deem-data/ArtiFact huggingface dataset:
Gezicht op de Hervormde Kerk te Peize
Object type: photograph
Date: 1898 – 1898
Materials: cardboard, photographic support
Techniques: albumen print
Location: peize
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Kerk v/d N.H. gemeente te Peize (?)/ (Drenthe)/ Aug 1898’, annotation: ‘Peize’
Staande man met schort, in de linkerhand een mand
Object type: drawing
Date: 1802 – 1845
Materials: ink, paper
Techniques: pen
Artist: nicolas toussaint charlet
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1792 – 1845
Subjects: standing figure, persons engaged in trade and commerce
Khandoba on a Horse
Object type: figure
Date: 1701 – 1800
Materials: brass
Culture: indian, maharashtra
Subjects: horses,hinduism
Brabantse types
Object type: print
Date: 1931 – 1931
Materials: paper
Techniques: lithograph
Location: buissche heide
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: head (human), poacher
Inscriptions: collector's mark: Lugt 2228

Een man met stoppelbaard en hoofddeksel.
Programma voor toneelvoorstelling 'Mirages, drame en cinq actes, en prose' bij het Théâtre Libre
Object type: programma, programmaboekje
Date: 1892 – 1892
Materials: paper
Techniques: lithograph
Location: paris
Subjects: performance, group of actors, troupe; actors on the stage, paris
Inscriptions: date

Gezicht op toneel en orkestbak vanaf het balkon, gezien over de schouder van een toeschouwer. Linksboven de namen van de karakters en bijbehorende acteurs van de vijfde voorstelling uit het seizoen 1892-1893.
Bronze mirror with a support in the form of a draped woman
Object type: mirror
Date: 467 – 435
Materials: bronze
Culture: greek
Subjects: women,eros

The ancient Greeks used mirrors that were held in the hand or stood independently. This free-standing example of a well established type consists of a base, a supporting figure, and the mirror disk embellished with additional figures around its periphery. The woman, who is probably mortal, wears a woolen garment, a peplos. Above her fly two personifications of love, erotes; originally hounds and hares would have coursed around the disk and a sphinx or siren would have perched on top. The variety of component parts are integrated into a whole that is both balanced and dynamic.
Nog eenigen der dwerg-postuuren, ô jeugd! en 't hedendaags bestaan / Der mode kunt gy hier begluuren: Wilt by 't gezigt 'er acht op slaan
Object type: cartoon
Date: 1715 – 1813
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: styles of hairdress, umbrella, wig, fashion
Inscriptions: collector's mark: Lugt 2760

Blad met 24 spottende voorstellingen op hoge kapsels, paraplu's en vreemde mode. Onder elke afbeelding een zesregelig vers. Genummerd rechtsboven: No. 13.
Assen - Vijver in het park
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: assen
Artist: Anonymous
Subjects: park, pond, pool

Deze prent maakt deel uit van een album.
Portret van Claude August Crommelin (1840-1874), zittend naast een tafel met glazen en fles
Object type: album leaf
Date: 1865 – 1865
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: claude august crommelin (1840-1874), adult man

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Portret van John Flavel
Object type: print
Date: 1680 – 1750
Materials: paper
Techniques: engraving
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: historical persons, portrait of a writer
Bishop seated in his Study, seen from his Right Side
Object type: drawing and watercolor
Date: 1645 – 1645
Materials: graphite, ink, paper, watercolor
Techniques: brush, pen, wash
Location: italy
Artist: after abraham bloemaert
Fragment messenheft en koper uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knife, handle, cylindrical: tapering; fragm, id. NG 1979-403H.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 440 – 430
Materials: terracotta
Culture: greek, attic

Draped male to right, holding a hare in his left hand; hanging in the field above, an aryballos?; draped figure to right; hole from ancient repair visible
Hanging
Object type: textile
Date: 1675 – 1725
Materials: cotton, silk
Techniques: embroidery, embroidered, weave, stitching
Location: portugal
Subjects: flowers
Paris
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: street, city-gate
Inscriptions: inscription: ‘3 ize Boulevard St Denis’
Ewer
Object type: ewer
Date: 1180 – 1210
Materials: brass, silver
Techniques: inlay, repoussé
Location: afghanistan
Subjects: zodiac

This ewer comes from a group of silver-inlaid brass vessels of similar shape and size decorated with a variety of imagery. While most of the examples have fluted sides and repoussé lions on their neck, the crowned harpies on the shoulder of this piece and the astrological imagery on its body heighten the auspiciousness of its ornament. Set in medallions of twisting vines terminating in rabbits’ heads, each zodiac sign appears with its ruling planet, enhancing its cosmic message.
Brief aan Andries Bonger
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: cairo
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: draughtsman, odilon redon, amsterdam, andries bonger, applied arts, arts and crafts; industrial design, family life, diseases, paris, spain
Meisje bekijkt krantenkiosk op straat in Parijs
Object type: album leaf
Date: 1903 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: sale of newspaper, newspaper stand, newspaper, news-sheet, paris

Onderdeel van Reisalbum van een Nederlandse familie met bezienswaardigheden in Europa, Egypte en New York.
Herbouw van het Kasteel van Wijchen
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: wijchen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle, landscape with tower or castle
Inscriptions: annotation: ‘Wijchen/ Kasteel in herbouw/ Juni 1908’
Chips of Aromatic Wood
Object type: wood chip, aromatic
Date: 1492 – 1473
Materials: wood
Location: egypt
Journal des Dames et des Modes, Costume Parisien, 1 novembre 1804, An 13, (593): Coeffure en Cheveux (...)
Object type: fashion print
Date: 1804 – 1804
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), handkerchief (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), head-gear (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, dress, gown (+ women's clothes), fan (+ women's clothes), necklace (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: caption: ‘Coeffure en cheveux et Rézeau. Ceinture à Epaulettes.’, title: ‘Costume Parisien.’

Vrouw, op de rug gezien, met een 'coeffure' met haarnet. Zij draagt een japon met gestippelde korte mouwen en sleep afgezet met guirlande. Ceintuur met schouderbanden, op de rug gekruist, afgezet met gestreepte bies. Verdere accessoires: oorbel in het linkeroor, collier, lange handschoenen, waaier, zakdoek, platte schoen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Coat
Object type: textile
Date: 1801 – 1900
Techniques: embroidery
Location: india
Coin Depicting the Empress Tranquillina
Object type: coin
Date: 238 – 244
Materials: bronze, copper alloy, metal
Culture: roman
Location: greece
Subjects: portrait
Zittende jongen in een landschap
Object type: print
Date: 1805 – 1816
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: child (+ sitting)
Inscriptions: collector's mark: Lugt 2228

Serie voor het eerst uitgegeven door Jacob Ernst Marcus onder de titel Studiebeelden en Fragmenten. Amsterdam: ca.1816. Later heruitgegeven als: Studie-prentwerk/ Etudes gravées.
Gezicht op het Rondeel, hoek Doelenstraat
Object type: drawing
Date: 1670 – 1736
Materials: ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: jacobus stellingwerff
Artist role: draughtsman
Artist dates: 1660 – 1736
Subjects: city-view in general; 'veduta', towers ~ fortified city
Inscriptions: inscription: ‘Rokin vanaf de Munt / Hotel Europa / 8.9’, inscription: ‘ex. coll. Jonkman (...) J. Stellingwerff’, inscription: ‘stadstimmertuin / t Rondeel op de hoek van d Doele Straat 1580’

Onderwerpsrubriek binnen de Atlas Amsterdam: Vestingwerken: Bolwerken - Rondeel - Wachttorens - Blokhuizen - Kazematten - Ontwerpen Kostuum Alva.
Cherebert roy de France VIII
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: historical persons, ruler, sovereign, king
Inscriptions: collector's mark: Lugt 2228

Prent uit: Eudes de Mézeray, François. Histoire de France, depuis Faramond jusqu’au regne de Louis le Juste (...). 3 dln. Parijs: Denis Thierry, Jean Guignard en Claude Barbin, 1635, dl. 1. Prent waarschijnlijk voor het eerst verschenen in: Bie, Jacques de. Les vrais portraits des rois de France (...). Parijs: Jacques de Bie en Pierre Rocolet, 1634. Prent ook gebruikt in latere publicaties.
Tankard
Object type: tankard
Date: 1735 – 1735
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: buildings,boats
Title page engraved within architectonic and sculptural border, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1573 – 1577
Techniques: engraving
Location: rome
Artist: etienne dupérac
Artist role: artist
Artist nationality: french
Artist dates: 1535 – 1604
Subjects: sculpture

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 1 in the scrapbook.
Spotprent op het wetsontwerp voor hoger onderwijs in Indische taal-, land- en volkenkunde, 1864
Object type: cartoon
Date: 1864 – 1864
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: decorating 'en relief', appliquéing, dutch east indies, the
Inscriptions: collector's mark: Lugt 2228

Spotprent op het wetsontwerp voor hoger onderwijs in Indische taal-, land- en volkenkunde. Drie voorstellingen in de vorm van bas-reliëfs waarin drie stoelen zijn verwerkt. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 31, 30 juli 1864.
Boots
Object type: boot
Date: 1870 – 1870
Culture: american
Reclamefoto met dertien Kentucky Rifles
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: firearms: rifle
Inscriptions: inscription: ‘Thirteen Kentucky Rifles belonging to W.E. Hamilton Collection,/ Des Moines, Iowa./ (...)/ These Guns are all in good working order. Nos. 6, 7 and 13 are nearly as perfect as new. If you know of any/ of this type for sale, please write me.’, inscription: ‘W.E. Hamilton Des Moines Ia’, inscription: ‘18-A, G.-53 [...]sh gun, B[...]’
Jona in Nineve
Object type: book illustration
Date: 1645 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: when jonah arrives in the city of nineveh he foretells its destruction in forty days

De boekdruk op de verso van de prent betreft tekst uit het bijbelboek Jona. Ook andere prenten op hetzelfde albumblad verbeelden het verhaal van Jona.
De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
Plaza de toros de Valencia te Valencia
Object type: photograph
Date: 1888 – 1892
Materials: photographic support
Techniques: albumen print
Location: valencia
Artist: antoni esplugas
Artist role: fotograaf
Artist dates: 1852 – 1929
Subjects: other dwelling types
Inscriptions: annotation: ‘Valencia - Marktplaats en PLaza de Toros’, number: ‘214’
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1915 – 1915
Materials: cardboard, ink
Techniques: pen, writing
Location: de bilt
Artist: fenna de meyier
Artist role: onderwijzer, schrijver
Artist dates: 1874 – 1943
Subjects: paris, paul verlaine, the hague, painter, philip zilcken, family life
Inscriptions: collector's mark: ‘RPK’
Gezicht op de Via Cardines te Messina
Object type: stereograph
Date: 1900 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: messina
Artist: Anonymous
Subjects: street
Inscriptions: annotation: ‘BW’, number: ‘7.’
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the neck of a lekythos; below, on the shoulder, a band of tongues, and palmettes with tendrils with dots in the interstices; on the body of the lekythos, two vines with a grape cluster, upper part of a figure to right; part of a lyre
A Pygmy Cat Hunt, Borders for Rooms & Halls, Plate 9
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: birds,satire,men,hunting,dogs,horses

Three strips arranged horizontally with various scenes.
Portret van Nathaniel Bowditch
Object type: photograph
Date: 1860 – 1865
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, historical persons
Kermisprent van de vuilnismannen van Amsterdam voor het jaar 1821
Object type: fair print
Date: 1821 – 1821
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: street, garbage collection, amsterdam
Inscriptions: collector's mark: Lugt 2228

Kermisprent van de Amsterdamse vuilnismannen voor het jaar 1821. Gezicht met in een straat te Amsterdam waar een man een vuilnisemmer leeggooit in de kar en een andere man met de ratel draait. Twee andere mannen halen bij een huis geld op. Met gedicht in twee kolommen en een lied in drie verzen. Van de vuilniskarman in de wijk no. 18: Jan ter Wylen.
Zeilschepen en -boten
Object type: sketchbook leaf
Date: 1845 – 1891
Materials: paper, pencil
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: sailing-ship, sailing-boat
Inscriptions: annotation: ‘Tomaat kasje stua[..]’

Blad 39 recto uit een schetsboek met 46 bladen.
Schaal op standaard
Object type: album leaf
Date: 1682 – 1731
Materials: paper
Techniques: etching
Subjects: ram's head ~ ornament, dish, plate, saucer
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Design for Landau, No. 3292
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Lion's head carved in the round
Object type: sculpture
Date: 900 – 601
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: lions
Fragment
Object type: fragment
Date: 1501 – 1600
Techniques: embroidery
Subjects: eagles,lions
Geornamenteerde schouw
Object type: titelprent, frontispice
Date: 1726 – 1741
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: rocaille ornament, open hearth, fire-place
Inscriptions: collector's mark: Lugt 2228

Prent één uit een serie van zes, uit: Schübler, Johann Jakob. Second Livre de nouveaux Cheminées (...). [Neurenberg]: Weigel, weduwe Johann Christoph, [na 1726].
Portret van David McEwan
Object type: photomechanical print
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: carbon print, woodburytype
Subjects: functionaries and dignitaries (with name) ~ protestant churches
Crucifix
Object type: glass
Date: 1701 – 1800
Materials: glass, metal
Techniques: lampwork
Location: france
Zeilboten op wilde zee
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: sailing-ship, sailing-boat, sea
Inscriptions: collector's mark: Lugt 2228
Bodhisattva Kannon
Object type: figure
Materials: gold leaf, lacquer, metal, wood
Techniques: cutting, kirikane
Culture: japanese
Subjects: buddhism,bodhisattvas

This pair of bodhisattvas (2006.437a–e and .438a–e) was originally part of a sculptural group centering on Amida Buddha (Sanskrit: Amitabha), who presides over the Western Paradise. Seishi (Sanskrit: Mahasthamaprapta), who holds his hands in the gesture of adoration, once stood to Buddha’s right. His companion, Kannon (Sanskrit: Avalokiteshvara), typically would have held a small lotus pedestal representing a throne for the deceased soul. The bodhisattvas have small, gentle faces with fleshy features and plump bodies that contribute to an androgynous impression. A sense of deep devotion is expressed in their slightly bent backs. Both wear long, flowing skirts that reach their dainty feet in rippling folds and scarves that partially cover their shoulders and fall to their legs. The large mandorlas (halos) that must have once shielded the deities’ backs are lost.
Serie 10: Nederlandse en Buitenlandse Gebeurtenissen, 1587-1612
Object type: album leaf
Date: 1594 – 1596
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: the hague, maurice (prince of orange), willem lodewijk graaf van nassau-dillenburg, siege, position war

Belegering van Groningen door het leger van Maurits. Op de voorgrond het legerkamp van het Staatse leger omgeven door schansen. Boven de ommuurde stad. Met onderschrift van 12 regels in het Duits. Ongenummerd.
Kwikstaart, op de paal van een hek
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: lithograph
Location: the hague
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: song-birds: wagtail, april ~ other concepts
Inscriptions: collector's mark: Lugt 2228

De vogel heeft een poot opgetrokken. Bovenaan het blad een scheurlijn.
Onze Lieve Vrouwe Kerk op de Keizersgracht bij de Westermarkt te Amsterdam
Object type: area plan
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: roman catholic church, plan ~ architecture
Inscriptions: collector's mark: ‘35-28’ Lugt 1641b

Rechtsboven genummerd: PL.III. Onderaan een schaalroede. Onderwerpsrubriek binnen de Atlas Amsterdam: R.K. Gemeenten: Sint Nicolaaskerk t/m Willibrordus (Rustenburgerstraat).
Portret van Georgius Nicolaus Nieremberger
Object type: print
Materials: paper
Techniques: mezzotint
Artist: johann friedrich beusch
Artist role: print maker
Subjects: historical persons, abstract ideas and concepts (+ emblematical representation of concept), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Wielewaal of tronfiaal op een tak
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper, pencil, watercolor
Techniques: brush
Artist: pieter gevers
Artist role: draughtsman
Subjects: song-birds: oriole
Portret van Franciscus Borgia
Object type: print
Date: 1590 – 1649
Materials: paper
Techniques: engraving
Location: paris
Subjects: clergyman, historical persons
Inscriptions: number: ‘7’, collector's mark: Lugt 2228
Omlijsting
Object type: drawing
Date: 1809 – 1814
Materials: paper, pencil, watercolor
Techniques: brush, pen
Location: southern netherlands
Artist: Anonymous

Lege omlijsting. Onderdeel van het vierde album met tekeningen van bloemen en paddestoelen. Elfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Italian Landscape with Soldiers
Object type: painting
Date: 1652 – 1700
Materials: canvas, oil
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins, occupations ~ cattle

Italiaans landschap met soldaten, paarden en vee bij een ruïne. Kopie naar het origineel 'De voorwacht van het Konvooi' uit 1652 te Brussel.