deem-data/ArtiFact huggingface dataset:
Dekselfragment uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: lid
Date: 1700 – 1743
Materials: bone
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Parts, various, lid; circular, overhanging bevelled rim, vertical rim underneath, relieved decoration of concentric circles with circular boss in centre.
Faisans. / Fasanen. / Pheasants
Object type: print
Date: 1829 – 1880
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: europe
Artist: Anonymous
Subjects: walker and runner birds: pheasant
Inscriptions: collector's mark: Lugt 2760

Mannetjes en vrouwtjes fazant met negen kuikens voor een bos varens. Genummerd rechtsonder: No. 40n.
Large Grotesque Head With an Open Mouth Looking to the Left Within a Frame
Object type: drawing
Date: 1727 – 1727
Materials: ink
Techniques: pen
Artist: gaetano piccini
Artist role: artist
Artist nationality: italian
Artist dates: 1710 – 1730
Subjects: heads
Titelpagina voor: J.C. Lavater 'Abraham en Izaac', 1788
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: incense-burner ~ scents, perfumes
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: Lavater, J.C. Abraham en Izaac. Amsterdam: Johannes Allart, 1788.
Spiegels met draperieën
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: decorations (interior of the house), mirror, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Vier spiegels met draperieën om de lijsten. Prent uit 327e Livraison.
De fruit- en groentemarkt
Object type: tapestry
Date: 1729 – 1729
Materials: silk, wool
Techniques: tapestry
Location: brussels

Wandtapijt met een een groente- en fruitmarkt met verschillende klanten. In de achtergrond een fontein, de stad en een haven. Het tapijt heeft een smalle rand met om een staaf gekrulde acanthusranken.
Meisje met spiegel in de hand
Object type: print
Date: 1649 – 1710
Materials: paper
Techniques: mezzotint
Artist: martin dichtl
Artist role: painter, print maker
Artist dates: 1639 – 1710
Subjects: making toilet, mirror, girl (child between toddler and youth)
Inscriptions: collector's mark: Lugt 2228
Blauwvoorhoofdamazone (Amazona aestiva)
Object type: drawing
Date: 1596 – 1610
Materials: paint, paper, pencil, watercolor
Techniques: brush
Subjects: ornamental birds: turquoise-fronted amazon

Blauwvoorhoofdamazone. Genummerd rechtsboven: 12. Onderdeel van het tweede album met tekeningen van vogels. Vierde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
John Hart
Object type: print
Materials: paper
Techniques: etching
Location: united states
Artist: Anonymous
Artist nationality: likely american
Artist dates: 1800 – 1899
Brief aan Etha Fles
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: utrecht, print maker, etha fles, passions, emotions, affections
Inscriptions: collector's mark: ‘RPK’
Gezicht op een bos met water en een omgevallen boom
Object type: photomechanical print
Date: 1875 – 1885
Materials: paper
Techniques: photograph
Artist: andré quinsac
Artist role: printer
Artist dates: 1845 – 1891
Subjects: forest, wood
Plate (one of two)
Object type: plate
Date: 1750 – 1755
Materials: hard paste porcelain
Subjects: coat of arms
On the North Coast of Devon, Lundy Island in the Distance
Object type: drawing
Date: 1835 – 1835
Materials: chalk, gouache, graphite, watercolor
Artist: samuel palmer
Artist role: artist
Artist nationality: british
Artist dates: 1805 – 1881
Subjects: hills,landscapes

During the mid-1830s, Samuel Palmer moved away from the visionary style of his youthful Shoreham period when he belonged to a group of like-minded artists known as the "Ancients." In this coastal view of a county he dubbed "dear, spongy Devon," Palmer's obsessive attention to detail and penchant for striking color serve a naturalistic vision. A highly finished promontory in the center of the scene contrasts with a loosely-sketched foreground, and the inventive process is underscored by black chalk lines applied over the watercolor to emphasize the graphite sketch beneath. Lundy Island, seen on the right horizon, lies in the Bristol Channel, twelve miles north of Devon. Palmer first toured the area in 1834, and likely made the present watercolor during a return visit a year later.
Portret van een vrouw met boek in de hand, staand bij een stoel
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, book, standing figure - aa - female human figure, chair
Portrait of Ferdinand Lesseps
Object type: print
Date: 1850 – 1914
Techniques: etching
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: men,portraits
Fotoreproductie van een schildering van bamboe, links enkele Japanse tekens
Object type: photograph
Date: 1884 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: trees, japan

Onderdeel van een blad met zeven foto's.
Laan in het park van Versailles, met tuinvazen
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: versailles
Artist: Anonymous
Subjects: french or architectonic garden; formal garden
Inscriptions: inscription: ‘300-’, number: ‘No. 1795’
The Dragon Devouring the Companions of Cadmus
Object type: print
Date: 1588 – 1588
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: heads,men,dragons

In 1588 Goltzius made several iconic prints that pushed beyond the elegant Mannerism of Bartholomeus Spranger to a more exaggerated muscular style. Perhaps the most dramatic is this horrifying portrayal of The Dragon Devouring the Companions of Cadmus, after a painting by Cornelis Cornelisz. van Haarlem in the National Gallery, London (accession no. NG1893). The subject is taken from Book III of Ovid’s Metamorphoses. The engraving illustrates two scenes from the story of Cadmus, the prince of Tyre, whose sister Europa was abducted by Zeus. While searching for her, Cadmus sent his companions to find a spring so he could offer a sacrifice to Zeus; however, it was guarded by a fierce dragon. The dragon immediately killed Cadmus’s soldiers and when the prince discovered their bodies, he vowed to avenge them. In the foreground we are confronted with the intertwined nude bodies of two ofsoldiers. rs . The dragon has seized the head of one in his teeth while at the same time pinning down the second by clutching his thigh and torso with his claws. Blood drips from the mens’ wounds. Two apparently freshly decapitated heads, as well as some bones litter the ground beneath the struggling figures. The heavily muscled bodies and dramatic poses recall Goltzius’s engravings of the Four Disgracers (accession no. 53.601., 4, 5(3,4,5 and 65), also after designs by Cornelis van Haarlem and from the same year. In the background to the right, Cadmus is shown enacting his revenge and fighting the dragon. He has seized the advantage and thrust his spear down the creature’s throat. Goltzius intended to publish a series of 300 prints illustrating all fifteen books of Ovid’s Metamorphoses. In the end, only 52 were engraved after his drawings. The Dragon Devouring the Companions of Cadmus is larger in scale than the prints from the series and is meant to stand on its own as a tour de force of Goltzius’s engraving style.
Border
Object type: border
Date: 1860 – 1860
Bas relief sans titre
Object type: photograph
Date: 1858 – 1863
Materials: paper
Techniques: albumen print
Location: rome
Inscriptions: annotation: ‘Rome 212. Bas relief sans titre [?]’, signature: ‘Bisson ainé’
Lady Reading the Letters of Heloise and Abelard
Object type: painting
Date: 1780 – 1780
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: bernard d'agesci
Artist nationality: french
Artist dates: 1756 – 1829
Subjects: woman, book, dresses, french, interior, leisure, letters (correspondence), love, music, pearls, poetry
Inscriptions: Inscribed: HELOISE, ABEL (on the leaves of the open book); LART / DAIME / DE / BERNA (on the spine of the closed book)

This painting depicts a young woman lost in reverie after reading the letters of the ill-fated medieval lovers Heloise and Abelard. The objects on the table beside her—a letter, a sheet of music, and a book of erotic poetry—hint at a life of leisure and a susceptibility to love. In this early picture, Auguste Bernard drew upon history paintings by Peter Paul Rubens and Charles Le Brun, as well as Parisian traditions of genre painting and portraiture pioneered by Jean-Baptiste Greuze. Bernard worked in Paris in the early 1780s and studied in Italy for several years. Upon his return to Paris, he found his career frustrated by the French Revolution and the emergent fashion for the more austere Neoclassical style.
Portret van William Temple
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, armorial bearing, heraldry

Latere staat van de prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd (...). Amsterdam: Johannes Allart, 1783-1795, dl. 9.
Recently Imported Big Elephant
Object type: woodblock print
Date: 1863 – 1863
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ichiryūsai yoshitoyo
Artist role: artist
Artist nationality: japanese
Artist dates: 1830 – 1866
Subjects: men,women,elephants
Dish
Object type: dish
Date: 1725 – 1732
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Man of Sorrows
Object type: print
Date: 1401 – 1500
Materials: silver
Techniques: hand coloring, woodcut
Artist: anonymous, netherlandish, 15th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1400 – 1500
Subjects: sadness,christ
Duinlandschap met man, vrouw en hond
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: dunes (sea not visible); in the dunes
Inscriptions: collector's mark: Lugt 2228
Reliëfs uit het Palais des Tuileries te Parijs
Object type: photomechanical print
Date: 1865 – 1870
Materials: paper
Techniques: photoaquatint
Location: france
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: ornaments ~ art, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘Int. 49.’
Portret van François de La Mothe Le Vayer
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: engraving
Location: france
Artist: etienne ficquet
Artist role: print maker
Artist dates: 1719 – 1794
Subjects: paris, ornament ~ medallion, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 240
Diana
Object type: print
Date: 1528 – 1583
Materials: paper
Techniques: engraving
Location: france

Diana, met de maansikkel in de hand, geflankeerd door twee hermen met dubbele, in elkaar gedraaide staarten. Uit serie van 6 bladen.
Gideon beveelt zijn manschappen water te drinken
Object type: print
Date: 1703 – 1762
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: those who lap water by putting their hand to their mouth are separated from those who kneel down to drink the water ~ selection of gideon's men

De prent komt een eerste keer voor als boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel I. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Knocker
Object type: knocker
Date: 1800 – 1830
Materials: iron
Subjects: eagles
Conceptbrief aan anoniem
Object type: letter
Date: 1848 – 1927
Materials: ink, paper
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: william shakespeare, london
Ringkraag van een harnas met relief van veldslag
Object type: gorget
Date: 1550 – 1650
Materials: iron
Techniques: metalworking, forging
Location: western europe
Artist: Anonymous

Ringkraag van ijzer. De bovenzijde is halfrond en de onderzijde loopt toe in een flauwe punt. Het hoogreliëf toont een veldslag met mannen te paard en met speren en zwaarden. In het midden valt een paard met berijder op de grond.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1900
Materials: copper, gold alloy, silver
Culture: japanese
Location: japan
Subjects: gates
Reisindrukken in Provence Venetiaansch leven in en om Caïro
Object type: book
Date: 1920 – 1920
Materials: cardboard, linen, paper
Techniques: bookbinding, printing, etching, letterpress printing
Location: amsterdam
Subjects: print, e.g.: engraving, etching, lithograph, book, travelling; tourism
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Boek met reisverslag (119 pagina's tekst) en twaalf topografische etsen.
Fringe
Object type: fringe
Date: 1870 – 1900
Materials: silk
Culture: american
Location: united states
Portret van Amelia en een door putti opgehouden blanco blad
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: ornament ~ medallion, historical persons, ornament ~ festoon, garland, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Prenten gebruikt voor: Konigl. Grosbrit. Genealogischen Kalender auf das Jahr 1785. Lauenburg: J. G. Berenberg, 1784.
Covered Vase
Object type: vase
Date: 1770 – 1795
Materials: porcelain
Culture: chinese
Location: china
Subjects: landscapes
Appliqué with recumbent hares
Object type: appliqué
Date: 700 – 501
Materials: gold
Culture: scythian
Location: eurasian steppes, dniepr region
Subjects: rabbits
Trinidad, vista tomada desde el Hospital Militar
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: tone lithography
Subjects: city-view, and landscape with man-made constructions, church (exterior), sea
Inscriptions: collector's mark: Lugt 2228
Portret van een man, driekwart naar rechts
Object type: drawing
Date: 1849 – 1849
Materials: paper, pencil
Artist: jan cornelis van rossum
Artist role: draughtsman, painter, print maker
Artist dates: 1820 – 1905
Subjects: anonymous historical person portrayed alone
Overtogt van de brug te Lodi, den 11den Meij 1796
Object type: history print
Date: 1796 – 1798
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228
Huizen tussen bomen bij water
Object type: drawing
Date: 1630 – 1636
Materials: chalk, paper
Inscriptions: annotation: ‘P. Molyn’

Aanvankelijk toegeschreven aan Pieter Molijn, vanwege de annotatie en de stijl, maar waarschijnlijk door Gerard (II) gemaakt op de manier van zijn leermeester Molijn (in de stijl van de Haarlemse periode evenals de tekeningen GJr 43-51), of door een andere navolger van Molijn.
Neurenberg, Marktplein
Object type: photograph
Date: 1850 – 1890
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: neurenberg
Portrait of the Duke of Alva, from a Series of Tazza Designs
Object type: print ornament architecture
Date: 1588 – 1588
Techniques: engraving
Artist: theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1528 – 1598
Subjects: armor,weapons,men,portraits

In the central medallion, a portrait of the Duke of Alva as Commander of Folly, shown in profile, facing left dressed in armor, with the inverted head of jester hanging from his neck. The medallion is framed by circular ornamental frieze with a variety of scenes depicting vomitting, defecating, and fornicating human figures and monkeys. From a series of four designs for ornamented tazza, or drinking vessels.
Ritual Object Carved in the Shape of a Freshwater Mussel
Object type: bivavle, clam, mussel, unionid, foundation deposit, thutmose iii
Date: 1479 – 1425
Materials: stone
Location: egypt
Plexiglazen plaat behorend bij kastanje Anne Frank boom
Object type: commemorative
Date: 2010 – 2010
Materials: plastic
Techniques: casting
Location: netherlands
Subjects: anne frank
Inscriptions: : ‘"Onze kastanjeboom staat van onder tot boven in volle bloei, hij is vol met bladeren en veel mooier dan verleden jaar." 13 mei 1944, Anne Frank’, : ‘nr. 049/500’, : ‘Joods Nationaal Fonds’

Plexiglazen plaat, waarin in zwart en groen een opdruk gevat.
Holy Family with Saint Anne and Infant Saint John the Baptist
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: school of domenico piola
Makara waterspuwer
Object type: sculpture
Date: 1000 – 1199
Materials: rock
Techniques: carved
Location: east java
Artist: Anonymous

De waterspuwer is gemaakt in de vorm van een makara - een mythisch waterwezen. Het water gaat bij de waterspuwer naar binnen door en goot in de achterkant en loopt naar buiten door de mond van de makara. Daarboven is een staande asceet uitgebeeld met lange haren en zijn handen in meditatiehouding.
Marchant Grec
Object type: album leaf
Date: 1555 – 1568
Materials: paper
Techniques: etching
Location: lyon
Subjects: europeans (greeks) (+ costume), merchant, salesman
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Nicolay, Nicolas de. Les quatre premiers livres des navigations et pérégrinations orientales, de N. de Nicolay, (...) Avec les figures au naturel tant d'hommes que de femmes selon la diversité des nations, & de leur port, maintien & habitz. Lyon: Guillaume (I) Rouille, 1568.
Fotoreproductie van een getekend portret van Henriëtte Sontag
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: pierre petit
Artist role: fotograaf
Artist dates: 1832 – 1909
Subjects: historical persons - bb - woman, opera-singer (female)
Inscriptions: inscription: ‘Paris Besançon/ Pierre Petit/ Photographe/ 31, Place Cadet/ Paris’, name: ‘Henriette Sontag’
Portret van Willem, prins van Pruisen
Object type: print
Date: 1800 – 1851
Materials: paper
Techniques: etching, roulette
Location: germany
Artist: Anonymous
Subjects: historical persons
Spreekwoorden
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: colour, lithograph
Location: rotterdam
Artist: Anonymous
Subjects: proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 2760

Blad met 8 verbeeldingen van spreekwoorden. Onder elke afbeelding een onderschrift.
Fifth Avenue Omnibuses: Proposed Design for the New Fifth Ave Omnibus & The Old Broadway Stages in 1831, from "Harper's Weekly"
Object type: print
Techniques: engraving
Artist: harper's weekly
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1916
Subjects: streets,horses,carriages

This page from Harper's Weekly (December 5, 1885) shows an illustration of the proposed design for the new Fifth Avenue omnibus, together with an illustration of a New York street scene from 1831 with old stage coaches on Broadway. To the right the facade and bell tower of St. Paul's Chapel are visible. The print is an historic record of the rapid innovation and development in the manufacture of commercial vehicles in the United States.
Coin Depicting a Wreath
Object type: coin
Date: 202 – 133
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, part of an eye, with a black, white, and red oculus, with a black pupil with a red dot in the center; start of the handle root
Tall Clock
Object type: tall clock
Date: 1725 – 1740
Materials: wood
Culture: american
Location: united states
Artist: benjamin bagnall
Artist role: maker
Artist nationality: american
Artist dates: 1689 – 1773
Back View of a Roman Servant Boy
Object type: drawing
Date: 1771 – 1775
Materials: chalk
Artist: françois andré vincent
Artist role: artist
Artist nationality: french
Artist dates: 1746 – 1816
Subjects: boys,servants

François André Vincent was a successful portraitist and history painter at the end of the eighteenth century. During his fellowship at the French Academy in Rome between 1771 and 1775, he also made a great number of caricatures. Here, Mansueto, the young servant of the painter Anicet-Charles-Gabriel Lemonnier—who owned the drawing—is the subject of Vincent’s wit. By showing the boy from the back, standing with his hands on his hips, the artist captures his determination and vigor. Whereas the offspring of wealthy families were typically well-educated and took part in a variety of pleasant pursuits, the life of a child born to the working classes was quite different. It was not until 1874 that child labor laws were enacted in France to protect children under twelve years old.
Panel for a dress
Object type: piece
Date: 1850 – 1860
Materials: silk
Subjects: flowers
Gathering Shellfish at Low Tide at Susaki (Susaki shiohigari), from the series "Famous Places in Edo (Koto meisho)"
Object type: print
Date: 1832 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Terracotta modiolus (drinking cup)
Object type: cup, modiolus
Date: 5 – 40
Materials: terracotta
Culture: roman
Subjects: masks,horses

Fore-parts of horses, leaves, arabesques, satyr masks.
Portret van onbekende militair
Object type: print
Date: 1822 – 1874
Materials: paper
Techniques: lithograph
Location: dordrecht
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Gezicht op de dorpsstraat met vee te Schierke
Object type: album leaf
Date: 1904 – 1904
Materials: photographic support
Techniques: gelatin silver print
Location: berlin
Artist: Anonymous
Subjects: cattle driving, cattle driver, village street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘[Reis door den Harz.] van 3 - 27 Aug: 1904’, inscription: ‘Verlag der Neuen Photogr. Gesellschaft A.-G./ Berlin-Steglitz 1904/ Harz. Schierke, Dorfstrasse./ 1626’, annotation: ‘van 12-15 Aug:’
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, meander and cross square; Exterior, draped woman to left, wearing a chiton and a himation, holding a situla in her left hand
Norway, 10 Kronors, from the series Coins of All Nations (N72, variation 1) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,smoking,coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Gezicht in het park van landhuis De Wildbaan, Driebergen
Object type: photograph
Date: 1903 – 1907
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912