deem-data/ArtiFact huggingface dataset:
Rekenpenning uit Nijmegen voor de Staten van het Rijk van Nijmegen op het Twaalfjarig Bestand 1609
Object type: history medal
Date: 1609 – 1609
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde een dubbel gehelmd wapenschild met omschrift, op de keerzijde vijf regels tekst binnen een lauwerkrans.
Portret van een onbekende vrouw
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: dorking
Artist: samuel yeo
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘THE DORKING STUDIO/ 54, High Street/ DORKING/ SAML. YEO/ PORTRAIT/ GROUP & ARCHITECTURAL/ PHOTOGRAPHER/ SPECIALITY/ PORTRAITS ON/ PORCELAIN/ Extra Copies of this Picture/ can be had at any time’
Pitcher
Object type: pitcher
Date: 1896 – 1896
Materials: earthenware
Culture: american
Location: united states
Artist: george e. ohr
Artist role: maker
Artist nationality: american
Artist dates: 1857 – 1918

George Ohr of Biloxi, Mississippi, was arguably America’s quintessential art potter. He built his own kiln, dug his clay, threw his vessels with extreme proficiency on the potter’s wheel to wafer thinness, altered those shapes, and then covered them with his own novel glazes. In form and decoration they are essentially Abstract Expressionist objects—almost 50 years before that movement was founded. In fact, deemed ultimately very modern in this century, they had great appeal to such modern artists as Jasper Johns and Andy Warhol, who formed collections of them. Ohr’s work is extraordinarily idiosyncratic and he practiced his own mantra of "no two alike," as exemplified by these works. Ohr was a colorful character, and his quirky pottery became one of the added tourist attractions on Mississippi’s gulf coast. Self-proclaimed the "Greatest Art Potter on Earth," he was well ahead of his time, and the vases that he deemed "worth their weight in gold" would not command such prices until a few decades ago. Barely ten years after he began making such vases, Ohr closed his pottery, and packed up his pots, literally not to be discovered for another 50 years. Both of these vases came virtually straight from the artist’s cache, and were purchased by Martin Eidelberg, the donor, when the rediscovery of art pottery was in its infancy in the early 1970s.
Strook kloskant met met gierstkorrelblaadjes in vierkant raster en waaiervormige schulpen
Object type: strip
Date: 1925 – 1936
Materials: linen
Techniques: lace
Location: italy
Artist: Anonymous

Strook naturelkleurige Genuese kloskant. Het zich herhalende en symmetrische patroon bestaat uit een gevlochten raster van drie rijen vierkantjes met daarin een aaneenschakeling van waaiervormige motieven. Deze waaiertjes, of halve rozetten, zijn afwisselend hangend en staand gepositioneerd en hebben een ovaal centrum waar vier of zes blaadjes omheen staan. De blaadjes zijn gemaakt in vormslag. De schulpenrand langs de onderzijde van de strook bestaat uit grotere waaiervormige schulpen. Deze zijn grotendeels opgebouwd uit vlechten, de kleine puntige lobben aan de uiteinden zijn gemaakt in linnenslag. De bovenzijde van de strook is recht afgewerkt met een sierrand die bestaat uit een rij aaneengeschakelde opengewerkte ovalen in linnenslag en daarboven een rechte rand met een gevlochten ruitvormig raster. Het patroon is gemaakt naar zeventiende-eeuws voorbeeld.
Section of High Falls. below East Cliff, No. 16 from the series "Trenton Falls Scenery"
Object type: photograph
Date: 1867 – 1900
Techniques: albumen print
Location: new york
Artist: j. robert moore
Ex libris van Bertil Eliasson
Object type: bookplate
Date: 1948 – 1948
Materials: paper
Techniques: printing block
Location: sweden
Subjects: forest of coniferous trees, standing on one leg, the other leg forward, tools, aids, implements ~ crafts and industries: rope
Inscriptions: collector's mark: ‘Bertil Eliasson / Sturegatan 9a / Malmö / Sweden’
Silhouetportret van Joannes Florentius Martinet
Object type: print
Date: 1770 – 1837
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: antoni zürcher
Artist role: print maker
Artist dates: 1754 – 1837
Subjects: joannes florentius martinet, ornament ~ medallion, historical persons, portrait of a writer
Amsterdam, uit het IJ te zien
Object type: book illustration
Date: 1812 – 1813
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Artist: evert maaskamp
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1769 – 1834
Subjects: city-view, and landscape with man-made constructions, ships (in general) - cc - more than one ship, amsterdam
Inscriptions: collector's mark: Lugt 2228

Prent uit: Reis door Holland in de jaren 1807 - 1812. Amsterdam: E. Maaskamp, [1812-1813].
12 Studie-beeldjes
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: etching
Subjects: street-trader
Inscriptions: collector's mark: Lugt 2228

Straatverkoper met een stok met koopwaar en een mand. Prent uit een serie van twaalf prenten met studies van menselijke figuren.
Model of a Launch
Object type: instruction model
Date: 1835 – 1835
Materials: brass, fiber, textile, wood
Location: flushing
Inscriptions: inscription, on the stand: ‘KLEINE SLOEP VAN 10 RIEMEN - 1/20e DER WARE GROOTTE’

Getuigd spantmodel op een standaard. Gladboordige dubbelriems sloep, rondspant met platte spiegel; een voorplecht, vijf doften en spoorstokken, en een open kajuit met zijdoften. Driedelige spanten. Eenvoudig roer met een houten helmstok. Het tuig bestaat uit een grootzeil en fok, beide loggerzeilen. Het model heeft tien roeiriemen, een loopgang en twee boothaken. Schaal 1:20 (schaal op model).
Terracotta jug
Object type: jug
Date: 7000 – 330
Materials: terracotta
Culture: roman

Red-glazed jug with one handle.
Banknote motif: small circular ornament containing floral lathe work
Object type: print
Date: 1824 – 1842
Materials: ink
Techniques: engraving, printing
Artist: cyrus durand
Artist role: artist
Artist nationality: american
Artist dates: 1787 – 1868
Subjects: ornament,money
Plate
Object type: plate
Date: 670 – 330
Materials: terracotta
Culture: roman

Reddish glaze with stamp in center.
Gushōjin
Object type: figure
Date: 1201 – 1300
Materials: lacquer, pigment, wood
Culture: japanese
Subjects: men

The Gushōjin (Sanskrit: Sahadeva), a male and female duo that accompanies the king of hell, chronicle the good and bad deeds of individuals, quite literally looking over their shoulders. The male Gushōjin notes the good from his vantage point above the left shoulder. The sturdy vigilance of this sculpture reflects the Kamakura-period feeling for lifelike movement and expression.
Achtkantige doos van schildpad
Object type: box
Date: 1600 – 1699
Materials: copper, shell

Achtkantige doos van schildpad met koper gemonteerd. Met koperen knop op het deksel.
Vrouw met kind, een courtisane en een marskramer
Object type: drawing
Date: 1660 – 1687
Materials: chalk, paint, paper, watercolor
Techniques: brush
Location: zwolle

Drie opgeplakte tekeningen, twee van Harmen en een van Gerard de Oude.
Portret van Franz Philipp Adrian, Graf von Hatzfeld
Object type: print
Date: 1741 – 1757
Materials: paper
Techniques: engraving
Location: germany
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: armour, historical persons
Inscriptions: collector's mark: Lugt 2228
De brand in de Amsterdamse Schouwburg, 1772
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: on fire, ablaze, theatre, theatrical performance, ruin of a building ~ architecture, theatre (building), fire-fighting
Inscriptions: check stamp: ‘Archief Ministerie van Oorlog Afdeeling Genie’

Gezicht op de ruïne van de Amsterdamse Schouwburg aan de Keizersgracht na de brand van 11 mei 1772. Brandweerlieden blussen met waterspuiten de laatste vuurhaarden, anderen ruimen puin. Onder de voorstelling de titel en legenda A-E in het Nederlands (links) en Frans (rechts). Onderdeel van een serie van vier prenten met titelprent over de brand in de Amsterdamse Schouwburg.
Landschap met bomen bij avond
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: françois maréchal
Artist role: print maker
Artist dates: 1861 – 1945
Subjects: landscapes, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Brief aan Héloïse Bernard-Bodin
Object type: letter
Date: 1894 – 1894
Materials: ink
Techniques: pen, writing
Location: cairo
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: painter, paris, charles baudelaire, drawing, photography, cinematography, family life, painting (including book-illumination, miniature-painting), workshop, studio of the artist (in general)
Female Saint
Object type: sculpture
Date: 1520 – 1520
Materials: wood
Location: brabant
Artist: Anonymous
Inscriptions: inscription, on the reverse at the bottom, on the hem of the mantle, in red paint: ‘C61’, label, on the underside, handwritten: ‘Eigendom v.d. heer Cuypers’

Female saint. Walnut with original polychromy. Mechelen (?), c. 1520. On loan from the Royal Antiquarian Society.
Joel Roberts Poinsett
Object type: painting, miniature
Date: 1801 – 1801
Materials: ivory, watercolor
Culture: american
Artist: edward greene malbone
Artist role: artist
Artist nationality: american
Artist dates: 1777 – 1807
Subjects: men,portraits

Joel Roberts Poinsett (1779-1851) was a statesman—the first United States minister to Mexico—author, and botanist. He introduced to this country the Mexican flower later named for him: Euphorbia pulcherrima, commonly known as poinsettia. Malbone also portrayed Poinsett's sister, Susan, and Hugh Bridport (q.v.) portrayed Poinsett in later life.
Statuette of cat-headed Bastet
Object type: statuette, bastet
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: goddess

Bastet, here shown as a cat-headed goddess, was a powerful protective figure who also was known for her fertility. She could be represented with a lion head as well, but as a cat-headed goddess her peaceful traits were emphasized. Her personal adornments and garments are elaborate on statuettes, often more so than other goddesses, and she usually carries numerous attributes. This figure holds a banded basket in the crook of her elbow, a protective lion-headed aegis against her chest and a sistrum in her other hand. A suggestion that the basket held kittens seems unfounded, but statuettes of this type do sometimes show the goddess with kittens in front of her, alluding to her fertility. Her dress has a striped herring bone pattern with a defined hem. Bastet does not always wear a decorated dress, but it is much more common for her than for other goddesses. The patterning highlights its intricacy and quality; also, as some have suggested, the vertical banding may recall the striped fur of a cat. Bastet’s main cult center was at Bubastis in the Delta, where thousands of cat mummies and a large number of cat statuettes were discovered. Her cult extended far beyond Bubastis, however, and statuettes of this goddess, as a cat or cat-headed, were among some of the most popular dedications of the Late and Ptolemaic Periods.
Studies en annotaties
Object type: sketchbook leaf
Date: 1910 – 1910
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: roof (of house or building)
Inscriptions: annotation: ‘[...]’

Studies, waaronder mogelijk een studie van een dak. Pagina 91 uit een schetsboek met 45 bladen.
Grooved plaque seal
Object type: stamp seal
Date: 2150 – 2030
Materials: bone
Culture: egyptian
Location: egypt
Stockings
Object type: stocking
Date: 1801 – 1900
Materials: silk
Culture: european
Miniature Stand for Game of Go
Object type: miniature game stand
Date: 1767 – 1800
Materials: porcelain
Techniques: underglaze
Culture: japanese
Standing Buddha
Object type: sculpture
Materials: limestone
Location: thailand
Subjects: buddha
Torsenna geeft een zwaard terug aan een man
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: hacking and thrusting weapons: sword, tent-camp
Inscriptions: collector's mark: Lugt 240

In een legerkamp geeft Torsenna het zwaard terug aan een man. Illustratie voor het toneelstuk 'C. Mucius Cordus, of De verlossing van Rome' van Rhijnvis Feith.
Sauceboat and stand
Object type: sauceboat and stand
Date: 1801 – 1833
Materials: hard paste porcelain
Artist: zurich pottery and porcelain factory
Artist role: factory
Artist nationality: swiss
Artist dates: 1763 – 9999
Subjects: swans
De akademie te Leiden / Vue de L'academie à Leyden
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: university building, college
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Huidige staat van prent uitgegeven als onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden, getiteld 'Tableau des principales vues des palais et édifices : représentations et des coutumes et usages, dans les provinces septentrionales du Royaume des Pays-Bas'. Eerdere staat gebruikt in: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave. Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Saint Policarpus from Lives of the Heiligenleben, Sommerteil (Saints, Summertime), Plate 2 from Woodcuts from Books of the 15th Century
Object type: print
Materials: paper
Techniques: hand coloring, letterpress, woodcut
Location: germany
Artist: Anonymous
Artist dates: 15 –
Twee engelen tegenover elkaar
Object type: print
Date: 1622 – 1652
Materials: paper
Techniques: engraving, etching
Artist: pieter van avont
Artist role: print maker
Artist dates: 1600 – 1652
Subjects: angels
Inscriptions: collector's mark: Lugt 2228

Twee kleine engelen staan tegenover elkaar. Ze houden een lint boven hun hoofd.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, arm extended under drapery; Exterior, draped aulos player to right
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware, glaze
Techniques: polychrome
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Gebeurtenissen uit het leven van Christus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: christ talking with nicodemus at night (john 3:1-21)

De farizeeër Nikodemus komt in de nacht naar Christus. Christus spreekt met hem bij kaarslicht. Op tafel liggen boeken en schrijfgerei. Onder de voorstelling een verklarende tekst in het Latijn en een verwijzing naar de Bijbeltekst in Joh.3:1. Deze prent maakt deel uit van een album.
Tuinierende jongen en man bij een rozenboom
Object type: drawing
Date: 1917 – 1970
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: adrie vürtheim
Artist role: draughtsman
Artist dates: 1907 – 1995
Subjects: shrubs: rose-bush, spading ~ soil cultivation
Inscriptions: signature: ‘Adrie Vürtheim.’, collector's mark: Lugt 2228a, :

Een man steekt een schep in de aarde naast een rozenboom. Hij draagt een pet en klompen en heeft een sjaal om de nek geknoopt. Een jongen kijkt toe en wijst naar de aarde. Achter hem staat een gieter.
Portret van een vrouw, aangeduid als Lucie
Object type: photograph
Date: 1888 – 1896
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: dresden
Artist: ernst sonntag
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘E. Sonntag/ Wesel Baustrasse’, name: ‘Lucie’
Portret van Johann Friedrich Herrenschwand
Object type: print
Date: 1758 – 1818
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Cap crown
Object type: cap crown
Date: 1801 – 1900
Materials: linen, wool
Vijf taferelen uit het Oude Testament
Object type: lantern slide
Date: 1700 – 1790
Materials: glass, wood
Techniques: painted
Location: netherlands
Artist: Anonymous
Subjects: moses taking off his sandals, an angel appears and reveals a well of water to hagar, abraham entertaining the three angels, when abraham has his hand raised to kill isaac, an angel restrains abraham's hand, lot's daughters make their father drunk

Vijf ronde glaasjes met taferelen uit het Oude Testament in een houten vatting. Het glas uiterst links: Mozes doet zijn schoenen uit bij de brandende braamstruik, hier verbeeld als een lichtgevende bol tussen de bomen. Het glas rechts daarvan: mannen rond een gedekte tafel voor een huis, een man draagt een grote kom voedsel aan terwijl vanuit de deur van het huis een vrouw toekijkt. (Vermoedelijk Abraham die de drie engelen ontvangt. Sara staat in de deuropening.) Het glas in het midden: Abraham heft het mes om Isaak te offeren, een engel komt vanuit de wolken om hem ervan te weerhouden. Het glas rechts daarvan: Hagar in ballingschap bij een bron in de woestijn, waar een engel haar vertelt terug te gaan. Hagar, in rode kleding, zit tegen een boom, de engel rechts van haar wijst met beide handen de verte in. Uiterst rechts: de dochters van Lot voeren hun vader dronken. Lot rechts, zijn beide dochters met ontbloot bovenlijf links. Op de voorgrond een tafel met wit tafellaken. Het tafereel vindt plaats in een grot.
In een atelier zit een jongen tegenover een borstbeeld te tekenen
Object type: print
Date: 1852 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem linnig (ii)
Artist role: print maker
Artist dates: 1842 – 1890
Subjects: drawing, artist at work, in his workshop
Inscriptions: collector's mark: Lugt 2228
The Actor Nakamura Noshio II as the Courtesan Okaru
Object type: woodblock print nishiki e
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: women,actors

The onnagata actor Noshio is shown here in the role of the courtesan Okaru (Kanpei’s lover) in the drama “The Treasury of Loyal Retainers” (Kanadehon Chūshingura 仮名手本忠臣蔵), one of the great staples of the Kabuki stage for its dramatic evocations of honor, loyalty and revenge. Staged at the Miyakoza Theater in 1795, Noshio also played the role of Tonase, Kakogawa Honzō’s wife (see MFA, Boston, acc. no. 11.14927). The complex plot of both the earlier puppet play versions and later Kabuki adaptations of the style of the forty-seven rōnin (masterless samurai) was based on historical events. In 1701, the leader of the forty-seven retainers was forced to commit ritual suicide (seppuku) for assaulting Kira, a high-ranking official who had insulted him. The rōnin demonstrated their undiminished loyalty and avenged their leader in 1702 by killing Kira and then committing suicide themselves. Nakamura Noshio II (1759–1800) was an Osaka-based actor who achieved renown as a waka-onnagata, specializing in young maiden, courtesan, or princess roles. He had a most successful run in Edo from autumn 1794 to autumn 1799, and earned acclaimed as the “Edo’s foremost waka-onnagata” (Edo kusshi no waka-onnagata). He died at a young age, just as he entered his forties. In 1795, three theaters in Edo performed Chūshingura at the same time, and to commemorate the spectacle, the publisher Iwatoya published a series of at least sixteen ōban-format prints by Shun’ei, each with a full-length portrait of one of the main actors performing at the Miyakoza and Kiriza theaters. None has any inscription, except the artist’s signature and (on most examples) the publisher’s seal, as here. At the time of the performances, Kabuki fans of course would not have had any problem identifying their favorite actors or roles, but nowadays, with prints spread near and far, it’s sometimes a puzzle to reconstruct which is which. In the Met’s collection, see also Shun’ei’s representation of the actor Nakamura Noshio as the courtesan Okaru (acc. no. JP716)
Broadside with 48 scenes telling the story of the sombrero
Object type: print
Date: 1869 – 1869
Techniques: etching, relief
Artist: antonio bosch
Artist role: publisher
Artist nationality: spanish
Artist dates: 1860 – 1880
Subjects: hats,men,women,rain
Man met rol papier
Object type: print
Date: 1601 – 1657
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: scroll - ll - scroll unfolded, adult man
Inscriptions: collector's mark: Lugt 240

Man met een volle baard, die een uitgerolde boekrol in de hand houdt. Hij wijst met zijn vinger op het onbeschreven schrijfvlak.
Card Number 96, Violet Cameron, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Leaving the Theater
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: brush, pen, wash
Location: france
Artist: constantin guys
Artist role: artist
Artist nationality: french
Artist dates: 1802 – 1892
Subjects: men,women