deem-data/ArtiFact huggingface dataset:
Shiva
Object type: figure
Date: 850 – 900
Materials: bronze
Location: central java
Artist: Anonymous

Hindu religion and mythology feature elements of the animal world. The Hindu god Shiva is often depicted riding on a bull, but is here shown supported by a seated figure with a bull’s head. Animal strength is also apparent in images of Ganesha, the elephant-headed son of Shiva, who is worshipped as the remover of obstacles.
Portret van Maria Serafina Tedesca
Object type: print
Date: 1794 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: rome, historical persons
Inscriptions: collector's mark: Lugt 2228, signature: ‘Borribelli’
"Log Cabin" pattern covered dish
Object type: glass
Date: 1875 – 1875
Materials: glass
Techniques: pressed
Location: wheeling
Louis Joseph de Potter
Object type: insignia
Date: 1830 – 1830
Materials: bronze, textile
Techniques: striking
Location: brussels
Artist: adrien hippolyte veyrat
Artist role: medailleur
Artist dates: 1803 – 1883
Subjects: bruges, politician

Bronzen draagteken aan draagoog, draagring en zwart-geel-rood lint. Voorzijde: borststuk man; rechts daarvan een voor de helft ontrold papier met opschrift binnen omschrift. Keerzijde: jaartal binnen omschrift.
Denarius (Coin) Portraying Julia Domna
Object type: coin
Date: 193 – 217
Materials: metal, silver
Culture: roman
Location: roman empire
Subjects: portrait, woman
Inscriptions: Obverse: IVLIA AVGVSTA
Reverse: FELICITAS

The front (obverse) of this coin portrays the head of Julia Domna, the wife of Emperor Septimius Severus. The back (reverse) depicts Felicity standing and holding a scepter in her left hand and cornucopia in her right.
Tumbler
Object type: tumbler
Date: 1850 – 1860
Materials: glass
Techniques: pressed
Culture: american
Location: united states
A Polish man in a long robe standing at right in profile, facing left, other Polish men to left, groups of horsemen to left in background and a castle to right in background, from "Various figures and lands" (Diverse figure e paesi)
Object type: print
Date: 1649 – 1649
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,horses
Snuff Bottle with Peony and Bird
Object type: snuff bottle
Date: 1736 – 1795
Materials: copper, enamel
Techniques: painting
Culture: chinese
Subjects: birds,peonies
Portret van Matthias Wilhelm
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: engraving
Location: germany
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragments of kylikes: Band or lip cups (drinking cups)
Object type: kylix fragment
Date: 560 – 525
Materials: terracotta
Culture: greek, attic

Four reserved fragments from either Lip or Band cups
Firenze
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: gelatin silver print
Location: florence
Subjects: madonna: i.e. mary with the christ-child, picture, painting
Inscriptions: number: ‘5271.’, collector's mark: ‘RIJKS SCHOOL VOOR KUNSTNIJVERHEID/ GROEP’, inscription: ‘Edizione inalterabile.’

Deze foto maakt deel uit van een omslag.
Design for a Frieze with Three Putti holding a Garland and Two Leopards jumping over it, plate 16 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: garlands,putti,leopards
Tapestry Depicting Venus, Symbolizing Spring
Object type: portière
Date: 1699 – 1699
Materials: silk, wool
Techniques: tapestry
Location: paris

Portière met Venus, als personificatie van de lente, omgeven door grotesken en het teken van Ram, Stier en Tweelingen, uit een serie van goden, seizoenen, elementen en tekens van de dierenriem.
Firenze, La Cattedrale
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: albumen print
Location: florence
Artist: luigi bardi
Artist role: printer, publisher
Subjects: parts of church exterior and annexes: campanile, parts of church exterior and annexes: dome
Inscriptions: check stamp: ‘Fratelli Alinari/ Fotografi/ Firenze/ Presso Luigi Bardi’
Dish
Object type: dish
Date: 1501 – 1533
Materials: brass
Culture: german
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, draped maenad wearing a chiton and an animal skin, holding a thrysos
Fragment beddentijk van satijndamast met Art-Déco-motief in groen op blauwe grond
Object type: tick covering
Date: 1919 – 1919
Materials: cotton
Techniques: damask
Location: netherlands
Artist: Anonymous

Fragment beddentijk van satijndamast met Art-Déco-motief in groen op blauwe grond.
Rinaldo Abandons Armida
Object type: print
Date: 1751 – 1755
Materials: paper
Techniques: etching
Subjects: rinaldo, armida
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

The scene depicted here is the same as in the adjacent etching by Giovanni Domenico, Rinaldo abandoning Armida. Both brothers based themselves on works by their father: Giovanni Domenico on a fresco in the Villa Valmarana in Vicenza, Lorenzo on a painting in the palace in Würzburg. Giovanni Domenico’s etching technique is somewhat looser and bolder than that of his younger brother.
Mummy with an Inserted Panel Portrait of a Youth
Object type: mummy, youth, panel portrait, human remains
Materials: linen, panel
Location: egypt
Subjects: men,portraits
Rim from a libation basin l (?) with the prenomen of Akhenaten alone followed by the queen's titles
Object type: akhenaten prenomen, basin or vessel rim
Date: 1353 – 1336
Location: egypt
General Otis, from the "Generals" series (T64), issued by D.H. McAlpin & Co. Tobacco Company
Object type: print
Date: 1901 – 1901
Techniques: color lithograph
Artist: d.h. mcalpin & co. tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1901

Tobacco insert card from the "Generals" series (T64), issued by D.H. McAlpin & Co. Tobacco Company.
Plate with Scene of Offering Coral Plants to the Emperor
Object type: plate
Date: 1701 – 1733
Materials: biscuit, enamel, porcelain
Techniques: painting
Culture: chinese
Subjects: emperors,children,men,women
Fragment steel van een of twee kandelaars uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: candlestick
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Fragment of woven silk
Object type: fragment
Date: 1701 – 1733
Materials: metal thread, textile, silk
Techniques: weave
Subjects: flowers,leaves
Cup in the form of a lark
Object type: cup
Date: 1601 – 1700
Materials: gilt silver
Subjects: birds

Hunting and falconry were central to aristocratic life, and cups in the form of game animals or pets were popular tableware for court banquets and their associated rituals. Sometimes known as Wilkomm cups, their removable heads could be filled with wine or spirits and offered to guests in greeting, who would then finish their contents in one gulp. Banqueting was important in other institutional settings too, making Wilkomm cups essential accoutrements for town, city, and guild officials.
Landau #1046
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ex libris van Fritzi Schwedenberg
Object type: bookplate
Date: 1900 – 1949
Materials: paper
Techniques: woodcut
Location: germany
Artist: Anonymous
Subjects: flowers, birds, sun as celestial body
Inscriptions: signature: ‘Ernst Sch[...]’
Chylocladia ovalis
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Jongen met een portret in zijn hand
Object type: print
Date: 1809 – 1900
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: print, e.g.: engraving, etching, lithograph, anonymous historical person portrayed alone, trunk, suit-case
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Jongen met in zijn linkerhand een portret en in zijn rechterhand een koffer. Achter hem een muur waar planten boven uit groeien.
Zakdoek van linnen batist met een rand kloskant en plumetis borduurwerk
Object type: handkerchief
Date: 1840 – 1849
Materials: linen
Techniques: lace, embroidered
Location: netherlands
Artist: Anonymous

Zakdoek van linnen batist met een rand kloskant - Rijselse kant - en plumetis borduurwerk. Het kant is glad aangezet langs de zijden en gerimpeld in de hoeken. Het heeft langs de buitenrand een vlakke gepicoteerde schulprand, die ontstaat uit een lopend patroon met een eenvoudig bloemtakje en met siergrond gevulde half ovale cartouches. Fijne maasgrond met volwerk in linnenslag en contourlijnen met een dikkere draad. Het plumetispatroon bestaat uit een fijne rank die rondom de zakdoek loopt en in elke hoek een boeket.
Miss Prattle Consulting Doctor Double Fee about her Pantheon Head Dress
Object type: print
Techniques: mezzotint
Location: london
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: satire,men,women,caricature,wigs
Table Valance with Winter Garden
Object type: valance
Date: 1701 – 1800
Materials: feather, metal thread, silk
Techniques: tapestry
Culture: chinese
Subjects: birds,flowers,trees

Among the winter plants in this table frontal’s main decorative area are camellias, nandina berries, and a blossoming tree, perhaps a wax plum (lamei), all woven largely with metallic thread. The impressive rock on the left suggests that the scene is a close-up of a carefully cultivated garden. Like its autumnal counterpart, also exhibited here, this valance features an overhanging top register with the attributes of the Eight Daoist Immortals.
Dagger with Sheath
Object type: dagger with sheath
Date: 1801 – 1900
Materials: diamond, gemstone, gold, jade, steel
Culture: turkish
Location: ottoman empire
Cocks and Hens
Object type: print
Date: 1801 – 1813
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: chickens,roosters
Pianta seconda del Palazzo del sigr. Horatio de Negro
Object type: album leaf
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hôtel, i.e. small palace in city - aa - civic architecture: inside, plan ~ architecture

Deze prent maakt deel uit van een album.
Bronze dragon-type fibula (safety pin)
Object type: fibula, dragon type
Date: 700 – 650
Materials: bronze
Culture: early etruscan or late villanovan

The pronounced elongation of pin and clasp indicates a relatively late date for this type of fibula, which was popular with men. Similar but less elongated versions have been found in Tarquinia, in the so-called Tomb of the Warrior of about 700 B.C. This tomb, discovered in 1869, contained the skeleton of a man of about seventy years. He was equipped with elaborate armor, weapons, jewelry, and a great deal of pottery.
Berry Bowl
Object type: metalwork
Date: 1885 – 1895
Materials: copper, silver gilt, silver
Location: new york city
Artist: george w. shiebler
Artist nationality: american
Artist dates: 1846 – 1920
Subjects: cherries, berries, insects, spiders, leaves, dining, drinking
Inscriptions: Stamped bottom, left-middle: "S (in circle, with wings) / STERLING / 376".

As one of many new manufacturers competing in a vast marketplace, George W. Shiebler began producing silver in the early 1870s. Although Shiebler’s firm was better known for its decorative flatware and silver jewelry, this bowl showcases the firm’s inventive design and dexterous handling of hollowware, which was made in more limited production. The intricate handle is formed of entwined branches and leaves, plums, and copper cherries, with three applied insects—a fly, a beetle, and a spider—further enhancing the object’s lifelike quality. While the vessel was inspired by Japanese naturalism, which was popular among American silver firms of the Aesthetic movement, the realistic details also reference John Ruskin’s belief that truth and beauty emerged from nature. Interestingly, the bowl is stamped with several French import marks, indicating that its American owner brought the bowl into France.
Le Ministere de la Marine (The Admiralty, Paris)
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: buildings,paris
Portret van Cornelis Reynders
Object type: carte de visite
Date: 1880 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: purmerend
Artist: nicolaas jelles van ulsen
Artist role: fotograaf
Subjects: toddler, historical persons
Inscriptions: address: ‘KERKSTRAAT/ over de R.C. Kerk 95/ PURMEREND.’, inscription: ‘C. Reynders’
Melrose Abbey
Object type: album leaf
Date: 1875 – 1885
Materials: photographic support
Techniques: albumen print
Location: melrose
Artist: Anonymous
Subjects: river, abbey, monastery, convent ~ roman catholic church, country-house
Inscriptions: number: ‘443, J.V.’, number: ‘138, J.V.’
Vaas en Japanse theepot
Object type: print
Date: 1880 – 1900
Materials: paper, pencil
Techniques: etching
Location: netherlands
Artist: johanna behrend-croiset van der kop
Artist role: draughtsman, painter
Artist dates: 1861 – 1943
Van Walsum en Koen Kooy in toneelstuk Othello
Object type: photograph
Date: 1925 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: portrait of actor, actress
Inscriptions: check stamp: ‘J. Merkelbach amsterdam’, inscription: ‘... van Walsum Koen Kooy (Othello)’
Tomb of Simon de Langham, Tomb of Aymer de Valence
Object type: negative
Date: 1839 – 1839
Materials: photographic print
Artist: Anonymous
Artist role: artist
Subjects: tombs
Buffet, bestaande uit een gesloten onderstel waarboven twee planken
Object type: buffet
Date: 1700 – 1799
Materials: wood
Location: amsterdam
Artist: Anonymous

Een buffet van notenhout, bestaande uit kistvormig onderstel zonder bodem en achterkant; waarop kleine stellage van twee planken, waarvan de bovenste korter en smaller.
Ontwerp voor een vignet met monogram AWS
Object type: design
Date: 1901 – 1901
Materials: paint, ink, paper, pencil
Techniques: brush
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: leiden, albertus willem sijthoff, magic mathematical figures; magic numbers, words, monograms
Inscriptions: annotation: ‘in zink/ voor boekbinders/ stempel ware grootte’, number: ‘n 5093/ N 3002.’, collector's mark: ‘R:MVS.’

De boekbindersstempel waarvoor dit ontwerp is bedoeld zou gebruikt worden voor de band van een album voor A.W. Sijthoff ter gelegenheid van diens vijftigjarige uitgeversloopbaan.
Filips de Tweede
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, pen
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: philip ii of spain, historical persons
Inscriptions: collector's mark: Lugt 2228, date: ‘1598’

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Johannes Allart, 1790-96.
To Gentilly
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: etching
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Landschap met ruiters en wandelaars
Object type: print
Date: 1766 – 1817
Materials: paper
Techniques: engraving, etching
Subjects: riding a horse, ass, or mule; rider, horseman, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 1731, inscription: ‘M’, collector's mark: Lugt 2228

Links ruiters voor enkele bomen. Op de voorgrond vier rustende figuren. Een weg met daarop ruiters, een rijtuig en wandelaars slingert naar de horizon. Rechts een huis en een poort.
Karikatuur van Oscar-François Bardou
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: benjamin
Artist role: print maker
Artist dates: 1811 – 1847
Subjects: historical persons, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228

Prent uit: Le Charivari 9 (1840), nr. 242, 28 augustus 1840.
Portret van Maria Elisabeth van Oostenrijk
Object type: print
Date: 1724 – 1741
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: number: ‘61’
Thomas "Tom" Tarlton Brown, Center Field, Pittsburgh, from the Old Judge series (N172) for Old Judge and Gypsy Queen Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Portret van een man, een vrouw en twee honden zittend bij een tafel in een tuin in Duitsland
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Location: germany
Artist: Anonymous
Subjects: adult woman, garden, adult man, dog, germany

Onderdeel van Fotoalbum van Carl Heinrich Fliegenschmidt, gevangenisdirecteur te Oslebshausen.
Pedante vrouwen
Object type: cartoon
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), (household) utensils and implements (with name), portrait of a writer, sculpture, satire on marriage
Inscriptions: collector's mark: Lugt 2228a

De man moppert dat hij iedere morgen de marmeren buste van zijn vrouw moet afstoffen.
Hoofd van een jonge vrouw, met neergeslagen blik
Object type: drawing
Date: 1601 – 1666
Materials: chalk, paper, pastel
Artist: g.jo.franc da cento
Artist role: draughtsman, painter
Artist dates: 1591 – 1666
Subjects: adolescent, young woman, maiden
Betaalpenning van tweeënhalve cent van de Coöperatieve Winkelvereeniging De Volharding te Veenendaal
Object type: twee en een halve cent
Date: 1875 – 1900
Materials: brass
Techniques: printing

Rond messing plaatje met instempelingen (andreaskruis) / 2½
Fotoreproductie van een schilderij, voorstellende een portret van Alexander Hope Pattison
Object type: reproduction
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: number: ‘159’
Ste. Lucie, vierge et martyre (St. Lucy, Virgin and Martyr), December 13th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,women,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Apollo and the Nine Muses
Object type: print
Date: 1630 – 1635
Materials: paper
Techniques: engraving
Location: paris
Subjects: calliope (one of the muses); 'calliope' (ripa), tambourine, one person playing percussion instrument
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, number: ‘13’

While there are numerous depictions of Apollo and the nine muses, these ones are exceptional. In Greek mythology, Apollo is the god of music and harmony and his sisters, the muses, are the goddesses of art and science and symbols of inspiration. Le Blond portrayed each of them separately, making music. Dressed and coiffed according to the latest Parisian fashion around 1630, they have thus become contemporary.
Liggend meisje
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1909
Materials: paper
Techniques: autotype
Location: london
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘No. 68. Printed in Saxony.’
Fries met zes putti
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Subjects: flags (~ signalling), globe, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Fries met zes putti rondom een globe. Een van de putti's draagt een vlag.
Christus geneest een verlamde man
Object type: print
Date: 1650 – 1800
Materials: paper
Techniques: mezzotint
Artist: Anonymous
Subjects: a paralytic on his bed is brought to the house where christ is preaching (matthew 9:1-8; mark 2:1-12; luke 5:17-26)
Inscriptions: collector's mark: Lugt 2228