deem-data/ArtiFact huggingface dataset:
Vader spreekt zijn zoon bestraffend toe in zijn studeerkamer
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: education, science and learning, study; 'studiolo'; library, globe
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Illustratie van een moralistisch verhaal over een jongen genaamd Mensonger. Zijn vader, gezeten op een stoel in zijn studeerkamer, confronteert zijn zoon met alle misstanden die hij heeft begaan aan de hand van een levensgroot tableau.
Designs for Decorative Borders with Floral Ornamentation and a Putto and Griffin
Object type: drawing
Date: 1650 – 1750
Materials: graphite, ink, drawing material
Techniques: pen
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: ornament,griffins,putti
Portret van twee vrouwen
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: th. schütz
Artist role: fotograaf
Subjects: historical persons - bb - woman, adult woman (+ two persons)
Inscriptions: inscription: ‘TH. SCHÜTZ/ PHOTOGRAPH.’
Band Fragment
Object type: band fragment
Date: 1201 – 1400
Materials: metal thread, silk
Techniques: weave
Location: egypt
Subjects: arabic

This fragment of a Mamluk textile is woven in an exceptionally fine tapestry weave. The tall horizontal border contains a fragmentary thuluth inscription in white and outlined in beige, interrupted by a roundel decorated by an arabesque design in black, outlined in beige on a blue ground. The inscription’s background blue colour is further decorated with scrolls and black dots. Above and below the central band are bands of peony scrolls. The style of the decoration recalls Mamluk metalwork which often follows a similar layout. The surviving inscription, “…and peace among men…” relates to the birth of the Prophet but does not provide information about the maker or patron. This fragment may originally have been part of a robe of honour, which was often presented to officials in the court as a sign of favour from the caliph.
Fabelen van Aesopus
Object type: titelblad, titelpagina
Date: 1701 – 1701
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: johan willem friso (prins van oranje-nassau), city-view, and landscape with man-made constructions, charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, fables of aesop : use 85(...), art (+ painting), cupids: 'amores', 'amoretti', 'putti', meeting, assembly - aa - in the open air
Inscriptions: collector's mark: Lugt 2228

Op het midden van een plein vol met mensen een sokkel met daarop de allegorische representatie van Waakzaamheid. Ze heeft een olielamp in haar linkerhand (symbool voor waakzaamheid) en houdt het publiek rondom de sokkel een canvas voor met daarop geschilderd een verzameling van dieren uit de fabels van Aesopus (de paus, de leeuw, de schildpad, de vos, het hert, de haas, etc.). Voor de sokkel zit Caritas. De mensen rondom de sokkel wijzen naar het canvas en discussiëren onder elkaar. Boven de menigte houden verscheidene putti een rond portret omhoog met een afbeelding van Johan Willem Friso. Buste naar links. Op de sokkel de titel van het boek in het Latijn.
Verkondiging aan de herders
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: annunciation of christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air
Inscriptions: collector's mark: Lugt 2228

Een groep van herders en hun families wordt 's nachts gewekt door een engel die in de wolkenhemel verschijnt en de geboorte van Christus aankondigt.
Wedding dress
Object type: wedding dress
Date: 1812 – 1812
Materials: cotton
Culture: american
"If I do die before thee, pr'ythee shroud me in one of those same sheets": plate 8 from Othello (Act 4, Scene 3)
Object type: print
Date: 1844 – 1844
Techniques: printmaking, drypoint, engraving, etching
Artist: théodore chassériau
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1856
Subjects: shakespeare,women,beds

In 1844 Eugène Piot commissioned the young Chassériau to prepare fifteen illustrations to Shakespeare's Othello. Inspired by a series of ground-breaking Hamlet lithographs that Delacroix had created one year earlier, the younger artist opted for the more linear technique of etching. His expressive conception of form had been learned in Ingres's studio then developed under Delacroix. In the series, key exchanges offer a compressed summary of much of the play, with a final cluster devoted to the tragic conclusion. Here, Emilia helps Desdemona prepare for bed in a scene filled with foreboding. Sheets recently used to make Othello and Desdemona's wedding bed are now imagined as future shrouds.
Terracotta rim fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic
Die Michaels Kirche. Berlin
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: sint-michaëlkerk
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: roman catholic church
Inscriptions: number: ‘No. 92.’
Two Couples and the Buffoon
Object type: print
Date: 1535 – 1535
Materials: paper
Techniques: engraving
Location: germany
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Kinderen in een roeiboot op de Breydon
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: breydon
Subjects: child, ships (in general), rowing-boat, canoe, etc.
Inscriptions: number: ‘Plate IV’, title: ‘Old hulks’
Brougham #3489
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Plattegrond van Amsterdam (deel linksboven)
Object type: area plan
Date: 1724 – 1724
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: seal (as symbol of the state, etc.) (+ city; municipal), maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 2228

Deel (linksboven) van een plattegrond van Amsterdam, bestaande uit vier delen.
Portret van Johannes Krellius
Object type: print
Date: 1643 – 1690
Materials: paper
Techniques: engraving
Artist: lambert visscher
Artist role: draughtsman, print maker
Artist dates: 1640 – 1679
Subjects: publisher, johannes krellius, historical persons
Inscriptions: watermark: ‘AM’, collector's mark: Lugt 2228
Liggende figuur
Object type: sketchbook leaf
Date: 1849 – 1917
Materials: pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: lying figure

Blad 24 recto uit een schetsboek met 35 bladen.
Woman's Ceremonial Robe
Object type: woman's ceremonial robe
Date: 1801 – 1900
Materials: fur, silk
Culture: chinese
Haarden met medaillons
Object type: print
Date: 1686 – 1724
Materials: paper
Techniques: etching
Location: augsburg
Subjects: ornaments ~ art, fire-screen, triton(s), open hearth, fire-place, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: signature: ‘Ieremias Wolff excud. Aug. Vind.’, signature: ‘Berain Invent’

Twee geornamenteerde haarden. Links met een medaillon met daarin een vrouw met boog en een hond, aan het medaillon hangen twee putti, links een griffioen met kandelaar op het hoofd en onderaan een haardplaat met rookvat. Rechts met een medaillon met twee figuren geflankeerd door een atlant en een kariatide, in het midden twee medaillons met portretten en het geheel gedragen door twee tritons. Onderaan een haardplaat met ramskoppen. De haarden flankeren een paneel met maskers. Prent maakt deel uit van een album. Hoogstwaarschijnlijk gespiegelde kopie naar Frans origineel.
Gevleugelde vrouw als muze van Poëzie met boek en lier zittend op wolken geflankeerd door putti
Object type: print
Date: 1513 – 1517
Materials: paper
Techniques: engraving
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: (story of the) muses; 'muse' (ripa), symbolic representations, allegories and emblems ~ poetry; 'poesia' (ripa), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Raimondi liet zich inspireren door een fresco van Raphael op een gewelf in de Stanza della Segnatura. Hij nam de voorstelling niet helemaal letterlijk over (Shoemaker 1981, p. 110).
Agate Arrow Point, Warm Springs, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N36), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N36 reproduces the cards from N2 in a larger size.
Toren van de Grote Kerk in Breda
Object type: print
Date: 1888 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228
Oosters tapijt
Object type: oriental rug
Date: 1800 – 1975
Materials: cotton
Location: ferahan

Oosters tapijt, bloemenkleed. In het middenveld een patroon van florale motieven tegen een lichtrode achtergrond. Meervoudige randen, waarvan de breedste met rozetbloemen aan ranken. Aan de onderzijde een effen witte baard.
Jason steelt het Gulden Vlies
Object type: print
Date: 1633 – 1692
Materials: paper
Techniques: engraving
Location: rome
Subjects: filips iv (koning van spanje), medea, the golden fleece, hanging on an oak-tree, is seized by jason
Inscriptions: collector's mark: Lugt 240

Jason, gekleed in wapenrusting, heeft het Gulden Vlies bemachtigd, Medea loopt achter hem. De dode draak kronkelt nog na. Drie putti houden een portret van Filips IV van Spanje, hij draagt de ketting van de Orde van het Gulden Vlies. Rechts voor zijn koninklijk wapen.
Filips IV, koning van Spanje, rekenpenning geslagen op last van de rekenkamer van Brabant
Object type: jeton
Date: 1623 – 1623
Materials: copper
Techniques: striking
Location: belgium
Artist: Anonymous
Subjects: filips iv (koning van spanje), brabant

Koperen penning. Voorzijde: Faam, staande op bol, blaast op twee trompetten binnen omschrift. Keerzijde: gekroond wapenschild, omhangen met de orde van het Gulden Vlies binnen omschrift
Maximiliaan, aartshertog van Oostenrijk, en Maria, hertogin van Bourgondie, rekenpenning van de rekenkamer te Mechelen
Object type: jeton
Date: 1478 – 1478
Materials: copper
Techniques: striking
Location: mechelen
Artist: Anonymous
Subjects: bruges, maria (hertogin van bourgondië), maximilian i (holy roman emperor), mechelen

Koperen penning. Voorzijde: twee verweven, Gothische letters M; daartussen letter I binnen omschrift. Keerzijde: wapenschild binnen omschrift
Heeze. Hôtel: van Dijk
Object type: photomechanical print
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph
Location: heeze
Subjects: hotel, hostelry, inn
Piece
Object type: piece
Date: 1801 – 1900
Materials: metal thread, silk
Subjects: leaves
Landschap met een boerderij op de Zoom bij Nunspeet
Object type: photograph
Date: 1900 – 1906
Materials: paper
Techniques: gelatin silver print
Location: nunspeet
Artist: gerard aalbersberg (us)
Artist role: amateurfotograaf, arts, chirurg, gynaecoloog
Artist dates: 1870 – 1934
Subjects: nunspeet
Inscriptions: title: ‘de Zoom’
The Musicians
Object type: painting
Date: 1597 – 1597
Materials: canvas, oil
Artist: caravaggio (michelangelo merisi)
Artist role: artist
Artist nationality: italian
Artist dates: 1571 – 1610
Subjects: grapes,men,music,lutes,violins,cupid,musicians

While Cupid’s presence confirms this is an allegory representing Music, Caravaggio’s painting equally engages with contemporary performance and individualized models, including a self-portrait in the second boy from the right. Caravaggio’s contemporary Giovanni Baglione recorded that the artist painted “a concert, with some youths portrayed from nature very well” immediately after joining the household of his first major patron, Cardinal Francesco Maria del Monte. Most likely, this is the same painting and is one of several employing the half-length, earthy yet sensual figures with which Caravaggio made his name upon arriving in Rome.
Bowl Depicting Row of Fish or Sharks Separated by Vertical Lines
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Jakob tilt de steen van de put
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: mezzotint
Location: england
Artist: john finlayson
Artist role: print maker
Artist dates: 1730 – 1776
Subjects: jacob moves the stone which covers the opening of the well and waters rachel's sheep
Inscriptions: collector's mark: Lugt 240
Dish
Object type: dish
Date: 1730 – 1730
Materials: earthenware
Techniques: glazing
Subjects: flowers
Interior View of Fort Sumpter
Object type: photograph
Date: 1866 – 1866
Techniques: albumen print, photography
Location: united states
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: collected by hugh edwards, sherman's campaign 1866
Inscriptions: Printed recto, on album page, lower center, below image, in black ink: "Photo. from nature By. G. N. Barnard. / INTERIOR VIEW OF FORT SUMPTER."; unmarked verso
Four O'Clock in Town
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,servants,beds

Companion plate to "Four O'Clock in the Country." A young intoxicated man is seated in an armchair while two young maidservants help him undress for bed. His wife watches worriedly from bed at right.
Portrait of a Woman
Object type: painting, miniature
Date: 1838 – 1838
Materials: ivory
Artist: etienne bouchardy
Artist role: artist
Artist nationality: french
Artist dates: 1797 – 1849
Subjects: portraits,women
Slop Bowl with Symbols of England, Ireland, and Scotland
Object type: ceramic
Date: 1830 – 1830
Materials: copper, earthenware
Location: staffordshire
Desk and Bookcase, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1754 – 1754
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: men,portraits,women,desks

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LXXVIII in the 1754 and 1755 editions, renumbered as plate CVIII in the 1762 edition.
Zitkussen voor poppenhuis
Object type: cushion
Date: 1690 – 1710
Materials: down, silk, wool
Location: amsterdam
Artist: Anonymous
Colma Discovering the Dead Bodies of Salgar and her Brother
Object type: drawing
Date: 1809 – 1809
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: (scenes from) specific works of literature (with author, title), 'the poems of ossian' : use 83(macpherson, poems of ossian)

Pinelli was best known for his illustrations of classical writings such as the Aeneid and the Divine Comedy. In 1809 he made several large drawings of scenes from the Ballads of Ossian, a sensational forgery from 1762 of Scottish-Gaelic epic poems supposedly from the 3rd century.
Here the heroine Colma discovers the bodies of her brother and her lover Salgar, who had been dueling because of a protracted family feud.
Plechtige Inhuldiging van H.M. Koningin Wilhelmina in de Nieuwe Kerk te Amsterdam, 6 September 1898
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: print maker, wilhelmina of the netherlands, the hague, emma (queen consort of the netherlands), installation of a ruler - bb - female ruler, amsterdam

Inhuldiging van Koningin Wilhelmina in de Nieuwe Kerk te Amsterdam op 6 september 1898. Centraal voor het koorhek Wilhelmina zittend op haar troon naast regentes Emma.
Scarab
Object type: scarab
Date: 1295 – 1070
Materials: faience
Location: egypt
Portret van Christoffel Jacobsz. van der Laemen
Object type: print
Date: 1639 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: painter, christoffel van der lamen
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2166, collector's mark: Lugt 2760

Portret van schilder Christoffel Jacobsz. van der Laemen. Buste naar links. De prent heeft een Latijns onderschrift.
Amsterdam, uyt den Amstel te zien
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', river, bridge in city across river, canal, etc., amsterdam
Inscriptions: collector's mark: ‘4’ Lugt 1641b

Prent waarschijnlijk uit: Willink, Daniël. Amsterdamsche Buitensingel nevens de omleggende dorpen, opgeheldert door aanteekeningen over veele voornaame geschiedeniszen: met afbeeldingen (…) / Daniël Willinks Amsterdamsche Buitensingel. Amsterdam: Andries van Damme, 1723. En in: Willink, Daniël. Amsterdamsche Buitensingel nevens de omleggende dorpen, opgeheldert door aanteekeningen over veele voornaame geschiedenissen: met afbeeldingen (…) / Daniël Willinks Amsterdamsche Buitensingel. Amsterdam: Arend van Huyssteen, 1738.
Gezicht op Windsor Castle
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: london
Subjects: castle, palace
Inscriptions: collector's mark: Lugt 2228
Schuine boom in het bos
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Artist: maurits e.h.r. van den kerkhoff
Artist role: painter, print maker
Artist dates: 1830 – 1908
Subjects: trees, forest, wood
Inscriptions: inscription: ‘allerzeldzaamst’, collector's mark: Lugt 2228
At the Piano
Object type: drawing
Date: 1887 – 1887
Materials: charcoal, gouache, paper
Culture: american
Artist: theodore robinson
Artist role: artist
Artist nationality: american
Artist dates: 1852 – 1896
Subjects: women,pianos

This charming domestic vignette reveals Robinson’s academic training prior to his adoption of an Impressionist style about 1888. The emphasis on volumetric forms and carefully rendered details is especially evident in the young woman’s slender fingers and delicate facial features. The drawing relates to two paintings of piano subjects of the same date (Pennsylvania Academy of the Fine Arts, Philadelphia; Smithsonian American Art Museum, Washington, D.C.).
Bowl
Object type: bowl
Date: 1750 – 1750
Materials: stoneware
Culture: british
Location: england
Terracotta fragments of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

One fragment has, at the shoulder, an egg pattern; below, the top of a sceptre with a floral finial; two other fragments have part of the egg pattern from the shoulder
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, head, part of upper back, right shoulder, and part of extended arm of filleted youth to left
Inhoudsopgave
Object type: print
Date: 1811 – 1892
Materials: paper
Techniques: woodcut
Location: osaka
Subjects: flowers, plants; vegetation
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937
Dish (one of a pair)
Object type: dish
Date: 1729 – 1730
Materials: silver
Artist: i d
Artist role: maker
Artist nationality: british
Artist dates: 1650 – 1699
Studie van een aquarium met een vis
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: aquarium, bony fishes
Inscriptions: number: ‘3’, number: ‘104’
Corn: Henr: â Roy
Object type: bookplate
Date: 1760 – 1833
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: horse, armorial bearing, heraldry
Inscriptions: inscription: ‘Rietstap, 2, 624’
Piece
Object type: piece
Date: 1850 – 1850
Materials: wool
Bust of a man
Object type: medallion
Date: 1501 – 1600
Materials: wood
Subjects: men,portraits
Geschiedenis van de Makkabeeën
Object type: print
Date: 1572 – 1576
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mattathias kills a jew, who wanted to offer sacrifices to pagan gods, and pulls down the altar in modin (1 maccabees 2:23-26)

Mattatias doodt een Jood die overeenkomstig het bevel van de koning een offer wilde brengen op het altaar in Modeïn en de afgezant van de koning. Zo toonde hij zijn toewijding aan de wet van God. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 1 Makk. 2. Deze prent maakt deel uit van een album.
Headrest
Object type: headrest
Date: 2040 – 1802
Materials: wood
Location: egypt
Dalmatic with Orphrey Bands
Object type: textile
Date: 1801 – 1900
Materials: gold, metal thread, silk, velvet
Techniques: cutting, embroidery
Location: italy
Doop van Christus
Object type: print
Date: 1583 – 1583
Materials: paper
Techniques: engraving
Location: antwerp
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends

Eerdere staat van prent gebruikt als boekillustratie in: Biblia Sacra. Antwerpen: Christoffel Plantijn, 1583.
Juglet
Object type: juglet
Date: 750 – 600
Materials: terracotta
Culture: cypriot