deem-data/ArtiFact huggingface dataset:
Behangselschildering met bacchante
Object type: painting
Date: 1786 – 1786
Materials: canvas, oil, paint
Location: amsterdam
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: maenad(s), female bacchant(es)

Trompe l'oeil: een witmarmeren sculptuur in een bruin gemarmerde nis. Boven de nissen zijn voorstellingen eveneens in trompe l'oeil weergegeven, in grisaille op zwart fond. Bacchante met een hond en een schaal met druiven, haar voet rust op een mand met munten. De bacchante rust tegen een boomstam. De nis is versierd met een klimoptak. Het fries stelt de musische kunsten voor: dans and muziek. Links ligt een amfoor op de grond.
Faience cartouche ring
Object type: ring, glazed signet
Date: 664 – 630
Materials: faience
Culture: egyptian
One of a pair of pilaster panels
Object type: frame
Date: 1385 – 1385
Materials: wood
Culture: italian

Spinello Aretino (1350/52-1410) painted these two panels depiciting Saints Philip and James the Greater(?) for an altarpiece for Monte Oliveto Maggiore near Siena. Other panels from the same polyptych survive in the Pinacoteca Nazionale, Siena; the Szépmuvészeti Múzeum, Budapest; and the Fogg Art Museum, Cambridge, Massachusetts. Another pilaster panel like the two in the Robert Lehman Collection was sold at Sotheby's in London in 1982. An inscription across the base of the altarpiece frame, recorded by Giorgio Vasari when it was still intact, memorialized the frame carver and the gilder alongside the painter: "Simone Cini Fiorentino fece l'intaglio, Gabriello Saracini la messe d'oro e Spinello di Luca d'Arezzo la dipinse l'anno 1385." The three artists received equal payments for their work. The pastiglia Solomonic columns on these two panels are not as well defined as those on 1975.1.23b, which are subtly delineated with punching. The simple punching on these panels with vague pastiglia moldings befits the humble manner of the two saints.
Wild Horse or Frightened Horse Leaving the Water
Object type: print
Date: 1828 – 1828
Materials: paper, stone
Techniques: lithograph
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863

Delacroix frequently depicted wild horses, often as the unwilling prey of larger animals. The British artist George Stubbs (1724–1806) was a likely inspiration for these works, as his printed portraits of horses in dark settings and bleak situations were well known in France. Delacroix’s sizable, atmospheric lithograph leaves much to the viewer’s imagination. We cannot see the reason for the horse’s fright, but feel its powerful urge to escape. This chilling image touches on all the hallmarks of the Romantic movement and reflects Delacroix’s preoccupation with images of suffering, insanity, violence, and imminent death.
Deksel van bokaal
Object type: lid
Date: 1920 – 1940
Materials: glass
Techniques: glassblowing, grinding
Location: steinschönau
Waste-water basin
Object type: waste water basin
Date: 1775 – 1775
Materials: pottery
Culture: japanese
Amerikaanse schepen
Object type: book illustration
Date: 1719 – 1719
Materials: paper
Techniques: etching
Location: frankfurt am main
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Boekillustratie uit: Mallet, Allain Manesson. Allain Manesson Mallets Beschreibung des gantzen Welt-Kreises. [Vertaald uit het Frans.] Frankkfurt am Main: Johann Adam Jung, 1719.

De boekillustraties in deze uitgave zijn gekopieerd naar de boekillustraties in de originele Franse uitgave: Mallet, Allain Manesson. Description de l'univers. Parijs: Denis Thierry, 1683.
Handschoen van grijze suède, met kappen met een suède strik
Object type: glove
Date: 1930 – 1940
Materials: leather
Location: netherlands

Rechterhandschoen van muisgrijs suède, met kappen waarop een suède strik. Op de rug drie koorden.
Herten springend over een boomstam
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hoofed animals: deer
Inscriptions: collector's mark: Lugt 2228
Overstroomde straat met loopplanken in Parijs
Object type: photograph
Date: 1901 – 1910
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: paris
Artist: g. dangereux
Artist role: fotograaf
Subjects: flood (+ landscape with figures, staffage), paris

Onderdeel van fotoalbum overstroming Parijs en voorsteden 1910.
Ruïne van kasteel De Haar in Haarzuilens
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: castle, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2233
Portret van Louise van Mecklenburg-Strelitz
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: crown (symbol of sovereignty), historical persons - bb - woman, queen, pearl; pearl necklace
Portable horizontal sundial
Object type: portable horizontal sundial
Date: 1701 – 1750
Materials: brass
Artist: rousselle
Artist role: maker
Artist dates: 1675 – 1775
Subjects: sundials
Eva
Object type: print
Date: 1926 – 1926
Materials: paper
Techniques: lithograph
Artist: otto hanrath
Artist role: print maker
Artist dates: 1882 – 1944
Subjects: eve takes the fruit
Inscriptions: collector's mark: Lugt 2228
Portret van Hendrik Meyer
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: dichter, koopman, hendrik meyer
Inscriptions: collector's mark: Lugt 2228

Prent volgens Van Someren ook gebruikt in: Nederlandsche Muzen-Almanak. Rotterdam: J. Immerzeel, 1829.
The Actor Nakamura Sukegoro I with His Sword Drawn in a Defiant Attitude
Object type: woodblock print nishiki e
Date: 1726 – 1792
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: swords,men,actors
Klinknagel afkomstig uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: rivet
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)
Hudibras in Tribulation
Object type: print
Date: 1725 – 1735
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: in the pillory, in the stocks, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

De prenten in deze serie zijn gebaseerd op de satirische polemiek: Butler, Samuel. Hudibras. Londen: s.n., 1663-1678.
Lensmeter voor het fotograferen van criminelen
Object type: page
Date: 1893 – 1903
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: tools, aids, implements ~ crafts and industries, photography, criminals
Inscriptions: number: ‘Fig. 62.’
Design for Vis-à-vis/ Barouche, no. 353
Object type: drawing
Date: 1850 – 1870
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Last Supper, from "The Fall and Salvation of Mankind Through the Life and Passion of Christ"
Object type: print
Date: 1513 – 1513
Techniques: woodcut
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Subjects: apostles,christ,last supper
Portret van de kardinaal Jules Mazarin
Object type: print
Date: 1633 – 1673
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: jules mazarin, cardinal, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Portret van de kardinaal Jules Mazarin. In de marge zijn kardinaalswapen en een tweeregelig onderschrift in het Latijn.
Table knife
Object type: table knife
Date: 1701 – 1800
Materials: stone, bronze, steel
Textile fragment with incomplete repeating pattern of loom, weaver, and drawboy
Object type: fragment
Date: 1801 – 1850
Materials: silk
Culture: japanese
Subjects: working,looms
Gezicht op Palermo te Sicilië in vogelvlucht
Object type: print
Date: 1690 – 1729
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: city-view, and landscape with man-made constructions, maps, atlases
Inscriptions: collector's mark: Lugt 2228
Study of a Nude Man
Object type: painting
Materials: canvas, oil
Artist: gustave courbet
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1877
Subjects: male nudes
In memoriam Mr. E.N. Rahusen
Object type: article
Date: 1913 – 1913
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: amsterdam, politician, historical persons
Inscriptions: collector's mark: Lugt 1641b

Prent uit: Eigen Haard 39 (1913), nr. 21, 24 mei 1913, p. 321.
Silver crossbar of a sword from the wreck of the Dutch East Indiaman Hollandia
Object type: beugel gevestl, gevestbeugel
Date: 1700 – 1743
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Amsterdamse straatfiguren rond 1770
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: engraving
Subjects: person with a physical disability
Inscriptions: collector's mark: Lugt 240

Een kreupele man beweegt zich voort in een rond bakje. In de marge een vierregelig vers in het Nederlands. Onderdeel van een serie van prenten van Amsterdamse straatfiguren rond 1770.
Cassandra, from "Twelve Characters from Shakespeare"
Object type: print
Techniques: etching
Artist: john hamilton mortimer
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1740 – 1779
Subjects: shakespeare,women

Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and sought British equivalents for his subjects. This etching comes from a series that Mortimer devoted to leading Shakespearean characters, based on drawings exhibited at the Society of Artists in 1775. Merging the seventeenth-century genres of the character head and tête d'expression (expressive head), Mortimer's designs also incorporate elements of history painting to convey the Bard's inventive range. Attracted mostly to tragic figures, the artist here portrays the Trojan princess Cassandra, whose wild eyes and gesture of warning underscore her prophesy of coming destruction: "Cry Trojans cry, practice your eyes with tears Troy must not be nor goodly IIlion stand." (Troilus and Cressida, act 2, scene 4)
Portret van keizer Philippus I Arabs
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: historical persons, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 185. Eerste staat verschenen in een grotere prent met twaalf portretten, gedateerd 1695.
Fragment
Object type: textile
Date: 1601 – 1700
Materials: linen, silk
Techniques: embroidery, weave, stitching
Location: italy
Jacobite "amen" glass
Object type: wineglass
Materials: glass
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, hair, bridge of nose, part of left eyebrow and eye of figure to left; one letter of an inscription, A; Exterior, heel of figure to left; calf and foot of figure to right
Horizontal Panel with an Eagle Flanked by Two Genii
Object type: print ornament architecture
Date: 1544 – 1544
Techniques: engraving
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: eagles,putti

Two genii or putti flank an eagle at center. The figures of both putti face outwards while their heads are turned inward.
Gezicht op de Schelde bij Kruibeke
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: etching
Artist: jean théodore joseph linnig
Artist role: draughtsman, print maker
Artist dates: 1815 – 1891
Subjects: sailing-ship, sailing-boat, river, windmill in landscape, angling, antwerp
Inscriptions: collector's mark: Lugt 2228
Portret van Cornelius Rudolphus Theodorus Krayenhoff
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: carel christiaan antony last
Artist role: print maker
Artist dates: 1808 – 1876
Subjects: nijmegen, physicist, cornelis rudolphus theodorus krayenhoff, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een militair uniform met een ridderorde op zijn borst.
Upper Part of a Jar in the Shape of a Woman’s Head
Date: 1479 – 1352
Materials: paint, pottery
Location: egypt

This woman’s head belonged to the upper part of a figure vase, a type of vessel that became popular during the 18th Dynasty. Her hair and facial details are rendered in black paint. A small circular handle is attached to the back of her head. Figure vases could represent servants and personal attendants, but the most popular type depicted kneeling women with children. Their iconography put the emphasis on private and everyday life, and it is supposed they were linked to midwifery and/or medicine.
Diorite carinated bowl
Object type: bowl
Date: 2000 – 1800
Culture: minoan

Minoan artists crafted vessels from a variety of stones using chisels, hammers, and copper-alloy saws. Finer tools like copper drills with abrasives were employed to hollow out their interiors. These vessels were durable versions of standard terracotta and metal forms, made with such high quality that they were exported throughout the Eastern Mediterranean. Stoneware has been found in settlements, cemeteries, and sanctuaries alike; the smallest examples were likely votive offerings. This diorite bowl is defined as carinated. Derived from the Latin word carina, "the keel of a ship," carination refers to the part of a vase that widens out and narrows back sharply.
Samlung verschiedner Blumen, Früchte, gewohnlicher Zierathen (...)
Object type: ornament print
Date: 1778 – 1779
Materials: paper
Techniques: etching
Location: augsburg
Subjects: snakes, vase ~ ornament, flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee bloemenranken aan weerszijden van een vaas met in elkaar gevlochten slangen. Uitgeversnummer 4.
Deventer voor de Staten ingenomen, 1578
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: groningen (province), politician, capture of city (after the siege), deventer

Overgave van de stad Deventer na belegering door het Staatse leger onder de graaf van Rennenberg, 19 november 1578. Links de aftocht van het Duitse garnizoen. Met onderschrift van 4 regels in het Latijn. Genummerd: 107. Bedrukt op achterzijde met tekst in het Nederlands.
Engel met drie putti in wolken
Object type: print
Date: 1732 – 1776
Materials: paper
Techniques: printmaking, etching
Location: paris
Subjects: cupids: 'amores', 'amoretti', 'putti', angels
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 975
Beaded Wrist Ornament
Object type: bracelet
Date: 1101 – 1400
Materials: cord, shell
Culture: chancay
Location: peru
Seated Woman with a Cushion and Book on her Lap
Object type: drawing
Date: 1641 – 1641
Materials: chalk, paper
Techniques: drawing
Artist: salomon de bray
Artist role: draughtsman, print maker
Artist dates: 1597 – 1664

Portret van een zittende vrouw met een boek op een kussen op haar schoot.
Band
Object type: band
Date: 1601 – 1700
Techniques: embroidery
Subjects: animals,trees
The Jocund Peasants
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 240
Plattegrond van de begane grond van het Palazzo Rostan Raggio te Genua
Object type: ornament print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hôtel, i.e. small palace in city - aa - civic architecture: inside, plan ~ architecture
Inscriptions: collector's mark: Lugt 240
Firenzi, from The World's Racers series (N32) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,horses,jockeys

Trade cards from the "The World's Racers" series (N32), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Roma
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: triumphal arch
Inscriptions: number: ‘4208.’, number: ‘8’, inscription: ‘45-’
Spinster
Object type: print
Date: 1626 – 1677
Materials: paper
Techniques: drypoint, etching
Artist: thomas wijck
Artist role: draughtsman, painter, print maker
Artist dates: 1616 – 1677
Subjects: spinning (manufacture of yarn)
Inscriptions: collector's mark: Lugt 2228

Een spinster aan het werk voor een huis. Op de achtergrond een man met een hoed. Rechtsonder genummerd: 8.
Portret van Johann Joachim Becher
Object type: print
Date: 1682 – 1732
Materials: paper
Techniques: engraving, etching
Subjects: london, chemistry (+ portrait of scholar, scientist), historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Gezicht op de nieuwe Tay Bridge bij Dundee
Object type: page
Date: 1887 – 1890
Materials: photographic support
Techniques: platinum process
Location: dundee
Subjects: landscape with bridge, viaduct or aqueduct, railway, train
Abdij van Middelburg
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church, courtyard
Portret van Jean Baptiste Racine met een muze en Apollo
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving, etching
Subjects: france, paris, jean racine, (story of) apollo (phoebus), portrait of a writer, fame; 'fama', 'fama buona', 'fama chiara' (ripa), single muses
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, stamp: ‘CR’

Bij de portretbuste van toneelschrijver Jean Baptiste Racine zit een muze, die de lier van Apollo ontvangt. Tussen hen in staat Verstand, die op haar hoofd wijst. Faam komt aanvliegen met een lauwerkrans. Op de voorgrond spelen putti met theaterattributen.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Filleted youth to right, looking over his right shoulder, with his left arm bent
Bowl
Object type: bowl
Date: 1001 – 1200
Materials: earthenware
Techniques: glazing
Location: iran
Subjects: animals
Gretchen am Spinnrad.
Object type: photograph
Date: 1879 – 1879
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: munich
Subjects: cat, gretchen, spinning-wheel, faust
Inscriptions: check stamp: ‘TS’, number: ‘8’

Onderdeel van Album met 30 fotoreproducties van tekeningen van het Faust-verhaal van J.W. von Goethe.
Design for Vis-à-Vis (French?)
Object type: drawing
Date: 1880 – 1880
Materials: gouache, ink, watercolor
Techniques: pen
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Jacques Callot als kind op reis
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: lithography
Location: paris
Artist: aimé de lemud
Artist role: print maker
Artist dates: 1816 – 1887
Subjects: print maker, draughtsman, jacques callot, boy (child between toddler and youth), historical persons, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228a
Ball gown
Object type: ball gown
Date: 1875 – 1875
Materials: cotton, silk
Culture: british
Artist: madame elise
Artist role: designer
Artist nationality: british
Artist dates: 1836 – 1913