deem-data/ArtiFact huggingface dataset:
Landschappen met bomen
Object type: print
Date: 1784 – 1808
Materials: paper
Techniques: etching
Location: haarlem
Artist: franciscus andreas milatz
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1808
Subjects: trees, river
Inscriptions: collector's mark: Lugt 2228

Landschap met hoge bomen langs een rivier. Op de weg een boerenkar en een man met een pak op zijn rug.
Reproductie van een schilderij van de heilige Christoffel met Christus op zijn schouders
Object type: page
Date: 1858 – 1863
Materials: paper
Techniques: photolithography
Location: brussels
Artist: Anonymous
Subjects: st. christopher, with the infant christ on his shoulders, wading through the water and carrying his staff (palm-tree); sometimes a hermit stands on the further bank beside a chapel, a lantern in his hand
Inscriptions: inscription: ‘Collection de M. C. Ruhl - Cologne.’
Moon over an Autumn Moor
Object type: hanging scroll
Date: 1501 – 1600
Materials: ink, paper, silver
Techniques: gilding
Culture: japanese
Artist: kano yukinobu 狩野之信
Artist role: artist
Artist nationality: japanese
Artist dates: 1513 – 1575
Subjects: flowers

Under the silver moon and the long, swaying green blades are the elegant flowers of autumn: chrysanthemums, carnations, and Chinese bellflowers, among others. Thread-thin silver brushstrokes above the green hills may indicate a flowing stream. The gentle colors and delicate flowers evoke waka poetry. The same subject, depicted in equally asymmetrical compositions, occurs in a number of fan paintings that bear the seals of Kano masters such as Shōei (1519–1592). This fan is also impressed with a seal, tentatively identified as that of Kano Yukinobu, who was either a younger brother of Kano Motonobu or his son. Although the seal's authenticity is in question, the painting is an excellent example of the Kano school's determined effort to absorb yamato-e idioms.
Amsterdam Oude Zijds Kolk
Object type: photomechanical print
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: ships (in general), canals, waters (in city), civic architecture; edifices; dwellings, amsterdam

Deze pagina maakt deel uit van een album.
Overlijden van Louisa Maria, koningin der Belgen
Object type: history medal
Date: 1850 – 1850
Materials: bronze
Techniques: striking
Location: brussels
Artist: leopold wiener
Artist role: sculptor
Artist dates: 1823 – 1891
Subjects: leopold ii (koning der belgen), laeken, brussels, louise marie van orléans (koningin van belgië)
Schoenmakersgilde, gildepenning gegraveerd over een gesleten munt of rekenpenning
Object type: medal
Date: 1600 – 1750
Materials: copper
Techniques: engraving, striking
Artist: Anonymous
Holger Rosenkrands
Object type: page
Date: 1858 – 1863
Materials: photographic support
Techniques: albumen print
Subjects: disputing theologians
Inscriptions: inscription: ‘Maleriet tillhører Kammerherre, Baron Rosenkrands till Rosenholm.’
Portret van Karel Frederik van den Berg
Object type: photograph
Date: 1895 – 1915
Materials: photographic support
Techniques: photography
Subjects: batavia, karel frederik van den berg
Inscriptions: name: ‘K. Tauts & Co. / Specialität: Rahmenleisten / MERAN / Habsburgerstrasse 16’
Dune landscape
Object type: painting
Date: 1870 – 1896
Materials: oil, panel
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: dunes (sea not visible); in the dunes, farm or solitary house in landscape
Inscriptions: signature: ‘J.H. Weissenbruch f’

Duinlandschap met op de voorgrond enige boerenhuizen en wat vee, aan de horizon enkele molens.
Omlijsting met blad- en schelpvormige motieven
Object type: print
Date: 1897 – 1899
Materials: paper
Techniques: aquatint, drypoint, etching, soft ground etching
Artist: théodore roussel
Artist role: print maker
Artist dates: 1847 – 1926
Subjects: scallop, shell ~ ornament - aa - stylized, frame of painting, etc., ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Boekband voor: P.G. Buekers, Onze kevers, 1912
Object type: binding
Date: 1912 – 1912
Materials: cardboard, linen
Techniques: gold embossing
Artist: Anonymous
Subjects: ornaments ~ art, insects: beetle
Inscriptions: collector's mark: ‘R:MVS.’, check stamp

Boekband voor: Buekers, Peter Gijsbert. Onze kevers. Zutphen: Thieme & Cie, 1912.
Viscera figure with human head (Imseti)
Object type: four son of horus, imseti, human headed, djedmutesankh
Date: 1000 – 945
Location: egypt

Four "viscera" figures, meant to protect the internal organs, were found inside the mummy of Djedmutesankh. Representing the Four Sons of Horus, these were associated with four of the seven packages of viscera that had been removed, dessicated, wrapped in linen, and put back inside the body. Human-headed, this example represents Imsety, usually seen as the embodiment and protector of the liver.
La Curieuse
Object type: print
Date: 1758 – 1801
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: breasts, woman (showing herself) undressed, quasi-nude, mirror - aa - (for) women
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Kerkstraat te Haarlem, met man en kinderen
Object type: photograph
Date: 1895 – 1900
Materials: paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: street, haarlem
Inscriptions: stamp: ‘Gebr. Douwes/ Ateliers/ Warmoesstraat 73/ Amsterdam’, inscription: ‘Dokkum’

Onbekende man en kinderen in de Kerkstraat te Haarlem, op de hoek met de Grote Houtstraat. Op de achtergrond de Nieuwe Kerk.
Hond
Object type: endleaf
Date: 1834 – 1903
Materials: chalk, paper
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: dog
Inscriptions: number: ‘26’

Achterste schutblad uit een schetsboek met 43 bladen.
Portret van Gottfried Kneller
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: london, painter, draughtsman, gottfried kneller, garden, wig, sculpture, venus and cupid (cupid not being mere attribute)
Inscriptions: collector's mark: Lugt 2228

De tekenaar en schilder Gottfried Kneller staat in een siertuin voor een sculptuur van Venus en Amor.
Luster Bowl with Winged Horse
Object type: bowl
Date: 1167 – 1200
Materials: glaze, stonepaste
Techniques: luster painting
Location: iran
Subjects: mythical creatures,horses

In the twelfth century, potters emigrating from Egypt or Syria introduced luster‑painted ceramics to Iran. Consequently, early luster production in Iran shares characteristics with lusterwares made in Fatimid Egypt. The monumental quality of this bowl’s design, the large‑scale winged horse reserved in white against a clearly distinguished luster ground, and the festooned border all demonstrate this connection.
Two Moors in Conversation
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Henry van de Velde
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Tak van een zomerlinde en een tak van een winterlinde
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Subjects: trees: linden (+ branch, stick)
Inscriptions: number: ‘Tab. XXXVII.’, inscription: ‘tilleul Hollande tilleul’
Woman making pancakes
Object type: painting
Date: 1670 – 1709
Materials: oil, panel
Artist: bernardus van schijndel
Artist role: painter
Artist dates: 1647 – 1709
Subjects: pancakes, cooking food
Inscriptions: signature: ‘BvS’

De pannenkoekenbakster. Zittend voor een vuur in een keuken bakt een vrouw pannenkoeken in een klein pannetje. Links en rechts wachten kinderen op een portie. Op de achtergrond staat een man voor een kast.
Toren en ingang van de munsterkerk van Ulm
Object type: photograph
Date: 1865 – 1865
Materials: paper, photographic support
Techniques: albumen print
Location: ulm
Artist: Anonymous
Subjects: gate, entrance, travelling; tourism, parts of church exterior and annexes: tower

Onderdeel van Fotoalbum van een reis door Zwitserland, Oostenrijk en Duitsland door de Nederlandse familie Derkinderen.
Pillow cover
Object type: pillow cover
Date: 1701 – 1800
Materials: silk
Hour of the Sheep (Hitsuji no koku), from the series "Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)"
Object type: print
Date: 1794 – 1794
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Huis naast een bomenpad
Object type: sketchbook leaf
Date: 1864 – 1880
Materials: ink, paper, pencil
Techniques: brush
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, rural housing, e.g. country-house, villa, cottage, road, path
Inscriptions: signature: ‘Tavenraat’

Blad 52 recto uit een schetsboek met 98 bladen.
Gold ring with glass scarab
Object type: ring with scarab
Date: 664 – 334
Materials: glass, gold, paste
Culture: egyptian or phoenician

Egyptian scarab of paste, vase with two spouts pouring water.
Madonna and Child with Saint John the Evangelist
Object type: drawing
Date: 1467 – 1533
Materials: ink
Techniques: brush, pen, wash
Artist: andrea da murano
Artist role: artist
Artist dates: 1462 – 1507
Subjects: madonna and child,saint john the evangelist

Andrea da Murano may have trained with the Venetian painter Bartolomeo Vivarini and was heavily influenced by him. This drawing evokes Bartolomeo’s facial types and agitated drapery style and also closely recalls the figural types of Carlo Crivelli. Although Andrea da Murano’s graphic output has not been studied extensively, this drawing shares similarities with his paintings. Executed in blue ink, a technique used in other Venetian drawings of the period, the sheet depicts two unrelated figures—note the disparate positions of their feet—that may have been copied from two separate works.
Major Greene, B.A.
Object type: painting, miniature
Date: 1777 – 1777
Materials: ivory, watercolor
Culture: american
Artist: john ramage
Artist role: artist
Artist nationality: american
Artist dates: 1748 – 1802
Subjects: men,portraits

The identity of a Major Greene in the British army stationed in New York State, who married in 1777, is not known.
Illustrium philosophorum et poetarum effigies
Object type: print
Date: 1566 – 1566
Materials: paper
Techniques: engraving
Artist: rené boyvin
Artist role: print maker
Artist dates: 1525 – 1598
Subjects: marcus tullius cicero, (story of) cicero, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maakt deel uit van een serie van twaalf portretten van Griekse en Romeinse filosofen, getiteld 'Illustrium philosophorum et poetarum effigies', uitgegeven in 1566 door P. de Roville in Parijs.
H. Cecilia met orgel in de hand
Object type: print
Date: 1682 – 1721
Materials: paper
Techniques: etching
Location: bruges
Artist: jan baptist herregouts
Artist role: print maker
Artist dates: 1640 – 1721
Subjects: angels, st. cecilia as patroness of music, angel(s) represented as child(ren) - gg - lower angel(s) without wings
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2165

De heilige Cecilia zittend onder een boom met een orgel in de hand, omringd door engelen met verschillende muziekinstrumenten.
N.Z.H.T.M. met Victoria Hotel Amsterdam
Object type: photomechanical print
Date: 1920 – 1950
Materials: paper
Techniques: rotogravure
Location: eemnes
Subjects: canals, waters (in city), hotel, hostelry, inn

Deze prent maakt deel uit van een omslag met tien prenten.
Brief aan Christiaan Kramm
Object type: letter
Date: 1857 – 1857
Materials: ink, paper
Techniques: pen, writing
Location: utrecht
Artist: christiaan wilhelmus moorrees
Artist role: draughtsman, print maker
Artist dates: 1801 – 1867
Subjects: utrecht, print maker, draughtsman, christiaan kramm
Inscriptions: collector's mark: Lugt 2233
Portret van Jean Michel Palmié
Object type: print
Date: 1793 – 1844
Materials: paper
Techniques: etching
Location: berlin
Artist: ferdinand berger
Artist role: print maker
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228
Blad met staande en knielende figuren tussen ranken
Object type: wrapper
Date: 1743 – 1783
Materials: gold leaf, paint, paper
Techniques: relief print
Artist: Anonymous
Subjects: anthropomorphic ornament, ornament derived from plant forms
Inscriptions: annotation: ‘1763’

Blad met meerdere groepen staande en knielende figuren tussen ranken en bandwerk. In het midden onderaan een kerk of kasteel met twee torens. Gebruikt als omslag voor een publicatie uit 1763.
String of Beads
Object type: bead
Date: 1390 – 1352
Materials: faience
Location: egypt
The actor Segawa Kikunojo III as Oshizu, wife of Tanabe Bunzo
Object type: print
Date: 1794 – 1794
Techniques: woodblock print
Location: japan
Artist: toshusai sharaku 東洲斎 写楽
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Roy
Object type: print
Date: 1830 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Plate
Object type: plate dish
Date: 1630 – 1630
Materials: earthenware, glaze
Techniques: maiolica, painted, polychromy
Location: netherlands
Artist: Anonymous
Subjects: carrying something with yoke, milkmaid

Rond bord van veelkleurig beschilderde majolica. Op het plat is een vrouw geschilderd met op haar schouders een juk waaraan twee emmers en het jaartal 1630. Op de rand zijn gestileerde bloemen en spiralen geschilderd.
Portret Joseph Maria von Weichs
Object type: print
Date: 1800 – 1843
Materials: paper
Techniques: etching
Subjects: historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 3280
Console table
Object type: console table
Date: 1775 – 1780
Materials: marble, wood
Techniques: carving, gilding, painting

Supported on one or two legs, console tables need to be attached to the wall for stability and are considered to be part of the interior decoration of a room. They were made by a special group of joiners, menuisiers en bâtiments (litt. building carpenters) responsible for the fixed elements in the interior such as paneling, pier glasses and console tables. Unlike other members of the guild, these craftsmen were not required to stamp their output and for that reason it is rarely known who created such works. These console tables are of identical design except in size. They were among the few neoclassical consoles in the model collection of woodwork, paneling and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885 the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, Hoentschel sold the collection to J. Pierpont Morgan who gave the panels with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art in 1907.
Neptune
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: follower of charles le brun
Woman Playing the Violin, Seen from the Front
Object type: drawing
Date: 1758 – 1759
Materials: chalk, graphite, watercolor
Artist: louis de carmontelle
Artist role: artist
Artist nationality: french
Artist dates: 1717 – 1806
Subjects: women,violins,musicians
Old Man
Object type: glass
Date: 1701 – 1733
Materials: glass, metal
Techniques: lampwork
Location: france
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: colmar painter
Artist role: artist

Exterior, part of an inscription, OP or PO, retr.
Tegel
Object type: tile
Date: 1720 – 1760
Materials: earthenware, glaze
Techniques: maiolica
Location: london
Artist: Anonymous

Tegel met een veelkleurige (blauw, rood, geel en groen) geschilderde vaas met bloemen binnen een achthoek omgeven door blauw spatwerk. In de hoeken: uitgespaarde anjers.
Gezicht op het Catharinapaleis te Moskou
Object type: photomechanical print
Date: 1957 – 1957
Materials: cardboard
Techniques: rotogravure
Location: moscow
Subjects: palace
Inscriptions: date

De titel op object staat in het Russisch.
Portret van Guilielmus Surendonck
Object type: print
Date: 1652 – 1676
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: guilielmus surendonck, historical persons, portrait of a writer

Met achtregelig vers in het Latijn in twee kolommen.
Godin Durga en Hanuman
Object type: indian miniature
Date: 1760 – 1760
Materials: paper
Techniques: brush
Location: mandi
Artist: Anonymous
Inscriptions: inscription: ‘.’

Op een tijger staat de godin Durga, rechts voor haar staat de halfgod met aapgezicht Hanuman met gevouwen handen, achter haar een dienares die haar koelte toewuift. Rond de voorstelling een zwarte en witte kaderlijn en smalle oranje-rode rand; beschadigd.
Magnificat anima mea Dominum. Mon ame glorifie le Seigneur (mijn ziel prijst de heer)
Object type: print
Date: 1697 – 1741
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: mary magnifying the lord ('magnificat')
Inscriptions: number: ‘362’
Bowl with an inscription and a stylized bird
Object type: bowl
Date: 900 – 999
Materials: earthenware, glaze, paint
Techniques: firing, turning, vitrification
Location: nishapur
Artist: Anonymous

Aardewerken kom gedecoreerd met een schriftband en een gestileerde vogel in bruine slib op engobe van witte slib waarop een transparante glazuur is aangebracht.
Eight original etchings by the late John Sell Cotman, now first published
Object type: print
Date: 1792 – 1842
Materials: paper
Techniques: etching
Location: norwich
Subjects: sitting figure, reading, cross as symbol of christ
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Envelop met vignet met monogram JN of NJ
Object type: print
Date: 1890 – 1900
Materials: paper
Techniques: woodcut
Location: amsterdam
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: fantasy ornament, letter combinations such as letterword, anagram, letter square, monogram, etc.
Inscriptions: name: ‘B. van Mantgem, Hofl. Singel 562, Amst.’
Fruit dish (compotier coquille) (one of four) (part of a service)
Object type: fruit dish
Date: 1780 – 1780
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers
Si le chassuer a froid aux mains..... le lièvre n'a pas froid aux pieds..., from Émotions de Chasse, published in Le Charivari, November 12, 1858
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,hunting,rabbits
Design for Phaeton, no. 164
Object type: drawing
Date: 1850 – 1874
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
De opwekking van Lazarus
Object type: drawing
Date: 1650 – 1697
Materials: ink, paper
Techniques: pen
Artist: jacob de wet (ii)
Artist role: draughtsman
Artist dates: 1640 – 1697
Subjects: the raising of lazarus ('lazarus, come out')
Ruiterserie
Object type: costume print
Date: 1576 – 1596
Materials: paper
Techniques: engraving
Location: cologne
Subjects: warfare; military affairs (+ cavalry, horsemen), folk costume, regional costume, military clothing and other equipment (uniforms, cap, armour, helmet, etc.)

Prent 28 en 29 uit een serie van 77, mogelijke serietitel Diversarum gentium armatura Equestris. Latere editie van serie Equitum Descripcio, Quomodo Equestres (...).
De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Portret van Willem III, koning der Nederlanden
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: brussels, willem iii (koning der nederlanden), knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: date

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Amador Salazar
Object type: print
Date: 1910 – 1913
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,portraits
Carpet Fragment
Object type: carpet fragment
Date: 1301 – 1400
Materials: wool
Location: spain

This wool carpet fragment contains a pattern of stylized ducks and plant stalks in blue and red on a tan ground.
Oval basin or dish with subject from Amadis of Gaul
Object type: basin or dish
Date: 1559 – 1564
Techniques: maiolica, glazing
Artist: orazio fontana
Artist role: artist
Artist nationality: italian
Artist dates: 1505 – 1576
Subjects: animals,men,horses