deem-data/ArtiFact huggingface dataset:
Panel with striding lion
Object type: relief
Date: 604 – 562
Materials: ceramic, glaze
Culture: babylonian
Location: mesopotamia
Subjects: lions

The Assyrian Empire fell before the combined onslaughts of Babylonians and Medes in 614 and 612 B.C. In the empire's final days, Nabopolassar (r. 625–605 B.C.), who had been in Assyrian service, established a new dynasty with its capital in Babylon. During the reign of his son, Nebuchadnezzar II (r. 604–562 B.C.), the Neo-Babylonian empire reached its peak. This was largely attributable to Nebuchadnezzar's ability as a statesman and general. He maintained friendly relations with the Medes in the east while vying successfully with Egypt for the control of trade on the eastern Mediterranean coast. He is well known as the biblical conqueror who deported the Jews to Babylon after the capture of Jerusalem. During this period Babylon became the city of splendor described by Herodotus and the Old Testament Book of Daniel. Because stone is rare in southern Mesopotamia, molded glazed bricks were used for building and Babylon became a city of brilliant color. Relief figures in white, black, blue, red, and yellow decorated the city's gates and buildings. The most important street in Babylon was the Processional Way, leading from the inner city through the Ishtar Gate to the Bit Akitu, or "House of the New Year's Festival." The Ishtar Gate, built by Nebuchadnezzar II, was a glazed-brick structure decorated with figures of bulls and dragons, symbols of the weather god Adad and of Marduk. North of the gate the roadway was lined with glazed figures of striding lions. This relief of a lion, the animal associated with Ishtar, goddess of love and war, served to protect the street; its repeated design served as a guide for the ritual processions from the city to the temple.
Ahajah Divides his Cloak into Twelve Parts, from Four Scenes from the Life of the Prophets, Isaiah, Ahajah and Elisha
Object type: print
Date: 1604 – 1604
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered lower left: "1 / Abrahamus Bloemaert inven. Joan Saenredam sculp. et excu. 1604" and below image: "Veste novus, fastuque tumens... mysteria pallae. Schrevelius"
Landoin. Antoine, Eugène. 33 ans, né le 16/11/60 à Quincie (Rhône). Comptable. Anarchiste. 16/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Een Burger Vrouw en Dochter, naar de Kerk gaande / Une Femme bourgeoise & sa Fille, allant à l'Eglise
Object type: book illustration
Date: 1811 – 1811
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: going to church, fan, clothes, costume, the bible as a book, batavian republic
Inscriptions: date

Prent waarschijnlijk uit: Maaskamp, Evert. Afbeeldingen van de kleeding, zeden en gewoonten in de Bataafsche Republiek (...). Amsterdam: Evert Maaskamp, 1811. Prent in eerdere staat gebruikt in eerdere publicatie. Mogelijk ook gebruikt in heruitgave uit 1829.
Mrs. Ichabod M. Cushman (nee Nancy Blymer)
Object type: drawing
Date: 1787 – 1830
Materials: paper, pastel
Culture: american
Artist: henry williams
Artist role: artist
Artist nationality: american
Artist dates: 1787 – 1830
Subjects: portraits,women

In choosing pastel for this portrait, Williams was following John Singleton Copley, who developed great skill in the medium before he left Boston for a career in England in 1774. Whereas Copley preferred a velvety surface of chalks, Williams applied distinct strokes of pastel on a carefully blended layer of pigment. Williams softened the tones of the face by stumping, a technique of smudging strokes using a tight roll of paper or a chamois tied with a string, or even the artist’s finger. He subsequently added several parallel, diagonal strokes of pink on Mrs. Cushman’s brow and cheek. Having deftly manipulated the crayon to render the diaphanous fabric of the bodice, Williams also applied strokes of white along the ruffled neckline so that it would contrast with the smoothed surface beneath.
Boreas and Orithyia, from "Game of Mythology" (Jeu de la Mythologie)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Finger Ring with the Throne Name of King Horemheb
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: hieroglyphs, jewelry, king
Inscriptions: Throne name (prenomen) of King Horemheb: "Djeser-kheperu-Re Setep-en-Re."
Saltcellar
Object type: saltcellar
Date: 1835 – 1835
Materials: glass
Culture: american
Location: united states
Hier toonen jagers met hun honden; / hoe 't wild betrapt wordt en gevonden, / Ook hoe men vischt met snoer en net; / 't is tot uw vreugd hier neêrgezet
Object type: popular print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: hunting, chase, hunter, fishing (sports), fisherman
Inscriptions: collector's mark: Lugt 2760

Blad met 36 voorstellingen van jagers en vissers. Onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 152.
Cup (one of a pair)
Object type: cup
Date: 1725 – 1740
Materials: soft paste porcelain
Artist: saint-cloud factory
Artist role: factory
Artist nationality: french
Artist dates: 1693 – 1766
Landschap met herders met een kudde bij een ruïne
Object type: print
Date: 1663 – 1726
Materials: paper
Techniques: etching
Location: paris
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins
Inscriptions: collector's mark: Lugt 3474, collector's mark: Lugt 3473, collector's mark: Lugt 2228

Maakt deel uit van vierentwintigdelige serie met landschappen naar Titiaan en Campagnola.
Portret van Cato Merks in een fotostudio
Object type: photograph
Date: 1910 – 1930
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, portrait of cabaret-artiste
Inscriptions: inscription: ‘Cato Merks’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Top and part of the right half of a kylix handle
Wild Horses
Date: 1775 – 1800
Materials: ink, panel, paper
Location: japan
Artist: soga shōhaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1730 – 1781
Reclamekaart voor hotel-restaurant Corvin te Hilversum
Object type: print
Date: 1884 – 1952
Materials: paper
Techniques: relief print
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: magic mathematical figures; magic numbers, words, monograms
Inscriptions: collector's mark: ‘R:MVS.’

Monogram met de letters H en C in een ovaal.
Buste van een naakte vrouw
Object type: print
Date: 1866 – 1910
Materials: paper
Techniques: etching, intaglio, roulette
Artist: armand heins
Artist role: print maker
Artist dates: 1856 – 1938
Subjects: adult woman
Inscriptions: collector's mark: Lugt 2228
Jug with a lion's head and roundels
Object type: ewer
Date: 1580 – 1620
Materials: glaze, stoneware
Techniques: printing, firing, forming, relief, turning, vitrification
Location: frechen
Artist: Anonymous

Kan van steengoed op hoge voet met een eivormig lichaam en spreidende nek met een opstaande rand met geknepen tuit. Het C-vormige oor is bevestigd aan de rand en de schouder. Profielen op de nek en voet. Op de voorzijde van de buik een vak met een patroon van ingegrifte banden met daartussen gestempelde rozetten. Op de nek een gedrukte en opgelegde leeuwenkop in reliëf. Frechen.
Kunstkabinet
Object type: miniature
Date: 1690 – 1710
Materials: wood, shell, wax
Location: amsterdam
Artist: Anonymous
Portret van Léon Melchissédec
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: paris
Artist: alphonse-justin liébert
Artist role: fotograaf, marinier
Artist dates: 1827 – 1914
Subjects: portrait of opera-singer
Inscriptions: inscription: ‘Journal hebdomadaire paraissant le jeudi Du 31 Décembre 1874 au 6 Janvier 1875’, number: ‘No 85’
Cup
Object type: cup
Date: 1760 – 1760
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: trees
Veld ajuijn. / Ornithogalon Spicatum. Monspelliensium florelacteo. / Afodille.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: star-of-bethlehem, flowers: asphodelus

Affodil of Vogelmelk. Rechtsboven genummerd: 191. Rechtsboven de Latijnse naam. Onderdeel van het tweede album met tekeningen van bloemen en planten. Negende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Penny uit Engeland van Edward I/II/III, 1272-1377
Object type: coin
Date: 1279 – 1377
Materials: silver
Techniques: striking
Location: london

Zilveren munt. Voorzijde: aanziend gekroond hoofd. Keerzijde: lang enkellijnig gevoet kruis.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Exterior, buttocks and thighs of male to left; part of a draped figure
Duinlandschap
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: dunes (sea not visible); in the dunes

Duinlandschap. Blad 21 verso uit een schetsboek met 28 bladen.
Encampment with Canoes (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: tents,trees,boats
Staande non en staande broeder
Object type: drawing
Date: 1657 – 1657
Materials: paper, watercolor
Techniques: brush
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

De monnik draagt de habijt van de Orde van het Heilig Kruis (de Kruisheren).
La balancoire
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: tone lithography
Subjects: child, swing, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: date
Optimi Consultores Mortui
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: france
Artist: Anonymous
Subjects: reading
Inscriptions: number: ‘261’, number: ‘136’, collector's mark: Lugt 2228
Stamp-cylinder seal
Object type: stamp cylinder seal
Date: 1200 – 1101
Materials: marble
Culture: cypriot
Location: cyprus
Design for the Left Half of an Altar
Object type: drawing
Date: 1750 – 1766
Materials: ink
Techniques: brush, pen, wash
Artist: mauro antonio tesi
Artist role: artist
Artist nationality: italian
Artist dates: 1730 – 1766
Subjects: altars
Verkoopboek 1868-1887 Schilderijen enz.
Object type: notebook
Date: 1868 – 1887
Techniques: writing
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: amsterdam, painter, print maker, draughtsman, cornelis springer

Verkoopboek met groen en bruin gemarmerd omslag en linnen rug.
Breakfast, plate four from Woman
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: etching
Location: france
Artist: albert besnard
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1849 – 1934
[Young Man in a Striped Jacket, Sitting on the Lap of Another Man in Front of Painted Outdoor Backdrop]
Object type: tintype
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Geese and Lotus Leaves
Object type: hanging scroll
Date: 1368 – 1911
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: geese
Trichomanes Radicans. Scolopendrium Vulgare
Object type: page
Date: 1867 – 1877
Materials: photographic support
Techniques: albumen print
Location: england
Artist: sydney courtauld
Artist role: botanicus, fotograaf, schrijver
Artist dates: 1840 – 1899
Subjects: ferns
Inscriptions: inscription: ‘Plate XVIII. One-fourth natural size.’
Portret van Balthasar Ludwig Tralles
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving
Location: wroclaw
Subjects: bookshelves, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende vrouw als de heilige Cecilia
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: the virgin martyr cecilia of rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies, historical persons not known by name - bb - woman
Buddhist Deity, Ushnishavijaya (Zun Sheng fo mu)
Object type: figure
Date: 1667 – 1800
Materials: brass, gilt, wax
Techniques: casting
Culture: chinese
Subjects: bow and arrow,buddhism,deities

This eight-armed goddess can be identified by the implements she holds as Ushnishavijaya, one of several female deities who began to play a prominent role in Indian Buddhist practices during the seventh and eighth centuries. She has three faces and is thought to personify the ushnisha, the cranial protuberance that marks a Buddha. Therefore, she is generally associated with the development of practices focusing on spiritual understanding. The goddess holds a small seated Buddha in her upper right hand and a two-pronged vajra suspended from a long rope in her upper left. Her second pair of hands holds a bow and arrow, while the third clutches a four-pronged vajra (a ritual implement symbolic of adamantine power) before her chest. The seventh and eighth hands, the lowest pair on the sculpture, offer a gesture of beneficence and hold a covered vase. The style of the sculpture reflects the close ties between the Buddhist cultures of Tibet, Mongolia, and China during the Qing dynasty.
Creamer
Object type: cream pot
Date: 1865 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: central glass company
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Subjects: roses
Portret van Hendrik van Artois Bourbon, graaf van Chambord
Object type: print
Date: 1825 – 1835
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons
Twee saters met een kudde
Object type: print
Date: 1650 – 1724
Materials: paper
Techniques: etching
Artist: abraham genoels
Artist role: draughtsman, print maker
Artist dates: 1640 – 1723
Subjects: satyr(s) (in general), goat, mountains
Inscriptions: collector's mark: Lugt 240

Twee staters. Ze drijven in een berglandschap een kudde geiten voort.
Cassetta frame on a polyptych panel
Object type: frame
Date: 1325 – 1325
Materials: gilt, wood
Culture: italian
Panel
Object type: panel
Date: 501 – 700
Materials: linen, wool
Techniques: tapestry, weave
Location: egypt
Aankondiging van de portretten van Jacoba van Beieren en Frank van Borselen
Object type: text sheet
Materials: paper
Techniques: letterpress printing
Location: haarlem

Twee aan weerszijden bedrukte tekstbladen met houtsneden, dienend als aankondiging van de uitgave van de portretten van Jacoba van Beieren en Frank van Borselen, vervaardigd door prentmaker Jacob Folkema.
Scarab amulet
Object type: scarab, mummy scarab, loop at top, amulet
Date: 712 – 332
Materials: faience
Location: egypt
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Band of tongues, framed at the top by three black glazed lines
Liber Chronicarum
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: london, king
Inscriptions: inscription: ‘265’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 231r.
Het dorp Heesbeen bij Heusden, Noord Brabant
Object type: drawing
Date: 1761 – 1828
Materials: ink, paper
Techniques: brush, pen
Artist: joseph adolf schmetterling
Artist role: draughtsman
Artist dates: 1751 – 1828
Subjects: founding a village
Portret van Francesco Morosini, Doge te Venetië
Object type: print
Date: 1670 – 1736
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van vianen
Artist role: print maker
Artist dates: 1660 – 1726
Subjects: venice
Inscriptions: collector's mark: Lugt 2228
Portret van Martin Hinrich Lichtenstein
Object type: print
Date: 1828 – 1837
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Mart. Heinr. Carl Lichtenstein./ 1828.’
Reliquary in the shape of a coffin
Object type: reliquary
Date: 701 – 800
Materials: gilt bronze
Culture: chinese
Subjects: reliquaries
Lace collar
Object type: collar
Date: 1801 – 1900
Techniques: embroidery
Culture: paraguayan
Location: paraguay
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Below the rim, a thick band of black glaze; thin red glazed line; below, reserve
Rivierlandschap met zeilboot
Object type: print
Date: 1867 – 1874
Materials: paper
Techniques: tone lithography
Location: netherlands
Artist: jan willem van borselen
Artist role: draughtsman, print maker
Artist dates: 1825 – 1892
Subjects: sailing-ship, sailing-boat, river (+ landscape with figures, staffage), fisherman
Inscriptions: collector's mark: Lugt 2228

Op de linkeroever van de rivier staan bomen, op de rechteroever een boerderij met een hooischuur. Aan de kant zitten twee figuren waaronder een visser. In het midden, op het water, vaart een zeilboot.
Domkloster, Cöln
Object type: photograph
Date: 1859 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Artist: theodor creifelds
Artist role: publisher
Artist dates: 1815 – 1875
Subjects: façade (of house or building)
Inscriptions: annotation: ‘Bremen?’
Portret van Pieter Brueghel de Jonge
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Subjects: brussels, antwerp, draughtsman, pieter brueghel (ii)
Inscriptions: date

Pieter Brueghel de Jonge (1564/65-1637/38), schilder, zoon van Pieter Brueghel de Oude. Portret met lange baard in ovale lijst, rustend op een graftombe, omringd door allegorische figuren: Minerva, Fama en Mercurius. Onder het portret een amor met doek over zijn hoofd in gebogen houding, een fakkel omgekeerd houdend, bij een doodshoofd. Aan de voeten van Fama liggen de attributen van de schilderkunst (palet) en penselen). Bij Minerva passer en winkelhaak.
Portret van Franz Carl Achard
Object type: print
Date: 1782 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: berlin, physicist

Portret van Franz Carl Achard in een ovale omlijsting. In de ondermarge zijn naam en zijn beroep.
Treinwagon met twee reusachtige kroppen kool
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1910
Materials: cardboard
Techniques: lithograph
Location: san francisco
Artist: edward henri mitchell
Artist role: publisher
Artist dates: 1867 – 1932
Inscriptions: inscription: ‘PUBLISHED BY EDWARD H. MITCHELL SAN FRANCISCO CAL.’, inscription: ‘2188 – A CARLOAD OF CABBAGES. / Copyright 1910 by Edward H. Mitchell, San Francisco’
Maharao Jajah of Ulwur, India, from the Savage and Semi-Barbarous Chiefs and Rulers series (N189) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,portraits

Trade cards from the "Savage and Semi-Barbarous Chiefs and Rulers" series (N189), issued in an unnumbered set of 50 cards in 1888 by Wm. S. Kimball & Co.
Deel van het scheepsdek van een VOC-schip
Object type: drawing
Materials: paper, pencil, watercolor
Techniques: brush
Location: batavia
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: parts of ship's exterior: deck
Inscriptions: inscription

Deze tekening hoort ter rechterzijde van NG-1985-7-1-3. Zichtbaar zijn een stuk van het halfdek, een kist, een raam van de officiersverblijven en een stuk van de zeilen. Het 20e eeuwse bijschrift is Zweeds en verwijst naar bovennoemd nummer. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 11.
Portret van een onbekende man genaamd Ohnet
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: drypoint, etching, intaglio
Location: bergen
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228
Portret van Julius II
Object type: book illustration
Date: 1836 – 1836
Materials: paper
Techniques: stippling
Location: london
Subjects: rome, historical persons, pope
Inscriptions: collector's mark: Lugt 2228

Prent uit: The National Gallery of Pictures by the Great Masters (...). Londen: Jones & Co, 1836.
Pitcher
Object type: ceramic
Date: 1880 – 1880
Materials: earthenware
Techniques: glazing
Location: yorkshire
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904

Christopher Dresser was known for prioritizing an object’s function while still maintaining geometric elegance. He gave special consideration to the placement of spouts and handles on vessels, such as this pitcher designed for Linthorpe Art Pottery. Dresser looked to a variety of cultural sources for inspiration. The shape of this pitcher is an adaptation of ancient Greek Cycladic jugs, the incised decoration was likely copied from Bronze Age pots excavated in Yorkshire, and the dripped glazing effect is based on Japanese Raku pottery.
Vijf prenten over langlevendheid
Object type: surimono
Date: 1890 – 1900
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Artist: shigenobu (ii)
Subjects: conceptions and ideas visualized ~ traditional chinese religions, metamorphoses of (fabulous) animals, goat

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Bow Brooch
Object type: brooch
Date: 501 – 550
Materials: copper alloy, iron
Techniques: casting
Culture: visigothic
Portret van een peuter
Object type: album leaf
Date: 1876 – 1881
Materials: cardboard, photographic support
Techniques: albumen print
Artist: william flower maltby
Artist role: fotograaf
Artist dates: 1844 – 1914
Subjects: toddler, historical persons
Inscriptions: inscription: ‘W. Flower Maltby/ Photographer and miniature painter/ 176, Upper Street/ Islington (...)’
Fragment (From a Border)
Object type: textile
Date: 1601 – 1700
Materials: linen, silk
Location: italy