deem-data/ArtiFact huggingface dataset:
Double Saddle Bag (Khorjin)
Object type: saddle bag
Date: 1875 – 1875
Materials: hair, wool
Techniques: weave, slit, tapestry
Location: northwestern iran

The Shahsevan, whose name means "those who love the king," are Turkic nomads. Their historical migratory range reaches from the southwest shores of the Caspian Sea to the southern part of Transcaucasia. Art historians have identified Shahsevan weavings, including a variety of small-format bags, only in the past half century. Many Shahsevan weavings from the nineteenth and twentieth centuries, especially those with centralized geometric designs, show a striking relationship with Anatolian carpets from the fifteenth and sixteenth centuries. These older textiles are called Memling carpets, after the fifteenth-century Netherlandish painter who depicted them in his religious works. The khorjin saddlebags, such as this piece, continue the Memling design: it features repeated geometric octagonal medallion motifs with stars and angular hooks that develop from the step-like edges. Many of the motifs found on Shahsevan textiles are thought to be centuries-old tribal emblems, a symbolic language that today we are frequently unable to decipher. This saddlebag presents a border design that is characteristic for weavings from the Khamseh region (south of the Caspian Sea). The suggestion of heads with an eye or eyes facing in opposite directions have led to the pattern sometimes being called "two-headed bird" or, among the Shahsevan people, "abdal-burun" (booby's nose). It consists of an ancient tribal symbol, and many variations exist. In this example, the repeating motif features mini-crosses for the "eyes" and a more elaborate cross-motif decorating the lozenge-shaped center part of the repeating motif.
Dog (from McGuire Scrapbook)
Object type: drawing
Date: 1806 – 1863
Materials: graphite, paper
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: dogs
Zes verschillende gebouwen te Amsterdam
Object type: book illustration
Date: 1723 – 1723
Materials: paper
Techniques: etching
Artist: anna folkema
Artist role: draughtsman, print maker
Artist dates: 1695 – 1768
Subjects: civic architecture; edifices; dwellings, dolhuis
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Zes genummerde gebouwen te Amsterdam: Nieuwezijds Huiszittenhuis, Oudezijds Huiszittenhuis, Karthuizer Weduwenhof, Leprozenhuis, Dolhuis, Buitengasthuis. De gebouwen zijn op het bijbehorende tekstblad voorzien van toelichting. Prent links- en rechtsboven gemerkt: II. Deel. 2. Boek - Pag: 90.
Bowl
Object type: bowl
Date: 3200 – 1050
Materials: terracotta
Culture: cypriot
Terracotta jar with barbotine decoration
Object type: bowl
Date: 101 – 200
Materials: terracotta
Culture: roman

Brown glazed bowl with brown barbotine scale decoration on shoulder.
Gestileerde hoofdletters J, kleurstudies en fantasievormen
Object type: sketchbook leaf
Date: 1892 – 1892
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: fancy letters, colours, pigments, and paints
Inscriptions: annotation: ‘Goud Zilver Rood Blauw Kobalt Groen Purper Grijs Bruin./ J J/ JJ’

Blad 4 recto uit een schetsboek met 22 bladen.
Twee boeren in gesprek
Object type: print
Date: 1772 – 1791
Materials: paper
Techniques: printmaking, etching
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: pipe ~ tobacco, farmers, carrying something in basket, bag, rucksack, etc., agricultural implements: spade, folk costume, regional costume, conversation, dialogue; conversation piece

De prent verscheen vanaf 1818 tevens als onderdeel van een 33-delige reeks prenten door Mathias de Sallieth, samengebonden in: Perkois, Jacobus, Prins, Johannes Huibert. Verzameling van verschillende gekleede mans- en vrouwenstanden, ter oefening van jonge schilders en liefhebbers. Rotterdam: Johannes Immerzeel, 1818. Alle verso-bladen uit dit prentalbum zijn blanco.
Glass mosaic bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent turquoise blue and opaque yellow, appearing green. Convex curving side. Mosaic pattern formed from sections of a single cane in blue ground with yellow rings. Polished exterior; pitting and weathering of surface bubbles on exterior; dulling, pitting, and iridescent weathering on interior and jagged edges.
Gezicht op de Zuiderkerk te Amsterdam
Object type: print
Date: 1663 – 1664
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: church (exterior), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)

Prent uit: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663. Of uit: Zesen, Philipp von. Beschreibung der Stadt Amsterdam: darinnen von derselben ersten Ursprunge bis auf gegenwärtigen Zustand (…). Amsterdam: Joachim Nosche, 1664.

Bij de tweede staat is een Franse titel toegevoegd.
Glove
Object type: glove
Date: 1600 – 1600
Materials: textile, lace, leather, metal thread, silk
Subjects: snakes

This luxurious, unmatched glove features a complex design embroidered in silver, gilded silver, and colored silks. The wide, tabbed gauntlets—edged with metallic lace and sequins—depict a hatted man, accompanied by a small dog, kneeling and aiming his gun at a deer. Teeming with natural elements, the other tabs present a serpent shimmying up a stalk, crenelated buildings, cattails, and sea-monsters undulating from below. These natural and supernatural symbols were popular embellishments for housewares, costume, and accessories, as can be seen in a portrait of Ellen Maurice (2017.249), where she holds a glove richly embroidered with gold serpents. This arrangement of symbols may suggest protection from something uncertain. The serpent was understood as a sign of wisdom or prudence—and sea monsters could emblemize danger or the unknown. It is, however, difficult to determine the precise meaning of the scene; the embroidery could represent a personal device or a shared memory with a thoughtful gift-giver. -Sarah Bochicchio, 2020
Trijn Leemput trekt met Utrechtse vrouwen op om slot Vredenburg te slechten, februari 1577
Object type: historieplaat
Date: 1780 – 1795
Materials: ink, paper
Techniques: brush, pen
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: utrecht, historical persons - bb - woman, protest, historical events and situations

Trijn van Leemput trekt met een groepje vrouwen gewapend met hamers en pikhouwelen op naar het kasteel Vredenburg, 2 mei 1577. Voorop loopt een vrouw met een vlag, daarachter een vrouw die op een trom slaat en een vrouw met een ragebol. Ontwerp voor een prent.
The Sumida River in Musashi Province (Musashi Sumidagawa), from the series "Famous Places in the Provinces (Shokoku meisho)"
Object type: print
Date: 1834 – 1835
Techniques: woodblock print
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Kantharos (Wine Cup)
Object type: vessel
Date: 300 – 275
Materials: ceramic, pigment, terracotta
Culture: greek
Location: apulia
Subjects: dining, drinking

This cup is an example of Gnathia ware, named after the ancient town (modern Egnazia) where the first examples were found. Gnathia ware is characterized by polychrome motifs and patterns created by applying purple-red, yellow, and white directly on top of black gloss before the vessels were fired.
Planche anaglyphique
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: autotype
Location: france
Subjects: female dancer
Inscriptions: inscription: ‘Inventeur: L. Ducos du Hauron. - Breveté S.G.D.G. (...)’
De vier elementen
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: etching
Location: antwerp
Subjects: air (one of the four elements), birds, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Het vierde element Water ontbreekt vooralsnog in deze serie.
Border (Fragment)
Object type: textile
Date: 1850 – 1900
Materials: cotton
Techniques: embroidery, stitching
Location: belgium
Figure 27: Expression proportionally more pained
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: guillaume-benjamin-amand duchenne de boulogne
Artist role: artist
Artist nationality: french
Artist dates: 1806 – 1875
Subjects: science,portraits,women
Gauntlet Sword (Pata)
Object type: gauntlet sword pata
Date: 1801 – 1900
Materials: steel
Culture: indian
Location: india
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, two letters of an inscription, LE
Muts van kantborduurwerk op tule met bloemtakken
Object type: cap
Date: 1900 – 1924
Materials: linen
Techniques: embroidered
Location: north holland
Artist: Anonymous

Muts van naturelkleurig kantborduurwerk: tuledoorstopwerk op machinale tule. Zeven peervormige pattes zijn ingezet in de muts van tule. Het midden en de zeven inzetstukken zijn versierd met een anemoon, die straalsgewijs door blaadjes is omgeven. De rand is geheel gevuld met een dunne tak met dezelfde bloemen en bladeren.
De Prins van Oranje bij het kwetzen van deszelfs paard bij Bautersem, des morgens ten 7 uuren / (12 Augustus 1831)
Object type: print
Date: 1831 – 1831
Techniques: printmaking, lithograph
Location: netherlands
Artist: j.b. clermans
Artist role: print maker
Subjects: the hague, william ii of the netherlands, fighting horses, battle (+ land forces)
Inscriptions: collector's mark, collector's mark: Lugt 1641
Mannen drijven spot met de man in het midden terwijl het tongen regent
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: mocking, insulting; teasing, tongue stuck out

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Rape of Deianira
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: after luca cambiaso
Inscriptions: Inscribed verso, lower left on mount, in graphite: "Guercino"; adhesive sticker, lower left, in pen and brown ink: "2934 / L 55"
Camp of the 5th Dragoon Guards
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards, crimea 1856
Convivio delle Belle Donne, page 20 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Location: italy
Artist: nicolò zoppino
Artist role: publisher
Artist nationality: italian
Artist dates: 1478 – 1544
Subjects: ornament

Published by Nicolo Zoppino, Italian, active 16th century, Venice, designed by Matteo da Treviso, Italian, active 16th century. From top to bottom, and left to right: Design is decorated with a pattern of large diamonds containing a snowflake in the center and smaller diamonds at each corner.
Naakte man steunend op de linkerknie
Object type: drawing
Date: 1731 – 1731
Materials: chalk, paper
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: the (nude) human figure; 'corpo humano' (ripa)
Inscriptions: date
Cottage with a Barn along the Water
Object type: drawing
Date: 1617 – 1681
Materials: chalk, ink, paper
Techniques: brush, drawing
Artist: cornelis saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1681
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), farm (building)
Dood kind wordt begraven
Object type: print
Materials: paper
Techniques: woodcut
Artist: ernst barlach
Artist role: print maker
Artist dates: 1870 – 1938
Subjects: burial, death of a child
Inscriptions: number: ‘(32/100)’, collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of animal skin? or flute case?
Dagger (Jambiya)
Object type: dagger jambiya
Date: 1801 – 1900
Materials: gold, steel
Culture: persian, qajar
Location: iran
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, on exergue, lower drapery and legs of a male wearing boots
Portret van een vrouw
Object type: carte de visite
Date: 1867 – 1888
Materials: cardboard, photographic support
Techniques: albumen print
Artist: johannes wilhelmus franciscus offenberg
Artist role: fotograaf
Artist dates: 1839 – 1919
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘OFFENBERG/ PHOTOGRAPHE/ DE S.M. LA REINE DES PAYS BAS/ DAMSTRAAT/ Amsterdam’
Gezicht op de Porte Saint-Paul te Hyères-les-Palmiers
Object type: album leaf
Date: 1896 – 1896
Materials: photographic support
Techniques: albumen print
Location: hyères
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: city-gate
Inscriptions: inscription: ‘232 Hyères-les-Palmiers - La Porte Saint-Paul ND. Phot.’
Ponte su la strada di Tivoli
Object type: album leaf
Date: 1632 – 1657
Materials: paper
Techniques: colour, etching
Location: the hague
Subjects: city-view, and landscape with man-made constructions, bridge, tivoli

Landschap met een brug waarover een straat loopt richting Tivoli. Prent maakt deel uit van een album.
Stirrup
Object type: stirrup
Date: 1401 – 1450
Materials: iron
Culture: german
Location: germany

The purpose of the asymmetrical shape of this stirrup was to accommodate the foot better and giving the rider more comfort and stability. The front of the suspension bar is adorned with a plaque pierced with a quatrefoil.
Relief fragment from tomb of Meketre
Object type: relief fragment, tomb of meketre
Date: 1981 – 1975
Materials: limestone, paint
Location: egypt
Subjects: hieroglyphs
La kermesse au moulin
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: drypoint, etching
Artist: james ensor
Artist role: print maker
Artist dates: 1860 – 1949
Subjects: windmill in landscape, pleasure fair and circus
Inscriptions: collector's mark: Lugt 2228
Teacup
Object type: teacup
Date: 1881 – 1891
Materials: porcelain
Artist: coalport
Artist role: maker
Artist nationality: british
Artist dates: 1794 – 1926
Wine Cup (Zhi)
Object type: wine vessel
Date: 1100 – 1001
Materials: bronze
Culture: chinese
Koegoear
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: beasts of prey, predatory animals: puma
Inscriptions: collector's mark: Lugt 2228

Deze prent verscheen in: Schlegel, H. De Diergaarde en het Museum van het genootschap Natura Artis Magistra te Amsterdam. Amsterdam, M. Westerman & Zoon, 1842, p. 144.
Pitcher
Object type: pitcher
Date: 1828 – 1838
Materials: porcelain
Culture: american
Location: united states
Artist: tucker factory
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1838
Subjects: flowers
Portret van Frederik Willem III van Pruisen
Object type: print
Date: 1800 – 1850
Materials: paint, ink, paper
Techniques: brush, lithograph
Location: germany
Artist: Anonymous
Subjects: frederik willem iii koning van pruisen, historical persons, (military) uniforms, king
Ovale vergulde lijst met gesneden ornamenten aan de dagkant, horend bij relief met het offer aan Venus
Object type: frame
Date: 1766 – 1766
Materials: gold leaf, wood
Techniques: cutting, gilding
Location: rome
Artist: louis-simon boizot
Artist dates: 1743 – 1809
Subjects: veneration of venus, sacrifice ~ roman religion
Scarab, Neit
Object type: scarab, neit
Date: 1640 – 1550
Materials: stone
Techniques: glazing
Location: egypt
Premier Livre De divers Morceaux D'Architecture Paysages Et Perspectives
Object type: print
Date: 1731 – 1761
Materials: paper
Techniques: etching
Location: paris
Subjects: sitting figure, garden, garden fountain
Inscriptions: collector's mark: Lugt 2228

Een tuin met rechts onder en links boven fonteinen met een staande vrouw met vaas en een putto. In het midden leidt een trap omhoog naar drie zittende figuren. Links in de achtergrond arcades. Rondom de voorstelling een ronde omlijsting met wijnranken.
Globular vase
Object type: globular vase
Date: 1567 – 1600
Techniques: maiolica, glazing
Artist: domenico veneziano
Artist role: maker
Artist nationality: italian
Artist dates: 1438 – 1461
Subjects: men,flowers
Madonna and Child with Angels
Object type: relief
Date: 1455 – 1460
Materials: gilt, marble
Artist: antonio rossellino
Artist role: artist
Artist nationality: italian
Artist dates: 1427 – 1479
Subjects: infants,women,angels,madonna and child
Onthoofding van Joab / Salomo's rechtspraak
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the judgement of solomon (1 kings 3:16-28), joab killed by benaiah
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. I.
George Anson op de Centurion schiet op het schip Nuestra Señora de Covadonga voor Manilla
Object type: print
Date: 1705 – 1751
Materials: cardboard, paper
Techniques: etching, hand coloring
Location: great britain
Subjects: sailing-ship, sailing-boat, battle (+ naval force)
Inscriptions: collector's mark: Lugt 2228
Autumn, from The Four Seasons
Object type: print
Date: 1570 – 1570
Materials: ink, paper
Techniques: engraving
Location: belgium
Artist: pieter van der heyden
Artist nationality: flemish
Artist dates: 1530 – 1572
Inscriptions: Lettered lower left: "H Bol"; lower right: "Cock. excu"; and below image: "Autumnus Virilitatis typus / Septembri ... pomifer uvas."
The right honorable Robert William Hanbury
Object type: page
Date: 1893 – 1903
Materials: paper
Techniques: carbon print
Location: london
Subjects: politician, historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: annotation, inscription: ‘55, Baker St, London, W.’
Lint op rol, gestreept, bruin met lila, zwart, lichtgroen en oranje
Object type: ribbon material
Materials: cardboard, paper, textile
Techniques: weave
Location: nijmegen
Inscriptions: stamp: ‘9 - APR. 1926’, number: ‘Pon 8383’

Lint op rol, gestreept, bruin met lila, zwart, lichtgroen en oranje.
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: birds,women,flowers
St. Osyth's Priory
Object type: photograph
Date: 1856 – 1856
Techniques: albumen silver print, paper negative
Artist: alfred capel cure
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1896
Subjects: architecture,buildings
Portret van Willem, graaf van Nassau
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving
Location: delft
Subjects: commander-in-chief, general, marshal
Inscriptions: collector's mark: Lugt 1119, collector's mark: Lugt 2228

Portret van Willem, graaf van Nassau, borststuk met kanten kraag en harnas in ovale omlijsting met opschrift. In ondermarge Latijnse tekst in vijf regels.
Fan
Object type: fan
Date: 1830 – 1830
Materials: gilt, ivory

This brisé fan- made only of sticks without a decorated leaf of paper, fabric or parchment- is in outstanding condition. It is a lovely example of its type: the paper-thin ivory has been delicately carved and pierced to a lace-like effect, vibrantly decorated with gilding and painting.
The Champion of Oakhampton, Attacking the Hydra of Gloucester Place
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,politics
Ruïnes van Dar-el-Bahar, Safi, Marokko
Object type: album leaf
Date: 1880 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: marokko
Inscriptions: inscription: ‘Der-el-Bahar (Vue des Ruïnes)’, number: ‘744’

Dar-el-Bahar is een Portugese vesting (uit de tijd van de Portugese overheersing van 1488-1541) in de stad Safi aan de westkust van Marokko.
Snipe Shooting
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: aquatint, etching
Location: london
Subjects: hunting dogs, bird hunting, shore-birds and wading-birds: woodcock
Inscriptions: collector's mark: Lugt 2228
Idiophone with an áhianmwọ́rọ̀ (bird of prophecy)
Object type: idiophone
Date: 1501 – 1600
Materials: brass
Culture: edo period
Location: nigeria
Artist: ìgùn ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
Artist role: artist
Subjects: birds

The bird perched with outstretched wings on the finials of the instruments sounded on the occasions of Ugie Oro court festivals is usually called the "bird of prophecy" (ahianmwen-oro) and sometimes the "messenger of god" (odibosa). Beginning with the reign of King Esigie in the sixteenth century, the sounding of clappers depicting the bird of prophecy at Ugie Oro court ceremonies was regarded as a sign that the kings of Benin were endowed with the power to alter history.
Panel
Object type: textile
Date: 1830 – 1835
Materials: cotton
Techniques: glazing, weave, printing
Location: england
Doopplechtigheid van Willem, Erf-prins van Oranje en Graaf van Buren enz. op den 11 April 1748
Object type: print
Date: 1750 – 1752
Materials: textile
Techniques: engraving, etching
Location: northern netherlands
Artist: gerard sibelius
Artist role: print maker
Artist dates: 1734 – 1785
Subjects: william v (prince of orange), willem iv (prins van oranje-nassau), anna van hannover, baptism ~ protestant service
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: J.L. Schuer, Nederlands merkwaardigste gebeurtenissen sedert byna twee eeuwen. Amsterdam: Steven van Esveldt, 1752. Kopie naar de prent van Simon Fokke uit 1748, FMH 3929a.
Gezicht op de Aiguille d'Argentières en de Aiguille de Chardonnet in de Franse Alpen
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: munich
Artist: eymann
Artist role: fotograaf
Subjects: mountain-range, snow peaks
Inscriptions: inscription: ‘depuis le Glacier de l'Aguille du Tour’
Coat
Object type: coat
Date: 1886 – 1886
Materials: cotton
Culture: american
Petit Courrier des Dames, 1824, No. 246 : Robe de mousselin (...)
Object type: fashion print
Date: 1824 – 1824
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ornamental parts of clothing (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), swing, belt, girdle, waistband (+ women's clothes)
Inscriptions: title: ‘Petit Courrier des Dames.’, title: ‘Modes de Paris.’, caption: ‘Robe de mousseline garnie de volans à dents bordés de ruches de tulle, Corsage orné de ruches de tulle, Chapeau de crèpe orné de pivoines et de rubans.’, address: ‘Rue Meslée No.25.’

Vrouw, zittend op een schommel, gekleed in een japon van mousseline, afgezet met puntige stroken stof met een boordsel van ruches van tule. Het lijfje is versierd met ruches van tule. Op het hoofd een hoed van crêpe, versierd met pioenrozen en linten. Verdere accessoires: handschoenen, ceintuur met vierkante gesp, schoenen met puntige neuzen en gekruiste banden. Links staat een vrouw, op de rug gezien, gekleed in eenzelfde japon. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).