deem-data/ArtiFact huggingface dataset:
Gaetano Rossi Napoletano
Object type: drawing
Materials: crayon
Artist: jean-baptiste joseph wicar
Artist role: artist
Artist nationality: french
Artist dates: 1762 – 1834
Subjects: men,portraits

Wicar entered the Paris studio of Jacques Louis David in 1781 and accompanied his master to Rome in 1784. He remained in Italy for most of his life, achieving success as a painter of portraits and history subjects in the manner of David and assembling three successive collections of significant Italian drawings. This sheet featuring a Neapolitan sitter comes from a sketchbook of informal portraits. Appointed by Joseph Bonaparte as director of the Academy of Fine Arts in Naples in 1806, Wicar spent three or four years in the southern Italian city. The spare style of the drawing recalls the directness of the portraits David made while imprisoned after the fall of Robespierre, the radical Jacobin leader of the Revolution.
Portret van Costantino de' Servi op 52-jarige leeftijd
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: artist, sculptor, portrait, self-portrait of sculptor, historical persons, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2228

Vier putti zitten op de sokkels om het portretmedaillon. Tekst in het Latijn in de omlijsting en in de cartouche.
Mold for Making Ceramics
Object type: mold
Date: 867 – 933
Materials: clay
Techniques: molding
Location: iran

This object was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
blad van het "Neu Grotesken Buch" 1610
Object type: ornament print
Date: 1573 – 1610
Materials: paper
Techniques: etching
Location: germany
Artist: christoph jamnitzer
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1563 – 1618

Blad uit een serie vlakdecoraties met grotesken, cartouches, ovalen, mascarons, putti en fantastische wezens. De serie bestaat uit drie titelbladen, twee tekstbladen met de opdracht en het voorwoord en 60 bladen, verdeeld over drie boeke
Fragment
Object type: textile
Materials: cotton, diamond, wool
Techniques: weave
Location: peru
Fragment
Object type: fragment
Date: 1767 – 1800
Techniques: lace
Subjects: leaves
Sadaiye, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Gezicht op Londen vanaf de Thames
Object type: opticaprent
Date: 1755 – 1779
Materials: paper, watercolor
Techniques: brush, etching
Location: augsburg
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), city-view in general; 'veduta', monumental adornments (in city), london
Inscriptions: collector's mark: Lugt 2228
Nissaka, Kakegawa, Fukuroi, Mitsuke, and Hamamatsu, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)"
Object type: print
Date: 1830 – 1835
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Étui
Object type: étui
Date: 1701 – 1800
Materials: metal, metal thread, silk, fiber
Techniques: lining
Subjects: flowers

On the front, straw wefts are interwoven with colored silk threads, creating a floral pattern surrounding a cartouche showing a column in a landscape. Continuing on the back, the Latin motto reads: DIVES IN OMNES AUT ERIGI AUT DESTRURI ("Rich in all, either raised or pulled down").
S. Paolo, Roma
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: interior of church
Inscriptions: inscription: ‘Roma : S. Paolo’, number: ‘No. 97’
Portret van een onbekende vrouw, aangeduid als Madame Papin
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: erwin hanfstaengl
Artist role: fotograaf
Artist dates: 1837 – 1905
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘ERWIN/ HANFSTAENGL/ 4, Rue Frochot/ PARIS.’, inscription: ‘Madame Papin’
Vase
Object type: vase
Date: 1701 – 1800
Materials: faience
Location: iran
Proportiestudie van een vrouw
Object type: drawing
Date: 1856 – 1856
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions) - aa - female human figure, anatomy (non-medical) - aa - female human figure
Inscriptions: inscription: ‘Demsj bf lf EF/ Fina 26 mg 56.’
Marskramer
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: street-trader
Inscriptions: collector's mark: Lugt 2228
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: men,dragons
Jay on a branch
Object type: print
Date: 1810 – 1892
Materials: paper
Techniques: woodcut
Location: osaka
Subjects: plants; vegetation, song-birds: jay
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937
Cathédrale de Rouen. Les bas reliefs du Portail des Libraires (...)
Object type: ansichtkaart, prentbriefkaart
Date: 1920 – 1932
Materials: cardboard
Techniques: photograph
Location: rouen
Subjects: parts of church exterior and annexes: portal, sculpture
Societeit "Vereeniging" te Haarlem
Object type: book illustration
Date: 1893 – 1893
Materials: paper
Techniques: photolithography
Location: amsterdam
Subjects: edifice, e.g.: public building, department store, haarlem

Prent uit: Bouwkundig weekblad; Orgaan van de Maatschappij tot Bevordering der Bouwkunst. Amsterdam: Erven H. Munster & Zoon, 1881-1927, 13e jaargang (1893), nr. 52, na p. 314.
Blick vom mittleren Oelbergweg auf Jerusalem
Object type: stereograph
Date: 1905 – 1905
Materials: cardboard, paper
Techniques: albumen print
Location: olijfberg
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Déposé.’, inscription: ‘Registered.’, number: ‘1052.’
Man met een map met tekeningen en een portret van Jan van Goyen
Object type: drawing
Date: 1734 – 1785
Materials: ink, paper
Techniques: brush, pen
Artist: jan stolker
Artist role: draughtsman, painter, print maker
Artist dates: 1724 – 1785
Subjects: leiden, the hague, painter, draughtsman, jan van goyen, historical persons, portrait, self-portrait of painter, picture within picture, portrait, self-portrait of artist
Inscriptions: inscription: ‘Jan Josephsz: van Goien. / Geboren te Leyden op den 13 Jannuary 1596. / Stierf in den Hage in 't laatst van April 1656.’

Man in een venster met een grote map met tekeningen en het portret van Jan van Goyen door A. van Dyck.
Lijkstatie van prinses Maria Louise, 1765
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: leeuwarden
Subjects: cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

Leden van de Gedeputeerde Staten van Friesland en deurwaarders. Gemerkt rechtsonder: Pl. XV. Op het blad onder de plaat de namen van personen in de stoet. Onderdeel van de serie platen van de begrafenis van prinses Maria Louise te Leeuwarden op 13 juni 1765.
De mislukte aanslag des hartogen van Anjou op Antwerpen in den jaare 1583
Object type: book illustration
Date: 1679 – 1690
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: paris, françois-hercule de valois (hertog van anjou), counter-attack, plundering ~ soldiers
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Bor Christiaansz, Pieter. Oorsprongk, begin, en vervolgh der Nederlandsche oorlogen, 4 delen. Amsterdam: weduwe Joannes van Someren, Abraham Wolfgang, Hendrick en Dirk Boom, 1679-1684, dl. 2, p. 342. En in: Leti, Gregorio. Teatro Belgico o vero ritratti historici, chronologici, politici e geografici delle Sette Provincie Unite. 2 delen. Amsterdam: Willem de Jonge, 1690, dl. 1, p. 86-87. En in: Groot, Hugo de. Nederlandtsche Jaerboeken en Historien (…). Amsterdam: weduwe Joannes van Someren, Abraham Wolfgang en Hendrick en Dirk Boom, 1681, p. 82-83.
Roundel with Mounted Horseman Spearing a Lion
Object type: textile fragment
Date: 601 – 800
Materials: silk
Techniques: weave
Location: egypt

This roundel was cut, perhaps in antiquity, from a repeat pattern silk textile and typifies a type of ruler/hero/saint imagery that spread throughout the Byzantine Empire. Silks with such intricate patterns were woven on draw looms.
Madame Guillaume Guillon Lethière, née Marie-Joseph-Honorée Vanzenne, and her son Lucien Lethière
Object type: drawing
Date: 1808 – 1808
Materials: graphite
Location: france
Artist: jean auguste dominique ingres
Artist role: artist
Artist nationality: french
Artist dates: 1780 – 1867
Subjects: boys,portraits,women

As a pensioner of the French Academy in Rome, Ingres made portrait drawings of his friends and colleagues, including at least ten portraits of the family of Guillaume Lethière, its director, which date from 1808 to 1818. This double portrait of Lethière's wife and young son is set in the garden of the Villa Medici, the seat of the French Academy (its palace is visible on the left). Drawn in 1808, it is one of the first of Ingres' portrait drawings with a view of Rome as its backdrop.
Studie van een vrouw met ontbloot bovenlijf
Object type: drawing
Date: 1812 – 1861
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure, chest, bust - aa - female human figure
Sibillen
Object type: album leaf
Date: 1615 – 1615
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: types of adult christ (alone), agrippine sibyl

De Sibille Agrippina zit met een vaandel in haar rechterhand. Ze kijkt op naar de hemel waar Christus met het kruis en twee engelen verschijnen. Onder de voorstelling een onderschrift in het Latijn. Deze prent maakt deel uit van een album.
Arena van Verona
Object type: photograph
Date: 1905 – 1909
Materials: paper, cardboard
Techniques: gelatin silver print
Location: verona
Artist: françois buys
Artist role: advocaat, amateurfotograaf
Artist dates: 1871 – 1934
Subjects: amphitheatre

Deze foto maakt deel uit van een groep van 38 foto's.
Seascape near the Coast
Object type: painting
Date: 1845 – 1880
Materials: oil, panel
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: rocky coast, beach
Inscriptions: signature: ‘WA van Deventer. ft’

Zeegezicht aan de kust. Gezicht op het strand en de krijtrotsen bij Etretat in Normandië.
Study for "The Suspicious Fair," etched vignette in "Songs in the Opera of Flora"
Object type: drawing
Date: 1737 – 1737
Materials: chalk, graphite
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Subjects: men,women
Brief aan Philip Zilcken
Object type: letter
Date: 1889 – 1889
Materials: cardboard, ink
Techniques: pen, writing
Location: paris
Artist: félix hilaire buhot
Artist role: draughtsman, print maker
Artist dates: 1847 – 1898
Subjects: paris, aglaüs bouvenne, print maker, charles albert waltner, rodolphe bresdin, the hague, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Filmnegatief met opname van Basel, Thun, Kandersteg of Gemmi
Object type: negative
Date: 1921 – 1921
Materials: film
Techniques: gelatin silver negative
Location: switzerland
Artist: Anonymous
Subjects: switzerland
Pittacus Mitylenaeus
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: netherlands
Subjects: the seven wise men of greece: bias, chilon, cleobulus, periander (alternatively myson), pittacus, solon, thales
Inscriptions: collector's mark: Lugt 2228a

Een man gekleed in een lange mantel, ten voeten uit, op de linkerzijde gezien, met de rechterhand wijzend op een gevleugelde zandloper in de linkerhand. Achter hem onder andere een aantal boeken, een schaar, en een werktuig met een trechter en een wiel eraan. Onder de voorstelling een zevenregelig Latijns gedicht. Deze prent is onderdeel van een serie van acht prenten: een titelprent en zeven genummerde portretten van Griekse wijzen.
Design for a Funerary Monument with Fate, Putto, and Urn
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: john michael rysbrack
Artist role: artist
Artist nationality: flemish
Artist dates: 1694 – 1770
Prenten naar historische schilderijen over de Franse Revolutie
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Subjects: bridge, meeting
Inscriptions: collector's mark: Lugt 2233
Sato Shirobei Tadanobu (Sato Shirobei Tadanobu)
Object type: print
Date: 1776 – 1780
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Portrait of a Woman
Object type: painting, miniature
Date: 1767 – 1767
Materials: ivory
Artist: samuel cotes
Artist role: artist
Artist nationality: british
Artist dates: 1734 – 1818
Subjects: portraits,women
Left Hand Stop, Solomon Smith and Johnny Van Heest, from the Boxing Positions and Boxers series (N266) issued by P. Lorillard Company to promote Red Cross Long Cut Tobacco
Object type: print
Date: 1893 – 1893
Techniques: color lithograph
Artist: p. lorillard company
Artist role: publisher
Artist nationality: american
Artist dates: 1760 – 2014
Subjects: men,boxing,athletes

Trade cards from the "Boxing Positions and Boxers" series (N266), issued in a set of 25 cards in 1893 by P. Lorillard Company to promote the brand's Red Cross Long Cut Tobacco.
Standbeeld van Jean-Jacques Rousseau in Genève
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: geneva
Artist: auguste garcin
Artist role: fotograaf
Artist dates: 1816 – 1895
Subjects: monument, statue
Dutch Landscape: Horse and Wagon Crossing Bridge Towards Windmill
Object type: drawing and watercolor
Materials: board, paper, pastel
Location: netherlands
Artist: possibly anton mauve
Artist nationality: dutch
Artist dates: 1838 – 1888
Gezichten op het exterieur en interieur van de Onze-Lieve-Vrouwekerk te Amsterdam
Object type: photomechanical print
Date: 1900 – 1900
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: parts of church interior: aisle, roman catholic church, regular clerics, e.g. jesuits, redemptorists, parts of church exterior and annexes: façade
Inscriptions: collector's mark: ‘<p style="text-align:left;">35-12</p>’ Lugt 1641b

Twee knipsels uit bladzijden 154-155 van het Geïllustreerd Zondagsblad voor Katholieken (1900), 11 november 1900. Onderwerpsrubriek binnen de Atlas Amsterdam: R.K. Gemeenten: Sint Nicolaaskerk t/m Willibrordus (Rustenburgerstraat).
Collar
Object type: collar
Date: 1700 – 1942
Culture: american
Staande heer met steek
Object type: drawing
Date: 1712 – 1750
Materials: chalk, paper
Subjects: standing figure, head-gear: tricorn, youth, adolescent
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De 18de eeuw (de pruikentijd). Mannen en vrouwen.
Portret van John Jortin
Object type: print
Date: 1754 – 1818
Materials: paper
Techniques: engraving
Subjects: historical persons, portrait of a writer
Clara Ellison, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Portret van Elia Astorini
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: naples
Subjects: historical persons

Prent uit: Gimma, Giacinto. Elogj accademici della Società degli Spensierati di Rossano (...). Napels: Carlo Troise, 1703, p. 387.
Memorial Portrait of the Actor Ichikawa Danjuro VIII
Object type: print
Date: 1854 – 1854
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Bowl
Object type: bowl
Date: 1830 – 1830
Materials: glass
Gezicht op het klooster van Mar Saba
Object type: photograph
Date: 1867 – 1895
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: mar saba
Subjects: monastic orders, monastic life ~ eastern, greek and russian orthodox churches
Inscriptions: negative number: ‘899’

Onderdeel van Reisalbum met foto's van Jeruzalem en andere bijbelse plaatsen.
Gezicht op de winkelgalerij in de Raadhuisstraat
Object type: photomechanical print
Date: 1899 – 1945
Materials: cardboard
Techniques: photograph
Location: dresden
Subjects: city-view in general; 'veduta', gallery (spacious corridor), façade (of house or building), street
Inscriptions: collector's mark: ‘11.99’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Raadhuisstraat, Raamgracht, Raamplein, Rapenburgerstraat, Reguliersgracht, Reguliersbreestraat.
Landschap met grote boom
Object type: print
Date: 1643 – 1681
Materials: paper
Techniques: etching
Location: antwerp
Artist: gilles neyts
Artist role: draughtsman, print maker
Artist dates: 1623 – 1687
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 971, collector's mark: Lugt 2228a

Bomenrijk landschap. Een grote boom aan een laan op de voorgrond.
Portret van Johann Jakob Breitinger
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: writing tools, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Naakten kleden
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ornament ~ cartouche, clothing the naked, 'nudus vestitur' ~ one of the (seven) acts of mercy, the poor
Inscriptions: collector's mark: Lugt 2228

Een voorstelling in een cartouche van palmtakken. Een man deelt voor zijn huis kleren uit aan naakte armen, een van de werken van barmhartigheid. Onder de cartouche de Bijbelreferentie Mat. 25:36.
Gevangenneming van Teutobach na de slag met Marius
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: lithograph
Artist: johann michael mettenleiter
Artist role: print maker
Artist dates: 1765 – 1853
Subjects: warfare; military affairs, prisoner of war (after the battle)
Inscriptions: collector's mark: Lugt 2228
Portret van een baby in doopjurk
Object type: album leaf
Date: 1895 – 1940
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: batavia
Subjects: historical persons - bb - woman, baptism, christening gown, infant, baby ~ the ages of man
Inscriptions: inscription: ‘Charls & van Es & Co’
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1913 – 1913
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: paris
Artist: adolphe thalasso
Artist role: criticus, dichter, dramaturg
Artist dates: 1858 – 1919
Subjects: armand dayot, the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Intrede van Willem III door de triomfboog bij het Buitenhof, 1691
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: william iii (prince of orange and king of england, scotland, and ireland), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', coat of arms (as symbol of the state, etc.) (+ province; provincial)

Prent ook gebruikt in: Bidloo, Govard. Komste van zyne majesteit Willem III. Koning van Groot Britanje, enz. in Holland; ofte omstandelyke beschryving van alles, […] vercierd met kopere plaaten. Den Haag: Arnoud Leers, 1691.
Drinkende en dobbelende soldaten
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: printmaking
Location: france
Subjects: dice, recreation ~ the soldier off duty
Inscriptions: watermark
Triple-Barrel Breechloading Flintlock Pistol
Object type: arm
Date: 1820 – 1820
Materials: brass, steel
Location: england
Dezelve van buiten te zien
Object type: book illustration
Date: 1825 – 1845
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johannes cornelis van pappelendam
Artist role: print maker
Artist dates: 1810 – 1884
Subjects: city-gate
Inscriptions: collector's mark: Lugt 1641b

Boven een gezicht op de Haarlemmerpoort te Amsterdam gezien vanuit de stad. Onder een gezicht op dezelfde poort en de bijhorende brug gezien van buiten de stad. Deze door Hendrik de Keyser ontworpen Haarlemmerpoort werd tussen 1615 en 1618 gebouwd. Rechtsboven genummerd: No. 14. Onderwerpsrubriek binnen de Atlas Amsterdam: B. Poorten, verzamelbladen, D. Haarlemmerpoort(en).