deem-data/ArtiFact huggingface dataset:
Cup and saucer
Object type: platter
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Manufactuur Oud-Loosdrecht
Loosdrecht, c. 1778–1782
hard-paste porcelain
Schotel
Object type: platter
Date: 1730 – 1735
Materials: porcelain
Techniques: gilding, painted
Location: meissen
Inscriptions: mark: ‘Gekruiste zwaarden’, number: ‘120’, label: ‘Sammlung Dr. FRANZ OPPENHEIMER’, number: ‘NK.3016’

Dit object is van 1953 tot en met 2019 vanuit de Rijkscollectie ondergebracht geweest bij het Kunstmuseum in Den Haag. Vergelijkbare kop en schotel geveild bij Sotheby’s London, 5 december 2004, nr. 427.
Restaurant "De Waag" Doesburg
Object type: photomechanical print
Date: 1939 – 1975
Materials: cardboard
Techniques: autotype
Artist: Anonymous
Subjects: façade (of house or building), restaurant
Historia Septem Infantium de Lara/ Historia de los Siete Infantes de Lara
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: antwerp
Subjects: (military) camp with tents, warfare; military affairs (+ cavalry, horsemen), tales and fairy tales
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 40 prenten (+ titelprent) met voorstellingen uit het volksverhaal over de zeven infanten van Lara.
Glass ribbed bowl
Object type: bowl, rippenschale
Date: 34 – 66
Materials: glass
Culture: roman

Translucent cobalt blue; trail in opaque white. Knocked-off, uneven rim; short concave neck; deep globular body curving in to flat bottom. Trail wound spirally around body, with large circular patch on bottom; sides tooled into twenty-three irregular, vertical ribs. Broken with large cracks running around body and small chip in rim; some bubbles; dulling, pitting, faint iridescence, and weathering of trail around lower body and between ribs.
Snuff bottle with woman in a garden
Object type: snuff bottle
Date: 1701 – 1800
Materials: lacquer, mother of pearl
Techniques: inlay
Culture: chinese
Subjects: women,trees

Tiny fragments of mother-of-pearl were inlaid into a black lacquer base to create the scene of a woman resting in a garden. She is seated on a stool beneath a tree, and a table with a flower arrangement and other implements is set before her. Even more miniscule pieces of mother-of-pearl define the collarlike motifs at the neck of the bottle.
Rectangular Flower Basket
Object type: decorative art
Date: 1900 – 1900
Materials: bamboo
Location: japan
Reliefs from the Tomb of Nespekashuty (see 23.3.468)
Object type: relief, tomb of nespekashuty
Date: 656 – 610
Materials: limestone, paint
Location: egypt
Subjects: hieroglyphs
La Chienne Braque avec toute sa Famille.
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: hunting dogs, family, relationship, descent
Inscriptions: collector's mark: Lugt 2228
Offering table with hand, name and titulary of Akhenaten
Object type: offering table with hand, akhenaten name
Date: 1353 – 1336
Materials: limestone
Location: egypt
Gazette du Bon Ton, 1921 - No. 10, p. 311: "Souliers" : damesschoenen van Pérugia
Object type: fashion print
Date: 1921 – 1921
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph, photochemical processes
Location: paris
Subjects: fashion plates
Inscriptions: date

Pag. 311: "Souliers". Tekst over damesschoenen van Pérugia. Twee illustraties van pumps, een van een muiltje, versierd met een Japans masker.
Morning dress
Object type: morning dress
Date: 1870 – 1879
Materials: cotton
Culture: american
Wapenbord met gouden anker
Object type: wapenbord
Date: 1881 – 1881
Materials: panel
Artist: Anonymous
Subjects: armorial bearing, heraldry

Ovaal houten wapenbord. Het wapen draagt een gouden anker en drie eenden op blauwe grond.
Detail van de Adamspforte in de dom van Bamberg
Object type: album leaf
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: number: ‘47.’
Rustige middag bij het echtpaar Wolmar
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: parents with their children, human figure at (open) window, interior of the house
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor Jean-Jacques Rousseaus 'Neue Héliose'. Latere staat gebruikt voor: Almanac généalogique pour l'année 1783. Berlijn: s.n., 1782.
Vessel in the Form of an Animal with Four Legs and Long Tail
Object type: vessel
Date: 400 – 200
Materials: ceramic, pigment
Location: peruvian north coast
Artist: gallinazo
Bruxelles-Le Palais de Justice
Object type: photograph
Date: 1884 – 1914
Materials: paper
Techniques: albumen print
Location: brussels
Artist: gustave hermans
Artist role: publisher
Artist dates: 1856 – 1934
Subjects: court building, exterior ~ representation of a building
Inscriptions: number: ‘No 1246’
Kamerpot of po van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; decoratie van bloemmotieven, s-vormig oor met duimstukje.
Object type: chamber pot
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous

Kamerpot of po van kelkglas met blauwe emailverf beschildering, imitatie chinees blauw porselein; decoratie van bloemmotieven, s-vormig oor met duimstukje.
Card 606, Katie Uart, Corsair Co., from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Kneeling Angel
Object type: statuette
Date: 1430 – 1440
Materials: alabaster
Culture: german or south netherlandish
Subjects: angels

This elegant angel was originally part of a group of statuettes depicting either the Annunciation to the Virgin or Christ as the Man of Sorrows; if the latter, the angel's crossed hands may have held Instruments of Passion. The angel's refined features, the loose curls of long hair, and the fluid treatment of the folds in the thin drapery recall a group of alabaster sculptures from a retable with the Crucifixion and the Twelve Apostles formerly in Santa Maria delle Grazie, Rimini- Covignano (now in the Städtische Galerie Liebieghaus, Frankfurt). The anonymous artists responsible for the ensemble probably worked in the Burgundian Lowlands or the Rhineland, but, as the Rimini altar suggests, they appear to have produced many sculptures in alabaster for export. The personal style of the Rimini Master is closely linked to the widespread, so- called International Gothic style of about 1400, seen in this and many other alabaster statuettes of the first half of the fifteenth century.
Plate 71: Procris Killed by Cephalus's Javelin (Procridem inscius interficit Cephalus), from Ovid's 'Metamorphoses'
Object type: print
Date: 1606 – 1606
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: men,female nudes,dogs
Africa
Object type: print
Date: 1547 – 1622
Materials: paper
Techniques: engraving
Location: bruges
Subjects: ornament ~ arabesque, africa represented allegorically; 'africa' (ripa)
Inscriptions: collector's mark: Lugt 2228

De personificatie van Afrika, staande op een sokkel omringd door ornamentele versieringen. Ze heeft een takkebos in haar handen en wordt geflankeerd door een olifant en een leeuw. Boven haar een kameleon en twee Afrikanen. Onderaan de prent twee zeemonsters. De prent is deel van een reeks over de vier werelddelen.
Sculpture of Horseman Accompanied by Two Standing Figures, with Sketch of One of Latter
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: attributed to thomas stothard
Artist nationality: english
Artist dates: 1755 – 1834
Young woman reading "The Pillow Book (makura no soshi)"
Object type: print
Date: 1822 – 1822
Techniques: woodblock print, surimono
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Amandava, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Song Birds of the World" series (N23), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Ranan
Object type: photomechanical print
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine, 126, boulevard de Magenta.’
Philosophy Run Mad or a Stupendous Monument of Human Wisdom
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: musical instruments,satire,heads,men
Governor Biggs, Delaware, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,coat of arms,flags

Trade cards from the "State Governors, Arms, Etc." sseries (N133-2), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Illustratie voor 'Den Arbeid van Mars' van Allain Manesson Mallet
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: amsterdam
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: river, landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc., fortifications, military engineering, mathematics
Inscriptions: collector's mark: Lugt 2228

Grondplan voor een vesting, fort of versterking (zeshoek), driemaal onder elkaar afgebeeld: op een kaart, van bovenaf gezien in een landschap en in vogelvluchtperspectief in een landschap. In de hoek rechtsboven het cijfer 54 (= het nummer van de pagina in het boek waartegenover de illustratie geplaatst is).
Heilige bij een hek in een berglandschap
Object type: book illustration
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: monogrammist hcvs
Artist role: print maker
Subjects: saints, mountains
Inscriptions: collector's mark: Lugt 2228
6. Vischvijver Fort de Kock
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: indonesia
Inscriptions: annotation: ‘6. Vischvijver Fort de Kock’

Moskee met visvijver te Kampong Taloek bij Fort de Kock, Sumatra, Nederlands-Indië. Rechts een Westers echtpaar, kinderen bij de rand van de vijver.
Portalen
Object type: ornament print
Date: 1770 – 1788
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: monumental door, porch, 'aediculum', vase ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerp voor een portaal met segmentvormig fronton met palmtakken en laurierkransen. Daaronder een schild met kop, een laurierkrans en een lans. Het portaal wordt bekroond door een vaas met guirlandes. Uitgeversnummer 404.
Sweater
Object type: sweater
Date: 1667 – 1700
Materials: silk
Culture: european

The rare knitted silks of the seventeenth have never been fully explained, but were probably informal wear. Today they could be purposeful as skiwear or underwear, a light sweater, or a chic bodice. Decorated to be seen, these knits are not represented in painting of the period, yet their role was clearly as a comfortable year-round clothing more consequential than any season's novelty.
Seal
Object type: seal
Date: 801 – 1100
Materials: bronze
Techniques: casting
Location: iran

This seal was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Covered Jar
Object type: covered jar
Date: 1701 – 1800
Materials: clay, enamel, glaze
Techniques: polychrome
Culture: japanese
Subjects: animals,flowers
Spoon with a falcon on the handle
Object type: spoon, bird
Date: 3300 – 3100
Materials: ivory
Location: egypt
Subjects: falcons

This early example of a toilet spoon (partly reconstructed) has a long handle, rounded for most of its length, and then tapering and flattening toward one end. Vertically through the flattened end is a hole, perhaps for suspension. At the other end is a hemispherical bowl to hold cosmetic material. Facing the bowl is the figure of a falcon that rests its beak on the rim. Although falcons are rarely depicted during this period, this high-soaring bird of prey was already beginning to take on solar connotations. The ivory from which this spoon was carved could be from either a hippopotamus or an elephant tusk.
Spear
Object type: spear
Date: 1701 – 1800
Materials: gold, steel
Culture: north indian
Location: north india

Spears were a versatile tool for royal hunting expeditions, as demonstrated by their depiction in the paintings nearby. They were used while either on foot or on horseback, and could be thrust or thrown. Some spears were made of a single piece of iron or steel; others comprised a wooden shaft and steel spear head. Inlaid with gold, this example was intended to be both lethal and beautiful.
Head of a Peasant (Tête de paysan)
Object type: bust
Materials: plaster
Artist: aimé-jules dalou
Artist role: artist
Artist nationality: french
Artist dates: 1838 – 1902
Subjects: heads,men,portraits
Design for Cabriolet Phaeton(unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ornament
Object type: ornament
Date: 1801 – 1900
Materials: jade
Culture: chinese
Portret van een onbekende man en vrouw
Object type: photograph
Date: 1892 – 1906
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: adult woman, adult man, anonymous historical person portrayed
Inscriptions: inscription: ‘No ................../ Het Cliche wordt voor verdere bestellingen bewaard.’, address: ‘BOVEN DE FIRMA/ MERKELBACH & CO/ AMSTERDAM/ 57-59/ NIEUWENDIJK’
De Olislaager
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: pressing (industrial process) (+ oil ~ crafts, industries, agriculture), handicrafts, craftsman at work
Inscriptions: collector's mark: Lugt 1641, collector's mark

Olieslager schenkt olie door een trechter in een ton. Onderaan een zesregelig vers. Bedrukt met tekst op verso. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Mannelijk beroep en bedrijf: Lantaarnmaker, olieslager, kaarsenmaker.
Supplement to Landscape gardening in Japan / by Josiah Conder; with collotypes by K. Ogawa
Object type: book
Date: 1893 – 1893
Materials: cardboard, linen, paper
Techniques: photograph, decorated paper, printing
Location: yokohama
Inscriptions: date: ‘NOV/ 1994’
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 550 – 501
Materials: terracotta
Culture: greek, attic
Studie van een boom
Object type: drawing
Date: 1878 – 1938
Materials: chalk, paper
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: trees
Writing box with decoration of seven deer in autumn grasses
Object type: writing box
Date: 1801 – 1900
Materials: gold, lacquer, lead, mother of pearl
Techniques: inlay, maki
Culture: japanese
Subjects: deer
Handkerchief
Object type: textile
Date: 1760 – 1769
Materials: cotton, lace, linen, textile
Techniques: lace, treatment, embroidery, weave, stitching
Location: valenciennes
Portret van drie onbekende jongens in een tuin
Object type: photograph
Date: 1905 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: boy (child between toddler and youth), backyard
Education of a Princess
Object type: group
Date: 1755 – 1760
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: princesses,women,dogs
Design for a Cartouche
Object type: drawing
Date: 1672 – 1725
Materials: chalk
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: cartouches
India, Engelse Oostindische Compagnie (EIC), op naam van koningin Victoria, 2 annas, 1841
Object type: coin
Date: 1841 – 1841
Materials: silver
Techniques: striking
Location: mumbai

Zilveren munt. Voorzijde: hoofd van koningin Victoria naar links. Omschrift in twee gedeelten. Keerzijde: tussen twee samengebonden takken in twee regels waarde-aanduiding: two annas, waaronder in Arabische lettertekens in een regel waarde-aanduiding. Onderaan jaartal. Gladde rand.
Yu Kinro (Chinese: Yu Qianlou), from the series "Fashionable Japanese Versions of the Twenty-four Paragons of Filial Piety (Furyu Yamato nijushiko)""
Object type: print
Date: 1770 – 1772
Techniques: woodblock print
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Pair of boxes with covers (part of a toilet service)
Object type: box with cover
Date: 1683 – 1684
Materials: silver gilt
Artist: william fowle
Artist role: maker
Artist dates: 1658 – 1684
Subjects: birds,flowers
Woman wearing hat with black and red feathers, from the Novelties series (N228, Type 2) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Portret van Ludovico Adimari
Object type: print
Date: 1690 – 1739
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: theodor vercruys
Artist role: print maker
Artist dates: 1680 – 1739
Subjects: naples
Inscriptions: name: ‘Ludovicus Adimari Florentinus’, collector's mark: Lugt 2228

Portret van de Italiaanse dichter en toneelschrijver Ludovico Adimari.
Bordures de Tableau a la Romaine
Object type: ornament print
Date: 1655 – 1657
Materials: paper
Techniques: etching
Location: paris
Subjects: helmet, ornaments ~ art, cupids: 'amores', 'amoretti', 'putti'

Drie fragmenten van lijsten met profiel. Op de middelste lijst een helm geflankeerd door putti. Prent maakt deel uit van een album.