deem-data/ArtiFact huggingface dataset:
Pauo. Paon.
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: etching
Location: france
Subjects: ornamental birds: peacock
Inscriptions: collector's mark: Lugt 2228
Sint-Bavokerk te Haarlem, gezien vanuit de Jansstraat
Object type: sketchbook leaf
Date: 1886 – 1908
Materials: paper, pencil
Location: haarlem
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: church (exterior), street
Inscriptions: annotation: ‘Kerk Haarlem’

Pagina 3 en pagina 4 uit een schetsboek met 46 bladen vervaardigd te Amsterdam, Haarlem en Antwerpen.
Head of a Male Figure
Object type: head
Date: 301 – 500
Materials: plaster
Culture: afghan, hadda
Subjects: gandharan,heads,men
Huis Schmithausen te Kellen
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: pen
Location: kellen
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: castle
Inscriptions: date and inscription: ‘22 julij/ Smithuizen van agteren’

Blad 45 recto uit een schetsboek met 69 bladen.
Bronze portrait bust of a man
Object type: portrait bust of a man
Date: 50 – 54
Materials: bronze
Culture: roman
Subjects: men,portraits

For the Romans, bronze was the material par excellence for honorific portraits of important individuals and was valued for its ability to produce the closest possible fidelity to nature. While the identity of this man is unknown today, the very high quality of this portrait, with its sensitively modeled features and expensive inlaid eyes of ivory, signifies his prominence in ancient Roman society.
Ruins of a Locomotive in the Petersburgh Railroad Depot, Richmond, Virginia
Object type: stereograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: american civil war
Interieur van de eetkamer in Huize Overbeek te Velp
Object type: photograph
Date: 1903 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: velp
Artist: Anonymous
Subjects: open hearth, fire-place, interior ~ representation of a building, dining-room
Inscriptions: annotation, inscription: ‘neg. no 16841 foto no 23913’, inscription: ‘Huize Overbeek te Velp. Aanzicht in de eetkamer’
Twee mannen in een bibliotheek
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: engraving, etching
Subjects: bookshelves, study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

De ene man duwt de andere man richting een openstaande deur. Illustratie van het verhaal 'l'Homme aux 40 écus' door Voltaire.
Interieur van een huis
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Interieur van een huis, waarschijnlijk het huis van het echtpaar Jetten. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Vuursteenpistool
Object type: flintlock pistol
Date: 1665 – 1670
Materials: iron
Techniques: printing, casting, cutting, embroidery, engraving, relief
Location: utrecht
Inscriptions: mark: ‘AI’, inscription: ‘IAN KNOOP // UTRECHT’
Some of the hardships of war, the 12th Infantry building a railroad, P.I.
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: philadelphia
Subjects: railway, train, philippines
Inscriptions: copyright notice: ‘Copyright 1900, by B. W. Kilburn.’, number: ‘13635’
Adreskaart met koopman op dromedaris bij een markt
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: hoofed animals: dromedary, (story of) mercury (hermes), merchant, salesman

Bij de koopman staat een vrouw te onderhandelen. Op de voorgrond zit Mercurius geknield op de grond terwijl een pakket wordt geïnspecteerd. Op het zadeldek van de kameel het monogram 'AvL'.
De gruwelen van de oorlog (groot)
Object type: print
Date: 1677 – 1690
Materials: paper
Techniques: etching
Location: netherlands
Subjects: land forces, battle, warfare; military affairs (+ cavalry, horsemen), warfare; military affairs (+ infantry)
Inscriptions: collector's mark: Lugt 2228

Op een veld strijden vele ruiters met elkaar. Op de achtergrond is tevens een gevecht tussen infanteristen zichtbaar. Onder de voorstelling een zesregelig Frans vers. Deze prent is onderdeel van een serie van 17 (18 incl. titelprent) prenten met voorstellingen van diverse soorten ellende die oorlogvoering met zich meebrengt.
"As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly Magazine
Object type: drawing and watercolor
Materials: board, gouache, graphite, paint, watercolor
Techniques: brush, heightening, wash
Location: united states
Artist: frederic remington
Artist nationality: american
Artist dates: 1861 – 1909
Terracotta lamp fragment
Object type: lamp fragment
Date: 900 – 30
Materials: terracotta
Culture: greek or lydian
Design for Pony Phaeton, no. 4134
Object type: drawing
Date: 1891 – 1891
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Serie 9: Nederlandse en Duitse Gebeurtenissen, 1583-1587
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: etching, hand coloring
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: capture of city (after the siege)

Verovering van de schans IJsseloord bij Arnhem, 10 november 1585, door Engelse en Duitse soldaten van het Staatse leger. Op de achtergrond de splitsing van de Rijn en de IJssel. Gedrukt met een cache over het onderschrift.
Square Plaque
Object type: plaque
Date: 634 – 900
Materials: gold
Culture: northwest chinese or eastern central asian
Bosweg van Tjibeureum naar Cibinong, West-Java
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: west java
Artist: Anonymous
Subjects: road, path, jungle
Inscriptions: inscription: ‘Groep boomvarens (Alsophila/ contaminans, Wall.) op den weg/ van Tjibeuroem naar Tjibitoeng./ 4900 voet.’, number: ‘35’
Jar with a spout
Object type: jar
Date: 3500 – 3100
Materials: copper alloy
Location: syria or mesopotamia
Perseus and the Gorgon's Head
Object type: drawing and watercolor
Date: 1770 – 1770
Materials: chalk, paper
Location: france
Artist: style of jacques louis david
Portret van een jonge man met vlinderstrik
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: leiden
Artist: jan frederik rienks
Artist role: fotograaf
Artist dates: 1857 – 1909
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘F. Rienks/ Photograaf/ Hoogewoerd 165/ Leiden./ Vergroottingen tot levensgroot naar/ elke Photographie./ De plaat blijft voor nabestelling bewaard.’
Covered jar with bouquets, scattered flowers and ornamental borders
Object type: covered bowl
Date: 1775 – 1799
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Dekselkom van porselein met een rechte wand, beschilderd op het glazuur in rood, roze, groen, paars, zwart en goud. De wand van de kom met twee boeketten met vier losse bloemen; om de buitenrand een brede decoratieve band met servetwerk, een band met bloemen en een 'spearhead-border'. De deksel met dezelfde decoratie en een platte knop. Famille rose.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, black glazed lines; black glaze; band of reserve; black glaze
Passer op een boek met Arbeid en Standvastigheid
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: engraving, hand coloring, letterpress printing
Location: amsterdam
Subjects: compasses, personification of agriculture, 'agricultura'; 'agricoltura', 'studio dell'agricoltura' (ripa), constancy, tenacity; 'costanza', 'tenacità' (ripa)
Inscriptions: collector's mark: Lugt, collector's mark: Lugt 4780

Titelpagina voor: Merula, Paullus. Cosmographiae generalis libri tres. Leiden: Franciscus Raphelengius en Amsterdam: Cornelis Claesz., 1605.
Rivier tussen begroeide rotsen; rechts een weg
Object type: drawing
Date: 1837 – 1837
Materials: paper, pencil
Techniques: brush
Artist: a regnier (nthony?)
Artist role: draughtsman
Subjects: ravine, chasm, abyss, canyon
Inscriptions: date: ‘1837’, inscription: ‘Chemin de la Chartreuse Val d'Isère’
Carpet (For a Buddhist Temple Column)
Object type: textile
Materials: cotton, wool
Techniques: cutting, weave
Location: china
Inscriptions: Inscription: dge [s]long 'Phrin las 'bul lo (donated by the monk Trinlay)
Ladle
Object type: ladle
Date: 1755 – 1775
Materials: silver
Culture: american
Location: united states
Artist: william hollingshead
Artist role: maker
Artist nationality: american
Artist dates: 1723 – 1808
Scheiding van Maas en Waal. (Wet op de verbetering van den Maasmond.)
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: maas, waal

Politieke spotprent over de wet op de verbetering van de Maasmond, 1883. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 4, 1883.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, left shoulder of figure with a thrysos
Pendants, nail head, from earrings
Object type: pendant, nail head, from earring
Date: 3900 – 100
Materials: silver
Culture: cypriot
Zeilboten aan een waterkant
Object type: drawing
Date: 1797 – 1870
Materials: paper, pencil
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: sailing-ship, sailing-boat, river
Inscriptions: collector's mark: Lugt 731a, signature: ‘A S.’

Aangemeerde zeilboten aan een waterkant waar bomen groeien. Tekening maakt deel uit van een album.
Kaart van de Purmer met wapenrand, bestaande uit zes delen
Object type: map
Date: 1683 – 1683
Materials: paper
Techniques: engraving, etching
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, polder, reclaimed land, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 195

Op de kaart rechtsboven het wapen van de Purmer, rechtsonder een schaalstok: Rynlantze roeden de 600. doen een morgen. Om de kaart heen een wapenrand met de wapens van de dijkgraaf, heemraden, secretaris, ontvanger, hoofdingelanden en gecommitteerden van de ingelanden.
Lady S. Churchill, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Portret van koning Dagobert I
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Vesta Victoria, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Bowl
Object type: bowl
Date: 1750 – 1750
Materials: stoneware
Culture: british
Location: england
Subjects: men
Card Number 635, Miss Blake, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
River View in a Mountainous Region
Object type: painting
Materials: canvas, oil
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: river, mountains

Riviergezicht in een bergachtige streek. Aan de oever van de rivier liggen enkele boten, links gaan reizigers op muilezels over een pad. Aan de overzijde van de rivier steekt een hoge steile rots omhoog.
Design for Ornamental Glass, for 2 Prate Street, Camden Town, London
Object type: drawing
Date: 1870 – 1870
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: ornament
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander and cross square with dots in corners; Exterior, handle palmette and part of handle
't Huys te Vleuten
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: castle, landscape with tower or castle

Prent uit: De Ridder-matige Huysen en Gesichten in de Provincie van Utrecht. Amsterdam: Joachim Ottens, [ca. 1710].
Bird on Pole on Stand
Object type: decorative art
Materials: bronze
Culture: greek
Location: greece
Subjects: bird

This precious bronze object is a votive, or devotional gift, made as an offering to the gods. They come in many forms, such as animals, beads and brooches. Many seem once to have been attached to something else. Votives were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were ceremonially buried to make room for more offerings.
The Calling of Abraham (or The Annunciation to the Shepherds), from Cainet Reynst
Object type: print
Date: 1655 – 1658
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658
Fragment (From a Noh Costume)
Object type: textile
Date: 1701 – 1800
Materials: silk
Techniques: patterning, weave
Location: japan
Roundel
Object type: roundel
Date: 201 – 400
Materials: linen, wool
Location: egypt
An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Justice
Object type: statuette
Materials: bronze
Artist: bartolomeo ammanati (ammannati)
Artist role: modeler
Artist nationality: italian
Artist dates: 1511 – 1592
Subjects: female nudes
Portret van Jacob Ernst Marcus
Object type: print
Date: 1805 – 1834
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: jacob ernst marcus, historical persons, portrait, self-portrait of graphic artist, head-gear: top hat
Inscriptions: collector's mark: Lugt 2228
Geschreeven in de Treurkamer, Binnen Amsterdam
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Subjects: amsterdam, johannes bartholomeus ferdinandus van gogh, head of a beheaded person

Blad met een vers geschreven door Johannes Bartholomeus Ferdinandus van Gogh in gevangenschap de dag voor zijn onthoofding te Amsterdam op 4 april 1778. Van Gogh werd ter dood veroordeeld voor de moord op zijn geliefde, de prostituee Anna Smitshuizen. Onderaan een kleine plaat van het afgesneden en geblinddoekte hoofd van de veroordeelde.
Presentiepenning van het Boekdrukkersgilde te Middelburg 1662
Object type: history medal
Date: 1662 – 1662
Materials: brass
Techniques: casting
Inscriptions: circumscription: ‘DE HEER IOHANES - WILMERDONX OVER DEKEN’, inscription: ‘33’, circumscription: ‘PIETER - VAN GOETHEM - DEKEN’

Gegoten messing penning, op de voorzijde een drukpers met omschrift, op de keerzijde een boekenpers, een hand met hamer en een boekenklem met boek, met omschrift en gegraveerd nummer 33
de Koningin lant tot Calais verselschapt met de prins van walles en veel voorname lords en paters
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: paris, london, flight of ruler from adversary

Aankomst van de gevluchte Engelse koningin Maria van Modena met de prins van Wales te Calais in Frankrijk, eind december 1688. Zij wordt op de kade ontvangen door vertegenwoordigers van de Franse koning. Plaat M in de serie 'Engelants schouwtoneel' over de Glorious Revolution en gebeurtenissen uit de voorafgaande jaren 1685-1689 (eerste deel). Met onderschriften in het Nederlands en Frans.
Stuttgart - Weissenhofsiedlung
Object type: ansichtkaart, prentbriefkaart
Date: 1927 – 1930
Materials: photographic support
Techniques: photography
Location: stuttgart
Artist: w. fink
Artist role: publisher
Subjects: urban housing, city-view, and landscape with man-made constructions
Generaal d'Alton geëscorteerd door de vrijwilligers te Brussel, 1787
Object type: print
Date: 1787 – 1790
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Artist: Anonymous
Subjects: revolution, revolt, brabant

Het rijtuig met de Oostenrijkse generaal d'Alton geëscorteerd door de Brabantse vrijwilligers tegen het woedende volk op de Grote Markt te Brussel, 20 september 1787. Onderdeel van de gebundelde verzameling prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
Woman Standing
Object type: print
Date: 1615 – 1868
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: women
Waarschuwing tegen de heerszucht van Francois-Hercule, hertog van Anjou
Object type: jeton
Date: 1582 – 1582
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: paris, françois-hercule de valois (hertog van anjou)
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: paris
Artist: lya berger
Artist role: schrijver
Artist dates: 1877 – 1941
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Plate 8, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"
Object type: album print ornament architecture
Date: 1646 – 1652
Techniques: etching
Location: netherlands
Artist: theodor van kessel
Artist role: artist
Artist nationality: dutch
Artist dates: 1620 – 1660
Subjects: ornament

Plate 8 with a design for a ewer, facing right and characterized by numerous masks. From the first part of a series of 48 plates with designs in the Auricular style, predominantly after Adam van Vianen although some might be designs by his son Christaen. The designs were etched by Theodoor van Kessel and published in Amsterdam by Christaen van Vianen around 1646-1652.
Daphnis op vogeljacht in de winter
Object type: book illustration
Date: 1718 – 1718
Materials: paper
Techniques: etching
Location: paris
Subjects: bird hunting, winter landscape; landscape symbolizing winter (the four seasons of the year), daphnis (in greek mythology a shepherd who invented pastoral poetry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Longus. Les amours pastorales de Daphnis et de Chloé, avec figures. Parijs: s.n., 1718.
Mitts
Object type: mitt
Date: 1800 – 1824
Materials: linen
Culture: american
Feestzaal in het Hôtel de Ville, Parijs
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Subjects: palace - aa - civic architecture: inside
Inscriptions: retailer's mark: ‘Kunsthandlung/ Joh. Heinrigs/ in/ Cöln/ Hochstrasse 152./ Liefert alle im In- und Auslande/ erschienenen Kunstblätter.’, inscription: ‘M’
Armrest
Object type: upholstery panel
Date: 1754 – 1756
Materials: silk, wool
Artist: beauvais
Artist role: manufactory
Subjects: flowers

This tapestry panel is part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. The tapestry covers are woven with animal and bird subjects after designs by the painter Jean-Baptiste Oudry (1686–1755). For a fuller description of the entire set, see, e.g., MMA 35.145.1.
Plate
Object type: plate
Date: 1800 – 1850
Materials: earthenware
Culture: american
Location: united states
Artist: joseph mccully
Artist role: maker
Artist nationality: american
Artist dates: 1757 – 1820

The red body of this plate was decorated with a combed design in cream-colored slip and covered with a clear lead glaze. Combed slip decoration, a form of slip trailing, was favored by English earthenware potters.