deem-data/ArtiFact huggingface dataset:
Madras, India, Engelse Oostindische Compagnie (EIC), 5 fanams, (1808)
Object type: coin
Date: 1808 – 1808
Materials: silver
Techniques: striking
Location: chennai

Zilveren munt. Voorzijde: binnen cirkel, gevormd door ceintuur met gesp, waarde-aanduiding in het Engels: five fanams, op een regel waarde-aanduiding in Arabische lettertekens. Keerzijde: binnen cirkel, gevormd door lint, waarop waarde-aanduiding in het Tamil, in twee regels waarde-aanduiding in het Telugu. Bovenaan, tussen uiteinden van het lint, een ster. Kabelrand.
Duinlandschap met een meisje en een jong kind
Object type: print
Date: 1894 – 1904
Materials: paper
Techniques: etching
Location: netherlands
Subjects: baby-carriage, pram, perambulator, dune coast, knitting, sea
Inscriptions: collector's mark: Lugt 2228

Duinlandschap met een breiend meisje en een jong kind in een houten wagen. Op de achtergrond enige scheepsmasten en de zee.
Diverse figuren en voorstellingen
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: beggar, village square, place
Inscriptions: collector's mark: Lugt 240

Links op de voorgrond staat een man met een wandelstok; hij houdt bedelend zijn hoed in de hand. Op de achtergrond vele figuurtjes op de Piazza della Santissima Annunziata te Florence. Deze prent is onderdeel van een serie van 48 prenten (50 incl. titelblad en dedicatieblad) met diverse onderwerpen (o.a. mannen en vrouwen in verschillende houdingen, landschappen, gebouwen en festiviteiten in Florence). Mogelijk zijn deze prenten bedoeld geweest als tekenvoorbeelden.
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: cranes,turtles
Rembrandt dans son atelier
Object type: photomechanical print
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: jean-léon gérôme
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1824 – 1904
Subjects: leiden, amsterdam, print maker, draughtsman, rembrandt van rijn, painter at work, in his studio
Inscriptions: inscription: ‘Galerie Contemporaine, Littéraire et Artistique.’
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1900
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: ox
Benen van een lopende jongen
Object type: drawing
Date: 1874 – 1945
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Mr. D. Costerus Burgemeester enz. te Woerden
Object type: print
Date: 1787 – 1833
Materials: paper
Techniques: etching, engraving
Subjects: dominicus costerus
Inscriptions: collector's mark: Lugt 2228

Portretbuste van Dominicus Costerus, schout en baljuw in Woerden en schrijver.
Diepe put bij Hoog Soeren 1904
Object type: stereograph
Date: 1904 – 1904
Materials: paper, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Reverse copy of A Racomoder les Vieux Souflets (Mend the Old Bellows), plate 3 from "Le Cris de Paris" (The Cries of Paris)
Object type: print
Date: 1701 – 1800
Techniques: engraving, etching
Artist: jacques philippe le bas
Artist role: artist
Artist nationality: french
Artist dates: 1707 – 1783
Subjects: men,bellows
Napo-Kashke-Yu-Dha (rattle)
Object type: napo kashke yu dha rattle
Date: 1801 – 1900
Materials: textile, tin
Culture: native american, sioux or dakota
Location: united states
Scherf van een kan uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: stoneware
Location: cologne
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Stoneware, Rhenish, Frechen-ware, jug; fragm of base.
Beads
Object type: bead
Date: 701 – 1300
Materials: earthenware
Techniques: glazing
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Gezicht op Franeker 1598
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: pieter bast
Artist role: print maker, publisher
Artist dates: 1570 – 1605
Subjects: cattle, cape (huik) (+ women's clothes), clothes, costume (+ women's clothes), clothes, costume (+ men's clothes), one person playing string instrument (plucked), lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond verschillende wandelende en pratende burgers, gekleed volgens de mode van ca. 1600. Linksvoor een man en vrouw met een sluier over het hoofd. In het midden een muzikant die de luit bespeelt en twee lopende jongemannen. Rechts een groepje van drie vrouwen en een man en een boerenvrouw op de rug gezien. Koeien in de wei. Franeker met in het midden de grote kerk in het verschiet. Middenboven cartouche waarin de naam: Franeker.
H. Maria Magdalena
Object type: print
Date: 1682 – 1725
Materials: paper
Techniques: mezzotint
Location: london
Subjects: low hill country (+ landscape with figures, staffage), the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 240
Ex libris van de Central Biblioteket i Örebro
Object type: bookplate
Date: 1937 – 1937
Materials: paper
Techniques: printing block
Location: orebro
Artist: Anonymous
Subjects: garland, wreath, stars
Inscriptions: collector's mark: ‘Ex libris collection / Kristen Rasmussen’
Scarab Bracelet of Wah
Object type: scarab, bracelet, wah
Date: 1981 – 1975
Materials: cord, linen, silver, stone
Techniques: glazing
Location: egypt
Subjects: scarabs
White and Polychrome Brocaded Damask
Object type: chasuble
Materials: silk
Vase
Object type: vase
Date: 1880 – 1880
Materials: hard paste porcelain
Artist: haviland & co.
Artist role: factory
Artist nationality: american and french
Artist dates: 1864 – 1931
Subjects: insects
Brief aan anoniem
Object type: letter
Date: 1865 – 1865
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Subjects: pulchri studio
Inscriptions: watermark
Fotoreproductie van een tekening van Rafaël (figuurstudie) (coll. Louvre)
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: carbon print
Subjects: musée du louvre
Carinated amygdaloid seal
Object type: stamp seal
Date: 4100 – 3500
Materials: stone
Location: mesopotamia
Subjects: lions
Portret van Margaretha Rosina Schwendendörfer
Object type: print
Date: 1665 – 1721
Materials: paper
Techniques: engraving
Artist: christian romstet
Artist role: print maker
Artist dates: 1640 – 1721
Subjects: historical persons - bb - woman, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Gezelschap in een bibliotheek
Object type: book illustration
Date: 1802 – 1816
Materials: paper
Techniques: aquatint, hand coloring
Location: london
Subjects: bookshelves, harp, study; 'studiolo'; library, hot-house, glass-house
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Prent afkomstig uit: Repton, Humphry en Repton, John Adey. Fragments on the Theory and Practice of Landscape Gardening. Londen: J. Taylor, 1816. Het blad waarop deze prent gedrukt is was oorspronkelijk groter en bevatte ook nog een prent met een illustratie van een interieur.
Figure with Scythe, Illuminated Initials "KL" or "BV" recto, and Fish with Lobster Claws, verso, from a Psalter or Book of Hours
Object type: drawing and watercolor
Date: 1275 – 1325
Materials: gold leaf, ink, paint, parchment
Techniques: cutting
Culture: benedictine
Location: belgium
Artist: anonymous benedictine monk/scribe
Artist nationality: Flemish
Futility
Object type: print
Date: 1935 – 1943
Techniques: lithograph
Artist: hughie lee-smith
Artist role: artist
Artist nationality: american
Artist dates: 1915 – 1999
Bloemenstudie
Object type: watercolor
Date: 1823 – 1823
Materials: paper, watercolor
Techniques: brush
Artist: maria margaretha van os
Artist role: draughtsman
Artist dates: 1780 – 1862
Subjects: flowers
Inscriptions: date: ‘1823’
Facciata di Or S. Michele
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: florence
Artist: Anonymous
Subjects: parts of church exterior and annexes
Inscriptions: number: ‘79.’, inscription: ‘Edizione inalterabile.’, number: ‘5030.’

Deze foto maakt deel uit van een omslag.
Portret van een man, mogelijk de predikant Hendrick Blancheteste
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: hendrick blancheteste
Inscriptions: collector's mark: Lugt 2228
Auto van Gebroeders Gerzon's Modemagazijnen
Object type: photograph
Date: 1919 – 1919
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult man, automobile

De auto staat geparkeerd voor de achterzijde van Gerzon's Modemagazijnen, Nieuwezijds Voorburgwal 305-307 te Amsterdam.
Bad Neuenahr. Calvarienberg Kloster
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1908
Materials: cardboard
Techniques: lithograph, writing
Location: bad neuenahr
Subjects: abbey, monastery, convent ~ roman catholic church, mountains
Inscriptions: postage stamp
Duguay-Trouin
Object type: print
Materials: paper
Techniques: etching, letterpress printing
Location: paris
Subjects: paris, pirate, corsair, buccaneer, historical persons, ranks in the navy
Inscriptions: collector's mark: Lugt 2228
Adoration of the Shepherds
Object type: drawing
Date: 1701 – 1800
Materials: gouache, ink
Techniques: pen
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: men,women,cows,jesus,adoration of the shepherds
A View of Camelford, Cornwall
Object type: print
Date: 1822 – 1822
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: houses,cows,dogs,horses,pigs
Montecassino. La Vergine col Bambino (...) Affresco nella Cappella del SS.mo
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1910
Materials: cardboard
Techniques: photograph
Location: terni
Artist: Anonymous
Subjects: madonna: i.e. mary with the christ-child (+ angel(s)), interior of church, picture, painting
At Crossington in Leicestershire
Object type: drawing and watercolor
Date: 1800 – 1800
Materials: graphite, paper
Techniques: brush, wash
Location: england
Artist: f. smith
Boogvormig groteskentapijt met allegorische figuren met hoornen des overvloeds
Object type: tapestry
Date: 1560 – 1560
Materials: metal thread, silk, wool
Techniques: tapestry
Location: brussels
Artist: meester van het geometrische merk
Inscriptions: mark: ‘no. 10 D’, mark: ‘Merk van de Meester van het Geometrische Merk’

Boogvormig tapisserie voor boven een raamnis, uit de serie Grotesken van Sigismund August van Polen. Boven- en zijkanten recht, onderkant holvormig afgesneden. Op het middenfond zijn festoenen van bloemen en vruchten gehangen aan leeuwenmaskers. De hoekfestoenen komen uit hoorns van overvloed, opgehouden door een zittende vrouw. Linkd ingeweven "no 10 D', rechts in de bovenrand een weversmerk.
Pero zoogt de geketende Cimon in de gevangenis
Object type: print
Date: 1583 – 1650
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: romulus and remus are washed ashore and suckled by a she-wolf; 'lupa romana', pero suckling cimon ('caritas romana')
Inscriptions: collector's mark: Lugt 2228

Pero geeft haar vader Cimon de borst in zijn gevangeniscel (Caritas Romana). Cimon is vastgeketend aan een steen waarop de wolvin met Remus en Romulus is afgebeeld. Door de tralies kijkt een man stiekem toe. Het verhaal is een voorbeeld uit de klassieke literatuur van de liefde van kinderen voor hun ouders. In de marge een drieregelig onderschrift in het Latijn.
Mannen en vrouwen op het land
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: farmers, farmers - aa - female farmer, farmer's wife, cultivated land (+ landscape with figures, staffage)

Pagina 2 uit een schetsboek met 38 bladen.
Walhalla
Object type: print
Date: 1828 – 1853
Materials: paper
Techniques: engraving
Location: hildburghausen
Artist: karl barth
Artist role: print maker
Artist dates: 1787 – 1853
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uitgegeven in de portretserie 'Walhalla, eine Gallerie der Bildnisse der Zierden des Menschengeschlechts'.
Design for 4 seat Phaeton, no top, no. 3467
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragment of a squat lekythos (oil flask)?
Object type: lekythos fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Draped woman to left, wearing a chiton and himation, with her left hand holding a bowl? and her right hand resting on a block seat or an altar?; in front of her right arm, above the block seat or altar, an unidentified object
Journal des Dames et des Demoiselles, 1888-1889, No. 2558: Toilettes de Mesd.elles EDON (...)
Object type: fashion print
Date: 1888 – 1889
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: skirt (+ girls' clothes), head-gear: hat (+ girls' clothes), belt, girdle, waistband (+ girls' clothes), boots (+ girls' clothes), coat (+ girls' clothes), fence, wall, paling, fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: title: ‘JOURNAL DES DAMES ET DES DEMOISELLES’, address: ‘ADMINISTRATION: PARIS, 3,r. du Quatre-Septembre-BRUXELLES, 33, r. Blaes’, caption: ‘Toilettes des Mesd.elles EDON, 16, r. du Quatre-Septembre. Parfums, Cosmétiques et Sapocétis de GUERLAIN, parfumeur, 15, r. de la Paix, Paris. Corsets Anne d'Autriche et Ceinture-Régente de la M.on de VERTUS SOEURS, 12, r. Auber. Veloutine FAY, 9, r. de la Paix. Lait Antéphélique pour le Teint de CANDÉS & CIE, 26, B.d S.t Denis.’

Twee vrouwen en een meisje bij een gebouw met hekwerk. Volgens het onderschrift: 'toilettes' van Edon. Hieronder enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Journal des Dames et des Demoiselles (1852-1902).
Hagar and Ishmael
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: giving drink, hagar and ishmael in the wilderness

Prent uit: The Art Journal (1855), 1855, p. 280.
Gezicht op Rhenen(?)
Object type: print
Date: 1830 – 1878
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes pieter van wisselingh
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1899
Subjects: city-view, and landscape with man-made constructions, church (exterior), road, path, windmill, (farm) wagon, freight wagon, cart
Inscriptions: collector's mark: Lugt 2228

Gezicht op een stad, Rhenen(?), met een kerk en een molen. Vooraan een paard-en-wagen met een figuur op een landweg.
Studie
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932

Pagina 145 uit een schetsboek met 75 bladen.
Proclamatie
Object type: proclamation
Date: 1813 – 1813
Materials: paper
Techniques: printing
Location: the hague
Subjects: the hague, william i of the netherlands, netherlands
Inscriptions: date

Proclamatie van Willem I, waarin deze mededeelt de souvereiniteit van Nederland te aanvaarden. Gedateerd; r.o.: 3 dec. 1813.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Four miscellaneous fragments from DvB 9.1
Beads
Object type: bead, string
Date: 1550 – 1295
Materials: faience
Location: egypt

These beads are made of faience, a non-clay ceramic material. They are threaded onto modern string and might originally have been part of necklaces that were given to the goddess Hathor as offerings.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, wing and part of a draped figure
Portret van Hendrik, graaf van den Bergh
Object type: print
Date: 1629 – 1658
Materials: paper
Techniques: engraving, etching
Artist: paulus pontius
Artist role: draughtsman, print maker
Artist dates: 1603 – 1658
Subjects: earl, armour, historical persons, baton of general
Inscriptions: collector's mark: Lugt 2228
Twee foto's van de Thames Embankment en Trafalgar Square, Londen
Object type: album leaf
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Location: london
Artist: Anonymous
Subjects: square, place, circus, etc., river bank
Inscriptions: inscription: ‘Thames Embankment/ Trafalgar Square Nelson's/ Monument.’

Deze foto's maken deel uit van een album.
Large, long-handled spoon
Object type: spoon
Date: 1895 – 1895
Materials: enamel, silver
Gezicht te Utrecht op de stadswal bij de Wittevrouwenpoort
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: city-gate, utrecht
Poor Parents, Rich Children
Object type: print
Date: 1580 – 1634
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: death as old man, poor parents, rich children (absence of filial love)
Inscriptions: collector's mark: Lugt 240

The parents have sacrificed to educate their son. When, in old age, the struggling couple beseeches him to share some of his riches, he refuses: his own children cost him too much. In doing so, he violates the Fifth Commandment: Honour thy Father and thy Mother. But the parents are also to blame; they should not have spent all their money on their son.
Rekenpenning voor Willem van Hamme tresorier van Brusse 1691
Object type: jeton
Date: 1691 – 1691
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde een gekroond wapenschild, met vrouwen met vaandels als dragers, met omschrift, op de keerzijde een zeilschip voor de wind, met omschrift.
Doosje voor de penning in het kader van Honderd jaar Koninklijk Nederlands Genootschap voor munt- en penningkunde
Object type: box
Date: 1992 – 1992
Materials: plastic
Location: amsterdam
Artist: marianne letterie
Artist role: sculptor
Artist dates: 1945 – 
Subjects: amsterdam
Inscriptions: inscription: ‘Penningdoos: binnenzijde van deksel, omschrift: KONINKLIJK NED. GENOOTSCHAP VOOR MUNT- EN PENNINGKUNDE Centraal: Concordia Res / Parvae Crescunt 1892 1992’

Doosje van kunststof voor het opbergen van de penning, uitgegeven in het kader van Honderd jaar Koninklijk Nederlands Genootschap voor munt- en penningkunde. Binnezijde deksel inscriptie.
Art of Engraving, from Encyclopédie
Object type: print
Date: 1751 – 1777
Materials: paper
Techniques: letterpress
Location: france
Artist: andré le breton
Artist nationality: french
Artist dates: 1708 – 1779
Title Page for "Porticus Religiosa"
Object type: print
Techniques: engraving, etching
Artist: nicolas pitau
Artist role: artist
Artist nationality: french
Artist dates: 1670 – 1724
Subjects: human figures,coat of arms
Jacob van der Does, painter
Object type: print
Date: 1601 – 1700
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: artist
Artist nationality: dutch
Artist dates: 1623 – 1677