deem-data/ArtiFact huggingface dataset:
The Portico of the National Gallery, London
Object type: print
Date: 1878 – 1878
Techniques: drypoint, etching
Artist: james tissot
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1902
Subjects: men,women,london
Brooch
Object type: brooch
Date: 1860 – 1860
Materials: enamel, gold, hair
Culture: american
Location: united states
Dish with a bouquet and flower sprays
Object type: dish
Date: 1800 – 1849
Materials: glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: vienna
Inscriptions: mark: ‘schild/ P85/ 11/ 91’

Schaal van porselein met gelobde rand, beschilderd op het glazuur in rood, roze, groen, geel en paars. Op het plat een boeket van verschillende bloemen (o.a. pioenroos) en op de binnenwand vijf bloemtakken. Gemerkt op de onderzijde met het schild, P85 en de nummers 11 en 91.
Salver
Object type: metalwork
Date: 1852 – 1852
Materials: silver
Location: new york city
Artist: william gale & son
Inscriptions: stamped on bottom: "WM GALE & SON/NEW.YORK"
Aanbidding door de herders
Object type: print
Date: 1633 – 1634
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 240

Aan de voet van een klassiek bouwwerk aanbidden de herders het Christuskind, vastgehouden door een op de grond zittende Maria. Links van het Kind, eveneens zittend, Jozef met zijn staf. In de achtergrond een gedeelte van een kasteel op een rots en twee mannen die een trap afdalen. Onder de voorstelling vier Latijnse verzen in twee kolommen.
Omslagdoek
Object type: omslagdoek
Date: 1900 – 1949
Materials: silk
Techniques: weave
Location: india
Artist: Anonymous
Portret van een jongen, staand bij een stoel
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: gerarda henriëtte matthijssen
Artist role: draughtsman, painter
Artist dates: 1830 – 1907
Subjects: standing figure, boy (child between toddler and youth), historical persons, chair
Inscriptions: inscription: ‘(...)/ Photographisch/ Atelier/ Mej. G. H. Matthijssen/ St Jacobstraat H 50./ Leeuwarden’
Vrouw die aan het koken is
Object type: drawing
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: cooking food
Vaas met beschildering van bloemen
Object type: vase
Date: 1895 – 1904
Materials: earthenware
Techniques: painted
Location: purmerend
Artist: philippus lagrand
Inscriptions: mark: ‘klomp / monogram / Faïence de Purmerende Hollande 500 Dec: C. monogram. E.’

Vase. Earthenware. Purmerend, c. 1900, made by Firma Wed. N.S.A. Brantjes, decorated by Hendrikus W. Dekkers, factory under the direction of the widow of N.S.A. Brantjes. Gift of Mr C.A. Burgers, 1979.
Spotprent op de Zondagswet, 1886
Object type: cartoon
Date: 1886 – 1886
Materials: paper
Techniques: lithograph
Location: the hague

Spotprent op de Zondagswet van 1815. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 45, 1886.
Lisboa - Lago do Campo Grande
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1912
Materials: cardboard
Techniques: photograph, writing
Location: lisbon
Artist: Anonymous
Subjects: lake
Inscriptions: postage stamp
Oceaanhaven Belawan
Object type: photograph
Date: 1922 – 1922
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: harbour, building-site, tug, pusher tug
Inscriptions: inscription: ‘No. 191 / Sleepboot "Celebes"’, date: ‘31/8-22’

De sleepboot 'Celebes'. Genummerd: 191. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Eierdoppen
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: paris
Subjects: egg-cup, fowl (cock, hen, chicken, etc.)
Inscriptions: number: ‘6.e Cah.er’

Ontwerpen voor zes eierdoppen met decoratie van kippen en een haan. Prent maakt deel uit van een album.
Skirt
Object type: skirt
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Studies van menselijke hoofden
Object type: print
Date: 1710 – 1767
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: head (human), tousled hair (+ three-quarter view)
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760, initials: ‘BG’, initials: ‘BGV:’

Studie van een mannenhoofd, driekwart naar links, met golvende haren en een geopende mond. Hij kijkt naar beneden.
Covered jar with birds and flowers
Object type: covered jar
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: painting, polychrome
Culture: chinese
Subjects: birds,flowers
Johnson Mill, Petersburg, Virginia
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, gardner's photographic sketch book
Grazend kalf bij planten
Object type: drawing
Date: 1750 – 1809
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: david alphonse de sandoz-rollin
Artist role: draughtsman
Artist dates: 1740 – 1809
Subjects: calf
Man met karaf en glas
Object type: print
Date: 1683 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: glass, rummer, flowers ~ ornament
Inscriptions: collector's mark: Lugt 2233

Een man met karaf in de ene hand en glas in de andere hand in de buitenlucht. Rondom de voorstelling bladranken.
Fotoreproductie van een tekening, voorstellende bloemornament
Object type: photomechanical print
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: bunch of flowers ~ ornament - aa - stylized
Engraved book binding mount
Object type: book binding mount
Date: 1470 – 1470
Materials: copper
Culture: italian
Design for 4 seat Rockaway, no. 3030
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages
Interieur van een kerk met een beeld in het koor
Object type: album leaf
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: interior of church

Interieur van een kerk met zuilen van de Ionische orde en een beeld op een piëdestal in het koor. De prent maakt deel uit van een album.
Drie kinderen bij het graf van hun moeder
Object type: print
Date: 1830 – 1877
Materials: paper
Techniques: etching
Location: vienna
Subjects: grave, tomb, brothers or sisters (second degree family relationships)
Inscriptions: inscription: ‘Die goede moeder!’, collector's mark: Lugt 2228

Drie kinderen bij het graf van hun moeder. Op de achtergrond een kerk.
Northumbrian Small-Pipe
Object type: northumbrian small pipe
Date: 1867 – 1867
Materials: brass, ivory, leather, wood
Culture: scottish
Location: scotland
Artist: john center
Artist role: maker
Artist nationality: scottish
Artist dates: 1870 – 1913

This instrument, which was purchased in Scotland, features nine keys, a common set-up for the Northumbrian small-pipes. The chanter is signed JN CENTER. John Center was a bagpipe maker and photographer born in Scotland in 1830. By 1886, he had stopped his photography business and concentrated on bagpipe making. His pipe-making business was based in Edinburgh from 1869 to 1908. He then emigrated with his family to Melbourne, Australia in 1908, where he continued his piping business, which was continued by his son James (Campbell 2001:81). John Center is mainly known for his Great Highland Bagpipe making activity. Small-pipes with a stopped end (no sound can come out when all fingers are on the instrument) were played from the late seventeenth century onwards; keys were only added around 1800 (Wood 2019). Pipe maker Robert Reid from North Shields (1784 – 1837) developed the Northumbrian small pipes into their current form, standardizing the instrument. The instrument was expensive, even in its earlier days, made of costly materials. It was mainly played by people of means who could afford such a purchase. Over the course of the nineteenth century, interest in the Northumbrian small-pipes decreased as other instruments took over, such as the flute, the violin, and the concertina. The dearth of makers also made the maintenance of the instrument a complicated affair (Wood 2019). In order to support the practice of the instrument, which many feared was in danger of completely disappearing, the Northumbrian Small Pipes Society was founded in 1893. The Society organized competitions and published their proceedings until 1899, when they stopped their activities. The Northumbrian Pipers’ Society was founded in 1928, and is still active to this day, promoting the instrument through competitions, publications, and public events. (Cassandre Balosso-Bardin, 2023) Technical description Single rosewood(?) chanter, 283 mm, with cylindrical bore closed at lower end, 7/1 holes of varying sizes and unevenly spaced, 9 brass keys on block mounts, cane double reed on brass staple, 54 mm (broken), with waxed lapping, metal tuning bridle; 4 drones each in 2 sections: 183 mm, 222 mm, 281 mm, 353 mm, single downcut reeds, 3 made of cane, 1 for largest drone made of elder; 2 tuned by pitch balls on tongue, all 4 having tuning bridles; Single-fold leather bellows covered with blue velvet, bellows boards varnished, 2 metal brackets for (missing) straps, leather loop at bottom stocks mounted with brass, all pipes mounted with ivory and brass; Pipes and stocks with turned grooving; Leather bag covered with blue velvet. References Campbell, Jeannie, 2001. Highland Bagpipe Makers. Magnus Orr Pub. The Northumbrian Pipers’ Society, 2023. ‘History’, Northumbrian Pipers’ Society, https://www.northumbrianpipers.org.uk/the-society/history/ [last accessed August 25, 2023. Wood, Francis, 2019. ‘In Praise of Old Pipes’. Chanter (Winter)
København. Kvaesthusbroen
Object type: photomechanical print
Date: 1906 – 1920
Materials: cardboard
Techniques: lithograph
Location: copenhagen
Artist: Anonymous
Subjects: harbour, ships (in general), copenhagen (city)
Onyx Tripod Vessel
Object type: vessel
Date: 1201 – 1500
Materials: marble, onyx
Culture: mixtec
Location: mexico
Christus sprekend met Joden
Object type: book illustration
Date: 1590 – 1590
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: christ preaching or teaching (in general)
Inscriptions: collector's mark: Lugt 240

Prent afkomstig uit een onbekende Latijnse bijbel, mogelijk gedateerd 1590.
The Mourning Virgin
Object type: figure
Date: 1744 – 1744
Materials: soft paste porcelain
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: suffering,virgin mary

In this religious figure, the pliant qualities of soft-paste porcelain have been used to heighten the emotional effects of grief.
Two Tables
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Location: netherlands

Stands for tables carved with auricular motifs were made in many Dutch cities. They usually combine kwab features with naturalistic elements, like the garland of fruit to the left of the table at the top. The lower one is a tripod (only two legs are visible). In 1655, when these prints were published, auricular tables had been in fashion for some time.
Design for Pink and White Curtains with Green Fringes, and Gold and White Pediments
Object type: drawing
Date: 1820 – 1820
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: windows,curtains
Portret van Eucharius Gottlieb Rinck
Object type: print
Date: 1707 – 1732
Materials: paper
Techniques: engraving, etching
Subjects: history and archaeology (+ portrait of scholar, scientist), further education (+ portrait of teacher, professor), historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 358, collector's mark: Lugt 2228
Saber with Scabbard
Object type: saber with scabbard
Materials: gold, ivory, leather, steel, wood
Culture: persian
Location: iran
Two Kyōka (Playful Thirty-One- Syllable Verse)
Object type: hanging scroll
Date: 1819 – 1819
Materials: ink, paper
Culture: japanese
Artist: shokusanjin (ōta nanpo)
Artist role: artist
Artist nationality: japanese
Artist dates: 1749 – 1823

Two Japanese poems, one in oversized characters, the other more compactly rendered, are inscribed with dynamic flourish by Shokusanjin (Ōta Nanpo), one of the great literary arbiters of late Edo-period salon culture. The first poem celebrates the “New Plum Residence” in Edo (present-day Tokyo), which still survives, and includes the “Garden of One Hundred Flowers of Mukojima” (Mukojima Hakka-en), originally built by Sawara Kikuu (1762–1831), a wealthy literatus and antiquarian. The second poem is about the three spirits of poetry, Sumiyoshi-gami, Tamatsushima-gami, and Tenman-tenjin. Well versed in both classical Chinese and Japanese literature, Shokusanjin was on close terms with artists of various schools. Inscriptions in his idiosyncratic calligraphic style appear on many paintings of this era.
Overlijden van paus Pius VII
Object type: history medal
Date: 1823 – 1823
Materials: paper, silver
Techniques: printing, striking
Location: nuremberg
Subjects: rome, clergyman, pius vii
D.H.Bn Chassé
Object type: print
Date: 1820 – 1849
Materials: paper
Techniques: lithograph
Location: utrecht
Artist: theodoor soeterik
Artist role: draughtsman, print maker
Artist dates: 1810 – 1883
Subjects: david hendrik baron chassé, historical persons
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een prent, voorstellende de wonderbaarlijke visvangst
Object type: photograph
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: appearance of christ at the lake of gennesaret (sea of galilee, sea of tiberias): miraculous draught of fishes (after the resurrection)
Landau #774
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ferdinandi I. II. III. IV.
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Location: prague
Artist: johann caspar dooms
Artist role: print maker
Artist dates: 1597 – 1685
Subjects: vienna, ferdinand ii (duits keizer), crown (symbol of sovereignty), quill, historical persons, ruler, sovereign, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), crowning with laurel
Inscriptions: collector's mark: Lugt 2228

Een kroon doorstoken met twee pennen onder het portret. Met onderschrift in het Latijn.
Manchet met kantstrook afgezet met een gerimpeld aangezette strook Valenciennes-kant
Object type: clothing
Date: 1800 – 1920
Materials: linen
Techniques: cockled, embroidered, lace
Location: western europe
Artist: Anonymous

Manchet met kantstrook afgezet met een gerimpeld aangezette strook Valenciennes-kant met moesjes.
Brief aan Pieter Verloren van Themaat
Object type: letter
Date: 1866 – 1866
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: marinus heijl
Artist role: draughtsman, painter, print maker
Artist dates: 1836 – 1931
Subjects: pieter verloren van themaat, drawing, exhibition ~ art, money
Terracotta head of a youth with a goat headdress
Object type: head of a deity with horn
Date: 400 – 201
Materials: terracotta
Culture: cypriot
Subjects: heads
The First Tournament
Object type: print
Date: 1506 – 1506
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: buildings,men,spectators,horses
Bowl or Cup
Object type: vessel
Date: 34 – 66
Materials: glass
Techniques: casting
Culture: roman
Location: mediterranean region
Subjects: dining, drinking

Initially affordable among only the wealthy, glass was used widely in the Roman world to create a variety of everyday objects such as those displayed here, including delicate cosmetic containers that held perfumes and oils and various forms of tableware designed for serving food and drink. Glass was also used to imitate precious stones in jewelry.
Water Bottle from Tutankhamun's Embalming Cache
Object type: bottle, long necked, wine
Date: 1336 – 1327
Materials: mineral, pottery
Techniques: burnishing, wash
Location: egypt
Verzoening van Jakob en Esau en losse fragmenten
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the meeting between esau and jacob

Tot dusverre was deze prent alleen bekend in een latere editie met het adres van C.J. Visscher in het door hem uitgegeven Theatrum Biblicum uit 1643, zie RP-P-1976-30-39.
De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Grote brug bij Teupin Blang Mane
Object type: photograph
Date: 1903 – 1913
Materials: photographic support
Techniques: photography
Location: north sumatra
Artist: Anonymous
Subjects: arnhem, the hague, albertus dominicus laman trip, building activities, traffic by road or path with motor-vehicle, landscapes in tropical and sub-tropical regions, road, path, bridge

Na de expedities naar de Gajo- en Alaslanden o.l.v. Van Daalen (eerste tocht in 1901), werd hij in 1903 belast met voorbereiding van permanente vestiging van Nederlands gezag. Aanleg van een weg van de Noordkust naar het binnenland was hierbij van groot belang. Deze zgn. Gajoweg werd aangelegd tussen 1903 en 1914, van Bireuen aan de kust naar Takinguen aan het bergmeer Danau Lauttawar, totale lente 104 km.
Buckle
Object type: buckle
Materials: bronze
Culture: french
Location: france
Draagband van leer
Object type: bandolier
Date: 1400 – 1950
Materials: copper, leather
Artist: Anonymous
Straatgezicht te Frankrijk
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: trees, historical persons, street, france
Dish
Object type: dish
Date: 1601 – 1700
Materials: pottery
Culture: japanese
Subjects: flowers
Landschap met een boerderij
Object type: print
Date: 1598 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 240
Tulp. / Tulipa. / Tulipe.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, paper, watercolor
Techniques: brush
Subjects: flowers: tulip

Vier witte tulpen en twee bollen tegen een blauw achtergrond. Genummerd rechtsboven: 54. Onderdeel van het eerste album met tekeningen van bloemen en planten. Achtste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Aankomst van Willem III bij de Oranjepolder in een roeischuit, 1691
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), being welcomed ~ travelling, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. II, p. 1489.
Architectura
Object type: ornament print
Date: 1593 – 1595
Materials: paper
Techniques: etching
Location: straatsburg
Subjects: parts of church exterior and annexes: portal, composite order ~ architecture, private soldier, ornament derived from architectural details
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent gebruikt in: Dietterlin, Wendel (I). Wendel Dietterlin, Architectura de Polstium seu Portalium ornatu uario Liber II. Straatsburg: Bernhard Jobin, 1594.
The Drinker Seen from the Back, from Varie Figure Gobbi
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Gezicht op de Mathenesserlaan te Rotterdam
Object type: album leaf
Date: 1908 – 1913
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: street (+ city(-scape) with figures, staffage), rotterdam
Inscriptions: inscription: ‘Mathenesserlaan’

Deze prent maakt deel uit van een album.
Box of Remnants
Object type: box of remnant
Date: 618 – 907
Materials: bronze, gold, mother of pearl, pearl
Culture: chinese
Metalen sloepen
Object type: photograph
Date: 1902 – 1953
Materials: paper, photographic support
Techniques: gelatin silver print
Location: emden
Artist: Anonymous
Subjects: building a ship, ship under construction, rowing-boat, canoe, etc., pier, quay, wharf, north sea flood of 1953

Albumblad met twee foto's van de metalen sloepen op het terrein van de werf van Nordseewerke Emden. Onderdeel van het fotoalbum 'Emden hilft Holland'.