deem-data/ArtiFact huggingface dataset:
Freggi dell' Architettura da Agostino Mitelli pittore
Object type: print
Materials: paper
Techniques: etching
Location: italy
Subjects: ornament ~ candelabrum
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 48 prenten plus een titelprent. Mitelli maakte tekeningen van marmeren pilasterdecoraties van de poort van de S. Bartolomeo di Porta Ravegnana in Bologna. Deze prenten zijn vervolgens naar die tekeningen gemaakt.
Priest's Robe (Shichijō)
Object type: robe, priest's
Date: 1716 – 1736
Materials: metal thread, silk
Culture: japanese
Bowl (Tecomate)
Object type: bowl
Date: 1200 – 801
Materials: ceramic
Culture: olmec
Location: mexico

This bowl, reportedly from the site of Tlatilco, Mexico, is in a full, round shape with a small opening at the top. Made of a kaolin-like clay, its undecorated walls are thin and burnished to a high gloss.
Book cover with marbled pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
St. Anthony
Object type: print
Date: 1470 – 1475
Materials: paper
Techniques: engraving
Location: germany
Artist: israhel van meckenem the younger
Artist nationality: german
Artist dates: 1440 – 1503
Italiaans beeldhouwwerk
Object type: page
Date: 1887 – 1892
Materials: photographic support
Techniques: albumen print
Location: philadelphia
Artist: charles t. fellows
Artist role: printer
Subjects: piece of sculpture, reproduction of a piece of sculpture
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of head of a filleted male whose right hand holds an unidentified object; hanging on the wall, a diskos bag; to the left, an arrow; To the left of the diskos bag, part of an inscription, a sigma
Theodor Heinsius
Object type: print
Date: 1844 – 1875
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Mill near the Grand Chartreuse, plate 54 from Liber Studiorum
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Stirrup Spout Vessel with Relief Depicting a Supernatural Figure Holding a Trophy Head
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peru
Vier voorstellingen uit de geschiedenis van de Bartholomeusnacht
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: paris, politician, gaspard de coligny (ii), introducing, (military) espionage, battle, murder, kneeling figure
Inscriptions: collector's mark: Lugt 2228

Prenten gebruikt voor: Historisch-genealogischer Kalender auf das Jahr 1799 und 1800. Die Geschichte der Bartholomäusnacht oder die Bluthochzeit zu Paris. Berlijn: Johann Friedrich Unger, [1798].
Drinkhoorn
Object type: drinking horn
Date: 1609 – 1609
Materials: horn, silver
Location: bolsward
Artist: jan stoffels
Artist role: silversmith

Drinkhoorn van runderhoorn met zilveren rand. Langs de liprand onder andere een gegraveerd alliantie-wapen met huwelijksknoop van de geslachten van Osinga en van Aggama.
Horse Walking
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: horses

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art.
Surinaamse reuzenvlinder XVIII
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: insects: butterfly
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Blankaart, Steven. Schou-burg der rupsen, wormen, ma'den, en vliegende dierkens daar uit voortkomende. Amsterdam: Jan Claesz ten Hoorn, 1680.
Surcoat (jinbaori)
Object type: battle surcoat jinbaori
Date: 1567 – 1600
Materials: felt, metal thread, silk, velvet, wool
Culture: japanese

With the arrival of the Portuguese in 1543, Japan became involved in global trade. High-ranking samurai wore luxurious battle surcoats (jinbaori) made from expensive, imported fabrics. This elegant Momoyama-period jinbaori is a very rare type—only three similar examples are known, all of which belonged to warlords or high-ranking warriors associated with either the general Toyotomi Hideyoshi or shogun Tokugawa Ieyasu (1543–1616). The surcoat’s pleated “skirt” is a Chinese brocaded silk with a gold and silver “dragon and cloud” design. The vest is made of wool imported from the West, an exotic material in late sixteenth-century Japan. On the back of the vest, the flowering wisteria crest of the Naitō family (allies of Ieyasu’s) is appliquéd in white wool felt and decorated with refined cording. The crest was inspired by the fact that one character of the Naitō family name is “wisteria.”
Plate
Object type: decorative art
Date: 1790 – 1818
Materials: ceramic, earthenware
Location: burslem
Artist: enoch wood & sons
Inscriptions: Inscribed "Entrance of the Erie Canal into the Hudson at Albany."
Kris with Sheath
Object type: kris with sheath
Date: 1501 – 1900
Materials: copper alloy, ivory, steel, wood
Culture: madurese
Location: indonesia
Copy of Deux Femmes de Profil (Two Women in Profile), from "Les Caprices"
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: women
Linkerdeel van een altaar
Object type: design drawing
Date: 1723 – 1725
Materials: chalk, ink, paper
Techniques: pen
Location: florence
Artist: giovanni battista foggini
Artist role: draughtsman
Artist dates: 1652 – 1725
Inscriptions: inscription: ‘Giorno Giovane / alato con un cer / chio in mano e nel / [l'a]ltra una face / [N]otte Coronata di / [p]apaveri con due / [a]li alle spialle / Pietà con la mano / [che] tenga perpandicolo’

Altaar met vaasvormige kaarsenhouders, een torchère, de rechterhelft van een bednis, Tulla die een tweespan ment, en een liggende figuur.
Goudestein, het Huis van den Hr. van Maersseveen; siende naer (1) Harteveld, (2) Leeuwenvegt en (3) Soetendael / Goudestein La Maison du Sr. de Maarseveen, regardant vers (1) Harteveld, (2) Leeuwenvegt et (3) Soetendaal
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: etching
Subjects: river, rural housing, e.g. country-house, villa, cottage, maarssen, vecht

Prent uit: De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende. Amsterdam: Wed. Nicolaes Visscher, 1719.
Wit linnen pellen servet
Object type: napkin
Date: 1660 – 1700
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

Wit linnen pellen servet, gemerkt PG 24 en HW 23.
Sarape
Object type: textile
Date: 1800 – 1800
Materials: cotton, wool
Techniques: weave
Location: saltillo
Ein Frauenzimmer in Augsburg Sommer Zeit im Haus gehend
Object type: print
Date: 1753 – 1792
Materials: paper
Techniques: mezzotint
Subjects: historical persons - bb - woman, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228
Interieur van het kasteel van Pierrefonds
Object type: photomechanical print
Date: 1880 – 1900
Materials: paper
Techniques: autotype
Subjects: castle - aa - civic architecture: inside

Deze prent maakt deel uit van een album.
Molens bij Dordrecht langs de rivier met schepen
Object type: drawing
Date: 1885 – 1885
Materials: chalk, paper
Location: dordrecht
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: river, windmill, dordrecht
Inscriptions: date
Portret van een onbekende jonge vrouw
Object type: frame
Date: 1890 – 1905
Materials: paper, cardboard, glass, metal
Techniques: gelatin silver print
Location: leiden
Artist: jan goedeljee
Artist role: fotograaf
Artist dates: 1824 – 1905
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed, leiden
Inscriptions: check stamp: ‘J. Goedeljee/ Hoffotograaf/ Leiden’
Portret van Winrich von Kniprode
Object type: print
Date: 1838 – 1842
Materials: paper
Techniques: lithograph
Location: dresden
Artist: Anonymous
Subjects: historical persons, hacking and thrusting weapons: sword
Inscriptions: collector's mark: Lugt 2228

Prent uit: Borussia, museum für preussische Vaterlandskunde (...). Dresden: s.n., 1838-1842.
Een moeilijke keuze, 1831
Object type: cartoon
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: personifications of countries, nations, states, districts, etc., king, belgium
Inscriptions: collector's mark: Lugt 2166

Spotprent op de koningskeuze in België, februari 1831. De Belgische Maagd in verlegenheid bij het kiezen tussen de kandidaten voor de Belgische kroon. Een zeemeerman houdt een plank omhoog waarop de zeven kandiaten staan.
Diagram van bodemstructuren in Zuid-Holland
Object type: photomechanical print
Date: 1956 – 1960
Materials: glass, paper
Techniques: printing block
Artist: Anonymous
Subjects: statistic diagram, graph; pictorial chart, etc., public road
Inscriptions: number: ‘IX’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Interior, bearded man with himation wrapped over his left shoulder holding an unidentified object in his right hand
Mill Near Brighton
Object type: print
Date: 1829 – 1829
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: windmills

View of a mill in a stormy landscape. In the bottom left foreground, a woman approaches the mill. In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Ex libris van M.A.B.
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: linocut
Artist: Anonymous
Subjects: (story of) mercury (hermes), traffic on the water
Portret van Christoph Daniel Ebeling
Object type: book illustration
Date: 1800 – 1800
Materials: paper
Techniques: etching
Location: germany
Artist: adam weise
Artist role: painter, print maker
Artist dates: 1776 – 1835
Subjects: historical persons, professor

Prent waarschijnlijk uit: Allgemeine geographische Ephemeriden. Weimar: Industrie-Comptoir, 1800, dl. 5.
Portret van Johann Rudolph Chotek von Chotkow
Object type: print
Date: 1809 – 1821
Materials: paper
Techniques: engraving, etching
Location: leipzig
Subjects: vienna, johann rudolph chotek von chotkow, historical persons
Inscriptions: collector's mark: Lugt 2228
Interieur van een Chinese kerk te Singapore
Object type: photograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: singapore
Artist: Anonymous
Subjects: interior of church, singapore
Inscriptions: annotation: ‘Chin: kerk van binnen/ Singapore’, number: ‘73’
Gezicht op Hauwert
Object type: drawing
Date: 1700 – 1800
Materials: paper, pencil, watercolor
Techniques: brush
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, windmill in landscape
Inscriptions: inscription: ‘'t Dorp Hauwert’
Spring Pictures
Object type: album leaf
Date: 1644 – 1911
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,women,cats,chairs,tables
Portret van Nicolas de Largilliere
Object type: print
Date: 1746 – 1760
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, painter, draughtsman, nicolas de largillière, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een staand meisje
Object type: carte de visite
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: girl (child between toddler and youth)
Gezicht op het graven van een funderingsput ten behoeve van de bouw van een schutsluis ten westen van Terneuzen
Object type: photograph
Date: 1901 – 1901
Materials: photographic support
Techniques: cyanotype
Location: terneuzen
Artist: carl wilhelm bauer
Artist role: fotograaf
Artist dates: 1844 – 1911
Subjects: digging (industrial process)

Gebaseerd op opschrift op exemplaar (gedrukt als ontwikkelgelatinezilverdruk) in collectie Nationaal Archief, Den Haag (coll. Rijkswaterstaat, inv.nr. 873): Schutsluis bewesten Terneuzen / Fundeeringput / De uitgraving geschiedt ongeveer ter halver diepte of 4,50 M beneden het maaiveld // Gezien van de zuidzijde / 20 Juli 1901.
Twee koppen
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types)
Inscriptions: collector's mark: Lugt 2228

Twee koppen. Getekend op de achterzijde van een fragment van een brief of envelop gericht aan J. Tavenraat.
Bhairavi Ragini: Folio from a ragamala series (Garland of Musical Modes)
Object type: folio
Date: 1640 – 1650
Materials: gold, ink, paper, silver, watercolor
Culture: indian
Subjects: women,lotuses,trees

A female devotee is worshiping at a Shaiva shrine inside a palace compound, with a lotus pond in the foreground. She has placed an offerings of fresh flowers on the linga and, as we know from the ragamala verse written above, is singing hymns in praise of her Lord, accompanied by hand cymbals (manjira). Intense, glowing colors underscore the true theme of this subject, the passion of devotion (bhakti).
Brief aan Philip Zilcken
Object type: letter
Date: 1900 – 1900
Materials: ink
Techniques: pen, writing
Location: the hague
Artist: willy martens
Artist role: painter
Artist dates: 1856 – 1927
Subjects: print maker, wilhelmina of the netherlands, the hague, painter, draughtsman, philip zilcken, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Teapot
Object type: teapot
Date: 1720 – 1725
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,birds,trees
Taglio traversando per mezzo tutto il Palazzo. K. insieme col cortile da tramontana verso mezzo giorno
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hôtel, i.e. small palace in city - aa - civic architecture: inside, section ~ architectural design or model
Inscriptions: collector's mark: Lugt 240
Decorated Roman alphabet
Object type: print
Date: 1701 – 1800
Techniques: engraving
Artist: jeremias wachsmuth
Artist role: artist and engraver
Artist nationality: german
Artist dates: 1712 – 1771
Subjects: men,women,insects,flowers
Panel
Object type: panel
Date: 1801 – 1900
Culture: japanese
Subjects: butterflies
Kelkglas met een holle stam met baluster en drie bollen
Object type: goblet
Date: 1550 – 1650
Materials: glass
Techniques: façon de venise, glassblowing

Kelkglas met platte voet met omgeslagen rand. De stam, die is opgebouwd uit een holle baluster en drie bollen, staat in open verbinding met de trechtervormige kelk, die is afgezet met een blauwe draad.
Willem II, koning der Nederlanden, beschermheer der Koninklijke Nederlandsche Yachtclub
Object type: honorary medal
Date: 1841 – 1841
Materials: bronze
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: the hague, william ii of the netherlands

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: wapenschild, bekroond met twee vlaggen, die door lint met opschrift verbonden worden, geflankeerd door twee matrozen boven wimpel met opschrift binnen sierrand
Self Portrait. Standing beside the Artist is his Father and Teacher Jan Maurits Quinkhard (1688-1772)
Object type: painting
Date: 1757 – 1757
Materials: canvas, oil
Artist: julius henricus quinkhard
Artist role: draughtsman, painter, print maker
Artist dates: 1734 – 1795
Subjects: amsterdam, draughtsman, jan maurits quinkhard, print maker, julius henricus quinkhard, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: signature and date: ‘Julius Quinkhard pinx 1757’

Zelfportret van de schilder Julius Henricus Quinkhard (1734-1795), met achter hem staande zijn vader en leermeester Jan Maurits Quinkhard (1688-1772). Ten halven lijve, zittend aan een tafel, een boek doorbladerend. In de linkerhand een blad papier (een tekening?).
Nouveaux Lambris, Cheminées Et Portes De Chambre
Object type: print
Date: 1681 – 1723
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: window, panelling
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Links een raam geflankeerd door panelen, rechts een paneel geflankeerd door ramen. Voor de panelen staan geornamenteerde tafels met halffiguren en dieren.
Trionfo Di Virtu. Libro Novo..., page 14 (verso)
Object type: book print ornament architecture
Date: 1563 – 1563
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: ornament

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design composed of 3 horizontal registers and is framed at the bottom by a decorative border that is divided into 2 halves. Top register consists of 2 squares, each ornamented with a different Moresque pattern. Middle register consists of a rectangle that is decorated with another Moresque pattern. Bottom register consists of a wider rectangle that is decorated with a pattern of intertwining vines of leaves and flowers.
Watch and key
Object type: watch with key
Date: 1620 – 1640
Materials: gilt brass, steel
Artist: john wright
Artist role: maker
Artist nationality: british
Artist dates: 1620 – 1640
De geschiedenis van Iphigenia en Orestes
Object type: tapestry
Date: 1648 – 1662
Materials: silk, wool
Techniques: tapestry
Location: northern netherlands
Artist: salomon de bray
Artist role: draughtsman, print maker
Artist dates: 1597 – 1664

Wandtapijt met koning Thoas van Tauris die Iphigeneia beveelt de gevangen genomen Orestes en Pylades aan Artemis te offeren; uit een serie van vijf wandtapijten met voorstellingen ontleend aan Iphigeneia op Tauris van Euripides.
Portret van een onbekende rechter
Object type: carte de visite
Date: 1811 – 1899
Materials: paper, cardboard
Techniques: gelatin silver print
Location: rotterdam
Subjects: anonymous historical person portrayed, magistracy, judges, rotterdam
Inscriptions: inscription: ‘Jac. & S. Schotel Sz Rotterdam/ Schiedamsche Singel 56/ Erasmusstraat 3.’, inscription: ‘Nov. 99,/ St. Nicolas’, number: ‘45- 55-’, inscription: ‘Jac. & S. Schotel Szn/ Ateliers voor Fotografie/ Schiedamsche Singel 56 & Erasmusstraat 3/ Rotterdam’
Beach at Cabasson (Baigne-Cul)
Object type: painting
Date: 1891 – 1892
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: henri edmond cross
Artist nationality: french
Artist dates: 1856 – 1910
Subjects: children, mediterranean, france, beach, weather/seasons, leisure, landscapes, water
Inscriptions: Inscribed lower left: henri Edmond Cross

In 1891, as a result of his rheumatoid arthritis, Henri Edmond Cross moved to Cabasson, a hamlet on the Côte d’Azur in southeastern France. The move deeply affected his art: after settling on the Mediterranean coast, he embraced the divided brushwork (small dashes and dots of color) and tonal gradations of “scientific Impressionism.” This methodical technique was a departure from the Impressionists’ more intuitive quick strokes of color to capture fleeting atmospheric conditions. In this beach scene, Cross used this more systematic paint application to convey the color and heat of his adopted region.
Page 25v, from "Eyn New Kunstlichboich"
Object type: book
Date: 1529 – 1529
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550

Published by Peter Guentel, Cologne, woodcut border designed by Anton Woensam von Worms, German, active first half 16th century, died 1538. Italian translation of title page, illustrated title page, portrait of Charles V, 46 pages of designs including pages of the alphabet.
Onderdelen van een radslotgeweer
Object type: radslotgeweer
Date: 1600 – 1620
Materials: copper, iron
Techniques: engraving
Location: prague
Artist: Anonymous
Portret van Inez Dodgie, dansend in Spaanse klederdracht
Object type: photograph
Date: 1944 – 1944
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: woman dancing alone, historical persons - bb - woman, folk costume, regional costume
Inscriptions: inscription: ‘Inez Dodgie/ Lange Houtstraat 1/ Den haag/ K 519’, inscription: ‘Aan mijn lieve vriendin/ Cato Merks, waar ik zoo/ gezellig mee in Piccadilly/ heb gewerk. Nog veel suc-/ ces. Inez Dodgie/ 3 Aug. 1944’, inscription: ‘Inez Dodgie’
Fribourg
Object type: photomechanical print
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Location: fribourg
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Pilasters van de Ionische en Composiete orde
Object type: album leaf
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: paris
Subjects: composite order ~ architecture, half-column, pilaster ~ architecture, ionic order ~ architecture

Prenten uit: Leclerc, Sébastien (I). Traité d'architecture. Parijs: Pierre François Giffart, 1714.