deem-data/ArtiFact huggingface dataset:
Octavia
Object type: print
Date: 1646 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hubert quellinus
Artist role: print maker
Artist dates: 1619 – 1687
Subjects: piece of sculpture, reproduction of a piece of sculpture, male persons from classical history
Inscriptions: number: ‘58’

Klassieke buste van een bebaarde man in een hemd. De prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling van Gerard Reynst.
Zingende engelen
Object type: drawing
Date: 1600 – 1699
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, drawing
Subjects: choir, angel(s) with book(-scroll) or banderole
Design for a sepulchral monument with an allegory of Time (recto); Architectural sketch and fragment of a letter (verso)
Object type: drawing
Date: 1667 – 1733
Materials: chalk, graphite, ink
Techniques: pen, wash
Artist: pieter verbruggen the younger
Artist role: artist
Artist nationality: flemish
Artist dates: 1648 – 1691
Subjects: human figures
Prenten naar tekeningen van Claude Lorrain
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: london
Subjects: egeria changed into a fountain: when egeria's grief at the death of numa pompilius can not be assuaged, she melts away in tears, and is changed into a fountain (ovid, metamorphoses xv 546), landscape with ruins - ii - ideal landscapes, lake - hh - ideal landscapes
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze prenten werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Ruins in Columbia, S.C.
Object type: photograph
Date: 1865 – 1865
Techniques: albumen print, photography
Location: united states
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: collected by hugh edwards, sherman's campaign 1866
Inscriptions: Printed recto, on album page, lower center, below image, in black ink: "Photo. from nature By. G. N. Barnard. / RUINS IN COLUMBIA, S.C."; unmarked verso
Monographie ou description historique et complète de l'eglise métropolitaine de St-Rombaut à Malines
Object type: book
Date: 1866 – 1866
Materials: linen, paper, photographic support
Techniques: albumen print, printing
Location: mechelen
Inscriptions: date: ‘Nov 1991’
Le Brun
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, draughtsman, charles le brun, historical persons
Inscriptions: check stamp: ‘JC (?)’, collector's mark: Lugt 2228a
Kerchief
Object type: kerchief
Date: 1800 – 1805
Materials: cotton
Demonstratie van Tsjechisch-Moravische brandweerlieden op het Staroměstské náměstí te Praag
Object type: page
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: firemen, village square, place
Portret van een zittende vrouw met boek in de hand
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, book
Satyr en jongeman vechtend om nimf
Object type: print
Date: 1511 – 1525
Materials: paper
Techniques: engraving
Location: italy
Subjects: satyr(s) pursuing nymph(s)
Inscriptions: collector's mark: Lugt 240

Prent naar ontwerp of gravure van Francesco Francia.
De Montelbaans Tooren. 1544 / St Olofs Kapel en Poort. 1546
Object type: print
Date: 1723 – 1738
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan goeree
Artist role: draughtsman, print maker
Artist dates: 1670 – 1731
Subjects: towers ~ fortified city, church (exterior) - qq - small church, chapel, city-gate
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Willink, Daniël. Daniël Willinks Amsterdamsche Buitensingel Nevens de omleggende dorpen, opgeheldert door aanteekeningen (…). Amsterdam: Andries van Damme, 1723. Of uit: Willink, Daniël. Daniël Willinks Amsterdamsche Buitensingel, Nevens de omleggende dorpen, opgeheldert door aanteekeningen (…). Amsterdam: Arend van Huyssteen, 1738.
Gezicht op de Schenkweg met de Koepel
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: etching
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: trees, landscapes, adult man, road, path, workshop
Inscriptions: date

Langs de Schenkweg te Den Haag staan enkele bomen. Rechts staat een gebouw dat door de kunstenaar Johannes van der Drift als atelier werd gebruikt. Op de weg staan enkele figuren, onder wie mogelijk leden van de Haagsche Etsclub.
Portret van Abraham Gotthelf Kaestner
Object type: print
Date: 1706 – 1771
Materials: paper
Techniques: etching
Location: germany
Artist: johann heinrich tischbein (1742-1808)
Artist role: print maker
Artist dates: 1742 – 1808
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 760
Liggend rund
Object type: drawing
Date: 1750 – 1809
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: david alphonse de sandoz-rollin
Artist role: draughtsman
Artist dates: 1740 – 1809
Subjects: bovine cattle
Glass cameo with cupid (Eros)
Object type: cameo, cupid
Date: 1 – 100
Materials: glass
Culture: roman
Subjects: cupid

Translucent purple and opaque white, with colorless backing. Fragmentary oval medallion in two layers, comprising a purple ground and white overlay with relief decoration. Chubby winged cupid, sitting frontally with proper left arm outstretched downward, and right arm around object or figure to his right. Broken to left and below; pitting, dulling, and some weathering. The colorless backing appears modern, attached with adhesive; all edges ground smooth.
Man en vrouw voor een huis
Object type: print
Date: 1809 – 1913
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: maria osseman
Artist role: print maker
Artist dates: 1871 – 1935
Subjects: sitting figure - aa - female human figure, leaning figure
Inscriptions: collector's mark: Lugt 2233

Tegen de post van een deuropening staat een man geleund met een vuurwapen in zijn hand. Buiten naast de man zit een vrouw op een stoep met haar voeten op het onderstel van de stoel voor haar. Op de stoel staat een mand.
Landschap studiën zesde levering
Object type: print
Date: 1844 – 1845
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: riding a horse, ass, or mule; rider, horseman, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

In 1829 en 1830 gaf Koekkoek, samen met Daiwaille, zes cahiers uit met ieder zes prenten getiteld Landschapstudiën. Deze werden gebruikt in het tekenonderwijs. Vijftien jaar later werd deze reeks, in een andere samenstelling nogmaals uitgegeven door Meyer en Comp in Amsterdam. Zie: De Bruyn Kops, 1963.
A naked youth holding in left hand a deformed child
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: children,male nudes
Magician Healing Sick Man
Object type: drawing and watercolor
Materials: chalk, ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: attributed to felice giani
Artist nationality: italian
Artist dates: 1758 – 1823
Portret van Pieter Corneliszoon Hooft
Object type: print
Date: 1634 – 1689
Materials: paper
Techniques: engraving
Artist: johannes lutma (1624-1689)
Artist role: print maker
Artist dates: 1624 – 1689
Subjects: amsterdam, the hague, pieter corneliszoon hooft, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Portret van een vrouw met een modieuze hoed
Object type: drawing
Date: 1905 – 1909
Materials: chalk, paper
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Dieren uit fabels
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: tailless amphibians: frog, tailless amphibians: toad
Inscriptions: collector's mark: Lugt 2228

R. de Rosey nr. 194. Prent uit serie van twaalf kleine prentjes met vechtende chimeras en dieren uit Aisopische fabels.
Eenzelfde serie is ook uitgegeven door Visscher (Fuhring, 1989).
Boer aan een toog
Object type: print
Date: 1626 – 1640
Materials: paper
Techniques: etching
Location: low countries
Subjects: head-gear: cap (+ men's clothes), glass, rummer, container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: Lugt 2228

Boer achter een toog met een kruik in de ene en een glas in de ander hand.
Bracelet with spirally twisted strands and a Herakles knot at the bezel
Object type: bracelet, herakles knot
Materials: gold
Location: lower egypt

There is a long tradition of bracelets with so-called Herakles knots, but for constructional reasons this one is ascribed to the Roman Period. The woman in the shroud 09.181.8 wears a bracelet with joined twisted tubes that may be similar to this one.
Juliette Drouet
Object type: photomechanical print
Date: 1845 – 1853
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: portrait of actor, actress, france

Deze prent maakt deel uit van een album.
Portret van Joseph Paxton
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: print maker, joseph paxton, historical persons (+ three-quarter length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit aan een tafel met een vel papier in zijn rechterhand.
Slippers
Object type: slipper
Date: 1850 – 1850
Materials: leather
Culture: american
Gezicht op de Pont Louis-Philippe in Parijs
Object type: stereograph
Date: 1855 – 1860
Materials: cardboard, photographic support
Techniques: salted paper print
Location: paris
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Pont Louis Philippe Paris’
Fragment riemgesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

D-shaped, fragm of ring, id. NG 1979-182H2177, belt buckle.
The Virgin and Child with the cat and the snake
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: madonna: mary sitting on the ground, the christ-child in her lap
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt.f.1654’
Ephraim Bonus, Jewish physician
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt f 1647’
Ontwerp voor een toneeldecor voor 'Het Adonisfeest, Vijftiende Idylle van Theokritos'
Object type: drawing
Date: 1877 – 1921
Materials: paper, pencil
Artist: henricus
Artist role: draughtsman, print maker
Artist dates: 1867 – 1921
Subjects: stage design
Inscriptions: annotation: ‘II Ontwerp van Henricus "Adonisfeest" (15de/ Idylle v. Theokritos,/ vertaling Edw.B.K.)’, collector's mark: Lugt 2228a, annotation: ‘Edward B. Koster’

Zuilengalerij met een rookoffer en enkele figuren.
Bosgezicht
Object type: print
Date: 1847 – 1911
Materials: paper
Techniques: drypoint, engraving, etching
Location: france
Artist: alphonse legros
Artist role: print maker
Artist dates: 1837 – 1911
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228
Vergissing
Object type: magazine
Date: 1905 – 1905
Materials: paper
Techniques: lithograph
Subjects: caricatures (human types), art sale, auction, political caricatures and satires

De veilingmeester, waarschijnlijk René Lyon, is in gesprek met een bieder. Een kavel is aan hem toegeslagen omdat hij schokkerige bewegingen maakt die oorzaak zijn van een ziekte ('danse de Saint-Guy'). Linksonder genummerd: 115. De prent maakt onderdeel uit van een tijdschrift.
Les Forces de l'Europe, Asie, Afrique et Amerique, ou description des principales villes avec leurs fortifications. Dessignées par les meilleurs ingenieurs, particulierement celles qui sont sous la domination de la France (...) et ornées de plusieurs superbes edifices
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: battle arrays (+ artillery)

Schematische voorstelling van de correcte opstelling van artillerie. Gemerkt rechtsboven: Tom: 2. Pag 223 en rechtsonder: 57. Plaat nr. 13 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in het Frans.
Pendant with dragon
Object type: pendant
Date: 1901 – 2000
Materials: jade
Culture: chinese
Subjects: dragons
Werken van Charles le Brun
Object type: print
Date: 1642 – 1704
Materials: paper
Techniques: engraving
Subjects: john the baptist reproaches herod (herod antipas) and herodias

In het naslagwerk van Wildenstein is deze prent afgebeeld met onder de gravure een kader met daarin een opdracht aan Gabriel Jean-Baptiste de Lagny. Dit deel ontbreekt aan dit exemplaar.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, calf of figure and one letter of an inscription, K?
Januari
Object type: ornament print
Date: 1705 – 1766
Materials: paper
Techniques: etching
Location: augsburg
Subjects: january and its 'labours', skates (winter sports), sledge, sleigh (winter sports)
Inscriptions: collector's mark: Lugt 2228

In een rocaille cartouche schaatsende en sleeënde figuren. Rondom de voorstelling rocaille ornamenten, bloemmotieven, een waterman, het bijbehorende teken van de dierenriem en twee fantasiefiguren. Uitgeversnummer 74.
Sauce Dish
Object type: sauce dish
Date: 1888 – 1888
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: richards and hartley flint glass co.
Artist role: maker
Artist nationality: american
Artist dates: 1867 – 1890
Portret van een onbekend meisje, zittend op een balustrade
Object type: photograph
Date: 1880 – 1900
Materials: paper, cardboard, glass, leather, metal
Techniques: grinding
Artist: Anonymous
Subjects: girl (child between toddler and youth), anonymous historical person portrayed
Basin
Object type: basin
Date: 1753 – 1795
Materials: faience
Techniques: glazing
Subjects: female nudes,plants

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Inro and Two Netsuke
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: netsuke,men
Views of London
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: palace
Inscriptions: number: ‘36.’
Staande vrouw
Object type: drawing
Date: 1800 – 1850
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: standing figure - aa - female human figure
Inscriptions: collector's mark, collector's mark: Lugt 1641

Een staande vrouw met een mutsje op het hoofd. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Beroep en bedrijf. Vrouwelijk beroep en bedrijf. Dienstboden.
Gezicht op Ridderhofstad Sterkenburg
Object type: print
Date: 1825 – 1882
Materials: paper
Techniques: etching
Location: leiden
Artist: jacobus ludovicus cornet
Artist role: draughtsman, print maker
Artist dates: 1815 – 1882
Subjects: kasteel sterkenburg
Inscriptions: collector's mark: Lugt 2228

Gezicht op het kasteel Sterkenburg, met links de brug naar het kasteel.
Bartholdi
Object type: photograph
Date: 1880 – 1880
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: paris, sculptor, frédéric auguste bartholdi, historical persons, artist (in general), france
Ontwerpen, vermoedelijk voor posters
Object type: sketchbook leaf
Date: 1928 – 1928
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: poster
Inscriptions: annotation: ‘HELPT NU DE HERDER/ DIE VOOR U STRIJDT/ OF HELPT DE WOLF DIE U VERBIJDT/ mijn schild en de bel rouwen zij[...] mijn Heer/ mijnenveger/ en [...]’

Blad 2 verso uit een schetsboek met 12 bladen.
Border of needle lace
Object type: border
Date: 1601 – 1633
Materials: linen
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Sacrifice Offered before a Statue of Jupiter
Object type: drawing
Date: 1601 – 1700
Materials: chalk, gouache, ink, paper
Techniques: cutting, heightening, pen
Artist: louis de boullogne the elder
Artist role: artist
Artist nationality: french
Artist dates: 1609 – 1674
Subjects: women,jupiter
Relief Fragment of Khety, from Inscription in Sculptured Corridor
Object type: relief fragment, khety, text
Date: 2030 – 1640
Materials: limestone, paint
Location: egypt
Portret van Johan de Witt
Object type: print
Date: 1663 – 1695
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: christiaan hagen
Artist role: draughtsman, print maker
Artist dates: 1635 – 1707
Subjects: the hague, politician, johan de witt, coat (+ men's clothes), seal, stamp, court session (court of justice)
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve van Johan de Witt, gekleed in een mantel en staand voor een gordijn met daarachter een vergaderzaal. In zijn rechterhand een zegel met de Nederlandse leeuw, symbool voor de Republiek. Onder zijn portret een plint met daarop zijn naam en titel in twee regels in een cartouche.
The angel departing from the family of Tobias
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: other scenes ~ the book of tobit
Inscriptions: signature and date: ‘Rembrandt f 1641’, collector's mark: Lugt 2228 a
Gezicht op de restanten van de Tempel van Neptunus te Paestum, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: paestum
Artist: Anonymous
Subjects: ruin of a building ~ architecture, temple, shrine ~ greek religion
Inscriptions: number: ‘5078.’, collector's mark: ‘VOSMAER’
Fragment diep bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl with a flattened rim. Cartouches with fruits enclosed by diaper patterns. A central decoration of birds and a lotus. Panels decorated with fruits and symbols.
Dance kimono for a geisha
Object type: kimono
Date: 1920 – 1940
Materials: silk
Techniques: painting, weave
Location: japan
Artist: Anonymous

Geishas (female entertainers) wore this kind of long kimono to dance in. The water motifs are well-suited to the flowing movements of the dancer. Together with the maple leaves, they refer to the Tatsuta River, where in the autumn the leaves float on the water like coloured brocade.
Mei 1925
Object type: album leaf
Date: 1905 – 1925
Materials: paper
Techniques: gelatin silver print
Location: europe
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: the hague, caroline louise van den berg-van den berg, carel frederik van den berg (cay), amsterdam, frank willem van den berg (1912-1998), the family travelling, on holiday, castle
Inscriptions: inscription: ‘Chillon’, inscription: ‘Chillon’, inscription: ‘Chillon’, inscription: ‘Versailles’

Deze foto's maken deel uit van een album.
Section of a spoon handle
Object type: spoon handle section
Date: 1780 – 1782
Materials: silver
Artist: p. b., orleans
Artist role: maker
Cloth bag with hones
Object type: whetstone 4, in bag
Date: 1981 – 1640
Materials: linen, stone
Location: egypt
Fashion News
Object type: fashion print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: walking-stick, staff, cane (+ women's clothes), dress, gown: redingote (+ women's clothes), head-gear (straw hat) (+ women's clothes), neck-gear: collar (+ women's clothes), fashion plates, skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes), mourning dress, piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)

The Cabinet des Modes offered readers highly detailed information about the illustrated clothes and accessories. It reported, for instance, on new clothing styles, such as the English ‘redingote’ 1; on accessories and embellishments, such as oversized muffs, buttons, ribbons and clasps; and finally, on the latest interior furnishings. For its male audience there was the fitted jacket 2 and the popular Androsmane, a hat with an upturned brim 3.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, bit of circumscribed palmette; start of handle root and part of handle patch
Jug with cover
Object type: jug with cover
Date: 1501 – 1600
Materials: glass, pewter
Happy Fishing
Object type: print
Date: 1760 – 1760
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Bowl
Object type: bowl
Date: 801 – 900
Materials: earthenware, glaze
Techniques: incising, polychrome
Location: iran