deem-data/ArtiFact huggingface dataset:
Fotoreproductie van een schilderij met een zittend halfnaakt paar
Object type: album leaf
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: the (nude) human figure; 'corpo humano' (ripa), couple of lovers
Reproductie van een schilderij met Spaanse ruiters met stieren door Félix de Dominique Vuillefroy
Object type: page
Date: 1885 – 1901
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscapes in the temperate zone (+ landscape with figures, staffage)

Prent op pagina 13 van Figaro-Salon (par Albert Wolff).
Watch
Object type: watch
Date: 1702 – 1702
Materials: silver
Techniques: enamel
Artist: david lestourgeon
Artist role: maker
Artist dates: 1631 – 1731

Pendulum watches attest to the success of the pendulum clock, although in reality these watches employ the standard balance for controlling the escapement. The movement is inverted in its case so that the balance is directly under the dial, and a bob attached to the balance shows through the crescent-shaped slot in the dial, where its oscillations resemble those of a true pendulum. Lestourgeon, a master clockmaker in Rouen in 1660, moved to London in 1681, no doubt as the result of the increasing intolerance of Protestants in France. He became a member of the London Clockmakers’ Company in 1698.
Liggend naakt
Object type: drawing
Date: 1931 – 1931
Materials: chalk, paper
Artist: pieter willem van baarsel
Artist role: draughtsman, painter, print maker
Artist dates: 1879 – 1949
Subjects: lying face downwards - aa - female human figure (+ nude human being)
Bronze spout in the form of a Corinthian column
Object type: spout in the form of a column
Date: 1 – 200
Materials: bronze
Culture: roman
Portret van een onbekend meisje met poppenwagen
Object type: photograph
Date: 1880 – 1900
Materials: paper, glass, wood
Techniques: gelatin silver print
Artist: Anonymous
Subjects: anonymous historical person portrayed alone, (playing with) dolls, toddler - aa - girl
Corte onderwysinghe op de figuerliicke afbeeldinghe, belanghende t'recht ghebruyck, van al t'ghene een Soldaet int handelen vande Spies noodich is
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: handling of weapons ~ military training, helved weapons, polearms (for striking, hacking, thrusting): lance

Een soldaat, ten voeten uit, op de rug gezien, die een spies (lans) met beide handen horizontaal op neushoogte draagt, zijn rechterhand bij de voet van het wapen, zijn gezicht naar rechts gewend. Deze prent is onderdeel van de reeks van 32 met de hand genummerde prenten van spiesdragers in de Wapenhandelinghe.
Brief aan Françoise W.M. Bonger
Object type: letter
Date: 1938 – 1938
Materials: ink, paper
Techniques: pen, writing
Location: amersfoort
Artist: antonio nunes ribeiro sanches
Artist role: arts
Artist dates: 1699 – 1783
Subjects: painter, odilon redon, print maker, draughtsman, rodolphe bresdin, amsterdam, andries bonger, françoise w.m. bonger
Grammato-Graphices. In Quo Varia Scripurae Emblemata
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: cornelis dircksz. boissens
Artist role: draughtsman, print maker
Artist dates: 1567 – 1635
Inscriptions: date

Tekst in rand van gestileerd rolwerk. Uit serie van 41 (?) bladen.
Man op weg naar een huis
Object type: print
Date: 1815 – 1827
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johannes ludovicus van den bos
Artist role: draughtsman, print maker
Artist dates: 1800 – 1827
Subjects: bridge in village across river, canal, etc.
Inscriptions: collector's mark: Lugt 2227
Cat and Flowers
Object type: print
Date: 1869 – 1869
Techniques: aquatint, etching
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: cats
Kussend stel
Object type: drawing
Date: 1891 – 1941
Materials: chalk, paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: (lovers) kissing each other, embracing each other, kissing
Figuren tussen coulissen
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: grand piano, adult man, the stage and its equipment

Op de achtergrond een piano en figuren op het toneel. Blad 1 verso uit schetsboek XVII met 31 bladen.
Over Robe (Uchikake) with Long-Tailed Birds in a Landscape
Object type: robe
Date: 1751 – 1800
Materials: metal thread, paste, silk
Techniques: damask, embroidery, resist
Culture: japanese
Subjects: birds

Birds with long tails inhabit a bright landscape of waterfalls, rocks, pine trees, and cherry blossoms. Resembling auspicious motifs frequently used in China, the birds have the vivid color of pheasants and the ribbon-like tails of magpies, yet the dominance of cherry blossoms firmly places the scene in Japan. The inherent qualities of the materials, such as the lustrous white satin damask ground, and techniques, such as the long floating satin stitch embroidery, used on this uchikake increase the reflection of light and lend great radiance to the auspicious landscape. Most brilliant of all is the gold thread applied with a couching technique for the waterfalls and forceful current. In the couching technique, shiny metallic threads are laid on the surface of the fabric and stitched into place, permitting the reflection of light along the unbroken length of the waterfall.
Portret van Jean-Baptiste Colbert
Object type: print
Date: 1668 – 1668
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, politician, jean-baptiste colbert, minister ~ government, historical persons
Inscriptions: collector's mark: Lugt 240
Suit
Object type: suit
Date: 1874 – 1879
Materials: silk
Culture: american
Portret van Bernhard Albrecht op 64-jarige leeftijd
Object type: print
Date: 1633 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: augsburg

Portret van Bernhard Albrecht in een ovale omlijsting met randschrift. In de ondermarge twee regels Latijnse tekst.
Le tour du bois photogravures
Object type: book
Date: 1884 – 1884
Materials: cardboard, linen, paper
Techniques: photoaquatint
Artist: jean delton
Artist role: fotograaf
Artist dates: 1850 – 1901
Cup
Object type: cup
Date: 1785 – 1790
Materials: glass
Artist: manufacture royale de la margéride
Artist role: manufactory
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of the eyebrow and upper part of an eye, in added white
Moslims in verschillende gebedshoudingen
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: etching
Artist: johannes jacobsz van den aveele
Artist role: print maker
Artist dates: 1655 – 1727
Subjects: prayer ~ islam, mohammedanism
Inscriptions: collector's mark: Lugt 2228

illustratie voor: Guillaume Grelot, Relation nouvelle d'un voyage de Constantinople. naar de kopie van: Paris, P. Rocolet, veuve D. Foucault, 1681
Lion
Object type: statuette
Date: 1701 – 1900
Materials: bronze
Subjects: lions
Portret van een meisje
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: leuven
Artist: emile morren
Artist role: fotograaf
Artist dates: 1865 – 1941
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘Emile Morren (...) 18 Rue de Namur/ Louvain’
Gauntlets
Object type: gauntlet
Date: 1690 – 1710
Materials: leather, metal, silk
Culture: british

Expensive and ornate, men's gloves form this period were signifiers of wealth and status and, as such, were often given as presentation objects. The multiplicity of expensive materials used here - metallics upon metallics, laces and velvets- and the use of colors - royal blue suede, burgundy velvet and the gold and silver - exemplify the opulence that was part of British protocol when England was a preeminent force on the world stage.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of helmet and round shield of warrior to left; one letter of an inscription, A
Daß Menschliche Leben/ Vita Humana
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching
Location: augsburg
Subjects: human life; 'vita humana', 'vita inquieta', 'vita e l'animo' (ripa), (story of) janus
Inscriptions: collector's mark: Lugt 2228

Allegorie van het menselijk leven, omgeven door rocaille omlijsting. Links zit een vrouw met een kelk met hostie, een zwaard, een lauwerkrans en een anker. Haar voet rust op een boek met afbeelding van de maan. In het landschap achter haar loopt een man met twee gezichten, de god Janus. In de ondermarge tweemaal een vierregelige Duits en Latijnse tekst. Uitgeversnummer 28.
Portret van hertog Karel van Neder-Lotharingen
Object type: print
Date: 1620 – 1680
Materials: paper
Techniques: engraving
Location: antwerp
Artist: jacob neefs
Artist role: print maker, publisher
Artist dates: 1610 – 1660
Subjects: orléans, hertog, karel (hertog van neder-lotharingen)
Inscriptions: collector's mark: Lugt 2228

Hertog Karel van Neder-Lotharingen, gekleed in harnas en hermelijnen mantel, draagt een tulband met een kroon op het hoofd. Buste naar links in een ovaal. Onderaan in de marge zijn wapen en twee kolommen van zes regels in het Frans. Midden boven op de lijst genummerd: XX.
Ontwerp voor een stoelzitting
Object type: sketchbook leaf
Date: 1906 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: chair

Tevens een studie van een object, mogelijk een lamp. Blad 10 recto uit een schetsboek met 27 bladen.
Poortje, Hotel Bellevue, Buitenzorg
Object type: copper plate
Date: 1921 – 1921
Materials: copper
Techniques: etching
Location: buitenzorg
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: buitenzorg
Plaque with the Crucifixion
Object type: plaque
Date: 1401 – 1500
Materials: copper, enamel
Techniques: painting
Culture: french
Location: france
Artist: monvaerni
Artist role: artist
Subjects: men,women,christ,cross
Mother of the Forest
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: men,forests,trees
Verkondiging aan de herders
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: venice
Subjects: annunciation of christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air
Inscriptions: collector's mark: Lugt 240

Een engel verkondigt de geboorte van Christus aan de herders. De prent heeft een Latijns onderschrift met uitleg.
To-no Sawa (Name of one of the hot springs at Hakone)
Object type: print
Date: 1779 – 1779
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: women,actors
Desk (Secretary)
Object type: secretary desk
Date: 1730 – 1735
Materials: glass, wood, silk, varnish
Techniques: carving, gilding, painting
Subjects: men,women,horses

In shape, this secretary is influenced by the English bureau bookcase. This example consists of three parts: the arched upper section whose interior contains visible drawers as well as hidden compartments, a middle section with a sloping fall front and the lower section with three large drawers. The construction is very basic: all the attention is lavished on the surface decoration which is executed in a decoupage technique known as lacca povera or lacca contrafatta. Conceived as a cheaper substitute for Asian lacquer, decoupage became especially fashionable in Europe during the 1720’s and was continuously practiced throughout the eighteenth century. Made by professionals and amateurs alike, the art of decoupage consists of coloring and cutting out copperplate engravings, pasting them on the specially prepared surface and varnishing them afterwards. Special manuals containing step-by-step descriptions of the technique and useful formulas for varnishes were published in various languages, as were prints specifically devised for this kind of decoration, often with a variety of motifs. Most of the identified images on this Bureau Bookcase did not come from prints specially made for the purpose however, but rather derive from a wide variety of French and German sources. These include symbolic allegories, hunting and landscape scenes as well as Chinoiserie motifs. Despite the hodgepodge of decoration, the skillful arrangement of the images has resulted in a certain harmony of design. This, together with the remarkable dexterity shown in cutting out very delicate motifs indicate that a professional craftsman rather than a skilled amateur was responsible. The overall shape and the embellishment of this secretary suggest an origin in Venice, which is where the Museum acquired it.
Cup with a boy and a butterfly in a landscape
Object type: kop en schotel, kop en schotel
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Kop en schotel, in zwart ,rose en goud met chinezen en bomen in perken.
Magical Funerary Figure
Object type: funerary figure, magical
Date: 1550 – 1186
Materials: wood
Location: upper egypt, thebes
Subjects: men
St. Gaetano of Thiene
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Brief aan Philip Zilcken
Object type: letter
Date: 1912 – 1912
Materials: ink, paper
Techniques: pen, printing, writing
Location: elsene
Artist: sander pierron
Artist role: schrijver
Artist dates: 1872 – 1945
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Plate
Object type: plate
Date: 1791 – 1791
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: chinoiserie,buildings,men

Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in subtle tones of yellow, green, and red. Small decorative highlights were often executed in platinum, and the ability to apply platinum—first mastered by the factory in 1790—may have been an impetus to produce these lacquer-inspired pieces. [Jeffrey H. Munger, 2015]
Plaisante Lantschappen ofte vermakelijcke Gesichten
Object type: print
Date: 1637 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: rowing-boat, canoe, etc., bridge, maarssen, vecht
Inscriptions: collector's mark: Lugt 240

Gezicht op een ophaalbrug bij Maarssen met rechts de rivier de Vecht. De prent is deel van een serie landschappen met dorpen rondom Amsterdam.
Fries met bladranken
Object type: ornament print
Date: 1512 – 1560
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: ornament derived from plant forms
Inscriptions: number: ‘21.2. W. 15’

Fries met bladranken die zich vanuit het midden en vanaf de zijkanten symmetrisch over het vlak verspreiden.
Celebrated Places in the Eastern Capital: Panoramic View of the Sumida River in Snow
Object type: woodblock print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: rivers,trees,snow
Ceremonial helmet? / funerary crown? inscribed for the Osiris Hor-Psamtik
Object type: helmet, ceremonial
Date: 664 – 525
Materials: faience
Location: egypt

Generally described as a helmet because of a very general resemblance to Assyrian helmets of this time, this piece was created in relatively fragile faience and is unlikely to be intended for actual battle. Another possibility is that it is a squat approximation of an Egyptian white crown, typically worn by Osiris along with the kings. The purpose must be ceremonial and / or funerary, although nothing similar is known, nor is the practice of supplying life-size faience funerary accessories documented. However, the helmet / crown was represented to its collector in the late 1800s as having been found on a mummy, and conservation and technical examination supports this representation. This determination reveals an unknown practice. The headgear bears an unusual name - Hor-Psamtik, or Psamtik is Horus - that points to the owner having lived during or near the reign of one of the three Psamtik's of the 26th dynasty.
Optocht van figuren
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standard-bearer, flag-bearer, drum (musical instrument), walking

Op de voorgrond figuren met een vlag en een trommel. Pagina 81 uit een schetsboek met 74 bladen.
Banner
Object type: banner
Date: 1801 – 1833
Materials: gold, textile
Culture: spanish
Location: spain
Churn
Object type: ceramic
Date: 1881 – 1885
Materials: cobalt, glaze, stoneware
Location: bennington
Artist: e. norton & co.
[Major Jones and Lady Canning]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men,women,horses
Handschrift en penteekening. (9e eeuw)
Object type: print
Date: 1857 – 1864
Materials: paper
Techniques: tone lithography
Artist: Anonymous
Subjects: drawing, sketch, handwriting, written text

Illustratie voor: W.J. Hofdijk, Ons voorgeslacht in zijn dagelyksch leven geschilderd, Kruseman, Haarlem 1859-1864, dl. 2, p. 109.
Cap
Object type: cap
Date: 1801 – 1900
Materials: linen, wool
D' Gevange toorn tot Oudewater
Object type: drawing
Date: 1745 – 1745
Materials: ink, paper
Techniques: brush, pen
Artist: hendrik de winter
Artist role: draughtsman
Artist dates: 1717 – 1790
Subjects: prison, jail, street
Inscriptions: inscription: ‘Opschrift: H de Winter del ad viv: 1745 D'Gevange toorn tot OudeWater’

Voor prent gebaseerd op deze tekening zie RP-P-AO-10-65A-5.
Portret van een vrouw in een wijde jurk met een boek in de hand
Object type: carte de visite
Date: 1860 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: robert severin
Artist role: fotograaf
Artist dates: 1839 – 1888
Subjects: studio requisites ~ photographer, historical persons, styles of hairdress - aa - ~ women, clothing for the upper part of the body, skirt, family, relationship, descent, book, dress, gown, the hague
Inscriptions: address: ‘Noordeinde 109 La Haye’

Onderdeel van Familiealbum van H.W.F. Ligtenberg en L.M. Swart met 149 foto's en cartes-de-visite.
Walmuur
Object type: drawing
Date: 1776 – 1821
Materials: ink, paper
Techniques: brush, pen
Artist: daniël kerkhoff
Artist role: draughtsman
Artist dates: 1766 – 1821
Subjects: city-walls
Walvisvangst, mogelijk in Zuid-Amerika
Object type: drawing
Date: 1650 – 1699
Materials: chalk, ink, paper
Techniques: brush, letterpress printing, pen
Artist: Anonymous
Subjects: beach, swimming mammals: whale

Walvisvangst, op het strand wordt een walvis geslacht. Op zee worden meerdere walvissen vanuit roeiboten gevangen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Visscherij, Walvischvangst.
Het offer te Lystra
Object type: tapestry
Date: 1550 – 1600
Materials: silk, wool
Techniques: tapestry
Location: southern netherlands
Artist: Anonymous
Inscriptions: mark: ‘onbekend merk’, : ‘PAVLVS MET BARNABA HET STEENIGEN VAN ICONIEN // ONTLOOPEN. WERDEN TE LISTRIS (EENEN GEBOREN // CRVEPELEN GESONDT GEMAECK HEBBENDE) // MET SACREFICIE ALS GODEN VEREERT’

Wandtapijt met Paulus en Barnabas te Lystra. Onbekend weversmerk.
Advance Guard
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Huilende Heraclitus
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: (story of) heraclitus, the philosopher, crying, shouting, globe
Inscriptions: collector's mark: Lugt 2228

De Griekse filosoof Heraclitus zit bij een wereldbol en huilt.
Drie vrouwen, gekleed volgens de Milanese mode ca. 1580
Object type: costume print
Materials: paper
Techniques: engraving
Artist: bartolomeo grassi
Artist role: publisher
Subjects: fan, widow, europeans (with name) (+ costume), veil
Inscriptions: number: ‘8’

Links een getrouwde vrouw uit Milaan, het gezecht bedekt met een doorzichtige sluier, gesloten waaier in de linkerhand. In het midden een weduwe en rechts een jongedame met een veren waaier in de rechter- handschoenen in de linkerhand. Prent nr. 9 uit album 'Dei veri ritratti degl'habiti di tvtte le parti del mondo intagliati in rame per opra di Bartolomeo Grassi', 1585.
General Grant's Council of War, Massaponax Church, Virginia
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: soldiers,american civil war,men,horses

This small, candid photograph—likely a half-stereo view—offers an illuminating “snapshot” of a typical late war meeting of Union generals, a “Council of War,” in a field near Massaponax, Virginia. The chaotic study is one of the most daring made by any Union photographer. To compose it, Timothy H. O’Sullivan transported his equipment to an upper window in the gallery of a Baptist church that offered a useful elevated perspective from which to view the scene. Ulysses S. Grant’s soldiers have removed the church pews and placed them under the trees; staff officers gather around to discuss the situation. Evidence suggests that it had been a disastrous day for the Union troops, as the losses were heavy and no strategic advantage had been gained. In the background are rows of horse-drawn baggage wagons and ambulances transporting supplies for the next day’s engagement and the wounded to field hospitals. In the foreground General Grant bends over a pew and looks over his shoulder at a large map held in the lap of General George Meade, head of the Army of the Potomac.
William A. Rowe, Cyclist, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,athletes

Trade cards from "World's Champions," Series 2 (N29), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Montanvert et Aiguille du Dru, près Chamonix. (Haute-Savoie)
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: photography
Location: chamonix
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: mountains
Inscriptions: number: ‘154.’
Autumn Landscape, Sugar Loaf Mountain, Orange County, New York
Object type: painting
Date: 1870 – 1875
Materials: canvas, oil
Culture: american
Artist: jasper francis cropsey
Artist role: artist
Artist nationality: american
Artist dates: 1823 – 1900
Subjects: mountains,landscapes,autumn