deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix: band-cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, in the center, a reserved circle, with four holes from ancient repairs; Obverse, start of the handle root, bit of a tendril from a handle palmette; part of the calves and feet of a draped male to right, wearing a himation; part of the wings, belly, and feet of a bird to right; part of a draped male to left, wearing a himation; handle palmette with tendrils; separating the bird and the draped males, mock inscriptions; Reverse, in the center, a bird, flanked by mock inscriptions; at the bottom right, part of the foot and himation of a male to left
Kan van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; decoratie van twee bloemtakken op de buik en bloemen in twee vakken op de hals. Peervormig.
Object type: ewer
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous
Miniature Bottle
Object type: bottle
Date: 901 – 1100
Materials: glass
Techniques: glassblowing
Location: iran

This glass bottle was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Snuff Bottle
Object type: snuff bottle
Date: 1767 – 1800
Materials: glass, jade
Culture: chinese
Plaque
Object type: plaque
Date: 1767 – 1800
Materials: soft paste porcelain
Artist: alcora manufactory
Artist role: factory
Artist nationality: spanish
Artist dates: 1727 – 1895
Subjects: children,men,women,dogs

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Terracotta fragment of a woman's head
Object type: mask of a woman
Date: 600 – 401
Materials: terracotta
Culture: greek, cretan
Subjects: heads,women

The original work may have been a mask. Of note are the large ears.
Portret van een man, leunend op een fauteuil
Object type: album leaf
Date: 1870 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: newcastle upon tyne
Artist: a.d. lewis
Artist role: fotograaf
Subjects: historical persons, leaning figure, chair
Inscriptions: inscription: ‘Newcastle-on-Tyne, 111 and 113 Scotswood Road; Tynemouth, 56 Front Street’
Zittend naakt
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Artist: georges lemmen
Artist role: print maker
Artist dates: 1865 – 1916
Subjects: sitting figure, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: inscription: ‘J.Toorop 1904’, inscription: ‘D 31/32’, collector's mark: Lugt 2228
Monastery of Mega Spileon, Greece
Object type: drawing
Date: 1896 – 1896
Materials: gouache, graphite, ink
Techniques: brush, heightening, pen
Artist: peter toft
Artist role: artist
Artist nationality: danish
Artist dates: 1825 – 1901
Subjects: human figures,buildings
Gezicht op een dorp te Japan
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: japan
Subjects: city-view in general; 'veduta'
Portret van Jean Baptiste Madou
Object type: print
Date: 1806 – 1927
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: brussels, painter, print maker, draughtsman, jean baptiste madou, historical persons, portrait, self-portrait of artist
Teapot
Object type: vessel
Materials: stoneware
Techniques: incising
Location: china
Passie en wederopstanding van Christus
Object type: print
Date: 1570 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: descent from the cross: christ is taken down from the cross, usually by nicodemus and joseph of arimathaea who are standing on the ladders (both arms of christ detached)
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228

Christus wordt het kruis afgenomen door Jozef van Arimatea en Nikodemus. Maria, Maria Magdalena en drie andere vrouwen helpen. De prent heeft een Latijns onderschrift
Red polished ware bowl
Object type: bowl, red polished
Date: 3850 – 2960
Materials: pottery
Location: egypt
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1501 – 1600
Materials: copper, gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: dragons,roosters,boars,horses,monkeys,rats
Restanten van gebouwen in Palmyra (Syrië)
Object type: album leaf
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: palmyra
Artist: alexander svoboda
Artist role: fotograaf
Subjects: ruin of a building ~ architecture

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Aankomst van Karel III, koning van Spanje in Portugal
Object type: history medal
Date: 1704 – 1704
Materials: silver
Techniques: striking
Location: berlin
Artist: jan boskam
Artist dates: 1687 – 1708
Subjects: vienna, charles vi (holy roman emperor)

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: keizerlijke arend met olijftak in bek en bliksem in klauwen vliegend boven vloot binnen omschrift, boven opschrift
The Dentist
Object type: print
Date: 1523 – 1523
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: men,women,doctors
Tussenzetsel van roomwitte machinale kant met patroon van cirkels, op karton
Object type: entre deux, tussenzetsel
Date: 1925 – 1925
Materials: cardboard
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Tussenzetsel van roomwitte machinale kant met patroon van cirkels, op karton.
La Sultane Asseki, ou Sultane Reine
Object type: costume print
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: asiatic races and peoples, folk costume, regional costume, tea-pot; samovar
Inscriptions: collector's mark: Lugt 2228

Prent als illustratie gebruikt in: Ceremonies et coutumes religieuses de tous les peuples du monde, deel VII. Amsterdam: J.F. Bernard, 1737. Zie ook: Recueil de cent estampes representant differentes nations du Levant, gravees sur les tableaux peints d'apres nature en 1707 & 1708 par l'ordre de M. de Ferriol ... et mis au jour en 1712 & 1713 par les soins de M. Le Hay. Parijs: M. de Le Hay Ferriol, 1714.
Joined Fragments
Object type: joined fragment
Date: 1601 – 1650
Materials: metal thread, silk
Techniques: brocade
Location: iran
Subjects: flowers,leaves
Portrait of Jacob Cats (1577-1660)
Object type: painting
Date: 1634 – 1634
Materials: oil, panel
Artist: michiel jansz van mierevelt
Artist role: draughtsman, painter
Artist dates: 1567 – 1641
Subjects: jacob cats (1577-1660), historical persons, netherlands, dordrecht
Inscriptions: signature and date, centre left: ‘Ætatis, 56. / A.º 1634. / M. Miereveld’

Portret van Jacob Cats, pensionaris van Dordrecht en dichter. Buste, naar rechts.
Overwinningen op de Zweden, ter ere van admiraal Niels Juel
Object type: history medal
Date: 1677 – 1677
Materials: silver
Techniques: striking
Location: danzig
Artist: johann höhn
Artist role: medailleur
Artist dates: 1637 – 1693
Subjects: oslo, vlootvoogd, opperbevelhebber, niels juel, faeröer, zweden, langeland, öland, køge bugt, noordse oorlogen, schonense oorlog, slag bij langeland, slag bij öland, slag in de kooge bocht

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: zeeslag.
Deez' zes paar schetsen in dit prenttafreel wil toonen, / Wat men van het begin des jaars komt bij te woonen, / Tot aan het eind', en wat in elke maand geschiedt, / Gelijk ge, o jeugd! hier in deez' twaalf maanden ziet
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van de twaalf maanden van het jaar en bijbehorende activiteiten. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 52.
Jeanne de Bourgogne, femme de Philippe de Valois
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Holland, provinciale twee gulden, 1687
Object type: coin
Date: 1687 – 1687
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: gekroond wapenschild van Holland. Boven kroon jaartal. Keerzijde: staande Nederlandse maagd met in rechterhand speer, waarop hoed en met linkerhand steunend op altaar, waarop bijlbel.
Servet van wit linnendamast
Object type: napkin
Date: 1692 – 1700
Materials: linen
Techniques: damask
Location: northern netherlands

Wit linnendamasten servet met patroon van voluten, merk IS 24.
Jonge vrouw met hoed bij klimop
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: netherlands

Foto op bruin albumblad 53 van familiealbum van Alphons Diepenbrock.
Exposition Universelle 1878
Object type: stereograph
Date: 1878 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: world fair, world exhibition, gallery (spacious corridor), paris
Ruiterstandbeeld van tsaar Nicolaas I in Sint Petersburg
Object type: cabinet photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: joseph daziaro
Artist role: publisher
Artist dates: 1831 – 1892
Subjects: equestrian statue
Inscriptions: number: ‘4.’

Onderdeel van Leporelloalbum met opnames van Sint-Petersburg.
Portrait of a Young Man
Object type: painting
Date: 1749 – 1752
Materials: canvas, oil
Location: united states
Artist: john wollaston
Artist nationality: american, born england
Artist dates: 1710 – 1775
Subjects: fashion, people, portraits

An established portrait painter in England, John Wollaston came to the American colonies to ply his trade in 1749. For the next three years, Wollaston worked in New York, executing numerous portraits for area sitters eager to acquire quality likenesses from a skilled, European-trained artist—a rarity in mid-18th-century America. Wollaston rendered his figures with convincing modeling and forms, excelling in the depiction of colorful draperies. In Portrait of a Young Man, as in his other works of the time, the artist employed formulaic poses, gestures, and dress, a result, in part, of looking to English sources for portraiture, but also a means of meeting the many requests for commissions. Beginning in 1753, Wollaston painted in Maryland, Pennsylvania, Virginia, and South Carolina.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, aryballos and sponge; Exterior, foot to left and bit of drapery
Relief Fragment from the Tomb of Neferu or Khety
Object type: relief fragment, neferu or khety
Date: 2030 – 1640
Materials: limestone, paint
Location: egypt
Reisverslag
Object type: sketchbook leaf
Materials: pencil
Location: novaya zemlya
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: nova zembla expedities 1880

Blad 95 recto uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Annunciatie
Object type: print
Date: 1584 – 1588
Materials: paper
Techniques: drypoint, engraving, etching
Location: urbino
Artist: federico barocci
Artist role: draughtsman, painter, print maker
Artist dates: 1528 – 1612
Subjects: the annunciation: mary kneeling
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

De engel Gabriël, een lelie in de hand, knielt voor Maria, die op de knieën in een vertrek bij een tafeltje zit. Links op de voorgrond een slapende poes. Op de achtergrond, door een raam te zien, een kasteel.
Arms of the Ludovisi Family Surrounded by Four Allegorical Figures
Object type: print
Date: 1601 – 1700
Techniques: engraving
Artist: jean couvay
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1663
Subjects: women,coat of arms
Bewening van Christus
Object type: drawing
Date: 1620 – 1625
Materials: ink, paper
Techniques: pen
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)

Van het kruis genomen, wordt Christus ondersteund door Jozef van Arimathea. Twee vrouwen houden zijn doorboorde handen vast; een derde vrouw, kijkt op hem neer, huilt en wringt haar handen. Rechts Johannes de Doper met zijn hoofd achterover gegooid kijkt omhoog. Verso: dezelfde scene met verscheidene veranderingen zodat de relatie tussen Christus en de huilende vrouwen is veranderd.
Fragment
Object type: textile
Date: 1601 – 1700
Materials: textile, silk
Techniques: brocade
Location: spain
Strip
Object type: strip
Date: 1750 – 1750
Techniques: lace
Uitnodiging met een boom
Object type: drawing
Date: 1896 – 1896
Materials: paper, pencil, watercolor
Techniques: brush, pen
Artist: sientje mesdag-van houten
Artist role: draughtsman, painter
Artist dates: 1834 – 1909
Subjects: trees
Inscriptions: date

Uitnodiging voor een balletvoorstelling op 23 april 1896, met binnenin het programma van het 'ballet des pierrots et pierrettes'.
Portret van Jan Scharp op 58-jarige leeftijd
Object type: print
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: the hague, rotterdam, jan scharp, functionaries and dignitaries ~ protestant churches
Inscriptions: collector's mark: Lugt 2166

Portret van de oranjegezinde predikant Jan Scharp op 58-jarige leeftijd, in ovaal naar links. Onder het portret zijn naam en functie.
Passage from Tao Qian's "Returning Home"
Object type: folding fan mounted a an album leaf
Date: 1555 – 1636
Materials: gold, ink, paper
Culture: chinese
Artist: dong qichang
Artist role: artist
Artist nationality: chinese
Artist dates: 1555 – 1636
Subjects: poetry,calligraphy

Court politics caused Dong Qichang to retire from office three times during his government career. This fan conveys Dong's eloquent response to political intrigue. Quoting a passage from the recluse-poet Tao Qian's (365-427) Returning Home, Dong's spacious and graceful calligraphy reflects his ability to rise above worldly affairs: Then I catch sight of my cottage, filled with joy I run. The servant boy comes to welcome me my little son waits at the door. The three paths are almost obliterated but pines and chrysanthemums are still here. Leading the children by the hand I enter my house where there is a bottle filled with wine. I draw the bottle to me and pour myself a cup; Seeing the trees in the courtyard brings joy to my face. I lean on the south window and let my pride expand, I consider how easy it is to be content with a little space. Every day I stroll in the garden for pleasure, There is a gate there, but it is always shut. (James Robert Hightower, trans.)
Sunrise
Object type: print
Date: 1850 – 1850
Techniques: printmaking, etching
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: animals,sun,landscapes,dawn
Kookkan van opaak groen glas (waarschijnlijk imitatie groen aardewerk); op drie pootjes, met schenklip en oor.
Object type: cauldron
Date: 1675 – 1710
Materials: glass
Artist: Anonymous
Jonge vrouw bidt in de kerk
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adolescent, young woman, maiden, interior of church, one person praying
Inscriptions: collector's mark: Lugt 964

Illustratie bij het lied Notre-Dame de Tudèle van M. van Hassets en Jeanne Gavarni.
Jupiter, from "The Gods Who Preside Over the Planets"
Object type: print
Date: 1528 – 1528
Techniques: etching
Artist: master i.b.
Artist role: artist
Artist nationality: german
Artist dates: 1525 – 1530
Subjects: shields,swords,jupiter
Landschap met stenen brug
Object type: print
Date: 1612 – 1686
Materials: paper
Techniques: etching
Location: france
Artist: henri mauperché
Artist role: painter, print maker
Artist dates: 1602 – 1686
Subjects: (high) hill, bridge
Inscriptions: collector's mark: Lugt 240
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic
Artist: euergides painter
Artist role: artist

Exterior, head, neck, shoulders, bent right arm, with hand touching head, and fingers of left hand of wreathed youth to left
Amulet, Isis, Horus
Object type: amulet, isi, horus
Date: 522 – 343
Materials: faience
Location: egypt
Subjects: horus,isis
Cover with couple in a landscape
Object type: milk jug
Date: 1765 – 1770
Materials: glaze, gold, paint, porcelain, silver
Techniques: firing, gilding, turning, vitrification
Location: vienna

Deksel van porselein, beschilderd op het glauur in emailkleuren, zilver[?] en goud. De deksel is bedekt met blauw waarover in goud een patroon van cirkels is aangebracht. Versierd met een voorstelling van een dame die een hond aan het trainen is; dekselknop in de vorm van een granaatappel. Aan de binnenzijde een bloemtak.
Glass bowl
Object type: bowl
Date: 34 – 33
Materials: glass
Culture: roman

Colorless with pale yellow tinge and purplish streaks Rounded vertical rim; slightly convex sides, tapering downward; flat bottom. Two broad horizontal wheel-cut grooves on interior below rim. Intact; a few pinprick bubbles; deep pitting, dulling, and iridescent weathering.
Boerderijen langs een weg met kale bomen
Object type: print
Date: 1867 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: road, path, farm (building)
Inscriptions: collector's mark: Lugt 2228
Acropole-est
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: athens
Subjects: city-view in general; 'veduta', ruin of a building ~ architecture
Glass amphoriskos (perfume bottle)
Object type: amphoriskos
Date: 200 – 35
Materials: glass
Culture: greek, eastern mediterranean

Translucent light blue; handles and base-knob in translucent blue green; trails in opaque white and opaque yellow. Inward-sloping rim-disk, with tooling indent underneath; tall, slightly concave, cylindrical neck; sloping shoulder; elongated piriform body; large applied knob-base; two rod handles applied in pads across shoulder, drawn up vertically to just below rim, then looped in and down, and attached to neck below rim over trail decoration. Thick yellow trail applied to top of neck, wound in a spiral down neck and across shoulder to body; a white trail applied over yellow two-thirds down neck, wound round in a spiral to top of body, then tooled into a close-set festoon pattern with thirty-one irregular upward strokes, continuing in a plain spiral around lower part of body, ending under base knob. Body complete, but one of handles broken and repaired, and large chip in base knob; some dulling and pitting, patches of limy enrustation on handles, and creamy brown weathering and iridescence, especially on trails. Two handled vase with fern pattern.
Cahier de six Baraques Chinoises
Object type: print
Date: 1772 – 1779
Materials: paper
Techniques: etching
Location: paris
Subjects: sitting figure, shed
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

In een landschap zit een man naast een trap onder een parasolvormig afdak. Hij houdt een stok met ronde vorm in zijn hand. Aan de voorzijde de serietitel.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, top of head and part forehead and arm of wreathed youth to right; two letters of an inscription
Twee gezichten op de Ginkaku-ji tempel en tuinen in Kyoto, Japan
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: kyoto
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: temple, shrine ~ shinto, garden
Inscriptions: inscription: ‘Plate IX.’
Begrafenisoptocht van Willem Frederik, graaf van Nassau-Dietz (blad 1), 1665
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving
Location: leeuwarden
Subjects: arnhem, cortege, funeral procession

Begrafenisoptocht van Willem Frederik, graaf van Nassau-Dietz, in Leeuwarden op 6 januari 1665. Portret van Willem Frederik in een cartouche met twee engelen en versierd met vaandels. Onder het portret een kleine profiel van Leeuwarden. Rechts soldaten en ruiters bij de ingang van de Jacobijnerkerk. Plaat nr. 1 in een ensemble van 24 (van de 25) ongemonteerde genummerde platen (zonder tekstbladen) die samen een lange fries vormen.
Rod
Object type: staaf
Date: 1600 – 1800
Materials: earthenware, clay
Location: europe
Artist: Anonymous

Staaf van pijpaarde met het merk 59. Een krulspeld van een pruikenmaker.
Schoolfoto van een klas met kinderen, buiten bij school
Object type: photograph
Date: 1905 – 1915
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous