deem-data/ArtiFact huggingface dataset:
Briefkaart aan Andries Bonger
Object type: postcard
Date: 1897 – 1897
Materials: cardboard, ink
Techniques: pen, writing
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: amsterdam, andries bonger, publisher, gustave pellet, art trade, art shop, drawing, paris
Kettingkogels uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: chain shot
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Shot, springshot; fragment single balls with wire fragment, id. NG 1980-27H3168.
Twee meisjes met een boek op een bank
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: reading to somebody, child (at home) - aa - girl
Inscriptions: inscription: ‘W: K: W: N:’
Gezicht vanuit de abdij van Quincy met schaapsherder met kudde
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta'

Deze prent maakt deel uit van een album.
Fragment pijp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 82; fragment, no hsm.
Graven en gravinnen van Holland
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Location: haarlem
Artist: adriaen matham
Artist role: draughtsman, print maker
Artist dates: 1599 – 1660
Subjects: earl, willem v van holland (graaf van holland en zeeland), nobility and patriciate; chivalry, knighthood, county of holland
Inscriptions: collector's mark: Lugt 2228, name: ‘willem de 5de/ 21ste graaf’, number: ‘1352’

Portret van Willem V van Holland, graaf van Holland en Zeeland, staande in een harnas met op zijn schouder een wapenschild en in zijn hand een zwaard. Prent uit een serie van 36 prenten met portretten ten voeten uit van graven en gravinnen van Holland.
Portret van Prosper Mérimée
Object type: print
Date: 1820 – 1950
Materials: paper
Techniques: tone lithography
Artist: Anonymous
Subjects: paris, historical persons
Begane grond van het Pavillon Richelieu in het Palais du Louvre
Object type: album leaf
Date: 1857 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: gate, entrance, permanent exhibition, museum, façade (of house or building), paris, tuileries palace

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Twee foto's van Chester en Dartmouth
Object type: album leaf
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Location: england
Artist: Anonymous
Subjects: house combined with shop, bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Chester./ Old Mill over the Dee./ Old House./ Dartmouth.’

Deze foto's maken deel uit van een album.
Maurice, Prince of Orange (1567-1625)
Object type: sculpture
Date: 1692 – 1697
Materials: terracotta
Techniques: modeling
Subjects: maurice (prince of orange)
Ruins near the Ruanwelisaya stupa at Anuradhapura, Sri Lanka
Object type: page
Date: 1896 – 1896
Materials: paper
Techniques: woodburygravure
Location: anuradhapura
Subjects: column, pillar ~ architecture, places and objects of worship ~ hinduism, buddhism, jainism, landscape with ruins
Inscriptions: title: ‘RUINS NEAR THE RUANWELI DAGABA.’
Valentine
Object type: valentine
Date: 1880 – 1880
Materials: gold, lace, paper, watercolor
Techniques: chromolithography, lithograph
Artist: Anonymous
Artist role: artist
Subjects: soldiers,men
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1904 – 1904
Materials: cardboard, ink
Techniques: pen, writing
Location: blaricum
Artist: evert pieters
Artist role: draughtsman, painter
Artist dates: 1856 – 1932
Subjects: the hague, painter, draughtsman, philip zilcken, drawing, photography, cinematography
Inscriptions: collector's mark: ‘RPK’
Très Parisien. La Mode, Le Chic, L’Elégance
Object type: fashion print
Date: 1931 – 1931
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: clothing for the upper part of the body: blouse (+ women's clothes), ensembles of pieces of clothing (suit) (+ women's clothes), head-gear: beret (+ women's clothes), bag (handbag) (+ women's clothes), coat (+ women's clothes), clothes, costume (+ women's clothes), skirt (+ women's clothes), neck-gear: collar (+ fur used for clothes)
Inscriptions: title: ‘"Très Parisien" / No 6. - 1931’, caption: ‘2. - Charmant tailleur de sport ou de voyage en fin lainage beige dont la jaquette est curieusement incrustée de fourrure plate. Blouse en sinellic blanc. - Tailleur en crépella beige et marron dont le col de fourrure est prolongé par un patte sortant d'une boutonnière. Jupe élargie de lés en forme. Blouse en jersey rouge.’

Très Parisien promoted itself as chic and elegant. Between 1920 and 1936 it presented creations by such couturiers as Chéruit, Premet, Philip et Gaston, and Lanvin. The young, svelte models are all ultra-modern, shown talking on the phone, smoking and playing tennis. The illustrations also show that over the course of the 1920s, skirt lengths had risen to just below the knee, before dropping back down to calf length in the 1930s. The small plates were printed on transparent paper using a stencilling technique known as en pochoir and then hand coloured; many of them are unsigned. The signature ‘Joujou’ belonged to Germaine Paule Joumard, who was the director of Très Parisien, as well as one of the magazine’s illustrators.
Silhouetportret van Hans Christoph von Woldeck
Object type: print
Date: 1764 – 1804
Materials: paper
Techniques: etching
Artist: peter haas
Artist role: print maker
Artist dates: 1754 – 1804
Subjects: commander-in-chief, general, marshal, historical persons
Gezicht op de Haarlemse Sluis en de Ronde Lutherse Kerk aan het Singel
Object type: drawing
Date: 1838 – 1838
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: augustus wijnantz
Artist role: draughtsman
Artist dates: 1795 – 1848
Subjects: city-view in general; 'veduta', parts of church exterior and annexes: dome, canal, street
Inscriptions: inscription: ‘Port. 13-317’, signature and date: ‘A. Wijnantz. 1838.’, collector's mark: ‘13’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Oude Schans, Schoutensteeg, Singel (Korte), Singel.
Gezicht op Huis ten Bosch
Object type: print
Date: 1911 – 1951
Materials: paper
Techniques: etching
Artist: arend hendriks
Artist role: print maker
Artist dates: 1901 – 1951
Subjects: palace
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van het schilderij Un mariage de convenance naar Auguste Loustaunau
Object type: reproduction
Date: 1881 – 1900
Materials: cardboard, paper
Techniques: albumen print
Subjects: butler, marriage, married couple, 'matrimonium', dining-room
Inscriptions: inscription: ‘A. Loustaunau/ Un Mariage de Convenance’
The Late Horace Vernet, from "Illustrated London News"
Object type: print
Techniques: engraving
Artist: félix nadar
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1910
Subjects: men,portraits,artists

Based on a photograph this wood engraved portrait of Horace Vernet appeared in the "Illustrated London News" to illustrate a long obituary—the periodical regularly reported news of important artists. Related text on page 126 describes Vernet's eminent career, stressing how highly he had been regarded by artistic contemporaries, and also the Emperor Napoléon III, who had made him a Grand Officer of the Legion of Honor. Vernet's genuine humanity is stressed: "while as an artist his works entitle him to a large space in the history of modern French painting, as a citizen his kind, generous, and obliging nature had endeared Horace Vernet to all who had ever come in contact with him. His abilities were not more highly appreciated by the august occupant of the Palace of the Tuileries than by the extreme-ultra of the Paris ateliers."
Dish with flowers and fruits
Object type: dish
Date: 1730 – 1750
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers
Allegory of the Fine Arts
Object type: frieze ornament
Date: 1785 – 1790
Materials: gilt bronze

An allegory of the arts of drawing and painting, this shaped plaquette may have come from a piece of furniture by the cabinetmaker Jean-Henri Riesener (1734-1806) who worked frequently for Queen Marie Antoinette and for other members of the French court.
Portret van Johann Anton Janson von Waasberghe
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘f 1.12’
Buginesische Hirschjäger (Celebes)
Object type: cabinet photograph
Date: 1870 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: sulawesi
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, hunter
Inscriptions: inscription: ‘Buginesischer Hinschjäger/ (Celebes)’
Portret van Giovanni Gioviano Pontano
Object type: print
Date: 1700 – 1742
Materials: paper
Techniques: engraving, etching
Subjects: naples, historical persons, portrait of a writer

Met zesregelig onderschrift in het Nederlands.
Frontispiece for New Testament in Greek
Object type: print
Date: 1642 – 1642
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: obelisks,angels,writing
Setsugekka
Object type: print
Date: 1808 – 1857
Materials: paper
Techniques: woodcut, nishiki e
Location: tokyo
Artist: utagawa hiroshige (i)
Artist role: draughtsman, print maker
Artist dates: 1797 – 1858
Subjects: mountain-range, snow peaks
Inscriptions: date

Gezicht op een besneeuwd berglandschap. Op de bruggen over de rivier en op de bergpaden zijn reizigers over de Kiso route, destijds één van de belangrijkste wegen door Japan, afgebeeld.
La Cour des Fontaines de Fontne.-Bleau; à main gauche de l'Etang
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: palace

Gezicht op de Cour de la Fontaine in het paleis van Fontainebleau. Plaat nr. 64 in deel III van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit eerste deel met 238 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel in het Frans.
GLAMMIS CASTLE.
Object type: page
Date: 1880 – 1890
Materials: photographic support
Techniques: platinum process
Location: glamis
Subjects: castle
Suecia Antiqua et Hodierna
Object type: album leaf
Date: 1692 – 1692
Materials: paper
Techniques: etching
Location: stockholm
Subjects: housing
Inscriptions: date

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Fragment of a Sleeve Band
Object type: fragment of a sleeve band
Date: 401 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Kolendragers
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: harbour, coal-shovel
Inscriptions: collector's mark: Lugt 2228
Portret van Israel Jacobssohn
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Subjects: philantropist, historical persons
Inscriptions: collector's mark: Lugt 2228
Spandrel with a Hunting Scene
Object type: architectural fragment
Materials: ceramic
Techniques: overglaze, polychrome
Culture: islamic
Location: iran
Gezicht in Sèvres
Object type: print
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘SEVRES DAGUERRÉOTYPÉ No. 51.’

Prent op tweehonderdenderde ongenummerde pagina.
Brug over de Herengracht te Amsterdam, ter hoogte van de Gasthuismolensteeg
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: urban housing, bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage)

Gezien vanuit Herengracht 232. Blad 3 recto uit schetsboek LXX met 17 bladen.
Fotoreproductie van spotprent: Die Abstammung des Menschen, Darwin gelijkend op een aap op zijn boeken zittend
Object type: cabinet photograph
Date: 1872 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: charles darwin, monkeys, apes, caricatures (human types)
Inscriptions: name: ‘Charles Darwin’, number: ‘10’
Dutch Ship
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshitomi
Artist role: artist
Artist dates: 1836 – 1870
Subjects: ships
Monnik met kruis en boek (Willibrord?)
Object type: sculpture
Date: 1800 – 1950
Materials: terracotta
Techniques: modeling
Artist: eugène lacomblé
Artist role: draughtsman, painter, sculptor
Artist dates: 1828 – 1905
Farmers threshing rice
Object type: page
Date: 1888 – 1898
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: farmers, cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet), threshing
Köbenhavn. Raadhuset
Object type: photograph
Date: 1906 – 1920
Materials: photographic support
Techniques: photography
Location: copenhagen
Subjects: townhall, square, place, circus, etc. (+ city(-scape) with figures, staffage), copenhagen (city)
Inscriptions: mark
Portret van paus Benedictus XIV
Object type: print
Date: 1740 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: rome, clergyman, benedictus xiv, historical persons, pope
Inscriptions: collector's mark: Lugt 2228
Portret van een vrouw
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘DECHAMPS & Cie/ PHOTOGRAPHES BREVETÉS,/ 14, Place Ste Gudule, 14,/ BRUXELLES.’
Captain Richard Francis Burton
Object type: page
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait), explorer
Portret van keizer Matthias
Object type: print
Date: 1591 – 1662
Materials: paper
Techniques: engraving, etching
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), historical persons, ruler, sovereign, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
Landschap met boerderij tussen de bomen
Object type: print
Date: 1818 – 1886
Materials: paper
Techniques: etching, roulette
Location: netherlands
Artist: christiaan immerzeel
Artist role: print maker
Artist dates: 1808 – 1886
Subjects: landscapes (+ landscape with figures, staffage), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Landschap met drie figuren en een hond bij een waterplas. Daarachter ligt een boerderij tussen de bomen. Links een weg met figuren en een kar.
Gezicht op het Panthéon in Parijs
Object type: stereograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: dome ~ architecture
Inscriptions: number: ‘14.’, monogram: ‘N.P.C.’, inscription: ‘Panthéon Paris’
Fries met arabesken en zeewezen
Object type: ornament print
Date: 1682 – 1723
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: ornament ~ arabesque, monsters of the sea
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent maakt deel uit van een serie van zes prenten.
Grafmonument voor Lucas Reeder
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: leiden, shore-birds and wading-birds: stork, fidelity; 'fedeltà' (ripa), water-birds: swan, pain, sorrow, sadness; 'dolore', 'dolore di zeusi' (ripa), grave-building, monumental tomb, invidia (envy) as roman personification
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Allegorisch grafmonument voor de predikant Lucas Reeder. Voor het gedenkteken, dat gedecoreerd is met een zwaan en een schedel, staan personificaties van Verdriet, Geloof en Trouw. Rechts staat een ooievaar en ligt een omgevallen wierookvat. Links wordt de personificatie van Nijd neergestoken.
Vial of violet pigment
Object type: item used in making cloisonné enamel
Date: 1867 – 1933
Culture: japanese
Reiziger wordt ontvangen bij stadspoort
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: personifications of countries, nations, states, districts, etc., frontispiece, being welcomed ~ travelling, fame; 'fama', 'fama buona', 'fama chiara' (ripa), city-gate, rome
Inscriptions: collector's mark: Lugt 2228

Een reiziger te paard wordt door drie vrouwen ontvangen bij een stadspoort. Aan weerszijden de vrouwelijke personificaties van Spanje en Frankrijk, die de kaarten van hun land vasthouden. Boven de reiziger Faam met de kaart van Azië. Op de achtergrond een gezicht op Rome.
Standing cup
Object type: standing cup
Date: 1801 – 1900
Materials: metal, silver
Artist: elkington & co.
Artist role: manufacturer
Artist nationality: british
Artist dates: 1829 – 1963

This electrotype is after a seventeenth-century original, at time of reproduction in the Treasury of the Patriarch, Moscow.
Heart scarab
Object type: heart scarab
Date: 1550 – 1186
Materials: stone
Location: egypt
Subjects: hieroglyphs,scarabs
Overlijden van Josephus Albertus Alberdingk Thym 1889
Object type: history medal
Date: 1889 – 1889
Materials: bronze
Techniques: striking
Location: amsterdam
Inscriptions: factory mark: ‘mercuriusstaf’

Bronzen penning, op de voorzijde het borstbeeld van Alberdingk Thym naar links met omschrift, op de keerzijde zeven regels tekst tussen samengestrikte lauwertakken.
Portretten van Daniël Dupré en Christiaan Welmeer
Object type: print
Date: 1804 – 1813
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: print maker, daniël dupré, amsterdam, draughtsman, christiaan welmeer
Inscriptions: collector's mark: Lugt 2228

Serie voor het eerst uitgegeven door Jacob Ernst Marcus onder de titel Studiebeelden en Fragmenten. Amsterdam: ca.1816. Later heruitgegeven als: Studie-prentwerk/ Etudes gravées.
Ontwerp voor een getuigschrift van de Ambachtsschool te Amsterdam
Object type: testimonial
Date: 1903 – 1903
Materials: ink, paper, pencil, watercolor
Techniques: brush, lithograph, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: ornaments ~ art, magic mathematical figures; magic numbers, words, monograms
Inscriptions: annotation: ‘motto: "Ambachtsschool"’, number: ‘20’, collector's mark: ‘R:MVS.’

Ingebonden ontwerp voor een getuigschrift van Johan Willem van der Heijden van de Ambachtsschool te Amsterdam bestaande uit drie prenten: een titelblad, getuigschrift en cijferlijst. Op de omslag een versierde letter 'A' en een vignet bestaande uit verschillende gereedschappen.
Bowl
Object type: bowl
Date: 1840 – 1840
Materials: ceramic glaze, enamel, faience, glaze, gold
Culture: japanese
Subjects: mountains
Bruid en bruidsmeisje voor een spiegel
Object type: stereograph
Date: 1852 – 1858
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: dressing the bride
Inscriptions: inscription: ‘f 1-’, title: ‘de Bruid’
Vase
Object type: vase
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: frogs
Theepot
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: tea-pot; samovar
Inscriptions: annotation: ‘[...]’

Achterste schutblad uit een schetsboek met 76 bladen.
Portret van Ewald Christian von Kleist
Object type: print
Date: 1779 – 1836
Materials: paper
Techniques: stippling
Location: berlin
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk gebruikt als boekillustratie.
Pleasure Boat
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: boats
Mold with Intaglio Figure
Object type: mold
Date: 201 – 700
Materials: plaster
Culture: central asian
Subjects: human figures
Zie hier drie vaderen van de eerste wereld, met / De drie aartsvaderen van Isrel, vóór de wet [(...)]
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, tables of the law - patron, intercessor ~ the old testament (not in biblical context), prophets, sibyls, evangelists, doctors of the church; persons ~ the bible (not in biblical context), the serpent tries to persuade eve to take some of the fruit (usually an apple), groups of prophets, usually holding books or scrolls (isaiah, jeremiah, ezekiel, daniel, hosea, joel, amos, obadiah, jonah, micah, nahum, habakkuk, zephaniah, haggai, zechariah, malachi)
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van een trap met dertien treden. Op de treden staan Mozes, aartsvaderen, koningen en profeten. In de boog onder de trap de verzoeking van Adam en Eva bij de boom der kennis van goed en kwaad. Onder de afbeelding een vers in twee kolommen. Genummerd rechtsboven: No. 106.
Storage Bag (Chuval) Face
Object type: storage bag
Date: 1801 – 1833
Materials: cotton, wool
Techniques: asymmetrically knotted pile
Location: central asia

Identifiable by the unique design vocabulary adopted by each Turkmen tribal group, these rare and important textiles are one of only a few known works attributable to the Arabatchi Turkmen. Although identical in technique to that used for carpet weaving, these fragments once formed the faces of a chuval, a type of deep storage bag. Suspended from the trellislike structure of a Turkmen tent interior, these chuval served to hold family belongings— somewhat akin to a wardrobe, but eminently more portable.
Actress wearing pink costume with brass horn on hip, from Stars of the Stage, Second Series (N130) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Begroeide boomstam
Object type: drawing
Date: 1899 – 1920
Materials: ink, parchment
Techniques: pen
Artist: jan mankes
Artist role: draughtsman, painter, print maker
Artist dates: 1889 – 1920
Subjects: trees
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 470
Materials: terracotta
Culture: greek, attic

Interior, seated woman holding pomegranate; Obverse, youth leaning on stick, woman holding two fillets, kalathos, youth with stick; Reverse, youth leaning on stick, woman, youth leaning on stick