deem-data/ArtiFact huggingface dataset:
Linked rings
Object type: ring
Date: 1201 – 1600
Materials: gold
Culture: colombian
Location: colombia
Oeuvre de Juste Aurele Meissonnier
Object type: print
Date: 1738 – 1749
Materials: paper
Techniques: etching
Location: paris
Subjects: work of applied art, candlestick

Deze prent maakt deel uit van de serie "Dousieme livre des oeuvres de J.A. Messonnier", een van de delen van de monumentale reeks "Oeuvre de Juste Aurele Meissonnier".
Ferret
Object type: ferret
Date: 501 – 700
Materials: silver
Culture: frankish
Location: northern france
Rekenpenning uit Brussel op het verbond tussen Spanje en Oostenrijk 1664
Object type: history medal
Date: 1664 – 1664
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde het borstbeeld van Philips IV naar rechts met omschrift, op de keerzijde in zee twee zuilen, met leeuw en adelaar, verbonden door een koord, te midden van storm en golven, met bovenaan omschrift.
Mortar
Object type: mortar
Date: 801 – 1000
Materials: bronze
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Zittende vrouw met boek in een landschap
Object type: print
Date: 1713 – 1770
Materials: paper
Techniques: etching
Subjects: adolescent, young woman, maiden, reading
Inscriptions: collector's mark: Lugt 2228

Genummerd linksboven: XX. Genummerd rechtsboven: 11. Genummerd rechtsonder: 165.
Vintage Dance, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: dance,grapes,women,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Wall Decoration with Allegorical Figure of Riches
Object type: drawing
Date: 1801 – 1900
Materials: gouache
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: women,cupid
Pelike (Storage Jar)
Object type: vessel
Date: 510 – 500
Materials: ceramic, paint, terracotta
Culture: greek
Location: greece
Subjects: dancing, drinking, music, dogs, instruments, woman

This ancient storage vessel is decorated in the black-figure technique, which was developed in Corinth and used widely during the Archaic period (700–480 BCE). Gloss, a slip made from refined clay, was applied to all areas intended to be black. For the figural scene the silhouettes of the figures and other elements were painted in gloss, sometimes following the lines of a preliminary sketch scratched into the surface. Using a sharp tool, the artist created details by incising through the gloss to the light clay ground below. Colors such as purple-red and white, made from a gloss with mineral pigments, were then added. After a three-stage firing process applying alternately less and more oxygen, the gloss turned black. In its finest form, it was quite shiny. On this vessel, those techniques are used by the artist to create lively scenes in which a woman dances playfully with a drape of fabric, perhaps her cloak. Male musicians accompany her with Greek instruments including a Barbiton (the string instrument which looks like a small harp) and an aulos (the wind instrument shaped like a doubled flute). The inquisitive dog adds to the sense of movement and rhythm within the scene.
Spandrel with Sections of an Arch
Object type: spandrel
Date: 1130 – 1140
Materials: marble
Culture: catalan
Location: france
Subjects: arches
Marble portrait of a man
Object type: portrait head of a man
Date: 201 – 250
Materials: marble
Culture: roman
Subjects: heads,men,portraits

In this masterful portrait of a man with a deep frown and sunken cheeks, the roughly chiseled hair and beard contrast with the highly polished face. The portrait was probably set into a bust, as the underside of the neck is carefully tooled.
Johannes aan de bosrand bij een paard
Object type: drawing
Materials: chalk, paper
Artist: edzard koning
Artist role: draughtsman, print maker
Artist dates: 1869 – 1954
Subjects: trees, (van eeden, de kleine johannes) specific works of literature (with author, title), horse
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Paard te groot’, inscription: ‘Eindelijk kwam hij aan den boschrand. Hij zag over/ een weiland, waarop een fijne, klamme regen langzaam/ neerstreek. Er stond een paard midden in, enz.’

Ontwerp voor: Eeden, Frederik van. De kleine Johannes. Den Haag: Mouton & Co., 1898, p. 86. Niet gebruikt in de definitieve uitgave.
Gezicht op Slot Nymphenburg in München
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: munich
Artist: Anonymous
Subjects: palace

Onderdeel van Reisalbum met opnames van bezienswaardigheden in Zweden, Noorwegen, Denemarken, Beieren, Milaan en Parijs.
Landschap met molen
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: etching, intaglio
Artist: henri rul
Artist role: print maker
Artist dates: 1862 – 1942
Subjects: windmill in landscape
Inscriptions: collector's mark: Lugt 2228
Netsuke of Section of Bamboo Containing Two Men
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: men
Portret van Johann Leopold von Bärenklau zu Schönreith
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: historical persons

Prent uit: Die Neue Europäische Fama, welche den gegenwärtigen Zustand der vornehmsten Höfe entdecket. S.l.s.n., 1743, dl. 95.
Spotprenten op de nederlagen der Fransen in 1813
Object type: cartoon
Date: 1813 – 1813
Materials: paper
Techniques: etching
Location: amsterdam
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: carrying the sick, wounded and dead off the battle-field, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228

Boven een Franse soldaat die zijn testament maakt na de nederlaag van de Fransen in Spanje. In het midden een soldaat die door kogels getroffen wordt. Op de achtergrond de stad St. Petersburg. Onder wordt een doodskist met een geraamte terug naar Parijs gedragen. Uit de stad Leipzig komt een kanonskogel gevlogen.
Hat
Object type: hat
Date: 1892 – 1893
Materials: cotton, metal, silk
Culture: american
Snuffbox
Object type: snuffbox
Date: 1760 – 1761
Materials: gold
Artist: charles le bastier
Artist role: maker
Artist nationality: french
Artist dates: 1724 – 1783
Subjects: houses

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Vampire cat of Nabeshima
Object type: print
Date: 1807 – 1853
Materials: paper
Techniques: woodcut
Location: japan
Subjects: monsters of mixed human and animal shape; 'mostri' (ripa), group of actors, troupe; actors on the stage

Kabuki acteur Ichikawa Kodaji IV in de rol van kattenmonster. Na een ruzie in de Nabeshima familie, waarbij een trouwe vazal wordt gedood, kruipt zijn kat in het lichaam van de weduwe Saga no Kata, om als kattenmonster wraak te nemen.
Man met een baard en mantel, van voren gezien
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: adult man, beard

Pagina 54 uit een schetsboek met 74 bladen.
The Habit of Boisterousness (Sawagashiki kuse), from the series "Seven Bad Habits (Nakute nana kuse)"
Object type: print
Date: 1797 – 1797
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Verwoeste schuur en huis in een ondergelopen buitenwijk van Parijs
Object type: photograph
Date: 1901 – 1910
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: paris
Artist: g. dangereux
Artist role: fotograaf
Subjects: barn, flood (+ landscape with figures, staffage), rural housing, e.g. country-house, villa, cottage, paris

Onderdeel van fotoalbum overstroming Parijs en voorsteden 1910.
Stoomlocomotief voor personenvervoer gemaakt door Sharp, Stewart and Company
Object type: photograph
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: steam locomotive
Inscriptions: inscription: ‘Class 7. Bogie passenger engine.’, number: ‘7.’
Handle of a mirror
Object type: mirror handle
Date: 50 – 400
Materials: bronze
Culture: roman, cypriot
Cactusbloem
Object type: print
Date: 1920 – 1920
Materials: paper
Techniques: woodcut
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: flowers, plants and herbs: cactus (+ flowers, blossom, blossoming)
Inscriptions: collector's mark: Lugt 2228

De bloem van een cactus, omringd door cactusstekels.
Fujieda: Changing Porters and Horses (Fujieda, jinba tsugitate), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido
Object type: print
Date: 1833 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Full-length Portrait of a Woman
Object type: drawing and watercolor
Date: 1846 – 1846
Materials: board, graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: dante gabriel rossetti
Artist role: artist
Artist nationality: british
Artist dates: 1828 – 1882
Treble Viol
Object type: treble viol
Date: 1743 – 1743
Materials: wood
Culture: french
Location: france
Artist: jean villiaume
Artist role: maker
Artist nationality: french
Zu Delft in Hollant 10 Julij 1584
Object type: album leaf
Date: 1587 – 1591
Materials: paper
Techniques: etching
Location: cologne
Subjects: delft, william i (prince of orange), attempt, political murder

Willem van Oranje vermoord door Balthasar Gerards, 10 juli 1584. Gezicht op interieur Prinsenhof: achter ontvangt de prins Gerards in een kamer, op de voorgrond wordt de prins neergeschoten. Links probeert Gerards te ontsnappen en wordt hij gevangengenomen. Met onderschrift van 12 regels in het Duits. Linksonder genummerd: 204. De prent maakt deel uit van een album.
Cage crinoline
Object type: cage crinoline
Date: 1862 – 1862
Materials: cotton, metal
Culture: british
Galeon Soniruka
Object type: galeon soniruka
Date: 1867 – 1900
Materials: bamboo
Culture: melanesian
Location: solomon islands
Lot en zijn dochters
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: lot's daughters make their father drunk
Inscriptions: collector's mark: Lugt 240
Puerta monumental en las murallas, Ibiza, Baleares
Object type: postcard
Date: 1920 – 1950
Materials: photographic support
Techniques: rotogravure
Location: ibiza
Subjects: ibiza
Tillie Russell, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Pectoral with face
Object type: pectoral
Date: 100 – 800
Materials: gold
Techniques: hammering
Culture: calima or yotoco
Location: colombia
Artist: calima (yotoco) artist
Artist role: artist
Peach-shaped wine pot or teapot
Object type: winepot or teapot
Date: 1701 – 1800
Materials: glaze, porcelain
Techniques: polychrome, relief
Culture: chinese
Artist: chinese
Artist role: artist
Collar
Object type: collar
Date: 1860 – 1860
Materials: linen
Culture: american
Coin Depicting a Sphinx
Object type: coin
Date: 31 – 476
Materials: bronze, copper alloy, metal
Culture: greek or roman
Location: greece
Ulrich von Hutten
Object type: print
Date: 1824 – 1860
Materials: paper
Techniques: etching
Location: germany
Subjects: switzerland, politician, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Sampler
Object type: sampler
Date: 1903 – 1903
Materials: canvas, cotton, wool
Ternata
Object type: print
Date: 1644 – 1646
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: mayor, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie: Historisch Verhael Vande treffelijcke Reyse, gedaen naer de Oost-Indien ende China, met elf Schepen. Door den Manhaften Admirael Cornelis Matelief de Jonge. Inden Jaren 1605. 1606. 1607. ende 1608. Deze tekst opgenomen in : I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 7.
Landschap met een ruïne
Object type: drawing
Date: 1850 – 1853
Materials: chalk, paper
Location: netherlands
Artist: joannes carolus alberdingk thijm (jan)
Artist role: pater, schrijver
Artist dates: 1847 – 1926
Subjects: landscape with ruins
Gezicht op een antieke ruïne met figuren
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228
Portret van Jean-Baptiste-Nicolas Parquin
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: engraving, roulette
Location: paris
Subjects: paris, historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Barreau français. Collection des chefs-d'oeuvre de l'éloquence judiciaire en France. Parijs: Panckoucke, Charles Louis Fleury, ca. 1821.
Card Number 368, Irene Condot, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Flagon
Object type: flagon
Date: 1701 – 1800
Materials: pewter
Artist: jacobus-mattheus vandaele
Artist role: maker
Artist nationality: flemish
Artist dates: 1735 – 1835
VII Peccatorvm Capitalivm Imagines Elegantissime (...)
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: gluttony, intemperance, 'gula'; 'gola', 'ingordigia', 'ingordigia overo avidità', 'voracità' (ripa) ~ personification of one of the seven deadly sins
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2542, collector's mark: Lugt 2233

Buste van de vrouwelijke personificatie van Gulzigheid (Gula). In haar hand een glas met drank. De voorstelling is gevat in een cartouche, omringd door putti. In het kader in de marge een Bijbelcitaat uit Luc. 21 in het Latijn.
Nicolaaskerk te Midlum
Object type: photograph
Date: 1907 – 1907
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: midlum
Subjects: church (exterior)
Inscriptions: annotation: ‘Midlum bij Franeker (Fr) / Ned Herv Kerk / oct 1907’, annotation: ‘Franekeradeel/ Midlum’
Shard:  Offerer with Flower
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: human figures,gandhara,flowers
Venus en cupido
Object type: print
Date: 1724 – 1798
Materials: paper
Techniques: printmaking
Location: paris
Subjects: couch, sofa, settee, venus and cupid (cupid not being mere attribute)
Inscriptions: collector's mark: Lugt 240

Venus ligt naakt op een bed. Cupido ligt naast haar te slapen. Zijn pijl en boog liggen naast het bed.
The mill stream
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Artist: percy sheard
Artist role: fotograaf
Subjects: farmers - aa - female farmer, farmer's wife, village

Prent op tweede ongenummerde pagina na pagina 104.
Portret van actrice Nel Knoop in geruite mantel
Object type: photograph
Date: 1930 – 1945
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: portrait of actor, actress
Inscriptions: inscription: ‘Nel Knoop’
Covered vase
Object type: covered vase
Date: 1801 – 1833
Materials: jade
Culture: chinese
Maria Magdalena (?)
Object type: print
Date: 1580 – 1586
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: signature: ‘HGoltzius fecit’, collector's mark: Lugt 240, address: ‘Matham excud.’

Staande vrouwenfiguur, ten voeten uit, waarschijnlijk Maria Magdalena. Druk van een onvoltooide plaat.
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)
Object type: painting
Date: 1887 – 1887
Materials: canvas, oil
Artist: vincent van gogh
Artist role: artist
Artist nationality: dutch
Artist dates: 1853 – 1890
Subjects: men,self-portraits

Van Gogh produced more than twenty self-portraits during his Parisian sojourn (1886–88). Short of funds but determined nevertheless to hone his skills as a figure painter, he became his own best sitter: "I purposely bought a good enough mirror to work from myself, for want of a model." This picture, which shows the artist's awareness of Neo-Impressionist technique and color theory, is one of several that are painted on the reverse of an earlier peasant study.
Pair of hall chairs
Object type: hall chair
Date: 1740 – 1740
Materials: wood
Subjects: animals
Length of velvet
Object type: fragment
Date: 1401 – 1600
Materials: metal thread, silk
Subjects: flowers
Portret van Anton Mussert
Object type: print
Date: 1941 – 1941
Materials: paper
Techniques: engraving, retroussage
Artist: franciscus fehrenbach
Artist role: designer, draughtsman
Artist dates: 1919 – 
Subjects: the hague, politician, anton adriaan mussert, historical persons, netherlands
At Sea by Night, from Mélodies de Désiré Dihau
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Tegeltableau met in blauw een landschap met mythologische voorstelling: Cyparissus verandert in een cypres
Object type: tile tableau
Date: 1720 – 1760
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Tegeltableau van twintig tegels (5 x 4) met een blauw landschap met mythologische voorstelling: Cyparissus verandert in een cypres. Rechts een boom en op de achtergrond een rivier en een kasteel. De omlijsting bestaat uit een bloemrank.
Burgonet
Object type: burgonet
Date: 1575 – 1600
Materials: brass, gold, pigment, steel, textile
Culture: german
Location: germany

Helmets of this type probably were worn by the mounted troops of the bodyguards of the prince-electors of Saxony. This helmet retains its original padded lining covered with yellow silk.
Keizer Ferdinand II te paard (bovenste blad)
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving
Location: prague
Subjects: vienna, ferdinand ii (duits keizer), equestrian state-portrait, integrity, historical persons, perseverance, resolution, determination; 'perseveranza' (ripa)
Inscriptions: collector's mark: Lugt 2228

Keizer Ferdinand II zit in Romeinse wapenrusting op een paard. Hij draagt een lauwerkrans. Links staat de gevleugelde personificatie van standvastigheid met een hoorn des overvloeds in haar hand. Rechts de Integriteit met dezelfde attributen als Justitia. Boven hen verschillende putti met lauriertakken, stenen tafelen en spreukbanden. Midden boven een adelaar voor Fortuna(?) en enkele andere allegorische figuren.
Portret van Johann Joachim Metzger
Object type: print
Date: 1753 – 1756
Materials: paper
Techniques: mezzotint
Location: regensburg
Subjects: historical persons, book, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Rattle with a Coiled Serpent
Object type: rattle
Date: 1201 – 1400
Materials: bronze
Culture: indonesian, javanese
Subjects: musical instruments,snakes