deem-data/ArtiFact huggingface dataset:
De Schreyers hoeks Toren
Object type: print
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: sluice, weir, bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), sailing-ship, sailing-boat, towers ~ fortified city, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Schreierstoren.
Stool
Object type: decorative art
Date: 1401 – 1500
Materials: wood
Culture: north european
Location: europe
Subjects: furniture
Binnenplein met een hond om een paal heen rennend
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: standing figure, courtyard, dog
Waistcoat
Object type: waistcoat
Date: 1701 – 1800
Materials: linen
Culture: swiss
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 520
Materials: terracotta
Culture: greek, attic

Exterior, part an eye with the outer area in added white, and a black and red oculus
Glass amphoriskos (flask)
Object type: amphoriskos, basket and wreath
Date: 1 – 50
Materials: glass
Culture: roman

Translucent yellow green, with pale blue green handle. Uneven, thick, oval rim, folded out, over and in, then flattened into side of flaring mouth; concave neck expanding into shoulder; ovoid body; circular base with flat bottom; rod handle applied to underside of rim and drawn downwards. One continuous mold seam around body and across bottom, extending right up to rim and forming thick ridges to sides of neck and a faint raised line across bottom. Shaped like a miniature storage jar encased in a wicker basket with a thick edge to its mouth around shoulder and decorated around the middle of body with a wreath of paired laurel leaves and berries: on one side leaves running from left to right, on the other from right to left. Intact, but missing all of one and most of the other handle; some large and pinprick bubbles; slight pitting, weathering, and iridescence on exterior, patches of encrustation, weathering, and brilliant iridescence on interior. Most of one handle and all of the other are missing, but it is clear from the remaining traces and from more complete examples that the handles were applied to the rim and then trailed down to the shoulder. The molded pattern on the body imitates basket or wickerwork with a central wreath of laurel leaves and berries. Wickerwork was often used as a protective skin around glass or terracotta vessels during transport.
Ignatius in Manresa
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: personal devotion of st. ignatius of loyola - male saint meditating, in ecstasy, personal devotion of st. ignatius of loyola - temptation of male saint, personal devotion of st. ignatius of loyola - renouncing worldly goods, ascetic life of male saint
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vier scènes uit het leven van Ignatius van Loyola. Ignatius verblijft een tijd in Manresa. Centraal Ignatius de Loyola die door hoge koorts is geveld. Hij wordt verzorgd door zijn volgelingen. Links Loyola in het gasthuis, waar hij samen met bedelaars om aalmoezen vroeg. Rechts bidt Loyola voor een kruisbeeld en het visioen van een slang. Deze slang blijkt een vals visioen van de duivel te zijn. Rechtsonder krijgt Loyola een visioen van God op de oever van een rivier. De prent heeft Latijnse onderschriften met verwijzingen naar de scènes in de prent. De prent is deel van een vijftiendelige serie over het leven van Ignatius van Loyola.
Corsette
Object type: armor
Date: 1600 – 1600
Materials: steel
Culture: french or italian
Location: france
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 50
Materials: glass
Culture: roman

Translucent deep turquoise blue. Everted rim, folded over and in, with inner lip pressed flat; cylindrical neck; squat piriform body; small, slightly concave bottom. Intact; few bubbles; slight dulling and patches of iridescent weathering.
Lokale rubbertuin Marbau, 1938
Object type: photograph
Date: 1908 – 1938
Materials: photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: rubber, sumatra
Inscriptions: inscription: ‘Inl: rubbertuin Marbau. Augs '38’

Lokale dorpsrubbertuin bij Marbau, augustus 1938. Tweede afdruk, los in melinexhoesje, van een foto ingeplakt op albumblad 15. Onderdeel van het fotoalbum over de plantages Pernantian en Brussel van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1935-1939.
James J. Mutrie, Manager, New York, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Scherven uit V.O.C.-schip de 'Witte Leeuw'
Object type: martavaan
Date: 1613 – 1613
Materials: porcelain, stoneware
Location: southeast asia
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven uit V.O.C.-schip de 'Witte Leeuw'.
Mathilde Wachenheimer-Wertheimer als jonge vrouw in een getailleerde jas  met haar armen gevouwen boven een bewerkte stoel, met een ketting om haar nek
Object type: photograph
Date: 1885 – 1900
Materials: photographic support
Techniques: gelatin silver print
Location: frankfurt am main
Artist: Anonymous
Subjects: sobibór, mathilde wachenheimer-wertheimer, frankfurt

Mathilde Wachenheimer-Wertheimer als jonge vrouw in een getailleerde jas met haar armen gevouwen boven een bewerkte stoel, met een ketting om haar nek
Dirce wordt vastgebonden aan een stier
Object type: print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Location: rome
Subjects: slavery; serfs and enslaved persons, piece of sculpture, reproduction of a piece of sculpture, amphion and zethus avenge their mother by tying dirce to the horns of a bull
Inscriptions: collector's mark: Lugt 2228

Antieke sculptuur bekend als de Farnese Stier. De broers Amphion en Zethus binden de gevlochten haren van Dirce vast aan de hoorns van een stier. Drie kolommen Latijnse tekst in de ondermarge.
Studieblad met figuren en dieren
Object type: sketchbook leaf
Date: 1880 – 1880
Materials: paper, pencil
Location: barentsz sea
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: monkeys, apes, birds, adult man

Blad 17 recto uit een schetsboek met 35 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the bottom of the body and part of the foot of a pelike; the top of the foot is glazed; the outer edge and resting surface of the foot are unglazed
Caesar Augustus
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: rome
Subjects: piece of sculpture, reproduction of a piece of sculpture, classical history (+ full length)
Inscriptions: number: ‘96’, collector's mark: Lugt 2228

Beeld van de keizer Caesar Augustus, naakt met een commandostaf in zijn hand. Het beeld is afkomstig uit de collectie van Vincenzo Giustiniani, wiens wapen op de sokkel te zien is.
Jongen met muilezel en meisje met eieren en kippen verkopen hun goederen aan huis
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: farmers, family life, selling, farm or solitary house in landscape
Inscriptions: date
Portret van de Zeeuwse predikant Adriaan 's Gravezande
Object type: print
Date: 1771 – 1791
Materials: paper
Techniques: etching
Location: rotterdam
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: predikant, adriaan 's- gravezande
Inscriptions: collector's mark: Lugt 2228
Design for a One-armed Sofa
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: couches
Rockaway #486
Object type: drawing
Date: 1860 – 1860
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Hendrik II, hertog van Brabant
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: jan molijns
Artist role: print maker, publisher
Artist dates: 1498 – 
Subjects: helmet, historical persons, hacking and thrusting weapons: sword, armorial bearing, heraldry

Prent uit: Dit is die afcoemste ende genalogie der hertoghen ende hertoginnen van Brabandt, (...). Antwerpen: Jan Molijns, 1565.
Repentance of St. William
Object type: print
Date: 1764 – 1798
Materials: ink
Techniques: engraving, etching, printing
Artist: vincenzio vangelisti
Artist role: etcher
Artist nationality: italian
Artist dates: 1728 – 1798
Subjects: men,saints
Gezichten van de Zes Voornaamste Torens der Stad Amsterdam. 2de Cahier
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: tower, clock tower ~ monumental adornment, church (exterior), horse
Inscriptions: collector's mark: ‘31.90’ Lugt 1641b, : ‘Déposé’

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Oude Kerk van buiten.
Altar Pedestal
Object type: altar pedestal
Date: 1400 – 1425
Materials: limestone
Culture: french
Subjects: angels
Fragment of a limestone crown belonging to a statue of the Great Goddess
Object type: statue fragment
Date: 350 – 301
Materials: limestone
Culture: cypriot

Fragment of large statue, high head-dress with mural crown.
Portret van een meisje
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sweden
Artist: Anonymous
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: name: ‘Aug. Schus[..]r’, annotation: ‘Zweeds’
Portret van Abraham Beurer
Object type: print
Date: 1714 – 1726
Materials: paper
Techniques: engraving, etching
Artist: johann christoph dehne
Artist role: print maker
Subjects: painter, historical persons, portrait, self-portrait of painter
Perspectival View and Floorplan of a Public (?) Building
Object type: drawing ornament architecture
Date: 1650 – 1670
Materials: chalk, ink, watercolor
Techniques: pen
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: architecture,buildings

This architectural drawing contains a perspectival view of a stately building with a plan of the ground floor above. The perspectival view of the building is executed in pen and ink over a chalk underdrawing and has been enhanced with watercolor and colored chalk. The floorplan is also executed in pen and ink over a chalk underdrawing and the supporting walls have been filled in with black watercolor or wash for emphasis. Above the finished floorplan another plan is visible in very faint chalk only, which may suggest an extension to the building. The inscription on the right side of the sheet also seems to suggest that the building could be expanded upon if so desired. The drawing dates to the third quarter of the seventeenth century and demonstrates the style of building that became popular under the auspices of architects like Francois Mansart, and the academic approach to architectural drawing that was taught at the Académie des Beaux-Arts. Given the size of the building and the presence of the recurring Royal coat of arms in the decorations, this would likely have been meant as a Royal residence or a public building. The stables to the right and the figure of Athena in the pediment above the main entrance could indicate a military academy or headquarters. It is unclear whether the drawing relates to a specific building commission, or whether it might have been created as a design exercise.
Voor- en bovenaanzicht van de Bisschoppelijke Grafkapel te Roermond
Object type: sketchbook leaf
Date: 1857 – 1859
Materials: paper, pencil
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: church (exterior) - qq - small church, chapel
Inscriptions: annotation: ‘490’, monogram: ‘PC’

Voor ontwerpschetsen van de koorzijde, doorsneden en een plattegrond zie de verwijzing in documentatie.
Gezicht op Museum Boymans in het Schielandshuis te Rotterdam
Object type: photograph
Date: 1867 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: viaduct, railway, train, bridge in village across river, canal, etc.

Onderdeel van Leporelloalbum met foto's van Rotterdam.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Above the foot, a band of very narrow rays; part of the flaring ring foot; the resting surface of the foot is glazed; the underside of the foot has miltos; in the center, there is a circle delineated with a very thin band of black glaze
Native Barns and Huts at Akaroa, Banks' Peninsula, 1845
Object type: print
Date: 1865 – 1865
Materials: board, paper
Techniques: drypoint, etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Braubach, gezien vanaf de Rijn
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river, ships (in general), prospect of city, town panorama, silhouette of city, braubach
Inscriptions: collector's mark: Lugt 2228

De Duitse stad Braubach, gezien vanaf de Rijn. De prent maakt deel uit van een elfdelige serie prenten met gezichten langs de Rijn.
Gemaskerd bal in het paleis van de Prins van Oranje, 1845
Object type: print
Date: 1845 – 1847
Materials: paper
Techniques: hand coloring, lithograph
Artist: elias spanier
Artist role: print maker, printer
Artist dates: 1821 – 1863
Subjects: the hague, william ii of the netherlands, ball, formal dance, masquerade, masked ball
Inscriptions: collector's mark: Lugt 1641, stamp

Acht paren dansen de pavane terwijl Willem II, koning der Nederlanden toekijkt. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Carnavalcostuums. (niet veel, prenten bal Willem II).
Woonhuis
Object type: photograph
Date: 1900 – 1902
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: banda atjeh
Artist: Anonymous
Subjects: dutch east indies, the
Inscriptions: inscription: ‘Ao 1900-1902’

Voorzijde van een woonhuis, waarschijnlijk te Banda Atjeh, ca. 1900-1902. Foto opgeplakt op karton. Onderdeel van een groep van negen foto's over de Atjeh-drukkerij.
Creamer
Object type: ceramic
Date: 1800 – 1800
Materials: ceramic, porcelain, soft paste porcelain
Techniques: gilding
Location: worcester
Jongen met blaasinstrument
Object type: print
Date: 1505 – 1509
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: dancing, horn, trumpet, cornet, trombone, tuba
Inscriptions: collector's mark: Lugt 240, signature: ‘L’

Zittende naakte jongen blazend op soort hoorn, twee naakte jongetjes dansend.
Moon Flask
Object type: ceramic
Date: 1875 – 1875
Materials: bone china, enamel, porcelain
Techniques: casting, gilding
Location: stoke-on-trent
Artist: minton
Artist nationality: stoke-on-trent
Artist dates: 1793 – 
Subjects: vase, moon
Inscriptions: Stamped crowned globe mark with word MINTONS (on base, in purple), impressed
MINTONS (on rim of base), two painted ovals (on base; in red), indecipherable impressed
marks (on rim of base; possibly date code for 1875)
Pin
Object type: pin
Date: 7000 – 330
Materials: bronze
Veld met korenschoven
Object type: sketchbook leaf
Date: 1863 – 1864
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: sheaf

Blad 35 recto uit een schetsboek met 41 bladen.
Klokkandelaar, vierdelig
Object type: candlestick
Date: 1590 – 1596
Materials: tin
Techniques: casting
Location: netherlands
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck
Inscriptions: mark

Tin/Pewter candlesticks
Gezicht op een bouwwerk te midden van bomen
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: trees, civic architecture; edifices; dwellings
Bead
Object type: bead
Date: 801 – 1000
Materials: bone
Techniques: carving
Location: iran

This bead was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Man aan het roer van een vissersboot op woest water
Object type: print
Date: 1830 – 1880
Materials: paper
Techniques: lithograph
Location: paris
Subjects: storm, fisherman
Inscriptions: collector's mark: Lugt 964
Ongetrouwde adellijke jonge vrouw uit Venetië
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: veil (+ women's clothes), fashion plates, dress, gown (+ women's clothes), maid ~ house personnel, necklace (+ women's clothes), belt, girdle, waistband (+ women's clothes)

Ongetrouwde adellijke Venetiaanse jonge vrouw in een zwart overkleed en een zwarte 'fazzuolo' of sluier over het hoofd die het gezicht bedekt. Een gouden keten om de hals en een gouden ceintuur om het middel. Zij wordt begeleid door haar chaperone.
Virgin and Child, Standing on the Crescent Moon
Object type: sculpture
Date: 1490 – 1500
Materials: wood
Techniques: cutting
Location: brussels
Subjects: jezus christus, maria

In reliëf gesneden voorstelling van de staande Maria met Christuskind op de arm, staand op een maansikkel.
Amstelredam
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter bast
Artist role: print maker, publisher
Artist dates: 1570 – 1605
Subjects: harbour, coat of arms (as symbol of the state, etc.) (+ city; municipal), violent death by hanging, ships (in general), coat of arms (as symbol of the state, etc.) (+ province; provincial), prospect of city, town panorama, silhouette of city, amsterdam

Gezicht op Amsterdam, gezien vanuit het noorden. Links op de voorgrond een kind, drie vrouwen en vijf mannen, waarvan een een luit bespeelt. Rechts vier lichamen aan de galgen op de Volewijck. Op het middenplan schepen in het IJ. Daarachter de stad met in het midden de Oude Kerk. Linksboven het wapen van Holland, in het midden een banderol met de titel en rechtsboven het wapen van de stad Amsterdam. Object bestaat uit twee aan elkaar geplakte bladen.