deem-data/ArtiFact huggingface dataset:
Tablet with Calendar from the Farnese Palace, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1567 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: calendars

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 18 in the scrapbook.
Mansportret, Hofstede de Groot (?)
Object type: drawing
Date: 1874 – 1925
Materials: paper, pencil
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: the hague, cornelis hofstede de groot, anonymous historical person portrayed alone, historical persons
Gezicht op Lausanne
Object type: album leaf
Date: 1876 – 1876
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Sheet with diagonal stripe pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
George Washington
Object type: painting, miniature
Date: 1777 – 1777
Materials: ivory, watercolor
Culture: american
Artist: charles willson peale
Artist role: artist
Artist nationality: american
Artist dates: 1741 – 1827
Subjects: george washington,men,portraits

George Washington (1732-1799) sat for Peale about the time he and his army were camped at Valley Forge.
Portret van Cornelis Johan de Lange van Wijngaarden
Object type: print
Date: 1786 – 1809
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: gouda
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Dl. 1-43. Amsterdam: Johannes Allart, 1786-1809.
Terracotta kylix: Siana cup (drinking cup)
Object type: kylix, siana cup
Date: 560 – 550
Materials: terracotta
Culture: greek, attic
Artist: sandal painter
Artist role: artist
Subjects: shields,spears,men,warriors

Interior, runner. Exterior, obverse and reverse, combat between onlookers.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, right hand, holding a knobby stick, and part of a the leg of a male to right; part of a palmette; part of an inscription, ...OS
Stamp seal
Object type: stamp seal
Date: 201 – 700
Materials: mineral
Culture: sasanian
Location: iran
Subjects: animals
Self Portrait
Object type: painting, miniature
Date: 1801 – 1801
Materials: ivory, watercolor
Culture: american
Artist: william m. s. doyle
Artist role: artist
Artist nationality: american
Artist dates: 1769 – 1828
Subjects: men,self-portraits
Portret van Johann Siegmund Hahn
Object type: print
Date: 1830 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Design for T-Cart, no. 3452
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ptilota plumosa
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Henry G. Pickering
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Wine Glass
Object type: glass
Date: 1850 – 1880
Materials: glass
Techniques: glassblowing, cutting, engraving, stain
Location: bohemia
Blad met twee foto's gemaakt in Johannesburg en Pretoria
Object type: sheet
Date: 1890 – 1905
Materials: paper, cardboard
Techniques: gelatin silver print
Location: south africa
Artist: Anonymous
Subjects: ceremonial procession, parade, pageant ~ installation of a ruler, street, johannesburg
Inscriptions: inscription: ‘uit archief Veen, 1970’, inscription: ‘Zd. Afrika’
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

On the shoulder, buttocks, legs, and feet of a draped male to left; below, bit of the back of the head and left ear of a figure to left; head and spear of a warrior to left
Okabe
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,roads,mountains,trees
Portret van Beda Weber
Object type: print
Date: 1853 – 1858
Materials: paper
Techniques: engraving
Location: germany
Subjects: theologian, historical persons

Prent ook gebruikt in: Weber, Beda. Charakterbilder. Frankfurt am Main: J.D. Sauerländer, 1853. En later in: Weber, Beda. Lebens- und Literatur-Bild. Regensburg: Friedrich Pustet, 1858.
[Unidentified Union Army Encampment on a Bluff]
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: tents,american civil war,landscapes
The Lamentation, from "The Passion"
Object type: print
Date: 1507 – 1507
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,women,lamentation,ladders
Portret van twee kinderen op een stoel
Object type: photograph
Date: 1905 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: child, chair
Inscriptions: inscription: ‘Koene & Büttinghausen Amsterdam Heerengracht 150.’
Bekroning of bovenlicht van grenenhout
Object type: transom window
Date: 1700 – 1715
Materials: wood
Location: netherlands
Artist: Anonymous

Bekroning van grenenhout, bestaande uit geknakte voluten, welke een jeu-de-fond met lambrequin omlijsten, bekroond door een korf met vruchten, waaruit acanthusguirlanden voortkomen. Diverse delen zijn met was aangevuld; voor de korf schijnt een stuk te ontbreken.
Sample Book Containing 125 Swatches
Object type: book
Date: 1910 – 1910
Materials: silk, wool
Techniques: weave, printing
Location: vienna
Artist: wiener werkstätte
Artist dates: 1903 – 1932
Jain Digambara Tirthanhara Standing in Kayotsarga Meditation Posture
Object type: figure
Date: 801 – 900
Materials: copper alloy
Culture: indian, karnataka
Subjects: male nudes

The Deccan and Tamil Nadu were strongholds of the Digmabara sect—the "sky clad," or those who go naked. Jainism prospered in the south, attracting patronage from Pandyan and other rulers throughout the first millennium. Most images from that region depict jinas as committed renunciants, unencumbered by material possessions. Images of a tirthankara in the austerity meditation "body-abandonment" posture are among the most understated and beautiful of the period, and thus successfully embody the essence of the doctrine of renunciation of the material world.
En Suisse / En Suiza / In der Schweiz / Nello Svizzera / In Switzerland
Object type: print
Date: 1889 – 1906
Materials: paper
Techniques: lithograph, hand coloring
Location: weissenburg
Artist: Anonymous
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., lake - hh - ideal landscapes, mountains, switzerland
Inscriptions: collector's mark: Lugt 2233
Terracotta figure in an armchair
Object type: statuette of a figure in a chair
Date: 800 – 701
Materials: terracotta
Culture: greek, attic
Subjects: human figures,chairs

This piece forms a noteworthy counterpart to the Mycenaean representation of the same subject (74.51.1711) exhibited in an adjoining case. Of particular note in this example is the diminutive figure incorporated into the back of the chair.
100 Afbeeldinge der voornaamste gebouwen van Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: public welfare, poorhouse, old-people's home, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Genummerde staat van prent ook gebruikt in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Pieter Schenk (I), s.a. [1710-1711]. En in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Barent Greve, s.a. [1757-1766].*

*In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "Boileau" door Gabriel Bernard Seurre en rechts "Fénelon" door Jean Bonnassieux
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘V 23 en 8’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Horn
Object type: horn
Date: 1601 – 1700
Materials: glass
A Moth, Butterflies, and Bees, from Diversae Insectorum...Figurae
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Ronde hoedendoos van karton, beplakt met roestbruin gemarmerd papier
Object type: hat box
Date: 1830 – 1840
Materials: cardboard, linen, paper
Techniques: pasting
Location: netherlands
Artist: Anonymous

Ronde hoedendoos van karton, beplakt met roestbruin gemarmerd papier. De doos is van binnen beplakt met blauw papier. Met een groen striklint als handvat. Behoort bij twee poppenluifelhoeden (BK-1983-68-A/B).
Groot leger rukt op naar links op vlakte in landschap
Object type: print
Date: 1856 – 1856
Techniques: printmaking, etching
Artist: rodolphe bresdin
Artist role: draughtsman, print maker
Artist dates: 1822 – 1885
Subjects: battle
Inscriptions: collector's mark: Lugt 76, collector's mark: Lugt 2228

Een groot leger met veel soldaten te paard rukt op naar links op een vlakte en neemt mensen gevangen.
L'eau-forte en 1875
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: old man, old woman
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘AFE v S’, watermark, collector's mark: Lugt 2760
Fotoreproductie van een prent naar een schilderij, voorstellende de tronende Madonna tussen heiligen
Object type: page
Date: 1870 – 1876
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: madonna: mary sitting or enthroned, the christ-child in her lap (or in front of her bosom) (mary sometimes represented half-length), saints
Inscriptions: inscription: ‘Stoke Newington Public Libraries’
Pair of gloves with pointed cuffs
Object type: glove
Date: 1922 – 1930
Materials: leather, mother of pearl
Location: amsterdam
Artist: m. laimböck
Artist role: modehuis, modewarenhuis, modewinkel

Rechter handschoen van beige glacé-leer. Model: driekwartlang met kappen en middensplitten. Naden van de kappen in diepe punten gevormd en doorgestikt. Dikke parel als sluiting. Adres: binnenin gedrukt: 1. BILTON/V.S.PAT.SEPT.19.'22(?). 2. Gekroonde adelaar met banderol waarop M. LAIMBOCK/UITTYROL/AMSTERDAM/K.HOFLEVERANCIER (onduidelijk) en: MADE IN SAXONY. Saksen, voor fa. Laimböck Amsterdam. 1922-1930 (?).
Governor Ormsbee, Vermont, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,profiles,landscapes,coat of arms,flags

Trade cards from the "State Governors, Arms, Etc." sseries (N133-2), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Cash uit India van de Nawabs van Arcot,1690-1825
Object type: coin
Date: 1745 – 1825
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: binnen vierpas aanziende godheid met vleugels: garuda. Keerzijde: in Arabisch schrift in twee regels aanduiding muntplaats: Nahtarnagar [=Trichinopoly]..
Gevel aan de Beursstraat van de Beurs van Berlage te Amsterdam
Object type: photograph
Date: 1903 – 1903
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: stock exchange, stock-market
Inscriptions: number: ‘2 a b’
The Moon Palace
Object type: costume and accessory
Materials: ink, silk
Location: china
Inscriptions: Remnant of signature at far left.
Interior-Peabody Academy of Science
Object type: photomechanical print
Date: 1804 – 1879
Materials: paper
Techniques: photoaquatint
Location: salem
Artist: Anonymous
Subjects: permanent exhibition, museum
Mannelijk naakt, met een been geknield op een blok en leunend op een andere blok
Object type: drawing
Date: 1802 – 1802
Materials: chalk, paper
Artist: Anonymous
Subjects: standing figure
Incidents of the War: Breaking Camp
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: james gardner
Subjects: collected by hugh edwards, gardner's photographic sketch book
Botanical plate with fruiting branch
Object type: plate
Date: 1755 – 1755
Materials: enamel, soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: fruit,butterflies

These botanical plates (2016.217–.226) were produced by the Chelsea factory around 1755 and are often referred to as Chelsea "Hans Sloane" wares, in reference to the royal physician, traveler, and natural historian who helped transform the Chelsea Physic Garden into a center of botanical knowledge during the British Enlightenment. Several subjects depicted on these plates were taken from botanical illustrations published by Philip Miller, curator of Chelsea Physic Garden. Although flowers and fruits could typically be found on earlier porcelain wares from Meissen, the lively naturalism of the Chelsea botanical plates reflects a broadening public interest in the natural world, and evidence the forms of global commerce that brought exotic species from the Caribbean, the Americas, and Asia to England.
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: marinus van der maarel
Artist role: draughtsman, painter
Artist dates: 1857 – 1921
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, publisher, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Fotoreproductie van een portret van Johann Gottfried Herder
Object type: page
Date: 1868 – 1878
Materials: photographic support
Techniques: albumen print
Subjects: writer, poet, author
Cuneiform tablet: fragment
Object type: cuneiform tablet
Date: 700 – 301
Materials: clay
Culture: achaemenid or babylonian
Location: mesopotamia
Bowl
Object type: bowl
Date: 960 – 1279
Materials: clay, glaze
Culture: chinese
Leyde Studente genootschap te voet
Object type: costume print
Date: 1789 – 1789
Materials: paper
Location: northern netherlands
Artist: Anonymous
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), leiden, patriots (1780-1795)

Montering of uniform van de infanterie van het exercitiegenootschap van Leidse studenten, ca. 1785. Onderdeel van een schetsboek met 41 gekleurde tekeningen van de monteringen van de gewapende schutterijen en burgercorpsen in Nederland in de periode ca. 1783-1789.
Fotoreproductie van een schilderij, voorstellende Aeneas wordt bezocht door de schim van Anchises, scène uit Virgilius' Aeneis
Object type: reproduction
Date: 1853 – 1858
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: anchises' spirit appears to aeneas in his sleep
Napoli. Piazza del Municipio
Object type: photomechanical print
Date: 1906 – 1910
Materials: cardboard
Techniques: autotype
Location: terni
Artist: Anonymous
Subjects: (high) hill, square, place, circus, etc. (+ city(-scape) with figures, staffage), naples
Twaalf hoofden met verschillende gezichtsuitdrukkingen
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: head (human), morphology of facial expression

Van linksboven naar rechtsonder: Etonement, la Contemplation, la Tristesse, le Rire, [l'Efroy], la Crainte, la Collere, le Desdain, [le Desespoir], l'Inquietude, l'Abatement, Douleur.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: painter of brussels r 330
Artist role: artist

Interior, meander and cross pattern; Exterior, lower legs of draped figure with stick, feet and stick, right foot of draped figure
Towel End
Object type: towel end
Date: 1801 – 1900
Materials: metal thread, silk
Techniques: embroidery
Location: turkey
Subjects: flowers
Interieur van een paleis of tempel
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: etching
Artist: louis charles françois petit-radel
Artist role: print maker
Artist dates: 1740 – 1818
Subjects: architecture
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Design for One Eighth of a Ceiling of a Reception Room at the Royal Palace at Moncalieri
Object type: drawing
Date: 1774 – 1778
Materials: chalk, drawing material
Artist: leonardo marini
Artist role: artist
Artist nationality: italian
Artist dates: 1730 – 1797
Portret van Simone Contarini
Object type: print
Date: 1728 – 1803
Materials: paper
Techniques: engraving
Location: italy
Subjects: venice, simone contarini, historical persons
Inscriptions: collector's mark: Lugt 2228
Schaal op voet met groene rand en gouden Griekse band
Object type: dish
Date: 1865 – 1865
Materials: earthenware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘P. REGOUT // MAASTRICHT // 9X’

Schaal op voet van aardewerk, geschulpt, met groene rand en gouden Griekse band.
Willem de Eerste, Prins van Oranje, te Delft, doorschooten, in 't jaar 1584
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: delft, william i (prince of orange), violent death ~ elements, attempt, political murder
Inscriptions: collector's mark: Lugt 2228

De prins van Oranje te Delft vermoord door Balthasar Gerards, 10 juli 1584. Willem van Oranje is op de trap neergeschoten en zakt in elkaar, links vlucht de moordenaar. Rechts op de voorgrond twee toesnellende wachten.
Vorstin en een Romeinse krijgsman
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ruler, sovereign - bb - female ruler, the soldier; the soldier's life, extinct, 'historical' peoples (with name)
Inscriptions: collector's mark: Lugt 2228

Een vorstin staat met haar scepter naast een Romeinse krijgsman aan wiens voeten de overwonnen vijand ligt. De krijgsman wordt vanuit de wolken gekroond. Op de achtergrond verslaat de gepersonifieerde Kracht de Nijd.
Gezicht op een persoon met een paard in een landschap
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Location: berlin
Artist: th. u. o. hofmeister
Artist role: fotograaf
Subjects: landscapes, horse
Inscriptions: monogram: ‘[...]’
Cuneiform tablet: account of commodity disbursements to prebendaries, Ebabbar archive
Object type: cuneiform tablet
Date: 700 – 501
Materials: clay
Culture: babylonian
Location: mesopotamia
Portret van Henry Peter Brougham
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: official; civil servant; functionary (in general), historical persons
Flower Vase
Object type: flower vase
Date: 1801 – 1900
Materials: clay, glaze
Culture: japanese
Summer Morning
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: mezzotint
Location: england
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881