deem-data/ArtiFact huggingface dataset:
Hoogstraat in Willemstad
Object type: photograph
Date: 1906 – 1910
Materials: photographic support
Techniques: photography
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Hoogstraat Willemstad Juni 1910’

Gezicht in de Hoogstraat in Willemstad op Curaçao, juni 1910. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Denarius (Coin) Portraying Emperor Hadrian
Object type: coin
Date: 134 – 138
Materials: metal, silver
Culture: roman
Location: roman empire
Subjects: portrait
Inscriptions: Obverse: HADRIANVS AVG COS III PP
Reverse: AEGYPTOS

The front (obverse) of this coin portrays the head of Emperor Hadrian, facing to the right. On the back (reverse), the personification of Egypt is seated, holding a sistrum (a type of musical instrument), and facing an ibis. Egypt was the richest province of the Roman Empire and an important source of grain. The sistrum was an emblem of Egypt and used by priests of Isis in religious ceremonies.
The Falls of Niagara
Object type: painting
Date: 1825 – 1825
Materials: canvas, oil
Culture: american
Artist: edward hicks
Artist role: artist
Artist nationality: american
Artist dates: 1780 – 1849
Subjects: animals,eagles,snakes,waterfalls,trees

Hicks visited Niagara Falls in 1819, but he based this composition on a vignette of the falls from a map of North America published by Henry S. Tanner in 1822. As seen from the Canadian side, the falls are replete with the moose, beaver, rattlesnake and eagle, all traditional emblems of North America. The long poem inscribed around the picture is an excerpt from Alexander Wilson's "The Foresters" that originally appeared as a serial in the Philadelphia periodical "The Port Folio" in 1809–1810 and was reprinted at Newtown, Pennsylvania in 1818. Another version of this subject by Hicks was painted in 1835 (Abby Aldrich Rockefeller Folk Art Center of Colonial Williamsburg, Virginia).
Riemgesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

D-shaped, id. NG 1979-182H2177, belt buckle.
Figure: Saint Anthony (Toni Malau)
Object type: figure
Date: 1701 – 1800
Materials: ivory
Culture: kongo
Location: angola
Subjects: saint anthony,cross,jesus
Bronze ring
Object type: ring
Date: 500 – 301
Materials: bronze
Culture: greek
Subjects: eagles,rams
Bavaria sancta I
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, etching
Location: munich
Subjects: male saints (with name), insignia of bishop, e.g. mitre, crozier, baptismal font, solemn baptism (by bishop or priest)
Inscriptions: collector's mark: Lugt 240

De H. Rupertus, de eerste bisschop van Salzburg, staat naast een ornamenteel doopvond in een kerk en doopt een oude man. Achter hem staan andere inwoners van Salzburg. De prent heeft een Latijns onderschrift en is de vijftiende prent van een 60-delige serie met als onderwerp de heiligen van Beieren.
Design for a Ceiling
Object type: drawing
Date: 1851 – 1900
Materials: gilt, gouache, graphite, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: architecture
Huismunt (winkelkaart) ter waarde van 25 cent van de Kolonien van Weldadigheid
Object type: vijfentwintig cent
Date: 1821 – 1826
Materials: cardboard
Techniques: printing, writing
Location: frederiksoord
Artist: william reese

Eenzijdige, rechthoekige munt van karton dat aan voorzijde blauw en aan keerzijde wit is gekleurd. Voorzijde: waardeaanduiding boven met zwarte inkt geschreven handtekening. Keerzijde: blanco.
Bomen bij de Hemelschen Berg te Oosterbeek
Object type: sketchbook leaf
Date: 1864 – 1865
Materials: paper, pencil
Location: oosterbeek
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: trees
Inscriptions: annotation: ‘Hemelschen Berg’

Blad 15 recto uit een schetsboek met 44 bladen.
Groep figuren rondom een gebouw
Object type: sketchbook leaf
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: village street (+ city(-scape) with figures, staffage)

Een groep figuren kijkt toe hoe twee mannen op een gebouw afrennen. Blad 39 recto uit een schetsboek met 77 bladen.
Gezicht op de waterval Corra Linn
Object type: page
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: south lanarkshire
Artist: Anonymous
Subjects: waterfall, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Versterkt door Uw stem het leger van de S.D.A.P.
Object type: poster
Date: 1925 – 1925
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jacques jeichienus ottens
Artist role: print maker
Artist dates: 1895 – 1930
Subjects: political demonstration, working class, labourers

Affiche met oproep voor steun aan de politieke partij SDAP. Arbeider met vlag van de SDAP leidt een optocht van medestanders. Zij doorbreken de papieren muur van het 'Regeerings-Progream' van 'Colijn & Co.'. Genummerd rechtsonder: No. 2A.
Dog Cart Phaeton #621
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fan
Object type: costume and accessory
Date: 1825 – 1875
Materials: gilt, paper, pearl
Techniques: carving, painting
Location: france
Blad met patroon van diagonale banen van aan elkaar verbonden ranken
Object type: printed paper
Date: 1800 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met patroon van diagonale banen van aan elkaar verbonden ranken met bladeren.
Havens van Genua
Object type: print
Date: 1650 – 1695
Materials: paper
Techniques: etching
Location: amsterdam
Artist: anthony van zijlvelt
Artist role: print maker
Artist dates: 1637 – 1715
Subjects: harbour, sailing-ship, sailing-boat, ass, donkey
Inscriptions: collector's mark: Lugt 240

In de haven van Genua spreken drie mensen met elkaar bij een ton. Een aantal mannen beladen een pakezel. Op de achtergrond schepen.
Duinlandschap
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper
Techniques: stumping
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: dunes (sea not visible); in the dunes

Duinlandschap. Blad 8 verso en blad 9 recto uit een schetsboek met 28 bladen.
Design for Red Curtains with Red Fringes and a Gold Pediment
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: windows,curtains
Limestone head of a bearded man
Object type: head of a bearded man
Date: 600 – 568
Materials: limestone
Culture: cypriot
Subjects: heads,men

The head belonged to a figure of over lifesize proportions. The conical cap, identifying him as an individual of high rank, appears at the end of the eighth century B.C. in the Levant and had reached Cyprus by the mid-seventh century B.C. It is characterized by a protuberance at the top and flaps at the sides that could be let down or fastened up by the ties ending in tassels. While, unfortunately, nothing of the body remains, the head represents a very early and impressive example of this figural type. The articulation of the beard, with its round, generalized curls, is often interpreted as an indication of the influence of terracotta sculpture on stoneworking.
Sketches of a Jockey
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: george alken, ii
Artist nationality: english
Artist dates: 1812 – 1862
Het tekenboek van Abraham Bloemaert
Object type: print
Date: 1679 – 1701
Materials: paper
Techniques: engraving, etching
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: hands folded with fingers knit, (private) prayer; 'oratione', 'preghiere', 'preghiere a dio' (ripa)
Inscriptions: collector's mark: Lugt 2228

Zittende vrouw met haar handen gevouwen in gebed. Op de achtergrond een brandend huis.
Teun
Object type: drawing
Date: 1904 – 1934
Materials: chalk, charcoal, paper
Techniques: scoring
Artist: albert funke küpper
Artist role: draughtsman, print maker
Artist dates: 1894 – 1934
Subjects: boy (child between toddler and youth), historical persons, sleeping; unconsciousness
Album met vier tekenvoorbeelden
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1800 – 1825
Materials: paper, fiber
Techniques: bookbinding, printmaking, engraving, etching
Location: paris
Subjects: trough, well, landscapes, tent
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Album met vier prenten op vier bladen. De ongenummerde prenten met figuren zijn bedoeld als tekenvoorbeeld voor de jeugd. Prenten behoren tot de serie '2me. cahier d'études'.
Fotoreproductie van een tekening, voorstellende de graflegging van Christus
Object type: reproduction
Date: 1854 – 1859
Materials: photographic support
Techniques: albumen print
Location: weimar
Subjects: bearing of christ's body to the grave
Gezicht op de Place Pigalle in Parijs
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: aquatint, drypoint, etching
Subjects: city-view, and landscape with man-made constructions, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, umbrella, ornamental fountain, street lighting
Inscriptions: collector's mark: Lugt 977, signature: ‘à A. Pit Felix Buhot’, : ‘(...) les mass baissée’, collector's mark: Lugt 2233
The Bamboo Slope 竹坡圖
Object type: painting
Materials: ink, paper
Location: china
Artist: wang hui
Artist role: artist
Artist nationality: chinese
Artist dates: 1632 – 1717
Inscriptions: Inscription: 幽居誰與共徘徊，翠竹浦浦繞屋栽，滿院書聲藏不住，時隨清吹出牆來。 庚寅十一月十八日畫并題，奉贈竹坡同學先生教正，耕煙散人王翚

Quiet dwelling, with whom roaming around,
The emerald bamboos planted around the house, making bustling sound.
Voice of reading books in the garden, cannot be hidden inside,
At times following the cool breeze, it comes out over the wall.
On the sixteenth day of the eleventh month of the gengyin year,
painted and added an inscription. Respectfully presented to Mr. Zhupo for his instruction.
Gengyan sanren Wang Hui.

Artist’s seals: 王翚之印，石谷，西爽
Collectors’ seals: 滄江百□, 清暉老人
Vrouw met een mand voor een boerenhuis aan het water
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: drypoint, etching, intaglio
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: trees, small canal, ditch, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Bowl
Object type: bowl
Date: 1101 – 1300
Materials: glaze, stonepaste
Techniques: luster painting
Location: iran
Subjects: birds
Achterlijf van een gevlekte koe
Object type: sketchbook leaf
Date: 1881 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: cow

Blad 28 recto uit een schetsboek met 29 bladen.
Lovers
Object type: print
Date: 1922 – 1922
Techniques: woodcut
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: men,lovers,women,parrots
Portret van Christianus Lupus
Object type: print
Date: 1710 – 1764
Materials: paper
Techniques: engraving, etching
Location: brussels
Artist: françois harrewijn
Artist role: print maker
Artist dates: 1700 – 1764
Subjects: scholar in his study
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve naar rechts van de monnik en godgeleerde Christianus Lupus voor een boekenkast. Onder zijn portret een plint waarop zijn gegevens in drie regels in het Latijn.
Verlorengegane plafondschildering in de Villa del Pigneto
Object type: print
Date: 1668 – 1668
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: ornaments ~ art, story of david
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 11

Naar een verlorengegane plafondschildering door Pietro da Cortona in Villa del Pigneto te Rome.

Deze prent maakte oorspronkelijk deel uit van liber nr. 22 van de Atlas van Rome, uit de collectie Hinloopen. In dit album waren een aantal prentreeksen naar bekende zeventiende eeuwse frescoseries bijeengebonden. In 1709 heeft Schijnvoet op last van de burgemeesters van Amsterdam de collectie herordend. De prenten uit liber 22 kwamen terrecht in Schijnvoet boek nr. 10. De laatst gedateerde reeks in het album is gedateerd 1691. Het album moet dus na deze datum gebonden zijn. De band is in de Rijksakademietijd uit elkaar gehaald. De marges van de prenten zijn bij het opbergen in het Rijksprentenkabinet vaak drastisch afgesneden. Van een aantal series waren de prenten teruggeslagen om in het album te passen. (Zie: Waals, Jan van der. De prentschat van Michiel Hinloopen. 's-Gravenhage: SDU uitgeverij, 1988, pp. 173-174.)
Drie vliegende putti met banderollen
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Artist: cornelis schut (i)
Artist role: draughtsman, print maker
Artist dates: 1597 – 1655
Subjects: cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240
Open Bangle
Object type: bangle
Materials: bronze
Culture: thai
Button
Object type: button
Date: 1785 – 1785
Materials: enamel, metal
Culture: french
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Seven black glazed fragments from kylikes
Egyptian Street Scene
Object type: drawing and watercolor
Date: 1842 – 1847
Materials: chalk, crayon, graphite, paper
Techniques: drawing, stumping
Location: france
Artist: charles françois eustache
Artist nationality: french
Artist dates: 1820 – 1870
Vaas met vier carte-de-visite-portretten
Object type: vase
Date: 1400 – 1950
Materials: porcelain
Artist: Anonymous
Portrait of Madame Gabrielle Marcotte de Quivières
Object type: drawing
Date: 1845 – 1845
Materials: graphite, paper
Artist: théodore chassériau
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1856

In 1845 Chassériau was asked to make a portrait drawing of his friend Louis Marcotte de Quivières, a young aristocrat who collected paintings by Ingres. Chassériau also sketched this portrait of Marcotte de Quivières’s wife, Gabrielle. It is affectionately inscribed as a gift to her husband. The drawing is remarkable for the reserve and modesty with which it portrays a young sitter of such wealth and privilege. As with other drawings by Chassériau, the artist’s debt to Ingres is unmistakable. Chassériau entered Ingres’s studio at the age of eleven.
Portret van een vrouw met bril
Object type: album leaf
Date: 1879 – 1883
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: eyeglasses, spectacles, historical persons - bb - woman
Inscriptions: inscription: ‘Riemerstraat No 48/ La Haye’
Buste van een donkere man
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: africans
Inscriptions: collector's mark: Lugt 2228
Vaas  beschilderd met een fazant
Object type: vase
Date: 1900 – 1900
Materials: porcelain
Location: the hague
Artist: sam schellink
Artist role: ceramicist, draughtsman
Artist dates: 1876 – 1958
Subjects: walker and runner birds: pheasant
Inscriptions: mark: ‘stempel in groen: Rozenburg/ooievaar/ Den Haag; in zwart: links een bij (=1900); rechts werkordernummer 61 en schildersmerk JS; in reliëf modelnummer 101’

Vase, 1900, decorated by Samuel Schellink, model no 101.
Landschap met brug
Object type: drawing
Date: 1792 – 1861
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: georgius jacobus johannes van os
Artist role: draughtsman, painter, print maker
Artist dates: 1782 – 1861
Subjects: landscape with bridge, viaduct or aqueduct
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Exterior, bent left elbow of figure, part of circumscribed palmette
Ax head with two bulls
Object type: ax head with two bull
Date: 1981 – 1550
Materials: bronze, copper alloy
Location: egypt
Subjects: bulls
A Dog on a Chair
Object type: painting
Date: 1860 – 1891
Materials: oil, panel
Artist: guillaume anne van der brugghen
Artist role: draughtsman, print maker
Artist dates: 1812 – 1891
Subjects: chair, dog
Inscriptions: signature: ‘G.A.v.d.B.f.’
Title plate from 'The collection of the most notable things seen by John Wilkins, erudite English bishop, on his famous trip from the Earth to the Moon... (Raccolta delle cose più notabili Vedute da Giovanni Wilkins erudito Vescove Inglese nel suo famoso viaggio dalla Terra alla Luna...)
Object type: print
Date: 1783 – 1783
Techniques: etching
Artist: filippo morghen
Artist role: artist
Artist nationality: italian
Artist dates: 1730 – 1807
Brief aan Ary Johannes Lamme
Object type: letter
Date: 1861 – 1861
Materials: ink, paper
Techniques: pen, writing
Artist: j.f. van de laar
Artist role: artist
Subjects: antwerp, dordrecht, print maker, draughtsman, ary johannes lamme, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: Lugt 2228
Titelpagina voor: L. van den Bos, Spicilegium of by-spel van vorstelycke treur-gevallen; deel 2 van: Het toneel der ongevallen, 1683
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: etching, letterpress printing
Location: dordrecht
Subjects: fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: collector's mark: Lugt 2228

Faam, met een lauwerkrans en een trompet, boven schepen op het water. Uit haar trompet komt de tekst: Altijtneering. Daarboven 17 regels in het Nederlands. Onderaan het impressum. Titelpagina voor deel 2 van (de eerste uitgave van) een boek van Lambert van den Bos met in totaal twinting prenten van Arnold Houbraken.
Excyns huis te Alkmaar
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: civic architecture; edifices; dwellings

Prent verschenen in: Alle de voornaamste gezichten van de wijdberoemde steden Alkmaar, Delft en Dordrecht. Amsterdam: Leonardus Schenk, 1736.
Prent is het bovenste deel van een plaat met twee gezichten op Alkmaar.
Madonna met kind
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Subjects: madonna: mary standing (or half-length), christ-child close to her bosom
Inscriptions: collector's mark: Lugt 240

Maria tilt het Christuskind hoog op haar arm. Links een zuil.
Rev. Dr. Thomas Chalmers and Thomas Chalmers Hanna
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: boys,men,portraits
Fotoreproductie van twaalf foto's van de kathedraal van Gloucester
Object type: reproduction
Date: 1870 – 1880
Materials: photographic support
Techniques: albumen print
Location: gloucester cathedral
Subjects: church (exterior), parts of church interior: nave, monument, statue, parts of church interior: choir, parts of church interior: chapel

Van boven naar beneden en van links naar rechts: een zijbeuk, gezicht op de kathedraal, een monument, het schip, het koor, een kapel, een kloostergang, een kapel, driemaal een monument en een gezicht op de kathedraal
Begroeting van Wilhelmina door militairen en burgers na haar inhuldiging als koningin, bij het Paleis op de Dam, Amsterdam
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: sigmund löw
Artist role: publisher
Artist dates: 1845 – 1920
Subjects: the hague, print maker, wilhelmina of the netherlands, after the coronation, palace, royal palace of amsterdam, amsterdam
Inscriptions: name: ‘Atelier Herz Amsterdam’
De schelpenvisser
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: drypoint, intaglio
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: shell fishery, beach
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Bijvoegsel van "Wendingen". Maandblad voor Bouwen en Sieren’
Netsuke of Fox
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: foxes
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 28 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament,dogs

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 4 horizontal registers that form a corner. Top register is decorated with a pattern of 2 composite male figures with foliage forming their lower half that hold onto either side of an urn; in the center of this register is a warrior figure inside of 5-sided shape formed by vines. Second register is decorated with a curving vine interspersed throughout it are birds, dogs, and composite human creatures. Third register is decorated with a curving vine among which are dogs, birds, and snakes. Fourth register is decorated with a pattern of triangular motifs ornamented with a central floral motif.
Candlestick
Object type: metalwork
Date: 1762 – 1763
Materials: metal, silver
Location: london
Artist: ebenezer coker
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: the hague, draughtsman, philip zilcken