deem-data/ArtiFact huggingface dataset:
Vooruit!! en niet terug!!
Object type: cartoon
Date: 1879 – 1879
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: monogrammist jh (nederland)
Artist role: print maker
Subjects: rotterdam, new york (city), ships (in general) (+ propulsion of vehicle, ship, etc. by animals)
Inscriptions: collector's mark: Lugt 2228

Spotprent op de vlucht van Lodewijk Pincoffs naar de Verenigde Staten, na het aan het licht komen van de fraude door hem gepleegd me zijn Afrikaansche Handelsvereeniging te Rotterdam, 15 mei 1879. Pincoffs staande in een trekschuit genaamd 'De Vliegende Hollander' met koffers en geldzakken. Links op het water in een klein bootje zijn mededirecteur A. Kerdijk.
Toren van Overschie
Object type: drawing
Date: 1862 – 1862
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: overschie
Inscriptions: date and inscription: ‘Overschie / 4/8 62 / in de schuit’

Toren van de Nederlands Hervormde Kerk van Overschie.
De keukenmeid
Object type: drawing
Date: 1644 – 1693
Materials: ink, paper
Techniques: brush, pen
Artist: nicolaes maes
Artist role: draughtsman, painter
Artist dates: 1634 – 1693
Subjects: standing figure - aa - female human figure, kitchen-maid, kitchen servant
Stamboom van Frederik en Ottheinrich van Palts-Neuburg (plaat 10)
Object type: print
Date: 1535 – 1594
Materials: paper
Techniques: letterpress printing
Location: basel
Subjects: earl, family lineage, pedigree, genealogical tree or table
Inscriptions: collector's mark: Lugt 240

Blad 10 van een stamboom bestaande uit 21 bladen, gedrukt van 42 blokken.
Mannen en vrouw bij een lessenaar en man op terras
Object type: drawing
Date: 1883 – 1904
Materials: cardboard, chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: terrace, conversation, dialogue; conversation piece, lectern ~ reading
Inscriptions: collector's mark: Lugt 2228, annotation: ‘blz 188 O.Wat een mooie lessenaar, mijnheer/ "Nu een stoel, Karel," kommandeerde de/ majoor/ blz 81/ Teekeningen van L.W.R. Wenckebach voor/ Andriessen, Eva’

Twee ontwerpen voor boekillustraties. Links spreekt een man met een bolhoed in een interieur met een man en vrouw. Het gezelschap staat naast een lessenaar. Rechts zit een oudere man op een terras aan een tafel. Tegenover hem staat een man.
Voreppe (Dauphine)
Object type: photograph
Date: 1855 – 1855
Techniques: albumen print
Location: france
Artist: édouard denis baldus
Artist role: fotograaf
Artist nationality: french, born prussia
Artist dates: 1813 – 1889
Henry B. Carrington
Object type: photograph
Date: 1876 – 1881
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: lawyer, attorney at law
Ossen te Rodenstein en Seebach en een man uit Fürth
Object type: sketchbook leaf
Date: 1807 – 1876
Materials: paper, pencil
Location: seebach
Artist: geo poggenbeek
Artist role: draughtsman, painter, print maker
Artist dates: 1853 – 1903
Subjects: standing figure, ox
Inscriptions: date and inscription: ‘8/7/ Rodenstein/ Fürth/ Seebach’

Blad 30 recto uit een schetsboek met 69 bladen.
Vase
Object type: vase
Date: 1901 – 1933
Materials: pottery
Culture: korean
Subjects: plants
The Fury of Monk Raigō
Object type: hanging scroll
Date: 1900 – 1900
Materials: gold paint, ink, silk
Culture: japanese
Artist: kobayashi kiyochika
Artist role: artist
Artist nationality: japanese
Artist dates: 1847 – 1915
Subjects: monks

Kobayashi Kiyochika’s painting captures the intensity and drama of the quasi-historical incident of Monk Raigō (1002–1084) flying into a rage during a goma-e, or esoteric Buddhist fire ritual. Raigō was furious that Emperor Shirakawa reneged on a promise to allow his temple to conduct ordination ceremonies after he had successfully performed magical rituals to ensure the safe birth of a royal heir. In the artist’s rendering, the monk lurches away from the altar, ritual implements are scattered, sutra books in accordion format have unfanned and topple to the floor; and a small side-table for offerings is captured in free-fall. Flames and smoke surge from the central hearth where the goma-e fire ritual practiced by esoteric Buddhist monks would have normally been carried out according to calm and highly regulated protocol. Earlier publications refer to this painting image simply as “Fudō Myōō” (Sanskrit: Acala), referring to the depiction of the statue of the Buddhist protective deity at the center of this ritual, seemingly arising from the flames. Usually Fudō Myōō, the “Immovable Wisdom King,” is shown with a fearsome visage, yet Kiyochika playfully gives the statue an expression of surprised horror at the monk’s temper tantrum. According to legend, which was further elaborated on in popular literature and theatre, Raigō in protest also starved himself to death and was reborn as a monstrous “iron rat” (tesso), and he and his army of rats attacked the Miidera and destroyed statues and sutras—an inspiration for subsequent imagery of sutra tearing and book burning. The crown prince of Emperor Shirakawa tragically died as an infant at the age of three, reputedly due to the curse of Raigō.
Koninkrijk Frankrijk, Louis Philippe I, 1/4 franc, 1832 A
Object type: coin
Date: 1832 – 1832
Materials: silver
Techniques: striking
Location: lille

Zilveren munt. Voorzijde: hoofd van de koning met krans van eikenbladeren naar rechts. Keerzijde: binnen twee samengebonden lauriertakken waarde-aanduiding in twee regels, waaronder jaartal. Onderaan rechts letter VV [=Lille]. Kartelrand.
Portret van Amit
Object type: print
Date: 1921 – 1921
Materials: paper
Techniques: aquatint, intaglio, soft ground etching
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: head-gear, historical persons (portraits and scenes from the life)

Amit was een kamerjongen in Hotel Bellevue, waar Willem Witsen verbleef toen hij in Buitenzorg was.
Eivormige kaart met twee liedteksten
Object type: map
Date: 1850 – 1900
Materials: paper, silk
Techniques: printing, letterpress printing
Artist: Anonymous
Subjects: lace

Kaart in de vorm van een ei met daaromheen linten. In het hart van het ei op de voor- en achterzijde teksten.
Oraculum Anachoreticum
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: venice
Subjects: hearse, funeral car, male saints (with name), forest, wood, anchorite, hermit, crucifix ~ personal devotion, one person praying
Inscriptions: collector's mark: Lugt 240

Een boslandschap. Op de voorgrond de H. Auxentius van Syrië, een vroegchristelijke kluizenaar. Hij zit geknield voor een crucifix in zijn kluis en bidt. Op de achtergrond trekken twee ossen een kar met het lijk van de H. Auxentius.
Mrs. James G. Almy (Myra Eliot)
Object type: painting, miniature
Date: 1798 – 1798
Materials: ivory, watercolor
Culture: american
Artist: edward greene malbone
Artist role: artist
Artist nationality: american
Artist dates: 1777 – 1807
Subjects: portraits,women

Myra Eliot (1775-1809) married James Almy on March 29, 1801. The miniature has suffered water damage.
Cup Stand
Object type: cup stand
Date: 1801 – 1900
Materials: glaze, porcelain
Culture: japanese
Marktemmer van geel koper; ovale, wijd uitlopende hoge bak met vast hengsel, op breed uitlopende standring, alle randen zijn naar binnen omgeslagen
Object type: miniature
Date: 1690 – 1710
Materials: copper
Location: amsterdam
Artist: Anonymous

Marktemmer van geel koper; ovale, wijduitlopende hoge bak met vast hengsel, op breed uitlopende standring. Alle randen zijn naar binnen omgeslagen.
Gezicht op Brunnen te Zwitserland
Object type: album leaf
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: seelisberg
Artist: Anonymous
Subjects: city-view in general; 'veduta', lake, mountains
Man bij een ossenkar
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, ox, (farm) wagon, freight wagon, cart
Inscriptions: annotation: ‘bel’

De os draagt een bel om de nek. Pagina 6 uit een schetsboek met 23 bladen.
Gezicht op Burcht Rheinstein aan de Rijn
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: river, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van 36 prenten, waarbij het eveneens mogelijk was deze te laten samenbinden tot een album.
Eigentliche Vorstellung und Grund Riß der Haupt Festung Bergen op Zom in Hollandisch Brabant (...) Ao. 1747 den 15. Iulij von den Franzosen angefangen zu belagern (...)
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: etching
Location: augsburg
Subjects: fortress, siege, position war, bergen op zoom
Inscriptions: collector's mark: Lugt 2228

Kaartje met het beleg van de stad Bergen op Zoom door de Fransen, juli-september 1747. In het onderschrift een beshrijving van de stad and he beleg in het Duits. In de cartouche rechtsboven de titel en de legenda 1-19.
Denis Marin de la Châtaigneraye, Secretary to the King
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving
Location: france
Artist: antoine masson
Artist role: print maker
Artist nationality: french
Artist dates: 1636 – 1700
Wall panel with a charging boar
Object type: relief
Date: 501 – 600
Materials: plaster
Culture: sasanian
Location: mesopotamia
Subjects: boars

Animal motifs are frequent in the mold-made stucco wall panels that decorated the palaces and houses of the Sasanian elite. This panel is from the east iwan (vaulted hall) of a large house at Umm ez-Za’tir in the Ctesiphon area. The scene features a boar charging through reeds. The choice of animal may refer to the marsh landscape of southern Mesopotamia, or could simply represent the game of an elite hunter. Allusions to the hunt, a pastime of rulers, courtiers, and dignitaries, were popular in the Sasanian iconographic repertoire in different media. Two identical panels with boars are in the Baghdad Museum and in Berlin in the Museum für Islamische Kunst, Staatliche Museen zu Berlin. A comparable panel in the Metropolitan depicts a bear charging through trees within a rocky mountainous landscape (32.150.23). The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. As part of the larger Ctesiphon Expedition, excavations were conducted at a small mound approximately 2 km east of the Taq-i Kisra. This mound was called Umm ez-Za’tir or Mother of Thyme. Excavations at the site exposed rooms associated with housing. Excavations conducted in the winters of 1928/1929 and 1931/1932 revealed the plan of a 6th century Sasanian house following the typical plan of a mix of square and elongated rooms. Iwans were found on the east and west walls which were decorated with stucco reliefs on the walls and on the arches.
Standish with pounce pot, wafer box, and inkwell
Object type: standish
Date: 1765 – 1765
Materials: copper, enamel
Subjects: flowers
Snuff Bottle
Object type: snuff bottle
Date: 1801 – 1900
Materials: amber
Culture: chinese
Korenmolenaarsgilde van Amsterdam, gildepenning van Pieter Pouwels Harmanus
Object type: medal
Date: 1811 – 1811
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: korenmolen binnen omheining. Keerzijde: opschrift
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1767 – 1833
Materials: silver alloy, gold
Culture: japanese
Location: japan
Subjects: dragons
Gueridon met achthoekig blad, op taps toelopende, geprofileerde stam op drie s-vormige poten
Object type: guéridon
Date: 1750 – 1800
Materials: wood
Location: amsterdam
Artist: Anonymous

Gueridon van notenhout, met achthoekig blad met opstaande rand, op taps toelopende, geprofileerde stam op drie s-vormige poten.
Vase (one of a pair)
Object type: vase
Date: 1765 – 1770
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: birds,butterflies,plants
Bowl
Object type: bowl
Date: 1701 – 1750
Materials: glaze, stonepaste
Techniques: painting
Location: iran
Figuren bij een kalkoven
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: lime works, angling
Inscriptions: collector's mark: Lugt 964, collector's mark: Lugt 698

Een rookwolk stijgt op uit een brandende kalkoven. Links een rivier met roeibootjes en een hengelaar. Dertiende prent uit een serie van zestien.
Christ on the Cross
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: michel françois dandré-bardon
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1783
The Four Naked Women
Object type: print
Date: 1497 – 1497
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Inscriptions: Inscribed verso, lower center, in graphite: “B 69 a”
L'Oeuvre gravé sur bois de Auguste Lepère
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: engraving
Location: paris
Subjects: sailing-ship, sailing-boat, bridge in city across river, canal, etc., paris
Inscriptions: collector's mark: Lugt 2228

Deze serie heeft als titel 'Le long de la Seine et des boulevards'. Deze serie is het vierde deel van het grotere geheel 'L'Oeuvre gravé sur bois de Auguste Lepère'.
Orchids
Object type: album leaf
Date: 1226 – 1250
Materials: ink, silk
Culture: chinese
Artist: ma lin
Artist role: artist
Artist nationality: chinese
Artist dates: 1180 – 1256
Subjects: orchids

This exquisite representation of an orchid, signed by Ma Lin, son of Ma Yuan (act. ca. 1190-1225), exemplifies the style of formal realism favored by the aristocratic Southern Song court. The simple asymmetrical balance of flowers and leaves, meticulously rendered in subtle shades of lavender, white, and malachite green, bespeaks a consciously aestheticizing sensibility. Such flower paintings recall late Southern Song lyric poems about flowers.
Mercurius
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: (story of) mercury (hermes)

Mercurius, knielend met een groot schild, in de wolken. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Rope Walking, from the Gymnastic Exercises series (N77) for Duke brand cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,sports,athletes

Trade cards from the "Gymnastic Exercises" series (N77), issued in a set of 25 cards in 1887 to promote W. Duke Sons & Co. brand cigarettes. There are two versions of the series. All images are the same but the printed text is blue in one set and brown in the other.
Bracelet
Object type: bracelet
Date: 1834 – 1866
Materials: metal
Culture: american
Amsterdam, brandspuitpenning met no. 10 en monogram W.S.F.
Object type: fire engine medal
Date: 1680 – 1800
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: gekroond wapenschild, geflankeerd door twee leeuwen boven cartouche met opschrift W.S.F.. Keerzijde: brandspuit onder cartouche met no. 10 binnen slangerond
Bokaal met twee ineengelegde handen en het opschrift: DE VRINT SCHAP
Object type: goblet
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing, grinding
Location: northern netherlands
Artist: Anonymous
Inscriptions: inscription: ‘DE VRINT SCHAP’

Platte voet. Gefacetteerde balusterstam met twee knopen. Conische kelk met gefacetteerde, afgeronde bodem. Op de kelk, in een rond medaillon omgeven door vier bladertakken, met elkaar verbonden door vier ronde bloemen, twee ineen geslagen handen, die uit wolken tevoorschijn komen, voor een bloeiende plant. Ter weerszijden van het medaillon, langs de mondrand de tekst: DE VRINT SCHAP.
Eigentliche beschreibung der Hispanigscher expedition vor dem hause Kerpen
Object type: album leaf
Date: 1581 – 1585
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), violent death by hanging, siege, position war

Beleg van Kerpen bij Gullik door de troepen van Farnese, 15 januari 1579. Na de verovering van de stad wordt de aanvoerder van de verdedigers Biel samen met anderen opgehangen. Vooraan de beschieting van het slot, op de brug naar het slot hangt het lichaam van Biel. Met onderschrift van 16 regels in het Duits. Linksonder genummerd: 158. De prent maakt deel uit van een album.
Portret van Marcel Vanderkindere
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: brussels, marcel vanderkindere, historical persons
Two Studies of a Guitar Player in Turkish Costume
Object type: drawing and watercolor
Date: 1728 – 1728
Materials: chalk, paper
Location: france
Artist: nicolas lancret
Artist role: artist
Artist nationality: french
Artist dates: 1690 – 1743
Raadhuisstraat Amsterdam
Object type: photograph
Date: 1898 – 1898
Materials: cardboard
Techniques: writing
Location: amsterdam
Subjects: front façade
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic

Part of the panel ornament, ivy; to the right, unidentified object
Glass lentoid aryballos (perfume bottle)
Object type: aryballos, lentoid
Date: 334 – 268
Materials: glass
Culture: eastern mediterranean or italian

Translucent cobalt blue, with handles, coils, and feet in same color; trails in opaque yellow, opaque white, and opaque turquoise blue. Broad rim-disk, sloping inward, made as a spiral coil around top of neck; cylindrical neck, tapering downward; broad, almost horizontal shoulder with rounded outer edge; flattened globular body, with convex sides; shallow convex bottom; two rolled cylindrical feet on either side of bottom; two vertical ring handles attached to shoulder; two coils running down sides between handles and feet. An unmarvered fine yellow trail attached at the edge of rim-disk; another similar yellow trail wound spirally five times round neck; on body, bands of yellow, white, and turquoise blue trails tooled into a feather pattern in thirteen vertical patterns with alternating upward and downward strokes; on one side applied blob of blue glass decorated with a yellow circle smoothed into top of body; coils decorated with a double spiralling white trail. Body intact, but one of feet and most of one coil missing; side covered with creamy brown weathering, with iridescence, faint weathering and some pitting elsewhere. Among the rarer shapes of Mediterranean Group II vessels are the tall, slender oinochoe (pitcher) with a trefoil spout and the lentoid aryballos with twisted glass canes running between the ring handles.
Grote groep mensen op een veld
Object type: page
Materials: paper
Techniques: photograph
Location: nancy
Subjects: cultivated land (+ landscape with figures, staffage)
Inscriptions: inscription: ‘Association Belge de Photographie 1889.’

Prent op derde ongenummerde pagina na pagina XVI.
The Orthopedist (plate 9)
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Ruined Castle and Trees
Object type: drawing
Date: 1762 – 1762
Materials: graphite, ink, paper
Techniques: brush, wash
Artist: alexander cozens
Artist role: artist
Artist nationality: british
Artist dates: 1717 – 1786
Subjects: castles,ruins,trees

This quickly sketched view of a ruined castle with a vegetated foreground and possibly trees is an example of Cozens’s technique of "blotting." To create this drawing, Cozens laid down a faint wash first, which has mottled over time, and then further defined the image with black ink. Cozens used this technique primarily to create imaginary landscape views, but in this case the composition was inspired by a real place: the Tomb of Caecilia Metella, a 1st century BC mausoleum on the Via Appia just outside the city of Rome. The crenellated brick wall of the ruined castle depicted here was added sometime between the 11th and 14th century. In 1762, Cozens exhibited an oil painting of the same subject, though this is lost today.
Internationale tentoonstelling van voorwerpen voor de huishouding en het bedrijf van de handwerksman te Amsterdam, penning uitgereikt door de Vereeniging ter bevordering van Fabrijk- en Handwerksnijverheid
Object type: medal
Date: 1869 – 1869
Materials: silver
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: amsterdam

Zilveren penning. Voorzijde: vrouw met diadeem in haar, houdt in rechterhand lauwerbladeren en in linkerhand wapenschild; rondom haar voorwerpen van industrie en nijverheid binnen omschrift. Keerzijde: blanco veld binnen eikekrans en omschrift.
Figuurstudies
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Subjects: head (human), sitting figure - aa - female human figure

Pagina 28 uit een schetsboek met 29 bladen.
Fotoreproductie van een schilderij; een genretafereel van vrouw met een kind in de keuken
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: kitchen-interior, mother and child(ren), woman and child(ren) (family group), painting, drawing and the graphic arts
Inscriptions: annotation: ‘[...]’, annotation: ‘Papa komt!/ 129’
Het Groote Glop te Zaandam / L'endroit, dit le Grand Glop, à Zaandam
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions, cow
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Geuns, B. van. Beschrijving van Zaandam / Description de la Ville de Zaandam. Amsterdam: J.C. van Kesteren, 1842.
Frontispiece to A Gustave Flaubert (To Gustave Flaubert)
Object type: print
Date: 1889 – 1889
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916