deem-data/ArtiFact huggingface dataset:
Wapensmid aan het werk
Object type: print
Date: 1822 – 1880
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: smith, blacksmith (+ indoors; in laboratory, factory, barn, etc.), armour, mother and baby or young child, handicrafts ~ metal, forging (industrial process)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2166

Een wapensmid zit op een stoel voor een aambeeld en bewerkt met een hamer een voorwerp dat hij in een tang vasthoudt. Naast het aambeeld liggen delen van een harnas. Achter hem een haard. Rechts zit zijn vrouw met een kind in de armen.
Façade van een huis
Object type: print
Date: 1825 – 1882
Materials: paper
Techniques: etching
Location: leiden
Artist: jacobus ludovicus cornet
Artist role: draughtsman, print maker
Artist dates: 1815 – 1882
Subjects: front façade, dog, plants and herbs: ivy
Inscriptions: collector's mark: Lugt 2228

Façade van een huis. Een trap leidt naar het portaal en een half open staande deur. De kelderdeur staat ook open. Een schoothondje zit voor de kelderdeuropening.
Korinthisch kapiteel en basement
Object type: print
Date: 1606 – 1607
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: corinthian order ~ architecture

Details van de Korinthische bouworde: basement, kapiteel en hoofdgestel. Rechtsonder: Q. Prent maakt deel uit van een album.
Fragment
Object type: textile
Date: 1625 – 1650
Materials: textile, velvet
Techniques: cutting, voiding
Location: italy
Axe or mace head
Object type: axe or mace
Date: 2300 – 2000
Materials: bronze
Culture: hattian
Location: central anatolia
Prijspenning van de Vereeniging van Nederlandsche Scherpschutters, 1899
Object type: medal
Date: 1899 – 1899
Materials: silver
Artist: Anonymous

Verguld zilveren penning met oog en ring van de Vereeniging van Nederlandsche Scherpschutters, behaald door het regiment Schutterij te Amsterdam, 1899. Voorzijde: het Nederlandse wapen in renaissancestijl. Omschrift: VEREENIGING VAN NEDERLANDSCHE SCHERPSCHUTTERS. Keerzijde: lauwerkrans
Miss Barrington as "The Fire Lassie," from the series Fancy Dress Ball Costumes (N73) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the "Fancy Dress Ball Costumes" series (N73), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes.
The Shepherd Playing a Flute, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

In the 17th century, the word capriccio generally indicated a musical composition that thwarted listeners’ expectations with sudden changes in tempo, rhythm, or structure that appeared to be made according to the performer’s whim, or caprice. Jacques Callot borrowed the term to describe a series of etchings with a wide variety of diverting subjects including peasants, architectural sites, military maneuvers, and musicians. Among other motifs, he depicted two pairs of dancers frolicking and playing musical instruments and a shepherd playing a flute.
Gipsmodellen voor versieringen op het Palais du Louvre
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, ornamenting, decorating ~ applied arts, paris, tuileries palace
Inscriptions: number: ‘505 en 506’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 3.
Young Man Seated on a Book on a Bench
Object type: drawing
Date: 1650 – 1660
Materials: chalk, paper
Location: gouda
Artist: constantijn verhout
Artist role: draughtsman
Subjects: sitting figure

Jongeman op een bankje, zittend op een boek met een tinnen kruik in de rechterhand.
Teapot with trees and a pavilion in a mountainous landscape
Object type: teapot
Date: 1800 – 1850
Materials: cobalt, glaze, paint, stoneware
Techniques: firing, turning, vitrification
Location: japan
Artist: Anonymous

Theepot van steengoed met een rechte ruit en steelvormig oor, bedekt met een wit slib en beschilderd in onderglazuur blauw. Op de wand een berglandschap met bomen, een paviljoen, vogels en twee boten. Het oor zit aan de zijkant van de pot. De onderzijde is ongeglazuurd. Tuit is gedeeltelijk afgebroken. Blauw-wit.
Twee Germaanse krijgers, figura VI
Object type: print
Date: 1614 – 1616
Materials: paper
Techniques: etching
Location: netherlands
Artist: nicolaes van geelkercken
Artist role: print maker
Artist dates: 1585 – 1656
Subjects: the soldier; the soldier's life, extinct, 'historical' peoples (with name)

Twee staande krijgslieden met speren, schilden en gepluimde helmen. Afkomstig uit: Philippus Cluverius, Germaniæ antiquæ libri tres, Lowijs (I) Elzevier, Leiden, 1616. Lib. I, Pag. 360, figura VI.
Gezicht onder een boogbrug te Venetië
Object type: drawing
Date: 1870 – 1923
Materials: cardboard, watercolor
Techniques: brush
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: landscape with bridge, viaduct or aqueduct, canals, waters (in city), italy, venice
Zelfportret van Dwight Case Sturges
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: etching, intaglio
Artist: dwight case sturges
Artist role: print maker
Artist dates: 1874 – 1940
Subjects: print maker, dwight case sturges, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Dwight Case Sturges achter een tekenplank aan een tafel, waarop een vergrootglas en etsinstrumenten liggen.
Liège
Object type: carte de visite
Date: 1862 – 1894
Materials: cardboard, paper
Techniques: albumen print
Location: liège
Subjects: palace
The Seventh Month (Shichi gatsu), from the series "Fashionable Twelve Months (Furyu junikagetsu)"
Object type: print
Date: 1793 – 1793
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Italiaanse landschappen
Object type: print
Date: 1655 – 1688
Materials: paper
Techniques: etching
Artist: govert van der leeuw
Artist role: print maker
Artist dates: 1645 – 1688
Subjects: city-view, and landscape with man-made constructions, (high) hill
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 1920

Gezicht op een groep gebouwen, waaronder een antiek bouwsel met drie zuilen, in een berglandschap. De prent maakt deel uit van een negendelige serie prenten met voorstellingen van Italiaanse landschappen.
Fragment pijpenkop
Object type: pipe
Date: 1710 – 1740
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: the hague, shore-birds and wading-birds: stork

Fragment pijpenkop met een kroon en een ooievaar met paling in de bek afgebeeld. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
[White picket fence with buildings in background].  Brady album, p. 123
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: houses,landscapes
Portret van een vrouw
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: fr. john
Artist role: fotograaf
Artist dates: 1849 – 
Subjects: adult woman, historical persons
Inscriptions: inscription: ‘Photographie/ Fr. John/ Canal des Vieus Lions 2 -1/ Anvers/ Les clieches sont consservés/ Prager & Lodja, Berlin.’, name: ‘Fr. John Anvers’
Disk Brooch
Object type: brooch
Date: 100 – 300
Materials: bronze, enamel
Techniques: enamel
Culture: roman

Millefiore enameling was widely popular in Gaul, where it was often used to decorate disk brooches and vessels. In this technique, the artist fuses together glass rods of different colors. The multicolored rods are then cut into cross sections, which are placed in a metal base and heated sufficiently for them to adhere. The result is an intricate pattern of flowers and checkerboards.
Censer in the Form of an Ancient Bronze Tripod Cauldron (ding)
Object type: vessel
Materials: porcelain
Location: china
Twee sculpturen, mogelijk die op de vierschaar van het oude stadhuis van Amsterdam hebben gestaan
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph, lithograph
Artist: Anonymous
Subjects: sculpture
Inscriptions: collector's mark: ‘15,4B’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Oude Stadhuis, Oude Stadhuis op den Dam: d. afbeelding der beeldjes gestaan hebbende op de vierschaar. Genummerd rechtsonder: No XXV.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 376
Materials: terracotta
Culture: greek, attic

Interior, part of the head and neck of a draped, wreathed figure to right; Exterior, part of ground line
Beleegeringhe vant t'Huys te Gennip Geschiet Anno 1641
Object type: history print
Date: 1649 – 1651
Materials: paper
Techniques: etching
Subjects: delft, the hague, frederick henry (prince of orange), maps of separate countries or regions, siege, position war

Kaart van Gennep met het Huis te Gennep en omgeving, belegerd en veroverd door het Staatse leger onder Frederik Hendrik, 6 juni - 27 juli 1641. Met de circumvallatielinie van de belegeraars en de hun legerkampen. Rechtsonderaan twee soldaten bij de cartouche met de titel. Linksboven gemerkt: Twede Deel Fol: 103.
Glass spindle whorl
Object type: spindle whorl
Date: 1 – 200
Materials: glass
Culture: roman

Translucent cobalt blue, with opaque white trail. Tall, domed body; flat bottom; vertical hole, larger on bottom. Trail applied to upper surface and tooled with seven unevenly spaced downward strokes to form feather pattern. Intact but chips on lower edge and bottom; some dulling, pitting, and faint iridescent weathering. Made by winding trail in a spiral around rod. Black opaque spindle-whorl with white glass thread pattern.
Cassetta frame
Object type: frame
Date: 1801 – 1833
Materials: wood
Culture: french
Portret van Thomas Allen
Object type: print
Date: 1760 – 1781
Materials: paper
Techniques: etching
Location: england
Subjects: scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van koningin Wilhelmina
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, paint, photographic support, silk, textile, watercolor
Techniques: blind stamped, brush
Artist: Anonymous
Subjects: print maker, wilhelmina of the netherlands, historical persons, queen
Inscriptions: annotation: ‘[...] gerard’
Leporelloalbum met veertien portretten van koningin Wilhelmina
Object type: photomechanical print
Date: 1882 – 1898
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: the hague, wilhelmina of the netherlands, queen

Een reeks van veertien uitvouwbare portretten van prinses Wilhelmina in haar jeugd op chronologische volgorde. Omslag is eraf.
Pierced Bowl Signed by Hasan al-Qashani
Object type: bowl
Date: 1067 – 1133
Materials: glaze, stonepaste
Techniques: molding
Location: iran
Subjects: arabic

The auspicious words “glory, prosperity, blessed power, and mercy to its owner” are inscribed in cursive script on this bowl, while the kufic inscription reads “Made by Hasan al-Qashani.” The latter portion of the potter’s name links him to Kashan, a central Iranian town that was a major center for stonepaste production and is believed to have had a monopoly on complex ceramic technologies. Stonepaste, however, was produced throughout Iran.
Mirror with eight-point design
Object type: mirror
Date: 100 – 1
Materials: bronze
Culture: chinese
Tekst over Christus in de hof van Getsemane
Object type: text sheet
Date: 1572 – 1572
Materials: paper
Techniques: letterpress printing
Location: antwerp

Tijdens de restauratie in 1988 bleek dat op de achterzijde van de prenten van de Passie-serie van Wierix Latijnse teksten in boekdruk staan. Deze vormen, wanneer op de juiste wijze in boekvorm gebonden (wat nu in het Heemskerck-album niet het geval is), een toelichting op de passievoorstellingen. Om de teksten zichtbaar te laten zijn de prenten bij de restauratie niet meer met de achterzijde op elkaar geplakt.
Striped print
Object type: print
Date: 1785 – 1790
Materials: linen
Subjects: flowers,trees
Sheet 8 from "The Triumphs of Caesar"
Object type: print
Date: 1599 – 1599
Materials: gold, silk
Techniques: highlighting, printing, woodcut
Artist: andrea andreani
Artist role: artist
Artist nationality: italian
Artist dates: 1558 – 1629
Subjects: men
Dutchman with Black Servant
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ichiryūsai yoshitoyo
Artist role: artist
Artist nationality: japanese
Artist dates: 1830 – 1866
Subjects: men
Twee vrouwen, mogelijk lopend
Object type: endleaf
Date: 1886 – 1934
Materials: chalk, charcoal, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing), walking - aa - female human figure

Schutblad A, voorste schutblad, uit schetsboek LXX met 17 bladen.
Pommellum versierd met visblazen en banderollen
Object type: pomellum
Date: 1450 – 1500
Materials: copper
Techniques: gilding
Location: germany
Artist: Anonymous
Inscriptions: inscription: ‘+ m + . + m +’, inscription: ‘petrus + kattarina’, inscription: ‘+ maria +’, inscription: ‘barbara’, inscription: ‘jhesus +’

Pommel (decorative ball for a cope). Copper. Germany, c. 1450 - 1500.
Gereformeerde Diakonie te Amsterdam, armenpenning die behoeftige kerklidmaten bij uitdeling recht gaf op brood
Object type: broodpenning
Date: 1739 – 1739
Materials: lead
Techniques: casting
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Enkelzijdige loden penning. Voorzijde: rechthoekig brood boven jaartal en letters DIA in krans binnen omschrift. Keerzijde: blanco
Fragment of a Qur'an
Object type: non illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: lebanon
Punch Glass
Object type: punch glass
Date: 1830 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
City Market
Object type: print
Date: 1935 – 1943
Techniques: lithograph
Artist: harry gottlieb
Artist role: artist
Artist nationality: american
Artist dates: 1894 – 1992
Subjects: vegetables,men,women,markets
Vrouw op een bomenlaan
Object type: sketchbook leaf
Date: 1765 – 1775
Materials: paper, pencil
Artist: jean honoré fragonard
Artist role: draughtsman, painter, print maker
Artist dates: 1732 – 1806
Subjects: forest path or lane (+ landscape with figures, staffage)

Blad 7 recto uit een schetsboek met 83 bladen.
Snuffbox
Object type: snuffbox
Date: 1757 – 1758
Materials: gold, lacquer
Artist: j.f.(?)b.
Artist role: maker
Artist dates: 1707 – 1807
Subjects: birds,men,dragons

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Portret van een vrouw
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Subjects: adult woman
Inscriptions: inscription: ‘Wegner & Mottu. Phot. Amsterdam & Utrecht.’, inscription: ‘Photogr. Atelier / Wegner & Mottu / Kalverstraat / over den Heyligenweg, D. 26. / Amsterdam / Leydsche Straatweg / Buiten Cathrynen / Utrecht’
Sudden Shower over Shin Ohashi Bridge and Atake (Ohashi Atake no yudachi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
De gefopte duivel
Object type: print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: devil(s) and demons, building of church, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760, : ‘marque de fabrique / deposée’

Blad met 12 voorstellingen van de duivel die gepoft wordt door de inwoners van Lotharingen. Onder elke voorstelling een onderschrift. Genummerd linksboven: Série 3. - No. 18.
Cardinal Mazarin (1602–61)
Object type: medal
Date: 1601 – 1700
Materials: bronze
Techniques: casting
Subjects: men,profiles
Oprichting van het standbeeld van Adriaan van Bergen, schipper op het Turfschip van Breda,  te Leur 1904
Object type: history medal
Date: 1904 – 1904
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde een turfschip dat door een geopende brug vaart, onderaan de wapenschilden van Breda en Leur en het jaartal 1590, met omschrift, op de keerzijde het standbeeld van Van Bergen in Leur met onder en boven tekst.
Evenveeltjespan
Object type: miniature
Date: 1754 – 1754
Materials: silver
Location: amsterdam
Artist: jan borduur
Artist role: silversmith
Artist dates: 1698 – 1766
Subjects: kitchen-utensils: frying pan

Evenveeltjespan met drie kuiltjes en een platte steel. De steel is aan het uiteinde hol, het houten handvat dat daarin past ontbreekt. De evenveeltjespan is gemerkt: stk.= Amsterdam, jrl.= U (1754), mt.= Jan Borduur.
Button or Bead or Spindle Whorl
Object type: button or bead or spindle whorl
Date: 701 – 1000
Materials: stone
Techniques: incising
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Button
Object type: button
Date: 1850 – 1880
Materials: metal
Culture: british
Subjects: animals
Man met paard, rustend bij een herberg
Object type: drawing
Date: 1839 – 1839
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: pieter frederik van os
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1892
Subjects: (traveller) resting in the open air, horse
Gezicht op het Anhalter Bahnhof te Berlijn
Object type: cabinet photograph
Date: 1881 – 1881
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: façade (of house or building), station; shelter (railway, tramway), passenger carriage
Inscriptions: initials: ‘[...] B.’, number: ‘232.’, workshop stamp: ‘Photographie und Verlag von SOPHUS WILIAMS, Berlin 1881.’
Portret van Godfried III
Object type: book illustration
Date: 1661 – 1663
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: armour
Inscriptions: collector's mark: Lugt 2228

Busteportret van Godfried III, in harnas. Hij draagt een helm met pluim. Het portret is gevat in een boogvormige omlijsting met vierkant randwerk en een motto in het Latijn. In de marge het wapenschild van de geportretteerde en een vijfregelig onderschrift in het Frans. Prent uit een boek waarin 54 prenten met portretten.
Belt hook
Object type: belt hook
Date: 500 – 301
Materials: bronze
Culture: chinese
The Maker of Scales
Object type: drawing
Date: 1763 – 1763
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: jean michel moreau le jeune
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1814
Subjects: men,working,scales

Denis Diderot (1713–1784) and Jean le Rond d’Alembert’s (1717–1783) Encyclopédie, volumes of which appeared from 1751 to 1772, was a landmark publication presenting thought and knowledge on a broad swath of subjects. As part of the undertaking, many artists were employed to supply illustrations for articles on the arts and trades (arts et métiers), ultimately forming a visual compendium of the occupations and manufacturing industries of Enlightenment France. Moreau le Jeune’s drawing depicts the interior of a shop where scales were manufactured. The storefront opens directly onto a sunlit street, giving a sense not only of the tools and technical details but of daily life in the French capital.
Antieke sculpturen in Rome
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: rome
Subjects: fight of gladiators, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘43’

Deze prent maakt deel uit van een set van 79 prenten (+ titelprent) met voorstellingen van antieke sculpturen in Rome.
Gezicht op het Hôtel de Sens
Object type: print
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: hôtel, i.e. small palace in city
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 43.’

Prent op honderdeenenzeventigste ongenummerde pagina.