deem-data/ArtiFact huggingface dataset:
Watervogel broedend op een nest
Object type: stereoscopic photograph
Date: 1856 – 1890
Materials: glass, paper
Techniques: slide
Artist: Anonymous
Subjects: water-birds (+ brooding, hatching)
Inscriptions: number: ‘9’
Meleager brengt Atalante het hoofd van het Calydonische zwijn
Object type: drawing
Date: 1712 – 1795
Materials: ink, paper
Techniques: brush, pen
Subjects: meleager gives the head of the boar to atalanta
Hoofdwacht van de landsmilitie op de Botermarkt te Amsterdam, 1788
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jacobus wijsman
Artist role: print maker
Artist dates: 1768 – 1827
Subjects: guard duty, keeping sentry
Inscriptions: collector's mark: Lugt 2228

Gezicht op de militaire hoofdwacht van de landsmilitie op de Botermarkt (op het huidige Rembrandtsplein) te Amsterdam, 1788.
Madeira-Monte Palace Hotel
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: madeira
Artist: Anonymous
Subjects: hotel, hostelry, inn
Inscriptions: inscription: ‘Registado’, number: ‘B.P. 364’

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Card Number 66, Miss Conroy, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
[President Abraham Lincoln, Major General John A. McClernand (right), and E. J. Allen (Allan Pinkerton, left), Chief of the Secret Service of the United States, at Secret Service Department, Headquarters Army of the Potomac, near  Antietam, Maryland]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: tents,american civil war,abraham lincoln,men,generals
Cingel naar de Tiend Wegs-Poort te Gouda / De Ysel aan 't inkomen van de haven aldaar
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: city-gate, canals, waters (in city) (+ city(-scape) with figures, staffage), harbour (+ number of persons ~ traffic and transport), gouda

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Design for Cabriolet or Victoria, no. 3756
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Vrouw met kat bij een venster
Object type: drawing
Date: 1920 – 1950
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: window, cat, thin (human type)
Inscriptions: :, signature: ‘Molen[...]’, collector's mark: Lugt 2228a, annotation: ‘Honger’

Een vrouw met een uitgemergeld gezicht zit met een kat op schoot bij een venster. Door het raam zijn de huizen aan de overzijde van de straat te zien.
Musicerend gezelschap rond een tafel
Object type: print
Date: 1655 – 1700
Materials: paper
Techniques: mezzotint
Subjects: small group of musicians, chamber orchestra, jazz band, violin, fiddle, vocal music, singing, printed edition of musical score, lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 2228

Rond een tafel musiceert een gezelschap van vijf personen. Er wordt gezongen, viool en luit gespeeld. Op tafel boekjes met bladmuziek.
Cabanes de pecheurs
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: hut, cabin, lodge, fisherman
Inscriptions: title: ‘Cabanes de Pécheurs à (...)’, number: ‘20’
Scarf
Object type: costume and accessory
Date: 1870 – 1890
Materials: cotton
Techniques: lace
Location: belgium
Openwork furniture plaque with leaves
Object type: relief
Date: 900 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia

Set within a thin frame preserved above the upper edge of this fragmentary openwork plaque, two sets of successively unfolding leaves outlined with raised ribs grow out of a thin stalk that contrasts with its wide base. Triangular junctures, also detailed with raised ribs, join each stylized leaf and sprout additional floral elements. The elegant forms and openwork technique are characteristic of the Phoenician style. The preserved fragment of another leaf on the right side of this piece suggests that plaques with this theme were probably placed side by side to form a continuous floral frieze. Another openwork plaque with similar imagery found at Arslan Tash in Syria is also in the Metropolitan Museum’s collection (MMA 57.80.14). Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Covered Flagon with Spout
Object type: metalwork
Date: 1820 – 1820
Materials: pewter
Location: sweden
Domus Aurea, cryptoporticus, grostteschi, details (recto) blank (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: ornament
Zeilboten op het water
Object type: print
Date: 1851 – 1924
Materials: paper
Techniques: drypoint, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228
Portret van een vrouw in een jasje en een rok, aangeduid als Ans
Object type: carte de visite
Date: 1877 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: heinrich wilhelm wollrabe
Artist role: fotograaf
Artist dates: 1843 – 1928
Subjects: historical persons, neck-gear ~ clothing, clothing for the upper part of the body, skirt, family, relationship, descent, dress, gown, the hague
Inscriptions: address: ‘96. Noordeinde 96. 's Gravehage’, inscription: ‘Ans [...]’

Onderdeel van Familiealbum van H.W.F. Ligtenberg en L.M. Swart met 149 foto's en cartes-de-visite.
Portret van Johan van Mathenesse
Object type: print
Date: 1697 – 1717
Materials: paper
Techniques: engraving
Subjects: official; civil servant; functionary (in general), historical persons

Prent is gebruikt in verschillende series. De huidige staat is gebruikt in de hieronder vermelde serie en uitgaven (6), (7) en (8).

(1)'Icones legatorum (...)', uitgegeven door Daniel Middeler in 1648 in Antwerpen.
(2)‘Legati Celeberrimi’, uitgegeven door Daniel Middeler in 1648 in Antwerpen.
(3)‘Legati Celeberrimi’, waarschijnlijk uitgegeven in 1651, maar opnieuw met de vermelding door Daniel Middeler in 1648 in Antwerpen.
(4)‘Legati Celeberrimi', waarschijnlijk uitgegeven in 1658, maar opnieuw met de vermelding door Daniel Middeler in 1648 in Antwerpen.
(5) 'Pacificatores orbis Christiani, sive icones principum, ducum et legatorum, qui Monasterii atque Osnabrugae (...)', uitgegeven door Pieter van der Slaart in 1696 in Rotterdam.
(6) 'Pacificatores orbis Christiani, sive icones principum, ducum et legatorum, qui Monasterii atque Osnabrugae (...)', uitgegeven door Pieter van der Slaart in 1697 in Rotterdam.
(7) 'Pacificatores orbis Christiani, sive icones principum, ducum et legatorum, qui Monasterii atque Osnabrugae (...)', waarschijnlijk uitgegeven circa 1713, maar opnieuw met vermelding van Pieter van der Slaart in 1697 in Rotterdam. De platen in deze uitgave zijn voor het eerst genummerd.
(8) 'Les hommes illustres qui ont vécu dans le XXIIe siècle (...)', uitgegeven door David Mortier in 1717 in Rotterdam.

Zie documentatie. Mogelijk zijn er nog meerdere uitgaven en staten van deze prent.
Slag van Constantijn tegen Maxentius
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, etching
Artist: gérard audran
Artist role: print maker
Artist dates: 1640 – 1703
Subjects: the battle of the milvian bridge (saxa rubra): st. constantine on horseback confronts maxentius; a cross appears in the sky with in fiery letters 'in hoc signo vinces' (the raised standards of the roman soldiers carry a cross or the chi-rho monogram), rome

Linker deel van een prent gedrukt van drie platen.
Catherine II The Great, Empress of Russia
Object type: medallion
Date: 1771 – 1771
Materials: gilt, terracotta, wood
Techniques: casting
Artist: jean-baptiste nini
Artist role: artist
Artist nationality: italian
Artist dates: 1717 – 1786
Subjects: portraits,profiles,women

The abbreviated Russian legend translates: "By the grace of God, Catherine II, empress and sovereign of all Russia."
Saruch
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘55’

Een bloemkelk met een bebaarde man, naar links gekeerd. De tekst identificeert de man als Serug, vader van Nachor. De voorstelling is een fragment van de stamboom van Christus in de Liber Chronicarum. De prent maakt deel uit van een album.
Scarab: Hieroglyphs (wAs-sign, Dd-sign, anx-sign)
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Subjects: hieroglyphs, sun
Inscriptions: "All dominion, stability, and life"
Soup plate with scattered flowers and a chain border
Object type: plate dish
Date: 1775 – 1799
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Soepbord van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op het plat losse bloemen; de rand met een decoratieve band met een rode ring en daaromheen golvende bladerrank. Famille rose.
Perseus with the head of Medusa, and Phineus
Object type: plaquette
Date: 1501 – 1600
Materials: bronze, patina
Artist: guglielmo della porta
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1577
Subjects: kings,medusa,perseus
The Bryant Vase
Object type: vase
Date: 1876 – 1876
Materials: gold, silver
Culture: american
Location: united states
Artist: tiffany & co.
Artist role: manufacturer
Artist dates: 1837 – 9999
Subjects: musical instruments,birds,men,women,flowers

To honor the poet and newspaper editor William Cullen Bryant (1794–1878) on his eightieth birthday, a group of his friends commissioned “a commemorative Vase of original design and choice workmanship” that would “embody . . . the lessons of [his] literary and civic career.” Its design, which combines Renaissance Revival sensibilities with those of the Aesthetic movement, consists of a Greek vase form ornamented with symbolic imagery and motifs. The fretwork of American flora covering the body of the vase, including apple branches and blossoms, represents the beauty and wholesome quality of Bryant’s poetry, while the scenes in the oval medallions allude to his life and works. From the moment the commission was announced until well after its completion, the vase was widely publicized and celebrated. After it was presented to Bryant in 1876, Tiffany & Co. displayed it at the Centennial Exhibition in Philadelphia. The following year, the vase was presented to the Metropolitan Museum, making it the first acquisition of American silver to enter the Museum's collection.
Kom, gevonden bij V.O.C.-schip Witte Leeuw, mogelijk afkomstig van Zeelelie
Object type: bowl
Date: 1775 – 1800
Materials: porcelain
Location: guangdong
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Kom, bestaande uit vier aan elkaar gelijmde fragmenten, gevonden bij V.O.C.-schip de 'Witte Leeuw', 80% aanwezig. Dit object is 18e-eeuws en kan dus niet van de vracht van de Witte Leeuw zijn. Onduidelijk is of het object van de site komt of dat het later is vermengd, mogelijk met materiaal van de Zeelelie.
Design for a Stage Set: A Dungeon with High Vaults and a Staircase at Right
Object type: drawing
Date: 1743 – 1784
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: domenico fossati
Artist role: artist
Artist nationality: italian
Artist dates: 1743 – 1784
Subjects: theatre,stairs,stage design
Portret van Carolus Borromeüs
Object type: print
Materials: paper
Techniques: engraving
Location: munich
Artist: johann sadeler (i)
Artist role: print maker
Artist dates: 1550 – 1600
Subjects: snakes, archbishop, bishop, etc. (roman catholic), charles borromeo, cardinal of milan; possible attributes: cardinal's hat, crucifix, rope round his neck, skull, the vision of the lamb and the book with the seven seals, angels
Inscriptions: collector's mark: Lugt 240

Portret in een ovale lijst van Carolus Borromeus. Hij draagt de biretta. De lijst is aan weerszijden versierd met een engel die een kaars draagt. Onder het portret een afbeelding van het Lam Gods. Boven het portret een afbeelding van een slang die een mens verslindt.
De l'esprit et du pain pour un jour
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: delivering; receiving (~ postal matter), bread, loaf, baker, postman
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 19 maart 1839.
Jan C. Schüller [?] en een andere man op straat tijdens de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904
Object type: photograph
Date: 1905 – 1905
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: missouri
Inscriptions: annotation: ‘1 Jan 1905 // Dicht bij Maple arc’

Jan C. Schüller [?] en een andere man op straat tijdens de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904.
Staande man met een stok en een hond
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: walking-stick, staff, adult man (+ standing), dog
[Montage of Ecclesiastical Figures Posed in Political Satire]
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: satire,men
The Actor Sakata Hangoro II, from "A Picture Book of Stage Fans (Ehon butai ogi)"
Object type: print
Date: 1770 – 1770
Techniques: woodblock print
Location: japan
Artist: ippitsusai buncho
Artist nationality: japanese
Artist dates: 1755 – 1790
Tekenaar in een interieur
Object type: print
Date: 1810 – 1850
Materials: paper
Techniques: etching
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: drawing, sketch, draughtsman at work
Inscriptions: collector's mark: Lugt 2228

Een jongen zit met een tekenplank op schoot te tekenen, links liggen twee tekening op de grond. Aan de muur hangt een lijst met het opschrift: Steebeurs (?) 1810.
Ex libris van Alfred Gilbert en Alice Jane Gilbert
Object type: bookplate
Date: 1893 – 1893
Materials: paper
Techniques: engraving
Artist: charles william sherborn
Artist role: print maker
Artist dates: 1831 – 1912
Subjects: foliage ~ ornament, book, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Baron Surlet de Chokier, door het Nationaal Congres verkozen tot regent van België
Object type: history medal
Date: 1831 – 1831
Materials: silver
Techniques: striking
Location: brussels
Artist: adrien hippolyte veyrat
Artist role: medailleur
Artist dates: 1803 – 1883
Subjects: brussels

Zilveren penning. Voorzijde: opkomende zon beschijnt Belgische kust binnen omschrift; afsnede: signatuur onderbroken door leeuwtje met vrijheidsstaf. Keerzijde: opschrift binnen eikenkrans en omschrift.
Soldaat maakt zijn geweer schoon
Object type: print
Date: 1837 – 1853
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: child, firearms: rifle, the soldier; the soldier's life, rodents: rabbit
Inscriptions: collector's mark: Lugt 2228

Achter hem zit een kind met een konijn op schoot.
Zevende Algemeene Muzijkfeest der Maatschappij tot Bevordering der Toonkunst, te Arnhem, den 9, 10 en 11 Augustus 1860
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: large group of musicians, orchestra, choir, concert hall, arnhem
Inscriptions: collector's mark: Lugt 2228

Gezicht in de grote concertzaal van Musis Sacrum tijdens de Zevende Algemene Muziekfeest georganiseerd door de Maatschappij tot Bevordering der Toonkunst, te Arnhem 9-11 augustus 1860.
Wereldtentoonstelling te Luik 1905
Object type: history medal
Date: 1905 – 1905
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde drie zittende vrouwen met symbolen van handel, nijverheid, wetenschap en kunst, met omschrift en afsnedetekst, op de keerzijde een Faam met trompet en palmtak op een wapenschild, in een landschap met brug en opgaande zon, met omschrift en onderaan een cartouche met drie regels tekst.
Portret van Cornelia Maria Bon
Object type: carte de visite
Date: 1879 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: louis robert werner
Artist role: fotograaf
Artist dates: 1834 – 1896
Subjects: historical persons - bb - woman, infant, baby ~ the ages of man
Inscriptions: inscription: ‘L.R. Werner Amsterdam’, inscription: ‘Cornelia Maria/ Bon?’, inscription: ‘L.R. Werner/ voorheen/ P. Carstensen/ Nieuwendyk H.150. (...) geleverd worden.’
Glass perfume bottle
Object type: bottle, four sided
Date: 101 – 300
Materials: glass
Culture: roman

Colorless with blue green tinge. Rim folded out, round, and in, forming slight constriction to neck; tall, cylindrical neck with slightly concave sides and tooling marks around base; small rounded shoulder; four indented rectangular sides to body; square, pushed-in bottom. Intact; bubbles and blowing striations; thicj creamy weathering, with patches of iridescence and dulling.
Woman with a Fan; Sketch of a Head
Object type: drawing
Date: 1834 – 1903
Materials: chalk, crayon, paper
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: fans,heads,women
Hamburg. Alsterdamm, Blick auf den Jungfernstieg
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1906
Materials: cardboard
Techniques: photograph
Location: hamburg
Subjects: canals, waters (in city), quay
Inscriptions: date
Muurpaneel met cartouche geflankeerd door nimfen
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving
Location: paris
Inscriptions: collector's mark: Lugt 240

In het midden van de cartouche staat een lijst met een ruïne, daaronder liggen een riviergod en riviergodin naast een vaas.
Muts van zeer fijne gebreide witte katoen, in de bol stervormig en daarbuiten bezaaid met vlokken; rondom zigzaglijnen tussen twee dikke ribbelranden
Object type: cap
Date: 1885 – 1900
Materials: cotton
Techniques: knitting
Location: netherlands
Artist: Anonymous

Babymutsje van zeer fijne gebreide katoen. Wit, strak model, met vierkante hoeken over de oren. 't patroon is in de bol stervormig, daarbuiten bezaaid met vlokken. Rand van zigzaglijnen tussen twee dikke ribbelrandjes.