deem-data/ArtiFact huggingface dataset:
A long pull a strong pull and a pull altogether
Object type: cartoon
Date: 1813 – 1813
Materials: paper
Techniques: etching, hand coloring
Location: england
Subjects: napoleon i (emperor of the french), drawing, pulling something, navy (+ sailing-ships)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Spotprent op Napoleon na zijn verlies van Holland, 1813. De bondgenoten (Engeland, Spanje, Rusland, Pruisen e.a.) trekken vanaf een klif gezamenlijk met touwen de Hollandse vloot (op een vlag staat 'Texel Fleet') vanaf Texel weer vlot. De schepen zijn bemand door Hollanders die ook op het land meehelpen om de schepen in het water te duwen. Op het water ook een Hollandse sloep. Linksonder bij de klif liggen twee vaten Hollandse jenever. Rechts maken Napoleon en zijn broer Jozef zich druk om hun verliezen van Holland en Spanje. In het verschiet gaat de 'zon van tirannie' onder, hiernaast wacht de vloot van de bondgenoten op de Hollandse schepen. Genummerd rechtsboven: 233.
Keyhole escutcheon
Object type: keyhole escutcheon
Date: 1601 – 1800
Materials: gilt bronze
Landschappen door Joseph Mössmer
Object type: print
Date: 1818 – 1821
Materials: paper
Techniques: lithograph
Artist: joseph mössmer
Artist role: print maker
Artist dates: 1780 – 1845
Subjects: road, path, landscapes in the temperate zone (+ landscape with figures, staffage), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Deze prent behoort waarschijnlijk tot een serie met zeventien landschappen door Joseph Mössmer uit ca. 1818-1821. Mogelijk is dit de elfde prent in de serie.
Groepsportret van twee mannen, drie vrouwen en twee kinderen staand voor een huis in Frankrijk
Object type: photograph
Date: 1805 – 1883
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: family group, especially parents with their child(ren)

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Brug met daarachter het Théatre de Châtelet, Parijs
Object type: stereograph
Date: 1855 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Subjects: paris
Inscriptions: inscription: ‘€8-’, label: ‘Paris instantané. Théâtre du Châtetet.’
Duiker in duikuitrusting onderwater
Object type: photomechanical print
Date: 1890 – 1900
Materials: paper
Techniques: photoaquatint
Location: france
Subjects: deep-sea diving
Inscriptions: number: ‘Planche X’, inscription: ‘Librairie C. Reinwald’
Twee jagers en drie honden op hoenderjacht
Object type: print
Date: 1806 – 1817
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: walker and runner birds, bird hunting
Inscriptions: collector's mark: Lugt 2233
Entombment
Object type: painting
Date: 1500 – 1500
Materials: paint, panel, wood
Techniques: painting
Culture: german
Location: germany
Subjects: burial, christian subjects, christianity, religious figures, religious scenes, religious, religion, biblical, death, cross, virgin mary, jesus, men, women, mourning, century of progress, world's fairs, chicago world's fairs
Holiday in Camp—Soldiers Playing "Foot-Ball"
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Oinochoe
Object type: oinochoe
Date: 400 – 301
Materials: terracotta
Culture: greek, south italian, apulian
Artist: xenon group
Artist role: artist
Siena. Palazzo Comunale
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: siena
Artist: Anonymous
Subjects: townhall, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Sharpened Sticks from Tutankhamun's Embalming Cache
Object type: embalmer's stick 2
Date: 1336 – 1327
Location: egypt
Portret van Jacques Davy du Perron
Object type: print
Date: 1633 – 1676
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paris, priest, ornament ~ medallion, historical persons, diplomacy, diplomat, writer, poet, author, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Slag bij Houthalen, 1831
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

De slag bij Houthalen op 6 augustus 1831, op het moment dat de 2e Afdeling Friese Schutterij arriveert op het slagveld en een beslissende rol in het gevecht speelt. Met vierregelig onderschrift.
The Seasons and the Ages of Man (Furnishing Fabric)
Object type: textile
Date: 1827 – 1840
Materials: cotton
Techniques: engraving, weave, printing
Location: rouen
Artist: frédéric etienne joseph feldtrappe
Artist nationality: french
Artist dates: 1820 – 1830
Portret van François-Auguste Gevaert
Object type: album leaf
Date: 1861 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: étienne carjat
Artist role: draughtsman
Artist dates: 1828 – 1906
Subjects: historical persons, portrait of composer
Inscriptions: name: ‘Gevaert’, annotation: ‘Francois Auguste Gevaert/ Belgische componist, [de opera Parijs]/ 1828 (Carjat)’, inscription: ‘Photographie/ Carjat & Cie/ 56, Rue Laffitte (...)’
A Picture Book Mirror of Various Occupations (Wakoku shoshoku ezukushi) 和国諸職絵尽　諸織 絵本鏡
Object type: illustrated book
Date: 1685 – 1685
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Subjects: men,women,working
Vrouwen, op de rug gezien en in profiel
Object type: sketchbook leaf
Date: 1895 – 1898
Materials: chalk, ink, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adolescent, young woman, maiden (+ positions (of the human figure)), adult woman (+ positions (of the human figure)), head-gear: hat (+ women's clothes)
Inscriptions: kleurnotitie, handgeschreven

Pagina 7 en pagina 8 uit een schetsboek met 21 bladen.
Stamp Seal Inscribed for the God's Wife Nefertari
Object type: cowroid, ahmose nefertari, god's wife
Date: 1550 – 1525
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs
Henk Swellengrebel als baby
Object type: photograph
Date: 1912 – 1942
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: delft
Artist: oosten
Artist role: fotograaf, fotohandel
Subjects: delft, historical persons, mother and baby or young child, infant, baby
Inscriptions: inscription: ‘dec. 1942 Moder met Henk. Vader in gevangenkamp Duitsland!’

Henk Swellengrebel als baby van zeven maanden met zijn moeder Anne Sofie Knagenhjelm Gregory. Foto uitgevoerd als prentbriefkaart.
Fragment of a tankard (schnelle) with the Conversion of Paul
Object type: jug
Date: 1560 – 1565
Materials: glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: siegburg
Inscriptions: inscription: ‘HERR WER BISTV WAS WILTV DAS ICH THV SOL/ SAVL SAL WAS VERFOLGESTV MICH/ SIE NAME IN BEI DER HANT VD FVRETE INGE DAMASCON’, mark: ‘FT’

Fragment van een kruik (schnelle) van steengoed met cilindervormig, taps toelopend lichaam en C-vormig oor. Profielen onder de rand en boven de voet. Op het lichaam in reliëf driemaal een gedrukt en opgelegd, langwerpig vak met daarin voorstellingen van de bekering van Paulus, waarvan de twee buitenste gelijk zijn. De twee buitenste vakken met de opschriften 'HERR WER BISTV WAS WILTV DAS ICH THV SOL' en 'SAVL SAL WAS VERFOLGESTV MICH'. Het middelste vak met 'SIE NAME IN BEI DER HANT VD FVRETE INGE DAMASCON'. In elk vak het merk 'F.T.'. Siegburg.
Buste van Plato in een nis
Object type: print
Date: 1619 – 1675
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: male persons from classical history (plato)
Inscriptions: collector's mark: Lugt 240
Chair Seat
Object type: chair
Date: 1740 – 1740
Materials: linen, wool
Techniques: embroidery
Culture: american
Location: united states
Artist: sarah tyler
Artist role: maker
Artist nationality: american
Artist dates: 1718 – 1764
Subjects: flowers
Sugar bowl
Object type: sugar bowl
Date: 1810 – 1830
Materials: glass
Techniques: glassblowing, engraving
Culture: american
Location: united states
Artist: benjamin bakewell & co.
Artist role: maker
Artist dates: 1809 – 1813
Subjects: flowers
Turtle
Object type: ornament
Date: 1851 – 1900
Materials: copper alloy
Culture: japanese
Subjects: turtles

This small, highly naturalistic turtle, an ornament known as an okimono, is enhanced by the green patina on the cast copper alloy body. Often represented in Japanese art as symbols of longevity, they were also associated with the mythical island of immortality, Mount Hōrai. The detailed, realistic depiction of animals in metal was a characteristic genre of Meiji art.
Openbaring van Johannes op Patmos
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the four winds are restrained by four angels, sealing of the tribes of israel, the 144-thousand
Inscriptions: number: ‘20[8]’

Vier engelen houden met hun zwaard de vier winden in bedwang. In het midden brengt een engel het zegel van God aan op het voorhoofd van een lid van een stam van Israël. Boven in de wolken een engel met een kruis. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Op. 7. Deze prent maakt deel uit van een album.
Jonge vrouw lezend voor een huis
Object type: photograph
Date: 1943 – 1943
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: Anonymous
Subjects: wim van den bosch, rotterdam
Inscriptions: date

Jonge vrouw zittend lezend op een bankje voor een huis, 21 augustus 1943. Onderdeel van het familiealbum 1933-1944.
Verschillende voorstellingen
Object type: popular print
Date: 1828 – 1913
Materials: paper
Techniques: colour, letterpress printing, line block, engraving
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', monkeys, apes, housing, whale fishery, whaling
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van verschillende aard, waaronder landschappen en gebouwen. Onder elke afbeelding een onderschrift. Onder de eerste afbeelding het onderschrift: Hoe gevaarlijk ook dit visschen moog zijn... Genummerd rechtsboven: No. 11.
Onderlichaam van naakt jongetje
Object type: drawing
Date: 1865 – 1930
Materials: chalk, paper
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Twee soldaten bij de over van een rivier
Object type: print
Date: 1655 – 1667
Materials: paper
Techniques: etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708

Twee soldaten bij de over van een rivier
Le pont de Kehl, sur le Rhin, à Strasbourg, pendant les basses eaux
Object type: book illustration
Date: 1858 – 1858
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: landscape with bridge, viaduct or aqueduct, bridge, bridge in city across river, canal, etc.

Prent uit: L'Illustration 31 (1858), nr. 780 6 februari 1858, p. 84.
Chateau de Fontainebleau
Object type: photograph
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Location: fontainebleau
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: flight of steps, castle
Inscriptions: number: ‘PL. 2.’

Deze foto maakt deel uit van een omslag met dertig foto's en twee tekstbladen.
Vrouwenhoofd
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human) - aa - female human figure

Blad 16 recto uit schetsboek LXII met 28 bladen.
Shoes
Object type: shoe
Date: 1869 – 1869
Materials: leather, linen, silk
Culture: american

Throughout the history of Western fashion, the most common choice of babies' footwear has been booties, as they provide superior warmth and comfort for the foot and stay on better than open shoes. Fashion, however, has repeatedly offered alternatives to this most practicable style. This pristine pair of dressy infant's shoes is designed in the more mature style of the bar or strap shoe, which would later become immortalized as the Mary Jane style. The copious lace and ribbon trimming is a particularly appealing element which adds interest and serves to highlight the precious and delicate nature of the baby herself.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, part of the face of a gorgoneion; Exterior, at the juncture of the bowl and stem, a black glazed ring; the outer edge of the foot is concave and unglazed; the resting surface of the foot is glazed; the inside of the stem is glazed
Box with Bush Clover Design
Object type: box
Date: 1801 – 1900
Materials: gold, lacquer
Techniques: maki
Culture: japanese
Vijfentwintigjarige huwelijk van J.C. Cuyck van Mierop en Sara Cloek
Object type: huwelijksjubileumpenning 25
Date: 1764 – 1764
Materials: silver
Techniques: engraving, striking
Location: amsterdam
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764
Subjects: j.c. cuyck van mierop, sara cloek
Portret van een onbekende man
Object type: photograph
Date: 1880 – 1930
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: sint-niklaas
Artist: a. roman
Artist role: fotograaf
Subjects: historical persons not known by name
Inscriptions: :, collector's mark: Lugt 2228a, inscription: ‘A. Roman/ ST-NIKOLAAS/ Prins Albrechtstraat’
Illustratie voor de Romeinse geschiedenis
Object type: book illustration
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: on fire, ablaze, the synagogue (as building and place of worship ~ jewish religion), violent death, being killed; being mishandled and maltreated; seeking death

Voorstellingen uit de Romeinse geschiedenis. Boven: Met brandende toortsen steken figuren een synagoge in brand. Op de voorgrond een groep joodse mensen in rouw. Onder: Gewapende figuren op een brug houden Mascezil boven het water. Flavius Stilichote lijkt vanaf zijn paard bevelen te geven. Twee voorstellingen van één plaat, respectievelijk genummerd: CIII en CIV. Het blad is linksboven gemerkt: VII.D.
A View of the Taking of Quebec, September 13, 1759
Object type: print
Techniques: engraving, hand coloring
Artist: bowles & carver
Artist role: publisher
Artist nationality: british
Artist dates: 1793 – 1832
Subjects: men,hills,flags,boats,ships
Card Number 103, Smith, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
The Death of St. Joseph
Object type: print
Date: 1766 – 1766
Techniques: engraving
Artist: alonso cano
Artist role: artist
Artist nationality: spanish
Artist dates: 1601 – 1667
Subjects: men,angels,christ,saint joseph,death,coat of arms

"The History of Joseph the Carpenter" (Chapter XIX), one of the books of the Apocrypha describes this subject. Jesus as narrator is recorded as saying: "My undefiled mother Mary, therefore, went and entered the place where Joseph was. And I was sitting at his feet looking at him, for the signs of death already appeared in his countenance." When in Sir Robert Walpole's collection the painting that this engraving reproduces was attributed to Velasquez and highly valued. Now, the painter is thought to be Alonso Cano, active in Madrid ca, 1646-52.
Fishermen
Object type: print
Techniques: etching
Artist: robert blyth
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1750 – 1784
Subjects: men,women,fishing,fish,working
A Sketch, No. 7 from the portfolio "American Pictorial Photography, Series I" (1899)
Object type: photograph
Date: 1897 – 1897
Techniques: photogravure
Location: united states
Artist: joseph t. keiley
Artist nationality: american
Artist dates: 1869 – 1914
Bird Vendor
Object type: figure
Date: 1773 – 1773
Materials: hard paste porcelain
Artist: zurich pottery and porcelain factory
Artist role: factory
Artist nationality: swiss
Artist dates: 1763 – 9999
Subjects: birds,men
Band
Object type: band
Date: 1701 – 1800
Techniques: lace, embroidery
Paar wandelt langs het water
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: etching
Artist: jean théodore joseph linnig
Artist role: draughtsman, print maker
Artist dates: 1815 – 1891
Subjects: couple of lovers
Inscriptions: collector's mark: Lugt 2228
Bedcover (Mosaic or Honeycomb Quilt)
Object type: textile
Date: 1875 – 1880
Materials: cotton, textile, silk, velvet, wool
Techniques: backing, cutting, dyeing, weave, printing
Location: united states
Potiphar's Wife Accusing Joseph Before her Husband
Object type: drawing
Date: 1620 – 1669
Materials: ink
Techniques: brush, pen, wash
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,women,chairs
Twee vissers aan het strand, de een repareert een zeil
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: etching
Artist: egidius linnig
Artist role: draughtsman, print maker
Artist dates: 1821 – 1860
Subjects: beach, fisherman
Inscriptions: collector's mark: Lugt 2228
Sater, zittend in een rolwerk
Object type: ornament print
Date: 1548 – 1548
Materials: paper
Techniques: engraving
Location: netherlands
Inscriptions: date

In elke hand houdt de sater een lauriertak waar een trosje fruit aan hangt. Een van 4 bladen uit een serie van 8.
Two double standing cups (trussing cups)
Object type: double standing cup
Date: 1600 – 1600
Materials: gilt silver
Artist: simon pissinger
Artist role: maker
Artist dates: 1582 – 1609
Subjects: men,portraits

Double cups like this one, which detach at the center to be used as separate goblets, were employed to celebrate both political and matrimonial unions. These cups were part of a silver cache discovered in 1869 in the false wall of a Regensburg home, where they had been hidden in the 1630s to protect them from looting during the Thirty Years’ War, one of the most destructive conflicts in European history. Starting in 1618, the intermittent warfare involved all major powers fighting for religious, dynastic, and commercial causes, transforming Central Europe into ruinous battlefields until 1648.
Dress
Object type: dress
Date: 1875 – 1875
Materials: silk
Culture: american
Mill Grinder
Object type: vessel
Materials: earthenware, lead
Location: china
The Actor Segawa Kikunojo III as Yamauba in the Play Otokoyama Furisode Genji, Performed at the Kiri Theater in the Eleventh Month, 1785
Object type: print
Date: 1785 – 1785
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Gezicht op een bordes in de Vinkenstraat te Amsterdam
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Vinkenstraat/ Vinkenstraat/ Stoep Vinkenstraat’

Pagina 35 en pagina 36 uit een schetsboek met 46 bladen vervaardigd in de omgeving van Amsterdam, Rotterdam en Haarlem.
Putto Lifting Curtain (recto); Infant St. John (verso)
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: style of mattia preti
Artist nationality: italian
Artist dates: 1613 – 1699
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, right hand in three-quarter view
Fishing Recluse by an Autumn Grove (秋林漁隱圖)
Object type: painting
Materials: ink, paper
Location: china
Artist: sheng mao (attributed)
Inscriptions: Inscriptions: (transl.by Aschwin Lippe)
1. upper left corner of painting: artist's inscription: "On the fifteenth day of the fifth moon of the gengyin year of the Zhizheng reign (1350), Sheng Mou, stylename Zizhao, of Wutang, made 'Fishing Recluse by an Autumn Grove' for Zhuxi (stylename of the late Yuan poet Lu Pu)."
2. upper right corner of painting: by Lin Yong (unknown author): "There is a vastness of cold turbulence in the dark clouded sky; Over the forest in the plain, the sunset glow brightens the red maples; On the road to Chang'an, yellow dust beats against the horses; Only this old angler is like a breakwater of stone".
3. second inscription from right in upperright corner: by Wang Fu (1362-1416): "The bustling crowds become daily more annoying; How can one stop such troublesome clamor?; If my heart becomes quiet altogether; Perhaps I may clear away the source of this (confusion); Heaven is high and the Four Mountains are wrapped in silence. In the setting sun a solitary cloud fades away; Supreme laws of nature are present everywhere; In the urban marketplace as in the rural garden; You, sir, have grasped this wonder and responded; Though I have lost the memory of how to say it. Written by the man of the Nine-Dragon Mountain, Wang Fu".
3. colophon on the mounting to the left of the painting: clearly spurious, signed Gao Shiqi (1645-1703), dated 1688 "There, through the tall and ancient pines, the waters course and flow; On rocks of paths scarce-travelled now, in patches mosses grow;  How much the Autumn'slight and shade delights the feeling eye; I recall Tiao Zha after rain, the mountains were just so!. Inscribed in the first decade of the tenth moon of the wucheng year of Kangxi (1688) by Jiangcun (stylename of Gao Shiqi)".

Seals:
1. Seals of artist, following his inscription: 'Sheng Mou', 'Zizhao'.
2. collector's seals: 3 spurious seals of Gao Shiqi; 5 spurious seals of the Qianlong imperial court.

This painting bears a spurious signature of the Yuan dynasty painter Sheng Mou , is likely a 17th-century wholesale recreation of a recorded original of the same title and date done by Sheng Mou for the 14th-century poet Lu Pu. As such, the painting evidences the attention that Sheng Mou's work attracted in the early 17th century, and references in the spurious inscriptions a network of recorded and transmitted paintings seemingly created in imitation of the same original. While the brushwork is related to known 17th-century painting styles, the subject matter and composition of this painting do homage to compositions associated with the work of Sheng Mou.
Portret van predikant Jan Hendrik Michelsen
Object type: carte de visite
Date: 1862 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: haarlem
Subjects: amsterdam, historical persons
Inscriptions: address: ‘Zylstraat, HAARLEM.’
Knight supporting a shield and leaning against a tree
Object type: ring
Date: 1701 – 1900
Materials: gemstone, gold
Subjects: shields,spears,trees,knights