deem-data/ArtiFact huggingface dataset:
Gelijkenis van de verloren zoon
Object type: print
Date: 1616 – 1669
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: theodoor van thulden
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the prodigal son tends the swine and eats from their trough
Inscriptions: collector's mark: Lugt 240

De verloren zoon als varkenshoeder zittend onder een boom.
Terracotta rim fragment of a kylix: Lip cup (drinking cup)
Object type: kylix fragment
Date: 560 – 550
Materials: terracotta
Culture: greek, attic

Exterior, youth running to left with his torso in three-quarter view, with his chlamys draped over his extended right arm, and his left arm bent, with his hand holding a spear
Horse and rider
Object type: figure
Date: 601 – 900
Materials: earthenware
Techniques: glazing
Culture: chinese
Subjects: men,horses
Cabin
Object type: print
Date: 1917 – 1917
Techniques: etching
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: female nudes
Scissors
Object type: scissors
Date: 601 – 900
Materials: silver
Techniques: gilding
Culture: chinese
Grafmonument van Theodorus Johannes Dirk Graswinckel
Object type: print
Date: 1666 – 1676
Materials: paper
Techniques: engraving, etching
Artist: theodor matham
Artist role: draughtsman, print maker
Artist dates: 1605 – 1676
Subjects: delft, theodorus johannes dirk graswinckel, historical persons, grave, tomb, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Stadsgezicht te Brugge met onder meer het Belfort en de Onze-Lieve-Vrouwekerk
Object type: photograph
Date: 1802 – 1871
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, church (exterior), canals, waters (in city)

Deze pagina maakt deel uit van een album.
Denarius (Coin) Depicting the Goddess Juno
Object type: coin
Materials: metal, silver
Culture: roman
Location: roman empire
Subjects: chariots

The front (obverse) of this coin depicts the goddess Juno, facing right. She is shown veiled and wearing a diadem as well as a drop style earring. A sceptre is visible to her lower left.

On the back (reverse) a type of chariot called a quadriga is driven by the goddess of victory, who holds a wreath in her right hand.
Charles-Maurice Le Tellier
Object type: print
Date: 1672 – 1672
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,cross
Portret van een onbekende vrouw in vermoedelijk de klederdracht van Noord-Brabant
Object type: photograph
Date: 1870 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: folk costume, regional costume
Saint Andrew
Object type: painting
Date: 1326 – 1326
Materials: gold leaf, paint, wood
Artist: simone martini
Artist role: artist
Artist nationality: italian
Artist dates: 1315 – 1344
Subjects: men,saints

This panel is from an important five-part portable altarpiece that was possibly commissioned by the governing body of the city of Siena. Together with Giotto, Simone was the most famous artist of his day. His refined technique and descriptive powers, evident in the expression of Saint Andrew and the manner in which he holds his book, were unequalled in Europe and earned the praise and friendship of the poet Petrarch (1304–1374). The rectangular frame is original.
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

On the offset part of the rim, a band of circumscribed palmettes; below, top of the head of a figure to left; part of a tendril?
The House of Cards
Object type: print
Techniques: engraving
Artist: pierre filloeul
Artist role: engraver
Artist nationality: french
Artist dates: 1696 – 1754
Subjects: men,playing cards

Derived from the tradition of moralizing prints, the subject of a child building a house of cards became a popular motif during the eighteenth century. This etching is based on a 1735 painting by Chardin, one of the most celebrated treatments of the theme. In the print, Filloeul faithfully reproduces Chardin’s composition, expressing the ephemeral nature of human endeavors through the image of a boy engrossed in the construction of an object doomed for destruction. In the caption, Filloeul reconnects Chardin’s image with the moralizing tradition by suggesting that adults still act like children by building foolish projects.
Zingende vrouw
Object type: print
Date: 1683 – 1684
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: city-view in general; 'veduta', river, vocal music, singing, drinking
Inscriptions: collector's mark: Lugt 2228

'Vrolijke Els' zingt van een blad waarop: Amsterdam is so schone ste/ Mi fa so la re. In haar hand heeft ze flacon. Op de achtergrond een rivier met een zeilschip waarachter een stad.
Berglandschap bij Berchtesgaden
Object type: drawing
Date: 1873 – 1873
Materials: chalk, paper
Location: berchtesgaden
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: mountains
Inscriptions: date
Tobacco Pouch
Object type: tobacco pouch
Date: 1701 – 1800
Materials: iron
Culture: japanese
Piece
Object type: piece
Date: 1867 – 1900
Materials: cotton
Subjects: flowers,leaves
Creamer
Object type: cream pot
Date: 1838 – 1838
Materials: porcelain
Culture: american
Location: united states
Artist: tucker factory
Artist role: maker
Artist nationality: american
Artist dates: 1826 – 1838
Design for Victoria Sleigh, no. 3736
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Design for a Chimneypiece
Object type: drawing
Date: 1740 – 1800
Materials: ink
Techniques: pen
Artist: sir william chambers
Artist role: artist
Artist nationality: british, born sweden
Artist dates: 1723 – 1796
Subjects: fireplaces
Untitled (Portrait of a Woman and a Boy)
Object type: photograph
Date: 1855 – 1855
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portrait, mother and child, mother, children, portraits, portraits: child subject, portraits: female subject
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, end of a fillet, extended arm with drapery?; below end of fillet, part of an inscription, a sigma?
VOC, duit Zeeland, 1728
Object type: coin
Date: 1728 – 1728
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond ingebogen wapenschild van Zeeland en omschrift. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
The Custom House, Dublin
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: dublin
Artist: Anonymous
Subjects: quay
Kardinaal en bisschop bestuderen een boek
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: drypoint, etching
Artist: joseph dujardin
Artist role: print maker
Subjects: archbishop, bishop, etc. (roman catholic), cardinal
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1 etat; Tire a 3 emplaires’
Portret van David Ruhnken
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: utrecht
Artist: pieter hendrik jonxis
Artist role: print maker
Artist dates: 1757 – 1843
Subjects: leiden
Inscriptions: collector's mark: Lugt 2228

Portret van de filoloog David Ruhnken, ten halven lijve. Hij staat bij een gordijn en heeft zijn linkerhand in zijn toga gestoken. Met een lege marge.
Dagmar
Object type: print
Date: 1912 – 1912
Techniques: etching
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: female nudes
Toegangsbord met vier jongens
Object type: photograph
Date: 1950 – 1950
Materials: paper, photographic support
Techniques: gelatin silver print
Location: new york city
Artist: Anonymous
Stadsgezicht met figuren, mogelijk in Amsterdam
Object type: drawing
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: street (+ city(-scape) with figures, staffage), amsterdam

Losse tekening, blad 1 recto, aangetroffen tussen pagina 50 en het achterste schutblad in schetsboek XLVII met 52 pagina's.
Set of Sword Fittings (Mitokoromono)
Object type: set of sword fitting mitokoromono
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Artist: gotō mitsumasa (jujō)
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1689 – 1742

This mitokoromono features a design of plum blossoms.
Laken. Merk: gekroonde letters AAVD en jaartal 1676
Object type: beddenlaken, laken object
Date: 1676 – 1676
Materials: linen
Location: netherlands
Artist: Anonymous
Inscriptions: mark: ‘kroon AAV(?)D 1776’

Laken van linnen, gemerkt in bindgat: gekroonde A.A.V.D. en 1676.
Main Street of the Yoshiwara on a Starlight Night
Object type: print
Date: 1852 – 1864
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: utagawa kunisada ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1823 – 1880
Subjects: streets,night

Kunisada II, a pupil of Utagawa Kunisada, placed his signature on the lantern in the foreground. Before his marriage to Kunisada's daughter in 1846, his prints were usually signed Baidō Kunimasa; from then on he used the artist's name Kunisada II, until the death of his father-in-law in 1870, when he began to use the name Toyokuni IV. Two love poems, one by Chokujuen Junma and one by Kiō Enba, are hidden in the night sky.
Plate with the coat of arms of Hendrik Peter Godfried Quack and Isabella Gertraud von Carnap
Object type: plate dish
Date: 1790 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: netherlands
Artist: Anonymous
Inscriptions: mark: ‘N’

Diep bord van porselein, beschilderd op het glazuur met goud. Op het plat het alliantiewapen van Hendrik Peter Godfried Quack en Isabella Gertraud von Carnap. De rand met een bloemrank en een gouden band. Twee proenen op de onderzijde. Gemerkt op de onderzijde met N.
Maud Francis
Object type: photograph
Date: 1895 – 1910
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, historical persons

Dergelijke foto's stonden bekend als 'zwartjes'. Men verkreeg ze bij aanschaf van bepaalde merken thee, cacao, sigaretten, beschuit, etc. om te verzamelen. Er waren speciaal voor de 'zwartjes' verzamelalbums in omloop.
Kandelaar
Object type: candlestick
Date: 1400 – 1600
Materials: iron
Techniques: forging, riveted
Location: western europe
Artist: Anonymous

Kandelaar van smeedijzer met een onderstel van drie poten, eindigend in een gestileerde drakenkop. Op het onderstel is de achthoekige stam met nodus geplaatst. Op de overgang van de drie poten naar de stam zijn drie platte versieringen geklonken. Aan de bovenzijde van de stam ontspringen drie armen met een enkele bladversiering. Daarboven is een vlakke, klaverbladvormige vetvanger geplaatst met daarin vijf gaten, waardoor respectievelijk de kaarsenpin en de vier kaarsenhouders steken. De kaarsenhouders zijn aan de armen van de stam geklonken. In een van de poten is een rond gat aangebracht.
Hersteld Lutherse Gemeente
Object type: communion token
Materials: lead
Techniques: casting
Location: amsterdam
Artist: rensen
Artist role: loodgieter
Inscriptions: inscription: ‘H/ LG’

Eenzijdige loden penning. Voorzijde: letter H boven letters LG. Keerzijde: blanco.
Notities
Object type: sketchbook leaf
Date: 1858 – 1869
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Inscriptions: retailer's mark: ‘Andreas Kaut/ in/ MÜNCHEN/ Papier-, Schreibmaterialien/ und/ Speditions - Handlung.’, annotation: ‘[...]’

Achterste schutblad uit een schetsboek met 48 bladen.
Interieur van de Schouwburg van Lier
Object type: drawing
Date: 1892 – 1892
Materials: paper, pencil, watercolor
Techniques: brush
Location: amsterdam
Artist: johan george lodewijk rieke
Artist role: draughtsman, print maker
Artist dates: 1817 – 1898
Subjects: city-view in general; 'veduta', theatre, theatrical performance, the stage and its equipment
Inscriptions: inscription: ‘Schouwburg v Lier (...) parterre in schaduw’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 23.
'Tis my Doll
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: london
Subjects: playing toddler; child amusing itself - aa - girl, (playing with) dolls
Inscriptions: collector's mark: Lugt 2233
Gezicht op de achterzijde van de Beurs van Hendrik de Keyser te Amsterdam, 1613
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: sailing-ship, sailing-boat, stock exchange, stock-market, canals, waters (in city) (+ city(-scape) with figures, staffage)

Gezicht op de achterzijde van de oude beurs van Hendrik de Keyser te Amsterdam in 1613. Illustratie in een boek uit 1846 over de oude en nieuwe beurs van Amsterdam.
Vanneaux en sarcelles
Object type: print
Date: 1862 – 1862
Techniques: printmaking, etching
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), shore-birds and wading-birds: lapwing, water-birds
Inscriptions: collector's mark, collector's mark: Lugt 2228

Gepubliceerd door: Société des Aquafortistes, Auguste Delatre (drukker), Cadart & Chevalier (uitgever), 1863.
Penning met het portret van aartsbisschop Johan Hugo van Orsbeck en de namen van de keurvorsten van Trier
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: clergyman, archbishop, bishop, etc. (roman catholic), seal (symbol of sovereignty)
Inscriptions: number: ‘43’

Ontwerp van een ronde penning met, in vijf concentrische cirkels, de namen van de keurvorsten van Trier en hun regeringsjaren, beginnende bij aartsbisschop Ludolf en eindigend bij Bohemond. In het midden van de penning het portret van aartsbisschop Johan Hugo van Orsbeck.
Terracotta fragment of an olpe (jug)
Object type: olpe fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

Part of the knee and calf of a male to right
Stamp seal
Object type: stamp seal
Date: 201 – 700
Materials: stone
Culture: sasanian
Location: iran
Bosrand
Object type: sketchbook leaf
Date: 1645 – 1646
Materials: chalk, paper
Artist: pieter moninckx
Artist role: draughtsman
Artist dates: 1606 – 1686
Subjects: fringe, edge of the wood

Blad 24 recto uit een schetsboek met 39 bladen.
Hot milk pot
Object type: hot milk pot
Date: 1823 – 1824
Materials: wood, ivory, silver
Artist: alois simpert eschenlohr
Artist role: maker
Artist dates: 1785 – 1837
Subjects: faces,flowers

Early in the nineteenth century it became the custom to produce pots for coffee and hot milk en suite, and this piece was acquired together with its matching, smaller milk pot. Eschenlohr-who became a master silversmith in I824 has taken a simple Neoclassical form and enlivened it with a playful contrast of surface effects, decorative details, and materials. A cherub's head emerges from a cluster of grapes beneath the spout, the cover is topped by a trio of ivory acorns, and the dark smoothness of the handle complements the light-catching fluting of the body. Few works are known by Eschenlohr, who shows himself here to be a masterful-and witty designer.
Watersnood van 1775
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: dike-break, the flood of 14-18 november 1775
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen.
Gloves
Object type: glove
Date: 1876 – 1900
Materials: leather
Culture: american
Calvary
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: spain
Artist: attributed to pedro machuca
Artist nationality: spanish
Artist dates: 1495 – 1550
Boom bij twee huizen aan een bosrand
Object type: zinkplaat
Date: 1897 – 1897
Materials: zinc
Techniques: drypoint
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Jahrbuch für Photographie und Reproduktionstechnik
Object type: book
Date: 1892 – 1892
Materials: linen, paper
Techniques: chromolithography, photograph, printing, printing block
Location: halle an der saale
Inscriptions: date: ‘JUNE 1989’
M. Baesten
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: antwerp, painter, historical persons - bb - woman, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van zestig prenten.
Charles Meryon Autographed Letter
Object type: drawing and watercolor
Materials: ink, paper
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Portrait of a man
Object type: print
Date: 1860 – 1860
Materials: ink, ivory, paper
Techniques: drypoint
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Fotoreproductie van een prent naar een schilderij door John Opie, voorstellend een scene uit Hendrik VI, deel 1 door William Shakespeare
Object type: reproduction
Date: 1854 – 1867
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. LIII. 211’

Te zien is akte II, scene 3 met mannen in harnassen naast de gravin van Auvergne.
Hamburg. Flet beim Stubbenhuck
Object type: photomechanical print
Date: 1905 – 1905
Materials: cardboard
Techniques: photograph
Location: hamburg
Subjects: canals, waters (in city), bridge in city across river, canal, etc., street
Inscriptions: date
Cardinal Virtues or Saint Euphemia
Object type: drawing and watercolor
Date: 1750 – 1850
Materials: graphite, paper
Location: italy
Artist: after antonio allegri, called correggio
Zittende, lezende man
Object type: drawing
Date: 1780 – 1849
Materials: paper, pencil
Artist: david pièrre giottino humbert de superville
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1849
Subjects: reading
Personified Ritual Dagger (Vajrakila) in Ritual Embrace (Yab-yum)
Object type: religious ritual object
Date: 1501 – 1600
Materials: copper, wood
Techniques: repoussé
Culture: tibetan
Location: tibet
Portret van Helena van Mecklenburg-Schwerin
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: paris
Subjects: helene van mecklenburg-schwerin, historical persons
Inscriptions: collector's mark: Lugt 2228a
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 480
Materials: terracotta
Culture: greek, attic

Interior, drapery; Exterior, unidentified subject
Egypt - Cairo, Mosque of Mahommed Ali, No. 109 from "Good's Eastern Series"
Object type: photograph
Date: 1860 – 1890
Techniques: albumen print
Location: cairo
Artist: frank m. good
Artist nationality: english
Artist dates: 1860 – 1890
Ewer
Object type: ewer
Date: 1801 – 1900
Materials: glass
Portret van Johann Golling
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: engraving
Subjects: flowers, city-view, and landscape with man-made constructions, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Kleermaker op een kruk, van achteren gezien
Object type: drawing
Date: 1648 – 1648
Materials: chalk, ink, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Fire-offering ladle
Object type: ladle
Date: 1403 – 1424
Materials: gold, iron, silver
Culture: tibet, eastern

This ladle and its companion (1993.477.1.1a, b) were used to make offerings of fuel during a Homa ceremony. The superb gold and silver inlay is characteristic of early fifteenth-century Tibetan workmanship associated with Derge, Kham Province, eastern Tibet.
Close Helmet for the Field
Object type: close helmet
Date: 1600 – 1610
Materials: gold, leather, steel
Culture: french
Location: france

The decoration of this helmet, with its raised ribs outlining parallel bands etched with trophies of arms, is typically French and is found on a distinctive group of armors dating to the reign of Henry IV (1590–1610). Among the trophies on this example are cannon bearing the fleurs-de-lis of France. (The front collar lame is a modern restoration.)
Marie Rinteau, called Mademoiselle de Verrières
Object type: painting
Date: 1761 – 1761
Materials: canvas, oil
Artist: françois hubert drouais
Artist role: artist
Artist nationality: french
Artist dates: 1727 – 1775
Subjects: portraits,women

Marie Rinteau is best remembered today as the great-grandmother of the writer George Sand, though she and her sister Geneviève enjoyed a brief moment of success on the French stage (note the sheet music she holds) and long careers as cultured courtesans, known as les demoiselles de Verrières. The modish portraitist Drouais exhibited this painting showing Rinteau at her dressing table in the Salon of 1761. Originally, however, Rinteau’s hair did not rise to such beribboned heights: in the mid-1770s, Drouais or another painter altered Rinteau’s wig to keep this portrait up with the latest changes in fashion.
Totem Pole Model
Object type: totem pole model
Date: 1875 – 1885
Materials: pigment, wood
Culture: haida
Location: canada
Subjects: animals