deem-data/ArtiFact huggingface dataset:
Terracotta fragments of oinochoai (jugs) or olpai (jugs)
Object type: oinochoe or olpe fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Three black glazed fragments from oinochoai or olpai
Portret van Adolphe Thiers
Object type: print
Date: 1815 – 1864
Materials: paper
Techniques: lithograph
Subjects: marseille, politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Studiebeelden en fragmenten
Object type: album leaf
Date: 1806 – 1810
Materials: paper
Techniques: etching
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: container made of plant material other than wood: basket, wandering or travelling merchant, sitting on an elevation
Inscriptions: date

Deze prent maakt deel uit van een album.
Amstel-Gesichies
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: canals, waters (in city), bridge in city across river, canal, etc., windmill
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Molens.
Two Studies of Medieval Sculpture
Object type: drawing and watercolor
Date: 1859 – 1859
Materials: chalk, ivory, paper
Techniques: drawing, stumping
Location: england
Artist: attributed to dante gabriel rossetti
Artist nationality: english
Artist dates: 1828 – 1882
The Virgin
Object type: painting
Date: 1500 – 1500
Materials: oil, panel
Location: southern germany
Artist: Anonymous
Subjects: mary (without the christ-child)

Halffiguur van Maria, gekroond, met gevouwen handen naar rechts. Pendant van SK-A-496.
Twee varkens en een hand
Object type: drawing
Date: 1858 – 1903
Materials: paper, pencil
Artist: paul gauguin
Artist role: draughtsman, print maker
Artist dates: 1848 – 1903
Transfiguratie van Christus
Object type: book illustration
Date: 1590 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the transfiguration: moses and elijah appear on either side of christ on mount tabor (matthew 17:1-13; mark 9:2-13; luke 9:28-36)
Inscriptions: collector's mark: Lugt 240

Prent uit: Joannes Bourgois, Vitae passionis et mortis Jesu Christi Somini nostri mysteria, Antwerpen Hendrick Aertssens, 1622, afb. 36
Friesland, snaphaanschelling, 1598
Object type: coin
Date: 1598 – 1598
Materials: silver
Techniques: striking
Location: leeuwarden

Zilveren munt. Voorzijde: ridder te paard naar links. In rechterhand zwaard. In afsnede jaartal Keerzijde: op lang gebloemd kruis ongekroond wapenschild van Friesland.
Reliquary Statuette of Saint Christopher
Object type: reliquary statuette
Date: 1375 – 1425
Materials: silver, silver gilt
Culture: french
Location: toulouse
Subjects: christ,saint christopher

Venerated from the early centuries of Christianity, Saint Christopher—whose name means "Christ-bearer"—was honored as the protector of travelers. According to "The Golden Legend," Christopher ferried a small child across a river. As he did so, the child's weight grew increasingly heavy. When Christopher complained that it seemed as if he had carried the weight of the world, the child replied, "Wonder not, Christopher, for not only has thou borne the whole world upon thy shoulders, but Him who created the world. For I am Christ thy King." In this imposing statuette-reliquary, Christopher strides through the water, twisting as he turns to look at the Christ Child, who holds an orb in reference to his dominion. The small leaves sprouting from the top of Christopher's staff are a harbinger of the miracle promised by Christ—that if the saint, upon his return home, planted the staff in the ground, it would bear leaves and fruit in the morning. The hallmarks stamped on the hem of the saint's cloak and on the statue's base indicate that this piece was made by a goldsmith in Toulouse. The reliquary, excellently preserved, reveals a masterful treatment of the material. The soft, rich folds of the saint's cloak belie their metal substance. The ungilded surfaces of the faces are framed by the crisp design of the hair. The engraving of the short curls of the Christ Child, the hair and flowing beard of the saint, and the fish in the turbulent water are accented by the juxtaposition of large areas of silver with bright flashes of gilding. A now-lost relic of the saint was placed in the small box covered with crystal on the statue's base, through which the relic could be seen.
Bead
Object type: bead
Date: 701 – 1000
Materials: glass
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Bronze ring fragments
Object type: bronze ring fragment
Date: 500 – 301
Materials: bronze

On the face of the ring, seated, draped woman to left, with a bird on her wrist; the second fragment is from the hoop of the ring
Miniature Vase
Object type: vase
Date: 1736 – 1795
Materials: jade
Culture: chinese
Vestment (For a First-degree Taoist Priest)
Object type: costume and accessory
Materials: cotton, feather, gold, gold leaf, metal, paper, textile, silk, silver, thread
Techniques: appliqué, embroidery, treatment, embroidered, lacquer, laid work, weave, satin weave, stitching
Location: china
Artist: zheng wuda
Artist dates: 1793 – 
Inscriptions: Inscription translation (on front border, lower left): Purchased by Ji Benli [for use at the] Wuhang miao [Taoist temple/shrine] in the quichao year of the Qianlong [emperor] [i.e., 1793]; (on front border, lower right): Purchased by Ji Benli [for use at] the Xuanzhen Guan [Taoist monastery] on an auspicious day of the peaches [third] month of quichao year of the Qianlong [emperor] [i.e., 1793]. Made by Zhang Wenda of Haichan.
Jeremiah
Object type: print
Date: 1547 – 1547
Materials: paper
Techniques: engraving
Location: france
Artist: nicolas beatrizet
Artist role: artist
Artist nationality: french
Artist dates: 1515 – 1566
The Siege of Ujjain and the Slaying of the Magic Donkey, from a copy of the Kalakacharyakatha
Object type: painting
Date: 1450 – 1450
Materials: gold, paper, watercolor
Location: india
Augustus 1923
Object type: photograph
Date: 1908 – 1923
Materials: paper
Techniques: gelatin silver print
Location: bern
Subjects: bus, coach, village, mountains
Inscriptions: inscription: ‘Adelboden’, inscription: ‘Op weg naar Adelboden’, inscription: ‘Panne!’

Deze foto's maken deel uit van een album.
Tegel van steengoed, versierd met gestileerde boom met roosachtige bloem
Object type: tile
Date: 1900 – 1900
Materials: stoneware
Location: england
Artist: Anonymous
Inscriptions: mark: ‘ENGLAND en T92’

Tegel van steengoed, versierd in groen en blauw met gestileerde boom met roosachtige bloem.
Cognoscite lilia
Object type: album leaf
Date: 1600 – 1604
Materials: paper
Techniques: engraving
Location: london
Subjects: trees: maple (+ parts of plants), flowers: buttercup, botany
Inscriptions: collector's mark: Lugt 2228

De prenten RP-P-2012-24-1 t/m 61 waren oorspronkelijk als serie samengebonden. De naaigaten op de bladen zijn nog zichtbaar. Het betreft de reeks getiteld: Cognoscite lilia, bestaande uit een titelprent en 60 gravures met 119 genummerde weergaven van planten, bloemen en vruchten, versierd met rinceaux en kleine voorstellingen van dieren. Het gaat om proefdrukken van deze reeks gravures, voor de opschriften en, deels, voor de nummering. Op enkele prenten zijn de nummers met de hand aangebracht. Op de titelprent ontbreekt nog het adres van Crispijn de Passe en Hans Woutneel. De titel is hoogstwaarschijnlijk gegraveerd door Matthias Quad. Deze werkte voor De Passe in Keulen tot 1604. De reeks moet in dit jaar of daarvoor tot stand zijn gebracht. In ieder geval voor 1608, aangezien de uitgever Hans Woutneel in of voor dat jaar overleed. In ieder geval voor 1608, aangezien de uitgever Hans Woutneel in of voor dat jaar overleed. De gravures worden door Ilja Veldman en Anthony Griffiths beschouwd als eigenhandig werk van Crispijn de Passe I.
Een van de prenten uit de reeks ontbreekt (nr 21-22) en is vervangen door een ingekleurde afdruk uit een latere uitgave (RP-P-2012-24-61), die onder de titel Altera Pars is opgenomen in de Hortus Floridus, uitgegeven door Crispijn de Passe I en die verder bestaat uit platen van Crispijn de Passe II. De prenten afkomstig uit deze uitgave zijn op de verso voorzien van tekst in boekdruk. De vervangende prent maakte geen deel uit van de gebonden serie aangezien dit blad als enige geen naaigaten heeft.

Een deel van de planten, bloemen en vruchten in de Cognoscite lilia gaat terug of is gebaseerd op een reeks aquarellen van Jacques LeMoyne uit circa 1580 en uit 1585, nu in het Victoria and Albert Museum en de British Museum (zie P. Hulton, Jacques LeMoyne, Londen 1977, dl 1, p. 156-162 en p. 165-173).
Portrait of a Gentleman
Object type: painting, miniature
Date: 1837 – 1837
Materials: ivory, watercolor
Culture: american
Artist: carl weinedel
Artist role: artist
Artist nationality: american
Artist dates: 1795 – 1845
Subjects: men,portraits
Piece
Object type: piece
Date: 1425 – 1450
Materials: metal thread, silk
Staatse troep verslagen op de Dam, 1577
Object type: print
Date: 1691 – 1693
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: amsterdam, haarlem, battle

De Staatse troepen onder bevel van Helling en Ruychaver worden bij felle gevechten op de Dam door de Amsterdammers verslagen. Helling zelf komt hierbij om het leven, 23 november 1577. Bedrukt op achterzijde met tekst in het Nederlands.
IJsgrot in de Alpen met bezoekers
Object type: page
Date: 1870 – 1875
Materials: cardboard
Techniques: woodburytype
Location: gizeh
Subjects: ice ~ state of water, cave, grotto (+ landscape with figures, staffage)
Inscriptions: inscription: ‘Europe’, inscription: ‘Braun photo.’
Nederzettting met gebouwen
Object type: album leaf
Date: 1903 – 1907
Materials: paper
Techniques: gelatin silver print
Location: kalimantan
Artist: Anonymous
Subjects: village, borneo

Een nederzettting met gebouwen, op een pad staat een man met twee honden. Foto in het fotoalbum over de oliewinning op Borneo door de Koninklijke Nederlandsche Petroleum Maatschappij (KNPM) in de jaren 1903-1907.
Portret van Leopold II, koning der Belgen
Object type: print
Date: 1845 – 1865
Materials: paper
Techniques: engraving, etching
Subjects: brussels, leopold ii (koning der belgen), historical persons
Inscriptions: signature: ‘Ch. Saquien’
Studio delle virtuose Dame, page 4 (recto)
Object type: book print ornament architecture
Date: 1597 – 1597
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: designer
Artist nationality: italian
Artist dates: 1565 – 1625

Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. From top to bottom, and left to right: Design is decorated in the center with a square containing an illustration of a king that is framed by different decorative borders; the outermost is populated with flags. At the very top of the central element there appears to be a crown ornamented with peacock feathers. At the sides of the design are vases containing flowers.
Mansportret naar Rembrandt
Object type: print
Date: 1809 – 1841
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228

De man draagt een muts en een bontkraag.
Ecorché
Object type: statuette
Date: 1761 – 1761
Materials: bronze, marble
Artist: michael henry spang
Artist role: maker
Artist nationality: danish
Artist dates: 1662 – 1762
Subjects: male nudes
Medal
Object type: medal
Date: 1876 – 1876
Culture: american
Location: united states
Artist: william spohn baker
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Subjects: men,profiles
Portret van Willem Frederik, graaf van Nassau-Dietz
Object type: print
Date: 1840 – 1884
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: arnhem
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Amsterdam: J.F. Schleijer, 1840-1884.
Twee Chinese vrouwen in Franse jurken
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), underclothes, chinese (+ caricatured), dressing oneself, getting dressed - aa - female human figure
Inscriptions: collector's mark: Lugt 2228a, number: ‘171’

Rechts past een Chinese vrouw een Franse tournure; een onderrok die aan de achterkant veel volume geeft. De vrouwen mopperen dat de vormen van de Franse mode niet bescheiden zijn.
My schooldays
Object type: photograph album
Date: 1950 – 1960
Materials: paper
Techniques: printed materials
Location: minneapolis
Subjects: united states of america

Album om foto’s van vrienden en klasgenoten in op te plakken.
Aanbidding door de herders
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: brussels
Subjects: adoration of the christ-child by the shepherds; mary and joseph present

De prent is vervaardigd naar het schilderij van Schiavone dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer GG_47). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
The new road to Miyanoshita
Object type: page
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: low hill country, public road
Inscriptions: inscription: ‘An ascent of 1400 feet to a distance of 3 3/4 miles. A charming ride in jinrikisha through a wild mountain gorge.’
Earrings
Object type: earring
Date: 101 – 300
Materials: gold
Culture: roman

Small, with plain tubular hoop.
Première leçon de navigation
Object type: photomechanical print
Date: 1900 – 1920
Materials: cardboard, paper
Techniques: rotogravure
Artist: Anonymous
Subjects: rowing-boat, canoe, etc., card games
Bronze bowl and oinochoe (jug)
Object type: bowl
Date: 534 – 468
Materials: bronze
Culture: etruscan

The shallow bowl is said to have been found together with the jug, 21.88.126. The bowl, in fact, preserves the imprint of the base of the jug.
European Couple and Child Playing with Parrot
Object type: hanging scroll
Date: 1701 – 1800
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: boys,couples,playing,parrots,fish
Beleg van Haarlem, 1572
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: maps of separate countries or regions, siege, position war, maps of cities, haarlem

Kaart van de stad Haarlem en het omringend gebied met de legerplaatsen van de belegerende Spaanse troepen van Don Frederik. Boven schepen van Alva en de prins van Oranje op het water van het Haarlemmermeer. Het beleg ving aan op 11 december 1572. Met onderschrift van 4 regels in het Latijn. Genummerd: 36. Bedrukt op achterzijde met tekst in het Latijn.
Staande vrouw met een mand aan de arm
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: j. van strieland
Artist role: print maker
Subjects: container made of plant material other than wood: basket, standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228

Een staande vrouw met een mand aan haar arm en een kan in haar andere hand.
Moors, from a set of costume plates of different nations
Object type: print
Date: 1600 – 1640
Techniques: etching
Artist: johann wilhelm baur
Artist role: artist
Artist nationality: german
Artist dates: 1607 – 1642
Plate
Object type: plate
Date: 1794 – 1844
Materials: earthenware
Culture: american
Location: united states
Artist: conrad mumbouer
Artist role: maker
Artist nationality: american
Artist dates: 1761 – 1845
Subjects: flowers
Concise Illustrated Biography of Monk Nichiren: In Snow at Tsukahara on Sado Island
Object type: print
Date: 1835 – 1836
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Subjects: human figures,trees,rain,snow

Kuniyoshi’s series of ten prints published in 1835–36 was an abridged biography of the life of the monk Nichiren (1222–1282), the founder of the Nichiren Buddhist sect, which is based on the worship of the Lotus Sutra. Nichiren lived in exile on Sado Island from 1271 to 1274.
Brief aan Philip Zilcken
Object type: letter
Date: 1906 – 1906
Materials: ink, paper
Techniques: pen, writing
Location: aerdenhout
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: new york (city), samuel putnam avery, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Paviljoen van Karel V in het Koninklijk Paleis te Sevilla
Object type: drawing
Date: 1871 – 1903
Materials: chalk, paper
Location: sevilla
Artist: gerard muller
Artist role: draughtsman
Artist dates: 1861 – 1929
Subjects: palace
Inscriptions: label: ‘25. Alcázar Sevilla/ Pavilloen Karel V’, collector's mark: Lugt 2228
Standing Ceramic Figure with Child
Object type: figure
Date: 201 – 500
Materials: ceramic
Culture: moche
Location: peru
Subjects: women
Figure
Object type: figure
Date: 801 – 900
Materials: plaster
Techniques: painting
Location: iran
Five Great Soldiers of Shoku
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: arrows,swords
Vase with lions
Object type: vase
Date: 1734 – 1766
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: lions
Embroidered sampler
Object type: sampler
Date: 1727 – 1727
Materials: linen, thread
Techniques: embroidery
Artist: mary griffits
Artist role: maker
Artist dates: 1713 – 1813
Apron
Object type: apron
Date: 1701 – 1733
Materials: metal, silk
Culture: british
Subjects: flowers
Duinlandschap met een visser, met vis in de hand
Object type: print
Date: 1603 – 1653
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: dune coast, fisherman showing catch
Inscriptions: collector's mark: Lugt 2228

De prent is op een gegeven moment toegevoegd aan de serie "Verscheyden Stranden en water gesichten gedaen door Jan Percelles". Op dat moment is het serienummer gewijzigd.
Drachm
Object type: coin
Date: 171 – 138
Materials: silver
Culture: parthian
Location: iran
Subjects: profiles

Numismatists – the scholars who study coins – refer to the ‘front’ side of the coin, which usually features the head of a person or god, as the ‘obverse,’ and the ‘back’ side as the ‘reverse.’ On the obverse of this silver coin, the head of the king faces to the left. He wears a pointed hat with earflaps and a diadem (the headband worn by victorious athletes in ancient Greece) tied over it. He has a large nose, a jutting chin, thick lips, prominent cheekbones and a big eye shown in profile. Four curls of hair emerge from beneath his hat. A border of dots surrounds the king’s head, though it is incomplete at the bottom. The reverse shows a seated man facing right. He wears striped sleeves and trousers under a cloak, as well as a pointed hat with earflaps and a diadem and heeled boots with laces. In his hand he holds a bow with the bowstring upwards. He sits on a mound decorated with crosshatches. A Greek inscription, reading "of great king Arsaces" surrounds the man on three sides. This coin was struck by the Parthian king Mithridates I (reigned ca. 171–138 B.C.). The king on the obverse is probably meant to be Mithridates himself, wearing the leather helmet worn by Parthian cavalrymen in battle. The identity of the figure on the reverse is unknown; perhaps it is an idealized Parthian king, depicted as an archer. The archer’s pose is modeled on the coins struck by the Seleucid kings, which show the Greek god Apollo. The Parthians did not strike coins before the foundation of their empire in the third century B.C., so they based their early coins on those of the Seleucid Empire, whose domains they conquered. The inscription on this coin, like those on almost all Parthian coins, names the first ruler of the empire Arsaces I (reigned ca. 247–217 B.C.), rather than the current ruler Mithridates. It may be a reference to the dynasty founded by Arsaces, or perhaps the seated archer is meant to represent him. It is also possible that all Parthian kings were called ‘Arsaces’ as a title or throne name.
Rivierlandschap met een molen
Object type: sketchbook leaf
Materials: chalk, paper
Location: wijk bij duurstede
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: river, windmill in landscape
Inscriptions: annotation: ‘2 1/2’

Pagina 48 uit een schetsboek met 43 bladen.
Twee poppen in clownskostuum
Object type: print
Date: 1926 – 1926
Materials: paper
Techniques: lithograph
Artist: corrie pabst
Artist role: print maker
Artist dates: 1866 – 1943
Subjects: (playing with) dolls, clown
Inscriptions: collector's mark: Lugt 2228

Bij de poppen liggen speelkaarten en twee dobbelstenen.