deem-data/ArtiFact huggingface dataset:
J. C. J. van Speyk
Object type: brochure
Date: 1831 – 1831
Materials: paper
Techniques: printing, sewing
Location: utrecht

14 genummerde pp in groene papieren omslag.
Onderwaterlandschap in de baai van Banyuls-sur-Mer
Object type: photomechanical print
Date: 1890 – 1900
Materials: paper
Techniques: autotype
Location: france
Artist: Anonymous
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: number: ‘Fig. 19.’
Balcony, Amsterdam
Object type: print
Date: 1889 – 1889
Materials: ink, ivory
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: balconies,houses,amsterdam
Fragments d'Opéra
Object type: tapestry
Date: 1746 – 1750
Materials: silk, wool
Techniques: tapestry
Location: france
Inscriptions: signature: ‘MONMERQUÉ.GOBs’

Tapestry, one of a set of four with scenes from the opera Rinaldo et Armida (1686) by P. Quinault and J.B. Lully, inspired by the epic poem Gerusalemme Liberata by Torquato Tasso. Wool and silk, tapestry woven. Paris, 1741 - 1749, Manufacture Royale des Gobelins, workshop of Mathieu Monmerqué and Pierre François Cozette. The scene of Armida falling in love with the sleeping Rinaldo is after a design by Charles Coypel, 1741, the borders after one by Pierre Josse Perrot, 1738. Presented by Louis XV to the Spanish ambassador Paul-Gérôme Grimaldi in 1763 Given by the Commissie voor Fotoverkoop, 1955.
Russische verkopers
Object type: print
Date: 1816 – 1839
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: street-trader, human races; peoples; nationalities, europeans (with name)
Inscriptions: collector's mark: Lugt 2228a
Portret van een vrouw
Object type: album leaf
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: franciscus g. lukera
Artist role: fotograaf
Artist dates: 1853 – 1927
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘F. Lukera/ Amsterdam/ Ceintuurbaan 187’
Dressing gown
Object type: dressing gown
Date: 1870 – 1879
Materials: cotton, linen
Culture: american
Pouch
Object type: pouch
Date: 1676 – 1700
Materials: silk
Culture: european
Portret van Cornelia Hendrika Jonker
Object type: carte de visite
Date: 1875 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: cornelia hendrika jonker, historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: name: ‘C.H. Jonker’, inscription: ‘A. Greiner/ Photograf/ Amsterdam/ Nieuwendijk L.89’
Italiaanse havens
Object type: print
Date: 1679 – 1728
Techniques: engraving, etching
Location: amsterdam
Artist: johannes gronsveld
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1658 – 1728
Subjects: cooking food - cc - in the open air, harbour (+ four persons or more ~ traffic and transport)
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘b, twee onleesbare letters, l, en een langwerpig figuur’

Haven met kooplieden rond een ketel die boven het vuur hangt. Links op de achtergrond een paleis met vier standbeelden op de kroonlijst. En rechts op de kade een man, zwaaiend naar een vertrekkend zeilschip. Twaalfde prent uit een serie van twaalf met Italiaanse havens.
Illustration from Les Eneydes de Virgille, plate 67 from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Techniques: woodcut
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1500 – 1599
Het Gezigt van d Passer en Coekraal benevens d. berge d. Sallak en Pangrangoe, int Verschiet te Zien, van het Speelhuijs uijt de Kleene Thuijn op Buijtensorg
Object type: drawing
Date: 1769 – 1769
Materials: ink, paper
Techniques: brush, pen
Location: buitenzorg
Artist: johannes rach
Artist role: draughtsman
Artist dates: 1720 – 1783
Subjects: landscapes in tropical and sub-tropical regions, mountains
Inscriptions: date

Rivierlandschap met op de voorgrond een rivier waarin in het midden een afwateringsbuis uitkomt. Daarachter landschap met twee bergen, verschillende figuren en een stoet met drie koetsen, voorafgegaan door een kolonne lansiers en ruiters. Links een laag gebouw waar de Nederlandse vlag uithangt; rechts omheining waarbinnen bebouwing.
Studieblad met verschillende koppen
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis kruseman
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1857
Subjects: drawing, sketch, head (human)
Inscriptions: collector's mark: Lugt 2228

Studieblad met zeven verschillende koppen van mannen en vrouwen.
Celebrrrre Jury de Peinture..., published in Le Charivari, March 16, 1840
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,geometry,telescopes
Dover Pier, Kent
Object type: drawing
Date: 1828 – 1840
Materials: gouache, graphite, watercolor
Artist: david cox, the elder
Artist role: artist
Artist nationality: english
Artist dates: 1783 – 1859
Subjects: boats,piers

Cox's mastery of watercolor is apparent in this small sheet. Brightening light at the the horizon indicates dawn, while a crowd gathered on a pier and distant sails characterize a busy port. Although tiny, the figures are distinguished by a various colors and shapes which contrast with long flat strokes used in the sky and water to suggest calm. Cox was a leader of the Birmingham school and one of the period’s significant watercolorists. He showed mainly at the Society of Painters in Watercolours in London. Initially influenced by Richard Parkes Bonington and John Varley, by the 1830s Cox was known for his distinctive, washy handling developed to depict English country subjects centered on wind and weather. A related subject, "Dover from the Sea," 1831 (Birmingham Museum and Art Gallery) with similarly handled washes, suggests a possible date for the present work.
Portrait of the venerable Franciscan Father Sebastian Sillero
Object type: print
Date: 1782 – 1782
Techniques: engraving
Artist: manuel salvador carmona
Artist role: artist
Artist nationality: spanish
Artist dates: 1734 – 1820
Subjects: men,portraits
Portret van Gaius Gracchus
Object type: print
Date: 1820 – 1920
Materials: paper
Techniques: engraving
Artist: laurent vogel
Artist role: print maker
Subjects: politician, theologian, historical persons
Henry (57)
Object type: photograph
Date: 2017 – 2017
Materials: ink, paper
Techniques: inkjet print
Location: netherlands
Artist: gerrit meerman
Artist role: fotograaf
Artist dates: 1957 – 
Subjects: airborne traffic, aviation, computer, equation-solving machine

“Het is niet in uren uit te drukken hoeveel tijd in het bouwen is gaan zitten”. Toen Henry begin jaren 90 op zijn computer kennismaakte met de SU-27 Flanker, was hij meteen verkocht. De eenvoudige scenery van de Krim gaf hem al een aardige beleving van het vliegen.
Na het zien van een echte Russische SU-27 tijdens een airshow, ontstond het verlangen om de cockpit van dit type toestel zo realistisch mogelijk na te bouwen. Een vriend die in Azië een piloot in de familie had, leverde foto’s van de cockpit met een meegefotografeerde rolmaat. Zo konden de juiste maten van de instrumenten in de cockpit herleid worden. Nu is alles schaal 1:1 nagebouwd en voorzien van Russische teksten en tekens. De onderdelen die nog niet nagemaakt zijn, zijn in fotoprint uitgevoerd om de ‘look’ te vervolmaken. Elke dinsdagavond vliegt Henry online met zijn maten van het Dutch Flanker Displayteam. Zijn bijnaam is ‘Wasserfall’, gebaseerd op de door de Duitsers tijdens WO II ontwikkelde raket.
Gezicht op de Sint-Pietersbasiliek en het Apostolisch Paleis te Vaticaanstad, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Artist: Anonymous
Subjects: city-view in general; 'veduta', church (exterior), rome
Brief aan Anna Dorothea Dirks
Object type: letter
Date: 1926 – 1926
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: johan huizinga
Artist dates: 1872 – 1945
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, artist, anna dorothea dirks, passions, emotions, affections
Inscriptions: collector's mark: ‘RPK’
Ploegende paarden
Object type: drawing
Date: 1867 – 1935
Materials: charcoal, paper
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: cultivated land, horse
Man met zijn handen op zijn rug en steek onder zijn arm
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching, hand coloring
Artist: Anonymous
Subjects: head-gear: tricorn, coat, historical costume, contemplation
Inscriptions: collector's mark: Lugt 1641a, stamp, collector's mark: Lugt 1641

Bovenaan genummerd: 4. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De 18de eeuw (de pruikentijd). Mannen en vrouwen.
Prijspennning van de Vereeniging van Nederlandsche Scherpschutters, individueel vuur, eerste prijs
Object type: medal
Date: 1890 – 1890
Materials: silver
Location: hoorn
Artist: Anonymous

Verguld zilveren penning met oog en ring van de Vereeniging van Nederlandsche Scherpschutters, behaald door de detachementen van het 1e en 2e bataljon regiment Schutterij te Amsterdam, 1890. Schietwedstrijd op 25 augustus 1890 in Hoorn. Voorzijde: het Nederlandse wapen in renaissancestijl. Omschrift: VEREENIGING VAN NEDERLANDSCHE SCHERPSCHUTTERS. Keerzijde: ALGEMENE SCHIETWEDSTRIJD HOORN. In het veld gegraveerd: 18-90 / 1e PRIJS.
Goblet
Object type: goblet
Date: 1801 – 1900
Materials: gilt, metal, silver

This electrotype is after a sixteenth-century original in the National Museum, Budapest, at the time of reproduction.
Pitcher
Object type: pitcher
Date: 1801 – 1900
Subjects: boys,girls,infants,women
Illustratie bij Canto IV van Tasso's 'Gerusalemme Liberata'
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: devil(s) and demons: satan, militant proselytizing: religious war, crusade, etc., (scenes from) specific works of literature: tasso, gerusalemme liberata, knight
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’, number: ‘21’

Deze prent maakt deel uit van een reeks van twintig prenten (+ opdracht) met voorstellingen van scènes uit Tasso's 'Jeruzalem verlost', een episch gedicht geschreven door de Italiaanse dichter Torquato Tasso en voor het eerst gepubliceerd in 1581. Het verhaal vertelt grotendeels in fictie over de Eerste Kruistocht waarin de christenen, geleid door Godfried van Bouillon, de strijd aangaan met de moslims om het Beleg van Jeruzalem.
Atlasgebergte bij Algerije
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil
Location: algeria
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: mountains
Inscriptions: kleurnotitie, handgeschreven

Pagina 19 uit een schetsboek met 31 bladen.
Bamboo in a spring thunderstorm
Object type: folding fan mounted a an album leaf
Date: 1601 – 1700
Materials: gold, ink, paper
Culture: chinese
Artist: tang yin
Artist role: artist
Artist nationality: chinese
Artist dates: 1470 – 1524
Subjects: bamboo

This fan purports to be by the Ming dynasty artist Tang Yin (with a spurious date of 1522), but the brushwork of the painting and the calligraphy indicate that it is a copy by an artist of the seventeenth century. Nevertheless, it is a fine example of bamboo painting, in which multiple tones of ink have been used to suggest depth among the leaf-laden stalks. The poem describes a spring thunderstorm that stirs bamboo before giving way to a clear, moonlit night: The crash of spring thunder sets the lush bamboo moving, Sweeping the ground with its dragon whiskers and long phoenix tails. Looking up from below the curtain I play my flute, The bright moon fills the sky, shining on the Xiao and Xiang Rivers. —Translation by Richard M. Barnhart
Ex libris van de University of Rochester Library
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: north and central america
Subjects: university, torch, globe
Paris Fire (Facade of the Palais de Saint-Cloud), from the series "Paris Incendié"
Object type: photograph
Techniques: albumen print
Location: france
Artist: charles soulier
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1875
Subjects: collected by hugh edwards, paris
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic
Artist: apollodoros
Artist role: artist

Interior, filleted youth, reclining on a kline holding a kylix in his left hand, and playing kottabos with the kylix on the fingers of his right hand; on the kylix that he is playing kottabos with, part of an inscription, OE?
Portret van Sebastian Münster op 60-jarige leeftijd
Object type: print
Date: 1554 – 1554
Materials: paper
Techniques: letterpress printing
Location: basel
Subjects: scholar, philosopher, historical persons

Prent uit: Münster, Sebastian. Cosmographiae uniuersalis (...). Bazel: Heinrich Petri, 1554, dl. 6.
Do Not Bid My Voice Be Mute (valentine)
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: cutting, embossing, hand coloring, lithograph
Location: england
Artist: george meek
Artist nationality: english
Artist dates: 1800 – 1899
Fragment
Object type: textile
Date: 1625 – 1675
Materials: gilt, metal, silk
Techniques: brocade, weave
Location: italy
Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille
Object type: painting
Date: 1485 – 1495
Materials: oil, wood
Artist: jacometto (jacometto veneziano)
Artist role: artist
Artist nationality: italian
Artist dates: 1472 – 1498
Subjects: portraits,women

This exquisite and enigmatic portrait and its pendant (1975.1.86) are most likely the works by the Venetian painter and illuminator Jacometto, recorded by the connoisseur Marcantonio Michiel in the collection of a Venetian patrician in 1543. Michiel, who praised them as "a most perfect work," identified the man as Alvise Contarini and the woman as a "nun of San Secondo" (a Benedictine convent in Venice). The paired portraits and the allusion to fidelity on the verso of the male effigy (a roebuck chained beneath the Greek word AIEI, meaning “forever”) would normally suggest a married couple; however, her possible status as a nun makes it difficult to determine their relationship. If the garment is a habit, which seems doubtful given her bare shoulders, she may have led a secular life as a nun or entered the convent as a widow. The portrait may have been commissioned platonically (such cases are known). Alternatively, the wimple-like headdress may represent an entirely secular and contemporary fashion trend. Perhaps the portraits, which probably fit together in a boxlike frame, were designed to hide their clandestine relationship. Illustrating the influence of Netherlandish painting on Venetian portraiture, the portraits are striking for their meticulous detail, highly refined technique, and luminous, atmospheric landscape backgrounds.
Netsuke of Puppies on a Bamboo Whisk
Object type: netsuke
Date: 1701 – 1800
Materials: ivory
Culture: japanese
Subjects: dogs
Terracotta rim fragment of a kyathos (cup-shaped ladle)
Object type: kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Below the rim, a vine; eyebrow and outer part of an eye
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Date: 1928 – 1928
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: menton
Artist: ferdinand-sigismund bac
Artist role: draughtsman
Artist dates: 1859 – 1952
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Temple of Antoninus and Faustina, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1565 – 1565
Techniques: engraving
Location: rome
Artist: Anonymous
Artist role: artist
Subjects: architecture,temples,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 35 in the scrapbook.
Wien, Universität.
Object type: photomechanical print
Date: 1870 – 1904
Materials: cardboard
Techniques: photograph, lithograph, writing
Subjects: university building, college, vienna
Inscriptions: postage stamp
The Crucifixion, (reverse) Saint Francis of Assisi; The Resurrection, (reverse) An Abbot Saint, Possibly Saint Benedict
Object type: painting, wing of an altarpiece
Date: 1455 – 1465
Materials: oil, wood
Artist: northern french painter
Artist role: artist
Artist nationality: french
Subjects: soldiers,men,christ,saint francis,crucifixion,resurrection
Giangiacomo Trivulzio 1441–1518, Marshal of France 1499, Marquis of Vigevano
Object type: medal
Date: 1475 – 1527
Materials: bronze
Artist: caradosso (cristoforo caradosso foppa)
Artist role: artist
Artist dates: 1470 – 1527
Passementerie
Object type: passementerie
Date: 1830 – 1830
Materials: metal thread
Fragment van een decoratieve boord van een liturgisch gewaad
Object type: band
Date: 1400 – 1550
Materials: textile, linen, metal thread, silk
Location: italy
Artist: Anonymous

Fragment van bruine zijde met voorstelling van de Boodschap van de engel Gabriël aan Maria, waarboven granaatappelpatroon en een deel van dezelfde voorstelling.
Soshu Oyama Roben no taki
Object type: print
Date: 1830 – 1834
Materials: paper
Techniques: woodcut, nishiki e
Location: tokyo
Artist: katsushika hokusai
Artist role: draughtsman, print maker
Artist dates: 1760 – 1849
Subjects: waterfall

Pelgrims badend in een poel onderaan een waterval welke neerstort vanuit de bergwand; een badhuis naast de poel.
Basalt tripod vessel or mortar
Object type: bowl, shallow
Date: 2500 – 1050
Materials: stone
Culture: cypriot

The mortar has three quite tall legs.
Letter T
Object type: book illustration
Date: 1700 – 1799
Materials: paper
Techniques: etching, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: fancy letters

Letter T tegen een achtergrond met vlechtwerk, rookvaten en vogels.
Pricket Candlestick
Object type: decorative art
Materials: porcelain
Techniques: painting, underglaze
Location: china
Kintai Bridge at Iwakuni, Suo (Boshu) Province from the series “One Hundred Famous Views of the Various Provinces”
Object type: print
Date: 1859 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
Ontwerp voor een secretaire
Object type: design drawing
Date: 1825 – 1835
Materials: ink, paper
Techniques: brush, pen
Inscriptions: watermark: ‘VDL’, inscription: ‘Zoll 12 9 6 3 1 2 3 4 5 Fuss’, signature: ‘C. Thielle’

Opstand met een bol, voor- en zijaanzicht, met daaronder een in tweeën gedeelde plattegrond, links een maatverdeling.
Portret van een onbekende man
Object type: photograph
Date: 1880 – 1900
Materials: leather, metal, textile
Techniques: photoceramics
Artist: Anonymous
Subjects: historical persons
The Virgin Surrounded by Many Angels
Object type: print
Date: 1518 – 1518
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: angels,madonna and child
The 'Pavillon de Mademoiselle' and Part of the Louvre
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: drypoint, etching, roulette
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Poerimbrief
Object type: text sheet
Date: 1852 – 1852
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: samuel beerenstein, aids for prayer, e.g. rosary
Inscriptions: stamp, collector's mark: Lugt 1641, stamp: ‘Van het Koninklijk Oudheidkundig Genootschap te Amsterdam’, stamp

Pamflet ter gelegenheid van poerim. De tekst is en brief van de fictieve Saartje Proper aan haar geliefde Leip Rinkel in Amerika. In de brief beschrijft zij het leven in Amsterdam en de nieuwtjes over de bewoners van de Joodse buurt in Amsterdam. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Israëlieten.
Terracotta squat jar
Object type: jar, squat
Date: 1500 – 1401
Materials: terracotta
Culture: cypriot

Squat three-handled jar with curved profile, waves and flamboyant leaves.
Slag bij Zaragossa
Object type: history medal
Date: 1710 – 1710
Materials: silver
Techniques: striking
Location: nuremberg
Artist: philipp heinrich müller
Artist role: medailleur
Artist dates: 1654 – 1719
Subjects: vienna, charles vi (holy roman emperor)

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: vliegende Rijksadelaar in gevecht met Franse haan binnen omschrift, boven opschrift; randschrift
Chateau de Gaesbeek
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: kasteel van gaasbeek
Artist: gustave choppinet
Artist role: fotograaf
Subjects: castle, symbols and allegories of jurisprudence
Inscriptions: number: ‘PLANCHE 37’, inscription: ‘à Madame la Marquise ARCONATI-VISCONTI/ La Galerie/ (Le lit de justice)’

Deze prent maakt deel uit van een omslag met 89 prenten en 5 tekstbladen.
Sugar Bowl
Object type: sugar bowl
Date: 1765 – 1785
Materials: silver
Culture: american
Location: united states
Artist: thomas shields
Artist role: maker
Artist nationality: american
Artist dates: 1742 – 1742
Ponte Lupo a Tivoli
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: rome
Artist: albert christoph dies
Artist role: painter, print maker
Artist dates: 1755 – 1822
Subjects: walking, hiking (recreation), river, landscapes in the temperate zone, walking the dog, rock-formations, tivoli
Inscriptions: collector's mark: Lugt 2228
Overwinningen van Frederik II de Grote, koning van Pruisen op de Oostenrijkers in de Oostenrijkse successieoorlog en de zevenjarige oorlog
Object type: history medal
Date: 1763 – 1763
Materials: silver
Techniques: striking
Location: germany
Artist: Anonymous
Subjects: berlin, frederick ii (king of prussia), prague