deem-data/ArtiFact huggingface dataset:
Gezicht op het oude stadhuis van Amsterdam
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: square, place, circus, etc., city-view in general; 'veduta', townhall
Inscriptions: collector's mark: ‘15,2 B-D’ Lugt 1641b

Prent waarschijnlijk uit: Rademaker, Abraham en I.M. Bregmagher. Versameling van 100 Nederlantsche outheden en gesigten. Amsterdam: Ysack Greve, 1726.
Capital
Object type: capital
Date: 501 – 700
Materials: limestone
Techniques: carving
Location: egypt

In the 500s Apa (Father) Jeremias founded a Coptic monastery at Saqqara, the ancient Egyptian necropolis (cemetery) of the city of Memphis, near the oldest pyramids. He and the earliest monks lived in tombs at the site. As the monastery grew, several grand churches with lavish decoration were built, as well as many chapels, public buildings, and complexes of cells (rooms) for each monk. The monastery continued to grow after the Arab conquest with materials from early Byzantine tomb structures being reused for additional monastic structures. Inscriptions record prayers to numerous holy figures. Sculptural elements from Saqqara are often carved with deeply undercut patterns to intensify the play of light and shadow and to mask the solidity of the architecture. This sculptural style was popular throughout the Byzantine world in the 500s.
Panel ornament (part of a set)
Object type: panel ornament
Date: 1667 – 1733
Materials: gilt bronze
Subjects: women
Portret van Laura de Noves
Object type: print
Date: 1775 – 1840
Materials: paper
Techniques: engraving
Artist: ernst ludwig riepenhausen
Artist role: print maker
Artist dates: 1765 – 1840
Subjects: historical persons - bb - woman, pendant, trinket, 'breloque'
Inscriptions: date, collector's mark: Lugt 2228
Brush Washer
Object type: brush washer
Date: 1701 – 1800
Culture: chinese
De Notenkraker, 19 oktober 1907 / Amsterdam III - Ridder Piet
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: albert hahn (i)
Artist role: draughtsman
Artist dates: 1877 – 1918
Subjects: politician, joust, tilt, political caricatures and satires, netherlands

Aflevering van het satirische tijdschrift De Notenkraker van 19 oktober 1907, eerste jaargang, nummer 42. Omslag met illustratie van het kamerlid Piet Nolting die als ridder gewond en rijdend op een leeuw van een verloren steekspel terugkeert. Onderdeel van een volledige eerste jaargang (1907). Elk nummer bevat 8 bladzijden, deels nog niet losgesneden, met op de voorzijde steeds een spotprent van Albert Hahn, op de overige pagina's prenten van Hahn steeds tussen de tekst. In de letter 'D' van de titel is een kop van een zgn. notenkraker afgebeeld.
Geschiedenis van Keizer Trajanus
Object type: print
Date: 1520 – 1561
Materials: paper
Techniques: etching
Location: italy
Artist: battista franco
Artist role: draughtsman, painter, print maker
Artist dates: 1510 – 1561
Subjects: administration of justice, trial, magistracy, judges
Inscriptions: collector's mark: Lugt 2641b, collector's mark: Lugt 2228

Prent uit een reeks van 6 prenten over de geschiedenis van Keizer Trajanus. De zes prenten werden origineel van één plaat gedrukt en daarna versneden. Naar een gebeeldhouwd reliëf op de Boog van Constantijn te Rome.
Diligentia en Tempus bij het wapen van Haarlem
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Inscriptions: title: ‘HAERLEM VICIT VIM VIRTUS’, caption: ‘Wie vreugde en wellust vint in 't eenzaam buiten leven. Dieboet hier zynen lust in twalef Printgetal. Hy zal aan het gezigt een zoete blydschap geven. Van 't zedorp SANTVOORT, af tot HAERLEMS ouden wal.’, collector's mark: Lugt 2228, signature and address: ‘CIVisscher fecit. et. excudebat.’

In het midden het wapen van Haarlem, bekroond met een lauwerkrans en boomtakken. Achter het wapen een schip en de tekst HAERLEM. Onder het wapen: VICIT VIM VIRTUS. In het midden vier regelige titel: Villarum varias facies...vicinia praebet. Links zit Naarstigheid of Diligentia met een open boek op schoot en staf in de hand. Rechts staat Tempus als gevleugelde oude man met zeis en zandloper Met bijschriften NEER=STICHEYT en DE TYDT.Onderschrift: Wie vreugde enwellustvint in 't eenzaam buiten leven...tot HAERLEMS ouden wal.
Overwinnende soldaten stelen de bezittingen van de doden
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: etching
Location: italy
Subjects: warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘7’

Deze prent maakt deel uit van een reeks van 9 prenten (+ titelprent) met gevechtsscènes. Antonio Tempesta maakte ook een eerdere serie met gevechtsscènes van 10 prenten (+titelprent).
Storm
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Man en vrouw in historische kleding
Object type: print
Date: 1830 – 1880
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adult woman, adult man, historical costume
Lacock Abbey
Object type: photograph
Date: 1839 – 1840
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: abbeys
How "Tommy Atkins" travels - Wiltshires off to take part in Roberts' Campaign, S. Africa
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: south africa
Subjects: the soldier; the soldier's life, transport, train (military)
Inscriptions: number: ‘225’, name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’
Mars
Object type: print
Date: 1528 – 1583
Materials: paper
Techniques: engraving
Location: france
Subjects: (story of) mars (ares)
Inscriptions: inscription: ‘CVM. PRI. REGIS.. STEPHANVS.F’
Interieur van de crypte van de Geertruidskerk te Geertruidenberg
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: geertruidenberg
Artist: Anonymous
Subjects: parts of church interior, parts of church interior (crypt), geertruidenberg
Inscriptions: collector's mark: Lugt 3937, inscription: ‘Geertruidenberg Z.O. Hoek van de ontgraven krochten in de R K kerk’
Portret van Margaretha Sophia Luther-Hülsemann
Object type: print
Date: 1733 – 1733
Materials: paper
Techniques: engraving
Artist: johann georg mentzel
Artist role: print maker
Artist dates: 1677 – 1743
Subjects: historical persons - bb - woman, gloves, mittens, etc., book
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Richter, David. Genealogia Lutherorum (...). Berlin/Leipzig: Johann Andreas Rüdiger, 1733.
Tankard
Object type: tankard
Date: 1801 – 1900
Materials: metal, silver
Subjects: men,horses

This electrotype is after a seventeenth-century (?) original, in the Treasury of the Kremlin, Moscow, at the time of reproduction.
Portret van een onbekende man met een baard
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: drypoint, etching, retroussage
Location: antwerp
Artist: arthur sterck
Artist role: print maker
Artist dates: 1868 – 1897
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228
Notte sul Garda
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard, photographic process
Location: bolzano
Subjects: full moon, sailing-ship, sailing-boat, lake
Plattegrond van Brugge
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), seal (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), bruges
Inscriptions: collector's mark: Lugt 195

Plattegrond van Brugge met gebouwen in vogelvluchtperspectief. Boven, in het midden, de titel. Linksonder een kader met legenda A-Z en 1-8. Rechtsonder een kader het vervolg van de legenda, 9-40. Links van dit kader een cartouche met opdracht. Linksboven tweemaal het wapen van het graafschap Vlaanderen, links gespiegeld. Rechtsboven een kader met daarin twee zegels van Brugge. Op verso Nederlandse tekst.
Tribulations de la Garde nationale
Object type: print
Date: 1835 – 1837
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: the soldier off duty, hearth and stove
Inscriptions: collector's mark: Lugt 2228a, annotation: ‘v. Stockum, 24 nov. 1964, no. 172 (81 st.), f. 520,-’

Nadat hij 's nachts de wacht heeft gehouden, warmt een lid van de Nationale Garde thuis zijn handen bij het haardvuur. Zijn vrouw loopt langs met een beddenpan.
Plate 3: Alexander Instructing his Soldiers, from "The Deeds of Alexander the Great"
Object type: print
Date: 1608 – 1608
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: soldiers,spears,alexander the great,horses
Game Cart #737
Object type: drawing
Date: 1860 – 1870
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Textile Fragment
Object type: textile fragment
Date: 946 – 974
Materials: linen, silk
Techniques: weave
Location: egypt
Portret van Theodor Leschetizky
Object type: print
Date: 1880 – 1920
Materials: paper
Techniques: drypoint, etching, intaglio
Location: vienna
Artist: ferdinand schmutzer
Artist role: painter, print maker
Artist dates: 1870 – 1928
Subjects: portrait of a musician, portrait of composer
Inscriptions: collector's mark: Lugt 2228
Linen mark (Type XXXII)
Object type: linen mark
Date: 1961 – 1917
Materials: linen
Location: egypt
Stole
Object type: stole
Date: 1820 – 1820
Materials: cotton
Culture: american
Portret van Jacoba van Beieren, gravin van Holland, Zeeland en Henegouwen
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: jacoba of bavaria (countess of hainaut), historical persons - bb - woman, the sacred heart, ruler, sovereign - bb - female ruler, tools, aids, implements ~ crafts and industries: chain
Groep Amerikaanse toeristen bij hun auto's in de Alpen
Object type: photograph
Date: 1921 – 1921
Materials: paper
Techniques: gelatin silver print
Location: north and central america
Artist: Anonymous
Subjects: tourism, mountain-range, snow peaks, automobile
Design for a sepulchral monument with a seated prophet or philosopher (recto); Sketches (verso)
Object type: drawing
Date: 1667 – 1733
Materials: chalk, ink
Techniques: pen
Artist: pieter verbruggen the younger
Artist role: artist
Artist nationality: flemish
Artist dates: 1648 – 1691
Subjects: men
Dish
Object type: vessel
Materials: stoneware
Techniques: celadon glazed
Location: korea
Doubting Thomas, from The Passion of Christ, plate 28
Object type: print
Date: 1664 – 1664
Techniques: engraving
Artist: grégoire huret
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1670
Subjects: men,apostles,christ
Médaille frappée dans les Pays-Bas. En Horreur de l'exécrable Ministre du Comte de Strautmansdorf (Trautmansdorff)
Object type: print
Date: 1787 – 1790
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Artist: Anonymous
Subjects: vienna, medal (considered as a piece of sculpture, regardless of its specific function), brabant

Beide zijden van een penning tegen de wreedheden bedreven in Brabant; met de datum 16 augustus 1789. Op de voorzijde houden een wolf en een vrouw een kind vast dat doormidden wordt gehakt door een luipaard. Op de keerzijde bevrijdt de Brabantse leeuw zich uit een net. In het onderschrift wordt er verwezen naar landvoogd Trauttmansdorff. Onderdeel van de gebundelde verzameling prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
Opleiding Landwacht
Object type: photograph
Date: 1943 – 1944
Materials: photographic support
Techniques: photography
Location: lunteren
Subjects: military training

Drie rijen mannen staan opgesteld voor een gebouw. Vooraan mannen in overalls, sommige anderen in korte broek of lange broek. Op de rug gezien een man in korte broek. De mannen worden opgeleid op de Scheleberg in Lunteren voor de Landwacht. Opgericht in november 1943 als beschermingsorganisatie voor de NSB na een aantal aanslagen op vooraanstaande NSBers. Al snel kwam de Landwacht onder controle van de Duitsers en werd ook als hulppolitie ingezet. De Scheleberg werd gebouwd in 1936 als vakantieoord voor leden van de Algemeene bond voor handels- en kantoor bedienden.
Design for Corner of a Cove (recto); Designs for a Ceiling (?) (verso)
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink, lead, drawing material
Techniques: pen
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: architecture
Untitled Valentine (Bouquet)
Object type: drawing and watercolor
Date: 1855 – 1860
Materials: paper, watercolor
Techniques: collage, cutting, embossing
Location: england
Artist: george kershaw
Artist nationality: english
Artist dates: 1800 – 1899
Fragment of a Menat Counterpoise
Object type: menat fragment
Date: 1479 – 1458
Materials: faience, paint
Location: egypt
Engraved copies of The Little Passion
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: animals,men,christ
God draagt Noach op de ark te bouwen
Object type: print
Date: 1558 – 1560
Materials: paper
Techniques: engraving
Location: unknown
Subjects: building a ship, ship under construction, god the father as bearded old man, usually with crown or tiara or sceptre and/or globe, noah building the ark with the help of his sons, god announces a flood and commands noah to build an ark
Inscriptions: signature: ‘Martinus hemstkerck / Inventor’, caption: ‘Fac tibi arcam de lignis levigatis gen. cap. 6’, address: ‘h Cock excude.1’, collector's mark: Lugt 2228

Links op de voorgrond zit Noach geknield, de handen gevouwen. Voor hem verschijnt God als oude man met wereldbol in de linkerhand, op een wolk. Op de achtergrond zijn timmerlieden druk bezig de ark te bouwen.
Fragment van ijzer uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: iron
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Haardsteen, waarop Maria voor een bidstoel, de engel eveneens geknield
Object type: hearthstone
Date: 1540 – 1560
Materials: earthenware
Location: southern netherlands
Artist: Anonymous

Haardsteen, waarop Maria voor een bidstoel, de engel eveneens geknield; de blijde boodschap. In twee nissen met gothisch traceerwerk. Van fijne gebakken aarde.
Zum Gunstigen Leser
Object type: album leaf
Date: 1635 – 1635
Materials: paper
Techniques: letterpress printing
Location: utrecht
Subjects: initial

Duitstalig voorwoord met de aanhef: Zum Gunstigen Leser. De tekst vangt aan met een gedecoreerde initiaal O. Het blad maakt deel uit van een album.
De Joodsche Synagoge
Object type: print
Date: 1770 – 1794
Materials: paper
Techniques: etching
Artist: hendrik keun
Artist role: painter, print maker
Artist dates: 1738 – 1787
Subjects: the synagogue (as building and place of worship ~ jewish religion)
Gondels op een kanaal
Object type: print
Date: 1597 – 1629
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: gondola, 'en route', traveller under way, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Gondels op een kanaal. Links een weg met reizigers. De vierde prent van een achtdelige reeks met landschappen in Bohemen
Dipper, from the Birds of America series (N37) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of America" series (N37), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N37 reproduces the cards from N4 in a larger size.
VOC, duit Zeeland, 1765
Object type: coin
Date: 1765 – 1765
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Man in Cape with Staff Watching Melee; Seated Woman (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: men,women
Creusa Pleads with Aeneas as He Leaves for War
Object type: drawing and watercolor
Date: 1803 – 1803
Materials: ink, paper
Techniques: brush, pen, wash
Location: france
Artist: jean michel moreau le jeune
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1814

Moreau’s Creusa Pleads with Aeneas depicts the moment in the Trojan War when Aeneas must decide whether to continue to defend Troy or save his family from certain death. This was a final preparatory drawing for an engraving, which would appear in the book of a French translation of Virgil’s Aeneid published in 1804. The inscription’s Latin text is spoken by Aeneas’s wife, Creusa: “If you are going out to die, take us to face it with you.”
Gezicht op de Akropolis van Athene
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: athens
Subjects: city-view in general; 'veduta'
Portrait of Augustinus Gerardus Hubertus van Rijckevorsel
Object type: painting
Date: 1888 – 1888
Materials: oil, paint, panel
Location: den bosch
Artist: fernand khnopff
Artist role: draughtsman, print maker
Artist dates: 1858 – 1921

Van Rijckevorsel commissioned the Belgian painter Fernand Khnopff to paint portraits of himself and his wife Maria, the artist’s aunt. The poetic quality of Khnopff’s paintings had won him popularity as a portraitist among the Brussels bourgeoisie in 1888. From the correspondence about the commission, it appears that Khnopff chose these openwork frames, inspired by Renaissance models, himself.
Doll
Object type: doll
Date: 1830 – 1835
Materials: paper, silk, wood
Culture: american
Fragment of Headdress
Object type: headdress fragment
Date: 1644 – 1911
Materials: feather, gold, pearl
Culture: chinese
Subjects: flowers
Portret van een onbekende jongeman
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: etching
Subjects: adult man, the cross ~ symbols of christ
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1 juni 1860’

Portret ten halven lijve naar rechts van een onbekende jongeman met een kruis om zijn nek.
Fotoreproductie van de tekening van Maria, Christus, Sint-Anna en Johannes de Doper door Leonardo da Vinci
Object type: reproduction
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: carbon print
Location: london
Subjects: john the baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff, anna, mother of mary; possible attributes: book, christ-child, lily, virgin mary, madonna (i.e. mary with the christ-child) accompanied or surrounded by others
Inscriptions: inscription: ‘Photographed (by Permission of the President and Council) for the Burlington Fine Arts Club.’
Via Crucis; Christ Falling Beneath the Cross (recto) Sketch of Male Nude (verso)
Object type: drawing and watercolor
Date: 1560 – 1570
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: follower of luca cambiaso
Inscriptions: Inscribed verso, upper left, in pen and brown ink: "B. W."
Verschillende schepen
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: aquatint, etching
Location: rotterdam
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: ships (in general) - cc - more than one ship
Inscriptions: collector's mark: Lugt 2228

Drie driemasters en enkele andere zeilschepen op onrustig water. Deze prent maakt deel uit van een serie van zes prenten met verschillende schepen.
Geraldine Uhner and C. Pounds, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: fans,men,women,actors,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Louis XIII and Anne of Austria Presenting the Dauphin to the Virgin
Object type: print
Date: 1638 – 1638
Techniques: engraving
Artist: grégoire huret
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1670
Subjects: kings,queens,madonna and child
Cuneiform tablet: private letter fragment
Object type: cuneiform tablet
Date: 2000 – 1801
Materials: clay
Culture: assyrian
Location: anatolia
Studioportret van Tottie MacPherson met een schepnet
Object type: album leaf
Date: 1890 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: java
Inscriptions: name: ‘Woodbury & Page Photographers, Java’, inscription: ‘Souvenir of your loving little frined Tottie MacPherson’

Studioportret van een meisje met een schepnet. Op de achtergrond een rotspartij en een achtergronddoek .
Stockings
Object type: stocking
Date: 1897 – 1897
Materials: silk
Culture: american
Waterval bij de White Mountains
Object type: stereograph
Date: 1870 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: white mountains
Artist: n.w. pease
Artist role: fotograaf
Artist dates: 1836 – 1918
Subjects: waterfall
Inscriptions: number: ‘149’
Shard with Figural Decoration
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: gandhara