deem-data/ArtiFact huggingface dataset:
Glooiend landschap met een meer
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: lake
Inscriptions: annotation: ‘Tenir un peu plus de teinte sur le ciel, de manière à faire dominer la terrain en blanc, mieux [....]’, collector's mark: Lugt 2228, annotation: ‘Bon pour tirer a 290 exemplaires. 4 Janv. 1876. [Signatuur]’

De etsen naar de schilderijen van Frédéric Van de Kerkhove werden na zijn dood door zijn vader en zuster gemaakt en uitgegeven in twee reeksen. De eerste werd in 1877 uitgegeven door het Journal des Beaux-Arts et de la Littérature: Cahier de 25 Eaux-fortes d'après Frédéric van de Kerkhove, gravées par son père et sa sœur. De tweede reeks van 126 etsen, ook in 1877, werd in Parijs uitgegeven bij A. Lévy onder de titel Cent eaux-fortes gravées par J. Van de Kerkhove d'après les tableaux de Frédéric Van de Kerkhove, mort en 1873 à l'âge de 10 ans et 11 mois.
Mr. Barthe, plate 294 from Célébrités de la Caricature
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Studioportret van van den Berg
Object type: cabinet photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: batavia
Inscriptions: name: ‘WOODBURY & PAGE / Photographers / JAVA.’, inscription

Staande jongeman met driekantige steek en kniehoge laarzen, leunend op een sokkel.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, branch with berries; part of drinking horn
Dancer
Object type: print
Date: 1827 – 1827
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: oishi matora
Artist role: artist
Artist nationality: japanese
Artist dates: 1793 – 1833
Subjects: human figures,dancers
Drie portretten van Marie Studholme
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1930
Materials: cardboard, ink, photographic support
Techniques: gelatin silver print, pen
Subjects: historical persons - bb - woman, portrait of actor, actress

Deze foto's maken deel uit van een album.
Bag
Object type: bag
Date: 1701 – 1900
Materials: silk
Culture: chinese
Richard Abell
Object type: painting, miniature
Date: 1724 – 1724
Materials: enamel
Artist: christian friedrich zincke
Artist role: artist
Artist nationality: german
Artist dates: 1683 – 1767
Subjects: men,portraits
Portret van Jean Soanen
Object type: print
Date: 1695 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons

Met eenregelig onderschrift in het Frans.
Figuurstudies
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, head (human) - aa - female human figure

Pagina 16 uit een schetsboek met 19 bladen.
Hainfall
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: photograph
Location: reuzengebergte
Subjects: waterfall
Stoomschip Statendam beschadigd in de haven van Rotterdam
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: j. nolte
Artist role: fotograaf
Subjects: devastated, ruined place or city (~ warfare), steamship, motorship, rotterdam, rotterdam blitz
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head and part of drapery of youth to left
Overlijden van Ernst van Beieren, prins-bisschop van Luik, aartsbisschop van Keulen
Object type: jeton
Date: 1612 – 1612
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: ernst van beieren (prins-bisschop van luik), liège, cologne

Koperen penning. Voorzijde: doodshoofd op twee gekruiste beenderen, bekroond met zandloper tussen twee bloeiende planten binnen omschrift. Keerzijde: gekroond wapenschild op cartouche binnen omschrift
Warrior with Shield
Object type: figure
Materials: earthenware, pigment
Culture: chinese
Subjects: soldiers,shields,men
Mlle. Sallé
Object type: print
Date: 1694 – 1755
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: historical persons - bb - woman, portrait of dancer
Inscriptions: collector's mark: Lugt 240
Scarf
Object type: scarf
Date: 1701 – 1800
Techniques: lace
Administratie van de drukkerij
Object type: photograph
Date: 1921 – 1921
Materials: photographic support
Techniques: gelatin silver print
Location: medan
Artist: t. kaneo
Artist role: fotograaf
Subjects: dutch east indies, the
Inscriptions: inscription: ‘Administratie’

Gezicht in het kantoor van de administratie van de drukkerij van de Deli Courant te Medan. Onderdeel van een groep van 18 foto's uit 1921 binnen de groep van 49 losse zwart-wit foto's van verschillend formaat over de uitgeverij en drukkerij van de krant Deli Courant in Medan in de periode 1885-1947.
De zonden
Object type: print
Date: 1585 – 1589
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: gluttony, intemperance, 'gula'; 'gola', 'ingordigia', 'ingordigia overo avidità', 'voracità' (ripa) ~ personification of one of the seven deadly sins
Inscriptions: collector's mark: Lugt 240

De gepersonifieerde Gulzigheid; een dik vrouwenfiguur met in de ene hand een schaal met een pastei en in de andere hand een kruik, staande naast een wild zwijn.
Het leven van Christus
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass, series of scenes from the life of christ, passion of christ
Inscriptions: collector's mark: Lugt 2760

Blad met 20 ovale medaillions met voorstellingen uit het leven van Christus, waaronder de geboorte van Christus, de vlucht naar Egypte, de Kruisdraging en de hemelvaart van Christus. Onder elke voorstelling een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: 206.
Coin
Object type: coin
Materials: silver
Location: iran
Vrouw met uitgestoken handen
Object type: sketchbook leaf
Date: 1870 – 1870
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: adult woman
Inscriptions: date: ‘13 Mei 70’

Vrouw met uitgestoken handen. Blad 11 verso uit een schetsboek met 40 bladen, vervaardigd in Woerden en Gouda.
Landschap met koninginnekruid
Object type: photomechanical print
Date: 1900 – 1905
Materials: paper
Techniques: collo-autotype
Subjects: plants and herbs
Inscriptions: inscription: ‘The Eupatories by M. Vanderkindere’, inscription: ‘B. V.’
Ontwerp voor een zijden stof
Object type: design drawing
Date: 1938 – 1938
Materials: gouache, graphite, paper, plastic
Techniques: snipping
Location: lyon
Artist: Anonymous
Inscriptions: inscription: ‘OK JRW [?] / B&F / N.Y. 139. / Feb 21, 1938 / à retourner pour reférence Paris’, inscription: ‘Bianchini / 1155’, number: ‘3798’, stamp: ‘MADE IN FRANCE’, inscription: ‘KA’, inscription: ‘B & F No I’
Dressing gown
Object type: dressing gown
Date: 1820 – 1830
Materials: silk
Culture: french
Portret van Antonie Niermeijer
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johannes smit
Artist role: print maker
Artist dates: 1805 – 
Subjects: leiden, historical persons
Inscriptions: collector's mark: Lugt 2228
Daphnis poursuivant Chloé
Object type: print
Date: 1937 – 1937
Materials: paper
Techniques: woodcut
Artist: aristide maillol
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1861 – 1944
Subjects: catch (~ running game), daphnis (in greek mythology a shepherd who invented pastoral poetry, chloe, couple of lovers
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent gebruikt in: Longus. Les Pastorales de Longus ou Daphnis & Chloé. Parijs: Frères Gonin, 1935, p. 91.
Design for Stanhope Phaeton, no. 569
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Shawl
Object type: shawl
Date: 1860 – 1860
Subjects: flowers
Tafel met rond tafelblad rustend op vier naar elkaar gerichte wanden gevat in klossen
Object type: suite
Date: 1920 – 1930
Materials: wood
Location: netherlands

Tafel van eikenhout met rond tafelblad rustend op vier naar elkaar gerichte wanden die aan de voorzijde gebogen zijn en aan de achterzijde door middel van schuine zijden uitlopen in een punt. De wanden zijn aan de binnenzijde met de punten onderling verbonden door middel van twee boven elkaar liggende zwart gebeitste schijven en zijn aan de onderzijde gevat in zwart gebeitste klossen met gebogen kanten. Het ronde tafelblad is gevat in een opstaande platte rand.
Bileam op zijn ezel ontmoet de engel
Object type: drawing
Date: 1588 – 1610
Materials: ink, paper
Techniques: brush, pen
Artist: adam elsheimer
Artist role: draughtsman, print maker
Artist dates: 1578 – 1610
Subjects: balaam saddles his donkey and departs with the moabite messengers, ass, donkey
Christophorus
Object type: design
Date: 1914 – 1914
Materials: chalk, paint, paper
Techniques: brush
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: st. christopher, with the infant christ on his shoulders, wading through the water and carrying his staff (palm-tree); sometimes a hermit stands on the further bank beside a chapel, a lantern in his hand
Inclines to the copper mines, Metcalf, Arizona
Object type: stereograph
Date: 1903 – 1903
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: mining
Inscriptions: title: ‘Inclines to the Copper Mines, Metcalf, Arizona.’, inscription: ‘F 13’, number: ‘36’, number: ‘30’, inscription: ‘In order ro reach this place you have to ride/ seven miles from (...)’, copyright notice: ‘Copyright 1903 by Underwood & Underwood.’, check stamp: ‘(ENERET)’, inscription: ‘SUN SCULPTURE/ UU/ TRADEMARK/ Works and Studios/ Arlington, N.J. Westwood, N.J. Washington, D.C.’
Panel or frieze
Object type: frieze panel
Date: 1701 – 1800
Jar
Object type: jar
Date: 501 – 700
Materials: ceramic
Culture: sasanian
Location: iran
Manier om Groote Dieren te vangen
Object type: book illustration
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: hunt ~ mammals, khoikhoi, trunked animals: elephant
Inscriptions: collector's mark: Lugt 2228

Prent als illustratie gebruikt in: Kolbe, Peter. Naaukeurige en uitvoerige beschryving van de kaap de Goede Hoop; behelzende een zeer omstandig verhaal van den tegenwoordigen toestant van dat vermaarde gewest ... beschryving van de oorsprong der Hottentotten, deel II, p. 114. Amsterdam: Balthazar Lakeman, 1727.
Portrait of a group of people from the Bhil tribe of the Vindhya mountains, Mandleshwar, Madhya Pradesh, India
Object type: photograph
Date: 1862 – 1862
Materials: photographic support
Techniques: albumen print
Location: mandleshwar
Artist: james john waterhouse
Artist role: fotograaf, luitenant, officier
Artist dates: 1842 – 1928
Subjects: human races; peoples; nationalities
Inscriptions: number: ‘363.’, inscription: ‘BHEELS VINDHYAN RANGE./ ABORIGINAL TRIBE./ MUNDLAISUR.’
Christus geneest tien melaatsen
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: one leper, a samaritan, sent to the priest by christ, returns and kneels before him, christ sends ten lepers to the priest (luke 17:11-19)
Inscriptions: inscription: ‘Guerison des Lépreux’, collector's mark: Lugt 2228, number: ‘33’

Christus ontmoet tien mensen die aan huidvraat lijden en geeft hen de opdracht om zich aan de priesters te laten zien. Als ze dat doen blijkt dat ze zijn genezen. Slechts een van de tien, een Samaritaan, keert links op de achtergrond terug en knielt voor Christus om hem te bedanken. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst.
A Trip to Gretna Green
Object type: print
Date: 1803 – 1803
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,weddings
Novembre
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: etching
Location: italy
Subjects: the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months', woodcutting, woodcutter ~ forestry, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), sagittarius (zodiacal sign of november)
Inscriptions: collector's mark: Lugt 240

Verbeelding van menselijke activiteit in de maand november. Boslandschap met jagers jagend op eenden en houthakkers die bomen kappen. Midden boven het symbool voor het sterrenbeeld boogschutter. Italiaans vers en titel in ondermarge.
Dak van het pand Korte Dijkstraat 2 in Amsterdam
Object type: sketchbook leaf
Date: 1907 – 1909
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: chimney, roof (of house or building)
Inscriptions: : ‘[...]’

Witsen begon met het vervaardigen van de prenten in september 1907.
Erkenning van de onafhankelijkeid van het koninkrijk België door de XXIV Artikelen van de conferentie van Londen
Object type: strooipenning
Date: 1831 – 1831
Materials: bronze
Techniques: striking
Location: brussels
Artist: laurent joseph hart
Artist role: die cutter
Artist dates: 1810 – 1860
Subjects: laeken, leopold i (koning der belgen), london, belgium

Bronzen penning. Voorzijde: kroon binnen omschrift en sterrekrans. Keerzijde: opschrift
Sealing wax case (étui)
Object type: étui
Date: 1762 – 1763
Materials: gold
Subjects: coat of arms
Het aen sien ofte faciat der huysinge van de heeren louys ende hendrick trip staende op de west zy van d'oude singel ofte cloveniersburchwal by st. anthonis marct tot amsterdam
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: trippenhuis
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Vingboons, J. Het huys van de heeren Louys en Hendrick Trip. Amsterdam: Justus en Joan Vingboons, verkocht bij Joan Blaeu, 1664.
Tamboer der Schutterij (Flank Komp.)
Object type: costume print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2227, collector's mark: Lugt 2228

Staande tamboer van een compagnie flankeurs van de Schutterij. Onderdeel van een serie van 157 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.
Design for Ceiling, Hôtel Hope
Object type: drawing
Date: 1867 – 1867
Materials: gouache, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: flowers,ceilings
Terracotta fragment of a pot; unglazed on the inside
Object type: pot fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of a helmet of a warrior to left
The Holy Family Leaving by a City Gate, plate seven from The Flight into Egypt
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Hunters
Object type: album leaf
Date: 1880 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Inscriptions: caption: ‘Simphalee hunters.’, number: ‘1596’

Jagers, 'Symphalee hunters', waarvan drie staand en de overigen zittend, poserend met stokken en geweren. Object zit samen met de andere foto's met nummer RP-F-00-6678 op één blad geplakt.
Tunic
Object type: tunic
Date: 1400 – 1535
Materials: animal fiber, fiber
Culture: inca
Location: argentina, peru, or bolivia
Artist: inca artist(s)
Artist role: artist
Edging
Object type: edging
Date: 1801 – 1833
Techniques: lace
Album met kunstreproducties uit het Museo Cerralbo te Madrid
Object type: album
Date: 1924 – 1930
Materials: paper, cardboard
Techniques: photograph, printing block, stapling
Location: madrid
Artist: Anonymous
Subjects: picture, painting
Inscriptions: collector's mark: ‘AFE v S’

Album met twintig prentbriefkaarten met kunstreproducties uit het Museo Cerralbo te Madrid. De prentbriefkaarten kunnen eruit gescheurd worden.
Kinderkimono met korte mouw en oksel-openingen van donkerblauwe crêpe de Chine met meerkleurige bloem- en bladmotieven; voering beige zijde
Object type: childrenswear
Date: 1925 – 1950
Materials: chine, silk
Location: japan
Artist: Anonymous

Kinderkimono van donkerblauwe crêpe de Chine met een veelkleurig floraal motief. Model met V-hals. Sluiting door middel van overslag en een losse bindceintuur. Aangezette, halflange mouwen met afhangende flap. Voering van effen beige zijde. Meegebracht uit Japan en gedragen door Herbert Hondius, zoon van de schenkster (zie foto).
Lappet (one of a pair)
Object type: lappet
Date: 1701 – 1733
Techniques: lace
Handtekening van Adriaan Noordendorp
Object type: manuscript
Date: 1790 – 1833
Materials: ink, paper
Techniques: pen, writing
Artist: adriaan noordendorp
Artist role: architect, landmeter
Artist dates: 1780 – 1833
Subjects: architecture
Piece
Object type: piece
Date: 1730 – 1740
Materials: silk
Subjects: flowers,leaves
Coach #4069
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Defeat of the Spanish at Gibraltar by a Dutch Fleet under the Command of Admiral Jacob van Heemskerck, 25 April 1607
Object type: painting
Date: 1639 – 1639
Materials: canvas, oil
Artist: adam willaerts
Artist role: painter
Artist dates: 1577 – 1664
Subjects: amsterdam, jacob van heemskerck, battle (+ sailing-ships)
Inscriptions: signature and date, bottom right: ‘A. Willarts 1639’

Zeeslag met de overwinning op de Spanjaarden bij Gibraltar door een vloot onder bevel van Jacob van Heemskerck, 25 april 1607. De zee voor de kust is vol met oorlogsschepen die elkaar beschieten, sommige schepen staan in brand. Op de voorgrond tracht de bemanning van een gezonken schip zich in sloepen te redden.
Portret van een drietal in een deuropening met een hond
Object type: photograph
Date: 1900 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Subjects: dog
Portret van een Indische man in lang gewaad met paraplu onder de arm
Object type: photograph
Date: 1880 – 1883
Materials: photographic support
Techniques: albumen print
Location: dutch east indies
Artist: Anonymous
Subjects: studio requisites ~ photographer, adult man, umbrella, dutch east indies, the

Onderdeel van Reisalbum met opnames van bezienswaardigheden in Egypte, Nederlands-Indië, Singapore en Ceylon.
Terracotta oil lamp
Object type: lamp
Date: 201 – 300
Materials: terracotta
Culture: roman

Mold-made, with unpierced handle. Discus surrounded by a raised line, straight at bottom behind wick hole but forming an rounded arch extending to handle; within, another straight line at bottom, and a fine zigzag pattern around central filling hole. On shoulder, another zigzag pattern in double, raised lines with hollow circles at their points. Carinated body. Raised base ring and flat base. Complete, except for top of handle and tip of nozzle, with crack running around back and left side of body.