deem-data/ArtiFact huggingface dataset:
Exterieur van Slot Linderhof te Ettal
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bavaria
Artist: Anonymous
Subjects: palace, façade (of house or building)
Inscriptions: inscription: ‘De Jong Chocolat’, number: ‘Serie IX No. 17’
Deksel met veelkleurige bloemen
Object type: soap box
Date: 1882 – 1882
Materials: earthenware, glaze
Techniques: vitrification
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘F .. (?)’, mark: ‘sfinx // P. REGOUT & Co // MAASTRICHT // VESTA’, check stamp: ‘F AC’

Het deksel wordt bekroond door een knop in de vorm van omgekruld bladwerk.
Reiziger op een rots bij het water
Object type: drawing
Date: 1882 – 1882
Materials: paper, pencil, watercolor
Techniques: brush
Artist: alexander ver huell
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), 'en route', traveller under way, rocks (+ landscape with figures, staffage)
Inscriptions: signature: ‘AVH’

De reiziger staat op een uitzichtpunt waar een trap naartoe loopt en kijkt uit over het water. Tekening op blad 8 van een album met 24 ingeplakte schetsen.
Snuff Bottle
Object type: snuff bottle
Date: 1662 – 1722
Materials: porcelain
Culture: chinese
Subjects: human figures
Auguste Danse aan de schildersezel
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: louise danse
Artist role: painter, print maker
Artist dates: 1867 – 1948
Subjects: painter at work, in his studio
Inscriptions: collector's mark: Lugt 2228, annotation: ‘2eme Etat’
Portret van Georg Ludwig Rumpelt
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: printmaking
Location: dresden
Subjects: georg ludwig rumpelt, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 417
House with a Turret, rue de la Tixéranderie, Paris
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: houses,paris
Drie meisjes kijkend in een prentenboek (Das Bilderbuch)
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: etching
Location: germany
Artist: hugo bürkner
Artist role: print maker
Artist dates: 1818 – 1897
Subjects: reading a picture book, (playing with) toys
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark:

Drie kinderen zitten naast elkaar op een bank samen een prentenboek te bekijken. Op de vloer ligt speelgoed.
Amy Winter, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Paneled Music Room with a Door
Object type: drawing
Date: 1850 – 1850
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: doors,interiors
Jar
Object type: jar
Date: 1279 – 1368
Materials: pottery
Culture: chinese
Gezichten op de buitenplaats Duinrell
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Gezicht op het sterrenbos in de tuin van buitenplaats Duinrell, gezien richting het westen. In het midden het middenpad van de tuin met enkele figuren. Rechtsonder genummerd: 10. Prent uit een serie van zestien prenten van Duinrell.
Onderrok met streepmotief
Object type: doll's clothing
Date: 1750 – 1800
Materials: cotton
Location: netherlands
Artist: Anonymous
Entablature from the Temple of Castor and Pollux, Rome, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1537 – 1537
Techniques: engraving
Artist: master ps
Artist role: artist
Artist nationality: italian or french
Artist dates: 1530 – 
Subjects: architecture

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 33 in the scrapbook.
Familie in interieur
Object type: print
Date: 1739 – 1851
Materials: paper
Techniques: etching
Location: leiden
Subjects: family life at home
Inscriptions: collector's mark: Lugt 240

Interieur met man en vrouw met kind op schoot. Bij hen twee kinderen, van wie er een in een boek kijkt.
Titelprent van de serie Capricci
Object type: titelprent, frontispice
Date: 1662 – 1679
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: goat, fruits
Inscriptions: collector's mark: Lugt 1641, stamp

Een zittende vrouw met een mand kersen op haar schoot en een kind dat in de mand graait. De vrouw keert zich om naar een staande vrouw met een schaal met kersen. Op de achtergrond een bokkenwagen met kind. Rechts op zuil de titel van de serie en de namen van De Hooghe en Visscher. Rechtsonder genummerd: 1. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Lodewijk XIV (1650 – 1720). Het allonge tijdvak).
"Old Abe/Frosted Eagle" pattern covered compote on pedestal
Object type: glass
Date: 1880 – 1890
Materials: glass
Location: ohio
Artist: crystal glass company
Jug
Object type: jug
Date: 1367 – 1433
Materials: stoneware
Culture: german
Location: germany

The neck and body of this slender, spoutless jug were wheel-turned separately. The maker combed in the horizontal grooves and lines while the vessel was on the wheel and worked the handle and the weighty pinched foot by hand. The creamy, unglazed surface is typical of medieval stoneware produced in Siegburg, near Cologne, using the abundant local clay, which is nearly white. Siegburg ceramics were widely exported to the Netherlands and British Isles.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, head of woman to right wearing sakkos; Exterior, lower body of draped male with stick; tendril
Plattegrond van Ieper
Object type: print
Date: 1607 – 1609
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: Anonymous
Subjects: maps of cities
Inscriptions: number: ‘19’

Plattegrond van de stad Ieper. Linksonder een cartouche met de titel en een korenaar. Onderdeel van de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
An Artist Travelling in Wales
Object type: print
Techniques: aquatint, etching, hand coloring
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: infants,men,women,horses,artists

The protracted Anglo-French conflict between 1792 and 1815 prevented British artists from exploring the Continent. Instead, many sought vistas at home, encouraged by William Gilpin’s influential book Observations relative chiefly to Picturesque Beauty (1786). Rowlandson’s image parodies a strenuous tour made through Wales in August 1797 with the caricaturist Henry Wigstead. A published account describes constant fog and rain, rough roads, poor lodgings, spartan food and wild country folk. In this image, a tall, thin, figure–possibly intended for Wigstead–balances on a small pony. Man and beast are laden with artistic paraphernalia, all inadequately shielded from the downpour. A rustic family watches in amazement; for them the artist presents a much more interesting spectacle than the scenery.
The Last Judgment, from "The Dance of Death"
Object type: print
Techniques: woodcut
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Vijf foto's van verschillende leden van familie Onnen-Van den Berg in een tuin
Object type: album leaf
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: hilversum
Artist: Anonymous
Subjects: garden, historical persons, family life, open-air recreation

Deze foto's maken deel uit van een album.
Reclame voor goederen van S.F. Lothrop & Co. te Boston met reproductie van een prent van vrouw in een stoel
Object type: carte de visite
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: armchair, seat, adult woman, advertising
Inscriptions: inscription: ‘S. F. LOTHROP &amp; CO. (...) DRY GOODS, / (...) BOSTON. / Goods from New York Auctions daily. / We are bound not to be undersold.’
Kaarssnuitende man
Object type: print
Date: 1782 – 1787
Materials: paper
Techniques: transfer, print drawing
Location: amsterdam
Subjects: snuffers, warming oneself at a fire (or hearth, stove, fire-pan, brazier), heating stove
Inscriptions: collector's mark: ‘RIJKS / MUSM’

Interieur met een zittende man, die een kaars dooft. Bij de kachel een staande man, die zijn handen warmt, en een ander die het vuur opstookt. De prent ligt los in een album, zie blad 45.
Kamigata surimono album
Object type: book
Date: 1800 – 1900
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Artist: chôsui
Artist role: print maker
Inscriptions: collector's mark: Lugt 2228

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Kenneth Williams, C.F.- St. Louis, A, from Baseball strip cards (W575-2)
Object type: print
Date: 1921 – 1922
Techniques: photolithograph
Subjects: men,portraits,baseball,athletes

Ken Williams, Center Field - St. Louis, American from Baseball strip cards (W575-2). W575 is comprised of two separate distinct issues known as W575-1 and W575-2. W575-2: black and white printed photo of player. White borders. Blank back. Includes a replica signature over image. Known as "autograph on shoulder" series.
Theatrical Divertissement at an Evening Party
Object type: drawing
Date: 1701 – 1800
Materials: gouache, ink, watercolor
Techniques: pen
Artist: anonymous, french
Artist role: artist
Artist nationality: french
Artist dates: 1400 – 2050
Subjects: musical instruments,men,women,party

This drawing entered the museum in 1978 as a work by Gabriel de Saint-Aubin. Over the years scholars have expressed doubts about the attribution. It is now considered to be by an anonymous artist working in the style of Saint-Aubin.
Voet, stam en een deel van de kelk van een kelkglas (met een galopperend paard en het opschrift: Aurea Libertas)
Object type: goblet
Date: 1700 – 1800
Materials: glass, wood
Techniques: diamond point engraving, engraving
Location: northern netherlands
Artist: Anonymous

Houten voet en stam. Oorspronkelijk was de kelk van onderen rond en verwijdde zich met zacht gebogen, bij de opening een weinig buitenwaarts lopende lijn. Op de kelk was een galopperend paard gegraveerd onder een gestipte spreukband met de tekst: 'Aurea Libertas' in uitgespaarde letters. Geheel was gebarsten en gelijmd.
Abklatsch van een krijttekening
Object type: sketchbook leaf
Date: 1901 – 1901
Materials: paper
Techniques: printmaking
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924

Achterste schutblad uit een schetsboek met 42 bladzijden.
Portret van een Venetiaanse geestelijke, in ovaal
Object type: drawing
Date: 1709 – 1758
Materials: chalk, paper, pencil
Artist: bartolommeo nazari
Artist role: draughtsman, painter
Artist dates: 1699 – 1758
Subjects: anonymous historical person portrayed alone
Portret van Abraham Boxman
Object type: print
Date: 1804 – 1832
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: mayor, mayor, burgomaster, historical persons
Inscriptions: collector's mark: Lugt 2228
Vita mors gesta, et miracula quaedam selecta B. CATHERINAE SENENSIS (...)
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: italy
Subjects: the virgin and dominican tertiary, catherine of siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata, the mystic marriage of st. catherine of siena: she kneels to receive a ring from the infant christ (in mary's lap), or from the adult christ
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11, collector's mark: ‘Hinloopen’, inscription: ‘4’
Textile Fragment
Object type: textile fragment
Date: 1101 – 1200
Materials: linen
Location: egypt
Portret van Samuel Hood
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: engraving
Artist: friedrich wilhelm nettling
Artist role: print maker
Artist dates: 1793 – 1824
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Hoofd van Christus
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Artist: bastiaan de poorter
Artist role: painter, print maker
Artist dates: 1813 – 1880
Subjects: 'portraits' of christ

Blad 10 recto uit een gecombineerd album amicorum en schetsboek met in totaal 39 bladen.
In All His Glory
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Ferret
Object type: ferret
Date: 601 – 700
Materials: copper alloy
Culture: frankish
Teabowl
Object type: teabowl
Date: 1780 – 1780
Materials: clay, glaze
Culture: japanese
Double bassoon
Object type: double bassoon
Date: 1810 – 1810
Materials: brass, wood
Location: vienna state
Artist: Anonymous

The contrabassoon has a windway that is double the length of the standard bassoon’s, and it plays an octave lower. Between the late 18th century and early 19th century, contrabassoon makers were mostly active in the Habsburg Empire, especially in Vienna. Early contrabassoons, such as this exquisite exemplar, are very rare.
Limestone group: banquet
Object type: banquet scene
Materials: limestone
Culture: cypriot
Subjects: men,women

Five figures are disposed around the edge of an irregular plinth. They face inward; a cutting may have held an altar or offering table. The banqueters recline on cushions, not on couches as in Greece. The central male figure is alone. On either side is a couple, a reclining male and a woman seated at his knees. The heads probably do not belong with the bodies. As with the terracotta group scenes, the Cypriot artist used all means at his disposal to render familiar subjects. The malleable clay and soft limestone facilitated his efforts.
Le reflet (profile)
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: girls,portraits,profiles,mirrors
Portret van Anthony de Wale (Antonius Walaeus), hoogleraar in de theologie te Leiden
Object type: print
Date: 1610 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ghent
Inscriptions: collector's mark: Lugt 240
Balustrade boven een ingangspartij
Object type: print
Date: 1737 – 1806
Materials: paper
Techniques: etching
Location: augsburg
Subjects: coat of arms (symbol of sovereignty), welding (industrial process), ornament ~ medallion, balustrade, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Een smeedijzeren balustrade met bloemmotieven en guirlandes boven een ingangspartij met bladmotieven, een medaillon en een wapenschild.
Landscape with a Multi-Arched Bridge
Object type: drawing
Date: 1660 – 1680
Materials: graphite, ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: frederik de moucheron
Artist role: draughtsman, painter
Artist dates: 1633 – 1686
Subjects: landscape with bridge, viaduct or aqueduct
Brief aan Jan Veth
Object type: letter
Date: 1890 – 1890
Materials: ink, paper
Techniques: pen, writing
Artist: jacoba cornelia jolles-singels
Artist role: schrijver
Artist dates: 1847 – 1901
Subjects: thérèse schwartze, the hague, painter, print maker, draughtsman, johannes bosboom, dordrecht, designer, jan veth, newspaper, utrecht, etha fles, leiden, amsterdam, physicist, andré jolles, literature ~ arts, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Rosy Sunset
Object type: handscroll
Date: 1501 – 1600
Materials: ink, silk
Culture: chinese
Artist: wen tong
Artist role: artist
Artist nationality: chinese
Artist dates: 1019 – 1079
Subjects: mountains,landscapes
Portret van Jane Cathcart en haar dochter Jane
Object type: print
Materials: paper
Techniques: mezzotint
Location: london
Artist: james mcardell
Artist role: print maker, publisher
Artist dates: 1728 – 1765
Subjects: historical person - woman - in a double portrait
Inscriptions: collector's mark: Lugt 240
All Souls College, Oxford
Object type: photograph
Date: 1864 – 1898
Materials: cardboard, paper
Techniques: albumen print
Location: oxford
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: university building, college
Inscriptions: number: ‘13706.’
Tiles with Scenes of Children Playing
Object type: tegelveld
Date: 1680 – 1730
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous
Subjects: children's games and plays, spiders

Veld van achtenveertig kinderspeltegels (8 x 6) elk met een blauw geschilderde voorstelling van twee spelende kinderen. In de hoeken, een spinnetje.
Fishing Boats, Hastings
Object type: print
Date: 1876 – 1877
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Titelpagina voor: Diversa Aedificia, 1658
Object type: titelblad, titelpagina
Date: 1658 – 1658
Materials: paper
Techniques: engraving
Location: antwerp
Inscriptions: collector's mark: Lugt 2228, inscription: ‘188’

Gedecoreerd kader met titel in het Latijn.
Denemarken, Christiaan IV, 4 skilling dansk, 1630
Object type: coin
Date: 1630 – 1630
Materials: silver
Techniques: striking
Location: copenhagen

Zilveren munt. Voorzijde: gekroond borstbeeld van de koning naar rechts. Keerzijde: waarde-aanduiding in vier regels. Jaartal bovenaan aan het eind van het omschrift. Gladde rand.
Landschap met Château de Vyle-Tharoul
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: brussels
Subjects: castle, liège
The Landscape with the Wooden Bridge
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: animals,bridges,men,landscapes,trees
Portret van schilder Marco Ricci
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: engraving
Location: italy
Subjects: venice, painter, print maker, draughtsman, marco ricci, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Villa bij Rome
Object type: drawing
Date: 1861 – 1904
Materials: ink, paper
Techniques: pen
Artist: thomas cool
Artist role: draughtsman, painter
Artist dates: 1851 – 1904
Subjects: city-view, and landscape with man-made constructions, villa, rome
Silhouet van een vrouw (Parijs)
Object type: collage visual work
Date: 1860 – 1915
Materials: paper
Techniques: collage
Location: paris
Artist: Anonymous
Subjects: paris
Covered Jar in the Shape of a Star Fruit
Object type: jar
Date: 1301 – 1400
Materials: glaze, porcelain
Culture: chinese
Amulet of the God Pataikos
Object type: amulet, pataikos
Date: 664 – 332
Materials: faience
Location: egypt
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Right foot above ground line; underside of the foot is reserved
Glass mosaic bottle
Object type: perfume bottle, mosaic
Date: 1 – 50
Materials: glass
Culture: roman

Translucent honey brown and opaque white. Everted, slightly beveled rim with angular outer lip; cylindrical neck, tapering downward, with tooling indents around top below rim; squat globular body; slightly concave bottom. Marbled mosaic pattern formed from sections of a single cane in a brown ground with white parallel lines in a irregular zigzag pattern. Intact; dulling, slight pitting, whitish iridescent weathering, and inside neck and body soil encrustation. Rotary grinding marks on exterior.
Cane couch
Object type: couch
Date: 1690 – 1710
Materials: wood
Culture: american
Location: england

Although referred to by the English as a couch, this one-ended caned seat was a form favored in France and sometimes referred to as a "lit de repose," or daybed. It probably served a dual purpose—as an extra bed at night and extra seating during the day. The seat is softened by a “squab,” or generously stuffed mattress. Cane couches often were accompanied by sets of cane chairs, as in the Wentworth Room. In 1717, a New England man named John Welland noted that his principal room held “a Cane Couch[,] Squab & pillow” along with [an] “Elbow & 6 small cane chairs.”
Brief aan Philip Zilcken
Object type: letter
Date: 1889 – 1889
Materials: ink, paper
Techniques: pen, writing
Location: luxembourg city
Artist: octave maus
Artist role: painter
Artist dates: 1856 – 1919
Subjects: draughtsman, marinus van der maarel, philip zilcken, england
Inscriptions: collector's mark: ‘RPK’
Gezichten in Pavia, Monza en Milaan
Object type: print
Date: 1838 – 1841
Materials: paper
Techniques: lithograph
Location: paris
Subjects: interior of church
Inscriptions: check stamp: Lugt 1397c, collector's mark: Lugt 2228a

Prent maakt deel uit van een omslag met zes prenten.
Abacus
Object type: abacus
Date: 1901 – 2000
Materials: cement
Culture: european
Versailles - Cabinet de travails.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: versailles
Artist: jd
Artist role: fotograaf
Subjects: mirror, chandelier, candelabrum, palace, interior of the house
Inscriptions: collector's mark: Lugt 3937, number: ‘42’