deem-data/ArtiFact huggingface dataset:
Spiegellijst
Object type: spiegellijst
Date: 1500 – 1600
Materials: wood
Techniques: gilding
Location: italy
Artist: Anonymous

Spiegellijst van noten- en ebbenhout op populierenhouten raam, plaatselijk verguld, met notenhouten schuifblad, dat binnen een rand met kleine cirkelholten en inkervingen een ovaal vertoont. Om de schuif een lijst met gestoken toegewende knorren, die gevat is binnen een vlakke lijst met geprofileerde rand met gestoken platte versieringen van ovale vorm. De vlakke lijst is met wortelnotenhout en ebbenhout belijmd. Op het schuifblad was een wapen geschilderd, waarvan nog sporen zichtbaar zijn.
Vier foto's van Loentje Onnen met vrienden in Loosdrecht en het Spanderswoud, koningin-moeder Emma te Loosdrecht en huis Sparrenhoek aan de Kroonlaan te Hilversum
Object type: photograph
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: the hague, emma (queen consort of the netherlands), amsterdam, carolina frederika onnen (lien/loen), lake, pavement, terrace in front of inn or restaurant, villa, friends
Inscriptions: inscription: ‘Kroonlaan I/ Dec. 1910’, inscription: ‘Loosdrecht September 1910’, inscription: ‘Koningin Emma te/ Loosdrecht/ september 1910’, inscription: ‘Spanderswoud/ October 1910’

Deze foto's maken deel uit van een album.
The Actor Matsumoto Koshiro IV as Hatakeyama Shigetada Disguised as Honjo Soheiji (?) in the Play Edo no Fuji Wakayagi Soga (?), Performed at the Nakamura Theater (?) in the First Month, 1789 (?)
Object type: print
Date: 1789 – 1789
Techniques: woodblock print
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Fragment
Object type: textile
Date: 1720 – 1724
Materials: metal, silk
Techniques: brocade, satin weave, silvered, weave
Location: england
Allegorische voorstelling met Waarheid of Wijsheid en schrijver
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: wisdom; 'sapienza', 'sapienza humana', 'sapienza vera' (ripa), truth; 'verità' (ripa), writer, poet, author
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een allegorische vrouwenfiguur met een zon op de borst, mogelijk Waarheid of Wijsheid, geeft een schrijver een papierrol. Voor hen zit Vader Tijd met zeis en zandloper op een globe. Links van hem zitten een voorovergebogen sater met papier en een figuur met een opengerold papier waarin een skelet zijn zeis steekt. In de achtergrond de Nederlandse maagd met de Nederlandse leeuw in de Nederlandse tuin. Aan de bovenzijde zit een engel met bazuin, mogelijk Fama, op wolken. Aan de bazuin hangt een banier met titel.
Near Reynard's Cave, Dove Dale
Object type: photograph
Date: 1880 – 1889
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Joshua, with the Sun at Upper Left
Object type: drawing
Date: 1856 – 1863
Materials: ink, oil
Techniques: pen
Location: france
Artist: hippolyte flandrin
Artist role: artist
Artist nationality: french
Artist dates: 1809 – 1864
Subjects: sun,joshua
Le gentilhomme suisse
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: woodcut
Location: paris
Subjects: fashion plates, europeans (swiss) (+ costume), folk costume, regional costume, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228

Dit is prent 54 uit een serie van 121. Binnen deze serie zijn er prenten gemaakt naar voorbeelden van Jean-François de Roberval en Enea Vico, onbekend welke precies.
Rotsformaties aan de Engelse kust met een hangbrug voor voetgangers
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: suspension bridge, landscape with bridge, viaduct or aqueduct, rock-formations, coast, england

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
A Polymorphic Deity
Object type: canid, jackal, wepwawet, anugis, seated, tail, quiver, bow, feathered throne
Date: 390 – 330
Materials: wood
Location: egypt
Laban en zijn vrouw
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘34’

Een bloemkelk met een man en vrouw, geïdentificeerd als Laban en zijn vrouw. De voorstelling is een fragment van de stamboom van Christus in de Liber Chronicarum. De prent maakt deel uit van een album.
Vier vrouwen bespreken de keuze tussen een Zwitserse en een Franse gouvernante voor drie meisjes uit een voorname familie
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Inscriptions: collector's mark: Lugt 2228

Vier vrouwen zitten in een kring. In de ondermarge twee regels Franse tekst in boekdruk.
[La Comtesse in robe de piqué‚ or as Judith (?)]
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Saint Thecla Praying for the Plague-Stricken
Object type: painting, sketch
Date: 1758 – 1759
Materials: canvas, oil
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: men,women,angels,saints,god the father

Tiepolo made this oil sketch in preparation for a monumental altarpiece in the cathedral at Este, in northeastern Italy, that commemorates a devastating plague in 1630. Saint Thecla prays to God, who appears in the heavens, on behalf of the city seen in the background. The figure at right covering his mouth against the stench and about to remove a mother’s body is based on works by Raphael and Nicolas Poussin, but Tiepolo depicts him as a man of African descent in a manner consistent with historical evidence. The dangerous task of handling plague‑stricken bodies was often forced on freed or enslaved African and Turkish men. Tiepolo omitted this figure in the final painting.
Figuur in de vorm van een walvis
Object type: figure
Date: 1700 – 1900
Materials: ivory
Location: china
Artist: Anonymous
Scenes from the Life of the Virgin
Object type: antependium
Date: 1500 – 1500
Materials: gilt, linen, silk, silver, wool, thread
Culture: upper rhenish
Location: france
Subjects: angels,christ,virgin mary,archangel gabriel,annunciation,nativity,visitation,coronation of the virgin

Mary, the mother of Jesus, was the focus of intense veneration in the late Middle Ages. Possibly created as an altar frontal, this hanging depicts scenes from her life: her Birth, the Annunciation, the Visitation with her cousin Elizabeth (mother of John the Baptist), the Nativity of Jesus, the Presentation of Jesus in the Temple, and her Coronation by the Trinity. At the top, two angels hold the vera icon, an image of the imprint of Christ’s face believed to have been miraculously imprinted on the veil of Saint Veronica as Jesus was led to his Crucifixion.
Kintaro dreaming of his childhood
Object type: print
Date: 1829 – 1829
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Limestone statuette of a beardless male votary in Greek dress
Object type: statue of a votary, male
Date: 534 – 501
Materials: limestone
Culture: cypriot
Subjects: men

Male figure with hair in short curls and well-modelled drapery.
Vrouw jaagt man te paard weg
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching, hand coloring
Artist: thomas rowlandson
Artist role: draughtsman, print maker
Artist dates: 1756 – 1827
Subjects: misery; 'miseria mondana' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Einde van het welgenoten leven
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: deathbed, weeping
Inscriptions: collector's mark: Lugt 2228

Twaalfde prent uit een serie met 12 scènes uit 'een liederlijk leven'. De twaalf scènes werden samen op een plaat geëtst. De tweede staat van deze serie is gebruikt als illustratie in: 'Berliner genealogischen Calender auf das Jahr 1774'. Aan de hand van deze prentserie schreef Johann Christian Ludwig Haken (1767-1835) zijn briefroman 'Der Lüderliche'.
Vignet met drie maraboes
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: woodcut
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: birds
Inscriptions: collector's mark: Lugt 2228

Gerrit Willem Dijsselhof vervaardigde zevenentwintig vignetten voor de gedichtenbundel 'Verzen' van Willem Kloos, die zou verschijnen bij de uitgeverij W. Versluys. Dit vignet is er daar één van. Hoewel de uitvoering van het boek in een ver stadium was, is het uiteindelijk nooit verschenen. De vignetten zijn later wel voor diverse andere doeleinden gebruikt.
Portret van Ernst Casimir, graaf van Nassau-Dietz
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: the hague
Subjects: ernst casimir graaf van nassau-dietz

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Scriverius, Petrus. Oude en nieuwe beschryvinghe van Holland, Zeeland en Vriesland. Den Haag: Levijn van Dijck, 1667.
Kaart van de grietenij Wonseradeel
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Linksboven het wapen van Wonseradeel. Rechtsboven cartouche met titel en bestuurlijke informatie over de grietenij, daaronder legenda. Rechtsonder twee schaalstokken: Milliare Germanicum commune / Een gemeene Duytsche myle, Hora itineris - perticae regales 1400 / Een uyre gaens.
Studie van twee hoofden en een jonge man
Object type: print
Date: 1904 – 1926
Materials: paper
Techniques: etching
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: youth, adolescent, man (showing himself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2228

Links het hoofd van een kind. Rechts een halfnaakte jonge man met de armen omhoog. Rechtsonder een hoofd en profil.
Pair of card tables
Object type: card table
Date: 1700 – 1700
Materials: wood
Techniques: veneering
Twee staande menselijke figuren
Object type: drawing
Date: 1914 – 1920
Materials: cardboard, ink, paper, pencil
Techniques: brush
Location: netherlands
Artist: willem arondéus
Artist role: draughtsman, print maker
Artist dates: 1894 – 1943

Tekening naar de Rubaiyat van Omar Khayyam.
Portraits of Robert Devereux, Earl of Essex, and George Villiers, Duke of Buckingham
Object type: print
Date: 1655 – 1728
Materials: paper
Techniques: engraving, etching, hand coloring
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

These portraits come from a richly illustrated book on the history of England, Scotland, and Ireland published in Rotterdam around 1700. However, a presumably 18th-century owner cut them out of the book, pasted them onto mounts, and provided them with a grey border. The portraits were then also coloured in. Probably to hang them up as small paintings afterwards.
Crab on a Lotus Leaf
Object type: netsuke
Date: 1801 – 1833
Materials: copper, ivory, metal
Techniques: gilding
Culture: japanese
Subjects: crabs,leaves

Animal-shaped silverwares by Tiffany may well have been based on ideas sparked by netsuke. The tiny crab on a curling lotus leaf rendered in fine metal alloys here must have appealed to Moore.
Figure of Plenty
Object type: figure
Date: 1800 – 1800
Materials: wood
Subjects: women
Scent bottle in the form of a swan
Object type: scent bottle
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: swans
Fotoreproductie van een prent door Constant-Louis-Antoine Lorichon van de Madonna del Divino amore door Rafaël
Object type: reproduction
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Artist: joseph cundall
Artist role: fotograaf, schrijver
Artist dates: 1818 – 1895
Subjects: holy family, and derived representations
Huis met brug te Westzaan
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: etching
Artist: willem jansen (graveur)
Artist role: print maker
Artist dates: 1892 – 1969
Subjects: housing, bridge
Inscriptions: inscription: ‘2de staat 15/50’, collector's mark: Lugt 2228
Portret van een onbekende man
Object type: carte de visite
Date: 1880 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: sebastopol
Artist: w.w. atsichina
Artist role: fotograaf
Subjects: adult man, anonymous historical person portrayed
Inscriptions: inscription: ‘W.W. Atsichina V Sevastopol’, monogram: ‘BB’, inscription: ‘Fotografja/ Atsichina/ (...) V Sevastopol.’
Deep bowl, Jun ware
Object type: bowl
Date: 1001 – 1200
Materials: glaze, stoneware
Culture: chinese
Love in the East
Object type: print
Date: 1787 – 1787
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women
Self-Portrait
Object type: painting
Date: 1863 – 1863
Materials: oil
Location: united states
Artist: eastman johnson
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1906
Inscriptions: Signed recto, bottom-right corner, on wall, in brown paint: "E. Johnson / 1863".
Oeuvres Diverses de Lalonde. Tome 1.
Object type: book
Date: 1767 – 1800
Techniques: engraving, etching
Location: france
Artist: richard de lalonde
Artist role: artist
Artist nationality: french
Artist dates: 1780 – 1790
Beker van het kapittel van St. Marie te Utrecht
Object type: cup
Date: 1686 – 1686
Materials: silver
Techniques: gilding
Location: utrecht
Artist: thijmen van leeuwen
Artist role: silversmith
Artist dates:  – 1705
Subjects: crown (symbol of sovereignty), acanthus ~ ornament, utrecht
Inscriptions: mark

Cup, silver-gilt, from the Chapter of St Mary's, Utrecht. Utrecht, 1686 by Thymen van Leeuwen.
Illustrated Biography of Prince Shōtoku (Shōtoku Taishi e-den)
Object type: hanging scroll
Date: 1301 – 1400
Materials: gold, ink, silk
Culture: japanese
Subjects: interiors,battles,men,women,horses,buddhism

Prince Shōtoku (574–622), a preeminent champion of Buddhism against the hereditary clans in charge of Shinto ritual, was venerated within a century after his death as an incarnation of the historical Buddha, Shakyamuni. Monks told parables about him inspired by the life of the Buddha, and episodes from his life decorated temples and shrines, aiding the spread of popular Buddhism throughout medieval Japan. This hanging scroll and its pair depict sixty-two such scenes from the prince’s life, shown neither chronologically nor in an orderly spatial sequence but instead identified by accompanying inscriptions. Although Shōtoku lived during the early seventh century, when the capital was located in Asuka, these fourteenth-century paintings depict costumed figures, festive activities, and architectural settings inspired by the Kyoto imperial court during the Heian (794–1185) and Kamakura years.
Phillippes I roy de Fran XXXVIII
Object type: book illustration
Date: 1635 – 1635
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Prent uit: Eudes de Mézeray, François. Histoire de France, depuis Faramond jusqu’au regne de Louis le Juste (...). 3 dln. Parijs: Denis Thierry, Jean Guignard en Claude Barbin, 1635, dl. 2. Prent waarschijnlijk voor het eerst verschenen in: Bie, Jacques de. Les vrais portraits des rois de France (...). Parijs: Jacques de Bie en Pierre Rocolet, 1634. Prent ook gebruikt in latere publicaties.
Prince Alfred
Object type: photograph
Date: 1860 – 1860
Techniques: albumen print
Location: united states
Artist: john jabez edwin mayall
Artist role: fotograaf
Artist nationality: american
Artist dates: 1813 – 1901
Colofon
Object type: colophon
Date: 1578 – 1578
Materials: paper
Techniques: letterpress printing
Location: frankfurt am main

Colofon met naam en plaats van de uitgever en drukker en jaar van uitgave. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
[photo-reproduction of Hogarth's print illustrating the Dunciad, Book I, line III]
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: alfred capel cure
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1896
Subjects: interiors,men,women,cats
Jason, aided by Medea, carries off the Golden-Fleece'
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: tone lithography
Location: england
Subjects: london, the golden fleece, hanging on an oak-tree, is seized by jason, political caricatures and satires
Inscriptions: stamp: ‘HB Subscribers Copy’

Spotprent uit 1846 waarin Richard Cobden als Jason, geholpen door Robert Peel als Medea het Gulden Vlies van de vrijhandel steelt. Uitgegeven als nr. 861 in de serie HB Sketches.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 460
Materials: terracotta
Culture: greek, attic

Interior, bit of meander; Exterior, tendril; on wall, lyre; filleted man with beard, wearing a himation, and holding a staff in his right hand; above staff, hanging on wall, sandal with strap; part of hare (held by figure that is not preserved)
Study of Legs
Object type: drawing
Date: 1828 – 1881
Materials: chalk
Techniques: highlighting
Artist: romain cazes
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1881
Subjects: feet

This drawing of male legs wearing hose comes from a group of eleven sheets once attribued to Frederic Lord Leighton, but now identified as by Romain Cazes. Cazes was a student of Ingres who painted murals in churches in both Paris and southwest France, and these drawings demonstrate his adherance to academic practice. The latter directs artists to make separate studies of posed nude figures and their garments as compositions are planned. The group were donated to The Museum by Albert Eugene Gallatin, an influential New York collector and critic who promoted "Art for Art's Sake," insisting that aesthetics, rather than narrative or moral concerns, underpins enduring art.
Cup
Object type: cup
Date: 1750 – 1750
Materials: clay, glaze
Culture: japanese
Bassoon, from the Musical Instruments series (N82) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: musical instruments,women,musicians

Trade cards from the "Musical Instruments" series (N82), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
Portret van Josias Simler
Object type: print
Date: 1582 – 1658
Materials: paper
Techniques: etching
Artist: dietrich meyer
Artist role: painter, print maker, publisher
Artist dates: 1572 – 1658
Subjects: theologian, historical persons
Dish
Object type: dish
Date: 1725 – 1735
Materials: faience
Techniques: glazing
Subjects: birds,faces,sphinx,peacocks,dogs,monkeys

This tray exhibits a combination of influences not unusual in French faience in the early eighteenth century. While the form seems to be derived from an imported Japanese lacquer model—lacquer being for decades highly regarded in France—the twisted and spotted handles look back to a style common in Nevers faience in the preceding century. The blue-and-white decoration of grotesques ins in the court style of Jean Bérain I (1637–1711), a leading designer at the court of Louis XIV. (Grotesques were first developed as a slight painted wall decoration in the first century B.C. for the urban palaces and country villas of wealthy Romans. These classic grotesques were discovered through excavation in the late fifteenth century. The genre was copied and adopted by artists of the Renaissance, and never entirely disappeared from European art. In its essentials the style deployed a variety of human, animal, and mythical beings, upon the slightest of stepped architectural supports or pergolas.) In Moustiers faience the earliest documented use of the grotesque style of Jean Bérain I, available to the factory in the form of prints, is a dish made between 1696 and 1700 for Jean Charles de Crussol, seventh Dux d’Uzès and his wife Anne Hypolite de Grimaldi, a Princess of Monaco. Just as several generations of the Clérissy family owned and ran the factory, so several generations of the Viry family were active there as painters. The first of that name, François Viry (1614–1689), a painter from the town of Rietz near Moutsiers, was engaged in 1682 to take charge of the painting atelier. Work signed by his son Gaspard is known.
Putto horend bij het grafmonument van Paus Adrianus VI
Object type: cast
Date: 1523 – 1523
Materials: gypsum
Techniques: casting
Location: italy
Artist: alberto galli
Artist role: sculptor
Artist dates: 1840 – 1920
Subjects: clergyman

Putto horend bij het grafmonument van Paus Adrianus VI, afgietsel in gips.
Nouvelles inventions de Combats Navaeles par Reinier Zeeman
Object type: print
Date: 1652 – 1656
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Subjects: title-page, warfare; military affairs (+ naval force)
Inscriptions: number: ‘No. 95’, collector's mark: Lugt 2228

Titelblad voor een reeks van zeeslagen. De uitrusting van een oorlogsschip waaronder kanonnen, kogels, kruitvaten en twee trommels. Een zeeman blaast op een trompet waaraan een vlag hangt.
Scarab: Cartouche and Standing King
Object type: costume and accessory
Materials: faience, gold
Culture: egyptian
Location: egypt
Subjects: king, hieroglyphs, insects
Perzië, ten tijde van sjah Hoesein, 1105-1135 [=1693-1722], falus,Tabriz
Object type: coin
Date: 1693 – 1722
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: pauw met uitgespreide staart naar rechts, waaromheen versiering. Keerzijde: in Arabische lettertekens in drie regels muntplaats-aanduiding. Geslagen te Tabriz, keerzijde versprongen.
Madrid, Puerta del Sol.
Object type: stereograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: palacio de galiana
Artist: Anonymous
Subjects: square, place, circus, etc.
Inscriptions: inscription: ‘España’, number: ‘10’
The Crucifixion with four Angels
Object type: print
Date: 1480 – 1485
Materials: ink, paper
Techniques: drawing, engraving
Location: germany
Artist: martin schongauer
Artist role: print maker
Artist dates: 1430 – 1491
Subjects: crucified christ with mary and john on either side of the cross; holy rood (+ angel(s)), angel(s) catching christ's blood in cup(s), angel(s) with chalice
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, inscription: ‘P. 7 (?); 7. B.M. (?)’, watermark: ‘Kop in profiel (L72)’

Martin Schongauer is the greatest printmaker of the late Middle Ages. This recently discovered impression of his Crucifixion is one of his most beautiful and best-preserved works. Christ’s wasted body and face were cut in the copper plate in extremely fine lines. Mary, John and the four angels who catch His blood exhibit the same sensitivity and delicacy.