deem-data/ArtiFact huggingface dataset:
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: the hague, painter, draughtsman, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Omlijsting
Object type: drawing
Date: 1809 – 1814
Materials: paper, pencil, watercolor
Techniques: brush, pen
Location: southern netherlands
Artist: Anonymous
Subjects: frame of painting, etc.

Lege omlijsting. Rechtsboven genummerd: 292. Onderdeel van het derde album met tekeningen van bloemen. Tiende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Fotoreproductie van een detail van De anatomische les van Dr. Nicolaes Tulp door Rembrandt van Rijn
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper
Techniques: carbon print
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: amsterdam, the hague, mayor, physician, doctor, anatomy lesson
Inscriptions: inscription: ‘Nicolaes Tulp, 1593-1674/ Rtp. Mauritshuis no.146 (1632)/ Moes 8113-2’, collector's mark: Lugt 2228, number: ‘No 115B’
Tureen and Stand
Object type: ceramic
Date: 1760 – 1769
Materials: stoneware
Techniques: salt glaze
Location: staffordshire
Verzoeking van Christus
Object type: print
Date: 1623 – 1655
Materials: paper
Techniques: etching
Artist: herman van swanevelt
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1603 – 1655
Subjects: christ, sometimes accompanied by guardian angel(s), tempted by satan, who usually appears in human form
Inscriptions: collector's mark: Lugt 2228

In een bosrijk landschap wordt Christus rechts op de voorgrond benaderd door Satan in de gedaante van een oude man met een houten been. Met zijn rechterhand biedt hij Christus een steen aan.
Portret van Daniël Vrijdag
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: etching
Location: netherlands
Subjects: the hague, print maker, draughtsman, daniël vrijdag, historical persons, portrait, self-portrait of graphic artist, portrait, self-portrait of draughtsman
Inscriptions: collector's mark: Lugt 924
Reizigers in een boot op een rivier
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: river, landscape with bridge, viaduct or aqueduct, boat propelled by man or animal
Inscriptions: number: ‘232’, collector's mark: Lugt 964

Prent ook gebruikt als boekillustratie in: Campanus, M., Colevelt, J.J. Craen, A.P., Robbertzen, J. Amsterdamsche Pegasus, waer in (uyt lust) byeen vergadert zijn veel minnelycke liedekens. Amsterdam: Cornelis Willemsz Blaeu-laken, 1627.
Groepsportret van Japanse worstelaars
Object type: carte de visite
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: wrestling (sport), anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: number: ‘178’
Portret van Caroline van Anspach, koningin van Groot-Brittannië
Object type: print
Date: 1727 – 1732
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: london
Inscriptions: collector's mark: Lugt 2228

Caroline van Anspach, koningin van Groot-Brittannië en vrouw van koning George II.
Terracotta oinochoe (jug) with lid
Object type: oinochoe with lid
Date: 590 – 570
Materials: terracotta
Culture: greek, corinthian
Artist: canessa painter
Artist role: artist
Subjects: animals,birds

Two friezes of animals The broad-bottomed oinochoe, represented by this example, is a characteristic and very long-lived shape in Corinth. The presence of a lid distinguishes it from oinochoai of other Greek regions as well. Although the conventional name is retained, the shape was not necessary used to pour wine.
Portret van Catharina de Grote
Object type: print
Date: 1762 – 1849
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: catharina de grote, historical persons - bb - woman, emperor - bb - female ruler
Seated girl
Object type: drawing
Date: 1820 – 1840
Materials: chalk, paper
Artist: george jones
Artist role: artist
Artist nationality: british
Artist dates: 1786 – 1869
Subjects: girls

The draftsman of this sketch was one of Britain's most successful battle painters in the decade following Napoleon's 1815 defeat. Jones had entered the Royal Academy Schools at fifteen, then exhibited literary and religious subjects, views and portraits before joining the army in 1808. He fought as a captain in the Montgomery militia during the Peninsular War, then made good use of that experience to devise military images for an interested public--he also became an expert on the Battle of Waterloo (where he did not fight)and won a prize in 1820 for a painting commemorating Wellington's most famous victory, now at the Royal Military Hospital, Chelsea.
Teabowl
Object type: teabowl
Date: 1701 – 1800
Materials: glaze, pottery
Techniques: incising
Culture: japanese
Portret van Ludwig Timotheus Spittler
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching, roulette
Location: gottingen
Artist: heinrich schwenterley
Artist role: print maker
Artist dates: 1749 – 1815
Subjects: history and archaeology (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2233

Met tweeregelig onderschrift in het Duits.
Ovidius' Metamorfosen
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: (story of) pan, single named nymphs (with name), syrinx changed into a reed: while fleeing from pan, the nymph syrinx is changed into reed by her sisters, the naiads (ovid, metamorphoses i 705)
Inscriptions: caption: ‘Pana fugit....semper amat.’, number: ‘18.’, collector's mark: Lugt 2228a

De god Pan achtervolgt de nimf Syrinx. Zij kan ternauwernood aan hem ontkomen door aan de oever van de rivier de Ladon in riet veranderd te worden. Onder de voorstelling twee keer twee regels Latijnse tekst. Deze prent is onderdeel van een serie van 52 prenten die verhalen uit Ovidius' Metamorfosen verbeelden. Deze serie valt uiteen in drie genummerde reeksen: twee van 20 prenten en één van 12 prenten. Deze prent behoort tot de eerste reeks.
Buddha Vairocana (Dari)
Object type: figure
Date: 1001 – 1100
Materials: gilt bronze, wax
Techniques: casting
Culture: chinese
Subjects: lotuses,buddhism,buddha

This Buddha holds his hands in a “wisdom fist,” a gesture in which the left hand grasps the index finger of the right hand. This identifies him as Vairocana, one of the many celestial, or transcendent, Buddhas who were particularly important in China from the sixth through tenth centuries. Vairocana often makes this gesture when he is depicted at the center of the Womb World Mandala, and it is possible that this beautifully cast sculpture was once part of a larger grouping of images arranged as a mandala, or cosmic diagram.
Woman Tending Two Cows
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Alpenlandschap met dennenbomen aan het water
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: etching, roulette
Location: geneva
Artist: alexandre calame
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1864
Subjects: river, trees: pine, mountains
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Portret van August Ludwig von Schlözer
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: engraving, etching
Artist: carl christian glassbach
Artist role: print maker
Artist dates: 1751 – 1789
Subjects: scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van de historicus August Ludwig (1802 von) Schlözer (1735-1809). Buste naar rechts, in ronde lijst met strik bovenaan.
Modèles d'Orfèvrerie
Object type: album leaf
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: paris
Subjects: dish, plate, saucer
Inscriptions: number: ‘5.e Cah.er’, : ‘Déposé à la Bibliothèque Impériale’

Ontwerpen voor drie platte achthoekige schalen of borden. Prent maakt deel uit van een album.
The Orchestra
Object type: drawing and watercolor
Date: 1880 – 1880
Materials: paper, pastel
Location: france
Artist: jean louis forain
Artist nationality: french
Artist dates: 1852 – 1931
Vase Depicting a Courtly Scene
Object type: vessel
Date: 600 – 800
Materials: ceramic, earthenware, pigment, plaster
Culture: maya
Location: guatemala
Twee vrouwen bij een tafel
Object type: sketchbook leaf
Date: 1871 – 1871
Materials: paper, pencil, watercolor
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: table, adult woman (+ two persons)
Inscriptions: date: ‘20 Febr 71’

Twee vrouwen bij een tafel. Blad 16 verso uit een schetsboek met 39 bladen, deels vervaardigd te Ulm en Leiden.
Woman Standing in a Doorway
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: pen, wash
Location: france
Artist: constantin guys
Artist role: artist
Artist nationality: french
Artist dates: 1802 – 1892
Subjects: women
Inname van de citadel van Rijssel door de bondgenoten
Object type: history medal
Date: 1708 – 1708
Materials: silver
Techniques: striking
Location: nuremberg
Artist: martin brunner
Artist dates: 1659 – 1725
Subjects: london, anna stuart (koningin van engeland en schotland), lille

Zilveren penning. Voorzijde: Gallia, in gedaante van treurende vrouw zittend op troon naast omgehakte boom waaraan Frans wapenschild hangt, waarvan een lelie is afgevallen binnen omschrift, boven opschrift. Keerzijde: gezicht op Rijssel binnen omschrift, boven opschrift; randschrift
Tetradrachm of Prusias, 180 B.C., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Knotwilg
Object type: photograph
Date: 1900 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Subjects: trees: willow
Twee papegaaiduikers
Object type: album leaf
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: birds
Inscriptions: inscription: ‘No. 3./ Papagaaiduiker.’
The Nooning (from "Harper's Weekly," Vol. XVII)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: chickens,houses,boys,dogs
Liedje van den kleinen Sebastiaan
Object type: print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: fancy fair, performance in the open air (pleasure fair), pleasure fair and circus
Inscriptions: collector's mark: Lugt 2760

Blad met 4 kermistaferelen. Boven elke voorstelling een titel en onder elke voorstelling verzen uit het liedje van de kleine Sebastiaan. Genummerd rechtsboven: No. 85.
Soldier on Horseback in Catoptric Anamorphosis (after Hendrick Goltzius)
Object type: drawing
Date: 1620 – 1640
Materials: chalk, ink, drawing material
Techniques: brush, pen, wash
Artist: jean françois niceron
Artist role: artist
Artist nationality: french
Artist dates: 1613 – 1646
Subjects: soldiers,horses

At plain sight, this large, complex design of fan-shaped form, with a semicircular edge at center, is teasingly indecipherable. Recently discovered, it is in fact a fascinating and extremely rare representation of a virtuosic exercise in catoptric anamorphosis. The undistorted visual source for the image is Titus Manlius, an engraving from the series The Roman Heroes by Hendrick Goltzius (see the two impressions in the Metropolitan Museum of Art nos. 49.97.694 and 51.501.39). The present drawing is modeled in a luminous pictorial technique with brush and washes on a single, very large sheet of thick laid paper. The pen-and-ink outlines are, in some passages, jittery, indicating that the artist was rethinking the original and working carefully as he drew the distorted design. He almost certainly relied on a reflection in a mirror as a shortcut to create the optical illusion, rather than constructing every line according to the geometry of a perspectival projection. The number of changes in the preliminary underdrawing in leadpoint or grayish black chalk, with respect to the final outlines in pen and ink, show this to have been a profoundly creative drawing.
Fotoreproductie van een prent naar een schilderij door Matthew William Peters, voorstellend een scene uit Hendrik VIII door William Shakespeare
Object type: page
Date: 1854 – 1867
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. LXVI. 263’

Te zien is akte III, scene 1 met koningin Katherine en kardinaal Thomas Wolsey.
Portret van François André Durlet
Object type: print
Date: 1841 – 1842
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: draughtsman, franciscus andreas durlet, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Wall tile
Object type: wall tile
Date: 1501 – 1600
Materials: earthenware
Techniques: luster painting, glazing

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Padlock in the form of a horse
Object type: padlock
Date: 1701 – 1800
Materials: brass, iron
Subjects: horses
Knife
Object type: knife
Date: 1501 – 1900
Materials: gold, steel, wood
Culture: javanese
Location: indonesia
Brunnen-Scene.
Object type: photograph
Date: 1878 – 1878
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: munich
Subjects: well, adolescent, young woman, maiden, adult woman, shore-birds and wading-birds: stork, child, faust, spring (fluids extracted from the earth)
Inscriptions: number: ‘24’, check stamp: ‘TS’

Onderdeel van Album met 30 fotoreproducties van tekeningen van het Faust-verhaal van J.W. von Goethe.
Frieze with Two Seated Buddhas
Object type: relief fragment
Date: 101 – 300
Materials: stone
Culture: gandhara
Subjects: gandhara,buddha
Mrs. Thompson Seton
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Prenthandelaar op de kermis
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: hand coloring
Artist: Anonymous
Subjects: print, e.g.: engraving, etching, lithograph, pleasure fair and circus, drumming-up the public
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Op de voorgrond bekijken twee kinderen een prent. In de achtergrond gaan mensen een circustent binnen. Voor de ingang staan twee mannen met blaasinstrumenten en een met een trom.
Upper part of male statue
Object type: bust, male
Date: 1850 – 1640
Materials: limestone, paint
Location: egypt
Subjects: men
Landschap met een verlamde man die een blinde man over een brug leidt
Object type: print
Date: 1560 – 1600
Materials: paper
Techniques: engraving
Location: unknown
Artist: johann sadeler (i)
Artist role: print maker
Artist dates: 1550 – 1600
Subjects: proverbs, sayings, etc., river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Een verlamde man zit op de rug van de blinde man die over een smalle brug loopt langs een brede rivier. Hij leidt hem de weg. Op de achtergrond gezicht op een stad met grote kerk en een brug. Tekst in het Latijn over barmhartigheid in de ondermarge, verwijzend naar Lucas 3.
Titelpagina voor: J. Luyken, Jezus en de Ziel, 1704-1714
Object type: print
Date: 1704 – 1714
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: christ as youth, the soul
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1704-1714.
Stand for Alcove Ornament
Object type: stand
Date: 1840 – 1840
Materials: glaze, porcelain
Culture: japanese
Trommelaar
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: military music, drum (musical instrument)

Trommelaar, soldaat met trommel. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Jongeling tussen Deugd en Wellust
Object type: book illustration
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: one virtue vs. figure representing a vice, lust, luxury, 'luxuria'; 'lussuria' (ripa) ~ personification of one of the deadly sins, distinction between good and bad; 'distintione del bene & del male' (ripa)
Inscriptions: collector's mark: Lugt 2228

Een jongeling staat tussen twee vrouwen. Links staat de personificatie Deugd in een lang gewaad. Rechts zit de verleidelijke personificatie Wellust. Beide proberen hem over te halen.
Sallet
Object type: sallet
Date: 1475 – 1475
Materials: steel
Culture: german
Location: germany
William Theodore "Billy" Crowell, Pitcher, St. Joseph Clay Eaters, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Amphora (Storage Jar)
Object type: vessel
Date: 455 – 445
Materials: ceramic, terracotta
Location: nola
Artist: attributed to the sabouroff painter
Artist nationality: ancient greek

This vase has a distinctive shape characterized by an elongated ovoid body on a thick disk foot, an offset flaring neck, an inverted lip with grooves for a lid, and handles that rise from the shoulder and curve below the height of the mouth to join the neck. The type is called a Nolan amphora, after Nola, Italy, the site where the first examples of this shape were discovered and where this example was also found. It probably contained wine, olives, or oil. Nolan amphorae are small, usually less than fifteen inches high. Figures are drawn between the handles on the front and back. Below, a length of meander pattern provides a ground line.
The Philistines Place the Ark of the Covenant in the Temple of Dagon
Object type: print
Date: 1540 – 1540
Techniques: engraving, etching
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Subjects: temples,men
Tray
Object type: tray
Date: 1401 – 1600
Materials: lacquer
Culture: chinese
Subjects: human figures,horses
Quinarius (Coin) Depicting the God Apollo
Object type: coin
Date: 90 – 90
Materials: metal, silver
Culture: roman
Location: roman empire
Inscriptions: Reverse: L PI[SO] FRV [GI]

The front (obverse) of this coin depicts the head of Apollo, laureate and facing to the right. On the back (reverse), Victory stands to the right with a wreath and palm.
Bijeenkomst van de 72 vertalers van de wet op bevel van koning Ptolomeüs Philadelphus
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: ptolemy philadelphus frees the jewish prisoners of war in reward for the translation of the old testament
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Josephus, Flavius. Alle de Werken, 2 delen. Amsterdam: Pieter Mortier, 1704, dl. 1, p. 284.
Ornamento delle belle & virtuose donne
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Harbor Scene
Object type: print
Date: 1764 – 1764
Techniques: etching
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Petticoat
Object type: petticoat
Date: 1878 – 1879
Materials: cotton
Culture: american
Beroemde mannen aan de universiteit van Leiden
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: historical persons, professor

Prent vermoedelijk eerder gebruikt in een serie uit 1614, zie Van Someren, 1888.
Diverses figures
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: paris
Subjects: percussion instruments - cc - out of doors, standard-bearer, flag-bearer
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Maakt deel uit van een serie van twaalf prenten met verschillende figuren, uitgegeven door Langlois in Parijs.
Grotesque Panel
Object type: print
Date: 1550 – 1550
Techniques: etching
Artist: jacques androuet du cerceau
Artist role: artist
Artist nationality: french
Artist dates: 1510 – 1585
Subjects: grotesques,ornament,mythical creatures
A Bumble Bee and a Fulgoroid
Object type: drawing
Date: 1601 – 1700
Materials: gouache, ink, watercolor
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: bees
Woman at a Well
Object type: print
Date: 1842 – 1842
Techniques: etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: wells,women
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the mouth of an oinochoe
Ruiters met ruïnes
Object type: print
Date: 1676 – 1742
Materials: paper
Techniques: etching
Artist: georg philipp rugendas (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1666 – 1742
Subjects: riding a horse, ass, or mule; rider, horseman, landscapes
Inscriptions: collector's mark: Lugt 240
Mrs. Anne Rigby and Lady Elizabeth Eastlake
Object type: photograph
Techniques: carbon print
Location: scotland
Artist: david octavius hill
Artist role: artist
Artist nationality: scottish
Artist dates: 1802 – 1870