deem-data/ArtiFact huggingface dataset:
Library Bookcase, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: furniture

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LX in the 1754 and 1755 editions, but not reprinted in the 1762 edition.
Landschap met een fort
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar jacobsz. philips
Artist role: draughtsman, print maker
Artist dates: 1732 – 1789
Subjects: fortress
Inscriptions: collector's mark: Lugt 240
Vue principale du chateau
Object type: page
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: palace
Inscriptions: inscription: ‘St. CLOUD DAGUERRÉOTYPÉ No. 52.’

Prent op tweehonderdenzevende ongenummerde pagina.
Card Number 773, "The Highest Bidder," from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,women,actresses
Portret van George, prins van Denemarken
Object type: print
Date: 1702 – 1742
Materials: paper
Techniques: mezzotint
Subjects: george (prins van denemarken), prince, historical persons
Inscriptions: collector's mark: Lugt 240
Ada Rehan, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Plattegronden van versterkte steden in de Oostenrijkse Nederlanden in 1794
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching, hand coloring
Location: northern netherlands
Subjects: fortified city, maps of cities, lille
Inscriptions: collector's mark: Lugt 2228

Plattegrond van de versterkingen om de stad Lille (Rijssel), in januari 1794. In het onderschrift de legenda 1-16. Onderdeel van een serie van zeven bladen met plattegronden van versterkte steden in de Oostenrijkse Nederlanden ten tijde van de tweede Franse inval onder generaal Pichu in 1794.
Heuvellandschap met bos en houten huis
Object type: print
Date: 1869 – 1937
Materials: paper
Techniques: etching
Subjects: low hill country, forest, wood, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Cabinet Philips-Neven’, collector's mark: Lugt 2760
Vrouw met een olielamp
Object type: print
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: oil-lamp, human figure at (open) window, seen from outside - aa - feigned window
Inscriptions: collector's mark: Lugt 2228

Een jonge vrouw leunt met een brandende olielamp uit een venster.
Edouard Ade Casr Jos Mortier
Object type: book illustration
Date: 1838 – 1841
Materials: paper
Techniques: etching
Location: paris
Subjects: paris, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: s.n. Galeries historiques de Versailles. Parijs: Charles Gavard, 1838-1841.
Populieren
Object type: print
Date: 1832 – 1893
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: landscapes, trees: poplar, pond, pool
Inscriptions: collector's mark: Lugt 2228, inscription: ‘[...] WRF in de [...]’

Landschap met enkele populieren aan de rand van een waterplas. In het water is een reflectie van de bomen te zien.
Guns for Sale, Nashville
Object type: photograph
Date: 1910 – 1910
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards
Fotoreproductie van prent van landschap met ruïnes aan zee
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: the graphic arts, landscape with ruins, sea (seascape)
Sauceboat (part of a service)
Object type: sauceboat
Date: 1738 – 1738
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: putti,swans
Capital
Object type: capital
Date: 1451 – 1500
Materials: stone
Gezicht op de stad Gorinchem en linker deel van een plattegrond van Gorinchem
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: gorinchem
Artist: nicolaes weydtmans
Artist role: print maker
Artist dates: 1570 – 1642
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2760

Twee voorstellingen op een blad. Boven: Gezicht op de stad Gorinchem. Op de voorgrond de Merwede met verschillende schepen. Linksboven zit een engel op de wolken met een pijlenbundel en een oranjetak onder de arm en een vogel op de hand. Midden links het wapen van prins Maurits, midden rechts het wapen van Holland en rechts het stadswapen van Gorinchem. Onder het wapen van Holland hangt een banderol met het volgende tweeregelige opschrift: Salich is hij Die niet op menschen maer op godt bout. Noch op stercke vesten oft wallen betrout. Onder: Het linker gedeelte van een plattegrond van de stad Gorinchem.
Portret van Cornelis de Bie
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: cornelis de bie, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bie, Cornelis De. Het gulden Cabinet vande edel vry schilder const, inhoudende den lof vande vermarste schilders, architecte, beldthowers ende plaetsnyders van dese eeuw. Antwerpen: Joannes Meyssens, 1662 [1661 foutief op titelpagina], p. 17.

Huidige staat (ongenummerd) mogelijk eerder gebruikt in: Meyssens, Joannes. Image de divers hommes desprit sublime qui par leur art et science deburovent vivre eternellement et des quels la louange et renommée faict estonner le monde. 2 dln. Antwerpen: Joannes Meyssens, 1649.

Tweede bekende staat (genummerd 23) gebruikt in: Resta, Sebastiano. The true effigies of the most eminent painters and other famous artists that have flourished in Europe. Londen, 1694.
Classical Landscape with Roma Figures
Object type: painting
Date: 1748 – 1748
Materials: canvas, oil
Artist: john wootton
Artist role: artist
Artist nationality: british
Artist dates: 1681 – 1764
Subjects: men,dogs,horses,landscapes

This painting, signed and dated 1748, was made as an overmantel for the dining room of Kirtlington Park, built by Sir James Dashwood. In a ledger he titled "A Generall Account of Money Expended on my New-house, and the outworks about it, begun 12: September: 1741" [photocopy in departmental files], Dashwood recorded a payment on March 27, 1749 to Wootton, presumably for this picture. The amount is large, over fifty pounds, indicating that Wootton's popularity among the nobility enabled him to set his prices as he wished. A watercolor of 1876 by Susan Alice Dashwood (MMA 1993.28; see Images) depicts the dining room of Kirtlington Park with this painting above the fireplace at left. The picture remained in place until 1931, when the entire room was acquired by the Metropolitan Museum. Two similar classical landscapes, Morning and Evening, were painted by Wootton for Sir John Shelley of Maresfield Park, Sussex (Yale Center for British Art, New Haven). Arline Meyer [see Ref. 1984] mentions a small, more broadly painted variant of the present painting at Petworth (now private collection), another version with Sidney Sabin in the mid-1960s, and a third sold at Christie's, London, March 23, 1979, no. 82. There also seems to have been a version in the collection of the Duke of Bedford [see Walter Shaw Sparrow, British Sporting Artists from Barlow to Herring, London, 1965, pp. 100–101].
Stadhuis Nijmegen
Object type: ansichtkaart, prentbriefkaart
Date: 1919 – 1930
Materials: cardboard
Techniques: rotogravure
Location: nijmegen
Artist: Anonymous
Subjects: townhall
Beaker (part of a set)
Object type: beaker
Date: 1848 – 1849
Materials: leather, silver
Artist: johann bernhard hertz (hentz)
Artist role: maker
Artist dates: 1834 – 1855

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Portaal van een kerk, mogelijk in Toledo
Object type: photograph
Date: 1851 – 1890
Materials: paper
Techniques: albumen print
Location: toledo
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Herders met vee
Object type: print
Date: 1719 – 1780
Materials: paper
Techniques: etching
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., goat, urination
Inscriptions: collector's mark: Lugt 240
Begrafenisoptocht van Willem Frederik, graaf van Nassau-Dietz (blad 13), 1665
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving
Location: leeuwarden
Subjects: arnhem, cortege, funeral procession

Begrafenisoptocht van Willem Frederik, graaf van Nassau-Dietz, in Leeuwarden op 6 januari 1665. Deel van de begrafenisstoet. Plaat nr. 13 in een ensemble van 24 (van de 25) ongemonteerde genummerde platen (zonder tekstbladen) die samen een lange fries vormen.
Ewer
Object type: ewer
Date: 801 – 1000
Materials: earthenware, glaze
Location: iran

This ceramic ewer was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Archer's Shield (Pavise)
Object type: shield pavise
Date: 1401 – 1500
Materials: gesso, pigment, wood
Culture: swiss
Location: switzerland
Subjects: coat of arms
Leggings
Object type: legging
Date: 1801 – 1900
Caster
Object type: caster
Date: 1720 – 1750
Materials: silver
Portret van Johannes Wtenbogaert op 62-jarige leeftijd
Object type: print
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: delft
Subjects: utrecht, the hague, functionaries and dignitaries (with name) ~ episcopal protestant churches
Inscriptions: collector's mark: Lugt 2228

Portret van predikant Johannes Wtenbogaert op 62-jarige leeftijd, borststuk met molenkraag en toga, in ovale omlijsting met Latijns opschrift. In ondermarge vier regels Latijns opschrift.
Gallerie des Modes et Costumes Français, 1785, nr. 6, nr.12, Kopie naar P 86 : Jeune Dame vêtue à l'Austrasienn (...).
Object type: fashion print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, hand coloring
Artist: pierre gleich
Artist role: print maker
Subjects: clothing for the upper part of the body (+ women's clothes), styles of hairdress - aa - ~ women, head-gear: cap (+ women's clothes), fashion plates, skirt (+ women's clothes), fan (+ women's clothes)
Inscriptions: caption: ‘Jeune Dame vêtue à l'Austrasienne manches en sabots dites á l'Isabelle avec une veste a la Péruvienne par dessus la quelle passe une ceinture á bondouliere. Ce costume a pris naissance en 1778. il sut appelé Ajustem.t á Jeanne d'Arc.’

Staande jonge vrouw met een ontblote boezem, gekleed 'à l'Austrasienne' met manches en sabot genaamd à l'Isabelle en een vest à la Péruvienne, waarover een schouderband. Zij draagt een rok afgezet met aangerimpelde strook en kousen. Accessoires: muts met lint, armbanden, chatelaine, waaier, muiltjes met rozetten(?). Volgens het onderschrift ontstond dit kostuum in 1778 en werd genoemd: ajustement à Jeanne d'Arc. Kopie naar P 86 uit serie P. 15e Cahier des Costumes Français, 9e Suite d'Habillemens à la mode en 1778, Gallerie des Modes et Costumes Français.
Teapot
Object type: teapot
Date: 1701 – 1800
Materials: silver
Artist: jacob von holten
Artist role: maker
Artist dates: 1724 – 1724
The Actor Nakajima Mioemon II, from "A Picture Book of Stage Fans (Ehon butai ogi)"
Object type: print
Date: 1770 – 1770
Techniques: woodblock print
Location: japan
Artist: ippitsusai buncho
Artist nationality: japanese
Artist dates: 1755 – 1790
Landschap met een paard en wagen
Object type: drawing
Date: 1645 – 1681
Materials: chalk, paper
Location: zwolle
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681

Waarschijnlijk een landschap langs de IJssel tussen Zwolle en Deventer. Getekend op dubbele bladen van een schetsboek.
Bosgezichten, serie B
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: village, forest path or lane, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2165

Een man loopt op een pad met aan weerszijden bomen. In de verte ligt een dorp.
Groepsportret van een onbekend gezelschap voor een meer
Object type: photograph
Date: 1901 – 1901
Materials: photographic support
Techniques: daylight paper print
Location: sweden
Artist: Anonymous
Subjects: lake, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘1901’, inscription: ‘Tack för (...)Sigrid och Elin.’
Portret van een onbekende baby
Object type: photograph
Date: 1890 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: historical persons, infant, baby
Inscriptions: inscription: ‘C. J. L. Vermeulen,/ Heiligenweg hoek Singel/ Heerenstraat 6./ Telephoon No. 2339 en 2340./ Amsterdam./ Toussaintkade 11/ den Haag./ Intercommunal Telephoon: 774.’
Courant-ombrengers Kermis-wensch, opgedragen aan de ingezetenen der stad Amsterdam
Object type: print
Date: 1851 – 1852
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: public festivities

Kermisprent namens de ombrengers van couranten (krantenbezorgers) te Amsterdam, 13 september 1852. Bovenaan een medaillon met een gezicht op de kermis op de Botermarkt. Onderaan een gedicht in drie kolommen. Van de courantombrenger: J.J. Smit. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Officers of U.S.S. Hunchback
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: navy,american civil war,men
Edwardus Seimerus Somerseti Dux
Object type: book illustration
Date: 1681 – 1681
Materials: paper
Techniques: engraving
Location: london
Subjects: historical persons, other sovereign (with title)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Burnet, Gilbert. The History of the Reformation of the Church of England. Londen: Richard Chiswell, 1681, dl. 2, p. 185.
Fan
Object type: fan
Date: 1701 – 1800
Materials: ivory
Subjects: women
Nap and His Friends in their Glory
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,skeletons,men,devil,drinking,politics
The infant Hercules killing the snakes, set within an elaborate frame, from "Loves, Rages and Jealousies of Juno"
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: hercules,juno,snakes
Water Dropper in the form of a Seated Demon
Object type: water dropper
Materials: earthenware
Culture: thai
Subjects: demons
One of a Pair of Incense Boxes in the Shape of Dog Charms
Object type: incense box
Date: 1840 – 1840
Materials: enamel, porcelain
Techniques: overglaze
Culture: japanese
Subjects: dogs

Pairs of dog-shaped papier-mâché figures (inuhariko) were produced from the Heian period on as protective amulets. By the beginning of the Edo period, they were part of the traditional wedding set, used to ensure safe childbirth and also to protect the child's health. Initially, inuhariko pairs—male and female—were presented at the engagement ceremony; later, they had an important role in the wedding process as well—they were carried in the wedding palanquin as good luck amulets. Inuhariko can also be found in the shape of cats.
Bowl
Object type: bowl
Date: 700 – 601
Materials: ceramic
Culture: iranian
Location: iran

This conical bowl has a flat base and a horizontal loop handle on one side. It is made of a buff clay, using a potter’s wheel. It was excavated at Tepe Nush-i Jan, an Iron Age hilltop site about 60 km sound of Hamadan in western Iran. Nush-i Jan was occupied in the 7th and 6th centuries B.C., and its occupants are generally thought to be the Medes, an Iranian people known from Assyrian, Achaemenid and Biblical sources. Though the textual sources portray them as a powerful empire, archaeological evidence for the Medes has yet to sustain this impression. Rather, they seem to have lived in scattered fortified sites in western and central Iran, without any clear capital. Nush-i Jan, one of the best known of these sites, features two temples, a columned hall, and a fort. This jar was found in the Central Temple, a tower-like structure in the middle of the site. Thus it may have been used in a ritual performed there.
Tales./ Non multa verba/ prudentis animi/ iuditium sunt.
Object type: ornament print
Date: 1554 – 1554
Materials: paper
Techniques: etching
Location: netherlands
Subjects: spindle
Inscriptions: signature and date: ‘C.F. Inventor anno 1554’, address: ‘H. Cock’, title: ‘Tales: non multa verba prudentis animi inditium sunt’

Cartouche met tekst, geflankeerd door twee vrouwen met spinrokken. Onderaan liggen twee sfinxen. Hoort bij serie van 6 bladen.
La Peste chez les Philistins (Plague Among the Philistines), in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger)
Object type: print
Date: 1782 – 1821
Techniques: aquatint, etching
Location: france
Artist: jean jacques lagrenée
Artist role: artist
Artist nationality: french
Artist dates: 1739 – 1821
Subjects: illness,infants,men,women
Très Parisien. La Mode, Le Chic, L’Elégance
Object type: fashion print
Date: 1927 – 1927
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: dress, gown: evening dress (+ women's clothes), fashion plates, bracelet, wristlet (+ women's clothes)
Inscriptions: caption: ‘UNE INFANTE. - Mlle Jane Renouardt porte, au théatre des Capucines, cette robe de taffetas "Yseult" or et noir.’

Très Parisien promoted itself as chic and elegant. Between 1920 and 1936 it presented creations by such couturiers as Chéruit, Premet, Philip et Gaston, and Lanvin. The young, svelte models are all ultra-modern, shown talking on the phone, smoking and playing tennis. The illustrations also show that over the course of the 1920s, skirt lengths had risen to just below the knee, before dropping back down to calf length in the 1930s. The small plates were printed on transparent paper using a stencilling technique known as en pochoir and then hand coloured; many of them are unsigned. The signature ‘Joujou’ belonged to Germaine Paule Joumard, who was the director of Très Parisien, as well as one of the magazine’s illustrators.
Part of a sistrum
Object type: part of a sistrum
Date: 664 – 630
Materials: faience
Location: egypt

Both sides of this piece show a triangular-shaped frontal face with cow’s ears. The faces are nicely modelled and surrounded by a curled wig that is bound at intervals with ribbons. Underneath each face is a collar composed of tube and drop beads. On either side of the faces is a uraeus with a sun disk. These two heads are so called Hathor emblems and they form the center part of a sistrum, a musical instrument that was used in rituals. Above the heads is a sound box that was shaped like an arch. Only the bottom part of the arch is preserved. It features two additional cobras, one each in the center of the front and back side. At the very bottom of the piece, below the collar, is the onset of a circular shaft, which is the sistrum’s handle that broke off and is lost today. Altogether the piece is rather small; this is not an actual sistrum but a miniature one that was used as a donation in a temple.