deem-data/ArtiFact huggingface dataset:
Glass jug
Object type: jug
Date: 1 – 50
Materials: glass
Culture: roman

Translucent pale blue green, with same color handle. Everted rim, folded down, round, and in; flaring mouth; tall neck expanding downwards; sloping, slightly convex shoulder; squat body with hexagonal sides; low base with flat bottom; bifurcated handle attached to shoulder, drawn up and out in a curve, then turned in horizontally and trailed on to edge of rim and top of neck in several folds. Decoration in relief in three registers: on shoulder, six arches, each containing an unidentified domed object; on body, six square panels, divided by columns with capitals and bases, each containing an object: 1, a footed bowl; 2, a pine cone; 3, a footed jar with rounded objects (fruit ?) emerging from its rim; 4, a footed jug with long S-shaped handle; 5, another pine cone; 6, a handled vase with conical lid; below, continuous band of twenty-two radiating upturned tongues; on bottom, raised broad circle around edge and dot at center. Broken, with most of rim and part of neck missing, cracks in shoulder, and small hole in panel 4; pinprick bubbles; slight dulling and faint iridescence, with patches of creamy brown weathering and encrustation. Made in the same mold as 17.194.230.
Tile decorated with birds and flowers
Object type: tile
Date: 1201 – 1300
Materials: ceramic glaze, glaze, stoneware
Techniques: inlay
Culture: korean
Vestingplattegrond van de haven van Malta
Object type: print
Date: 1631 – 1657
Materials: paper
Techniques: etching
Location: paris
Subjects: harbour, maps, atlases, fortified city
Inscriptions: collector's mark: Lugt 2228
Portret van E.W.G. Bagelaar
Object type: watercolor
Date: 1781 – 1815
Materials: paper, watercolor
Techniques: brush
Artist: gerrit jacobus geusendam
Artist role: draughtsman, painter
Artist dates: 1771 – 1842
Subjects: print maker, ernst willem jan bagelaar, historical persons, portrait, self-portrait of artist
Needle case
Object type: needle case
Date: 1701 – 1800
Materials: gold, porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: women
Tile
Object type: tile
Date: 1640 – 1660
Materials: earthenware
Techniques: glazing
Subjects: birds,flowers
Head of God the Father
Object type: drawing and watercolor
Materials: board, chalk, paper
Location: italy
Artist: attributed to daniele ricciarelli, called daniele da volterra
Artist nationality: italian
Artist dates: 1509 – 1566
Cup with scenes from the New Testament (one of a pair)
Object type: cup
Date: 1601 – 1633
Materials: silver gilt
Artist: franz fischer
Artist role: maker
Artist dates: 1553 – 1653
Subjects: men,women

Vessels with religious imagery were treasured in the households of Protestant patricians, where they reinforced communal identity during dining and drinking rituals. This cup—numbered 6 indicates that it was once part of a larger set—is ornamented with scenes from the New Testament, including Mary Magdalen anointing Christ’s feet, Christ curing palsy and restoring a blind man’s sight, and the Good Samaritan.
Mantle clock (pendule)
Object type: clock
Date: 1753 – 1753
Materials: bronze, porcelain
Techniques: gilding, painted
Location: meissen
Subjects: trunked animals: elephant
Inscriptions: signature: ‘GUDIN/ A PARIS’, signature: ‘Gudin AParis’, inscription: ‘Gadois Tilleres 1839/ M Godin(?)’, inscription: ‘Bussot(?) 9bre 1753/ Gadois Tillieris(?) 1837/ Tillierest(?) Gadois 1837/ aout/ M S Gudin(?)’

These Meissen porcelain figures were incorporated in a clock at the initiative of a Parisian marchand-mercier (dealer in luxury goods), probably around 1755. Soon thereafter the entire object was mounted on a Neoclassical gilt-bronze (ormolu) base.
Slagveld
Object type: book illustration
Date: 1666 – 1666
Materials: paper
Techniques: etching
Location: netherlands
Subjects: low hill country, ancient forms of military vehicles: chariot, battle wagon, etc. (+ after the battle), adult woman, battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Een heuvelachtig landschap ligt bezaaid met de lichamen van gedode soldaten. Links vooraan doodt een vrouw, Cleopatra Selene II(?), de laatste overlevenden. Achter haar staat een man, koning Juba II(?), met een schild. Rechts een strijdwagen met twee paarden. Rechtsboven: 5: B.
Drie mensen op een weg met aan weerskanten bomen
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: aquatint, etching
Location: nieuwer-amstel
Artist: elias stark
Artist role: draughtsman, print maker
Artist dates: 1849 – 1933
Subjects: trees, road, path
Inscriptions: collector's mark: Lugt 2228

Tussen de bomen loopt een man op klompen. Op de grond plassen water. Op de achtergrond lopen een vrouw en een man.
Landschap met herders en vee
Object type: print
Date: 1679 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: landscapes (+ landscape with figures, staffage), groups of animals
Inscriptions: collector's mark: Lugt 240

Heuvelachtig landschap met fluitspelende herder tussen zijn vee staand in een beek. Links op de achtergrond twee op een heuvel liggende figuren en wat vee. Rechts klassiek ogend beeld op sokkel met daarop de namen van de kunstenaars. Eerste prent uit een serie van zes met landschappen met herders en vee.
Vest
Object type: vest
Date: 1845 – 1859
Materials: silk
Culture: british
Subjects: cornucopia,flowers

Waistcoats of the 18th and 19th centuries served as a layer protection and ornamentation during a period in fashion when the coat was intended to be left open in the front. The color was often chosen to complement the suit and covered in imaginative embroideries, heavily woven patterns or shiny satins made to draw the eye. The style of the neck, the length and the hem treatment fluctuated as the tastes changed from over-sized coats of the early 18th century to narrow tightly fitted coats of the late 18th century and onward. The elaborate embroidery pattern on this vest is well designed and rendered with heavily textured cornucopias next to delicate flowers in ombréd tones to add depth and realism. Vests of the 18th and 19th centuries were seen as a vehicle of self-expression, much as a necktie is seen today. This particular vest, with its cornucopias symbolizing abundance and fulfillment, was inspired by the intricate embroidered waistcoats of the previous century.
The Wounded Paris Carried from the Field of Battle
Object type: print
Date: 1540 – 1560
Techniques: engraving
Artist: master fg
Artist role: artist
Artist nationality: italian
Artist dates: 1530 – 1560
Subjects: suffering,men
Esemplario di lavori, page 16 (verso)
Object type: book print ornament architecture
Techniques: bookbinding, inlay, woodcut
Location: italy
Artist: nicolò zoppino
Artist role: publisher
Artist nationality: italian
Artist dates: 1478 – 1544
Subjects: ornament

Published by Nicolo Zoppino, Italian, active 16th century, Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers: top shows alphabet printed in black letters, and bottom shows alphabet printed in white letters contained within triangular shape.
The "wall worker"
Object type: photomechanical print
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Location: london
Subjects: bench, sitting figure, bill-board
Inscriptions: number: ‘Plate 2.’
The Tea-Tax-Tempest (The Oracle)
Object type: print
Date: 1774 – 1774
Materials: gouache
Techniques: mezzotint
Artist: john dixon
Artist role: artist
Artist nationality: irish
Artist dates: 1740 – 1811
Subjects: satire,american revolution,men,women

This allegorical scene captures a British artist’s response to the American Revolution. Father Time, at left, holds up a magic lantern (an early image projector) to reveal a view of the destruction of Britain with heraldic leopards fighting. America sits in the shadows, at right, wearing products from her realm: a string of pearls, a feathered headdress, and an animal-skin wrap. Her physical separation from her companions, representing Europe, Asia, and Africa, suggests the impending imperial rupture. Using gouache paint, an unknown artist altered Dixon’s original mezzotint print, which depicts a hopeful resolution to the conflict, to reveal anxiety about the outcome.
Hatred or Jealousy (Le Brun Travested, or Caricatures of the Passions)
Object type: print
Materials: ink
Techniques: etching, printing
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,lovers,women
Sketch Plate, Parson's Green
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: drypoint
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Ear Stud
Object type: ear stud
Date: 1390 – 1352
Materials: faience
Location: egypt
Amusements at Higashiyama in Kyoto
Object type: screen
Date: 1620 – 1629
Materials: gold, gold leaf, ink, mica, panel, paper
Culture: japanese
Artist: kano school
Artist role: artist
Artist nationality: japanese
Artist dates: 1476 – 1559
Subjects: men,women,banquets

People from every social class can be seen in vignettes on this screen and its pair—samurai are the central protagonists, with courtiers and court ladies, itinerant performers, and mendicant monks also present. All these citizens of Kyoto take advantage of a sunny afternoon at the peak of the cherry-blossom season in the scenic Eastern Hills, or Higashiyama district. Each screen highlights a famous sacred site—the right shows Kiyomizudera Temple and the left Yasaka Shrine. Both feature a festive outdoor banquet attended by elite samurai. The intricately patterned gold clouds create a dramatic background for colorful genre scenes and inviting landscapes. Masterpieces of Kano school painting, the screens survive in remarkably fine condition and, though relatively small, convey the celebratory spirit of a country finally at peace after nearly a century of civil war.
Koningin Maria II Stuart op haar sterfbed, 1695
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), lying in state

Grote voorstelling van de kamer waarin koningin Maria II Stuart opgebaard ligt op haar sterfbed. Links zit de huilende Willem III op zijn troon.
Stud
Object type: stud
Date: 900 – 801
Materials: bronze, copper, gold
Culture: iranian
Location: iran
German Village.- on the Midway
Object type: photomechanical print
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: chicago
Subjects: world fair, world exhibition
Inscriptions: number: ‘Plate 100’
La Ville de Marseille
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: marseille

Gezicht op de Franse havenstad Marseille. Plaat nr. 96 in deel IV van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit eerste deel met 238 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in het Frans.
Portret van Catharina de Grote
Object type: print
Date: 1807 – 1843
Materials: paper
Techniques: engraving, etching
Location: zwickau
Artist: ernst rauch
Artist role: print maker
Artist dates: 1797 – 
Subjects: catharina de grote, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Sherd
Object type: sherd
Date: 5600 – 5000
Materials: ceramic, paint
Culture: halaf
Location: syria
Subjects: birds

Halaf pottery was made by hand and decorated with very finely executed designs in one or two colors. The surface of the finest pottery was then highly burnished and a glossy effect was achieved by the use of fluxes, which serve to lower the melting point of the pigments, in some cases accidentally achieving true glazes. This fragment of a thin walled vessel has the exterior painted with light and dark brown decoration consisting of a stylized bird in profile with back arched, a long neck, and a large circular head. A vertical zigzag pattern on the left and a dark brown band partly frame the bird. The rim edge has a horizontal band with vertical stripes.
Circe Drinking
Object type: print
Date: 1540 – 1545
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: women,drinking

Mariette Album, leaf 78, bottom
Musical Chime
Object type: religious ritual object
Materials: gilt, jade
Location: china
Artist: kuei mao
Artist nationality: china
Verliefd herderspaar onder een boom
Object type: print
Date: 1655 – 1690
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., pastorals, arcadian scenes, flute, aulos, tibia
Inscriptions: collector's mark: Lugt 240

Een herder en een herderin zitten onder een boom. De herder speelt op de fluit, de herderin houdt een bloemenkrans in haar handen. De kudde schapen graast op de achtergrond.
Peinzende oude vrouw, met een boek op haar schoot
Object type: drawing
Date: 1790 – 1852
Materials: chalk, paper
Artist: pieter christoffel wonder
Artist role: draughtsman, painter, print maker
Artist dates: 1780 – 1852
Subjects: sitting figure - aa - female human figure, book - mm - book open
Polyhymnia
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: polyhymnia (one of the muses); 'polinnia' (ripa)
Inscriptions: collector's mark: Lugt 2228a, signature: ‘HG. fecit.’, signature: ‘F.E.’

Een serie van negen muzen. Vier regels Latijn van Franco Estius in marge onder prent.
Fork
Object type: fork
Date: 1780 – 1790
Materials: metal
Pattens
Object type: patten
Date: 1701 – 1733
Materials: leather, silk
Culture: european
Bull
Object type: statuette
Date: 1601 – 1800
Materials: bronze
Subjects: bulls
Neolithic Amulet
Object type: necklace, bead
Materials: stone
Culture: neolithic
Handkerchief
Object type: handkerchief
Date: 1601 – 1700
Techniques: lace
Still Life
Object type: painting
Date: 1642 – 1642
Materials: oil, panel
Artist: gerret willemsz. heda
Artist role: painter
Artist dates: 1622 – 1649
Subjects: containers, still life of related objects
Inscriptions: signature and date: ‘Jonge Heda 1642’

Stilleven op de hoek van een tafel: tinnen schenkkan en borden met een geschilde citroen, mes en olijven, een berkenmeier met wijn en een zilveren pronkbeker.
Ruiterportret van een Romeins keizer
Object type: print
Date: 1616 – 1620
Materials: paper
Techniques: engraving
Location: rome
Artist: laurens eillarts
Artist role: print maker
Subjects: emperor
Inscriptions: collector's mark: Lugt 2228

Een Romeins keizer te paard, en profil afgebeeld met één hand aan de teugel en in de andere zijn commandostaf.
Portret van Daniël Wyttenbach
Object type: print
Date: 1809 – 1850
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘D. Wyttenbach’

De geportretteerde draagt een zwarte mantel.
Pin with Animal
Object type: knife
Date: 101 – 700
Materials: copper
Techniques: casting
Culture: moche
Location: peru
Subjects: animals
Messire Libert Francois (...) dans ses Pays-bas
Object type: print
Date: 1696 – 1721
Materials: paper
Techniques: engraving, etching
Location: brussels
Artist: jan baptist berterham
Artist role: print maker
Inscriptions: collector's mark: Lugt 2228

Portret van Libert Francois II Christyn in ovale omlijsting met motto. Onder de lijst een wapenschild in rolwerk en lint met tekst van Horatius.
Pin topped with a bird
Object type: cosmetic pin, bird
Date: 3900 – 3500
Materials: bone
Location: egypt
Subjects: birds,horses
Collage of printed elements centered on a Man and Young Woman Reading the Bible, surrounded by scenes from rural life
Object type: cut paper
Date: 1851 – 1866
Materials: steel
Techniques: collage, engraving
Artist: illman brothers
Artist role: artist and publisher
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: girls,men,women
Schip met Jason en Minerva
Object type: print
Date: 1624 – 1631
Materials: paper
Techniques: etching
Location: paris
Subjects: (story of) minerva (pallas, athena), (story of) jason, ships (in general), the story of the argonauts: the quest for the golden fleece
Inscriptions: number: ‘17’, collector's mark: Lugt 2228

Een schip met sfinx als boegbeeld, Argonauten op het middenschip en op het achtersteven zitten Jason en Minerva.
Saucer
Object type: saucer
Date: 1715 – 1725
Materials: soft paste porcelain
Artist: saint-cloud factory
Artist role: factory
Artist nationality: french
Artist dates: 1693 – 1766

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Hellebaard met ronde stok en ijzeren punt
Object type: halberd
Date: 1599 – 1799
Materials: iron, fiber, wood
Location: europe
Artist: Anonymous
Subjects: europe

Hellebaard met ijzeren kling toelopend in een punt met een gebolde middengraat, onderaan de kling twee opwaartse vleugels. Onder de kling een ijzeren bol met diagonaal naast elkaar gelegen uitsparingen. De bijl heeft de vorm van een halve maan en heeft op het blad aan beide zijden uitsparingen in de vorm van twee gekruiste ankers. Het huis is geribbeld. De schacht heeft aan vier zijden veren over de gehele lengte. De schoen is van ijzer en aflopend in een punt.
Taste (Gustus), from "The Five Senses"
Object type: print
Date: 1539 – 1549
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: food,female nudes,monkeys,eating
Summer
Object type: panel
Date: 1775 – 1775
Materials: gilt, wood
Techniques: carving
Artist: françois joseph belanger
Artist role: maker
Artist nationality: french
Artist dates: 1744 – 1818
Subjects: garlands,vases
Sample
Object type: sample
Date: 1840 – 1840
Materials: cotton
Subjects: flowers,leaves
Le bon exemple
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: head-gear, sewing box, sewing
Heinrich(?) vom Rhein zum Mohren (1477–1536)
Object type: painting
Materials: gold, wood, oil
Artist: conrad faber von creuznach
Artist role: artist
Artist nationality: german
Artist dates: 1524 – 1553
Subjects: men,portraits
Gevelsteen met jaartal 1736.
Object type: gable stone
Date: 1736 – 1736
Materials: stone
Location: netherlands
Inscriptions: date

Cartouche met krullen, voluten en acanthusbladeren, waarbinnen een ovaal waarbinnen het opschrift 1736. Deel linker- en rechter bovenhoek is afgebroken. Bij de steen horen twee stenen: KOG-ALS-149-1 met D Hollandse Hoedenmakerij en KOG-ALS-149-2 met ANNO.
Apostle spoon
Object type: apostle spoon
Date: 1632 – 1632
Materials: silver

Apostle spoons are thought to have originated in late-fifteenth century England but also became popular in the Netherlands, where household goods were frequently embellished with biblical imagery reminding the owner of Christian virtues.
Jug with cover
Object type: jug with cover
Date: 1720 – 1720
Materials: hard paste porcelain, silver
Subjects: flowers
Fotoalbum van een jonge vrouw
Object type: slip in album
Date: 1935 – 1945
Materials: cardboard, linen, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, cologne

Fotoalbum met een groenige, Art Deco-stijl linnen omslag. Het album bevat 18 bladen van bruin karton met spinrag tussen. Het album bevat in totaal 143 foto's en lijkt samengesteld door een jonge vrouw die regelmatig te zien is op de foto's van allerlei uitstapjes met vrienden en familie, zeilen met een zeilschip en vakanties naar het buitenland. Mogelijk was de samensteller lid van de A.S.V. (Algemene Senaten Vergadering / Amsterdamse studentenvereniging?).
Fireback
Object type: fireback
Date: 1767 – 1767
Materials: iron
Culture: american
Location: united states
Artist: a. t.
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Subjects: soldiers,men

The central figure on this fireback is thought to be a soldier wearing the Highland uniform of Scottish regiments in the British army. A heavy plume adorns his bonnet, a broadsword drawn from its scabbard is uplifted in his right hand, and his left hand holds a shieldlike device. The leafy border capped by dolphins is modeled on Dutch ornamental designs of the late seventeenth century.
Auteurs dramatiques
Object type: cartoon
Date: 1839 – 1839
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), writer, poet, author

Prent uit: Le Figaro, 24 november 1839. Latere staat gebruikt in: Le Charivari, 24 juni 1841.
Portret van Jean Sylvain Bailly
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: paris, politician, mayor, historical persons

Onder het portret genummerd: Tome 3 Page 267.
The Old Woman; from "The Office of The Count of Vence"
Date: 1782 – 1797
Techniques: engraving
Artist: pierre françois basan
Artist role: engraver
Artist nationality: french
Artist dates: 1723 – 1797
Subjects: portraits,women
Kop van een jongen of jongeman
Object type: sketchbook leaf
Date: 1751 – 1751
Materials: chalk, paper
Artist: lorenzo baldissera tiepolo
Artist role: draughtsman, print maker
Artist dates: 1736 – 1776
Subjects: head (human)

Bladzijde 85 uit een schetsboek met 158 bladzijden.
Ramen van het Gemeenlandshuis aan de Oude Delft in Delft gedecoreerd met bogen en bladmotieven
Object type: photograph
Date: 1900 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: delft
Artist: Anonymous
Subjects: closed window, ornament derived from plant forms
Inscriptions: number: ‘14’, inscription: ‘Het recht van reproductie dezer photo's wordt door den Uitgever voorbehouden.’, inscription: ‘Delft. Begin 16e eeuw.’
Piano Design
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: pianos
Prentbriefkaart aan Andries Bonger
Object type: ansichtkaart, prentbriefkaart
Date: 1912 – 1912
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: longjumeau
Subjects: amsterdam, andries bonger

Prentbriefkaart behoort tot een album samengesteld door weduwe Françoise W.M. Barones van der Borch van Verwolde met afschriften van brieven met betrekking tot (de familie van) Odilon Redon. De prentbriefkaart werd bewaard op pagina 191.
Case (Inrō) with Design of Young Man Lu's Dream (obverse); Cherry Tree and Irises Beside Water (reverse)
Object type: inrō
Date: 1801 – 1900
Materials: foil, gold, lacquer, silver
Techniques: fundame, hiramakie, roiro
Culture: japanese
Subjects: sleeping,men,trees
Pottery Whistle
Object type: pottery whistle
Date: 800 – 1525
Materials: clay
Culture: costa rican
Location: costa rica