deem-data/ArtiFact huggingface dataset:
Bergwandeling
Object type: photograph
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: switzerland
Subjects: else wachenheimer-moos, the family travelling, on holiday, walking, hiking (recreation), switzerland
Inscriptions: inscription: ‘Vater, Onkel R, Franc., Marthe, Tante Z, Ursulla / auf dem Weg u. St. Jon.’

Albumblad met een foto van een gezelschap rustend tijdens een wandeling, in Zwitserland. Onderdeel van het fotoalbum van Else Wachenheimer-Moos en haar broers Arthur en Willy Moos en anderen in de periode 1913-1918.
Napoleon Bonaparte (1769–1821) as First Consul
Object type: bust
Date: 1800 – 1800
Materials: biscuit, paste, porcelain
Artist: dihl et guérhard
Artist role: factory
Artist nationality: french
Artist dates: 1781 – 1824
Subjects: napoleon i,portraits
Kasboek met notities
Object type: sketchbook leaf
Date: 1840 – 1860
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Inscriptions: annotation: ‘J: Admiraal Noorderhoek ...voldaan November 1848’

Kasboek van een schilder met notities over aangeschafte materialen. Bladzijde 92 uit een schetsboek met 96 bladzijden.
Jozef en de vrouw van Potifar
Object type: print
Date: 1720 – 1722
Materials: paper
Techniques: engraving
Subjects: potiphar's wife catches joseph by his robe, usually while lying in bed; joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)
Inscriptions: collector's mark: Lugt 240
Vessel
Object type: vessel
Materials: alabaster, stone
Culture: egyptian
Location: egypt

Egyptian alabaster is a form of limestone (calcite) that is found in the Eastern Desert of Egypt. It was favored for cosmetic and ritual offering fishes because of its beautiful color and translucent quality.
Les merveilles de la photographie
Object type: book
Date: 1874 – 1874
Materials: cardboard, paper, textile
Techniques: printing, woodburytype
Location: paris
Artist: gaston tissandier
Artist role: fotograaf, scheikundige
Artist dates: 1843 – 1899
The Bathers beneath the Palms
Object type: print
Date: 1871 – 1871
Materials: paper, ivory
Techniques: etching
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Meisje inspecteert de kras, die de kat haar op de arm gaf
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: cat, girl (child between toddler and youth)
Inscriptions: collector's mark: Lugt 2228, annotation: ‘1er etat; Tirer à 2 exemplaires’
Vermoedelijk portret van Octavius Hill
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Artist: david octavius hill
Artist role: fotograaf
Artist dates: 1802 – 1870
Subjects: adult man, anonymous historical person portrayed
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 82 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: birds,unicorns,cornucopia,coat of arms

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 3 horizontal registers. Each register is decorated on the top edge with a zigzagging line. Top register is decorated with a floral motif, 2 intertwining fish that flank a central mask, and a female figure surrounded by a curving vine with a flower at the top. Middle register is decorated with a flower flanked on both sides by a bird, an anchor with a fish coiled around it, and 2 cornucopias intertwining around a straight line. Bottom register is decorated with a bird flying out of 2 cornucopias, a squatting nude figure holding a crown above his head, and an urn flanked by 2 unicorns.
Weidelandschap met sloot, boerderij en molens
Object type: print
Date: 1867 – 1890
Materials: paper
Techniques: aquatint, drypoint, etching, intaglio
Subjects: windmill in landscape, small canal, ditch, farm or solitary house in landscape, the hague
Inscriptions: collector's mark: Lugt 2228
Portret van een zittende vrouw met een baby op schoot
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: stockholm
Artist: sophie andersson
Artist role: fotograaf
Artist dates: 1851 – 1912
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, infant, baby ~ the ages of man
Inscriptions: inscription: ‘S. Andersson/ Stockholm/ Barnhusgatan No. 6./ Filial: DALARÖ.’
Portret van Moritz Bardeleben
Object type: print
Date: 1832 – 1854
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: berlin, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Two Entertainers and a Maid
Object type: print
Date: 1777 – 1777
Techniques: woodblock print
Location: japan
Artist: attributed to kitao shigemasa
Artist nationality: japanese
Artist dates: 1739 – 1820
Liber Chronicarum
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘66’

Een bloemkelk met een man, naar links gekeerd. De tekst identificeert hem als Ruben, de oudste zoon van Jakob en Lea. De voorstelling is een fragment van de stamboom van Christus in de Liber Chronicarum. De prent maakt deel uit van een album.
Portretten van beroemde Italianen in ovalen
Object type: print
Date: 1738 – 1815
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: francesco bartolozzi
Artist role: draughtsman, print maker, publisher
Artist dates: 1727 – 1815
Subjects: venice, historical persons
Inscriptions: collector's mark: Lugt 4187

Deze prent maakt deel uit van een reeks portretprenten van onbekende omvang. De reeks is in meerdere staten uitgegeven. De eerste staat met enkel het portret in ovaal. Een tweede staat met naam van de geportretteerde in holle letters onder de voorstelling. Een derde staat met de naam van de geportretteerde in gevulde letters onder de voorstelling. En een vierde staat met een rechthoekig kader rondom het ovale portret.
Salon de réception (Hôtel de Ville)
Object type: tissue stereograph
Date: 1855 – 1864
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: paris
Artist: florent grau
Artist role: manufacturer
Subjects: palace - aa - civic architecture: inside
Inscriptions: number: ‘510’, inscription: ‘Déposé a Paris’
John Bull Making Observations on the Comet
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,men,telescopes

John Bull looks through a telescope at right and says, "Aye - Aye - Master Comet - you may attempt your Periheliums - or your Devil heliums for what I care but take the word of an Old Man you'll never reach the Sun depend upon it." In the comet are the profile heads of Napoleon and George III.
Twee versierde grotten bij het Meer van Albano
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, gallery (spacious corridor)
Inscriptions: collector's mark: Lugt 2228

Gezicht in een cryptoporticus (overdekte galerij) met cassetteplafond. Volgens de titel die verwijst naar een andere prent uit dezelfde serie gaat het om de funderingen van de Villa van Clodio in de Albaanse Heuvels, later in bezit van de familie Barberini. Titel midden onder. Genummerd linksboven: Tav. XII.
't Werk van de beroemde schilder C. Bega alles door hem Selve geinventeert en ge-etst/ Oeuvres de C. Bega Peintre renommé Inventée et Gravez par luy-mesme
Object type: print
Date: 1710 – 1735
Materials: paper
Techniques: etching
Location: netherlands
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 91, collector's mark: Lugt 2228
Cartouches met maskers
Object type: print
Date: 1555 – 1572
Materials: paper
Techniques: etching
Location: italy
Subjects: ornaments ~ art (+ framing decorations), mask, mascaron ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee geornamenteerde rechthoekige cartouches op een blad. Links: Een cartouche met aan de onderzijde een vrouwelijk masker, rechts onder nummer 3. Rechts: Een cartouche met twee putti, een mannelijk masker en dierenkoppen, rechts onder nummer 4.
The Great Bridges
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Coin of Ptolemy II from a Ptolemaic hoard
Object type: coin, ptolemy ii
Materials: bronze
Location: egypt
Subjects: birds,kings

A hoard of 162 Ptolemaic coins that contained issue of Ptolemy II, III, and IV, but apparently no later king, was discovered in a jar buried in a pit in front of a large Ptolemaic tomb in Thebes. Accumulations of coins were not usually burial offering; these coins were likely buried in order to be hidden by someone who failed to return to recover them. The dates of the coins suggest they may have been hidden at the time of a major native uprisings in the north and in the south at the end of Ptolemy IV's reign and into the reign of Ptolemy V. The uprising lasted in the south of the country for 20 years from 206-186 B.C., and saw the establishment of nativer rulers Herwennefer and Ankhwennefer. It is reasoned that the uprising was a response to excessive taxation and manpower demands for Ptolemaic wars in Syria.
The Courtesan Konosumi, from the series “Beauties of the Southern Quarter”(Nangoku bijin awase)
Object type: print
Date: 1793 – 1794
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: fans,women

This beauty, a high-ranking courtesan must have been the dream ideal worshipped by many a romantic young man. The most splendid costumes were created during the late 18th century for these arbiters of fashion and style. Robes of silk crepe, velvet or satin were worn with broad sashes (obi) of gold and silk brocades. Her pyramidal coiffure, piled high on her head and embellished with elaborate hairpins is a dramatic change from the more casual styles of the early 18th century and required the care of a professional hairdresser. Tokyo Bay in summer is pictured on her fan, with a poem by Magao, a contemporary writer. It was translated by Louis Ledoux as follows: Even as guests do, So do the summer breezes Ever returning, Come to Sodegaura, Place of heavenly coolness.
Bowl
Object type: bowl
Date: 1750 – 1750
Materials: enamel, glaze, porcelain
Culture: japanese
Subjects: flowers,leaves
Gezicht
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: face

Pagina 37 uit een schetsboek met 20 bladen.
Landschap met lezende Hieronymus
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: rome
Subjects: the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone
Inscriptions: collector's mark: Lugt 240

De heilige Hieronymus zit in een bergachtig landschap op een rots te lezen. Naast hem een boek en een zandloper. De leeuw, zijn attribuut, struint tussen de rotsen.
Beleg van Zutphen door Leicester, 1586
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon frisius
Artist role: print maker
Artist dates: 1570 – 1628
Subjects: siege, position war

Beleg van Zutphen door de troepen van de graaf van Leicester, september en oktober 1586. Gezicht op Zutphen en de Engelse en Spaanse schansen langs de IJssel. Met onderschrift van 4 regels in het Latijn. Genummerd 189. Bedrukt op achterzijde met tekst in het Latijn.
Titelpagina voor: Franciscus Lijftocht, Voor-winckel van patientie in den droeven tegenspoedt (…), 1679-1681
Object type: print
Date: 1679 – 1681
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: tools, aids, implements ~ crafts and industries, shop, store, title-page, adversity, misfortune, bad luck; 'fortuna infelice', 'infortunio' (ripa)
Inscriptions: collector's mark: Lugt 2228

De prent toont het interieur van een gereedschapswinkel. Allerlei soorten werktuigen worden hier verkocht: scharen, weegschalen, zeisen, rieken, spades, hamers, tangen, etc. Drie winkeliers achter de balie helpen enkele klanten. Een open deur laat een straatgezicht zien. Allegorisch wordt zo duidelijk gemaakt dat het boekje de werktuigen biedt om om te gaan met tegenslagen in het leven. Onder de afbeelding is een cartouche met de titel van het boek.
Drapery fabric
Object type: drapery fabric
Date: 1875 – 1880
Materials: cotton
Techniques: weave
Culture: american
Terracotta fragments from closed shapes
Object type: undetermined closed shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two fragments with reserve and parts of two black glaze lines
Hoofd van een paard, naar rechts
Object type: drawing
Date: 1819 – 1881
Materials: chalk, paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: horse
Ceremoniesleutel
Object type: ceremoniesleutel
Date: 1800 – 1900
Materials: bronze
Location: russia

Ceremoniesleutel met dubbele baard waarvan een baard rechthoekig hierop geplaatste tanden heeft. De greep, die op een vierkant kapiteel rust, wordt gevormd uit twee afgewende C-voluten, een zandloper insluitend. Zij schragen een architraaf waarop weer twee naar elkaar toegewende C-voluten geplaatst zijn die bekroond worden door een aardbol met kruis.
3 Lykstaatie der Menschen van't Oorlogschip Alphen, voor Curacao liggende, door zijn eigen kruid in de lucht gesprongen
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

Drie begrafenisstoeten van de slachtoffers van de ontploffing van het fregat Alphen in de haven van Curaçao, 15 september 1778. In een optocht worden de stoffelijke resten naar het Fort Amsterdam gedragen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of leg and animal hoof; Exterior, bent leg and drapery of male
Sash Fragment
Object type: sash fragment
Date: 1301 – 1533
Materials: cotton
Culture: peruvian
Location: peru
Subjects: human figures
Telegram aan Frederik Muller
Object type: telegram
Date: 1902 – 1902
Materials: ink, paper
Techniques: pen, printing, typewriting, writing
Location: rotterdam
Artist: Anonymous
Subjects: haarlem, pieter frederik van os, arnhem, painter, print maker, draughtsman, anton mauve, jan striening, bookseller, frederik muller, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’, seal
Mask (Sōmen)
Object type: mask sōmen
Date: 1401 – 1500
Materials: hair, iron, lacquer, textile
Culture: japanese
Location: japan
Subjects: masks

This is one of the earliest surviving examples of a full face mask (somen). It is also very rare for being modeled on a specific character from Noh drama: the happy old man (okina) with distinctive white eyebrows and beard.
Jar with theatrical scene
Object type: jar
Date: 1668 – 1722
Materials: cobalt, jade, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: men,women
Drop-leaf Pembroke Table
Object type: drop leaf pembroke table
Date: 1810 – 1820
Materials: brass, gilt, wood
Culture: american
Location: united states
Treinwagon met twee reusachtige appels
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1910
Materials: cardboard
Techniques: lithograph
Location: san francisco
Artist: edward henri mitchell
Artist role: publisher
Artist dates: 1867 – 1932
Inscriptions: inscription: ‘MADE IN AMERICA BY EDW. H. MITCHELL AT SAN FRANCISCO CALIFORNIA’, inscription: ‘2186 – A CARLOAD OF BELLFLOWER APPLES FROM / S. P. 56492 / Copyright 1910 by Edward H. Mitchell, San Francisco’
Matsumoto Yonesaburo as Kewaizaka no Shosho in the Play "Katakiuchi Noriyaibanashi"
Object type: print
Date: 1794 – 1794
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: tōshūsai sharaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Subjects: men,women,actors

This portrait features another actor impersonating a female character, in this case an oiran, or high-ranking courtesan, in the Yoshiwara pleasure quarters of Edo. But there is another layer to this act: the character portrayed, Kewaizaka no Shosho, is here pretending to be another character in the play, Shinobu. Kewaizaka affects the mannerisms of this haughty temptress with the lewd gesture of extruding her fingers from a fold of her kimono. The long thin pipe in her hand punctuates this gesture.
Titelblad: Nouueau Liure de Cartouches et Ornemens
Object type: ornament print
Date: 1682 – 1734
Materials: paper
Techniques: engraving, etching
Location: france

Twee half afgebeelde panelen, met bladranken en putti. Bovenaan staat de titel in een cartouche. Uit tweede editie.
Prancing Horse
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: horses

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art.
Lust for Gold
Object type: painting
Date: 1840 – 1879
Materials: canvas, oil
Artist: thomas couture
Artist dates: 1815 – 1879
Subjects: money-changer, mephistopheles, name of the demonic tempter in the literary versions of the faust legends
Inscriptions: signature: ‘T.C.’

De gouddorst. Jonge vrouwen met ontblote borsten staande bij een tafel waarachter zit een oude man met geld en sieraden. Achter de man staat een grijnzende Mefisto.
Palmistry, New Parisian Pastime, from 'News of the Day,' published in Le Charivari, February 1, 1860
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women

- Adelaide... no matter how intensely I am searching, I simply cannot find the line for long life.... oh my God, must I die in the prime of my days!
Portret van een onbekende man
Object type: album leaf
Date: 1757 – 1757
Materials: paper
Techniques: etching
Subjects: historical persons

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 4, p. 654.
Portret van een zittende baby
Object type: album leaf
Date: 1892 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, infant, baby ~ the ages of man
Inscriptions: inscription: ‘No.../ Photographie/ Artistique/ M H Laddé/ BOVEN DE FIRMA/ MERKELBACH & Co/ AMSTERDAM/ 57-59/ NIEUWENDIJK/ Het Cliche wordt voor verdere bestellingen bewaard.’
Allegory of the Flourishing State of the United Provinces
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered lower center: "Emblema hodierni rerum status in Belgica Foederata" and lower right: "I. Saenredam inve et sculp" and "Amstelodami Excudebat Hermannus Alardj Anno a Christo nato MDCII"
Waterkant met eenden die schrikken van een hond
Object type: drawing
Date: 1763 – 1826
Materials: paint, paper, pencil
Techniques: brush, pen
Artist: abraham van strij (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1753 – 1826
Subjects: water-birds: duck, dog
Inscriptions: collector's mark: Lugt 2228

De tekeningen van Abraham van Strij zijn op een later moment ingevoegd in het album met tekeningen van Jurriaan Andriessen.
Le Louvre, Paris
Object type: tissue stereograph
Date: 1863 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: paris
Subjects: palace
Inscriptions: inscription: ‘Déposé’
Château de Compiègne
Object type: cabinet photograph
Date: 1880 – 1900
Materials: paper, cardboard
Techniques: collodion silver print
Location: compiègne
Artist: a. dupré
Artist role: fotograaf
Subjects: palace
Inscriptions: inscription: ‘A. Dupré/ Photographe/ AD/ Rue Solferino, 39./ Compiègne’
Valentine
Object type: valentine
Date: 1883 – 1883
Materials: gold
Techniques: chromolithography, gilding, lithograph
Artist: kate greenaway
Artist role: artist
Artist nationality: british
Artist dates: 1846 – 1901
Subjects: boys,girls
Tongs
Object type: metalwork
Date: 1779 – 1786
Materials: silver
Location: philadelphia
Artist: john murdock
Subjects: dining, drinking
Inscriptions: impressed mark inside bow MURDOCK with indentation in rectangle,
Dr. Carl Eduard Morstadt
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: heidelberg
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Vaas met Bacchanaal
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: bacchanal: bacchus with his wine-flushed train (thiasos), garden vase

Vaas op een achthoekige voet met handvatten in de vorm van nimfen. Op het lichaam van de vaas een Bacchanaal. In de ondermarge een Latijnse tekst. Kopie naar blad uit de serie Vasses de la Maison Royalle de L'oo. Uit serie van 6 bladen.
Boerenhuis
Object type: drawing
Date: 1631 – 1649
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: façade (of house or building)

Boerenhuis met links een tuinmuur en rechts een wagen.
Globular Jar with Ring Handles
Object type: vessel
Materials: glaze, stoneware
Techniques: incising, relief
Location: china