deem-data/ArtiFact huggingface dataset:
Birma, Mindon Min, 1/8 mohur of mu, 1214 [=1852]
Object type: achtste mohur
Date: 1852 – 1852
Materials: gold
Techniques: striking

Gouden munt. Voorzijde: een pauw. Keerzijde: tussen twee gekruiste takken waarde-aanduiding in een regel, waaronder jaartal: 1214. Kartelrand.
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Techniques: stain
Culture: japanese
Subjects: dragons
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, back of head of draped figure to right
Liber Chronicarum
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: politician, male persons from classical history
Inscriptions: inscription: ‘186’

De houtsnede wordt gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 78r.
Vijf zintuigen
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: tortoises, turtles, ornamental birds: parrot, expulsion of adam and eve from paradise (genesis 3:22-24), feeling (one of the five senses)
Inscriptions: collector's mark: Lugt 2228

Vrouw als personificatie van zintuig gevoel zittend in landschap met papegaai op haar hand en schildpad op de grond. Op de achtergrond is de verdrijving van Adam en Eva uit het paradijs weergegeven. In marge onder twee regels Latijn.
Bezoekers in café Moulin Rouge
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Subjects: inn, coffee-house, public house, etc.
Inscriptions: collector's mark: Lugt 2760, stamp: Lugt 1338, collector's mark: Lugt 2228

Lithografie gepubliceerd in: L'Escarmouche, 10 december 1893 (reproductie). De lithografie verscheen in een oplage van honderd exemplaren en werd los verkocht voor de financiering van dit nieuwe tijdschrift.
Staande figuren
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing), adult man (+ standing)

Pagina 56 uit schetsboek XLVIII met 62 pagina's.
String of 11 Eye Beads
Object type: necklace, bead
Date: 600 – 201
Materials: glass
Location: egypt

Mosaic glass beads had long been popular in Egypt. The period of large intercontinental empires beginning about 500 BC initiated a period of widespread trade of these small items. These are all modern stringings; most ancient stringing patterns are lost as the string decays.
Titelpagina met vignet uit: Rousset, Oorlogskundige Beschryving van de Veldslagen en Belegeringen, Tweede Deel (1729)
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: paris, vienna, eugenius van savoye, surrender of keys
Inscriptions: collector's mark: Lugt 2760, collector's mark: ‘Vlaemsch Leesgezelschap Meenen / No.’, collector's mark: Lugt 2228

Titelpagina voor: Rousset, Oorlogskundige beschryving van de veldslagen en belegeringen, der drie ... wydvermaarde krygsoversten... den Prins Eugenius van Savoye, den ... Hertog van Marlborough, en den Prins van Oranje en Nassau-Vriesland, Tweede Deel, 's-Gravenhage 1729. Blad met de titel in boekdruk in rood en zwart met een vignet waarop een veldheer de sleutels van een overwonnen stad aangeboden krijgt, in omlijsting van slangen, Hercules en Minerva.
Caspar Igel von Sparheim
Object type: book illustration
Date: 1710 – 1710
Materials: paper
Techniques: etching, letterpress printing
Location: nuremberg
Subjects: priests ~ hierarchy of priests
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham a Sancta Clara. Heilsames Gemisch Gemasch, das ist: Allerley seltsame und verwunderliche Geschichten (...). Neurenberg: Christoph Weigel, 1710, p. 164.
Nieuwigheden van de Goutsmeeding (...)
Object type: ornament print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: hare-hunting, rabbit-hunting
Inscriptions: collector's mark: Lugt 240

Ontwerpen voor onder andere hangers en een gesp. Uit serie bestaande uit een titelblad en 9 bladen.
The Tree of Jesse
Object type: painting
Date: 1500 – 1500
Materials: oil, panel
Location: haarlem
Artist: geertgen tot sint jans
Artist role: painter
Artist dates: 1455 – 1495
Subjects: nun(s), fenced or walled garden; 'hortus conclusus', sceptre, staff (symbol of sovereignty), david as musician, usually playing the harp, aids for prayer, e.g. rosary, mary (standing) with the christ-child in front of her (free-standing); christ-child lying - ff - mary sitting or enthroned, tree of jesse: genealogical tree showing christ's ancestors, sprouting from jesse's loins (+ donor(s), supplicant(s), whether or not with patron saint(s))

Pictured here symbolically is Christ’s family tree. It grows out of the sleeping figure of Jesse, forefather of a line of kings that included, according to tradition, Salomon, David and Jesus.The branches are filled with the kings of Israel, among them King David with his harp. At top, the Virgin is enthroned with the Christ Child on her lap.
Equestrian Portrait of a Noble
Object type: painting
Date: 1775 – 1775
Materials: ink, paper, watercolor
Culture: indian
Artist: bakhta
Artist role: artist
Artist nationality: indian
Artist dates: 1775 – 
Subjects: men,horses

Rajput paintings are often jewel-like in their minute details and labored finish. A drawing such as this one shows how swift, expressive, and varied the Rajput artist's line could be, whether in suggesting the bulge of a muscular forearm, the taut belly of a horse, or the wiry bristle of a Rajput mustache. Equestrian portraits were a common, formal, and often stiff means of honoring a nobleman or warrior. This portrait, however, appears to be a caricature of its subject, whose mustache and beard curl back on his face with scratchy pomposity and whose horse seems to bend and whinny under his prodigious weight. Deogarh was a tikhana, or a feudatory state, of Mewar, situated to the north.
Mrs Leyland, Sr.
Object type: print
Date: 1874 – 1875
Materials: ink, paper
Techniques: drypoint
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Titelpagina voor: Willem Bartjens, De cyfferinge, 1639
Object type: titelblad, titelpagina
Date: 1639 – 1639
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: historical persons, elementary school; class, form
Inscriptions: date

Titelpagina voor: Bartjens, Willem. De cyfferinge. Rotterdam: weduwe Matthijs Bastiaensz, 1639.
Bustle
Object type: bustle
Date: 1880 – 1889
Culture: american
Dish (piatto): Vulcan forging an arrow for Cupid
Object type: dish
Date: 1530 – 1530
Techniques: maiolica, glazing
Artist: the "milan marsyas" painter
Artist role: artist
Artist dates: 1500 – 1550
Subjects: cupid,venus,vulcan
Portret van Philipp Ernst Spiess
Object type: print
Materials: paper
Techniques: engraving
Artist: eberhard siegfried henne
Artist role: print maker
Artist dates: 1759 – 1828
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Mons, ou Bergen Comme il est au jour d'huy. Ville Considerable des Pais Bas (...)
Object type: print
Date: 1693 – 1696
Materials: paper
Techniques: etching
Location: france
Subjects: fortress, maps of cities

Plattegrond van de versterkingen van de stad Mons (Bergen) in de graafschap Henegouwen. Maakt deel uit van het eerste deel van het prentwerk: Le Theatre de la Guerre, dans les Pays-Bas, uitgegeven in 1696. Dit deel bevat 25 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog in de Nederlanden. Titel en opschriften in het Frans.
Sculptuur aan de gevel van het Louvre in Parijs
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: sculpture
Drie vrouwen
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: human races; peoples; nationalities (+ women)
Inscriptions: collector's mark: Lugt 2228

Drie geklede vrouwen: op de rug gezien, zijwaarts en vooraanzicht.
Portret van Carl von der Osten-Sacken
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching, engraving
Subjects: berlin, knighthood order (red eagle order), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Spindle Whorl
Object type: spindle whorl
Date: 801 – 1000
Materials: bone, paint
Techniques: incising, inlay, tinting
Location: iran

Spindle whorls aided in the making of thread by maintaining the momentum of the spindle. This rose-toned, semi-spherical shaped bone spindle whorl with a flat bottom was excavated at Nishapur. The rose surface color has worn off in places. Hundreds of spindle whorls were excavated at Nishapur, providing further evidence that the city possessed a thriving textile industry. Their incised designs exhibit a wide variety of motifs ranging from geometric forms to zoomorphic figures.
La Pratique de l'Aiguille, page 49 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: ornament

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design is printed upon a grid and is decorated in the center with 2 squares that are ornamented with a different floral and foliage motif. The squares are framed on the left and right by borders with diverse foliage patterns.
Liggende leeuw
Object type: sculpture
Date: 1150 – 1200
Materials: bronze
Techniques: casting, metalworking, gilding
Location: meuse area
Artist: Anonymous

Lion, base of a reliquary (?). Gilt bronze. Meuse area, c. 1150 - 1200.
Fotoreproductie van een geschilderd portret van een oude man met boek in de hand
Object type: photograph
Date: 1863 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, old man, book
Inscriptions: annotation: ‘B.’, inscription: ‘H. BLANCKART/ PHOTOGRAPHE/ PRÈS DE LA STATION/ HASSELT/ SAINT-TROND/ Rue de Sel, 342’
[Two Men Reviewing Plans]
Object type: tintype
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Kleed van zijde met zilverdraad
Object type: kleed
Date: 1700 – 1799
Materials: linen, silk, thread
Artist: Anonymous

Kleed van zijde met floraal patroon in groen, wit en roze, met gelobd zilverkant langs de randen.
Portret van een baby, aangeduid als Werner von Holtzendorff Falkenburg
Object type: photograph
Date: 1894 – 1894
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: karlino
Artist: franz meinke
Artist role: fotograaf
Subjects: confinement, birth
Inscriptions: inscription: ‘Photographisch-artistsich-mechanisches Atelier/ Franz Meinke/ Cörlin a/ Persante’, annotation: ‘Jung Werner von Holtzendorff Falkenburg im Mei 1894 [...] Nelly’
Egyptische Stijl
Object type: drawing
Date: 1866 – 1900
Materials: paper, pencil
Techniques: drawing
Artist: Anonymous

Klok in Egyptische stijl, voor de helft afgebeeld. Links onderaan ligt een sfinx.
Rotterdamse Poort en Ketelpoort te Delft
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: petrus augustus beretta
Artist role: draughtsman, print maker
Artist dates: 1805 – 1866
Subjects: drawbridge ~ fortified city, rowing-boat, canoe, etc., windmill in landscape (+ city(-scape) with figures, staffage), delft
Inscriptions: collector's mark: Lugt 2233

Deze prent maakte deel uit van de uitgave: Une promenade dans la Haye et ses environs : vues dessinées d'après nature par C.C.A. Last et J.C. van Pappelendam, uitgegeven in 1833.
Ring, Prenomen of Amenhotep III
Object type: ring, amenhotep iii prenomen
Date: 1390 – 1352
Materials: faience
Location: egypt
The Hotel de Ville, the most beautiful and interesting edifice in Brussels, Belgium
Object type: stereograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: brussels
Artist: Anonymous
Subjects: townhall
Inscriptions: number: ‘723.5’, inscription: ‘The " PERFEC" STEREOGRAPH. (Trade Mark.)/ EDITION de LUXE. Patented April 14, 1903.’, number: ‘6730’, number: ‘(21)’, number: ‘9’, inscription: ‘All Perfec-Stereograph subjects may be secured in Lantern Slides and Enlargements.’, inscription: ‘Juli-Augustus 1910’, number: ‘914.93/ 21’, copyright notice: ‘Copyright 1909 by H. C. White Co.’
Portret van Christiaan Huygens
Object type: print
Date: 1672 – 1690
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: abraham bloteling
Artist role: draughtsman, print maker, publisher
Artist dates: 1640 – 1690
Subjects: the hague, william i (prince of orange)
Inscriptions: collector's mark: Lugt 2228

Portret van Christiaan Huygens, secretaris van prins Willem van Oranje (1578-1584) en Secretaris van de Raad van State (1584-1624)
The Creation of Adam (one of a set of four)
Object type: panel
Date: 1634 – 1666
Materials: glass
Artist: muller
Artist role: maker
Subjects: horses,adam
Servet met bloemboeketten
Object type: napkin
Date: 1700 – 1899
Materials: linen
Techniques: damask
Location: saxony
Artist: Anonymous
Inscriptions: : ‘24’, mark: ‘GvO’

Servet van linnendamast met bloemboeketten. Middenveld: Bloempatroon van verspringende rijen met twee soorten bloemboeketten. Staande en liggende randen: een bloemslinger, de hoeken een bloemboeket.
Quatro anni tempora
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Subjects: other specific aspects of apollo, seasons of the year (esp. personifications); 'stagione', 'le quattro stagione dell'anno' (ripa)
Inscriptions: caption: ‘Chimerinae, Eiarinae...sine fine foue.’, collector's mark: Lugt 240, signature: ‘Gisbertus / Venius / sculptor’, date: ‘1589’, signature: ‘RAPHAEL / urbinas / Inventor’

Apollo als een jongeman getooid met lauwerkrans, lopend voor een grote tent bij een water, geflankeerd door vier jonge vrouwen (de vier seizoenen). Voor het gezelschap loopt een putto met fruitmand. Een vaartuig, getrokken door twee duiven en gemend door een putto in het water.
Portret van legeraanvoerder Cesare Maggi
Object type: book illustration
Date: 1646 – 1647
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: naples, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ritratti et elogii di capitani Illustri. Che ne'secoli moderni hanno gloriosamente guerreggiato. Rome: Filippo de'Rossi en Vitale Mascardi, 1646, p. 328. Prent ook gebruikt in dezelfde editie van 1647. Eerdere staten van prent in ieder geval gebruikt in: Ritratti et elogii di capitani Illustri. Rome: Pompilio Totti en Andrea Fei, 1635. En in: Ritratti di cento capitani illustri con li lor Fatti in guerra (…), Rome: Domenico Gigliotti, 1596.
Silver denarius of Marcus Aurelius
Object type: denarius
Date: 176 – 177
Materials: silver
Culture: roman
Subjects: men,profiles

of Marcus Aurelius; Mint-Rome A.D. 176-177 Obverse: M ANTONINVS AVG GERM SARM: Head of Marcus Aurelius, laureate, right. Reverse: TR P XXXI IMP VIII COS III P P DE GERM: Pile of arms; cuirass, hexagonial and oval shields, helmet, vexillum, carnyces, spears.
Witte Huis. Rotterdam
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: rotterdam
Subjects: skyscraper, river, bridge in city across river, canal, etc.
Papegaai op een vrucht
Object type: ornament print
Date: 1669 – 1669
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: ornamental birds: parrot
Inscriptions: date
Twee meisjes en een hond op een balkon aan de achterzijde van een huis
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: girl (child between toddler and youth), dog
Slag van Altchouv
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: battle (+ artillery), battle (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228

Prent uit een versie van de serie 'Conquêtes de l'Empereur de la Chine' met afbeeldingen van de veroveringen van keizer Qianlong van China, uitgegeven door Helman tussen 1783-1785. Voor twee bladen met bijbehorende beschrijvende tekst, zie RP-P-OB-43.629 en RP-P-OB-43.630.
Terracotta fragment of a krater (deep bowl) or stamnos (jar)?
Object type: krater or stamnos fragment
Date: 500 – 301
Materials: terracotta
Culture: etruscan

Part of the handle and a bit of the wall from a krater or stamnos
[Eastern Man with White Beard, Standing]
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Hand mirror
Object type: hand mirror
Date: 1874 – 1875
Materials: glass, silver
[The Pavillon de Flore and the Tuileries Gardens]
Object type: photograph
Date: 1849 – 1849
Techniques: daguerreotype
Artist: marie-charles-isidore choiselat
Artist role: artist
Artist nationality: french
Artist dates: 1815 – 1858

Taken in September 1849 from a window of the École des Beaux-Arts, this daguerreotype exhibits the dazzling exactitude and presence that characterize these mirrors of reality. True to the daguerreotype's potential, stationary objects are rendered with remarkable precision; under magnification one can clearly discern minute architectural details on the Pavillon de Flore, features of statuary and potted trees in the Tuileries Gardens, even the chimney pots on the buildings in the background along the rue de Rivoli. Daguerre himself had chosen a nearly identical vantage point in 1839 for one of his earliest demonstration pieces, and it may well have been with that archetypal image in mind that Choiselat and Ratel made this large daguerreotype a decade later. Choiselat and Ratel, among the earliest practitioners to utilize and improve upon Daguerre's process, first published their methods for enhancing the sensitivity of the daguerreotype plate in 1840 and had achieved exposure times of under two seconds by 1843. Unlike Daguerre's long exposure, which failed to record the presence of moving figures, this image includes people (albeit slightly blurred) outside the garden gates, on the Pont Royal, and peering over the quai wall above the floating warm-bath establishment moored in the Seine. Still more striking is the dramatic rendering of the cloud-laden sky, achieved by the innovative technique of masking the upper portion of the plate partway through the exposure.
Trajan Between City of Victory and Rome, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: soldiers,spears,men,women,horses

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 119 in the scrapbook.
Königsberg i. Pr. Paradeplatz
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: königsberg
Subjects: square, place, circus, etc.
Pietà
Object type: sculpture
Date: 1700 – 1800
Materials: terracotta
Techniques: modeling, carved
Location: italy
Artist: workshhop of massimiliano soldani
Artist nationality: italian
Artist dates: 1658 – 1740
Subjects: religious scenes, angels, christian subjects, christianity, death, jesus, mother, mother and child, religion, religious, religious figures, sons, virgin mary
Reproductie van een schilderij van Freshening gale, Scarboro - Fishing boats returning to harbour door Edwin Hayes
Object type: photomechanical print
Date: 1874 – 1879
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, sea (seascape)
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, left hand holding a kantharos
Portret van een onbekend meisje
Object type: frame
Date: 1859 – 1859
Materials: canvas, cardboard, metal, paper
Techniques: pannotype
Artist: Anonymous
Subjects: historical persons - bb - woman, child
Inscriptions: annotation: ‘1859/ H[ea]th[er] [...]’
Pair of spice boxes
Object type: spice box
Date: 1709 – 1710
Materials: gilt, silver
Artist: david willaume i
Artist role: maker
Artist nationality: british
Artist dates: 1658 – 1741
Subjects: coat of arms
Pijprokende man en vrouw met kan bij een tafel
Object type: print
Date: 1650 – 1799
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.), container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: Lugt 2228
Textile with Brocade
Object type: textile
Date: 1425 – 1450
Materials: thread, velvet
Culture: italian
Regiae Anglicae
Object type: titelprent, frontispice
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Inscriptions: collector's mark: Lugt 2228

Wapenschild van Engeland, eronder een ovale omlijsting met de serietitel in het Latijn. Titelprent voor een serie met portretten van Engelse vorsten.
Plaisante Lantschappen ofte vermakelijcke Gesichten
Object type: print
Date: 1637 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: violent death by hanging, lower house, parliament, chamber
Inscriptions: collector's mark: Lugt 240

Gezicht op het Rechthuis te Ouderkerk aan de Amstel, gelegen op de hoek van de Dorpsstraat (rechts) en het Kerkpad (links). Rechts van de Dorpsstraat het gerecht met de galg. De prent is deel van een serie landschappen met dorpen rondom Amsterdam. Rechtsonder genummerd: 10.
José Bernardo da Silva
Object type: photograph
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: j.c. rocha
Artist role: fotograaf
Subjects: historical persons, commander-in-chief, admiral