deem-data/ArtiFact huggingface dataset:
Ewer
Object type: ewer
Date: 1101 – 1300
Materials: stonepaste
Techniques: painting, underglaze
Location: syria
John Yellow Flower, Ute, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N2), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Cherry Blossoms in Full Bloom at Goten Hill (Gotenyama no hanazakari), from the series "Famous Places in Edo (Edo meisho no uchi)"
Object type: print
Date: 1832 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
De oorlogvoerende mogendheden en de Chineesche verdraghavens
Object type: cartoon
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc. (+ nation; national), political caricatures and satires, china
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 28 augustus 1904.
Knives, Scissars, and Rotors to Grind
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni vendramini
Artist role: print maker, publisher
Artist nationality: italian
Artist dates: 1769 – 1839

This engraving of everyday London life comes from a series of 14 paintings by the Royal Academy painter Francis Wheatley. This series of idealized knifegrinders and cherry, match, primrose, and strawberry sellers was also available in impressions with hand coloring. Wheatley, a portrait painter to the aristocracy, came upon hard times while preparing these canvases, but the dual-language print titles (English and French) attest to the wide-ranging appeal of the engravings.
Diogenes en Alexander de Grote
Object type: print
Date: 1622 – 1691
Materials: paper
Techniques: etching
Location: italy
Artist: lorenzo loli
Artist role: print maker
Artist dates: 1612 – 1691
Subjects: alexander's visit to diogenes, who sits by his barrel and asks alexander to get out of his light
Inscriptions: collector's mark: Lugt 240

De filosoof Diogenes zit voor zijn ton. Hij wenkt naar Alexander de Grote en zijn gevolg opzij te gaan, zodat hij niet langer in hun schaduw zit. Wapenschild in ondermarge.
Design for a Wall Decoration
Object type: ornament architecture
Date: 1501 – 1600
Materials: ink
Techniques: brush, pen, wash
Artist: rosso fiorentino
Artist role: artist
Artist nationality: italian
Artist dates: 1494 – 1540
Subjects: male nudes,female nudes
Plaque from a Reliquary Shrine
Object type: plaque
Date: 1170 – 1170
Materials: copper alloy, enamel, gilt
Techniques: enamel
Culture: german
Location: germany

Among the most splendid objects in the great churches of Cologne are large architectural shrines containing relics associated with local saints. These ambitious goldsmiths’ works are among the greatest artistic achievements of their time. Refined decorative fragments like the small rectangular plaques shown here are often all that remain of these monumental objects, as many were dismantled or even destroyed following the secularization of church property in this region in the first decade of the nineteenth century. During later efforts to restore shrines, some fragments were replaced and the originals sold to collectors and museums.
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1930
Materials: ink
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: painter, draughtsman, philip zilcken, workshop, studio of the artist (in general)
Inscriptions: collector's mark: ‘RPK’
Glass dish
Object type: dish
Date: 301 – 400
Materials: glass
Culture: roman

Colorless with pale blue green tinge. Rounded, slightly thickened vertical rim; convex side to body, tapering downwards then curving sharply in to pushed-in outer section of bottom; applied tubular foot ring, splayed outwards; inner section of bottom slightly convex with thickened dome and pontil scar at center. Intact; many pinprick, some elongated horizontally, and a few very large bubbles; dulling, pitting, and patches of brownish iridescent weathering. Greenish blown glass plate with thick base.
Portret van Marie van Pruisen
Object type: print
Date: 1825 – 1868
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk afkomstig uit de Almanach de Gotha.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1743 – 1801
Materials: gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: men,fishing
Schepen en havens
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: rome
Subjects: dock labourer, ships (in general), pier, quay, wharf
Inscriptions: collector's mark: Lugt 2228

Prent uit een reeks van negen prenten. Zeven prenten zijn spiegelbeeldige en genummerde kopieën naar prenten van Stefano della Bella. Twee prenten zijn nieuwe inventies. Mogelijk is deze gekopieerde reeks ook door Della Bella zelf vervaardigd.
Petit Courrier des Dames
Object type: magazine
Date: 1824 – 1824
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: fashion plates

Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Iohannes Mauritius Princeps (...) Markae et Ravensbergae Gubernator. etc.
Object type: print
Date: 1658 – 1658
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: earl, johan maurits graaf van nassau-siegen, cleves

Portret van Johan-Maurits, vorst van Nassau-Siegen en gouverneur-generaal van Nederlands-Brazilië, ten halven lijve in ovale omlijsting met gekroonde wapenschilden welke worden gedragen door kleine engelen. Twee engelen rechts hebben een donkere huidskleur, zij verwijzen naar de jarenlange aanwezigheid van de, toen nog graaf, in Brazilië. Achter de vorst een gezicht op Kleve. Op lint motto: Qva patet orbis. Op voet Nederlands vers in tien regels van Joost van den Vondel.
Mortar
Object type: mortar
Materials: copper alloy, patina
Culture: french or north italian
Subjects: caryatids

The exterior surface is divided into five sections by five herm caryatids, with seal-like ornaments in each section, two of which bear profile faces of a bearded man, the remaining ones respectively with the archangel Saint Michael weighing souls, a Gothic tabernacle with a head and a chalice, and a large four-petaled flower with two smaller rosettes.
Mediceae Familiae rerum feliciter gestarum victoriae et triumphi
Object type: album leaf
Date: 1583 – 1583
Materials: paper
Techniques: engraving
Location: florence
Subjects: preparation for battle

Giovanni de' Medici, bijgenaamd 'dalle Bande Nere', in overleg met Zwitserse landsknechten. In de ondermarge twee regels tekst in het Latijn en genummerd 7. De prent maakt deel uit van een album.
Slag aan de Boyne, 1690
Object type: print
Date: 1692 – 1694
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), battle (+ land forces)

Slag bij de rivier de Boyne op 11 juli 1690, waarbij het leger van Willem III en overwinning behaalt op de katholieken onder Jacobus II. In het midden de hertog van Schomberg te paard die in de slag zou sneuvelen. In het onderschrift de legenda 1-5.
Virgin in a Chair
Object type: print
Date: 1817 – 1820
Materials: paper
Techniques: lithograph
Location: france
Artist: dominique-vivant denon
Artist nationality: french
Artist dates: 1747 – 1825
Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: polidoro da caravaggio
Artist role: artist
Artist nationality: italian
Artist dates: 1494 – 1548
Subjects: mary magdalene,saint john the baptist,virgin mary,jesus,crucifixion
[Stoneman's Station, Virginia]
Object type: photograph
Date: 1863 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: train stations,american civil war,landscapes
Grisaille Panels with Stylized Periwinkle Flowers
Object type: panel
Date: 1320 – 1330
Materials: glass, metal, paint, pigment
Culture: french
Location: france

The five panels assembled here come from at least four different lancets of the choir windows at Saint-Ouen at Rouen. They incorporate three different patterns of stylized leaves and tendrils, one with silver-stained blossoms, and three different strapwork designs in four combinations. All are known to have originated in this glazing program. The botanical theme is continued in the border pattern and in three of the central bosses or fermaillets. The combination of grisaille, silver stain, and colored glass is typical of fourteenth-century French stained glass.
Amulet of a Headrest
Object type: costume and accessory
Materials: mineral
Culture: egyptian
Location: egypt
Subjects: headrest
Portret van Don Juan II van Oostenrijk
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, ruler, sovereign, armorial bearing, heraldry

Prent mogelijk uit: Brandt, Geeraert II. Tweejaerige geschiedenissen, voorgevallen in de jaeren MDCLXXIV. Amsterdam: Johannes van Someren, Abraham Wolfgangh, Hendrik en Dirk Boom, 1678.
Portret van Johannes Cocceius
Object type: print
Date: 1665 – 1689
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons
Fragment van een wandbespanning
Object type: upholstered wall
Date: 1825 – 1825
Materials: silk
Techniques: lampas, weave
Location: europe
Artist: Anonymous

Een rand van zijden wandbespanning in zijden lampas. Op lichtblauwe fond staan, in beige en wit, zesbladerige rozetten, waaraan een opgaande en een neergaande eiketak met eikels. Rechte lijsten links en rechts. Opmerking: Zelfkant; 3 mm, effenbinding.
Lid of a winepot of Chinese porcelain from the wreck of the Dutch East Indiaman Witte Leeuw
Object type: lid
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Winepot with a handle and spout. The panels decorated with peonies and symbols. Shoulder and cover are decorated with two cartouches with floral sprays on a fine diaper pattern. The handle is decorated with various motives: dots and flower sprays. The spout with flame motives and stylized jewels and the cover with floral sprays and cartouches on diaper pattern. The neck with two sketchy flower sprays.
Portret van Jacques de Castelnau
Object type: print
Date: 1658 – 1658
Materials: paper
Techniques: engraving
Artist: robert nanteuil
Artist role: print maker
Artist dates: 1623 – 1678
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233

Prent mogelijk uit: Castelnau, Michel de. Les Mémoires de messire Michel de Castelnau (...). Parijs: Pierre Lamy, 1658.
Familiefoto te Moengo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Familiefoto met een echtpaar te Moengo. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Johannes Decker Zimmerman, vijftig jaar predikant bij de Evangelisch Luthersche Gemeente te Utrecht
Object type: honorary medal
Date: 1858 – 1858
Materials: silver
Techniques: striking
Location: utrecht
Artist: johan philip van der kellen
Artist role: draughtsman, print maker
Artist dates: 1831 – 1906
Subjects: utrecht
Inscriptions: inscription: ‘VIJFTIGJARIGE/ AMBTSBEDIENING/ 1808-1858’, circumscription: ‘J. DECKER ZIMMERMAN, PREDIKANT BIJ DE EVANG. LUTHERSCHE GEMEENTE TE UTRECHT.’, monogram: ‘J.P.VDK.’

Zilveren penning. Voorzijde: borststuk naar links van man binnen omschrift. Keerzijde: opschrift binnen krans van vijftig sterren.
Twee ronde torens
Object type: print
Date: 1770 – 1794
Materials: paper
Techniques: etching
Location: middelburg
Artist: willem aarnoud kien van citters
Artist role: mayor, print maker
Artist dates: 1756 – 1794
Subjects: weathercock, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen. Boven een ronde toren met bijgebouwen, onder een toren met dak met windhaan en bijgebouwen.
Anichkovbrug met beelden van de paardentemmers in Sint Petersburg
Object type: photograph
Date: 1850 – 1876
Materials: photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: alfred lorens
Artist role: fotograaf
Artist dates: 1830 – 1896
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ sculpture), travelling; tourism, bridge

Onderdeel van Reisalbum met foto's en tekeningen van Manuel Mayo 1876.
Pavia Hussar, Spain, from the Military Uniforms series (T182) issued by Abdul Cigarettes
Object type: print
Date: 1881 – 1881
Techniques: color lithograph
Artist: abdul cigarettes
Artist role: publisher
Artist nationality: american
Artist dates: 1881 – 1881
Subjects: soldiers,military clothing,profiles
Portret van Frederik de Grote
Object type: print
Date: 1822 – 1863
Materials: paper
Techniques: aquarelle, engraving
Location: karlsruhe
Subjects: berlin, frederick ii (king of prussia), knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), historical persons
Inscriptions: collector's mark: Lugt 2228
Pochette
Object type: pochette
Date: 1700 – 1700
Materials: wood
Culture: french
Location: france

Dancing was an expected aristocratic accomplishment. Instruction was given at home by a visiting dance master, who played a small fiddle to provide music for the lessons. The compact, slender shape of these instruments made them easy to transport and gave them the name pochette, which suggests that they were carried in one's coat pocket. Description: Oval body with rounded back. Two straight sound-holes. Brown varnish. Flat finger-board. The peg-box terminating in a scroll.
Looking Glass
Object type: looking glass
Date: 1780 – 1780
Materials: gilt, wood
Culture: american
Location: united states
Artist: stephen badlam
Artist role: maker
Artist nationality: american
Artist dates: 1751 – 1815
Subjects: birds
Brief aan Christiaan Kramm
Object type: letter
Date: 1862 – 1862
Materials: ink, paper
Techniques: pen, writing
Location: haarlem
Artist: wouter verschuur (1812-1874)
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1874
Subjects: gerrit pieter verschuur, wouter verschuur (1841-1936), utrecht, christiaan kramm, distribution of awards ~ art contest, the graphic arts, painting (including book-illumination, miniature-painting), exhibition ~ art, historical persons (portraits and scenes from the life), the hague
Inscriptions: collector's mark: Lugt 2233, monogram
Pagode van de tempel van Tianning, Beijing
Object type: photograph
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: china
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism
Chintz appliquéd quilt
Object type: quilt
Date: 1835 – 1840
Materials: textile, cotton
Culture: american
Location: united states
Artist: mary malvina cook taft
Artist role: maker
Artist nationality: american
Artist dates: 1812 – 1905
Subjects: flowers

This quilt is appliquéd with pieces of chintz to form a Tree of Life motif at its center. This design strongly recalls that of Indian "palampores," hand-painted and dyed single-panel Indian cotton bed hangings that are often decorated with a central flowering tree. Chintz-appliquéd quilts were popular throughout the East Coast during the first half of the nineteenth century. The design elements, such as birds and flowers, were cut from printed fabrics and sewn onto a new background. The appliquéd pieces were often fastened down with blind whipstitch, but in some examples, more decorative buttonhole stitching was used. This quilt is a fairly late example of the chintz- appliquéd style, which by 1840 was losing popularity in favor of the pieced quilt. According to family history, Mary Malvina Cook Taft made this quilt for her trousseau. She married Horatio Nelson Taft (1806-1888), a lawyer, on November 12, 1841. After their marriage in Sag Harbor, New York, where Mary Malvina had grown up, they moved to Lyons, Wayne County, New York. The English chintzes used for the appliqués on this quilt illustrate the appealingly vigorous quality of mid-nineteenth-century textile designs. The central tree is constructed from pieces of chintz showing vibrant pink roses in full bloom. Some English chintz motifs, like these roses, appear time after time in American quilts. This raises the question as to whether certain furnishing fabrics were actually sold in small amounts of yardage specifically to be cut up for appliqués. The "basket" in which the tree is planted was cut from an English pillar print of about 1830-35, on which the column capitals overflow with a variety of boldly drawn flowers. The rather more modest palm trees that decorate the outer border can be traced to another English chintz, which was probably manufactured in about 1812. Either this fabric continued to be available well into the nineteenth century or for many years the maker's family carefully saved scraps of chintz left over from furniture upholstery and curtains.
Saint Mary Magdalene
Object type: stained glass panel
Date: 1325 – 1325
Materials: glass, metal, paint
Culture: french
Location: france
Subjects: women,mary magdalene

Represented at the left is the prophet Isaiah (YSAIAS) holding a scroll inscribed: ECCE VIRGO—the first words of his prophecy, “Behold, a virgin shall conceive, and bear a son” (Isaiah 7:14). At the right is Saint Mary Magdalene holding her attribute, the alabaster jar containing the ointment with which she anointed the body of Jesus. The inscription reads: M[ARIA SOROR] MARTH[HA]E (Mary, sister of Martha). Grisaille windows with figural glass in the central zones, known as band windows, were common in French glazing programs of the fourteenth century. Here, the grisaille panels are unrelated to the figures, and whether they were ever in such a window is unknown.
Vrouw met een schep en een brief
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: reading, landscapes, agricultural implements: spade, letter, envelope
Inscriptions: collector's mark: Lugt 240

Deze prent is ook gebruikt als illustratie bij het verhaal 'Pauline en Suzette' voor: Baculard d'Arnaud, F.T.M. de. Zedelijke verhaalen, deel 12. Amsterdam: A. Mens Jansz., 1789.
Cartes-de-visite
Object type: carte de visite
Date: 1854 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: andré-adolphe-eugène disdéri
Artist role: fotograaf
Artist dates: 1819 – 1889
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Disderi/ PARIS, 8, Boulevard des Italiens’

Cartomanie was a collecting craze. From 1855 hundreds of thousands of these portraits were annually sold worldwide. People had photographs taken of their loved ones, including their pets, and kept them in an album. Portraits of kings, writers, artists, actors, and statesmen were also collected. Photography was no longer the preserve of the wealthy; farmers and maidservants now also stood before the camera.
Vrouw bezig met handwerken
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: drypoint, etching
Location: england
Artist: james abbott mcneill whistler
Artist role: painter, print maker
Artist dates: 1834 – 1903
Subjects: (other forms of) needlework, e.g.: crocheting, knitting, embroidering
Inscriptions: collector's mark: Lugt 1376, collector's mark: Lugt 2228

Jonge vrouw zittend bij een tafel, handwerk op haar schoot en een draad in haar handen.
Vrouw buigt zich buiten over dromende man
Object type: print
Date: 1851 – 1865
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adult woman, adult man, dream
Inscriptions: collector's mark: Lugt 964
Drie acteurs met lange mantels
Object type: album leaf
Date: 1621 – 1621
Materials: paper
Techniques: colour, engraving
Location: augsburg
Artist: paul göttich
Artist role: graveur
Artist dates: 1586 – 1622
Subjects: actor (on the stage), head-gear: hat (+ feathers used for clothes)
Inscriptions: inscription: ‘51’

Drie staande heren of acteurs met lange mantels. Twee hebben een gepluimde hoed op hun hoofd. De prent maakt deel uit van een album.
Uniform voor adelborsten eerste klasse van de Marine, 1845
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: louis salomon leman
Artist role: steendrukker
Artist dates: 1818 – 1889
Subjects: (military) uniforms, netherlands

Uniform voor adelborsten eerste klasse van de Marine. Illustratie in een boek uit 1845 over de uniformen en kledingstukken van de Nederlandse land-, zeemacht en schutterijen in Nederland en in de overzeese gebiedsdelen.
Missale Romanum (Roman Missal)
Object type: missal cover
Date: 1710 – 1710
Materials: silver, wood
Techniques: burnishing, casting, chasing, repoussé
Culture: peruvian
Location: antwerp
Artist: Anonymous
Artist role: artist

This silver-bound missal is emblematic of the cultural and commercial ties that connected distant parts of the Spanish empire during the colonial period. The missal, a liturgical book that contains the texts, rubrics, and instructions for the celebration of the Roman Catholic Mass, was published in Antwerp by the Plantin-Moretus press. In 1571, Christophe Plantin, founder of the press, obtained a license from Philip II to supply the new missals, breviaries, and prayer books made necessary by Tridentine reforms--the so-called Nuevo Rezado--throughout the Spanish Empire. This virtual monopoly, which remained in effect until the mid-18th century, assured that the Officina Plantiniana, under Plantin and his successors, the Moretus family, would remain the most important source for liturgical books in Spanish America. The missal’s unusual silver repoussé binding was added in Peru, most likely in Cuzco. Its ornamentation emulates that of embossed leather bindings made in Spain. The decorative strapwork derives ultimately from European Mannerist ornamentation, while the figural grotesques have a distinctly Andean character. The upper cover of the book features a round medallion with the monogram IHS (the first three letters of the name of Jesus in Greek). The design of the lower cover mirrors that of the upper one, but the central medallion features the crowned monogram of Mary (the interlaced letters: MARIA).
Portret van Heinrich Gustav Magnus
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent behoort tot een serie met 100 portretten van natuurwetenschappers, uitgegeven tussen 1856-1860.
Zittende man die zich met een doek op het hoofd wrijft
Object type: drawing
Date: 1791 – 1850
Materials: paper
Techniques: brush
Artist: totoya hokkei
Artist role: print maker
Artist dates: 1790 – 1850
Page from the Mustard Seed Garden Manual of Painting
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Artist: wang gai
Artist role: artist
Artist nationality: chinese
Artist dates: 1645 – 1710
Subjects: landscapes
Design for a Ceiling for Thomas Wells
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture
Woman's necktie
Object type: necktie
Date: 1870 – 1880
Materials: silk
Subjects: flowers,leaves