deem-data/ArtiFact huggingface dataset:
Militair
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Location: london
Artist: a.c. cooper
Artist role: fotograaf
Subjects: london

Een Nederlandse militair poseert voor een gordijn met een karabijn in zijn handen. Hij is ten voeten uit gefotografeerd. Cor Visser wilde deze foto waarschijnlijk gebruiken voor een van zijn tekeningen
Kain pelangi
Object type: schouderdoek
Date: 1900 – 1999
Materials: gold thread, silk
Techniques: tie dyed, weave
Location: south sumatra
Artist: Anonymous

Schouderdoek met florale en geometrische motieven.
Gezicht op het Stadhuis, de Nieuwe Kerk en de Waag op de Dam te Amsterdam
Object type: print
Date: 1670 – 1726
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), townhall, weigh-house, square, place, circus, etc. (+ city(-scape) with figures, staffage)

Onder de prent een achtregelig Nederlands vers.
The Vicar's Family on their Road to Church, from "The Vicar of Wakefield"
Object type: print
Techniques: aquatint, etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,horses

The Vicar of Wakefield was written by Oliver Goldsmith between 1761–62, published in 1766, and later illustrated with twenty-four designs by Thomas Rowlandson in 1817.
Tazza
Object type: tazza
Date: 1651 – 1700
Materials: silver
Subjects: birds,flowers
Mainfroy. Albert, Pierre. 41 ans, né le 7/4/52 à Courbevoie (Seine). Imprimeur. Anarchiste. 3/7/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Portret van keizer Frans II
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis bogerts
Artist role: print maker
Artist dates: 1745 – 1817
Subjects: frans ii (rooms-duits keizer), crown (symbol of sovereignty), orb (symbol of sovereignty; sphere with cross on top), sceptre, staff (symbol of sovereignty), historical persons, hacking and thrusting weapons: sword, emperor
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1795, dl. 24.
Kimono
Object type: kimono
Date: 1920 – 1940
Materials: silk
Techniques: painting, weave
Location: japan
Artist: Anonymous

Kimonos: Mirrors of a Man’s Life. The kimonos on view here afford a glimpse into the lives of Japanese men from around the 1910s to the 1950s, from childhood to adulthood. This was a period of great change for Japan, marked by increasing industrialization and political conflicts culminating in the Second World War. Life modernized, technology advanced, and people took up new hobbies. Traditionally, men’s outer clothing tended to be reserved and a solid colour. Clothes could nevertheless also be a medium for highly unusual depictions which, however, were not visible to everyone. While motifs adorned the exterior of children’s garments, they were hidden from view in those worn by adult men. The decoration was found on the inside: on a long under garment, or the lining of a jacket (haori). This concealed imagery divulges the lives of the owners at the beginning of the 20th century.

Childhood. A kimono marked events and stages in a man’s life. The kimonos on the top row (except the two everyday ones at either end) were worn by boys during the religious ceremony of miyamairi, namely an infant’s first visit to a Shinto shrine. This event followed a prescribed ritual and was an important and formative moment in the life of a Japanese man. Clothing for boys enveloped them in images that were to become part of their identity. The depictions included motifs that were considered gender and age appropriate: toys, manly hobbies, stories of heroic battles, technology, and so forth. Broader themes such as military conflicts and nationalism also filtered into children’s daily lives at an early stage. The textile designs of some kimonos combined traditional playthings with toy guns and tanks.

Adulthood. What does a kimono tell about its owner and his life? Some men chose subjects from classical culture, such as No or Kabuki theatre, while others preferred themes from contemporary life, such as gramophone records or the new popular sport of baseball. Thus, these garments were a canvas for personal choices, but also for political propaganda and nationalistic messages. Some representations are eccentric or even erotic. Others are more general and linked to political events. All aspects of a man’s inner life are touched on. Portraits of beautiful women and playful dogs contrast with images of war, celebrating victories in China. As these representations were under the outer garments, they remained hidden from the outside world and were thus seen only by the kimono’s owner and his intimates.
Glass perfume bottle
Object type: perfume bottle
Date: 101 – 300
Materials: glass
Culture: roman

Colorless (?). Rounded rim, folded out, over, and in, and pressed flat into fairly broad collar to mouth; concave cylindrical neck, tooled in around base; slender, elongated piriform body; pushed-in bottom with shallow kick. Intact; elongated and pinprick bubbles; deep pitting and brilliant iridescent weathering.
Bakkerij te Assendelft
Object type: print
Date: 1902 – 1931
Materials: paper
Techniques: etching
Artist: willem jansen (graveur)
Artist role: print maker
Artist dates: 1892 – 1969
Subjects: rural housing, e.g. country-house, villa, cottage, bridge, assendelft
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Jodenhoutmarkt op de schans bij de Muiderpoort
Object type: drawing
Date: 1818 – 1818
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., windmill
Inscriptions: collector's mark: Lugt 800a, inscription: ‘Gezigt van de Joode Houtmarkt / op de schans bij de muiderpoort’, signature and date: ‘G. Lamberts 1818.’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 23.
Man Transporting a Hedgehog and a Hare, Tomb of Khnumhotep
Object type: facsimile, khnumhotep beni hasan 3, hedgehog
Date: 1897 – 1878
Materials: paper, paint
Location: egypt
Artist: norman de garis davies
Artist role: artist
Artist dates: 1865 – 1941
Park aan het water
Object type: print
Date: 1944 – 1990
Materials: paper
Techniques: drypoint, intaglio
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: park
Inscriptions: signature and date: ‘KEES STOOP’

Park aan het water, in het midden van de voorstelling een bank.
Ernestine Voss
Object type: print
Date: 1834 – 1877
Materials: paper
Techniques: lithograph
Location: munich
Subjects: adult woman, historical persons, piece of sculpture, reproduction of a piece of sculpture, hands folded
Inscriptions: collector's mark: Lugt 2228

De buste links van Ernestine Voss is een portretbuste van haar man Johann Heinrich Voss.
Reclame voor het Amerikaanse blad Public Ledger met gezicht op de uitgeverij in Philadelphia, Pennsylvania
Object type: photograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: philadelphia
Artist: frederick gutekunst
Artist role: fotograaf
Artist dates: 1831 – 1917
Subjects: advertising, press, journalism, publishing, publisher
Inscriptions: inscription: ‘(...)’, inscription: ‘F. GUTEKUNST, PHOTOG. 712 ARCH STREET./ (...)’
Gold earring with figure
Object type: earring with eros
Date: 300 – 101
Materials: gold
Culture: greek
Subjects: human figures
Water holder
Object type: water holder
Date: 1820 – 1820
Materials: porcelain
Culture: japanese
Subjects: ducks
Ruïne met boerderij
Object type: print
Date: 1829 – 1844
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: ruin of a building ~ architecture, farm (building)
Inscriptions: inscription: ‘Komt niet voor in de / 2e editie / adres / voor het adres / Brederode / te Santpoort / AvdB’, collector's mark: Lugt 2228

In 1829 en 1830 gaf Koekkoek, samen met Daiwaille, zes cahiers uit met ieder zes prenten getiteld Landschapstudiën. Deze werden gebruikt in het tekenonderwijs. Vijftien jaar later werd deze reeks, in een andere samenstelling nogmaals uitgegeven door Meyer en Comp in Amsterdam. Zie: De Bruyn Kops, 1963.
Vase with archaic-style patterns
Object type: vase
Date: 1201 – 1300
Materials: copper alloy
Culture: chinese

This elegant bronze vase, with its round body and elongated neck, resembles esteemed ceramics from the Song dynasty. But while porcelain Ding ware features minimal decoration, this vase exudes archaic appeal with a band of triangular blades featuring interior patterns on its neck and a broad band of stylized dragons filled with spirals on its belly.
Retreating shower
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: aquatint, etching
Location: london
Subjects: downpour, rain shower, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., (traveller) resting in the open air, low hill country (+ landscape with figures, staffage), brook
Inscriptions: collector's mark: Lugt 2233
Museo Cerralbo. Madrid. San Francisco en éxtasis
Object type: ansichtkaart, prentbriefkaart
Date: 1924 – 1930
Materials: cardboard
Techniques: photograph
Location: madrid
Artist: lucas piti
Artist role: painter
Subjects: permanent exhibition, museum, picture, painting

Prentbriefkaart maakt deel uit van een album.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic
Mirror with symbols of the four cardinal directions
Object type: mirror
Date: 601 – 700
Materials: bronze
Culture: chinese
Subjects: birds,dragons,snakes,tigers,turtles

The four mythological creatures depicted on this mirror refer to symbols of the cardinal directions: the green dragon of the east, white tiger of the west, red bird of the south, and entwined black snake and tortoise of the north. These associations emerged in Chinese cosmology around the third century BCE and became firmly established in the following centuries. A long inscription encircling the animals, elegantly calligraphed in relief, illustrates a critical phase in the development of Chinese writing, when the regular script attained its standard form.
Gezicht op oud Antwerpen
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: open door, gate, entrance, antwerp
Inscriptions: collector's mark: Lugt 2233

Een non spreekt met een vrouw, die in de deuropening van een huis staat. Rechts een poort.
Drawing: Expressions of Emotion (Laughter, Weeping, Compassion, Sadness), from Encyclopédie
Object type: print
Date: 1762 – 1777
Materials: paper
Techniques: engraving, etching
Location: france
Artist: a. j. defehrt
Artist nationality: french
Artist dates: 1700 – 1799

Le Brun’s most active expressions appear at the top of this sheet. His lecture linked the states of laughter and weeping, suggesting that with the exception of laughter’s exposed teeth, they should be drawn in nearly the same way. Sadness, a purer expression than the first two, appears at the bottom right as a “disagreeable languor of the soul.” The compassionate youth at left appears equally subdued by his contemplation of this tragic state.
Topographia Variarum Regionum
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: etching
Subjects: village, road, path

Op de voorgrond een man en een vrouw op een landweg. De vrouw draagt een pak op het hoofd. De landweg loopt langs huizen een een muur. Rechts een dal.
Strijd tussen de Grieken en de Amazones
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: etching
Location: italy
Subjects: (story of) the amazons, battle, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Griekse soldaten strijden tegen de vrouwelijke Amazones te paard en met speren. Opdracht in het Latijn in ondermarge.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of a leg?; part of an inscription, [K]ALOS
Doorkijk naar de kamer van de sultan in het Bardopaleis in Tunis
Object type: album leaf
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: tunis
Artist: am
Artist role: fotograaf
Subjects: palace
Inscriptions: negative number: ‘91’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Tunis en Tunesië.
Uninscribed shabti from tomb of Nespekashuty
Object type: shabti, nespekashuty
Date: 664 – 610
Materials: faience
Location: egypt

These shabtis were part of a group of 377 found at the bottom of the sloping passageway to the burial chamber in the tomb of Nespekashuty. The shabtis were closely grouped as if they came from one or two boxes that had disappeared, almost certainly in the fire that left a number of the shabtis melted together and damaged the walls of the tomb in the excavator's opinion. Other shabtis were found elsewhere in the much reused tomb and the forecourt debris, also with no inscription or names, but their size and appearance differed.
Theodoor Brouwers op de Surinamerivier
Object type: stereograph
Date: 1913 – 1930
Materials: glass
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: amsterdam, theodoor brouwers, suriname

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
Uitreiken van een onderscheiding
Object type: drawing
Date: 1800 – 1800
Materials: cardboard, ink, paper, watercolor
Techniques: brush, pen
Location: netherlands
Artist: jacob willemz. de vos
Artist role: draughtsman
Artist dates: 1774 – 1844
Subjects: physician, doctor, kneeling figure, official acts of rulers, e.g. royal acts (ruler giving audience, granting mercy, etc.; ruler and his subjects)

Een geknielde jongeman krijgt een rode sjerp omgehangen door een andere man die eveneens een rode sjerp draagt. Rechts kijken twee mannen toe. De geknielde jongeman is mogelijk Daniel Dijlius, arts te Amsterdam. Onderdeel van een serie van elf ronde tekeningen die mogelijk als toverlantaarnplaat zijn gemaakt.
Voorgevel en plattegrond
Object type: ornament print
Date: 1559 – 1559
Materials: paper
Techniques: etching
Location: paris
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: façade (of house or building), plan ~ architecture

Voorgevel en plattegrond. Aanzicht en plattegrond van architectuur. Genummerd: XVIII. Onderdeel van 'De architectura Iacobi Androuetii du Cerceau' (1559): 69 etsen met 171 voorstellingen van architectuur en ornamentiek.
Portret van Adriaan Reland
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: utrecht, adriaan reeland
Inscriptions: collector's mark: Lugt 2228

Borstbeeld van de hoogleraar Adriaan Reland met toga.
Ziekenpaviljoen Ziekeninrichting Salemba
Object type: photograph
Date: 1918 – 1919
Materials: photographic support
Techniques: gelatin silver print
Location: batavia
Artist: Anonymous
Subjects: hospital, batavia
Inscriptions: inscription: ‘Ziekenpaviljoen Ziekeninrichting Salemba’

Het ziekenpaviljoen van het ziekenhuis de Centrale Burgerlijke Ziekeninrichting op Salemba, Weltevreden. Onderdeel van het fotoalbum van de Eerste Waterstaatsafdeling op West-Java 22 maart 1915 - 30 juli 1919.
Pieces from a Kosode with Flowers, Vines, and Garden Fence
Object type: piece from a kosode
Date: 1615 – 1868
Materials: metal thread, silk
Techniques: dyeing, embroidery, painting, weave, resist
Culture: japanese
Subjects: flowers
Portret van Johann Tobias Carrach
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Mosque Lamp
Object type: mosque lamp
Date: 1351 – 1400
Materials: glass
Techniques: enamel
Location: syria
Sur la plage
Object type: print
Date: 1867 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: child, tot, toddler ~ the ages of man, beach
Inscriptions: collector's mark: Lugt 2228, number: ‘1’
Clasp or brooch
Object type: clasp or brooch
Date: 1801 – 1900
Materials: gemstone, enamel, garnet, pearl, silver gilt
Ruiterportret van Lodewijk XIII als kind
Object type: print
Date: 1610 – 1699
Materials: paper
Techniques: engraving, intaglio
Location: germany
Artist: robert weiss
Artist role: print maker, publisher
Subjects: lodewijk xiii (koning van frankrijk), equestrian state-portrait, historical persons
Inscriptions: collector's mark: Lugt 240
Portret van Teodor, Fürst Lubomirski
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: armour, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor de publicatie: Europäischer Staats-Secretarius. Leipzig: Moritz Georg II Weidmann, 1735, dl. 22.
Verschiet van allerhande zaaken, Ziet ge u hier weêr voor 't oog gebragt, / ô Jeugd! wil u hier meê vermaaken; Maar neem uw pligt 'er by in acht
Object type: popular print
Date: 1715 – 1813
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: craft-production, skilled handiwork, crafts and industries, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van ambachtslieden en beroepen, zoals een notaris, een schaatsenmaker en een steenhouwer. Onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 7.
Ruiter bij een hek
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: riding a horse, ass, or mule; rider, horseman, fence, wall, paling, forest path or lane
Inscriptions: collector's mark: Lugt 240

Een ruiter rijdt op een bospad. Links is een vervallen, houten hek met een houten poort te zien.
Rituelen van inwoners uit Guinea
Object type: book illustration
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: making music and dancing ~ african tribal religions, ritual practices ~ african tribal religions, circumcision as ritual practice ~ infancy (non-christian religions)
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Picart, Bernard. Naaukeurige beschryving der uitwendige godtsdienst-plichten, kerk-zeden en gewoontens van alle volkeren der waereldt, deel IV. [Vertaald in het Nederlands door] Moubach, Abraham. Den Haag, Amsterdam, Rotterdam: Rutgert Alberts, Hermannus Uytwerf, Jan Daniel Beman, Isaac van der Kloot, 1727-1738.
Model of a Jury Rudder
Object type: demonstration model
Date: 1800 – 1850
Materials: brass, wood
Location: netherlands
Artist: Anonymous
Inscriptions: label, bottom: ‘230’ former inventory label

Model van een noodroer met een steng als koning. Het blad is samengesteld uit rondhouten met planken bedekt (waaronder de oren van een mast), en een ezelshoofd als roerhaak om de koning. Dit model is identiek aan NG-MC-228.
Veue de l'entrée du Chasteau de Gros-Bois
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: etching
Location: france
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van zestien prenten.
Hoedensluier van kloskant op tule (applicatiekant)
Object type: womenswear
Date: 1900 – 1900
Materials: lace, fiber
Techniques: lace
Location: belgium
Artist: Anonymous

Hoedensluier van applicatiekant. Één van de lange zijden heeft een schulprand waaruit lussen met een siersteek, S-vormige en C-vormige bladtakken komen. De korte kanten zijn afgezet met applicaties in de vorm van een ketting. Moesjes sieren de grond.
Yashoda and Gopal
Date: 1878 – 1883
Materials: glaze, watercolor
Techniques: hand coloring, lithograph, printing
Culture: west bengali

Following the infant Krishna being delivered for safety with foster parents in the village of Vrindavan, he was raised by Yashoda as if her own child. In this tender image, we see the infant Krishna (Bala-Krishna), crawling playfully, his foster mother offering a ball of butter to him to attract his attention. This scene plays on the often-depicted subject of Krishna using his superior intellect to mischievously steal butter and buttermilk, even when placed out of a child’s reach. Despite Krishna having been placed with a humble village family of cowherders in order to avoid his vengeful uncle the tyrant Kansa, usurper of the throne at nearby Mathura, the setting is not that of village India. Rather, the setting is palatial, the figure portrayed in an interior with Indo-Islamic architectural elements, with baluster columns, cusped arches and a richly curtained doorway. Similarly, both Yashoda and the infant Krishna are richly bejeweled, with Krishna wearing a pearled hairband with three peacock feathers. His foster mother wears colorful garments enriched with woven gold borders. Here Krishna has been given the epithet ‘Gopal,’ an abbreviation of Gopala-Krishna, the “cow-protector” and by inference the “protector of the World.” The bond between Yashoda and Krishna is celebrated in Hindu devotional poetry and art as a model of maternal love and, by analogy, as an exemplar of the devotion that a devotee may experience toward one’s God.
See, M. le Maréchal, I am Truly His Mother...
Object type: print
Date: 1820 – 1822
Materials: paper
Techniques: lithograph
Location: france
Artist: jean henri marlet
Artist nationality: french
Artist dates: 1771 – 1847
Subjects: mothers, babies
Scarab seal
Object type: stamp seal
Date: 1700 – 1560
Materials: bone, stone
Location: levant
Subjects: scarabs
The Monk
Object type: print
Materials: paper
Techniques: woodcut
Location: germany
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Sculptuur van Lorenzo op de graftombe van Lorenzo de' Medici door Michelangelo in de Cappelle Medicee te Florence
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: grave, tomb, monument, statue
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, inscription: ‘CWN.’