deem-data/ArtiFact huggingface dataset:
De Revisie van Strafzaken in de Kamer
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, jonkheer alexander frederik de savornin lohman, lower house, parliament, chamber, political caricatures and satires

Harte en Hartogh bepleiten behandeling van hun wet over revisie van strafzaken, maar de Kamerleden stellen uit en vertrekken voor reces.
Shipyard (from Sketchbook)
Object type: drawing
Date: 1858 – 1916
Materials: graphite, ink, paper
Culture: american
Artist: henry ward ranger
Artist role: artist
Artist nationality: american
Artist dates: 1858 – 1916
Subjects: boats

This sketchbook contains thirty-one undated drawings in graphite and ink of Noank and Lyme, Connecticut subjects. Beginning in 1899, Ranger became a leading member of the artists’ colony at Old Lyme, Connecticut, where a group of painters influenced by the Barbizon and impressionist styles gathered in the summer at the home of Florence Griswold. Ranger later acquired a country home in Noank, on Long Island Sound, near New London, Connecticut, and did much of his sketching there.
Portret van Louise Bourgeois
Object type: print
Date: 1650 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons - bb - woman, midwife, 'accoucheuse'

Prent gebruikt in: The Compleat Midwife's Practice Enlarged (...). Londen: R. Bentley, 1697. Prent mogelijk ook gebruikt in eerdere edities van dit werk.
Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies:  Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso)
Object type: drawing
Date: 1557 – 1602
Materials: chalk, ink, drawing material
Techniques: pen
Artist: agostino carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1557 – 1602
Subjects: birds,male nudes,women,monkeys
Clare ende naeckte Afbeeldinghe van de Stadt Duynkercken / met zijn gheleghentheydt / van de haven / scheurtgen / ende uytvaert / diepten ende ondiepten daer omtrent: Ende waer dat ons Schepen legghen / om haer het uytcomen te beletten / Alles perfecktelick ende nae 't leven afgheteeckent
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: pirate, corsair, buccaneer, battle (+ naval force)
Inscriptions: date

Het Noord-Franse en Vlaamse kustgebied tussen Duinkerken en Grevelingen met schepen van de Staatse vloot liggend voor Duinkerken om het uitvaren van zeerovers te beletten, 1628. Op de voorgrond een gevecht tussen enkele oorlogsschepen. Bovenaan twee inzetten met detailkaarten. Onder de plaat gedrukt een tekst in 3 kolommen.
Diptych with Adoration of the Magi and Crucifixion
Object type: diptych
Date: 1301 – 1400
Materials: ivory, silver
Culture: french
Subjects: christ,adoration of the magi,crucifixion
Rue de Rivage, Abbeville
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: lithograph
Artist: thomas shotter boys
Artist role: draughtsman, print maker
Artist dates: 1803 – 1874
Subjects: canals, waters (in city), city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Bie blau schuijte
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ship of fools
Inscriptions: collector's mark: Lugt 2228

Het bootje met het opschrift ‘bie blau schuyte’ heeft een speelman als punterman met een snaarinstrument op zijn rug en een kan op het hoofd. In de boot bevinden zich nog zes figuren waaronder een liggende dikke man met een liedboek en twee vrouwen. Onder de voorstelling een vierregelig vers in het Nederlands in twee kolommen, verwijzend naar dranklust, losbandigheid en verdorvenheid.
Vork met het helmteken Clifford
Object type: fork
Date: 1832 – 1832
Materials: silver
Location: amsterdam
Artist: hendrik helweg
Artist role: silversmith
Artist dates: 1802 – 1858
Inscriptions: hallmark: ‘Minervakop met A (keurkamer Amsterdam)’, maker's mark: ‘HH onder anker in vierkant’, alloy mark: ‘leeuw 1ste gehalte’, date letter: ‘X (=1806)’

De viertandige vork is aan zowel boven- als onderzijde door middel van enkel lof verbonden met de platte, gebogen steel, die zich verbreedt naar het spatelvormige uiteinde. Boven- en onderzijde van de steel worden omgeven door een dubbele filetrand, die bij het uiteinde ingezwenkt is. Op de onderzijde van de spatel is het helmteken Clifford gegraveerd.
Study for St. Martin's in the Fields, from Microcosm of London
Object type: drawing and watercolor
Date: 1809 – 1809
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Don Chepito witnessing a boxing match between two men (one black, the other white)
Object type: print
Date: 1896 – 1896
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,spectators,boxing

Image included in the broadsheet "Don Chepito en Mexico," Illustration No. 2 (Imprenta de A. Vanegas Arroyo, ca. 1896).
Morning Visit
Object type: painting
Date: 1796 – 1796
Materials: oil, panel
Artist: adriaan de lelie
Artist role: draughtsman, painter
Artist dates: 1755 – 1820
Subjects: vegetables, kitchen, old man, drinking
Inscriptions: signature and date: ‘A. de Lelie Ft 1796’

The greengrocer has delivered his produce and before moving on has a chat with the maidservant. De Lelie painted this old Dutch kitchen scene in the tradition of 17th-century genre painting. He was interested in rendering the various details as faithfully as possible: the baskets of vegetables, the earthenware jug, the pewterware on the fireplace mantel and the brassutensils against the white tiles.
Gezicht op een gevel
Object type: glasnegatief, glasplaatnegatief
Date: 1865 – 1900
Materials: glass
Techniques: collodion process
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909
Subjects: façade (of house or building)

Onderdeel van groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, stillevens, portretten, zelfportretten en kunstreproducties.
Autocoureur Giraud, deelnemer aan de Tour de France voor automobielen, op een landweg in Vitry-le-François
Object type: photograph
Date: 1899 – 1899
Materials: paper, photographic support
Techniques: gelatin silver print
Location: vitry-le-françois
Artist: delizy
Artist role: manufacturer
Subjects: automobile

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Honora Dominium de tua substantia, et vino torcularia tua redundabunt
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: harvest, vintage, grape harvest
Inscriptions: collector's mark: Lugt 240

Vrouwen en een naakte jongen dragen druiven naar een grote ton, waar de druiven worden geperst. Op de achtergrond links een man die druiven plukt.
Grafmonument van J.B. Smekens en M.C. Helsel
Object type: print
Date: 1824 – 1865
Materials: paper
Techniques: etching, intaglio
Artist: louis antoine carolus
Artist role: print maker
Artist dates: 1814 – 1865
Subjects: grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Portret van Joachim Hohmann op 44-jarige leeftijd
Object type: print
Date: 1591 – 1591
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: adult man, historical persons, physician, doctor
Strainer
Object type: strainer
Date: 800 – 1
Materials: bronze
Culture: italic

The bowl has four holes and the handle is bent twice at right angles.
Paard
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Artist: carl fredrik kiörböe
Artist role: print maker
Artist dates: 1799 – 1876
Subjects: horse
Inscriptions: signature: ‘Hamb. privil. Steindr. 1829’, signature: ‘CFKiörbo’, collector's mark: Lugt 2228, title: ‘Gentile’, inscription: ‘af ryska Hingsten Bajazet och arabiska Stoet Molly. Född 1821.’
Marine met gezicht op het fort van Rammekens
Object type: print
Date: 1591 – 1659
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: warfare; military affairs (+ naval force), middelburg
Inscriptions: inscription: ‘Zelandia Illustra. I. 645’, collector's mark: Lugt 2760

Zeevloot met gezicht op het fort van Rammekens, met Middelburg en Veere op de achtergrond.
Denarius Serratus (Coin) Depicting the God Saturn
Object type: coin
Date: 106 – 106
Materials: metal, silver
Culture: roman
Location: italy
Subjects: gods (deities), chariots
Inscriptions: Reverse: L  SCIP   ASIAG  L

The front of this coin depicts the head of the god Saturn, facing left.

On the back, the god Jupiter is shown nude and riding in a four-horse chariot called a quadriga.
Flat Brooch
Object type: brooch
Date: 201 – 300
Materials: copper alloy, glass
Culture: roman
Beroepen en ambachten
Object type: print
Date: 1822 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: wigmaker, 'perruquier', craft-production, skilled handiwork, farmers, working class, labourers, street-trader, crafts and industries, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van ambachtslieden en beroepen, zoals straatverkoper, tamboer, timmerman en pruikenmaker. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: N. 17.
Fotoreproductie van het schilderij Schuttersmaaltijd ter viering van de Vrede van Munster door Bartholomeus van der Helst
Object type: reproduction
Date: 1864 – 1930
Materials: cardboard, paper
Techniques: carbon print
Subjects: mayor, cornelis witsen, celebration meal, feast, banquet, picture, painting, private festivities, merry company, amsterdam
Sauceboat
Object type: sauceboat
Date: 1760 – 1760
Materials: stoneware
Techniques: salt glaze
Tafellaken met vijf wapens
Object type: tablecloth
Date: 1700 – 1700
Materials: linen
Techniques: damask

Tafellaken van linnendamast met vijf wapens, waarvan één in het midden en vier in de hoeken. Bloemenrand.
Clavis scripturae sacrae hoc est de sermone s. litterarum recté cognoscendo
Object type: titelblad, titelpagina
Date: 1629 – 1629
Materials: paper
Techniques: engraving
Location: basel
Subjects: evangelists, usually with books or scrolls (not in biblical context), old testament and new testament ~ christian doctrine, christ, the apostle paul of tarsus; possible attributes: book, scroll, sword
Inscriptions: collector's mark: Lugt 240

Christus met rijksappel en sleutel zit te midden van de vier evangelisten met bijbehorende wezens. Onder hen de boektitel geflankeerd door de personificaties van het Nieuwe Geloof (Lex Nova) met kruis en boek en het Oude Geloof (Lex Vetus) met roe en stenen tafelen. Aan de onderzijde drie cartouches met scènes uit het leven van Paulus: zijn bekering, zijn gevangenschap en zijn dood.
Inlay, female face
Object type: inlay, female face
Date: 100 – 100
Materials: glass
Location: egypt
Subjects: faces,women

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Such elements could also be used side by side to create repeating patterns. Or if the rod presented one half of an element that was symmetrical, such as a face, a tile and a reversed tile from the same rod could be put together to form a complete whole.
Portret van een staand meisje, leunend op de leuning van een stoel
Object type: carte de visite
Date: 1858 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: a. böeseken
Artist role: fotograaf, lithograaf
Artist dates: 1834 – 1919
Subjects: historical persons - bb - woman, girl (child between toddler and youth), standing figure - aa - female human figure, chair
Inscriptions: inscription: ‘A. Böeseken/ Photographisch Atelier/ ROTTERDAM/ Hoogstraat over de/ Vlasmarkt.’
Landschap
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: autotype
Artist: arthur burchett
Artist role: painter
Artist dates: 1853 – 
Subjects: landscapes
The Crucifixion, from The Small Passion
Object type: print
Date: 1624 – 1631
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

Jacques Callot’s etching series The Small Passion exemplifies the artist’s penchant for intimate detail. These prints highlight the ways he depicted space throughout a complete narrative. He framed each stage of the Passion of Christ with a different type of architectural or natural element. The porous boundaries of the exterior scenes allow visual movement by extending the view beyond the foreground figures, while the more rigorously contained interior scenes evoke a sense of finality. For example, Callot’s iconic image of the Last Supper takes place within an isolated triumphal arch that resembles an altar.
Reproductie van een schilderij van een man en vrouw aan tafel naar Jozef Israëls
Object type: reproduction
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: family life at home, evening meal, dinner, supper
Inscriptions: inscription: ‘No. 2./ Jozef Israëls "voor het eten".’

Deze prent maakt deel uit van een album.
Monte Carlo. Le Casino vu depuis le Château
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard, photographic process
Location: monte carlo
Artist: Anonymous
Subjects: sea (seascape), casino, prospect of city, town panorama, silhouette of city
Terracotta fragments of lekythoi (oil flasks)
Object type: lekythos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Three black glaze fragments from lekythoi
Head of an Old Man
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: charcoal, paper, pastel
Location: germany
Artist: adolph menzel
Artist role: artist
Artist nationality: german
Artist dates: 1815 – 1905
Sacred Eye Ring
Object type: ring, sacred eye
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: eyes
Woman and Small Boy
Object type: print
Date: 1780 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunchō
Artist role: artist
Artist nationality: japanese
Artist dates: 1775 – 1795
Subjects: fans,boys,women

In this print the artist employs seasonal clues to suggest the summer setting. Mother and child are engaged in a leisure summertime activity, a luxury they can enjoy as members of the merchant class (chōnin). The child points to a cicada (a summer insect) on a tree branch, and his mother shows interest in her son's discovery. Each holds an accessory common in summer: he a parasol, she a fan. Shunchō often used the format of hashira-e, or pillar print—a narrow, vertical composition. Here, following the Japanese convention in which images are cropped to conform to the print's dimensions, he truncated the parasol, the mother's left arm, and part of her hair. With particular skill he rendered just enough of the tree to let the viewer know where the child's attention is focused.
Reliëf met personificatie van het element Lucht boven boog in de Burgerzaal van het Stadhuis op de Dam
Object type: book illustration
Date: 1663 – 1668
Materials: chalk, ink, paper
Techniques: engraving, etching, pen
Artist: hubert quellinus
Artist role: print maker
Artist dates: 1619 – 1687
Subjects: predatory birds: eagle, clouds, air (one of the four elements), birds, stars
Inscriptions: inscription: ‘C N. 2’, collector's mark: Lugt 2228

Huidige staat van prent ook gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Artus Quellinus (I), 1663. En in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Frederik de Wit, 1668.

Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
Oedipus and the Sphinx
Object type: painting
Date: 1864 – 1864
Materials: canvas, oil
Artist: gustave moreau
Artist role: artist
Artist nationality: french
Artist dates: 1826 – 1898
Subjects: men,oedipus,sphinx

The legendary Greek prince Oedipus confronts the malevolent Sphinx, who torments travelers with a riddle: What creature walks on four legs in the morning, two legs at noon, and three legs in the evening? Remains of victims who answered incorrectly litter the foreground. (The solution is the human, who crawls as a baby, strides upright in maturity, and uses a cane in old age.) Moreau made his mark with this painting at the Paris Salon of 1864. Despite the growing prominence of depictions of everyday life, he portrayed biblical, mythological, and imagined stories. His otherworldly imagery inspired many younger artists and writers, including Odilon Redon and Oscar Wilde.
Portret van Catharina Reichel
Object type: print
Date: 1660 – 1703
Materials: paper
Techniques: engraving
Artist: martin heinrich omeis
Artist role: print maker
Artist dates: 1650 – 1703
Subjects: plants; vegetation, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228, name: ‘Catharina Reichelm’
A Courtesan Holding a Lantern and a Fan
Object type: print
Date: 1745 – 1745
Techniques: hand coloring, hashira, urushi, woodblock print
Location: japan
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Leraar met drie kinderen
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: teacher and pupil, façade (of house or building)
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie van acht prenten. Deze prenten zijn gebruikt in: Schulz, Johann Michael Friedrich. Elementarbuch der lateinischen Sprache. Berlijn: August Mylius, 1779, 2 dln.
View of the Villa Lante on the Janiculum in Rome
Object type: drawing
Date: 1782 – 1783
Materials: graphite, watercolor
Techniques: brush
Artist: john robert cozens
Artist role: artist
Artist nationality: british
Artist dates: 1752 – 1797
Subjects: buildings,landscapes,rome

Like many eighteenth-century British artists, John Robert Cozens traveled to Italy to sketch the landscape. Working en plein air—typically in graphite or black chalk—he captured the essential forms, then colored his sketches with watercolor washes either on the spot, in his Italian lodgings, or sometimes upon his return to Britain. Cozens made this watercolor of the Villa Lante, on the Janiculum hill outside the ancient walls of Rome, for William Beckford, the wealthy author, collector, and aesthete whom he accompanied to Italy in 1782–83. By omitting hard outlines, blotting brushstrokes, and articulating details of foliage and architecture with delicate touches of color, the artist achieved a soft, luminous effect. The low viewpoint causes the buildings to appear dramatically silhouetted against the sky, and reveals an interest in the aesthetic category of the Sublime. The evocative, atmospheric style of Cozens's finest watercolors inspired the following generation of artists, and prompted John Constable, in 1835, to describe his predecessor as "the greatest genius that ever touched landscape."
The Toilet
Object type: print
Date: 1878 – 1878
Techniques: scraping
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: girls
Terracotta fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 550 – 501
Materials: terracotta
Culture: greek, attic

Exterior, lower leg and foot of a draped figure to right; five dots (inscription?); right buttock and legs of a male to right
Portret van Jan Ernst Wildeman
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: nicolaas martinus schild
Artist role: draughtsman, print maker
Artist dates: 1822 – 1840
Subjects: harlingen, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Gauntlet Sword (Pata)
Object type: gauntlet sword pata
Date: 1701 – 1800
Materials: brass, steel
Culture: indian, south indian
Location: india
Family Life at Pavia House in Zeist
Object type: photograph
Date: 1808 – 1897
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: signature and date: ‘H. Pauw v. Wieldrecht. / Augustus 1897.’, annotation: ‘No 1413.’, annotation: ‘personeel van / "Pavia" - Zeist’

These photographs reveal Pauw van Wieldrecht’s development from amateur to exceptionally talented photographer. His key subjects were family and domestic life in and around the family homes, travels, outings, and hunting. We see the photographer’s nephew Reinier (1897), brother Maarten defending himself from a charging (stuffed) wild boar (May 1898) and the domestic staff (August 1897).
Gezicht op het interieur van de Sainte-Chapelle te Parijs
Object type: book illustration
Date: 1837 – 1837
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: roman catholic church, interior of church, paris
Inscriptions: collector's mark: Lugt 2228

Prent uit: Nederlandsch Magazijn ter verspreiding van algemeene en nuttige kundigheden. Amsterdam: Gebroeders Diederichs, 1837.
Fotoreproductie van een prent van Burg Liebenstein
Object type: reproduction
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., (high) hill, ruin of a dwelling, house, castle, etc.
Inscriptions: annotation: ‘Burgstein bij Liebestein’, annotation: ‘Burgstein bij Liebestein’, inscription: ‘Alte Burg Liebenstein, v. West’
Brief aan Frederik Daniel Otto Obreen
Object type: letter
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: print maker, johannes hendricus jurres, rotterdam, amsterdam, draughtsman, frederik daniel otto obreen, education, tuition of the artist (in general), money
Box with portrait of a lady
Object type: box, painting
Date: 1817 – 1817
Materials: glass, gold, ivory, shell, wood
Subjects: portraits,women
Stadsgezicht met kerkgebouw
Object type: drawing
Date: 1840 – 1860
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Inscriptions: number: ‘00:500’