deem-data/ArtiFact huggingface dataset:
Portrait of two unknown women from the Badaga tribe of the Nilgiri mountains in Tamil Nadu, India
Object type: photograph
Date: 1865 – 1875
Materials: photographic support
Techniques: albumen print
Location: nilgiris
Artist: Anonymous
Subjects: human races; peoples; nationalities
Inscriptions: inscription: ‘BADAGA WOMEN./ HINDOOS./ NEELGERRY HILLS.’, number: ‘440.’
Jack Rose (Rose Jacqueminot), from the Flowers series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: roses,leaves

The "Flowers" series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 520 – 480
Materials: terracotta
Culture: greek, attic
Restanten van de Stenen Beer of Westpoort te Sluis
Object type: photograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: albumen print
Location: sluis
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: landscape with ruins, gate, entrance
Inscriptions: annotation: ‘Sluis’, annotation: ‘Sluis (Z.)/ overblijfselen der Westpoort/ Nov 1902’
Maître-Autel (Eglise Saint-Michel, à Coutrai)
Object type: page
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: kortrijk
Subjects: altar with altar-piece
Inscriptions: number: ‘Pl. no XXVIII.’
Gold Necklace with Pendants
Object type: necklace
Date: 601 – 700
Materials: gold, metal
Techniques: chasing, engraving
Culture: byzantine

The intricately worked pendants are separated by hexagonal spacers. Opus interrasile was a technique used by goldsmiths to make elegant jewelry from the 200s through the 600s. Designs were traced onto sheets of gold; the background was punched with holes of various sizes to highlight the pattern; and fine details were then worked on the surface. The patterns formed by piercing the metal ground encouraged the play of light and shadow across an object's surface.
The Adoration of the Magi
Object type: drawing
Date: 1500 – 1571
Materials: chalk, gouache, ink, paper
Techniques: brush, highlighting, pen, wash
Artist: nosadella (giovanni francesco bezzi)
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1571
Subjects: adoration of the magi

This drawing was bought at the Pembroke sale in 1917 as by Lorenzo Sabbatini, although it was already listed in the Pembroke album with the correct attribution to Nosadella (see here "inscriptions" and "provenance"), an attribution that is also confirmed by the style and technique with washes of the study. The figure of Saint Matthew is seated conspicuously in the foreground and is aided in his writing by an attendant angel. Matthew's presence emphasizes the fact that the story of the visit of the Magi to the Christ Child is told only in the Gospel that bears his name. The drawing could therefore be a design for a representation of this subject painted in fresco on the walls of the choir of the church of Santa Maria Maggiore, Bologna. The altarpiece, representing the Circumcision, still survives; it is said to have been begun by Nosadella and finished by Prospero Fontana. The Bolognese art historian Carlo Cesare Malvasia reports that on the lateral walls of the choir were frescoed representations of the Nativity and the Adoration of the Magi (Malvasia, 1686, p. 42, the altarpiece fig. 53/5): these lateral frescoes had disappeared under whitewash by the eighteenth century, but the lateral spaces could have easily accommodated a vertical composition such as that studied in our drawing (as Catherine Johnston has reported). Furthermore, the scale of the figures and the rhythm of the composition would have harmonized with the Circumcision altarpiece. Christine Baltay has pointed out that the figure of the old Magus standing at the right is quoted almost verbatim in a painting of the Presentation in the Temple that was sold more recently at Christie's in London (April 24, 1981, no. 95, repr.). In the painting, the Magus is transformed into a temple attendant.
Glass Fragment
Object type: fragment
Date: 1201 – 1300
Materials: glass, metal
Culture: french
Exercises d'imagination de differens Caractères et Formes humaines (...)
Object type: print
Date: 1783 – 1784
Materials: paper
Techniques: etching
Subjects: coat: overcoat, walking-stick, staff, adult man
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit een serie getiteld: "Exercises d'imagination de differens Caractères et Formes humaines inventés peints et dessinés par J. F. de Goez Suite 1", bestaande uit honderd platen met verschillende figuren met elk een eigen titel. Plaat 1 t/m 84 zijn van de hand van Brichet naar ontwerp van Von Goez en plaat 85 t/m 100 zijn door Von Goez zelf geëtst.
S. Ægidivs
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the king of the visigoths, out hunting, finds st. giles in his retreat in the woods; giles protects a stag in his arms, and an arrow pierces his hand
Inscriptions: collector's mark: Lugt 2228

De koning van de Visigoten heeft tijdens de jacht een pijl geschoten naar een hert, maar het lichaam van Aegidius getroffen. De heilige zit onder een boom bij een crucifix, naast het hert waar de koning op mikte. Links op de achtergrond is te zien hoe het benedictijnenklooster van Saint-Gilles gebouwd wordt. In de marge een vierregelig onderschrift in het Latijn.
Stad Amsterdam, loodje met no. 214
Object type: hondenbelastingloodje
Date: 1877 – 1877
Materials: brass
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

eenzijdig, ruitvormig loodje met holle zijden, aan bovenzijde afgeschuinde hoeken en gat, en aan onderzijde afgeronde hoeken en eindigend in punt. Voorzijde: gekroond wapenschild tussen jaartal boven cijfer 214. Keerzijde: blanco
Saucer
Object type: saucer
Date: 1795 – 1795
Materials: hard paste porcelain
Subjects: women,coat of arms
Kind komt terug van zee
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: hand coloring, lithograph
Artist: frédéric charles wentzel
Artist role: print maker, publisher
Subjects: arrival and return ~ travelling, mother and baby or young child
Inscriptions: collector's mark: Lugt 1641, stamp: Lugt 2233, : ‘Déposé’, stamp:

Onderaan genummerd: 6. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Gezicht op Wemeldinge, 1743
Object type: print
Date: 1754 – 1792
Materials: paper
Techniques: etching
Location: haarlem
Subjects: prospect of village, silhouette of village, church (exterior)

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 5 (1754), ill. 42. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden [….]. 9 delen. Amsterdam: Jan de Groot, 1792, dl. 5, ill. 42.
Leeuw, flamingo en mogelijk een leeuwin
Object type: sketchbook leaf
Date: 1892 – 1900
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: birds, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Schutblad A, voorste schutblad, uit schetsboek VIII met 12 bladen.
Het kasteel Colombo van de beer gezien
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: drawing, sketch
Inscriptions: check stamp: ‘Roeloffzen, Hübner & Van Santen’, title: ‘Het kasteel Colombo van de beer gezien’
Medallion on his Majesty's Death
Object type: penningverklaring
Date: 1820 – 1820
Materials: paper
Techniques: letterpress printing
Location: england
Artist: Anonymous
Subjects: george iii (koning van het verenigd koninkrijk)

Eenzijdig, rechthoekig stuk papier bedrukt met opschrift in zwarte omlijsting.
Portrait of Sir William Brog (1563-1636)
Object type: painting
Date: 1609 – 1633
Materials: oil, panel
Artist: jan antonisz van ravesteyn
Artist role: draughtsman, painter
Artist dates: 1570 – 1657
Subjects: historical persons
Inscriptions: inscription, top: ‘Colonel Brock’

Sir William Brog (?-1636), naar J.A. van Ravesteyn.
Pieces (2)
Object type: piece
Date: 1801 – 1900
Materials: metal thread, silk
Subjects: flowers
Glenarbuck
Object type: photograph
Date: 1868 – 1878
Materials: paper
Techniques: carbon print
Location: scotland
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: rural housing, e.g. country-house, villa, cottage, façade (of house or building)
Portret van Johann Friedrich Richter
Object type: print
Date: 1784 – 1803
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, merchant, salesman
Inscriptions: collector's mark: Lugt 2228
Terracotta dish with barbotine decoration
Object type: bowl
Date: 167 – 200
Materials: terracotta
Culture: roman
Subjects: birds

Red-glazed bowl with leaf and bird pattern in barbotine; terra sigillata.
Karel V, Duits keizer
Object type: history medal
Date: 1547 – 1547
Materials: silver
Techniques: casting
Location: leipzig
Artist: hans reinhart (der ältere)
Artist role: medailleur
Artist dates: 1510 – 1581
Subjects: ghent, charles v (holy roman emperor and king of spain)

ruitvormig; Zilveren penning. Voorzijde: borststuk man binnen sierrand. Keerzijde: tweekoppige adelaar tussen zuilen van Herkules tussen opschrift binnen sierrand
Kachelplaat met vrouwelijke heiligen en geometrisch patroon
Object type: stove plate
Date: 1500 – 1550
Materials: iron
Techniques: casting
Location: germany
Artist: Anonymous

Kachelplaat van gietijzer, verdeeld in twee zones. In de bovenste zone zijn twee vrouwelijke heiligen op een console afgebeeld. In de onderste zone is een geometrisch patroon, van golvende banden temidden van een ruitvorm. Een flink deel van de linkerzijde is verloren gegaan.
Goblet with Cover
Object type: glass
Date: 1750 – 1770
Materials: glass, lead
Location: england
Artist: simon jacob sang
Artist role: engraver
Artist nationality: dutch
Artist dates: 1720 – 1786
Subjects: goblet
Inscriptions: Engraved: ’T WELVAAREN VAN DE KRAAMVROUW EN
KINDJE (along the rim)

This covered goblet would have been used to serve a beverage known as kandeel, a nourishing mix of eggs, liquor, and cinnamon, commonly served to women shortly after child birth. It is engraved with a design that reflects this, depicting a maternity chamber with a new mother in a canopied bed, a seated nurse rocking a baby in a cradle, a device for drying diapers, two chairs and a table set with two dishes of sweetmeats, and two goblets of the same shape as this one. Along the rim runs the toast T WELVAAREN VAN DE KRAAMVROUW EN KINDJE, which reads, “to the health of the woman in childbed and her baby.”

The engraving is attributed to the Amsterdam glass engraver Jacob Sang (active 1752–62). There was an enormous demand in the Netherlands for personalized glassware, indispensable accessories used to commemorate a wide range of political, commercial, and personal occasions in Dutch drinking culture. Standard themes were commemorated by glasscutters of different skills, who often consulted the same design sources, with varying degrees of success, and applied their engravings to glass blanks of different qualities. Sang was one of Amsterdam’s most skillful and acclaimed engravers, and this covered goblet is a finely-blown vessel with perfectly-placed optic bubbles in the stem.
Gezicht op de Remonstrantse Kerk aan de Keizersgracht
Object type: carte de visite
Date: 1875 – 1896
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: andreas theodorus rooswinkel
Artist role: fotograaf
Artist dates: 1838 – 1909
Subjects: city-view in general; 'veduta', canal, church (exterior), the usual house or row of houses, street
Inscriptions: collector's mark: ‘9.64’ Lugt 1641b, inscription: ‘17. / Remonstrantse kerk. / Keizersgracht’, stamp: ‘Gebr. Douwes / Atelier / Grimburgwal 15 / Amsterdam’

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
Plum Vase (Maebyeong) with Lotus Motif
Object type: decorative art
Materials: ceramic glaze, glaze, stoneware
Location: korea
Verbond van vereniging tussen de vrijmetselaarsloge der Strikte Observantie te Brunswijk en het Groot Oosten der Nederlanden
Object type: history medal
Date: 1781 – 1781
Materials: silver
Techniques: gilding, striking
Location: germany
Artist: arent schaasberg
Artist role: draughtsman, painter
Artist dates: 1716 – 1809
Subjects: wolfenbüttel, braunschweig, militair, hertog, veldheer, ferdinand hertog van brunswijk-wolfenbüttel, landgraaf van hessen-kassel frederik
Oorhanger van goud
Object type: ear ornament
Date: 1045 – 1500
Materials: gold
Techniques: casting
Location: java
Artist: Anonymous
A Pointer Bitch
Object type: plaque
Date: 1886 – 1886
Materials: bronze
Artist: victor peter
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1918
Subjects: dogs
Views of Bournemouth
Object type: envelope
Date: 1900 – 1930
Materials: paper
Techniques: photograph, printing
Location: bournemouth
Subjects: forest path or lane, pier, quay, wharf, prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘Permanent Photographie Views/ 1/6/ Per Packet of/ 12/ Views of Bournemouth/ E. M. & A. SYDENHAM,/ ROYAL MARINE LIBRARY,/ PIER APPROACH,/ BOURNEMOUTH.’, collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 962’

Envelop met twaalf prenten van plaatsen in de regio Bournemouth. Afgebeeld zijn onder andere Branscombe, de wijk Boscombe en de pier.
Dorpsgezicht tussen Remagen en Mehlem
Object type: album leaf
Date: 1895 – 1905
Materials: paper
Techniques: collodion silver print
Location: north rhine-westphalia
Artist: david vermeulen
Artist role: fotograaf
Subjects: prospect of village, silhouette of village
The Open Door
Object type: photograph
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: architecture,doors

Among the most widely admired of Talbot's compositions, The Open Door is a conscious attempt to create a photographic image in accord with the renewed British taste for Dutch genre painting of the seventeenth century. In his commentary in The Pencil of Nature, where this image appeared as plate 6, Talbot wrote, "We have sufficient authority in the Dutch school of art, for taking as subjects of representation scenes of daily and familiar occurrence. A painter's eye will often be arrested where ordinary people see nothing remarkable." With this concept in mind, Talbot turned away from the historic buildings of Lacock Abbey and focused instead on the old stone doorframe and simple wooden door of the stable and on the humble broom, harness, and lantern as vehicles for an essay on light and shadow, interior and exterior, form and texture.
Huwelijk van Frederik, prins der Nederlanden en Louise, prinses van Pruisen te Berlijn
Object type: plaque
Date: 1825 – 1825
Materials: iron
Techniques: casting
Location: berlin
Artist: leonhard posch
Artist role: sculptor
Artist dates: 1750 – 1831
Subjects: berlin

IJzeren penning. Voorzijde: borststuk vrouw naar rechts. Keerzijde: opschrift: "Luise Auguste Wilhelmine Amalie / Prinzess von Preussen / geboren den 1 Februar 1808".
Stamp seal and modern impression: horned animal and bird
Object type: stamp seal
Date: 6000 – 4001
Materials: mineral, stone
Location: syria or anatolia
Subjects: animals

The impressing of carved stones into clay to seal containers had a long tradition in Mesopotamia, with the earliest evidence found in Syria dating to the seventh millennium B.C. During the Ubaid period, the variety of designs carved on seals expanded from simple geometric forms to include animals with humans, snakes, and birds. Seals like this one with deeply carved animal motifs became characteristic of northern Syria and southeastern Anatolia. It is decorated with a four-legged horned animal. Above the animal is a leaf shape, possibly a stylized bird, while two bent lines under its body may represent vegetation or perhaps snakes.
Ostracon with sketch of a crocodile
Object type: ostracon, figured, crocodile
Date: 332 – 330
Materials: ink, limestone
Location: egypt
Subjects: crocodiles
Portret van Simon van Leeuwen
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: leiden, the hague, simon van leeuwen, horn, trumpet, cornet, trombone, tuba, ornament ~ medallion, historical persons, lawyer, attorney at law, cupids: 'amores', 'amoretti', 'putti'

Prent met tekst in boekdruk op verso gebruikt in: Pars, Adriaan. Index Batavicus of Naamrol van de Batavise en Hollandse schrijvers (...). Leiden: Abraham de Swart, 1701.
Gezicht op de Watergraafsmeer gezien vanaf de Weesperzijde
Object type: drawing
Date: 1919 – 1919
Materials: chalk, gouache, paper, pencil
Techniques: brush
Location: amsterdam
Artist: jan baureis
Artist role: draughtsman
Subjects: city-view in general; 'veduta', the usual house or row of houses, polder, reclaimed land, street
Inscriptions: collector's mark: Lugt 800a, inscription: ‘De Watergraafsmeer ter (...) jaar -1919- / JanBaureis’, signature: ‘JanBaureis’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 33.
Tussenzetsel van kloskant met wieltjes en zonnetjes
Object type: strip
Date: 1600 – 1649
Materials: linen
Techniques: lace
Location: italy
Artist: Anonymous

Tussenzetsel van naturelkleurig kloskant. Het is mogelijk bedoeld om te gebruiken als sierrand in een laken. Het patroon bestaat uit twee smalle banen met daartussen een bredere baan met een zich herhalend motief van een wieltje, die links en rechts wordt geflankeerd door een zonnetje. In de smalle banen, staan rijtjes van vijf ruitjes gemaakt met vlechtjes over het motief heen, steeds met een onderbreking naar het volgende motief. Boven- en onderzijde van de strook zijn recht afgewerkt.
Waag op de Nieuwmarkt te Amsterdam
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Location: amsterdam
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: civic architecture; edifices; dwellings

Blad 5 recto uit een schetsboek met 59 bladen.
Portret van Johannes Bosboom
Object type: drawing
Date: 1841 – 1842
Materials: paper, pencil
Artist: lodewijk anthony vintcent
Artist role: draughtsman, print maker
Artist dates: 1812 – 1842
Subjects: painter, johannes bosboom, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Ons Intérieur
Object type: photograph
Date: 1895 – 1896
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: communal rooms
Inscriptions: inscription: ‘Ons Intérieur’

Interieur van het huis van het echtpaar Lelyveld aan de Gravenstraat te Paramaribo. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Dish
Object type: dish
Date: 1701 – 1800
Materials: quartz
Culture: chinese
De Dood
Object type: print
Date: 1960 – 1960
Materials: paper
Techniques: drypoint, etching
Artist: karel wetselaar
Artist role: print maker
Artist dates: 1935 – 2017
Subjects: churchyard, cemetery, grave, tomb and other grave-forms and grave-markers
Inscriptions: inscription: ‘1e staat’, signature and date: ‘K. Wetselaar '60’
Bando Mitsugoro II as Tennen no Mansaku-kitsune and Ichikawa Monnosuke III as Nikaido Shinanonosuke and Iwai Hanshiro IV as Okura no Kojoro-kitsune in the scene from the drama Moto Mishi Yuki Sakae Hachi-no-ki (Nidaime Bando Mitsugoro no Tennen no mansaku-kitsune, nidaime Ichikawa Monnosuke no Nikaido Shinanonosuke, yondaime Iwai Hanshiro no Okura no kojyoro-kitsune)
Object type: print
Date: 1778 – 1778
Techniques: woodblock print, nishiki e
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Man brengt ganzen naar de markt, Shanghai
Object type: photograph
Date: 1910 – 1930
Materials: paper
Techniques: gelatin silver print
Location: shanghai
Artist: Anonymous
Subjects: going to the market, geese (domestic waterbirds)
Inscriptions: stamp: ‘Copyright Photograph by Mactavish & Co., Ltd./ Shanghai.’
Costumes Italiens
Object type: print
Date: 1872 – 1875
Materials: paper
Techniques: hand coloring, printing
Location: belgium
Subjects: clothes, costume (+ women's clothes), rome

Onderdeel van Costumes civils et militaires du XVIe siècle par A. de Bruyn, een selectie van prenten uit de Trachtenbuch van Abraham de Bruyn uit 1581 (Hollstein 248-306), in facsimile. Losbladig uitgegeven met titelbladen, verklaring en lijst van de platen door G.A. van Trigt te Brussel in 1875 met teksten van Auguste Schoy. In de Rijksmuseum Research Library met signatuur 34 C 43.
Bead
Object type: bead
Date: 3100 – 2900
Materials: ceramic
Location: mesopotamia
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, tail and bent lower legs of satyr to right; lower drapery of a maenad; Exterior, draped, reclining symposiast
Portret van een onbekende man met bril en baard
Object type: photograph
Date: 1855 – 1860
Materials: paper
Techniques: salted paper print
Location: germany
Artist: franz seraph hanfstaengl
Artist role: painter, print maker, printer
Artist dates: 1804 – 1877
Subjects: anonymous historical person portrayed
Inscriptions: inscription: ‘[Ingammik[onz]’
Fotoreproductie van een prent naar een schilderij, voorstellende een hofdame verkleed als Salomé
Object type: page
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: salome (not in biblical context), historical persons not known by name - bb - woman
Piece
Object type: piece
Date: 1775 – 1790
Materials: silk
Subjects: leaves
Oproep om te strijden in het leger van Willem I Frederik, koning der Nederlanden, door het bestuur van de stad Vlaardingen
Object type: text sheet
Date: 1815 – 1815
Materials: paper
Techniques: letterpress printing
Artist: hendrik luidwijn van linden van den heuvell
Artist role: mayor
Artist dates: 1785 – 1854
Subjects: the hague, berlin, william i of the netherlands
Inscriptions: date
Ruimte met biervaten van de brouwerij Plzeňský Prazdroj te Plzeň
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: prague
Subjects: brewer, wooden container: barrel, cask, bucket