deem-data/ArtiFact huggingface dataset:
Left Arm Defense (Vambrace) with Elbow Reinforce
Object type: left arm defense vambrace with elbow reinforce
Date: 1450 – 1460
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Portret van Titiaan
Object type: print
Date: 1820 – 1899
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: venice, draughtsman, titiaan, historical persons, portrait, self-portrait of artist
La calle de Toledo
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: madrid
Artist: juan laurent
Artist role: publisher
Artist dates: 1816 – 1896
Subjects: tramway, tram, street
Inscriptions: number: ‘0-8’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, bent leg and drapery of male
Terugkeer van de wijnoogst
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: etching
Location: rome
Artist: joseph-marie vien (i)
Artist role: painter, print maker
Artist dates: 1716 – 1809
Subjects: maenad(s), female bacchant(es), male bacchant(es), satyr(s) (in general), grape
Inscriptions: collector's mark: Lugt 240

Bacchantische scène in friesvorm met bacchanten en saters. Midden achter wordt een kar met de oogst voortgetrokken door koeien. Links balanceert een sater op zijn handen op een plank, vastgebonden aan touwen waaraan drie jonge vrouwen trekken.
Portret van Johan Maurits, graaf van Nassau-Siegen
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: earl, johan maurits graaf van nassau-siegen
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Candelabrum
Object type: candelabrum
Date: 1846 – 1846
Materials: gilt brass, glass
Artist: augustus welby northmore pugin
Artist role: designer
Artist nationality: british
Artist dates: 1812 – 1852

This monumental candelabrum exemplifies the designs of Augustus Welby Northmore Pugun (1812–1852), who was the leading exponent of the Gothic Revival style in England. Pugin’s work is central to the transformation in British design that began in the mid-nineteenth century. He admired what he saw as the honesty and purity of medieval art, and deplored the meaningless repetition of historical motifs. Pugin coined the phrase "Brumagen Gothic," referring to "those inexhaustible mines of bad taste, Birmingham." He designed fittings of all kinds including furniture, textiles and stained glass for church interiors, private homes and government buildings (most famously the House of Lords.) This candelabrum is related to the model he produced for the Palace of Westminster.
Triumphal Arch, Moscow, Russia
Object type: stereograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: moscow
Artist: Anonymous
Subjects: triumphal arch
Inscriptions: name: ‘H. C. WHITE CO., PUBLISHERS,<BR />J J. Killelea & Co., London & Paris, Sole Foreign Selling Agents.’, inscription: ‘The "Perfec" Stereograph. (Trade Mark.) Patented April 14, 1903. Other Patents Pending.’, number: ‘4775’
Card Number 97, Kate Castleton, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Design for Road Wagon with Folding Top ("4 seat Wagon"), no. 401
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
La Bataille de Gran ou de Vifalu
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: vienna, historical persons, battle

Prent maakt deel uit van een serie van 37 prenten met veldslagen waar Karel V Leopold, hertog van Lotharingen, aan deelgenomen heeft.
Funke's prenten
Object type: print
Date: 1875 – 1903
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: flowers
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van verschillende bloemen, onder andere rozen en clematissen. Onder elke voorstelling een onderschrift. Genummerd rechtsboven: No. 15.
Four Heads of Women
Object type: print
Date: 1876 – 1877
Materials: ink, paper
Techniques: lithograph
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Pendant with rose bud
Object type: pendant with rose bud
Date: 7000 – 330
Materials: gold
Banquet of the Piacevoli
Object type: print
Date: 1627 – 1627
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: party,crowd
Programma bij de inauguratie van de spoorweg tussen Quievrain en Roisin
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching
Artist: charles théodore bernier
Artist role: print maker
Artist dates: 1871 – 1950
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, railway, train, belgium
Inscriptions: collector's mark: Lugt 2228
Ganzenbord, ca. 1830
Object type: game of goose
Date: 1820 – 1850
Materials: paper
Techniques: etching, hand coloring
Location: nuremberg
Artist: Anonymous
Subjects: board-games of chance
Inscriptions: collector's mark: Lugt 2228

Duits ganzenbordspel. In het midden en in de vier hoeken plaatjes van elegante mannen en vrouwen. Onderaan de spelregels. Onderdeel van een groep van kinder- en gezelschapsspelen gedrukt in de periode ca. 1750-1850.
Don Clarazel omhelst Gandales, die hij tot zijn schildknaap kiest
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: shield-bearer, squire, embracing each other, kissing, knight
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Verdier, Gilbert Saulnier du (vert. Heinsius, Nicolaas junior). Don Clarazel de Gontarnos, ofte den buiten-spoorigen dolenden ridder, 2 delen. Amsterdam: Johannes Broersz en Nathanael Holbeex, 1697, dl. 1.
Holy Family with Saint Elizabeth and the Infant John the Baptist
Object type: drawing and watercolor
Date: 1600 – 1800
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: after raffaello sanzio, called raphael
Inscriptions: Inscribed recto lower left, on mount in graphite: "Fra Bartolommeo"; lower center, on album sheet in pen and black ink (in "Gurley" hand): "Bartolommeo di Pagnoli del Fattorino-1975-1517./ ("Fra Bartololmmeo")"
Ontwerp voor behangselschildering voor T.A. van Iddekinge
Object type: drawing
Date: 1752 – 1819
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, drawing
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Paneel met de overwinning te Venlo, 1702
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752
Subjects: capture of city (after the siege)

Paneel met een voorstelling van de overwinningen te Venlo op 23 september 1702. Onderdeel van de decoraties op de stellage met de Tempel van Mars tijdens het vuurwerk op de Hofvijver op 13 december 1702 te Den Haag. De Tempel van Mars was versierd met acht panelen met voorstellingen van overwinningen van de geallieerden op Frankrijk en Spanje in het jaar 1702.
Handschoen van cremekleurig vilt
Object type: glove
Date: 1900 – 1950
Materials: felt
Location: netherlands
Artist: Anonymous
Inscriptions: stamp: ‘tekst’

Rechter handschoen van cremekleurig vilt. Op de rug versierd met drie gestikte lijnen.
Ex libris van JFN
Object type: print
Materials: paper
Techniques: letterpress printing
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Inscriptions: collector's mark: Lugt 2228

Abstracte compositie in de vorm van een sleutelgat. In het midden een cirkel met daarin een ster; onderaan zeven cirkels. Links en rechts een monogram JFN.
Portret van Anton Friedrich Kahn
Object type: print
Date: 1739 – 1761
Materials: paper
Techniques: engraving
Subjects: historical persons

Prent mogelijk uit: Kahn, Anton Friedrich. Anfangsgründe der Fechtkunst (...). Helmstedt: Christian Friedrich Weygand, 1761. Of een eerdere editie (1739).
Aanbidding door de Wijzen, besnijdenis en bekering van Paulus omgeven door acht heiligen
Object type: print
Date: 1616 – 1656
Materials: paper
Techniques: etching
Location: france
Artist: laurent de la hire
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1656
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh), saints, story of the conversion of paul (acts 9:1-18), circumcision of the christ-child by the priest in the temple (luke 2:21)
Inscriptions: number: ‘23’, collector's mark: Lugt 240
Holding the Wick  in the Right Hand
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: handling of weapons ~ military training, firearms: rifle

The famous book Wapenhandelinghe features 117 engravings of the marksmen, musketeers and lansquenets from the army of Prince Maurice of Orange. All the actions carried out by the soldiers with their weapons are illustrated step by step, from loading to firing and thrusting. This copy is exceptionally beautifully coloured and gilded and was specially made for someone in the prince’s immediate circle.
Arm Defense
Object type: arm defense
Date: 1501 – 1700
Materials: iron
Culture: mongolian or tibetan
Location: mongolia

Pierced iron arm defenses such as this appear to be a previously unrecognized type. However, its scalloped borders relate closely to the borders on Tibetan or Mongolian arm defenses made of polchromed leather with iron fittings (see acc. no. 2001.36). In addition, its broadly pierced scrollwork is extremely similar to that found on some Tibetan or Mongolian horse armor. The presence of these two features indicates a close relationship between this little known form of arm defense and the broader spectrum of Tibetan and Mongolian armor of the 16th to 17th centuries.
Duchess of Devonshire Portrait Diamond
Object type: brooch
Date: 1801 – 1900
Materials: diamond, ivory
Techniques: painting
Location: england
Subjects: portraits,women

This portrait jewel of Georgina, Duchess of Devonshire (1757–1806) is comprised of a miniature painting on ivory covered with a thin slice of a diamond and surrounded by brilliant-cut diamonds. The wife of William Cavendish, the 5th Duke of Devonshire, Georgina was known for her beauty and fashion taste, and was a much-admired member of the British aristocracy. Portrait diamonds such as this are rare, and require an extremely limpid, thinly cleaved stone through which the portrait can be seen. The lasque cut used to achieve the subtle sparkle in the flat portrait diamond originated in India, the globe’s primary source of diamonds before the 18th century.
Portretten van dertien homeopaten
Object type: print
Date: 1823 – 1856
Materials: paper
Techniques: lithograph
Location: magdeburg
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Portretten van Samuel Hahnemann, Georg August Heinrich Mühlenbein, Julius Schweikert, Moritz Wilhelm Muller, Johann Ernst Stapf, Friedrich Jacob Rummel, Gustav Wilhelm Gross, Carl Georg Christian Hartlaub, Carl Haubold, Johann Georg Friedrich Franz, Franz Hartmann, Carl Friedrich Trinks en Julius Schweikert.
Saint George with the Stork's Nest
Object type: print
Date: 1450 – 1450
Materials: paper
Techniques: engraving, printing
Location: germany
Artist: master e. s.
Artist nationality: german
Artist dates: 1450 – 1467

Approximately 300 prints are known by the anonymous master who signed many of his prints with the initials E.S. His work dominated the art of engraving at mid-century. This highly detailed plate of his early maturity is shown in a particularly rich impression which reflects his mastery as a goldsmith as well.
Ewer with floral design
Object type: ewer
Date: 1751 – 1800
Materials: jade
Culture: chinese
Man Fighting with a Lance, Seen from Behind
Object type: drawing
Materials: chalk, paper
Artist: Anonymous
Subjects: helved weapons, polearms (for striking, hacking, thrusting): lance (+ handling of weapons)
Ceramic Fragment
Object type: fragment
Date: 1416 – 1458
Materials: earthenware, glaze, paint
Techniques: underglaze
Location: egypt
Interieur met Frans I van Frankrijk, keizer Karel V en de hertogin van Étampes
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: etching
Artist: léopold flameng
Artist role: print maker
Artist dates: 1831 – 1911
Subjects: frans i van valois-angoulême (koning van frankrijk), ghent, charles v (holy roman emperor and king of spain), historical person (with name) - historical person (with name) portrayed in a group, in a group-portrait
Inscriptions: collector's mark: Lugt 2228
Diana at the Bath
Object type: print
Date: 1631 – 1631
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Buste van biscuit, voorstellende Napoleon Bonaparte
Object type: column
Date: 1805 – 1805
Materials: bronze, copper, wood
Techniques: gilding
Location: sèvres
Subjects: napoleon i (emperor of the french), france

Zuil van gefineerd mahoniehout, staande op forse vierkante basis, waarboven een geprofileerde basisring van massief mahonie; de schacht heeft vergulde geciseleerde brede bronzen ringen aan boven en beneden einde en boven een bolle kwart ronde koperen afsluiting een vierkant massief mahoniehouten abaleus.
Triangular Plaque
Object type: plaque
Date: 500 – 700
Materials: copper alloy
Culture: frankish
Location: germany
Jongeman met een rol papier
Object type: print
Date: 1601 – 1657
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: scroll - ll - scroll unfolded, youth, adolescent
Inscriptions: collector's mark: Lugt 240

Jongeman met een uitgerolde boekrol in de hand. Hij wijst met zijn vinger op het onbeschreven schrijfvlak.
Perzische koningen
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: murder, male persons from classical history, ruler, sovereign

Koning Artaxerxes III van Perzië staande met een zwaard in zijn hand. Op de achtergrond is vermoedelijk te zien hoe zijn oudere broer wordt geëxecuteerd. Boven de voorstelling een drieregelige tekst in het Latijn over onder andere zijn overwinningen op Egypte en de stad Sidon. Deze prent maakt deel uit van een album.
Helena. Faust
Object type: reproduction
Date: 1860 – 1860
Materials: paper
Techniques: albumen print
Location: munich
Subjects: drawing, sketch, female literary characters
Gezichtsveld van een man aan een tafel
Object type: book illustration
Date: 1679 – 1679
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: france
Subjects: optics

Prent uit: Leclerc, Sébastien. Discours touchant le point de veue, dans lequel il est prouvé que les choses qu'on voit (...). Parijs: Thomas Jolly, 1679.
Stadhuis te Middelburg
Object type: print
Date: 1854 – 1907
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: ruurt de vries
Artist role: print maker, printer
Artist dates: 1813 – 1874
Subjects: architectural detail, townhall
Inscriptions: collector's mark: Lugt 1641, collector's mark

Twee ingangen en een venster in het stadhuis van Middelburg. Onderaan een schaalstok. Dubbelgevouwen blad. Architectuurvoorstelling. Plaat XIV. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Stadhuizen (H-M).
Een vrouw uit Lacedemon toont haar kinderen aan een tapijtenweefster
Object type: print
Materials: paper
Techniques: engraving
Location: leiden
Subjects: mother and child(ren), woman and child(ren) (family group), tapestry weaver, gobelin maker
Inscriptions: collector's mark: Lugt 2228

Een vrouw afkomstig uit Lacedemon komt bij een tapijtenweefster die haar de mooiste tapijten toont. De vrouw toont de tapijtenweefster wederom het mooiste wat zij bezit, haar kinderen. In de verkoopruimte zijn nog andere klanten aanwezig. Twee vrouwen praten met elkaar en een man helpt een jongetje naar binnen.
Brief aan Philip Zilcken
Object type: letter
Date: 1915 – 1915
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: f. von weckerlin
Artist role: schrijver
Subjects: henriette wilhelmina van baak, painter, draughtsman, philip zilcken, family life, diseases
Inscriptions: seal, collector's mark: ‘RPK’
Man met baard en bontmuts
Object type: print
Date: 1741 – 1820
Materials: paper
Techniques: etching
Subjects: person with big beard
Inscriptions: collector's mark: Lugt 240
Rotterdam
Object type: area plan
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), rotterdam
Inscriptions: collector's mark: Lugt 2233

Deze staat van prent ook gebruikt in: Theatrum ichnographicum omnium urbium et praecipuorum oppidorum Belgicarum XVII Provinciarum (…). Amsterdam: Frederik de Wit, ca. 1698-1704. En in: Theatrum ichnographicum omnium urbium et praecipuorum oppidorum Belgicarum XVII Provinciarum (…). Amsterdam: Frederik de Wit, ca. 1700-1710. En in: Aa, Pieter van der. La galerie agreable du monde (...). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 18.
R.B. Yates in a cariole Christiania
Object type: photograph
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: christiania
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), clothing for the lower part of the body, head-gear: hat (+ men's clothes), clothing for the upper part of the body, old man, horse, beard

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 501
Materials: terracotta
Culture: greek, attic

Exterior, unidentified subject; hole from an ancient repair
Hercules en Antaeus
Object type: sculpture
Date: 1877 – 1877
Materials: clay
Artist: eugène lacomblé
Artist role: draughtsman, painter, sculptor
Artist dates: 1828 – 1905
Bonfante, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
La celebration de la Ste Messe
Object type: print
Date: 1650 – 1710
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: franz ertinger
Artist role: print maker
Artist dates: 1640 – 1710
Subjects: sermon ~ holy mass
Inscriptions: collector's mark: Lugt 2228

Een priester, op de rug gezien, toont de hostie bij het altaar. Boven het altaar een beeld van Maria met kind. Op de voorgrond geknielde gelovigen. Onder de voorstelling een banderol met drie regels Frans. Rechtsonder het getal 30.
Titelhoofd voor: Architectura, orgaan van het genootschap Architectura et Amicitia
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: woodcut
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: book-cover, binding

Titelhoofd ontworpen als voor het jubileumnummer ter ere van de 70ste geboortedag van Pierre Cuypers (Architectura 5 (1897), no. 20, 16 mei 1897). Later is dit titelhoofd ook gebruikt voor gewone nummers van 'Architectura' (van 1 januari 1898 tot en met 31 december 1898).
Gezicht op de Westerkerk in Amsterdam
Object type: sketchbook leaf
Date: 1898 – 1898
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: building-site (+ labourers ~ crafts, industries, agriculture), church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘[...] van het dak/ komt er boven/ [...]’

Bouwput van de winkelgalerij in de Raadhuisstraat met rechts de Westerkerk. Vooraan heiende bouwvakkers. Pagina 57 en pagina 58 uit een schetsboek met 42 bladen.
Glass Fragment
Object type: fragment
Date: 1601 – 1700
Materials: glass
Culture: south netherlandish