deem-data/ArtiFact huggingface dataset:
Très Parisien, 1925, No. 11, Pl. 14: Créations JENNY - OEIL DE MOSCOU
Object type: fashion print
Date: 1925 – 1925
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: dress, gown: day dress (+ women's clothes), fashion plates
Inscriptions: caption: ‘14. - OEIL DE MOSCOU. - Cette robe de ruban lamé changeant est d'une simplicité très jeune. Robe de velours bleu, drapée à la taille, sous ce manteau de lamé broché dans le même ton.’

Creaties van het modehuis Jenny. Japon met Prent uit het modetijdschrift Très Parisien...La Mode, Le Chic, L'Élégance (1920-1936)
Escuyer & Pages Amériquains
Object type: book illustration
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: paris
Subjects: unicorn, tournament, joust, tilt, horse, festivities
Inscriptions: collector's mark: Lugt 2228, inscription

Prent uit: Perrault, Charles. Courses de testes et de bague faites par le Roy et par les princes et seigneurs de sa cour en l'année M.DC.LXII. Parijs: Imprimerie Royale, 1670. De prenten illustreren de door Lodewijk XIV georganiseerde festiviteiten in juni 1662 te Tuileries, zoals steekspelen met figuren in verschillende kostuums.
Sièges, XVIe, XVIIe et XVIIIe Siècle
Object type: page
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: seating furniture
Inscriptions: monogram: ‘JJvY’, inscription: ‘MEUBLES. PL. 7.’, inscription: ‘SIÈGES empruntés à (...)’
Portret van Coenraad Jacob Temminck
Object type: print
Date: 1833 – 1858
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johannes christiaan d arnaud gerkens
Artist role: draughtsman, print maker
Artist dates: 1823 – 1892
Subjects: amsterdam, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt twee ordetekens in zijn knoopsgat. Onder het portret zijn signatuur.
Crakows
Object type: crakow
Date: 1300 – 1450
Materials: leather
Culture: british

This shoe, part of a larger collection of objects excavated from an archaeological site on the Thames River in London, provides a glimpse of the fashionable shoe style for men from the fourteenth to the mid-fifteenth century. The poulaine, a long pointed shoe, remained the popular footwear, with its overall length expanding and contracting, for almost 150 years. The poulaine's long, exaggerated toe points were often stuffed with moss or other materials for support. Intentional slashing and embossing of the leather were common decorative embellishments. By the late fifteenth century, the poulaine was superceded by an equally exaggerated style of shoe that was unusually broad across the instep and toe. This style was relatively short-lived, however, and was quickly replaced by a shoe that more closely approximated the natural shape of the foot.
Portret van een meisje, knielend op een stoel
Object type: carte de visite
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: london
Subjects: studio requisites ~ photographer, historical persons not known by name - bb - woman, london
Inscriptions: inscription: ‘Given to Annie by Jennie H[...]’, address: ‘64A New Bond St. corner of Brook St. W’
Gezicht op Malmedy
Object type: print
Date: 1817 – 1861
Materials: paper
Techniques: lithograph
Artist: jean nicolas ponsart
Artist role: print maker
Artist dates: 1788 – 1870
Subjects: city-view in general; 'veduta', (farm) wagon, freight wagon, cart
Duinlandschap
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper
Techniques: stumping
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: dunes (sea not visible); in the dunes

Duinlandschap. Blad 21 recto uit een schetsboek met 28 bladen.
Machteld en Martinus in Weltevreden, 1930
Object type: photograph
Date: 1930 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: weltevreden
Artist: Anonymous
Subjects: rotterdam, arnhem, machteld anna cornelia honig, sea and coastal fishery (+ men (labourers)), colonial government
Inscriptions: inscription: ‘Weltevreden 1930. Machteld en Mar aan 't pingelen bij den vischboer’

Machteld Honig en haar man bij een visboer in Weltevreden in Batavia, 1930. Losse foto behorend bij het fotoalbum van Machteld Anna Cornelia Honig met foto's van Sumatra in de periode 1929-1933.
Stilleven met het boek Prediker
Object type: stereograph
Date: 1857 – 1863
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: still life of related objects
Terracotta fragment from a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 434 – 368
Materials: terracotta
Culture: etruscan

Start of handle root; around the handle root, ornament
Academiestudie: torso
Object type: drawing
Date: 1856 – 1899
Materials: chalk, paper, pencil
Artist: arnoldus dirk felix tavenraat
Artist role: draughtsman, print maker
Artist dates: 1846 – 1899
Subjects: piece of sculpture, reproduction of a piece of sculpture
Steunoordje, Heilige Geest- of weeshuis van Gouda
Object type: coin
Date: 1559 – 1559
Materials: copper
Techniques: striking
Location: gouda
Artist: Anonymous
Subjects: gouda

Voorzijde: duif met gespreide vleugels en aureool temidden van sterren binnen sierrand. Keerzijde: wapenschild onder jaartal binnen sierrand.
Vijf Arabieren bij een muur
Object type: sketchbook leaf
Materials: paper, pencil
Location: jerusalem
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: africans, folk costume, regional costume
Inscriptions: kleurnotitie, handgeschreven

De mannen dragen traditioneel kostuum. Pagina 22 uit een schetsboek met 36 bladen.
Kazakh S.S.R. Alma-Ata. Kirov State University / R.S.S. de Kazakhie. Alma-Ata. Université Kirov / Kasachische SSR. Alma-Ata. Kirow-Staatsuniversität
Object type: ansichtkaart, prentbriefkaart
Date: 1956 – 1956
Materials: cardboard
Techniques: color autotype
Location: alma-ata
Subjects: university building, college
Inscriptions: date

De titel op object staat ook in het Russisch.
Eerste scheppingsdag: scheiding van licht en duisternis
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: division of light and darkness
Inscriptions: collector's mark: Lugt 2228

De eerste scheppingsdag: een engel scheidt het licht van het duister en dag van nacht. Het licht wordt voorgesteld als een naakte blanke jongeman in stralenkrans, het duister als een naakte zwarte vrouw met een sterrenmantel. Naar de Bijbeltekst in Gen. 1:3-5.
Voetwassing
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: christ washes the feet of the apostles (john 13:1-20)
Inscriptions: collector's mark: Lugt 240

Christus wast de voeten van de apostelen.
Relief of a Mother Goddess(?)
Object type: relief
Date: 1 – 200
Materials: terracotta
Culture: indian
Subjects: shunga,goddess
It’s strange: nothing is picking up at the stock exchange, not even the chestnut trees!, plate 520 from Actualités
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Gilded Green Bottle
Object type: bottle
Date: 1701 – 1800
Materials: glass
Techniques: glassblowing, gilding, silvered
Location: northern india

Square bottles of this type derive from Dutch and German molded vessels, which would have been imported after the Dutch East India Company established a trade factory in Gujarat in 1618. In the mid-18th century, a succesful glass factory was opened in Bhuj by Ram Singh Malam, a Gujarati craftsman who returned to India after spending time in the Netherlands. His patron, Maharao Lakha (r. 1741–60) was the ruler of the kingdom of Kutch, and this support resulted in the production of many fine glasswares in the region. This bottle may have been used as a perfume sprinkler and is ornamented with floral and leaf forms.
Naked Hindu fakir and woman, Varanasi, Uttar Pradesh, India
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: gelatin silver print
Location: varanasi
Artist: Anonymous
Inscriptions: inscription: ‘244 A Hindu faqir or darwesh’, annotation: ‘13a Benares (Fakir).’
Self-Portrait
Object type: painting
Date: 1865 – 1866
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: frédéric bazille
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1870
Subjects: portraits, paintbrushes, painters, artist, self-portraits, work, men

Frédéric Bazille was in his mid-20s when he executed this startlingly direct self-portrait. Depicted against a dark background with only his palette and brushes to indicate his profession, he looks at the viewer as if caught unawares. The unseen easel and canvas must be located immediately in front of the artist and to our left.

During his brief career, which ended when he was killed in the line of duty during the Franco-Prussian War, Frédéric Bazille produced about 70 paintings, 4 of them self-portraits. He created this work while sharing an apartment-studio with Claude Monet and experimenting with new painting techniques that would be central to the Impressionist movement. It was both a practice piece (in which Bazille observed and painted his reversed image as seen in a mirror) and, given his recent decision to abandon a medical career in favor of art, a professional manifesto.
Verscheyde aerdige lantschappen (...)
Object type: print
Date: 1633 – 1679
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass
Inscriptions: collector's mark: Lugt 240

Maria zit op een ezel met Christus in haar armen. Jozef loopt achter de ezel.
Dom in Mainz
Object type: photograph
Date: 1850 – 1900
Materials: photographic support
Techniques: albumen print
Location: mainz
Artist: carl hertel
Artist role: publisher
Artist dates: 1832 – 1906
Subjects: dom van mainz
Souvenir
Object type: souvenir
Date: 1770 – 1780
Materials: enamel, gold, ivory
Subjects: cupid
Panorama da Villa Rosazza
Object type: photograph
Date: 1858 – 1893
Materials: cardboard, paper
Techniques: albumen print
Location: genoa
Artist: alfredo noack
Artist role: fotograaf
Artist dates: 1833 – 1895
Subjects: harbour, ships (in general)
Inscriptions: number: ‘3011’, inscription: ‘Panorama/ da Villa Rozazzi/ Genua?’, number: ‘26.’, inscription: ‘Noack (t)’
Standbeeld van keizer Commodus als Hercules,
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: engraving
Location: rome
Subjects: (story of) hercules (heracles), piece of sculpture, reproduction of a piece of sculpture, (story of) commodus the roman emperor
Inscriptions: collector's mark: Lugt 1967 of1968, collector's mark: Lugt 2228

Standbeeld van keizer Commodus als Hercules. Hercules is naakt en zwaargebouwd. Hij draagt zijn leeuwenhuid als mantel. Op zijn linkerarm zit zijn zoon Telephos. Het beeld staat nu in het Vaticaans museum. De prent heeft een Latijns onderschrift.
Gezicht op het Kasteel van Wijchen na de restauratie
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: wijchen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle, landscape with tower or castle
Inscriptions: annotation: ‘Kasteel te Wijchen na de restauratie 1908’
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "Lescot" door Henri Joseph François de Triqueti en rechts "Bullant" door Pierre Alfred Robinet
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘33 en V 29’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Fotoreproductie van de Opvoeding van Maria door Peter Paul Rubens
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: brussels
Subjects: education of mary
Fragment geel met rode zijdebrocatel met patroon van bloemornament geflankeerd door vazen
Object type: fragment
Date: 1500 – 1599
Materials: textile, linen, silk
Location: spain
Artist: Anonymous

Fragment geel met rode zijdebrocatel met patroon van een groot bloemornament, geflankeerd door vazen waaruit zich brede slingers ontwikkelen. Fond wordt gevormd door de gele schering.
Wolf, from Quadrupeds series (N41) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: wolves

Large trade cards from the "Quadrupeds" series (N41), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N41 reproduces the cards from N21 in a larger size.
Portret van Gerardo Gambacorta
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: venice
Subjects: historical persons, officer

Prent uit: Crasso, Lorenzo. Elogii di capitani illustri. Venetië: Sebastiano Combi en Giovanni la Noù, 1683, p. 231.
Portret van Pierre Fauchard
Object type: print
Date: 1688 – 1733
Materials: paper
Techniques: engraving, etching
Subjects: paris, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Funerary Cone of Userhat
Object type: cone, userhat, harim
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This funerary cone has the impression of a seal inscribed for an overseer of the royal harim named Userhat who owned TT 47 in the Khokha section of the Theban necropolis. The inscription also names his father, Neh, his mother, Sennu, and his wife, the house mistress Maiay.
Brief aan August Allebé
Object type: letter
Date: 1910 – 1910
Materials: ink
Techniques: pen, writing
Location: haarlem
Artist: hendrik jacobus scholten
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1907
Subjects: painter, gerrit pieter verschuur, amsterdam, print maker, draughtsman, august allebé, wouter verschuur (1841-1936), drawing, family life, diseases, art collecting, haarlem
S.W.View of Dunamase Castle. Queens.Co
Object type: book illustration
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: london
Subjects: landscape with ruins, landscape with tower or castle
Inscriptions: date

Prent verschenen in: Grose, Francis. The antiquities of Ireland. Londen: S. Hooper, 1795, dl. 2.
Portret van Mary Bertie, hertogin van Ancaster en Kesteven
Object type: print
Date: 1730 – 1811
Materials: paper
Techniques: engraving
Subjects: adolescent, young woman, maiden, historical persons
Inscriptions: collector's mark: Lugt 240
Mask of a woman with cosmetic lines and gilding
Object type: mask, woman, gilding
Materials: gold leaf, paint, plaster
Location: egypt

The plaster masks derive from pharaonic traditions, in which the mask served as a substitute for the head of the deceased and as a means of elevating him or her to immortal status. The derivation is often reflected in paintings and texts located on the mantle surrounding the head. Like the painted mummy portraits, the masks suggest strongly individualized appearances and affect Roman fashions in hairstyle, jewelry, and dress. They follow, however, a somewhat different pattern. For example, female masks may have coiffures that combine Roman arrangements of the upper part of the hair with long corkscrew locks that were considered typically Egyptian. Despite the seeming individuality of the masks, most faces were made in a mold. Distinguishing details were worked in the plaster with a spatula or knife. The ears were added separately, and sometimes eyes were inlaid with glass or stone. The mask was then frequently painted or gilded.
Portret van keizer Vitellius
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: coin
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als illustratie in: Westerbaen, Kornelis, Algemeene histori van het begin der wereld af tot den tegenwoordigen tijd toe, deel XII. Utrecht: Herman Besseling, 1746.
View from the Banks of the Illisós: Mountains of the Argolid, Temple of Olympic Jupiter, the Acropolis, Palace of King Corydalus, Village of Ambelo'kypos, Mount Anchesmos, Forest of Olives and the River Illisós
Object type: print
Date: 1846 – 1846
Materials: paper, ivory
Techniques: etching, printing
Location: france
Artist: théodore caruelle d'aligny
Artist nationality: french
Artist dates: 1798 – 1871
Interieur van een vestibule (vermoedelijk) te Rome
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: vestibule, hall, interior ~ representation of a building
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 430 – 400
Materials: terracotta
Culture: greek, attic

Bent leg of a satyr to right?; draped maenad to left, wearing a nebris over a chiton, with a thrysos
Judas Thaddaeus, from Christ and the Apostles
Object type: print
Date: 1514 – 1514
Techniques: woodcut
Artist: jacob cornelisz van oostsanen
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1465 – 1533
Sujets d'Orient
Object type: stereograph
Date: 1850 – 1862
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: ornamental fountain
Inscriptions: number: ‘8’, retailer's mark: ‘Feldbrugge & Co./ Groningen’
Four Studies of Horses
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: horses
Twee mannen meren aan op een eiland
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: paris
Subjects: island, rowing-boat, canoe, etc., explorer
Inscriptions: collector's mark: Lugt 964

Prent gebruikt voor: Le Courrier des enfants, 10 augustus 1835.
Vrouwenfiguur met gebroken zuil en ruitvormig schild
Object type: print
Date: 1781 – 1858
Materials: paper
Techniques: etching
Artist: bernard eugène antoine rottiers
Artist dates: 1771 – 1857
Subjects: adult woman, column, pillar ~ architecture
Inscriptions: collector's mark: Lugt 2228
Twee figuurstudies van boerin zittend op hooibaal
Object type: print
Date: 1796 – 1849
Materials: paper
Techniques: etching
Location: netherlands
Artist: albertus brondgeest
Artist role: draughtsman, print maker
Artist dates: 1786 – 1849
Subjects: farmers
Inscriptions: collector's mark: Lugt 2228
Amenissimae aliquot requculae
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: city-view, and landscape with man-made constructions, river, landscape with bridge, viaduct or aqueduct, covered wagon, hooded wagon

Een man en een huifkar bij een huis langs een rivier met een stenen brug. Rechts op de voorgrond twee kloosterlingen en aan de horizon een stad. Tiende prent van deel twee van een serie van in totaal 52 prenten met landschappen, verdeeld over twee delen van elk 26 prenten.
Smaraolo cornuto - Ratsa di Boio, plate 4 from Balli di Sfessania
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Fotoreproductie van een schilderij, voorstellende een portret van Edward Irving
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: clergyman, historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: number: ‘104’
Agapetus II Papa Romanus
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope, armorial bearing, heraldry

Prent uit: Ciccarelli, Antonio. Le vite de Pontefici di Antonio Ciccarelli (...). Rome: Domenico Basa, 1587. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Jar
Object type: jar
Date: 700 – 651
Materials: terracotta
Culture: etruscan

Reddish-brown with flaring rim and fluted sides; no decoration.
Brief aan August Allebé
Object type: letter
Date: 1848 – 1927
Materials: ink, paper
Techniques: pen, printing, writing
Location: brussels
Artist: e. de haas
Subjects: amsterdam, draughtsman, august allebé
Portret van Joseph Parker
Object type: photomechanical print
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Subjects: theologian
Inscriptions: inscription
Jug, barrel-shaped
Object type: jug, barrel shaped
Date: 850 – 750
Materials: terracotta
Culture: cypriot
Knife and fork
Object type: knife and fork
Date: 1740 – 1750
Materials: soft paste porcelain
Artist: saint-cloud factory
Artist role: factory
Artist nationality: french
Artist dates: 1693 – 1766
Subjects: chinoiserie

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
SS. Apostolorum Icones
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: key, the cross ~ symbols of christ, casting weapons: spear, tools, aids, implements ~ crafts and industries: saw, holy ghost represented as a dove (in flames)
Inscriptions: collector's mark: Lugt 240

Titelprent voor: SS. Apostolorum Icones, Cornelis Galle (uitgever) Antwerpen. Serie van vijftien prenten naar ontwerp van Peter Paul Rubens met titelprent, Christus, Maria en de twaalf apostelen.
Rank Badge with Egret
Object type: rank badge
Date: 1767 – 1833
Materials: silk
Culture: chinese
Subjects: bats,birds
Jardinière
Object type: design drawing
Date: 1830 – 1850
Materials: paint, ink, paper
Techniques: aquarelle
Inscriptions: inscription: ‘HEINRICH JENNY’

Jardinière in de vorm van een grijs met rode bak met opstand op een grijs onderstel.
Stamp seal (bell-shaped with loop handle) with monster
Object type: stamp seal
Date: 800 – 601
Materials: alloy, bronze, copper
Culture: urartian
Location: urartu
Tandwiel
Object type: photograph
Date: 1937 – 1937
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: colonial system, machines; parts of machines; tools and appliances, factory-interior, machine shop (+ men (labourers)), java
Inscriptions: date

Gietstalen tandwiel in bewerking op de freesbank in 1937 en bestemd voor de Suikerfabriek Gempolkerep. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Jogyakarta, uit de periode 1908-1942.
Portret van Johann Heinrich Bullinger
Object type: book illustration
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: theologian, historical persons

Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.