deem-data/ArtiFact huggingface dataset:
Goddelijke bijstand aan de opstandelingen
Object type: jeton
Date: 1577 – 1577
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: tachtigjarige oorlog
Portret van een Franse jongeman met pijp en pet, zijn handen in de zakken houdend
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: hand in the pocket - aa - both arms or hands, youth, adolescent, pipe ~ tobacco, head-gear: cap, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Twee koppen
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types)
Inscriptions: collector's mark: Lugt 2228
Sash
Object type: sash
Date: 1790 – 1790
Materials: silk
Artist: jacob paschalis
Artist role: manufactory
Subjects: flowers
De Franse Kerck, op St. Joris Hoff aen te sien
Object type: print
Date: 1663 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: alms-house (dutch: 'hofje'), church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Dapper, Olfert. Historische beschryving der stadt Amsterdam (…). Amsterdam: Jacob van Meurs, 1663. Of uit: Zesen, Philipp von. Beschreibung der Stadt Amsterdam (…). Amsterdam: Joachim Nosche, 1664. Bij sommige exemplaren van eerstgenoemde uitgave werd een latere staat ingebonden waarop boven de Nederlandse titel ook een Franse is toegevoegd.
Ruitergevecht
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: charge ~ battle (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 240, inscription: ‘16’

Ook gebruikt in: Tielcke, Johann Gottlieb. Mémoires pour servir à l'art et l'histoire de la guerre de 1756. jusqu'à 1763. Freiberg, Barthel, 1777.
Length of velvet
Object type: piece
Date: 1710 – 1710
Materials: textile, silk, velvet
Techniques: cutting, voiding
Subjects: flowers
Harlequin
Object type: toy
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: masks,men
Jan de Wasscher (John the Washerman)
Object type: print
Date: 1700 – 1899
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: hen-pecked husband, 'betty', 'molly' (man who engages in women's work)
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen uit het leven van Jan de Wasser, een man die van zijn vrouw Griet, die de broek aan heeft, al het huishoudelijk werk moet doen. Onder elke voorstelling een tweeregelig vers. Een fondslijst en bestelbiljet in boekdruk op het verso.
Portrait of two children
Object type: drawing
Date: 1837 – 1837
Materials: gold, gouache, paper, watercolor
Artist: george richmond
Artist role: artist
Artist nationality: british
Artist dates: 1809 – 1896
Subjects: children,boys,portraits

Richmond was one of Victorian Britain’s most successful watercolor portraitists, creating intimate and engaging images. His reputation was launched in 1832 when he represented the abolitionist-politician William Wilberforce. By 1837, when he made this work, he earned a thousand pounds annually (about £140,000 today). A miniaturist’s training underpins the confidently executed faces of these siblings. Lines of graphite visible beneath the layers of color demonstrate how the composition was established, while lively details, such as the girl’s red sash, the boy’s colorful handkerchief, and the gold-tasseled cap, enhance the informal mood. A few months after he made this work, Richmond and his wife departed London for a two-year stay in Italy.
Belt Fitting
Object type: belt fitting
Date: 901 – 1000
Materials: bronze
Techniques: casting, gilding, incising
Location: iran
Subjects: arabic

This belt fitting was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Morning cap
Object type: morning cap
Date: 1812 – 1812
Materials: cotton, silk
Culture: american
Huntsman's knife
Object type: huntsman's knife
Date: 1701 – 1800
Materials: horn, silver, steel
Zittende pijproker
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: leiden
Subjects: sitting figure, pipe ~ tobacco
Inscriptions: collector's mark: Lugt 240

Een man met een pijp zittend op een stoel. In zijn hand heeft hij een test met een kooltje vuur.
Mountain Landscape with Waterfall and Figures
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: carl august lebschee
Artist role: draughtsman, painter, print maker
Artist nationality: german
Artist dates: 1800 – 1877
Temperance
Object type: plaquette
Date: 1540 – 1540
Materials: bronze
Artist: peter flötner
Artist role: artist
Artist nationality: german
Artist dates: 1485 – 1546
Subjects: women

This plaquette comes from a series of the Seven Virtues. Temperance is shown with her wine and water cups. The woman is partially covered by her luminous drapery, which falls in curvilinear folds. Occasionally, this type of plaquette was duplicated in gold and in brass; they were often used to decorate vessels and furnishings.
Saucepan
Object type: saucepan
Date: 1800 – 1830
Materials: silver
Culture: american
Location: united states
Artist: john mcmullin
Artist role: maker
Artist nationality: american
Artist dates: 1765 – 1843
Panoramafoto: gezicht vanaf een koets met paarden
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Inscriptions: inscription: ‘10 / IJ [?]’
Portugal, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: coat of arms,flags

Trade cards from the set, "Flags of All Nations," Series 1 (N9), issued in 1887 in a series of 48 cards to promote Allen & Ginter Brand Cigarettes. The museum's collection contains the 48 cards from the Series 1 set, as well as 10 variations and 5 mis-printed cards.
South Sea Island
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: sweden
Artist: lorens gottman
Artist nationality: swedish
Artist dates: 1708 – 1779
Ring with Plain Oval Bezel and Inscription
Object type: ring
Date: 701 – 933
Materials: gold
Culture: indonesian, javanese
Pijprokende man zittend op een kruk
Object type: print
Date: 1772 – 1791
Materials: paper
Techniques: printmaking, etching
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: pipe ~ tobacco
Inscriptions: collector's mark: Lugt 2228

De prent verscheen vanaf 1818 tevens als onderdeel van een 33-delige reeks prenten door Mathias de Sallieth, samengebonden in: Perkois, Jacobus, Prins, Johannes Huibert. Verzameling van verschillende gekleede mans- en vrouwenstanden, ter oefening van jonge schilders en liefhebbers. Rotterdam: Johannes Immerzeel, 1818.
Kruisdraging
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: carrying of the cross: christ bearing the cross, alone or with the help of others (e.g. simon the cyrenian)
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Poort of the Sheesh Mahal in the Amer Fort near Jaipur, Rajasthan, India
Object type: photograph
Date: 1865 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: amer
Artist: Anonymous
Subjects: palace, gate, entrance
Inscriptions: number: ‘84’, number: ‘102’, title: ‘Amber. - near Jeypore./ Gate of the Sheesh Mahal.’
Princely Hawking Party
Object type: folio from an illustrated manuscript
Date: 1570 – 1570
Materials: gold, ink, paper, watercolor
Location: iran
Artist: mirza 'ali
Artist role: artist
Artist nationality: iranian
Artist dates: 1500 – 1599
Subjects: animals,birds,hawks,boys,men,horses

This painting, attributed to Mirza 'Ali, is the left half of a double‑page composition (shared with the Museum of Fine Arts, Boston) representing a pause during a hunt. Here, a youth straddling a rock cups the chin of a bare‑chested boy whose upper arms are lined with burn marks, indicating that he is a Sufi, or follower of the mystical path, who has burned himself as a sign of his love of God.
Bowl
Object type: bowl
Date: 901 – 1500
Materials: marble, onyx
Culture: mexican
Location: mexico
Scarab Inscribed Lord of the Two Lands Maatkare Above a Papyrus Thicket
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Klassieke architecturale elementen
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: paris
Subjects: other architectural details (with name), architectural detail, door

Details van architectuur waaronder timpanen of frontons en nissen. Prenten genummerd 150 t/m 153. Deze vier prenten maken deel uit van een album.
Iconic Statue. (Marble) MacDonald
Object type: page
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: london
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, london
Hudson River Scene
Object type: painting
Date: 1857 – 1857
Materials: canvas, oil
Culture: american
Artist: john frederick kensett
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1872
Subjects: rivers,mountains,landscapes
Rennende jongeren in een straat in Frankrijk
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: running (~ game), street (+ city(-scape) with figures, staffage), france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Herinnering aan Amsterdam in 1883
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: chromolithography
Location: netherlands
Artist: Anonymous
Subjects: world fair, world exhibition, amsterdam

Omslag met een gezicht op schepen op het IJ voor Amsterdam. Envelop voor een groep van zestien platen en een plattegrond van de Wereldtentoonstelling in Amsterdam van 1 mei tot 1 oktober 1883. Uitgave van het Nieuws van den Dag.
Textile with Leaves and Garden Fence
Object type: piece
Date: 1615 – 1868
Materials: silk
Techniques: dyeing, embroidery, painting, weave, resist
Culture: japanese
Subjects: leaves
Portret van een man met snor
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: moustache, adult man, historical persons
Inscriptions: inscription: ‘E. Flottwell/ Photographisches Atelier/ Danzig/ Reitbahn No. 7’
Plate 35, from "World in Miniature"
Object type: print
Date: 1816 – 1816
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dogs,rivers,boats

One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." A man helps a woman into a rowing boat at right. Another woman is seated in the row boat and a dog is barking at them on shore at right. They are surrounded by a wooded river landscape.
Boekje met voordrachten gehouden na het huwelijksmaal ter gelegenheid van het huwelijk tussen Louise Lopes de Leâo Laguna en Henri Godfried Victor Hijmans, op 16 oktober 1917
Object type: print
Date: 1910 – 1917
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: wedding feast, wedding meal
Inscriptions: collector's mark: Lugt 1641, collector's mark

Geïllustreerd boekje met teksten van de voordrachten en liedjes voor het bruidspaar na het huwelijksmaal in Huize 'Couturier'. Bij het huwelijk tussen Louise Lopes de Leâo Laguna en Henri Godfried Victor Hijmans, te Amsterdam op 16 oktober 1917. Onderdeel van een groep van twaalf objecten rondom het huwelijk in de familie Lopes de Leâo Laguna. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Bruiloft en huwelijk.
Chilpericus Francorum Rex
Object type: print
Date: 1630 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, ruler, sovereign
Reproductie van een prent van een portret van Adam Duncan door Daniel Orme
Object type: photomechanical print
Date: 1875 – 1920
Materials: paper
Techniques: photograph
Subjects: adam duncan (burggraaf van duncan), historical persons, commander-in-chief, admiral
Portret van een onbekende jongen
Object type: photograph
Date: 1874 – 1887
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘ALBERT GREINER/ Photograaf van wijlen Z.M. den/ Koning Willem III en H.M. de Koningin Weduwe/ AMSTERDAM/ NIEUWENDIJK 89./ Specialiteit in Vergrootingen.’
Pohled od severniho pruceli prumyslového paláce na cást výstavy po levé straně světelné fontány
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: prague
Subjects: temporary exhibition, 'salon'
Hulde aan zijne Majesteit Koning Willem den IIIden
Object type: text sheet
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: willem iii (koning der nederlanden)
Inscriptions: collector's mark: Lugt 2228

Vers op de inhuldiging van koning Willem III op 12 mei 1849. Tekst in zes coupletten in twee kolommen.
Portret van Arnoldus Johannes Eymer
Object type: drawing
Date: 1847 – 1847
Materials: paper, pencil
Artist: adrianus johannes ehnle
Artist role: draughtsman, print maker
Artist dates: 1819 – 1863
Subjects: amsterdam, arnoldus johannes eymer, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Bowl with a metalworking scene
Object type: bowl
Date: 1 – 300
Materials: ceramic
Culture: nasca
Location: peru
Artist: nasca artist(s)
Artist role: artist

This bowl with high, slightly flared sides represents a walled enclosure with crenulations. On the exterior, the structure’s lower walls were painted with a red slip, and a door was outlined in white. The interior of the vessel reverses this, with lower walls in white and crenulations in red, and two doors, on either side of the vessel, outlined in blackish brown. In relief on the base of the bowl, the artist depicted an orange smelting furnace on a brown floor, with seven blow tubes resting on it. A figure wearing a headdress and whiskered nose ornament sits to one side, knees drawn up. The structure recalls the battlements found around the Templo del Escalonado at the site of Cahuachi, an important ritual center on Peru’s South Coast in the first half of the first millennium CE. The depiction of the smelting furnace is unusual, and it provides a rare opportunity to show an indigenous view of the production of metal objects, of gold, silver, copper, or bronze—a process that was very likely considered a semi-divine act.
Portaal van het klooster in de Certosa di Pavia
Object type: photograph
Date: 1877 – 1882
Materials: cardboard, photographic support
Techniques: albumen print
Location: certosa di pavia
Artist: alfredo noack
Artist role: fotograaf
Artist dates: 1833 – 1895
Subjects: abbey, monastery, convent ~ roman catholic church, gate, entrance
Inscriptions: inscription: ‘No. 9. Portal im kleinen Klosterhof’, number: ‘983’
Maria met kind, Johannes de Doper en een engel die viool speelt
Object type: drawing
Date: 1556 – 1556
Materials: ink, paint, paper
Techniques: brush, pen
Artist: bartholomeus spranger
Artist role: draughtsman, painter, print maker
Artist dates: 1546 – 1611
Subjects: holy family with john the baptist (as child) (+ angel(s))
Dr. H.W. Pabst, Director der Königl. Academie Eldena
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Location: greifswald
Subjects: adult man, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Portret van George Holmes
Object type: book illustration
Date: 1749 – 1749
Materials: paper
Techniques: engraving, etching
Subjects: book, oil-lamp, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Portret van de Britse archivaris George Holmes, ten halven lijve in een ovaal met onderin zijn wapen. Onder het portret een olielamp, een buste, boeken, archiefmateriaal en schelpen. Daaronder een kamer met in het midden een bureau.
Putto en cherubijnen met pronkbeker
Object type: drawing
Date: 1600 – 1800
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: cherubs, i.e. children's heads with wings, chalice, angel(s) represented as child(ren)
Inscriptions: collector's mark: Lugt 2228

Een putto en cherubijnen met een pronkbeker met koningskroon.
Embankment at Mimeguri (Mimeguri tsutsumi), section of a sheet from the series ”Cutouts of Famous Places in Edo (Harimaze Koto meisho)”
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Gazette du Bon Ton. Art - Modes & Frivolités, No. 7 - 1921, 4e Année
Object type: magazine
Date: 1921 – 1921
Materials: paper
Techniques: letterpress printing, pochoir
Location: london
Artist: lucien vogel
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

Aflevering no. 7, september 1921, van Gazette du Bon Ton, bestaand uit een omslag, tien katernen met tekst en illustraties en acht losse prenten. Aan dit deel werkten de volgende modeontwerpers mee: Beer, Doeuillet, Lanvin, Paul Poiret, Camille Roger en Worth.
God Creating Heaven and Earth, title page from "The Creation of the World"
Object type: print
Date: 1589 – 1589
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: male nudes

In 1589 Jan Muller, son of the Amsterdam book printer, engraver, and publisher, was a member of or working in Hendrick Goltzius’s workshop in Haarlem. During that time, he engraved a series of prints depicting the creation of the world after designs by Goltzius, the premier draftsman and printmaker in the northern Netherlands. Although some preliminary sketches for the series still exist, the finished designs are now lost. The series itself is extraordinary. Rather than following the centuries old traditional representations of the seven days of creation, based on the Book of Genesis, Goltzius looked instead to classical mythology for his imagery. It is often suggested that he was inspired by Ovid, the first century Latin poet, who describes the creation at the beginning of The Metamorphoses, his long poem about the gods and humankind. The titlepage is one of the only two prints in the series to include a representation of God the Father. He is a robed and bearded figure, floating on a wraithlike cloud and gesturing toward a newly created Earth. Earth is a shiny sphere, as yet undifferentiated into land and sea, suspended on a rope held by two well-muscled nude male figures, presumably some godlike or angelic figures, standing on a base of clouds in an otherwise undefined cosmos. The text on the tablet below the figures is a poem by F. Estius, roughly following the Biblical description of the creation.
Lune et moulin
Object type: print
Date: 1876 – 1910
Materials: paper
Techniques: lithograph
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: full moon, windmill
Inscriptions: collector's mark: Lugt 2228
Vetplant agave met op de achtergrond een brug in Menton
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: menton
Subjects: plants and herbs: agave
Inscriptions: negative number: ‘938’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en Zuid-Frankrijk.
Zicht op een meer en een oever bij Midway Point nabij Monterey, Californië bij nacht
Object type: photograph
Date: 1910 – 1930
Materials: ink, paint
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Inscriptions: annotation: ‘2589- Midway Point, 17 Mile Drive, Monterey Co. California.’, annotation: ‘Souvenir Publishing Co. [doorgehaald] // PACIFIC NOVELTY CO. / OF SAN FRANCISCO’, annotation: ‘29/16 “ wide / 1 ¾ “ high / Leave off title at top’

Opgewerkte foto met in de marges aanwijzingen voor de opmaak.