deem-data/ArtiFact huggingface dataset:
Miss Adair, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van vrouw met hoed en witte handschoenen
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, head-gear: hat
Dame de la Cour Francaise 16e Siècle. sous Francois I
Object type: costume print
Date: 1840 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: the hague
Artist: elias spanier
Artist role: print maker, printer
Artist dates: 1821 – 1863
Subjects: historical costume

Vrouw in historisch kostuum van een hofdame aan het Franse hof van Frans I, 16e eeuw. Voorstelling toegevoegd aan het plaatwerk over het gekostumeerd bal gehouden op het paleis van de prins van Oranje (de latere koning Willem III) in Den Haag op 26 februari 1845.
Pair of Rowel Spurs
Object type: spur
Date: 1600 – 1600
Materials: metal alloy, tin
Culture: german
Location: germany

This pair of spurs is entirely adorned with geometrical chiseled and pierced decoration, giving them a rich lacework aspect. They were certainly worn and kept as pieces of jewelry as much as being used as practical equestrian objects. This type of chiseled and pierced decoration was used by the spur makers in eastern Germany in the 16th and 17th centuries. Despite their name, spur makers not only made spurs, but also all the small equestrian hardware like bits, stirrups, muzzles, cavessons or curry-combs, sometimes adorned with the same intricate decoration.
Varkensslacht
Object type: print
Date: 1778 – 1787
Materials: paper
Techniques: etching, hand coloring, roulette
Location: amsterdam
Subjects: slaughtered ox or pig, butcher, slaughterman
Inscriptions: collector's mark: Lugt 2725

Op een binnenplaats slachten een man en een vrouw een varken. De prent ligt los in een album, zie blad 41.
Pietà
Object type: figure
Date: 1450 – 1450
Materials: alabaster

Alabaster is a soft rock and therefore highly suitable for refined carved statuary. When polished it acquires a beautiful sheen. This statue was probably once smoothly finished. Moreover, the hem of Mary’s cloak was decorated with gilt. The tiny hole visible just under her chin may have once held a (semi-)precious stone as a clasp for her cloak.
Woonhuis van Rembrandt Harmenszn. van Rijn in 1828
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: etching
Location: netherlands
Artist: jonkheer isaac lambertus cremer van den berch van heemstede
Artist role: print maker
Artist dates: 1811 – 1879
Subjects: the usual house or row of houses
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1967
Portret van Karel de Stoute, hertog van Bourgondië
Object type: book illustration
Date: 1745 – 1745
Materials: paper
Techniques: etching
Location: haarlem
Subjects: earl, charles the bold (duke of burgundy), nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor: Langendyk, Pieter. De Graaven van Holland, in jaardichten beschreven door Pieter Langendyk. Verykt met alle de beeldtenissen dier prinsen, naauwkeurig getekend naar de echte aloude tafereelen of de zaal van't raadhuis der stad Haarlem. Haarlem: J. Bosch, 1745.
Metamorfosen van Ovidius
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: italy
Subjects: death of chione, daughter of daedalion: she is shot in the tongue by diana for comparing her own beauty with that of the goddess, mercury wooing chione; apollo present
Inscriptions: collector's mark: ‘Hinloopen’

Diana schiet Chione dood met pijl-en-boog, omdat Chiona haar eigen schoonheid vergeleek met die van de godin. Op de achtergrond wordt Chione verleid door Mercurius, terwijl Apollo toekijkt vanachter een boom. Titel in het Latijn in ondermarge.
Muziekinstrumenten uit de collectie Daniël François Scheurleer, tentoongesteld in Pulchri Studio in 1893
Object type: photomechanical print
Date: 1893 – 1893
Materials: cardboard, paper
Techniques: woodburytype
Location: pulchri studio
Artist: adrianus van der grient
Artist role: fotograaf
Artist dates: 1858 – 1941
Subjects: the hague, daniël françois lunsingh scheurleer, percussion instruments, string instruments (plucked), exhibition ~ art
Inscriptions: inscription: ‘A. v. d. GRIENT, PHOT. - DEN HAAG.’
Sextus Tarquinius and Lucretia
Object type: sculpture
Date: 1600 – 1700
Materials: bronze
Subjects: the rape of lucretia: sextus tarquin threatens her with a dagger or a sword

Adriaen de Vries (c. 1556 - 1626), after. Sextus Tarquinius and Lucrece. Bronze, massive cast. South Germany, c. 1600 - 1650.
Cup
Object type: cup
Date: 1601 – 1700
Materials: amber, enamel, ivory, silver gilt
Artist: jakob heise
Artist role: maker
Artist nationality: german
Artist dates: 1624 – 1693
Subjects: human figures,dragons
Teapot
Object type: teapot
Date: 1701 – 1800
Materials: hard paste porcelain
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Spotprent op de tulpenhandel, 1637
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching, hand coloring
Subjects: speculative boom, negative results and undesired aspects of trading, (story of) flora - suffering, misfortune, fool's cap, flowers: tulip
Inscriptions: stamp, collector's mark: Lugt 1641

Spotprent op de tulpenmanie, windhandel in tulpenbollen in het jaar 1637. In een herberg in de vorm van een grote narrenkap zitten tulpenhandelaren. Links op een verhoging staat de duivel met een zandloper, handelaren met een stok met inschrijvingen en een boer die een mand met bollen op de mesthoop omkeert. Daarvoor en rechtsvoor verschillende bollenboeren. Op de achtergrond wordt Flora gezeten op een ezel weggejaagd. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Koophandel, Veilingen, Makelaardij en Verzekeringswezen, Herinneringen op het gebied van den Koophandel.
Maria I van Engeland
Object type: copy
Date: 1555 – 1555
Materials: bronze
Techniques: casting
Location: brussels
Artist: jacopo nizzola da trezzo
Artist role: medailleur
Artist dates: 1515 – 1589
Subjects: london

Bronzen penning. Voorzijde: borststuk vrouw binnen omschrift. Keerzijde: beschenen door hemellicht steekt Maria, afgebeeld als Vrede zittend op steen, met toorts naast haar liggende stapel wapentuig in brand en houdt zij met andere hand palm- en olijftakken boven groep smekelingen, die geteisterd wordt door storm en water; aan haar voeten ligt weegschaal, op achtergrond rechts een tempel binnen omschrift.
La grande allée de la maison vers le village / De groote laan van het huys naat dorp gaande
Object type: print
Date: 1682 – 1726
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2233
Lamp
Object type: lamp
Date: 1334 – 1366
Materials: earthenware
Techniques: cutting, glazing, incising
Location: egypt
Subjects: animals
Portret van een onbekende vrouw
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: photoaquatint
Location: berlin
Artist: robert demachy
Artist role: fotograaf
Artist dates: 1859 – 1936
Subjects: adult woman
Tomyris with the Head of King Cyrus
Object type: print
Date: 1586 – 1586
Techniques: etching
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Subjects: women,keys
Kalamkari Hanging with Figures in an Architectural Setting
Object type: hanging
Date: 1640 – 1650
Materials: cotton
Techniques: dyeing, painting, weave, resist
Location: india
Subjects: men,women,horses,flowers

Kalamkari, a multistep process for dying textiles by applying each color with a stylus (kalam) or by using resists, is a specialty of the Deccan region of India. Although the region produced many types of dyed textiles for export to Europe and Southeast Asia between the seventeenth and nineteenth centuries, this hanging is one of a small group decorated with multiple figures, made only in the early 1600s. This particular hanging was once attached to several other similar panels, and was probably used as a backdrop for royal ceremonies. Later the hanging was cut down and borders were added from two other textiles.
Komagata Hall and Azuma Bridge (Komagatado Azumabashi), No.62 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Ceres, Bacchus en Venus
Object type: print
Date: 1687 – 1708
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: pieter van der plas (ii)
Artist role: print maker
Artist dates: 1647 – 1708
Subjects: 'sine cerere et baccho friget venus'
Inscriptions: collector's mark: Lugt 2228

Venus en Amor, vergezeld door Ceres en Bacchus. Verbeelding van het gezegde 'Sine Cerere et Baccho friget Venus' (zonder brood en wijn bevriest de liefde).
Letter M met op de achtergrond ornament
Object type: print
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: historiated initial, foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2228

De letter en het inititaal M met op de achtergrond ornament van bladmotieven en midden onder twee vogels.
Zeeslag bij Gibraltar, 1705
Object type: book illustration
Date: 1707 – 1720
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: battle (+ naval force)

Prent uit: Schouwburg van den oorlog, beginnende van Karel den II. tot op koning Karel den III. : bestaande in IX historische figuren op een olifants blad, als veldslagen, belegeringen te water en te lande, met de voornaamste vestingen. Amsterdam: Pieter Schenk, 1709.
Ewer
Object type: ewer
Date: 1001 – 1200
Materials: earthenware
Location: syria
The Herd
Object type: print
Date: 1868 – 1869
Materials: paper
Techniques: etching
Location: england
Artist: francis seymour-haden (sir)
Artist role: print maker
Artist dates: 1818 – 1910
Subjects: (high) hill, animals (+ herd, group of animals)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Heuvelachtig landschap in de buurt van Werrington, met een kudde dieren bij een beek. In de verte op de heuvel een kasteel.
Kabuki actors play the role of 47 Ronin (Seichū gishi den)
Object type: print
Date: 1769 – 1900
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: spears,swords,men,actors
Brougham #3293
Object type: drawing
Date: 1877 – 1877
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Tetradrachm (Coin) Portraying Emperor Antiochos VIII Grypos
Object type: coin
Materials: metal, silver
Techniques: striking
Culture: greek
Location: syria

The front (obverse) of this coin portrays a diademed head of Antiochus VIII Grypos to the right. On the back (reverse), the god Zeus is depicted, enthroned with a sceptre and Nike with a wreath; a lightening bolt is above.

Certainly the best-known face in antiquity was that of Alexander the Great (reigned 336–323 BCE), whose profile graced coins for two hundred years. He collected the treasure of conquered kingdoms as he swept across the Near East, and with this rich booty he set up mints that produced coins bearing his portrait. Such self-advertising was new to Greece. Mithrapata (reigned 380–370 BCE) is thought to have been the first living person to present his portrait on coins. Previously coins had pictured divinities and mythical characters.

The purpose of the first portrait coins was to identify the ruler. The front side became a mirror of the sovereign’s self-image. The back was often used to communicate the ruler’s accomplishments or intentions. The profile portrait was used because it suited the very shallow depth and limited surface of the coin. The tiny images were carved by engravers into bronze dies, one for the front and another for the back. The coins were then struck, one by one, in a process similar to how modern coins are created today.

The primary purpose of portraiture was to create an accurate likeness of the subject. The reason for Antiochos’s (reigned 125–96 BCE) nickname, “Grypos” (“hook nose”), is apparent from his lifelike portrait seen here.
Earring
Object type: earring
Date: 500 – 301
Materials: silver
Portret van Johann Dieckmann
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving
Artist: christian fritzsch
Artist role: print maker
Artist dates: 1695 – 1769
Subjects: bookshelves, theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Waistcoat
Object type: costume and accessory
Date: 1775 – 1800
Materials: linen, textile, silk
Techniques: embroidery, weave, satin weave, stitching
Location: france
Interieur van de machinehal tijdens de wereldtentoonstelling te Antwerpen
Object type: page
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: machines; parts of machines; tools and appliances, world fair, world exhibition, interior ~ representation of a building, collection, exhibition, show
Zeilschepen aangevallen door zeerovers
Object type: print
Date: 1700 – 1725
Materials: paper
Techniques: etching
Location: paris
Subjects: pirate, corsair, buccaneer, sailing-ship, sailing-boat, traveller(s) attacked by robber(s) (+ propulsion of vehicle, ship, etc. by ...)

Deze prent maakt deel uit van een album.
Dansende nimfen en saters in een landschap
Object type: print
Date: 1608 – 1650
Materials: paper
Techniques: etching, intaglio
Artist: pierre brebiette
Artist role: draughtsman, print maker
Artist dates: 1598 – 1650
Subjects: satyrs, fauns, sileni, nymphs (in general); 'ninfe in commune' (ripa), group dancing
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Brief aan Jan Veth
Object type: letter
Date: 1906 – 1906
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: cornelis gerardus t hooft
Artist role: draughtsman, painter
Artist dates: 1866 – 1936
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, leiden, jan lievens, painting (including book-illumination, miniature-painting), plan ~ architecture, printed matter, royal palace of amsterdam
Inscriptions: watermark, collector's mark: ‘RPK’
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Head, shoulders, and part of the upper arms, and frontal torso of a youth to right, looking to left
Admirandorum Quadruplex Spectaculum
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions, canals, waters (in city), bridge, the hague

Andere staat ook gebruikt in: Call, Jan van. Admirandorum Quadruplex Spectaculum. Amsterdam: Pieter Schenk (I), 1700.

De titelprent, opdracht en het portret van Frederik van Saksen zijn gegraveerd door Pieter Schenk (I). De overige prenten uit deze serie zijn, zoals aangegeven op de titelprent, van de hand van Jan van Call (I).
Necklace
Object type: necklace
Date: 1301 – 1500
Materials: gold
Location: spain
Modèles de voitures Louis XV
Object type: print
Date: 1740 – 1758
Materials: paper
Techniques: engraving
Location: paris
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: collector's mark: Lugt 2228

Cabriolet op twee wielen met opklapbare overkapping. Een cabriolet is een open rijtuig.
Textile Fragment
Object type: textile fragment
Date: 1401 – 1600
Materials: cotton
Techniques: dyeing, printing, resist
Location: india

This textile, produced in the fifteenth or sixteenth century under the Gujarat Sultanate, was made with the traditional dyeing technique of kalamkari. A wax resist was applied to this white cotton cloth, which was then dipped into a bath of indigo dye. A lotus-like flower and a sixteen-sided rosette form the design, which resembles that of a jali screen.
Lamp
Object type: lamp
Date: 301 – 400
Materials: earthenware
Techniques: molding
Location: egypt

Small earthenware lamps, made from double molds, were the most commonly used source of light in daily Coptic life. A wick produced from plant fiber or linen fabric was placed in a reservoir filled with oil, generally castor or sesame oil, and illuminated. The disc of this red earthenware lamp is decorated with a dolphin encircled by a border of palm leaves.
Vaderlandsch Historiespel
Object type: gameboard
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: johannes christiaan bendorp
Artist role: print maker
Artist dates: 1766 – 1849
Subjects: goose-game
Inscriptions: collector's mark: Lugt 1641, collector's mark

Patriottisch bordspel over de vaderlandse geschiedenis. Ganzenbord met 80 genummerde vakjes beginnend bij nummer 1, de Bataafse Opstand en eindigend met nummer 80, de Kweekschool voor de Zeevaart te Amsterdam. Niet alleen gebeurtenissen maar ook portretten van belangrijke personen zijn opgenomen. De meest recente afgebeelde gebeurtenissen zijn uit het jaar 1786, nummer 79. Bij het bord behoort een boekje met de spelregels. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; gezelschapsspel, ganzenbord en dergelijke.
Roofvogel
Object type: wood block
Date: 1916 – 1947
Materials: wood
Techniques: engraving
Location: netherlands
The New Metamorphosis, Plate 4: Invidiosa Releases Fantasio
Object type: print
Date: 1724 – 1724
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: girls,men,women
Funerary Monument
Object type: drawing and watercolor
Materials: chalk, gouache, ink, paper, paint, watercolor
Techniques: brush, pen, wash
Location: italy
Artist: after francesco bartolozzi
Portret van Johannes Hudde
Object type: print
Date: 1749 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: mayor, johannes hudde, historical persons
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent is oorspronkelijk bedoeld als aanvulling op Jan Wagenaars ‘Vaderlandsche historie’* en was zo vanaf 1796 verkrijgbaar bij Johannes Allart te Amsterdam.

Voor de advertentie waarin Allart de 60 portretten en 7 platen, allen gegraveerd door Houbraken, ter aanvulling op Wagenaars ‘Vaderlandsche historie’ aanbiedt, zie RP-P-OB-77.766.

*Van dit werk zijn in de achttiende eeuw meerdere uitgaves verschenen, zoals:

Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 delen. Amsterdam: Isaak Tirion, 1749-1759.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: weduwe Isaak Tirion, 1770.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam, Leiden, Dordrecht en Harlingen: P. Schouten e.a., 1782.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: Johannes Allart, 1790-1796.
Fragment schroefplaat van een musket uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: musket
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fragm, left eye, id. NG 1978-74H986, side plate.
Mannen Bridge, Fukagawa
Object type: print
Date: 1858 – 1858
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: turtles,boats
Gezicht op de Niagarawatervallen met een stoomboot en de voormalige Honeymoon Bridge
Object type: album leaf
Date: 1902 – 1902
Materials: paper
Techniques: gelatin silver print
Location: niagara
Artist: jan van der mey
Subjects: waterfall, landscape with bridge, viaduct or aqueduct, steamship, motorship

Deze foto's maken deel uit van een album.
Spotprent op de redevoering van Baron van Zuylen van Nijevelt in de Tweede Kamer, 1864
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: minister van buitenlandse zaken, kamerlid, jacob pieter pompejus van zuylen van nijevelt
Inscriptions: collector's mark: Lugt 2228

Spotprent op de redevoering van Baron van Zuylen van Nijevelt in de Tweede Kamer over Godsdienstscholen. Middeleeuws portret van een knielende ridder uit het huis van Zuylen van Nijevelt uit 1527. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 25, 18 juni 1864.
The Death of St. Benedict, plate 13 from "Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)
Object type: print
Date: 1607 – 1611
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: children,men,women,saints