deem-data/ArtiFact huggingface dataset:
Two South African Khoisan men; one smokes a pipe
Object type: sketchbook leaf
Date: 1662 – 1662
Materials: ink, paper
Techniques: brush
Location: cape of good hope
Artist: esaias boursse
Artist dates: 1631 – 1672
Subjects: (person with) albinism, african peoples (khoisan), pipe ~ tobacco, cape of good hope

De tekenaar heeft vlekken getekend op het gezicht van de linker man, wellicht heeft hij albinisme. De man draagt een kleine lendendoek, en een wijde lap om zijn schouders en bovenlijf die tot over zijn heupen rijkt. Mogelijk is het een doek van textiel met gerafelde randen, dan wel de traditionele leren omslagmantel van de Khoisan. Onder de mantel is zijn kruisbedekking zichtbaar. De man rechts zit gehurkt op de helling. Op rechterschouder en arm na is hij geheel gehuld in een wijde mantel (textiel of dierenhuid) tot over zijn knieën. Zijn beide voeten zijn nog zichtbaar. Tussen zijn lippen houdt hij een Goudse pijp met kort afgebroken steel. Er kringelt rook uit de pijpenkop. Blad 98 uit een schetsboek met 117 bladen.
Bezem, bestaande uit een takkebos, samengebonden door wilgenteen, waarin gestoken een gladde steel van grenenhout met bovenaan vijf profielringen (voor touwtjes)
Object type: broom
Date: 1690 – 1710
Materials: plant material, wood
Location: amsterdam
Artist: Anonymous
Vijfentwintigjarig bestaan van de winkel van E.F. Eden te Amsterdam 1895
Object type: adrespenning
Date: 1895 – 1895
Materials: brass
Techniques: striking

Messing penning, op de voorzijde het aanzicht van de winkel schuin van rechts, op de keerzijde drie regels tekst met omschrift.
Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects
Object type: album print ornament architecture
Date: 1800 – 1850
Materials: chalk, graphite, ink
Techniques: pen
Artist: charles percier
Artist role: designer
Artist nationality: french
Artist dates: 1764 – 1838
Subjects: architecture
Betaalpenning van 10 cent van  de Maatschappij van Weldadigheid V1
Object type: history medal
Materials: zinc
Techniques: striking
Location: veenhuizen
Artist: Anonymous

Zinken penning, op de voorzijde in twee regels M.V.W. / 10. Ct, op de keerzijde V1
Buste van mannelijk naakt met opgeheven rechterarm
Object type: drawing
Date: 1868 – 1940
Materials: chalk, paper
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Koninklijk Postkantoor (links) en restaurant-bierhuis Die Port van Cleve (rechts) aan de Nieuwezijds Voorburgwal, versierd ter gelegenheid van het 25-jarig regeringsjubileum van koning Willem III
Object type: cabinet photograph
Date: 1874 – 1874
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: public festivities on the occasion of royal events, post-office, commemoration, jubilee (+ the public ~ festive activities), inn, coffee-house, public house, etc., restaurant, prospect of city, town panorama, silhouette of city, amsterdam
Inscriptions: inscription: ‘Amsterdam. Port van Cleve en Postkantoor. N.Z. Voorburgwal 25 jarig regeeringsjubileüm Willem III’
Manchet met rand met floraal motief in Engels borduurwerk
Object type: cuff
Date: 1800 – 1920
Materials: linen
Techniques: english embroidery
Location: western europe
Artist: Anonymous

Manchet met deels golvende rand met floraal motief in Engels borduurwerk.
Design for Wagon, no. 1052a
Object type: drawing
Date: 1870 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van een zittende vrouw
Object type: photograph
Date: 1884 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: surabaya
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: inscription: ‘Photographie Instantanée/ Charls & van Es/ Soerabaia./ Specialiteit in Vergrootingen.’
Jonge vrouw met medaillon om haar nek
Object type: book illustration
Date: 1831 – 1832
Materials: paper
Techniques: etching
Location: great britain
Subjects: female literary characters
Inscriptions: collector's mark: Lugt 2228

Prent uit: The Keepsake for 1832, 1831-1832.
Hinge
Object type: hinge
Date: 1630 – 1670
Materials: iron
The charge of the sixth division upon the Lukeutsuy fort, on the E. coast of Wei-Hai-Wei
Object type: photomechanical print
Date: 1894 – 1895
Materials: paper
Techniques: photograph
Location: japan
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: fortress, land forces, charge ~ battle
Portret van Christiaan V, koning van Denemarken en Noorwegen
Object type: print
Date: 1680 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: copenhagen (city), historical persons, ships (in general), war, king, armorial bearing, heraldry

Rechtsboven genummerd: Fig: XI. Rechts van de geportretteerde zijn wapenschild.
Portret van een man uit de familie Van Beyeren van Schagen
Object type: photomechanical print
Date: 1907 – 1907
Materials: paper
Techniques: photograph
Subjects: armour, armorial bearing, heraldry, historical persons not known by name
Inscriptions: inscription: ‘Haarlem 16 / Albert Nicolaas van Schagen’, name: ‘J. de Baen’

Fotomechanische afdruk uit een veilingcatalogus van Frederik Muller & Cie (Amsterdam), 1907-04-30, cat. nr. 43.
Perugia. Palazzo Comunale
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1912
Materials: cardboard
Techniques: photograph, writing
Location: perugia
Subjects: palace, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: postage stamp
Glass bottle
Object type: bottle, two handled
Date: 401 – 500
Materials: glass
Culture: roman, syrian

Translucent yellow green; handles and trail in translucent turquoise blue. Outsplayed rim, folded over and in, with beveled outer edge; cylindrical neck, tooled in at base; elongated, slender piriform body; tubular base ring made by folding; pushed-in bottom with thick pontil scar; two rod handles applied as long trails on sides of body, drawn up to just below junction with neck, then drawn out, up, and in as loops, and pressed onto lower part of neck over trail. The handle trails are decorated with numerous, irregular, tooled notches; a single trail applied under bottom of one handle and wound up in a spiral almost seven times around neck, ending on rim. Intact, except for sections of trail around neck; some pinprick bubbles and prominent blowing striations; patches of thick creamy brown weathering and iridescence. With applied threads.
A Short History of General Nathaniel P. Banks, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: firearms,men,portraits,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Set of Dinner Forks (10)
Object type: metalwork
Date: 1789 – 1820
Materials: metal, silver, silver gilt
Location: paris
Artist: martin-guillaume biennais
Subjects: borghese service

These dinner forks are part of a vast service made for Emperor Napoleon Bonaparte’s sister Pauline on the occasion of her marriage to the Roman nobleman Camillo Borghese, Sixth Prince of Sulmona.

In the years after the French Revolution, architects and designers adopted the visual language of ancient Greece and Rome to express the new imperial order. Napoleon, hoping to promote Paris’s luxury trades, commissioned several silver dinner services as gifts to be sent abroad.
Study of a Flag for the Landing of Columbus (from Sketchbook)
Object type: drawing
Date: 1891 – 1891
Materials: gilt, graphite, leather, paper
Techniques: bookbinding
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: flags
Clothes brush
Object type: clothes brush
Date: 1743 – 1745
Materials: hair, silver gilt
Artist: johann christoph stenglin
Artist role: maker
Artist nationality: german
Artist dates: 1737 – 1775
Drie baarzen
Object type: visiting card
Date: 1840 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: bony fishes: perch
Inscriptions: collector's mark: Lugt 2228

Drie baarzen. Getekend op de achterzijde van een visitekaartje van 'Gebr.s Canta'.
Wat in the Interior, near Ayuthia
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Glass bowl
Object type: bowl
Date: 101 – 300
Materials: glass
Culture: roman

Colorless with blue green tinge Everted horizontal rim with rounded outer lip; projecting tubular fold below; S-shaped sides curving in to integral tubular base ring; kick in bottom with circular pontil scar. Intact; pinprick bubbles; deep pitting and brilliant iridescent weathering.
Portret van Leonhard Grundherr
Object type: print
Date: 1656 – 1722
Materials: paper
Techniques: mezzotint
Artist: georg fennitzer
Artist role: print maker
Artist dates: 1646 – 1722
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Nimmegen / Novimagiu[m], sive Noviom | agum
Object type: area plan
Date: 1607 – 1609
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maps of cities, nijmegen
Inscriptions: number: ‘66’

Plattegrond van de stad Nijmegen. Midden boven de titel, links het wapen van het hertogdom Gelre, rechts het stadswapen. Rechtsonder een cartouche met de Latijnse titel. Linksonder een man en een vrouw. Onderdeel van de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
Interieur met lambrisering
Object type: sketchbook leaf
Date: 1889 – 1894
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: wainscoting, interior of the house

Blad 13 verso en 14 recto uit een schetsboek met 33 bladen.
Strook, accoladevormig geschulpt, van crème-witte satijn, kleurig geborduurd met een rozet en slingerende rank
Object type: textile
Date: 1750 – 1800
Materials: silk
Techniques: embroidered
Location: china

Strook, accoladevormig geschulpt, van crème-witte satijn, kleurig geborduurd met een rozet en slingerende rank. Vormt een pendant met een tweede exemplaar. Chinese zijde.
Oporto, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: cities,flags

Trade cards from the "City Flags" series (N6), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Inwoners van Nazaret verdrijven Christus uit de stad
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ, having been chased out of nazareth, passes unharmed through the multitude
Inscriptions: collector's mark: Lugt 2165

Toen de aanwezigen in de synagoge van Nazaret hoorden dat niemand van hen van huidvraat werd gereinigd, maar wel de Syriër Naäman, ontstaken ze in grote woede. Hierop drijven ze Christus de stad uit, naar de rand van de berg waarop hun stad gebouwd was, om hem in de afgrond te storten. Bij verschillende elementen uit de voorstelling staan letters die corresponderen met de legenda in de marge.
Twee huizen aan een weg
Object type: print
Date: 1767 – 1806
Materials: paper
Techniques: etching
Artist: johannes huibert prins
Artist role: draughtsman, painter, print maker
Artist dates: 1757 – 1806
Subjects: dove-cote, cottage, (playing at) marbles
Inscriptions: collector's mark: Lugt 240

Voor twee rietgedekte huizen langs een weg staan een paar vrouwen te praten. Een andere vrouw draagt een mand op haar hoofd. Op de weg scharrelen kippen en spelen drie kinderen met knikkers. Aan de gevel van het grootste huis hangt een duiventil.
Seal
Object type: seal
Date: 960 – 1279
Materials: jade
Culture: chinese
Vroedschapspenning van de stad Keulen, penning uitgereikt aan de leden van de stadsraad recht gevend op een kan bier of wijn
Object type: council medal
Date: 1730 – 1730
Materials: metal alloy
Techniques: striking
Location: cologne
Artist: Anonymous
Subjects: cologne

Penning. Voorzijde: gehelmd wapenschild, geflankeerd door griffioen en leeuw binnen omschrift. Keerzijde: kelk met op voet een gezichtje binnen omschrift; randschrift
Collar
Object type: collar
Date: 1870 – 1870
Materials: glass, silk
Culture: american or european
Omlijsting met cartouches
Object type: ornament print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: netherlands
Artist: theodor de bry
Artist role: draughtsman, print maker
Artist dates: 1528 – 1598

Smalle rechthoekige cartouche middenboven; middenonder een cartouche met ronde zijkanten. Linksboven en rechtsboven rijst een trompetspelend engeltje op uit een voluut. Links- en rechtsonder leest een sater met een ril op een boek. Hoort bij een serie van 18 bladen waarbij in het midden van aparte platen zevenentwintig emblemata en vijfenveertig wapenschilden zijn gedrukt. De emblemata zijn ten dele genummerd A-D, 1-7 en 9-21. Drie bladen hebben geen nummer. De wapenschilden, die deels dubbel zijn afgedrukt, zijn ongenummerd.
Italiaanse en Duitse landschappen
Object type: print
Date: 1710 – 1747
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Landschap met rivier, op de voorgrond een bebaarde en vrouw, voor hen uit rennend een putto. Geheel links twee jagers. De prent maakt deel uit van een 40-delige serie prenten met voorstellingen van Italiaanse en Duitse landschappen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the center of a kylix; complete stem and foot; on the top of the foot, a reserved chamfer; the outer edge and resting surface of the foot have miltos; the outer edge of the underside of the foot has a circular band of black glaze; the center has miltos
Jousting Helm
Object type: jousting helm
Date: 1475 – 1500
Materials: steel
Culture: italian
Location: italy
Valentine
Object type: valentine
Date: 1880 – 1880
Materials: lace, paper
Techniques: chromolithography, cutting, embossing, open work
Artist: Anonymous
Artist role: artist
Border
Object type: costume and accessory
Date: 1720 – 1740
Materials: lace, linen
Techniques: lace
Location: belgium
Subjects: diamond shapes, cartouches, arabesque
Interior: House of Lords
Object type: photograph
Date: 1902 – 1940
Materials: paper
Techniques: gelatin silver print
Location: saxony
Artist: Anonymous
Subjects: interior of the house
Stoomlocomotief voor personenvervoer gemaakt door Sharp, Stewart and Company
Object type: photograph
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: steam locomotive
Inscriptions: number: ‘770’, inscription: ‘Class 770. Passenger engine.’
Glass oinochoe (jug)
Object type: oinochoe
Date: 34 – 33
Materials: glass
Culture: roman

Semi-opaque pale blue. Trefoil rim with beveled outer lip; concave, slightly oval neck, joining imperceptibly with ovoid body; applied splayed base ring on low concave pedestal, with broad flat edge around concave bottom; applied handle rising from body to edge of back of rim, with angular outer profile and central vertical rib, loop rising above rim with upward projecting thumb-rest. On the neck, three angular vertical lines, one below the spout, and the other two at the sides below the handle, with two deep indents at sides of rim to form to trefoil mouth; on base ring, raised horizontal molding around base of body, a pronounced angular raised molding at top of base ring, and a band of three rounded raised horizontal lines forming molding at outer edge of base ring; on the carved handle: a raised diamond-shaped area at base of handle imitating an attachment plate; a flat diamond shape incised with two cross lines as base finial to handle; a recessed area at top of handle where it curves in towards rim; a thumb-rest in relief with central rib and tapering towards back of handle; at either side of handle on rim splayed wings with curving finials. Intact, except for front of thumb-rest, which is chipped; dulling, some pitting of surface bubbles, and faint iridescence, with a patch of limy enrustation on underside of base ring. This elegant jug, whose shape imitates that of a metal vessel, shows how quickly the newly founded Roman glass industry mastered its medium. It represents a masterpiece of glassworking, using techniques that are now only imperfectly understood. After it was applied as a rough blank, the jug's handle was cold-carved into its final form. Similarly, the rim has been tooled and carved, and the base was added and cut down on a lathe. A similar method, combining hot and cold working, must have been used to produce early Roman cameo glass, notably the British Museum’s Portland Vase.
Portret van Nicolas François, graaf van Neufchâteau
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons, politician, e.g. party leader, writer, poet, author
Captain Johannessen of s.s. Vega
Object type: page
Date: 1913 – 1913
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: seaman (with name of rank)
Liggende koe en schaap
Object type: print
Date: 1803 – 1841
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes van cuylenburgh
Artist role: print maker
Artist dates: 1793 – 1841
Subjects: cow, sheep
Inscriptions: collector's mark: Lugt 2228
Lidded ewer
Object type: ewer
Date: 1614 – 1614
Materials: silver
Techniques: gilding
Location: utrecht
Artist: adam van vianen (i)
Artist role: draughtsman, print maker, silversmith
Artist dates: 1568 – 1627
Subjects: prague, jeweler, paulus willemsz. van vianen, bending figure - aa - female human figure, monkeys, apes, amsterdam
Inscriptions: duty mark, date letter: ‘T’, town mark, signature and date: ‘A.D.Viana.FE. Ao 1614’, maker's mark

On this ewer everything is in motion. Animal and human forms emerge from a viscous mass. It is possible that it represents the primordial soup (prima matera) from which life arose according to alchemists. On the inside are two crawling salamanders or lizards: animals that were also thought to originate from non-living matter. Does the ewer establish a link between the creative power of the artist and that of nature?
Wine container (hu)
Object type: wine container
Date: 1 – 200
Materials: earthenware, glaze, lead
Culture: chinese
Micrographic Design in the Shape of a Pair of Glasses
Object type: album print ornament architecture
Date: 1601 – 1633
Materials: ink
Techniques: pen
Artist: Anonymous
Artist role: artist
Subjects: abstraction

Micrographic design in the shape of a pair of glasses, presented in the center of an ellipse. The text of the micrographic design is written in Italian. Part of an album of 26 examples of calligraphy and micrography, thought to have been produced in France or possibly Antwerp at the beginning of the seventeenth century.
Gorge de Sallanches. Savoie.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: bonneville
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: rapids, ravine, chasm, abyss, canyon
Inscriptions: inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’, number: ‘27.’
Winged Pendant
Object type: pendant
Date: 1501 – 1600
Materials: stone
Culture: tairona
Location: colombia
Eliëzer geeft geschenken aan Rebekka, haar moeder en haar broer Laban
Object type: drawing
Date: 1677 – 1755
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: gifts of clothing, gold and jewellery are offered to rebekah's parents
Horse and rider
Object type: statuette of a warrior on horse
Date: 300 – 268
Materials: terracotta
Culture: cypriot
Subjects: human figures,shields,faces,horses

The figurine, in the Kourion style, is handmade and solid. The rider's face is mold-made, as is the device on the shield. The horse has a large head and a pronounced forelock between its ears. The rider has an elongated body and short legs.
Armchair
Object type: armchair
Date: 1740 – 1740
Materials: wood
Techniques: tapestry
Subjects: flowers

The tapestry panels displaying bouquets, baskets, and vases of flowers were probably designed by the painter Tobias Stranover (1684–1756), who specialized in the depiction of birds, flowers, and still life, and were woven by William Bradshaw (act. 1728–75) in London.
Motifs de sculpture décorative
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: liège
Subjects: capital (~ column, pillar)
Inscriptions: inscription: ‘Jean Herman, Sculpteur.’, number: ‘13’

Deze prent maakt deel uit van een omslag met 28 prenten en een titelblad.
Earring
Object type: earring
Date: 201 – 300
Materials: gemstone, glass, gold, paste
Culture: pontic
Tweehonderjarig bestaan van het diakonie weeshuis der Nederduitsch Hervormde Gemeente te Amsterdam
Object type: history medal
Date: 1857 – 1857
Materials: silver
Techniques: striking
Location: amsterdam
Artist: samuel cohen elion
Artist dates: 1815 – 1880
Subjects: orphanage, amsterdam
Inscriptions: inscription: ‘GOD IS EEN VADER DER WEEZEN’, inscription: ‘BIBLIA SACRA’, inscription: ‘DIA . WEESHUIS DER NED. HERV. GEM. TE AMSTERDAM’