deem-data/ArtiFact huggingface dataset:
Portret van een onbekend meisje met loshangend haar
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: adolescent, young woman, maiden
Inscriptions: annotation: ‘2me etat’, collector's mark: Lugt 2228
Ruitergevecht
Object type: print
Date: 1631 – 1676
Materials: paper
Techniques: etching
Artist: jacques courtois
Artist role: painter
Artist dates: 1621 – 1676
Subjects: battle, attack ~ siege
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Brief aan Andries Bonger
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: painter, draughtsman, vincent van gogh, amsterdam, andries bonger, exhibition ~ art, printed matter, brussels
Incenser burner with archaic style patterns
Object type: incense burner
Date: 1667 – 1733
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Mannen en vrouwen onderaan een vliegtuigtrap
Object type: photograph
Date: 1930 – 1940
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, the hague, airborne traffic, aviation, arrival and return ~ travelling, travelling; tourism

Albumblad met een foto van mannen en vrouwen onderaan een vliegtuigtrap. Tweede van rechts Hans Martin, de grondlegger van de Indië-lijn van de KLM. Onderdeel van Herdenkingsalbum van de Indië-lijn van de KLM, deel II.
Twee figuren in een roeiboot op het water
Object type: sketchbook leaf
Date: 1806 – 1895
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: rowing-boat, canoe, etc., landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)
Inscriptions: date: ‘25 Juni 95’

Blad 13 recto uit een schetsboek met 39 bladen.
kandelaar van porselein beschilderd met bloemen
Object type: candlestick
Date: 1903 – 1903
Materials: porcelain
Techniques: firing, painted
Location: the hague
Artist: sam schellink
Artist role: ceramicist, draughtsman
Artist dates: 1876 – 1958
Inscriptions: mark: ‘alles in zwart: Rozenburg met kroon/ooievaar/Den Haag; links ster (=1903); rechts werkordernummer 448 en schildersmerk S met schuine streep in zwart; modelnummer 212 in reliëf’

Candlestick. 1903, decorated by Samuel Schellink, model no 212.
Strook naaldkant met fijn spiraalornament
Object type: strip
Date: 1690 – 1710
Materials: linen
Techniques: needle lace, lace
Location: france
Artist: Anonymous

Strook naturelkleurige naaldkant: point de France. Patroon met een fijn spiraalornament op een zeshoekige spijlengrond met picots. De bovenzijde is afgezet met een rand kloskant. De rechte onderzijde is afgewerkt met gepicoteerde boogjes, waarin motiefjes te zien zijn.
Fotoreproductie van een gravure naar De Madonna van Foligno door Rafaël in het Vaticaan
Object type: page
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: madonna: i.e. mary with the christ-child
Portret van een zittend meisje
Object type: photograph
Date: 1864 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: charles emmanuel dhoy
Artist role: fotograaf
Subjects: historical persons - bb - woman, toddler (female), chair
Inscriptions: inscription: ‘Charles D'hoy/ PHOTOGRAPHE/ Rue courte du jour 25 près du Pont Madou/ WALPOORT BRUG/ GAND’
On the trail below Hermit Camp
Object type: album leaf
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: ravine, chasm, abyss, canyon, road, path, rock-formations, united states of america
Inscriptions: annotation: ‘Grand Canyon’
Grand Cañon, Colorado River, Near Paria Creek, Looking East
Object type: photograph
Date: 1872 – 1872
Techniques: albumen print
Location: united states
Artist: william h. bell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910
Subjects: collected by hugh edwards
Pyx
Object type: pyx
Date: 1534 – 1566
Materials: silver gilt
Artist: gaspar gallo
Artist role: artist
Artist dates: 1500 – 1600
Subjects: cross

This pyx, used to hold the wafer of the Eucharist, is inscribed in Latin: "This is the body of our Lord Jesus Christ." The twisted gadroons around the foot and cover demonstrate the persistence of late medieval traditions well into the sixteenth century.
Gebouwen tegenover de achterzijde van het voormalige Ministerie van Koloniën te Den Haag
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: urban housing, public road (+ city(-scape) with figures, staffage), the hague
Inscriptions: annotation: ‘'s Gravenhage (Z.H.)/ gebouwen tegenover de achterzijde v/h Ministerie van Kolonieën/ Juni 1895’, annotation: ‘Gebouwen tegenover achterzijde Ministerie v. Kolonieën/ 1895/ 's Gravenhage’, collector's mark: ‘R:MUS.’ Lugt 2228
Sheet with two borders with an overall dot pattern
Object type: print
Date: 1767 – 1866
Techniques: relief print
Artist: Anonymous
Artist role: artist
Portret van Jean-Baptiste Dumas
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: engraving
Location: london
Artist: charles henry jeens
Artist role: print maker
Artist dates: 1827 – 1879
Subjects: aspects of science in general, historical persons

Prent uit: Nature 21 (1880), nr. 536, 5 februari 1880.
Cup
Object type: cup
Date: 600 – 551
Materials: terracotta
Culture: etruscan

Goblet-shaped cup with fluted body.
Paaskaart voor 1883
Object type: greeting card
Date: 1883 – 1883
Materials: paper
Techniques: chromolithography
Artist: Anonymous
Subjects: easter, flowers: water-lily, plants and herbs: reed
Inscriptions: annotation: ‘Pour chère Madame Six [?] (...) Brighton 1883’

Bloeiende waterlelies en riet. Daarbij de teksten: 'Rom. 6.3. Col. 2.7; 3.1. Risen with Christ. Like as Christ was raised up from the dead by the Glory of the Father, even so we also should walk in newness of Life. Rooted in Him'.
Card Number 256, E. Evansville, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Wine cooler (seau à demi-bouteille) (one of two) (part of a service)
Object type: wine cooler
Date: 1771 – 1772
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: birds,trees

The table services produced at Sèvres in the eighteenth century were highly prized and extremely expensive. They were not only purchased by the Crown and members of the aristocracy but also given by the king as diplomatic gifts to foreign courts and visiting dignitaries, and the esteem in which they were held did much to enhance the factory’s prestige and fortunes. Because the number of pieces composing a service was very large, the cost was enormous, but this did not deter many courtiers from ordering a dinner or dessert service, or both. One of the most celebrated services produced at Sèvres was delivered to Louis-René-Édouard, prince de Rohan-Guémenée (1734–1803), on September 7, 1772. All of the pieces were decorated with the rich turquoise ground color known as bleu céleste and with birds encircled by an elaborate gilt wreath of oak leaves and acorns. Many of the components of the service bear the initials LPR ( for Louis, prince de Rohan), executed in two tones of gilding. The service cost the substantial sum of 20,772 livres, which was roughly equivalent to twice the annual income of a successful doctor at the time. This wine bottle cooler is one of twenty-three pieces from the Rohan service now in the Museum’s collection. Originally composed of 368 pieces, the service was small in size compared to other Sèvres services, but the rich use of gilding, the expensive ground color, and the initials in two tones of gold account for its high cost.
Nieuwe Rotterdamsche Courant
Object type: newspaper
Date: 1939 – 1939
Materials: paper
Techniques: printing
Location: rotterdam
Subjects: poland

Krant over de duitse invasie in Polen, p. 1 & 2 van nr. 411, 96ste jaargang van de NRC.
Ornament met sater en naakte vrouw en verschillende ronde ornamenten
Object type: print
Date: 1690 – 1710
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: gerrit visscher
Artist role: print maker
Subjects: ornaments ~ art, love-affairs of satyr(s)
Inscriptions: collector's mark: Lugt 2228
De vier jaargetijden
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) bacchus (dionysus), liber, autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 2228

Bacchus zit als personificatie van de herfst op een wolk en is omgeven door drie gepersonifieerde maanden die wijnranken en ander seizoensfruit bij zich dragen. Bacchus is gedeeltelijk bedekt met een tijgervel en gekroond met wingerdbladen en druiven, in zijn linkerhand houdt hij een hoorn des overvloeds. De prent maakt deel uit van een vierdelige serie prenten over de vier jaargetijden. Links in de marge genummerd: 39.
Carte particuliere des environs de Bruxelles avec le Bois de Soigne (...)
Object type: map
Date: 1708 – 1712
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: marine charts, brabant, brussels

Prent ook gebruikt in: Table des cartes des Pays Bas et des frontières de France, avec un recueil des plans des villes, sièges et battailles données entre les hauts alliés et la France. Brussel: Eugene Henry Fricx, 1712.

Bovenstaande publicatie kent meerdere drukken waarbij datum onveranderd is gebleven.
Asperen van de waterzy
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), rowing-boat, canoe, etc., city-walls, city-gate, asperen
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 166.
Port de la Grosse Horloge, Rouen
Object type: photograph
Date: 1855 – 1865
Materials: photographic support
Techniques: albumen print
Location: rouen
Artist: joseph cundall
Artist role: fotograaf, schrijver
Artist dates: 1818 – 1895
Subjects: tower, clock tower ~ monumental adornment, street
Reproductie van een schilderij van een landschap
Object type: page
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: halle an der saale
Subjects: landscapes
Inscriptions: monogram: ‘Consée’

Prent op vierde ongenummerde pagina na pagina 196.
Headdress
Object type: headdress
Date: 1801 – 1833
Materials: cotton, glass, metal, mother of pearl
Culture: russian

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Headdresses, or kokoshniks had the greatest abundance of ornamentation of any type of garment in Russia. They were most often made of damask woven with gilt metallic threads or velvet with gold embroidery. The wealthy peasant class often decorated their kokoshniks with pearls and gemstones. Their decorative elements were representative of the regions in which they were made. Those from the North were embellished with the river pearls that were plentiful in that area while goose down and woolen embroideries were more popular in the South. The headdresses worn by maidens exposed their hair, considered a prize possession in Russian culture.
Le Meunier, Son Fils, et l'Ane (The Miller, His Son, and the Ass) (Furnishing Fabric)
Object type: textile
Date: 1806 – 1806
Materials: cotton
Techniques: weave, printing
Location: jouy-en-josas
Artist: jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
Groepsportret van onbekende mensen in een bos
Object type: photograph
Date: 1905 – 1920
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: arm in arm (friends), forest, wood, anonymous historical persons portrayed in a group, in a group-portrait
Vlucht naar Egypte
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2028

Maria zit samen met het Christuskind op een ezel. Jozef trekt de ezel voort.
Fragment of a Corner of Siptah's Canopic Chest
Object type: canopic box, siptah, corner, text
Date: 1194 – 1188
Materials: stone
Location: egypt
Portret van Thomas Cromwell
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Inscriptions: : Lugt 2228

Prent mogelijk uit: Corput, Abraham van den. De goddelicke vierschare, dat is ontdeckinge der hemelsche oordelen (…). Utrecht: Johannes Janssonius van Waesberge I, 1660, dl. 1. Prent ook gebruikt in latere edities van dit werk.
Mocquet. Georges, Gustave. 17 ans, né le 17/5/76 à Paris IXe. Tapissier. Anarchiste. 6/1/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Korte broek gedragen door Jhr. Mr. Dr. A.W.L. Tjarda van Starkenborch Stachouwer
Object type: pant
Date: 1936 – 1942
Materials: cotton
Techniques: stitching, weave
Location: java
Artist: ang. savelkout
Artist role: kleermaker
Subjects: politician, dutch east indies, the

Broek gedragen door Jhr. Mr. Dr. A.W.L. Tjarda van Starkenborch Stachouwer tijdens zijn internering in Japanse kampen 1942-1945. Vergeelde korte broek van groot formaat, steekzakken en riemlussen. Katoen, ooit gebroken wit of beige.
Bow Brooch
Object type: brooch
Date: 467 – 533
Materials: silver gilt
Culture: alemannic

The bow brooch was a component of many Germanic women’s dress. In Frankish territory brooches were generally worn in pairs, as decorative elements on a strap hanging from the belt. The bow refers to the bend or curve that links two terminals
Art - Goût - Beauté, Feuillets de l' élégance féminine, Novembre 1931, No. 135, 12e Année, p. 33
Object type: fashion print
Date: 1931 – 1931
Materials: paper
Techniques: printing, photography
Subjects: fashion plates

Tekst 'La Saison d'Automne' met drie illustraties. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Louis Prudhomme (1752–1830), French journalist and pamphleteer
Object type: medallion
Date: 1828 – 1828
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Ritual Vessel of Lotus Form
Object type: vessel
Date: 901 – 1000
Materials: copper
Culture: kashmiri
Subjects: kashmir

The vessel is globular in form, set on a pedestal stand. All of its surfaces have raised decoration: the body is filled with a beautifully realized pattern of overlapping petals with chased details, and the shoulder and foot have a lotus petal and dart band. The collar of the vessel and its stem foot are marked bands of raised beads, understood to evoke pearls. It had two ring handles riveted to the shoulder at some later point in its history, of which one remains intact.
Basis geographiae recentioris astronomica in qua situs locorum insigniorum (...)
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: engraving, etching, hand coloring
Location: nuremberg
Subjects: map of the world
Portret van Christoph Ehinger
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: augsburg, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in boekdruk binnen een omkadering van fleurons.
Inleiding
Object type: print
Date: 1894 – 1901
Materials: paper
Techniques: lithograph
Subjects: plants; vegetation
Inscriptions: collector's mark: Lugt 2233

Prent gebruikt voor: Vondel, Joost van den. Gysbreght van Aemstel. Haarlem: Erven F. Bohn, 1894-1901. De voorstelling is door Tresling & Comp. op steen overgebracht.
Portret van de schilder Barend Graat
Object type: print
Date: 1696 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, draughtsman, barend graat, portrait, self-portrait of painter, hourglass
Inscriptions: collector's mark: Lugt 240

Portret van de schilder Barend Graat. Met zijn linkerhand wijst hij op een zandloper.
Portret van Balthazar Huydecoper
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: balthazar huydecoper, historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van Balthazar Huydecoper in een ovaal. Onder het portret een kader met zijn naam en gegevens in twee regels in het Latijn en een tekst in zes regels in het Latijn.
Bijbelsche aardrijkskunde
Object type: print
Date: 1871 – 1908
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: plants; vegetation, coffin, plants and herbs: cactus, veil
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van voorwerpen, planten, een gesluierde vrouw en de Dode Zee. Onder elke afbeelding een onderschrift. Genummerd linksboven: No. 8.
Landschap met een man
Object type: print
Date: 1622 – 1703
Materials: paper
Techniques: etching
Location: antwerp
Subjects: landscapes - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 2228, inscription: ‘gedeelte’

Landschap met links op de voorgrond een man die bij een boom knielt. Op de achtergrond een rivier en rechts een stenen brug.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 367 – 335
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, right forearm with hand holding an unidentified object
Mask in the Shape of a Mountain Demon's Face
Object type: mask
Date: 1701 – 1733
Materials: iron, lacquer, textile
Culture: japanese
Location: japan
Yellow sheet with overall red abstract pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Length of Painted Silk
Object type: costume and accessory
Materials: paint, silk
Techniques: painting, weave
Culture: chinese
Location: china
Subjects: flowers, vines, floral motifs, foliage, botanical/floral

Chinese silk producers, like Indian cotton makers, catered to a vast network of international consumers. Here, Chinese artisans emulated English fabrics and created a delicate floral similar to that designed by Anna Maria Garthwaite. Such floral patterns were popular both in Europe and North America. In fact, the first First Lady of
the United States, Martha Washington, owned a gown of Chinese painted silk.
Ongemakken van de drijfjacht met paarden
Object type: cartoon
Date: 1825 – 1827
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: hunting, chase
Inscriptions: collector's mark: Lugt 2228
Fotoalbum ter gelegenheid van het 50-jarig jubileum van de Handelsvereniging Amsterdam (HVA)
Object type: photograph album
Date: 1929 – 1929
Materials: cardboard, linen, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: colonial system, trade-company, dutch east indies, the, amsterdam
Inscriptions: label: ‘50 jarig jubileum HVA 1929’

Fotoalbum in rode linnen band met 6 bladen van bruin karton met ingeplakte groepsfoto's gemaakt tijdens het 50-jarig jubileum van de Handelsvereniging Amsterdam (HVA) zoals dat werd gevierd in het hoofdkantoor te Amsterdam in 1929.
Varenna aan het Comomeer
Object type: drawing
Date: 1824 – 1888
Materials: cardboard, pencil, watercolor
Techniques: brush
Artist: karoly lajos libay
Artist role: draughtsman
Artist dates: 1814 – 1888
Subjects: lake, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)