deem-data/ArtiFact huggingface dataset:
Het afzweren van Filips II door de Staten, 1581
Object type: history print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: netherlands
Subjects: philip ii of spain, involuntary abdication (of a ruler), swearing an oath (with two fingers raised)
Inscriptions: date

Het afzweren van de Spaanse koning Filips II door de Staten, 26 juli 1581. Interieur waarin leden van de Staten-Generaal de eed afleggen. Op de grond het verbroken wapen en zegels van Filips II.
The Manirung Pass
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: samuel bourne
Artist role: fotograaf
Artist nationality: english
Artist dates: 1834 – 1912

After some initial success as a professional photographer in England, Samuel Bourne sailed to India in 1863 and soon after his arrival opened a studio in Simla. From there he embarked on three successive photographic expeditions to the Himalayas, which brought him wide recognition and which he described in the pages of the "British Journal of Photography" in issues dating from 1864 to 1870. This photograph of the Manirung Pass was made in 1866 on the last and most strenuous of the expeditions, the destination of which was the source of the Ganges. Accompanied by the botanist and geologist G. R. Playfair, Bourne enlisted a team of eighty porters who drove a live food supply of sheep and goats and carried boxes of chemicals, glass plates, and a portable darkroom tent. Crossing the pass at an elevation of 18,600 feet, Bourne succeeded in taking three views before the sky clouded over, setting a record for photography at high altitudes. After near-fatal hardships, the expedition reached the ice cave at the foot of Gangotri Glacier, where the Ganges originates, and returned safely to Simla. It was through such feats of physical courage, as well as the obstinate pursuit of the highest artistic standards, that Bourne earned his reputation as a peerless photographer-explorer. By the time Bourne left India in 1870 to return to England, he had produced over 2,500 views, mostly of architecture and landscapes, which, distributed by his partner Charles Shepherd, constitute the most exhaustive record made in India by a single photographer. Bourne's carefully thought-out, meticulously crafted images were collected by tourists, archaeologists, and botanists alike. The album of 131 images from which this view is taken includes 68 photographs by Bourne. With a few exceptions all the other images, ranging from cricket games to amateur theatricals and shipwrecks, were made in India. A richly informative document on the subcontinent as viewed through British eyes, the album was probably assembled by a British resident in India in the late 1860s.
Untitled (New York Militiamen)
Object type: photograph
Date: 1855 – 1855
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, male, military, portraits: male subject, portraits: multiple subjects
Bloemornament. Merk: W 18
Object type: napkin
Date: 1725 – 1735
Materials: linen
Location: germany
Artist: Anonymous
Inscriptions: : ‘W 18 WH 2oonl’

Servet van wit linnen met een bloemenornament, merk W 18.
Schotelscherf van geelbakkend aardewerk, voorzien van blauw glazuur aan de boven- en onderzijde, waarop een gestileerde schildering van een bloem op het plat, en strepen en gegolfde randjes op de rand, en op de achterzijde een patroon van halve cirkels in blauw
Object type: sherd
Date: 1500 – 1699
Materials: earthenware, glaze
Artist: Anonymous
Candlestand (Torchère)
Object type: candlestand
Date: 1701 – 1733
Materials: wood
Techniques: carving
Subjects: men
Studie van een linkerhand op een stoelleuning
Object type: drawing
Date: 1874 – 1925
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: hand
Liggende geit, naar rechts
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching
Location: netherlands
Subjects: goat
Inscriptions: collector's mark: Lugt 2228
Broodpenning van de Gereformeerde Diaconie te Amsterdam 1777
Object type: alms token
Date: 1777 – 1777
Materials: copper, tin
Techniques: striking
Inscriptions: circumscription: ‘GEREFORMEERD DIACONIE BROOD’, circumscription: ‘VERGENOEGD EN DANKBAAR’

Tinnen penning met brede koperen plug, op de voorzijde een vrouw zittend naast een schaap, een duif op haar hoofd en een juk om haar nek, met omschrift, op de keerzijde twee broden op een beklede tafel, met omschrift, in afsnede 1777
Ganging to the Kirk
Object type: print
Materials: paper
Techniques: etching, hand coloring
Location: england
Artist: george woodward
Artist nationality: english
Artist dates: 1760 – 1809
Writing Box
Object type: writing box
Date: 1601 – 1700
Materials: lacquer
Culture: japanese
Subjects: flowers
George Frederick Cooke in the Character of Iago (Shakespeare's "Othello")
Object type: print
Date: 1783 – 1783
Techniques: hand coloring, mezzotint
Artist: james ward
Artist role: engraver
Artist nationality: british
Artist dates: 1769 – 1859
Subjects: shakespeare,men,portraits,actors

A British actor famous for portraying Shakespearen villains, Cooke appears here as Iago in Shakespeare's "Othello." After establishing himself in the English provinces from 1778, the actor became a star in Dublin, then moved to London in 1801 where he performed Richard III, Shylock, Iago and Macbeth in competition with John Philip Kemble.
Cyrtanthus carneus Lindl.  (Sand-lily)
Object type: album leaf
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Subjects: plants; vegetation
Inscriptions: annotation: ‘Cijrtanthús’

De tekening is gemaakt voor of tijdens een van Gordon's vier expedities door de Kaapprovincie, van oktober 1777 tot maart 1786.
Sommige (soort)namen kunnen zijn gewijzigd, gezien reorganisatie in plantentaxonomie gedurende de afgelopen jaren.
Porringer
Object type: porringer
Date: 1691 – 1692
Materials: silver
Artist: timothy ley
Artist role: maker
Artist dates: 1690 – 1692
Gate (Reja)
Object type: gate
Date: 1510 – 1530
Materials: iron
Medal Commemorating Washington's Resignation of the Presidency
Object type: medal
Date: 1797 – 1797
Materials: lead
Subjects: george washington,profiles
“- Just look at that! the train that's about to pass is lucky to have a narrow escape.... the whole affair would have blown up if I hadn't noticed in time... - What is it then, what is it? - Why, it's obvious, a needle has been placed right on the rail... luckily I saw it in just in time!,” plate 1 from Les Chemins De Fer
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Four Family Portraits
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: lithograph
Location: france
Artist: jean–auguste–dominique ingres
Artist nationality: french
Artist dates: 1780 – 1867
Drie composities, waarvan één met een figuur
Object type: sketchbook leaf
Date: 1908 – 1919
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: printed matter
Inscriptions: annotation: ‘[...] en MARQUIS[...]’

Mogelijk ontwerpen voor drukwerk. Blad 2 recto uit een schetsboek met 33 bladen.
Klooster van de Sint-Jan van Lateranen en een gezicht over de stad
Object type: album leaf
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: rome
Artist: Anonymous
Subjects: tourism, church (exterior), cloisters ~ monastery, prospect of city, town panorama, silhouette of city, rome
Inscriptions: inscription: ‘Cloistre de St Jean de Latran / Rome vue de Janicule’

Albumblad met twee foto's in Rome. Onderdeel van een fotoalbum van een reis door Italië, ca. 1900.
Binnenplaats met een beeld van een riviergod in een rechthoekige vijver
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: etching
Location: antwerp
Subjects: architectural representations in general, river-gods, courtyard, garden pond

Binnenplaats met een beeld van een riviergod in een rechthoekige vijver. Deze prent maakt deel uit van een album.
Interieur met jonge vrouw met handwerk
Object type: drawing
Date: 1836 – 1896
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: adult woman, interior of the house

Jonge vrouw, van voren, zittend met een handwerk. Verso: tweemaal een staande vrouw bij de huiselijke arbeid.
Thrift
Object type: drawing and watercolor
Date: 1870 – 1891
Materials: chalk, gouache, ink, paint, paper, watercolor
Techniques: pen
Location: england
Artist: charles samuel keene
Artist nationality: british
Artist dates: 1823 – 1891
Studie
Object type: sketchbook leaf
Date: 1886 – 1891
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

Pagina 32 uit een schetsboek met 32 bladen.
Portret van Franz Volkmar Reinhard
Object type: print
Date: 1790 – 1816
Materials: paper
Techniques: etching
Location: dresden
Subjects: bookshelves, historical persons, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van de Kruisdraging door Rafaël
Object type: album leaf
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Subjects: christ collapsing ~ carrying of the cross
Inscriptions: inscription: ‘Rafael:/ Spasimo di Sicilia./ 122./ Die Kreuztragung. - Christ bearing the cross.’, inscription: ‘Gustav Schauer/ Photographisches Kunst- und Verlags - Institut/ BERLIN/ Grosse Friedrichs - Strasse 188.’
Fotoreproductie van een non-figuratief gebrandschilderd glas-in-loodraam gemaakt door Richard Nicolaüs Roland Holst
Object type: reproduction
Date: 1925 – 1939
Materials: glass
Techniques: gelatin glass negative
Location: amsterdam
Artist: Anonymous
Subjects: window, glass ~ building material

Het glas-in-loodraam is één van de ramen bestemd voor het trappenhuis van de Universiteitsbibliotheek Amsterdam, de aula van de Rijksacademie van Beeldende Kunsten of een Amsterdams gemeentegebouw.
Spaanse troepen verlaten Den Bosch, 1629
Object type: print
Date: 1782 – 1784
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: delft, the hague, frederick henry (prince of orange), capture of city (after the siege), den bosch

Gebruikt als illustratie in: J.W. te Water, De vaderlandsche Historie van den heere J. Wagenaar, verkort, en met leerzaame aanmerkingen, ten dienste der Nederlandsche jeugd, 1784-1800, 4 delen. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller.
Knielende Lodewijk XI van Frankrijk
Object type: drawing
Date: 1874 – 1925
Materials: ink, paper
Techniques: pen
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: kneeling figure, dog
Inscriptions: annotation: ‘Hek/ Fac-simule d'un dessin réprésentant Louis XI, dessiné sur ordre de ce roi-/ Prie d'un manuscrit médit de la Bibliotheque royale/ Magasin Pittoresque’

De tekening is overgetrokken uit de publicatie 'Magazin Pittoresque'. De losse tekening komt uit een blauwe map met een deel van een schetsboek met 4 bladen, vier losse tekeningen en twee stuks drukwerk.
Paneel Neo Grec / Nieuw Grieksch.
Object type: drawing
Date: 1866 – 1900
Materials: pencil, paper
Techniques: drawing
Artist: Anonymous

Twee decoraties, links met het beeld van een vrouw die een vaas vasthoudt, rechts met een cartouche waaronder een vrouwenhoofd hangt .
Tamarindegroepen op Tourtonne
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘C11 / Tamarindegroepen op Tourtonne.’

Groepen hoge tamarindebomen op de plantage Tourtonne. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Portret van Joachim von Gravenegg
Object type: print
Date: 1653 – 1653
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2233
Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006)Suggested Amendments to album title by Jacqueline Chao, 2013:Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006)
Object type: painting
Materials: ink, paper
Location: china
Artist: chen xiuyu 陳脩榆
Artist nationality: chinese
Artist dates: 1858 – 1942
Rivierlandschap
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: river (+ landscape with figures, staffage), angling

Rivierlandschap met vissers in roeiboten tussen het riet.
Abklatsch van de krijttekening op blad 18 verso
Object type: sketchbook leaf
Date: 1887 – 1934
Materials: paper
Techniques: printmaking
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 20 recto uit schetsboek LIX met 21 bladen.
Cat with Kittens
Object type: painting
Date: 1844 – 1844
Materials: oil, panel
Artist: henriëtte ronner
Artist role: draughtsman, painter
Artist dates: 1821 – 1909
Subjects: cat
Inscriptions: signature and date: ‘Henriette Knip 1844’

Kat met jongen. In het raam van een houten schuur zit een kat met vier jongen op een oude deken. Rond het venster klimop en winde.
Faber, P., from Baseball strip cards (W575-2)
Object type: print
Date: 1921 – 1922
Techniques: photolithograph
Subjects: men,portraits,baseball,athletes

Red Faber, Pitcher, from Baseball strip cards (W575-2). W575 is comprised of two separate distinct issues known as W575-1 and W575-2. W575-2: black and white printed photo of player. White borders. Blank back. Includes a replica signature over image. Known as "autograph on shoulder" series.
Rush-Sandal Chen (Chen Puxie)
Object type: hanging scroll
Date: 1467 – 1500
Materials: ink, paper
Culture: japanese
Artist: ikkyū sōjun
Artist role: artist
Artist nationality: japanese
Artist dates: 1394 – 1481

Ikkyū Sōjun, an erudite monk of the Rinzai Zen sect, built a reputation as one of medieval Japan’s great eccentrics and religious iconoclasts, in part through his poetry in Chinese. The four poems he brushed on this scroll originally appeared in his Crazy Cloud Anthology (Kyōunshū), forming the first half of the section Eight Poems about Chen Puxie, which addresses the internal conflicts among, and the decline of, the Buddhist schools. Beneath is an unsigned, imaginary portrait of the Chinese monk mentioned in the section’s title. Muzhou Daoming (780–877) devoted so much of his daily routine to plaiting rush sandals that he became known as “Rush-Sandal Chen” (Chen Puxie). He would hang the shoes from the eaves of his temple to give or sell to passersby.
Kamayama, yukibare
Object type: print
Date: 1828 – 1835
Materials: paper
Techniques: woodcut, nishiki e
Location: japan
Artist: utagawa hiroshige (i)
Artist role: draughtsman, print maker
Artist dates: 1797 – 1858
Subjects: mountain climbing, mountaineering, castle, snow
Inscriptions: collector's mark: Lugt 2228, signature: ‘Hiroshige ga’

Sneeuwlandschap met een groep reizigers, in blauw en geel, een stijl bergpad beklimmend, leidend naar het Kameyama kasteel rechtsboven; linksonder de daken van huizen.
Bodhidharma
Object type: figure
Date: 1801 – 1900
Culture: chinese
Subjects: men,monks

Bodhidharma was the legendary sixth-century Indian patriarch who brought Chan, also known as Zen (after the Japanese transliteration), Buddhism to China. It was said that Bodhidharma magically crossed the great Yangzi River on just a reed. This sculpture successfully catches the confidence and calm of the legendary figure.
Buckle
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, steel, stoneware
Techniques: cutting
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "Wedgwood"
Briefkaart aan Pieter Haverkorn van Rijsewijk
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Artist: ch.m. dozy
Artist dates: 1852 – 1901
Subjects: pieter haverkorn van rijsewijk, amsterdam, historical persons (portraits and scenes from the life)
Miser's purse
Object type: miser's purse
Date: 1867 – 1900
Materials: silk
Culture: american
Scarab: The God Ptah with Ma’at Feather and Djed-Pillar
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: gods (deities), hieroglyphs, insects
Bronze mitra (belly guard)
Object type: mitra
Date: 634 – 601
Materials: bronze
Culture: greek, cretan
Subjects: horses

These three mitrai were found on Crete with the two helmets exhibited above. They were suspended from belts to protect the lower abdomen. One, with a depiction of the foreparts of horses, is inscribed "Synenitos, the son of Euklotas, [took] this." Another, with the foreparts of winged horses, is inscribed "Aisonidas, the son of Kloridios, took this." The third mitra is decorated with two sphinxes. Such heraldic representations of fantastic animals were derived from Near Eastern prototypes.
Portret van militair José Carrillo de Albornoz
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: sevilla, historical persons, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228
Wine bottle
Object type: wine bottle
Date: 1834 – 1866
Materials: glass
Culture: japanese

The glassware known as chalcedony was developed in Renaissance Venice. Production ceased in the eighteenth century, only to be revived in the mid-nineteenth century. These examples of chalcedony glassware reveal skill and artistry equal to that of European makers, although they were produced only shortly after the technique was introduced into Japan in the mid-1800s.
Frontispice met Ferdinand als Mars; intocht van Ferdinand te Gent in 1635 (nr. 1)
Object type: print
Date: 1635 – 1636
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', ghent

Frontispice met kardinaal Ferdinand als Mars, staande op een voetstuk, gelauwerd door de Victorie. Op de grond verslagen vijanden en riviergoden. Blad nr. 1 in een geheel van 42 platen die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Gent op 28 januari 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreren.
John George III 1647-91, Elector of Saxony 1680-91
Object type: medal
Date: 1691 – 1691
Materials: silver
Artist: martin heinrich omeis
Artist role: print maker
Artist nationality: german
Artist dates: 1650 – 1703
Leden van Spaanse en Italiaanse raden, nr. 33
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: ghent, charles v (holy roman emperor and king of spain), cortege, funeral procession

Leden van Spaanse en Italiaanse raden. Onderdeel van de prentreeks van de Begrafenisoptocht van keizer Karel V op 29 december 1558 te Brussel.
Guatemala, from the Dancing Girls of the World series (N185) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: girls,profiles,dancing,dancers

Trade cards from the "Dancing Girls of the World" series (N185), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Je te vas descendre
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Knipslot
Object type: lock
Date: 1600 – 1699
Materials: iron
Techniques: engraving

Een knipslot, waarop gegraveerde bloemen.
Jar, Jun ware
Object type: jar
Date: 1201 – 1300
Materials: glaze, stoneware
Culture: chinese
Artist: chinese
Artist role: artist
July
Object type: print
Materials: paper
Techniques: engraving, mezzotint, printing
Location: netherlands
Artist: cornelis dusart
Artist role: artist
Artist nationality: dutch
Artist dates: 1660 – 1704

Dusart’s July doubles as both a depiction of one of the summer months and as an earthy invitation for a literal roll in the hay. This softly textured mezzotint belies the crackling, scratchy surface of the haystack that these potential lovers would enjoy. The foreground farmer lovingly threatens to toss a bale of hay at his ladylove, who reclines, arms wide open, as if to take him immediately in her embrace. The wine jug to the right suggests that this jovial encounter is heightened by drink.
Fly amulet
Object type: amulet, fly
Date: 664 – 332
Materials: faience
Location: egypt

The fly whisks that Egyptian artists depicted in the hands of Pharaohs and high officials are potent reminders of how irksome the hosts of flies were in ancient Egypt. The ancient Egyptians, however, seemed to have held flies in high esteem, presumably because of this insect’s powers of fast reaction and indomitable, insistent presence.
Oosters tapijt
Object type: oriental rug
Date: 1850 – 1900
Materials: wool
Location: fars

Oosters tapijt van geknoopte wol waarvan het middenveld versierd is met rijen botehs. Vijf randen met een eenvoudig geometrisch patroon. Vermoedelijk geweven door Afshar nomaden.
Portret van Lucas Trelcatius (I)
Object type: book illustration
Date: 1609 – 1609
Materials: paper
Techniques: engraving
Location: leiden
Subjects: france
Inscriptions: collector's mark: Lugt 2228

Prent uit: Icones ad vivum delineatæ et expressæ, virorvm clariorvm qui præcipue scriptis Academiam Lvgdvno Batavam illustrarunt. Leiden: Andries Clouck, 1609.
Portret van Kornelius Kuik van Mierop
Object type: print
Date: 1709 – 1718
Materials: paper
Techniques: engraving, etching
Subjects: utrecht, the hague, bookcase, with doors
Inscriptions: collector's mark: Lugt 2228, inscription: ‘geboore te Utrecht’

Portret van de Haagse predikant Kornelius Kuik van Mierop op 39-jarige leeftijd. Hij houdt een Bijbel in klein formaat in de hand. Achter hem een boekenkast. Rondom het portret zijn naam, functie en leeftijd, omkranst door lauwertakken. Onder het portret een lofdicht.