deem-data/ArtiFact huggingface dataset:
General Owen Williams, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: profiles,women,jockeys

Trade cards from the "Racing Colors of the World" series (N22b), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not.
Gezicht op het oude stadhuis van Amsterdam
Object type: print
Date: 1663 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: square, place, circus, etc., city-view in general; 'veduta', townhall

Prent gebruikt in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.* En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam: darinnen von derselben ersten Ursprunge bis auf gegenwärtigen Zustand (…). Amsterdam: Joachim Nosche, 1664.

* In sommige exemplaren van deze uitgave komt de huidige staat van de prent voor. In andere exemplaren is een eerdere staat ingebonden, waarop enkel de Nederlandse titel is toegevoegd.
Writer's Box
Object type: writer's box
Date: 1615 – 1868
Materials: clay, glaze
Culture: japanese
Artist: ogata kenzan
Artist role: artist
Artist nationality: japanese
Artist dates: 1663 – 1743
Subjects: houses,trees
Seated Woman Reading
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Monnik, rechts in profiel
Object type: drawing
Date: 1587 – 1640
Materials: chalk, paper
Techniques: brush
Artist: peter paul rubens
Artist role: draughtsman, painter, print maker
Artist dates: 1577 – 1640
Subjects: monk(s), friar(s)
Pad door een bos met kale bomen
Object type: print
Date: 1911 – 1931
Materials: paper
Techniques: etching
Artist: arend hendriks
Artist role: print maker
Artist dates: 1901 – 1951
Subjects: forest path or lane
Inscriptions: collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1701 – 1800
Materials: gold
Techniques: lace
Macht van wijn
Object type: album leaf
Date: 1595 – 1596
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the books of ezra, nehemiah, and esdras, wine ~ alcoholic drinks, king, the first guardsman says (writes) that wine is the strongest of all things ~ contest of the three guardsmen

De wijn als heerser over de wereld. Rond een tafel drinken mannen wijn. Ook een koning, links, staat onder invloed van wijn. Rondom hem dronken figuren. Linksonder een verwijzing naar de tekst in 3 Esdras 3-4. Onder de voorstelling verzen in het Latijn. Deze prent maakt deel uit van een album.
Le Gens de Justice, Plate 21, "Voila le ministere public qui vous dit des choses tres desagreeables"
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,law
Gezicht op een dorp in een dal
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: engraving
Location: england
Artist: james baylie allen
Artist role: print maker
Artist dates: 1803 – 1876
Subjects: prospect of village, silhouette of village, lake (+ landscape with figures, staffage), mountains
Inscriptions: collector's mark: Lugt 2228

Gezicht op een dorp, mogelijk in Noord-Italië.
December, from Twelve Months of Flowers
Object type: print
Materials: ink, paper, watercolor
Techniques: engraving
Location: england
Artist: henry fletcher
Artist nationality: english
Artist dates: 1710 – 1750
Goyu, Tabibito Ryujo
Object type: print
Date: 1833 – 1834
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: inns,men,women,daily life

Two women are trying to drag two reluctant travelers into their inns: these four figures create a vortex of humor and energy. Another traveler is preparing to wash his feet in a water basin at the entrance to an inn where he will spend the night. Information about the print series can be seen in the yellow cartouches inside the inn, which read "The Tokaido Picture—Continued," "Engraver Jirobei," "Printer, Heibei," and "Painting(s) by Ichiryūsai." (Ichiryūsai is one of Hiroshige's pseudonyms.) The large circle half-concealed by a post bears the name of Takenouchi, the publisher of the Tokaido series.
Mixin caddy
Object type: miniature
Date: 1787 – 1787
Materials: silver
Location: leiden
Artist: willem van den goorberg
Artist role: silversmith

During the 18th century tea caddy sets consisted of three elements: two caddies for different kinds of tea and one for the owner’s personal blend. The Leiden silversmith who created this miniature set specialized in large silver items. He constructed the miniature caddies, using rectangular pieces of silver plate, in the same way he did those of larger format.
H.M. koningin Wilhelmina. 31 Aug. 1880 van kind tot moeder, 30 April 1909
Object type: photograph
Date: 1909 – 1909
Materials: photographic support
Techniques: gelatin silver print
Location: the hague
Artist: Anonymous
Subjects: wilhelmina of the netherlands, queen
Het Haagsche Bosch ter plaatse daar een eike boom op den 8 meij 1807, door den bliksem werd getroffen
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228

Een door de bliksem getroffen boom in het Haagse Bos wordt bekeken door wandelaars.
Portret van Willem II, prins van Oranje
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: william ii (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Wagenaar, Jan. Vaderlandsche historie. Amsterdam: Isaak Tirion, 1749-1759.
Plate with a bouquet and flower sprays
Object type: plate dish
Date: 1800 – 1849
Materials: glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: vienna
Inscriptions: mark: ‘schild/ P[?] / 40/ / 89/ I’

Bord van porselein met een gelobde rand, beschilderd op het glazuur in rood, roze, groen en geel. Op het plat een boeket van verschillende bloemen (o.a. pioenroos) omgeven door losse takjes en op de rand vijf bloemtakken. Gemerkt op de onderzijde met het schild, de letter P [?], de nummers 40 en 89 en I. Op enkele plekken heeft het email losgelaten.
Gezicht op de Trevifontein in Rome
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: ornamental fountain
Portret van een man met vlinderdas
Object type: album leaf
Date: 1876 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Location: brisbane
Subjects: historical persons
Inscriptions: inscription: ‘Artist/ Photographers/ Mathewson & Co/ Brisbane/ A life size enlargement may be had/ of this picture at a very low price./ Orders by post receive our best attention.’
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: men,trees
Confession, from "The Seven Sacraments"
Object type: print
Date: 1754 – 1754
Techniques: etching
Artist: johann anton riedel
Artist role: artist
Artist nationality: swiss
Artist dates: 1736 – 1816
Close-Helmet for the Field
Object type: close helmet
Date: 1560 – 1570
Materials: gold, steel
Culture: italian
Location: italy

In the 1560s it became fashionable in Italy to cover an armor with multiple narrow bands of foliate ornament, a practice carried to the extreme in this example. The presence of a large reinforcing brow plate on a close-helmet of this date is highly unusual, but it is found on similarly decorated armors made for the court of Ferrara. (The front collar lames are missing.)
Haardsteen met voorstelling van twee klimmende leeuwen, geplaatst in twee ruiten
Object type: hearthstone
Date: 1610 – 1620
Materials: earthenware
Location: southern netherlands
Artist: Anonymous

Haardsteen met voorstelling van twee klimmende leeuwen, geplaatst in twee ruiten en vergezeld van het jaartal 1611 of 1613. De halve en kwart ruiten aan de boven- en onderkant zijn opgevuld met een ruitvormige bloem.
Gravende heiwerkers
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: building-site (+ men (labourers))

Pagina 40 uit een schetsboek met 49 bladen.
Zomer (Aestas)
Object type: print
Date: 1694 – 1756
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: summer, 'aestas'; 'estate' (ripa), summer landscape; landscape symbolizing summer (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months)
Inscriptions: number: ‘6’

Etende en converserende figuren en een vrouw met een zeis bij een huis. Rechts een man met een vel papier in de hand bij toehoorders op een verhoging. Verbeelding van het jaargetijde zomer.
Christus aan het kruis, in een rocaille ornamentrand
Object type: album leaf
Date: 1738 – 1749
Materials: paper
Techniques: etching
Location: paris
Subjects: rocaille ornament, christ on the cross on golgotha (alone, without bystanders)

Deze prent maakt deel uit van een album.
Leiden. - H.G. Weeshuis
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: leiden
Artist: Anonymous
Subjects: orphanage
The Fountain
Object type: photograph
Date: 1905 – 1906
Techniques: platinum print
Location: united states
Artist: clarence h. white
Artist nationality: american
Artist dates: 1871 – 1925

Clarence White began taking photographs in 1893, while working as a bookkeeper in Newark, Ohio. He quickly rose to prominence in photographic circles, garnering praise for his atmospheric, softly focused images of domestic life, rendered in lush yet detailed platinum prints. Despite the apparently spontaneous quality of his images, White often staged friends and family members in his photographs; this print depicts his wife, Jane, at center, with his sister-in-law and mother in the background. White made The Fountain at a key point in his career, having recently left Ohio for New York and a career in photographic instruction. He would eventually open the Clarence H. White School of Photography—the first in America to teach photography as a fine art—where he influenced a generation of students, many of whom became distinguished photographers in their own right.

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Werken van Charles le Brun
Object type: album leaf
Date: 1692 – 1739
Materials: paper
Techniques: engraving, etching
Subjects: manoah's sacrifice; the angel ascends in the flames

Deze prent maakt deel uit van een album.
Design for a Plate Decorated with a Bird and Plant Motifs
Object type: drawing
Date: 1825 – 1893
Materials: graphite
Techniques: brush, drawing, transfer, wash
Artist: karl bodmer
Artist role: artist
Artist nationality: swiss
Artist dates: 1809 – 1893
Subjects: birds,plants
Portret van Hieronim Radziejowski
Object type: print
Date: 1663 – 1685
Materials: paper
Techniques: engraving
Subjects: governmental and representative bodies, commander-in-chief, general, marshal, historical persons, diplomacy, diplomat

Prent waarschijnlijk uit: Schleder, Johann Georg. Theatrum Europaeum. Frankfurt am Main: erven Matthäus Merian, 1663, dl. 7. Komt mogelijk ook voor in de tweede druk uit 1685.
Capital with Palm Leaves
Object type: capital
Date: 501 – 700
Materials: limestone
Techniques: carving, relief
Location: egypt

In the 500s Apa (Father) Jeremias founded a Coptic monastery at Saqqara, the ancient Egyptian necropolis (cemetery) of the city of Memphis, near the oldest pyramids. He and the earliest monks lived in tombs at the site. As the monastery grew, several grand churches with lavish decoration were built, as well as many chapels, public buildings, and complexes of cells (rooms) for each monk. The monastery continued to grow after the Arab conquest with materials from early Byzantine tomb structures being reused for additional monastic structures. Inscriptions record prayers to numerous holy figures. Sculptural elements from Saqqara are often carved with deeply undercut patterns to intensify the play of light and shadow and to mask the solidity of the architecture. This sculptural style was popular throughout the Byzantine world in the 500s.
Reinaert buigt voor koning Nobel en de verzamelde dieren
Object type: design
Date: 1866 – 1939
Materials: cardboard, chalk, ink, paper, pencil
Techniques: brush, pen
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox

Ontwerp voor illustratie (fol. 11, tweede ontwerp): Van den Vos Reinaerde; Reinaert buigt voor koning Nobel en de verzamelde dieren.
An Icy Night, New York
Object type: photograph
Date: 1898 – 1898
Techniques: carbon print
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Subjects: cityscapes
Inscriptions: Unmarked recto; inscribed and signed verso, on mount, upper left, upside-down, in graphite: J 3/2 5669 / 10 1/8 - 13 1/2 / Crystal over Inside [?] / Stieglitz

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Driver, Stop, I will hire you and pay you by the hour!, from 'The coachmen in Paris,' published in Le Charivari, December 21, 1864
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women,carriages

They seem to be planning a conspiracy....how stupid of me to having chosen this compartment.... and there is no way of stopping the train!
Alcove ornament
Object type: alcove ornament
Date: 1750 – 1750
Materials: enamel, faience, gold
Culture: japanese
Subjects: men
Oeyama, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Beaker
Object type: beaker
Date: 1820 – 1820
Materials: glass
Subjects: children,men,women
Lath-Makers
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Gezicht op het Leidseplein
Object type: ansichtkaart, prentbriefkaart
Date: 1893 – 1905
Materials: cardboard
Techniques: photograph
Location: buiksloot
Subjects: square, place, circus, etc., city-view in general; 'veduta', theatre (building)
Inscriptions: collector's mark: ‘9.146’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: 2e Laurierdwarsstraat (Vuile Weespad), Leidschegracht, Leidschekade, Leidscheplein, Leidschestraat, v. Lennepkade, Lijnbaansgracht, Lauriergracht, Leliedwarsstraat, Leliegracht, Lindengracht, Lombardsteeg, Looiersgracht, Looiersstraat (Nieuwe), Leidekkerssteeg.
Groepsportret met drie kinderen met hoeden
Object type: photograph
Date: 1868 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: johannes gerardus kramer
Artist role: fotograaf
Artist dates: 1845 – 1903
Subjects: child, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Photographisches Atelier/ J.G. Kramer/ Groningen’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, shoulders, part of upper back and extended left arm of a filleted male with a himation draped over his left shoulder, bending to left
Terracotta fragments of undetermined shapes
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Four reserved fragments from undetermined shapes
Landschap met molen en kerk
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: river, church (exterior), windmill
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1484
Anaxagoras
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: male persons from classical history
Inscriptions: inscription: ‘153’

De houtsnede wordt gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 71r.
Martin Luther biedt een vrouw een stekelige ladder naar de hemel aan
Object type: drawing
Date: 1800 – 1847
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: priest, martin luther, female angels, theatre, theatrical performance, chamber of rhetoric (dutch: 'rederijkerskamer'), ladder, ladder, stairway to heaven
Inscriptions: stamp, collector's mark: Lugt 1641

Tekeningen beschreven in: Leer-comoedie in Brabant, Eene irenische proeve uit vroegeren tijd. Uit: Archief voor kerkelijke geschiedenis, inzonderheid van Nederland (...). Leiden: S. en J. Luchtmans, 1847, dl. 8.
Deer Stick
Object type: staff
Date: 1401 – 1600
Materials: paint, wood
Culture: inca
Location: peru
Subjects: deer
A11: Rhode Island Parlor, c. 1820
Object type: miniature room
Date: 1940 – 1940
Location: united states
Artist: narcissa niblack thorne
Portret van een onbekende jonge vrouw met hoed
Object type: album leaf
Materials: paper
Techniques: gelatin silver print
Location: leeuwarden
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: address: ‘VOORSTREEK. 243./ 389’
Amsterdam - Binnen-Amstel-Swigterspoortje
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1912
Materials: cardboard
Techniques: collotype process
Location: amsterdam
Artist: Anonymous
Subjects: gate, entrance
Kokardewaaier met cirkelvormig blad van witte batist met zwarte kantstrook en witte maraboeveertjes aan de buitenrand, zwart gelakt houten montuur in houder, zijden kwast
Object type: cockade fan
Date: 1900 – 1900
Materials: textile, copper, feather, ivory, mother of pearl, silk, wood
Techniques: cutting
Location: netherlands
Artist: Anonymous

Zwart gelakt houten montuur met ivoren knop en zijden kwast in houder met parelmoer schijfjes bij de sluitpinnen; cirkelvormig vouwblad van wit batist met zwarte kantstrook en witte maraboeveertjes aan de buitenrand.
Miniatuurportret van een onbekend jong persoon naast een hond, het geheel omlijst door een decoratieve rand
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: anonymous historical person portrayed alone, dog
Ivy Bridge, View on the Prysor River
Object type: photograph
Date: 1860 – 1894
Techniques: albumen print
Location: england
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Vase
Object type: vase
Date: 1875 – 1885
Culture: american
Artist: chelsea keramic art works
Artist role: maker
Artist nationality: american
Artist dates: 1872 – 1889
Term in the Form of an Old Man Warming His Hands
Object type: print
Date: 1535 – 1555
Techniques: etching
Artist: jean mignon
Artist role: artist
Artist nationality: french
Artist dates: 1535 – 1555
Subjects: men,fire
Design for a Ceiling
Object type: drawing
Date: 1774 – 1778
Materials: graphite, ink, drawing material
Techniques: pen
Artist: leonardo marini
Artist role: artist
Artist nationality: italian
Artist dates: 1730 – 1797
Subjects: ornament
Geometric gold weight
Object type: weight
Date: 1501 – 1700
Materials: brass
Culture: akan
Location: côte d’ivoire
Artist: akan artist
Artist role: artist

In the fifteenth century, cast Akan gold weights (brass figurines used to measure units of gold dust) were developed in response to the extensive trade in gold mined in Kumasi that was initially transported across Saharan trade routes. Locally, gold was prized for its decorative qualities, status, and because of a strong belief in its inherent power and mystery. The earliest treatment of gold weights was probably in the style seen in these examples—graphic, abstract—as a result of the Islamic influence in the gold trade at this time. This heavy rectangular form has very faint surface designs that were engraved or punched into the metal. Its edges are rounded, indicating extensive human wear. The motif with two comblike forms on either side of a spiral, has been called "ram's horn," or Dwanimen, referring to the spiral shape of a ram's horn. While these miniature artifacts, created as weights, were commonly melted down and recast, historic motifs were valued and constantly reintroduced. Although this example was probably made in the eighteenth or even nineteenth century, its designs are of great longevity.
Portret van Laurens Pieter van de Spiegel
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: historical persons, politician, e.g. party leader

Prent waarschijnlijk uit: Wagenaar, Jan. Vaderlandsche historie vervattende de geschiedenissen der Vereenigde Nederlanden (...). Amsterdam: Johannes Allart, 1801, dl. 27.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: human figures,birds,crabs
Spouted jar with eagle incised in high relief
Object type: jar
Materials: ceramic
Location: syria
Subjects: eagles
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the top of a kylix foot; sheared; the outer edge of the foot is unglazed
Brief aan Jan Veth
Object type: letter
Date: 1887 – 1887
Materials: ink
Techniques: pen, writing
Location: goes
Artist: chap van deventer
Artist role: kunstcriticus, scheikundige, schrijver
Artist dates: 1860 – 1931
Subjects: painter, draughtsman, designer, jan veth, the hague, carel vosmaer, passions, emotions, affections, the graphic arts, money
Inscriptions: collector's mark: ‘RPK’

Brief gedateerd 19 september 1887 in latere hand.
Portret van een staande vrouw in lang traditioneel gewaad, Kasjmir, India
Object type: photograph
Date: 1875 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: kasjmir
Inscriptions: inscription: ‘34’, inscription: ‘Cashmere’

Portret van een staande vrouw in lang en rijkversierd traditioneel gewaad, Kasjmir, India. Ze draagt een neussierraad en polshorloge [?].
Koning Willem III legt de eerste steen voor het monument ter herinnering aan de bevrijding van de Fransen
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: brussels, willem iii (koning der nederlanden), ceremonial laying of the foundations, laying the first stone, the hague
Inscriptions: collector's mark: Lugt 2228

Een menigte heeft zich verzameld op een grote ronde tribune met daarop wapperende vaandels en de jaartallen 1813 en 1863. Links zit de Koninklijke familie en in het midden, onder een tent, legt Koning Willem III de steen. Rechts een tribune met een koor.