address: ‘Phls Galle. excud’, collector's mark: Lugt 2228

Zeer waarschijnlijk is deze prent identiek aan het exemplaar beschreven onder RP-P-1883-A-7597. Op de achterzijde is links nog heel vaag 'A 759' zichtbaar. Jacobs, G. en Klinkert, C,
Portret van Raimondo Montecuccoli
Object type: print
Date: 1663 – 1695
Materials: paper
Techniques: engraving
Artist: christiaan hagen
Artist role: draughtsman, print maker
Artist dates: 1635 – 1707
Subjects: commander-in-chief, general, marshal, historical persons
Pendant, One of a Pair
Object type: pendant
Date: 1001 – 1200
Materials: gold
Location: iran
Portret van een baby, zittend op een kleed met kussen
Object type: photograph
Date: 1900 – 1930
Materials: ivory
Techniques: hand coloring, photography
Artist: Anonymous
Subjects: infant, baby
Gewaltthätige Eroberung der Vestung Gaeta
Object type: print
Date: 1712 – 1715
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: charles vi (holy roman emperor), siege, position war, battle (+ naval force)

De bestorming en verovering van Gaeta van de Geallieerde troepen namens koning Karel III, 30 september 1707. De centrale voorstelling van de vloot voor de stad in een rijk versierde ornamentele omlijsting met bovenaan een draperie met een gezicht op de Italiaanse kust. Onderaan een cartouche met de beschrijving van de gebeurtenissen in het Duits, bekroond door twee stroomgoden en een wapen met het monogram CR van Carolus Rex. Aan de zijkanten fonteinen met figuren. Blad in de gebonden verzameling platen uitgebracht onder de titel: Repraesentatio belli ... Der Spanische Successions-Krieg [ca. 1720].
t Huys te Rozendael van de binnenplaats aen 't inkomen, met een gedeelte (...)
Object type: book illustration
Date: 1718 – 1718
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: castle
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Outrein, Johannes d’. Wegwyser door de heerlykheid Roosendaal ofte, de Roosendaalsche vermakelykheden. 3e druk. Amsterdam: Gerard van Keulen, 1718.
Trumeau met hertenkop
Object type: titelprent, frontispice
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: johann thomas hauer
Artist role: print maker
Artist dates: 1748 – 1820
Subjects: half-column, pilaster ~ architecture
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerp voor trumeau met tafel, paneel, hertenkop, guirlandes, lauwerkrans en muziekinstrument.
Portret van Friedrich Eberhard von Rochow
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: stippling
Location: berlin
Artist: johann samuel ludwig halle
Artist role: print maker
Artist dates: 1763 – 1829
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een jongen
Object type: drawing
Date: 1861 – 1918
Materials: chalk, charcoal, paper
Artist: thérèse schwartze
Artist role: draughtsman, painter, print maker
Artist dates: 1851 – 1918
Subjects: anonymous historical person portrayed alone
The Gion Festival, Kyoto (Kyoto Gion sairei), from the series "One Hundred Views in the Various Provinces (Shokoku meisho hyakkei)"
Object type: print
Date: 1859 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
Finger Ring with Oval Bezel
Object type: ring
Date: 601 – 700
Materials: gemstone, gold
Culture: frankish
Location: northern france
Zittend meisje met een grote kruik
Object type: drawing
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Funerary Papyrus of Nesiamun
Object type: papyrus, funerary, nesiamun
Date: 1070 – 945
Materials: ink, papyrus
Location: upper egypt, thebes
Portrait of Sir Francis Seymour Haden
Object type: print
Date: 1881 – 1881
Techniques: mezzotint
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Subjects: men,portraits,profiles
The Reign of Jupiter
Object type: relief
Date: 1550 – 1570
Materials: marble
Subjects: eagles,buildings,male nudes,centaurs,jupiter
Two Sketches of Oxen Hauling a Log
Object type: drawing and watercolor
Materials: graphite, paper
Location: france
Artist: charles françois daubigny
Artist nationality: french
Artist dates: 1817 – 1878
Criss, St. Louis, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: lithography
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Henry IV of France
Object type: medal
Date: 1590 – 1590
Materials: lead
Artist: philippe danfrie the elder
Artist role: artist
Artist nationality: french
Artist dates: 1531 – 1606
Subjects: men,profiles
Plate
Object type: plate dish
Date: 1670 – 1690
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous
Subjects: birds

Kakiemon ware was made between 1670 and 1690 in a highly distinctive style. The decoration is often asymmetric, leaving plenty of space for the white ground. The three sprays on this plate – from left to right, plum blossom, bamboo and pine (known as the ‘Three Friends of Winter’) – have been carefully arranged to achieve a balanced composition, despite the asymmetry.
Zeven graanschoven en een paard
Object type: drawing
Date: 1834 – 1911
Materials: chalk, ink, paper
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: horse
Hall for Serene Chanting
Object type: ink tablet
Date: 1867 – 1933
Materials: gilt, wood
Techniques: bookbinding
Culture: chinese
Artist: jian guzhai
Artist role: artist
Artist nationality: chinese

This ink tablet is from a sixty-four-tablet set (30.76.216–.279) commissioned by the Jiaqing emperor from the Studio for Appreciating the Antique (Jiangu Zhai) manufactory of the Wang Jinsheng family in Huizhou, Anhui Province. Each ink tablet commemorates a hall or pavilion in one of the imperial gardens. Each site’s name is written in gilt characters on one side; a view of the site is presented on the other. Such inks were purely decorative and not intended for use.
Portret van een vrouw met hoed en paraplu
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, head-gear: hat, umbrella, standing figure - aa - female human figure
Inscriptions: inscription: ‘Artist/ Photogrphers/ Lowthian Bro/ Art Studio/ Grimsby/ (...)’
Il Vignola Illustrato Proposto da Giambattista Spampani, e Carlo Antonini
Object type: book
Date: 1770 – 1770
Techniques: engraving, printing, woodcut
Location: italy
Artist: jacopo [giacomo] barozzi da vignola
Artist role: author
Artist nationality: italian
Artist dates: 1507 – 1573
Diverses Pieces de Serruriers, page 9 (recto)
Object type: album print ornament architecture
Date: 1663 – 1663
Techniques: engraving
Artist: jean berain
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1711
Subjects: birds,ornament

Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is for a lock plate and is in the shape of a rectangle. At the top of the design is a frieze decorated in the center with a composite nude figure with a head and limbs that form twisting vines of leaves, grotesque heads, and nude human torsos. Below this frieze is a key hole that is surrounded by foliage and ornamental architectural elements. A bird is perched on top of the key hole.
Portret van de Baron Hoogvorst, 1830
Object type: print
Date: 1830 – 1835
Materials: paper
Techniques: lithograph
Location: belgium
Artist: h.i. colleye
Artist role: print maker
Subjects: emmanuel van der linden d'hooghvorst, belgische revolutie
Inscriptions: collector's mark: Lugt 2228, : ‘Déposé’

Portret van Emmanuel van der Linden, baron d'Hooghvorst, ca. 1830. Commandant van de stedelijke schutterij in Brussel. Onderdeel van een groep portretten van personen die aan de Belgische Revolutie hebben deelgenomen of daardoor vermaard zijn.
Bronze finial of a kerykeion (herald's staff)
Object type: finial of a kerykeion
Date: 534 – 468
Materials: bronze
Culture: greek
Subjects: snakes

A pair of intertwined snakes typically surmounts the staff carried by Hermes, the messenger of the gods. Here they are set on top of a Doric column. The heads of the snakes are articulated with particularly fine detail.
Heqanakht Letter V
Object type: papyrus, letter, heqanakht
Date: 1961 – 1917
Materials: ink, papyrus
Location: egypt

Heqanakht was a native of Thebes (present day Luxor) during the early twelfth dynasty. As "ka-servant" of a high official he was responsible for the high official's statue cult and the administration of the land and income that had been endowed to maintain this cult. The letters and accounts written by Heqanakht and one or more scribes on sheets of papyrus were discovered by Museum excavator Herbert E. Winlock in the excavation season of 1921-1922 in the tomb of Meseh, who had a side passage and crypt in the tomb complex of the vizier Ipy, one of the rock cut tombs along the cliff overlooking the temples at Deir el-Bahri. The documents - some still folded, tied and sealed, when found - provide unique insights into the domestic and financial affairs of an average middle class family that lived almost four thousand years ago. This papyrus is inscribed with accounts and appear to be written as a fairly formal document. The accounts date to year 5 and year 8 and pertain to grain, cattle, bread, and wood, .
Sock
Object type: sock
Date: 1101 – 1300
Materials: cotton
Location: egypt
Strafgevangenis Ommerschans, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van 1 cent
Object type: huismunt prison money
Date: 1822 – 1830
Materials: silver, metal
Techniques: silvering, striking
Location: ommerschans
Artist: Anonymous
Subjects: maatschappij van weldadigheid, ommerschans

eenzijdige munt. Voorzijde: waardeaanduiding binnen parelrand. Keerzijde: blanco
Terracotta fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 525 – 510
Materials: terracotta
Culture: greek, attic

Exterior, lower part of eye with tear duct; part of a circumscribed palmette
Terracotta oil lamp
Object type: lamp
Date: 201 – 400
Materials: terracotta
Culture: roman, cypriot
Subjects: men

Vessberg Type 18. Unpierced handle. Mold-made. Discus: naked man facing front but moving to right, holding large bulbous jar in right hand and with an amphora below raised left hand; around edge of discus, short radiating lines. Two filling holes. On broad shoulder, stylized vines with many grapes. On slightly concave base, raised indistinct raised letters. Broken and repaired around underside of nozzle.
Cushion
Object type: cushion
Date: 1867 – 1900
Materials: silk
Culture: chinese
Subjects: flowers
Portret van een onbekend kind
Object type: page
Date: 1886 – 1886
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: child, historical persons not known by name
Inscriptions: copyright notice: ‘Copyrighted/ "86’
Portret van Willem IV, prins van Oranje-Nassau
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, william v (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Vissers op een golfbreker
Object type: sketchbook leaf
Date: 1914 – 1916
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: coastal protection work, breakwater, coast (+ landscape with figures, staffage)
Inscriptions: signature: ‘Willem c Rip’

Op de achtergrond een kust en huis. Blad 40 verso uit een schetsboek met 41 bladen.
Portretten van Balthasar Denner, Jacques Ignatius de Roore en Johannes Vollevens II
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving
Subjects: print maker, balthasar denner, antwerp, the hague, painter, jacques ignatius de roore, johannes vollevens (ii), historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent mogelijk uit: Gool, Johan van. De nieuwe Schouburg der Nederlantsche kunstschilders en schilderessen (...). Den Haag: Johan van Gool, 1751, dl. 2.
Wijzende oude vrouw
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: drypoint, etching
Location: london
Subjects: old woman, veil, morphology of human expression (+ adult female (human being))
Inscriptions: collector's mark: ‘B’, collector's mark: ‘RIJKS / MUSM’

Een oude vrouw. Ze draagt een hoofddoek en wijst naar rechts. De prent maakt deel uit van een album.
Boy with a Fawn
Object type: painting
Date: 1720 – 1720
Materials: canvas, oil
Culture: american
Subjects: boys,portraits,deer

Although this boy’s identity remains a mystery, his portrait endows him with attributes of his family’s position in colonial society. His beautiful embroidered coat indicates wealth and privilege, and the deer behind him is an emblem of longevity and discipline.
Portret van Matthias Hoë van Hoënegg
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: engraving, letterpress printing
Location: augsburg
Subjects: vienna, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en tekst in het Duits in boekdruk op het blad.
Sailboats on Canal near Spaarendam
Object type: drawing and watercolor
Date: 1751 – 1751
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: switzerland
Artist: jan de beyer
Artist nationality: swiss
Artist dates: 1698 – 1790
Tulp (Tulipa)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, paper, watercolor
Techniques: brush
Subjects: flowers: tulip

Wit-roze en rood-gele tulp. Genummerd rechtsboven: 42. Onderdeel van het eerste album met tekeningen van bloemen en planten. Achtste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Rijtjeshuizen in een Indiase stad
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: street
Inscriptions: kleurnotitie, handgeschreven

Pagina 101 uit een schetsboek met 84 bladen.
Portret van een man met wandelstok, mogelijk lid van de familie Beucker Andreae
Object type: photograph
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, anonymous historical person portrayed
Fotoreproductie van een fresco, voorstellende een portret van Cimabue
Object type: page
Date: 1878 – 1888
Materials: photographic support
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: cenni di pepo cimabue, portrait, self-portrait of painter
Drukkersmerk van Plantijn
Object type: printer's mark
Date: 1600 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Artist: Anonymous
Subjects: compasses, device (trade-mark of printer or publisher), constancy, tenacity; 'costanza', 'tenacità' (ripa), abstract ideas and concepts (+ personification)
Inscriptions: collector's mark: Lugt 2228

Drukkersmerk voor de drukkerij Plantijn-Moretus in Antwerpen. In het midden een hand met een passer, een verwijzing naar het uithangbord van de drukkerij 'De gulden passer'. Op een banderol het motto van Christoffel Plantijn: Labore et constantia. Naast het motto staan een mannelijke en vrouwelijke personificatie met schep en crucifix.
Landschap met de heilige familie en twee vroedvrouwen
Object type: print
Date: 1605 – 1673
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: midwife, 'accoucheuse', mary, joseph and the new-born christ (nativity)
Inscriptions: collector's mark: Lugt 2228

Landschap met een ruïne met Maria, het Christuskind, Jozef en de os. Twee vrouwen wassen lakens in een beek.
Mr Edward Scovel
Object type: page
Date: 1885 – 1887
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: adult man, historical persons
Sculptuur van Maria aan het portaal van de Notre-Dame te Parijs
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: parts of church exterior and annexes: portal, mary (without the christ-child), sculpture
Inscriptions: collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS <BR />AMSTERDAM <BR />FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST- <BR />NIJVERHEIDSONDERWIJS <BR />GABRIËL METSUSTRAAT No. 16. <BR />AMSTERDAM’, inscription: ‘CWN.’, name: ‘J. KUHN <BR />220, Rue de Rivoli <BR />PARIS’, inscription: ‘Gothische Kunst - Frankrijk. <BR />,,Notre-Dame'' te Parijs (...) Midden 13e Eeuw.’, number: ‘807’
Figuur en enkele dieren, mogelijk koeien, op een landweg
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: rural housing, e.g. country-house, villa, cottage, landscapes (+ landscape with figures, staffage)

Op de achtergrond twee huizen. Blad 22 verso uit een schetsboek met 33 bladen.
Stationary horizontal sundial
Object type: stationary horizontal sundial
Date: 1793 – 1793
Materials: brass
Artist: thomas pipe
Artist role: maker
Artist dates: 1750 – 1850
Subjects: sundials
Portret van Johann Jacob Eberlein
Object type: print
Date: 1700 – 1780
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
Vista del passeo de la ciudad de Marsella
Object type: opticaprent
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Location: italy
Artist: Anonymous
Subjects: avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage), marseille
Inscriptions: collector's mark: Lugt 2228
The Majesty and Beauty of Niagara
Object type: stereograph
Date: 1859 – 1862
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Subjects: waterfall
Inscriptions: address: ‘501 Broadway, New-York.’, number: ‘No. 650’
Goblet with a portrait of William IV
Object type: goblet
Date: 1750 – 1750
Materials: glass
Techniques: glassblowing, engraving
Location: rotterdam
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: the hague, willem iv (prins van oranje-nassau), historical persons
Inscriptions: signature: ‘A:Schouman. Fec=1750’, inscription: ‘HONI SOIT QUI MAL [Y] PE[NSE]’

translation of inscription: Shame on him who thinks evil of it
Vruchten en een tak met een vlinder
Object type: print
Date: 1781 – 1822
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: fruits
Inscriptions: collector's mark: Lugt 2228
Het lichaam van Christus
Object type: drawing
Date: 1610 – 1630
Materials: paint, paper
Techniques: brush
Location: verona
Artist: Anonymous
Subjects: christ's body lying on the ground, christ's body supported, lying figure

Het lichaam van Christus, uit een bewening.