deem-data/ArtiFact huggingface dataset:
Rosewater sprinkler or bottle with roundels and lozenges
Object type: sprinkler flask
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

AK-NM-6742 Rozenwaterdruppelaar

• Blauw-wit Kangxi-porselein
• Onderdeel van Royers porseleincollectie
• Oorspronkelijk twee exemplaren (inventaris Van der Kellen 1876)
• Gepubliceerd: Jörg 1997, nr. 104

Voor enige opmerkingen over rozenwaterdruppelaars, zie de toelichting bij AK-NM-6738. Identieke flesjes met dit atypische decor komen voor in de collecties van het Frans Hals Museum (een paar), Haarlem en het British Museum (Franks. 138).

Bronnen:
Christiaan J.A. Jörg, Chinese ceramics in the collection of the Rijksmuseum, Amsterdam: the Ming and Qing dynasties, Londen, 1997.
Portret van Jean Sylvain Bailly
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Artist: l. meurillon
Artist role: print maker
Subjects: paris, politician, mayor, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Portret van Maurits, prins van Oranje
Object type: print
Date: 1846 – 1888
Materials: paper
Techniques: tone lithography
Location: netherlands
Subjects: the hague, maurice (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Old English homes a summer's sketch-books
Object type: book
Date: 1876 – 1876
Materials: linen, paper, photographic support
Techniques: albumen print, woodburytype
Location: london
Artist: stephen thompson
Artist role: fotograaf, schrijver
Artist dates: 1831 – 1893
Inscriptions: name: ‘ex libris SFJ’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head and upper torso of youth to left, with himation draped over left shoulder
Lausanne. Place St. François
Object type: photomechanical print
Date: 1905 – 1918
Materials: cardboard, photographic process
Location: lausanne
Artist: Anonymous
Subjects: church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)
King Rail, from the Game Birds series (N40) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Game Birds" series (N40), issued in 1888-90 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N40 reproduces the cards from N13 in a larger size.
Bottle
Object type: bottle
Date: 1701 – 1900
Materials: glass
Techniques: molding
Location: iran
Lohan uit een serie v. 500; nr 437
Object type: wrijfprent
Date: 1600 – 1699
Materials: paper
Techniques: rubbing
Location: china
Artist: Anonymous
Strook kloskant met drie omkrullende takken met verschillende bloemen aan een golvende rank
Object type: strip
Date: 1800 – 1899
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Strook naturelkleurige kloskant. Het zich herhalende en doorlopende patroon bestaat uit een golvende rank, met drie omkrullende zijtakken met aan elk een verschillende bloem. Behalve de bloemen zitten er enkele afgeronde stompe blaadjes of zijtakjes aan de rank en enkele vergelijkbare, maar iets langere en omkrullende blaadjes. De motieven zijn gemaakt in losgewerkte linnenslag met dubbele contourdraden en zijn met elkaar verbonden door een ruitvormige traliegrond: een stroptraliegrond. De bovenzijde van de strook is recht afgewerkt. De schulpenrand langs de onderzijde komt voort uit het patroon en is afgewerkt met picots.
Plattegrond van Lausanne, 1726
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: leiden
Subjects: maps of cities

Plattegrond van Lausanne. Plaat nr. 329 in deel XIV van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit tweede deel met 271 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in het Frans.
Portret van Joannes Wilhelmus Kraals
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: joannes wilhelmus kraals
Inscriptions: collector's mark: Lugt 2228

Portret van Joannes Wilhelmus Kraals op 52-jarige leeftijd. Vanaf 1782 was hij predikant te Delft.
Two Plaques from a Tantric Ritual Apron, Kinnari, and Lotus Flower
Object type: plaque
Date: 1501 – 1600
Materials: bone
Culture: tibetan
Subjects: hinduism
Design for a Gilded Settee, Arm Chair and Footstool with Green Upholstery
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: chairs,couches,stools
Gezicht op het Palais du Trocadéro in Parijs
Object type: photograph
Date: 1867 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: palace
Inscriptions: address: ‘Jules HAUTECOEUR,/ PARIS,/ 172, Rue de Rivoli.’, number: ‘24.’
Gezicht op Florence
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: florence
Artist: alphonse bernoud
Artist role: fotograaf
Artist dates: 1820 – 1889
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘403’, inscription: ‘Panorama [...] da S. Spirito’, name: ‘ALPHONSE BERNOUD <BR />NAPLES Boschetto della Villa Reale. FLORENCE Sta. Maria in Campo, 434. LIVOURNE Via Vittorio Emanuele, No. 71.’
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1501 – 1600
Materials: gold
Culture: japanese
Location: japan
Subjects: men,demons
Fotoreproductie van een tekening, voorstellende een gezicht op de Tower of London
Object type: photograph
Date: 1853 – 1863
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: prison, jail, façade (of house or building)
Georges Clemenceau met een kind
Object type: photograph
Date: 1897 – 1897
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: paris, politician, e.g. party leader, france
La raffle de sept
Object type: book illustration
Date: 1763 – 1763
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: france
Artist: Anonymous
Subjects: devil(s) and demons, interior of the house
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Grecourt, Jean Baptiste Joseph Willart de. Oeuvres diverses de M. de Grécourt, nouvelle édition, augmentée d'un grand nombre de pièces, revus sur les originales et du Philotanis. Amsterdam: s.n., 1763.
Krishna, die op een fluit speelt, en Radha
Object type: drawing
Date: 1800 – 1899
Materials: paper
Techniques: brush
Location: jaipur
Artist: Anonymous

Krishna en Radha staan samen op een lotuskleed bij een boom, Krishna speelt op zijn fluit en kijkt achterom naar Radha die van achter haar sluier verlegen naar hem kijkt; een koe likt Krishna's voeten
Man liggend onder deken, op het dek van een schip
Object type: stereoscopic photograph
Date: 1893 – 1923
Materials: glass, metal
Techniques: slide
Location: paris
Artist: Anonymous
Subjects: crew ~ ship
Portret van generaal György Klapka
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Location: new york city
Subjects: historical persons
Inscriptions: check stamp: Lugt 5004, collector's mark: Lugt 2228a
Standing Buddha
Object type: figure
Date: 701 – 900
Materials: bronze, gilt
Culture: thai
Subjects: buddha

Considerable innovations in religious iconography were developed during the Mon-Dvaravati period. For example, many Buddhas hold both of their hands in a gesture of exposition or teaching (vitarkamudra) that in India is confined to the right hand. Images from the related site of Prakhon Chai also exhibit this double hand gesture, but otherwise it is unknown in the Buddhist world. Another iconographic innovation was to place a standing Buddha and flanking attendants on the back of Garuda, a semidivine winged creature that usually appears as the vehicle (vahana) of Vishnu.
Autumnus
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: etching
Location: germany
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: farmers, autumn ~ human activities (the four seasons of the year), village
Inscriptions: collector's mark: Lugt 567, collector's mark: Lugt 2233

Dorpsgezicht met boeren zittend rond een tafel.
Zes laatste maanden van het jaar
Object type: print
Date: 1652 – 1698
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: christoffel van sichem (iv)
Artist role: print maker
Artist dates: 1642 – 1698
Subjects: september and its 'labours' (+ with libra (september)), october and its 'labours' (+ with scorpio (october)), november and its 'labours' (+ with sagittarius (november)), december and its 'labours' (+ with capricorn (december)), july and its 'labours' (+ with leo (july)), august and its 'labours' (+ with virgo (august))
Inscriptions: collector's mark: Lugt 240

Blad met zes voorstellingen van juli, augustus, september, oktober, november en december. Boven elke afbeelding een regel Nederlandse tekst.
Duitse voorstelling in kant uit de collectie van Antonin Terme
Object type: photograph
Date: 1880 – 1885
Materials: photographic support
Techniques: platinum process
Location: liège
Artist: Anonymous
Subjects: art collection, art gallery, lace
Kinderschoen van wit piqué
Object type: childrenswear
Date: 1800 – 1900
Materials: textile
Location: paris

Een paar kinderschoenen van wit piqué met bandversiering. Sluiting door middel van twee haken en trensen. Langs de sluiting drie knopen met linnen overtrokken.
Portret van Friedrich Heinrich Ludwig van Pruisen
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: berlin, friedrich heinrich ludwig van pruisen, prince, historical persons
Panel
Object type: textile
Date: 1725 – 1775
Materials: textile, silk
Techniques: satin weave, weave
Location: france
Subjects: flowers, foliage
Soldaat met een getrokken geweer en mannen met speren
Object type: sketchbook leaf
Date: 1809 – 1872
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: mammals, division of armed forces (+ land forces), casting weapons: spear, firearms: rifle
Inscriptions: workshop stamp: Lugt 291d

De soldaat staat achter een boom en draagt sneeuwschoenen. Op de achtergrond rennen dieren. Blad 20 recto uit een schetsboek met 32 bladen.
Pair of compasses
Object type: compass
Date: 1601 – 1700
Materials: steel
Dekkleed, op het smalle veld versierd met ovale medaillonachtige vormen die deels gevuld zijn met een boom en een vogelachtig dier
Object type: dekkleed dier
Date: 1800 – 1825
Materials: wool
Location: central asia

Dekkleed, wellicht voor een kameel. Het brede smalle veld is versierd met ovale medaillonachtige vormen, z.g. ertmen guls, deels gevuld met een boom en een vogelachtig dier. Tussen de guls een raster van twijgen.
Portret van een onbekende man met hoge hoed
Object type: photograph
Date: 1855 – 1870
Materials: glass, metal, velvet, wood
Techniques: ambrotype
Artist: Anonymous
Subjects: sitting figure, historical persons, head-gear: top hat
Red and White Peach Blossoms, Preparatory Sketch
Object type: hanging scroll
Date: 1843 – 1843
Materials: paper
Culture: japanese
Artist: tsubaki chinzan
Artist role: artist
Artist nationality: japanese
Artist dates: 1801 – 1854
Subjects: flowers

This pair of scrolls (with 1975.268.115) provides a unique insight into the studio process of a painter working in the later phase of the Nanga tradition. The scroll on the right is a shita-e, or preparatory sketch, for the completed work on the left. Tsubaki Chinzan constructed the composition using a collage method: the branches on the upper left, for example, appear to have been painted on a separate sheet, which the artist then pasted into the preliminary version. Chinzan then copied this composition onto the final scroll, using lighter brushstrokes and deleting all pentimenti. Unfortunately, Chinzan lost some of the verve of the study’s spiky draftsmanship when he made the transfer to the final work.
Fotoreproductie van een autotypie van een portret van Louis Botha
Object type: cabinet photograph
Date: 1900 – 1919
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: prime minister, historical persons
Inscriptions: name: ‘C. Henlschel [?]’, inscription: ‘50/ Botha’
Keizer Theodosius I werpt zich op zijn knieën voor Ambrosius
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: crown (symbol of sovereignty), archbishop, bishop, etc. (roman catholic), ruler, sovereign, kneeling figure, one person praying
Inscriptions: collector's mark: Lugt 240

In 390 in een kerk, knielt keizer Theodosius I voor bisschop Ambrosius om vergeving voor zijn zonden te vragen. Zijn kroon ligt voor hem op de grond. Achter Theodosius knielen nog drie anderen.
Belt
Object type: belt
Date: 1801 – 1900
Materials: glass, metal, wool
Location: yugoslavia

This belt contains a number of interesting elements that suggest the wearer's status: intricately patterned handspun wool; variation in shapes and sizes of beads, which indicates that they are handmade; chain as trim and eye-catching bright blue beads. The inclusion of minute green beads in two small areas of the appliqué most likely has some symbolic meaning. It is important to note that while this object is identified as being from Yugoslavia, that entity did not exist until after World War I--first as the Kingdom of the Serbs, Croats, and Slovenes, then, after 1929, as Yugoslavia (“land of south Slavs"). The belt was given to the collection in 1932 by Henry F. DuPont, who had an important folk costume collection, when the countries in that Balkan region were known under that name.
Mug
Object type: mug
Date: 1701 – 1800
Materials: enamel, glass, lead
Location: czech republic
Subjects: flowers
Portret van Willem II, prins van Oranje
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: william ii (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Rübeland, gezien vanuit het zuidwesten
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: hermann selle
Artist role: fotograaf
Subjects: low hill country, village
Inscriptions: inscription: ‘No. 24. Harz. Rübeland von Südwest./ Vom Glockenberge oberhalb (...) Raubburgen standen. (W.Riehl)’, number: ‘No. 24.’, inscription: ‘Hof-Photograph. Potsdam.’
Onderrichtinghe der Nederlandtsche grove ende kleyne letteren
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: engraving, letterpress printing
Location: rotterdam
Subjects: calligraphy

Folio F1r met een beschrijving en een schrijfvoorbeeld van vier Nederlandse 'ghemeyne letteren'. De tekst vangt aan met een kleine initiaal D. Het blad maakt deel uit van een album.
Kwitantie voor Romeyn de Hooghe
Object type: ontvangstbewijs, kwitantie
Date: 1699 – 1699
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: agatha maria arkenbout
Subjects: amsterdam, painter, print maker, draughtsman, goldsmith, romeyn de hooghe, money
Inscriptions: collector's mark: Lugt 2233, watermark

Betreft vermoedelijk een kwitantie voor de kunstenaar Romeyn de Hooghe (1645-1708), Romeyn de Hooghe (1638-1710) of Romeyn de Hooghe (1655-1704).
Teapot with two panels with European scenes
Object type: lid
Date: 1725 – 1774
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: meissen
Artist: Anonymous

Deksel van theepot van porselein, beschilderd op het glazuur in roze (en camaïeu). Op de deksel drie rozen. Dekselknop gebroken geweest. In Europa gedecoreerd.
Portret van Gilbertus Jacchaeus
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: leiden, scholar, philosopher, historical persons, professor

Prent zonder tweede omlijsting gebruikt in: Fundatoris curatorum et professorum celeberrimorum, (...) academia Lugduno-Batava (...). Leiden: Pieter van der Aa, [ca. 1716].
Two Soldiers, One Standing Holding a Lance, One Seated
Date: 1764 – 1764
Techniques: etching
Artist: matthias pfenninger
Artist role: etcher
Artist nationality: swiss
Artist dates: 1739 – 1813
Subjects: soldiers,men

This print comes from a set of "Eight Studies of Soldiers" (2018.54.1-.8) designed by Loutherbourg during his Paris years, 1755–71. While himself an accomplished printmaker, Loutherbourg here turned the etching over to the Zurich-born Matthias Pfenninger, then studying in Paris. The images demonstrate admiration for the Italian 17th-century printmaker, Salvator Rosa.
Wagon #276
Object type: drawing
Date: 1865 – 1865
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ons Koninklijk Gezin Vier en twintig beelden uit het leven van Koningin Juliana en Haar gezin
Object type: envelope
Date: 1882 – 1959
Materials: paper
Techniques: letterpress printing
Location: alphen aan den rijn
Artist: Anonymous
Subjects: letter, envelope
Outdoor Scene of Women in Domestic Activities in Nurnberg,
Object type: print
Date: 1801 – 1900
Techniques: etching
Artist: johann christoph erhard
Artist role: artist
Artist nationality: german
Artist dates: 1795 – 1822
Subjects: women,working
Brief aan Philip Zilcken
Object type: letter
Date: 1896 – 1896
Materials: ink
Techniques: pen, writing
Location: bussum
Artist: henriëtte de vries
Artist role: draughtsman, print maker
Artist dates: 1867 – 1942
Subjects: jan hoynck van papendrecht, utrecht, publisher, painter, philip zilcken, illustration ~ printed matter, book
Inscriptions: collector's mark: ‘RPK’
Bos met zittende tekenaar
Object type: drawing
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: forest, wood, draughtsman at work - cc - out of doors
The White Nun
Object type: photograph
Date: 1856 – 1857
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Design for a Hall Lamp
Object type: drawing ornament architecture
Date: 1800 – 1810
Materials: gouache, watercolor
Artist: lamqua
Artist role: artist
Artist nationality: chinese
Artist dates: 1800 – 1900
Subjects: lamps

Design for a hall lamp in the shape of a Chinese palace lantern. The lantern consists of two parts, attached by thin cords. The top part is shaped like a hexagonal baldachin with tassels hanging down from the six protruding tips. The body of the lantern also has a hexagonal shape, with painted glass sides which taper towards the bottom.
Profiel van de stad Nevers
Object type: print
Date: 1631 – 1691
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 240
Zes cartes-de-visite met drie beelden, een buste en twee medaillons
Object type: carte de visite
Date: 1866 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous

Beelden van Venus van Milo, Rachel, Laocoön, een buste van Clio en medaillons met drie engeltjes. Onderaan de cartes-de-visite staat met potlood geschreven wat er afgebeeld is, bij de medaillons staat linksonder de naam Thorwaldsen vermeld. Op de achterkant van het kaartje met Clio staat gedrukt: No. 1868. Clio. antik. Original im Berliner Museum.
The Drawbridge, plate 7 from Imaginary Prisons
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Bairei Picture Album of One Hundred Birds (Bairei hyakuchō gafu) 楳嶺百鳥畫譜
Object type: illustrated book
Date: 1881 – 1884
Materials: ink, paper
Techniques: polychrome, woodblock print
Culture: japanese
Artist: kōno bairei  幸野楳嶺
Artist role: artist
Artist nationality: japanese
Artist dates: 1844 – 1895
Subjects: cranes
Portret van François Gérard Waller
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: moustache, art collector
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Portret van museumbestuurder en verzamelaar François Gérard Waller.
Mug
Object type: mug
Date: 1701 – 1800
Materials: soft paste porcelain
Subjects: birds,butterflies,flowers