deem-data/ArtiFact huggingface dataset:
Waere uytbeelding klaer / eenes oprechten vrede / Die wel te wenschen waer / in elck Landt en stede
Object type: text sheet
Date: 1608 – 1608
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: d. marien
Artist role: schrijver
Subjects: tachtigjarige oorlog, onderhandelingen voor het twaalfjarig bestand

Tekstblad behorend bij de grote allegorische voorstelling van de voorspoed die de vrede de Noordelijke en de Zuidelijke Nederlanden brengen zal, 1608. 17 genummerde verzen van elk 13 regels en de legenda 1-54 in het Nederlands. Onderaan is de uitgeknipte titel opgeplakt.
Recueil de la diversité des habits
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: woodcut
Location: paris
Subjects: fashion plates, europeans (swiss) (+ costume), folk costume, regional costume, dress, gown
Inscriptions: collector's mark: Lugt 2228

Dit is prent 61 uit een serie van 121. Binnen deze serie zijn er prenten gemaakt naar voorbeelden van Jean-François de Roberval en Enea Vico, onbekend welke precies.
Studieblad met een staande vrouw en katachtigen
Object type: sketchbook leaf
Date: 1892 – 1900
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: standing figure - aa - female human figure (+ sideview, profile), beasts of prey, predatory animals

Mogelijk leeuwinnen. Schutblad B, achterste schutblad, uit schetsboek VIII met 12 bladen.
Portret van Jacob Grässl
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Inktstel, hartvormig, beschilderd met bloemboeketten
Object type: inkstand
Date: 1774 – 1778
Materials: porcelain
Location: loosdrecht

Inktstel van porselein. Hartvormig, met rocailles in groen en goud op de rand. De kaarsehouder (in de vorm van een bloemkelk) en het oor (in de vorm van een tak met bladeren) zijn eveneens versierd in groen en goud. In het gesloten deel twee ronde uitsparingen voor een inktpot en een zandstrooier, beide met dekseltje, waarop een plastische bloem aan een takje met bladeren in groen, geel en paars, en zes gaten voor pennen. Op de wand twee grote veelkleurige bloemboeketten en enkele losse bloemtakjes. Gouden biezen langs de randen van inktpot en zandstrooier en hun dekseltjes.
Gauntlets
Object type: gauntlet
Date: 1680 – 1710
Materials: leather, metal, silk
Culture: british

The extravagant fringe on these gauntlet gloves features purple silk, gold cord and gold tassels. The gloves were collected by Stewart Culin (1858-1929) during a collection expedition in 1920. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
Jongen op een stoel
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: engraving, etching
Location: bergen
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: boy (child between toddler and youth), child (at home)
Inscriptions: collector's mark: Lugt 2228, annotation: ‘2me état’
Engageantes
Object type: engageantes
Date: 1701 – 1800
Materials: cotton
Culture: british
Maurits Cornelis van Hall, voorzitter van de arrondissementsrechtbank te Amsterdam, penning aangeboden door de Amsterdamse advocaten en procureurs op zijn 88e verjaardag
Object type: honorary medal
Date: 1856 – 1856
Materials: bronze
Techniques: striking
Location: amsterdam
Artist: samuel cohen elion
Artist dates: 1815 – 1880
Subjects: amsterdam, maurits cornelis van hall

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift
Patolu sari
Object type: patolu sari
Date: 1801 – 1900
Materials: metal, silk, thread
Culture: indian
Subjects: flowers
Opstanding van Christus
Object type: print
Date: 1669 – 1678
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers
Inscriptions: collector's mark: Lugt 2228

De verrezen Christus staat op zijn graftombe. Hij kijkt omhoog en houdt een kruis met een banier in zijn rechterhand. Boven de staf zijn drie Cherubijnen te zien. In de marge een éénregelig, lovend onderschrift over de overleden schilder in het Latijn.
Fan
Object type: fan
Date: 1751 – 1775
Materials: ivory, mother of pearl, paper
Subjects: windmills,men,women
Perpetual calendar
Object type: perpetual calendar
Date: 1501 – 1600
Materials: brass
Subjects: flowers,calendars
Willem III. in de vroedschap te Amsterdam
Object type: history print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), meeting, assembly

Gebruikt als illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. X, pl. I.
Fragment of Shawl
Object type: textile fragment
Date: 1801 – 1833
Materials: wool
Location: india
Subjects: flowers,leaves
Rechthoekige cartouche met dierenmasker
Object type: ornament print
Date: 1579 – 1580
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ornament ~ cartouche

Rechthoekige cartouche met midden boven een dierenkop met een ring in zijn bek. De cartouche is een fragment van een kaart van het Romeinse Rijk. De prent maakt deel uit van een album.
The Triumph of the Church
Object type: plaquette
Date: 1576 – 1600
Materials: lead
Subjects: men,women,horses,chariots
Untitled (Portrait of Standing Boy)
Object type: photograph
Date: 1848 – 1848
Techniques: daguerreotype, photography
Location: united states
Artist: jesse harrison whitehurst
Artist nationality: american
Artist dates: 1819 – 1875
Subjects: lundberg collection, portraits: male subject, portrait, children, boys, portraits, portraits: child subject
Warrior
Object type: figure
Date: 567 – 700
Materials: earthenware
Techniques: glazing
Culture: chinese
Subjects: soldiers,men
Cathédrale de Cologne
Object type: stereograph
Date: 1863 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: cologne
Artist: Anonymous
Subjects: city-view in general; 'veduta', roman catholic church
Inscriptions: number: ‘2647’
I'll Soon Take All This Out of Him...
Object type: drawing and watercolor
Date: 1827 – 1827
Materials: graphite, paper, watercolor
Location: england
Artist: henry alken
Artist role: artist
Artist nationality: british
Artist dates: 1785 – 1851
“Basketweave” Bowl
Object type: vessel
Materials: porcelain
Techniques: carving, underglaze
Location: china
Florentissimi trajectini principatus typus antehac nunq visus in quo urbis oppidorum pagorum (...)
Object type: print
Date: 1643 – 1677
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195

Links in het midden een cartouche met de opdracht. Rechtsboven de titelcartouche met het wapen van de provincie Utrecht. Daaronder de wapens van de hertogdommen Brabant, Gelderland en Kleef. Daaronder de wapens de graafschappen Holland, Bentheim en Cuijk, en nog een wapen met een bazuin. Daaronder een uitgebreide historische en geografische beschrijving van de provincie Utrecht met een legenda. Daaronder de wapens van de steden Utrecht, Amersfoort, Rhenen, Wijk bij Duurstede en Montfoort. Rechtsonder een schaalstok: Trajectina milliaria / Utrechtsche mylen. Gradenverdeling langs de randen.
The Willow Song, plate nine from Othello
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: drypoint, engraving, etching, roulette
Location: france
Artist: théodore chassériau
Artist nationality: french
Artist dates: 1819 – 1856

Shakespeare’s tragic tale of the Moorish general Othello, his bride, Desdemona, and the scheming Iago explores the timeless themes of racism, love, jealously, and betrayal. The play had gained considerable popularity in France by 1844. Though little is known of the specifics of this particular commission, it was a project that captivated Théodore Chassériau for years. These two prints, from Chassériau’s series of 15 plates, illustrate the emotional crescendo of Desdemona and Othello’s relationship. Plate 9 tenderly represents Desdemona’s despair when she sings the Willow Song. Her words—“Let nobody blame him; his scorn I approve”—are prophetic. Later, convinced of her infidelity, Othello smothers her with a pillow. Plate 14 shows the moment Emilia tells Othello of Desdemona’s innocence and Iago’s treachery. Chassériau’s use of gesture links the three central characters in a dramatic pyramidal composition that conveys the poignant meaning of the scene.
Vaandel van het vijfde afdeling infanterie
Object type: banner
Materials: bronze, silk, wood
Techniques: painted
Location: netherlands
Artist: jan willem pieneman
Artist role: draughtsman, painter, print maker
Artist dates: 1779 – 1853
Subjects: netherlands
Grand Temple d'Isis à Philoe, Tôth Ibiocéphale; Nubie, plate 79 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Fotoreproductie van een schilderij, voorstellende krijgers met speren en pijl en boog vallen mannen met geweren aan
Object type: photograph
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Artist: flaglor and perkins
Artist role: fotograaf
Subjects: battle, firearms: rifle, casting weapons
Inauguration Medal of President Garfield
Object type: medal
Date: 1881 – 1881
Materials: bronze
Culture: american
Artist: charles e. barber
Artist role: artist
Artist nationality: american
Artist dates: 1840 – 1917
Subjects: men,profiles
Luigi Palma di Cesnola
Object type: painting
Date: 1865 – 1865
Materials: canvas, oil
Culture: american
Artist: jacob d. blondel
Artist role: artist
Artist nationality: american
Artist dates: 1817 – 1877
Subjects: soldiers,men,portraits
[A Frontier Home]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,houses,children,men,women

The Homestead Act of 1862 provided that any citizen or applicant for citizenship who was either the head of a family or twenty-one years of age (or, if younger, had served in wartime not less than fourteen days in the U.S. Army or Navy) could apply for ownership of 160 acres of unappropriated public land, and would acquire title to the land by residing on and cultivating the land for five years. An addendum to this act provided that after six months the land title could be acquired by paying $1.25 per acre. Somewhere in the Great Plains a family sits on the porch of their new home, taking the late afternoon breeze. The father tilts back in his chair with an air of satisfied ownership, and the mother shows off their child. In the raw expanse of the West, they are comforted by a bit of millwork gingerbread on the barn and by a slender white washed fence picketing their small yard. The photograph focuses on the essential relationship between family, shelter, and the land, and is a rare view of formative domesticity in the American West.
Kaart van het Graafschap Holland en Utrecht (plaat 18)
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving, etching
Subjects: maps, atlases
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een kaart samengesteld uit 40 bladen. Waarschijnlijk gaat het om de grootste kaart van Holland uit de zeventiende-eeuw. De kaart is uitgegeven in verschillende edities, deze kaart uit 1639 is de eerste editie.
Le Mois, Journal historique, littéraire et critique avec figures, Tome 3, An. 8 (1799-1800)
Object type: fashion print
Date: 1799 – 1799
Materials: paper
Techniques: etching, hand coloring
Subjects: fashion plates
Inscriptions: inscription: ‘No. 9’

Prent uit het tijdschrift Le Mois : Journal historique, littéraire et critique avec figures, An 7 en 8 (1798-1800).
Fragment of a blade
Object type: fragment
Date: 2000 – 1500
Materials: jade
Culture: chinese
Sculptures, XVIe siècle
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: townhall, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: monogram: ‘JJvY’, inscription: ‘SCULPTURES décorant le (...)’, inscription: ‘SCULPTURES. - PL. 10.’
Gezicht op een slaapkamer in renaissancestijl in het huis van J. vanden Peereboom in Anderlecht, België
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: anderlecht
Subjects: bedroom
Inscriptions: name: ‘F. Malfait, Exéc.’, inscription: ‘Maison Flamande/ à M. J. VANDEN PEEREBOOM/ Ministre des chemins de fer, postes et télégraphes/ Grande chambre à coucher Renaissance/ (Coté droit)’, number: ‘PLANCHE 23’

Deze prent maakt deel uit van een omslag met 89 prenten en 5 tekstbladen.
Servet met het wapen van Wijk bij Duurstede
Object type: napkin
Date: 1786 – 1786
Materials: linen
Techniques: damask
Location: north brabant
Artist: Anonymous
Subjects: wijk bij duurstede
Inscriptions: mark: ‘3’

Servet van linnendamast met het wapen van Wijk bij Duurstede. Middenveld: In de breedte geplaatst voor een speer met vrijheidshoed, het wapen van Wijk bij Duurstede: goud met balk van keel, beladen met drie zuilen; het is omgeven door twee lauwertakken en rust op een trofee van bajonetten, vlaggen, vuurmond en fascesbundel. Daaronder: 20 MAART Ao 1786 en daarboven DAN 36. Randen: slingerende tak met eikebladeren en eikels, een effen bandlijst en een blokkenrand.
Vingerdoek van linnendamast met een bloempatroon
Object type: vingerdoek
Date: 1875 – 1900
Materials: linen
Techniques: damask
Location: netherlands
Inscriptions: monogram: ‘AEDP 24’

Vingerdoek van linnendamast met op het veld een bloemenkrans waarbinnen een rozet van bladeren en waaromheen gestrooide bladeren. Langs de rand een bloempatroon. De vingerdoek heeft franje langs de rand en in wit geborduurde letters AEPD24. De vingerdoek hoort bij negen vingerdoeken (BK-1979-269-A t/m BK-1979-269-J).
Birth of the Virgin
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: rome
Subjects: cherubs, i.e. children's heads with wings, other representations ~ god the father, birth of mary, sitting or standing on clouds
Inscriptions: collector's mark: Lugt 240
Portret van Wolfgang Philipp Ernst
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: wolfgang philipp ernst, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 9
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, tip of spear; part of an inscription, [KA]LO[S]
Perspectiefoefening met een open deur
Object type: sketchbook leaf
Date: 1815 – 1852
Materials: ink, paper, pencil
Techniques: pen
Artist: jonkvrouw elisabeth kemper
Artist role: draughtsman
Artist dates: 1799 – 1871
Subjects: open door, mathematical perspective

Blad 30 recto uit een schetsboek met 94 bladen.
Dalmatic
Object type: dalmatic
Date: 1720 – 1725
Materials: metal thread, silk
Subjects: flowers,leaves
Design for a Decorative Frieze
Object type: drawing
Date: 1825 – 1850
Materials: chalk, graphite
Techniques: heightening
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: griffins
Piece
Object type: piece
Date: 1801 – 1900
Materials: silk
Culture: chinese
Gezicht op het Forum Romanum te Rome
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: london
Subjects: triumphal arch, landscape with ruins
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Le Magasin de Meubles
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Een chaise longue. Prent uit 67e Livraison.
Piece
Object type: piece
Date: 1800 – 1800
Materials: cotton
Subjects: men,women,playing,trees
A faithful representation of the fireworks display presented by Johann Müller as proof of his Mastership, Johannis Schiessplatz, Nuremberg, 1659
Object type: print, fete, ornament architecture
Date: 1659 – 1659
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: human figures,fireworks
Candlestand (flambeau de jardin) with shade (one of a pair)
Object type: candlestand with shade
Date: 1770 – 1770
Materials: gilt bronze, glass

The glass shades would prevent the candle from being extinguished in a draft and these so-called hurricane lamps were, therefore, not only decorative but also highly practical. The Vitruvian scrolls and laurel leaf swags are typical for the Neoclassical style fashionable during the Louis XVI period.
Plate (part of a dining service)
Object type: plate
Date: 1805 – 1805
Materials: silver gilt
Artist: martin-guillaume biennais
Artist role: maker
Artist nationality: french
Artist dates: 1764 – 1843
Subjects: coat of arms
Pie Dish
Object type: pie dish
Date: 1800 – 1830
Materials: earthenware
Culture: american
Location: united states
Doorknocker with a Triton and a Nereid
Object type: door knocker
Date: 1567 – 1600
Materials: bronze, iron
Subjects: birds,faces,dragons,mermaids
Atelier waar gillotage afdrukken worden gemaakt
Object type: photomechanical print
Date: 1883 – 1888
Materials: paper
Techniques: gillotage
Artist: Anonymous
Subjects: workshop-interior
Inscriptions: inscription: ‘Fig. 29. - Atelier de gillotage (Planche tirée par le procédé de M. Gillot).’
Banana Garden at Nakashima (Nakashima shōen), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei)
Object type: woodblock print
Date: 1832 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: houses,mountains,landscapes

Hokusai's prints of the Ryūkyū were probably made to commemorate the Ryūkyū mission's arrival at Edo in November 1832. Although the original gazetteer that inspired Hokusai was in black and white, his series is in exquisite color. We can see not only his use of color to heighten the exotic ambiance of the Ryūkyū Islands, but also his imaginative power to make alien islands familiar in the guise of Eight Views. The artist carefully selected representative elements of the Eight Views, such as moon, sailboats and snow.
Jug with Medallions
Object type: jug
Date: 501 – 800
Materials: copper alloy
Culture: byzantine
Subjects: animals,medallions

The medallions wrapping around the neck of this jug, which was probably used to store liquids, are decorated with images of mounted riders. Such images were associated with the Holy Rider, who warded away evil, as well as with hunters who were identified with abundance and prosperity.
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1662 – 1722
Materials: gemstone, jade
Culture: chinese
Subjects: flowers
Bracelet or armlet with uraei
Object type: bracelet or armlet, uraei
Materials: silver
Location: egypt
Subjects: serpents
Portret van professor de Gaige de Leyde
Object type: print
Date: 1861 – 1918
Materials: paper
Techniques: etching
Artist: thérèse schwartze
Artist role: draughtsman, painter, print maker
Artist dates: 1851 – 1918
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Saucer (part of a coffee service)
Object type: saucer
Date: 1801 – 1833
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Zes pence, noodmunt van Jacobus II, koning van Engeland, uit mei 1690
Object type: siege coin
Date: 1605 – 1690
Materials: copper
Techniques: striking
Location: ireland
Artist: Anonymous
Subjects: jacobus ii (koning van engeland en schotland)

Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: kroon, waardoor twee gekruiste scepters steken tussen monogram van letters J en R; boven kroon Romeinse cijfer VI, onder kroon opschrift "May: " binnen omschrift
Plate
Object type: plate
Date: 1840 – 1854
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: william ridgway & co.
Artist role: maker
Artist nationality: british
Artist dates: 1834 – 1854
Subjects: landscapes
Trap des ouderdoms
Object type: popular print
Date: 1822 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: deventer
Subjects: the ages of man represented by a staircase, globe, human life divided into stages, russia, france, persia, europe
Inscriptions: collector's mark: Lugt 2760

Een trap des ouderdoms: een mannentrap. Op de treden van de trap, lopend over de aardbol (het noordelijk halfrond), staan mannen in de leeftijd van 10 tot 100 jaar. Onder de afbeelding een vers in twee kolommen. Genummerd rechtsboven: 7.
Ladies Sewing  (Kijo saihō no zu)
Object type: print
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: adachi ginkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1853 – 1902
Subjects: women,sewing,irons

The sewing machine is the featured attraction in this print of upper-class women making and ironing clothing. Sewing machines were a novelty in Japan in the 1870s, but by the mid-1880s, when Western dress was enforced for many government employees, seamstresses and tailors started to use Singer machines in preference to hand machines. The sewing machine was among the efficiency-improving devices that carried Western ideas concerning gender roles, progress, and technology into Japan. The Meiji empress supported imported fashions with caution but at the same time was an advocate for the development of the domestic textile industry. However, around the 1880s only the upper classes could afford expensive Western garments.
Pochette
Object type: pochette
Date: 1701 – 1800
Materials: wood
Culture: european

Dancing was an expected aristocratic accomplishment. Instruction was given at home by a visiting dance master, who played a small fiddle to provide music for the lessons. The compact, slender shape of these instruments made them easy to transport and gave them the name pochette, which suggests that they were carried in one's coat pocket. Description: A narrow body with rounded back of ivory, inlaid with four black lines. Sound-board rising in the center. two diamond-shaped sound-holes. Open peg-box of ebony, placed at an angle, terminating in a scroll and carved head. Four ivory pegs.
Voorgevel van de Basiliek van San Marco te Venetië
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: church (exterior), façade (of house or building)