deem-data/ArtiFact huggingface dataset:
Inkwell with Zodiac Signs
Object type: inkwell
Date: 1201 – 1233
Materials: brass, copper, silver
Techniques: casting, inlay
Location: iran
Subjects: zodiac

One of the innovations of the Khurasani metalworkers is the development of animated inscriptions, in which parts of letters are transformed into animal or human figures. Here, the tall letters of the inscription on the lid are embellished with human heads. The use of animated inscriptions traveled westward, appearing on metalwork produced in western Iran, Iraq, and Syria, but was never adopted in other media. The body of the inkwell is decorated with the twelve signs of the zodiac.
Cope with a Hood
Object type: cope with hood
Materials: gilt, linen, metal, textile, silk
Techniques: embroidery, laid work, weave, satin weave, stitching
Culture: italian
Subjects: flowers
Portret van Wladislaus IV van Polen
Object type: book illustration
Date: 1656 – 1666
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: wladislaus wasa (iv), historical persons, knighthood order of the golden fleece, ruler, sovereign

Prent waarschijnlijk uit: Brachelius, Johannes Adolphus. Historia nostri temporis, dat is geschiedenis onses tijdts (…). Rotterdam: Andries van Hoogenhuysen, 1656. Prent ook gebruikt in de 1659- en 1666-editie.
Young Man Standing
Object type: print
Materials: paper
Techniques: woodcut
Location: france
Artist: jean michel papillon
Kruisdraging
Object type: print
Date: 1517 – 1533
Materials: paper
Techniques: woodcut
Location: low countries
Artist: jacob cornelisz van oostsanen
Artist role: draughtsman, painter, print maker
Artist dates: 1475 – 1533
Subjects: christ collapsing ~ carrying of the cross
Inscriptions: collector's mark: Lugt 2228

Uit serie van twaalf prenten, omlijsting weggesneden.
Ex libris M.R.
Object type: bookplate
Date: 1884 – 1913
Materials: paper
Techniques: etching, intaglio
Location: belgium
Artist: armand rassenfosse
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1934
Subjects: flowers, sitting figure, book, man (showing himself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Notre Dame, Parijs
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper
Techniques: albumen print
Subjects: notre-dame
Inscriptions: inscription: ‘223. PARIS. - Eglise Notre-Dame’, signature: ‘X. Phot.’
Toilettafel van zwart lak met bloemtakken en vogels van ingelegd parelmoer.
Object type: table
Date: 1850 – 1850
Materials: brass, glass, wood
Techniques: intarsia, lacquer
Location: japan

Toilettafel versierd met zwart lak ingelegd met parelmoer, rustend op vier S-vormige gebogen poten. Op het blad is een opzetstuk aangebracht met een spiegel in het midden en twee boven elkaar geplaatste laden aan weerszijden. Het inlegwerk in parelmoer vertoont bloemtakken en vogels. Onder het blad twee laden.
De Nederlandsche Pool-expeditie, 1882-83
Object type: book
Date: 1886 – 1886
Materials: linen, paper
Techniques: photograph, decorated paper, printing
Inscriptions: date: ‘Apr 2000’
Scherven van kommen uit V.O.C.-schip de 'Witte Leeuw'
Object type: bowl
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl with a 'comb' motive. In the centre a single comb motive is drawn, surrounded by a double band. On the outside four layers with comb-design.
Bangle
Object type: bracelet bangle
Date: 3500 – 3300
Materials: shell
Location: egypt
Speld van het Nederlandsch-Indisch Roode Kruis
Object type: brooch
Date: 1938 – 1938
Materials: enamel
Techniques: enamel
Artist: johan wouter beijleveld
Artist role: regisseur
Subjects: rode kruis, het nederlandse

Speld van het Nederlandsch-Indisch Roode Kruis. De speld is rond van vorm. De letters staan op de buitenste rand. In het centrale deel is op een donkergeel fond een rood kruis afgebeeld met het wapen van het Koninkrijk der Nederlanden in blauw- en goudkleur daarachter.
Gezicht in de Van Lennepbuurt te Amsterdam
Object type: sketchbook leaf
Date: 1900 – 1901
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street
Inscriptions: kleurnotitie, handgeschreven

Gezicht in de Van Lennepbuurt te Amsterdam. Pagina 85 en pagina 86 uit een schetsboek met 46 bladen vervaardigd te Amsterdam.
The Mountain Minstrel
Object type: stereograph
Date: 1855 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: musician, sculpture
Inscriptions: number: ‘12’
Gallerie des Modes et Costumes Français, 1785-1786, vv 4 : La négligé à prétention en usage le matin (...)
Object type: fashion print
Date: 1785 – 1785
Materials: paper
Techniques: engraving
Location: paris
Subjects: clothing for the upper part of the body (+ women's clothes), ear-rings (+ women's clothes), styles of hairdress - aa - ~ women, head-gear: cap (+ women's clothes), head-gear (bonnet) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), neck-gear ~ clothing (+ women's clothes)
Inscriptions: address: ‘A Paris chez Esnauts et Rapilly, rue St. Jacques, a la Ville de Coutances, No.259, Avec Priv. du Roi..’, title: ‘13eme Cahier de nouvelles Coëffures en 1786.’, inscription: ‘Chapeau au nouveau Wauxhall. / Chapeau à la Pilâtre de Rozier. / Bonnet à la Figaro, du côte droit. / Le même Bonnet Chapeau du Côté gauche.’, inscription: ‘Coeffure et Chapeau à la Nymphe de Paphos. / Chapeau à la Murville de Langeac / Bonnet à la Novice de Cythère / Coeffure à l'Adolescente ou le bijou sans prix’, inscription: ‘Le négligé à prêtention, en usage le matin. / Le Bonnet de nuit ou le Diadême de Vénus. / Coeffure de Suzanne dans le mariage de Figaro / Grand Bonnet et dit à la Charlotte.’

Twaalf verschillende dameskapsels met hoeden en mutsen, in drie rijen van vier, verdeeld in kaders met ovalen. Van linksboven naar rechtsonder: 'Le négligé à prêtention, en usage le matin. Le Bonnet de nuit ou le Diadême de Vénus. Coeffure de Suzanne dans le mariage de Figaro. Grand Bonnet et dit à la Charlotte. Coeffure et Chapeau à la Nymphe de Paphos. Chapeau à la Murville de Langeac. Bonnet à la Novice de Cythère. Coeffure à l'Adolescente ou le bijou sans prix. Chapeau au nouveau Wauxhall. Chapeau à la Pilâtre de Rozier. Bonnet à la Figaro, du côte droit. Le même Bonnet Chapeau du Côté gauche.' Prent uit de serie 13e suite de Coeffures à la mode en 1785, Gallerie des Modes et Costumes Français.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: painter of brussels r 330
Artist role: artist

Interior, draped woman to left, behind her, in field, sandals; below, a rock?
Ethel Ormonde, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Grayling Fishing
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: drypoint, mezzotint
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Vaas van aardewerk, beschilderd met vlinderachtige motieven, palmetten etc.
Object type: vase
Date: 1910 – 1915
Materials: earthenware
Techniques: painted
Location: arnhem
Inscriptions: mark: ‘een haan en ARNHEM in schild; 95011’

Vaas van aardewerk, afgeplat bolvormig lichaam met lange hals en twee oren. Beschilderd in blauw, geel, groen en oranje met vlinderachtige motieven, palmetten etc. op matte gelige grond.
Various Designs of Strapwork and Grotesque Figures (recto); Grotesques with Term Figures (verso)
Object type: drawing
Date: 1545 – 1560
Materials: ink
Techniques: pen
Artist: andrés de melgar
Artist role: artist
Artist nationality: spanish
Artist dates: 1554 – 1554
Subjects: grotesques,ornament,mythical creatures
Triumph of Mars
Object type: ceiling panel
Date: 1509 – 1509
Materials: canvas, panel, wood
Techniques: fresco
Artist: pinturicchio
Artist role: artist
Artist nationality: italian
Artist dates: 1454 – 1513
Subjects: mars,horses,chariots

The ceiling, composed of detached frescoes of mythological subjects set into casts of the original stuccowork, was painted by Pinturicchio and his workshop as part of the decoration of a room in the Palazzo del Magnifico in Siena. The palace was constructed for the ruler of Siena, Pandolfo Petrucci, (1451–1512) called "Il Magnifico," whose coat-of-arms decorates the center of the ceiling. According to an eighteenth century description, the walls were frescoed with eight allegorical and mythological scenes by Signorelli, Girolamo Genga, and Pinturicchio. Six of these were detached in 1842/44 and are now in the National Gallery, London and the Pinacoteca Nazionale, Siena. There was also a wooden framework carved by Antonio Barili, parts of which are preserved in Siena, and a majolica tile floor, sections of which also survive. Some of the tiles are dated 1509, the year Pandolfo Petrucci's son, Borghese, married Vittoria Piccolomini, and the room must have been painted about this time. Pinturricchio was one of the first artists to explore Nero's Golden House in Rome, and the decoration of the present ceiling is based on a vault in the Golden House. The frescoes from the ceiling, badly damaged, were detached in 1912. One of twenty-two panels (14.114.1–.22) forming the ceiling from the Palace of Pandolfo Petrucci. The general distribution and partition of the ceiling appears to derive from that of a vaulted and painted ceiling in Nero's Golden House in Rome. Many of the individual figures also seem to derive from antique works of art– especially sarcophagi.
Lacquer Paintings of Various Subjects: Bird and Willow in Snow
Object type: album leaf
Date: 1882 – 1882
Materials: ink, lacquer, paper
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: birds,snow

The strong color effect seen in this album is achieved by using lacquer as a painting medium. Painting with lacquer on paper was one of the techniques Zeshin developed into his own style. Despite the heavy material, Zeshin's skillful brushwork and his technical inventions with the material made it possible to create various textures as with ink painting. In addition, some lacquer techniques, like mother-of-pearl inlays and the creation of rough surfaces, are also used. Up until the middle of the Meiji period, lacquer was limited to roughly five colors—black, brown, vermillion, green, and yellow—which determined the color palette of Zeshin's lacquer paintings.
Marie Janson, Erminie Co., from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Belt Mount
Object type: mount
Date: 501 – 600
Materials: copper alloy
Techniques: casting
Culture: frankish
Location: western france
Perfume Vessel in the Shape of Two Trussed Ducks
Object type: bottle, perfume, trussed duck
Date: 1580 – 1550
Materials: copper
Techniques: inlay
Location: egypt
Subjects: ducks
A Holy Sheykh's Tomb in Edom
Object type: stereograph
Date: 1902 – 1929
Materials: paper
Techniques: gelatin silver print
Location: london
Artist: richard st. barbe baker
Artist role: activist, bioloog, botanicus, fotograaf
Artist dates: 1889 – 1982
Subjects: grave, tomb, desert
Inscriptions: number: ‘1761’

Serie over de opgravingen van de Britse archeologen Gerald Harding en Flinders Petrie bij Tell Fara in het toenmalige Brits Mandaatgebied Palestina.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, part of the face of a gorgoneion; Exterior, the resting surface of the foot is glazed and has a thin band of reserve; the inside of the stem is glazed; the underside of the tondo is unglazed
Zaaier en knechten slapen terwijl Satan onkruid zaait
Object type: print
Date: 1591 – 1634
Materials: paper
Techniques: engraving
Subjects: sleeping on the ground - bb - out of doors, while the sower and his servants slept, his enemy (the devil) sowed tares among the wheat
Inscriptions: collector's mark: Lugt 240

Een zaaier of boer ligt samen met zijn knechten te slapen na hun werk in het veld. Terwijl zij rusten zaait Satan onkruid tussen het koren. Onder de voorstelling staat een Latijns citaat van de bijbeltekst Mattheus 13:24-30.
Edouard Manet, Bust-Length Portrait
Object type: print
Date: 1864 – 1865
Materials: ink, paper
Techniques: aquatint, drypoint, etching
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Fonds-de-Leffes
Object type: page
Date: 1874 – 1879
Materials: paper, cardboard
Techniques: photograph
Location: munich
Subjects: road, path, rock-formations
Inscriptions: inscription: ‘Médaillé au concours de 1878’
Fragment van een gordijn van glasbatist
Object type: curtain
Date: 1800 – 1874
Materials: textile
Techniques: stopwork
Artist: Anonymous

Fragment van een gordijn van glasbatist, versierd met tule doorstopborduursel (wit op wit). Met briefje: 'Deze gordijnen zijn gebruikt voor de ramen van het kleedkamertje van H.M. de Koningin 16 juli 1874'.
The Baptism of Christ
Object type: painting
Date: 1590 – 1590
Materials: canvas, oil
Artist: jacopo bassano (jacopo da ponte)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1592
Subjects: men,angels,saint john the baptist,baptism of christ
Titelpagina voor: A. Montanus, Het leven, bedryf, en oorlogs-daaden van Wilhem den Derden 1703
Object type: titelblad, titelpagina
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: william iii (prince of orange and king of england, scotland, and ireland), throne, lower house, parliament, chamber
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Montanus, Arnoldus. Het leven, bedryf, en oorlogs-daaden van Wilhem den Derden, 4 delen. Amsterdam: Jan Claesz ten Hoorn, 1703.
Landscape Study: Surburbs of Rome
Object type: drawing
Date: 1606 – 1680
Materials: ink
Techniques: pen
Artist: giovanni francesco grimaldi
Artist role: artist
Artist nationality: italian
Artist dates: 1606 – 1680
Subjects: houses,landscapes,trees,rome
Voorgevel van het Cliffe Hydro Hotel te Ilfracombe en een uitzicht vanuit het hotel
Object type: page
Date: 1900 – 1920
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: view through a window from the inside, façade (of house or building), hotel, hostelry, inn
Inscriptions: inscription: ‘The Cliffe Hydro Hotel (...) For Terms apply manageress.’
De vermaerde Stadt Suratte
Object type: print
Date: 1632 – 1634
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: adriaen matham
Artist role: draughtsman, print maker
Artist dates: 1599 – 1660
Subjects: antwerp, pieter van den broecke, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie eerst in: P. van den Broecke, Korte historiael ende journaelsche aenteyckeninghe, van al 'tgheen merck-waerdich voorgevallen is, in de langhduerighe reysen, soo nae Cabo Verde, Angola, &c. als insonderheydt van Oost-Indien, Hans Passchiers van Wesbusch, Haarlem, 1634. In deze staat gebruikt in : I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 10.
Bell-shaped bowl with a water landscape and stylized lotuses
Object type: cup
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

Klokvormige kop van porselein, beschilderd in onderglazuur blauw. Op de buitenwand een doorlopende band met gestileerde lotusplanten met afwisselend een bloem en een vogel op een blad. De binnenzijde met een doorlopend landschap met paviljoens, personen en een pijnboom bij een rots. Gemerkt op de onderzijde met twee ongeïdentificeerde Chinese karakters in een cirkel. Blauw-wit.
Reclame voor The Elite Gents' Furnishing Goods Emporium in Oakland met gezicht op geiser 'Witches' Cauldron' in Geyser Springs, Californië
Object type: photomechanical print
Date: 1860 – 1915
Materials: cardboard
Techniques: photograph
Artist: Anonymous
Subjects: advertising, hot spring, geyser
Velvet and Silk Carpet
Object type: carpet
Date: 1601 – 1700
Materials: metal thread, silk, velvet
Techniques: brocade, cutting, voiding
Location: india

For special occasions, Mughal palaces and pavilions were spread with silk hangings, carpets, and embroidered velvets. On one New Year’s Day, for instance, the emperor Jahangir mentioned visiting his vizier and brother‑in‑law Asaf Khan, who had covered the road from the palace with velvets woven with gold and gold brocade. This sumptuous carpet may have been used for such an occasion. Its design is reminiscent of Iranian textiles, but ink inscriptions in Gujarati script on its selvages indicate that the carpet was woven in that state, which was well known for the production of silks, velvets, and cottons.
Platter
Object type: platter
Date: 1840 – 1854
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: william ridgway & co.
Artist role: maker
Artist nationality: british
Artist dates: 1834 – 1854
Subjects: mountains,landscapes
Brief aan Cornelis Smith
Object type: letter
Date: 1906 – 1907
Materials: paper
Techniques: printing
Location: amsterdam
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: rotterdam, rijksmuseum amsterdam, architecture
Inscriptions: collector's mark: Lugt 2228
Censer
Object type: censer
Date: 1201 – 1300
Materials: copper alloy
Culture: german
Firenze. Galleria Uffizi. Elisabetta Gonzaga. A. Mantegna, dip.
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: photographic support
Techniques: photography
Location: florence
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: ‘AFE v S’

De prentbriefkaart vermeldt dat Andrea Mantegna de schilder is van het afgebeelde schilderij. Inmiddels wordt het schilderij aan Rafael toegeschreven.
Typetjes
Object type: print
Date: 1984 – 1984
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: karel wetselaar
Artist role: print maker
Artist dates: 1935 – 2017
Subjects: eyeglasses, spectacles, head-gear, anonymous historical persons portrayed in a double portrait
Inscriptions: signature and date: ‘K. Wetselaar 1984’, inscription: ‘état défin, 1e druk, 1e staat’
Landschap bij nacht met reizigers
Object type: print
Date: 1620 – 1666
Materials: paper
Techniques: etching
Location: france
Artist: jean leblond (i)
Artist role: publisher
Artist dates: 1590 – 1666
Subjects: night ~ landscape (sometimes titled 'nox'), 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228

Landschap bij nacht, met rivier bij volle maan. Op een pad twee figuren op de rug gezien waarvan één zittend op paard, voor hen uit lopend een koe.
Plate
Object type: plate
Date: 1808 – 1808
Materials: earthenware
Culture: american
Location: united states
Subjects: flowers
Vita di San Diego dipinta nella Capella di S. Giacomo de Spagnoli a Roma
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Location: rome
Subjects: the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een twintigdelige serie getiteld 'Vita di San Diego dipinta nella Capella di S. Giacomo de Spagnoli a Roma' met scènes uit het leven van Juan Diego Cuauhtlatoatzin door Annibale Carracci in Herrera kapel van de Nostra Signora del Sacro Cuore te Rome. De serie werd in 1646 uitgegeven in Rome.
Laatste Oordeel
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: engraving
Location: cologne
Subjects: comprehensive representation of last judgement: christ (with sword and lily), often surrounded by elders and sometimes accompanied by mary and john the baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De figuren zijn gebaseerd op prenten naar antieke voorbeelden, bijvoorbeeld de Laocoöngroep.
Spoon tray with two schepherds with an ox in a water landscape
Object type: pattipan
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: china
Artist: Anonymous

Schotel, met gekartelde rand, met chinese figuren in zwart blauw en rood.
Gezicht op de Baarsjesweg
Object type: drawing
Date: 1906 – 1927
Materials: chalk, paper
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: city-view in general; 'veduta', road, path, façade (of house or building)
Inscriptions: inscription: ‘Baarsjes weg. 130 (...) Juni 1927. / vanEck’, collector's mark: Lugt 800a, inscription: ‘Baarsjes’, signature: ‘VanTeyne’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 30.
Pruisische vlag
Object type: flag
Date: 1865 – 1900
Materials: cotton, paint, wool
Location: germany
Artist: Anonymous
Subjects: pruisen

Witte vlag, met aan broekzijde een zwarte adelaar met in de linkerklauw een opgestoken zwaard, in de rechterklauw een rijksappel. Boven de naar broekzijde ziende kop een kroon met vijf beugels, met parels, fleurons en rode muts. Achterkant identiek. Aan de boven- en onderzijden smalle banen geel-rood- zwart. Aan de broek vijf bevestigingstouwtjes. Op de broek: T.R.51-1953 N.O.M.
The Republic Calls Us..., plate fifteen from Actualités
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: lithograph
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Ruins of Stone Bridge, Bull Run
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: barnard and gibson
Subjects: collected by hugh edwards, gardner's photographic sketch book
Familie Vonk
Object type: photograph
Date: 1947 – 1947
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: jet vonk, r.h. vonk, family life at home, netherlands

Albumblad met een portret van het gezin Vonk, met een onbekende vrouw, ca. 1947. Onderdeel van het familiealbum van Jet Vonk uit Celebes.
Herder op een stenen brug
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Location: amsterdam
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: castle, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., waterfall, forest, wood, bridge, mountains
Inscriptions: collector's mark: Lugt 2165

Links loopt een herder met zijn kudde over een stenen boogbrug. Links in de verte stroomt een waterval. Rechts in de verte ligt een burcht op een met bomen begroeide berg. Rechtsboven is de letter E te zien.