deem-data/ArtiFact huggingface dataset:
Portret van Maria Henrietta Stuart
Object type: photomechanical print
Date: 1850 – 1949
Materials: paper
Techniques: photograph
Location: netherlands
Artist: Anonymous
Subjects: london, mary henrietta stuart

Portret van Maria Henrietta. In een kader een regel Nederlandse tekst.
Scherf van roodbakkend aardewerk,aan de bovenzijde voorzien van een beschildering van strepen in blauw en oranje, en een struik in groen
Object type: sherd
Date: 1500 – 1899
Materials: earthenware, glaze
Standing Beauty in Blue Kimono
Object type: painting
Date: 1711 – 1716
Materials: ink, paper
Location: japan
Artist: kaigetsudo doshu
Artist nationality: japanese
Artist dates: 1711 – 1716
Bord van faience
Object type: plate dish
Date: 1750 – 1775
Materials: faience
Location: delft
Artist: Anonymous

Bord van faience. Blauw beschilderd met een Hollands landschap met water.
Gaming Piece Possibly
Object type: gaming piece
Date: 801 – 1000
Materials: bone
Techniques: carving, incising
Location: iran
Subjects: games
Twee voorstellingen van Cassandra
Object type: book illustration
Date: 1887 – 1888
Materials: paper
Techniques: letterpress printing, lithograph
Location: london
Artist: walter crane
Artist role: draughtsman, print maker
Artist dates: 1845 – 1915
Subjects: (story of) cassandra, birds
Inscriptions: collector's mark: Lugt 2228

Prent uit: Warr, George C. Echoes of Hellas: the tale of Troy & the story of Orestes from Homer & Aeschylus. Londen: Marcus Ward & Company, [1887/1888].
Vita Deiparæ Virginis Mariæ
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the dormition: mary on her deathbed; the apostles are gathered around her (john the evangelist may be shown sleeping or dreaming) (+ holy trinity)
Inscriptions: collector's mark: Lugt 2228

Maria ligt op bed. Rond haar bed bidden de apostelen. Boven in de hemel de Drieëenheid. In de marge een zesregelig onderschrift, in twee kolommen, in het Latijn.
Plattegrond van Antibes, ca. 1702
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om de Franse stad Antibes. Plaat nr. 253 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
Victoria leidt een gelauwerde man weg van een vriend
Object type: drawing
Date: 1549 – 1553
Materials: ink, paper
Techniques: pen
Artist: girolamo da carpi
Artist role: draughtsman, painter
Artist dates: 1501 – 1556
Vier studies van boomstammen, takken en gebladerte
Object type: print
Date: 1843 – 1846
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: trees (+ leaf), trees (+ branch, stick), trees (+ stem, trunk)
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 3977

Tweede serie, eerste cahier, zevende blad.
Chiyoda Castle (Album of Women)
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: women
Portret van Joséphine de Beauharnais
Object type: print
Date: 1816 – 1886
Materials: paper
Techniques: lithograph
Subjects: joséphine de beauharnais, historical persons - bb - woman, emperor - bb - female ruler
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Portret van kardinaal Vincenzo Maculani
Object type: print
Date: 1641 – 1691
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: rome, cardinal, historical persons, armorial bearing, heraldry

Met rechtsboven zijn wapenschild en linksboven het wapen van paus Urbanus VIII.
Rue des Halles, Vannes, Brittany
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: printmaking, etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Portret van Georg Andreas Will
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: mezzotint
Location: augsburg
Subjects: higher education, e.g.: teacher's college, historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Saint Theresa
Object type: print
Date: 1890 – 1910
Techniques: lithograph
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: monuments,women,saints
Wagenmenner leidt een tweespan dat een zwaar beladen kar trekt
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: léon brunin
Artist role: print maker
Artist dates: 1861 – 1949
Subjects: (farm) wagon, freight wagon, cart, whip
Inscriptions: annotation: ‘3me Etat’
Vijf foto's, waarvan één prentbriefkaart, van Gudvangen en het Nærøyfjord
Object type: album leaf
Materials: paper
Techniques: gelatin silver print
Location: norway
Subjects: fjord, sea loch
Inscriptions: inscription: ‘Gudvangen’, inscription: ‘Gudvangen’, inscription: ‘Naerofjord’, inscription: ‘Naerofjord’

Deze foto's maken deel uit van een album.
Figuurstudie van een vrouw in klassiek gewaad, leunend op een voorwerp
Object type: drawing
Date: 1778 – 1778
Materials: chalk, paper
Techniques: stumping
Artist: hendrik hoogers
Artist role: draughtsman, mayor, print maker
Artist dates: 1747 – 1814
Inscriptions: date: ‘78’

Figuurstudie van een vrouw in klassiek gewaad, staand en leunend op een voorwerp links, met gebogen hoofd treurend.
Budova pro inzenýrstvi, hutnictvi a zdravotnictvi
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: výstaviště
Subjects: façade (of house or building), temporary exhibition, 'salon'
Dog pendant
Object type: pendant
Date: 3300 – 2900
Materials: gold
Location: iran or mesopotamia
Subjects: dogs
Gezicht op Freudenstadt vanaf de Finkenberg
Object type: album leaf
Date: 1900 – 1940
Materials: cardboard, paper
Techniques: rotogravure
Location: freudenstadt
Artist: Anonymous
Subjects: dale, valley

Onderdeel van Album met foto's van spoorwegen in Nederlands-Indië en prentbriefkaarten.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Three reserved fragments from the handle patches of kylikes, one has a hole from an ancient repair
Het Oud Adelyk huys en Ridderhofstad Ter Meer
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: french or architectonic garden; formal garden, country-house
Inscriptions: collector's mark: Lugt 2228

Gezicht door een haag op de grote grot in de Franse tuin van Huis ter Meer te Maarssen. In de tuin staan converserende groepen figuren, over het tuinpad rijden koetsen. De prent maakt deel uit van een serie met 26 gezichten op Huis ter Meer en het bijbehorende landgoed te Maarssen.
Alexander VII (Pope, 1655–67)
Object type: medal
Date: 1661 – 1661
Materials: bronze
Artist: gasparo morone
Artist role: artist
Artist nationality: italian
Artist dates: 1569 – 1669
Subjects: men,profiles,popes
Gasthuis te Rotterdam
Object type: toegangspenning
Date: 1600 – 1800
Materials: lead
Techniques: striking
Location: rotterdam
Artist: Anonymous
Subjects: rotterdam

Eenzijdige loden penning. Voorzijde: twee stempels: wapenschild boven letters C.I.V.D; tussen letters G en H. Keerzijde: blanco
Commode and two cupboards
Object type: case furniture
Date: 1770 – 1790
Materials: copper, wood
Techniques: gilding
Location: netherlands
Artist: Anonymous

These three pieces of furniture were made in the French style, which was emulated in all large Dutch cities in the third quarter of the 17th century. This is evident from their form, the marquetry ornamentation, the gilded mounts and the marble tops. The marquetry vases are taken from French prints and the mounts were probably cast from French examples. This ensemble is exceptionally elaborate by Dutch standards.
Face Mask Ornament
Object type: ornament
Date: 501 – 700
Materials: metal
Culture: moche
Location: peru
Subjects: masks,faces
Oliver Cromwell dissolving the long Parliament
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: london, oliver cromwell, presentation of sword ~ installation of a ruler, historical persons, government, the state; 'politica', 'auttorità o potestà' (ripa), revolution, revolt
Inscriptions: collector's mark: Lugt 12
Gold funerary wreath
Object type: wreath, funerary
Date: 1 – 200
Materials: gold
Culture: roman
Subjects: wreaths

The wreath comprises oak leaves and acorns. Egyptian mummy portraits of the Roman period often show the deceased wearing such wreaths. This is true for both men and women, but the latter also wear elaborate jewelry—earrings, necklaces, and hairpins—similar to some of the examples displayed here.
Fotoreproductie van ontwerp voor een wandindeling met twee deuren en een haard met een spiegel naar Alexandre Eugène Prignot
Object type: photograph
Date: 1873 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: liège
Subjects: mirror, open hearth, fire-place, door, wall-covering
Inscriptions: inscription: ‘Déposé’, inscription: ‘Eug. Prignot. inv.’, stamp: ‘TEEKENSCHOOL/ VOOR/ KUNSTNIJVERHEID/ HAARLEM’, stamp: ‘AFGESCHREVEN/ [...]’, number: ‘11’

Deze foto maakt deel uit van een omslag met 61 foto's op 61 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, drapery, youth with himation draped over left shoulder holding a stick with his right hand
Terracotta fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 525 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of eye with red pupil and oculus consisting of black, red, and black bands
Antiquae urbis Romae imago accuratiss (...)
Object type: album leaf
Date: 1588 – 1588
Materials: paper
Techniques: colour, engraving
Location: italy
Subjects: bird's eye view ~ architectural design or model, maps of cities, rome
Inscriptions: number: ‘79’

Prent origineel vervaardigd als boekillustratie voor: Georg Braun en Frans Hogenberg. Civitates Orbis Terrarum, 6 delen. Keulen: 1572-1617. De prent werd voor het eerst gepubliceerd in deel 4: Liber quartus urbium praecipuarum totius mundi, 1588.
The dining room, Knole
Object type: photomechanical print
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Location: knole house
Subjects: interior of the house, dining-room
Tray with magic fungus (lingzhi)
Object type: tray
Date: 1767 – 1833
Materials: jade
Culture: chinese
Stockings
Object type: stocking
Date: 1880 – 1889
Materials: silk
Culture: french
Iconographie
Object type: print
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: ghent, antonius triest, archbishop, bishop, etc. (roman catholic)
Inscriptions: collector's mark: Lugt 240

Portret van Antonius Triest, bisschop van Gent, met latijns onderschrift PERILL VS ET RE. MUS ... CONSILIO STATVS ETC.
Otto von Wittelsbach Liberates the Army from a Mountain Pass near Verona
Object type: drawing
Date: 1604 – 1604
Materials: chalk, ink
Techniques: pen, wash
Artist: peter candid (pieter de witte, pietro candido)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1548 – 1628
Subjects: army,weapons,men
November 'slagters beste tyd, / Mits goed gemest en vet geweid
Object type: print
Date: 1781 – 1828
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: slaughtered ox or pig, butcher, slaughterman

Blad met 12 voorstellingen van het fokken, slachten en bereiden van koeien en varkens. Onder elke afbeelding een tweeregelig vers. Genummerd linksboven: No. 16.
Ontwerp voor een tombe van een grafkapel
Object type: design
Date: 1590 – 1640
Materials: ink, paper, pencil
Techniques: pen
Artist: cigoli
Artist role: draughtsman
Artist dates: 1559 – 1613

Ontwerp voor een tombe van een grafkapel met de priant in een vluchtige schets.
Plate 78 (2 Drawings) from The Plan of Chicago, 1909: Suggested Location and Arrangement of the Railway Passenger Stations West of the River. Subway Scheme: 1. Plan of Street Level. 2. Plan Below Street Level
Object type: architectural drawing
Date: 1909 – 1909
Materials: ink, paper
Location: chicago
Artist: daniel hudson burnham
Artist nationality: american
Artist dates: 1846 – 1912
Subjects: chicago, architecture
Terracotta fragments of open shapes
Object type: undetermined open shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Three black glazed fragments from the bottoms of open shapes; the underside of each fragment has black glaze on the outer edge, and a reserved circle in the center, which is intersected with a thin band of black glaze
Studie
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911

Blad 36 verso uit een schetsboek met 42 bladen.
Gezicht op de Koppelpoort te Amersfoort
Object type: drawing
Date: 1828 – 1897
Materials: paper, pencil
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: koppelpoort

Gezicht op de Koppelpoort te Amersfoort, met enkele kleurnotities.
Scarab Incised with Hieroglyphs and Scrolls
Object type: scarab, nefer, scroll
Date: 1760 – 1670
Materials: stone
Location: egypt
Subjects: scarabs

The majority of design scarabs of the late Middle Kingdom (late Dynasty 12–Dynasty 13, ca. 1850–1640 B.C.) are incised with symmetric compositions of protective hieroglyphs and/or scrolls. This scarab shows the sign for good and beautiful (nefer) and a decorative pattern of scrolls, making the scarab’s underside highly decorative.
Portret van een vrouw met halsketting
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: frankfurt am main
Artist: herrmann maas
Artist role: fotograaf
Subjects: historical persons - bb - woman, necklace
Inscriptions: inscription: ‘Photograph:/ ATELIER/ HERRMANN MAAS/ (F.W. MAAS, SOHN)/ 18. Brönner Str. 18./ FRANKFURT a/M./ Für Nachbestellungen bleibt die Platte/ aufbewahrt.’
Design for Omnibus or Wagonette, no. 3636
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Raccolta di dissegni originali di Mauro Tesi
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1787 – 1787
Materials: cardboard, paper
Techniques: aquatint, etching, letterpress printing, marbling
Location: bologna
Inscriptions: date

Band met negen bladen met tekst in boekdruk en etsen in aquatint gedrukt in verschillende kleuren naar getekende architectuurontwerpen en fantasiearchitectuur van Mauro Tesi uit verschillende Italiaanse collecties. Het album is incompleet en bevat 28 van de 42 platen.
Hindoostan in Asia, from "Court Game of Geography"
Object type: print
Date: 1838 – 1855
Techniques: engraving, hand coloring
Artist: william and henry rock
Artist role: publisher
Artist nationality: british
Artist dates: 1821 – 1884
Subjects: playing cards,maps
Interieur der Parochiekerk St. Aloysius, Utrecht
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: utrecht
Artist: Anonymous
Subjects: interior of church
Goethe von Trippel, Buste. Original in Weimar
Object type: cabinet photograph
Date: 1884 – 1884
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: germany
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: draughtsman, johann wolfgang von goethe, piece of sculpture, reproduction of a piece of sculpture, travelling; tourism, germany
Inscriptions: number: ‘178’

Onderdeel van Album met 38 foto's van een reis door de Harz.
Kardâcy, Sanctuaire, Niches et Inscriptions Taillées dans les Carrières
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: architecture,ruins
The Urchin
Object type: print
Date: 1861 – 1862
Materials: ink, paper
Techniques: etching
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: boys,dogs
Heerser op een toren waar van twee kanten aan getrokken wordt
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: ruler, sovereign, revolutionary action (violent)

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Gezicht op de Needle Rocks in de Tuin der Goden te Colorado
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: new york city
Artist: Anonymous
Subjects: landscapes, ravine, chasm, abyss, canyon
Brief aan Héloïse Bernard-Bodin
Object type: letter
Date: 1878 – 1941
Materials: ink
Techniques: pen, writing
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: héloïse bernard-bodin

Brief gedateerd 1893 [3 doorgehaald] en 1894 Fevrier in latere hand.
Rijtuigen op straat
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, street

Pagina 23 uit schetsboek XLVI met 32 pagina's.
Afbeelding van het Rapenburg te Leijden. Van de Groene-brug naar de Koepoorts Gracht
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 195

Gezicht op het het Steenschuur, een gracht in het verlengde van het Rapenburg, te Leiden, in welstand vóór de buskruitramp van 12 januari 1807. Dit stuk is eigenlijk het Steenschuur, kijkend vanaf de Groenebrug naar de Nieuwsteegbrug in de verte. Aan de rechteroever ligt het kruitschip afgemeerd.
Portret van Johann Georg Sulzer
Object type: book illustration
Date: 1854 – 1854
Materials: paper
Techniques: letterpress printing, engraving
Location: germany
Subjects: berlin, scholar, philosopher, historical persons

Prent uit: Bechstein, Ludwig. Zweihundert deutsche Männer in Bildnissen und Lebensbeschreibungen. Leipzig: Georg Wigand, 1854.
Interieur van een stal
Object type: drawing
Date: 1660 – 1661
Materials: ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Sketch of Forest Scenery (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: forests
Engraved Lamp Stand with Cartouches and Medallions
Object type: candlestick
Date: 1501 – 1600
Materials: brass
Techniques: casting, engraving, inlay
Location: iran

This distinctive tall, cylindrical shape is characteristic of a group of Safavid lamp stands which share a similar silhouette and ornamentation. Many are covered with lyrical and mystical verses by celebrated poets of the period, reflecting the important relationship between Persian poetry and the visual arts. Linked cartouches contain arabesques, animal motifs and calligraphic blessings, as well as lines in nasta’liq which read: "To holy men thy face is light and seeing thy face is my light. Like men of heart I see my light only when near thee. Thou art the aim of the world; without thee it is nothing. I see all the world as a small thing of thee. ...candle; if you don't burn. I am a beggar; one day near thee..."
Takashima, from the series "A Collection of Flower-like Faces of Beauties (Bijin kagan shu)"
Object type: print
Date: 1767 – 1833
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: chobunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Pons of spons: op papier geponste voorstelling van een herder ten behoeve van tegelfabricage
Object type: punchwork
Date: 1700 – 1800
Materials: paper
Location: netherlands
Artist: Anonymous

Pons of spons: op papier geponste voorstelling van een herder ten behoeve van tegelfabricage.
North Hinksey Church from the road
Object type: page
Date: 1907 – 1912
Materials: paper
Techniques: autotype
Location: north hinksey
Artist: henry w. taunt
Artist role: fotograaf
Artist dates: 1842 – 1922
Subjects: church (exterior)
Portret van een man
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Photographie des Souvenirs./ 151, BOULEVARD MONTPARNASSE/ PARIS./ Reproduction et Agrandissement’