deem-data/ArtiFact huggingface dataset:
Room from a hotel in the Cours d'Albret, Bordeaux
Object type: period room
Materials: wood
Techniques: carving, painting
Artist: barthélemy cabirol
Artist role: maker
Artist dates: 1732 – 1786
Subjects: interiors

The Museum’s delightful small and intimate room is believed to have come from the Hôtel de Saint-Marc on the cours d’Albret, one of the recently laid out avenues. This residence was built between 1782 and 1784 by an unknown architect for the king’s minister Joseph Dufour. It was named, however, after Jean-Paul-André des Rasins (also Razins), the marquis de Saint-Marc (1728–1818 ), who became its second owner in 1787, having purchased not only the building but also the mirrors, tapestries, and other interior decoration. Formerly an officer in the Régiment des Gardes Françaises, the marquis de Saint-Marc retired in 1762 and then devoted himself to writing scripts for opera and ballet, poetry, and educational pieces for children. The presence of a circular room to the left of the entrance facing the courtyard of his mansion makes it plausible that the Museum’s paneling was originally installed there. A dumbwaiter in the kitchen directly below suggests that the room may have been the setting for private dinner or supper parties. The walls are rhythmically divided by eight long and narrow panels flanking the double doors, wall niches, windows, and mirrors. Displaying arabesques consisting of trophies symbolic of various arts and farming and hunting, the carving on these panels—mostly in low relief—has been attributed to the local sculptor Barthélemy Cabirol and his workshop. Additional trophies are found above the lintel of the two sets of doors—one, with a compass, T-square, and basket overgrown with acanthus leaves alluding to the origin of the Corinthian capital, is emblematic of architecture. Cabirol is known to have been responsible for high-quality boiseries in a number of private residences in Bordeaux. An engraving in César Daly’s Décorations intérieures empruntées à des édifices français of 1880 depicts this room with its original mantel and parquet floor. The latter was laid out in a radiating pattern that emphasized the shape of the room. Both the mantelpiece and the floor have since been replaced by other eighteenth-century examples.
Riviergezicht
Object type: print
Date: 1771 – 1786
Materials: paper
Techniques: hand coloring, roulette
Location: amsterdam
Subjects: sailing-ship, sailing-boat, river
Inscriptions: collector's mark: Lugt 2725, collector's mark: Lugt 12

Riviergezicht met verschillende zeilschepen en sloepen, die naast elkaar voor anker liggen.
Ex libris van A.A. van der Steur
Object type: bookplate
Date: 1876 – 1954
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacobus gerardus veldheer
Artist role: draughtsman, print maker
Artist dates: 1866 – 1954
Subjects: fishes
Inscriptions: signature: ‘J.G. Veldheer’
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1918
Materials: ink, paper
Techniques: pen, writing
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: rotterdam, george hendrik breitner, painter, jan veth, workshop, studio of the artist (in general)
Inscriptions: collector's mark: ‘RPK’
The Virgin from a Pentecost Scene and the Figure of Saint Martin
Object type: panel
Date: 1245 – 1248
Materials: glass, metal, paint
Culture: french
Location: france
Subjects: men,virgin mary,saints

It is possible that the figure of the Virgin and the two seated apostles (the head of the figure behind is a medieval replacement) come from a panel representing the pentecost. The figure of Saint Martin came from another window dedicated to that saint.
L'amant de carton
Object type: book
Date: 1863 – 1863
Materials: cardboard, paper
Techniques: albumen print, printing
Location: paris
Drieëenheid
Object type: print
Date: 1538 – 1538
Materials: paper
Techniques: woodcut
Subjects: the holy trinity, 'trinitas coelestis'; father, son and holy ghost ~ christian religion

Christus tronend met kruisvaandel naast God tussen zuilen in de hemel. Tussen hen in zweeft het symbool van de heilige Geest, een duif. In de marge boven de afbeelding staat de tekst Psalm CIX. De prent is beklad met pen in bruin.
Boy’s Day Carp Streamer and Shōki Banner
Object type: hanging scroll
Date: 1870 – 1870
Materials: ink, silk
Culture: japanese
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889

On Boys’ Day, the fifth day of the fifth month, families displayed carp streamers and images of the demon-queller Shōki, painted in red to protect the household against disease; the rooster symbolizes honesty and fortitude. Kawanabe Kyōsai was renowned for his witty, humorous depictions of people, birds, and animals of all varieties. Once arrested for a caricature mocking the government, he became one of the most popular artists of his day.
Gezicht op de sloop van de beurs van Hendrik de Keyser
Object type: drawing
Date: 1803 – 1837
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: kasparus karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1896
Subjects: city-view in general; 'veduta', stock exchange, stock-market, demolition of building
Inscriptions: inscription: ‘Bij het verblyf (...) lo[...]on / betaling / 1814.’, signature, date and inscription: ‘Schets van de (...) Maart 1837 K Karsen’

Onderwerpsrubriek binnen de Atlas Amsterdam: Beurs op het Rokin.
Lint, geel, aan beide zijden blauw afgebiesd
Object type: braid
Date: 1890 – 1935
Materials: textile
Techniques: weave
Location: france

Lint, geel, aan beide zijden blauw afgebiesd.
Twee mannen staande voor een fontein in Chaudes-Aigues, Frankrijk
Object type: stereoscopic photograph
Date: 1860 – 1890
Materials: glass
Techniques: slide
Location: chaudes-aigues
Artist: Anonymous
Subjects: ornamental fountain (in village)
The Actor, Ichikawa Danjuro I, 1660–1704 as a Woman in Unidentified Role
Object type: print
Date: 1664 – 1729
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonobu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1664 – 1729
Subjects: swords,men,women,actors
Double heads of protagonists in the Year of Disasters
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: dordrecht, cornelis de witt, the hague, politician, johan de witt, rampjaar (disaster year)
Inscriptions: inscription: ‘daer t' Wolfs vel by de Vos en list baert en Gewelt / Is t Lant by sijn verderf hun Eynt het al herstelt’

In 1672, known as the ‘Year of Disasters’, the Dutch Republic came under simultaneous attack by France, England and Germany. The double heads depict the protagonists, whose true nature is revealed when they are turned upside down. From left to right, they are: Stadtholder William III as Mars, Louis XIV as a lion, the English King Charles II as a tiger, Archbishop Henry of Bavaria as an ass and the Bishop of Munster as a swine. Johan and Cornelis de Witt are a fox and a wolf. Many believed they were to blame for the war.
Grondtekening der stad Rotterdam
Object type: print
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), rotterdam
Inscriptions: collector's mark: Lugt 2233

Prent ook gebruikt in: Wagenaar, Jan. Tegenwoordige staat der Vereenigde Nederlanden, vyfde deel. Behelzende het vervolg der beschrijvinge van Holland. Met naauwkeurige plans der steden en printverbeeldingen versierd / Hedendaagsche historie, of tegenwoordige staat van alle volkeren; XVde deel (…). Amsterdam: Isaak Tirion, 1744, tussen p. 214 en 215. En in: Beknopte atlas, van omtrent honderd platte gronden der voornaamste vestingen, kasteelen en steden van Europa, en byzonder van de Nederlanden en eenige kolonien (…). Amsterdam: Compagnie van Boekverkopers, s.a. [na 1780].
Mortar and pestle
Object type: mortar and pestle
Date: 1751 – 1800
Materials: brass
Ontwerp voor een kandelaar
Object type: design drawing
Date: 1826 – 1826
Materials: graphite, paper
Location: paris
Inscriptions: number: ‘5’, signature and date: ‘12 Xbre 1826 F Bertrand Paraud’, number: ‘No. 114’, watermark

Het jaartal 1826 op de tekening is wellicht een vergissing voor 1836; dit wordt gesuggereerd door de in potlood aangebrachte datering op de verso en door vergelijking met RP-T-2019-349.
Nürnberg. Hof im Pellerhaus
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: nuremberg
Artist: Anonymous
Subjects: archive, public library
Fotoreproductie van een schilderij van Christus en Johannes de Doper als kinderen door Joos van Cleve
Object type: photograph
Date: 1878 – 1883
Materials: photographic support
Techniques: albumen print
Subjects: embracing each other, kissing, christ as youth, series of scenes from the life of john the baptist
Inscriptions: inscription: ‘Gossaert (Jean) dit de Maubeuge’
Ontginning op Pernantian, 1939
Object type: photograph
Date: 1912 – 1939
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: rubber, sumatra
Inscriptions: inscription

Blad met twee foto's van ontginning nieuwe akkers met rubberbomen op Pernantian, december 1939. Met etiketten met onderschriften onder de foto's. Onderdeel van het fotoalbum over de plantages Pernantian en Brussel van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1935-1939.
Karper zwemmend tussen wier en drie visjes
Object type: watercolor
Date: 1808 – 1861
Materials: paper, watercolor
Techniques: brush
Artist: utagawa kuniyoshi
Artist role: draughtsman, print maker
Artist dates: 1798 – 1861
Rivierlandschap
Object type: print
Date: 1796 – 1856
Materials: paper
Techniques: etching
Location: vaassen
Subjects: windmill, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Een man en een vrouw, op de rug gezien, lopen langs een rivier. Rechts een molen en een kerk aan de horizon. Links aan de overzijde van de rivier een huis en twee figuren.
Stadsgezicht met op de achtergrond bergen
Object type: album leaf
Date: 1880 – 1910
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: city-view in general; 'veduta', mountains, france
Inscriptions: annotation: ‘[...]’
Waterput bij een boerderij
Object type: sketchbook leaf
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: well, farm (building)

Blad 53 recto uit een schetsboek met 77 bladen.
Boeren vrijage
Object type: print
Date: 1650 – 1654
Materials: paper
Techniques: drypoint, etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: couple of lovers
Inscriptions: collector's mark: Lugt 2610, collector's mark: Lugt 2228a
St Catherine
Object type: sculpture
Date: 1500 – 1510
Materials: wood
Techniques: polychromy
Location: mechelen
Artist: Anonymous
Subjects: the virgin martyr catherine of alexandria; possible attributes: book, crown, emperor maxentius, palm-branch, ring, sword, wheel
Inscriptions: mark, on the reverse, branded: three vertical pales (the Mechelen wood quality mark)

Zij staat op een grondje met het naar voren gebogen rechterbeen over de liggende Maxentius heen. In de linkerhand draagt zij een opengeslagen boek. Haar bovenlichaam met afhangende rechterarm buigt iets naar links door. De haren vallen over rug en schouders. Over een hemd en onderkleed, beide met v-vormige halsuitsnijding, een gewaad met rechthoekige halsuitsnijding en franje aan de bovenmouw. Van haar linkerschouder loopt de mantel onder de rechterarm door en is naar rechts toegeslagen. Maxentius met lange, gevlochten baard houdt deze met de rechterhand vast, terwijl hij met de linkerarm op het grondje steunt. Hij draagt een kroon en een kostuum, waarvan de mouwen bovenaan afhangende lobben en verder splitten vertonen.
Belt buckle with paired felines attacking ibexes
Object type: belt buckle
Date: 300 – 101
Materials: gold
Culture: xiongnu
Location: mongolia or southern siberia
Subjects: animals,ibex

During the first millennium B.C., many horse-riding nomadic tribes controlled the vast Eurasian steppes to the north of the Black and Caspian seas. Some of the nomadic groups—particularly Scythian tribes that lived in the plains north of the Black Sea—were described by the Greek historian Herodotus in his Histories. But we also know about them from their burial mounds, which contained sumptuous golden objects made in a variety of styles that reflect contacts with Greece, Persia, and China. Following earlier Scythian migrations, Sarmatian tribes moved in the fourth century B.C. from the area north of the Caspian Sea into the Caucasus and Europe. Sarmatian animal-style art is distinguished by complex compositions in which stylized animals are depicted twisted or turned back upon themselves or in combat with other animals. Plaques, clasps, and weapons were frequently made of precious metals and embellished with polychrome inlays of stone and glass, many of which find stylistic parallels in the East. This cast buckle depicts a heraldic composition with two felines biting the necks of two ibexes whose legs are folded beneath them. Although symmetrical confronted animals suggest a Scythian background, this plaque is surely later and also reflects an artistic environment much farther east.
Koninklijke Nederlandsche infanterie
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van militairen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 64.
Cologne (Prusse)
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: cologne
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: number: ‘-489-’, number: ‘L49.’
Insertion with Cardinal's Coat-of-Arms
Object type: textile
Date: 1675 – 1725
Materials: lace, linen
Techniques: lace
Location: italy
Fishes
Object type: album leaf
Date: 1890 – 1892
Materials: silk
Culture: japanese
Artist: seki shūkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1858 – 1915
Subjects: fish
Mummy label
Object type: mummy label
Materials: pigment, wood
Location: egypt
Portretten van afgevaardigden bij de Vrede van Westfalen
Object type: print
Date: 1648 – 1650
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons

Met vijfregelig onderschrift in het Latijn.
Het zeemans afscheid
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: sailing-ship, sailing-boat
Inscriptions: stamp, collector's mark: Lugt 1641

Een zeeman neemt afscheid voor hij de zee op gaat. Een vrouw heeft haar armen om hem heen geslagen. Een man speelt viool en een jongen houdt een wijnfles omhoog. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Scheepsvaart.
Overlijden van Theodorus Smit 1689
Object type: family medal
Date: 1689 – 1689
Materials: silver
Techniques: engraving

Ronde zilveren plaat, beiderzijds gegraveerd, op voor- en keerzijde acht regels tekst met omschrift.
Vrouw met leeuw
Object type: print
Date: 1732 – 1780
Materials: paper
Techniques: engraving, etching
Artist: pierre etienne moitte
Artist role: print maker
Artist dates: 1722 – 1780
Subjects: personifications of countries, nations, states, districts, etc., africa represented allegorically; 'africa' (ripa), beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Mogelijk een vrouwelijke personificatie van Afrika of Venetië.
Les bergers
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: engraving, etching
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., ornamental fountain
Inscriptions: collector's mark: Lugt 2228
Landweg met struikgewas
Object type: print
Date: 1888 – 1931
Materials: paper
Techniques: etching
Artist: suze de lint
Artist role: print maker
Artist dates: 1878 – 1953
Subjects: shrubs, road, path
Inscriptions: collector's mark: Lugt 2228
[Petersburg, Virginia]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: american civil war,landscapes
Toilet box containing four smaller boxes
Object type: toilet box
Date: 1761 – 1761
Materials: gold, soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: peacocks,flowers

Containing a nest of smaller boxes, these pieces may have belonged to a luxurious dressing-table set similar to one advertised by the dealer Burnsall on July 21, 1764: "A most grand and capital Lot of . . . Chelsea Porcelain, containing a dressing Glass and three Drawers . . . with different Gold Instruments and Twelve Toilet Boxes to ditto, all of the rich Mazarine Blue and Gold." The deep blue ground color, known as Mazarine blue, combined with the lavish gold decoration, used at Chelsea as early as 1756, clearly was influenced by Vincennes and Sèvres porcelain.
Portret van Jacob Spex
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: engraving
Location: the hague
Subjects: jacob spex, historical persons, writer, poet, author

Prent waarschijnlijk uit: Spex, Jacob. Gedichten van Jakob Spex. Den Haag: Pieter Gerard van Balen, 1755.
Bandiet Bellacoscia, Bocognano
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1904
Materials: cardboard, paper
Techniques: photograph
Location: corsica
Subjects: trees, walking-stick, staff, historical persons, sitting with arms or elbows on the knees, criminals
Inscriptions: inscription: ‘Bandit Bellascoscia/ Bocognano’

Deze fotomechanische afdruk maakt deel uit van een album.
Reglement voor dienstboden, Middelburg 1791
Object type: pamphlet
Date: 1791 – 1791
Materials: paper
Techniques: letterpress printing
Location: middelburg
Artist: hermanus snel
Subjects: maid ~ house personnel, middelburg

Reglement voor dienstboden, Middelburg, 1791. Op de voorpagina het wapen van Middelburg. Boekje bestaande uit acht bladen. Op achterzijde de naam van de secretaris Pl. Changuion. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Beroep en bedrijf. Vrouwelijk beroep en bedrijf. Dienstboden.
Autumn Moon at Ishiyama (Ishiyama shugetsu), from the series "Eight Views of Omi (Omi hakkei)"
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
The Cypress-Shingle Yard, Ocklawaha River, Florida
Object type: watercolor
Date: 1870 – 1870
Materials: gouache, graphite, gum arabic, watercolor, paper
Culture: american
Artist: harry fenn
Artist role: artist
Artist nationality: american, born england
Artist dates: 1845 – 1911
Subjects: men,trees
Panel
Object type: panel
Materials: gold, thread, wool
Techniques: embroidery
Location: armenia
Subjects: human figures
Portret van August Wilhelm van Pruisen
Object type: photograph
Date: 1910 – 1917
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: prince, historical persons
Sword guard (<i>Tsuba</i>) With Cherry Blossom Motif (桜図与四郎象嵌鐔)
Object type: sword guard tsuba
Date: 1601 – 1700
Materials: brass, iron
Culture: japanese
Location: japan
Subjects: flowers
Portret van een meisje met speelgoedkonijn
Object type: carte de visite
Date: 1923 – 1934
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: haarlem
Artist: berend zweers
Artist role: fotograaf
Artist dates: 1872 – 1946
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘Berend Zweers/ Groote Houtstraat 174/ Haarlem’
Cetara route d'amalfi
Object type: stereograph
Date: 1857 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: cetara
Artist: Anonymous
Subjects: coast, beach
Inscriptions: number: ‘6’, number: ‘6’
Portret van een onbekende man
Object type: print
Date: 1831 – 1890
Materials: paper
Techniques: etching
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: adult man, historical persons, organization, functionaries and dignitaries in roman catholic church; clergy in general
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1e Etat’

Aan de kleding is te zien dat de geportretteerde persoon waarschijnlijk een priester is.
Verkondigingsengel, op wolken tredend
Object type: drawing
Date: 1585 – 1640
Materials: chalk, ink, paint, paper
Techniques: brush, pen
Artist: giovanni mauro della rovere
Artist role: draughtsman
Artist dates: 1575 – 1640
Subjects: the archangel gabriel, the announcement of christ's birth (luke 1:26-38)

Verkondigingsengel, op wolken tredend, in een Renaissance-interieur.
Clock-watch
Object type: clock watch
Date: 1650 – 1650
Materials: brass, gilt, steel
Basreliëf met Krishna verhaal in tempelcomplex candi Panataran aan de zuidzijde.
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Ewer
Object type: ewer
Date: 901 – 1100
Materials: ceramic glaze, glaze, stoneware
Culture: chinese
Cup on High Foot
Object type: cup
Date: 960 – 1279
Materials: pottery
Culture: chinese
Cuff (one of a pair)
Object type: cuff
Date: 1501 – 1600
Techniques: lace
Glass ribbed bowl
Object type: bowl, ribbed
Date: 1 – 50
Materials: glass
Culture: roman

Translucent cobalt blue. Thick, slightly outsplayed rim with almost pointed edge, sloping inward below; convex curving side, tapering obliquely downward; concave bottom. On interior, a single broad horizontal groove, cut at junction of rim and side; on exterior, forty-five short rounded ribs of varying width, thickness, and length. Intact, except for minor chips in rim; some pinprick bubbles; faint dulling and iridescence, with small patches of encrusted weathering on interior. Rotary grinding marks on interior and on band around exterior of rim; series of irregular tooling marks and indents on band around exterior of rim.
Beslag
Object type: beslag
Date: 1400 – 1950
Materials: iron
Zweden, Kristina, ½ riksdaler,1642
Object type: coin
Date: 1642 – 1642
Materials: silver
Techniques: striking
Location: slot rörstrand

Zilveren munt. Voorzijde: portret van de koningin naar links. Keerzijde: de Zaligmaker met links van hem gekroond wapenschild. Jaartal in omschrft. Gladde rand.
Card Number 99, Lewis, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Baby in een kinderwagen en een jongenshoofd
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: baby-carriage, pram, perambulator, boy (child between toddler and youth)

Blad 15 verso uit schetsboek XI met 30 bladen.