deem-data/ArtiFact huggingface dataset:
Peluwsloop met opening in het midden en twee sluitbandjes, gemerkt WG16
Object type: bolster case
Date: 1726 – 1769
Materials: linen
Location: northern netherlands
Artist: Anonymous
Inscriptions: mark: ‘WG 16’

Peluwsloop van linnen met opening in het midden en twee sluitbandjes, gemerkt WG16.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, top of head, part of forehead, and left eyebrow of filleted youth to left; three letters of an inscription, LIA?; Exterior, bit of stick; lower drapery and legs of male to left; part of calf of a second figure?
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, frontal face of bearded male; Exterior, anatomy?
Cream jug
Object type: cream jug
Date: 1770 – 1780
Materials: hard paste porcelain
Artist: gotha
Artist role: factory
Artist nationality: german
Artist dates: 1757 – 1900
Subjects: flowers
West Quadrangle looking South East
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: photoaquatint
Location: glasgow
Artist: Anonymous
Subjects: university (+ building ~ education, tuition), courtyard, glasgow
Inscriptions: inscription: ‘No.27’

Prent op twintigste ongenummerde pagina na pagina xxxiii.
Porta del Sole te Palestrina
Object type: photograph
Date: 1895 – 1915
Materials: photographic support
Techniques: gelatin silver print
Location: palestrina
Artist: Anonymous
Subjects: gate, entrance
Inscriptions: number: ‘9284’
Canister (one of three)
Object type: metalwork
Date: 1704 – 1706
Materials: silver
Location: dublin
Artist: edward workman
Willem II, koning der Nederlanden, penning van de eerste grootte
Object type: medal
Date: 1840 – 1841
Materials: metal
Techniques: gilding, striking
Location: utrecht
Artist: johannis petrus schouberg
Artist role: die cutter, draughtsman, print maker
Artist dates: 1798 – 1864
Subjects: william ii of the netherlands

Voorzijde: borststuk man binnen omschrift. Keerzijde: blanco veld binnen krans van myrtebladeren
De Barbier
Object type: print
Date: 1719 – 1759
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: razor, shaving, being shaved, barber, barbershop
Inscriptions: collector's mark: Lugt 1641, stamp

Prent met andere letterzetting gebruikt in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Janssoons van Waesberge, 1719, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman de Jonge, 1741, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman, 1759, dl. 2. Huidige prent uit een andere editie. Naar een prent van: Jan Luyken.
Vriendengroep op een golfbaan
Object type: photograph
Date: 1914 – 1914
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: golf
Inscriptions: inscription: ‘Golfli[...]/ voorjaar 1914’

Deze foto's zijn onderdeel van een album.
Mirror with Dragon Arabesques
Object type: decorative art
Materials: bronze
Location: china

The mirror in ancient China, usually held by hand with a cord, was a thin bronze disk with one face polished to a reflective sheen. The backs of mirrors were cast with elegant and dynamic designs that often reflect then-contemporary textile designs. The ground of interlocking T's on this mirror is known from textile finds as well as from impressions of deteriorated fabrics preserved in the surface corrosion of bronzes. Superimposed on, and contrasting with, this rectangular ground are flowing dragon- and bird-headed figures reminiscent of those seen in embroidered designs. The interplay of lines and curves is characteristic of the decorative art of the third and second centuries B.C.
Souvenir with portrait of a woman
Object type: souvenir, painting
Date: 1775 – 1776
Materials: gold, ivory, porcelain
Subjects: men,portraits,women,cupid

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Measurament of the Temple
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: jean duvet

In this vision from Revelation 11:1–13, a vibrant and industrious Saint John appears in small scale at the upper left. He holds a reed in his hand in order to measure the Temple of Jerusalem. The two larger figures recurring throughout the composition represent witnesses to events in the temple: they receive divine power issued by mouth from the figure of God the Father above the altar, they perish at the mercy of a beast from the abyss (at lower right), and are eventually resurrected (not pictured here).
Gezicht over het Windermere
Object type: page
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: lake district
Subjects: lake
Eerst gedaan en dan bedacht, / Heeft menig in 't verdriet gebracht
Object type: popular print
Date: 1843 – 1920
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: germany
Subjects: inn, coffee-house, public house, etc., robber
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over meneer Van Spek die de hoed steelt van meneer Van Pek. Onder elke afbeelding een tweeregelig vers. In de ondermarge een vierregelig vers. Genummerd midden onder: Nro. 128. Genummerd rechtsboven: 128.
Prijspenning van de Twentsche Kynologen Vereeniging te Hengelo
Object type: history medal
Date: 1900 – 1950
Materials: bronze
Techniques: striking
Location: netherlands
Inscriptions: inscription: ‘TW. KYN. VER. / HENGELO’

Bronzen penning, op de voorzijde drie medaillons met hondenkoppen en een inscriptieruimte, op de keerzijde palmtak en opschrift, zonder inscripties
Seal
Object type: seal
Date: 2000 – 1450
Materials: stone, gemstone
Culture: minoan, crete
Driehonderdjarige herdenking van de inname van Den Briel door de Watergeuzen 1872
Object type: history medal
Date: 1872 – 1872
Materials: tin
Techniques: casting
Inscriptions: inscription: ‘HET WAS / DE LEEUW / UIT JUDA'S STAM / DIE IN DEN BRIEL / ZYN ZETEL NAM / 1572’, circumscription: ‘DE WATERGEUS’

Gegoten tinnen penning, op de voorzijde een watergeus met vlag, bovenaan omschrift, op de keerzijde zes regels tekst.
L'Assemblee au Salon
Object type: print
Techniques: engraving, etching
Artist: françois nicolas barthélemy dequevauviller
Artist role: artist
Artist nationality: french
Artist dates: 1745 – 1807
Subjects: interiors,men,women,reading,dogs,coat of arms,screens,chairs,tables,games
Coffeepot
Object type: coffeepot
Date: 1770 – 1770
Materials: soft paste porcelain
Artist: liverpool
Artist role: factory
Subjects: boys,men,women

Though it is decorated in an Asian style with a domestic scene of a Chinese family, this baluster-shaped coffeepot is a form that developed in Europe with no precedent in the Far East. Coffee was introduced into Britain in the 17th century, and by the early 18th century, the tall coffeepot with spout and domed cover was established as the standard form. The sparing use of colored decoration on a white body left largely exposed and undecorated was inspired by the Japanese Kakiemon style. It can also be seen in the nearby Worcester teapot and vase that are also primarily white.
Two Sleeping Children
Object type: drawing
Materials: chalk
Techniques: heightening
Location: france
Artist: william bouguereau
Artist role: artist
Artist nationality: french
Artist dates: 1825 – 1905
Subjects: sleeping,children
Textile fragment
Object type: textile
Date: 501 – 700
Materials: silk
Techniques: weave
Culture: sasanian
Location: iran
Fragment of a mummy label
Object type: mummy label
Materials: ink, wood
Location: egypt
Prent 't Huys te Voorn door J.Vianen
Object type: photograph
Date: 1850 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: haarlem
Artist: g. a. vernout
Artist role: fotograaf
Artist dates: 1848 – 1913
Subjects: print, e.g.: engraving, etching, lithograph, huis te voorn
Inscriptions: stamp: ‘G.A. Vernout photographie Haarlem’
Holland, halve gulden, 1749
Object type: halve gulden
Date: 1749 – 1749
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: tussen waarde-aanduiding X St gekroond generaliteitswapenschild. Jaartal boven kroon. Keerzijde: staande Nederlandse maagd met in rechterhand speer, waarop hoed en met linkerhand steunend op altaar, waarop bijbel.
Zee-slag tussen de Engelse en Nederlandtse Vloot, op den 13 Juny Ao. 1665
Object type: history print
Date: 1690 – 1692
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: thomas doesburgh
Artist role: print maker
Subjects: james stuart (hertog van york), jacob baron van wassenaer heer van obdam, battle (+ naval force), battle of lowestoft

Zeegevecht voor Lowestoft (Lestoffe) tussen de Engelsen onder de hertog van York en de Nederlanders onder Wassenaer van Obdam, 13 juni 1665. Rechts het ontploffen van de Eendracht, het vlaggenschip van admiraal Wassenaer van Obdam.
Ariwara no Narihira, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)"
Object type: print
Date: 1814 – 1817
Techniques: woodblock print
Location: japan
Artist: kikukawa eizan
Artist nationality: japanese
Artist dates: 1787 – 1867
Palette with Incised Figures of Giraffes, Ibex, and Antelope
Object type: palette
Date: 3850 – 2960
Materials: stone
Location: egypt
Subjects: giraffes,ibex
Portret van Willem Sewel op 51-jarige leeftijd
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: engraving, etching
Subjects: linguistics (+ portrait of scholar, scientist), historical persons

Met vierregelig onderschrift in het Nederlands en tekst in het Nederlands rondom het portret.
Vrouw en kat in atelier
Object type: print
Date: 1881 – 1934
Materials: chalk, paper, pencil
Techniques: engraving, intaglio
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: cat, (human) skull, workshop, studio ~ painter, book
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2166

Een vrouw in een jurk zit op een kruk aan een tafel met daarop een kat. Ze houdt een opengeslagen boek in haar linkerhand vast. Op de achtergrond een boekenkast en een dressoir met vazen, een schedel en een kaars in een kandelaar. Tegen de muur twee schalen.
Portret van Maurits, prins van Oranje
Object type: print
Date: 1600 – 1650
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: the hague, maurice (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Nürnberg, Fleischbrücke
Object type: reproduction
Date: 1905 – 1909
Materials: cardboard
Techniques: writing
Location: nuremberg
Subjects: canals, waters (in city), bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Paul [...]mann [...]burg’
Zittende vrouw op haar rug gezien
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ back view with lost profile)
Inscriptions: collector's mark: Lugt 2228
Hugh McCormack, Skater, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,athletes

Trade cards from "World's Champions," Series 2 (N29), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Panel in Japanese Style
Object type: textile
Date: 1801 – 1900
Materials: cotton, silk
Techniques: bookbinding, patterning, satin weave, weave
Location: lyon
Artist: tassinari et chatel
Artist dates: 1680 –
Volwassen man met hoed
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: drypoint, etching
Location: london
Subjects: morphology of human expression (+ adult male (human being))
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: ‘B’
Pendant
Object type: pendant
Date: 401 – 800
Materials: copper alloy, glass, paste
Culture: roman
Bandontwerp voor: Louis Couperus, Eline Vere, 1898
Object type: study for binding design
Date: 1898 – 1898
Materials: cardboard, paint, ink, pencil
Techniques: brush, pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: ornament ~ round and curved forms, flowers ~ ornament
Inscriptions: annotation: ‘opzelfde grootte/ boekbindersdikte/ uittevoeren geheel in goud op donker linnen - of in kleur op licht linnen/ van Kampen’, collector's mark: Lugt 2228, :

Bandontwerp met bloemen en symmetrisch lijnenspel. In het midden een rechthoekig kader met titel en auteursnaam.
The Presentation in the Temple
Object type: print
Date: 1540 – 1550
Materials: paper
Techniques: woodcut, printing
Location: italy
Artist: niccolò vicentino
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1550
Studiebladen met modeverschijnselen
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: paris
Subjects: head-gear: hat (+ women's clothes), wig, fashion
Fragment (Furnishing Fabric)
Object type: textile
Materials: textile, silk, stone, velvet
Techniques: cutting, lining
Location: china
Gold and lapis lazuli pendant ring
Object type: ring with scaraboid pendant
Date: 600 – 468
Materials: gold, lapis lazuli
Culture: cypro-phoenician

This form of swivel ring with a carved gem or an inlay of glass or semiprecious stone is characteristic of the Archaic period and was introduced by the Phoenicians.
Mislukte aanslag van Frederik Hendrik, prins van Oranje-Nassau, op Hulst, rekenpenning geslagen ter ere van Filips IV, koning van Spanje
Object type: jeton
Date: 1626 – 1626
Materials: copper
Techniques: striking
Location: brussels
Artist: Anonymous
Subjects: the hague, frederick henry (prince of orange), filips iv (koning van spanje)

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: vier schepen, vastgelopen op zandbank bij havenhoofd van Kieldrecht; op achtergrond palmtak, omhangen met lauwerkrans binnen omschrift
Oranje gespikkeld zwart papier
Object type: sprinkled paper
Date: 1750 – 1900
Materials: lacquer, paper
Techniques: splatter marble
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760
Harringtonmonument in de Cartmel Priory
Object type: page
Date: 1870 – 1880
Materials: paper
Techniques: heliotype
Subjects: interior of church, monument, statue
Carey Castle in Pembroke Shire, plate ten from Twelve Views in South Wales
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist nationality: british
Artist dates: 1731 – 1809
Piece
Object type: piece
Date: 1701 – 1900
Techniques: lace
Gevelsteen met jaartal 1663.
Object type: gable stone
Date: 1663 – 1663
Materials: stone
Location: netherlands
Inscriptions: date

Liggende rechthoek met rondom een gearceerde rand en een gearceerde ondergrond waarop het jaartal 1663. Bij de steen horen twee gevelstenen: KOG-ALS-146-1 met twee spuwende koppen en KOG-ALS-146-2 met ANNO.
Creamer
Object type: cream pot
Date: 1870 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: james gillinder and sons
Artist role: maker
Artist nationality: american
Artist dates: 1861 – 1930
Subjects: lions
Martinus de Hanna
Object type: medal
Date: 1525 – 1550
Materials: bronze
Artist: leone leoni
Artist role: artist
Artist nationality: italian
Artist dates: 1504 – 1590
Subjects: men,profiles
Cho senshu
Object type: book
Materials: paper
Techniques: woodcut
Location: kyoto
Inscriptions: date

Dit object is omwille van een betere presentatie virtueel samengevoegd, maar bestaat fysiek uit losse onderdelen.
Portret van Agénor Bardoux
Object type: photomechanical print
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: étienne carjat
Artist role: draughtsman
Artist dates: 1828 – 1906
Subjects: paris, politician, adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine/ 126, boulevard Magenta. - Paris./ Né le 15 janvier 1830, à Cement-Ferrand.’
Feathered serpent ornament
Object type: ornament
Date: 1325 – 1521
Materials: gold
Culture: mexica, aztec
Location: mexico
Artist: mexica or mixtec (ñuu savi) artists
Artist role: artist
Portret van Bernard Germain de Lacépède
Object type: book illustration
Date: 1837 – 1837
Materials: paper
Techniques: etching
Location: edinburgh
Artist: william home lizars
Artist role: print maker
Artist dates: 1788 – 1859
Subjects: politician, historical persons, politician, e.g. party leader, (military) uniforms

Prent waarschijnlijk uit: Jadine, William. The Naturalist's Library (...). Edinburgh: William Home Lizars, 1837, dl. 6.
Foundation Deposit Plaque
Object type: foundation deposit plaque
Date: 1200 – 1085
Materials: faience
Location: egypt
Diogenes in zijn ton en twee gekroonde jongemannen
Object type: print
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: (story of) diogenes, the philosopher

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Falling Buffe for a Helmet
Object type: falling buffe for a helmet
Date: 1555 – 1560
Materials: steel
Culture: german
Location: germany
Artist: wolfgang grosschedel
Artist role: armorer
Artist nationality: german
Artist dates: 1517 – 1562
Hak van een schoen uit het wrak van de Oostindiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: leather, wood
Artist: Anonymous

Hak van een schoen, opgebouwd uit lagen leer met houten pennen.
La Trève de Dieu
Object type: furnishing textile
Date: 1820 – 1820
Materials: cotton
Subjects: men,women,trees
Folding the last sheep
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Location: england
Artist: samuel palmer
Artist role: draughtsman, painter, print maker
Artist dates: 1805 – 1881
Subjects: moonlight, sheep, cottage
Inscriptions: collector's mark: Lugt 2228, signature: ‘Samuel Palmer’
Portret van Christoph Ehinger op 34-jarige leeftijd
Object type: print
Date: 1656 – 1658
Materials: paper
Techniques: engraving
Location: germany
Subjects: augsburg, theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2228

Tekst in het Duits en Latijn onderaan in de marge.
Drawers
Object type: drawer
Date: 1801 – 1833
Materials: linen
Culture: american
Jacques van Oost
Object type: print
Date: 1822 – 1854
Materials: paper
Techniques: lithograph
Location: paris
Subjects: bruges, painter, print maker, jacob van oost (i), historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228a

Prent waarschijnlijk ook gebruikt in: Chabert, Jean Claude. Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Accompagnée d'une notice sur chacun d'eux, et de copies de dessins originaux / Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Accompagnée de leur notice historique, de leurs dessins et d'un discours sur les arts. Parijs: Jean Claude Chabert, s.a. [1822-1834].

De samenstelling van tegenwoordig bekende en al dan niet gebonden exemplaren van deze uitgave verschillen. Dit omdat de prenten en bijhorende stukken tekst op inschrijving en waarschijnlijk ook los verkrijgbaar waren.
Fan
Object type: fan
Date: 1751 – 1775
Materials: gold, mother of pearl, paper
Subjects: women,putti
Painted textile with scattered floral scrolls
Object type: painted textile
Date: 907 – 1125
Materials: ink, pigment, silk
Culture: chinese
Jacob and Esau, after Etienne Jeaurat
Object type: print
Date: 1744 – 1744
Techniques: etching
Artist: michel aubert
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1757
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Interior, youth to right, washing his hands at a laver; Exterior, lower drapery of a figure; part of a handle palmette with tendrils
Sterren kijken
Object type: album leaf
Date: 1815 – 1815
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: stars, firmament, sky

Bij een stadspaleis kijken twee mannen en twee kinderen naar de sterren. De man rechts wijst naar boven. De prent maakt deel uit van een album.
Exterior Door from Dr. Stephen Thorn House, New Hackensack, New York
Object type: door
Date: 1772 – 1772
Materials: wood
Culture: american
Location: united states

From the house of Dr. Stephen Thorn of New Hackensack in Dutchess County, New York, this "Dutch" door is typical of the exterior doors found in pre-Revolutionary houses from the Dutch cultural areas of New York and New Jersey. Two-part split doors of this type are indigenous to the Netherlands and appear frequently in seventeenth-century Dutch genre paintings depicting interiors. The fact that the upper section could be opened independently of the lower one afforded the homeowner the advantage of letting air and light into the interior while keeping children safely inside and animals and vermin out. Early houses in the Dutch cultural areas of New York and New Jersey were typically of two rooms arranged end to end under a steeply pitched roof, and lacked a center hall. To allow for privacy and heat retention, each of these rooms had an exterior "Dutch" door. Even after the adoption of the gambrel-roofed English style center hall house in the Hudson River valley in the 1750s, people of Dutch descent retained this earlier door type. This pattern of retaining certain traditional forms was typical of the New York Dutch and can be seen as well in their extended use of that quintessential Dutch furniture form, the kast. The door features eight fielded panels, the topmost pair pierced by oval lights of green "bull's-eye" glass. The front of the door is made of gumwood. The back is made of oak and the boards run diagonally, constructed with tongue-and-groove joints. The brass hardware and iron strap hinges are thought to be original.