deem-data/ArtiFact huggingface dataset:
Mirabeau Before the Convention
Object type: statuette
Date: 1857 – 1872
Materials: bronze
Artist: andre-françois-joseph truphême
Artist role: artist
Artist dates: 1820 – 1888
Subjects: french revolution,men,portraits
Cauldron of the Sorceress
Object type: drawing and watercolor
Date: 1879 – 1879
Materials: charcoal, fiber, paper
Techniques: drawing, scraping, stumping
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Inscriptions: Signed lower left, in black chalk: "ODILON REDON"
Porcupine, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: animals

Trade cards from the "Wild Animals of the World" series (N25), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Button
Object type: button
Date: 1900 – 1900
Culture: british
Subjects: birds,dogs,horses
Portret van Friedrich Wilhelm van Brandenburg
Object type: print
Date: 1642 – 1690
Materials: paper
Techniques: roulette
Artist: benjamin von block
Artist role: painter, print maker
Artist dates: 1631 – 1690
Subjects: frederik willem van brandenburg (i), predatory birds: eagle, historical persons, ruler, sovereign
Inscriptions: inscription: ‘J. A. Boer[...] 1840 [...]’, collector's mark: Lugt 2228, inscription
Bulletin / Association belge de photographie
Object type: book
Date: 1901 – 1902
Materials: paper
Techniques: photograph, printing, engraving
Profil
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: maurice brémard
Artist role: fotograaf
Subjects: anonymous historical person portrayed - bb - woman
Cocos Eylandt / Verraders Eylandt
Object type: print
Date: 1616 – 1625
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: island, ships (in general), attack ~ siege, sumatra
Inscriptions: collector's mark, collector's mark: Lugt 2228

Het schip de Eendracht bij Cocos eiland, mei 1616. Schermutselingen met de lokale bevolking die op het schip klimt.
Twee boeren leiden hun paarden door een dorp
Object type: drawing
Date: 1891 – 1941
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: farmers, horse
Inscriptions: collector's mark: Lugt 2228
Portret van Franz I Stephan, Rooms-Duits keizer
Object type: print
Date: 1745 – 1767
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: frans i stefan (duits keizer), armour, historical persons, knighthood order of the golden fleece, armorial bearing, heraldry, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende man, mogelijk A. Siebert
Object type: print
Date: 1820 – 1860
Materials: paper
Techniques: lithograph
Location: bamberg
Subjects: eyeglasses, spectacles, adult man, historical persons, study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 2228
"Amsteldam aan de Land zijde van den Buyten Amstel aan te zien"
Object type: print
Materials: paper
Techniques: etching
Mannen, vrouwen en kinderen voor een boerderij
Object type: drawing
Date: 1932 – 1932
Materials: paper, pencil
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Subjects: parents with their children, horse, farm (building)
Inscriptions: collector's mark: Lugt 2228

Links een man op klompen bij een paard en twee jongens.
Groepsfoto
Object type: photograph
Date: 1863 – 1866
Materials: photographic support
Techniques: albumen print
Location: batavia
Subjects: club, meeting place, anonymous historical persons portrayed in a group, in a group-portrait, batavia

Een groep van 28 Europese mannnen zittend en staand poserend in een tuin bij Sociëteit de Harmonie in Batavia. Onderdeel van het rode fotoalbum met foto's van Java, uit het bezit van apotheker Specht-Grijp, die in 1865 vanuit Batavia naar Nederland terugkeerde.
Geseling van Christus
Object type: print
Date: 1517 – 1533
Materials: paper
Techniques: pen
Location: low countries
Artist: jacob cornelisz van oostsanen
Artist role: draughtsman, painter, print maker
Artist dates: 1475 – 1533
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: collector's mark: Lugt 2165

Uit serie van twaalf prenten. Omlijsting weggesneden. Christus, vastgebonden aan zuil, door vier mannen met zwepen geslagen.
Baksteen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: brick clay product
Date: 1700 – 1743
Materials: brick
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Constructional elements, brick; rectangular.
Modellen voor beugels van een boekslot met Esther voor Ahasveros en Mordechai voor Esther
Object type: model
Date: 1750 – 1775
Materials: copper
Techniques: riveted
Location: amsterdam
Artist: Anonymous

In de uit plaat gemaakte modellen voor gietvormen voor beugels zijn twee in rococo-ornament gevatte voorstellingen gedreven van een geknielde vrouw voor een op een troon gezeten koning en van een prieser staande voor een op een verhoging gezeten vrouw. De achterkanten zijn gedeeltelijk met pek opgevuld. Op de smalle zijden zijn rechte lijstjes geklonken. De vier klampen ontbreken.
Twee lezende vrouwen op een bank
Object type: print
Date: 1860 – 1909
Materials: paper
Techniques: lithograph
Artist: henri patrice dillon
Artist role: print maker
Artist dates: 1850 – 1909
Subjects: reading
Inscriptions: collector's mark: Lugt 2228
Gold leaf
Object type: pendant in the form of a leaf
Date: 2300 – 2100
Materials: gold
Culture: minoan

Minoan goldsmiths used sophisticated techniques to create elaborate jewelry, headdresses, and ornaments for hair and clothing, often in the form of naturalistic motifs such as plants, flowers, and marine life. The objects in the collection represent different gold-working methods. Many of the ornaments were cut from gold hammered into thin sheets—such as this gold leaf ornament—some decorated with patterns raised in relief from the back. Gold was also melted and poured into molds. Imported primarily from Egypt, gold was extremely rare. Only the very wealthy could afford such adornments.
Clearing after Rain over Streams and Mountains
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: wang hui
Artist role: artist
Artist nationality: chinese
Artist dates: 1632 – 1717
Subjects: mountains,trees

Freely adapting elements traditionally associated with Juran (act. ca. 960–85)—conical mountains defined by "hemp-fiber" texture strokes and topped by dense groves or clusters of boulders interspersed with foliage dots—and mixing them with the "cloudy mountains" imagery of Mi Youren (1074–1151), Wang has dematerialized the tenth-century master's substantial forms by paring down motifs, flattening forms into calligraphic patterns, and using subtly graded ink washes to evoke a serene landscape cloaked in clouds and mist. While the painting's moist atmosphere is characteristic of Juran, the seamless progression of repeated triangular hills from front to back reveals Wang's method of integrating pictorial elements within a zigzag compositional pattern he called a "dragon vein." Done when the artist was only thirty, the luminous ink tones and perfectly controlled lyrical composition are characteristic of works from the artist's early period.
Portret van een man met bril
Object type: photograph
Date: 1880 – 1940
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: paris
Artist: berger (fotograaf)
Artist role: fotograaf
Subjects: eyeglasses, spectacles, historical persons
Inscriptions: inscription: ‘Photographie/ des/ Champs Elysées/ 28. Avenue des Champs Elysées/ Transférée/ 112, Rue de Courcelles/ Levallois-Paris.’
Traveller's Shrine with Figure of Wenshu (Manjusri) on Lion
Object type: traveller's shrine
Materials: brass, pewter
Culture: chinese
Subjects: manjushri
Shakspeare-Anthologie : die schönsten und bedeutsamsten Schilderungen und Weisheitssprüche aus den Dramen des Dichters
Object type: book
Date: 1864 – 1864
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing
Location: leipzig
Roman Capriccio with Terrace
Object type: drawing
Date: 1601 – 1800
Materials: chalk, graphite, ink
Techniques: brush, pen, drawing, wash
Artist: anonymous, italian, 17th or 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1799
Subjects: buildings,caryatids,women
Den door List en Geweld Aangevallen Leeuw
Object type: cartoon
Date: 1780 – 1780
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: political caricatures and satires, fourth anglo-dutch war
Inscriptions: collector's mark: Lugt 240

De Nederlandse Leeuw door list en geweld aangevallen. Spotprent op de politieke gebeurtenissen in het jaar 1780. De Nederlandse Leeuw wordt verblind door een Fransman en aangevallen door een Spanjaard en een ex-jezuïet. Op een kaart zijn de plaatsen Portsmouth, Amsterdam en Brest aangeduid. Links trekt een monnik een kar richting Nederland. Op het blad onder de plaat de verklaring van de cijfers 1-9 in het Frans.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Back of the head, neck, right shoulder, upper back, and part of the upper right arm of a wreathed, bearded man to right
Twee katten
Object type: print
Date: 1862 – 1930
Materials: paper
Techniques: etching
Location: netherlands
Artist: herman johannes van der weele
Artist role: print maker
Artist dates: 1852 – 1930
Subjects: cat
Inscriptions: collector's mark: Lugt 2228, inscription: ‘2e dr.’
Papier-mâché side chair
Object type: chair
Date: 1830 – 1860
Materials: lacquer, mother of pearl, paper, wood
Techniques: caning, gilding, painting
Culture: british
Lettre sur les éléments de la gravure à l'eau-forte (Letter on the Elements of Etching)
Object type: print
Date: 1864 – 1864
Techniques: etching
Artist: adolphe martial potémont
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1883
Riviergezicht in de tropen
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Landscape with Figures and a Two-Arched Bridge
Object type: drawing
Date: 1591 – 1666
Materials: ink
Techniques: brush, pen
Artist: guercino (giovanni francesco barbieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1591 – 1666
Subjects: bridges,landscapes

This landscape and the three others (acc. nos. 37.165.108, 80.3.292, and 37.165.99) are typical and competent examples of the work of the forger or forgers of drawings by Guercino - especially of landscapes - who were presumably at work in Italy in the second half of the eighteenth century. All four are executed in a thick, pasty, dark red-brown ink that is the mark of such forgeries. Such drawings are sometimes direct copies after drawings by Guercino or facsimile reproductions thereof, but the four landscapes here seem rather to be pastiches, composite compositions utilizing motifs borrowed here and there from Guercino's landscapes.
Schaapskooi
Object type: print
Date: 1781 – 1787
Materials: paper
Techniques: transfer, print drawing
Location: amsterdam
Subjects: sheep
Inscriptions: collector's mark: ‘RIJKS / MUSM’

Vier schapen bij de geopende schaapskooi. De prent ligt los in een album, zie blad 44.
Coach #3283
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
A Banquet in a Joroya
Object type: print
Date: 1680 – 1680
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Subjects: men,women,dining

This party at a teahouse is at its height. The guest room is embellished with painted sliding panels and a flower arrangement. A pile of bedding is seen in the adjacent room.
The Shirt of the Emperor, Worn during His Execution
Object type: photograph
Date: 1867 – 1867
Techniques: albumen silver print, glass negative
Artist: françois aubert
Artist role: artist
Artist nationality: french
Artist dates: 1829 – 1906
Subjects: shirts

This grisly photograph depicts the bullet-riddled shirt of the Austrian Archduke Maximilian I, who was appointed Emperor of Mexico by Napoleon III in 1864. Maximilian's puppet regime lasted only three years; when the French army withdrew from Mexico in 1867, he was captured, tried, and executed by the nationalist supporters of Benito Juarez. Aubert, a French photographer working in Mexico, photographed Maximilian's corpse and clothing, producing a sensational and somewhat gruesome record of the execution and the politically charged relics of the slain emperor.
Ex libris van Erika barones von Waldenfels
Object type: bookplate
Date: 1927 – 1927
Materials: paper
Techniques: printing block
Location: germany
Subjects: unicorn, column, pillar ~ architecture, armorial bearing, heraldry
Inscriptions: inscription: ‘Rudolf Klement Kornenburg/ 1927’
Batavorum cum Romanis Bellum
Object type: print
Date: 1611 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: the soldier; the soldier's life, violent death by beheading, (story of) julius claudius civilis, extinct, 'historical' peoples (with name)
Inscriptions: collector's mark: Lugt 240

Julius Civilis, de leider van de opstand van de Bataven tegen de Romeinen, wordt gearresteerd door Romeinse soldaten. Zijn broer Paulus ligt onthoofd op de grond. Onderschrift in het Nederlands en in het Latijn.
The Clock Tower, Paris
Object type: print
Date: 1852 – 1852
Materials: chine, paper
Techniques: burnishing, drypoint, engraving, etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Samojeden
Object type: sketchbook leaf
Date: 1880 – 1880
Materials: chalk, paper, pencil
Location: malye karmakuly
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: adult woman, adult man
Inscriptions: date: ‘1880’, annotation: ‘Samojeden’, signature: ‘L.A.’

Links een zittende vrouw met kind. Blad 3 verso uit een schetsboek met 35 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Straat-roeper / Crieurs de rue
Object type: popular print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: street-trader, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 48 voorstellingen van straatverkopers, zoals een bezemverkoper, een kaasverkoper en een rozenverkoopster. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: n. 72.
Portret van Pierre Dens
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: etching
Location: antwerp
Artist: charles verlat
Artist role: painter, print maker
Artist dates: 1824 – 1890
Subjects: pierre dens, historical persons, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Violet Cameron, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses
Whitechapel Cart # 3335
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head of youth to right; hand
Design for a Cabinet with a Black Top and Blue Interior
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
Sheet, linen mark, medium spin, loose weave
Object type: linen mark
Date: 1492 – 1473
Materials: linen
Location: egypt
Ushak Medallion Carpet on White Ground
Object type: carpet
Date: 1601 – 1650
Materials: wool
Techniques: pile
Location: turkey

Medallion Ushak carpets usually have a red or blue field decorated with a floral trellis or leaf tendrils, central medallions, and a border containing palmettes on a floral and leaf scroll, and pseudo-kufic characters. In this example (partially restored), a typical white-ground field pattern is combined with the Medallion Ushak to form a new category of Ottoman carpets. Its triple spots-and-wavy double stripe pattern, called çintamani, appears frequently in Ottoman art from the sixteenth century on tiles, paintings, book bindings, and particularly on textiles and garments. Unlike other white-ground categories, this field pattern never appears in European paintings of the sixteenth and seventeenth centuries.
Wig (a) and nemes tail (b)
Object type: wig and nemes tail
Date: 1353 – 1336
Materials: limestone
Location: egypt

These two fragments belong to the group of fragments from the Great Aten Temple at Amarna Petrie and Carter in 1891-2. They constitute a significant contribution to the research on the temple statuary. The wig could be royal or non-royal, and is so flat as to possibly be relief rather than statuary. The fragment once termed a beard is actually probably part of the tail of a nemes headdress, although there is no join to other fragments in the museum. The fragments reached the museum by a circuitous path. A French dealer Joseph Altounian was the next major purchaser after the Museum when the Museum purchased Amarna temple fragments dispersed at auction in 1921. In 1957 when M. Altounian died, the Museum purchased the Amarna fragments left at his death. These two fragments had been retained in the family and only recently became available.
Klassieke architectuur
Object type: drawing
Date: 1861 – 1904
Materials: ink, paper
Techniques: pen
Artist: thomas cool
Artist role: draughtsman, painter
Artist dates: 1851 – 1904
Subjects: landscape with ruins, rome
Ex libris van E.M. Mittelmeyer
Object type: bookplate
Date: 1930 – 1999
Materials: paper
Techniques: linocut
Location: germany
Artist: Anonymous
Subjects: fleur-de-lis ~ ornament, keyboard instruments
Kudu Horn
Object type: kudu horn
Date: 1867 – 1900
Materials: horn
Culture: south african
Location: south africa

Said to inspire the vuvuzela, the distinctive twisted kudu antelope horn of South Africa was used both for music and to signal.This horn was once used in the southeast province of Kaffraria, South Africa.
The Actors Arashi Ryuzo and Morita Kanya VIII
Object type: print
Date: 1794 – 1794
Materials: ink, paper
Location: japan
Artist: toshusai sharaku 東洲斎 写楽
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Portrait of Hans Holbein
Object type: print
Date: 1647 – 1647
Techniques: engraving, etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: men,portraits,artists