deem-data/ArtiFact huggingface dataset:
Heuvellandschap met rivier bij nacht
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: etching
Subjects: village, road, path, night ~ landscape (sometimes titled 'nox')

Nachtlandschap. In het midden stroomt een rivier langs een dorp. Links en rechts hoge heuvels met huizen. Op de voorgrond lopende figuren. De maan is zichtbaar achter de wolken.
Act VII (Dai nanadanme): Actors Kataoka Nizaemon VIII as Ōboshi Yuranosuke, Sawamura Tanosuke as Okaru, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon chūshingura)
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kuniaki ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1835 – 1888
Subjects: men,women,actors
Mirror, from the series “Eight Views of Tea-stalls in Celebrated Places" ("Meisho koshikake hakkei")
Object type: print
Date: 1795 – 1796
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Presentiepenning van het Molenaarsgilde te 's Hertogenbosch 1691
Object type: history medal
Date: 1691 – 1691
Materials: brass, iron
Techniques: casting
Inscriptions: circumscription: ‘+DE.VREEDE.SI.ONDER.V.MINBROEDERS’, circumscription: ‘+DENCKT.OP.HET.OORDEL.GODTS.1691’

Gegoten ovalen messing draagpenning met oog aan ijzeren ring, op de voorzijde Christus in een doopvont met omschrift, op de keerzijde een molen met omschrift
Owari Province: Tenno Festival at Tsushima (Owari, Tsushima Tenno matsuri), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)"
Object type: print
Date: 1853 – 1853
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Sir John Herschel
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: men,portraits

Sir John Herschel (1792–1871) was Victorian England’s preeminent scientist, astronomer, and mathematician, considered the equal of Sir Isaac Newton. Cameron met him in 1836 in Capetown, South Africa, where she was recuperating from illness and he was charting the stars of the southern hemisphere and recording the native flora. Just a few years later Herschel wrote to her in Calcutta of Henry Talbot’s invention of photography and sent her the first photographs she had ever seen—scientific discoveries that were “water to the parched lips of the starved,” she recalled. Of her 1867 portraits of Herschel, she wrote: “From my earliest girlhood I had loved and honoured him, and it was after a friendship of 31 years’ duration that the high task of giving his portrait to the nation was allotted to me,” sounding a bit as though she were working on a divine commission rather than on a personal, spiritual, artistic quest—with, it must be said, some incidental hope of financial profit. Of the four exposures Cameron made in April 1867, Herschel preferred this one, which portrayed him, he thought, as an “old Paterfamilias.”
Brougham #3732
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Vase
Object type: vase
Date: 1801 – 1900
Materials: jade
Culture: chinese
Subjects: flowers
Optocht van ruiters voor een nis met een beeld van een Hindoeïstische god
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: chalk, paper, watercolor
Techniques: brush
Location: sri lanka
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, statues, paintings, etc. ~ objects of worship (hinduism, buddhism, jainism), street (+ city(-scape) with figures, staffage)

Pagina 21 uit een schetsboek met 20 bladen.
Jagers met honden bij een boerderij
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: hunter, meadow, pasture, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 240

Boerderij in een landschap. Rechts twee jagers met twee honden. Achttiende prent uit een serie van achttien.
Merchandise
Object type: salt condiment vessel
Date: 1590 – 1596
Materials: tin
Techniques: casting, silvering, soldering, turning
Location: england
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Among the merchandise intended for the Asian market were pewter salt-cellars and a splendidly ornamented ewer. The pewter medallions in wooden frames were meant to serve as wall decorations.
Snuff bottle with god of longevity and deer
Object type: snuff bottle
Date: 1701 – 1900
Materials: quartz, gemstone
Culture: chinese
Subjects: men,deer
Jacht op herten
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: vatican city
Subjects: stag-hunting, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 45 jachtscènes (+ titelprent en opdracht).
Gezicht op Niederwald en een ruïne van een klooster bij Aulhausen
Object type: sketchbook leaf
Date: 1809 – 1861
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: rüdesheim
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: ruin of a dwelling, house, castle, etc., mountains
Inscriptions: date and inscription: ‘Niederwald/ 11/9 61-/ met Henri/ 11/9 61/ bij 't Klooster bij Aulhausen’

Blad 20 recto uit een schetsboek met 57 bladen.
Linkeronderhoek van een prent van het tafereel van Cebes
Object type: print
Date: 1561 – 1596
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: 'tabula cebetis'

Allegorie over de heilsweg van de mens. Het leven als een stad met drie ommuurde terreinen, met in het midden een tempel. Bij de buitenste poort staan de zielen van kinderen te wachten, klaar om het volwassen leven te betreden. Voor het binnengaan krijgen zij iets te drinken van Verleiding (Seductio), die hen onwetend maakt. Het eerste ommuurde terrein toont allerlei ver- en afleidingen, zoals Vooroordeel (Opinio), Begeerte (Cupiduas), Twijfel (Error) en Onwetendheid (Ignorantia). Zij beletten de jeugdige mens verder door te dringen tot de volgende cirkel. Alleen door de personificaties te volgen van Berouw (Poenitentia), Hoop (Spes) en Goed Verlangen (Bonnem Desiderium) kan de mens toegang krijgen tot de tweede cirkel. Daar krijgt hij onderricht in alle vormen van wereldse kennis. Links staan de zeven artes liberales en rechts debatteren verschillende geleerden. De mens wordt in deze cirkel op de proef gesteld en geconfronteerd met valse kennis (Falsa Disciplina). Met behulp van Zelfbeheersing (Continentia) en Geduldigheid (Tolerantia) kan de berg verder worden beklommen. Het derde ommuurde terrein, ten slotte, wordt bewaakt door Waarheid (Veritas). Zij verleent de mens toegang tot het ware geluk. Hij wordt er verwelkomd door de kardinale deugden en mag verblijven in het huis van de gelukzaligen, waar het ware geluk op hem wacht. Gereconstrueerd uit drie fragmenten.
Der Mäusethurm bei Bingen
Object type: cabinet photograph
Date: 1879 – 1879
Materials: cardboard, photographic support
Techniques: albumen print
Location: bingen
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: tower, clock tower ~ monumental adornment
Inscriptions: workshop stamp: ‘Photographie und Verlag von Sophus Williams. Berlin 1879.’, number: ‘123.’
Gezicht op het Aalmoezeniershuis te Amsterdam
Object type: book illustration
Date: 1664 – 1664
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: public welfare, poorhouse, canal, orphanage, street (+ city(-scape) with figures, staffage), amsterdam
Inscriptions: collector's mark: Lugt 1641b

Huidige staat van prent ook gebruikt in: Fockens, Melchior. Beschrijving Der wijdt-vermaarde Koop-stadt Amstelredam, Van haar eerste beginselen, zedert den Jare 1203. oude Voorrechten, verscheyde Vergrootingenoude Voor-rechten, en verscheyde Vergrootingen (…). 3de druk. Amsterdam: Marcus Willemsz. Doornick, 1664. En in: Zesen, Philipp von. Beschrybung der Weidtberuhmde Kauf-Stadt Amstelredam / Beschreibung der Stadt Amsterdam darinnen von derselben ersten ursprunge bis auf gegenwartigen zustand (…). Amsterdam: Marcus Willemsz. Doornick, 1664. Tweede bekende staat (met toevoeging Franse titel) ook gebruikt in: Domselaer, Tobias en Isaac Commelin. Beschryvinge van Amsterdam : haar eerste oorspronk uyt den huyze der heeren van Aemstel en Aemstellant (…). 6 dln. Amsterdam: Marcus Willemsz van Doornick, 1665. In tegenstelling tot meeste prenten uit bovenstaande publicaties is deze prent niet aangepast naar een derde staat en niet gebruikt in verschillende latere zeventiende- en achttiende-eeuwse publicaties.
Tafellaken van linnendamast motief Naaldenveld, dessin 607
Object type: tablecloth
Date: 1900 – 1925
Materials: linen
Techniques: damask, weave
Location: netherlands
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Tafellaken van linnendamast. Motief Naaldenveld, dessin 607. Het tafellaken hoort bij twaalf vingerdoeken (BK-1973-179-A t/m BK-1973-179-L).
Geschiedenis van keizer Constantijn de Grote
Object type: print
Date: 1684 – 1749
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: city founding, the roman emperor constantine the great; possible attributes: crown, sceptre, standard (labarum) with chi-rho monogram or cross
Inscriptions: collector's mark: Lugt 240

Een architect toont keizer Constantijn de Grote een plattegrond voor de stad Constantinopel. Boven hen in de wolken een adelaar.
Man die op het punt staat een trap af te dalen
Object type: drawing
Date: 1834 – 1892
Materials: paper, pencil
Artist: edouard taurel
Artist role: draughtsman, print maker
Artist dates: 1824 – 1892
Sampler
Object type: sampler
Date: 1826 – 1826
Materials: canvas, silk
Subjects: peacocks,flowers
Left Hand Lead and Duck, Bobby Burns and Cal McCarthy, from the Boxing Positions and Boxers series (N266) issued by P. Lorillard Company to promote Red Cross Long Cut Tobacco
Object type: print
Date: 1893 – 1893
Techniques: color lithograph
Artist: p. lorillard company
Artist role: publisher
Artist nationality: american
Artist dates: 1760 – 2014
Subjects: men,boxing,athletes

Trade cards from the "Boxing Positions and Boxers" series (N266), issued in a set of 25 cards in 1893 by P. Lorillard Company to promote the brand's Red Cross Long Cut Tobacco.
Side View of Man o' War
Object type: drawing and watercolor
Materials: board, graphite, paper, wood
Location: netherlands
Artist: willem van de velde (i)
Artist role: artist
Artist nationality: dutch
Artist dates: 1611 – 1693
Heraldic Lion
Object type: sculpture
Date: 1450 – 1450
Materials: bronze, copper alloy, metal, patina
Culture: italian
Location: italy
Gezicht op Lake Moraine te Colorado
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: colorado
Artist: Anonymous
Subjects: landscapes, lake
Groepsportret van een familie
Object type: album leaf
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), anonymous historical person portrayed, france
Frontlet of gold leaf
Object type: frontlet
Date: 400 – 301
Materials: gold
Culture: cypriot
Benedenmond van de doorgraving, gezien van het midden op den Regter Rijnoever
Object type: photograph
Date: 1871 – 1871
Materials: cardboard, paper
Techniques: photography
Location: wijk bij duurstede
Artist: Anonymous
Subjects: wijk bij duurstede
Inscriptions: date

Foto op karton van waterbouwkundige werkzaamheden aan een kanaal.
Princess Ogimi from the "Bridge Maiden" (Hashihime)  chapter from The Tale of Genji (Genji Monogatari)
Object type: hanging scroll
Date: 1701 – 1733
Materials: gold, ink, silk
Culture: japanese
Artist: hishikawa waō
Artist role: artist
Artist nationality: japanese
Artist dates: 1700 – 1733
Subjects: bridges,princesses,women

In this scene from the forty-fifth chapter of The Tale of Genji, Kaoru—officially known as Genji’s son, although he is the product of an illicit affair between Genji’s wife and a young nobleman—pays a visit to the household of a prince in Uji. There he falls in love with the prince’s daughter Ōigimi. The young girl has been playing her biwa (a lutelike instrument), and she raises the plectrum in the air as if to summon the moon, which appears from behind a cloud. The Edo-based artist Waō specialized in ukiyo-e paintings of beautiful women as well as woodblock prints. Few facts about his life are available, and he is believed by some to have been the same person as the far better-known artist and poet Hanabusa Itchō (1652–1724).
Idaho, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "Flags of the States and Territories" series (N11), issued in 1888 in a set of 47 cards to promote Allen & Ginter brand cigarettes. There are also approximately 100 scroll color variations. The museum's collection contains the full set of 47 cards, as well as 54 scroll color variations and one cutout card.
Verhaal van Romulus en Remus
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: engraving, etching
Location: bologna
Subjects: romulus lays the foundation of rome
Inscriptions: number: ‘137. 139.’, collector's mark: Lugt 11

Maakt deel uit van een 14-delige serie met scènes uit het verhaal van Romulus en Remus naar ontwerpen door de familie Carracci voor het Palazzo Magnani te Bologna. Prent 1 t/m 7 zijn in prent gebracht door Lepautre en Boulanger en prent 8 t/m 14 door De Châtillon.
Fragment bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Bord uit V.O.C.-schip de 'Witte Leeuw', 30% aanwezig; de wand ontbreekt. De scherf is glasachtig wit en kent weinig ingebakken vuil. Het glazuur is blauw getint. De bodem is ongeglazuurd. De voetring staat naar binnen en is gefacetteerd. De lip is geschulpt.
Brand in de Sint-Baafskathedraal te Gent, 1822
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: ghent
Artist: franciscus mattheus jozef kierdorff
Artist role: printer
Artist dates: 1777 – 1855
Subjects: on fire, ablaze, church (exterior), ghent
Inscriptions: collector's mark: Lugt 2228

Brand in de Sint-Baafskathedraal te Gent, 11 september 1822. Op de voorgrond een grote menigte toeschouwers en mensen die in de gracht emmers water vullen.
Elf motieven van acanthusbladeren
Object type: drawing
Date: 1866 – 1900
Materials: pencil, paper
Techniques: drawing
Artist: Anonymous

Bij de bladeren is geschreven naar welk voorbeeld de tekening is gemaakt.
Fan
Object type: costume and accessory
Date: 1825 – 1875
Materials: gilt, paper, pearl
Techniques: carving, gilding, painting
Location: france
Portret van Frederik van Eeden
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: frederik van eeden, historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent werd uitgegeven als bijvoegsel van De Amsterdammer op 12 juli 1891.
Ring, Prenomen of Amenhotep III
Object type: ring, amenhotep iii prenomen
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: hieroglyphs

Inscribed on this ring is the throne name of pharaoh Amenhotep III "Nebmaatre" that can be translated as "(The god) Re is the lord of truth," written here with three hieroglyphs. A sun disk for the name of the sun god Re is on teh left. In the center is a depiction of the goddess Maat that is used as a hieroglyph for the concept of truth, as she embodied the principle of world order, truth, and justice. She is depicted squatting and with the sign of life (ankh) on her knees. The ostrich plume that signifies her name is on her head. Other writings for this royal name use the Maat feather alone, but the small figure of the goddess herself might express a more direct and intimate relationship between the king and this goddess. On the right is a rounded sign that reads "neb" meaning "lord." Every Egyptian king had five names and four of them, including the throne name that is used here, were chosen when a king ascended the throne. Therefore they often bear a political message that describes the ruler’s program. In this case Amenhotep III associated himself with the sun god as well as with truth and justice.
Portret van Johann Bernhard Collin
Object type: print
Date: 1713 – 1757
Materials: paper
Techniques: engraving
Location: germany
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Gemma pretiosa della virtuose donne, page 15 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: designer
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: ornament

Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca.1625, published by Gugliemo Facciotti, Rome. From top to bottom, and left to right: Designed composed of 3 horizontal registers. Top register is decorated with 3 triangles that are each ornamented with a central floral element. Middle register is decorated with 5 squares that are each ornamented with a different floral motif. Bottom register is decorated with squares that are ornamented with a pattern of a pair of curving leaves attached to a straight line.
Gezicht op de Tiber te Rome en de voorgevel van het Pantheon te Rome
Object type: photograph
Date: 1863 – 1873
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: river, church (exterior), façade (of house or building)
Portret van een onbekend meisje
Object type: print
Date: 1896 – 1937
Materials: paper
Techniques: etching, intaglio
Location: netherlands
Artist: dora struick du moulin
Artist role: draughtsman, print maker
Artist dates: 1866 – 1937
Subjects: historical persons not known by name
Inscriptions: inscription: ‘aanw 1923’, collector's mark: Lugt 2760, collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Exterior, fragment with palmette heart, frond, and tendril
Tray with a group in a landscape
Object type: blad
Date: 1765 – 1770
Materials: glaze, gold, paint, porcelain, silver
Techniques: firing, gilding, turning, vitrification
Location: vienna
Inscriptions: mark: ‘schild/ E’

Waaiervormig blad van porselein met gelobde wand en rand en twee handvaten. Beschilderd op het glauur in emailkleuren, zilver[?] en goud. Het blad is op de voorzijde bedekt met blauw waarover in goud een patroon van cirkels is aangebracht. Hierin uitgespaard een rocaille cartouche met daarin een groep musicerende mensen in een landschap, naast hen een meisje en een hond. De binnenwand met bloemranken. Gemerkt op de onderzijde met het schild en de letter E.
Sitietes venite ad aquas
Object type: print
Date: 1656 – 1739
Materials: paper
Techniques: colour, etching
Location: the hague
Subjects: ornamental fountain, fantastic architecture, unrealistic architectural fantasies, angels

Gezicht op een fantasiearchitectuur met een fontein. Mensen verzamelen zich rond de fontein. Boven zweven engelen in de lucht. Prent maakt deel uit van een album.
Portret van een zittende militair
Object type: sketchbook leaf
Date: 1834 – 1844
Materials: paper, pencil
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: (military) uniforms, historical persons (portraits and scenes from the life)

Bladzijde 37 uit een schetsboek met 188 bladzijden.
Handschoen van witte katoenen tricot
Object type: glove
Date: 1950 – 1960
Materials: cotton
Location: netherlands
Artist: Anonymous

Rechter handschoen van witte katoenen tricot. Op de rug drie uitstralende koorden.
Twee studies voor een aanzwevende God de Vader, boven elkaar
Object type: drawing
Date: 1664 – 1666
Materials: chalk, paper
Artist: guglielmo cortese
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1679
Subjects: god the father as bearded old man, usually with crown or tiara or sceptre and/or globe
Gezicht op het Muiderslot aan de Vecht en Muiden
Object type: book illustration
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: prospect of village, silhouette of village, castle, river (+ landscape with figures, staffage), vecht

Prent gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719.
Prent ook gebruikt in: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Gezicht op de Abdij Tre Fontane, te Rome
Object type: print
Date: 1648 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church, church (exterior)