deem-data/ArtiFact huggingface dataset:
Two Women Chasing a Man
Object type: drawing and watercolor
Date: 1601 – 1700
Materials: chalk, paper
Location: italy
Artist: lodovico carracci
Artist nationality: italian
Artist dates: 1555 – 1619
Ex libris van onbekend
Object type: bookplate
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: standing figure, armorial bearing, heraldry
Willem Witsen
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam, painter, draughtsman, willem witsen
A Short History of General Jubal Anderson Early, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: swords,men,portraits,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Portret van Herman Marius Boelen
Object type: carte de visite
Date: 1890 – 1892
Materials: paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: anonymous historical person portrayed
Inscriptions: name: ‘A. Greiner photograaf van H.H. M.M. den Koning en de koningin der Nederlanden. Nieuwendyk L89 Amsterdam’

De ogen van het jongetje zijn ingekleurd met zwarte pen
Portret van Anna Stuart, koningin van Engeland en Schotland
Object type: print
Date: 1733 – 1755
Materials: paper
Techniques: mezzotint
Subjects: london, anna stuart (koningin van engeland en schotland), historical persons - bb - woman, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Groep in renaissance kledij rond een tafel bestuderen brieven
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: drypoint, etching
Artist: léopold flameng
Artist role: print maker
Artist dates: 1831 – 1911
Subjects: reading to somebody
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
J'en voilons point d'vot' billet, from "La Comète de 1857"
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,profiles
The Boxes
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,theatre,interiors,spectators,dogs

A view of a narrow section of the auditorium of Covent Garden theater, with "pigeon-holes" along the upper margin, and the heads and shoulders of people in the pit below.
Hulde aan H.H.M.M. den Koning en Koningin op H.D. Zilver Feest
Object type: print
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: willem iii (koning der nederlanden), sophia frederika mathilda van württemberg, silver anniversary
Inscriptions: collector's mark: Lugt 2228

Gedenkblad ter gelegenheid van het zilveren huwelijk van koning Willem I en koningin Sophie van Württemberg, op 18 juni 1864. Centraal de portretten van het paar. Hieromheen voorstellingen van het huwelijk van de prins in 1839, de inhuldiging van de koning in 1849, de watersnood van 1861, het leggen van de eerste steen voor het Nationaal Monument in 1863 en de vestiging van het paar in Den Haag.
Fotoreproductie van een tekening, voorstellende een portret van Lady Paget
Object type: reproduction
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: portrait of a writer
Inscriptions: inscription
IJspegels in de Cave of the Winds, Niagarawatervallen
Object type: stereograph
Date: 1867 – 1891
Materials: cardboard, paper
Techniques: albumen print
Location: niagara falls
Artist: charles bierstadt
Artist role: publisher
Artist dates: 1819 – 1903
Subjects: stalactitic cave, icicle
Inscriptions: inscription: ‘Niagara Falls N.Y.’, initials: ‘C.B.’, number: ‘383’
Voyage en Bretagne
Object type: photograph
Date: 1865 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: guimiliau, calvaire, bretagne
Inscriptions: annotation: ‘Finistère’, title: ‘VOYAGE EN BRETAGNE’, annotation: ‘Calvaire de Gumiliau / 8 juillet’
Sic transit...
Object type: print
Date: 1880 – 1932
Materials: paper
Techniques: woodcut
Artist: henri van der stok
Artist role: print maker
Artist dates: 1870 – 1946
Subjects: flowers: sunflower, flowers in a vase
Hanshan and Shide
Object type: hanging scroll
Materials: ink, paper
Culture: japanese
Artist: yosa buson
Artist role: artist
Artist nationality: japanese
Artist dates: 1716 – 1783

This diptych by the poet-painter Yosa Buson portrays a pair of quasi-historical Chan eccentrics of the eighth century. On the right, the carefree Hanshan (Japanese: Kanzan) carries a scroll for writing poetry. Shide (Japanese: Jittoku), seen from behind, is partly obscured by a large bamboo hat; the broom he holds recalls his role as a temple janitor. Hanshan and Shide represent the iconoclastic quest of Zen Buddhism and were a popular theme in painting and poetry. Buson employed brusque brushwork complemented by pale color washes. The flowing robes are outlined with a large brush, demonstrating calligraphic bravura. For the hair, Buson’s use of a dry and forked brush over wet ink washes creates a tousled, rough quality that captures the hermits’ untamed nature.
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Translucent amber brown; opaque white trails. Everted rim, folded over and in; cylindrical neck, expanding downwards; squat conical body curving in sharply to almost flat bottom. Trails extend in a hanging loop from rim down neck and across upper body on one side. Complete, but cracks in body; few bubbles; pitting and brilliant iridescent weathering.
Children's Game
Object type: print
Date: 1601 – 1800
Techniques: etching
Artist: pierre parrocel
Artist role: artist
Artist nationality: french
Artist dates: 1664 – 1739
Subjects: children,playing
Rabāb
Object type: rabāb
Date: 1801 – 1900
Materials: bone, brass, leather, mother of pearl, wood
Culture: algerian
Location: algeria

This type of rabāb is one of the most important instruments in traditional Arabic ensembles of Tunisia, Algeria, and Morocco. It made its way into Spain with the Moors and from about 1300 lent its name to the early European fiddle, the rebec, which was originally played with the rounded end on the lap just as the rabāb is played today. Short-necked, bowed lutes from Algeria are made with decorative pierced brass fingerboards while those from Morocco use wood to cover the hollowed neck. The dolphin represented on the back of the instrument is a symbol of good luck for these Demitarian cultures.
The Brazen Serpent of Moses
Object type: print
Date: 1727 – 1727
Materials: paper
Techniques: etching
Location: france
Artist: pierre hubert subleyras
Artist nationality: french
Artist dates: 1699 – 1749
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Interior, one letter of an inscription, S
Gezicht op de afbraak van huizen aan de Nieuwezijds Voorburgwal
Object type: drawing
Date: 1866 – 1928
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: city-view in general; 'veduta', demolition of building, the usual house or row of houses
Inscriptions: collector's mark: ‘14’ Lugt 1641b, inscription: ‘boven links’, inscription: ‘Port. 14 - 348a’

Onderwerpsrubriek binnen de Atlas Amsterdam: Verhulststraat (Johannes), Viaducten, Vierwindenstraat, Vinkenbuurt, Vinkenpad, Vinkenstraat, Vischsteeg, Vliegendesteeg, Voetboogstraat, Volewijk, Vondelstraat, Voorburgwal (N.Z.).
Salver (one of a pair)
Object type: salver
Date: 1764 – 1765
Materials: silver
Artist: thomas hannam
Artist role: maker
Artist dates: 1700 – 1800
Wernigerode
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: photograph
Artist: Anonymous
Subjects: germany
Portret van een onbekende vrouw
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, anonymous historical person portrayed - bb - woman

Blad 6 recto uit schetsboek XXIII met 20 bladen.
Verzameling hoofden
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: venice
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Subjects: head-gear: turban
Inscriptions: collector's mark: Lugt 2228

Prent uit serie Verzameling hoofden (Raccolta di teste). Giovanni Domenico Tiepolo vervaardigde in de winter van 1757-1758 en in de periode van 1771-1774 deze hoofden naar schilderijen en tekeningen van Giovanni Battista Tiepolo. De eerste uitgave verscheen in 1774 in twee delen met elk dertig prenten. Deze prent werd opgenomen in deel 1. Prent mogelijk naar kopie van schilderij van Rembrandt welke in Venetië beschikbaar was aldus Knox 1976, p. 120, nr. 167.
"Bahram Gur in the Red Pavilion", Folio from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja
Object type: folio from an illustrated manuscript
Date: 1520 – 1520
Materials: gold, ink, paper, silver, watercolor
Location: turkey
Artist: nizami
Artist role: author
Artist dates: 1141 – 1209
Portret van Francois Fénelon
Object type: album leaf
Date: 1767 – 1767
Materials: paper
Techniques: aquatint, etching
Location: france
Artist: jean-baptiste de grateloup
Artist role: painter, print maker, sculptor
Artist dates: 1735 – 1817
Subjects: françois fénelon, scholar, philosopher, historical persons

Jean-Baptiste de Grateloup gebruikte een geheim proces bij het maken van zijn prenten, lijkend op aquatint. Zijn neef Jean-Pierre Sylvestre de Grateloup heeft ook op deze manier gewerkt.
Paviljoen van Karel V in het Koninklijk Paleis te Sevilla
Object type: drawing
Date: 1871 – 1903
Materials: chalk, paper, pencil
Location: sevilla
Artist: gerard muller
Artist role: draughtsman
Artist dates: 1861 – 1929
Subjects: palace
Inscriptions: label: ‘26. Alcázar Sevilla./ Pavilloen Karel V.’, collector's mark: Lugt 2228
Fotoreproductie van een geschilderd portret van Egbert van Drielst
Object type: reproduction
Date: 1900 – 1915
Materials: paper
Techniques: collodion silver print
Subjects: draughtsman, egbert van drielst, portrait, self-portrait of artist, picture, painting
Inscriptions: inscription: ‘No 305, cat 1920/ portret van Egbert van/ Drielst/ door?/ Ekels./ Semplonius foto’
Mlle. Rositi, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: fans,portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
The Cottages at the Bank
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: houses,trees
Ewer and basin
Object type: dish
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Manufactuur Oud-Loosdrecht
Loosdrecht, c. 1778–1782
hard-paste porcelain
Portret van de schilder Raphael
Object type: print
Date: 1613 – 1658
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rome, painter, rafaël, portrait, self-portrait of painter
Inscriptions: name: ‘Rafael d'Urben’, collector's mark: Lugt 240
Gezicht op een kerk, een stadspaleis en een stroomversnelling, vermoedelijk in een stad aan de Loire
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
[Samuel Philips Jackson]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Palestine - 283.- Tyr.
Object type: photograph
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: city-view in general; 'veduta'
Schilderingen in de Loggia van Rafaël
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: vatican city
Artist: orazio borgianni
Artist role: print maker
Artist dates: 1578 – 1616
Subjects: after the wedding-night jacob discovers that he has been deceived with leah and complains to laban
Inscriptions: collector's mark: Lugt 2165

Jakob staat voor Laban en beklaagt zich, in het bijzijn van Lea en Rachel, over de list van Laban. Laban bedroog Jakob door hem in plaats van met Rachel met Lea te laten trouwen.
Vuurwerk te Den Haag bij de kroning van Frans I Stefan tot keizer, 1746
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: frans i stefan (duits keizer), coronation of a ruler, bonfire, fire-works (+ illumination, fire-works ~ festive activities)
Inscriptions: collector's mark: Lugt 195

Vuurwerk afgestoken op 19 januari 1746 in de Hofvijver te Den Haag ter gelegenheid van de kroning van Frans I Stefan tot keizer op 4-6 oktober 1745. Het vuurwerk is afgestoken in opdracht van de baron van Reischach, minister in de Republiek namens de Duitse keizerskroon. Links op de achtergrond het Mauritshuis. De titel gedrukt op het blad onder de plaat.
Trampaard
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse
Inscriptions: signature: ‘G.H Breitner’, annotation: ‘stal 24/ 190+/ Trampaard’

Pagina 21 en pagina 22 uit een schetsboek met 16 bladen.
Fotoreproductie van handgeschreven document
Object type: photograph
Date: 1880 – 1920
Materials: paper
Techniques: collodion silver print
Artist: Anonymous
Subjects: handwriting, written text
Inscriptions: number: ‘26’
Adoration of the Magi
Object type: panel
Date: 1507 – 1507
Materials: glass, metal, paint, pigment
Culture: german
Location: germany
Artist: circle of peter hemmel von andlau (strassburger werkstattgemeinschaft)
Artist role: artist
Artist dates: 1470 – 1500
Subjects: virgin mary,jesus,adoration of the magi

The Virgin Mary, seated at the left on a stoop before a thatch and masonry structure, holds the infant Jesus on her knees with her left hand while raising the other in greeting. The bald wise man, known as Melchior, kneels before the seated group, holding out a box into which the child reaches. Standing behind, each holding his gift, are the other two Magi, identified by the late Middle Ages as Balthazar and Caspar. On the other side of the enclosing wall, a landscape featuring a church, a lake, and mountains recedes into the distance. The palette is especially rich, and the simulation of luxurious textiles and fur is remarkably convincing. The Virgin’s halo is inscribed with the greeting of the angel Gabriel at the announcement of the impending birth of Jesus: ave maria gratia plena dominus tecum (Hail Mary, full of grace, the Lord is with you). At the lower edge, the plinth riser bears the name Hans Schwinli vō Münchē 1507, presumably the name of the Munich citizen who commissioned the panel.
A Mill with a Fortified Bridge, a Rowing Boat in the Foreground
Object type: drawing
Date: 1596 – 1639
Materials: ink
Techniques: pen
Location: netherlands
Artist: roelandt savery
Artist role: artist
Artist nationality: flemish
Artist dates: 1576 – 1639
Portret van Johanna Geertruida Jonker
Object type: carte de visite
Date: 1895 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: haarlem
Subjects: historical persons, haarlem
Inscriptions: annotation: ‘Hansje Jonker’, workshop stamp: ‘C.F. & L.J. Cordes/ Haarlem, Groote Houtstraat 84/ 's Bosch a/d. Parade’
Admiral de Tourville (1642–1701)
Object type: model
Date: 1816 – 1816
Materials: terracotta
Artist: joseph-charles marin
Artist role: artist
Artist nationality: french
Artist dates: 1759 – 1834
Subjects: men,admirals
Design Fragment for the Left Side of the 'Fonte Gaia' in Siena
Object type: drawing
Date: 1415 – 1416
Materials: ink, drawing material, paper, parchment
Techniques: brush, pen, wash
Artist: jacopo della quercia (jacopo di pietro d’angelo di guarnieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1374 – 1438
Subjects: infants,women,dogs,monkeys
Schutters op schietbaan het Vosje te Amsterdam
Object type: drawing
Date: 1896 – 1896
Materials: paper, pencil
Artist: jan hoynck van papendrecht
Artist role: draughtsman, painter
Artist dates: 1858 – 1933
Subjects: firearms (+ handling of weapons), handling of weapons ~ military training, (military) uniforms, amsterdam
Inscriptions: annotation: ‘schutters op de/ schietbaan het Vosje Amsterdam’
Design for a Cabinet
Object type: drawing
Date: 1830 – 1890
Materials: gouache, ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: boats,cabinets
Prentverkoper op een brug te Parijs
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: hand coloring, lithograph
Subjects: street-trader, paris
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 4780, collector's mark: Lugt 2228

Een man en een vrouw verkopen prenten op een brug. Drie mannen bekijken het aanbod.
Ontwerp voor een tapijt
Object type: drawing
Date: 1854 – 1864
Materials: gouache, paper
Techniques: brush
Location: amsterdam
Artist: Anonymous
Subjects: ornaments ~ art
Inscriptions: inscription: ‘voor de fond/ zi[...] al[...]e’, inscription: ‘gekozen XI 26 Jan[...] 1854/ [...]’, retailer's mark: ‘JHS.’, inscription: ‘X s.’

Een tapijt vervaardigd naar voorbeeld van deze modeltekening maar met afwijkende sierrand is gebruikt bij de inrichting van de eetkamer van Huis van Brienen aan de Herengracht in Amsterdam.

De presentatietekeningen BK-1971-77-1 t/m 86 zijn kopieën van de originele ontwerptekeningen. Ze werden gemaakt voor vertegenwoordigers van bijvoorbeeld magazijnen, die ze aan hun klanten konden tonen. De meeste tekeningen tonen een kwart van het dessin inclusief rand, middenpartij (de zogenaamde grond of fond) en centraal medaillon. Door het gebruik van spiegels kan de illusie van het gehele tapijt worden opgeroepen. Een deel van de tekeningen heeft een alfabetische opeenvolgende letter als kenmerk, de andere groep een cijfer.Waarschijnlijk is de reeks dessins met een letter eerder samengesteld dan de genummerde tekeningen.
Rhinolandiae, Amstelandiae, et circumjacent. aliquot territorioru …
Object type: map
Date: 1629 – 1629
Materials: paper
Techniques: engraving, etching, hand coloring, letterpress printing
Location: amsterdam
Subjects: maps of separate countries or regions, agricultural implements: rake, holland
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Mercator, Gerard en Jodocus Hondius. Atlas ou representation du monde universel, et des parties d’icelui (…). 2 delen. Amsterdam: Henricus Hondius, 1633, dl. 1. Of in: Mercator, Gerard en Jodocus Hondius. L'appendice de l'atlas de Gerard Mercator et Iudocus Hondius: contenant diverses nouvelles tables et descriptions (…). Amsterdam: Henricus Hondius, 1633.
Tureen with Cover
Object type: metalwork
Date: 1880 – 1880
Materials: wood, metal, silver
Location: birmingham
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904
Subjects: tureen

This tureen and the accompanying ladle, starkly modern and devoid of ornamentation, were produced in two sizes in both silver and electroplated silver; the set became one of Christopher Dresser’s most well-known designs. Dresser was heavily influenced by Japanese metalwork, which he began importing into London in 1879 following an extended visit to Japan. Both the look of the silver brackets that grip the tureen’s handles and the angled stem of the ladle are indebted to Japanese designs.
Brief aan Philip Zilcken
Object type: letter
Date: 1869 – 1869
Materials: ink
Techniques: pen, writing
Location: the hague
Artist: cornelia van der hart
Artist role: print maker
Artist dates: 1851 – 1940
Subjects: the hague, painter, draughtsman, philip zilcken, literature ~ arts
Inscriptions: collector's mark: ‘RPK’
De ruïne van de abdij van Rijnsburg
Object type: drawing
Date: 1742 – 1785
Materials: ink, paper
Techniques: brush, pen
Artist: gerrit toorenburgh
Artist role: draughtsman
Artist dates: 1732 – 1785
Subjects: ruin of church, monastery, etc.
Halberd
Object type: arm
Date: 1575 – 1575
Materials: iron, metal alloy, metal, steel, wood
Culture: german
Location: germany
Munchener platen
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: munich
Subjects: pig, farmers, slaughtered ox or pig
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van een boer die een varken vangt en doodt. Onder elke afbeelding een tweeregelig vers. Genummerd midden onder: Nro. 120. Genummerd rechtsboven: 120.
Sudden Shower at Shōno, from the series Fifty-three Stations of the Tōkaidō
Object type: print
Date: 1834 – 1835
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,trees,rain

One of the best-known scenes from this series, Sudden Shower at Shōno demonstrates Hiroshige's genius at capturing the sensation of a violent rainstorm. Palanquin bearers and villagers dash through the storm, and sheets of rain are represented with distinct slanted lines. Shōno had no view to match the scenery shown here, and it appears that the design was purely imaginary. The umbrella at the lower right bears two inscriptions: "Takenouchi" is the family name of the publisher of this Tōkaidō series, and "Gojūsan-tsugi" (meaning "fifty-three stations") is part of the title. Utagawa Hiroshige, one of Japan's foremost landscapists, designed two extremely popular series: Fifty-three Stations of the Tōkaidō and One Hundred Famous Views of Edo.
De Pompemaaker
Object type: book illustration
Date: 1718 – 1718
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: cornelis van der sys
Artist role: publisher
Subjects: handicrafts, craftsman at work, pump
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Prent oorspronkelijk verschenen in de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk). Huidige staat uit: Luyken, Jan en Caspar. Spiegel van het menselyk bedryf (...). Amsterdam: Cornelis van der Sys, 1718, p. 73. Prent waarschijnlijk ook gebruikt in eerdere (1704) en latere (1730, 1749, 1767) publicaties.
Chalcedony rectangular prism
Object type: seal
Date: 1750 – 1600
Materials: stone
Culture: minoan
Subjects: hieroglyphs
Ribbon-lacing tool
Object type: ribbon lacing tool
Date: 1874 – 1875
Materials: silver