deem-data/ArtiFact huggingface dataset:
Earring, One of a Pair
Object type: earring
Date: 1101 – 1300
Materials: gold, metal
Techniques: filigree
Location: iran
Christus geneest een verlamde man die door het dak werd neergelaten
Object type: print
Date: 1572 – 1576
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: a paralytic is let down through the roof of the house where christ is preaching

Enkele mannen laten een verlamde man op zijn draagbed door een gat in het dak voor de voeten van Christus zakken. Christus vergeeft de zonden van de man en geneest hem. In het gebouw en in de deuropening staan mensen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Luc. 5:18. Deze prent maakt deel uit van een album.
Study of a Tree; verso: Study of Houses
Object type: drawing
Date: 1832 – 1832
Materials: graphite
Artist: ernst ferdinand oehme
Artist role: artist
Artist nationality: german
Artist dates: 1797 – 1855
Subjects: houses,trees

A leading artist of his generation, Oehme here depicts a mighty oak, a tree long associated with German national identity and especially embraced by artists of the Romantic period. As indicated in the inscription, this detailed study of the weathered bark and exposed roots was made from life on October 3, 1832. By focusing on the monumental trunk instead of its towering crown, Oehme created an image of quiet force.
Design for 2 seat Phaeton, no. 3043
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Card Number 153, Beatrice De Maille, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Lokale bevolking
Object type: photograph
Date: 1948 – 1949
Materials: paper, photographic support
Techniques: photography
Location: salatiga
Artist: Anonymous
Subjects: soldiers and civilians, recreation ~ the soldier off duty

Het fragment van de toren is waarschijnlijk onderdeel van een oud Chinees paleiscomplex Djoen Eng, in de volksmond Tjoening, in Salatiga, waar het vijfde Regiment Infanterie op negentien januari 1948 introk als nieuw legeronderkomen. Zie ook Wim Buiting, Dagboek van Wim Buiting : pionier van 5-5 RI in Indië, Vriezeveen 2006, p.15 of documentatiemap.
Watch
Object type: watch
Date: 1801 – 1900
Materials: crystal, enamel, gemstone
Plate with Scene of the Month of April
Object type: metalwork
Date: 1500 – 1600
Materials: copper, enamel
Techniques: gilding, painting
Location: limoges
Artist: workshop of master i.c.
Miss Lurman
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Pont suspendu à Fribourg
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: aquatint
Location: zurich
Subjects: bridge
Inscriptions: collector's mark: Lugt 2228
Fragment of a jug or 'Jacobakan'
Object type: ewer
Date: 1450 – 1599
Materials: stoneware
Techniques: firing, forming, turning
Location: germany
Artist: Anonymous

Fragment van een geribde, smalle kan (Jacobakan) van steengoed op gegolfde voet met een eivormig lichaam en lange nek. Rand ontbreekt. De buik is ingeknepen. Het C-vormige oor is bevestigd aan de nek. De kan is versierd met draairingen en een profiel op de schouder. Het bovenste deel van de buik is gladgestreken.
Relief plaque with ram's head
Object type: relief, plaque, sculptor's model, donation, ram
Date: 400 – 30
Materials: limestone
Location: egypt
Subjects: rams

Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves complete objects constitute a special class of objects. These objects, sometimes called "sculptor's models/votives" by Egyptologists, were the material of a donation practice, perhaps connected with these centuries’ prolific temple building. Unfortunately, there is little to illuminate us about the mechanics of such a donation practice. This example depicts the upper part of a ram headed god, and on its back – a leg of a ram.
Fragment
Object type: fragment
Date: 1501 – 1600
Materials: silk
Tentenkamp
Object type: album leaf
Date: 1935 – 1938
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: (military) camp with tents, military training, germany

Albumblad met vier foto's van een wandeltocht en van een tentenkamp van de Hitlerjugend en de Bund Deutscher Mädel. Jongens van de Hitlerjugend van Landjahrlager 1935 in Wolmersdorf. Onderdeel van het Hitlerjugend fotoalbum.
Sign of the Ram
Object type: print
Date: 1509 – 1509
Materials: paper
Techniques: engraving, printing
Location: italy
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Het Menselyk Bedryf
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: carpenter, handicrafts, craftsman at work
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Maakt deel uit van de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk).
Mother and Child
Object type: drawing and watercolor
Materials: graphite, paper
Location: europe
Artist: Anonymous
Subjects: mothers, children, babies
Gesigt uyt de voorste Laan siende na het Huys ter syde
Object type: print
Date: 1723 – 1748
Materials: paper
Techniques: engraving, etching
Subjects: alms-house (dutch: 'hofje'), public welfare, key, french or architectonic garden; formal garden, gate, entrance, gardening, orchard, old-people's home
Inscriptions: collector's mark: Lugt 195

Gezicht op de zijkant en een deel van de tuin van het Corvershof aan de Nieuwe Herengracht te Amsterdam. Links het hek aan de straatkant. Op de voorgrond staan drie mannen en een vrouw. De man links heeft een sleutelbos in zijn hand, naast hem staat een hondje. In het midden de toegang tot de boomgaard. Rechts twee tuinmannen, de één met een mand, de ander met een ladder. Onderdeel van een serie prenten van het in 1723 in gebruik genomen Corvershof, bestemd voor oudere echtparen van Nederduits Gereformeerde (later Hervormde) huize.
Portret van Jhr.ir. Jan Pieter Teding van Berkhout
Object type: carte de visite
Date: 1880 – 1904
Materials: cardboard, photographic support
Techniques: photography
Location: haarlem
Subjects: historical persons
Inscriptions: annotation: ‘J. Piet TvB (broer van Jet Go Jo Frederik halfbroer Hendrik Suze Frans)’

Portret van Jhr.ir. Jan Pieter Teding van Berkhout, halfbroer van Hendrik Jr.
Hoed van doorgestikt bruin/beige satijn met bruin grosgrain lint
Object type: womenswear
Date: 1945 – 1955
Materials: textile, silk
Techniques: quilting, weave
Location: paris
Artist: gérard albouy
Artist role: hoedenmaker
Artist dates: 1912 – 1985
Inscriptions: name: ‘Albouy/ 49 Rue du Colisée/ Paris’

Hoed van doorgestikt bruin/beige satijn met bruin grosgrain lint. Model: losse bol en rand. Verzonken bol in 5 cm hoge opstaande rand. De hoedrand is afgezet met bruin/beige grosgrain, hetzelfde als het band op de naad van bol en rand, middenachter eindigend in een platte strik. Gevoerd met beige kunstzijde. Donkerbruine hoedband.
Insects and Flowers
Object type: album
Materials: ink, paper
Culture: chinese
Artist: ju lian
Artist role: artist
Artist nationality: chinese
Artist dates: 1828 – 1904
Subjects: insects,flowers
Portret van een meisje in een gestreepte jurk op een stoel met een pop
Object type: cabinet photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: willem gerhardus kuijer
Artist role: fotograaf, hoffotograaf
Artist dates: 1834 – 1899
Subjects: studio requisites ~ photographer, clothing for the lower part of the body, historical persons, clothing for the upper part of the body, gear for legs and feet, (playing with) dolls, amsterdam
Inscriptions: address: ‘Westermarkt 19 Amsterdam’

Onderdeel van Fotoalbum van een Nederlandse familie met 168 cartes-de-visite en kabinetfoto's.
Schuttersbrief van kapitein Willem Daniel des Ruelles
Object type: schuttersbiljet
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), personification of a city, town-patron(ess), military service (+ citizen soldiery, civil guard, citizen militia), amsterdam
Inscriptions: collector's mark: Lugt 1641b, inscription: ‘bekenne ontfange te hebben een jaar contributie volgens accoort / somma f 21 / den 19 july A° 1787 / Hendk Scheelbeek / Corporaal’

Schuttersbrief met oproep van kapitein Willem Daniel des Ruelles, gericht aan J. de Burlet, om zich bij het tweede korporaalschap van Hendrik Scheelbeek van burgerwijk LVI te Amsterdam te melden. Voorgedrukte brief met open delen die met pen zijn ingevuld. Onderwerpsrubriek binnen de Atlas Amsterdam: Schutters-oproepingsbriefjes.
Schepen op het strand van Yport
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: yport
Artist: Anonymous
Subjects: ships, boats on land, beached
Inscriptions: number: ‘No 30’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of draped figure; tendril and handle attachment; Below the rim, KALOS; on the line below, HO PAIS?
Ex libris van Bibliothek des Regiments der Gardes de Corps
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: military clothing and other equipment (uniforms, cap, armour, helmet, etc.), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, monogram: ‘E.D. d.j.’, collector's mark: Lugt 2233
Portret van August Friedrich Albrecht Schenck
Object type: page
Date: 1867 – 1876
Materials: paper
Techniques: printing block, woodburytype
Subjects: painter, august friedrich albrecht schenck, adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine, 126, boulevard de Magenta, Paris.’
Portret van Thomas Sumter
Object type: photomechanical print
Date: 1950 – 1950
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: historical persons, officer

Prent uit: Life Magazine, vol 29.1 (1950), p. 52.
Garment Plaque in the Shape of a Raptor's Head
Object type: garment plaque
Date: 500 – 401
Materials: bronze
Culture: chinese or mongolian
Stove Plate
Object type: stove plate
Date: 1760 – 1760
Materials: iron
Culture: american
Location: united states
Briefkaarten aan Theo Nieuwenhuis en mevrouw Nieuwenhuis
Object type: postcard
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: rijssen
Artist: Anonymous
Subjects: print maker, draughtsman, theo nieuwenhuis, architecture

De briefkaarten zijn op een karton geplakt geweest. Dit karton wordt bij de briefkaarten bewaard en bevat een aantekening van Theo Nieuwenhuis.
La Virgen y el Niño Jesus
Object type: photomechanical print
Date: 1905 – 1920
Materials: cardboard
Techniques: photograph
Location: paris
Artist: luis de morales
Artist role: painter
Artist dates: 1500 – 1586
Subjects: madonna: mary standing (or half-length), christ-child close to her bosom
Inscriptions: collector's mark: ‘AFE v S’
Plate
Object type: plate
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Brug in Venetië bij avond
Object type: print
Date: 1851 – 1924
Materials: paper
Techniques: lithograph
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), evening, venice
Inscriptions: number: ‘72’, collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 72.
Bestorming van de Bastille, 14 juli 1789
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving
Location: england
Artist: william nutter
Artist role: print maker
Artist dates: 1754 – 1802
Subjects: (military) attack, street-fights, riots, destruction of buildings (~ revolutionary action)

Bestorming van de Bastille, 14 juli 1789. Op de voorgrond het verzamelde volk klaar om de gevangenis te bestormen. Vanuit de Bastille wordt door soldaten op de menigte geschoten.
Card Number 244, Dupree, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Incroyables et Merveilleuses, 1814, Merveilleuse, No. 21: Chapeau a l'Anglais (...)
Object type: fashion print
Date: 1814 – 1814
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: 'merveilleuse', head-gear (chapeau à l'anglaise) (+ women's clothes), clothing for the upper part of the body (spencer) (+ women's clothes), fashion plates, skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes), parasol, sunshade (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: caption: ‘Chapeau a l'Anglaise. Spencer à l'Anglaise.’, title: ‘Paris. Merveilleuse. No. 21’

'Merveilleuse' met op het hoofd een 'chapeau à l'Anglaise'. Zij draagt een 'spencer à l'Anglaise' op een rok. Hoge kraag met schulprand. In de rechterhand een wandelstok, die ook als parasol kan worden gebruikt. Verdere accessoires: geknoopte sjaal afgezet met franjes, ceintuur, handschoen, laarzen. De prent maakt deel uit van een serie van 33 modeprenten, gegraveerd door George Jacques Gatine, Parijs, 1810-1818.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic
Portret van Samuel-Jacques Bernard
Object type: print
Date: 1670 – 1697
Materials: paper
Techniques: engraving, etching
Subjects: paris, painter, samuel-jacques bernard, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Portret van de Franse schilder en graveur Samuel-Jacques Bernard. Onder het portret zijn naam en functies.
Young Peasant Having Her Coffee
Object type: painting
Date: 1881 – 1881
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: camille pissarro
Artist role: artist
Artist nationality: french
Artist dates: 1830 – 1903
Subjects: women, woman, coffee, woman, interior, cup, peasants, youth, window, domestic, domestic scenes, everyday life (genre), portraits, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed upper right: C. Pissarro / 1881

In the 1880s, at a time when many of the original Impressionist painters had begun to pursue independent styles, Camille Pissarro actively worked to keep the group together. He persuaded Gustave Caillebotte and Claude Monet to take part in the seventh Impressionist exhibition, in 1882, and also displayed a number of his own paintings of peasant girls. Here the small brushstrokes, applied one next to the other and sometimes overlaid with dabs of thicker paint, result in an irregularly built-up surface, serving to integrate figure and setting and evoke the textures of the young woman’s wool clothing.
Studioportret van een man, een vrouw en twee kinderen
Object type: photograph
Date: 1874 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Subjects: family group, especially parents with their child(ren)
Een roeiboot en een grotere boot met overkapping
Object type: drawing
Date: 1834 – 1893
Materials: paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc.
Katwyk et l’embouchure du Rhin dans la mer du Nord / Katwyk and mouth of the Rhine
Object type: print
Date: 1802 – 1850
Materials: paper
Techniques: aquatint, hand coloring
Location: schaffhausen
Kracht (Fortitudo)
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues, city-view, and landscape with man-made constructions
Inscriptions: number: ‘60’, collector's mark: Lugt 2228

Prent maakt deel uit van een serie van acht prenten met personificaties van deugden staand in landschappen.
Bedding Down on the Boat (Night on the boat)
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Location: france
Artist: charles françois daubigny
Artist nationality: french
Artist dates: 1817 – 1878
Soldaten en vrouwen in een herberg
Object type: print
Date: 1605 – 1656
Materials: paper
Techniques: etching
Artist: hans ulrich franck
Artist role: draughtsman, print maker
Artist dates: 1603 – 1680
Subjects: the soldier; the soldier's life, hotel, hostelry, inn, lovers; courting, flirting
Inscriptions: collector's mark: Lugt 2228

Prent uit een serie van vijfentwintig militaire voorstellingen, waarvan tien in de collectie van het RMA aanwezig zijn.
Portret van Floris Claesz. van Dijck
Object type: print
Date: 1600 – 1650
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: haarlem, painter, floris claesz van dijck, portrait, self-portrait of painter (+ artist at work)
Inscriptions: collector's mark: Lugt 2227

Portret van de Haarlemse schilder Floris Claesz. van Dijck met baard en plooikraag. Hij staat met een palet en penselen bij een ezel met een stilleven. Achter hem een bosgezicht. Onder de voorstelling de naam en functie van de geportretteerde en een vierregelig lofdicht in het Latijn.
Draailierspeler
Object type: print
Date: 1772 – 1791
Materials: paper
Techniques: printmaking, etching, hand coloring, lithography
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: youth, adolescent, clothes, costume (+ men's clothes), hurdy-gurdy player
Inscriptions: collector's mark: Lugt 2228

De prent verscheen vanaf 1818 tevens als onderdeel van een 33-delige reeks prenten door Mathias de Sallieth, samengebonden in: Perkois, Jacobus, Prins, Johannes Huibert. Verzameling van verschillende gekleede mans- en vrouwenstanden, ter oefening van jonge schilders en liefhebbers. Rotterdam: Johannes Immerzeel, 1818. Uit eerste oplage figuurstudies (zonder nummers). De plaat is verloren gegaan en daarna opnieuw met nummer vervaardigd (in spiegelbeeld), zie RP-P-OB-60.405.
Dejernier (ou Degernier). Edouard. 45 ans, né à Gand (Belgique). Tailleur d'habits. Anarchiste. 8/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Rowel Spur
Object type: spur
Date: 1701 – 1800
Materials: metal alloy
Culture: german or italian
Location: germany
Gestreken stijfselverfpapier in paars, zwart en goud
Object type: paste paper
Date: 1900 – 1969
Materials: paint, paper
Techniques: starch dyeing, stamping
Artist: Anonymous
Zeewier
Object type: page
Date: 1843 – 1853
Materials: photographic support
Techniques: cyanotype
Location: united kingdom
Artist: anna atkins
Artist role: fotograaf
Artist dates: 1799 – 1871
Subjects: algae, seaweed
Ruïne van Herstmonceux Castle in East Sussex met twee rijtuigen en een vrouw ervoor
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: east sussex
Artist: Anonymous
Subjects: ruin of a dwelling, house, castle, etc.

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Tureen and Stand
Object type: ceramic
Date: 1770 – 1770
Materials: ceramic, porcelain, soft paste porcelain
Techniques: underglaze
Location: worcester