deem-data/ArtiFact huggingface dataset:
Sutra Cover
Object type: sutra cover
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: flowers
Aankomst van koning Willem III bij Oranjepolder, 1691
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: etching, letterpress printing, writing
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), arrival and return ~ travelling

De aankomst van koning Willem III bij Oranjepolder in Zuid-Holland, 31 januari 1691. Door ijsvorming heeft de roeiboot met Willem III moeite aan land te komen. Met vier verzen onder de plaat: op het plaatsnemen in de boot (twee keer), op de zware mist en op het aan land treden. Op het blad correcties met pen in bruin.
Landscape
Object type: hanging scroll
Date: 1848 – 1903
Materials: ink, paper
Culture: chinese
Artist: wu guxiang
Artist role: artist
Artist nationality: chinese
Artist dates: 1848 – 1903
Maison du Duc d'Orléans à Twickenham
Object type: print
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: twickenham
Artist: joseph constantine stadler
Artist role: artist
Artist nationality: german
Artist dates: 1780 – 1822
Monument voor de Pruisen
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: brussels
Artist: h. gérard
Artist role: printer
Subjects: landscape with monument, waterloo

Het monument voor de gevallen Pruisische militairen, te Plancenoit nabij Waterloo. Links op de grond twee boomstammen. Onderdeel van een album met twaalf platen met gezichten uit ca. 1840-1846 van de omgeving waar de slag bij Waterloo plaatsvond op 18 juni 1815. Genummerd rechtsboven: No. 10.
Landschap met ruïne
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1204
Vredesvooruitzichten
Object type: cartoon
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, personifications of countries, nations, states, districts, etc., political caricatures and satires

Een Boerenjongen wil niet op de knie van de gehavende John Bull (Engeland) zitten. Op de achtergrond bepleit De Beaufort de vredelievendheid van Engeland tegen de Russische tsaar.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek

Part of the mouth and neck of a small amphora, with debased palmettes on the neck
Sculptuur van een zittende man op een rots
Object type: photograph
Date: 1851 – 1873
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: alphonse bernoud
Artist role: fotograaf
Artist dates: 1820 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘377.’
Art - Goût - Beauté, Feuillets de l' élégance féminine, Novembre 1928, No. 99, 9e Année, p. 11
Object type: fashion print
Date: 1928 – 1928
Materials: paint, paper
Techniques: brush, hand coloring, lithograph, pochoir
Subjects: dress, gown: day dress (+ women's clothes), fashion plates, necklace (+ women's clothes)
Inscriptions: caption: ‘QUANT LES FEUILLES TOMBENT. - Robe d'après-midi en crêpe marocain. / Création Jean Patou’

Tekst met een afbeelding van een vrouw gekleed in een middagjapon van 'crêpe marocain', van Jean Patou. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Card Number 380, Lizzie Harold, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Stroomversnelling in de sneeuw
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: rapids
Inscriptions: number: ‘No. 114’
Gezicht op Klein Trianon te Versailles
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: versailles
Artist: Anonymous
Subjects: garden
Inscriptions: number: ‘57’, collector's mark: Lugt 3937, inscription: ‘J.D. (Pt Trianon)’
Marcellus Librechts, rentmeester-generaal van de stad Antwerpen
Object type: jeton
Date: 1662 – 1662
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: antwerp

Koperen penning. Voorzijde: wapenschild in cartouche tussen letters S.P.Q.A. binnen krans van bladeren en bloemen. Keerzijde: opschrift binnen omschrift
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1875 – 1890
Materials: paper, cardboard
Techniques: collodion silver print
Location: paris
Artist: m.h. fontès
Artist role: fotograaf
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: address: ‘19, AVENUE DES TERNES/ aux Rond Point, Paris’
Arabische man te paard met een geweer
Object type: cabinet photograph
Date: 1863 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Location: algeria
Subjects: anonymous historical person portrayed, firearms: rifle, horse
Inscriptions: inscription: ‘Cavalier arabe’, inscription: ‘8, Rue Bab-Azoun’, inscription: ‘Alger/ 8, Rue Bab-Azoun, 8’
Interior with Staircase
Object type: drawing
Date: 1850 – 1859
Materials: graphite
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Ansichten von Deutschland
Object type: stereograph
Date: 1869 – 1872
Materials: cardboard, paper
Techniques: albumen print
Location: braunschweig
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: street
Inscriptions: number: ‘No 52.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Exterior, genitals and part of the thighs of a youth to left, holding a vine in his right hand
A Cahier de Bordures à l'usage de la Sculpture &c, avec leurs Profils
Object type: ornament print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornaments ~ art (+ framing decorations)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een lijst met bladmotieven, een lijst met een rank van eikenbladeren en een lijst met tulpen en bladmotieven.
Bizon
Object type: print
Date: 1735 – 1859
Materials: paper
Techniques: etching, hand coloring
Subjects: hoofed animals: bison
Inscriptions: collector's mark: Lugt 240
Vanitas
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: skull as symbol of 'vanitas', 'vanitas' still life, soap-bubble
Inscriptions: collector's mark: Lugt 2228

Vanitasstilleven met een bloembekranste schedel, portretalbum, kostbare kandelaar met gedoofde kaars, een vat en zeepbellen. In de marge een citaat van Horatius 'Mors ultima lenea rerum est' ('De dood is de eindstreep').
Portret van een onbekende man
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Artist: Anonymous
Subjects: historical persons not known by name
Inscriptions: number: ‘160-C’
Fotoreproductie van vermoedelijk een tekening van een theater in Rome
Object type: reproduction
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: theatre (building)
Figures Walking and on Horseback in a Park
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen, wash
Culture: french
Location: france
Château de Verneuil, Touraine
Object type: print
Date: 1888 – 1888
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Snowy Landscape
Object type: print
Date: 1850 – 1850
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: houses,mountains,landscapes,snow
Groepsportret van Maria Theresia van Oostenrijk, Frans I Stefan en dertien van hun kinderen
Object type: print
Date: 1756 – 1761
Materials: paper
Techniques: etching
Location: germany
Subjects: maria carolina van oostenrijk, maria christina van oostenrijk (1742-1798), maria theresia (rooms-duits keizerin), jozef ii (duits keizer), maria amalia (aartshertogin van oostenrijk), frans i stefan (duits keizer), paris, marie antoinette, vienna, leopold ii (keizer van oostenrijk), historical persons - bb - woman, historical persons, emperor - bb - female ruler
Study of Rocks in a Landscape (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: plants

The execution of sketches and studies was a crucial part of Edmonds’s creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.
Verkoper van Amsterdams weekblad 'Het Leven'
Object type: sketchbook leaf
Date: 1917 – 1919
Materials: chalk, paper, pencil, watercolor
Techniques: brush
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: merchant, salesman
Inscriptions: annotation: ‘HET LEVEN/ HET LEVEN/ HET LEVEN’

De jongen draagt een pet en tas en heeft een tuig met op de voorzijde de omslag van het weekblad op zijn borst. Pagina 1 uit een schetsboek met 28 bladen.
Thigh Defense
Object type: thigh defense
Date: 1401 – 1500
Materials: iron
Culture: turkish
Location: turkey
Panorama von Godesberg am Rhein
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: bad godesberg
Subjects: river, prospect of city, town panorama, silhouette of city
Inscriptions: poststempel, verso, gestempeld
Slapende leeuw
Object type: drawing
Date: 1829 – 1890
Materials: chalk, paper, watercolor
Techniques: brush
Artist: charles edmé saint-marcel-cabin
Artist role: draughtsman
Artist dates: 1819 – 1890
Subjects: sleeping; unconsciousness
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Interior, part of band of laurel leaves; in tondo, part of a draped figure (elbow under drapery?); Exterior, tendrils
Pair of shoes
Object type: shoe
Date: 1701 – 1800
Materials: gilt bronze
Subjects: infants
Portret van de Engelse schrijver Robert Southey
Object type: print
Date: 1828 – 1851
Materials: paper
Techniques: engraving, etching, roulette
Location: amsterdam
Subjects: robert southey
Inscriptions: collector's mark: Lugt 2228
Bowl
Object type: bowl
Date: 901 – 1400
Materials: pottery
Culture: korean
Duinlandschap
Object type: drawing
Date: 1844 – 1844
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: johannes franciscus hoppenbrouwers
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1866
Inscriptions: signature and date: ‘J.F. Hoppenbrouwers. 44’, annotation: ‘Souvenir a mon ami/D.Bles/...’
Fruit fork
Object type: fruit fork
Date: 1701 – 1800
Materials: mother of pearl, steel
Brug over de Keizersgracht te Amsterdam ter hoogte van de Berenstraat
Object type: sketchbook leaf
Date: 1893 – 1899
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, bridge in city across river, canal, etc.
Inscriptions: annotation: ‘Keizersgracht’

Pagina 10 uit een schetsboek met 28 bladen.
Splendore delle virtuose giovani, page 3 (verso)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: peacocks,flowers,vines

Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 2 vertical columns printed upon a grid. Left column consists of 2 intertwining vines with 2 peacocks that connect at the bottom to a black flower. Right column is decorated with 2 intertwining vines with 2 reclining female composite figures with plant limbs that connect at the bottom to white dotted flower.
The death of Ananias, surrounded by Apostles
Object type: print
Date: 1518 – 1518
Techniques: woodcut
Artist: ugo da carpi
Artist role: artist
Artist nationality: italian
Artist dates: 1480 – 1532
Subjects: men,apostles,death

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Portret van Niclaus Weinstein
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: mezzotint
Location: prague
Artist: johann friedrich leonard
Artist role: print maker
Artist dates: 1633 – 1680
Subjects: head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 2166
Kerk met dom en klokketoren, Italië [?]
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: albumen print
Artist: Anonymous
Two Fan Designs: Plum Blossom and Wave
Object type: print
Date: 1780 – 1850
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: flowers

On each sheet in this set are two fans set against a decorative river motif in deep blue embossed with silver that is contiguous across all five prints in this pentaptych. The red color of the wave in the top fan indicates the title of this design; others in the group are blue, yellow, white, and black. The motif of floating fans comes from the Muromachi period (1392–1568).
Lente en zomer
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: engraving, etching
Location: england
Subjects: seasons of the year represented by scenes showing human activities, usually in a landscape
Inscriptions: collector's mark: Lugt 2228

Links: figuren in een landschap in de lente. Tekst in het Engels in ondermarge. Genummerd linksonder: Vol. II. No. 1. Rechts: boeren aan het werk op het land in de zomer. Tekst in het Engels in ondermarge. Genummerd linksonder: Vol. II. No. 2.
Cup
Object type: cup
Date: 1701 – 1800
Materials: enamel, porcelain
Culture: japanese
Subjects: plants
Portret van Johannes Christiaan Schotel
Object type: print
Date: 1840 – 1843
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: dordrecht, painter, print maker, draughtsman, johannes christiaan schotel, portrait, self-portrait of artist, palette
Inscriptions: collector's mark: Lugt 2228

De geportretteerde heeft een palet en kasten in zijn handen.
Burgonet of the Guard of Pope Julius III
Object type: burgonet
Date: 1550 – 1555
Materials: brass, gold, steel
Culture: italian
Location: italy
Subjects: men,male nudes

The bold and colorful decoration, etched and gilt on a blued ground, includes a medallion containing the profile portrait of Pope Julius III (Giovanni Maria del Monte, 1487–1555, elected pope in 1550) surmounted by the stylized three-lobed mountain of the del Monte arms. The style and technique of the decoration anticipate the Brescian-made armors traditionally worn by the Papal Swiss Guard from the late sixteenth century.
Brief aan Philip Zilcken
Object type: letter
Date: 1908 – 1908
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: r. cremers
Subjects: the hague, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’, watermark
Portret van Narcisse Virgile Diaz de la Peña
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: painter, print maker, draughtsman, narcisse virgile diaz de la peña, historical persons, portrait, self-portrait of painter
Two Variant Designs for the Interior of a Room, Decorated with Porcelains, Fireplace in Center, and With the Doorways at Either Side
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink, paper, lead
Techniques: brush, drawing, pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: doorways,interiors
Portret van de priester Thomas Debbaut
Object type: print
Date: 1713 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: priest, book, skull as symbol of 'vanitas'
Inscriptions: collector's mark: Lugt 2228

Portret van Thomas Debbaut, priester te Amsterdam, in een studeervertrek. Zijn rechterhand heeft hij op een doodshoofd gelegd. In de marge de naam van de geportretteerde en een zesregelig lofdicht in het Nederlands.
Knolanemoon
Object type: ornament print
Date: 1700 – 1801
Materials: paper
Techniques: engraving
Location: paris
Subjects: flowers: anemone
Inscriptions: collector's mark: Lugt 2228

De serie Fleurs dessinées d'après nature (...) bestaat uit 24 prenten verdeeld over zes omslagen. Het Rijksprentenkabinet heeft 23 prenten in zes omslagen in bezit. De verdeling over de omslagen lijkt willekeurig. Zie RP-P-1909-4220 t/m 4242 en RP-P-2016-53 t/m 58.
Beaker
Object type: glass
Date: 1701 – 1800
Materials: glass
Location: bohemia
Caernarvon Castle
Object type: photograph
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: caernarfon castle
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: ruin of a dwelling, house, castle, etc.
Wedding Dress
Object type: wedding dress
Date: 1857 – 1857
Materials: cotton
Culture: american
Scarpa / Ein Scharb
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: etching
Location: augsburg
Subjects: water-birds
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent gebruikt voor: Hallbaur, Christian. Unterschiedliche Sceleta oder Bein-Cörper. Augsburg: s.n., 1735.
Ontvoering van Helena van Troje door Paris
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: london
Subjects: the abduction of helen and some of her companions: paris carries them off by sea, and takes a part of the palace-treasure with him
Portret van Allan M'Aulay uit A Legend of Montrose van Walter Scott
Object type: print
Date: 1824 – 1905
Materials: paper
Techniques: engraving
Location: karlsruhe
Subjects: walter scott, literary characters and objects
Inscriptions: collector's mark: Lugt 2228, : ‘Allan Mac Aulay du roman de Walter Scott’
Staande vrouw met opgeheven arm
Object type: endleaf
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: arm raised upward, standing figure - aa - female human figure
Inscriptions: annotation: ‘Van Es. Woensdag 1 uur/ Anna Martijn’

Pagina 1, voorste schutblad, uit een schetsboek met 28 bladen.
The Moon over Gojo Bridge (Gojo no tsuki), from the series "Heroes for the Snow, Moon, and Flowers (Buyu setsugekka)"
Object type: print
Date: 1867 – 1867
Techniques: woodblock print
Location: japan
Artist: tsukioka yoshitoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1839 – 1892
Harbor scene
Object type: drawing
Date: 1775 – 1827
Materials: ink
Techniques: pen
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: human figures,boats,ships
Landschap met waterplas
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: etching
Location: nieuwer-amstel
Artist: elias stark
Artist role: draughtsman, print maker
Artist dates: 1849 – 1933
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., pond, pool
Inscriptions: collector's mark: Lugt 2228, inscription: ‘E. Stark Eigendruk van 30 January’

Landschap met een waterplas. Bij enkele bomen staat een herder met zijn schapen.
Dish
Object type: dish
Date: 1425 – 1450
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain
Subjects: coat of arms

Lusterware is the term used to describe a glazed earthenware ceramic decorated with an iridescent finish. The technique for creating this finish was developed in the ninth century under the rule of the Abbasid Caliphate in present-day Iraq. The medium involves a technique that is difficult to master, but if completed successfully, the surfaces of the ceramic objects display an iridescent sheen which is achieved through multiple firings and the application of a metal-based pigment (including silver, copper, tin, or a combination of these). Lusterware manufacture is still difficult to understand from a technical perspective because for generations, production was kept secret to protect workshop practices from being replicated by competitors. Therefore, pigment formulas and trade techniques were passed down from master to pupil and rarely recorded. Knowledge of the technique for creating lusterware made its way to the Iberian Peninsula by the twelfth century, when most of the region was still under Islamic rule. By the 1400s, the Iberian center of lusterware production was in Manises, near the city of Valencia. Previously a Muslim taifa, or principality, the Kingdom of Valencia was conquered in the thirteenth century by James I for the Crown of Aragon, and it was here that Christians and Muslim potters worked, sometimes together, for a diverse clientele with a voracious appetite for high quality lustered wares. The inscription around the border of the dish reads ‘Ave Maria, gra[tia] plena’ (Hail Mary, full of grace). These are the opening words spoken to Mary by the Archangel Gabriel at the Annunciation (Luke 1:28). Here, a combination of Gothic lettering and stylized flowers reminiscent of a motif often seen on lusterware from the Islamic world, surround a dragon to create a unique pattern that reflects the multiple stylistic languages available to luster potters. Dragons and other fantastic beasts appear frequently on Valencian lusterware dishes; for example, another, similar plate in the collection, acc. no. 56.171.159, depicts a blue fire-breathing dragon surrounded again by the ‘Ave Maria’ inscription. Upon close inspection of this plate (acc. no. 56.171.110), the circle in the dragon’s chest acts as a frame around an ochre cross that bears the coat of arms of the noble Valencian Argent family.
Brief aan Ary Johannes Lamme
Object type: letter
Date: 1861 – 1861
Materials: ink, paper
Techniques: pen, writing
Location: antwerp
Artist: nicaise de keyser
Artist role: draughtsman, painter
Artist dates: 1813 – 1887
Subjects: dordrecht, print maker, draughtsman, ary johannes lamme, exhibition ~ art, the hague
Inscriptions: collector's mark: Lugt 2228
Portret van een peuter, staand op een bank
Object type: album leaf
Date: 1868 – 1900
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: amsterdam
Artist: hermanus jodocus weesing
Artist role: fotograaf
Artist dates: 1844 – 1910
Subjects: bench, historical persons, toddler (male)
Inscriptions: inscription: ‘H. J./ Weesing,/ PHOTOGRAPHE/ Amsterdam’
Erminie, of de Hoogeschool voor Amsterdamsche inbrekers
Object type: cartoon
Date: 1891 – 1891
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: pickpocket, elementary school; class, form, political caricatures and satires, burglary

Amsterdamse schoollokaal waar jongens les krijgen in inbreken, zakkenrollen en bankkluis kraken.