deem-data/ArtiFact huggingface dataset:
Isabel Irving, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Broadside with 48 scenes relating to the procession of Our Lady of Cinta (Tortosa)
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: engraving
Artist: josé noguera
Artist role: artist
Artist nationality: spanish
Artist dates: 1800 – 1900
Subjects: kings,men,working
Andiron with figure of Minerva (allegory of War) (one of a pair)
Object type: andiron
Date: 1601 – 1700
Materials: bronze
Artist: girolamo campagna
Artist role: artist
Artist nationality: italian
Artist dates: 1549 – 1625
Subjects: spears,women,allegory

These bronzes were formerly components of a larger pair of andirons subsequently turned into statuettes and mounted on marble plinths. Each andiron is comprised of two main pieces, the deity and the pedestal. The Allegory of Peace is a female figure standing on a shield and helmet and cradling a cornucopia of fruit in her right arm. In the companion Allegory of War, the figure, also female, wears a helmet and holds a spear and shield; a sphinx supports an escutcheon at her feet. Both pedestals are composed of a central urn-shaped stem decorated with four lion masks atop an octagonal base, with sides alternately straight and concave. Two amorini with outstretched arms flank the urn and support the base of the deity. Only the left arm of Peace was cast separately (a fragment of an unknown object remains in the left hand). The left leg of Peace is stamped with the number “1945,” an interesting detail that cannot refer to a date, since the bronze was acquired in 1914. It might be an inventory number of the sort that a nineteenth-century dealer would have used.[1] The models derive from Girolamo Campagna’s marble sculptures of Peace and War above the Porta al Senato in the Sala delle Quattro Porte of the Palazzo Ducale, Venice.[2] The bronzes were formerly attributed to Jacopo Sansovino, then Alessandro Vittoria on the basis of their similarity to a pair of andirons in the collection of J. Pierpont Morgan also attributed to him.[3] Given their serial and highly finished quality, our statuettes should be considered casts inspired by Campagna’s well-known compositions, not direct products of his workshop but possibly of seventeenth-century manufacture, and typical of the refined decorative output of the robust Venetian bronze industry.[4] -FL Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. See James David Draper, letter of November 2, 1987, ESDA/OF. 2. See notes by Johanna Hecht dated 1985 in ESDA/OF. For discussion and illustrations of the marbles, see P. Rossi 1968, pp. 19, 66, pl. 6 (dating the works ca. 1589–90); and Timofiewitsch 1972, pp. 248–49, no. 8, pls. 30–33 (dating them half a decade earlier). 3. Morgan Library & Museum, New York, AZ154.1–.2. Planiscig 1921, p. 490, attributed the pair in the Morgan collection to Alessandro Vittoria, never citing The Met bronzes. It is not clear if Weihrauch 1956, p. 102 (“P. Morgan, jetzt Metropo.-Mus., New York”), was referring to the Morgan pair or ours. The presence of both pairs in New York probably generated the confusion. 4. On the production of andirons in Renaissance Venice, see Motture 2003.
Parasol Cover
Object type: textile
Date: 1870 – 1879
Materials: silk
Techniques: lace
Location: france
Inter utrumque vola, medio tutissimus ibis
Object type: print
Date: 1553 – 1553
Materials: paper
Techniques: etching
Subjects: river, death i.e. the fall of icarus (daedalus present)
Inscriptions: collector's mark: Lugt 2228

Rivierlandschap met zeilschepen op het water. In de lucht ziet de gevleugelde Daedalus zijn zoon Icarus naar beneden vallen.
Statuette of Osiris with the epithets Neb Ankh and Khentyimentiu, donated by Padihorpare
Object type: statuette, osiris, padihorpere
Date: 588 – 526
Materials: metal, gold leaf
Location: egypt
Guardian Lion-Dogs
Object type: figure
Date: 1234 – 1266
Materials: wood, gold leaf, lacquer
Culture: japanese
Subjects: lions

Pairs of lion‑dogs (komainu), featuring leonine heads on canine bodies, are traditionally placed before the entrance of Shinto shrines to ward off evil. The figure on the right is distinguished by its open mouth (a gyō), while the figure on the left bears a closed mouth (un gyō). These features may echo the open‑ and closed‑mouth iconography of Niō, the pair of guardian deities who protect Buddhist temples.
Vrouw met twee kinderen in interieur
Object type: drawing
Date: 1836 – 1896
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: baby-chair

Vrouw met twee kinderen, waarvan een in de kinderstoel, in interieur.
Reis naar Athene en Constantinopel
Object type: print
Date: 1825 – 1837
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: fortress, asiatic races and peoples: turks, europeans (with name), palace, rowing-boat, canoe, etc.
Inscriptions: watermark: ‘151’

De prent maakt deel uit van de serie 'Voyage à Athènes et à Constantinople ou collection de portraits, de vues et de costumes Grecs et Ottomans' die tussen 1825 en 1839 in tien delen van vier prenten werd uitgebracht. De in totaal veertig prenten dienden samen met een tekst van 52 pagina's voorzien van vignettes als een verslag van de reis die Louis Dupré in 1819 naar Athene en het huidige Istanboel maakte (zie documentatie).
Huqqa Mat
Object type: huqqa mat
Date: 1800 – 1800
Materials: canvas, cotton, metal thread, silk, velvet
Techniques: embroidery
Location: india
Subjects: hookah

Smoking a huqqa, or water pipe, was an integral part of court culture in India during the Mughal, Deccan and British periods. This custom required an array of accoutrements, including a hose, mouthpiece, and a mat, such as this one. Contemporary paintings from the 18th–19th century illustrate how the huqqa base was placed upon the round, or in this case, octagonal part of the mat as the hose rested along the rectangular extension, leading the smoker who was likely reclining on a masnad, or upholstered throne
Marble pilaster capital
Object type: capital, corinthian composite pilaster
Date: 1 – 50
Materials: marble
Culture: roman

The capital was once set against a wall, crowning a rectangular semi-detached pilaster. In Roman architecture three major orders of capitals were used—Doric, Ionic, and Corinthian. This pilaster capital is a fine example of the most elaborate, the Corinthian order. Three acanthus leaves rise from the base and two flowers on delicately carved stems curl upward between them. A classical molding with stylized lotus flowers over a band of bead and reel separates the lower part of the capital from the two volutes around which a leafy vine entwines. At the top, a single flower decorates the center of the straight abacus.
Studies of Two Flying Putti and of Drapery (recto); Seated Virgin and Child, and Kneeling Child (verso)
Object type: drawing
Date: 1609 – 1685
Materials: chalk, paper
Techniques: drawing
Artist: sassoferrato (giovanni battista salvi)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1685
Subjects: putti,madonna and child
't Dorp Heinenoord
Object type: book illustration
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), public road in village
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ollefen, Lieve van. De Nederlandsche stad- en dorp-beschrijver. Amsterdam: Hendrik Arend Banse, 1793, dl. 1.
Twee gardisten van Koning Lodewijk Napoleon met tulbanden
Object type: drawing
Date: 1807 – 1807
Materials: paint, paper, pencil, watercolor
Techniques: brush
Artist: jan anthonie langendijk dzn
Artist role: draughtsman, print maker
Artist dates: 1780 – 1818
Subjects: (military) uniforms
Inscriptions: date
Rectangular tea caddy covered with a light blue glaze and antiquities in panels
Object type: lid
Date: 1760 – 1770
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Deksel van rechthoekige theebus van porselein, bedekt met een lichtblauw/ turquoise glazuur en beschilderd op het glazuur in blauw, rood, groen, geel, paars en zwart. Op de bovenzijde een uitgespaard medaillon met gestileerde bloem afgebeeld. Europese vormen met emailkleuren.
Footed Bowl
Object type: glass
Date: 1490 – 1490
Materials: cobalt, enamel, glass
Techniques: gilding
Culture: italian
Location: venice
Subjects: sphinxes, ancient rome, cherubs, classical

This footed bowl was intended to make a luxurious statement in late fifteenth-century Italy. Brilliant blue glass, meant to replicate the color of sapphires, was a specialty of Venetian glass blowers. The finely painted enameled decoration—cherubs and fantastical sphinxes—as well as the classical shape of the vessel, reflects the Italian Renaissance admiration for art and design of ancient Rome.

Such bowls were used only for special occasions such as weddings or celebratory feasts. This example’s gilded rim is inscribed with the phrase TENPORE FELICI MVLTI NOMINANTVR AMICI [In times of abundance one has lots of friends] that evokes a festive environment of largess in which the bowl was originally used.
Abklatsch van de krijttekening op pagina 61
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 60 uit een schetsboek met 38 bladen.
Phoenix Hat
Object type: hat
Date: 1801 – 1833
Materials: gold thread, metal, silk
Techniques: compound weave, engraving
Culture: japanese

The phoenix hat is worn in the Manzairaku, an opening dance that sets the auspicious tone of a gagaku performance.
Cuneiform tablet: school exercise tablet, Urra=hubullu, tablet 3
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Location: mesopotamia
Bad Nauheim. Sprudelhof und Verwaltungsgebäude
Object type: postcard
Date: 1900 – 1925
Materials: photographic support
Techniques: photograph
Artist: Anonymous
Subjects: bad nauheim
L'Eventail (The Fan)
Object type: print
Date: 1619 – 1619
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Beauty by the Shore
Object type: hanging scroll
Date: 1767 – 1800
Materials: ink, paper
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: women

Shunman, who was known primarily as a literary figure, studied painting under Kitao Shigemasa (1739–1820). He was also inspired by Torii Kiyonaga (1725–1815), a famed painter of beauties, or bijin. In addition to his nikuhitsu ukiyo-e, or painted images of the "floating world," Shunman is well known for his finely designed and produced surimono prints. This painting was produced before Shunman had formed his mature style, likely before the year 1785.
Ariel Dam,  Washington [staat], Verenigde Staten: autobus
Object type: photograph
Date: 1936 – 1936
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: united states
Artist: wouter cool
Artist role: engineer
Artist dates: 1877 – 1947
Subjects: bus, coach
Inscriptions: title: ‘DE NIEUWSTE BUSSEN, PNEUMATISCHE / REMMEN EN VERSNELLINGEN, MOTOR ACHTERIN.’
Spotprent van de begrafenis van dominee Abraham van de Velde, 1677
Object type: cartoon
Date: 1677 – 1677
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: cortege, funeral procession
Inscriptions: caption: ‘De Kerkelijkcke Lijck-statie .../... van de nieuwe Secte.’, inscription: ‘HET ELENDIGE KERCK HOF’

Spotprent van de begrafenis van dominee Abraham van de Velde, 14 juni 1677. Een lange begrafenisstoet van 4 rijen mannen met steiloren of ezelsoren trekt met het lijk van ds. van der Velde uit het Huis van Onrust over 'het elendige kerckhof', langs enige grafzerken met toepasselijke opschriften naar de kerk van de Geestelijke Oppermogendheid. Enige huilende zusters voeren de stoet aan; in het midden een vaandel met opschrift 'Het beroep van Troyen'. Bij de prent behoort een tekstlad met legenda. De voetiaanse dominee was eerder uit Utrecht verbannen en speelde in 1675 een rol in het conflict in Zeeland tussen de voetianen en coccejanen.
Onbevlekte Ontvangenis van Maria
Object type: album leaf
Date: 1647 – 1714
Materials: paper
Techniques: etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: 'immaculata', 'purisima': mary, usually standing on a crescent moon, descending from heaven, exempt from original sin (sometimes trampling serpent)

Prent niet beschreven in IFF 17e siècle, maar toont overeenkomsten met nr. 63 in deel 8, p. 50.
Dorothy Dene in Colors of Columbia Yacht Club, from the Yacht Colors of the World series (N140) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,flags

Trade cards from the "Yacht Colors of the World" series (N140), issued in an unnumbered set of 50 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The same set was released by Duke in a smaller size, as well (N91).
Fotoreproductie van de tekening La vierge et l'enfant door Rafaël
Object type: page
Date: 1865 – 1870
Materials: paper
Techniques: albumen print
Location: paris
Artist: rafaël
Artist role: painter
Artist dates: 1483 – 1520
Subjects: drawing, madonna: i.e. mary with the christ-child
Les Tulipes et le Soleil (The Tulips and the Sun), plate 6 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Object type: print
Date: 1621 – 1635
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Heuvelachtig landschap met groepen bomen
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: etching, intaglio
Subjects: low hill country
Inscriptions: collector's mark: Lugt 2228

De etsen naar de schilderijen van Frédéric Van de Kerkhove werden na zijn dood door zijn vader en zuster gemaakt en uitgegeven in twee reeksen. De eerste werd in 1877 uitgegeven door het Journal des Beaux-Arts et de la Littérature: Cahier de 25 Eaux-fortes d'après Frédéric van de Kerkhove, gravées par son père et sa sœur. De tweede reeks van 126 etsen, ook in 1877, werd in Parijs uitgegeven bij A. Lévy onder de titel Cent eaux-fortes gravées par J. Van de Kerkhove d'après les tableaux de Frédéric Van de Kerkhove, mort en 1873 à l'âge de 10 ans et 11 mois.
Saucer with insects, flower sprays and grapevines
Object type: service set
Date: 1797 – 1798
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris

Schotel van porselein met een rechte wand, beschilderd op het glazuur in emailkleuren en goud. De voorzijde is bedekt met gekleurde insecten (vlinders, kevers, libellen, etc.) en in goud bloemtakken en druivenranken. Gouden rand.
Model of a Slide and Carriage for a 30-Pounder Carronade
Object type: demonstration model
Date: 1848 – 1848
Materials: brass, wood
Location: netherlands
Artist: Anonymous

Model van een boven- en onderslede voor een carronade van 30 pond. met baksijzer, incompleet. De bovenslede heeft een licht trapezevormig lichaam met messing beslag en ringen, de voor- en achterkant zijn afgerond. Tegen de achterkant de bakskoker in messing beslag en bovenop het spoor voor de eleveerschroef, aan de voorkant de oren met tapas en de wervelbout aan de onderkant. Met een platte rechthoekige kop loopt de wervelbout door de gleuf van de onderslede. De onderslede is een houten raam, aan de voorkant afgerond, gedeeltelijk met messing beslagen en voorzien van een gat voor de spilbout; iets naar achteren is aan de onderzijde een borgplaat met twee gaten aangebracht, waarmee de slede in de lengterichting tegen de scheepsboord werd geborgd. Aan de achterkant verbreedt de onderslede en is een weinig afgerond. De slede wordt hier ondersteund door een klos met twee poten, aan de onderzijde afgerond zodat er zo weining mogelijk wrijving is bij het baksen. Het kogelraam, dat onder de onderslede wordt gehangen, ontbreekt. Schaal 1:5 (afgeleid).
Chest with drawer
Object type: chest of drawer
Date: 1705 – 1725
Materials: wood
Techniques: painting
Culture: american
Location: united states
Subjects: flowers

This small chest belongs to a group of painted furniture associated with the Guilford-Saybrook area of coastal Connecticut. The founder of this tradition may have been Charles Guillam (1671–1727), who had emigrated from Britain by 1703. An inventory taken at his death listed ocher and umber pigments, “a painted chest with drawers,” “a parcel of collours,” and partially completed furniture and cabinetmaking tools, suggesting that he was both the maker and the decorator of his furniture.
Schrijvende vrouw aan een bed
Object type: boekillustratie ontwerp
Date: 1893 – 1953
Materials: ink, paper, pencil
Techniques: pen
Artist: adri ladenius
Artist role: draughtsman
Artist dates: 1883 – 1953
Subjects: bed, materials to write on, writing surfaces
Inscriptions: annotation: ‘Toen het vroor,/ dat het kraakte/ II’, signature: ‘A. Ladenius’, collector's mark: Lugt 2228

Een vrouw zit op een stoel met een notitieblok in de hand te schrijven naast een bed. In bed ligt een, mogelijk ziek, meisje met verwilderde haren.
Tea cozy
Object type: tea cozy
Date: 1801 – 1900
Materials: glass, silk
Mandarin duck
Object type: ornament
Date: 1368 – 1644
Materials: jade
Culture: chinese
Subjects: ducks
Portret van Johann Anton graaf van Rottal
Object type: book illustration
Date: 1670 – 1674
Materials: paper
Techniques: engraving
Location: vienna
Subjects: vienna
Inscriptions: collector's mark: Lugt 2228

Portret van Johann Anton graaf van Rottal met aan een ketting op zijn borst het ordeteken van de Orde van het Gulden Vlies. Onderaan in de marge een vierregelige tekst in het Italiaans. Rechtsboven genummerd: 91.
Cheval Turk
Object type: sculpture
Date: 1850 – 1900
Materials: bronze, copper alloy, metal
Techniques: casting, carved
Location: france
Artist: antoine louis barye
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: horse, horses, animals
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 434 – 368
Materials: terracotta
Culture: etruscan

Exterior, part of a circumscribed palmette with an elongated central frond; handle attachment and part of the handle patch
Plan du Siege et des Attaques de la Ville et Citadelle de Gand (...) / Plan van de Belegering en de Attaques der Stadt en Citadelle van Gendt, Belegert door de Geallieerde Legers den 23. Decemb; 1708 onder 't Gebiedt des Hertogs van Marlborough en Overgegeven den 29. der Zelver Maant
Object type: map
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: johan willem friso (prins van oranje-nassau), john churchill (1e hertog van marlborough), fortress, maps of cities, ghent

Plattegrond van Gent, belegerd vanaf 23 december door de geallieerden onder de hertog van Marlborough en ingenomen op 29 december 1708. Genummerd rechtsonder: Tom. II. No. 40. Illustratie in het tweede deel van : [Jean] du Mont, Oorlogskundige beschryving van de veldslagen en belegeringen, der drie ... wydvermaarde krygsoversten... den Prins Eugenius van Savoye, den ... Hertog van Marlborough, en den Prins van Oranje en Nassau-Vriesland, in de editie van 1729. Dit tweede deel is hoofdzakelijk gewijd aan de daden van de hertog van Marlborough en prins Johan Willem Friso.
Serie 6: Nederlandse Gebeurtenissen, 1571-1576
Object type: print
Date: 1572 – 1574
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: capture of city (after the siege), brielle

Watergeuzen nemen Den Briel in, 1 april 1572. De watergeuzen komen aan land, trekken op en veroveren onder leiding van Lumey Den Briel. Met onderschrift van 8 regels in het Duits. Genummerd: 2.
Portret van een onbekend lachend meisje
Object type: print
Date: 1868 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: edgard farasyn
Artist role: print maker
Artist dates: 1858 – 1938
Subjects: historical persons, girl (child between toddler and youth)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Gamine; 3me Etat’
Terracotta deep bowl
Object type: bowl, deep
Date: 234 – 168
Materials: terracotta
Culture: greek, calenian or campanian or south italian
Subjects: dionysus

The deep bowl originated in metal during the Hellenistic period and was reinterpreted in clay quickly and widely. The bust represents Dionysos, god of wine, an appropriately frequent subject for a drinking vessel. Pottery of this type is conventionally known as Calenian, after Cales, a site in Campania. Recent studies indicate that there were numerous centers of production in Italy and wide distribution to both the west and the east.
Brief aan Philip Zilcken
Object type: letter
Date: 1898 – 1898
Materials: ink, paper
Techniques: pen, printing, writing
Location: new york city
Artist: samuel putnam avery
Artist role: verzamelaar
Artist dates: 1822 – 1904
Subjects: the hague, painter, draughtsman, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Bracelet
Object type: bracelet
Date: 1401 – 1900
Materials: bronze
Culture: yoruba
Location: nigeria
Oude vrouw met een jongen op pad
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: etching, intaglio
Location: italy
Artist: Anonymous
Subjects: landscapes, distaff, walking, wool (material ~ textile industry)
Inscriptions: collector's mark: Lugt 240

Oude vrouw, met een spinrok en twee gevulde manden, loopt samen met een jongen door een landschap. Op de voorgrond ligt een bol van wol.
Korbeel met gesneden voorstelling van een keurvorst-aartsbisschop
Object type: balksleutel, sleutelstuk
Date: 1550 – 1600
Materials: wood
Location: northern netherlands
Artist: Anonymous

Korbeel van eikenhout met een gesneden voorstelling van een keurvorst-aartsbisschop, staande onder een baldakijn. Afkomstig uit het afgebroken huis Warmoesstraat 145 te Amsterdam.
Portret van Philippus Aureolus Theophrastus Bombastus von Hohenheim of Paracelsus op 47-jarige leeftijd
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: theologian, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Side Chair
Object type: side chair
Date: 1730 – 1750
Materials: wood
Culture: american
Location: united states
Medallion of the Marquis de Lafayette
Object type: medallion
Date: 1775 – 1800
Materials: brass
Location: france
Subjects: men,profiles,marquis de lafayette
Portret van Michel Corr-van der Maeren
Object type: photograph
Date: 1859 – 1864
Materials: photographic support
Techniques: albumen print
Subjects: historical persons
Inscriptions: inscription: ‘Galerie/ De l'Association internationale/ pour le progrès des Sciences Sociales.’, inscription: ‘Lith. Frédricq. Papeterie Brevetée’
Portret van Napoleon Eugène Lodewijk Bonaparte
Object type: photomechanical print
Date: 1875 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: prince, historical persons