deem-data/ArtiFact huggingface dataset:
Schelkoord met wollen borduursel
Object type: schellekoord
Date: 1800 – 1850
Materials: bronze, silk, textile
Techniques: embroidered, gilding
Location: netherlands

Schelkoord met wollen borduursel. Op een vergeeld stramien staat ene zich herhalend candelabre motief. Het koord is gevoerd met fletsrode taftzijde en is afgewerkt met een rozet van rose en witte tafzijde. De greep bestaat uit een donker gepatineerde, deels verguld bronzen halve boog van twee acanthusranken, die uit de hals van een leeuwekop ontspringen en door een verguld rozet gesloten worden.
Ciborium
Object type: ciborium
Date: 1912 – 1916
Materials: opal, silver
Techniques: repoussé
Location: hagen

This ciborium – a vessel used in Christian worship for the consecrated bread – depicts the interaction between man and the universe with pentagons, triangles andspirals. Lauweriks was following the Theosophical tenet that every philosophy of life contains a fragment of the divine mystery. Lauweriks therefore chose opals, which reflect light in a thousand colours; as many as there are human interpretations of the divine.
Apostel Matteüs met beurs
Object type: print
Date: 1517 – 1527
Materials: paper
Techniques: engraving
Location: italy
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: the apostle and evangelist matthew (mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword
Inscriptions: collector's mark: Lugt 12

Prent maakt deel uit van een serie van dertien kleine prenten van Christus en de apostelen naar ontwerp van Raphael.
Portret van Lodewijk XIV, koning van Frankrijk
Object type: print
Date: 1642 – 1678
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: lodewijk xiv (koning van frankrijk), historical persons, king
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Spoon probe
Object type: spoon probe
Date: 7000 – 330
Materials: bronze
Bowl
Object type: bowl
Date: 1301 – 1500
Materials: earthenware
Techniques: glazing
Location: iran
Headband with Heads of Gazelles and a Stag Between Stars or Flowers
Object type: diadem, gazelle, stag
Date: 1648 – 1540
Materials: gold
Location: eastern delta
Subjects: animals,flowers
Coin Portraying Emperor Maxentius
Object type: coin
Date: 306 – 312
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP C MAXENTIVS P F AVG
Reverse: AETERNITAS AVG N MOSTA

The front (obverse) of this coin portrays the emperor Maxentius facing right and wearing a crown of laurels.

On the back (reverse), the twins Castor and Pollux are shown standing, each holding scepter and with a horse behind them.

One of the earliest and most popular themes on Roman coinage was the Dioscuri, or Castor and Pollux, hero twins who are usually shown with two stars placed above their heads to denote their celestial influence. They give form to a dual myth, representing youth and courage. Castor and Pollux were the sons of the god Jupiter and a mortal woman named Leda, and the story of their birth from an egg explains the peculiar cap which they always wear, evidently representin half of an egg shell.
VOC, duit Zeeland, 1786
Object type: coin
Date: 1786 – 1786
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Portret van Melchior Rinck
Object type: print
Date: 1677 – 1677
Materials: paper
Techniques: engraving
Location: middelburg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Oorspronkelijk gemaakt voor: 'Historische beschrijvinge ende affbeeldinge der voorneemste hooft ketteren', Amsterdam, C. van Sichem, 1608. Deze prent komt in deze staat voor in: C. van Sichem, 'Het tooneel der hooft-ketteren, bestaande in verscheyde afbeeltsels...', Middelburg, Wilhelmus Goeree, 1677.
Female Figure
Object type: female figure
Date: 500 – 250
Materials: ceramic
Culture: xochipala
Location: mexico
Subjects: female nudes
Album met honderd vogels van Bairei, deel één
Object type: book
Materials: paper
Techniques: woodcut
Location: tokyo
Artist: kôno bairei
Artist role: painter, print maker
Artist dates: 1844 – 1895
Inscriptions: collector's mark: Lugt 2228
Sir John Chester (from Dickens' Barnaby Rudge) (from Sketchbook)
Object type: drawing
Date: 1854 – 1855
Materials: graphite, ink, paper
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: animals,men,women
100 para uit Turkije van sultan Mahmud II, regeringsjaar 25 [=1832]
Object type: coin
Date: 1832 – 1832
Materials: silver
Techniques: striking
Location: constantinople

Koper-zilveren munt. Voorzijde: binnen bloemenrand tussen twee samengebonden halve manen, met onder de strik een zeshoek, tughra met rechts daarvan opschrift: adli. Keerzijde: binnen bloemenrand tussen twee samengebonden halve manen, met onder de strik een zeshoek, in Arabische letters drieregelig opschrift met muntplaats-aanduiding: Constantinopel. Boven in opschrift regeringsjaar: 25. Onderaan jaar van aantreden: 1223 [=1808].
Rijks-Museum - Amsterdam. Frontispice. Voorgevel. Exterior View
Object type: photograph
Date: 1884 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: canals, waters (in city), permanent exhibition, museum
Inscriptions: inscription: ‘P.C. Hooftstr. 128, Amst.’
Korenmolenaarsgilde van Amsterdam, gildepenning van Jan van Bemmiel
Object type: medal
Date: 1723 – 1723
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: jan van bemmiel

Guilds were urban organisations of people in specific occupations. The guild represented the interests of the profession. Each member had a token as proof of membership. The person’s name was engraved on one side of the token, often together with the arms of the guild or of the city in which it was based. The other side carried a motif signifying the occupation represented by the guild.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 490
Materials: terracotta
Culture: greek, attic
Artist: bowdoin-eye painter
Artist role: artist

Interior, male reclining on a kline holding a skyphos in his right hand
Baron Mohrenheim
Object type: photomechanical print
Date: 1884 – 1970
Materials: paper
Techniques: letterpress printing, snipping
Subjects: historical persons, diplomacy, diplomat

Fotomechanische afdruk uit een onbekende publicatie.
Earring with head of lion-griffin
Object type: earring, head of lion griffin
Date: 400 – 201
Materials: gold
Location: egypt

Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic earring. The griffin is a mythical winged animal that could have an eagle head or a horned lion-head. The latter is the only sort found on Egyptian jewelry; it has been suggested that it was associated with the Macedonian dynasty, while the eagle griffin was associated with the Achamenid Persians. The 'collar' behind the lion-griffin's head is decorated with granulation and filagree.
Kasteel Groenewoude onder Amersfoort
Object type: drawing
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: castle
Bust of a Woman
Object type: bust
Date: 101 – 300
Materials: terracotta
Culture: indian
Subjects: shunga,women
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1872 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: stockholm
Artist: gösta florman
Artist role: fotograaf
Artist dates: 1831 – 1900
Subjects: historical persons - bb - woman
Inscriptions: address: ‘STOCKHOLM/ 28A Regeringsgatan 28A/ Odeon.’
Vase fragment
Object type: vase fragment
Date: 1050 – 700
Materials: terracotta
Culture: greek, laconian
Landscape with Fort and a Church on a River
Object type: print
Date: 1545 – 1545
Techniques: etching
Artist: augustin hirschvogel
Artist role: artist
Artist nationality: german
Artist dates: 1503 – 1553
Subjects: castles,churches,rivers,landscapes
Shield (Dhál)
Object type: shield dhàl
Date: 1701 – 1833
Materials: iron, leather, textile
Techniques: polychromy
Culture: indian
Location: india
Subjects: men,women

In form and materials, this is a common type of Indian shield, of which there are several examples in the Department of Arms and Armor in the Metropolitan Museum of Art. However, in size, and, most importantly, in decoration, this object is both distinct and very rare. Indian shields are typically adorned with floral and/or geometric patterns, as well as animal and hunting scenes. The unusual design on this work reflects scenes of Rajasthani court culture, which are found in miniature and mural painting. Later, this design could be found on Rajasthani and Gujarati textiles. It demonstrates how the artist was inspired by these works and carried these motifs to an unconventional type of object. Based on the subject matter of the decoration, as well as its small size, it is highly likely that this shield was carried in royal processions or used for ceremonial purposes. The style of the decoration, particularly the figures, provides grounds for ascertaining where the piece was created, a rare occurrence in the field of Indian arms and armor.
Figure
Object type: figure
Date: 1001 – 1200
Materials: bronze
Techniques: casting, engraving
Location: iran
Subjects: birds
Antoninianus (Coin) Portraying Emperor Gallienus
Object type: coin
Date: 260 – 268
Culture: roman
Location: roman empire
Inscriptions: Obverse: GAL[LIENVS] AVG
Reverse: [PR]OVID AVG

The front (obverse) of this coin portrays the head of Emperor Gallienus, facing to the right. On the back (reverse), Providence stands holding a globe and scepter.
Dominica IIII. Adventvs
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hieronymus wierix
Artist role: draughtsman, print maker
Artist dates: 1553 – 1619
Subjects: john preaching
Inscriptions: collector's mark: Lugt 2165

Johannes de Doper, in kamelenvacht, predikend bij een boom te midden van het volk. Bij verschillende elementen uit de voorstelling staan letters die corresponderen met de legenda in de marge.
Een Goesti met zijne volgelingen
Object type: photograph
Date: 1894 – 1894
Materials: photographic support
Techniques: albumen print
Artist: christiaan johan neeb
Artist role: arts, fotograaf, officier
Artist dates: 1860 – 1925
Subjects: adult man, religious functionaries ~ hinduism, buddhism, jainism, dutch east indies, the, indonesia
Inscriptions: number: ‘51.’
Two Sections of a Border
Object type: stained glass panel
Date: 1175 – 1200
Materials: glass, metal, paint
Culture: french
Location: france
Artist: rémois atelier
Artist role: artist
Artist nationality: french
Artist dates: 1170 – 1235
Terracotta head of Silenus
Object type: head of silenus
Date: 300 – 201
Materials: terracotta
Culture: greek

Small, molded objects such as this Silenus are found in quantities from Hellenistic and Roman Egypt and Cyprus. His connection to Dionysos, harvest festivals, and agriculture made Silenus a popular subject in Hellenistic art.
Duinkerken door de Fransen gekocht
Object type: history medal
Date: 1699 – 1703
Materials: silver
Techniques: striking
Location: paris
Artist: jean mauger
Artist role: medailleur
Artist dates: 1648 – 1722
Subjects: lodewijk xiv (koning van frankrijk), france

Zilveren penning. Voorzijde: borststuk jongeman (Lodewijk XIV) binnen omschrift. Keerzijde: Duinkerken in gedaante van knielende vrouw biedt Frankrijk plattegrond van stad aan binnen omschrift; afsnede: opschrift
Johanna Henriette Engelen (1789-1878), second Wife of Daniel Francis Schas
Object type: painting
Date: 1826 – 1826
Materials: canvas, oil
Artist: alexandre jean dubois drahonet
Artist role: painter
Artist dates: 1791 – 1834
Subjects: daniel francis schas, johanna henriette engelen
Inscriptions: signature and date: ‘AJ Dubois Drahonet 1826’

Portret van Johanna Henriette Engelen, sedert 1814 de tweede echtgenote van Daniel Francis Schas. Ten halven lijve, zittend, in een paarse fluwelen japon, om de hals een ketting. Pendant van SK-A-4153.
Le petit bleu
Object type: leaflet
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: paris
Artist: caran dache
Artist role: draughtsman
Artist dates: 1859 – 1909
Subjects: georges picquart, adoption (of a child), boy (child between toddler and youth), historical persons, political caricatures and satires

Prent gebruikt voor: Psst...!, nr. 35, 1 oktober 1898. Psst..! was een politieke weekkrant met antisemitische en anti-Dreyfus cartoons.
Gedicht uit archief Jan Veth
Object type: poem
Date: 1865 – 1930
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth
Inscriptions: collector's mark: ‘RPK’
Les images presque de tous les empereurs
Object type: page
Date: 1557 – 1557
Materials: paper
Techniques: woodcut, etching, letterpress printing
Location: antwerp
Subjects: emperor

Portret van keizer Vespasianus, op een munt met randschrift. De prent maakt deel uit van een boek over de keizers vanaf Julius Caesar tot en met Karel V en zijn broer Ferdinand.
Tongs
Object type: tongs
Date: 1800 – 1830
Materials: silver
Culture: american
Artist: phinney and mead
Artist role: maker
Artist nationality: american
Artist dates: 1775 – 1875
Portret van een man en vrouw
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: adult woman, adult man, historical persons
Vrouw lopend met kinderen, van achteren
Object type: drawing
Date: 1650 – 1650
Materials: ink, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘Harman ter Borch. inventor. den 19.october Anno 1650’
Meiping vase  with peach, pomegranade, and fingered citron
Object type: vase
Date: 1701 – 1800
Materials: cobalt, soft paste porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers
Vader Tijd met het Rad van Fortuin
Object type: book illustration
Date: 1723 – 1723
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: andries van buysen (sr.)
Artist role: print maker
Subjects: turn of fate, wheel of fortune, allegory of time and eternity, authority, power; 'dominio', 'giurisdittione' (ripa) (+ one concept conquering the other)
Inscriptions: collector's mark: Lugt 2228

Allegorie op de vergankelijkheid van de macht. Vader Tijd, met zeis, vleugels en een zandloper op zijn hoofd, staat met zijn voet op de wereldbol en wijst naar het Rad van Fortuin. Op dit moment zit de koning boven op, maar het rad blijft draaien. Vanuit de hemel kijken twee Goden naar de gebeurtenissen op de wereld.
Portret van Pierre Ignace de Braux
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: pierre ignace de braux
Inscriptions: collector's mark: Lugt 2228

Portret van Pierre Ignace de Braux, eerste baron van Champagne, in een omlijsting van eikels en eikenbladeren. Op het piëdestal zijn gekroonde wapenschild, dat vastgehouden wordt door twee engelen. Aan weerszijden van het wapenschild vijf regels tekst in het Frans, waarin zijn naam en titels opgesomd worden.
Naval Reward Medal of Elizabeth I
Object type: medal
Date: 1701 – 1800
Materials: bronze
Subjects: elizabeth i,profiles
Samuel en het volk krijgen een teken
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: story of samuel
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
Feestelijke optocht tijdens het Holifeest
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: worship and devotion (in general) ~ hinduism, buddhism, jainism, fantasy costume
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Dapper, Olfert. Asia, of naukeurige beschryving van het rijk des grooten Mogols (...). Amsterdam: Jakob van Meurs, 1672, p. 156.
Il Suonatore di violino
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: engraving
Artist: jacob felsing
Artist role: print maker
Artist dates: 1802 – 1883
Subjects: violin, fiddle, youth, adolescent
Inscriptions: collector's mark: Lugt 12
Promenade à Rouen: Cours Boieldieu
Object type: print
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: camille pissarro
Artist role: artist
Artist nationality: french
Artist dates: 1830 – 1903
Coupé
Object type: print
Date: 1850 – 1870
Materials: gouache
Techniques: lithograph
Artist: e. howell
Artist role: artist
Artist nationality: american
Artist dates: 1850 – 1850
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Head of a Child (Emmanuel)
Object type: drawing and watercolor
Date: 1898 – 1898
Materials: crayon, paper, pencil
Location: france
Artist: charles angrand
Artist nationality: french
Artist dates: 1854 – 1926
Inscriptions: Signed and dated lower left, in black conté crayon: "CHARLES ANGRAND 98"; marked with cipher upper left and inscribed across the bottom (by an absence of media): "EMMANUEL"

The typical relationship between light and dark is reversed in this drawing. A bright, crawling infant, leaning its weight on its forearms, seems to emerge from the shadows. This technique, wherein individual marks give way to a broader, atmospheric effect, was indebted to Georges Seurat, whom Angrand knew well. Although he made his name in Paris, after the death of his father Angrand retreated to his hometown of Saint-Laurent-en-Caux to care for his mother in 1896. This work comes from that period. Angrand explained that in his drawings, “animals, objects, and people . . . appear in simple shapes, summarizing the observer’s [own] feelings.”
Lappets (2)
Object type: lappet
Date: 1701 – 1800
Techniques: lace
Groepsportret van een onbekende Franse familie en een bruidspaar
Object type: photograph
Date: 1890 – 1910
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: bride and groom in wedding-dress, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘franse familie Legaat d'[...])’, inscription: ‘f 35,-’
Groep van zeven paarden en een aap
Object type: print
Date: 1534 – 1534
Materials: paper
Techniques: woodcut
Location: straatsburg
Artist: hans baldung grien
Artist role: draughtsman, print maker
Artist dates: 1484 – 1545
Subjects: monkeys, apes, fighting horses
Inscriptions: collector's mark: Lugt 240

In een bos staat een groep paarden met op de voorgrond een briesende hengst en een grazend paard. De andere bewegen zich onrustig met wapperende manen en opengesperde neusgaten en ogen. Een aap houdt een schild met het signatuur en datering vast. Op de achtergrond staat een hert en links verschuilt een man zich achter een boom.
Joint Stock Street
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: buildings,streets,crowd
Stupa
Object type: stupa
Date: 601 – 900
Materials: bronze
Culture: kashmiri
Subjects: kashmir
Herinneringspenning ter gelegenheid van de nationale wedstrijd op 14 en 15 maart, uitgeschreven door de onderlinge Amsterdamse schermcursus en uitgereikt aan de vereniging van onderofficieren van de schutterij te Amsterdam
Object type: history medal
Date: 1891 – 1891
Materials: silver, textile
Techniques: gilding
Artist: Anonymous

Verguld zilveren penning met kroon, oog, ring en lint.
Omslag voor "Moderne Kunst in Nederland. Etsen van P.J. Arendzen, tekst van J.F. Someren", aflevering 29
Object type: wrapper
Date: 1786 – 1787
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Landschap met drie schapen
Object type: print
Date: 1822 – 1899
Materials: paper
Techniques: etching
Location: netherlands
Artist: simon van den berg
Artist role: draughtsman, print maker
Artist dates: 1812 – 1891
Subjects: sheep
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2233, collector's mark: Lugt 2228
Maria met kind en roos
Object type: print
Date: 1644 – 1696
Materials: paper
Techniques: engraving
Location: paris
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: collector's mark: Lugt 240
Bomen
Object type: sketchbook leaf
Date: 1828 – 1894
Materials: paper, pencil
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: trees, landscapes, artist (in general) making preliminary designs, sketching

Pagina 29 verso uit een schetsboek met 50 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Exterior, left elbow of figure; right shoulder, part of upper right arm, and pectorals of male with drapery?
Zittende man
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: sitting figure
Gezicht op de Oudegracht in Utrecht
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: engraving
Location: darmstadt
Subjects: city-view, and landscape with man-made constructions, canals, waters (in city), utrecht
Inscriptions: collector's mark: Lugt 2233

Prent uit: Terwen, J.L. Het koningrijk der Nederlanden voorgesteld in eene reeks van 136 naar de natuur geteekende schilderachtige gezigten. Darmstadt: G.G. Lange, 1863.