deem-data/ArtiFact huggingface dataset:
E-24: French Salon of the Louis XVI Period, c. 1780
Object type: miniature room
Date: 1937 – 1937
Location: united states
Artist: narcissa niblack thorne

Mrs. Thorne designed this interior “entirely in the spirit of Marie Antoinette—dainty in coloring and full of her symbols of design.” The queen was fond of roses, which were often incorporated into the molded decorations of swags, garlands, and baskets in rooms such as this one. The garden tools and musical instruments in the carvings of the panel heads represent her love of nature and music. Speaking of the Petit Trianon, whose private rooms inspired this salon, Mrs. Thorne wrote, “Nothing could be more chaste, more restrained. This was Marie Antoinatte's favorite retreat and it is here that I always feel her shadow.”
Onderdelen van het trapportaal uit het pand aan de Keizersgracht 187 te Amsterdam
Object type: architectural element
Date: 1740 – 1760
Materials: wood, marble
Artist: Anonymous

Onderdelen van het trapportaal uit het pand aan de Keizersgracht 187 te Amsterdam
Les Forces de l'Europe, Asie, Afrique et Amerique, ou description des principales villes avec leurs fortifications. Dessignées par les meilleurs ingenieurs, particulierement celles qui sont sous la domination de la France (...) et ornées de plusieurs superbes edifices
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: fribourg, spaanse successieoorlog

Gezicht op de stad Fribourg. Plaat nr. 121 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog.
Dish
Object type: dish
Date: 1601 – 1650
Materials: stonepaste
Techniques: painting, underglaze
Location: iran
Subjects: cranes,flowers,leaves
Op zee
Object type: page
Date: 1868 – 1878
Materials: photographic support
Techniques: albumen print
Subjects: rowing-boat, canoe, etc., sea
Inscriptions: number: ‘9’
Rank Badge with Peacock
Object type: rank badge
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: peacocks
Brief aan August Allebé
Object type: letter
Date: 1911 – 1911
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: jonkheer barthold willem floris van riemsdijk
Artist role: engineer, print maker
Artist dates: 1850 – 1942
Subjects: amsterdam, print maker, draughtsman, august allebé
Manchet van batist, versierd met Engels borduurwerk
Object type: cuff
Date: 1875 – 1925
Materials: textile
Techniques: english embroidery, festoon stitch
Location: western europe
Artist: Anonymous

Manchet van batist, afgezet met een aangerimpelde strook met gefestonneerde schulprand. Zowel de manchet, als de strook zijn versierd met Engels borduurwerk.
Bronze statuette of a priest sacrificing
Object type: statuette of a priest sacrificing
Date: 34 – 1
Materials: bronze
Culture: roman
Subjects: men

He holds and incense box in his left hand.
Drie gezichten op Bratislava, het kasteel van Devín en een Hongaars dorp
Object type: photograph
Date: 1930 – 1931
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Subjects: city-view in general; 'veduta', river, landscape with tower or castle
Inscriptions: annotation: ‘Devin Burg bei/ Bratislava-Theben/ ung. Dorf/ Pressburg’

Drie foto's gemaakt tijdens de boottocht over de Donau. Deze pagina maakt deel uit van een album.
Landscape
Object type: print
Date: 1545 – 1545
Techniques: etching
Artist: augustin hirschvogel
Artist role: artist
Artist nationality: german
Artist dates: 1503 – 1553
Subjects: bridges,mountains,landscapes,trees
Ex libris van Johnny Køhler
Object type: bookplate
Date: 1957 – 1957
Materials: paper
Techniques: printing block
Location: denmark
Subjects: flowers, lower arm, string instruments (bowed)
Inscriptions: workshop stamp: ‘Muggi Wille-Nielsen/ Etching in zinc 1957’
Sugar Bowl
Object type: sugar bowl
Date: 1825 – 1840
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Portret van Horace-Bénédict de Saussure
Object type: print
Date: 1799 – 1819
Materials: paper
Techniques: engraving
Location: darmstadt
Artist: conrad felsing
Artist role: print maker
Artist dates: 1766 – 1819
Subjects: physicist, historical persons
Inscriptions: collector's mark: Lugt 2228
Brief aan Philip Zilcken
Object type: letter
Date: 1904 – 1904
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: johannes hendricus jurres
Artist role: draughtsman, print maker
Artist dates: 1875 – 1946
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Gauche. Henri. 24 ans, né le 7/2/60 à Paris. Rentier. Anarchiste.
Object type: mugshot
Date: 1884 – 1884
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Design Studies, Section Through House, Presentation
Object type: architectural drawing
Date: 1860 – 1870
Materials: ink, paper, watercolor
Techniques: drawing
Location: united states
Artist: carl (charles) j. furst
Subjects: houses, presentation, residential, homes, architecture, interior design, design
Tales of Ise
Object type: book
Techniques: woodblock print
Location: japan
Artist: Anonymous
Artist nationality: japanese
Ex libris van Otto Jahn
Object type: bookplate
Date: 1823 – 1869
Materials: paper
Techniques: printing block
Location: germany
Artist: Anonymous
Subjects: violin, fiddle, fishes, infant, baby, fruit harvest, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: inscription: ‘Jacob Bernar (?)’
Two Jugs
Object type: ewer
Date: 1660 – 1665
Materials: silver
Artist: christiaen van vianen
Artist role: silversmith
Artist dates: 1600 – 1667
Subjects: mask, mascaron ~ ornament, dragon

Christiaen lived in Utrecht during the British Civil War (1642-1660), but afterwards he returned to London where he worked together with John Cooqus, who married his daughter. Christiaen probably collaborated on the jug at the left. The one at the right, which is less well finished, is
probably solely Cooqus’s work. Kwab ornament is still very prominent in these late pieces.
Portret van Michel Le Tellier
Object type: print
Date: 1642 – 1678
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, michel le tellier, historical persons
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Portret van Corneille Gole
Object type: print
Date: 1667 – 1732
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: furniture worker, corneille gole, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 964
Hoofdstudie van een vrouw met hoofddoek
Object type: print
Date: 1750 – 1800
Materials: paper
Techniques: etching
Location: netherlands
Artist: g. van citters
Artist role: print maker
Subjects: head-gear
Inscriptions: collector's mark: Lugt 2233
Newes Modelbuch in Kupffer  (Page 25r)
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: etching
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.
Ruiter in rust
Object type: print
Date: 1669 – 1717
Materials: paper
Techniques: etching
Location: unknown
Artist: dirk maas
Artist role: draughtsman, print maker
Artist dates: 1659 – 1717
Subjects: riding a horse, ass, or mule; rider, horseman, training of horses
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 138

Ruiter naar rechts. Prent van een serie van twee prenten met ruiters die hun paarden trainen.
Combat of Two Wild Men on Horseback
Object type: print
Date: 1475 – 1485
Materials: paper
Techniques: engraving
Location: germany
Artist: israhel van meckenem the younger
Artist nationality: german
Artist dates: 1440 – 1503
Vier jonge mannen, mogelijk op de schoolcampus van St. Johnsbury Academy in Vermont
Object type: photograph
Date: 1905 – 1915
Materials: paper
Techniques: cyanotype
Location: st. johnsbury
Artist: Anonymous
Subjects: student
Portret van een man, aangeduid als Mr. Marche
Object type: photograph
Date: 1875 – 1879
Materials: cardboard, paper
Techniques: albumen print
Location: nantes
Artist: constant peigné
Artist role: fotograaf
Artist dates: 1834 – 1916
Subjects: adult man, anonymous historical person portrayed
Inscriptions: inscription: ‘1XX PRIX/ MÉDILLE D'ARGENT/ BLOIS/ 1875/ BREVETÉ S.G.D.G/ No de Cliché 98471 [?]/ Pour avoir ce portrait sans poser, envoyer le No ci- dessus, la maison conserve les clichés indéfiniment’, address: ‘Rue Crébillon, 8,/ NANTES./ Succersale Rue de Nantes/ Maison Buisneau/ St. NAZAIRE’
Omnibus #3798
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
[Two Chinese Men in Matching Traditional Dress]
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: raimund von stillfried
Artist role: artist
Artist nationality: austrian
Artist dates: 1839 – 1911
Subjects: men,portraits
Geseling van de heilige Martina
Object type: print
Date: 1654 – 1702
Materials: paper
Techniques: etching
Location: italy
Artist: antonio gherardi
Artist role: print maker
Artist dates: 1644 – 1702
Subjects: female saints (martina of rome) - martyrdom, suffering, misfortune, death of female saint
Inscriptions: collector's mark: Lugt 2228

De heilige Martina ligt vastgebonden op een blok. Ze wordt gegeseld door mannen met zwepen. Mannen, vrouwen en kinderen kijken toe vanaf trappen op de achtergrond.
Titelprent voor een serie met scènes uit het leven van Achilles
Object type: titelprent, frontispice
Date: 1700 – 1700
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: (story of) achilles - attributes
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond het wapenschild, zadel en harnas van Achilles, met hond, everzwijn en hert. Een doek met de serietitel hangt tussen twee speren. Daarboven, aan een boom, hangt een krans met palmtakken. Linksonder: N.1. Eerste prent uit een serie van veertien met scènes uit het leven van Achilles.
Handkerchief
Object type: handkerchief
Date: 1801 – 1900
Techniques: lace
Portret van Gerard Seghers
Object type: print
Date: 1615 – 1691
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: print maker, gerard seghers, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 240

Ovaal portret van de kunstenaar Gerard Seghers.
Dish with women in a fenced garden and flowering plants near a rock
Object type: platter
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning
Location: china
Artist: Anonymous
Inscriptions: mark: ‘大 清 康 熙 年 製<BR /><BR />dà qīng Kāngxī nián zhì’

Diepe schotel van porselein met een gelobde rand, beschilderd in onderglazuur blauw. Op het plat in een medaillon een vrouw (lange lijs) op een paard in een omheinde tuin. Tegenover staat een vrouw, haar hand geheven in een groetend gebaar. Achter haar een bediende met een parasol. Boven hen vliegen drie vogels. De wand en rand met acht gelobde vakken met afwisselend twee vrouwen in een omheinde tuin of bloeiende planten bij een rots. Tussen de cartouches een swastika-patroon en strikken. De buitenrand met zes bloemranken. De buitenwand met ruyi-motieven gescheiden door verticale strepen. Gemerkt op de onderzijde met het zes-karaktermerk van keizer Kangxi in een dubbele cirkel. Een barst en enkele chips in de rand. Blauw-wit.
Portret van Johannes van Neercassel
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: evert van sweinen
Artist role: print maker, publisher
Subjects: priest, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228

Johannes van Neercassel, apostolisch vicaris van de Hollandse Missie. Hij zit in een stoel en laat zijn hand op een boek rusten. Op de tafel naast hem een crucifix. In de marge zijn naam, titels en een gedicht ter gelegenheid van zijn overlijden.
Portretten van patriotten
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Artist: abraham jacobsz. hulk
Artist role: print maker
Artist dates: 1751 – 1817
Subjects: historical persons
Inscriptions: date
Zaal met uitgestalde objecten bij de Tentoonstelling voor Nationale Nijverheid en Kunst in het Paleis voor Volksvlijt, Amsterdam
Object type: stereograph
Date: 1866 – 1866
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: paleis voor volksvlijt
Inscriptions: label: ‘Boek & Kunsthandel Jan D. Brouwer, Kalverstraat E, Nº 37 Amsterdam.’, stamp: ‘JDB’
Nederlands Indië,1/4 gulden,1906
Object type: coin
Date: 1906 – 1906
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: tussen waarde-aanduiding 1/4 G gekroond rijkswapenschild. Boven kroon landsaanduiding en onder wapenschild jaartal. Keerzijde: drieregelig Maleis opschrift in Arabische tekens, waaromheen tussen zeven uitschietende stralen omschrift in het Javaans. Kartelrand.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1501 – 1600
Materials: copper, iron
Culture: japanese
Location: japan
Subjects: dragonflies

This tsuba features an openwork design of a dragonfly. It is made in the so-called tōshō (swordsmith's) style.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, unidentified subject and part of an inscription, an O
Marcus Curtius Plunging Into the Chasm
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: men,horses

According to Hollstein this print is after an Italian plaquette, attributed to Giovanni delle Opere or delle Corniole.
Twee afgietsels van kapitelen uit de Grote Kerk te Rotterdam
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation, annotation: ‘11 Kapitelen Groote Kerk (hervormde) Rotterdam’
Open rijtuig met koningin Wilhelmina en koningin-moeder Emma en escorte bij de inhuldiging in Amsterdam
Object type: photograph
Date: 1809 – 1898
Materials: photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: barend groote
Artist role: fotograaf, fotohandel
Artist dates: 1862 – 1946
Subjects: the hague, print maker, wilhelmina of the netherlands, emma (queen consort of the netherlands), riding a horse, ass, or mule; rider, horseman, ceremonial celebration of installation of a ruler, public festivities on the occasion of royal events, installation of a ruler - bb - female ruler, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, amsterdam
Inscriptions: name: ‘B. Groote & Co. Kalverstraat 43 Amsterdam’

Onderdeel van Fotoalbum met tien opnames van de inhuldiging van koningin Wilhelmina en de inhuldigingsfeesten.
Reinforcing Breastplate Bevor, and Grandguard for the Joust
Object type: armor
Date: 1560 – 1560
Materials: steel
Location: augsburg

By the sixteenth century, armorers devised this steel reinforcement as replacement for wooden shields or targes used in the joust. The section covering the shoulder, known as a grandguard, was bolted down firmly over the left side together with a reinforcing (second) breastplate. The grandguard served as a target and was often fitted with a trellis pattern to grapple the lance head after impact. The helmet was bolted to the upper section (bevor) for added thickness and protection, replacing the heavy jousting helm of the past.
Portret van Martin von Dunin
Object type: print
Date: 1834 – 1888
Materials: paper
Techniques: engraving, etching
Location: leipzig
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Before the Mirror
Object type: painting
Date: 1873 – 1873
Materials: canvas, oil
Artist: pierre-paul-léon glaize
Artist role: artist
Artist nationality: french
Artist dates: 1842 – 1932
Subjects: women,mirrors
Incense Burner
Object type: incense burner
Date: 1700 – 1700
Materials: enamel, gold, porcelain
Culture: japanese
Cacao plantage "Mariënbosch" (inspectie 27 aug.s '95)
Object type: photograph
Date: 1895 – 1895
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: utrecht, plantation
Inscriptions: inscription: ‘Cacao plantage "Mariënbosch" (inspectie 27 aug.s '95) / H. ten Harmsen v.d. Beek. distr. Comm. / H. v. Siepers. beheerder / Gouv.r. v. Asch v. Wijck.’

Brug en gebouwen van de cacaoplantage Marienbosch, tijdens een inspectie op 27 augustus 1895. Op de kade bij de bug staan: H. ten Harmsen v.d. Beek. distr. Comm. / H. v. Siepers. beheerder / Gouv.r. v. Asch v. Wijck. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
A Letter to Eugène Maus, Decorated with Two Apples
Object type: drawing
Materials: ink, watercolor, paper
Techniques: pen
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: fruit

The Manets lodged in Bellevue in a small house at 41 route des Gardes during the summer of 1880. The letters Manet embellished with watercolors of flowers and fruit from his garden at Bellevue and sent to his friends are among the most prized of his works because of their enchanting informality. At least forty letters can be dated with some certainty to his time in Bellevue. This is the first of two addressed to Eugène Maus, a fellow painter, who showed in Paris in the 1880 Salon. He died the following year of a "maladie nerveuse". Manet shares with Maus his concern about his own submission to the 1880 Salon in Ghent: "Chez le Père Lathuile" 1879 (Musée des Beaux-Arts de Tournai).
Portret van Emilie von Berlepsch-Oppel
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Location: leipzig
Subjects: historical persons - bb - woman, portrait of a writer
Inscriptions: date
De Toi Tama rivier in de provincie Settsu
Object type: print
Date: 1847 – 1848
Materials: paper
Techniques: woodcut
Location: tokyo
Artist: utagawa kuniyoshi
Artist role: draughtsman, print maker
Artist dates: 1798 – 1861
Subjects: fulling ~ cloth finishing

Vrouw met rollen wit laken onder haar armen, staand naast hond; rivier en dorpje tussen bomen op de achtergrond.
Sultan omringd door dansende en musicerende figuren
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: making music; musician with instrument, dancing, head-gear: turban
Inscriptions: collector's mark: Lugt 2228

Mogelijk illustratie uit: Nomsz, J. Soliman de tweede, of De drie sultanes; blyspel. Amsterdam: Izaak Duim, 1775.
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1872 – 1872
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: pieter stortenbeker
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1898
Subjects: bernardus johannes blommers, publisher, art trade, art shop, drawing, exhibition ~ art, money, amsterdam
Inscriptions: collector's mark: Lugt 2233
Teatre de la guerre en Amerique telle qu'elle est à possedée (...) / Archipelague du Mexique ou sont les isles de Cuba, Espagnole (...)
Object type: print
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Artist: Anonymous
Subjects: imperialism, maps of separate countries or regions, maps of cities
Inscriptions: inscription
Commemmorative Ribbon "Compliments of the Season"
Object type: textile
Date: 1801 – 1900
Materials: silk
Techniques: brocade, weave
Location: coventry
Artist: thomas stevens
Artist nationality: english
Artist dates: 1828 – 1888
Inscriptions: Inscription: "Compliments / of / The Season"