deem-data/ArtiFact huggingface dataset:
Rust op de vlucht naar Egypte met engelen
Object type: print
Date: 1587 – 1633
Materials: paper
Techniques: engraving
Location: munich
Subjects: rest on the flight into egypt
Inscriptions: collector's mark: Lugt 2228

Heilige Familie rustend op de tocht naar Egypte. Maria voedt het Christuskind onder een palmboom. Bovenin de wolken twee engelen. Rechts een landschap
The Thousand Buddha Grotto
Object type: matted painting
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Wings of a figure to right; hole from ancient repair visible
Bedelares met stok, naar rechts
Object type: drawing
Date: 1620 – 1700
Materials: chalk, paper
Artist: Anonymous
Subjects: beggar
Brief aan Jan Veth
Object type: letter
Date: 1900 – 1900
Materials: ink, paper, pencil
Techniques: pen, writing
Location: noordwijk aan zee
Artist: albert verwey
Artist role: criticus, dichter, essayist
Artist dates: 1865 – 1937
Subjects: amsterdam, painter, aert van der neer, print maker, draughtsman, jan veth, antwerp, frans hals, hendrik petrus berlage, literature ~ arts
Inscriptions: watermark, collector's mark: ‘RPK’
Portret van Carlo Renaldini
Object type: book illustration
Date: 1682 – 1682
Materials: paper
Techniques: engraving, etching
Location: padua
Subjects: historical persons, professor, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Patin, Charles. Lyceum Patavinum: sive icones et vitae professorum. Padua: Frambotti, Petri Mariae, 1682.
Tall Clock
Object type: tall clock
Date: 1767 – 1771
Materials: wood
Culture: american
Location: united states
Artist: william huston
Artist role: maker
Artist nationality: american
Artist dates: 1730 – 1791

The classic Philadelphia Chippendale-style clock case has a broken-scroll pediment, applied carving, and flame finials—all features found on this example.
Lola Montez (1818–1861)
Object type: painting, miniature
Date: 1800 – 1837
Materials: ivory
Artist: josef heigel
Artist role: artist
Artist nationality: german
Artist dates: 1780 – 1837
Subjects: portraits,women
Part of a flail for a statue
Object type: scepter attachment, flail
Date: 664 – 630
Materials: metal, glass
Location: egypt

This fragment of a flail belonged to a large Osiris statuette or statue. The beautiful multi-colored glass inlay speaks to the stunning quality and craftsmanship of the original piece, which may have utilized other rich materials like precious metals or stones. The statue was probably made out of wood but would have incorporated bronze elements like this flail, a common technique for high prestige, large, and costly cult images. Because this type of mixed media construction was commonly used, pieces such as these, even in their fragmented state, provide excellent clues about the appearance of large-scale temple statuary made from organic materials, much of which is now degraded and lost. The inlay on the piece also shows how craftsmen played with the chromatic possibilities of different materials to create visually dynamic images.
Vier seizoenen
Object type: print
Date: 1581 – 1658
Materials: paper
Techniques: woodcut
Location: amsterdam
Artist: christoffel van sichem (ii)
Artist role: print maker
Artist dates: 1581 – 1658
Subjects: 'cornucopia', horn of plenty, specific aspects, allegorical aspects of ceres; ceres as patroness
Inscriptions: collector's mark: Lugt 240

Ceres met de hoorn des overvloeds in een cirkelvormige omlijsting.
Coverlet
Object type: textile
Date: 1855 – 1855
Materials: textile, cotton, wool
Techniques: jacquard, weave
Location: new york
Subjects: coverlet
Inscriptions: Inscription: 1855
Heart amulet
Object type: amulet, heart
Date: 1550 – 1186
Materials: glass
Location: egypt

For the ancient Egyptians, the heart (ib) was the source of intelligence, feelings, and actions. A person's memory was also housed in the heart and so at the judgment ceremony (Weighing of the Heart) in the afterlife, the heart was able to speak on behalf of the deceased, accounting to Osiris for a lifetime of deeds. Therefore, heart amulets were only used on the mummy to protect the owner's organ and to ensure that his heart gave a positive response at judgment.
Hotel Royal Danieli in het Palazzo Dandolo en boten aan de Riva degli Schiavoni in Venetië
Object type: photograph
Date: 1870 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: venice
Artist: carlo naya
Artist role: fotograaf
Artist dates: 1816 – 1882
Subjects: palace, hotel, hostelry, inn, venice
Inscriptions: negative number: ‘88A.’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Genua, Florence en Venetië.
Crested Bird on Stump of Plum Tree
Object type: hanging scroll
Date: 1607 – 1650
Materials: ink, paper
Culture: japanese
Artist: kano naonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1607 – 1650
Subjects: birds
Design for  a Wall Decoration in a Hall: View of a Garden with a Statue, Fountain and Urns
Object type: drawing
Date: 1715 – 1798
Materials: paint, paper, pencil, watercolor
Techniques: brush
Artist: dionys van nijmegen
Artist role: draughtsman, painter
Artist dates: 1705 – 1798
Subjects: garden
Soldaat met een musket die zijn lont overbrengt van zijn rechter- naar zijn linkerhand, ca. 1645
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) en een furket (musketvork) met zijn linkerhand vasthoudt. De brandende lont in zijn rechterhand brengt hij over naar zijn linkerhand, ca. 1645. Bedrukt op achterzijde met tekst in het Frans. Vrij naar plaat 15 in de instructies voor het hanteren van het musket in de Wapenhandelinghe van J. de Gheyn. Krijgswezen rond 1600.
Netsuke of Gourd and Mice
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: mice
Reconstructie van de antieke haven van Ostia
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving
Location: italy
Subjects: harbour
Inscriptions: collector's mark: Lugt 2228

Deze prent behoort tot het prentcorpus dat bekend staat als de ‘Speculum Romanae Magnificentiae’ (‘Spiegel van Romeinse pracht’). Dit corpus, bestaande uit prenten met voorstellingen van kunstwerken en gebouwen uit het antieke en het moderne Rome, vond zijn oorsprong bij uitgevers Antonio Salamanca en Antonio Lafreri. Deze twee buitenlandse uitgevers bundelden hun krachten te Rome in de periode 1553-1563. Hun prenten werden al snel razend populair bij toeristen en verzamelaars, die de prenten individueel of in grote groepen aanschaften. Grote groepen Speculum-prenten werden vaak op aanvraag samengebonden in albums. Er zijn verschillende Speculum-albums overgeleverd die allemaal verschillen van inhoud. Tussen 1573 en 1577 gaf Antonio Lafreri een speciale titelpagina uit (met de titel ‘Speculum Romanae Magnificentiae’) die mensen voor hun verzamelingen konden voegen. Het overlijden van Lafreri in 1577 betekende niet het einde van het corpus. Een groot deel van de koperplaten ging over op Claudio en Stefano Duchetti. De rest raakte verspreid over verschillende andere uitgevers. De populariteit van de Speculum-prenten wist nog geruime periode uitgevers te inspireren tot het laten maken van kopieën en het toevoegen van nieuwe prenten aan het corpus.
Engraved copies of The Little Passion
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,christ,dining
Moon flask with lily or floral motif (one of a pair)
Object type: moon flask
Date: 1872 – 1872
Materials: bone china, enamel
Techniques: gilding
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, at the far left, part of a column?; seated woman wearing a chiton and himation; part of an inscription, K; Exterior, part of ground line
Emmaüsgangers
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the journey to emmaus: two disciples (cleopas and peter) under way
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Piu si agita è più s'arrende
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: woodcut
Location: italy
Artist: eduardo fioravanti
Artist role: print maker
Subjects: candle
Inscriptions: inscription: ‘Eduardi Fioravanti (Holzschnitt) / Bois-Holzschnitt’
Vase with Ribs
Object type: vessel
Materials: glaze, stoneware
Location: china
Rowboat (from Sketchbook)
Object type: drawing
Date: 1891 – 1891
Materials: gilt, graphite, leather, paper
Techniques: bookbinding
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: boats
Fotoreproductie van een prent, voorstellende de voorgevel van de Dom van Regensburg
Object type: reproduction
Date: 1864 – 1869
Materials: photographic support
Techniques: albumen print
Artist: johann laifle
Artist role: fotograaf
Subjects: church (exterior), façade (of house or building)
Inscriptions: inscription: ‘Projekt für (...) Denzinger.’
Finette
Object type: print
Date: 1859 – 1859
Materials: ink, ivory, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Tray with Pair of Dragons
Object type: tray
Date: 1701 – 1800
Materials: lacquer, mother of pearl
Techniques: inlay
Culture: japanese or ryukyuan
Subjects: dragons

Historical records indicate that sets of thirty trays with matching basins were sent to the Qing court in Beijing from the Ryūkyū Islands at least three times during the eighteenth century. The two dragons chasing a pearl in the center of this tray have five claws on each foot, which indicates that they are imperial symbols. Large trays such as this remain in imperial collections in China and Taiwan, and it seems likely that they once belonged to the eighteenth-century sets. The dragons and other motifs are rendered with thin pieces of mother-of-pearl chosen for their bright colors. The disjunction between the heads of the dragons and the rest of their bodies is characteristic of Okinawan lacquer.
Town Gate, from Landscapes (Playsante Lantschappen)
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: attributed to claes jansz. visscher ii
Artist nationality: dutch
Artist dates: 1586 – 1652
Inscriptions: Lettered lower right: "4"
Ovoid jar with a wicker decoration
Object type: ewer
Date: 1175 – 1199
Materials: earthenware, glaze, quartz
Techniques: enamel, cutting, firing, turning, vitrification
Location: iran
Artist: Anonymous

Kan van kwarts-fritgoed gedecoreerd met vlechtwerk en strepen weggesneden uit engobe van zwarte slib onder een transparante alkaliglazuur.
Bough Vase
Object type: bough vase
Date: 1775 – 1800
Materials: earthenware
Culture: british
Location: england
Subjects: animals
Vaas, veelkleurig beschilderd met vrouwenkoppen en een geabstraheerd vegetatief motief
Object type: decoratief object
Date: 1902 – 1902
Materials: porcelain
Techniques: pâte sur pâte
Location: meissen
Artist: rudolf hentschel
Inscriptions: check stamp: ‘133’, model number: ‘T.120’, factory mark

Vase. Porcelain decorated in pâte-sur-pâte technique. Meissen, made by Königlich Sächsische Porzellanmanufaktur, c. 1902. The design of the decoration attributed to Rudolf Hentschel.
Kop
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, watercolor
Techniques: brush
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: head (human)

Blad 11 recto uit een schetsboek met 69 bladen.
Gothic Cathedral
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Hanging
Object type: hanging
Date: 1601 – 1800
Materials: linen, silk
Globular Jar with Relief Cordons and Two Handles
Object type: vessel
Materials: wood, glaze, stoneware
Techniques: incising, underglaze
Location: china
Schotel, plat en ovaal van vorm,behorend bij een servies met geslingerd lintmotief met bladertakken, bloemboeketten en gestrooide bloemtakken
Object type: platter
Date: 1780 – 1820
Materials: porcelain
Location: loosdrecht

Schotel, plat en ovaal van vorm, behorend bij een servies van porselein, versierd met een geslingerd lintmotief in paars en goud met groene bladertakken, bloemboeketten en gestrooide bloemtakken. Randen lichtgegolfd met decoratie in goud met paars bladmotief waartussen groen gekruist bladmotief. Gemerkt: M.O.L. en Amstel.
Cloelia steekt de Tiber over
Object type: print
Date: 1501 – 1580
Materials: paper
Techniques: engraving
Location: rome
Subjects: cloelia and her companions escape porsena's camp: she crosses the tiber on horseback and persuades her companions to swim after her
Inscriptions: collector's mark: Lugt 240

De uit gevangenschap ontsnapte Cloelia vlucht naar Rome. Ze steekt te paard de rivier de Tiber over. Links op de oever staat een groep vrouwen met kinderen voor tenten. Rechts staan vrouwen op de oever die Cloelia proberen tegen te houden.
Terracotta chalice
Object type: cup
Date: 575 – 550
Materials: terracotta
Culture: etruscan
Subjects: heads,rams

High foot with human and rams' heads and conventional ornaments in relief.
Portret van Peter Marschall
Object type: print
Date: 1622 – 1624
Materials: paper
Techniques: engraving
Location: germany
Artist: paul de zetter
Artist role: print maker
Artist dates: 1600 – 1667
Subjects: bookseller
Inscriptions: collector's mark: Lugt 2228

Portret van Peter Marschall, boekverkoper in Heidelberg, in een ovale lijst met kwabornament.
Wine cup
Object type: wine cup
Date: 1618 – 1619
Materials: silver gilt
Artist: jeffery prescott
Artist role: maker
Artist dates: 1575 – 1675
Subjects: flowers
Commode Clothes Press, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: commodes

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CIII in the 1754 and 1755 editions, and renumbered as plate CXXX in the 1762 edition.
Zon van Gerechtigheid in een medaillon
Object type: sketchbook leaf
Date: 1900 – 1903
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: libra (zodiacal sign of september), abstract ideas and concepts (+ personification)
Inscriptions: annotation: ‘ma. 4.2.U-lieds daar & tegen - Sal de Sonne/ des Gerechtigheyt opgaan/ wegschaal/ [...]/ Eer/ Rijkdom/ [...]’

De Zon draagt een kroon en staf met zonnestralen. Boven het medaillon een kleiner medaillon met een voorstelling van het sterrenbeeld leeuw, eronder een half medaillon met een voorstelling van een paard. Ontwerp voor een glas-in-loodraam voor de Kamer van Koophandel in de Beurs van Berlage te Amsterdam. Blad 6 recto uit een schetsboek met 45 bladen.
Portret van Petrus Scriverius
Object type: print
Date: 1710 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: petrus scriverius, historical persons

Portret ten halven lijve naar rechts van Petrus Scriverius, zijn hand rustende op een boek op een plint voor hem. Bovenaan een regel in het Latijn en onderaan de naam en gegevens van de geportretteerde in drie regels in het Nederlands.
Portret van Johann Theodor Caspars
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: afgezant, johann theodor caspars
Inscriptions: collector's mark: Lugt 2228

Portret van Johann Theodor Caspars afgezant tijdens de vredesonderhandelingen in Münster, in ovaal met randschrift en sierlijst. Boven en onder het portret twee wapens.
Kweekschool voor de Zeevaart. Amsterdam.
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: sailing-ship, sailing-boat, higher education, e.g.: teacher's college (+ pupil), façade (of house or building)

Onderdeel van Leporelloalbum met 24 foto's van Amsterdam.
Cuff
Object type: cuff
Date: 1801 – 1900
Materials: linen, silk
Techniques: lace
Subjects: flowers
Portret van Maximiliaan III Jozef van Beieren
Object type: print
Date: 1761 – 1788
Materials: paper
Techniques: engraving, etching
Location: augsburg
Artist: johann esaias nilson
Artist role: draughtsman, print maker, publisher
Artist dates: 1721 – 1788
Subjects: armour, historical persons, measuring, the soldier; the soldier's life, fame; 'fama', 'fama buona', 'fama chiara' (ripa), globe, beasts of prey, predatory animals: lion, baton of general
Inscriptions: collector's mark: Lugt 2228
Cover
Object type: cover
Date: 1701 – 1800
Materials: cotton, linen
Lijst met maskers en vier putti spelend met een masker
Object type: titelblad, titelpagina
Date: 1642 – 1642
Materials: paper
Techniques: engraving
Location: paris
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: mask, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: Publii Terentii Comoediae. Parijs: Imprimerie Royale, 1642.
The Bagpiper
Object type: print
Date: 1833 – 1838
Techniques: drypoint, etching
Artist: alexandre-gabriel decamps
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1860
Subjects: men,bagpipes
Gezicht op Vaticaanstad, gezien vanaf de Janiculum
Object type: stereograph
Date: 1857 – 1859
Materials: cardboard, photographic support
Techniques: albumen print
Location: janiculum
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Les ruines du premier plan (...) Au fond la colonnade et la basilique de Saint-Pierre.’, name: ‘Kunsthandlung von Joh. Heinrigs CÖLN. Hochstrasse 152.’, number: ‘No 118.’, inscription: ‘ITALIE’
Allegory of Abundance (Sketch for a Ceiling Painting)
Object type: drawing and watercolor
Materials: chalk, ink, paper, paint, watercolor
Techniques: brush, pen
Location: italy
Artist: attributed to domenico pozzi
Artist nationality: italian
Artist dates: 1744 – 1796
Christ and Saint Peter
Object type: print
Date: 1743 – 1763
Techniques: engraving
Artist: Anonymous
Artist role: artist
Goblet
Object type: glass
Date: 1701 – 1800
Materials: glass
Location: england
Portret van R.P. François Eugène Captier
Object type: photograph
Date: 1871 – 1871
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: pierre petit
Artist role: fotograaf
Artist dates: 1832 – 1909
Subjects: monk(s), friar(s), paris
Inscriptions: address: ‘31, Place Cadet’

Onderdeel van Herdenkingsalbum van rooms-katholieke geestelijken gevallen tijdens de Commune van Parijs.
Portrait of Sanjō Kantarō in the Female Role of Yaoya Oshichi in the Play "Fuji no Takane" ("The High Peak of Mount Fuji")
Object type: print
Date: 1730 – 1740
Materials: ink, paper
Techniques: hand coloring
Culture: japanese
Artist: torii kiyomasu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1706 – 1763
Subjects: men,women,actors,mirrors

This print portrays Sanjō Kantarō, an actor who specialized in female impersonation. By isolating the actor and the mirror in the undefined space, Kiyomasu created an iconic image.The backward-facing mirror, withholding the actor's reflection, encourages the viewer to imagine what Kantarō sees. The barren surroundings and the simple and direct formal technique, revealed in the strong draftsmanship, serve as a metaphor for the actor's preoccupation with his own image.
The Actor Nakamura Nakazo I as a Monk, Raigo Ajari, in the Play Nue no Mori Ichiyo no Mato (Forest of the Nue Monster: Target of the Eleventh Month), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1770
Object type: print
Date: 1770 – 1770
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Portret van Maarten Hamkema
Object type: book illustration
Date: 1701 – 1701
Materials: paper
Techniques: engraving, letterpress printing
Location: leiden
Subjects: honouring the artist with laurel wreath, historical persons, portrait of a writer

Prent uit: Pars, Adriaan. Index Batavicus, of naamrol van de Batavise en Hollandse schrijvers (...). Leiden: Abraham de Swart, 1701, p. 77.
The Two Pantaloons Turning their Back, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

In the 17th century, the word capriccio generally indicated a musical composition that thwarted listeners’ expectations with sudden changes in tempo, rhythm, or structure that appeared to be made according to the performer’s whim, or caprice. Jacques Callot borrowed the term to describe a series of etchings with a wide variety of diverting subjects including peasants, architectural sites, military maneuvers, and musicians. Among other motifs, he depicted two pairs of dancers frolicking and playing musical instruments and a shepherd playing a flute.
Dan Brouthers, 1st Base, Detroit, from the Goodwin Champion series for Old Judge and Gypsy Queen Cigarettes
Object type: baseball card
Date: 1888 – 1888
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,profiles,baseball,athletes

The Goodwin Champions series of trading cards (N162), was issued by Goodwin & Company in 1888 to promote Old Judge and Gypsy Queen Cigarettes. The series of 50 cards depicts athletes in various disciplines. The Metropolitan Museum of Art owns all 50 cards from the series.
Twee gezicht in Amsterdam
Object type: sketchbook leaf
Date: 1906 – 1923
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, ships (in general), canals, waters (in city), street
Inscriptions: annotation: ‘Damrak’

Boven mogelijk een gezicht op huizen in de De Clercqstraat te Amsterdam. Onder een gezicht op boten aan het Damrak. Pagina 27 en pagina 28 uit een schetsboek met 46 bladen vervaardigd in Amsterdam en Haarlem.
Dress
Object type: dress
Date: 1830 – 1850
Materials: cotton
Culture: american or european
Vulcan
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, lead
Techniques: brush, highlighting, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: vulcan,hammers