deem-data/ArtiFact huggingface dataset:
Flying Clouds Pavilion
Object type: ink tablet
Date: 1867 – 1933
Materials: gilt, wood
Techniques: bookbinding
Culture: chinese
Artist: jian guzhai
Artist role: artist
Artist nationality: chinese
Subjects: dragons

This ink tablet is from a sixty-four-tablet set (30.76.216–.279) commissioned by the Jiaqing emperor from the Studio for Appreciating the Antique (Jiangu Zhai) manufactory of the Wang Jinsheng family in Huizhou, Anhui Province. Each ink tablet commemorates a hall or pavilion in one of the imperial gardens. Each site’s name is written in gilt characters on one side; a view of the site is presented on the other. Such inks were purely decorative and not intended for use.
Twee figuren in een tempelruïne
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Subjects: ruin of a building ~ architecture, landscape with ruins
Inscriptions: collector's mark: Lugt 240
Portret van Dirk Kamphuijzen in de rol van Gersal
Object type: print
Date: 1794 – 1822
Materials: paper
Techniques: etching
Artist: jan willem caspari
Artist role: print maker
Artist dates: 1779 – 1822
Subjects: theatre, theatrical performance, historical persons, the arts of the stage: ballet, theatre, musical drama, motion picture
Inscriptions: collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Tooneel, Portretten van toneelspelers.
Landschap met zittende man met hond en wandelaars op landweg
Object type: drawing
Date: 1752 – 1819
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: dog
Kozak op een slee
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: etching
Artist: hess
Artist role: print maker
Subjects: sleigh, sledge (non-sport), europeans (with name)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: ‘D A’
[Tomb of Seeh-i Mumin]
Object type: photograph
Techniques: albumen silver print
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: architecture,tombs
Demetrius Seleucus verdedigt zich tegen schietende ruiters
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: battle of the maccabees against demetrius ii nikator of syria in the valley of asor (1 maccabees 11:67-74)
Inscriptions: collector's mark: Lugt 2228

Prent opgenomen in: Josephus, Flavius. Alle de Werken, 2 delen. Amsterdam: Pieter Mortier, 1704, dl. 1, p. 309.
Gezicht op het Hof van Rijnsburg
Object type: book illustration
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rijnsburg
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Rademaker, Abraham. Rhynlands fraaiste gezichten; vertonende alle deszelfs lustplaatzen, heeren-huizen en dorpen. Van halfwegen Haarlem en Leyden (…) / Les plus agréables vuës de Rhynland, representant toutes les maisons de plaisance, maisons seigneuriales & villages. Commençant à demilieu Haarlem & Leyden (…). Ansterdam: Leonard Schenk, 1732.
Fragment of a Standing Avalokiteshvara or Shiva
Object type: figure fragment
Date: 701 – 800
Materials: bronze
Culture: indonesian, kalimantan
Plate or Dish
Object type: vessel
Date: 1 – 400
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Vrouw met een waaier zittend op de rug van een hond op een daklijst
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: roof (of house or building), fan, adult woman (+ sitting), dog
Aurora, goddess of dawn
Object type: dish
Date: 1528 – 1528
Techniques: maiolica, glazing
Artist: "in castel durante" painter
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1550
Subjects: female nudes,horses,goddess
Alpine Landscape with a Deep Valley, from "The Large Landscapes"
Object type: print
Date: 1555 – 1556
Techniques: engraving, etching
Artist: johannes van doetecum i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1528 – 1605
Subjects: landscapes
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Subjects: women
Silo
Object type: album leaf
Date: 1904 – 1939
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: gelderland
Artist: Anonymous
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo, open-air recreation, gelderland
Inscriptions: inscription

Albumblad met een foto van een boerderij met een silo, op Ruimzicht. Onderdeel van het familiealbum 1938-1939.
Adreskaart van Jan Smit, fabrikant van kamerbehangsels
Object type: business card
Date: 1734 – 1734
Materials: paper
Techniques: etching
Artist: adolf van der laan
Artist role: draughtsman, print maker
Artist dates: 1689 – 1742
Subjects: wall-paper, (story of) minerva (pallas, athena), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Adreskaart van Jan Smit, fabrikant van kamerbehangsels. Op de voorgrond aanschouwt Minerva het behang dat door drie putti voor haar voeten is uitgerold. Hierachter toont de fabrikant een behangsel aan een aantal klanten. Het geheel is gevat in een architecturale omlijsting die van boven versierd is met putti, bloemen, vruchten, pagegaaien en een monogram. Onder een opschrift van negen regels.
Jacket with Dragon and Mount Fuji
Object type: fireman's quilted dye patterned jacket
Date: 1801 – 1900
Materials: cotton
Culture: japanese

The dragon is a fantastic animal that originated in China and spread throughout Asia. The dragon on this jacket is seen among clouds and bolts of lightning in a setting rendered specifically and unmistakably Japanese by the presence of Mount Fuji. The jacket may have belonged to a firefighter in the city of Edo (present-day Tokyo), which, owing to climactic conditions and combustible building materials, was especially susceptible to destructive blazes. Some scholars suggest that the patterns on firemen's jackets were selected to provide protection to the firefighter. In the case of this jacket, East Asian tradition associates the dragon with water, and the majestic Mount Fuji has long inspired awe.
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 26 februari 1895
Object type: invitation
Date: 1801 – 1895
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts, forest, wood, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Huizen onder hoge bomen. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 26 februari 1895 van de portefeuille van de firma Caramelli & Tessaro te Utrecht.
Anatomische studie van de botten in een hand
Object type: drawing
Date: 1812 – 1861
Materials: ink, paper, pencil
Techniques: pen
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: carpus and metacarpus, parts of the hand, phalanges of the fingers
Plattegrond van Edam
Object type: area plan
Date: 1632 – 1632
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities

Prent uit: Boxhorn, Marcus Zuerius. Theatrum sive Hollandiae comitatus et urbium nova descriptio (...). Amsterdam: Henricus Hondius, 1632.
Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine.  A Paris, de l'imprimerie de  P. Didot, l'an III de la République, 1795"
Object type: print
Date: 1795 – 1795
Techniques: engraving, etching
Artist: jean-baptiste tilliard
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1740
Subjects: men,women
Marie Stuart
Object type: print
Date: 1823 – 1890
Materials: paper
Techniques: lithograph
Artist: wilhelm heuer (1813-1890)
Artist role: print maker
Artist dates: 1813 – 1890
Subjects: historical persons, queen
Inscriptions: collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1830 – 1835
Materials: cotton
Artist: bannister hall
Artist role: manufactory
Artist nationality: british
Artist dates: 1793 – 1893
Subjects: flowers

The Bannister Hall print works was founded ca. 1798 by Richard Jackson and John Stephenson. Between 1809 and 1825 it was owned by Charles Swainson with varying partners. It was the leading firm for woodblock "furniture" chintzes.
Koningin Juliana speldt een onderscheiding op bij een militair op het Gouvernementsplein in Suriname
Object type: photograph
Date: 1945 – 1950
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: juliana of the netherlands, queen, medals and other marks of military honour
Inscriptions: signature: ‘Copyright Netherlands Government information bureau ...’, annotation: ‘Princess Juliana's visit to Surinam... when her country was overrun by the Germans. H.R.H. decorating a Dutch Lieutenant’
Snuffbox
Object type: snuffbox
Date: 1701 – 1800
Materials: diamond, gold

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Cornelis de Witt leidt de aanval op de Engelse vloot tijdens de Tocht naar Chatham, 1667
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: dordrecht, cornelis de witt, battle (+ naval force), raid on the medway

Cornelis de Witt leidt de aanval op de Engelse vloot, 20-23 juni 1667. Episode uit de Tocht naar Chatham tijdens de Tweede Engelse Oorlog. Fragment van de grote prent over de gebroeders De Witt: Witten Wonder Spiegel (1675).
A Convent, plate thirteen after Pictures of Farms, Country Houses and Rustic Villages (Praediorum villarum et rusticarum casularum icones)
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: netherlands
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652
Inscriptions: numbered lower right, in plate, "13"
Square-Sectioned Bottle
Object type: ceramic
Date: 1725 – 1725
Materials: ceramic, enamel, gilt, hard paste porcelain, porcelain, wood
Techniques: gilding, polychrome
Location: vienna
Artist: du paquier porcelain manufactory
Artist nationality: austrian
Artist dates: 1718 – 1744
Portret van Gottlieb Hiller
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Location: dessau
Artist: fr. naumann
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Huldepenning door de curatoren van de Groninger Academie geschonken aan de Groninger en Franeker studenten
Object type: history medal
Date: 1831 – 1831
Materials: bronze
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Study of an Old Woman
Object type: drawing
Date: 1886 – 1886
Materials: chalk
Location: france
Artist: august xaver karl von pettenkofen
Artist role: artist
Artist nationality: austrian
Artist dates: 1821 – 1889
Subjects: portraits,women
Lamp
Object type: lamp
Date: 600 – 600
Materials: earthenware
Techniques: molding
Location: egypt
Geschiedenis van Tobias
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the healing of tobit: tobias puts the gall of the fish on his father's eyes
Inscriptions: inscription: ‘No. Z Inv 9486’

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Correctiehuis Sint Bernhard te Hemiksem, huismunt ter waarde van vijf cents
Object type: vijf cent
Date: 1826 – 1833
Materials: zinc
Techniques: striking
Location: brussels
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864
Subjects: ghent

Zinken betaalpenning. Voorzijde: opschrift binnen omschrift. Keerzijde: waardeaanduiding; links klop: paardekop.
Houses Overlooking a Port, from Views of the Port of Livorno
Object type: print
Date: 1654 – 1655
Materials: paper
Techniques: etching
Location: italy
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Londen. Westminster Abbey
Object type: photograph
Date: 1850 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: westminster abbey
Boom der Banjanen en plattegrond van Gomrom
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: maps, atlases, forest, wood, persia
Inscriptions: collector's mark: Lugt 2228

Onder een vogelvluchtkaart van een deel van de Perzische Golf. Boven een aanzicht van een bos met in het midden 'De Boom der Banjanen' met pagode en figuren te paard.
The Milliner
Object type: drawing
Date: 1882 – 1882
Materials: charcoal, pastel, paper
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: hats,women
Mascarade à la Grecque; Suite des Vases; and [Cheminées]
Object type: book print ornament architecture
Techniques: etching
Location: italy
Artist: ennemond alexandre petitot
Artist role: artist
Artist nationality: french
Artist dates: 1727 – 1801
Subjects: garlands,women,cornucopia,vases

Book with three sets of plates bound together on red Morocco binding with dark red spine: 'Masquerade à la Grecque', 'Suite des Vases', and 'Cheminées'. The first set, 'Masquerade à la Grecque', dated 1771, consists of 12 plates: the 'avis' (or notes to the reader), one plate of introduction, a title page, and 9 plates numbered 1-10. The second set, 'Suite des Vases', dated 1764, consists of 33 plates: two title pages, a dedication page, and plates numbered 1-31. The last set, untitled, consists of two unnumbered plates of 'Cheminées'. The designs featured in this album have ingenuous shapes with figurative motifs that make up their shapes. In 'Masquerade à la Grecque', elaborate costume designs are made up of creative headdresses and matching garments, decorated with garlands of flowers and leaves, ropes, acanthus leaves, and ornamental patterns often associated with Greek and Roman Antiquity. The 'Suite des Vases' contains a variety of designs for vases of different shapes, some also featuring design motifs inspired on classical times, while others feature simpler figures, with curves and scrolls.
Rue de la Montagne-Sainte-Geneviève near the Intersection of Rue LaPlace (Rue de la Montagne-Sainte-Geneviève prés de carrefour de la rue LaPlace)
Object type: photograph
Date: 1865 – 1869
Techniques: albumen print
Location: france
Artist: charles marville
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1879
Subjects: cityscapes, paris
Inscriptions: Inscribed recto, on mount, upper left, in graphite: "48"; blind stamped recto, on mount, lower center: "[crest?] / CH MARVILLE / PHOTOGRAPHE / DU MUSEE IMPERIAL / DU LOUVRE"; inscribed recto, on mount, lower left, in graphite: "R 11 48j"; recto, on mount, lower right, in graphite: "Rue de la Montagne-Sainte-Geneviève de [illegible] / I. J [?]"; inscribed verso, on mount, lower right, in graphite: "Pf45707"

Beginning in 1862, Charles Marville served as the official photographer of the city of Paris, documenting the radical reconstruction of the city under Napoleon III's Prefect of the Seine, Georges-Eugène Haussmann. In a process that became known as Haussmannization, many of Paris's narrow medieval streets were demolished in order to make room for the wide boulevards and public parks for which it is now known. The city commissioned Marville to photograph the areas slated for destruction as well as the modern amenities, such as gas lighting and commercial kiosks, that would become fixtures of the new urban landscape. With a corpus of more than 400 photographs, Marville produced a remarkable document of Paris in a time of epochal transition.
Wapenschild van Jakob Christoph Blarer von Wartensee
Object type: print
Date: 1542 – 1608
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Outline of Design for a Vase with Two Handles
Object type: drawing
Date: 1672 – 1725
Materials: chalk, graphite, ink, paper
Techniques: pen
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: vases
Base, Engaged
Object type: base
Date: 1130 – 1140
Materials: stone
Culture: french
Location: france
Cigar and Tobacco Stand
Object type: furniture
Date: 1859 – 1872
Materials: wood, gilt brass, glass, pearl, silver, velvet
Location: sweden
Artist: adolf johan lindberg
Subjects: furniture
Glass two-handled bottle
Object type: bottle, two handled
Date: 101 – 300
Materials: glass
Culture: roman

Translucent blue green; handles in same color. Rim folded out, round, and in, with beveled outer edge; flaring, lob-sided mouth; short, funnel-shaped neck, expanding downward to join imperceptibly with slender bulbous body; integral, thick, slightly everted base ring; uneven, concave bottom; rod handle applied to shoulder in long, crimped pads, drawn up and round, pressed on to neck and trailed off back along top of handles. Intact; pinprick bubbles; dulling, pitting, and iridescence, with areas of creamy weathering and encrustation.
Design for a Ceiling with Strapwork and a Cross-shaped Center
Object type: print ornament architecture
Date: 1609 – 1609
Techniques: engraving, etching
Artist: hans jakob ebelmann
Artist role: artist and architect
Artist nationality: german
Artist dates: 1570 – 1625

This beautifully complex design is made by the German artist Hans Jakob Ebelmann. Not much is known about this artist other than the print series he produced which show designs for furniture and architecture in the very exuberant style typical for the late Renaissance in Central Europe. Based on his designs and his collaboration with the cabinetmaker Jakob Guckeisen he is presumed to have been a cabinetmaker himself. The ceiling designs he published in a series in 1609 can be considered as his finest works. They show a highly inventive combination and use of ornaments and motifs and are etched in a spontaneous yet refined manner.
Man staat voor grafmonument van Joan Melchior Kemper
Object type: print
Date: 1835 – 1871
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: amsterdam, leiden, jonkheer joan melchior kemper, grave, tomb
Inscriptions: collector's mark: Lugt 2228

Een man met hoge hoed staat in Pieterskerk te Leiden voor het grafmonument van Joan Melchior Kemper, ingewijd in 1835.
Landschap met bergen, met op de voorgrond een reiziger met hoed
Object type: photograph
Date: 1880 – 1923
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: indonesia
Artist: Anonymous
Subjects: gulf, bay, adult man, travelling; tourism, indonesia
Inscriptions: annotation: ‘9123/ JANUARI/ (...)/ FEBRUARI/ (...)’
Joyous Banquet of Guo Ziyi (곽분양행락도)
Object type: painting
Materials: ink, silk
Location: korea
Portret van Prins Albert
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, signature: ‘Lith. v. Steckmest’, inscription: ‘Prince Albert.’, signature: ‘Verlag v F. SALA & Co in Berlin, Unter den Linden 51.’, signature: ‘Druck v. A. Hölzer in Berlin’, check stamp:
The Blind Beggar Tricked by Lazarillo
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: thomas wyck
Artist nationality: dutch
Artist dates: 1616 – 1677

Thomas Wyck illustrated several scenes from the anonymous Spanish picaresque novella, The Life of Lazarillo de Tormes and of his Fortunes and Adversities. Treated as a heretical tract in Catholic Spain (where the Spanish Inquisition was still active), the tale was also published in Antwerp in 1555. In this etching, the unscrupulous protagonist is apprenticed to a blind man, on whom he practices the arts of stealing and subterfuge.
Gezicht op Huis Heijen in Heijen, Limburg
Object type: photomechanical print
Materials: paper
Techniques: rotogravure
Location: leiden
Artist: Anonymous
Subjects: castle

Deze prent maakt deel uit van een album.
Portret van Albrecht, aartshertog van Oostenrijk
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Artist: antonie wierix (ii)
Artist role: draughtsman, print maker
Artist dates: 1555 – 1604
Subjects: brussels, albrecht aartshertog van oostenrijk, head-gear, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, number: ‘22. - 49.’

Busteportret van Albrecht, aartshertog van Oostenrijk. Hij draagt een biretta. Rechtsboven zijn wapenschild. In de marge een vijfregelig onderschrift in het Latijn.
Twee koppen
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types)
Inscriptions: collector's mark: Lugt 2228
Ring with Pontifical seal
Object type: seal ring
Date: 1725 – 1750
Materials: silver
Subjects: rings,profiles
Portret van Johannes Schöner
Object type: book illustration
Date: 1590 – 1590
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Artist: bernhard jobin
Artist role: printer, publisher
Artist dates: 1545 – 1593
Subjects: historical persons, mathematics (+ portrait of scholar, scientist)

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium (...). Straatsburg: Bernhard Jobin, 1590, p. 127. Prent voor het eerst verschenen in de eerste editie van 1587. Prent mogelijk ook gebruikt in latere publicaties.