deem-data/ArtiFact huggingface dataset:
Letter C
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching, letterpress printing
Location: france
Artist: Anonymous
Subjects: fancy letters

Letter C tegen een achtergrond met vlechtwerk en een portretmedaillon.
Textile with a Forested Landscape
Object type: textile
Date: 1367 – 1433
Materials: cotton
Techniques: dyeing, painting, printing, resist
Culture: indian

One of the finest surviving examples of its type, this spectacular full-length cloth is composed of a series of stylized but still identifiable interlocking trees that form a densely forested landscape. A number of Indonesian communities prized these textiles, including the Toraja of central highland Sulawesi, who refer to them as Maa’, or cloths of the ancestors. The late fourteenth- to early fifteenth-century date of this piece demonstrates that the trade in Gujarati-painted and printed cotton goods to Indonesian markets was well established long before the Portuguese arrived in India. cat. no. 3b
Oinochoe
Object type: oinochoe
Date: 800 – 700
Materials: terracotta
Culture: cypriot

Ovoid body and long neck; red bucchero.
Portret van Juliana, koningin der Nederlanden, en Bernhard van Lippe-Biesterfeld
Object type: photomechanical print
Date: 1937 – 1937
Materials: paper
Techniques: rotogravure
Location: netherlands
Subjects: utrecht, bernhard (prins der nederlanden), the hague, juliana of the netherlands, (civil) marriage ceremonies

Portret van Juliana en Bernhard. Vervaardigd ter gelegenheid van het huwelijk van Juliana en Bernhard in de Grote Kerk te Den Haag op 7 januari 1937. In de ondermarge een regel Nederlandse tekst.
A Scholar in His Study (Faust)
Object type: print
Date: 1652 – 1652
Materials: ink, paper
Techniques: drypoint, engraving, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Het Dorp Appeltheren
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: etching
Location: haarlem
Subjects: church (exterior)
Inscriptions: date
Annotaties
Object type: sketchbook leaf
Date: 1886 – 1895
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation

Pagina 68 uit een schetsboek met 34 bladen.
Gevel van een begroeid huis
Object type: drawing
Date: 1645 – 1655
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: isaac van ostade
Artist role: draughtsman, painter
Artist dates: 1621 – 1649
Subjects: façade (of house or building)

Gevel van een begroeid huis met een bankje naast de deur.
[Children Fishing]
Object type: photograph
Date: 1900 – 1900
Techniques: platinum print
Artist: william james mullins
Artist role: fotograaf
Artist nationality: american
Artist dates: 1860 – 1917
Subjects: boys,girls,fishing

William Mullins, of Franklin, Pennsylvania, was a minor member of the Photo-Secession. He was included in the Philadelphia Photographic Salon at the Pennsylvania Academy of Fine Arts in 1898, the first exhibition of photography in America held at a recognized fine arts institution. Juried by two painters and three photographers, including Alfred Stieglitz, the show was the first to exhibit photographs solely for their artistic merit, completely abandoning specific categories such as genre, landscape, or portraiture. Mullins's work appeared in the October 1901 issue of "Camera Notes," but his greatest public achievement was the display of twelve of his photographs in the International Exhibition of Pictorial Photography, at the Albright Art Gallery in Buffalo, New York, in 1910. Water was nature's living mirror to members of the Photo-Secession, a reflective, ever-changing surface that served as a perfect test of an artist's pictorial skills. Elegant distortions caused by surface ripples appear in picture after picture from the period, but few photographs are as well constructed as this one of children fishing. By cropping his print to a narrow rectangular strip, Mullins emphasized the uninflected expanse of placid water. The low camera position relates the anglers to the distant shore--a line of trees as irregular as their bamboo poles--while their heads float above the horizon like bobbers on the lake's surface.
Schuit met hooi op een rivier
Object type: drawing
Date: 1860 – 1921
Materials: chalk, paper
Artist: adolf le comte
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1921
Subjects: rowing-boat, canoe, etc., transporting ~ harvest
Fragment
Object type: fragment
Date: 1840 – 1840
Materials: cotton
Techniques: printing
Culture: american or british
Location: england
Subjects: houses,flowers,leaves
Portrait of Charles-Nicolas Cochin II
Object type: print
Date: 1771 – 1771
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: men,profiles
Portret van Wolfgang Amadeus Mozart
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: vienna, historical persons, portrait of composer
Lucio Vero
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: vaticaanse musea
Inscriptions: : ‘12 Lucio Vero Mo Vaticano ROMA’, stamp

Sculptuur van een staande man met baard.
Dress
Object type: dress
Date: 1870 – 1880
Materials: cotton
Culture: american
Heraldic Panel of Barbara von Zimmern
Object type: panel
Date: 1518 – 1518
Materials: enamel, glass, metal, paint, pigment
Culture: german
Location: germany
Subjects: women,coat of arms

This panel, along with its pair, acc. no. 30.113.6, commemorate the marriage in 1518 of Barbara von Zimmern and Wilhelm von Weitingen, both of well-established Swabian families. These works represent the last expression of the Middle Rhenish style of the late 15th century, characterized by a strength and painterliness reminiscent of panel painting. The inscription on the banner above Barbara can be translated: "God have mercy"; that on the banner above Wilhelm reads: "Mother of God, have mercy on me, Wilhelm von Weitingen."
President Félix Faure en tsaar Nicolaas II van Rusland bij de ceremonie van het leggen van de eerste steen van de Troitsky-brug te Sint-Petersburg
Object type: page
Date: 1897 – 1897
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: paris, ruler, sovereign, ceremonial laying of the foundations, laying the first stone, official acts of rulers, e.g. royal acts (ruler giving audience, granting mercy, etc.; ruler and his subjects), bridge
Inscriptions: inscription: ‘Saint-Pétersbourg.- (...) La bénédiction.’
Wine Glass
Object type: glass
Date: 1745 – 1745
Materials: glass
Location: england
Blad met één portret van Constance de Théis
Object type: print
Date: 1850 – 1900
Materials: paper
Techniques: letterpress printing, snipping, engraving
Artist: Anonymous
Subjects: historical persons - bb - woman, portrait of a writer
Silhouetportret van graaf Friedrich von Anhalt
Object type: print
Date: 1783 – 1800
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: earl, historical persons
Inscriptions: inscription: ‘Le Comte d'Anhalt, Lieutenant General. Petersbourg.’, monogram: ‘JJ [of JL]’
Medallion with Saint John the Evangelist from an Icon Frame
Object type: medallion
Date: 1100 – 1100
Materials: enamel, gold, silver
Techniques: enamel
Culture: byzantine
Location: constantinople
Subjects: saint john the evangelist

These nine medallions are from a group of twelve that once surrounded an icon of the archangel Gabriel. The medallions may have been sent as a gift from the Byzantine court to the neighboring Christian state of Georgia. The three medallions across the top form a Deesis, with Christ between the Virgin and Saint John the Forerunner (the Baptist). Below is the hierarchy of the Church: apostles (Saints Peter and Paul), evangelists (Saints Matthew and Luke), theologians (Saint John the Theologian), and, across the base, military saints (Saint George).
Boy in green shirt, brown pants, red sash
Object type: crèche figure
Subjects: boys

The practice of using crèche figures to restage religious events reached the height of its complexity and artistic excellence in eighteenth-century Naples, and the Metropolitan Museum of Art’s group of Neapolitan crèche is one of the finest and most complete survivals of the art form. The ensemble consists of characters traditional to eighteenth-century Italian Christmas holiday customs. The Nativity, featuring the holy family, shepherds and their flocks, and a host of angels and cherubs is joined by the procession of the three Magi, townspeople, colorful peasants, individuals from the Mediterranean shores, and animals. The figures have articulated bodies of tow and wire with polychromed terracotta heads, and are all in partially distressed condition. These vibrant characters are further brought to life by a wide-ranging set of cloth, embroidery, leather, wicker, wax, and silver accessories. Many of these, such as the figures’ luxurious costumes, baskets of fruit, and gilt censers are original, and represent forms traditional to the rural areas around Naples during this period.
Horse
Object type: figure
Date: 1750 – 1760
Materials: earthenware
Techniques: glazing
Artist: whieldon type
Artist role: maker
Subjects: horses
Remi Schmidt & Co., Bangkok
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Het laatste oordeel, blad F
Object type: print
Date: 1530 – 1582
Materials: paper
Techniques: engraving
Location: vatican city
Artist: giorgio ghisi
Artist role: print maker
Artist dates: 1520 – 1582
Subjects: last judgement
Inscriptions: collector's mark: Lugt 11, number: ‘6’, collector's mark: ‘Hinloopen’, collector's mark: Lugt 10

Prent maakt deel uit van een groep van tien prenten die samen één grote voorstelling vormen naar het fresco met het Laatste Oordeel door Michelangelo in de Sixtijnse Kapel in het Vaticaan.
Portret van een zittende jongen
Object type: carte de visite
Date: 1877 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: grenoble
Artist: e. léon
Artist role: fotograaf
Subjects: sitting figure, historical persons, youth, adolescent
Inscriptions: monogram: ‘EL’, inscription: ‘E. LÉON/ 4, Rue Lafayette, 4./ GRENOBLE/ &/ URIAGE LES BAINS/ Les Clichés sont conservés./ 1877’
Amsterdamse dienstbode
Object type: print
Date: 1830 – 1830
Materials: paper, varnish, watercolor
Techniques: hand coloring, lithograph, varnishing
Location: amsterdam
Artist: Anonymous
Subjects: maid ~ house personnel, amsterdam
Inscriptions: collector's mark:, collector's mark: Lugt 1641a, collector's mark: Lugt 1641

Een dienstbode van voren ten halve lijve met een geplooid mutsje, een kanten kraagje, een oorijzer, een ketting en een broche. Groene japon. Staat met de letter. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Beroep en bedrijf. Vrouwelijk beroep en bedrijf. Dienstboden.
John Hendriksen Bilto ♂, d' anni 40, di Karasuando
Object type: page
Date: 1870 – 1880
Materials: paper, photographic support
Techniques: albumen print
Subjects: head-gear, adult man (+ front view), fashion, clothing (+ fur used for clothes)
Inscriptions: number: ‘Tavola XIV.’

Links een vooraanzicht van John Hendriksen Bilto, rechts een vooraanzicht van Anders Persen Bongu.
Mug
Object type: mug
Date: 1700 – 1800
Materials: silver
Culture: british
Location: england
Artist: thomas gilpin
Artist role: maker
Artist dates: 1730 – 1773
Nobilis Mulier Anglica, in Vestitu Hiemali
Object type: album leaf
Date: 1643 – 1643
Materials: paper
Techniques: etching
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: adult woman, folk costume, regional costume
Inscriptions: date

Prent maakt mogelijk deel uit van een serie van 200 prenten. Deze serie is onder de titel 'A Collection of two hundred original etchings' voor het eerst uitgegeven door J.M. Greery in 1816.
The Charlemagne, Oak Tree with an Eagle's Nest
Object type: print
Date: 1845 – 1845
Techniques: etching
Artist: eugène bléry
Artist role: artist
Artist nationality: french
Artist dates: 1805 – 1887
Subjects: men,oaks
Rijtoer door de stad Amsterdam van het koninklijk paar, 5 maart 1901, feestelijkheden ter gelegenheid van het huwelijk van koningin Wilhelmina en prins Hendrik
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: photograph
Location: amsterdam
Artist: barend groote
Artist role: fotograaf, fotohandel
Artist dates: 1862 – 1946
Subjects: the hague, print maker, wilhelmina of the netherlands, hendrik (prins der nederlanden (1876-1934)), four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, historical events and situations
Inscriptions: annotation: ‘De rijtoer.’

De menigte staat op het Muntplein te Amsterdam.
Riemkap voor 'Pro Patria IV super fyn fyn'-papier
Object type: print
Date: 1775 – 1800
Materials: paper
Techniques: letterpress printing
Location: veluwe
Subjects: personifications of countries, nations, states, districts, etc. (with name)

Een riemkap werd gebruikt om een riem papier te bedekken, en was vaak voorzien van een kwaliteitsaanduiding van het papier en initialen of naam van de papiermaker of papiermolen. Ongewoon is dat het merk en opschrift in het zwart gedrukt zijn. 'Super fijn fijn' is de aanduiding van de papiersoort, in dit geval het betere soort schrijfpapier.
Portret van Armand-Jean du Plessis hertog van Richelieu
Object type: print
Date: 1726 – 1726
Materials: ink, paper
Techniques: engraving, etching, pen
Location: paris
Artist: étienne desrochers
Artist role: print maker, publisher
Artist dates: 1668 – 1741
Subjects: paris, armand-jean du plessis hertog van richelieu, cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Behoort waarschijnlijk tot een serie portretten, grotendeels door Etienne Desrochers, getiteld: 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes que dans Belles-Lettres et les Arts, comme aussi la famille royale de France et autres cours étrangères'. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985. Echter was Desrochers reeds enkele jaren eerder begonnen met het uitgeven van de serie. Na de dood van Desrochers werd de serie voortgezet door Gilles Edme Petit. Een latere staat werd uitgegeven door Jean François Daumont in Parijs.
Liber Chronicarum
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: clergyman, monk(s), friar(s)
Inscriptions: inscription: ‘270’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 234v.
Figuur met een parasol
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, parasol, sunshade

Vermoedelijk maakt de figuur deel uit van een optocht. Pagina 91 uit een schetsboek met 74 bladen.
Drie portretten van actrices, onder wie Elodia Maresca
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print, hand coloring
Artist: Anonymous
Subjects: historical persons - bb - woman, portrait of actor, actress

Deze foto's maken deel uit van een album.
Hooked Rug
Object type: rug
Date: 1850 – 1900
Materials: wool
Culture: american
Ontwerptekening voof ex libris van C.W. van Dam
Object type: design drawing
Date: 1933 – 1933
Materials: ink, paper
Techniques: drawing, pen
Location: netherlands
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: trees, hoofed animals: deer, armorial bearing, heraldry
Inscriptions: date
Tafellaken van linnendamast met een bloempatroon
Object type: tablecloth
Date: 1680 – 1690
Materials: linen
Techniques: damask, weave
Location: northern netherlands
Artist: Anonymous

Tafellaken van linnendamast met bloemkransen en bloemboeketten. In de hoeken een gekroond monogram.
De aardewerkfabriek 'Goedewagen' te Gouda: de ovens
Object type: drawing
Date: 1871 – 1948
Materials: glass, paper, pastel, wood
Artist: herman heijenbrock
Artist role: draughtsman, painter
Artist dates: 1871 – 1948
Subjects: gouda
Seventh Regiment on Review, Washington Square, New York
Object type: painting
Date: 1851 – 1851
Materials: canvas, oil
Culture: american
Artist: otto boetticher
Artist role: artist
Artist nationality: german
Artist dates: 1816 – 1865
Subjects: military,soldiers,horses,new york city

Born in Germany, Boetticher is said to have served in the Prussian army before he came to the United States around 1850. He was active as an artist in New York from 1851 to 1859, working in firms that specialized in portraiture and lithography. He is best known today for his images of contemporary military life. This painting depicts a muster of the Seventh Regiment on the northwest corner of the Washington Square parade ground. In the background are two Gothic Revival–style edifices, New York University’s main building (also known as the University Building), to the left, and the Reformed Dutch Church, toward the center; both were demolished in the early 1890s.
Fan
Object type: fan
Date: 1830 – 1830
Materials: ivory
Studies of the Mourning Magdalen and the Virgin
Object type: drawing
Date: 1635 – 1636
Materials: chalk, paper
Techniques: pen
Location: amsterdam
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: (scenes from the life of) john the baptist and mary, crucified christ with mary, john, and mary magdalene, passion of christ

In the 1630s Rembrandt painted a series on the suffering of Christ, the Passion. Commissioned by Prince Frederick Henry, the project was discussed via the Prince’s secretary, Constantijn Huygens. Here Rembrandt tried out various poses for the figures of Mary Magdalene (in pen) and the Virgin (in red chalk) in The Entombment. As he later wrote to Huygens, he was seeking the ‘most natural emotions’ of the figures.
G.W. Freiherr von Leibnitz
Object type: print
Date: 1814 – 1876
Materials: paper
Techniques: lithograph
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Britse verkenners nemen een Boerenpatrouille onder vuur in Colesberg, 10 januari 1900
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: scouting, reconnaissance (military), the soldier; the soldier's life
Inscriptions: inscription, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, number: ‘291’
Schoolmeester in een klaslokaal
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Subjects: teacher and pupil, scholastic education, tuition
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van zeven prenten met beroepen.
Portret van Eugénie Caroline Weber
Object type: page
Date: 1880 – 1886
Materials: paper
Techniques: woodburytype
Subjects: paris, historical persons - bb - woman, portrait of actor, actress
Vijf landsknechten met banieren en muziekinstrumenten
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: transverse flute - cc - out of doors, (military) standard-bearer, the soldier; the soldier's life, drum (musical instrument) - cc - out of doors
Inscriptions: collector's mark: Lugt 2228
Kantprentje met de voetwassing
Object type: cut paper
Date: 1750 – 1784
Materials: paper, watercolor
Techniques: cutting, etching, snipping
Artist: Anonymous
Subjects: christ washes peter's feet

Voorstelling van de voetwassing, in een omlijsting dat door snijwerk en knipwerk de vorm van kerkarchitectuur heeft gekregen.
Gezicht op IJsselmonde
Object type: print
Date: 1793 – 1801
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: prospect of village, silhouette of village

Afkomstig uit: Ollefen, L. van. De Nederlandsche stad- en dorp-beschrijver. Amsterdam: Hendrik Arend Banse, 1793-1801.
Drumsticks
Object type: beater
Date: 1823 – 1823
Materials: copper
Location: netherlands
Artist: Anonymous

Stokplaat van messing en trommelstokken voor tamboer-majoor.
Rothenburg, Germany
Object type: drawing
Date: 1876 – 1876
Materials: graphite, ink, paper
Culture: american
Artist: andrew fisher bunner
Artist role: artist
Artist nationality: american
Artist dates: 1841 – 1897
Subjects: streets,towns
Het Nieuws van den Dag, woensdag 3 october 1877
Object type: newspaper
Date: 1877 – 1877
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: concert hall
Inscriptions: collector's mark: Lugt 1641, collector's mark

Exemplaar van de krant Het Nieuws van den Dag, van woensdag 3 oktober 1877, met op de voorpagina een artikel over Felix Meritis naar aanleiding van het 100-jarig bestaan. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Muziek en muziekinstrumenten: Concertzalen.
Fragment
Object type: textile
Materials: silk
Techniques: bookbinding, interlacing, patterning, weave
Culture: islamic
Location: egypt
Exterieur van Hôtel de Cluny te Parijs
Object type: photomechanical print
Date: 1851 – 1856
Materials: paper
Techniques: photoaquatint
Location: paris
Artist: charles nègre
Artist role: fotograaf
Artist dates: 1820 – 1880
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, permanent exhibition, museum, façade (of house or building)
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1930
Materials: ink, paper
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Fotoreproductie van een tekening van Friedrich Schad van een eik te Hasbruch
Object type: reproduction
Date: 1870 – 1875
Materials: cardboard, paper
Techniques: albumen print
Subjects: trees: oak
Afgietsel van een slachtoffer van de uitbarsting van de Vesuvius in 79
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: death of human being, pompeii
Statue of Caesar as a Divinity
Object type: drawing
Date: 1795 – 1844
Materials: graphite, lead
Artist: vincenzo camuccini
Artist role: artist
Artist nationality: italian
Artist dates: 1771 – 1844
Subjects: male nudes
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, hair and part of a fillet?; part of an inscription, a tau
Saint Andrew praying before a crucifix
Object type: print
Date: 1640 – 1670
Techniques: etching
Artist: francesco giovane
Artist role: artist
Artist nationality: italian
Artist dates: 1611 – 1669
Tanokuchi in Bizen Province (Bizen Tanokuchi), from the series "Wrestling Matches between Mountains and Seas (Sankai mitate zumo)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Suikerpot met deksel
Object type: sugar box
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Suikerpot met deksel in Empirestijl. De suikerpot is versierd met bladslingers, strooiblaadjes en gouden biezen langs de randen. Aan beide zijden liggen vast de pot ovale ringen. De holle kegelvormige deksel heeft een hoge octagonale knop. De voet van de suikerkan is hol gewelfd.