deem-data/ArtiFact huggingface dataset:
Winterlandschap: twee houtsprokkelaars komen het bos uit
Object type: drawing
Date: 1865 – 1865
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes petrus waterloo
Artist role: draughtsman
Artist dates: 1790 – 1870
Subjects: forest, wood
Inscriptions: date: ‘1865’
Golden Oriole, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Large trade cards from the "Song Birds of the World" series (N42), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N42 reproduces the cards from N23 in a larger size.
And none knew why he fed them both with his own hands, illustration to "Quince"
Object type: drawing
Date: 1888 – 1888
Materials: cardboard, ink
Techniques: pen
Artist: edwin austin abbey
Artist role: artist
Artist nationality: american
Artist dates: 1852 – 1911
Subjects: men,horses,working

Abbey moved to England in 1878 to research illustrations to historical poems for Harper's and settled there permanently in 1883. This drawing is one of a series that responds to "Everyday Characters," poems by the British poet W. Mackworth Praed. We see the elderly bachelor Quince, a denizen of a West Country village, feeding his horse. The related stanza reads: For full ten years his pointer Speed Had couched beneath her master's table; For twice ten years his old white steed Had fattened in his master's stable; Old Quince averred, upon his troth, They were the ugliest beasts in Devon; And none knew why he fed them both, With his own hands, six days in seven. Reproduced as a wood engraving, the image appeared in Harper's "New Montly Magazine," vol. 79 (June 1886), p. 29.
Vijftigjarig bestaan van de Maatschappij tot Exploitatie van Staatsspoorwegen
Object type: history medal
Date: 1913 – 1913
Materials: bronze
Techniques: striking
Location: netherlands
Artist: johannes cornelis wienecke
Artist role: medailleur
Artist dates: 1872 – 1945
Subjects: steam locomotive

Vijftigjarig bestaan van de Maatschappij tot Exploitatie van Staatsspoorwegen. Bronzen penning, voorzijde: stoomlocomotief op spoorbrug binnen omschrift; keerzijde: gezicht op spooremplacement met seinhuis, waarboven vierregelige tekst, binnen krans.
Witte Groenlandse valk
Object type: book illustration
Date: 1844 – 1853
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: predatory birds: falcon
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Schlegel, Hermann; Verster van Wulverhorst, Abraham H. Traité de fauconnerie. Leiden en Düsseldorf: Arnz & Co., August, 1844-1853.
Cowrie Shell Girdle, Lion Bracelets, Bracelets with the Name of Amenemhat III, and Anklets of Princess Sithathoryunet
Object type: girdle, bracelet, anklet, sithathoryunet view jewelry
Date: 1887 – 1813
Materials: gemstone, silver alloy, gold
Location: egypt
Subjects: sithathoryunet-jewelry

Along with the pectoral, these bracelets, anklets, and girdle seem to have belonged to a set of formal jewelry that may have been worn during a special rite. Although the objects share a color scheme, variations in manufacture suggest they were accumulated over time. All the pieces were reconstructed from loose elements found scattered around Sithathoryunet’s decayed boxes. The bracelets are inlaid with the name of King Amenemhat III. The girdle, whose shells have erotic associations, was worn around the hips. Each contains small pellets that would have made a soft sound when the woman walked or danced.
Brief aan Philip Zilcken
Object type: letter
Date: 1878 – 1878
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: georgette meunier
Artist role: painter
Artist dates: 1859 – 1951
Subjects: the hague, painter, draughtsman, philip zilcken, applied arts, arts and crafts; industrial design, exhibition ~ art, brussels
Inscriptions: collector's mark: ‘RPK’

RP-D-1982-43-MEUNIER(G.)-3B vormt een bijlage bij deze brief.
Phalsbourg place fortifieé de notre temps située aux frontieres d'Alsace et de Loraine
Object type: album leaf
Date: 1702 – 1702
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: maps of cities

Plattegrond uit: Les forces de l'Europe, Asie, Afrique et Amerique. 12 dln. Amsterdam: Pieter Mortier, 1702.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, sheared; Exterior, meander and cross square with dots in the corners
Drievoet pan uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: drievoet
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tripod; (1) oval, flat bottom, straight sides, outward rolled rim, (2.9l, 22.5w, 11h),3 rivet-holes for each leg, handle was fitted above one of the legs with 4 rivets in semicircular row.
Glass network mosaic bowl fragment
Object type: fragment, network
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent blue, opaque white, and colorless. Applied coil rim with rounded lip; slightly tapering side, then curving in sharply towards bottom. Rim in blue with fine double white spiral threads; body decorated with twelve colorless narrow canes slanting from top right to bottom left, decorated with two spirally twisted white threads. Pinprick bubbles; exterior polished, with pitting of surface bubbles; dulling and creamy iridescent weathering on interior; jagged, weathered edges.
Portret van Victor Hugo
Object type: photomechanical print
Date: 1895 – 1930
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: victor hugo, adult man, historical persons
Portret van Karel Ferdinand van Berry
Object type: print
Date: 1816 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Copies after the 'Livre contenant passement de moresques' (plate 2)
Object type: album print ornament architecture
Date: 1801 – 1900
Techniques: etching
Artist: jacques androuet du cerceau
Artist role: artist
Artist nationality: french
Artist dates: 1510 – 1585

Modern album containing 19 etchings with moresque designs after the French artist Jacques Androuet Du Cerceau.
L'enchanteur
Object type: print
Date: 1708 – 1729
Materials: paper
Techniques: etching
Location: paris
Subjects: types in 'commedia dell'arte': pierrot, adventurer, making music; musician with instrument - cc - out of doors
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2228

De bovenste plaat verbeeldt een man met hoed die voor twee gezeten vrouwen en een staande Pierrotfiguur op zijn snaarinstrument speelt. Op de onderste plaat bevindt zich centraal een vrouw in akimbo houding met wandelstok en rechts een gezeten koppel en een staande Pierrotfiguur. Beide taferelen spelen zich in de openlucht af.
Petticoat
Object type: petticoat
Date: 1880 – 1890
Materials: cotton, silk, wool
Culture: american
Tentenkamp van de stammen van Israël
Object type: print
Date: 1538 – 1538
Materials: paper
Techniques: woodcut
Subjects: the tribes are arranged in their proper order ~ the book of numbers

Tentenkamp van de Israëlieten met in het midden de ontmoetingstent met het tabernakel naar het Oosten gericht zoals op een schildje met tekst bovenaan is aangeduid. Bij de tenten staan de verschillende namen van de stammen van Israël. In de marge boven de afbeelding staat de tekst Nvmeri II.
Eigentijdse Nederlandse aforismen in spiegelbeeld
Object type: calligraphy
Date: 1652 – 1680
Materials: ink, paper
Techniques: calligraphy
Location: zwolle
Artist: henrik jordis

Het blad is later aan het Album toegevoegd en genummerd toen het opnieuw ingebonden werd. De middelste tekst is een herhaling van folio 8 van het Poëzie-album, met als verandering dat jonghmans vervangen is door juffertis. De derde tekst komt uit Spiegel van den ouden ende nieuwen tijdt (I, p. 33) van Jacob Cats.
Eerst gedaan en dan bedacht, / Heeft menig in 't verdriet gebracht
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: geldern
Subjects: inn, coffee-house, public house, etc., robber
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over meneer Van Spek die de hoed steelt van meneer Van Pek. Onder elke afbeelding een tweeregelig vers. In de ondermarge een vierregelig vers. Genummerd midden onder: Nro. 128. Genummerd rechtsboven: 128.
Juni
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: raid on the medway
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Midden boven een voorstelling van figuren rennend naar een vertrekkende trein. Daaronder een aantal voorstellingen van gebeurtenissen die plaatsvonden in de maand juni, waaronder de Tocht naar Chatham in 1667. Midden onder meteorologische en andere waarnemeningen voor de maand juni in 1849.
The Conversion of St. Paul (recto); The Execution of the Prisoner (verso)
Object type: drawing
Date: 1701 – 1833
Materials: chalk, gouache, ink
Techniques: brush, heightening, pen, wash
Location: germany
Artist: dominik kindermann
Artist role: artist
Artist nationality: austrian
Artist dates: 1739 – 1817
Subjects: prisoners,men,horses,saint paul,cross
Figure, possibly the God of Wealth in His Civil Aspect
Object type: figure
Date: 1667 – 1733
Materials: biscuit, enamel, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: men
Ruiterportret van keizer Claudius
Object type: print
Date: 1616 – 1620
Materials: paper
Techniques: engraving
Location: italy
Artist: laurens eillarts
Artist role: print maker
Subjects: keizer, claudius i (keizer van het romeinse rijk)
Inscriptions: collector's mark: Lugt 2228

Keizer Claudius te paard, en profil afgebeeld met speer en schild.
Cabin
Object type: print
Date: 1917 – 1917
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Ida, from the Ballet Queens series (N182) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Ballet Queens" series (N182), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Schetsen van boeren en boerderijen
Object type: drawing
Date: 1879 – 1954
Materials: ink
Techniques: pen
Artist: edzard koning
Artist role: draughtsman, print maker
Artist dates: 1869 – 1954
Mozes met de tafelen der wet
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: etching
Location: netherlands
Subjects: moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, tables of the law, the ten commandments represented together on stone tablets
Inscriptions: collector's mark: Lugt 240
Textile Fragment
Object type: textile fragment
Date: 1601 – 1700
Materials: velvet
Techniques: cutting
Location: india
Sampler
Object type: textile
Date: 1766 – 1766
Materials: linen, silk
Techniques: embroidery, weave
Location: germany
Lofzang op David Willem Elias die een jaar hoofdofficier van Amsterdam is
Object type: text sheet
Date: 1793 – 1793
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: amsterdam, politician, mayor, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, crowning with laurel
Inscriptions: stamp, collector's mark: Lugt 1641

Tekstblad bestaande uit vier pagina's. De middelste twee pagina's zitten ongebonden in het object. Op de tweede pagina een prent van Vrouwe Justitia. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Rechtswezen.
Dish
Object type: dish
Date: 1670 – 1670
Materials: hard paste porcelain
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Finale of the Flying Dutchman, second plate
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: lithograph
Location: france
Artist: henri fantin-latour
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1904
A Rocky Stream or River
Object type: drawing
Date: 1811 – 1811
Materials: graphite
Artist: james ward
Artist role: artist
Artist nationality: british
Artist dates: 1769 – 1859
Subjects: trees

Best known for romantic paintings of animals, Ward was also a prolific draftsman. An apprenticeship to the engraver John Raphael Smith was followed by studies at the Royal Academy Schools, after which the artist made regular sketching tours around Britain to hone his technique (leaving 2,828 drawings in his estate). This richly shaded rendering of a stream resembles a sheet in private hands inscribed “White Well" and dated July 31, 1811. Ward travelled widely that summer, from Brownsea, Dorset to Wychnor, Staffordshire and likely found this subject at Whitewell, near Clitheroe, in Lancashire, a picturesque village on the River Hodder. The initials "JWD RA” were added late in life, as the artist went through and inscribed his drawings.
A Path Bordered by Trees with two Beggars and a Couple Strolling
Object type: drawing
Date: 1767 – 1800
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, wash
Artist: ferdinand kobell
Artist role: artist
Artist nationality: german
Artist dates: 1740 – 1799
Subjects: human figures,roads,landscapes,trees
Love Conquers All
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: etching
Location: italy
Artist: agostino carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1557 – 1602
Bronze bow-shaped fibula (safety pin) with bone cylinder
Object type: fibula with bone cylinder
Date: 800 – 701
Materials: bone, bronze
Culture: italic

A wide bone cylinder is fixed to the clasp . On the exposed bronze portion of the clasp are incised zigzags and a swastika.
Gauntlet Sword (Pata)
Object type: gauntlet sword pata
Date: 1801 – 1900
Materials: brass, steel
Culture: indian
Location: india
Busteportret van Filips Willem, prins van Oranje
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: buren, bruges, filips willem (prins van oranje), armour, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Hij draagt een harnas. Linksboven zijn wapenschild. Op de achtergrond door het venster een gezicht op de zee. In de marge een drieregelig onderschrift in het Latijn.
Ritual food vessel
Object type: liding
Materials: bronze
Location: china
Artist: Anonymous
Carrying a Lantern Decorated with a Pavilion, Gohei, Flowers, and Fan (Sekiguchi-cho Rosoku-cho no banto), from the series "The Festival of the Kanda Shrine (Kanda go-sairei)"
Object type: print
Date: 1779 – 1779
Techniques: woodblock print, nishiki e
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Phrosine et Mélidore
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: engraving, etching
Subjects: saving a person from drowning, couple of lovers, sea
Inscriptions: collector's mark: Lugt 2228

Scène uit het gedicht van Pierre-Joseph Bernard. Mélidore redt zijn geliefde Phrosine uit de zee.
Caelaturae
Object type: print
Date: 1648 – 1664
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: cornelis van dalen (ii)
Artist role: draughtsman, print maker
Artist dates: 1638 – 1664
Subjects: giovanni boccaccio, bard, lyric poet
Inscriptions: collector's mark: Lugt 2165

Prent naar schilderij van Titiaan. Prent uit serie Caelaturae met vierendertig reprodukties naar Italiaanse en Nederlandse schilders, vervaardigd door de allerbeste graveurs in opdracht van de verzamelaar Gerard Reynst. Vergelijk het Reynst album uit de verzameling van Michiel Hinloopen met vier portretten door Cornelis van Dalen (II) in eerste staten in het Rijksmuseum, zie Waals 1988, p. 103, 104.
Light and Shadow in Black Cañon, From Mirror Bar
Object type: photograph
Date: 1871 – 1871
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Cementmolen in een winterlandschap bij de Overtoom in Amsterdam
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: amsterdam

Moderne afdruk van negatief BR 1042 (collectie RKD).
Portret van Frederik van Dorp, gouverneur van Oostende
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, governor, etc. of province
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Fleming, Philippe. Oostende. Vermaerde, gheweldighe, lanckduyrighe ende bloedighe belegheringhe, bestorminghe ende stoute aenvallen (...). Den Haag: Aert Meuris, 1621.
Portret-buste van Mevr. A. C. Berlage-van der Togt
Object type: sculpture
Date: 1950 – 1950
Materials: gypsum
Artist: bart van hove
Artist role: sculptor
Artist dates: 1850 – 1914
Terracotta neck-amphora (jar)
Object type: neck amphora
Date: 540 – 530
Materials: terracotta
Culture: greek, attic
Artist: princeton group
Artist role: artist
Subjects: bow and arrow,shields,men,herakles

Obverse, Herakles; reverse, Geryon. On the neck, obverse and reverse, a flute-player leading a procession of youths and men One of the labors of Herakles was to obtain the cattle of Geryon, a creature composed of three fully-armed bodies. Geryon lived on an island in the far west with his herdsman, Eurytion, and dog, Orthros. Here, Herakles takes aim with his arrow against Geryon, one of whose bodies is falling. The subject was popular in the sixth century B.C.; several representations in stone can be seen in the Cypriot galleries on the second floor. The vase is exceptional for its broad and sharply tapering shape that lacks a foot. It is also one of the earliest instances where the protagonists of a story are placed on opposite sides of the body.
Reclamefolder voor 'le célèbre Silhouettiste Arnold de Florence'
Object type: photomechanical print
Date: 1875 – 1925
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: advertising, portrait, self-portrait of draughtsman

Reclamefolder voor het laten maken van een silhouet karikatuur door Arnold de Florence.
Marie Rostelle, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Head Looking Upwards
Object type: drawing and watercolor
Materials: chalk, paper, lead, pigment
Techniques: heightening
Location: italy
Artist: Anonymous
Artist nationality: Sienese
Spoon
Object type: spoon
Date: 1700 – 1800
Materials: pewter
Dessertbord, veelkleurig beschilderd met bloemen en vruchten
Object type: eating drinking utensil
Date: 1750 – 1760
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark, mold mark

Rond dessertbord van beschilderd porselein. De geschulpte rand is opengewerkt met afwisselend een netwerk met een palmet en takken met bladeren en bloemen. De spiegel is beschilderd met bloemen en vruchten. Het bord is gemerkt.
Abraham and Isaac
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: story of isaac, story of abraham
Inscriptions: signature and date: ‘Rembrant.1645.’, collector's mark: Lugt 240
Small oval writing table (one of a pair)
Object type: writing table
Date: 1775 – 1775
Materials: gilt bronze, leather, wood
Techniques: veneering
Artist: roger vandercruse, called lacroix
Artist role: maker
Artist nationality: french
Artist dates: 1727 – 1799

The maker of this table and its pair, Roger Vandercruse, who was known by the French version of his name as Lacroix, had a successful career in Paris where he was part of a network of outstanding craftsmen. Three of his sisters married cabinetmakers, including Françoise Marguerite who was the wife of Jean François Oeben and after Oeben’s death married Jean Henri Riesener. Vandercruse stamped his work with his initials: R.V.L.C. Although he made larger pieces such as commodes and secretaries, one of his specialties was the production of meubles volants, portable items of furniture such as small tables for different usages. Letter writing was a much-practiced and fashionable activity amongst the literate in eighteenth-century Europe. Indeed, the English diarist Horace Walpole reported to a friend that “there have been known here [in Paris] persons who wrote to one another four times a day”. In order to accommodate the frequent exchange of notes and letters, a variety of tables à ecrire was created. This oval table contains a drawer in the frieze which is fitted with a leather-covered writing surface and compartments for the storage of quills and related writing paraphernalia. This small table relies for its visual effect on the restrained beauty of its tulipwood and bois satiné veneer applied to the flat surfaces, indicating that it was made during the 1770’s. Similarly, the elegance of the attenuated cabriole legs is emphasized by the fine gilt-bronze molding which travels from the hip mount down each leg to end in a sabot at the foot. A delicate gilt-bronze gallery highlights the curving shapes of both the top and the shelf below while at the same time preventing papers or objects from sliding off.
Funerary Cone of Pa-ba-sa
Object type: cone, pabasa, tt 279, divine adoratrice
Date: 712 – 525
Materials: pottery
Location: egypt
Hinged box, M. Hellmers
Location: europe
Gezicht op een landhuis
Object type: page
Date: 1875 – 1885
Materials: photographic support
Techniques: albumen print
Artist: deswall vaughan
Artist role: fotograaf
Subjects: rural housing, e.g. country-house, villa, cottage, façade (of house or building)
Inscriptions: inscription: ‘" Hard by a cottage chimney smokes." L'Allegro.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, head, and part of upper torso of a filleted, bearded, draped man to right with his arms extended under his himation; Exterior, feet of two figures to left; tendrils from the handle ornament
Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: horses,rivers,mountains,trees,boats
Strook kloskant met golvende lijn van drie verschillende bloemen
Object type: strip
Date: 1790 – 1799
Materials: linen
Techniques: lace
Location: france
Artist: Anonymous

Strook naturelkleurige kloskant: Valenciennes-kant. Het zich herhalende en doorlopende patroon bestaat uit een aaneenschakeling van steeds drie verschillende bloemen in een golvende lijn. Het zijn een kelkbloem, een rozetbloempje aan een gebogen steel met twee blaadjes en een wijd uitstaande bloem als een esdoornblad. De motieven zijn gemaakt in linnenslag met uitsparingen en opengewerkte randjes. De motieven zijn met elkaar verbonden door een traliegrond, de ronde Valenciennes-grond. Boven- en onderzijde zijn recht afgewerkt, waarbij de onderzijde is voorzien van picots.