deem-data/ArtiFact huggingface dataset:
Triumph of Marcus Aurelius, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1583 – 1583
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: musical instruments,men,horses,chariots

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 132 in the scrapbook.
Lower half of a goddess on a throne with Bes figures, its base formed by prostrate captives
Object type: statue, goddess, throne, lower body
Date: 1295 – 1070
Materials: faience
Location: egypt
Jardinière
Object type: vessel
Date: 1700 – 1775
Materials: ceramic, earthenware
Techniques: glazing
Culture: talavera
Location: puebla
Landschap met boom, vermoedelijk te Bloemendaal
Object type: sketchbook leaf
Date: 1914 – 1916
Materials: chalk, paper
Location: bloemendaal
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: landscapes

Blad 17 verso en 18 recto uit een schetsboek met 41 bladen.
Emir Bachi, plate twelve from Caravanne du Sultan à la Mecque
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: france
Artist: joseph-marie vien, the elder
Artist nationality: french
Artist dates: 1716 – 1809
A Young Man and Woman with a Shamisen; Monk Saigyō, from a series alluding to the Three Evening Poems (Sanseki waka)
Object type: print
Date: 1768 – 1768
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: poetry,men,women

The landscape beyond the railing of a veranda depicts the scene described in the accompanying poem. Two young people appear distracted and isolated from each other—the man holding what appears to be a love letter and the seated woman holding a samisen, a three-stringed instrument associated with the pleasure quarters. Inscribed in the cartouche at the upper corner is a famous waka (thirty-one-syllable court poem) by the medieval monk-poet Saigyō (1118–1190) that reads: Kokoro naki mi ni mo aware wa shirarekeri shigi tatsu sawa no aki no yūgure Even those who hide feelings will sense the melancholy— of a snipe taking flight over a marsh on an autumn evening. —Trans. John T. Carpenter
Perzische dolk met schede van Cornelis Tromp
Object type: dagger
Date: 1600 – 1699
Materials: ivory, silver leaf
Location: iran
Artist: Anonymous
Subjects: rotterdam, amsterdam, cornelis tromp

Arms collection of Cornelis Tromp. These weapons were kept at the Amsterdam home of Cornelis Tromp. The collection included contemporary weapons of exceptional quality and several exotic weapons acquired for their curiosity value. Tromp probably received many of these weapons as gifts during his patrols of the Mediterranean Sea and in the Baltic.
Figuurstudies, mogelijk van vrouwen
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman

Blad 5 verso uit schetsboek LVII met 29 bladen.
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: monkeys
Gezicht op de Slatuinen in Amsterdam
Object type: print
Date: 1892 – 1928
Materials: paper
Techniques: etching
Artist: johannes löhr
Artist role: print maker
Artist dates: 1882 – 1928
Subjects: horticulture, vegetable culture, market gardening
Inscriptions: collector's mark: Lugt 2228
Mirror of the Chief of the Southern Tens Reniseneb
Object type: mirror handle, papyrus umbel
Date: 1810 – 1700
Materials: copper, wood, gold
Location: egypt
Subjects: hieroglyphs
Standing Bodhisattva Avalokiteshvara Holding a Lotus Flower
Object type: sculpture
Date: 801 – 833
Materials: brass, copper, silver
Techniques: inlay
Location: swat
Jug
Object type: jug
Date: 1602 – 1602
Materials: pewter, stoneware
Techniques: salt glaze
Subjects: men,portraits

Molded low reliefs decorate this tankard, representing the seven electors of the Holy Roman Empire—the highest-ranking territorial rulers who were responsible for selecting the emperor. Raeren ceramicists produced prodigious numbers of jugs and tankards, and their workmanship was highly valued. Most of the city labored to support the large kilns. While the best pieces were likely to be exported by Dutch merchants to England and to colonists overseas in the Americas, many circulated in German markets as well.
A Heavy Batter, from the Talk of the Diamond set (N135) issued by Duke Sons & Co., a branch of the American Tobacco Company
Object type: print, baseball card
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,women,baseball,athletes

Trade cards from the "Talk of the Diamond" series (N135), issued in an unnumbered set of 25 cards in 1888 by W. Duke Sons & Co., a branch of the American Tobacco Company, to promote Honest Long Cut Tobacco.
Pompei: Panthéon (temple Auguste) fouilles 1822
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: column, pillar ~ architecture, temple, shrine ~ non-christian religions, excavation ~ archaeology, pompeii
Inscriptions: negative number: ‘4219’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.
Allegorisch grafmonument voor Hendrik Danielsz. Hooft, 1794
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: aquatint, brush, etching
Location: northern netherlands
Artist: Anonymous
Subjects: amsterdam, mayor, hendrik danielsz. hooft, grave, tomb
Inscriptions: collector's mark: Lugt 2228

Allegorisch zuilvormig grafmonument voor Hendrik Danielsz. Hooft, oud-burgemeester van Amsterdam, overleden op 31 augustus 1794. Het lichaam van Hooft ondersteund door een allegorische vrouwenfiguur. Aan de voet van de zuil treurende burgers en twee kinderen met een portret van de overledene. Op de zuil een grafschrift in zes regels.
Twee friezen met bladranken
Object type: ornament print
Date: 1731 – 1731
Materials: paper
Techniques: etching
Location: london

Het bovenste fries zonder en het onderste met figuren. Rechtsonder zit een sater die naar links kijkt. Blad uit serie van 6, derde editie.
Trommel
Object type: album leaf
Date: 1931 – 1937
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: soekaboemi
Artist: Anonymous
Subjects: factory-interior, machine shop, machines; parts of machines; tools and appliances

Albumblad met een foto van een trommel voor een machine. Onderdeel van een fotoalbum met foto's van machines en constructies van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Tegal uit de periode 1931-1937.
Aangetaste peer
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: fruits: pear
Jachtscènes (deel 3)
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: rome
Subjects: hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), goat

Deze prent maakt deel uit van een reeks van vijftien prenten met jachtscènes (+ opdracht).
Portret van Pieter Grijspeer
Object type: print
Date: 1722 – 1743
Materials: paper
Techniques: engraving, etching
Subjects: theologian, further education, historical persons

Tekst in het Nederlands in de ondermarge.
de Waegh
Object type: book illustration
Date: 1601 – 1612
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: sleigh, sledge (non-sport), weigh-house
Inscriptions: collector's mark: Lugt 195

Oorspronkelijk van één plaat gedrukt met een voorstelling van het Oude Stadhuis op de Dam (zie RP-P-AO-21-2 en RP-P-1884-A-7655).

Prent in zijn geheel komt ook voor in enkele exemplaren van: Guicciardini, Lodovico. Beschryvinghe van alle de Neder-landen, anderssins ghenoemt Neder-Duytslandt (…). Amsterdam: Willem Janszoon Blaeu, 1612. En in enkele exemplaren van latere uitgaven van deze publicatie, uitgegeven door Blaeu (1613) en Johannes Janssonius (1624, 1625, 1646 en 1648).

Zie ook RP-P-AO-23-1 en RP-P-AO-23-13.
View of Yosemite Valley
Object type: painting
Date: 1885 – 1885
Materials: canvas, oil
Culture: american
Artist: thomas hill
Artist role: artist
Artist nationality: american, born england
Artist dates: 1829 – 1908
Subjects: rivers,landscapes
Vrouw bij een waterpomp
Object type: book illustration
Date: 1879 – 1927
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: adult woman, utilitarian, public pump or water fountain, dog

Prent uit: Goldsmith, Oliver. Elegy on a mad dog. Londen: George Routledge & Sons, 1879. Of uit een later gepubliceerde uitgave waarin vier verhalen (waaronder 'Elegy on a mad dog') zijn gebundeld.
Rue du Tilleul
Object type: page
Date: 1897 – 1897
Materials: paper
Techniques: photograph
Location: geneva
Subjects: tram, street, flag, colours (as symbol of the state, etc.)
John Hay
Object type: print
Date: 1904 – 1904
Techniques: etching
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: men,portraits
Monumental Calligraphic Composition
Object type: calligraphic composition
Materials: gold, ink, paper
Location: turkey
Glass cinerary urn with lid
Object type: urn with two handle and lid
Date: 1 – 133
Materials: glass
Culture: roman

Urn: Translucent blue green; handles in same color. Collar rim, folded out, down, round, up, and in, and smoothed into side of mouth; funnel-shaped neck; sloping shoulder; piriform body; splayed hollow foot; deep concave bottom; two vertical, arched, inverted U-shaped handles, attached on opposite sides of upper body, each made of a thick trail, applied as a large circular pad, drawn across body from left to right, and trailed off back along top of handle. Intact; few bubbles; slight dulling, limy encrustation, and iridescent weathering. Lid: Translucent blue green. Horizontal, rounded rim; outer side flat, then cone-shaped, extending into short, hollow cylindrical stem; circular knob at top with downturned projecting flange and irregular hole at center. Intact; a few pinprick bubbles; slight dulling, limy encrustation, and iridescent weathering. The lid fits snugly in the mouth of the urn and has the same weathering, suggesting that they belong together. The majority of glass cinerary urns come from Roman cemeteries in Italy or the northwest provinces, where cremation was the preferred form of burial in the Early Imperial period. This example, however, was reportedly found in a tomb in North Africa.
Design for Pony Phaeton, no. 3230a
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Mlle Rouquet
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Dionysos mask
Object type: mask of dionysos
Date: 200 – 101
Materials: terracotta
Culture: cypriot
Subjects: masks,dionysus

The backless head is mold-made. The center front of the headdress is broken away. The top is pierced with one hole for suspension. The broad face is expressionless.
Head of a Woman in Profile
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: pen
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: profiles,women
Sterf bed van Wilhem Hendrik de Derde Koning van Engeland
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), london, anna stuart (koningin van engeland en schotland), deathbed

Sterfbed van koning Willem III in het paleis te Londen, 19 maart 1702. De koning overlijdt aan de gevolgen van een val tijdens een jachtpartij op 4 maart. Bij het voeteneind staat de aartsbisschop van Canterbury, links op een stoel de wenende Anna met haar hofdames. Op de voorgrond knielende personen.
Portret van Thomas Fairfax
Object type: book illustration
Date: 1650 – 1750
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons, armorial bearing, heraldry

Linksboven: Tom. III. Rechtsboven: Pag. 372.
L'aprés Midy
Object type: ornament print
Date: 1719 – 1775
Materials: paper
Techniques: etching
Location: paris
Subjects: rocaille ornament, garden fountain
Servet met verovering Namen
Object type: napkin
Date: 1695 – 1695
Materials: linen
Techniques: damask
Artist: Anonymous
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), maximiliaan ii emanuel (keurvorst van beieren)

Servet van wit linnendamast met gekroonde wapens van Stadhouder-Koning Willem III en Maximiliaan van Beieren, respectievelijk omhangen met het lint van de Orde van de Kouseband en de keten van de Orde van het Gulden Vlies; voorts een gezicht op de belegerde stad NAMVR aan de rivier, met het hoog op de berg gelegen fort, en de ruiterfiguren van de beide veldheren.
Delaware '64 (Delaware River View) (from Sketchbook)
Object type: drawing
Date: 1864 – 1864
Materials: graphite, paper
Culture: american
Artist: thomas hewes hinckley
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1896
Subjects: landscapes

Hinckley painted landscapes chiefly as a background to his portraits of wild and domesticated animals. This sketchbook (1992.373.1 recto–.27) contains thirty-four drawings in graphite and watercolor and appears to have been filled during a tour that the artist probably began near the Delaware Water Gap and extended north into the Catskill Mountains and Adirondacks of New York State. Few of the drawings in this book, however, can be linked to Hinckley’s known paintings after 1864, and the majority of them represent not merely selected motifs, but discrete compositions that often assume the character of engraved vignettes.
Shepperton
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Tabernakel van de Sint-Dominicusbasiliek te Siena met Christus en de vier evangelisten
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: siena
Artist: paolo lombardi
Artist role: fotograaf
Artist dates: 1827 – 1890
Subjects: the four evangelists ~ other themes, christ, tabernacle ~ altar
Inscriptions: name: ‘P. Lombardi Fotografo Siena’, collector's mark: Lugt 3937
Hat
Object type: hat
Date: 1900 – 1900
Materials: felt, silk, velvet
Location: western europe
Artist: Anonymous

Hoed van vilt, brede rand. Bovenkant beige, onderkant bruin. Om de bol een bruin fluwelen band met zijden strik. Aan de achterkant een dito strik.
Fragment
Object type: textile
Date: 1667 – 1700
Materials: textile, silk
Techniques: weave
Location: france
Subjects: flowers
Portret van een vrouw, leunend op een boek
Object type: album leaf
Date: 1808 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Location: breda
Subjects: historical persons - bb - woman, book
Inscriptions: date: ‘Augustus 1865’, inscription: ‘KANNEMANS & ZOON/ Artiste Photograph/ BREDA/ Groote Markt D. 15/ tegenover het Stadhuis’
Zelfportret met pet: B-1-1, februari 1942
Object type: drawing
Date: 1902 – 1942
Materials: paper, pencil
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman
Inscriptions: date

Zelfportret van Cor van Teeseling met pet: B-1-1, februari 1942. Zelfportret van Cor van Teeseling met pet driekwart, naar links kijkend.
Tile
Object type: tile
Date: 1701 – 1800
Materials: earthenware
Techniques: glazing
Subjects: birds,houses,mermaids,flowers
Buste van Hugo de Groot krijgt lauwerkrans
Object type: book illustration
Date: 1732 – 1732
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: delft, hugo de groot, historical persons, portrait of a writer

Prent uit: Brandt, Caspar en Adriaan van Cattenburgh. Historie van het leven des heeren Huig de Groot. Dordrecht: Johannes van Braam, Amsterdam: Adriaan Wor, erven Gerard Onder de Linden, 1732, tegenover de titelpagina.
Koorbanken in de Grote Kerk te Dordrecht
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: grote of onze-lieve-vrouwekerk
Artist: Anonymous
Subjects: interior of church, seats of the clergy, choir-stalls
Inscriptions: number: ‘27’, collector's mark: Lugt 3937, inscription: ‘HOLLANDE Dordrecht. Intérieur de l'Eglise’
Vismarkt
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: printmaking, roulette
Location: amsterdam
Subjects: market, commercial fishery (+ trade ~ crafts, industries, agriculture)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Jan Josephszoon van Goijen. del. 1653.Ploos van Amstel. fecit. 1767.’, collector's mark: Lugt 2725, collector's mark: Lugt 240

Bij het water in een stad komen mensen bijeen om vis te kopen en te verkopen. Rechts een standbeeld.
Ontwerp voor marqueterie van aan linten opgehangen muziekinstrument(en) in rond medaillon
Object type: design drawing
Materials: graphite, ink, paper
Techniques: pen in black ink
Location: brussels
Artist: pierre félix van doren
Artist dates: 1797 – 1856
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, flute, aulos, tibia
Inscriptions: inscription, watermark: ‘VDL’

Een van 103 ontwerpen voor marqueterie van aan linten opgehangen muziekinstrumenten in ronde medaillons, bestemd voor de set stoelen gemaakt door Van Doren voor de grote zaal van het Paleis van de Prins van Oranje in Brussel in 1828.
The Third Tournament
Object type: print
Date: 1509 – 1509
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: soldiers,weapons,men,women,horses
Broek van gala-kostuum van lid Erewacht tijdens de inhuldiging van koningin Juliana
Object type: pantalon
Date: 1909 – 1948
Materials: textile
Location: netherlands
Subjects: erich hartmann, the hague, juliana of the netherlands, amsterdam

Zwarte pantalon met goudgalon en diverse gladde zwarte knopen. Broek deels gevoerd met zwarte zijde. Gedragen door Ernst Hartmann, lid Erewacht, tijdens de inhuldiging van koningin Juliana op 6 september 1948.