deem-data/ArtiFact huggingface dataset:
Tegel met portret van Amalia van Solms
Object type: tile
Date: 1650 – 1670
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Tegel met een blauw geschilderd portret van Amalia van Solms binnen een cirkel met in de hoeken, een spinnetje.
Messenheft uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife handle
Date: 1700 – 1743
Materials: copper, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knife, handle, cylindrical: tapering; id. NG 1979-403H, eroded.
Portret van een onbekende man
Object type: photograph
Date: 1905 – 1915
Materials: photographic support
Techniques: gelatin silver print
Location: haarlem
Subjects: old man
Bedieningsdoos
Object type: box
Date: 1845 – 1845
Materials: silver
Techniques: gilding
Location: breda
Artist: a.j. hombergen
Artist role: silversmith
Inscriptions: mark

Sacrament box. Silver. Breda, 1845, by A.J. Hombergen. Given by Mr and Mrs Jaffé-Pierson, 1978.
Vase with landscape and bird-and-flower scenes
Object type: vase
Date: 1667 – 1733
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers,landscapes
Untitled (Portrait of Man)
Object type: photograph
Date: 1857 – 1857
Techniques: daguerreotype, photography
Location: united states
Artist: george d. hamilton
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, portraits: male subject
Portret van Pepijn van Landen
Object type: print
Date: 1661 – 1663
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: pepijn van landen
Inscriptions: collector's mark: Lugt 240

Busteportret van Pepijn van Landen, met tulband. Het portret is gevat in een achthoekige omlijsting met een motto in het Latijn. In de marge het wapenschild van de geportretteerde en een drieregelig onderschrift in het Frans. Prent uit een boek waarin 54 prenten met portretten.
Prentbiefkaart aan A. van der Boom
Object type: ansichtkaart, prentbriefkaart
Date: 1932 – 1932
Materials: cardboard, ink
Techniques: pen, writing
Location: zundert
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: a. van der boom, amsterdam
Inscriptions: collector's mark: Lugt L.2228a
Scherven van kelderflessen uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: sherd
Materials: glass
Location: middelburg
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Scherven van vierkante kelderflessen. Geelbruin gekleurd, oorspronkelijk was het glas groen. Case bottle.
Dish
Object type: dish
Date: 101 – 700
Materials: ceramic
Culture: parthian or sasanian
Location: iran
Neue Synagoge aan de Oranienburger Straße, Berlijn
Object type: carte de visite
Date: 1878 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: the synagogue (as building and place of worship ~ jewish religion)
Inscriptions: number: ‘82.’
Tabernacle, XVIe siècle
Object type: page
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: church of our lady nieuwpoort
Subjects: tabernacle ~ altar
Inscriptions: inscription: ‘TABERNACLE en pierre (...)’, inscription: ‘TABERNACLES. - PL. 4.’, monogram: ‘JJvY’
Brush holder
Object type: brush holder
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: horses,trees
Joaillerie: Album of Jewelry Designs, Page 1
Object type: album print ornament architecture
Materials: ink
Artist: anonymous, french
Artist role: artist
Artist nationality: french
Artist dates: 1400 – 2050
Subjects: jewelry

First page of a small album containing drawings with jewelry designs copied after the prints by L. van der Cruycen, "Nouveau Livre de Desseins..." (New Book of Designs...), published in Paris in 1770. The designs in this page are for a medallion, an aigrette, two brooches, and a case watch, all of them characteristic of the style in vogue during the reign of Louis XVI in France, displaying a serendipitous flavor, with asymmetrical forms, "rocaille" and stylized natural motifs, and heavily decorated with flowers, ribbons and tassels, thus representing the taste of the Rococo style, which was fashionable in France and Europe during the eighteenth century. The elaborately carved forms presented in the designs were particularly sought after during the third quarter of the eighteenth century, and were to be accomplished by skilled artisans who would work out the decorations by hand. The design for a medallion consists of an oval motif with shades to indicate volume, framed by a garland of small leaves and fruit motifs. The aigrette contains a large feather two stylized palm leaves, and three stems with flowers and leaves held together by a ribbon bow. One of the two brooches contains a naturalistic motif made up of small flowers and branches of leaves adorned by an interlacing string of pearls; the other is made up of a ribbon that is tied to form a rosette, and the other is a U-shaped motif designed to look like its surface was achieved by interlacing a ribbon around the shape. The case watch contains a naturalistic motif consisting of a thin garland of leaves and a ribbon that interlaces around it. The designs in this drawing are copied from plates number 4, 10 and 12 of the album of engravings by Van der Cruycen. Plate no. 4 contains the designs for the medallion and the aigrette, plate no. 10 has the designs for the two brooches, and plate no. 12 has the design for the case watch.
Landscape with Rocky Precipice
Object type: hanging scroll
Date: 1501 – 1600
Materials: ink, paper
Culture: japanese
Artist: sesson shūkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1504 – 1589
Subjects: landscapes

Fluid brushwork and rhythmically repeating forms characterize this imaginary Chinese landscape of mountains, a river bridged by a narrow strip of land, and lively human activity. A cluster of buildings clings to sharply rising cliffs, a forest behind them is shrouded in mist. Passenger boats glide by, travelers—one on a donkey, the others on foot—proceed from the foreground to the steep mountain path. Sesson, one of the great masters of sixteenth-century ink painting, produced varied tones of ink from rich black to pale grey which combine with diagonal brushstrokes to create the texture of rocks and crags and emphasize the peculiar concave shapes at the base of the cliffs. The painting bears the artist’s signature, and the “Shūkei” seal that he used on his late works.
Glass mosaic inlay fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Translucent deep purple, appearing black, and opaque white. Flat, irregular hexagon, with one long rounded edge. Marbled mosaic pattern in a black ground with white threads and swirls. Polished upper side; pitting of surface bubbles on upper side; dulling, pitting and patches of weathering on underside and edges. This small piece of marbled mosaic glass is roughly shaped as a lozenge or hexagon, suggesting that it was an inlay in a larger opus sectile panel of geometric design.
Kermisprent van de Amsterdamse askarrenmannen voor het jaar 1848
Object type: fair print
Date: 1848 – 1848
Materials: paper
Techniques: letterpress printing, engraving
Artist: dirk wijbrand tollenaar
Artist role: print maker
Artist dates: 1808 – 1858
Subjects: pleasure fair and circus, garbage collection, amsterdam

Kermisprent namens de askarrenmannen (karrenman of vuilnisman) te Amsterdam, september 1848. Gezicht op de kermis op de Botermarkt met de Regulierswaag. Op de markt twee vuilniskarren. Onderaan een gedicht in twee kolommen. Namens Abraham van der Beek, de askarreman van wijk no. 30. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Revue für Architektur in Belgien
Object type: reproduction
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: dresden
Artist: pierre nicolas croquison
Artist role: architect
Artist dates: 1806 – 1887
Subjects: church (exterior), plan ~ architecture, exterior ~ architectural design or model
Inscriptions: inscription: ‘2me. année.’, number: ‘Pl. 11.’

Deze prenten maken deel uit van een omslag met 110 prenten op 90 bladen en 18 tekstbladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, genitals and thighs of male to right; parts of two spears?
Vaas met bolvormig lichaam, kort ingesnoerde hals en wijd uitstaande mondrand
Object type: vase
Date: 1880 – 1920
Materials: earthenware, glaze
Location: delft
Inscriptions: mark

Vaas van aardewerk, met bol lichaam en kort ingesnoerde hals en wijd uitstaande mondrand. Gedecoreerd met gestileerde bloemen en bladwerk in de kleuren blauw, groen, zwart en geel.
Twee vrouwen op een laan met bomen in Nederland, mogelijk bij Amelisweerd
Object type: photograph
Date: 1890 – 1900
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: forest path or lane, netherlands
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a kylix
Netsuke of Demon with Gold Eyes
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: demons
Fakkeloptocht met een meegevoerde gevangene
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: messina
Artist: paolo filocamo
Artist role: print maker
Artist dates:  – 1743
Subjects: torch, conqueror triumphing, triumphal entry of victor
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Landschap
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: landscapes

Blad 36 recto uit een schetsboek met 42 bladen.
Tweekoppige adelaar omringd door vogels
Object type: print
Materials: paper
Techniques: letterpress printing, lithograph
Location: the hague
Subjects: double-headed eagle, groups of birds, geese (domestic waterbirds), owls
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: De Nederlandse Spectator 34 (1893), ter gelegenheid van het tweeëntwintigste taal- en letterkundig congres te Arnhem.
Mortar and Pestle made for Abu Bakr 'Ali Malikzad al-Tabrizi
Object type: mortar and pestle
Date: 1167 – 1233
Materials: bronze, silver
Techniques: inlay
Location: iran
Subjects: arabic,mythical creatures

Two of the medallions on this mortar show Jauzahr, the fictitious eighth planet believed responsible for the eclipse of the sun and the moon. Although described in texts as a dragon monster, Jauzahr is depicted here as a seated figure flanked by snakes with dragon heads.
Dorpsgezicht te Nieuwland
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching
Location: paris
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), village, fisherman, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228

Gezicht op het dorp Nieuwland bij Gorinchem. Op de voorgrond drijft een vissersbootje in het water, rechts worden visnetten op de wal getrokken.
Kariatiden te Medinet-Habou
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: medinet habu
Subjects: caryatids ~ architecture
Inscriptions: negative number: ‘927’

Onderdeel van Reisalbum met 80 foto's van Egypte.
Matelot, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: dance,women,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Hobnail celery vase
Object type: celery vase
Date: 1886 – 1886
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: hobbs, brockunier and company
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1891
Portrait of a man
Object type: painting
Date: 1643 – 1643
Materials: oil, panel
Location: northern netherlands
Artist: Anonymous
Subjects: historical persons not known by name
Inscriptions: date: ‘1643’
Studieblad
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

Studieblad. Blad 1 verso uit een schetsboek met 70 bladen.
Asschep
Object type: miniature
Date: 1700 – 1800
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: implements ~ fire-place

Asschep met lange steel. De steel is gedraaid en heeft aan het uiteinde een ring. De asschep is gemerkt met een stralende zon (?) in een gevormd schild.
March of an army on a plain, the commander in chief in front, his aides behind him, a trumpeter on horseback at right, a plain with various figures and horses in the background, from "Varie Figure"
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: army,soldiers,men,trumpets,horses
Afgunst (Invidia)
Object type: print
Date: 1585 – 1589
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins
Inscriptions: collector's mark: Lugt 240

De gepersonifieerde Afgunst; een oude vrouwenfiguur met slangen als haar, knagend op een hart en met een slang in haar hand. Naast haar een hond.
Preparatory Drawing of a Ceiling for Etching, after Boucher Drawing
Object type: drawing
Date: 1734 – 1766
Materials: chalk
Artist: jean charles françois
Artist role: artist
Artist nationality: french
Artist dates: 1717 – 1769
Subjects: birds
Veüe du Grand Parterre et de la Demie Lune de Richelieu
Object type: print ornament architecture
Date: 1601 – 1700
Techniques: etching
Artist: adam perelle
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1695
Subjects: courtyards,men,trees
Strijk- of vouwplank van without
Object type: miniature
Date: 1676 – 1676
Materials: without
Techniques: without
Location: amsterdam
Artist: Anonymous

Strijk- of vouwplank van without met ronde steel, waaromheen een draad is geknoopt. De plank wordt naar de steel toe dikker.
Portret van Maarten Harpertszoon Tromp
Object type: book illustration
Date: 1683 – 1683
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: brielle, maarten harpertszoon tromp, historical persons, medals and other marks of military honour, commander-in-chief, admiral

Prent waarschijnlijk uit: Bos, Lambert van den. Leeven en daaden der doorluchtigste Zee-helden, (...). Amsterdam: J. ten Hoorn en J. Bouman, 1683, p. 512.
Italiaanse landschappen met monumenten
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 3870, collector's mark: Lugt 2760

Behorend tot een serie van 72 'Mahlerisch-radirte Prospecte von Italien', waarvoor de kunstenaar 24 prenten maakte. Albert Christoph Dies (1755-1822) en Jacob Wilhelm Mechau (1745-1808) maakten eveneens 24 platen, in opdracht van Jean Fréderic Frauenholz. Vanaf 1792 verschenen telkens drie sets van twee prenten per kunstenaar. In 1798 werd de laatste set uitgegeven, waarna complete sets gebonden werden uitgegeven tot in 1875 (Nuerenberg: J.L. Lotzbeck). Zie: Schmid, F.C., A.C. Dies, J.W. Mechau und J.C. Reinhart 'Mahlerische radirte Prospecte von Italien' (...). Berlijn: s.n., 1991.
Limestone statuette of a beardless male votary in Greek dress
Object type: statue of a votary, male
Date: 534 – 501
Materials: limestone
Culture: cypriot
Subjects: men
Kop van oude man met baard
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: old man
Inscriptions: collector's mark: Lugt 240
Interieur met twee backgammon spelers
Object type: print
Date: 1850 – 1868
Materials: paper
Techniques: drypoint, etching
Artist: ferdinand roybet
Artist role: draughtsman, print maker
Artist dates: 1840 – 1920
Subjects: backgammon, tric-trac
Inscriptions: collector's mark: Lugt 1641, stamp

Twee tric trac spelers in zestiende-eeuws kostuum van opzij gezien aan een tafel. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Spel en vermaak, Gezelschapsspel II, Ganzenbord en dergelijke.
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1871 – 1871
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: publisher, art trade, art shop, the graphic arts
Inscriptions: collector's mark: Lugt 2233
"Westward Ho!/Pioneer" pattern covered footed compote
Object type: glass
Date: 1876 – 1876
Materials: glass
Location: philadelphia
Artist: gillinder and sons
Artist role: maker
Artist nationality: american
Artist dates: 1861 – 1930
Coach #217
Object type: drawing
Date: 1860 – 1860
Materials: graphite, ink
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Dish with Hydrangeas
Object type: dish
Date: 1800 – 1860
Materials: porcelain
Techniques: underglaze
Culture: japanese
Subjects: flowers,leaves
Capri
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: capri
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: hotel, hostelry, inn, capri, isola di
Inscriptions: number: ‘6125’, inscription: ‘Capri’
Bowl
Object type: bowl
Date: 1 – 400
Materials: ceramic
Culture: nasca
Location: peru
Artist: nasca artist(s)
Artist role: artist
Subjects: birds

Although finely decorated Nazca vessels were made in specialized workshops, recent discoveries in small habitation sites show that the use of painted plates and open bowls was not limited to people living in monumental sites. These vessels were widely distributed among the population and used in households of any socioeconomic status. Plates and bowls were probably obtained during feasts, which gave opportunities to elites to enhance their own status by displaying and distributing prestigious crafts among the population. This bowl shows large raptorial birds decapitating human beings. The white background is filled with spears, zoomorphic heads, and circular objects interpreted as sling stones. The Nazca had a headhunting cult; caches of several trophy heads with carrying ropes have been discovered occasionally by archaeologists. The frequent depiction of severed heads is one of the most distinctive features of Nazca ceramic art. According to specialists of Nazca archaeology, heads were trophies of warfare that were obtained during territorial conflicts, and then used for ritual purposes. They were probably seen as sacred means for the control of water and agricultural fertility.
Silhouette Image of Kabuki Actor
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshiiku
Artist role: artist
Subjects: profiles,women,actors
Job's Comforters
Object type: print
Date: 1825 – 1826
Techniques: engraving
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,job
Vestiges du temple de Minerve Polias a Priene
Object type: print
Date: 1822 – 1825
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: temple, shrine ~ greek religion
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk verschenen in: Choiseul-Gouffier, Marie-Gabriel-Auguste-Florent. Voyage pittoresque de la Grèce. Parijs: s.n., 1822-1825.
Portrait of Doña Isabel de Requesens y Enrìques de Cardona-Anglesola (formerly identified as Joanna of Aragon)
Object type: print
Date: 1821 – 1821
Techniques: engraving
Artist: raphael morghen
Artist role: artist
Artist nationality: italian
Artist dates: 1758 – 1833
Subjects: portraits,women
Hatred or Jealousy, plate 20 from "Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun"
Object type: print
Date: 1765 – 1765
Techniques: engraving, etching
Artist: anonymous, british, 18th century
Artist role: engraver
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: men,portraits
Portrait of Isabella Benson
Object type: drawing
Date: 1811 – 1811
Materials: chalk, watercolor
Techniques: brush
Artist: john smart
Artist role: artist
Artist nationality: british
Artist dates: 1741 – 1811
Subjects: portraits,women
Terracotta fragment of a kylix? (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of a kylix? foot; outer face is profiled
Gérard de Vesme
Object type: painting, miniature
Date: 177 – 177
Materials: enamel
Artist: pierre pasquier
Artist role: artist
Artist nationality: french
Artist dates: 1731 – 1806
Subjects: men,portraits
Gezicht op het Dar al-Taj in La Marsa
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: la marsa
Artist: j. andré garrigues
Artist role: fotograaf
Subjects: palace
Inscriptions: number: ‘N. 110.’
Christus als Salvator Mundi
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet
Inscriptions: collector's mark: Lugt 2228

Dit betreft waarschijnlijk een prent uit een onbekend boek.