deem-data/ArtiFact huggingface dataset:
Portret van Abeleven
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: letterpress printing, lithograph
Artist: henri philippe heidemans
Artist role: print maker
Artist dates: 1804 – 1864
Subjects: religious functionaries ~ freemasonry, tools, aids, implements ~ crafts and industries: hammer, historical persons (+ half-length portrait), conceptions and ideas visualized ~ freemasonry
Inscriptions: collector's mark: Lugt 2228, signature:

De geportretteerde draagt een bril, mantel en een ketting met de tekenen van de orde van de vrijmetselarij. In zijn hand heeft hij een hamer. Onder het portret een tekst in boekdruk: een bewijs van aanwezigheid tijdens het herinneringsfeest ter ere van het verschijnen van het Charter van Keulen.
La Guaira in Venezuela
Object type: photograph
Date: 1902 – 1911
Materials: photographic support
Techniques: photography
Subjects: la guaira
Inscriptions: inscription: ‘Gezicht op la Guaira Febr. 1911’

Gezicht op La Guaira in Venezuela, februari 1911. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Vaas met eikel
Object type: ornament print
Date: 1760 – 1780
Materials: paper
Techniques: etching
Location: paris
Subjects: vase ~ ornament
Inscriptions: collector's mark: Lugt 2228

Neoklassieke vaas met deksel. De knop heeft de vorm van een eikel.
Voetpad door een landschap met bomen
Object type: photograph
Date: 1859 – 1860
Materials: paper
Techniques: albumen print
Location: great britain
Artist: Anonymous
Subjects: forest path or lane, great britain
Inscriptions: watermark: ‘GEORGE & JOSEPH LOTT/ [...]/ Silent Street, Ipswich/ JUNE 1859’
Goden in nissen
Object type: print
Date: 1510 – 1569
Materials: paper
Techniques: engraving
Location: italy
Artist: jacob binck
Artist role: painter, print maker
Artist dates: 1494 – 1569
Subjects: (story of) ceres (demeter)
Inscriptions: collector's mark: Lugt 240

Prent uit een reeks van 20 prenten. Tekst in ondermarge uitgesneden. Voorstelling rond de contour uitgeknipt.
Alme, from National Dances (N225, Type 2) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,dancing,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Vrouwenhoofd
Object type: design
Date: 1891 – 1941
Materials: paint, ink, paper
Techniques: brush
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Gezicht op Milaan
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: aquatint
Location: italy
Subjects: square, place, circus, etc., city-view in general; 'veduta', church (exterior)
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘L.R.C.’

Een gezicht op Milaan, met de Dom, het Piazza del Duomo, de Galleria Vittorio Emanuele en het Palazzo Reale.
Batavia in een kar voortgetrokken door paarden en begeleid door de Faam
Object type: titelblad, titelpagina
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: personifications of countries, nations, states, districts, etc., chariot, triumphal car, fame; 'fama', 'fama buona', 'fama chiara' (ripa), batavia
Inscriptions: collector's mark: Lugt 2166

Titelpagina voor: Someren, Johan van. Herstelde oudtheyt, ofte Beschrĳvinge van Batavia. Nijmegen: Andries van Hoogenhuysen, 1657.
Haarkam van imitatie schildpad en hoorn met een smalle, onversierde ronde rug
Object type: comb
Date: 1800 – 1900
Materials: celluloid, horn
Techniques: filing, polish, pressing, sawing
Location: netherlands
Artist: Anonymous

Haarkam van imitatie schildpad en hoorn met een smalle, onversierde ronde rug, die aan beide kanten van de tanden een stukje uitsteekt. Tien tanden.
Horse Racing at Kamo Shrine
Object type: screen
Date: 1667 – 1733
Materials: gold, gold leaf, ink, panel, paper
Culture: japanese
Subjects: men,women,horses

Beginning in the ninth century, an annual horse race was held in early spring as part of festival celebrations at the Upper Kamo Shrine in Kyoto. People from all walks of life—courtiers and court ladies, samurai, and commoners—enjoyed the festivities. The race (Kamo kurabeuma) was a great spectacle, and an opportunity for aristocratic riders to demonstrate their riding skills and show their best horses. Many in attendance seem in rapt attention to the main event, while other vignettes depict people engaged in an array of activities. This set of screens was produced probably sometime during or around the Genroku era (1688–1704), a period associated with developments in luxury and fashion trends.
Portret van bisschop Gaspar Nemius
Object type: print
Date: 1620 – 1680
Materials: paper
Techniques: engraving
Subjects: gaspar nemius
Inscriptions: inscription: ‘F.’, collector's mark: Lugt 2228

Gaspar Nemius, bisschop van Antwerpen, draagt een biretta op het hoofd en is gekleed in een mozetta. Buste naar rechts in een ovaal. Onderaan in de marge een drieregelige tekst in het Latijn.
Flounce
Object type: textile
Date: 1601 – 1700
Location: italy
Design for Wallpaper with Alternating Vertical Rows of Pairs of Ornamental Frames of Two Sizes Framed by Interlacing Garlands of Laurel Leaves Tied by a Bow
Object type: drawing ornament architecture
Date: 1870 – 1900
Materials: graphite, watercolor
Artist: anonymous, french, 19th century
Artist role: designer
Artist nationality: french
Artist dates: 1800 – 1900

Rectangular sheet of paper with a design for a wallpaper from the second half of the nineteenth century, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival was characterized by the use of design motifs that alluded to Classical Antiquity, including vases and trophies with pastoral attributes, classical figures and cameos, a mixture of real and fantastic figures, and swags and festoons. These swags and festoons comprised garlands of fabric and ribbon, as well as thin bundles and garlands of flowers and husks colored with pastels. The scale of this design is clearly not true to life and it is not unlikely that this drawing was made for a sample book of an upholsterer, to be shown to the customer as one of many different styles to choose from. The design, possibly for a wallpaper, consists of alternating vertical rows of pairs of ornamental frames of different sizes, colored with tones of yellow to simulate a gold finish, framed by interlacing garlands of laurel leaves tied together by a bow resting under the smaller frame on each pair. The larger ornamental frames contain scrolling motifs, and the smaller ornamental frames contain simplified traces to indicate the design of the inside. The frames are all rendered with yellow, possibly to simulate a gold finish, and the inside contents are colored alternatingly: the ornamental motifs inside the frames in the middle row are colored with brown over a beige ground, and the ornamental motifs inside the frames of the two other rows are colored with blue and red over a gold-colored ground. The ribbon bows decorating the smaller frames are colored with pink, blue and purple, alternatingly. The background consists of ornamental scrolls of pink color over a magenta ground. Traces of graphite can be seen towards the borders of the design. Some of the frames are rendered so that the details are almost complete, others are left incomplete.
Brief aan Marisa Quanjer
Object type: letter
Date: 1937 – 1937
Materials: ink, paper
Techniques: pen, writing
Location: haarlem
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: historicus, kunsthistoricus, marisa quanjer
Inscriptions: collector's mark: ‘RPK’
De zeven sacramenten
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: colour, engraving, etching
Location: bassano del grappa
Artist: giovanni volpato
Artist role: ceramicist, print maker, printer
Artist dates: 1735 – 1803
Subjects: ornaments ~ art, the eucharist ~ the fourth of the seven sacraments
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Het sacrament van de eucharistie. In een kerk staat een priester met kelk en hostie in de handen. Drie knielende dames en een heer gaan bij hem te communie. Rechtsvoor een knielende misdienaar. Rechtsachter een altaar. Titel in twee talen onder voorstelling. De scène is gevat in een ornamentrand.
Gazette du Bon Ton, 1921 - No. 9, Pl. 66: Bar de nuit
Object type: fashion print
Date: 1921 – 1921
Materials: paper
Techniques: letterpress printing, photochemical processes
Location: london
Subjects: ensembles of pieces of clothing (suit) (+ men's clothes), head-gear (+ women's clothes), inn, coffee-house, public house, etc., fashion plates
Inscriptions: date

Man. zittend met de benen over elkaar, in een smoking. Sigaar in de hand. Naast hem zit een vrouw, op de rug gezien, met op het hoofd een cloche (pothoed). Achter de bar een slapende man. Planche 66 uit Gazette du Bon Ton 1921, No. 9. Uitleg over de prent op pagina "Explication des Planches Hors-Texte. Contenues dans le numéro 9."
Disc-shaped mace head
Object type: mace head, disc
Date: 3850 – 2960
Location: egypt
Portret van twee onbekende meisjes
Object type: photograph
Date: 1857 – 1857
Materials: copper, glass, leather, velvet
Techniques: daguerreotype
Artist: Anonymous
Subjects: historical persons, girl (child between toddler and youth)
Drie mannen op straat bekeken van achter een raam
Object type: print
Date: 1904 – 1952
Materials: paper
Techniques: engraving
Artist: jo bezaan
Artist role: draughtsman, print maker
Artist dates: 1894 – 1952
Subjects: conversation, dialogue; conversation piece, human figure at (open) window, seen from inside
Inscriptions: collector's mark: Lugt 2228
Rapier
Object type: rapier
Date: 1801 – 1833
Materials: copper alloy, gold, steel, textile
Culture: french
Location: france

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
"I'm de Boss Whistler on the block," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys

Trade cards from the "Terrors of America" series (N136), issued in a set of 50 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The original lithographs for the series were created by Knapp & Company, N.Y. This is the second time that Duke released the "Terrors of America" series. The cards of the first set (N88) are smaller than N136 cards.
Mug
Object type: mug
Date: 1801 – 1900
Fotoreproductie van een tekening van een moeder met baby door Johannes Christiaan d'Arnaud Gerkens
Object type: page
Date: 1858 – 1863
Materials: paper
Techniques: albumen print
Subjects: mother and baby or young child
Ansichten von Deutschland / Berlin und Potsdam
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: diana hunting, permanent exhibition, museum, sculpture
Inscriptions: number: ‘No. 118’
The Actor Tsuneyo II as Okaru in the Play Kanadehon Chushingura, Performed at the Morita Theater in the Eighth Month, 1779
Object type: print
Date: 1779 – 1779
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Twee reliëfs van een tak met bloemen, waaronder één roos, gebeeldhouwd door Jean Herman
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: liège
Subjects: branches, 'astwerk' ~ ornament, flowers ~ ornament, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘23’, inscription: ‘Jean Herman, Sculpteur.’

Deze prent maakt deel uit van een omslag met 28 prenten en een titelblad.
Rectangular Plaque
Object type: plaque
Materials: copper alloy
Culture: frankish
Location: france
M.F.P.-617
Object type: album leaf
Date: 1943 – 1944
Materials: paper, pencil
Techniques: writing
Location: germany
Artist: werner neufang
Artist role: militair
Subjects: werner neufang
Inscriptions: inscription: ‘M.F.P.-617 / Besatzung: ...’

Blad met een handgeschreven lijst met de namen van de manschappen van de M.F.P.-617, de eenheid waartoe ook Werner behoorde. Tussenblad tussen bladzijde 24 en 25. Onderdeel van een fotoalbum over de Duitse Werner Neufang van de Kriegsmarine en de Nederlandse Thea Driesen.
Toren van de Nederlands-hervormde Kerk te Hem
Object type: photograph
Date: 1897 – 1897
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hem
Subjects: church (exterior), tower (of house or building)
Inscriptions: annotation: ‘gem Venhuizen’, annotation: ‘N.H. Kerk, sept. 1897/ Hem’, annotation: ‘Hem gem Venhuizen (N.H.)/ N.W. zijde v/d toren/ sept 1897’
The Tailor, from Arts et Métiers
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: france
Artist: bernard gaillot
Artist nationality: french
Artist dates: 1780 – 1847
Chocolate Pot
Object type: chocolate pot
Date: 1879 – 1879
Materials: copper, gold, ivory, silver
Culture: american
Location: united states
Artist: tiffany & co.
Artist role: maker
Artist dates: 1837 – 9999
Subjects: crayfish

This chocolate pot exemplifies the unprecedented innovation and creativity that characterized Tiffany & Co.'s work during the 1870s and 80s. Under the direction of Edward C. Moore (1827-1891), Tiffany's produced exquisitely wrought and highly original silver, which in turn attracted many of the finest craftsmen and designers to the firm. Indeed, Charles Osborne (1847-1920), who is credited with designing this chocolate pot, left his position as chief designer at one of Tiffany's competitors, the Whiting Manufacturing Company, in order to learn from and work with Moore at Tiffany's. The silver that resulted from this mentorship and collaboration is among the finest produced during the second half of the nineteenth century. The spiral motifs accenting the pot's body together with the masterfully chased leaves wrapping the spout are signatures of Osborne's work. The lifelike cast ornaments of crawfish and crabs further demonstrate technical virtuosity and inventive aesthetic sensibilities, as does the rich red color, the result of painstaking experimentation and innovative use of electrolytic technology to achieve new surface tones and effects. Moore and Osborne were inspired by Japanese objects; however, their work is in no way imitative. This striking chocolate pot makes clear why The Connoisseur celebrates Tiffany & Co. in an 1885 article entitled "Artistic Silverware" for having "raised the making of artistic silver to a height never reached to my knowledge by silversmiths in preceding ages."
Portret van Josine Marie Christine Grenfell met haar dochter Adeh
Object type: photograph
Date: 1884 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: arnhem, historical persons - bb - woman, mother and daughter(s) (family group)
Portret van een onbekend meisje met hoed
Object type: frame
Date: 1880 – 1900
Materials: cardboard, glass, metal, paper
Techniques: albumen print
Artist: Anonymous
Subjects: girl (child between toddler and youth), anonymous historical person portrayed
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, lower drapery, legs, and part of thrysos of maenad?
Portret van G.W. Schwartze
Object type: print
Date: 1814 – 1869
Materials: paper
Techniques: lithograph
Artist: gustav schlick
Artist role: print maker
Artist dates: 1804 – 1869
Subjects: medicine, medical science (+ portrait of scholar, scientist), historical persons not known by name
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende medicus met de naam G.W. Schwartze.
Locking biscuit box in book form : Biscuits Olibet
Location: france
Nederland, ½ gulden, 1848
Object type: coin
Date: 1848 – 1848
Materials: silver
Techniques: striking
Location: utrecht
Artist: william ii of the netherlands
Artist role: koning
Artist dates: 1792 – 1849

Zilveren munt. Voorzijde: borstbeeld naar links. Keerzijde: tussen waarde-aanduiding ½ G gekroond rijkswapenschild. Jaartal boven kroon. Kartelrand.
Toujours Chic Les Deshabillés, Hiver 1921-1922: Capricieuse
Object type: fashion print
Date: 1921 – 1922
Materials: paper
Techniques: letterpress printing, pochoir
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

Prent uit Catalogus "Toujours Chic" waarin een overzicht van de wintermode 1921-1922.
Plattegrond van de citadel bij Port-Louis
Object type: area plan
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: maps of cities

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, prent nummer 22 in het deel 'Bretaigne'.
Badende jongens in bosvijver
Object type: drawing
Date: 1857 – 1935
Materials: chalk, paper
Artist: max liebermann
Artist role: draughtsman, print maker
Artist dates: 1847 – 1935
Subjects: public baths - aa - in the open air
Esdras Heinrich Mutzenbecher (...)
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: esdras heinrich mützenbecher, historical persons
Inscriptions: collector's mark: Lugt 240, number: ‘1311/15’, collector's mark: Lugt 789a
Goat (one of a pair)
Object type: figure
Date: 501 – 600
Materials: earthenware
Culture: chinese
Subjects: goats
Ruins of the Palatine Hill
Object type: drawing
Date: 1772 – 1776
Materials: chalk
Artist: joseph benoît suvée
Artist role: artist
Artist nationality: french
Artist dates: 1743 – 1807
Subjects: ruins

Born in Bruges, Suvée completed his artistic training in Paris, where in 1771 he won the Prix de Rome, beating out a young Jacques Louis David, five years his junior. As a student at the Académie de France in Rome, he made this accomplished study of the sun-drenched ruins of the Colosseum. In both technique and conception, it echoes the landscape drawings of his predecessors, artists such as Hubert Robert who saw antiquity as a source of picturesque motifs and an inspiration for reverie.
Card Number 240, Miss Fuller, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Kaart van de omgeving van Roermond en Venlo, 1709
Object type: map
Date: 1709 – 1709
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: maps of separate countries or regions

Kaart van de omgeving van Roermond en Venlo met de Peel, 1709. Onderdeel van een gebundelde verzameling van plannen van veldslagen en steden vermaard in de Spaanse Successieoorlog. Deze plaat behoort tot de eerste 24 platen die samen een zeer grote kaart van de Zuidelijke Nederlanden vormen.
Fragment tabakspijp
Object type: pipe
Date: 1750 – 1780
Materials: clay
Subjects: the hague, rotterdam

Fragment tabakspijp, rondbodem model. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Caricatured figures / Santa Claus has to Furnish the Stockings / Organic Revolution, from the Jokes series (N118) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men

Trade cards from the "Jokes'" series (N118), issued in an unnumbered set of 25 cards ca. 1891 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Gezicht op de Prinsengracht
Object type: photomechanical print
Date: 1910 – 1910
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘11.35’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Prinsengracht, Korte Prinsengracht, Prins Hendrikkade. Zie ook Portefeuille 1: gezichten van het IJ op de stad.
Ichikawa Monosuke II
Object type: print
Date: 1790 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunjō
Artist role: artist
Artist nationality: japanese
Artist dates: 1700 – 1787
Subjects: men,actors
Philippes Collot
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: france
Subjects: arts, philippe collot
Inscriptions: collector's mark: Lugt 240

Busteportret van de arts Philippe Collot, afgebeeld in ovale omlijsting met wapen.
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "L'Automne" door François Truphème en rechts "La Chasse" Alexandre Schoenewerk
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘950 en 961’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Woman Seated on Rococo Scroll
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1700 – 1799
Nr. 12b. Botanik. Unsere Kätzchenblütler. Castance sativa. Essbare oder Edel-Kastanie.
Object type: stereograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: fruits: chestnut, botanic garden, 'hortus botanicus'
Inscriptions: : ‘Steglitz-Berlin’, : ‘Filialen: London, New-York, Paris, Wien, Brussel, Mailand’, number: ‘20/12’