deem-data/ArtiFact huggingface dataset:
Titelprent met opdracht aan en wapen van Cosimo II de'Medici en voorstellingen van Rechtvaardigheid, Voorzichtigheid, Roem en Edelmoedigheid
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: etching
Location: italy
Subjects: coat of arms (symbol of sovereignty), justitia (justice) as roman personification, fama as roman personification, generosity, liberality; 'generosità', 'liberalità' (ripa), cupids: 'amores', 'amoretti', 'putti', prudentia (prudence) as roman personification
Inscriptions: number: ‘2’, collector's mark: ‘Hinloopen’

Titelprent bij een reeks van 24 prenten met oudtestamentische strijdscènes.
Vignette for Menu Card Decorated with Arms and Heroic Scenes
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1800 – 1899
Chrystal Palace
Object type: carte de visite
Date: 1851 – 1860
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: world fair, world exhibition, exterior ~ representation of a building, public gardens, park
Torens te Amsterdam
Object type: book illustration
Date: 1723 – 1723
Materials: paper
Techniques: etching
Artist: adolf van der laan
Artist role: draughtsman, print maker
Artist dates: 1689 – 1742
Subjects: tower, clock tower ~ monumental adornment, civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2760

Vijf genummerde illustraties van torens te Amsterdam: Haringpakkerstoren, Montelbaanstoren, Jan Roodenpoortstoren, Munttoren, Schreierstoren. De torens zijn op het bijbehorende tekstblad voorzien van toelichting. Prent links- en rechtsboven gemerkt: II. Deel. 3. Boek - Pag: 131*.
Opleiding in de Reichsarbeitsdienst en militaire dienst
Object type: album leaf
Date: 1935 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: military training, germany

Albumblad met zes foto's. Drie van een verkleedpartij in historische militaire uniformen in de Reichsarbeitsdienst, verder nog twee foto's in een ziekenhuis. Onderdeel van het fotoalbum Duitse bezetting van Nederland.
Charles Henry Brigham : memoir and papers.
Object type: book
Date: 1881 – 1881
Materials: cardboard, linen, paper
Techniques: photograph
Location: boston
Oudewijvenmolen (verjongingsmolen)
Object type: print
Date: 1580 – 1600
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: rejuvenation
Inscriptions: inscription: ‘Hier worden oude wijven wedrom jong gemalen’

In het midden een malende molen waarin links oude vrouwen naar binnen worden gedragen. Rechts komen ze er verjongd weer uit. Links op de voorgrond drie oude vrouwen, zittend op de grond. Een man draagt een oude vrouw op zijn rug de trap op. Op de achtergrond wordt een oude vrouw in een kruiwagen aangereden. Rechts elegant geklede jonge vrouwen die uit de molen vallen met naast hen twee discussiërende mannen. Op de voorgrond een elegant gekleed stel. Rechts op de achtergrond een gezelschap in een bootje.
Dorpsgezicht te Arum
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: village

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Edging
Object type: edging
Date: 1767 – 1800
Techniques: lace
Kleine koffer van bruin leer
Object type: suitcase
Date: 1900 – 1925
Materials: leather
Artist: Anonymous

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Basilicae Amstelaedamensis conspectus latere / Het Stadhuis, op zyde; aan te sien
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', townhall
Inscriptions: collector's mark: ‘15,33’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, als Stadhuis, op de Dam.
Portret van Hilma Bruno
Object type: carte de visite
Date: 1875 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: stockholm
Artist: gösta florman
Artist role: fotograaf
Artist dates: 1831 – 1900
Subjects: historical persons - bb - woman, portrait of actor, actress
Inscriptions: annotation: ‘Hilma Bruno/ lit oss skiljas’, inscription: ‘Gösta Florman/ STOCKHOLM/ 28A Regeringsgatan 28 A.’
Briefcase (portefeuille)
Object type: briefcase
Date: 1763 – 1764
Materials: gold, gold thread, leather, silk
Techniques: embroidery
Artist: jacques lourdière
Artist role: lock maker
Artist dates: 1716 – 1798

Made in Turkey for the western market, morocco leather briefcases were fashionable in both England and France during the last quarter of the seventeenth and throughout the eighteenth century. This sumptuous example embellished with embroidery in silk and metal thread can be dated to 1763–64 by one of the marks on the gold lock: the crowned letter Z, the assay mark warranting the standard of the metal. The embroidery on the back displays both a banderole with the words “Ministère des Affaires Étrangères” (Ministry of Foreign Affairs) and the coat of arms of César-Gabriel, comte de Choiseul-Chevigny and later duc de Praslin (1712–1785). This nobleman enjoyed a successful military career before undertaking a political one. He served as foreign minister of France from 1761 to 1766 and in that capacity signed the Treaty of Paris, ending the Seven Years’ War, which for France entailed the loss of much of her North American territories to Great Britain. Nevertheless, it is likely that the briefcase was intended to commemorate this event, and perhaps also to celebrate the politician’s elevation to the rank of duke, which occurred in October 1762 ( the ducal crown forms a prominent part of the coat of arms). In his memoirs, Jean-Nicolas, comte Dufort de Cheverny (1731–1802), noted that the duc de Praslin was cold and disagreeable, yet had a passion for literature and found happiness with his mistress, Marie-Anne Botot, known as Mademoiselle Dangeville (1714–1796), who was famed for her roles as lady’s maid at the Comédie Française. Praslin, a bibliophile as well as a collector of old-master paintings, had only a few years to enjoy the use of his briefcase. Following his resignation as foreign minister, he was appointed to the Ministry of the Navy but was dismissed by Louis XV four years later. The preparation of the leather and the embroidery of the portfolio may have been done in Constantinople, since there are several similar examples known that bear the name of that city. It was probably lined and finished in Paris, where the escutcheon-shaped, openwork lock was made as well.
Vrijgevigheid overwint Gierigheid
Object type: album leaf
Date: 1550 – 1625
Materials: paper
Techniques: engraving
Artist: pieter jalhea furnius
Artist role: print maker
Artist dates: 1540 – 1626
Subjects: purse, money-bag, covetousness; 'avaritia' (ripa) ~ personification of one of the seven deadly sins, one virtue fighting against or treading upon one vice, generosity, liberality; 'generosità', 'liberalità' (ripa)

De Vrijgevigheid geeft geld aan een arme man terwijl ze de Gierigheid, die haar geldstukken telt, onder de voet vertreedt. Deze prent maakt deel uit van een album.
Huismunt van de kolonies Rijkevorsel en Merksplas van 50 cent
Object type: monetary token
Date: 1823 – 1839
Materials: zinc
Techniques: striking
Location: brussels
Artist: Anonymous

Zinken munt. Voorzijde: monogram van letters R en M boven merktekentje. Keerzijde: waardeaanduiding
Uit Japan
Object type: print
Date: 1901 – 1903
Materials: paper
Techniques: drypoint, etching
Artist: emil orlik
Artist role: painter, print maker
Artist dates: 1870 – 1932
Subjects: landscape with bridge, viaduct or aqueduct, bridge
Inscriptions: collector's mark: Lugt 2228
Mitaine van zwarte machinale kant met een punt op de hand(rug) en rondom de pols een gerimpelde strook
Object type: mitt
Date: 1900 – 1900
Materials: cotton
Techniques: lace
Location: western europe
Artist: Anonymous

Mitaine van zwarte machinale kant: machinale Chantilly-kant. De mitaine heeft een punt op de hand(rug) en rondom de pols een gerimpelde strook. Patroon met krullende ijle c-voluten en gestileerde bloemen met zes losse bloemblaadjes. Verbindingen tussen de motieven door takjes met enkele blaadjes.
Twee vrouwen met een hond en een verkiezingsbord voor Ramsay MacDonald
Object type: photograph
Date: 1931 – 1931
Materials: ink, photographic support
Techniques: collodion silver print
Location: london
Artist: Anonymous
Subjects: atlantic ocean, united kingdom
Inscriptions: stamp: ‘LONDON NEWS AGENCY PHOTOS LTD / PHOTO SUPPLIED L.N.A. / TEL. GENERAL 6528 / 46 FLEET STREET. LONDON L.C.A.’, inscription: ‘ISSUED. 19-10-31. / SUPPLIED. L.N. A. / DOING HIS BIT. / An Alsatien dog, in charge of Miss HARRIOT of FINCHLEY acts as a ‘’sandwich man’’ in support of the National Government.’
Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (647) Capote parée, sur un petit Bonnet...
Object type: fashion print
Date: 1805 – 1805
Materials: paper
Techniques: engraving, hand coloring
Subjects: head-gear (capote) (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), neck-gear ~ clothing (shawl) (+ women's clothes), head-gear (+ women's clothes), head-gear (bonnet) (+ women's clothes), fashion plates, fan (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)
Inscriptions: title: ‘Capote parée, sur un petit Bonnet. Fichu en Echarpe.’

Vrouw naar links, in witte japon met korte pofmouwen en een lijfje met kruisbanden op de rug. Versierde capote over een kleine bonnet. Lange handschoenen. Over de rechterarm een lange groene sjaal met borduursel, in de andere hand een dichtgevouwen waaier.
Cupido's pijl doorboort de borst van Polia
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: cupid shooting a dart, (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, the soul examined; the soul before its judge, representations ~ goddesses, demi-goddesses, heroines, etc. (greek religion)

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, verso fol. 155.
Bath Scraper
Object type: bath scraper
Date: 1101 – 1300
Materials: earthenware
Techniques: molding, relief
Location: iran
Subjects: animals

This flat object, molded on one side, was used in the public bath (hammam). The opposite side, which is coarse due to the siliceous fragments in the clay, would be used to rub the skin. The number of bath scrapers which have survived display a wide variety of decorative motifs.Prolonged exposure to water and steam in a hammam’s hot rooms loosens dead skin and forces impurities out of the body, which are then wiped or scrubbed away with any number of exfoliating implements, such as a mitt or sponge. A group of ceramic scrapers similar to this one are believed to come from Iran. Their decoration includes a variety of animal, floral, and geometric patterns, suggesting customers could select their own designs.
"Enthronement of a Young Prince (Shapur II?)", Folio from a Yusuf and Zulaikha of Jami
Object type: folio from an illustrated manuscript
Date: 1551 – 1600
Materials: gold, paper, watercolor
Location: iran
Artist: maulana nur al-din `abd al-rahman jami
Artist role: author
Artist nationality: iranian
Artist dates: 1414 – 1492
Subjects: princes,men,ceremony
Puzzle or "surprise" goblet
Object type: goblet
Date: 1601 – 1700
Materials: glass
The Blacksmith
Object type: print
Date: 1895 – 1896
Materials: ink, paper
Techniques: stumping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gezicht op het Lange Blekerspad, gezien naar de kerk De Liefde en de Westertoren
Object type: drawing
Date: 1899 – 1899
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: jacob oudes (sr.)
Artist role: draughtsman, painter
Artist dates: 1858 – 1921
Subjects: city-view in general; 'veduta', the usual house or row of houses, street
Inscriptions: stamp: ‘Van het Koninklijk / Oudheidkundig Genootschap / te Amsterdam. Port. 5’, inscription: ‘Lange Bleekerspad naar (...) de R[...] brug’, signature and date: ‘J. Oudes / 1899.’, inscription: ‘Lange Bleekerspad, kerk (...) D. C. Meijer. Jr.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Begijnensloot (Gedempte), Bagijnhofsteeg, Beulingsloot, Bickersgracht en –plein, Bickersstraat (Groote), Bilderdijkskade en -straat, Binnenkant, Blauwburgwal, Boomdwarsstraat, Brouwersgracht, Bleekersspad (Lange), Bleekerssloot, Bloemgracht, Boerenwetering, Boltensgrachtje, Boomssloot (Recht), Badhuisweg.
Plate 11: equestrian statue of Titus, seen three-quarters to the right, Mount Vesuvius erupting at left in the background, from 'Roman Emperors on Horseback'
Object type: print
Date: 1587 – 1589
Techniques: engraving
Artist: adriaen collaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1618
Subjects: men,portraits,horses
Teapot
Object type: ceramic
Date: 1790 – 1790
Materials: ceramic, enamel, glaze, hard paste porcelain, porcelain
Techniques: gilding
Location: china
Artist: Anonymous
Artist nationality: chinese
Subjects: eagle
Vrouwen en mannen op straat
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, adult man, street (+ city(-scape) with figures, staffage)

Pagina 25 uit schetsboek XLIV met 43 pagina's.
Staal kloskant met grove draad als voorbeeld van vormslag met zeven ribben met daarbij een fragment kant waarin deze techniek is toegepast
Object type: sample
Date: 1900 – 1930
Materials: cotton
Techniques: lace, tally
Location: western europe
Artist: Anonymous

Staal naturelkleurige kloskant met grove draad als voorbeeld van vormslag met zeven ribben met daarbij een fragment kant waarin deze techniek is toegepast. De datering betreft het staal.
Bittern (one of a pair)
Object type: figure
Date: 1750 – 1750
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…."
Chirurgijnsgilde van Amsterdam, gildepenning van G. Gerritszen, 111de chirurgijn
Object type: medal
Date: 1774 – 1774
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: Dood, afgebeeld als geraamte, in bloemenveld met zeis in rechterhand en met linkerhand op zandloper, die op sokkel staat. Keerzijde: gekroond wapenschild, geflankeerd door twee leeuwen boven cartouche met opschrift en doodshoofd
Monte Rosa and the Lyskam
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: monte rosa
Artist: stephen thompson
Artist role: fotograaf, schrijver
Artist dates: 1831 – 1893
Subjects: glacier, mountain-range, snow peaks
Inscriptions: inscription: ‘(from the corner glacier)’
[Women Grinding Paint, Calcutta]
Object type: photograph
Date: 1845 – 1845
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: women,working

With the invention of photography, the eighteenth-century British passion for recording exotic flora and fauna and for making ethnological studies of the peoples in India was given new impetus. The earliest photography on the continent dates from 1840 in Calcutta, the political center of British India. Paradoxically, the first photographs made there by officers of the British Army were daguerreotypes, a French process; photography on paper, the British invention, arrived in India in the late 1840s. Although the original paper mat on the verso of this daguerreotype is inscribed "Women Grinding Paint," the subjects could be performing one of any number of tasks: grinding indigo, for example, or beetlenut, or spices for curry. All that is certain is that the man in the turban to the right is a follower of the god Shiva, the sustainer-dissolver of the universe. Holy ash, or "bhasma," marks his forehead, while around his neck is a "mala" of "rudraksha" beads, sacred to Shiva. It seems likely that the photographer moved the group outside from a workshop nearby, carefully posing them in the shaft of sunlight that emerged through the slatted canopy. The setting--a quiet alley free of human, animal, or commercial distractions--is artificial even for India in the 1840s. The isolation of the figures, however, together with the respectful, low position of the camera, was employed by the photographer to great advantage.
Cendrillon
Object type: reproduction
Date: 1866 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: eugène joseph lejeune
Artist role: painter
Artist dates: 1818 – 1897
Subjects: tales and fairy tales (with title)
Inscriptions: inscription: ‘Carte-Album No 268 Goupil & Cie, Editeurs, Paris’, collector's mark: ‘Vosmaer’, inscription: ‘E. Lejeune/ Cendrillon’, check stamp: ‘Goupil & Cie’
Vrouw met een hoofdtooi, mogelijk een revuedanseres
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: female dancer

Blad 4 recto uit schetsboek VI met 33 bladen.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1913 – 1913
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: paris
Artist: adolphe thalasso
Artist role: criticus, dichter, dramaturg
Artist dates: 1858 – 1919
Subjects: armand dayot, painter, draughtsman, philip zilcken, printed matter
Inscriptions: collector's mark: ‘RPK’
Decorated "Shark" Skin (<i>Kazari-zame</i>)
Object type: decorated shark skin i kazari zame i
Date: 1800 – 1850
Materials: gold, paper, silk, wood
Culture: japanese
Location: japan
The Nativity, from the Life of Christ
Object type: print
Date: 1474 – 1474
Materials: ink, paper
Techniques: engraving, printing
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Interior Ornamented Wall with Window and Furniture, nos. 411–424, plate 64 from "Designs for Various Ornaments"
Object type: print
Materials: watercolor
Techniques: etching
Artist: michelangelo pergolesi
Artist role: artist and publisher
Artist nationality: italian
Artist dates: 1760 – 1801

This design for an interior wall design includes a window, drapery and furniture, with sections numbered 411 to 424. The print comes from a group created and published serially in London by Pergolesi between 1777 and 1792. There is no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The complete set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in Roman numerals at first, with Arabic numbers later introduced). In 1801, after Pergolesi's death, four additional plates of designs were published by a bookseller Dulouchamp (or Dulonchamp).
At Les Ambassadeurs (Au Café-Concert / At the Café Concert), from "L'Estampe Originale"
Object type: print
Date: 1894 – 1894
Materials: crayon
Techniques: brush, lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: women
Idiophone with an iyọ́bà
Object type: idiophone
Date: 1701 – 1900
Materials: ivory
Culture: edo period
Location: nigeria
Artist: ìgbèsànmwà (ivory- and wood- carving guild) artists
Artist role: artist
Subjects: musical instruments,men

Hand-held clappers commemorate an important event in Benin history, the victory of Oba Esigie over the Igala kingdom in the early sixteenth century. On the way to battle, Esigie and his army met the "bird of prophecy," which predicted disaster for Benin. Rather than submit to this fate, Esigie ordered the bird killed and went on to defeat his enemy. Ivory clappers depict the king and the queen mother; the latter is said to have used her vast spiritual powers to help her son prevail. Such instruments are played by chiefs at an annual palace festival celebrating Esigie's triumph.
Ontmoetingen met koning Willem I, 1829-1830
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: berlin, william i of the netherlands, ruler in informal contact with his subjects, brussels
Inscriptions: collector's mark: Lugt 2228

De koning helpt een vrouw uit Brabant een zware zak op te tillen die van haar ezel was gevallen. Met vierregelig onderschrift. Onderdeel van de serie van 24 platen met ontmoetingen met koning Willem I, verschenen onder de titel 'Les rencontres' in 1829-1830.
Five Standing Muscovites (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...,"  London, 1724, pl. 313)
Object type: print
Date: 1723 – 1724
Techniques: engraving
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: men

Possibly by Hogarth, this print illustrates a travel book by the French author Aubry de La Mottraye. This vignette used to adorn a large image containing a map. The so-called Muscovites are actually a Circassian who offers to sell two Circassian maidens to a Persian. The man at right is a Nogharian Tartar.