deem-data/ArtiFact huggingface dataset:
Sacred Ibis, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of the Tropics" series (N38), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes. This series is a physically larger version of the "Birds of the Tropics" set (N5), including the corresponding small card design with other pictorial matter added.
Credo in unum Deum
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2233

Prent gebruikt voor: Diepenbrock, Alphons. Missa. Amsterdam: Algemeene Muziekhandel, 1895.
Hydria (Water Jar)
Object type: vessel
Date: 470 – 460
Materials: ceramic, terracotta
Location: athens
Artist: attributed to the leningrad painter
Artist nationality: Russian
Subjects: sex, women

Created by an artist known as the Leningrad Painter, the front of this vessel shows a young couple embracing as three other young women look on. Intimate scenes of couples kissing are unusual in Greek art, especially for women of the Athenian upper class, indicating that the participants depicted here are probably courtesans known as hetairai. Under the foot is an incised letter - upsilon, lambda or gamma - presumably a very simple trader’s mark.

This vase is decorated in the red-figure technique. Invented in Athens around 530 BCE, the red-figure technique reverses the decorative black-figure scheme. While both techniques applied a gloss, or slip made from refined clay, to all areas intended to be black, the figures here are now reserved, or left in the color of the clay, which was then intensified by the application of an orange overwash. Barely discernible are sketch marks, as well as lines of thicker gloss outlining the contours of the figures. The drapery, jewelry, and anatomy are rendered in gloss that is diluted and therefore thinner. Except for the bands of decoration—for example, the egg motif at the rim, the ivy band around the neck, and the meander pattern below the figural scene—the rest of the vase was coated with gloss. It was so thinly applied in some places that the marks of the brush are visible. Red and white details were sometimes added, and the undecorated portions of the vase were coated with gloss. They were fired in the same process as black-figure vases.
Ring
Object type: ring
Date: 7000 – 330
Materials: gemstone, gold, silver
Arashi Rikan II as Miyamoto Musashi
Object type: woodblock print
Date: 1832 – 1832
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: gigadō ashiyuki 戯画堂芦幸
Artist role: artist
Artist nationality: japanese
Artist dates: 1813 – 1834
Subjects: birds,men,actors

In a scene set in snowy hills, the noted Osaka actor Arashi Rikan II (1788–1837) plays a role inspired by the famous medieval warrior and swordsman Miyamoto Musashi (ca. 1584–1645). The hokku (17-syllable poem) by the actor reads: Yuku michi o saguri-ashi nari oborozuki Along the path I pursue, my feet find the way beneath the misty moon.
Bronzen vaas met daarin verwerkt waterspuwers aan de rand van een bassin
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: france
Artist: Anonymous
Inscriptions: annotation: ‘268 - Versailles - Bassin de Neptune, vase en plomp bronze L.P. Phot.’

Ter decoratie is op de vaas het hoofd van Pan aangebracht en twee draken die de oren van de vaas vormen. Onderdeel van een serie met betrekking tot het interieur van het paleis van Versailles met kroonluchters, deuren, portalen en meubelstukken.
Schuttersbrief van kapitein Pieter Jager
Object type: schuttersbiljet
Date: 1778 – 1778
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), personification of a city, town-patron(ess), military service (+ citizen soldiery, civil guard, citizen militia), amsterdam
Inscriptions: collector's mark: Lugt 1641b

Schuttersbrief met oproep van kapitein Pieter Jager, gericht aan Johannes Godvriet Voogt, om zich bij het eerste korporaalschap van Marten Belders van de Amsterdamse schutterij te melden. Voorgedrukte brief met open delen die met pen zijn ingevuld. Rechtsboven genummerd: N. 4. Onderwerpsrubriek binnen de Atlas Amsterdam: Schutters-oproepingsbriefjes.
Natural Trumpet
Object type: natural trumpet
Date: 1667 – 1700
Materials: brass
Culture: german
Location: germany
Artist: johann wilhelm haas
Artist role: maker
Artist nationality: german
Artist dates: 1649 – 1723

Natural trumpets such as this were used in the military and in royal pagentry. The production and playing of trumpets in Germany during the seventeenth and early eighteenth centuries was strictly regulated by a guild system. The four generations of the Haas family were the most prolific and prominent dynasty of brass instrument makers working in Nuremberg. Their trumpet output ranged from simply ebellished brass examples such as this to ornately decorated silver trumpets with gold gilding like 54.32.1
Il sacrato collegio apostolico
Object type: print
Date: 1606 – 1607
Materials: paper
Techniques: etching, intaglio
Location: italy
Artist: raffaello schiaminossi
Artist role: painter, print maker
Artist dates: 1572 – 1622
Subjects: the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie die bestaat uit een titelprent en veertien prenten met voorstellingen van Christus, Maria en de twaalf apostelen.
Plate with Basket of Auspicious Flowers
Object type: plate
Date: 1667 – 1733
Materials: enamel, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: flowers
Standing cup
Object type: standing cup
Date: 1601 – 1733
Materials: glass
Techniques: engraving, molding, tooling
Subjects: buildings,trees
Hand
Object type: sketchbook leaf
Date: 1905 – 1905
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: hand

Blad 7 verso uit een schetsboek met 27 bladen.
Hercules and the Hydra, from The Labors of Hercules
Object type: print
Date: 1545 – 1545
Materials: paper
Techniques: engraving
Location: germany
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Hond jagend op een hert
Object type: sketchbook leaf
Date: 1807 – 1858
Materials: ink, paper
Techniques: brush, pen
Location: bohemia
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hoofed animals: deer, dog
Inscriptions: date and inscription: ‘MB 4/7. 58./ MB 5/7. 58’

Blad 37 verso en 38 recto uit een schetsboek met 44 bladen.
Woman under a Willow Tree
Object type: hanging scroll
Date: 1701 – 1800
Materials: ink, silk
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: women

Lush and sensual, ukiyo-e paintings of the eighteenth century idealized beauty, placing courtesans and young women in indoor and outdoor seasonal settings. Shunshō—an Edo bon vivant, painter, and print designer-was renowned for his facility in depicting actors and beautiful women. This early summer picture depicts a young woman from a good family standing under a willow tree. The poem at the top, composed and inscribed by Fūdo, a kyoka (satirical poem) poet, reads: The willows would leaf in profusion in an answer to the water's invitation.
Fragment (Border)
Object type: textile
Materials: textile, cotton, silk
Techniques: embroidery, stitching
Location: morocco
Subjects: morocco
Swan
Object type: glass
Date: 1701 – 1800
Materials: glass, metal
Techniques: lampwork
Location: france
Design for Tomb of Mamier
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: architecture,tombs
Spotprent op C. Seyn, 1838-1839
Object type: cartoon
Date: 1838 – 1839
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: prison, jail, transport (of arrested person), leiden
Inscriptions: collector's mark: Lugt 2228

Spotprent op de Leidse klerk C. Seyn die door twee agenten naar de gevangenis wordt geleid. Op de achtergrond een venduhuis voor meubelen waar een groep vrouwen zingen en dansen van blijdschap over de arrestatie. Ten behoeve van zijn liefhebberij (schilderijen) stal Seyn uit de stadskas. Rechts enkele schilderijen geleund tegen een kast, een pot siroop en een pauwenveer. De diefstal werd ontdekt op 10 oktober 1838, het vonnis uitgesproken op 27 september 1839.
Reliëf met een naakte vrouw die zelfmoord pleegt
Object type: album leaf
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: vatican city
Subjects: piece of sculpture, reproduction of a piece of sculpture, seeking death, suicide
Inscriptions: inscription: ‘Ende No. 22./ op folio 4[...]9.’, number: ‘27’

Reliëf met links een naakte vrouw die zichzelf steekt met een dolk. Twee vrouwen ondersteunen haar. Rechts een groep figuren, waaronder een treurende vrouw. Tekst in het Latijn in ondermarge. Prent maakt deel uit van een album.
Gezicht in het passgierscompartiment van de zeppelin
Object type: photograph
Date: 1924 – 1924
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: airship, zeppelin (+ view ~ vehicle, ship, etc.)

Gezicht in het passgierscompartiment van de zeppelin. Onderdeel van een map twintig productfoto's van het Zeppelinluchtschip LZ 126.
Rivierlandschap met enkele hooischepen
Object type: drawing
Date: 1600 – 1699
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: agricultural products and by-products: hay, sailing-ship, sailing-boat, river
Cylinder seal with three-figure contest scene
Object type: cylinder seal
Date: 734 – 601
Materials: stone
Culture: babylonian
Location: mesopotamia
Subjects: lions
Gezicht
Object type: sketchbook leaf
Date: 1809 – 1872
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: face

Blad 38 verso uit een schetsboek met 32 bladen.
Design for Dog Cart or 2 Wheeler, no. 3977
Object type: drawing
Date: 1886 – 1886
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bronze statuette of a horse
Object type: statuette of a horse
Date: 800 – 701
Materials: bronze
Culture: greek
Subjects: horses
Bottle
Object type: vessel
Date: 1 – 100
Materials: glass
Techniques: glassblowing
Culture: roman
Location: italy
Box for Perfume (?)
Object type: box
Date: 1662 – 1722
Materials: enamel, porcelain
Techniques: painting
Culture: chinese
Subjects: flowers,leaves
Alcove ornament
Object type: alcove ornament
Date: 1780 – 1780
Materials: enamel, faience, pottery
Techniques: polychrome
Culture: japanese
Artist: kimura sakujiro
Artist role: artist
Artist nationality: japanese
Subjects: women
Portret van Johann Held
Object type: print
Date: 1656 – 1722
Materials: paper
Techniques: etching
Subjects: bookshelves, historical persons, deacon (roman catholic), book, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228
Tondo
Object type: tondo
Date: 1500 – 1520
Materials: terracotta
Techniques: glazing
Artist: giovanni della robbia
Artist role: artist
Artist nationality: italian
Artist dates: 1469 – 1530
Subjects: cross

The della Robbia were a family of Florentine sculptors who were famous for their tin-glazed terracotta relief sculptures. The family expanded the traditional blue and white palette of glazes to a broader range of colors, as seen in the present work, which was produced by the workshop of Giovanni della Robbia. The tondo bears the emblem associated with the church of San Lorenzo in Florence or with its dependency -- the suburban church of San Marco Vecchio. The emblem consists of a cross and two ears of wheat above a gridiron, set in a white-glazed egg-and-dart frame, surrounded by a wreath of fruit, pinecones, and leaves bound with ribbons.
Bill George, Pitcher, New York, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Patroontas aan draagriem toebehoord hebbende aan J.A. Maks, in 1830-32 korporaal bij het 1e Bat. Afd. Noord-Hollandse Schutterij
Object type: cartridge pouch
Date: 1830 – 1830
Materials: iron, leather, clay
Location: netherlands
Artist: Anonymous
Subjects: j.a. maks, noord-holland

Zwarte leren rechthoekige tas met twee boven elkaar geplaatste ijzeren bakken. Onderste bak: twee vakken; bovenste bak: vier vakken. Zijkanten met flappen. Op voorzijde tas gestikte leren foudraal met twee gaten. Op onderzijde een gevlochten leren knoop en twee leren lussen met ijzeren gespen. Achterzijde twee leren gestikte lussen met twee gaten. Aan de linkerzijde een naturel leren riem met gat. Zwart leren klep met op de binnenzijde merk: HIOF IH. Achterzijde klep met wit leren riem met gat.
Pair of Standing Nude Male Figures Demonstrating the Principles of Contrapposto according to Michelangelo and Phidias
Object type: statuette
Date: 1911 – 1911
Materials: terracotta
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: male nudes

Rodin modeled these clay sketches as demonstrations of contrapposto—a fundamental pose in which the body responds to bearing its weight on a single leg. Each figure stands in a manner typical of works by the famous sculptor after whom it is named. The version after the ancient Phidias captures the calm physical ease characteristic of classical sculpture. The Michelangelo figure, slumped and twisted inward, expresses the psychological intensity resulting from a more contorted Renaissance contrapposto. In 1911 Rodin presented these sketches to the American sculptor and philanthropist Gertrude Vanderbilt Whitney. Later, the works belonged to the greatest late twentieth-century collectors of Rodin’s sculpture, Iris and B. Gerald Cantor.
Veld van vier tegels
Object type: tile
Date: 1615 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van 4 tegels (2 x 2) elk met een blauw geschilderd cherubkopje binnen een cirkel met lof. In de hoeken, een kwart rozet.
Portret van Angéle Louis Maréchal
Object type: carte de visite
Date: 1861 – 1862
Materials: cardboard, paper
Techniques: albumen print
Location: nantes
Artist: jules alfred andré sébire
Artist role: fotograaf
Artist dates: 1835 – 1895
Subjects: adult woman, historical persons
Inscriptions: inscription: ‘EXPOSITION DE NANTES 1861’, address: ‘Passage Pommeraye,/ NANTES.’
Vase with birds and flowers
Object type: vase
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: painting, polychrome
Culture: chinese
Subjects: birds,flowers,leaves
Aigentliche wahrhaffte Delineation unnd Abbildung aller fürstlichen Auffzüg und Rütterspilen
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Subjects: monsters of mixed human and animal shape; 'mostri' (ripa), 'laub- und bandelwerk' ~ ornament, mask, mascaron ~ ornament, flowers ~ ornament

Genummerd: 43. Deze prent maakt deel uit van een album.
Ceiling, Cove, and Wall Decorations of the "Guilio Romano" Room, Villa Madama
Object type: drawing
Date: 1824 – 1824
Materials: gouache, graphite, watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: ornament,putti,bulls,lions
Hondekop en hond in landschap
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: etching
Location: the hague
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Minister-president Schermerhorn arriveert in Londen voor gesprek over de toekomst van Nederlands-Indië met zijn collega Attlee
Object type: documentary photograph
Date: 1946 – 1946
Materials: photographic support
Techniques: photography
Subjects: france, hubertus johannes van mook, haarlem, politician, willem schermerhorn, rotterdam, london, indonesia
Inscriptions: number: ‘505184’

Vier heren in pak, met hoed en aktetassen zijn gefotografeerd kort na aankomst op het vliegveld Hendon nabij Londen met op de achtergrond het vliegtuig 'Utrecht'. Met van links naar rechts: minister van Overzeese gebiedsdelen Logemann, minister-president Schermerhorn, minister van Buitenlandse Zaken Van Roijen en gouverneur-generaal van Nederlands-Indië Van Mook.
(2) [Persepolis]
Object type: photograph
Techniques: albumen silver print
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: columns,ruins
Abklatsch van een krijttekening
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

De originele tekening met figuurstudies is niet meer in het schetsboek aanwezig. Blad 2 recto uit schetsboek LIV met 18 bladen.
Paardenbenen en een figuurstudie
Object type: sketchbook leaf
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: child, horse

Pagina 9 uit een schetsboek met 28 bladen.
Four-leaf folding screen (Paravent)
Object type: folding screen
Date: 1780 – 1780
Materials: wood, silk, silver
Techniques: carving, gilding, lampas
Subjects: birds,horses,flowers

Screens were very fashionable during the eighteenth-century as is illustrated in depictions of contemporary interiors. They were made in different sizes: tall multi-leaf folding screens (paravents) were placed in front of doorways to exclude drafts, and others, shorter ones, stood in front of the mantelpiece to shield from the heat of the fire (the latter were known as an écran de cheminée). The frames of the paravents could be covered with paper, leather, or fabric but could also be exposed, carved, and gilded as is the case with this neoclassical four-leaf screen with its stepped top. Its frame displays two continuous interwoven bands of openwork guilloche motifs between plain moldings as well as a border of ribbon-tied laurel leaves. The four corners of each panel are carved with a leaf motif. Such screens were often ordered as a set with seat furniture and a fire screen and would have been covered with the same fabric.
Frontispiece
Object type: print
Date: 1707 – 1783
Techniques: engraving, etching
Artist: jacques philippe le bas
Artist role: artist
Artist nationality: french
Artist dates: 1707 – 1783
Subjects: men
Vrouw als personificatie van Hoop (Fides) met naar boven opgeslagen ogen staand in nis
Object type: print
Date: 1510 – 1575
Materials: paper
Techniques: engraving
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a

Kopie in spiegelbeeld naar prent van Marcantonio Raimondi. Raimondi baseerde zich mogelijk op een ontwerp van Raphael. Prent uit een serie van zeven prenten met deugden.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed palmette; start of handle root
Gabriel V. Ludlow
Object type: watercolor
Date: 1816 – 1816
Materials: gouache, graphite, paper, watercolor, wood
Techniques: backing
Culture: american
Artist: john rubens smith
Artist role: artist
Artist nationality: american
Artist dates: 1775 – 1849
Subjects: men,portraits
Fitzroy Square
Object type: print
Date: 1878 – 1881
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed with butterfly in plate, lower left
Four boys, two satyrs, and a goat (copy in reverse)
Object type: print
Date: 1601 – 1700
Techniques: engraving, etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: boys,satyrs,goats
Tweezers (?)
Object type: tweezer
Date: 1 – 1566
Materials: copper, silver
Techniques: hammering
Culture: peruvian
Location: peru
Transfiguratie van Christus op de berg Tabor
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the transfiguration: moses and elijah appear on either side of christ on mount tabor (matthew 17:1-13; mark 9:2-13; luke 9:28-36)
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 23.
Alexandre Dumas the Younger (1824-1895)
Object type: medallion
Date: 1886 – 1886
Materials: bronze, patina
Artist: jean-désiré ringel d'illzach
Artist role: artist
Artist dates: 1847 – 1916
Subjects: men,profiles
Vrouwen met hoed
Object type: sketchbook leaf
Date: 1886 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, head-gear: hat (+ women's clothes)

Pagina 23 uit een schetsboek met 18 bladen.