deem-data/ArtiFact huggingface dataset:
The Adoration of the Magi
Object type: print
Date: 1598 – 1598
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: adoration of the magi

Having followed the star gleaming brightly in the sky above, the three kings (or magi) and their retinues have arrived to pay tribute to the Holy Family who have taken shelter at a dilapidated stable. Mary, Joseph and the Christ Child are seated in the center of the composition, outside the stable, illuminated by the star, as one of the kings kneels before them. He has given the chalice to Mary but still holds its lid between his fingers as he grasps the Child who blesses him. A second king stands at the right center, his back to the viewer and he is in darkness except for his turban and the elaborately decorated vessel he holds in his hands. The third king is a shorter, less imposing figure standing at the right. He wears a small crown, holds a covered bowl and is fully illuminated by the star. Jan Muller was one of the most sought-after Mannerist printmakers, engraving compositions of the leading artists of the late sixteenth and early seventeenth centuries. In the mid- to late 1590s and early 1600s, he made a handful of spectacular night scenes, including the Last Supper after Gillis Coignet (2018.839.109), the Dead Christ Lamented by an Angel after Jacopo Ligozzi (61.658.11), The Raising of Lazarus after Abraham Bloemart (49.95.578) and two original designs by Muller, Belshazzar’s Feast (51.501.6341) and the present work. Instead of the flamboyant engraving technique he used in his prints after the Dutch Mannerists and artists from the court of Prague and these prints are characterized by longer, finer lines and extremely close cross-hatching to create the dense blackness from which the highlights can shine. Wider spaced hatching and cross-hatching provide the middle tones.
Landschap met drie boeren
Object type: print
Date: 1748 – 1771
Materials: paper
Techniques: etching, hand coloring
Location: southern netherlands
Artist: théodore wynant stallenbergh
Artist role: print maker
Artist dates: 1738 – 
Subjects: farmers, agricultural implements: spade
Inscriptions: inscription: ‘F.W. Stallenberg’, collector's mark: Lugt 2228

Een boer, leunend op zijn spade, spreekt met een man en een vrouw, die op een afstandje staan. De vrouw heeft een mand aan haar arm, de man heeft een haas aan een stok.
Portret van G.B.A. Duchenne en proefpersoon 'la jeune fille' tijdens elektrostimulatie
Object type: photograph
Date: 1860 – 1862
Materials: paper, photographic support
Techniques: albumen print
Location: paris
Artist: guillaume benjamin amand duchenne
Artist role: fotograaf, medicus
Artist dates: 1806 – 1875
Subjects: paris, guillaume benjamin amand duchenne, face, adult woman, physiology and anatomy ~ nervous system, neurology, physiology and anatomy, morphology of facial expression, physiognomy, experiment, test ~ science and technology, france

Ongenummerde pagina met foto 77 uit Mécanisme de la physionomie humaine ou analyse électro-physiologique de l'expression des passions (Atlas).
Dekselvaas met Imari-decoratie en lakwerk
Object type: dekselvaas
Date: 1700 – 1725
Materials: glaze, lacquer, paint, porcelain
Techniques: firing, gilding
Location: japan
Artist: Anonymous

Eivormige vaas met een bolle deksel met recht uitstekende dekselrand en bekroond met een leeuw. Beschilderd in onderglazuur blauw, rode emails en goud met wolken en bloemtakken. Hierin ziin velden uitgespaard die zijn bedekt met lakwerk met bloemen.
Draaibanken van de Technische School te Bandoeng
Object type: photograph
Date: 1933 – 1933
Materials: photographic support
Techniques: gelatin silver print
Location: bandung
Artist: Anonymous
Subjects: vocational education, e.g.: junior technical school, colonial government, dutch east indies, the
Inscriptions: inscription: ‘Bankwerkeryen / TS’

Draaibanken in de werkplaats van de Technische School te Bandoeng. Foto ingeplakt in het fotoalbum aangeboden aan J.H.A. van der Hoeven bij het beëindigen op 31 juli 1933 van zijn diensttijd bij het Nijverheidsonderwijs in Nederlandsch-Indië.
Petticoat
Object type: petticoat
Date: 1867 – 1900
Materials: silk
Culture: french
Portret van Johann David Schubert
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: painter, draughtsman, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Neue Bibliothek der schönen Wissenschaften und der freyen Künste. Leipzig: Johann Gottfried Dyck, 1795, dl. 55.
Paris. L'Opéra
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: autotype
Location: paris
Artist: Anonymous
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, square, place, circus, etc. (+ city(-scape) with figures, staffage), opera house
Nouveaux Liure de Boites de Pendulles de Coqs et Etuys de montres et autres necessaire au Orlogeurs
Object type: ornament print
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous

Pendule bekroond met een putto. Rechtsonder staat: N.11. Kopie van titelblad uit de serie Nouveaux Liure de Boïtes de Pendulles, uitgegeven door Daniel Marot omstreeks 1706. Blad uit tweede editie.
Zich kappende vrouw, op de rug gezien
Object type: drawing
Date: 1915 – 1915
Materials: ink, paper
Techniques: pen
Artist: rik wouters
Artist role: draughtsman, print maker
Artist dates: 1882 – 1916
Subjects: care of the hair
Inscriptions: date: ‘'15’
Afternoon dress
Object type: afternoon dress
Date: 1865 – 1865
Materials: metal, silk
Culture: american

The influence that military uniforms played on women's dress during the years of the Civil War is evident here. Women reflected their patriotism readily in their mode of dress to help encourage the soldiers on to victory. The bands ending in rosettes on the skirt are reminiscent of swags and decorations at military ceremonies while the shoulder and sleeve decorations are taken from stripes and epaulets on military jackets. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.
Beaker (part of a garniture)
Object type: beaker
Date: 1773 – 1773
Materials: hard paste porcelain
Artist: bristol
Artist role: factory
Artist nationality: british
Subjects: trees

The unusual decoration, alternating landscapes in blue and the colors of nature, is attributed to an itinerant painter "Socquet" (active 1753–73), about whom little is known.
Portret van Dubislav Friedrich von Platen
Object type: print
Date: 1750 – 1824
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Platen’
Kleine Kaai - Middelburg
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: drypoint, intaglio
Artist: albert baertsoen
Artist role: draughtsman, print maker
Artist dates: 1866 – 1922
Subjects: pier, quay, wharf, middelburg
Inscriptions: watermark: ‘Franse lelie met daaronder VGZ’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze prent komt voor in: Kunst van Heden 1909, nr. 1.
Mollie Powers, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Oorlog met de bisschop van Munster, 1665
Object type: history print
Date: 1782 – 1784
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: battle (+ land forces)

Gebruikt als illustratie in: J.W. te Water, De vaderlandsche Historie van den heere J. Wagenaar, verkort, en met leerzaame aanmerkingen, ten dienste der Nederlandsche jeugd, 1784-1800, 4 delen. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller.
The Steerage
Object type: photograph
Techniques: photogravure
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Young Man on a Horse
Object type: print
Date: 1760 – 1769
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Saint Catherine of Siena Exchanging Her Heart with Christ
Object type: painting, predella panel
Date: 1417 – 1482
Materials: gold, paint, wood
Artist: giovanni di paolo (giovanni di paolo di grazia)
Artist role: artist
Artist nationality: italian
Artist dates: 1398 – 1482
Subjects: churches,christ,saint catherine

These three panels belong to a series from the base (predella) of a large altarpiece and constituted the first extensive narrative cycle of Catherine of Siena, a Sienese mystic as well as minister to the poor and plague-stricken. They were commissioned after her canonization in 1461 and are based on the biography written by her confessor, Raymond of Capua. Among the most notable features is the way space is manipulated to enhance the mystic character of their subject. Two further scenes are in The Met (Robert Lehman Collection). For more information about these paintings, including detailed descriptions of the stories, visit metmuseum.org.
Charlotte Wolter, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses
Ontwerp voor een verzamelaarskabinet op een commodevormig onderstel, met papieren deurtjes in de bovenkast
Object type: drawing
Date: 1716 – 1716
Techniques: drawing
Location: germany
Artist: georg moritz borrmann
Artist role: draughtsman
Inscriptions: signature and date: ‘Georg Moritz Borrmann 1716’, size: ‘maatverdeling’

De twee opgeplakte deurtjes kunnen geopend worden en hebben elk een andere decoratie.
Study for "Flying Victory"
Object type: wax study
Date: 1830 – 1840
Materials: wax
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: victory,flags
Paardenhoofd met een hoofdstel met bel
Object type: print
Date: 1815 – 1860
Materials: paper
Techniques: etching
Location: utrecht
Artist: abraham hendrik winter
Artist role: painter, print maker
Artist dates: 1800 – 1861
Subjects: horse
Inscriptions: collector's mark: Lugt 2228

Paardenhoofd naar links met een hoofdstel met bel en een gareel.
Switzerland, from the Natives in Costume series (N16), Teofani Issue, for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: firearms,men

Trade cards from the "Natives in Costume" series (N16), issued in 1886 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Secondary set from original Allen & Ginter plates printed by Teofani and distributed in Iceland. This set is printed on thinner card stock and does not have printed text on recto or verso.
Story of Cupid and Psyche as told by Apuleius
Object type: book
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: cupid,psyche,bathing

This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.
Frontispiece from "Prima Parte di Architetture, e Prospettive"
Object type: print
Date: 1750 – 1750
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: human figures,ruins
Ruïne van de Kapel van het Klooster Heisterbach
Object type: photograph
Date: 1895 – 1905
Materials: paper
Techniques: collodion silver print
Location: heisterbach
Artist: david vermeulen
Artist role: fotograaf
Subjects: ruin of church, monastery, etc.
Christus als fontein des levens (Fons Vitae)
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: evangelists, usually with books or scrolls (not in biblical context), in the morning manna falls to the earth ~ exodus, moses striking water from the rock (exodus 17:1-7; numbers 20:2-13), christ standing on or near a fountain, shedding his blood
Inscriptions: collector's mark: Lugt 240

Christus op een fontein. Hij houdt zijn rechterhand op zijn borst waaruit bloed stroomt in een bekken. Hij is de Fontein van het Leven (Fons vitae) waar de mensheid naar toe komt om zich te laven. Rondom de fontein de vier evangelisten. Op de achtergrond twee scènes uit Exodus. Links slaat Mozes water uit een rots. Rechts regent het manna uit de hemel.
Bottle vase
Object type: bottle vase
Date: 1701 – 1800
Materials: glaze, porcelain
Culture: chinese
Figuurstudies
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: embracing each other, kissing, asiatic races and peoples: indians

Onder andere twee figuren die elkaar omhelzen. Pagina 111 uit een schetsboek met 62 bladen.
Portret van Giovan Luigi Vitelli
Object type: print
Date: 1632 – 1661
Materials: paper
Techniques: engraving
Artist: arnold loemans
Artist role: print maker
Subjects: weapons
Inscriptions: collector's mark: Lugt 2228

Portret van Giovan Luigi 'Chiappino' Vitelli, markies van Cetona en generaal in het Spaanse leger van Vlaanderen. Rond het portret een lijst met diverse wapens en legerattributen, bovenin Minerva met lauwerkrans. Portret rechtsboven gemerkt: fol. 324. Gedrukt van twee platen.
Case (Inrō) with Design of Flowering Plants with Dragonfly and Insects
Object type: inrō
Date: 1801 – 1900
Materials: gold, ivory, lacquer
Techniques: fundame, hiramakie, roiro, stain
Culture: japanese
Subjects: insects,dragonflies,flowers
Side chair (part of a set)
Object type: side chair
Date: 1790 – 1800
Materials: glass, silk, velvet, wood
Techniques: carving, cutting, gilding, painting, voiding

This chair, together with the settee in the Florence Gould Galleries, originally belonged to a large set of seat furniture that included at least four settees and twenty side chairs. It was formerly thought to have been commissioned for the Villa Palagonia at Bagheria near Palermo, but the provenance remains undocumented, and the initials in the cipher at the center of the back, PPL, are as yet unidentified. The reverse-painted glass panels imitate agate, lapis, and marble. They are a distinctive feature often used on late-eighteenth-century Sicilian Neoclassical furniture.
Alchimus
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘162’

De houtsnede wordt gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 77r.
Plate 14, from Landscapes with Farmhouses
Object type: print
Date: 1614 – 1614
Materials: ink, paper
Techniques: etching
Location: belgium
Artist: boëtius adamsz. bolswert
Artist role: print maker
Artist nationality: flemish
Artist dates: 1580 – 1633
Inscriptions: Lettered lower left: "14"
Head
Object type: drawing and watercolor
Date: 1880 – 1880
Materials: chalk, paper
Location: england
Artist: simeon solomon
Artist role: artist
Artist nationality: british
Artist dates: 1840 – 1905
Patrouille-insigne
Object type: insignia
Date: 1945 – 1945
Materials: metal, paint
Pedestal
Object type: pedestal
Date: 1767 – 1833
Materials: gilt bronze, marble
Portret van een onbekende man
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: historical persons
Inscriptions: monogram: ‘BX’
Jager bij een berk
Object type: drawing
Date: 1799 – 1863
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: gerardus emaus de micault
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: hunting, chase, trees: birch
Card 614, Miss True, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Museo Cerralbo. Madrid. El Divino Pastor
Object type: reproduction
Date: 1924 – 1930
Materials: cardboard
Techniques: photograph
Location: madrid
Subjects: permanent exhibition, museum, picture, painting

Prentbriefkaart maakt deel uit van een album.
Standing Virgin and Child
Object type: statuette
Date: 1270 – 1280
Materials: ivory
Culture: french, north

Wearing a crown, Mary originally held the infant Jesus, now missing. The worn surface suggests that this private devotional image was caressed and kissed. The graceful sway, tall proportions, and elegant folds relate the figure to monumental sculpture produced in northern France.
George Washington
Object type: painting
Date: 1797 – 1797
Materials: glass, oil
Location: england
Subjects: george washington,men,portraits
Cup, fragmentary
Object type: cup, fragmentary
Date: 900 – 801
Materials: terracotta
Culture: greek, attic

Black glaze overall except for a reserve band band below the rim.
Masques et Visages. Piano!
Object type: album leaf
Date: 1853 – 1853
Materials: paper
Techniques: lithograph
Location: paris
Subjects: house-guard, doorkeeper, janitor, flat-building, apartment house
Inscriptions: collector's mark: Lugt 964

Deze prent maakt deel uit van een album. De huurder wordt verteld dat kinderen, honden of een piano niet toegestaan zijn in het appartement.
Body ornament
Object type: body ornament
Date: 1200 – 200
Materials: bone
Culture: japanese

By the Middle Jōmon period, the food supply in Japan had stabilized enough that the Jōmon people could focus their activities more on crafts and spiritual life. This led to the development of a wide variety of body ornaments, including necklaces and hairpins, some of which feature very elaborate designs. It is speculated that body ornamentation may have served a religious or spiritual purpose, but it may also have represented social rank and status.
Portret van Daniel-François-Esprit Auber
Object type: print
Date: 1818 – 1825
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Piet Cronjé, generaal van de Boeren, is gevangen door de Britten bij de Modderrivier
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: prisoner of war (after the battle)
Inscriptions: number: ‘283’, copyright notice: ‘Copyright 1901 by Underwood & Underwood.’, inscription, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’
Old Battersea Bridge
Object type: print
Materials: chine, ink, paper
Techniques: lithograph, scraping
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gezicht op gebouwen en de omgeving van de Tanjong Pagar Dock Co. Ltd. in Singapore
Object type: panoramic photograph
Date: 1890 – 1905
Materials: photographic support
Techniques: albumen print
Location: singapore
Subjects: pier, quay, wharf, shipyard, shipdock, shipbuilding industry, singapore

Panorama bestaande uit vijf afdrukken. De tweede afdruk is verdeeld over de linker- en de rechterpagina van record RP-F-F01140-Z. Onderdeel van Fotoalbum van de Tanjong Pagar Dock Co. Ltd. in Singapore.
Mannen bij een bulldozer, Zuid-Holland
Object type: lantern slide photographic
Date: 1956 – 1960
Materials: glass, paper
Techniques: gelatin silver transparency
Location: south holland
Artist: Anonymous
Subjects: earth moving techniques (~ building activities), public road
Inscriptions: number: ‘10’
Fan Holder
Object type: fan holder
Date: 1701 – 1900
Materials: metal thread, silk
Culture: chinese
Cowroid Inscribed with a Nefer Hieroglyph
Object type: cowroid, nefer
Date: 1492 – 1473
Materials: faience
Location: egypt
Subjects: hieroglyphs

This cowrie-shaped amulet is inscribed on the base with a nefer hieroglyph, which represents the word "good," or "beautiful." It was found inside a kohl jar which had been placed in the coffin of an unnamed woman that was discovered in the tomb of Hatnefer (see 36.3.1). Five other cowroids were found in the kohl pot including one with the same inscription that is now in the Egyptian Museum, Cairo. Three of the other amulets are in the Metropolitan Museum's collection (26.3.20, .21, .24). A number of other objects had also been placed in the coffin including two mirrors (36.3.12, .13), three faience bowls (36.3.8–.10) , a circular wood box (36.3.11a, b).
African Magus, one of the Three Kings from an Adoration Group
Object type: statue
Date: 1489 – 1489
Materials: gilt, wood, paint
Culture: german
Location: germany
Subjects: kings,men

One of a group of wooden sculptures representing the Adoration of the Magi, this figure initially stood behind an altar in a German church. The New Testament account tells of wise men offering gifts to the infant Jesus, but it gives neither the number of individuals nor their ethnicities. Medieval literature and art, however, depict the Magi as three kings from far corners of the known world, including Africa. Trade routes, diplomatic excursions, and increased contact between Europe and Africa in the medieval period led to more images of people of African descent in art, particularly in scenes of this subject. The Magus’ elegant pose and contemporary attire are reminiscent of a medieval royal courtier. For its original audience, this figure represented an imagined African ruler and a reverent, wise man from a distant world. These three kings (see 52.83.1–.3) along with a seated Virgin and Child formed the central shrine of a large altarpiece with painted wings. The attenuated, elegant figures and the broad drapery patterns are characteristic of Late Gothic sculpture in Swabia. The Virgin and Child are still in the convent for which the altar was made, and the two painted wings-representing, on the outer sides, the Annunciation and the Visitation and, on the inner sides, the Birth and Dormition of the Virgin-are in the Staatliche Kunsthalle Karlsruhe. One of the wings is dated 1489 and bears the name of the donatrix, Margarethe, daughter of the margrave Karl I of Baden and abbess of Lichtenthal from 1477 until her death in 1496.
Visitors to Enoshima
Object type: print
Date: 1801 – 1804
Techniques: woodblock print, surimono
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849