deem-data/ArtiFact huggingface dataset:
Buffet Louis XV, Exposé à Paris (1890)
Object type: print
Date: 1890 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage, paris

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Acrostichon met de naam van Evert Kupers
Object type: album leaf
Date: 1949 – 1949
Materials: paper, ink
Techniques: printing
Location: netherlands
Artist: henk romijn meijer
Artist dates: 1929 – 2008
Subjects: modern professional organization, trade union, reception, cocktail party, amsterdam

Acrostichon met de naam van Evert Kupers, gesigneerd door Henk Meijer. Onderdeel van het fotoalbum ter gelegenheid van het afscheid van Evert Kupers als voorzitter van de NVV op 14 juli 1949 in Amsterdam.
Theetafel met afneembaar dienblad en met zijwanden opengewerkt in een bonenmotief
Object type: tea table
Date: 1900 – 1900
Materials: wood
Location: amsterdam
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951

Theetafel van eiken- en mahoniehout rustend op vier afgeronde, platte poten die op schuifdoppen rusten. De poten worden onderling verbonden door middel van een H-vormig kruis met een dubbele dwarsstreep waarbinnen een paneel is aangebracht. De ruimte tussen de twee zijstijlen is opgevuld met twee panelen boven elkaar die zijn opengewerkt in een bonenmotief. Op beide panelen zijn twee peulen ingelegd met een lichtere houtsoort. Ter hoogte van het midden is een tussenblad aangebracht. Het tussenblad wordt door middel van twee schuingeplaatste stutten verbonden aan de regel tussen de twee poten. Het bovenblad is aan de onderzijde door middel van consoles verbonden aan de poten. Het bovenblad bestaat uit een open raamwerk met opstaande randen. Hierbinnen valt een uitneembaar dienblad met aan drie zijden opstaande randen. Op de randen aan de zijkanten is een handgreep van koper bevestigd.
Portret van een onbekende man
Object type: photograph
Date: 1875 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Subjects: adult man, anonymous historical person portrayed, antwerp
Inscriptions: inscription: ‘J. van Crewel/ Photographe/ Atelier dans le jardin/ Rue du Chaperon No6/ Anvers’
Le Seigneur guérissant les Malades
Object type: album leaf
Date: 1717 – 1783
Materials: paper
Techniques: etching
Location: paris
Subjects: christ preaching or teaching (in general)
Vase
Object type: vase
Date: 1876 – 1880
Materials: earthenware
Culture: american
Location: united states
Artist: chelsea keramic art works
Artist role: maker
Artist nationality: american
Artist dates: 1872 – 1889
Console avec son profil
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornament ~ spiral and derived from spiral, e.g.: greek wave, other architectural details (console)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Zij- en vooraanzicht van een console met een voluut. Daaronder een architectuurfragment met een tablet. Prentnummer 249.
Militairen
Object type: print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 21 voorstellingen van militairen. Genummerd midden boven: 8.
Portret van een staande vrouw, leunend op een stoel
Object type: album leaf
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: pierre julien calixte fourié
Artist role: fotograaf
Artist dates: 1832 – 
Subjects: adult woman, historical persons, chair
Inscriptions: inscription: ‘28 Rue ste Catherine, Bordeaux’
De zielenvisserij: allegorie op de ijverzucht van de verschillende religies tijdens het Twaalfjarig Bestand tussen de Nederlandse Republiek en Spanje
Object type: print
Date: 1860 – 1900
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johannes arnoldus boland
Artist role: print maker
Artist dates: 1838 – 1922
Subjects: netherlands, spain
Inscriptions: collector's mark: Lugt 2228

Reproductie van een schilderij uit de collectie van het Rijksmuseum Amsterdam, SK-A-447.
Paperweight
Object type: glass
Date: 1848 – 1848
Materials: glass
Location: saint-louis-lès-bitche
Artist: saint-louis glassworks (cristalleries de saint-louis)

This paperweight uses a traditional glass-making technique called millefiori to great effect. Italian for “one thousand flowers,” millefiori was first developed in fifteenth-century Venice. In the nineteenth century, French glassmakers revived the technique with a cultural twist. Arranged to evoke traditional French gardens such as the Tuileries in Paris, paperweights like this example brought a little of this landscaping magic indoors.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Portret van een man met snor
Object type: album leaf
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: moustache, historical persons
Koets
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: cornelis van der griendt
Artist role: draughtsman, painter, print maker
Artist dates: 1827 – 1918
Subjects: two-wheeled, animal-drawn vehicle
Inscriptions: collector's mark: Lugt 2228

Een dokterskoets van voren gezien op een weg in een landschap. Rechts loopt een figuur aan de rand van de weg.
Kakkyo (Chinese: Guo Ju), from the series "Fashionable Japanese Versions of the Twenty-four Paragons of Filial Piety (Furyu Yamato nijushiko)"
Object type: print
Date: 1770 – 1772
Techniques: woodblock print
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Portret van Abraham Willet
Object type: print
Date: 1833 – 1880
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Naar Portret van Abraham Willet (1833) van Jan Adam Kruseman in de collectie van het Amsterdam Museum te Amsterdam.
Solitudo Sive Vitae Patrum Eremicolarum
Object type: print
Date: 1586 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: saints, anchorite, hermit
Inscriptions: collector's mark: Lugt 240

Or de kluizenaar in de wildernis. Het regent. Or zit geknield voor een bijbel en een crucifix. Rechts een hutje met een Maria-icoon.
Engraved copies of The Little Passion
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: weapons,suffering,men,christ,cross
Christ's Robe Surrounded by the Instruments of the Passion, from "The Passion of Christ (Passio Domni Nostri Jesu Christi)"
Object type: print
Techniques: engraving
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Subjects: birds,robes,heads,christ,cross
De kleine apostelen
Object type: print
Date: 1632 – 1634
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: peter crucified upside down, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara - martyrdom, suffering, misfortune, death of male saint
Inscriptions: collector's mark: Lugt 240

Petrus wordt ondersteboven gekruisigd in het bijzijn van vele soldaten. Boven deze scène is Petrus nogmaals afgebeeld, op een wolk in de hemel, een sleutel in de hand. Onder de voorstelling een onderschrift in Latijn. Deze prent is onderdeel van een reeks van 16 prenten, bestaande uit een titelblad en 15 voorstellingen van de martelingen die de apostelen hebben ondergaan.
Pernin. François. 34 ans, né le 11/1/60 au Creuzot (Saône-et-Loire). Forgeron. Anarchiste. 2/7/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Portret van Frédéric Legrand
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons, (military) uniforms

Prent uit: Le Monde Illustré 14 (1870), nr. 699, 3 september 1870, p. 149.
Handgeschreven inventaris
Object type: manuscript
Materials: paper
Techniques: pen
Location: amsterdam
Artist: michiel hinloopen
Artist dates: 1619 – 1708

Inventaris maakt deel uit van een album.
Statue robe
Object type: statue robe
Date: 1701 – 1800
Materials: silk
Veteran, 7th Regiment, New York State Militia, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Scene uit het Noh theaterstuk Rashomon
Object type: print
Date: 1922 – 1926
Materials: paper
Techniques: woodcut
Location: japan
Artist: tsukioka kôgyo
Artist role: print maker
Artist dates: 1869 – 1927
Subjects: adult man (+ two persons), group of actors, troupe; actors on the stage, civic architecture; edifices; dwellings, japan
Inscriptions: collector's mark: Lught 2760, collector's mark: Lugt 2228

Twee acteurs (één op de rug gezien) in een scène uit het Noh theaterstuk Rashomon.
Doorsnede van het Stadhuis op de Dam, door de lengte
Object type: book illustration
Date: 1661 – 1706
Materials: ink, paper, pencil
Techniques: engraving, etching, pen
Location: amsterdam
Subjects: townhall, exterior ~ representation of a building, interior ~ representation of a building
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Coupure de la Face de la Maison de Ville d'Amsterdam. La Face de devant du côté de l'Orient ôtée’, inscription: ‘Echelle’

Lengtedoorsnede van het Stadhuis op de Dam te Amsterdam. Geeft zicht op een deel van de binnenkant en de gevel van de binnenplaats van het achterste (westelijke) deel van het gebouw, gezien vanuit het oosten. Linksonder de legenda A-G. Onder in het midden de titel en een schaalstok: 200 Voet Maet. Rechtsonder de legenda H-O. Rechtsonder in de hoek gemerkt: Fig. H. De titel is vertaald in handgeschreven Franse tekst.
Piece
Object type: piece
Date: 1801 – 1900
Materials: fiber
Culture: japanese
Washington. Harewood Hospital
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: hospitals,american civil war
Gezicht op een stad op een heuvel, mogelijk in Duitsland
Object type: album leaf
Date: 1864 – 1864
Materials: paper, photographic support
Techniques: albumen print
Location: germany
Artist: Anonymous
Subjects: prospect of village, silhouette of village, germany

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Miniature salt box
Object type: salt box
Date: 1701 – 1800
Materials: silver
Plechtige ontvangst van Minister Kuyper bij zijn terugkomst uit den vreemde, door zijn gehoorzame collegaas
Object type: cartoon
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, abraham kuyper, being welcomed ~ travelling, saluting, political caricatures and satires

Premier Kuyper wordt bij terugkomst in Nederland met ceremonieel onthaal begroet door de ministers van zijn kabinet, opgestelde troepen, persfotografen en feestelijk aangeklede bevolking.
Leaf from the Ten Bamboo Studio Manual of Painting and Calligraphy
Object type: print
Materials: ink, paper
Techniques: printing
Culture: chinese

The Ten Bamboo Studio Manual of Painting and Calligraphy is one of the earliest and finest examples of color printing from China. The book, which served as both luxury object and guide for the aspiring painter, compiles familiar images from Chinese art, especially flowers, rocks, birds, and bamboo.
Portret van Wilhelm Friedrich Ernst Graf zu Schaumburg-Lippe
Object type: print
Date: 1748 – 1767
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: armour, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van paus Innocentius I
Object type: book illustration
Date: 1587 – 1587
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope, armorial bearing, heraldry

Prent uit: Ciccarelli, Antonio. Le vite de Pontefici di Antonio Ciccarelli (...). Rome: Domenico Basa, 1587. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Veld van vier tegels met rozetten
Object type: tegelveld
Date: 1620 – 1640
Materials: earthenware, glaze
Techniques: maiolica
Location: haarlem
Artist: Anonymous

Veld van vier tegels (2 x 2) elk met een blauw geschilderde rozet versierd met bladeren. In de hoeken, een driestip.
Twee mannen bij een werkbank in een steenhouwerij
Object type: sketchbook leaf
Date: 1900 – 1931
Materials: chalk
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: workbench, garden, adult man, workshop, handicrafts ~ wood, timber

De schets is vermoedelijk een voorstudie voor het schilderij 'Steenhouwerij' uit 1917 (zie documentatie).
Sword Guard (<i>Tsuba</i>) Depicting Herons (鷺図鐔)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: birds,flowers
Portret van Nicolaas Lodewijk, Graaf van Zinzendorff
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: historical person (with name)
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovaal van Nicolaas Lodewijk, Graaf van Zinzendorff, naar links. Om het portret staat een randschrift en onder het portret vier regels tekst, beide in het Nederlands.
Ornament met een mascaron en een deel van een ornamentprent met een ossenschedel
Object type: ornament print
Date: 1546 – 1550
Materials: paper
Techniques: woodcut
Subjects: ornaments ~ art, mask, mascaron ~ ornament
The Annunciation
Object type: covering and hanging
Date: 1484 – 1519
Materials: gilt, metal, silk, wool
Techniques: interlocking, silvered, slit, weave
Location: mantua
Artist: circle of andrea mantegna
Artist nationality: italian
Artist dates: 1431 – 1506

One of the very few Italian tapestries to survive from before the 1540s, The Annunciation depicts the archangel Gabriel announcing to the Virgin Mary that she will bear the son of God. This is one of the most sacred events in the Christian faith, as it is the very beginning of Christ’s life and the Incarnation of the Word. The scene is charged with symbolism: the moment of conception is represented by the dove—standing for the Holy Spirit—in the sky between Gabriel and Mary; the archangel holds a lily, a symbol of purity; and in the near foreground are a guinea fowl and a peacock, both of which signify immortality, and two doves that represent the souls of the blessed. The coats of arms at the top belong to Francesco II Gonzaga (1466–1519), marquis of Mantua, and were added at an unknown date after the initial weaving had taken place. Such personalization of tapestry acquisitions was typical among noble families.
Nederlandse cent,1916
Object type: coin
Date: 1916 – 1916
Materials: bronze
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Bronzen munt. Voorzijde: in een veld rijkswapen. Jaartal onderaan in omschrift. Keerzijde: binnen twee samengebonden oranjetakken waarde-aanduiding 1 cent. Kartelrand.
Teapot with a boy among floral scrolls
Object type: teapot
Date: 1675 – 1699
Materials: bronze, stoneware
Techniques: firing, gilding, relief, turning
Location: china
Artist: Anonymous

A boy amidst flowers and foliage is a Buddhist motif that enjoyed popularity during the Song Dynasty (960-1279). After this teapot landed in Europe in the 17th century, it was fitted with the gilt-bronze chain and ornaments. In the process, the miniature figure atop the cover was made to mimic the little boy in the original decoration on the pot’s body.
Whale-oil lamp
Object type: whale oil lamp
Date: 1830 – 1840
Materials: glass
Techniques: glassblowing, molding, pressed
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Portret van de verzamelaar Sebastiano Resta
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: jacob van oost (i)
Artist role: painter, print maker
Artist dates: 1603 – 1671
Subjects: eyeglasses, spectacles, art collector
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘IB.’

Prent naar de tekening van Carlo Marrati in de Devonshire collection. Deze tekening is echter gedateerd 1689.
Onbekend gezin, mogelijk tijdens rondreis van Eugen Wachenheimer en Else Wachenheimer-Moos door Bulgarije, 1926-1927
Object type: album leaf
Date: 1926 – 1927
Materials: paper
Location: bulgaria
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: bulgarije

Albumblad bevat vier foto's van onbekende personen. Afkomstig uit album half formaat, kartonomslag met koordbinding en lichte veelvormige vormen op voorzijde.
The Drive in Central Park, New York (from "Harper's Weekly," Vol. IV)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Tapestry Picture
Object type: picture, tapestry
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: landscapes,boats,pavilions
Apostle spoon: St. James the Great
Object type: apostle spoon
Date: 1592 – 1593
Materials: silver
Techniques: gilding
Artist: william cawdell
Artist role: maker
Artist nationality: british
Artist dates: 1560 – 1625
Subjects: saints

The set (67.166.1–.13) includes a master spoon with a figure of Christ and twelve apostle spoons. Martin Hewitt who made the Saint Andrew spoon had served his apprenticeship under William Cawdell. Both were specialist spoonmakers.
The Courtesans Nioteru, Namiji, and Omi of the Ogiya
Object type: print
Date: 1785 – 1785
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
The Bathers
Object type: drawing and watercolor
Date: 1885 – 1895
Materials: charcoal, paper, pastel
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Inscriptions: Signed: "Degas"

This pastel marks one of Degas's most ambitious projects during the last decade of his life. Evoking four bathers each at distinct points in the bathing process, this vision was created by suspending layers of pastel in fixative on translucent tracing paper, which the artist pieced together and mounted. Like many of his best works, this ephemeral creation was discovered in Degas's studio at the time of his death, perhaps deliberately unfinished.
Prentjesdruk van Epinal
Object type: popular print
Date: 1902 – 1902
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: epinal
Artist: Anonymous
Subjects: cat, monkeys, apes, animals acting as human beings, quarrel, argument, dog
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen over een burenruzie. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 106.
Scene from the Tales of Ise: “Mount Utsu”
Object type: hanging scroll
Date: 1701 – 1733
Culture: japanese
Artist: fukae roshū
Artist role: artist
Artist nationality: japanese
Artist dates: 1699 – 1757
Subjects: men

This scene is inspired by the “Mount Utsu” (literally, “Mountain of Sadness”) episode of The Ise Stories (Ise monogatari), a tenth-century narrative recounting the travels and travails of an unnamed protagonist, whose fictional persona is based on the courtier-poet Ariwara no Narihira (825–880). Rinpa artists often reduced the entire scene, also popularly known as the “Ivy Path” (Tsuta no hosomichi) episode, to an image of an ivy-covered mountain path. The scene shows the courtier and his attendant traveling in the foothills of Mount Utsu. In accordance with the story, on a path overgrown with ivy and maple trees, the pair comes upon a religious ascetic, whom the courtier asks to transmit a poem back to his former lover in the capital. In the poem, the courtier bemoans the fact that he can no longer see his love, not even in his dreams, in which, according to ancient beliefs, lovers are able to meet. Fukae Roshǔ was active in the early eighteenth century, but his small surviving corpus shows that he worked in an archaic Sŏtatsu mode.
Scènes romaines
Object type: piece
Date: 1811 – 1811
Materials: cotton
Artist: bartolomeo penelli
Artist role: designer
Artist dates: 1750 – 1850
Subjects: men,women,dancing,musicians
Rotsachtig landschap met bomen aan water
Object type: print
Date: 1613 – 1666
Materials: paper
Techniques: engraving, etching
Location: france
Artist: jean leblond (i)
Artist role: publisher
Artist dates: 1590 – 1666
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), mountains
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Mlle. Grainer, from the Actresses series (N665) promoting Our Knocker Cigars
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N665), issued ca. 1888 to promote Our Knocker Cigars.
Portrait of a Lady
Object type: painting, miniature
Date: 1795 – 1795
Materials: ivory, watercolor
Culture: american
Artist: walter robertson
Artist role: artist
Artist nationality: irish
Artist dates: 1750 – 1802
Subjects: portraits,women

The identification of the sitter on the replacement case is erroneous.
Fotoreproductie van een schilderij van een moeder die haar kind ophoudt om naar een geschilder portret van een man te kijken
Object type: album leaf
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: standing figure, mother and baby or young child, painting, drawing and the graphic arts