deem-data/ArtiFact huggingface dataset:
Sampler
Object type: sampler
Date: 1818 – 1818
Materials: canvas, silk, wool
Subjects: deer,trees,adam,eve
Portret van Maria van Utrecht op 64-jarige leeftijd
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: historical persons - bb - woman
Shoe-Bill, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of the Tropics" series (N38), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes. This series is a physically larger version of the "Birds of the Tropics" set (N5), including the corresponding small card design with other pictorial matter added.
Portret van Izaak Schmidt, Jurriaan Andriessen en Reinier Vinkeles I
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Subjects: painter, draughtsman, jurriaan andriessen, izaak schmidt, print maker, reinier vinkeles (i), historical persons, tools, implements of painter, portrait, self-portrait of artist, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240, inscription: ‘D’
Liggende koe, naar rechts
Object type: print
Date: 1780 – 1851
Materials: paper
Techniques: etching
Artist: pieter janson
Artist role: draughtsman, print maker
Artist dates: 1765 – 1851
Subjects: cow
Inscriptions: collector's mark: Lugt 2228

Landschap met liggende koe, naar rechts. Mét de lucht en achtergrond.
Allegory of Victory: Soldier Being Crowned by Laurels
Object type: drawing
Date: 1814 – 1814
Materials: gouache, watercolor
Artist: franz von hauslab the younger
Artist role: artist
Artist nationality: austrian
Artist dates: 1798 – 1883
Subjects: soldiers,male nudes,women
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1650 – 1650
Materials: copper, gold, iron, silver
Culture: japanese
Location: japan
Spreekwoord in ornamentale omlijsting
Object type: drawing
Date: 1887 – 1924
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: ornaments ~ art
Inscriptions: number: ‘181’
Galleria Giustiniana del Marchese Vincenzo Giustiniani I
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Subjects: rome, vincenzo giustiniani (1564-1637), (story of) ceres (demeter), sheaf of corn as attribute of ceres, piece of sculpture, reproduction of a piece of sculpture, monument, statue
Inscriptions: collector's mark: Lugt 2228

Standbeeld van Ceres, gekleed in klassiek gewaad. In haar linkerhand houdt zij korenaren, haar rechterarm is omhoog geheven. Midden onder op de basis het wapenschild van Vincenzo Giustiniani. Prent uit een serie naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
God the Father Appearing to Christ
Object type: mirror back
Date: 1601 – 1633
Materials: copper, enamel, gilt
Techniques: painting
Artist: jean limosin
Artist role: enameler
Artist dates: 1615 – 1635
Subjects: christ,god the father
Melrose Abbey
Object type: reproduction
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Location: scotland
Subjects: ruin of church, monastery, etc.
Inscriptions: inscription: ‘from nature 1844. H.F.T.’
Tempio di Serapide a Pozzuoli
Object type: print
Date: 1767 – 1767
Materials: ink
Techniques: aquatint, printing
Artist: jean claude richard, abbé de saint-non
Artist role: artist
Artist nationality: french
Artist dates: 1727 – 1791
Subjects: buildings,landscapes
Dansende boeren tijdens een dorpsfeest
Object type: print
Date: 1652 – 1673
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: farmers, performance in the open air (pleasure fair), bagpipe, musette - cc - out of doors, more than one couple dancing
Inscriptions: collector's mark: Lugt 964, collector's mark: Lugt 240

Dansende boeren paren in een dorpsstraat, tijdens een dorpsfeest, op de muziek van een doedelzakspeler die onder een boom staat te spelen. Rechtsvoor een jongetje op een stokpaardje. Rechts op de achtergrond een kerk.
Ingang van Putten
Object type: print
Date: 1923 – 1923
Materials: paper, ink
Techniques: drypoint
Location: putten
Artist: jo bezaan
Artist role: draughtsman, print maker
Artist dates: 1894 – 1952
Subjects: village
Inscriptions: signature and date: ‘JoBezaan ´23’, collector's mark: Lugt 2228, number: ‘No. 15’

Dorpsweg met een kromming naar rechts, aan weerszijden boerenhuizen en op de achtergrond een kerktoren.
Jug with cover
Object type: jug with cover
Date: 1730 – 1730
Materials: silver, wood
Artist: pezé pilleau
Artist role: maker
Artist dates: 1709 – 1755
Subjects: coat of arms
Souvenir
Object type: souvenir
Date: 1781 – 1781
Materials: diamond, enamel, gold
Artist: joseph etienne blerzy
Artist role: maker
Artist nationality: french
Artist dates: 1750 – 1806
Subjects: women,reading,cupid

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Lounging Pyjamas with Train
Object type: main garment
Date: 1925 – 1930
Materials: chine, silk
Location: brussels
Inscriptions: name: ‘Pyjama Abdulah/ Chanel’, number: ‘0848’

In the 1920s fashionable young women wore pyjamas as loungewear. Around 1930 they also began to wear them when they went out to dine with friends. These pyjamas may have been the creation of the famous French fashion designer Gabriëlle Chanel. A label is sewn into the left trouser leg on which is written: ‘Pyjama Abdulah, Chanel.’
Bronze statuette of a woman
Object type: statuette of a woman
Date: 567 – 535
Materials: bronze
Culture: greek
Subjects: women

This figure probably represent a Persian woman. Her hair is in braids down her back and she wears a long belt and slightly trailing skirt stretched tightly in the back.
Incense Burner with Cover
Object type: incense burner with cover
Date: 1750 – 1750
Materials: glaze, porcelain
Culture: japanese
Subjects: horses

Incense burners such as this were usually placed in the tokonoma alcove of a room both to scent the room and as decorative artworks. This oval-shaped incense burner has small legs, and a cover reticulated in maple-leaf forms to match the underglaze blue decoration of the body. The handle is a figure of a horse. The incense burner would have contained fine ash on top of which incense wood or incense mixture would have been burned. The delicate smoke of the burning incense would come through the reticulated maple leaves of the cover. The incense used would have provided a seasonal reference to autumn, along with the maple-leaf theme of the burner and other items displayed in the alcove, such as flowers and paintings or calligraphy.
View from the first week in January, from "News of the day"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,portraits
Nablous, The Ancient Shechem
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print, glass negative
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: cities,mountains
Back pillar (?), Aten cartouches
Object type: back pillar, aten cartouch
Date: 1353 – 1336
Materials: limestone
Location: egypt
Een paar oorhangers, deel van een demi-parure
Object type: ear ornament
Date: 1840 – 1849
Materials: diamond, gold, pearl
Techniques: enameling
Location: germany
Artist: Anonymous
Inscriptions: mark: ‘IL (?) in rechthoek’

Parure. Gold, diamonds, pearls and enamel. Germany (?), c. 1840 - 1850.
Funerary Cone of the Steward Padihorresnet
Object type: cone, davy 515, padihorresnet, divine adoratress, adoratrice, akhetamenru
Date: 688 – 525
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This cone has the impression of a stamp seal inscribed for a man named Padihorresnet who was steward of the divine adoratrice. His father was overseer of the chamberlains of the divine adoratress Akhetamunru
Petrus predikt op stoep van een woning
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: life and acts of peter, preaching (in general)
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Schabaalje, Jean Philipsz. De vermeerderde lust-hof des gemoeds. Amsterdam: Jan Rieuwertsz. (II) en Barent Visscher, 1706, p. 423.
Drie boeren in een interieur
Object type: print
Date: 1783 – 1790
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: karel hagenbeek
Artist role: print maker
Artist dates: 1780 – 
Subjects: wooden container: barrel, cask, bucket, open fire (in general), pipe ~ tobacco, jar, jug (used as drinking-vessel), urination
Inscriptions: collector's mark: Lugt 2228

Drie boeren in een interieur bij een ton en een open haard. Links een zittende man, in het midden een met een pijp, rechts een plassend tegen een muur.
Mourning dress
Object type: mourning dress
Date: 1850 – 1855
Materials: silk
Culture: american

By the late Middle Ages in Europe, black had connotations of mourning, though it could also suggest worldly elegance and luxury, in part due to the costliness of black dye. Broadly worn as the color of grief during the nineteenth century, black could be perceived as both humble and sober or sophisticated and becoming. A shade of true deep black that did not quickly fade toward blue or brown was the mark of a fine-quality textile and the ideal for mourning attire. In their 1856 catalogue, Besson and Son’s Mourning Store of Philadelphia assured prospective buyers of the quality of their black goods, promising only "what is of the proper shade of black." This simple afternoon dress, appropriate for the third, or ordinary, period of mourning, is composed of a taffeta woven with narrow horizontal bands and dots in soft black.
Gezicht bij het Casino Borghese
Object type: drawing
Date: 1762 – 1777
Materials: paper, pencil
Techniques: brush
Artist: etienne de lavallée-poussin
Artist role: draughtsman
Artist dates: 1733 – 1793
Subjects: villa, farm or solitary house in landscape
Inscriptions: collector's mark, verso, on the mount, lower right: Lugt 2228
Besnijdenis van Christus
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Artist: johannes wierix
Artist role: draughtsman, print maker
Artist dates: 1549 – 1618
Subjects: circumcision of the christ-child by the priest in the temple (luke 2:21)
Inscriptions: collector's mark: Lugt 2228

De hogepriester besnijdt het Christuskind in de tempel. Maria staat naast het altaar. Omstanders kijken toe.
Koeien en een paard in een weiland
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: photograph
Subjects: cow, meadow, pasture, horse
Inscriptions: inscription: ‘ART EN PHOTOGRAPHIE, No 11’

Deze prent maakt deel uit van een omslag met 54 prenten op 52 bladen.
Square
Object type: square
Date: 1701 – 1800
Techniques: lace
Home of a Rebel Sharpshooter, Gettysburg
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: collected by hugh edwards, gardner's photographic sketch book

Alexander Gardner documented America’s Civil War, concentrating on scenes in camp as well as the tragic aftermath of fighting. After the war, in 1865, he published Gardner’s Photographic Sketch Book of the War, two volumes of 50 prints each accompanied by floridly written descriptions of the scenes he and his photographic staff had witnessed. At Gettysburg—one of the deadliest battles, and a turning point in the conflict—he made the now iconic photograph of a Confederate sharpshooter in his final resting place. In recent years this picture has invited controversy, as historians have argued that Gardner and his assistants, wishing to heighten the impact of the image, moved the corpse, also seen in another photograph in the Sketch Book, and that the gun was in fact the photographer’s and not the soldier’s.
Plattegrond, details en opstand van de graftombe van de Plauzi familie
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: grave, tomb, plan ~ architecture, italy
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Ferdinandus II[us] et III[us] Imperatorum Domus Austriacae
Object type: print
Date: 1644 – 1650
Materials: paper
Techniques: engraving, etching
Subjects: cologne, print maker, maria de' medici
Inscriptions: collector's mark: Lugt 240

Portret van Maria de' Medici. Het portret wordt omlijst door een lauwerkrans en guirlandes met bloemen. Onder het portret een cartouche met in het Latijn haar naam, haar titels en de naam van haar echtgenoot, de Franse koning Hendrik IV.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold, iron
Culture: japanese
Location: japan
Subjects: vegetables,clouds
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Fragment from the lower left corner of the panel
De Muziek verheft de Geest
Object type: drawing
Date: 1792 – 1849
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: matthias joseph de noël
Artist role: draughtsman
Artist dates: 1782 – 1849
Inscriptions: signature: ‘De Noël inv.’

Blad uit het Album Amicorum van Josephus Augustinus Brentano.
Andiron
Object type: andiron
Date: 1730 – 1770
Materials: brass
Incense Burner
Object type: censer
Date: 601 – 1200
Materials: ceramic
Culture: costa rica or nicaragua
Location: costa rica
Subjects: animals
Terracotta vase
Object type: vase, funerary, wedding scene
Date: 300 – 101
Materials: terracotta
Culture: greek, sicilian
Subjects: women,weddings
Portret van Maria van Pruisen
Object type: print
Date: 1870 – 1909
Materials: paper
Techniques: engraving, etching
Location: leipzig
Subjects: dresden, prinses, maria van pruisen
Inscriptions: collector's mark: Lugt 2228

Portret van Maria van Pruisen. Onder haar rechterhand een stoel. In de ondermarge haar naam en titel.
Cup
Object type: cup
Date: 1700 – 1700
Materials: enamel, gold, soft paste porcelain
Culture: japanese
The Strand
Object type: print
Date: 1842 – 1842
Techniques: hand coloring, lithograph
Artist: thomas shotter boys
Artist role: artist
Artist nationality: british
Artist dates: 1803 – 1874
Subjects: cities,streets
Daikoku revealing the contents of Hotei's bag, no. 2 from the series of 12 prints
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Fibula, boat-shaped type
Object type: fibula, boat shaped type
Date: 800 – 501
Materials: bronze
Culture: italic

The bow is hollow and open on its underside. The outer surface is decorated with incised lines.
De velden
Object type: book illustration
Date: 1856 – 1856
Materials: paper
Techniques: engraving, etching
Location: schoonhoven
Subjects: (traveller) resting in the open air

Prent uit: Koetsveld, C.E. van. De portefeuille met platen van grootvader Sprankhof. Schoonhoven: S.E. van Nooten, 1856, na p. 102.
Tombeau de Napoleon I. Le tombeau de Napoleon a été construit de 1843 à 1873 d'après les plans de l'architecte Visconti
Object type: print
Date: 1890 – 1910
Materials: cardboard
Techniques: lithograph
Artist: Anonymous
Subjects: grave, tomb, interior ~ representation of a building
Six Insects, a Caterpillar, and a Snail, from Diversae Insectorum...Figurae
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Unterschiedliche Neue Inventionen
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving
Location: germany
Artist: johann andreas pfeffel i
Artist nationality: german
Artist dates: 1674 – 1748
Chapelle Notre Dame de Lourdes
Object type: carte de visite
Date: 1872 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: lourdes
Artist: p. viron
Artist role: fotograaf
Subjects: church (exterior), cave, grotto, pilgrim(s) at destination-point
Inscriptions: inscription: ‘PHOTOGRAPHIE VIRON À LOURDES/ PRIÈRE A NOTRE-DAME DE LOURDES/ (...)/ A.N.~D de Poueylaün en tournée/ pastorale, le 4 Mai 1872./ P. A. Ev. de Tarbes’
Christus en de Samaritaanse vrouw
Object type: album leaf
Date: 1530 – 1530
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: christ and the woman of samaria: sitting at jacob's well he asks her for a drink from her jug, book in which illustrations are essential, christ resting at jacob's well, after having sent his disciples to sychar

Christus rust bij de Jakobsbron, nadat hij zijn discipelen naar de stad heeft gestuurd. Rechts vertrekken zij richting de stad. Een Samaritaanse vrouw komt om water te putten en spreekt met Christus. Prent maakt deel uit van een boek.
Promotieprent van Claudius von Collalto, 1645
Object type: promotieprent
Date: 1645 – 1645
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: matthias van oostenrijk (rooms-duits keizer), ferdinand iii (duits keizer), vienna, ferdinand ii (duits keizer), maximiliaan ii (keizer van heilige roomse rijk), prague, rudolf ii van habsburg (duits keizer), crown (symbol of sovereignty), justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, sculptor at work, faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, angels, armorial bearing, heraldry
Inscriptions: date

Aankondiging van de promotie van Claudius von Collalto en de verdediging van zijn proefschrift aan de universiteit van Leuven. Op de voorgrond Rechtvaardigheid en Geloof, vergezeld door putti met tabletten waarop de te verdedigen standpunten in het Latijn. In het midden staat een jonge man met het ontwerp van de promotieprent. Een rijke heer op een heuvel aan de linkerzijde slaat het tafereel gade, putti bieden hem geschenken aan. Achter hem putti die munten slaan, tekenen en vechten met een zwaard. Op de achtergrond een tempel met standbeelden van aartshertogen van Oostenrijk, tevens keizers van het Heilige Roomse Rijk. In de lucht vliegen engelen, ze dragen een ornament met zich mee waarop een opdracht aan Ferdinand III, aartshertog van Oostenrijk en keizer van het Heilige Roomse Rijk, in het Latijn. Links op de voorgrond twee putti bij het wapenschild van Claudius von Collalto. Rechtsonder op een ornament de aankondiging van de promotie aan de universiteit van Leuven, met professor Jacob van Santvoort als promotor.
Terracotta stemless kylix (drinking cup)
Object type: kylix, stemless
Date: 400 – 301
Materials: terracotta
Culture: greek or south italian or campanian

Stemless cup with stamped design.
Dress
Object type: dress
Date: 1861 – 1861
Materials: silk
Culture: american
Schrickelijcke Water Val
Object type: book illustration
Date: 1681 – 1681
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: drowned person, canoeing, waterfall
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Melton, Edward. Zeldzaame en gedenkwaardige zee- en landreizen, p. 141. Amsterdam: Jan Claesz ten Hoorn, 1681.
Dr. Julius Eduard Hitzig, in Berlin
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: berlin, publisher, eyeglasses, spectacles, adult man, historical persons
Inscriptions: check stamp: ‘C.G. Lüderitz’, collector's mark: Lugt 2228
Versailles, Vase par Tuby
Object type: photograph
Date: 1904 – 1904
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Dress
Object type: dress
Date: 1800 – 1805
Materials: cotton, linen
Culture: american

The Empire silhouette is readily identified with its origins in the chiton of ancient Greco-Romans, which was a tubular garment draped from the shoulders and sometimes belted beneath the bust. Several re-interpretations have occurred throughout costume history but none have been as notable as the period bridging the rectangular panierred skirts of the 18th century and the conical hoop skirts of the 19th century. The neoclassic style was adopted in all forms of decoration after the French Revolution and was upheld during the Napoleonic Wars partly due to Napoleon Bonaparte's (1769-1821) alliance with Greco-Roman principles. In fashion, the style began as children's wear made from fine white cotton, but was adopted by women in the form of a tubular dress with skirts that were gathered under the bust with some fullness over a pad at the back. As the style progressed the skirts began to flatten at the front and solely gather from the bodice at the center back. The style persisted until the 1820s when the waist slowly lowered and the skirts became more bell shaped.
Fragmenten lood met concretie uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: stone, lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Fragment
Object type: fragment
Date: 1501 – 1600
Materials: metal, silk
Subjects: flowers
Hier vindt de jeugd, tot haar gerijf, / Tijl Uilenspiegels snaaksch bedrijf
Object type: popular print
Date: 1822 – 1849
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: eulenspiegel
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen over het leven van Tijl Uilenspiegel. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: N. 89.
The Garden of Gethsemane and Church of the Virgin, in the Valley of the Kedron
Object type: page
Date: 1860 – 1865
Materials: paper, photographic support
Techniques: albumen print
Location: jerusalem
Artist: james mcdonald
Artist role: fotograaf
Artist dates: 1822 – 1885
Subjects: dale, valley, grave, tomb
Inscriptions: inscription: ‘a’, inscription: ‘b’
Mold for a Persea Fruit Pendant
Object type: mold, persea fruit
Date: 1353 – 1336
Materials: pottery
Location: egypt
Writing board stela of Mentuhotep
Object type: writing board, stela, mentuhotep
Date: 2030 – 1652
Materials: paint, wood
Location: egypt