deem-data/ArtiFact huggingface dataset:
Onthoofding van de graveur Cornelis de Hooghe, 1583
Object type: historieplaat
Date: 1780 – 1795
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: historical persons, on the scaffold or place of execution, violent death by beheading, historical events and situations, the hague

Onthoofding van de Leidse graveur Cornelis de Hooghe, te Den Haag op 29 maart 1583. De man knielt met ontbloot bovenlichaam voor de beul op het schavot. De Hooghe werd veroordeeld wegens landverraad en onthoofd en gevierendeeld. Hij beweerde een bastaardzoon van keizer Karel V te zijn. Ontwerp voor een prent.
Seljestad-Pass
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: vienna
Subjects: fjord, sea loch, mountain-range, snow peaks (+ landscape with figures, staffage)
Inscriptions: number: ‘15’
Twintig printjes om één oortje, / En tien printjes om één duit, / Dat's te pynewaard zeid Doortje, / Wel ik koopze en knipze uit
Object type: print
Date: 1781 – 1800
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: medical examination, medical treatment, fighting
Inscriptions: collector's mark: Lugt 2760

Blad met 20 verschillende taferelen, waaronder voorstellingen van vechtende honden en van een man bij de dokter. Onder elke voorstelling een tweeregelig vers. Genummerd rechtsboven: 17.
Off to the Jug
Object type: print
Materials: paper
Techniques: lithography
Location: france
Artist: félix edouard vallotton
Artist role: print maker
Artist nationality: french, born switzerland
Artist dates: 1865 – 1925
Brief aan Andries Bonger
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: venice
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: painter, draughtsman, vincent van gogh, andries bonger, naples, vittorio pica, amsterdam, johanna bonger, passions, emotions, affections, family life, painting (including book-illumination, miniature-painting), exhibition ~ art, art collecting, money, paris, venice, lyon
Scarf
Object type: scarf
Date: 1801 – 1825
Culture: belgian
A Woman with her Arms in Chains and Four Other Figures, from Capricci
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Rond ornament met bladmotief
Object type: drawing
Date: 1884 – 1952
Materials: paint, paper, pencil
Techniques: brush
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: ornament ~ round and curved forms
Inscriptions: collector's mark: ‘R:MVS.’, name: ‘R.W.P. Jr’, annotation: ‘1e klusje [...]’
Standard Bearer
Object type: print
Date: 1868 – 1868
Materials: paper, ink
Techniques: drypoint, etching, heightening, pen
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Beaker
Object type: vessel
Date: 201 – 400
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Subjects: drinking, containers
Titelpagina voor 'Eigen-Haard'
Object type: titelblad, titelpagina
Date: 1880 – 1880
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: ice-sailing (winter sports), sledge, sleigh (winter sports), ice ~ state of water
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor het tijdschrift 'Eigen-Haard' met vier afbeeldingen van situaties op het ijs. Onder de afbeelding twee gedichten.
Armed Soldiers After Battle
Object type: drawing and watercolor
Date: 1600 – 1600
Materials: graphite, ink, paper
Techniques: pen
Location: italy
Artist: Unknown Genoese Artist
Artist nationality: Genoese
Fotoreproductie van een schilderij, voorstellende een portret van William Spang
Object type: photograph
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: number: ‘18’
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1701 – 1800
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: birds,leaves
Bass Drum
Object type: bass drum
Date: 1860 – 1880
Materials: leather, metal, parchment, wood
Culture: american
Location: united states
Artist: john g. pike
Artist role: maker
Artist nationality: american
Artist dates: 1815 – 1884

While side (snare) drums were part of the military "field music" and used regularly in the army, the much larger bass drum had a very different traditional usage. The bass drum was typically paired with cymbals and came to European music from the influence of Turkish janissary bands. In those ensembles, the bass drum and cymbal played along with trumpets, and loud double reed instruments. The bass drum and cymbals became signifiers for "Turkish" style music, as can be found in compositions by Mozart, Beethoven, and other classical composers. The instruments were also used in European military bands and eventually in similar bands found in the United States. Technical description: Wood shell, one piece bent around and glued. Reddish-brown varnish. Painting around the vent hole consisting of a yellow and blue floral design within a large circle. Rope tension with fourteen leather tugs. Wood rims painted red. Fourteen metal hooks over which the rope loops. Calfskin heads.
Card Number 352, Miss Campbell, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Neepjesmutstang van ijzer, in het model van een schaar, voor de plooien in een neepmuts
Object type: tool
Date: 1800 – 1900
Materials: iron
Techniques: forging
Location: netherlands
Artist: Anonymous

Een neepjesmutstang van ijzer. In het model van een schaar met rechthoekige gebogen ogen en twee dunne rolronde tangen.
Villaret de Joyeuse
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Artist: antoine maurin
Artist role: print maker
Artist dates: 1793 – 1860
Subjects: historical persons, officer
Inscriptions: collector's mark: Lugt 2228
Pompéi. Maison de Pansa - extérieur -
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: urban housing, ruin of a building ~ architecture
Inscriptions: collector's mark: ‘VOSMAER’
Landschap met boerderij en figuren onder bomen
Object type: print
Date: 1800 – 1815
Materials: paper
Techniques: brush, etching
Location: netherlands
Artist: hermanus van brussel
Artist role: draughtsman, print maker
Artist dates: 1763 – 1815
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Acht landschappen in Bohemen
Object type: print
Date: 1597 – 1629
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: laundering, bridge in village across river, canal, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Een rivier die door een dorp stroomt. Over de rivier een brug. Naast de rivier doen vrouwen de was. De tweede prent van een achtdelige reeks met landschappen in Bohemen
Armor plate (?)
Object type: armor
Date: 734 – 601
Materials: iron
Culture: assyrian
Location: mesopotamia
Gezicht op de vuilnisbelt bij de Buyskade
Object type: photograph
Date: 1917 – 1917
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, garbage collection
Inscriptions: collector's mark: ‘6’ Lugt 1641b, inscription: ‘Buyskade / Kostverlorenvaart / [...]5 / vuilnisbelt in 1917. / April 1920. / Geschenk v/d Heer J. van Eck.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Buijskade, Catskade (Jacob), Clercqstraat (de), Commelinstraat, Costakade (da), Cuypstraat (Albert), Czaar Peterstraat.
Galerie berühmter Ärzte
Object type: print
Date: 1910 – 1915
Materials: paper
Techniques: blind stamped, lithograph
Location: germany
Artist: Anonymous
Subjects: advertising, physician, doctor

Kaart met portretbuste van de arts Albrecht von Haller. Onderdeel van de serie kaarten in reliëfdruk uitgebracht als reclame voor de medische producten van Tropon-Werke, Mülheim am Rhein.
Kijkkast met apen
Object type: print
Date: 1812 – 1839
Materials: paper
Techniques: mezzotint
Location: london
Subjects: monkeys, apes, animals acting as human beings, peep-show
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Drie apen in kinderkleding voor een kijkkast op schragen, een trompet aan de zijkant en bovenop een afbeelding van een duivel en een figuur met een zwaard. Naast de kast een aap met een jas en een hoed met een veer, hij trekt aan een van de koorden die uit de kast tevoorschijn komen.
Aalscholver (Phalacrocoracidae) met bovenaan op een blad de organen en botten van het dier
Object type: album leaf
Date: 1676 – 1676
Materials: ink, paper
Techniques: engraving, etching, pen
Location: paris
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: dissection, water-birds (+ anatomy of animals), water-birds
Inscriptions: inscription: ‘Le Cormoran.’

Prent uit: Perrault, Claude. Mémoires pour servir à l'histoire naturelle des animaux. Dressez par M. Perrault de l'Académie Royale des Sciences (...). Parijs: Imprimerie Royale, 1676.
Accessory set
Object type: accessory set
Date: 1850 – 1850
Materials: linen
Culture: british
Hals met kurk van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: neck
Date: 1700 – 1743
Materials: cork, glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, neck, onion-shaped bottle or bottle with vertical side; eroded, vs-string rim.
Handle
Object type: handle
Date: 701 – 900
Materials: glass
Techniques: tooling
Location: iraq

This glass handle was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this handle attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Portret van Johan Derck graaf van Rechteren van Ahnem
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
[Trees in Calaveras Grove and Views of Yosemite, California]
Object type: album
Date: 1878 – 1878
Materials: glass
Techniques: albumen silver print
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: rivers,mountains,landscapes

This exceptionally rare untitled album features seventy-three circular-format views made seventeen years after Watkins first photographed at Mariposa Grove and Yosemite. Half of the photographs are studies of the great sequoia trees in Calaveras Grove, the other half are landscapes of Yosemite. Watkins used a stereo camera with oversize plates then masked the negatives during the printing process.
Scherf van een bord uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: faience
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Faience (tin-glazed) plate; fragm of base, flat, with circular footring, blue decoration inside of floral motifs.
Zeven voorbeelden van onvolkomenheden in negatieven
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: negative ~ photography
Inscriptions: number: ‘Taf. VI.’, inscription: ‘a. (S. 36). b. (S. 84)./ c. (S. 72). d. (S. 73)./ e. (S. 72). f. (S. 71)./ g. (S 29).’

Prenten op losse bladen. Bladen in insteekhoes achterin boek.
Andries Langedul te Antwerpen gevangengenomen onder het lezen van de Bijbel, 1559
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: reading the bible or other religious books, persecution of heretics, antwerp
Inscriptions: number: ‘74’, collector's mark: Lugt 2228, inscription: ‘Andreas Langedul [...] Ao 1559’
Chillon
Object type: photograph
Date: 1855 – 1855
Techniques: albumen silver print, glass negative
Artist: john joscelyn coghill
Artist role: artist
Artist nationality: irish
Artist dates: 1826 – 1905
Subjects: castles,lakes,mountains,landscapes
Pear-Shaped Vase
Object type: vessel
Materials: porcelain
Techniques: celadon glazed
Location: china
Trade card for Broderip & Wilkinson, music sellers and musical instrument makers
Object type: print, trade card
Date: 1701 – 1800
Techniques: engraving
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Hollow Ring, Foliate and Oval
Object type: ring
Date: 1101 – 1400
Materials: gold
Culture: indonesian, east java
Plafond allégorique, symbolisant les divers quartiers du XIXme. arrondissement, salle des mariages de la mairie
Object type: print
Date: 1880 – 1892
Materials: paper
Techniques: lithograph
Location: paris
Subjects: bull, reading, boat or vehicle drawn by (fabulous) animal(s) of the sea, flag, colours (as symbol of the state, etc.) (+ nation; national), paris
Inscriptions: collector's mark

Onder de voorstelling een remarque van een koe.
Throw Stick
Object type: throw stick
Date: 1479 – 1458
Materials: wood
Location: egypt
Rev. William Beckett
Object type: photomechanical print
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: carbon print, woodburytype
Subjects: functionaries and dignitaries (with name) ~ protestant churches
Borstel van palissanderhout en varkenshaar
Object type: brush
Date: 1676 – 1676
Materials: wood, silk
Location: amsterdam
Artist: Anonymous

Borstel van palissanderhout en varkenshaar. De borstel heeft een brede, ronde geprofileerde kop en korte gedraaide steel met geprofileerde versieringen en knop, waaraan resten van een roze zijden lint.
Studies van een zittende en een knielende monnik
Object type: drawing
Date: 1869 – 1925
Materials: chalk, paper
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: monk(s), friar(s)
The White Mill, Canterbury
Object type: print
Date: 1930 – 1930
Materials: paper
Techniques: etching
Artist: frank short
Artist role: print maker
Artist dates: 1857 – 1945
Subjects: smoke-stack, watermill
Inscriptions: signature: ‘Frank Short’, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Twee puntkommen, één bol en één hol
Object type: drawing
Date: 1851 – 1930
Materials: paper, pencil
Artist: theo colenbrander
Artist role: draughtsman
Artist dates: 1841 – 1930
Subjects: bowl, container of ceramics: jar, jug, pot, vase
Jousting Lance
Object type: arm
Date: 1701 – 1800
Materials: gesso, iron, paint, wood
Culture: german
Location: germany
Card Number 211, Bessie Clare, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Man knielt in een bos bij een herdenkingsplaats
Object type: print
Date: 1824 – 1873
Materials: paper
Techniques: etching
Artist: lodewijk juliaan fuchs
Artist role: print maker
Artist dates: 1814 – 1873
Subjects: forest, wood, kneeling figure, grave, tomb and other grave-forms and grave-markers
Inscriptions: collector's mark: Lugt 2228

Op de openplek in het bos bij de knielende man staat: 'Lenora, vergiss mein nicht'.
The Destruction of Job's Sons
Object type: print
Date: 1825 – 1826
Techniques: engraving
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: male nudes,female nudes,job
Penning op het overlijden van Willem II, 1650
Object type: historical object representation
Date: 1724 – 1726
Materials: paper
Techniques: etching, writing
Location: northern netherlands
Artist: Anonymous
Subjects: william ii (prince of orange), medal (considered as a piece of sculpture, regardless of its specific function), amsterdam

Een penning over de mislukte aanslag op Amsterdam door prins Willem II op 30 juli 1650 en de begrafenisstoet van de prins in Den Haag, 8 maart 1651. Voorzijde: rennend paard, met krijgslieden onder dekkleed; op achtergrond gezicht op de blokhuizen aan de Amstel. Keerzijde: de val van Phaëthon, daaronder de lijkstoet bij het Hof in Den Haag. Uitgeknipte en opgeplakte illustraties zonder tekst op achterzijde.
Marba Titzenthaler, dochter van de fotograaf, met een onbekende oude vrouw, waarschijnlijk haar grootmoeder
Object type: photograph
Date: 1912 – 1913
Materials: paper
Techniques: gelatin silver print
Location: germany
Artist: waldemar titzenthaler
Artist role: fotograaf
Artist dates: 1869 – 1937
Subjects: grandparent(s) with grandchild(ren) (family group), tot, toddler ~ the ages of man, germany
De boetvaardige Maria Magdalena
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: london
Subjects: the penitent st. mary magdalene (often before a cave, possibly at la sainte-baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven
Inscriptions: collector's mark: Lugt 240
Fachada del monasterio
Object type: photomechanical print
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Location: aiguamúrcia
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church
Portret van Lucas Trelcatius I
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: france, leiden, theologian, historical persons
Inscriptions: collector's mark: Lugt 240

Portret van de Leidse theoloog Lucas Trelcatius de oudere.
Hoofd en hand van een man
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: lithograph
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: head (human) (+ sideview, profile), hand
Inscriptions: collector's mark: Lugt 2228

Het hoofd en de hand van een man, in profiel gezien.
Kruik van tin (Rembrandtkan)
Object type: jug
Date: 1675 – 1725
Materials: tin
Techniques: casting
Location: northern netherlands
Artist: Anonymous
Inscriptions: quality mark, inscription: ‘GM’

Kan van tin, een zg. Rembrandt-kan. Op de hoge standring rust de lage buik die in de nauwe hals met bandvormige liprand overgaat. De kan heeft een dubbelkakig scharnier, een gewelfde deksel en is van profileringen voorzien. Op het deksel later aangebracht de initialen G.M., en zegel aan de binnenrand. De buik vertoont twee door tinpest aangetaste plaatsen.
Gezicht op Moskou, gezicht op het asiel Roukavischnikoff en een gezicht op de Loebjanka gevangenis in Moskou, Rusland
Object type: page
Materials: photographic support
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: prison, jail, asylum, sanctuary, prospect of city, town panorama, silhouette of city
Stadsgezicht met zeilschepen
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: urban housing, city-view, and landscape with man-made constructions, sailing-ship, sailing-boat

Stadsgezicht met zeilschepen. Blad 35 recto uit een schetsboek met 58 bladen.
Saucer with a man on the coast
Object type: platter
Date: 1790 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: europe
Artist: Anonymous

Schotel van soft-paste porselein (pâte tendre), beschilderd op het glazuur in rood, roze, zwart en goud. Op het plat een medaillon met daarin een man aan de kust. Hij staat op het punt zijn paard te bestijgen. Op de achtergrond enkele boten op het water. Boven het medaillon een guirlande en eronder twee bloemtakken. Op de binnenrand een golvende band van een lint en een bladrank die elkaar kruisen.
Les Maréchaux de Chatillon et de Brezé saluent le Prince comme Generalissime des Troupes de France
Object type: print
Date: 1733 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: delft, the hague, frederick henry (prince of orange), siege, position war, maastricht
Inscriptions: collector's mark: Lugt 2228

Voor zijn legertent begroeten de veldmaarschalken de Chatillon en de Breze stadhouder Frederik Hendrik als aanvoerder van de Franse troepen bij het beleg van Maastricht, 1632.