deem-data/ArtiFact huggingface dataset:
Sinorix wordt weggedragen na zijn vergiftiging
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: etching, intaglio
Location: italy
Subjects: to avenge the death of her husband upon his murderer sinorix, camma feigns consent to marry him, pours poison into the nuptial bowl and hands it over to sinorix: the dying sinorix is seen struggling out of the temple of diana and trying to reach his carriage
Inscriptions: collector's mark: Lugt 240

De tetrarch Sinorix is vergiftigd door Camma, een vrouw wiens echtgenoot hij had vermoord. Sinorix wordt gedragen naar zijn wagen die rechts klaarstaat. Links een ronde tempel van Diana. Scène uit Plutarchus' 'De Mulierum Virtutibus'.
Portret van François Potier
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: number: ‘40’, collector's mark: Lugt 2228

Maakt deel uit van een serie portretten getiteld 'Tableaux historiques ou sont gravez les Illustres François et Etrangiers de l'un et l'autre sexe (...)', voor het eerst uitgegeven in 1652 door Daret. Een tweede staat werd uitgegeven door Boissevin en een derde door Jollain.
Madame Bergeret de Frouville as Diana
Object type: painting
Date: 1756 – 1756
Materials: canvas, oil
Artist: jean marc nattier
Artist role: artist
Artist nationality: french
Artist dates: 1685 – 1766
Subjects: bow and arrow,portraits,diana
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, two letters of an inscription, PA[IS]
Pomade box
Object type: pomade box
Date: 1765 – 1765
Materials: stoneware
Techniques: salt glaze
Subjects: couples,men,women
[Tented Camp of 30th Pennsylvania Infantry]
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: tents,army,soldiers,american civil war
Netsuke of Onono Tofu
Object type: netsuke
Date: 1701 – 1900
Materials: ivory
Culture: japanese
Subjects: men
Ex libris van A.H. van Riemsdijk-Nering Bögel
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: horse
Portret van Felix Osius
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
Dorps- en stadsgezichten te Kleef
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: etching
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), church (exterior)
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen van één plaat. Gezichten op de Munsterkerk (boven) en de Sint-Aldegondekerk (onder) aan de Rijn te Emmerik, Duitsland. De prent maakt deel uit van een 100-delige serie met gezichten op dorpen en steden te Kleef.
Beschrijving van de Oude Kerk te Amsterdam
Object type: text sheet
Date: 1783 – 1783
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: protestant churches and denominations

Tekstblad uit: Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783, dl. 2.
Belle Archer, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Aetarnitas
Object type: print
Date: 1614 – 1650
Techniques: engraving
Artist: marcus sadeler
Artist role: artist
Artist nationality: flemish
Artist dates: 1590 – 1660
Brief aan Jan Veth
Object type: letter
Date: 1916 – 1916
Materials: ink
Techniques: pen, printing, writing
Location: amsterdam
Artist: c.c. delprat
Artist role: arts
Artist dates: 1854 – 1934
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, family life
Inscriptions: collector's mark: ‘RPK’
Bed steps (Marchepied de lit)
Object type: bed step
Date: 1767 – 1800
Materials: wood, silk
Techniques: carving, damask, gilding, painting
Artist: jean baptiste boulard
Artist role: maker
Artist nationality: french
Artist dates: 1725 – 1789
Vrouw die schapen naar de stal leidt
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: drypoint, engraving, etching
Location: france
Subjects: sheep, stall, stable
Inscriptions: collector's mark: Lugt 964
Caricatures of Laughing Actors Scribbled on a Wall (Hakumensho kabe no mudagaki)
Object type: print
Date: 1848 – 1851
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
François Charles Hugues Laurent Pouqueville (1770–1838), French traveler in the Orient and man-of-letters
Object type: medallion
Date: 1827 – 1827
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Landschap met figuren aan het water
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: soft ground etching
Location: france
Subjects: water course
Inscriptions: collector's mark: Lugt 2228

Prent uit: Les Beaux-Arts, 1843, dl. 1, p. 25.
Naamkaartje voor 'Mejuffrouw Bernard'
Object type: print
Date: 1792 – 1799
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: johanna magdalena schnetzler, wedding feast, wedding meal
Inscriptions: collector's mark: Lugt 1641, collector's mark

Naamkaartje voor Johanna Magdalena Schnetzler, de echtgenote van Jean Bernard, te gebruiken bij de tafelindeling bij een bruilofts- of andere feestmaal. Onderdeel van een groep van bruilofts- en invitatiekaartjes van de families Bernard en Metayer. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Bruiloft en huwelijk.
The Raising of Lazarus
Object type: triptych
Date: 1530 – 1535
Materials: oil, panel
Artist: aertgen claesz van leyden
Artist role: draughtsman, painter
Artist dates: 1498 – 1564
Subjects: lazarus' shroud is removed
Inscriptions: inscription, lower right, on the seam of the robe of the second figure: ‘GEBOD.HEBT.GOD.LIEF.BOven.AL.Ende’

This triptych was painted to commemorate a married couple, the man and woman shown kneeling on the wings. The central panel appropriately depicts the miracle of Christ raising Lazarus from the dead, an allusion to the promise of eternal life and the belief that death is overcome through faith in Christ.
Portable Altar and Two Side Panels
Object type: portable altar and side panel
Date: 801 – 1200
Materials: gold, ivory, shell, stone, wood
Culture: european
Subjects: animals,angels
Portret van een staande man bij een stoel
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: standing figure, adult man, historical persons
Design for a Mirror
Object type: drawing
Date: 1820 – 1880
Materials: gouache, ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: birds,mirrors
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Right half of a kylix handle with a bit of the handle patch
Wine Glass
Object type: glass
Date: 1801 – 1900
Materials: glass
Techniques: glassblowing
Location: austria
Artist: j. & l. lobmeyr
Artist nationality: austrian
Artist dates: 1822 –
Reliëf met Arion op de dolfijn boven de deur naar de Assurantiekamer in het Stadhuis op de Dam
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: arion rides on a dolphin, holding his lyre
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Artus Quellinus (I), 1663.

Zie RP-P-AO-22-2-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-2-2 voor bijhorend register.
Zie RP-P-AO-22-2A, RP-P-AO-22-2B, RP-P-AO-22-2C-1, RP-P-AO-22-2C-2, RP-P-AO-22-2C-3, RP-P-AO-22-2C-4, RP-P-AO-22-2D-1, RP-P-AO-22-2D-2, RP-P-AO-22-2D-3, RP-P-AO-22-2E-1, RP-P-AO-22-2E-2, RP-P-AO-22-2E-3, RP-P-AO-22-2E-4, RP-P-AO-22-2F-1, RP-P-AO-22-2F-2, RP-P-AO-22-2F-3, RP-P-AO-22-2H, RP-P-AO-22-2I, RP-P-AO-22-2K, RP-P-AO-22-2L, RP-P-AO-22-2M, RP-P-AO-22-2N, RP-P-AO-22-2O-1, RP-P-AO-22-2O-2, RP-P-AO-22-2O-3, RP-P-AO-22-2O-4, RP-P-AO-22-2O-5, RP-P-AO-22-2O-6, RP-P-AO-22-2O-7, RP-P-AO-22-2P-1, RP-P-AO-22-2P-2, RP-P-AO-22-2Q-1, RP-P-AO-22-2Q-2, RP-P-AO-22-2Q-3, RP-P-AO-22-2R-1, RP-P-AO-22-2R-2, RP-P-AO-22-2R-3, RP-P-AO-22-2S, RP-P-AO-22-2T-1, RP-P-AO-22-2T-2, RP-P-AO-22-2T-3, RP-P-AO-22-2T-4, RP-P-AO-22-2V-1, RP-P-AO-22-2V-2, RP-P-AO-22-2W-1, RP-P-AO-22-2W-2, RP-P-AO-22-2X-1, RP-P-AO-22-2X-2 en RP-P-AO-22-2X-3 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Frederik de Wit, 1668.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).

Zie BK-X-2 voor model van beeld.
Seated Bodhisattva with Combined Halo and Mandorla
Object type: statuette
Date: 401 – 600
Materials: plaster
Culture: gandhara
Subjects: gandhara,buddhism,bodhisattvas

In Gandhara the appearance of a halo surrounding an entire figure occurs only in the latest phases of artistic production, in the fifth and sixth centuries. By this time in Afghanistan the halo/mandorla had become quite common and is the format that took hold at Central Asian Buddhist sites.
Bread
Object type: food, bread
Date: 1479 – 1458
Location: egypt
Subjects: bread
Fibula, boat-shaped type
Object type: fibula, boat shaped type
Date: 800 – 701
Materials: bronze
Culture: italic

The bow is hollow and open on its underside. The outer surface is decorated with incised patterns, zigzag lines, hatched bands and punctured concentric circles.
Gezicht op de Furkapas en de Berner Alpen
Object type: panoramic photograph
Date: 1897 – 1924
Materials: paper
Techniques: gelatin silver print
Location: berner alpen
Subjects: mountains
Inscriptions: number: ‘2096.’, inscription: ‘Galenstock 3598 Pt. 3208 Bielenstock 2947 Andermatt & Oberalpstrasse’
Portret van een onbekende oude man met zijn handen op een wandelstok
Object type: print
Date: 1852 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem linnig (ii)
Artist role: print maker
Artist dates: 1842 – 1890
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228
Druipbak van een sabbathlamp
Object type: sabbath lamp
Date: 1700 – 1800
Materials: brass
Techniques: casting, riveted, soldering
Location: nuremberg
Artist: Anonymous
Inscriptions: maker's mark

Geprofileerde stang met druipbak van gegoten messing. Met de haak aan de bovenzijde van stang kan de druipbak onder de sabbathlamp worden gehangen. De bak is aan de stang geklonken en later gesoldeerd. Op de bovenrand van de bak is het teken van een engelenkop ingeslagen.
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1367 – 1400
Materials: copper, gold
Culture: spanish
Location: spain
Subjects: heads

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
J. Nieuwenhuis
Object type: print
Date: 1809 – 1871
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Staande moeder met kind
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: leiden
Artist: pieter de mare
Artist role: print maker
Artist dates: 1758 – 1796
Subjects: mother and child(ren), woman and child(ren) (family group) (with number of children)
Inscriptions: collector's mark: Lugt 2228
Ostrakon
Object type: ostrakon
Date: 580 – 640
Materials: ink, pottery
Culture: coptic
Location: egypt
Subjects: coptic
"Chi": Musashi Plain, from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Object type: print
Date: 1772 – 1773
Techniques: woodblock print, koban
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Portret van Adelheid van Tours
Object type: book illustration
Date: 1685 – 1685
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: historical persons - bb - woman, king

Prent uit: Mézeray, François Eudes de. Histoire de France, depuis Faramond jusqu'au regne de Louis le Juste. (...) Parijs: Denis Thierry, Jean Guignard en Claude Barbin, 1685, dl. 2, p. 15.
Monument met rocailles, hoornen met vruchten en cherubijnen
Object type: album leaf
Date: 1636 – 1636
Materials: paper
Techniques: etching
Location: bologna
Subjects: cherubs, i.e. children's heads with wings, 'cornucopia', horn of plenty, rocaille ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een monument met rocailles, hoornen met vruchten en cherubijnen. De prent maakt deel uit van een album.
Fotoreproductie van een schilderij met lachend meisje met narrenpop
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: girl (child between toddler and youth), (playing with) dolls
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: bridges
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, lower drapery and shod feet of figure to right; right foot of a second figure; lower drapery and leg of figure to right
Mustard pot
Object type: mustard pot
Date: 1786 – 1787
Materials: glass, silver
Artist: pierre-françois coste
Artist role: maker
Artist dates: 1752 – 1823
Subjects: roses

During the eighteenth century, mustard was served at the table either as a dry powder or mixed with vinegar to form a paste or sauce. The dry powder was contained in a caster left un-pierced or fitted with a removable sleeve that blocked the holes. Most of the mustard pots in the Museum’s collection were made to serve the condiment mixed into a sauce; they take the form of a small jug barely distinguishable from a lidded milk jug with a spout. Some lidded pots have an opening to accommodate a small spoon. The early eighteenth-century pots are cylindrical in shape, often with typical cut card decoration and applied lambrequins. By the 1740s, the rounded shapes of the Rococo with swirling forms and floral ornament predominate. During the neoclassic period mustard pots frequently take the form of a silver open-work frame decorated with typical antique motifs with a blue glass liner as seen here. By the mid-18th century, mustard pots were also made in porcelain. Indeed, the journals and inventories of the Paris luxury dealers, the marchand merciers, itemize many more mustard pots made of ceramics than of silver, and often were listed as having a plateau and a spoon. Rarely do these survive in silver, although some precious metal examples had a matching plateau as recorded in the account books of the marchands merciers.
James Smith Livingston
Object type: painting, miniature
Date: 1795 – 1795
Materials: ivory, watercolor
Culture: american
Artist: archibald robertson
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1765 – 1835
Subjects: men,portraits

James Smith Livingston (1769-1837) was the fourth son of Peter Robert Livingston.
Groepsportret van drie Françaises en een baby
Object type: photograph
Date: 1883 – 1886
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: adult woman, mother and baby or young child, three generations (family group)

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Frog on a lotus pad, perhaps a weight
Object type: amulet, frog on a lotus pad
Date: 0 – 0
Materials: bronze, copper alloy
Location: egypt
Subjects: frogs
Bust of Zborowski
Object type: drawing and watercolor
Materials: graphite, paper
Location: italy
Artist: amedeo modigliani
Artist nationality: italian
Artist dates: 1884 – 1920
Inscriptions: Signed recto, lower right, in graphite: "Modigliani"
Onderdeel of hulpstuk afkomstig uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: part
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)

Strip-shaped fitting; fragm, eroded, originally angular pattern, flat, 2 ends broken, 2 holes.
Gezicht over de gracht en de Krattensteeg in Rotterdam
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: canals, waters (in city)
Monkey and Man Playing Instruments
Object type: amulet, monkey, musician, flute, harp
Date: 1070 – 664
Materials: faience
Location: egypt
Subjects: musical instruments,men,monkeys

This figure is part of a repertoire of figures created in a distinctive spotted faience from dynasty 22 into dynasty 26. The center of production was the eastern Delta, in particular Bubastis and Tanis; this was an area where Near Eastern peoples had long been interwoven in the population; at this time it was also a center for the settlement of Libyan tribal peoples. Possibly these conditions influenced this particular production. Through their appearance, the figures all allude to the goddess Bastet. In particular, many details evoke the myth termed "The Return of the Faraway Goddess." The feline / leonine Bastet was angry with the god Re and left Egypt for Nubia. Re wanted her back again, so he sent the god Thoth, who, taking the form of a monkey, lured her back with fables. Bes, musicians and dancers accompanied the train of the returning goddess, whose arrival brought the return of good fortune to Egypt. Figures of Bes (2015.11; 04.2.103), the cats (04.2.119, 04.2.120, 21.6.61), the monkeys (44.4.17), the nude females with ‘Nubian’ hairstyles (66.99.71), and the musicians (89.2.217, 17. 194.2441, 17.194.2459, 41.6.7) all relate to this tale; the figure with a conical ‘foreign’ cap carrying a vessel of beer (86.1.55) and the bound oryx behind the feathers of the Bes-image (2015.11) both allude to controlling the goddess’s dangerous nature. Bes-rattles must have been used in a ritual performances, and Bes’s known role as a protector of women and childbirth suggests the rituals addressed such concerns. Bastet, too, had a role as the nurse of a divine child king, and the allusions to her stories may have invoked her power for similar ends.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Interior, white ground; Exterior, head, neck, left shoulder, and part of the upper torso of a wreathed, bearded man to left (Dionysos?); in the background, vines
De Ellendigen / Les Miserables
Object type: text sheet
Date: 1864 – 1864
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: theatre, theatrical performance, art, amsterdam
Inscriptions: collector's mark: Lugt 1641, stamp

Aankondiging van de voorstelling De Ellendigen, naar Les Miserables van Victor Hugo. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Tooneel, Toneelprogramma’s.
Portret van Samuel Benedikt Carpzov
Object type: print
Date: 1667 – 1707
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: samuel benedikt carpzov, historical persons
Speke Hall: The Avenue
Object type: print
Date: 1870 – 1878
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Verzoeking van de heilige Antonius
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the early christian churches, e.g. armenians, copts, syrians, monsters with animal head, ass, donkey, st. antony abbot tormented by devils, attacking him on the ground or carrying him aloft
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie Arnold, Godfried. Waare afbeelding der eerste christenen. Amsterdam: Jacobus van Hardenberg, Barent Visscher en Jacobus van Nieuweveen, 1700, dl. 2.
Iconographie de l'Institut Royal de France
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228a