deem-data/ArtiFact huggingface dataset:
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 52 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design consists of a central section composed of 6 ornamented squares that make up a single rectangle with elaborate foliage motifs at each of its corners. Around the border of the design (clockwise) is the following inscription: "FAZO LETTI DIVERSE INVENTI ONE PER CANTONI DEE".
Philosophy
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,portraits,women,wreaths
Gezicht op Promenade des Anglais te Nice
Object type: blad
Date: 1872 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Artist: eugène degand
Artist role: painter
Artist dates: 1829 – 1911
Subjects: trees, street
Inscriptions: inscription: ‘E. Degand Vues&Portraits 6, Rue Paradis Nice’, annotation: ‘Nice, promenade des Anglais’
Dish with Temptation of Adam and Eve
Object type: dish
Date: 1680 – 1680
Materials: earthenware
Techniques: glazing
Subjects: adam,eve

The Temptation of Adam and Eve is one of the most characteristic subjects of English delft “blue-dash” chargers. Chargers of this kind were intended as display pieces to be hung on the wall. Other subjects included portraits of sovereigns and stylized floral and fruit designs.
Queen (Zulemer from Algiers), from "Court Game of Geography"
Object type: print
Date: 1838 – 1855
Techniques: engraving, etching, hand coloring
Artist: william and henry rock
Artist role: publisher
Artist nationality: british
Artist dates: 1821 – 1884
Subjects: birds,queens,playing cards
Fragment van brandslangring uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: firehose
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fire engine, firehose; fragment, id. NG-1975-20-H-1271-a, squashed.
Triomf van Christus (achtste deel)
Object type: print
Date: 1510 – 1511
Materials: paper
Techniques: woodcut
Location: italy
Artist: Anonymous
Subjects: sibyls, banner, standard (as symbol of the state, etc.)

Deze prent maakt onderdeel uit van een fries bestaande uit tien houtsneden die samen de Triomf van Christus vormen.
Fender
Object type: fender
Date: 1780 – 1780
Materials: steel
Portret van Abrahem Jenckwitz
Object type: print
Date: 1578 – 1630
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: peter isselburg
Artist role: print maker
Artist dates: 1568 – 1630
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de marge.
Knielbank van de trouwplechtigheid van prinses Beatrix van Oranje-Nassau en Claus von Amsberg in de Westerkerk
Object type: kerkmeubel
Materials: wood, textile
Location: amsterdam
Subjects: amsterdam, beatrix (koningin der nederlanden)

Houten knielbank, gestoffeerd met groen-geel textiel.
Studioportret van een familie, genomen voor een achtergronddoek
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: family group, especially parents with their child(ren)

Op de voorste rij zitten alleen maar vrouwen, de mannen staan achteraan.
Portret van een onbekende man
Object type: cabinet photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: idanus hendrikus slaterus
Artist role: fotograaf
Artist dates: 1846 – 1921
Subjects: old man
Inscriptions: inscription: ‘Atelier I. H. Slaterus Leeuwarden Langemarkt-Straat Let. W. No. 14 tegen over het station bij de Nieuwe Veemarkt. Specialiteit in Vergrootingen<BR />’
Watch
Object type: watch
Date: 1630 – 1630
Materials: metal, quartz, silver
Artist: jean cusin
Artist role: maker
Artist nationality: swiss
Artist dates: 1585 – 1656
Subjects: cross
Knotwilg
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: lithograph
Artist: anthonie willem hendrik nolthenius de man
Artist role: draughtsman, print maker
Artist dates: 1793 – 1842
Subjects: plants and herbs: reed, trees: willow
Inscriptions: collector's mark: Lugt 2228

De boom staat aan een waterkant met riet.
Deceased censing and libating to the deified Mentuhotep and Ahmose-Nefertari, with the Hathor cow emerging from the mountain; Tomb of Ameneminet
Object type: facsimile, ameneminet tt 277, deified mentuhotep, hathor cow, desert
Materials: paper, paint
Location: egypt
Artist: charles k. wilkinson
Artist role: artist
Artist dates: 1897 – 1986
Subjects: nefertiti,men,hieroglyphs,cows

Between 1907 and 1938, under the leadership of British Egyptologist Norman de Garis Davies, the Graphic Section of the Museum’s Egyptian Expedition undertook a documentation project with the goal of recording ancient monuments as accurately as possible. This facsimile copies a small scene painted in the northwest corner of the tomb chapel of Ameneminet (Theban tomb no. 277). Located in the Qurnet Murai necropolis, this small rock-cut tomb was made for a priest serving in the mortuary temple of King Amenhotep III, probably during the course of Dynasty 20. Ameneminet is depicted on the left, pouring a libation and censing in front of King Mentuhotep II and Queen Ahmose-Nefertari. Beyond, in the Theban mountain, is the cow goddess Hathor. Mentuhotep II and Ahmose-Nefertari are shown posthumously, not as living beings but as images, as suggested by the rectangular pedestal beneath Mentuhotep II’s feet and Ahmose-Nefertari’s dark complexion. Ahmose-Nefertari’s posthumous representations often show her with black skin. In ancient Egypt the color black evoked rebirth and regeneration, in connection with the fertile black soil brought by the Nile inundation. The dark complexion refers to the deified status Ahmose-Nefertari acquired after her death. As the wife of King Ahmose, founder of a new dynasty (Dynasty 18), and mother of Amenhotep I, she may have been seen as the matriarch of the entire dynastic line and in some ways she embodied the idea of regeneration. This scene is set in the well-defined locality of Western Thebes. This setting is evoked by the presence of King Nebhepetre-Mentuhotep II, who descended from a family of Theban rulers and built his tomb and mortuary temple at Deir el-Bahri; Ahmose-Nefertari, who, with her son Amenhotep I, became the patron deity of the artistic community of Deir el-Medina; the cow goddess Hathor, who was worshipped in the Theban area as early as Dynasty 12; and the Theban mountain that was part of the mountain range preceding the desert plateaus on the west bank of the Nile river.
Hazomanga finial
Object type: couple figure
Date: 1601 – 1800
Materials: pigment, wood
Culture: sakalava
Location: madagascar
Artist: sakalava artist
Artist role: artist
Subjects: couples,men,male nudes,women,female nudes

This Madagascar couple ranks as the foremost artistic achievement of a region where African and Pacific Island influences meet. It was created by a Sakalava artist in western Madagascar to grace the pinnacle of a "hazomanga," a tall wooden monument set in a place of honor near the house of a clan elder. It constituted the focal point for prayers, sacrifices, and boys' circumcision ceremonies. Measuring around six feet in height, the hazomanga was a striking element of the architectural landscape and a potent reminder of kinship, both past and present. Set side by side, these figures engage the viewer with their intense expressions and deeply recessed eyes. Their subtle stylization simultaneously unifies them and amplifies what makes them different, producing an eloquent statement on the fundamental complementarity of man and woman. As the centerpiece of circumcision rights performed to promote the virility of each generation, the couple emphasizes the importance of the male-female partnership in assuring the community's future. The figures' nudity, striking in a region where textiles are a fundamental element of identity, serves to further underscore these timeless and universal themes of fertility and regeneration. The work's quiet power and lyrically balanced symmetry helped it to become one of the rare examples of southeast African sculpture to have influenced Western art. Known in Paris by the early twentieth century, it entered the collection of the British sculptor Sir Jacob Epstein about 1922–23.
Reproductie van een tekening van een gezicht op warenhuis Nathan Israel, Berlijn
Object type: reproduction
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: department store, supermarket, edifice, e.g.: public building, department store, berlin
Inscriptions: inscription: ‘ist dort gleichsam (...) thaten wir auch’, inscription: ‘Geschäftshäuser der Firma N. Israel, Berlin C. (...)’

Deze fotomechanische afdruk maakt deel uit van een album.
Limestone cippus of Ariston
Object type: cippus of ariston
Date: 101 – 300
Materials: limestone
Culture: roman, cypriot

The Greek inscription reads: "Good Ariston, farewell!"
Gezicht op een haven met rotsen
Object type: opticaprent
Date: 1700 – 1799
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: france
Subjects: harbour, sailing-ship, sailing-boat, rocky coast, rowing-boat, canoe, etc., sea (seascape) (+ landscape with figures, staffage), civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2233

Links en in het midden versterkte bouwwerken aan de waterkant. Op de voorgrond een anker.
Verovering van de Kattenburgerbrug, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: battle (+ citizen soldiery, civil guard, citizen militia)
Inscriptions: collector's mark: Lugt 2228

De verovering van de Kattenburgerbrug naar het eiland Kattenburg op de opstandige Oranjegezinden door de gewapende Amsterdamse burgers, 30 mei 1787. Links een deel van 's Lands Zeemagazijn.
Groot landschap met palmbomen
Object type: print
Date: 1903 – 1945
Materials: paper
Techniques: woodcut
Artist: bernard essers
Artist role: print maker
Artist dates: 1893 – 1945
Subjects: ass, donkey, landscape with bridge, viaduct or aqueduct, carrying something in basket, bag, rucksack, etc.
Inscriptions: collector's mark: Lugt 2228, inscription: ‘gesneden en uit de hand gedrukt No. 3 B. Essers’
Portret van een onbekende man
Object type: photograph
Date: 1920 – 1970
Materials: photographic support
Techniques: gelatin silver print
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: historical persons
Inscriptions: annotation: ‘Dr. van Tijen’
Altar Piece (Part of a Chasuble)
Object type: religious ritual object
Date: 1601 – 1700
Materials: cord, gold, textile, velvet
Techniques: embroidery
Location: spain
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1601 – 1700
Materials: copper, gold, iron, silver
Culture: japanese
Location: japan
Subjects: men,fishing
Portret van Simon Sulzer
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Wet op de aanleg der Staatsspoorwegen, ter ere van Willem III, koning der Nederlanden
Object type: history medal
Date: 1864 – 1864
Materials: bronze
Techniques: striking
Location: amsterdam
Artist: moses cohen de vries junior
Artist role: diamantslijper, graveur, medailleur
Artist dates: 1807 – 1883
Subjects: brussels, willem iii (koning der nederlanden)
Portret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1815 – 1851
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: the hague, berlin, william i of the netherlands, knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Demi-Figure of St John the Baptist
Object type: sculpture
Date: 1650 – 1675
Materials: wood
Slapende putto
Object type: print
Date: 1500 – 1525
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Slapende putto, zittend in een schelpachtige stoel tussen twee pilaren en omringd door schelpen, zeewier en koraal.
Portret van Anne-Hilarion de Tourville
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
The Transfiguration
Object type: drawing
Date: 1565 – 1608
Materials: ink
Techniques: brush, pen, wash
Artist: francesco curia
Artist role: artist
Artist nationality: italian
Artist dates: 1565 – 1608
Subjects: men
Beëediging van het Regeerings-Reglement der stad Haarlem, op den 5den september 1787
Object type: print
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: proclamation of new government, warfare; military affairs (+ citizen soldiery, civil guard, citizen militia), patriots (1780-1795)
Inscriptions: collector's mark: Lugt Lugt 2228

Plechtige ceremonie met de beëdiging van het nieuwe regeringsreglement in een tempel opgericht op de Grote Markt te Haarlem, 5 september 1787. Om het plein staan schutterijen opgesteld, bij de tempel enkele stukken geschut. In de marge het stadswapen van Haarlem.
Loraine Badger, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,smoking,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Chain
Object type: chain
Date: 201 – 400
Materials: gold
Culture: roman
Shaffron (Horse's Head Defense)
Object type: shaffron horse's head defense
Date: 1501 – 1533
Materials: copper alloy, steel
Culture: iranian or turkish
Location: turkey

The engraved decoration includes quotations in Persian from Bustan, a famous collection of virtuous stories by the thirteenth-century poet Sa'di: "May the world comply with your wishes and heaven be your friend; May the creator of the world [be your guardian]."
De Doolhof, Roermond
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: roermond
Artist: Anonymous
Subjects: forest, wood
Untitled (Two Basque Girls)
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Floorplan and Side View of an Altar, Plate f (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'
Object type: album print ornament architecture
Techniques: etching
Artist: johann michael leüchte
Artist role: artist
Artist nationality: german
Subjects: altars

Ornament print with the floorplan and side elevation for the altar design presented in the previous print (altar in a late Baroque style, with a large architectural reliquary crowned by the figure of the lamb of God and flanked by two spiral columns). This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Geblinddoekte mannen met ezelsoren bij twee aan elkaar geketende kisten
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: court jester, court fool, virtuousness; 'amor di virtù', 'attione virtuosa', 'guida sicura de' veri honori', 'virtù', 'virtù insuperabile' (ripa), wisdom of the fool

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Numismata virorum illustrium ex Barbadica gente
Object type: print
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: thyrsus ~ attribute of bacchus, pleasure, enjoyment, joy; 'allegrezza', 'allegrezza da le medaglie', 'allegrezza, letitia e giubilo', 'diletto', 'piacere', 'piacere honesto' (ripa)
Inscriptions: collector's mark: Lugt 2228

Een console met een zittende vrouw. In het haar een bloemenkrans. In haar handen een hoorn des overvloeds en een thyrsus, een staf met een knop in de vorm van een dennenappel. De stad is omwikkeld met bladeren en er hangen twee kransen aan. De prent maakt deel uit van een album.
Thailand, speelhuispenning uitThailand, 1760-1871
Object type: coin
Date: 1760 – 1871
Materials: porcelain
Techniques: firing

Vierkanten, gekartelde porseleinen speelhuispenning, die ook als munt is gebruikt. Voorzijde: vier Chinese karakters. Keerzijde: afbeelding.
Altaar in de linkerzijbeuk van de Krijtberg te Amsterdam
Object type: photograph
Date: 1860 – 1881
Materials: paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: interior of church, altar
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: R.K. Gemeenten: Begijnhof t/m Petrus en Paulus.
Bronze disc-type fibula (safety pin)
Object type: fibula, disk type
Date: 1000 – 901
Materials: bronze
Culture: italic

Disc fibulae, in which the clasp is enlarged into an ovoid disc, have been found in both male and female burials throughout Central and Southern Italy.
Inondatione di Roma
Object type: print
Date: 1639 – 1701
Materials: paper
Techniques: engraving, etching
Artist: cornelis meijer
Artist role: draughtsman, print maker
Artist dates: 1629 – 1701
Subjects: prospect of city, town panorama, silhouette of city, rome
Inscriptions: collector's mark: Lugt 2228
Andries Boom op kantoor
Object type: photograph
Date: 1911 – 1911
Materials: photographic support
Techniques: photography
Subjects: amsterdam, andries augustus boom, administration ~ trade and finance, suriname
Inscriptions: inscription: ‘Private office van den Agent v/d K.W.I.M. te Paramaribo Nov. 1911’

Andries Boom aan het werk op het kantoor van de K.W.I.M. te Paramaribo, november 1911. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Cardinal Wolsey
Object type: print
Date: 1770 – 1800
Materials: paper
Techniques: etching
Artist: sparrow
Artist role: print maker
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228
Holy Family
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Techniques: incising
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: holy family
Autumn
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Philippeville. Ancien théatre romain. Algérie
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: skikda
Artist: j.g. beers
Artist role: fotograaf
Subjects: ruin of a building ~ architecture, amphitheatre
Inscriptions: number: ‘165’, number: ‘28353’
Munt van kwart stuiver van de bisschopszetel van Luik vacant
Object type: coin
Date: 1688 – 1688
Materials: bronze
Techniques: striking
Location: liège
Artist: Anonymous
Subjects: liège

Voorzijde: borststuk man met mijter binnen omschrift. Keerzijde: gekroond wapenschild tussen jaartal binnen omschrift
Relief of Daedalus and Icarus
Object type: relief of daedalus and icarus
Date: 0 – 0
Materials: marble
Subjects: men,male nudes
Hendrik van Navarra tegenover Karel IX
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: karel ix (koning van frankrijk), politician, gaspard de coligny (ii), paris, hendrik iv (koning van frankrijk en navarra), enemy, meeting
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor 'Charles IX' van Marie-Joseph Chénier. Latere staat gebruikt voor: Goettinger Taschen Calender für 1791. bey Joh. Chr. Dietrich. Göttingen: Johann Christoph Dietrich, [1790].
Chocolate pot (part of a service)
Object type: chocolate pot
Date: 1767 – 1800
Materials: soft paste porcelain
Artist: royal porcelain manufactory, naples
Artist role: manufactory
Artist nationality: italian
Artist dates: 1759 – 1819
Subjects: playing cards,putti,games
Gezelschap rondom een slee op een glijbaan in Rusland, in het midden miss Cheetham
Object type: photograph
Date: 1903 – 1904
Materials: photographic support
Techniques: gelatin silver print
Location: russia
Artist: joseph cheetham
Artist role: engineer
Subjects: snow, small sleigh (winter sports), russia

Onderdeel van Fotoalbum van de Engelse familie Cheetham met opnames van hun verblijf in Rusland.
Portret van Marie Louise van Orléans
Object type: print
Date: 1679 – 1689
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: historical persons - bb - woman, ornament ~ medallion, armorial bearing, heraldry
Kademuur bij een loods
Object type: drawing
Date: 1806 – 1806
Materials: chalk, paper
Artist: john linnell (ii)
Artist role: draughtsman, print maker
Artist dates: 1792 – 1882
Subjects: pier, quay, wharf
Stammen van Juda en Simoen nemen Jeruzalem in
Object type: album leaf
Date: 1645 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jan klooster
Artist role: bookseller
Subjects: the tribes of judah and simeon defeat the canaanites and perizzites

De prent is afkomstig uit: Bybels Lusthof. Amsterdam, J. Klooster, 1740. De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk staat ze ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
Lady at her Toilette with a Servant
Object type: illustrated single work
Date: 1701 – 1800
Materials: paper, pencil
Location: india
Artist: haydar ahmad
Artist role: artist
Subjects: women,female nudes,servants
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: compound weave
Culture: japanese
Subjects: masks
Handschoen van witte tricot met split en twee drukknopen
Object type: glove
Date: 1900 – 1925
Materials: cotton, plastic
Location: netherlands
Artist: Anonymous

Rechter handschoen, deel van een paar, van witte katoenen tricot met split en twee drukknopen.
Portret van een man met snor
Object type: album leaf
Date: 1892 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Fotografie/ Artistique/ M. H. Laddé/ Amsterdam/ Nieuwendijk 57-59/ boven de firma MERKELBACH & Co./ Het Cliché wordt voor verdere bestellingen bewaard.’
Eerste vrede van Parijs tussen Frankrijk en de geallieerden, ter ere van Alexander I, tsaar van Rusland
Object type: jeton
Date: 1814 – 1814
Materials: copper
Techniques: striking
Location: england
Artist: Anonymous
Subjects: alexander i (tsaar van rusland), paris

Koperen penning met gat erin. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen krans van palm- en olijftak, die uitlopen in twee ineen geslagen handen binnen omschrift