deem-data/ArtiFact huggingface dataset:
De vier seizoenen
Object type: print
Date: 1601 – 1651
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: fruit-tree culture; fruit harvest, boar (male pig), he-goat, billy-goat, vintage, grape harvest, autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 2228

Een jongen en een meisje oogsten fruit in het bijzijn van een bok en een zwijn. De jongen plukt druiven, het meisje draagt een mand met peren.
Dek van de boot tussen Vlissingen en Queensborough
Object type: album leaf
Date: 1889 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: north sea
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: parts of ship's exterior: deck
Front and back covers printed on the same sheet for a collection of love letters / stories (number 12)
Object type: print
Date: 1898 – 1898
Techniques: letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,women

"Colección de Cartas Amorosas, Cuaderno no. 12" (Imprenta de A. Vanegas Arroyo, ca. 1898).
Measure
Object type: measure
Date: 1734 – 1766
Materials: pewter
Artist: robert toussaint baillard
Artist role: maker
Artist nationality: french
Artist dates: 1743 – 1786
Blad met bloemen en vruchten
Object type: brocade paper
Date: 1700 – 1800
Materials: gold leaf, paint, paper
Techniques: relief print
Location: germany
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760
Parc de Versaille bosquet de la Colonnade
Object type: photograph
Date: 1905 – 1905
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Duellerende mannen
Object type: drawing
Date: 1811 – 1873
Materials: paper, pencil
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873
Subjects: duelling
Portret van Christoph von Teuffenpach
Object type: print
Date: 1590 – 1611
Materials: paper
Techniques: etching
Artist: hans sibmacher
Artist role: print maker
Artist dates:  – 1611
Subjects: armour, historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘P. 145’

Prent ook gebruikt in: Oretlius, Hieronymus. Chronologica (...). Neurenberg: Valentin Fuhrmann et. al., 1602-1665.
Barberinae Aulae Fornix
Object type: print
Date: 1692 – 1762
Materials: paper
Techniques: engraving
Location: vatican city
Subjects: griffin (lion/eagle); 'griffo' (ripa), justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Deel van de gewelfdecoratie in de salon van Palazzo Barberini met een allegorie op de Rechtvaardigheid (Justitia), met een griffioen, putti en een medaillon met een voorstelling van Manlius Torquatus.
The small Fish Market on the Corner of the Brouwersgracht and Singel, Amsterdam
Object type: painting
Date: 1826 – 1826
Materials: canvas, oil
Artist: johannes jelgerhuis
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1836
Subjects: market, amsterdam
Inscriptions: signature and date: ‘Jelgerhuis Rzn 1826’

Gezicht op de kleine vismarkt op de hoek van de Brouwersgracht en het Singel te Amsterdam op het moment dat een regenbui valt. In het midden de overdekte markt, rechts op de brug een man met een kruiwagen en een man met een paraplu. Op de achtergrond een ophaalbrug, een toren en de masten met zeilen van de schepen in de haven.
Mise-en-carte (Point-paper)
Object type: drawing and watercolor
Date: 1759 – 1759
Materials: paint, paper
Location: lyon
Artist: le clere l'ainé
Head of an Apostle
Object type: statue head
Date: 1280 – 1300
Materials: stone
Culture: german
Location: france
Subjects: heads,men,apostles

With its curly hair and furrowed brow, this arresting head bears comparison with the prophets on the central portal of the west facade of Strasbourg Cathedral, which was carved a generation after the Virgin (47.101.11) displayed in this gallery. The red sandstone is typical for that region. Although the head certainly belonged to a column figure, it is unknown whether it was part of the sculptural program of Strasbourg Cathedral or of another church in that city.
De zeven hoofdzonden
Object type: print
Date: 1619 – 1675
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: anger; 'ira' (ripa) ~ personification of one of the seven deadly sins, hacking and thrusting weapons: sword

Een man trekt zijn zwaard, terwijl hij de tafel voor hem omstoot en er een kruik omvalt.
Alfonso Miliotty
Object type: medallion
Date: 1784 – 1784
Materials: glass, paste
Artist: james tassie
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1735 – 1799
Subjects: men,profiles
Souvenir
Object type: souvenir
Date: 1768 – 1775
Materials: gold, ivory, porcelain
Subjects: flowers

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Ex libris, mogelijk van R.K.R.
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: linocut
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, woman (showing herself) undressed, quasi-nude, book
Twee armringen en een bel van brons
Object type: photograph
Date: 1880 – 1940
Materials: paper, cardboard
Techniques: collodion silver print
Artist: Anonymous
Subjects: bracelet, wristlet, bell ~ acoustic signalling
Inscriptions: collector's mark: ‘Rijks-etnografisch-instituut’, inscription: ‘Twee armringen en een bel van/ brons van Benin, West Afrika/ Rijks Etnografisch Museum/ Serie 1164/ No. 8.9.10’
Zwarte man bij een vogel op een tak
Object type: book illustration
Date: 1682 – 1682
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Artist: arnold houbraken
Artist role: draughtsman, painter, print maker
Artist dates: 1660 – 1719
Subjects: birds, human races, peoples and nationalities (other than prehistoric or extinct)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Joseph Hall, [bewerkt door] François van Hoogstraeten, De schoole der wereld, geopent in CXL. vliegende bedenkingen op veelerhande voorvallende gezichten en zaeken. Dordrecht: François van Hoogstraeten, 1682. En in herdrukken in 1687 en 1725.
The Rest on the Flight into Egypt
Object type: print
Date: 1593 – 1593
Techniques: etching
Artist: gerrit pietersz. sweelink
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1566 – 1612

An Amsterdam painter and draftsman, Gerrit Pietersz., moved to Haarlem in about 1588-89, to train with Cornelis Cornelisz., a Mannerist artist whose work had a lasting influence on him. While in Haarlem, he made six prints that are arguably his most innovative and beautiful works. Although Pietrsz. was drawn to printmaking while in Haarlem, he, unlike his contemporaries, eschewed the sharp swelling and tapering lines characteristic of Mannerist engraving and turned to etching instead. In contrast to the hard brilliance of the engravings by Goltzius and his school, Pietersz.’s etchings are loose and exuberant. The lines seem almost to have a life of their own, as we can see in the looping curls of Joseph’s beard and hair in The Rest on the Flight into Egypt, or the bunched drapery of St. Cecilia’s sleeve in St. Cecilia Playing the Organ. Printmaking was something of an experiment for Pietersz. He only executed six etchings during his entire career, five of which are dated 1593. All of his etchings are extremely rare, known only in a handful of impressions. The Met has four of his prints (one in a duplicate impression), more than any institution apart from the Albertina in Vienna and the Rijksmuseum in Amsterdam. Here Pietersz. shows the Holy Family seated on the ground, behind them a tree hung with a large cloth to screen them from sight as the Virgin nurses the Infant Christ. Joseph leans over them protectively, in a more engaged and sympathetic depiction than was usual for this period. The fluidity of his line and the overall softness of the portrayal provide a striking contrast to the engraved works of his contemporaries. The subject of the flight into Egypt clearly engaged Pietersz., for in addition to the present work, he depicted the same subject at a slightly different moment in time in The Holy Family with the Apple (Hollstein XVII.109.2), and used similar compositional elements in his portrayal of Faith, Hope and Charity (see inv. no. 17.50.1594). The museum has two impressions of this print, inv. nos. 1974.547.7 and 68.681.8. The former is an earlier, more richly inked impression.
Sugar cane-sellers-Bedreshayn
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photoaquatint
Location: egypt
Artist: Anonymous
Subjects: plants and herbs: sugarcane, merchant, salesman
Inscriptions: annotation
Aus der Lebensgemeinschaft des Waldes
Object type: book
Date: 1939 – 1939
Materials: cardboard, linen, metal, paper, photographic support
Techniques: decorated paper, gelatin silver print, printing
Location: germany
Artist: kurt dieterich
Artist role: fotograaf
Subjects: plants; vegetation, forest, wood, bush, shrubs ~ forest, germany
Inscriptions: annotation: ‘61/a 10,-/ mit [...] pfotos./ Raumbild [....]/ fu[..]t.’

Boek met in de band vijf stapels stereofoto's en een stereoscoop. Afgebeeld zijn bomen en planten in de Duitse wouden. Verder bevat het boek enkele platen in autotypie die tussen de tekstbladen zijn gebonden, waarop landschappen en bossen te zien zijn. In de tekst wordt een uitgebreide uitleg gegeven bij iedere stereofoto. Achterin het boek bevindt zich een lijst met beschrijvingen van de 150 stereofoto's.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1601 – 1700
Materials: brass, copper, iron
Culture: japanese
Location: japan
Zeilboot
Object type: sketchbook leaf
Date: 1841 – 1865
Materials: paper, pencil
Artist: petrus johannes schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1865
Subjects: sailing-ship, sailing-boat

Pagina 61 uit een schetsboek met 80 pagina's.
Calligraphy
Object type: painting
Materials: gold, ink, paper
Techniques: painting
Location: china
Artist: attributed to dong qichang
Artist nationality: chinese
Artist dates: 1555 – 1636
Blad van zilver, met bodem van spiegelglas. Parelrand en gegraveerde versieringen. Behoort bij koektrommel BK-KOG-2604-A-I.
Object type: blad
Date: 1891 – 1891
Materials: silver
Location: netherlands
Inscriptions: mark

Two boxes. Silver. Amsterdam, 1788, by Johannes Logerath. On loan from the Koninklijk Oudheidkundig Genootschap.
Scarab Inscribed with the Throne Name of Ahmose
Object type: scarab, ahmose, nebpehtyre
Date: 1550 – 1525
Materials: faience
Location: egypt
Subjects: scarabs
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower drapery of figure
Vase
Object type: vase
Date: 1700 – 1700
Materials: enamel, gold, porcelain
Culture: japanese
Subjects: flowers
Zittend mannelijk naakt, op de rug gezien (1e prijs 1799)
Object type: drawing
Date: 1799 – 1799
Materials: chalk, charcoal, paper
Artist: jan philip reuthel jr.
Artist role: draughtsman
Subjects: sitting figure (+ nude human being)
Gezicht op het Heidelberger Slot en de stad
Object type: print
Date: 1814 – 1830
Materials: paper
Techniques: lithograph
Subjects: palace, landscape with tower or castle (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2233

Prent maakt deel uit van een serie met gezichten op het Heidelberger Slot. Over deze serie is verder niets bekend. Het betreft (ten minste) negen gezichten op het Heidelberger slot.
Duitse staten slaan de Franse generaals op hun blote achterwerk
Object type: print
Date: 1870 – 1871
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: london, napoleon iii (keizer der fransen), spanking, drubbing (of naughty children)

Spotprent op de nederlagen van Frankrijk in de Frans-Duitse oorlog van 1870-1871. De verschillende Duitse staten slaan de Franse generaals op hun blote achterwerk, uiterst rechts keizer Napoleon III. In het onderschrift een Duits vers in zes coupletten.
Rectangular stamp seal with gable-head handle
Object type: stamp seal
Date: 1500 – 1201
Materials: stone
Culture: hittite
Location: anatolia
Loofhuttenfeest (Soekot)
Object type: print
Date: 1726 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: 'sukkot', feast of the tabernacles
Inscriptions: collector's mark: Lugt 2228

Op een veld voor de stadspoort zijn loofhutten gebouwd om het feest te vieren. In de hutten zit men aan de maaltijd.
Studioportret van een man op een stoel
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: franz wilhelm deutmann
Artist role: fotograaf
Artist dates: 1809 – 1895
Dutch Merchants Sketched at Amsterdam
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,merchants
Panel with Presentation in the Temple
Object type: panel
Date: 1801 – 1900
Materials: ivory
Culture: european
Subjects: men,virgin mary
Studieblad, onder andere met armbanden en het gemeentewapen van Echt in een medaillon
Object type: sketchbook leaf
Date: 1857 – 1859
Materials: paper, pencil
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), bracelet, wristlet, pendant, trinket, 'breloque'
Inscriptions: annotation: ‘Echt’

Het medaillon toont een leeuw die het gemeentewapen van Echt omhoog houdt. Tevens twee studies van bisschoppen in ronde omlijstingen. Mogelijk betreft het munten. Blad 31 recto uit een schetsboek met 77 bladen.
Wilgen aan een sloot
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: rowing-boat, canoe, etc., trees: willow, small canal, ditch
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Geschiedenis van Lot
Object type: print
Date: 1557 – 1570
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: the angels urge lot to hurry in leaving the city
Inscriptions: collector's mark: Lugt 1967

De twee engelen begeleiden Lot en zijn familie de stad uit. Op de achtergrond een heuvelachtig landschap met een rivier.
Harmoniphon
Object type: hamoniphon
Date: 1836 – 1836
Materials: metal, wood
Culture: french
Location: france
Artist: paris, lecrosnier & tremblai
Artist role: maker
Artist nationality: french
Artist dates: 1820 – 1870

The harmoniphon was a free reed instrument patented in 1836 by Paris, Lecrosnier & Tremblai of Dijion and was intended as a substitute for the English horn. A player would blow into a tube that provided air to sound the reeds, while using the keyboard to direct the actual pitches. It is considered a predecessor of the melodica. Technical description: rough walnut and softwood frame consisting of a keyframe with pinned balance rail and two rows of front pins (for naturals and accidentals) padded with green cloth, and at the rear a shallow trapezoidal metal trough with a nozzle at the left end; pressed down above the trough, a red-painted reed board with free reeds fastened to the under side (inside the trough); steel (?) reeds screwed to brass reed holders, the holders stamped with pitch letters as is the reed board, some reeds and holders being replacements; above the reed board, small rectangular leathered valves mounted below tails of keys, stopping notes above reeds and lifting when the keys are depressed; 32-note keyboard with bone naturals, stained accidentals, compass c1-g3, the key tails held down by wire springs mounted on posts between the key levers; the reeds blown by the player's lungs through a rubber tube (missing) attached to the nozzle; the key levers at bass and treble ends angled sharply toward the center between the balance pins and spring posts (Laurence Libin 4 Oct. 77).
Hier wordt door Jacob Cats, o jeugd! u voorschreven, Al de verandering in 's menschen gansche leven
Object type: print
Date: 1781 – 1828
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: lovers' meeting
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van verschillende figuren en bezigheden. Onder elke afbeelding een tweeregelig vers. Genummerd linksboven: No. 61.
kinderportret
Object type: medal
Date: 1895 – 1895
Materials: silver
Techniques: casting
Location: paris
Artist: louis eugène mouchon
Artist role: medailleur
Artist dates: 1843 – 1914

Eenzijdige zilveren penning. Voorzijde: borststuk jong meisje. Keerzijde: blanco.
Doos behorend bij plaquette  F.J. Fuchs en Rens
Object type: medal box
Date: 1936 – 1936
Materials: cardboard, velvet
Location: voorschoten
Subjects: voorschoten, dutch east indies, the
Inscriptions: mark: ‘KONINKLIJKE / BEGEER / VOORSCHOTEN’

Wit kartonnen doosje met op het deksel een opschrift in blauw. Binnenzijde van het deksel voorzien van paars fluweel.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic
Artist: pithos painter
Artist role: artist

Interior, part of back and hair of male figure
Phaeton, from "The Four Disgracers"
Object type: print
Date: 1588 – 1588
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: male nudes,horses

This extraordinary tondo is one of the the most daring works to have resulted from the brief collaboration between Goltzius and the painter Cornelis Cornelisz van Haarlem. The common bond of the series of four fallers is that each one tried to enter the realm of the gods and was punished for his hubris. Although he worked from Cornelisz's designs, Goltzius should be given just as much credit as the painter for the striking nature of these scenes. His bold, meshed, swelling strokes lend the figures a powerful presence and masterfully evoke the reflections of light and shadow on their rippling muscles. The sense of confusion surrounding the falls of Ixion (54.601.338(65)) and Tantalus (53.601.338(3)) into their hellish surroundings is heightened by repeated patterns of swirling lines. The four seemingly varied poses are in fact more or less the same pose (one leg bent down, the other raised; one arm raised, the other lowered) viewed from different angles.
Beeld van een naakte krijgsman met het lichaam van een dood kind
Object type: print
Date: 1574 – 1574
Materials: paper
Techniques: engraving
Location: rome
Subjects: death of a child, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2166

Beeld van een naakte krijgsman met zwaard en het lichaam van een dood kind over de schouder, staand in een nis.
Portret van Willem II, koning der Nederlanden
Object type: print
Date: 1840 – 1842
Materials: paper, pencil
Techniques: etching, engraving
Location: the hague
Subjects: william ii of the netherlands, king
Inscriptions: collector's mark: Lugt 2228

Portret van Willem II, koning der Nederlanden, in profiel. Rond de voorstelling een gekroonde omlijsting bestaande uit een lauwerkrans.
Landscape
Object type: handscroll
Date: 1367 – 1400
Materials: ink, paper
Culture: chinese
Artist: zhao yuan
Artist role: artist
Artist nationality: chinese
Artist dates: 1350 – 1350
Subjects: mountains,landscapes

Couched in the Northern Song idioms of Yan Wengui (active ca. 970–1030) and Fan Kuan (active ca. 990–1030), this small landscape by Zhao Yuan exemplifies late Yuan and early Ming scholar painting in which ancient models were transformed by calligraphic brushwork. Late Yuan scholar-artists saw painting as a vehicle for personal expression: painting, it was said, should be like handwriting—a “heart print” of the artist. Executed during a period of political and social turmoil, Zhao’s handscroll reflects a common theme found in paintings of his time: the reclusive life. A secluded mountain villa nestled at the foot of a tall peak suggests a serene existence free from worldly strife. Zhao Yuan, who lived in the south, re-created the towering mountains of the north through his imagination. The last fantastic peak near the far left of the composition was probably inspired by a garden rock—similar to one on display along the west wall of the Museum’s Astor Court.
Portret van Carolina Frederika Holle
Object type: frame
Date: 1880 – 1900
Materials: paper, cardboard, glass, metal, wood
Techniques: gelatin silver print
Location: java
Artist: Anonymous
Subjects: amsterdam, carolina frederika van den berg-holle, historical persons - bb - woman
Inscriptions: inscription: ‘Carolina Frederika HOLLE/ (1840-1909), echtgenote/ van Mr Norbertus Petrus/ van den BERG’, inscription: ‘LIJSTENFABRIEK/ H. GONKEL Jz. & ZOON VERGULDERS/ KERKSTR. 217 AMSTERDAM/ TEL. 48381/ OPGER. 1884.’

Portret van Carolina Frederika Holle in lijst, mogelijk een vergroting naar een vroegere foto van Woodbury & Page.
Boerenbruiloft
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: one person playing wind instrument, bagpipe, musette, dancing at wedding feast, farmers, folk dancing (men and women together)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Boerenbruiloft. Aan een tafel in de open lucht zit een boerenbruid, onder een krans. Op de voorgrond dansende boeren en boerinnen en twee doedelzakspelers bij een ton. Op de achtergrond een kerk. Met een apart fragment met het onderschrift en adres toegevoegd, onder de prent. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Volksfeesten; Kermis.
Card 777, Annie Summerfield, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Christelijk Heiligdom
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: engraving
Subjects: pregnant mary, our lady of expectation, 'madonna del parto'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 567, collector's mark: Lugt 2760

Maria in verwachting van Christus. Tekst uit de Bijbelpassages Luc. 1 en Epiph. in het Latijn in de bogen van de nis.