deem-data/ArtiFact huggingface dataset:
Gezicht op een stoomzeiler van Hamburg American Steam Packet Company
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: ernest antonin scoquart
Artist role: fotograaf, lithograaf
Artist dates: 1825 – 1898
Subjects: steamsailer
Inscriptions: inscription: ‘HOLSATIA - WESTPHALIA - SILESIA / (...)’
Woodpecker (one of a pair)
Object type: figure
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…." [Elizabeth Sullivan, 2013]
Terracotta amphora (jar)
Object type: amphora, type b
Date: 540 – 540
Materials: terracotta
Culture: greek, attic
Artist: group e
Artist role: artist
Subjects: women,theseus,minotaurs

Obverse, Theseus and the Minotaur Reverse, frontal chariot The confrontation between Theseus and the Minotaur (part-man, part-bull) is a subject favored by Group E. Though slow-moving, the figures indicate a more complex rendering of spatial relations than previously. The white object in the Minotaur's hand is a stone, traditionally the weapon of adversaries considered by the Greeks to be less civilized than themselves.
Footed Glass Beaker
Object type: beaker
Date: 375 – 425
Materials: glass
Culture: frankish
A Rocky Estuary with Ships and Hill Towns
Object type: drawing
Date: 1585 – 1585
Materials: ink
Techniques: pen, wash
Artist: hendrik van cleve
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1525 – 1589
Subjects: towns,ships
Set of three casters
Object type: caster
Date: 1741 – 1742
Materials: silver
Artist: paul de lamerie
Artist role: maker
Artist nationality: british
Artist dates: 1688 – 1751
Subjects: coat of arms
Portret van Edmond Picard
Object type: page
Date: 1879 – 1884
Materials: paper
Techniques: photoaquatint
Location: brussels
Subjects: edmond picard, historical persons
Gezicht op het Herculesmonument met de cascaden te Wilhelmshöhe
Object type: print
Date: 1845 – 1863
Materials: paper
Techniques: etching
Location: kassel
Subjects: english or landscape garden, garden cascade
Inscriptions: collector's mark: Lugt 2228
Horloge van goud met geciseleerde wijzerplaat
Object type: jewellery
Date: 1750 – 1800
Materials: gold
Techniques: metalworking
Location: london
Artist: leach

Gouden horloge met een geciseleerde wijzerplaat. De kast is gedreven met een voorstelling van een knielende man voor een vrouw. Hangt aan chatelaine BK-NM-12830-B.
Omslag voor: Fantasieën 1832
Object type: wrapper
Date: 1832 – 1832
Materials: paper
Techniques: pen lithography
Location: paris
Artist: nicolas toussaint charlet
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1792 – 1845
Subjects: calligraphy
Inscriptions: date

Omslag met vier prenten, genummerd 1 tot en met 4.
Heilige Drie-eenheid omringd door engelen met passiewerktuigen
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: aquatint, etching
Location: italy
Subjects: 'arma christi', trinity in which god the father and christ are represented as persons, the holy ghost as dove, angels
Inscriptions: collector's mark: Lugt 240
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; start of foot
Portret van een onbekende man
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, anonymous historical person portrayed
The Three Graces Seen Through the Bryant and Seward Calaveras Grove
Object type: photograph
Date: 1878 – 1878
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: men,women,forests,trees

This exceptionally rare untitled album features seventy-three circular-format views made seventeen years after Watkins first photographed at Mariposa Grove and Yosemite. Half of the photographs are studies of the great sequoia trees in Calaveras Grove, the other half are landscapes of Yosemite. Watkins used a stereo camera with oversize plates then masked the negatives during the printing process.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, tip of tail and calves of satyr to right
Portret van een man in uniform
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: standing figure, adult man, historical persons, (military) uniforms
Collar
Object type: collar
Date: 1601 – 1700
Culture: french
Martyrdom of St. Erasmus, after the Master of St. Erasmus
Object type: print
Date: 1401 – 1500
Techniques: hand coloring
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: men,saints
Pair of buttoned boots
Object type: knooplaars
Date: 1895 – 1910
Materials: leather, linen, plastic
Location: paris

Linker knooplaarsje van zwart glacéleer en lak. Model: half hoog met leer bekleede pompadour hak en leren zool. Gevoerd met linnen.
Fragment van tin uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, sheet metal fragments: worked; fragm, squashed, eroded, with 3 circular holes.
Seated bodhisattva in pensive pose
Object type: figurine
Date: 581 – 618
Materials: bronze
Culture: chinese
Subjects: buddhism,bodhisattvas
Christening ensemble
Object type: christening ensemble
Date: 1710 – 1710
Materials: silk, silver
Culture: british
Gezicht op een Koerdische winkel in Bursa
Object type: photograph
Date: 1888 – 1900
Materials: paper
Techniques: albumen print
Location: bursa
Subjects: shop, store
Inscriptions: number: ‘No, 111.’
De vette keuken
Object type: print
Date: 1563 – 1573
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: kitchen-interior, rich kitchen

De vette keuken. Interieur waarin een groep van dikke mensen zich aan allerlei eten en drinken te goed doet. Rechts wordt in de haard gekookt en gebraden. Op de voorgrond links twee met eten spelende kinderen en in het midden een drinkende vrouw die een kind de borst geeft, links een drinkende monnik of priester. Op de achtergrond wordt een armoedige magere man met doedelzak de deur uit gejaagd. Met onderschrift van twee regels in het Frans en twee regels in het Nederlands. Zie pendant.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, helmet crest and rim of round shield of warrior to left
Grafmonument voor Cornelis de Graeff in de Oude Kerk te Amsterdam
Object type: book illustration
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: amsterdam, mayor, cornelis de graeff, parts of church interior, grave-building, monumental tomb

Prent uit: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). Amsterdam: Abraham Wolfgang et al., 1693, tussen p. 436 en 437.
Of uit: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). Amsterdam: weduwe Aart Dircksz Oossaan, 1694, tussen p. 436 en 437.

Latere staat van prent gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). Amsterdam: Andries van Damme et al., 1726, tussen p. 436 en 437.
Interieur van een huis of kerk
Object type: cabinet photograph
Date: 1876 – 1891
Materials: cardboard, paper
Techniques: albumen print
Location: regensburg
Artist: emil herbst
Artist role: fotograaf
Subjects: townhall, interior of the house
Inscriptions: inscription: ‘E. Herbst/ Photograph/ Regensburg/ Lith: H. No. 41.’
Veld van achtenveertig tegels met ruiters
Object type: ruitertegel
Date: 1675 – 1725
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van achtenveertig tegels (8 x 6) elk met een blauw en paars geschilderde ruiter met in de hoeken, een ossekop.
Portret van Boleslaw I
Object type: print
Date: 1574 – 1594
Materials: paper
Techniques: woodcut
Location: cologne
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 240

Prent gebruikt in: Mylius, Arnold. Principum et Regum Polonorum Imagines ad Vivum Expressae (...). Keulen: Gottfried von Kempen, 1594.
Axe head
Object type: axe
Date: 2000 – 1500
Materials: bronze
Culture: iranian
Location: western iran
Soldaten lopen een trap af
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: czechoslovakia
Artist: Anonymous
Subjects: netherlands, germany

Soldaten lopen een trap af in een omgeving met bomen. Foto behorend bij album 'Kriegserinnerungen'.
Woman on a Sofa
Object type: drawing
Date: 1875 – 1875
Materials: graphite, oil, paper, pastel
Techniques: drawing
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: women

This seems to be an independent work that was developed in two stages. It probably began as a pencil drawing on a smaller sheet of paper that was enlarged by adding strips of paper at the bottom and sides. Degas completed the portrait with diluted oil paint and touches of pastel. The identity of the sitter is unknown.
Plate 9 from "Los Caprichos": Tantalus (Tantalo)
Object type: print
Date: 1799 – 1799
Techniques: aquatint, burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,women
Le Vampire (The Vampyre) (Furnishing Fabric)
Object type: textile
Date: 1820 – 1820
Materials: cotton
Techniques: engraving, weave, printing
Location: france
Furniture element
Object type: furniture element
Date: 1800 – 1701
Materials: gold foil, ivory
Culture: assyrian
Location: anatolia
Subjects: animals
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 450 – 430
Materials: terracotta
Culture: greek, attic

The profile of the mouth has two tooled grooves, in between the grooves, there is an egg pattern with dots in the interstices; the neck is of medium length, and curves in; at the juncture of the neck and shoulder, there is a ring flanked by two tooled lines
Novelli
Object type: reproduction
Date: 1870 – 1880
Materials: paper
Techniques: albumen print
Location: san lazzaro degli armeni
Subjects: london, lord byron, last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
From the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen print, photography
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Schermutseling bij Gent, 1582
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: paris, françois-hercule de valois (hertog van anjou), battle, ghent

Schermutselingen tussen de legers van de hertog van Anjou en de Malcontenten bij Gent en Grave, 27 of 29 augustus 1582. Met onderschrift van 2 regels in het Nederlands en 2 regels in het Frans. Ongenummerd. Bedrukt op achterzijde met tekst in het Latijn.
Terracotta fragment of a kylix (cup)?
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, two fronds of a palmette with a bronze repair
Glass eye beads
Object type: bead, 24
Date: 400 – 201
Materials: glass
Culture: carthaginian or phoenician
Port de Peyresoude (1543 M. hoog)
Object type: photograph
Date: 1906 – 1906
Materials: paper, cardboard
Techniques: gelatin silver print
Location: col de peyresourde
Artist: françois buys
Artist role: advocaat, amateurfotograaf
Artist dates: 1871 – 1934
Subjects: cow
Inscriptions: number: ‘23’

Deze foto maakt deel uit van een groep van 49 foto's.
Komfoor op drie poten en met twee oren. Gedateerd: 1756.
Object type: komfoor
Date: 1756 – 1756
Materials: earthenware, glaze
Techniques: painted
Location: makkum
Artist: Anonymous
Inscriptions: date: ‘1756’

Rond komfoor van blauw beschilderde faience, op drie poten en met twee oren. Het komfoor heeft een hoge opstaande wand met een rand waarop drie liggende en drie staande steunen. De wand heeft half-cirkelvormige openingen en is beschilderd met zes vakken waarbinnen zeegezichten met schepen. Het komfoor is gedateerd: 1756.
Annotationes et Meditationes in Evangelia...
Object type: book
Date: 1707 – 1707
Techniques: engraving
Artist: hieronymus natalis
Artist role: author
Artist nationality: netherlandish
Artist dates: 16 – 16
Canards
Object type: print
Date: 1890 – 1913
Materials: paper
Techniques: drypoint, intaglio
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: water-birds: duck
Inscriptions: collector's mark: Lugt 2233
Effigies Illustrissimi Dni Caecilii Calvert (...)
Object type: print
Date: 1657 – 1690
Materials: paper
Techniques: engraving
Location: london
Artist: abraham bloteling
Artist role: draughtsman, print maker, publisher
Artist dates: 1640 – 1690
Subjects: cecilius calvert
Inscriptions: collector's mark: Lugt 2228
Putto als Mercurius, met gevleugelde helm en caduceus
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: engraving, etching
Artist: cornelis schut (i)
Artist role: draughtsman, print maker
Artist dates: 1597 – 1655
Subjects: (story of) mercury (hermes)
Inscriptions: collector's mark: Lugt 240
Figure of a female attendant
Object type: figure
Date: 601 – 800
Materials: earthenware
Culture: chinese
Subjects: women
Rooftops, Brooklyn
Object type: watercolor
Date: 1867 – 1867
Materials: gouache, watercolor, paper
Techniques: pressed
Culture: american
Artist: fidelia bridges
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1923

"Rooftops, Brooklyn"—along with "Garden View, Brooklyn" (2021.161.1)—dates from Bridges’ residency in the home of merchant William August Brown and his family, for whom she had first worked as a governess, in Salem, Massachusetts. In 1860, the Browns made it financially possible for Bridges to study with William Trost Richards at the Pennsylvania Academy of the Fine Arts in Philadelphia. She returned in 1863 to Brooklyn, where the Browns provided her with a studio on the top floor of their brownstone at 93 1st Place, in the Carroll Gardens neighborhood. It was from a window in that studio that she rendered "Rooftops, Brooklyn," an evocative view of an early evening sky with varied domestic and commercial buildings at both close and distant range.
Oliver Wolcott, Governor of Connecticut
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: engraving, stippling
Location: united states
Artist: isaac sanford
Artist nationality: american
Artist dates: 1783 – 1822
[Man in Judge's Robes; Seated]
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: southworth and hawes
Artist role: photography studio
Artist nationality: american
Artist dates: 1843 – 1863
Subjects: men,portraits
Journal des Luxus und der Moden, december 1791
Object type: fashion print
Date: 1791 – 1791
Materials: paper
Techniques: etching, hand coloring
Location: weimar
Subjects: clothing for the upper part of the body (+ women's clothes), ear-rings (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, skirt (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes), necklace (+ women's clothes)

Vrouw uit Parijs gekleed in 'vollem Anzuge' volgens de laatste mode. Zij draagt een japon, waarvan de zoom van de rok is versierd met een bloem- en bladmotief. Kraag en driekwart mouwen afgezet met twee gerimpelde stroken stof. Accessoires: muts met struisveren, oorbellen, collier, fichu, lange handschoenen, waaier, schoenen. Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Wapenschild van Martin Eisengrein
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: woodcut
Location: germany
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 153
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving
Subjects: curtains, clothing for the upper part of the body (+ women's clothes), walking-stick, staff, cane (+ women's clothes), ensembles of pieces of clothing (suit) (+ women's clothes), coat (+ women's clothes), head-gear (+ women's clothes), fashion plates, skirt (+ women's clothes)
Inscriptions: date

Mantelpak van kanariegeel laken, versierd met knopen van licht barnsteen. Proefdruk van een prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Portret van een man met baard
Object type: carte de visite
Date: 1896 – 1914
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: the hague
Artist: gustaaf adolf mögle
Artist role: fotograaf
Artist dates: 1863 – 1914
Subjects: historical persons, beard
Inscriptions: inscription: ‘Photographisch/ Atelier/ G. A. Mögle/ La Haye/ 10. Bazarstraat/ Vergrootingen naar elk portret./ De plaat blijft voor nabestelling/ bewaard.’
Cuneiform tablet: fragment of a ritual text
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Location: mesopotamia
Twee mannen in een herberg
Object type: print
Date: 1698 – 1776
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: inn, coffee-house, public house, etc., pipe ~ tobacco
Inscriptions: collector's mark: Lugt 240

In een herberg bevinden zich twee mannen bij de haard. Een van de mannen heeft een pijp en de andere een kan met drank.
Fotoreproductie van een schilderij van twee soldaten en een vrouw op een trap voor een kasteel door Joseph Lies
Object type: photograph
Date: 1886 – 1891
Materials: photographic support
Techniques: gelatin silver print
Subjects: fortress, the soldier; the soldier's life
Denarius (Coin) Portraying Emperor Antoninus Pius
Object type: coin
Date: 157 – 158
Materials: metal, silver
Culture: roman
Location: roman empire
Subjects: goddesses, agriculture
Inscriptions: Obverse: ANTONINVS  AUG  PIVS  P P [IMP II]
Reverse: TR  POT   [ XXI COS]  IIII

The front (obverse) of this coin portrays the emperor Antoninus Pius, wearing a crown of laurels and facing right. On the back (reverse), the goddess Annona- the divine personification of the grain supply to the city of Rome- is depicted standing and holding ears of corn. The prow of a ship is visible behind her.
Bells, from the Musical Instruments series (N82) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,musicians,bells

Trade cards from the "Musical Instruments" series (N82), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
Disk Brooch
Object type: brooch
Date: 701 – 800
Materials: garnet, glass, gold, silver
Culture: frankish
Pot hook
Object type: pot hook
Date: 332 – 330
Materials: bronze
Location: egypt
Dagger with Yali Hilt
Object type: dagger
Date: 1800 – 1850
Materials: gemstone, glass, ivory, steel
Techniques: carving, inlay
Location: india

This opulent carved and jeweled dagger consists of an ivory carved hilt mounted on a straight, broad metal blade. The hilt takes the form of a mythical yali or vyala (leogryph or sometimes part lion, part elephant, part horse) which was an auspicious symbol in southern Indian architecture. The high quality, style of carving, inlaid jewels and opulent details of thIs dagger reveal that it is a royal object made for courtly or ceremonial use. Its inscriptions show evidence of having been in the armory of Maharaja Krishnaraja Wadiyar III (1794–1868) of Mysore and then entering British ownership.
Penningen met de portretten van Filips II en Anna-Maria van Oostenrijk
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: philip ii of spain, historical persons, coin, trees: palm-tree

Prent met tekst op verso gebruikt in: Loon, Gerard van. Beschryving der Nederlandsche Historipenningen (...). Den Haag: Christiaan van Lom, Isaac Vaillant, Pieter Gosse, Rutger Alberts en Pieter de Hondt, 1723, dl. 1.
Tekenvoorbeelden
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: foot
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen. Links: acht voeten, waarvan twee met been tot aan knie. Rechts: tien voeten, waarvan twee met volledige benen.
Studioportret van An Kessler op jeugdige leeftijd in een wit jurkje
Object type: photograph
Date: 1891 – 1895
Materials: paper, photographic support
Techniques: photography
Location: amsterdam
Artist: kameke
Artist role: painter
Portret van Alexander von Humboldt
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: engraving
Location: karlsruhe
Subjects: berlin, traveler, historical persons, biology (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2233
Kroning van Jozef II tot Duits keizer te Frankfurt
Object type: strooipenning
Date: 1764 – 1764
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: jozef ii (duits keizer)

Zilveren penning. Voorzijde: opschrift ondr kroon. Keerzijde: spade en zwaard omwonden met olijftakken voor wereldbol binnen wolken, beschenen door stralende driehoek binnen omschrift
The Third Bando Hikosaburo as a Man Standing on the Bank of a River
Object type: print
Date: 1793 – 1793
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: leaves,actors