deem-data/ArtiFact huggingface dataset:
Landschappen met boerderijen
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: farm or solitary house in landscape, farm (building), dog
Inscriptions: collector's mark: Lugt 240

Gezicht op een boerderij met een erf. Rechts op de voorgrond een vrouw en een hond. Op de achtergrond staat een vervallen schuur.
Portret van Federico Colonna
Object type: book illustration
Date: 1597 – 1649
Materials: paper
Techniques: engraving
Location: italy
Artist: camillo cungi
Artist role: print maker
Subjects: rome, federico colonna, historical persons
Fotoreproducties van de Onthoofding van Johannes de Doper en van de Heilige Johannes in de olie door Quinten Massijs
Object type: page
Materials: photographic support
Techniques: albumen print
Location: brussels
Subjects: martyrdom and death of john the baptist (matthew 14:3-12; mark 6:17-29)
Bit Boss with Hercules Fighting the Monster Cacus
Object type: bit bos
Date: 1551 – 1600
Materials: copper alloy, gold
Culture: german, south
Location: germany
Subjects: hercules,monsters

The central part of this bit boss is adorned with a scene depicting Hercules fighting the monster Cacus, represented as a centaur with a half-lion - half-deer body, a shield and a sword at their feet. This scene is directly inspired by a rectangular plaquette designed by Moderno (Galeazzo Mondella), ca. 1507. German bronze founders would regularly use Italian medals or plaquettes as models for their works, including bosses, like this one, which decorated the sides of horse bits. They also produced similar decorative elements for powder flasks, staff weapons or even pistols. This scene seems to have been a common design for bit bosses and plaquettes made in Southern Germany in the second half of the 16th century.
Bird-Head Vessel
Object type: bottle
Date: 500 – 301
Materials: ceramic, pigment
Culture: paracas
Location: peru
Subjects: birds
Portret van Franz Ignaz Roth
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: mezzotint
Location: nuremberg
Subjects: franz ignaz roth, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Gare de Templerbend
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: aachen
Artist: t
Artist role: fotograaf
Subjects: station; shelter (railway, tramway)
Inscriptions: number: ‘-478-’, inscription: ‘G’, inscription: ‘9’
Quilt, Strip pattern
Object type: quilt
Date: 1825 – 1825
Materials: cotton
Culture: american
Location: united states
Subjects: flowers

The appearance of a Strip quilt is usually very like that of a wholecloth quilt, even though it is technically pieced. Like wholecloth quilts, the makers of Strip quilts like this example and another in the collection (1990.40.1) were concerned with showing off the large pieces of fancy fabric with which the quilts are made, rather than calling attention to an intricately pieced design. While some of the pieces of fabrics in this quilt were probably left-overs from other home-furnishing projects, others may have been purchased specifically with the quilt in mind. All these fabrics have large-scale patterns that would not have been as visually effective if the quilt maker had chosen to cut them into small pieces to be stitched into an ordinary pieced quilt. The fabrics in this quilt were manufactured in England during the period between 1815 and 1825; some were quite common and match fabrics in other museums' collections. A few of the fabrics are block printed, and others are roller printed. Most of them are not of the finest quality available at the time, but this quilt is a particularly good illustration of early nineteenth-century fashions in upholstery and drapery fabrics. Bird and pillar prints were favorites, and the way the strips are placed mimics the vertical composition of contemporaneous fabric designs. The fabric strips are placed so that they mirror one another, making the quilt symmetrical outward from the center strip.
Portrait of Ismail, Ambassador of the Persian Shah Tahmasp I
Object type: print
Date: 1562 – 1562
Materials: ink, paper
Techniques: engraving
Location: denmark
Artist: melchior lorck
Inscriptions: Inscribed verso, upper center, in graphite: “Franck / 2. Aug ‘825”; lower left, in graphite: “5092”; lower center, in graphite: “C19941 / ___ / Erik Fischer”; lower left corner, in graphite: “FL 5 / 2 cm / B. 15 II / W__ L ___ 25. 3 I”; lower left corner, in pen and black ink: “belle Ep- 5”
Woman Resting on a Platform
Object type: drawing and watercolor
Materials: gouache, paper, paint, pastel, watercolor
Techniques: heightening
Location: england
Artist: henry stacy marks
Artist role: artist
Artist nationality: english
Artist dates: 1829 – 1898
Man, vrouw en kind
Object type: illustration
Date: 1895 – 1895
Materials: paper
Techniques: woodcut
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: (showing oneself) undressed, quasi-nude, family, relationship, descent
Inscriptions: collector's mark: Lugt 2228

Als illustratie verschenen in het tijdschrift 'Licht en Waarheid' V, nr. 130 (20 april 1895).
Koperen 1 cent muntje uit 1838
Object type: coin
Date: 1838 – 1838
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: dutch east indies, the
Inscriptions: inscription: ‘1 C’, inscription: ‘NEDERL / INDIE / 1838 / J’, inscription: ‘B.A. Seaby, LTD. / Numismatists, / 65, Great Portland Street, / London, W.1’

Koperen muntje van 1 cent uit 1838. Voorzijde: opschrift. Keerzijde: gekroond wapen met leeuw erin. Links van het wapen een 1 en rechts van het wapen een C. Het muntje zit in een envelopje met opschrift.
Returning from Work, Plate 12 from Pastorales
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: france
Artist: claudine bouzonnet-stella
Artist nationality: french
Artist dates: 1636 – 1697
Inscriptions: Lettered lower left: "J. Stella p."; lower center: "C. Stella sculp. cum privil Regis"; and lower right: "12"; verso, inscribed in pen and ink, lower left: "766.587.81."
Kaart van het kwartier van Brussel, onderdeel van het hertogdom Brabant
Object type: print
Date: 1642 – 1664
Materials: paper
Techniques: engraving, etching, hand coloring, letterpress printing
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial), brabant, brussels

Huidige staat van prent gebruikt in: Blaeu, Willem Janszoon en Johannes Willemszoon Blaeu. Toonneel des aerdriicx, ofte nieuwe Atlas, dat is de beschryving van alle landen. 3 delen. Amsterdam: Johannes Willemszoon Blaeu, 1642-1643, dl. 1 (1642). Of in: Blaeu, Willem Janszoon en Johannes Willemszoon Blaeu. Toonneel des aerdrycx, ofte nieuwe Atlas, dat is de beschryving van alle landen. 4 delen. Amsterdam: Johannes Willemszoon Blaeu, 1647-1650, dl. 1 (1647-1648). Of in: Blaeu, Willem Janszoon en Johannes Willemszoon Blaeu. Toonneel des aerdrycx, ofte nieuwe Atlas, dat is de beschryving van alle landen. 4 delen. Amsterdam: Johannes Willemszoon Blaeu, 1649-1650, dl. 1 (1649). Of in: Blaeu, Willem Janszoon en Johannes Willemszoon Blaeu. Toonneel des aerdriicx, ofte niuew Atlas, dat is beschryving van alle landen. 6 delen. Amsterdam: Johannes Willemszoon Blaeu, 1658-1661, dl. 1. Of in: Blaeu, Johannes Willemszoon. J. Blaeus grooten atlas oft wereltbeschyving, in welcke 't aerdryck, de zee, en hemel, wort vertoont en beschreven. 9 delen. Amsterdam: Johannes Willlemszoon Blaeu, 1664-1665, dl. 3 (1664).
Madonna of Humility
Object type: painting
Date: 1490 – 1500
Materials: panel
Location: pistoia
Artist: painter
Artist role: painter
Artist dates:  – 1500
Subjects: madonna: mary sitting on the ground, the christ-child in her lap
Inscriptions: inscription: ‘S. Maria De Umilitade’

Madonna dell'humiltà. Madonna van de nederigheid. Maria zittend op de grond geeft het Christuskind de borst. Moderne vervalsing in de stijl van de Florentijnse School 15e eeuw.
America
Object type: print
Date: 1575 – 1610
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: unicorn, america represented allegorically; 'america' (ripa), other mammals: armadillo, native peoples of the americas, cannibalism
Inscriptions: collector's mark: Lugt 2228

De vrouwelijke personificatie van het continent Amerika zit met pijl-en-boog in een kar, getrokken door twee eenhoorns. Naast de kar een reuzengordeldier en een hagedis. Op de achtergrond slachten kannibalen een man en roosteren hem boven een vuur. Nog verder naar achteren schieten mannen met pijl en boog op elkaar. De prent is deel van een vierdelige serie met personificaties van de vier continenten.
Saint-Servan
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: etching
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Subjects: landscapes, prints and drawings
Portret van Kilian Ignaz Dientzenhofer
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving
Artist: carl salzer
Artist role: print maker
Artist dates: 1740 – 
Subjects: historical persons, portrait, self-portrait of architect
Inscriptions: stamp: ‘lfd. No 56’, stamp: ‘Zg.B. 5. p. 66’, collector's mark: Lugt 2760, collector's mark: Lugt 2888, collector's mark: Lugt 2481a

Prent waarschijnlijk uit: Balzer, Johann. 87 Abbildungen Böhmischer und Mährischer Gelehrten und Künstler. Praag: s.n., [1772], prent 56 (alle prenten na de tekst). Andere staat van prent gebruikt in: Born, Ignaz Baron von. Effigies virorum eduditorum atque artificum Bohemiae et Moraviae (...). Praag: Wolfgangg Gerle, 1773-1775, dl. 2, p. 152.
Portret van J.J.P. Valeton, hoogleraar godgeleerdheid en rector magnificus van de Universiteit Utrecht
Object type: photograph
Date: 1882 – 1883
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: utrecht, historical persons, professor
Inscriptions: signature: ‘J.J.P. Valeton’
Earring
Object type: earring
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Gezicht op Sisikon aan het Vierwoudstrekenmeer
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: vierwoudstrekenmeer
Subjects: prospect of village, silhouette of village, lake, mountains
Portret van Giovanni Battista Casti
Object type: print
Date: 1738 – 1815
Materials: paper
Techniques: etching, engraving
Location: italy
Subjects: paris, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Metamorphoseon sive transformationum
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: polymnestor kills polydorus and throws him into the water
Inscriptions: collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Two Reclining Beggars, and Seated Mother and Child, at Foot of Steps
Object type: drawing and watercolor
Materials: graphite, ink, paper, lead, pigment
Techniques: brush, heightening, pen, drawing, wash
Location: italy
Artist: girolamo macchietti, after
Gezicht op een kerk (vermoedelijk) te Limburg an der Lahn
Object type: page
Date: 1889 – 1899
Materials: paper
Techniques: photoaquatint
Location: limburg an der lahn
Artist: Anonymous
Subjects: façade (of house or building)
Inscriptions: title: ‘Cathedral of St. George, Limburg.’
Design for 6 seat Rockaway, no. 3381
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ernest Renan
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Miss Devaux, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Trouville, France, from the Surf Beauties series (N232), issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,sports

Trade cards from the "Surf Beauties" series (N232), issued in 1889 to promote Kinney Tobacco Company.
Portret van Thomas Howard, graaf van Norfolk
Object type: print
Date: 1669 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: politician
Inscriptions: collector's mark: Lugt 2228

Thomas Howard, graaf van Norfolk en voorzitter van de koninklijke raad van Engeland gedurende de regeringsperiode van Hendrik VIII. De prent heeft als onderschrift een Frans gedicht over zijn relatie met Hendrik VIII.
Piece
Object type: piece
Date: 1760 – 1770
Materials: silk
Subjects: flowers,leaves
The Old Fortress
Object type: print
Date: 1770 – 1770
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Part of "Opening of the Mouth" peseshkef amulet
Object type: amulet, handle of a peseshkef opening of the mouth tool
Date: 1981 – 1640
Materials: copper, gold
Location: egypt
Seated female figurine holding a baby
Object type: statuette of a woman with infant
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: infants,women

The figurine was made from a very worn mold; the infant's face is handmade. It is solid except for the concave base.
Vase
Object type: vase
Date: 1644 – 1911
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: fans,men
Sacrificial Bowl
Object type: bowl
Date: 1830 – 1830
Materials: porcelain
Culture: japanese
Artist: eiraku hozen
Artist role: artist
Artist nationality: japanese
Artist dates: 1795 – 1854
Twee gezichten te Pompeï
Object type: photograph
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: pompeii
Artist: Anonymous
Subjects: tourism, landscape with ruins, volcano, mount vesuvius, pompeii
Inscriptions: inscription: ‘id. / id.’

Albumblad met twee foto's in Pompeï. Onderdeel van een fotoalbum van een reis door Italië, ca. 1900.
Wapens van prins Willem IV en Anna van Engeland, 1734
Object type: print
Date: 1734 – 1734
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: willem iv (prins van oranje-nassau), the hague, anna van hannover, armorial bearing, heraldry

De wapens van prins Willem IV en prinses Anna van Engeland, gehuwd op 25 maart 1734, in de wolken met engeltjes met een festoen, aan de linkerzijde van het wapen de Nederlandse Leeuw en aan de rechterzijde de Britse eenhoorn als wapendrager. Ongemonteerd geheel bestaande uit twee delen.
Plate from l'Assommoir (man proposing a toast at table with five other people)
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: drypoint
Location: france
Artist: gaston la touche
Artist nationality: french
Artist dates: 1854 – 1913
Elf Egyptische vazen
Object type: page
Date: 1890 – 1895
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: containers
Inscriptions: number: ‘XIX’
Column Base
Object type: column base
Date: 1130 – 1140
Materials: marble
Culture: catalan
Location: france
Portret van een onbekend Fries echtpaar
Object type: photograph
Date: 1855 – 1870
Materials: glass
Techniques: ambrotype, hand coloring
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons, marriage, married couple, 'matrimonium', folk costume, regional costume
Strip
Object type: textile
Date: 1801 – 1900
Materials: linen, silk, thread
Techniques: embroidery
Location: russia
Miss Morris, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
View of the Wouwsepoort at Bergen op Zoom
Object type: drawing
Date: 1671 – 1672
Materials: ink, paper
Techniques: brush, pen
Location: bergen op zoom
Artist: valentijn klotz
Artist role: draughtsman
Artist dates: 1646 – 1721
Subjects: city-gate, bergen op zoom
Goblet
Object type: goblet
Date: 1867 – 1900
Materials: gilt, glass
Techniques: glassblowing, enamel
Culture: italian
Subjects: coat of arms
Gezicht op de stad Amsterdam vanaf het IJ
Object type: photomechanical print
Date: 1875 – 1968
Materials: paper
Techniques: photograph
Subjects: city-view in general; 'veduta', river, ships (in general) - cc - more than one ship, amsterdam
Inscriptions: collector's mark: ‘1’ Lugt 1641b, inscription: ‘Toegeschreven aan (attribué) (...) Remius van Antwerpen)’

Onderwerpsrubriek binnen de Atlas Amsterdam: Gezichten van den geheelen IJkant der Stad.
Bijbelsche figuren van het Nieuwe Testament
Object type: popular print
Date: 1767 – 1778
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: new testament
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van verhalen uit het Nieuwe Testament. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: 84.
Rainbow-printed Card, made during a Soirée at the Library of the London Institution
Object type: print, trade card
Date: 1844 – 1844
Materials: paper
Techniques: printing, engraving
Artist: anonymous, british or american, 19th century
Artist role: artist
Artist nationality: british or american
Artist dates: 1800 – 1900
James Wear "Bug" Holliday, Center Field, Cincinnati, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Papier met giften van Dirk VII van Holland en Aleid van Kleef aan de Abdij te Rijnsburg, 1199
Object type: book illustration
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: dordrecht, seal, stamp, paper (writing material)

Papier met Latijnse tekst met daaronder een zegel met Dirk VII van Holland te paard. In de tekst bevestigen Dirk VII van Holland en Aleid van Kleef de giften die Petronilla van Saksen aan de Abdij van St. Marie heeft gedaan, waaronder de stad Rijnsburg. Linksboven: Tab. VII. Rechtsboven: Pag. 229.
Hijacint. / Hijacinthus. / Hyacinthe.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: hyacinth

Roze hyacinten. Rechtsboven genummerd: 141. Rechtsboven de Latijnse namen. Onderdeel van het tweede album met tekeningen van bloemen en planten. Negende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Side chair (one of a set of fourteen)
Object type: side chair
Date: 1772 – 1772
Materials: leather, wood
Artist: robert adam
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1728 – 1792

Chippendale executed this set of Neoclassical mahogany dining chairs for Goldsborough Hall, in Yorkshire, which belonged to Daniel Lascelles, younger brother of Chippendale's most extravagant patron, Edwin Lascelles, of nearby Harewood House. The set, which originally included fifteen chairs, remained at Goldsborough until 1929, when it was removed to Harewood House, from whence it was sold in 1976. The chairs represent one of Chippendale's most elegant designs: their tapering backs have arched top rails and molded sides headed by beaded paterae and leaf finials; fan-shaped splats with a central patera are encircled and flanked by pendent bellflower swags; and the square, tapering paneled legs are decorated with pendent husks. He produced several sets of these chairs with minor variations, including one, which has not survived, for Lansdowne House, in London. The present set, which has been reupholstered as it was originally with red morocco leather, re-creates in the Museum's dining room from Lansdowne House the unity of design between the furniture and Robert Adam's decoration, which was one of the most notable aspects of this great Neoclassical interior.
Terracotta fragments of lekythoi (oil flasks)
Object type: lekythos fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Three black glaze fragments from lekythoi
Shawl
Object type: costume and accessory
Date: 1801 – 1900
Techniques: embroidery
Location: india
Plate with Lion Design
Object type: plate
Date: 1615 – 1868
Materials: porcelain, stoneware
Techniques: underglaze
Culture: japanese
Subjects: insects,lions
Verloren krediet
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Elfde prent uit een serie van twaalf scènes uit het leven van een slecht opgevoede vrouw. Deze voorstellingen werden samen op een plaat geëtst. De beschrijvingen zijn gebaseerd op 'Kokettenspiegel. Ein deutsches Sittengemälde nach zwölf Blättern von Daniel Chodowiecki', gepubliceerd in 'Die graue Mappe' (1791). Een latere staat van deze serie is ook gebruikt in: Berliner Genealogischen Calender auf das Schaltjahr 1780.