deem-data/ArtiFact huggingface dataset:
Su Dongpo in a Borrowed Hat
Object type: hanging scroll
Date: 1467 – 1500
Materials: ink, paper
Culture: japanese
Artist: ōsen keisan
Artist role: artist
Artist nationality: japanese
Artist dates: 1429 – 1493

This painting depicts the Song-dynasty poet Su Dongpo (1037–1101), exiled on Hainan Island, in a borrowed bamboo hat and clogs during a sudden downpour. The poem was brushed by Ōsen Keisan, one of the most prominent Zen monks of the fifteenth century. It reads: 雲霧窓耶烟雨村 居中補外捴天恩 九州四海笠簷底 百是千非屐齒痕 Clouds and mist fill the window, alas, as the village is shrouded in rain and fog. Whether [an official] serving at court or dispatched to the provinces, both are at the behest of the emperor’s benevolence. The realm of the Nine Provinces and Four Seas lies beneath the brim of his bamboo hat. Hundreds of rights and thousands of wrongs are tracked by the footprints of his wooden clogs —Trans. Tim T. Zhang
t Afbeelding van de kerk van Eikenduinen in den jaare 1556
Object type: book illustration
Date: 1730 – 1736
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: church (exterior), bird's eye view ~ representation of building
Inscriptions: collector's mark: Lugt 2228

Gezicht op de kerk van Eik en Duinen, een voormalig gehucht gelegen in de duinen tussen Loosduinen en Den Haag, in vogelvluchtperspectief in het jaar 1556. De kerk werd in 1580 gesloopt.
Fragment
Object type: textile
Date: 1700 – 1700
Materials: gilt, metal, silk
Techniques: brocade, patterning, weave
Location: italy
Terracotta hydria: kalpis (water jar)
Object type: hydria, kalpis
Date: 430 – 420
Materials: terracotta
Culture: greek, attic
Artist: washing painter
Artist role: artist
Subjects: men,women,eros

Between two youths, Eros tying a woman's sandals The Washing Painter appears at his best on large vases. The charming depiction here shows Eros squatting on the ground to help a seated lady with her particularly elaborate sandals. The protagonists are usually identified as Helen flanked by her brothers, the Dioskouroi, Kastor and Polydeukes (Latin: Castor and Pollux).
Vogelvlucht van de wereldtentoonstelling van 1867 in Parijs
Object type: print
Date: 1867 – 1867
Materials: lacquer, paper
Techniques: lithograph, lacquer
Location: paris
Artist: rivière
Artist role: print maker
Subjects: world fair, world exhibition, paris
Inscriptions: collector's mark: Lugt 2228

Gezicht het terrein van de wereldtentoonstelling van 1867 gehouden in Parijs.
Bag
Object type: bag
Date: 1838 – 1838
Materials: glass, linen, metal
Culture: american
Subjects: lions
Design for 6 seat Rockaway, no. 3053
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Claudia Felicitas, hertogin van Oostenrijk
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: crown (symbol of sovereignty), sceptre, staff (symbol of sovereignty), historical persons, cupids: 'amores', 'amoretti', 'putti'
Illuminated Frontispiece of a  Bustan of Sa`di
Object type: illustrated manuscript
Materials: gold, ink, leather, paper, watercolor
Techniques: bookbinding
Location: afghanistan
Artist: sultan muhammad nur
Artist role: calligrapher
Artist nationality: iranian
Artist dates: 1448 – 1561

This manuscript of the Bustan of Sa’di is composed of fifty-one folios including the frontispiece and a leather binding. It was likely copied in Herat, but it was illustrated for an Uzbek patron several years later, probably in Bukhara in the 1530s. The calligrapher, Sultan Muhammad Nur, also worked on the 1524–25 manuscript of the Khamsa of Nizami, several folios of which are in the Museum’s collection.
Josef en de vrouw van Potifar
Object type: print
Date: 1550 – 1599
Materials: paper
Techniques: engraving
Location: italy
Artist: monogrammist mg (16e eeuw)
Artist role: print maker
Subjects: potiphar's wife catches joseph by his robe, usually while lying in bed; joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)
Inscriptions: collector's mark: Lugt 1041c, collector's mark: Lugt 2760, collector's mark: Lugt 2228
Klooster
Object type: sketchbook leaf
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: annotation: ‘Nieuw Klooster/ Nieuw Klooster’

Blad 35 recto uit een schetsboek met 88 bladen.
Joaillerie: Album of Jewelry Designs, Page 8
Object type: album print ornament architecture
Materials: ink
Artist: anonymous, french
Artist role: artist
Artist nationality: french
Artist dates: 1400 – 2050
Subjects: jewelry

Eighth page of a small album containing drawings with jewelry designs copied after the prints by L. van der Cruycen, "Nouveau Livre de Desseins..." (New Book of Designs...), published in Paris in 1770. This page contains a design for a headpiece or diademe, characteristic of the style in vogue during the reign of Louis XVI in France, displaying a serendipitous flavor, with asymmetrical forms, "rocaille" and stylized natural motifs, and heavily decorated with flowers, ribbons and tassels, thus representing the taste of the Rococo style, which was fashionable in France and Europe during the eighteenth century. The elaborately carved forms presented in the designs were particularly sought after during the third quarter of the eighteenth century, and were to be accomplished by skilled artisans who would work out the decorations by hand. The diademe contains interlacing garlands of leaves and flowers that frame three larger stylized flowers. Each one of the stylized flowers is different, which might suggest a possibility of different variants for the design, giving the customer or the goldsmith the opportunity to choose among the different options. However, because elaborate naturalistic motifs with all sorts of flowers and leaves was highly fashionable during the time, there is also a possibility that the use of three different types of flowers was how the design was conceived. The design in this drawing is a copy after plate number 5 of the album of engravings by Van der Cruycen.
Stencil
Object type: stencil
Date: 1801 – 1900
Materials: paper, silk
Culture: japanese
Subjects: fish
Gezicht op de buitenplaats Ouderhoek aan de Vecht
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: river (+ landscape with figures, staffage), country-house, vecht

Prent voor het eerst gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719. Prent mogelijk uit: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Portret van paus Nicolaas V
Object type: print
Date: 1549 – 1573
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: rome, historical persons, pope
Inscriptions: collector's mark: Lugt 240

Prent gebruikt in: Panvinio, Onofrio. Accuratae Effigies Pontificum (...). Straatsburg: Bernhard Jobin, 1573.
Gezicht op het Chozenji-ko meer bij Nikko, Japan
Object type: album leaf
Date: 1890 – 1903
Materials: paper, photographic support
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: lake (+ landscape with figures, staffage)
Inscriptions: inscription: ‘D 105 The (Chuzenji) Lake at Nikko.’
Teabowl
Object type: teabowl
Date: 1800 – 1800
Materials: clay, glaze, gold
Culture: japanese
Subjects: crabs
Charles Baudelaire, In Profile II
Object type: print
Date: 1867 – 1868
Materials: paper
Techniques: etching
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Miniature bottle vase with flowering plants and an insect near a rock
Object type: vase
Date: 1675 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Vaas van porselein, flesvormig, beschilderd in onderglazuurblauw met plantmotieven.
La Vieille Femme Assise
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: etcher
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: ruins,cows
Flower Study
Object type: drawing
Date: 1820 – 1820
Materials: watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: flowers,leaves
Untitled (Portrait of Three Women)
Object type: photograph
Date: 1855 – 1855
Techniques: daguerreotype, photography
Location: united states
Artist: albert george park
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portrait, girls, females, portraits, portraits: child subject, portraits: female subject
Souvenir of Ostia
Object type: print
Date: 1855 – 1855
Materials: ivory, paper
Techniques: photography
Location: france
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Slavenveiling
Object type: print
Date: 1739 – 1797
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: slave-trade, slavery; serfs and enslaved persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Valentine
Object type: valentine
Date: 1862 – 1862
Materials: gold, lace, paper, silver
Techniques: embossing, open work, painting, printing
Artist: Anonymous
Artist role: artist
Marie Amélie, reine des Français
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: paris
Subjects: london, historical persons
Inscriptions: collector's mark: Lugt 2228a
Portret van Diethelm Lavater
Object type: print
Date: 1820 – 1882
Materials: paper
Techniques: lithograph
Location: zurich
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Mann, Right Field, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Binnenplaats met een kind en een karnende vrouw
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: etching, roulette
Location: paris
Subjects: courtyard, churning
Inscriptions: collector's mark: Lugt 2233
Portes de Ville, XIVe Siècle
Object type: page
Date: 1876 – 1881
Materials: paper
Techniques: photolithography
Location: amsterdam
Subjects: village-gate
Inscriptions: monogram: ‘JJvY’, inscription: ‘LITT. P. - PL. 12.’, inscription: ‘PORTES de l'enceinte (...)’
Spoon
Object type: spoon
Date: 1750 – 1760
Materials: hard paste porcelain, silver gilt
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Tit (Isis knot) from string of amulets
Object type: amulet, tit
Date: 1070 – 945
Materials: gemstone
Location: egypt

Nine amulets of various materials were found threaded together in a tight group around the throat of the Lady Djedmutesankh; two of these, of green glass, disintegrated after they were discovered. This is a tit, a knot associated with Isis, sister-wife of the ruler of the dead, Osiris. For the amulet group, see 25.3.169-related.
Studie
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903

Blad 24 verso uit een schetsboek met 43 bladen.
Drie koningen zien de ster aan de hemel
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ornament ~ cartouche, the three wise men see a star and are astonished by its magnitude
Inscriptions: collector's mark: Lugt 2228

Waarschijnlijk boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments, verrykt met meer dan vierhonderd printverbeeldingen. Deel II. Amsterdam: Pieter Mortier, 1700, p. 37.
"Oxen amongst Foliage", Folio from a Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu'
Object type: folio from an illustrated manuscript
Date: 1297 – 1299
Materials: gold, ink, paper, watercolor
Location: iran
Artist: ibn bakhtishu'
Artist role: author
Artist dates: 958 – 1058
Subjects: ox

The manuscript from which this folio derives explains the habits and medicinal properties of the animals depicted within. The color scheme of this painting, together with the presence of a large lotus blossom and Chinese cloud bands, demonstrates the infusion of Chinese imagery in Iranian painting following the Mongol conquest. The decorative quality typical of Persian painting still prevails, however, as seen in the carefully balanced composition and the conceptual approach to the rendition of the sky, which hangs curtain-like at the top of the scene.
Plate 3, from twenty ornamental designs for goblets and beakers
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: germany
Artist: master a.p.
Marble head of a woman
Object type: head of a woman
Date: 1 – 200
Materials: marble
Culture: roman
Subjects: heads,women

Roman copy of a Greek bronze statue with a fine oval face, sharply defined features and beautifully designed hair, slightly different on the two sides.
Jar
Object type: jar
Date: 1001 – 1100
Materials: earthenware
Techniques: incising
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Vakantiefoto's van Hohenschwangau en Isabel Wachenheimer spelend op de grond, juni 1931, München en Beieren
Object type: album leaf
Date: 1906 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: germany
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: leiden, isabel wachenheimer-elon, the family travelling, on holiday, family life at home
Inscriptions: inscription: ‘Kufstein Hohenschwangausee Kufstein Bayr. Wies Juni 1931’

Blad bevat tien foto's. Alle foto's van Isabel Wachenheimer. Uit het album, half formaat, crèmekleurig stofomslag met koordbinding met banenmotief.
Piece
Object type: piece
Date: 1680 – 1700
Materials: silk
Subjects: cannons,horses,flowers
Staande vrouw, naar rechts (doorgestreept)
Object type: drawing
Date: 1900 – 1900
Materials: chalk, paper
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Vase with Mythical Creature Chasing Pearl
Object type: vase
Date: 1701 – 1733
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: birds,mythical creatures

The wonderful beast painted on this vase appears at first glance to be a qilin, a mythical and composite creature that has the body of a deer and the head, horns, and hooves of a dragon. The feet of this creature, on the other hand, appear to be those of a large feline such as a lion or tiger, which makes a positive identification difficult.
Schip voor een ijsschots in de Barentszzee
Object type: sketchbook leaf
Materials: pencil
Location: barentsz sea
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: iceberg, ships (in general), sea (seascape)
Inscriptions: annotation: ‘IJsberg 200 bij 30’

Blad 15 recto uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Galopperend paard
Object type: design
Date: 1924 – 1941
Materials: paint, paper
Techniques: brush, pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: horse
Inscriptions: collector's mark: Lugt 2228

Mogelijk een ontwerp voor een vignet voor het Maandblad voor Beeldende Kunsten, uitgegeven vanaf 1924.
Suikerpot, veelkleurig beschilderd met Deutsche Blumen in uitgespaarde vierpassen in een gele fond
Object type: sugar box
Date: 1765 – 1765
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mold mark: ‘32’, mark, factory mark

Bekervormige suikerpot van beschilderd porselein. De pot is bedekt met een gele fond met uitgespaarde vierpassen waarin Deutsche Blumen. De pot heeft twee oren in de vorm van gedraaide bloemtakken. De suikerpot is gemerkt.
Soldaat met een roer die zijn lont pakt (nr. 5), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) met zijn linkerhand vasthoudt (nr. 5), ca. 1600. In zijn linkerhand behalve het roer ook een brandende lont. Met zijn rechterhand pakt hij deze lont. Plaat 5 in de instructies voor het hanteren van de roer: Brief enseignement, sur la representation des figures, du droit maniement de l'Harquebuse. Onderdeel van de illustraties in een Franse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, Maniement d'armes, d'arquebuses, mousquetz et piques : en conformité de l'ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. Krijgswezen rond 1600.
Speeljacht (Pleasure Yacht) and Warship
Object type: painting
Date: 1675 – 1699
Materials: oil, panel
Location: netherlands
Artist: Anonymous
Subjects: sailing-ship, sailing-boat

Een speeljacht, een oorlogsschip en enkele andere vaartuigen in het water nabij de kust. Het fegat vuurt een schot. Op de voorgrond staan enkele figuren aan de wal. Imitatie in de stijl van Jan van de Cappelle of Aelbert Cuyp.
Covered Urn
Object type: metalwork
Date: 1834 – 1866
Materials: pewter
Location: germany
Chessmen (32)
Object type: chessman
Date: 1801 – 1900
Materials: iron
Subjects: chess,games

The silver king represents Wilhelm I (King of Prussia in 1870, and in 1871 Emperor of Germany), and the queen, Queen Augusta. The black king is emperor Napoleon III and his queen the Empress eugenie. The two kings and queens are very creditable portraits, considering the scale and technique in which they are rendered. In particular, the Empress Eugenie is successful in suggesting the elegance of dress and bearing for which she was famous.
St. George's Hall Liverpool
Object type: print
Date: 1834 – 1848
Materials: paper
Techniques: engraving
Location: liverpool
Subjects: concert hall, edifice, e.g.: public building, department store, liverpool
Inscriptions: collector's mark: Lugt 2228
Portret van Georg Wilhelm von Reischach
Object type: print
Date: 1724 – 1799
Materials: paper
Techniques: mezzotint
Location: stuttgart
Artist: ferdinand stenglin
Artist role: print maker
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Indian Lancers passing before their Queen, Grand Review - Horse Guards Parade, July 2nd, London, Eng.
Object type: stereograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Subjects: military parade, pageant, london
Inscriptions: name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’, number: ‘219’
Derbyshire Red Cap, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: chickens

Trade cards from the "Prize and Game Chickens" series (N20), issued in 1891 in a set of 50 cards to promote Allen & Ginter brand cigarettes.