deem-data/ArtiFact huggingface dataset:
Belt Fitting
Object type: belt fitting
Date: 801 – 1000
Materials: bronze
Techniques: casting, gilding
Location: iran

This belt fitting was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Luxor - The Temple
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1930
Materials: cardboard
Techniques: photograph
Location: luxor
Artist: Anonymous
Subjects: temple, shrine ~ egyptian religion
Omlijsting met middenonder een akelei
Object type: ornament print
Materials: paper
Techniques: etching
Location: netherlands

De akelei bevindt zich tussen een zwaan (links) en een engeltje met een zwaan (rechts). In de rechter rand zit een aapje. Eén van 6 bladen, aan weerszijden bedrukt, met acht verschillende omlijstingen rondom een niet bedrukt middenveld.
Textile with Figures
Object type: textile
Date: 1301 – 1400
Materials: silk
Culture: italian
Stilleven door schilder Krabbé
Object type: photograph
Date: 1925 – 1930
Materials: paper
Techniques: carbro process
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: still life of related objects
Polyptych
Object type: polyptych
Date: 1801 – 1900
Materials: gold, ivory, niello, silver gilt
Culture: franco-netherlandish
The Big Fish Eat the Small
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: engraving
Location: belgium
Artist: after maarten de vos
Artist nationality: flemish
Artist dates: 1532 – 1603
Design for a Vase
Object type: drawing ornament architecture
Date: 1770 – 1785
Materials: graphite, watercolor
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: vases
Gezicht op een brug, mogelijk de Langebrug over het Rokin te Amsterdam
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: bridge in city across river, canal, etc., civic architecture; edifices; dwellings
Inscriptions: kleurnotitie, handgeschreven

Pagina 10 uit een schetsboek met 15 bladen.
Bowl
Object type: bowl
Date: 1 – 100
Materials: ceramic
Culture: nabataean
Location: levant
Spaanse Furie: stadhuis in brand, 1576
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: on fire, ablaze, massacre ~ war, antwerp

Spaanse Furie te Antwerpen, 4-7 november 1576. Het stadhuis van Antwerpen in brand. Op de Grote Markt voor het stadhuis gevechten tussen soldaten. Marge met onderschrift en nummer afgesneden. Bedrukt op achterzijde met tekst in het Nederlands en fragment van de voorstelling met de beschieting van de stad.
Drawing 16
Object type: drawing
Date: 1916 – 1916
Materials: ink, paper
Techniques: brush
Artist: jacoba van heemskerck
Artist role: artist
Artist nationality: dutch
Artist dates: 1876 – 1876
Subjects: landscapes
Moses at right telling the Israelites to gather the manna and at left Moses striking the rock
Object type: print
Date: 1546 – 1546
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: men,women,moses,manna
Thomas Fortune Ryan
Object type: bust
Materials: bronze
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: men,portraits
One of Six Impressions from Worn Old Blocks
Object type: print
Date: 1700 – 1799
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: men
A l'atelier
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: photoaquatint
Subjects: adolescent, young woman, maiden, designing, sketching ~ architect
Inscriptions: inscription: ‘Association belge de photographie’
Earring with nail head pendant, 6
Object type: earring with nail head pendant, 6
Date: 3900 – 100
Materials: silver
Culture: cypriot
Kindermoord te Betlehem
Object type: print
Date: 1621 – 1688
Materials: paper
Techniques: etching
Location: bologna
Artist: gian battista bolognini (i)
Artist role: print maker
Artist dates: 1611 – 1688
Subjects: the massacre ot the innocents; sometimes herod looking on
Inscriptions: collector's mark: Lugt 240

Wanhopige moeders proberen hun kinderen te beschermen tegen de soldaten van Herodes. Op de achtergrond gebouwen. Linksboven twee putti met bossen palmtakken op wolken.
Portret van commandant Schoenecher
Object type: book illustration
Date: 1809 – 1809
Materials: paper
Techniques: etching, hand coloring
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Ackermann, Rudolph. The Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics. Londen: Lancelot Harrison, 1809.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1834 – 1866
Materials: silver alloy, gold, iron, silver
Culture: japanese
Location: japan
Subjects: spiders
Model of Two Donkeys with Drivers
Object type: model, saddle bag, donkey
Date: 2030 – 1850
Materials: paint, wood
Location: egypt
Subjects: men,donkeys
Wieg van Christus in de Geboortekerk in Bethlehem
Object type: photograph
Date: 1867 – 1885
Materials: paper
Techniques: albumen print
Location: bethlehem
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: interior of church, cradle, crib
Inscriptions: number: ‘893’
Berglandschap
Object type: sketchbook leaf
Date: 1751 – 1751
Materials: chalk, paper
Artist: lorenzo baldissera tiepolo
Artist role: draughtsman, print maker
Artist dates: 1736 – 1776
Subjects: mountains

Bladzijde 79 uit een schetsboek met 158 bladzijden.
Brief aan Philip Zilcken
Object type: letter
Date: 1902 – 1905
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: johannes frederick hulk
Artist role: painter
Artist dates: 1875 – 1913
Subjects: willem carel nakken, the hague, painter, draughtsman, philip zilcken, drawing
Inscriptions: collector's mark: ‘RPK’
Portret van een vrouw
Object type: photograph
Date: 1890 – 1910
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, historical persons
Abklatsch van de krijttekening op pagina 53
Object type: sketchbook leaf
Date: 1887 – 1888
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 52 uit een schetsboek met 43 bladen.
Landscape in the style of Fan Kuan
Object type: hanging scroll
Date: 1101 – 1133
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: mountains,landscapes

Once considered a work of the Ming period (1368–1644), this monumental landscape in the style of Fan Kuan can be dated stylistically to the twelfth century. A mountainscape built up in three stages, the painting shows a boat landing at the foot of a tree-covered bluff in the foreground; travelers heading toward a temple retreat in the middle ground; and mountain peaks rising in the background. The composition, showing mountain masses floating amid and unified by mist, compares closely to works firmly dated to the twelfth century. For example, the depiction of rocks and trees partially obliterated by mist and the blurring and fusing of texture strokes of different ink values reveal the artist’s familiarity with the paintings of Guo Xi (ca. 1000–ca. 1090). The angular rock faces with “raindrop” texture dots and the scrubby foliage on the peaks are characteristic of paintings in the style of Fan Kuan.
Collection Bardini
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: containers
Inscriptions: number: ‘Pl. 11’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, torso of male with himation draped over left shoulder and fingers of right hand below right pectoral muscle
Omgewaaide bomen aan de Jacobalaan, na de storm van 28 mei 1860
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: m.m. couvée
Artist role: publisher
Subjects: storm on land
Inscriptions: collector's mark: Lugt 2228

Omgewaaide bomen aan de Jacobalaan, na de storm. Onderdeel van het album met tien losse steendrukken met voorstellingen van de schade aangericht door de 'Pinksterstorm' van 28 mei 1860 in het Haagse Bos en omgeving.
Vijf opnames van zonnevlekken door het observatorium van Catane
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Subjects: sun-spots
Inscriptions: inscription: ‘4e Année, Pl. VII’
Afbeelding der Luisterrijke Illuminatie en Decoratie voor de Huizinge van den Heere H: van Oort, op den 7den Augustus 1788
Object type: print
Date: 1788 – 1790
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: public festivities at other royal events, not meant or mentioned above (+ illumination, fire-works ~ festive activities), rotterdam
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gebruikt als illustratie in: Nicolaas Cornel, Verheerlykt en verlicht Rotterdam, of Beschryving der plechtige illuminatien en decoratien, welken (...) hebben plaats gehad, op den 7e. augustus 1788. Rotterdam: Nicolaas Cornel, 1789.
Christus voor Kajafas geleid
Object type: print
Date: 1576 – 1576
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ before the sanhedrin with caiaphas as high priest, and possibly annas; maybe a soldier about to strike christ because he keeps silent (matthew 26:57-66; mark 14:53-64; luke 22:54, 22:66-71)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1337

Christus wordt door gewapende soldaten naar koning Herodes gebracht. Herodes ondervraagt Christus, maar die antwoordt hem niet. Hierop bespotten Herodes en zijn soldaten Christus. Linksonder gemarkeerd: "Matthæi.Cap.XXVI.VS.57.".
Armor
Object type: armor
Date: 1701 – 1800
Materials: copper alloy, metal thread, steel, textile
Culture: chinese
Location: china
Funerary stela of the bowman Semin
Object type: stela, semin
Date: 2120 – 2051
Materials: limestone, paint
Location: upper egypt, thebes
Subjects: bow and arrow,men,hieroglyphs

Semin is represented with a bow in his left hand and a sheaf of arrows in his right. The inscriptions runs along the top and right side.
Isabel Wachenheimer drie maanden oud met haar moeder Else Wachenheimer-Moos, haar vader Eugen Wachenheimer en een onbekende verpleegster, september 1928, Stuttgart
Object type: photograph
Date: 1909 – 1928
Materials: paper, photographic support
Techniques: gelatin silver print
Location: stuttgart
Subjects: eugen wachenheimer, else wachenheimer-moos, leiden, isabel wachenheimer-elon, family life at home, mother and baby or young child, infant, baby
Inscriptions: inscription: ‘Der vorsichtige Papi!//Mach ein Bäuerchen!//Bláh, bláh’
How Happy Could I Be With Either, Were t'Other Dear Charmer Away
Object type: print
Materials: ink
Techniques: etching, printing
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,soldiers,men,women,female nudes
Son of Horus (Duamutef) from Bead Net
Object type: amulet, son of horus
Date: 1070 – 525
Materials: faience
Location: egypt
Kram afkomstig uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: kram
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)

Staple; U-shaped, rectangular, flat upper part, both vertical sides pointed.
Borstbeeld van een man met baard
Object type: print
Date: 1625 – 1674
Materials: paper
Techniques: etching
Location: antwerp
Subjects: adult man
Inscriptions: collector's mark: Lugt 240
Snuffbox with portrait of an unidentified man
Object type: snuffbox
Date: 1770 – 1770
Materials: copper
Techniques: enamel
Subjects: men,portraits,flowers
Design for the Decoration of a Gun Stock
Object type: drawing
Date: 1795 – 1805
Materials: ink, paper, pencil
Techniques: wash
Culture: french
Location: france
Artist: nicolas noël boutet
Artist role: designer
Artist nationality: french
Artist dates: 1761 – 1833
Subjects: flowers,leaves
Wheellock Birding Rifle (Tschinke)
Object type: arm
Date: 1640 – 1660
Materials: wood, horn, mother of pearl, steel
Culture: polish
Location: teschen
Brief aan anoniem
Object type: letter
Date: 1914 – 1914
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: s.l. van looy
Artist role: publisher
Subjects: print maker, draughtsman, pieter dupont, art trade, art shop, the graphic arts
Inscriptions: watermark, collector's mark: ‘RPK’
Dressing Table
Object type: dressing table
Date: 1755 – 1790
Materials: wood
Culture: american
Location: united states
Kade in een stad
Object type: drawing
Date: 1855 – 1881
Materials: ink, paper, pencil
Techniques: pen
Artist: coen metzelaar
Artist role: draughtsman, painter
Artist dates: 1845 – 1881
Subjects: quay
Vue du Temple de Maharakka (Hiéra-Sycaminos)
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,temples,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Fotoreproductie van een portret van Franz Nachtegall
Object type: photograph
Date: 1867 – 1877
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: professor
Isabel of Bourbon, Queen of Spain on horseback, after Veláquez
Object type: print
Date: 1778 – 1778
Techniques: etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: queens,horses
Drie vogels waarvan er twee op een tak zitten
Object type: stereograph
Date: 1850 – 1870
Materials: photographic support
Techniques: albumen print
Location: unknown
Artist: pierre-ambroise richebourg
Artist role: fotograaf
Artist dates: 1810 – 1875
Inscriptions: check stamp: ‘monogram LM (?)’, number: ‘55’
Abstracte compositie
Object type: print
Date: 1902 – 1920
Materials: paper
Techniques: aquatint
Artist: erich wichmann
Artist role: print maker
Artist dates: 1890 – 1929
Subjects: abstract, non-representational art
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Negen stukken Italiaans kant uit circa 1620, uit de collectie van het Kunstgewerbemuseum in Dresden
Object type: photomechanical print
Date: 1888 – 1888
Materials: paper
Techniques: photograph
Location: dresden
Artist: Anonymous
Subjects: lace
Inscriptions: inscription: ‘E. KUMSCH, SPITZEN UND WEISS-STICKEREIEN DES XVI.-XVIII. JAHRH./ aus dem Königlichen Kunstgewerbe-Museum zu Dresden’, number: ‘Tafel 4.’

Deze prent maakt deel uit van een omslag met 49 prenten en een lijst van afbeeldingen.
Ruines du Palais de Karnac - Vue prise à l'extrêmité du Sanctuaire
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,obelisks,palaces,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Portret van Abel François Poisson, marquis de Marigny
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paris, abel françois poisson de vandières (marquis de marigny), historical persons
Inscriptions: collector's mark: Lugt 240
Portret van Johann Friedrich Dannreuther
Object type: print
Date: 1714 – 1755
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: tobias gabriel beck
Artist role: print maker
Artist dates: 1685 – 1755
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
De kleine Passie
Object type: print
Date: 1624 – 1625
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: raising of the cross to which christ is nailed already
Inscriptions: collector's mark: Lugt 240

Het kruis met Christus eraan wordt door een aantal mannen overeind getrokken/geduwd. Enkele groepen mensen kijken toe. Deze prent is onderdeel van de prentserie 'De kleine Passie', bestaande uit 12 scènes uit het Lijdensverhaal.
Portretten van zeven Berlijnse kunstenaars
Object type: print
Date: 1832 – 1842
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: painter, ludwig buchhorn, printer, publisher, friedrich wilhelm gubitz, berlin, print maker, julius schoppe (i), henri-françois brandt, historical persons, portrait, self-portrait of artist
Inscriptions: check stamp: Lugt 4607, collector's mark: Lugt 2228

Portretten van Ludwig Buchhorn, Gottfried Wilhelm Völcker, Julius (I) Schoppe, Henri-François Brandt, August von Klöber, Gottlob Samuel Roesel, en van Friedrich Wilhelm Gubitz.
Ravinia Music Pavilion
Object type: architectural drawing
Date: 1905 – 1905
Materials: ink, linen
Location: ravinia
Artist: peter j. weber
Artist nationality: american, born germany
Artist dates: 1863 – 1923
Fotoreproductie van een fresco door Giotto, voorstellende het Onrecht
Object type: reproduction
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: scrovegnikapel
Artist: giotto de bondone
Artist role: painter, sculptor
Artist dates: 1266 – 1337
Subjects: injustice; 'ingiustitia' (ripa)
Inscriptions: number: ‘No. 19423.’, collector's mark: Lugt 3937
Portrait of a Married Couple with Child, Members of the Beresteyn Family
Object type: painting
Date: 1655 – 1655
Materials: canvas, oil
Location: northern netherlands
Artist: Anonymous
Subjects: family group, especially parents with their child(ren)

Portret van een echtpaar met kind, leden van de familie van Beresteyn, staande aan het strand. Bij de vloedlijn liggen schelpen, het meisje heeft een mandje om de arm, voor haar staat een hond.
Paarden op het land en een waterlandschap met een molen
Object type: sketchbook leaf
Date: 1805 – 1866
Materials: paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), factories and mills in landscape, horse
Inscriptions: date: ‘15 Mei 1866.’

Blad 35 verso uit een schetsboek met 37 bladen.
Maud Cassel (Mrs. Ashley)
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Vaas met bloemen en vruchten
Object type: relief sculpture
Date: 1400 – 1950
Materials: wood