deem-data/ArtiFact huggingface dataset:
Portret van Foulques de Villaret
Object type: print
Date: 1643 – 1659
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: historical persons, military orders, e.g.: knights templars, knights of malta, teutonic knights ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Baudoin, Jean. Histoire des chevaliers de l'ordre de s. Jean de Hierusalem (...). Parijs: Jacques Dallin, 1643. Of uit: Baudoin, Jean. Histoire des chevaliers de l'ordre de s. Jean de Hierusalem (...). Parijs: Thomas Jolly, 1659.
10 sen van het keizerrijk Japan, uit het Meiji tijdperk, regeringsjaar 3 [=1870]
Object type: tien sen
Date: 1870 – 1870
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: binnen cirkel gestileerde draak met in omschrift onderaan waarde-aanduiding. Keerzijde: tussen twee samengebonden takken, waarboven symbolen, binnen cirkel zon met stralen. Kartelrand.
Doos met deksel in de vorm van een eend op voetstuk
Object type: box
Date: 1740 – 1748
Materials: bronze, porcelain
Techniques: gilding, painted
Location: meissen
Artist: johann joachim kändler
Artist role: designer, sculptor
Artist dates: 1706 – 1775

Two tureens in the form of a duck. Porcelain and gilt bronze. Meissen, c. 1740 - 1748, the model by Johann Joachim Kändler, the bronze France, c. 1750.
L'Architecture la Décoration l'Ameublement
Object type: photograph
Date: 1873 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: liège
Subjects: 'trionfi di tavola', 'pièces montées', mirror, door, wall-covering
Inscriptions: inscription: ‘Déposé’, stamp: ‘AFGESCHREVEN/ [...]’, stamp: ‘TEEKENSCHOOL/ VOOR/ KUNST-NIJVERHEID/ HAARLEM’, number: ‘20’, inscription: ‘Eug. Prignot. inv.’

Deze foto maakt deel uit van een omslag met 61 foto's op 61 bladen.
Lentoid Bottle ("New Year's Bottle")
Object type: lentoid bottle, new year's bottle
Date: 664 – 332
Materials: faience
Location: egypt

The cylindrical neck of this "New Year's Bottle" is in the form of a papyrus or lotus column, flanked by two delicately handles.The shoulder of the lentoid body is adorned front and back with the painted representation of a floral garland, with a large lotus flower hanging down on one side. Faience flasks of this type, often inscribed with good wishes and apparently filled with water from the Nile, were given as gifts at the New Year.
Coin
Object type: coin
Materials: copper
Location: iran
Subjects: horses
Set of Eight Wine Cups
Object type: wine cup
Date: 1796 – 1875
Materials: jade
Culture: chinese
Algemeen Handelsblad
Object type: newspaper
Date: 1945 – 1945
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: tweede wereldoorlog
Inscriptions: date

Krant, klein formaat, met bericht over de oorlog uit Duits gezinde hoek. Gedateerd: Donderdag, 26-04-1945.
Handelingen der Herv: Sijnode 1849
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Location: zaltbommel
Artist: Anonymous
Subjects: organizations, assemblies, etc. in protestant churches, amsterdam
Inscriptions: collector's mark: Lugt 2228

Spotprent op de werkzaamheden van de gedelegeerden op de synode tussen drie uur 's middags en twaalf uur 's avonds. Eten, rusten, wandelen, borrelen, slapen. Losse prent in de omslag met twee andere spotprenten en een tekstblad over de vergadering van de Algemene Synode van de Hervormde Kerk te Amsterdam op 4 juli 1849.
Glass jug with spout
Object type: jug, spouted
Date: 201 – 400
Materials: glass
Culture: roman

Translucent pale blue green; handle, spout, and trails in same color. Plain, rounded rim; flaring mouth; cylindrical neck; rounded shoulder; squat, globular body; slightly concave bottom, with deep pontil scar; three-ribbed strap handle, applied to upper body, with claws extending downwards, the central one being larger and pointed, each of the two outer ones tooled to have a pinched, horizontal projection; curving handle drawn up and in, and folded onto underside of mouth and edge of rim, with jagged end above; tubular spout dropped onto body as a blob, piercing side, then drawn out and knocked off. A thicker trail wound one and a third times around top of neck; another thinner trail wound four times in a spiral around neck. Intact, except for end of spout, which may be broken off; pinprick bubbles and blowing striations; faint dulling, weathering, and iridescence on exterior, one patch of soil encrustation, whitish weathering, and brilliant iridescence on interior.
The Fable of the Miller, His Son, and the Donkey No. 9
Object type: painting
Date: 1867 – 1868
Materials: canvas, oil
Culture: american
Artist: elihu vedder
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1923
Subjects: donkeys,landscapes

Vedder is best known for his visionary paintings that contain classical and allegorical allusions, which were precursors to the Symbolist movement in the United States. This series of paintings, however, has a literary theme based on a specific text—Aesop’s fable "The Miller, His Son, and the Donkey". Vedder used his beloved Italy as the setting of the classic fable, in which a hapless miller and his son attempt to appease passing critics, resulting in the death of their precious donkey.
Tobias en de engel, Opwekking van Lazarus
Object type: drawing
Date: 1651 – 1651
Materials: chalk, ink, paper
Techniques: brush, pen
Location: zwolle
Inscriptions: date

Twee tekeningen naast elkaar op een blad geplakt.
Peasant with Child
Object type: drawing
Date: 1601 – 1700
Materials: chalk, watercolor
Location: germany
Artist: herman saftleven
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1685
Subjects: children,men
Fotomontage van de verwijdering van de lijken van zes geëxecuteerde gijzelaars in de Parijse gevangenis la Roquette
Object type: album leaf
Date: 1871 – 1871
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: ernest eugène appert
Artist role: fotograaf
Artist dates: 1830 – 1891
Subjects: prison, jail, death penalty, execution, paris
Inscriptions: address: ‘24, Rue Taitbout, 24’

Onderdeel van Herdenkingsalbum van rooms-katholieke geestelijken gevallen tijdens de Commune van Parijs.
Plastron (Collar) from a Tunic
Object type: tunic fragment
Date: 1801 – 1900
Materials: glass, metal thread, wool
Techniques: embroidery
Location: tunisia
Portret van Johann Adolf graaf van Schwarzenberg
Object type: print
Date: 1670 – 1674
Materials: paper
Techniques: engraving
Location: vienna
Subjects: johann adolf schwarzenberg
Inscriptions: collector's mark: Lugt 2228

Portret van Johann Adolf graaf van Schwarzenberg met aan een ketting op zijn borst het ordeteken van de Orde van het Gulden Vlies. Onderaan in de marge een vierregelige tekst in het Italiaans.
Spoelkom van gedraaid hout
Object type: miniature
Date: 1800 – 1899
Materials: wood
Techniques: tropisch hardhout
Location: england
Artist: Anonymous

Spoelkom gedraaid van een donkere hardhoutsoort.
Fragment celas, rode geruite voeringstof
Object type: lining
Date: 1750 – 1800
Materials: cotton
Location: east indies

Fragment celas, rood fond met blauw-witte ruit Calas no. 4. Stukgoed.
Prince "Soudetah Chou-fa Chulaloukrou", Heir to the Crown
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Shrine with statues of Amenemhat and his wife Neferu
Object type: shrine, amenemhat, neferu
Date: 1850 – 1750
Materials: limestone, paint
Location: egypt
Subjects: couples,men,women
La Vera Perfettione del Disegno di varie sorti di recami, title page (recto)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Title printed in black. Below title is an illustrated medallion depicting the winged personification of Victory that holds a flaming heart.
Portret van Alexander Farnese
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: (false)

Prent afkomsting uit de rand van de Leo Belgicus, een kaart van de Zeventien Provinciën in de vorm van de Nederlandse leeuw, Amsterdam: Claes Jansz. Visscher, 1650.
Gezicht op het hoekhuis van Plein en Korte Poten te Den Haag
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, photographic support
Techniques: albumen print
Location: plein
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: urban housing, public road (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘'s Gravenhage/ Hoekhuis Plein-Pooten/ Dec 1891’, collector's mark: ‘R:MUS.’ Lugt 2228, annotation: ‘Hoekhuis Plein-Poten/ Dec. 1891/ 's Gravenhage’
Studie van handen in een schoot, met in de linkerhand bloemen
Object type: drawing
Date: 1649 – 1723
Materials: chalk, paper
Techniques: pasting
Subjects: flowers, lower arm, postures and gestures of arms and hands
Fotoreproductie van een schilderij, voorstellende Venus weerhoudt Aeneas van het doden van Helena, scène uit Virgilius' Aeneis
Object type: page
Date: 1853 – 1858
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: venus appears to aeneas, who is just about to kill helen, and advises him to flee
The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: print
Date: 1830 – 1833
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: landscapes
Bespotting van Ceres
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: rome
Subjects: a little boy (abas, ascalabus, or stellio) laughs at ceres, because she drinks too avidly while she is resting at an old woman's house
Inscriptions: collector's mark: Lugt 240

De godin Ceres, op zoek naar haar dochter Proserpina, rust uit bij een hut. Ze drinkt uit een kruik, gegeven aan haar door een oude vrouw. Een kleine naakte jongen naast de oude vrouw wijst naar Ceres en lacht haar uit. De prent heeft een Latijns onderschrift. Naar een schilderij van Adam Elsheimer.
Heilige Bruno neemt het monnikskleed van de Kartuizers aan
Object type: print
Date: 1623 – 1676
Materials: paper
Techniques: printmaking, engraving, etching
Location: paris
Subjects: the founder of the order of the carthusians, bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s)
Inscriptions: collector's mark: Lugt 2165

Maakt deel uit van een serie met 24 prenten (inclusief twee titelprenten), naar schilderijen door Lesueur vervaardigd tussen 1645-1648 voor de Chartreuse de Paris. De serie is getiteld: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur.
Portret van Johann Wolfgang von Goethe
Object type: print
Date: 1780 – 1880
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: draughtsman, johann wolfgang von goethe, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Gezicht bij de Oudehaven te Rotterdam
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: etching
Location: utrecht
Artist: paulus van liender
Artist role: draughtsman, print maker
Artist dates: 1731 – 1797
Subjects: harbour, bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), stock exchange, stock-market, church (exterior), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2233

Gezicht bij de Oudehaven te Rotterdam. Links de Geldersekade. Op de achtergrond links de Beurs aan de Blaak. Op de achtergrond rechts de Grote of Sint-Laurenskerk.
Portret van J. van der Heijden
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: j. van der heijden
Inscriptions: collector's mark: Lugt 2228
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 200
Materials: glass
Culture: roman

Colorless. Rim folded out, over, and in, with beveled upper surface; cylindrical neck with tooled indent around base; ovoid body; slightly convx bottom. Intact; pinprick and elongated bubbles, and blowing striations; dulling, pitting, iridescence, and whitish weathering, with some soil encrustation on interior.
Plateau
Object type: plateau
Date: 1700 – 1700
Materials: faience
Techniques: glazing
Artist: clérissy manufactory
Artist role: manufactory
Subjects: birds,spears,men,hunting,dogs,horses

The scene is after an engraving of 1598 from a set of Hunts by Antonio Tempesta (1555–1630).
Kinderjurk met lange mouw, van achter recht, van voren met zeer lage taille, sluiting, geplooide rok en twee steekzakken, van écru linnen, versierd met Engels borduurwerk
Object type: girls' wear
Date: 1875 – 1880
Materials: linen
Techniques: embroidered
Location: amsterdam
Artist: Anonymous

Een meisjesjurk van stevig, ecrukleurig linnen met opgenaaid wit Engels borduurwerk en galon. Victoriaans. Gedragen door Nine Bosch Reitz (1867-1951); later mevr. H. M. A. F. Six van Hillegom-Bosch Reitz. Op deze hanger werd een tros parelmoeren knopen (22 stuks) aangetroffen, die zich nu in VI-109 bevinden onder inv.nr. BK-TN-2342.
Saint Mary Magdalene, Model of Penitence
Object type: print
Date: 1774 – 1789
Materials: paper, watercolor
Techniques: brush, hand coloring, woodcut
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1700 – 1799

This extraordinary four-sheet popular woodcut makes the saint very much France’s own. Pilgrims in the background on their way to Saint James of Compostela visit the cave where Mary Magdalene is said to have lived in the Saint-Baume mountains near Marseille, having traveled miraculously from the Holy Land. This print was likely sold at Sainte-Baume or another French pilgrimage site. Its borders depict relics of the Magdalene (head, arm, and hair) and a vial of Christ’s blood, all of which still survive despite the looting of their protective golden reliquaries during the French Revolution.
Scissors
Object type: scissors
Date: 1775 – 1781
Materials: gold, steel
Thomas Haargingh ('Old Haaringh')
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Portrait of Betsie Jessurun de Mesquita-Pinédo
Object type: print
Date: 1920 – 1920
Materials: paper
Techniques: tone lithography
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: woman (showing herself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2228

De Mesquita’s wife Betsie was a beloved subject and therefore appears frequently in his work. She was born Elisabeth Pinedo. Because of their Sephardic, almost noble, background, Samuel and Betsie believed they were in less danger and did not go into hiding. After being arrested, they were deported to Auschwitz and murdered on the same day shortly upon arriving there.
Mrs. E.J. Nicholson, The New Orleans Daily Picayune, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women

Trade cards from the "American Editors" series (N1), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Zalfpot van roodbakkend aardewerk, aan de binnenzijde voorzien van loodglazuur, beschadigd
Object type: ointment vessel
Date: 1500 – 1799
Materials: earthenware, glaze
Artist: Anonymous
Cabriolet Victoria # 214
Object type: drawing
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Embroidered map sampler
Object type: sampler
Materials: silk
Subjects: flowers,maps
Allegorische figuur op troon
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: sitting figure - aa - female human figure, throne
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een vrouw met globe zittend op een troon omringd door mannen van verschillende afkomst. Voor haar zitten twee geknielde mannen met een boek en landkaart in de hand.
Zittende vrouw met een kind op haar knieën
Object type: print
Date: 1787 – 1834
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: child, sitting in someone's lap, sitting on an elevation - aa - female human figure
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Varia.
Oude man met gesloten ogen
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: old man, eyes closed
Inscriptions: collector's mark: Lugt 2228

'Hartstochten na J.B. Greuze' bestaat uit twee of drie genummerde reeksen. (Sommige nummers komen drie keer voor op drie verschillende afbeeldingen.) Binnen deze omslag bevinden zich achttien verschillende afbeeldingen. Mogelijk heeft dit te maken met de twee momenten waarop Daiwaille de reeks uitgaf, ten tijden van zijn directeurschap aan de Rijksakademie in Amsterdam en daarna als zelfstandige. De omslag behoort waarschijnlijk bij een van deze twee series. Zie Marres-Schretlen in het Bulletin van het Rijksmuseum.
Apua Cobitis fluvitilis. La Loche.
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: fishes
Inscriptions: collector's mark: Lugt 1697
Sketches of Poultry
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: attributed to henry stacy marks
Artist nationality: english
Artist dates: 1829 – 1898
Officer of Infantry, Germany, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
The Meeting of Anthony and Cleopatra
Object type: drawing
Date: 1696 – 1770
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: cleopatra,men
Three Waka Poems
Object type: hanging scroll
Date: 1368 – 1369
Materials: ink, paper
Culture: japanese
Artist: tonna (ton’a)
Artist role: artist
Artist nationality: japanese
Artist dates: 1289 – 1372

This waka kaishi—a sheet recording compositions from a poetry gathering—features three poems by the monk-poet-calligrapher Tonna. He recited these at a 1367 gathering at Nii-Tamatsushima Shrine, in Kyoto, hosted by the shogun Ashikaga Yoshiakira and attended by the day’s most prominent waka poets. Although the characters appear casually arranged, suggesting spontaneity, their plump shapes reflect Tonna’s study of the Sesonji school, established by the master calligrapher Fujiwara no Yukinari (972–1027). The final poem reads: 目にむえぬ 神のあはれむ 道をなを わきてぞまもる 玉津しま姫 The goddess of Tamatsushima maintains a pathway from the heavens so gods can manifest themselves even if invisible to the eye. —Trans. John T. Carpenter
Cimon en Pero (Caritas Romana)
Object type: print
Date: 1640 – 1660
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: pero suckling cimon ('caritas romana')
Inscriptions: collector's mark: Lugt 240

Pero geeft haar vader, die geboeid in de gevangenis zit, de borst. Cimon zit op de grond in het stro een doek om zijn middel geslagen. Rechts een getralied raam. Onder de voorstelling het wapen schild van en een opdracht in het Latijn aan bisschop Karel van den Bosch.
Zakje met fotohoekjes
Object type: document
Date: 1920 – 1940
Materials: paper
Techniques: lithograph
Location: reading

Zakje met fotohoekjes van het merk Nuace Mounting Corners, type Sepia.
Joachim Receiving the Promise of the Birth of the Virgin
Object type: print
Date: 1520 – 1520
Techniques: etching
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, fingers?; one letter of an inscription, L?
Peru, 1 Dinero, from the series Coins of All Nations (N72, variation 1) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Landschap met bomen
Object type: sketchbook leaf
Date: 1809 – 1880
Materials: chalk, paper
Location: norway
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: trees, landscapes

Blad 20 recto uit een schetsboek met 38 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.