deem-data/ArtiFact huggingface dataset:
Mother's Goodnight Kiss
Object type: drawing and watercolor
Date: 1888 – 1888
Materials: canvas, paper, pastel
Location: united states
Artist: mary cassatt
Artist role: print maker
Artist nationality: american
Artist dates: 1844 – 1926
Subjects: mothers, parents, children, century of progress, world's fairs, chicago world's fairs
Inscriptions: Signed recto, upper left: "Mary Cassatt"
Brush holder with pomegranate and inscription
Object type: brush pot
Date: 1801 – 1900
Materials: cobalt, copper, porcelain
Techniques: underglaze
Culture: korean
Los Caprichos
Object type: print
Date: 1797 – 1799
Materials: paper
Techniques: aquatint, etching
Location: spain
Artist: francisco de goya
Artist role: draughtsman, painter, print maker
Artist dates: 1746 – 1828
Subjects: ass, donkey, animals acting as human beings, scholastic education, tuition (+ lesson, lecture)
Inscriptions: collector's mark: Lugt 2228

Een ezel, aangekleed als onderwijzer, met vier ezels als leerlingen. Zevenendertigste prent uit de serie Los Caprichos.
Monjū, the Bodhisattva of Wisdom, on a Lion
Object type: figure
Date: 1701 – 1750
Materials: gold foil, lacquer, pigment, porcelain
Culture: japanese
Artist: ogawa haritsu (ritsuō)
Artist role: artist
Artist nationality: japanese
Artist dates: 1663 – 1747
Subjects: lions,buddhism,bodhisattvas
Duinlandschap, met kleurnotities
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: dunes (sea not visible); in the dunes
Mlle. Cicero, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Interieur van de Sint-Bavokerk te Haarlem
Object type: sketchbook leaf
Date: 1866 – 1868
Materials: paper, pencil
Location: haarlem
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: interior of church
Inscriptions: annotation: ‘Haarlem/ gr. Kerk’

Blad 30 recto uit een schetsboek met 67 bladen.
Portret van Selomoh Salem
Object type: print
Date: 1753 – 1813
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: chief rabbi
Inscriptions: collector's mark: Lugt 2228

Borstbeeld van Salomon Salem, de opperrabbijn van de Portugees-Israëlitische gemeente te Amsterdam, in ovaal met randschrift. Op de sokkel van het portret een tekst in Hebreeuws.
Smiling Self-portrait, from the Side
Object type: watercolor
Date: 1661 – 1661
Materials: chalk, ink, paper, watercolor
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: signature and date: ‘Moses ter Borch; 1661’, annotation: ‘21’

Moses ter Borch was one of the few artists in the second half of the 17th century who, inspired by Rembrandt’s self-portraits, frequently studied his own face. The young artist recorded himself with different expressions in these three studies. Thus he is not looking out at us, but rather examining his reflection in a mirror.
Fragment
Object type: textile
Materials: gilt, paper, silk
Techniques: brocade, silvered, weave
Culture: chinese
Location: japan
The Actor Onoe Matsusuke I in an Unidentified Role
Object type: print
Date: 1782 – 1782
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Vue des Côtes de Malte
Object type: print
Date: 1746 – 1780
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: coast
Inscriptions: collector's mark: Lugt 2028, number: ‘434’, collector's mark: Lugt 2228, number: ‘No. 504’
Medaille voor Moed en Trouw, bronzen afslag, 1839
Object type: history medal
Date: 1839 – 1839
Materials: bronze
Techniques: striking

Bronzen penning met schulprand met bal en draagring, op de voorzijde vijf regels tekst met omschrift, op de keerzijde vier regels tekst met omschrift in Perzisch schrift.
Left Half Design for an Architectural Project
Object type: drawing
Date: 1730 – 1766
Materials: ink
Techniques: brush, pen, wash
Artist: mauro antonio tesi
Artist role: artist
Artist nationality: italian
Artist dates: 1730 – 1766
Subjects: architecture
Lizzie Harold, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Photomicrographie d'une coupe d'une planche gravée en simili
Object type: photomechanical print
Date: 1922 – 1932
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: print, e.g.: engraving, etching, lithograph, photographic apparatus
Inscriptions: number: ‘Fig. 197.’
Border
Object type: border
Date: 1601 – 1800
Techniques: lace
Subjects: flowers,vines,cross
Vijftiende eeuwse Perzische vaas
Object type: drawing
Date: 1876 – 1951
Materials: ink, paper
Techniques: pen
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: work of applied art (+ other non-european art developments), container of ceramics: jar, jug, pot, vase
Whispering Zephyr
Object type: sculpture
Date: 1881 – 1885
Materials: marble
Location: united states
Artist: thomas ball
Artist nationality: american
Artist dates: 1819 – 1911
Inscriptions: Signature: "T BALL" incised in capitals at right of rondel
Mosque at Cordova
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: tone lithography
Location: london
Subjects: interior of church, temple, shrine ~ islam, mohammedanism, organization, functionaries and dignitaries in roman catholic church; clergy in general
Inscriptions: collector's mark: Lugt 2228
Boghall from Biggar
Object type: print
Materials: paper
Techniques: etching
Location: scotland
Artist: john clerk of eldin
Lock of the Canal Saint-Martin, plate six from Le Long de la Seine et des Boulevards
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Object type: frame
Date: 1710 – 1710
Materials: wood
Culture: italian, sicilian
Carnelian scarab
Object type: ring with scarab
Date: 534 – 501
Materials: gemstone, gold
Culture: greek

Youth leaning on a staff, stooping.
Tile
Object type: tile
Date: 1301 – 1500
Materials: stonepaste
Techniques: glazing
Location: tunisia
Moeurs parisiennes
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: adult woman, adult man, drinking
Inscriptions: collector's mark: Lugt 2228
Très Parisien, février 1922 : 11.- AUTEUIL
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: brush, hand coloring, letterpress printing, lithography
Location: paris
Subjects: ensembles of pieces of clothing (suit) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes)
Inscriptions: caption: ‘11. - AUTEUIL / Un tailleur original de lainage "Médaillons grillagés " formant petit vêtement sur jupe unie de teinte tranchante.’, title: ‘Très Parisien / Février 1922’

Zwarte tailleur met medaillons, op een rode wollen japon. Prent uit het modetijdschrift Très Parisien (1920-1936).
Portret van Melchior Rufus Volmar
Object type: book illustration
Date: 1580 – 1580
Materials: paper
Techniques: letterpress printing
Location: geneva
Subjects: germany, scholar, philosopher, historical persons

Prent uit: Beze, Theodore de. Icones id est verae imagines virorum doctrina simul et pietate illustrium (...). Genève: Jean de Laon, 1580.
Arlequin als opvoeder van de kleine Arlequin
Object type: print
Date: 1720 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: types in 'commedia dell'arte', brooding, types in 'commedia dell'arte': harlequin
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Vlag van Frankrijk
Object type: drawing
Date: 1667 – 1670
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: france
Artist: Anonymous
Subjects: flag, colours (as symbol of the state, etc.), france
Inscriptions: number: ‘31 / XXXI / 31’

Vlag van Frankrijk, mogelijk gerelateerd aan de havenstad Calais. Blauwe vlag met staand wit kruis. Op de blauwe vlakken gele fleurs de lys. Vlag op vlaggensteng en mastvoet. Afgebeeld op folio 16r. Onderdeel van een vlaggenboek met vlaggen uit Europa, Noord-Afrika, Nabije en Verre Oosten.
Die Leiden Christi 14 Blatt. Nach Lucas von Leyden in Kupfer gestochen von J. Müller
Object type: print
Date: 1800 – 1891
Materials: paper
Techniques: engraving
Subjects: carrying of the cross: christ bearing the cross, alone or with the help of others (e.g. simon the cyrenian)
Inscriptions: collector's mark: Lugt 2227

Maakt deel uit van een serie die in de negentiende eeuw is herdrukt met de titel: Die Leiden Christi 14 Blatt. Nach Lucas von Leyden in Kupfer gestochen von J. Müller.
Christ Between Saints Peter and Paul
Object type: print
Techniques: engraving
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Subjects: christ,saint paul,saint peter
Vrouw met mand met vruchten in de hand bij het raam
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: etching
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: human figure at (open) window, seen from outside, shop-window, show-window
Inscriptions: inscription: ‘Staat van mijne gravure op den 13 Sept. 1842. H.W. Couwenberg.’

Een jonge vrouw met een mand met vruchten in de hand hangt uit een venster. Ze houdt het gordijn opzij zodat het interieur achter haar zichtbaar is. In het vertrek zijn een man en een vrouw aan het musiceren. In de vensterbank hangt een vogelhuis, ligt een dode haan en staat een vaas met bloemen.
J vanBeers
Object type: print
Date: 1862 – 1903
Materials: paper
Techniques: etching, intaglio
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: eyeglasses, spectacles, historical persons, old man, beard
Inscriptions: collector's mark: Lugt 2228
東海道五十三次之内　荒井
Object type: print
Date: 1901 – 1933
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,trees,boats
Penning ter ere van Maarten Tromp, gesneuveld in de Zeeslag bij Terheide, 1653
Object type: print
Date: 1653 – 1749
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: brielle, maarten harpertszoon tromp, medal (considered as a piece of sculpture, regardless of its specific function), battle of scheveningen

Penning ter ere van admiraal Maarten Tromp, gesneuveld in de zeeslag bij Terheide op 10 augustus 1653. Zilveren penning. Voorzijde: portret van Tromp binnen omschrift. Keerzijde: Zeeslag bij Terheide binnen omschrift. Onder de plaat een afschrift van een gedicht van Vondel op de dood van Tromp.
Holy Family
Object type: drawing
Date: 1701 – 1800
Materials: chalk
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: infants,men,women,holy family
Église des Carmes, à Bordeaux
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: bordeaux
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: church (exterior), façade (of house or building)
Inscriptions: number: ‘1932’
Self-Portrait
Object type: relief
Date: 1902 – 1902
Materials: plaster
Artist: alexandre-louis-marie charpentier
Artist role: artist
Artist nationality: french
Artist dates: 1856 – 1909
Subjects: men,profiles
Tournament Shield (Targe)
Object type: tournament shield targe
Date: 1500 – 1500
Materials: gesso, leather, wood
Techniques: polychromy
Culture: german
Location: germany
Subjects: owls,coat of arms
Kopieën naar Michelangelo en Frans Hals
Object type: sketchbook leaf
Date: 1812 – 1880
Materials: paper
Techniques: pen
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: head (human), adult woman, sculpture

Kopie van de 'Bacchus' van Michelangelo, vrije kopie naar 'De luitspeler' van Frans Hals en een mogelijke kopie naar een onbekend beeldhouwwerk. Tevens een karikatuur en studies van een vrouw in een roodfluwelen huisjasje dat met bont is afgezet en van een dwerg met een sleutelbos. Pagina 25 uit een schetsboek met 34 bladen.
Miter for a Priest
Object type: miter for a priest
Date: 1601 – 1700
Materials: gold, silver, velvet
Location: armenia
Subjects: apostles,christ
Maria met Christuskind en engelen
Object type: print
Date: 1661 – 1684
Materials: paper
Techniques: engraving
Location: antwerp
Artist: gaspar huybrechts
Artist role: print maker, publisher
Artist dates: 1619 – 1684
Subjects: madonna (i.e. mary with the christ-child) in the air, or on the clouds (+ angel(s))
Inscriptions: collector's mark: Lugt 2228, caption: ‘Deliciae Caelestis Paradisi’

Maria met het Christuskind in de wolken, op de wereldbol, omgeven door twee musicerende engelen. Onder de wereldbol wordt de slang vertrapt.
Blue-colored flacon de poche decorated with fleur de lys and hearts
Object type: scent bottle
Date: 1667 – 1733
Materials: glass, pewter
Artist: glasshouse of bernard perrot, verrerie royale d'orléans
Artist role: maker
Artist dates: 1640 – 1709

This scent bottle (flacon) and a related one (see 83.7.165) were made in the Orléans glasshouse of Bernard Perrot (active from 1649 to 1709), the most famous member of an Italian glassmaking family that probably went to France as followers of Louis Gonzaga. The flacons are examples of one of his inventions, the use of patterned molds with intaglio decoration to cast molten glass into small bottles, beakers, medallions, and vials and then displayed the motifs in relief. Both flacons are cast from the same mold. Perrot specialized in colored glass, producing agate bodies, imitation porcelain in white glass, and a transparent red glass. The three fleurs-de-lis may indicate that this was a glasshouse within royal protection, and the hearts were probably a reference to the vials given as courting gifts.
Man leunt met een monoculair uit een venster
Object type: print
Date: 1822 – 1883
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: rombertus julianus van arum
Artist role: print maker
Artist dates: 1812 – 1883
Allée au Parc de 7 heures. Spa
Object type: photomechanical print
Date: 1892 – 1906
Materials: cardboard
Techniques: photograph
Location: spa
Subjects: public gardens, park
Saartje en Cornelis in een theater
Object type: print
Date: 1804 – 1805
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: theatre, theatrical performance, theatre (building), ring
Inscriptions: collector's mark: Lugt 2228

Terwijl enkele figuren naar een toneelstuk in de schouwburg kijken, schuift een man een ring om de vinger van Saartje. Cornelis slaat het tafereel met grote ontevredenheid gade. Illustratie bij het verhaal Sara Houttuin.
Terracotta aryballos (perfume vase) in the form of a hedgehog
Object type: vase, hedgehog
Date: 567 – 535
Materials: terracotta
Culture: rhodian
Subjects: hedgehogs

Vase in the form of a hedgehog.
Plate 4: Two profiles and three mouths, from "The Book for Learning to Draw" (Livre pour apprendre à dessiner)
Object type: print
Date: 1649 – 1649
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: mouths,profiles
Ik ben een Vaderlandsch soldaat
Object type: poem
Date: 1830 – 1830
Materials: paper
Techniques: printing
Artist: Anonymous

Eén vel papier, aan 2 zijden bedrukt, gedicht van 8 strofen ("Ik ben een Vaderlandsch soldaat" .... "Komt, schaart u om zijn vanen!"). Hoort zeer waarschijnlijk ergens bij.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two rim fragments from kylikes, each with part of the handle patch
Herder op een landweg
Object type: print
Date: 1780 – 1840
Materials: paper
Techniques: etching
Location: netherlands
Artist: carel lodewijk hansen
Artist role: draughtsman, painter, print maker
Artist dates: 1765 – 1840
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Plate
Object type: plate
Date: 1765 – 1770
Materials: faience
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Portret van Johan IV van Anhalt
Object type: print
Date: 1632 – 1654
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: georg walch
Artist role: print maker
Subjects: coat of arms (symbol of sovereignty), historical persons, ruler, sovereign, beard
Inscriptions: collector's mark: Lugt 2228
Vishnu Accompanied by Lakshmi and Sarasvati
Object type: stele
Date: 1101 – 1200
Culture: bangladeshi
Subjects: vishnu,hinduism

Vishnu stands in perfect symmetry (samapada), the protector of cosmic order. In an iconographic convention unique to medieval Bengal, he is accompanied by the goddesses Lakshmi, holding a fly-whisk (camara) and lotus (padma), and Sarasvati, playing a vina, rather than by his wives Sri Devi and Bhu Devi. He is also closely associated with Priti, the earth goddess, who often appears between his feet. The goddesses in turn are flanked by two miniature figures, the male personifications of Vishnu’s weapons, the conch (sankha) and the discus (cakra). Vishnu himself is four armed and displays his principal attributes, the discus, conch, club (gada), and lotus (padma), and he wears both a sacred cord (upavita) and a long garland (vanamala), which hangs to his knees. The richly elaborated backplate features mythical animals and celestial celebrants presided over by a protective kirtimukha face.
Portret van Jacques Necker
Object type: print
Date: 1751 – 1808
Materials: paper
Techniques: etching
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 2656
Souvenir spoon
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: buildings,coat of arms
Les Heures - (Fronton de la Bourse de Lyon)
Object type: photomechanical print
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: charles michelez
Artist role: fotograaf, fotostudio
Artist dates: 1817 – 1883
Subjects: sculpture, allegory of time and eternity
Inscriptions: inscription: ‘Bonnassieux/ Galerie Contemporaine’
Vinaigrette
Object type: vinaigrette
Date: 1808 – 1808
Materials: silver
Artist: matthew boulton
Artist role: maker
Artist nationality: british
Artist dates: 1728 – 1809

Showing the letter M, the incomplete maker’s mark stamped on this small box has been thought to be that of Matthew Boulton. Boulton is perhaps the most influential individual associated with the production of silverwork in England. Although he was not a silversmith himself, Boulton was one of the first truly great entrepreneurs of the late 18th and early 19th centuries. From his enterprise, Soho, outside Birmingham, he designed, manufactured, and sold a vast array of Sheffield plate and silver items. Of oblong form with slightly canted corners, the hinged lid of this vinaigrette is engraved with a pattern of trellis work, while the hinged gilt grill is simply pierced. A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. Its interior is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged and decoratively pierced inner lid or grill kept the sponge in place while its perforations allowed the odor to waft through. A whiff of the vinegar might revive someone from a fainting spell. Such vinaigrettes were worn around the neck, on a chatelaine suspended from the waist, or carried in a pocket.
Ceramic Fragment
Object type: fragment
Date: 1701 – 1800
Materials: glaze, stonepaste
Techniques: painting, polychrome, underglaze
Location: turkey
Silhouetportret van Johan Willem Simon van Haersolte
Object type: book illustration
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: historical persons

Prent uit: Rogge, Cornelis. Geschiedenis der staatsregeling, voor het Bataafsche volk. Amsterdam: Johannes Allart, 1799.
Title page from "Varie Figure Gobbi"
Object type: print
Date: 1621 – 1625
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: human figures,male nudes
Two sheets (printed as one) with verses in Valencian for masquerades
Object type: print
Date: 1861 – 1861
Techniques: letterpress, engraving
Artist: rafael mariana
Artist role: publisher
Artist nationality: spanish
Subjects: men,women,monkeys,musicians
Tempel, Panataran (r. Kediri)
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Candi Panataran (Temple Complex), main Temple; general view of the facade (west) and northern side wall.