deem-data/ArtiFact huggingface dataset:
Sergeant Scales speelt de trommel
Object type: cartoon
Date: 1844 – 1844
Materials: paper
Techniques: etching
Location: england
Subjects: folk dancing (men and women together), drum (musical instrument), political caricatures and satires

Sergeant Scales speelt op de trommel voor het dansende gezelschap. Illustratie voor een uitgave van "St James's, or the Court of Queen Anne" van Ainsworth, 1844.
Groepsportret van familie in tuin
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous

Groepsportret van een familie (?) in een ommuurde tuin of park. Een vijftal personen poseert voor de camera: een oudere man links op ligstoel, vrouw met parasol en lichte jurk, een man en jonge vrouw op een bankje, daarnaast een wat oudere vrouw met ingeklapte parasol. Een huis en een thermometer (aan een hekje) op de achtergrond.
Tälsäm or yä bərana kətab (healing scroll)
Object type: scroll
Date: 1801 – 1900
Materials: parchment, pigment
Culture: amhara or tigrinya
Location: ethiopia
Artist: northern highlands däbtära (religious scholar)
Artist role: artist
Subjects: animals,faces,men
Het beleg van het Slot te Vreeland, 1278
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: floris v (graaf van holland en zeeland), siege, position war
Inscriptions: collector's mark: Lugt 2228

Beleg van het slot Vreeland of Vredelant door graaf Floris V. Vanaf de torens en vanonder de slotgrachtpoort probeert men de vesting te verdedigen tegen het leger dat probeert binnen te stormen.
Egyptische reis van 1858-1859
Object type: drawing
Date: 1858 – 1859
Materials: paper, pencil
Location: egypt
Artist: willem de famars testas
Artist role: draughtsman, painter, print maker
Artist dates: 1834 – 1896
Subjects: merchant, salesman

Onderdeel van 20 losse bladen met tekeningen gemaakt tijdens Famars Testas zijn Egyptische reis van 1858, met voornamelijk figuren en dorpsgezichten met notities.
Lezende jongeling
Object type: print
Date: 1724 – 1798
Materials: paper
Techniques: print drawing
Location: amsterdam
Artist: jurriaan cootwijck
Artist role: print maker
Artist dates: 1714 – 1798
Subjects: reading, youth, adolescent
Inscriptions: collector's mark: Lugt 12, collector's mark: Lugt 2725

Een jongeling in een leunstoel leest een blad papier.
Vase
Object type: vase
Date: 1876 – 1880
Materials: earthenware
Culture: american
Location: united states
Artist: chelsea keramic art works
Artist role: maker
Artist nationality: american
Artist dates: 1872 – 1889
Subjects: frogs,flowers
Meisje trekt een schuit
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: etching, engraving
Location: amsterdam
Subjects: girl (child between toddler and youth), tow-boat, towing-barge
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Castalia, jaarboekje aan de fraaie letteren gewijd. Amsterdam: Gebroeders Kraay, 1867.
De onheilsdagen van het Joodse volk
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: the people of israel are divided; some want tibni as king, others want omri
Inscriptions: caption: ‘Scinditur Israhel, rex parte creatur utraq[ue]...praevalat Amri.’, number: ‘14’, signature: ‘MHeemskerck inventor’

Het ene deel van het volk wil Tibni als koning, het andere deel is voor Omri. Voor de tempel en verwoeste stad wordt het volk verdeeld in twee groepen.
Design for Pony Phaeton, no. 3326a
Object type: drawing
Date: 1877 – 1877
Materials: graphite, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Mannen en kinderen voor bloemen- en plantenkwekerij Overmeer (eigenaar Jac. J. Kriest) aan de Amsteldijk
Object type: photograph
Date: 1910 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: agriculture, cattle-breeding, horticulture, flowerculture, etc., amsterdam

Onderdeel van Album met foto's van Amsterdam en omgeving.
Dood van Marcus Licinius Crassus
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Location: amsterdam
Artist: ludwig gottlieb portman
Artist role: print maker
Artist dates: 1772 – 1828
Subjects: suffering, misfortune of m. licinius crassus
Inscriptions: collector's mark: Lugt 2228

Pomaxaethres, een Parthische soldaat, doodt Crassus die te paard probeert te vluchten. Octavius steekt een stalknecht neer en wordt tegelijkertijd zelf van achteren door de vijand aangevallen.
De Kruiwagen
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: wheelbarrow
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en verkeer, Beroep en bedrijf, Mannelijk, Kruiers.
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: london
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: johan hendrik weissenbruch, maxime françois antoine lalanne, the hague, painter, draughtsman, philip zilcken, the graphic arts, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Bent leg of a male to right; foreleg, hindquarters, hind leg, and tail of a sphinx to right; below the figures, a thick band of black glaze; rays
Carnot is Sick!
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Sluitsteen met het jaartal 1560
Object type: print
Date: 1877 – 1894
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: lion's head ~ ornament, keystone ~ architecture
Inscriptions: collector's mark: Lugt 2228

Mogelijk uit het Begijnhof in Amsterdam. Boven het jaartal een leeuwenkop. Genummerd midden boven: No. 3.
Nederlandse vrouwen- en mannenkostuums, 1622
Object type: costume print
Date: 1622 – 1622
Materials: paper
Techniques: brush, engraving, etching
Location: amsterdam
Artist: dirk eversen lons
Artist role: print maker
Artist dates: 1599 – 1686
Subjects: fashion, clothing (+ boys' clothes), clothes, costume (+ men's clothes), country-house
Inscriptions: collector's mark: Lugt 240

Een man met wandelstok in de hand en een jongen met zwaard om het middel staande naast elkaar in een landschap. Op de achtergrond een boerenwoning met schuur.
Ornamental Panel
Object type: print
Date: 1514 – 1536
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Subjects: ornament
Allegorie op Washingtons dood, 1799
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: stippled etching
Location: netherlands
Subjects: 'historia'; 'historia' (ripa), grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228

De geschiedenis voorgesteld door eene jeugdige vrouw wordt door een genius gewezen op een monument, waarop men leest Washington obiit MDCCXCIX. In de marge een vierregelig vers: "Hoe gaarne wenschte ik slechts" enz.
Hurman's Opera-Box Accessory
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: adolescent, young woman, maiden, binoculars, spy-glass, etc.
Tavern Sign: Arnold's Inn
Object type: decorative art
Date: 1701 – 1800
Materials: wood
Techniques: painting
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 28 november 1899
Object type: invitation
Date: 1811 – 1899
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts, forest, wood
Inscriptions: collector's mark: Lugt 2228

Kale bomen tussen rotsen, Fontainebleau. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 28 november 1899 van de portefeuille van de leden. In het Gebouw voor Kunsten en Wetenschappen te Utrecht.
Portret van een vrouw
Object type: carte de visite
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: roubaix
Artist: joseph coudroy
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Joseph Coudroy/ Photographe/ 13, Rue Neuve, 13/ Roubaix’
Coif
Object type: coif
Date: 1576 – 1600
Materials: linen, metal thread, silk
Subjects: flowers
Scarab
Object type: scarab
Date: 1981 – 1550
Materials: stone
Techniques: glazing
Location: egypt
Place de la Concorde in Parijs, in het midden de obelisk van Luxor en fonteinen
Object type: photograph
Date: 1878 – 1890
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: roman catholic church (+ mary), square, place, circus, etc. (+ city(-scape) with figures, staffage), ornamental fountain (+ city(-scape) with figures, staffage), paris

Onderdeel van Reisalbum Europese steden, vermoedelijk Zweeds.
Portret van Ferdinand de Lesseps
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: engraving
Location: paris
Subjects: france, engineer, engineering (+ portrait of scholar, scientist), historical persons, head-gear: hat
Inscriptions: inscription: ‘Ag 67/ 13’, inscription: ‘AA 42/ 22’

Prent waarschijnlijk uit: Revue Illustré (1886), nr. 6.
William Borden Residence, Chicago, Illinois, First Floor Plan
Object type: architectural drawing
Date: 1886 – 1886
Materials: linen, watercolor
Location: chicago
Artist: richard morris hunt
Artist nationality: american
Artist dates: 1827 – 1895
Subjects: chicago
Platter
Object type: platter
Date: 1828 – 1846
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: enoch wood & sons
Artist role: maker
Artist nationality: british
Artist dates: 1818 – 1846
Subjects: waterfalls,shells
Heuvelachtig boomrijk landschap
Object type: drawing
Date: 1635 – 1692
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: willem de heusch
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1692
Subjects: low hill country
Zeilschepen bij maanlicht
Object type: drawing
Date: 1827 – 1892
Materials: paper, pencil
Techniques: brush
Artist: everhardus koster
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1892
Subjects: sailing-ship, sailing-boat, river
Tweede titelblad, 1830
Object type: print
Date: 1807 – 1830
Materials: paper
Techniques: lithograph
Location: groningen
Subjects: title-page
Inscriptions: collector's mark: Lugt 2166

Tweede titelblad. Onderdeel van een boekje met de handtekeningen van de aanwezigen op het feest ter herdenking van de academische leeftijd op de Universiteit van Groningen op 1 juli 1830.
Portret van Agnès Françoise Lelouchier
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: engraving
Artist: joseph vivien
Artist role: painter
Artist dates: 1657 – 1735
Subjects: danseres, agnes françoise le louchier
Inscriptions: collector's mark: Lugt 240

De Franse danseres en gravin Agnès Françoise Lelouchier, staand onder een draperie.
Brougham #3663
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Boot en een knielende man bij een emmer
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: kneeling figure (+ male human being (not to be used where -a- is prescribed)), rowing-boat, canoe, etc.

Blad 26 recto uit een schetsboek met 39 bladen.
Document
Object type: sheet
Date: 1575 – 1624
Materials: ink, paper
Techniques: writing
Subjects: the hague, maurice (prince of orange), buren, bruges, filips willem (prins van oranje)

Handtekening in bruine inkt (van Filips Willem of van Maurits), op uitgeknipt blaadje papier. Gesigneerd: Le Prince d'orange.
Bodhisattva in pensive pose
Object type: figure
Date: 501 – 533
Materials: limestone
Culture: chinese
Subjects: contemplation,bodhisattvas
Bruid voor de huwelijksnacht
Object type: tissue stereograph
Date: 1855 – 1905
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Location: france
Artist: Anonymous
Subjects: the wedding night, leading the bride to bed, france
Inscriptions: inscription: ‘COLL. 21’, number: ‘1’
München. Alter Hof
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: munich
Subjects: palace
Inscriptions: inscription: ‘W.H.D.’
Love, Truth, Constancy, Fidelity (Valentine)
Object type: print
Date: 1850 – 1850
Materials: gold, ink, paper, watercolor
Techniques: cutting, embossing, lithograph
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Europese vrouw poserend naast paspop, vermoedelijk in Jogjakarta
Object type: photograph
Date: 1915 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: jogjakarta
Artist: Anonymous
Subjects: interior of the house, model, mannequin

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
Anne, ma soeur Anne, ne vois-tu rien venir?
Object type: drawing
Date: 1817 – 1817
Materials: watercolor
Artist: auguste garneray
Artist role: artist
Artist nationality: french
Artist dates: 1785 – 1824

Part of an artistic family, Garneray was a drawing instructor to members of the Bonaparte family and designed costumes for the opera. He is best known today for watercolors in a Troubadour style, a reaction against Neoclassicism that drew primarily upon medieval and Renaissance subjects. This work presents a scene from Charles Perrault’s story "La Barbe Bleue" (Bluebeard, 1697). In a meticulously rendered gothic setting, Bluebeard’s young wife kneels by the doorway at left with her hands clasped, preparing to beg for his forgiveness for her disobedience. At the center of the composition, her sister Anne, in blue, looks out the open window. An inscription below the image quotes a famous line from the text: "Anne, sister Anne, do you see anyone coming?"
De Voornaamste Spoorwegbruggen in Nederland
Object type: print
Date: 1872 – 1874
Materials: paper
Techniques: chromolithography
Location: haarlem
Artist: Anonymous
Subjects: railway, train, bridge, steam locomotive

De spoorbrug bij Westervoort, ingewijd op 12 februari 1846. Plaat in een boekje uit 1874 met acht platen van spoorbruggen gebouwd in Nederland uit de jaren 1846-1874.
Galleria Giustiniana del Marchese Vincenzo Giustiniani
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving, intaglio
Location: rome
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: vincenzo giustiniani (1564-1637), vestal virgin(s), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie bestaande uit 322 prenten van kunstwerken uit de collectie van Vincenzo Giustiniani die in twee volumes werd uitgegeven door Joachim von Sandrart in 1636 en 1637 (zie British Museum, inv.nr. 1851,1213.565). De serie bestaat uit prenten door verschillende kunstenaars zoals Cornelis Bloemaert, Theodore Matham, Pieter de Bailliu en Michel Natalis. Claude Mellan was verantwoordelijk voor 22 prenten van standbeelden en het 1631 gedateerde portret van Giustiniani.
Double-Handled Cup with Handles in the Form of Chi (Hornless) Dragons
Object type: vessel
Materials: porcelain
Techniques: molding
Location: china
Promotieprent van Claudius von Collalto (1645), onderste deel
Object type: promotieprent
Date: 1645 – 1645
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Landschap met Rechtvaardigheid en Geloof, vergezeld door putti met tabletten waarop de te verdedigen standpunten in het Latijn. In het midden staat een jonge man met het ontwerp van de promotieprent. Een rijke heer op een heuvel aan de linkerzijde slaat het tafereel gade, putti bieden hem geschenken aan. Achter hem putti die munten slaan, tekenen en vechten met een zwaard. Rechts op een ornament de aankondiging van de promotie aan de universiteit van Leuven, met professor Jacob van Santvoort als promotor. Links op de voorgrond twee putti bij het wapenschild van Claudius von Collalto.
Dragon and tiger
Object type: print
Date: 1780 – 1780
Techniques: hand coloring, woodblock print
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Boerderij met geiten
Object type: print
Materials: paper
Techniques: linocut
Artist: hendrik van straten
Artist role: print maker
Subjects: goat, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Bloem beschenen door de zon / Gekroonde Franse lelie met twee bloemen
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: flowers, fleur-de-lis ~ ornament, sun represented as face, wheel, etc.

Pagina uit Jacob Typotius, Symbola Divina & Humana Pontificum Imperatorum Regum. Arnhem, J.F. Hagen, 1666 of uit de titeluitgave van 1669 of 1679. Het werk van Typotius werd voor het eerst uitgegeven in 1601 met prenten van Aegidius Sadeler.
Landscape
Object type: drawing and watercolor
Date: 1868 – 1868
Materials: chalk, charcoal, crayon, paper
Techniques: drawing, stumping
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Inscriptions: Signed and dated lower left, in charcoal: "od. Redon/ 68"
Gezicht op een moeras in het Catskillgebergte
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photoaquatint
Location: catskill mountains
Artist: Anonymous
Subjects: swamps and polders
Inscriptions: inscription: ‘“Trudging thro 'woods and swamps'.”’
Grands Hommes Français - Jean Jacques Rousseau
Object type: history medal
Date: 1816 – 1838
Materials: bronze
Techniques: striking
Artist: dubois
Artist role: draughtsman

Bronzen penning, op de voorzijde het borstbeeld van Rousseau naar links met omschrift, op de keerzijde acht regels tekst.
The Family Record, from "Harper's Bazar," Vol. VIII
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: infants,men,women,writing,family
Portret van Max Klinger
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: etching, roulette
Location: leipzig
Artist: emil orlik
Artist role: painter, print maker
Artist dates: 1870 – 1932
Subjects: print maker, max klinger, historical persons, tools, implements of graphic artist, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, name, name: ‘Emil Orlik 02’