deem-data/ArtiFact huggingface dataset:
Aanleg Noordzeekanaal, 1866
Object type: photograph
Date: 1866 – 1866
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: rudolph guicherit
Artist role: fotograaf
Artist dates: 1837 – 1897
Subjects: construction of canal, canal, building-site

Werkzaamheden tijdens de aanleg van het Noordzeekanaal door Holland op zijn smalst, 1866.Onderdeel; van een serie van vier foto's van de aanleg van het Noordzeekanaal in 1866.
Saint Christopher Facing Right
Object type: print
Date: 1521 – 1521
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: saint christopher
Jasper Lentoid
Object type: seal, lentoid
Date: 1500 – 1450
Materials: jasper
Culture: minoan
Terras aan het water, mogelijk bij Voorburg
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: voorburg
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: pavement, terrace in front of inn or restaurant, quay (+ city(-scape) with figures, staffage), voorburg

In de verte een molen. Blad 22 recto uit schetsboek II met 23 bladen.
De berggeest of het steenen bruidsbed
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: etching
Location: amsterdam
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: sleeping; unconsciousness - bb - out of doors
Inscriptions: collector's mark: Lugt 2228

Een rotslandschap met een slapende vrouw. Op de achtergrond een ruïne onder donkere wolken met bliksem. Illustratie gebruikt voor de titelpagina van De berggeest of het steenen bruidsbed, door A. Cramer, Amsterdam, 1815.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Interior, part of reserve line of tondo border; Exterior, part of a fluted column; draped warrior to right wearing a chitoniskos and a himation, and on his calves, greaves
Portret van Petrus de Backere
Object type: book illustration
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: brussels
Subjects: ghent
Inscriptions: collector's mark: Lugt 2228

Portret van Petrus de Backere, Dominicaner monnik en inquisiteur van Vlaanderen. Buste naar rechts. De prent heeft een Latijns boven- en onderschrift en maakt deel uit van een serie van bekende schrijvers uit de Nederlanden.
Tekenaars in een duinlandschap
Object type: print
Date: 1807 – 1814
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: artist (in general) (+ out of doors), carrying something in basket, bag, rucksack, etc., draughtsman at work - cc - out of doors, dunes (sea not visible); in the dunes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Serie voor het eerst uitgegeven door Jacob Ernst Marcus onder de titel Studiebeelden en Fragmenten. Amsterdam: ca.1816. Later heruitgegeven als: Studie-prentwerk/ Etudes gravées.
Personificatie van de beeldhouwkunst met een buste van Lodewijk XV van Frankrijk
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: louis xv of france, 'sculptura', symbolic representations, allegories and emblems ~ sculpture; 'scoltura' (ripa), children behaving like adults, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Travelers stopping at a mile post
Object type: print
Date: 1805 – 1806
Techniques: woodblock print, surimono
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Mozes slaat water uit de rots
Object type: print
Date: 1743 – 1770
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: moses striking water from the rock (exodus 17:1-7; numbers 20:2-13)
Inscriptions: collector's mark: Lugt 2165
William V, Prince of Orange, on Horseback
Object type: lacquer panel
Date: 1775 – 1800
Materials: glass, lacquer, metal, mother of pearl, wood
Techniques: cutting, gilding, lacquer
Location: japan
Artist: Anonymous
Subjects: the hague, william v (prince of orange), equestrian state-portrait
Inscriptions: inscription: ‘HONI SOIT QUI MAL Y PENSE JE MAINTIENDRAI’, inscription: ‘WILLEM DE V PRINS / VAN ORANGE En NASSAU / ERFSTADHOUDER DER VERENIGDE NEDERLANDEN etc.’

Ruiter met steek op en getrokken sabel naar rechts. Op sabel, hoofd en handen na, geheel in goud. Ondergrond zwart met goud. Het paard heeft stukjes glas als ogen. Op de achtergrond links een groep ruiters frontaal gezien, rechts drie ruiters op de rug gezien. Heuvelig landschap onder hoge wolkenlucht. Keerzijde wapen met leeuwen en tropheeën met opschrift. Goudgelakte lijst.
Silver "Chasse" or Shrine Reliquary, Germain "Gothic", circa 1480
Object type: page
Date: 1851 – 1861
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: relics (and reliquaries)
Inscriptions: number: ‘No. 27.’
De Heilige Christoffel draagt het Christuskind
Object type: print
Date: 1511 – 1511
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: st. christopher, with the infant christ on his shoulders, wading through the water and carrying his staff (palm-tree); sometimes a hermit stands on the further bank beside a chapel, a lantern in his hand
Inscriptions: collector's mark: Lugt 2228

De Heilige Christoffel waadt door een rivier met een stok in zijn linkerhand en het Christuskind op zijn schouders. Aan de oever staat een kluizenaar met een lamp.
Headdress
Object type: headdress
Date: 1801 – 1833
Materials: cotton, metal, paper, pearl, silk
Culture: russian

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Married women were required to cover their hair entirely lest they be considered immodest, therefore headdresses, or kokoshniks were often accompanied by a venchik, a forehead covering made of fabric or metal, as seen here with headdress (2009.300.1103). Peter the Great's (1672-1725) attempts to Westernize Russia were partially manifested in changes to the traditional costume of the court. Though they were not required by law to adhere to the reformations, the peasant class commonly adopted aspects of Western styles blended with folk dress. This headdress in particular is an excellent example of the melding of cultures found in Russian history. The shape of this headdress is nearly identical to a French style from Alsace illustrated in Auguste Racinet's "The Complete History of Costume". This type of crossover is characteristic of the evolution of Russian dress.
Asher, from The Twelve Sons of Jacob
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Inscriptions: Lettered lower right: "KVMandere.inve. IDGeyn. fe."; and below image: "Annonam populis Aser ... Regibus usque dapes. 9"
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, part of lower calf, ankle, and heel of male to left; calf and foot of a second male to right
Zeilschepen op een woelige zee
Object type: sketchbook leaf
Date: 1780 – 1848
Materials: paper, pencil, watercolor
Techniques: brush
Artist: martinus schouman
Artist role: draughtsman, painter
Artist dates: 1770 – 1848
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Tevens een studie van zeilboot. Blad 16 verso en 17 recto uit een schetsboek met 53 bladen.
Seated Brahma
Object type: figure
Date: 867 – 900
Materials: bronze
Culture: indonesian, javanese
Subjects: lotuses,brahma
Snow and Timber Line, Medicine Bow Mountain
Object type: photograph
Date: 1868 – 1869
Techniques: albumen print
Location: united states
Artist: andrew j. russell
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: collected by hugh edwards, landscapes
Sheet of studies of men's heads: man crying out, three quarters left: bust
Object type: print
Date: 1629 – 1629
Materials: parchment
Techniques: etching
Inscriptions: collector's mark: Lugt 240
Memorial Portrait of Actor Ichikawa Ebizô II (Danjûrô II) as a Peddler of the Medicine Uirô
Object type: print
Date: 1768 – 1770
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Twee figuren
Object type: sketchbook leaf
Date: 1849 – 1917
Materials: pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: anatomy (non-medical)

Blad 25 verso uit een schetsboek met 35 bladen.
Scale of Justice in the Khas Mahal within the Red Fort at Delhi, India
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: gelatin silver print
Location: delhi
Artist: Anonymous
Subjects: delhi
Inscriptions: inscription: ‘24 Scale of justice, Fort Delhi.’, number: ‘27.’

De Khas Mahal bevindt zich binnen het Rode Fort van Delhi.
Sheet of Sketches: Greyhounds; A Male and a Female Head in
Object type: drawing and watercolor
Date: 1813 – 1814
Materials: graphite, paper
Techniques: brush, wash
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Portret van Victor Hugo
Object type: print
Date: 1775 – 1840
Materials: paper
Techniques: engraving
Artist: ernst ludwig riepenhausen
Artist role: print maker
Artist dates: 1765 – 1840
Subjects: paris, victor hugo, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Strook geknoopte kant met twee rijen lussen
Object type: strip
Date: 1900 – 1939
Materials: linen
Techniques: tatting
Location: amsterdam
Artist: marie waldeck-reiss
Artist dates: 1870 – 1942

Strook naturelkleurige geknoopte kant: frivolité. Twee rijen lussen. De bovenste rij bestaat uit ovale lussen. De onderste rij heeft grotere druppelvormige lussen, afwisselend groter en kleiner. De bovenzijde is recht afgewerkt. De lussen zijn aan de onderzijde van de strook afgewerkt met picots.
Schrijfvoorbeeld: Politiane myn goede (...)
Object type: ornament print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: cornelis dircksz. boissens
Artist role: draughtsman, print maker
Artist dates: 1567 – 1635
Subjects: calligraphy

Schrijfvoorbeeld met negen regels tekst in het Nederlands: Politiane myn goede ... De prent maakt deel uit van een album.
Edfou (Apollonopolis Magna), Vue Générale du Temple
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: architecture,temples,ruins
Design for Phaeton (unnumbered)
Object type: drawing
Date: 1875 – 1875
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Mobcap
Object type: mobcap
Date: 1801 – 1833
Materials: linen
Culture: american or european
Portret van Nicolaes Witsen (1641-1717)
Object type: painting
Date: 1688 – 1688
Materials: canvas, oil, paint
Location: amsterdam
Artist: michiel van musscher
Artist role: draughtsman, painter, print maker
Artist dates: 1645 – 1705
Inscriptions: inscription: ‘Request / Ommen / Den Wel Edelen Heer / Mr. Nicolaas Witsen, / Regerend Bürgermeester / 1688’, date: ‘1688’, signature: ‘M! van .usscher …x(of c?)it’, inscription: ‘Ter goeder Gedachtenis / van sijn Weldoender En Beschermer / den Heer N. Witsen gaende in sijn / aght en veertigste Jaer wanneer hij voor / de derde mael deser stede Amsterdam / Burgermeester was / heft Thomas Heese / dese Schilderij laten maeken van / Michiel de Musscher’

Van Musscher toont Witsen als kniestuk, het hoofd naar links, zittend op een stoel, aanziend. Gekleed in een Japonsche rock, met een lange pruik, maakt hij met zijn rechter hand een sprekend gebaar. Op tafel een oosters tafelkleed en een brief, rechts op de achtergrond een reliëf met een allegorische voorstelling van Amsterdam.
Boerin met hond
Object type: print
Date: 1848 – 1879
Materials: paper
Techniques: etching
Artist: jan stobbaerts
Artist role: draughtsman, print maker
Artist dates: 1838 – 1914
Subjects: farmers - aa - female farmer, farmer's wife, dog
Inscriptions: collector's mark: Lugt 2228
Gelderland, kwart gulden, 1756
Object type: coin
Date: 1756 – 1756
Materials: silver
Techniques: striking
Location: harderwijk

Zilveren munt. Voorzijde: tussen jaartal gekroond generaliteitswapenschild. Keerzijde: staande Nederlandse maagd, in rechterhand lans met hoed, met linkerarm steunend op sokkel, waarop bijbel. Zogenaamde muntmeesterpenning.
Weight
Object type: weight
Date: 1981 – 1640
Location: egypt
Pair of balusters
Object type: baluster
Date: 1701 – 1800
Materials: brass, iron
On the Mainyard
Object type: print
Date: 1925 – 1925
Materials: paper
Techniques: drypoint, etching
Artist: arthur john trevor briscoe
Artist role: print maker
Artist dates: 1873 – 1943
Subjects: sailing-ship's rigging, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228
Cup with the Triumph of Galatea
Object type: cup
Date: 1863 – 1863
Materials: copper, enamel
Techniques: painting
Artist: charles-ludovic crétineau-joly
Artist role: artist
Artist nationality: french
Artist dates: 1831 – 

The firm of Ferdinand Barbedienne offered a wide range of objects in various revival styles and experimented with different enameling techniques. Most frequently the pieces were decorated in cloisonné enamel of which there are several examples in the Met’s collection (2008.267.1, .2; 2017.666). This cup, however, has a painted enamel decoration, as was practiced in Limoges during the French Renaissance. The decoration is not directly copying a sixteenth-century example but rather derives from a composition of The Triumph of Galatea after a (now lost) painting by Antoine Coypel of 1695. The painter Charles-Ludovic Crétineau-Joly, who signed his name on the cup’s stem, most likely was familiar with an engraving after this work. Crétineau-Joly was trained by the painter Charles-Alexis Apoil (1809-1864) who worked at the Sèvres manufacture where in 1845 a special workshop had been established to enamel on copper. In his Metamorphoses, Ovid tells the story of the shepherd Acis, who falls in love with Galatea, a water nymph. The jealous Cyclops, Polyphemus, killed Acis with a boulder and in response, Galatea, mourning the shepherd’s death, transformed him into the Sicilian River that bears his name. The grisaille decoration against a black background beautifully honors the meaning of the Greek name Galatea "she who is milk-white," with the water nymph depicted in creamy white.
Portret van George Gillis Haanen
Object type: drawing
Date: 1817 – 1819
Materials: chalk, paper
Artist: gijsbertus craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1810 – 1895
Subjects: utrecht, draughtsman, george gillis haanen, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Boat on the Sumida
Object type: print
Date: 1817 – 1858
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: landscapes,boats
Disk Brooch
Object type: brooch
Date: 550 – 650
Materials: gemstone, silver
Culture: frankish
Zilveren haardplaat, vlakke plaat omlijst door profielrand en versierd met een glad schild, bladeren en hangende bloem- en vruchtguirlandes (drijfwerk).
Object type: miniature
Date: 1710 – 1710
Materials: silver
Location: amsterdam
Artist: Anonymous

Zilveren haardplaat, vlakke plaat omlijst door profielrand en versierd met een glad schild, bladeren en hangende bloemen- en vruchtguirlandes (drijfwerk).
Portret van Johan Rudolph Deiman
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: engraving, letterpress printing
Subjects: historical persons, physician, doctor

Prent met andere tekst in boekdruk gebruikt in: Doornik, Jacob Elisa, en Johannes Kinker. Johan Rudolph Deiman gedacht in eene redevoering (...). Amsterdam: J.S. van Esveldt-Holtrop, 1808.
Rikiya and Konami, from the series  A Program with Music about Loving Couples (Ongyoku hiyoku no bangumi)
Object type: print
Date: 1798 – 1798
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: men,women
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 450 – 430
Materials: terracotta
Culture: greek, attic

Handle strap with a circumscribed palmette; on the top of the mouth, pendant, linked lotus buds; on the side of the rim, horizontal line between dots
Landschap met groteske vazen, ruïnes en andere antieke overblijfselen
Object type: ornament print
Date: 1767 – 1770
Materials: paper
Techniques: etching
Location: france
Artist: jean laurent legeay
Artist role: print maker
Subjects: vase ~ ornament, landscape with ruins
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Landschap met groteske vazen, ruïnes en andere antieke overblijfselen. Links een staande man. Onderdeel van groep prenten afkomstig uit één van de vier series van vazen, ruïnes, tombes en fonteinen met in totaal ca. 25 bladen.
Cupid Shooting Arrows at the World Globe
Object type: drawing
Materials: chalk, gouache, ink
Techniques: brush, incising, pen, transfer
Artist: otto van veen
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1556 – 1629
Subjects: bow and arrow,cupid,globes
Gezicht op de Nederlandsche Bank aan de Oude Turfmarkt 127, versierd ter gelegenheid van de inhuldiging van koningin Wilhelmina
Object type: photograph
Date: 1809 – 1898
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: bank
The Continuation, Sirs, of the Forecasts...
Object type: print
Materials: paper, zinc
Techniques: engraving, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Een Keyserlyk Generaal
Object type: drawing
Date: 1795 – 1796
Materials: paper
Techniques: writing
Location: amsterdam
Artist: s.g. casten
Artist role: draughtsman
Subjects: (military) uniforms (+ infantry), patriots (1780-1795)

Het uniform van een generaal van de Oostenrijkse keizerlijke troepen, te paard, ca. 1788-1795. Onderdeel van het derde hoofdstuk over de nieuwe uniformen in de periode na het herstel van de prins van Oranje en de komst van de Pruisische troepen in Holland in 1787. In het schetsboek met gekleurde tekeningen van de uniformen van militairen en leden van de schutterij uit de periode 1770 tot 1795-1796.
Frankrijk, 15 sols, Lodewijk XVI, 1791 D
Object type: coin
Date: 1791 – 1791
Materials: silver
Techniques: striking
Location: lyon

Zilveren munt. Voorzijde: borstbeeld van de koning naar links. Daaronder jaartal. Keerzijde: tussen waarde-aanduiding gevleugelde jongeling naar rechts die op een op voetstuk staand bord in twee regels schrijft: constitution. Links en rechts van hem attributen. Uiterst rechts de letter D [=Lyon]. In afsnede jaartal 3 in nieuwe telling. Bloemrand.
Happy Ending
Object type: print
Date: 1715 – 1715
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Denarius Serratus (Coin) Depicting the Goddess Diana
Object type: coin
Date: 81 – 81
Materials: metal, silver
Culture: roman
Location: roman empire
Inscriptions: Reverse: A. POST. A. F. S. N. ALBIN

The front (obverse) of this coin depicts the head of the goddess Diana facing to the right, with a quiver and bow on her shoulder. The skull and horn of an ox (called a bucranium) is in the field above. The back (reverse) depicts a priest in a toga facing to the left with his right hand raised as he sprinkels water over a sacrifical ox. A small lighted altar is between them. The inscription around the scene, A. POST. A. F. S. N. ALBIN, refers to the moneyer Aulus Postumius Albinus.
Scent Bottle
Object type: metalwork
Date: 1767 – 1800
Materials: enamel, gold, hard paste porcelain, porcelain
Techniques: polychrome
Location: germany
Standing female tambourine player
Object type: statuette of a votary, female, playing tambourine
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: women,musicians

The solid, cylindrical wheel-made body flares toward a concave base. The arms, added by hand, curve in front of the chest.
Three Courtesans and a Kamuro Strolling in the Street
Object type: print
Date: 1868 – 1912
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Subjects: girls,women