deem-data/ArtiFact huggingface dataset:
Deze landkaart van den Thieler Waard (...)
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 19

Rechterdeel van een kaart van de Tielerwaard.
Halve kokosnoot uit V.O.C.-schip de 'Witte Leeuw'
Object type: coconut fruit
Date: 1613 – 1613
Materials: plant material
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Halve kokosnoot uit V.O.C.-schip de 'Witte Leeuw'. Grofweg de hele bovenzijde.
Portret van een staande vrouw 'Frederika'
Object type: carte de visite
Date: 1855 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: inscription: ‘No. 5 7473 Frederika 12 copies’

Portret van een staande jonge vrouw 'Frederika'. Mogelijk een lid van de familie Swellengrebel.
Card Number 771, Helen Standish, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
[Peel Ross, Son of Horatio Ross]
Object type: photograph
Date: 1858 – 1858
Techniques: salted paper print
Artist: horatio ross
Artist role: artist
Artist nationality: british, born scotland
Artist dates: 1801 – 1886
Subjects: men,portraits

Far better known in his day as an athlete and a sportsman than as a photographer, Ross excelled in deerstalking and was judged the finest shot in Scotland. Keen on the challenge of pitting his knowledge, stamina, and experience against the deer's superior senses of smell, sight, and hearing, Ross brought to his sport an intimate knowledge of the terrain, a practiced ability to judge distance, and an exceptional attentiveness in observation–just the qualities needed when he took to the Highland countryside with a camera in place of his rifle.
Portret van Jeronimo de Bosch
Object type: print
Date: 1786 – 1809
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: jeronimo de bosch
Inscriptions: collector's mark: Lugt 2228

Latere staat prent gebruikt in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Dl. 1-43. Amsterdam: Johannes Allart, 1786-1809.
Ornamental Panel with Oak Leaves and Acorns
Object type: drawing
Date: 1701 – 1800
Materials: ink, paper
Techniques: brush, pen, wash
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: acorns,leaves,oaks
Tandentrekker
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: (bowling a) hoop, (barber as) dentist, quack extracting teeth or molars
Inscriptions: collector's mark: Lugt 2228

De patiënt zit vastgebonden op een stoel. De kwakzalver staat achter hem en trekt met een tang een tand uit zijn mond. Om hen heen staan toeschouwers. In de voorgrond een jongen op de rug gezien met een hoepel onder zijn arm. Genummerd linksboven: Pantheon Pl. XXVI.
Fragment bleekroze zijde
Object type: fragment
Date: 1690 – 1710
Materials: silk
Techniques: launching, rib binding
Location: france

Fragment bleekrose zijde met in zilver patroon van bladeren, bloemen en vruchten.
Ontwerp voor een historiepenning voor raad, schepen en oud-burgemeester van Haarlem Pieter van der Camer
Object type: design
Date: 1743 – 1743
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: pieter van der camer
Inscriptions: date

De uiteindelijke penning werd vervaardigd door Martin Holtzhey (zie documentatie).
Ring with Quatrefoil-shaped Bezel with "Sri" Inscription
Object type: ring
Materials: gold
Culture: indonesian, javanese
Boa
Object type: boa
Date: 1801 – 1900
Materials: feather, silk
Culture: american
Portret van Eleonora van Oostenrijk te paard
Object type: print
Date: 1539 – 1561
Materials: paper
Techniques: hand coloring
Location: antwerp
Subjects: brussels, eleonora van oostenrijk (koningin van portugal en frankrijk), equestrian state-portrait
Inscriptions: number: ‘32’, address: ‘Imprime en Anvers sur la rue de Lombaers au lieurier blausch par moy Jehan Liefrincq Tailleur de Figueres’

Eleonora van Oostenrijk in dameszit te paard, linksboven haar wapen, ruitvormig.
The new Cinderella, from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women
Vitrine Louis XV
Object type: print
Date: 1895 – 1935
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Studie-prentwerk / Etudes gravées
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: container made of plant material other than wood: basket, sitting on the ground - aa - female human figure, standing figure (+ back view)
Inscriptions: collector's mark: Lugt 2228

Serie voor het eerst uitgegeven door Jacob Ernst Marcus onder de titel Studiebeelden en Fragmenten. Amsterdam: ca.1816. Later heruitgegeven als: Studie-prentwerk/ Etudes gravées.
Firescreen panel
Object type: panel
Date: 1788 – 1788
Materials: cotton, silk
Techniques: embroidery
Artist: marie antoinette, queen of france
Artist role: maker
Artist nationality: french, born austria
Artist dates: 1755 – 1792

In 1785 Louis XVI purchased the Château de Saint Cloud in Marie Antoinette's name from the duc d'Orléans. The château, situated on a hillside overlooking the Seine not far from Paris, became the queen's favorite summer residence. Built in the sixteenth century and rebuilt during the seventeenth, the palace was in need of renovation. The architect Richard Mique (1728–1794) enlarged and altered it, and appropriate furnishings were ordered for the queen's apartment. Many pieces of furniture were commissioned from Jean-Baptiste-Claude Sené (1748–1803), a member of an important dynasty of Parisian chair makers who received a royal appointment in 1784. Sené provided a set of seat furniture for the queen's dressing room, called her cabinet particulier ox cabinet de toilette that is described in the 1789 inventory of Saint Cloud. The daybed (41.205.1), the bergère (a comfortable chair upholstered between the arms and the seat, 41.205.2), and the fire screen (41.205.3a, b) from the set are now in the Museum's collections. They were the gift of Ann Payne Blumenthal, the second wife of George Blumenthal. The painted and gilt frame of the low daybed is embellished with floral motifs. Six short tapering and fluted legs surmounted by Ionic capitals support the piece. The front stiles of the head- and footboard, which are of equal height, are carved with female half-figures wearing Egyptian headdresses. The bergère, which has a medallion with Marie Antoinette's initials on its top rail, is decorated in a similar manner. A decade before Napoleon's North African campaign was to inspire the fashion known as égyptomanie, the queen appears to have had a taste for ornament derived from ancient Egyptian art. Seated classical female figures, rather than Egyptian caryatids, decorate the feet of the fire screen, and a woman who once held a cornucopia reclines on its top. The carver is not known, but Louis-François Chatard (ca. 1749–1819) was responsible for painting and gilding the frames. According to the 1789 inventory the set was originally upholstered in a white-twilled cotton with rows of individual flowers embroidered by the queen herself. When the three pieces came to the Museum in 1941 only the fire screen's show cover had survived. Although the cotton ground is much discolored, Marie Antoinette's interlaced initials, composed of blossoms embroidered in satin stitch, are in remarkably good condition.
Wedjat Eye Amulet
Object type: amulet, djedmutesankh, wedjat eye
Date: 1000 – 945
Materials: faience
Location: egypt

This wedjat eye amulet was found on the left arm of the mummy together with a Thoth amulet and a djed pillar amulet (see 25.3.170a, b). Amulets were thought to magically transfer their power to the wearer. Such power often derived from their shape, material, color, and/or the recitations spoken over them. One of the most popular amulets in ancient Egypt, the wedjat eye represents the healed eye of the god Horus. It depicts a combination of a human and a falcon eye, since Horus was often associated with a falcon. Its ancient Egyptian name, wedjat, means "the one that is sound (again)." In Egyptian mythology Horus’ eye was injured or stolen by the god Seth and then restored by Thoth. The wedjat eye embodies healing power and symbolizes rebirth. An amulet in this shape was thought to protect its wearer and to transfer the power of regeneration onto him or her. It was used by the living as well as for the dead.
Backplate
Object type: armor
Date: 1590 – 1600
Materials: steel
Culture: italian
Location: northern italy
Plate 11: four street vendors from Madrid selling different kinds of fish, from 'Los Gritos de Madrid' (The Cries of Madrid)
Object type: print
Date: 1809 – 1817
Techniques: engraving, hand coloring
Artist: miguel gamborino
Artist role: artist
Artist nationality: spanish
Artist dates: 1760 – 1828
Fragment schotel uit V.O.C.-schip de 'Witte Leeuw'
Object type: washbowl
Date: 1613 – 1613
Materials: bone china, glaze
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A large plate with a flattened rim. A scalloped medallion with rui heads within concentric bands filled with alternating diaper patterns. A central decoration of a deer and a lion next to a screen which is decorated with a dragon in the waves, all standing on a terrace near a pinetree.
Portret van Jean-Baptiste Carpeaux
Object type: page
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Subjects: print maker, draughtsman, sculptor, jean baptiste carpeaux, adult man, historical persons
Onbekende etende mannen
Object type: page
Date: 1915 – 1920
Materials: paper
Techniques: rotogravure
Location: beijing
Subjects: historical persons, eating
Abklatsch van de krijttekening op pagina 55
Object type: sketchbook leaf
Date: 1901 – 1907
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 54 uit een schetsboek met 60 bladen.
Covered Dish
Object type: dish
Date: 1883 – 1883
Materials: silver
Culture: american
Location: united states
Artist: john t. vansant manufacturing company
Artist role: maker
Artist nationality: american
Artist dates: 1881 – 1892
Subjects: flowers
Portret van Samuel Sarphati
Object type: print
Date: 1865 – 1866
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: andreas sebastian herzing
Artist role: print maker
Artist dates: 1845 – 
Subjects: amsterdam, samuel sarphati, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Onder het portret de naam en onderscheidingen van de geportretteerde.
Madonna and Child
Object type: painting
Date: 1483 – 1484
Materials: gold, oil, paint, wood
Artist: filippino lippi
Artist role: artist
Artist nationality: italian
Artist dates: 1457 – 1504
Subjects: madonna and child
Petrus spreekt tot het volk
Object type: drawing
Date: 1610 – 1652
Materials: chalk, paper
Artist: pieter fransz de grebber
Artist role: painter, print maker
Artist dates: 1600 – 1653
Sleepy Hollow
Object type: photograph
Techniques: photogravure
Location: england
Artist: mr. j. gale
Portret van Geneviève d'Urfé
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: hertogin, geneviève d'urfé
Inscriptions: collector's mark: Lugt 240

Portret van Geneviève d'Urfé, ten halven lijve. Ze houdt haar linkerhand tegen haar buik. In de marge de naam van de geportretteerde.
Frieze ornament
Object type: frieze ornament
Date: 1801 – 1900
Materials: gilt bronze
Gedicht over een pleziertochtje naar Hattem
Object type: poem
Materials: ink, paper
Techniques: writing
Location: netherlands

Het gedicht is waarschijnlijk bedacht door iemand uit het gezelschap dat het pleziertochtje ondernam en later door Gesina in het Plakboek geschreven.
Teapot (part of a set)
Object type: metalwork
Date: 1852 – 1864
Materials: silver
Location: chicago
Artist: j.t. and e.m. edwards
Subjects: chicago
Inscriptions: Each piece marked on bottom "J.T.& E.M.E." in a rectangle and "Chicago" in a rectangle; each piece with engraved Gothic "R".John T.& E..M. Edwards, Chicago, Illinois, 1852-1864
Brief aan Louis Gallait
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: cornelis kruseman
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1857
Subjects: louis gallait, the hague, johannes bosboom, lambertus hardenberg (1822-1900)
Inscriptions: collector's mark: Lugt 2233

Brief bevat een brief aan Lambertus Hardenberg (1822-1900).
Bratina
Object type: bratina
Date: 1801 – 1900
Materials: gilt, silver

This electrotype is after a seventeenth-century original a treasure of the Patriarch, Moscow, at the time of reproduction.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, part of the hair of a gorgoneion?
Schrijver met een boek zittend tegen een boom bij het water
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: writer, poet, author
Inscriptions: collector's mark: Lugt 240
Medaillons met portretten van Armane Béjart, Jean Baptiste Poquelin Molière en Madeleine Béjart
Object type: print
Materials: parchment
Techniques: etching
Artist: jules armand hanriot
Artist role: painter, print maker
Artist dates: 1853 – 1914
Subjects: paris, jean baptiste poquelin molière, historical persons, portrait of a writer, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228
Aren lezen
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: gleaning, lovers; courting, flirting
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Aehrenlese vom Calenderfelde, bestehend in einer Auswahl vorzüglicher Aufsätze aus Deutschlands Taschenbüchern. Berlijn: F. T. Lagarde, 1792.
Baptismal Font
Object type: font
Date: 1137 – 1137
Materials: marble
Culture: south italian
Location: italy

The Luke mentioned in the inscription was the first chief abbot of the monasteries in Messina, Sicily. The Greek crosses and vine scroll decoration reflect a merging of local and Byzantine artistic vocabularies.
Tekenkunst toont haar werk aan Mercurius
Object type: book illustration
Date: 1805 – 1805
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: symbolic representations, allegories and emblems ~ drawing, specific aspects, allegorical aspects of mercury; mercury as patron - veneration, honoured by
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Evert Maaskamp, Afbeeldingen van de kleedingen, zeden en gewoonten in de noordelijke provincien van het Koningrijk der Nederlanden, met den aanvang der negentiende eeuw = Tableaux des habillemens, mœurs et coutumes dans les provinces septentrionales du Royaume des Pays-Bas, au commencement du dix-neuvième siècle. Amsterdam: Evert Maaskamp, 1811 [heruitgave van de oorspronkelijke platen eerst verschenen in 1803-1807].
Dragonfly amulet
Object type: amulet, dragonfly
Date: 1981 – 1640
Materials: faience, paint
Location: egypt
Subjects: dragonflies
Portret van Willem III, koning der Nederlanden
Object type: print
Date: 1849 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: brussels, willem iii (koning der nederlanden)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Terracotta oil lamp
Object type: lamp
Date: 201 – 400
Materials: terracotta
Culture: roman, cypriot
Subjects: men

Vessberg Type 18. Unpierced handle. Mold-made. Discus: naked man facing front but moving to right, holding large bulbous jar in lowered right hand and with a small amphora below raised left arm; around edge of discus, close-set, short radiating lines. Two filling holes. On broad shoulder, stylized vines with many grapes. Deep concave base.
De Pers bij de Brandweer den schoorsteen vegende
Object type: cartoon
Date: 1890 – 1890
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: alfaro reijding
Artist role: draughtsman, engineer
Artist dates: 1863 – 1930
Subjects: chimney, roof (of house or building), firemen
Inscriptions: collector's mark: Lugt 1641b

Gepubliceerd als bijvoegsel van 'Geïllustreerd Politie-Nieuws', 13 februari 1890.
Façade van de Maatschappij tot Nut van 't Algemeen te Edam
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: edam
Subjects: civic architecture; edifices; dwellings
Inscriptions: inscription: ‘Atelier Siewers/ Edam’, number: ‘11683’, annotation: ‘Nut v h algemeen/ Edam’
Richard Dale
Object type: print
Materials: paper, steel
Techniques: engraving
Location: united states
Artist: richard w. dodson
Artist nationality: american
Artist dates: 1812 – 1867
Trevifontein te Rome
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: piece of sculpture, reproduction of a piece of sculpture, ornamental fountain, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Silhouetportret van Theodorus Brunsveld de Blau
Object type: print
Date: 1808 – 1844
Materials: paper
Techniques: etching
Location: unknown
Subjects: leeuwarden, groningen, predikant, theodorus brunsveld de blau
Inscriptions: collector's mark: Lugt 2228

Silhouetportret van Theodorus Brunsveld de Blau, buste naar rechts.
Sunset after a Storm on the Coast of Sicily
Object type: painting
Date: 1853 – 1853
Materials: canvas, oil
Artist: andreas achenbach
Artist role: artist
Artist nationality: german
Artist dates: 1815 – 1910
Subjects: seas,landscapes,evening,boats
Pair of Ear Clips with Purple Stones in Tendril Mount
Object type: ear clip
Materials: gold, stone
Culture: indonesian, javanese
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior of the larger fragment, thrysos and drapery of maenad; Exterior of the smaller fragment, drapery
Marble statue of a bound goat
Object type: statue of a bound goat
Date: 1 – 200
Materials: marble
Culture: roman
Subjects: goats

This sensitively rendered goat with bound feet realistically evokes the widespread practice of animal sacrifce in ancient Greece. This statue, however, was probably a votive offering, perhaps to a deity with a rustic nature, such as Pan, Artemis, or Dionysos.
Landschappen
Object type: print
Date: 1605 – 1653
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: gillis van scheyndel (i)
Artist role: draughtsman, print maker
Artist dates: 1595 – 1660
Subjects: river, ruin of a building ~ architecture, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228

Blad met twee afbeeldingen. Boven: een heuvelachtig landschap een ruïne en op de voorgrond enkele figuren. Op de achtergrond een rivier. Onder: een heuvelland met een boerderij waar twee enige figuren voor staan. De prenten maken deel uit van een serie van twaalf landschappen.
Windsor Castle en een bewaker van het Koninklijk Paleis
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Location: windsor
Artist: gerrit postma
Artist role: draughtsman
Artist dates: 1819 – 1894
Subjects: castle, palace, guard duty, keeping sentry
Inscriptions: annotation: ‘Windsor Castle./ Beefeater’

Blad 45 recto uit een schetsboek met 52 bladen.
[Smyrna, General View of the Quais]
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: buildings,roads,boats
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 420 – 420
Materials: terracotta
Culture: greek, attic
Artist: painter of new york 23.160.41
Artist role: artist
Subjects: men,women

Woman and youth at a tomb One of the objects carried by the woman is a plemochoe, a container for perfumed oil. Ceramic examples of the shape are most common in Athens during the late sixth and early fifth centuries B.C. Very fine examples also would have been made of marble.
View of the large Trevi Fountain formerly called the Acqua Vergine, from Views of Rome
Object type: print
Date: 1750 – 1759
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Vrouw in een blauwe japon met witte kraag
Object type: fashion print
Date: 1930 – 1930
Materials: paper
Techniques: hand coloring, lithograph
Artist: Anonymous
Subjects: button (+ women's clothes), bag (handbag) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: inscription: ‘Jouvencette’

Staande vrouw in een lichtblauwe japon met licht- en donkerblauw verticaal stippenmotief. Witte platte kraag. Middenvoor gesloten middels zeven donkerblauwe knopen. Korte pofmouwen met donkerblauw/witte manchetten. Schuin op het hoofd een lichtblauwe hoed. Witte handtas in de hand. Blauwe schoenen met hakken. Linksonder een lijntekening van de achterkant van de jurk.
Dish in Shape of Mount Fuji with Horses and Deer
Object type: dish
Date: 1625 – 1625
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: deer,horses,mountains

The shape of the dish, which alludes to the famed Mount Fuji, indicates that it was commissioned by a Japanese patron, most likely for a meal that accompanied the tea ceremony. The inscription, which discusses roaming with deer and horses in a landscape, is an allusion to a similar phrase in the writings of the Chinese philosopher Mencius (ca. 327–289 B.C.).
De vaart
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: etching
Location: paris
Subjects: landscapes in the temperate zone, ships (in general), water course, holland
Inscriptions: collector's mark: Lugt 2228a

Gezicht op een brede vaart, waaraan enkele gebouwen staan. Langs de waterkant liggen boten. Deze prent is onderdeel van een serie van zes geëtste Hollandse gezichten (de eerste twee genummerd), het geheel voorafgegaan door een titelblad.
Square vase with flowers of four seasons
Object type: vase
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: painting, polychrome
Culture: chinese
Subjects: flowers