deem-data/ArtiFact huggingface dataset:
Portret van Jean Nicot
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: engraving
Subjects: paris, historical persons, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Walmsley, Edward. Physiognomical portraits. Londen: John Major, 1822.
Gezicht op de Kloveniersburgwal met het Trippenhuis en de Waag op de Nieuwmarkt
Object type: book illustration
Date: 1713 – 1751
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: urban housing, weigh-house, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam, Zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (…). Amsterdam: Nicolaas ten Hoorn, 1713. En in: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam, Zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (…). Amsterdam: Nicolaas ten Hoorn, 1726. En in: Hoorn, Nicolaas ten. Wegwyzer, of korte beschryvinge Van de Stadt Amsterdam, Zynde eene beknopte Verhandeling van desselfs eerste opkomst, vergrootingen, en tegenwoordigen staat (…). Amsterdam: erven J. Ratelband & Co, 1737. En in: Hoorn, Nicolaas ten. Wegwyzer of korte beschryvinge der stad Amsterdam. Zynde eene Beknopte Verhandeling van derzelver eerste Opkomst, Vergrootingen en Tegenwoordigen Staat (…). Amsterdam: Pieter Meyer, 1751.
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Part of a circumscribed palmette and a bit of drapery?
Portret van Jacobus Taurinus
Object type: print
Date: 1657 – 1707
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: antwerp, study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 2166

Portret van Jacobus Taurinus, staand aan een lessenaar in een bibliotheek. Onder het portret een vers van acht regels in het Nederlands.
Portret van Elisabeth van Frankrijk
Object type: print
Date: 1800 – 1830
Materials: paper
Techniques: engraving
Location: england
Artist: e. bocquet
Artist role: print maker
Subjects: elisabeth of france (queen of spain and portugal), historical persons, queen
Inscriptions: collector's mark: Lugt 2228
Versailles. Le Parc. Les Bains d'Apollon / Bathes of Apollon
Object type: photomechanical print
Date: 1919 – 1930
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: french or architectonic garden; formal garden, water-works in garden, statues, sculptures in garden
Study of a Skull, Facing Right
Object type: drawing
Date: 1654 – 1658
Materials: chalk, paper
Artist: cornelis visscher (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1658
Subjects: (human) skull
Heilige vrouwen op weg naar het graf
Object type: print
Date: 1500 – 1536
Materials: paper
Techniques: engraving
Location: italy
Subjects: the holy women (the three maries) on their way to or at the tomb, to anoint christ's body
Inscriptions: collector's mark: Lugt 12, collector's mark: ‘F Rechberger 1801’ Lugt 2133

De drie heilige vrouwen, alle drie gesluierd, lopen naar links. Alleen van de middelste vrouw is het gezicht zichtbaar.
Baekers fotografeert Tony Artz bij de uitgang van de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: gelatin silver print
Location: saint louis
Artist: jan schüller
Artist role: draughtsman, painter, print maker
Artist dates: 1871 – 1915
Subjects: tony artz, world fair, world exhibition
Inscriptions: annotation: ‘Backers kiekt Tony // bij de uitgang’, annotation: ‘Tony’, annotation: ‘Artz’

Baekers fotografeert Tony Artz bij de uitgang van de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904.
Interieur met een moeder die een maaltijd serveert aan haar twee kinderen
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: chalk, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: table, interior of the house, mother and child(ren), woman and child(ren) (family group), (family) meal

De twee jonge kinderen zitten aan een lage tafel waarop een grote pan staat. Blad 34 recto uit een schetsboek met 53 bladen.
Het Proces-Zola
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: paris, emile zola, historical persons, justitia (justice) as roman personification, personifications of countries, nations, states, districts, etc. (+ nation; national), political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 20 februari 1898.
Italienischises Winzerhaus
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: etching
Location: dresden
Artist: philipp veith
Artist role: draughtsman, print maker
Artist dates: 1768 – 1837
Subjects: city-view, and landscape with man-made constructions, ass, donkey, (traveller) resting in the open air, italy
Inscriptions: number: ‘223003/0295’, collector's mark: Lugt 2760, collector's mark: Lugt 2228, number: ‘336’, collector's mark: Lugt 3976
Badende Psyche
Object type: print
Date: 1500 – 1536
Materials: paper
Techniques: engraving
Location: rome
Subjects: taking a bath, other scenes from the story of cupid and psyche
Inscriptions: collector's mark: Lugt 11, number: ‘26’, collector's mark: Lugt 10, collector's mark: ‘Hinloopen’

Psyche zittend op de rand van een bad, met om haar heen drie nimfen die voor haar onzichtbaar zijn. Rechts een doorkijk naar Psyche liggend in haar bed. Italiaanse tekst in twee cartouches in ondermarge. Tweemaal genummerd linksonder: 7.
Jongen geknield bij de spaken van een wiel en een perspectiefstudie
Object type: print
Date: 1707 – 1740
Materials: paper
Techniques: etching
Subjects: spokes, mathematical perspective
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee voorstellingen van één plaat. Boven: Een jongen bestudeert in de natuur de spaken van een wiel. Onder: Perspectiefstudie met vazen en figuren. Specifieke onderdelen in de voorstellingen zijn genummerd of voorzien van de letter A.
Furisode
Object type: furisode
Date: 1801 – 1900
Materials: gilt, metal thread, textile, silk
Techniques: dyeing, embroidery, satin weave, silvered, stitching
Culture: japanese
Subjects: cranes,trees
Tine Kleiterp-Vermeulen en haar kinderen Klaas en Tiny in een tuin in Pangka op Java
Object type: photograph
Date: 1921 – 1921
Materials: paper, photographic support
Techniques: daylight paper print
Location: pangka
Artist: klaas kleiterp (i)
Artist role: arts, officier
Artist dates: 1892 – 1943
Subjects: garden, mother and baby or young child, dutch east indies, the

Onderdeel van Fotoalbum van de familie Kleiterp-Vermeulen met opnames van de kinderen Klaas en Tiny in Nederlands-Indië.
Entombment of Christ
Object type: drawing and watercolor
Date: 1527 – 1528
Materials: charcoal, gouache, paper, paint, watercolor
Location: italy
Artist: after polidoro caldara, called polidoro da caravaggio
Chateau de la Neuville-sous-Huy
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: brussels
Subjects: castle
Chertsey lock and bridge
Object type: page
Date: 1871 – 1871
Materials: photographic support
Techniques: albumen print
Location: chertsey
Artist: henry w. taunt
Artist role: fotograaf
Artist dates: 1842 – 1922
Subjects: sluice, weir, river, bridge, thames
Half design for the decoration of an Altar with Putti
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink
Techniques: pen
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: altars,putti
Maria Magdalena
Object type: print
Date: 1550 – 1649
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 240
Prag. Franzensquai und Franzensmonument
Object type: photomechanical print
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph, lithograph
Location: vienna
Artist: Anonymous
Subjects: monument, statue, quay, prague
Inscriptions: date
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, from left to right, head and upper torso of wreathed youth with left bent arm holding part of a javelin?; head and upper torso of youth with right arm extended and left arm bent at elbow, holding a javelin, to the left of his face and below right forearm, part of an inscription, KA[LOS]; head, torso, genitals, and upper thighs of youth with arms extended, holding a javelin in his right hand; below right forearm, part of an inscription, KAL[OS]; below the lip, part of an inscription [KA]LOS NAIXI, retr.
Les Deux Pantalons se Regardant (Two Men in Pantsuits Looking at Each Other), from "Les Caprices" Series B, The Nancy Set
Object type: print
Date: 1617 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Panel
Object type: panel
Date: 701 – 900
Materials: wood
Techniques: carving
Location: iraq

This carved wooden panel came to the museum through an unusual source, the British art and antiquity dealer Sydney Burney (1878–1951), known mostly for his trade in African and modern art and for having served as the President of the British Antique Dealers’ Association. His only ventures into the market for Islamic art are limited to an assemblage of carved wood which he sold to the Met, the British Museum, and the Louvre. It is yet unknown how the London-based dealer obtained these artifacts, of which the large part are said to have been found in Tikrit in Iraq. From this group, the fragments 33.41.7, 33.41.8, 33.41.9, 33.41.10, 33.41.12 display the same patterns and style of this panel; they may have originally belonged to one object. Their decoration, displaying a continuous scroll of trilobed leaves, is evocative of Late Antique and early Islamic visual languages.
Yellow glass ring stone
Object type: intaglio
Date: 1 – 100
Materials: glass, paste
Culture: roman
Subjects: europa,bulls
Durchschnitt des Prächtigen Lust- oder Garten- Hausses, im Grundriss mit der Linie E F. bemercket
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: summer-house, arbour, garden-house (dutch: 'theekoepel'), section ~ architectural design or model
Inscriptions: collector's mark: Lugt 2228
The Lonely House on Adachi Moor
Object type: print
Date: 1801 – 1890
Materials: paper
Techniques: woodcut
Location: japan
Subjects: plants; vegetation, old woman, tools, aids, implements ~ crafts and industries: knife

Many Kabuki perfomances are based on old folktales. These can be historical of fictitious events, or a combination of the two. The latter could be the case with the horror play of The Lonely House on Adachi Moor. Leading man Onoe Kikugoro V is depicted here in his role as a murderous old witch, who killed unsuspecting travellers.
Jug
Object type: jug
Date: 1770 – 1790
Materials: glass
Subjects: men,women,trees
Sluiting van het drievoudige verbond tussen Engeland, Frankrijk en de Republiek
Object type: jeton
Date: 1596 – 1596
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: netherlands, france, england

Koperen penning. Voorzijde: drie soldaten, voorstellende de drie verdragspartners, staande rond altaar met opschrift binnen omschrift. Keerzijde: soldaat, wijzend met stok op bord met opschrift, hangend aan zuil binnen omschrift.
Ontwerpen voor het monument op het nationale feest ter viering van de vrede van 17 december 1799
Object type: design
Date: 1799 – 1799
Materials: ink, paper
Techniques: brush, pen
Artist: bartholomeus ziesenis
Artist role: draughtsman, sculptor
Artist dates: 1768 – 1820
Subjects: ornaments ~ art, other architectural details (with name), monument, statue, architectural design or model, peace, historical events and situations
Inscriptions: inscription: ‘B:W:H: Ziesenis architect 1799’

Ontwerp voor een monument op het Nationale feest ter viering van de Vrede van 17 december 1799.
Het Elfstedenkruisje
Object type: onderscheidingsteken, onderscheiding
Date: 1909 – 1909
Materials: metal
Techniques: striking
Location: voorschoten
Artist: pim mulier
Artist role: designer
Artist dates: 1865 – 1954
Subjects: eleven cities tour
Inscriptions: inscription: ‘26 FEBR. 1986’

Maltezerkruis waarbinnen band met tekst 'De Friesche Elf Steden', waarbinnen blauw geemailleerd wapen (van Friesland) met boven elkaar twee naar links lopende leeuwen, met draagoog waaraan ringetje; keerzijde: in cirkel datum '26 FEBR. 1986'.
Shakespeare's "Seven Ages of Man"
Object type: piece
Date: 1805 – 1805
Materials: cotton
Artist: john slack
Artist role: engraver
Artist dates: 1775 – 1875
Subjects: shakespeare,boys,men,women,dogs
Gezicht op het Paleis van Versailles en een deel van de stad
Object type: opticaprent
Date: 1742 – 1801
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: palace, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Links onderin het opschrift Med. Fol[i]o No. 21.
Silhouetportret van Daniel Nettelbladt
Object type: cut paper
Date: 1750 – 1799
Materials: ink, paper
Techniques: aquatint, etching, pen, snipping
Artist: daniel beyel
Artist role: draughtsman, print maker
Artist dates: 1760 – 1823
Subjects: halle, historical persons
Wedding dress
Object type: wedding dress
Date: 1835 – 1835
Materials: silk
Culture: american
Fort Edward (No. 10 of The Hudson River Portfolio)
Object type: print
Date: 1822 – 1823
Techniques: aquatint, hand coloring, printing
Artist: john hill
Artist role: etcher
Artist nationality: american, born england
Artist dates: 1770 – 1850
Subjects: men,landscapes,trees

We look upriver in this print from a turnpike road that descends towards the Hudson, eleven miles north of the Fort Miller Bridge (the work is out of order in the Portfolio, and should follow plate 7 to replicate an accurate descent of the reiver). The related text emphasizes the region's tumultuous history, noting that although, "the ploughshare now peacefully turns up the soil moistened by the blood of thousands...the memory of days of glorious enterprise remains vigorous...and the scene of their operation will be held sacred to remotest ages." The print comes from a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born William Guy Wall toured and sketched along the Hudson then painted large watercolors. Prints of equal scale were proposed—to be issued to subscribers in sets of four—and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School.
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
Object type: print
Date: 1786 – 1786
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: heads,profiles
Horse and Landscape (from Sketchbook X)
Object type: drawing
Date: 1885 – 1885
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: horses,landscapes

This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Portret van Johannes Sylvius
Object type: print
Date: 1580 – 1660
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: historical persons, measuring-instruments, book, armillary sphere, skeleton celestial globe
Inscriptions: collector's mark: Lugt 2228

Met tweeregelig onderschrift in het Latijn.
Soldaten en Brussel
Object type: photomechanical print
Materials: cardboard, photographic support
Techniques: photograph, gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: square, place, circus, etc., the company, the unit, the troop ~ military service, netherlands, brussels

Albumblad met twee foto's van een groep Duitse soldaten in Nederland en vier gekochte lichtdrukken van gebouwen te Brussel. Onderdeel van het fotoalbum Duitse bezetting van Nederland.
Berglandschap met militaire weg in Georgië
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: albumen print
Location: georgia
Artist: dimitri ivanovitch ermakov
Artist role: fotograaf
Artist dates: 1845 – 1916
Subjects: road, path, mountains
Inscriptions: number: ‘290’, number: ‘8664’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Georgië, Sint-Petersburg en Moskou.
Hut van de chirurgijn op het VOC-schip de Stavenisse
Object type: drawing
Materials: paper, pencil
Techniques: brush
Location: indian ocean
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: bodegraven, draughtsman, jan brandes, parts of ship's interior (cabin), barber; surgeon, middelburg
Inscriptions: inscription: ‘Doctors hut op het schip Stavenisse’

Interieur in matig perspectief van een scheepshut. Het verre punt in de tekening ligt in een te klein getekende scheepskooi met beddengoed en afgeschoten met ruitgordijntjes. Door een patrijspoort is een stuk want zichtbaar. De hut is vrij uitgebreid ingericht. Links hangt een schilderij of prent aan de wand. Daaronder staat een koffieservies. Rechts voor staat een stoel voor een commode. Daarboven hangt een scheerbekken. Rechts van de kooi plankjes met boeken. Op één: VOCM, van de VOC-kamer Middelburg. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 8.
Cor d’orchestre
Object type: cor d orchestre
Date: 1830 – 1830
Materials: brass, leather, horn, iron, metal, paint, paper, wood
Techniques: polychrome
Culture: french
Location: united states
Artist: courtois neveu aine
Artist role: maker
Poster Telefoneer met Nederlandsch-Indië (Telephone with the Dutch East Indies)
Object type: poster
Date: 1933 – 1933
Materials: paper
Techniques: lithograph
Subjects: ships (in general), flowers: tulip, windmill, parts of church exterior and annexes: tower
Inscriptions: date

Technological inventions rapidly improved communication between the Netherlands and colonial Indonesia. Telephone calls could be made via a direct connection from 1929. This poster is an advertisement for this service. A three-minute call to Java cost 33 guilders (more than a week’s salary for a skilled worker). At the left is typical Dutch imagery, and at the right a shadow puppet, an equally cliché representation of the Dutch East Indies.
Apollo
Object type: print
Date: 1647 – 1714
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: (story of) apollo (phoebus)

Deze prent is een anonieme kopie naar de originele prent van Sébastien Leclerc.
Textile Design with Alternating Shuttle-Shaped Motifs Framed by Pearls and with Offsetting Palmettes Framed by a Checked Pattern of Intersecting Zig-Zagging Diagonal Lines
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating shuttle-shaped motifs framed by pearls and with offsetting palmettes rendered with stipples of dark reddish-brown color framed by a checked pattern of intersecting zig-zagging diagonal lines of light tan color over a light tan ground with stipples of dark reddish-brown color. The shuttle-shaped motifs are colored with red; the pearls are colored with white.
Manchet van gemengde kant met hartvormige bladeren afgewisseld door trossen van rozen of bessen
Object type: womenswear
Date: 1875 – 1899
Materials: linen
Techniques: lace
Location: brussels
Artist: Anonymous

Manchet van naturelkleurige gemengde kant - kloskant in combinatie met een naaldkantgrond - Brusselse duchesse. Het patroon bestaat uit hartvormige bladeren, in drie- en vijfvoud geplaatst, en afgewisseld door trossen van roosjes (of bessen?). De motieven zijn geklost in linnenslag en netslag. De grote motieven zijn geaccentueerd door contourdraden, die bestaan uit grof gehechte draadbundels. Het kant is op een zwarte (kunst)zijden ondergrond gezet.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 450 – 450
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed palmette, with an elongated central frond; complete handle with handle patch preserved to rim; below, part of a palmette
First Jaina Tirthankara Rishabhanatha Standing in Meditation (Kayotsarga)
Object type: sculpture
Date: 901 – 1100
Materials: stone
Location: madhya pradesh
Woningen op plantage Clevia
Object type: photograph
Date: 1910 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: Anonymous
Subjects: plantation, suriname
Inscriptions: inscription: ‘Kiekjes van plantage Clevia’

Houten brug naar enkele gebouwen op de plantage Clevia. Op de brug staat een jonge vrouw. Onderdeel van het fotoalbum over de familie Gonggrijp op de plantages Clevia en Morgenstond in Suriname rond 1910.
Portret van Severin Fugger
Object type: print
Date: 1596 – 1620
Materials: paper
Techniques: engraving, etching
Artist: wolfgang kilian
Artist role: print maker
Artist dates: 1581 – 1662
Subjects: historical persons, regent, substitute ruler; viceroy
Inscriptions: collector's mark: Lugt 2228

Hollstein German suggereert dat deze prent mogelijk gebruikt is in: Kilian, Lucas en Kilian, Wolfgang. Contrafehe Der Herrn Fugger und Frawen Fuggerin (...) welche in diesen Geslechte geboren wurden, und zu demselben sich ehelich verplichtet haben (...) Anno MDCXX. Augsburg: Wolfgang Kilian, 1620.
Tentoonstelling van Nijverheid te Brussel, ter ere van Willem I Frederik, koning der Nederlanden
Object type: medal
Date: 1830 – 1830
Materials: silver
Techniques: striking
Location: brussels
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864
Subjects: the hague, berlin, william i of the netherlands

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gedeelte van paleis van Nijverheid en Industrie binnen omschrift; afsnede: opschrift.
Interieur van de machinehal tijdens de Wereldtentoonstelling van 1889 in Parijs
Object type: photograph
Date: 1889 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: world fair, world exhibition, machines, engines ~ crafts and industries, paris