deem-data/ArtiFact huggingface dataset:
Nieuwe Nederlandsche kinderprenten
Object type: print
Date: 1875 – 1903
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: robber, farmers, characters (human types)
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van figuren uit verschillende delen van de wereld, zoals een Arabische schildwacht, een Spaanse rover en een Mexicaanse waterdrager. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 92.
Stenen kopje van man met baard en snor in een kastje
Object type: sculpture
Date: 800 – 900
Materials: glass
Techniques: gilding
Location: central java
Artist: Anonymous

Stenen kopje van man met baard en snor (a) in een kastje (b). Het kopje zelf is verguld en in een met een glazen plaat afgedekt kastje gelegd. De bodem van het kastje is met een laag watten bedekt.
Queen Anne (r. 1702–14) guinea
Object type: guinea
Date: 1710 – 1710
Materials: gold
Subjects: queens,profiles,coins

This Queen from the very beginning of her reign, restored by statute the standard of the coinage which had been woefully debased by her predecessors, William III and Mary; and her coins continued to the end of the reign to be famous for their beauty and fineness. The Museum example has been injured by clumsy efforts to attach it to some object.
De geseling
Object type: print
Date: 1512 – 1512
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: collector's mark: Lugt 2228a

Christus, gebonden aan een pilaar, wordt door twee mannen geslagen met een takkenbos en een gesel. Deze prent is onderdeel van een serie van 16 prenten met scènes uit het Lijdensverhaal.
Tsukudajima in Musashi Province (Buyō Tsukudajima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: rivers,mountains,boats
Window
Object type: window
Date: 1701 – 1800
Materials: gypsum, glass
Location: egypt or syria

A window such as this with colored panes in blue, orange, green, and red might have been found in a room of a late Ottoman aristocratic home, like the Damascus reception room also in the Museum's collection (1970.70) Tinted glass was favored because it filtered the light, but it also complemented the multihued furnishings of these rooms.
Yokkaichi
Object type: print
Date: 1838 – 1838
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,bridges
Aftocht van Spanjaarden uit Antwerpen, 1577
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: pen
Location: northern netherlands
Artist: Anonymous
Subjects: antwerp

Vertrek van de Spaanse troepen uit Antwerpen, 20 maart 1577. Een lange stoet van soldaten, ruiters en kanonnen maar ook vrouwen en kinderen verlaat de stad. Op de voorgrond een koets met de graaf van Egmond. Links op de achtergrond trekken de troepen van de hertog van Aarschot de stad binnen. Met onderschrift van 4 regels in het Latijn. Genummerd: 75. Onbedrukt op achterzijde.
Bone plaque with Female Dancer
Object type: plaque
Date: 301 – 600
Materials: bone
Culture: byzantine or roman
Kamer waarin Charlotte Corday sliep de nacht voor de moord op Jean-Paul Marat
Object type: print
Date: 1906 – 1911
Materials: paper
Techniques: drypoint, engraving, etching
Location: france
Artist: henri manesse
Artist role: print maker
Artist dates: 1854 – 1940
Subjects: hotel room
Inscriptions: collector's mark: Lugt 2228

Dit is de eerste serie uit een prentreeks die uit minstens elf series bestaat.
Portret van Lorenzo Litta
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Artist: george keating
Artist role: print maker
Artist dates: 1762 – 1842
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228
Vase
Object type: vase
Date: 1896 – 1908
Materials: stoneware
Culture: american
Location: united states
Artist: dedham pottery
Artist role: manufacturer
Artist nationality: american
Artist dates: 1895 – 1943

Steeped in ceramics from birth, Hugh C. Robertson pursued his craft with fierce devotion and a passion for experimentation. From a family of trained English ceramists, he honed his skills in New Jersey before settling in Massachusetts as one of the founders of Chelsea Keramic Art Works and later, Dedham Pottery. Robertson’s lifelong explorations in glazes, particularly their color and texture, make him one of the key figures of American art pottery at the turn of the twentieth century. From Chelsea to Dedham, Robertson continued to pursue his passion for innovation, employing the grayish-white stoneware used for Dedham’s dinnerware to throw simple forms covered with bold combinations of colored and textured glazes. Despite his financial backers’ stipulation against further research into sang-de-boeuf, or oxblood, glazes, Robertson did not entirely abandon that costly pursuit. Many of his Dedham vessels have brilliant layerings of red and purple glazes. A thick, pitted, deep-red glaze embellishes this baluster shaped vase. In 1898 a writer for the magazine Arts for America probably had such a vase in mind when he wrote of the Dedham Pottery: "In high-fire work the temperature ranges between 3,000 and 4,000 degrees, and the glaze applied to the top of the vase bubbles like pitch and runs down the sides, coating the surface. In this class of work it is impossible to have the effects twice alike, for at the different firings the chemical conditions vary." This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known.
Composition group
Object type: page
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: exterior ~ representation of a building, anonymous historical persons portrayed in a group, in a group-portrait
Bowl with Bahram Gur and Azada
Object type: bowl
Date: 1167 – 1233
Materials: glaze, stonepaste
Techniques: gilding, glazing, overglaze, painting
Location: iran
Subjects: men,women,hunting,camels
Two Dancers, Half-length
Object type: drawing
Date: 1854 – 1917
Materials: cardboard, charcoal, pastel, paper
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: women,dancers,ballet
Jonkheer doctor J. Loudon (Vereniging voor Penningkunst 1937, tweede penning)
Object type: medal
Date: 1937 – 1937
Materials: bronze
Techniques: casting
Location: netherlands
Artist: toon dupuis
Artist role: sculptor
Artist dates: 1877 – 1937
Subjects: jonkheer john loudon
Inscriptions: signature: ‘PK’, circumscription: ‘Jhr Dr. J. Loudon Aet. 71’, inscription: ‘Civi optime de patria merito 1937’

Bronzen penning, vz kop van man naar links, en profil, met omschrift; kz tekst.
Sodom door 't Vuur Vergaan
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sodom and gomorrah burning
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Icones Biblicae Veteris et Novi Testamenti, Amsterdam: Pieter Mortier, 1708.
The Colossus of the North; or the Striding Boreas, from The London Magazine
Object type: print
Techniques: engraving
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: satire,american revolution,men,politics
Strook glasbatist met witwerk met rijen blaadjes en stipjes
Object type: strip
Date: 1850 – 1870
Materials: glass batiste
Techniques: embroidered, weave, embroidery
Location: switzerland
Artist: Anonymous

Japonstrook naturelkleurig glasbatist met witwerk. Langs boven- en onderrand loopt een schulpenrand met in elke schulp een stip met een klein stipje daarboven en verder naar boven twee rijen bladeren en twee rijen stippen. Aan elk blaadje zit in plaats van een steeltje een opengewerkt cirkeltje.
Daisy Hall, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Sword (Klewang) with Scabbard
Object type: sword klewang with scabbard
Date: 1701 – 1900
Materials: bone, silver
Culture: malayan
Location: malaysia
Bone or ivory fragments
Object type: bone or ivory fragment
Materials: bone
Terracotta fragments of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

One fragment has, at the shoulder, a band of degenerate tongues; below, head, neck, and bent right arm of a boxer to right; at the far left, handle attachment; the second fragment has at the shoulder, a band of degenerate tongues; below, head, neck, and frontal torso of a filleted boxer with his hands raised; at the right, an unidentified object
Portret van een zittende vrouw met muts
Object type: album leaf
Date: 1869 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: emanuel lorjé
Artist role: fotograaf
Artist dates: 1845 – 1875
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘E. Lorje. Phot’
Gezicht op een rotskust in vermoedelijk Maine
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: maine
Artist: Anonymous
Subjects: rocky coast
Inscriptions: inscription: ‘Treasure Rocks. (...)’
Schetsblad met musicerend paar
Object type: drawing
Date: 1808 – 1868
Materials: paper, pencil
Location: netherlands
Artist: louis royer
Artist role: draughtsman, sculptor
Artist dates: 1793 – 1868
Subjects: adolescent, young woman, maiden, making music; musician with instrument
Yōrō Waterfall
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Artist: tazaki sōun
Artist role: artist
Artist nationality: japanese
Artist dates: 1815 – 1898
Subjects: waterfalls
Snaphaanschelling van Friesland, 1585
Object type: coin
Date: 1585 – 1585
Materials: silver
Techniques: striking
Location: leeuwarden

Zilveren munt. Voorzijde: ridder te paard naar links. In rechterhand zwaard. In afsnede jaartal Keerzijde: op lang gebloemd kruis ongekroond wapenschild van Friesland. Muntplaatje uitgebroken.
Bezoek van Wilhelmina, koningin der Nederlanden, en Hendrik van Mecklenburg-Schwerin aan de marinewerf te Amsterdam op 7 maart 1901
Object type: ansichtkaart, prentbriefkaart
Date: 1901 – 1901
Materials: paper
Techniques: autotype
Location: netherlands
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, hendrik (prins der nederlanden (1876-1934)), amsterdam

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Florilegium
Object type: print
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: flowers
Inscriptions: collector's mark: Lugt 240

Middenonder de bloem van een iris, linksboven het klokje van een kievitsbloem. Rechtsonder het zaaddoosje van een viooltje. Blad 12 van 21 genummerde bladen met titelblad afkomstig uit een serie van 24.
Heilige Franciscus ontvangt de stigmata
Object type: print
Date: 1592 – 1622
Materials: paper
Techniques: etching
Location: italy
Artist: vespasiano strada
Artist role: draughtsman, painter, print maker
Artist dates: 1582 – 1622
Subjects: stigmatization of st. francis of assisi: in retreat on mount alverna, he beholds a vision of christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of christ
Inscriptions: collector's mark: Lugt 240

De heilige Franciscus aanschouwt zijn visioen en ontvangt de kruiswonden (stigmata). Links een Franciscaan met een boek.
Bord
Object type: plate dish
Date: 1867 – 1867
Materials: creamware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘PR’, mark: ‘PARSEME No 3 9’

Bord van aardewerk, met blauw doorlopend bloemendecor, behorend tot een kinderservies.
They've Already Got a Seat (i.e. bottom), plate 26 from Los Caprichos
Object type: print
Date: 1797 – 1799
Materials: paper
Techniques: aquatint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
The Flagellation, Christ at the Column
Object type: panel
Date: 1598 – 1598
Materials: glass
Artist: franz fallenter
Artist role: artist
Artist nationality: german
Artist dates: 1550 – 1616
Subjects: suffering,men,christ

Stained glass flourished in Switzerland during the Renaissance, and jewel-toned windows were found in churches, town halls, residences, and studies. Appropriate subjects were chosen according to the setting. Telling the story of Christ’s flagellation before his crucifixion, this window is part of a set depicting the life of Christ that was originally installed in the cloister of the Cistercian convent Rathausen, near Lucerne, in central Switzerland.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1701 – 1800
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: men,fish
Opaque blue glass oval engraved gem
Object type: intaglio
Date: 100 – 1
Materials: glass, paste
Culture: roman
Subjects: animals,infants,vines,shepherds

The sheperd Faustulus leans on his staff and watches the Roman she-wolf suckle the twins Romulus and Remus under a vine. The bird on the vine is presumably the woodpecker, which, according to legend, helped to feed and watch over the twins.
Look, the quotations from the stock exchange... are our shares going up?, from 'Parisian Sketches,' published in Le Charivari, July 21, 1865
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,reading,smoking

- Look, the quotations from the stock exchange... are our shares going up? - Right now, the only thing that climbs is the barometer!
Christus en de gepersonifieerde ziel aanschouwen de zon
Object type: book illustration
Date: 1678 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: sun as celestial body, christ and the soul
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Pieter Arentsz II, 1678-1687. Tussen 1678-1744 verschenen van dit emblemataboek 10 edities.
Cope with Orphrey Band, Hood and Remnants of a Morse
Object type: textile
Date: 1775 – 1800
Materials: gilt, gold, linen, metal, textile, silk
Techniques: embroidery, embroidered, laid work, weave, stitching
Location: italy
Subjects: flowers
Button-shaped seal
Object type: button shaped seal
Date: 1640 – 1550
Materials: stone
Techniques: glazing
Location: egypt
De Kleerben
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: container made of plant material other than wood: basket, wash house, home laundry, laundry room
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie voor: Luyken, Jan. Het leerzaam huisraad, vertoond in vyftig konstige figuuren, met godlyke spreuken en stichtelyke verzen: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 114.
Blad met twee portretten van Heinrich Heine
Object type: print
Date: 1850 – 1900
Materials: paper
Techniques: letterpress printing, snipping, engraving
Subjects: paris, heinrich heine, historical persons, portrait of a writer
Inscriptions: number: ‘9’

Met facsimile handtekening van geportretteerde.
Gazette du Bon Ton, 1924 - No. 6 : p. 243: Chaussez-vous pour les Sports
Object type: fashion print
Date: 1924 – 1924
Materials: paper
Techniques: letterpress printing, photochemical processes
Location: paris
Subjects: ear-rings (+ women's clothes), perfume bottle - aa - (for) women, perfumes - aa - (for) women, fashion plates
Inscriptions: date

Tennisschoen en tenisster met racket in de hand.
Plaag van hagel en onweer
Object type: print
Date: 1703 – 1762
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: hail, the plague of hail: moses raises his rod towards the sky, and hail and fire fall to the ground, thunderstorm

De prent komt een eerste keer voor als boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel I. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Tendril with lotus bud; start of handle root
Overdekte markt aan Heiligenweg
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘54. / Overdekte markt aan Heiligenweg.’

Gezicht in de overdekte markt aan de Heiligenweg te Paramaribo. Verkopers zitten met hun waar op de grond. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Figuren op straat bij hoefsmid
Object type: print
Date: 1838 – 1863
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: farrier, shoeing-smith
Inscriptions: collector's mark: Lugt 2228

Een dorpsstraat met wandelende figuren en links figuren en een paard bij een hoefsmid.
Design for Pony Phaeton, no. 3553a
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Vierde Boek
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: the inhabitants of nob are killed
Inscriptions: collector's mark: Lugt 2228

Koning Saul zit op zijn troon en geeft zijn soldaten de opdracht de priesters en andere inwoners van Nob te doden. Rondom de troon gaan de soldaten de omstanders met dolken te lijf. De prent maakt deel uit van een serie over het verhaal van David en Saul.
Alabastron (Container for Scented Oil)
Object type: vessel
Date: 600 – 301
Materials: glass
Techniques: forming
Location: mediterranean region

Initially affordable only among the wealthy, glass was used in ancient Rome as containers for oils, perfume, and tablewares. In the ancient Mediterranean world, scented oils, usually olive oil based, were generally used rather than alcohol-based perfumes. This vessel is called an “alabastron” because objects of this shape were originally made of alabaster. Core-formed glass was made by dipping a removable core that gives the vessel its shape into a molten glass mixture. The pattern was created by trailing threads of glass mixture of different colors over the body of the vessel, then combing the threads with a pointed tool.
Gezelschap bij een banket op een Italiaans terras
Object type: drawing
Date: 1613 – 1613
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: gerard ter borch (i)
Artist role: draughtsman, print maker
Artist dates: 1584 – 1662
Inscriptions: signature and date: ‘G.T.Borch.Fecit.Anno 1613’
Een parlementair kegelspel
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: johan rudolf thorbecke, guillaume groen van prinsterer, politician, bowling
Inscriptions: collector's mark: Lugt 2228

Spotprent waarin op een kegelbaan Van Zuylen, Rochussen en Wintgens klaar staan om de kegels met de koppen van Fransen van de Putte, Van Bosse en Cremers (het ministerie a.i.), klaar gezet door Kappeyne van de Coppello, omver te gooien. Thorbecke en Groen van Prinsterer kijken vanuit stoelen toe. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 7, 17 februari 1866.
Jodenvervolging door de kruisridders
Object type: book illustration
Date: 1784 – 1784
Materials: paper
Techniques: etching
Artist: cornelis bogerts
Artist role: print maker
Artist dates: 1745 – 1817
Subjects: massacre, 'pogrom' ~ anti-semitism

Illustratie uit: Jacques Basnage de Beauval, De historie der jooden, van den tyd van Jesus Christus tot op den tegenwoordigen tyd. Om te dienen tot een vervolg of derde deel, op de werken van Flavius Josephus. Amsterdam, J. van Gulik, 1784. 3de deel, boek VII.
Studies, mogelijk een compositiestudie
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

Studie, mogelijk een compositiestudie. Pagina 88 uit een schetsboek met 45 bladen vervaardigd in Amsterdam en Pittsburgh.
Glass Fragment
Object type: fragment
Date: 1401 – 1600
Materials: glass
Culture: european
Lekythos
Object type: lekythos
Date: 600 – 501
Materials: terracotta
Culture: greek, attic
Subjects: musical instruments,men