deem-data/ArtiFact huggingface dataset:
Triomf van een Romeins keizer
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: etching
Location: vatican city
Subjects: triumphal arch, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', emperor, carrying off the spoils of war, division of the spoils of war
Inscriptions: collector's mark: Lugt 11, number: ‘1’, collector's mark: ‘Hinloopen’

Een triomftocht van een Romeins keizer. De stoet trekt van rechtsonder, onder twee triomfbogen door, naar een tempel linksboven. De stoet bestaat uit soldaten, gevangenen, olifanten, wagens vol oorlogsbuit en de keizer. Linksonder een voorstelling van de keizer die de oorlogsbuit verdeelt. Rechtsonder een voorstelling van een offerscène en een verklarende lijst met nummers.
Kelkglas met bladranken en cirkels
Object type: goblet
Date: 1700 – 1725
Materials: glass
Techniques: glassblowing
Location: bohemia
Artist: Anonymous

Kelkglas van helder, kleurloos glas. Op de kelk gegraveerde bladranken en cirkels.
Schets van een paard
Object type: drawing
Date: 1660 – 1669
Materials: chalk, paper
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690
Inscriptions: annotation: ‘H.ter Borch’
Melaatse bedelaar
Object type: print
Date: 1634 – 1638
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: pieter jansz quast
Artist role: draughtsman, painter, print maker
Artist dates: 1605 – 1647
Subjects: leper's rattle, walking-stick, staff, shed, beggar
Inscriptions: collector's mark: Lugt 2165

Een bedelaar, met lazarusklep in de hand, loopt steunend op een wandelstok langs een dorp en een schuur. De prent maakt deel uit van een serie van zesentwintig prenten met bedelaars en boeren.
Interieur van de Oude Kerk te Amsterdam
Object type: drawing
Date: 1870 – 1926
Materials: paint, ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: interior of church
Waterlelies
Object type: photograph
Date: 1885 – 1915
Materials: cardboard, photographic support
Techniques: platinum process
Location: maine
Artist: william boyd post
Artist role: fotograaf
Artist dates: 1857 – 1921
Subjects: flowers: water-lily
Fragment
Object type: fragment
Date: 701 – 800
Materials: textile
Culture: japanese
Virgin and Child
Object type: statue
Date: 1367 – 1400
Materials: gilt, limestone, paint
Culture: french
Subjects: madonna and child
Portret van Friedrich Ludwig Franz von Wangen zu Geroldseck
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: engraving
Location: mannheim
Subjects: archbishop, bishop, etc. (roman catholic), historical persons, crucifix ~ personal devotion, ornament ~ festoon, garland, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van Michelangelo
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: etching
Artist: isaac lodewijk la fargue van nieuwland
Artist role: draughtsman, painter, print maker
Artist dates: 1726 – 1805
Subjects: painter, draughtsman, sculptor, michelangelo
Inscriptions: collector's mark: Lugt 2228

Prent opgenomen in: Dézallier d'Argenville, Antoine Joseph. Tooneel der uitmuntende schilders van Europa, en byzonderlyk van Nederland. Den Haag: Mattheus Gaillard, 1752.
Charette
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Melancholische aanbidder
Object type: drawing
Date: 1652 – 1653
Materials: ink, paper, watercolor
Techniques: brush, calligraphy
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Het gedicht stond in Het Brabandts Nachtegaelken, uitgegeven in 1656, met verschillen in spelling en woordkeuze. Aangezien Gesina het gedicht zeker voor 1656 gekopieerd heeft was het klaarblijkelijk al in omloop voor die publicatiedatum.
Ornamentstudies
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: ornaments ~ art
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Interior, glaze sheared off; Exterior, lower drapery of figure? and stick?
Double-sided wooden comb
Object type: comb
Date: 601 – 900
Materials: wood
Culture: alanic
Location: caucasus
King Charles IV of Spain
Object type: drawing and watercolor
Materials: crayon, ink, ivory, paint, paper, watercolor
Techniques: pen
Location: spain
Artist: eugenio lucas velázquez
Principes van het tekenen naar de natuur
Object type: print
Date: 1784 – 1826
Materials: paper
Techniques: printmaking, etching, drawing
Location: paris
Artist: petit (graveur)
Artist role: print maker
Subjects: drawing, sketch, head (human), head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Blade
Object type: arm
Materials: jade
Location: china
Gig #3681
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Aube en Dentelle, Appartenant au Couvent de la Visitation
Object type: photograph
Date: 1857 – 1857
Techniques: paper negative, salted paper print
Artist: hippolyte malègue
Artist role: artist
Artist nationality: french
Gold finger ring
Object type: ring
Date: 201 – 300
Materials: gold
Culture: roman
Subjects: hands

This impressive ring was used as a betrothal or wedding band—a tradition that only became firmly established in the third century A.D. The small size of the hoop suggests that it was given to a young fiancée or bride, but its weight implies that the couple was able to afford valuable pieces of gold jewelry.
Herder en herderin in landschap
Object type: print
Date: 1648 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 240

Prent naar tekening van Casper Casteleyn in de collectie van het RMA.
Concretie uit V.O.C.-schip de 'Witte Leeuw'
Object type: concretionary stone
Date: 1613 – 1613
Materials: lead, pigment, tin
Artist: Anonymous

Bijna cirkelvormig stuk concretie met loden of tinnen kern. Mogelijk een stapel borden.
Cuff link
Object type: cuff link
Date: 1873 – 1873
Materials: silver
Techniques: filigree
Artist: jacob ulrich holfeldt tostrup
Artist role: maker
Artist nationality: norwegian
Artist dates: 1806 – 1890
Grid of twenty portraits of actresses, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Gangbank op wangen. Versierd met C- en S-voluten, vaas, maskers met acanthusvoluten, papegaaien, knorren en florale motieven.
Object type: furniture
Date: 1700 – 1725
Materials: wood
Location: northern netherlands
Artist: Anonymous

Gangbank van eikenhout, gebeeldhouwd, rustend op wangen, die boven de zitting doorgetrokken zijn en overgaan in C-vormige armleggers. De opengewerkte rug heeft in het verhoogde middenstuk een vaas, temidden van gebroken S-voluten. De bovenkant van de rug loopt met C-voluten in de zijwangen over. Het middenstuk vertoont aan weerszijden maskers met acanthusvoluten en toegewende papegaaien. De zitting met rand van toegewende knorren. De geschulpte voorzitregel en schraagpoten zijn versierd met florale motieven.
Gezicht op het eiland Barbe in de Saône rivier, met de Romaanse Onze-Lieve-Vrouwe kerk
Object type: print
Date: 1790 – 1810
Materials: paper
Techniques: engraving, etching
Location: lyon
Artist: jean-michel grobon
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1853
Subjects: river, church (exterior)
Inscriptions: collector's mark: Lugt 2760, inscription: ‘Tres belle épreuve avant la lettre’, collector's mark: Lugt 2228
Ectocarpus amphibius
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants
Portret van een onbekende vrouw in klederdracht, met muts en oorijzers
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: adult woman, anonymous historical person portrayed, folk costume, regional costume, netherlands
Staande vrouw
Object type: print
Date: 1736 – 1798
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: cornelis ploos van amstel
Artist role: draughtsman, print maker
Artist dates: 1726 – 1798
Subjects: adult woman
Inscriptions: collector's mark: Lugt 240

Staande vrouw, die een zakdoek tegen haar gezicht houdt.
The Courtesan Itsuhata with Her Pipe
Object type: print
Date: 1765 – 1765
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women
Creamer
Object type: cream pot
Date: 1760 – 1780
Materials: silver
Culture: dutch
Location: netherlands
Artist: philippus priee
Artist role: maker
Artist dates: 1721 – 1793
Flute
Object type: transverse flute
Date: 1802 – 1827
Materials: wood, brass, ivory
Location: london
Artist: philips
Inscriptions: : ‘'(rose) / PHILLIP’S / LITTLE TOWER HILL / LONDON'.’

Gaaf geconserveerde, uitstekend speelbare vierdelige dwarsfluit van buxushout met ringen van ivoor en een messing klep; stemming ca. a-440 Hz. Met maar één klep is het voor de tijd van ontstaan een conservatief gebouwd instrument. Stempel: '(rose) / PHILLIP’S / LITTLE TOWER HILL / LONDON'.
Design for Vis-à-vis, no. 411
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Inkstand
Object type: inkstand
Date: 1776 – 1800
Materials: silver
Portret van Lorenzo Valla
Object type: print
Date: 1699 – 1742
Materials: paper
Techniques: engraving, etching
Subjects: scholar, philosopher, historical persons

Onder het portret een zesregelig vers in het Nederlands.
Deel van het expositieterrein op de Wereldtentoonstelling te Parijs in 1889
Object type: photograph
Date: 1889 – 1889
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: world fair, world exhibition, paris

Onderdeel van Reisalbum Europese steden, vermoedelijk Zweeds.
Portret van een zittende vrouw met baby in witte jurk op schoot
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: georges penabert
Artist role: fotograaf
Artist dates: 1825 – 1903
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, infant, baby ~ the ages of man
Inscriptions: inscription: ‘G. Penabert/ Passage du Hâvre 36 & 38./ Au Rez-de-Chaussée/ PARIS’
Studies of Figures
Object type: painting
Date: 1801 – 1900
Materials: ink, paper
Techniques: painting
Culture: japanese
Artist: hokusai school
Artist role: artist
Subjects: birds,men,women,ox
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, lower body of a draped male to right, with a stick
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: roman
Subjects: birds

Loeschcke Type 1A. Mold-made. Small, deep body. Deep concave discus: crane facing and walking left; a single filling hole at lower left; broad band of lines and grooves at edge. Volutes flanking angular nozzle, with narrow channel between discus and nozzle, and large wick hole. Undefined, flat base. Intact.
Basin (part of a set)
Object type: basin
Date: 1801 – 1900
Materials: pewter
Libellus Valde Doctus Elegans, et Utilis, Multa et Varia Scribendarum (Elegant and Useful Book on the Learned Art of Writing)
Object type: book print ornament architecture
Date: 1549 – 1549
Techniques: woodcut
Artist: urban wyss
Artist role: author
Artist nationality: swiss
Zwölf der schönsten Ansichten des Rheins
Object type: print
Date: 1822 – 1868
Materials: paper
Techniques: engraving
Location: wiesbaden
Subjects: prospect of village, silhouette of village, castle, river

Deze prent maakt deel uit van een album met twaalf prenten.
Amor ontsnapt over zee
Object type: print
Date: 1517 – 1562
Materials: paper
Techniques: engraving
Location: italy
Subjects: (story of) cupid, amor (eros)
Inscriptions: collector's mark: Lugt 2228

Amor zittend in een klein bootje op zee. In het bootje liggen pijlen. Aan een pijl is een doek gebonden dat fungeert als zeil. Boven een banderol met titel.
Lamp
Object type: lamp
Date: 1835 – 1840
Materials: bronze
Location: england
Portret van een man aan een tafel waarop een hoed ligt
Object type: photograph
Date: 1865 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: jules géruzet (fotograaf)
Artist role: fotograaf
Artist dates: 1817 – 1874
Subjects: historical persons, table, head-gear: top hat
Inscriptions: inscription: ‘JULES GÉRUZET,/ PHOTOGRAPHE,/ 27bis Rue de l'Ecuyer,/ BRUXELLES.’
Piece
Object type: piece
Materials: metal thread, silk
Culture: japanese
Subjects: flowers
De kleine mens Roelandus Blitzzoon, 1716
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: caricatures (human types), little people

De kleine mens Roelandus Blitzzoon. In het onderschrift verzen in het Duits, Frans en Nederlands. Afdruk binnen een decoratieve omlijsting gedrukt van een aparte plaat met duivels en harlekijnen. Genummerd rechts midden: 31. Onderdeel van de Nederlandse gebonden uitgave uit 1716 van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel, gekopieerd naar een ouder Duits voorbeeld.
Portret van Johannes Knijff
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: utrecht, functionaries and dignitaries ~ protestant churches, beard
Inscriptions: collector's mark: Lugt 2228

Portret van Johannes Knijff, predikant te Alkmaar, op 50-jarige leeftijd. Onderaan in de marge zijn naam en functie in het Latijn en een zesregelig vers in het Nederlands en in het Latijn.
Stamp seal (octagonal pyramid) with deity (?)
Object type: stamp seal
Materials: stone
Culture: assyro-babylonian
Location: iran or mesopotamia
Fotoreproductie van een scène uit Goethe's Herman en Dorothea
Object type: reproduction
Date: 1880 – 1885
Materials: photographic support
Techniques: albumen print
Subjects: adult man, literary characters and objects, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Vervielfältigung vorbeh. Déposé - Registered./ Verlagsanstalt für Kunst und Wissenschaft vormals Friedrich Bruckmann in München.’, name: ‘Friedrich Bruckmann's Verlag/ München’, inscription: ‘Kaulbach's Goethe-Gallerie Nr. 6’, annotation: ‘24.12.94’
Wandbespanning
Object type: upholstered wall
Date: 1911 – 1915
Materials: linen
Techniques: damask
Location: eindhoven
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Donkergroene damasten wandbespanning met een dessin van bijen.
Vlag op Colonne Vendôme te Parijs
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: column, pillar ~ architecture, flag, colours (as symbol of the state, etc.)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

In 1814, tijdens de bezetting van Parijs door geallieerde troepen, werd het beeld van Napoleon op de Colonne Vendôme verwijderd en vervangen door een witte vlag met fleur-de-lis. Een groep omstanders kijkt hoe het beeld omlaag wordt gebracht en de vlag wordt geplaatst.
Leeuw met welp en twee putti
Object type: print
Date: 1537 – 1537
Materials: paper
Techniques: engraving
Location: italy
Subjects: beasts of prey, predatory animals: lion, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2028
Beaker
Object type: vessel
Date: 1 – 100
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Auf dem Kap Martin
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: roquebrune-cap-martin
Artist: franz goerke
Artist role: fotograaf
Artist dates: 1856 – 1931
Subjects: forest, wood
Study for The Honeymoon
Object type: drawing and watercolor
Materials: graphite, ink, paint, paper, watercolor
Techniques: brush
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Der Weiß Kunig
Object type: book
Date: 1775 – 1775
Techniques: woodcut
Location: austria
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
Subjects: men,working
Toeschouwers bij versierde boten aan de Amsteldijk
Object type: photograph
Date: 1906 – 1906
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: river, commemoration, jubilee

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
Das Gelehrte Göttingen
Object type: print
Date: 1830 – 1850
Materials: paper
Techniques: lithograph
Location: gottingen
Subjects: physicist, group of scholars or philosophers, historical persons
Inscriptions: check stamp: ‘Gebrueder Rocca in Göttingen’, collector's mark: Lugt 2228

Portretten van Conrad Johann Martin Langenbeck, Johann Wilhelm Heinrich Conradi, Arnold Adolph Berthold, Johann Friedrich Blumenbach, Friedrich Wöhler, Eduard Caspar Jacob von Siebold en Conrad Heinrich Fuchs. De portretten zijn genummerd 1 t/m 7.
Schuttersbrief van kapitein Theodorus Cornelis van Herzele
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), personification of a city, town-patron(ess), military service (+ citizen soldiery, civil guard, citizen militia), amsterdam
Inscriptions: collector's mark: Lugt 1641b

Schuttersbrief met oproep van kapitein Theodorus Cornelis van Herzele, gericht aan Antony Gerrit Meyntz, om zich bij het eerste korporaalschap van Jan de Meijer van burgerwijk XXXIV te Amsterdam te melden. Voorgedrukte brief met open delen die met pen zijn ingevuld. Rechtsboven genummerd: N. 4. Onderwerpsrubriek binnen de Atlas Amsterdam: Schutters-oproepingsbriefjes.
Landschap
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: landscapes

Pagina 28 uit een schetsboek met 58 bladen.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

At the shoulder, palmette-lotus chain; below, head and neck of a filleted youth to right; woman wrapped in a himation to right; top of the head, right ear, and part of the forehead of a filleted figure to right, holding a lyre?
Agreable diversité de figures
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: etching
Location: paris
Subjects: horse, wet-nurse
Inscriptions: collector's mark: Lugt 240
Twee rustende honden
Object type: print
Date: 1656 – 1734
Materials: paper
Techniques: etching
Location: brussels
Artist: Anonymous
Subjects: dog
Inscriptions: collector's mark: Lugt 2228

Kopie in spiegelbeeld naar de gelijknamige prent uit de serie van twaalf prenten met voorstellingen van dieren van Jan van den Hecke I.
Portrait of a Gentleman
Object type: painting, miniature
Date: 1831 – 1831
Materials: ivory, watercolor
Culture: american
Location: united states
Artist: james reid lambdin
Artist role: artist
Artist dates: 1807 – 1889
Subjects: men,portraits
Bowl with Lid
Object type: bowl with lid
Date: 1401 – 1500
Materials: brass, gold, silver
Techniques: inlay
Location: afghanistan