deem-data/ArtiFact huggingface dataset:
Wintry Landscape, in the Style of Guo Zhongshu
Object type: hanging scroll
Date: 1767 – 1800
Materials: ink, paper
Culture: japanese
Artist: ike no taiga
Artist role: artist
Artist nationality: japanese
Artist dates: 1723 – 1776
Subjects: mountains,landscapes

A small boat carrying the scholarly passenger, who might be on his way to visit a friend in one of the houses in the distance, is described by wavy, sharp, hard, and needle-thin lines. A cluster of smaller houses is seen in the distance at the right. The gray palette of the painting is highlighted by coal-black ink lines that delineate bare twigs of trees and rounded contours of hills and mountains. Ike Taiga’s inscription at the top right reads “After the brush of Guo Zhongshu, Ike Mumei” (Hō Kaku Chūjo hitsu Ike Mumei). Guo Zhongshu, a tenth-century Chinese painter, was known for his eccentric behavior. Taiga must have become acquainted with Guo’s name and work through painting manuals such as the Mustard Seed Garden Manual of Painting, introduced in Japan after its first publication in China in 1679.
Portion of a valance
Object type: valance fragment
Date: 1801 – 1833
Subjects: animals,flowers
Bidkleed met bovenpaneel, MUDJUR
Object type: oriental rug
Date: 1840 – 1860
Materials: wool
Location: mudjur

Bidkleed met bovenpaneel, MUDJUR. Middenveld: kersrode mihrab met hoge topgevel met vijfkleurige trapgevellijnen. De zwikken zijn grijsgroen met twee rode oliekannen. Een smal fries vertoont een gele "omegalijn" die het paneel verdeelt in blauwe en zwarte kantelen. Randn: veelvoudig. De breedste is geel met uitgespaarde zuivere vierkanten, gevuld met een sterbloem en los daarvan staande overhoekse bladeren in vele kleuren, fijn kaleidoscopisch onderverdeeld. De binnenzoom in blauw met ruiten is gevat in twee gelijke gespikkelde biezen. De buitenzoom is zwart.
Woman's Trousering (Nakshe)
Object type: trousering
Date: 1701 – 1800
Materials: cotton, silk
Techniques: embroidery
Location: iran
Elfde slede
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: nicolaas van der worm
Artist role: draughtsman, print maker
Artist dates: 1757 – 1828
Subjects: sledge, sleigh (winter sports), commemoration of the founding of a university, leiden
Inscriptions: collector's mark: Lugt 240, inscription: ‘onafgemaekte Proefdruk / N vd worm’

De elfde slede in de optocht. Een slede met de personificatie van de Muziek, getrokken door een paard, gevolgd door twee Romeinse soldaten. Onderdeel van een reeks van twaalf platen (vóór het nummer en op ander papier) van de sledevaart op 24 januari 1776 georganiseerd door het Leidse genootschap Veniam Pro Laude bij gelegenheid van het Tweede Eeuwfeest van het Leids Ontzet (3 oktober 1574) en de oprichting van de Universiteit van Leiden (8 februari 1575).
Ostracon
Object type: ostracon, hieratic
Date: 1981 – 1640
Materials: ink, pottery
Location: egypt
Subjects: hieratic
Incense Container (Kōgō) with Camellia and Mandarin Ducks
Object type: incense container
Date: 1701 – 1800
Materials: coral, gold, gold foil, ivory, silver, wood
Techniques: cutting, hiramakie, inlay, lacquer, maki-e
Culture: japanese

On the lid of this small maki-e (“sprinkled picture”) decorated incense container, two mandarin ducks are depicted in a stylized landscape under a blossoming camellia tree. In East Asia, mandarin ducks symbolize a perfect couple and represent marital fidelity and conjugal affection. The birds were portrayed in paintings, prints, decorative arts, plays, poetry, and prose. The drake depicted on the rock has brightly colored plumage, which is distinct from the hen’s brown feathers. Being winter birds, mandarin ducks remain after other fowl have migrated to a warmer climate, and the pair clings to each other throughout the hardship of winter.
Napoli
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: city-view in general; 'veduta', castle, street
Inscriptions: number: ‘1112.’, collector's mark: ‘VOSMAER’
Brug met op de voorgrond een oever begroeid met gras
Object type: stereograph
Date: 1864 – 1864
Materials: cardboard, paper
Techniques: albumen print
Artist: charles-henri plaut
Artist role: publisher
Artist dates: 1819 – 1870
Subjects: bridge
Inscriptions: title: ‘Pont [...]’, signature: ‘J. Certifie H. Plaut’
Scene (from McGuire Scrapbook)
Object type: watercolor
Date: 1834 – 1834
Materials: graphite, watercolor, paper
Culture: american
Artist: john rubens smith
Artist role: artist
Artist nationality: american
Artist dates: 1775 – 1849
Subjects: trees
The Raid
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: woodcut
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Subjects: prostitutes, people, prints and drawings
Portret van een onbekende jonge vrouw met lelies in de hand
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: battersea
Artist: Anonymous
Subjects: adolescent, young woman, maiden, flowers: lily
Inscriptions: inscription: ‘Battersea' Lily's daughter’
Gezicht op het stadhuis van Den Haag
Object type: design
Date: 1838 – 1887
Materials: pencil, paper
Artist: frederik hendrik weissenbruch
Artist role: draughtsman, print maker
Artist dates: 1828 – 1887
Subjects: townhall, public road, the hague
Standing Nude Warrior, possibly Mars, with Shield
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: after francesco albani
Saint Mark
Object type: statuette
Date: 1700 – 1700
Materials: terracotta
Subjects: saint mark
Pair of consoles (consoles d'appliques)
Object type: console
Date: 1701 – 1725
Techniques: carving
Subjects: women
Shoe buckles
Object type: shoe buckle
Date: 1770 – 1790
Materials: metal
Culture: british
Abklatsch van de potloodtekening op blad 16 recto
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper
Techniques: printmaking
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 15 verso uit schetsboek XVII met 31 bladen.
Border
Object type: border
Date: 1601 – 1700
Materials: lace
Techniques: gros point, lace
Plate
Object type: plate
Date: 801 – 1000
Materials: earthenware
Techniques: glazing, incising
Location: iran
Winterlandschap met boerderij en kalkoven aan een rivier
Object type: drawing
Date: 1800 – 1900
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes van reijn
Artist role: draughtsman
Subjects: industries ~ clay, sand, chalk, etc., landscapes, winter, 'hyems'; 'inverno' (ripa)
Christus, de twaalf apostelen en de heilige Paulus
Object type: print
Date: 1591 – 1592
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the apostle james the less, first bishop of jerusalem; possible attributes: book, fuller's club, scroll, 'sanctam ecclesiam catholicam, sanctuorum communionem' ~ articles of faith
Inscriptions: collector's mark: Lugt 240

De apostel Jakobus de Mindere, staand in een bergachtige omgeving, in de linkerhand een hoedenmakersboog (?). Onder de voorstelling twee regels Latijnse tekst. Deze prent is onderdeel van een serie van 14 prenten, elk bestaand uit een beeltenis ten voeten uit van een apostel, Christus of Paulus met typerende attributen en een onderschrift in Latijn.
Sauhatz
Object type: print
Date: 1837 – 1904
Materials: paper
Techniques: engraving
Location: dusseldorf
Subjects: boar-hunting
Inscriptions: collector's mark: Lugt 2228
Parade, mogelijk ter ere van de inauguratie van president Kruger
Object type: photograph
Date: 1890 – 1905
Materials: paper
Techniques: gelatin silver print
Location: south africa
Artist: Anonymous
Subjects: ceremonial procession, parade, pageant ~ installation of a ruler
The Lamentation
Object type: painting
Date: 1560 – 1560
Materials: oil, wood
Artist: luis de morales
Artist role: artist
Artist nationality: spanish
Artist dates: 1510 – 1586
Subjects: men,women,christ,mary magdalene,saint john the evangelist,virgin mary,lamentation

Morales mined a similar vein of visionary spirituality to El Greco, but often with a morbid sensibility characteristic of the most dramatic Spanish devotional imagery. Life drains from Christ’s body, which collapses from his mother’s arms, as the viewer joins the intimate moment of his death. Unlike El Greco’s rough paint handling, Morales perfected an impossibly soft, smooth surface that contrasts with the figures’ high emotional pitch. An almost obsessive interest in details (eyelashes, teardrops, rivulets of blood) follows Netherlandish painting traditions and lends a realism to this otherworldly vision.
Vrouw met laag decolleté, versierd met strik
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: etching
Location: london
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: anonymous historical person portrayed alone - bb - woman, bow (ornamental part of clothing), pearl; pearl necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 654

De prent maakte enkele jaren later mogelijk deel uit van een 13-delige serie met vrouwenbusten in medaillons (1642-1643).
Lars Johnsen ♂, d' anni 29
Object type: page
Date: 1870 – 1880
Materials: paper, photographic support
Techniques: albumen print
Subjects: adult man (+ front view), adult man (+ sideview, profile), fashion, clothing (+ fur used for clothes)
Inscriptions: number: ‘Tavola I.’

Links een vooraanzicht, rechts een zijaanzicht.
Dishes (two from a set of six)
Object type: dish
Date: 1746 – 1747
Materials: silver
Artist: paul de lamerie
Artist role: maker
Artist nationality: british
Artist dates: 1688 – 1751
The Black Cat, for Edgar Allan Poe's “Selected Tales of Mystery"
Object type: drawing
Date: 1909 – 1909
Materials: gouache, watercolor
Artist: john byam liston shaw
Artist role: artist
Artist nationality: british
Artist dates: 1872 – 1919
Subjects: cats

Byam Shaw here illustrates "The Black Cat," a story by Edgar Allan Poe that relates how a wife-murderer inadvertently walls up a cat with his spouse's corpse, then is eventually betrayed by the animal's cries. The artist focuses on the tale's dramatic denoument, using broken bricks and falling plaster to frame a furious one-eyed cat perched atop the body (all we see of the latter is a patch of brown hair and glimpse of a brilliant purple gown). Poe's macabre stories strongly appealed to imaginative artists who worked from the 1890s into the early 20th century, a period considered the golden age of book illustration.
Actress wearing headpiece of floral vines, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Dish
Object type: dish
Date: 1835 – 1840
Materials: gemstone, glass
Techniques: pressed
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Très Parisien, 1925, No. 1, Pl. 9.- LA TURBIE.
Object type: fashion print
Date: 1925 – 1925
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: ensembles of pieces of clothing (tailleur) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates
Inscriptions: caption: ‘LA TURBIE -. Ce tailleur à longue redingote est en joli lainage à petits damiers. La robe, en lainage à petits damiers de deux couleurs, montre un effet de tunique garnie de bandes d'uni semées de boutons de nacre. Tissus de l'Ancienne maison Ch. Lavy et Cie, Paris’

Mantelpak met lange jas (redingote) en wollen japon afgezet met band. Stoffen van Maison Ch. Lavy in Paijs. Prent uit het modetijdschrift Très Parisien...La Mode, Le Chic, L'Élégance (1920-1936)
Cylinder seal and modern impression
Object type: cylinder seal
Date: 1600 – 1101
Materials: jasper
Culture: kassite
Location: mesopotamia
Teapot (part of a set)
Object type: teapot
Date: 1765 – 1765
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: women,bulls,goats,trees
Amsterdam, gelegen in Holland aen den Amstel, en aen een zeeboezem het Y genaemt, voor de bocht te zien
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', two-wheeled, animal-drawn vehicle, road, path, windmill in landscape, amsterdam
Inscriptions: inscription: ‘Legaat Joh. M. Coffeng. 1966’, collector's mark: ‘13B,79’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Slatuinenpad, Sloterkade, Slootstraat, Slijkstraat, Snoekjesgracht, Sophiapark, Spaarndammerdijk, Spiegelgracht, Spinhuissteeg, Spui, Spuistraat (ook lage Erf), Staalstraat, Stadhouderskade, Steenpad, Stroomarkt.
The Child and the Bulldog
Object type: print
Date: 1778 – 1778
Techniques: etching
Artist: marguerite gérard
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1837
Subjects: children,men,women,dogs

Artistic training was also a family affair in the household of the painter Fragonard. His wife, Marie Anne Gérard Fragonard (1745–1823), painted miniatures on ivory and his son Alexandre Evariste Fragonard (1780–1850) and sister-in-law Marguerite Gérard (1761–1837) both became artists. In 1778, Fragonard embarked on a project teaching teenage Gérard to etch. The five prints she made over the course of the year were all modeled on wash drawings by Fragonard. In most cases, the subjects chosen were humorous or sentimental scenes of domestic life. Fragonard also returned to etching at this time, although his style and technique were distinctly his own.
Wine bottle
Object type: wine bottle
Date: 1750 – 1750
Materials: earthenware
Techniques: glazing
Subjects: flowers,trees
Singing Honey-eater, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Large trade cards from the "Song Birds of the World" series (N42), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N42 reproduces the cards from N23 in a larger size.
Finial
Object type: architectural fragment
Date: 1100 – 1470
Materials: bronze, copper alloy, metal
Culture: chimú
Location: peruvian north coast
The Penance of Saint John Chrysostom
Object type: print
Date: 1510 – 1510
Materials: paper
Techniques: engraving
Location: italy
Artist: attributed to giulio campagnola

This luminous unique impression suggests a more linear version of Campagnola’s dappled, early stipple engraving style, characterized by many small dots in different sizes, volumes, and shades. The composition tells an apocryphal legend of Saint John Chrysostom, in which the saint, living as a hermit, seduces and impregnates the daughter of an emperor. Shocked by his own actions, John throws the princess from a cliff and vows never to rise from the ground in penance for his misdeeds. After the princess and her child are miraculously discovered still alive, John’s sins are forgiven. In Campagnola’s composition, the princess and child are presented in the foreground while John is depicted walking on all fours in the background. The female nude is reminiscent of Campagnola’s Woman Reclining in a Landscape.
Cuneiform tablet: fragment of school exercise tablet, Urra=hubullu, tablets 14, 20, 21
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Location: mesopotamia
Naar Gola di Lago. Een moeilijk pad
Object type: photograph
Date: 1934 – 1934
Materials: photographic support
Techniques: gelatin silver print
Location: capriasca
Artist: Anonymous
Subjects: walking, hiking (recreation), historical persons - bb - woman, mountains
Inscriptions: number: ‘52’
Chasuble
Object type: chasuble
Date: 1701 – 1733
Materials: metal thread, silk

This garment– a tabard-like Chasuble, intended to be worn by a Catholic priest– is an early example of what would become an increasingly lively export market of Chinese embroidered needlework to Europe. The brilliant palette, combining yellow, green, red, orange and deep blue, and delicate patterning of birds within foliage is very representative of the Asian needlework most prized in Europe. Indeed, the decoration of this chasuble closely resembles another within The Met's collection (1973.118a). This piece, however, has been tailored in the conventional European style, with each face of the chasuble constructed out of three panels of textile, whereas 1973.118a– like most surviving Chinese chasubles for the European market– is composed of a single length of embroidered silk, patterned to look as if it consists of multiple pieces.
Taweret amulet
Object type: amulet, taweret
Date: 2150 – 1950
Materials: bone, ivory
Location: egypt
Marie Stuart
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women,mirrors
Jager in het struikgewas in Engeland
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: england
Subjects: forest of coniferous trees, hunter, england
Glass monochrome dish fragment
Object type: fragment, monochrome, opaque red
Date: 1 – 50
Materials: glass
Culture: roman

Fragment of footed dish. Opaque red. Flat interior, slanting downward towards center; on exterior, thick solid angular foot ring, slanting outward. Polished interior and exterior of foot ring; pitting of surface bubbles and weathering of chip on interior; gritty encrustation and thick green weathering on exterior and broken edges. The rest of the side that extended beyond the foot ring has probably been ground away in recent times.
Valkenier met jachthond
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: sports, games ~ animals (+ hunting with falcon, hawk; falconry)
Inscriptions: address and date: ‘R. de Baudous excud. 1616’, collector's mark: Lugt 2228, signature: ‘I. Van Velde inv.’

Elegant geklede valkenier, valk op de arm, staand, rechterhand in de zij. Achter hem een jachthond. Eerste prent uit serie van vier prenten met valkeniers.
Thank you for letting us service your car. Come in again …soon’
Object type: ansichtkaart, prentbriefkaart
Date: 1955 – 1960
Materials: paper
Techniques: offset printed
Location: united states
Subjects: united states of america
Inscriptions: inscription

Servicekaart in de vorm van prentbriefkaart.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, wings; Exterior, part of a circumscribed palmette
Weight
Object type: weight
Date: 801 – 1100
Materials: bronze
Techniques: casting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Hertog van Sully bij het lijk van Hendrik IV
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: maximilien de béthune (duke of sully), hendrik iv (koning van frankrijk en navarra), vigils and wakes ~ burial rites, violent death by dagger, knife (+ variant), attempt, political murder, paris
Inscriptions: collector's mark: Lugt 240

Later staat prent gebruikt als boekillustratie in: Martinet, Joannes Florentius. Historie der waereld. Amsterdam: Johannes Allart, 1780-1788. 25 delen. deel VI, pl. IV.
Sash
Object type: sash
Date: 1767 – 1780
Materials: metal thread, silk
Techniques: weave
Artist: leo madjarski
Artist role: manufactory
Artist dates: 1725 – 1825
Zelfportret van Johannes Marius van Kate, staande in zijn atelier met een bezoeker
Object type: drawing
Date: 1869 – 1896
Materials: chalk, paint, paper, pencil
Techniques: brush
Artist: johannes marius ten kate
Artist role: draughtsman
Artist dates: 1859 – 1896
Subjects: amsterdam, the hague, draughtsman, johannes marius ten kate, portrait, self-portrait of painter (+ in workshop or studio), historical persons, portrait, self-portrait of artist, portrait, self-portrait of draughtsman

Zelfportret van de schilder en tekenaar Johannes Marius van Kate (Jan ten Kate), staande in zijn atelier met een bezoeker.
Incense burner
Object type: censer
Date: 1101 – 1300
Materials: copper alloy
Culture: chinese
Opening van het Kanaal van Terneuzen naar Gent
Object type: strooipenning
Date: 1827 – 1827
Materials: silver
Techniques: striking
Location: brussels
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864
Subjects: william i of the netherlands, ghent

Zilveren penning. Voorzijde: vijf rijpe korenaren, scheepsroer en Mercuriusstaf binnen omschrift. Keerzijde: opschrift binnen krans van olijftakken
Twee foto's van het exterieur en interieur van de cottage van Anne Hathaway, Stratford-upon-Avon
Object type: album leaf
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Location: stratford-upon-avon
Artist: Anonymous
Subjects: cottage, living-room, parlour, sitting-room
Inscriptions: inscription: ‘Ann Hathaway's Cottage/ Interior’

Deze foto's maken deel uit van een album.
The Laundress: "La Blanchisseuse de la Place Dauphine"
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: buildings
Two Women in a Park
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: transfer
Location: england
Artist: attributed to frank stone
Artist nationality: english
Artist dates: 1800 – 1859