deem-data/ArtiFact huggingface dataset:
Furniture plaque carved in relief with a female figure
Object type: relief
Date: 900 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: women

This piece was found in a storeroom at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign. The fragmentary, rectangular plaque depicts a female figure with her head in profile facing right. She stands wearing a pleated, ankle-length garment that is fringed at the edges. Although her left arm is abraded, a floral stalk can still be seen held against her chest and may have originally extended in front of or over her left shoulder. The upper background behind the figure’s head does not survive. A circular hole drilled through the bottom of the robe suggests that the plaque was originally attached to a frame by means of a dowel and set into a piece of wooden furniture. The reverse has been roughened, probably to help glue join the surface of the plaque to the frame. Certain Egyptian features characteristic of Phoenician ivories, including the pleated garment and long, curly wig, are combined with facial features commonly found on North Syrian ivories such as the hooked nose, large eye, small mouth, full cheek, and receding chin. Because of this mixture of styles, this plaque has been classified as South Syrian, a style that occupies an intermediate place between the two. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
J.B. Lemoine le fils.
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: etching
Location: france
Subjects: paris, sculptor, jean baptiste lemoyne (ii), portrait, self-portrait of sculptor, ornament ~ medallion
Inscriptions: collector's mark: Lugt 2228
Gezicht op een straat te Amsterdam
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: urban housing, city-view, and landscape with man-made constructions, trees, adult woman, adult man, walking, amsterdam

Enkele figuren lopen over straat. Links en in de verte staan een paar huizen. Rechts zijn bomen te zien.
Jonge vrouw uit Purmerend
Object type: print
Date: 1816 – 1816
Materials: ink, paper, watercolor
Techniques: etching, pen
Location: netherlands
Subjects: clothes, costume (+ women's clothes), folk costume, regional costume
Inscriptions: collector's mark: Lugt 1641, collector's mark

Oorspronkelijk gebruikt als illustratie in: G. Johnson, Karakterschetsen : zeden en gewoonten van Nederlandsche mannen en vrouwen, in het jaar 1816 bijeenverzameld op eene reize door het Koningrijk der Nederlanden. E. Maaskamp: Amsterdam, [1816], p. 64/65. Daarna heruitgegeven in: Maaskamp, Evert. Tableau des principales vues des palais et édifices : représentations et des coutumes et usages, dans les provinces septentrionales du Royaume des Pays-Bas. Amsterdam, 1824.
Loggetta del Sansovino (ricostruita col vecchio materiale)
Object type: photomechanical print
Date: 1910 – 1910
Materials: cardboard
Techniques: photograph
Location: venice
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, triumphal arch
Isabel Wachenheimer buiten bij een stenen trap, in Stuttgart oktober 1934
Object type: photograph
Date: 1910 – 1934
Materials: photographic support
Techniques: gelatin silver print
Location: stuttgart
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: date: ‘Oktober 34’

Isabel Wachenheimer bij een stenen trap met begroeiing.
Bruxelles - Maisons de la Grand'Place
Object type: page
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Location: grote markt
Subjects: square, place, circus, etc., façade (of house or building)
Inscriptions: name: ‘(Phot. de Brand frères, rue de la Madeleine, 32.)’
Frans Coenen
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: rotterdam, leiden, historical persons, portrait of composer

Gepubliceerd als bijvoegsel bij 'De Amsterdammer', 2 februari 1890.
Panel
Object type: panel
Date: 1567 – 1600
Materials: wood
Techniques: carving
Subjects: faces,men
Trilobed vessel with Two Lovers in a Landscape
Object type: trilobed vessel
Date: 1540 – 1545
Techniques: maiolica, glazing
Subjects: men,lovers,women
Bochum
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: bochum
Artist: Anonymous
Subjects: city-view in general; 'veduta', the soldier off duty, germany
Inscriptions: inscription

Albumblad met vier (gekochte) foto's met bezienswaardigheden in Bochum, waaronder het 'Schwertdenkmal', eind 1939. Onderdeel van een Duits militair album Tweede Wereldoorlog 1939-1940.
Sketch of a Caravel; Figure in a Boat (from Sketchbook)
Object type: drawing
Date: 1891 – 1891
Materials: gilt, graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: boats,ships
Bevolking van Lystra bereidt een offerfeest voor
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: preparation of the sacrificial celebration with oxen and garlands in front of the temple of jupiter ~ paul and barnabas at lystra

Prent ook gebruikt in: Biblia ectypa : Bildnussen auss Heiliger Schrifft. Regensburg: Chr. Wiegel, 1697.
Elephant Trampling a Horse
Object type: illustrated album leaf
Date: 1634 – 1666
Materials: gold, watercolor
Techniques: marbling
Location: india
Subjects: elephants,horses

This dynamic work depicts an enraged elephant trampling upon a horse. The scene been produced with the shading techniques of nim-qalam (half pen) and the marbling technique known as kaghaz-i abri , or just abri. Here the artist has skillfully blocked off the areas of the elephant, rider, and horse, and created a vibrant marbled background, before finishing the work with fine black ink shading to create the details of the animals and mahout. Marbled paintings were produced in the Deccan in the late sixteenth and seventeenth centuries. This technique involved manipulating floating pigments on the surface of a liquid bath to form designs, which were then transferred to a sheet of paper by carefully laying it on top.
Stove plate
Object type: stove plate
Date: 1501 – 1600
Materials: iron
Subjects: men
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, two rim fragments with an egg pattern below the lip; one fragment has a band of reserve
Rivierlandschap met zeilboot en twee roeiboten
Object type: print
Date: 1862 – 1937
Materials: paper
Techniques: etching, intaglio
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: water course
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Landschap met enkele huizen aan een rivier, op het water drie boten.
Girolamo Cornelio (Cornaro) and Helena, his wife
Object type: medal
Date: 1501 – 1600
Materials: bronze
Techniques: casting
Subjects: men,profiles
Portret van Paulus Adriaan Beelaerts van Blokland
Object type: print
Date: 1842 – 1854
Materials: paper
Techniques: lithograph
Subjects: dordrecht, utrecht, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Georg Ludwig, Duke of Braunschweig
Object type: print
Materials: paper
Techniques: mezzotint
Location: germany
Artist: christoph weigel
Artist role: goldsmith, print maker, publisher
Artist nationality: german
Artist dates: 1654 – 1725
Gezicht op de Leidsegracht met de Hollandsche Manege en de stadsmetseltuin
Object type: drawing
Date: 1817 – 1817
Materials: ink, paper, pencil
Techniques: brush
Location: amsterdam
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: city-view in general; 'veduta', canal, façade (of house or building), bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Gezigt langs de Manegie / op de Stads Metzeltuin’, collector's mark: Lugt 800a, signature and date: ‘G Lamberts. 1817.’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 24.
Nog een verhoor van "een deskundige" door de commissie uit de Tweede Kamer der Staten-Generaal, belast met het houden eener enquête omtrent de zeemagt, die Nederland behoeft
Object type: cartoon
Date: 1862 – 1862
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: flushing, michiel adriaenszoon de ruyter, navy, committee members, board members
Inscriptions: collector's mark: Lugt 2228

Spotprent op de parlementaire enquêtecommissie naar de toestand van de zeemacht. De geest van Michiel Adriaenszoon de Ruyter verschijnt voor de commissie. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 44, 1 november 1862.
Portret van Elisabeth van Oostenrijk
Object type: print
Date: 1587 – 1590
Materials: paper
Techniques: engraving
Artist: thomas de leu
Artist role: print maker, publisher
Subjects: vienna, historical persons - bb - woman, queen
Inscriptions: collector's mark: Lugt 2228
Hooked Rug
Object type: rug
Date: 1880 – 1890
Materials: cotton
Culture: american
Location: united states
Artist: elenore blackstone
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Subjects: girls,men,women,bicycles,cooking
Fan
Object type: fan
Date: 1834 – 1866
Materials: gilt, glass, ivory, paint, paper
Subjects: men,women,dogs
Doorsnede van de Aarde met bellenblazende engel en fles met bubbels
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: paris
Subjects: earth, world as celestial body, (children or putti) blowing bubbles, 'homo bulla' ~ scene symbolizing 'vanitas'

Prent uit: Leclerc, Sébastien. Nouveau systeme du monde conforme à l'Ecriture sainte. Où les phénomènes sont expliquez sans excentricité de mouvement (...). Paris: Pierre Giffart, 1706.
Oh! Tis True Indeed I would Taste of the Lip (valentine)
Object type: print
Materials: paper
Techniques: collage, hand coloring, lithograph
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
“All is lost - save the cashbox”
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
The Velvet Dress (Mrs Leyland)
Object type: print
Date: 1873 – 1874
Materials: ink, paper
Techniques: drypoint
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 54 (recto)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: birds,flowers,vines
Ex libris van B. Brouwer
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: groningen
Artist: Anonymous
Subjects: printer, printing press
Inscriptions: inscription: ‘B. Brouwer Groningen’
Jewel casket
Object type: jewel casket
Date: 1734 – 1766
Materials: stone, diamond, glass, gold

Elegant nécessaires de poche filled with minute utensils for grooming, writing, or sewing were fashionable during the eighteenth century. Made of gold with hard stones, mother-of-pearl, or tortoiseshell, they were the work of a goldsmith and often served as New Year’s presents. Here, an openwork pattern of scrolls, floral garlands, small animals, birds, and dancing musicians in gold is placed on panels of striated agate. The original contents of the nécessaire are missing.
Powder Horn
Object type: powder horn
Date: 1767 – 1800
Materials: horn
Culture: american
Location: united states
Slat Side Phaeton #4156
Object type: drawing
Date: 1892 – 1892
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Zittende man met een hoed
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: adult man (+ sitting)
Henry Irving as "Becket"
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photoaquatint
Artist: henry herschel hay cameron
Artist role: fotograaf
Artist dates: 1852 – 1911
Subjects: historical persons, portrait of actor, actress
Inscriptions: inscription: ‘Henry Irving as "Becket"./ (from life.)’
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: boats
Vessel leg in the form of a bird
Object type: vessel leg
Date: 500 – 201
Materials: bronze
Culture: chinese
Subjects: birds

One of a set of four vessel legs that originally supported a lacquer vessel that has not survived.
Ter gedachtenisse van syn exellntie, den ed. heer en Mr. Jacob Boreel
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: mayor, obelisk, needle, 'pleurants', effigy, 'gisant' (portrait-figure on closed coffin or in 'castrum doloris'), transi, sarcophagus, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228

Een grafmonument met op een voetstuk een sarcofaag. Boven de sarcofaag tussen twee pleurants een gebeeldhouwde buste van de overledene: Jacob Boreel. Aan weerszijden van de sarcofaag een obelisk met wapenschilden van zijn aanverwanten. Op het voetstuk het wapenschild van Boreel boven een Nederlands opschrift.
Portret van Joost van den Vondel
Object type: photomechanical print
Date: 1887 – 1888
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Artist: joseph theodorus johannes cuypers
Artist role: sculptor
Artist dates: 1861 – 1949
Subjects: amsterdam, joost van den vondel, city-view, and landscape with man-made constructions, ornaments ~ art, historical persons, portrait of a writer, writer, poet, author

Prent uit: De Katholieke Illustratie (1887-1888), nr. 17.
Jelly mold
Object type: jelly mold
Date: 1750 – 1750
Materials: stoneware
Techniques: salt glaze
Piece
Object type: piece
Date: 1701 – 1800
Materials: metal thread, silk
Stirrup Vessel in the Form of a Feline Head
Object type: vessel
Date: 250 – 500
Materials: ceramic, paint, pigment
Culture: moche
Location: santa valley
Portret van Leopold Willem van Oostenrijk
Object type: book illustration
Date: 1651 – 1663
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: leopold willem van oostenrijk (landvoogd der zuidelijke nederlanden), ornament ~ medallion, armour, historical persons, governor, etc. of province

Prent waarschijnlijk uit: Sande, Johan van den. De wakende leeu der Nederlanden (...). Leeuwarden: Gijsbert Sybes, 1651. Of uit de editie uit 1663, uitgegeven in Amsterdam.
Soldaat die zijn laadstok in de houder onder de loop van zijn musket schuift (nr. 30), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die met zijn linkerhand bij zijn linkerdijbeen een musket (een bepaald type vuurwapen) vasthoudt en met zijn rechterhand de laadstok in de houder onder de loop schuift (nr. 30), ca. 1600. In zijn linkerhand behalve het musket ook een furket (musketvork). Plaat 30 in de instructies voor het hanteren van het musket: Shorte instruction for the figures, so much concerneth the right use of muskett. Onderdeel van de illustraties in een Engelse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, The exercise of armes for calivres, muskettes and pikes after the ordre of Maurits Prince of Orange, 's-Gravenhage 1608. Krijgswezen rond 1600.
Yvette Guilbert
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: letterpress, lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
De Waterramp van 1855. Geschetst in 24 afbeeldingen, naar de natuur geteekend en geëtst door leden der Maatschappij Arti et Amicitiae
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: etching
Location: netherlands
Subjects: flood
Inscriptions: collector's mark: Lugt 2228

Gezicht op het onder water staande dorp Dreumel, in de verte het stoomgemaal, 8 maart 1855. Onderdeel van de reeks van 24 prenten over de watersnood van maart 1855, door leden van het genootschap Arti et Amicitiae. Uitgave ten behoeve van de slachtoffers van de watersnood.
My Heart is in Thy Keeping (Valentine)
Object type: drawing and watercolor
Materials: paper
Techniques: collage, embossing
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Swallows, kingfisher, and hibiscus
Object type: print
Date: 1830 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Sketch of an Arena(?)
Object type: drawing
Date: 1832 – 1832
Materials: graphite
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Undersleeves
Object type: undersleeves
Date: 1850 – 1859
Materials: linen
Culture: british
Medal Showing Henry II of France
Object type: medal
Date: 1552 – 1552
Materials: bronze
Culture: french
Location: france
Subjects: men,profiles
Portret van Franz Karl Naegele
Object type: print
Date: 1850 – 1879
Materials: paper
Techniques: lithograph
Location: paris
Subjects: gynaecology, obstetrics, historical persons
Inscriptions: collector's mark: Lugt 2228
Thankfullness (valentine)
Object type: drawing and watercolor
Date: 1860 – 1870
Materials: ivory, paper
Techniques: collage, embossing
Location: england
Artist: john windsor
Artist nationality: english
Artist dates: 1800 – 1899
Portret van Giovanni Battista Piazzetta
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: etching
Location: munich
Subjects: venice, painter, print maker, draughtsman, giovanni battista piazzetta, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Bookbinding
Object type: bookbinding
Materials: leather, board
Techniques: lacquer, painting
Location: iran
Subjects: animals,men,hunting,dogs,horses
Réponse aux plaintes des protestans touchant la prétendüe persecution de France. : Où l'on expose le sentiment de Calvin, & de tous les plus célebres ministres, sur les peines dûës aux hérétiques. On découves aussi plusieurs particularitez dignes d'être sçûës, touchant la Réformation & les réformateurs
Date: 1688 – 1688
Location: france
Artist: denis de sainte-marthe
Artist role: author
Artist nationality: french
Artist dates: 1650 – 1725

Epitre signed: Denys de Sainte-Marthe, with half-title. Page 310 misnumbered 10; includes index. Binding: in-12, maroquin rouge, dos orne, filets dores sur les plates, armes au centre, roulette doree interieure, tranches dorees.
Gold earring with head of a dolphin
Object type: earring with head of dolphin
Date: 400 – 201
Materials: gold
Culture: greek
Subjects: dolphins
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, lower drapery of two figures, in between them, part of a stick
Valentine
Object type: valentine
Date: 1880 – 1880
Materials: gold
Techniques: chromolithography, lithograph
Artist: Anonymous
Artist role: artist
Verschillende rokende figuren
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: pipe ~ tobacco
Inscriptions: collector's mark: Lugt 2233

Waarschijnlijk betreft dit reclame voor de tabakszaak van Ts. van Dijk in de Hofstraat, nr. 134, te den Haag.
Japan 1884
Object type: photograph
Date: 1884 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: wrestling (sport) (+ the contest (sports, games, etc.)), japan

Onderdeel van een blad met zeven foto's.