deem-data/ArtiFact huggingface dataset:
Isabel Wachenheimer in een kinderwagen, en in de armen van haar vader Eugen Wachenheimer, 30 december 1928
Object type: album leaf
Date: 1928 – 1928
Materials: paper, photographic support
Techniques: gelatin silver print
Subjects: eugen wachenheimer, isabel wachenheimer-elon, family life at home, infant, baby
Inscriptions: date

Albumblad met vier foto's. Foto's links en rechts, Isabel Wachenheimer (links) en Eugen Wachenheimer (rechts); foto's midden, Isabel Wachenheimer. Onderdeel van het fotoalbum met foto's van Isabel Wachenheimer als kind (1928-1931).
Female Saint
Object type: sculpture
Date: 1470 – 1480
Materials: wood
Techniques: polychromy
Location: north brabant

Zij staat op een grondje met gebogen linkerknie, heeft de rechter onderarm naar voren en houdt in de linkerhand (die verloren ging) een boek bij de buidel. Van het hoofd, dat iets naar links is gewend, valt het gescheiden haar tot over de schouders. Over een dun onderkleed, dat bij de hals tevoorschijn komt, een lang gewaad, dat aan de zoom van de halsuitsnijding in evenwijdige plooien voor borst en middel valt, maar verder schuil gaat achter de mantel die, naar links toegeslagen, onder de armen is opgenomen.
Portret van de schilder Jan ten Compe
Object type: drawing
Date: 1734 – 1851
Materials: chalk, paper
Techniques: brush
Artist: Anonymous
Subjects: amsterdam, painter, jan ten compe, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Triage du caoutchouc a Anvers
Object type: photomechanical print
Date: 1887 – 1892
Materials: paper
Techniques: autotype
Location: antwerp
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo
Inscriptions: inscription: ‘Photographie communiquée par MM. Bunge et Grisar.’
Amor Caritas
Object type: sculpture
Materials: bronze, gilt
Culture: american
Artist: augustus saint-gaudens
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1907
Subjects: women

“Amor Caritas” represents the perfection of Saint-Gaudens’s vision of the ethereal female, a subject that he modeled repeatedly, beginning in 1880. The elegant figure in a frontal pose with free-flowing draperies and downcast eyes also appears in the caryatids for the Vanderbilt mantelpiece (25.234) and in several funerary works. Here, Saint-Gaudens made subtle changes in the drapery and added upward-curving wings, a tablet, and a belt and crown of passionflowers. He considered several titles with universal themes, including To Know Is to Forgive, Peace on Earth, God Is Love, and Good Will towards Men, before settling on Amor Caritas [Love (and) Charity].
Plate
Object type: plate
Date: 1801 – 1804
Materials: hard paste porcelain
Artist: imperial porcelain manufactory, st. petersburg
Artist role: manufactory
Artist nationality: russian
Artist dates: 1744 – 9999
Subjects: tents

This plate and its mate (see 06.384b) were part of a table service pointed with views of Italy. The service was presented by Czar Alexander I to his sister Catherine, who married the King of Württemberg in 1816.
Tweede tekstblad bij de kaart van het beleg van Breda, 1624
Object type: text sheet
Date: 1649 – 1649
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: johannes willemszoon blaeu
Artist role: printer, publisher
Artist dates: 1596 – 1673
Subjects: genua, castelnuovo scrivia, veldheer, ambrogio spinola (markies de los balbases), beleg van breda (1624-1625)

Tweede tekstblad bij de kaart van het beleg van Breda door het Spaanse leger onder Spinola, 27 augustus 1624 tot 5 juni 1625. Dubbelblad genomen uit het Stedenboek van Blaeu, bedrukt op beide zijden met tekst in het Nederlands.
Tweezer-razor from the Burial of Amenemhat
Object type: tweezer razor, razor, tweezer, hair curler, knife
Date: 1504 – 1447
Materials: bronze, copper alloy
Location: egypt
The Ancient Vestry
Object type: photograph
Date: 1845 – 1845
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: architecture,men
Portret van een onbekende communicant
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: brussels
Subjects: first communicant
Heilige Gregorius
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: pope gregory the great; possible attributes: dove, emperor trajan
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Heilige Gregorius met kruisstaf, pauselijke tiara en boek. Op zijn schouder zit een duif. Links in de achtergrond een jongen met beker.
Overhellende boom
Object type: sketchbook leaf
Date: 1874 – 1875
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: trees

Blad 35 recto uit een schetsboek met 46 bladen.
Kerst- en nieuwjaarwens 1949
Object type: wood block
Date: 1949 – 1949
Materials: wood
Techniques: engraving
Artist: Anonymous

Kerst- en nieuwjaarswens van Gillian Watts.
Two Torchères
Object type: print ornament architecture
Date: 1692 – 1692
Techniques: engraving, etching
Artist: juan dolivar
Artist role: artist
Artist nationality: spanish
Artist dates: 1641 – 1692
Subjects: lighting

Etching and engraving with designs for two torchères, created by Juan Dolivar after designs by Jean I Berain. Entrusted with drawings for costumes, stage sets, and royal ceremonies at the 'Academie Royale de la Musique' since 1680, Berain's ingenious creations took acanthus and laurel leaves, palmettes and grotesques, mixing them with dancers, acrobats, monkeys and satyrs, to create his own, imaginative, theatrical world. His designs were multiplied and disseminated by means of engravings, his design motifs and manner objects becoming highly influential in the closing years of the seventeenth century. The first torchère, on the left, contains a base with an armed Minerva, also wearing a helmet, sitting in the central panel, dressed with draping garments, her feet undressed, and a thin cornucopia falling from her hand, and holding a small bundle of fruits and leaves that stands next to her foot, with two side panels on her sides, framed with S-curves, each holding a small ornamental vase, and with smaller panels with classical scenes standing to her sides. Above her, and flanking the upper part of the base is a semi-circle with a rosette, framed by Greek scrolls and tassels. Upon it stands a thin ornamental vase, flanked to the sides by two winged female sphinges, holding the pedestal, which is made up of a small box with another classical scene, upon which stands a rectangular column, with a roundel of laurel leaves and a side-portrait of a classical male figure, a rectangular frame with a classical scene under it, and flanked to the sides by two columns with grotesques and female busts. Upon this column stands another ornamental vase, decorated with thin garlands of leaves, interlacing strapwork, and tassels, flanked above by a sphere of acanthus leaves, which opens up to create a round sconce on the upper part of the torchère. The second design consists of a base with two legs made up of scrolling strapwork, decorated with acanthus leaves and interlacing snake bodies, flanked above by two Tritons, which hold the pedestal. Between them is a grotesque with a thin garland of flowers and leaves as hair, standing on a bundle of acanthus leaves, flanked below by a shell motif. The head of the grotesque is flanked above by a group of C-curves, flanked to the sides by a horizontal garland of laurel leaves, which holds the shaft of the torchère, standing on scrolling acathus leaves and flanked by thin garlands of leaves, decorated with neoclassical scenes, and on which stands a male figure, possibly Apollo, wearing a helmet and draping garments. The shaft is flanked above by an ornamental vase with grotesques and thin garlands with leaves, upon which stands the sconce of the torchère.
Steun van de Republiek der Zeven Verenigde Nederlanden aan Frederik V, koning van Bohemen in de oorlog tegen de keizer
Object type: jeton
Date: 1620 – 1620
Materials: copper
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: staten-generaal, staten van utrecht, eemland, dertigjarige oorlog

Koperen penning. Voorzijde: knielende mensen met gevouwen handen bidden met blik omhoog gericht naar stralend hemellicht binnen omschrift; afsnede: jaartal. Keerzijde: zevenkoppig beest omgeven door soldaten boven gekroond wapenschild binnen omschrift
Winterabend
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: halle an der saale
Subjects: landscapes, snow
Inscriptions: inscription: ‘Aufnahme von A. Fichte in Leipzig.’
Triangular Amulet Holder
Object type: amulet holder
Date: 1867 – 1900
Materials: carnelian, silver, stone, metal
Techniques: chasing, cutting, gilding
Location: central asia
Sanveri Ragini, Page from a Ragamala Series (Garland of Musical Modes)
Object type: page
Date: 1700 – 1710
Materials: ink, paper, silver, watercolor
Culture: indian
Subjects: falcons,women

This painting, which is identified as the Sanveri Ragini by the inscription on the upper border, depicts a courtly woman seated on a silver throne in a wooded landscape. The falcon perched on her left hand is an allusion to a bird’s song. The ragamala genre in the Pahari Hill region of Himachal Pradesh diverged from that in Rajasthan, with variant iconographic subjects and different compositional solutions, as evidenced in this work’s square format and intense, flat ground color.
Portret van Johan Albrecht de Mandelslo
Object type: print
Date: 1662 – 1669
Materials: paper
Techniques: engraving
Location: england
Artist: john chantry
Artist role: print maker
Subjects: ornament ~ medallion, historical persons, ambassador

De prent is geknipt uit een grotere prent met vijf portretten. Prent waarschijnlijk uit: Olearius, Adam. The voyages and travells of the ambassadors sent by Frederick, Duke of Holstein, to the Great Duke of Muscovy and the King of Persia (...). Londen: John Starkey en Thomas Dring, 1662. Of uit de tweede druk van 1669.
Gezicht op de Via Roma in Napels met een standbeeld, winkels, paardenkoetsen en voorbijgangers
Object type: photograph
Date: 1860 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: shop, store, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach (+ conveyance for transport of persons), street (+ city(-scape) with figures, staffage), naples
Inscriptions: negative number: ‘1182’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en aan de Franse Rivièra (deel II).
Pigsty
Object type: architectural model
Date: 1 – 233
Materials: earthenware, glaze
Culture: chinese
Subjects: pigs

Pottery models of houses and farm structures were commonly included in Eastern Han burials to provide for the afterlife.
Tobias iunior Angelo comite abit in Rages Medorum
Object type: print
Date: 1620 – 1676
Materials: paper
Techniques: etching
Location: antwerp
Subjects: tobias and the angel raphael travelling, accompanied by tobias' dog, river, story of tobias: tobias and sarah (tobit 7-9)

Serie van 30 genummerde prenten. Volgorde blijft onduidelijk, omdat de nummering van verschillende staten (met of zonder onderschrift) afwijkt.
Wehrmacht kompagnie op appel
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: raamsdonksveer
Artist: Anonymous
Subjects: review, inspection (of company, unit, troop), occupation ~ war

Een kompagnie van de Wehrmacht staat in een straat op appel. Tegenover de manschappen staat hun commandant. Achterop staat: In Holland. Morgens beim antreten.
Kleed, ikat weefsel, afkomstig uit Soemba
Object type: kleed
Date: 1937 – 1937
Materials: cotton
Techniques: ikat
Location: indonesia
Artist: Anonymous
Subjects: indonesia

Kleed van oosterse textiel; ikat weefsel. Het kleed bestaat uit drie aan elkaar genaaide banen. Het patroon heeft banen in roodbruin, blauw en crème. Langs de boven- en onderzijde loopt franje van de kettingdraden.
Vase fragment
Object type: vase fragment
Date: 1450 – 1400
Materials: terracotta
Culture: minoan
Zijn Hoogheijt, d'heer prins van Oranje wort Capiteijn Generael gemaakt, den 25 februarij, 1672
Object type: history print
Date: 1672 – 1674
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), new ruler taking the oath, taking the oath ~ military service

Prent ook gebruikt in: Domselaer, T. van. Het ontroerde Nederlandt, door de wapenen des konings van Vrankryk […]. 2 delen. Amsterdam: Marcus Willemsz. Doornick, 1674-1676, dl. 1 (1674), p. 78.

De plaat is later aangepast (door iemand anders dan De Hooghe) en gebruikt voor een prent van de benoeming van Willem III tot stadhouder (FM 2378, zie RP-P-OB-77.107 en RP-P-AO-12-84).
Ontmoeting van de generaals Wellington en Blucher, na de geëindigden slag van Waterloo. bij de Hoeve; la Belle Alliance
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: walmer castle, arthur wellesley of wellington, victor (after the battle)
Inscriptions: collector's mark: Lugt 2228

Ontmoeting tussen de opperbevelhebbers de hertog van Wellington en de vorst Blücher, 's avonds na de slag bij Waterloo op 18 juni 1815, voor de boerderij La Belle Alliance. Links Pruisische huzaren.
Covered Ewer with Dragons and Peonies
Object type: vessel
Materials: enamel, porcelain
Techniques: painting
Location: china
Man aan water
Object type: medal
Date: 1600 – 1700
Materials: copper
Techniques: engraving
Artist: Anonymous

Eenzijdig gegraveerde koperen penning. Voorzijde: met boven zijn hoofd geheven rechterhand bekijkt een half liggende jongeman zich in het water; achter hem een silhouet. Keerzijde: blanco.
[Imperial Library of the Louvre]
Object type: photograph
Date: 1856 – 1857
Techniques: glass negative, salted paper print
Artist: édouard denis baldus
Artist role: fotograaf
Artist nationality: french, born prussia
Artist dates: 1813 – 1889
Subjects: architecture,libraries
Omkaderde Franse tekst met olijftakken en een groep offerende figuren
Object type: book illustration
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: (fenelon, telemachus) specific works of literature (with author, title), ornament ~ festoon, garland, animal sacrifice ~ non-christian religions
Inscriptions: collector's mark: Lugt 2228

Veertienregelige Franse tekst, getiteld 'Livre XXIII' met daaronder een afbeelding van een groep figuren rond een altaar voor Jupiter, met daarop een dode koe. Het geheel wordt gekaderd door een sierlijst met olijftakken en onderaan een strik.
Lerares met drie meisjes in schoolklas
Object type: tissue stereograph
Date: 1879 – 1879
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring
Location: berlin
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: elementary school; class, form
Italiaanse landschappen
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: rome
Subjects: landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Behorend tot een set van 72 'Mahlerisch-radirte Prospecte von Italien', waarvoor de kunstenaar 24 prenten maakte. Albert Christoph Dies (1755-1822) en Johann Christian Reinhart (1761-1847) maakten eveneens 24 platen, in opdracht van Jean Fréderic Frauenholz.
De familie van Darius voor Alexander
Object type: tapestry
Date: 1625 – 1650
Materials: silk, wool
Techniques: tapestry
Location: southern netherlands
Artist: Anonymous

Wandtapijt met de familie van Darius voor Alexander, uit een serie met de geschiedenis van Alexander de Grote.
Medieval Art
Object type: sculpture
Materials: bronze, silver
Culture: american
Artist: henry linder
Artist role: artist
Artist nationality: american
Artist dates: 1854 – 1910
Subjects: women

Linder’s “Oriental Art,” for the facade of the Fine Arts Building at the 1904 Louisiana Purchase Exposition in Saint Louis, inspired further exploration of the theme of the freestanding female as an allegory of art. “Medieval Art,” a heavily draped women holding a covered beaker and a reliquary in either hand, is his only other known example of this type of personification. It was modeled in 1909, just a year before the sculptor’s death and was cast in bronze posthumously. Primarily a decorative sculptor, Linder is best known for his domestic objects including andirons, candlesticks, and inkwells that often incorporate figures of capricious children.
Sheet with pattern of overlapping circles with clover shapes
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Poort tot begraafplaats bij de Westerkerk
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: churchyard, cemetery, plan ~ architecture, exterior ~ architectural design or model

Prent uit: Keyser, Hendrick de. Architectura moderna ofte bouwinge van onsen tyt (...) alle gedaen by (...) Amsterdam: Danckerts, Cornelis, 1631.
Titelpagina voor: Calprenède, La. Cleopatre. Vierde deel (...), 1667
Object type: text sheet
Date: 1667 – 1667
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: gerrit van goedesberg
Artist role: publisher
Subjects: floral interlace ~ ornament, title-page
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Calprenède, La. Cleopatre. Vierde deel..., Amsterdam: Gerrit van Goedesberg, 1667
Pad in een landschap
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888

Blad 29 recto uit een schetsboek met 43 bladen.
Facsimile van een brief van Jan van Speyk aan zijn nicht mevr. de Dieu-van Tonderen, 1830
Object type: print
Date: 1831 – 1832
Materials: paper
Techniques: etching
Location: netherlands
Subjects: antwerp, jan van speyk, letter, envelope
Inscriptions: collector's mark: Lugt 2228

Facsimile van een brief van Jan van Speyk aan zijn nicht mevr. de Dieu-van Tonderen, geschreven aan boord van kanonneerboot nr. 2 liggende voor Antwerpen op 19 december 1830. In de brief schrijft hij dat hij liever een Reinier Claeszen is dan een Nicolas J. Daine.
Brougham #3863
Object type: drawing
Date: 1883 – 1883
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Lummi Type
Object type: photograph
Date: 1899 – 1899
Techniques: photogravure
Location: united states
Artist: edward s. curtis
Artist nationality: american
Artist dates: 1868 – 1952
Subjects: portraits, portraits: female subject, photography, portraits: native american subject
Page from the Mustard Seed Garden Manual of Painting
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Artist: wang gai
Artist role: artist
Artist nationality: chinese
Artist dates: 1645 – 1710
Subjects: landscapes,trees
Noordzijde van de Grote of Andreaskerk te Hattem
Object type: photograph
Date: 1905 – 1905
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hattem
Artist: henri bickhoff
Artist role: fotograaf
Artist dates: 1866 – 1933
Subjects: church (exterior)
Inscriptions: annotation: ‘Hattem/ Gezicht op de N.H. Kerk/ van de Noordzijde’, annotation: ‘Erven J. Veth/ 1972’, inscription: ‘H. Bickhoff/ Amsterdam’
Self-portrait in a cap: laughing
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching, intaglio
Subjects: amsterdam, painter, print maker, draughtsman, rembrandt van rijn, head-gear: cap (+ men's clothes)
Inscriptions: monogram and date: ‘RHL 1630’, mark: Lugt 240
Writing Box (Suzuribako) in the Shape of a Piece of Bamboo
Object type: writing box
Date: 1901 – 1933
Materials: lacquer, wood
Techniques: lacquer, maki-e
Culture: japanese
Subjects: bamboo
Armband van ijzer met camee in gouden slot
Object type: bracelet
Date: 1815 – 1830
Materials: gold, iron
Location: great britain

Armband van zwart geverfd ijzer met een zwarte camee in een gouden slot. Aan het ovale slot zijn twee banden bevestigd die nauw om de pols sluiten en van extreem fijne, in elkaar grijpende maliën zijn gemaakt. Op de camee een kop van een dikke, oude man met kort haar.
Portret van Philipp Melanchthon
Object type: print
Date: 1588 – 1622
Materials: paper
Techniques: engraving
Artist: jacques granthomme
Artist role: print maker, publisher
Artist dates: 1550 – 
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2233
Love in the Gutter
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,women,monkeys
Case (Inrō) with Design of Flowering Hagi, Chrysanthemum and Autumn Grasses
Object type: inrō
Date: 1701 – 1900
Materials: gold, gold foil, lacquer
Techniques: fundame, hiramakie, roiro, maki-e
Culture: japanese
Subjects: flowers
Studioportret van een blonde vrouw in een lange zwarte jurk
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Inscriptions: date: ‘16 april '72’, name: ‘Greiner, Albert, Amsterdam’
Ontwerp voor een secretaire
Object type: design drawing
Date: 1820 – 1823
Materials: ink, paper
Techniques: brush, pen
Location: berlin
Artist: carl wilhelm marckwort
Artist role: draughtsman
Inscriptions: signature: ‘W.C. Marckwort. fecit.’

Goudkleurige lier te midden van sterren, voor- en zijaanzicht, met daaronder een in tweeën gedeelde plattegrond en een maatverdeling.