deem-data/ArtiFact huggingface dataset:
Portret van een onbekende oude man
Object type: photograph
Date: 1856 – 1856
Materials: glass, leather, metal, mother of pearl, textile, wood
Techniques: ambrotype
Artist: Anonymous
Subjects: historical persons, old man
Inscriptions: inscription: ‘Memento’
Portret van François-Athanase Charette de la Contrie
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, snipping
Artist: Anonymous
Subjects: historical persons

Prent mogelijk uit: Correspondance secrète (...). 2 dln. Parijs: François Buisson, 1799.
Gezicht op het Palais du Luxembourg in Parijs
Object type: stereograph
Materials: cardboard, photographic support
Techniques: salted paper print
Location: paris
Artist: léon pierre jouvin
Artist role: fotograaf
Artist dates: 1829 – 1891
Subjects: palace
Inscriptions: inscription: ‘Parijs le Luxembourg’, inscription: ‘zelf gekocht Nov 57.’
Gezicht op de Herengracht
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., street, boat propelled by man or animal
Inscriptions: collector's mark: ‘8, 87’ Lugt 1641b

Andere staat ook gebruikt in: Call, Jan van. Admirandorum Quadruplex Spectaculum. Amsterdam: Pieter Schenk (I), 1700.

De titelprent, opdracht en het portret van Frederik van Saksen zijn gegraveerd door Pieter Schenk (I). De overige prenten uit deze serie zijn, zoals aangegeven op de titelprent, van de hand van Jan van Call (I).
Ornamental disk
Object type: disk
Date: 1100 – 1470
Materials: gold
Culture: chimú
Location: peru
Artist: chimú artist(s)
Artist role: artist

During the Sican (Lambayeque) and subsequent Chimu era on Peru's northern coast, the use of precious metals in ostentatious ornaments for the ruling elite grew dramatically, due perhaps to the greater availablility of such materials or to their increased cultural importance. This disk is decorated around the rim with embossed running figures created by hammering the sheet over a carved mold. It may have been a textile ornament.
Teapot
Object type: teapot
Date: 1768 – 1778
Materials: enamel, soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: chinoiserie,children,men,women
St. Mary's Church Drogheda
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: london
Subjects: city-view, and landscape with man-made constructions, landscape with ruins
Inscriptions: date

Prent verschenen in: Grose, Francis. The antiquities of Ireland. Londen: S. Hooper, 1795, dl. 2.
Westfriese duit, 1754
Object type: coin
Date: 1754 – 1754
Materials: copper
Techniques: striking
Location: west frisia

Koperen munt. Voorzijde: gekroond wapenschild van West-Friesland met lauwertakken. Keerzijde: opschrift in drie regels. Daarboven muntmeesterteken haan tussen twee rozetten. Daaronder jaartal.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Drapery; at the right, part of a stick?
Vrouw in een sari, van opzij en van voren gezien
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: adult woman, folk costume, regional costume, asiatic races and peoples: indians
Inscriptions: kleurnotitie, handgeschreven

Tevens een studie, mogelijk van figuren op een olifant. Pagina 23 uit een schetsboek met 84 bladen.
Vessel
Object type: vessel
Date: 201 – 300
Materials: bronze, silver
Culture: parthian or seleucid
Location: iran

Elaborate bowls and vessels were highly valued in ancient Near Eastern society. During the pre-Achaemenid, Achaemenid, Seleucid and Parthian periods, examples made of bronze, silver, gold, and clay were used throughout a vast area extending both to the east and west of Iran. This elegant bronze cast vessel, reportedly from Iran, is decorated with floral and botanical patterns in relief inlaid with silver. Acanthus leaves and floral motifs appear on the neck; heart-shaped leaves and lily or lotus flowers around the collar. The leaves of a white lotus plant on the body alternate with additional blossoms on the body. The broad petals and vertical ribbing distinguish the leaves of a white lotus from those of a blue one, which is more commonly represented. Silver inlay that originally appeared on the leaves’ central spines, still extant on one of them, would have enhanced the vase’s luxurious appearance even further. Although its place of production is unknown, both the decoration and casting techniques reflect Hellenistic prototypes.
Netsuke of Priest
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: men,priests
Brief aan Philip Zilcken
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: writing
Location: eindhoven
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: the hague, philip zilcken, drawing, painting (including book-illumination, miniature-painting), exhibition ~ art, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Oordeel van Salomo
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the judgement of solomon (1 kings 3:16-28)
Inscriptions: collector's mark: ‘RIJKS / MUSM’

Koning Salomo zit op zijn troon en velt zijn oordeel. Hij geeft de opdracht om de baby in tweeën te laten delen om te bepalen wie de moeder van het kind is. Rechts trekt een man zijn zwaard. Voor de troon de twee vrouwen die beiden het moederschap van het kind claimen. De prent ligt los in een album, zie blad 34.
Portret van een Javaanse funcionaris, in een uniform met twee onderscheidingen
Object type: drawing
Date: 1848 – 1854
Materials: paper, pencil
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: asiatic races and peoples (indonesians), anonymous historical person portrayed alone
Ornament met twee figuren met opgeheven armen
Object type: sketchbook leaf
Date: 1928 – 1928
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: ornaments ~ art

Met hun armen ondersteunen de figuren een balk. Blad 4 verso uit een schetsboek met 24 bladen.
Brief aan Cornelis Gerardus 't Hooft
Object type: letter
Date: 1876 – 1935
Materials: ink
Techniques: pen, writing
Artist: max liebermann
Artist role: draughtsman, print maker
Artist dates: 1847 – 1935
Subjects: painter, cornelis gerardus 't hooft, amsterdam
Inscriptions: collector's mark: Lugt 2228a

Bij de brief wordt een aantekening betreffende het object bewaard.
Funerary amulet depicting one of the Four Sons of Horus, Hapy
Object type: amulet, four son of horus, hapy
Date: 332 – 330
Materials: glass
Location: egypt
Portret van Alexandre de Beauharnais
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
A Wind God
Object type: drawing
Date: 1669 – 1669
Materials: chalk, paper
Techniques: highlighting
Artist: pietro da cortona (pietro berrettini)
Artist role: artist
Artist nationality: italian
Artist dates: 1596 – 1669
Subjects: men

This study of a youth after life served for the figure of a wind god, appearing at the edge of the central oval of the frescoed ceiling in the "Sala di Apollo" (Palazzo Pitti, Florence). In 1641, the Baroque master Pietro da Cortona undertook the decoration of the state rooms of the Palazzo Pitti, using an iconographic program that dedicated each room to a planet symbolic of the virtues required of a prince, from youth through old age. The "Sala di Venere" was the first to be finished, then the "Sala di Giove" and the "Sala di Marte." It is not clear how far work on the elaborate stucco ornament for the "Sala di Apollo" had progressed when Cortona left for Rome in 1647. The frescoes had hardly been begun. Cortona himself was never able to return to Florence to complete the project, and the decoration was finished by his principal assistant, Ciro Ferri (Italian, 1634-1689), as late as 1661. The chronology and the respective roles of Cortona and Ferri in the design process of the central fresco in the "Sala di Apollo" have been debaed, but the figure of a wind god seen in the Museum's drawing was certainly conceived and drawn by Cortona himself. Further studies of the wind god were reproduced by Malcolm Campbell (a small sheet of pen sketches in a private collection, his fig. 77; and a chalk sketch in the Istituto Centrale per la Grafica, Rome inv. 124347 verso, his fig. 78 [which Walter Vitzthum attributed to Cortona himself, while Campbell retained its old attribution to Ferri]). According to Jörg Merz (Dec 23, 2004), the drawing should be attrubuted to Ciro Ferri, like all the other studies for figures in the Sala di Apollo. The Museum's vast collection of drawings by Pietro da Cortona include two studies for the "Age of Gold" (inv. nos. 1972.118.250 and 1972.118.249), and two for the "Age of Bronze" (inv. nos. 64.48.2 and 1972.118.248).
6 Kreuzer van de vrije rijksstad Frankfurt am Main, 1853
Object type: coin
Date: 1853 – 1853
Materials: silver
Techniques: striking
Location: frankfurt am main

Zilveren munt. Voorzijde: stadsgezicht met in afsnede versiering. Keerzijde: binnen twee samengebonden eiketakken in twee regels waarde-aanduiding, waaronder jaartal. Kartelrand.
Terracotta fragments of closed shapes
Object type: undetermined closed shape
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Three fragments from closed shapes with unidentified subjects
Gezicht op de Pont d'Arcole in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Quai Notre dame Paris Pont d'arcole Quai de [...] Palais de Justice [...] de la cité’
Argus a Mercurio iugulatur
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) mercury (hermes), mercury beheads argus
Inscriptions: collector's mark: ‘Hinloopen’

Mercurius snijdt met zijn zwaard het hoofd van de slapende Argus af. Juno zit met een pauw op wolken. In het landschap staan een os en een kudde bokken en schapen. Titel in het Latijn in ondermarge.
Tirolis Comitatus continens Episcop. Tridentinum et Brixiensem (...)
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching, hand coloring
Location: augsburg
Subjects: (story of) bacchus (dionysus), liber, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228

Een herder met zijn vee, een man met een fruitschaal en Bacchus met een ton en druiventrossen bevinden zich links naast een steen met wapenschild en titel. In de achtergrond een berglandschap met dieren. Detail van een kaart van de regio Tirol in Oostenrijk.
Portret van prinses Wilhelmina, staand
Object type: carte de visite
Date: 1896 – 1896
Materials: paper, cardboard
Techniques: gelatin silver print
Location: the hague
Artist: kameke
Artist role: painter
Subjects: print maker, wilhelmina of the netherlands, historical persons - bb - woman
Inscriptions: inscription: ‘Kameke/ peintre et photo de la cour/ Reproductie/ La Haye/ Javastraat 20’
Jar
Object type: jar
Date: 1801 – 1900
Materials: pottery, silver
Culture: japanese
Plate
Object type: plate
Date: 1770 – 1775
Materials: hard paste porcelain
Artist: royal porcelain manufactory, berlin
Artist role: manufactory
Artist nationality: german
Artist dates: 1763 – 9999
Subjects: flowers
Book cover with geometric and floral pattern in red, yellow, and green
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Triumph of Julius Caesar
Object type: print
Materials: ink
Techniques: engraving, pen
Artist: andrea mantegna
Artist role: artist
Artist nationality: italian
Artist dates: 1431 – 1506
Subjects: julius caesar,male nudes,cows,elephants
Vulcan seated hammering on an anvil flanked by Venus and three cupids
Object type: print
Date: 1515 – 1527
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: cupid,venus,vulcan,working,hammers

Verso is not visible as print is laid to another sheet of paper.
Portret van Johannes Monnikhoff
Object type: print
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Proefdruk voor prent uit: Wintgens, Eduard. Johannes Monnikhoff en zijn legaat. Leiden: Somerwil, P., 1879.
La Rochelle
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta'

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, prent nummer 4 in het deel 'Poictou'.
Polder bij de Rotte
Object type: sketchbook leaf
Date: 1809 – 1876
Materials: paper, pencil
Location: rotte
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: polder, reclaimed land
Inscriptions: date and inscription: ‘nieuwe polder/ maar Nieuwerkade/ van de Rotte oneindig door [...] 20 Sept 76.’

Blad 41 verso uit een schetsboek met 46 bladen.
Figuren voor een moskee
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: etching, intaglio
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: collector's mark: Lugt 2228

Figuren voor en op een trap die leidt naar de ingang van een moskee.
Portret van Bernardo Tanucci
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: italy
Artist: b. rullo
Artist role: print maker
Subjects: italy, politician, historical persons, politician, e.g. party leader, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Censer
Object type: censer
Date: 1501 – 1600
Materials: brass
Culture: south netherlandish
Subjects: censers
Ouderlingen proberen Susanna te verleiden
Object type: print
Date: 1563 – 1563
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the elders making advances towards susanna
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Susanna baadt bij een fontein in een tuin. Twee ouderlingen komen op haar af en proberen haar te verleiden. Bij de fontein liggen enkele verzorgingsproducten. Op de achtergrond een groot gebouw. Onderaan in de marge een éénregelig onderschrift in het Latijn.
Two women in a landscape
Object type: photograph
Date: 1890 – 1910
Materials: metal
Techniques: ferrotyping
Location: united states
Artist: Anonymous
Ulerin après l'abordage
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Artist: a.j. west
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat
Title Page, from Twelve landscapes with Figures
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: etching
Location: netherlands
Artist: after gillis van scheyndel
Inscriptions: Lettered upper center in a cartouche: "Eenighe Playsante Lantschapkens ghemaeckt door G. H. van Scheyndel en ghedruckt bij CIVisscher 1624."
Brief aan Jan Veth
Object type: letter
Date: 1891 – 1891
Materials: ink, paper
Techniques: pen, writing
Location: dordrecht
Artist: martinus cornelis lebret
Artist role: verzamelaar
Artist dates: 1833 – 1894
Subjects: amsterdam, designer, jan veth, eduard karsen, utrecht, the hague, antonie cornelis loffelt, dordrecht, painter, draughtsman, painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life), money
Inscriptions: collector's mark: ‘RPK’
Germaine, Gaietee, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Bracelet, armlet
Object type: bracelet, armlet
Date: 7000 – 330
Materials: bronze
Mummy Board of Iineferty
Object type: mummy board, iineferty
Date: 1279 – 1213
Materials: gesso, paint, varnish, wood
Location: egypt
Subjects: women
Human Ailments (Achaques humanos)
Object type: drawing
Date: 1807 – 1845
Materials: ink
Techniques: brush, pen, wash
Artist: leonardo alenza y nieto
Artist role: artist
Artist nationality: spanish
Artist dates: 1807 – 1845
Subjects: illness,men,women
Forge
Object type: print
Date: 1848 – 1848
Techniques: drypoint
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: men,working
Dinner dress
Object type: dinner dress
Date: 1890 – 1895
Materials: linen, silk
Culture: french

The embroidery represented here is exquisite and quintessentially French. The designs are similar to the Rococo designs of Philippe de Lasalle (1723-1803) whose textile designs were adored in the court of Catherine II (1729-1796). His designs were whimsical fancies often including birds and vinery.
Vrouwen aanschouwen een brandend hart
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: cherubs, i.e. children's heads with wings, garden, the sacred heart
Inscriptions: collector's mark: Lugt 2228

In een tuin aanschouwen vier vrouwen een brandend hart, symbool van goddelijke liefde. De twee vrouwen op de voorgrond vertreden samen een wereldbol. Vanuit een wolk in de lucht kijkt een groep cherubijnen toe.
Saint John the Baptist eating a piece of fruit, an oval composition
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: animals,fruit,saint john the baptist
Plate
Object type: ceramic
Date: 1730 – 1730
Materials: ceramic, earthenware
Techniques: glazing
Location: rouen
Artist: rouen potteries
Artist nationality: french
Artist dates: 1526 – 1847
Inscriptions: Mark: "Rouen a la corne tronquee"
Schutterij op de binnenplaats van het stadhuis van Amsterdam
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Subjects: amsterdam
Portret van Adolf von Tschabuschnigg
Object type: print
Date: 1810 – 1859
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Breaking Up of the Blue Stocking Club
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,women,cats
Théophile Thoré (1807–1869), French critic and editor
Object type: medallion
Date: 1847 – 1847
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Paardenhoofden naar Dirk Langendijk
Object type: print
Date: 1800 – 1841
Materials: paper
Techniques: etching
Artist: joannes bemme
Artist role: print maker, printer
Artist dates: 1775 – 1841
Subjects: horse (+ head of an animal)
Inscriptions: collector's mark: Lugt 2228
Ondermouw van tule met manchet bestaande uit twee boven elkaar genaaide stroken kant
Object type: womenswear
Date: 1875 – 1890
Materials: lace, fiber
Techniques: lace
Location: netherlands
Artist: Anonymous

Ondermouw van tule, recht model. De manchet bestaat uit twee boven elkaar genaaide stroken kloskant met puntige rand.
Polish Mazurka, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: dance,women,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1914 – 1914
Materials: cardboard, ink
Techniques: pen, writing
Location: haarlem
Artist: anton l. koster
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1937
Subjects: dagmar frandsen, the hague, painter, draughtsman, philip zilcken, the graphic arts, copenhagen (city)
Inscriptions: collector's mark: ‘RPK’, address: ‘A.L. KOSTER/ Spruitenboschstraat 19/ Haarlem.’
Bois de Dattiers et de Doums, à Hamarneh
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: landscapes,palms

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Two Designs for Plate Borders
Object type: drawing
Date: 1801 – 1900
Materials: gilt, gold, gouache, graphite, watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: portraits,women,flowers