deem-data/ArtiFact huggingface dataset:
Boekhouders aan het werk
Object type: print
Date: 1601 – 1657
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter serwouters
Artist role: draughtsman, print maker
Artist dates: 1586 – 1657
Subjects: writing tablets, bookshelves, book, book-keeping, accountant
Inscriptions: collector's mark: Lugt 2228

Rekenschool waarin het boekhouden wordt onderwezen. Aan een tafel zit links, in een stoel met baldakijn, de rekenmeester. Drie leerlingen zitten met rekenboeken voor zich te schrijven. Een vierde staat ter rechterzijde bij de tafel toe te kijken. Tegen de achterwand van het vertrek een boekenplank en twee schrijftabletten. Daar boven de zinspreuk "Oordeelt niet voor den tyt". Boven de afbeelding de titel van het boek, de naam van de auteur en een korte inhoudsweergave. Onder de prent het impressum.
Portret van Roderick Murchison
Object type: page
Date: 1858 – 1868
Materials: paper
Techniques: albumen print
Location: london
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: geology, historical persons
Hoofd van man
Object type: print
Date: 1778 – 1813
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: daniël jean guicherit
Artist role: print maker
Artist dates: 1763 – 1813
Subjects: head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Mannenkop in profiel, met baard en muts waaruit enkele haren te voorschijn komen die het oor onbedekt laten. Onder de voorstelling de signatuur van de kunstenaar.
Clouds of Prince Genji
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891

This print by Shibata Zeshin was commissioned by the poet Hozan. Created two years later than The Cup of Long Life, it also celebrates longevity. Not only is Zeshin’s age prominently displayed (he signed the print: “the 79-year-old Zeshin”) but the occasion for the print is the commemoration of the 70th birthdays of a number of poets in Hozan’s circle.
The print’s depiction of summer plants enclosed by stylized cloud banks references Tosa-school gold clouds and classical Genji images. These were favored by 19th-century poets, who saw themselves (if half in jest) as later versions of heroes from the classical age of poetry and sensitivity.
Portret van Jan van Walré
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: haarlem, publisher, jan van walré
Inscriptions: collector's mark: Lugt 2228

Prent volgens Van Someren ook gebruikt in: Nederlandsche Muzen-Almanak. Rotterdam: J. Immerzeel, 1826.
Portret van John Hamilton Mortimer
Object type: album leaf
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: print maker, john hamilton mortimer, historical persons, portrait, self-portrait of painter

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 350.
Watch
Object type: watch
Date: 1590 – 1590
Materials: silver
Artist: nicolas galliard (or gaillard)
Artist role: artist
Artist dates: 1502 – 1602
Subjects: faces,female nudes,flowers
L'eau forte
Object type: titelblad, titelpagina
Date: 1886 – 1886
Techniques: drypoint, etching
Location: paris
Subjects: print, e.g.: engraving, etching, lithograph, artist at work, in his workshop (+ graphic arts), tools, implements of graphic artist, workshop, studio of the artist (in general), screen, folding screen
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Achttiende-eeuwse voorstelling. Een vrouw zit achter een tafel van een prentmaker voor een raam. In de achtergrond een kamerscherm, uit de lucht daalt een allegorisch figuur met vleugels op een palmtak neer.
Pauw en pioenrozen
Object type: print
Date: 1833 – 1837
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa hiroshige (i)
Artist role: draughtsman, print maker
Artist dates: 1797 – 1858
Subjects: plants and herbs: peony, ornamental birds: peacock

Pauw onder weelderig bloeiende pioenrozen; linksboven een gedicht.
Winterlandschap met schaatsers bij een dorp
Object type: print
Date: 1639 – 1641
Materials: ink, paper
Techniques: brush, etching, pen
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: wooden container: barrel, cask, bucket, tent, kitchen-fire - cc - in the open air, table, hotel, hostelry, inn
Inscriptions: number: ‘9’, collector's mark: Lugt 2228, collector's mark: Lugt 1120

Winterlandschap met schaatsers bij een dorp. In het midden een houten brug. Op de voorgrond kinderen met een slee en een groep kolfspelers. Negende prent van een serie met 36 prenten van landschappen, verdeeld over zes delen.
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 46 (recto)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: peacocks,flowers,leaves
Twee vrouwenportretten
Object type: sketchbook leaf
Date: 1846 – 1882
Materials: paper, pencil
Location: low countries
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: annotation: ‘Demusscher[?]/ A. van den Tempel 1649’

Links een portret van een vrouw in zeventiende-eeuwse kleding met een waaier. Rechts een portret van een vrouw in zeventiende-eeuwse kleding, mogelijk ook met een waaier. Blad 4 uit een schetsboek met 91 bladen.
Boy Bringing Round a Citizen's Curricle
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,horses,carriages
Oudere man uit The seven ages of man - As you like it van William Shakespeare
Object type: page
Date: 1872 – 1877
Materials: photographic support
Techniques: albumen print
Artist: james m. landy
Artist role: fotograaf
Artist dates: 1838 – 1897
Subjects: theatre, theatrical performance, adult man, historical persons
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of head, neck, bent left arm and part of upper torso of draped figure to left
Playsante lantschappen ende vermakelycke gesichten
Object type: print
Date: 1639 – 1641
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: riding a horse, ass, or mule; rider, horseman, river, firearms: cannon, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 964

Een ruiter en twee soldaten bij een kanon op een rivieroever. 29ste prent van een serie met 36 prenten van landschappen, verdeeld over zes delen.
Lappet
Object type: lappet
Date: 1860 – 1860
Techniques: lace
Portret van Maria Annunciata (Carolina) Bonaparte
Object type: print
Date: 1841 – 1911
Materials: paper
Techniques: etching
Artist: léopold flameng
Artist role: print maker
Artist dates: 1831 – 1911
Subjects: historical persons - bb - woman
Asakusa ricefields and Torinomachi festival
Object type: print
Date: 1811 – 1857
Materials: paper
Techniques: woodcut, nishiki e
Location: tokyo
Subjects: cat
Inscriptions: date

Een kat kijkt vanaf de vensterbank uit over de rijstvelden waar een stoet mensen op weg is naar een tempel. Aan de horizon is de berg Fuji zichtbaar.
Double Page in Nasta'liq Script from a Yusuf and Zulaikha of Jami
Object type: bifolio from an illustrated manuscript
Date: 1551 – 1600
Materials: gold, ink, paper, watercolor
Location: iran
Artist: maulana nur al-din `abd al-rahman jami
Artist role: author
Artist nationality: iranian
Artist dates: 1414 – 1492
Fotoreproductie van een schilderij, voorstellende een portret van Michelangelo Buonarroti
Object type: reproduction
Date: 1882 – 1887
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: rome, painter, draughtsman, sculptor, michelangelo, portrait, self-portrait of artist
Inscriptions: number: ‘593’
Cup Plate
Object type: cup plate
Date: 1825 – 1860
Materials: glass
Subjects: flowers
A kedves figyelmet szivé lyesen köszönik
Object type: acknowledgment
Date: 1935 – 1935
Materials: paper
Techniques: drypoint, etching, intaglio
Location: budapest
Artist: kornél révész
Artist role: print maker
Artist dates: 1885 – 1944
Subjects: satyrs, fauns, sileni, toddler (male), flowers: rose
Inscriptions: date: ‘Nr. 111/ 1935’, workshop stamp: ‘Fecit/ Révész Kornél/ Budapest’, signature: ‘Révész’

Ex libris maakt deel uit van omslag met 64 ex libris op 34 losse opzetvellen, een catalogus en een tekstblad.
"Elias and Khizr at the Fountain of Life', Folio from a Shahnama (Book of Kings) of Firdausi
Object type: folio from an illustrated manuscript
Date: 1467 – 1500
Materials: gold, ink, paper, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: alexander the great,men,horses

Alexander the Great figures prominently in Persian literature and histories, including in both the Shahnama and the Khamsa of Nizami. This scene, which occurs in both texts, depicts Alexander and the Prophet Khizr’s search for the Fountain of Life. Although they begin the journey together, they are separated and only Khizr is successful. Here, he appears with the Prophet Elias at the Fountain, while Alexander continues his search in the background.
Nonnen staande voor bisschop
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Subjects: archbishop, bishop, etc. (roman catholic), nun(s)
Boulevard in Eastbourne, East Sussex
Object type: photograph
Materials: paper
Techniques: albumen print
Location: eastbourne
Artist: Anonymous
Subjects: avenue, boulevard, promenade, esplanade
Inscriptions: number: ‘25293’, inscription: ‘Eastbourne 14-16/4 1900/ [...] in summertime/ The Grand Parade’
Plate 44: Vendor of book and tablets for children
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
Portret van Ernst Haeckel
Object type: print
Date: 1877 – 1903
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: scholar, philosopher, historical persons
Portret van Jan Karel van Goltstein
Object type: print
Date: 1843 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: arnhem, politician, minister ~ government, historical persons, politician, e.g. party leader

Een facsimile signatuur in de ondermarge.
Container in the shape of a Buddha’s hand
Object type: container
Date: 1701 – 1800
Materials: gemstone
Culture: chinese
Subjects: hands
Brougham #3339
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Nederlandsche Courant, 20 oktober 1785
Object type: newspaper
Date: 1785 – 1785
Materials: paper
Techniques: letterpress printing
Location: nieuwer-amstel
Subjects: newspaper, news-sheet

Exemplaar van de krant 'Nederlandsche Courant' van 20 oktober 1785. Enkelbladig, beide zijden bedrukt. Bovenaan een vignet met de Vrijheid en Mercurius. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Officieele Nieuwsbladen.
Keystone from a Vaulted Ceiling
Object type: keystone
Date: 1220 – 1230
Materials: limestone
Culture: german

During the 1100s and 1200s, fortified settlements were built in the Holy Land by knights from western Europe trying to establish a Christian kingdom with Jerusalem as its capital. Founded by French Crusaders in the 1100s, Castle Montfort was purchased in the 1220s by the Teutonic Knights, German Crusaders who rebuilt it and renamed it Starkenberg. This keystone was probably carved during the Teutonic Knights’ restoration of the site. In 1272 after a heavy siege, the castle fell to Baybars, the Mamluk sultan of Egypt. The surviving knights retired to Acre (now Akko, Israel), the last Christian stronghold in the Holy Land. In 1926 the Museum took part in the excavation of the ruined castle.
Gezelschap aan boord van de boot Ellida uit Amsterdam, links zitten Charlotte en Christiaan Otto Roelofs
Object type: album leaf
Date: 1900 – 1915
Materials: photographic support
Techniques: collodion silver print
Location: netherlands
Artist: christiaan otto roelofs
Artist role: fotograaf
Artist dates: 1882 – 1970
Subjects: amsterdam, christiaan otto roelofs, historical persons, traffic on the water, loose company
Vrouw op een veranda
Object type: album leaf
Date: 1880 – 1910
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, historical persons, loggia, verandah, porch, dutch east indies, the
Gezicht op het in aanleg zijnde Station Amsterdam Centraal, gezien vanaf de Korte Singel
Object type: photograph
Date: 1876 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: railway, train, station; shelter (railway, tramway), building-site
Inscriptions: collector's mark: ‘21.199’ Lugt 1641b, inscription: ‘Atlas D.G. Meys Jr. / A°. 1910’, signature: ‘R & Co.’

Midden onder genummerd: no. I. Onderwerpsrubriek binnen de Atlas Amsterdam: Opgravingen.
Gezicht op een café in het Bois de Boulogne in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: bois de boulogne
Artist: Anonymous
Subjects: inn, coffee-house, public house, etc., pavement, terrace in front of inn or restaurant
Inscriptions: inscription: ‘Bois de Boulogne-café- Paris instantané’, number: ‘No 64 No. 67 XXV’
Sight, plate 39 from Types Parisiens
Object type: print
Materials: paper
Techniques: letterpress, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879

A favorite of Daumier’s, this print is a play on traditional genre scenes, comically at odds with the sense it portrays. “Sight” is represented by a nighttime stroll alongside the River Seine, with Notre Dame emerging hazily from the darkness. The clearest object is the moon, represented by a curve of unmarked paper, in stark contrast with the heavily shaded image. The moon’s prominence only deepens the print’s irony: a crescent moon is traditionally a symbol that a husband has been cuckolded by his wife, suggesting that the man in the print cannot see what is right before his eyes.
Portret van Martin Beer
Object type: print
Date: 1649 – 1683
Materials: paper
Techniques: etching
Artist: sigmund gabriel hipschmann
Artist role: painter, print maker
Artist dates: 1639 – 1683
Subjects: historical persons
Statuette of a woman
Object type: statuette of a woman
Date: 1 – 200
Materials: bronze
Culture: roman
Subjects: women

She is completely enveloped in drapery, wearing a chiton and over it a himation, which covers her head.
Fragment sits met een patroon van twijgen met kleine bloemen
Object type: fragment
Date: 1750 – 1775
Materials: cotton
Location: paliacatta
Artist: Anonymous
Subjects: verenigde oostindische compagnie

Fragment sits met een doorlopend patroon van bloemtakken in verschillende tinten rood, aubergine, blauw en groen met omtrekken in zwart en rood. Aan de onderzijde een blauwe rand met links witte ronde uitsparing in het blauw met resten van VOC(?) of EIC(?) merk en links in dito inscriptie in Tamil (I. Niladantavan); rechts (volgens opgave in jaarmap aan achterzijde in hoek 'VOC'merk) opgespeld papiertje met in 18de eeuws schrift: 'Deze lap uyt het boelgoed/van Abr: Ruuds kost 34 st/ 1783' en 'Van Wijtze de Vries/ 11/16 E1 Zits a 6 GL f 4 - 2 - 11/1775 Augs: 1' en 'W 38/ 34 st'. Oosters textiel.
De Angelsaksische prinses schenkt aan Radigis vergiffenis
Object type: print
Date: 1840 – 1884
Materials: paper
Techniques: engraving
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: names of literary characters, land forces, granting mercy; free pardon
Inscriptions: collector's mark: Lugt 2228

Voor een legerhut ontvangt Radigis, koning van Warmond, in het jaar 534 vergiffenis van zijn verstoten Angelsaksische bruid, nadat zij hem met haar legermacht had overwonnen en gevangen had genomen. Hij toonde berouw over zijn misstap en beloofde met haar te trouwen.
A Short History of General F. Sigel, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,flags,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Scene from the Chushihgura (Vendetta of the 47 Loyal Retailers)
Object type: print
Date: 1820 – 1820
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyomine
Artist role: artist
Artist nationality: japanese
Artist dates: 1787 – 1868
Subjects: men,women,games,tea houses
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Interior, helmet pushed up on top of warrior's head
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: chinese
Subjects: flowers
Portret van Aaron le Grand
Object type: print
Date: 1776 – 1778
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 2228

Aaron le Grand, ten halven lijve, in een venster. Onder het portret een richel waarop een leeg veld voor zijn naam.
Tegeltableau van twaalf tegels met bark en kofschip
Object type: tile tableau
Date: 1780 – 1795
Materials: earthenware, glaze
Techniques: maiolica
Location: amsterdam
Artist: g. de graaf
Artist role: tegelbakker

Tegeltableau van twaalf tegels (4 x 3) met blauw geschilderde zeilschepen: een bark en een kofschip. De onderkant is versierd met brede banden waartussen een parellijst. Onderaan gesigneerd: G:D: GRAAF.
Vallei bij Monte Oliveto Maggiore
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: dale, valley
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie getiteld: "Impressions d'Italie", bestaande uit vijftig platen en een titelprent met verschillende gezichten op Italië.
Censer
Object type: censer
Materials: bronze
Culture: chinese
Artist: chinese
Artist role: artist
Quaden
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: armour, casting weapons: spear, extinct, 'historical' peoples (with name)
Inscriptions: date

Krijger van het Germaanse volk der Quaden, staande ten voeten uit in wapenrusting met dierenvel, gewapend met lans en schild.
Handkerchief
Object type: textile
Date: 1830 – 1848
Materials: cotton
Techniques: engraving, weave, printing
Location: rouen
Artist: raimond laverdin
Artist nationality: french
Artist dates: 1830 – 
Subjects: propaganda
Bottle, Sleeping Figure
Object type: bottle
Date: 301 – 600
Materials: ceramic, pigment
Culture: moche
Location: peru
Subjects: sleeping,men
Watermill along a stream at Sadda, Khyber Pakhtunkhwa, Pakistan
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: sadda
Subjects: brook, watermill
Inscriptions: caption: ‘WATERMILLS AT SADDA’
Design for Two Cartouches
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: cartouches
De bruiloft van Cloris en Roosje / Les noces de Clorus et Rosette
Object type: print
Date: 1754 – 1764
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: wooden container: barrel, cask, bucket, violin, fiddle, one pair dancing; man and woman dancing as a couple, dancing at wedding feast - dd - out of doors, comedy, person addressing a group, orator
Inscriptions: collector's mark: Lugt 2488

Cloris en Roosje dansen op hun bruiloft. Op de verhoging twee vioolspelers, van wie de vrouw het glas heft. Rechts de feestgangers en een man, die vanaf een ton een toespraak houdt. Onderaan in de marge het wapenschild van en een opdracht aan Jan Jacob de Bruyn, die het originele schilderij in zijn verzameling had. Scène uit het zangspel De bruiloft van Cloris en Roosje.
Shrub Carpet
Object type: carpet
Date: 1701 – 1733
Materials: cotton, wool
Techniques: asymmetrically knotted pile
Location: iran
The Death of Procris
Object type: painting
Materials: canvas, oil, paint, panel
Techniques: painting
Location: england
Artist: benjamin west
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1820
Subjects: greek mythology, woman, weapons, trees, spears, nature, mythology, mythological figures, mythical, man, greece, forests, flowers, dog, death, bushes, animals, mourning, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed: B. West / 1770 (lower left), Retouched. 1803. (lower edge, left of center)
Relief fragments from the tomb of Meketre
Object type: relief fragment, tomb of meketre
Date: 1981 – 1975
Materials: limestone, paint
Location: egypt