deem-data/ArtiFact huggingface dataset:
S. Ambroise (St. Ambrose), April 4th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Interior, on exergue, knee and calf of male to right; Exterior, foot of figure to right; below ground line, graffito
Self-Portrait
Object type: print
Date: 1778 – 1780
Techniques: engraving, mezzotint, roulette
Location: switzerland
Artist: jean etienne liotard
Artist role: artist
Artist nationality: swiss
Artist dates: 1702 – 1789
Subjects: men,self-portraits

Liotard’s career as a portraitist took him from Geneva to Paris, Vienna, and London and included long sojourns in Turkey. During a visit to England in 1773, he exhibited a pastel self-portrait at the Royal Academy that he later transformed into this black-and-white print, probably under the influence of British masters of mezzotint. The medium’s non-linear qualities are particularly well suited to capturing the tonal gradations of pastel. Famous for portraying his subjects frankly, Liotard also excelled in the poetic handling of light and here combined mezzotint, engraving, and roulette in an experimental, expressive manner.
Card Number 59, Madeline Pozzo, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses
Schöner Brunnen op de Hauptmarkt te Neurenberg
Object type: photograph
Date: 1895 – 1895
Materials: paper
Techniques: albumen print
Location: nuremberg
Artist: ferdinand schmidt
Artist role: fotograaf, fotostudio
Artist dates: 1840 – 1909
Subjects: church (exterior), ornamental fountain
Inscriptions: check stamp: ‘Ferdinand Schmidt/ Nürnberg 1895.’, inscription: ‘Nürnberg’, number: ‘15’
Pieter Lieftinck
Object type: documentary photograph
Date: 1946 – 1946
Materials: photographic support
Techniques: photography
Artist: charles breijer
Artist role: fotograaf
Artist dates: 1914 – 2011
Subjects: muiderberg, tweede kamerlid, directeur, hoogleraar, minister van financiën, secretaris, eerste kamerlid, pieter lieftinck, ons vrije nederland, tweede wereldoorlog
Inscriptions: number: ‘14788’

Portretfoto Piet Lieftinck met bril en decoratie op zijn revers.
Badende jonge vrouw
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: drypoint, etching
Artist: clément benoit
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1953
Subjects: adolescent, young woman, maiden, washing and bathing - aa - in the open air
Inscriptions: collector's mark: Lugt 2228

Naast de signatuur en staat-vermelding van de prentmaker, wordt ook de naam Robert Fleury onder de afbeelding vermeld.
Reel
Object type: reel
Date: 1295 – 1070
Materials: wood
Location: egypt
Plate 25, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds,fans,women

Trade cards from the "Fans of the Period" series (N7), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Head of a Tahitian with Profile of Second Head to His Right
Object type: drawing and watercolor
Date: 1891 – 1893
Materials: chalk, charcoal, paper
Techniques: stumping
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed lower left, in graphite: "Hauteur"
Bird
Object type: print
Date: 1830 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hakusanjin hokui
Artist role: artist
Artist nationality: japanese
Artist dates: 1830 – 1840
Subjects: birds
Limestone head of a wreathed youth
Object type: head of a male votary
Date: 400 – 301
Materials: limestone
Culture: cypriot
Subjects: heads,boys,wreaths

This head is noteworthy for its fine execution and for the remnants of color in the eyes.
Portretten
Object type: album leaf
Date: 1900 – 1950
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: eyeglasses, spectacles, adolescent, young woman, maiden, adult woman, historical persons, youth, adolescent

Drie portretten van vrouwen, drie portretten van jonge vrouwen en twee portretten van een jonge man. Deze pagina maakt deel uit van een album.
Monument ter ere van de vrijwillige verdedigers van het Brabantse vaderland, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Artist: Anonymous
Subjects: brabant

Allegorie met een monument ter ere van de vrijwillige verdedigers van de vrijheid van het Brabantse vaderland, 1787. Een ruiter en een infanterist geven elkaar de hand voor het monument. Minerva hangt een lauwerkrans aan het monument. Met vijfregelig Frans onderschrift. Onderdeel van de gebundelde verzameling prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
Figure Bottle
Object type: bottle
Date: 600 – 301
Materials: ceramic
Culture: paracas
Location: peru
Two Designs for Vases (recto); Design for Candle Stick (?) (verso)
Object type: drawing
Date: 1672 – 1725
Materials: chalk, graphite, ink
Techniques: brush, pen, wash
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: candlesticks,vases
Document Sealing
Object type: sealing, nebmaatre, amenhotep iii, horus, re
Date: 1390 – 1352
Materials: mud
Location: egypt
Titelpagina van: Geïllustreerd Zondagsblad van "De Echo", 28 maart 1903
Object type: titelblad, titelpagina
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), stock exchange, stock-market, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Incomplete exemplaren van: Geïllustreerd Zondagsblad van "De Echo" 22 (1903), nr. 5000, 28 maart 1903, p. 97-100 / Geïllustreerd Zondagsblad van "De Echo" 22 (1903), nr. 5001, 4 april 1903, p. 105-108.
Gezicht op een drukke winkelstraat bij de Tsien-men poort te Peking
Object type: photomechanical print
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Artist: jules royer
Artist role: printer
Subjects: shop, store, gate, entrance, street
De begrafenis der amendementen van den heer Simons
Object type: cartoon
Date: 1906 – 1906
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: hearse, funeral car, political caricatures and satires, amsterdam
Inscriptions: collector's mark: ‘19,94’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [na 1800].
Portret van Christian Weber
Object type: print
Date: 1670 – 1721
Materials: paper
Techniques: engraving
Subjects: historical persons, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Portret van Sebastian Münster
Object type: print
Date: 1540 – 1650
Materials: paper
Techniques: letterpress printing, snipping
Artist: tobias stimmer
Artist role: draughtsman, painter, print maker
Artist dates: 1539 – 1584
Subjects: scholar, philosopher, historical persons
De Van Stadensrivier
Object type: drawing
Date: 1711 – 1776
Materials: paper, watercolor
Techniques: brush, pen
Location: south africa
Artist: johannes schumacher
Artist role: draughtsman
Subjects: cape of good hope, tent, river, camp-fire; watch-fire, covered wagon, hooded wagon, draughtsman at work - cc - out of doors, mountains
Inscriptions: label: ‘13’

Bivak bij de benedenloop van de Van Stadensrivier. Links de wagens, tent en kampvuur, rechts een ossenwagen en een kudde vee. Op de voorgrond is de tekenaar Schumacher aan het werk. Tekening gemaakt tijdens de tweede reis van Hendrik Swellengrebel, naar het noordoosten van de Kaapkolonie, 10 september - 26 december 1776. Volgens het reisjournaal arrriveert het gezelschap op 18 november 1776 bij de rivier.
Sindanglaja (Java). Vyver te Tjibodas
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: autotype
Location: weltevreden
Subjects: pond, mountains
Prints of the Female Reproductive Organs
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving, letterpress printing
Location: netherlands
Subjects: womb, uterus
Inscriptions: collector's mark: Lugt 2228

In 1672, physician and anatomist Reinier de Graaf published his De mulierum organis about the female reproductive organs. The book contains detailed prints by Hendrik Bary, among them several of the vagina. De Graaf was the first to conclude that a foetus was the product not just of a man’s seed, but also of a woman’s egg. He discovered what he called blisters, which later became known as Graafian follicles.
Bell
Object type: bell
Date: 1 – 100
Materials: metal
Culture: roman
Location: italy
[Garden at Umballa]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: gardens,trees
Figure of a Kneeling Woman
Object type: figure
Date: 1500 – 1500
Materials: wood
Culture: soninke
Location: mali
Artist: soninke blacksmith
Artist role: artist
Subjects: women

Both Dogon oral traditions and archaeological evidence attest to the settlement of Mali's elevated Bandiagara Escarpment by Dogon migrants during the early sixteenth century. This unusual work may date to that period given that the arid climatic conditions were conducive to preservation of wood sculpture. Stylistically, its oblong face, protruding eyes and mouth, straight nose and raised cicatrices at the temples, relate this sculpture to a group of works identified by specialists as "Soninke" or "Djennenke." These terms describe works produced by a network of related cultures that developed in the Inland Niger Delta region between the 12th and 17th century.
Casket
Object type: decorative art
Date: 1667 – 1700
Materials: metal, silk, glass, wood
Techniques: embroidery, gilding
Location: nevers
Siamese Boatman
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Subjects: men,portraits
Portret van Margaretha van Parma
Object type: print
Date: 1620 – 1670
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons - bb - woman, regent, substitute ruler; viceroy - bb - female ruler
Inscriptions: collector's mark: Lugt 2228

Met tweeregelig onderschrift in het Latijn.
Vignet met een harpspelende David en de vier evangelisten die hun evangelie schrijven
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll, luke the evangelist; possible attributes: book, (winged) ox, portrait of the virgin, surgical instruments, painter's utensils, scroll, the apostle and evangelist matthew (mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword, david as musician, usually playing the harp, mark (marcus) the evangelist, and bishop of alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll, vignette
Inscriptions: collector's mark: Lugt 240
Castello Sant' Angelo, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: castles,flags,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 42 in the scrapbook.
Interieur met keuken en spelende kinderen
Object type: drawing
Date: 1836 – 1896
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: interior of the house, mother and child(ren), woman and child(ren) (family group)
Vrouw die op een stoel naast een wieg zit
Object type: print
Date: 1887 – 1920
Materials: paper
Techniques: aquatint, etching
Artist: albert roelofs
Artist role: print maker
Artist dates: 1877 – 1920
Subjects: cradle, crib, mother and child(ren), woman and child(ren) (family group)
Inscriptions: number: ‘1219 / 21’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

De vrouw leunt met haar arm op de rand van de wieg.
Iosephs Güte gegen seine Brüder
Object type: print
Date: 1742 – 1801
Materials: paper, watercolor
Techniques: brush, etching
Location: germany
Inscriptions: collector's mark: Lugt 2228, watermark

In een paleiszaal staat Jozef rechts in fraaie kleding naast een tafel met een glad en een verfommeld blad papier erop.. Links knielen 11 eenvoudig geklede mannen. Onder de afbeelding de titel in vier talen.
Biddende monnik op de rug gezien
Object type: print
Date: 1799 – 1869
Materials: paper
Techniques: etching
Artist: johann friedrich overbeck
Artist role: painter, print maker
Artist dates: 1789 – 1869
Subjects: monk(s), friar(s)
Prenten naar tekeningen van Claude Lorrain
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: london
Subjects: cattle driving, cattle driver, landscape with tower or castle, coast
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze prenten werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Priest's Robe (Shichijō)
Object type: robe, priest's
Date: 1615 – 1868
Materials: silk
Culture: japanese
Burning Autumn Maple Leaves
Object type: print
Date: 1765 – 1765
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Restless Nights, from Puck
Object type: print
Materials: paper
Techniques: lithograph
Location: united states
Artist: joseph keppler
Artist nationality: american
Artist dates: 1838 – 1894
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Interior, double reserve line framing tondo; start of foot
Portret van François de Créquy
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving
Location: vienna
Subjects: paris, historical persons

Prent gebruikt in: Gualdo Priorato, Galeazzo. Historia di Leopoldo Cesare (...). 2 dln. Wenen: Giovanni Battista Hacque, 1670.
Cavaleriegevecht met pistolen
Object type: print
Date: 1633 – 1680
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: warfare; military affairs (+ cavalry, horsemen), hand-to-hand fighting (~ battle), firearms (with name)
Inscriptions: collector's mark: Lugt 240

In een ruitergevecht bestrijden de ruiters elkaar met pistolen.
Vertrek van Koning Karel III van Spanje naar de Engels /Nederlandse vloot in Portugal 1703
Object type: history medal
Date: 1703 – 1703
Materials: silver
Techniques: striking

Zilveren penning, op de voorzijde het portret van Karel naar rechts met omschrift, op de keerzijde een adelaar met bliksem én vredestak boven de vloot op volle zee, met omschrift en afsnedetekst.
Landschap met een liggende koe en een molen
Object type: sketchbook leaf
Date: 1862 – 1864
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: cow, meadow, pasture, windmill in landscape
Inscriptions: annotation: ‘ook getijgerde koeien’

Blad 17 recto uit een schetsboek met 65 bladen.
Mme Pasca
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Artist: j. tourtin (lainé)
Artist role: fotograaf
Subjects: lyon, paris, portrait of actor, actress
Inscriptions: inscription: ‘Du 3 au 9 Septembre 1874’, number: ‘No 68’
Troisiéme Livre De Trophées (...)
Object type: titelprent, frontispice
Date: 1771 – 1775
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ammunition, altar
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een altaar met kettingkogels verbonden aan zuilen, in het midden de serietitel.
Beeld van een bisschop
Object type: album leaf
Date: 1892 – 1900
Materials: paper
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic)
Inscriptions: inscription: ‘Mij. voor Photolithogr & Zincographie/ procédé Mr. E.J. Asser.’

Deze prent maakt deel uit van een album.
Stoel van eikenhout, bekleed met bruin leer met in het midden van de zitting een bloem en op rug een tak
Object type: furniture
Date: 1907 – 1907
Materials: leather, wood
Techniques: printing
Location: amsterdam

Stoel, deel van een paar, van eikenhout met rechte poten met afgeschuinde hoeken, een vierkante zitting bekleed met bruin leer met in het midden een gestempelde gestileerde bloem, in de rug een bruin leren paneel met een gestempelde gestileerde tak. Amsterdam, Gebroeders Vogel, 1907, naar ontwerp van A.J. Kropholler met medewerking van M. Kropholler en J.F. Staal, de leren bekleding naar ontwerp van S. Jessurum de Mesquita. Vervaardigd voor de heer Romijn.
Driemonds agterste Kom, met haer Pyramide / Driemond, le dernier Bassin avec sa Piramide
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: french or architectonic garden; formal garden, garden pond, country-house, amsterdam
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent mogelijk uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in 100 heerlyke gezichten. Amsterdam: Jan Roman, s.a. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Andries en Hendrik de Leth, s.a [1729-1732]. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Jan Roman, s.a.
Zondeval
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: temptation and fall (scenes with both adam and eve)
Vijf ornamenten van takken met bladeren
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: tone lithography
Location: liège
Artist: michel liénard
Artist role: print maker
Inscriptions: annotation: ‘Versiering Duitsche manier. (fleurons)’

Bovenaan staat een opgekrulde bladrank afgebeeld, in het midden twee letters van takken met bladeren en onderaan twee hoeken van lijsten opgebouwd uit takken. Linksboven: 1re partie, rechtsboven: A. N° 11, rechtsonder: 40.
Op weg naar Petrofskij park
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Portret van Josias van der Kapelle
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: leiden
Inscriptions: collector's mark: Lugt 240

Portret van Josias van der Kapelle, predikant te Leiden op 56-jarige leeftijd. Op de sokkel een zesregelig vers in het Nederlands.
Gerard Reve met de half-siamese poes Justine (genoemd naar De Sade)
Object type: photograph
Date: 1968 – 1968
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Subjects: amsterdam, belgium, portrait of a writer
Plate 2, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fans,women

Trade cards from the "Fans of the Period" series (N7), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Woman in Front of a Still Life by Cezanne
Object type: painting
Date: 1890 – 1890
Materials: canvas, linen, oil, paint
Techniques: painting
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: women, french, apples, artist, chair, knife, oranges, portrait, portraits: female subject, still life, table, portraits, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed right: P. Go. / 90

In this work, an unidentified woman sits in front of Paul Cézanne’s 1879–80 Still Life with Fruit Dish, now at the Museum of Modern Art, New York. The painting was part of Paul Gauguin’s own collection, and here he proprietarily signed his name over its white frame. Of the five or six Cézannes that he acquired while still a banker, this was the one he claimed he would never part with, “except in a case of direst necessity.” (He would eventually sell it to pay for medical treatment in Tahiti.) Although the version in this painting is nearly to scale with the original, it is more a translation than a copy, with rhythmical arabesques that are characteristic of Gauguin’s painting style rather than Cézanne’s.

This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.
Slag van Waterloo / Bataille de Waterloo
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: letterpress printing
Location: turnhout
Subjects: battle, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen over de Slag bij Waterloo. Onder elke voorstelling een vierregelig vers in het Nederlands en in het Frans. Genummerd midden boven: 48.