deem-data/ArtiFact huggingface dataset:
Miniatuurportret van een onbekend kind
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: collodion silver print
Artist: Anonymous
Subjects: child, anonymous historical person portrayed
Landschappen met gebouwen
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: field filled with a crop, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 240

Gezicht op een veld waar een weg langs loopt, met op de voorgrond drie figuren. Op de achtergrond een groep huizen.
Card Number 220, Miss Theo, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Pictorum Aliquot Celebrium Germaniae Inferioris Effigies
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving, letterpress printing
Subjects: antwerp, painter, draughtsman, joachim patinir, adult man, historical persons
Inscriptions: collector's mark: Lugt 2165
Border
Object type: textile
Date: 1601 – 1700
Materials: fiber, gilt, gold, linen, textile, silk
Techniques: embroidery, weave, stitching
Location: italy
Brief aan Philip Zilcken
Object type: letter
Date: 1890 – 1890
Materials: ink
Techniques: pen, writing
Location: amsterdam
Artist: edouard taurel
Artist role: draughtsman, print maker
Artist dates: 1824 – 1892
Subjects: the hague, painter, philip zilcken, printed matter
Inscriptions: collector's mark: ‘RPK’
Enquêteformulier ingevuld door Jan Jacob Spohler
Object type: manuscript
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: haarlem
Subjects: nederhorst den berg, amsterdam, painter, jan jacob spohler
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
American Cottage Home, from the Habitations of Man series (N113) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: the giles company
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: houses

Trade cards from the "Habitations of Man" series (N113), issued in a set of 25 cards in 1890 by W. Duke, Sons & Co., a branch of The American Tobacco Company, to promote Honest Long Cut Smoking and Chewing Tobacco.
The Lakeside
Object type: print
Date: 1860 – 1915
Techniques: engraving
Artist: elbridge kingsley
Artist role: artist
Artist nationality: american
Artist dates: 1841 – 1918
Marba en Eckart Titzenthaler, kinderen van de fotograaf, op een erf met kippen en eenden
Object type: photograph
Date: 1918 – 1919
Materials: paper
Techniques: gelatin silver print
Location: germany
Artist: waldemar titzenthaler
Artist role: fotograaf
Artist dates: 1869 – 1937
Subjects: berlin, engineer, boy (child between toddler and youth), girl (child between toddler and youth), fowl (cock, hen, chicken, etc.), germany
Padiamunrenebwaset, son of Irethoreru, holding a seated statue of Osiris
Object type: statue, padiamunrenebwaset, osiris
Date: 301 – 400
Materials: stone
Location: egypt
Subjects: men
In the Mountains of Tōtomi Province (Tōtomi sanchū), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: men,mountains,working
Heavenly beauty, pillar decoration
Object type: sculpture
Date: 1300 – 1500
Materials: terracotta
Location: east java
Artist: Anonymous

In contrast to Javanese sacred figures made of stone, which tend to be rigid and formal, their terracotta counterparts are often naturalistic and three-dimensional. This heavenly beauty with large ear ornaments once adorned the base of a wooden pillar in a Javanese house or in a pendopo, an open pavilion supported by columns.
Mensen op het strand
Object type: print
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: sailing-ship, sailing-boat, beach, sea
Inscriptions: collector's mark: Lugt 2228

Mensen op het strand en in het water. Rechts en in de achtergrond zeilboten op zee.
Julia Opp in A Royal Rival, from the Actresses series (T1), distributed by the American Tobacco Co. to promote Turkish Trophies Cigarettes
Object type: print
Date: 1900 – 1900
Techniques: color lithograph
Artist: frederick moladore spiegle
Artist role: artist
Artist nationality: american
Artist dates: 1865 – 1942
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (T1), published in 1900 by the American Tobacco Company to promote Turkish Trophy Cigarettes. Twenty-five card set reproduced from original paintings by artist F.M. Spiegle.
De gekroonde Utrechtse schenkkan, 1736
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: letterpress printing
Location: utrecht
Subjects: container of ceramics: jar, jug, pot, vase, utrecht
Inscriptions: collector's mark: Lugt 2228

De gekroonde Utrechtse schenkkan. Uit een gekroonde schenkkan wordt wijn in een glas geschonken, beide met opschriften en verzen in boekdruk. In de voet van de kan de datum 1736. Ter gelegenheid van het eeuwfeest van de Universiteit van Utrecht op 27 maart 1736. Met onderschrift in vijf kolommen waarin een beschrjving van de cavalcade door de Utrechtse studenten.
Bertout. Marie, Ismérie. 41 ans, née à Reims. Marchande de vins. Pas de motif. 26/2/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: portraits,women
Reproductie van een titelpagina met grotesken uit de atlas van Mercator en Hondius
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: photolithography
Location: antwerp
Subjects: ornament ~ grotesque, title-page
Inscriptions: inscription: ‘LITT. E. - MAI 1880. - PL. 1’, monogram: ‘JJvY’, inscription: ‘FRONTISPICE XVIIe siècle (...)’
Inname van Bonn door Menno van Coehoorn en bondgenoten
Object type: history medal
Date: 1703 – 1703
Materials: silver
Techniques: striking
Location: nuremberg
Subjects: the hague

Zilveren penning. Voorzijde: borststuk man (Menno van Coehoorn) binnen omschrift. Keerzijde: gezicht op stad (Bonn) binnen omschrift, boven opschrift; randschrift
Zilveren afslag van een  ½ duit van de VOC uit Holland, 1761
Object type: coin
Date: 1761 – 1761
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Kabelrand.
Meetkamp met muskietentent aan de Saramaccakreek
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Een tent overspannen met een muskietennet, in het meetkamp in het oerwoud aan de Kleine Saramacca Rivier (Saramaccakreek). Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Vrede tussen Engeland en Holland, te Westminster gesloten
Object type: history medal
Date: 1654 – 1654
Materials: silver
Techniques: striking
Location: amsterdam
Artist: juriaen pool (i)
Artist role: medailleur
Artist dates: 1618 – 1669
Subjects: netherlands, england

Zilveren penning. Voorzijde: Neptunus gezeten op zijn wagen tussen twee tritons die op hoorn blazen, houdt twee wapenschilden binnen omschrift. Keerzijde: opschrift
Covered Jar
Object type: jar
Date: 1739 – 1775
Materials: earthenware
Culture: dutch
Location: netherlands
Artist: justus brouwer
Artist role: designer
Artist nationality: dutch
Artist dates: 1739 – 1775
Subjects: birds,flowers
Plate Three from Evenings in Rome
Object type: print
Date: 1763 – 1764
Materials: paper
Techniques: etching
Location: france
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Waardecheque aan Toean Sandel
Object type: document
Date: 1935 – 1935
Materials: paper
Techniques: letterpress printing
Location: sumatra
Artist: Anonymous
Subjects: cheque, draft, bill of exchange, sumatra
Inscriptions: stamp: ‘Y. ASADA/ BRASTAGI/ O. K. V. SUMATRA’, inscription: ‘Soeda trima dari Toean Sandel. K-djahi./ Bankjaknja oewang Ampat roepia, tiga poeloe dloca cents - (...)’
Liggende figuur
Object type: drawing
Date: 1780 – 1849
Materials: ink, paper
Techniques: pen
Artist: david pièrre giottino humbert de superville
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1849
Opera glasses
Object type: opera glass
Date: 1840 – 1840
Materials: metal, shell
Culture: french
A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,carriages

A stout stage-coachman holds a bowl and stands by the door of an inn, holding the chin of the landlady.
Duinlandschap met een visser
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: gillis van scheyndel (i)
Artist role: draughtsman, print maker
Artist dates: 1595 – 1660
Subjects: dune coast, carrying something in basket, bag, rucksack, etc., fisherman
Inscriptions: collector's mark: Lugt 2228
Zelfportret
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Subjects: painter, draughtsman, otto de boer, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Bijgevoegd op het opzetvet is een handtekening van Otto de Boer, mogelijk afkomstig uit een brief.
De rechtspraak van den nar
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: monogrammist g.j.
Artist role: print maker
Subjects: court jester, court fool, wisdom of the fool
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over een kok die wil dat een arme drommel voor de geur van zijn gebraden gans betaalt. De hofnar Triboulet lost het geschil op. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 348.
Het Huis Barbistein by Heinkensant. 1743
Object type: book illustration
Date: 1754 – 1792
Materials: paper
Techniques: etching
Location: haarlem
Subjects: castle

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 5 (1754), ill. 44. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden [….]. 9 delen. Amsterdam: Jan de Groot, 1792, dl. 5, ill. 44.
André Vésale
Object type: print
Date: 1816 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Sloffen onder een voetenbank
Object type: sketchbook leaf
Date: 1834 – 1906
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: footstool, slippers

Blad 6 recto uit een schetsboek met 21 bladen.
Principes van het tekenen naar de natuur
Object type: print
Date: 1749 – 1849
Materials: paper
Techniques: printmaking, etching
Subjects: drawing, sketch, head (human)

Onbekend tot welk deel van 'Principes du Dessin d'après Nature' deze prent behoort.
Graven der Chalifen en Mammelukken, uitwendig
Object type: page
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: cairo
Artist: johannes lodewijk heldring
Artist role: fotograaf, predikant, schrijver
Artist dates: 1852 – 1923
Subjects: grave-building, monumental tomb
Saint Agatha
Object type: statuette
Date: 1634 – 1666
Materials: bronze
Subjects: women,saints

This small, half-length statuette depicts the early Christian saint Agatha gazing heavenward with her hands bound behind her back. According to legend, the Sicilian virgin-martyr died in the third century after a prolonged period of torture at the hand of the Roman prefect Quintianus. Among other ordeals, Agatha’s breasts were cut off with pincers; these body parts became the principal iconographic attribute of the saint in early modern representations (see, for example, Sebastiano del Piombo’s painting of 1520 in the Uffizi). There are no other known casts of this model, which has not been discussed since 1910, when Wilhelm von Bode published it as “Italian, XVII century” in his catalogue of J. P. Morgan’s collection. The saint was indirectly cast in a high-copper alloy and shows traces of a previous black lacquer. Both breasts seem to have been prostheses, cast separately and soldered into place; only the right one remains.[1] This gruesome detail reflects the morbid seventeenth-century interest in the lives and deaths of early Christian martyrs. More specifically, the half-length composition, naturalistic details, and upturned eyes of our statuette align with contemporary paintings of female saints that were especially popular in Naples and produced by artists like Andrea Vaccaro.[2] The bronze, which features a delicate floral patterning on Agatha’s dress, likely served a private, devotional purpose. A small hole at the back of the head suggests a missing halo. The probable date and place—Naples during the first half of the seicento—allows one to speculate that the bronze is linked to the renovation of the Palazzo di Sant’Agata by the powerful cardinal Cesare Firrao, who commissioned sculptors Bernardino Landini and Giulio Mencaglia to execute a series of statues for the facade (1637–44). Their figure of Magnanimity bears a resemblance to our bronze in its elegant elongated neck and elaboration of the coiffure.[3] -JF Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. See R. Stone/TR, April 27, 2011. The right breast is a similar alloy with the same pattern of impurities as the rest of the statuette, but with the addition of lead, which has resulted in its slightly lighter color. 2. See, for example, the painting of Saint Agatha attributed to Vaccaro in the Museo Civico Gaetano Filangieri (Palazzo Como di Napoli). 3. For Cardinal Firrao, his palazzo, and his chapel in the church of San Paolo Maggiore, which features a marble statue of the Madonna by Mencaglia, see Iorio 2012, pp. 320, 328, and throughout
Soldaat die kruit van zijn musket blaast (nr. 20), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, die met beide handen een musket (een bepaald type vuurwapen) bij zijn mond houdt en erover blaast, om eventueel buiten de pan (het kruitreservoir) gevallen kruit ervan af te krijgen (nr. 20), ca. 1600. In zijn linkerhand behalve de loop van het musket ook een furket (musketvork) en een brandende lont. Plaat 20 in de instructies voor het hanteren van het musket: Corte onderrechtinghe op de figuerlicke afbeeldinghe, soo veel aengaet het recht ghebruyck van Musquet. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, Amsterdam, 1608. Krijgswezen rond 1600.
A Lock on the Stour
Object type: print
Date: 1831 – 1831
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: landscapes,trees

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Francis I, King of France (1494–1547)
Object type: medal
Date: 1520 – 1530
Materials: bronze, patina
Techniques: casting
Subjects: men,profiles
Portret van Jean Baptiste Rousseau
Object type: print
Date: 1748 – 1753
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paris, brussels, jean baptiste rousseau (1669-1741), historical persons
Inscriptions: signature: ‘G.D.S.’

Prent mogelijk uit: Rousseau, Jean Baptiste. Oeuvres de Rousseau. Londen: s.n., 1748. Of een latere editie (1753).
Portret van een man met snor en baard
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: bad kissingen
Artist: jacques pilartz
Artist role: fotograaf
Artist dates: 1834 – 1910
Subjects: moustache, historical persons, beard
Inscriptions: inscription: ‘J. Pilartz/ Bad Kissingen/ K. u. K. Hof-Photograph/ Inhaber der Sachsen-Altenburg. Medaille für Kunst u. Wissenschaft/ mit der Krone, sowie der italienische gold. Medaille für Kunst u. Wissenschaft./ Silberne Medaille internationale Ausstellung Amsterdam 1868.’
Brand in het stadhuis van Amsterdam, 1762
Object type: print
Date: 1762 – 1763
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: on fire, ablaze, townhall, fire-fighting, fire-extinguishing equipment
Inscriptions: collector's mark: Lugt 2228

Huidige staat van prent ook gebruikt in: Nederlandsche Jaerboeken, inhoudende een verhael van de merkwaerdigste geschiedenissen (…) Zestiende deel. 1762. Amsterdam: Frans Houttuyn, s.a. [1762-1763].
Studies van boomtakken en boomstronken
Object type: drawing
Date: 1625 – 1629
Materials: chalk, ink, paper
Techniques: pen
Artist: abraham bloemaert
Artist role: draughtsman, painter, print maker
Artist dates: 1566 – 1651
Subjects: trees, trees (+ branch, stick)

Afkomstig uit een schetsboek van 43 (?) bladen.
A party in a house with two women at left
Object type: page
Date: 1790 – 1790
Materials: paper
Techniques: woodcut
Location: edo

Zevende en achtste pagina van het boek Ginsekai van Utamaro.
Ring van verguld zilver bezet met zeven diamanten
Object type: ring
Date: 1650 – 1690
Materials: diamond, silver
Techniques: gilding, grinding
Location: netherlands
Artist: Anonymous

Verguld zilveren ring bezet met zeven diamanten in de vorm van een strik. De band of hoep van de ring is opgebouwd uit verschillende ornamenten. De grotere centrale diamant is roosgeslepen (Antwerpse roos) en de zes kleinere diamanten hebben elk drie facetten (drievlak).
Design for 4 seat Phaeton, no top, no. 3069
Object type: drawing
Date: 1874 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Hooked Rug
Object type: rug
Date: 1850 – 1900
Materials: linen, wool
Culture: american
Subjects: flowers
Piece
Object type: piece
Date: 1567 – 1600
Materials: metal thread, textile
Subjects: fruit
Private and Collector’s Albums with Quick Photos
Object type: scrapbook
Date: 1891 – 1943
Materials: cardboard, linen, paper, photographic support, fiber
Techniques: albumen print, gelatin silver print, photoaquatint
Location: western europe
Artist: Anonymous
Subjects: amsterdam, portrait of a musician, family life, netherlands, germany

All kinds of large and small special collector’s albums were in circulation for quick photos of family members and friends. Quick photos are also regularly found among other pictures in family albums.
George III pattern sovereign with St. George reverse
Object type: sovereign
Date: 1820 – 1820
Materials: gold
Artist: benedetto pistrucci
Artist role: maker
Artist nationality: italian
Artist dates: 1783 – 1855
Subjects: profiles,horses,saint george

The Metropolitan has not been known historically for collecting coins, but the Peluso family's gift of British coinage is a worthy addition for its revelations of high artistry. Benedetto Pistrucci began his career in Rome, carving cameos with amazing dexterity. Soon after his arrival in London in 1815, he became chief engraver at the Royal Mint. The coins of George III (r. 1760–1820) are among the most elegant ever created. The gold sovereign's obverse succinctly invests the fat, ancient monarch with authority, while the reverse, with Saint George and the Dragon encircled in the Order of the Garter, is so successful in its clarity that it has been repeated (minus the Order) on the specie of most succeeding British monarchs.
Portret van J.W.G. Holm, kastelein van de Societeit Phoenix te Delft
Object type: photograph
Date: 1879 – 1884
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: delft, historical persons

Foto op ongenummerde pagina tegenover pagina 418.