deem-data/ArtiFact huggingface dataset:
Governor McEnery, Louisiana, from "Governors, Arms, Etc." series (N133-1), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,coat of arms,flags

Trade cards from the "State Governors, Arms, Etc." sseries (N133-1), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Yosemite valley, Cal.
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: yosemite valley
Artist: Anonymous
Subjects: rapids, waterfall, forest, wood, hotel, hostelry, inn, mountains

Deze foto's zijn onderdeel van een album.
Portret van een onbekende jonge man
Object type: photograph
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: johanna margaretha piek
Artist role: fotograaf
Artist dates: 1870 – 1947
Subjects: youth, adolescent, anonymous historical person portrayed, netherlands
Portret van Dr. Alexander Monro
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: autotype
Subjects: historical persons
Drie turfschepen met roeiboten in het IJ
Object type: print
Date: 1910 – 1911
Materials: paper
Techniques: aquatint, drypoint, soft ground etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: urban housing, sailing-ship, sailing-boat, rowing-boat, canoe, etc.
Inscriptions: annotation: ‘érp. d'essai’
Brief aan Philip Zilcken
Object type: letter
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen, writing
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: amsterdam, brussels, auctioneer, abraham preyer, william macbeth, philip zilcken, painting (including book-illumination, miniature-painting), exhibition ~ art, new york (city), rotterdam
Schijf voor verpakking uit V.O.C.-schip de 'Witte Leeuw'
Object type: disk
Date: 1613 – 1613
Materials: wood
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Schijf voor verpakking uit V.O.C.-schip de 'Witte Leeuw'. De schijf heeft in het midden een vierkant gat. De schijf is in tweeën gespleten.
Censer with cover
Object type: censer with cover
Date: 1750 – 1750
Materials: enamel, porcelain
Culture: japanese
Subjects: human figures,animals,censers
Bottle vase with stopper
Object type: bottle vase
Date: 1862 – 1862
Materials: bone china, enamel
Techniques: gilding
Artist: crown derby
Artist role: maker
Artist nationality: british
Artist dates: 1750 – 9999

The history of the Derby porcelain manufactory can generally be divided into two periods. The old Derby porcelain was produced from 1750 to 1848, and was foremost distinguished by the ownership of William Duesbury I and II. When the original factory closed in 1848, a number of former workers established a separate smaller factory at King Street, Derby, using Crown Derby’s original molds and patterns and oftentimes incorporating the factory marks on its wares. Around 1876, a separate company established a factory at Osmaston Road under the name Derby Crown Porcelain Company (and eventually bought the King Street factory in 1935), although the firm did not being producing commercial pieces until two years later. In 1890, the factory was granted the privilege of using the title "Royal Crown Derby Porcelain Company." Although the new Crown Derby continued to produce the firm’s old eighteenth-century Japan patterns, it became known for making vessels lavishly decorated with raised and chased gold work and Persian-style decoration.
St Jerome in the Wilderness
Object type: print
Date: 1512 – 1512
Materials: paper
Techniques: drypoint
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: st. jerome as hermit in a landscape, reading
Inscriptions: collector's mark: Lugt 2773, collector's mark: Lugt 119, collector's mark: ‘F...’, collector's mark: Lugt 2228

This depiction was made by incising lines directly into a metal plate with an etching needle. This technique yields only a small number of perfect impressions. The St Jerome was therefore considered a rarity even in Dürer’s own lifetime. To meet demand for it, publishers brought copies on the market: at least five different copies of this print are known.
Luther voor de Rijksdag te Worms, 1521
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: tone lithography
Location: netherlands
Artist: Anonymous
Subjects: priest, martin luther, charles v (holy roman emperor and king of spain), protestant confessions
Inscriptions: collector's mark: Lugt 2233

Luther in de houding van 'Hier sta ik, ik kan niet anders', op de Rijksdag in Worms, 17-18 april 1521, in de zaal met links keizer Karel V.
La barque
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: aquatint, etching
Location: brussels
Subjects: rowing-boat, canoe, etc., lake, plants and herbs: reed

Prent uit: Rops, Félicien (red.), Cahier d'études eaux-fortes originales et inédites. Brussel: Felix Callewaert père, 1875.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Exterior, head and part of upper torso with left hand touching head of a sleeping youth (symposiast), reclining on a pillow
New Modelbüch allen Nägerin u. Sydenstickern
Object type: book print ornament architecture
Date: 1556 – 1556
Techniques: woodcut
Artist: hans hoffman
Artist role: designer
Artist nationality: german
Artist dates: 1556 – 1556
Subjects: birds,lions

Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frӧlich, Strasbourg. Illustrated title page with Hoffman's monogram, narrative scene on verso of title page, dedication (2 pages), 49 pages of designs, page with publisher’s information, and narrative scene on last page.
Basket
Object type: basket
Date: 1880 – 1888
Materials: amber, glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Spotvers bij het portret van Arent Meinertsz. Fabricius
Object type: poem
Date: 1710 – 1720
Materials: paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan van oldenbarnevelt, mayor

Spotprent van Arent Meinertsz. Fabricius, rechter van Van Oldenbarnevelt; wit schaap met blauwe bonthoed en schort waarop wapen, in krans van bloemen en bladeren. Daaronder cartouche met aan weerszijden twee zeemeerminnen. In cartouche naam en daarboven nr. 9. Behorende bij serie aquarellen in boek.
Camp near Chattanooga
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: american civil war,landscapes
Piece
Object type: piece
Date: 1701 – 1800
Materials: metal thread, silk
Culture: japanese
Subjects: fish
Rustende reizigers
Object type: print
Date: 1875 – 1876
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (traveller) resting in the open air
Inscriptions: collector's mark: Lugt 2228

Reproductie van een schilderij uit de collectie van het Rijksmuseum Amsterdam, SK-A-299.
Prent afkomstig uit: Brink, J. ten (et al.). Het Rijksmuseum te Amsterdam: [25] etsen van J.A. Boland. Haarlem: J.M. Schalekamp, [1875-1876] (13 A 20).
The Tomigaoka Hachiman Shrine at Fukagawa (Fukagawa Tomigaoka Hachiman), from the series "Famous Places in Edo (Koto meisho)"
Object type: print
Date: 1832 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Ludwig Höpfner
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: berlin
Subjects: landscapes, historical persons
Inscriptions: collector's mark: Lugt 2228

In de marge is op schetsmatige wijze een landschap met figuren geëtst.
Man en twee vrouwen in een vertrek
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: adult man, candle, knitting
Inscriptions: collector's mark: Lugt 2228

In een vertrek is een man in gesprek met een jonge vrouw die de deurknop vasthoudt. Een tweede vrouw zit aan tafel te breien. De prent is een illustratie voor een boek over de vier 'tijdperken' van de man, van het tijdperk 'de man'.
Candlestick
Object type: candlestick
Date: 1840 – 1860
Materials: glass
Culture: american
Location: united states
Subjects: dolphins
Haveningang van La Rochelle met links de Tour Saint-Nicolas en in het midden de Tour de la Chaîne
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: la rochelle
Artist: Anonymous
Subjects: towers ~ fortified city, harbour (+ view ~ vehicle, ship, etc.)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Incised bowl with fox motif
Object type: bowl
Date: 500 – 201
Materials: ceramic, pigment
Culture: paracas
Location: peru
Staande werkpaarden
Object type: drawing
Date: 1660 – 1660
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: annotation: ‘5’

Blad uit serie van 8 tekeningen van werkpaarden, waarschijnlijk naar het leven getekend.
Inro Case Depicting the Seven Sages of the Bamboo Grove
Object type: decorative art
Date: 1701 – 1800
Materials: lacquer
Techniques: inlay
Location: japan

The Seven Sages, a group of poets in war-torn third-century China who were celebrated for their refusal to be bound by the mores of society, were also renowned in Japan as exemplars of artistic idiosyncrasy. The sages abandoned politics and worldly pursuits, devoting themselves to wine, music and poetry. Here, they are shown wearing conventional Chinese robes and coiffures, with lush facial hair that renders them unmistakably foreign. They are grouped around a long scroll, perhaps recording the poems they have written during their latest gathering in the grove.
Suite de six paysages dessiné par la Pr. sse Madame Thérèse Jablonowska
Object type: titelprent, frontispice
Date: 1779 – 1807
Materials: paper
Techniques: etching
Subjects: trees (+ root, tuber), rock-formations, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Onderdeel van een serie van vijf prenten en een titelprent.
Twee vrouwen en een engel
Object type: print
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: adult woman, angels
Inscriptions: number: ‘42’

Twee vrouwen in toga's, de linker met een staf en de rechter met een hoorn en emmer met graan, kijken naar een engel met krans (Victorie?) in het midden. Prent maakt deel uit van een album.
Long Shawl
Object type: textile
Date: 1850 – 1850
Materials: silk, wool
Techniques: bookbinding, jacquard, patterning, weave
Location: france
Kyogen mask
Object type: kyogen mask
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: masks
Dido op de brandstapel
Object type: print
Date: 1637 – 1691
Materials: paper
Techniques: etching
Location: rome
Subjects: (story of) dido, death of dido; she climbs the funeral pyre and falls upon the sword of aeneas, iris cuts a lock from dido's hair to release her soul
Inscriptions: collector's mark: Lugt 240

Koningin Dido ligt op een brandstapel. Rondom staan treurende mannen en vrouwen. Boven Dido zweeft Iris die een haar van Dido neemt om haar ziel vrij te laten. Achter Iris zit Juno met pauw op een wolk. Onderschrift in het Latijn in ondermarge.
Seal Ring
Object type: ring
Date: 401 – 600
Materials: silver
Techniques: carving
Location: egypt
Subjects: spears,dragons,warriors

Images like this one were adopted for Christian military saints, for instance, Theodore Stratelates. The soldier, a draconarius, holds a spear and stamps on a serpent, symbolizing the forces of evil. A dragon banner, the standard for his military unit, streams from the point of the spear
Suite de Paysages
Object type: print
Date: 1690 – 1730
Materials: paper
Techniques: etching
Location: france
Subjects: landscapes in the temperate zone - hh - ideal landscapes, brook, fisherman
Inscriptions: collector's mark: Lugt 2228
Cuneiform tablet: fragment of a promissory note, Egibi archive
Object type: cuneiform tablet
Date: 600 – 501
Materials: clay
Culture: achaemenid or babylonian
Location: mesopotamia
Portret van Johann Caspar Orelli
Object type: print
Date: 1832 – 1864
Materials: paper
Techniques: lithograph
Location: zurich
Artist: louis wegner
Artist role: print maker
Artist dates: 1816 – 1864
Subjects: bookshelves, adult man, historical persons, study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 2228
Bowl with a radiating petal design
Object type: bowl
Date: 800 – 501
Materials: silver
Culture: lydian or phrygian
Location: phrygia or lydia

The Phrygians ruled in Central Anatolia, from about 800 to 700 B.C., from their capital at Gordion. King Midas, known in myth to have turned all he touched to gold, may have been the person buried in the great tumulus at Gordion. That tomb contained many drinking bowls made of brass (which in antiquity would have had a bright golden color) with a raised knob in the center allowing it to be held comfortably from underneath. This silver bowl, with a fine petal design with graceful stems radiating from a central raised knob, is a variation on many of the drinking bowls from the Gordion excavations. Thus, there is a possibility that this vessel was made by the Phrygians. But the Lydians, who ruled in western Anatolia from 685 to 547 B.C., admired objects of Phrygian manufacture, and this silver vessel may have in fact been made by the Lydians.
M. Sylvain Dupuis
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: liège, bruges, musician, adult man, historical persons
Vase (Vase à oreilles)
Object type: ceramic
Date: 1756 – 1756
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: sèvres
Artist: jean-claude duplessis
Artist nationality: french
Artist dates: 1740 –
Pop van porselein met bruine japon
Object type: doll
Date: 1850 – 1920
Materials: porcelain, textile
Location: netherlands
Artist: Anonymous
Goddess Green Tara Seated with Hand in Gesture of Gift Giving (Varadamudra)
Object type: sculpture
Date: 1501 – 1600
Materials: copper alloy, gilt
Location: nepal
Poortje van het gilde in de St. Anthoniswaag, Amsterdam
Object type: drawing
Date: 1838 – 1915
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johan adolph rust
Artist role: draughtsman, painter
Artist dates: 1828 – 1915
Subjects: door, amsterdam
Vase in the form of a camel
Object type: vase
Date: 1870 – 1870
Materials: porcelain
Artist: worcester factory
Artist role: maker
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: camels
Figurine of a Seated Man
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Pillow in Shape of Reclining Woman
Object type: pillow
Date: 1101 – 1300
Materials: ceramic glaze, glaze, porcelain
Techniques: carving, incising
Culture: chinese
Subjects: women

The making of ceramic pillows is one of the more interesting results of the dramatic increase in the use of ceramic goods in China from the ninth to the fourteenth century. Produced in many of the kiln complexes throughout China, these uncomfortable-looking pillows were widely used, and are sometimes explained as neck rests intended to protect a woman’s elaborate coiffure while she slept.
Domper, rond, met geprofileerde onderrand en bekroond met klein samengedrukt bolvormige knop. Halverwege een haak die in het oog van de blaker past
Object type: extinguisher
Date: 1748 – 1749
Materials: silver
Techniques: casting
Location: the hague
Artist: Anonymous

Chamberstick with extinguisher and snuffers. Silver. The Hague, 1748, by Reynier de Haan.
Bronze double axe
Object type: axehead
Date: 1600 – 1050
Materials: bronze
Culture: minoan
The Pleasures of Fishing. “- You are always in such a rush - Good God, we only just got here at noon and it is now only a quarter past five - Just give me a little more time, I am sure I'll end by catching one,” plate 50 from Moeurs Conjugales
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Lijkvaart van Van Speyk
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: public funeral - aa - festivities on the water, cortege, funeral procession
Inscriptions: collector's mark: ‘25.137’ Lugt 1641b

Prent gebruikt in: Nederlandsche Volks-Almanak (1833). Amsterdam: Hendrik Frijlink, 1833.

De lijkvaart van kanonneerbootcommandant Carel Josephus van Speijk op 4 mei 1832 in Amsterdam. Op het water varen vier sloepen uit de lijkstoet van Van Speijk. Links de Schreierstoren.
Jug with floral scrolls
Object type: ewer
Date: 1680 – 1740
Materials: cobalt, glaze, mineral, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: westerwald
Artist: Anonymous

Kan van steengoed op hoge voet met een bolvormig lichaam en lange nek met een geknepen tuit. Het C-vormige oor is bevestigd aan de nek en de schouder. Profielen op de voet en de nek. Gedeeltelijk bedekt met kobaltblauw en mangaanpaars. De kan is versierd met ingegrifte ranken en gedrukte, opgelegde bloemen in reliëf. Westerwald.
Large Ceramic Bowl
Object type: bowl
Materials: glaze, gold, hard paste porcelain
Techniques: polychrome
Location: france
Artist: sèvres manufactory
Artist role: manufacturer
Artist nationality: french
Artist dates: 1740 – 9999
Marble head of a satyr
Object type: head of a satyr
Date: 300 – 1
Materials: marble
Culture: greek
Subjects: heads,satyrs

Small, encrusted head of a satyr.
Fragment of Cover
Object type: cover
Date: 1891 – 1891
Materials: gold, silver, thread, velvet
Techniques: embroidery
Location: uzbekistan
Prijspenning van de scherpschutters-weerbaarheidsvereeniging Een Doel te Bussum, derde prijs voor Individueel-vuur
Object type: draagpenning
Date: 1883 – 1883
Materials: bronze

Bronzen draagpenning met knop en ring. Voorzijde: banier met opschrift: EEN DOEL en daaronder: BUSSUM. Omschrift: ALGEMEENE SCHIETWEDSTRIJD. Keerzijde: beschreven veld met jaartal 1883, omgeven door lauwerkrans.
Stags in a Landscape
Object type: drawing
Materials: ink
Techniques: brush, pen, wash
Artist: johann elias ridinger
Artist role: artist
Artist nationality: german
Artist dates: 1698 – 1767
Subjects: deer,landscapes,trees

Ridinger was the eighteenth-century German animalier par excellence. In over 1200 drawings he depicted many representatives of the animal kingdom, as well as animal tales. His father, a scribe, who modelled small equestrian and animal figures in his spare time, might have spurred his son's interest in these subjects. Most of Ridinger's drawings were preparatory for prints. Of this striking and effective composition, however, no engraving has been found. Perhaps that it was intended to be made into an engraving that was never executed. In any case, its striking pictorial effects allow it to stand equally well on its own as a finished composition. Ridinger was a prolific draftsman, engraver and publisher, based in Augsburg, who produced mainly animal subjects. This lively composition is deftly executed in pen, with a variety of lines used to differentiate between the textures of leaves, rocks and bark. Layers of gray and brown wash indicate shade and suggest distance. The artist's knowledge of animal anatomy and movement is evident in the range of poses he selected for the small herds of deer placed throughout the hilly landscape. Those in the foreground, lift their heads, as though sensing an intruder, while more distant animals feed and rest undisturbed.
Portret van Samuel Lange
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: engraving
Location: saxony
Subjects: earth, world as celestial body, crown (symbol of sovereignty), cherubs, i.e. children's heads with wings, lamb bearing cross or banner, 'agnus dei' ~ symbol of christ, heart symbolism, single instruments of the passion, samuel communicating with god, historical persons, book, candle, ornament ~ cartouche, ornament derived from architectural details
Inscriptions: collector's mark: Lugt 2228

Portret in architecturale omlijsting, met onder in cartouche een lofdicht in het Latijn. Omlijsting versierd met christelijke symboliek.
Suitte des Forces de l'Europe / Tome Quatrieme
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: siege, position war

Titelprent met de bestorming van een vestingmuur. Titelprent voor het vierde deel van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique, uitgegeven ca. 1702. Ongenummerd [71]. Het prentwerk bestaat in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel in het Frans.
An English Version of the Eclogues of Virgil
Object type: book
Date: 1883 – 1883
Techniques: drawing, etching
Artist: virgil
Artist role: author
Artist nationality: italian
Artist dates: 70 – 19
Subjects: men,women,landscapes,trees
Strap End
Object type: strap end
Date: 601 – 700
Materials: copper alloy
Culture: frankish
Location: germany
Christ's Entry Into Jerusalem
Object type: drawing and watercolor
Materials: chalk, graphite, ink, paper
Techniques: pen
Location: france
Artist: michel corneille the younger
Artist role: artist
Artist nationality: french
Artist dates: 1642 – 1708
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, satyr with drinking horn; Exterior, legs of male with drapery; altar; bit of drapery; buttocks and legs of two figures
Jerboa figurine
Object type: figurine, jerboa
Date: 1850 – 1640
Materials: faience
Location: memphite region
Subjects: animals
Brief aan Willem Bogtman
Object type: letter
Date: 1892 – 1938
Materials: ink, paper
Techniques: pen, writing
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: haarlem, willem bogtman, utrecht, the hague, joseph crouwel, sculptor, hendrik albertus van den eijnde, henriëtte roland holst-van der schalk, applied arts, arts and crafts; industrial design, sculpture, money
Inscriptions: watermark
New Künstlichs Modelbuch (Page 19 recto)
Object type: book print ornament architecture
Date: 1600 – 1600
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597
Subjects: ornament
Landschap met rots
Object type: print
Date: 1650 – 1723
Materials: paper
Techniques: etching
Location: paris
Artist: abraham genoels
Artist role: draughtsman, print maker
Artist dates: 1640 – 1723
Subjects: rocks, (high) hill (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Een heuvelachtig landschap met centraal een grote rotswand. Linksvoor twee figuren.