deem-data/ArtiFact huggingface dataset:
Struikelende man aan de rand van een bos met stad op de achtergrond
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: etching, intaglio
Artist: edmond de schampheleer
Artist role: print maker
Artist dates: 1824 – 1899
Subjects: city-view, and landscape with man-made constructions, trees, forest, wood, falling
Inscriptions: collector's mark: Lugt 2228, stamp: ‘SRL’, inscription: ‘La Haye. Exposition des Beaux. Arts, au local en Luken Akademie. Princessegracht. Contenant deux Tableaux. [apediée] par E. de Schampheler 30 rue de Commerce Bruxelles.’
Child's Cap
Object type: costume and accessory
Date: 1801 – 1900
Materials: cotton, glass, linen
Techniques: lace, treatment, knitting, weave
Location: europe
Reproductie van een ontwerp met de voorstelling van een schilder in zijn atelier door Eugène van Gelder
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: photograph
Subjects: historical persons, workshop, studio ~ painter, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Bulletin de l'Association belge de Photographie’
Rocaille bekroningen
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: rocaille ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Souvenir
Object type: souvenir
Date: 1825 – 1840
Materials: enamel, glass, gold, ivory
Subjects: cupid
Utrecht. Post- en Telegraafkantoor
Object type: photomechanical print
Date: 1920 – 1930
Materials: cardboard
Techniques: photograph
Location: oosterhout
Artist: Anonymous
Subjects: post-office, utrecht
Portrait of an unknown landowner from Firozpur, Punjab, India
Object type: photograph
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Location: firozpur
Artist: Anonymous
Subjects: head-gear: turban, human races; peoples; nationalities
Inscriptions: inscription: ‘ZEMINDAR./ DAGAR TRIBE./ MAHOMEDAN./ FEROZEPORE.’, number: ‘(222)’
Leslie, R.A.
Object type: drawing and watercolor
Materials: graphite, paper
Location: united kingdom
Artist: Anonymous
Artist nationality: british
Artist dates: 1800 – 1899
Jongleur indien
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: illusionist, conjurer, juggler, 'legerdemain', adult man, historical persons
Inscriptions: inscription: ‘Association belge de photographie’
The Swan
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Exterior, lower back, left buttock and leg of warrior to left; part of torso, right arm with spear, and right buttock and leg, with greave, of draped warrior, with animal skin?
Marchand de Vin (Rome)
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: rome
Artist: Anonymous
Subjects: merchant, salesman (with name of trade or profession), rome
Mirror
Object type: decorative art
Date: 101 – 200
Materials: brass, bronze, copper alloy, metal
Techniques: gilding, repoussé
Culture: roman
Location: roman empire
Subjects: mythology, goddesses, gods (deities), beauty, rituals

Artemis (the Roman Diana), or a Roman lady with divine fantasies, after her bath in a rustic, woodland setting, is the subject of the tondo in relief on the back of this Roman hand mirror. Her cloak is draped over the rocks on which she sits, and she holds the end wrapped around a small hand mirror in her raised left hand, a divine celebration of the uses of the mirror in a Roman household. The landscape in front of her, to the right, recalls the paintings and reliefs from houses around the Bay of Naples before the eruption of Mount Vesuvius in A.D. 79. The quiver of the goddess leans against the base of a garlanded altar with a small herm on top. A second terminal figure, Priapis, the god of gardens and fertility, tilts back while facing to the right on the ledge at the right. The bovine skull in the right foreground suggests the sacrifice after a successful hunt.
Dalmatic and Humeral Veil
Object type: textile
Date: 1675 – 1725
Materials: gilt, linen, metal, textile, silk
Techniques: embroidery, treatment, laid work, weave, silvered, stitching
Location: bavaria
Gezicht op de Schiedamseweg te Vlaardingen
Object type: photograph
Date: 1941 – 1945
Materials: paper, photographic support
Techniques: gelatin silver print
Location: vlaardingen
Artist: Anonymous
Subjects: street
Inscriptions: annotation: ‘Schiedamscher Weg’

Gezicht op de Schiedamseweg te Vlaardingen in oostelijke richting, met aan het einde het Verploegh Chasséplein. Links vooraan de tuin en tuinhek van Villa IJzermans en geheel rechts de Dienststelle van het 9e Räumbootsflottille van de Duitse Kriegsmarine, van waaruit de foto is genomen.
And On Every Side Are Columns of Basalt,...the Light Falls From the Vaulted Roof, plate 3 of 24
Object type: print
Date: 1896 – 1896
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Ercole ubriaco (Fresco di Pompei)
Object type: photograph
Date: 1865 – 1888
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: the drunken hercules, pompeii
Inscriptions: inscription: ‘Grandes Médailles d'or/ Georges Sommer/ Photographe/ Naples/ Atelier Monte di Dio No. 4 au 1er/ Magasin Sta. Caterina No. 5./ Lit. Richter & Co.’, number: ‘No. 2335.’
Pendant: head and neck of a horse
Object type: horse head, fragment
Date: 500 – 301
Materials: amber
Culture: italic
Subjects: horses

Pendant in the shape of a horse's head.
Tetradrachm (Coin) Depicting the Goddess Athena
Object type: coin
Date: 196 – 187
Materials: metal, silver
Culture: greek
Location: athens
Subjects: goddesses, owl
Inscriptions: Reverse: Α Ο Ε ΔΙ ΟΦΑ ΔΙΟ ΔΟ

The front of this coin depicts the goddess Athena Parthenos wearing a triple crested Athenian helmet, the decorative scheme of which includes a flying quadraped, palmettes and scrolls; trimmed with a flat band decorated with sunken squares. The cheek piece of the helmet is raised, revealing loose curls of hair on the goddess's neck and a pendant earring. A decorative border of dots is partially preserved.

On the back an owl, another symbol of Athena, stands atop a vessel on its side. The scene is encircled by an olive wreath.
Box decorated with flowers and clouds
Object type: box
Date: 1701 – 1800
Materials: lacquer, mother of pearl
Techniques: inlay
Culture: korean

There is another lacquer box in the collection that has the same design schema with blossoms and leaves, clouds, and dots are arranged compositionally in the same manner. But the mother-of-pearl on this box takes center stage and nearly cover its entire surface.
Delftsche Poort en Zuiderkerk te Rotterdam
Object type: sketchbook leaf
Date: 1862 – 1867
Materials: paper, pencil
Location: rotterdam
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: church (exterior), gate, entrance
Inscriptions: annotation: ‘[...]/ Delftsche Poort Rotterdam/ Pont Kerk Glashaven/ Rott’

Blad 21 recto uit een schetsboek met 58 bladen.
Peter and John heal a paralyzed man at the temple gate
Object type: print
Date: 1777 – 1780
Materials: paper
Techniques: etching
Location: amsterdam
Artist: benjamin martini
Artist role: print maker
Subjects: healing of a lame beggar at the beautiful gate of the temple by peter and john (acts 3 - 4:31)
Inscriptions: inscription: ‘Op proefdrukken met vollen plaatrand staat de naam van Martini als vervaardiger van deze prenttekening’, collector's mark: Lugt 2228

De voorstelling is gebaseerd op de tekst uit Handelingen 3:4-31. In de Statenvertaling is de bedelaar beschreven als: “En een zeker man, die kreupel was van zijner moeders lijf, werd gedragen, welken zij dagelijks zetten aan de deur des tempels (…) Maar Petrus zei (…) In den Naam van Jezus Christus den Nazaréner, sta op en wandel. En hem grijpende bij de rechterhand, richtte hij hem op, en terstond werden zijn voeten en enkels vast”. In de Nieuwe Bijbelvertaling wordt er niet gesproken over ‘kreupel’ maar over verlamming: “Men had ook een man die al sinds zijn geboorte verlamd was naar de tempel gebracht (…) Maar Petrus zei (…) in de naam van Jezus Christus van Nazareth, sta op en loop.’ Hij pakte hem bij zijn rechterhand om hem overeind te helpen. Onmiddellijk kwam er kracht in zijn voeten en enkels.”
Sarah Dupont
Object type: painting
Date: 1777 – 1779
Materials: canvas, oil, paint
Techniques: painting
Location: england
Artist: thomas gainsborough
Artist role: artist
Artist nationality: british
Artist dates: 1727 – 1788
Subjects: portraits: female subject, white (color), black (color), bows, lace, headdresses, portraits, portrait, woman
The Dying Centaur
Object type: sculpture
Materials: bronze
Culture: american
Artist: william rimmer
Artist role: artist
Artist nationality: american, born england
Artist dates: 1816 – 1879
Subjects: centaurs

The mythical centaur, with the head and torso of a man and lower body of a horse, represented Rimmer’s recurrent fascination with dueling forces of the spiritual and the physical, the mortal and the immortal, the animal and the human. Here, a centaur who has collapsed futilely attempts to rise. The truncated, upraised arms express the pathos of the dying creature’s plight. Rimmer modeled the sculpture while he was teaching at the Cooper Union for the Advancement of Science and Art in New York and left no commentary on its enigmatic meaning. However, among the proposed interpretations is a connection to the moral tales of poet and theologian Edward Young, in which a centaur confronts his death after a lifetime of debauchery. Facing God’s judgement, he desperately seeks salvation, possibly referring to Rimmer's own moral tumult and lifelong struggles with mental illness.
Salvator Rosa, The Death of Polycrates
Object type: photograph
Date: 1855 – 1858
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: naples, print maker, salvator rosa, drawing, sketch

Fotoreproductie van tekening in 'The Reveley Collection of Drawings at Brynygwin', afb. 35.
Rotsen in water
Object type: print
Date: 1874 – 1951
Materials: paper
Techniques: woodcut
Artist: henri rivière
Artist role: draughtsman, print maker
Artist dates: 1864 – 1951
Subjects: rocky coast, rocks
Inscriptions: stamp: Lugt 1362, collector's mark: Lugt 2760
Bruges. La Cathédrale
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: bruges
Artist: Anonymous
Subjects: church (exterior)
Karel, graaf d'Oultremont, prins-bisschop van Luik
Object type: history medal
Date: 1764 – 1764
Materials: silver
Techniques: striking
Location: liège
Artist: philippe joseph jacoby
Artist role: graveur
Artist dates: 1708 – 1794
Subjects: liège

Zilveren penning. Voorzijde: borststuk man binnen tweeregelig omschrift. Keerzijde: vrouw hangt gekroond wapenschild aan zuil, beschenen door stralende driehoek binnen omschrift
Portret van André Gide
Object type: photograph
Date: 1936 – 1936
Materials: paper
Techniques: gelatin silver print
Artist: charles leirens
Artist role: fotograaf
Artist dates: 1888 – 1963
Subjects: paris, writer, poet, author
Inscriptions: copyright notice: ‘ANDRÉ GIDE/ Charles Leirens: "20 Portraits d'Artistes" No 1/ Copyright Editions de la Connaissance,/ Bruxelles 1936.’
Plate
Object type: ceramic
Date: 1800 – 1825
Materials: earthenware
Techniques: transfer
Location: montereau
Artist: montereau pottery
Artist nationality: french
Artist dates: 1774 – 1840
Urformen der Kunst : photographische Pflanzenbilder
Object type: photobook
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)

Losbladige uitgave van Urformen der Kunst.
Handkerchief
Object type: handkerchief
Date: 1897 – 1897
Materials: linen
Culture: british
Subjects: industry,ships,trains,queen victoria

The Diamond Jubilee was a significant moment in the reign of Queen Victoria, celebrating 60 years of her reign. This handkerchief summarizes in its imagery the many remarkable industrial and territorial conquests made during that time. These triumphs include the printing machine that could make 50,000 copies per hour; advances in machine loom weaving; the ability to send telegrams at 100 miles per minute; production of the maxim gun, allowing 600 shots per minute; the West Coast railway's corridor train's ability to travel 60 miles per hour; and the ability to travel across the Atlantic in just 5 1/2 days. During this time, the British Empire was strong, powerful and a force not to be reckoned with.
Card Number 374, Julia Miner, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Coach #3591
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Wheat Fields
Object type: painting
Date: 1670 – 1670
Materials: canvas, oil
Artist: jacob isaacksz van ruisdael
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1682
Subjects: roads,landscapes
Portret van Desiderius Erasmus
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: tone lithography
Subjects: rotterdam, desiderius erasmus, bookshelves, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Vertrek van de Gardes d'Honneur van Amsterdam, 1813
Object type: print
Date: 1813 – 1815
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: guard of honour, taking leave, amsterdam
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: De Gardes d'Honneur in vier zangen, Dirk Hendrik ten Kate van Loo, Den Haag: Johannes Allart, 1815.
Vorder geschiedenissen binnen Ierusalem
Object type: album leaf
Date: 1646 – 1646
Materials: paper
Techniques: engraving
Location: alkmaar
Subjects: the widow's mite: christ draws the disciples' attention to a woman who puts a few coins in the temple's money chest (mark 12:41-44; luke 21:1-4)
Inscriptions: serial number: ‘2’, number: ‘115’

In de tempel zit links op de voorgrond Christus, die twee van zijn leerlingen wijst op een gesluierde arme weduwe. Rijk geklede mensen lopen toe op de offerkist om er veel geld in te werpen. De weduwe heeft er slechts twee muntjes ingegooid, maar dat is volgens Christus meer dan de rijken doen, omdat ze van haar armoede heeft gegeven. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mar. 12:41. Deze prent maakt deel uit van een album.
Landscape with Rocks and Trees (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: landscapes,trees

The execution of sketches and studies was a crucial part of Edmonds’s creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.
Design for Wagon, no. 905c
Object type: drawing
Date: 1870 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Wat-Sa-Pua
Object type: wat sa pua
Date: 1801 – 1900
Materials: bone, wax
Culture: native american or guyanese
Location: guyana
De Behangen Kamer
Object type: print
Date: 1760 – 1765
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre, theatrical performance, stage design
Inscriptions: collector's mark: Lugt 2228

Toneelvoorstelling in de Amsterdamse Schouwburg op de Keizersgracht met het coulissendecor De Behangen Kamer met scène uit: De Zwetser. Het decor gedrukt van een aparte plaat binnen een passe-partout met de zaal, zijloges, orkestbak en de façade van het toneel met zuilen, guirlandes en kroonluchters. De titel en een vierregelig vers ook gedrukt van een aparte plaat. Onderdeel van een serie van 12 toneeldecors.
Pulchrae pro libertatis amore
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: henriëtta maria van frankrijk (koningin van engeland, schotland en ierland), 'tableau vivant', perseus kills the sea monster (or turns it into stone by showing it the gorgon's head) to release andromeda; sometimes her parents cepheus and cassiopea watch the scene, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', amsterdam

Allegorisch tableau vivant met stadhouder Frederik Hendrik die als Perseus tot de redding van Andromeda (Nederland) komt. Links in het water het zeemonster (Spanje). Vertoning gepland - maar uiteindelijk niet uitgevoerd - op het water van het Damrak bij het bezoek van Engelse koningin Henrietta Maria aan Amsterdam, 20-22 mei 1642. In het onderschrift de titel en 2 keer 4 regels in het Latijn. Tweede plaat in een groep van tien vertoningen en triomfbogen.
Fig. 11 'De Flore Constantinopolitano' in De Boodts herbarium van 1640
Object type: text sheet
Date: 1640 – 1640
Materials: ink, paper
Techniques: letterpress printing
Location: bruges
Artist: anselmus boëtius de boodt
Artist role: draughtsman
Artist dates: 1550 – 1632

Beschrijving bij Fig. 11 op p. 21 in: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Studies of a Horse
Object type: drawing and watercolor
Date: 1868 – 1875
Materials: graphite, paper
Techniques: drawing, stumping
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917