deem-data/ArtiFact huggingface dataset:
Polderlandschap met weilanden, sloot en roeiboot
Object type: print
Date: 1870 – 1908
Materials: paper
Techniques: etching, intaglio
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: rowing-boat, canoe, etc., small canal, ditch
Inscriptions: collector's mark: Lugt 2228
Infant Oedipus Brought Home by Shepherd
Object type: drawing and watercolor
Date: 1675 – 1699
Materials: chalk, paper
Techniques: drawing, stumping
Location: belgium
Artist: gerard de lairesse
Artist role: artist
Artist nationality: dutch
Artist dates: 1641 – 1711
Interieur van de Onze-Lieve-Vrouwekerk in Brugge
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: bruges
Artist: Anonymous
Subjects: pulpit, ambo, chancel, parts of church interior: choir
Inscriptions: number: ‘112.’
Briefkaart aan Jan Veth
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: velzen
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: designer, jan veth, maurits van der valk, samuel jessurun de mesquita, amsterdam, painter, print maker, draughtsman, eduard karsen, giovanni segantini, james abbott mcneill whistler, deventer, elisabeth van vloten, photography, cinematography, painting (including book-illumination, miniature-painting), workshop, studio of the artist (in general), the hague
Inscriptions: collector's mark: ‘RPK’
Border
Object type: textile
Date: 1875 – 1900
Materials: linen
Techniques: cutting, embroidery, lace, weave, stitching
Location: italy
Ruiterportret van Gustaaf II Adolf, Koning van Zweden
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Artist: jacob van der heyden
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1645
Subjects: equestrian state-portrait, historical persons, ruler, sovereign, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Dieren
Object type: drawing
Date: 1690 – 1700
Materials: paint, gouache, parchment
Artist: jan augustin van der goes
Artist role: draughtsman, painter
Artist dates: 1671 – 1697
Subjects: crustaceans: shrimp
Gezicht op de tuin van de buitenplaats Hogergeest
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: french or architectonic garden; formal garden, country-house
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

De achterziijde van het huis Hogergeest, toebehorende aan de heer Adam van Rijn, schepen in Amsterdam. Rechtsonder genummerd: 53. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Oude Nederlandsche Tuinkunst. De 18de eeuw. Tuinen in Kennemerland, le Nôtre stijl.
Ziet, kindren! wat de kunst u hier in prent vertoond, / En tot vermaak en om te leeren; / Gebruikt het 't uwent nut, dat's haar opregt begeeren, / En zoo zij dat verwerft houdt zij zich ruim beloond
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: animals, fables
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen uit de fabelen van Aesopus. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 307.
Boom met dertien stammen op het landgoed Rhederoord
Object type: sketchbook leaf
Date: 1833 – 1833
Materials: paper, pencil
Location: gelderland
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, gelderland
Inscriptions: annotation: ‘hout/ Pad/ Boom te Reder-/ oord zijnde 13 stammen/ op één stronk.-’

Blad 11 recto uit een schetsboek met 41 bladen.
Lady with a Lute
Object type: reproduction
Date: 1925 – 1940
Materials: cardboard
Techniques: photograph, lithograph
Location: new york city
Subjects: adult woman, maps of separate countries or regions, lute, and special forms of lute, e.g.: theorbo (+ artist at work)
Young Girl Facing to the Right
Object type: drawing and watercolor
Materials: chalk, graphite, paper, pastel
Location: france
Artist: carle van loo
Artist nationality: french
Artist dates: 1705 – 1765
Near View Surrounding Buildings, Wat Chiang
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Vogel op boomstam van faience
Object type: decoratief object
Date: 1750 – 1780
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: mark: ‘14’

Vogel op boomstam van faience. Veelkleurig beschilderd.
Portretten van beroemde Italianen met wapenschild in ondermarge
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van jurist Lorenzo Antonio Ridolfi ten halven lijve, zittend achter een bureau met een schrijfveer in zijn rechterhand. Op het bureau een stapel boeken. Onder het portret een tekst in het Italiaans en een wapenschild in een cirkelvormig kader.
Portret van Suzanne Reichemberg
Object type: cabinet photograph
Date: 1878 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Subjects: historical persons - bb - woman, portrait of actor, actress
Inscriptions: inscription: ‘Reichemberg’, stamp: ‘Maison Martinet/ Albert/ Hautecoeur/ 12, Bould des Capucines’, inscription: ‘Médaille d'Or/ Exposition Universelle (...) (Anciennement Boulevart des Capucines)’, inscription: ‘Reichemberg/ Fr.’
Album Cover for Landscapes and Interiors
Object type: print
Date: 1899 – 1899
Materials: paper, ivory
Techniques: lithograph
Location: france
Artist: edouard jean vuillard
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1868 – 1940

Bright colors and dense patterns provide an intimate glimpse into the artist’s home while figures absorbed in their daily activities suggest an air of distance and mystery. Édouard Vuillard is best known today for his depictions of Parisian interiors, often populated by his friends and family. At the time Landscapes and Interiors was published, however, collectors were not eager to purchase the series, perhaps due to its personal and private subject matter; 20 years after it was produced, the influential art dealer Ambroise Vollard had not yet sold the edition of 100.
Medallion
Object type: medallion
Date: 1801 – 1900
Materials: earthenware
Techniques: glazing
Subjects: men,portraits
Coin
Object type: coin
Date: 976 – 979
Materials: silver
Location: iran
Venus and Cupid
Object type: painting
Date: 1575 – 1590
Materials: canvas, oil
Subjects: venus and cupid (cupid not being mere attribute)

Benedetto Cagliari (1538 - 1598). A courtesan with Cupid, c. 1575. From the Augusteum, Oldenburg. Presented by a group of members of the Vereniging Rembrandt, 1925.
Goblet (jue)
Object type: vessel
Materials: bronze
Location: china
Boys at a fountain
Object type: toy
Date: 1750 – 1755
Materials: soft paste porcelain
Artist: saint james's factory
Artist role: maker
Artist nationality: british
Artist dates: 1749 – 1759
Subjects: birds,fountains,boys
De toren van Colombo
Object type: drawing
Materials: paper, pencil, watercolor
Techniques: brush
Location: colombo
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: tower (of house or building)

Kleurtekening van de 'weer opgebouwde' toren van Colombo. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 104.
Erotica; Compendium Guide to the Brothels of Osaka (Keiryaku ōzassho gyokumon taisei) 閨暦大雑書玉門大成
Object type: illustrated book
Date: 1770 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitao shigemasa 北尾重政
Artist role: artist
Artist nationality: japanese
Artist dates: 1739 – 1820
Subjects: male nudes,female nudes
Hulde van de Curatoren aan de uitgetrokken Utrechtse studenten 1831
Object type: history medal
Date: 1831 – 1831
Materials: bronze
Techniques: striking
Location: utrecht
Artist: johannis petrus schouberg
Artist role: die cutter, draughtsman, print maker
Artist dates: 1798 – 1864

Bronzen pennng, op de voorzijde een stralende zon waarop het Utrechtse stadswapen, met omschrift, op de keerzijde zes regels tekst onder een kleine hoorn, tussen samengestrikte lauwertakken.
Portrait of a Woman in a Rose Dress
Object type: painting
Date: 1700 – 1724
Materials: canvas, oil
Artist: french painter
Artist role: artist
Artist nationality: french
Subjects: portraits,women
Slant-top desk (secrétaire en pente)
Object type: slant top desk
Date: 1745 – 1749
Materials: gilt bronze, leather, wood
Techniques: cutting, veneering
Artist: bernard ii van risenburgh
Artist role: maker
Artist dates: 1696 – 1767
Portret van Robert Heller
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons
Bottle with Dragons
Object type: bottle
Date: 1701 – 1750
Materials: glaze, paste, porcelain
Techniques: incising
Culture: chinese

In the eighteenth century, the kilns at Jingdezhen began to make porcelains of a different material. Known as huashi, or "slippery stone," this expensive material, often called soft paste, was used to make thin vessels that frequently were decorated with incised or raised designs under glaze. While the reasons for its introduction remain unclear, soft paste is easily carvable, and its use would have thus been akin to contemporaneous interests in the manipulation of other materials such as ivory and bamboo.
Terracotta krater
Object type: krater, dipylon
Date: 775 – 775
Materials: terracotta
Culture: greek, attic
Artist: workshop of new york mma 34.11.2
Artist role: artist
Subjects: human figures,ships

The prothesis scene—the laying out of the deceased—in the central metope, or square panel, on each side of this monumental krater shows that it was meant for a funerary purpose, a grave marker. The scenes below narrate either a specific event that took place during the deceased’s lifetime, or a tale about an ancestral heroic expedition, as the warriors’ hourglass-shaped shields belong to the preceding Late Bronze Age. A continuous frieze shows battle scenes on two warships and two processions of armed warriors. A figure, interpreted as a captive woman, is tied to the deck under one ship’s sail. A warrior climbs onto the ram of the other ship to attack an archer with his spear. Sword duels take place in the stern of both vessels.
Gore (notched flute)
Object type: gore notched flute
Date: 1867 – 1900
Materials: bamboo
Culture: polynesian or norfolk island
Location: australia
Coin
Object type: coin
Materials: copper
Location: a-rayy

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Flute
Object type: flute
Date: 1822 – 1822
Materials: wood, ivory
Culture: american
Location: united states
Artist: ferris & giffin
Artist role: maker
Artist nationality: american
Artist dates: 1822 –
Kinderleven
Object type: print
Date: 1822 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: zutphen
Subjects: child, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, physician, doctor, thunderstorm
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van verschillende aard, waaronder taferelen uit het kinderleven. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: N. 93.
Seal-top spoon
Object type: spoon
Date: 1640 – 1640
Materials: gilt, silver
Terracotta fragment of a lekanis (covered dish)?
Object type: lekanis fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Fragment of a lekanis? with a red glazed line at the edge of the rim
Bowl
Object type: bowl
Date: 1201 – 1300
Materials: glaze, stonepaste
Techniques: incising, painting
Location: iran
Jeugd van Christus
Object type: ornament print
Date: 1719 – 1727
Materials: paper
Techniques: etching
Location: augsburg
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De aanbidding van de drie koningen. Rechts staan Maria en Jozef met het Christuskind voor de drie knielende koningen. In het midden houdt een engel de ster vast die de wijzen de weg naar het kind wees. Links komt het gevolg van de koningen met geschenken. Rondom de voorstelling rocaille ornamenten. In de ondermarge tweemaal een zevenregelige Duitse en Latijnse tekst.
Portret van een man met snor
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: meissen
Artist: ernst schroeter
Artist role: fotograaf
Subjects: moustache, historical persons
Inscriptions: inscription: ‘ERNST SCHROETER/ Photographisches Atelier/ 597. OBERGASSE 597./ MEISSEN.’
Mashrabiyya Screen
Object type: screen
Date: 1401 – 1600
Materials: wood
Location: egypt

The mashrabiyya, a wooden screen, shows a variation of the window design, with small openings that are rectangular rather than horseshoe arch shaped. Through these openings the onlooker could observe the world outside without being noticed.
Sencha Teapot (Kyūsu)
Object type: teapot
Date: 1801 – 1833
Materials: glaze, stoneware
Culture: japanese
Portret van een zittende man
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: a. nissen
Artist role: fotograaf
Subjects: sitting figure, historical persons
Inscriptions: inscription: ‘A. Nissen/ Photograph in Deetzbüll’
Merawang. Mijn 14. Ertsvoorkomen op den Sambonggiri heuvel en ontginning daarvan gebruik makend van remhellingen die de ertslaag 500 M. ver transporteeren No. 34
Object type: photograph
Date: 1907 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, opencast mine; strip mining, minerals and metals: tin
Inscriptions: label: ‘Merawang. Mijn 14. Ertsvoorkomen op den Sambonggiri heuvel en ontginning daarvan gebruik makend van remhellingen die de ertslaag 500 M. ver transporteeren No. 34’

Afvoer van ertsgrond met karretjes over spoorbaantjes met remblokken bij een tinmijn van de Banka-tinwinning op een heuvel te Merawang. Onderdeel van het fotoalbum over de Banka-tinwinning, ca. 1907-1919.
Silhouetportret van Johannes Mulder
Object type: print
Date: 1808 – 1844
Materials: paper
Techniques: etching
Location: groningen
Subjects: veendam, johannes mulder (1775-1832)
Inscriptions: collector's mark: Lugt 2228

Silhouetportret van Johannes Mulder, buste naar links.
Rietsnijder voor de ruïne van Huis Snaatburg te Maarssen
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: ruin of a dwelling, house, castle, etc., reeds, rushes ~ building material, maarssen
Inscriptions: collector's mark: Lugt 2228
Lake Suwa from Shiojiri Pass
Object type: print
Date: 1835 – 1835
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: keisai eisen
Artist role: artist
Artist nationality: japanese
Artist dates: 1790 – 1848
Subjects: human figures,horses,lakes,mountains
Alexander Hamilton
Object type: painting
Date: 1804 – 1806
Materials: canvas, oil
Culture: american
Artist: john trumbull
Artist role: artist
Artist nationality: american
Artist dates: 1756 – 1843
Subjects: men,portraits

While still in his teens, Hamilton (1757–1804) plunged into the revolutionary cause and was propelled headlong into the political arena. During the war, he distinguished himself by his intellect and military savvy. He later served in the Continental Congress, where he advocated a strong central government. He is perhaps best known for his activities as secretary of the treasury under George Washington and for his crucial role in establishing the first national bank, The Bank of New York. There was a great demand for portraits of Hamilton after his death by duel with Aaron Burr, and Trumbull produced several replicas, including this example, of a portrait he had made from life. Nearly a century later, the painting became the first early American work to enter the museum's collection.
Inwoners van Nazareth verdrijven Christus uit de stad
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: rejection of christ's preaching in nazareth: 'a prophet is not without honour except in his own country ...' (matthew 13:54-57; mark 6:1-4; luke 4:22-24; john 4:44)
Inscriptions: collector's mark: Lugt 698, collector's mark: Lugt 240

De inwoners van Nazareth verdrijven Christus de stad uit, naar de rand van de berg waarop hun stad gebouwd was, om hem in de afgrond te storten.
Compote dish
Object type: dish
Date: 1770 – 1771
Materials: silver
Artist: thomas heming
Artist role: maker
Artist dates: 1745 – 1773
Subjects: coat of arms
Painted Dado Panels
Object type: panel
Date: 801 – 900
Materials: plaster
Techniques: painting
Location: iran

This dado panel was excavated from a room in the Tepe Madrasa area of Nishapur that once had a lively scheme of painted decoration. The upper section of the wall was colored a deep red, followed by a short horizontal frieze of hexagons and diamonds underneath, and then this four-foot high dado with a frieze of alternating square and rectangular panels. Each panel in the dado was framed with blue, red, and white lines; the rectangular panels were filled with a pattern akin to quartersawn marble, and the square panels had a variety of feathery shapes, scale-covered elements, and interlaced ribbons ending in stylized eyes and hands. This symbolism has no known parallels outside Nishapur, although amulets in the shape of eyes and hands were used to ward off the evil eye. It seems unlikely, however, that this basic interpretation encompasses the whole meaning of the present work.
First Arabesque Penché
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: female nudes,dancing,ballet
Om na te teekenen
Object type: print
Date: 1903 – 1919
Materials: paper
Techniques: lithograph, letterpress printing
Location: the hague
Subjects: animals, ass, donkey, cat and mouse, dog
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van dieren. Links onder elkaar vier ingekleurde afbeeldingen van honden, een kat en een ezel. Rechts dezelfde vier afbeeldingen met enkel de contouren in zwart. Genummerd rechtsboven: No. 112.
Waggoner, from the Dance of Death
Object type: print
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: skeletons,men,horses
Pear-shaped ewer with the 'three friends of winter'
Object type: ewer
Date: 1700 – 1724
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: netherlands
Artist: Anonymous

Jug with lid. Blanc de Chine, c. 1700 - 1750.
Portret van Filippo Buondelmonti degli Scolari
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks portretprenten van onbekende omvang. De prenten zijn gemaakt door meedere prentmakers, onder wie Francesco Allegrini en Carlo en Raimondo Faucci.
Portret van Samuel, Freiherr von Cocceji
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: berlin
Subjects: berlin, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Studioportret van een vrouw met opgestoken haar
Object type: carte de visite
Date: 1863 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: unknown
Artist: m.l winter
Artist role: fotograaf
Star-Shaped Tile
Object type: tile
Date: 1260 – 1270
Materials: glaze, stonepaste
Techniques: luster painting
Location: iran
Subjects: stars
The Octagonal Room in the Small Baths at the Villa of Hadrian (Tivoli)
Object type: drawing ornament architecture
Date: 1777 – 1777
Materials: chalk, charcoal, paper
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: buildings,ruins
Nouvelle carte de théatre de la guerre actuelle en Russie, Pologne, Moldavie, Valachie
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: maps, atlases, europe
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760
Inname van Nieuweschans door Rabenhaupt 1673
Object type: history medal
Date: 1673 – 1673
Materials: silver
Techniques: striking

Zilveren penning, op de voorzijde het portret van Rabenhaupt half naar links, met omschrift, op de keerzijde het aanzicht van Nieuweschans met daarvoor in vogelvlucht de aanvallende soldaten, met omschrift.
Cacao
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘Cacao.’

Cacaobomen met vruchten groeiend op de plantage Tourtonne. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Landschap met koe
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: london
Subjects: cow
Inscriptions: collector's mark: Lugt 2166