deem-data/ArtiFact huggingface dataset:
Portrait of a Manchu Official
Object type: painting
Materials: ink, silk
Techniques: painting
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,portraits
Poker
Object type: glass
Date: 1801 – 1900
Materials: glass
Location: bristol
Kan, omgekeerd balustervormig, met oor
Object type: ewer
Date: 1400 – 1400
Materials: earthenware, glaze
Techniques: maiolica, painted, polychromy
Location: orvieto
Artist: Anonymous
Inscriptions: collector's mark: ‘Chenu[e] / emballeur/ 5, Rue de la Terrasse, Paris (in rood gedrukt)<BR />Br[...mogelijk Brauer] / [...] / 10 <BR />(in bruin geschreven)’

Jug with a queen on a throne. Central Italy, c. 1400. J.W. Edwin vom Rath bequest, 1941.
Terracotta fragments of skyphoi (deep drinking cups)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Parts of four handles from skyphoi
Portrait of Emma Dauvilliers
Object type: print
Date: 1889 – 1889
Techniques: drypoint
Artist: marcellin desboutin
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1902
Subjects: portraits,women
Brief aan Andries Bonger
Object type: letter
Date: 1912 – 1912
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: paris, print maker, draughtsman, eugène delacroix, amsterdam, andries bonger, drawing, family life, painting (including book-illumination, miniature-painting), exhibition ~ art, money, cologne
[Watercolor of Boys Playing]
Object type: photograph
Date: 1850 – 1859
Techniques: paper negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: boys,playing
Plattegrond van de eerste verdieping van een woonhuis
Object type: sketchbook leaf
Date: 1864 – 1864
Materials: ink, paper, pencil
Techniques: pen
Artist: willem springer jr.
Artist role: draughtsman
Artist dates: 1815 – 1907
Subjects: plan ~ architecture
Inscriptions: annotation: ‘1e Verdieping/ Kabinet/ Achterkamer/ ...’

Pagina 156 uit een schetsboek met 164 pagina's.
Slapende jager
Object type: print
Date: 1629 – 1629
Materials: ink, paper
Techniques: engraving
Location: europe
Artist: Anonymous

Een man ligt tegen een boom uit te rusten. Naast hem staan twee honden, aan een stok hangt een dode haas. Met tweeregelig vers in het Latijn in ondermarge. Het betreft de serie getiteld: Otia delectant faciuntq [...]. Kalfsleren band met opschrift en decoratieve kaderlijnen in pen in bruin. Voorin en achterin vier schutbladen van velijn.
Voorbeelden van liefde en lust door Venus gepersonifieerd
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, specific aspects, allegorical aspects of venus; venus as patroness
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Venus als personificatie van de Liefde (zowel de liefde tot God als de naastenliefde). Ze staat in een nis, één kind in de armen, twee kinderen aan haar voeten.
Portret van Christian Heinrich Schmid
Object type: print
Date: 1762 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: scholar, philosopher, historical persons
L'Italie a l'exposition
Object type: reproduction
Date: 1885 – 1901
Materials: paper
Techniques: four-color autotype
Location: paris
Subjects: world fair, world exhibition

Prent tegenover pagina 24 van Figaro-Illustré (Novembre 1900).
Cabinet
Object type: cabinet
Date: 1501 – 1533
Materials: wood
De droom van Jan
Object type: popular print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: going to sleep - bb - out of doors, bread, loaf, tales and fairy tales, departure ~ travelling
Inscriptions: : ‘marque de fabrique / deposée’, collector's mark: Lugt 2760

Blad met 9 voorstellingen van drie vrienden die samen op reis gaan. Jan eet het laatste stuk brood op. Onder elke afbeelding een onderschrift. Genummerd linksboven: Série 14. - No. 18.
Double-Barreled Flintlock Blunderbuss
Object type: arm
Date: 1800 – 1800
Materials: gold, iron, silver, wood
Culture: russian
Location: rossiya republic
Amsterdamse stedenmaagd met een weegschaal en sater
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: h. van ooijen
Artist role: print maker
Subjects: personification of a city, town-patron(ess), scales, satyr(s) (in general), amsterdam
Inscriptions: collector's mark: Lugt 1641b

Gepubliceerd als bijvoegsel van 'Neêrland's Weekblad', 17 september 1898.
Christ and the Woman of Samaria
Object type: painting
Date: 1650 – 1660
Materials: oil, wood
Artist: rembrandt
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,women,christ
Church Doorway, EdgwareImpression: Art Institute of ChicagoArt Institute of Chicago(1924.659)Church Doorway, Edgware
Object type: print
Date: 1887 – 1888
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Twee figuren in gewaden, in profiel
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing), adult man (+ standing)

Blad 7 recto uit schetsboek XXIV met 10 bladen.
Alt Hamburg. Aus dem Abbruchsviertel. Eichholz, Hof 62
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: hamburg
Subjects: street
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, part of ivy wreath?; Exterior, unidentified subject
Spuier van een waterpomp
Object type: waterpomp
Date: 1625 – 1675
Materials: brass, lead
Techniques: casting, metalworking
Location: northern netherlands
Artist: Anonymous

Het voorwerp bestaat uit een loden buis met een geelkoperen gegoten en bijgeciseleerd mondstuk. Dit heeft de vorm van een masker met ogen, neus en drakenvleugels als oren, met een geprofileerde rand om de opening.
Limestone statuette of a male votary in Egyptianizing dress
Object type: statue of a votary, male
Date: 500 – 468
Materials: limestone
Culture: cypriot
Subjects: men

Male figure in Egyptian style dress with elaborately ornamented apron.
Neptunus en Cybele naast een globe
Object type: titelblad, titelpagina
Date: 1792 – 1792
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: (story of) neptune (poseidon), 'geografia', (story of) cybele, rhea cybele, great mother of the gods (berecynt(h)ia), atlas supporting the heavens on his shoulders
Inscriptions: collector's mark: Lugt 2228

Neptunus, de god van de zee, wijst op het water en Cybele, de godin van de aarde, meet het land van een globe. Op de voorgrond zit Geografie met een tablet en pen in de hand naast allerlei landmeetinstrumenten. Op de achtergrond draagt Atlas de aarde. Titelpagina voor een atlas.
An actor
Object type: page
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: portrait of actor, actress, seeking death, suicide
Inscriptions: inscription: ‘Representing a suicide by hara-kiri.’
Koning Manasse vereert een afgodsbeeld
Object type: print
Date: 1648 – 1656
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: manasseh's apostasy, cadmus meets the cow which leads him into boeotia

Deze prent is een kopie naar een prent uit de ateliers van Hendrick Goltzius en Robert de Baudous, die onderdeel is van een serie van 52 prenten die verhalen uit Ovidius' Metamorfosen verbeelden. Het voorbeeld heeft geen betrekking op Manasse en een afgodsbeeld, maar op Cadmus en het orakel van Delphi. Klinkert, C.
Oosters tapijt
Object type: prayer rug
Date: 1800 – 1900
Materials: wool
Location: kirsehir

Oosters tapijt, bidkleed. Op het middenveld een mosgroene mihrab
Dienstmeid
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: venice
Subjects: maid ~ house personnel
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een dienstmeid met een dienblad met fruit. Op de achtergrond een trap en planten in potten.
Reliquary bust of a bishop-saint
Object type: bust
Date: 1601 – 1633
Materials: bronze, gilt, glass
Subjects: bishops,saints
Head of female figure
Object type: head, female statue
Materials: pottery
Location: egypt
Subjects: heads,women
Candlestick with candelabrum attachment
Object type: candlestick with candelabrum attachment
Date: 1701 – 1800
Materials: silver
Vertrek van de prinses van Oranje naar Engeland, 1689
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland), arrival and return ~ travelling, brielle
Inscriptions: date

Vertrek van prinses Maria Stuart uit Brielle op 20 februari 1689 om zich te voegen bij haar echtgenoot in Londen. De prinses stapt over van het Statenjacht naar het schip dat haar naar Engeland zal brengen. Onder de plaat drie teksten met de legenda's A-L in het Nederlands, Frans en Engels.
Vase with handles
Object type: vase
Date: 1701 – 1800
Materials: enamel, stoneware
Techniques: polychrome
Culture: japanese
Subjects: flowers,leaves
Portret van Jean Bruté
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Subjects: jean bruté, historical persons
Inscriptions: date
Stormy Sea (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: seascapes,waves

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Design for a Low Chair on Casters
Object type: drawing
Date: 1840 – 1899
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: chairs
Sunlight
Object type: photograph
Techniques: platinum print
Location: united states
Artist: clarence h. white
Artist nationality: american
Artist dates: 1871 – 1925

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
"Two Nightingales in a Rose Bush", Double-Sided Illustrated Leaf from an Ottoman Album
Object type: illustrated album leaf
Date: 1725 – 1745
Materials: gold leaf, ink, paper, shell, watercolor
Techniques: marbling
Location: turkey
Artist: 'abdullah bukhari
Artist role: artist
Artist nationality: turkish
Artist dates: 1700 – 1775

The lead characters in this work are likely the "rose and the nightingale", symbolizing the "loved and beloved one", which together were popular subjects of love poetry used by Ottoman poets between the 15th through the 18th century. Other flowers, such as carnations, honeysuckles, and hyacinths, or tulips—such as depicted here on the verso—also played roles in such poetry. The pictorial style, with close attention given to details with flowers and birds rendered in a rather realistic style, combined with pronounced green spiky leaves, is characteristic of the painting style developing in Istanbul beginning in the 1720s. Signed by ‘Abdullah Bukhari (active ca. 1725–50s), one of the great painters of eighteenth-century Ottoman Istanbul, who mainly painted scenes for collectors’ albums, such as this one.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of an egg pattern
Ovale fantasielandschappen
Object type: print
Date: 1650 – 1655
Materials: paper
Techniques: etching
Location: paris
Subjects: landscapes, river, river bank, rural housing, e.g. country-house, villa, cottage, (high) hill, sitting on the ground
Inscriptions: collector's mark: Lugt 240

In een ovale omlijsting zitten twee figuren onder een boom aan de waterkant. Aan de overkant van de rivier staat een gebouw aan de voet van een heuvel.
Ida Heath at the Bar
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Scenic View of Gardens
Object type: drawing
Materials: gold, ink, watercolor
Techniques: brush, pen
Artist: antoine-claude fleury
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1822
Subjects: fountains,gardens,landscapes
Case (Inrō) with Design of Hō-ō Bird in Flight above Flowering Kiri Branches
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie, maki-e
Culture: japanese
Subjects: birds,flowers
T. W. Corcoran, Shortstop, Brooklyn, from Mayo's Cut Plug Baseball series (N300)
Object type: print, baseball card
Date: 1895 – 1895
Techniques: lithography
Artist: p.h. mayo & brother, richmond, virginia
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,baseball,athletes

Series of baseball cards from "Mayo's Cut Plug" series (N300), issued in 1895 by P.H. Mayo and Brother. Blank black back. Player is T.W. (Tommy) Corcoran with Brooklyn on uniform.
Glass pendant ornament in the form of a pair of birds
Object type: ornament in the form of a duck
Date: 1400 – 1101
Materials: glass
Culture: egyptian
Subjects: birds

Uncertain color, possibly pale greyish blue; opaque white trails. Double bead with central transverse hole, pierced through bodies and bridge from right to left, shaped as two birds, each tooled into S-shaped head and drawn out into a flattened broad tail, joined by a cylindrical bridge on side of body. Broad trail wound round each bird from head to tail. Tail of one bird missing, with weathered break; enamel-like weathering covering most of surfaces.
Peachbloom-glazed waterdropper (taibaizun)
Object type: vessel
Materials: copper, glaze, porcelain
Location: china

The mottled pink glaze on this vessel is suffused with red blushes and delicate light green sprinkles, reminiscent of the tender skin of a ripening peach. An innovation during Kangxi’s reign, such glaze was often featured on small-size objects in the emperor’s study. This object served as a water dropper, with its narrow mouth ensuring precise control of water dispensed onto the inkstone during the ink-grinding process.
Hoed van stro, een rand van zwarte tafzijde en zwarte struisveren
Object type: womenswear
Date: 1908 – 1915
Materials: hair, textile
Location: the hague
Artist: Anonymous
Inscriptions: label: ‘Spit & Cie // Den Haag’

Hoed van fijn, glad stro, zwarte tafzijde en zwarte struisveren. Model: Zeer platte bol, iets ovaal, van binnen opgevuld met haar. Zeer brede, platte rand, waarbovenop een tafzijde, met dikke biesjes afgezette rand aan de buitenzijde genaaid zit. Langs de aanzet van de bol een aaneengesloten wrong van zwarte struisveren, vanachter iets in een punt uitlopend.
Portret van Carolina Frederika Holle in ovaal
Object type: carte de visite
Date: 1855 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Subjects: amsterdam, carolina frederika van den berg-holle
Inscriptions: name: ‘WEGNER & MOTTU, PHOT. AMSTERDAM & UTRECHT’, name, name: ‘C.F. van den Berg - Holle’
Plate
Object type: plate
Date: 1791 – 1791
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: animals,chinoiserie,buildings,men

Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in subtle tones of yellow, green, and red. Small decorative highlights were often executed in platinum, and the ability to apply platinum—first mastered by the factory in 1790—may have been an impetus to produce these lacquer-inspired pieces. [Jeffrey H. Munger, 2015]
Views in China Canton Group of Palanquin Bearers, resting opposite the parcel office at Canton
Object type: stereograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print, hand coloring
Location: unknown
Artist: felice beato
Artist role: fotograaf
Artist dates: 1825 – 1909
Subjects: kanton
Inscriptions: title: ‘Views in China. 37 Canton. Group of Palanquin Bearers, resting opposite the parcel office at canton.’, annotation: ‘chimoit (?)’, number: ‘30’
Ecce Homo, from "The Passion of Christ"
Object type: print
Date: 1634 – 1666
Techniques: etching
Artist: nicolas cochin
Artist role: artist
Artist nationality: french
Artist dates: 1610 – 1686
Subjects: christ,crowd
Bowl
Object type: bowl
Date: 1101 – 1300
Materials: glaze, stonepaste
Techniques: gilding, overglaze, painting, polychrome
Location: iran
Subjects: human figures,horses

Many early Islamic ceramics survive in fragmentary condition. In the past losses were sometimes disguised using shards from similar objects or replaced with new ceramic pieces. In the case of this mina’i bowl, the fine saw marks visible in the radiograph around the edge of the large central fragment as well as the fluorescence of the overlying paint under ultraviolet illumination indicate that this area and several other small losses were filled using old fragments that were cut to shape and painted. As this century-old restoration has historic value and may be preserved, digital editing software has been used to reveal how much of the original bowl is extant.
Ontvangstbewijs aan Petrus Johannes Arendzen
Object type: ontvangstbewijs, kwitantie
Date: 1885 – 1885
Materials: ink
Techniques: pen, writing
Location: amsterdam
Subjects: leiden, painter, print maker, rembrandt van rijn, the graphic arts, historical persons (portraits and scenes from the life), money
Inscriptions: collector's mark: Lugt 2233
De Tooverlantaarn van Mr. Laronde. Allons! kinderkens en ook kroote Heer en Daam (...)
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: persons engaged in trade and commerce
Inscriptions: collector's mark: Lugt 2228

Blad met vijf blokken met in totaal dertig toverlantaarnplaatjes van verschillende beroepen, handelaren of bezigheden, mannen en vrouwen. Onder elk plaatje een twee- of drieregelig versje. Genummerd rechtsboven: No. 74. Ca. 1800-1850.
Bacchus astride a wine barrel
Object type: print
Date: 1890 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: wine,men,bacchus
Oprichting van een erezuil in Antwerpen voor Alexander Farnese Hertog van Parma 1585
Object type: history medal
Date: 1585 – 1585
Materials: brass
Techniques: casting

Messing penning, op de voorzijde het portret van Farnese naar rechts, met omschrift, op de keerzijde binnen een krans een standbeeld met een manspersoon, met omschrift.
Officieel plan der tentoonstelling Amsterdam 1883
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: chromolithography
Location: netherlands
Artist: Anonymous
Subjects: world fair, world exhibition, amsterdam
Inscriptions: : ‘Gedeponeerd’, collector's mark: Lugt 2228

Plattegrond (klein formaat) van het terrein van de Wereldtentoonstelling (Internationale Koloniale en Uitvoerhandel Tentoonstelling) gehouden op het Museumplein te Amsterdam, van 1 mei tot 1 oktober 1883.
Card Number 177, Lillie Olcotte, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses
Lentoid Bottle ("New Year's Bottle")
Object type: lentoid bottle, new year's bottle
Date: 664 – 525
Materials: faience
Location: egypt

The cylindrical neck of this "New Year's Bottle" is flanked by two ibex heads that take the place of handles; the mouth is broken away. The shoulder of the lentoid body is adorned with the representation of a floral garland. Faience flasks of this type, often inscribed with good wishes and apparently filled with water from the Nile, were given as gifts at the New Year.
Hy leeft!
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, mayor, hendrik danielsz. hooft, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228

De Amsterdamse stedenmaagd treurt aan het graf van Hendrik Hooft Daniëlsz. Op de stenen sarcofaag staat een portretbuste van de burgermeester. Een engel steunt de treurende maagd.