deem-data/ArtiFact huggingface dataset:
Portret van Ferdinand van Kiebach te Ried op 42-jarige leeftijd
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: ferdinand van kiebach te ried
Inscriptions: collector's mark: Lugt 2228
Covered Beaker
Object type: beaker
Date: 1470 – 1470
Materials: enamel, gilt silver, glass, silver
Culture: german
Location: germany
Artist: hans greiff
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1516
Subjects: men,coat of arms

This lavish silver beaker from the medieval town hall of Ingolstadt, in Bavaria, bear clear witness to the prosperity of the city and its residents, above all the fraternal members of the town council. The town hall boasted a treasury full of silver, and an on-site pub or "Trinkstube," in addition to its predicable tall towers and a fine clock. Tiny bunches of grapes, fashioned from green and red glass beads, peek out from the vine tendrils at the base, quietly proclaiming this to be a vessel for wine. Hirsute wildmen supporting the base hint at a party atmosphere. The engraved hunting scene on the exterior, complete with unicorn, is not original.
Astraea, Goddess of the Truth, from the Goddesses of the Greeks and Romans series (N188) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: goddess

Trade cards from the "Goddesses of the Greeks and Romans" series (N188), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Christus verschijnt aan Paulus in het legerkamp
Object type: print
Date: 1580 – 1581
Materials: paper
Techniques: engraving
Location: cologne
Artist: johann sadeler (i)
Artist role: print maker
Artist dates: 1550 – 1600
Subjects: god (or angel) speaks to paul during the night
Inscriptions: collector's mark: Lugt 240

Paulus zit 's nachts geketend op de grond. Naast hem slapende wachters. Christus verschijnt voor hem en beveelt hem in Rome van hem te getuigen. Een tentenkamp met soldaten op de achtergrond. Met een Latijns onderschrift met een Bijbelpassage uit de Handelingen van de Apostelen (Hand. 23:11). De derde prent van een vierdelige serie.
May
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Portret van een man en een vrouw (James A. McKay en Belle Savage-Reed (of Savage-Reed)
Object type: photograph
Date: 1890 – 1910
Materials: metal, paper
Techniques: ferrotyping
Location: united states
Artist: Anonymous
Inscriptions: annotation: ‘(James A. McKay) / Papa and Aunt Belle (Reed) / Savage’
Heuvel-Excavateur voor harde grondsoorten
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper
Techniques: photography, printing
Location: oudewater
Subjects: indië

Foto op grijs papier, van machine op rails. Opschrift; b.: 'Ontworpen en vervaardigd door de Firma de Jongh & Co te Oudewater / Voor rekening van het DEPARTEMENT van KOLONIEN. / Ten behoeve der Werken in de SOLO-VALLEI (NED. INDIE).
Omlijstingen
Object type: ornament print
Date: 1731 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: rocaille ornament, ornaments ~ art (+ framing decorations)

Twee rocaille omlijstingen met bladmotieven. Uitgeversnummer 175.
Floy Crowell, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: musical instruments,portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
S. Fidèle, martyr (St. Fideles, Martyr), March 23rd, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Portrait of Nicolas Trigault in Chinese Costume
Object type: drawing
Date: 1617 – 1617
Materials: chalk, ink, paper, pastel
Techniques: pen
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: men,portraits

This magnificent costume study is also an affecting portrait of Nicolas Trigault, a Flemish Jesuit missionary to China. Rubens, who had close ties to the Jesuit college of Antwerp, made the drawing when Trigault visited the city to raise funds and recruit new missionaries. The costume combines a Korean cap and the robe of a Chinese scholar, conveying the Jesuits’ desire to assimilate into Chinese culture while at the same time acknowledging and keeping a certain distance from it. Rubens beautifully captured the cut, texture, and weight of the robe but also elaborated on its colors in the Latin inscription.
Willem V en Wilhelmina van Pruisen, prins en prinses van Oranje-Nassau
Object type: insignia
Date: 1787 – 1787
Materials: silver
Techniques: embroidery
Location: netherlands
Artist: Anonymous
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange)

Eenzijdig zilveren ovaal opengewerkt draagteken in relief, aan bovenzijde versierd met opengewerkte strik met drie lussen. Voorzijde: naar elkaar gewende borststukken van man en vrouw onder opschrift boven jaartal binnen parelrand. Keerzijde: blanco
Portret van een officier
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Subjects: portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 12, number: ‘1’

Portret van een officier (mogelijk Rembrandt), ten halven lijve naar links. De platte hoed is getooid met twee veren.
Spoon
Object type: spoon
Date: 1701 – 1702
Materials: silver
Artist: george cox
Artist role: maker
Artist dates: 1698 – 1698
Het Pest-huis buiten Amsterdam
Object type: photomechanical print
Date: 1908 – 1908
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: rowing-boat, canoe, etc., windmill in landscape, hospital
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Buitengasthuis (Pesthuis).
Two Dishes and a Plate
Object type: plate dish
Date: 1600 – 1699
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: arita
Artist: Anonymous

Landscapes with European-looking figures and buildings appear in many variations on Japanese export porcelain meant for the European market. They were probably based on Dutch prints, or Delftware, which may explain why the clouds are depicted in a European manner.
Portret van Johan de Witt en Cornelis de Witt
Object type: print
Date: 1672 – 1691
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: lambert visscher
Artist role: draughtsman, print maker
Artist dates: 1640 – 1679
Subjects: dordrecht, the hague, cornelis de witt, johan de witt, ships (in general), violent death, being killed; being mishandled and maltreated; seeking death (+ death by lynching)
Inscriptions: collector's mark: Lugt 240

Portret van de advocaat Johan de Witt, raadpensionaris van het gewest Holland. Hij is gekleed in een mantel en staat voor een gordijn, waarachter zijn broer Cornelis de Witt. Onder het portret een afbeelding waar te zien is hoe de lichamen van de gebroeders op het Groene Zoodje worden opgehangen en verminkt.
Bos met rotan palmen
Object type: stereograph
Date: 1900 – 1935
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: malang
Artist: neville keasberry
Artist role: fotograaf
Artist dates: 1866 – 1944
Inscriptions: signature: ‘Neville Keasberry, Malang (Java)’, title: ‘S 1 No 8. Een Rottan bosch o/'t Idjenplateau.’
Jar with the Four Accomplishments: Painting, Calligraphy, Music, Strategy
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china

This porcelain jar is decorated with images of The Four Accomplishments – qin (music), qi (the game of Go), shu (calligraphy), and hua (painting). In ancient China, mastery of these elegant skills was deemed essential for the ideal scholarly gentleman to signify sophistication and education. Consequently, motifs of The Four Accomplishments frequently appear in paintings and on decorative objects. Notably, this jar showcases women partaking in these scholarly pursuits that were traditionally associated with men, likely reflecting the rise of learned women during the Ming Dynasty.
Two-handled vessel with a pierced base
Object type: vessel
Date: 301 – 500
Materials: glass
Culture: sasanian
Location: iran
Nest van de zilvermeeuw met eieren
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Subjects: nesting-box (+ variant)
Inscriptions: inscription: ‘[uitgebreid, zie foto]’

Pl. III uit serie/portefeuille ? 'Nest met eieren van de Zilvermeeuw, zie fondslijst Stins PZ Bloemendaal; afgebeeld in Thijsse het Vogeljaar 2de ed. 1913, p. 371
Portret van Adolf Visscher
Object type: print
Date: 1652 – 1702
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, adolf visscher (1605-1652), historical persons, the bible as a book
Inscriptions: stamp, collector's mark: Lugt 1641

Portret van Adolf Visscher, predikant te Amsterdam, staand achter een tafel bij een open bijbel. Onder het portret een zesregelig vers in het Latijn en het Nederlands. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Portretten, Portretten van bijzondere personen.
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 19 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: ornament

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. From top to bottom, and left to right: Design is printed upon a grid and is decorated in the center with a square framing a flower, which is flanked on the top and bottom by a border of foliage.
Face Mask Ornament
Object type: ornament
Date: 501 – 700
Materials: gilt copper
Culture: moche
Location: peru
Subjects: masks
Facsimile van de Unie van Brussel, 1577
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: the hague
Artist: daniël abrahams
Artist role: print maker, printer
Artist dates: 1795 – 1854
Subjects: unie van brussel
Inscriptions: collector's mark: Lugt 2760

Derde blad van de facsimile van het geschrift van de Unie van Brussel met handtekeningen, 9 januari 1577.
Grand Pianoforte
Object type: grand piano
Date: 1840 – 1840
Materials: wood, iron, ivory, mother of pearl, silver, steel, metal
Techniques: gilding, veneering
Culture: british
Location: united kingdom
Artist: érard
Artist role: manufacturer
Artist nationality: french
Artist dates: 1780 – 1959
Subjects: birds,men,women,bacchus,ceres,persephone
Sealing
Object type: sealing, private name and title
Date: 2030 – 1640
Materials: clay
Location: egypt
Borculo -- Na de cycloon op 10 augustus 1925
Object type: ansichtkaart, prentbriefkaart
Date: 1925 – 1925
Materials: paper
Techniques: photography
Location: the hague
Subjects: borculo

Briefkaart, bruingetint foto van de toestand in Borculo nadat er op 10-08-1925 een cycloon over het dorp was geraasd.
Yumoto, from the series "Seven Famous Hot Springs of Hakone (Hakone shichito meisho)"
Object type: print
Date: 1780 – 1780
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Cuneiform prism describing the restoration of Babylon by Esarhaddon, stamped with Assyrian hieroglyphic inscription
Object type: cuneiform prism
Date: 676 – 672
Materials: clay
Culture: assyrian
Location: mesopotamia
Subjects: lions

Following a series of revolts against Assyrian rule, the city of Babylon was sacked by the Assyrian king Sennacherib in 689 B.C. In his inscriptions, Sennacherib claims to have destroyed the city entirely, but his successors concentrated on restoring Babylon—and with it their claim to legitimate rule of Babylonia. In this prism, Sennacherib’s son and successor Esarhaddon describes his efforts to rebuild the city. He ascribes Babylon’s destruction not to his father, but rather to the anger of Babylon’s chief deity, Marduk, provoked by the Babylonian people’s neglect of their gods and rituals. At the same time, Esarhaddon’s claim to have returned deportees and looted possessions to the city is a tacit admission of Assyrian guilt. This prism is remarkable for the hieroglyphic design on its base. The images, to be read counterclockwise, show a stylized tree, a lion, a mountain, a plow, and a date-palm; other symbols on the damaged part of the prism are lost. Together, the signs are thought to form a cryptographic writing of Esarhaddon’s name and titles.
Santvliet, appartenant à Madame de Warmenhuys / Santvliet, toebehorende Mevrouwe van Warmenhuys
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: two-wheeled, animal-drawn vehicle, gate, entrance, country-house
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent waarschijnlijk uit: Broüerius van Nidek, Mattheus. Het Zegenpralent Kennemerlant, vertoont in veele Heerlijke Gezichten. Amsterdam: Leth, Hendrik de en Leth, Andries de, 1732, dl. 2.
Jar (bulb pot)
Object type: jar
Date: 1748 – 1748
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: tigers,flowers
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, left thigh, knee, calf, and right buttock of male with a himation
Brief aan Christiaan Kramm
Object type: letter
Date: 1857 – 1857
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: pierre louis dubourcq
Artist role: draughtsman, painter, print maker
Artist dates: 1815 – 1873
Subjects: publisher, johannes immerzeel, painter, print maker, draughtsman, hendrik albert van trigt, utrecht, christiaan kramm, the graphic arts, family life, travelling; tourism, painting (including book-illumination, miniature-painting), diseases, printed matter, italy, germany, france, england, belgium
Inscriptions: collector's mark: Lugt 2233
May, from The Twelve Months of the Year
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1593 – 1641
Inscriptions: Lettered upper center: "Mayus" and lower right: "5"
A Memorial of the Marriage of H.R.H. Albert Edward Prince of Wales and H.R.H. Alexandra, Princess of Denmark
Object type: book
Date: 1863 – 1863
Techniques: hand coloring, lithograph, engraving
Artist: sir william howard russell
Artist role: author
Artist nationality: irish
Artist dates: 1820 – 1907
Subjects: jewelry,crowns
Equestrian Statue of Marcus Aurelius
Object type: print
Date: 1515 – 1527
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: sculpture,men,horses
Tapijt met de doop van Christus en prefiguraties in een kerk te La Chaise-Dieu
Object type: page
Date: 1868 – 1873
Materials: photographic support
Techniques: albumen print
Artist: hippolyte malègue
Artist role: archeoloog, fotograaf, schrijver
Artist dates: 1825 – 1901
Subjects: tapestry
Inscriptions: inscription: ‘album des tapisseries de l'église de la Chaise-Dieu, par M. H. Malegue - Planche VI’
Ensemble
Object type: ensemble
Date: 1875 – 1875
Materials: cotton
Culture: american
Fontein
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: etching
Location: london
Subjects: riding a horse, ass, or mule; rider, horseman, column, pillar ~ architecture, staircase, ornamental fountain, civic architecture; edifices; dwellings, garden vase
Inscriptions: collector's mark: Lugt 2228

Prent 37 uit: Ottley, William Young. A collection of thirty-nine facsimiles, rare etchings, by celebrated painters of the Italian, Dutch and Flemish schools. Londen: 1828.
Miss Lee, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Design for a Clock
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: swords,palmettes,men,leaves,clocks
Curtain Coach #643
Object type: drawing
Date: 1870 – 1870
Materials: graphite, gum arabic, ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "La Pêche" door Auguste Jean Baptiste Lechesne en rechts "La Vendange" door Jacques François Walcher
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘940 en 912’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Design for T-Cart, no. 3324
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Relation de L'Arrivée du Roi au Havre-de-Grace le 19 Septembre 1749 et les fêtes qu se sont données a cette occasion
Object type: book
Date: 1753 – 1753
Techniques: engraving
Artist: jean-baptiste descampes
Artist role: artist
Artist nationality: french
Artist dates: 1706 – 1791
Subjects: boats,ships
Fotoreproductie van La benediction maternelle
Object type: reproduction
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: watching a sleeping child, painting, drawing and the graphic arts
Inscriptions: annotation: ‘Müttersjungen’, number: ‘141’
Robe, Birthday or Ceremonial
Object type: robe, birthday or ceremonial
Date: 1909 – 1911
Materials: silk
Culture: chinese
Huilende vrouw in interieur
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Artist: david bles
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1899
Subjects: weeping, mother and baby or young child, (playing with) toys
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2227

Tegenover de vrouw staat een lege stoel. Een meisje zit op de grond tegen de benen van de vrouw aangeleunt. Ze speelt met soldaatjes.
Pair of corner ornaments
Object type: corner ornament
Date: 1801 – 1900
Materials: gilt bronze