deem-data/ArtiFact huggingface dataset:
Design for 4 seat Phaeton, no top, no. 3784
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van koningin Hendrik
Object type: photograph
Materials: cardboard, paint, photographic support, silk, textile, watercolor
Techniques: blind stamped, brush
Artist: Anonymous
Subjects: the hague, hendrik (prins der nederlanden (1876-1934)), historical persons, king
Inscriptions: annotation: ‘6-8-'01 Gerard’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Interior, double reserve line from tondo; Exterior, drapery
Stadsgezichten in Straatsburg, Frankrijk
Object type: album leaf
Materials: paper, cardboard
Techniques: gelatin silver print
Location: straatsburg
Subjects: square, place, circus, etc., church (exterior), bridge in city across river, canal, etc.

Blad bevat vijf foto's. Deze foto's maken deel uit van een album.
Arc Antique a Orange
Object type: photograph
Date: 1853 – 1853
Techniques: albumen print
Location: france
Artist: édouard denis baldus
Artist role: fotograaf
Artist nationality: french, born prussia
Artist dates: 1813 – 1889
Subjects: documentary
Inscriptions: Inscribed recto, in negative, lower left, in white: "Arc antique a Orange."; recto, in negative, lower center, in white: "No ["o" in superscript and underlined] 2."; signed recto, in negative, in white: "E. Baldus"; unmarked verso
Welcoming Descent of Amida Buddha
Object type: hanging scroll
Date: 1401 – 1600
Materials: gold, ink, silk
Culture: japanese
Subjects: buddha

Images of Amida Buddha descending from the heavenly realms were considered indispensable furnishings for people on their deathbeds. They show Amida Buddha, sometimes with attendants, welcoming a believer to the Western Paradise, a place free of suffering. The artist used gofun, a pigment made of ground oyster shells, to create raised patterns on the robe, such as the peonies along the hem, suggesting the texture of sumptuous textiles. century.
Chalcedony scaraboid seal
Object type: scaraboid
Date: 450 – 400
Materials: stone
Culture: greek
Subjects: monsters
[Francis Danby]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Borstbeeld in ovaal van George III van Engeland
Object type: drawing
Date: 1760 – 1820
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: london, george iii (koning van het verenigd koninkrijk)

Pendant van portret van Charlotte van Mecklenburg (inv. nr. RP-P-1910-1618). Coll. Verloren van Themaat. Geen prenten maar tek. liggen op Engels anon.
Marken
Object type: print
Date: 1880 – 1930
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: sea and coastal fishery (+ women (labourers)), clothes, costume (+ women's clothes), folk costume, regional costume
Inscriptions: collector's mark, collector's mark: Lugt 1641

Vissersvrouw van Marken, staande bij een hek waarover een visnet te drogen hangt. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht, Noord-Holland.
Groep mensen poserend voor het huis van dokter Smit te Zandvoort
Object type: photograph
Date: 1877 – 1877
Materials: paper, photographic support
Techniques: albumen print
Location: zandvoort
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Portret van Guillaume d'Aigrefeuille l'Ancien
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching, letterpress printing
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Du Chesne, François. Histoire de tous les cardinaux françois de naissance, ou qui ont esté promeus au cardinalat. Parijs: François Du Chesne, 1660.
Alexandermozaïek afkomstig uit het Huis van de Faun te Pompeï, voorstellend het gevecht tussen de legers van Alexander de Grote en Darius III
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: alexander fighting against darius at issus, pavement, floor ~ architecture, pompeii
Inscriptions: inscription: ‘CWN.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, inscription: ‘Pompeji.’
Limestone head of a man with a plain headdress
Object type: head, male
Date: 600 – 568
Materials: limestone
Culture: cypriot
Subjects: heads,men

The man has a short beard, and his lips preserve traces of red color. On each ear he wears two earrings.
Bes amulet
Object type: amulet, be
Date: 664 – 630
Materials: faience
Location: egypt
Mantle
Object type: mantle
Date: 1840 – 1849
Materials: silk
Culture: american or european
Iacobus Maior
Object type: print
Date: 1610 – 1647
Materials: paper
Techniques: engraving
Location: paris
Subjects: beheading of james, the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword - martyrdom, suffering, misfortune, death of male saint

Martelaarschap van Jakobus de Meerdere, in een kader met zes kleine scènes uit zijn leven. Onderdeel van een serie van twaalf voorstellingen van het martelaarschap van de apostelen. Onderdeel van een album met voornamelijk christelijke voorstellingen.
Pijpenkop
Object type: fragment
Date: 1760 – 1775
Materials: clay
Location: schoonhoven
Artist: machiel andriesz van oosterhout
Artist role: pijpenfabrikant
Subjects: directeur, hoogleraar, caspar jacob christiaan reuvens

Pijpenkop met de letters M V O en gekroonde N. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Déjatch Alámayou, King Theodore's Son
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: princes,boys,portraits,dolls

Déjatch Alámayou was taken to England after the British defeat of the Ethiopians at the battle of Magdala and the suicide of his father, Tewodros (Theodore) II, emperor of Ethiopia, in April 1868. Queen Victoria took an interest in Alámayou and saw to his education and protection, placing him in the care of Captain Tristram Speedy, who, like Cameron, had a home on the Isle of Wight. Speedy brought the child to Cameron’s house shortly after his arrival in England, and Cameron made ten photographs of the captain and his charge posed among Ethiopian exotica. In this image, the young orphaned prince cradles a little white doll and stares sadly into space, seemingly lost in thought. His name, Alámayou, means “I have seen the world.”
Sunset on the Lake, from the series, Views in Central Park, New York, Part 2
Object type: print
Date: 1864 – 1864
Techniques: lithograph
Artist: louis prang & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1800 – 1950
Subjects: men,women,sun,landscapes,evening
Representation de la Maison des Orphelins Walons, avec la Medaille Sur le Jubilé Celebré le 22 Avril 1771
Object type: print
Date: 1771 – 1773
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: memorial medal, orphanage
Terracotta model of a boat
Object type: model boat
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: boats

In its simplicity, this piece conveys the fragility of ancient vessels in relation to the vastness and power of the sea, which was a source of food and livelihood for traders. It was a barrier and, simultaneously, a link for an island like Cyprus. Such boats were used by ordinary people.
Portret van de schrijver Charles Dickens
Object type: photograph
Date: 1861 – 1866
Materials: paper
Techniques: albumen print
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: portsmouth, portrait of a writer
Apotheosis of Washington
Object type: print
Date: 1800 – 1802
Techniques: engraving, etching
Artist: john james barralet
Artist role: artist
Artist nationality: irish
Artist dates: 1747 – 1815
Subjects: eagles,george washington,women

Barralet’s popular image includes a depiction of the president based on works by the famed portraitist Gilbert Stuart. Washington rises from his tomb on a heavenly ray of light with the help of figures representing Genius and Immortality, while Faith, Hope, and Charity look on. America is personified both as Lady Liberty, seated atop armor and holding a staff on whose tip rests a liberty cap, and as a Native American man with braided hair and a headdress, quiver, and tomahawk. Hunched over in mourning and guarding Washington’s sarcophagus, they resemble images of sleeping soldiers at Christ’s tomb.
L'epopée de l'amour
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: etching
Location: paris
Subjects: lovers; courting, flirting
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1377, collector's mark: Lugt 1485
Buste van mannelijk naakt, driekwart naar rechts
Object type: drawing
Date: 1868 – 1940
Materials: chalk, paper
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Plaque with Court Official Holding a Protective Amulet
Object type: plaque
Date: 1540 – 1570
Materials: brass
Culture: edo period
Location: nigeria
Artist: ìgùn ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
Artist role: artist
Subjects: men
Glass jug with trefoil rim
Object type: oinochoe
Date: 301 – 500
Materials: glass
Culture: roman

Translucent pale blue green; handle and trails in same color. Plain rounded lip to trefoil rim; funnel-shaped mouth; short, cylindrical neck; squat, bulbous body; pushed-in bottom with off-center kick and small pontil scar; rod handle applied as a large pad, drawn up and out, then turned in and trailed on to back of rim over trail. Single trail applied as a pad to neck and wound round in a spiral ten times up neck and underside of mouth. Complete except for part of trail and some cracks in side of body; pinprick and small elongated bubbles; dulling, pitting, and brownish weathering on exterior, patches of soil encrustation and iridescent weathering on interior.
Powder Horn of John Mahard
Object type: powder horn
Materials: iron, wood
Culture: colonial american
Location: united states
Artist: john bush
Artist role: artist
Artist nationality: american
Artist dates: 1720 – 1763
Persoon in boot starend in het water van een vijver met waterlelies
Object type: drawing
Date: 1895 – 1900
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: c. lapine
Artist role: draughtsman
Subjects: flowers: water-lily, lake
Stadsgezicht met kerktoren
Object type: sketchbook leaf
Date: 1849 – 1895
Materials: paper, pencil
Artist: willem koekkoek
Artist role: draughtsman
Artist dates: 1839 – 1895
Subjects: city-view, and landscape with man-made constructions, parts of church exterior and annexes: tower

Blad 36 verso uit een schetsboek met 42 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of head of youth to left; Exterior, lower drapery, calves, and stick of youth; hare; one letter of an inscription, L?
Ringhandvat uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: handle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fittings, handles, loop handle; fragm, id. NG 1979-223H2806: ring.
Man met wandelstok leunend tegen een boom
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: walking-stick, staff, trees (+ stem, trunk)

Blad 32 verso uit een schetsboek met 43 bladen.
Liqueur glasses (part of a set)
Object type: liqueur glass
Date: 1867 – 1900
Materials: enamel, gilt, glass
Subjects: girls
Valentine - Mechanical pull down - Woman on a garden bench with cascade and doves.
Object type: valentine
Date: 1875 – 1875
Materials: paper
Techniques: chromolithography, cutting
Artist: Anonymous
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1899
Subjects: flowers
Fragment of a Dish
Object type: fragment
Date: 801 – 1000
Materials: earthenware, glaze
Location: iran
Mug
Object type: mug
Date: 1825 – 1825
Materials: silver
Culture: american
Location: united states
Artist: abraham fellows
Artist role: maker
Artist nationality: american
Artist dates: 1786 – 1851
Face Mask Ornament
Object type: ornament
Date: 501 – 700
Materials: copper, shell
Techniques: gilding
Culture: moche
Location: peru
Subjects: faces
Jongen en moeder verlaten een winkel
Object type: drawing
Date: 1900 – 1940
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: s. van os
Artist role: draughtsman
Subjects: mother and son(s) (family group), shop, store
Inscriptions: signature: ‘SvOs’, collector's mark: Lugt 2228, annotation: ‘En met leege handjes of/ mondjes kwam geen/ er weer uit!’

Een jongen en moeder verlaten een winkel. De moeder draagt een aantal pakketten op de arm. De jongen draagt een pakket waar twee kinderen die bij de winkeletalage staan naar kijken en wijzen.
Brief aan Philip Zilcken
Object type: letter
Date: 1884 – 1884
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: pierre de witt
Artist role: schrijver
Subjects: painter, philip zilcken, the graphic arts, the hague
Inscriptions: name: ‘NIEUWE DE LITTERAIRE/ SOCIETEIT/ 'S GRAVENHAGE’, collector's mark: ‘RPK’
Haven van Antwerpen
Object type: print
Date: 1922 – 1922
Materials: paper, ink
Techniques: lithograph
Artist: henri braakensiek
Artist role: print maker
Artist dates: 1891 – 1941
Subjects: harbour, antwerp
Inscriptions: dedication: ‘aan Dr. H.K. Westendorp.’, collector's mark: Lugt 2228, edition: ‘handdruk 1-10’, signature and date: ‘1922 Henri Braakensiek’, title: ‘haven - Antwerpen -’

Aangemeerde schepen in woelend water; schetsmatig weergegeven.
Bands
Object type: textile
Materials: textile
Techniques: embroidery
Culture: han chinese
Location: china
Bowl
Object type: ceramic
Date: 1810 – 1850
Materials: earthenware
Location: pennsylvania
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Anne d'Austrische, from "The Game of Queens" (Le Jeu des Reines Renommées)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: queens,girls,unicorns,carriages
Jager bij een bosrand
Object type: print
Date: 1864 – 1864
Materials: chalk, paper, pencil
Techniques: etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: hunter, forest, wood, pond, pool, trees: willow
Inscriptions: inscription: ‘H.J.H. Rijkelijkhuysen [...] 1864’, collector's mark: Lugt 2228

Gezicht op de rand van een bos en een meertje, waar twee knotwilgen naast staan. Over een bospad loopt een jager.
Portret van ridder Stanislas de Boufflers
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk gebruikt voor: Iconographie des contemporains ou Portraits des personnes dont les noms se rattachent plus particulièrement, soit par leurs actions, soit par leurs écrits, aux divers événements qui ont eu lieu en France, depuis 1789, jusqu'en 1829 (…). Parijs: veuve Delpech, 1832-1833.

Mogelijk komt de prent ook voor in eerdere en/of latere publicaties uitgegeven door veuve Delpech of haar opvolger Rosselin.
Kniegesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knee buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Buckle, chape buckle, knee buckle, D-shaped; fragm: ring, plain, spindle, tongue, loop broken off.
Gezicht op tuin met Neptunusfontein en verliefde paartjes
Object type: print
Date: 1611 – 1650
Materials: paper
Techniques: etching
Subjects: (story of) neptune (poseidon), garden fountain, french or architectonic garden; formal garden, couple of lovers
Inscriptions: collector's mark: Lugt 240
Mrs. Anstis Stone
Object type: painting, miniature
Date: 1802 – 1802
Materials: ivory, watercolor
Culture: american
Artist: william verstille
Artist role: artist
Artist nationality: american
Artist dates: 1757 – 1803
Subjects: portraits,women
Portret van Jacob van Campen
Object type: drawing
Date: 1661 – 1700
Materials: chalk, paper
Artist: Anonymous
Subjects: haarlem, print maker, draughtsman, jacob van campen, historical persons, portrait, self-portrait of architect, portrait, self-portrait of painter, portrait, self-portrait of artist
Cartouche fragment from a frame
Object type: cartouche
Date: 1701 – 1800
Materials: wood
Subjects: coat of arms
Untitled (Portrait of Six Men)
Object type: photograph
Date: 1870 – 1870
Techniques: ambrotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, youth, portraits: multiple subjects, portraits: male subject, portrait, men, male, boys, portraits
Covered Vase with Floral Scrolls
Object type: vessel
Materials: stoneware
Techniques: underglaze
Location: china
Bottle
Object type: bottle
Date: 1849 – 1858
Materials: earthenware
Culture: american
Location: united states
Artist: daniel greatbatch
Artist role: designer
Artist nationality: british
Artist dates: 1838 – 1838
Subjects: men
Mannenkop met gesloten ogen
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: etching
Location: berlin
Subjects: face
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Fotoreproductie van een fresco voorstellende Maria en Christus en een heilige
Object type: reproduction
Date: 1857 – 1900
Materials: cardboard, paper
Techniques: albumen print
Subjects: madonna (i.e. mary with the christ-child) accompanied or surrounded by others, wall-covering
Inscriptions: number: ‘2507.’
Royal Arms of Great Britain
Object type: coat of arm
Date: 1660 – 1688
Materials: cardboard
Subjects: unicorns,coat of arms
Water kettle
Object type: kettle
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Manufactuur Oud-Loosdrecht
Loosdrecht, c. 1778–1782
hard-paste porcelain, copper, cane
Esula Minor from Herbarium, Plate 46 from Woodcuts from Books of the 15th Century
Object type: print
Materials: paper
Techniques: letterpress, woodcut
Location: italy
Artist: Anonymous
Artist nationality: Italian
Artist dates: 1400 – 1499
Vrouw geeft bedelende jongen brood
Object type: print
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: beggar
Inscriptions: collector's mark: Lugt 2228

Een vrouw bij een poort die toegang geeft tot een hof, geeft een bedelende jongen brood.
Umpitsu soga
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: woodcut
Location: japan
Subjects: trees, song-birds: swallow

Zwaluw vliegend bij een treurwilg. Twee pagina`s uit het Japanse boek Umpitsu soga; op het linker blad het pagina nummer drie.
Spotprent over het grondwetsherzieningsdebat, 1887
Object type: cartoon
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: amsterdam, politician

Spotprent over het grondwetsherzieningsdebat, 1887. Minister Heemskerk als baken in de storm. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 13, 1887.
Onze-Lieve-Vrouwekerk in Neurenberg
Object type: photograph
Date: 1895 – 1895
Materials: paper
Techniques: albumen print
Location: nuremberg
Artist: ferdinand schmidt
Artist role: fotograaf, fotostudio
Artist dates: 1840 – 1909
Subjects: church (exterior)
Inscriptions: check stamp: ‘Ferdinand Schmidt/ Nürnberg 1895’, number: ‘15’, inscription: ‘Nürnberg’
Kinderbezigheden
Object type: popular print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: education, science and learning, children's games and plays, child, child playing with animals
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van kinderbezigheden, waaronder spelen met dieren, spelen met andere kinderen en leren. Onder elke voorstelling een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: N 10.
Het dorp Ouderkerk aan de Amstel
Object type: drawing
Date: 1752 – 1752
Materials: ink, paper
Techniques: brush, pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: prospect of city, town panorama, silhouette of city
Portret van Johann Caspar Haefeli
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Alabaster bowl
Object type: bowl
Date: 600 – 301
Materials: gypsum
Culture: cypriot

The lip of the bowl curves in strongly.
Panel
Object type: textile
Date: 1700 – 1725
Materials: silk, velvet
Techniques: bookbinding, cutting, satin weave, weave
Location: italy
Subjects: floral arrangements
Stem Cup with Pommel Scroll Design
Object type: stem cup
Date: 1201 – 1300
Materials: lacquer
Techniques: carving
Culture: chinese
Hoop (Spes)
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 2228

Personificatie van de hoop, met anker, staand in nis.
The Flagellation, from "The Passion of Christ"
Object type: print
Date: 1598 – 1617
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: christ