deem-data/ArtiFact huggingface dataset:
Johannes Brugman in Gaasterland
Object type: history print
Date: 1862 – 1864
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: preaching (in general), burgundian netherlands

Illustratie voor: B. ter Haar en W. Moll, Geschiedenis der Christelijke Kerk in Nederland in tafereelen, 2 delen. Amsterdam 1864, dl. I, p. 437.
Mechanische Reisladen
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: luggage, travel requisites, mechanics
Inscriptions: date

Prent uit: Furttenbach, Joseph. Mechanische ReißLaden, Das ist, Ein gar geschmeidige, bey sich verborgen tragende Laden. Augsburg: Schultes, 1644.
Dit is de eerste van vier prenten die het ontwerp en de inhoud van het reiskastje tonen.
Portret van Herrmann Arnold Freiherr von Wachtendonck
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: knighthood order, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Die Neue Europäische Fama, Welche den gegenwärtigen Zustand der vornehmsten Höfe entdecket. dl. 125. Leipzig: Gleditsch, 1745.
Johannes de Doper in de wildernis
Object type: print
Date: 1751 – 1790
Materials: paper
Techniques: aquatint, etching
Location: italy
Subjects: john the baptist in the wilderness, usually accompanied by a lamb
Inscriptions: collector's mark: Lugt 2228

De jonge Johannes de Doper zit rustend bij een boom. Op zijn schoot het lam, drinkend uit een kom.
Dagger (Chilanum)
Object type: dagger chilanum
Date: 1601 – 1700
Materials: steel
Culture: indian
Location: india
Teapot
Object type: ceramic
Date: 1740 – 1740
Materials: earthenware
Techniques: glazing
Location: staffordshire
Cortile del Belvedere, het Apostolisch Paleis en de tuinen te Vaticaanstad
Object type: album leaf
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: rome
Subjects: city-view, and landscape with man-made constructions, garden, palace, representation of real building (either existing or having existed)
Inscriptions: inscription: ‘Ende lib. No. 23. fol. 803 et 804...’, number: ‘15’

Gezicht op het Vaticaan, met het Apostolisch Paleis, de tuinen en de Cortile del Belvedere. Titel in het Italiaans en een verklarende lijst met letters in de ondermarge. Prent maakt deel uit van een album.
Girl Tying Sash
Object type: hanging scroll
Date: 1740 – 1740
Materials: ink, silk
Culture: japanese
Artist: ogawa haritsu (ritsuō)
Artist role: artist
Artist nationality: japanese
Artist dates: 1663 – 1747
Subjects: women
Miniature Litter Section
Object type: litter bed
Date: 1001 – 1500
Materials: gilt, silver
Techniques: hammering
Culture: chancay or chimú
Location: peru
Programma voor de cabaretvoorstelling 'Lieve Neef - Lieve Nicht' verzorgd door leden van het COC afdeling Den Haag
Object type: programma, programmaboekje
Date: 1972 – 1972
Materials: cardboard, paper
Techniques: printed materials
Location: the hague
Subjects: the hague

Tussen de albumbladen geplakt (dubbelgevouwen) programma voor een uitvoering op 8 april 1972 van het cabaretvoorstelling 'Lieve Neef - Lieve Nicht', verzorgd door leden van het COC afdeling Den Haag, in het gebouw van de COC te Rotterdam. Onderdeel van het fotoalbum van cabaretvoorstellingen COC 1968-1974, afdeling Den Haag.
Kast, bestaande uit een boven en onderkast, met glazen bovendeur
Object type: miniature
Date: 1750 – 1800
Materials: wood
Location: amsterdam
Artist: Anonymous

Hoge kast, vervaardigd van grijs/rood/roze geschilderd eikenhout, bestaande uit een bovenkast met een legplank, en één deur met een glasruit en een onderkast met een dichte deur en een legplank.
Nude Figure on Hands and Knees (Executioner)
Object type: drawing
Date: 1900 – 1910
Materials: graphite, watercolor
Techniques: stumping
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: men

Rodin rarely included any setting or background in his drawings of female nudes. This example, however, belongs to a series in which he played with the aqueous quality of the watercolor medium to suggest a marine environment. He seems to have enjoyed the blotches and tide lines created by using too much water on his brush, actively seeking this effect in a number of drawings. This work was a gift to the Museum by Thomas Fortune Ryan, who also donated "Beside the Sea" (11.173.5), a marble sculpture of a similar subject.
Mozes en de Israëlieten heffen een danklied aan
Object type: album leaf
Date: 1645 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jan klooster
Artist role: bookseller
Subjects: after crossing the red sea the israelites rejoice and praise god (exodus 15:1-21)

De prent is afkomstig uit: Bybels Lusthof. Amsterdam, J. Klooster, 1740. De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk staat ze ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
Deel van een kaart van het Hoogheemraadschap van Rijnland, met Nieuwveen en Nieuwkoop
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, etching, hand coloring
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195

Deel van een kaart van Rijnland, bestaande uit 27 delen.
Bracket
Object type: bracket
Date: 1601 – 1700
Materials: wood
Techniques: carving
Location: india
Portret van Otto von Bismarck op 56-jarige leeftijd
Object type: book illustration
Date: 1908 – 1908
Materials: paper
Techniques: letterpress printing, engraving
Location: leipzig
Artist: Anonymous
Subjects: historical persons

Prent uit: Meyers Grosses Konversations-Lexikon. Ein Nachschlagwerk des allgemeinen Wissens. Leipzig en Wenen: Bibliographisches Institut, 1908, dl. 2.
Gezelschap luisterend naar een voordracht
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Artist: herman frederik carel ten kate
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1891
Subjects: arm stretched sidewards (+ expressive connotations), screen, folding screen, person addressing a group, orator
Inscriptions: collector's mark: Lugt 2228

Rechts geeft een figuur een voordracht, zijn rechterarm gestrekt. De toehoorders zitten aan een tafel. Achter hen staat een kamerscherm. Genummerd rechtsboven: Pl. I.
Evening Glow at Nihonbashi
Object type: print
Date: 1834 – 1866
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: keisai eisen
Artist role: artist
Artist nationality: japanese
Artist dates: 1790 – 1848
Subjects: bridges,fish,crowd
The Citizens Retreat
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: mezzotint
Location: paddington
Subjects: the family travelling, on holiday, fowl (cock, hen, chicken, etc.) (+ feeding and care of young), country-house
Inscriptions: number: ‘N. 175’, collector's mark: Lugt 2228
Médailles ou contrastes
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: bookshelves, book, political caricatures and satires
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

De man roept naar de vrouw die een boek doorbladert, staand achter een tafel.
Wellhead with Dragon Heads
Object type: decorative art
Materials: earthenware, glaze
Location: china
Piece
Object type: piece
Date: 1701 – 1900
Materials: cotton, metal thread, silk
Ratisbonne Cathedral, from Facsimiles of Sketches made in Flanders and Germany
Object type: print
Date: 1833 – 1833
Materials: chine, ivory, paper
Techniques: lithograph
Location: england
Artist: samuel prout
Artist role: artist
Artist nationality: british
Artist dates: 1783 – 1852
Twee studies van een zittende man, in profiel naar rechts
Object type: drawing
Date: 1738 – 1738
Materials: chalk, paper
Artist: cornelis troost
Artist role: draughtsman, painter, print maker
Artist dates: 1696 – 1750
Subjects: (asselyn, jan claasz of de gewaande dienstmaagd) specific works of literature (with author, title)

Scène uit "Jan Claasz of de gewaande dienstmaagd" van Thomas Asselijn.
Onias door het volk te Jeruzalem gestenigd
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: onias, the high priest, is slandered (2 maccabees 4:1-4, 4:34-38)
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. II.
Zeeslag bij Kaap La Hogue, de Fransen verslagen door de vloot van Engeland en Holland
Object type: history medal
Date: 1692 – 1692
Materials: tin
Techniques: striking
Location: leiden
Artist: jan smeltzing (i)
Artist role: modelleur
Artist dates: 1656 – 1693
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic
Artist: apollodoros
Artist role: artist

Interior, drapery of reclining symposiast; on the left, part of two legs?
Boomstudie
Object type: drawing
Date: 1905 – 1905
Materials: chalk, paper, pencil
Artist: coba steenhoff
Artist role: draughtsman
Subjects: trees
Inscriptions: date: ‘1905’
Portret van Betsy Culp
Object type: photograph
Date: 1925 – 1925
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: historical persons (portraits and scenes from the life) - bb - woman
Inscriptions: annotation: ‘Photographs for exhibition only, no commercial value, to be returned.’, inscription: ‘Betsy Culp’, annotation: ‘Accepted and hung at The International Exhibition of Pictoral Photography...’
Acomita polychrome water jar
Object type: water jar
Date: 1790 – 1790
Materials: clay, pigment
Culture: acoma
Location: united states

The earliest Acomita water jars are distinguished by short, undecorated necks, bulbous mid-bodies, and dark concave underbodies. This example features a spiral configuration, possibly an abstract bird, painted against a white, open background on each side. The head, rectangular eye, and beak flow into the geometric shapes that may be stylized feathers and the bird’s body. In traditional Pueblo thought, birds and feathers are associated with prayers for rain, germination, and fertility.
Silhouetportret van een onbekende vrouw met muts met franjes
Object type: drawing
Date: 1794 – 1794
Materials: paint, paper
Techniques: brush
Artist: h. van kuyk
Artist role: draughtsman
Subjects: historical persons not known by name - bb - woman, old woman, head-gear: cap
Inscriptions: collector's mark: Lugt 1641, stamp

Silhouetportret van een onbekende vrouw met muts met twee strikken en een dubbele, geplooide rand. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Silhouetportretten.
Twee ontwerpen voor nachtkastjes
Object type: album leaf
Date: 1825 – 1839
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: paris
Artist: Anonymous
Subjects: furniture for special use (+ wood and other phytogenic material), table, cupboard, bedroom
Inscriptions: inscription: ‘1209 Table de nuite à gorge & grand cadre<BR />44 Table de nuite à volets à 2 tablette & pies tordes<BR />" la même avec une table & un vuidepoche’

Twee ontwerpen voor nachtkastjes waarvan één met marmeren blad en een open nachtkastje met gedraaide poten. Het bovenste deel is gesloten met een lade en wangen aan beide kanten. Het blad op de achterzijde genummerd: 5, het tegenoverliggende blad met informatie over de afgebeelde meubelen genummerd: 5 bis. Onderdeel van een album met 80 bladen met tekeningen en een prent van gefineerde en gelakte meubelen, alsmede zitmeubelen.
Palazzo dei Conservatori, coffered ceiling, ceiling plan and details; Sphinx, perspective view (recto) blank (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: sphinx
Kanaal in Dordrecht bij avond
Object type: print
Date: 1851 – 1924
Materials: paper
Techniques: drypoint, etching, intaglio
Location: vienna
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: canals, waters (in city)
Inscriptions: collector's mark: Lugt 2228

Gezicht op een kanaal in Dordrecht. Links op de achtergrond de toren van de Groothoofdspoort.
Pillow Cover
Object type: textile
Date: 1501 – 1700
Materials: linen, silk
Location: italy
Sakhmet Amulet
Object type: amulet, sakhmet
Date: 664 – 630
Materials: faience
Location: egypt
Subjects: sekhmet
[Ivy Covered House]
Object type: photograph
Date: 1850 – 1859
Techniques: paper negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: houses
Plaque fragment
Object type: relief
Date: 800 – 601
Materials: ivory
Culture: assyrian
Location: mesopotamia

This small broken piece of ivory was originally part of a plaque. Carved ivory plaques were widely used in the production of elite furniture during the early first millennium B.C. They were often inlaid into a wooden frame using joinery techniques and glue, and could be overlaid with gold foil or inlaid with colored glass or stone pieces to create a dazzling effect of gleaming surfaces and bright colors. This fragment is made up of thin-walled carved cells, called cloisons, that were filled with colored inlays, although the traces of blue color that remain are left by the material that fixed the inlays in place rather than by the inlays themselves. When the royal buildings at Nimrud were sacked during the fall of Assyria in 614 and 612 B.C., looters stripped the gold inlay from the ivory furniture and left the broken pieces behind. This piece was probably part of a feathered wing belonging to a creature such as a sphinx or griffin, both of which appear frequently on ornately carved inlaid ivories. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
The Temple of Apollo at Bassae
Object type: drawing
Date: 1843 – 1843
Materials: graphite, watercolor
Artist: thomas hartley cromek
Artist role: artist
Artist nationality: british
Artist dates: 1809 – 1873
Subjects: temples,ruins
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: coral, porcelain
Culture: chinese
Vertrek van de Staten Commissie van Rotterdam, 1786
Object type: print
Date: 1786 – 1795
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: departure ~ travelling, rotterdam, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. 16, pl. 7.
Alexander II, Emperor of Russia
Object type: print
Materials: paper
Techniques: lithograph
Location: germany
Artist: g. kuhn
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, at rim, an egg pattern; back of head, left ear, and part of neck of youth with petasos; top of spear of stick of a second figure?
Galloon
Object type: galloon
Date: 1830 – 1830
Gezicht op de Hervormde Kerk van Kortenhoef
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: kortenhoef
Subjects: church (exterior)
Inscriptions: annotation: ‘Kortenhoef’, annotation: ‘Kerk der Ned. Herv. gemeente te Kortehoef/ Juli 1904’
Certosa di Pavia. Parco, gran pergolato e Vialone
Object type: photomechanical print
Date: 1908 – 1914
Materials: cardboard
Techniques: photograph
Location: milan
Artist: Anonymous
Subjects: park, pergola
Miniature toilet box (one of a pair)
Object type: toilet box
Date: 1772 – 1774
Materials: silver
Artist: pierre françois rigal
Artist role: maker
Artist dates: 1721 – 1789
Pollaxe
Object type: pollaxe
Date: 1450 – 1450
Materials: steel, wood
Culture: french
Location: france

The poleaxe was the western European equivalent of the halberd and was similarly designed for hacking and stabbing and for piercing armor plates. However, the heads of halberds were constructed in one intergral piece, but the heads of poleaxes were composed from separate elements, held together by rivets. The basic element was the axe blade with a counter-balancing beak. The blade was overlaid by side straps, which in turn would have the apical spike attached. The long side straps reinforced the shaft against being chopped through in combat. Though the poleaxe was one of the weapons used in the formal duels of foot combats, it was primarily a serious battle arm. In some cities the guards of the city gates were armed with poleaxes; in emergencies, when there was no time to raise the drawbridge, they could hack through the ropes that held up the portcullis, and the grill would drop to block the engrance.
Theelepel AVRO, 1932
Object type: teaspoon
Materials: metal
Location: zeist
Subjects: netherlands
Kudde schapen bij een groep bomen
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: sheep, herd, flock

Blad 14 recto uit een schetsboek met 33 bladen.
Harding's drawing book for the year MDCCCXXXVIII
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: tone lithography
Location: london
Subjects: village (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Uitgever Charles Tilt heeft verschillende series uitgegeven over het werk van James Duffield Harding. Deze serie 'Harding's drawing book for the year MDCCCXXXVIII', bestaat uit zes delen met elk vier lithografieën.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, extended arm with drapery
Portret van Karl von Harrach
Object type: print
Date: 1650 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: earl, armour, historical persons, knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228
Titelpagina voor:  J.F. Oltmans, Het slot Loevestein in 1570, eerste deel, 1853.
Object type: print
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Inscriptions: collector's mark: Lugt 2228

Een kasteelheer zit in een stoel bij een brandende haard. Op de tafel naast hem staat een karaf met twee glazen. De kasteelheer maakt een afwerend gebaar naar de monnik tegenover hem, die naar hem wijst. Boven de afbeelding de titel en auteur, eronder het impressum.
Peasant costume fragment
Object type: costume fragment
Date: 1701 – 1900
Materials: canvas, silk, wool
Grazende paarden
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse

Pagina 50 uit een schetsboek met 27 bladen
Portrait of Philippe V, King of Spain
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: engraving
Location: france
Artist: pierre-imbert drevet
Artist nationality: french
Artist dates: 1663 – 1738
Ukifune and Ukon approach the island of Tachibana
Object type: print
Materials: paper
Techniques: woodblock print
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764

This print is created about 25 years before printed color was in common use in Japan. The scene comes from the 11th-century novel The Tale of Genji by Lady Murasaki Shikibu. It shows the characters Ukifune and her lover, Ukon, approaching the island of Tachibana at dawn after a snowy night.
Agrippina Major
Object type: album leaf
Date: 1646 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hubert quellinus
Artist role: print maker
Artist dates: 1619 – 1687
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘50’

Klassieke buste van een vrouw met ontblote borst. De prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling van Gerard Reynst.
Krishna subduing the Naga Kaliya
Object type: figure
Date: 1601 – 1700
Materials: copper gilt
Techniques: repoussé
Culture: nepali

Here, Krishna suppresses an evil serpent king, the nagaraja Kaliya, who is poisoning the river Yamuna in north India. This is one of the heroic acts undertaken by the youthful Krishna to combat evil and restore order (dharma) to the world, which is celebrated in the sacred text the Bhagavata Purana. The Newari metalworking community of the Kathmandu Valley excelled in copper alloy repoussé. As the premier artists of this art form, they not only supplied both the Hindu and Buddhist communities of Nepal but were in demand throughout the Tibetan plateau
Fruitlet spoon
Object type: fruitlet spoon
Date: 1501 – 1700
Materials: silver gilt
Portret van Johannes Petrus Hasebroek
Object type: print
Date: 1847 – 1853
Materials: paper
Techniques: lithograph
Location: haarlem
Subjects: leiden, amsterdam, historical persons, portrait of a writer
Lower (southern) half of Gordon's great map of Southern Africa
Object type: map
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Inscriptions: annotation: ‘zie De Jong’
Portret van Lorenz Dürnhofer
Object type: book illustration
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: durnhofer
Inscriptions: collector's mark: Lugt 2228

Gemaakt voor: J.J. Boissard, Icones virorum illustrium doctrina &c eruditione praestanti um contines. Frankfurt am Main: de Bry, 1597-1599. Opnieuw gebruikt in: J.J.Boissard, Bibliotheca chalcographica, hoc est Virtute et eruditione clarorum Virorum Imagines. Heidelberg: Clemens Ammon, 1669. Dl. 1-5 (te herkennen aan de toegevoegde signatuur in de rechter onderhoek: L3).
Fragments
Object type: textile
Materials: silk
Techniques: embroidery, weave, stitching
Location: morocco
Subjects: morocco
Brief aan Christiaan Kramm
Object type: letter
Date: 1847 – 1847
Materials: ink, paper
Techniques: pen, writing
Location: geldermalsen
Artist: reijer catharinus murman
Artist role: draughtsman, painter
Artist dates: 1908 – 1981
Subjects: utrecht, print maker, draughtsman, christiaan kramm, architecture
Inscriptions: collector's mark: Lugt 2233