deem-data/ArtiFact huggingface dataset:
David & Bethzabée
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving, etching
Subjects: david, from the roof (or balcony) of his palace, sees bathsheba bathing, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 789a, collector's mark: Lugt 240
Pugna navalis qua Hispanos vicere in Duins Angliae Belgae Foederati Ao. MDCXXXIX
Object type: print
Date: 1640 – 1643
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: maarten harpertszoon tromp, battle (+ naval force), battle of the downs

Grote voorstelling van de zeeslag bij Duins tussen de Spaanse vloot onder bevel van Antonio de Oquendo en de Staatse vloot onder Maarten Harpertsz. Tromp, 21 oktober 1639. Blad 3: gevechten op zee, op de achtergrond de Engelse kust bij Deal. Ongemonteerde ensemble bestaande uit 7 genummerde platen, de zwarte stroken met de titel en tekstblad met de beschrijving.
Toujours Chic Les Deshabillés, Hiver 1921-1922: Zaïb
Object type: fashion print
Date: 1921 – 1922
Materials: paper
Techniques: letterpress printing, pochoir
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

Prent uit Catalogus "Toujours Chic" waarin een overzicht van de wintermode 1921-1922.
Portret van Willem Frederik Hendrik, Prins der Nederlanden
Object type: print
Date: 1830 – 1900
Materials: paper
Techniques: engraving, etching
Subjects: hendrik (prins der nederlanden)
Inscriptions: collector's mark: Lugt 2228

Portret van Willem Frederik Hendrik, de oudste zoon van Willem III, Prins der Nederlanden, Prins van Oranje-Nassau. Zijn kostuum is versierd met epauletten en een medaille.
Ale glass
Object type: ale glass
Date: 1734 – 1766
Materials: glass
Negen wapens van raden in de vroedschap van Rotterdam, rechtsboven het wapen van Johan van der Hoeven
Object type: album leaf
Date: 1694 – 1695
Materials: paper
Techniques: colour, etching
Subjects: amsterdam, rotterdam, mayor, coat of arms (as symbol of the state, etc.)

Negen voorstellingen op een albumblad. Het betreft negen wapen van raden in de vroedschap van Rotterdam. De prenten zijn onderdeel van de kaart van Rotterdam door Johannes de Vouw en maken deel uit van een album.
Kiosk en gebouw in en aan een park
Object type: album leaf
Date: 1865 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: trees, civic architecture; edifices; dwellings
Inscriptions: annotation: ‘Bery Isel’
Ooievaar
Object type: drawing
Date: 1560 – 1585
Materials: ink, paper
Techniques: brush, pen
Location: low countries
Artist: Anonymous
Subjects: shore-birds and wading-birds: white stork

Blad uit album van 100 (?) bladen met tekeningen van dieren.
Rorke's Drift - Scene of Battle (Zulu War)
Object type: page
Date: 1870 – 1880
Materials: paper
Techniques: photograph
Location: zoeloeland
Subjects: battle, façade (of house or building), spreading the gospel; missionary work
Inscriptions: inscription: ‘SA’, number: ‘27. 28.’
Fotoreproductie van een tekening, voorstellende een putto
Object type: page
Date: 1870 – 1876
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: cupids: 'amores', 'amoretti', 'putti'
Inscriptions: inscription: ‘Stoke Newington Public Libraries’
Emmaschool
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘E6 / Emmaschool.’

De Emmaschool te Paramaribo in aanbouw, gezicht vanaf de straat. Onderdeel van het fotoalbum Souvenir de Voyage (deel 4), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Gezicht op de scheepstimmerwerf aan de Kostverlorenvaart
Object type: drawing
Date: 1907 – 1927
Materials: chalk, paper
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: city-view in general; 'veduta', canal, boat propelled by man or animal
Inscriptions: signature: ‘A.v’, collector's mark: Lugt 800a, inscription: ‘Scheepstimmerwerf aan de (...) Juli 1927 / vanEck’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 28.
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 600 – 501
Materials: terracotta

Black glazed fragment of an undetermined closed shape
Standing Saint or Apostle
Object type: statue
Date: 1367 – 1400
Materials: limestone
Culture: french
Location: france
Subjects: men,apostles,saints

This figure may have been intended for a bracket set into a pier or a niche in the nave of a church. The individualization of the facial features, the flowing beard, and the cascading drapery are characteristic of French sculptures of the late fourteenth century.
Piece
Object type: piece
Date: 1867 – 1900
Materials: silk
Subjects: flowers,leaves
Dévastation d'un Monastère (Devastation of a Monastery), plate 6 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Object type: print
Date: 1633 – 1633
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 15 (recto)
Object type: book print ornament architecture
Date: 1527 – 1527
Techniques: woodcut
Artist: willem vosterman
Artist role: printer
Artist nationality: netherlandish
Subjects: ornament

Printed by Willem Vosterman. From top to bottom, and left to right: Design composed of 3 horizontal registers. Top register is decorated with a pattern of overlapping heart shapes. Middle register is decorated with diamonds that each frame a geometric motif inside. Bottom register is decorated with a pattern of diamonds; each diamond frames a heart in the center.
Portrait of a Man
Object type: painting
Date: 1650 – 1650
Materials: oil, panel
Location: netherlands
Artist: Anonymous
Subjects: anonymous historical person portrayed

Portret van een man. Ten halven lijve, staande naar rechts, met de rechterhand geleund op een boek op een tafel, de linkerhand in de zij.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Materials: ink, paper
Techniques: pen, printing, writing
Artist: delvaux
Artist role: schrijver
Subjects: the hague, london, painter, print maker, draughtsman, matthijs maris, pieter haverkorn van rijsewijk, octave maus, drawing, brussels
Inscriptions: watermark
Gezicht op de binnenplaats van de Beurs van Hendrick de Keyser in Amsterdam
Object type: print
Date: 1838 – 1879
Materials: paper
Techniques: etching, retroussage
Artist: augustin taurel
Artist role: draughtsman, print maker
Artist dates: 1828 – 1879
Subjects: stock exchange, stock-market, street (+ city(-scape) with figures, staffage), amsterdam
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Koophandel, Beursgebouwen.
Brougham #3815a
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op de kerk van Heerjansdam
Object type: print
Date: 1791 – 1793
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

afkomstig uit: L. van Ollefen, De Nederlandsche stad- en dorp-beschrijver. Deel 1, Amsterdam: Hendrik Arend Banse, 1793.
Os behorend bij Mount Pleasant
Object type: photograph
Date: 1912 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: curacao
Artist: Anonymous
Subjects: plantation, ox

Os van de plantage Mount Pleasant op Curaçao. Onderdeel van het fotoalbum uit ca. 1912-1913 met 92 foto's van de plantages Peperpot en Dordrecht in Suriname en Mount Pleasant op Curaçao.
Heilige Dominicus met rijksappel en hond met brandende fakkel
Object type: print
Date: 1623 – 1660
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: dominic(us) guzman of calerueja, founder of the order of preachers (or dominican (black) friars; possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star
Inscriptions: collector's mark: Lugt 240

Prent naar tekening van Abraham van Diepenbeeck.
Charles Darwin
Object type: photograph
Date: 1868 – 1868
Techniques: albumen print
Location: england
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: portraits, portraits: male subject, photography
Two Alternate Designs for an Altar
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: altars
Portret van een onbekende vrouw
Object type: print
Date: 1810 – 1859
Materials: paper
Techniques: engraving
Subjects: anonymous historical person portrayed alone - bb - woman
Inscriptions: collector's mark: Lugt 2228
Mittens
Object type: mitten
Date: 1667 – 1700
Materials: leather, metal, silk

These Russian gloves were collected by Stewart Culin (1858-1929) during a collection expedition in 1920. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
Eleazar and Rebecca
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: johann theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1623
Varieties of Lychee Fruit
Object type: handscroll
Date: 960 – 1279
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: dragons
Kerk te Warmond
Object type: drawing
Date: 1783 – 1783
Materials: ink, paper
Techniques: brush, pen
Artist: hendrik tavenier
Artist role: draughtsman, print maker
Artist dates: 1734 – 1807
Subjects: church (exterior), ruin of church, monastery, etc., warmond
Inscriptions: inscription: ‘d kerk te Warmont 1783 / H. Tavenier’
Portret van Emmanuel Théodose de la Tour d'Auvergne, kardinaal van Bouillon
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Curieuses Bücher- und Staats-Cabinett (...) XXV. Eingang, 1714.
Landschap
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: landscapes

Landschap. Blad 34 verso uit een schetsboek met 34 bladen.
Masker van beschilderd karton
Object type: verkleedkleding
Date: 1840 – 1900
Materials: cardboard, paint
Location: europe
Artist: Anonymous

Bij de Japonsche rock werd een doos met de volgende inhoud gegeven: zijden jasje, roodfluwelen slippers met zilverdraad geborduurd, een masker en een mijter van papier en een staf. Tezamen vormden deze objecten een Sinterklaas-kostuum dat in de 19de eeuw ten huize van familie van de schenkster werd gedragen:' ca. 1875 voor nichtjes van mijn moeder gebruikt. Alles komt uit de familie van mijn overgrootmoeder Krusemann-Stavorinus.'
Gezicht op de Lutherse Kerk te Rotterdam
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, etching
Subjects: lutherse kerk, leuvehaven
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Lutherse Kerk aan het Wolfshoek te Rotterdam, gezien vanuit de richting van de Blaak. Links de Leuvehaven met de Keizersbrug of Houtbrug en in het verlengde de Posthoornsteeg.
Monument funèbre au Cimetière Montmartre
Object type: print
Date: 1860 – 1867
Materials: paper
Techniques: etching
Subjects: grave, tomb, monument, statue
Inscriptions: collector's mark: Lugt 2228

Grafmonument met beeld van zittende figuur door Frédéric Auguste Bartholdi op de begraafplaats van Montmartre
Heilige Familie met de jonge Johannes de Doper en engelen
Object type: print
Date: 1700 – 1760
Materials: paper
Techniques: engraving
Location: italy
Subjects: holy family, and derived representations, holy family with john the baptist (as child), angels
Inscriptions: collector's mark: Lugt 240

Maria zit met het Christuskind op schoot onder een boom in een landschap. Links twee engelen die manden met vruchten aanbieden aan Maria. Christus geeft een appel aan de jonge Johannes de Doper. Op de achtergrond leest Jozef een boek.
Aardappel schillende vrouw in Hollands interieur
Object type: print
Date: 1824 – 1849
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: interior of the house, potatoes, house personnel, servants, dog
Inscriptions: collector's mark: Lugt 2228

De vrouw zit bij het raam. Een meisje brengt haar een kop en schotel. Naast haar staat een hond. In de achtergrond loopt een figuur door de deur naar buiten.
Fire Shovel
Object type: fire shovel
Date: 1770 – 1800
Materials: brass, iron
Culture: american
Location: united states
Alliantiemaaltijd te Amsterdam, 1786
Object type: history print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: festivities on events of national importance (+ eating and drinking ~ festive activities), celebration meal, feast, banquet, alliance with france (1785)

De feestelijke maaltijd gehouden op 27 januari 1786 in de Garnalen Doelen (Handboogdoelen) te Amsterdam om de Alliantie met Frankrijk (gesloten op 10 november 1785) te vieren. Groot gezelschap gezeten aan een tafel versierd met tafelstukken.
Omslag voor foto's, met voorstelling van een jongen met boxcamera in een sneeuwlandschap
Object type: wrapper
Date: 1900 – 1940
Materials: cardboard, textile
Techniques: blind stamped
Artist: Anonymous
Subjects: boy (child between toddler and youth), taking photographs - cc - out of doors
Koeien in een weiland
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: cow, meadow, pasture

Blad 18 verso uit een schetsboek met 33 bladen.
Hagelmarmer in blauw, zwart en lichtbruin
Object type: marbled paper
Date: 1700 – 1850
Materials: paint, paper
Techniques: marbled paper
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760
Standing Shepherd
Object type: print
Date: 1503 – 1540
Techniques: etching
Artist: parmigianino (girolamo francesco maria mazzola)
Artist role: artist
Artist nationality: italian
Artist dates: 1503 – 1540
Subjects: animals,men,women,shepherds

Mariette Album, folio 9, top row, left
Lamp
Object type: lamp
Date: 1801 – 1900
Materials: glass, lead, tin
Techniques: glassblowing
Culture: american
Location: united states
Twee portretten van een onbekende vrouw met een neusring uit Madras
Object type: page
Date: 1881 – 1886
Materials: photographic support
Techniques: albumen print
Location: chennai
Artist: paolo mantegazza
Artist role: antropoloog, professor
Artist dates: 1831 – 1910
Subjects: ornaments, jewels, adult woman (+ sideview, profile), adult woman (+ front view)
Spotprent op de val van Beurnonville, de Franse minister van Oorlog, 1793
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching, hand coloring, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: fall of phaethon; he is struck by a thunderbolt of jupiter, klundert, geertruidenberg
Inscriptions: collector's mark: Lugt 2228

Spotprent op de gevangenneming van Pierre Riel de Beurnonville, de Franse minister van Oorlog, te St. Amant dankzij het verraad van de overgelopen Dumouriez. De val van de Beurnonville afgebeeld als de val van Phaëthon. De zonnewagen getrokken door vier ezels die patriotten (Oudaatje, Wybo Fijnje, Gerrit Pape en Pieter Cordemans) voorstellen. Rechts een afbrokkelende toren van Babel met de namen van Breda, Geertruidenberg en Klundert. Rechts ziet een groepje Fransen met afgrijzen toe, links juichende Hollanders. Op het blad onder de plaat een beschrijving.
Cabinet with barrels
Object type: musical instrument
Date: 1815 – 1825
Materials: wood
Location: amsterdam
Artist: Anonymous

Rollenkast van eikenhout en mahonie. De blinde deuren zijn versierd met een lier, de klep met ornament. Langs plint en bovenblad een koperen bagetje. Rollenkast hoort bij saloncylinderorgel in de vorm van een secretaire (BK-NM-14353-A).
Foto's van tekeningen van de Franse inval in de Nederlanden in 1672 door Adam Frans van der Meulen bewaard in de Manufacture des Gobelins
Object type: photograph
Date: 1900 – 1903
Materials: paper
Techniques: gelatin silver print
Location: france
Subjects: lodewijk xiv (koning van frankrijk), city-view, and landscape with man-made constructions, nijmegen

Niet in Frederik Muller; door het RPK toegevoegd nummer. Onderdeel van een groep van ca. 50 foto's van tekeningen van de Franse inval in de Nederlanden in 1672 door Adam Frans van der Meulen, bewaard in de Manufacture Nationale des Gobelins te Parijs.
Plate 143: Polyphemus Eating Ulysses' Men, as Achaemides Watches (Ulyssis socios deuorat Polyphemus), from Ovid's 'Metamorphoses'
Object type: print
Date: 1606 – 1606
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: men
Spelende kinderen
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: etching
Artist: j. vermeulen
Artist role: print maker
Subjects: children's games and plays
Inscriptions: collector's mark: Lugt 514, collector's mark: Lugt 2228
Portret van Maria II Stuart
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: mezzotint
Artist: peter lely (sir)
Artist role: draughtsman, painter
Artist dates: 1618 – 1680
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland)
Inscriptions: collector's mark: Lugt 2228

Portret van Maria II in een ovaal. In de ondermarge haar naam en titels.
Piece
Object type: piece
Date: 1801 – 1833
Materials: silk
Subjects: butterflies,flowers
Portret van Gabriël Bethlen
Object type: book illustration
Date: 1625 – 1625
Materials: paper
Techniques: engraving, letterpress printing
Location: delft
Subjects: historical persons

Prent uit: Clerck, Nicolaes de. Princelyk cabinet. Verthoonende t'leven afcomste ende afbeeldingen der voornaemste vorste[n], princen, graven en[de] heeren van Europa (...). Delft: erven Nicolaes de Clerck, 1625, p. 107.
Bronze jug
Object type: jug
Date: 67 – 200
Materials: bronze
Culture: roman
Boog van Constantijn met op de achtergrond het Colosseum te Rome, Italië
Object type: photograph
Date: 1863 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: michèle mang
Artist role: fotograaf
Artist dates: 1840 – 1909
Subjects: triumphal arch, arch of constantine
26 Ontwerpen voor zijden stoffen
Object type: design drawing
Date: 1940 – 1960
Materials: gouache, paper, plastic
Techniques: pasting
Location: lyon
Artist: Anonymous
Inscriptions: inscription: ‘L.B09 (7.356) / L.B01 (7.356b)’
Bottle
Object type: bottle
Date: 1738 – 1777
Techniques: glassblowing
Culture: american
Location: united states
Artist: wistarburgh glassworks
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Subjects: dogs

This glass dog, or schnapshund, is an interesting example of a traditional German form persisting in late eighteenth-century colonial America. Popular from the seventeenth to the nineteenth century, these glass drinking vessels were novelty objects created by glassblowers in the area now known as Germany. The form came to America by way of German glassblowers, many of whom worked for Caspar and Richard Wistar at their Wistarburg Glassworks in Alloway, New Jersey. Caspar Wistar, who immigrated to America in 1717, established a glasshouse in that location in 1738. He employed almost exclusively German glassblowers to make bottles, equipment for scientists and physicians, as well as tablewares, such as sugar bowls and candlesticks. The majority of the wares that can be tentatively attributed to Wistar are made of unrefined bottle glass, often in a variety of colors. This schnapshund is made of green, unrefined bottle glass, in contrast to German schnapshund, which are made of colorless or aqua glass. A further case in point for this being an American and a Wistar product, is that the Metropolitan’s schnapshund has a similar chemical composition to Wistar sugar bowls, according to the chemical analysis. It is also closely related in form and tooling to a documented Wistar schnapshund in the Wyck collection, in Germantown, Pennsylvania, home of Richard Wistar.
Gezicht op de Siniolchu
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: autotype
Location: india
Subjects: mountain-top, peak
Inscriptions: inscription: ‘Siniolchun at sunrise by V. Sella’, inscription: ‘I. IX.’