deem-data/ArtiFact huggingface dataset:
Roeiboot op het Lago Maggiore, op de achtergrond Isola Bella en Isola Madre
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: lake maggiore
Artist: Anonymous
Subjects: island, rowing-boat, canoe, etc., lake
Inscriptions: number: ‘7072.’
Toujours Chic Les Deshabillés, Hiver 1921-1922: Moune
Object type: fashion print
Date: 1921 – 1922
Materials: paper
Techniques: letterpress printing, pochoir
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

Prent uit Catalogus "Toujours Chic" waarin een overzicht van de wintermode 1921-1922.
Pompéï
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Subjects: column, pillar ~ architecture, ruin of a building ~ architecture, pompeii
Scaraboid: Wedjat Eye
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: eye of horus, crowns, eyes, hieroglyphs
Doopvont met bloemen in het plantsoen te Hattem
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: hattem
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: flowers, baptismal font - qq - baptism in the open air
Inscriptions: annotation: ‘y’, annotation: ‘Doopvont staande in het plantsoen juli 1890/ Hattum’
Book or album cover
Object type: book or album cover
Date: 1875 – 1875
Materials: wood
Artist: henry-auguste fourdinois
Artist role: maker
Artist nationality: french
Artist dates: 1830 – 1907
Subjects: coat of arms
Mail Shirt
Object type: mail shirt
Date: 1601 – 1900
Materials: iron, leather, textile
Culture: tibetan
Location: nepal
Blad met strooipatroon van uitgespaarde cirkels gevuld met punten
Object type: printed paper
Date: 1750 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament ~ geometric motifs
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met strooipatroon van uitgespaarde cirkels gevuld met punten. Helft van een omslag.
Miss Langdon, from the Actors and Actresses series (N45, Type 3) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 3), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Undersleeves
Object type: undersleeves
Date: 1826 – 1850
Materials: cotton
Culture: american
Tunis - La Porte de France
Object type: photomechanical print
Date: 1900 – 1903
Materials: cardboard
Techniques: photograph, writing
Location: paris
Subjects: shop, store, city-gate
Inscriptions: poststempel, verso, gestempeld
Back View of Putto
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: italy
Artist: circle of petr brandl
Artist nationality: czech
Artist dates: 1668 – 1735
Beaker with figure and Spondylus shell
Object type: beaker
Date: 900 – 1100
Materials: gold
Culture: lambayeque, sicán
Location: peru
Artist: lambayeque (sicán) artist(s)
Artist role: artist
Subjects: faces
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat
Object type: harquebusier's armor with buff coat
Materials: gold, leather, steel, textile
Culture: british
Artist: richard holden
Artist role: armorer
Artist nationality: british
Artist dates: 1658 – 1708

This armor can be identified by its decoration as having belonged to Pedro II (reigned 1683–1706). The decoration includes the crowned monogram PR for Pedro Rex (Pedro the King) and the cross of the commander of the Order of Christ, a hereditary office held by the kings of Portugal. Harquebusiers were armored cavalrymen generally equipped with a carbine (known as a harquebus) carried at the right side on a shoulder belt, a pair of pistols holstered at the front of the saddle, and a sword. This form of armor, consisting of a triple-barred helmet, a cuirass with a bulletproof reinforcing breastplate, and an elbow gaunlet, was commonplace in England up to about 1645. The armor of King Pedro is significant not only as a very late example of this type but also as the probable work of the London armorer Richard Holden. A very similar armor made by Holden in 1686 for James II of England (reigned 1685–88) is in the Royal Armouries in the Tower of London. The armor is shown with an associated buff coat. This sturdy leather defense, which provided effective protection against sword cuts, was worn throughout the seventeenth century, first in conjunction with armor and later alone.
Voor- en achterzijde van een munt met het portret van Floris IV, graaf van Holland
Object type: book illustration
Date: 1700 – 1750
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: floris iv (graaf van holland), riding a horse, ass, or mule; rider, horseman, armour, historical persons, coin, ruler, sovereign
Inscriptions: collector's mark: Lugt 964

Prent komt uit een onbekende publicatie.
Jongenskop met kort haar
Object type: drawing
Date: 1600 – 1699
Materials: chalk, parchment
Artist: Anonymous
Subjects: head (human), boy (child between toddler and youth)
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1701 – 1800
Materials: gold alloy, gold
Culture: japanese
Location: japan
Subjects: dragons
Amsterdam, brandspuitpenning van de wijk Stads Timmertuinen met no. 52
Object type: fire engine medal
Date: 1680 – 1800
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: stadstimmertuin

Messing penning met gat erin. Voorzijde: gekroond wapenschild, geflankeerd door twee leeuwen boven cartouche met opschrift W 14. Keerzijde: brandspuit onder cartouche met no. 52 binnen slangerond; op zijde van brandspuit: monogram van letters S.T.
Drie portretten van een paar geliefden
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons, couple of lovers
Inscriptions: monogram: ‘EP’

Deze foto's maken deel uit van een album.
Hoepelende broer en zus
Object type: boekillustratie ontwerp
Materials: cardboard, ink, pencil
Techniques: pen
Artist: nelly spoor
Artist role: draughtsman
Artist dates: 1885 – 1950
Subjects: (bowling a) hoop, brothers or sisters (second degree family relationships)
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Broer en Zus.’, :

Ontwerp voor: Dietz, Henriette e.a. Broer en Zus: vertellingen voor jongens en meisjes. Ons thuis-serie. Amsterdam: Veen, 1918.
Dertien zegels uit Amsterdam, Friesland en Lübeck
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: Anonymous
Subjects: seal, stamp, armorial bearing, heraldry, amsterdam

Prent uit: Wagenaar, Jan. Amsterdam in zyne opkomst, aanwas en geschiedenissen (...). Amsterdam: Jacob Yntema en Jacob Tieboel, 1767, dl. 3. Prent mogelijk ook gebruikt in latere edities van dit werk.
Portret van de beeldhouwer Jerôme Duquesnoy
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: engraving
Location: brussels
Subjects: brussels, ghent, sculptor, jerôme duquesnoy (ii), portrait, self-portrait of sculptor, historical persons
Inscriptions: collector's mark: Lugt 2612, collector's mark: Lugt 2228
Design for Vis-à-vis Phaeton (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Landschaft. Pompejanisches Wandgemälde. Nach einer Aquarell-Copie
Object type: reclamefolder
Date: 1879 – 1916
Materials: paper
Techniques: letterpress printing, engraving
Location: leipzig
Subjects: river, landscape with bridge, viaduct or aqueduct, mountains

Prent op reclamefolder voor het boek 'Geschichte der Malerei' door Alfred Woltmann.
Roeiboot en een handkar
Object type: sketchbook leaf
Date: 1837 – 1837
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hand-cart, rowing-boat, canoe, etc.
Inscriptions: date: ‘1837.’

Blad 27 verso uit een schetsboek met 41 bladen.
Volendam
Object type: album leaf
Date: 1935 – 1942
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: volendam
Artist: Anonymous
Subjects: folk costume, regional costume, the soldier off duty, occupation ~ war, netherlands

Albumblad met vijf foto's te Volendam, waarvan vier gekochte foto's en de vijfde van de echtgenote en dochter poserend in Volendammer klederdracht in een fotostudio. Onderdeel van het fotoalbum Abrechnungsintendantur van de Wehrmacht 1941-1943.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Interior, below rim, band of ivy leaves and tendrils with korymboi; Exterior, part of left half of handle
[Man with a Bucket on his Arm]
Object type: tintype
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
A Standing and a Lying Goat Near a Small Tree
Object type: drawing
Date: 1801 – 1833
Materials: chalk
Artist: pieter gerardus van os
Artist role: artist
Artist nationality: dutch
Artist dates: 1776 – 1836
Subjects: goats,trees
Theehuis aan het Chozenji-ko meer bij Nikko, Japan
Object type: photograph
Date: 1890 – 1903
Materials: paper, photographic support
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: lake, tea garden, garden restaurant
Inscriptions: inscription: ‘J 395 The Tea House of (Chuzenji) at Nikko’
Hier onderhandelt men over de voorwaarden
Object type: drawing
Date: 1787 – 1791
Materials: paper
Techniques: drawing, writing
Location: southern netherlands
Artist: Anonymous
Subjects: spit ~ cooking - cc - in the open air, brabant

De Brabantse leeuw roostert kokardes aan een spit boven een vuurtje. Links en rechts twee tenten. Onderdeel van de gebundelde verzameling prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
Dupondius (Coin) Portraying Emperor Nero
Object type: coin
Date: 63 – 63
Materials: bronze
Culture: roman
Location: roman empire
Inscriptions: Obverse: NERO CLAVD CAESAR AVG GERM TR P IMP PP

Reverse: SECVRITAS AVGVSTI SC II

The front (obverse) of this coin portrays the emperor Nero, facing right.

On the back (reverse), the personification of Security is shown seated.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1897 – 1897
Materials: cardboard, ink
Techniques: pen, writing
Location: wiesbaden
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: painter, philip zilcken, the graphic arts, exhibition ~ art, money, the hague, venice
Inscriptions: collector's mark: ‘RPK’
Luther leest de verhalen van de evangelisten
Object type: print
Date: 1822 – 1845
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: priest, martin luther, bible, group of professors, study; 'studiolo'; library, university
Inscriptions: collector's mark: Lugt 2228

Luther staat in een universiteitsbibliotheek over een bureau gebogen en leest de Bijbel. Om hem heen boekenkasten en hoogleraren.
Gold scarab
Object type: scarab
Date: 400 – 301
Materials: gold
Culture: greek
Subjects: grapes,eros,scarabs

Eros holds out a bunch of grapes to a goose.
Hnè
Object type: hnè
Date: 1867 – 1900
Materials: wood
Culture: burmese
Location: myanmar

Spare reeds are attached near the upper end of this hnè. As is common in many traditions of shawm playing, the entire reed of the hnè is taken into the player’s mouth. The lips rest against the pirouette, or bone disk, behind the reed.
Handkerchief
Object type: textile
Date: 1870 – 1870
Materials: cotton
Techniques: weave, printing
Location: france
Andries Snoek, in het karakter van Orestes
Object type: print
Date: 1802 – 1808
Materials: paper
Techniques: stippled etching
Location: netherlands
Subjects: rotterdam, amsterdam, historical persons, portrait of actor, actress, actor (on the stage)

Portret van de toneelspeler Andreas Snoek in de rol van Orestes. Hij draagt een kort zwaard in de hand en is afgebeeld tegen de achtergrond van een woeste zee met hoge kliffen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Tooneel, Portretten van toneelspelers.
Cup with bouquets
Object type: cup
Date: 1791 – 1791
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: vienna
Inscriptions: mark: ‘schild/ 44, 21, 91’

Kop van porselein met een gevlochten oor, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op de buitenwand een boeket van verschillende bloemen en losse bloemtakken. De rand met een blauwe lijn, onderbroken door telkens tweemaal een schuin gouden streepje. Gemerkt op de onderzijde met het schild, de nummers 21, 44 en het jaarnummer 91.
Double spout and bridge bottle with birds
Object type: bottle
Date: 400 – 201
Materials: ceramic, pigment
Culture: paracas
Location: peru
Subjects: birds
Cuneiform tablet impressed with cylinder seal: docket
Object type: cuneiform tablet
Date: 1745 – 1745
Materials: clay
Culture: babylonian
Location: mesopotamia
Watch
Object type: watch
Date: 1801 – 1900
Materials: enamel, gold, silver
Artist: auguste bergeon
Artist role: maker
Artist dates: 1800 – 1900
Subjects: flowers,leaves
Fragment of a Bowl
Object type: decorative art
Date: 100 – 100
Materials: glass, ribbon
Culture: roman
Location: roman empire
Subjects: decoration

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The ribbon pattern was made by bundling rows of parallel rods of glass, which were then fused to create swirling patterns
W.H. Maddock
Object type: photograph
Date: 1860 – 1861
Materials: paper, photographic support
Techniques: albumen print
Location: oxford
Artist: j. bagnall evans
Artist role: fotograaf
Subjects: armchair, seat, trousers, breeches, higher education, e.g.: teacher's college (+ pupil), university education, youth, adolescent, hairdress, student, coat, cape
Inscriptions: inscription: ‘Yrs. very truly, W.H. Maddock, Rhayadle Aug. 1st. 1861’

Onderdeel van Fotoalbum met 6 portretten van studenten van het Jesus College in Oxford.
Aanbidding der herders
Object type: plaque
Date: 1625 – 1650
Materials: silver
Location: netherlands
Artist: Anonymous
Portret van Margaretha van Parma, landvoogdes der Nederlanden
Object type: book illustration
Date: 1614 – 1623
Materials: paper
Techniques: engraving
Location: the hague
Subjects: ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Portret van Margaretha van Parma, landvoogdes der Nederlanden. Ze is gevat in een rijk gedecoreerde lijst met engeltjes en vruchten. In de marge haar naam en titels.
Ceiling medallion
Object type: ceiling medallion
Date: 1667 – 1733
Materials: gilt, wood
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of back? of draped figure
Gezicht op de omgeving rondom het stadhuis aan het Prinsenhof
Object type: photomechanical print
Date: 1904 – 1904
Materials: paper
Techniques: letterpress printing, line block
Artist: Anonymous
Subjects: city-view in general; 'veduta', townhall, plan ~ architecture
Inscriptions: collector's mark: ‘17.56’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, van binnen: Vaartuigen en Gebouwen ten dienste der Stedelijke Regeering en Administratie; Stadhuis (Prinsenhof).
Near Santa Maria de' Monti, Naples
Object type: drawing
Materials: graphite, ink
Techniques: brush, wash
Location: italy
Artist: thomas jones
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1742 – 1803
Subjects: mountains,trees

One of the most original eighteenth-century British landscapists, Jones lived in Italy from 1776 to 1783. While in Naples, he explored vistas along a remote road leading eastward toward the monastery of Santa Maria dei Monti and described the path in his diary as a "hollow Way [presenting] . . . the most beautiful Series of picturesque Objects . . . the Scenery that Salvator Rosa formed himself upon." This drawing, dated May 10, is one of about a dozen surviving studies made during repeated visits to the site between March and June 1781. Jones used chiaroscuro ink washes to describe the shaded rocky walls, overgrown with shrubbery, and to convey his moody response to the scene. Such studies were foundational to the artist’s developed compositions.
Blue-Painted Jar Fragment With Molded Decoration from Malqata
Object type: jar, molded grape, blue painted ware, calf
Date: 1390 – 1352
Materials: paint, pottery
Location: egypt
Tetragram en zon en maan in ornamentele omlijsting
Object type: ornament print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: ornaments ~ art, (symbolic) representations ~ creation, cosmos, cosmogony, universe, and life (in the broadest sense), tetragram (in roman or hebrew script) ~ symbol of god the father, tetragram (in hebrew script) ~ jewish religion
Inscriptions: number: ‘19.’, collector's mark: Lugt 2165

Prent mogelijk gebruikt in: Boileau-Despréaux, Nicolas. Oeuvres. Amsterdam: François Changuion, Den Haag, Pieter de Hondt, 1729. Nummer 19 in: Explication des Vignettes de la Seconde Edition des Oeuvres de Boileau. Amsterdam: Bernard Picart, 1729.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1888 – 1888
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: philip zilcken, drawing
Inscriptions: collector's mark: ‘RPK’
Afbeeldinge van het Vuurwerk, door Anthoni de Groot, Courantier van 's Gravenhage, den XV October MDCCXLV op d'allereerst invallende Naamdag van Haare Majt. de Koningin van Hongaryen en Bohemen, als Roomse Keizerinne (...) op de Groote Bierkaade gedaan afsteeken / Representation du Feu d'Artifice, Tiré le 15 Octobre 1745 (...)
Object type: print
Date: 1745 – 1747
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: frans i stefan (duits keizer), bonfire, fire-works, the hague
Ribbon
Object type: textile
Materials: silk
Techniques: weave
Location: egypt
Besnijdenis van Christus
Object type: print
Date: 1642 – 1657
Materials: paper
Techniques: etching
Location: italy
Subjects: circumcision of the christ-child by the priest in the temple (luke 2:21)
Inscriptions: collector's mark: Lugt 240

Maria zit geknield bij een tafel waarop het Christuskind wordt besneden door de hogepriester. Achter de hogepriester een tweede priester die een boek leest, Jozef en twee jongemannen. Op de voorgrond twee putti met een kooi met duif en een kan.
Spoon
Object type: spoon
Date: 1650 – 1650
Materials: silver
Artist: timothy skottowe
Artist role: maker
Artist dates: 1600 – 1700
Kop van hardgebakken aardewerk, fijn creamware met transfer
Object type: cup
Date: 1830 – 1850
Materials: earthenware
Techniques: transfer decoration
Location: england
Artist: Anonymous

Halfbolvormige kop van hardgebakken aardewerk met veelkleurige transfer. De buitenwand heeft een afbeelding van twee rivierlandschappen, de binnenwand heeft twee medaillons waarin bloemtakken en twee boeketten tussen een fond van gestileerde verticale takken. De kop hoort bij een schotel en bij drie gelijke koppen met schotels (BK-14818-A-1 t/m BK-14818-D-2).
Pepina
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: photoaquatint
Location: brussels
Subjects: stairwell, child
Mensen op bankje
Object type: print
Date: 1965 – 1980
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Inscriptions: signature: ‘Aat Verhoog’

Drie mensen op een bank op terras met kubusmotief.
Exterieur van de Church of St Mary Magdalene in Launceston (Cornwall)
Object type: photograph
Date: 1899 – 1899
Materials: paper, photographic support
Techniques: albumen print
Location: launceston
Subjects: church (exterior), sculpture (+ relief ~ sculpture)
Inscriptions: negative number: ‘23771’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Beleg van Oostende: belegerings- en aanvalstuigen van Targone, 1603-1604
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Subjects: pompeo targone, siege arms, e.g.: battering ram
Inscriptions: collector's mark: Lugt 2228

Kopie naar de prent in: Giustiniano, Pompeo. Delle guerre di Fiandra libri VI. Antwerpen: Joachim Trognesius, 1609. Niet gebruikt in de contemporaine journalen van het beleg van Oostende uit 1604 (exemplaren in de collectie van de Rijksmuseum Research Library (326 F 10 en 326 F 11).

Eerdere staat van prent ook gebruikt in Haestens, Hendrick van. De Bloedige ende strenge Belegeringhe Der Stadt Oostende in Vlaenderen. Leiden: Hendrick van Haestens, 1613.

Huidige staat van prent ook gebruikt in: H. Haestens, La nouvelle Troye ou memorable histoire du siege d’Ostende, Leiden 1615.
Aartsengel Michaël
Object type: print
Date: 1639 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the archangel michael fighting the dragon (devil, satan)
Inscriptions: collector's mark: Lugt 2228

De prent toont de aartsengel Michaël met een vlammenzwaard en een schild. Hij vertrappelt een duivel. De serie bestaat uit prenten gebaseerd op schilderijen van Peter Paul Rubens.