deem-data/ArtiFact huggingface dataset:
Mountains and Houses
Object type: album leaf
Date: 1807 – 1868
Materials: lacquer, paper
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: mountains,landscapes
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1434 – 1533
Materials: gold alloy, gold
Culture: japanese
Location: japan
Subjects: lions
Italiaanse en Duitse landschappen
Object type: print
Date: 1710 – 1747
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., ruin of a building ~ architecture, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 240

Arcadisch rivierlandschap met herders, op de voorgrond twee figuren bij brokstukken van een tempel. De prent maakt deel uit van een 40-delige serie prenten met voorstellingen van Italiaanse en Duitse landschappen.
Mask of a man with short curly hair and long sideburns
Object type: mask, man, short curly hair, long sideburn
Materials: paint, plaster
Location: egypt
Subjects: masks,men
Wineglass with Jacobite emblems
Object type: wineglass
Date: 1745 – 1745
Materials: glass
Subjects: butterflies,flowers
Vaandel van een der regimenten Baden-Durlach (vermoedelijk)
Object type: banner
Date: 1747 – 1789
Materials: paint, silk
Artist: Anonymous

Rood, op het midden het wapen van Baden, gedekt door vorstenkroon, omgeven door een wit, rood en zwart versierde band (een verhaspelde Gulden Vliesketen ?). Het geheel wordt gehouden door twee griffioenen (aan vluchtzijde afgewend), en is geplaatst op een trofee van vaandels, kanonnen enz.; achter de kroon een groene bosschage, waarachter zonnestralen en een wolkenpartij. Op de voorgrond ligt schuin aan de vluchtzijde een kruisvormig ordeteken. Paradekant: in plaats van het wapen van Baden het wapen van de Republiek. De ovale band eromheen is blauw waarop in gouden klassieke kapitalen: CONCORDIA RES PARVAE CRESCUNT, gedekt door een kroon met drie geparelde beugels en rode muts. Aan weerskanten een gaande leeuw. Het geheel is geplaatst op een trofee van vaandels, trommels, kanonnen, kogels, geweren enz. Op de achtergrond een bosschage met zonnestralen en wolken als voorkant.
Set of Sword Fittings (Mitokoromono) with Two Additional Knife Handles (Kozuka) and a Pair of Grip Ornaments (Menuki)
Object type: set of sword fitting mitokoromono with two additional knife handle kozuka
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Artist: gotō mitsumasa (jujō)
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1689 – 1742

The Gotō School of sword-fittings makers was founded in the fifteenth century by Gotō Yūjō, who is said to have been patronized by the shogun Ashikaga Yoshimasa (1435–1490). The work of the Gotō masters is characterized by painterly designs carved in high relief on a ground of shakudō (an alloy of copper and gold chemically treated to turn a rich blue-black), finished in nanako (tiny circles punched regularly over the surface to give it a granular appearance) with colorful accents in gold and silver. The succeeding generations of Gotō masters continued to work in these soft metals and concentrated on the smaller sword fittings, such as kozuka (the handle of the small utility knife fitted into a slot on the back of a sword scabbard), kōgai (a skewer-like hairdressing tool carried in the front of the scabbard), and menuki (a pair of grip ornaments secured by the handle wrappings). The production of the stouter sword guards, or tsuba, was left to other masters. While earlier generations had not signed their work, the Gotō masters in about 1600 began to authenticate the work of their predecessors; the attributions usually were engraved on the backs of the pieces themselves. These attributions bear testimony to the keen interest in early sword fittings as status symbols for high-ranking samurai. The collection of Gotō sword fittings exhibited here was assembled by Count Mito Tokugawa in the nineteenth century. Each of the first fifteen generations of masters of the main Gotō school is represented by a mitokoromono, a set of matching fittings consisting of a kozuka, a kōgai, and two menuki. Two additional sets of kozuka and one set of menuki also are exhibited for each generation. This display is the most complete representation of the famous Gotō school of sword-fittings masters. These sword fittings are the work of Gotō Mitsumasa (Jujō), twelfth-generation Gotō master.
Ovolo frame
Object type: frame
Date: 1640 – 1650
Materials: wood
Culture: french
Gezicht op daken, Groepsportret van examinatoren en Groepsportret van jongeren die zich op een examen voorbereiden
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: autotype
Subjects: roof (of house or building), adult man, anonymous historical persons portrayed in a group, in a group-portrait
Gazette du Bon Ton. Art – Modes & Frivolités: Layout
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: printing, letterpress printing, photochemical processes
Location: paris
Artist: lucien vogel
Artist role: publisher
Subjects: aircraft, aeroplane, fashion plates
Inscriptions: date

The Gazette du Bon Ton was about more than just fashion. It was also a treat for the eyes for typographers and graphic designers. Texts and illustrations were arranged to form a harmonious whole. Rather daringly, large illus-trations often occupied an entire double-page spread.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 401 – 425
Materials: terracotta
Culture: greek, attic

Exterior, head of wreathed youth with drapery
Terracotta saucer-shaped lamp
Object type: lamp, saucer shaped
Date: 400 – 301
Materials: terracotta
Culture: cypriot

Wheel-made with edge folded in to form a narrow wick rest; flaring rim, with tapering lip; sloping, open body; raised base ring, and rough, slightly concave base. Intact.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Two parts of feet type B with chamfer; surface abraded
Woman Standing beside a Mosquito Net Reading a Letter
Object type: print
Date: 1768 – 1769
Techniques: woodblock print, hashira
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Kaigun shôkôra seishin no senryuaku o ronzuru zu
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: woodcut, polish
Location: japan
Subjects: seaman, officer, plan of battle
Inscriptions: label

Japanse marine officieren plannen hoe ze de Gele Zee kunnen veroveren. Deze zeeslag vond plaats in september 1894, tijdens de Eerste Chinees-Japanse Oorlog (1894-1895).
Virgin and Child with Young Saint John the Baptist
Object type: medallion
Date: 1501 – 1600
Materials: silver
Techniques: gilding
Artist: francisco beccerril
Artist role: artist
Artist nationality: spanish
Artist dates: 1494 – 1572
Subjects: madonna and child,saint john the baptist

The composition featuring the Virgin (whose head is missing) with the Christ child and Saint John the Baptist would have been set on the back side of a silver cross, at the intersection of its two arms. The figural position is a separate element that has been attached to a wreathed backing, in a technique known from other Beccerril works.
Baron Jean-Marie de Man d'Attenrode
Object type: reproduction
Date: 1853 – 1858
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: politician, historical persons
Inscriptions: inscription: ‘Représentant,/ Elu par l'arrondissement de Louvain.’
Amsterdamse Stedenmaagd geflankeerd door twee leeuwen
Object type: print
Date: 1668 – 1668
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the arts; artists, coat of arms (as symbol of the state, etc.) (+ city; municipal), seal (as symbol of the state, etc.) (+ city; municipal), townhall, professor, trade, commerce and finance, position-finding at sea; nautical instruments, coat of arms (as symbol of the state, etc.) (+ province; provincial)
Inscriptions: collector's mark: ‘16,63’ Lugt 1641b

Prent gebruikt in: Latere staat van prent ook gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Frederik de Wit, 1668.

Zie RP-P-AO-22-2-2 voor bijhorend register.
Zie RP-P-AO-22-2A, RP-P-AO-22-2B, RP-P-AO-22-2C-1, RP-P-AO-22-2C-2, RP-P-AO-22-2C-3, RP-P-AO-22-2C-4, RP-P-AO-22-2D-1, RP-P-AO-22-2D-2, RP-P-AO-22-2D-3, RP-P-AO-22-2E-1, RP-P-AO-22-2E-2, RP-P-AO-22-2E-3, RP-P-AO-22-2E-4, RP-P-AO-22-2F-1, RP-P-AO-22-2F-2, RP-P-AO-22-2F-3, RP-P-AO-22-2G, RP-P-AO-22-2H, RP-P-AO-22-2I, RP-P-AO-22-2K, RP-P-AO-22-2L, RP-P-AO-22-2M, RP-P-AO-22-2N, RP-P-AO-22-2O-1, RP-P-AO-22-2O-2, RP-P-AO-22-2O-3, RP-P-AO-22-2O-4, RP-P-AO-22-2O-5, RP-P-AO-22-2O-6, RP-P-AO-22-2O-7, RP-P-AO-22-2P-1, RP-P-AO-22-2P-2, RP-P-AO-22-2Q-1, RP-P-AO-22-2Q-2, RP-P-AO-22-2Q-3, RP-P-AO-22-2R-1, RP-P-AO-22-2R-2, RP-P-AO-22-2R-3, RP-P-AO-22-2S, RP-P-AO-22-2T-1, RP-P-AO-22-2T-2, RP-P-AO-22-2T-3, RP-P-AO-22-2T-4, RP-P-AO-22-2V-1, RP-P-AO-22-2V-2, RP-P-AO-22-2W-1, RP-P-AO-22-2W-2, RP-P-AO-22-2X-1, RP-P-AO-22-2X-2 en RP-P-AO-22-2X-3 voor prenten uit deze publicatie.

Eerdere staat van prent ook gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Artus Quellinus (I), 1663.

Zie RP-P-AO-22-1-1 voor titelpagina van eerste deel.
H. Swietbertus van Teisterbant
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: northumberland, keizersweerd, bisschop, swietbertus van teisterbant
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van de serie: Iesv Christo, Fideli Militantis Ecclesiae Imperatori, Liberali Eivsdem, Trivmphantis, Remvneratori, hos In Foederato Belgio Militiae Svae Legatos, Sanctissimos Sacri Belli Dvces, Patriae Apostolos, Et Decora Lvmina, Cvm Dvabvs Heroinis, Militans In Iisdem Provinciis Ecclesia. Haarlem: Pieter Claesz. Soutman, 1650.
Chilpéric
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Portret van Gottfried Olearius II
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: engraving
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: gottfried olearius (ii), historical persons

Prent mogelijk uit: Deutsche Acta Eruditorum (...). Leipzig: Johann Friedrich Gleditsch, 1713.
Raaf op berkenboom
Object type: design
Date: 1918 – 1920
Materials: ink, paper, pencil
Techniques: brush
Artist: jan mankes
Artist role: draughtsman, painter, print maker
Artist dates: 1889 – 1920
Subjects: song-birds: raven
Gezelschap staand bij apen in Suriname
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: daylight paper print
Location: suriname
Artist: Anonymous
Subjects: adult woman, adult man, suriname

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Votive Figure
Object type: figure
Date: 700 – 601
Materials: copper alloy
Culture: hallstatt period
Portret van Samuel de Swaef op 30-jarige leeftijd
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: engraving
Location: middelburg
Subjects: samuel de swaef, historical persons, portrait of a writer, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2028, monogram: ‘RLFW’, collector's mark: Lugt 2166

Onder het portret een tweeregelig en een vierregelig lofdicht in het Latijn.
Tandenschuierbakje
Object type: wastafelservies
Date: 1775 – 1800
Materials: ceramic
Artist: Anonymous

Tandenschuierbakje met blauw Saksisch patroon, ongemerkt.
Medallion with Arethusa
Object type: ceramic
Date: 1801 – 1833
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 –
Stained glass window
Object type: stained glass window
Date: 1906 – 1908
Materials: glass
Culture: american
Location: united states
Artist: john scott bradstreet
Artist role: maker
Artist nationality: american
Artist dates: 1845 – 1914

John Scott Bradstreet, like his Prairie school contemporaries George Grant Elmslie and George Washington Maher (see 2008.535), was an important Arts and Crafts designer. Like other artists of the era, Bradstreet worked in a variety of media that he integrated into his interiors. He often collaborated with the young architect William Kenyon, for whose home these windows were made. They exemplify the formal tenets of the Arts and Crafts movement, with a natural grapevine motif conforming to a rigid geometry, creating a rhythmic arrangement of leaves and fruit. The twisted line of the leading suggests the vines and terminates in a stylized cluster of roots, giving the windows a strong graphic quality. The preponderance of transparent glass is typical of Arts and Crafts windows. These windows present an intriguing comparison with the interpretation of grapevines by Tiffany Studios also on view in gallery 700.
Nederland, gulden, 1819
Object type: coin
Date: 1819 – 1819
Materials: silver
Techniques: striking
Location: utrecht
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Zilveren munt. Voorzijde: borstbeeld naar rechts. Keerzijde: tussen waarde-aanduiding 1 G gekroond rijkswapenschild. Jaartal boven kroon. Randschrift.
Kylix
Object type: kylix
Date: 850 – 750
Materials: terracotta
Culture: cypriot

Kylix with a zone of elaborate geometric ornament.
Allegorie op de Verlichting, 1795
Object type: print
Date: 1795 – 1795
Materials: chalk, paint, paper
Techniques: brush
Location: netherlands
Subjects: light shining out of the heavens
Inscriptions: collector's mark: Lugt 2228

Allegorie op de Verlichting, 1795. De vrouwelijke personificatie van de Verlichting zweeft boven de wereld en laat haar licht op Europa schijnen. Op het blad enkele getekende studies van details van handen, voet en hoofd.
Komt hier nu kinders reyn, en lees dees vogels al: / Gy hebt met groot en kleyn, hier honderd in 't getal
Object type: print
Date: 1783 – 1800
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: flying mammals: bat, birds, insects: butterfly
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen met elk vier gevleugelde dieren, zoals vogels, een uil, een vleermuis en een vlinder, de zgn. Groote Vogelkooi. Onder elke voorstelling de namen van de dieren. Genummerd rechtsboven: No. 31.
Karel Stuard Koning van Groot-Brittanien, Binnen Londen Onthalst, Den 13. van januari 1649
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: london, karel i (koning van engeland), violent death by beheading
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Bos, Lambert van den. Treur-toonneel der doorluchtige mannen, of Op- en ondergang der grooten, 3 delen. Amsterdam: Jan Claesz ten Hoorn, 1698, dl. II.
Baiocco uit de kerkelijke Staat van paus Pius VII, 1802
Object type: coin
Date: 1802 – 1802
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: op twee gekruiste sleutels versierd wapenschild, waarboven tiara. Waarde-aanduiding in afsnede. Keerzijde: opschrift in vier regels. In afsnede jaartal, waaronder drie hoofden. Gladde rand.
Kinderen van de familie van den Berg in een tuin in Bergerac
Object type: album leaf
Date: 1917 – 1917
Materials: paper, cardboard
Techniques: gelatin silver print
Location: bergerac
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: family life

Deze foto's zijn onderdeel van een album.
Calonne
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, charles-alexandre de calonne, historical persons
Inscriptions: collector's mark: Lugt 2228a
Portret van Robert Junius
Object type: print
Date: 1676 – 1707
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: rotterdam, amsterdam, book
Inscriptions: collector's mark: Lugt 2228

Robert Junius, predikant te Indië, Formosa, Delft en Amsterdam. Hij laat zijn arm op een boek rusten. In de marge een vers in het Latijn en in het Nederlands.
Portret van een man met een jas, zittend aan een bureau
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: diest
Artist: egide verhassel
Artist role: fotograaf
Artist dates: 1834 – 1921
Subjects: studio requisites ~ photographer, coat, cape
Inscriptions: address: ‘Rue Neuve 43 Diest’

Onderdeel van Fotoalbum met 26 cartes-de-visite van rooms-katholieke geestelijken.
Marriage of Napoleon and Marie-Louise, April 1, 1810
Object type: medal
Materials: bronze
Artist: bertrand andrieu
Artist role: designer
Artist nationality: french
Artist dates: 1761 – 1822
Subjects: men,profiles,women
Side Dish (Mukōzuke) with Wisteria Design
Object type: dish
Date: 1801 – 1850
Materials: copper, glaze, iron, stoneware
Techniques: underglaze
Culture: japanese

The simplicity of design, stiffness of shape, and color of the copper glaze reveal this piece to be a revival of Oribe ware. In the nineteenth century, many kilns started replicating earlier wares; the Oribe style was particularly popular.
Études sur les caractères craniologiques d'une série d'assassins exécutés en Belgique
Object type: book
Date: 1881 – 1881
Materials: paper
Techniques: photoaquatint
Location: brussels
Henry IV, King of France
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered around the oval frame: "Henricus. 4. D. G. Rex Francorum & Navarrae Aetat 40"
Angels in the Sky
Object type: drawing
Date: 1762 – 1762
Materials: ink
Techniques: pen, wash
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Subjects: angels
Bos met sloot bij maanlicht
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: etching, intaglio, retroussage
Subjects: moonlight, forest, wood, brook
Inscriptions: mark: ‘Aan Milly’, collector's mark: Lugt 2228
Wheellock Rifle
Object type: arm
Date: 1577 – 1577
Materials: gilt brass, horn, iron, steel, wood
Culture: german
Location: germany
Tobacco box
Object type: tobacco box
Date: 1765 – 1765
Materials: brass, copper
Artist: i. h. hamer
Artist role: maker
Artist dates: 1700 – 1800
Subjects: birds,men,women,lions,coat of arms
Chessmen (32) in the form of anthropomorphized monkeys
Object type: chessman
Date: 1801 – 1900
Subjects: chess
Bij Amsterdam
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching
Location: brussels
Subjects: windmill in landscape, amsterdam
Inscriptions: collector's mark: Lugt 2233
Gezigt op de Hervormde Kerk te Koog aan de Zaan, bij de overstrooming van den 5den Februarij 1825
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: lithograph
Location: koog aan de zaan
Subjects: flood, koog aan de zaan
Inscriptions: collector's mark: Lugt 2228

Gezicht op het onder water staande dorp van Koog aan de Zaan tijdens de watersnood op 5 februari 1825. Centraal de Hervormde kerk, op de voorgrond drie personen in een roeibootje. Achter het adres van de uitgever is de prijs 'à 20 Ct' vermeld. Zie ook de pendant.
Bell
Object type: bell
Date: 500 – 1520
Materials: gold
Culture: greater nicoya
Location: costa rica
Subjects: musical instruments
Portret van een onbekende vrouw op een bank in een interieur
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: bench, historical persons not known by name - bb - woman, interior ~ representation of a building
Gown (fourreau)
Object type: foureau
Date: 1910 – 1910
Materials: cotton, metal thread, silk, textile
Techniques: embroidered, weave
Location: netherlands
Artist: Anonymous
Subjects: amsterdam

Thanks to the designer Paul Poiret tubular dresses became fashionable from 1906. In French this slender silhouette is called fourreau, or sheath. The purple taffeta divides this dress into three parts and creates the illusion of short sleeves. All of this is typical for 1910, as are the voluminously rendered flowers. They are not embroidered flatly, but fashioned of tiny loops and knots.
Netsuke of Mask with Man's Lopsided Face
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: faces
Rheingold
Object type: page
Date: 1866 – 1876
Materials: photographic support
Techniques: albumen print
Subjects: representations ~ gods, demi-gods, heroes etc. (germanic and scandinavian religions), 'nibelungenlied'
The Annunciation
Object type: painting
Date: 1525 – 1525
Materials: oil, wood
Artist: joos van cleve
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1485 – 1541
Subjects: doves,bedrooms,virgin mary,archangel gabriel,annunciation,beds

Gabriel and Mary are presented within an elaborately furnished interior that would have been familiar to sixteenth-century viewers. However, most of the objects, arranged unobtrusively within the room, carry symbolic meaning. The altarpiece and the woodcut on the wall, for example, show Old Testament prophets as prefigurations of New Testament themes. Influenced by Italian art, Joos introduced a new canon of beauty and repertory of rhetorical gestures, as well as a striking grace of movement in his figures.
Een wever aan het werk
Object type: drawing
Date: 1626 – 1677
Materials: chalk, paper
Techniques: brush
Artist: thomas wijck
Artist role: draughtsman, painter, print maker
Artist dates: 1616 – 1677
Subjects: weaving-loom, weaving
Ontwerp voor een politieke spotprent: De Gulzige knaagdieren. Aan de arbeiders-boterham
Object type: design
Date: 1887 – 1919
Materials: paint, ink, paper
Techniques: brush, pen
Subjects: war of classes, rodents: rat, political caricatures and satires
Engaged arched cassetta frame and arched tabernacle frame
Object type: frame
Materials: gilt, wood
Techniques: carving
Culture: sienese
Schepen op de Oudezijds Kolk bij de Nicolaaskerk
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Location: amsterdam
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: church (exterior), canals, waters (in city)

Blad 7 recto uit een schetsboek met 47 bladen.
Plantage Accaribo
Object type: stereograph
Date: 1913 – 1913
Materials: glass
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: theodoor brouwers, plantation, suriname
Inscriptions: date

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
Minnie Palmer, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.