deem-data/ArtiFact huggingface dataset:
Sketches of Six Classical Figures
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: france
Artist: possibly raymond de lafage
Artist nationality: french
Artist dates: 1656 – 1690
Initial letter R with garlands
Object type: print
Date: 1534 – 1566
Techniques: woodcut
Subjects: garlands
Woman smelling blossom on tree (on green silk), from the Girl Art Subjects series (N193) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1890 – 1890
Materials: silk
Techniques: lithography, printing
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,flowers,trees

Trade cards from the "Girl Art Subjects" series (N193), issued ca. 1890 by Wm. S. Kimball & Co. to promote Satin Straight Cut Cigarettes. Each image is printed on colored silk.
Thienhoven by Ameyde
Object type: print
Date: 1662 – 1683
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan van almeloveen
Artist role: draughtsman, print maker
Artist dates: 1652 – 1683
Subjects: village

Gezicht op Tienhoven vanuit het water. Prent uit een serie van twaalf dorpsgezichten van Nederlandse plaatsen in de buurt van Utrecht met boten op de voorgrond.
Platter
Object type: platter
Date: 1750 – 1770
Materials: stoneware
Culture: british
Location: england
Panel
Object type: textile
Materials: textile, silk
Techniques: backing, bookbinding, brocade, interlacings, weave, satin weave
Location: united states
Artist: f. schumacher & co.
Artist dates: 1889 – 
Subjects: foliage, grapes, flowers, funerary art
Sol
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: apollo as sun-god, i.e. sol (helius), titan, sun as celestial body, leo (zodiacal sign of july)
Inscriptions: number: ‘55’, collector's mark: Lugt 2228

Maakt deel uit van een serie van zeven prenten met personificaties van de planeten met tekens van de dierenriem in een rolwerk omlijsting.
In 's menschen hart zijn veel gedachten / Elk leer' zich voor verkeerdheid wagten
Object type: popular print
Date: 1814 – 1830
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 2760

Blad met 20 verbeeldingen van uitdrukkingen met het woord hart. Onder elke afbeelding een tweeregelig vers.
Comb
Object type: comb
Materials: ivory, paint
Techniques: gilding
Culture: french or italian
Subjects: birds
Ridders bij een stoeterij
Object type: print
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, stud farm, knight

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Het Zilveren tijdperk
Object type: print
Date: 1602 – 1607
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: the silver age, 'aetas argentea'; men plough the soil and build huts
Inscriptions: collector's mark: Lugt 2228

Het Zilveren tijdperk: de mens moet rekening houden met de seizoenen. Boeren ploegen en zaaien. Op de achtergrond een primitief onderkomen dat bescherming biedt tegen kou. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.
Doornenkroning
Object type: print
Date: 1615 – 1650
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: in pilate's palace christ is mocked by soldiers (luke 22:63-65), the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)
Inscriptions: collector's mark: Lugt 240

Christus zit te midden van enkele soldaten in het huis van Pilatus. Zijn onderlichaam wordt bedekt door een gewaad en zijn handen zijn vastgebonden. De man voor hem overhandigt hem een rietstengel als scepter en een soldaat achter hem kroont hem met een doornenkroon. In de marge een éénregelig onderschrift in het Latijn uit Mat. 27.
Vrolijke drinker
Object type: print
Date: 1887 – 1914
Materials: paper
Techniques: aquatint, etching
Artist: frans everbag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1947
Subjects: laughing, warfare; military affairs (+ citizen soldiery, civil guard, citizen militia), head-gear: hat, glass, rummer, drinking
Inscriptions: collector's mark: Lugt 2233

Een lachende man met baard en hoed, met een berkenmeier in de linkerhand en opgeheven rechterhand. Om de hals een medaillon aan een ketting.
Verzoening tussen Odysseus en de Ithacaanse rebellen
Object type: print
Date: 1632 – 1633
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: theodoor van thulden
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: minerva intervenes; reconciliation of ulysses and the ithacan rebels
Inscriptions: collector's mark: Lugt 2228

Onder toeziend oog van Minerva verzoenen Odysseus en de vijandige Ithacanen zich met elkaar. Zij vallen elkaar in de armen.
Officia M.T.C. Von den tugentsamen ämptern
Object type: book
Date: 1531 – 1531
Techniques: woodcut
Location: germany
Artist: marcus tullius cicero
Artist role: author
Artist nationality: roman
Artist dates: 106 – 40
Subjects: men,dogs,working,writing
Portret van Lodewijk Anton van Bourbon, hertog van Angoulême
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)

Met om zijn nek een ketting van de Orde van het Gulden Vlies.
Portret van professor Jan Konijnenburg
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: jan konijnenburg
Inscriptions: collector's mark: Lugt 2228
Pitcher
Object type: pitcher
Date: 1893 – 1909
Materials: earthenware
Culture: american
Location: united states
Artist: george e. ohr
Artist role: maker
Artist nationality: american
Artist dates: 1857 – 1918
Penningkabinet met twee deuren waarachter tien laden, een lade en klep
Object type: coin cabinet
Date: 1690 – 1710
Materials: brass, wood
Techniques: veneering
Artist: Anonymous

Penningkabinet op vier gedraaide poten, met twee deuren waarachter tien laden met messing knoppen. De deuren hebben gegraveerde scharnieren. Onder de deuren zit een lade; het kabinet heeft een klep aan de bovenkant. Handgrepen aan de zijkanten van het meubel. Deuren en lade voorzien van een slot.(
Sheet with overall floral pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Traktaat van de Vrede van Munster (tweede blad), 1648
Object type: text sheet
Date: 1648 – 1648
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: rombout van den hoeye
Artist role: draughtsman, print maker, publisher
Artist dates: 1622 – 1670
Subjects: vrede van münster
Inscriptions: date

Het traktaat van de Vrede van Munster in 1648; het tweede blad met de artikelen 6-24. Tekst in één kolom in het Nederlands.
Immortals and Sages
Object type: handscroll
Date: 1368 – 1644
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Glass striped mosaic fragment
Object type: fragment, striped mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent turquoise blue and opaque yellow appearing green, opaque white, yellow, and colorless. Convex curving side. Mosaic pattern formed from parallel bands of layered canes in colorless glass with yellow spiral thread, white, green, colorless glass with white spiral thread, and yellow. A few pinprick bubbles; exterior polished, with slight pitting of surface bubbles; dulling and creamy weathering on interior and edges.
Actress wearing military-inspired cap, from Stars of the Stage, First Series (N129) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Stars of the Stage, First Series" (N129), issued in an unnumbered set of 25 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Card 913, Lotta, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van Johann Daniel Arcularius
Object type: print
Date: 1690 – 1799
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: joseph de montalegre
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Joined lappets
Object type: lappet
Date: 1751 – 1775
Materials: linen
Techniques: lace
Subjects: flowers

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of
"Purple Amaranth and Watermelon", Folio from a Dispersed Nuzhatnama-i ‘Ala’i of Shahmardan ibn Abi’l Khayr
Object type: folio from an illustrated manuscript
Date: 1401 – 1433
Materials: gold, ink, paper, watercolor
Location: iran
Artist: shamardan ibn abi 'l khayr
Artist role: author
Artist nationality: iranian
Artist dates: 1075 – 1125
Subjects: fruit,flowers

The encyclopaedic text from which this page comes was written between 1095 and 1119 and consists of two parts, one devoted to the three kingdoms of nature, including humans, animals, agriculture and minerals and the other to various sciences and pseudosciences. Nineteen folios with thirty-three images are extant and widely dispersed in museums in Europe and North America. The illustrations of animals are characterized by the absence of marginal rulings and a horizon line. The paintings of plants, on the other hand, mostly include a ground line out of which the plants grow. On this verso of this folio the painting of the purple amaranths in full bloom appears at the end of the sixth part of the fifth chapter while the seventh part begins with the watermelon. The recto contains images of hesperis tristis, iris, and anemone. Although the manuscript can be dated to the late sixteenth or early seventeenth century, the absence of the calligraphic line defining contours characteristic of Isfahan works on the one hand and the dearth of closely comparable images from other schools on the other make the assignment of the manuscript to a specific place of production untenable.
Portretten uit het Ipswich Museum
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: london
Subjects: london, publisher, lovell augustus reeve, adult man, historical persons, book
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Ipswich Museum’

Prent behoort tot de serie 'Ipswich Museum Portraits', ook bekend onder de titel 'Portraits of Honorary Members of the Ipswich Museum'. Deze serie is in 1852 door George Ransome uitgegeven en gedrukt door M&N Hanhart tussen 1848 en 1852. De serie bestaat uit ca. 60 portretten.
Charles V spearing a bull in the ring at Valladolid, plate ten from The Art of Bullfighting
Object type: print
Materials: paper
Techniques: aquatint, engraving, burnishing, drypoint, etching, printing
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Fotoreproductie van een ontwerptekening voor een nog te realiseren hotel in Altadena
Object type: photomechanical print
Date: 1879 – 1889
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: hotel, hostelry, inn
Brief aan Andries Bonger
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: michel ange bernard, amsterdam, andries bonger, art trade, art shop, drawing, applied arts, arts and crafts; industrial design, family life, exhibition ~ art, money, netherlands, italy, brussels, paris, naples, rome
Livre de Moresques, page 7 (recto)
Object type: book print ornament architecture
Date: 1546 – 1546
Techniques: woodcut
Location: france
Artist: francesco di pellegrino
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1552
Subjects: ornament

This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrino’s designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Germany (Nuremberg) by 1546.
Mannelijk naakt
Object type: drawing
Date: 1853 – 1853
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: standing figure
Inscriptions: collector's mark: Lugt 2228

Academische studie van mannelijk naakt (fragment).
Blade
Object type: knife
Date: 2200 – 1600
Materials: jade
Culture: chinese
Man leert vrouw fietsen, vermoedelijk in Frankrijk
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: riding, cycling (recreation), bicycle, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Vioolspeler in de herberg
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching, roulette
Artist: cornelis dusart
Artist role: draughtsman, painter, print maker
Artist dates: 1660 – 1704
Subjects: one person playing string instrument (bowed), inn, coffee-house, public house, etc., pipe ~ tobacco, drinking
Inscriptions: collector's mark: Lugt 240

Een vioolspeler vermaakt een gezelschap van rokende en drinkende mannen en een vrouw met twee kinderen in een herberg. Onder de voorstelling staat een Latijns opschrift: Rusticus ex animo non pullus Hypocrita gaudet
Deez' prent vertoont aan klein en groot, / Van dwazen Robinson den nood / Zwaar heeft zijnen gril geboet, / Maar 't einde goed, kroont alles goed
Object type: print
Date: 1832 – 1850
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: (scenes from) specific works of literature: defoe, robinson crusoe
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met 16 voorstellingen uit het verhaal van Robinson Crusoe die strandt op een eiland. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 27.
Plate 10: four street vendors from Madrid selling broccoli, cauliflower, artichokes, and asparagus, from 'Los Gritos de Madrid' (The Cries of Madrid)
Object type: print
Date: 1809 – 1817
Techniques: engraving, hand coloring
Artist: miguel gamborino
Artist role: artist
Artist nationality: spanish
Artist dates: 1760 – 1828
Portret van Mattheus Ignatius van Bree
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: antwerp, print maker, draughtsman, mattheus ignatius van bree, adult man, historical persons, book, palette
Inscriptions: : ‘dépose’, collector's mark: Lugt 2228
Plattegrond van Fort Rammekens
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: fortress, maps, atlases
Inscriptions: collector's mark: Lugt 195

Deze staat van prent zonder tekst op verso (net als dit exemplaar) ook gebruikt in: Theatrum ichnographicum omnium urbium et praecipuorum oppidorum Belgicarum XVII Provinciarum (…). Amsterdam: Frederik de Wit, ca. 1698-1704.
God vervloekt Kaïn
Object type: print
Materials: paper
Techniques: engraving
Location: france
Subjects: adam and eve discover the dead body of abel and grieve over it, the lord calls on cain to account for his deed
Inscriptions: collector's mark: Lugt 240

God verschijnt aan Kaïn en vervloekt hem omdat hij zijn broer heeft vermoord. Op de achtergrond links vinden Adam en Eva het lijk van Abel.
Design for Fringed Curtains Hanging at Two Windows
Object type: drawing
Date: 1801 – 1833
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: windows,curtains
Temple Guardian
Object type: sculpture
Date: 1300 – 1400
Materials: wood
Techniques: polychromy
Location: japan
Artist: Anonymous
Subjects: temple watch ~ non-christian religions

De tempelwachters (AK-RAK-2007-1-A/B) stonden bij de ingang van de tempel Iwayaji in de West-Japanse prefectuur Shimane.
Portret van Heinrich Pfenninger
Object type: print
Date: 1769 – 1806
Materials: paper
Techniques: engraving, etching
Artist: johann rudolph schellenberg
Artist role: print maker
Artist dates: 1740 – 1806
Subjects: print maker, heinrich pfenninger, adult man, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2233
Fragment
Object type: fragment
Date: 1567 – 1600
Techniques: embroidery
Dorpsgezichten te Griethausen
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching
Subjects: village, church (exterior)
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen van één plaat. Gezichten op de markt (boven) en een huis (onder) in het Duitse dorp Griethausen. De prent maakt deel uit van een 100-delige serie met gezichten op dorpen en steden te Kleef.
Rechtvaardigheid (Justitia)
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues
Inscriptions: collector's mark: Lugt 2228

Personificatie van de rechtvaardigheid, met weegschaal en zwaard, staand in nis.
Kat en kip met het zwanenjong
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: cat, fowl (cock, hen, chicken, etc.), water-birds: duck
Inscriptions: date

Deze prent maakt deel uit van een album.
Gezicht op de Amsterdamse Poort in Haarlem
Object type: print
Date: 1900 – 1999
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: city-gate
Two Designs for Panels with Candelabra Decorations, from "Montants d'ornement"
Object type: print
Date: 1640 – 1682
Techniques: etching
Artist: jean le pautre
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1682
Subjects: putti,satyrs,lions,candelabra
Omhakken van de vrijheidsboom te Alkmaar, 1799
Object type: print
Date: 1800 – 1805
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: dancing around the tree of liberty
Inscriptions: collector's mark: Lugt 2228

Het omver hakken (door de Engelsen) van de Vrijheidsboom in Alkmaar, 3 oktober 1799. Gezicht in een straat met in de verte de Grote Kerk.
Ex libris van het laboratorium voor artsenijbereidkunde, Universiteit van Amsterdam
Object type: bookplate
Date: 1925 – 1960
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: pharmacy, pharmaceutics
Uit het verleden
Object type: print
Date: 1864 – 1866
Materials: paper
Techniques: lithograph
Location: arnhem
Artist: alexander ver huell
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: father time, man with wings and scythe
Inscriptions: : ‘Gedeponeerd.’, collector's mark: Lugt 2228

Vader Tijd pakt vluchtende mensen op en stopt ze in de mand op zijn rug. Links jaagt de Dood met een zeis op de mensen.
Spirit measure
Object type: spirit measure
Date: 1701 – 1800
Materials: pewter
The Dead Girl
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: aquatint, etching
Location: france
Artist: jean louis forain
Artist nationality: french
Artist dates: 1852 – 1931
Panel
Object type: panel
Date: 701 – 900
Materials: wood
Techniques: carving
Location: iraq
Subjects: leaves

This carved wooden panel came to the museum through an unusual source, the British art and antiquity dealer Sydney Burney (1878–1951), known mostly for his trade in African and modern art and for having served as the President of the British Antique Dealers’ Association. His only ventures into the market for Islamic art are limited to an assemblage of carved wood which he sold to the Met, the British Museum, and the Louvre. It is yet unknown how the London-based dealer obtained these artifacts, of which the large part are said to have been found in Tikrit in Iraq. From this group, the fragments 33.41.8, 33.41.9, 33.41.10, 33.41.11, 33.41.12 display the same patterns and style of this panel; they may have originally belonged to one object. Their decoration, displaying a continuous scroll of trilobed leaves, is evocative of Late Antique and early Islamic visual languages.
John Scott Russell
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: engineer, historical persons (portraits and scenes from the life) (+ (full) bust portrait), shipbuilding industry
Plate (part of a service)
Object type: plate
Date: 1777 – 1777
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers