deem-data/ArtiFact huggingface dataset:
Schaap met zes poten
Object type: print
Date: 1733 – 1735
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: monsters with parts in greater number than normal, sheep

Ingeplakte prent van een schaap met zes poten. Linksboven genummerd: 35. Rechtsboven het jaartal 1733, pl. 13, pag. 204. Op een kleiner formaat blad papier. Onderdeel van het zevende album met tekeningen van reptielen, amfibieën en natuurhistorische ensembles. Het zevende van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Gezicht op Swakopmund, Zuidwest-Afrika
Object type: stereograph
Date: 1884 – 1914
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: swakopmund
Inscriptions: title: ‘Süd-West-Afrika / 2724. / Swakopmund. Panorama’

Rechtsonder op de foto rechts staat: R.2724.
Kraag van naaldkant (Brusselse gaaskant)
Object type: collar
Date: 1900 – 1900
Materials: lace
Location: brussels
Artist: Anonymous

Ronde kraag van naaldkant. Het patroon bestaat uit C-voluten en bloemen. Langs de geschulpte rand een bloem- en bladrand.
Good Luck Token in the Form of a Shoe
Object type: metalwork
Date: 1840 – 1840
Materials: glass, silver
Location: netherlands
Brazilian landscape
Object type: painting
Date: 1670 – 1680
Materials: oil, panel
Artist: frans jansz post
Artist role: painter
Artist dates: 1612 – 1680
Subjects: landscapes in tropical and sub-tropical regions, brasil
Inscriptions: signature: ‘F. Post’

Frans Post travelled to Brazil in 1637 as part of the entourage of Governor Johan Maurits of NassauSiegen. Once there, he made paintings and drawings of the landscape. On the artist’s return to the Dutch Republic in 1644, he continued making romanticized ‘Brazilian’ landscapes, like this little panel.
Algemeen Handelsblad
Object type: newspaper
Date: 1944 – 1944
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: tweede wereldoorlog
Inscriptions: date

Krant, groot formaat, met bericht over de oorlog uit Duits gezinde hoek. Gedateerd: Woensdag, 18-10-1944.
Mars, Venus, and Cupid
Object type: print
Date: 1637 – 1639
Techniques: etching
Artist: simone cantarini
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1648
Subjects: cupid,mars,venus,trees
Karper, paling en hondshaai
Object type: print
Date: 1635 – 1660
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: eels, bony fishes: carp, cartilaginous fishes: dogfish

Karper, paling en hondshaai. Bij iedere vis de naam in het Latijn. Deze prent maakt deel uit van een album.
Kneeling Woman with Straw Hat
Object type: drawing and watercolor
Materials: paper, pastel
Techniques: heightening
Location: england
Artist: henry stacy marks
Artist role: artist
Artist nationality: english
Artist dates: 1829 – 1898
Design for the decoration of a ceiling with a border of strapwork and a central filagree medallion
Object type: drawing
Date: 1830 – 1897
Materials: gold paint, gouache, watercolor, paper
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Gezicht op een overtoom
Object type: drawing
Date: 1872 – 1942
Materials: chalk, gouache, paper
Techniques: brush
Location: amsterdam
Artist: hobbe smith
Artist role: painter
Artist dates: 1862 – 1942
Subjects: city-view in general; 'veduta', canal, lift-lock, canal lock, amsterdam
Inscriptions: signature: ‘HobbeSmith’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 31.
'Kijk', exemplaar nr. 24
Object type: magazine
Date: 1945 – 1945
Materials: paper
Techniques: printing
Location: london
Subjects: tweede wereldoorlog, bevrijding van nederland (1945)
Inscriptions: title: ‘Kijk’

"Kijk wordt om de veertien dagen uitgegeven door de Amerikaanschen Voorlichingsdienst om eht wereldnieuws te geven in woord en beeld, totdat uw eigen pers deze taak kan overnemen." Omschrijving van het blad Kijk, overgenomen uit dit blad.
Umezawa Marsh in Sagami Province (Soshu Umezawa hidari), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Object type: print
Date: 1830 – 1833
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: landscapes
Reisverslag
Object type: sketchbook leaf
Materials: pencil
Location: barentsz sea
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: nova zembla expedities 1880
Inscriptions: annotation: ‘[...]’

Blad 66 verso uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
The Honble. Robt. Monckton
Object type: print
Date: 1762 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Subjects: robert monckton, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 240
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Toes of right foot and left calf and foot of a winged figure to right; below, a double ground line
Fig. 2 'De Malo Pvnica' in De Boodts herbarium van 1640
Object type: text sheet
Date: 1640 – 1640
Materials: ink, paper
Techniques: letterpress printing
Location: bruges
Artist: anselmus boëtius de boodt
Artist role: draughtsman
Artist dates: 1550 – 1632

Beschrijving bij Fig. 2 op p. 3 in: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
De berg Fuji
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: woodcut
Location: kyoto
Subjects: mountain-top, peak
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De top van de berg Fuji, bedekt met sneeuw, tegen een gele achtergrond.
Mannenhoofd met hoed
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult man, head-gear: hat (+ men's clothes)

Blad 23 verso uit schetsboek VII met 26 bladen.
Portret van Alexander von Humboldt
Object type: print
Date: 1830 – 1882
Materials: paper
Techniques: engraving
Location: germany
Subjects: berlin, traveler, historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op een brug van de stad Segovia
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: Lugt 2228, number: ‘161’

Gezicht op een brug van de stad Segovia. Onderaan de brug verschillende wandelaars. De prent is deel van een serie die verschillende plaatsen in het Middellandse Zeegebied afbeeldt.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: hendrik willem mesdag, pieter haverkorn van rijsewijk, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Sergeant John Lincoln Clem, The Drummer Boy of Chickamauga
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: morse & peaslee, gallery of the cumberland
Artist role: photography studio
Artist nationality: american
Subjects: american civil war,boys,portraits

In addition to gallant, if classical, portraits of Civil War elite such as Presidents Lincoln and Davis or Generals Grant and Lee, one finds stored in the same surviving Civil War carte-de-visite albums soldier heros such as twelve-year-old drummer boy Sergeant John Lincoln Clem. He earned his sobriquet and his collectible status by shooting with a small musket a Confederate colonel who demanded he surrender at the Battle of Chickamauga (September 19–20, 1863).
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, legs of male to right with part of chlamys
Great Sallet
Object type: armor
Date: 1367 – 1433
Materials: steel
Culture: italian
Location: italy
Blouse
Object type: blouse
Date: 1876 – 1900
Materials: cotton, metal, silk

The disposition of embroidery on this blouse is distinctly Romanian. Dense bands of geometric motifs over the shoulders and vertical bands below alternating with drawnwork bands are quintessentially Romanian. Henri Matisse's friendship with painter Teodor Pallady sparked his interest in Romanian folk costume. This type of blouse was a recurring theme in Matisse's work. This object was collected by Stewart Culin (1858-1929) during a collection expedition in 1920. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
Mirror Case
Object type: mirror case
Date: 1867 – 1900
Materials: paper, varnish
Techniques: gilding, lacquer, painting
Location: iran
Subjects: birds,men,women
Vignet met drie kinderen waarvan één in een wieg
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: archer's weapons: bow and arrow, cradle, crib, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Chandelier
Object type: chandelier
Date: 1700 – 1800
Materials: glass, iron, wood
Culture: american
Location: united states
Portrait of two men, one standing and one sitting, in front of a painted backdrop (leaves on a tree branch)
Object type: photograph
Date: 1895 – 1910
Materials: metal
Techniques: ferrotyping
Location: united states
Artist: Anonymous
Gezicht op een gewelf van de fontein Ninfeo d'Egeria
Object type: print
Date: 1625 – 1650
Materials: paper
Techniques: etching
Location: paris
Subjects: landscape with ruins, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een vierdelige serie met Italiaanse landschappen met ruïnes.
Kast met spiegel
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Een kast met spiegel. Prent uit 95e Livraison.
Portret van een man, mogelijk James H. Duke
Object type: page
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sitting figure, historical persons
Inscriptions: name: ‘James [H. Duke]’
Vrolijke partij in het dorp Houten
Object type: watercolor
Date: 1713 – 1780
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: inn, coffee-house, public house, etc., public road
Portret van Maria Engelina Jonker van Zijp
Object type: carte de visite
Date: 1877 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons, amsterdam
Inscriptions: annotation: ‘Grootmoeder Jonker v. Zijp’, workshop stamp: ‘Photographisch Artistisch Atelier van/ Wegner & Mottu/ Amsterdam, Rokin over de Bank 138/ Utrecht, Leijdschestraatweg 153’
The Conversion of Saint Paul
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, drawing, wash
Artist: anonymous, spanish, school of seville, 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1600 – 1700
Subjects: girls,horses,saint paul
Kelkglas, met kelk doorlopend in stam
Object type: miniature
Date: 1800 – 1849
Materials: glass
Location: bristol
Artist: Anonymous

Kelkglas van helder, kleurloos glas, kelk met uitstaande mondrand, doorlopend in stam met verdikking en voet.
Mignon, from the Ballet Queens series (N182) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Ballet Queens" series (N182), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Twee alchemisten in hun werkplaats
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: alchemist at work

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Achter een aangeschoten Haas
Object type: drawing
Date: 1880 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hunting dogs, hare-hunting, rabbit-hunting, dog
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Achter een aangeschoten Haas.’, signature and date: ‘Tavenraat 11/2 80.’
Partisan Carried by the Bodyguard of Louis XIV (1638–1715, reigned from 1643)
Object type: partisan
Date: 1658 – 1715
Materials: brass, gold, steel, textile, wood
Culture: french
Location: france

This partisan, along with two like it also in the Metropolitan Museum's collection (acc. nos. 14.25.454, 04.3.65), are thought to have been carried by the Gardes de la Manche (literally, “guards of the sleeve,” indicating their close proximity to the king), an elite unit of the bodyguard of Louis XIV. This example (along with 04.3.65) bears the king’s motto and sunburst above the crowned arms of France and Navarre, which are encircled by the collars of the royal orders of the Holy Spirit and Saint Michael. 04.3.65 is inscribed RAVOISIE FOVRBISSEVR DV ROY A PARIS, probably referring to Bonaventure Ravoisie, a royal cutler recorded between 1678 and 1709. The other partisan (14.25.454) is from a small group designed by Jean Bérain the Elder (1637–1711) for the marriage of Louis’s niece Marie-Louise d’Orléans to Carlos II of Spain in 1679. The decoration features a sunburst surmounted by the king’s motto, NEC PLURIBUS IMPAR (not equaled by many). Beneath, the sun god Apollo is being crowned with laurel by the winged figure of Fame. The sunburst and Apollo were favorite symbols of Louis XIV, the self-styled Sun King.
Snuff Bottle
Object type: snuff bottle
Date: 1701 – 1800
Materials: jade, quartz
Culture: chinese
Lay Aristocrat Man's Gayluchang Jacket
Object type: jacket
Date: 1644 – 1911
Materials: silk
Culture: tibetan
Gezicht op Napels met daarachter de baai en de Vesuvius, gezien vanaf de Corso Vittorio Emanuele
Object type: stereograph
Date: 1861 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: gulf, bay, city-view in general; 'veduta', naples
Inscriptions: number: ‘50.’
Balloon bracket clock
Object type: bracket clock
Date: 1790 – 1790
Materials: wood
Artist: savory
Artist role: maker
Artist dates: 1750 – 1850
Kleine Joodse bruid
Object type: album leaf
Date: 1805 – 1844
Materials: paper
Techniques: etching
Subjects: bride (in wedding-dress)
Inscriptions: signature and date (false): ‘Rembrandt f 1638’

Prent maakt mogelijk deel uit van een serie van 200 prenten. Deze serie is onder de titel 'A Collection of two hundred original etchings' voor het eerst uitgegeven door J.M. Greery in 1816.
Plate (Assiette à palmes) (1 of 102) (part of a service)
Object type: plate
Date: 1786 – 1786
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: roses
Secretary
Object type: secretary
Date: 1804 – 1809
Materials: gilt bronze, wood
Techniques: veneering

Although the handles and mounts are arranged to give the illusion of a chest of drawers, the upper part is a fall front that conceals a writing compartment. Tradition has it that this secretary was presented by Napoleon to Maréchal Lannes, duc de Montebello (1769–1809).
Heft, slechts de helft, van een mes
Object type: fragment
Date: 1400 – 1950
Materials: bronze

Een helft of zijde van een heft van een mes.
Terracotta stand
Object type: stand
Date: 550 – 500
Materials: terracotta
Culture: etruscan
Subjects: heads,lions

Cylindrical stand decorated with four lions and four human heads in relief.
Berlin. Nationalgalerie
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: berlin
Artist: Anonymous
Subjects: berlin, frederik willem iv (koning van pruisen), monument, statue, permanent exhibition, museum
Straatgezicht met automobiel in Pont du Loup, rechts een gezelschap bij een hotel
Object type: photograph
Date: 1903 – 1903
Materials: paper, photographic support
Techniques: gelatin silver print
Location: pont du loup
Artist: delizy
Artist role: manufacturer
Subjects: prospect of village, silhouette of village, automobile, hotel, hostelry, inn, street (+ city(-scape) with figures, staffage)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Lekythos
Object type: lekythos
Date: 500 – 476
Materials: terracotta
Culture: greek, attic
Subjects: shields,men,horses,chariots
Turban-end Panels
Object type: turban fragment
Date: 1101 – 1500
Materials: animal fiber, cotton
Culture: chimú
Location: peru
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Leg of a horse; calves and feet of a male to right; leg of a horse; tail and hind legs of a dog to right; part of a horse hoof to right
Episodes from Krishna's Life: Folio from a Bhagavata Purana (Ancient Stories of Lord Vishnu)
Object type: folio
Date: 1700 – 1700
Materials: ink, paper, watercolor
Culture: indian
Subjects: men,women,horses,krishna,hinduism,chariots

The top register shows Krishna and Balarama on their way to combat evil; on the bottom, the brothers kill two of Kamsa's demonic soldiers.
Tile
Object type: tile
Date: 1610 – 1625
Materials: earthenware
Techniques: glazing
Subjects: flowers
Portret van een man met snor en baard
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: théodore saglio
Artist role: fotograaf
Subjects: moustache, historical persons, beard
Inscriptions: inscription: ‘Photographie Alsacienne/ ANCIENNE MAISON/ ERWIN./ THÉODORE SAGLIO/ SUCCESSEUR/ 4, Rue Frochot, 4/ (Quartier St. Georges)/ PARIS.’
Ontwerp voor een opdrachtblad voor een album voor Prof. Mr. L. den Hartog
Object type: design
Date: 1902 – 1902
Materials: ink, paper, pencil
Techniques: brush, lithograph
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: ornament derived from animal forms, scales
Inscriptions: collector's mark: ‘R:MVS.’

Rechthoekig kader met cirkels. Bovenaan het kader twee gevleugelde dieren aan weerszijden van een weegschaal.
Patience
Object type: print
Date: 1540 – 1540
Techniques: engraving
Artist: Anonymous
Artist role: artist
Tweede wonderbaarlijke spijziging
Object type: album leaf
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: multiplication of loaves and fishes for a multitude of four or five thousand people (matthew 14:13-21, 15:32-39; mark 6:32-44, 8:1-10; luke 9:10-17; john 6:1-14)

De prent is afkomstig uit: Bybels Lusthof. Amsterdam, J. Klooster, 1740. De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam, verschenen in de jaren 1629-1648. Ze komt voor het eerst voor in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629.
De voorstelling is gekopieerd naar een prent van Antonie II Wierix voor: Nadal, Jerónimo. Evangelicae Historiae Imagines. Antwerpen, M. Nutius, 1593.
Beakers (2)
Object type: beaker
Date: 1720 – 1727
Materials: hard paste porcelain
Artist: vezzi factory
Artist role: factory
Artist nationality: italian
Artist dates: 1720 – 1727
Subjects: birds,buildings,trees
Sash Fragments
Object type: sash fragment
Date: 1301 – 1533
Materials: cotton
Culture: peruvian
Location: peru
Subjects: human figures
Sampler
Object type: sampler
Date: 1724 – 1724
Materials: linen, silk
Double-Sided Mortar and Pestle
Object type: mortar and pestle
Date: 1601 – 1700
Materials: stone
Location: india

This stone mortar and pestle has the imagination and originality of Deccani art. It combines the opposing symbolism of life and death in its design - a miniaturized Muslim tomb is the mortar and a life-giving lingam shape is the pestle. Such ritual and practical objects are associated with shrines and households where medicines and foodstuff were prepared.
Jan van Olden Barneveldt
Object type: medallion
Date: 1701 – 1800
Materials: stone
Artist: wedgwood and bentley
Artist role: maker
Artist nationality: british
Artist dates: 1769 – 1780
Subjects: men,profiles
Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet)
Object type: drawing
Date: 1789 – 1789
Materials: chalk, paper
Location: france
Artist: adélaïde labille-guiard
Artist role: artist
Artist nationality: french
Artist dates: 1749 – 1803
Subjects: profiles,women

Producing portraits in miniature, pastel, and oil, Labille-Guiard was admitted to the Académie Royale in 1783, one of the few women in eighteenth-century France to earn this honor. This rare example of her draftsmanship shows her vigorous technique in trois crayons (red, black, and white chalks) as akin to that of her husband, François-André Vincent (1746–1816). She depicts here her devoted student Marie-Gabrielle Capet (1761–1818), who lived in the couple's household, staying on even after Labille-Guiard's death in 1803 to care for Vincent until his death in 1816, two years before her own.
The Blindness of Tobit: The Larger Plate
Object type: print
Date: 1651 – 1651
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Hodie: Cras nihil
Object type: print
Date: 1582 – 1582
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: helved weapons, polearms (for striking, hacking, thrusting), 'vanitas' symbols
Inscriptions: collector's mark: Lugt 2228a

Portret van een man met (waarschijnlijk) een partizaan (stokwapen) in zijn rechterhand. Voorheen ook wel geidentificeerd als Jan Dircksz. Schatter, kapitein te Haarlem. Rechts aan een boomstronk een schildje met een bloem erop en het motto 'Hodie: Cras nihil' eronder. Op de achtergrond een veldslag.