deem-data/ArtiFact huggingface dataset:
Weeshuis te Buren
Object type: photomechanical print
Date: 1870 – 1907
Materials: paper
Techniques: photolithography
Location: amsterdam
Artist: jan frederik lodewijk frowein
Artist role: draughtsman
Artist dates: 1855 – 1914
Subjects: orphanage, front façade
Inscriptions: collector's mark: Lugt 1641, collector's mark

Aanzicht van de weeshuis te Buren. Onderaan een schaalstok. Architectuurvoorstelling. Plaat CL. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Armwezen en Liefdadigheid.
Ointment Jar with Lid
Object type: vessel
Materials: stone
Culture: egyptian
Location: egypt
Subjects: rituals, beauty

The perfume and scented ointments that both men and women in ancient Egypt wore were also important in religious and funerary rites. This vessel typifies the classic form of ointment jar– with a flaring top and flat disk lid- that was used for over 3,000 years in Egypt.
Gezicht op de stad Paramaribo
Object type: drawing
Date: 1772 – 1772
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: paramaribo
Subjects: harbour, sailing-ship, sailing-boat, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage), suriname
Inscriptions: signature, date and inscription: ‘VERVOLG VAN 'T GEZICHT VAN EEN GEDEELTE DER STAD PARAMARIBO EN HET FORT ZELANDIA IN RIO SURINAME. / Opgedragen Aan den WelEdele Gestrenge Heer JACOB ANDRIES van den VELDEN, Luytenant Colonel & Capiteyn ter Zee. / Door zijn W:E:G: onderdaenige dienaer & thans 3de Stuurman FREDERIC de JAGERSCHIOLD. FREDERIC de JAGERSCHIOLD. 1772.’

Huizen aan het water onder grote wolkenlucht. Vele schepen op de rede voor een stad (Paramaribo). Links voor een boot onder zeil met Nederlandse vlag.
Wormer, brandspuitpenning van de Oosterspuit met no. 93
Object type: medal
Date: 1680 – 1800
Materials: brass
Techniques: casting, engraving
Location: wormer
Artist: Anonymous
Subjects: wormer
De Vier Werelddelen
Object type: print
Date: 1720 – 1772
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: trading expedition, archer's weapons: bow and arrow, (high) hill, native peoples of the americas, (map of) america

Vignet voor een kaart van Amerika, met Indianen waarvan er een met een pijl en boog. Op de achtergrond worden op twee plekken diverse producten aan Europese mannen getoond.
Vrouw die biljart speelt
Object type: drawing
Date: 1878 – 1944
Materials: chalk, pencil, paper
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: billiards, female sex; woman
Spotprent over de grondwetsherziening, 1887
Object type: cartoon
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: personifications of countries, nations, states, districts, etc.

Spotprent over de grondwetsherziening: de Nederlandse Maagd verruilt haar oude kostuum uit 1848 voor een modernere dracht. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 36, 1887.
Ensemble
Object type: ensemble
Date: 1891 – 1891
Materials: leather, wool
Culture: american
Artist: b. altman & co.
Artist role: department store
Artist nationality: american
Artist dates: 1865 – 1990
Grand Canal, Venice
Object type: drawing
Date: 1851 – 1900
Materials: graphite
Artist: anonymous, 19th century
Artist role: artist
Artist dates: 1800 – 1900
Subjects: canals,boats,venice

An unidentified artist based this sketch on a painting that Turner exhibited at the Royal Academy in 1835 (now Metropolitan Museum of Art, 99.31). Two viewpoints are combined to create a panoramic view that extends from Santa Maria della Salute in the left foreground, to Campo del Taghetto di Santa Maria del Giglio at right. Early owners considered to be by Turner's hand but it is now regarded as a copy.
Ophelia
Object type: reproduction
Date: 1863 – 1873
Materials: paper
Techniques: woodburytype
Location: london
Subjects: ophelia
Inscriptions: name: ‘Ess[...] 184[...]’
Landschap met pompoenen en kolen
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: landscapes, farm or solitary house in landscape, fruits: pumpkin
Inscriptions: collector's mark: Lugt 240

Landschap met pompoenen en kolen op de voorgrond en links een herder. Op de achtergrond een boerderij met een rokende schoorsteen.
Demi-façade latérale droite du temple du soleil, Syrie
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: palmyra
Subjects: temple, shrine ~ non-christian religions
Inscriptions: collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers Amsterdam’ Lugt 3937, number: ‘Syrie 2’, number: ‘No. 387’
Teapot (part of a service)
Object type: teapot
Date: 1770 – 1785
Materials: hard paste porcelain
Subjects: flowers,coat of arms
Kaart van de grietenij Doniawerstal
Object type: map
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, hunting, chase
Inscriptions: collector's mark: Lugt 2228

Linksboven twee schaalstokken: Milliare Germanicum commune / Een gemeene Duytsche myle, Hora itineris 1400 perticarum regalium / Een uyre gaens van 1400 konings roeden. Daaronder legenda. Rechtsboven het wapen van Doniawerstal, rechtsonder cartouche met titel en bestuurlijke informatie over de grietenij. Daaromheen een jongen met een valk en een jachthond.
A Portrait of a Man
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Artist: anonymous, spanish, 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1600 – 1700
Subjects: men,portraits
The Abundance of Egypt
Object type: print
Date: 1857 – 1857
Materials: chine, paper
Techniques: etching
Location: england
Artist: william holman hunt
Artist role: artist
Artist nationality: english
Artist dates: 1827 – 1910
Fragment (Furnishing Fabric)
Object type: textile
Date: 1830 – 1840
Materials: cotton
Techniques: engraving, weave, printing
Location: england
Ein new Modelbuch..., title page (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: women,working

Published by Johann Schӧnsperger the Younger, Zwickau. Title is printed in black inside of a rectangle at the center of the page. Title is surrounded by an architectural frame with decorative foliage elements. At the bottom of the page are 2 women producing textiles on looms. See Lotz-Die Entstehungen der Modelbucher -in Zeitscrift fur Bucherfreunde 1926. Kumpst - Das Alteste alle Bechannten Modelbucher (Gastel 1525). Lichtwark - Das Modelbuchs der Peter Guntel- Studien zur Kunst geschicte. Leipzig, 1885. Tottinger - Zum Holzschnittwerke Geroge Lembergers (Note on title border and cut on verso) Mitt. Graph. Kunste 1906, v. XXIV, pp. 1-9. Zimmerman - Beitrage zur Bibel illustration pp. 26-27, note 60. According to Lotz (loc.cit) the borders of the 1524 book might well have been drawn by Lucas Cranach the Elder, and cut in his Wittenger shop. First of five editions of the second (and earliest dated) printed pattern book. A complete copy of the fifth edition is in the MMA (18.66.12). Rottinger in the Mitt. loc.cit. attributes the title border to Lemberger. Zimmerman, however, does not agree and says that this and several other borders are more likely to be the work of the Master of the Jacob's Ladder. Title has been restored (arm of woman on right and left column). 16 leaves, unnumbered (verso last leaf blank). The two middle signatures are from Guentels' books (Lotz 3 and 60. See 1529 and 1532, 1544 eds. in MMA. They must be later than 1544 or at least printed after the MMA 1544. Note break b 3 recto - same cut in 1544 shows break just beginning. Watermark: Not found in Briquet. Does not agree with mark cited by Lotz in Zeitschrift fur Bucherfreunde 1926, p. 49, as being in book 1a and 1b of his 1933 biliography - a Gothic Pnith quartre - foil. Marks cited by Lotz in L.zeeL.5 in MMA, (M.P.B. Thy, 1960).
Driemaster op zee
Object type: print
Date: 1610 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat
Inscriptions: number: ‘223’, collector's mark: Lugt 2228

De prent maakt deel uit van een zesdelige serie met voorstellingen van verschillende zeilschepen.
Netsuke of an Arhat
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: men
Drie kussenovertrekken voor tuinbank van groen-wit bedrukte zware katoen met patroon van iris- of leliebloemen in spitsovale opgroeiende stengels in de stijl van William Morris
Object type: interieuronderdeel
Date: 1890 – 1900
Materials: cotton
Techniques: printing
Location: england

Drie kussenovertrekken voor tuinbank van groen-wit bedrukte zware katoen met patroon van iris- of leliebloemen in spitsovale opgroeiende stengels in de stijl van William Morris. Patroon: grote symmetrische irissen of lelies met groen omlijnde witte en lichtgroene bloembladeren op flesgroene grond. Zij staan in verspringende rijen binnen spitsovaal opgaande dubbele wit omlijnde stengels met tweemaal een drieblad op de knooppunten.
Hip Ornament: Leopard Head
Object type: ornament
Date: 1501 – 1900
Materials: brass, iron
Culture: edo period
Location: nigeria
Subjects: leopards

Benin history, religion, and political structure are brought to life every year in a series of palace rituals intended to purify the kingdom and renew the spiritual powers of the king, the oba. Many of these vivid and solemn rites were introduced by individual obas in order to commemorate events in their reigns and to promote important principles in the ideology of divine kingship. At these palace festivals, the powers of the king, the roles of the various chiefs and titleholders, and the relationships between them are displayed for all to see. The arts play an important role in these rituals. The king and other participants wear their most lavish ceremonial costumes, consisting of vast quantities of costly imported coral beads, luxurious textiles, and ornaments made of gleaming brass and creamy ivory. This ornament in the shape of a leopard's head was part of such a costume, and was meant to be worn around the waist.
Wreath of ivy and berries, funerary
Object type: wreath of ivy and berry, funerary
Date: 400 – 201
Materials: gold
Culture: greek
Untitled
Object type: photograph
Date: 1849 – 1860
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: collected by hugh edwards
Shallow bowl with vertical rim
Object type: bowl, shallow
Date: 3850 – 2960
Materials: pottery
Location: egypt
Benedictvs Arias Montanvs
Object type: print
Date: 1572 – 1662
Materials: paper
Techniques: engraving
Location: antwerp
Inscriptions: collector's mark: Lugt 2228

Portret van Benito Arias Montano, een Spaanse schrijver en theoloog. Buste naar rechts. De prent heeft een Latijns onderschrift.
School for Modern Romans
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs

In this eighth print of a group of eight, a young man who is deeply has shot himself. We see him discovered by a hairdressers and tailor, accompanied by men carrying bills and notes of debt. Suicide was then illegal in Britain but, as the title indicates, associated with ancient Romans who pursued it as a virtuous option when life became unbearable. The young man here is, of course, not virtuous but has chosen suicide to escape disgrace and debtor's prison. Rowlandson etched this set after drawings by Willyams, a university-educated lieutenant-colonel from Cornwall who also supplied supporting satirical text under the pseudonym Joel McCringer. Rowlandson's characteristic elegance does not disguise the dark human impulses being satirized. Modern education, it is suggested, does little to teach self-control, wisdom or empathy.
Travelers on a Winding Road
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, wash
Location: italy
Artist: style of alessio de marchis
Artist nationality: italian
Artist dates: 1684 – 1752
India, Engelse Oostindische Compagnie (EIC), op naam van koningin Victoria, ½ roepie, 1840
Object type: coin
Date: 1840 – 1840
Materials: silver
Techniques: striking
Location: mumbai

Zilveren munt. Voorzijde: hoofd van koningin Victoria naar links. Omschrift doorlopend. Keerzijde: tussen twee samengebonden takken in twee regels waarde-aanduiding: half rupee, waaronder in Arabische lettertekens in een regel waarde-aanduiding. Onderaan jaartal. Kartelrand.
Het tweede kwartier van het wapen van Michiel Adriaenszoon de Ruyter
Object type: shield
Materials: wood
Techniques: polychromy, carving
Location: netherlands
Artist: Anonymous
Subjects: flushing, michiel adriaenszoon de ruyter

Arms of the De Ruyter family, made between 1676 and 1683. Michiel de Ruyter was a commoner by birth. In gratitude for his exploits against the Swedes, the king of Denmark ennobled the Dutch admiral in 1660. De Ruyter received a coat of arms of which the four quarters represented the Danish flag, a ship at sea, a gun and a horseman - a play on his name. The Spanish king awarded De Ruyter's son Engel a baronetcy in 1678. This added a heart-shaped shield with a lion to the family coat of arms.
Enquêteformulier ingevuld door Emanuel Noterman
Object type: questionnaire
Date: 1840 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Subjects: print maker, draughtsman, emanuel noterman
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Belegering van een stad
Object type: print
Date: 1716 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: city-walls, ladder
Inscriptions: collector's mark: Lugt 2228

Burgers en soldaten staan buiten de muren van een stad en richten ladders op. Op de muren staan staken met de hoofden van mensen.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Noël 1928, No. 100, 9e Année, p. 57
Object type: fashion print
Date: 1928 – 1928
Materials: paper
Techniques: photography
Subjects: fashion plates, textile fabric, cloth

Advertentie voor stoffen van Wilmart. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Portret van Susanna Elisabeth Tabor
Object type: print
Date: 1682 – 1693
Materials: paper
Techniques: engraving
Location: augsburg
Artist: elias hainzelmann
Artist role: artist, print maker
Artist dates: 1640 – 1693
Subjects: historical persons - bb - woman, pendant, trinket, 'breloque', abstract ideas and concepts (+ emblematical representation of concept), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Belt Ornament
Object type: ornament
Date: 101 – 700
Materials: copper
Culture: moche
Location: peru
Etiket voor tabaksverpakking van Christoffel Prange en J.F.D. Eberstein & Co.
Object type: label
Date: 1750 – 1790
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: tobacco
Inscriptions: collector's mark, collector's mark: Lugt 1641
Namen
Object type: sketchbook leaf
Date: 1845 – 1848
Materials: paper, pencil
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Inscriptions: annotation: ‘L.G. Gouverneur de Gottenburg/ ...’

Blad 4 verso uit een schetsboek met 61 bladen.
Humphrey, Printseller, No. 27 St. James's Street
Object type: print
Materials: paper
Techniques: engraving
Location: england
Artist: john lockington
Inkstand
Object type: metalwork
Date: 1800 – 1800
Materials: earthenware, pewter
Location: england
Genade van de verzamelaar
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: hand coloring, lithograph
Subjects: forgivingness, container of ceramics: jar, jug, pot, vase (+ broken, damaged), housekeeper, art collector
Inscriptions: label, : ‘Déposé’, collector's mark: Lugt 4780, collector's mark: Lugt 2228

In een interieur vol kunstvoorwerpen zit een verzamelaar op zijn stoel. Voor hem zit zijn schoonmaakster op haar knieën, smekend om vergiffenis. Op de grond liggen de scherven van de vaas die zij tijdens haar werkzaamheden heeft omgestoten.
Schwartz
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: etching
Location: london
Subjects: missionary, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Antonio Riccoboni
Object type: print
Date: 1668 – 1730
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: historical persons
Boeddha
Object type: boeddha kop, boeddha beeld
Date: 1400 – 1500
Materials: dye, ink, paper
Location: korea
Artist: Anonymous

Schildering, Boeddha Amitabha. Korea, Amida 15de eeuw
Seated Male Nude
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: style of jacques louis david
Oberhof i. Th. Hauptstrasse
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1907
Materials: cardboard
Techniques: photograph, lithograph
Location: steinbach-hallenberg
Subjects: street
Inscriptions: date
A Short History of General John Cabell Breckinridge, from the Histories of Generals series of booklets (N78) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits

Miniature booklets from the "Histories of Generals" series (N78), issued in a set of 50 booklets in 1888 to promote W. Duke Sons & Co. brand cigarettes. Each booklet consists of 16 pages with covers.
Portret van Filips de Schone
Object type: print
Date: 1847 – 1849
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: bruges, philip iii the good, knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228

Illustratie in: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. 5 delen, Amsterdam: Schleijer, J.F. 1840-1884, dl. 2.3, p. 284.
Kroning van Inês de Castro
Object type: print
Date: 1824 – 1894
Materials: paper
Techniques: tone lithography
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: coronation of a ruler
Inscriptions: collector's mark: Lugt 2228

Scène uit een toneelstuk over het leven van Inês de Castro, minnares van Peter van Portugal. Inês wordt gekroond door de koning. Rondom zitten knielende figuren.
Drawnwork
Object type: drawnwork
Date: 1501 – 1700
Techniques: embroidery
The Pig-Butcher
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Livre d'oyseavx
Object type: print
Date: 1648 – 1692
Materials: paper
Techniques: etching
Location: france
Subjects: owls
Inscriptions: collector's mark: Lugt 240
Darning Sampler
Object type: textile
Date: 1827 – 1827
Materials: linen
Techniques: embroidery, weave, stitching
Location: germany
Inscriptions: Inscription: ANNO  1827  MTVM  DVM  GVG  AMR  HVM  ABH
The Reunion of the Soul & the Body, from "The Grave," a Poem by Robert Blair
Object type: print
Techniques: engraving
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women
Façade van een gebouw vermoedelijk in Italïe,  met op de bovenste verdieping een zuilengalerij
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: hôtel, i.e. small palace in city, façade (of house or building), europe
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’
An Actor on Stage
Object type: painting
Materials: ink, paper
Location: japan
Artist: Anonymous
Kanonnier 1e. klasse 1893
Object type: photograph
Date: 1893 – 1893
Materials: photographic support
Techniques: albumen print
Location: arnhem
Artist: carel eduard westerborg
Artist role: fotograaf
Artist dates: 1842 – 1916
Subjects: (military) uniforms
The Charterhouse
Object type: stereograph
Date: 1850 – 1919
Techniques: albumen silver print
Artist: european scenery
Artist role: publisher
Subjects: buildings
Charger with double portrait of William III and Mary II
Object type: charger
Date: 1690 – 1690
Materials: earthenware
Techniques: glazing
Subjects: kings,queens

This Dutch delftware charger depicts King William and Queen Mary after the 1688 Glorious Revolution brought them to power and made them joint rulers of England. The bust-length portraits of the crowned monarchs are surrounded by a decorative border of birds, vegetation, and rocks.
El Kantara van Constantine en het ravijn van de Rhummel
Object type: album leaf
Date: 1875 – 1885
Materials: photographic support
Techniques: albumen print
Subjects: city-view, and landscape with man-made constructions, ravine, chasm, abyss, canyon, bridge
Inscriptions: check stamp: ‘J. Kuhn Editeur/ 220 Rue de Rivoli Paris’
The Women of Weinsberg
Object type: drawing
Date: 1567 – 1633
Materials: ink
Techniques: brush, pen
Artist: otto van veen
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1556 – 1629
Subjects: men,women,horses
Tiroolse landschappen
Object type: print
Date: 1637 – 1692
Materials: paper
Techniques: etching
Location: amsterdam
Artist: roelant roghman
Artist role: draughtsman, painter, print maker
Artist dates: 1627 – 1692
Subjects: river, landscape with bridge, viaduct or aqueduct, tower (of house or building), herd, flock
Inscriptions: collector's mark: Lugt 2228a

Gezicht op een brug met een toren. Op de voorgrond, bij een rivier, een groep geiten en schapen. Prent uit een serie van acht prenten met Tiroolse landschappen.
Aanvang van het jaar 1744
Object type: new year medal
Date: 1743 – 1743
Materials: silver
Techniques: striking
Location: amsterdam
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764

Zilveren penning. Voorzijde: Tijd met zandloper, zeis en slangerond omwonden met bladerloof, staande op dierenriem, beschenen door opgaande zon binnen omschrift. Keerzijde: Nederlandse maagd, vergezeld door leeuw met pijlenbundel, houdt weegschaal en geopend boek in handen binnen omschrift; afsnede: jaartal
Blad uit het boek Haiju raku Hotsu (toneelspelers van Yedo) 1799
Object type: print
Materials: paper
Techniques: woodcut
Subjects: portrait of actor, actress
Zes foto's van familie Onnen-Van den Berg aan de Côte d'Azur
Object type: album leaf
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: côte d'azur
Artist: Anonymous
Subjects: beach (as place of recreation), the family travelling, on holiday, castle, avenue, boulevard, promenade, esplanade

Deze foto's maken deel uit van een album.
Pin
Object type: pin
Date: 901 – 1000
Materials: copper alloy
Culture: irish
Landschap met houten brug
Object type: print
Date: 1651 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Rond landschap met een gehucht van houten gebouwen en een pad waarop een man te paard en twee voetgangers. Verderop bij een brug een vierde man.