deem-data/ArtiFact huggingface dataset:
Zachtheid is beter dan geweld / Mieux douceur que violence
Object type: popular print
Date: 1833 – 1911
Materials: paper
Techniques: lithograph, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: tales and fairy tales, tales and fairy tales: little red riding-hood, cannibalism, tales and fairy tales: little thumbling
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen over Moeder Gans die Roodkapje en Klein Duimpje een verhaal over een mensenetende reus verteld. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: N. 3.
Brief aan August Allebé
Object type: letter
Date: 1908 – 1908
Materials: ink, paper
Techniques: pen, writing
Artist: e. de haas
Subjects: august allebé, painter, draughtsman, johannes hubertus leonardus de haas, den bosch, amsterdam, print maker, antoon derkinderen, abraham kuyper, drawing, travelling; tourism, netherlands
Yu Kinrô on a horse
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa kuniyoshi
Artist role: draughtsman, print maker
Artist dates: 1798 – 1861

Yu Kinrô, in Chinese known as Yu Qianlou, rushing home on a horse, after having had a premonition that his aged father was ill. Upon arriving home he found his father on his death bed and was told by a doctor that someone must taste the excrement of the sick man to determine if he would live or die. Yukinrō performed the unpleasant task, and when he learned of his father’s impending demise, prayed all night that he might die in his father’s place. Prints from this series are based on Western examples, some of them which have been traced. This print has a varnish style coating, suggesting an oilpainting.
Three half-length figures from a Venetian carnival
Object type: print
Date: 1750 – 1822
Techniques: engraving, etching
Artist: niccolò cavalli
Artist role: artist
Artist nationality: italian
Artist dates: 1730 – 1822
Subjects: masks,men,women
Klok en tafels
Object type: ornament print
Date: 1705 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: rocaille ornament, ornaments ~ art (+ framing decorations), table, clock
Inscriptions: collector's mark: Lugt 2228

Rocaille ornamenten, spiegellijsten en klok en twee tafels met rocaille onderstel. Uitgeversnummer 99.
Boulevard langs het strand, vermoedelijk bij La Rochelle
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: la rochelle
Artist: Anonymous
Subjects: avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage), beach

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Apostel Petrus
Object type: print
Date: 1570 – 1600
Materials: paper
Techniques: engraving
Location: unknown
Subjects: the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 240

De apostel Petrus, met als attribuut de sleutel van de het koninkrijk der hemelen. De prent heeft een Latijns onderschrijft met een regel uit het Credo. De derde prent in een serie van veertien waarvan de prenten met een apostel genummerd zijn van 1 tot 12.
Brumes du matin
Object type: print
Date: 1882 – 1882
Techniques: etching
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: birds,plants
Birds and Flowers
Object type: hanging scroll
Date: 1534 – 1566
Materials: ink, paper
Culture: japanese
Artist: kano motonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1477 – 1559
Subjects: birds

These three paintings, a set that may have originally included a fourth, represent flowers, birds, and insects of the seasons. They also represent the early Kano-school approach to the flower-and-bird genre influenced in part by Chinese paintings. Apart from the floral subjects, landscape elements are kept to a minimum, with blank space as the primary background. The first depicts plum blossoms with bamboo and a billing pair of robins (spring), the second what appears to be hibiscus and lily with a jay(?) hovering overhead (summer), the third, plumed coxcomb keitō, with a praying mantis, a cricket, and a dragonfly (autumn). Summer and autumn bear the red cauldron-shaped "Motonobu" seal—of which several versions exist—associated with Kano Motonobu, official painter to the Ashikaga shoguns. While impressed with the seal of the master, these works might have been painted by his son Shōei (1519–1592). Motonobu, the second in a long line of Kano painters, was an influential and skillful artist whose patrons included members of the military elite, Zen Buddhist monasteries, and court nobles. He is credited with combining Zen-inspired ink painting techniques with aspects of indigenous Japanese styles (yamato-e) to create the strong and decorative style that became the model for Kano-school artists and brought him fame and success during his own lifetime.
Testament van Gerard ter Borch (II)
Object type: will
Date: 1681 – 1681
Materials: ink, paper
Techniques: pen, writing
Location: deventer
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Subjects: catharina ter borch, deventer, draughtsman, gesina ter borch, harmen ter borch, gerard ter borch (ii), family life, money
Inscriptions: watermark
Graflegging van Christus
Object type: print
Date: 1580 – 1629
Materials: paper
Techniques: engraving
Location: venice
Subjects: christ's entombment (possibly by angels) (+ angel(s))
Inscriptions: collector's mark: Lugt 2228

Het lichaam van Christus wordt door twee engelen ondersteund. In het midden Maria Magdalena met een urn met heilige olieën.
Top of a Fire Screen
Object type: fire screen top
Date: 1501 – 1600
Materials: iron
Culture: spanish
Monnik en vrouw in een interieur
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: monk(s), friar(s), architecture
Inscriptions: annotation: ‘mou[...]’

De monnik houdt de linkerarm boven de vrouw. Tevens een studie van figuren tegen een architecturale achtergrond. Blad 51 verso uit een schetsboek met 58 bladen.
Gesprek tussen Ernst I de Vrome en Ismail van Marokko
Object type: book illustration
Date: 1707 – 1729
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: slavery; serfs and enslaved persons, conversation, dialogue; conversation piece, charon, the ferryman
Inscriptions: collector's mark: Lugt 2228

Prent uit het tijdschrift: S.n. Maandelyksche berichten uit de andere waerelt; of de spreekende dooden. Amsterdam: Ratelband, Johannes, juli 1729.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 111 van dit album.
Textile Fragment
Object type: textile fragment
Date: 1601 – 1800
Materials: metal thread, silk
Location: iran
Subjects: flowers
Fotoreproducties van twee daguerreotypieën van de Wereldtentoonstelling in Londen in 1851
Object type: reproduction
Date: 1898 – 1908
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: world fair, world exhibition, london
Inscriptions: inscription: ‘The photographs, from which above have been reproduced, were taken on silver-copper plates, at the opening of the Great Exhibition of 1851 (London). The right-hand photograph is of particular interest. The four figures in the front are Napoleon III., Queen Victoria, The Empress Eugenie, and the Prince Consort. (See chap. ii.)’
H.P. Berlage's neubau der Amsterdamer Börse
Object type: article
Date: 1903 – 1908
Materials: paper
Techniques: letterpress printing
Subjects: print maker, wilhelmina of the netherlands, stock exchange, stock-market, amsterdam
Inscriptions: collector's mark: Lugt 1461b

Het artikel H.P. Berlage's neubau der Amsterdamer Börse door Willem Vogelsang. Het artikel bestaat uit 21 pagina's. In het artikel staan diverse afbeeldingen van de decoraties in de Beurs van Berlage. Pagina's zijn onderaan genummerd van 401 tot en met 422. Onderwerpsrubriek binnen de Atlas Amsterdam: B. Beurs op het Damrak.
Portret van Josephus Adjutus
Object type: print
Date: 1648 – 1663
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: : ‘Pfann 22’, collector's mark: Lugt 2228
Georgia O'Keeffe—Hands and Thimble
Object type: photograph
Date: 1919 – 1919
Techniques: photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Subjects: hands, thimbles, sewing
Inscriptions: Unmarked recto; inscribed verso, lower right, in graphite: "Ch / OK 3 B"

Alfred Stieglitz campaigned throughout the first half of the twentieth century to legitimize photography and modern art. He founded an exhibiting organization, the Photo-Secession, then the periodical Camera Work, and finally a series of galleries. The most influential of these, the gallery known simply as 291, operating from 1908 until 1917, introduced the work of such leaders of the European avant-garde as Paul Cézanne, Henri Matisse, and Pablo Picasso. Georgia O’Keeffe, who became Stieglitz’s wife in 1924, was among the progressive American artists whose work he also exhibited at 291. In a search for objective truth and pure form, the innovative photographer took some five hundred photographs of O’Keeffe between 1917 and 1937. The essence of O’Keeffe, he felt, was not confined to her head and face alone; equally expressive were her torso, feet, and especially her hands, as seen here. What resulted is a “composite portrait” of the painter, in which each photograph, revealing her intrinsic nature at a particular moment, can stand alone as an independently expressive form. When these serial images are viewed as a whole, they portray the essence of O’Keeffe’s many different “selves.”

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Zuilen van de Korinthische orde
Object type: album leaf
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: paris
Subjects: corinthian order ~ architecture

Prenten uit: Leclerc, Sébastien (I). Traité d'architecture. Parijs: Pierre François Giffart, 1714.
Portret van Hendrik IV van Frankrijk
Object type: print
Date: 1600 – 1610
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris, hendrik iv (koning van frankrijk en navarra), ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Brooch with Assyrian human-headed winged bull
Object type: brooch
Date: 1868 – 1880
Materials: glass, gold
Culture: british
Portret van Frederik Willem IV van Pruisen
Object type: print
Date: 1840 – 1861
Materials: paper
Techniques: tone lithography
Location: germany
Artist: Anonymous
Subjects: berlin, frederik willem iv (koning van pruisen), historical persons, (military) uniforms, king
Les Officiers de l'Escadre Russe a Paris
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: photoaquatint
Location: france
Subjects: officer
Inscriptions: name: ‘1. Strolmann (...) 43. Ziloti.’
Vroedschapspenning van de stad 's-Hertogenbosch
Object type: council medal
Date: 1765 – 1765
Materials: silver
Techniques: striking
Location: den bosch
Artist: theodorus everardus van berckel
Artist dates: 1708 – 1770
Subjects: den bosch
Portret van Johann Christoph Meelführer
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: johann christoph meelführer, historical persons
Inscriptions: inscription: ‘1570 - 1640. /Joh. Meelführer, [...] / [...] hebr.’

Met tweeregelig onderschrift in het Latijn.
Excerpt from Bai Juyi's "Autobiography of a Master of Drunken Poetry Recitation"
Object type: hanging scroll
Date: 1001 – 1033
Materials: ink, paper
Culture: japanese
Artist: fujiwara no yukinari (kōzei)
Artist role: artist
Artist nationality: japanese
Artist dates: 972 – 1027

The highly skilled courtier-calligrapher Fujiwara no Yukinari earned a reputation as the consolidator of wayō (Japanese-style) calligraphy. The poet Bai Juyi’s collected works had a greater influence on Murasaki’s tale than any other Chinese work. The lines from Bai’s autobiographical statement read: Therefore, he called himself the “Master of Drunken Poetry Recitation.” Now in the third year of the Kaicheng reign era [838], he has reached the age of sixty-seven. Though his beard has turned white, his head is half bald, and his teeth are falling out, his enjoyment of wine and poetry has not diminished. Turning to his wife, he said, “Before now I have always been at ease, but from now on, I do not know if I can enjoy these pleasures in the same way.” —Translation by John T. Carpenter
Histoire d'Apollon et de Diane
Object type: print
Date: 1547 – 1548
Materials: paper
Techniques: engraving
Location: france
Artist: etienne delaune
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1519 – 1583
Subjects: (story of) minos, king of crete, britomartis, running away from minos, jumps from a cliff into the sea, story of britomartis and minos
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een zesdelige serie met scènes uit het verhaal van Diana en Apollo.
The Actor Sanogawa Ichimatsu I as Soga no Goro in the play "Hatachiyama Horai Soga," performed at the Ichimura Theater in the first month, 1759
Object type: print
Date: 1759 – 1759
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Birds and Flowers
Object type: painting
Materials: ink, silk
Location: china
Artist: zhou zhimian
Artist nationality: chinese
Artist dates: 1580 – 1610
Japonstrook van kloskant, met een geschulpte rand, versierd met niervormige cartouches met vulpatroon, een sierband, ranken, kleine bloemen, krullende linten, rozen en tulpen
Object type: womenswear
Materials: lace
Techniques: lace
Location: ghent
Subjects: bruges

Japonstrook van kloskant: Gentse kant. Met een geschulpte rand, versierd met niervormige cartouches met vulpatroon, een sierband, ranken, kleine bloemen, krullende linten, rozen en tulpen. Het ontwerp voor het patroon bevindt zich nog bij de Zusters van O. L. Vrouw van de Visitatie, evenals een rekening-afschrift van 22 maart 1862 voor mevrouw de Nève voor geleverde kant. Het kant werd gedragen door mevrouw Irma Jeanne Constance Marie Ghislaine de Nève de Roden, op 27-06-1865 gehuwd met Paul Maximilien Ghislain, baron van Caloen de Basseghem, voor haar portret, in 1865 geschilderd door Fritz Hickmann (1820-1900; part. verz. België).
Billards
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,billiards,dogs

Men play billiards with a thin elderly man wearing spectacles preparing to knock an opponen'ts ball off the table. A brown-coated man stands at left and shakes his fist in anger. Below the table, two dogs face off, their forms resembling their owners. Five other men and a boy watch the scene and the wall behind is decorated with prints.
Landschap met figuren
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes (+ landscape with figures, staffage), dog

Pagina 13 uit een schetsboek met 67 bladen vervaardigd in Drenthe.
Oordeel van Salomon
Object type: print
Date: 1670 – 1679
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: solomon gives verdict; he commands a soldier to divide the living child in two
Inscriptions: collector's mark: Lugt 240

Dit object is omwille van een betere presentatie virtueel samengevoegd maar bestaat fysiek uit losse onderdelen.
Portret van Etha Fles
Object type: drawing
Date: 1886 – 1886
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: utrecht, etha fles, historical persons
Emsig webend
Object type: bookplate
Date: 1938 – 1938
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: book, weaving
Inscriptions: signature and date: ‘C.Tj. Tuymelaar / cl. 1938’
Jongen die een oude blinde man door een bos leidt
Object type: drawing
Date: 1897 – 1897
Materials: ink, paper
Techniques: brush, pen
Artist: c. lapine
Artist role: draughtsman
Subjects: blind, blindness
Personificatie van Rijkdom
Object type: print
Date: 1632 – 1661
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: wealth, opulence; 'opulenza', 'richezza' (ripa)
Inscriptions: : ‘Ignitus vomer’

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 202.
Beads
Object type: bead
Date: 1 – 100
Materials: glass
Culture: parthian
Location: iran

These glass beads are black, white and grey. They were excavated at Shahr-i Qumis in northern Iran, which has been identified as the ancient city of Hecatompylos, established by the Parthians as their capital by about 200 B.C. In Greek Hecatompylos means ‘a hundred gates,’ suggesting that the city was quite large. Indeed, the modern archaeological site includes several mounds, only a few of which have been excavated, and a vast area covered with potsherds. The beads come from Site XIII, a large building that was later deliberately filled with dirt, perhaps in order to create a funerary structure. The excavations at Shahr-i Qumis by the British Institute of Persian Studies in 1967 were co-sponsored by the Metropolitan Museum of Art. However, these beads were not discovered until 1971, and were acquired from the British Institute as a result of the Met’s financial contributions to the Institute’s excavations at Tepe Nush-i Jan, another site in Iran. At the time the Iranian government allowed foreign excavators to keep a portion of the finds, and these excavators in turn would divide their share among the institutions that supported the work.
Beheading of a Kneeling Nude Man
Object type: drawing
Date: 1502 – 1593
Techniques: brush, wash
Artist: romulo cincinnato
Artist role: artist
Artist nationality: italian
Artist dates: 1540 – 1597
Subjects: swords,male nudes
Drum
Object type: drum
Date: 1801 – 1900
Materials: wood
Culture: malagasy
Location: madagascar
Houder waarin cloisonné plaque gemonteerd kan worden
Object type: houder
Date: 1700 – 1800
Materials: wood
Artist: Anonymous

Westerse houten voet, waardoor het vierkante paneel versierd met email cloisonné kan functioneren als haardscherm.
De liefdesbrief
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: etching, intaglio
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: lute, and special forms of lute, e.g.: theorbo, letter, envelope, maid ~ house personnel
Inscriptions: collector's mark: Lugt 2228
Haiti, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 1 (N9), issued in 1887 in a series of 48 cards to promote Allen & Ginter Brand Cigarettes. The museum's collection contains the 48 cards from the Series 1 set, as well as 10 variations and 5 mis-printed cards.
Page of manuscript bible from 1402
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: handwriting, written text
Oberon and Titania, from A Midsummer Night's Dream
Object type: drawing and watercolor
Materials: board, graphite, ink, paper, watercolor
Techniques: pen
Location: england
Artist: charles kirkpatrick sharpe
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1781 – 1851
Small Pendant
Object type: pendant
Materials: gold
Culture: indonesian, javanese
Personificaties van de kunsten
Object type: print
Date: 1608 – 1650
Materials: paper
Techniques: etching
Subjects: the liberal arts, 'artes liberales', 'grammatica' (~ trivium); 'grammatica' (ripa), triumphs (allegorical and symbolic)
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van vier prenten met personificaties van de kunsten.
Pin
Object type: pin
Date: 2600 – 2500
Materials: lapis lazuli, silver
Culture: sumerian
Location: mesopotamia
Vissen
Object type: print
Date: 1627 – 1636
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: sea (seascape), bony fishes: sea-bream, bony fishes: salpa, bony fishes: goby
Inscriptions: collector's mark: Lugt 2228

Een bokvis, een baars, een grondel en een onbekende vis liggen samen met wat schelpen aangespoeld op het strand. Op de achtergrond de zee met wat schepen. De prent maakt deel uit van een serie met vissen als onderwerp.
Portrait of a Man with a High Hat
Object type: painting
Date: 1570 – 1570
Materials: oil, wood
Artist: french painter
Artist role: artist
Artist nationality: french
Subjects: men,portraits
Portret van Johann Heinrich Bullinger
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: theologian, historical persons
The Second Nakamura Sukegoro as a Man Entirely Nude Save for Loin Cloth
Object type: woodblock print nishiki e
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: swords,men,actors
Evening slippers
Object type: evening slipper
Date: 1815 – 1815
Materials: silk
Culture: british
Artist: despa
Artist role: maker
Herder te paard met kudde
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: haarlem
Artist: jacob elias van varelen
Artist role: draughtsman, print maker
Artist dates: 1757 – 1840
Subjects: riding a horse, ass, or mule; rider, horseman, cow, cattle
Inscriptions: collector's mark: Lugt 2228

Herder te paard met zijn kudde in een heuvelachtig landschap.
Christiaan Langedul en drie anderen te Antwerpen voor de brandstapel, 1567
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: execution of heretic, e.g. by burning at the stake, 'auto-da-fé', violent death by burning at the stake; pyre, antwerp
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Christian Langedul [...] Ao 1567’, number: ‘79’
Portable Stationery and Cosmetic Box (Tabi kushi-bako) with Moon and Autumn Grasses
Object type: portable stationery and cosmetic box
Date: 1701 – 1800
Materials: gold, pewter, silver, wood
Techniques: hiramakie, inlay, lacquer
Culture: japanese
Subjects: moon,plants
Portret van Samuel Iperuszoon Wiselius zittend op een stoel
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: dichter, samuel iperuszoon wiselius
Inscriptions: collector's mark: Lugt 2228

Portret van Samuel Iperuszoon Wiselius, bestuurder, dichter en toneelschrijver te Amsterdam, zittend op een stoel met zijn rechterarm op de leuning. Op zijn borst een ridderorde.
Head of a Youth in Profile (recto); Study of a Seated Figure (verso)
Object type: drawing
Date: 1525 – 1525
Materials: chalk
Artist: giovanni antonio sogliani
Artist role: artist
Artist nationality: italian
Artist dates: 1492 – 1544
Subjects: boys,profiles