deem-data/ArtiFact huggingface dataset:
Oval Serving Platter
Object type: metalwork
Date: 1767 – 1778
Materials: pewter
Location: birmingham
Artist: john ingram
Titelhoofd met libellen en mug
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: insects: dragon-fly, other ornament derived from animal forms, insects: mosquito

Prent uit: Catalogus van handboeken, pracht- en plaatwerken, dicht- en prozabundels en kinderliteratuur (...). Amsterdam: Scheltema & Holkema's Boekhandel, 1894, p. 8.
Deze prent werd origineel ontworpen voor: Crane, Walter. Kunst en samenleving. [Vertaald uit het Engels door] Jan Veth. Amsterdam: Scheltema & Holkema's Boekhandel, 1894 [1893], p. 158.
Morning dress
Object type: morning dress
Date: 1870 – 1870
Culture: american
Grazend rund achter muur
Object type: print
Date: 1728 – 1768
Materials: paper
Techniques: etching
Location: the hague
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Brief aan Jan Veth
Object type: letter
Date: 1899 – 1899
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: cornelis hofstede de groot
Artist role: kunsthistoricus
Artist dates: 1863 – 1940
Subjects: politician, martin rade, printer, publisher, painter, print maker, draughtsman, jan veth, money, printed matter, france, england, belgium
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, reclining, draped symposiast holding a skyphos in his left hand
Vase
Object type: glass
Date: 1915 – 1915
Materials: glass
Location: corona
Artist: louis comfort tiffany
Artist role: designer
Artist nationality: american
Artist dates: 1848 – 1933
Inscriptions: "5113 J L. C. Tiffany-Favrile" on bottom
Leyerdorp buyten Leyden
Object type: print
Date: 1762 – 1822
Materials: paper
Techniques: etching
Subjects: leiderdorp
Inscriptions: collector's mark: Lugt 2228

Gezicht op Leiderdorp met ophaalbrug en links de kerk. Bovenaan genummerd "10", rechtsboven genummerd "1".
Settee (one of a pair) (part of a set)
Object type: settee
Date: 1763 – 1764
Materials: wood, silk, velvet
Techniques: carving, gilding, painting
Artist: johann michael bauer
Artist role: maker
Artist nationality: german, born westheim
Artist dates: 1710 – 1779
Susanna and the Elders
Object type: covering and hanging
Date: 1601 – 1633
Materials: linen, metal, metal thread, silk, wool
Techniques: interlocking, slit, weave
Culture: english
Location: england
Subjects: christian subjects, bathing, botanical/floral, columns, fruit, people, trees
Kwitantie voor Jan Voerman (1857-1941)
Object type: ontvangstbewijs, kwitantie
Date: 1889 – 1889
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: jan voerman (1857-1941)
Artist role: draughtsman
Artist dates: 1857 – 1941
Subjects: money
Inscriptions: collector's mark: Lugt 2233
Portret van Fadrique Álvarez de Toledo, hertog van Alva
Object type: book illustration
Date: 1623 – 1623
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: the hague
Subjects: historical persons

Prent uit: Meteren, Emanuel van. Historie der Nederlandscher ender haerder naburen oorlogen ende geschiedenissen (...). Den Haag: Hillebrant Jacobsz van Wouw, 1623, f. 85.
Cabinet des Modes ou les Modes Nouvelles, 15 Juillet 1786, pl. II
Object type: fashion print
Date: 1786 – 1786
Materials: paper
Techniques: engraving
Location: paris
Subjects: ear-rings (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), dress, gown (robe à la turque) (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, shoes, sandals (+ women's clothes), skirt (+ women's clothes)

Robe à la Turque. De vrouw is, volgens de begeleidende tekst, gekleed in een ‘robe à la Turque’ van witte gaze met wit glanzende en zachtlila strepen, afgezet met zachtroze lint. Sjaal van wit geruite gaze met een franje van witte zijde, van voren gekruist en op de rug onder de ceintuur geknoopt. Kapsel met twee strikken van gestreept lint, zonder hoofddeksel. Lila schoenen met hakken en een strook van roze lint (Accessoires: oorbel, lange handschoenen, chatelaine). De prent maakt deel uit van het 17e Cahier uit de serie Cabinet des Modes ou les Modes Nouvelles. De serie bestaat uit 72 modeprenten, uitgegeven door Buisson, Parijs, 15 november 1785 - 1 november 1786.
Actress standing with foot extended, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Concave-Casqued Hornbill, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds,women

Trade cards from the "Birds of the Tropics" series (N38), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes. This series is a physically larger version of the "Birds of the Tropics" set (N5), including the corresponding small card design with other pictorial matter added.
Les rencontres
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: hand coloring, lithograph
Location: brussels
Subjects: the hague, berlin, william i of the netherlands, ruler in informal contact with his subjects
Inscriptions: collector's mark: Lugt 2228

De koning, wiens hoed in het water was gewaaid, vraagt een in de nabijheid staande man zijn hoed te leen. Met drieregelig onderschrift. Onderdeel van de serie van 24 platen met ontmoetingen met koning Willem I, verschenen onder de titel 'Les rencontres' in 1829-1830.
Nederland, ½ cent, 1843
Object type: coin
Date: 1843 – 1843
Materials: copper
Techniques: striking
Location: utrecht
Artist: william ii of the netherlands
Artist role: koning
Artist dates: 1792 – 1849

Koperen munt. Voorzijde: tussen jaartal gekroonde rechte letter W. Keerzijde: tussen waarde-aanduiding ½ C. gekroond rijkswapenschild. Gladde rand.
The Balcony
Object type: print
Date: 1879 – 1880
Materials: ink, ivory, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: balconies,canals,boats,venice
Vignette with an Allegorical Figure of Astronomy
Object type: drawing
Date: 1798 – 1798
Materials: chalk, ink, watercolor
Techniques: pen
Artist: mauro gandolfi
Artist role: artist
Artist nationality: italian
Artist dates: 1764 – 1834
Subjects: human figures,astronomy
Le Antichità Romane
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: altar ~ non-christian religions, ruin of a building ~ architecture, capital (~ column, pillar), base (~ column, pillar), rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Teacups (8) (part of a service)
Object type: teacup
Date: 1758 – 1769
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: peacocks,pheasants

The gilding on these pieces (see 54.163.7a, b–.34) is of a very high order, with tooled work on a thick application of honey gilding selectively matte and burnished for a lively design of pheasants, peacocks, and swallows in a landscape. The deep bowl was for little cakes.
Portret van een onbekende man
Object type: snapshot
Date: 1912 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: amsterdam
Inscriptions: inscription: ‘Nieuwendijk 151 Nr. A380’
Vase
Object type: vase
Date: 1885 – 1889
Materials: stoneware
Culture: american
Location: united states
Artist: chelsea keramic art works
Artist role: manufacturer
Artist nationality: american
Artist dates: 1872 – 1889

Steeped in ceramics from birth, Hugh C. Robertson pursued his craft with fierce devotion and a passion for experimentation. From a family of trained English ceramists, he honed his skills in New Jersey before settling in Massachusetts as one of the founders of Chelsea Keramic Art Works and later, Dedham Pottery. Robertson’s lifelong explorations in glazes, particularly their color and texture, make him one of the key figures of American art pottery at the turn of the twentieth century. During the 1880s Robertson increasingly turned his attention to developing new glaze formulas and clay bodies. In the middle of the decade he became obsessed with the highly coveted yet elusive sang-de-boeuf, or oxblood, glaze, a quest that became the hallmark of his later career. This richly colored blood-red glaze is traditionally created from a copper-based formula and fired in a kiln, which when wet straw and other materials are introduced, deprives the atmosphere of oxygen and changes the copper-oxide glaze to a brilliant red color. While Chinese potters sporadically created the copper-red glaze in earlier centuries, it was not until the Ming Dynasty (1368– 1644) that ceramists refined the technique to yield consistently good color. However, production was disrupted shortly thereafter, and the secret lost. About 1680 the secret of copper-red glazes was regained, and its production continued through the eighteenth century. In April 1885 Robertson became the first American to successfully replicate the oxblood glaze. Justly proud of his accomplishment, he called the variations of his new glaze "Dragon’s Blood," "Sang de Chelsea," and "Robertson’s Blood." Robertson showcased his new oxblood glazes on the same Chinese-inspired shapes that he used for his monochrome glazes. This small, bottle-shaped is enveloped with a lustrous, almost iridescent sang-de-boeuf glaze. Similarly, the pottery’s double gourd and bulbous shapes, all straightforwardly Chinese in inspiration, were covered with oxblood red. While Robertson’s other shapes were variants of standard Chinese forms, there was a subtle progression away from specific Eastern precedents toward simpler, non-historicizing forms. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known.
Exterieur van de arena van Nîmes
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: southern france
Artist: Anonymous
Subjects: grounds, fields and accomodations for sports, games and physical performances (+ out of doors (sports, games, etc.))

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en Zuid-Frankrijk.
Ontwerp voor een meubel of wand
Object type: sketchbook leaf
Date: 1905 – 1910
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: furniture and household effects
Inscriptions: annotation: ‘[...]’

Blad 15 verso uit een schetsboek met 27 bladen.
De St. Pauluskerk van binnen, onder den koepel
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Artist: Anonymous
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Nederlandsch Magazijn ter verspreiding van algemeene en nuttige kundigheden. Amsterdam: Gebroeders Diederichs, 1837.
Alexander de Grote bij het Orakel van Delphi
Object type: album leaf
Date: 1655 – 1665
Materials: paint, ink, paper
Techniques: brush, pen
Artist: leonaert bramer
Artist role: draughtsman, painter, print maker
Artist dates: 1596 – 1674
Subjects: (story of) apollo (phoebus), alexander drags the priestess of delphi to the temple

Alexander de Grote bezoekt het Orakel van Delphi om een voorspelling te krijgen over de uitkomst van zijn oorlog tegen de Perzen. Hij krijgt te horen dat er op die dag geen voorspellingen gedaan mogen worden. In plaats van de Pythia, de hogepriesteres van het orakel, staat Alexander hier met een dreigend handgebaar tegenover een paar oudere mannen. Met op de achtergrond een beeld van Apollo. Rechtsboven genummerd: 13. Tekening maakt deel uit van een album.
Glass perfume bottle
Object type: bottle
Date: 34 – 133
Materials: glass
Culture: roman

Translucent light blue with green tinge. Flaring, uneven rim; cylindrical neck with tooled horizontal indent around base; tubular, conical body, 2/3 of total height, curving in to small, thick, flattened bottom. Intact; many bubbles and blowing striations; pitting, dulling, and iridescence on exterior, patches of soil encrustation and weathering on interior.
Poem Written in a Boat on the Wu River
Object type: handscroll
Date: 1095 – 1095
Materials: ink, paper
Culture: chinese
Artist: mi fu
Artist role: calligrapher
Artist nationality: chinese
Artist dates: 1051 – 1107

Sun Guoting's Manual on Calligraphy (687) states that calligraphy reveals the character and emotions of the writer. Few works demonstrate this principle as clearly as this handscroll by Mi Fu, the leading calligrapher of late Northern Song. Mi wrote Sailing on the Wu River with a suspended arm, working from the elbow rather than the wrist. It was not his aim to form perfect characters; instead, he entrusted his writing to the force of the brush, giving free reign to idiosyncratic movements, collapsing and distorting the characters for the sake of expressiveness. Su Shi (1036–1101) likened Mi's writing to "a sailboat in a gust of wind, or a warhorse charging into battle." Traditionally, calligraphy has been more highly esteemed in China than painting. In the 1950s when John Crawford began collecting it, most American scholars were unaware of its importance and the authenticity of many Crawford pieces was questioned. Today, these works are regarded as national treasures and the Metropolitan is the only leading museum in the West able to present major examples of this quintessential Chinese art form.
Plaque with classical landscape
Object type: plaque
Date: 1755 – 1755
Materials: copper, enamel
Subjects: ruins,landscapes

This decorative plaque is one of a set of four depicting idealized landscapes, two of which incorporate classical elements in the style of Giovanni Paolo Panini. Each of these plaques was probably intended to be set into the lid of a japanned toilet box, made to hold cosmetics or other products that would have been used during the morning ritual of dressing. All four of these boxes would fit into a larger japanned casket, also decorated with an enamel plaque set into its lid. Enameled objects like this one were intended to imitate the lustrous quality of porcelain at more affordable prices. By the middle of the eighteenth century, technological innovations had made it possible to roll copper, instead of the far costlier gold, into very thin sheets. Powdered glass mixed with minerals (to determine the opacity and color of the enamel) would then be applied onto the copper sheets and fired at high temperatures. A design—whether a famous portrait, generic pastoral scene, or floral motif— could be painted on by hand or copied from an engraving through the newly invented process of transfer printing. Many enameled objects combined both methods of decoration and would be refired after the application of each new layer or color.
Conische gipsfragmenten uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: scheepswrakvondst
Date: 1700 – 1743
Materials: gypsum
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Breastplate
Object type: armor
Materials: brass, leather, steel
Location: milan
Fish and shells
Object type: print
Date: 1821 – 1821
Techniques: woodblock print, surimono
Location: japan
Artist: ryuryukyo shinsai
Artist role: draughtsman, print maker
Artist nationality: japanese
Artist dates: 1764 – 1820
Zelfportret van Jan van der Bruggen
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: engraving
Location: paris
Subjects: brussels, print maker, draughtsman, jan van der bruggen, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Zelfportret van de graveur en tekenaar Jan van der Bruggen, op 40-jarige leeftijd.
Hollandse stuiver van Karel V, 1506-1555
Object type: coin
Date: 1521 – 1529
Materials: silver
Techniques: striking
Location: dordrecht
Artist: charles v (holy roman emperor and king of spain)
Artist role: keizer, koning
Artist dates: 1500 – 1558

Zilveren munt. Voorzijde: op een vierpas lang versierd kruis, in hart gekroond wapenschild van het Heilige Roomse Rijk. Keerzijde: tussen twee gekruiste knoestige stokken gekroond wapenschild van Oostenrijk-Bourgondië.
Vier gezichten op Lemmer
Object type: photomechanical print
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: photograph
Location: lemmer
Subjects: industries ~ wood, village, canals, waters (in city)
Inscriptions: number: ‘No. 100.’
Gezicht op Piccadilly Circus, Londen
Object type: album leaf
Date: 1906 – 1933
Materials: paper
Techniques: gelatin silver print
Location: london
Artist: Anonymous
Subjects: square, place, circus, etc.
Inscriptions: inscription: ‘Piccadilly Circus’
Shoes
Object type: shoe
Date: 1735 – 1745
Materials: silk
Culture: british
Interior with Sculptures
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: aquatint, etching
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Gezicht op de Zandhoek en bolwerk Blauwhoofd met molen De Bok
Object type: drawing
Date: 1773 – 1773
Materials: chalk, ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: anthony andriessen
Artist role: draughtsman
Artist dates: 1746 – 1813
Subjects: city-view in general; 'veduta', river, road, path, windmill in landscape
Inscriptions: collector's mark: Lugt 800a, signature and date: ‘A Andriessen del: ad viv: 1773’, inscription: ‘Gezigt van de Zandhoek bijde Haarlemmerpoort’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 24.
Terracotta fragment of a krater (deep bowl)?
Object type: krater fragment
Date: 500 – 301
Materials: terracotta
Culture: etruscan

Part of the handle of a krater?
Journal des Dames et des Modes, Costume Parisien, 15 mars 1799, An 7 (95) : Chapeau à fond plissé (...)
Object type: fashion print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothes, costume (+ children's clothes), head-gear: cap (+ children's clothes), shoes, sandals (+ children's clothes), head-gear (+ children's clothes), skirt (underskirt) (+ women's clothes), clothing for the upper part of the body (spencer) (+ women's clothes), fashion plates, clothes, costume (+ women's clothes), head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), shoes, sandals, stockings, socks (+ women's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Chapeau à fond plissé, orné d'une demi-Guirlande. Spencer Bordé en Velours.’

Vrouw met kind aan de hand. Hoed, van achteren geplooid, versierd met bloemen: 'demi-guirlande'. Spencer afgezet met fluweel. Schoenen met gekruiste linten en puntige neuzen (cothurnes). De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Sellèque, Parijs, 1797-1839.
Posforth Ghyll, Bolton Park
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Location: wharfedale
Artist: Anonymous
Subjects: waterfall
Inscriptions: number: ‘392’, name, number: ‘No. 26’
Portret van Girolamo Cagnoli
Object type: print
Date: 1566 – 1566
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons

Prentserie voor het eerst uitgegeven te Rome door Antonio Lafreri in 1566. Serie waarschijnlijk opnieuw uitgegeven door Petri de' Nobili rond 1584-1585.
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Above the shoulder, a profiled concave ring, in black glaze; at the shoulder, a band of tongues; below, part of the top of the head of a figure to left?
The Prodigal Son
Object type: page
Date: 1860 – 1870
Materials: photographic support
Techniques: carbon print
Artist: Anonymous
Subjects: print, e.g.: engraving, etching, lithograph, the prodigal son tends the swine and eats from their trough
Brief aan Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1908 – 1908
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: anne antoinette weber-van bosse, drawing
Notched Disc
Object type: religious ritual object
Materials: jade
Location: china
Confrerie St. Michael
Object type: marksman medal
Date: 1600 – 1800
Materials: bronze
Techniques: casting
Artist: Anonymous

Bronzen ovale penning aan draagoog en draagring. Voorzijde: aartsengel Michael met kruis op hoofd, schild en gekruiste lans doorsteekt ter aarde liggende draak. Keerzijde: kruis met op horizontale armen letter P, op verticale armen letter F binnen omschrift
Staande vrouw
Object type: drawing
Date: 1881 – 1899
Materials: chalk, paper
Location: netherlands
Artist: jan de waardt
Artist role: draughtsman
Artist dates: 1871 – 1909
Subjects: standing figure - aa - female human figure, netherlands

Studie van een staande jonge vrouw, naar rechts, ten voeten uit, in een lange japon. De rechterhand op de rechterheup, in de linkerhand een stok.
Portret van keizer Maximiliaan I
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: maximilian i (holy roman emperor), crown (symbol of sovereignty), historical persons, emperor, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), armorial bearing, heraldry
Inscriptions: number: ‘No. 546.’

Prent waarschijnlijk uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. 5 dln. Amsterdam: J.F. Schleijer, 1849, dl. 2-3.
Catharina Mulder bygenaamdt Kaat Mossel
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: kaat mossel, rotterdam, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Portret van Kaat Mossel (Catharina Mulder), 1784. Ovale stenen omlijsting met het portret van de vrouw die mossels aan het schoonmaken is.
Portaal van de kathedraal van Chartres
Object type: photograph
Date: 1854 – 1854
Materials: paper
Techniques: albumen print
Location: chartres
Artist: charles nègre
Artist role: fotograaf
Artist dates: 1820 – 1880
Subjects: parts of church exterior and annexes: portal
Inscriptions: number: ‘624’