deem-data/ArtiFact huggingface dataset:
Prometheus geketend
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: an eagle tears at prometheus' liver
Inscriptions: collector's mark: Lugt 2228

Prometheus is vastgeketend aan een rots en een adelaar pikt zijn lever uit. Prometheus kreeg deze straf van Jupiter opgelegd omdat hij de Goden het vuur stal en het aan de mensen gaf.
Love and Dust
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,female nudes,caricature

A group of grotesque cinder-sifters, two kneeling on the ground at right, and one, naked to the waist, holds her sieve and looks amorously at a man to right.
Disc-headed pin
Object type: pin
Date: 800 – 601
Materials: bronze
Culture: iranian
Location: iran, luristan
Birds, Insects and Flowers
Object type: album
Date: 1801 – 1900
Materials: ink, paper
Culture: chinese
Artist: yi zhai
Artist role: artist
Artist nationality: chinese
Subjects: birds,insects,flowers
View from a canal of the gate bridge with shutters of a fortified town, street façade on the right
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: engraving
Location: netherlands
Artist: johannes van doetecum and lucas van doetecum
Artist nationality: netherlandish
Artist dates: 1528 – 1605
Inscriptions: Lettered, lower center: "H. Cock excudebat"
Plate
Object type: plate
Date: 1475 – 1500
Materials: brass
Culture: german
Subjects: flowers
Soup Plate
Object type: soup plate
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Location: china
Subjects: flowers

Chinese export porcelain was one of the luxuries deemed essential to a well-appointed eighteenth-century house. Until 1784, when direct trade began between China and America, Chinese porcelain came to the colonies by way of Europe. This soup plate was part of a large service that descended in the Verplanck family of New York.
Portret van Maurits, prins van Oranje
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: maurice (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Vignet met een wapen
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: coat of arms (as symbol of the state, etc.), vignette
Plates 5-7, from Nella Venuta
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Location: france
Artist: franz edmund weirotter
Artist role: draughtsman, painter, print maker
Artist nationality: austrian
Artist dates: 1733 – 1771
Linnen kleed met in de rand een strook reticella
Object type: kleed
Date: 1900 – 1949
Materials: linen
Techniques: weave
Location: south africa
Artist: Anonymous

Linnen kleed met in de rand een strook naaldkant - reticella - met een geometrisch motief. Vierkant model.
Tree Dryad (Shalabhanjika)
Object type: figure
Date: 1101 – 1300
Materials: stone
Culture: indian, orissan

Integrated into the carved facades of Indian temples is a host of seductive females whose identifications are not always apparent. Some are nature spirits. Others serve as consorts and companions to the gods. The blossoming branch in this woman's hand and the tree trunk in the background suggest that she is a wood nymph.
Profielportret van Jan Hendrik van Kinsbergen
Object type: book illustration
Date: 1858 – 1862
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: jonkheer jan hendrik van kinsbergen, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Jonge, J.C. de. Geschiedenis van het Nederlandsche zeewezen. Haarlem: Jonge, J.K.J. de, 1858-62.
Beesten Studien naar het Leven
Object type: print
Date: 1827 – 1828
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: calf, horse (+ conveyance for transport of loads and cargoes), dog

Waarschijnlijk is dit een prent voor: 'Beesten Studien naar het Leven op steen gebragt door G. Craeyvanger'. Amsterdam: Francois Buffa & Zoonen, 1828. Zie Swillens in Jaarboek Oud Utrecht. Volgens Swillens gedrukt door Ambroise Jobard. In Lijst van kunstwerken door beoefenaars en verzamelaars bijeengebragt, om verloot te worden ten behoeve van het vaderland; tentoongesteld te Amsterdam, in het nationale geregtshof, Amsterdam (C.A. Spin) 1831, p. 31, nr. 700 vermeld als uitgave van Daiwaille en Veldhuijzen. Daiwaille had eerder samengewerkt met Ambroise Jobard.
Oranjezaal. oostkant in het Huis in 't Bosch te 's-Gravenhage
Object type: print
Date: 1850 – 1880
Techniques: printmaking, engraving
Location: netherlands
Subjects: delft, the hague, frederick henry (prince of orange), palace, picture, painting

Gezicht in de Oranjezaal van het paleis Huis ten Bosch te 's-Gravenhage, ca. 1875. De centrale voorstelling van stadhouder Frederik Hendrik in zijn triomfwagen getrokken door vier witte paarden en bekroond door Overwinning en Overvloed, voltooid in 1652. Links enkele bezoekers.
De Vrijheid-verkrijging der Protestantsche godsdienst, in de Nederlanden
Object type: print
Date: 1817 – 1827
Materials: paper
Techniques: stippled etching
Location: amsterdam
Subjects: delft, william i (prince of orange), fernando álvarez de toledo (3rd duke of alba), brussels, earl, reformation (roman catholic church vs. protestantism), execution of heretic, e.g. by burning at the stake, 'auto-da-fé'

Allegorie op de verkregen vrijheid van de Protestantse godsdienst in de Nederlanden in 1577. Prins Willem I met lans en vrijheidshoed bij de personificatie van de Godsdienst voor een monument voor de strijd voor vrijheid van geloof met de graven van Egmond en Horne staande op de knielende Alva, in zonnestralen. Achter de prins de vlag van de geuzen. Hierbij ook de Dood en Hercules. Rechts razende moordende soldaten, een moeder met kinderen, een krijgsman doodt een katholieke priester (mogelijk een verwijzing naar de martelaren van Gorkum). Centraal een vluchtende geestelijke (verwijzing naar de pauselijke macht). Links een groep ruiters waarvan één zijn pistool op de prins richt, op de achtergrond meer ruiters met een vaandel met het Bougondische kruis. Uiterst links op de voorgrond een slachtoffer van de ketterverbrandingen.
Boots
Object type: boot
Date: 1900 – 1900
Materials: leather, silk
Culture: american
The return of the prodigal son
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the prodigal son returns home, where his father awaits him
Inscriptions: mark: ‘J.S (in rechthoek)’, signature and date: ‘Rembrandt f. 1636’

De terugkeer van de verloren zoon: hij knielt voor zijn vader op het bordes van zijn ouderlijk huis. In de deuropening twee figuren, een derde kijkt uit het venster.
Serenade at the Tuileries on New Year's Eve, from "Illustrated London News"
Object type: print
Techniques: engraving
Artist: eugène-louis lami
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1890
Subjects: soldiers,men,horses,crowd

Members of the National Guard troop through the Tuileries Gardens early on New Year's morning and pause infront of the palace to perform out of respect to Emperor Napoléon III. Related text suggests that the loud noise of brass and drums were not welcomed by Parisians, coming so close on the heels of New Year's Eve celebrations. Lami, who designed the image had studied with Horace Vernet and Antoine-Jean Gros and was known for his military subjects. The "Illustrated London News" here demonstrates their interest in keeping English readers up-to-date about events of interest in the French capital.
De stad Ter Veere
Object type: book illustration
Date: 1715 – 1755
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial)

Prent ook gebruikt in: Gargon, Mattheus. Walchersche arkadia, waar in op een zoetvoerigen trant (…). 2 delen. Leiden: Samuel Luchtmans, 1715-1717, dl. 1 (1715), p. 280. En in: Gargon, Mattheus. Walchersche arkadia, waar in op een zoetvoerigen trant (…). 2 delen. Leiden: Samuel Luchtmans en Zoon, 1746, dl. 1, p. 280. En in: Gargon, Mattheus. Walchersche arkadia, waar in op een zoetvoerigen trant (…). 2 delen. Middelburg: M.H. en A.L. Callenfels, S. Mandelgreen, P. Gillissen en L. Taillefert, 1755, dl. 1, p. 280.
Coin
Object type: coin
Materials: copper
Culture: islamic
Location: iran
Portret van Johann Martin Veith
Object type: print
Date: 1680 – 1799
Materials: ink, paper
Techniques: aquatint, brush, etching
Location: switzerland
Artist: Anonymous
Subjects: painter, draughtsman, artist, johann martin veith, historical persons, portrait, self-portrait of painter
A Philosopher, looking forward, holding a book with a cloth
Object type: print
Date: 1601 – 1700
Techniques: mezzotint
Artist: bernard vaillant
Artist role: artist
Artist nationality: dutch
Artist dates: 1632 – 1698
Subjects: books,men,philosophers
Lokale arbeiders en een Europeaan voor gebouwen op de plantage van Paul Sandel, Sumatra
Object type: photograph
Date: 1920 – 1920
Materials: paper
Techniques: gelatin silver print
Location: tandjong poera
Artist: Anonymous
Subjects: plantation
Inscriptions: inscription: ‘26./ so sah zu meiner Zeit/ fabrik Rookluis/ aus/ 1920/ 23.’
Indo-Persian carpet with repeat pattern of vine scrolls and palmettes.
Object type: carpet
Date: 1651 – 1700
Materials: cotton, wool
Culture: indo-persian
Reaal van vieren, geslagen te Lima, munt uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: vier reaal
Date: 1700 – 1734
Materials: silver
Techniques: striking
Location: lima
Subjects: filips v (koning van spanje)
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, top of head of filleted youth?
Les Forces de l'Europe, Asie, Afrique et Amerique, ou description des principales villes avec leurs fortifications. Dessignées par les meilleurs ingenieurs, particulierement celles qui sont sous la domination de la France (...) et ornées de plusieurs superbes edifices
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: fortress, maps of cities

Plattegrond van de verdedigingswerken om de stad Dinant in de provincie Luik. Plaat nr. 31 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
Acht overwinningen van Frederik Hendrik, 1629-1637
Object type: print
Date: 1637 – 1652
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Subjects: the hague, frederick henry (prince of orange), warfare; military affairs
Inscriptions: collector's mark: Lugt 2760, inscription: ‘No 34’

Blad met 8 voorstellingen van overwinningen van Frederik Hendrik in de jaren 1629-1637, waaronder Grol (1629), Wesel (1629), Den Bosch (1629), Maastricht (1632), Orsoy (1632), Rijnberg (1633), Schenkenschans (1636) en Breda (1637). Acht aparte scènes gedrukt van één plaat. Onder elke afbeelding een regel onderschrift. Gemerkt in het midden: L.
Pelerine
Object type: pelerine
Date: 1834 – 1866
Materials: cotton
Culture: american or european
Gezicht op het Capitool in Rome
Object type: photograph
Date: 1870 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: square, place, circus, etc., palace, prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘60 IL CAMPIDOGLIO’
Vijf stuiver, noodmunt uit Amsterdam, geslagen tijdens het beleg uit het stedelijke zilver
Object type: siege coin
Date: 1578 – 1578
Materials: silver
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam
Portret van Anton Günther Böschen
Object type: print
Date: 1673 – 1721
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Plein in onbekende stad, Frankrijk
Object type: photograph
Date: 1865 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: city-view in general; 'veduta', france
Inscriptions: annotation: ‘COLLECTION DES TOURISTES / Vues des Villes d’Eaux d’Allemagne / LES BORDS DU RHIN – LA FORÊT NOIRE / & L’ALSACE’
The descent from the cross
Object type: print
Date: 1565 – 1565
Techniques: engraving
Artist: bartolomeo da brescia
Artist role: artist
Artist nationality: italian
Artist dates: 1570 – 1570
Isaiah Temple, Chicago, Illinois, Alternate West Elevation
Object type: architectural drawing
Date: 1898 – 1899
Materials: ink, linen
Location: chicago
Artist: dankmar adler
Artist nationality: american
Artist dates: 1844 – 1900
Portretten van acteurs van Parijse theaters
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, stage costume, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228a

Henriquez is een personage uit de opéra-comique 'Le muletier', geschreven naar het gelijknamige verhaal van Jean de La Fontaine uit 1762 (librettist: Paul de Kock, componist: M. F. Hérold). Opgevoerd door het Théâtre Royal de l'Opéra-Comique in Parijs in 1823.
Table fork
Object type: table fork
Date: 1601 – 1700
Materials: ivory, steel
Copper Atlatl Spear Thrower
Object type: spear thrower
Date: 1401 – 1600
Materials: copper
Techniques: casting
Culture: inca
Location: peru
Subjects: weapons
Double-gourd vase (one of a pair, part of a garniture)
Object type: double vase
Date: 1690 – 1690
Materials: earthenware
Techniques: glazing
Artist: lambertus van eenhoorn
Artist role: factory director
Artist nationality: dutch
Artist dates: 1651 – 1721
Subjects: flowers

Garnitures or sets of three, five or seven pieces were made for decorative purposes to be placed on top of cabinets or mantelpieces. In imitation of imported Chinese porcelain that was much admired in the Netherlands, these vases and beakers are painted in blue against a white ground. The scattered clusters of spring flowers, however, are European in nature. This set was created at the Metaale Pot (metal pot) one of the leading pottery factories in Delft which produced its most brilliant work between 1691 and 1724 under the ownership of Lambertus van Eenhoorn (1651-1721) and later his widow, Margaretha Teckmann.
Basket jar
Object type: basket jar
Date: 1885 – 1885
Culture: chemehuevi
Staff Head
Object type: staff head
Date: 501 – 700
Materials: gilt copper, metal
Culture: moche
Location: peru
Straat in Smyrna
Object type: copper plate
Date: 1924 – 1932
Materials: copper
Techniques: etching
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
A Concert
Object type: drawing
Date: 1679 – 1679
Materials: chalk, paper
Techniques: heightening, incising, transfer
Location: france
Artist: louis licherie de beurie
Artist role: artist
Artist nationality: french
Artist dates: 1629 – 1687
Subjects: men,women,concerts,guitars,violins
Grasse
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: salted paper print
Location: france
Artist: charles nègre
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1880
Groote Weg, Magelang
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: photography
Subjects: dutch east indies, the
Oude poort met wachters eronder, mogelijk in Bastia, Corsica
Object type: album leaf
Date: 1902 – 1902
Materials: paper
Techniques: gelatin silver print
Location: corsica
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: gate ~ fortified city, guard duty, keeping sentry
Lord John Manners
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait), politician, e.g. party leader
Portret van Saul ben Aryeh Loeb Loewenstamm
Object type: print
Date: 1771 – 1850
Materials: paper
Techniques: mezzotint
Artist: johannes craco
Artist role: print maker
Artist dates: 1746 – 1807
Subjects: amsterdam, head-gear: hat (+ men's clothes), book, rabbi
Inscriptions: collector's mark: Lugt 2228

Portret van de rabbijn Saul ben Aryeh Loeb Loewenstamm in een venster. Zijn rechterhand rust op het boek Binjan Ariël.
t' Rechthuys tot Ouderkerck
Object type: print
Date: 1637 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: violent death by hanging, lower house, parliament, chamber
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2233

Gezicht op het Rechthuis te Ouderkerk aan de Amstel, gelegen op de hoek van de Dorpsstraat (rechts) en het Kerkpad (links). Rechts van de Dorpsstraat het gerecht met de galg. De prent is deel van een serie landschappen met dorpen rondom Amsterdam. Rechtsonder genummerd: 10.
Drie illustraties uit: Peter Parley’s Tales About Christmas
Object type: book illustration
Date: 1836 – 1838
Materials: paper
Techniques: engraving
Location: england
Subjects: christmas (non-liturgical celebration), animals acting as human beings, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, vocal music, singing - cc - out of doors, walker and runner birds: turkey, political caricatures and satires

Drie boekillustraties geknipt uit een uitgave van Peter Parley’s Tales About Christmas (1838), p. 96, 142 en 176. Opgeplakt op een stuk papier.
Hippopotamus
Object type: figurine, hippopotamus
Date: 1850 – 1640
Materials: faience
Location: egypt
Subjects: hippos

Hippopotami were associated with life, regeneration, and rebirth. When placed in tombs they were meant to supply the deceased with general regenerative power and to guarantee his or her rebirth. Hippopotamus statuettes made out of faience (a non-clay ceramic material) occur in four different positions: standing, walking, seated, and reclining. The faience glaze of this piece has discolored over time.
Interieur van de Lutherse Oude Kerk te Amsterdam
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: protestant churches and denominations (lutherans), interior of church
Inscriptions: collector's mark: ‘35-105’ Lugt 1641b

Rechtsboven genummerd: 1. Onderwerpsrubriek binnen de Atlas Amsterdam: Ev. Lutherse Gemeente: Oude Kerk (Spui).
Portret van Pauline Hoogeveen-Holle
Object type: photograph
Date: 1870 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: baarn
Artist: adriaan boer
Artist role: fotograaf
Artist dates: 1875 – 1940
Subjects: koblenz, pauline wilhelmine louise hoogeveen-holle (pau)
Inscriptions: name: ‘Tante Pau Hoogeveen / Holle.’, name: ‘Adr. Boer Baarn’
"Battle between Alexander and Darius", Folio 279 from a Khamsa (Quintet) of Nizami of Ganja
Object type: folio from an illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: afghanistan
Artist: nizami
Artist role: author
Artist dates: 1141 – 1209
Subjects: battles,men,horses

This razm (battle) scene is set against a hilly background, with groups of figures engaged in combat. Three figures in the foreground attack their mounted enemies. A severed arm, a slain soldier, and a strewn helmet suggest the violence of battle, though the image itself betrays little ferocity. The details of weaponry, arms, and horse trappings provide a glimpse into the material culture of an early sixteenth-century battle.
Pole Screen
Object type: textile
Date: 1701 – 1800
Location: england
Subjects: furniture
Afbeelding van den gecostumeerden optogt, voorstellende den in togt van Philips II, Prins van Spanje, in Utrecht, den 3en October 1549, gehouden den 17en Junij 1846, door H.H. Studenten der Utrechtsche Hoogeschool
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: philip ii of spain, students' pageant, costumes used in pageants, utrecht

Historische gekostumeerde optocht van de studenten van de Utrechtse Hogeschool gehouden op 17 juni 1846 ter gelegenheid van het 210-jarig bestaan van de Hogeschool. De optocht verbeeldt de intocht van Filips II in Utrecht op 3 oktober 1549. Plaat met de groepen genummerd 49-54. Onderdeel van de serie van 22 aanelkaar te plakken losse bladen.
Petrus
Object type: sculpture
Date: 1600 – 1650
Materials: bronze
Location: rome

Peter and Paul. Bronze, green and white mottled marble. Rome (?), c. 1600 - 1640.
Plate
Object type: plate
Date: 1760 – 1760
Materials: faience
Techniques: glazing
Artist: veuve perrin factory
Artist role: factory

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Langwerpige sjaal met een patroon van witte bloemen tegen een achtergrond van gedrukt gaasmotief in paars
Object type: clothing
Date: 1920 – 1940
Materials: ink, silk
Techniques: printing, weave
Location: netherlands
Artist: Anonymous

Langwerpige sjaal van zijde, met een patroon van bijna transprante, witte bloemen met ingeweven bladstructuur, tegen een achtergrond van gedrukt gaasmotief in paars.
Panel
Object type: panel
Date: 1801 – 1833
Artist: gaspard grégoire
Artist role: designer
Artist nationality: french
Artist dates: 1751 – 1846
Subjects: men,portraits
Façade Latérale Rue aux Laines (Fragment)
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: brussels
Subjects: court building
Inscriptions: number: ‘PL. 21’

Deze prent maakt deel uit van een omslag met 30 prenten op 28 bladen en een titelblad.
Cuneiform tablet: promissory note for silver for a harranu-partnership, Egibi archive
Object type: cuneiform tablet
Date: 552 – 552
Materials: clay
Culture: babylonian
Location: mesopotamia
Mold
Object type: mold
Date: 1550 – 1295
Location: egypt