deem-data/ArtiFact huggingface dataset:
Plate
Object type: plate
Date: 1701 – 1800
Materials: faience
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Man met hoge hoed
Object type: album leaf
Date: 1802 – 1802
Materials: paper
Techniques: drypoint, etching
Location: london
Subjects: morphology of human expression (+ adult male (human being))
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: ‘B’
Portret van onbekende man
Object type: print
Date: 1863 – 1883
Materials: paper
Techniques: lithograph
Location: the hague
Artist: nicolaas johannes wilhelmus de roode
Artist role: draughtsman, print maker
Artist dates: 1814 – 1884
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde. (Slecht leesbaar).
Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the apostle simon zelotes (or simon the canaanite); possible attributes: book, saw, scroll, the apostle simon zelotes (or simon the canaanite); possible attributes: book, saw, scroll - martyrdom, suffering, misfortune, death of male saint

De apostel Simon staande met een zaag in de hand. Rechts op de achtergrond zijn kruisiging en het instorten van een heidense tempel. Onder de voorstelling een regel uit de apostolische geloofsbelijdenis en een drieregelige tekst over Simon in het Latijn. Deze prent maakt deel uit van een album.
Portret van Floris III, graaf van Holland
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: cornelis visscher (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1658
Subjects: head-gear
Inscriptions: collector's mark: Lugt 240

Proefdruk van de dertiende prent uit de serie 'Graven en gravinnen van Holland, Zeeland en West-Friesland', bestaande uit 38 prenten.
Bowl
Object type: bowl
Date: 601 – 700
Materials: wood
Culture: japanese
"The Fox and the Drum", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: drums,foxes

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Drie studies van een wandelende dame in mantelkostuum
Object type: drawing
Date: 1869 – 1941
Materials: chalk, paper
Artist: johannes abraham mondt
Artist role: draughtsman, print maker
Artist dates: 1859 – 1941
Four-Cornered Hat
Object type: hat
Date: 500 – 900
Materials: animal fiber, fiber
Culture: wari
Location: peru
Portret van Jaime Montanari, 65ste Minister Generaal van de franciscaner orde
Object type: print
Date: 1710 – 1738
Materials: paper
Techniques: engraving
Location: italy
Artist: antonio luciani
Artist role: print maker
Artist dates: 1700 – 1738
Subjects: clergyman, historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een groep van 60 portretten.
Miss Younge, Mr. Dodd, Mr. Love, and Mr. Waldron, in the Characters of Viola, Sir Andrew Aguecheek, Sir Toby Belch, and Fabian (Shakespeare, Twelfth Night, Act 3, Scene 4)
Object type: print
Techniques: mezzotint
Artist: john raphael smith
Artist role: engraver
Artist nationality: british
Artist dates: 1751 – 1812
Subjects: shakespeare,men,women,actors

Four eighteenth-century actors appear here in the duel scene of Shakespeare's "Twelfth Night." Elizabeth Younge portrays Viola (disguised as the page Cesario), timorously holding a sword while urged to fight by Francis Waldron in character as Fabian. Her opponent Sir Andrew Aguecheek (portrayed by James Dodd), draws his weapon with equal reluctance, encouraged by Sir Toby Belch (portrayed by James Dance, whose stage name was James Love). In December 1771 actor-manager David Garrick revived the play at the Covent Garden Theatre, and these actors were all his protégés.
Case (Inrō) with Design of Samurai Helmet and Face Mask (obverse); Samurai Arm Guard and Silver Glove (reverse)
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie, inlay
Culture: japanese
Subjects: masks,armor,helmets
La galerie de monsr. le president Lambert representant l'Apotheose d'Hercule
Object type: album leaf
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: nicolas lambert de thorigny (iii), coat of arms (as symbol of the state, etc.), unicorn

Opgedragen aan Nicolas Lambert de Thorigny. Gegraveerde tekst in een architectonisch kader met een eenhoorn aan weerszijden van een wapenschild. Deze prent maakt deel uit van een album.
Schetsen van een liggende vrouw met een kind aan de borst
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Subjects: nursing, suckling, sitting on the ground - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Baja
Object type: print
Date: 1682 – 1730
Materials: paper
Techniques: etching
Location: leiden
Artist: pieter van der aa (i)
Artist role: printer, publisher
Artist dates: 1659 – 1733
Subjects: gulf, bay, fortress, sailing-ship, sailing-boat, landscapes, coast, naples
Inscriptions: collector's mark: Lugt 2228

Gezicht op de baai van Napels. Een baai met zeilschepen en op de achtergrond enkele forten.
Hammered Silver Miniature Flute
Object type: flute
Date: 701 – 1566
Materials: gilt, silver
Techniques: hammering
Culture: peruvian
Location: peru
Boelinger- of Otters-choor, in de Nieuwe Kerk
Object type: print
Date: 1765 – 1782
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: parts of church interior: chapel
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). Amsterdam: Isaak Tirion, 1765, dl. 2. Of uit: Verzameling der fraaiste gezigten van Amsterdam in negen en zeventig afbeeldingen. Amsterdam en Harlingen: Petrus Conradi en Volkert van der Plaats, 1782.
Great Sallet
Object type: great sallet
Date: 1420 – 1450
Materials: steel
Culture: italian
Location: italy

Apparently the forerunner of the one-piece barbute that appeared in Italy about 1440 these distinctive two-piece sallets are known only from Chalcis and other Aegean sites.
Terracotta fragment of a Little Master cup (drinking cup)
Object type: kylix fragment
Date: 550 – 530
Materials: terracotta
Culture: greek, attic

Interior, red glazed line framing a band of tongues, alternating with black and red
Nederlands Indië,1/10 gulden,1928
Object type: coin
Date: 1928 – 1928
Materials: copper
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: tussen waarde-aanduiding 1/10 G gekroond rijkswapenschild. Boven kroon landsaanduiding en onder wapenschild jaartal. Keerzijde: tweeregelig Maleis opschrift in Arabische tekens, waaromheen omschrift in het Javaans. Kartelrand.
Hennepindustrie en touwslagerij, ca. 1600
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: crafts and industries (+ fibre ~ crafts, industries, agriculture), ropery, rope-walk

Hennepindustrie en touwslagerij, ca. 1600. Rechts worden bundels hennep uitgeladen en getakeld. Links wordt de hennep geklopt en gesponnen. Op de achtergrond de lijnbaan van de touwslagerij. No. 5 uit serie beroepen in Noord-Holland.
Portrait of a Woman
Object type: painting
Date: 1642 – 1642
Materials: canvas, oil
Artist: ferdinand bol
Artist role: artist
Artist nationality: dutch
Artist dates: 1616 – 1680
Subjects: portraits,women

This is one of three portraits of women by Bol inscribed 1642, the earliest known date on paintings by him. The Dordrecht artist studied with Rembrandt about 1636–41, and then became one of Amsterdam’s most successful portraitists. Despite the rich display of lace and jewelry in this picture its most appealing aspect is the sitter’s sense of character, as in Rembrandt’s portraits of about the same time.
Christus en de Samaritaanse vrouw
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: well, christ and the woman of samaria: sitting at jacob's well he asks her for a drink from her jug
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10

Christus zit bij een bron en vraagt aan een Samaritaanse vrouw of ze hem water kan geven. Op de achtergrond zijn zijn apostelen te zien.
Peacocks, Pine Tree, and Peonies
Object type: hanging scroll
Date: 1801 – 1900
Materials: ink, silk
Culture: japanese
Artist: lü ji 呂紀
Artist role: artist
Artist nationality: chinese
Artist dates: 1430 – 1504
Subjects: peacocks

Paintings by Lü Ji (Japanese: Ryoki), a professional painter from the area of Ningbo in China, began to be exported to Japan by the early sixteenth century and had a significant impact on polychrome bird-and-flower painting in Japan during the late Muromachi period (1392–1573) and thereafter. This Lü Ji style work, created in Japan, bears a forged copy of a seal found on genuine works by Lü (see, for example, 1980.414 and 2005.494.2). It was likely created late in the Edo period or shortly thereafter, when largescale works by Lü or in his style continued to be in high demand. The painted image has been significantly compromised, with widespread abrasion of the surface and loss of pigments, which may have occurred when the work was remounted in the late nineteenth or early twentieth century, before it was donated to The Met in 1914.
Gimp
Object type: gimp
Date: 1701 – 1900
Papyrus scepter (wadj) amulet
Object type: amulet, papyrus scepter
Date: 1070 – 945
Materials: glass
Location: egypt
Beek met rotsblokken in Nederlands-Indië
Object type: photograph
Date: 1895 – 1905
Materials: paper, photographic support
Techniques: albumen print
Location: dutch east indies
Artist: Anonymous
Subjects: brook, boulder, stone, dutch east indies, the

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië, Zwitserland en Nederlands-Indië.
Reproductie van een prent van de bruiloft te Kana naar Paolo Veronese
Object type: reproduction
Date: 1870 – 1875
Materials: paper
Techniques: woodburytype
Subjects: the marriage-feast at cana (john 2:1-11)
April
Object type: book illustration
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: twaalfjarig bestand, dood van maurits, inname van den briel (1572)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Midden boven een voorstelling van figuren kijkend naar uitlopende bomen. Daaronder een aantal voorstellingen van gebeurtenissen die plaatsvonden in de maand april, waaronder de inname van Den Briel in 1572, het Twaalfjarig Bestand in 1609 en de dood van Maurits in 1625. Midden onder voorspellingen en meteorologische waarnemeningen voor de maand april in 1849.
Composite Armor
Object type: armor
Date: 1610 – 1620
Materials: steel
Techniques: gilding
Culture: italian
Location: italy
Huwelijksknipsel met twee in elkaar geslagen handen en vogels
Object type: cut paper
Date: 1750 – 1849
Materials: ink, paper
Techniques: pen, snipping
Artist: Anonymous
Subjects: flowers, marriage, married couple, 'matrimonium'
Inscriptions: collector's mark: Lugt 1641, stamp

Plaatsaanduiding voor maaltijd met twee in elkaar geslagen handen en vogels. Daarboven een brandend hart tussen twee duiven en daarboven een kroon. Onderaan de tekst: Mejuffrouw Bruid. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Knipkunst.
Portrait of Stéphane Mallarmé
Object type: print
Materials: paper
Techniques: drypoint, engraving, etching, printing
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Monogrammed in image: "P G;"; dated "9 1" (the 9 reversed)
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Hanging on the wall, an aryballos and fillets
Fragment
Object type: textile
Date: 1650 – 1800
Materials: textile, gold, silk
Techniques: brocade
Culture: persian
Location: iran
Nürnberg. Sebaldusgrab von Peter Vischer
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1912
Materials: cardboard
Techniques: writing
Location: nuremberg
Subjects: grave, tomb, interior of church
Inscriptions: postage stamp
Piccolo
Object type: flute
Date: 1800 – 1800
Materials: wood, brass, ivory
Location: dresden
Artist: carl august ii grenser
Inscriptions: stamp, stamp, stamp
Horn
Object type: horn
Date: 1867 – 1900
Materials: ivory
Culture: burmese
Location: myanmar

Entwined within the elaborate foliate design are dancers, musicians and figures working, praying and a kneeling elephant. These may be scenes from the life of a King Wathandria.
Kinder-deugden en gebreken / Ziet ge in deze printjes spreken / Dat u alles tevens toon' / Ondeugds-straf en braafheids-loon
Object type: print
Date: 1805 – 1808
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: johannes bouwer
Artist role: printer, publisher
Subjects: tasks performed by children - aa - girl, bad habits - aa - girl, good and bad behaviour, moral qualities (opposing concepts) (+ situation or event (especially in genre-painting) with symbolical connotation), punishment at school, elementary school; class, form
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van de beloning van gehoorzame kinderen en de bestraffing van ongehoorzame kinderen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: Q.
Water Goblet
Object type: water goblet
Date: 1867 – 1867
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Plate
Object type: plate
Date: 1820 – 1846
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: enoch wood & sons
Artist role: maker
Artist nationality: british
Artist dates: 1818 – 1846
Subjects: landscapes
Balcon d'un tres nouveau gout
Object type: print
Date: 1761 – 1762
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: balcony
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk onderdeel van serie Nouveau Receuil De Serrurerie.
Portret van Johann Rudolf Rahn
Object type: print
Date: 1731 – 1788
Materials: paper
Techniques: mezzotint
Subjects: mayor, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende man
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper, pencil
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: head (human) (+ sideview, profile), anonymous historical person portrayed (+ profile portrait)

Portret van een onbekende man, in profiel naar rechts. Pagina 92 uit een schetsboek met 70 bladen.
Splendore delle virtuose giovani, page 8 (recto)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: ornament

Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 2 vertical columns printed upon a grid. Left column is narrower and is decorated with a coiling vine of leaves at each side that connect in the center to a hanging black flower. Right column is wider and is decorated with a central lace motif formed by black lines ornamented with white dots; the interlace pattern forms the outline of a cross in the center and is surrounded on all sides by coiling vines and leaves.
Ontwerp voor een dekselbokaal
Object type: design drawing
Date: 1750 – 1755
Materials: chalk, paper
Techniques: drawing
Inscriptions: inscription: ‘964’, watermark: ‘PRO PATRIA’, inscription: ‘11’
Portret van Johann Adolph II van Saksen-Weissenfels
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: wig
Inscriptions: collector's mark: Lugt 2165

Johann Adolph II, hertog van Saksen-Weissenfels, op jonge leeftijd. Hij draagt een pruik en heeft een stok in de hand.
Gezicht op de binnenplaats van het tuchthuis aan de Kostverlorenvaart
Object type: drawing
Date: 1800 – 1899
Materials: paint, gouache, ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: city-view in general; 'veduta', courtyard
Inscriptions: inscription: ‘Port. 23-426’, inscription: ‘De Groote Plaats in het Tuchthuis te Amsteldam’

Onderwerpsrubriek binnen de Atlas Amsterdam: Handvesten, Keuren, enz.; Rechtswezen (incl. gevangenissen, enz.).
Baby lace
Object type: baby lace
Date: 1801 – 1900
Techniques: lace
Study of Legs
Object type: drawing
Date: 1828 – 1881
Materials: chalk
Techniques: highlighting
Artist: romain cazes
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1881
Subjects: feet

This drawing of male legs wearing hose and knee-breeches comes from a group of eleven sheets once attribued to Frederic Lord Leighton, but now identified as by Romain Cazes. Cazes was a student of Ingres who painted murals in churches in both Paris and southwest France, and these drawings demonstrate his adherance to academic practice. The latter directs artists to make separate studies of posed nude figures and their garments as compositions are planned. The group were donated to The Museum by Albert Eugene Gallatin, an influential New York collector and critic who promoted "Art for Art's Sake," insisting that aesthetics, rather than narrative or moral concerns, underpins enduring art.
Evening ensemble
Object type: evening ensemble
Date: 1893 – 1893
Materials: linen, metal, silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

Charles Frederick Worth was born in England and spent his young adulthood working for textile merchants in London while researching art history at museums. In 1845 he moved to Paris and worked as a salesman and a dressmaker before partnering with Otto Bobergh to open the dressmaking shop, Worth and Bobergh, in 1858. They were soon recognized by royalty and major success followed. In 1870 Worth became the sole proprietor of the business. At his shop, Worth fashioned completed creations which he then showed to clients on live models. Clients could then order their favorites according to their own specifications. This method is the origin of haute couture. Worth designed gowns which were works of art that implemented a perfect play of colors and textures created by meticulously chosen textiles and trims. The sheer volume of the textiles he employed on each dress is testimony to his respect and support of the textile industry. Worth's creative output maintained its standard and popularity throughout his life. The business continued under the direction of his sons, grandsons and great-grandsons through the first half of the twentieth century. Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion after 1900. Around 1910 Jean-Philippe limited his design work to important orders and hired his nephew, Jean-Charles Worth, as the new lead designer before leaving the company entirely after World War I.
Portret van Frederik Willem III en Louise van Mecklenburg-Strelitz
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Artist: karl palzow
Artist role: print maker
Subjects: berlin, frederik willem iii koning van pruisen, adult woman, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: "La Vérité et l'Histoire" door Joseph Félon
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘383’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Portret van Alexandre Lameth
Object type: print
Date: 1790 – 1807
Materials: paper
Techniques: stippling
Subjects: politician, historical persons

Prent uit een serie portretten van Franse revolutionairen.
Groepsportret van de politiebrandweer en de veldpolitie in Lampong
Object type: photograph
Date: 1932 – 1933
Materials: photographic support
Techniques: gelatin silver print
Location: lampung
Artist: Anonymous
Subjects: firemen, police

Onderdeel van Herinneringsalbum voor F.J. Junius, vertrekkend resident van Lampong (Zuid-Sumatra).
Huis met een rieten dak
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: cottage

Blad 14 recto uit een schetsboek met 34 bladen.