deem-data/ArtiFact huggingface dataset:
Drag/Socialble # 444
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Miniatuuralbum met portretten en fotoreproducties
Object type: slip in album
Date: 1851 – 1900
Materials: brass, cardboard, leather, paper
Techniques: albumen print
Subjects: adult man, anonymous historical person portrayed, anonymous historical person portrayed - bb - woman

Miniatuur-insteekalbum met twintig bladen met veertien miniatuurportretten en drie miniatuurfotoreproducties van schilderijen. De fotografen zijn onbekend.
Scarf
Object type: scarf
Date: 1801 – 1900
Materials: linen
Culture: european

The variations in the orientation of the motifs in this refined design give it a sense of vitality. The lace was probably originally created as robings on the front of an 18th century dress and later reconfigured into a scarf.
De oude vrouw en de Dood
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: dance of death; death together with one or more human beings, eternity, 'aeternitas'; 'eternità','eternità o perpetuità' (ripa), old woman, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

De Dood begeleidt een oude vrouw. Voor haar op de grond staat een gebroken zandloper. 29ste prent uit een reeks van 30 dodendansprenten; met een omlijsting met Tijd en Eeuwigheid.
Man in harnas
Object type: print
Date: 1857 – 1913
Materials: paper
Techniques: drypoint, etching
Artist: edouard tyck
Artist role: print maker
Artist dates: 1847 – 1922
Subjects: armour, adult man
Inscriptions: collector's mark: Lugt 2228
De Aanspreeker
Object type: print
Date: 1719 – 1759
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: messenger, cult of the dead
Inscriptions: collector's mark: Lugt 1641, stamp

Prent met andere letterzetting gebruikt in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Janssoons van Waesberge, 1719, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman de Jonge, 1741, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman, 1759, dl. 2. Huidige prent uit een andere editie. Naar een prent van: Jan Luyken.
Maaltijd en gastvrijheid bij de Germanen
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (family) meal, extinct, 'historical' peoples (with name)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tacitus, Cornelius. Jaarboeken en Historien (...). [Vertaald uit het Latijn door] Pieter Corneliszoon Hooft. Amsterdam: Jacob de Jonge (wed.), Dirk Boom (wed.) en Hendrick Boom, 1684.
Design for a Lady's Tomb
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: tombs,women
The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province (Washū Yoshino Yoshitsune uma arai no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)
Object type: woodblock print
Date: 1832 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: men,horses,waterfalls,washing
Sagittae potentis acutae
Object type: bookplate
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: rocaille ornament, archer's weapons: arrow, armorial bearing, heraldry
Oboe
Object type: oboe
Date: 1750 – 1750
Materials: wood, silver
Location: amsterdam
Artist: philip borkens
Artist role: musical instrument maker
Artist dates: 1693 – 1765

Music has always been a crucial element of public celebrations, such as military parades, coronations, royal weddings, and funerals, adding grandeur to the solemnity of the occasion. Musical ensembles entrusted with performing music at these events have existed in Europe since the Middle Ages. This display highlights various marching bands and their musical instruments dating from the 16th to the 19th century.
Das See Wesen / La marine
Object type: print
Date: 1729 – 1781
Materials: paper
Techniques: etching
Location: germany
Subjects: sailing-ship, sailing-boat, triton(s), building a ship, ship under construction, sea
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie bestaande uit ten minste drie prenten met allegorische voorstellingen.
Gazette du Bon Ton, 1920 - No. 8, Pl. 59: Hindoustan / Robe-manteau, de Paul Poiret
Object type: fashion print
Date: 1920 – 1920
Materials: paper
Techniques: hand coloring, letterpress printing, photochemical processes, pochoir
Location: paris
Subjects: coat (+ fur used for clothes), coat (+ women's clothes), fashion plates, dress, gown (+ women's clothes), belt, girdle, waistband (+ women's clothes)

Twee staande vrouwen, de linker gekleed in een bruine mantel met een leren riem, de rechter in een bruin-gouden japon met luipaard bont, beide van Paul Poiret. Planche 59 uit Gazette du Bon Ton 1920, No. 8. Uitleg over de kleding op pagina "Explication des Planches".
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 77 (recto)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: birds,flowers,leaves
Fotoalbum met bezienswaardigheden in Edinburgh en Londen
Object type: photograph album
Date: 1860 – 1900
Materials: cardboard, leather, paper, photographic support
Techniques: albumen print
Location: great britain
Artist: Anonymous
Subjects: travelling; tourism, prospect of city, town panorama, silhouette of city, london

Fotoalbum in zwarte leren band met op het voorplat de titel in gouddruk en in reliëf. De hoekpunten zijn versierd met geometrische motieven, eveneens in reliëf en gouddruk. De schutbladen zijn van changeant papier. Het album bevat 10 bladen goud op snee met daartussen papieren scheidingsvellen. Het betreft voornamelijk opnames van bezienswaardigheden in Edinburgh waaronder panoramische stadsgezichten, universiteitsgebouwen, de Old Town, Edinburgh Castle en Holyrood Palace, Dean Bridge en Waverley Bridge en de Royal Infirmary. De laatste zeven foto's in het album zijn afdrukken van bekende kerken en gebouwen in Londen zoals Westminster Abbey, Saint Paul's Cathedral, de Tower en de Royal Courts of Justice.
Royal Guard, Norman Mounted Grenadier and Horse, No. 1
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: lithograph
Location: france
Artist: carle vernet
Artist role: artist
Artist nationality: french
Artist dates: 1758 – 1836
Dress
Object type: dress
Date: 1832 – 1835
Materials: cotton, linen
Culture: american

This transitional style indicates the aesthetic of its period. The large gigot sleeves were popular from the early 1830s through 1836 when they began to diminish to the tightly fitted sleeves of the following period. This type of sleeve was generally supported by whalebone or down filling. Another indication of its transitional disposition is the waist height and the full bell-shaped skirts. The beautiful textile is also a product of its time with a stippled ground and bright flowers against muted vinery. The patterning creates a very charming feel evocative of the romantic 1830s style. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.
Brussel
Object type: print
Date: 1634 – 1677
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions, brussels

Gezicht op Brussel met rechtsonder legenda 1-35.
Figurine of a baboon
Object type: figurine, baboon
Date: 3100 – 2649
Materials: faience
Location: egypt
Subjects: baboons
Borstbeeld van mr. Johan Rudolf Thorbecke (1792-1872)
Object type: sculpture
Date: 1866 – 1866
Materials: gypsum
Location: netherlands
Artist: louis royer
Artist role: draughtsman, sculptor
Artist dates: 1793 – 1868
Subjects: johan rudolf thorbecke
Inscriptions: inscription: ‘Mr. J.R. Thorbecke’, signature and date: ‘L. Royer 1866’

Van het borstbeeld bestaan replieken in brons. In de veilingcatalogus van de collectie Royer van 17-11-1868 worden behalve nog drie afgietsels van het borstbeeld oom de mallen vermeld.
Portret van François René de Chateaubriand
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: politician, françois-rené de chateaubriand, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Jean Habert de Montmor
Object type: print
Date: 1640 – 1640
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: children,men,portraits,coat of arms
Burensche Poort te Tiel
Object type: drawing
Date: 1744 – 1807
Materials: ink, paper
Techniques: brush, pen
Artist: hendrik tavenier
Artist role: draughtsman, print maker
Artist dates: 1734 – 1807
Subjects: city-gate
Inscriptions: inscription: ‘H: Tavenier / [andere hand:] burengse poort te Tiel’
Très Parisien, 1923, No. 1: Tissus DIÉDERICHS- SOIERIES...
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: diadem, tiara (+ women's clothes), embroidery (ornamentation) (+ women's clothes), border, ribbon, braid (+ women's clothes), neck-gear: collar (+ women's clothes), fashion plates, dress, gown (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: title: ‘Très Parisien / No 1. - 1923’, caption: ‘Tissus DIÉDERICHS-SOIERIES / CHEZ SOI. - Une robe de mousseline chiffon imprimée se pose sur un fond de crêpe de Chine blanc, ceinture de rubans dans le ton. Robe de crêpe Colette brodé noir et blanc. Grand col et bas de la jupe en crêpe malou noir, ceinture de rubans de faille noire.’

Links een japon van mousseline; rechts een japon van crèpe. Beide gemaakt met stoffen van DIÉDERICHS-SOIERIES. Prent uit het modetijdschrift Très Parisien (1920-1936).
Drie reizigers rustend onder een boom
Object type: print
Date: 1727 – 1755
Materials: paper
Techniques: etching
Location: france
Subjects: the (nude) human figure; 'corpo humano' (ripa) (+ three persons), rest, immobility, stasis
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee mannen en een vrouw rustend onder een boom. De mannen hebben een wandelstaf bij zich.
Brugje bij Clervaux, Luxemburg
Object type: print
Date: 1928 – 1928
Materials: paper
Techniques: woodcut
Artist: arnold pijpers
Artist role: print maker
Artist dates: 1900 – 1951
Subjects: bridge
Inscriptions: date, collector's mark: Lugt 2228

Een brug met drie bogen over het water. Op de achtergrond een huis en heuvels.
Maria Scotorum Regina
Object type: print
Date: 1605 – 1652
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons - bb - woman, crucifix ~ personal devotion, armorial bearing, heraldry
Inscriptions: inscription: ‘K.B.’

Busteportret van Maria I Stuart, koningin van Schotland, naar links met een kruis aan een halssnoer op haar borst. Links haar wapen.
Gezicht op de Brouwersgracht te Amsterdam ter hoogte van de Lindengracht
Object type: sketchbook leaf
Date: 1893 – 1899
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘[...] Brouwersgracht/ b/d Lindengracht gezien’

Pagina 13 en pagina 14 uit een schetsboek met 28 bladen.
Lute Player and Harpist, from Scenes of Daily Life
Object type: print
Techniques: engraving
Artist: israhel van meckenem
Artist role: artist
Artist nationality: german
Artist dates: 1435 – 1503
Subjects: men,women,harps,lutes,musicians
Deksel van Worcester-porselein
Object type: lid
Date: 1800 – 1900
Materials: porcelain
Location: worcester
Artist: Anonymous

Deksel van Worcester-porselein, het niet passende deksel vertoont eenzelfde versiering.
Kaart van Brabant
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of separate countries or regions, wild man, wodewose, woodehouse, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), spinning-wheel, rowing-boat, canoe, etc., bee-hive, cupids: 'amores', 'amoretti', 'putti', coat of arms (as symbol of the state, etc.) (+ province; provincial), brabant
Inscriptions: collector's mark: Lugt 2228

Kaart van Brabant. Linksonder de titelcartouche met daaronder twee schaalstokken: Schaal van 4500 Roeden Rhynlandsche Maal, zijnde volgens Professor Lulofs 1479 Roeden Rheynlands, een Uur gaans van 20 Uuren in een Graad / Schaal van 3000 S' Bossche Roeden. Rechtsboven een cartouche met de legenda. Daarboven het wapen van ’s-Hertogenbosch, geflankeerd door twee wildemannen. Op de linker pilaar van de cartouche de wapens van Peelland en Oisterwijk, op de rechter pilaar de wapens van Kempenland en Maasland. Rechtsonder een inzet met een kaart van het gebied ten zuiden van Lommel.
Fukuroi; De Chaya
Object type: print
Date: 1834 – 1834
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: men,women,kettles,tea houses
Frog from a Drum (?)
Object type: drum ornament
Date: 500 – 300
Materials: bronze
Culture: thai
Subjects: frogs
Groepsportret van (vermoedelijk) een voetbalteam
Object type: photograph
Date: 1895 – 1915
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: soccer, football (early names: soule, choule, cholle), anonymous historical persons portrayed in a group, in a group-portrait
Handkerchief
Object type: handkerchief
Date: 1767 – 1800
Materials: cotton
Subjects: men,women,dogs,horses
Sir Thomas Bodley
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: engraving
Location: london
Subjects: historical persons, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 2228
Boer tussen twee koeien bij een ruif in een stal (grote variant)
Object type: print
Date: 1860 – 1885
Materials: paper
Techniques: etching
Location: the hague
Artist: jan vrolijk
Artist role: draughtsman, painter, print maker
Artist dates: 1846 – 1894
Subjects: cow, farmers, stall, stable
Inscriptions: collector's mark: Lugt 2228
LIV Och hoe slecht hebt ghy't
Object type: print
Date: 1614 – 1614
Techniques: engraving, printing
Location: the hague

LIV Och hoe slecht hebt ghy't. Derde schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Spatula (?)
Object type: spatula
Materials: copper alloy
Location: egypt
Fragment of a Bowl
Object type: fragment
Date: 1301 – 1500
Materials: glaze, stonepaste
Techniques: underglaze
Location: egypt
Ex libris van V.L.C.
Object type: bookplate
Date: 1920 – 1952
Materials: paper
Techniques: engraving
Location: paris
Artist: valentin le campion
Artist role: print maker
Artist dates: 1861 – 1952
Subjects: print maker, valentin le campion, parts of church exterior and annexes: campanile, cupids: 'amores', 'amoretti', 'putti', prospect of city, town panorama, silhouette of city, printed matter
Inscriptions: inscription: ‘Valentin le Campion, hgr. / Tent. Konstfackskolan 1951-167 [Str. 284b]’, inscription: ‘284b / V. le Campion’
Alcove ornament
Object type: alcove ornament
Date: 1840 – 1840
Materials: glaze, porcelain
Culture: japanese
Driehonderdjarig bestaan van de Universiteit van Würzburg 1882
Object type: history medal
Date: 1882 – 1882
Materials: bronze
Techniques: striking
Artist: j. ries

Bronzen penning, op de voorzijde het borstbeeld van Koning Lodewijk van Beieren naar recht met dubbel omschrift, op de keerzijde elf regels tekst onder een ster, tussen twee lauwertakken waarop drie wapenschilden.
Sketches after the Antique: Bacchic Revels; Neptune in His Chariot
Object type: drawing and watercolor
Date: 1535 – 1535
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: pirro ligorio
Artist role: artist
Artist nationality: italian
Artist dates: 1512 – 1583
Fragment
Object type: fragment
Date: 1701 – 1800
Techniques: embroidery
Beads
Object type: bead
Date: 900 – 801
Materials: shell
Culture: iranian
Location: iran
Boats Moored Near Cliffs of Dover
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: t. h. yudin
Artist role: artist
Artist nationality: british (?)
Artist dates: 19 – 19
Subjects: boats
Bulbous-Shaped Vase
Object type: decorative art
Materials: glaze, porcelain
Location: china
Mietje en Thomas Jones op zolder
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: attic, loft, specific works of literature
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als illustratie in: Fielding, Henry. [Vertaald uit het Engels door] Pieter Le Clercq. Historie van den vondeling Tomas Jones, dl. 1, p. 355. Amsterdam: Gerrit de Groot, 1749.
XVIII Quaet toeverlaet
Object type: album leaf
Date: 1614 – 1614
Techniques: engraving, printing
Location: the hague

XVIII Quaet toeverlaet. Derde schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Gezicht op Culemborg, 1672
Object type: photograph
Date: 1900 – 1903
Materials: paper
Techniques: gelatin silver print
Location: france
Subjects: lodewijk xiv (koning van frankrijk), prospect of city, town panorama, silhouette of city, rampjaar (disaster year)

Niet in Frederik Muller; door het RPK toegevoegd nummer. Onderdeel van een groep van ca. 50 foto's van tekeningen van de Franse inval in de Nederlanden in 1672 door Adam Frans van der Meulen, bewaard in de Manufacture Nationale des Gobelins te Parijs.
Dancer on pointe
Object type: drawing
Date: 1878 – 1878
Materials: charcoal, paper
Techniques: heightening
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: women,dancing,ballet
Portrait of a Humanist (possibly Johann Caesarius, Ph.D. and M.D., born Juelich 1468)
Object type: checker
Date: 1530 – 1530
Materials: wood, marble
Artist: Anonymous
Artist role: artist
Diekirch. Panorama
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: diekirch
Subjects: church (exterior), prospect of city, town panorama, silhouette of city
Daniel in the Lion's Den, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: belgium
Artist: adriaen collaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1618
Scarab Inscribed for Hatshepsut
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

This scarab was found in one of the foundation deposits placed along the front wall of the lower court of Hatshepsut's funerary temple at Deir el-Bahri. The inscription on the base records Hatshepsut's personal name (Hatshepsut), which means "foremost of noblewomen." Two other scarabs from the same foundation deposit have similar versions of the same inscription, though the style is not exactly the same (27.3.169, 27.3.172). The backs of the scarabs are also similar.
Man in leunstoel gezeten
Object type: drawing
Date: 1580 – 1620
Materials: paper
Techniques: brush
Subjects: armchair, seat, sitting figure
Straatgezicht in Algiers [?], Algerije
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: algiers
Inscriptions: inscription: ‘Algiers’
The Sacrifice of Isaac
Object type: print
Techniques: engraving, etching
Artist: louis desplaces
Artist role: artist
Artist nationality: french
Artist dates: 1682 – 1739
Subjects: boys,men,angels
Piece
Object type: piece
Date: 1801 – 1900
Materials: metal thread, silk
Culture: japanese
Subjects: human figures
View from the Interior of the Glacier at Grindelwald, Suisse, No. 304 from the series "Views of Switzerland"
Object type: photograph
Date: 1850 – 1896
Techniques: albumen print
Location: england
Artist: william england
Artist role: fotograaf
Artist nationality: english
Artist dates: 1816 – 1896
Stela of the Heb Sed of Amenhotep III
Object type: stela, heb sed of amenhotep iii
Date: 1390 – 1353
Materials: stone
Location: egypt