deem-data/ArtiFact huggingface dataset:
Nocturne: Shipping
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
The Third Segawa Kikunojo in the Role of Oboshi Rikiya
Object type: print
Date: 1787 – 1787
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Subjects: swords,men,actors
Tile from Side of Stairway to Dais
Object type: tile inlay, palace of ramesses ii, foreigner
Date: 1279 – 1213
Materials: faience, paste
Location: egypt

This tile once decorated the palace of Ramesses II in Piramesse, which he made into one of the greatest royal cities of ancient Egypt. Thanks to the royal favor and its strategic location, Piramesse soon became an important international trade center and a cosmopolitan metropolis, boasting a harbor, a military base, and temples dedicated to various gods like Amun-Re-Harakhty-Atum, Seth, Astarte, etc. Poems were written in the city's praise, and its name, which translates as "The House of Ramesses, Beloved of Amun, Great of Victories" when fully written, came to us through the Old Testament as ‘Raamses.’ The tiles bear the names of Seti I, Ramesses II and later Ramesside kings, who renovated the palace and changed its decoration through the reigns. New tiles were made, and the old tiles may be have been dismantled and buried together. Based on the tiles, we can still reconstruct quite a number of the features of the palace that are now completely lost, including throne podiums, steps, windows of appearance, and faience sculptures. This tile belongs to the lower register of the railing of the throne platform and its stairways. Like other tiles from the railings, it has pronounced slope to its top and it depicts a foreigner with an offering tables. The foreigner here is represented as Libyan, recognizable by his long cowhide garment.
The Muse
Object type: print
Date: 1886 – 1886
Materials: paper, stone
Techniques: lithograph, scraping
Location: france
Artist: henri fantin-latour
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1904

Paying homage to the composer, Fantin depicts Richard Wagner seated at a desk in front of an open book with a plume in hand. The figure of a muse bearing a palm leaf, a symbol of divine inspiration and genius, embraces the composer.
Portret van Anna Maria van Schurman
Object type: print
Date: 1640 – 1799
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: cologne, print maker, draughtsman, anna maria van schurman, historical persons - bb - woman, portrait, self-portrait of artist, writer, poet, author

Met vierregelig onderschrift in het Nederlands.
Portret van Bartel Louwer
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: predikant, bartel louwer
Inscriptions: collector's mark: Lugt 2228

Prent gedrukt van twee platen: Portretbuste in ovaal van predikant Bartel Louwer, blootshoofds en iets naar rechts. Onder het portret staan de naam van de geportretteerde en een vierregelig vers in het Nederlands. Het portret is omlijst met een ornamentele rand, gedrukt van een andere plaat, en versierd met palmbladeren en olijftakken. Links en rechts van het portret staan verwijzingen naar bijbelverzen.
PEnning over de Vrede van Munster
Object type: copy
Date: 1650 – 1650
Materials: silver
Techniques: gilding, striking
Location: germany
Artist: Anonymous
Subjects: münster, vrede van münster
Rank Badge with Four-Clawed Dragon
Object type: rank badge
Date: 1667 – 1733
Materials: silk
Culture: chinese
Subjects: bats,dragons
Allan Melville
Object type: watercolor
Date: 1810 – 1810
Materials: gouache, graphite, watercolor, paper
Culture: american
Artist: john rubens smith
Artist role: artist
Artist nationality: american
Artist dates: 1775 – 1849
Subjects: men,portraits

In his novel "Pierre, or The Ambiguities" (1852), Herman Melville fictionalized this portrait of his father, describing the subject as the father of Pierre, the hero of the tale. The portrait so fascinated the younger Melville that an entire chapter, and much of the novel's theme, turns upon the mystery of the sitter's character, concealed by his youth, informality, and apparent candor. The portraitist Smith never exceeded his mastery here of exacting technique in the service of expression. The artist's métier in such cabinet-sized watercolor portraits stems from miniature painting and the related art of "stained drawings" developed in England in the late eighteenth century. Smith undoubtedly also derived his technique from his father, John Raphael Smith, who specialized in stipple engravings of portraits and genre scenes in his native London.
Gli Autoritratti della Real Galleria di Firenze
Object type: print
Date: 1789 – 1789
Materials: gouache, paper
Techniques: color mezzotint
Location: florence
Subjects: rome, draughtsman, cigoli, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: number: ‘23’, collector's mark: Lugt 2228, inscription:

Een prent uit een groep van veertig kleurendrukken met kunstenaarsportretten, gebaseerd op de collectie geschilderde zelfportretten van kunstenaars verzameld door de Medici in Florence. De groep maakt deel uit van het grote werk van Lasinio ‘Gli Autoritratti della Real Galleria di Firenze’, uitgegeven in 1789 met omstreeks 350 kunstenaarsportretten. Van deze uitgave is tot nog toe is geen compleet exemplaar bekend. In de inspringende marges onderaan de prenten zijn de namen van de kunstenaars aangebracht en soms hun levensdata en de plaats van geboorte en sterven en een enkele maal de signatuur van Lasinio en dat van de drukker Labrelis. Getuige de bindgaatjes en lijmresten moeten de prenten ingebonden zijn geweest in een album. De meeste prenten zijn verso voorzien van nummers in potlood, met als laagste nummer 2 en hoogste 93. Tevens zijn er verso Italiaanse opschriften in pen aangebracht met de levensdata van de kunstenaars en de school waartoe zij worden gerekend. Deze opschriften zijn vrijwel alle deels afgesneden. Elf prenten zijn niet genummerd en niet voorzien van opschriften. Deze laatste elf zijn alle gedrukt op blauw papier.
Portret van Jozef II, Duits keizer
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: engraving, etching
Subjects: jozef ii (duits keizer), historical persons, armorial bearing, heraldry, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
Menat fragment with the name of Amasis
Object type: menat fragment, amasis
Date: 570 – 526
Materials: faience
Location: egypt
Souvenir de chasse
Object type: print
Date: 1827 – 1873
Materials: paper
Techniques: lithograph
Location: paris
Subjects: hunter, game, hunted animals
Inscriptions: stamp, collector's mark: Lugt 1641

Negen voorstellingen over de jacht, van de vossenjacht tot de terugkeer na de jacht. Onderaan genummerd: No. 2. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, jacht.
Sloot met brug bij een huis, vermoedelijk in Nederland
Object type: photograph
Date: 1902 – 1906
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: landscape with bridge, viaduct or aqueduct, rural housing, e.g. country-house, villa, cottage, road, path, small canal, ditch, netherlands

Onderdeel van Reisalbum van een Nederlandse familie met bezienswaardigheden in Europa, Egypte en New York.
Fotoreproductie van een tekening, voorstellende een barak nabij de Bolombo
Object type: reproduction
Date: 1896 – 1899
Materials: paper
Techniques: autotype
Location: congo
Subjects: façade (of house or building), barracks
Silhouetportret van Ferdinand I De Braekeleer
Object type: silhouette
Date: 1819 – 1845
Materials: ink, paint, paper
Techniques: brush, snipping
Artist: elisabeth alida haanen
Artist role: draughtsman, print maker
Artist dates: 1809 – 1845
Subjects: antwerp, ferdinand de braekeleer (i), historical persons, portrait, self-portrait of painter
Inscriptions: inscription: ‘Neg. D. 1756’, number: ‘01’, number: ‘13942’, inscription: ‘Ferdd De Braekeleer’, inscription: ‘Schilder’, collector's mark: ‘Ex-libris van Beresteyn’

Met onder het portret de handtekening van de geportretteerde.
Border
Object type: textile
Date: 1810 – 1810
Materials: textile, silk, velvet
Techniques: appliqué
Location: france
Netsuke of Monkey with One Hand over Mouth, the Other Behind His Back
Object type: netsuke
Date: 1767 – 1833
Materials: wood, ivory
Techniques: inlay
Culture: japanese
Artist: miwa
Artist role: artist
Artist nationality: japanese
Subjects: monkeys
Spoelkom van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; bloemmotieven in 3 vakken in Kraakporselein stijl. Negen punten samen geknepen rand.
Object type: slop bowl
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous

Spoelkom van melkglas met blauwe emailverf beschildering, imitatie Chinees blauw porselein; decoratie van bloemmotieven in drie vakkenin kraakporselein stijl. De in negen punten samen geknepen rand imiteert een veelkleurige kom. De bodem ontbreekt.
Ralph Temple, Cyclist, Champion Trick Rider, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,athletes

Trade cards from "World's Champions," Series 2 (N29), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Hals met kurk van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, with straight neck and cylindrical body, fragm, vs-string rim, with cork, projecting.
Drie mannen bij een vechtpartij
Object type: book illustration
Date: 1514 – 1531
Materials: paper
Techniques: letterpress printing
Subjects: meeting

Deze prent is gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
The Emperor, from the Dance of Death
Object type: print
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: weapons,skeletons,men
Card Number 619, Flora Walch, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,cats,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three parts of feet type C; two have part of stem; one has a graffito on the underside
Twee pijprokende mannen
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: pipe ~ tobacco, interior of the house
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Deze prent maakt deel uit van een serie van onbekende omvang naar Nederlandse en Duitse schilderijen. Op sommige prenten staat linksboven aangegeven welk nummer in de serie het betreft.
Maria van de Annunciatie
Object type: print
Date: 1765 – 1769
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: 'portraits' of mary
Inscriptions: collector's mark: Lugt 240

Prent vormt een paar met RP-P-OB-19.024, de aartsengel Gabriël.
Zondeval van de mens
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: god speaks to adam, the man (adam) comes to life: usually god reaches out his hand or breathes life into his nostrils (+ god the father in the form of light), animals, tetragram (in roman or hebrew script) ~ symbol of god the father
Inscriptions: collector's mark: Lugt 2228

De schepping van Adam. Een tetragram als symbool voor God blaast de naakte Adam leven in. Op de achtergrond leidt God (opnieuw als tetragram) Adam rond in het Aards Paradijs.
A Female Musician Charms an Antelope
Object type: painting
Date: 1825 – 1825
Materials: textile, ink, watercolor
Culture: indian, rajasthani, kota
Subjects: musical instruments,animals,women,deer,musicians

The rugged, inhospitable terrain of Rajasthan, a favorite setting for Kota court artists, provides an unlikely context for a dalliance with the god Krishna. A prominent hunting tower—built to facilitate the shooting of animals driven into range by beaters—overlooks the sparsely wooded landscape. In the foreground, a female musician sits before the tower playing a sitar, while a mrig (a type of musk deer) stands before her, transfixed by the music. From the turret of the tower, Krishna gestures toward a leopard retreating over the horizon; another big cat climbs the hill.
Three Men
Object type: drawing
Date: 1501 – 1600
Materials: ink, paper
Techniques: pen
Artist: anonymous, italian, florentine, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: men
Husband and Wife Caught in an Evening Shower (Fufu no Yudachi), from the series "Three Evening Pleasures of the Floating World" ("Ukiyo San Seki")
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Dinner Plate
Object type: ceramic
Date: 1796 – 1810
Materials: enamel, glaze, hard paste porcelain, porcelain
Techniques: gilding
Culture: chinese
Location: china
Subjects: architecture, house, immortals, landscape, monograms, dining, drinking

This plate was part of a large service made for the 1796 wedding of New York politician DeWitt Clinton (1769–1828) and his bride, Maria Franklin (1775–1818). The decorative Chinese landscape is encircled by a spearhead border and depictions of the eight Chinese Immortals of the Taoist religion, a purely Chinese decoration. Only the entwined gold initials DWMC indicate that this plate was made for a foreign market.
Reclame voor 'Johnson's Electric Solvo', uit de catalogus 'Proper Treatment of Floor, Woodwork and Furniture' gepubliceerd door S.C. Johnson & Son
Object type: photomechanical print
Date: 1904 – 1909
Materials: paper
Techniques: three-color autotype
Location: milwaukee
Artist: Anonymous
Subjects: advertising, furniture and household effects

Prent op tweede ongenummerde pagina na pagina 201.
Vue prise de l'Hotel de Crinaeria (Messine)
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: messina
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: square, place, circus, etc.
Inscriptions: title: ‘1440 Vue prise de l'hotel de Crinaeria (Messine)’
Iket (Headcloth)
Object type: costume and accessory
Date: 1801 – 1900
Materials: cotton
Techniques: dyeing
Location: java
Teapot with a horsemen in a landscape
Object type: teapot
Date: 1800 – 1825
Materials: glaze, paint, stoneware
Techniques: firing, turning, vitrification
Location: japan
Artist: Anonymous

Theepot van steengoed met een peervormig lichaam, drie kleine poten rond de voet en het handvat haaks op de tuit, bedekt met een beige glazuur en beschilderd onder het glazuur met een wit slib, bruin en groen. Op de buik een landschap met een ruiter, waarnaast een bediende. Aan de andere zijde een boom. Een chip in het handvat.
A Pastoral
Object type: photograph
Techniques: photogravure
Location: england
Artist: b. gay wilkinson
Artist nationality: english
Artist dates: 1857 – 1927
Collar
Object type: collar
Date: 1801 – 1900
Culture: british
Kasteel de Mookerheide - Mook by Nymegen
Object type: photomechanical print
Date: 1910 – 1930
Materials: cardboard
Techniques: photograph
Location: mook
Subjects: castle
Frederik II schaakt tijdens zijn gevangenschap
Object type: book illustration
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: gotha
Subjects: prison, jail, history, chess, volcano
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Gothaischer Hof Kalender, zum Nutzen und Vergnügen auf das Jahr 1792. Gotha: C. W. Ettinger, [1791].
Portret van Bartholomaeus Viatis
Object type: print
Date: 1634 – 1657
Materials: paper
Techniques: engraving
Subjects: venice, historical persons, counsellor
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of the neck of column krater with a band of pendant, linked lotus buds with dots in the interstices
Cross-Shaped Tile
Object type: tile
Date: 1201 – 1300
Materials: glaze, stonepaste
Techniques: luster painting, painting
Location: iran
Subjects: birds

Four fantastic birds occupy the arms of this cross-shaped tile which was once part of a panel of star- and cross-shaped tiles adorning the walls of an Ilkhanid building. Probably produced in the ceramic center of Kashan in Central Iran, it displays many characteristics typical of this site, including the use of opulent luster glaze, a balanced composition with one animal in each arm, and the spirals and dots that fill the background.
Drie taferelen met Eva Boelen, Charlotte Boelen-Matthes en August Matthes in de tuin van Keizersgracht 756 in Amsterdam
Object type: photograph
Date: 1905 – 1913
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: charlotte alida boelen-matthes (lot)
Artist role: amateurfotograaf
Artist dates: 1889 – 
Subjects: thailand, eva charlotte pennink-boelen, charlotte alida boelen-matthes (lot), garden, toddler (female)

Deze foto's zijn onderdeel van een album.
Bacchant
Object type: globe
Date: 1626 – 1699
Materials: bronze
Techniques: casting
Artist: Anonymous
Subjects: male bacchant(es)
Inscriptions: signature and date: ‘ADRIANVS FRIES 1626’

Globe. Latere toevoeging bij het beeld van een Bacchant (BK-2015-2-1). De wereldbol (of hemelgewelf) maakte het beeld tot Atlas of Hercules. De bol laat gefantaseerde continenten zien.
Landschap langs de Samber, een ruiter met twee paarden in het water naast een man met een hond
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: etching
Artist: jean théodore joseph linnig
Artist role: draughtsman, print maker
Artist dates: 1815 – 1891
Subjects: river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Portret van Jacob Stoopius
Object type: print
Date: 1630 – 1660
Materials: paper
Techniques: engraving
Subjects: portrait, self-portrait of painter
Inscriptions: signature: ‘J. Popels Pinxit’, collector's mark: Lugt 2228

Portret ten halven lijve van de Antwerpse koopman en kalligraaf Jacob Stoopius, staand op een balustrade. Onder de afbeelding een tweeregelige Latijnse tekst.
Basket and Stand
Object type: ceramic
Date: 1790 – 1790
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding
Culture: chinese
Location: china
Virgin and Child
Object type: statuette
Date: 1510 – 1515
Techniques: polychromy
Culture: german
Location: germany
Artist: master of rabenden
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1530

This Virgin and Child originally was joined by a seated Saint Anne, the Virgin’s mother, to form the Holy Kinship, a group representing three generations of the Holy Family. The scale of the group suggests that it comes from the lower section, or predella, of an altarpiece. Predella sculpture thematically expanded the subject of the main altar above it, which, in this case, may have been dedicated to the Virgin.
Chasuble
Object type: chasuble
Date: 1600 – 1600
Materials: velvet
Techniques: brocade
Subjects: christ,cross,crucifixion

The cross-shaped orphrey on the reverse of this chasuble– the tabard-like garment worn by a Catholic priest during church services– has been applied (perhaps at a later date) to a fascinating velvet, with cut and uncut pile now appearing red but originally also green (now only visible on the underside). The curious ombre effect is not intentional, but a result of the unequal degradation of the differently colored piles. Typical of German figurative needlework of the late medieval and early modern periods, colored silks of the orphrey are couched onto linen with satin and stem stitches in unexpected and exuberant patterns and concentric shapes. Heavily restored in the nineteenth century, the front of the chasuble has been cut and completely reshaped to a more fashionable, tear-drop silhouette, with the central orphrey on the front incongruously replaced with a strip of machine-woven, low quality silk decorated with a repeat floral motif.
Nouveaux Liure de Boites de Pendulles de Coqs et Etuys de montres et autres necessaire au Orlogeurs
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous

Pendule bekroond met een vrouwelijke buste. De pendule is omringd door vier decoraties voor wijzerplaten en twaalf andere motieven. Kopie van blad 5 uit de serie Nouveaux Liure de Boïtes de Pendulles, uitgegeven door Daniel Marot omstreeks 1706. Blad uit tweede editie.
Les Goulottes, Vue prise depuis le Balcon de l'Imperatrice
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: château de saint-cloud
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: garden
Inscriptions: number: ‘65.’, inscription: ‘E. Lamy's collection’
Cornice Block with Relief Depicting the Purification of the Pharaoh
Object type: relief, cornice block, baptism of pharaoh
Date: 41 – 68
Materials: stone
Location: egypt
Panelen met arabesken en moderne grotesken
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752
Subjects: ornament ~ grotesque, monkeys, apes, vase ~ ornament, 'victoria'; 'vittoria', 'vittoria navale', 'vittoria degl'antichi' (ripa)
Inscriptions: stamp, collector's mark: Lugt 1641

De panelen zijn van elkaar gescheiden door een brede strook. Links houden twee figuren die Victoria uitbeelden een kroon omhoog, rechts staan twee aapjes onder een wapentrofee. Uit een serie van zes bladen, waarvan vier bladen met de vier elementen en twee bladen waarop telkens twee verticale panelen staan. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Openbare feesten. Vorstelijke intochten, (Illuminaties, vuurwerken en dergelijke, openbare feesten).
Ornament
Object type: ornament
Date: 1867 – 1900
Materials: silver
Culture: chinese, miao
Nicolo ring stone
Object type: intaglio
Date: 234 – 266
Culture: roman
Subjects: men

Portrait head of a bearded man.
Groepsportret van vier vrouwen, lopend in Scheveningen
Object type: photograph
Date: 1907 – 1932
Materials: paper
Techniques: gelatin silver print
Location: scheveningen
Artist: Anonymous
Subjects: palembang (city), the hague, wilhelmina van zijll de jong, historical persons - bb - woman, strolling
Inscriptions: inscription: ‘Corry ik Joyce Louise v. Bergen’