deem-data/ArtiFact huggingface dataset:
Log, Sounding Lead and Brochure
Object type: buoy
Date: 1855 – 1855
Materials: brass, lead, paper, fiber, wood
Location: marseille
Subjects: paris
Inscriptions: inscription, on the cover of the brochure: ‘NOTICE ET DESCRIPTION / DU / LOCH-SONDEUR / [...] PAR / M. ADOLPHE PÉCOUL [...] / MARSEILLE [...] / 1855.’, inscription, on both buoys: ‘BREVETE S.G.D.G. / A. PECOUL / LOCH-SONDEUR’

Pécoul's uitvinding, zoals beschreven in de brochure, werkte met slechts één boei, die zowel als log en als dieplood werd gebruikt. Indien als log gebruikt, werd de boei met het lood op een vastgestelde afstand verzwaard en de pal in het houten cilindertje op het viertouw gestoken, zodat de boei met zijn punt naar beneden in het water komt te liggen en een vlakke kant aan de vaarrichting biedt: zo gauw als het viertouw strak komt te staan, laat de pal los. Zoals bij een gewoon log wordt de snelheid van het schip afgeleid uit de lengte van het gevierde touw in een bepaalde tijd. Het gebruik van het lood maakte het minder gevoelig voor stromingen.
One of the Sons of Noah who Goes to Populate a Part of the Earth (Uno de figli di Noè che va a popolare una parte della terra)
Object type: print
Date: 1743 – 1763
Techniques: etching
Artist: pietro monaco
Artist role: artist and publisher
Artist nationality: italian
Artist dates: 1707 – 1772
Subjects: men,cows,horses,sheep,landscapes
Terracotta phiale (libation bowl)
Object type: phiale
Date: 300 – 201
Materials: terracotta
Culture: greek, calenian or campanian or south italian
Subjects: birds

The decoration in relief combines geese, ducks, and horses with the foreparts of winged lions and female figures with two pairs of wings.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three complete kylix handles; two have handle patches
Platter
Object type: platter
Date: 1860 – 1866
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,butterflies,flowers
Fotoreproductie van een prent, voorstellende een soldaat met een vlag
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Artist: stephen ayling
Artist role: fotograaf
Subjects: private soldier, (military) flags and standards
Bronze nails
Object type: bronze nail
Date: 700 – 501
Materials: bronze

Four fragments of bronze nails; one nail has a round disk attached to it
Wilhelmus III en Maria II koning en koningin Van groot Brittanye Vranckryk en Yerlant, Beschermer des geloofs
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: adriaen schoonebeek
Artist role: print maker, publisher
Artist dates: 1661 – 1705
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland)
Inscriptions: collector's mark: Lugt 2760

Portretten van koning Willem III en koningin Maria II Stuart, staande met kronen, insignia en in vol ornaat, voor een balustrade. Gekroond op 21 april 1689. Onderdeel van de serie 'Engelants schouwtoneel' over de Glorious Revolution 1688-1689 (tweede deel). Met onderschriften in het Nederlands en Frans.
Charles Joseph, prins de Ligne, generaal in Oostenrijkse dienst
Object type: history medal
Date: 1816 – 1834
Materials: bronze
Techniques: striking
Location: brussels
Artist: jean henri simon
Artist role: medailleur
Artist dates: 1752 – 1834
Subjects: vienna

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift
Portret van Henrik Ibsen
Object type: photomechanical print
Date: 1895 – 1915
Materials: paper
Techniques: photoaquatint
Subjects: historical persons, portrait of a writer
Flat Bangle
Object type: bangle
Materials: bronze
Culture: thai
Lodewijk van der Kethulle verslaat de Spaanse ruiter, 1591
Object type: print
Date: 1823 – 1829
Materials: paper
Techniques: etching
Location: netherlands
Subjects: duelling, deventer

Gebruikt als illustratie in: P.G. Witsen Geysbeek en G. Engelberts Gerrits, Schoonheden en merkwaardige tafereelen uit de Nederlandsche geschiedenis. G. Portielje, Amsterdam 1825-1829, 8 delen.
Terracotta fragment of a volute-krater (bowl for mixing wine and water)
Object type: volute krater fragment
Date: 500 – 475
Materials: terracotta
Culture: greek, attic

On the side of the rim, pattern of meanders interrupted by squares with black rectangle within; on the neck, head, part of the upper torso, extended left arm, bent right arm, and tail of an ithyphallic satyr to right. lifting an amphora?; head, upper torso, left hip, and bit of thigh of a satyr to left, holding a wineskin in his left hand, which hangs over his left shoulder and down his back; bit of drapery from a third figure
Gezicht op Napels en de baai, Italië
Object type: photograph
Date: 1867 – 1873
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: gulf, bay, trees: pine, prospect of city, town panorama, silhouette of city, naples
Inscriptions: number: ‘6116.’
København. Grundtvigs Mindekirke
Object type: photograph
Date: 1921 – 1936
Materials: photographic support
Techniques: photography, writing
Location: copenhagen
Subjects: church (exterior)
Inscriptions: inscription: ‘JCO’
Japanse oorlogsprent
Object type: print
Date: 1894 – 1905
Techniques: woodcut
Location: japan
Artist: Anonymous
Subjects: war
Achterkant van het Rijnlandshuis te Leiden
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: leiden
Artist: henricus jacobus tollens
Artist role: painter
Artist dates: 1864 – 1936
Subjects: governmental and representative bodies
Inscriptions: annotation: ‘No.3/ Leiden/ achterkant Gemeenlandshuis’, inscription: ‘H.J. Tollens C. Hzn./ Ateliers voor Fotografie/ Dordrecht-Eindhoven’, number: ‘116’
Stencil
Object type: stencil
Date: 1867 – 1933
Materials: paper, silk
Culture: japanese
Portret van Gale Isaac Gales
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: theologian, historical persons, professor

Latere staat van prent mogelijk gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795.
Twee voorstellingen van hetzelfde landschap met boerderij en een ruïne
Object type: print
Date: 1719 – 1780
Materials: paper
Techniques: etching
Artist: françois vivares
Artist role: print maker
Artist dates: 1709 – 1780
Subjects: landscape with ruins (+ city(-scape) with figures, staffage), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2228
Stadsschouwburg en het American Hotel aan het Leidseplein, gezien vanaf de Lijnbaansgracht, Amsterdam
Object type: stereograph
Date: 1882 – 1888
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: theatre (building), canals, waters (in city)
Inscriptions: initials: ‘IB [?]’
Nicephorus, keizer der Grieken, door de Wallachen overwonnen en onthoofd / Diogenes overgiet zich in de winter met koud water
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: violent death by beheading, king, (story of) diogenes, the philosopher
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Ziegler, Georg. Konst-spiegel der weereltlikke vermaken. Amsterdam: Johannes Boekholt, 1687.
Ostracon
Object type: ostracon, hieratic
Date: 1550 – 1295
Materials: ink, limestone
Location: egypt
Subjects: hieratic
Portrait of a Man
Object type: painting
Date: 1650 – 1650
Materials: canvas, oil
Artist: velázquez
Artist role: artist
Artist nationality: spanish
Artist dates: 1599 – 1660
Subjects: men,portraits
View on the Quirinal Hill, Rome
Object type: painting
Date: 1800 – 1800
Materials: canvas, oil, paper
Artist: simon denis
Artist role: artist
Artist nationality: flemish
Artist dates: 1755 – 1813
Subjects: cities,rome

For this rooftop view, Denis set up his easel on the upper story of a palazzo on Rome’s Quirinal Hill. His intention was not merely to depict the urban topography. Facing north by northwest, the view beckoned to be painted in the afternoon to take full advantage of the shadows that heighten the counterpoint between the curve in the cityscape and the dome of the sky. This simple record of a few hours’ work is arguably the most ambitious oil sketch by Denis that has come to light.
Huwelijksaankondiging aan Philip Zilcken
Object type: wedding announcement
Date: 1903 – 1903
Materials: cardboard
Techniques: printing
Location: the hague
Artist: Anonymous
Subjects: cologne, print maker, draughtsman, johan thorn prikker, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Fringe
Object type: fringe
Date: 1801 – 1900
Materials: silk
Galloon
Object type: galloon
Date: 1767 – 1833
Materials: cotton, metal thread
Justus Gonggrijp samen met Anna Rühmann op plantage Clevia
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: photography
Location: suriname
Artist: andries augustus boom
Artist role: amateurfotograaf, handelaar
Artist dates: 1878 – 
Subjects: justus gonggrijp, plantation, suriname

Justus Gonggrijp samen met Anna Rühmann staande voor de trap naar het huis op plantage Clevia. Onderdeel van een groep foto's van de familie Boom-Gonggrijp in Suriname.
Petit Courrier des Dames, 1825, No. 274 : Robe de Satin garnie de fourur (...)
Object type: fashion print
Date: 1825 – 1825
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (+ women's clothes), border, ribbon, braid (+ women's clothes), buckle (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), bracelet, wristlet (+ women's clothes)
Inscriptions: address: ‘Rue Meslée No.25.’, title: ‘Modes de Paris.’, title: ‘Petit Courrier des Dames.’, caption: ‘Robe de Satin garnie de fourure, Corsage à la françois 1er. orné d'agrafe en piererie, chapeau de velours bleu barbot orné d'aigrette de filagrame d'Or et de rubans tissus d'or des Magasins de Mme. Mure.’

Staande vrouw gekleed in een japon van satijn, afgezet met bont. Het lijfje 'à la françois 1er.', versierd met een agrafe met edelstenen. Op het hoofd een hoed van blauw fluweel, versierd met aigrette van goudkleurige 'filagrame'(?) en linten van goudkleurige stof, 'des Magasins de Mure'. Verdere accessoires: twee armbanden om de linkerpols, handschoenen, ceintuur met gesp, platte schoen met puntige neus. Rechts een zittende vrouw, op de rug gezien, gekleed in eenzelfde japon. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Gezicht over de Theems bij Eton College
Object type: photograph
Date: 1862 – 1867
Materials: paper
Techniques: albumen print
Location: eton college
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: river, thames
Twee voorstellingen uit Feyer der Liebe
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: offering; 'offerta overo oblatione' (ripa), garland, wreath, graces (charites), generally three in number; 'gratie' (ripa), monument, statue, (story of) venus (aphrodite), taking a bath - aa - in the open air, letter, envelope
Inscriptions: collector's mark: Lugt 2228

Links: de verering van de beelden van Venus en een gratie. Rechts: de heer legt een brief bij de kleding van de badende dame.
In de marge zijn op schetsmatige wijze verschillende figuren en landschappen geëtst.
Het korporaalschap van kapitein Frans Banninck Cocq en luitenant Willem van Ruytenburch, bekend als de 'Nachtwacht'
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: engraving, etching, roulette
Location: amsterdam
Subjects: proclamation of peace, celebration meal, feast, banquet, festivities on events of national importance, picture, painting, land forces (+ citizen soldiery, civil guard, citizen militia), historical events and situations, dog
Inscriptions: collector's mark: Lugt 2228
Maria met kind
Object type: print
Date: 1630 – 1686
Materials: paper
Techniques: engraving
Location: france
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: collector's mark: Lugt 240
Memorial Portrait of the Actor Kataoka Nizaemon VIII
Object type: print
Date: 1862 – 1862
Techniques: woodblock print
Location: japan
Artist: utagawa yoshitora
Artist nationality: japanese
Artist dates: 1836 – 1887
Portret van een onbekende jongen
Object type: album leaf
Date: 1912 – 1916
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: anonymous historical person portrayed
Terracotta fragments of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

The largest fragment has part of the leg of a figure to right?; at the left, ivy framed with two black glaze lines on each side; two smaller fragments with part of the ivy from the panel border
Klok
Object type: photograph
Date: 1874 – 1879
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: clock
Colius colius ? (White-backed mousebird)
Object type: drawing
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: annotation: ‘Collion. múisvogel. het mannetje. Mokoe (in potlood)’

White-backed mousebird (Eng.). Franse benaming geschreven door Levaillant.
King Solomon Beholds the Ark of the Covenant Being Brought to the Temple
Object type: drawing
Date: 1604 – 1604
Materials: chalk, gouache, ink, paper
Techniques: brush, highlighting, pen, wash
Artist: andrea vicentino (andrea michieli)
Artist role: artist
Artist nationality: italian
Artist dates: 1542 – 1618
Subjects: temples,kings,men

Representing an episode in the reign of King Solomon of the Old Testament (First Book of Kings), this large, highly finished composition is executed in a dense, painterly brush technique on blue paper that is typical of North-Italian practice. The drawing dates from the artist's late period, and may have been intended as a demonstration piece for a patron to show the design of a monumental canvas or fresco with an arched shape. As identified only recently by Stefania Mason (June 2013), the drawing is in fact a preparatory modello for the organ shutters of the Church of San Zulian (San Giuliano) in Venice, painted by Il Vicentino in 1604. A drawing in the Musée des Beaux-arts, Nantes, has also been identified as the preparatory modello for the organ shutters at San Zulian (see: Ettore Merkel, "Le portelle di Andrea Vicentino per l'antico organo di San Zulian: un recupero avventuroso," Arte Veneta, no. 46, 1994, pp. 104-105). Little is known about Vicentino, a superbly fluent draftsman, who assimilated the Venetian tradition of painting from his training in the workshop of Alessandro Maganza. Originally from the city of Vicenza, as this drawing vividly attests, Vicentino's pictorial vocabulary emerged from the "grand manner" of Jacopo Tintoretto and Palma il Giovane, but the style in this sheet also evokes closely that of Paolo Farinati, Vicentino's near contemporary from neighboring Verona.
Glass Fragment
Object type: fragment
Date: 1201 – 1300
Materials: glass, paint, pigment
Culture: european
Portret van Wolfgang Willem van de Palts-Neuburg
Object type: print
Date: 1603 – 1650
Materials: paper
Techniques: engraving, etching
Artist: matthäus merian (i)
Artist role: print maker
Artist dates: 1593 – 1650
Subjects: wolfgang willem van de palts-neuburg, historical persons, knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228
Fragment koperen plaatwerk uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Figuren in zeilboten
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: sailing-ship, sailing-boat

Blad 20 recto uit een schetsboek met 53 bladen.
Goblet
Object type: goblet
Date: 1501 – 1600
Materials: gilt, glass
Techniques: glassblowing, molding
Culture: venetian
Artist: tyrol
Artist role: artist
Artist dates: 1592 – 1592
Silver Tureen (a), lid (b) and liner (c) [pair with 1975.1.2561a,b]
Object type: tureen
Date: 1749 – 1749
Materials: silver
Techniques: casting
Culture: french
Artist: etienne-jacques marcq
Artist role: artist
Artist nationality: french
Artist dates: 1732 – 1781
Subjects: coat of arms
Vrouw zittend op een bank met aan de muur een crucifix
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: etching
Artist: l. van der sypen
Artist role: print maker
Subjects: adult woman, crucifix ~ personal devotion, veil
Inscriptions: collector's mark: Lugt 1485, inscription: ‘[...] de nuite. Leon’, collector's mark: Lugt 2228

Volgens Hippert&Linnig verschenen in: l'Album de la Fête artistique à Bruxelles, 1850, pl. 15.
Terracotta fragment of a loutrophoros (ceremonial vase for water)?
Object type: loutrophoros fragment
Date: 634 – 601
Materials: terracotta
Culture: greek, attic

Part of the rim and mouth of a loutrophoros?; the top side of the mouth has parts of three rosettes
Bed leg (one of four)
Object type: bed leg
Date: 1501 – 1600
Materials: iron
Relief mounted as a mirror frame
Object type: mirror frame
Date: 1568 – 1568
Materials: wood, gilt silver
Artist: wenzel jamnitzer
Artist role: maker
Artist nationality: german
Artist dates: 1507 – 1585

Wenzel Jamnitzer is widely recognized as the greatest Mannerist goldsmith in the German-speaking regions. As demonstrated throughout this volume, much of his fame was based on highly inventive objects, primarily life casts and mounted naturalia for princely Wunderkammern (see, for example, cats. 70–72). The design of this relief frame, with personifications of four of the seven liberal arts—Arithmetic, Geometry, Perspective, and Architec ture— was adopted from the title page of his treatise on geometry, Perspectiva corporum regularium (fig. 85), and it reappears in a similar format as a metal plaque on his tombstone (see cat. 66).[2] The ovoid mirror with faceted glass edges is distinguished by a crowned lion in repoussé silver, a clear reference to Jamnitzer’s maker’s mark, the letter W above a lion mask.[3] A portrait of the artist, or perhaps of a princely first owner, may have been mounted in the oval below. The object was likely the main part of a precious silver book cover that was subsequently reconfigured as a mirror. A silver library was the absolute sign of royal power. Legendary were the book covers of Duke Albert of Prussia, who had texts by Martin Luther enshrined in precious metal.[4] The ornamental vocabulary of the frame’s moldings document Jamnitzer’s inventiveness and the highly advanced methods of rationalization and prefabrication employed by his workshop (see figs. 26, 29). Thus, various decorative parts that could be shaped to size and applied as fittings appear in a divergent combination of objects (see cat. 14). Jamnitzer’s greatest accomplishments, how-ever, may have been scientific, alongside his talent at bringing together highly skilled craftsmen for masterful collaborations. In 1550 he ordered from another gifted machinist, the inventor Hans Lobsinger— who also produced life casts—a press for working gold, silver, and other metals into a speacific shape.[5] Indeed, as late as 1675, the historian Joachim von Sandrart recommended that young apprentice goldsmiths idolize the universal mind of Wenzel Jamnitzer, and follow him by practicing “drawing, sculpting and other tasks.” [6] Footnotes (For figures and referenced additional catalog entries, as well as a key to the shortened bibliography references see Koeppe, Making Marvels: Science & Splendor at the Courts of Europe: The Metropolitan Museum of Art, 2019) 1. Nürnberger Goldschmiedekunst 2007, vol. 1, pt. 1, p. 501 (BZ06) (Nuremberg town mark), p. 203, no. 403.12 (MZ0403) (maker’s mark). 2. Hauschke 2011, p. 97, fig. 3. The design suggests that Jamnitzer was proud of his mastery of geometric perspec-tive; I am grateful to Noam Andrews for his advice. 3. Nürnberger Goldschmiedekunst 2007, vol. 1, pt. 1, pp. 198–205, no. 403, pt. 2, fig. 114. 4. See the silver library of Königsberg; Wo´zniak 2017. 5. Nürnberger Goldschmiedekunst 2007, vol. 1, pt. 1, p. 239, under no. 493. 6. “im Zeichen, Bosiren und andern Regeln.” Quoted in ibid., p. 200.
Thames Police (Wapping Wharf)
Object type: print
Date: 1859 – 1859
Materials: ink, paper
Techniques: etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: houses,rivers,police,boats
Vier fotografische prentbriefkaarten van Ramsgate
Object type: album leaf
Date: 1926 – 1926
Materials: paper
Techniques: gelatin silver print
Location: ramsgate
Artist: Anonymous
Subjects: city-view in general; 'veduta', avenue, boulevard, promenade, esplanade, coast

Deze foto's maken deel uit van een album.
The Stone Bridge
Object type: print
Date: 1744 – 1744
Materials: paper
Techniques: etching
Location: germany
Artist: christian wilhelm ernst dietrich
Artist role: artist
Artist nationality: german
Artist dates: 1712 – 1774
Votiefkerk v./h. H. Hart. Roermond
Object type: photomechanical print
Date: 1905 – 1928
Materials: cardboard
Techniques: photograph, writing
Location: roermond
Subjects: church (exterior)
Inscriptions: postage stamp
Le Figaro, 21 januari 1893
Object type: newspaper
Date: 1893 – 1893
Materials: paper
Techniques: printing
Subjects: lodewijk xvi (koning van frankrijk), violent death ~ beheading by guillotine, on the scaffold or place of execution

Krant Le Figaros, van 21 januari 1893. 100-jarige herdenking van de terechtstelling van koning Lodewijk XVI op de Place de la Revolution, 21 januari 1793.
Amsterdam Banker, from World's Dudes series (N31) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "World's Dudes" series (N31), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Portret van Karel Lodewijk Napoleon Bonaparte
Object type: print
Date: 1818 – 1887
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: paris, london, napoleon iii (keizer der fransen), historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Onderlichaam van een man
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: legs

Blad 24 recto uit een schetsboek met 39 bladen.