deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, calf and ankle of male and bit of drapery; one letter of an inscription, I ?
Orvieto - Particolare Dannati (Signorelli)
Object type: reproduction
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: orvieto
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
The Bark
Object type: print
Date: 1514 – 1536
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Subjects: men,women,boats
Maïdanskybrug van veraf
Object type: photomechanical print
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photograph
Location: tbilisi
Artist: Anonymous
Subjects: tbilisi
Inscriptions: number: ‘30.’

Bovenaan staat de titel in het Russisch en Frans weergegeven.
Bord, gevonden bij V.O.C.-schip Witte Leeuw, mogelijk afkomstig van Zeelelie
Object type: plate dish
Date: 1775 – 1800
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Bord bestaande uit vier scherven, waarvan één twee aan elkaar gelijmde fragmenten, gemaakt voor export naar Anglo-Saxische landen, 50% aanwezig. Nanking-ceramiek bord. Dit object is 18e-eeuws en kan dus niet van de vracht van de Witte Leeuw zijn. Onduidelijk is of het object van de site komt of dat het later is vermengd, mogelijk met materiaal van de Zeelelie.
Faust and Wagner
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Waterplas De Clarinet bij Deurne
Object type: sketchbook leaf
Date: 1807 – 1897
Materials: chalk, paper
Location: deurne
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: date and inscription: ‘De Clarinet/ 29 juli 97.’

Blad 7 verso uit een schetsboek met 44 bladen.
Bust portrait of Philip Rubens, in a niche
Object type: print
Date: 1627 – 1678
Techniques: engraving
Artist: cornelis galle (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1615 – 1678
Figuurstudie en ruiters
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, standing figure, (military) uniforms

De figuren dragen militair kostuum. Pagina 45 uit een schetsboek met 58 bladen.
Embroidered darning sampler
Object type: sampler
Date: 1779 – 1779
Materials: cotton, silk
Kop, behorende bij een servies met libellen, vlinders en andere insekten
Object type: cup
Date: 1894 – 1899
Materials: porcelain
Techniques: painted
Location: copenhagen
Artist: arnold emil krog
Artist role: ceramicist
Artist dates: 1856 – 1937

Parts of a tea and coffee service. Porcelain. Copenhagen, Den Kongelig Porcelainfabrik, c. 1894 - 1899, designed by Arnold Krog.
Views of a Theater (Bayreuth): Profile View of Facade and Half of the Plan
Object type: drawing
Date: 1696 – 1756
Materials: ink
Techniques: pen, wash
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: theatre,architecture
De Prins van Oranie Willem de III. doet den Eed als Stadhouder in 't jaar 1672
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: william iii (prince of orange and king of england, scotland, and ireland), frederick henry (prince of orange), william ii (prince of orange), william i (prince of orange), the hague, maurice (prince of orange), new ruler taking the oath
Inscriptions: date

Gebruikt als illustratie in: J. le Clerc, Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten, Z. Chatelain, Amsterdam 1730, 3 delen, dl. III, p. 410.
Oilette
Object type: reproduction
Date: 1906 – 1912
Materials: cardboard
Techniques: color autotype
Location: london
Subjects: city-view, and landscape with man-made constructions, abbey, monastery, convent ~ roman catholic church
Ornament (one of a pair)
Object type: ornament
Date: 1770 – 1780
Part of a tea service
Object type: teapot
Date: 1774 – 1778
Materials: porcelain
Location: loosdrecht

Manufactuur Oud-Loosdrecht
Loosdrecht, c. 1774–1778
tea caddy: c. 1782
hard-paste porcelain
Design for a Chimneypiece
Object type: drawing
Date: 1740 – 1800
Materials: ink
Techniques: pen
Artist: sir william chambers
Artist role: artist
Artist nationality: british, born sweden
Artist dates: 1723 – 1796
Gezicht op Västerås
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: stockholm
Subjects: city-view in general; 'veduta'
Inscriptions: date

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Bugle
Object type: musical instrument
Materials: copper
Artist: egidius petrus van osch
Artist dates: 1822 – 1885

Bugel in B. Drie Périnet-ventielen, genummerd 1, 2 en 3, die de grondtoon verlagen met respectievelijk 1, 1/2 en 1 en 1/2 toon. Met houdertje voor muziekstandaard en steunhaak voor de pink van de rechterhand. Op de beker een ovaal brandstempel: 'E. P. van Osch / Brevete / Maastricht'. Vlak bij de bekerrand is ingeslagen: '4.R.I.1868' (4e REGIMENT INFANTERIE 1868). Het instrument werd in 1868 door het 4e Regiment Infanterie van het Nederlandse leger in gebruik genomen.
Flask
Object type: flask
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Deel van de optocht, nr. 8
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: ghent, charles v (holy roman emperor and king of spain), cortege, funeral procession, brussels, guelders

Vier deelnemers aan de optocht, paarden en het vaandel met het wapen van Gelre. Onderdeel van de prentreeks van de Begrafenisoptocht van keizer Karel V op 29 december 1558 te Brussel.
Historische galerij van Versailles
Object type: print
Date: 1837 – 1848
Materials: paper
Techniques: etching
Location: france
Subjects: historical persons - bb - woman, queen
Inscriptions: collector's mark: Lugt 2228
Lugano. Via Pessina
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1924
Materials: photographic support
Techniques: photography
Location: kilchberg
Subjects: wandering or travelling merchant - bb - women engaged in trade and commerce, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Chest-on-frame
Object type: chest on frame
Date: 1705 – 1725
Materials: wood
Techniques: painting
Culture: american
Location: united states
Subjects: birds,flowers

The painted ornament on the upper front of this chest, with its crowned Tudor rose, Scottish thistle, and French fleur-de-lis, is typical of designs on furniture produced in the Guilford-Saybrook area of coastal Connecticut. The painted borders on the top recall the inlaid-veneer crossbanding found on high-style English furniture of the seventeenth century.
S. Philogone, évêque (St. Philogonius, Bishop), December 20th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Jongen, meisje en schaap in een weiland
Object type: study for binding design
Date: 1890 – 1920
Materials: ink, linen
Techniques: printing
Artist: Anonymous
Subjects: boy (child between toddler and youth), girl (child between toddler and youth), sheep, farm or solitary house in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Een jongen en meisje staan in een weiland bij een schaap. Het meisje heeft haar hand over de schouder van de jongen geslagen en wijst met de andere hand naar het schaap. In de verte een huis.
Bacchanten
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving
Location: london
Subjects: maenad(s), female bacchant(es), male bacchant(es), forest, wood
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Naakte bachanten in een bos. Een jonge vrouw klimpt op de rug van een sater en wordt hierbij geholpen door een putto. Achter hen loopt een man met een mand op zijn rug die is gevuld met wijn en druiven.
Head of a Man
Object type: drawing
Materials: chalk, charcoal, paper
Techniques: heightening, stumping
Location: france
Artist: claude jean-baptiste hoin
Artist role: artist
Artist nationality: french
Artist dates: 1750 – 1817
Subjects: heads,men
Title page
Object type: print
Date: 1815 – 1815
Techniques: letterpress
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Kendi with flower sprays and a landscape with rocks and plants
Object type: kendi
Date: 1600 – 1699
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: japan
Artist: Anonymous

Kendi. Japan, Arita ca. 1660-1680. Porcelain, decoration in underglaze blue.
The good Samaritan
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the good samaritan (luke 10:30-37)
Inscriptions: collector's mark: Lugt 240
Satyr's Family from Bacchanales, or Satyr's Games
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: france
Artist: jean-honoré fragonard
Artist nationality: french
Artist dates: 1732 – 1806

This set of four etchings may refer to ancient bas-reliefs Fragonard saw while visiting Rome with an important antiquarian, the Abbé de Saint Non (see 1926.453, .455, and .456). The size of the paired oval and rectangular reliefs—one or more of which might derive from ancient engraved cameos instead of large-scale sculptures—remains ambiguous, although hidden objects in the surrounding foliage suggest a large scale. Regardless of their source, the popularity of Fragonard’s printed reliefs reflected the taste for Neoclassicism in France at this time.
Een Noord Brabansch landschap
Object type: print
Date: 1837 – 1843
Materials: paper
Techniques: lithograph
Location: the hague
Artist: johan barthold jongkind
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1891
Subjects: landscape with bridge, viaduct or aqueduct, farm or solitary house in landscape, dog
Inscriptions: : ‘Deposé’, collector's mark: Lugt 2228

Deze prent maakte mogelijk deel uit van: Pantheon of de tempel der onsterfelijkheid van Nederlandse kunstschilders. Uitgegeven door Gebroeders Van Lier in Amsterdam tussen 1837 en (in ieder geval) 1843.
Portret van Robert Dudley, graaf van Leicester
Object type: print
Date: 1859 – 1900
Materials: paper
Techniques: engraving
Subjects: robert dudley (1st earl of leicester), historical persons, hacking and thrusting weapons: sword
De geboorte Christi. / Litanie aan het kindeken Jezus
Object type: popular print
Date: 1808 – 1808
Materials: paper
Techniques: colour, letterpress printing
Location: venlo
Subjects: adoration of the christ-child by the shepherds; mary and joseph present, ruin of a building ~ architecture
Inscriptions: collector's mark: Lugt 2760

De aanbidding door de herders. Twee herders staan samen met Maria en Jozef rond de kribbe met het Christuskind. Op de achtergrond antieke ruïnes. Aan weerszijden en onder de voorstelling een gebed in boekdruk.
French, Market Girl of Paris, from Types of Nationalities (N240) issued by Kinney Bros.
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Types of Nationalities" series (N240), issued in 1890 to promote Kinney Tobacco Company. Each card is meant to be folded into thirds. Unfolded the card displays a figure from a particular nationality. Folded, the same figure is portrayed smoking a Kinney Brothers Cigarette.
Portret van Friedrich von Schiller
Object type: print
Date: 1822 – 1894
Materials: paper
Techniques: engraving
Artist: adrian schleich
Artist role: print maker
Artist dates: 1812 – 1894
Subjects: friedrich von schiller, scholar, philosopher, historical persons, portrait of a writer
Art - Goût - Beauté, Feuillets de l' élégance féminine, Novembre 1931, No. 135, 12e Année, p. 29
Object type: magazine
Date: 1931 – 1931
Materials: paper
Techniques: printing, photography
Subjects: fashion plates, dining-room

Tekst over inrichting eetkamer met een afbeelding van een eetkamer van Philippe Petit. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Portret van een onbekende vrouw aan een schrijftafel
Object type: ansichtkaart, prentbriefkaart
Materials: photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: writing-table, writing-desk, adult woman
Inscriptions: inscription: ‘Von (...) I Etage’, inscription: ‘Wie schreib' ich's wohl am besten hin, Dass ich von Herzen gut Dir bin?’, inscription: ‘BKK’, number: ‘33482/1’, inscription: ‘Bremen 27. 4 10 1-2N’
Villa
Object type: drawing
Date: 1765 – 1825
Materials: paper, pencil
Artist: christoph heinrich kniep
Artist role: draughtsman
Artist dates: 1755 – 1825
Subjects: villa
Inscriptions: collector's mark: Lugt 2228
Standbeeld van vrouw
Object type: book illustration
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Location: paris
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 240

Prent gebruikt voor: Félibien, André. Tableaux du Cabinet du roy. Statues et bustes antiques des maisons royales. Parijs: Imprimerie Royale, 1677. Het boek bevat 61 prenten van beelden en bustes uit Franse koninklijke collectie. Mellan vervaardigde in totaal achttien platen (zie ook British Museum, inv.nr. 1874,0808.1488).
De verblijfplaats van het beeld is onbekend.
Terracotta group: making flour
Object type: statuette group of woman grinding grain
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: food,women,working

The figure at the right is grinding grain in a quern with an elliptical stone. Her companion stands over a sieve that is probably set on a low wicker tray or basket. At the left end is a large shallow scoop. Vignettes of daily life, particularly the preparation of bread, are common among Cypriot terracottas of the Archaic period. They have come to light mainly in tombs.
[Bearded Man in Tweed Jacket]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: men,portraits
The Little Mast
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Brief aan Jan Veth
Object type: letter
Date: 1875 – 1925
Materials: ink
Techniques: pen, writing
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: p. laforge, antwerp, edouard dujardin, dordrecht, painter, print maker, draughtsman, designer, jan veth, paris, paul verlaine, haarlem, frederik van eeden
Inscriptions: collector's mark: ‘RPK’
Heuvelachtig landschap
Object type: print
Date: 1873 – 1881
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: low hill country
Inscriptions: collector's mark: Lugt 2228

De etsen naar de schilderijen van Frédéric Van de Kerkhove werden na zijn dood door zijn vader en zuster gemaakt en uitgegeven in twee reeksen. De eerste werd in 1877 uitgegeven door het Journal des Beaux-Arts et de la Littérature: Cahier de 25 Eaux-fortes d'après Frédéric van de Kerkhove, gravées par son père et sa sœur. De tweede reeks van 126 etsen, ook in 1877, werd in Parijs uitgegeven bij A. Lévy onder de titel Cent eaux-fortes gravées par J. Van de Kerkhove d'après les tableaux de Frédéric Van de Kerkhove, mort en 1873 à l'âge de 10 ans et 11 mois.
The Deluge
Object type: window
Date: 1531 – 1531
Materials: glass
Techniques: painting, stain
Artist: valentin bousch
Artist role: artist
Artist nationality: french
Artist dates: 1514 – 1541
Subjects: soldiers,men,floods,boats

Together with Moses Presenting the Tablets of Law (also in the Museum's collection) and five other windows, this window decorated the choir of the Benedictine priory church of Saint-Firmin in Flavigny-sur-Moselle, Lorraine. It was commissioned by the prior, Wary de Lucy, from Valentin Bousch, one of the most significant master glaziers in northeastern France during the Northern Renaissance. Bousch rejected traditional compartmentalization and instead treated each composition like an enormous painted or carved retable with a trompe l'oeil architectural frame. Brilliant hues of colored glass are combined with painted areas of grisaille and silver stain on clear glass, all cut with daring virtuosity.
The Rehearsal or the Baron and the Elephant
Object type: print
Techniques: etching
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Subjects: performance,men,women,peacocks,elephants

Cruikshank was nineteen when he etched this pseudo-oriental procession parodying recent spectacles on the London stage. A month before, Covent Garden’s annual Christmas pantomime had featured a live elephant and the artist holds actor-manager John Kemble responsible for sacrificing traditional drama to profit. Perched on the offending pachyderm, Kemble catches coins while discarding a cloak that symbolizes his reputation as a tragic actor. The elephant advertises The Murder of Shakespeare and shakes a figure symbolizing old-fashioned Comedy with his trunk. The action played out before the elephant parodies an amateur performance by Robert Coates at the Haymarket. Coates used the occasion to insult prominent audience member, the Baron de Geramb who is shown perched on the elephant’s trunk, while Coates rides a golden cockerel.
Christ preaching ('La Petite Tombe')
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: brush, drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: christ preaching or teaching (in general)
Inscriptions: inscription: ‘(V?)aartuygen’, collector's mark: Lugt 240
The Fort of L'Esseillon, Val de la Maurienne, France
Object type: drawing
Date: 1835 – 1836
Materials: watercolor
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: mountains,landscapes

Walter C. Baker, a significant drawings collector who served as The Met’s vice president, donated this Turner watercolor to the Museum. We look southwest along the Arc River gorge toward the Fort of L’Esseillon, a stepped construction on a slope in the middle distance, with snowcapped peaks beyond. The complex was built between 1819 and 1836 to guard the Mont-Cenis Pass into Italy after France ceded Savoy to Piedmont. Turner likely borrowed details of the composition from an engraved illustration in an 1827 book written by his friend William Brockedon. The drawing’s detailed handling suggests a date in the 1830s, though it was likely finished before the artist set out for France in 1836—a tour during which he typically worked in a looser manner.
Le Puy
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Subjects: capital (~ column, pillar), corinthian order ~ architecture
Inscriptions: check stamp: ‘[...]’, collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers Amsterdam’, workshop stamp: ‘Kunsthandel/ J.A.G. de Leur/ Photograaf- Uitgever/ Huigenspark, 40b,/ Den Haag’, number: ‘No. 187’, inscription: ‘(Cathédrale)’
Zes figuren zittend aan een tafel
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: ink, paper
Techniques: pen
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: sitting figure, table

Blad 42 recto uit een schetsboek met 71 bladen.
Armored Saddle
Object type: armor
Date: 1601 – 1633
Materials: canvas, leather, wood
Culture: italian
Location: france
Overgrown Rocks
Object type: drawing
Date: 1809 – 1812
Materials: graphite, paper, watercolor
Techniques: brush
Location: italy
Artist: josephus augustus knip
Artist role: draughtsman, painter, print maker
Artist dates: 1777 – 1847
Subjects: boulder, stone, italy

Some worked-up, overgrown rocks, and a pair of cypresses and other trees drawn in outline, and nothing else. With Knip, less is often more: the simpler the motif, the more impressive the drawing. Unfortunately, the draughtsman neglected to note where he recorded this little patch of nature, but judging from the cypresses at the left, it must have been in Italy.
Kapel van de Heilige Maagd in de Abdij van Einsiedeln, Zwitserland
Object type: stereograph
Date: 1862 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: einsiedeln
Artist: pierre joseph rossier
Artist role: fotograaf
Artist dates: 1829 – 1889
Subjects: parts of church interior: chapel
Vijftiende-eeuws Duits schild, beschilderd met een pelikaan met haar jongen
Object type: shield
Date: 1400 – 1500
Materials: iron, leather, linen, wood
Techniques: braiding, woodworking, painted
Location: europe
Artist: Anonymous
Subjects: armorial bearing, heraldry

Langwerpig vijftiende-eeuws Duits schild, vermoedelijk een voetknechtenschild, met concave zijkanten. In het midden van boven naar beneden loopt een verhoging van 13 cm breed. Geheel overtrokken met donkerrood leer, de voorzijde beschilderd met de voorstelling van een zwarte pelikaan, zich in de borst prikkend met zijn snavel boven een nest met vier jongen die zich voeden met de vallende druppels bloed. In een vierlobbige omlijsting, omgeven door plant-, bloem- en abstracte motieven. Op drie plaatsen gaten in het schild, waardoor riempjes van het handvat komen, vastgehouden door dikke stukjes leer. Het handvat aan de keerzijde bestaat uit een verticaal stuk hout, boven doorboord met een horizontaal stokje, het geheel omwonden door een leren riempje, plaastelijk gevlochten. Twee spijkers houden een tweede leren riempje vast, dat aan één kant is afgebroken.
Driehonderdjarige herdenking van de Reformatie te Frankfurt 1817
Object type: history medal
Date: 1817 – 1817
Materials: silver
Techniques: striking

Zilveren penning, op de voorzijde zes regels tekst met omschrift, op de keerzijde vijf regels tekst met omschrift, met kartelrand.
Rank Badge with Wild Goose
Object type: rank badge
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: geese
Twee vissers op een brug
Object type: sketchbook leaf
Date: 1696 – 1696
Materials: chalk, paper
Artist: hendrick van beaumont
Artist role: draughtsman
Subjects: bridge, landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)

Blad 51 recto uit een schetsboek met 91 bladen.
Kostuumornamenten
Object type: print
Date: 1516 – 1571
Materials: paper
Techniques: woodcut
Location: france
Artist: Anonymous
Inscriptions: inscription: ‘538.’