deem-data/ArtiFact huggingface dataset:
Karl-Heinz Arndtheim, de tweede echtgenoot van Isabel Wachenheimer, in militair uniform met militair hoofddeksel op het hoofd
Object type: photograph
Date: 1944 – 1955
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: karl-heinz arndtheim

Karl-Heinz Arndtheim, de tweede echtgenoot van Isabel Wachenheimer, in militair uniform met militair hoofddeksel op het hoofd.
Ko-Tze
Object type: ko tze
Date: 1867 – 1900
Materials: bamboo
Culture: chinese
Location: china
Portret van Napoleon Eugène, kroonprins van Frankrijk
Object type: carte de visite
Date: 1865 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: paris, armchair, seat, historical persons, neck-gear ~ clothing, clothing for the upper part of the body
Inscriptions: address: ‘156 Rue de Rivoli’, name: ‘Le Prince Impérial Né aux Tuileries la 16 Mars 1856.’

Onderdeel van Fotoalbum met 123 cartes-de-visite van leden van Europese vorstenhuizen, politici en bekende personen.
Schutterspenning van Hoorn, officierspenning
Object type: marksman medal
Date: 1600 – 1700
Materials: silver
Location: hoorn
Artist: Anonymous

Zilveren officierspenning van de schutterij Hoorn, 1e grootte. Voorzijde: Staande schutter met musket op een vork, "tot laden gereed", naar rechts. Omschrift PRO ARIS AC FOCIS (voor altaren en haardsteden). Keerzijde: het wapen van de stad Hoorn, vastgehouden door een eenhoorn, tussen Sint Joris en Sint Sebastiaan, schutspatronen van de beide stadsdoelen.
[La Comtesse in Lace Shawl]
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: alphonse bernoud
Artist role: fotograaf
Artist nationality: french
Artist dates: 1820 – 1889
Subjects: portraits,women
Hoofdkwartier van Wellington
Object type: print
Date: 1815 – 1825
Materials: paper
Techniques: etching, hand coloring
Location: low countries
Artist: Anonymous
Subjects: walmer castle, arthur wellesley of wellington, waterloo
Inscriptions: collector's mark: Lugt 2228

Gebouw in Waterloo waarin de hertog van Wellington tijdens de slag verbleef. Na de slag werden hier aandenkens aan de slag tentoongesteld. De gevel van het huis bedekt met (geschilderde?) klimop. Onderdeel van een serie van zeven platen met gezichten uit ca. 1820 van de omgeving waar de slag bij Waterloo plaatsvond op 18 juni 1815.
Necklace
Object type: necklace
Date: 1991 – 1450
Materials: gemstone
Location: egypt
De Bataafse oorlogen tegen de Romeinen
Object type: print
Date: 1611 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: battle, the soldier; the soldier's life, extinct, 'historical' peoples (with name)
Inscriptions: collector's mark: Lugt 240

Cerialis en zijn Romeinse leger drijven de Nederlandse soldaten in de rivier de Rijn. Onderschrift in het Nederlands en in het Latijn.
Twee zeilschepen en een roeiboot
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc.

Blad 19 recto uit een schetsboek met uit 75 bladen.
Butler's Lookout Tower, Opposite Dutch Gap
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: andrew joseph russell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: towers,american civil war,wagons
Venus and Cupid
Object type: print
Date: 1566 – 1566
Techniques: woodcut
Artist: nicolò boldrini
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1566
Subjects: cupid,venus
Park Drag #3328
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, paint, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Lantern
Object type: lantern
Date: 1825 – 1825
Materials: glass, tin
Culture: american
Location: united states
prix courant uit Notice sur la photolithographie
Object type: fondslijst
Date: 1873 – 1873
Materials: paper
Location: antwerp
Nemes fragment
Object type: nemes, 3 surface
Date: 1353 – 1336
Materials: quartzite
Location: egypt
L'ouvrage de Charles le Brun
Object type: album leaf
Date: 1706 – 1706
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: the massacre of the innocents
Inscriptions: date

Deze prent maakt deel uit van een album.
Scene from the Legend of Saint Perpetua
Object type: sculpture
Date: 1350 – 1400
Materials: limestone, paint, stone
Techniques: gilding, painting, polychrome, polychromy, carved
Culture: spanish
Location: france
Subjects: saints, babies, bed, men, religion, religious, religious figures, religious scenes, woman
Vitam Impendere Vero
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: paris
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Prent uit: Rousseau, Jean-Jacques. La nouvelle Heloïse (...). Parijs: Bossange, Masson & Besson e.a., 1808.
Sugar bowl
Object type: sugar bowl
Date: 1875 – 1880
Materials: earthenware
Culture: american
Location: united states
Artist: james c. mackley
Artist role: maker
Artist nationality: american
Artist dates: 1843 – 1916
Subjects: birds

Mackley worked with Anthony W. Baecher before the latter moved to Virginia. The close similarity of the work of the two potters is seen here in the applied stylized leaves and the floral elements in high relief.
Lugano, Panorama
Object type: panorama
Date: 1870 – 1895
Materials: paper
Techniques: photograph
Location: zurich
Artist: Anonymous
Subjects: lake, prospect of city, town panorama, silhouette of city, mountains
Inscriptions: number: ‘929./ 930./ 931.’, collector's mark: ‘VOSMAER’
Interieur van het paviljoen uit Hamburg tijdens de wereldtentoonstelling te Antwerpen
Object type: page
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: world fair, world exhibition, interior ~ representation of a building, collection, exhibition, show
Amputation
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,punishment
The Cow and Ass
Object type: print
Date: 1849 – 1849
Materials: chine, ink, paper
Techniques: etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Portret van Andreas Myhldorf
Object type: print
Date: 1664 – 1725
Materials: paper
Techniques: mezzotint
Artist: christoph weigel
Artist role: goldsmith, print maker, publisher
Artist dates: 1654 – 1725
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Nieuwer Amstel, brandspuitpenning met opschrift D. Unie en no. 7
Object type: fire engine medal
Date: 1680 – 1800
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: nieuwer-amstel

Messing penning. Voorzijde: wapenschild binnen bladertakken. Keerzijde: brandspuit onder cartouche met no. 7 binnen slangerond; 1
Albumblad met drie prenten met een urn, een kan en een fries met saters en bacchanten
Object type: ornament print
Date: 1500 – 1599
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: kitchen-utensils: cauldron, maenad(s), female bacchant(es), satyr(s) (in general), urn

Albumblad met drie uitgeknipte prenten: een urn, een kan en een fries met saters en bacchanten.
Whistling and waving
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: vancouver
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Inscriptions: title: ‘Whistling and waving’

Het vertrek vanaf the Empress of India voor de kust van Vancouver. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Stationsplein. Roermond
Object type: photomechanical print
Date: 1895 – 1901
Materials: cardboard
Techniques: photograph
Location: amsterdam
Subjects: square, place, circus, etc.
Al-Azhar-moskee in Caïro
Object type: photograph
Date: 1870 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘No 841’
Carnelian ring stone
Object type: intaglio
Date: 100 – 300
Materials: gemstone
Culture: roman
Subjects: men,profiles

Bearded head wearing mantle, identified as Kronos, the father of Zeus. Copy of a Greek work of the 4th century B.C.
Teapot
Object type: teapot
Date: 1846 – 1846
Materials: silver
Culture: american
Location: united states
Artist: william f. ladd
Artist role: maker
Artist nationality: american
Artist dates: 1829 – 1890
Pierre François Mola
Object type: book illustration
Date: 1745 – 1745
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: rome, print maker, draughtsman, pier francesco mola, historical persons, portrait, self-portrait of painter

Prent uit: Dézallier d'Argenville, Antoine Joseph. Abrégé de la vie des plus fameux peintres. 4 dln. Parijs: De Bure l'aîné, 1745, dl. 1, p. 313.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 342.
Lion-Headed Incarnation of God Vishnu (Narasimha)
Object type: sculpture
Date: 1401 – 1500
Materials: bronze, pigment, silver
Techniques: inlay
Location: odisha
Plate
Object type: plate
Date: 1701 – 1800
Materials: pewter
Subjects: flowers
Inhuldiging van Wilhelmina, koningin der Nederlanden
Object type: history medal
Date: 1898 – 1898
Materials: bronze
Techniques: striking
Location: paris
Subjects: print maker, wilhelmina of the netherlands, netherlands
Inscriptions: circumscription: ‘WILHELMINA KONINGIN DER NEDERLANDEN’, inscription: ‘INGEHULDIGD den 6 . SEPTEMBER 1898’, mark: ‘BART VAN HOVEN’

In brons 1130 exx. vervaanrdigd (zilver: 482).
Table Screen
Object type: table screen
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: men,mountains,trees
Cosmetic spoon with duck-head handle
Object type: cosmetic, spoon, duck, goose, bird
Date: 1550 – 1295
Materials: stone
Location: egypt
Subjects: ducks
Descent from the Cross
Object type: print
Techniques: etching
Artist: claude gillot
Artist role: artist
Artist nationality: french
Artist dates: 1673 – 1722
Subjects: men,christ,cross,descent from the cross,ladders
Madonna op de maansikkel
Object type: print
Date: 1500 – 1525
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: 'immaculata', 'purisima': mary, usually standing on a crescent moon, descending from heaven, exempt from original sin (sometimes trampling serpent)
Inscriptions: collector's mark: Lugt 2228a

Maria gekroond, met Christuskind op maansikkel, omringd door stralenkrans. Kopie in spiegelbeeld waarbij vier musicerende engelen zijn toegevoegd.
Mirror with Handle in the Form of a Hathor Emblem
Object type: mirror with a handle in the shape of the hathor emblem bat, thutmose iii
Date: 1479 – 1425
Materials: gold, silver, wood
Location: egypt
Subjects: goddess

The handle of this mirror was originally made of wood (now restored) covered with gold foil. The woman's face with cow's ears represents the goddess Bat and is also an emblem of the goddess Hathor. The use of gold and silver, rather than wood and bronze, identifies this as the possession of a member of the elite, in this case one of three foreign wives of Thutmose III. The king's cartouche is inscribed above the face.
Great Western General Booking Office
Object type: print
Techniques: lithograph
Artist: john doyle
Artist role: artist
Artist nationality: irish
Artist dates: 1797 – 1868
Subjects: men
Horse Accomplishments, Sketch 8: An Arithmetician !!
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,horses,caricature

One of a set of twelve prints that make fun of different sorts of mounts. Here, as his horse kneels, the rider struggles not to fall off. Text above reads: "This I presume is by way of proving to a certainty that two and two makes four!!"
Portret van Joaquim Lopes
Object type: photograph
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Corbel with Animal Mask with Whisker-like Foliate from the Monastery Church of Notre-Dame-de-la-Grande-Sauve
Object type: sculpture
Date: 1150 – 1200
Materials: limestone, stone
Techniques: carved
Culture: french
Location: france
Subjects: corbel, animals, architechture, architectural, architectural detail, architectural fragment, architectural fragments, architecture, architecture, masks
Berg en Dal - Opgang terras Hotel Koepel Wester Meerwijk. Hotel Koepel Wester Meerwijk Cafe Restaurant
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: nijmegen
Subjects: gate, entrance, hotel, hostelry, inn
Planten
Object type: sketchbook leaf
Date: 1807 – 1862
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: plants (in general)
Inscriptions: date: ‘30/7 62’

Blad 25 verso uit een schetsboek met 65 bladen.
3 Holland. Delft. Zuidwal.
Object type: stereograph
Date: 1900 – 1940
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: ngp
Artist role: fotograaf
Subjects: delft
Gezicht op Marken met traditionele huizen op palen
Object type: sketchbook leaf
Date: 1875 – 1875
Materials: paper, pencil
Location: marken
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), housing, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: date and inscription: ‘Marken N. Holland. aug 1875’

Op de voorgrond enkele figuren en op de achtergrond een uitzicht over, vermoedelijk, het Markermeer. Blad 6 verso en 7 recto uit een schetsboek met 46 bladen.
Flagon
Object type: flagon
Date: 1701 – 1733
Materials: pewter

According to the inscription on the body, this flagon was evidently originally the property of a smith's guild.
Vier matrozen in een tuin
Object type: photograph
Date: 1940 – 1943
Materials: photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, sailor, germany

Vier Duitse matrozen van de Kriegsmarine poseren in een tuin. Onderdeel van de groep losse foto's behorend bij het fotoalbum over de Kriegsmarine 1940-1943.
Balance Rock, Pine Hill, Walton, 1871  (from Sketchbook)
Object type: drawing
Date: 1870 – 1870
Materials: graphite, paper
Culture: american
Artist: daniel huntington
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1906
Subjects: hills

The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. He sketched throughout the course of his life and his extant drawings number over a thousand. This page is from one of Huntington’s sketchbooks that contains forty-one drawings in graphite, some in a panorama format. The sketches are primarily of scenic locations in New York State including, Cornwall, Walton, and Mohonk subjects. Many of the drawings are dated 1871 and most are inscribed with the site represented.
Binnenkant van het Colosseum te Rome
Object type: photograph
Date: 1880 – 1904
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: colosseum
Inscriptions: number: ‘21.’
Portret van Henriëtte Haitsma Mulier
Object type: print
Date: 1924 – 1924
Materials: paper
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: adult woman, historical persons
Inscriptions: collector's mark: Lugt 2228
De Puiterveensche helleveeg, aan den tap / La Mechante cabaretiere, à Puiterveen
Object type: print
Date: 1754 – 1764
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: inn, coffee-house, public house, etc., dominating wife, drinking, satire on marriage, comedy
Inscriptions: collector's mark: Lugt 2488

De verklede dieven Jan de Rolder en Piet Pothuis heffen het glas in de gelagkamer, waar Swaantje achter de tapkast tegen haar man Fobert staat te tieren. Ze is daar zo druk mee, dat ze niet door heeft dat ze wordt bestolen. In de zijkamer rechts zitten Hartje Spilpenning en Saartje van Lichten gekleed als doopsgezinden. Onderaan in de marge een vierregelig vers in het Nederlands en het Frans. Scène uit het tweede bedrijf van het toneelstuk De Puiterveense helleveeg, of Beslikte Swaantje aan den tap, van Abraham Alewijn.
Kleed van zijde
Object type: kleed
Date: 1800 – 1899
Materials: linen, silk
Techniques: lampas
Location: iran
Artist: Anonymous

Zijden kleedje. Drie rijen symmetrische bloemtakken herhalen zich regelmatig tussen twee rijen palmetten, waartussen een lichtblauwe kleur gegeven is op een paarsblauwe satijnen grond. Onder en boven een smalle rand met geometrische figuren. Oosterse textiel.
Opgedroogde rivier te Japan
Object type: photograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: dry river, river bed, japan
Inscriptions: inscription: ‘Godjoo kaihi [?]’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, buttocks and legs of a draped male to left
Hagar
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Location: france
Artist: charles-françois hutin
Artist nationality: french
Artist dates: 1715 – 1776
Voorbeelden van figuurstudies voor landschapskunstenaars
Object type: print
Date: 1839 – 1845
Materials: paper
Techniques: lithograph
Location: paris
Subjects: trees (+ stem, trunk), covered wagon, hooded wagon, ox, four-wheeled vehicle drawn by two animals, village square, place
Inscriptions: collector's mark: Lugt 2228a

Prent maakt deel uit van een omslag met vijf prenten.
Vase
Object type: vase
Date: 1500 – 1400
Materials: pottery
Location: egypt
Verovering van het Slot Pirlepont, 1401
Object type: print
Date: 1842 – 1844
Materials: paper
Techniques: engraving
Location: netherlands
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: netherlands, burgundian netherlands

De moeder van Jan van Arkel verovert vermomd als een melaatse, het slot Pirlepont, 1401. De vrouw opent in de nacht de poort van het slot zodat de soldaten over de ophaalbrug binnen kunnen komen.
Achtdelige serie met shunga-prenten (iro yôkan; zenbu hitosao)
Object type: print
Date: 1850 – 1860
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Subjects: clothes for special purposes
Wapen van het Sint-Lucasgilde met rondom vijf portretten
Object type: print
Date: 1837 – 1888
Materials: paper
Techniques: etching
Artist: henri françois schaefels
Artist role: print maker
Artist dates: 1827 – 1904
Subjects: christoffel plantijn, ghent, brussels, hugo van der goes, antwerp, abraham ortelius, quinten massijs (i), draughtsman, lambert van noort, historical persons, coat of arms of guild of st. luke
Inscriptions: collector's mark: Lugt 2228

De portretten zijn van: Abraham Ortelius, Quinten Massijs, Lambert van Noort, Christoffel Plantijn en Hugo van der Goes.
Keizerstraat in Scheveningen
Object type: photograph
Date: 1870 – 1870
Materials: photographic support
Techniques: albumen print
Location: scheveningen
Artist: Anonymous
Subjects: street (+ city(-scape) with figures, staffage)

Onderdeel van Album met foto's en litho's van bezienswaardigheden in Noord- en Zuid-Hollandse steden, schilderijen en klederdrachten.
Portret van Pieter François Bohn
Object type: print
Date: 1858 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: haarlem, historical persons, publishing, publisher
Klemens, Catechist en Ouderling t'Alexandriën Onderwysende in de Christenleere
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: male saints (clemens of alexandria) - male saint writing, studying, teaching, dictating (e.g. as doctor of the church), male saints (clemens of alexandria)
Inscriptions: collector's mark: Lugt 2228, number: ‘32’

De heilige kerkvader Clemens van Alexandrië luisterend naar een engel die hem een tekst voorleest. Clemens staat op een sokkel waar op de voorzijde zijn onderricht in de School van Alexandrië in beeld is gebracht. Prent middenboven gemerkt: II Deel Pag: 233.
String of beads with shell pendant
Object type: bead, string, shell pendant
Date: 30 – 364
Materials: faience, shell
Location: nubia
Jérusalem, Enceinte du Temple, Mosquée El-Aksa, angle Sud-Ouest
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture
Cup and saucer
Object type: cup and saucer
Date: 1803 – 1810
Materials: hard paste porcelain
Artist: royal porcelain manufactory, berlin
Artist role: manufactory
Artist nationality: german
Artist dates: 1763 – 9999