deem-data/ArtiFact huggingface dataset:
Bowl
Object type: bowl
Date: 1701 – 1800
Materials: clay, glaze
Culture: japanese
Carnelian ring stone with gold band set in a silver ring
Object type: ring
Date: 300 – 201
Materials: gemstone, gold, silver
Culture: greek
Subjects: female nudes

Carnelian ringstone in gold band setting, mounted in a silver ring; woman crouching.
Print
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Subjects: women
Olevano (Campagna Romana)
Object type: drawing
Date: 1858 – 1858
Materials: graphite, ink, paper
Techniques: pen, wash
Culture: american
Artist: william stanley haseltine
Artist role: artist
Artist nationality: american
Artist dates: 1835 – 1900
Subjects: landscapes
Cup with a landscape and flower sprays
Object type: service set
Date: 1780 – 1780
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: berlin
Inscriptions: mark: ‘scepter/ 5’

Kop van porselein met een C-vormig oor, beschilderd in emailkleuren en goud. Op de buitenwand tweemaal een medaillon van bloemtakken met daarin een landschap. Hiernaast ook bloemtakken. Het oor is versierd in rocaillestijl. Gemerkt op de onderzijde met de scepter en 5.
Portret van Jean Sarasin
Object type: book illustration
Date: 1815 – 1815
Materials: paper
Techniques: etching, letterpress printing
Location: geneva
Subjects: historical persons, politician, e.g. party leader

Prent uit: Grenus, Théodore de. Fragmens biographiques et historiques. Extraits des registres du Conseil (...). Genève: Manget et Cherbuliez, 1815.
Palatium M. Agrippa, from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity
Object type: print ornament architecture
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: architecture,buildings

Frontal view of the façade of the palace of Emperor Marcus Agrippa, as indicated by the inscription ‘Palatium M. Agrippa’ in the lower left corner. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this rendition is based on a specific building in Rome, or whether the printmaker is relying on his imagination, based on a description of the palace in an historic source. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print, however, does not match any of the other prints in size. Its verso may contain a composition for a different subject.
La Fontaine du Triton
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: landscapes in the temperate zone (+ landscape with figures, staffage), utilitarian, public pump or water fountain
Inscriptions: collector's mark: Lugt 2228, watermark

Maakt deel uit van een serie van 89 prenten te dateren tussen ca. 1733-1762, naar het geschilderde oeuvre van Philips Wouwerman.
Model of a 20-cm Mortar on a Pivot Undercarriage
Object type: demonstration model
Date: 1834 – 1834
Materials: brass, wood
Location: rotterdam

This model represents a twenty-inch calibre mortar of the kind fitted on gunboats. The weight of the mortar and its recoil when fired required considerable strengthening of the deck both below and around the weapon. The mortar stands on a sliding mount placed on a turntable. This allowed the weapon to be fired in any direction.
Inname van Quesnoy, rekenpenning geslagen ter ere van Lodewijk XIV, koning van Frankrijk
Object type: jeton
Date: 1655 – 1655
Materials: copper
Techniques: striking
Location: france
Artist: Anonymous
Subjects: lodewijk xiv (koning van frankrijk)
Model of a Pigsty and Latrines
Object type: sculpture
Materials: earthenware
Techniques: stamping
Location: china

Han-dynasty grave goods documented even the most mundane aspects of rural life. As illustrated here, latrines—or toilets—were customarily built above a pigsty and connected by pipes to a cesspool. The ar-chitectural style of this well-constructed object resembles models excavated from tombs in Huixian, a city in northern China.
Fragment pijpenkop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark; fragm, 1hsm1, inside burned (used).
Pijpenkop in concretie uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: stone, clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark illegible; fragment, concreted.
Frank T. Gilmore, Pitcher, Washington Nationals, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
The Second Ichikawa Komazo as a Man standing in a Dramatic Attitude
Object type: woodblock print
Date: 1790 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Subjects: men,bamboo,actors
Zittende man met beker en vrouw met kruik en bord
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Artist: johann andreas benjamin nothnagel
Artist role: print maker
Artist dates: 1729 – 1804
Subjects: giving drink
Inscriptions: collector's mark: Lugt 240
Portret van een meisje zittend aan een gedekte tafel
Object type: color slide
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Artist: Anonymous

Portret van een meisje, gekleed in een donkerblauwe jurk, zittend aan een gedekte tafel, met links van haar een pot met bloemen en een pop op een kinderwagen (?).
Historische optocht te Amsterdam naar aanleiding van Prinsessedag, 1888
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: tone lithography
Location: amsterdam
Artist: hendrik verlint
Artist role: print maker
Artist dates: 1846 – 1918
Subjects: the hague, print maker, wilhelmina of the netherlands, costumes used in pageants, public festivities on the occasion of royal events (+ parade, pageant, cavalcade ~ festive activities), amsterdam
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Het Prinsessefeest: de historische optocht voorstellende het geslacht Oranje-Nassau in de Nederlanden, gehouden op 1 september 1888 te Amsterdam ter gelegenheid van de verjaardag van Prinses Wilhelmina. De stoet afgebeeld in zes rijen onder elkaar, met afzonderlijke groepen genummerd 1ste - 8ste Groep.
Card Number 107, Marie St. John, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van een peuter, zittend op een kinderstoel
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: sitting figure, historical persons, tot, toddler ~ the ages of man
Evacuees from Verdun, plate thirty from Actualités
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Canapé Louis XVI
Object type: print
Date: 1839 – 1885
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture
Inscriptions: stamp: ‘H.F. Jansen en Zn’

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Panel from a Box (?)
Object type: panel
Date: 801 – 1100
Materials: stone
Techniques: carving
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Sugar bowl
Object type: sugar bowl
Date: 1827 – 1835
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: new england glass company
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 1888
Kaartspelers buiten bij een tafel met heuvel op de achtergrond
Object type: print
Date: 1874 – 1894
Materials: paper
Techniques: etching, intaglio
Subjects: low hill country, fence, wall, paling, playing-cards
Inscriptions: collector's mark: Lugt 2228, inscription
Beaker with cover (Humpen)
Object type: beaker with cover
Date: 1668 – 1668
Materials: glass
Subjects: men

This shape is called a "humpen."
Bustle
Object type: bustle
Date: 1868 – 1869
Materials: cotton, linen, metal
Culture: american
Vase
Object type: vase
Date: 1801 – 1900
Materials: enamel, glaze, porcelain
Culture: japanese
Artist: makuzu kōzan i (miyagawa toranosuke)
Artist role: artist
Artist nationality: japanese
Artist dates: 1842 – 1916
Subjects: flowers,leaves
The Mosque, Delphi
Object type: print
Date: 1912 – 1912
Materials: ink, paper
Techniques: etching
Location: england
Artist: ernest s. lumsden
Artist nationality: english
Artist dates: 1883 – 1948
Ensemble
Object type: ensemble
Date: 1867 – 1900
Materials: leather, metal, silk, wool
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Genitals, buttocks, and left foot of a frontal, squatting satyr
Candlestick
Object type: candlestick
Date: 1756 – 1757
Materials: silver
Artist: jean-françois balzac
Artist role: maker
Artist dates: 1711 – 1766

In the era before gas lighting and electricity, candles played a principal role in illuminating the interior of a house. The number of candles lit was an indication of the wealth and status of the owner: beeswax candles burned clean and smelt pleasant and were quite expensive compared to those made of tallow. In late seventeenth-century France, a change in dining habits had a significant effect on the production of silver candlesticks. Entertainment was increasingly orientated towards the evening; the use of domestic space changed and as a result, elegant lighting became an important part of the decoration of interiors. One of this pair of candlesticks (13.135.2a) was made in Paris by Jean-François Balzac in 1756–57. The other (13.135.2b) appears to have been made later, circa 1780, possibly to match the one created by Balzac. With their distinctive angled baluster stem decorated with an applied shell, their model appears to have been a fashionable one since a number of related candlesticks are known.
Landweg met boerenhoeven
Object type: drawing
Date: 1800 – 1900
Materials: paper, pencil
Techniques: brush
Artist: Anonymous
Soldier's Courtship, from "The Life and Death of a Soldier"
Object type: print
Techniques: etching, stippling
Artist: robert blyth
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1750 – 1784
Subjects: soldiers,children,men,women
Portret van Maria Louisa van Hessen-Kassel
Object type: print
Date: 1709 – 1722
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: kassel, leeuwarden, maria louisa van hessen-kassel

Portret van Maria Louisa in een geornamenteerd ovaal met oranjetakken. Linksboven en rechtsboven een allegorische voorstelling in een cirkel met randschrift. Midden onder haar wapen met een kroon. Op een voetstuk haar naam, haar titels en twee regels Latijnse tekst.
Stagecoach Drawn by Five Horses and Other Sketches
Object type: drawing and watercolor
Date: 1818 – 1819
Materials: graphite, paper
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Panel
Object type: textile
Date: 1801 – 1900
Techniques: dyeing
Location: java
Brush holder with the story of Pan An
Object type: brush holder
Date: 1701 – 1800
Materials: ivory
Culture: chinese
Subjects: balconies,men,women,goats,carts

The young women on the balcony of this wonderfully carved brush holder throw fruit to an attractive young man passing beneath them. He is most likely the extraordinarily handsome scholar Pan An (247–300), who often drew such attention. The cart pulled by a white goat, however, refers to another young man, Wei Jie (286–312), who was also known for his good looks but was not associated with fruit. The artist seems to have freely combined the tales of both men into a composite scene. Such images are often found in various decorative arts from the seventeenth and eighteenth centuries.
Portret van Frans Jozef I, keizer van Oostenrijk
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: photograph
Location: vienna
Artist: victor angerer
Artist role: publisher
Artist dates: 1839 – 1924
Subjects: historical persons
Inscriptions: inscription: ‘KAISER VON ÖSTERREICH, KÖNIG VON UNGARN U. BÖHMEN/ etc. etc. etc.’
Model of the Double Dry Dock at Hellevoetsluis
Object type: presentation model
Date: 1805 – 1805
Materials: wood
Location: netherlands
Subjects: hellevoetsluis

Model van twee achter elkaar geplaatste droogdokken met het stoomgemaal naast het eerste dok, op een grondplank. De ingang heeft zes sponningen voor het opengewerkte spantmodel van de schipdeur met dubbele kiel; de ingang van het tweede dok is afgesloten met sluisdeuren. Een deel van het dak van het stoomgemaal kan worden verwijderd. Het gehele dok en de bijgebouwen zijn onderheid. Schaal ca. 1:50 (afgeleid).
Portret van Johann van Giffen
Object type: book illustration
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Subjects: historical persons

Illustratie in: J.G. Schleder. Theatrum Europaeum. Dl. 6. Frankfurt a.M., Merian, 1652. P. 921.
The Star of Kings: A Night Piece
Object type: print
Date: 1651 – 1651
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,women,stars,night
Portret van Michiel Adriaenszoon de Ruyter
Object type: print
Date: 1840 – 1843
Materials: paper
Techniques: lithograph
Subjects: flushing, michiel adriaenszoon de ruyter, historical persons
Inscriptions: collector's mark: Lugt 2228
Berg
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: prospect of village, silhouette of village, road, path, mountains
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 5i, collector's mark: Lugt 2760

Huizen en een gebouw met torens op een berg. Op de voorgrond een weg die naar de berg toe kronkelt.
Earring, One of a Set of Five
Object type: earring
Date: 1801 – 1900
Materials: gold
Location: india

This earring, one of a set of five, is fabricated of gold and contains several floral motifs. Flat, three-petalled flowers make up the pendants at the base of the hoop, while a cast rosette can be seen at the front of the earring. These motifs reference the ancient practice of making ephemeral adornments from flowers. These ornaments were formerly in the collection of American artist and designer Lockwood de Forest (1850–1932) who purchased many jeweled objects while traveling in India between 1879–1881. Today, his collection of Indian jewelry in the Met serves as a near-comprehensive assemblage of late nineteenth century bodily adornment.
Stela of Mersumaat
Object type: architectural fragment
Materials: limestone
Culture: egyptian
Location: egypt
Inscriptions: “Giving adoration to the Perfect God, kissing the earth to the Lord of the Two Lands.  That I may adore your beautiful face. May your ka be satisfied every day. Dedicated by Mer-sw-naat.”
De doornenkroning
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: engraving
Location: rome
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)
Inscriptions: date: ‘1602’, collector's mark: Lugt 2228, signature: ‘gegraveerd’, address: ‘Ioannes Orlandij formis romae.’, address: ‘Ant. Lafrery.’

In een vertrek met romaans venster zit Christus met gebonden handen. Twee mannen slaan hem de doornenkroon op het hoofd, een man zit geknield voor hem. Drie andere mannen kijken naar het geheel. Op de grond een tak met doornen.
Germany, from the National Flags series (N195) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: flags

Trade cards from the "National Flags" series (N195), issued in 1891 by W.S. Kimball & Co. to promote Hard Tack Cut Plug and Mechanics' Long Cut Tobacco.
Figuur op een boot
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: ships (in general)

Figuur op een boot. Pagina 68 uit een schetsboek met 46 bladen.
Ewer
Object type: ceramic
Date: 1610 – 1610
Materials: hard paste porcelain, porcelain, silver
Techniques: underglaze
Culture: chinese, ming dynasty
Location: china
Inscriptions: Unidentified maker's mark "EI" in shaped shield three times; Marked on base "15-2-0"

This splendid ewer is an outstanding example of cross-cultural inspiration. Made of Chinese blue and white porcelain, it was originally a type of drinking vessel called a kendi. Such vessels took a variety a variety of forms throughout Asia: in this case, the rounded shapes indicate it was made for export to Indonesia, where kendis were associated with fertility. The Indonesian form is combined with Chinese decorative motifs like flowering plum branches and fruit clusters.

This kendi was then shipped to the Near East, possibly to Persia (modern day Iran), where such vessels were often adapted for use as water pipes. By the early 1600s, it had made its way to England, most likely imported by one of the East India trading companies. Additions to the piece testify to the artistry of English silversmiths: an eagle-headed spout was added to the bulbous mouth of the porcelain jug and connected by a set of hinged straps to the waist and base of the vessel. A scroll handle links the waist to the lidded cover. These additions transformed the piece into a wine ewer, allowing a prosperous Englishman to add an exquisite exotic touch to his collection of gold and silver plate.
Oboe
Object type: wind instrument
Date: 1830 – 1830
Materials: wood
Location: germany
Artist: Anonymous
Gezicht van een vrouw
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: face

Pagina 36 uit schetsboek XLIII met 61 pagina's.
Tombe van een bisschop in de Notre-Dame in Amiens
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: notre-dame d'amiens
Artist: Anonymous
Subjects: grave, tomb, interior of church, notre-dame d'amiens
Inscriptions: annotation: ‘Amiens’, annotation: ‘Amiens’, annotation: ‘Frankrijk 27.’, collector's mark: ‘RIJKS NORMAALSCHOOL voor TE[EKENONDERWIJZERS] AMSTERDAM’
Strook kloskant met drie lange lobben onder hangende waaiers
Object type: strip
Date: 1850 – 1899
Materials: silk
Techniques: lace
Location: le puy
Artist: Anonymous

Strook zwarte kloskant: Le Puy-kant. Het zich herhalende patroon bestaat uit aaneengeschakelde hangende waaiers. De ruimte boven de punten waar de waaiers elkaar raken wordt gevuld door een ruit. Onder elke waaier hangen drie halfovaalvormige lobben, waarbij de twee buitenste gedeeld worden met de voorgaande of volgende waaier. Aan de bovenzijde van de strook zijn de motieven met elkaar verbonden door een grove siergrond. In de lobben recht onder de waaiers is een siergrond toegepast, versierd met motiefjes gemaakt in vormslag. De bovenzijde van de strook is recht afgewerkt. De schulpenrand langs de onderzijde van de strook komt voort uit de halfovaalvormige lobben en is afgewerkt met picots.