deem-data/ArtiFact huggingface dataset:
Fête Locale a Corsavi (Pyrénées-Orientales)
Object type: page
Date: 1891 – 1896
Materials: paper
Techniques: autotype
Location: france
Artist: Anonymous
Subjects: christmas (non-liturgical celebration), boy (child between toddler and youth) (+ two persons), public festivities
Inscriptions: inscription: ‘Épreuve obtenue avec un objectif Roussel./ Papier &lt; Perfection &gt;, qualité A. - Grosvenor, Chater et Co, 6, rue Favart, Paris.’

Prenten op vijfde ongenummerde pagina na pagina 102.
Encyclopédie de l'Ornement
Object type: ornament print
Date: 1850 – 1860
Materials: paper
Techniques: lithograph
Location: new york city
Artist: claude nicolas malapeau
Artist role: print maker
Artist dates: 1755 – 1803
Subjects: table-ware, (decorated) ceiling
Inscriptions: check stamp: ‘Goupil, Vibert & C / Editeurs / A Paris’, collector's mark: Lugt 2228

In het midden een ovaal geornamenteerd plafond met vlechtwerk en putti met guirlandes op wolken. Daaronder drie ornamenten met vlechtwerk, guirlandes en een masker. Links boven een ovaal ornament met een vaas en een geornamenteerde tafel met servies. Rechts boven een geornamenteerde kan en een ovaal ornament met vlechtwerk en putti aan weerszijden van een vaas.
The Restful Harmony Library
Object type: ink tablet
Date: 1867 – 1933
Materials: gilt, wood
Techniques: bookbinding
Culture: chinese
Artist: jian guzhai
Artist role: artist
Artist nationality: chinese
Subjects: animals

This ink tablet is from a sixty-four-tablet set (30.76.216–.279) commissioned by the Jiaqing emperor from the Studio for Appreciating the Antique (Jiangu Zhai) manufactory of the Wang Jinsheng family in Huizhou, Anhui Province. Each ink tablet commemorates a hall or pavilion in one of the imperial gardens. Each site’s name is written in gilt characters on one side; a view of the site is presented on the other. Such inks were purely decorative and not intended for use.
Scholar
Object type: shadow puppet
Date: 1801 – 1900
Materials: bamboo, cotton, hemp, metal, pigment
Techniques: incising, painting
Culture: chinese
Subjects: men
Bacchanaal van kinderen
Object type: print
Date: 1547 – 1570
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: children's bacchanal
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1967

Centraal dansen verschillende kinderen in het rond. Anderen zitten op een ezel en spelen een spel. Enkele kinderen spelen muziek. In de achtergrond zit Bacchus, afgebeeld als kind, op zijn kenmerkende wijnton. In zijn hand een schaal wijn. Kinderen verdringen elkaar om als eerste uit de wijnton drank te tappen. De prent heeft een Latijns onderschrift.
Second Attempt to Photograph Our Room at Delhi
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: soldiers,men
Man met hoed op het hoofd en stok in de hand
Object type: print
Date: 1842 – 1896
Materials: paper
Techniques: etching
Location: netherlands
Subjects: walking-stick, staff, head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 138, collector's mark: Lugt 2228, collector's mark: Lugt 2760
“Guleng” Teapot
Object type: vessel
Materials: stoneware
Location: china
Artist: yang pengnian

Two characters, “guleng” (觚稜), are inscribed on one side of this teapot, denoting the shape of the vessel styled after an ancient angular wine goblet. The opposite side features an engraved poem further elaborating on the unique shape of the teapot and its minimalistic aesthetic. This work was commissioned by Chen Mansheng and crafted by Yang Pengnian. The potter's name, Pengnian, is stamped beneath the handle, while Mansheng's mark is found on the bottom. The pair was known for their collaboration in creating scholarly stonewares that incorporated calligraphy, literati painting and poetry into their designs.
Straatorgel
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: tone lithography
Location: netherlands
Subjects: instruments ~ popular music, barrel-organ player, knapsack, rucksack, dog
Inscriptions: collector's mark, collector's mark: Lugt 1641

Een hond bij een op de grond staande straatorgel. Een knapzak aan een stok staat tegen het orgel geleund. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Muziek en muziekinstrumenten: Liereman en straatorgels.
Four Young Men Drinking Coffee or Tea
Object type: photograph
Date: 1867 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: kassian céphas
Artist role: fotograaf
Artist dates: 1845 – 1912

In addition to formal events at court, Céphas also photographed informal scenes from everyday life. These young men are placed in a studio setting and drink coffee or tea. Their postures and movements come across as very easy and natural and they may in fact be Céphas’ own sons
or assistants.
Isabel Wachenheimer op een bergpad
Object type: photograph
Date: 1931 – 1937
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: isabel wachenheimer-elon
Inscriptions: company name: ‘Photo Rieger Rotebühlstr 90 1331’

Isabel Wachenheimer met wandeluitrusting op een bergpad.
Zuilengalerij van de Tempel van Isis op het eiland Philae
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: philae
Subjects: temple, shrine ~ egyptian religion, colonnade
Inscriptions: negative number: ‘1073’

Onderdeel van Reisalbum met 80 foto's van Egypte.
Ex libris van onbekend
Object type: bookplate
Date: 1899 – 1933
Materials: paper
Techniques: printing block
Location: france
Subjects: trees, beasts of prey, predatory animals: bear, angels
Ontwerp voor een zilveren bokaal
Object type: drawing
Date: 1750 – 1750
Materials: chalk, paper, pencil
Location: netherlands
Artist: Anonymous
Subjects: cup, alcoholic drinks
Bonnet
Object type: bonnet
Date: 1810 – 1810
Materials: silk
Culture: american

In the beginning of the nineteenth century, the highly embellished silhouette of the late eighteenth century gave way to a straighter, simpler silhouette inspired by antiquity. However, ladies still preferred millinery designs that featured frills, and during the first decade of the nineteenth century, there were endless variations of bonnets offered for ladies to wear. The voluminous elaborate style of a hat such as this one was worn with the columnar cotton and linen dresses fashionable during the period. Perhaps the general height and volume of the hat balanced out the slim shape of the silhouette.
Deksel van een kan uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: lid
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Jug, lid, circular, slightly convex, rim flat underneath, on top engraved concentric circles in centre and along rim, square indentation in rim where thumbpiece was fitted. Coat of arms of Amsterdam.
Seated Buddha
Object type: figurine
Date: 801 – 900
Materials: bronze
Culture: indonesian, javanese
Subjects: buddhism,buddha
Het nieuw vermaaklyk ganzen spel
Object type: gameboard
Date: 1800 – 1850
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: goose-game, board-games of chance, board-games
Inscriptions: collector's mark: Lugt 2760

Ganzenbordspel met spiraal met vakjes genummerd van 1 tot en met 63. In enkele vakjes voorstellingen van ganzen. In het grote centrale vak de spelregels in boekdruk. Titel in de bovenmarge.
Plate used in the House of Representatives of the Netherlands at official receptions
Object type: plate dish
Date: 1900 – 1974
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, vitrification
Location: the hague
Subjects: rotterdam, the hague
Inscriptions: inscription: ‘TWEEDE KAMER DER STATENGENERAAL’, mark: ‘Hutschenreuther Selb/ leeuw met L.H.S. Bavaria Germany/ N/ P.A.W. Philippona Den Haag/ 25’

Diep bord van porselein, beschilderd op het glazuur in goud. Versierd met een gouden rand en het gekroonde wapen van de Tweede Kamer met het opschrift 'TWEEDE KAMER DER STATENGENERAAL'. Gemerkt op de onderzijde met het fabrieksmerk, 'P.A.W. PHILIPPONA DEN HAAG', N en 25. Mogelijk gedecoreerd in Den Haag.
Uitleg van verschillende kledingstukken uit de zeventiende eeuw
Object type: text sheet
Date: 1800 – 1899
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: cape (huik) (+ women's clothes), historical costume
Inscriptions: stamp, collector's mark: Lugt 1641

Uitleg van verschillende kledingstukken uit de zeventiende eeuw. Eerst een beschrijving van de kleding van een courtisane en beschrijving van haar hoed, kraag, wambuis, mouwen, mantel, hozen en schoenen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Het begin der 17de eeuw. (De Fransche mode).
Blade for a Sword (<i>Katana</i>)
Object type: blade for a sword katana
Date: 1467 – 1533
Materials: steel
Culture: japanese
Location: japan
Artist: gassan mitsu[...]
Artist role: swordsmith
Artist nationality: japanese
Artist dates: 1450 – 1550
Untitled (Portrait of a Man Holding a Pick-Axe)
Object type: photograph
Date: 1851 – 1851
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, gold mining, gold rush, mines, portraits, portraits: male subject, photography
Handkerchief
Object type: handkerchief
Date: 1831 – 1832
Materials: linen
Culture: french
Subjects: maps,documents
Brief aan anoniem
Object type: letter
Date: 1854 – 1854
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: jacobus ludovicus cornet
Artist role: draughtsman, print maker
Artist dates: 1815 – 1882
Subjects: the graphic arts, the hague
Inscriptions: collector's mark: Lugt 2233
Plate or plaque
Object type: plaque or plate
Materials: faience
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Watch
Object type: watch
Date: 1830 – 1840
Materials: enamel, gold
Artist: firm of vaucher fréres
Artist role: maker
Subjects: women,flowers
Inscripties in Arabisch schrift
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: woodcut
Subjects: arabic script

Vier bladen met kopieën gemaakt naar inscripties in Arabisch schrift, ontdekt in een kerk op 13 mei 1774.
Vrouw op chaise longue met bloemen
Object type: print
Date: 1830 – 1860
Materials: paper
Techniques: printmaking, etching
Location: france
Artist: Anonymous
Subjects: woman (showing herself) undressed, quasi-nude, flowers: rose
Inscriptions: collector's mark: Lugt 2228
Lucidario di Recami, page 14 (recto)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: vines

Designed by Iseppo Foresto, published by Jeronimo Calepino, 1564. From top to bottom, and left to right: Design composed of 3 vertical columns; each column is printed upon a grid. Left column is decorated with a curving vine of leaves and dotted flowers. Middle column is decorated with a curving vine of leaves and 2 different types of fruit. Right column is decorated in the center with 3 hanging acorns (1 in the center and 1 on the left and right) that attach to large leaves that form part of a coiling stem.
Preek van Christus in de tempel
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Artist: antonie wierix (ii)
Artist role: draughtsman, print maker
Artist dates: 1555 – 1604
Subjects: christ is teaching in the temple in the middle of the feast of tabernacles
Inscriptions: collector's mark: Lugt 2165

Halverwege het Loofhuttenfeest gaat Christus naar de tempel om zijn leer te onderrichten. Bij verschillende elementen uit de voorstelling staan letters die corresponderen met de legenda in de marge.
Ishibe, Megawa Sato
Object type: print
Date: 1834 – 1834
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,houses,hills,trees
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Interior, part of head and right hand of warrior, holding helmet, with pelta and spear; Exterior, part of circumscribed palmette; lower drapery of male with sword; warrior wearing a chitoniskos, with scabbard and greaves, holding a Boeotian shield in his left hand; lower drapery of male with winged boots; lower drapery and feet of figure to left; left foot of another figure; tendrils from handle palmette; complete handle
Mannen zittend op een terras van een café in Izmir, 9 november 1837
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: paris
Subjects: pipe ~ tobacco, terrace, restaurant
Inscriptions: collector's mark: Lugt 964
Apostel Petrus met tiara en sleutels
Object type: album leaf
Date: 1753 – 1810
Materials: paper
Techniques: drypoint, etching
Artist: william baillie
Artist role: print maker
Artist dates: 1723 – 1810
Subjects: the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Tuinportaal aan de achterzijde van een kerk
Object type: drawing
Date: 1918 – 1918
Materials: chalk, paper
Artist: rené janssens
Artist role: draughtsman, print maker
Artist dates: 1870 – 1936
Subjects: church (exterior)
Paris. Vues Choisies. Photographiées par X.
Object type: wrapper
Date: 1860 – 1890
Materials: cardboard, paper
Techniques: albumen print

Deze omslag bevat twaalf foto's van Parijs.
Stad Utrecht, loodje met letter B en no. 267
Object type: tax token
Date: 1857 – 1857
Materials: copper
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: utrecht

ruitvormig loodje met afgeronde hoeken en gat erin. Voorzijde: letter B boven jaartal en cijfer 267. Keerzijde: gekroond wapenschild, geflankeerd door twee leeuwen
Genezing van de man bij het bad van Betesda
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: christ says to a paralytic man: 'rise, take up your pallet (bed)', john the baptist in prison
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Kind're hier gy voor uw siet / 't leven van ons Klaas en Griet
Object type: print
Date: 1719 – 1724
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: hen-pecked husband, 'betty', 'molly' (man who engages in women's work)
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over het leven van Klaas en Griet, en de strijd om de broek. Onder elke afbeelding een tweeregelig vers.
Rowel Spur (Right)
Object type: spur
Date: 1601 – 1700
Materials: metal alloy
Culture: german
Location: germany

The points of this spur's rowel are shaped as birds’ heads, while its body alternates stamped flowers and crosses. In the early 17th century spurs became true fashion accessories often worn outside the equestrian context, and some of them were real pieces of jewelry. Even if this spur is less luxurious than some of its contemporaries, its very decorative aspect aligns it with this idea.
Fotoalbum ter herinnering aan een reis naar Berlijn
Object type: scrapbook
Date: 1901 – 1901
Materials: paper, cardboard, leather, photographic process, plant material
Techniques: photograph, writing
Artist: Anonymous
Subjects: berlin

Fotoalbum met 135 foto's en fotomechanische afdrukken van stadsgezichten en straatbeelden in Berlijn, beroemde gebouwen aldaar en personen van het Duitse keizerlijk hof.
The Chamber of Taste
Object type: print
Date: 1785 – 1785
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: books,interiors,skeletons,men,mummies
Moulin Dans Les Environs D'Amsterdam
Object type: print
Date: 1852 – 1875
Materials: paper
Techniques: etching
Location: paris
Subjects: windmill in landscape
Inscriptions: collector's mark: Lugt 2228

Waterrijk landschap met een molen nabij Amsterdam. Op de voorgrond twee koeien in een weiland, in de verte varen boten. Prent rechtsboven genummerd: 218.
Studioportret van twee meisjes
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: jean daniel matthieu
Artist role: fotograaf
Artist dates: 1865 – 1926
Subjects: chest, bust - aa - female human figure, amsterdam
Inscriptions: name: ‘Fotografie Artistique J.D. Matthieu Amsterdam Ceintuurbaan 167 Atelier parterre Specialiteit in vergrotingen’
Een leuke kleine hond (een Duitse droom)
Object type: print
Date: 1972 – 1972
Materials: paper, ink
Techniques: etching
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Subjects: dog, germany
Inscriptions: signature: ‘Aat Verhoog’, edition: ‘2/40’

Hond met een snor in een kubus met daarboven twee vliegende cherubijnen en rechts twee rechthoeken met daarin een naakte man [Hitler?] en een naakte vrouw op de rug gezien.
Proportiestudie van een vrouw
Object type: drawing
Date: 1857 – 1857
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions) - aa - female human figure, anatomy (non-medical) - aa - female human figure
Inscriptions: inscription: ‘[...] e fm EG [...]’
The Ladder
Object type: photographically illustrated book
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: men,ladders
Situla
Object type: situla
Date: 1801 – 1900
Materials: silver
Culture: byzantine
Subjects: birds,women
Wig of Nefertiti, inscribed
Object type: nefertiti head wig fragment, inscribed
Date: 1353 – 1336
Materials: limestone
Location: egypt
Krakowskie Przedmieście od strony Placu Zamkowego
Object type: reproduction
Date: 1920 – 1960
Materials: cardboard
Techniques: rotogravure
Location: warsaw
Subjects: avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage), monument, statue
Twaalfjarige Christus in de tempel
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: christ's dispute with the doctors in the temple; he counts his arguments on his fingers
Inscriptions: collector's mark: Lugt 2228, inscription: ‘La vierge Marie son fils Jesus cherchant [...]’

In een hoek van de tempel zit Christus tussen de schriftgeleerden en legt hen de schrift uit. Christus maakt een spreekgebaar. De overige mannen zoeken iets op in hun boeken of praten eveneens met elkaar. Jozef loopt de tempel binnen en vindt zijn zoon tussen de geleerden.
Baissez le Rideau, La Farce est Jouée (Bring Down the Curtain; the Farce is Over), published in La Caricature no. 201, September 11, 1834
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: theatre,spectators,clowns
Limestone head of a beardless man
Object type: head of a man
Date: 530 – 520
Materials: limestone
Culture: cypriot
Subjects: heads,men

On the head, the hair is divided into large transversal locks that form a kind of arch on the back. The details are indicated by small triangles. The facial features are delicate. The lips, with traces of red paint, show a smile. The nose is slightly hooked, the eyes wide open. The line formed by the eyebrows is long and thin. The ears are carefully articulated. A row of locks rises above the forehead. On the head, the hair is divided into large transversal locks that form a kind of arch on the back. The details are indicated by small triangles.
Zu Hoogstraeten, anfang Marz 1566
Object type: reproduction
Date: 1884 – 1900
Materials: glass
Techniques: collodion process
Subjects: debate, discussion (~ meeting)
Inscriptions: number: ‘2.’

Onderdeel van een groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, met stillevens, portretten, zelfportretten en kunstreproducties.
Small Tripod Cauldron of Chang Zi (Chang Zi ding)
Object type: vessel
Materials: bronze
Location: china
The Morteratsch Glacier
Object type: album leaf
Date: 1860 – 1870
Materials: paper
Techniques: albumen print
Location: graubunden
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: glacier
Cordelia and King Lear (Shakespeare, King Lear, Act 4, Scene 7)
Object type: print
Date: 1825 – 1840
Techniques: engraving, etching
Artist: charles heath, the elder
Artist role: engraver
Artist nationality: british
Artist dates: 1785 – 1848
Subjects: kings,shakespeare,sadness,men,women,king lear
A Wagon
Object type: drawing
Date: 1645 – 1649
Materials: ink, paper
Techniques: brush, pen
Artist: isaac van ostade
Artist role: draughtsman, painter
Artist dates: 1621 – 1649
Subjects: (farm) wagon, freight wagon, cart

A number of minutely observed studies of carts and wagons by Isaac van Ostade have survived. The artist rendered the smallest details of these often-ramshackle vehicles with a finely pointed pen. Presumably Isaac made these drawings with the intention of one day using them in a larger composition, whether a painting or a drawing.
Ipres, Ville forte des Pais Bas, du Comté de Flandre (...)
Object type: map
Date: 1693 – 1696
Materials: paper
Techniques: etching
Location: paris
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om de Vlaamse stad Yperen. Onderdeel van het zevende deel (1696) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Textile Fragment with Scorpion
Object type: textile fragment
Date: 801 – 900
Materials: linen, wool
Techniques: tapestry, weave
Location: egypt
Subjects: scorpions