deem-data/ArtiFact huggingface dataset:
Strip
Object type: strip
Date: 1701 – 1800
Techniques: lace
Subjects: human figures,birds,bow and arrow,deer
Tsukuda Island (Tsukudajima), from the series "Famous Places in the Eastern Capital (Toto meisho)"
Object type: print
Date: 1832 – 1833
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Lotus Pendant
Object type: pendant, lotus petal
Date: 664 – 332
Materials: faience
Location: egypt
Mary, Queen of Scots with her son, James I, King of England, Scotland and Ireland
Object type: print
Date: 1578 – 1578
Techniques: engraving
Artist: john leslie, bishop of ross
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1527 – 1596
Subjects: men,portraits,women,mary queen of scots
Nederlandse 10 cent,1950
Object type: coin
Date: 1950 – 1950
Materials: nickel
Techniques: striking
Location: utrecht
Artist: juliana of the netherlands
Artist role: koningin
Artist dates: 1909 – 2004

Nikkelen munt. Voorzijde: hoofd naar rechts. Keerzijde: kroon, daaronder, tussen jaartal, waarde-aanduiding 10 cent. Kartelrand.
Portret van Baccio Bandinelli
Object type: print
Date: 1538 – 1552
Materials: paper
Techniques: engraving
Location: rome
Subjects: draughtsman, baccio bandinelli, portrait, self-portrait of sculptor, historical persons
Twee jongens in matrozenpakken op ezels in Curaçao, vermoedelijk de kinderen van Jan Olphert de Jong van Beek en Donk
Object type: photograph
Date: 1895 – 1925
Materials: paper
Techniques: gelatin silver print
Location: curacao
Subjects: ass, donkey, boy (child between toddler and youth), historical persons not known by name
Inscriptions: inscription: ‘Curaçao’
Maniere d'Exposer la Loy au Peuple, avant que de commencer à la Lire
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: reading of the torah ~ jewish religion
Inscriptions: collector's mark: Lugt 195

Gebruikt als illustratie in: A. Moubach, Naaukeurige beschryving der uitwendige godtsdienst-plichten, kerk-zeden en gewoontens van alle volkeren der waereldt : in een historisch verhaal ... in kunstige tafereelen afgemaalt. 's-Gravenhage: R.C. Alberts, 6 dln, 1727-1738. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Twee vrouwen, waarvan één een mansbeeld omhelst
Object type: design
Date: 1677 – 1755
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: piece of sculpture, reproduction of a piece of sculpture
Geknielde vrouw met was aan het water
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous

Geknielde vrouw met was op een vlonder aan het water.
The Return, Tynemouth (recto) Study (verso)
Object type: drawing and watercolor
Date: 1881 – 1881
Materials: glaze, gouache, graphite, paint, paper, watercolor
Techniques: aquarelle, heightening, scraping
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: boats, people, fishing
Inscriptions: Signed recto, lower right, in black watercolor: "Homer/1881"
Inscribed verso, center, in graphite: "M.K.W.C. 1009-//The Return, Tynemouth"

During Homer's sojourn in England from 1881 to 1882, he rented a studio on a cliff overlooking Cullercoats Harbor, where he observed the comings and goings of fishing boats. The Return, Tynemouth depicts two fishermen who have arrived on shore in early morning. Because this watercolor was painted with light-fast pigments, it retains the pale, orange-pink washes that have faded from many of the extant watercolors he painted with fugitive red pigments; for this reason, it offers a more complete idea of his developing powers in decorative color. Homer's study of the British Library's drawings by Michelangelo and Raphael during this 1881-82 trip to England may have improved his skill for rendering figures in motion, which are emphasized here by the artist's graphite underdrawing.
Proportiestudie van een vrouw
Object type: drawing
Date: 1858 – 1858
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions) - aa - female human figure, anatomy (non-medical) - aa - female human figure
Inscriptions: inscription: ‘ai Iss EH’
Belt Plaque in the Shape of a Crouching Carnivore
Object type: belt plaque
Date: 500 – 401
Materials: bronze
Culture: chinese or mongolian
Subjects: animals
Vissen
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: pier, quay, wharf, bony fishes: carp, bony fishes: cod, bony fishes: sprat, bony fishes: mullet, eels: eel
Inscriptions: collector's mark: Lugt 2228

Een sprot, een karper, een harder, een kleine kabeljauw en een zeepaling liggen samen met wat schelpen aangespoeld op het strand. Op de achtergrond de zee en een havenkade. De prent maakt deel uit van een serie met vissen als onderwerp.
Purse
Object type: purse
Date: 1790 – 1810
Materials: linen, paper, silk
Culture: american
The Wayfarer Crowned by Happiness from The Table of Cebes
Object type: hanging
Date: 1550 – 1580
Materials: canvas, silk, wool
Techniques: stitching
Artist: david kandel
Artist role: designer
Artist nationality: german
Artist dates: 1515 – 1601
Subjects: fountains,men,women,crowns

Panels representing scenes from The Table of Cebes, a classical text popular during the Renaissance, on the soul’s journey through life, were worked in the somber colors of northern European taste toward the end of the sixteenth century. Like another example in the collection (42.193.2), this one is based on a woodcut by David Kandel of Strasbourg.
De brave vrouwen
Object type: print
Date: 1831 – 1854
Materials: paper
Techniques: hand coloring, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: household chores, kitchen-maid, kitchen servant, sewing
Inscriptions: collector's mark: Lugt 1641, stamp

Blad met acht voorstellingen van vrouwen die huishoudelijke taken uitvoeren, zoals voor de kinderen zorgen en naaien. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 13. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Des menschen begin, midden en einde, Kinderprenten opgeplakt op karton.
Swooning Woman at the Door of a Nunnery, Supported by Nun and Young Man
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Location: italy
Artist: attributed to benedetto pastorini
Canada, from the International Cards series (N238), issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,flags

Trade cards from the "International Cards" series (N238), issued in 1888 to promote Kinney Bros. Cigarettes.
Tea Scoop (chashaku)
Object type: tea scoop
Date: 1601 – 1633
Materials: wood
Culture: japanese
Artist: sen no rikyū
Artist role: artist
Artist nationality: japanese
Artist dates: 1522 – 1591
Landschap bij Rome
Object type: print
Date: 1873 – 1931
Materials: paper
Techniques: etching
Artist: etienne bosch
Artist role: print maker
Artist dates: 1863 – 1933
Subjects: city-view, and landscape with man-made constructions, low hill country, rome
Inscriptions: collector's mark: Lugt 2228, number: ‘no. 170’

Huizen en bomen op een heuvel. Links op de achtergrond zicht op de stad Rome.
The Actor Segawa Kikunojo III as the Spirit of Joro-gumo (Harlot Spider) Disguised as the Maiko Tsumagiku (?), in the Play Shitenno Tonoi no Kisewata (?), Performed at the Nakamura Theater (?) in the Eleventh Month, 1781 (?)
Object type: print
Date: 1781 – 1781
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Portret van Ernst Casimir, graaf van Nassau-Dietz
Object type: photograph
Date: 1850 – 1930
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: ernst casimir graaf van nassau-dietz
Inscriptions: collector's mark: Lugt 2233

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Document Sealing
Object type: sealing, djed, ka arm,
Date: 1390 – 1352
Materials: mud
Location: egypt
Teabowl
Object type: teabowl
Date: 1770 – 1770
Materials: clay, glaze
Culture: japanese
Artist: tokunyu
Artist role: artist
Artist nationality: japanese
Artist dates: 1675 – 1775
Ambachten, bedrijven
Object type: print
Date: 1861 – 1929
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: leiden
Subjects: craft-production, skilled handiwork, crafts and industries, fisherman
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van ambachtlieden en beroepen, zoals een hoedenmaker, een letterzetter, een visser en een omroeper. Onder elke afbeelding een titel en een vers. Genummerd rechtsboven: No. 11. Linksboven: Bekroond door de Maatschappij tot Nut van 't Algemeen.
Venus en Amor in de werkplaats van Vulcanus
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: cornelis bos
Artist role: print maker, printer, publisher
Artist dates: 1510 – 1566
Subjects: vulcan forges cupid's wings and arrows, vulcan and venus
Inscriptions: collector's mark: Lugt 2228

Vulcanus zit bij een aambeeld en smeedt met behulp van twee naakte cyclopen de vleugels van Amor. Links is een derde cycloop bezig het vuur aan te wakkeren. Rechts staan Venus en Amor ernaar te kijken. Amors pijl en boog liggen rechts op de grond.
Aaron Burr
Object type: print
Materials: paper
Techniques: aquatint, etching
Location: united states
Artist: john sartain
Artist role: engraver
Artist nationality: american, born england
Artist dates: 1808 – 1897
Portret van Sigismund Friedrich Hermbstädt
Object type: print
Date: 1826 – 1849
Materials: paper
Techniques: lithograph
Subjects: sigismund friedrich hermbstaedt, pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, historical persons
Fotoreproductie van het schilderij De staalmeesters door Rembrandt van Rijn
Object type: photograph
Date: 1885 – 1885
Materials: cardboard, paper
Techniques: carbon print
Location: munich
Subjects: officers trusted with control of quality
Inscriptions: number: ‘8’, inscription: ‘Photographie nach dem Originale/ Rijks Museum Amsterdam/ Registered. Déposé.’
Ceramic Fragment
Object type: fragment
Date: 1001 – 1200
Materials: ceramic glaze
Location: saudi arabia
Gauntlet from a Tournament Garniture of a Hapsburg Prince
Object type: armor
Date: 1571 – 1571
Materials: brass, leather, steel
Techniques: gilding
Location: augsburg
Artist: attributed to anton peffenhauser
Gezicht op het Rapenburg te Leiden van de Nieuwsteegbrug, 1807
Object type: print
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 195

Gezicht op het het Steenschuur, een gracht in het verlengde van het Rapenburg, te Leiden, in welstand vóór de buskruitramp van 12 januari 1807. Links op de voorgrond de Nieuwsteegbrug met daarachter het Steenschuur. Links op de hoek van het Steenschuur het huis van schepen J.W. van Noort. Op de achtergrond de Saaihal (de latere Sint-Lodewijkskerk).
At the Threshold
Object type: sculpture
Materials: limestone
Techniques: tinting
Culture: american
Artist: edith woodman burroughs
Artist role: artist
Artist nationality: american
Artist dates: 1871 – 1916
Subjects: female nudes

The smooth, simplified treatment of this lifesize adolescent female on the verge of womanhood was inspired by Burroughs’s 1909 trip to Paris, where she admired the sculpture of modernist artist Aristide Maillol. The original tinted plaster version of "At the Threshold" was exhibited widely, including at the Berlin Photographic Company in New York, where Burroughs had her first solo exhibition in 1915, just a year before her death. In 1918 it was included in a long-term exhibition of American sculpture at the Metropolitan Museum. The following year the Metropolitan and the sculptor’s widower Bryson Burroughs, then its curator of paintings, arranged to have “At the Threshold” carved in limestone and tinted to resemble the original plaster figure.
Netsuke of Boy Sitting on the Shoulders of an Animal
Object type: netsuke
Date: 1701 – 1800
Materials: wood
Techniques: inlay
Culture: japanese
Subjects: animals,boys
Gezigt van 't Fransch Fregat La Félicité, Kapt. Denel, ter Hoogte van 's Gravezand op Strand gejaagd, door 't Engelsch Fregat The Richmond, Kapt. Elphinston / Prospect of the French Frigat la Félicité (...) / Vuë de la Frégate Françoise la Félicité (...)
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: etching
Artist: paulus constantijn la fargue
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1782
Subjects: ships, boats on land, beached
Inscriptions: collector's mark: Lugt 2228

Het Franse fregat La Félicité (onder bevel van kapitein Denel) door het Engelse fregat The Richmond (onder bevel van kapitein Elphinston) bij 's-Gravenzande op het strand gejaagd, 25 januari 1761. Op het strand kijkt een grote groep belangstellenden toe. In het onderschrift de titels in het Engels, Nederlands en Frans.
Der Rhein. Fernsicht vom Drachenfels
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: drachenfels
Subjects: city-view in general; 'veduta', river
Inscriptions: number: ‘115’, inscription: ‘NPG’
Boerderij bij een brug
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: bridge, farm (building)

In de deuropening staat een figuur. Pagina 31 uit een schetsboek met 42 bladen vervaardigd rond de Ewijkshoeve.
Saint Cecilia
Object type: print
Date: 1530 – 1530
Materials: paper
Techniques: woodcut
Location: italy
Artist: antonio da trento
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1550
Handkerchief
Object type: textile
Date: 1825 – 1875
Materials: cotton, linen, textile, thread
Techniques: drawing, treatment, embroidery, lace, weave, stitching
Location: france
Relief of Haremhab
Object type: relief, haremhab
Date: 1323 – 1295
Materials: limestone
Location: egypt
Subjects: kings

Originally dedicated by a private individual as a votive offering, this stela probably depicted Haremhab presenting papyrus umbels to one or more deities. The accompanying inscription reads "May the protection of [all] life [be behind him forever]."
Madonna and Child with Saints (after Parmigianino)
Object type: print
Date: 1515 – 1573
Techniques: engraving
Artist: battista angolo del moro
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1573
Subjects: madonna and child,saints
De Hartstogten
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: etching
Location: rotterdam
Artist: petrus van schendel
Artist role: draughtsman, painter, print maker
Artist dates: 1806 – 1870
Subjects: passions, emotions, affections, frowned eyebrows
Inscriptions: collector's mark: Lugt 2228

Prent was een proefdruk om potentiële afnemers te interesseren voor het werk: Schendel, Petrus van. De hartstogten, afgebeeld in 72 expressiehoofden, Rotterdam: Wed. van der Meer & Verbruggen, 1834
Portret van A.C.M. Geertsema
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: photography
Artist: Anonymous
Inscriptions: name: ‘Kameke’, name: ‘Kameke’
Nimfen en een sater
Object type: print
Date: 1927 – 1927
Materials: paper
Techniques: lithograph
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: partially clothed - aa - female human figure, nymphs (in general); 'ninfe in commune' (ripa), satyr(s) (in general)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een groep staande en hurkende vrouwen, hoogstwaarschijnlijk nimfen. In hun midden een sater. Op de achtergrond gebladerte.
[Fortifications]
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: fortification,american civil war
Les Troupes Forcent la Porte d'une Ville (The Troops Force Their Way Through the Gate of a City), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Object type: print
Date: 1614 – 1620
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.
Spear-butt, spike
Object type: spear butt, spike
Date: 1050 – 1000
Materials: bronze
Culture: cypriot
Subjects: spears
Zittende dame, in avondtoilet
Object type: drawing
Materials: paper, pencil
Artist: gerard bilders
Artist role: draughtsman, print maker
Artist dates: 1838 – 1865
Otto se[cun]dus imperator / Otto t[er]cius imperator
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: emperor
Inscriptions: inscription: ‘4’

Bloemkelken met twee keizers en een keizerin. Ze dragen kronen en hebben zwaarden en scepters in hun handen. Daarbij twee wapenschilden met een dubbelkoppige adelaar. De voorstelling is onderdeel van de stamboom van keizer Hendrik II de Heilige in de Liber Chronicarum. De tekst identificeert de personen als keizer Otto II en zijn vrouw. Daarnaast zijn zoon keizer Otto III. De prent maakt deel uit van een album.
Design for Wagon, no. 768
Object type: drawing
Date: 1860 – 1860
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, legs of male with a scabbard, wearing a chiton, and holding a sword behind him; one letter of an inscription, L
Glass Bowl
Object type: bowl
Date: 967 – 1033
Materials: glass
Techniques: glassblowing, stain
Location: egypt

The shape, size, and decoration of this bowl demonstrate an affinity between luster‑painted glass and ceramic lusterware. The division of the vessel walls into panels and the stylized palmette‑tree motifs frequently appear on luster‑painted bowls made in Fatimid Egypt. The Arabic inscription around the rim, in angular kufic script, has not yet been deciphered.
Slagveldtafereel
Object type: print
Date: 1813 – 1863
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerardus emaus de micault
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: battle (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228

Cavalerie gevecht. Een soldaat met steek op het hoofd, schiet vanaf zijn paard op een tegenstander, terwijl rondom cavaleristen komen aanrijden. Op de grond ligt een gesneuvelde man.
Marble head of a youth
Object type: head of a youth
Materials: marble
Culture: roman
Subjects: heads
Visvangst
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the angel raphael tells tobias to cut the fish to pieces
Inscriptions: watermark

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
The Making of Armours, from Hymmelwagen auff dem, wer wol lebt...
Object type: print
Date: 1517 – 1517
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: armor,men,women,working
Medal of Captain William Bainbridge
Object type: medal
Date: 1800 – 1830
Materials: bronze
Culture: american
Location: united states
Artist: moritz fürst
Artist role: maker
Artist nationality: hungarian
Artist dates: 1782 – 1882
Subjects: men,profiles
Hoofdletters E en Z en vignet met sater en panfluit
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Subjects: initial, satyr(s) (in general)
Inscriptions: collector's mark: Lugt 2233

De hoofdletters zijn omgeven door een vierkant kader. De restvormen zijn ingevuld met plantmotieven. Onder de hoofdletters een driehoekig vignet versierd met plantmotieven en in het midden een sater die een panfluit bespeelt.
Tapijt met een afbeelding van (vermoedelijk) drie kerkvaders
Object type: photomechanical print
Date: 1880 – 1881
Materials: paper
Techniques: photograph
Location: barcelona
Artist: Anonymous
Subjects: carpet, rug, doctors (fathers) of the church
Inscriptions: number: ‘Pl 28’