deem-data/ArtiFact huggingface dataset:
Street Life in London
Object type: photograph
Date: 1875 – 1875
Materials: paper
Techniques: photography, woodburytype
Location: scotland
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Constructie van grafheuvels
Object type: historical object representation
Date: 1658 – 1660
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: burial mound, netherlands

Constructie van grafheuvels. Maakt deel uit van de acht illustraties in: Johan Picardt, Korte beschryvinge van eenige vergetene en verborgene antiquiteten … in het antiquiteet-rijcke landschap Drenth, Tymon Houthaak, Amsterdam 1660, fol. 45.
The Hotpot Carried to the Newlyweds; or The Racket
Object type: print
Date: 1633 – 1633
Techniques: engraving, etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: musical instruments,animals,men,working
Plattegrond van Leuven
Object type: book illustration
Date: 1581 – 1581
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities, louvain
Inscriptions: collector's mark: Lugt 2228

Kaart opgenomen in: Janssonius van Waesberge, Johannes. Tooneel der vermaarste koop-steden en handel-plaatsen van de geheele wereld. Amsterdam: Johannes Janssonius van Waesberge II, 1682. Eerste staat opgenomen in: Braun, Georg. Civitates orbis terrarum, 6 delen. Keulen: Peter von Brachel en Gottfried von Kempen, 1572-1618, dl. III (1581).
Gezicht op de haven van Cannes
Object type: photograph
Date: 1899 – 1899
Materials: paper, photographic support
Techniques: gelatin silver print
Location: cannes
Artist: delizy
Artist role: manufacturer
Subjects: harbour (+ view ~ vehicle, ship, etc.)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Mosterdpot of roompot van hardgebakken aardewerk, creamware met gemarmerde decoratie.
Object type: mustard pot
Date: 1778 – 1786
Materials: earthenware
Location: staffordshire

Cilindrische mosterdpot of roompot van hardgebakken aardewerk. De pot heeft een smalle, lage hals waarop een gewelfd deksel met een knop, en een C-vormig oor. De pot heeft een gemarmerde decoratie in geel, bruin en zwart.
Portret van Lorenzo I de 'Medici
Object type: book illustration
Date: 1713 – 1714
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: politician, historical persons, ruler, sovereign

Prent waarschijnlijk uit: Komen, Filips van. Las Memorias (...). Antwerpen: Hendrik en Cornelis Verdussen, 1713, dl. 2. Of uit de editie uit 1714.
Gold earrings
Object type: earring, trumpet shaped
Date: 400 – 201
Materials: gold
Culture: etruscan

Tubular earrings with floral patterns and pendant beads attached.
Schoengesp van zilver en stras
Object type: jewellery
Date: 1820 – 1830
Materials: paste, silver
Techniques: inlay
Location: sint-truiden
Artist: p.j. klein
Artist role: jeweler

Schoengesp van zilver en stras. Strikmodel, in twee lagen concentrisch verdubbeld van zilver, ingelegd met rijen stras.
Henry II of France (b. 1519, r. 1547–59), Commemorating the Capture of Calais, 1558
Object type: medal
Date: 1558 – 1558
Materials: bronze, patina
Techniques: casting
Artist: giovanni antonio de' rossi
Artist role: artist
Artist nationality: italian
Artist dates: 1517 – 1580
Subjects: men,profiles,horses
Pair of sphinxes
Object type: figure
Date: 1770 – 1773
Materials: hard paste porcelain
Artist: bristol
Artist role: factory
Artist nationality: british
Subjects: sphinx
Glass ornaments
Object type: necklace
Date: 1400 – 1200
Materials: glass
Culture: aegean, helladic or mycenaean

The Mycenaeans specialized in the production of glass beads for diadems and other types of jewelry, as well as clothing decoration. Seven of the ornaments here, all made from the same or very similar molds, were originally overlaid with gold leaf, some of which is still preserved. Plaques cast from glass were stylistically akin to gold reliefs. Mycenaean glassworkers may have gilded these pieces in an attempt to imitate the more expensive metalwork. 1. Set of ten matching ornaments, all made in very similar molds. Semi-translucent light grey blue. Ivy-leaf shape; flat back; straight sides; two holes pierced vertically through leaf on each side. Molded decoration on front: raised outline around edge of leaf with swirls at top joining at center in a pelta motif. All intact, except for one that survives only as top half of ornament; all covered with thick creamy brown weathering. 2. Set of six matching ornaments, all made in same or very similar molds. Semi-translucent blue. Thin circular panel, with projecting vertical reel above; flat back; tapering edges at sides; reel pierced lengthwise with a small horizontal hole. Molded decoration on front: four fine vertical ribs on reel; conical disk with raised outline and a fine spiral line surrounding a central depression. Five intact, one missing part of disk; creamy brown weathering and iridescence. 3. Set of three matching ornaments, all made in same or very similar molds. Translucent blue. Thin circular panel, with projecting vertical reel above; flat back; tapering edges at sides; reel pierced lengthwise with a small horizontal hole. Molded decoration on front: four fine vertical ribs on reel; horizontal row of dots below; conical disk outlined with dots and a fine spiral line surrounding a central depression. All intact; varying degrees of creamy brown weathering and iridescence.
Sculptures, XVIe Siècle
Object type: photomechanical print
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: column, pillar ~ architecture, sculpture
Inscriptions: monogram: ‘JJvY’, inscription: ‘SCULPTURES. PL. 27.’, inscription: ‘SCULPTURES en pierre (...)’
Francoise dAubigné Marquise de Maintenon
Object type: print
Date: 1717 – 1750
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: madame de maintenon, historical persons - bb - woman, ornament ~ medallion, armorial bearing, heraldry
Inscriptions: inscription: ‘is reeds in Franken/ aanwezig’, collector's mark: Lugt 2228

Eerdere staat gebruikt in: Prent waarschijnlijk uit: Limiers, Henri Philippe de. Histoire du regne de Louis XIV (...). Amsterdam: Compagnie, 1717, dl. 4. Deze staat komt uit een onbekende publicatie.
Boeren bij een waterput
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: etching
Location: hamburg
Subjects: well, farmers, container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: Lugt 240

Moraliserende voorstelling met Nederduitse tekst over het halen van water uit een bron met een kapotte kruik.
Marine Deity (Triton or Ichthyocentaur)
Object type: relief panel
Date: 1 – 100
Materials: stone
Culture: pakistani
Subjects: gandhara

This sculpture and the Stair Riser with Marine Deities (13.96.21) are part of a set of twenty-one panels that embellished the stairway of a stupa, likely on the western end of the Swat Valley. The treatment of the anatomy of these athletic men is interesting in terms of both the naturalism and schematization of the musculature. The oars they carry and the acanthus leaves that appear to grow out of their bodies suggest that they are marine deities.
Tempels en kerken
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: etching
Location: orléans
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: exterior ~ representation of a building

Heiligdom met een centrale koepel. Links en rechts apsissen. Deze prent maakt deel uit van een album.
Portret van een onbekende jongen met een vogel, mogelijk een parkiet
Object type: frame
Date: 1870 – 1910
Materials: metal, paint, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: birds (+ man and animal), boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘35,=/ 2’
Wapenschild van Jacomo Pauw
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: armorial bearing, heraldry

Verkleinde tegenzijdige kopie van het wapenschild, zonder de pauw op de helm, zonder banderol en met een leeg schild.
Tankard
Object type: decorative art
Date: 1810 – 1830
Materials: pewter
Location: hartford
Artist: thomas danforth boardman
Onschuldige Christenen worden vervolgd
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: violent death by hanging, death penalty, execution, violent death by burning at the stake; pyre, drowning (violent death ~ water), 'fuga', 'fuga popolare', 'persecutione' (ripa), low countries, beeldenstorm (1566)
Inscriptions: collector's mark: Lugt 2228

De personificatie Vervolging (Persecutio) brengt met een speer twee onschuldige christenen, een moeder en kind, om het leven. In de achtergrond worden burgers gedood door verdrinking, verbranding, onthoofding of ophanging. De prent heeft een Nederlands, Latijns en Frans onderschrift en maakt deel uit van een twaalfdelige serie met als onderwerp de ontaarding van de katholieke geestelijkheid en de oorzaken van de opstand en de Beeldenstorm.
Sample book of swatches
Object type: book
Materials: cotton
Techniques: printing block, weave, printing
Location: france

The Department of Textiles has in its collection many important showpieces but also copious holdings of fabric samples, or swatches—about 58,000 in all—from countries such as England, Scotland, France, Italy, Germany, Austria, Japan, and the United States. Some samples have been preserved in book form, which affords a broad view of production usually linked to a particular time, place, or technique. This large-format volume contains about 3,000 samples of printed cottons. A notation inside the cover attributes the book to Mulhouse, a city in the Alsace region of France famous for its textile production.
-A Global View: Recent Acquisitions of Textiles, 2012-2016, April 8-September 5, 2016
Frontispiece to Joshua Kirby's "Perspective of Architecture" (1761)
Object type: print
Techniques: etching
Artist: william woollett
Artist role: engraver
Artist nationality: british
Artist dates: 1735 – 1785
Subjects: columns,cupid
Embleem: rijkdom
Object type: print
Date: 1695 – 1705
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: the rich, interior of the house, exhibition of wealth, display of jewels, etc., abstract ideas and concepts
Inscriptions: collector's mark: Lugt 240

Boekillustratie voor Weigel, Christoph. Ethica Naturalis seu Documenta Moralia e Variis rerum Naturalium proprietatibus Virtutum Vitiorumq symbolicis imaginibus collecta. Neurenberg: Christoph Weigel: c. 1700.
Wolf en kraanvogel
Object type: print
Date: 1655 – 1740
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: shore-birds and wading-birds: crane, fables of aesop : use 85(...), beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2228

Een kraanvogel haalt met zijn snavel een botje uit de hals van een wolf. De wolf had een schaap buit gemaakt en bij het opeten ervan was een botje in zijn hals blijven steken. Deze voorstelling illustreert een verhaal uit de fabelen van Aesopus.
Wood carving
Object type: wood carving
Date: 1601 – 1700
Materials: wood
Culture: japanese
Subjects: lotuses
Corporal of Fusileers, France, 18th Century, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Portret van Marie-Édouard Lenoir
Object type: photograph
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: marie-édouard lenoir, historical persons - bb - woman
Quilt, Marseilles type
Object type: quilt
Date: 1800 – 1820
Materials: cotton
Techniques: weave
Culture: british
Location: england

During the later decades of the eighteenth century, the cotton-weaving industry in England expanded rapidly. The areas around Manchester and nearby Bolton, Lancashire, produced cotton yardage for various purposes and became well known for two different types of white cotton bedcovers. In 1763, George Glasgow and Robert Elder registered a patent for a "new method of weaving and quilting in the loom, in every method, fashion and figure, as well as in imitation of the common manner of quilting, as of India, French, and Marseilles quilting." Soon afterward, Manchester weavers began to use this method to produce a cloth they called Marseilles quilting, used both in yardage and as bedcovers. The name given to the Manchester weavers' product derives from the French port of Marseilles, which was a center for hand-quilted petticoats and coverlets in the seventeenth and eighteenth centuries. This doublecloth was woven on a drawloom with a layer of heavy cording between the top and bottom layers: the finished cloth resembled fine hand quilting. A drawloom could be quite large in size. With a loom large enough to make a bedcover such as this one, the weaver would need to employ one or more drawboys to pull (or "draw") up predetermined warp threads in sequence in order to compose the cloth's pattern. It is known that, during the second half of the eighteenth century, American merchants were ordering yardage of Marseilles quilting from England to be used for petticoats and men's summer waistcoats as well as ready-made coverlets. Because of its stylistic similarity to surviving early documented samples of Marseilles quilting, our example can be dated to between 1780 and 1820. It is hard to be more specific because Marseilles quilts remained popular throughout the nineteenth century.
Zalig wie vanwege de gerechtigheid vervolgd worden
Object type: print
Date: 1564 – 1568
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: blessed are those who are persecuted for righteousness' sake, the stoning of stephen; the witnesses lay down their clothes at saul's feet
Inscriptions: collector's mark: Lugt 2228

Stefanus wordt buiten de stadspoort gestenigd. Rechts staat Saulus met de mantels van degenen die stenen gooien. Op de wolken ziet Stefanus in een visioen God de Vader en Christus. Prent maakt deel uit van een serie over de acht zaligsprekingen van Christus en illustreert de zaligspreking: Zalig wie vanwege de gerechtigheid vervolgd worden. Onderaan in de marge een vers in het Latijn over de zaligspreking en de voorstelling.
Frankfurt a. M. - Totalansicht. Frankfurt a. M. und Sachsenhausen
Object type: photomechanical print
Date: 1905 – 1908
Materials: cardboard
Techniques: lithograph, writing
Location: frankfurt am main
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, church (exterior), canals, waters (in city), bridge in city across river, canal, etc.
Portret van Margaretha van Parma
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons, regent, substitute ruler; viceroy - bb - female ruler
Inscriptions: collector's mark: Lugt 2228
Ex libris van Lodewijk Schelfhout en Albertine van der Meulen
Object type: bookplate
Date: 1914 – 1914
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: amsterdam, albertine elisabeth schelfhout-van der meulen, the hague, print maker, draughtsman, lodewijk schelfhout, rays as nimbus, christ as adult
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Het hoofd van Christus, omgeven door lichtstralen. Op de achtergrond kerktorens.
Brush Pot with King Wen and the Scholar Jiang Taigong
Object type: brush holder
Date: 1634 – 1666
Materials: cobalt, glaze, porcelain
Techniques: incising, painting
Culture: chinese
Subjects: men,trees

The widespread literacy that marked the late sixteenth century and the concurrent flowering of woodblock-printed books had a significant impact on Chinese porcelain produced between the late sixteenth and the mid-seventeenth century, helping to spread historical tales such as that of the visit of an ancient king to a famous scholar.
Washing Day
Object type: print
Date: 1788 – 1788
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: women
Scherven aardewerk uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: earthenware
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van roodbakkend, grijsbakkend en geelbakkend aardewerk uit V.O.C.-schip de 'Witte Leeuw'.
Plate
Object type: plate
Date: 1801 – 1900
Materials: hard paste porcelain
Subjects: birds,insects
Portret van Philipp Schweicker
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons, merchant, salesman

Met drieregelig onderschrift in het Duits.
Portret van Thomas Abbt
Object type: print
Date: 1766 – 1771
Materials: paper
Techniques: engraving
Artist: johann david schleuen (i)
Artist role: print maker
Artist dates: 1711 – 1774
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Arc de Triomphe de Titus a Rome
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: triumphal arch
Inscriptions: number: ‘914’
Cupido
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) cupid, amor (eros)
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Joachim von Sandrart, L'Academia Todesca della Architectura Scultura e Pittura oder Teutsche Academie der Edlen Bau-, Bild- und Mahlerey-Künste. Nürnberg: 1675-1680. Deel 2.
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 550 – 501
Materials: terracotta
Culture: greek, attic

Nose, mouth, chin, neck, left shoulder, and part of the upper torso of a draped woman to right, wearing a garment with a patterned neck
Opstelling van Eadward Muybridge voor het fotograferen van rennende paarden
Object type: page
Date: 1877 – 1882
Materials: paper
Techniques: heliotype
Location: palo alto
Subjects: racing on animal mount, research, experiment (~ production), experiment, test ~ science and technology
Inscriptions: inscription: ‘Plate I./ See Chap. VII.’
Bijna vierkante kasjmiersjaal van veelkleurig wollen borduursel op een ondergrond, die is ingelegd en geappliceerd met rode, zwarte en witte wollen stof
Object type: clothing
Date: 1850 – 1875
Materials: wool
Techniques: embroidered, weave
Location: kashmir
Artist: Anonymous
Plate
Object type: plate
Date: 1570 – 1570
Techniques: maiolica, glazing
Subjects: women,hunting,deer,dogs,coat of arms
Public Characters
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,caricature

Rowlandson and Woodward collaborated on this ebullient panel of heads tucked behind ribbons, as though into old-fashioned note boards.The image depicts well-known figures in politics, the theater and society. Four politicians anchor the composition. At center Charles James Fox, dark-haired and unshaven, faces his chief rival, the tall, thin, white-haired William Pitt the Younger. Between them with cropped hair stands George Tierney, a radical Whig whose outrageous remarks led to a duel with Pitt in 1797. Just above Fox is the Whig playwright and politician Richard Brinsley Sheridan, with carbuncled nose and cheeks. Among the three theatricals wearing feathered hats at the upper left are John Kemble, in profile, his sister Sara Siddons, who is being admired by the publisher-critic-caricaturist Edward Topham.
Soldaat die zijn roer met zijn linkerhand schuin omhoog gericht vasthoudt (nr. 12), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving, hand coloring
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) met zijn linkerhand vasthoudt, nadat hij gevuurd heeft, de loop schuin omhoog gericht om te voorkomen dat hij ongewild een gezel verwondt (nr. 12), ca. 1600. In zijn linkerhand behalve het roer ook een brandende lont. Plaat 12 in de instructies voor het hanteren van de roer: Shorte instruction upon the contrefaictinges, touching the right use of calivers. Onderdeel van de illustraties in een Engelse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, The exercise of armes for calivres, muskettes and pikes after the ordre of Maurits Prince of Orange, 's-Gravenhage 1608. Krijgswezen rond 1600.
Portret van kardinaal Carlo Cerri
Object type: print
Date: 1669 – 1679
Materials: paper
Techniques: engraving
Location: rome
Subjects: rome
Inscriptions: collector's mark: Lugt 2228

Portret in ovale lijst van kardinaal Carlo Cerri. Buste naar links. Bovenaan links het wapen van paus Clemens IX, bovenaan rechts het wapen van kardinaal Carlo Cerri. De prent heeft een Latijns onderschrift met gegevens over de geportretteerde.
Altar Frontal
Object type: religious ritual object
Date: 1701 – 1800
Location: italy
Subjects: altar
Het resultaat
Object type: cartoon
Date: 1900 – 1920
Materials: ink, paint, paper
Techniques: brush, pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: the hague, abraham kuyper, modern professional organization, trade union, beasts of prey, predatory animals: bear, political caricatures and satires, netherlands
Inscriptions: inscription: ‘Het resultaat / Kuyper: Hok in! De zweep zal je wel mores leeren!’

Abraham Kupyer probeert met een zweep de beer die ontsnapt uit de kooi aangeduid als 'Patrimonium' terug te drijven. Naar aanleiding van het conflict tussen Kuyper en het Nederlandsch Werkliedenverbond Patrimonium. Op de achterzijde van het blad een portret van een man met pet. Ontwerp voor een politieke spotprent.
Netsuke of Female Figure (Okame) with a Deer
Object type: netsuke
Date: 1767 – 1800
Materials: ivory
Culture: japanese
Subjects: women
Portret van Zina Dalti
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of opera-singer
Inscriptions: number: ‘No 159’, inscription: ‘Du 1 au 7 Juin 1876’
Design for a Snuffbox Lid
Object type: drawing
Date: 1750 – 1750
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: roses
Christus en Nicodemus
Object type: print
Date: 1739 – 1792
Materials: paper
Techniques: etching
Subjects: christ talking with nicodemus at night (john 3:1-21)

Christus in gesprek met Nicodemus, bij nacht.
Razor's Levée, or Ye Heads of a New Wig Ad[ministration] on a Broad Bottom
Object type: print
Techniques: etching
Location: england
Artist: james sayers
Artist role: artist
Artist nationality: british
Artist dates: 1748 – 1823
Subjects: satire,men,politics,wigs,barbers
Carolina, prinses van Oranje-Nassau
Object type: history medal
Date: 1750 – 1750
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: carolina (prinses van oranje-nassau)

Zilveren penning. Voorzijde: borststuk vrouw binnen omschrift. Keerzijde: opgaande zon binnen omschrift; afsnede: jaartal
Portret van Peter II, keizer van Brazilië
Object type: print
Date: 1828 – 1851
Materials: paper
Techniques: lithograph
Location: paris
Artist: Anonymous
Subjects: adult man, historical persons, king