deem-data/ArtiFact huggingface dataset:
P.e 1.a N.o 1955 FIRENZE - La Facciata della Cattedrale. (Opera dell'Arch. De Fabris, scoperta il 12 maggio 1887.)
Object type: photograph
Date: 1887 – 1895
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: florence
Subjects: church (exterior), tower (of house or building)
Inscriptions: number: ‘76.’
Wolken
Object type: sketchbook leaf
Date: 1885 – 1931
Materials: chalk, paper
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: clouds

Blad 14 verso uit een schetsboek met 28 bladen.
Staircase and Fountain (recto); Seated Male Nude in Profile to Left, Looking Upward (verso)
Object type: drawing and watercolor
Materials: chalk, gouache, ink, paper, paint, watercolor
Techniques: brush, heightening, pen, wash
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1600 – 1699
Hood
Object type: hood
Date: 1860 – 1875
Materials: cotton, silk
Culture: american
Fotoreproductie van het schilderij Zu Befehl, Majestät!
Object type: cabinet photograph
Date: 1894 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: arthur jünger
Artist role: fotograaf
Subjects: wilhelm ii (keizer van duitsland), emperor, military salutes
Inscriptions: collector's mark: ‘Vosmaer’, stamp: ‘Librairie artistique/ fondée 1813/ A. van Hoogstraten et Fils/ Fournisseurs de la Cour/ Plaats 11 - La Haye.’
Fotoreproductie van een tekening van Girodet, twee goden worden toegesproken, illustratie bij Apothéose d'Anacréon
Object type: page
Date: 1859 – 1864
Materials: paper
Techniques: albumen print
Subjects: gods ~ classical mythology
Bladzijden uit het tijdschrift Eigen Haard
Object type: magazine
Date: 1906 – 1906
Materials: glue, paper
Techniques: letterpress printing, line block
Location: haarlem
Artist: Anonymous
Subjects: damage (to a ship), weekly, monthly, magazine, etc., canal, the usual house or row of houses
Inscriptions: collector's mark: ‘8’ Lugt 1641b, inscription: ‘Een oud plekje in de Hoofdstad / Eigen Haard’

Onderwerpsrubriek binnen de Atlas Amsterdam: Galerij Paleis voor Volksvlijt, Gebed zonder end, Geldersche Kade, Gravenstraat, Grimburgwal, Grimnessesluis, Groeneburgwal.
Cup and saucer
Object type: cup and saucer
Date: 1901 – 2000
Materials: hard paste porcelain
Culture: austrian
Subjects: women
Chimney Ornament: Little Red Riding Hood
Object type: ceramic
Date: 1830 – 1830
Materials: earthenware, enamel
Techniques: glazing, polychrome
Culture: staffordshire potteries
Location: staffordshire
Herinnering aan Amsterdam in 1883
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: chromolithography
Location: amsterdam
Artist: Anonymous
Subjects: world fair, world exhibition, amsterdam

Deze prent komt voor in: Herinnering aan Amsterdam in 1883. Amsterdam: Het Nieuws van den Dag, 1883. Dit is een serie van zestien prenten over de wereldtentoonstelling in Amsterdam, 1883, met daarbij een plattegrond van het tentoonstellingsterrein en een omslag.
Strook kloskant met symmetrisch patroon rond doorlopende geschulpte sierlijst onder de middenlijn van de strook
Object type: strip
Date: 1800 – 1849
Materials: linen
Techniques: lace
Location: mechelen
Artist: Anonymous

Strook naturelkleurige kloskant, Vlaanderse kant. Het patroon op de bovenste helft van de strook bestaat uit twee rijen losse motieven, steeds twee keer een configuratie van vier rondjes, afgewisseld door een bloem met vier spitsovale bloembladeren. Ruim onder de middenlijn van de strook bestaat het zich herhalende en symmetrische patroon uit een doorlopende geschulpte sierlijst, die met de aaneengeschakelde gestileerde blaadjes en bloempjes langs de onderzijde van de strook een soort cartouches vormt. Om de twee cartouches staat een losse rozetbloem. De motieven zijn boven de sierlijst met elkaar verbonden door een traliegrond, een vijfgaatjesgrond. Onder de sierlijst zijn siergronden toegepast. De motieven zijn gemaakt in linnenslag met uitsparingen en dikkere en glimmende contourdraden. De bovenzijde van de strook is afgewerkt met een apart geklost bandje. De schulpenrand langs de onderzijde van de strook is afgewerkt met picots.
The Amida Falls in the Far Reaches of the Kisokaidō Road (Kisoji no oku Amida-ga-taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)
Object type: woodblock print
Date: 1832 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: men,waterfalls,mountains,trees
Kinderportret
Object type: drawing
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: anonymous historical person portrayed alone
Portret van Gustav Adolf von Rochow
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: engraving
Location: merseburg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Imperial Summer Robe of State
Object type: robe, imperial
Date: 1701 – 1800
Materials: silk
Culture: chinese
Subjects: dragons
Portret van Jean Restout (II)
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Subjects: paris, draughtsman, jean restout (ii), historical persons, draughtsman at work, portrait, self-portrait of artist, tools, implements of draughtsman
Inscriptions: collector's mark: Lugt 2233, number: ‘B 56’
Portret van Eliza Laurillard
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: rotterdam, eliza laurillard, historical persons (+ (full) bust portrait)
Inscriptions: : ‘Uitgegeven door / (...)’, : ‘Gedeponeerd.’, : ‘Gedrukt ter steendrukkerij / van den ondergeteekende / P.W.M. Trap / Leyden December 1861’

Onder het portret de signatuur van de geportretteerde.
Angleterre. Défense des côtes. Reconaissance de 1891. Photographies
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: great britain
Artist: Anonymous
Subjects: dover (engeland)
Inscriptions: annotation: ‘Fossé // B[atter]ie St Martin // Redoute Drop // Fossé’, inscription: ‘Douvres’, inscription: ‘DOUVRES / Citadelle, Batterie St Martin, Redoute Drop vues de la jetée de l'Admirauté’

Foto uit een album met 35 topografische foto's van Britse kustplaatsen, waarop in pen militaire verdedigingswerken zijn aangegeven door een Franse militair.
Voddenboer, van achteren
Object type: drawing
Date: 1840 – 1840
Materials: paper, pencil
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873
Kwakzalver van de historische en allegorische optocht, ter gelegenheid van de inhuldiging van koningin Wilhelmina, Amsterdam
Object type: stereograph
Date: 1898 – 1898
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, ceremonial celebration of installation of a ruler, amsterdam
The Doubting Thomas, from "The Small Passion"
Object type: print
Date: 1510 – 1510
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,christ
Maaltijd bij de Farizeeërs
Object type: print
Date: 1480 – 1500
Materials: paper
Techniques: woodcut
Subjects: meal at the house of a pharisee; christ and his disciples do not submit to the ritual washing (luke 11:37-41)

Eén blad van 113 uit Ludolphus de Saxonia, "Dit es dleué ons liefs heeren ihesu christi". Anonieme Nederlandse vertaling. Uitgegeven door Henrick Eckert van Homberch te Antwerpen in 1503. Botke, K. Deze 113 houtsneden, die meestal reeds in vroege Nederlandse boeken gebruikt zijn, worden toegeschreven aan de tweede Meester van Delft, de Meester van de Delbecq-Schreiber-passie en de Meester van de Virgo inter Virgines. In Conway (1884) en in "De gulden passer"(1951) zijn ook eerdere versies opgenomen. Botke, K.
Crutch Dagger (Zafar Takieh, "Cushion of Victory")
Object type: crutch dagger
Date: 1601 – 1800
Materials: ivory, steel
Culture: european or south indian
Gorge du Trient à Martigny. Suisse. (2)
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: wallis
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: ravine, chasm, abyss, canyon, bridge
Inscriptions: number: ‘59.’, inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’
Rhinoceros
Object type: print
Date: 1542 – 1542
Techniques: engraving
Artist: enea vico
Artist role: artist
Artist nationality: italian
Artist dates: 1523 – 1567
Subjects: rhinoceros
Christ
Object type: figurine
Materials: copper, glass, iron, metal
Techniques: lampwork
Culture: french
Artist: haly workshop
Artist role: artist
Artist dates: 18 – 18
Subjects: christ
Design for Vis-A-Vis Carriage
Object type: print
Date: 1880 – 1880
Techniques: hand coloring, lithograph
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Crossbow
Object type: kruisboog, armborst, voetboog
Date: 1500 – 1600
Materials: bone, iron, steel, wood
Techniques: cutting, forging
Location: low countries
Artist: Anonymous

A crossbow is a heavy weapon that could shoot arrows with much greater force than a longbow. Instead of drawing the crossbow by hand, the marksman used a reel. Crossbow arrows, however, could not go further than thirty metres. Moreover, it took quite some time to draw the crossbow.
Christus voor Kajafas
Object type: book illustration
Date: 1705 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: christ before the sanhedrin with caiaphas as high priest, and possibly annas; maybe a soldier about to strike christ because he keeps silent (matthew 26:57-66; mark 14:53-64; luke 22:54, 22:66-71)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Utrechts Fundatie Huijs’

Prent oorspronkelijk bedoeld voor: Figures de la Bible. Amsterdam: Bernard Picart, 1720. Prent ook gebruikt in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (...) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (...) en met beschrijvingen uitgebreid. Den Haag: Pieter de Hondt, 1728.
Twee paren in een tuin
Object type: design
Materials: ink, paper
Techniques: brush, pen
Location: brussels
Artist: Anonymous
Titelpagina voor: Johannes Frisius, Dictionarium Latinogermanicum, Ioanne Frisio Tigurino interprete, 1568
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: woodcut
Location: zurich
Subjects: anthropomorphic ornament, title-page
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Frisius, Johannes. Dictionarium Latinogermanicum, Ioanne Frisio Tigurino interprete. Zürich: Christoph Froschauer, 1568.
Beker, ook wel Frauenbecher genoemd, in de vorm van een mannenfiguur met beweegbare armen. Kelk in de vorm van een uitstaande rok
Object type: cup
Date: 1600 – 1600
Materials: silver
Techniques: gilding
Location: nuremberg
Artist: jörg ruel
Artist role: silversmith
Artist dates:  – 1625

Frauenbecher. Silver-gilt. Nuremberg, c. 1600, by Georg Rühl.
Candi Panataran (Temple Complex), Main Temple; dated dvarapala (with female attendant) guarding the left staircase, Panataran, Blitar district, East Java province, 1323-1347 AD, Indonesia
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Inscriptions: title: ‘Siva als tempelwachter (?) staande voor den tempel te Panataran (Residentie Kediri) Cat. no. 249’
Close No. 128 Saltmarket
Object type: photograph
Date: 1868 – 1868
Techniques: photogravure
Location: scotland
Artist: thomas annan
Artist role: fotograaf
Artist nationality: scottish
Artist dates: 1829 – 1887
Jonge vrouw op een bed
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: cut flowers; nosegay, bunch of flowers, smell, smelling (one of the five senses), bed
Inscriptions: collector's mark: Lugt 2228

Een elegant geklede vrouw ligt op een bed en ruikt aan een bloem. Naast het bed staat een walmend wierookvat.
Prince Riding an Elephant
Object type: illustrated album leaf
Date: 1501 – 1700
Materials: gold, ink, paper, watercolor
Location: india
Artist: khem karan
Artist role: artist
Subjects: princes,men,elephants

Elephants were highly prized at Indian courts, greatly appreciated as gifts, and eagerly sought as booty in military campaigns. Paintings of several admired elephants were made at the Mughal court, much as portraits were made of courtiers and nobles. Khem Karan, whose signature appears at the bottom of the picture, was a well-known painter in Akbar’s atelier.
Two Medals Commemorating James McNeill Whistler
Object type: metalwork
Date: 1890 – 1908
Materials: bronze, metal, silver
Location: united states
Artist: victor david brenner
Artist nationality: american
Artist dates: 1871 – 1924
Inscriptions: OB marked with butterfly signature and inscribed: James McNeill Whistler-painter, etcher, writer. 

Reverse inscribed with Peacock at left inscribed: "Messieurs les ennemis" & butterfly signature
t'Huys Groenewou van outs Woudenberg
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: castle, landscape with tower or castle, woudenberg

Prent uit: De Ridder-matige Huysen en Gesichten in de Provincie van Utrecht. Utrecht: Caspar Specht, 1698.
Schaatsenrijders
Object type: drawing
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: skates (winter sports)
Gezicht op de Sint-Pieterskerk in Luik
Object type: book illustration
Date: 1738 – 1744
Materials: paper
Techniques: engraving, etching
Location: liège
Subjects: church (exterior), liège

Prent uit: Johanne de Saumery, Alexandre de et al. Les délices du païs de Liège, ou description géographique, topographique et chorographique des monumes sacrés et profanes (...). 5 dln. Luik: Everard Kints, 1738-1744, dl. 1, p. 119.
Untitled Valentine (Pink Flower)
Object type: drawing and watercolor
Date: 1825 – 1825
Materials: ink, paper, watercolor
Techniques: pen
Location: germany
Artist: Anonymous
Artist nationality: german
Artist dates: 1800 – 1899
Gerard Hordijk en Mommie Schwarz in een tentoonstellingsruimte
Object type: photograph
Date: 1935 – 1940
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: print maker, mommie schwarz, the hague, amsterdam, draughtsman, gerard hordijk, historical persons
Amphoriskos (Container for Oil)
Object type: vessel
Date: 200 – 35
Materials: glass
Techniques: forming
Culture: eastern mediterranean
Location: eastern mediterranean region
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, chin, upper back, drapery, and left arm of youth
Portret van Willibald Pirckheimer
Object type: print
Date: 1600 – 1649
Materials: paper
Techniques: engraving
Location: france
Subjects: eichstätt, willibald pirckheimer, historical persons
Inscriptions: collector's mark: Lugt 2228
Ostenda
Object type: book illustration
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of cities

Plattegrond uit: Guicciardini, Lodovico. Belgicae sive Inferioris Germaniae, descriptio (...). Amsterdam: Johannes Janssonius junior, 1652. Ook in: Guicciardini, Lodovico. Belgicae sive Inferioris Germaniae (...). Amsterdam: Jacob van Meurs, 1660. Tevens gebruikt in: Beschryvingh der Neder-landen; soo uyt Louis Guicciardijn als andere vermaerde schrijvers (...). 2 dln. Amsterdam: Jacob van Meurs, 1660 (en herdruk 1662). Komt ook voor in: Caert en stedeboexken van Nederlandt. Amsterdam: Jan Janssen Brouwer, 1652.
Portret van Emilia Sczaniecka
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons - bb - woman, patriot (revolutionary)
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Straszewicz, Joseph. Les polonais et les polonaises de la révolution du 29 novembre 1830 (...). Parijs: Catherine-Anaïs Pinard, 1832.
Tegel met geel glazuur
Object type: tile
Date: 1600 – 1900
Materials: earthenware
Location: netherlands
Artist: Anonymous
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, part of a seated, draped figure on a kline, reclining against a cushion, playing the aulos
Gelukkige vader met zijn kinderen als vierde periode van de levensloop
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: bench, father with son(s) and daughter(s) (father-love), adult man, child, farm or solitary house in landscape, the life of man
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van acht prenten over de levensloop van de mens.
Haches polies en silex
Object type: page
Date: 1864 – 1869
Materials: paper
Techniques: photolithography
Subjects: tools, aids, implements ~ crafts and industries: axe
Inscriptions: inscription: ‘1/1 nature’, inscription: ‘PL.72’, inscription: ‘Procédé spécial photo-litho. A. Bilordeaux’
Twee voorstellingen uit Der kleiner Cäsar
Object type: book illustration
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: bed, dog
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Coventry, Francis. Der kleine Cäsar (...). 2 dln. Leipzig: Dykischen Buchhandlung, 1782, dl. 1.
Maharana Sangram Singh Riding a Prize Stallion
Object type: painting
Date: 1712 – 1712
Materials: gold, ink, paper, pearl, watercolor
Culture: mewar
Artist: stipple master
Artist role: artist
Artist nationality: indian
Artist dates: 1680 – 1725
Subjects: kings,men,horses

Presented within a long-standing tradition of imperial portraiture, Maharana Sangram Singh sits on rearing horse flanked by attendants holding fly whisks. A radiant halo further aggrandizes the king and references his dynastic descent from the sun god. The premier artist who executed this work used a stippling technique that is otherwise unknown in Rajput painting, though it does have Mughal and Deccan precedents. This distinctive approach coupled with a sparse use of color allows the paper substrate to show through, giving the painting a dreamlike quality seen in works from the period only by this artist.
The Adventure of the Chamber Pot, plate four from Scènes du Roman Comique
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jean-baptiste oudry
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1755

Jean-Baptiste Oudry turned his hand to comic genre in this etching, which illustrates a scene from Paul Scarron’s 1651 novel, Roman Comique. Scarron’s misanthropic and drunken character, La Rancune, accepts a merchant’s kind offer to share the inn’s last bed. Ungrateful, La Rancune repeatedly awakens his benefactor from sound sleep, demanding the chamber pot, without relieving himself. Finally, after elbowing the merchant’s stomach and nearly strangling him, he asks again, fills the chamber pot to the brim and then empties it over the merchant’s head. By this malicious ruse he secures the entire bed for himself for the rest of the night.
Brief aan Andries Bonger
Object type: letter
Date: 1909 – 1909
Materials: ink, paper
Techniques: pen, writing
Location: bièvres
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: arï redon, paris, painter, print maker, draughtsman, camille corot, marseille, adolphe joseph thomas monticelli, andries bonger, family life, painting (including book-illumination, miniature-painting), diseases, printed matter
Chasuble
Object type: chasuble
Materials: linen, metal thread, silk

The date 1541 nestles in the center of this strip of symmetrical arabesques, curlicues, dolphins, harpies, and winged putti heads. Something of the original sumptuousness remains of this petit point needlework, although time and wear-and-tear have damaged it considerably. The design was sewn in gold threads against what was originally a blue background whose silk stitching has entirely degraded, revealing the canvas support beneath. At a considerably later date, likely the nineteenth century, the two long strips of sixteenth-century needlework were applied as if orphreys to a thin, modern, blue velvet to evoke a liturgical garment– a priest's tabard-like chasuble– although it is highly unlikely that this was ever actually worn as one. More likely it is a dealer's composite, created to appeal to Gilded Age market tastes.
Gevecht tussen engelen en monsters
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: etching
Artist: jonkheer isaac lambertus cremer van den berch van heemstede
Artist role: print maker
Artist dates: 1811 – 1879
Subjects: angels fighting against other evil powers, fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa), man struggling with animals, angels and devils fighting over the soul, angels
Inscriptions: collector's mark

Links heeft een engel de bek van een monster vast. In het midden een mensfiguur met ontbloot torso. In zijn uitgestrekte armen heeft hij een slang. In het midden een kop van een wolf of monster met wijd opengesperde bek.