deem-data/ArtiFact huggingface dataset:
Palazzo Patrone
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: façade (of house or building)
Inscriptions: collector's mark: Lugt 240

Voorgevel van Palazzo Patrone (Comando Militare Regionale Liguria), gelegen aan de largo della Zecca te Genua. Het palazzo werd tussen 1619 en 1623 gebouwd voor Giacomo Lomellini, doge van Genua.
Portret van Wenzel Jamnitzer, bezig met perspectivische berekeningen
Object type: print
Date: 1561 – 1591
Materials: paper
Techniques: etching
Location: nuremberg
Artist: jost amman
Artist role: draughtsman, painter, print maker
Artist dates: 1539 – 1591
Subjects: vienna, wenzel jamnitzer, instruments for perspective drawing, portrait, self-portrait of craftsman in applied arts, mathematics (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, inscription: ‘Menzel Jamnitzer’

Goud- en zilversmeden werden in de 16de eeuw vaak afgebeeld met het gereedschap dat duidt op hun vak. Wenzel Jamnitzer is hier echter geportretteerd als geleerde*, met objecten die verwijzen naar zijn wetenschappelijke belangstelling voor de leer van het perspectief*. Met deze tak van wetenschap heeft hij zich ook in werkelijkheid beziggehouden. Hij ontwikkelde het instrument voor het perspectivisch tekenen, dat hij hier demonstreert, en gaf in 1568 zijn "Perspectiva corporum regularium" uit.
Cope
Object type: cope
Materials: cotton, metal, silk
Culture: french
A good luck box with drawer in book form
Location: united states
Maximilien Marie Isidore Robespierre (1758–1794), French revolutionary and investigator of "the Terror"
Object type: plaque
Date: 1801 – 1900
Materials: bronze, patina, wood
Techniques: casting, molding
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Pendant mask of Ìyọ́bà Idià
Object type: pendant with female mask
Date: 1501 – 1600
Materials: brass, iron, ivory
Culture: edo period
Location: nigeria
Artist: ìgbèsànmwà (ivory- and wood- carving guild) artists
Artist role: artist
Subjects: portraits,women
Reinhart bij een suikerrietplantage
Object type: print
Materials: paper
Techniques: engraving, etching
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: plantation, slavery; serfs and enslaved persons, dog
Inscriptions: collector's mark: Lugt 240

Latere staat van prent gebruikt in: Post, Elisabeth Maria. Reinhart, of Natuur en Godsdienst. 3 dln. 1e druk. Amsterdam: Johannes Allart, 1791-1792, dl. 2 (1791), p. 319. En in: Post, Elisabeth Maria. Reinhart, of Natuur en Godsdienst. 3 dln. 2e druk. Amsterdam: Johannes Allart, 1798-1802, dl. 2 (1798), p. 319.
Textile Fragment with Confronted Deer in Partial Pearl Roundel with Serrated Outer Border
Object type: textile fragment
Date: 701 – 900
Materials: silk
Culture: iran or sogdiana
Subjects: deer
Portret van Pedro Enríquez de Toledo de Acevedo, graaf van Fuentes de Valdepero
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: politician, pedro enríquez de acevedo (count of fuentes)
Inscriptions: caption: ‘de Graaf van Fuentes 16 D. pl. 4’, collector's mark: Lugt 240

Latere staat prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XVI.
Reproductie van La glissade door Pierre Edouard Frère
Object type: page
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Subjects: boy (child between toddler and youth), child and nature (games and plays), painting, drawing and the graphic arts
Vrouw met een waaier
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: city-view, and landscape with man-made constructions, fan
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 5i

Achter haar een nederzetting met een kerk.
Canapé Louis XVI, noir et or
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Een canapé in de Lodewijk XVI-stijl. Prent uit 29e Livraison.
Pelgrom. Elise (femme Schouppe). Deux photographies, dont une légendée: Reprod. faite 22/2/93.
Object type: mugshot
Date: 1893 – 1893
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: portraits,women

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Eed van Leopold van Saksen-Coburg op de constitutie
Object type: strooipenning
Date: 1831 – 1831
Materials: bronze
Techniques: striking
Location: brussels
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864
Subjects: laeken, leopold i (koning der belgen), brussels

Bronzen penning. Voorzijde: staande leeuw binnen omschrift; afsnede: opschrift. Keerzijde: opschrift tussenkroon en half afgewikklede rol papier met opschrift
A Gathering in a Church
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: sébastien leclerc (i)
Artist role: artist
Artist nationality: french
Artist dates: 1637 – 1714
Subjects: churches,crowd,praying
Glass mosaic fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent deep purple, appearing chocolate brown, and opaque yellow. Convex curving side. Mosaic pattern formed from sections of a single cane in purple ground with large irregular yellow streaks and swirls. Polished exterior and edges; pitting of surface bubbles on exterior; dulling and pitting on interior. Cut down into a tear-drop shape, perhaps in antiquity.
Portret van Dirk Huizinga
Object type: photomechanical print
Date: 1895 – 1895
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: historical persons, professor
Inscriptions: inscription: ‘[...] Januari 1895’
Wine Glass and Cover
Object type: glass
Date: 1701 – 1733
Materials: glass, gold leaf
Techniques: engraving
Location: bohemia
Plafons A La Romaine
Object type: print
Date: 1668 – 1716
Materials: paper
Techniques: etching
Location: france

Het linkerplafond is gedecoreerd met een dubbele guirlande van fruit en bladeren.
Collar
Object type: collar
Date: 1890 – 1890
Materials: cotton, linen
Culture: irish
Subjects: flowers
Vliegende zeppelin boven een stad
Object type: photograph
Date: 1924 – 1924
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Heiwerkers op het land
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: building-site (+ men (labourers)), agricultural implements: spade

Pagina 51 uit een schetsboek met 49 bladen.
Plate 36 from "Los Caprichos": A bad night (Mala noche)
Object type: print
Date: 1881 – 1886
Techniques: aquatint, burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: human figures,night
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 600 – 501
Materials: terracotta
Culture: greek, corinthian

Neck, forelegs, and part of the chest of a grazing quadruped to left?
Evangelist Marcus
Object type: print
Date: 1600 – 1630
Materials: linen, paper, textile
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: writing tools, mark (marcus) the evangelist, and bishop of alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll

Marcus zit aan een tafel met voor hem een opengeslagen boek, een pen, inkt en en een uurwerk. Achter hem de leeuw. De prent is gemonteerd op een gebruikt stuk 17de-eeuws linnen.
Generaal Den Beer Poortugael's aanstaand ontslag
Object type: cartoon
Date: 1891 – 1891
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: delft, leiden, the hague, personifications of countries, nations, states, districts, etc. (+ nation; national), political caricatures and satires

De Nederlandse Maagd geeft minister van Oorlog Berganius een draai om de oren omdat hij generaal J.C.C. den Beer Poortugael niet heeft bevorderd.
Tentoonstelling van Engelsche Kunst. Stedelijk Museum. Amsterdam
Object type: wrapper
Date: 1936 – 1936
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Koningin Wilhelmina poseert met de Willemsorde
Object type: photograph
Date: 1948 – 1948
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: the hague, print maker, wilhelmina of the netherlands, amsterdam

Koningin Wilhelmina poseert met de Willemsorde. Portret staand, ten voeten uit.
Figurine of hippopotamus
Object type: figurine, hippopotamus
Date: 1981 – 1640
Materials: limestone, paint
Location: egypt
Subjects: hippos
Scherven van een martavaan uit V.O.C.-schip de 'Witte Leeuw'
Object type: martavaan
Date: 1613 – 1613
Materials: earthenware
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van een martavaan uit V.O.C.-schip de 'Witte Leeuw'.
Man met vaandel
Object type: drawing
Date: 1800 – 1899
Materials: chalk, paper
Artist: Anonymous
Subjects: standard-bearer, flag-bearer
Inscriptions: collector's mark: Lugt 1641, stamp

Rechtsonder genummerd: 271. Op verso een deel van dezelfde tekening. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De Spaansche tijd. (1550 – 1600).
Panels in open work
Object type: page
Date: 1867 – 1872
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: passion of christ, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘No. 366-71.’, inscription: ‘Fourteenth Century.’
The Actor Segawa Kikunojo III as Hito-maru Disguised as the Courtesan Chiyozaki, in the Play Kuruwa no Hana Katsuragi no Kane, Performed at the Ichimura Theater in the third Month, 1775
Object type: print
Date: 1775 – 1775
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
The Rabbit Hunt
Object type: print
Date: 1560 – 1560
Techniques: etching
Artist: pieter bruegel the elder
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1525 – 1569
Subjects: men,hunting,rabbits,landscapes

On the hillside of an expansive river valley, a hunter accompanied by his alert dog aims his crossbow at two rabbits below. Another man, carrying a spear, circles around the tree behind him. The image may relate to an old proverb that warns: "He who pursues two rabbits at once, will lose both." But the actions and purpose of the man with a spear are less clear and even ominous, demonstrating the kind of ambiguity common to Bruegel's work. Based on the artist's own drawing, The Rabbit Hunt was the only print executed by Bruegel himself. With the free and subtle graphic vocabulary of etching, a technique that involves drawing with a pointed tool through a ground on the printing plate, Bruegel was able to give the landscape a vivid sense of light and atmosphere. The image thus avoids the kind of rigid tones and strong outlines characteristic of most prints executed by other artists after Bruegel's designs, and anticipates the brilliant seasonal effects achieved by the master in his late painted landscapes.
Pellet Bell in the Form of a Human Head
Object type: bell
Date: 1201 – 1400
Materials: bronze
Culture: indonesian, javanese
Subjects: heads
Briefpapier van Het Drukkersboek (onbekend jaar), uitgegeven door Ipenbuur & Van Seldam te Amsterdam, met handgeschreven overzicht van de inhoud, redacteur S.H. de Roos
Object type: text sheet
Date: 1910 – 1919
Materials: paper
Techniques: handwriting, pen, printing
Location: amsterdam
A Snug Cabin, or Port Admiral
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,drinking,sailors,ships

Officers gather around a table on board a ship and raise their glasses to offer a toast at the end of a meal. At right, a sailor opens a bottle abd there are baskets holding bottles near his foot and also at right. A dish of food rests on a shelf at left next to a silver urn and large platter.
Terracotta plate
Object type: plate with poet
Date: 595 – 570
Materials: terracotta
Culture: greek, corinthian
Artist: chimaera painter
Artist role: artist
Subjects: men,beds,lyres

A man lies in bed, and his lyre hangs above.
Foto's van de voorouders van  Z. van Troyen
Object type: photograph
Materials: cardboard
Techniques: photography
Location: the hague
Subjects: troyen, familie van

Zeven foto's (van de voorouders van Z. van Troyen).
Tekstblad over de Architectuur
Object type: text sheet
Date: 1693 – 1693
Materials: paper
Techniques: letterpress printing
Location: amsterdam

Verklaring van de prent met de voorstelling van de personificatie van Architectuur in het Frans en het Nederlands, pagina 18. Tekstblad maakt deel uit van een album.
Relief of an attendant's hand holding a necklace - see 26.3.353-3
Object type: relief, attendant's hand holding necklace, neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt
Journal des Luxus und der Moden 1786, Band I, T. 7
Object type: fashion print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: weimar
Subjects: fashion plates

Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
The Holy Family with the Three Hares
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: putti,rabbits,holy family
Hoorn, St. Jansgasthuis anno 1563
Object type: photograph
Date: 1900 – 1950
Materials: paper
Techniques: gelatin silver print
Location: hoorn
Artist: Anonymous
Subjects: hospital
Fragment van een overgordijn van bedrukte cretonne met zwanen en lissen
Object type: fragment
Date: 1900 – 1900
Materials: linen
Techniques: printing
Location: helmond
Artist: michiel duco crop
Artist role: designer
Artist dates: 1862 – 1901

Fragment van een overgordijn van bedrukte cretonne met zwanen en lissen.
Le Grand Opéra, from "Le Miroir"
Object type: print
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: opera,performance,men,violins

Published in the new liberal daily "Le Miroir," this satirical lithograph shows an aging former star in a classical tunic hobbling along on crutches, his infirmity suggesting the decline of Le Grand Opéra.
Francesco d'Este Leads the French Army After the Difficult Resolution of Cremona without Losing Men or Belongings due to the Duke's Prudence and Corageous Strength, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Object type: print
Date: 1659 – 1659
Techniques: etching
Location: italy
Artist: bartolomeo fenice (fénis)
Artist role: artist
Artist nationality: italian
Subjects: army,horses,trees

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.
Portret van twee onbekende Chinese mannen zittend op een schip
Object type: photograph
Date: 1860 – 1890
Materials: paper
Techniques: albumen print
Location: china
Artist: Anonymous
Subjects: historical persons not known by name, china
Fotoreproductie van een portret van Jean Baptiste Prosper Bressant
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, portrait of actor, actress
Inscriptions: inscription: ‘Figaro-Album/ Bressant/ d'après Mulnier Phot.’
Design for Phaeton or Hunting Wagon
Object type: print
Date: 1870 – 1870
Materials: gum arabic
Techniques: hand coloring, lithograph
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Houthakkers in het Zwarte Woud
Object type: print
Date: 1829 – 1875
Materials: paper
Techniques: tone lithography
Artist: fortuné férogio
Artist role: print maker
Artist dates: 1805 – 1888
Subjects: woodcutting, woodcutter ~ forestry, hut, cabin, lodge
Servet van wit linnendamast
Object type: napkin
Date: 1764 – 1764
Materials: linen
Techniques: damask
Location: northern netherlands

Wit linnendamasten servet met z.g. kantpatroon, merk kroon G 12.
Finger Ring
Object type: ring
Date: 1301 – 1400
Materials: gold, gemstone
Culture: british

The inscription on the hoop reads: Rutilans Eboraci Civita[ti]s cantor (Rufus(?) of York, Musician(?) of the Episcopal City).
Bottle
Object type: bottle
Date: 1667 – 1700
Materials: pewter, stoneware
Techniques: salt glaze
De vier seizoenen
Object type: print
Date: 1759 – 1817
Materials: paper
Techniques: engraving
Location: italy
Subjects: spring landscape; landscape symbolizing spring (the four seasons of the year), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Figuren en putti in een landschap. Een voorstelling van de lente.
The world's Columbian exposition
Object type: book
Date: 1893 – 1893
Materials: cardboard, linen, paper
Techniques: photograph, decorated paper
Location: new york city
Artist: adolph wittemann
Artist role: publisher
Artist dates: 1845 – 1938
Balholmen, Sognefjord
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: sogn og fjordane
Subjects: fjord, sea loch, mountains (+ landscape with figures, staffage)
Inscriptions: number: ‘27’
Table
Object type: table
Date: 1667 – 1700
Materials: wood
Splendore delle virtuose giovani, page 8 (verso)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: flowers

Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns printed upon a grid. Left column is decorated in the center with a diamond containing a white dotted 4-petaled flower; attached to the top and bottom of the diamond are circular shapes that are further connected to an interlace motif formed out of black lines with white dots. Middle column is decorated in the center with a black 'X' intersecting a diamond with a flower on the outside of each of its corners; this central element is surrounded by foliage on both sides. Right column is decorated with an alternating pattern of a 4-petaled flower with white dotted leaves and a black interlace motif.