deem-data/ArtiFact huggingface dataset:
Strook, accoladevormig geschulpt, van crème-witte satijn, kleurig geborduurd met een rozet en slingerende rank
Object type: strip
Date: 1750 – 1800
Materials: silk
Techniques: embroidered
Location: china

Strook, accoladevormig geschulpt, van crème-witte satijn, kleurig geborduurd met een rozet en slingerende rank. Vormt een pendant met een tweede exemplaar. Chinese zijde.
Officers on the Staff of Lieutenant General Sir Richard England
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards, crimea 1856
Aankomst van Willem IV en prinses Anna van Engeland te Leeuwarden
Object type: history medal
Date: 1734 – 1734
Materials: silver
Techniques: striking
Location: amsterdam
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764
Subjects: willem iv (prins van oranje-nassau), the hague, anna van hannover

Zilveren penning. Voorzijde: borststuk man en vrouw binnen omschrift. Keerzijde: genius van Friesland met scheepsroer en wapenschild begroet prins en prinses, afgebeeld als Mars en Venus, die elkaar bij de hand houden, rechts van hen wapenschild binnen omschrift; afsnede: opsch
Terracotta rim fragment of a kyathos (cup-shaped ladle)
Object type: kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Below the rim, an unidentified subject
Pot Stand
Object type: basketry, model, senenmut
Date: 1479 – 1458
Materials: leaf, fiber
Location: egypt
Jug
Object type: vessel
Date: 301 – 400
Materials: glass
Techniques: glassblowing
Culture: byzantine or roman
Location: levant
Subjects: vessels

Glass vessels were part of the luxurious domestic decoration displayed in wealthy households in both urban villas and rural estates in the later Roman and early Byzantine eras (about 300–725). Glass vessels were used for a variety of purposes, including cosmetic containers. In the kitchen and for dining, pitchers served water and wine, and small cups were used for drinking. Glass was also used for lamps to light the home.

Byzantine glass craftsmen improved upon the techniques, forms, and decorative motifs they had inherited from their Roman predecessors. An imperial edict of 337 exempted glassworkers from personal taxes and attested to their relative status in society; it remained in effect for several centuries. These artisans would, in turn, pass on their craft to successive generations, including those who worked under Islamic rule after the important Byzantine provinces of Egypt, Palestine, and Syria were conquered in the seventh century.
Boer met paarden en ploeg op een akker
Object type: photomechanical print
Date: 1899 – 1904
Materials: paper
Techniques: photoaquatint
Location: netherlands
Subjects: horse, agriculture, ploughing
Humbertus
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: archbishop, bishop, etc. (roman catholic), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ludewig, Johann Peter von. Geschicht-Schreiber von dem Bischoffthum Wirtzburg (...). Frankfurt am Main: Thomas Fritsch, 1713.
D. J.F. Röhr
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
En attendant: les paniers, la poudre et les talons rouges
Object type: cartoon
Date: 1831 – 1831
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: fashion, clothing, head-gear, adult man, maid ~ house personnel
Inscriptions: collector's mark: Lugt 2228
Markttafereel met spelende kinderen
Object type: print
Date: 1603 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: children's games and plays, market
Inscriptions: collector's mark: Lugt 1934, stamp, collector's mark: Lugt 1641, collector's mark: Lugt 5100

Markt, met spelende kinderen op de voorgrond. Op het tweede plan groepjes elegant geklede dames en heren bij marktverkopers. Rechtsvoor een slapende markkoopman bij een mand; achter hem een koopman zittend tussen zakken koopwaar. Tweede prent van een fries bestaande uit vier prenten, voorstellende een markt. Zesde prent uit de totale serie markten (serie markt A + B). Rechts genummerd: 6. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Marktwezen, Markttafereelen, Marktfiguren.
Twee figuren waarvan de rechter een parasol en een zwaard in de hand heeft (Hayano Kampei?)
Object type: drawing
Date: 1800 – 1900
Materials: charcoal, paper
Techniques: brush
Location: japan
Artist: Anonymous
Fragment of a terracotta volute-krater (bowl for mixing wine and water); joins 19.192.81.5,.10,.19
Object type: volute krater fragment
Date: 325 – 301
Materials: terracotta
Culture: greek, south italian, apulian
Artist: baltimore painter
Artist role: artist
Gezicht op het strand en de boulevard van Blackpool
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: gelatin silver print
Location: blackpool
Artist: Anonymous
Subjects: giant wheel, ferris wheel, landscape with tower or castle, avenue, boulevard, promenade, esplanade, beach
Inscriptions: number: ‘38845’
Court garden
Object type: photograph
Date: 1870 – 1880
Materials: paper
Techniques: albumen print
Location: san lazzaro degli armeni
Artist: Anonymous
Subjects: abbey garden
Portret van een onbekende man
Object type: print
Date: 1861 – 1911
Materials: paper
Techniques: etching
Artist: louis le nain
Artist role: print maker
Artist dates: 1851 – 1939
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Rochefort’
Votive fragment
Object type: menat fragment
Date: 1479 – 1458
Materials: wood
Location: egypt
Village with a Puppeteer Entertaining a Small Crowd
Object type: painting
Date: 1650 – 1660
Materials: copper, oil
Artist: peeter gijsels
Artist role: draughtsman, painter
Artist dates: 1621 – 1690
Subjects: public road in village, pavement, terrace in front of inn or restaurant, more than one couple dancing, dogs (circus performance), earning money with other animals, dog
Inscriptions: signature, bottom right: ‘p:Gijs[?]sels’

Gezicht in een Vlaams dorp. Op de voorgrond staat een groep toeschouwers rond een man met een dansende hond, rechts verkoopt een vrouw vis. Links dansende boeren voor een herberg waarlangs een huifkar rijdt. Meer naar achteren loopt de weg langs een water met boten tussen de huizen van het dorp. In de verte een kerk.
Boerenerf
Object type: drawing
Date: 1873 – 1932
Materials: chalk, paper, watercolor
Techniques: brush
Artist: wilhelmus johannes steenhoff
Artist role: draughtsman, print maker
Artist dates: 1863 – 1932
Subjects: farm (building)
The splendid Palace of Justice, one of the finest modern buildings extant, Brussels, Belgium
Object type: stereograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: new york city
Artist: Anonymous
Subjects: court building
Inscriptions: inscription: ‘All Perfec-Stereograph subjects may be secured in Lantern Slides and Enlargements.’, copyright notice: ‘Copyright 1909 by H. C. White Co.’, inscription: ‘4.’, inscription: ‘Juli - Augustus 1910’, number: ‘6737’, number: ‘725.15’, number: ‘(31)<BR />’, inscription: ‘The " PERFEC" STEREOGRAPH. (Trade Mark.)/ EDITION de LUXE. Patented April 14, 1903.’, number: ‘914.93/ 30<BR />’
Meer Engel. huijge Bargelote / frater hugo. / Ange de mer
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: cartilaginous fishes: angelshark

Squatina (zee-engel) of vioolrog. Genummerd rechtsboven: 15. Onderdeel van het zesde album met tekeningen van vissen, schelpen en insekten. Zesde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Tiger in Landscape
Object type: drawing
Date: 1810 – 1875
Materials: paper, watercolor
Location: france
Artist: antoine-louis barye
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: tigers
Bedcover (Roses and Buds or Bride's Quilt)
Object type: textile
Date: 1845 – 1845
Location: united states
Bodice
Object type: bodice
Date: 1701 – 1800
Materials: silk, steel
Culture: american or european
Titelblad met een antieke vaas op een sokkel
Object type: titelprent, frontispice
Date: 1763 – 1831
Materials: paper
Techniques: etching
Location: rome
Subjects: garden vase
Inscriptions: collector's mark: ‘Douane Centrale La Portation Paris’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een vaas op een sokkel, met de titel van de serie, overgroeid met planten. Eerste prent uit een serie van tien.
Brisé fan, with representations of pastoral scenes flanking Venus and Cupid
Object type: fan
Materials: ivory, leather, mother of pearl, ribbon
Techniques: carving, gilding, painting
Subjects: men,women

This brisé fan- composed purely of individual ivory sticks, without a solid parchment, paper or fabric leaf- is a very fine example of Chinese carving. Particularly sought after in Europe, beautifully worked ivory mounts like these were sent from China with blank medallions, which could be customized with painted vignettes once they arrived in Europe.
Portrait of Pierre Séguier
Object type: print
Date: 1672 – 1672
Techniques: etching
Artist: girard audran
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1703
Subjects: men,women
Portret van een man met snor en baard
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: coburg
Artist: adolf wohlbach
Artist role: fotograaf
Subjects: moustache, historical persons, beard
Inscriptions: inscription: ‘A. Wohlbach/ Photogr. Atelier/ Coburg/ Ernst-Platz 8./ Die Platte bleibt zut Nachbestellung aufbewahrt./ Vergrösserungen nach diesem, sowie jedem anderen Bilde/ in feinster Ausführung.’
Interieur met breiende vrouw
Object type: photograph
Date: 1955 – 1955
Materials: photographic support
Techniques: gelatin silver print
Location: santpoort
Artist: Anonymous
Subjects: surabaya, historical persons, communal rooms, family life at home, knitting, home sewing; repair of clothes
Schuifsleutel
Object type: schuifsleutel
Date: 1400 – 1950
Materials: bronze
Location: rome

Schuifsleutel met oog gelijkend op een zware ring op een dunne, platte sleutelborst. De baard loopt in een bladmotief uit.
Venus bindt Amor een masker voor
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: etching
Location: netherlands
Artist: christian wilhelm ernst dietrich
Artist role: artist, painter, print maker
Artist dates: 1712 – 1774
Subjects: mask, full moon, torch, archer's weapons: bow and arrow, venus taking care of cupid
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Boer met glas in de hand en stok
Object type: print
Date: 1613 – 1656
Materials: paper
Techniques: etching
Location: netherlands
Subjects: farmers, glass, rummer, drinking
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van zes prenten met boeren naar verschillende kunstenaars: Jan Miense Molenaer, Pieter Quast, Hendrik Potuyl en Adriaen van Ostade.
Het kind en de schaar
Object type: print
Date: 1778 – 1785
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: mother and baby or young child, tools, aids, implements ~ crafts and industries: scissors, living-room, parlour, sitting-room
Inscriptions: collector's mark: Lugt 2228

Prent bij: Gellert, Christian Fürchtegott. Fabelen en vertelsels. 3 dln. Amsterdam: Pieter Meyer, 1772-1774. De prenten bij deze publicatie werden later uitgegeven. De exemplaren uitgegeven door de weduwe Jacobus Loveringh & Johannes Allart tussen 1777 en 1778, de exemplaren uitgegeven door alleen Johannes Allart tussen 1778 en 1785.
Souvenir
Object type: souvenir
Date: 1801 – 1900
Materials: enamel, gold, ivory
Subjects: men,portraits

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Teatro delle Nobili et Virtuose Donne..., page 8 (recto)
Object type: book print ornament architecture
Date: 1616 – 1616
Techniques: engraving, woodcut
Artist: isabella catanea parasole
Artist role: author
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: flowers

Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome. From top to bottom, and left to right: Design composed of a series of triangular motifs decorated with a flower, foliage, or 'S' pattern in the center. Each grouping of triangular motifs sit upon an ornamented rectangular base.
Crue de la Seine
Object type: photomechanical print
Date: 1910 – 1910
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: tower, clock tower ~ monumental adornment, avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage), flood, paris
Inscriptions: date

Prentbriefkaart maakt deel uit van een album.
Vuë de la ruë dite la Mauer-Strasse ainsi que l'Eglise Bohêmienne prise du côté de l'Eglise de la Sainte Trinité
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: germany
Artist: johann georg rosenberg
Artist role: print maker
Artist dates: 1739 – 1808
Subjects: city-view in general; 'veduta', church (exterior)
Inscriptions: collector's mark: Lugt 2228
Brief aan Frans Buffa
Object type: letter
Date: 1872 – 1872
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: sebastiaan m.s. de ranitz
Artist role: draughtsman
Artist dates: 1846 – 1916
Subjects: printer, frans buffa, drawing, money
Inscriptions: collector's mark: Lugt 2233
The actor Sawamura Tozo I as Dogen no Okichi in the play "Yoshiwara Niwaka no Banzuke," performed at the Ichimura Theater in the ninth month, 1804
Object type: print
Date: 1804 – 1804
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Three Studies: Standing Figure Facing Left; Interior with Figures and a Dog; Landscape (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: men

The execution of sketches and studies was a crucial part of Edmonds’s creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.
Portret van een vrouw met muts
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sweden
Artist: Anonymous
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: annotation: ‘Zweeds’
Trofeeën
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: etching
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, weapons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een trofee met wapens zoals een fasces, een pijlenkoker, een schild en speren en duiven, een helm, fakkel en kroon. Aan de bovenzijde een rond medaillon met twee putti.
Portrait of Kunz  von der Rosen
Object type: print
Date: 1515 – 1518
Techniques: etching
Artist: daniel hopfer
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1536
Subjects: men,portraits
Saltcellar
Object type: saltcellar
Date: 1801 – 1900
Materials: metal, silver

This electrotype is after a sixteenth-century original in the Victoria and Albert Museum, London, at the time of reproduction.
The Annunciation
Object type: drawing
Date: 1808 – 1862
Materials: ink, paper, parchment
Techniques: pen
Artist: wilhelm schadow
Artist role: artist
Artist nationality: german
Artist dates: 1788 – 1862
Subjects: virgin mary,archangel gabriel,annunciation
Zittende tovenaar met aap aan touw en staande figuur naast koe
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista tiepolo
Artist role: draughtsman, painter, print maker
Artist dates: 1696 – 1770
Subjects: monkeys, apes
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van serie met drieëntwintig prenten, bekend als Scherzi di fantasia. Na Giovanni Battista Tiepolo's dood werden de prenten in wisselende samenstellingen tot twee keer toe uitgegeven door zijn zoon, Giovanni Domenico. De serie in de collectie van het RMA is gedrukt in de eerste staat voor deze uitgaven, herkenbaar aan het ontbreken van een nummering.
Scarab of Ramesses VII
Object type: scarab, ramesses ii
Date: 1550 – 1070
Materials: faience
Location: egypt
Subjects: hieroglyphs,scarabs
Portret van Frederik August II van Saksen
Object type: print
Date: 1836 – 1880
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: historical persons, (military) uniforms, king
Implement, cone-shaped
Object type: implement, cone shaped
Date: 7000 – 330
Materials: bronze
Rapier
Object type: rapier
Date: 1801 – 1900
Materials: steel
Culture: spanish
Location: spain

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Iohannes Georgius, ambassadeur vande landtgraaff van Baden
Object type: print
Date: 1648 – 1665
Materials: paper
Techniques: engraving
Subjects: official; civil servant; functionary (in general), historical persons

Kopie naar een prent van Mattheus Borrekens. Zie documentatie. De prent maakt waarschijnlijk onderdeel uit van een serie portretten met vredesonderhandelaars die betrokken waren bij de Vrede van Münster.
Apôtres
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara

Deze prent maakt deel uit van een album.
Hertog van Alva wijst Margaretha van Parma de deur, 1567
Object type: boekillustratie ontwerp
Date: 1853 – 1853
Materials: ink, pencil, paper
Techniques: pen
Subjects: fernando álvarez de toledo (3rd duke of alba), animal traction, animal-drawn vehicle (carriage etc.), ruler, sovereign - bb - female ruler, departure ~ travelling

In 1567 trad Margaretha van Parma af als landvoogdes van de Nederlanden. Zij werd opgevolgd door de hertog van Alva. Tekening maakt deel uit van een manuscript.
A Seated Woman in Profile
Object type: drawing
Materials: ink
Techniques: pen
Artist: david-pierre giottino humbert de superville
Artist role: artist
Artist nationality: dutch
Artist dates: 1770 – 1849
Subjects: profiles,women
Three Views, No. 1: Mount Washington from Shelburn, New Hampshire
Object type: watercolor
Date: 1812 – 1879
Materials: graphite, watercolor, paper
Culture: american
Artist: john william hill
Artist role: artist
Artist nationality: american, born england
Artist dates: 1812 – 1879
Subjects: mountains,trees
Portret van Bartholomeus Eckhart
Object type: print
Date: 1654 – 1670
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: historical persons
Landschap met ijsschots en twee mensen in een bootje in Taku Inlet
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: autotype
Location: juneau
Artist: william henry partridge
Artist role: fotograaf
Artist dates: 1858 – 1939
Subjects: landscapes, iceberg, rowing-boat, canoe, etc.
Inscriptions: inscription: ‘From photograph 7732, by Partridge, Portland, Ore.’
Embarkation of the Young Greek
Object type: print
Date: 1771 – 1771
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Button
Object type: button
Date: 1850 – 1870
Materials: mother of pearl
Culture: american or european
Subjects: buildings,profiles
Ex libris van de bibliotheek van de gemeente Beja
Object type: bookplate
Date: 1952 – 1952
Materials: paper
Techniques: printing block
Location: portugal
Artist: Anonymous
Subjects: book
Inscriptions: date
Fotomontage van 37 journalisten aanwezig bij het afscheidsdiner van John Weiss Forney
Object type: page
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: journalist, reporter
Mercury Abducting Psyche (lateral view Mercury's side), from a set of three views of the sculpture
Object type: print
Date: 1593 – 1593
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: psyche,mercury
Gezicht op Nijmegen en de Waal
Object type: drawing
Date: 1752 – 1752
Materials: ink, paper
Techniques: brush, pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: river, prospect of city, town panorama, silhouette of city, nijmegen
Vignet voor Punch
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: line block
Location: england
Artist: edward linley sambourne
Artist role: draughtsman
Artist dates: 1844 – 1910
Subjects: (story of) mercury (hermes), automobile, political caricatures and satires

Mr. Punch rijdt met Mercurius in een auto door de wolken. Vignet voor vol. 123 van het Engelse satirische tijdschrift Punch, 9 juli 1902.
Portret van Jan Kalf
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: lithograph
Artist: willy sluiter
Artist role: draughtsman, painter, print maker
Artist dates: 1873 – 1949
Subjects: amsterdam, jan kalf, historical persons
Inscriptions: collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1780 – 1790
Materials: silk
Subjects: flowers
Portret van een man in uniform
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: decize
Artist: c. bick
Artist role: fotograaf
Subjects: historical persons
Inscriptions: inscription: ‘Abel Lachambre/ Photographe/ a Decize/ Ch. Bick, Succsseur’
Pion 3
Object type: chess piece
Date: 1923 – 1925
Materials: bronze, oxide
Techniques: casting, lost wax process, patinaed
Location: capri
Artist: saar de swart
Artist role: sculptor
Artist dates: 1861 – 1951