deem-data/ArtiFact huggingface dataset:
Canopic Jar (with lid 30.8.54)
Object type: canopic jar, kiya lid 30. 8. 54
Date: 1349 – 1336
Materials: stone
Location: egypt

Although this canopic jar was intended for a funerary context, the face on the lid was carved by a master with the skill and care one might expect in a more public portrait. Whatever the age of the owner at her death, she was given a youthful countenance for the eternal afterlife. The shape of the face, with its long slender nose, sloe eyes, and sensuous mouth, identifies it as a product of the latter half of the Amarna period. The jar and lid were altered in antiquity, making it extremely difficult to identify the original owner. The striking face carved on the jar lid represents one of the royal women of Amarna. Her hairstyle of overlapping curls, known as the Nubian wig, was worn only by adults and was popular among the female members of Akhenaten's family. The hole at the center of the forehead once secured the separately carved upper body of a rearing cobra whose tail is visible across the top of the wig. This royal protector was exclusively worn by kings and queens. Since its discovery in 1907, the face has been variously identified as that of Queen Tiye, Akhenaten's mother; Queen Nefertiti, his principal wife; Queen Kiya, his beloved secondary wife; and Princess Merytaten, his eldest daughter. For a time, it was even identified as Akhenaten himself. This confusion is understandable, since the inscription identifying the owner was almost completely erased. Faint traces of hieroglyphs indicate that the jar was originally inscribed for Kiya, and the Nubian wig is most frequently associated with this queen. In some respects, however, the face more closely resembles later representations of Tiye, and it is possible that the lid originally belonged to her burial equipment and was later placed on Kiya's canopic jar. The tomb in which the jar was found, KV 55 in the Valley of the Kings, is probably the most controversial of all Egyptian tombs. It contained burial equipment inscribed for Queen Tiye and magical bricks with the name of Akhenaten. There were also four canopic jars (including this one) and an inlaid wooden coffin almost certainly made for Kiya. It appears that, for safekeeping, Tutankhamun had this material transferred to Thebes from Akhenaten's tomb at Amarna, which seems to have been plundered soon after Akhenaten's death. The jars and coffin of Kiya may have been reused at that time for the burial of another member of the royal family.
Hexagonal Jar (Rokkaku-tsubo) with Paulownia and Geometric Design
Object type: brazier
Date: 1701 – 1800
Materials: enamel, gold, stoneware
Techniques: overglaze, polychrome
Culture: japanese

In ceramics, the burst of color and decorative design that characterized the art of the Momoyama period (1573–1615) became prominent again with Nonomura Ninsei (ca. 1646–1694), whose vivid overglaze patterns were inspired by the beauty of the changing seasons and landscapes of Kyoto. These traditions influenced Kiyomizu ware, produced near the temple Kiyomizudera and embellished with green, blue, and gold overglaze motifs. This hexagonal jar is based on a famous prototype owned by the temple Yoshiminedera.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, head and upper torso of youth with himation wrapped around his lower back and waist, bending to the left, with his right arm bent
Kaart van de polder het Koegras met daarop de Le Maires polder
Object type: print
Date: 1640 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions, polder, reclaimed land, fisherman
Inscriptions: collector's mark: Lugt 195

Linksboven de titelcartouche, linksonder een schaalstok: 1000 Rynlantsche roeden sijnde een halve duytsche myle. Daarboven een visser.
Portret van Albrecht, aartshertog van Oostenrijk
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Artist: johannes wierix
Artist role: draughtsman, print maker
Artist dates: 1549 – 1618
Subjects: brussels, albrecht aartshertog van oostenrijk, armour, knighthood order of the golden fleece
Inscriptions: number: ‘22. - 34.’, collector's mark: Lugt 2228

Portret van Albrecht, aartshertog van Oostenrijk. Hij draagt een rijk gedecoreerd harnas en een keten met de Orde van het Gulden Vlies. De voorstelling is gevat in een ovale omlijsting met een randschrift in het Latijn. In het kader een vierregelig onderschrift in het Latijn.
Lago di Garda. Gardona-Riviera
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: zurich
Artist: Anonymous
Subjects: prospect of village, silhouette of village, lake, mountains
Death beating a drum above, an owl and a bell attached to a ribbon below, from "Ornaments or Grotesques" (Ornamenti o Grottesche)
Object type: print
Date: 1650 – 1656
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: musical instruments,drums,owls
Dish
Object type: dish
Date: 1601 – 1633
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: turkey
Subjects: flowers,leaves
Waggon Wheels, Tree Trunk and Beams
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: soft ground etching
Location: norwich
Subjects: wheel (of vehicle), beam, log of wood
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent staat samen met RP-P-1973-195 op een onversneden blad.
Gevelstenen met verbeeldingen van de vijf zintuigen
Object type: drawing
Date: 1800 – 1899
Materials: paper, pencil
Location: amsterdam
Artist: Anonymous
Subjects: stone tablet in façade, smell, smelling (one of the five senses)
Inscriptions: inscription: ‘Utr. straat.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Beeldhouwkunst - Gevelstenen.
Votive Tablet
Object type: votive tablet
Date: 618 – 907
Materials: terracotta
Culture: chinese
Kastijding door de Amsterdamsche Courant toegediend aan Grondwet en Burgerpligt (...) tot vreugde van Recht voor allen / Neutraliteit der conservatieve Partij
Object type: cartoon
Date: 1808 – 1880
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: piet hein testas
Artist role: print maker
Artist dates: 1826 – 1905
Subjects: voting, election, spanking, drubbing (of naughty children)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Links geeft een moeder haar twee kinderen billenkoek, terwijl een derde kind lachend toekijkt. Rechts zit een stoïcijns kijkende vrouw.
Oude man met baard en muts
Object type: print
Date: 1784 – 1839
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: cornelia scheffer-lamme
Artist role: print maker
Artist dates: 1769 – 1839
Subjects: head-gear: cap (+ men's clothes), old man
Inscriptions: collector's mark: Lugt 2166
Tekst boven een bij elkaar gebonden roos en vergeet-me-nietje
Object type: print
Materials: paint, ink, paper, watercolor
Techniques: brush, pen, writing
Location: gottingen
Subjects: floral interlace ~ ornament, 'album amicorum', 'stammbuch'
Inscriptions: tekst, verso, handgeschreven
Portret van Rubens op een zuil
Object type: print
Date: 1754 – 1809
Materials: paper
Techniques: etching
Subjects: antwerp, painter, print maker, draughtsman, peter paul rubens
Inscriptions: collector's mark: Lugt 240
Kruisweg bij de Johannes de Doperkerk in Frome
Object type: photograph
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: frome
Artist: Anonymous
Subjects: stations of the cross, monument, statue

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Piece
Object type: piece
Date: 1601 – 1700
Techniques: embroidery
Portret van een onbekende vrouw, aangeduid als Jo de Vries of mevrouw Grommers
Object type: carte de visite
Date: 1887 – 1896
Materials: cardboard, paper
Techniques: albumen print
Subjects: historical persons - bb - woman
Inscriptions: address: ‘Godried de Jong, Kon. Ned. Hofphotograaf/ GRONINGEN/ Heerestr. E 36/ AMSTERDAM/ Keizersgracht 304.’, stamp: ‘W. B. BEKROONDE/ Photograaf [...]/ Heerestraat E. 36/ GRONINGEN.’, inscription: ‘Jo de Vries/ Mevr Grommers’, inscription: ‘Bekroond op de/ Internationale Tentoonstelling/ te AMSTERDAM 1874 en 1883./ Godfried de Jong/ Photographe-Artiste/ VAN Z.M./ den Koning/ der/ Nederlanden./ en geoctroijeerd/ door/ Z.M. den Koning der Belgen./ Groningen/ en/ Amsterdam./ Van deze photographie kan nabesteld worden/ Vergrooting naar visitekaarten in alle afmetingen.’
Oud Hollands klaverblad
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: drinking-vessels, alcoholic drinks
Inscriptions: collector's mark: Lugt 1641, collector's mark

Gebruikt als illustratie in: J. Le Francq van Berkhey, Oud Hollands Vriendschap, tot Leydens Troost bij haren Ramp in den Jare 1807, Leiden: J. van Thoir, 1808, p. 188/189.
Christ on the Cross
Object type: print
Date: 1604 – 1604
Techniques: engraving
Artist: antonius wierix, ii
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1555 – 1604
Subjects: roosters,christ,virgin mary,crucifixion,ladders
Zagreb
Object type: photograph
Date: 1943 – 1943
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: zagreb
Artist: Anonymous
Subjects: leave ~ the soldier off duty, occupation ~ war
Inscriptions: date

Albumblad met zeven foto's van de dochter, in een park bij een kerk, waarschijnlijk in Zagreb. Onderdeel van het fotoalbum Abrechnungsintendantur van de Wehrmacht 1941-1943.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, right hand and part of upper torso of a woman wearing a chiton, with her bent right arm raised, holding a flower? in her hand; on the left, part of a draped man
Lampionplant
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: plants and herbs
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Blankaart, Steven. Den Neder-landschen herbarius ofte Kruid-boek der voornaamste kruiden. Amsterdam: Jan Claesz ten Hoorn, 1698.
Gezicht op een dorp in Japan
Object type: album leaf
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: village, japan
Entrance to the Gankirō Tea House in the Miyozaki District, Yokohama, Bushu
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1826 – 1869
Subjects: men,women,walking,landscapes,trees
Hara—No. 14, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido
Object type: print
Date: 1847 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Dorp aan een meer, vermoedelijk in Oostenrijk
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: austria
Artist: Anonymous
Subjects: prospect of village, silhouette of village, austria

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Duitsland en Oostenrijk en van kunstwerken.
Werken van Hercules
Object type: print
Date: 1563 – 1563
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: while fighting with hercules the river-god achelous changes himself into a bull, or a bull-headed man, hercules breaks off a horn; naiads fill the horn with flowers and fruits; it thus becomes the cornucopia
Inscriptions: collector's mark: Lugt 10

Hercules vecht met de riviergod Acheloüs die de gedaante van een stier aangenomen heeft. Het gaat om de gunst van Deïanira de dochter van de riviergod Oeneus. Hercules breekt de stier de horens af. Op de achtergrond is te zien hoe nimfen een van de horens vullen en gebruiken als hoorn des overvloeds.
Ornament with Owl Mocked by Day Birds
Object type: print
Date: 1480 – 1480
Materials: paper
Techniques: engraving
Location: netherlands
Artist: master fvb
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1475 – 1500

The Netherlandish artist Master F. V. B. produced a close copy of Martin Schongauer’s print that appears in reverse as a result of the printing process. The subject was also known as a “bird concert” and continued to be popular for centuries. It consisted of diurnal birds making raucous fun of the helplessness of a nocturnal owl, which had been unwittingly stranded during the day. This particular owl seems to be slightly less blinded by the sun than others. He has secured some prey, and holds the small bird prisoner in his beak.
London
Object type: photograph
Date: 1880 – 1910
Materials: paper, ink
Techniques: photograph
Location: dresden
Artist: Anonymous
Subjects: palace, london
Inscriptions: stamp: ‘Römmler & Jonas Dresden 1895 / No.’, number: ‘9025’

Onderdeel van Reisalbum met bezienswaardigheden in Engeland, Zwitserland, Frankrijk en Duitsland.
Reclining Figure
Object type: illustrated single work
Date: 1630 – 1640
Materials: gold, ink, paper, watercolor
Location: iran
Subjects: human figures

This figure, elegantly draped over a cushion and dreamily gazing into the viewer’s space, has traditionally been identified as a woman. Not only the leggings with a decorative border, but also the figure’s voluminous thighs, pearl necklace and long hair are all associated with women in the Safavid period. However, the long floppy cap is an article of male clothing and suggests a different reading of this drawing. According to European visitors to Iran in the seventeenth century, youths who "dressed effeminately" were employed in coffeehouses to dance suggestively and serve as prostitutes for the male clientele. Safavid paintings of alluring women invariably emphasize their breasts and often show more skin whereas this figure covers his chest and is fully clothed, relying on his alluring pose to please the viewer or owner of this work.
Free Copy of Giotto's "Navicella" (recto); Copy of Adam in Masaccio's "Expulsion from the Garden of Eden", and other Figure Studies (verso)
Object type: drawing
Date: 1420 – 1420
Materials: chalk, ink, paper
Techniques: drawing, pen
Artist: parri spinelli
Artist role: artist
Artist nationality: italian
Artist dates: 1387 – 1453
Subjects: men,ships

The early fifteenth-century painter Parri Spinelli, like many others, looked to the authority of the great Florentine artist Giotto di Bondone for inspiration. This large drawing is a free copy after Giotto’s monumental mosaic (since destroyed) in the portico of Old Saint Peter’s Basilica in Rome, as the inscription on the side of the boat indicates. The scene represents a miracle described in the Gospel of Matthew in which Christ saves the Apostles from a storm at sea. Though Parri’s penwork is at times halting, revealing the cautious hand of a copyist, he also took creative liberties in his composition. For example, it appears he enlarged the figures of Christ and Saint Peter and brought them to the foreground. Here, in a momentary lapse of faith, Peter sinks into the water but is rescued by Christ’s hand. The sheet was part of a bound volume that Parri would have kept for reference in composing his own designs.
Gezicht op een kanaal met gondel in Venetië
Object type: photograph
Date: 1907 – 1935
Materials: glass
Techniques: gelatin glass negative
Location: venice
Artist: Anonymous
Subjects: canals, waters (in city), gondola, venice
Zuiderzeewerken: Haven Oude Zeug 4 mei 1928
Object type: ansichtkaart, prentbriefkaart
Date: 1928 – 1928
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: harbour, zuiderzee
Dumbarton Rock from the South
Object type: drawing
Date: 1788 – 1788
Materials: ink, watercolor
Techniques: pen
Artist: joseph farington
Artist role: artist
Artist nationality: british
Artist dates: 1747 – 1821
Subjects: houses,landscapes,boats

Farington here describes a volcanic plug situated in southwest Scotland, at the confluence of the rivers Clyde and Leven. This southern view includes the castle, garrison, and gun battery built near the shore to defend a key access point to the sea. One of the most adept and prolific landscape draftsmen of his generation, the artist traveled through Scotland from August to October 1788, preparing designs for aquatints in a projected final volume for John Boydell’s The History of the Principal Rivers of Great Britain (1794–96). When the French Revolution impacted the British print trade, the prints of Scottish subjects were never published, but this drawing survives to convey Farington’s strong aesthetic response to a distinct northern landscape.
Menselijke schedel
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: (human) skull (+ front view), (human) skull (+ back view), (human) skull (+ sideview, profile), anatomical model of the muscles, muscle-man, 'écorché'
Inscriptions: collector's mark: Lugt 2228

De schedel is driemaal afgebeeld, telkens van een ander aanzicht.
Kneeling Woman (recto and verso)
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to sante peranda
Artist nationality: italian
Artist dates: 1566 – 1638
James Loudon (1824-1900). Gouverneur-generaal (1871-75)
Object type: painting
Date: 1871 – 1885
Materials: canvas, oil
Artist: andries van den berg
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1852 – 1944
Subjects: colonial governor, historical persons
Inscriptions: signature: ‘A. v.d. Berg fecit’

Portret van James Loudon (1824-1900). Gouverneur-generaal (1871-75). Kniestuk, staande naar links, het gelaat en face. De steek en rechterhand op een boek (Du Bois, Vie des Gouverneurs Generaux), links op een tafel. In de linkerhand een paar handschoenen. Onderdeel van een reeks van portretten van de gouverneurs-generaal van het voormalige Nederlands Oost-Indië.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, part of circumscribed palmette and tendril
Fotoreproductie van een portret van Gustave Flourens
Object type: reproduction
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: paris, politician, historical persons, politician, e.g. party leader
Inscriptions: inscription: ‘Figaro-Album/ Flourens/ d'après Bacard Fils Phot.’
Staff Officer, England, 1879, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
No 26 Sgabellone, Poltroncina
Object type: page
Date: 1878 – 1885
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: chair
Inscriptions: inscription: ‘Alto, 140. Largo, 32. Lungo, 32./ Alta, 0. Larga, 70. Lunga, 59’, inscription: ‘No. 1. Ies. 40/ " 2. 90 la paire/ " 3. 55’, number: ‘1. 2. 3.’
Kaart met een ontwerp voor de bedijking van de Haarlemmermeer, 1641
Object type: map
Date: 1641 – 1641
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, polder, reclaimed land, maps of cities
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Voor eerdere staat zie RP-P-OB-81.622.

Voor soortgelijke kaarten zie RP-P-AO-9-41 en RP-P-1939-1451.
Sampler
Object type: sampler
Date: 1840 – 1840
Materials: canvas, silk, wool
Subjects: wreaths,jesus
Gevel van het Palácio Hotel do Buçaco
Object type: stereograph
Date: 1869 – 1900
Materials: paper, cardboard
Techniques: gelatin silver print
Location: palácio hotel do buçaco
Artist: josé maria dos santos
Artist role: fotograaf
Subjects: palace
Inscriptions: inscription: ‘Photographia Conimbricense’
Apostelen beschuldigd van teveel wijn gedronken te hebben
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: pentecost: the holy ghost descends upon (mary and) the apostles, sometimes paul and/or representatives of the nations present (acts 2:1-4)

Prent ook gebruikt in: Biblia ectypa : Bildnussen auss Heiliger Schrifft. Regensburg: Chr. Wiegel, 1697.
Levallois Core
Object type: core, levallois, nubian a
Materials: stone
Location: egypt

A core is a stone from which flakes have been detached so that the flakes can be made into tools. This one was made with a special technique called Levallois core preparation that was widely used during the Middle Paleolithic Period. The Middle Paleolithic saw the rise of more complex stone tool technologies and more variability in tool types compared to the Lower Paleolithic. This change is associated with the increasing complexity of Hominin behavior —such as specialized hunting, pyrotechnology, and the use of symbols— eventually resulting in anatomically and behaviorally modern humans. Levallois cores were made by removing flakes in a specific way, such as centripetally around an edge, so that the last flakes detached have a predetermined shape. This example is a ‘Nubian A’ type of Levallois core where preparation flakes were removed from the distal (pointed) end in order to create a central ridge that will produce a pointed flake.
Andernach a. Rh. Rheintor, Inneres
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: andernach
Subjects: towers ~ fortified city
Plattegrond van Amsterdam
Object type: area plan
Date: 1843 – 1854
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities, amsterdam
Covered Box
Date: 1701 – 1800
Techniques: incising
Location: japan
Platter
Object type: platter
Date: 1825 – 1834
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: james and ralph clews
Artist role: maker
Artist nationality: british
Artist dates: 1813 – 1836
Subjects: landscapes
James J. Corbett, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: men,portraits,boxing

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Kennemerlandse gezichten
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: canal, villa
Inscriptions: collector's mark: Lugt 2228

Prent uit: Kennemerlandsche Gezichten. S.l.s.n., 1739.
Sommige latere uitgaves van deze serie hebben het adres van Pierre Fouquet in Amsterdam.
Bord, achtlobbig, beschilderd met vaas met bloemen
Object type: platter
Date: 1720 – 1740
Materials: earthenware, glaze
Techniques: painted
Location: bayreuth
Artist: Anonymous

Achtlobbige schotel van blauw beschilderde faience. Op het plat is een grond met bloemen geschilderd waarop een vaas met bloemen staat. Langs de rand zijn gestileerde bladeren geschilderd. De schotel is gemerkt.
Piramide van Chefren en de Sfinx van Gizeh
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, ink
Techniques: photograph
Location: gizeh
Artist: Anonymous
Subjects: hoofed animals: camel, sphinx (lion/woman); 'sfinge' (ripa), quadrangular pyramid, desert
Inscriptions: number: ‘5090.’, collector's mark: ‘INSTITUUT VOOR KUNST-<BR />NIJVERHEIDSONDERWIJS<BR />GABRIËL METSUSTRAAT No. 16.<BR />AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS<BR />AMSTERDAM<BR />FRANS HALSSTRAAT 14.’