deem-data/ArtiFact huggingface dataset:
Enquêteformulier ingevuld door Henri Le Hon
Object type: manuscript
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: brussels
Subjects: print maker, draughtsman, henri le hon
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Het kasteel te Batavia, gezien vanaf de Houtkrap
Object type: drawing
Date: 1761 – 1779
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: hendrik kobell
Artist role: draughtsman, painter, print maker
Artist dates: 1751 – 1779
Subjects: fortress, public road, indonesia
Studie van een soldaat en twee kinderen met muziekinstrumenten
Object type: print
Date: 1829 – 1862
Materials: paper
Techniques: lithograph
Location: paris
Subjects: the soldier off duty, 'music' of children
Inscriptions: collector's mark: Lugt 2228a
Gebouw te Coniston, met op de achtergrond een berg
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: coniston
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: façade (of house or building), mountains
Inscriptions: name: ‘Registered. G. W. Wilson, Photographer, Aberdeen.’, number: ‘No. 560 A.’

Het object RP-F-F04846 is vermoedelijk tijdens dezelfde fotografeersessie gemaakt.
Avant-Poste
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: lithograph
Subjects: the soldier; the soldier's life, resting - bb - out of doors
Inscriptions: collector's mark: Lugt 2228a, annotation: ‘Adeline no. 347.2. Breit 0,319. Hohe 0,225.’
Study for Court of King's Bench, Westminster Hall, from Microcosm of London
Object type: drawing and watercolor
Date: 1808 – 1808
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Bergrede
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: paris
Subjects: christ's sermon on the mount (matthew 5-7), christ preaching in the open
Inscriptions: collector's mark: Lugt 240

Christus zit op een rots in een bergachtige omgeving, en spreekt tot zijn discipelen, die aan de voet van de rots zitten en staan. Deze prent is onderdeel van een reeks van tien prenten met voorstellingen uit het Nieuwe Testament, waaraan na Callots dood een titelprent is toegevoegd.
Heft van een mes, gedecoreerd met bladranken
Object type: print
Date: 1500 – 1600
Materials: paper
Techniques: engraving
Location: germany
Inscriptions: collector's mark: Lugt 240

De decoratie bestaat uit een kaarsrechte middenstengel met kleine zijscheuten.
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1895 – 1920
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: stockholm
Artist: j. franke
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘J. Franke/ Allm. Tel. 8836./ Österm. 508./ STOCKHOLM/ HAMNGATAN 17./ MALMSKILLNADSG. 3 B./ PLÅTEN FÖRVARAS’, address: ‘STOCKHOLM./ 17. HAMNGATAN 17.’
Linen mark of Myt
Object type: linen mark, myt
Date: 2060 – 2010
Materials: linen
Location: egypt
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1910 – 1910
Materials: ink, paper
Techniques: pen, printing, writing
Location: zandvoort
Artist: simon maris
Artist role: painter
Artist dates: 1873 – 1935
Subjects: the hague, painter, willem maris, pieter haverkorn van rijsewijk, rijksmuseum amsterdam, art trade, art shop, historical persons (portraits and scenes from the life), money
Inscriptions: watermark
Banknote vignette showing city buildings around a fenced-in green with children playing around an American flag
Object type: print
Date: 1824 – 1837
Techniques: engraving, etching
Artist: asher brown durand
Artist role: artist
Artist nationality: american
Artist dates: 1796 – 1886
Subjects: human figures,buildings,playing,flags
Overlijden van Pieter Cornelis Baron van Leyden te Vlaardingen 1788
Object type: history medal
Date: 1788 – 1788
Materials: silver
Techniques: pressing

Zilveren penning, op de voorzijde het wapenschild van Van Leyden onder een drievoudig gehelmde kroon, met griffioenen als tenanten en onderaan een lint met wapenspreuk, op de keerzijde tien regels tekst.
Watermolen
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: drypoint, etching, intaglio, retroussage
Artist: maria van hohenzollern-sigmaringen (gravin van vlaanderen)
Artist role: print maker
Artist dates: 1845 – 1912
Subjects: paddle wheel, watermill in landscape
Inscriptions: collector's mark: Lugt 2228
Van de Pausen
Object type: album
Date: 1676 – 1689
Materials: paper, parchment
Location: amsterdam
Artist: Anonymous

Eén van 6 boeken uit een serie van oorspronkelijk 10; gebonden in blank perkament (zg. splitsel binding), hergebruikt (makulatuur) snede, ongekleurd. 4 katernen van 4 plakstroken. De bladzijden zijn aan de plakstroken geplakt recto en verso, geknipt uit een langestrook met koppen van 25 pausen, voorafgegaan door geschreven tekst: Omnium pontigicuma S. Petro Usque an Praesentem effigies ab antiquis diligenter extractus. "Het derde deel van de Pausen". Uitgeknipt uit een tussen 1676 en 1689 uitgegeven prent.
Portret van een vrouw
Object type: album leaf
Date: 1891 – 1910
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: the hague
Artist: henri de louw
Artist role: fotograaf
Artist dates: 1851 – 1944
Subjects: adult woman, historical persons not known by name - bb - woman, the hague
Inscriptions: address: ‘Prinsestraat 99 's Gravenhage.’

Onderdeel van Fotoalbum van de families Matthes, Doorman en Van Thiel.
Figure of a Pack of Horse and Attendant
Object type: figure
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Subjects: men,horses
A Garden Refreshed by the Passing Rain  (Ukasentei no zu)
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: men,women,rainbows

The empress and her ladies-in-waiting wear bonnets and dresses adapted from chromolithographs from European fashion magazines. In this and similar prints, if there is no caption, it is sometimes difficult to immediately distinguish who among the equally elegant female figures in satin and velvet is the empress. Usually, she may be identified by the imperial chrysanthemum or paulownia on her dress, or by a bonnet enlivened with red and white.
Diana and Actaeon
Object type: print
Date: 1528 – 1538
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: actaeon,diana
Portret van kunstenaar Anton Kern
Object type: print
Date: 1746 – 1799
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: painter, anton kern, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Labyrint
Object type: drawing
Date: 1770 – 1808
Materials: cardboard, ink, paper
Techniques: pen
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: labyrinth, maze ~ garden, board-games

Vierkant doolhof met in het midden de schat, bij de ingang is een hekje getekend.
An Inauspicious Day
Object type: print
Techniques: woodblock print, hashira
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770

This print shows the Wind God as a wild-haired, half-naked demon, his bag billowing above his head as he looks down from his platform in the clouds. He has caught sight of a young beauty out for a stroll and unleashed a sudden gust, scattering her roll of paper and sending the letter she’d been carrying up to his perch, where he now has it in hand. The wooden placard to the right of the Wind God announces the inauspicious days of the year, when an unwary or unlucky person who undertakes a task may encounter challenges like his mischief.
Gallerie des Modes
Object type: fashion print
Date: 1797 – 1797
Materials: paper
Techniques: etching, hand coloring
Location: paris
Artist: claude louis desrais
Artist role: draughtsman
Artist dates: 1746 – 1816
Subjects: head-gear: toque (+ women's clothes), head-gear: turban (+ women's clothes), head-gear: hat (+ men's clothes), styles of hairdress, head-gear (bonnet) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: title: ‘Nouvelles Modes de 1797. Corresp..à l'An 5ème de la République’, title: ‘Coiffure à la bonne fortune; Coiffure à l'Avantageux; Coiffure à la Garat; Coiffure à l'incroyable. Chapeau à l'Égalité; Chapeau à la Matineuse; Coiffure à la Clementine; Chapeau au Cercle de l'Harmonie. Bonnette à la Trieste; Coiffure à l'Agnès; Toque au Vaudeville; Turban négligé. Turban à la merveilleuse; Coiffure à l'Ingenue; Chapeau à l'Unité; Turban à l'Inconcevable’, address: ‘A Paris, Rue Jacques 1a la Ville de Constances, No. 195’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, part of forearm of figure? Exterior, heel?
Maat-redige Tronie-stellingh
Object type: book illustration
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: head (human)
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Goeree, Wilhelmus. Natuurlyk en schilderkonstig ontwerp der menschkunde, p. 223. Amsterdam: Wilhelmus Goeree (I), 1682.
Border for a cover
Object type: border for cover
Date: 1501 – 1600
Techniques: lace
Journal des Dames et des Modes: Men’s Fashion
Object type: fashion print
Date: 1803 – 1803
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), neck-gear ~ clothing (cravat) (+ men's clothes), head-gear: hat (+ men's clothes), fashion plates, shoes, sandals (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), gloves, mittens, etc. (+ men's clothes), stockings, socks (+ men's clothes)
Inscriptions: caption: ‘Costume Demi-Habillé.’, title: ‘Costume Parisien.’

The Journal des Dames et des Modes occasionally provided coverage of men’s styles. These illustrations give a good picture of trends in mens’ clothing from 1797 to 1825. During the 18th century, gentlemen wore culotte (knee-breeches) 1. These fell out of fashion with the elimination of strict class distinctions during the French Revolution, to be replaced by a type of long trouser(s) known as pantalon à la Hussarde 2. These were worn with hussar boots. ‘Pantaloons’ 3 were trousers pulled tight with an elastic strap under the instep. Carrick 4 coats with a double collar were popular, and in the evenings men wore a special dress cloak 5.
Titelpagina voor: G. Suikers, Algemene kerkelyke en wereldlyke geschiedenissen des bekenden aard-kloots, 1721
Object type: titelblad, titelpagina
Date: 1721 – 1721
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan wandelaar
Artist role: draughtsman, print maker
Artist dates: 1690 – 1759
Subjects: sphinx (lion/woman); 'sfinge' (ripa), (story of) minerva (pallas, athena), truth; 'verità' (ripa), 'historia'; 'historia' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Menigte allegorische figuren rond een sfinx op een sokkel. Links Geschiedenis en een schrijvende vrouwelijke personificatie gekroond met een toren. Vader Tijd ontrolt een papier, in de lucht de Faam. Rechts de Waarheid: een naakte vrouw met een boek en de zon op haar hoofd. Achter haar Minerva, die met haar lans een duivelse figuur de aarde in duwt.
Portrait of Johannes Ellis and his Wife Maria Louisa de Hart
Object type: photograph
Date: 1846 – 1846
Materials: brass, copper, glass, silver
Techniques: daguerreotype
Subjects: suriname, the hague, amsterdam, marriage, married couple, 'matrimonium'

The young man portrayed here is 33-year old Johannes Ellis, who was born in Ghana. His beautiful wife is Maria Louisa de Hart, 19 years of age. The couple is wealthy and dressed in the latest fashion. According to family tradition, the portrait dates from the year they married, 1845. We now know that it was taken in Paramaribo by one of two travelling American daguerreotypists, who visited countries in the Carribean in the spring of 1846.
Straatgezicht van Paseo de los Mártires de la Libertad te Alicante
Object type: album leaf
Date: 1885 – 1892
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: trees: palm-tree, street
Inscriptions: number: ‘35.’, annotation: ‘Alicante - Paseo de los Martires’
Wijsheid en Waarheid dalen neer op aarde
Object type: print
Date: 1853 – 1895
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: (story of) minerva (pallas, athena), wisdom; 'sapienza', 'sapienza humana', 'sapienza vera' (ripa), truth; 'verità' (ripa)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Fotoreproductie van een schilderij, voorstellende de Britse troepen geven zich over aan George Washington na de Slag bij Yorktown
Object type: photograph
Date: 1875 – 1880
Materials: photographic support
Techniques: albumen print
Subjects: the defeated before the victor, surrender ~ war
Zénobie
Object type: print
Date: 1647 – 1647
Techniques: engraving, etching
Artist: gilles rousselet
Artist role: artist
Artist nationality: french
Artist dates: 1614 – 1686
Subjects: queens
Glass ribbed bowl
Object type: bowl, rippenschale
Materials: glass
Culture: roman

Translucent pale streaky purple; trail in opaque white. Knocked-off, uneven rim; short concave neck; squat globular body curving in to flat, thick bottom. Trail wound spirally around body, with large circular patch on bottom, ending in a fine trail on shoulder; side tooled into twenty-three irregular, vertical ribs. Intact, except for large chip in rim; some bubbles and a few gritty inclusions; dulling, faint iridescence and weathering, and pitting of broad trail around lower body. Reddish amethyst bowl with white wavy lines and bottom.
Armor for Field and Tilt
Object type: armor for field and tilt
Date: 1550 – 1575
Materials: steel
Culture: italian
Location: italy
Two-handled cup
Object type: cup
Date: 1750 – 1770
Materials: stoneware
Techniques: salt glaze
Subjects: flowers
Krishna and Radha, Page from a Dispersed Rasikapriya (Verses Celebrating Aspects of Love)
Object type: page
Date: 1660 – 1670
Materials: gold, ink, paper, watercolor
Culture: indian or rajasthan or bundi
Subjects: krishna,radha,beds

Krishna approaches Radha and a go-between who has facilitated their meeting. The open pavilion and empty bed, allusions to a possible passionate encounter, are a recurrent theme within paintings illustrating the devotional poetry of the Rasikapriya. Bundi workshops developed a refined jewel-like painting style featuring patterned architecture and a verdant conception of nature. While the Bundi aesthetic shares many characteristics with the Mewar and Malwa idioms, especially the architectural consideration of space, contact with the Mughal atelier contributed to its realistic portrayal of the natural world.
L'église de Stans. Suisse.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: stans
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: church (exterior)
Inscriptions: number: ‘320.’, inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’
Laan tussen de bomen aan het water bij Sneppenschrik
Object type: sketchbook leaf
Date: 1807 – 1864
Materials: ink, paper, pencil
Techniques: brush, pen
Location: capelle aan den ijssel
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, landscapes with waters, waterscapes, seascapes (in the temperate zone), road, path
Inscriptions: signature: ‘Tavenraat’, date and inscription: ‘Sneppenschrik 28/7 64’

Op de voorgrond zitten enkele figuren met honden langs de waterkant. Blad 3 recto uit een schetsboek met 98 bladen.
Portret van Johannes Aepinus
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Artist: bernhard jobin
Artist role: printer, publisher
Artist dates: 1545 – 1593
Subjects: theologian, historical persons, book

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium (...). Straatsburg: Bernhard Jobin, 1590, p. 186. Prent voor het eerst verschenen in de eerste editie van 1587. Prent ook gebruikt in latere publicaties.
Chocolate pot (?)
Object type: chocolate pot
Date: 1740 – 1750
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,flowers,plants
Graf Franz Colloredo-Mannsfeld
Object type: photomechanical print
Materials: paper
Techniques: photograph, hand coloring
Artist: Anonymous
Subjects: aristocracy; 'aristocratia' (ripa), historical persons

Deze prent maakt deel uit van een omslag met 86 prenten op 78 bladen en 11 tekstbladen.
Schoen van zwart leer
Object type: menswear
Date: 1670 – 1700
Materials: leather, silk
Location: northern netherlands
Artist: Anonymous

Schoen van zwart leer. Model: platte ronde neus die iets oploopt. Opgebouwd uit een blad, met apart aangezette sluitriemen, die bij de hiel aan elkaar genaaid is. Een hoog voorblad, met een verlengstuk. De hak is geheel van leer. De gehele schoen is gemaakt van leer en met blauw lint afgebiesd.
Fan
Object type: fan
Date: 1890 – 1894
Materials: feather, silk
Culture: american
[(...)] Beek
Object type: photograph
Date: 1905 – 1907
Materials: photographic support
Techniques: collodion silver print
Location: beek
Artist: folkert idzes de jong
Artist role: architect
Artist dates: 1877 – 1929
Subjects: rural housing, e.g. country-house, villa, cottage, public road in village, walking

Onderdeel van Topografisch album van Nederlandse dorpen en steden 1905.
A Lamplight Study: Herr Joachim
Object type: painting
Date: 1868 – 1868
Materials: canvas, oil, paint
Techniques: painting
Location: england
Artist: george frederick watts
Artist role: painter
Artist nationality: english
Artist dates: 1817 – 1904
Subjects: study, violins, studies, portraits: male subject, portraits, portrait, performance, musicians, musical instruments, man
Inscriptions: Inscribed lower right: G F Watts, 1868
Vrede van de Pyreneeën tussen Frankrijk en Spanje en huwelijk van Lodewijk XIV, koning van Frankrijk met Maria Theresia van Oostenrijk, rekenpenning geslagen op last van de Conseil d'Etat
Object type: jeton
Date: 1661 – 1661
Materials: silver
Techniques: striking
Location: paris
Artist: Anonymous
Subjects: lodewijk xiv (koning van frankrijk), maria theresia (koningin van frankrijk), france, spain

Zilveren penning. Voorzijde: triomfboog, bekroond met stapel krijgstuig binnen omschrift; afsnede: jaartal. Keerzijde: gekroond wapenschild, omhangen met de orden van St. Michel en van de Heilige Geest binnen omschrift
Plate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Object type: print
Date: 1703 – 1703
Techniques: etching
Artist: luca carlevaris
Artist role: artist
Artist nationality: italian
Artist dates: 1663 – 1730
Subjects: architecture,churches,venice
Plate 4 from Military Figures
Object type: print
Date: 1590 – 1590
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: heinrich ulrich
Artist role: draughtsman, painter, print maker
Artist nationality: german
Artist dates: 1572 – 1671
Inscriptions: Lettered upper center: "4" and below image: "Noc Martem animosque ciemus militis" [sic]
O contemporaneo
Object type: photograph
Date: 1877 – 1882
Materials: paper, photographic support
Techniques: albumen print, printing
Subjects: historical persons - bb - woman

Foto op voorpagina. Dit nummer zit vastgelijmd aan nummer 119 van O contemporaneo.
The Virgin of Guadalupe with the Four Apparitions
Object type: painting
Date: 1773 – 1773
Materials: copper, oil
Culture: mexican
Artist: nicolás enríquez
Artist role: artist
Artist nationality: mexican
Artist dates: 1704 – 1795
Subjects: men,virgin mary

When Nicolás Enríquez painted this copy of the Virigin of Guadalupe in 1773, it was the most widely venerated sacred image in New Spain. Here, the miraculous image is encircled by four scenes that attest to its divine origin. They record the Virgin’s three appearances to the Indian Juan Diego at Tepeyac, near Mexico City, and culminate in the revelation of her image imprinted on his cloak. An inscription reveals that this copy was sanctified by contact with the original in 1789, sixteen years after it was painted and four years after its owner returned to Spain.
Jewelry set
Object type: jewelry set
Date: 1801 – 1900
Materials: glass, stone
Culture: italian

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Alkoof
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: paris

Op de voorgrond staat een soldaat op het punt een man neer te steken die voor een koning knielt.
Handschrift betreffende Adriaan Noordendorp
Object type: manuscript
Date: 1790 – 1833
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: the hague, adriaan noordendorp, architecture
The Fifth of May, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Nederlandse ½  cent,1903
Object type: coin
Date: 1903 – 1903
Materials: bronze
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Bronzen munt. Voorzijde: in een veld rijkswapen. Jaartal onderaan in omschrift. Keerzijde: binnen twee samengebonden oranjetakken waarde-aanduiding ½ cent. Kartelrand.
The Courtesan Takigawa of the Ogiya, from the series "Beauties of the Five Festivals (Bijin gosekku)"
Object type: print
Date: 1795 – 1800
Techniques: woodblock print
Location: japan
Artist: ichirakutei eisui
Artist nationality: japanese
Artist dates: 1790 – 1823
Sari
Object type: sari
Date: 1801 – 1900
Materials: cotton
Culture: indian
Sposa di Livellandia
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Goudsche Kerkglazen
Object type: ansichtkaart, prentbriefkaart
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph
Location: gouda
Subjects: church-window, e.g. rose-window, the fall of samaria (2 kings 17:5-6), gouda
Reproductie van het schilderij Het mirakel van de gebroken zeef, meerkleurig
Object type: print
Date: 1889 – 1894
Materials: paper
Techniques: chromolithography
Subjects: kitchen

Prent op zevende ongenummerde pagina na pagina 104.