deem-data/ArtiFact huggingface dataset:
Design for an Altar
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: ornament
Bladder Senna and Sticky Catchfly
Object type: drawing
Date: 1682 – 1682
Materials: paper, watercolor
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: flowers: viscaria
Inscriptions: : ‘Lychnis Viscosa Latifolia. Hore albo et Rubro. vel: Musipula.’

Saftleven made these two botanical drawings for Agneta Block, a well-to-do widow. After the death of her first husband, she purchased the Vijverhof country estate near Loenen aan de Vecht. She began cultivating exotic plants there, and commissioned a variety of artists to make drawings of all that blossomed in her garden.
Orthodoxe monnik of kluizenaar knielend met een open boek
Object type: print
Date: 1857 – 1913
Materials: paper
Techniques: drypoint, etching, intaglio, roulette
Subjects: monastic orders, monastic life ~ eastern, greek and russian orthodox churches, book - mm - book open
Inscriptions: annotation: ‘A mr. Allebé [...] [signatuur Mosolov]’, collector's mark: Lugt 2233
Portret van twee onbekende mannen in geschilderd decor
Object type: photograph
Date: 1855 – 1940
Materials: iron
Techniques: ferrotyping
Artist: Anonymous
Subjects: set, scenery ~ stage, adult man (+ two persons), historical persons
Pleasure
Object type: painting, drawing
Date: 1754 – 1754
Materials: canvas, paper, pastel
Artist: anton raphael mengs
Artist role: artist
Artist nationality: german
Artist dates: 1728 – 1779
Subjects: boys,flowers

Mengs, born in Bohemia, was for the most part trained in Rome, where he settled in 1751 and lived for much of his life. His contemporaries knew him as a gifted practitioner and theorist of Neoclassicism. Among his most famous works is the Parnassus ceiling in Cardinal Albani’s villa in Rome, completed in 1761. During a stay in Dresden, about 1744, he saw pastels by the artist Rosalba Carriera and emulated them, developing a successful practice as a court portraitist. The present work was studied from a model and perfected in accordance with Mengs’s understanding of classical standards. The figure represents Pleasure and is based upon an iconographical type developed by Cesare Ripa. The coloring is varied, the modeling delicate and softly blended.
Venus a la Coquelle: or the Swan-sea Venus
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,women,swans
De quoi vous plaignez-vous?
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: paris
Artist: denis auguste marie raffet
Artist role: draughtsman, print maker
Artist dates: 1804 – 1860
Subjects: firearms: rifle, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 964
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Four black glazed fragments from kylikes; on the exterior, each has part of the ground line
Boy and Girl in Oriental Dress
Object type: figure
Date: 1767 – 1775
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: höchst
Subjects: girl (child between toddler and youth), folk costume, regional costume
Inscriptions: mark: ‘wiel met keurvorstenhoed/ HM’

Höchster Porzellanmanufaktur
modelled by Johann Peter Melchior (1747–1825)
Höchst, c. 1767–1775
hard-paste porcelain
Labor
Object type: drawing
Date: 1848 – 1927
Materials: chalk, paper
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: farmers - aa - female farmer, farmer's wife
Valve Trumpet in F
Object type: valve trumpet in f
Date: 1839 – 1839
Materials: brass
Culture: british
Location: united kingdom
Artist: john augustus köhler
Artist role: maker
Artist nationality: british
Artist dates: 1810 – 1878
Grand Hotel Bellevue te Arnhem, met op achterzijde menukaart
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, paper
Techniques: albumen print, letterpress printing
Location: arnhem
Artist: Anonymous
Subjects: hotel room, arnhem
Inscriptions: inscription: ‘Arnhem/ Grand Hôtel Bellevue’, inscription: ‘Menu/ 21 Août 1895/ (...)’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 334 – 301
Materials: terracotta
Culture: etruscan

Interior, part of the right calf and foot of a male to right; Exterior, part of the ground line
Miss Young, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Proportiestudie van een meisje
Object type: drawing
Date: 1812 – 1861
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions) - aa - female human figure, child (at home) - aa - girl
Inscriptions: inscription: ‘Fille de 15 ans’
Praha. Malostranské zákouti u Schönbornské zahrady
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: color autotype
Location: prague
Subjects: castle, church (exterior), street
Inscriptions: inscription: ‘H&H’
Portret van Willem Linnig senior
Object type: print
Date: 1852 – 1890
Materials: paper
Techniques: etching, intaglio
Artist: willem linnig (ii)
Artist role: print maker
Artist dates: 1842 – 1890
Subjects: antwerp, print maker, willem linnig (i), historical persons
Inscriptions: collector's mark: Lugt 2228
Willy Moos lopend door een hal met bloemen aan weerszijden, met lampen aan het plafond en een man met bloemstuk in zijn hand op de achtergrond
Object type: photograph
Date: 1930 – 1955
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: willy moos
Inscriptions: address: ‘Foto arte Valdez Tucuman 415 T.E. 31-3674 Bs.As.’

Willy Moos lopend door een hal met bloemen aan weerszijden, met lampen aan het plafond en een man met bloemstuk in zijn hand op de achtergrond.
Portret van paus Pelagius I
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: adult man, historical persons, pope

Prent waarschijnlijk uit: Effigies Romanorum pontificum a S. Petro ad Pium VI (...). 2 dln. Venetië en Bassano del Grappa: Giuseppe Remondini, 1775, dl 1. Prent met tekst in boekdruk op verso gebruikt in: Platina (Bartholomaeus Sacchi). Storia delle vite dei pontefici da Platina e d'altri autori (...). 5 dln. Venetië: Domenico Ferrarin, 1760, dl. 1.
First Infant School in Green Street, New York
Object type: print
Date: 1828 – 1828
Techniques: lithograph
Artist: anthony imbert
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1850
Subjects: schools,interiors,boys,girls,students,teachers
Zilveren armband van negen gezaagde Nederlandse dubbeltjes
Object type: bracelet
Date: 1940 – 1950
Materials: silver
Techniques: sawing
Location: netherlands
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands

Zilveren armband van negen gezaagde Nederlandse dubbeltjes door onedele ogen geschakeld en voorzien van een haaksluiting. Het negende dubbeltje hangt aan een dubbeltje waaraan de de sluiting is bevestigd. De armband is niet gekeurd.
H. Flavia Domitilla, H. Euphrosyna en H. Theodora
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: on fire, ablaze, martyr(s) (often with palm-branches) - qq - female martyr
Inscriptions: collector's mark: Lugt 240

Vier martelaressen, waarvan de heilige Flavia Domitilla, de heilige Eufrosina en de heilige Theodora met naam worden genoemd, in een brandend gebouw.
Gebergte in Japan
Object type: album leaf
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: mountains, japan
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1918
Materials: ink, paper
Techniques: pen, writing
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: painter, jan veth, martha salomon, drawing, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
Blé avant l'epiage. Blé à maturité
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: autotype
Location: france
Artist: Anonymous
Subjects: plants and herbs: wheat
Inscriptions: number: ‘Fig. 1. Fig. 2.’
Portret van Hendrik VIII van Engeland
Object type: print
Date: 1547 – 1547
Materials: paper
Techniques: hand coloring
Location: low countries
Artist: Anonymous
Subjects: historical persons, king, armorial bearing, heraldry
Inscriptions: number: ‘211’

Hendrik de VIII van Engeland (1491-1547), gekleed in lila rok en zwarte mantel met goudgeel passement, zandkleurige bontvoering, roodbruine ondermouwen. Zwarte baret en gordel. Kniestuk, frontaal tegen een opgenomen gordijn, gevat in een randlijn, waarbinnen het gekroonde Engelse wapen met de Orde van de Kousenband. Boven de randlijn vijfregelig opschrift in het Nederlands. Pendant van Portret Edward VI van Engeland.
Toneeldecor: Kamer van Badeloch
Object type: photograph
Date: 1880 – 1949
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: theatre, theatrical performance, stage design
Inscriptions: collector's mark: Lugt 1641, stamp

Toneeldecor van de Kamer van Badeloch uit de Gijsbrecht van Amstel. Decor voor de Schouwburg op het Leidseplein. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Tooneel, Decors voor de Schouwburg.
Wilt gij van mij wat huisraad koopen? / Zoo behoeft g'bij geen buur te loopen! / Achetez des objets de menage, / Vous n'avez plus beson de voisinage
Object type: popular print
Date: 1856 – 1900
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: (household) utensils and implements
Inscriptions: collector's mark: Lugt 2760

Blad met 48 voorstellingen van alledaagse voorwerpen (huisraad), waaronder een theepot, een gieter, een bierkruik, een koffiemolen, een blaasbalg en een weegschaal. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: n 38.
Portret van Pieter Schrijver
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Subjects: predikant, pieter schrijver
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovaal naar links van predikant Pieter Schrijver, met hoed. Het portret wordt omgeven door een randschrift, op de sokkel staat een zesregelig vers in het Nederlands.
Overzetten van drie auto's op een veerboot
Object type: photograph
Date: 1935 – 1935
Materials: photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: utrecht, germany, colonial system, pipeline ~transportation of oil, ferry, commemoration, jubilee, automobile, sumatra

Het overzetten van drie auto's van genodigden op een veerboot. Foto in het fotoalbum samengesteld ter gelegenheid van de feestelijke ingebruikstelling van de pijpleiding van Tempino naar Pladjoe op Sumatra door de Nederlandsch-Indische Aardolie Maatschappij (NIAM) op 15 november 1935.
Ex libris van Julius Charles Hare
Object type: bookplate
Date: 1805 – 1855
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Fan
Object type: fan
Date: 1751 – 1775
Materials: ivory, skin
Subjects: girls,infants,women
Marken Hollande
Object type: photograph
Date: 1885 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: marken
Artist: Anonymous
Inscriptions: annotation: ‘(Hollande)’, annotation: ‘Marken’

Meisjes in klederdracht en enkele lieden van het reisgezelschap (een man en twee vrouwen, waarvan er een met een parasol) bij twee huizen op een dijk op Marken.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of right thigh, left buttock, and leg of male with drapery
Plate (assiette à palmes) (one of four) (part of a service)
Object type: plate
Date: 1771 – 1771
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: birds,flowers,insignia

The table services produced at Sèvres in the eighteenth century were highly prized and extremely expensive. They were not only purchased by the Crown and members of the aristocracy but also given by the king as diplomatic gifts to foreign courts and visiting dignitaries, and the esteem in which they were held did much to enhance the factory’s prestige and fortunes. Because the number of pieces composing a service was very large, the cost was enormous, but this did not deter many courtiers from ordering a dinner or dessert service, or both. One of the most celebrated services produced at Sèvres was delivered to Louis-René-Édouard, prince de Rohan-Guémenée (1734–1803), on September 7, 1772. All of the pieces were decorated with the rich turquoise ground color known as bleu céleste and with birds encircled by an elaborate gilt wreath of oak leaves and acorns. Many of the components of the service bear the initials LPR ( for Louis, prince de Rohan), executed in two tones of gilding. The service cost the substantial sum of 20,772 livres, which was roughly equivalent to twice the annual income of a successful doctor at the time. This plate is one of twenty-three pieces from the Rohan service now in the Museum’s collection. Originally composed of 368 pieces, the service was small in size compared to other Sèvres services, but the rich use of gilding, the expensive ground color, and the initials in two tones of gold account for its high cost.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Exterior, part of a draped woman wearing a chiton and himation holding a red fillet in her right hand
Ontwerptekening voor wanddecoratie
Object type: album leaf
Date: 1760 – 1819
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: decorations (interior of the house)
Inscriptions: inscription: ‘Als men nadert [...] van Wijsheyd/ (...)’
Standing statue of Mitry's wife
Object type: statue, merti's wife, standing, mitry
Materials: gesso, paint
Location: egypt
Subjects: women

Mitry (previously read as Merti) was a high official and provincial governor. Eleven exceptionally large wooden statues were found in the serdab (statue chamber) of his tomb. Five are in the collection of The Metropolitan Museum of Art (26.2.2 - 26.2.6); five, including two wooden scribes, are in the Egyptian Museum, Cairo; and one is in the Medlhavsmuseet, Stockholm. Most of these statues represent Mitry in various aspects of his life and career, denoted by changes in wigs and garments. Surprisingly, three statues of women were also present, each in a different wig. The females may represent Mitry's wife or mother.
Les dix-sept provinces des Pays-Bas (...)
Object type: map
Date: 1700 – 1700
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Artist: gerard valck
Artist role: print maker, publisher
Artist dates: 1651 – 1726
Subjects: maps of separate countries or regions, low countries
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Rechts titelcartouche met daaromheen een aantal putti. Linksonder legenda en schaalstok: Mille pas geometriques ou milles d'Italie, Lieües communes de France, en nog drie andere. De kaart is voorzien van een coördinaten-net en een gradenverdeling langs de randen. Oriëntatie: noorden rechts.
Profiel van een jonge vrouw
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: autotype
Subjects: the (nude) human figure; 'corpo humano' (ripa) (+ sideview, profile), historical persons - bb - woman
Inscriptions: inscription: ‘Profile by Céline Laguarde’, inscription: ‘F. I.’
Detail uit het schilderij De Slag bij Waterloo
Object type: drawing
Date: 1789 – 1853
Materials: chalk, paper
Artist: jan willem pieneman
Artist role: draughtsman, painter, print maker
Artist dates: 1779 – 1853
Subjects: battle (+ land forces), historical events and situations
Portret van Heinrich Friedrich von Delius
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: further education (+ portrait of teacher, professor), historical persons, physician, doctor
The Presentation of Christ in the Temple, from The Life of the Virgin
Object type: print
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Hand
Object type: x ray photograph
Date: 1901 – 1916
Materials: paper
Techniques: gelatin silver print
Artist: jacob olie jr.
Artist role: fotograaf, scheikundige
Artist dates: 1879 – 1955
Subjects: hand
Inscriptions: inscription: ‘Plasman’
Chalice
Object type: chalice
Date: 1801 – 1900
Materials: glass
Stupa
Object type: stupa
Date: 1101 – 1200
Materials: bronze
Culture: sri lankan
Knave of Tethers, from The Cloisters Playing Cards
Object type: playing card
Date: 1475 – 1480
Materials: glaze, gold, ink, paint, paper, silver
Techniques: pen
Culture: south netherlandish
Subjects: men,playing cards,games

The Cloisters set of fifty-two cards constitutes the only known complete deck of illuminated ordinary playing cards (as opposed to tarot cards) from the fifteenth century. There are four suits, each consisting of a king, queen, knave, and ten pip cards. The suit symbols, based on equipment associated with the hunt, are hunting horns, dog collars, hound tethers, and game nooses. The value of the pip cards is indicated by appropriate repetitions of the suit symbol. The figures, which appear to be based on Franco-Flemish models, were drawn in a bold, free, and engaging, if somewhat unrefined, hand. Their exaggerated and sometimes anachronistic costumes suggest a lampoon of extravagant Burgundian court fashions. Although some period card games are named, it is not known how they were played. Almost all card games did, however, involve some form of gambling. The condition of the set indicates that the cards were hardly used, if at all. It is possible that they were conceived as a collector’s curiosity rather than a deck for play.
The Libyan Sibyl
Object type: sculpture
Materials: marble
Culture: american
Artist: william wetmore story
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1895
Subjects: female nudes

"The Libyan Sibyl," which Story described as “my anti-slavery sermon in stone,” was inspired by events leading up to the Civil War. Oracle in hand, the Libyan Sibyl, eldest of the legendary prophetesses of antiquity, foresees the terrible fate of the African people. This premonition is suggested by the heroic figure’s state of brooding cogitation. Her costume includes an ammonite-shell (so named for the Egyptian god Amun) headdress, its crest decorated with the tetragrammaton, the four Hebrew consonants that denote the Supreme Being. The seal of Solomon, with its interlocking triangles indicating the interrelationship of the natural and spiritual worlds, hangs from her beaded necklace.
Fragment of Turban Cloth
Object type: turban fragment
Date: 1701 – 1800
Materials: cotton
Techniques: printing
Location: bangladesh
Alger. Fontaine de la Grande Mosquée. Rue de la Marine
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1920
Materials: cardboard
Techniques: photograph, lithograph
Location: algiers
Subjects: street-trader, temple, shrine ~ islam, mohammedanism
Oui madame..., ces animaux-là viennent tous du jardin des plantes..., from La Société d'Acclimatation, published in "Le Charivari"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: animals,men,women
Rasp ofte Tucht-huys
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: prison, jail, (prisoners) in the prison yard, justitia (justice) as roman personification, workhouse, penal camp, penitentiary, chain gang
Inscriptions: collector's mark: Lugt 1641b

Huidige staat van prent ook gebruikt in: Commelin, Casparus. Beschryvinge van Amsterdam (…). 2de druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe Antony van Aeltwijk en Hermanus Uytwerf, 1726, dl. 1, p. 509.

Eerdere staat van prent ook gebruikt in: Commelin, Casparus. Beschryvinge van Amsterdam (…). Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge of Johannes Janssonius van Waesberge, Hendrick Boom of weduwe Dirk Boom, Abraham van Sanderen en Rembertus Goethals, 1693, dl. 1, p. 509. En in: Commelin, Casparus. Beschryvinge van Amsterdam (…). Amsterdam: weduwe Aart Dircksz Oossaan, 1694, dl. 1, p. 509.
Nicolas Diczel
Object type: medallion
Date: 1518 – 1518
Materials: ivory
Subjects: men,profiles
Clark, Catcher, Brooklyn, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Palazzo Capodiferro (Spada), partial elevation, details; Santa Trinità dei Monti, Orsini Chapel, frame, elevation; various details, perspective (recto) blank (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: ornament
Fragment (From an Orphrey Band)
Object type: textile
Date: 1400 – 1450
Materials: gilt, linen, metal, silk
Techniques: embroidery, embroidered, laid work, weave, stitching
Culture: opus anglicanum
Location: england
Subjects: religious scenes
Portret van Marie Thérèse Charlotte van Frankrijk, hertogin van Angoulême
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: gottingen
Subjects: vienna, marie thérèse charlotte van frankrijk, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Procris and Cephalus, part ViII, plate 41 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: men,women,dogs,forests

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Clint here added mezzotint to describe a tragic couple in a wooded landscape. Ovid's "Metamorphoses" recounts how the hunter Cephalus accidentally shot his wife, the Athenian princess Cephalus, and the critic John Ruskin wrote, "I know of no landscape more purely or magnificently imaginative, or bearing more distinct evidence of the relative and simultaneous conception of the parts." The letter "H" in the upper margin places the work within Turner's category of Historical landscape.
Matchlock Musket for Target Shooting for the Court of Christian II, Elector of Saxony
Object type: arm
Date: 1600 – 1610
Materials: brass, mother of pearl, steel, wood
Culture: dutch
Location: netherlands