deem-data/ArtiFact huggingface dataset:
Design for a Concave Corner Cabinet (Possibly Part of a Larger Wall-Covering Unit)
Object type: drawing
Date: 1730 – 1740
Materials: graphite, ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, german, 18th century
Artist role: artist
Artist nationality: german
Artist dates: 1700 – 1800
Subjects: cabinets

Although at first sight this design for a cabinet may appear somewhat strange, a second view tells us that we’re looking at the somewhat flattened perspectival view of a concave corner cabinet. A very similar shaped example can be found in the secret library of the Benedictine monastery at Ottobeuren (Schwaben, Germany), where it is part of a larger wall unit dated 1730. The decorations of both cabinets are also very similar with a relatively modest pattern made up out of strapwork which is so typical for the Baroque period. Strongly adding to the decorative effect however, was the interplay of the different wood species used for the marquetry. The cabinet at Ottobeuren is characterized by a base of nut wood, which was contrasted by the dark outline of mahogany and plum and enlivened by the painterly effect of the flaming wood grain of birch and maple wood. Although the draftsman has used a mainly gray-toned palette for this drawing, the different wood species he intended to incorporate in his design can be clearly recognized by his use of light and dark and his accurate rendering of the different types of wood grain.
Man te paard
Object type: drawing
Date: 1878 – 1938
Materials: paint, paper
Techniques: brush
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: riding a horse, ass, or mule; rider, horseman

Ontwerp voor vignet voor Sociale Verzekeringsgids.
Gezicht op de Steinerne Renne nabij Wernigerode
Object type: album leaf
Date: 1904 – 1904
Materials: photographic support
Techniques: gelatin silver print
Location: harz
Artist: Anonymous
Subjects: waterfall
Inscriptions: date: ‘20 Aug: 1904’, inscription: ‘Verlag der Neuen Photogr. Gesellschaft A.-G./ Berlin-Steglitz 1904/ Harz. Wernigerode, Steinerne Renne/ 1639’
Cap
Object type: cap
Date: 1825 – 1825
Materials: linen
Culture: american
Dessert glass(?)
Object type: dessert glass
Date: 1667 – 1700
Materials: glass
Techniques: glassblowing, molding
Culture: italian
Pius VII / Pie VII / Leon XII / Léon XII
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: pius vii, rome, pope
Inscriptions: collector's mark: Lugt 2760

Twee ovale voorstellingen. Links de biddende paus Pius VII aan een tafel met crucifix, rechts de biddende paus Leo XII aan een tafel met crucifix. Boven en onder de voorstellingen tekst in boekdruk in het Nederlands en in het Frans. Geheel omgeven door een sierrand. Genummerd rechtsonder: No. 54.
Melencolia I
Object type: print
Date: 1514 – 1514
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Reliquary with Contents
Object type: reliquary
Date: 1 – 300
Materials: gold leaf, stone
Culture: gandhara
Subjects: gandhara
Portret van Maximiliaan I
Object type: print
Date: 1583 – 1630
Materials: paper
Techniques: engraving
Artist: peter isselburg
Artist role: print maker
Artist dates: 1568 – 1630
Subjects: maximiliaan i (keurvorst van beieren), armour, historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), baton of general
Inscriptions: collector's mark: Lugt 2228
Christ and the Adulteress
Object type: painting
Date: 1545 – 1550
Materials: wood, oil
Artist: lucas cranach the younger and workshop
Artist role: artist
Artist nationality: german
Artist dates: 1515 – 1586
Subjects: soldiers,armor,men,women,christ
Chemise
Object type: chemise
Date: 1790 – 1810
Materials: linen
Culture: american
Cuff
Object type: cuff
Date: 1801 – 1900
Techniques: lace
Subjects: flowers,trees
Hat
Object type: hat
Date: 1897 – 1897
Materials: feather, silk
Culture: american
Dubbelloops vuursteenpistool
Object type: flintlock pistol
Date: 1665 – 1665
Materials: brass, copper, iron
Techniques: cutting
Artist: Anonymous
Acht voorbeelden van rouwsieraden met floraal motief
Object type: album leaf
Date: 1800 – 1810
Materials: paper
Techniques: etching
Location: amsterdam
Artist: j.d. brix
Artist role: print maker
Subjects: ornaments, jewels, mourning customs

Prent met daarop voorbeelden 69 tot en met 76 van sieraden ter herinnering aan een overledene. Deze prent maakt deel uit van een album.
"Pike Pool" (from below)
Object type: photograph
Date: 1880 – 1889
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Huis Fahrenkamp, van een afstand bekeken, met een gazon, een struikenhaag en bomen op de voorgrond
Object type: photograph
Date: 1934 – 1934
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Inscriptions: date: ‘6.9.34. ... besonders ... ... Aufnahme von Haus u. Garten Fahrenkamp’

Zicht op huis Fahrenkamp, van een afstand bekeken, met een gazon, een struikenhaag en bomen op de voorgrond.
Fukuzumi Hotel at Yumoto, Hakone
Object type: photograph
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: bridge, hotel, hostelry, inn
Groote Broek
Object type: print
Date: 1694 – 1696
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: fire-fighting
Inscriptions: collector's mark: Lugt 2228

De plaat is ook gebruikt als onderdeel van de loterijprent voor de loterij gehouden voor de slachtoffers in 1694-1695.
Medea verwoest familie en huis van Jason
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: italy
Subjects: medea kills her two children; she flees from corinth in a chariot drawn by winged dragons
Inscriptions: collector's mark: ‘Hinloopen’

Medea zit op haar wagen die wordt voortgetrokken door twee draken. Ze verwoest het huis en de familie van Jason. Het huis gaat in vlammen op. Titel in het Latijn in ondermarge.
Portret van Jean-Baptiste de Villèle
Object type: print
Date: 1865 – 1910
Materials: paper
Techniques: engraving, lithograph
Location: paris
Subjects: mayor, historical persons
Inscriptions: collector's mark: Lugt 2228
Patera
Object type: patera
Date: 7000 – 330
Materials: silver
Veldheer schenkt verslagen krijgslieden genade
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: amsterdam
Artist: gerard de lairesse
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1711
Subjects: forgivingness (+ symbolical representation of concept), the defeated before the victor
Inscriptions: collector's mark: Lugt 2228

Twee verslagen krijgslieden ontvangen genade van een Romeins veldheer. Buigend kussen ze zijn hand waarin hij een scepter vasthoudt. Deze prent illustreert het eerste deel van het door Vergilius opgenomen grondbeginsel van de Romeinse politiek: "Parcere subiectis, sed debellare superbos" (Vergilius, Aeneïs 6.853). Volgens dit beginsel zouden de onderworpenen worden gespaard, maar zij die zich hardnekkig bleven verzetten werden vernietigd. Pendant van een prent over het tweede deel van deze stelregel.
Padlock
Object type: padlock
Date: 1501 – 1600
Materials: iron
Culture: french
Medaillon met Vrijwillige Jagers der Utrechtse Hogeschool, 1830
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228

Allegorisch medaillon met een voorstelling van enkele Vrijwillige Jagers der Utrechtse Hogeschool, 1830. Op de grond voor het medaillon liggen wapens en delen van de wapenrusting. Aan weerszijden vaandels, rechts een vaandel met het stadswapen van Utrecht. Bovenaan attributen van de universitaire studie: boeken, pen en papier, met een putto met helm die op een hoorn blaast. Zie ook de pendant.
Hoed van bruin stro, met bruine bandfluwelen strikken
Object type: zomerhoed
Date: 1948 – 1955
Materials: ribbon, straw
Techniques: fluweelband, strohalm
Location: amsterdam
Artist: de prijslijst
Artist dates: 1886 – 1959

Zomerhoed van bruin stro, met bruin bandfluweel. 'Matelot' model, 'straw-boater', met omgekrulde buitenrand, platte bodem, vlakke, rondom gelijke rand. Breed, bruin bandfluweel is om de bol gelegd, van voren op de halve rand met acht lussen. Adres: De Prijslijst/AMSTERDAM/53 P.C. HOOFTSTRAAT.
Drie zwijnen bij een heg
Object type: print
Date: 1656 – 1658
Materials: paper
Techniques: etching
Location: the hague
Artist: karel du jardin
Artist role: draughtsman, painter, print maker
Artist dates: 1626 – 1678
Subjects: hoofed animals: boar
Inscriptions: collector's mark: Lugt 2228
Goudse glazen
Object type: print
Date: 1738 – 1754
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: personification of a city, town-patron(ess), church-window, e.g. rose-window, the four cardinal virtues, dordrecht
Inscriptions: collector's mark: Lugt 2228

Het derde glasraam in de Sint-Janskerk te Gouda met de voorstelling van de Dordtse stedenmaagd. Zij zit in haar eigen tuin als middelpunt van Hollands territorium. Rondom vijftien stadswapens van steden die op de grenzen van het Hollandse gebied en de omringende provincies zijn gesitueerd. Boven de Voorzichtigheid, met spiegel en slang, en de Matigheid, die wijn met water mengt. Onderaan de Rechtvaardigheid met zwaard en weegschaal en de Standvastigheid met een zuil. Deze vier kardinale deugden verwijzen naar de trots van Dordrecht op haar deugdzame bestuur. De stad Dordrecht was de schenker van het glasraam aan de stad Gouda.
Cup with flower sprays and panels made from scrolls
Object type: cup
Date: 1750 – 1774
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Kop, versierd met gekleurde bloemen en gouden randen.
Twee afbeeldingen van een naakt kind, kruipend en liggend
Object type: page
Materials: paper
Techniques: photograph
Location: leipzig
Subjects: lying on one side, with uplifted upper part of the body and leaning on the arm, squatting, crouching figure, tot, toddler ~ the ages of man
Inscriptions: number: ‘A 25’
Vase
Object type: vase
Date: 1467 – 1500
Techniques: maiolica, glazing
De Aanval op Nymegen door de Franschen in December: 1794
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: nicolaas sonnenberg
Artist role: draughtsman
Artist dates: 1772 – 1822
Subjects: breaking into city or fortress ~ siege, nijmegen
Inscriptions: collector's mark: Lugt 2228

Franse troep dringen door de Molenpoort de stad Nijmegen binnen, 6-7 november 1794. Rechts in de verte de vertrekkende Britse troepen.
Journal des Dames et des Modes, 1912, Costumes Parisiens, no. 14: Costume de bain (...)
Object type: fashion print
Date: 1912 – 1912
Materials: paper
Techniques: engraving
Location: paris
Artist: Anonymous
Subjects: fashion plates
Inscriptions: caption: ‘Costume de bain...’
Nantes. Vue de la Bourse
Object type: print
Date: 1863 – 1864
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: canals, waters (in village), steam locomotive, edifice, e.g.: public building, department store
Inscriptions: collector's mark: Lugt 2228
Snuffbox
Object type: snuffbox
Date: 1756 – 1757
Materials: enamel, gold
Artist: jean frémin
Artist role: maker
Artist nationality: french
Artist dates: 1738 – 1786
Subjects: flowers

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Two bowing courtiers behind Nefertiti
Object type: talatat, courtier, nefertiti
Date: 1353 – 1336
Materials: limestone, paint
Subjects: men,women
Draped Standing Figure with Outstretched Arms
Object type: drawing and watercolor
Date: 1540 – 1550
Materials: ink, paper
Techniques: pen
Location: italy
Artist: Anonymous
Artist nationality: Tuscan
Inscriptions: Inscribed recto, lower right, in pen and brown ink: "Raffaelle"
Dressing Room of Mary, Queen of Scots, Holyrood Palace
Object type: print
Techniques: lithograph, tinting
Artist: samuel dukinfield swarbreck
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1863
Subjects: palaces,interiors,chairs,mary queen of scots
English Channel Side-Wheeler, from the Types of Vessels series (N139) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boats

Die-cut trade cards from the "Types of Vessels" series (N139), issued in an unnumbered set of 25 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The card versos have "Honest Long Cut" text printed in either green or blue. Knapp is the lithographer of the green backs and Giles is the lithographer of the blue backs. Because all but one card in the series are affixed to the original album page, card versos are not visible.
August Herrmann Niemeyer
Object type: print
Date: 1815 – 1876
Materials: paper
Techniques: lithograph
Artist: friedrich august zimmermann
Artist role: print maker
Artist dates: 1805 – 1876
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Balmoral
Object type: page
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Location: scotland
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: castle
Inscriptions: inscription: ‘Printed by F. Frith, Reigate.’
Scale from Armor
Object type: armor scale
Date: 1390 – 1352
Materials: bronze
Location: egypt

Although bronze and iron scales have been found in Egypt, body armor—a foreign import—was probably not commonly worn there. Two sets of armor appear in a presentation scene in the tomb of Kenamun at Thebes, and a cuirass of leather scales was found in the tomb of Tutankhamun. The ten scales (11.215.452a-j) were excavated from the palace of Amenhotep III, but their position, embedded in an enclosure wall, does not allow us to speculate as to who might have worn them. The scales would have been sewn to a linen or leather backing. Although they vary, they still might have constituted the same armor.
Notities, waaronder adressen in Parijs
Object type: sketchbook leaf
Date: 1862 – 1864
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Inscriptions: annotation: ‘[...]’

Blad 65 verso uit een schetsboek met 65 bladen.
Bottle-Shaped Vase with Dragons
Object type: vessel
Materials: stoneware
Techniques: painting, underglaze
Location: china
Gezicht op Fort Ehrenbreitstein
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228
Terracotta bottle
Object type: bottle
Date: 334 – 268
Materials: terracotta
Culture: greek, south italian, apulian, gnathian
Subjects: flowers
Illuminatie van het pand van de Oprechte Vaderlandsche Sociëteit op het Westnieuwland te Rotterdam, 1788
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: the hague, william v (prince of orange), bonfire, fire-works (+ illumination, fire-works ~ festive activities), rotterdam
Inscriptions: collector's mark: Lugt 2228

Illuminatie van de gevel van het pand van de Oprechte Vaderlandsche Sociëteit op het Westnieuwland te Rotterdam, ter gelegenheid van de veertigste verjaardag van prins Willem V op 8 maart 1788 en het herstel van de oude constitutie. De gevel versierd met lichtjes en achttien chassinetten met allegorische voorstellingen, waarvan de twee die pas later op 7 augustus zijn geplaatst op losse, opklapbare blaadjes.
Edelsmidsontwerpen voor horlogekasten: deksels en zijkanten
Object type: print
Materials: paper
Techniques: engraving
Location: france

Horlogekast met de Vlucht naar Egypte. Eerste editie, tweede druk.
Sauceboat
Object type: sauceboat
Date: 1770 – 1780
Materials: earthenware
Techniques: glazing
Artist: ralph wood the younger
Artist role: maker
Artist nationality: british
Artist dates: 1748 – 1795
Subjects: swans,foxes
Stad Utrecht, duit, 1755
Object type: coin
Date: 1755 – 1755
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: gekroond stedelijk wapenschild, gehouden door twee leeuwen met in afsnede dunne lijn, waaronder een versierde accolade met een grote schelp. Keerzijde: opschrift in twee regels, waaronder jaartal. Jaartal met Romeinse I.
Arrestatie van Jacob de Witt, 1650
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: william ii (prince of orange), mayor, arrest (of criminal), amsterdam

Arrestatie van Jacob de Witt, lid van de Staten van Holland namens Dordrecht, te Den Haag op bevel van prins Willem II, 30 juli 1650. De gevangenen worden op straat opgepakt om naar slot Loevestein overgebracht te worden. Fragment van de grote prent over de gebroeders De Witt: Witten Wonder Spiegel (1675).
Mont St. Michel. Beauregard & le Grand-Exil
Object type: reproduction
Date: 1861 – 1866
Materials: paper
Techniques: albumen print
Artist: edmond lanon
Artist role: designer, draughtsman
Artist dates: 1830 – 1871
Subjects: abbey, monastery, convent ~ roman catholic church, walls ~ fortified city

Foto op ongenummerde pagina tegenover pagina 24.
Plate with an man and a boy examining a scroll
Object type: plate dish
Date: 1725 – 1749
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Bord van dun porselein, bedekt met een roze glazuur en beschilderd op het glazuur in blauw, rood, roze, groen, geel en zwart. Op het plat twee zittende Chinese mannen een rol onderzoekend, om hen heen verschillende geluksvoorwerpen; de rand met bloem- en fruittakken. De achterzijde is bedekt met een roze glazuur. Famile rose met een ruby back.
Portret van Ercole II d'Este
Object type: print
Date: 1600 – 1604
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: ferrara (stad), hertog, ercole ii d'este
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: D. Custos en M. Henning. Atrium heroicum Caesarum, regum aliorq. summatum ac procerum qui intra proximum seculum vixere, aut hodie supersunt, imaginib. Deel 1-4. Augsburg: D. Custos, 1600-1604.
Plate 31, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Object type: print
Date: 1620 – 1620
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: architecture,buildings
Ornamental Frame with Garlands
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: anonymous, 18th century
Artist role: artist
Artist dates: 1700 – 1800
Subjects: garlands
Village in Mountains
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Alkoof-gordijn, vervaardigd van roze-rode moiré zijde, aan alle kanten afgezet met passement met gele en rode kwasten
Object type: miniature
Date: 1690 – 1710
Materials: copper, silk
Location: amsterdam
Artist: Anonymous
Fles of vaas van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; peervormig op standring met decoratie van twee grote bloesemtakken.
Object type: bottle
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous

Fles of vaas van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; model peervormig op standring met decoratie van twee grote bloesemtakken.
Arc de Triomphe in Parijs
Object type: photograph
Date: 1895 – 1900
Materials: paper
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: triumphal arch
Shuttle (navette)
Object type: shuttle
Date: 1763 – 1764
Materials: enamel, gold
Artist: mathieu coiny fils
Artist role: maker
Artist dates: 1723 – 1823
Analogy
Object type: woodblock print nishiki e
Date: 1767 – 1800
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: women,shells,trays

The beauty of Shunshō's print gathers further elegance from two layers of poetic devices—a visual allustion to the imagery in a poem describing a love "as infinite as the shells upon the shore" and the analogy itself, discussed at length in the preface to the Kokin waka shū. The passage from the preface is quoted in the cloud at the top of the print. The subtle play of meaning between the collecting of shells and the collecting of poetry—a box of shells becomes a visual metaphor for an anthology of poetry—is particularly pleasing.
Titelpagina voor: Attersoll, William. Schriftmatige en geleerde uytlegginge over t'vierde boek Moises genaemt Numeri, 1667
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the ground opens and swallows the rebels dathan and abiram along with their families and possessions, aaron's burial, 'pesah', passover ~ jewish religion, moses sitting on a rock, arms held up by aaron and hur; the amalekites are defeated, the spies take away some of the fruits of canaan and return, usually carrying a large bunch of grapes on a pole, the gathering of manna (in baskets and pots), moses strikes the rock twice in front of the assembled people and water gushes out; the people quench their thirst, title-page, an angel holding a sword bars the way and causes balaam's ass to turn aside; the angel is invisible to balaam, anyone who is bitten by a snake is cured by looking at the brazen serpent; the serpent (or dragon) is usually depicted on a tau-shaped cross or on a pillar, zimri takes a midianite woman, cozbi, into his tent, while the people are lamenting at the entrance of the tabernacle on account of an epidemic
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Attersoll, William. Schriftmatige en geleerde uytlegginge over t'vierde boek Moises genaemt Numeri, Amsterdam: Gerrit van Goedesberg, 1667