deem-data/ArtiFact huggingface dataset:
[Actress wearing dress with vertical striped pattern], from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Bottle
Object type: bottle
Date: 1601 – 1800
Materials: glass, pewter
Ferdinand van Toledo, hertog van Alva
Object type: history medal
Date: 1571 – 1571
Materials: silver
Techniques: striking
Location: antwerp
Subjects: fernando álvarez de toledo (3rd duke of alba)
Inscriptions: circumscription: ‘FERD ALB DVX CASTROR PRAEF / 1571’, circumscription: ‘DEO ET REGI / VITAE VSVS’

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: brandend altaar gedragen door liggende leeuw en twee kraanvogels binnen omschrift.
Patrick-savanna
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Verschillende huizen aan de rand van het bos, volgens het onderschrift betreft het de Patrick-savanna. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
The Wise Men out of the East
Object type: print
Date: 1868 – 1868
Techniques: engraving
Artist: john la farge
Artist role: artist
Artist nationality: american
Artist dates: 1835 – 1910
Subjects: animals,men,horses
Het ondertekenen van het vredesverdrag tussen Frankrijk en de Duitse Keizer, 5 februari 1679
Object type: print
Date: 1678 – 1680
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: signing of peace treaty, concluding the peace

Het ondertekenen van het vredesverdrag tussen Frankrijk en de Duitse Keizer in de Trèveszaal in het stadhuis van Nijmegen, 5 februari 1679. Interieur met de vijf gezanten zittend rond een tafel. Onderaan in de voorstelling de verklaring van de letters a-k in het Frans.
Sakka mettant l'eau au sir (filtre)
Object type: photograph
Date: 1888 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Artist: jean pascal sébah
Artist role: fotograaf
Artist dates: 1872 – 1947
Subjects: container of ceramics: jar, jug, pot, vase, container of leather: leather bag
Inscriptions: title: ‘E 17. Waterdrager, water uit een gelooide huid in een vilter gietend./ Caïro’, check stamp: ‘Bristol/ L.M.’, number: ‘407’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
New Künstlichs Modelbuch (Page 11 recto)
Object type: book print ornament architecture
Date: 1600 – 1600
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597
Subjects: animals,birds

Published by Bernhard Jobin, Strassburg (?). Illustrated title page, poem (2 pages), and 45 pages of designs.
Handschoen, galahandschoen, van wit wasleer met sluiting van parelmoeren knoopjes
Object type: glove
Date: 1930 – 1930
Materials: leather, mother of pearl
Location: amsterdam
Artist: m. laimböck
Artist role: modehuis, modewarenhuis, modewinkel
Inscriptions: address: ‘Gants Lavable/ Laimböck/ Tyrol, Amsterdam/ K. Hofleverancier’, name: ‘M. Laimböck’

Rechter handschoenen van wit wasleer, met sluiting van vier parelmoeren knoopjes. Nauwsluitend model, tot over de gehele bovenarm. Onder de elleboog een puntig sierstiksel. Adres: Gant Lavable/ Laimböck/ Tyrol, Amsterdam / K. Hofleverancier / 6 3/4.
Kwart stuiver of oord, noodmunt van de stad Leiden met Sint Catharina, 1573
Object type: oord, oortje
Date: 1573 – 1573
Materials: copper
Techniques: striking

Koperen noodmunt. Voorzijde: wapenschild van de stad, waarboven 1573. Omschrift: Gedenct den armen. Keerzijde: gekroond rad van Sint Catharina.
Paperweight
Object type: glass
Date: 1846 – 1855
Materials: glass
Location: lunéville
Artist: baccarat glassworks

The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects. Sir David Brewster invented the kaleidoscope in 1815, and its colorful and changing patterns brought great visual entertainment. Paperweights such as this example reformed this childlike pastime for a sophisticated adult audience. Depicted in glass were tiny glittering flowers, small black and blue cameos of figures, and even miniature bottlecaps. These were delicately arranged within the orb for the observant eye to discover.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Oorlogsschip op het IJ
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: etching, roulette
Location: amsterdam
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 240, inscription: ‘Ludolf Bakhuizen, del 1694. Ploos van Amstel. fecit. 1768.’, collector's mark: Lugt 2725

Een oorlogsschip op het IJ voor Amsterdam. Links een zeil schip, rechts een roeiboot met vissers.
Basreliëf van den tempel (zuidzijde) 1e gaanderij. Panataran (r. Kediri)
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Candi Panataran (Temple Complex), main Temple; Krishnayana reliefs no. 16 (Preparing for Rukmini's marriage to the king of Cedi), second narrative register, south side. Panataran, Blitar district, East Java province 1323-1347 AD.
Glass mosaic ribbed bowl
Object type: bowl, mosaic, ribbed
Date: 34 – 33
Materials: glass
Culture: roman

Translucent deep purple and opaque white. Vertical rim with rounded and slightly uneven top edge; plain, vertical band around top of side, then bulging outward before curving in sharply to small concave bottom. On interior, two concentric grooves around outer edge of bottom and small, broader circle at center; on exterior, twenty-eight prominent vertical ribs, with rounded tops, tapering downward and extending onto bottom. Broken and repaired, with two large holes in rim and top of side and one small chip in rim; pinprick and a few larger bubbles; pitting, dulling, and faint iridescence. Rotary grinding marks on interior and on band around top of exterior. Ribbed bowls were a very common and popular type of early Roman cast tableware. Examples have been found right across the Roman world and even beyond. Those in mosaic glass like this one were intended to resemble luxury vessels carved out of semiprecious stone such as banded agate.
Crown for a Statue of Mahakala
Object type: costume and accessory
Date: 1501 – 1700
Materials: copper gilt, glass
Techniques: inlay
Milton Douglas "Buck" West, 1st Base, Minneapolis, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Portret van Petrus Augustus de Génestet
Object type: book illustration
Date: 1869 – 1869
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: petrus augustus de génestet, historical persons, writer, poet, author

Prent uit: De dichtwerken van P.A. de Génestet verzameld en uitgegeven onder toezicht van C.P. Tiele. 2 dln. Amsterdam: Gebroeders Kraay, 1869.
Portret van een man, mogelijk de manager van The Great Atlantic en Pacific Tea Company
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, tea (leaves), historical persons not known by name
Inscriptions: inscription: ‘TRY THE/ 8 O'Clock Breakfast/ Coffee./ 25 Cents Per Pound.’, inscription: ‘THE GREAT/ Atlantic and Pacific Tea Co.,/ No. 114 NORTH QUEEN STREET,/ LANCASTER, PENNA./ CLARENCE S. WEST, Manager.’
Portret van Jacobus Arnoldus Mutsaers
Object type: print
Date: 1843 – 1863
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: the hague, politician, eyeglasses, spectacles, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een bril en een commandeurskruis op de revers van zijn jas. Onder het portret zijn signatuur.
Plate
Object type: plate
Date: 1750 – 1775
Materials: faience
Techniques: glazing
Subjects: birds,flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Cactus: Beware, from the series Floral Beauties and Language of Flowers (N75) for Duke brand cigarettes
Object type: print
Date: 1892 – 1892
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: women,flowers

Trade cards from the "Floral Beauties and Language of Flowers" series (N75), issued in a set of 50 cards in 1892 to promote the W. Duke Sons & Co. branch of the American Tobacco Company.
Portret van Andreas de Nole
Object type: print
Date: 1626 – 1670
Materials: paper
Techniques: engraving
Subjects: antwerp, sculptor, andreas de nole, portrait, self-portrait of sculptor, historical persons
Inscriptions: collector's mark: 2166, collector's mark: Lugt 2760
Man met hand over de ogen
Object type: sketchbook leaf
Date: 1908 – 1923
Materials: paper, pencil
Artist: ferdinand oldewelt
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: hand(s) towards the eye(s)
Inscriptions: signature and date: ‘Oldewelt '23’

Tevens studies van handen. Blad 30 verso uit een schetsboek met 35 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, tassels; unidentified subject
Wierookvat en twee ornamenten
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: etching
Location: paris
Subjects: (liturgical) equipment of church, incense-burner ~ scents, perfumes
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sauzay, Alexandre. Musée Impérial Du Louvre - Collection Sauvageot Dessinée Et Gravée A L'Eau-Forte Par Édouard Lièvre Accompagnée D'Un Texte Historique Et Descriptif Par A. Sauzay. Parijs: Noblet et Baudry, 1863. In deze publicatie worden metalen objecten beschreven uit de Gotiek en de Renaissance uit de collectie van Charles Sauvageot, in 1856 geschonken aan het Musée du Louvre.
Draagteken van de Koninklijke vereeniging Het Metalen Kruis, afdeling Rotterdam 2e sectie, opgericht 24 september 1857, in 1871 met predicaat koninklijk, uitgereikt aan kapitein oud-commandant der schutterij te Brielle M. van der Lugt Melsert in 1873
Object type: insignia
Date: 1857 – 1857
Materials: silver, textile
Artist: Anonymous

Zilveren draagteken, scharnier met kroon, oog, ring en lint
Louise Abigdon
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Subjects: portraits,women
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware, glaze
Techniques: incising
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Toegangsportaal van het huis van Louis Daguerre
Object type: photomechanical print
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: fence, wall, paling, gate, entrance
Inscriptions: number: ‘Fig. 2.’, inscription: ‘Porte d'entrée de la propriété de Daguerre.’
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 28-30 januari 1913
Object type: invitation
Date: 1901 – 1913
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts, windmill
Inscriptions: collector's mark: Lugt 2228

Windmolen te Weesp. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 28-30 januari 1913 van de portefeuille van het 'Teeken College "Kunst zij ons Doel" te Haarlem'.
Finger Ring
Object type: ring
Date: 601 – 700
Materials: onyx, silver
Culture: frankish
Location: northern france
Gelijkenis van de schat in de akker
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: 'the kingdom of heaven is like treasure hidden in a field' ~ proverbial saying of christ (matthew 13:44)

Een man koopt nadat hij in een akker een schat heeft gevonden de akker van de eigenaar. Op de achtergrond is te zien hoe de man de schat vindt en weer begraaft. Op de voorgrond staat de man met een stokkenbeurs in de hand om te onderhandelen en de akker te kopen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 13:44. Deze prent maakt deel uit van een album.
Portret van Frederik III de Wijze, keurvorst van Saksen
Object type: print
Date: 1524 – 1524
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: coat (+ fur used for clothes), coat (+ men's clothes), head-gear: cap (+ men's clothes), historical persons, clothing for the upper part of the body (+ men's clothes), beard, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Portret van Frederik III de Wijze, keurvorst van Saksen. Ronde bonnet* met omhooggeslagen en vastgeknoopte oorlappen*, tabbaard* met bontkraag, aangerimpeld hemd*. Hij heeft een gespleten krulbaard* en een snor*. Kleding 1520-1530.
Erklarung des Gesprachs der unterhandlung des friedens zwischen dem Ertzhertzoge und der statt Ostenden / sampt derselben ursach: gehalten den 22. 24. und 25. December Anno 1601
Object type: print
Date: 1601 – 1604
Materials: paper
Techniques: etching, letterpress printing
Location: low countries
Subjects: siege, position war, proclamation of peace

Onderdeel van illustraties in: Belaegerung der Statt Ostende : Journal: Tagregister... aller gedenckwurdigsten Sachen... so inner und ausserhalb... sich zugetragen... von 5 July 1601. biss auff diese.. Herbstmisse Anno 1604... auss der Niderlendischen in die Hochteutsche Sprach transferirt, Und mit: Journal. Ander theil uber die Belägerung der statt Ostende biss auf die Herbstmiss in Sept. 1604 bey gefugt Mappa der Statt Ostende neben dem abriss des Parvae und Novae Troiae, s.l., 1604, fol°, ill. Hierbij gevoegd enkele prenten voorzien van Duitse teksten, 1604 (z.n., z.p.). In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 10).
Gold earring with head of an antelope
Object type: earring with head of antelope
Date: 400 – 201
Materials: gold
Culture: greek
Subjects: deer

Consisting of a circlet of gold wire, twisted or plain, which tapers from an animal's head at the front end to a hooked point which passes through a loop below the animal's throat.
Portret van Hendrick Laurensz. Spieghel op 30-jarige leeftijd
Object type: print
Date: 1659 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter van gunst
Artist role: print maker
Artist dates: 1658 – 1731
Subjects: amsterdam, hendrick laurensz. spieghel, historical persons, portrait of a writer

Met drieregelig onderschrift in twee kolommen in het Nederlands.
Groep figuren bij een kade
Object type: sketchbook leaf
Date: 1837 – 1881
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes huybertus van hove bzn
Artist role: print maker
Artist dates: 1827 – 1881
Subjects: pier, quay, wharf (+ view ~ vehicle, ship, etc.)

Een zittende man steunt met zijn linkerelleboog op een ton en richt zich tot de overige figuren. Op de achtergrond de masten van zeilschepen. Blad 23 recto uit een schetsboek met 33 bladen en 10 losse tekeningen.
Deventer, halve stuiver
Object type: coin
Date: 1628 – 1630
Materials: silver
Techniques: striking
Location: deventer

Zilveren munt. Voorzijde: tussen waarde-aanduiding 1/2 S gekroond wapenschild van Deventer. Keerzijde: lang versierd kruis met in de hoeken letters H, S, D en E.
Titelpagina voor: Antonius Schultingius, Dissertatio juridica inauguralis ad L CXCVII D de divers regul juris quam annuente deo ter opt. max, Leiden 1729
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: etching
Location: leiden
Subjects: fame; 'fama', 'fama buona', 'fama chiara' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Allegorie op de wetenschap met personificatie van roem die op twee loftrompetten blaast en een tableaux met deTijd die een man of vrouw met boek naar een tempel met deugden leidt.
A Counciller [sic]
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,profiles
Oceanus
Object type: print
Date: 1589 – 1590
Techniques: woodcut
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: men,mythical creatures,fish
Underground Jerusalem
Object type: book
Date: 1876 – 1876
Materials: cardboard, leather, paper
Techniques: combed marbled paper, lithograph, printing, woodburytype
Location: london
Artist: charles warren
Artist role: engineer
Inscriptions: inscription: ‘Edward Brown Lees and Dorothy Libesey his Wife’
Fontein met vrouwen en putti
Object type: ornament print
Date: 1745 – 1745
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: sitting figure - aa - female human figure, other architectural details (cupola), ornamental fountain, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Ontwerp en plattegrond van een fontein met een koepel en putti, aan de bovenzijde twee zittende vrouwen met putti.
Vrouw liggend op een bank in een tuin
Object type: print
Date: 1861 – 1911
Materials: paper
Techniques: etching
Artist: louis le nain
Artist role: print maker
Artist dates: 1851 – 1939
Subjects: garden, lying figure - aa - female human figure, statues, sculptures in garden
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Le billet doux. nouvelle par L. Cladel’

Links staat een tuinbeeld van Cupido met zijn vinger voor zijn mond. Dit beeld en het briefje op de grond naast de vrouw, verwijzen naar een mogelijke (geheime) liefde van de vrouw.
The Forceful Rendón Stabs a Bull with the Pique, from which Pass He Died in the Ring at Madrid, plate 28 from The Art of Bullfighting
Object type: print
Materials: paper
Techniques: aquatint, engraving, burnishing, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Versailles, Vase par Cornu
Object type: photograph
Date: 1902 – 1902
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards