deem-data/ArtiFact huggingface dataset:
Stoel met hoge rug bekleed met oranje velours
Object type: chair
Date: 1925 – 1925
Materials: wood, velvet
Location: amsterdam
Artist: klaas van den berg
Artist role: designer

Stoel van eikenhout, deels belijmd met palissanderhout, rustend op vier poten. De korte ronde voorpoten verjongen en zijn zwart geverfd; de achterpoten hebben één afgeschuinde zijde. De hoge trapeziumvormige zitting bevindt zich vlak boven de grond en is geheel bekleed met oranje velours. De hoge rug loopt naar boven smaller toe en is gevat in twee stijlen die uitsteken. De rug is tevens bekleed met oranje velours en is aan de zijkanten afgezet met een beige bies.
Fragment of a Revetment
Object type: decorative art
Date: 100 – 100
Materials: glass
Techniques: casting
Culture: roman
Location: italy
Subjects: decoration
Twee scherven van aardewerk uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: earthenware
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Twee scherven van één pot uit V.O.C.-schip de 'Witte Leeuw'
Studies van zeilschepen
Object type: drawing
Date: 1834 – 1893
Materials: paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: sailing-ship, sailing-boat
Noord-Hollandse sjees
Object type: print
Date: 1813 – 1874
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: two-wheeled vehicle drawn by one animal
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Noord-Hollandse sjees rijdt mogelijk langs de Zaan. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, vervoermiddelen te land, Sjeezen en Boerenwagens.
Wine bottle
Object type: wine bottle
Date: 1720 – 1720
Materials: enamel, porcelain
Culture: japanese
Subjects: birds
Kundika (Long-Necked Bottle)
Object type: bottle
Date: 1701 – 1800
Materials: enamel, gold, porcelain
Techniques: overglaze
Culture: japanese
Subjects: flowers
Cream jug
Object type: cream jug
Date: 1801 – 1900
Materials: earthenware
Subjects: animals,flowers
Tafel, versierd in Chinese Chippendalestijl en voorzien van een dekplaat van glas.
Object type: furniture
Date: 1890 – 1910
Materials: glass, wood
Location: great britain
Artist: Anonymous

Twee tafeltjes van mahoniehout, rustend op vier opengewerkte poten. De regels zijn eveneens opengewerkt. De tafels zijn in Chinese Chippendale stijl gedecoreerd en voorzien van glazen dekplaten.
L'Officier a la Collerette Vu de Dos (The Officer with the Hackle Seen from Behind), from "Varie Figure" (Various Figures)
Object type: print
Date: 1620 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Firenze - Museo di S. Marco. L'Annunziazione della Vergine dett. Beato Angelico
Object type: reproduction
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: monogram, collector's mark: ‘AFE v S’
Bowl
Object type: vessel
Materials: earthenware, glaze, marble
Location: china
Les Châteaux de cartes
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: card games, child (at home)
Inscriptions: collector's mark: Lugt 2228
Storten van de koninklijke belasting op molens in de schatkist van de stad Brussel, rekenpenning van Jean Vander Tommen, magistraat van de schatkist van Brussel
Object type: jeton
Date: 1601 – 1650
Materials: copper
Techniques: striking
Location: brussels
Artist: Anonymous
Subjects: brussels

Koperen penning. Voorzijde: wind- en watermolen binnen omschrift. Keerzijde: gehelmd wapenschild binnen omschrift
Cup
Object type: cup
Date: 1750 – 1750
Materials: hard paste porcelain
Artist: imperial porcelain manufactory
Artist role: manufactory
Artist nationality: austrian
Artist dates: 1744 – 1864
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Gezicht op de buitenplaats Cromvliet te Rijswijk
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: trees, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 1641, stamp, : ‘Gedeponeerd’, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland (vervolg.)
A Penny for Her Thoughts
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: etching
Location: england
Artist: sir john everett millais
Artist role: artist
Artist nationality: british
Artist dates: 1829 – 1896
Zoveel hoofden, zoveel rassen / De Sagoëerklopper
Object type: photograph
Date: 1930 – 1939
Materials: paper, photographic support
Techniques: gelatin silver print
Location: celebes
Artist: Anonymous
Subjects: fraters van tilburg, amurang, celebes
Inscriptions: annotation: ‘Zoveel hoofden, zoveel rassen // De sagoëerklopper’

Zwart albumblad met twee foto's van een oud fort (vermoedelijk in Amurang op Celebes) en een sagoklopper. De foto die oorspronkelijk op deze plaats zat (onderschrift: Zoveel hoofden, zoveel rassen), ontbreekt. Onderdeel van het losbladig fotoalbum over de Fraters van Tilburg op Celebes en Sumatra.
Captain, Princess Hussars, Spain, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Long-tailed bird and peach blossoms
Object type: print
Date: 1830 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Remains of ancient buldings among which stands the sepulchral urn of Marcus Agrippa made entirely of porphyry, which serves today as the Tomb of Clement XII... (Vestiggi d'antichi Edifici fra i quali evvi l'Urna Sepolcrale tutta d'un pezzo di...), from "Prima Parte di Architettura, e Prospettive"
Object type: print
Date: 1750 – 1750
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: ruins,trees
Ontwerp voor een spotprent op de Stormvloed van 1906
Object type: drawing
Date: 1906 – 1906
Materials: chalk, paper
Artist: henricus
Artist role: draughtsman, print maker
Artist dates: 1867 – 1921
Subjects: flood, beasts of prey, predatory animals: lion, political caricatures and satires, zeeland

De Zeeuwse leeuw staat op de rotsen en kijkt uit over een landschap dat onder water staat.
Paris
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: paris and the golden apple

Landschap met Paris met zijn herdersstaf en de gouden appel van Eris. In de omlijsting een randschrift in het Latijn dat verwijst naar de rol die Paris speelde in het Oordeel van Paris. Hij moest de drie mooiste godinnen van Olympus beoordelen op hun schoonheid en kende de appel uiteindelijk toe aan Venus. Prent uit een serie van zes met Goden en Godinnen.
Mummy of Ukhhotep, son of Hedjpu
Object type: mummy, ukhhotep, hedjpu, human remains
Date: 1981 – 1802
Materials: linen, obsidian, stone, wood
Techniques: gilding, painting
Subjects: mummies

The mummified body of a man named Ukhhotep still includes the original linen wrappings. Ukhhotep held the title of Chief Treasurer. As was customary at the time, his mummy was placed inside a rectangular coffin (12.182.132a, b) while lying on the left side and with the face toward the eye panel. His head is covered by a well-modeled wooden mask with a gilded face. The eyes of the mask were inlaid with stone to give his mummy a more lifelike appearance.
Klassieke ruïnes in een grot
Object type: print
Date: 1740 – 1774
Materials: paper
Techniques: mezzotint
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., ruin of a building ~ architecture, cave, grotto, dog
Inscriptions: collector's mark: Lugt 2228

Twee herders en een herderin met een hond bevinden zich in een grot bij klassieke ruïnes.
The Beggar with a Rosary, plate eleven from The Beggars
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Bouw van de grote gashouder van de gasfabriek in de Keilehaven
Object type: photograph
Date: 1912 – 1912
Materials: paper, cardboard
Techniques: gelatin silver print
Location: rotterdam
Artist: willem sr. bleuzé
Artist role: fotograaf
Artist dates: 1873 – 1948
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo, gasworks, building-site
Inscriptions: address: ‘W. BLEUZÉ/ ROTTERDAM/ JONKER FRANSSTRAAT 66’, inscription: ‘25 juli 1912’
Pair of Earrings
Object type: pair of earring
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Man in overjas en een militair in een interieur
Object type: drawing
Materials: ink, paper
Techniques: pen
Artist: heinrich m. krabbé
Artist role: draughtsman, print maker
Artist dates: 1868 – 1931
Subjects: the soldier; the soldier's life, ward; room (in hospital)
Inscriptions: annotation: ‘Gerevaccineerd.’, collector's mark: Lugt 2228, signature: ‘K’, :

De twee mannen staan tegenover elkaar in een ruimte waar langs de wand een rij bedden staat, mogelijk een ziekenzaal. De man in militair uniform houdt de palmen van zijn handen op.
Aureus (Coin) Portraying Emperor Lucius Verus
Object type: coin
Materials: gold, metal
Techniques: striking
Culture: roman
Location: rome
Subjects: portraits
Inscriptions: Obverse: L. VERVS AVG ARMENIACVS
Reverse: TR P IIII. IMP II COS II, shield inscribed VIC AVG

Obverse: Head of Lucius Verus right, bare
Inscribed: . L . VERVS AVG ARMENIACVS
Reverse: Victory stands right, half draped, placing a shield atop a palm tree
Inscribed: TRP IIII IMP II COS II
Portret van Johann Caspar Lavater
Object type: print
Date: 1700 – 1785
Materials: paper
Techniques: etching, engraving
Artist: georg friedrich schmoll
Artist role: draughtsman, print maker
Artist dates: 1700 – 1785
Subjects: johann caspar lavater, historical persons
Inscriptions: collector's mark: Lugt 2228
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1615 – 1868
Materials: gold alloy, gold
Culture: japanese
Location: japan
Subjects: birds
Mose, Lize & Little Mose Going to California
Object type: print
Date: 1849 – 1849
Techniques: hand coloring, lithograph
Artist: henry r. robinson
Artist role: artist and publisher
Artist nationality: american
Artist dates: 1800 – 1850
Subjects: boys,men,women,horses,carriages

One of America’s first successful caricaturists, Robinson here depicts Mose the Bowery B’hoy, a figure popularized on stage by Frank Changrau. Mose embodies a New York type of working class, single man who lived in lower Manhattan, found employment as a fireman or mechanic, dressed jauntily, enjoyed plays, and often joined a gang. Mose’s bright red shirt, rolled pants, top hat, and tilted cigar made him unmissable and are evident in this print, which is inspired by an 1849 play that sends Mose, his son Little Mose, and his girlfriend, Lize (a New York G’hal), to California during the Gold Rush. Here, they depart from Catherine Market in an open wagon pulled by a jackass.
Reiziger wordt aangevallen door rovers
Object type: print
Date: 1594 – 1635
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: prospect of city, town panorama, silhouette of city - ii - ideal city, low hill country - hh - ideal landscapes, the traveller is attacked by robbers ~ parable of the good samaritan
Inscriptions: collector's mark: Lugt 2228

In een landschap wordt een man aangevallen en mishandeld door vier rovers. Op de heuvel kijken twee mannen toe. Waarschijnlijk gaat het hier om de man die wordt overvallen uit het Bijbelverhaal van de barmhartige Samaritaan in Luc. 10: 25-37. Links uitzicht over een stad aan de zee. Prent uit een serie Italiaanse landschappen.
Fotoreproductie van het schilderij 'De boodschapper' door Johannes Verkolje
Object type: reproduction
Date: 1867 – 1872
Materials: paper
Techniques: woodburytype
Location: amsterdam
Subjects: messenger
Inscriptions: inscription: ‘Galerie de Mme la Douairière VAN LOON/ à AMSTERDAM’
Piece
Object type: piece
Date: 1700 – 1715
Materials: metal thread, silk
Subjects: flowers,leaves
Frets, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1754 – 1754
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: ornament

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CLIII in the 1754 and 1755 editions, not reprinted in the 1762 edition.
Portret van een proefpersoon tijdens elektrostimulatie: 'un homme âgé de quarante-deux'
Object type: photograph
Date: 1860 – 1862
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: guillaume benjamin amand duchenne
Artist role: fotograaf, medicus
Artist dates: 1806 – 1875
Subjects: face, physiology and anatomy ~ nervous system, neurology, adult man, physiology and anatomy, morphology of facial expression, physiognomy, experiment, test ~ science and technology, france

Ongenummerde pagina met foto 42 uit Mécanisme de la physionomie humaine ou analyse électro-physiologique de l'expression des passions (Atlas).
't Reguliers Klooster. Ao. 1536
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Long, Isaac le. Historische beschryvinge van de reformatie der stadt Amsterdam (…). Amsterdam: Johannes van Septeren (I), 1729.
Kop van een man
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: head (human) (+ left side visible; left - (l. hand, l. foot, etc.))

Blad 17 verso uit een schetsboek met 71 bladen.
Box with Sliding Lid
Object type: decorative art
Date: 1800 – 1800
Materials: wood, paint
Location: united states
Artist: Anonymous
Artist nationality: American
Subjects: furniture
Cokesoven van de gasfabriek in de Keilehaven
Object type: photograph
Date: 1912 – 1912
Materials: paper, cardboard
Techniques: gelatin silver print
Location: rotterdam
Artist: willem sr. bleuzé
Artist role: fotograaf
Artist dates: 1873 – 1948
Subjects: factory-building, gasworks
Inscriptions: number: ‘3’, address: ‘W. BLEUZÉ/ ROTTERDAM/ JONKER FRANSSTRAAT 66’
Heuvellandschap met bomen en bebouwing
Object type: print
Date: 1914 – 1914
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: prospect of village, silhouette of village, low hill country, evening
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 5i

Op de achtergrond een nederzetting met kerk op een heuvel.
Jews in a Synagogue
Object type: print
Date: 1648 – 1648
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men
Tulp
Object type: watercolor
Date: 1783 – 1850
Materials: paper, pencil, watercolor
Techniques: brush
Artist: louis moritz
Artist role: draughtsman, painter, print maker
Artist dates: 1773 – 1850
Subjects: flowers: tulip
Figurine of a Woman with Her Baby
Object type: figurine, woman with baby
Date: 1961 – 1917
Materials: faience
Location: egypt
Subjects: infants,women
Design for Bow Front Landaulet (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ceramic Fragment
Object type: fragment
Date: 701 – 900
Materials: earthenware
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Overlijdensbericht betreffende Johanna Magdalena Schnetzler
Object type: overlijdensbericht, overlijdensadvertentie
Date: 1776 – 1776
Materials: paper
Techniques: printing
Location: amsterdam
Artist: philippe métayer
Artist role: goldsmith, print maker, silversmith
Artist dates: 1697 – 1763
Subjects: johanna magdalena schnetzler
Inscriptions: watermark, collector's mark: Lugt 2233
Zes voorstellingen met kinderen
Object type: table of content
Date: 1878 – 1878
Materials: paper
Techniques: wood engraving, letterpress printing
Location: london
Subjects: child, family life at home

Prent uit: Greenaway, Kate. Under the window, pictures & rhymes for children. Londen: George Routledge & Sons, 1878, p. 9.
Hara: Mount Fuji in the Morning (Hara, Asa no Fuji), from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the First Tōkaidō or Great Tōkaidō
Object type: print
Date: 1833 – 1834
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: men,mountains,landscapes

The view of Mount Fuji is virtually unobstructed from the place called Hara (literally "field"). The mountain's majestic height is emphasized as its peak extends beyond the frame of the picture. Two women, accompanied by a male attendant in traveling dress, seem awestruck by the breathtaking view.