deem-data/ArtiFact huggingface dataset:
Portret van Frederik Willem II, koning van Pruisen
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving
Subjects: berlin, frederik willem ii (koning van pruisen), historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Stela
Object type: stela
Date: 945 – 715
Materials: pottery
Location: egypt

Three votive beds (31.3.108, 31.3.109 and a third in Cairo) and a small stela (31.3.110) were excavated in MMA tomb 825 at Deir el Bahri. These are very well-preserved examples of a type of object that appeared only in Thebes between the 22nd and 26th Dynasties. A number of recent studies of the type and of MMA 31.3.108 in particular have revealed much about their significance and about their many interesting implications for understanding non-temple religious practices and artistic provision for the same. The decoration of these objects includes frontal standing nude females in boats with figureheads like sacred barks, Bes figures, and particular vegetation; some other examples include a kneeling female playing a lute. The decoration carries with it significations for female fertility, conception, and birth. However, it also seems likely that votive beds are associated with the Egyptian New Year festival, and the myth of the return of the absent goddess and the flood. This is indicated, for example, by the crown worn by the female figure, which is one usually worn by Anukis, a goddess linked to the return of the flood. The origin of the particular bed-form and the use of the objects are hardly clear, but based on analysis of find spots it has been suggested that the objects are associated with the coterie of temple women around the god Amun and the God’s Wives.
Dezembermorgen
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: berlin
Artist: rudolf eickemeyer
Artist role: fotograaf
Artist dates: 1862 – 1932
Subjects: landscapes, snow
Watch
Object type: watch
Date: 1701 – 1750
Materials: enamel, gold
Techniques: painting
Artist: jean romilly
Artist role: maker
Artist dates: 1714 – 1794
Subjects: men,women

The story of Roman Charity, as recounted in Book IX of De Factis Dictisque Memorabilis by the Roman historian Valerius Maximus, was well known in seventeenth- and eighteenth-century Europe. As a representation of filial piety, it was the subject of many paintings, including several by Peter Paul Rubens (1577–1640). The origin of the version used by the Huauds is not known, and the female figure of Pero, who breastfed her incarcerated father, Cimon, in order to save him from starvation, may in fact record a living model. The watchcase was one of the Huaud’s more popular designs, probably as much for its liberal exposure of feminine flesh as for the moral of the story.
Portret van Jean Grimoux
Object type: print
Date: 1640 – 1740
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: painter, artist, jean grimoux, historical persons, portrait, self-portrait of graphic artist
Amsterdam
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: amstel (rivier), zwanenburgwal

Gezicht op de hoek van de Amstel de Zwanenburgwal te Amsterdam. Op de hoek, Amstel 1, het Diaconie-weeshuis van de Nederlands Hervormde Gemeente. Op nummer 5 het pand van de firma Weduwe J.T. Hunck, leveranciers van kolen- en gasfornuizen. Onderdeel van een groep van 5 foto's en 19 stereofoto's gemaakt door een onbekende amateurfotograaf rond 1900 in Amsterdam, de Ardennen en Denemarken.
Studieblad, onder andere met koeien en figuren
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: head (human), cow

Pagina 1, voorste schutblad, uit een schetsboek met 23 bladen.
Statuette
Object type: statuette
Date: 1701 – 1733
Materials: ivory
Culture: chinese
Subjects: men
Gezicht op de Rue Saint-Denis te Parijs
Object type: opticaprent
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: barracks, street (+ city(-scape) with figures, staffage), paris
Inscriptions: watermark, collector's mark: Lugt 2166

Links de kazerne van de Zwitserse Garde. Genummerd: 8.
Gezicht op Venetië vanuit Campanile van Venetië
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: venice
Artist: carlo naya
Artist role: fotograaf
Artist dates: 1816 – 1882
Subjects: city-view, and landscape with man-made constructions, venice
Inscriptions: number: ‘19’, inscription: ‘Venezia, Panorama dal Campanile di S. Marco Ansicht von Markus Thurn’
Section of a Clapper (Paiban)
Object type: clapper fragment paiban
Date: 1401 – 1433
Materials: ivory
Culture: chinese
Subjects: lotuses

In continuous use since the Tang dynasty, the paiban usually comprises two to six slabs of wood strung together at one end with a cord. It is held vertically and clapped to keep time. Here, a beautifully decorated single length of ivory preserves traces of its original red pigment. Red-colored ivory clappers are known in literature of the Northern Song dynasty (11th century).
The Road to San Tan
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: etching
Location: united states
Artist: wallace l. dewolf
Artist nationality: american
Artist dates: 1854 – 1930
St. James's Street--June 1878
Object type: print
Techniques: etching, lithograph
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: human figures,buildings,streets

Whistler's busy urban image focuses on a central London thoroughfare that connects Pall Mall and Piccadilly. The view was taken from the terrace of what was then the Albermarle Hotel on Piccadilly, looking downhill towards St. James's Palace, a complex of Tudor buildings that gave the street and surrounding district their names. In the foreground a policeman stands, perhaps directing traffic, near awnings that shield shopfronts. Based on a slightly earlier etching by Whistler (see 17.3.74), this lithograph reverses the image to produce a correctly oriented view. It was published by Thomas Gibson Bowles (1842–1922) in his British weekly magazine "Vanity Fair" on July, 2 1878 as "St. James's Street—June, 1878". Today the street is home to several private clubs, including White's, Boodle's and Brooks's.
Nelri-serie
Object type: drawing
Date: 1739 – 1740
Materials: ink, paper, pencil
Techniques: brush
Location: netherlands
Artist: cornelis troost
Artist role: draughtsman, painter, print maker
Artist dates: 1696 – 1750
Subjects: criticizing and discussing art, art criticism, pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)
Inscriptions: collector's mark: Lugt 2488

Samenkomst van heren in een interieur, ze zwijgen allen. Tweede voorstelling uit de Nelri-serie.
Kohl Flask
Object type: kohl flask
Date: 901 – 1200
Materials: stone
Techniques: carving, incising
Location: iran

This charming object was designed to hold kohl, a black cosmetic powder applied around the eyes. In the past, kohl was widely used by men and children as well as women. It was thought not only to accentuate the beauty of the eyes, but also to guard against the glaring sun, ward off evil, and discourage eye disease. The narrow drill hole at the top of these flasks would have accommodated a slender stick to collect the cosmetic.
Hollands Grootheid
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: letterpress printing, lithograph
Location: utrecht
Artist: f.w. boom
Artist role: print maker
Subjects: students' pageant, costumes used in pageants

Parade van beroemde Hollanders uit het midden van de zeventiende eeuw, ca. 1650-1675. Met legenda 1-37 met de namen van de studenten en daaronder een tekst over de voorgestelde gebeurtenis. Onderdeel van het boekje met acht verkleinde voorstellingen van de acht prenten in de serie van de maskerade van de Utrechtse studenten, 25 juni 1851. De maskerade verbeeldt in taferelen acht episodes uit de vaderlandse geschiedenis.
Ceratonia Siliqua. Cueilli à Eze, Alpes Maritimes
Object type: page
Date: 1866 – 1871
Materials: paper
Techniques: albumen print
Artist: jean walburg de bray
Artist role: fotograaf
Artist dates: 1839 – 1901
Subjects: shrubs
Inscriptions: inscription: ‘Il aurait voulu rassasier sa faim avec les Caroues dont les porcs se nourrissaient; et personne ne lui/ donnait à manger./ LUC, XV, 16.’, inscription: ‘Page 14.’, number: ‘No 5.’

Foto op derde ongenummerde pagina na pagina 14.
Paint box with nude study
Object type: paint box
Date: 1871 – 1871
Materials: oil, wood
Culture: american
Artist: helena de kay
Artist role: artist
Artist dates: 1846 – 1916

Helena de Kay is better known for her role as a cultural tastemaker in the late 19th-century New York art world than for her paintings. This rare survivor of her artistic practice as a student at the National Academy of Design, in the 1870s, reveals much about training for women at the time. The nude study in the paint box dates the work to around 1871, the year when life classes were first open to women at the Academy. She also studied privately with Winslow Homer and John La Farge, specializing in floral imagery. A magnetic personality, de Kay (later Gilder) greatly enriched the progressive cultural landscape of late-19th-century New York through many contributions, including establishing the famous Friday salons at the Gilders’ home near Union Square, The Studio; organizing a Saturday-morning sketch club; and co-founding both the Art Students League and the Society of American Artists. Her leading presence was directly responsible for the large number of women involved in those organizations
Plume
Object type: plume
Date: 900 – 1400
Materials: gold
Culture: inca
Location: peru
Artist: north coast artist(s)
Artist role: artist
Gezicht op het Rokin te Amsterdam, ter hoogte van het Spui
Object type: sketchbook leaf
Date: 1891 – 1894
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: canals, waters (in city), civic architecture; edifices; dwellings
Inscriptions: :, annotation: ‘Rokin h/ Spui’, workshop stamp: Lugt 291d

Pagina 15 en pagina 16 uit een schetsboek met 15 bladen.
Little London Model
Object type: print
Date: 1896 – 1896
Materials: ink, parchment, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Largo della Carità e Via Roma. Napoli
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: lithograph
Location: naples
Subjects: monument, statue, square, place, circus, etc. (+ city(-scape) with figures, staffage), naples
Wittevrouwenpoort
Object type: print
Materials: paper, ink
Techniques: lithograph
Artist: dirkje kuik
Artist role: print maker
Artist dates: 1929 – 2008
Subjects: wittevrouwenpoort
Inscriptions: inscription: ‘litho’, signature, date and inscription: ‘Wittevrouwen Poort 11/49 Dirkje Kuik’

Het tweede (gevouwen) blad met een schets van een stadspoort.
Seated Lioness
Object type: drawing and watercolor
Materials: graphite, paper
Location: france
Artist: antoine louis barye
Artist nationality: french
Artist dates: 1795 – 1875
Fotoreproductie van een schilderij van een man en vrouw aan het spinnewiel
Object type: reproduction
Date: 1871 – 1876
Materials: photographic support
Techniques: albumen print
Subjects: spinning-wheel
Inscriptions: inscription: ‘No. 105. David Teniers’
Durga Confronts the Army of the Demon Chikshura: Scene from the Devi Mahatmya
Object type: painting
Date: 1780 – 1780
Materials: charcoal, paper
Culture: indian, guler, himachal pradesh
Subjects: army,horses,lions,demons,durga,hinduism

At the command of Mahisha, the demon general Chikshura approaches Durga with a great army of lesser demons, chariots, horses, and elephants and thus opens the battle between Mahisha and Durga, described in the Devi Mahatmya as lasting one hundred years. Durga is shown seated on her lion mount brandishing the many weapons given to her by Shiva, Krishna, Agni, Indra, Yama, and others. The soft line of the charcoal suggests that this image was transferred from an original drawing that had been pounced (pierced with small holes so that charcoal dust could sift through). The red ocher was then applied to bring this sketch to a more finished state.
Vijf heren op een roeiboot
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: hoofed animals: deer, rowing-boat, canoe, etc.
Inscriptions: collector's mark, collector's mark: Lugt 1641

Vijf heren bevinden zich op een roeiboot. De roeiboot heeft een versierde spiegel. Twee voeren staand in het midden van de boot een gesprek. Prent linksboven gemerkt: XXIV. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, Vervoermiddelen te water.
Fragment
Object type: fragment
Date: 1701 – 1900
Materials: cotton, linen
Decoratieontwerp in grijs en wit
Object type: drawing
Date: 1874 – 1945
Materials: paint, pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: ornaments ~ art
Design for a Printed, Woven, or Embroidered Skirt Border
Object type: textile
Date: 1801 – 1900
Materials: paper
Location: france
Gezicht op het fort Vrana in Dalmatië, ca. 1702
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: fortress

Gezicht op het fort Vrana in Dalmatië (Kroatië). Gemerkt rechtsboven: LXI. Plaat nr. 199 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Blad uitgeknipt en opgeplakt.
Maria op de maansikkel in mandorla met rondom haar de symbolen van de Maria-litanie
Object type: print
Date: 1605 – 1632
Materials: paper
Techniques: engraving
Location: munich
Subjects: mary or madonna with symbols of the lauretanian litany, mandorla, madonna on the crescent of the moon (sometimes called queen of heaven) (in mandorla), dragon

In de lucht de maagd Maria staande op de maansikkel in een mandorla. Ze draagt een kroon met sterren. Links en rechts in de bovenhoek de zon en de maan. Op de aarde een landschap met zestien symbolen van de Maria-litanie.
Palais de la Ville de Liège
Object type: photomechanical print
Date: 1905 – 1905
Materials: cardboard
Techniques: photograph
Location: liège
Artist: Anonymous
Subjects: world fair, world exhibition, public gardens, park, edifice, e.g.: public building, department store, liège
Inscriptions: date
Autumn Scattering Leaves
Object type: watercolor
Date: 1900 – 1900
Materials: gouache, paper, watercolor
Culture: american
Artist: john la farge
Artist role: artist
Artist nationality: american
Artist dates: 1835 – 1910

With Louis Comfort Tiffany, John La Farge was a pioneer of stained-glass design in the United States. Watercolor was especially well suited for developing the designs because the transparency of the medium could suggest the glowing gemlike tones of the glass. Autumn Scattering Leaves, an allegorical representation of the season, was originally created as a stained-glass window proposal for a private home on Long Island. Although the patrons selected a different La Farge design of a figure in classical garb, the artist exhibited the lyrical watercolor as an independent work.
New York, from Brooklyn Bridge
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Illustrations of Chinese Poems Chosen from Toshisen's Book (Tōshisen ehon) 唐詩撰畫本
Object type: illustrated book
Date: 1833 – 1833
Materials: ink, paper
Culture: japanese
Artist: katsushika hokusai 葛飾北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Frederich Wilhelm I / Arrival of the Salzurg emigrants in Prussia
Object type: medal
Date: 1732 – 1732
Materials: silver
Artist: peter paul werner
Artist role: medailleur
Artist nationality: german, nuremberg
Artist dates: 1689 – 1771
Portret van Johann Graf Klenau
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: stippling
Location: zwickau
Artist: gustav georg endner
Artist role: print maker
Artist dates: 1754 – 1824
Subjects: prague, knighthood order, historical persons
Inscriptions: collector's mark: Lugt 2228
Beeld van amazone van Epidauros
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: athene
Inscriptions: number: ‘36.’
Portret van Jan Gildemeester Jansz
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: art collector, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Portret van de Amsterdamse kunstliefhebber Jan Gildemeester Jansz in een ovaal medaillon op een sokkel. Bovenaan een putto blazend op een bazuin, links een putto met caduceus en rechts een treurende putto bij schildersattributen als palet, penselen en schildersezel met naast hem en hoorn des overvloeds. Tegen de sokkel rust een uitgedoofde fakkel.
Lamp
Object type: lamp
Date: 1101 – 1300
Materials: earthenware
Techniques: glazing
Location: syria

This heavily potted lamp contains a closed reservoir that would have held burning oil and a wick. Soaked in the oil and lighted, the wick would transport the fuel to the flame. Similar ceramic lamps were common in Egypt in the thirteenth to fourteenth century, together with other examples in which the reservoir is placed on a stem.
Seal
Object type: seal
Date: 1701 – 1800
Materials: ivory
Culture: chinese
Subjects: frogs
Boelema-gasthuis te Leeuwarden
Object type: armenloodje
Date: 1600 – 1800
Materials: brass
Techniques: striking
Location: leeuwarden
Artist: Anonymous
Subjects: leeuwarden

Eenzijdig messing vierkant loodje met afgeschuinde hoeken. Voorzijde: in ronde stempel: wapenschild onder opschrift tussen letters S en L binnen kabelrand; rechts, in kabelrand: cijfer 4. Keerzijde: blanco
Gezicht op een dorp
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: city-view in general; 'veduta', rural housing, e.g. country-house, villa, cottage
Aanbidding der herders
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 2228, : ‘Published as the act directs [...]schina, No. 4 Leather Lane Holborn London, July 12 1799.’
Portret van de sterrenkundige Godefridus Wendelinus
Object type: book illustration
Date: 1667 – 1699
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: hendrik causé
Artist role: print maker
Artist dates: 1648 – 1699
Subjects: sterrenkundige, godefridus wendelinus
Inscriptions: collector's mark: Lugt 2228
Programme pour l'inhumation de feu sa majesté madame Frédérique-Louise-Wilhelmine (...) Jeudi, le 26 Octobre 1837, à 10 heures du matin
Object type: text sheet
Materials: paper
Techniques: letterpress printing
Location: the hague
Artist: adrianus david schinkel
Artist role: printer, publisher
Artist dates: 1784 – 1864
Subjects: berlin, the hague, wilhelmina frederica louisa (koningin der nederlanden)
Inscriptions: collector's mark: Lugt 2228

Programma van de begrafenis van koningin Wilhelmina van Pruisen op 26 oktober 1837. Dubbelgevouwen blad bedrukt op alle zijden met het programma van de begrafenis.
Crouching Nude in Shoes and Black Stockings, Back View
Object type: drawing
Date: 1912 – 1912
Materials: graphite, paper, watercolor
Artist: egon schiele
Artist role: artist
Artist nationality: austrian
Artist dates: 1890 – 1918
Subjects: female nudes
Reclining Nude with Boots
Object type: drawing
Date: 1918 – 1918
Materials: charcoal, paper
Artist: egon schiele
Artist role: artist
Artist nationality: austrian
Artist dates: 1890 – 1918
Subjects: female nudes
Interieur met een rokende boer, een vrouw en een jongen
Object type: print
Date: 1635 – 1692
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: foot-stove, pipe ~ tobacco, farmers, farm (building) - aa - civic architecture: inside
Inscriptions: collector's mark: Lugt 2165, collector's mark: Lugt 90

Een boer, met een baret op het hoofd en die een pijp rookt, leunt over een tafel. Aan de andere kant van de tafel zit een vrouw, die naar de boer kijkt. Naast haar zit een jongen op een stoof. Linksachter staat een houten kast open.
Evening mitts
Object type: evening mitt
Date: 1876 – 1900
Materials: cotton
Culture: german
Portret van schilder Pietro Longhi
Object type: print
Date: 1735 – 1800
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: venice, painter, pietro longhi, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Romeinse keizers
Object type: print
Date: 1597 – 1629
Materials: paper
Techniques: engraving
Location: prague
Subjects: rome
Inscriptions: collector's mark: Lugt 240
Vrouw bij een kast met serviesgoed
Object type: documentary photograph
Date: 1945 – 1947
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: netherlands

Een vrouw staat, met een schaal in haar handen, voor een kast met serviesgoed en linnen.
No. 38: Fukushima, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
Object type: print
Date: 1835 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Entreebewijs voor een prentenveiling
Object type: admission ticket
Date: 1805 – 1838
Materials: ink, paper
Techniques: lithograph, pen
Location: dunkirk
Inscriptions: date
View of the Temple of Fortuna Virilis. Now the Armenian church of S. Maria Egizziaca, from Views of Rome
Object type: print
Date: 1750 – 1759
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Verhaal van Amor en Psyche
Object type: print
Date: 1530 – 1560
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: meester van de dobbelsteen
Artist role: print maker
Subjects: psyche before proserpina
Inscriptions: collector's mark: Lugt 2228

In de onderwereld neemt Psyche de kruik in ontvangst gevuld met de schoonheid van Proserpina, de koningin van onderwereld. Italiaanse tekst in twee cartouches in ondermarge. Tweemaal genummerd linksonder: 27.
Motifs de sculpture décorative
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: liège
Subjects: griffin (lion/eagle); 'griffo' (ripa), sculpture (+ relief ~ sculpture)
Inscriptions: inscription: ‘Jean Herman, Sculpteur.’, number: ‘12’

Deze prent maakt deel uit van een omslag met 28 prenten en een titelblad.
Scent Bottle
Object type: scent bottle
Date: 1780 – 1820
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Cello
Object type: page
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: viola, violoncello; double bass
Ex libris van F. Freudenreich
Object type: bookplate
Date: 1750 – 1850
Materials: paper
Techniques: letterpress printing, printing block
Location: switzerland
Artist: Anonymous
Subjects: f. freudenreich
Inscriptions: inscription: ‘Gerster 793’