deem-data/ArtiFact huggingface dataset:
Fotoreproductie van een schilderij van een moeder met kind
Object type: reproduction
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: mother and baby or young child, education
Inscriptions: inscription: ‘Souvenir/ d'Anna/ Sch[...]mann’, number: ‘359.’
Study for Herald's College, The Hall, from Microcosm of London
Object type: drawing and watercolor
Date: 1808 – 1808
Materials: board, graphite, ink, paint, paper, watercolor
Techniques: brush, pen
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Allegorie op de verlossing van de mensheid (de vier uitersten van de mens)
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: comprehensive representation of last judgement: christ (with sword and lily), often surrounded by elders and sometimes accompanied by mary and john the baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils (+ variant), the soul travelling, hell and purgatory, the four last things, journey to heaven, pathway to heaven
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Memorare novissima tua, et in aeternum non peccabis. Eccl. 7’

Vijf medaillons met scènes van de vier uitersten - dood, oordeel, hemel en hel - verbonden door banden met tekst. De banden vormen verschillende routes die de ziel kan afleggen. De dood (linksonder) leidt naar het Laatste Oordeel (rechtsboven), de hel (rechtsonder) of de hemel (linksboven). De gekruisigde Christus (midden) verbindt de uitersten. De ziel kan kiezen tussen de korte route, of de lange route die via het vagevuur (midden onder) loopt. In de marge een tweeregelig Bijbelcitaat uit Deut. 32 in het Latijn.
The moon, her motions, aspect, scenery, and physical condition
Object type: book
Date: 1886 – 1886
Materials: cardboard, linen, paper, photographic support
Techniques: photograph, lithograph, printing
Location: london
Artist: richard anthony proctor
Artist role: astronoom
Artist dates: 1837 – 1888
Remparts des Invalides, Paris
Object type: tissue stereograph
Date: 1863 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: paris
Subjects: bastion, bulwark, firearms: cannon
Inscriptions: inscription: ‘Déposé’
Close-Helmet for the Tournament on Foot
Object type: close helmet
Date: 1600 – 1610
Materials: gold, steel
Culture: italian
Location: italy
Artist: the master of the castle mark
Artist role: armorer
Artist nationality: italian
Artist dates: 1565 – 1645

This helmet comes from a garniture made by the Maestro dal Castello (Master of the Castle), so named for the castle mark found at the top of the breastplate on this and other examples of his work. He was probably a follower of the great Milanese armorer Pompeo della Cesa (recorded 1572–1593). Among the patrons of the Maestro dal Castello were the dukes of Savoy and King Philip III of Spain. The helmet for the tournament is from an unidentified garniture.
Bowl with Abstract, Geometric Rendering of Blanket on Interior
Object type: vessel
Date: 1400 – 1600
Materials: ceramic, pigment
Culture: hopi
Location: arizona
Gedenkstuk op het Sluiten der Alliantie tusschen de Fransche en Bataafssche Republieken. geslooten den 16 Mey 1795
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: netherlands
Subjects: freedom, liberty; 'libertà' (ripa) (+ symbolical representation of concept), alliance, league, union, foedus, alliance with france (1795)
Inscriptions: collector's mark: Lugt 2228

Allegorie op het sluiten van de Alliantie tussen de Bataafse en Franse Republieken, 16 mei 1795. De engel van de vrijheid zegent het eeuwige verbond tussen de Franse en de Nederlandse Maagd. Op de achtergrond oorlog ter land en ter zee, links worden List en Bedrog verjaagd.
Brief aan August Allebé
Object type: letter
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: hendrick peter godfried quack
Artist role: econoom, geschiedschrijver, hoogleraar, jurist
Artist dates: 1834 – 1917
Subjects: august allebé, amsterdam, politician, jérôme alexander sillem
Inscriptions: watermark
Portrait of Mr. and Mrs. Thijssen on the Ice
Object type: painting
Date: 1845 – 1845
Materials: canvas, oil
Artist: jacobus sörensen
Artist role: painter, print maker
Artist dates: 1812 – 1857
Subjects: marriage, married couple, 'matrimonium', ice ~ freezing weather, small sleigh (winter sports)
Inscriptions: signature and date: ‘J. Sorensen 1845’

To our knowledge, Mrs and Mr Thijssen are the only individuals in the Netherlands to have had themselves portrayed standing on the ice. This was probably because wealthier citizens considered skating a bit vulgar at the time. Consequently, neither Mr nor Mrs Thijssen are wearing skates. Regrettably, we do not know why they chose such a wintry setting or why Mr Thijssen appears to be gesturing towards other people on the ice.
Nice. Promenade des Anglais
Object type: reproduction
Date: 1892 – 1904
Materials: cardboard
Techniques: writing
Location: paris
Subjects: avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage), landscapes with waters, waterscapes, seascapes (in the temperate zone)
The Actor Matsumoto Koshiro IV as Matsuo-maru (?) in the Play Sugawara Denju Tenarai Kagami (?), Performed at the Nakamura Theater (?) in the Fourth Month, 1779 (?)
Object type: print
Date: 1779 – 1779
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Cup and saucer
Object type: cup and saucer
Date: 1760 – 1765
Materials: soft paste porcelain
Artist: chantilly
Artist role: factory
Artist nationality: french
Subjects: birds,flowers
Bell-shaped cup with antiquities and diaper pattern
Object type: cup
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Klokvormige kop van porselein, beschilderd in onderglazuur blauw en op het glazuur rood, groen, zwart en goud. Een groep antiquiteiten (vaas met pauwenveren en koraal, scepter, fruitschaal met vingercitroen, wierookbrander) afgebeeld; de rand met een band servetwerk. Famille verte.
Kilroy, Pitcher, Boston, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
The Stage. George Primrose as "Horatio"
Object type: print
Techniques: aquatint, etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: performance,theatre,men,women,actors

The Vicar of Wakefield was written by Oliver Goldsmith between 1761–62, published in 1766, and later illustrated with twenty-four designs by Thomas Rowlandson in 1817.
Cruet
Object type: cruet
Date: 1885 – 1890
Materials: amber, glass, textile
Techniques: glassblowing
Culture: american
Location: united states
Soldaat die zijn spies met zijn linkerhand boven zijn linkerschouder draagt, zijn rechterhand uitgestrekt naar voren (nr. 28), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een spies (lans) met zijn linkerhand boven zijn linkerschouder draagt, zijn rechterhand uitgestrekt naar voren (nr. 28), ca. 1600. Plaat 28 in de instructies voor het hanteren van de spies: Corte onderwysinghe op de figuerliicke afbeeldinghe, belanghende t'recht ghebruyck, van al t'ghene een Soldaet int handelen vande Spies noodich is. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, 's-Gravenhage, 1607. Krijgswezen rond 1600.
Touch, from the Five Senses
Object type: print
Date: 1596 – 1596
Techniques: engraving
Artist: cornelis drebbel
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1572 – 1633
Subjects: female nudes,snakes,turtles
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: pistoxenos painter
Artist role: artist

Interior, meander; Exterior, calves and feet of male to left; bit of garment and high laced boot, with flaps, of male to right
Tombstone
Object type: tombstone
Date: 901 – 1100
Materials: granite
Techniques: engraving
Location: egypt
Kate Davis, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Vertumnus and Pomona
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered lower right: "A. Bloemaert inve. J. Saenredam sculp. et excu. Ao. 1605" and below image: "Inter Hamadryadas cultrix ... T Schrevelius"
Landschap met de reiziger die door de barmhartige Samaritaan wordt verzorgd
Object type: print
Date: 1560 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: a samaritan tending the wounds of the traveller, forest, wood (+ landscape with figures, staffage), outskirts of village (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

De barmhartige Samaritaan vindt de reiziger en verpleegt zijn wonden. Op de achtergrond de priester en de leviet. De prent is deel van een vierdelige serie van landschappen met scènes uit de gelijkenis van de barmhartige Samaritaan
Rosette Pendant
Object type: pendant, rosette
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: flowers
Interieur van de Nieuwe Kerk in Amsterdam
Object type: photograph
Date: 1850 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Subjects: interior of church
Inscriptions: stamp: ‘ryksschool voor kunstnijverheid Groep’
Portret van een onbekende liggende Japanse vrouw
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: autotype
Location: japan
Artist: Anonymous
Subjects: sleeping; unconsciousness
Jar
Object type: jar
Date: 1573 – 1620
Materials: porcelain
Culture: chinese
Subjects: flowers
Page from the Collection of Poems by Lady Ise (Ise shū)
Object type: hanging scroll
Date: 1101 – 1133
Materials: ink, paper
Culture: japanese
Subjects: poetry

Elegant strands of kana calligraphy in varying ink tones impart a sense of subtle rhythmic movement to this page of decorated paper. Printed in mica with impressed floral patterns and stylized peacocks, the paper was then further embellished with printed silver designs of pine branches, various other plants, and abstractly rendered birds in flight. The page was originally part of a set of personal poetry collections of thirty-six famous poets from ancient to Heian times, referred to as the Nishi-Honganji Edition of the Thirty-Six Poetic Immortals (Nishi-Honganji-bon Sanjūrokunin kashū).
Untitled (Portrait of Five Men)
Object type: photograph
Date: 1855 – 1855
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits: multiple subjects, portraits: male subject, portrait, male, portraits
Portret van Johann Gabe
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: hamburg
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Miniature amber amphora (jar)
Object type: amphora, miniature
Date: 1 – 100
Materials: amber
Culture: roman

For the Romans, amber was a costly and therefore luxurious material. It seems that it was especially prized by women, who collected rings, trinkets, and small perfume bottles made of amber. Many such objects were produced at Aquileia in Northern Italy, which may be where this miniature amphora was carved. The amber trade was stimulated by the expedition of a Roman eques (knight) to the Baltic coast in the reign of the Emperor Nero (A.D. 54–68).
Gezicht op de kust van Nervi
Object type: photograph
Date: 1860 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: nervi
Artist: alfredo noack
Artist role: fotograaf
Artist dates: 1833 – 1895
Subjects: coast
Inscriptions: negative number: ‘3235’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en aan de Franse Rivièra (deel II).
Jugate heads of Marcus Aurelius (Marcus Aurelius Antoninus, 121–180) and Faustina (Anna Galeria Faustina, d. 175 or 176)
Object type: cameo
Date: 1601 – 1700
Materials: gold, onyx
Subjects: men,profiles,women

Subjects from Roman history preoccupied collectors in the Baroque era. The twinned countenances of these famous couples, mounted as pendants, were in the Arundel collection in the seventeenth century and the Marlborough collection in the eighteenth. As is often the case with portrait cameos, the stones were manipulated so that their warmer gradations further a suggestion of flesh.
Great White Heron, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Game Birds" series (N13), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Amstel bij de Munttoren
Object type: drawing
Date: 1870 – 1926
Materials: paint, ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: canals, waters (in city)
Faience double-spouted vessel in the form of a kneeling woman holding a jar
Object type: vase in the form of a kneeling figure holding a jar
Date: 634 – 568
Materials: faience
Culture: east greek
Subjects: women,jars

The woman wears a heavy Egyptianizing wig, and indications of a leopard skin run down her back. A palm capital on her head serves as one spout, and the open-mouthed frog perched on the jar serves as the other. Most vessels of this type have been found on Rhodes.
Compositie met Venus Anadyomene
Object type: print
Date: 1686 – 1724
Materials: paper
Techniques: etching
Location: augsburg
Subjects: ornaments ~ art, canopy, baldachin, birth of venus; venus anadyomene: after uranus' castration venus rises from the sea wringing the water from her hair; usually she is awaited by the hours
Inscriptions: signature: ‘Berain Invent.’, signature: ‘Ieremias Wolff excud. Aug. Vind.’

Een decoratieve compositie met fonteinen en in het midden Venus Anadyomene op een schelp onder een baldakijn. Rondom de schelp meerminnen. Links- en rechts onder zitten een meermin en een meerman met een vrouw op dolfijnen. Prent maakt deel uit van een album. Hoogstwaarschijnlijk gespiegelde kopie naar Frans origineel.
Twee foto's van drie mensen op een zeilboot op de Loosdrechtse Plassen en een gezelschap aan de thee op de Bongerd bij Loosdrecht
Object type: album leaf
Date: 1907 – 1918
Materials: paper, cardboard
Techniques: gelatin silver print
Location: loosdrecht
Artist: Anonymous
Subjects: afternoon tea - cc - out of doors, sailing-ship, sailing-boat, historical persons - bb - woman, historical persons, lake
Inscriptions: caption: ‘Loosdrecht./ 1918./ Tea op "de Bongerd"/ Juli 1918’

Deze foto's maken deel uit van een album.
Passvs svb Pontio Pilato crucifixvs mortvvs et sepvltvs
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: cologne
Subjects: christ's entombment (possibly by angels), 'passus sub pontio pilato, crucifixus, mortuus et sepultus est' ~ articles of faith, lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Inscriptions: collector's mark: Lugt 240

Het vierde geloofsartikel: het geloof in de dood van Christus aan het kruis. De prent toont de maagd Maria en anderen die het dode lichaam van Christus bewenen, dat van het kruis is afgehaald. Op de achtergrond rechts wordt Christus in een tombe gelegd. De prent heeft een Latijns opschrift met een Bijbelcitaat dat refereert naar het afgebeelde Bijbelverhaal en een Latijns onderschrift over de apostolische geloofsbelijdenis. De vierde prent in een twaalfdelige serie over het credo.
De doop van de centurio, door Petrus
Object type: drawing
Date: 1604 – 1607
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: giovanni bilivert
Artist role: painter
Artist dates: 1585 – 1644
Subjects: peter in the house of cornelius: the holy ghost descends upon cornelius and his family, who are baptized by peter
Façade van het Gare du Nord, Parijs
Object type: tissue stereograph
Date: 1866 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: paris
Subjects: station; shelter (railway, tramway)
Inscriptions: inscription: ‘Déposé’
Rathaus zu Bremen
Object type: photomechanical print
Date: 1885 – 1905
Materials: cardboard
Techniques: photograph
Location: bremen
Subjects: townhall
Steen met een fossiel
Object type: page
Date: 1866 – 1876
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: fossil animals
Inscriptions: number: ‘9’
Ammonius de Grote als kluizenaar
Object type: print
Date: 1586 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: male saints (with name), anchorite, hermit
Inscriptions: collector's mark: Lugt 240

De H. Ammonius de Grote in een monnikenpij. Hij zit op een bank voor zijn hut en leest uit een bijbel. Op de achtergrond een kluizenaarsdorp. Op de achtergrond andere kluizenaars.
Kathedraal van Amiens
Object type: album leaf
Date: 1930 – 1939
Materials: cardboard, paper
Techniques: etching
Location: france
Artist: léopold robin
Artist role: print maker
Artist dates: 1877 – 1939
Subjects: church (exterior), notre-dame d'amiens
Inscriptions: inscription: ‘... 19/VI 1940 ...’

Albumblad met een ets van de kathedraal van Amiens. Onderdeel van de fotoalbum van de Wehrmacht 1938-1941.
Proposal for Engraving by Subscription From an Original Picture Painted by Zuccarelle
Object type: print, trade card
Date: 1756 – 1756
Techniques: engraving
Artist: william austin
Artist role: artist
Artist nationality: british
Artist dates: 1721 – 1820

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Ontwerp voor een plafondschildering met de apotheose van Hercules en vier van zijn werken
Object type: drawing
Date: 1746 – 1746
Materials: ink, paper
Techniques: brush, pen
Artist: jacob de wit
Artist role: draughtsman, painter, print maker
Artist dates: 1695 – 1754
Subjects: (7) the cretan bull is captured by hercules, (2) the hydra of lerna is killed by hercules, (1) hercules chokes the nemean lion with his arms, (4) the erymanthian boar is captured by hercules, sitting or standing on clouds, apotheosis of hercules: he is borne to heaven in a four-horse chariot and reconciled with juno
Inscriptions: inscription: ‘Hoekstuck voor mejuffrouw de wed.e AB Barnards 1746 te Haarlem’, inscription: ‘Blaffon geschildert voor Mejuffrouw de wed.e AB Barnard’

Ontwerp voor een plafondschildering met de apotheose van Hercules en vier van zijn werken. Opschrift bij zwikvullingen: 't Zwijn van Erimante door Hercules gevangen / De Slangh Hydra wordt gedoot / De stier van Creta door Hercules gevangen / Hercules verslaat de leuw Nemea.
St. Anthony: "Somewhere There Must Be Primordial Shapes Whose Bodies Are Only Images", plate 4 of 6
Object type: print
Date: 1889 – 1889
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Plattegrond van de omgeving van Cartagena met de slag van Cartagena, 1741
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: marine charts, battle (+ sailing-ships)
Inscriptions: collector's mark: Lugt 2228
Hebron-The town showing the Great Mosk
Object type: page
Date: 1861 – 1866
Materials: photographic support
Techniques: albumen print
Location: palestine
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Photographed by Francis Bedford during the Tour in the East on which by Command he accompanied His Royal Highness The Prince of Wales’, number: ‘Plate 28.’
Fragment
Object type: fragment
Date: 1767 – 1800
Materials: cotton
Subjects: flowers,leaves,trees
Leven, passie en wederopstanding van Christus
Object type: album leaf
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the marriage-feast at cana (john 2:1-11)

Prent maakt deel uit van een prentbijbel.
Carpet
Object type: carpet
Date: 1767 – 1833
Materials: wool
Location: india
Subjects: flowers
Portret van een onbekende geisha
Object type: photomechanical print
Materials: paper
Techniques: photograph, lithograph, hand coloring
Location: tokyo
Subjects: historical persons not known by name - bb - woman, courtesan, hetaera, japan
Inscriptions: inscription: ‘This photograph (...) this volume.’
Approaching Storm; Wind Blown Trees; Boy and Dog Running Home
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, wash
Location: netherlands
Artist: circle of egbert van drielst
Le lac dans les montagnes
Object type: print
Date: 1861 – 1861
Techniques: printmaking, etching
Location: paris
Subjects: lake, groups of trees, mountains
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Berglandschap met een meer. Op de voorgrond rechts staan knoestige kale bomen en op een pad langs het meer lopen reizigers. Boven de voorstelling staat de tekst Revue Fantaisiste
Game Box
Object type: game box
Date: 1301 – 1400
Materials: bone, metal, paper, textile, wood
Techniques: lining
Culture: italian
Untitled (Portrait of a Man)
Object type: photograph
Date: 1845 – 1845
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, portraits: male subject, men, male, portrait
Shoe buckles
Object type: shoe buckle
Date: 1767 – 1800
Materials: steel
Culture: european
Uitbetaling van soldij
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: woodcut
Location: frankfurt am main
Subjects: warfare; military affairs, the soldier; the soldier's life, payment ~ military service
Inscriptions: collector's mark: Lugt 240

Zowel de voorstelling als de ornamentrand werd gebruikt voor verschillende edities van Leonhardt Fronspergers Kriegsbuch.