deem-data/ArtiFact huggingface dataset:
Blad met uiteenlopende encyclopedische voorstellingen
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Subjects: glass-blower, monkeys, apes, after the furnace has been heated seven times more, the three hebrews are bound and thrown into the fire; their executioners are burnt by the flames
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie encyclopedische prenten door verschillende kunstenaars naar ontwerp van Daniel Nikolaus Chodowiecki bij Johann Sigmund Stoy's 'Bilder-Akademie für die Jugend', uitgegeven te Neurenberg in 1784.
De prenten waren bedoeld voor kinderen om uit te knippen, op kaarten te plakken en vervolgens op logische wijze te rangschikken (zie Heesen, Anke te. The World in a Box: The Story of an Eighteenth-Century Picture Encyclopedia. Chicago: University of Chicago Press, 2002).
West-Friesland, dubbele stuiver, 1791
Object type: coin
Date: 1791 – 1791
Materials: silver
Techniques: striking
Location: west frisia

Zilveren munt. Voorzijde: tussen waarde-aanduiding 2 S gekroond wapenschild van West-Friesland. Keerzijde: opschrift in drie regels. Daarboven muntteken tussen twee punten, daaronder jaartal.
Romeinse helden
Object type: print
Date: 1586 – 1596
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: male persons from classical history (calpurnius, m.)

Deze prent is onderdeel van een serie van tien prenten, bestaand uit een ongenummerde titelprent, acht genummerde voorstellingen van helden en een ongenummerde afsluitende prent.
De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Vlag van Amsterdam
Object type: drawing
Date: 1667 – 1670
Materials: ink, paper, watercolor
Techniques: pen, striking
Location: france
Artist: Anonymous
Subjects: flag, colours (as symbol of the state, etc.), amsterdam
Inscriptions: number: ‘133 / CXLVII / 147’

Vlag van Amsterdam. Vlag met het wapen van de stad Amsterdam over drie horizontale banen in rood, wit en blauw. Vlag op vlaggensteng en mastvoet. Afgebeeld op folio 74r. Onderdeel van een vlaggenboek met vlaggen uit Europa, Noord-Afrika, Nabije en Verre Oosten.
Terracotta fragment of a kylix (drinking cup)?
Object type: kylix fragment
Date: 560 – 550
Materials: terracotta
Culture: greek, attic

Interior, part of the face of a gorgoneion
Vastgebonden vrouw wordt door een maarschalk gered van haar ontvoerder
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving
Location: paris
Subjects: commander-in-chief, general, marshal, kidnapping
Inscriptions: collector's mark: Lugt 240
Netsuke of Man Cutting Pumpkin
Object type: netsuke
Date: 1867 – 1900
Materials: wood
Culture: japanese
Subjects: vegetables,men
Shrine Maidens Onami and Ohatsu Dancing at Yushima Tenjin Shrine
Object type: print
Date: 1769 – 1769
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Afbeeldinge van de andere zyde der overheerlyke Goude Present-Beeker
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: willem iv (prins van oranje-nassau), anna van hannover, cup
Inscriptions: collector's mark: Lugt 240

Een gouden beker door stadhouder Willem IV toegezegd aan de Haagse schutterij en na zijn dood gepresenteerd door prinses Anna op 8 mei 1753. Blad met drie details van de voorstellingen op de beker en de inscriptie aangebracht aan de binnenzijde van de deksel. De beker vervaardigd door Philippe Métayer te Amsterdam.
Harvest Trophy
Object type: drawing
Date: 1801 – 1900
Materials: chalk, ink
Techniques: brush, heightening, pen, transfer, wash
Artist: charles monblond
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: trophies
Relief with floral and fructal wall decoration
Object type: talatat, flower, fruit
Date: 1353 – 1336
Materials: limestone, paint
Panel
Object type: panel
Date: 1648 – 1648
Materials: linen, metal thread, silk
Techniques: embroidery, weave
Location: india
Subjects: birds,men,women,horses

Made in India for the European market, this scarf features scenes from the Old Testament. The stories of Jacob, Rebekah, Solomon, and David and Abigail appear in medallions separated by bands with flowers and leaping animals–dogs, squirrels, stags, hares, and foxes. The two figures in European dress who appear at the bottom, a woman holding a bouquet and a man with a falcon, may be the couple who requested this beautifully embroidered piece.
The Footbridge Temporarily Replacing the Pont-au-Change, Paris, After the Fire of 1621
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Candelabrum (one of a pair)
Object type: candelabrum
Date: 1760 – 1760
Materials: gilt bronze, soft paste porcelain
Subjects: birds,flowers
A Fully Cut Fairy Tale
Object type: cut paper
Date: 1864 – 1864
Materials: paper
Artist: hans christian andersen
Artist role: artist
Artist nationality: danish
Artist dates: 1805 – 1875
Subjects: faces,men,women

One of the world’s most remarkable storytellers, Andersen was also an enthusiastic amateur paper cutter. He folded this large sheet three times to create a fantastic scene filled with masks, pierrots, ballet dancers, angels, swans, and palm trees. Andersen often cut sheets as he told stories to entertain friends and their children, but none of the cut-outs directly correspond with his published tales. Rather, they communicate their own whimsical narratives, a "fully cut fairy tale," as his inscription indicates here. Andersen sold this work to raise funds to support the relatives of fallen Danish soldiers during the Second Schleswig War of 1864.
Perfume vase
Object type: perfume vase
Date: 1761 – 1761
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: men,women,lions
Ruiter aangesproken door een bedelaar
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: riding a horse, ass, or mule; rider, horseman, beggar

Prent verschenen in: Verboeckhoven, Eugène. Album lithographié par Paul Lauters d'après les dessins des principaux peintres du Royaume des Pays-Bas. Brussel: Antoine Dewasme-Pletinckx, 1829.
Texel. Ned. Herv. Kerk te Den Hoorn
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1947
Materials: photographic support
Techniques: gelatin silver print
Location: den hoorn
Subjects: church (exterior)
Inscriptions: date
Set of six forks (part of a set)
Object type: fork
Date: 1767 – 1771
Materials: silver gilt, silver
Artist: louis-joseph lenhendrick
Artist role: maker
Artist dates: 1683 – 1783

The tooled leather box contains six couverts—the French term for two or more matched pieces of flatware—which in this instance each comprise a fork, spoon, and knife. Six identical couverts housed in a similar box are also in the Museum’s collection. It is not known for whom these thirty-six pieces of flatware were made because the coats of arms that decorated each fork, knife, and spoon have been erased. However, the two boxes are decorated on the lids with the Noailles arms, suggesting that a member of that distinguished aristocratic family owned the cutlery in the eighteenth century. The designs of the flatware are unusually elaborate and ambitious, especially in the use of openwork in the stems of the fork and spoon, and in the molded and chased decoration of the knife blades. The amount of work required by the complexity of the designs marks these as especially fine pieces of silver cutlery. The two sets date from the years 1767–71, but the designs of the fork, spoon, and knife closely resemble those of a gilt silver dessert service made in 1744 by the celebrated silversmith Thomas Germain (1673–1748). Germain’s designs were then copied twenty years later by his son, François-Thomas Germain, for a gold couvert that formed part of the celebrated service made by the latter for the Portuguese court. One of the many silversmiths who assisted Germain with the Portuguese commission was Louis-Joseph Lenhendrick, whose mark appears on the Museum’s flatware. As Lenhendrick had also been apprenticed to the elder Germain, he would have been well acquainted with the design of this couvert.
Stamboom van het Huis Oranje-Nassau
Object type: photomechanical print
Date: 1930 – 1930
Materials: paper
Techniques: rotogravure
Location: netherlands
Subjects: anna paulowna romanowa, print maker, wilhelmina of the netherlands, hendrik (prins der nederlanden (1876-1934)), emma (queen consort of the netherlands), william v (prince of orange), johan willem friso (prins van oranje-nassau), louise de coligny, william i of the netherlands, brussels, willem iii (koning der nederlanden), william iii (prince of orange and king of england, scotland, and ireland), the hague, william ii of the netherlands, frederick henry (prince of orange), william ii (prince of orange), delft, william i (prince of orange), maurice (prince of orange), maria ii stuart (koningin van engeland, schotland en ierland), amalia of solms-braunfels, london, mary henrietta stuart, juliana of the netherlands, berlin, draughtsman, wilhelmina of prussia (princess of orange), willem iv (prins van oranje-nassau), anna van hannover, wilhelmina frederica louisa (koningin der nederlanden), family lineage, pedigree, genealogical tree or table

Stamboom van het Huis Oranje-Nassau, van Willem I tot en met Juliana. Aan de takken van een boom vierentwintig portretten, elk in een cirkel met randschrift. Midden onder twee wapens met een kroon. In de ondermarge een regel Nederlandse tekst. Vervaardigd ter gelegenheid van de viering van de vijftigste verjaardag van Wilhelmina op 31 augustus 1930. Premieplaat van de 'Nieuwe Rotterdamsche Courant', 'Het Vaderland' en de 'Nieuwe Courant'.
Het gezin van Alphons Diepenbrock
Object type: photograph
Date: 1908 – 1915
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: amsterdam, alphons diepenbrock, jonkvrouw wilhelmina elisabeth petronella cornelia de jong van beek en donk, netherlands

Foto op bruin albumblad 49 van familiealbum van Alphons Diepenbrock.
Frankrijk, Monaco en Corsica (Italië)
Object type: photograph album
Date: 1896 – 1896
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: france
Inscriptions: title: ‘FRANKRIJK EN CORSICA / 1896’

Fotoalbum met 72 foto's gemaakt in Frankrijk, Monaco en Corsica (Italië).
Crucifixion with three Marys
Object type: panel or plaque
Date: 1501 – 1600
Subjects: virgin mary,jesus,crucifixion
Man met een hand in zijn jas
Object type: print
Date: 1600 – 1800
Materials: paper
Techniques: engraving
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2228
Black Cat and Narcissus
Object type: hanging scroll
Date: 1801 – 1900
Materials: ink, paper
Culture: chinese
Artist: zhu ling
Artist role: artist
Artist nationality: chinese
Artist dates: 1820 – 1850
Subjects: cats,narcissus
Plaat beschilderd met landschap met figuren
Object type: plate
Date: 1680 – 1720
Materials: faience
Location: delft
Artist: Anonymous

Plaat van faience, beschilderd met landschap met figuren
Artiesten op het toneel
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: monocycle, ballet group; dancers on the stage, vaudeville, variety-show
Inscriptions: annotation: ‘München / Rosenheimerstr. 48 / R[...] Artix’

Links en rechts mogelijk danseressen. In het midden een acrobaat op een eenwieler. Vooraan mogelijk de dirigent in een orkestbak. Blad 1 recto uit schetsboek V met 33 bladen.
Amulet of cow-headed goddess with feathers atop disk and horns
Object type: amulet, cow headed goddess
Date: 525 – 30
Materials: glass
Location: egypt
Subjects: goddess

Starting in the later Late Period and continuing through the Ptolemaic Period, a type of glass amulet cast by pressing the glass into a shallow open mold appears. The back was left rough, and the amulets may look ragged because glass overflowed the mold around the edges. The earlier amulets are monochrome, bi- or multicolor amulets supplement the repertoire during the Ptolemaic Period. Some of the amulets can be specifically tied to spells of the Book of the Dead – for example, acc. no. 17.194.2526 – and most are clearly funerary amulets, presumably meant to be wrapped between the bandages of the mummy where the presence of the amulet would do its job irrespective of its degree of finish.
Moord op de gebroeders De Witt
Object type: history medal
Date: 1672 – 1672
Materials: wood, paper, silver
Techniques: striking
Location: netherlands
Artist: pierre aury
Artist dates: 1622 – 1692
Subjects: dordrecht, cornelis de witt, the hague, politician, johan de witt

Zilveren gedenkpenning op de moord op Johan en Cornelis de Witt. Voorzijde: binnen omschrift naar elkaar gekeerd de busten van twee mannen, waaronder een banderol met opschrift. Keerzijde: binnen omschrift twee naakte mannen door wilde dieren verscheurd, waaronder opschrift. Met bijbehorende doos NG-2014-3-2.
Man Sitting on the Ground with Jars and Food
Object type: drawing
Date: 1848 – 1848
Materials: ink
Techniques: brush
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: food,men
Portret van een man met snor
Object type: album leaf
Date: 1870 – 1891
Materials: cardboard, photographic support
Techniques: albumen print
Location: new york city
Artist: george gardner rockwood
Artist role: fotograaf
Artist dates: 1832 – 1911
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Rockwood/ Photographer/ 17/ UNION/ SQUARE/ (West)/ N.Y.’
Tea caddy (one of a pair)
Object type: tea caddy
Date: 1765 – 1770
Materials: copper, enamel
Subjects: cows,donkeys,sheep
Fluweel Bloemen. / Amaranthus. / Passevelours.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: amaranth

Amarant. Genummerd rechtsboven: 329. Linksboven de naam in vijf talen. Onderdeel van het vierde album met tekeningen van bloemen en paddestoelen. Elfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Imples omne animal benedictione tva!
Object type: print
Date: 1643 – 1709
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: head-gear, foot-stove, prayer at table, saying grace
Inscriptions: collector's mark: Lugt 240

In een eenvoudig interieur zitten twee figuren te bidden aan een tafel. De voorste figuur zit op een stoofje en heeft zijn hoed afgenomen.
Antwerpen. Museum Plantijn - Moretus
Object type: photograph
Date: 1860 – 1925
Materials: photographic support
Techniques: photograph
Artist: Anonymous
Subjects: museum plantin-moretus
Getallen
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation

Pagina 57 uit een schetsboek met 30 bladen vervaardigd in Amsterdam.
Olearium
Object type: olearium
Date: 1467 – 1533
Materials: lead
Culture: german
Dorpsgezicht te Varik, 1759
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river, village, church (exterior)
Inscriptions: collector's mark: Lugt 2233
Paard voor een kar en een paardenhoofd
Object type: drawing
Date: 1578 – 1625
Materials: chalk, ink, paper
Techniques: pen
Artist: jan brueghel (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1568 – 1625
Subjects: horse

Paard voor een kar, naar links, en schets van een paardenhoofd.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues; below, a palmette and tendril; helmeted Amazon riding a horse, wearing a chiton, with her shield hanging down her back, holding a pair of spears in her right hand; ears and top of the head of a second horse to right?
Kyoto Dancing Girls Playing Music Shamisen and Koto
Object type: stereograph
Date: 1900 – 1907
Materials: paper, cardboard
Techniques: hand coloring
Location: yokohama
Artist: t. enami
Artist role: publisher
Subjects: string instruments (plucked), kyoto
Inscriptions: number: ‘11’
Portrait of a Man
Object type: painting
Date: 1485 – 1530
Materials: oil, wood
Artist: quinten massys
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1466 – 1530
Subjects: men,portraits
Sulmona. Interno del Collegio Ovidio e statua di Ovidio
Object type: photomechanical print
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: milan
Artist: Anonymous
Subjects: scholastic education, tuition (+ building ~ education, tuition), courtyard
Bowl with Scalloped Edge
Object type: metalwork
Date: 1774 – 1774
Materials: pewter
Location: france
Untitled (Portrait of a Girl and Two Boys)
Object type: photograph
Date: 1858 – 1858
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portrait, girls, children, boys, portraits, portraits: child subject
Ichigen-kin (一絃琴)
Object type: ichigen kin 一絃琴
Date: 1801 – 1900
Materials: bone, silk, wood
Culture: japanese
Location: japan
Portret van Étienne-Denis Pasquier
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Copy of Frontispiece, from "Les Caprices" Series A, The Florence Set
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Two Horses Fighting Dog
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: germany
Artist: johann georg pforr
Artist nationality: german
Artist dates: 1745 – 1798
St. Andrews
Object type: photograph
Date: 1850 – 1870
Materials: paper
Techniques: salted paper print
Location: scotland
Artist: david octavius hill
Artist role: artist
Artist nationality: scottish
Artist dates: 1802 – 1870
Set of Three, Love Birds in Three Kinds of Music (Sampukutsui hiyoku no san kyoku)
Object type: print
Date: 1748 – 1748
Techniques: printmaking, woodblock print
Location: japan
Artist: nishimura shigenaga
Artist nationality: japanese
Artist dates: 1697 – 1756
Adreskaart van Leonardus Schweickhardt
Object type: print
Date: 1793 – 1862
Materials: porcelainized cardboard
Techniques: engraving
Artist: leonardus schweickhardt
Artist role: print maker
Artist dates: 1783 – 1862
Subjects: the hague, leonardus schweickhardt, 'our father which art in heaven' ~ the lord's prayer
Inscriptions: collector's mark: Lugt 1641, stamp

In een kleine cirkel (diameter ca. 15 millimeter) is het Onzevader gegraveerd, met daarbij: 'L. Schweickhardt Kunst Graveur 's Gravenhage'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Roomsch-Katholieken, Processies, Herinneringen.
Collection Auguste Dutuit antiquités médailles et monnaies, objets divers exposés au Palais du Trocadéro en 1878
Object type: book
Date: 1879 – 1879
Materials: cardboard, linen, paper, photographic process, photographic support
Techniques: albumen print, photograph, engraving, etching, lithograph
Location: paris
Artist: albert lévy (uitgever)
Artist role: publisher
Politieke Pharao-slangen
Object type: cartoon
Date: 1865 – 1865
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: guillaume groen van prinsterer, personifications of countries, nations, states, districts, etc., (playing with) toys
Inscriptions: collector's mark: Lugt 2228

Spotprent waarin Groen van Prinsterer gezeten achter zijn bureau speelt met zogenaamde 'farao slangen', een soort speelgoedslangen die stank en vuur gaven. Hij wordt hierop aangesproken door de Nederlandse Maagd. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 45, 11 november 1865.
Huissen. Huize "de Altena"
Object type: photomechanical print
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph
Location: huissen
Subjects: villa
Inscriptions: date
Seal with Hebrew Inscription
Object type: seal
Date: 901 – 1100
Materials: gemstone
Techniques: incising
Location: iran

The Hebrew text on this seal gives the name of the seal’s owner, his father’s name, and the word "prepared" or "fashioned," followed by the letters y-h-. One proposal is that this is the Arabic name Yahya, but there are other known Hebrew seals that end with the phrase "May Yahweh have mercy" or "The work of Yahweh," which may be the phrase included here. We do not know whether the find of this seal testifies to the existence of a Jewish community in eleventh-century Nishapur, or if the seal had been preserved because its foreign letters were believed to ward off evil. Arabic seals with random Hebrew and Syriac words, as well as ancient seals to which Arabic phrases have been added, are both well documented.