deem-data/ArtiFact huggingface dataset:
Bed curtain border
Object type: border
Date: 1801 – 1833
Materials: linen, silk
Subjects: birds,horses,lions

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg.
Pair of Plates for the Back End-Boards of a Saddle
Object type: pair of plate for the back end board of a saddle
Materials: gold, iron, silver
Culture: tibetan
Location: tibet
Klederdracht van Overflakkee, Voorne en Oud-Beijerland in Zuid-Holland, 1857
Object type: costume print
Date: 1857 – 1857
Materials: paper
Techniques: hand coloring
Location: netherlands
Subjects: folk costume, regional costume

Klederdracht van Overflakkee, Voorne en Oud-Beijerland in de provincie Zuid-Holland. Verschillende studies van vrouwen en meisjes. Illustratie in een boek uit 1857 met 56 platen van Nederlandse klederdrachten.
The Adoration of the Shepherds
Object type: painting
Date: 1612 – 1614
Materials: canvas, oil
Artist: el greco (domenikos theotokopoulos) and workshop
Artist role: artist
Artist nationality: greek
Artist dates: 1540 – 1614
Subjects: men,lambs,angels,madonna and child,virgin mary,jesus,adoration of the shepherds,shepherds

This is a smaller version of an altarpiece El Greco painted for the chapel in Toledo where he would be buried (that work is now in the Museo del Prado, Madrid). He repeated the subject frequently, and this example was made in collaboration with workshop assistants who were familiar with his idiosyncrasies of palette and form. In comparison with another version hanging nearby, the figures here are more tightly cropped, resulting in a greater sense of immediacy. The lower halves of the two foreground figures in particular have been greatly elongated, not extending into space but trailing along the picture plane.
Skaters on Pond Outside Town
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, wash
Location: netherlands
Artist: attributed to allart van everdingen
Artist nationality: dutch
Artist dates: 1621 – 1675
Gevel
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: exterior ~ representation of a building
Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi
Object type: folio from an illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: iran
Artist: muhammad ibn badr al-din jajarmi
Artist role: author
Artist nationality: iranian
Artist dates: 1315 – 1365
Subjects: poetry,bulls,crabs,lions,rams,zodiac
Mes met heft in de vorm van een man met musket en jachthond
Object type: knife handle
Date: 1600 – 1650
Materials: brass
Techniques: casting
Location: netherlands
Artist: Anonymous

Een dergelijk heft is gevonden in het wrak van het schip 'De Lastdrager', dat in 1653 bij Shetland is vergaan. Onno ter Kuile, 1986.
Fragment of a Bowl
Object type: fragment
Date: 801 – 900
Materials: earthenware, glaze
Location: iran
Bijbelsche figuren van het Oude Testament
Object type: popular print
Date: 1725 – 1738
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: samson carries the doors on his shoulders to the top of a hill near hebron, a bird dropping falls in tobit's eyes, after a three-day sojourn in the belly of the monster jonah is cast on dry land; jonah may be shown nude and bald-headed, old testament
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van verhalen uit het Oude Testament, zoals Simson die de stadspoort van Gaza een bergtop op sleept, Tobit die blind wordt door de poep van een zwaluw en Jona die uit de vis wordt gespuugd. Onder elke afbeelding een tweeregelig vers.
Untitled (Caricature)
Object type: drawing and watercolor
Materials: chalk, paper
Location: spain
Artist: possibly by salvator rosa
Artist nationality: Italian
Artist dates: 1615 – 1673
Osiris
Object type: statuette, osiris
Date: 664 – 630
Materials: metal
Location: egypt

Osiris, foremost of the Egyptian funerary gods and ruler of the underworld, stands upright and wears an atef crown with a sun disk on top and ram horns below. His facial features are sensitively modeled with plastic brows and thick, heavy eyelids. His close-fitting mummiform garment has a shallow stiff upper edge along the back of the neck, a feature that occurs with some regularity on this garment, but one with an unclear meaning. His hands and wrists, complete with bracelets, extend out from curved slits in his garment. He holds the royal crook and flail with his hands poised asymmetrically. In general, Osiris statuettes were some of the most abundant temple offerings in Egypt by the first millennium B.C., reflecting both the god’s importance and changing cult practices that spurred the wide-scale dedication of deity statuettes. Many statues of Osiris were offered in temples and shrines belonging to him, but they have also been found in other contexts, for example near temples and shrines honoring other prominent deities or in animal necropoleis.
Wheellock Pistol
Object type: wheellock pistol
Materials: ivory, steel, wood
Culture: swiss
Location: switzerland
Flandriae partes duae, quarum altera proprietaria, altera imperialis vulgo dicitur
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving, etching
Location: oxford
Subjects: maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 195

Kaart van Eigenlijk en Rijks-Vlaanderen. Binnen het gebied dat tot het Heilig Roomse Rijk behoorde (Rijks-Vlaanderen), lagen ook de heerlijkheden Bornem, Dendermonde en Geraardsbergen, die in volledig bezit van de graaf van Vlaanderen waren en werden aangeduid als ‘Eigenlijk Vlaanderen’ of ‘Eigene’. Boven, rechts van het midden, de titelcartouche. Links van de cartouche het wapen van Vlaanderen. Rechts een wapenschild met de dubbelkoppige adelaar van het Heilig Roomse Rijk met daarop een hartschild met de Vlaamse leeuw. Linksonder een cartouche met opdracht aan Joseph Williamson, boven de cartouche zijn wapen. Onder, in het midden, een cartouche met twee schaalstokken: Milliarica Germanica magna / Mill. Flandrica et Brabantica. De kaart is voorzien van een coördinaten-net.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, two fronds of a circumscribed palmette; left half of handle patch
Lopen van de geharpoeneerde walvis, ca. 1725
Object type: print
Date: 1720 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: whale fishery, whaling

Het lopen van de geharpoeneerde walvis, de lijn vastgehouden vanuit sloepen; ook bekend als het zitten op de Spaanse kruiwagen, ca. 1725. Op de voorgrond schiet een matroos op een ijsbeer. Onderdeel van de serie over de walvisvangst. Gedrukt op hetzelfde blad als nr. 4.
Brief aan Philip Zilcken
Object type: letter
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: fernand khnopff
Artist role: draughtsman, print maker
Artist dates: 1858 – 1921
Subjects: helène lambertine hauzeur, the hague, painter, draughtsman, philip zilcken, passions, emotions, affections
Inscriptions: watermark
Fotoreproductie van een schilderij van een kleine bedelaar door Paul Delaroche
Object type: reproduction
Date: 1861 – 1878
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: adult woman, toddler (male), beggar
Inscriptions: inscription: ‘PHOTOGRAPHIE GOUPIL & Cie/ PARIS, 19, Bd Montmartre./ LONDRES-LA HAYE-BERLIN-NEW YORK’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, drapery; Exterior, end of stick?
Diana and Satyr
Object type: drawing
Materials: ink
Techniques: brush, pen, wash
Artist: filippo cavori
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1800
Subjects: diana,satyrs,trees,angels
Prentwerk
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: printmaking, etching
Location: amsterdam
Artist: cornelis ploos van amstel
Artist role: draughtsman, print maker
Artist dates: 1726 – 1798
Subjects: river, shipyard, shipdock
Inscriptions: collector's mark: Lugt 2725, collector's mark: Lugt 12

De bocht van een rivier met links een scheepswerf en aan de overzijde een molen.
No. 8: Captain
Object type: print
Techniques: aquatint, etching
Artist: henri merke
Artist role: etcher
Artist nationality: swiss
Artist dates: 1760 – 1820
Subjects: cannons,men,sailors
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: roman
Subjects: dolphins

Loeschcke Type 4. Mold-made. Discus: two confronted dolphins in high relief; a single central filling hole, and a band of lines and grooves around edge. Narrow, undecorated, sloping shoulder. Volutes flanking nozzle. Impressed base ring and slightly concave base. Intact.
Schepping van Eva
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: creation of eve
Inscriptions: collector's mark: Lugt 240

Adam ontwaakt uit zijn slaap en ziet Eva die zojuist geschapen is uit zijn rib.
Zeilen drogen, Colombo
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: etching
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: sail, sailing-ship, sailing-boat, ships, boats on land, beached
Inscriptions: collector's mark: Lugt 2228

Naar schets van 23 januari 1904, gemaakt tijdens ontophoud in Colombo tijdens Nieuwenkamps tweede reis naar Nederlands-Indië.
The city of St. Andrews
Object type: page
Date: 1866 – 1876
Materials: paper
Techniques: photograph
Location: saint andrews
Artist: thomas rodger
Artist role: fotograaf
Artist dates: 1833 – 1883
Subjects: city-view, and landscape with man-made constructions, ruin of church, monastery, etc.
Inscriptions: inscription: ‘“ And thou-my native City sighs Amen! Thy ruined spires - still pointing to the sky; Proclaim that what hath been, shall be again; Ere few brief centuries roll swiftly by.”’
Journal des Dames et des Modes, Costumes Parisiens, 1838, (3531): 1, Bracelets de M.Guilloët (...)
Object type: fashion print
Date: 1838 – 1838
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: clothing for the upper part of the body (+ women's clothes), styles of hairdress - aa - ~ women, head-gear: cap (+ women's clothes), fashion plates, piece of clothing covering the breast or décolleté (fichu) (+ women's clothes), bracelet, wristlet (+ women's clothes)
Inscriptions: address: ‘Rue du Helder, 14. / M. Seguin s Library, 12. Regent Street London.’, title: ‘Costumes Parisiens / Journal des Dames & des Modes.’, caption: ‘1, Bracelets de M. Guilloët, 49. P.ge des Panoramas; 2 Coiffures de M.elles Pieters et Golbert, 29,r. N.ve des petits Champs. 3, Coiffure et bonnet de M.me Robineau, 170,r. Montmartre; 4, Fichu-pélerine des M.ins de la Crèche, 348,r. St. Honoré’

Vijf vrouwenbustes en diverse accessoires, genummerd één tot en met vier. 1. Twee armbanden van Guilloët. 2. 'Coiffures' van Pieters en een luifelhoed. 3, Twee vrouwen met een 'coiffure' en muts van Robineau. 4, 'Fichu-pelerine' uit de winkel van Crèche. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, Parijs, 1797-1839.
Netsuke of Snake
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: snakes
Schoenen en een man, op de rug gezien
Object type: sketchbook leaf
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult man (+ back view), shoes, sandals
Inscriptions: annotation: ‘[...]’

Pagina 23 en pagina 24 uit een schetsboek met 32 bladen.
Kinderen spelend met een scheepje aan het strand
Object type: print
Date: 1835 – 1910
Materials: paper
Techniques: etching
Location: unknown
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: (playing with) toys, in or beside the water (on the beach)
Inscriptions: collector's mark: Lugt 2228

Twee kinderen, een meisje en een jongen, staan tot hun kuiten in het water en spelen met een scheepje. Aan de horizon twee zeilschepen.
Portret van Willem I, prins van Oranje
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: delft, william i (prince of orange), 'tropaion', i.e. decorative ornament ~ weapons, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Portret van Adrian von Riedl
Object type: print
Date: 1769 – 1842
Materials: paper
Techniques: printing, engraving
Artist: johann carl schleich
Artist role: print maker
Artist dates: 1759 – 1842
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portaal in de Dom van Utrecht
Object type: page
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: interior of church, closed door
Inscriptions: inscription: ‘PORTES. PL. 7.’, monogram: ‘JJvY’, inscription: ‘PORTE à l'intérieur (...)’
Het Leven van Philippus Benitius
Object type: print
Date: 1591 – 1591
Materials: paper
Techniques: etching
Location: rome
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: clergyman, ornament ~ cartouche, ruler, sovereign, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Titelprent bij een serie van zestien prenten over het leven van Philippus Benitius.
Portret van een man in een jas
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: anonymous historical person portrayed

Blad 60 recto uit een schetsboek met 60 bladen.
Madonna zittend op de maansikkel
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: madonna on the crescent of the moon (sometimes called queen of heaven) (in mandorla)
Inscriptions: collector's mark: Lugt 240

Maria met het Kind op haar schoot, zittend op de maansikkel in de wolken, een mandorla om haar hoofd. Zeven engeltjes bewegen zich rond de mandorla.
Sardonyx cameo of a goddess flanked by attendants
Object type: cameo of a seated woman with attendant
Date: 100 – 100
Materials: gemstone
Culture: greek or roman
Subjects: women

Cameo of a seated woman with attendants.
The Annunciate Virgin (one of a pair)
Object type: panel
Date: 1552 – 1552
Materials: glass
Techniques: enamel, stain
Subjects: virgin mary,annunciation

Kneeling at her prayer desk, Mary raises her hand in surprise as Gabriel informs her that she will be the mother of the Messiah. The opening of his salutation to her, "Hail, Mary, full of Grace," is partially inscribed in Latin on the scroll above her. The composition and the classicizing, slightly elongated figures were derived from a work by Raphael (1483–1520) that was widely known through prints. The windows were made after the same cartoon used for an Annunciation in an important cycle devoted to the Life of the Virgin in the church of Sainte-Foy in Conches-en-Ouche, Normandy. The New York architect Stanford White (1853–1906) added the inscription at the bottom of the Gabriel panel.
Deksel van koffiekan
Object type: coffee pot
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Deksel van koffiekan, peervormig en veelkleurig beschilderd met man leunend op stok in een landschap. Gouden rand en knop.
Seated Buddha with Hands in Preaching Gesture (dharmachakrapravartanamudra)
Object type: sculpture
Materials: stone
Location: gandhara
Smeedijzeren werk met bloemen uit de collectie van Antonin Terme
Object type: page
Date: 1880 – 1885
Materials: photographic support
Techniques: platinum process
Location: liège
Artist: Anonymous
Subjects: art collection, art gallery
Twee sculpturen van naakte vrouwen
Object type: sketchbook leaf
Date: 1863 – 1863
Materials: paper, pencil, watercolor
Techniques: brush
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: sculpture
Inscriptions: date and inscription: ‘naar Gelon(?) Art 63.’

Studies van een naakte vrouw zittend op een waterdier, mogelijk een vis, en van een zittende naakte vrouw met een doek om haar benen gedrapeerd. Blad 24 recto uit een schetsboek met 58 bladen.
Gevel in de tuin van het Prinsenhof in Delft
Object type: photograph
Date: 1900 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: delft
Artist: Anonymous
Subjects: prinsenhof
Inscriptions: inscription: ‘Delft. 1688.’, number: ‘60’, inscription: ‘Het recht van reproductie dezer photo's wordt door den Uitgever voorbehouden.’
Bead
Object type: bead
Date: 801 – 1200
Materials: gemstone
Techniques: cutting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Deventer Spoorbrug
Object type: album leaf
Date: 1940 – 1940
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: deventer
Artist: arnoldus vrauwdêunt
Artist role: graficus
Subjects: obstructions, barricades (defensive measures), railway, tramway; rack railway, bridge, netherlands, deventer
Inscriptions: inscription: ‘Deventer Spoorbrug’

Albumblad met een foto van de opgeblazen spoorbrug bij Deventer op 10 mei 1940, in een poging om de opmars van het Duitse leger te bemoeilijken. Onderdeel van het fotoalbum over de verwoestingen van Nederlandse steden en infrastructuur in het begin van de Tweede Wereldoorlog.
De strijd in de S.D.A.P.
Object type: cartoon
Date: 1909 – 1909
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: politician, (scenes from) specific works of literature (with author, title), political caricatures and satires

Pieter Jelles Troelstra, Willem Vliegen en het blad De Tribune dansen als de heksen uit Macbeth om de heksenketel, het congres van de SDAP.
Piece
Object type: piece
Date: 1701 – 1900
Materials: metal thread, silk
Carrie Perkins, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from "World's Beauties," Series 2 (N27), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
High Ranking Courtesan
Object type: painting
Date: 1830 – 1843
Materials: gold, ink, silk
Location: japan
Artist: mihata joryu
Artist nationality: japanese
Artist dates: 1830 – 1844
Pin
Object type: pin
Date: 1401 – 1600
Materials: silver
Techniques: hammering
Culture: inca
Location: peru
Coin Portraying Emperor Valentinian II
Object type: coin
Date: 375 – 392
Materials: bronze
Culture: roman
Location: roman empire
Inscriptions: Obverse: DN VALENTINIANVS PF AVG
Reverse: [CONCOR]DIA AVGGG