deem-data/ArtiFact huggingface dataset:
"The Queen Ilar (Irakht) Before the King Warning him About the Brahmins (?)", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: kings,queens,women

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Study of a Woman’s Dress for a Portrait
Object type: drawing
Date: 1540 – 1560
Materials: chalk, paper
Artist: anonymous, italian, venetian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Nova raccolta de li animali piu curiosi del mondo
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: vatican city
Subjects: swimming mammals
Inscriptions: collector's mark: Lugt 11, number: ‘173’

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Netsuke of Noh Mask
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: masks
Kaart van het Graafschap Holland en Utrecht (plaat 37)
Object type: map
Date: 1639 – 1639
Materials: paper
Techniques: engraving, etching
Subjects: sailing-ship, sailing-boat, maps, atlases, ornament ~ cartouche, holland
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een kaart samengesteld uit 40 bladen. Waarschijnlijk gaat het om de grootste kaart van Holland uit de zeventiende-eeuw. De kaart is uitgegeven in verschillende edities, deze kaart uit 1639 is de eerste editie.
Valentine
Object type: valentine
Date: 1830 – 1850
Materials: paper, watercolor
Techniques: embossing, lithograph, open work
Artist: Anonymous
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1899
Subjects: children,cupid,landscapes
Abstracte compositie
Object type: print
Date: 1919 – 1919
Materials: paper
Techniques: woodcut
Artist: erich wichmann
Artist role: print maker
Artist dates: 1890 – 1929
Subjects: abstract, non-representational art
Inscriptions: collector's mark: Lugt 2228
Inkomst van Albertus en Isabella in Vlaanderen
Object type: strooipenning
Date: 1600 – 1600
Materials: silver
Techniques: striking
Location: southern netherlands
Artist: Anonymous
Subjects: infante van spanje isabella clara eugenia, brussels, albrecht aartshertog van oostenrijk

Zilveren penning. Voorzijde: borststukken man en vrouw, naar elkaar gekeerd binnen omschrift. Keerzijde: opschrift binnen lauwerkrans en omschrift
Portret van een onbekende zittende vrouw
Object type: photograph
Date: 1855 – 1870
Materials: glass, metal, velvet, wood
Techniques: ambrotype
Artist: william bath
Artist role: fotograaf
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: inscription: ‘Aunt Erwina, grandmothers youngest sister’, inscription: ‘W. Bath's Portrait Rooms, 44 Farringdon Street Two doors from Holborn, E.C.’
Petit Courrier des Dames, 1829, No. 642 : Chapeau de paille de riz..
Object type: fashion print
Date: 1829 – 1829
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: coat (housecoat) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), gloves, mittens, etc. (+ women's clothes), neck-gear ~ clothing (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: title: ‘Petit Courrier des Dames.’, caption: ‘Chapeau de paille de riz orné de branches de saule Peignoir de mousseline brodée. des magasins de M.me Minette rue de Rivoli.’, address: ‘Boulevard des Italiens No.2 près le passage de l'Opèra.’, title: ‘Modes de Paris.’

Hoed van 'paille de riz', versierd met wilgentakken. 'Peignoir' van geborduurde mousseline, uit de winkels van Minette. Verdere accessoires: handschoenen, ceintuur met gesp, platte schoenen met gekruiste banden. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Zittende man op een bank en figuren
Object type: sketchbook leaf
Date: 1837 – 1881
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes huybertus van hove bzn
Artist role: print maker
Artist dates: 1827 – 1881
Subjects: sitting figure
Inscriptions: annotation: ‘[...]’

Blad 4 verso uit een schetsboek met 33 bladen en 10 losse tekeningen.
Portret van Pietro Testa
Object type: print
Date: 1640 – 1660
Materials: paper
Techniques: engraving, etching
Artist: giovanni cesare testa
Artist role: print maker
Artist dates: 1625 – 1660
Subjects: rome, painter, print maker, draughtsman, pietro testa, historical persons, portrait, self-portrait of painter, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 240
Hygienic Ballad (Hygienische Ballade)
Object type: print
Date: 1911 – 1911
Techniques: lithograph
Artist: moriz jung
Artist role: artist
Artist nationality: austrian
Artist dates: 1885 – 1915
Subjects: satire,men,women
Rampzalige gevolgen van de actiehandel, 1720
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan de ridder
Artist role: print maker
Artist dates: 1665 – 1735
Subjects: non-aggressive activities of heraclitus, suicide out of despair

De rampzalige gevolgen van de actiehandel. Armoede en wanhoop onder de families die alles hebben verloren in de actiehandel. Op de voorgrond de treurende Heraclitus. Bovenaan de verklaring van de cijfers 1-9. Prent uitgeknipt en ingeplakt. Behoort tot de groep van bijprenten meegebonden in de gebonden eerste uitgave (304 B 11) van Het Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Arcus vespasiani
Object type: print
Date: 1500 – 1549
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: triumphal arch

Deel van een klassieke triomfboog die, blijkens het Latijnse onderschrift, ter ere van Vespasianus is opgericht (Titusboog te Rome): een doorgang en twee zuilen onder een architraaf waarop een timpaan rust. Deze prent is onderdeel van een serie prenten van antieke gebouwen.
Design for a Breast Ornament
Object type: drawing
Date: 1701 – 1721
Materials: ink, paper
Techniques: brush, pen
Artist: carlo ciampoli
Artist role: draughtsman
Subjects: brooch, agraffe, clasp

This detailed drawing shows a jewel with rose-cut diamonds that was worn on the breast. At the top is the first part of a necklace that is also set with stones. The jewel’s floral setting in combination with the symmetry and equal size of the precious stones is typical for the beginning of the 18th century.
Bruges. Rue Est du Marais
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1912
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: church (exterior), street (+ city(-scape) with figures, staffage), bruges
Inscriptions: postage stamp
Vier jonge meisjes bij een boerderij
Object type: photograph
Date: 1895 – 1918
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: willem de jong (fotograaf)
Artist role: arts, fotograaf
Artist dates: 1864 – 1918
Subjects: girl (child between toddler and youth), farm (building)
Venus in the Forge of Vulcan (Aeneid VIII: 370 ff)
Object type: drawing
Date: 1699 – 1768
Materials: chalk, paper
Techniques: highlighting
Artist: stefano pozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1699 – 1768
Subjects: animals,cupid,venus,vulcan,hammers
Door Knocker Plate
Object type: door knocker plate
Date: 1401 – 1500
Materials: iron, textile
Culture: french
Frontispiece, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Wooded Landscape with Donkeys and Goats, and Castle on Hill in Distance
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: belgium
Artist: after pieter bruegel, the elder
Inscriptions: Inscribed verso, upper left, in graphite: "Paul Bril 1556–1626"; upper right, in graphite: "P. Brill"; upper left, in graphite: ‘"Paul Brill"; center, in graphite: "117/9" (in a circle); in graphite "9 ¾ x 10 ⅝ / 265"; in pen and black ink: "JJL/no 93" (in a circle); lower left, in graphite: "13 ⅝ x 9 3/4"; in pen and brown ink: ‘"No 4 May 984"; in pen and black ink: "Paulus Bril–1556–1626"

This drawing belongs to a group of some 20 similar sheets that record compositions by Pieter Bruegel the Elder (most of which are now lost). Far from direct observation, they are inventions that use landscape motifs for imaginative purposes. Because of the relative novelty of landscape compositions as independent of narrative or devotional subjects, Bruegel’s landscape drawings provided new inspiration for the artists who had access to his works. As such, drawings made after his compositions not only attest to Bruegel’s influence in the rise of landscape as a distinct genre of artistic expression, they also record some of his compositions that would otherwise be unknown.
Leven van J.C.J. van Speyk
Object type: print
Date: 1831 – 1899
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: amsterdam, antwerp, jan van speyk, battle, revolution, revolt, orphans, netherlands, belgium
Inscriptions: collector's mark: Lugt 2228

Blad met 6 voorstellingen over het leven en de zelfopoffering van J.C.J. van Speyk tijdens de strijd tegen de Belgen. Onder elke afbeelding een vierregelig vers. Genummerd linksonder: (No 154).
Page from Ein new kunstlich Modelbuch...(Page 15v)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: grapes,vines

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
De kleine figuren
Object type: print
Date: 1635 – 1669
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: old woman
Inscriptions: collector's mark: Lugt 2228

Een zittende vrouw, met stok en mand op schoot, wijst met haar linkerhand in de verte.
Gezicht op de stad Sint-Petersburg
Object type: opticaprent
Date: 1755 – 1779
Materials: paper, watercolor
Techniques: brush, etching
Location: germany
Subjects: sailing-ship, sailing-boat, civic architecture; edifices; dwellings, city-view in general; 'veduta' (+ city(-scape) with figures, staffage), canals, waters (in city) (+ city(-scape) with figures, staffage)
Portret van een onbekende vrouw
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: hamburg
Subjects: historical persons - bb - woman
Inscriptions: monogram: ‘BX’
Inheemse gewassen van Sumatra, 1596
Object type: print
Date: 1597 – 1598
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: plants; vegetation, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery, sumatra

Gebruikt als illustratie eerst in: Willem Lodewijcksz, D'eerste boeck. Historie van Indien, waer inne verhaelt is de avontueren die de Hollandtsche schepen bejeghent zijn, Cornelis Claes, Amsterdam 1598. In deze opgewerkte staat gebruikt in: De Eerste Schipvaerd der Hollandsche Natie naer Oost-Indien, waer inne verhaelt wordt al wat haer sonderlings onder wegen bejegent is ... ghetrocken uyt verscheyden Iournalen ofte dagh-registers daer van ghemaeckt, zeer vermaeckelijck ende nut om lesen. Opgenomen in: I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: 11.
Beads, 3
Object type: bead, 3
Date: 670 – 330
Materials: glass
Culture: roman
Chinese Boys Learning to Write and Paint
Object type: print
Date: 1785 – 1785
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: painting,boys,writing
Belles de Jour et Rose panachée
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: lithograph
Subjects: flowers: rose
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Portret van een vrouw met kapje (Marie Joseph Bertrand?)
Object type: print
Date: 1756 – 1817
Techniques: drypoint, etching
Location: unknown
Artist: louis bernard coclers
Artist role: draughtsman, print maker
Artist dates: 1741 – 1817
Subjects: anonymous historical person portrayed alone - bb - woman
Inscriptions: collector's mark: Lugt 2228
Woman bathing her feet at a brook
Object type: print
Date: 1658 – 1658
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: mark: Lugt 2228 a, signature and date: ‘Rembrandt f. 1658’
Saucer
Object type: saucer
Date: 1736 – 1738
Materials: hard paste porcelain
Artist: cornelis pronk
Artist role: artist
Artist nationality: dutch
Artist dates: 1691 – 1759
Subjects: birds,women

The Dutch East India Company, which dominated the export of Chinese porcelains to Europe in the seventeenth and early eighteenth centuries, commissioned the Dutch artist Cornelis Pronk (1691–1759) to supply designs that could be copied on porcelain intended for export. The drawings were sent to China and Japan from Batavia in 1736. This design of a lady with a parasol was one of Pronk’s most popular compositions, and was employed by Japanese porcelain painters as well.
Stadsgezicht
Object type: drawing
Date: 1800 – 1900
Materials: paper, pencil
Artist: hein vrolijk
Artist role: draughtsman
Subjects: street
Standard support
Object type: standard support
Date: 800 – 601
Materials: bronze
Culture: iranian
Location: iran, probably from luristan
A Harlot's Progress, Plate 6
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: interiors,children,men,women
Baths of Diocletian, Rome, from "Roman Ruins"
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: architecture

Baths of Diocletian in Rome, seen from outside, partly overgrown with vegetation; after Sebastian Vrancx
Zweden, Karel XII, daler S[ilver] M[ynt],1718
Object type: siege coin
Date: 1718 – 1718
Materials: copper
Techniques: striking
Location: slot rörstrand

Koperen noodmunt. Voorzijde: lopende man naar links, in rechterhand kind, in linker zeis.Daarboven omschrift: saturnus. In afsnede jaartal. Keerzijde: binnen versierd rond wapenschild in drie regels waarde-aanduiding. Kabelrand.
Bruiloft van Amor en Psyche
Object type: print
Date: 1530 – 1560
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: meester van de dobbelsteen
Artist role: print maker
Subjects: (story of) hercules (heracles), marriage of cupid and psyche, hours (horae), seasons
Inscriptions: collector's mark: Lugt 2228

Banket tijdens de bruiloft van Amor en Psyche. Rondom een lange tafel zitten Amor en Psyche met een aantal andere goden. Rechts zit Hercules op zijn leeuwenvel. Achter de tafel drie Horae (godinnen van de jaargetijden) met vlindervleugels. Italiaanse tekst in twee cartouches in ondermarge. Tweemaal genummerd linksonder: 31.
St. Peter
Object type: plaquette
Date: 1600 – 1600
Artist: Anonymous
Artist role: artist
Faust
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: (scenes from) specific works of literature: goethe, faust
Inscriptions: collector's mark: Lugt 964, collector's mark: Lugt 2228a
Mlle. Grey, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Nederlands familie-album
Object type: photograph album
Date: 1863 – 1865
Materials: cardboard, leather, paper
Techniques: photography

Familie-album Nederlands (vroeg) met 181 cartes-de-visite. Een donkergroen fotoalbum met passepartouts voor cartes de visite.
Landschap met watermolen
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: etching
Artist: désiré lesy
Artist role: print maker
Artist dates: 1806 – 1859
Subjects: watermill in landscape
Inscriptions: collector's mark: Lugt 2228
Gezicht op de tuinzijde van het Palazzo Pitti te Florence
Object type: photograph
Date: 1865 – 1900
Materials: cardboard, photographic support
Techniques: albumen print, calligraphy
Location: florence
Subjects: palazzo pitti
Inscriptions: inscription: ‘Firenze / Palazzo Pitti’
Veduta della Chiesa Inglese, Valletta, Malta
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Subjects: church (exterior)
Inscriptions: number: ‘40’
Historisch mansportret
Object type: drawing
Date: 1832 – 1832
Materials: paper
Techniques: brush
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: anonymous historical person portrayed alone
Christ standing, hands tied with rope
Object type: print
Date: 1801 – 1900
Techniques: woodcut
Artist: anonymous, mexican
Artist role: artist
Subjects: christ,bearing the cross
Tripod incense burner with archaistic patterns
Object type: incense burner
Date: 1101 – 1200
Materials: ceramic glaze, glaze, stoneware
Techniques: molding
Culture: chinese
De kracht van de vrede, 1678
Object type: propagandaprent
Date: 1577 – 1577
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), isaiah's prophecy of the swords beaten into plough-shares, smith, blacksmith

Zinneprent op de Vrede van Nijmegen gesloten tussen de Republiek en Frankrijk op 10 augustus 1678. De Voorzichtigheid (Prudentia), Reden (Ratio) en Tijd (Tempus) smeden de wapens van de oorlog om tot ploegscharen en andere werktuigen. Geweld (Violentia) bedient de blaasbalg van de oven. In de hemel Vrede (Pax) en Rechtvaardigheid (Justitia). In en onder de voorstelling opschriften en verzen in het Nederlands, Latijn en Frans. De prent is oorspronkelijk vervaardigd ter gelegenheid van het Eeuwig Edict in 1577 en eerder ook al aangepast om te dienen als allegorie op de Vrede van Munster in 1648.
Bottle Depicting a Peacock in Foliage
Object type: bottle
Date: 1601 – 1700
Materials: glaze, silver, stonepaste
Techniques: luster painting
Location: iran
Subjects: peacocks
Pavilion on Mountain Stream
Object type: hanging scroll
Date: 1601 – 1700
Materials: ink, paper
Culture: japanese
Artist: sesshū tōyō 雪舟等楊
Artist role: artist
Artist nationality: japanese
Artist dates: 1420 – 1506
Subjects: mountains,landscapes,pavilions
Dish
Object type: dish
Date: 1701 – 1800
Materials: earthenware
Techniques: luster painting, glazing

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Rev. James Langton Clark
Object type: photograph
Date: 1864 – 1864
Techniques: albumen print
Location: england
Artist: lewis carroll (charles lutwidge dodgson)
Seal of John II, King of Castile and Leon
Object type: seal
Date: 1401 – 1500
Materials: lead
Culture: spanish
Location: spain
Subjects: horses
Nabby's Point
Object type: woodcut, print
Date: 1913 – 1913
Materials: paper
Techniques: woodcut
Culture: american
Location: united states
Artist: arthur wesley dow
Artist role: artist
Artist nationality: american
Artist dates: 1857 – 1922
Subjects: abstraction
Gezicht op de Barentszzee met ijsschotsen
Object type: sketchbook leaf
Date: 1880 – 1880
Materials: paper, pencil
Location: barentsz sea
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: sea (seascape), drift ice

Blad 25 verso uit een schetsboek met 35 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Legionnaire Truman visits buddies
Object type: photograph
Date: 1948 – 1948
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: irwin tress
Artist role: fotograaf
Subjects: harry s. truman, miami
Portret van Jens Immanuel Baggesen
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2233
Cup and saucer with a woman and boy in a landscape and flower sprays on diaper-pattern
Object type: kop en schotel, kop en schotel
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Kop en schotel, famille rose, versierd met vrouw en kind spelend met een konijn.
L'Hiver (Winter)
Object type: textile
Date: 1801 – 1833
Materials: pigment, textile, silk, thread
Techniques: embroidery, satin weave, stitching, weave
Location: france
Artist: after antoine-pierre mongin
Artist nationality: french
Artist dates: 1761 – 1827
Portret van Jan Zoet
Object type: print
Date: 1649 – 1750
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: amsterdam, jan zoet, historical persons, writer, poet, author
Inscriptions: inscription: ‘Op d'Afbeelding / (...) M. J. Franse[...]’

Met tweeregelig onderschrift in het Nederlands.
Card 342, Rose Coghlan, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses
Das Rathhauß zu Nürnberg gegen dem Marckt
Object type: print
Date: 1742 – 1801
Materials: cardboard, paint, paper, watercolor
Techniques: brush, cutting, etching, perforating
Location: germany
Subjects: townhall, street (+ city(-scape) with figures, staffage)

Mogelijk rechtsboven genummerd geweest: 232. Mogelijk linksonder genummerd geweest: 57.
De serie “Neurenberg”, met het nummer 57, bevat vier prenten met de nummers 232-235, waarvan dit mogelijk nummer 232 is.