deem-data/ArtiFact huggingface dataset:
Jar
Object type: jar
Date: 701 – 800
Materials: earthenware
Techniques: glazing, molding
Location: iran
Zeitgenossen
Object type: print
Date: 1829 – 1840
Materials: paper
Techniques: engraving
Location: hildburghausen
Artist: tobias falke
Artist role: print maker
Subjects: politician, adam jerzy czartoryski, historical persons
Inscriptions: collector's mark: Lugt 2228
Marmion; a tale of Flodden Field
Object type: book
Date: 1866 – 1866
Materials: paper, cardboard, leather, textile
Techniques: albumen print, letterpress printing, engraving
Location: london
Inscriptions: inscription: ‘p.22’
Engel met stedenkroon en palmtak staand naast een monument voor het 50ste regiment
Object type: print
Date: 1823 – 1873
Materials: paper
Techniques: lithograph
Artist: célestin françois nanteuil
Artist role: print maker
Artist dates: 1813 – 1873
Subjects: city-crown, mural crown, angels crowning and/or bringing palm-branches, garland, wreath, sceptre, staff (symbol of sovereignty), monument, statue
Inscriptions: collector's mark: Lugt 964
Studentenkamer van Frédéric Gabriël Dumas met bureau en muurdecoraties, krissen en foto's (onder andere van koningin Wilhelmina)
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: the hague
Artist: frédéric gabriël dumas
Artist role: engineer
Artist dates: 1886 – 
Subjects: surabaya, frédéric gabriël dumas, university, study; 'studiolo'; library, student life, the hague
Inscriptions: annotation: ‘voor Guus 28 augustus 1904 Den Haag Stephensonstraat 28’
Apothecary jar (albarello)
Object type: albarello
Date: 1601 – 1700
Techniques: maiolica, glazing
Culture: italian
Subjects: ships
Portret van Minister de Savornin Lohman
Object type: design
Date: 1868 – 1940
Materials: paper, pencil
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, jonkheer alexander frederik de savornin lohman, historical persons

Portret van Minister de Savornin Lohman; ontwerp voor de spotprent 'In het Pruisische Huis van Afgevaardigden'. Ontwerp voor een prent.
De Zomer, uit een serie van de Vier Jaargetijden
Object type: figure
Date: 1760 – 1761
Materials: porcelain
Location: weesp
Artist: christian gottlob berger
Artist role: garneerder
Artist dates: 1730 – 1776
Subjects: summer, 'aestas'; 'estate' (ripa)
Inscriptions: factory mark: ‘Gekruiste zwaarden en drie bollen in blauw onder de glazuur.’, check stamp: ‘I’

Group of Summer. Porcelain, c. 1760 - 1770. Weesp, c. 1760 - 1770. Factory of Betram, Count Gronsveld-Diepenbroick.
Leden van de Union International de Photographie op een trap te Luik
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: staircase, historical persons (portraits and scenes from the life)
Sluizen in de Amstel, gezicht vanaf de Hogesluis met op de achtergrond de Magere Brug
Object type: page
Date: 1855 – 1860
Materials: paper
Techniques: albumen print
Location: amsterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: sluice, weir, amsterdam
Inscriptions: inscription: ‘l'Amstel & les écluses’
Brief aan Philip Zilcken
Object type: letter
Date: 1920 – 1920
Materials: ink, paper
Techniques: pen, writing
Location: milan
Artist: vittore grubicy de dragon
Artist role: painter
Artist dates: 1851 – 1920
Subjects: print maker, jozef israëls, rotterdam, george hendrik breitner, willem maris, draughtsman, david adolph constant artz, amsterdam, bernard eilers, elbert jan van wisselingh, philip zilcken, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’

Vormt samen met RP-D-1982-43-GUBRICY(V.)-1B een doorlopende brief.
Geornamenteerde omlijsting met zes stadsgezichten te Amsterdam
Object type: print
Date: 1815 – 1875
Materials: paper
Techniques: engraving
Location: netherlands
Artist: antonie vink tollenaar
Artist role: print maker
Artist dates: 1805 – 1875
Subjects: square, place, circus, etc., street
Inscriptions: collector's mark: Lugt 2228

Gezichten op de Staalstraat, de Oude Brug, de Muidergracht, de Botermarkt, de Rozengracht en de Noordermarkt te Amsterdam.
Paar verlaat woedend een gezelschap
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: vehemence, violence, fierceness; 'sforza con inganno', 'violenza' (ripa), pillow, aggressive relationships, enmity, animosity
Inscriptions: collector's mark: Lugt 240

Deze prent is mogelijk gebruikt als illustratie in: De Ouderwetsche Trant. Amsterdam: Pieter Meĳer, 1784.
Reclining Nude
Object type: drawing
Materials: paint
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: female nudes
[Man Serving Head on a Platter]
Object type: photograph
Date: 1900 – 1900
Techniques: gelatin silver print
Artist: william robert bowles
Artist role: artist
Artist nationality: american
Artist dates: 1861 – 1918
Subjects: heads,men,portraits
Isaak zegent Jakob
Object type: print
Date: 1538 – 1538
Materials: paper
Techniques: woodcut
Subjects: isaac's blessing (of jacob and esau) (genesis 27)

De oude en blinde Isaak ligt in een bed en zegent zijn zoon Jakob. Achter de naast het bed knielende Jakob staat zijn moeder Rebekka. Door het raam is de eerstgeboren zoon Esau met pijl en boog op jacht naar wild zichtbaar. In de marge boven de afbeelding staat de tekst Genesis XXVII.
Portret van Ernst Casimir, graaf van Nassau-Dietz
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: engraving
Location: the hague
Subjects: ernst casimir graaf van nassau-dietz
Inscriptions: collector's mark: Lugt 2165

Buste naar rechts van Ernst Casimir, graaf van Nassau-Dietz in een ovale omlijsting met randschrift in het Latijn. Onder het portret drie regels in het Latijn.
Obsèques de M. Billault, Instantanée, par temps couvert (17 octobre 1863)
Object type: stereograph
Date: 1863 – 1863
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: politician, public funeral, paris
Inscriptions: number: ‘67’
Photographisches Archiv. Achtundzwanzigster Band - Jahrgang 1887
Object type: book
Date: 1887 – 1887
Materials: cardboard, linen, paper
Techniques: photograph, engraving, letterpress printing
Location: dusseldorf
Inscriptions: stamp: ‘Departement/ Bibliotheek/ van oorlog.’, stamp: ‘Departement van oorlog/ Bibliotheek’
Vest van witte zijde, geribd en met gekleurde zijden bloemen
Object type: clothing
Materials: cotton, linen, silk
Techniques: embroidered
Artist: Anonymous

Vest van witte zijde, geribd en met gekleurde zijden bloemen en rand
The Sleighing Season—the Upset
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Bent leg and part of the lower calf and foot of a warrior to right, wearing greaves; behind the calf of the bent leg, an unidentified object; leg and drapery of a male to left; at the bottom, rays
Hollands Leeuw in 1830 en 1831
Object type: brochure
Date: 1831 – 1831
Materials: paper
Techniques: printing, sewing
Location: breda
Inscriptions: date

10 pp in papieren omslag. Gedateerd; titelp.: 1831
Fragment of an Inlay Depicting a Theater Mask
Object type: decorative art
Date: 34 – 33
Materials: glass
Techniques: mosaic glass
Culture: egyptian
Location: egypt

This half face of a woman or theatrical mask was made from a bundle of dozens of colorful glass rods that were fused together. The resulting bar or cane of glass was then heated and stretched out, thereby miniaturizing the pattern. Slices of the cane were placed in symmetrical pairs to form a complete face. Such inlays embellished furniture, boxes, and household shrines to the gods.
Blessed Ascending to Heaven
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: giovanni francesco romanelli
Artist nationality: italian
Artist dates: 1610 – 1662
The Madonna Weeping
Object type: print
Date: 1769 – 1769
Techniques: engraving, etching
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Proces Verbale de L'inauguration de Léopold 1er Roi des Belges
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: belgium
Subjects: politician, laeken, leopold i (koning der belgen), other forms of installation, brussels
Inscriptions: collector's mark: Lugt 2228

Proces-verbaal van de inhuldiging van koning Leopold I in Brussel op 21 juli 1831. Schriftelijke weergave van de onderdelen van de ceremonie en de tekst van de eed afgelegd door de koning. Onderaan de handtekeningen van de regent, de koning en leden van het Nationaal Congres.
Male Head
Object type: sculpture
Materials: terracotta
Location: uttar pradesh
Groepsportret van zeven kinderen
Object type: cabinet photograph
Date: 1873 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: youth, young man, adolescent (+ seven persons), anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: annotation: ‘Lamise/ Emmanuel/ Max/ George - 1 Adrien/ Rene/ Marie Therèse’, inscription: ‘M. Büttinghausen/ Amsterdam Kalverstraat hoek Spui/ eenig Atelier/ Specialiteit in Vergrootingen./ Onveranderlijke/ Kooldruk/ De plaat blijft ter/ nabestelling bewaard.’
H. Engelmundus van Engeland
Object type: print
Date: 1607 – 1631
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: male saints (with name)
Inscriptions: collector's mark: Lugt 2228

De heilige abt Engelmundus van Engeland, staande in pij, met staf en bijbel. Aan zijn voeten ontspringt een bron. Op de achtergrond de kerk van Velsen.
Der Feldtmarschalck
Object type: book illustration
Date: 1573 – 1573
Materials: paper
Techniques: woodcut
Location: frankfurt am main
Subjects: commander-in-chief, general, marshal, warfare; military affairs

Zowel de voorstelling als de ornamentrand werd gebruikt voor verschillende edities van Leonhardt Fronspergers Kriegsbuch.
Hercules met de aardbol op zijn hoofd
Object type: ornament print
Date: 1528 – 1583
Materials: paper
Techniques: engraving
Location: france
Inscriptions: collector's mark: Lugt 240
Lege union case
Object type: union case
Date: 1855 – 1870
Materials: glass, metal, plastic, velvet
Artist: Anonymous
Block-printed Talismanic Circular Leaf
Object type: folio from a non illustrated manuscript
Date: 1001 – 1100
Materials: ink, paper
Location: egypt
Portret van Johann Georg Fleischauer
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Kermisprent van de Amsterdamse askarrenmannen voor het jaar 1861
Object type: fair print
Date: 1861 – 1861
Materials: paper
Techniques: letterpress printing, engraving
Artist: dirk wijbrand tollenaar
Artist role: print maker
Artist dates: 1808 – 1858
Subjects: pleasure fair and circus, garbage collection, amsterdam

Kermisprent namens de askarrenmannen (karrenman of vuilnisman) te Amsterdam, september 1861. Gezicht op de kermis op de Botermarkt met de Regulierswaag. Op de markt twee vuilniskarren. Onderaan een gedicht in twee kolommen. Namens D. Vink, de askarreman van wijk no. 7. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Ring: Horem[heb], Beloved of Amon
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: hieroglyphs
Piece
Object type: piece
Date: 1701 – 1733
Materials: silk
Culture: chinese
Subjects: flowers,leaves
Design for Coupé, no. 3114
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Camel Rider
Object type: vessel fragment, camel rider
Date: 664 – 332
Materials: pottery
Location: egypt
Subjects: camels
Book cover with overall paisley, dot, and stripe pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Twee vrouwen bij een lessenaar
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: etching, engraving
Location: haarlem
Subjects: window, lectern ~ reading
Inscriptions: collector's mark: Lugt 2228

Interieur met een vrouw die zit te lezen aan een lessenaar. Aan haar voeten drinkt een poes van een schoteltje. Een tweede vrouw staat bij de lessenaar en kijkt uit het raam.
52e Cahier
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: andiron, fire-dog, vase ~ ornament, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een geornamenteerde vuurbok met guirlandes en twee vazen, rechts met vuur. Prentnummer 312.
The Flower of Pain
Object type: drawing and watercolor
Date: 1898 – 1898
Materials: crayon, graphite, paper
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Inscriptions: Inscribed recto, upper center, black crayon and graphite: "QUICKBORN"
Gezicht op de Floral Hall in Covent Garden met handelaren
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, trade, commerce and finance, market-hall
Inscriptions: inscription, number: ‘No. 184.’
Linga Temple Compound
Object type: painting
Date: 1867 – 1900
Materials: ink, paper, watercolor
Techniques: wash
Culture: indian
Subjects: temples,men,women,cows,lions,shiva

This drawing shows all the key elements of a temple dedicated to Shiva. Centrally placed is a linga; below is Shiva's principal devotee, Nandi; and protecting the entrance to the compound is a small shrine dedicated to Ganesha. Another shrine is dedicated to Hanuman; Rama and Lakshmana, identified by inscriptions, are represented submitting to the authority of Shiva.
Portion of a Longer Hanging Border
Object type: textile
Date: 1601 – 1700
Materials: gold thread, silk
Techniques: embroidery
Location: italy
Cylinder Seal
Object type: stamp
Date: 401 – 600
Materials: ceramic
Culture: atlantic watershed
Location: costa rica
Hindu temple with priests, Colombo, Sri Lanka
Object type: photograph
Date: 1875 – 1910
Materials: paper
Techniques: albumen print
Subjects: sri lanka
Inscriptions: name: ‘Skeen & Co.’, number: ‘873’
Vier deugden
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van vier prenten met deugden. De vier prenten in de collectie van het RMA vertegenwoordigen mogelijk vier verschillende uitgaven en staten van de reeks want het signatuur van de vervaardiger en het adres van de uitgever zijn steeds afwijkend genoteerd.
Plaquette met de stroomgod Tiber
Object type: plaque
Date: 1750 – 1775
Materials: bronze
Location: italy
Artist: Anonymous

Een plaquette van brons met een voorstelling van een stroomgod, de Tiber, met Romulus en Remus en de wolvin in een rocaille omlijsting.
Hortensia
Object type: photograph
Date: 1898 – 1898
Techniques: platinum print
Location: united states
Artist: frank eugene
Artist nationality: american
Artist dates: 1865 – 1936
Inscriptions: Signed recto, in negative, lower right, in white: Eugene; inscribed verso of print, lower left to lower center, in graphite: Hortensia II [?]; verso of print, lower right, upside-down, diagonally, in graphite: F.G. [?]; inscribed verso, on second hinged paper, center, in graphite: 6

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Servet van linnendamast met een bloempatroon.
Object type: napkin
Date: 1625 – 1650
Materials: linen
Techniques: damask, weave
Location: flanders
Artist: Anonymous

Servet van linnendamast met gestrooide bloemen, vruchten en vruchten pikkende vogels. Het servet is gemerkt: MI E 6 en een teken (liggende K?).
Major General Arthur St. Clair
Object type: print
Materials: paper
Techniques: photolithograph
Location: united states
Artist: edward wellmore
Artist nationality: american
Artist dates: 1850 – 1899
Drie herders rustend in een landschap met ruïnes
Object type: print
Date: 1699 – 1740
Materials: paper
Techniques: etching
Artist: franz de paula ferg
Artist role: draughtsman, painter, print maker
Artist dates: 1689 – 1740
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins, watermill in landscape, resting - bb - out of doors
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1236

Onderdeel van een serie van zeven prenten.
Bundle of Prints (Untitled)
Object type: print
Date: 1800 – 1899
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Subjects: women
Portret van Charles Chais
Object type: print
Date: 1756 – 1779
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, historical persons
Inscriptions: check stamp: Lugt 1120
Staand wit paard
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: etching
Location: netherlands
Subjects: horses and kindred animals, horse
Inscriptions: collector's mark: Lugt 2228
Arrière Automne
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: munich
Artist: gross
Artist role: fotograaf
Subjects: four-wheeled vehicle drawn by two animals (+ one person ~ traffic and transport)
H. Durand-Brager
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: tone lithography
Location: paris
Artist: jean baptiste henri durand-brager
Artist role: painter, print maker
Artist dates: 1814 – 1879
Subjects: harbour, ships (in general) - cc - more than one ship
Inscriptions: check stamp:, collector's mark: Lugt 2228a
Martyrdom of Two Saints
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: Anonymous
Twee infantristen en drie Turkse mannen
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: paris
Subjects: private soldier (+ infantry), adult man
Inscriptions: collector's mark: Lugt 964
Fauteuil genre élégant / Causeuse canons
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Brug over de Lahn in Bad Ems, Duitsland
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: bad ems
Artist: Anonymous
Subjects: dale, valley, village, bridge in city across river, canal, etc.
Mortar
Object type: mortar
Materials: clay, copper alloy, patina
Culture: italian
Subjects: medusa

This mortar decorated with four Medusa heads separated by simple flanges is probably one of the “Four Assorted Italian Bronze and Brass Motars [sic]” that Duveen Brothers removed from the apartment of Mrs. Albert E. Goodhart, Robert Lehman’s aunt, after her death in 1952.
Bomen langs het water, mogelijk een gracht
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: canals, waters (in city)

Pagina 43 uit schetsboek XXXII met 92 pagina's.
Ex libris van Gino Sabattini
Object type: bookplate
Date: 1949 – 1949
Materials: paper
Techniques: drypoint
Location: italy
Artist: marco de simone
Artist role: print maker
Subjects: gino sabattini, drowned person, cave, grotto, the corpse
Inscriptions: inscription: ‘M. De Simone 1949’
Portrait of Maria Adriana van der Sluys, Wife of Hermanus Martinus Eekhout
Object type: painting
Date: 1830 – 1838
Materials: canvas, oil
Artist: hillebrand dirk loeff
Artist role: painter
Artist dates: 1774 – 1845
Subjects: historical persons - bb - woman
Inscriptions: signature: ‘Loeff fec.t’

Portret van Maria Adriana van der Sluys, de echtgenote van Hermanus Martinus Eekhout. Buste, naar rechts, met een witte kanten muts op het hoofd. Pendant van SK-A-2791.
Twee staande figuren in oosterse kleding
Object type: sketchbook leaf
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, standing figure
Inscriptions: kleurnotitie, handgeschreven

Mogelijk vrouwen. De gewaden bedekken het gehele hoofd en lichaam. Pagina 83 uit een schetsboek met 54 bladen.
The Entombment, from "The Passion of Christ"
Object type: print
Date: 1623 – 1623
Techniques: engraving
Artist: ludovicus siceram
Artist role: artist
Artist nationality: flemish
Artist dates: 1618 – 1628
Subjects: sadness,christ,mary magdalene,virgin mary,entombment