deem-data/ArtiFact huggingface dataset:
Cartes-de-visite
Object type: carte de visite
Date: 1878 – 1891
Materials: cardboard, paper
Techniques: albumen print
Location: richmond
Artist: alfred seeley
Artist role: fotograaf
Subjects: photograph
Inscriptions: annotation: ‘PHOTOGRAPHER / AND / PORTRAIT PAINTER / ALFRED SEELEY / Onslow Road / RICHMOND HILL / SURREY / VIEWS AND GROUPS PHOTOGRAPHED / IN ANY PART OF THE COUNTRY / THIS OR ANY PICTURE ENLARGED TO ANY SIZE / AND PAINTED IN OIL OR WATER COLORS / Marion, Imp. Paris’, annotation: ‘A. SEELEY, / RICHMOND, SURREY.’

Cartomanie was a collecting craze. From 1855 hundreds of thousands of these portraits were annually sold worldwide. People had photographs taken of their loved ones, including their pets, and kept them in an album. Portraits of kings, writers, artists, actors, and statesmen were also collected. Photography was no longer the preserve of the wealthy; farmers and maidservants now also stood before the camera.
Dijkdoorbraak bij Kampen, 1775
Object type: drawing
Date: 1775 – 1776
Materials: paper, pencil
Location: northern netherlands
Artist: noach van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Subjects: dike-break, flood, historical events and situations, the flood of 14-18 november 1775

Ontwerptekening voor de illustratie in: J.H. Hering, Bespiegeling over Neêrlandsch waternood, tusschen den 14den. en 15den. nov: MDCCLXXV. 2 dln. Amsterdam: wed. Loveringh en Allart, 1776.
Oude kerk in Muiderberg
Object type: print
Date: 1637 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 195

Gezicht op de gedeeltelijk geruïneerde kerk (tegenwoordig Kerk aan Zee genoemd) te Muiderberg. De prent is deel van een serie landschappen met dorpen rondom Amsterdam. Rechtsonder genummerd: 2.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 440 – 420
Materials: terracotta
Culture: greek, attic

Lower drapery and feet of a woman to right, wearing a patterned chiton underneath her himation; drapery of a second figure to right
Kan van faience
Object type: ewer
Date: 1740 – 1780
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: Anonymous
Inscriptions: inscription: ‘f 5,-’

Kan van blauw beschilderde faience, op een voet, met een oor, een schenktuit en een deksel. Op de schouder is een landschap geschilderd.
Eleven Designs for Decorated Cups, including Venice and Celestial Patterns
Object type: drawing
Date: 1852 – 1852
Materials: gouache, ink, watercolor
Techniques: pen
Artist: alfred henry forrester [alfred crowquill]
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1872
Subjects: flowers,cups
Panel fragment (dessus d'alcove)
Object type: panel fragment
Date: 1701 – 1725
Materials: wood
Drop-leaf Dining Table
Object type: drop leaf dining table
Date: 1740 – 1790
Materials: wood
Culture: american
Location: united states
Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man
Object type: drawing and watercolor
Date: 1770 – 1775
Materials: gouache, graphite, paper, paint
Techniques: brush, heightening, wash
Location: england
Artist: henry fuseli
Artist role: artist
Artist nationality: swiss
Artist dates: 1741 – 1825
Portretten van Gabriel Lippmann, Louis Arthur Ducos du Hauron en vermoedelijk Charles Frederick Cross
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: autotype
Location: france
Subjects: louis ducos du hauron, physicist, gabriel jonas lippmann, adult man
Portret van Johann Christoph Gatterer
Object type: print
Date: 1799 – 1825
Materials: paper
Techniques: stippling
Subjects: historical persons, professor
Saint Luke Painting the Virgin
Object type: print
Date: 1580 – 1590
Materials: paper
Techniques: engraving
Location: belgium
Artist: anton wierix ii
Artist nationality: flemish
Artist dates: 1555 – 1604
San Biagio
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: canals,boats,venice

San Biagio describes a working-class Venetian neighborhood east of the Riva degli Schiavoni. In the foreground, two small boats have been pulled onto the bank and drying laundry is strung overhead. Whistler used these details to establish a range of textures but devoted more attention to establishing a series of visual planes linked by a shadowed passageway. The composition progresses from the half-light of the canal into a dark tunnel and emerges into a brightly lit receding walkway punctuated by tall chimneys. A version of this print was exhibited in 1883 at the Fine Art Society then published in 1886 as part of the "Second Venice Set."
Mauresques dans le cimetiere Abdérhaman
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: algiers
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism, churchyard, cemetery
Inscriptions: collector's mark: ‘VOSMAER’, number: ‘n 298’
Diverses exercices de cavalerie
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: riding a horse, ass, or mule; rider, horseman, horse
Inscriptions: collector's mark: Lugt 240

Prent uit een reeks van 19 prenten. Getekende voorstudie wordt bewaard in het British Museum te Londen (inv. nr. 1895-6-17-394).
Glass bottle
Object type: bottle
Date: 201 – 300
Materials: glass
Culture: roman

Colorless; trail in translucent cobalt blue. Irregular oval everted rim with thick, rounded lip; cylindrical neck, expanding downwards; almost horizontal shoulder; elongated body, convex at top, then concave down side, and bulging at base; deeply pushed-in bottom with pontil scar. Trail applied on outer shoulder and wound round six times in a spiral, extending on to upper body, then drawn down and up in long strokes, creating a pattern of six finger-like shapes, some of which extend onto bottom. Intact; many pinprick bubbles; dulling, some pitting, and brilliant iridescent weathering. Vase with blue applied threads.
Stick for a Spinning Wheel
Object type: spinning wheel stick
Date: 1700 – 1800
Materials: wood
Gezicht op de Rheinfall bij Schaffhausen
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Location: schaffhausen
Artist: Anonymous
Subjects: waterfall
Stedenmaagd van Amsterdam krijgt doktersbezoek
Object type: photomechanical print
Date: 1892 – 1892
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Subjects: harlingen, personification of a city, town-patron(ess), administering, taking medicine, patient, sick person, examination, diagnosis; physician speaking with patient, feeling pulse or heart-beat, political caricatures and satires, amsterdam
Inscriptions: collector's mark: Lugt 1641b, inscription: ‘A◦. 1892’, signature: ‘R&HZ.’

Links burgemeester van Amsterdam Sjoerd Anne Vening Meinesz als dokter die 'belastingpillen' aanbiedt, rechts gemeenteraadslid Frederik Salomon van Nierop als dokter die de pols voelt. Onderwerpsrubriek binnen de Atlas Amsterdam: Belastingen.
J. Hudson Taylor
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: missionary, historical persons, spreading the gospel; missionary work
Inscriptions: inscription: ‘Founder of the China Inland Mission.’
Onze neven
Object type: photograph
Date: 1923 – 1924
Materials: paper
Techniques: gelatin silver print
Artist: charlotte alida boelen-matthes (lot)
Artist role: amateurfotograaf
Artist dates: 1889 – 
Subjects: amsterdam, thailand, cousins (third degree family relationships), father and son(s) (family group)

Deze foto's zijn onderdeel van een album.
Wheellock Spanner
Object type: arm
Date: 1601 – 1633
Materials: iron
Culture: german
Location: germany
Carnelian ring stone
Object type: intaglio
Date: 1 – 100
Materials: gemstone
Culture: roman

Bust of the personification of Libya wearing an elephant-skin headdress.
First Arabesque Penchée
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: female nudes,dancers,ballet

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art.
Val van Phaëthon
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: engraving, etching, lithography
Location: netherlands
Subjects: fall of phaethon; he is struck by a thunderbolt of jupiter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Phaëthon stort met de zonnewagen en paarden uit de lucht in het water, nadat Jupiter hem met een bliksemschicht heeft geraakt. Op het land kijken nimfen en riviergoden verschrikt toe. Enkele riviergoden liggen getroffen voorover over hun urn.
Ware afbeeldinghe van Delflandt
Object type: map
Date: 1612 – 1612
Materials: paper
Techniques: engraving
Location: delft
Subjects: delfland
Inscriptions: collector's mark: Lugt 2228

Kaart van Delfland. Boven in het midden het wapen van het Hoogheemraadschap Delfland en de gemeentewapens van de steden. Linksonder een windroos. Geheel bestaande uit negen bladen en zes tekstbladen: tekstblad rechtsboven.
Linteaux, XVe Siècle
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: photograph, photolithography
Location: den bosch
Subjects: church (exterior), closed door
Inscriptions: inscription: ‘LITT. L. - PL. 4’, monogram: ‘JJvY’, inscription: ‘LINTEAUX du porche (...)’
Hoofdportaal van de Kathedraal van Sevilla, Spanje
Object type: photograph
Date: 1914 – 1937
Materials: photographic support
Techniques: gelatin silver print
Location: sevilla
Artist: f. linares
Artist role: publisher
Artist dates: 1870 – 1937
Subjects: parts of church exterior and annexes: portal
Inscriptions: number: ‘No. 63’
Begrafenisceremonie
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, piece of sculpture, reproduction of a piece of sculpture

Ornamentprent met o.a. een begrafenisceremonie, een strijdwagen en portretbustes. Onderdeel (6e. Cah. N. 1) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.
In the Bois de Boulogne near Paris
Object type: drawing
Date: 1875 – 1919
Materials: paper, pastel
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: public gardens, park
Wapenrek in twee delen, versierd met dierenkoppen
Object type: rack
Date: 1400 – 1950
Materials: paint, wood
Techniques: gilding
Artist: Anonymous

Wapenrek, bestaande uit twee delen (A en B), elk versierd met vier dierenkoppen.
Dempsy, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Box
Object type: box
Date: 1843 – 1844
Materials: silver
Artist: nathaniel mills
Artist role: maker
Artist nationality: british
Artist dates: 1746 – 1843
Klavierspeelster
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: printing, printmaking
Location: amsterdam
Subjects: adult woman, keyboard instruments
Inscriptions: collector's mark: Lugt 12, collector's mark: Lugt 2725

Een vrouw, gekleed in een japon met mouwen met splitten, aan het klavier.
Tetradrachm (Coin) Portraying Demetrios I Soter
Object type: coin
Materials: metal, silver
Techniques: striking
Culture: greek
Location: syria
Inscriptions: Reverse: Baileos, Demetrius, Sotheros

ΒΑΣΙΛΕΩΣ ΔΗΜΤΡΙΟΥ ΣΩΤΗΡΟΣ

The Hellenistic period spans the nearly three hundred years between the death of Alexander the Great of
Macedonia (323 BCE) and that of Cleopatra VII of Egypt (30 BCE), a descendant of one of Alexander’s generals. The term Hellenistic is derived from Hellas, an ancient Greek word for Greece. It is used to describe both chronologically and culturally the era following Alexander’s conquest of Egypt and Asia, which resulted in the spread of Greek culture across a vast area. The melding of local and Greek artistic styles with the luxurious materials captured in the conquered lands resulted in magnificent artwork, including elegant coinage.

Following Alexander’s death, his empire was divided among his generals, who established independent kingdoms in Egypt; Persia; the eastern coast of the Aegean Sea, including Syria and Palestine; Greece and Macedonia; and Thrace. Almost immediately the generals began to covet each other’s land and power.

The Seleucid dynasty eventually came under the thumb of Rome. As a child Demetrios (r. 162–150 BCE) was sent to Rome as a hostage to insure the good behavior of his father the king. When he finally escaped and seized his inheritance, he spent the rest of his reign in wars that made enemies of the kings of Egypt and Pergamon who saw to it that he died in battle.
Seated Female Nude
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: sitting figure - aa - female human figure, head (human) - aa - female human figure

Haar linkerarm rust mogelijk op een leuning. Ernaast een vrouwenhoofd. Blad 13 recto uit schetsboek XV met 22 bladen.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Juin 1932, No. 142, 12e Année, p. 16
Object type: fashion print
Date: 1932 – 1932
Materials: paper
Techniques: photography
Subjects: dress, gown: day dress (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)

Middagjaponnen van Philippe et Gaston. Links: middagjapon van grijze crêpe georgine. Rechts: ensemble voor de middag van grijze crêpe georgine. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Springtime and Love
Object type: painting
Date: 1878 – 1878
Materials: canvas, oil, paint
Techniques: painting
Location: italy
Artist: francesco paolo michetti
Artist role: print maker
Artist nationality: italian
Artist dates: 1851 – 1929
Subjects: children, music, musical instruments, trees, seasons, dog, dogs, animals, boys, girls, leisure, rocks, sleep, babies, flowers, flora, water, ocean, boats, sky

This vibrant scene of children playing on a sun-drenched hilltop was part of a series by Francesco Michetti inspired by the people, landscape, festivals and other events in Abruzzo, Italy. Two figures on the right play tambourines, quintessential instruments of southern Italian folk music. With its rounded shape encircled by metal jingles, the tambourine represented for local audiences the sun and its rays spreading light and heat throughout the region. In the foreground a spaniel dog with a large, glassy eye stares out at the viewer like a reproachful commentator on his human companions’ unbridled folly.

Springtime and Love was shown at the Exposition Universelle in Paris in 1878 and in 1893 at the Chicago World’s Fair (also known as the Columbian Exposition). It entered the museum’s permanent collection eight years later.
Fotoreproductie van een prent naar een schilderij, voorstellende een meisje met katten
Object type: photomechanical print
Date: 1861 – 1871
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: cat, girl (child between toddler and youth)
Bird-Shaped Brooch
Object type: brooch
Date: 500 – 550
Materials: garnet, silver
Techniques: gilding
Culture: anglo-saxon
Location: england
Subjects: birds

Artistic traditions that developed at Kent spread through the export of objects. These two brooches were found in France. Their affinity with objects from Kent suggests that they were exports or copies of exports.
Studie
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897

Studie. Blad 40 uit een schetsboek met 52 bladen vervaardigd in de omgeving van Kampen, Hattem, Hoorn en Zwolle.
Staande man voor zijn schrijftafel
Object type: drawing
Date: 1700 – 1800
Materials: oil, paper
Techniques: brush
Artist: Anonymous
M. Jules Cambon
Object type: page
Date: 1878 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: paris, historical persons
Inscriptions: inscription: ‘Le Nord Contemporain/ Revue Historique & Biographique’, inscription: ‘Journal le Nord Contemporain, No 6, année 1882’, inscription: ‘Secrétaire-général de la préfecture de police/ Nommé Préfet du Nord’
Roos
Object type: sketchbook leaf
Date: 1883 – 1922
Materials: chalk, paper
Artist: johanna van de kamer
Artist dates: 1873 – 1922
Subjects: flowers: rose

Blad 16 recto uit een schetsboek met 27 bladen.
Le Coteau (Belmont)
Object type: print
Date: 1914 – 1914
Materials: paper
Techniques: aquatint, drypoint, etching
Artist: théophile alexandre steinlen
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1859 – 1923
Subjects: landscapes
Inscriptions: annotation: ‘1er état, essai VI. Belmont 1er planche’, collector's mark: Lugt 2228
Alphons Diepenbrock zittend in interieur
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: amsterdam, alphons diepenbrock
Inscriptions: date

Foto op bruin albumblad 7 van familiealbum van Alphons Diepenbrock.
'N zachte zitplaats!
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: adult woman, adult man, boulder, stone, dutch east indies, the

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Cylinder seal and modern impression: suppliant goddess
Object type: cylinder seal
Date: 1700 – 1501
Materials: stone
Culture: babylonian or kassite
Subjects: animals,goddess

Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This seal shows a suppliant goddess with raised hands wearing a horned headdress and tiered robe, standing beside a four-line cuneiform inscription in Akkadian invoking the god Nabu. She is followed by a bull with a lighting fork on its back, behind which an unidentified vertical object appears.
Vrouw met bloemen
Object type: print
Date: 1857 – 1857
Techniques: printmaking, etching
Location: paris
Subjects: flowers, female sex; woman
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ets naar werk van Amaury Duval. Gepresenteerd tijdens de Salon van 1857 en gepubliceerd in L'Artiste, Sarazin (drukker), Parijs 24 april 1859
Tall-Case Clock
Object type: furniture
Date: 1770 – 1770
Materials: wood
Location: hindon
Artist: george stevens
Subjects: furniture
Ragini Madhumadhavi, Page from a Jaipur Ragamala Set
Object type: painting
Date: 1750 – 1770
Materials: gold, paper, watercolor
Location: rajasthan
Subjects: music, musicians
Netsuke of Toad on a Sandal
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: frogs
Saucer (part of a coffee service)
Object type: saucer
Date: 1801 – 1833
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: men
Geschiedenis van Jona
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: after a three-day sojourn in the belly of the monster jonah is cast on dry land; jonah may be shown nude and bald-headed
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Thesaurus sacrarum historiaru[m] veteris (et novi) testame[n]ti, elega[n]tissimis imaginibus expressu[m] excelle[n]tissimoru[m] in hac arte viroru[m] opera : nu[n]c primu[m] in luce[m] editus. Antwerpen: Gerard de Jode, 1585.
Dancing God Shiva (Natesha)
Object type: sculpture
Date: 901 – 1100
Materials: stone
Location: rajasthan
Subjects: dancing, gods (deities), hindu, religion, shiva nataraja
Gezicht op een straat in Amsterdam
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street (+ city(-scape) with figures, staffage)

Pagina 3 uit een schetsboek met 46 bladen.
Wall bracket
Object type: wall bracket
Date: 1750 – 1750
Materials: wood
Techniques: carving, gilding
Card Number 220, Floy Crowell, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: musical instruments,portraits,women,actresses
Torso of a Nude Woman
Object type: sculpture
Date: 300 – 101
Materials: terracotta
Culture: greek
Location: greece
Creampot
Object type: cream pot
Date: 1750 – 1770
Materials: silver
Culture: american
Location: united states
Artist: samuel casey
Artist role: maker
Artist nationality: american
Artist dates: 1718 – 1780
Female Nude with a Fan
Object type: drawing
Date: 1834 – 1903
Materials: chalk, crayon, paper
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: fans,female nudes