deem-data/ArtiFact huggingface dataset:
The Martyrdom of Saint Barbara
Object type: painting
Date: 1510 – 1510
Materials: wood, oil
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: soldiers,armor,swords,men,saints,coat of arms

According to legend, Saint Barbara was executed by her pagan father, Dioscorus, when she refused to recant her Christian faith. Luxuriously dressed, she seems here to calmly accept her fate as she kneels before Dioscorus, who raises his sword to behead her. The four sinister-looking witnesses may be the Roman authorities who had tortured her in an attempt to persuade her to sacrifice to pagan gods, and who later sentenced her to death. The coat of arms indicates that Cranach painted this panel for a member of the Rem family, who were wealthy merchants in Augsburg.
Portret van Johann Henrich Gebhard
Object type: print
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Damesmuiltje met voorblad van blauwe zijdendamast, binnenzool en hak overtrokken met wit glacéleer
Object type: womenswear
Date: 1750 – 1800
Materials: silk
Techniques: weave
Location: netherlands
Artist: Anonymous

Damesmuiltje met voorblad van blauwe zijdendamast, binnenzool en hak overtrokken met wit glacéleer.
Schetsen van een bomende man
Object type: drawing
Date: 1770 – 1825
Materials: paper, pencil
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825
The Knitter
Object type: print
Date: 1902 – 1902
Materials: paper, zinc
Techniques: etching
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Ruïne van de thermen van Caracalla
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins (+ city(-scape) with figures, staffage), rome
Inscriptions: collector's mark: Lugt 2228

De begroeide ruïnes van de thermen van Caracalla in Rome. Op de voorgrond twee herders met een kudde geiten. Op de achtergrond de stad Rome. Prent maakt deel uit van een serie Romeinse ruïnes en kustlandschappen naar een prentserie van Willem van Nieulandt.
Portret van Izaak Jansz. de Wit
Object type: print
Date: 1809 – 1813
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: joannes pieter visser bender
Artist role: draughtsman, print maker
Artist dates: 1785 – 1813
Subjects: amsterdam, print maker, draughtsman, izaak jansz. de wit
Inscriptions: collector's mark: Lugt 2228

Portret van de Nederlandse prentmaker Izaak Jansz. de Wit.
Reeks van figuren die verschillende bezigheden en emoties verbeelden
Object type: print
Date: 1533 – 1533
Materials: paper
Techniques: woodcut
Subjects: human types
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Newe Künstliche Wohlgerissene und in Holtz geschnittene Figuren. Frankfurt am Main: Vincentius Steinmeyer, 1620.
Colossus Monarchic Statua Danielis
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: engraving, etching, hand coloring
Location: germany
Subjects: daniel (not in biblical context); possible attributes: phrygian bonnet, lion(s), ram, chronology, history, monarchy; 'monarchia mondana' (ripa), mis-shapen animals; monsters
Inscriptions: collector's mark: Lugt 2228
Tenax propositi
Object type: bookplate
Date: 1898 – 1898
Materials: paper
Techniques: engraving
Artist: charles william sherborn
Artist role: print maker
Artist dates: 1831 – 1912
Subjects: politician, foliage ~ ornament, the soldier; the soldier's life, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Untitled (II 57)
Object type: photograph
Date: 1890 – 1890
Techniques: photogravure
Location: italy
Artist: ferdinando ongania
Christus aan het volk getoond (Ecce Homo)
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)
Inscriptions: number: ‘139’

Pilatus toont Christus aan het volk. Onder het bordes waarop hij staat is een getralied venster te zien waarachter de gevangene Barabbas. Het volk roept op de gevangene vrij te laten. Onder de voorstelling een vierregelig vers in het Latijn. Rechtsonder de letter: g. Deze prent maakt deel uit van een album.
Coin
Object type: coin
Date: 1785 – 1925
Materials: copper
Location: iran

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Diverse tronikens geets van J. L.
Object type: print
Date: 1630 – 1632
Materials: paper
Techniques: etching
Location: leiden
Artist: jan lievens
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1674
Subjects: old man
Inscriptions: collector's mark: Lugt 240
Spotprent op het beroep van de ministers op het prerogatief van de Kroon tot ontbinding van de Kamers, 1866
Object type: cartoon
Date: 1866 – 1866
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: truth; 'verità' (ripa)
Inscriptions: collector's mark: Lugt 2228

Spotprent op het beroep van de ministers op het prerogatief van de Kroon tot ontbinding van de Kamers. De ministers verschuilen zich achter de troon bij het verschijnen van de Waarheid in de Tweede kamer. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 40, 6 oktober 1866.
Portret van Nicolaus Pfretzschner
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving
Subjects: the five wounded limbs of christ: heart (side-wound), hands, and feet, historical persons, ornament ~ cartouche, abstract ideas and concepts (+ emblematical representation of concept), armorial bearing, heraldry
Inscriptions: number: ‘32.’, collector's mark: Lugt 2228
Alexandra Palace, general view
Object type: photograph
Date: 1873 – 1873
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: francis godolphin osbourne stuart
Artist role: fotograaf
Artist dates: 1843 – 1923
Subjects: palace
Seated Woman
Object type: facsimile, thebe
Date: 1567 – 1482
Materials: paper, paint
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Mandolin
Object type: mandolin
Date: 1701 – 1800
Materials: wood
Culture: italian
Location: italy
Artist: christian nonnemacker
Artist role: maker
Artist nationality: german
Artist dates: 1750 – 1765

Known as a “mandola o mandolino alla Genovese”, this mandoline has six pairs of gut strings, fifteen rosewood ribs, and mother-of-pearl and tortoiseshell inlays. It differs from other gut-strung mandolins in being tuned an octave higher than the modern guitar (e, a, d’, g’ b-natural, e”) and having a guitar-like peg block.
Suit
Object type: suit
Date: 1780 – 1780
Materials: wool
Culture: british
Shovel, from the Novelties series (N228, Type 3) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,tools

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Lobestinetti, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Klassieke sculptuur
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: engraving, etching, lithography
Location: netherlands
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

Klassieke sculptuur, wellicht Apollo. De rechterarm ontbreekt en van de linkerarm ontbreekt de hand.
Collar
Object type: collar
Date: 1700 – 1939
Materials: cotton
Culture: american
Galloon
Object type: galloon
Date: 1801 – 1900
Materials: linen, metal thread
Portret van Johann Friedrich Gentz
Object type: print
Date: 1824 – 1837
Materials: paper
Techniques: etching
Artist: w. read
Artist role: print maker
Subjects: commander-in-chief, general, marshal, historical persons
Figuren bij een kasteel in een rivierlandschap
Object type: print
Date: 1639 – 1641
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: riding a horse, ass, or mule; rider, horseman, river, landscape with tower or castle, bastion, bulwark
Inscriptions: collector's mark: Lugt 964

Twee ruiters op een pad langs een rivier bij een kasteel. Op het water een boot met een elegant gezelschap. Zevende prent van een serie met 36 prenten van landschappen, verdeeld over zes delen.
Kat en hond rond een kinderstoel
Object type: drawing
Date: 1893 – 1953
Materials: ink, paper
Techniques: pen
Artist: adri ladenius
Artist role: draughtsman
Artist dates: 1883 – 1953
Subjects: cat, boy (child between toddler and youth), table, dog
Inscriptions: signature: ‘A. Ladenius.’, collector's mark: Lugt 2228, :

Een jongen zit in een kinderstoel en steekt zijn rechter wijsvinger omhoog. Op de grond staan een kat en hond tegenover elkaar. De kat maakt een terugtrekkende beweging.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

On the side of the rim, an animal frieze, in silhouette, tail of an animal to left; part of a second animal (bull?), to right
Reisalbum met opnames van bezienswaardigheden in India, Duitsland, Zwitserland en Frankrijk
Object type: photograph album
Date: 1860 – 1900
Materials: cardboard, copper, glass, leather, paper, photographic support
Techniques: albumen print, embroidered
Artist: Anonymous
Subjects: travelling; tourism, germany, france, switzerland

Fotoalbum in leren band. Voor- en achterplat zijn versierd met koperen knoppen en geometrische motieven in reliëf. Op het voorplat een voorstelling van bladeren gemaakt van kleine geborduurde kralen. De goud-op-snee albumbladen bevatten 59 opgeplakte foto's. Het zijn opnames gemaakt in India: stads- en straatgezichten, havens, kades, moskeeën, stadspoorten, Britse regeringsgebouwen en kerken. Daarnaast afdrukken van Duitse en Zwitserse stadsgezichten, van Alpenlandschappen en van bezienswaardigheden in Parijs.
Ruïne van kasteel te Egmond
Object type: drawing
Date: 1685 – 1735
Materials: paper, pencil
Techniques: brush
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: castle, ruin of a building ~ architecture
Gezicht op Zürich, Zwitserland
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, cutting, hand coloring, perforating
Location: zurich
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘No. 3127’, inscription: ‘[...]/ 50’
Bead
Object type: bead
Date: 1 – 100
Materials: glass
Culture: parthian
Location: iran

This squat, spherical bead, made of blue glass, was excavated at Shahr-i Qumis in northern Iran, which has been identified as the ancient city of Hecatompylos, established by the Parthians as their capital by about 200 B.C. In Greek Hecatompylos means ‘a hundred gates,’ suggesting that the city was quite large. Indeed, the modern archaeological site includes several mounds, only a few of which have been excavated, and a vast area covered with potsherds. The bead comes from Site XIII, a large building that was later deliberately filled with dirt, perhaps in order to create a funerary structure. The excavations at Shahr-i Qumis by the British Institute of Persian Studies in 1967 were co-sponsored by the Metropolitan Museum of Art. However, the museum did not acquire this bead until 1978, as a result of the Met’s financial contributions to the Institute’s excavations at Tepe Nush-i Jan, another site in Iran. At the time the Iranian government allowed foreign excavators to keep a portion of the finds, and these excavators in turn would divide their share among the institutions that supported the work.
Poort van het kinderziekenhuis te Finsbury
Object type: photomechanical print
Date: 1884 – 1889
Materials: paper
Techniques: photolithography
Artist: Anonymous
Subjects: gate, entrance, hospital, london
Inscriptions: inscription: ‘J.D. Sedding, Architect/ Architectural Illustration Society. Second Series. Plate No.162’

Prent op negende ongenummerde pagina na pagina 284.
Head of a Veiled Woman
Object type: drawing and watercolor
Materials: paper, watercolor
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Allegory of the Arts
Object type: drawing
Date: 1796 – 1796
Materials: chalk, ink
Techniques: brush, pen, drawing, wash
Location: france
Artist: joseph marie vien
Artist role: artist
Artist nationality: french
Artist dates: 1716 – 1809
Subjects: men,women

In his early career, Vien practiced a "Greek manner," grafting an antiquarian veneer onto his Rococo style. Many of his students, including Jacques Louis David, Pierre Peyron, Jean-Baptiste Regnault, and Joseph Benoît Suvée, would go on to develop a more severe form of Neoclassicism. In 1789, he was named to the post of director of the Académie Royale, the powerful arts organization under the Bourbon monarchy. Following the Revolution, the institution was dissolved in 1793. In 1796, at age eighty, Vien was made a member of the paintings division of the newly formed Institut de France. In this highly finished drawing made the same year, allegorical figures representing the arts are grouped around a bust of Homer and guided by the example of the antique.
Portret van Emanuel Philibert, hertog van Savoye
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving
Artist: johann franck
Artist role: print maker
Subjects: emanuel filibert (hertog van savoye), armour, historical persons, sun represented as face, wheel, etc., military orders, e.g.: knights templars, knights of malta, teutonic knights ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Priorato, Galeazzo Gualdo. Historia di Ferdinando terzo. Wenen: s.n., 1672.
Schwalbacher Reise
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: etching
Artist: matthäus merian (i)
Artist role: print maker
Artist dates: 1593 – 1650
Subjects: riding a horse, ass, or mule; rider, horseman, farmers, village, saluting, conversation, dialogue; conversation piece, couple of lovers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Portret van Hendrik Willem Frederik Albert, hertog van Gloucester
Object type: photomechanical print
Date: 1930 – 1960
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: historical persons
Discoid seal with convex back
Object type: stamp seal
Date: 2900 – 2700
Materials: stone
Location: mesopotamia
Lentoid Bottle ("New Year's Bottle")
Object type: lentoid bottle, new year's bottle
Date: 664 – 332
Materials: faience
Location: egypt

This is an example of a "New Year's Bottle." The short neck is in the form of a papyrus or lotus column, enhanced by two squatting apes that take the place of handles.The shoulder is adorned front and back with the representation of a floral garland, echoing the broad collar worn by Egyptians at festive occasions. On one side is a single column of inscription refering to the New Year, flanked by columns of rosettes. Faience flasks of this type, apparently filled with water from the Nile, were given as gifts at the New Year.
Graf von Wurmser K.K. Feldmarschall Lieutenant
Object type: print
Date: 1746 – 1799
Materials: paper
Techniques: engraving, etching
Location: prague
Artist: jan balzer
Artist role: print maker
Artist dates: 1736 – 1799
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Sixteenth-century-style pendant
Object type: pendant
Date: 1801 – 1900
Materials: diamond, gemstone, enamel, gold, pearl
Subjects: female nudes,diana,dogs
Fries met zes busten in lauwerkranzen
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Vishnu with his Personified Attributes
Object type: group
Date: 801 – 900
Materials: stone
Culture: kashmiri
Subjects: kashmir,vishnu,hinduism

Vishnu, crowned and courtly in his dress, holds a lotus flower and rests his two lower hands on his personified weapons: Chakrapurusha, his war discus, and Gadadevi, the female personification of his battle mace.
1/12 écu uit Frankrijk van Lodewijk XIV, 1644
Object type: coin
Date: 1644 – 1644
Materials: silver
Techniques: striking
Location: paris

Zilveren munt. Voorzijde: gelauwerd borstbeeld van de koning naar rechts. Keerzijde: gekroond wapenschild. Onderaan in omschrift letter A [=Parijs]. Jaartal aan eind van omschrift.
Card Number 61, Miss Vaughan, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Gedeelte van het vervallen klooster Heisterbach
Object type: album leaf
Date: 1895 – 1905
Materials: paper
Techniques: collodion silver print
Location: heisterbach
Artist: david vermeulen
Artist role: fotograaf
Subjects: abbey, monastery, convent ~ roman catholic church, gate, entrance
Winter, after a drawing completed in Saint-Chamond
Object type: print
Date: 1795 – 1795
Techniques: drypoint, etching, roulette
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Subjects: men,goats,trees,winter
Card 771, Mlle. Chabot, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,dancers,ballet

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Gezicht uit huis op Heiligenweg
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘39. / Gezicht uit huis op Heiligenweg.’

Gezicht op de Heiligenweg met overdekte passage, te Paramaribo. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Fragment
Object type: fragment
Date: 1601 – 1700
Materials: linen, metal thread
Winkelend publiek op de Nieuwendijk, Amsterdam
Object type: stereograph
Date: 1870 – 1912
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: street, shop-window, show-window
Inscriptions: retailer's mark: ‘Gebr. Douwes/ Ateliers/ Warmoesstraat 73./ Amsterdam’
Strook kloskant met zigzag-slinger en driehoekig boeket
Object type: strip
Date: 1800 – 1899
Materials: linen
Techniques: lace
Location: france
Artist: Anonymous

Strook naturelkleurige kloskant, Parijse kant. Het zich herhalende en doorlopende patroon bestaat uit een zigzag-slinger van aaneengeschakelde opengewerkte ovaaltjes met een waaierbloem en een v-vormig boeket met drie bloemen. De motieven zijn met elkaar verbonden door een maasgrond, een Parijse grond. De motieven zijn gemaakt in linnenslag met dikkere en glimmende contourdraden. Als siergrond is in de boeketten een sneeuwvlokkengrond toegepast en in de ovaaltjes en de waaierbloem een grovere maasgrond. Boven- en onderzijde zijn recht afgewerkt, waarbij de onderzijde is voorzien van picots. De korte zijden zijn afgewerkt met een zoompje.
Tapijt met de intocht in Jeruzalem en prefiguraties in een kerk te La Chaise-Dieu
Object type: page
Date: 1868 – 1873
Materials: photographic support
Techniques: albumen print
Artist: hippolyte malègue
Artist role: archeoloog, fotograaf, schrijver
Artist dates: 1825 – 1901
Subjects: tapestry
Inscriptions: inscription: ‘album des tapisseries de l'église de la Chaise-Dieu, par M. H. Malegue - Planche VIII’
Manius Curius Dentatus Refusing the Presents of the Samnite Ambassadors
Object type: drawing
Date: 1732 – 1792
Materials: gouache, paper
Techniques: brush
Artist: fedele fischetti
Artist role: artist
Artist nationality: italian
Artist dates: 1732 – 1792
Subjects: men,women