deem-data/ArtiFact huggingface dataset:
Siak op Sumatra, kepeng, 1835
Object type: coin
Date: 1835 – 1836
Materials: copper
Techniques: striking
Location: birmingham

Koperen munt. Particuliere munt. Voorzijde: tweeregelig opschrift: aanduiding in het Maleis in Arabische lettertekens: Negri Siak. Keerzijde: eenregelig Maleis opschrift in Arabische lettertekens: een kepeng, waarboven waarde-aanduiding 1 en waaronder het jaartal 1251 in Islamitische tijdsrekening. Gladde rand.
Joan Schonerus mathematicus
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Location: france
Artist: robert boissard
Artist role: print maker
Artist dates: 1570 – 1611
Subjects: ink-well, historical persons, book
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1477-1547. Ee2’
Bronze pin with snake-head terminal
Object type: pin with snake head terminal
Date: 550 – 550
Materials: bronze
Culture: etruscan
Subjects: snakes

Ending in the head of a snake. The lid is chained to one of the ring attachments of the handle and is kept in place by the bronze pin.
Lidded dish
Object type: coupe
Date: 1600 – 1600
Materials: gold
Location: freiburg
Artist: Anonymous
Subjects: ornaments ~ art

Deksel van bergkristal in een gouden montuur.
“The First Knot”. Interlaced Roundel with an Oblong Panel in its Center
Object type: collection ornament architecture
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

Embroidery pattern made up out of so-called knot work. The main pattern has a circular shape and is presented in white on a dark ground. The knotted ropes or straps form three tiers surrounding the central motif which is an oblong panel, left blank. On all four corners another, leaf-shaped ornament has been added which sticks out of the circle. The leaves are filled with more knot work in white on the dark ground while swirling straps in black surround them.
Budapest Várkert Burggarten Jone-herczeg szobra-Prinz Eugen Monument
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1905
Materials: cardboard
Techniques: photograph, writing
Artist: Anonymous
Subjects: monument, statue, façade (of house or building)
Inscriptions: postage stamp
Ontwerpen voor tombes
Object type: album leaf
Date: 1682 – 1739
Materials: paper
Techniques: etching
Location: paris
Subjects: fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa), 'tropaion', i.e. decorative ornament ~ weapons, monsters of mixed human and animal shape; 'mostri' (ripa), grave, tomb

Prent maakt deel uit van een serie van vijf prenten.
De koningh van Allekatten / en de koningh van Ternate / met alderhande wilde en tamme gedierten
Object type: popular print
Date: 1711 – 1723
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: hoofed animals: camel, unicorn, animals, tortoises, turtles, birds, hoofed animals: rhinoceros, beasts of prey, predatory animals: bear, trunked animals: elephant
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met 24 voorstellingen van dieren, zoals een olifant, een schildpad, een zwaan en een beer. Onder elke afbeelding de naam van het afgebeelde dier. Genummerd linksboven: 27.
Fotoreproductie van een gravure van de rust op de vlucht naar Egypte door Rembrandt van Rijn
Object type: photograph
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: rest on the flight into egypt

Foto op de 76e ongenummerde pagina na titelpagina.
Lijkstatie van Jacob Mossel, Governeur-Generaal te Batavia, 1761
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: enkhuizen, batavia, cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

De lijkstatie bij de begrafenis van Jacob Mossel, de Governeur-Generaal te Batavia, 19 mei 1761. De stoet afgebeeld in 8 rijen onder elkaar, details nog ongenummerd.
La Matrone d'Ephese, from "Contes et nouvelles en vers par Jean de La Fontaine.  A Paris, de l'imprimerie de  P. Didot, l'an III de la République, 1795"
Object type: print
Date: 1793 – 1793
Techniques: etching
Artist: jean-louis delignon
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1804
Subjects: tombs,soldiers,spears,women
Table
Object type: table
Date: 1501 – 1600
Materials: wood
Techniques: carving
Comb Morion
Object type: armor
Date: 1580 – 1590
Materials: brass, leather, steel
Location: brescia
The Lamentation for Christ
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: sadness,women,christ,lamentation
Page from a pattern book for a Uttaradhyayana sutra manuscript
Object type: folio
Date: 1675 – 1675
Materials: ink, paper
Culture: indian
Subjects: men,cows,horses

The Uttaradhyayana sutra is considered a fundamental ("mula") text of Jainism, containing the teachings of Mahavira, the 24th and most recent Jina, considered to be the historical founder of Jainism. This sutra is largely devoted to the rules of behavior that govern monastic life. This page belonged to a pattern book used by painters employed to produce illustrated editions of this text, depicting scenes from chapters 7 and 8.
Gedecoreerde trapleuning
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: stairwell
Inscriptions: annotation: ‘Frankrijk 55’, annotation: ‘Nancy’, collector's mark: ‘RIJKS NORMAALSCHOOL voor T[EEKENONDERWIJZERS] AMSTERDA[M]’, annotation: ‘Nancij’
Yasashi Beach, known as Kujūkuri, Kazusa Province, from the series Views of Famous Places in the Sixty-Odd Provinces
Object type: print
Date: 1853 – 1853
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,beaches,boats
Mijn en fabriek in Moengo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Terrein van de mijn en fabriek in Moengo. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Childéric 1er
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Accessory set
Object type: accessory set
Date: 1850 – 1850
Materials: linen
Culture: american
Houtsprokkelaars en ruiter in het bos
Object type: print
Date: 1837 – 1855
Materials: paper
Techniques: lithograph
Artist: frans breuhaus de groot
Artist role: draughtsman, print maker
Artist dates: 1796 – 1875
Subjects: riding a horse, ass, or mule; rider, horseman, woodgathering, woodgatherer, forest, wood
Inscriptions: collector's mark: Lugt 2228

Een van de twee sprokkelaars heeft een bos hout op zijn hoofd. Het paard is in galop.
Ontwerp voor een grote poort op een brug
Object type: print
Date: 1749 – 1760
Materials: ink, paper
Techniques: etching
Location: rome
Inscriptions: number, collector's mark
Assignat van tien livres, serie 14253 uitgegeven 24 oktober 1792
Object type: assignat
Date: 1792 – 1792
Materials: paper
Techniques: printing
Location: france
Artist: Anonymous
Subjects: bank-note, france
Inscriptions: signature: ‘Caisane’
Portret van Ulrich Zwingli
Object type: book illustration
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Artist: françois hubert
Artist role: print maker
Artist dates: 1744 – 1809
Subjects: clergyman, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Laborde, Jean-Benjamin de & Zurlauben, Beat Fidel. Tableaux topographiques, pittoresques, physiques, historiques, moraux, politiques, littéraires de la Suisse. Parijs: Lamy de Clousier, 1780-1786, dl. 3.
Sabelbajonet van de marine
Object type: sword bayonet
Date: 1700 – 1900
Materials: iron
Artist: Anonymous

Bajonetsabel van de marine; waarop (de inscriptie?) 'Marine'.
New York from Governor's Island (No. 20 of The Hudson River Portfolio)
Object type: print
Date: 1823 – 1824
Techniques: aquatint, hand coloring, printing
Artist: john hill
Artist role: etcher
Artist nationality: american, born england
Artist dates: 1770 – 1850
Subjects: rivers,boats,new york city

From New York Harbor, we here look back toward Manhattan and the mouth of the Hudson. Agg's related text traces the city's history from a Dutch settlement to a center of world trade whose population was estimated at 140,000 in 1824. "Possessing advantages which are scarcely to be surpassed, in its proximity to the ocean, and its facilities of intercourse with the interior by means of that splendid system of internal navigation which has been so successfully carried into effect, its commercial character must rapidly increase; and the time may not be very remote when it will outstrip, in its wealth, population, and credit, the most extensive sea-ports of the old world. In the view which lies before us, the forest of masts, the spires, and forts, combine to impress the mind with a pretty correct idea of the present importance of the city." The print comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed—to be issued to subscribers in sets of four—and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School.
First View of the Surroundings of Bayonne
Object type: print
Date: 1775 – 1775
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Madonna and Child with Saints Elizabeth and John the Baptist
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: annibale carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1560 – 1609

Annibale Carracci was a vibrantly naturalistic painter, a draftsman, and the founder of an artist’s school. This luminous print represents the culmination of the 20 religious intaglio works engraved by the artist. Carracci created the work during a period at the end of his career in Rome marked by self-doubt, and the scene reflects his increasingly personal devotion. As here, the figural groupings in his last prints became increasingly monumental, even as he adopted a more intimate scale.
Nail Violin
Object type: nail violin
Materials: metal, wood
Culture: european
Location: germany

The German violinist Johann Wilde invented the nail violin around 1740. The instrument consists of a wooden soundbox (circular or semicircular) and metal nails. Sound is produced by drawing a violin bow across the nails, creating bell-like tones. While it has limited capabilities, the instrument was popular in the eighteenth century and other makers built similar instruments in various forms. Technical description: Flat circular wooden soundbox, the top surface of which is a thin spruce soundboard pierced by three carved rosettes; around the edge of the soundboard are driven two overlapping rows of steel pins, one row of 44 pins (the larger ones staggered chromatically) giving a chromatic compass of three octaves starting on a C, and a 4th diatonic octave above, the other row of 23 pins make a diatonic scale starting on an F; accidental pins are bent slightly outward near their tops, naturals are straight; four short wire-topped bridges on the soundboard form two opposing Vs, with two smaller bridges off the soundboard below the open point of the Vs; pairs of sympathetic wire strings crossed these bridges from a double row of 32 tuning pins on one side of the circle to 13 hooked hitchpins on the opposite side, the strings passing between the vertical pins; in the solid bottom of the circle, a central hole extending into a knob-like protrusion within the soundbox. Played with a bow (missing). (Linda Moot, 1978)
The Agony in the Gardens and Christ's Arrest, plate ten from Passio domini nostri Jesu Christi
Object type: print
Date: 1503 – 1503
Materials: paper
Techniques: woodcut
Location: switzerland
Artist: urs graf
Artist role: artist
Artist nationality: swiss
Artist dates: 1485 – 1527
The Compound on Mount Narita, Shimosa Province (Shimosa Naritasan keidai) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”
Object type: print
Date: 1859 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
Twee foto's van huizen langs de Amstel, Amsterdam
Object type: photograph
Date: 1895 – 1910
Materials: paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: urban housing, canals, waters (in city), amsterdam

Deze foto's maken deel uit van een album.
A New Book of Chinese Designs
Object type: book print ornament architecture
Date: 1754 – 1754
Techniques: engraving, etching
Location: england
Artist: matthias darly
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1720 – 1780
Subjects: fences,trees

Book with title, index and 114 numbered plates (out of 120) of 'A New Book of Chinese Designs', etched and published in 1754 by the British caricaturist, printseller and ornamental engraver Matthew Darly, in collaboration with George Edwards. Apprenticed to the clockmaker Umfraville Sampson in 1735, Darly worked with Chippendale in the 1750s, and engraved most of the plates for the 'Director'. During 1755-57, he worked in partnership with the ornithologist George Edwards, and in the early 1760s he published many political prints, with a particular dedication to social satires from the mid-1760s. The book contains a variety of ornamental and costume designs of Chinese inspiration, some of them photostatic reproductions of the original works (including the title). It has green and white half-leather binding.
Portret van sultan Mehmet IV van het Ottomaanse Rijk
Object type: print
Date: 1619 – 1672
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: constantinopel, sultan, mehmet iv (sultan van het ottomaanse rijk)
Inscriptions: collector's mark: Lugt 2228

Portret van Mehmet IV, sultan van het Ottomaanse Rijk, met een scepter in zijn hand. Volgens het Franse onderschrift onderaan in de marge het echte portret.
Martyrdom of St. Lawrence
Object type: print
Date: 1505 – 1505
Techniques: woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: men,saint lawrence,death
Stool
Object type: stool
Date: 1401 – 1500
Materials: wood
Culture: french or south netherlandish
Donderblad en koningskaars
Object type: print
Date: 1600 – 1604
Materials: paper
Techniques: engraving
Location: cologne
Subjects: flowers: great mullein, flowers: sempervivum, botany
Inscriptions: collector's mark: Lugt 2228

De prenten RP-P-2012-24-1 t/m 61 waren oorspronkelijk als serie samengebonden. De naaigaten op de bladen zijn nog zichtbaar. Het betreft de reeks getiteld: Cognoscite lilia, bestaande uit een titelprent en 60 gravures met 119 genummerde weergaven van planten, bloemen en vruchten, versierd met rinceaux en kleine voorstellingen van dieren. Het gaat om proefdrukken van deze reeks gravures, voor de opschriften en, deels, voor de nummering. Op enkele prenten zijn de nummers met de hand aangebracht. Op de titelprent ontbreekt nog het adres van Crispijn de Passe en Hans Woutneel. De titel is hoogstwaarschijnlijk gegraveerd door Matthias Quad. Deze werkte voor De Passe in Keulen tot 1604. De reeks moet in dit jaar of daarvoor tot stand zijn gebracht. In ieder geval voor 1608, aangezien de uitgever Hans Woutneel in of voor dat jaar overleed. In ieder geval voor 1608, aangezien de uitgever Hans Woutneel in of voor dat jaar overleed. De gravures worden door Ilja Veldman en Anthony Griffiths beschouwd als eigenhandig werk van Crispijn de Passe I.
Een van de prenten uit de reeks ontbreekt (nr 21-22) en is vervangen door een ingekleurde afdruk uit een latere uitgave (RP-P-2012-24-61), die onder de titel Altera Pars is opgenomen in de Hortus Floridus, uitgegeven door Crispijn de Passe I en die verder bestaat uit platen van Crispijn de Passe II. De prenten afkomstig uit deze uitgave zijn op de verso voorzien van tekst in boekdruk. De vervangende prent maakte geen deel uit van de gebonden serie aangezien dit blad als enige geen naaigaten heeft.

Een deel van de planten, bloemen en vruchten in de Cognoscite lilia gaat terug of is gebaseerd op een reeks aquarellen van Jacques LeMoyne uit circa 1580 en uit 1585, nu in het Victoria and Albert Museum en de British Museum (zie P. Hulton, Jacques LeMoyne, Londen 1977, dl 1, p. 156-162 en p. 165-173).
Apron
Object type: apron
Date: 1850 – 1899
Materials: cotton, metal, silk, wool
Culture: european
Subjects: flowers,leaves
De Nachtwacht aan Amstels Ingezetenen
Object type: new year card
Date: 1853 – 1854
Materials: paper
Techniques: letterpress printing, engraving
Artist: friedrich robert prinz
Artist role: print maker
Artist dates: 1820 – 
Subjects: night patrol, civic architecture; edifices; dwellings, edifice, e.g.: public building, department store, amsterdam

Nieuwjaarswens van de Amsterdamse nachtwacht (ratelwacht) voor het jaar 1854. Centraal een gedicht in vier verzen, omringd door gebouwen tussen bladranken en hoornen van overvloed: Agnietenkapel, Felix Meritis, het gebouw van de Maatschappij tot Nut van 't Algemeen en het Trippenhuis. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
View of the Village of Limay
Object type: print
Date: 1845 – 1845
Materials: paper, ivory
Techniques: etching
Location: france
Artist: eugène bléry
Artist role: artist
Artist nationality: french
Artist dates: 1805 – 1887
Glass mosaic bowl fragments
Object type: fragment, mosaic bowl
Date: 200 – 1
Materials: glass
Culture: greek

Translucent deep turquoise blue, opaque white, yellow, and red. Hemispherical bowl fragment with a vertical rim with rounded edge; convex curving side. Composite mosaic pattern formed from polygonal sections of a single composite cane in a turquoise ground with a yellow spiral and central dot in red; interspersed with this cane are three small irregular segments in solid white. A network cane wound spirally with blue, yellow, white, and red trails is attached as a rim. One of the white segments only appears on the interior of the side. Broken and repaired from eight pieces, with one hole in rim and another in side; on interior, dulling, pitting, and iridescent weathering, and on exterior, pitting of surface bubbles and modern polishing.
Aeneas and his family fleeing Troy
Object type: print
Date: 1595 – 1595
Techniques: engraving
Artist: agostino carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1557 – 1602
Subjects: trojan war,children,men,women,aeneas
Inaba Province: Karo, Koyama (Inaba, Karo Koyama), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)"
Object type: print
Date: 1853 – 1853
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
A domestic scene with a mother holding her child's hand while talking to her husband
Object type: print
Date: 1880 – 1910
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: children,men,women,genre scene,family
Button
Object type: button
Date: 1880 – 1880
Materials: porcelain
Culture: british
Subjects: portraits,women
Rivierlandschap nabij Luik
Object type: photomechanical print
Date: 1877 – 1882
Materials: paper
Techniques: woodburytype
Location: liège
Artist: jules martiny
Artist role: fotograaf, koopman
Artist dates: 1850 – 1917
Subjects: river, bridge, liège
Inscriptions: inscription: ‘Concours de 1882./ Cliché au gélatino-bromure de M. Martiny.’
Portret van Johann David Ludwig graaf Yorck von Wartenburg
Object type: print
Date: 1785 – 1811
Materials: paper
Techniques: aquatint, etching
Location: paris
Artist: gilles louis chrétien
Artist role: print maker
Artist dates: 1754 – 1811
Subjects: silhouette-apparatus, 'physionotrace', historical persons
Inscriptions: collector's mark: Lugt 2228
Bacchanal with satyr playing a lute and surrounded by four figures, who look toward a succession of three putti and a satyr dancing with cups and vines
Object type: print
Date: 1640 – 1660
Techniques: etching
Artist: giulio carpioni
Artist role: artist
Artist nationality: italian
Artist dates: 1613 – 1678
Subjects: dancing,putti,satyrs,musicians
Procession of Monstrous Figures
Object type: print
Date: 1615 – 1615
Techniques: etching
Artist: wendel dietterlin, the younger
Artist role: artist
Artist nationality: german
Artist dates: 1614 – 1669
Subjects: monsters
Een kind valt in het vuur, 7
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: amsterdam

Een kind valt in het vuur en wordt genezen als hij bij de hostie wordt gebracht. De vader trekt het kind uit het vuur. Prent nr. 7 uit de serie van 16 voorstellingen van Het Mirakel van Amsterdam, naar de gebeurtenissen op 15 maart 1345. Onder de voorstelling twee zesregelige verzen in het Latijn en Nederlands.
Gezicht op gondels in de lagune van Venetië, in de verte rechts de Santa Maria della Presentazione en links de kerk van San Giorgio Maggiore
Object type: photograph
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: venice
Artist: johanna margaretha piek
Artist role: fotograaf
Artist dates: 1870 – 1947
Subjects: gondola
Calash
Object type: calash
Date: 1820 – 1820
Materials: silk
Culture: american

The calash style was designed in the late 18th century to allow women to wear a fashionable headdress without damaging their coiffure. Hairstyles during the late 18th century were growing increasingly large and elaborate, but bonnets were still required for protection and decency. The name "calash" is derived from "calèche," the hood of a "French carriage," because the material was ruched along a collapsible cane support structure, much like the hood of a carriage. Many calashes were treated to be water-proof. This later 1820s example shows how the style endured into the 19th century, probably because of its practicality and convenience for weather and travel, rather than its fashionability.
Mordant
Object type: mordant
Date: 1401 – 1700
Materials: bronze
Culture: european
Masker
Object type: mask
Date: 1800 – 1900
Materials: dye, wood
Location: java
Artist: Anonymous

Houten masker met sporen van polychromie. Het is het masker van Pentul/Pepentul. De oudste dienaar van de held Panji. De onderkaak hoort afwezig te zijn.
Skirt
Object type: piece
Date: 1701 – 1733
Materials: linen, silk
Subjects: flowers

A traditional floral treatment on a new brilliance in the hands of an embroiderer who composed each small area of the elaborate repeating pattern with a different filling stitch.
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman

Fragment of green enamel; hair.