deem-data/ArtiFact huggingface dataset:
Folding armchair (sedia a Savonarola)
Object type: armchair
Date: 1401 – 1500
Materials: gilt, metal, silk, velvet, wood
Techniques: cutting
Culture: italian
Aanval op het Kalmar slott door Christiaan IV, koning van Denemarken en Noorwegen
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: lithograph
Subjects: christiaan iv (koning van denemarken en noorwegen), castle, siege, delft

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Binnenhuizen, Wandversiering.
Standing sheep
Object type: crèche figure
Date: 1751 – 1800
Materials: lead, terracotta
Techniques: polychrome
Artist: nicola vassalo
Artist role: maker
Artist dates: 1725 – 1825
Subjects: sheep

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Female musician with harp
Object type: figure
Date: 667 – 700
Materials: earthenware, pigment
Culture: chinese
Subjects: musical instruments,women,musicians

Ensembles featuring female musicians often served as a musical bridge between elite and popular culture. As expert musicians, they were often musical innovators. Here, a small ensemble is shown (23.180.4–.7), clapping and playing the pipa, tongbo (small copper cymbals), and konghou (harp). The pipa is played in its original position, like an Arabic lute; its silk strings are plucked with a triangular plectrum. The construction and playing style resemble those of the biwa, a Japanese lute derived from the pipa. Today, the biwa maintains the use of a triangular plectrum, the West Asian plectrum guard, and the C-shaped sound holes seen on the instrument played by the musician here as well as on the jade belt featured in this case. The Chinese playing style changed during the chaotic Later Tang period (921–36), when the plectrum was discarded. The angular konghou harp, introduced at the end of the Han dynasty, was in decline at this time and had gone completely out of use by the end of the Tang. The highest-rated musicians at the Tang court performed seated, while the lower ranks played standing and were also treated less well in other respects.
Model of a Made Bowsprit
Object type: demonstration model
Date: 1800 – 1850
Materials: wood
Location: netherlands
Artist: Anonymous
Inscriptions: label: ‘149’ former inventory label

Model van een ronde boegspriet uit vier stukken bestaande, die binnenin met geschakelde liplassen zijn verbonden. Het eind is aan de bovenzijde afgevlakt. De kuipbanden zijn opgeschilderd.
Antiquae Urbis Splendor
Object type: print
Date: 1612 – 1628
Materials: paper
Techniques: etching
Location: rome
Subjects: theatre (building) - aa - open-air performances, representation of real building (either existing or having existed)

Deze prent maakt deel uit van een set van 158 prenten (+ titelprenten), die verscheen in vier delen. In 1612 verschenen delen één en twee. In 1615 verscheen het derde deel en in 1628 verscheen deel vier. In 1637 publiceerde Vitale Mascardi de eerste heruitgave van de gehele set met nummering.
Coin Portraying Emperor Aurelian
Object type: coin
Date: 270 – 275
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP  AVREL...  S AVG
Reverse: GENIVS  ILLYR

On the front (obverse) of this coin, the emperor Aurelian is shown facing right and wearing a crown.

On the back (reverse), the figure of a genius stands facing left, holding a patera and a cornucopia.
Varende engelen met het Christuskind
Object type: print
Date: 1825 – 1883
Materials: paper
Techniques: aquatint, drypoint, etching
Artist: theodoor schaepkens
Artist role: draughtsman, print maker
Artist dates: 1810 – 1883
Subjects: rowing-boat, canoe, etc., christ-child together with others, angels
Inscriptions: collector's mark: Lugt 2228
Gezicht op de heerlijkheid Mariekerke, 1745
Object type: print
Date: 1754 – 1792
Materials: paper
Techniques: etching
Location: haarlem
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: prospect of village, silhouette of village
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 5 (1754), ill. 23. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden [….]. 9 delen. Amsterdam: Jan de Groot, 1792, dl. 5, ill. 23.
20 Kreuzer uit het koninkrijk Wurtemberg van Friedrich I, 1810
Object type: coin
Date: 1810 – 1810
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: hoofd van de koning naar links. Keerzijde: tussen jaartal binnen twee samengebonden palmtakken gekroond versierd samengesteld wapenschild. In afsnede waarde-aanduiding. Kabelrand.
Laird of Portmoak
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Bad Bentheim
Object type: photograph
Date: 1870 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: bad bentheim
Artist: fritz hüsig
Artist role: fotograaf
Subjects: exterior ~ representation of a building
Inscriptions: inscription: ‘Photogr. Atelier/ von/ Friz Hüsig/ LINGEN./ NIEPCE. DAGUERRE. TALBOT./ Die Platte/ bleibt für Nachbestellungen aufbewahrt.’
Portret van Jan Dam Steuerwald
Object type: print
Date: 1825 – 1874
Materials: paper
Techniques: lithograph
Location: dordrecht
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: the hague, print maker, jan dam steuerwald, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘4a / 10-9-'75’
Chalice veil depicting Saint Blaise, patron saint of Dubrovnik.
Object type: chalice cover
Date: 1501 – 1600
Materials: linen
Techniques: lace
Subjects: saints

Punto in aria– literally "stitches in air"– is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric designs. When lace makers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs. This particular example is executed in Punto di Ragusa– the type of Punto in Aria developed in the Republic of Ragusa (today's Dubrovnik). The potential of the technique is well illustrated by this piece, the center of a chalice veil, which depicts Saint Blaise. This bishop saint was patron of the Republic of Ragusa, who according to legend warned the 10th-Century residents of a surprise attack by the Venetians, thereby saving the republic from invasion. His facial features, costume details and hands are delineated by corded and buttonhole threads.
Bruxelles. Arcade Monumentale du Cinquantenaire
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: lithograph
Location: brussels
Artist: Anonymous
Subjects: park, gate, entrance, monument, statue
Ovale mand van gespleten wilgenteen, fijnscheenwerk
Object type: basket
Date: 1690 – 1710
Materials: hair, plant material, silk
Location: halle
Artist: Anonymous
Scarab seal ring
Object type: stamp seal ring
Date: 1700 – 1560
Materials: stone
Location: levant
Subjects: scarabs
Boeren
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Artist: cornelis saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1681
Subjects: head-gear, walking-stick, staff, farmers
Inscriptions: collector's mark: Lugt 240
Oude man met baard
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: etching
Location: netherlands
Artist: salomon koninck
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1656
Subjects: old man (+ sideview, profile)
Inscriptions: collector's mark: Lugt 240

Hoofd van een oude man met baard en profil.
Anatomische studie van een paard, van voren,  in profiel naar links en van achteren
Object type: drawing
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Mozes ontvangt voorschriften voor de priesterwijding
Object type: book illustration
Date: 1538 – 1538
Materials: paper
Techniques: woodcut
Subjects: moses communicating with god on mount sinai (the mountain may be covered by a thick cloud), the book leviticus

Houtblok voor het eerst gebruikt in: Biblia Utriusque Testamenti iuxta Vulgatam Translationem, Lyon, M. en G. Trechsel (voor Hugo à Porta) 1538. Later in verschillende uitgaven opnieuw gebruikt.
Brief aan Jan Veth
Object type: letter
Date: 1908 – 1908
Materials: ink, paper
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, thomas couture, printed matter
Inscriptions: collector's mark: ‘RPK’
Verschillende volkeren aanbidden Christus
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: (public) prayer, the book of psalms (with book chapter:verse)
Inscriptions: collector's mark: Lugt 2228
Mt. Shasta; altitude 14,442 feet; and Sissons, Shasta Co.. Cal.
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: california
Artist: isaiah west taber
Artist role: fotograaf
Artist dates: 1830 – 1912
Subjects: mountains
Inscriptions: negative number: ‘3746’
Woman Full Face, Her Head Slightly to the Left
Object type: print
Date: 1543 – 1543
Techniques: etching
Artist: antonio fantuzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1537 – 1545
Subjects: faces,heads,women
Portret van Thomas Cole
Object type: print
Date: 1675 – 1690
Materials: paper
Techniques: mezzotint
Artist: jan van der spriet
Artist role: print maker
Subjects: thomas cole
Inscriptions: collector's mark: Lugt 2228
Two Chinese Scholars Practicing Calligraphy in Their Studio
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: fans,men,flowers
Allegorische voorstelling met figuren en een pauw in een tuin
Object type: drawing
Date: 1890 – 1909
Materials: chalk, paint, ink, paper, pencil
Techniques: brush, pen
Artist: karel de nerée tot babberich
Artist role: draughtsman
Artist dates: 1880 – 1909
Subjects: garden, ornamental birds: peacock
Inscriptions: collector's mark: Lugt 2228
Clervaux
Object type: album leaf
Materials: paper, photographic support
Techniques: gelatin silver print
Location: clervaux
Artist: Anonymous
Subjects: the family travelling, on holiday, bus, coach (+ accident, collision, crash ~traffic and transport), outing, pleasure trip
Inscriptions: inscription

Albumblad met vier foto's met gezichten van Clervaux in Luxemburg. Onder de foto's uitgeknipte papiertjes met getypte opschriften. Onderdeel van het tweede fotoalbum met foto's van familievakanties in Nederland, België, Luxemburg en Frankrijk in 1950-1951.
The Peacock Boat
Object type: print
Date: 1795 – 1796
Techniques: woodblock print
Location: japan
Artist: chobunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Portret van een onbekende vrouw
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: inscription: ‘Je tiens à toi’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, outer reserve line of tondo border; Exterior, genitals and legs of an archer, with a quiver, holding an arrow in his right hand
Emblemata Sacra è praecipuis utriusque testamenti historiis concinnata (Oude Testament)
Object type: album leaf
Date: 1582 – 1593
Materials: paper
Techniques: etching, letterpress printing
Location: antwerp
Subjects: those who lap water by putting their hand to their mouth are separated from those who kneel down to drink the water ~ selection of gideon's men
Inscriptions: inscription: ‘Josué fait un choix des soldats à la tete desquels il marche à la Conguete de la Terre de Canaan’

Links op een berg verschijnt God aan Gideon. Daaronder beveelt Gideon zijn manschappen water te drinken. Driehonderd man likken het water op met hun tong en de overigen knielen om te drinken. De mannen die knielen om het water te drinken worden naar huis gestuurd (Recht. 7:4). Met een motto in het Latijn boven de voorstelling en een vierregelig onderschrift in het Latijn onder de prent. De prent maakt deel uit van een album.
Abklatsch van een krijttekening
Object type: sketchbook leaf
Date: 1904 – 1912
Materials: paper
Techniques: printmaking
Artist: ferdinand oldewelt
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935

De tekening van een vrouw die met haar handen op een tafel ligt is niet langer aanwezig in het schetsboek. Blad 27 recto uit een schetsboek met 27 bladen.
Design for Dog Cart or 2 Wheeler, no. 3966
Object type: drawing
Date: 1886 – 1886
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Right big toe of a statue
Object type: right toe
Date: 1353 – 1336
Location: egypt
Mirror: Venus Mourning the Dead Adonis
Object type: mirror
Date: 1601 – 1633
Materials: copper, enamel, gilt, glass, silver
Techniques: painting, silvered
Artist: suzanne de court
Artist role: artist
Artist nationality: french
Artist dates: 1575 – 1625
Subjects: adonis,venus,swans
Beaker
Object type: glass
Date: 1835 – 1840
Materials: glass, paste
Techniques: molding
Location: france
Spotprent met Daniel O'Connell in de gevangenis
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: tone lithography
Location: england
Subjects: prison, jail, groups of witches, (scenes from) specific works of literature (with author, title), political caricatures and satires
Inscriptions: stamp: ‘HB Subscribers Copy’

Spotprent met Daniel O'Connell in de gevangenis en de drie heksen uit Shakespeares Macbeth. Uitgegeven als nr. 817 in de serie HB Sketches.
Squire
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men
Else en vriendinnen
Object type: album leaf
Date: 1914 – 1914
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Subjects: else wachenheimer-moos, outing, pleasure trip, germany
Inscriptions: inscription: ‘Eine Serie: Mädel ...’

Albumblad met twee foto's van Else met vriendinnen. Onderdeel van het fotoalbum van Else Wachenheimer-Moos en haar broers Arthur en Willy Moos en anderen in de periode 1913-1918.
Weg zur Waldquell
Object type: stereograph
Date: 1865 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: marienbad
Artist: ernst pflanz
Artist role: painter
Subjects: forest path or lane, marienbad
Inscriptions: inscription: ‘Marienbad’
Nieuwe omgekeerde wereld
Object type: print
Date: 1628 – 1630
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: germany
Artist: Anonymous
Subjects: fashion plates
Inscriptions: collector's mark: Lugt 2228

Satire op de jongste Franse mode die ca. 1629 zijn intrede doet in Duitsland. De traditionele Duitse eerbaarheid en Duitse kleding worden vervangen door de Franse mode en het Franse bedrog. In het midden een nar, staand op zijn hoofd en met een fraai hoofddeksel op zijn rechtervoet. Links staat een paar dat is gekleed volgens 'Der Alten Teutschen ALA MODO'. Rechts een man en vrouw gekleed volgens de Engelse mode: 'Nagel new ALA MODO mit einer Engeländischen Nebel hauben'. Onder de afbeelding drie kolommen verklarende Duitse tekst in boekdruk.
Le Palais de Jey Sing II, a Amber
Object type: reproduction
Date: 1880 – 1885
Materials: photographic support
Techniques: albumen print
Subjects: palace

Foto tegenover pagina 103, achter omslag.
Pair of cuffs
Object type: cuff
Date: 1701 – 1800
Materials: metal thread
Titelpagina voor: David de Gorter, Materies medica, exhibens virium medicamentorum simplicum, 1740
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: fides (faith) as roman personification, (story of) aesculapius (asclepius), prudentia (prudence) as roman personification
Inscriptions: collector's mark: Lugt 2228

Voorzichtigheid met spiegel, Geloof met brandende zon op het hoofd en Asclepius met esculaap staan rondom een zittende figuur. Voorzichtigheid overhandigt hem een schrijfveer. Rechts twee putti bij bloemen. In de achtergrond werken mensen op het land en Fama blazend op een bazuin.
Gezicht op het Camposanto te Genua
Object type: stereograph
Date: 1870 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: genoa
Artist: alfredo noack
Artist role: fotograaf
Artist dates: 1833 – 1895
Subjects: churchyard, cemetery, façade (of house or building)
Inscriptions: inscription: ‘Genua Das Campo Santo aus der Vogel-Perspective’, name: ‘E. LINDE & CO. (Sophus Williams.) BERLIN. LONDON.’, number: ‘No 179.’
Cup and saucer
Object type: cup and saucer
Date: 1801 – 1900
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers,insignia
Drie figuurstudies
Object type: sketchbook leaf
Date: 1888 – 1891
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: adult woman, child

Twee kinderen en mogelijk een vrouw. Pagina 15 uit een schetsboek met 27 bladen.
After the Party
Object type: drawing
Date: 1890 – 1890
Materials: chalk, paper
Location: amsterdam
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: drunkenness, lying figure - aa - female human figure
Inscriptions: annotation: ‘na het feest’

Fortunately Van Looij wrote the title ‘After the party’ on the drawing. A drunken woman in the gutter, her undergarments visible, was a risqué subject in his time. As an artist and writer, Van Looij was fascinated by street parties: his descriptions elucidate how he felt both an ‘aristocratic’ attraction and condemnation. In the excesses of the pleasures of life, the differences between rich and poor vanish and everyone is equal.
The Emperor Constantine Copronymous Burned by an Invisible Fire (recto); Studies of Sibyls and Angles (verso)
Object type: drawing
Date: 1599 – 1610
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giovanni baglione
Artist role: artist
Artist nationality: italian
Artist dates: 1566 – 1643
Subjects: suffering,men,women,angels
Strafgevangenis Ommerschans, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van 50 cent
Object type: huismunt prison money
Date: 1818 – 1859
Materials: iron
Techniques: casting
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, ommerschans

Voorzijde: letters O en S. Keerzijde: cijfer 50
Gezicht op Henley-on-Thames met rechts een brug en de toren van St Mary's Church
Object type: album leaf
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: henley-on-thames
Artist: Anonymous
Subjects: prospect of village, silhouette of village, rowing-boat, canoe, etc., bridge, parts of church exterior and annexes: tower

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Gold earring
Object type: earring with head of bull
Date: 334 – 201
Materials: gold
Culture: cypriot
Subjects: bulls

Circlet of twisted gold wire, which tapers from the bull's head at the front end to a hooked point which passes through a loop below the animal's throat.
Twee studies van een hond
Object type: drawing
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: dog