deem-data/ArtiFact huggingface dataset:
Anatomie-studien
Object type: print
Date: 1828 – 1830
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: arms
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, watermark

Onderdeel van een omslag met een serie van twaalf anatomische voorstellingen.
Ostrakon with Troparion
Object type: ostrakon
Date: 580 – 640
Materials: ink, pottery
Culture: coptic
Location: egypt
Subjects: greek
Portret van een onbekende vrouw
Object type: drawing
Date: 1653 – 1706
Materials: chalk, paper
Artist: godfried schalcken
Artist role: draughtsman, painter, print maker
Artist dates: 1643 – 1706
Subjects: anonymous historical person portrayed alone, female sex; woman
The Lion and Horse
Object type: print
Techniques: mezzotint
Artist: benjamin green
Artist role: artist
Artist nationality: british
Artist dates: 1739 – 1798
Subjects: horses,lions
St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano
Object type: print
Date: 1518 – 1520
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Subjects: men,angels,saint matthew
In the forest of The Hague
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: forest, wood

Prent op tweede ongenummerde pagina na pagina 72.
Brief aan Philip Zilcken
Object type: letter
Date: 1867 – 1930
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: abraham bredius
Artist role: kunsthistoricus, museumdirecteur
Artist dates: 1855 – 1946
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Ribbed tankard
Object type: cup
Date: 1560 – 1580
Materials: engobe, glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: raeren
Artist: Anonymous

Bierpul van steengoed met een cilindrisch, naar onder toe spreidend lichaam en C-vormig oor. Bedekt met een bruine engobe. Onder de rand en boven de voet een brede, geribde band. Raeren.
Tankard
Object type: tankard
Date: 1731 – 1750
Materials: silver
Culture: american
Location: united states
Artist: adrian bancker
Artist role: maker
Artist nationality: american
Artist dates: 1703 – 1772
La Frayeur
Object type: photograph
Date: 1861 – 1864
Techniques: glass negative, salted paper print
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women

In 1856 Virginia Oldoini (1837-1899), Countess of Castiglione, was sent to France in order to persuade Emperor Napoleon III to champion the cause of Italian unification by any means necessary. The unrivaled beauty quickly became notorious not only as his mistress but also for her flamboyant self-presentation. Between 1856 and 1867, and then again toward the end of her life, she collaborated with the photographer Pierre-Louis Pierson to produce some 400 photographs, many of which were enlarged and painted according to her specific directions. Momentous scenes from her life (some merely imagined) were mixed with episodes drawn from the theater, opera, and literature in service of a carefully choreographed personal mythology that is a fixture of today’s selfie-saturated social media but that was unprecedented in the nineteenth century. In La Frayeur, she instructed the painter Schad to embellish her portrait in the guise of a fancifully dressed ball guest who flees a conflagration. The exact source of the scene remains unknown, but it provides the perfect setting for a precocious fashionista to envision herself as a mysterious femme fatale.
XXVI Goet voer, goe vaelt
Object type: album leaf
Date: 1614 – 1614
Techniques: engraving, printing
Location: amsterdam

XXVI Goet voer, goe vaelt. Eerste schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Coffeepot
Object type: coffeepot
Date: 1770 – 1775
Materials: hard paste porcelain
Artist: fürstenberg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: flowers
Vrouwen kimono met strepen
Object type: kimono
Date: 1920 – 1940
Materials: silk
Techniques: weave
Location: japan
Artist: Anonymous

Informele vrouwen kimono met verticale paarse, blauwe en goudgele strepen. Voering van rood, wit en goudgeel gestreepte zijde.
De heilige Hieronymus
Object type: drawing
Date: 1659 – 1659
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: signature and date: ‘Mosus ter Borch; 1659’, annotation: ‘B.266 / Goltzius Palma’

Naar gravure van H. Goltzius naar Jacopo Palma (il Giovane).
Marble statue of Hermes
Object type: statue of hermes
Materials: marble
Culture: roman
Artist: polykleitos
Artist role: artist
Subjects: hermes
Brabant,  Jan III, sterling brabantinus
Object type: coin
Date: 1330 – 1337
Materials: silver
Techniques: striking
Location: leuven

Voorzijde: in een punt uitlopend gecombineerd Brabants/Limburgs wapenschild, waaromheen omschrift. Keerzijde: kort gebloemd kruis. Daaromheen omschrift MONETA LOVANES. Gaatje in munt.
Portret van Willem Witsen voor het raam van zijn boot
Object type: photograph
Date: 1911 – 1911
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: painter, print maker, draughtsman, willem witsen

Door het raam zijn de panden Kromme Waal 18-21 te zien
Africa
Object type: print
Date: 1547 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ornament ~ arabesque, africa represented allegorically; 'africa' (ripa)
Inscriptions: collector's mark: Lugt 2228

De personificatie van Afrika, staande op een sokkel omringd door ornamentele versieringen. Ze heeft een takkebos in haar handen en wordt geflankeerd door een olifant en een leeuw. Boven haar een kameleon en twee Afrikanen. Onderaan de prent twee zeemonsters. De prent is deel van een reeks over de vier werelddelen.
Christ Mistreated by Guards, from The Passion of Christ, plate 11
Object type: print
Date: 1664 – 1664
Techniques: engraving
Artist: grégoire huret
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1670
Subjects: soldiers,men,christ
The Right Hon. John Morley
Object type: photograph
Date: 1885 – 1890
Materials: paper
Techniques: carbon print
Location: london
Subjects: historical persons
Inscriptions: address: ‘57 & 61, Ebury Street, London.’
Fragment (voet) met gele scherf, aan de onder- en bovenzijde nog enkele stukjes grijs-blauw glazuur, met aan de bovenkant enkele fijne ranken, in een donkerder blauw geschilderd
Object type: sherd
Date: 1545 – 1545
Materials: earthenware
Location: italy
Artist: Anonymous
Spherical jar with four rows of painted decoration
Object type: jar, spherical, painted
Materials: paint, pottery
Location: egypt and sudan

From both the technical and aesthetic point of view, the ceramics produced during the Meroitic period of the Kushite kingdom are of superb quality. These ceramics are particularly common in Lower Nubia, where many sites have been excavated. Decorative elements include geometric designs, plant and animal motifs, and even human figures. Although their repertoire shows both Egyptian and Hellenistic influence, the Kushite ceramic artists of this period develop their own distinctive style, which makes Meroitic pottery easy to recognize.
Piece with Sempervivum tectorum motif
Object type: piece
Date: 1475 – 1500
Materials: silk
Subjects: flowers
Woman at the Piano
Object type: painting
Date: 1875 – 1876
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: pianos, portraits: female subject, portraits, portrait, plants, musical instruments, interior, candleholder, blue (color), blue, leisure, women, music, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed lower left: Renoir
Bull's-Head Weight of 2 Deben
Object type: weight, 2 deben, bull's head
Date: 1550 – 1391
Materials: bronze, copper alloy
Location: egypt
Subjects: bulls

The notation on the back of this bull's head sets its weight at 2 deben, an ancient Egyptian measurement equivalent to approximately 182 grams (0.2 lbs). The bull's head actually weighs 181.41 grams.
Tumbler
Object type: tumbler
Date: 1830 – 1835
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Subjects: buildings
Hunting Knife
Object type: hunting knife
Date: 1600 – 1600
Materials: gold, steel, wood
Culture: french
Location: france
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

At the shoulder, band of tongues; below, part of a circumscribed palmette
Abraham Francen, apothecary
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: kunstverzamelaar, apotheker, abraham francen
Inscriptions: collector's mark: Lugt 2775, inscription: ‘proof’, inscription: ‘upright of chair (...) to window’, mark: Lugt 2228, inscription: ‘abram france’, inscription: ‘Abram France’
Zes jachthonden
Object type: print
Date: 1646 – 1647
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: hunting dogs
Inscriptions: collector's mark: Lugt 240

Prent uit twintigdelige serie (incl. titelprent) met voorstellingen over de jacht: "Jacht, jachthonden en wild".
Side Chair
Object type: side chair
Date: 1860 – 1870
Materials: brass, wood, mother of pearl
Culture: american
Location: united states
Artist: léon marcotte
Artist role: maker
Artist nationality: french
Artist dates: 1824 – 1887
Subjects: birds
Uitzicht
Object type: album leaf
Date: 1935 – 1945
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: outing, pleasure trip, open-air recreation, netherlands

Albumblad met drie foto's van een landschap, genomen van een toren. Onderdeel van het fotoalbum van een jonge vrouw, ca. 1935-1945.
Local ring dial
Object type: ring dial
Date: 1601 – 1700
Materials: brass
Artist: t. w.
Artist role: maker
Toledo. Sinagoga del Tránsito. Detalle
Object type: ansichtkaart, prentbriefkaart
Date: 1930 – 1950
Materials: paper
Techniques: gelatin silver print, writing
Location: toledo
Artist: Anonymous
Subjects: the synagogue (as building and place of worship ~ jewish religion)
Ezeldrijver in berglandschap
Object type: print
Date: 1809 – 1839
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: ass, donkey, landscapes (+ landscape with figures, staffage), dog
Inscriptions: collector's mark: Lugt 2228

Links drijft een man een ezel voort, gevolgd door een hond.
Portret van Thomas Ittig
Object type: print
Date: 1665 – 1721
Materials: paper
Techniques: engraving
Subjects: thomas ittig, theologian, historical persons, book, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228, number
Portret van Pierre Charles Trémolière
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: paris, painter, pierre charles trémolière, historical persons, portrait, self-portrait of painter

Prent uit: Dézallier d'Argenville, Antoine Joseph. Abrégé de la vie des plus fameux peintres. 4 dln. Parijs: De Bure l'aîné, 1745, dl. 2, p. 439.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 4, p. 566.
Untitled (Portrait of a Seated Man in Military Uniform)
Object type: photograph
Date: 1858 – 1858
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits: male subject, portraits, portrait, military uniforms, military
Warhafftige abcontrofeitung der wunderlichen gelegenheit der Statt Ostende, wie dieselbe mit Minen und undergraben gesprengt ist worden
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: etching, letterpress printing
Location: low countries
Subjects: siege, position war, projectiles, explosives, etc.

Onderdeel van illustraties in: Belaegerung der Statt Ostende : Journal: Tagregister... aller gedenckwurdigsten Sachen... so inner und ausserhalb... sich zugetragen... von 5 July 1601. biss auff diese.. Herbstmisse Anno 1604... auss der Niderlendischen in die Hochteutsche Sprach transferirt, Und mit: Journal. Ander theil uber die Belägerung der statt Ostende biss auf die Herbstmiss in Sept. 1604 bey gefugt Mappa der Statt Ostende neben dem abriss des Parvae und Novae Troiae, s.l., 1604, fol°, ill. Hierbij gevoegd enkele prenten voorzien van Duitse teksten, 1604 (z.n., z.p.). In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 10).
Desk
Object type: furniture
Date: 1700 – 1735
Materials: wood
Techniques: veneering
Location: boston
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Subjects: furniture
Regtspleging van Oldenbarnevelt
Object type: manuscript
Date: 1710 – 1720
Materials: paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan van oldenbarnevelt

Twee kleine dubbelgevouwen bladen en een groter blad met geschreven toelichtingen op de voorstelling van de tekening van de triomfpoort 'Dits vaderland, uw vader...'. Behorende bij serie aquarellen in boek.
Panoplia sev armamentarium…
Object type: ornament print
Date: 1572 – 1572
Materials: paper
Techniques: etching
Location: netherlands
Inscriptions: collector's mark: Lugt 2275

Het fries toont gekruiste vaandels tussen kurassen, musketten (links) en een kanon op een affuit (rechts). Uit serie, bestaande uit een titelblad en 16 bladen.
Kussenovertrek met de personificatie van het gezicht
Object type: pillow sham
Date: 1650 – 1650
Materials: silk, wool
Techniques: tapestry
Location: northern netherlands
Artist: Anonymous

Kussenovertek van tapisserie met een der vijf zinnen, het gezicht. Op een donkerblauw vierkant is een vrouwenfiguur gezeten door grote bloemen omgeven, naar links kijkend in een opgeheven spiegel en vergezeld van een adelaar. Rondom staan grote gestrooide bloemen.
Herscheppingen van P. Ovidius Naso
Object type: album leaf
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: apollo hands aesculapius over to chiron, ocyroe changed into a mare: when she is foretelling the fates of her father chiron and the young aesculapius, ocyroe is changed into a mare (ovid, metamorphoses ii 657)

Apollo geeft zijn kind Asclepius, dat hij uit Coronis' buik heeft gesneden nadat hij haar heeft doodgeschoten, aan de centaur Chiron. Op de achtergrond is te zien hoe de dochter van Chiron in een paard verandert, na voorspeld te hebben hoe de toekomst van Asclepius en haar vader zal zijn. Onder de voorstelling twee keer twee versregels in het Latijn. De prent maakt deel uit van een album.
Roundel, disk with three graces
Object type: roundel, disk with three grace
Date: 400 – 301
Materials: gold
Subjects: women
Fragment
Object type: textile
Date: 1601 – 1625
Materials: silk
Techniques: brocade
Location: spain
Subjects: lions, monograms, crowns, eagles, birds, flowers
View from Hippolyte Fizeau’s Window in Paris
Object type: photograph
Date: 1842 – 1843
Materials: paper, ink
Techniques: etched daguerreotype print
Location: paris
Artist: hippolyte fizeau
Artist role: physicist
Artist dates: 1819 – 1896

This paper print is special. Approximately the same view (the roof with the three skylights) can be seen mirrored in the adjacent daguerreotype. In the early days of photography, making prints from daguerreotypes was not yet feasible. Hippolyte Fizeau, however, attempted to achieve precisely this by experimenting with an etching press. He made this print from an etched daguerreotype plate. The result was razor-sharp, but the tone was not yet uniform.
Charles William "Charlie" Ganzel, Catcher, Detroit Wolverines, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Papyrus inscribed with an account and a religious text
Object type: papyrus, harhotep, account
Date: 1961 – 1917
Materials: ink, papyrus
Location: egypt
Subjects: documents,hieratic

Fragment of a larger document, bearing an account on one side and a religious text, perhaps a spell, on the other. The account lists a number of names with their filiation along with amounts of grain. A line at the bottom of the text suggests that another account was written below it. The text on the other side addresses Seth in his epithet of the Lord of Su and asks that the enemy of the speaker may not exist. The texts were are written by two different hands, the account with small, neat and cursive signs, while the religious text with a rather large, archaic and non-cursive handwriting. The papyrus was found in a tomb along with two other documents, one of which bears the name Harhotep, but the three may very well be unrelated to each other.
Bevroren waterval in de Verenigde Staten
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: united states
Artist: george fiske
Artist role: fotograaf
Artist dates: 1835 – 1918
Subjects: waterfall, ice ~ state of water, united states of america
Inscriptions: negative number: ‘202’
Gezicht op de werf van molen De Otter
Object type: drawing
Date: 1907 – 1927
Materials: ink, paper, pencil
Techniques: brush
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: city-view in general; 'veduta', windmill in landscape, pier, quay, wharf
Inscriptions: signature and date: ‘VanTeyne / 27’, collector's mark: Lugt 800a, inscription: ‘Werf van de (...) Juli 1927. / vEck’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 28.
Wineglass
Object type: wineglass
Date: 1700 – 1750
Materials: glass
Subjects: grapes
Facade du Second Corps de Logis donnant sur le Jardin
Object type: print
Date: 1730 – 1790
Materials: paper
Techniques: engraving
Location: paris
Subjects: façade (of house or building)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Façade van een huis met vier verdiepingen met een trappartij.
Crystal Palace. 64. General view in the south transept, from the Gallery.
Object type: stereograph
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: crystal palace
Artist: Anonymous
Subjects: gallery of sculptures
De opstanding
Object type: drawing
Date: 1529 – 1533
Materials: chalk, paper
Techniques: brush
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers
Inscriptions: signature and date: ‘L 1525(?)’

De opstanding, ontwerp voor een glasruit.
Portrait of Koonwur Mytab Singh and five other men with turbans from Narsinghpur, Madhya Pradesh, India
Object type: page
Date: 1862 – 1862
Materials: photographic support
Techniques: albumen print
Location: narsinghpur
Artist: james john waterhouse
Artist role: fotograaf, luitenant, officier
Artist dates: 1842 – 1928
Subjects: head-gear: turban, ruler, sovereign, human races; peoples; nationalities
Inscriptions: number: ‘374.’, inscription: ‘OOMUTS OF NURSINGHUR./ RAJPOOT TRIBE./ CENTRAL INDIA.’

De centrale figuur is Koonwur Mytab Singh, de zoon van de radja van Nursinghur.
Negen gezichten in Drenthe
Object type: print
Date: 1794 – 1800
Materials: paper
Techniques: etching
Location: haarlem
Subjects: road, path, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Othello Plaque
Object type: ceramic
Date: 1884 – 1884
Materials: earthenware, glaze
Techniques: pressed
Location: cincinnati
Artist: j.c. meyenberg
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: theater, óthello, shakespeare

Seen as exotic, Islamic-style decorative motifs enjoyed great popularity in the United States in the 1880s, and William Shakespeare’s play Othello offered a famous example of a Moorish subject. Created by Rookwood Pottery, one of the earliest art pottery makers in the United States, this rare plaque may have been commissioned to commemorate a local production of the play. Alternatively, it might reflect the well-described popularity of Shakespeare in 19th-century America. The designer evoked the main character’s Moorish origins by inscribing his name in pseudo-Arabic script and using concentric bands of stylized foliate and calligraphic motifs reminiscent of Islamic architectural decoration.
Button with Sacrifice to Hygieia
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 –
Unknown Woman from a Pair Statue
Date: 1300 – 1250
Materials: limestone, paint
Location: egypt

Once a limestone statue representing a couple, only the upper half of the female figure survives. Originally they couple was seated, with the lady’s right arm around her husband’s waist, and the left bent at the elbow. The lady’s attire and hairstyle are typical of the fashion after the second half of the 18th Dynasty. She wears an elaborate envelopping wig and a pleated wrap-around garment. Traces of red paint remain on the face and the neck. The back was roughly cut away. This fragmentary statue of a couple belongs to a well-known tradition of New Kingdom private statuary. The sculpture’s quality, combined with the body’s morphology, suggest a date in the late 18th Dynasty, but a slighty posterior date in the early 19th Dynasty is also possible. Stylistically- and typologically-related artworks discovered in the necropoleis of Saqqara and Asyut suggest that this pair statue was commisionned by members of the elite to adorn their tomb chapel.
De vier evangelisten
Object type: print
Date: 1593 – 1597
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: the apostle and evangelist matthew (mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword
Inscriptions: collector's mark: Lugt 2228

Mattheüs de evangelist, gezeten, schrijvend in een boek. Een engel houdt hem vanachter zijn rug een inktpot voor. Onder de voorstelling de tekst 'S. Mathevs. evan,' en het adres van de uitgever. Deze prent is onderdeel van een serie van vier voorstellingen van de evangelisten, elk met de naam van de betreffende evangelist als onderschrift.
Onderscheidingsteken van de schutters van de Ridderlijke Confrerie van de Handbussche te Delft.
Object type: medal
Date: 1737 – 1737
Materials: gold thread, silver, thread, textile
Techniques: gilding
Artist: Anonymous

Verguld zilveren draagteken met oog, waaraan een geribd zijden lint met borduursel van goud- en zilverdraad.
Landschap met bomen en een kudde schapen
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes, herd, flock

Blad 5 verso uit een schetsboek met 33 bladen.