deem-data/ArtiFact huggingface dataset:
De Philippines beleegert en ontsett. Anno 1635
Object type: print
Date: 1651 – 1652
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: delft, the hague, frederick henry (prince of orange), siege, position war

De belegering door het Spaanse leger en het ontzet door het Staatse leger onder Frederik Hendrik van het fort Philippines (Fort Sint-Philips) in Vlaanderen op de oever van de Schelde op 20 mei 1635. Plattegrond van het fort aan de oever, op het land een legerkamp en oprukkende cavalerie. Boven in het water vijf Hollandse schepen. Gemerkt linksboven: Fig. 10. Fol. 212.
Artillerist te paard
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: land forces (+ artillery), horse

Pagina 4 uit een schetsboek met 35 bladen.
Habillemens Berlinois
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: dress, gown: court gown or court dress (+ women's clothes), styles of hairdress - aa - ~ women, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie van vijf voorstellingen met mode en haardrecht. Deze voorstellingen werden samen op een plaat geëtst. Deze prent is ook gebruikt in: Königl. Grossbr. u. Churf. Braunschw. Lüneb. Genealogischer Kalender auf das Jahr 1779. Lauenburg, J.G. Berenberg.
Halberd for the Bodyguard of Wolf Dietrich von Raitenau, Prince-Archbishop of Salzburg
Object type: arm
Date: 1589 – 1589
Materials: metal alloy, metal, wood, steel
Culture: austrian
Location: salzburg
Harderwijk.
Object type: drawing
Date: 1630 – 1691
Materials: chalk, gum arabic, paper
Techniques: brush
Artist: aelbert cuyp
Artist role: draughtsman, painter, print maker
Artist dates: 1620 – 1691
Subjects: harderwijk
Faceted agate
Object type: intaglio
Date: 450 – 401
Materials: stone
Culture: graeco-persian
Subjects: men,hunting,deer,horses,lions

Persian horseman shooting reindeer; lion; reindeer; antelope; hyena; bull
Coat
Object type: coat
Date: 1833 – 1833
Materials: silk
Culture: british

In the early years of the nineteenth century, there was a profound harmony between men's and women's silhouettes in dress. In the Empire style, the high waists and puffed chests of menswear match the silhouette of women's clothing. In the 1830s, menswear accommodated the gigot sleeve of womenswear in its use of a new fullness at the sleeve cap. The typical men's ensemble of tailcoat, waistcoat, and trousers prevailed by the 1820s and 1830s, as breeches were supplanted by long trousers.
Dakconstructie
Object type: sketchbook leaf
Date: 1825 – 1907
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: willem springer jr.
Artist role: draughtsman
Artist dates: 1815 – 1907
Subjects: roof (of house or building)
Inscriptions: annotation: ‘[...]’

Pagina 79 uit een schetsboek met 86 pagina's.
Ex libris van Raschkia [?]
Object type: bookplate
Date: 1750 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: hacking and thrusting weapons: sword, armorial bearing, heraldry
Portret van een onbekende vrouw met een kanten sluier
Object type: photograph
Date: 1890 – 1920
Materials: paper
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, lace, veil
Huizen
Object type: sketchbook leaf
Date: 1849 – 1895
Materials: paper, pencil
Artist: willem koekkoek
Artist role: draughtsman
Artist dates: 1839 – 1895
Subjects: the usual house or row of houses
Inscriptions: kleurnotitie, handgeschreven in potlood

Pagina 21 verso uit een schetsboek met 26 bladen.
Twee boerinnen melken koeien in de wei
Object type: print
Date: 1769 – 1839
Materials: paper
Techniques: etching
Artist: jean baptiste de roy
Artist role: print maker
Artist dates: 1759 – 1839
Subjects: cow, milking
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Map of envelop met 'De Hollandsche Lelie'
Object type: photomechanical print
Date: 1870 – 1937
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: letter, envelope
Inscriptions: collector's mark: Lugt 2228

Een stapel mappen of enveloppen met op de achterzijde de tekst 'De Hollandsche Lelie'.
Portret van Reinier Willem Petrus de Vries
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: amsterdam, auctioneer, publisher, reinier willem petrus de vries (1841-1919), historical persons
Inscriptions: inscription: ‘vierde staat’, collector's mark: Lugt 2228
Winter Landscape
Object type: painting
Materials: ink, paper
Location: china
Artist: xie shichen
Inscriptions: Artist's Inscription:
Myriad mountains in flying snow, painted by Shuxian, Xie Shichen. 

Artist's seal;
Xie Sizhong shi, intaglio
Qishisiweng(Seventy four years old man), intaglio

Yuchi title by Luo Zhenyu (1866-1940)

Collector's seal: "Hongdou shanzhuang"
4 colophons: Zhu Xuan, (17th)
                    Luo Zhenyu,  (1918)
                    Nagao Ko (1919)
                    Cha Honghu (1919)
Road Coach #4126
Object type: drawing
Date: 1891 – 1891
Materials: graphite
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Hercules met de zodiak op de achtergrond
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: (story of) hercules (heracles), taurus (zodiacal sign of april), aries (zodical sign of march)
Inscriptions: collector's mark: Lugt 2228

Hercules met de knots in zijn hand. Op de achtergrond een deel van de zodiak met stier en ram. Boven de voorstelling het devies: Impavidum Ferient Ruinae. Rond de voorstelling een ornamentele lijst met de attributen van Hercules.
Candi Arjuna, general view showing the staicase projection and the entrance (west). Dieng plateau, Wonosobo district, Central Java province, 8th-9th century.
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Chimneypiece
Object type: chimneypiece
Date: 1750 – 1750
Materials: pottery
Subjects: animals,birds,butterflies,flowers
Werk in open terrein
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers

Werkzaamheden op een open ongerooid terrein op Banka. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
Scarab
Object type: scarab
Date: 1640 – 1550
Location: egypt
Subjects: scarabs
Breaking Waves (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: waves

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Gezicht op Bacharach over de Rijn
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: photograph
Location: dresden
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, river
Studie van een koeienkop
Object type: drawing
Date: 1823 – 1894
Materials: cardboard, oil
Techniques: brush
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Minerva
Object type: print
Date: 1600 – 1688
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: weapons,minerva
Portret van keizer Karel VI
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: engraving, etching
Location: brussels
Artist: jacobus harrewijn
Artist role: print maker
Artist dates: 1660 – 1740
Subjects: charles vi (holy roman emperor), knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228

Portret van Karel VI, Duits keizer, oftewel Karel III, koning van Spanje, ten halven lijve in een ovaal, met zijn handen in zijn zij en om zijn hals een ketting met het teken van de Orde van het Gulden Vlies. Onder het portret een afbeelding van een allegorische voorstelling en regels in het Latijn.
Portret van een onbekende man
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228

De onderscheiding op de jas is de Orde van de Nederlandse Leeuw.
Pitcher
Object type: ceramic
Date: 1830 – 1830
Materials: copper, earthenware
Location: staffordshire
Joseph's cup being discovered in Benjamin's sack of grain
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: men,cows,horses,trees
The Old Beggar Leaning on his Crutch, plate seventeen from The Beggars
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
'T is om uw zinnen te vermaaken, / Dan men, ô lieve jeugd! u biedt [(...)]
Object type: popular print
Date: 1715 – 1813
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: craft-production, skilled handiwork, human types, working class, labourers, characters (human types), crafts and industries
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van verschillende figuren en beroepen. Onder elke afbeelding een zesregelig vers. Genummerd rechtsboven: No. 23.
Spoon
Object type: spoon
Date: 1725 – 1750
Materials: silver
Culture: american
Location: united states
Artist: jacob hurd
Artist role: maker
Artist nationality: american
Artist dates: 1702 – 1758
Le Kaire, Mosquée Nâcéryeh
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: architecture,mosques
Carpet
Object type: textile
Date: 1830 – 1839
Materials: textile, wool
Techniques: weave
Location: canada
Subjects: flowers, foliage
Palazzo Campanella
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: façade (of house or building)
Inscriptions: inscription: ‘Facciata del Palasso del Sig. Henrico Salvago’, collector's mark: Lugt 240

Voorgevel van Palazzo Campanella, gelegen aan de via Garibaldi te Genua. Het palazzo werd in 1563 in opdracht van Bartolomeo Lomellino onder leiding van de architect Giovanni Ponzello gebouwd.
Interieur van Frascati in Amsterdam tijdens een soiree in 1844
Object type: print
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: reception, cocktail party, festivities (+ wreath, garland ~ festive activities), fountain (indoors)
Inscriptions: collector's mark: Lugt 2228

De zaal is gevuld met mannen en vrouwen. In het midden een fontein. Aan het plafond hangen slingers.
Mars and Venus Served by Cupid and the Graces
Object type: print
Date: 1545 – 1550
Techniques: engraving
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: cupid,mars,venus
Vier stuiver, noodmunt uit Deventer, geslagen tijdens het beleg
Object type: vier stuiver
Date: 1578 – 1578
Materials: copper
Techniques: striking
Location: deventer
Artist: balthasar wijntgens
Artist role: mintmaster
Artist dates: 1577 – 1592
Subjects: deventer

Voorzijde: gekroonde adelaar binnen omschrift. Keerzijde: Romeinse cijfer IIII en letter S binnen krans; klop: stadswapen
Textile Fragment
Object type: fragment
Date: 501 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: animals
Balaena ramis adigitur ad Navim / La Baleine est rame en Navire
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching, hand coloring
Location: france
Subjects: whale fishery, whaling, swimming mammals: whale
Inscriptions: collector's mark: Lugt 2228
Fragment of a Box
Object type: fragment of a box
Date: 1601 – 1700
Materials: ivory
Techniques: carving
Location: india
Subjects: flowers,leaves
Jacket
Object type: jacket
Date: 1892 – 1892
Materials: cotton, silk, wool
Culture: american
Silhouetportret van Eelco Tinga
Object type: print
Date: 1808 – 1844
Materials: paper
Techniques: etching
Location: groningen
Subjects: leeuwarden, groningen, professor in de theologie, eelco tinga
Inscriptions: collector's mark: Lugt 2228

Silhouetportret van Eelco Tinga, buste naar links.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Part of a left forearm and hand
Fashion (Mode)
Object type: print ornament architecture
Date: 1912 – 1912
Techniques: lithograph
Artist: otto friedr. carl lendecke
Artist role: artist
Artist nationality: austrian
Artist dates: 1886 – 1918
Subjects: women,fashion

Postcard with a design for female dress in the style of the early 1910s, consisting of a long, tubular pink dress with a black overdress with semicircular cutouts, worn with a purple shawl and black high heels.
Bandontwerp voor: Erich Kästner, Drie mannen in de sneeuw (Drei Männer im Schnee), c. 1935-1939
Object type: study for binding design
Date: 1936 – 1936
Materials: paint, paper
Techniques: brush
Artist: jan stapper
Artist role: draughtsman, print maker
Artist dates: 1875 – 1964
Subjects: road, path, mountain-range, snow peaks
Inscriptions: signature and date: ‘Jan Stapper/ '36’, :, collector's mark: Lugt 2228, annotation: ‘6 [...] omslag/ (blauw)/ [...]/ naar L.J. Veen/ Leidschegracht’

Besneeuwd berglandschap met zicht op een dorp en een pad of spoor dat richting de bergen loopt.
Noordzijde van het koor van de Sint Walburgiskerk te Zutphen
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: zutphen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: parts of church exterior and annexes: choir
Inscriptions: annotation: ‘Zutphen’, annotation: ‘Zutphen/ Noordaanzicht van het koorgedeelte van de Ned. Herv. Kerk’
Wohnhaus, Lindenstr. 74.
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: berlin
Subjects: detached house in city, berlin
Inscriptions: inscription: ‘Arch. H. Meyer. Gez. v. Ad. Lorenz.’, number: ‘Bl. 53.’

Deze prent maakt deel uit van een omslag met honderd prenten en zes tekstbladen.
Portret van Ferdinand van Beieren
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: ferdinand van beieren, historical persons

Prent met omlijsting gebruikt in: Meteren, Emanuel van. Der Niderländischer historien Ander Thail (...). Amsterdam: Johannes Janssonius, 1627. Prent mogelijk ook gebruikt in andere edities en vertalingen van Emanuel van Meterens 'Nederlantsche Historien'.
Portret van Denis Diderot
Object type: print
Date: 1748 – 1804
Materials: paper
Techniques: engraving, etching
Subjects: denis diderot, scholar, philosopher, historical persons
Journal des Dames et des Modes, Costume Parisien, 23 février 1799, An 7 (91) : Chapeau à la Minerv (...)
Object type: fashion print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (spencer) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: caption: ‘Chapeau à la Minerve. Spencer Bordé en Poil.’, title: ‘Costume Parisien.’

Hoed met de naam 'Chapeau à la Minerve'. Spencer afgezet met bont op een japon met sleep, afgezet met contrasterend band. platte schoen met puntige neus. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Sellèque, Parijs, 1797-1839.
Titelpagina voor  Caius Velleius Paterculus cum Selectis Variorum Notis, 1659
Object type: titelblad, titelpagina
Date: 1659 – 1659
Materials: paper
Techniques: engraving
Location: leiden
Subjects: male persons from classical history (+ belonging to roman history)
Inscriptions: collector's mark: Lugt 2228

Een Romeinse krijgsman en profil naar rechts houdt aan de linkerarm een schild met daarop de tekst van de titel en in zijn rechterhand een zwaard. Op de achtergrond een ruitergevecht, soldaten met lansen en een stad. Op de voorgrond is een stuk van een legertent zichtbaar, een zwaardschede, een trom, een harnas en een helm. In de lucht een vogel, met een ontrold lint in de bek en onderaan in twee regels de plaats en de naam van de uitgever en het jaartal.
Vase
Object type: vase
Date: 1600 – 1600
Materials: enamel, porcelain
Techniques: overglaze, painting
Culture: chinese
Subjects: flowers
Gezicht op Kasteel Popkensburg
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: prospect of village, silhouette of village, coat of arms (as symbol of the state, etc.) (+ city; municipal), castle, french or architectonic garden; formal garden, orchard, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Gezicht op Kasteel Popkensburg te Sint Laurens op Walcheren, in vogelvluchtperspectief. In het midden het kasteel, daaromheen de tuinen en boomgaarden. Linksboven het wapen van Popkensburg, in het midden het wapen van eigenaar Johan Boudaen Courten, rechtsboven het wapen van Sint Laurens. Rechtsboven gemerkt: Pag. 668.
Zeven platen van Waterloo en omgeving
Object type: print
Date: 1815 – 1825
Materials: paper
Techniques: etching, hand coloring
Location: low countries
Artist: Anonymous
Subjects: devastated, ruined place or city (~ warfare), farm (building), waterloo
Inscriptions: collector's mark: Lugt 2228

Hotel La Belle Alliance, met kogelgaten in de muren en dak. Onderdeel van een serie van zeven platen met gezichten uit ca. 1820 van de omgeving waar de slag bij Waterloo plaatsvond op 18 juni 1815.
Small Flaring Bowl Depicting Costumed Ritual Performers [Cracked]
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Window
Object type: window
Date: 1601 – 1700
Materials: gypsum, glass
Location: egypt or syria

A window such as this with brightly colored panes in blue, orange, green, and red might have been found in a room of a late Ottoman aristocratic home, like the Damascus reception room also in the Museum's collection (1970.70) Tinted glass was favored because it filtered the light, but it also complemented the multihued furnishings of these rooms.
Bearded Man Holding a Cup
Object type: illustrated single work
Date: 1601 – 1633
Materials: ink, paper, pencil
Location: iran
Subjects: men
Concordiae
Object type: medal
Date: 1830 – 1830
Materials: bronze
Artist: alexis joseph depaulis
Artist role: artist
Artist nationality: french
Artist dates: 1790 – 1867

This medal was undoubtedly commissioned by Louise Philippe himself to celebrate the Restoration of the Monarchy following the French Revolution of 1830. The title expressed on the medal, “King of the French,” rather than King of France, signifies his election by his subjects in accordance with the new constitutional laws. As with Napoleon in the early years of the nineteenth century, Louis Philippe was adept at using the art of the medal to promote Royalist propaganda during his July Monarchy. Over twenty-eight effigies of him are known to exist, underscoring his interest in disseminating the power of his reign. The talented, prolific medalist Alexis Joseph Depaulis studied at the École nationale supériore des Beaux-Arts under Bertrand Andrieu in medal making and Pierre Cartellier in sculpture. Depaulis regularly exhibited works at the school’s salon between 1815 to 1855, and in 1834 he was named a chevalier de la legion d’honneur. The Concordiae is one of his finest and best-known compositions.
Porseleinkast
Object type: china cabinet
Date: 1770 – 1775
Materials: copper, glass, metal, wood
Location: netherlands
Artist: Anonymous

China cabinet. Oak, veneered with walnut and burr walnut, the glazing bars of mahogany. Netherlands, c. 1770 - 1775.
Chair
Object type: chair
Date: 1790 – 1810
Materials: wood
Culture: american
Location: united states
Portret van Adam de Coster
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: mechelen, antwerp, painter, adam de coster
Inscriptions: collector's mark: Lugt 240

Portret van de schilder Adam de Coster, ten halven lijve. Met zijn linkerarm leunt hij tegen een zuil. Zijn rechterhand houdt hij op zijn rug. In de marge de naam en het beroep van de geportretteerde.