deem-data/ArtiFact huggingface dataset:
The Garden of Love, Left Half, with Seated Woman
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: woodcut
Location: germany
Artist: christoffel jegher
Artist role: artist
Artist nationality: flemish
Artist dates: 1596 – 1653

Christoffel Jegher produced several large-scale woodcuts in collaboration with the Flemish painter and diplomat Peter Paul Rubens, of which this two-sheet print is the largest. The panoramic garden setting includes delights such as a group of musical enthusiasts perched on plush chairs and colonnaded ledges on the left; on the right is a fountain grotto with decorative streams of water into which the most boisterous men try to cajole their lovers. The unsure woman on the far right, her waist firmly grasped by a smooth-talking admirer, resists the necessary push into temptation from a determined, winged Eros.
Mercury
Object type: drawing and watercolor
Date: 1845 – 1845
Materials: graphite, paper
Location: united kingdom
Artist: Anonymous
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Exterior, woman wearing chiton and himation decorated with x's, her left arm is bent at the elbow and she holds a tendril in her left hand, right arm bent up; to the right, drapery
Mannen laden balen hooi van een vrachtwagen op een trein, Zuid-Holland
Object type: lantern slide photographic
Date: 1956 – 1960
Materials: glass, paper
Techniques: gelatin silver transparency
Location: south holland
Artist: Anonymous
Subjects: truck, van, agricultural products and by-products: hay
Inscriptions: number: ‘3’
Dish
Object type: dish
Date: 1467 – 1500
Materials: brass
Culture: german or south netherlandish
Subjects: deer
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic
Artist: onesimos
Artist role: artist
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, silver alloy, gold, iron, silver
Culture: japanese
Location: japan
Subjects: gourds
Ontwerp plattegrond voor het nieuwe Stadhuis op de Dam
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: city-view in general; 'veduta', townhall, plan ~ architecture

Prent uit: Afbeelsels der voornaemste gebouwen uyt alle die Philips Vingboons geordineert heeft. Amsterdam: Philips en Johannes Vinckboons en Johannes Willemszoon Blaeu, 1648.
Restanten van Casa della Pareta Nera te Pompeï
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: urban housing, ruin of a building ~ architecture
Inscriptions: inscription: ‘10’, collector's mark: ‘VOSMAER’
Vues de la Seine
Object type: print
Date: 1761 – 1762
Materials: paper
Techniques: etching
Location: paris
Artist: franz edmund weirotter
Artist role: draughtsman, painter, print maker
Artist dates: 1733 – 1771
Subjects: sailing-ship, sailing-boat, city-gate, fisherman
Inscriptions: collector's mark: Lugt 240
Ontmoeting tussen Manon Lescaut en Chevalier des Grieux bij een koets
Object type: book illustration
Date: 1875 – 1875
Materials: paper
Techniques: etching
Artist: léopold flameng
Artist role: print maker
Artist dates: 1831 – 1911
Subjects: lovers' meeting
Inscriptions: collector's mark: Lugt 2228

Prent uit: Prévost, Antoine François. Histoire de Manon Lescaut et du Chevalier Des Grieux (...). Paris: Glady frères, 1875.
Portret van een onbekende man
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: cologne
Subjects: adult man, anonymous historical person portrayed
Inscriptions: address: ‘39. Passage 39,/ Köln.’
Marble torso of a boy
Object type: torso of a boy
Date: 1 – 200
Materials: marble
Culture: roman
Subjects: male nudes

Copy of a Greek bronze statue of the late 5th century B.C. The torso belonged to a statue of a boy leaning on a pillar at his left side, his head bent pensively toward his raised shoulder. The delicacy of the forms and the introspective character of the pose led scholars in the past to suggest that the statue represented a mythological figure such as Narcissus or Hyacinthus, but the original bronze was probably erected to honor a victorious young athlete or as a funerary monument.
Everyone His Hobby, plate 1
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: william heath ('paul pry')
Artist role: artist
Artist nationality: british
Artist dates: 1794 – 1840
Courtyard of a Peasant Dwelling
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
The Painters' Walk
Object type: print
Date: 1856 – 1856
Materials: ivory, paper
Techniques: photography
Location: france
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Pilatus wast zijn handen in onschuld
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: augsburg
Subjects: pilate washing his hands (in innocence)
Inscriptions: collector's mark: Lugt 2228

Tekst in het Duits in de ondermarge. Rechtsonder genummerd: 17. Prent maakt deel uit van een album.
Ex libris van Henri Ebeling
Object type: bookplate
Date: 1915 – 1915
Materials: paper
Techniques: autotype
Location: netherlands
Subjects: scholar in his study, reading
Inscriptions: collector's mark: Lugt 2233
Allegorie op het overlijden van de kunstenaar Giambattista Maderna
Object type: drawing
Date: 1792 – 1849
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: matthias joseph de noël
Artist role: draughtsman
Artist dates: 1782 – 1849
Inscriptions: inscription

Allegorie op het overlijden van de kunstenaar Giambattista Maderna (Verona 1758-1803 Stockholm).
Ely Cathedral: West End of South Aisle
Object type: photograph
Date: 1891 – 1891
Materials: glass
Location: england
Artist: frederick h. evans
Artist role: fotograaf
Artist nationality: english
Artist dates: 1853 – 1943
Pieter Albert van der Parra tien jaar Gouverneur-generaal van Nederlands Indië 1771
Object type: history medal
Date: 1771 – 1771
Materials: silver
Techniques: pressing
Inscriptions: exergue: ‘MDCCXXI.’, circumscription: ‘VINCIT VIM PRUDENTIA.’, circumscription: ‘PETR. ALB. VAN DER PARRA GUB. GEN. IND. OR. F˜ŒD. BELG. XV MAII MDCCLXI.’

Zilveren penning, op de voorzijde het borstbeeld van Van der Parra met omschrift, op de keerzijde een antiek schip met VOC-vlag dat temidden van rotsen naar zijn bestemming koerst, met omschrift en afsnedetekst.
Tinder Box
Object type: tinder box
Date: 1700 – 1800
Materials: tin
She is Beautiful!, from "The Complete Works of Béranger"
Object type: print
Date: 1829 – 1829
Location: paris
Artist: françois grenier
Artist role: designer
Artist nationality: french
Artist dates: 1793 – 1867
Studie
Object type: sketchbook leaf
Date: 1877 – 1932
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932

Pagina 50 uit een schetsboek met 32 bladen.
Two Panels
Object type: textile
Date: 1801 – 1900
Location: france
Corso Vittorio Emanuele. Casa Paina
Object type: ansichtkaart, prentbriefkaart
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph
Location: messina
Artist: Anonymous
Subjects: consequences of an earthquake, collapsing building, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Arbeiders bij een heistelling tijdens bouwwerkzaamheden in Brussel, België
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: gelatin silver print
Location: brussels
Artist: wesseling
Artist role: fotograaf
Subjects: ramming, driving piles (~ building activities), building-site, brussels
Inscriptions: inscription: ‘Brussel’, signature and date: ‘11/2 1912 / Wesseling’
Teapot with a tiger, birds and floral scrolls
Object type: teapot
Date: 1700 – 1799
Materials: glaze, gold, paint, porcelain, soft paste porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Theepot van soft-paste porselein (pâte tendre) op voet en een S-vormige tuit, beschilderd op het glazuur in blauw, rood, groen, geel, zwart en goud. De buik is in de vorm van een op de zijkant staande cilinder, met op de platte wand een verhoogd medaillon en een verhoogde cirkel. Op de wand een tijger, twee vogels en een bloeiende plant. De ronde wand, de tuit en het oor met bloemranken. Op de nek en de voet een band met arceerwerk onderbroken door halve bloemen. Het oor is grotendeels afgebroken. Kakiemon-stijl.
Portret van Johann Stainberger op 83-jarige leeftijd
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, measuring-instruments, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
Cann
Object type: cann
Date: 1735 – 1750
Materials: silver
Culture: american
Location: united states
Artist: peter van dyck
Artist role: maker
Artist nationality: american
Artist dates: 1684 – 1750
Verscheyden Stranden en water gesichten gedaen door Jan Percelles
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: gillis van scheyndel (i)
Artist role: draughtsman, print maker
Artist dates: 1595 – 1660
Subjects: dune coast, carrying something in basket, bag, rucksack, etc.
Inscriptions: collector's mark: Lugt 2228
La Noblesse de Lorraine
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Amalia van Solms (1602-75). Weduwe van prins Frederik Hendrik
Object type: painting, miniature
Date: 1647 – 1650
Materials: cardboard, crystal, metal
Location: netherlands
Subjects: the hague, amalia of solms-braunfels
Inscriptions: inscription: ‘Amelie Orange’

Portret van Amalia van Solms (1602-75). Weduwe van prins Frederik Hendrik. Buste naar links, aanziend. Op de achterzijde een doodshoofd met gekruiste beenderen. Naar het origineel door Willem van Honthorst bestemd voor de kopel van de Oranjezaal, thans in de Staatliche Gemäldegalerie te Berlijn. Onderdeel van de collectie portretminiaturen.
Fotoreproductie van een gravure naar een fresco van een danseres in Pompeï
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: print, e.g.: engraving, etching, lithograph, picture, painting, pompeii
Inscriptions: number: ‘No. 4332.’, collector's mark: ‘VOSMAER’
Curtain tie-back
Object type: curtain tieback
Date: 1810 – 1830
Materials: brass, lacquer
Techniques: stamping
Location: france
Artist: henry kellam hancock
Artist role: retailer
Artist dates: 1816 – 1851
Gedamascineerd en geëmailleerd ijzeren paneel
Object type: design drawing
Date: 1860 – 1880
Materials: graphite, ink, paper, watercolor
Techniques: brush, pen
Location: eibar
Artist: plácido zuloaga
Artist role: sculptor
Artist dates: 1833 – 1910
Inscriptions: inscription: ‘Carpeta XIX / 2873’
Portret van Dawit II, keizer van Abessinië
Object type: book illustration
Date: 1549 – 1575
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: historical persons, ruler, sovereign

Prent gebruikt in: Giovio, Paolo. Elogia Virorum bellica virtute illustrium (...). Bazel: Peter Perna, 1575.
Terracotta oinochoe (jug)
Object type: oinochoe
Date: 334 – 268
Materials: terracotta
Culture: greek or south italian

The use of applied color for decoration was not limited, in Southern Italy, to Apulia. This vase may be Campanian.
Vlakdecoraties met scènes uit het Oude Testament in een omlijsting van grotesken
Object type: ornament print
Date: 1528 – 1583
Materials: paper
Techniques: engraving
Location: france
Inscriptions: collector's mark: Lugt 240

Beiden zitten in het midden tegenover elkaar met een kom in hun handen. Uit serie van 6 bladen.
Kneeling priest
Object type: statuette, kneeling priest
Date: 664 – 630
Materials: alloy, bronze
Location: egypt
Glazenmaker
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: aquatint, etching
Artist: Anonymous
Subjects: handicrafts, craftsman at work, glass-maker
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Interieur van de werkplaats van een glas in lood maker. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en verkeer, Beroep en bedrijf, Mannelijk, Glas en Aardewerk.
Philippvs Bonvs 27 Comes
Object type: book illustration
Date: 1628 – 1688
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: montereau-fault-yonne, hertog, jan zonder vrees (hertog van bourgondië)
Inscriptions: collector's mark: Lugt 2228

Portret van Jan zonder Vrees, hertog van Bourgondië. Staande, ten voeten uit. In zijn rechterhand het rijkszwaard en in zijn linkerhand zijn wapenschild.
Bagh-takt a chiraz
Object type: photograph
Date: 1858 – 1858
Techniques: paper negative, salted paper print
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: houses
Head of a Female Haniwa Figure with Headdress
Object type: haniwa head
Date: 401 – 700
Materials: earthenware
Culture: japanese
Subjects: heads
Capri. l'Arco naturale
Object type: photograph
Date: 1875 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: capri
Artist: Anonymous
Subjects: rocky coast
Inscriptions: number: ‘8173’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Italië.
Saucer with flowers
Object type: platter
Date: 1849 – 1870
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: berlin
Inscriptions: mark: ‘scepter met adelaar in medaillon en KOENIGL. PORZELLAN MANUFAKTUR/ rode rijksappel met K.P.M/ 3/ I’

Schotel van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, paars en zwart. De binnenwand is bedekt met kleine strooibloemen. De achterzijde is ongedecoreerd. Gemerkt op de onderzijde met de scepter waaronder een medaillon met de adelaar, een scepter en een globe in zijn klauwen. Het randschrift leest 'KOENIGL. PORZELLAN MANUFAKTUR'. Hieronder de rode rijksappel met K.P.M en het nummer 3 en I.
Armband met religieuze scènes (Benedictus van Nursia en Het onderwijs aan Maria)
Object type: bracelet
Date: 1610 – 1640
Materials: gold
Techniques: enameling
Location: spain
Artist: david da costa dias
Artist role: jeweler

Bracelet, Anne with Mary, San Benito and cherubim. Gold and enamel. Spain, c. 1600-1700, by David da Costa Dias.
Actress wearing hat with red ribbon, from Stars of the Stage, First Series (N129) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Stars of the Stage, First Series" (N129), issued in an unnumbered set of 25 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Overwinningen van Karel V, Duits keizer, rekenpenning van het bureau van de keizer
Object type: jeton
Date: 1546 – 1546
Materials: copper
Techniques: silvering, striking
Artist: Anonymous
Subjects: charles v (holy roman emperor and king of spain)

Koperen penning. Voorzijde: vuurslag, waaraan orde van Gulden Vlies hangt, op Bourgondisch kruis onder tweekoppige adelaar, geflankeerd door en boven wapensschild binnen omschrift. Keerzijde: Herkules, zittend op leeuw, wiens kaken hij uiteen trekt binnen omschrift
Belt Fitting
Object type: belt fitting
Date: 801 – 1000
Materials: jade
Techniques: carving
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Schalkwyker-Poort tot Haarlem
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rowing-boat, canoe, etc., bridge, city-gate
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 63.
Christus gezalfd door Maria Magdalena
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: woodcut
Location: italy
Subjects: christ's feet are anointed by mary (magdalene)

Christus zit aan tafel te eten in het huis van Simon de Farizeeër. Maria Magdalena knielt op de grond zalft zijn voeten en droogt ze met haar haren.
Twee gezichten op Slot Zandenburg
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: village street (+ city(-scape) with figures, staffage)

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
How one entered the church (Folgt wie man zur Kirchen gangen), from a series depicting the wedding of Wolfgang Wilhelm, Duke of Pfalz-Neuberg, Pfalzgraf, and Magdalena, Duchess of Bavaria, in Munich, 1613 (Plate 4)
Object type: print, fete, ornament architecture
Date: 1614 – 1614
Techniques: etching
Location: augsburg
Artist: wilhelm peter zimmermann
Artist role: publisher
Artist nationality: german
Artist dates: 1589 – 1635
Subjects: crowd

This print, showing the couple and other nobles proceeding towards the church, is one of 11 etched illustrations from a book containing a description of the wedding festivities for Wolfgang Wilhelm, Duke of Pfalz-Neuberg, Pfalzgraf (1578–1658) to Magdalena, Duchess of Bavaria (1587–1628). The marriage of took place in Munich on November 12, 1613, and the commemorative book was published by Wilehlm Peter Zimmermann in 1614 in Augsburg. Plates 4, 7, and 10 are in the collection of The Metropolitan Museum of Art. From: Beschreibung und kurtze Radierte entwerffung der Füsrtlichen Hochzeit/ So Der Durchleuchtig/ und Hochgeborn Fürst und Herr/ Herr Wolffgang Wilhelm/ Pfalzgraff bey Rhein/ Hertzog in Bayrn... Mit.. Fürstin Fraw Magdalena/ Pfalzgräfin bey Rhein/ Hertzogin in Obern und Nidern Bayrn. Zu München/ im sechszehenhunfert und dreyzehenden Jahr/ den zwölfften Novembris Celebriert und gehalten (Wilhelm Peter Zimmermann, Augsburg, 1614) See: Herzog August Bibliothek, Wolfenbuttel, for a fully digitized copy of the book.
Wells Cathedral
Object type: page
Date: 1870 – 1880
Materials: photographic support
Techniques: albumen print
Location: wells cathedral
Subjects: church (exterior), parts of church interior: nave, cloisters ~ monastery, parts of church interior: choir, parts of church interior: chapel

Van boven naar beneden en van links naar rechts: tweemaal een gezicht op de kathedraal, het noordportaal, tweemaal het schip, een zijbeuk, het koor, tweemaal een kapel, een kloostergang, het dak van de kapittelzaal en een zijbeuk van het koor.
Portret van Paul Hochfelder
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving, etching
Location: basel
Artist: christoffel van sichem (i)
Artist role: print maker, publisher
Artist dates: 1546 – 1624
Subjects: syndicus, paul hochfelder
Inscriptions: collector's mark: Lugt 2760, inscription: ‘HOCHFELDER, Paul, Syndicus i. Strasburg 1540-1600’, collector's mark: Lugt 2228, number: ‘N66st A(?)’, number: ‘D149.9086’

Portret van de Straatsburgse syndicus Paul Hochfelder, staand achter een balustrade, met in zijn hand een klein boekje. Hij wordt geflankeerd door Justitia en Prudentia. Boven zijn hoofd twee putti met cartouche waarin zijn naam en functie. Op de zuil achter hem zijn geboorte- en sterfdatum. Latijnse tekst onderaan in cartouche met rolwerk.
Prairie Chicken, from the Game Birds series (N40) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Game Birds" series (N40), issued in 1888-90 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N40 reproduces the cards from N13 in a larger size.
The windmill
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: signature and date: ‘Rembrandt f 1641’, collector's mark: Lugt 240
Project for a Fountain
Object type: drawing
Date: 1501 – 1700
Materials: graphite, ink
Techniques: pen
Artist: anonymous, italian, 16th to 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1700
Subjects: fountains
“- Brrrr! I am furious that I came here to hunt in the St. Denis-Plain. It's just too cold!… - One of those days when you would love to catch a bear. His fur would be more than welcome right now!,” plate 3 from Croquis De Chasse
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Paard in een weiland
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: etching
Subjects: horses and kindred animals, steam locomotive
Inscriptions: collector's mark: Lugt 2228

Paard bij een hek in een weiland. Aan de horizon rijdt een stoomtrein.
Cream jug
Object type: cream jug
Date: 1770 – 1770
Materials: silver
Artist: michael mcdermott
Artist role: maker
Artist dates: 1750 – 1784
Madonna
Object type: print
Date: 1900 – 1900
Techniques: etching
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: madonna