deem-data/ArtiFact huggingface dataset:
Portret van marine-officier Bernard Dubourdieu
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
De doop door Christus (volgens Augustinus)
Object type: photomechanical print
Date: 1915 – 1930
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: christ baptizing (in judea) (john 3:26)
Inscriptions: number: ‘P 13’
Geldersche landschap Studien
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: christiaan johannes reinhold
Artist role: steendrukker
Artist dates: 1810 – 
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2228

Een landschap met naaldbomen en een pad dat naar een plas leidt. Onderdeel van een omslag met een serie van vier Gelderse landschappen.
Machinefabriek Braat vanuit de lucht
Object type: aerial photograph
Date: 1905 – 1929
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Subjects: colonial system, exterior of industrial structures, factories, java
Inscriptions: date

Gezicht op het complex met de fabrieksgebouwen van de Machinefabriek Braat te Soerabaja, gezien vanuit de lucht, mei 1929. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Jogyakarta, uit de periode 1908-1942.
Stencil with Design of Irises
Object type: stencil
Date: 1801 – 1833
Materials: paper, silk
Culture: japanese
Subjects: flowers
Promenade in Malines
Object type: photograph
Date: 1854 – 1856
Techniques: glass negative, salted paper print
Artist: louis-pierre-théophile dubois de nehaut
Artist role: artist
Artist nationality: french
Artist dates: 1799 – 1872

Dubois de Nehaut had a particular fondness for railway stations, photographing them throughout Belgium and France. This image is an unprecedented attempt to capture movement for its own sake. The blurred outlines of the passing wagons are not to be construed as a technical flaw; rather, they are a novel expression of motion, here contrasted with the surrealistic stillness of the surrounding scene. A handwritten note on the mount states that the photograph was in fact taken by Pierre-Jean Maertens, Dubois de Nehaut's servant and photographic assistant. The photographer himself stands, hatless, on the right, conversing with the stationmaster, M. Carion, and an unidentified captain.
Plafond du Louvre
Object type: reproduction
Date: 1859 – 1869
Materials: paper
Techniques: photoaquatint
Location: fontainebleau
Artist: Anonymous
Subjects: (decorated) ceiling
Album of Sketches for Lacquer Decoration (Makie) 蒔絵
Object type: illustrated book
Date: 1840 – 1840
Materials: ink, paper
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: animals,waterfalls,flowers,landscapes
Sneeuw in Elspeet
Object type: print
Date: 1885 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: frederika henriëtte broeksmit
Artist role: draughtsman, print maker
Artist dates: 1875 – 1945
Subjects: prospect of village, silhouette of village, snow
Inscriptions: collector's mark: Lugt 2228

Besneeuwde weilanden. Op de achtergrond huizen en bomen.
Parakeet (one of a pair)
Object type: figure
Date: 1741 – 1741
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds
Armchair (fauteuil) from Louis XVI's Salon des Jeux at Saint Cloud
Object type: armchair
Date: 1788 – 1788
Materials: gold, silk, wood
Techniques: brocade, carving, gilding
Artist: georges jacob
Artist role: maker
Artist nationality: french
Artist dates: 1739 – 1814

The 1789 inventory of Saint Cloud mentions a much larger set of furniture that had been commissioned from Georges Jacob two years before for the Salon des Jeux du Roi, or King's Gaming Room, at Saint Cloud. Jacob, one of the most successful chair makers of the eighteenth century, supplied sixty-two pieces of furniture, including sixteen identical armchairs, for this room where fortunes were won and lost at the gaming tables. According to the detailed account, Jacob charged 24 livres per armchair for cutting the walnut to shape and joining the various parts together. The carving, by an unidentified carver, cost 180 livres, and the gilding, by Louis-François Chatard, amounted to 240 livres. A paper label pasted underneath the frame identifies it as having been ordered in February 1788 for the gaming room at Saint Cloud. The notches cut underneath the frame next to the maker's stamp indicate that it is the third of four chairs that were ordered from Georges Jacob at that time, to supplement the set he had supplied the previous year. These formal chairs with straight backs, called fauteuils meublants, would have been placed along the walls of the room together with the settees and bergères of the set. The rectilinear frame of the armchair, with its curved front seat rail, scrolled arm supports, and turned straight legs all carved with guilloches, rosettes, and stylized leaves, is the epitome of neoclassicism. The 1789 inventory describes the upholstery on the set as a gray blue brocaded gros de Tour, or ribbed silk. Much of the gaming room seat furniture, including twelve of the armchairs, was still recorded at the palace in the spring of 1798. The Museum's chair was eventually acquired by Georges Hoentschel. The 1908 catalogue of his collection lists its Saint Cloud provenance but not its maker or date.
Kussensloop
Object type: sloop
Date: 1692 – 1735
Materials: linen
Techniques: lace
Location: northern netherlands

Kussensloop van linnen met aan een uiteinde kloskant. Gemerkt kroon GS.
Alpes Vaudoises & Valaisannes
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Subjects: city-view, and landscape with man-made constructions, mountains
Let's just hope that this devil Mars doesn't pull out of his muzzle, from "News of the Day"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: animals,satire,women
Geboorte van Karel Jozef, aartshertog van Oostenrijk
Object type: history medal
Date: 1745 – 1745
Materials: bronze
Techniques: striking
Location: rome
Artist: ottone hamerani
Artist dates: 1694 – 1768
Subjects: vienna, maria theresia (rooms-duits keizerin), jozef ii (duits keizer), frans i stefan (duits keizer)

Bronzen penning. Voorzijde: naar elkaar gewende borststukken van man met lauwerkrans en vrouw met diadeem binnen omschrift. Keerzijde: naar elkaar gewende borststukken van twee kinderen binnen omschrift
Servet van pellendamast
Object type: napkin
Date: 1675 – 1725
Materials: linen
Techniques: weave
Location: north brabant
Inscriptions: mark: ‘18’

Servet van pellendamast. Elkaar snijdende rijen van ruiten vormen vierkanten, waarbinnen vijf blokken. Het servet is gehalveerd. Het servet hoort bij twaalf servetten en een tafellaken.
Figuere van alle de trecken der pennen
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: writing tools, calligraphy

Het snijden van een rietpen. In acht stappen wordt verteld hoe de punt gesneden moet worden. Daaronder twee legenda's. Boven en onder een mes. Een geometrisch figuur in het midden. De prent maakt deel uit van een album.
Portret van Maude met tamboerijn
Object type: cabinet photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: josé maria mora
Artist role: fotograaf
Artist dates: 1849 – 1926
Subjects: tambourine, girl (child between toddler and youth)
Portraicture de Diverses Vases
Object type: print
Date: 1628 – 1732
Materials: paper
Techniques: etching
Location: france

Het handvat wijst naar links, op de achtergrond zijn een tuin en een kanaal zichtbaar.
Raccolta di Teste
Object type: print
Date: 1771 – 1774
Materials: paper
Techniques: etching
Location: venice
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Subjects: head-gear: cap (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Prent uit serie Verzameling hoofden (Raccolta di teste). Giovanni Domenico Tiepolo vervaardigde in de winter van 1757-1758 en in de periode van 1771-1774 deze hoofden naar schilderijen en tekeningen van Giovanni Battista Tiepolo. De eerste uitgave verscheen in 1774 in twee delen met elk dertig prenten. Deze prent werd in de tweede staat met serienummer 7 opgenomen in deel 2.
Vrouw met kind
Object type: print
Date: 1724 – 1798
Materials: paper
Techniques: print drawing
Location: amsterdam
Subjects: mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2228

Een oude vrouw. In haar armen draagt ze een baby.
Chromatic Bass Horn in B-flat
Object type: chromatic bass horn in b flat
Date: 1825 – 1825
Materials: brass, copper
Culture: german
Location: germany
Piece
Object type: piece
Date: 1501 – 1600
Materials: metal thread, silk
Subjects: flowers,leaves
Quatrefoil Mold
Object type: mold
Date: 1390 – 1352
Materials: pottery
Location: egypt
Wine goblet
Object type: wine goblet
Date: 1751 – 1775
Materials: glass, lead
Techniques: engraving
Artist: simon jacob sang
Artist role: engraver
Artist nationality: dutch
Artist dates: 1720 – 1786
Amstelodami veteris et novissimae urbis accuratissima delineatio
Object type: print
Date: 1662 – 1664
Materials: ink, paper
Techniques: engraving, etching, hand coloring, pen
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), (story of) juno (hera), (story of) minerva (pallas, athena), seal (as symbol of the state, etc.) (+ city; municipal), attributes of minerva: owl, globe, maps of cities, continents represented allegorically, trade, commerce and finance, position-finding at sea; nautical instruments, coat of arms (as symbol of the state, etc.) (+ province; provincial), prospect of city, town panorama, silhouette of city, amsterdam
Inscriptions: inscription: ‘Amstelredam Verdeelt In 6. Regemente, 60. Compagnie Borgers, De Naemen der Capiteijnen, En met Nommers Aengewesen Onder Welck Regement Ider Sorteren, En Over Welcke Wijck Ider Capiteijn sij (...)’, collector's mark: Lugt 195

De datering (1669-1673) is de datering van de staat van de prent en is niet gebaseerd op het aantal burgerwijken of de namen van de kapiteins van de burgerwachten. Vermoedelijk zijn deze namen - zowel de namen die op het opgeplakte stuk papier staan als de namen op de daaroverheen geplakte strookjes papier - echter niet lang na het verschijnen van de prent aangebracht. Over Joan Blaeu, die in 1673 overleed, is een strookje met de naam van Jacob Elias geplakt. Over bijvoorbeeld Nicolaes van Loon, die in 1676 overleed, is dit niet gedaan en zijn ook geen sporen van een afgevallen strookje te vinden.

Zie RP-P-AO-20-45 voor eerdere staat en RP-P-AO-20-45A, RP-P-AO-20-48 (met indeling burgerwijken) en RP-P-AO-20-84 voor latere staten.

Voor een soortgelijke kaart in de collectie van het Stadsarchief Amsterdam zie: http://beeldbank.amsterdam.nl/afbeelding/010035000048.
Ontwerp voor de Mariakapel in de Saint-Sulpice in Parijs
Object type: ornament print
Date: 1738 – 1749
Materials: paper
Techniques: etching
Location: paris
Subjects: parts of church interior: chapel

Deze prent maakt deel uit van een album.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1734 – 1833
Materials: copper, silver alloy, gold
Culture: japanese
Location: japan
Artist: ichijosai hironaga (hirotoshi)
Artist role: maker
Artist nationality: japanese
Artist dates: 1800 – 1825
Subjects: fish
Marble pestle
Object type: pestle
Date: 2700 – 2200
Materials: marble
Culture: cycladic
Figurae et imagines bibliorum
Object type: print
Date: 1577 – 1627
Materials: paper
Techniques: etching
Location: cologne
Subjects: the embarkation of the ark
Inscriptions: collector's mark: Lugt 2228

De dieren betreden twee aan twee de ark onder toeziend oog van Noach en zijn vrouw. Links verzamelen Noachs zonen en hun vrouwen voorraden, om die aan boord te brengen. Onderaan een Bijbeltekst in het Latijn uit Gen. 6. Rechtsonder genummerd: 2.
Joshua and the Israelites Crossing the Jordan
Object type: drawing and watercolor
Date: 1501 – 1600
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: workshop of raphael
Mrs. Peter De Lancey
Object type: painting
Date: 1771 – 1771
Materials: canvas, oil
Culture: american
Artist: matthew pratt
Artist role: artist
Artist nationality: american
Artist dates: 1734 – 1805
Subjects: portraits,women
Old Man Pointing Left, plate 8 from Dessins des meilleurs Peintres d'Italie, d'Allemagne et des Pay-Bas Tirés de divers célebres Cabinets
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: aquatint, etching, wash
Location: netherlands
Artist: maria catharina prestel
Artist role: artist and publisher
Artist nationality: german
Artist dates: 1747 – 1794
A Short History: General Ambrose Powell Hill, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,flags,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Macroscelides proboscideus (Round-eared elephant shrew)
Object type: drawing
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: annotation: ‘Door mij, Oliphantsmuis [onderstreept] genaamt, [...]’

Determinatie gebaseerd op de korte oren.
Deksel van van steengoed met zoutglazuur; Staffordshire.
Object type: lid
Date: 1740 – 1760
Materials: stoneware
Techniques: salt glaze
Location: england
Artist: Anonymous

Het deksel heeft een leeuw of hond als knop.
Seated actress holding bag, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Seated Female Nude
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ sitting)

Haar handen rusten op haar knieën. Blad 13 recto uit schetsboek XVII met 31 bladen.
Freef Glen at Watkins
Object type: photograph
Date: 1860 – 1865
Techniques: albumen print
Location: ithaca
Artist: j. c. burritt
Artist nationality: american
Artist dates: 1860 – 1869
Meerpalen in de branding
Object type: print
Date: 1876 – 1916
Materials: paper
Techniques: woodcut
Artist: jacobus gerardus veldheer
Artist role: draughtsman, print maker
Artist dates: 1866 – 1954
Subjects: mooring-buoy, bollard, surf, breakers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Battersea Dawn (Cadogan Pier)
Object type: print
Date: 1861 – 1861
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Volk van Nederland
Object type: folder
Date: 1947 – 1947
Materials: paper
Techniques: printing
Location: the hague
Subjects: nationaal comite handhaving rijkseenheid

Folder van het nationaal Comite Rijkseenheid. Tweezijdig bedrukt blad papier, met oa. een oproep voor een demonstratieve bijeenkomst.
Drie witte jongens pesten een zwarte jongen
Object type: boekillustratie ontwerp
Date: 1895 – 1942
Materials: cardboard, paint, ink, watercolor
Techniques: brush, pen
Artist: wybo meijer
Artist role: draughtsman
Artist dates: 1885 – 1942
Subjects: boy (child between toddler and youth), mocking, insulting; teasing
Inscriptions: signature: ‘WIJBO. MEIJER.’, annotation: ‘Het nikkertje. "Zoodra ze hem zagen, plaagden ze hem.’, :, collector's mark: Lugt 2228

Op een straat staan drie witte jongens in jassen en met mutsen op. Ze roepen beledigingen naar een zwarte jongen die passeert. De zwarte jongen draagt een winterjas, sjaal en muts en heeft een tas onder de arm geklemd.
Collar
Object type: collar
Date: 1890 – 1899
Materials: linen
Culture: american or european
Bass Recorder in F
Object type: bass recorder in f
Date: 1801 – 1900
Materials: brass, ivory, wood
Culture: german
Location: germany
Christ Presented to the People: Oblong Plate
Object type: print
Date: 1655 – 1655
Materials: ink, paper
Techniques: drypoint
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Cartouches
Object type: ornament print
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Bottle
Object type: bottle
Date: 801 – 1000
Materials: glass
Techniques: glassblowing
Location: iran

This object was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Frame
Object type: frame
Date: 1767 – 1800
Materials: gilt bronze
Earring
Object type: earring
Date: 601 – 700
Materials: metal
Culture: japanese
Studie
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932

Pagina 13 uit een schetsboek met 58 bladen.
Victor le Bouthillier
Object type: print
Date: 1658 – 1658
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: men,portraits
Schotel
Object type: platter
Date: 1764 – 1768
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: jacobus adriaens halder
Artist role: fayencier
Artist dates: 1741 – 
Inscriptions: mark: ‘A/ JH/ 44’

Ronde schotel van blauw beschilderde faience. Op het plat is een boom (theeboom ?) voor een hek geschilderd en op de rand bloemmotieven. De schotel is gemerkt met het merk van de plateelbakkerij De Grieksche A. Bij de schotel horen vier identieke schotels met invnrs. BK-NM-13291-a, BK-NM-13291-b, BK-NM-13291-c en BK-NM-13291-e.
Johannes Hus
Object type: history medal
Date: 1710 – 1730
Materials: tin
Techniques: striking
Artist: jean dassier
Artist role: medailleur
Artist dates: 1676 – 1763

Tinnen penning, op de voorzijde het borstbeeld van Hus naar links, op de keerzijde zeven regels tekst.
Afbeelding, van het Gruwzaam Oproer, aangericht door de Prinsgezinden, te Goes, op den 30 Januarij, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: street-fights, riots, patriots (1780-1795)
Inscriptions: label: ‘Fr. M. No. 4760a’

Het oproer aangesticht door Prinsgezinden op de markt te Goes, 30 januari 1787. Gezicht op de Markt met het stadhuis en de Grote Kerk.
Tea caddy
Object type: tea caddy
Date: 1805 – 1805
Materials: silver
Location: amsterdam
Artist: jacobus carrenhoff
Artist role: silversmith
Artist dates: 1771 – 1848
Inscriptions: date letter: ‘W’, retailer's mark: ‘DIEMONT’, town mark, maker's mark, alloy mark

De ovale bus heeft een licht gewelfd, zich verbredend lichaam, dat aan de zijkanten iets hoger oploopt. Over de bus sluit een scharnierend, gewelfd deksel met een geknikte wand en een rechte onderrand. Het wordt bekroond door een ronde knop op een geprofileerd voetje. Langs de onderzijde van de bus en langs de onderrand van het deksel lopen filetranden. (Catalogus Amsterdams Goud en Zilver, catalogusnummer 159)
Portret van M. de Vries
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: leeuwarden
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: stamp, : ‘De ondergeteekende / verklaart dat dit portret / is gedrukt ter zijne / steendrukkerij. / S Hage 28 april 1855 / E Spanier’, : ‘Overgegeven aan het ge / meentebestuur der stad / Leeuwarden door den on / dergeteekende als uitgever / van dit werk, ter voldoening / aan artikel 6 der wet van / den 25ste january 1817 / Leeuwarden 1 mei 1855 / GTNSuringar’

Onder het portret de signatuur van de geportretteerde.
Dr. Theodor Kux
Object type: print
Date: 1830 – 1875
Materials: paper
Techniques: lithograph
Subjects: clergyman, adult man, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Gebraden kip
Object type: miniature
Date: 1700 – 1799
Materials: tin
Subjects: fowl (cock, hen, chicken, etc.)

Gebraden kip van hol metaal, grijs met roodbruin geschilderd; romp met vleugels opzij en poten naar achteren gestoken.
Louis XVIII
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: lodewijk xviii (koning van frankrijk), historical persons
Inscriptions: collector's mark: Lugt 2228a
Initiaal 'N' met een stralende zon
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: paris
Subjects: initial, sun as celestial body

Initiaal gebruikt voor: Genest, Abbé Charles-Claude. L'Histoire, à Madame la duchesse de Bourgogne (...). Parijs: Jean Anisson, 1697.
David en Goliath
Object type: miniature
Date: 1490 – 1550
Materials: paint, parchment
Techniques: brush
Artist: Anonymous
Subjects: david fighting goliath