deem-data/ArtiFact huggingface dataset:
Crown Order of Wuertemberg, Germany, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: coat of arms

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Portret van Michel Le Tellier
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, michel le tellier, official; civil servant; functionary (in general), ornament ~ medallion, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Advertentie voor uitgever Gihaut te Parijs
Object type: print
Date: 1820 – 1844
Materials: paper
Techniques: lithograph
Location: paris
Subjects: drum (musical instrument), violin, fiddle - cc - out of doors, advertisement, notice, clown
Inscriptions: collector's mark: Lugt 4779

Een violist en een clown staan voor de ingang van een circustent. Boven hen hangt een spandoek met een wervende tekst voor uitgever Gihaut. De clown slaat op een trom met een gat waaruit boeken vallen.
Album de sept vues des Ruines de l'intérieur de la Citadelle d'Anvers
Object type: print
Date: 1832 – 1833
Materials: paper
Techniques: tone lithography
Location: antwerp
Artist: joseph van den nest
Artist role: print maker, publisher
Subjects: permanent fortifications, devastated, ruined place or city (~ warfare)
Inscriptions: collector's mark: Lugt 2228, : ‘Deposé’

Interieur van de citadel met de ruïnes van de kruitmagazijn. Onderdeel van een serie met een titelprent en zeven platen van de ruïnes in het interieur van de Citadel van Antwerpen, na de overgave in december 1832.
Brief aan F.C.R. Broers
Object type: letter
Date: 1839 – 1839
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: cornelis kruseman
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1857
Subjects: berlin, william i of the netherlands, brussels, willem iii (koning der nederlanden), historical persons (portraits and scenes from the life), money
Inscriptions: collector's mark: Lugt 2233
La pronea del Cesarotti delineata ed incisa dal Matteini
Object type: album leaf
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: italy
Subjects: napoleon i (emperor of the french), ruler, sovereign, (civil) marriage ceremonies

Onder de voorstelling een versregel in het Italiaans. Prent maakt deel uit van een album.
Helmet (Kabuto)
Object type: helmet kabuto
Date: 1601 – 1633
Materials: iron, lacquer, leather, textile
Culture: japanese
Location: japan
Design for the Decoration of the Surround of the Barrel Flat and Rear Sight of a Firearm
Object type: drawing
Date: 1797 – 1805
Materials: ink, paper, pencil
Techniques: wash
Culture: french
Location: france
Artist: nicolas noël boutet
Artist role: designer
Artist nationality: french
Artist dates: 1761 – 1833
Subjects: ornament
Magnolia Flowers
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: flowers,leaves
Portrait of a Young Woman
Object type: drawing and watercolor
Materials: ink, paint, paper, watercolor
Techniques: brush
Location: italy
Artist: amedeo modigliani
Artist nationality: italian
Artist dates: 1884 – 1920
Inscriptions: Signed recto, lower left, in pen and black ink (diluted): "Modigliani" (Partial)
Portret van een staande jongeman met vlinderdasje
Object type: photograph
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘3 Rue Mautrec, Bordeaux’
Handschoen van zwart leer
Object type: glove
Date: 1900 – 1915
Materials: leather, silk
Location: france
Artist: Anonymous

Linker handschoen van zwart glaceleer gevoerd met grijze zijde.
The Resurrection
Object type: print
Date: 1577 – 1577
Materials: paper
Location: germany
Artist: melchior meier
Artist nationality: german
Artist dates: 1572 – 1582
Inscriptions: Lettered on the blade of the halberd, lower right: "MM", and dated on the sword blade lower center: "1577".
The Opening of the Seventh Seal, from "The Apocalypse"
Object type: print
Date: 1511 – 1511
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: musical instruments,angels,apocalypse
Intrusion, or The Doctor Disturb'd
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

An elderly spectacled doctor sits on a sofa beside a young woman. They look up startled at the sudden entrance of a man carrying a hat and cane through a door at right. The woman clutches at her skirt as though to pat it back into place. Shelves behind contain jars of specimens, a skeleton torso and skull.
Plaque of Christ in Majesty
Object type: plaque
Date: 1101 – 1300
Materials: copper, enamel
Techniques: enamel
Culture: french
Location: france
Wine cup with two ducks
Object type: wine cup
Date: 701 – 900
Materials: silver
Techniques: gilding
Culture: chinese
Subjects: ducks

West Asian depictions of two birds facing one another may have helped to inspire the representation of the two mandarin ducks in the interior of this cup. In Chinese culture the ducks are a longstanding symbol for marital happiness.
Karikatuur van een man die lijdt aan koliek
Object type: cartoon
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: stomach, pain
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 19 februari 1833.
Kyoto meisho no uchi
Object type: print
Date: 1832 – 1836
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa hiroshige (i)
Artist role: draughtsman, print maker
Artist dates: 1797 – 1858
Subjects: gate, entrance, courtesan, hetaera, drunkenness
Footed jardinière
Object type: jardinière
Date: 1882 – 1882
Materials: bone china
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
Boslandschap met monument voor Salomon Gessner
Object type: watercolor
Date: 1740 – 1800
Materials: paper, watercolor
Techniques: brush
Artist: Anonymous
Subjects: painter, salomon gessner, historical persons, landscape with monument, forest, wood, grave-building, monumental tomb

Boslandschap met monument voor Salomon Gessner (1730-1788); rechts op de voorgrond een man met een lier.
Salesman's Sample
Object type: textile
Date: 1780 – 1810
Materials: linen, textile, silk, velvet, thread
Techniques: embroidery, cutting, embroidered, patterning, weave, stitching
Location: france
Subjects: flora, flowers, foliage

The survival of thousands of small embroidery samples for men’s suits and coats indicates the scope and scale of the Lyonnaise embroidery workshops specializing in men’s fashion. Patterns were marketed both domestically in France and throughout Europe. Indeed, French taste so dominated European fashion that when foreign diplomats came to France, they felt obliged to buy the latest styles in Paris before they appeared at court.
Textile with Polychrome Checks
Object type: piece
Date: 1615 – 1868
Materials: silk
Techniques: brocade, weave
Culture: japanese
Gezicht op Milaan
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: milan
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Panorama con veduta del Castello Milano’
Reticule
Object type: reticule
Date: 1810 – 1825
Materials: metal, silk
Culture: european
Personificatie van de muziek
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: music, children behaving like adults, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1801 – 1833
Materials: silk
Culture: japanese
Subjects: butterflies,plants
Dish with lotus scrolls, flowering plants and flower sprays
Object type: platter
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein, beschilderd in onderglazuur blauw en op het glazuur rood en goud. Op het plat een rozet van lotusranken, De wand met een band servetwerk met een bloem onderbroken door bloeiende planten (lotus) in een cartouche. Op de wand twee pioentakken en twee prunustakken met een boek. Chinees Imari.
Tomb guardian beast (Zhenmushou)
Object type: figure
Date: 667 – 700
Materials: earthenware, glaze, pigment
Culture: chinese
Subjects: mythical creatures
Shoe buckles
Object type: shoe buckle
Date: 1667 – 1700
Materials: copper
Culture: european
Buddha Triumphing over Mara (Maravijaya)
Object type: sculpture
Date: 1701 – 1900
Materials: gold
Location: thailand
Subjects: buddha
Overzicht personeel / Marschoefening
Object type: photograph
Date: 1925 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: semarang
Artist: Anonymous
Subjects: semarang

Albumblad met twee foto's: exercitie door het voltallige personeel van de politie te Semarang en het muziekkorps. Onderdeel van het fotoalbum aangeboden aan S. Koster door de Vereeniging van Hoogere Politie Ambtenaren in Nederlandsch-Indië in 1931.
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "Clodion" door Vital Dubray en rechts "Pilon" door Louis Desprez
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘992 en 1031’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Frideric III D.G. Elector Brand
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving
Location: france
Subjects: frederik i koning van pruisen, historical persons, medal (considered as a piece of sculpture, regardless of its specific function), king
Inscriptions: collector's mark: Lugt 2228
Strook machinale kant met rozentakken tussen c-voluten langs de onderzijde
Object type: strip
Date: 1885 – 1899
Materials: cotton
Techniques: lace
Location: calais
Artist: Anonymous

Strook machinale kant: machinale Chantilly-kant. Het zich herhalende patroon langs de onderzijde van de strook bestaat uit c-voluten waartussen rozentakken ontspringen. De takken oversnijden deels een ijle bladslinger die zich langs de bovenzijde van de strook beweegt met boogjes en lussen. De motieven zijn voorzien van contourdraden en zijn met elkaar verbonden door een machinale tulegrond. In de motieven zijn siergronden toegepast. De schulpenrand langs de onderzijde van de strook komt voort uit het patroon met de c-voluten en is afgewerkt met picots. De bovenzijde van de strook is recht afgewerkt.
Hollands Lustpark besluitende zyn Britannische majesteits hof-gebouw tot Honslaardyk
Object type: print
Date: 1689 – 1702
Materials: paper
Techniques: etching
Location: amsterdam
Artist: carel allard
Artist role: print maker, publisher
Artist dates: 1648 – 1709
Subjects: garden, palace
Inscriptions: collector's mark: Lugt 2228

Gezicht op paleis Honselaarsdijk van de westzijde, voor het paleis ligt een barokke tuin en een laan met wandelaars. Prent uit een serie van zeventien prenten van Paleis Honselaarsdijk.
Portret van prins Maurits
Object type: print
Date: 1614 – 1652
Materials: paper
Techniques: engraving
Location: the hague
Subjects: the hague, maurice (prince of orange)
Inscriptions: collector's mark: Lugt 2228

Portret van Maurits (1567-1625), prins van Oranje. In de marge zijn naam en titels.
Duit van Friesland, 1675
Object type: coin
Date: 1675 – 1675
Materials: copper
Techniques: striking
Location: leeuwarden

Koperen munt. Voorzijde: gekroond en versierd wapenschild van Friesland. Keerzijde: muntteken tussen guirlandes, daaronder opschrift in een regel, waaronder jaartal. Daaronder rozet tussen twee guirlandes.
Alphonse de Lamartine
Object type: medallion
Materials: bronze
Artist: pierre jean david d'angers
Artist role: maker
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Hydria
Object type: print
Date: 1563 – 1563
Materials: paper
Techniques: etching
Location: netherlands
Subjects: jar, jug (used as drinking-vessel)
Inscriptions: address: ‘H. Cock ex.’, title: ‘Hydria’

Schenkkan naar links. Op de buik van de kan zijn twee hermen zichtbaar, die samen een wapentrofee vasthouden. Tussen hen in plooit zich een over hun schouder hangende draperie. Horizontaal gearceerde achtergrond. Komt uit serie van 12 bladen.
Metronome
Object type: metronome
Date: 1880 – 1900
Materials: iron, wood
Location: london
Artist: johann nepomuk maelzel
Artist role: musicus, uitvinder
Artist dates: 1772 – 1838

Metronoom met vurenhouten kist. Adres: I. MAELZEL'S CHRONOMETER LONDON.
Kan, omgekeerd balustervormig met aan beide zijden een vrouwsportret en profil
Object type: ewer
Date: 1530 – 1560
Materials: earthenware, glaze
Techniques: maiolica, painted, polychromy
Location: castelli
Artist: Anonymous

Syrup jar inscribed OXIMEL S (sour honey drink). Castelli, c. 1530 - 1560.
Gezicht op Goes, 1743 / Gezicht op de haven en Westerschans te Goes, 1743
Object type: book illustration
Date: 1753 – 1760
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: harbour, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 195

Boven een gezicht op Goes, gezien vanuit de haven. Onder een gezicht op de haven en Westerschans te Goes. In de situatie omstreeks 1743.
Trampaard
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse

Pagina 63 en pagina 64 uit een schetsboek met 38 bladen.
Dood van Orpheus
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: italy
Subjects: death of orpheus: he is torn to pieces by the thracian women during a bacchic orgy
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Seated Figure of Justice, from Farnese Palace, after Annibale and Agostino Carracci
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: jacques belly
Artist role: artist
Artist nationality: french
Artist dates: 1609 – 1674
Subjects: profiles,women
Flounce
Object type: textile
Date: 1700 – 1700
Materials: linen
Techniques: lace
Location: france
Stuiver van Ceylon, 179[?]
Object type: coin
Date: 1790 – 1795
Materials: copper
Techniques: striking
Location: colombo

Koperen munt. Voorzijde: monogram van de VOC, waarboven letter C. Keerzijde:eenregelig opschrift: waarde-aanduiding stuiver, waarboven I en waaronder gedeeltelijk zichtbaar jaartal. Gladde rand.
Chemise
Object type: chemise
Date: 1874 – 1874
Materials: cotton
Culture: american
Maenaden bij een altaar
Object type: album leaf
Date: 1688 – 1698
Materials: paper
Techniques: etching, hand coloring, lithography
Location: netherlands
Subjects: thyrsus ~ attribute of bacchus, maenad(s), female bacchant(es), other hybrid forms in the shape of a pillar

Maenaden of Bacchanten rond een offerzuil voor een herme. Op de zuil zet een maenade een schaal met druiven. Op de grond liggen een thyrsus en een panfluit. Deze prent maakt deel uit van een album.
Zeeanemonen
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Techniques: brush
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: coelenterata: sea anemone
Kind staande op bank voor huis
Object type: album leaf
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: bench, child, façade (of house or building)
Inscriptions: annotation: ‘[...]’
Portret van Gustaf Cronhielm
Object type: print
Date: 1705 – 1737
Materials: paper
Techniques: engraving
Location: hamburg
Artist: christian fritzsch
Artist role: print maker
Artist dates: 1695 – 1769
Subjects: historical persons, hacking and thrusting weapons: sword, mantle, gown, dress (symbol of sovereignty)
Inscriptions: collector's mark: Lugt 2228
Lamp
Object type: lamp
Date: 801 – 1000
Materials: stone
Techniques: carving, incising
Location: iran
Square Shawl
Object type: textile
Date: 1840 – 1840
Materials: cotton, silk, wool
Techniques: bookbinding, jacquard, patterning, weave
Location: england
Subjects: floral arrangements
Schilderijen uit de collectie Knowsley
Object type: print
Date: 1728 – 1729
Materials: paper
Techniques: etching
Location: knowsley hall
Subjects: an angel appears and reveals a well of water to hagar
Inscriptions: collector's mark: Lugt 240

Links ligt Ismaël op een rots onder een boom.
Ribbon
Object type: textile
Date: 1840 – 1850
Materials: silk
Techniques: brocade, weave
Location: england
Communion cup
Object type: communion cup
Date: 1584 – 1585
Materials: gilt, silver
Martin Luther aan een schrijftafel op de Wartburg
Object type: print
Date: 1820 – 1857
Materials: paper
Techniques: lithograph
Artist: karl dietrich pirscher
Artist role: print maker
Artist dates: 1791 – 1857
Subjects: priest, martin luther, writing-table, writing-desk, study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 2228

Luther noemde de Wartburg zijn Patmos, naar het eiland waarnaar de evangelist Johannes werd verbannen.
Portret van Anne de Courtenay
Object type: print
Date: 1609 – 1660
Materials: paper
Techniques: engraving
Location: paris
Artist: pieter van schuppen
Artist role: print maker
Artist dates: 1627 – 1702
Subjects: anne de courtenay
Inscriptions: collector's mark: Lugt 2228

Portret van Anne de Courtenay, echtgenote van Maximilien (I) de Béthune, hertog van Sully.
Smeden van het plakkaat
Object type: print
Date: 1787 – 1790
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Artist: Anonymous
Subjects: smith, blacksmith, brabant

Spotprent waarin drie mannen met grote pruiken en afgewende hoofden een plakkaat smeden op een aambeeld. Op de grond liggen meer documenten. Met onderschrift van 3 regels in het Frans. Genummerd rechtsboven: No. 34. Onderdeel van de gebundelde verzameling prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
Wine taster
Object type: wine taster
Date: 1758 – 1760
Materials: silver
Artist: jacques hanappier
Artist role: maker
Artist dates: 1700 – 1760
Pair of bronze amphora (jar) handles
Object type: handle of an amphora with silenos mask and dove
Date: 500 – 401
Materials: bronze
Culture: etruscan
Subjects: birds,faces

These elegant handles were once attached to the sides of a large bronze amphora with two rivets at the rim and one on the satyr-head escutcheon. A bird, perhaps a dove or a duck, surmounts the curving volute at the top of each handle.
Aantekening uit archief Philip Zilcken
Object type: aantekening
Date: 1867 – 1930
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Commode
Object type: commode
Date: 1740 – 1750
Materials: gilt bronze
Techniques: carving, gilding, painting

The decoration, gilded carving on a milky white ground, would have corresponded closely with the carved woodwork décor of the room in which it stood, for such commodes, like console tables, were made to complement their surroundings. A French-trained architect, François de Cuvilliès (1695–1768) provided designs of similar commodes intended for Bavarian rococo palaces.
Plum blossoms
Object type: album
Materials: ink, paper
Culture: chinese
Artist: jin nong
Artist role: artist
Artist nationality: chinese
Artist dates: 1687 – 1773
Subjects: flowers,trees

Jin Nong started painting plum blossoms in 1756 at the age of sixty-nine. This monochrome album was reportedly painted during a six-week stay at Luo Ping's home in Yangzhou in 1757. Jin Nong's innovative plum paintings are poised between representation and abstraction. The images range from the exuberance of lacy blossom-laden boughs to the restrained elegance of a single budding branch. There is a graphic quality to Jin Nong's compositions, achieved through a tight interlocking of painted image, calligraphy, and seals. His poetic inscriptions, written in his typically exact, vigorous manner, not only deepen the meaning of his imagery, but also act as graphic motifs that further animate each composition.
Het zicht
Object type: ornament print
Date: 1694 – 1756
Materials: paper
Techniques: etching
Location: augsburg
Subjects: sight, looking (one of the five senses) (+ two persons), landscapes (+ landscape with figures, staffage), pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2228

Vijf pastorale scènes van twee personen, het zicht betreffend. Prentnummer 3071.
The Adoration of the Shepherds, with the lamp
Object type: print
Date: 1654 – 1654
Techniques: etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: adoration of the shepherds
The Stage Coach, or Country Inn Yard
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: buildings,men,women,crowd,carriages