deem-data/ArtiFact huggingface dataset:
Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697)
Object type: print
Date: 1654 – 1654
Techniques: engraving, etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: ruins,aeneas,mercury,coat of arms,ladders

1 of 30 illustrations etched by Hollar for an edition of The Aeneid. In a square in Carthage, Mercury approaching Aeneas from the air, warning him to leave the city; Ascanius and a middle-aged man standing by at right; stone mason working at centre foreground, workmen shovelling stones and carrying stone blocks at left, others working on buildings in background; statue of Diana in a niche at right; coat of arms below image at centre.
Card Number 250, Kate Gerade, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: profiles,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Statuette of a Late Middle Kingdom Queen
Object type: statuette, late middle kingdom queen
Date: 1825 – 1750
Materials: stone
Location: egypt
Subjects: queens,mk-kings

This small but intriguing work depicts a royal woman wearing an archaic, globular wig with horizontal striations and a bald area above the forehead. The uraeus cobra at the brow marks the woman's royal status. Uniquely, a pair of vultures with outstretched wings forms a protective band on top of the head. Most striking, however, is the thick cloak with its stiff collar. It is pulled tight over the figure's crossed arms, leaving the top of the chest and the shoulders bare; only the left hand emerges from the garment. The combination of this garment and the unusual hairstyle is known from a few early Old Kingdom reliefs depicting royal women, two of them mothers. The preserved part of this woman's face, with its hooded eyes, places the work, however, securely in the late Middle Kingdom.
Dagger
Object type: dagger
Materials: bronze
Location: iran or mesopotamia
Seaport with Fortress
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: attributed to william john huggins
Artist nationality: english
Artist dates: 1781 – 1845
The manner in which the Kamtschadales melt the Grease (...)
Object type: print
Date: 1777 – 1780
Materials: paper
Techniques: etching
Location: london
Subjects: preparation of food - cc - in the open air
Inscriptions: collector's mark: Lugt 2228

Prent uit: Middleton, Charles Theodore. A new and complete system of geography (...). Londen: John Cooke, [1777-1780], 2 dln.
Sarcofaag met daarop twee figuren
Object type: design
Date: 1630 – 1690
Materials: chalk, paper
Techniques: brush
Artist: charles le brun
Artist role: draughtsman, print maker
Artist dates: 1619 – 1690
Subjects: lid of sarcophagus, grave-building, monumental tomb
Chrysant
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: tokyo
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: flowers: chrysanthemum, japan
Brief aan Etha Fles
Object type: letter
Date: 1886 – 1886
Materials: ink, paper
Techniques: pen, writing
Location: dordrecht
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: thérèse schwartze, the hague, jacob maris, jean françois millet, etha fles, leiden, rembrandt van rijn, printer, the graphic arts, painting (including book-illumination, miniature-painting), exhibition ~ art, historical persons (portraits and scenes from the life), money, dordrecht, utrecht
Inscriptions: collector's mark: ‘RPK’
The Actor Onoe Matsusuke I as Yawata no Saburo (?) in the Play Edo no Hana Mimasu Soga (?), Performed at the Nakamura Theater (?) in the First Month, 1783 (?)
Object type: print
Date: 1783 – 1783
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Dansers in traditioneel kostuum
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: folk costume, regional costume, man dancing alone

Eén van de dansers draagt een mes. Mogelijk Javaanse dansers. Blad 4 recto uit een schetsboek met 69 bladen.
Exterieur van een kerk te Moskou
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: church (exterior), façade (of house or building)
Inscriptions: number: ‘A28’, inscription: ‘monastère grec St. Nicolas Moscou’, inscription: ‘VOYAGE EN RUSSIE’
Kwitantie voor Hendrik Jan Zimmerman
Object type: ontvangstbewijs, kwitantie
Date: 1865 – 1865
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: hendrik jan zimmerman
Artist role: bookseller, publisher
Subjects: drawing, money
Inscriptions: collector's mark: Lugt 2233
Gate of Orvieto
Object type: print
Materials: chine, paper
Techniques: etching
Location: germany
Artist: gustav friedrich papperitz
Artist nationality: german
Artist dates: 1813 – 1861
Almanakprentje uit ca. 1787-'88.: Vrouwenbuste in ovaal waaromheen vier hoeden
Object type: almanac
Date: 1787 – 1788
Materials: paper
Techniques: engraving
Location: england
Artist: Anonymous
Subjects: clothing for the upper part of the body (+ women's clothes), calendar, almanac, head-gear (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, neck-gear ~ clothing (+ women's clothes)

Vrouwenbuste, en profil naar links, in ovaal, waaromheen vier verschillende hoeden of mutsen. De prent maakt waarschijnlijk deel uit van een almanak, ca. 1787-'88.
Appliqué
Object type: appliqué
Date: 500 – 301
Materials: gilt silver, silver
Location: thrace
Plan de St. Cloud
Object type: area plan
Date: 1744 – 1744
Materials: paper
Techniques: engraving, etching
Subjects: plan, map of garden, maps of cities
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Gedenkprent ter gelegenheid van 50 jaar Nederlandse onafhankelijkheid
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: william i of the netherlands, rotterdam, gijsbert karel graaf van hogendorp, deventer, the hague, adam françois jules armand van der duyn, napoleon i (emperor of the french), other festivities connected to calendar dates; memorial days, liberation, landing of william frederick i (1813)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

De gebeurtenissen in guirlandes hebben betrekking op de terugkeer van Willem I Frederik, prins van Oranje, naar Nederland in 1813. Links komen Van Hogendorp en andere regenten samen om de terugkeer van Willem I vanuit Engeland te bespreken. Rechts arriveert Willem I op het stand in Scheveningen. Bovenin is het portret van koning Willem I omgeven door vlaggen, banieren en wapenschilden. Onderin kamperen Russische soldaten die de Nederlandse troepen te hulp kwamen. In het midden de aankomst van de nieuwe koning in Amsterdam op het Haarlemmerplein.
Portret van de hertog van Brunswijk, 1784
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: ludwig ernst von braunschweig-wolfenbüttel, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Portret van de hertog van Brunswijk, staande in veldmaarschalksuniform voor enkele legertenten, ca. 1784.
White beaker decorated with red lines
Object type: beaker
Date: 1701 – 1800
Materials: glass
Artist: glasshouse of bernard perrot, verrerie royale d'orléans
Artist role: maker
Artist dates: 1640 – 1709

This beaker was made in the Orléans glasshouse of Bernard Perrot (active from 1649 to 1709), the most famous member of an Italian glassmaking family that probably went to France as followers of Louis Gonzaga. The beaker is an example of one of his inventions, the use of patterned molds with intaglio decoration to cast molten glass into small bottles, beakers, medallions, and vials and then displayed the motifs in relief. Perrot specialized in colored glass, producing agate bodies, imitation porcelain in white glass, and a transparent red glass.
[Daguerreotype Plate Box]
Object type: box
Date: 1840 – 1849
Materials: ink, iron, wood
Artist: Anonymous
Artist role: maker

In 1920 a wealthy landowner in southeastern France purchased the derelict estate of a distant relative, Joseph-Philibert Girault de Prangey. He found in the attic a collection of wood boxes containing a vast visual trove—hundreds of daguerreotypes by an unknown artist of monumental ambition. One of the most significant discoveries in the history of photography, this treasure remained mostly hidden for eighty years, until 2003, when the owner’s descendants held the first of several sales. Girault worked with unusually large plates, innovating a process to expose more than one image on each plate and then cut them apart. A fastidious archivist, he carefully labeled the resulting photographs and stored them according to size in custom-built boxes. He inventoried his collection several times, as evidenced by inscriptions on the box lids. Girault’s unique and arresting works—more than one thousand survive, many of which are on view in the current exhibition—attest to a photographic feat that remains unparalleled in scope and scale.
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 520
Materials: terracotta
Culture: greek, attic

Exterior, part of an eye with a black and red oculus
Denham Bridge upon the Tavy
Object type: drawing
Date: 1780 – 1830
Materials: watercolor
Artist: william payne
Artist role: artist
Artist nationality: british
Artist dates: 1760 – 1830
Subjects: bridges,men,mountains,trees

Payne worked as an engineer in Plymouth before moving to London in 1790, to pursue a career as a landscape painter. Here, his innate interest in man-made structures combines with a Picturesque vocabulary. He absorbed the latter from William Gilpin and here applied it to a subject near the town of Tavistock in his home county of Devon.
Venus en Vulcanus
Object type: print
Date: 1530 – 1530
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: vulcan and venus, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 11, collector's mark: Lugt 10

Venus en Vulcanus zitten in een vertrek, achter hen een gordijn. Om hen heen vijf putti, waarvan twee bezig zijn een boog te spannen. Rechts op de achtergrond is door een deuropening de smidse zichtbaar.
Pair of Dueling Gauntlets
Object type: armor
Date: 1580 – 1600
Materials: brass, iron, leather, steel
Culture: german, southern
Location: nuremberg
Pulley
Object type: pulley
Date: 201 – 500
Materials: wood
Culture: coptic
Location: egypt
Fragment of Garment
Object type: textile fragment
Date: 1601 – 1700
Materials: silk
Techniques: brocade, weave
Location: iran
Subjects: animals,birds,trees
Arms of the Greder Family of Solothurn, Switzerland
Object type: tapestry
Date: 1691 – 1694
Materials: metal thread, silk, wool
Subjects: swans,coat of arms

This armorial tapestry celebrates the Greder family of Solothurn (Switzerland), many of whom served in the French army. It was probably commissioned by François Laurent Greder (1658-1716) between 1691, when he became a brigadier and 1694, when he was made a knight of the Order of Saint Louis. The dramatic use of the swans to flank the armorial is an allusion to the swan feet that form part of the Greder arms. The tapestry does not bear the marks of the major French Royal Gobelins or Beauvais manufactories; it is not as technically proficient as the works woven in those workshops. For example, it was woven in two pieces that were subsequently sewn together (the seam is visible along the center vertical). Instead, it was probably woven either in the Lorraine region of France or in one of the smaller, less-organized commercial weaving workshops in Paris, such as that of Louis and Jean Baptiste Hinard, or of Gilles Bacor.
Belt buckle
Object type: belt buckle
Date: 1830 – 1839
Materials: steel
Culture: european
Plate 4, Featuring 10 Coins Issued by European Princes in the 16th and 17th centuries, from "Les Monnaies" (The Currencies)
Object type: print
Date: 1630 – 1630
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: coins

The series depicts coins issued by European Princes, primarily from Germany and Italy, in the 16th and 17th centuries. This plate shows the front and back of 10 coins. These coins feature portraits European princes or emblems and are linked by a cartouche with the inscription "AR" (argentum).
Portret van een vrouw
Object type: photograph
Date: 1861 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: arnhem
Artist: carel eduard westerborg
Artist role: fotograaf
Artist dates: 1842 – 1916
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘C. E. WESTERBORG/ Photograaf/ Eus: Buiten Singel 1./ Arnhem/ Voor nabestelling worden alle/ negatieven bewaard.’
Girdle buckle
Object type: girdle buckle
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: insects
Man en vrouw bij een weefgetouw in Andritsaina
Object type: photomechanical print
Date: 1905 – 1910
Materials: paper
Techniques: photoaquatint
Location: andritsaina
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: adult woman, adult man, weaving-loom
Tentoonstelling Bekoring van het kleine
Object type: poster
Date: 1959 – 1960
Materials: paper
Techniques: autotype
Location: haarlem
Subjects: jan van huysum, vincent van gogh, painter, print maker, draughtsman, hendrick goltzius, maria sibylla merian, flowers, insects: butterfly, insects
Inscriptions: collector's mark: Lugt 1641, stamp:, collector's mark: Lugt 1641, stamp

Affiche voor de tentoonstelling Bekoring van het kleine van het Koninklijke Oudheidkundige Genootschap in het Rijksmuseum Amsterdam. Met tekeningen van Hendrick Goltzius, Margaretha de Heer, Maria Sibylla Merian, Jan van Huijsum, Vincent van Gogh e.a. De tentoonstelling vond plaats tussen 10 februari en 31 maart 1960. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Tentoonstellingen.
Mozes en de brandende braamstruik
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: woodcut
Subjects: the burning bush ~ calling of moses
Inscriptions: collector's mark: Lugt 240

Kopie van een houtsnede van Hans Holbein de jongere uit 1526. Origineel voor het eerst als boekillustratie gebruikt in: Biblia Utriusque Testamenti iuxta Vulgatam Translationem, Lyon, M. en G. Trechsel (voor Hugo à Porta) 1538. Deze kopie gemaakt voor: Biblia sacra iuxta vulgatam. Parijs: Jean Benoît, 1552.
Sporensmid
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: handicrafts, craftsman at work, smith, blacksmith, horseshoe
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Comenius, Johannes Amosius. Orbis sensualium picti pars prima (...). Neurenberg: Martin Endter, 1719, dl. 2, p. 160. Prent eerder gebruikt in: Comenius, Johannes Amosius. Orbis Sensualium Picti denuo aucti Pars Secunda (...). Neurenberg: Martin Endter, 1730, dl. 2.
Les Orphelins Bourgeois d'amsterdam
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: hand coloring
Location: amsterdam
Artist: Anonymous
Subjects: art dealer, orphans, shop-window, show-window
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Twee weeskinderen voor de etalage van kunsthandel Frans Buffa & Zonen, voor de poort van het burgerweeshuis te Amsterdam.
Alfabet in kapitalen
Object type: print
Date: 1455 – 1503
Materials: paper
Techniques: engraving
Location: bocholt
Artist: israhel van meckenem
Artist role: print maker
Artist dates: 1440 – 1517
Subjects: initial, letters, alphabet, script

Hoofdletter B, met bladranken versierd. Fragment van een blad waarop ook de A, de C en de D hebben gestaan. Deze prent is onderdeel van een serie van zes bladen met telkens vier kapitalen.
Portret van Willem Christiaan van Manen
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: stippling
Location: amsterdam
Subjects: historical persons
Inscriptions: number: ‘2d’, number: ‘N33’

Met onderschrift in het Nederlands. Rechtsonder: proefdruk.
Votive (Gift) in the Shape of a Woman's Head
Object type: sculpture
Date: 500 – 500
Materials: pigment, terracotta
Culture: etruscan
Location: veio

Supplicants placed votive heads in temples to accompany requests and offerings of thanks to the gods. Artisans used molds to produce images of both men and women. On finer examples, such as this head, a pointed tool was used to refine elements of the face and hair before the object was fired in the kiln. Traces of pigment suggest that the hair was originally painted bright red. Earrings once hung from holes in the ears.
Toasting Fork
Object type: glass
Date: 1801 – 1900
Materials: glass
Location: bristol
Border
Object type: border
Date: 1867 – 1900
Materials: cotton
Techniques: lace
Subjects: flowers
Brothel Scene
Object type: print
Date: 1640 – 1677
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: artist
Artist nationality: dutch
Artist dates: 1623 – 1677
Shakespeare's "Seven Ages of Man"
Object type: piece
Date: 1805 – 1805
Materials: cotton
Subjects: boys,men,women,dogs,tables
Portret van Cornelis Frans Jacobus Blooker
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: eyeglasses, spectacles, reading, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een bril en leest van een vel papier. Achter hem staat een rij boeken. Genummerd linksboven: No. 2. Onder het portret: "Bijvoegsel van de Amsterdamsche Courant van 21 Januari 1897, No. 4336."
71. Larus ridibundus
Object type: stereograph
Date: 1870 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Inscriptions: label: ‘Meeuw’

De foto maakt deel uit van een serie van 12 stereofoto's, bewaard in het originele mapje. De foto's tonen zeevogels in natuurgebied De Bol op Texel.
Windmolen met houten onderbouw
Object type: drawing
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: windmill
Chiostro di S. Paolo ROMA
Object type: photograph
Date: 1865 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: sint-paulus buiten de muren
Artist: Anonymous
Subjects: garden, cloisters ~ monastery, rome
Inscriptions: negative number: ‘169’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië (deel I).
Pouch
Object type: pouch
Date: 1840 – 1860
Materials: glass, linen, silk
Culture: american
Subjects: houses,flowers,trees
Portret van een zittende vrouw
Object type: carte de visite
Date: 1855 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: inscription: ‘No. 1 7470 12 copies’

Portret van een zittende vrouw. Mogelijk een lid van de familie Swellengrebel.
Nocturne, from Venice, a Series of Twelve Etchings (the "First Venice Set")
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903

Whistler pursued the abstraction of conventional subjects like portraiture and landscape across a variety of media, including painting, drawing, etching, and lithography. In his etchings, perhaps especially those from his Venice period, he used the selective wiping of printing plates to create atmospheric effects while often obscuring the compositional elements. In this final state of Nocturne, Whistler depicted a wide stretch of water with the church of San Giorgio Maggiore in the distance at right and the domed roofline of Santa Maria della Salute at left. As in all printmaking processes, the image is reversed from how it was drawn on the plate. Whistler would have observed this view from the Riva degli Schiavoni.
Transfiguratie
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: 'let us make three booths (tabernacles) ...' ~ the transfiguration, the transfiguration: moses and elijah appear on either side of christ on mount tabor (matthew 17:1-13; mark 9:2-13; luke 9:28-36)

De verheerlijking op de berg. Mozes en Elia verschijnen aan weerszijden van Christus en spreken met hem. Op de berg zitten Jakobus, Johannes en Petrus. De laatste maakt een spreekgebaar en doet het voorstel om voor Christus, Mozes en Elia drie tenten neer te zetten. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 17:1. Deze prent maakt deel uit van een album.
Portret van paus Severinus
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: bassano del grappa
Subjects: historical persons, pope

Prent uit: Effigies Romanorum pontificum a S. Petro ad Pium VI. feliciter regnantem (...). 2 dln. Venetië en Bassano del Grappa: Giuseppe Remondini, 1775.
Gardameer
Object type: print
Date: 1885 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: frederika henriëtte broeksmit
Artist role: draughtsman, print maker
Artist dates: 1875 – 1945
Subjects: prospect of village, silhouette of village, lake
Inscriptions: collector's mark: Lugt 2228

De contouren van een nederzetting aan een meer.
James Freeman Clarke
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: southworth and hawes
Artist role: photography studio
Artist nationality: american
Artist dates: 1843 – 1863
Subjects: men,portraits
Terracotta fragment of a krater (bowl for mixing wine and water)?
Object type: krater fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Genitals and thighs of Apollo to right, with a himation, holding a tripod (Herakles would be on the left, and is not preserved.)
Plattegrond van Amsterdam
Object type: area plan
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: Anonymous
Subjects: maps of cities, amsterdam

In de vijfde staat werd de titelcartouche met de titel 'Plan de la Grande & Fameuse Ville Marchande d'Amsterdam' uit de plaat geklopt. De eerste staat van de prent werd rond 1715 uitgegeven door de weduwe van Nicolaes Visscher.
Ontwerptekening voor ex libris van Paul Kempeneers met schets van een hoofd
Object type: design drawing
Date: 1932 – 1932
Materials: paper, pencil
Techniques: drawing
Location: netherlands
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: paul kempeneers, physician, doctor, operation, surgery
Inscriptions: inscription: ‘Eerste schets, overgebracht/ op het blok’