deem-data/ArtiFact huggingface dataset:
Sneppenschrik gezien vanuit de richting van Nieuwerkerk
Object type: sketchbook leaf
Date: 1808 – 1864
Materials: paper, pencil
Location: capelle aan den ijssel
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: rural housing, e.g. country-house, villa, cottage, road, path
Inscriptions: signature: ‘Tavenraat’

Blad 44 recto uit een schetsboek met 98 bladen.
Hubert Cornelisz. Poot. - geboren 29 Januarij 1689. Overleden 31 December 1733
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: delft, hubert kornelisz. poot, historical persons
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen uit het leven van Hubert Kornelisz. Poot. Boven elke voorstelling een titel en onder elke voorstelling een achtregelig vers. Genummerd rechtsboven: No. 2.
Vrouw veegt de vloer van een woning
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: shrubs: broom, sweeping (~ cleaning the house)
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. Het leerzaam huisraad, vertoond in vyftig konstige figuuren, met godlyke spreuken en stichtelyke verzen: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 146.
De Ivdae Proditione
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hieronymus wierix
Artist role: draughtsman, print maker
Artist dates: 1553 – 1619
Subjects: the kiss of judas: accompanied by soldiers with torches and lanterns, he kisses christ, christ makes himself known; the soldiers fall to the ground ~ the kiss of judas
Inscriptions: collector's mark: Lugt 2165

Judas - met duivel op het hoofd - leidt de soldaten naar Christus. Op de achtergrond is te zien hoe Judas Christus op de wang kust. Bij verschillende elementen uit de voorstelling staan letters die corresponderen met de legenda in de marge.
Driehoeken en een cirkel
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Inscriptions: factory mark: ‘SKETCHER’S/ NOTE BOOK/ SERIES A 42./ containing 80 leaves of good white paper./ MANUFACTURED BY/ GEO. ROWNEY 7 Co.,/ LONDON, W., ENGLAND./ SIZE No. 1 – 5 ½ x 4 inches./ Dimensions de l’album 14 x 10 CM.’, collector's mark: Lugt 2228a, address: ‘[...] Reyer Stolk/ [...] Molen 33/ den Haag [...]’, retailer's mark: ‘W.M. STAM/ DEN HAAG/ 15 PAPESTRAAT’

Voorste schutblad uit een schetsboek met 42 bladen.
Tekstblad bij portret van paus Clement XIV
Object type: text sheet
Date: 1770 – 1770
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: theodorus crajenschot
Artist role: publisher
Artist dates: 1717 – 1803
Subjects: rome
Inscriptions: collector's mark: Lugt 2228

Tekstblad bij portret van paus Clement XIV met opschrift in Latijn.
Triumph of Bacchus
Object type: print
Date: 1601 – 1700
Artist: pierre brebiette
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1642
Subjects: animals,centaurs,bacchus,lions,drinking
Two Opera Singers
Object type: group
Date: 1749 – 1750
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: opera,men,women,singers

This figure group represents two opera singers engaged in a duet. Their identities as singers are reflected as much by their theatrical gestures as by their elaborate costumes. The group has been interpreted as depicting a duet from Acis and Galatea as performed by Madame de Pompadour and the prince de Rohan, an event known to have taken place in the theater of Versailles in 1749.[1] However, subsequent identification of a group corresponding to this model in the workbook of the Meissen modeler Kändler dating from March 1744 – five years earlier – indicates the impossibility of this interpretation.[2] Kändler's entry refers to the male singer's Roman outfit (Römischen Habit), and it is clear that his costume and plumed helmet were intended to identify him as a classical and hence heroic figure. His wide scalloped skirt was known as a tonnelet and was frequently worn by male singers and ballet dancers. The popularity of porcelain figures depicting singers reflects high status of opera at the Dresden court. A new opera house designed by the court architext Matthäus Daniel Pöppelmann had been built next to the Zwinger Palace in 1718–19, during the reign of Augustus the Strong, and its interior was remodeled in 1738 and again in 1747. The choice of opera singers – either specific or generic, as in this group – for representing in the relatively new and highly valued medium of porcelain[3] indicates the importance ascribed to this aspect of Dresden court culture. [1] Yvonne Hackenbroch, Meissen and Other Continental Porcelain, Faience and Enamel in the Irwin Untermyer Collection (Cambridge, mass., 1956), p. 35 [2] Ingelore Menzhausen, In Porzellan verzaubert" Die Figuren Johann Joachim Kändlers in Meissen aus der Sammlung Pauls0Eisenbeiss Basel (Basel, 1993), p. 117. [3] The formula for true or hard-paste porcelain was discovered in Europe in Dresden in 1708, which led to the founding of the Meissen factory in 1710.
Christus in gesprek met Nikodemus
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: aquatint, etching
Location: vienna
Subjects: christ talking with nicodemus at night (john 3:1-21)
Inscriptions: collector's mark: Lugt 2228
Schetsboek VI met 33 bladen met variété en vrouwelijk naakt
Object type: sketchbook
Date: 1915 – 1934
Materials: cardboard, chalk, ink, linen, paper, pencil, watercolor
Techniques: brush, pen
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, vaudeville, variety-show
Inscriptions: collector's mark: Lugt 2228, monogram: ‘HvS / No. 631’, title: ‘Schetsboek’

Bladen 5(V), 6(V), 7(V), 19(R), 21(V), 26(V), 28(R), 30(R), 31(V), 32(R) en het voorste schutblad zijn blanco en daarom niet beschreven.
Een echtpaar  in een rijtuig voor een houten huis
Object type: photograph
Date: 1903 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: harz
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945

Een echtpaar in een rijtuig voor een houten huis, vermoedelijk in de Harz. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Bladzijde uit het fotoalbum van de familie Diepenbrock met 4 foto's van Alphons Diepenbrock en zijn omgeving
Object type: photograph
Date: 1909 – 1920
Materials: cardboard, photographic support
Techniques: photography
Location: amsterdam
Subjects: amsterdam, alphons diepenbrock, netherlands

Bruin albumblad 44 van familiealbum van Alphons Diepenbrock.
Gezicht op de Haringpakkerstoren en de Haarlemmerpoort
Object type: book illustration
Date: 1723 – 1723
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan goeree
Artist role: draughtsman, print maker
Artist dates: 1670 – 1731
Subjects: city-walls (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Voor wat betreft de bovenste prent is de Haringpakkerstoren de toren uiterst links, de twee torens rechts in beeld horen tot de tweede Haarlemmerpoort. Het gaat om een historiserende afbeelding. In de 18e eeuw had de Haringpakkerstoren een andere spits dan hier te zien is. Waarschijnlijk bedoelt deze prent de situatie weer te geven in de late 15e of vroege 16e eeuw, toen de toren (geheel links) nog de Heilige Kruistoren heette.

Boekillustratie uit David Willink, Amsterdamsche buitensingel nevens de omleggende dorpen, opgeheldert door aantekeningen over veele voornaame geschiedeniszen. Amsterdam bij A. van Damme, 1723.
Bord, beschilderd met bloemtakken en biezen om spiegel en rand
Object type: plate dish
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Diep bord van porselein. De rand is versierd met getorste ribben in reliëf. Het bord heeft geen voetring en het standvlak is niet geglazuurd. Beschilderd in onderglazuurblauw met bloemtakken. Blauwe biezen om spiegel en rand.
Allegorische voorstelling met stamboom en oplichtend kruis
Object type: book illustration
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: france
Artist: pierre philippe choffard
Artist role: print maker
Artist dates: 1730 – 1809
Subjects: helmet, cross-nimbus, family lineage, pedigree, genealogical tree or table
Inscriptions: collector's mark: Lugt 2228

Prent uit: Désormeaux, Joseph-Louis-Ripault. Histoire de la maison de Bourbon. Parijs: L'imprimerie royale, 1772, dl. 1.
Lovers Playing the Same Shamisen (parody of Xuanzong and Yang Guifei)
Object type: print
Date: 1767 – 1767
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Keizer Valerianus in krijgsgevangenschap bij de Perzische koning Sapor
Object type: drawing
Date: 1804 – 1804
Materials: ink, paper
Techniques: brush, pen
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: male persons from classical history (sapor) - aggressive relationships of person from classical history, suffering, misfortune of emperor valerian

Ontwerp voor gravure door Ludwig Portman in M. Stuart's `Romeinsche Geschiedenissen', 1804, dl. 29 t.o. p. 68.
Musicians Entertaining a Holy Man (Sadhu or Fakir)
Object type: album leaf
Date: 1701 – 1800
Materials: gold, ink, paper, watercolor
Location: india
Subjects: musical instruments,men,women,musicians
Verschillende soorten distributiebonnen behorende tot George Hendrik Breitner
Object type: voucher
Date: 1921 – 1922
Materials: cardboard
Techniques: printing
Artist: Anonymous
Subjects: rotterdam, painter, print maker, draughtsman, george hendrik breitner, letter, envelope
Inscriptions: date

23 verschillende soorten distributiebonnen.
Portret van Joachim Schwarzkopf
Object type: print
Date: 1805 – 1843
Materials: paper
Techniques: etching
Location: nuremberg
Artist: johann carl bock
Artist role: print maker
Artist dates: 1757 – 1843
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende oude man met bontmuts
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: etching
Subjects: anonymous historical person portrayed alone, head-gear: cap (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Portret van Jechiel Michel Hirsch, rabbijn te Potsdam, naar links.
Ontwaak o vreemde knaap, het daget al
Object type: drawing
Date: 1914 – 1920
Materials: cardboard, ink, paper, pencil
Techniques: brush
Location: netherlands
Artist: willem arondéus
Artist role: draughtsman, print maker
Artist dates: 1894 – 1943

Tekening naar de Rubaiyat van Omar Khayyam.
A Short History: General Ulysses S. Grant, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,horses,flags,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Portret van Abel de Servien, graaf de la Roche
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, negotiations, conference ~ diplomacy, armorial bearing, heraldry

Prent waarschijnlijk uit: Legatorum omnium tam Monasterij, quam Osnabrugae (...). Parijs: s.n., 1648. Of uit: Bignon, François. Les portraictz au naturel avec les armoiries et blasons noms et qualitez de messieurs les plénipotentiaires assemblez à Munster et Osnaburg (...). Parijs: Henry Sara en Jean Paslé, [1648].
Cow plaque
Object type: votive, plaque, cow
Date: 1479 – 1458
Materials: bronze, copper alloy
Location: egypt
Subjects: cows

This metal plaque depicts a cow with a sundisk between its horns, which is a common representation of the goddess Hathor. From the cow's neck hangs a lotos flower. The piece was excavated at Deir el-Bahari, close to a shrine for this goddess. Most likely the plaque had been deposited at this shrine, as a donation to the deity. Two holes at the top were probably used for stringing it together with a series of similar small pieces.
Governor Marble, Maine, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,fish,coat of arms

Trade cards from the "State Governors, Arms, Etc." sseries (N133-2), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
She Bathes Unseen
Object type: drawing and watercolor
Date: 1885 – 1885
Materials: crayon, gouache, paint, watercolor, paper
Location: united states
Artist: will hicock low
Artist nationality: american
Artist dates: 1853 – 1932
Rivierlandschap met kasteelruïne
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: etching, intaglio
Subjects: river, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

De etsen naar de schilderijen van Frédéric Van de Kerkhove werden na zijn dood door zijn vader en zuster gemaakt en uitgegeven in twee reeksen. De eerste werd in 1877 uitgegeven door het Journal des Beaux-Arts et de la Littérature: Cahier de 25 Eaux-fortes d'après Frédéric van de Kerkhove, gravées par son père et sa sœur. De tweede reeks van 126 etsen, ook in 1877, werd in Parijs uitgegeven bij A. Lévy onder de titel Cent eaux-fortes gravées par J. Van de Kerkhove d'après les tableaux de Frédéric Van de Kerkhove, mort en 1873 à l'âge de 10 ans et 11 mois.
Plaque of Sword Pommel
Object type: plaque of sword pommel
Date: 1500 – 1500
Materials: bronze, gold
Culture: north italian
Location: italy
Subjects: men
Rev. Charles John Brown
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits,profiles
Plat de Jaspe Oriental
Object type: page
Date: 1876 – 1883
Materials: paper, photographic process
Location: paris
Artist: léon vidal
Artist role: fotograaf
Artist dates: 1833 – 1906
Subjects: precious and semiprecious stones: jasper, dish, plate, saucer
Inscriptions: inscription: ‘[...]0e livraison’, inscription: ‘Musée National du Louvre Galerie d'Apollon’, inscription: ‘15 Quai Voltaire. Paris.’
L'Arbre
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: drypoint
Location: paris
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: prospect of village, silhouette of village, low hill country, trees
Inscriptions: collector's mark: Lugt 2233

Links op de achtergrond een nederzetting met kerk.
Studie
Object type: sketchbook leaf
Date: 1825 – 1875
Materials: paper, pencil
Artist: petrus johannes schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1865

Mogelijk een onderdeel van een schip. Blad 18 verso uit een schetsboek met 44 bladen.
Venise
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: venice
Artist: Anonymous
Subjects: rowing-boat, canoe, etc., prospect of city, town panorama, silhouette of city, venice
Inscriptions: inscription: ‘1 Le Pont des Soupirs./ 2-3 Arrivée du Sénégal à Venise./ 4 Le Lido au clair de lune./ 5 Les pigeons de la place Saint-Marc./ 6 Le Sénégal./ 7 Le lion de Saint-Marc.’

Deze prenten maken deel uit van een omslag met 103 prenten op 16 bladen en een titelblad.
Wall Pocket
Object type: ceramic
Date: 1770 – 1780
Materials: earthenware
Techniques: glazing
Location: staffordshire
Nuihaku (Noh Costume)
Object type: textile
Materials: gold leaf, panel, textile, silk
Techniques: embroidery, embroidered, weave, resist, stitching
Location: japan
Man op een troon met een vrouw aan zijn voeten
Object type: print
Date: 1793 – 1842
Materials: paper
Techniques: engraving, etching
Subjects: throne, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Portret van Jean-Louis de Lolme
Object type: print
Date: 1707 – 1784
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Courant-ombrengers Nieuwjaars-wensch, opgedragen aan de ingezetenen der stad Amsterdam
Object type: print
Date: 1860 – 1861
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: january 1 (~ festivities), tea-pot; samovar, (flying a) kite, russia, japan

Nieuwjaarswens namens de ombrengers van couranten (krantenbezorgers) te Amsterdam, 1861. Bovenaan drie vignetten aan boeken ontleend, met centraal een nieuwjaarsfeest in Japan, links Russische thee- en koffieverkopers, rechts een Russische boerenfamilie. Onderaan een gedicht in drie kolommen. Van de courantombrenger: I.J. Jacobs. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Gezicht op de Binnen-Amstel, Amsterdam
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228, inscription: ‘as’

Prent ook gebruikt in: Maaskamp, Evert. Tableau des principales vues des palais et édifices : représentations et descoutumes et usages, dans les provinces septentrionales du Royaume des Pays-Bas. Amsterdam: Evert Maaskamp, 1824.
Ex libris van H.
Object type: bookplate
Date: 1887 – 1924
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Blad met schubbenpatroon met stippen
Object type: printed paper
Date: 1800 – 1900
Materials: paint, paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from animal forms
Inscriptions: collector's mark: Lugt 2760
Portret van Filips II, koning van Spanje
Object type: print
Date: 1586 – 1619
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hieronymus wierix
Artist role: draughtsman, print maker
Artist dates: 1553 – 1619
Subjects: philip ii of spain
Inscriptions: collector's mark: Lugt 919bis, collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 847a
Vrouw met reisgoed
Object type: drawing
Date: 1900 – 1940
Materials: ink, paper, pencil
Techniques: pen
Artist: Anonymous
Subjects: luggage, travel requisites
Inscriptions: collector's mark: Lugt 2228a, signature: ‘JG.’, annotation: ‘Landpommerans.’, :

Een vrouw in een gestipte blouse met een schort voor haar rok draagt tassen, pakketten en een paraplu.
A witch carrying a child on her broom
Object type: print
Date: 1880 – 1910
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: children,women,witches
Marble portrait bust of Severus Alexander
Object type: portrait bust of severus alexander
Date: 230 – 235
Materials: marble
Culture: roman
Subjects: men,portraits

The young emperor Severus Alexander (r. A.D. 222–235) is wearing a toga contabulata, with a large overfold (sinus) across the chest and a diagonal fold extending over the left shoulder and down the back. The type is distinctive of later Roman portraits in which the subject is shown in formal civic dress. The bust was probably produced in an imperial workshop at Rome and was set up in a prominent public place, perhaps with other imperial portraits representing his predecessors or with other members of the imperial family, such as his mother Julia Mamaea. The head, carved with great skill and sensitivity, combines a sense of growing maturity and power with a still visible youthful delicacy. The last emperor of the Severan dynasty, Severus Alexander died violently in Germany at the age of twenty-six.
The Death of Mark Antony (Shakespeare, Antony and Cleopatra, Act 4, Scene 15)
Object type: print
Techniques: mezzotint
Artist: thomas watson
Artist role: engraver
Artist nationality: english
Artist dates: 1743 – 1781
Subjects: cleopatra,mark antony,shakespeare,women
Brooch
Object type: metalwork
Date: 1834 – 1866
Materials: gold, stone
Location: glasgow
Judith standing and looking up, holding the head of Holofernes in her left hand and a sword in her right, tents in the background, after Reni
Object type: print
Date: 1650 – 1750
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: swords,heads,judith

After a painting by Reni. Verso not visible as print is laid to another sheet of paper.
Portret van de pastoor Franciscus de Weert
Object type: print
Date: 1661 – 1719
Materials: paper
Techniques: engraving
Artist: pieter jansz. van ruyven
Artist role: painter, print maker
Artist dates: 1651 – 1716
Subjects: book
Inscriptions: collector's mark: Lugt 2228
Laboratorium
Object type: photograph
Date: 1904 – 1931
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Subjects: colonial system, trade-company, laboratory, research room, surabaya, java
Inscriptions: inscription: ‘Laboratorium’

Het laboratorium, met de Europese en Javaanse werknemers bij de installaties. Foto in het het fotoalbum aangeboden aan A. van der Eyk namens de chefs en het personeel van de Handelsvereniging Amsterdam (HVA) te Soerabaja bij zijn vertrek van Java in april 1931.
Cylinder seal with three-figure contest scene
Object type: cylinder seal
Date: 734 – 701
Materials: stone
Culture: assyro-babylonian
Location: mesopotamia
Subjects: animals,men
Glass bracelet
Object type: bracelet
Date: 301 – 400
Materials: glass
Culture: roman

Colorless with yellowish green tinge. Circular band; round in section; flattened into square section at seam where ends of rod have been pressed together with irregular tooling marks. Rod twisted to form spiral pattern. Intact; dulling and creamy white weathering.
Blad met patroon van vijfhoeken
Object type: printed paper
Date: 1750 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament ~ geometric motifs
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met patroon van vijfhoeken. Met etiket met opschrift: 'J.C.A. van Riemsdijk ... majestatis.' Helft van een omslag.