deem-data/ArtiFact huggingface dataset:
Gezicht op de brug bij Saint Maurice te Zwitserland
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Artist: jan gerard waldorp
Artist role: draughtsman, print maker
Artist dates: 1740 – 1808
Subjects: saint-maurice (zwitserland)
Inscriptions: collector's mark: Lugt 2228

Bergachtig landschap met de brug bij Saint Maurice te Zwitserland. Op een pad zijn een man en vrouw in gesprek.
Parasol
Object type: parasol
Date: 1845 – 1845
Materials: cotton, ivory, metal, pearl, silk, stone
Culture: french
The Madame B Album
Object type: photograph
Date: 1870 – 1879
Materials: ink
Techniques: albumen silver print
Location: france
Artist: marie-blanche hennelle fournier
Artist nationality: french
Artist dates: 1831 – 1906
Nicolas Potier de Novion
Object type: print
Date: 1664 – 1664
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits
Cartouche met allegorie op de geschiedenis van Griekenland
Object type: titelblad, titelpagina
Date: 1742 – 1742
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: (story of) minerva (pallas, athena), 'historia'; 'historia' (ripa), colossus of rhodes (wonder of the world)
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Westerbaen, Kornelis. Algemeene histori van het begin der Wereld af tot den tegenwoordigen tyd toe, Zevende Deel. Utrecht: Besseling, Hermanus, 1742.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 106 van dit album.
Kaart van het Hoogheemraadschap van de Krimpenerwaard (derde deel van kaart)
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: johannes leupenius
Artist role: draughtsman, painter, print maker
Artist dates: 1646 – 1693
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195

Derde deel van de kaart van de derde druk van 'Het Hooge Heemraadschap vande Crimpenre Waard', een wandkaart (bestaande uit een zesdelige kaart en een wapenrand) van het Hoogheemraadschap van de Krimpenerwaard.
Bergachtig landschap in Spanje
Object type: drawing
Date: 1772 – 1844
Materials: ink, paper
Techniques: brush, pen
Artist: cornelis apostool
Artist role: draughtsman, print maker
Artist dates: 1762 – 1844
Subjects: mountains, spain
Yangqin  (揚琴)
Object type: yangqin 揚琴
Date: 1801 – 1900
Materials: brass, wood
Culture: chinese
Location: china
Open-mouth Jar Inscribed for the Storehouse-Keeper of Amun Mery
Object type: jar, mery
Date: 1479 – 1390
Materials: paint, pottery
Location: upper egypt, thebes
Subjects: hieroglyphs
Relief with two nude girls
Object type: relief of eros and psyche
Date: 300 – 201
Materials: terracotta
Culture: cypriot
Subjects: female nudes

The mold-made relief of two standing girls is probably a vase attachment. The back is handmade and flattened.
Gebouw met trap langs de gevel
Object type: print
Date: 1860 – 1913
Materials: paper
Techniques: etching, intaglio, retroussage
Artist: adrien de witte
Artist role: print maker
Artist dates: 1850 – 1935
Subjects: trees, housing, staircase
Inscriptions: collector's mark: Lugt 2228
Avenue des Champs-Élysées / Champs-Elysees Avenue
Object type: photomechanical print
Date: 1920 – 1932
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage), triumphal arch
Samengesteld groepsportret van het organisatiecomité van de Calven-Feier te Chur
Object type: montagefoto
Date: 1898 – 1899
Materials: paper
Techniques: photograph
Location: chur
Subjects: committee members, board members
Portret van Gerrit van Schoorl
Object type: watercolor
Date: 1837 – 1837
Materials: paper, watercolor
Techniques: brush
Artist: j. de kruyff
Artist role: draughtsman
Subjects: print, e.g.: engraving, etching, lithograph, historical persons, wandering or travelling merchant, art dealer
Inscriptions: inscription: ‘Gerrit van Schoorl/ Plattelands prente koopman te Alkmaar/ 1837’

Portret van Gerrit van Schoorl, volgens het opschrift op verso 'Plattelands prente koopman te Alkmaar'. Een dergelijke prentenkoopman of prentverkoper was in feite een marskramer die rondtrekkend van plaats naar plaats prenten verkocht.
Vier tijden van het etmaal
Object type: print
Date: 1636 – 1679
Materials: paper
Techniques: etching
Location: antwerp
Subjects: pipe ~ tobacco, farmers, urination
Inscriptions: collector's mark: Lugt 2228

Verbeelding van de avond: drie boeren bij een open haard in een herberg. Eén van hen plast tegen de muur aan.
Kroes van tin met concave, iets geprofileerde standring. De cuppa vertoont drie profielbanden.
Object type: kroes
Date: 1580 – 1600
Materials: tin

Kroes van tin met concave, iets geprofileerde standring. De cuppa vertoont drie profielbanden.
Mace
Object type: mace
Materials: gold, steel
Culture: italian
Location: italy

The large steel head of this mace is composed of seven triangular flanges etched overall with trophies and scattered elements of armor on a dotted background; the spaces between the flanges are filled with twisted strapwork. The steel cylindrical shaft is hollow, its etched decoration en suite is arranged in four lengthwise bands, the spiral grip also etched en suite. The shaft is pierced just above the grip for a wrist strap. The decoration on this fully gilded mace is in the same style as on an armor in the Metropolitan Museum's collection (acc. no. 14.25.717a–r). Maces became increasingly popular during the fifteenth and sixteenth centuries––a parallel to the use of the war hammer––due to the ineffectiveness of edged weapons against fully developed plate armor. Though the blow of a mace could not penetrate the armor plates, it might be enough to stun or disable an opponent. Maces were used by cavalrymen, and even became a badge of rank, as was certainly the case with this example.
Model of a Support in a Dry Dock
Object type: demonstration model
Date: 1849 – 1849
Materials: brass, wood
Location: united states
Artist: Anonymous
Inscriptions: label, on the dock: ‘12’ former inventory label, inscription, on the ship’s side, in pencil: ‘Hotel [...] / no. 19.’

Schematisch model van een deel van een droogdok, met deel van een scheepswand op blokken ondersteund door een samengestelde bok: met een heugel en pal kan de bok in verschillende standen gezet worden, zich aanpassend aan de helling en hoogte van het scheepsvlak.
Staande figuur in kostuum, mogelijk een variétéartiest
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: standing figure, stage costume

Blad 19 verso uit schetsboek XXV met 23 bladen.
Boekomslag Paul Fierens 'L'Art Hollandais contemporain (ontwerp met drie gratiën)
Object type: study for binding design
Date: 1933 – 1933
Materials: chalk, paper
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: graces (charites), generally three in number; 'gratie' (ripa), book-cover, binding

Drie staande naakte vrouwen die elkaars handen vasthouden, de linker op de rug gezien, alleen de vrouw rechts met gezichtskenmerken.
Honden jagen een hert op en vallen het aan
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: hoofed animals: deer, hunting dogs, hunter
Inscriptions: collector's mark: Lugt 240
Blaffende keeshond, ca. 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: dog, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Een blaffende naar rechts gewende keeshond in een bos, in ovaal, ca. 1787. Met als onderschrift "Ik bijt".
Kantpatroon
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: nature print
Location: vienna
Artist: alois ritter von auer von welsbach
Artist role: printer
Artist dates: 1813 – 1869
Subjects: lace
Inscriptions: inscription: ‘Originalselbstdruck./ Beilage zu M. Auer's poligrafisch-illustrierter Zeitschrift "Faust."’

Blad uit reeks van 16 Naturselbstdrucke Auer.
Zittende vrouw met wijnrank en penselen
Object type: print
Date: 1608 – 1688
Materials: paper
Techniques: engraving
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: sitting figure - aa - female human figure, brushes ~ implements of painter
Inscriptions: collector's mark: Lugt 240
Minister van Kleffens in gesprek met minister Van den Tempel
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Location: london
Subjects: politician, london

Minister van buitenlandse zaken Eelco van Kleffens (links) in gesprek met minister van sociale zaken Jan van den Tempel (1877-1955). Aan de muur hangt een portret van prins Bernhard. Het lijnennet op de foto is aangebracht door kunstenaar Cor Visser.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; parts of two draped males
View Near Albury
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: human figures,swans,rivers,trees,boats
Anger
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: george woodward
Artist nationality: english
Artist dates: 1760 – 1809
Stirrup Vessel with Fineline Painting Depicting a Figures in Reed Boat
Object type: vessel
Date: 100 – 500
Materials: ceramic, paint, pigment
Culture: moche
Location: peru
Overgrootvader J.G. de Jong van Beek en Donk
Object type: photograph
Date: 1876 – 1876
Materials: photographic support
Techniques: photography
Location: amsterdam
Inscriptions: inscription: ‘Overgrootvader J.G. de Jong / van Beek en Donk / 1876.’

Foto op bruin albumblad 20 van familiealbum van Alphons Diepenbrock.
Gezicht op de reede
Object type: photograph
Date: 1895 – 1898
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: pier, quay, wharf, ship in the roads, roadstead
Inscriptions: inscription: ‘Gezicht op de reede. / Le contre Amiral Courbet der Comp.ie Française des Câbles télégraphiques / De "Albina" (kol. vaartuig) / La Ville de Cayenne / De "Paramaribo" (kol. vaartuig)’

Gezicht op de rede van Paramaribo. Verschillende schepen liggen voor anker, waaronder de Albina, La Ville de Cayenne en de Paramaribo. Panorama samengesteld uit twee aan elkaar geplakte fotoafdrukken. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Sleepy Nicolle
Object type: drawing and watercolor
Date: 1900 – 1900
Materials: board, paper, pastel
Location: united states
Artist: mary cassatt
Artist role: print maker
Artist nationality: american
Artist dates: 1844 – 1926
Subjects: mothers, babies, parents, children
Inscriptions: Signed recto, lower right: "Mary Cassatt"
Dorpsstraat met een wandelend gezelschap
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes adrianus van der drift
Artist role: print maker
Artist dates: 1808 – 1883
Subjects: village lane, alley (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
S. Urbain, pape et martyr (St. Urban, Pope and Martyr), May 25th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Baluster-Shaped Vase with Peony Flowers
Object type: vessel
Materials: porcelain
Techniques: celadon glazed, molding, underglaze
Location: china
Jar decorated with plum blossoms
Object type: jar
Date: 1501 – 1533
Materials: glaze, stoneware
Culture: chinese
Prospect der König Strasse gegen das Land Thor zu Boston
Object type: print
Date: 1755 – 1779
Materials: paper, watercolor
Techniques: brush, etching
Location: augsburg
Subjects: street (+ city(-scape) with figures, staffage)
Head of a Sleeping Man
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Techniques: drawing, stumping
Location: italy
Artist: correggio
Polysiphonia cristata
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants
Bronze, Tiberius Claudius, 14 A.D., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Bow
Object type: bow
Date: 1492 – 1473
Materials: wood
Location: egypt
Bladzijde uit het fotoalbum van de familie Diepenbrock met 6 foto's van Alphons Diepenbrock en zijn omgeving
Object type: album leaf
Date: 1909 – 1917
Materials: cardboard, photographic support
Techniques: photography
Location: amsterdam
Subjects: amsterdam, alphons diepenbrock
Inscriptions: inscription

Bruin albumblad 27 van familiealbum van Alphons Diepenbrock.
Groups of Men Talking
Object type: drawing
Date: 1610 – 1664
Materials: ink
Techniques: pen
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men
Portret van een lezende man, zittend in een interieur aan een tafel
Object type: drawing
Date: 1868 – 1928
Materials: paper
Techniques: brush, pen
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: interior of the house
Isabel Wachenheimer, Erica en Hansl in de tuin van de woning van Willy Moos in Hamburg, Bellevue 62, in maart-april 1935
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: hamburg
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, two fronds from a circumscribed palmette
Portret van een moeder met twee kinderen
Object type: carte de visite
Date: 1865 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: arnhem
Artist: johannes ephraim
Artist role: fotograaf
Artist dates: 1838 – 1921
Inscriptions: address: ‘J. Ephraim/Rynkade. 311 & 312/Arnhem’

Een zittende vrouwmet een baby op schoot en een kleuter staand naast haar stoel.
Rowel Spur (Left)
Object type: spur
Date: 1301 – 1350
Materials: copper alloy
Culture: italian
Location: france

The remaining tab and the chape of the buckle are decorated with lions passant, a heraldic device. Here, however, they are probably only decorative and do not refer to any particular family. The first rowel spurs, which featured a revolving disc or star at the end of the neck, appeared in Western Europe around the mid-13th century. They cohabitated with the earlier form, the prick spur, for about a century, before replacing it almost completely in Europe by the mid-14th century. The advantage of the rowel spur over the prick was it allowed the rider to reach the flanks of its horse with one of the points whatever the angle of its foot, which was very convenient regarding the riding position of the time, with long stirrups-leathers and extended legs. The fact that the rowel rolled against the horse instead of hitting it directly reduced also the probability of injuring it too seriously. As a knight’s status was closely related to his horse, spurs became one of the symbols of chivalry, and one of the tokens given to him during his knighting.
Glass double cosmetic flask (kohl tube)
Object type: cosmetic flask, double
Date: 301 – 400
Materials: glass
Culture: roman, syrian

Translucent yellowish green; handles and trail in same color. Tubular rim folded out, over, and in; body comprising two tubes, side by side, made from a single inflated gather by pinching sides vertically to make a diaphragm; thick, flattened bottom with prominent pontil pad; two rod handles attached to side of body over trail in large, claw pads, drawn up and out, turned in, and trailed off on edge and top of rim. Single trail applied as a pad on upper body and wound down in a spiral six and a half times, ending on lower body. Broken and repaired, with cracks and two holes in body below handles, and several parts of trail missing; pinprick bubbles; slight dulling and iridescence on exterior, some reddish soil encrustation and brilliant weathering on interior.
Medemoiselle Berthe Cerny
créatrice, à la comédie francaise
la parisienne de Becque
Object type: photomechanical print
Date: 1907 – 1912
Materials: paper
Techniques: two-color autotype
Subjects: paris, historical persons - bb - woman
Plein met ruiterstandbeeld van Peter de Grote in Sint Petersburg
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: aquatint, etching
Artist: christian gotthelf schönberg
Artist role: print maker
Artist dates: 1760 – 
Subjects: peter i de grote (tsaar van rusland), monument, statue, armorial bearing, heraldry
Sword (Shamshir)
Object type: sword shamshir
Materials: gold, iron, steel
Culture: indian
Location: india
Dish
Object type: dish
Date: 1667 – 1733
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers
Faustina Jr. d. A.D. 176, wife of Marcus Aurelius
Object type: medallion
Date: 1500 – 1570
Materials: bronze
Artist: giovanni del cavino
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1570
Spotpenning op het niet naleven van de Pragmatieke Sanctie 1742
Object type: history medal
Date: 1742 – 1742
Materials: brass
Techniques: striking

Messing penning, op de voorzijde Maria Theresia met kind, met omschrift en afsnedetekst, op de keerzijde vier mannen rond een landkaart, met omschrift.
Veldtocht in de Spaanse Nederlanden
Object type: history medal
Date: 1699 – 1703
Materials: bronze
Techniques: striking
Location: paris
Subjects: lodewijk xiv (koning van frankrijk)

Bronzen penning. Voorzijde: borststuk jongeman (Lodewijk XIV) binnen omschrift. Keerzijde: gehelmde man zittend op vaandels onder boom binnen omschrift.
Bosrijk landschap met twee figuren op een brug
Object type: print
Date: 1713 – 1768
Materials: paper
Techniques: etching
Location: switzerland
Artist: johann caspar ulinger
Artist role: painter, print maker
Artist dates: 1703 – 1768
Subjects: landscape with bridge, viaduct or aqueduct, landscapes with waters, waterscapes, seascapes (in the temperate zone), forest, wood, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228
Tray
Object type: tray
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: mice
Liber Chronicarum
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: salome gives the head of john the baptist to her mother

De houtsnede wordt gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 94v.
Figure Dish
Object type: dish
Date: 1880 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: mckee and brothers
Artist role: maker
Artist nationality: american
Artist dates: 1856 – 1889
Subjects: lions
Voetoperatie
Object type: print
Date: 1630 – 1645
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: eyeglasses, spectacles, (human) skull, farmers, operation, surgery
Inscriptions: collector's mark: Lugt 240

Een chirurg voert, in het bijzijn van vijf personen, een operatie uit aan de voet van een man.
Gezicht op het Rijksmuseum
Object type: photograph
Date: 1890 – 1910
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: permanent exhibition, museum
Inscriptions: inscription: ‘no. 3 Rijksmuseum Amsterdam’
Terracotta fragment of a kylix (drinking cup) or a skyphos (deep drinking cup)?
Object type: kylix or skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Below the rim, debased palmette-lotus chain
Mask
Object type: mask
Date: 1701 – 1800
Materials: leather
Culture: european
Subjects: masks
Interieur van een ruimte met verschillende zithoeken in de ambtswoning van de Javasche Bank te Batavia
Object type: photograph
Date: 1921 – 1921
Materials: paper, cardboard
Techniques: gelatin silver print
Location: batavia
Artist: Anonymous
Subjects: interior ~ representation of a building, living-room, parlour, sitting-room, batavia
Snuffbox (part of a set)
Object type: snuffbox
Date: 1728 – 1730
Materials: gold, quartz
Artist: noël hardivillers
Artist role: maker
Artist dates: 1679 – 1779

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Glass bottle
Object type: bottle
Date: 301 – 500
Materials: glass
Culture: roman

Translucent light green, with yellow green streak in bottom. Uneven rim folded out, round, up, and in; flaring mouth; misshapen cylindrical neck; horizontal shoulder, pushed in on one side; tall, straight-sided body, tapering downwards to projecting bulge at junction with thick, solid, knob-like rounded base with pontil scar. On side, 34 almost vertical ribs. Intact; bubbles and blowing striations; dulling, pitting, and faint iridescence on exterior, reddish soil encrustation and iridescent weathering on interior.