deem-data/ArtiFact huggingface dataset:
Saint John the Baptist as a child
Object type: statuette
Date: 1601 – 1700
Materials: terracotta
Subjects: boys,saint john the baptist
Cuneiform tablet impressed with cylinder seal: shipment of barley
Object type: cuneiform tablet
Date: 2029 – 2029
Materials: clay
Culture: neo-sumerian
Location: mesopotamia
Malerische Zueignung, from the series Radierte Skizzen
Object type: print
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: boys,writing
Zeehond
Object type: print
Date: 1930 – 1930
Materials: paper
Techniques: woodcut
Location: veere
Artist: jan heyse
Artist role: painter, print maker
Artist dates: 1882 – 1954
Subjects: swimming mammals: seal
Inscriptions: date
Portret van twee onbekende meisjes
Object type: photograph
Date: 1890 – 1910
Materials: paper, cardboard, glass, metal
Techniques: gelatin silver print
Artist: Anonymous
Subjects: girl (child between toddler and youth), anonymous historical person portrayed
Covered honey pot
Object type: honey pot
Date: 1882 – 1890
Materials: porcelain
Culture: american
Location: united states
Artist: ott and brewer
Artist role: manufacturer
Artist nationality: american
Artist dates: 1871 – 1893
Subjects: insects,plants
Gezicht op een poort
Object type: print
Date: 1833 – 1862
Materials: paper
Techniques: etching
Location: netherlands
Artist: gijsbertus johannes verspuy
Artist role: print maker
Artist dates: 1823 – 1862
Subjects: gate, entrance
Inscriptions: collector's mark: Lugt 2228

Gezicht op een poort. Links een zittende figuur op een bank. Rechtsboven N.2.
Sacrae historiae acta a Raphaele Urbin in Vaticanis xystis ad picturae miraculum expressa
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1649 – 1649
Materials: cardboard, leather, paper
Techniques: bookbinding, printing, etching
Location: france
Subjects: rome, rafaël, mural painter, print, e.g.: engraving, etching, lithograph, book

Album met een serie prenten door Nicolas Chaperon. De serie bestaat uit 54 platen, waarvan twee titelprenten. De overige 52 platen betreffen composities naar schilderingen in de Loggia van Rafaël in het Vaticaan.
Nieuw Goutsmits Boeck
Object type: print
Date: 1650 – 1709
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: daniel de lafeuille
Artist role: print maker
Artist dates: 1640 – 1709
Subjects: hare-hunting, rabbit-hunting
Inscriptions: collector's mark: Lugt 240

Tegenzijdige kopieën naar ontwerpen van François Lefebvre: links naar RP-P-1961-89, rechts naar RP-P-1961-91. Uit serie bestaande uit een titelblad en 4 bladen, elk met ontwerpen voor juwelen in een ornamentele rand van festons, bladeren, bloemen en hoorns des overvloeds.
Gezicht op de Christ Church en de Washington Elm te Cambridge
Object type: photomechanical print
Date: 1870 – 1875
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: trees: elm, church (exterior)
Ceramic Fragment
Object type: fragment
Date: 1301 – 1400
Materials: earthenware, glaze
Techniques: incising, painting
Location: egypt
Bonzerie de la Grande Pagode
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: emile gsell
Artist role: artist
Artist nationality: french
Artist dates: 1838 – 1879
Subjects: architecture,buildings
Liure dappartement
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous

Het bed heeft een rails rond het baldakijn waaraan teruggetrokken gordijnen hangen. Aan beide kanten staat een leunstoel tegen de muur. Tegenzijdige kopie naar blad uit de serie Second Liure Dappartements.
Portret van Johann Caspar Lavater
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching, hand coloring
Location: basel
Subjects: johann caspar lavater, reading, writing tools, historical persons, book, picture, painting, chair, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228

Portret van de Johann Caspar Lavater, zittend op een stoel. Hij draagt een kalot en een kniebroek en leest een boek. Naast hem een tafel met daarop boeken, een envelop en schrijfgerei. Boven de tafel hangt een schilderij van een jongen. Onder de afbeelding een vierregelige Franse tekst in twee kolommen. Rechtsonder gemerkt: B:.
Südtirol. Kurort Meran
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: merano
Artist: Anonymous
Subjects: church (exterior), prospect of city, town panorama, silhouette of city, mountains
Portret van keizer Karel V
Object type: album leaf
Date: 1586 – 1587
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: charles v (holy roman emperor and king of spain), historical persons

Karel V, ten voeten uit, met keizerskroon, rijksappel, zwaard en wapenschild met dubbelkoppige adelaar. De prent maakt deel uit van een boek met beschrijvingen en voorstellingen van de graven van Holland, Zeeland en Friesland.
Letter case
Object type: letter case
Date: 1667 – 1733
Materials: metal thread, silk
Subjects: birds,houses,foxes
Portret van een man en vrouw, zittend in een serre
Object type: album leaf
Date: 1900 – 1915
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: christiaan otto roelofs
Artist role: fotograaf
Artist dates: 1882 – 1970
Subjects: adult woman, adult man, historical persons
Two Bearded Men in Ragged Cloaks
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: style of jacques callot
Misbruiken van de katholieke geestelijkheid
Object type: cartoon
Date: 1724 – 1724
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: mouth wide open, teeth pressed together, aids for prayer, e.g. rosary, monk(s), friar(s), (aspects of) christian religion or the church (as institution) ridiculed, criticized, or caricaturized, money-chest, treasure-chest, money-box
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Grijnzende monnik met een geldkist onder zijn linkerarm, waarnaar hij wijst met zijn rechterhand. Om zijn nek een ketting van munten. Langs zijn zijde een rozenkrans. De prent is deel van een 50-delige serie met als onderwerp de misbruiken van de katholieke geestelijkheid.
Aanbidding van het Christuskind door geestelijken
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: christ-child (with attributes), organization, functionaries and dignitaries in roman catholic church; clergy in general

Zes geestelijken aanbidden het Christuskind dat hen zegent vanaf een wolk. Het gezelschap bestaat uit een paus, een kardinaal, een bisschop en drie Jezuïeten. Onder de voorstelling genummerd 1 en vier regels tekst. De prent maakt deel uit van een album.
Double-Chambered Jar Depicting a Figure Holding a Cup or Flute
Object type: vessel
Date: 500 – 800
Materials: ceramic, pigment
Location: nievería
Artist: nievería
Place de la Concorde
Object type: photograph
Date: 1875 – 1899
Techniques: albumen print
Location: france
Artist: Anonymous
Geleerde met jongen in interieur
Object type: print
Date: 1702 – 1702
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: chinese
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Stamp seal (hoof with loop handle) with divine being
Object type: stamp seal
Date: 800 – 601
Materials: alloy, bronze, copper
Culture: urartian
Location: urartu
Subjects: bulls
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of crossbar and arm of lyre; Exterior, part of upper frontal torso of a symposiast? with a himation draped over his left arm, holding a phiale in his left hand
Maaltijd te Emmaüs
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: engraving, etching
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread
Inscriptions: date

Christus zit met de twee discipelen aan tafel. Hij breekt het brood en spreekt de zegen uit en op dat moment herkennen de twee mannen hem. Linkss brengt de bediende een bord met eten.
Glass face bead
Object type: face bead
Date: 434 – 135
Materials: glass
Culture: carthaginian or phoenician
Subjects: faces

Translucent dark cobalt blue, with additions in opaque white and yellow and translucent blue. Cylindrical, with rounded edge at both ends; large hole running vertically through bead. Four faces, alternating with two in yellow and two in white, each made from a large added blob, augmented with applied nose, stratified eyes, eyebrows, ears, pendant earrings, and small round mouth, flanked above and below by irregular rows of knobs in white and yellow. Broken and repaired, with some areas of fill, and a few knobs missing or damaged; some pitting and iridescent weathering on exterior, encrustation on interior of hole. This large face bead is closely related to both eye beads and head pendants. Examples of both groups, which have been found throughout the Mediterranean region, are also displayed here [Gallery 171, Case 31].
Maskette
Object type: maskette
Date: 1780 – 1830
Materials: copper, pigment, shell, wood
Culture: tlingit or tsimshian
Location: united states

Pacific Northwest clan leaders hold potlatch ceremonies to renew their social status through a costly feast and gift exchange. Traditionally, the host would accumulate food, clothing, and trade goods, such as marine shells and copper, and commission specialized artists to create dance masks to further display this wealth. This ritual maskette or frontlet is pierced around the edges to affix it to a headdress assemblage. The blindingly white teeth are made of highly valued opercula, a hard plug that allows the marine mollusk to close its shell. The mask’s pointy nose may reference the beak of a bird or the mouth of an octopus.
Bowl
Object type: bowl
Date: 1910 – 1910
Materials: earthenware
Culture: french
Artist: andré metthey
Artist role: designer
Artist nationality: french
Artist dates: 1871 – 1920

Metthey worked as a painter, sculptor, and interior designer before devoting himself entirely to ceramics in 1901. While other vanguard ceramists were working in stoneware, a medium in which the ceramic body and the ornament were fused, Metthey was attracted to earthenware, which lent itself to painted decoration and glazes that rested upon the surface. At first he produced only the faience bodies, which he invited his friends Matisse, Derain, Vlaminck, Denis, and many others to decorate. However, after discovering ancient Near Eastern pottery in 1906, he abandoned this practice to work on his own. The painted decoration on this bowl suggests Islamic designs, and the abundant use of gold recalls ancient Mesopotamian luster glazes.
Roman Emperor Approaching Group of Women Seated at Table
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: europe
Artist: Anonymous
Artist nationality: european
Artist dates: 1700 – 1799
Platter
Object type: ceramic
Date: 1770 – 1770
Materials: ceramic, earthenware
Techniques: glazing
Location: strasbourg
Artist: joseph hannong manufactory
Artist nationality: french
Artist dates: 1760 – 1781
Inscriptions: Mark: "H" / "139" in blue
Woman's portrait on novelty, from the Novelties series (N228, Type 3) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Groep mensen op de bankjes van een theehuis in Uenopark in Tokyo, Japan
Object type: photomechanical print
Date: 1892 – 1897
Materials: paper
Techniques: photograph, hand coloring
Location: uenopark
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: park, bench, adult woman (+ more than eight persons), adult man (+ more than eight persons)
Inscriptions: number: ‘5’
Ile du Congo en amont de Bolobo
Object type: page
Date: 1896 – 1899
Materials: paper
Techniques: autotype
Location: congo
Subjects: island
Soupe à trois sous
Object type: print
Date: 1859 – 1859
Materials: ink, paper
Techniques: etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: sleeping,men,tables,cafe

The title of this print translates as soup for three pennies and indicates that the men shown sit in a cheap café or bar (notes left by Whistler suggest it is the Café des Pieds-Humides ('Café of the Wet Feet') in Paris). Soon after making this etching, Whistler moved to London, took lodgings south of Tower Bridge, then recorded a similar scene in an etching titled "Longshore Men"). Black bottles on the tables here, near men who slouch or sleep, evoke the addictive properties of alcohol and the signature, etched at upper center on an otherwise unadorned wall, reads like a fragment of graphiti.
Studieblad met ogen
Object type: drawing
Date: 1812 – 1861
Materials: chalk, paper
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: eyes
The Reception of the Rev. J. Williams, at Tanna in the South Seas, the Day Before He was Massacred
Object type: print
Date: 1841 – 1841
Materials: board, paper, steel
Techniques: engraving
Location: england
Artist: george baxter
Artist role: print maker
Artist nationality: english
Artist dates: 1804 – 1867
Limestone funerary stele (shaft) surmounted by two sphinxes
Object type: grave stele with two sphinx
Date: 425 – 401
Materials: limestone
Culture: cypriot
Subjects: sphinx

Elegant sphinxes are positioned back-to-back with their heads turned so that they could be seen in three-quarters perspective. The calm beauty of the creature's head, the form of the palmettes, and the egg and dart molding that decorates the base of the platform are typical of Greek art of the fifth century B.C.
Vaderlandsche Loterij ter eere van J.C.J. van Speyk, van voorwerpen vervaardigd van hout of ijzer, een gedeelte hebbende uitgemaakt van de kanonneerboot No. 2
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, antwerp, jan van speyk, raffle, lottery
Inscriptions: signature: ‘R[...]a’, collector's mark: ‘25.128’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Krijgswezen I: De Admiraliteit van Amsterdam, D. J.C. van Speyk.
Vogelvluchtgezicht op het Karthuizerhof te Amsterdam
Object type: book illustration
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: alms-house (dutch: 'hofje'), public welfare, old-people's home, street (+ city(-scape) with figures, staffage)

Prent uit: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeruige verhandelinge van desselfs eerste oorspronk uyt den Huyse (…). Amsterdam: Andries van Damme et al., 1726, tussen p. 580 en 581.
Head of Vaitunkta Vishnu
Object type: head
Date: 501 – 600
Materials: mineral, stone
Culture: pakistani, brahmanical post-gupta
Subjects: gandhara,vishnu,hinduism

Head of Vaitunkta Vishnu, seemingly dates later, but in reality may be close in date to the Head of Shiva. It is arguably one of the earliest renderings of a new Vishnu iconographic type, the three-headed Vaikuntha Vishnu in which the anthropomorphic Vishnu has the faces of the boar (Varaha) and lion (Narasimha) manifestations (avatars) emanating left and right. Here the boar is intact, the lion largely missing, but both emerge from the shoulders, not from the side of Vishnu’s head as seen in later Kashmir’s classic versions. This feature, seen also in the earliest dated version of this subject known—a late 5th century bronze from northern Pakistan—and a 6th century version now in the Museum of Indian Art, Berlin, points to our stone version dating from this first known phase of the iconographic-type’s appearance. A second feature allows us to post-date the work to a specific historic event, the Sasanian invasion of northern Pakistan in the early 7th century. The legacy of this contact is witnessed in the crown worn by Vishnu. No longer is it the Gupta-type, with a tripartite crown often with lion and pearls décor, but rather a mesh-patterned crown with diadem and ribbons as seen in crowned Sasanian ruler portraits, combined with a distinctive crest inherited from Gandharan art. Yet, a comparison of the physiognomy and others features of the Vishnu face—the moustache, presence of identical ear-clips—all point to these works being broadly contemporary.
Groepsportret van een Servisch muziekgezelschap
Object type: page
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: small group of musicians, chamber orchestra, jazz band, anonymous historical persons portrayed in a group, in a group-portrait
Belt Buckle with Animal Motifs
Object type: belt buckle
Date: 500 – 301
Materials: bronze
Culture: northwest chinese
Subjects: animals
Fotoalbum bij het afscheid van Eugen Wachenheimer als directeur van het filiaal van de Deutsche Bank in Sofia, 1928
Object type: scrapbook
Date: 1912 – 1928
Materials: cardboard, leather
Location: sofia
Artist: Anonymous
Subjects: eugen wachenheimer, (non-fruit) products of plants or trees: tobacco, tobacco
Inscriptions: date

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Fred Wood, Cyclist, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: lithography
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,sports,flowers

Trade cards from "World's Champions," Second Series (N43), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Smallsword Hilt
Object type: smallsword hilt
Date: 1730 – 1730
Materials: gold, steel, wood
Culture: french
Location: france
Artist: lebrun the younger
Artist role: hilt maker
Artist nationality: french
Artist dates: 1705 – 1755
Gaming Goblet with Glass Dice
Object type: glass
Date: 1667 – 1700
Materials: glass
Techniques: glassblowing, engraving
Location: bohemia
Monk Gazing at Clouds
Object type: hanging scroll
Date: 1814 – 1849
Materials: ink, paper
Culture: chinese
Artist: su renshan
Artist role: artist
Artist nationality: chinese
Artist dates: 1814 – 1850
Saucer-dish with figures in a pavilion
Object type: plate dish
Date: 1670 – 1690
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: japan
Artist: Anonymous
Inscriptions: mark: ‘Fuku’

Schaal van porselein met accoladevormige rand, beschilderd in onderglazuur blauw. De voorzijde van de schotel met een rivierlandschap met twee Chinese mannen in een paviljoen. Een derde man met een bediende komt aanlopen over een brug. Rond het paviljoen bloeiende bomen (prunus, pijnboom), rotsen, een vaas en spiraalwolken. De buitenwand met een doorlopende bloemrank. Gemerkt op de onderzijde met 'fuku' in een dubbel vierkant en een cirkel. Zes proenen op de onderzijde. Enkele chips in de rand. Arita, Kakiemon in blauw-wit.
Portret van Romeyn de Hooghe
Object type: print
Date: 1733 – 1733
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: haarlem, painter, draughtsman, goldsmith, romeyn de hooghe
Inscriptions: collector's mark: Lugt 240

Buste naar links van Romeyn de Hooghe in een ovale archtectonische omlijsting waarop zijn naam en een regel in het Latijn.
Commemorative Album of the KLM’s East Indies Route
Object type: photograph album
Date: 1949 – 1949
Materials: cardboard, leather, paper, photographic support, plastic
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: leiden, the hague, arnhem, aircraft, aeroplane, airborne traffic, aviation, travelling; tourism, netherlands, dutch east indies, the

This album was compiled on the occasion of the thousandth flight of the KLM’s East Indies route after World War II. Featured in the photograph is the famous ‘Uiver,’ the KLM aeroplane that won the handicap section in the 1934 London-Melbourne air race. With its aluminum construction, this Douglas DC-2 belonged to the latest generation of aircraft of its day.
Teodoro II Romano.
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: venice
Subjects: rome, historical persons, pope

Prent uit: Effigies Romanorum pontificum a S. Petro ad Pium VI. feliciter regnantem (...). 2 dln. Venetië en Bassano del Grappa: Giuseppe Remondini, 1775.
Interieur van de L’Eglise des Cordeliers in Fribourg
Object type: page
Date: 1897 – 1897
Materials: paper
Techniques: photograph
Location: fribourg
Subjects: interior of church
Bedcover (Slashed Star or Rose Window Quilt)
Object type: textile
Date: 1840 – 1840
Materials: cotton
Techniques: backing, weave, printing
Location: united states
Plate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?)
Object type: print
Date: 1799 – 1799
Techniques: aquatint, engraving, burnishing, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: satire,illness,men,donkeys
Allegorie op de bedrieglijke vredesvoorstellen van Spanje, 1598
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: personifications of countries, nations, states, districts, etc., netherlands

Allegorie op de bedrieglijke vredesvoorstellen gedaan door Spanje in april 1598. De Nederlandse Maagd wordt door Eendrachtig Geweld, een soldaat rijdend op de Hollandse Leeuw, beschermd tegen de aanvallen van de draak Tirannie. Bedekte Tirannie met vredesvoorstellen, een duivel in monnikspij met een olijftak, wordt bij de poort van de Hollandse Tuin tegengehouden door de gewapende Hollandse Leeuw. Onder de voorstelling een vers van 6 regels in het Nederlands.
Portret van Elias Scharlach
Object type: print
Date: 1665 – 1721
Materials: paper
Techniques: engraving
Artist: christian romstet
Artist role: print maker
Artist dates: 1640 – 1721
Subjects: historical persons, flame
Inscriptions: collector's mark: Lugt 2228
Reproductie schilderij  Muse deconcertee van De Chirico
Object type: photograph
Date: 1938 – 1938
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: lilly samuel
Artist role: fotograaf
Artist dates: 1909 – 1944
Subjects: amsterdam
Inscriptions: stamp: ‘galerie Robert Keizersgracht 527’

Onderdeel van een serie betreffende een reizende tentoonstelling "Exposition Internationale du Surréalisme", in galerie Robert te Amsterdam