deem-data/ArtiFact huggingface dataset:
Groepsportret van drie vrouwen in Oostenrijkse of Zwitserse klederdracht
Object type: cabinet photograph
Date: 1872 – 1877
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: thun
Subjects: adult woman, folk costume, regional costume
Inscriptions: name: ‘Atelier Moeglé Thoune’, number: ‘36483’
Julius Caesar
Object type: album leaf
Date: 1582 – 1635
Materials: paper
Techniques: engraving
Location: low countries
Subjects: julius caesar (one of the nine worthies), frequently used ornamental compositions

Julius Caesar, een beroemde veldheer uit de Oudheid, te paard in een landschap. Hij maakt deel uit van De Negen Besten. Onder de voorstelling een vers in het Latijn. De voorstelling is gevat in een omlijsting met krulornamenten en verschillende dieren zoals een kat die naar een muis loert, apen en konijnen waarop twee jongens jagen. Deze prent maakt deel uit van een album.
Anton en Piet achter Tourtonne
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘A12. / Anton en Piet achter Tourtonne.’

Twee jongens genaamd Anton en Piet staande voor bomen achter de plantage Tourtonne. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Men of mark
Object type: book
Date: 1877 – 1877
Materials: cardboard, linen, paper
Techniques: printing, woodburytype
Location: london
Artist: thompson cooper
Artist role: schrijver
Inscriptions: inscription: ‘Booksellers stationers Greene's Library 16 Clare Street Dublin’
Gouden fanam uit Tinnevelli in India onder de Nayakas,1520-1736
Object type: coin
Date: 1520 – 1736
Materials: gold
Techniques: striking

Gouden munt. Voorzijde: aanziende godheid [?]. Keerzijde: versiering, waaronder drie rijen van elk vier stippen.
Magazine of Female Fashions of London and Paris, April 1800, London Head Dresses
Object type: fashion print
Date: 1800 – 1800
Materials: paper, ink, watercolor
Techniques: engraving, etching, hand coloring
Location: london
Artist: richard phillips
Artist role: bookseller, publisher
Artist dates: 1767 – 1840
Subjects: head-gear: cap (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: caption: ‘London Head Dresses’, date: ‘April, 1800’, collector's mark: Lugt 2228

Negen verschillende hoeden en mutsen voor vrouwen.
Sancta Alexandra
Object type: print
Date: 1590 – 1612
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: anchorite, hermit, female saints
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sacra Eremus Ascetriarum, Hendrik Aertssen, Antwerpen 1619. Prent uit de serie van vijfentwintig kluizenaressen in deze uitgave. In 1612 verscheen de ongebonden editie maar op basis van de gewijzigde opschriften en samenstelling van de serie kluizenaars wordt aangenomen dat de prenten van de uitgave 1619 ook in 1612 of iets daarvoor gedrukt werden. De serie kluizenaressen bleef vrijwel ongewijzigd in de ongebonden uitgave van 1612, dit compliceert de datering van de losse bladen in de collectie van het RMA, zie Roethlisberger 1993, p. 171-175. Door de aanwezigheid van Franse tekst op het verso kunnen we vaststellen dat dit blad afkomstig is uit de Antwerpse uitgave van 1619.
Mirror
Object type: mirror
Date: 1685 – 1700
Materials: wood, glass
Techniques: veneering
Artist: johannes hannart (or jan hanat)
Artist role: artist
Artist dates: 1609 – 1709
Subjects: putti,swans,flowers,coat of arms

A tour de force of carver’s art, this frame, together with its pair (Rijksmuseum, Amsterdam), was most likely made to display a marriage portrait, the unidentified coat of arms in the cresting referring to the sitter. Veneered with ebony, embellished with finely carved pieces of applied boxwood and garlands of naturalistic flowers, the frame is signed by Hannart, who was active in The Hague and Leyden. This artist worked in wood as well as in stone, indicating that the traditional division between stone sculptors and wood carvers was no longer strictly adhered to at the end of the seventeenth century.
Alfen a.d. Rijn. - Gouwsluis
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1903
Materials: cardboard
Techniques: photograph
Location: alphen aan den rijn
Subjects: bridge in city across river, canal, etc., street
Waterspuwer van de Notre-Dame te Parijs in de vorm van een vogel
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching
Artist: marie danse
Artist role: print maker
Artist dates: 1867 – 1942
Subjects: ornament ~ hybrid animals, piece of sculpture, reproduction of a piece of sculpture, parts of church exterior and annexes
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1er Etat’
Sestertius (Coin) Portraying Philip the Arab
Object type: coin
Date: 246 – 246
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP M IVL PHILIPPUS AVG 
Reverse: P M TR P III COS PP

The front (obverse) of this coin portrays emperor Philip I, better known as Philip the Arab thanks to his birthplace of Aurantis, Arabia (modern day Syria), facing right and wearing a crown of laurels.

On the back (reverse) the personification of Gladness is depicted standing, facing left and holding a long caduceus and a horn.
Bouwvakkers bij een menigte
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: lithograph
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: crowd, mob, building-site, belgium
Inscriptions: collector's mark: Lugt 2166, watermark, collector's mark: Lugt 2166

Deze prent behoort tot de reeks 'Ideals' binnen de serie 'The Great War: Britain’s Efforts and Ideals'.
Minnie Clyde
Object type: print
Date: 1857 – 1857
Materials: paper
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Two Women
Object type: print
Date: 1902 – 1902
Materials: paper, zinc
Techniques: aquatint, drypoint
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Écuelle with cover
Object type: écuelle with cover
Date: 1714 – 1718
Materials: silver
Artist: esaias busch iii
Artist role: maker
Artist nationality: german
Artist dates: 1676 – 1759
Nouveau Livre d'Ornemens
Object type: ornament print
Date: 1690 – 1700
Materials: paper
Techniques: engraving
Location: amsterdam

Blad uit serie met kopieën naar Stefano della Bella, Gilles Légaré, Thomas Lejuge en anderen.
Design for an Octagonal Cabinet with Glass Doors and Shelves
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
Seated Giant
Object type: print
Techniques: aquatint, burnishing, roulette
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,male nudes

Executed entirely in aquatint, this is one of Goya’s most technically ambitious yet enigmatic prints. A giant dominating a desolate landscape is captured in a moment of transition. He turns his head toward us as if roused from deep thought, slumber, or despondency. Perhaps he had been awaiting the dawning of a new day and turns because that moment has come. Goya used aquatint to achieve subtle effects of light and dark—an apt technique for depicting a crepuscular atmosphere and conveying the sense of unease that pervades the composition. It is not known exactly when Goya made this print. It has been dated from around 1800 or ‘by 1818'. There is a close relationship between the print and the famous painting of the Colossus in the Museo del Prado, a painting thought to relate to the Peninsular War, symbolizing either a rampaging tyrant or a protector against enemy invaders. In the print, positioned above the desolation, the giant might embody sorrow in war’s aftermath, the bleak landscape symbolizing brutal conflict and the lower white strip suggesting obliteration. The painting has long been attributed to Goya, but in 2008 the Prado Museum designated it as a studio work and not by the master himself. There is no consensus, and disagreement continues, but there is growing support for it to be returned to Goya. The print is critical in the debate about the authorship of the painting. If the painting is a studio work then the artist borrowed the figure of Colossus from Goya’s print. Given his imagination and originality, it seems highly unlikely that Goya would borrow the figure from someone else’s painting to use as the basis for his print. (Mark McDonald)
Portret van Angéle Maréchal
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: nantes
Artist: louis martin
Artist role: fotograaf
Artist dates:  – 1925
Subjects: historical persons, girl (child between toddler and youth)
Inscriptions: inscription: ‘Les Clichés sont conservés’, address: ‘12 Rue Boileau/ NANTES’
Stockings
Object type: stocking
Date: 1890 – 1890
Culture: american
Grus carunculatus/ Bugeranus carunculatus (Wattled crane
Object type: album leaf
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: annotation: ‘La Grue; Craan Vogels; schaalverdeling met: Rijnlands Maat 4 Voet 2 duijm’

Vogelstudie: Lelparadijsvogel (Bugeranus carunculatus), met schaalverdeling in Rijnlandse maat.
Untitled (Boppard)
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: rhineland palatinate
Artist: Anonymous
Centerpiece
Object type: glass
Date: 1840 – 1850
Materials: glass, gemstone
Techniques: engraving
Location: bohemia
Geabstraheerde figuur met baard
Object type: print
Date: 1923 – 1923
Materials: paper
Techniques: lithograph
Artist: erich wichmann
Artist role: print maker
Artist dates: 1890 – 1929
Subjects: caricatures (human types)
Inscriptions: collector's mark: Lugt 2228

Onderaan de tekst: 'Wereldwijsheid: "Il connaissait quelques (...) Charles Louis Philipppe)'.
Pair of Earrings
Object type: costume and accessory
Date: 1000 – 1500
Materials: gold, metal
Techniques: casting
Location: sierra nevada de santa marta
Artist: Anonymous
Artist nationality: tairona
Subjects: jewelry, costume, geometric, patterns
Tibetan nuns of the Taktshang monastery, Bhutan
Object type: photograph
Date: 1904 – 1904
Materials: paper
Techniques: gelatin silver print
Location: bhutan
Artist: d.t. dalton
Artist role: sergeant
Subjects: temple servants ~ hinduism, buddhism, jainism - hh - priestess, head-gear, styles of hairdress - aa - ~ women, clothes covering the entire body, hay-stack, anonymous historical person portrayed - bb - woman, paro taktsang
Inscriptions: title: ‘Tibetan Women 1904’

De naam Taktshang betekent Tijgernest. Het klooster is daarom ook vaak bekend als Tiger's Nest.
La mi-carème
Object type: reproduction
Date: 1885 – 1901
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: square, place, circus, etc., public festivities
Adrienne de Cardoville komt in opstand tegen haar tante
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: adolescent, young woman, maiden, uncles, aunts (third degree family relationships), interior of the house, accusing, paris
Inscriptions: check stamp: Lugt 1397c, check stamp: Lugt 3903, collector's mark: Lugt 2228a
Portret van Pieter Wilhelm Adriaan Cort van der Linden
Object type: photomechanical print
Date: 1902 – 1913
Materials: paper
Techniques: photograph
Location: netherlands
Subjects: the hague, politician, historical persons, politician, e.g. party leader
Mr. John E. Thayer's Chiertain
Object type: photomechanical print
Date: 1883 – 1888
Materials: paper
Techniques: photograph
Location: new york city
Subjects: dog (with name of kind)

Prent tegenover pagina 85, achter semi-transparante omslag.
23rd New York Infantry
Object type: photograph
Date: 1861 – 1861
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: army,soldiers,firearms,american civil war
Virgin and Child with Two Saints (recto); Fragmentary Design of a Pietà (verso)
Object type: drawing
Date: 1515 – 1520
Materials: chalk
Artist: domenico puligo
Artist role: artist
Artist nationality: italian
Artist dates: 1492 – 1527
Subjects: madonna and child,saints

Dating from 1515-20, this rare, recently rediscovered work is one of the most accomplished surviving drawings by this artist. Less than 30 extant drawings by Puligo are known today, and this the only surviving study that can be securely connected to the design of one of Puligo's paintings. Born in Florence, Puligo formed part of the first generation of Florentine Mannerist painters, being closely influenced by Andrea del Sarto, his intimate friend and elder by six years, as well as by the young Jacopo Pontormo. As is seen here, Puligo used a stick of hard red chalk to draw with a dazzling confidence and boldness of mark. He quickly traced the contours of the figures, working them over with great movement and angular breaks. In the areas of intermediate shadows, he used patches of parallel-hatching and cross-hatching, almost using the red chalk as if it were a pen, explointing some of the lines of hatching for pattern. In the areas of deepest shadow, he more or less evenly blended the thickly built-up strokes, and in the small areas of most intense highlights (as in the faces of the figures), he erased the drawing down to the white of the paper to create effects of luster. (Carmen C. Bambach, 2006)
Riviergezicht bij nacht
Object type: print
Date: 1823 – 1900
Materials: paper
Techniques: etching
Subjects: full moon, sailing-ship, sailing-boat, windmill
Inscriptions: collector's mark: Lugt 2228

Riviergezicht bij nacht met op de voorgrond een boot die aan de kade ligt en op de achtergrond een aantal zeilschepen.
Tlemcen. Tombeau de Boumédine
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1905
Materials: cardboard
Techniques: photograph, writing
Location: tlemcen
Artist: Anonymous
Subjects: monumental door, porch, 'aediculum', adult man, grave, tomb
January – "Hard Frost" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
Object type: print
Materials: paper, steel
Techniques: printmaking, etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Deel van de gevel van het Musée du Louvre te Parijs, gezien vanaf het Place du Carrousel
Object type: photomechanical print
Date: 1900 – 1905
Materials: paper
Techniques: photoaquatint
Location: place du carrousel
Subjects: permanent exhibition, museum, façade (of house or building)
Inscriptions: number: ‘Tafel VII’
Sloop van linnen met tussenzetsel
Object type: sloop
Date: 1700 – 1800
Materials: linen
Techniques: cross stitching, embroidered
Location: netherlands

Sloop van linnen met tussenzetsel van wit opengewerkt borduurwerk uit de 2oste eeuw. Gemerkt in rode kruissteek: RV 4 (v.d.Ven).
Fotoreproductie van een fotocollage of een affiche van de Passiespelen in Oberammergau van 1871
Object type: reproduction
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: religious drama, poster

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Portret van Cato Merks in conducteursuniform bij een bord Rotterdam
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, portrait of cabaret-artiste, netherlands
Inscriptions: inscription: ‘Cato Merks’
Ôshima shôsa Seikan o yaburu no zu
Object type: triptych
Date: 1894 – 1894
Materials: paper
Techniques: woodcut, polish
Location: japan
Subjects: battle, firearms: cannon, firearms
Inscriptions: label

Japanse troepen gekleed in een zomer uniform openen het vuur op het Chinese leger in Songhwan. Dit incident vond plaats op 28 juli 1894, tijdens de Eerste Chinees-Japanse Oorlog (1894-1895).
De luitspeler en de harpspeelster
Object type: print
Date: 1475 – 1503
Materials: paper
Techniques: engraving
Location: bocholt
Artist: israhel van meckenem
Artist role: print maker
Artist dates: 1440 – 1517
Subjects: head-gear (with name), head-gear: cap (+ men's clothes), harp, shoes, sandals, lute, and special forms of lute, e.g.: theorbo, couple of lovers
Inscriptions: collector's mark: Lugt 240

Kleding man: muts met opgeslagen rand aan de voorkant; kort wambuis met wijde mouwen; beenlingen; tootschoenen. Kleding vrouw: hennin met sluier (ouderwets voor de tijd; vooral gedragen aan Bourgondische hof); overkleed met decolleté met V-vormige halskraag. Datering kleding: ca. 1475-1485.
Boomrand
Object type: drawing
Date: 1939 – 2009
Materials: charcoal, paper
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: groups of trees
Inscriptions: signature: ‘KEES STOOP’
Hansje in den Kelder
Object type: print
Date: 1774 – 1776
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: drinking-vessel in unusual shape
Inscriptions: collector's mark: Lugt 2228

Hansje-in-de-kelder uit de eerste helft 17de eeuw. Drinkschaal van zilver versierd met vruchttrossen en met in het midden een halve bol met opklapbare deksel waaronder een verguld kinderfiguur is verborgen. Op het blad onder de plaat een achtregelig vers op de heer Cornelis Boon te Warmond in wiens familie deze drinkschaal in 1770 al 200 jaar berustte en die nog ruim na zijn zeventigste vader is geworden. Rechtsboven in de plaat gemerkt: Pl. VII.
Portret van een onbekende man
Object type: photograph
Date: 1867 – 1880
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: amsterdam
Artist: willem gerhardus kuijer
Artist role: fotograaf, hoffotograaf
Artist dates: 1834 – 1899
Subjects: adult man, anonymous historical person portrayed, amsterdam
Inscriptions: inscription: ‘W.G. Kuijer/ Photograaph/ Amsterdam/ Rozengracht 72.’
Schaal, rond, met groene rand en gouden Griekse band
Object type: dish
Date: 1865 – 1865
Materials: earthenware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘P. REGOUT // 14 // MAASTRICHT’

Schaal van aardewerk, rond, geschulpt, met groene rand en gouden Griekse band.
Omslag voor: Landschapsstudies
Object type: wrapper
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: london
Subjects: calligraphy
Inscriptions: collector's mark: Lugt 2228a
Trade Card for Rothwell & Hicks, engravers
Object type: print, trade card
Date: 1701 – 1800
Techniques: engraving
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today. Firm of Thomas Rothwell (1740-1870) & Hicks recorded in the 1774 Local Trade Directory as working at Church Street, Birmingham.
Portret van Joachimus Schwartz
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: leiden
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Springer, Leendert. Galerij van hoogleeraren aan de Hoogeschool te Leijden, naar de oorspronkelijke afbeeldsels op de Senaat-zaal aldaar berustende. Leiden: Springer, Leendert., s.a. [circa 1850].
Wijnkoopsbaai in Nederlands-Indië
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: indonesia
Inscriptions: annotation: ‘57b Wijnkoopsbaai’
Gezichten in Milaan
Object type: print
Date: 1838 – 1841
Materials: paper
Techniques: lithograph
Location: paris
Subjects: colonnade
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 1397c

Prent maakt deel uit van een omslag met zes prenten.
Man bij een molen op een heuvel
Object type: sketchbook leaf
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: low hill country, windmill

Blad 9 recto uit een schetsboek met 77 bladen.
Portret van Maria Theresia
Object type: print
Date: 1741 – 1757
Materials: paper, watercolor
Techniques: engraving, etching, hand coloring
Location: augsburg
Subjects: vienna, maria theresia (rooms-duits keizerin), crown (symbol of sovereignty), canopy, baldachin, historical persons - bb - woman, ruler, sovereign - bb - female ruler, throne
Inscriptions: collector's mark: Lugt 2228

Met onderschrift in het Latijn en het Duits.
Annotatie
Object type: endleaf
Date: 1886 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘[...]’

Pagina 1, voorste schutblad, uit een schetsboek met 18 bladen.
Houten boot
Object type: sketchbook leaf
Date: 1839 – 1872
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: traffic on the water

Blad 16 recto uit een schetsboek met 73 bladen.
Eleven boys and three goats
Object type: print
Date: 1646 – 1654
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: boys,drums,goats

Eleven boys and three goats parading with a chariot
Fonteinen van Rome
Object type: print
Date: 1653 – 1691
Materials: paper
Techniques: etching, intaglio
Location: italy
Subjects: ornamental fountain, rome

Genummerd rechtsonder: 21. De prent maakt deel uit van een album.
Card Number 76, Lillian Russell, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Stephen Fox op 75-jarige leeftijd
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 240