deem-data/ArtiFact huggingface dataset:
Stad Antwerpen, loodje dat bij uitdeling recht gaf op brood
Object type: bread token
Date: 1605 – 1605
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: antwerp

Koperen penning. Voorzijde: twee geopende handen boven burcht binnen omschrift. Keerzijde: letter B boven jaartal binnen omschrift
Jonge David
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: brussels
Subjects: story of david

De prent is vervaardigd naar het schilderij van Reni dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer GG_244). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Vier praalwagens, genummerd 1-4, 1749
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: bernard verschoot
Artist role: print maker
Artist dates: 1728 – 1783
Subjects: float ~ triumph, bruges
Inscriptions: date

Vier praalwagens of triomfwagens met allegorische figuren in de optocht bij de viering op 3 mei 1749 van het 600-jarige jubileum van de Heilig-Bloedprocessie in de stad Brugge. Blad A met de wagens genummerd 1-4. Het blad uitgeknipt en opgeplakt.
Naked man viewed from behind climbing a river bank, after Michelangelo
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: male nudes,trees
The Gathering at the Orchid Pavilion
Object type: painting
Materials: gold, ink, paper
Location: china
Artist: qiu ying
Herders met vee in een berglandschap
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: aquatint, etching, roulette
Location: amsterdam
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., (high) hill, cattle driving, cattle driver, sheep
Inscriptions: collector's mark: Lugt 240
Portrait of Dirck Hasselaer (1581-1645)
Object type: painting
Date: 1614 – 1614
Materials: oil, panel
Artist: cornelis van der voort
Artist role: draughtsman, painter
Artist dates: 1576 – 1624
Subjects: historical persons, amsterdam
Inscriptions: inscription and date, upper right: ‘Ætatis Suae.33. / Anno 1614.’, label, on the reverse of the painting: ‘Bregje van Schoterbosch / vrouwe van Dirk Hasselaar: / Vader en Moeder van Aagje Hasselaar / vrouwe van Henrick Hooft. / Vader en Moeder van Bregje van de Poll, / vrouwe van Harman van de Poll’

Portret van Dirck Hasselaer (1581-1645). Koopman te Amsterdam, bewindhebber der Verenigde Oostindische Compagnie. Kniestuk, staande met handschoenen in de rechterhand en zijn hoed in de linkerhand. Pendant van SK-A-1243.
Octagonal, pear-shaped beakervase with narrow panels with flowering plants
Object type: vase
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: china
Artist: Anonymous

Achthoekige, peervormige bekervaas van porselein, met trompetvormige hals. Beschilderd in onderglazuur blauw. De wand is verdeeld in acht langwerpige vakken met bloeiende planten; om de vakken een band met bladranken. Onder de rand een band met vierkante vakken met bloeiende planten op rotsen. Rond de voet, binnen- en buitenrand een band met bladranken. Blauw-wit.
Gezicht op de Jan Roodenpoortstoren te Amsterdam
Object type: print
Date: 1663 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), tower, clock tower ~ monumental adornment, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.* En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam: darinnen von derselben ersten Ursprunge bis auf gegenwärtigen Zustand (…). Amsterdam: Joachim Nosche, 1664.

* In sommige exemplaren van deze uitgave komt de huidige staat van de prent voor. In andere exemplaren is een latere staat ingebonden, waarop boven de Nederlandse een Franse titel is toegevoegd.
Gezicht op gebouwen aan het water
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), gate, entrance, civic architecture; edifices; dwellings
Inscriptions: kleurnotitie, handgeschreven

Gebouwen aan het water. Links mogelijk een toegangspoort. Blad 55 verso uit een schetsboek met 58 bladen.
Portret van Engelbert, abt van Bronnbach
Object type: print
Date: 1724 – 1750
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: abbot, monks and nuns, historical persons, key, cupids: 'amores', 'amoretti', 'putti', angels
Vase with dragons
Object type: vase
Date: 1901 – 1950
Materials: enamel, porcelain
Techniques: overglaze, painting
Culture: chinese
Subjects: dragons
The Engraver Joseph Tourny
Object type: print
Date: 1857 – 1857
Materials: parchment
Techniques: etching, printing
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: men,portraits
Patio de los Leones in het Alhambra in Granada
Object type: photograph
Date: 1851 – 1890
Materials: paper
Techniques: albumen print
Location: granada
Artist: Anonymous
Subjects: courtyard
Inscriptions: inscription: ‘Patio de los Leones/ Alhambra/ Granada’
Zutphen ingenomen door Don Frederik, 1572
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: siege, position war

Beschieting en bestorming van Zutphen door de Spaanse troepen onder Don Frederik, 16 november 1572. Gezicht vanuit het legerkamp, op de voorgrond Don Frederik te paard, in de verte de belegerde stad. Met onderschrift van 4 regels in het Latijn. Genummerd: 34. Bedrukt op achterzijde met tekst in het Latijn.
Sample
Object type: sample
Date: 1767 – 1833
Materials: silk, thread, wool
Artist: jean françois bony
Artist role: designer
Artist nationality: french
Artist dates: 1760 – 1825
Subjects: flowers
Padang Halaban Estate. Aanplant 1927-1928
Object type: photograph
Date: 1928 – 1929
Materials: photographic support
Techniques: collodion silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: palm oil, sumatra
Inscriptions: inscription: ‘Padang Halaban Estate. Aanplant 1927-1928’

Weids gezicht op de velden met aanplant van jonge oliepalmen op de plantage Padang Halaban Estate. Panorama opgebouwd uit vier aan elkaar geplakte fotoafdrukken. Onderdeel van het fotoalbum over de plantages Brussel en Pernantian van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1910-1935.
Telegram aan Philip Zilcken
Object type: telegram
Date: 1906 – 1906
Materials: paper, pencil
Techniques: printing, writing
Subjects: the hague, painter, draughtsman, philip zilcken, drawing, sending and receiving postal matter, the graphic arts, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
Fan Holder
Object type: fan holder
Date: 1701 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: butterflies,flowers
Spoon
Object type: spoon
Date: 1834 – 1866
Materials: silver gilt
Artist: hippolyte thomas
Artist role: maker
Artist dates: 1845 – 1855
Subjects: dolphins
Mohonk (from Sketchbook)
Object type: drawing
Date: 1870 – 1870
Materials: graphite, paper
Culture: american
Artist: daniel huntington
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1906
Subjects: landscapes
Woman from Vienna
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Coin Depicting the Goddess Tyche
Object type: coin
Date: 200 – 1
Materials: bronze, copper alloy, metal
Culture: greek
Location: smyrna
Inscriptions: Reverse: ZMYPNAIΩN [A]ΠOΛΛΩNIO∑

The front (obverse) of this coin depicts a turreted head of the goddess Tyche, facing right. On the back (reverse) is a statue of Aphrodite Stratonikis standing, facing forward and holding Nike in her extended left arm that on a column. She holds a sceptre in her right hand.
Ongeletterde Macaroni leert het ABC
Object type: print
Date: 1707 – 1772
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: earl, caricatures (human types), book
Inscriptions: watermark, collector's mark: Lugt 2228, collector's mark: Lugt 4780, collector's mark: Lugt 4779

Afkomstig uit de derde serie van zes, getiteld: Macaronies, Characters, Caricatures &cd, uitgegeven door Matthew Darly in Londen tussen 1771 en 1773. De term 'macaronie' werd gebruikt in Engeland in de tweede helft van de 18de eeuw voor personen die op een overdreven wijze de laatste mode volgden. In zekere zin vormden zij de voorlopers van de dandy's. Deze Macaroni stelt Henry Howard, de 12e graaf van Suffolk voor.
S.O. Goenoengsari. S.L. Menampoe vanaf Soekorenobaan genomen richting fabriek. 30-4-27.
Object type: photograph
Date: 1904 – 1927
Materials: photographic support
Techniques: gelatin silver print
Location: east java
Artist: Anonymous
Subjects: colonial system, trade-company, making the overground structures (~ building activities), (non-fruit) products of plants or trees: sugarcane
Inscriptions: inscription: ‘S.O. Goenoengsari. S.L. Menampoe vanaf Soekorenobaan genomen richting fabriek. 30-4-27.’

Werkzaamheden aan de aan- en afvoerkanalen op het fabrieksterrein, april 1927. Onderdeel van het fotoalbum met foto's van de opbouw van de suikerfabriek te Goenoengsari op Oost-Java door de Handels Vereniging Amsterdam 1926-1927.
Osiris
Object type: statuette, osiris
Date: 1070 – 664
Materials: copper alloy, stone
Location: egypt

The wrapped body, scepters, and white crown characterize Osiris, and appear on innumerable copper alloy statues from the first millennium BCE. Notably, however, this statuette has facial features that recall early Ramesside royal sculpture, such as a curving nose, and a wide slightly smiling mouth. These stylistic features indicate it is one of the still relatively rare copper alloy figures that date to the early centuries of the first millennium BCE, when the nineteenth dynasty (ca. 1295-1184 BCE) represented the model of choice. Traces of inlays are preserved in the eyes, brows, beard straps and scepters. The beard itself is missing. At the crown and foot and at certain points of damage in the surface the fine-grained grayish casting core inside the statue can be seen. This statue provides a remarkably preserved illustration of ancient Egyptian casting technique, discussed in detail on the Conservation and Scientific Analysis tab.
The Legislative Belly
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: government,men
Woodland Hut, with Hunters Approaching
Object type: drawing and watercolor
Materials: graphite, paper
Location: united states
Artist: Anonymous
Bij Alfen
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: leiden
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, river, road, path, windmill in landscape

Deze prent maakt deel uit van een album.
Sheep Lying Down
Object type: drawing and watercolor
Materials: chalk, paper
Location: germany
Artist: johann heinrich roos
Artist role: draughtsman, print maker
Artist nationality: german
Artist dates: 1631 – 1685
Bottle
Object type: bottle
Date: 1701 – 1800
Materials: clay, glaze
Techniques: overglaze
Culture: japanese
Design for Landau, No. 3593
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Huis van archeoloog Heinrich Schliemann in Athene
Object type: photomechanical print
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: villa
Inscriptions: title: ‘G 29. Woonhuis van Schliemann. Athene.’, check stamp: ‘Bristol/ L.M.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, number: ‘28’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze fotomechanische afdruk is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Bandontwerp voor: Corry Stoltz-Van den Kieboom, Echtpaar z.k., 1936
Object type: drawing
Materials: paint, ink, paper, pencil
Techniques: brush, pen, spatter
Artist: g. hagemeyer
Artist role: illustrator
Artist dates:  – 1958
Subjects: head (human), marriage, married couple, 'matrimonium', flags (~ signalling)
Inscriptions: collector's mark: Lugt 2228

Koppen van een echtpaar. De man draagt een pet en jas met knopen, de vrouw een schort. Voor hun gezichten een banier met de boektitel. Op de boekrug het logo van Veen's Uitgeversmaatschappij.
Huis te Zoelmond, in de Betuwe, frontaal gezien
Object type: drawing
Date: 1852 – 1852
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: evert doublet
Artist role: draughtsman
Artist dates: 1802 – 1859
Subjects: rural housing, e.g. country-house, villa, cottage
Inscriptions: date
Getijdenboek met zeven gehistoriseerde initialen waarbij in het oog van de initialen gravures zijn geplakt, met gedecoreerde initialen en penwerk
Object type: book
Date: 1475 – 1500
Materials: paint, gold leaf, ink, parchment
Techniques: brush, engraving, pen
Location: netherlands
Mercury Presiding over the Arts, from Seven Planetary Gods
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered lower left: "6." and below image: "Me Dys commendat ... mortalibus artes."
Op het overlijden van Anton Reinhart Falck
Object type: history medal
Date: 1843 – 1843
Materials: bronze
Artist: jacob wiener
Artist role: medailleur
Artist dates: 1815 – 1899
Two Dishes and a Plate
Object type: dish
Date: 1700 – 1700
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: japan
Artist: Anonymous
Inscriptions: mark: ‘大 明 成 化 年 製 <BR /><BR />dà míng Chénghuà nián zhì’

Landscapes with European-looking figures and buildings appear in many variations on Japanese export porcelain meant for the European market. They were probably based on Dutch prints, or Delftware, which may explain why the clouds are depicted in a European manner.
[Older Woman Wearing Flowered Bonnet]
Object type: daguerreotype
Date: 1850 – 1859
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: portraits,women
Voorbereidingen voor het huwelijksfeest van Amor en Psyche (middendeel)
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: hoofed animals: dromedary, (story of) bacchus (dionysus), liber, (story of) mercury (hermes), horn, trumpet, cornet, trombone, tuba, graces (charites), generally three in number; 'gratie' (ripa), satyr(s) (in general)
Inscriptions: collector's mark: Lugt 10, collector's mark: ‘Hinloopen’, collector's mark: Lugt 11

Links een met luxe serviesgoed gedekte tafel die staat onder een baldakijn begroeid met druivenranken. In het midden zit Bacchus omringd door saters, een ezel en een dromedaris. Rechts geeft Mercurius opdracht aan de gratiën om de tafel voor het banket te versieren. Daarboven vier muzikanten.
Den Grooten Emblemata Sacra, bestaande in meer dan vier hondert bybelsche figuren, zoo des Ouden als des Nieuwen Testaments
Object type: album leaf
Date: 1653 – 1654
Materials: paper
Techniques: letterpress printing
Location: amsterdam

Chronologisch overzicht bij het eerste deel in de Grooten Emblemata Sacra, met het opschrift: Van de Scheppingh der Weerelt tot de beroepinghe Mosis, beschreven in't Boeck Genesis, en een ghedeelte Exodi ... Het blad maakt deel uit van een album.
Corset
Object type: corset
Date: 1872 – 1872
Materials: bone, cotton, metal
Culture: american
Artist: worcester corset company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1861 – 1950
Face Defense of Mail
Object type: face defense of mail
Date: 1401 – 1500
Materials: brass, iron
Culture: german
Location: germany

From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to be worn under armor; and mail breeches, called brayettes or pairs of paunces, could be worn by men fighting on foot.
Sauceboat
Object type: sauceboat
Date: 1856 – 1856
Materials: silver
Culture: american
Location: united states
Artist: william adams
Artist role: maker
Artist nationality: american
Artist dates: 1798 – 1861
Portraits of Crown Prince William of Orange
Object type: carte de visite
Date: 1859 – 1860
Materials: paper
Techniques: albumen print
Location: paris
Artist: andré-adolphe-eugène disdéri
Artist role: fotograaf
Artist dates: 1819 – 1889
Subjects: the hague, paris, willem (prins der nederlanden), adult man, historical persons, crown prince
Inscriptions: inscription: ‘14093/ Prince d'Orange’, number: ‘14093’

In 1859 the Dutch crown prince William of Orange visited Disdéri’s famous photography studio in Paris. The latter had devised the idea of selling small visitingcard format pictures of famous people. He had a camera specially built with which he could capture eight poses on a single negative, in William’s case he took two shots. Dealers and private individuals could order photographs from the contact sheets.
Portret van Johann Bugenhagen
Object type: print
Date: 1525 – 1586
Materials: paper
Techniques: woodcut
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit een onbekende publicatie.
Two goats resting to right, turned towards the left, four men and a horse in a river in the background, plate 9 from "Various Figures" (Agréable diversité de figures)
Object type: print
Date: 1642 – 1642
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,goats,horses,rivers,trees
Gipsmodel voor beeldhouwwerk op het Palais du Louvre: "L'Etude" door François Gilbert
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘875’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 4.
Winslow
Object type: print
Date: 1752 – 1810
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, physician, doctor
Inscriptions: annotation: ‘Winslow’
Portret van Léon Cladel
Object type: print
Date: 1861 – 1911
Materials: paper
Techniques: etching
Artist: louis le nain
Artist role: print maker
Artist dates: 1851 – 1939
Subjects: léon cladel, adult man, historical persons, beard
Inscriptions: inscription: ‘2e état L.Le Nain aq.f.’, collector's mark: Lugt 2228
Menu van het diner ter ere van de eerste heilige communie van Clara Steyns
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: chromolithography
Artist: Anonymous
Subjects: first communion, dog

Op de voorzijde een hondenkop met een bord om de nek. Op dat bord is in handschrift 'Madme. E. Steyns' geschreven. Op de achterzijde het menu van het diner op 26 maart 1882.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Exterior, two rim fragments with parts of circumscribed palmettes
Ballymoon Castle. Co.Carlow
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: london
Subjects: landscape with ruins, landscape with tower or castle
Inscriptions: date

Prent verschenen in: Grose, Francis. The antiquities of Ireland, dl. 2. Londen: S. Hooper, 1795.
Kalief en drie caïds te paard in Ain Djerima (Algerije)
Object type: photograph
Date: 1802 – 1896
Materials: paper, photographic support
Techniques: daylight paper print
Location: algeria
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman
Inscriptions: inscription: ‘1 Khalifa et 3 Caïds<BR />Ouad Seghouane Beni Hassen B.a Mte. <BR />Mégane Chellalla <BR />Fevriers 96 <BR />Ain Djerima <BR />(fontaine de la gorgée)’

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Vrouw bij een aangemeerde boot
Object type: album leaf
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: adult woman, rowing-boat, canoe, etc., pier, quay, wharf
Inscriptions: inscription: ‘No. 2./ Buurtje.’

Deze prent maakt deel uit van een album.