deem-data/ArtiFact huggingface dataset:
Dom van Maagdenburg
Object type: stereograph
Date: 1869 – 1872
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: river, church (exterior), bridge
Inscriptions: number: ‘No 40.’
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816
Object type: print
Date: 1816 – 1816
Techniques: aquatint, engraving, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Broad Collar of Wah
Object type: broad collar, wah, bead
Date: 1981 – 1975
Materials: faience, linen, thread
Location: egypt
Visitekaartje van uitgever Takemura
Object type: visiting card
Date: 1920 – 1950
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228

Japanse vrouw, ten halven lijve, kijkend naar naam en adres (in Engels) van de uitgever Hideo Takemura, waarboven kustlandschap met uitzicht op de berg Fuji.
Inrō with Chinese Landscape in Moonlight
Object type: inrō
Materials: wood, metal, mother of pearl, stone
Techniques: carving, hiramakie, inlay, lacquer, maki-e
Culture: japanese
Subjects: moon,landscapes,trees
Schilder en smid
Object type: print
Date: 1686 – 1748
Materials: paper
Techniques: engraving
Location: italy
Subjects: workshop, studio ~ painter, smith, blacksmith, cupids: 'amores', 'amoretti', 'putti', working situations ~ painter
Inscriptions: collector's mark: Lugt 240

Een heilige schilder, een soldaat en een smid rond een blok waar de penselen van de schilder worden verhit. Boven engelen. Op de achtergrond links twee schildersdoeken met voorstellingen van Maria met Kind.
The Resurrection
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: engraving
Location: netherlands
Artist: philip galle
Artist nationality: flemish
Artist dates: 1537 – 1612

Pieter Bruegel's vast oeuvre of prints was, in all but one case, produced by other engravers after his drawings, as in this engraving by Philip Galle.
Pair of vase ornaments
Object type: vase ornament
Date: 1701 – 1800
Materials: gilt bronze
Terracotta fragment of a lekanis lid (covered dish)
Object type: lekanis lid fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Parts of two rays framed by two red glazed lines; the underside is glazed with two red glazed lines
Gilt silver phiale mesomphalos
Object type: phiale mesomphalos
Date: 434 – 401
Materials: silver gilt
Culture: greek
Subjects: hunting,deer,horses

Very little Classical Greek silver plate survives today. The golden figural decoration on these examples calls to mind Athenian red-figure vases and scholars debate whether precious vessels like these were the inspiration for the painted vases. However, since most gold-figured silver vessels have been found in Macedonian and Thracian tombs on the northern fringes of the Hellenized world and are dated to the second half of fifth century B.C., much later than the advent of the red-figure style, it has also been suggested that the influence may go the other way. On this beautifully preserved libation vessel, four youths hunt deer on horseback with spears. The artist makes clever use of the circular shape to show the hunters encircling their quarry.
Lopende man met een lam en een vogel als offerdieren
Object type: drawing
Date: 1849 – 1917
Materials: chalk, paper
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: animal sacrifice ~ non-christian religions
Dit is het boek van den vos Reinaerde
Object type: titelblad, titelpagina
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox
Inscriptions: collector's mark: Lugt 2228

Niet gebruikt ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Congo
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: africans (+ costume)

Deze prent maakt deel uit van een kaartspel met 52 kaarten met voorstellingen van vrouwen uit landen over de hele wereld. De serie is uitgedacht door Jean Desmarests de Saint-Sorlin in opdracht van Kardinaal Mazarin. Het kaartspel werd gemaakt voor de jonge Lodewijk XIV, samen met het Jeu des Fables, Jeu des Reynes Renommées en Jeu des Rois de France.
Kan van porselein
Object type: flagon
Date: 1784 – 1784
Materials: porcelain
Techniques: painted
Location: loosdrecht

Kan beschilderd met een strooipatroon van blauwe korenbloemen en langs de randen gouden biezen. Gemerkt: M.O.L. en Amstel in blauw onder glazuur. De kan met omgekeerd kegelvormige buik, brede uitstekende tuit met gegolfde rand en rocaillevormig oor heeft langs de voet en hals reliëf-bladranken en is langs alle randen met goud afgezet.
Fragment of a Standing Buddha
Object type: fragment
Date: 701 – 800
Materials: bronze
Culture: indonesian, kalimantan
Portret van Filips de Goede
Object type: book illustration
Date: 1755 – 1765
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: bruges, philip iii the good, historical persons, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228

Prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en André-François Le Breton, 1755-1765.
Wheellock from a Rifle
Object type: arm
Date: 1670 – 1690
Materials: steel
Culture: german or austrian
Location: europe
Journal des Dames et des Modes, Costumes Parisiens, 15 avril 1828, (2590): Longchamp (...)
Object type: fashion print
Date: 1828 – 1828
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: handkerchief (+ women's clothes), cut flowers; nosegay, bunch of flowers, ornamental parts of clothing (+ women's clothes), clothing for the upper part of the body (pelerine) (+ women's clothes), lace (+ women's clothes), clothing for the upper part of the body (pelerine) (+ lace used for clothes), fashion plates, clothes, costume (+ women's clothes), head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: title: ‘Costumes Parisiens.’, caption: ‘Longchamp. Chapeau de gros de Naples. Robe de gros de Indes garnie d'un biais à tête. Pélerine de blonde.’

'Longchamp.' Vrouw met op het hoofd een hoed van 'gros de Naples'. Zij draagt een japon van 'gros de Indes', versierd met een biaisband. Schapenboutmouwen. Pelerine van Blonde (kloskant). Verdere accessoires: handschoenen, zakdoek, platte schoenen met gekruiste banden. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Portret van Hubert Goltzius
Object type: print
Date: 1576 – 1576
Materials: paper
Techniques: engraving, letterpress printing
Location: bruges
Subjects: hubert goltzius, historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2166, collector's mark: Lugt 2760

Prent uit: Goltzius, Hubert. Sicilia et Magna Graecia siue historiae vrbium et populorum Graeciae ex antiquis numismatibus restitutae liber primus Huberto Goltzio Herbipolita Venloniano ciue Romano auctore et sculptore. Brugge: Gilles van den Rade, 1567, tegenover de titelpagina.
Enthroned Buddha Finial
Object type: finial
Date: 301 – 500
Materials: bronze
Culture: gandhara
Subjects: gandhara,buddha
Rummer
Object type: glass
Date: 1780 – 1780
Materials: glass
Location: england
Plein in Menton
Object type: photograph
Date: 1886 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: menton

Een plein in de zuid-Franse stad Menton. Midden op het plein staat een standbeeld en op straat wandelen mensen, op de achtergrond laagbouw woningen.
Portret van vier onbekende kinderen in een tuin
Object type: photograph
Date: 1895 – 1900
Materials: paper
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Bronze lampstand
Object type: lampstand with hoof foot
Date: 534 – 501
Materials: bronze
Culture: cypriot

As vase-paintings and other representations show, the lampstand was an important piece of equipment in the symposium (drinking party). It held not only the oil lamps but also ladles and strainers.
Shepherd holding a flute and two other figures in a landscape
Object type: print
Date: 1660 – 1661
Techniques: drypoint, etching
Artist: salvator rosa
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1673
Subjects: men,flutes,trees,shepherds
A Beauty
Object type: print
Date: 1793 – 1801
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ichirakutei eisui
Artist role: artist
Artist nationality: japanese
Artist dates: 1793 – 1801
Subjects: women,flowers
Partially unwrapped mummified hand with ring
Object type: mummified hand, ring, human remains
Date: 1550 – 664
Materials: faience, linen
Location: egypt

This mummified human hand is partially unwrapped. Part of a faience ring is preserved on the middle finger. The hand was given as a gift to the Museum in 1906 with no additional information. It is not known to whom the hand belongs or when it was separated from the body.
Mary, Queen of Scots (frontispiece, from "Literary Magazine & British Review," volume 2)
Object type: print
Techniques: engraving
Location: england
Artist: john hall
Artist role: artist
Artist nationality: british
Artist dates: 1739 – 1797
Subjects: queens,portraits,women,mary queen of scots
Duinlandschap
Object type: print
Date: 1924 – 1924
Materials: paper
Techniques: etching
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945
Subjects: dunes (sea not visible); in the dunes
Inscriptions: collector's mark: Lugt 2228, dedication: ‘aan m'n lieve vrouw’
Turkse vorst met zijn wacht in een zaal
Object type: design
Date: 1800 – 1900
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: asiatic races and peoples, ruler, sovereign
Wedding Feast of Cupid and Psyche
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: marriage of cupid and psyche, beasts of prey, predatory animals: lion, trunked animals: elephant
Inscriptions: collector's mark: Lugt 240

Diana Mantuana made her Rome debut with this spectacular print. She based it on a fresco by Giulio Romano in her native Mantua. By dedicating the ambitious engraving to the Mantuan nobleman Claudio Gonzaga, she associated herself with this important patron and senior figure at the papal court in Rome. A strategic move, as in this way Mantuana’s work gained authority.
Kader voor Elsevier's Geïllustreerd Maandschrift
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: printing block
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’
Cordial or Sweetmeat Glass
Object type: glass
Date: 1780 – 1780
Materials: glass
Location: england
Hexagonal Tile
Object type: tile
Date: 1301 – 1400
Materials: stonepaste
Techniques: glazing
Location: iran
Figure of fairy Magu
Object type: figure
Date: 1751 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: women
Jar
Object type: jar, two handled
Date: 1550 – 1186
Materials: pottery
Location: egypt

Artists involved in the construction of the royal tombs in the Valley of the Kings resided nearby in Deir el-Medina. To avoid the daily travel, workmen built temporary huts closer to their place of work. A vessel of this size could contain sustenance for a number of people or for an extended stay.
Portret van Saskia van Uylenburgh en landschap met reizigers
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: etching
Location: paris
Subjects: amsterdam, historical persons, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 240

Dit betreft de eerste staat van de prent. Vanaf de tweede staat zijn de twee scènes van elkaar gescheiden en afzonderlijk uitgegeven (British Museum, inv.nr. 1840,0314.84).
Seminarium Henninianum
Object type: print
Date: 1605 – 1680
Materials: paper
Techniques: etching
Artist: filippo ferrari
Artist role: print maker
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een reeks gezichten op steden/gebouwen met bijbehorend voorblad met tekst en legenda. De legendanummers zijn naast de afbeeldingen bijgeschreven. De afbeeldingen zijn per zes op één blad bevestigd.
Hercules carrying his club
Object type: statuette
Materials: bronze
Artist: niccolò roccatagliata
Artist role: artist
Artist nationality: italian
Artist dates: 1593 – 1636
Subjects: hercules

These bronze statuettes of Hercules carrying a club under his left arm are variants of a prototype that, according to Leo Planiscig, was designed and cast by Nicolò Roccatagliata in Venice in the early seventeenth century. The Blumenthal cast (A) is smaller than the Mills (B). They also differ considerably in the degree of finish (the Blumenthal is much rougher), in the anatomy (the Mills body is much more robust), and even in the balance of the contrapposto (more pronounced in the Mills). This model of Hercules, in which the club’s weight is counterbalanced by the elegant movement of the muscular body, is known in many versions, among which the cast in the Kunsthistorisches Museum is unanimously considered the best.[1] Attesting to its fame, the model is included in Jacob de Wilde’s Signa antiqua of 1700 (fig. 68a). Such representations of Hercules seem to have been reproduced in Venice over several decades, perhaps centuries, and pinpointing the date of a single cast is near impossible. Both Met examples seem to be later serial casts, possibly made in Venice, but it is unlikely they issued from the workshops of Roccatagliata or his followers. Among the two, however, the Mills Hercules, which is the partner of our Ceres (cat. 69), is possibly closer to the original prototype, as becomes clear when comparing it with the version in Vienna, and also with the one at Yale.[2] They were most probably intended to crown firedogs. Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. On the Vienna cast (KK 5724), see Planiscig 1921, p. 623, fig. 697; Planiscig 1924, p. 124, fig. 123; Leithe-Jasper 1986, pp. 182–84, cat. 46. For a discussion of the several other known versions, see Pressouyre 1966, pp. 257–59, and C. Avery 1998b, pp. 180–81, no. 109. 2. Yale University Art Gallery, New Haven, 1958.73.
Cornice, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). .Originally volume 2, plate 9 in the scrapbook.
Fragment of a Pendant
Object type: pendant fragment
Date: 1902 – 1902
Materials: jade
Culture: chinese
Kindermuts van linnen, met Zaans stikwerk en borduurwerk
Object type: cap
Date: 1700 – 1800
Materials: linen
Techniques: embroidered, quilting
Location: netherlands
Artist: Anonymous

Kindermuts van gestikt linnen. Zaans stikwerk.
Presentiepenning van Jacob de Gruijter als lid van het Sint Lucas- of Schilders- en konstwerkersgilde te Middelburg
Object type: history medal
Date: 1650 – 1680
Materials: brass
Techniques: casting
Inscriptions: inscription: ‘Jacob / De Gruijter’

Gegoten ovalen messing penning, op de voorzijdetussen lauwertakken een Lucasschild waarboven een ossenkop, op de keerzijde een inscriptieruimte met draperiën boven diverse schildersgereedschappen, op naam van Jacob de Gruijter, met gat
3  pence uit Engeland van Victoria, 1899
Object type: coin
Date: 1899 – 1899
Materials: silver
Techniques: striking
Location: london

Zilveren munt. Voorzijde: gekroond borstbeeld van de koningin naar links [old head]. Keerzijde: binnen samengebonden laurier- en eikentak waarde-aanduiding in twee regels. Daarboven kroon. Jaartal onderaan. Kartelrand.
Roma. Villa Medici ora Palazzo dell'Accademia di Francia
Object type: photomechanical print
Date: 1889 – 1906
Materials: cardboard
Techniques: photograph
Location: rome
Subjects: city-view, and landscape with man-made constructions, garden, palace
Inscriptions: mark: ‘RTD’
A Modern Version of Shosho visiting Komachi (Furyu Shosho kayoi Komachi)
Object type: print
Date: 1715 – 1715
Techniques: hand coloring, woodblock print, sumizuri
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Gezicht op de Meldon nabij Chagford
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: chagford
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: chagford
Inscriptions: number: ‘1837.’, inscription: ‘Devonshire Illustrated. by Francis Bedford.’
[Peasant Woman with Winnowing Basket]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: women,working,baskets
Untitled (41)
Object type: photograph
Date: 1890 – 1890
Techniques: photogravure
Location: italy
Artist: ferdinando ongania
Roker en drinker
Object type: print
Date: 1723 – 1789
Materials: paper
Techniques: mezzotint
Location: dordrecht
Artist: jacob hoolaart
Artist role: print maker
Artist dates: 1713 – 1789
Subjects: pipe ~ tobacco, drinking-vessels
Inscriptions: collector's mark: Lugt 2228

Aan een tafel zitten twee mannen waarvan er een zijn pijp aansteekt. De ander schenkt zijn glas vol. Ze dragen beiden een muts.
Fantasie vogels boven een rivierlandschap
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: drypoint, intaglio
Location: karlsruhe
Artist: hans thoma
Artist role: painter, print maker
Artist dates: 1839 – 1924
Subjects: fabulous animals ~ birds, river, landscapes with waters, waterscapes, seascapes (in the temperate zone), mountains
Inscriptions: collector's mark: Lugt 2228
Plattegrond van Slot Karlsruhe
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: engraving, etching
Location: mannheim
Subjects: plan, map of garden, palace
Inscriptions: collector's mark: Lugt 2228
Landschap met bebouwing en twee boten
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes, ships (in general), civic architecture; edifices; dwellings

Pagina 53 uit een schetsboek met 29 bladen.
Schrijfvoorbeeld: Aristoteles Seght (...)
Object type: print
Date: 1616 – 1617
Materials: paper
Techniques: engraving
Location: flushing
Subjects: calligraphy

Schrijfvoorbeeld met geornamenteerde initiaal A en zeven regels tekst in het Nederlands: Aristoteles Seght ... De prent maakt deel uit van een album.
Frontispiece, with Statue of Minerva, from "Vedute di Roma"
Object type: print
Date: 1748 – 1748
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: sculpture,obelisks,minerva
Tien sluitzegels en vignetten
Object type: vignette
Date: 1920 – 1950
Materials: gum, paper
Techniques: printing
Location: netherlands
Subjects: the hague, nijmegen, print maker, hendrikus theodorus wijdeveld, trade mark, trade token, trade sign, trade card

Groep van tien sluitzegels met reclame voor verschillende tentoonstellingen in Amsterdam, Rotterdam en Arnhem, goede doelen en commerciële bedrijven, plus twee vignetten voor de architect Hendrik Wijdeveld.
Portret van keizer Matthias
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), ornament ~ medallion, historical persons, knighthood order of the golden fleece, emperor, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)

Op het verso de titelpagina van: Oertel, Hieronymus. Appendix partis quartae Chronologiae Ungaricae, das ist; warhafftige ausführliche historische Beschreibung (...). Neurenberg: Wolfgang Endter, 1622.
Schapen en geiten
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Artist: joseph roos (i)
Artist role: print maker
Artist dates: 1726 – 1805
Subjects: landscapes, sheep, goat
Inscriptions: collector's mark: Lugt 240

Serie van twaalf prenten, waarvan één titelprent.
Egg cup
Object type: egg cup
Date: 1742 – 1743
Materials: silver
Artist: claude-françois gaucher
Artist role: maker
Artist dates: 1656 – 1756
“- Madeleine, how could you ever accept a piece of meat like this one? - Madame, the butcher told me that the meat commerce will be free, therefore he took the liberty of giving me this piece,” plate 463 from Actualités
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Firenze. Galleria Uffizi. Michelangiolo Buonarroti, dipinto da sè stesso (part.)
Object type: photograph
Date: 1889 – 1906
Materials: photographic support
Techniques: photography
Location: florence
Artist: Anonymous
Subjects: rome, painter, draughtsman, sculptor, michelangelo, portrait, self-portrait of artist
Inscriptions: inscription: ‘"Ubermoro"’, collector's mark: ‘AFE v S’
Arc de Triomphe in Parijs
Object type: page
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: triumphal arch
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 40.’

Prent op honderdnegenenvijftigste ongenummerde pagina.
Les quilles / Ninepins
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: child, games using special objects (marbles, top, hoop, etc.), ninepins, skittles
Inscriptions: collector's mark: Lugt 2166