deem-data/ArtiFact huggingface dataset:
Aanslag van Jean de Jauregui op prins Willem I, 18 maart 1582
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: engraving, etching, roulette
Location: amsterdam
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: antwerp, charlotte of bourbon, delft, william i (prince of orange), the hague, maurice (prince of orange)
Inscriptions: collector's mark: Lugt 2228

Aanslag van Jean de Jauregui op prins Willem I, 18 maart 1582 te Antwerpen. Interieur met de prins die gewond in een stoel zit, met familie en anderen om zich heen. Links op de vloer ligt het lichaam van de gedode Jean de Jauregui. Maurits vraagt de soldaten hem te onderzoeken.
Kaart van het Hoogheemraadschap van Delfland, met Den haag, Delft en Berkel en Rodenrijs, middelste deel
Object type: map
Date: 1611 – 1692
Materials: paper
Techniques: engraving, etching
Subjects: maps of separate countries or regions, the hague, delft
Inscriptions: collector's mark: Lugt 195
Landschap met een kanaal en hek
Object type: print
Date: 1733 – 1797
Materials: paper
Techniques: etching
Artist: pierre françois basan
Artist role: print maker, publisher
Artist dates: 1723 – 1797
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 1138c
Model of a French Lugger
Object type: ship model
Date: 1850 – 1870
Materials: fiber, wood
Location: unknown
Artist: Anonymous
Subjects: france

Model van een Franse logger. Op voetstuk.
Plaque Bead with the Name of Amenhotep I, Head of Hathor on the Reverse
Object type: bead plaque, hathor emblem, amenhotep i
Date: 1525 – 1504
Materials: faience, paint
Location: egypt
Subjects: hathor
Button
Object type: button
Date: 501 – 800
Materials: ivory
Culture: sasanian or islamic
Location: iran
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, leg of figure to right holding a sprig in each extended hand
Krantenknipsel uit archief Philip Zilcken
Object type: newspaper clipping
Materials: paper, ink
Techniques: printing
Artist: Anonymous
Subjects: naples, vittorio pica, draughtsman, philip zilcken, printed matter
Inscriptions: collector's mark: ‘RPK’
Liber Chronicarum
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: the virgin martyr dorothea of caesarea; possible attributes: basket of roses and apples, child with basket of roses, garland of roses, roses in hand or lap, martyr(s) (often with palm-branches)
Inscriptions: inscription: ‘71’

Een bloemkelk met een heilige vrouw, te herkennen aan de nimbus om haar hoofd. In haar handen heeft ze een mand met fruit en bloemen. De tekst identificeert haar als de heilige Dorothea. De prent maakt deel uit van een album.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Mai 1931, No. 129, 11e Année, p. 3
Object type: magazine
Date: 1931 – 1931
Materials: paper
Techniques: printing, photography
Subjects: ensembles of pieces of clothing (suit) (+ women's clothes), dress, gown (robe manteau) (+ women's clothes), coat (+ women's clothes), fashion plates, skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes)

Links: "Promeneuse": ´robe-manteau´ van Philippe et Gaston. Midden: "Nice": 'Ensemble-Tailleur', bestaande uit een jurk en jasje, van Chantal. Rechts: "Printemps": 'robe-tailleur' van Mirande. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Abklatsch van de krijttekening op blad 10 verso
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 11 recto uit schetsboek LIV met 18 bladen.
Memorial Portrait of the Actor Nakamura Kanjaku II
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Vaas of pot, balustervormig en veelkleurig beschilderd
Object type: vase
Date: 1575 – 1600
Materials: earthenware, glaze
Techniques: maiolica, painted, polychromy
Location: netherlands
Artist: Anonymous

Balustervormige vaas van veelkleurig beschilderde majolica. Op de voet en langs de bovenrand zijn horizontale lijnen geschilderd en op de buik vruchten en bladen. De gebruikte kleuren zijn groen, geel en blauw.
Haardsteen met voorstelling van twee klimmende leeuwen en een wapenschild
Object type: hearthstone
Date: 1610 – 1610
Materials: earthenware
Techniques: printing, firing
Location: southern netherlands
Artist: Anonymous

Haardsteen met voorstelling van twee klimmende leeuwen en het jaartal 1610, geplaatst in geprofileerde ruit. De halve ruiten aan de boven- en onderkant zijn opgevuld met een wapen, een kroon en stermotief.
Design with Medici Coat of Arms and Harpy (Embroidery Design?)
Object type: drawing
Date: 1501 – 1600
Materials: ink, parchment, watercolor
Techniques: pen
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: flowers,coat of arms
The French Admiral on Board the Eryalus
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: food,satire,men,dining,admirals
Study for Vignette in Fontenelle's (attr.) "Les Amours de Mirtil", Canto VI
Object type: drawing and watercolor
Date: 1761 – 1761
Materials: chalk, paper
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Glass head pendant
Object type: head pendant
Date: 300 – 1
Materials: glass
Culture: carthaginian or eastern mediterranean
Subjects: heads,men

Translucent blue, appearing opaque black, and opaque yellow. Oval with uneven, irregular back; small hole under chin; large suspension loop on top of the head. Ear as small applied trail of yellow glass over blue hair; spiral headband across forehead; deep-set eye sockets with tiny holes as eyes, pointed nose, narrow lips, and prominent cheeks and chin. Intact, but possibly missing proper right ear; dulling and faint weathering.
Inlay Representing the Cartouche of Seti II
Object type: plaque, seti ii
Date: 1200 – 1194
Materials: faience
Location: egypt
De luitspeler
Object type: print
Date: 1635 – 1674
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: leonaert bramer
Artist role: draughtsman, painter, print maker
Artist dates: 1596 – 1674
Subjects: armour, person(s) sitting among objects forming a 'vanitas' still life, string instruments (plucked), one person playing string instrument (plucked), string instruments (bowed)
Inscriptions: collector's mark: Lugt 1641, stamp

Een man spelend op een luit. Hij staat achter een tafel waarop kostbare metalen kelken en een ketting liggen. Links meerdere strijkinstrumenten op de tafel en op de grond. Rechts van de tafel zit een goed geklede vrouw met een cape van bont om haar schouders in een spiegel te kijken. Op de grond liggen delen van harnassen. Op een muziekblad op tafel het woord: Vanitas. Allegorie op de IJdelheid. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Muziek en muziekinstrumenten: Strijk- en snaarinstrumenten.
Piece
Object type: piece
Date: 1735 – 1740
Materials: metal thread, silk
Subjects: chickens,chariots
Oud huisje in Brugge
Object type: photograph
Date: 1935 – 1937
Materials: paper
Techniques: gelatin silver print
Location: bruges
Artist: gerrit elink schuurman
Artist role: fotograaf
Artist dates: 1876 – 1953
Subjects: urban housing, bruges
Enquêteformulier ingevuld door Gerardus Hendrik Grauss
Object type: questionnaire
Date: 1840 – 1843
Materials: ink, paper
Techniques: pen, printing, writing
Location: middelburg
Subjects: gerardus hendrik grauss
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Geplaatst in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Heilige Familie onder een boog
Object type: print
Date: 1585 – 1590
Materials: paper
Techniques: engraving
Location: italy
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 240

Een getekende voorstudie voor de figuur van Jozef wordt bewaard in het Ashmolean Museum in Oxford. Een voorstudie voor de figuren van Maria en Christus wordt bewaard in de collectie van John Winter te Londen.
Schöner Brunnen te Neurenberg
Object type: sketchbook leaf
Date: 1850 – 1850
Materials: paper, pencil, watercolor
Techniques: brush
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: church (exterior), ornamental fountain, street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Die Schönbrün/ - Nüremberg.-’

Op de achtergrond de Onze-Lieve-Vrouwekerk. Op de voorgrond figuren. Blad 16 verso uit een schetsboek met 37 bladen.
Portret van Jean-Baptiste Silva
Object type: photomechanical print
Date: 1882 – 1970
Materials: paper
Techniques: letterpress printing
Subjects: historical persons, physician, doctor
Inscriptions: inscription: ‘afg: cat Lepke [...]lei [...]’

Fotomechanische afdruk uit een onbekende publicatie.
Child's Head
Object type: drawing
Date: 1701 – 1800
Materials: chalk, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: heads,children,profiles
Glass mosaic fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Thin-walled body fragment. Translucent purple, cobalt blue, honey yellow, turquoise blue, opaque white and yellow, and colorless. Very shallow convex curving side. Composite mosaic pattern formed from polygonal sections of four or more canes: three very similar in a purple ground surrounding a circular cluster of blue, yellow, or colorless rods outlined in white, yellow, and white respectively; a fourth cane in turquoise blue with a yellow spiral, and part of a fifth cane in a purple ground with a white circle. Polished exterior; pitting of surface bubbles; dulling, pitting, and iridescent weathering on interior and edges.
Portret van Hugo de Groot
Object type: print
Date: 1669 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: delft, hugo de groot
Inscriptions: collector's mark: Lugt 2228

Hugo de Groot, Nederlands dichter, schrijver en rechtsgeleerde. De prent heeft een Nederlands gedicht als onderschrift.
Floral print
Object type: floral print
Date: 1788 – 1788
Materials: cotton
Subjects: flowers
The Rival Chancellors
Object type: print
Techniques: lithograph
Artist: john doyle
Artist role: artist
Artist nationality: irish
Artist dates: 1797 – 1868
Subjects: satire,men,dining,politics

In this political satire Lord Brougham and the Duke of Gloucester face one another across a dining table. The duke at right says, "My friends all remark my great partiality for Tongue. – What is your dish?" At left, Brougham says "I have got it here before me,– a most excellent Calf's Head." Brougham was Lord-Chancellor of England and the Duke of Gloucester was Chancellor of the University of Cambridge.
Plate used in the House of Representatives of the Netherlands at official receptions
Object type: plate dish
Date: 1900 – 1974
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, vitrification
Location: bavaria
Subjects: brussels, the hague
Inscriptions: inscription: ‘TWEEDE KAMER DER STATENGENERAAL’, serial number: ‘Hutschenreuther Selb/ leeuw met L.H.S. Bavaria Germany/ N/ P.A.W. Philippona Den Haag/ 25’

Bord van porselein, beschilderd op het glazuur in goud. Versierd met een gouden rand en het gekroonde wapen van de Tweede Kamer met het opschrift 'TWEEDE KAMER DER STATENGENERAAL'. Gemerkt op de onderzijde met het fabrieksmerk, 'P.A.W. PHILIPPONA DEN HAAG', N en 25. Mogelijk gedecoreerd in Den Haag.
Home scenes, or, lights and shadows of the Christian home
Object type: book
Date: 1865 – 1865
Materials: cardboard, leather, paper, photographic support
Techniques: albumen print, printing
Location: new york city
Mejuffrouw Tachard te paard voor huis Hydepark
Object type: photograph
Date: 1888 – 1888
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912

Met onderschrift: Mme Tachard voor Heidepark.
Head of an Apostle
Object type: painting
Materials: oil, paint, panel, wood
Techniques: painting
Location: belgium
Artist: follower of jacob jordaens
Artist nationality: flemish
Artist dates: 1593 – 1678
Subjects: head, bearded man, religious, religious figures, religion, christianity, christian subjects, man
Straatverkopers
Object type: print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: street-trader, milkmaid
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van straatverkopers: een fruitverkoopster, een parapluverkoper, een verkoper van zure producten en een melkmeid. Boven elke afbeelding een titel, onder elke afbeelding een achtregelig vers. Genummerd rechtsboven: No. 111.
Design for Landau, No. 3921
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fichu
Object type: fichu
Date: 1834 – 1866
Materials: silk
Culture: american or european
Senavetus civitas virginis
Object type: print
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: coat of arms (as symbol of the state, etc.), mary (without the christ-child), archbishop, bishop, etc. (roman catholic), city-view in general; 'veduta', maps, atlases, cardinal, saints, female saints
Inscriptions: collector's mark: Lugt 240

Deel van een plattegrond van Siena. Boven de stad heiligen, bisschoppen, kardinalen en Maria op wolken. Bovenste helft van prent is afgesneden.
Le Bouvier Assis
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: ruins,men,cows
De eerste schouwburg te Amsterdam, onder de benaaminge van Costers Nederduitsche Academie, zoo als die zich aan desselfs ingang vertoonde in den jaare 1617
Object type: print
Date: 1752 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: samuel coster, theatre (building), canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage), book-shop, bookseller

Gezicht op de Nederduitse Academie (Eerste Nederduytsche Academie) van Samuel Coster aan de Keizersgracht te Amsterdam, gelegen ter hoogte van het huidige nummer 384. Zoals het eruit zou hebben gezien in het jaar van oprichting 1617. Links van de toegangspoort een boekwinkel. Op straat en in het bootje rechtsvoor enkele figuren.
[Side View of Main Street, Governor General's Camp]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: tents,camps
Ianuarius
Object type: print
Date: 1684 – 1729
Materials: paper
Techniques: etching
Location: germany
Subjects: winter sports, january and its 'labours', aquarius (zodiacal sign of january), landscape symbolizing january
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 384, collector's mark: Lugt 3790

Landschap met schaatsenrijders en door paarden getrokken sledes op het ijs bij het hof in Den Haag, voorstellende de maand januari. Bovenaan het bij deze maand behorende sterrenbeeld: waterman. Eerste prent uit een serie van twaalf.
De dood
Object type: zinkplaat
Date: 1881 – 1934
Materials: zinc
Techniques: etching
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Rosslyn Chapel
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: drypoint, etching
Location: scotland
Artist: david young cameron
Artist role: draughtsman, print maker
Artist nationality: scottish
Artist dates: 1865 – 1945
De raderen van een watermolen
Object type: drawing
Date: 1600 – 1699
Materials: chalk, paper
Artist: Anonymous
Subjects: watermill
Terracotta fragment of a mastoid (drinking cup with narrow base)
Object type: mastoid fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Helmeted Athena? to right wearing her aegis, with her right arm bent, and her left arm extended under her garment
Connons des Invalides / Les Invalides
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, cutting, hand coloring
Location: paris
Artist: Anonymous
Subjects: firearms: cannon
Ornamental design for liturgical object
Object type: drawing
Date: 1701 – 1800
Materials: gouache, ink
Techniques: brush, heightening, pen, wash
Artist: anonymous, 18th century
Artist role: artist
Artist dates: 1700 – 1800
Subjects: birds,ornament
View, Looking Aft, from the Port Paddle Box of the Great Eastern, Showing the Trough for the Cable, etc.
Object type: drawing
Date: 1865 – 1866
Materials: gouache, graphite, watercolor
Artist: robert charles dudley
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1909
Subjects: men,ships,transatlantic cable

One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. This watercolor by Dudley shows a long trough that held the cable on the deck of the Great Eastern. Figures stand on a cover over one of the ship's huge paddlewheels. Part of a series documenting the long, arduous process, this image was reproduced as a color lithograph in William H. Russell's 1866 book "The Atlantic Telegraph" (92.10.100 and 61.536.5). In 1892 Field donated art works by Dudley, a copy of Russell's book, commemorative medals, memorabilia, and specimens of cable to the Museum.
Batallon 2º de Ligeros. Stana Mayor. Paladores
Object type: cabinet photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: cuba
Artist: a.a. cohner
Artist role: fotograaf
Subjects: firearms: rifle, warfare; military affairs, (military) uniforms, division of armed forces
Inscriptions: address: ‘Calle de O'Reilly, 62, Habana / Rue de Rivoli, 79, Paris.’

Onderdeel van Album met cartes-de-visite en kabinetfoto's van militairen in uniform.
Fragment of a Bowl
Object type: fragment
Date: 1301 – 1400
Materials: glaze, stonepaste
Techniques: underglaze
Location: syria
Subjects: flowers
Ein new getruckt model Büchli...Page 9, recto
Object type: book print ornament architecture
Date: 1529 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: ornament

Published by Schoensperger, Augsburg. Title page, 45 pages of designs for weaving and embroidery, and 5 manuscript pages of weaver's notations at back.
Beleg en inname van Den Bosch door Frederik Hendrik, 1629, (blad rechtsonder)
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, frederick henry (prince of orange), maps of separate countries or regions, siege, position war, capture of city (after the siege), the defeated (after the battle), den bosch
Inscriptions: date

Grote kaart van de omsingeling van Den Bosch tijdens het beleg door het Staatse leger onder Frederik Hendrik, van 1 mei tot 17 september 1629. Geheel bestaande uit 4 platen en 4 tekstbladen. Dit is het blad rechtsonder met een deel van de kaart met kwartier Frederik Hendrik. Rechtsonder enkele officieren te paard die toezien het Spaanse garnizoen in stoet de st verlaat.
Ball
Object type: textile
Materials: cotton, paper, textile, silk
Techniques: embroidery, cutting, damask, forming, laid work, weave, stitching
Location: korea
The Wada Rebellion: Yoshihide Breaks Down the Great Gate
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861

The Wada Rebellion was fought in spring 1213 in Kamakura, the headquarters of the Kamakura shogunate since 1185. The unrest was instigated by the warrior Wada Yoshimori against Hōjō Yoshitoki, regent of the shogun. In this triptych, Wada Yoshimori’s son Asahina Yoshihide crashes through the gate of the Hōjō stronghold at center. Hōjō Yoshitoki appears at far right, while his men are crushed by the collapsing structure.