deem-data/ArtiFact huggingface dataset:
Gezicht op Wijk bij Duurstede
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-walls, wijk bij duurstede
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 262.
Shepherd and Shepherdess, Playing Flute
Object type: print
Date: 1625 – 1700
Techniques: etching
Artist: marco san martino
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1700
Subjects: animals,women,flutes,shepherds
[Photo Collage: Man Drawing Bust]
Object type: carte de visite
Date: 1875 – 1875
Techniques: albumen silver print, lithograph
Artist: juan pedro chabalgoity
Artist role: artist
Artist nationality: uruguayan
Artist dates: 1848 – 1909

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
Gore Besje
Object type: print
Date: 1657 – 1707
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: old woman, chamber-pot, chamber-pot is emptied from above ~ chasing away (unwanted) lover
Inscriptions: collector's mark: Lugt 2228

Een oude vrouw gooit de inhoud van haar pispot uit het raam. Onder de voorstelling een vers van vier regels in het Nederlands.
Sugar bowl (part of a set)
Object type: sugar bowl
Date: 1860 – 1880
Materials: silver
Subjects: men,snakes

Part of a set that includes a teapot (1972.116.1) and cream jug (1972.116.3). The decoration combines Indian festival scenes amid palms and temples with domestic ones in European-style interiors.
Sutra box with dragons amid clouds
Object type: sutra box
Date: 1403 – 1424
Materials: brass, gold, lacquer
Techniques: incising, inlay
Culture: chinese
Subjects: dragons

This rectangular box was made to hold Buddhist scriptures in the format of Chinese handscrolls. Depictions of vigorous, golden five-clawed dragons soaring among clouds, symbols of imperial power, cover the box and lid. Notably, the dragon design is first incised into the red surface and then filled with gold. This luxurious object is a product of the imperial workshop of Emperor Yongle.
Interieur van de Sint-Pietersbasiliek te Vaticaanstad, met zicht op het Baldakijn van Bernini
Object type: photograph
Date: 1872 – 1882
Materials: photographic support
Techniques: albumen print
Location: sint-pietersbasiliek
Artist: Anonymous
Subjects: canopy, baldachin, interior of church
Deurne, kerk St. Jozeph-parochie
Object type: photograph
Date: 1904 – 1940
Materials: paper
Techniques: gelatin silver print
Location: sint-jozefparochie
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: date
Indiër, op de rug gezien
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper, pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, asiatic races and peoples: indians
Inscriptions: kleurnotitie, handgeschreven

De man heeft het bovenlijf ontbloot en draagt een doek om zijn middel. Pagina 26 uit een schetsboek met 23 bladen.
Earrings
Object type: earring
Date: 1801 – 1900
Materials: metal, stone
Culture: indian

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Buste van een man met tulband en baard
Object type: print
Date: 1616 – 1719
Materials: paper
Techniques: engraving, etching
Subjects: head-gear: turban (+ men's clothes)
Inscriptions: collector's mark: Lugt 2165
Circe and the Companions of Ulysses
Object type: drawing
Date: 1501 – 1600
Materials: ink, paper
Techniques: pen
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: men,women,mythical creatures,drinking
Vase fragment
Object type: vase fragment
Date: 534 – 468
Materials: terracotta
Culture: etruscan
Cow Pitcher with Lid
Object type: ceramic
Date: 1855 – 1855
Materials: earthenware, glaze
Location: bennington
Artist: daniel greatbatch
Artist role: designer
Artist nationality: british
Artist dates: 1838 – 1838
Subjects: animals, farm life, cows, dining, drinking

Ceramic animal figurines have been popular in the United States since the 18th century, and many were modeled after English prototypes, especially those made at Staffordshire potteries. The whimsical cow creamer—a popular mid-19th-century form—is decorated in Rockingham glaze, an inexpensive, ubiquitous brown glaze that was popularized by American potteries, especially in Bennington, Vermont.
A hunting trophy: a quiver, two arrows, two bows, a deer head, two dogs, two spears, and the head of Diana at top, from "Ornaments or Grotesques" (Ornamenti o Grottesche)
Object type: print
Date: 1650 – 1656
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: bow and arrow,diana,deer,dogs,trophies
Twee mannen, mogelijk in een etablissement
Object type: sketchbook leaf
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult man (+ two persons), inn, coffee-house, public house, etc.

Pagina 59 uit een schetsboek met 32 bladen.
Geisha of the West District
Object type: print
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
A woman in profile pulling back on a rope tied around the horns of a young bull
Object type: print
Date: 1660 – 1660
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: profiles,women,bulls
Standing Figure
Object type: sculpture
Materials: glaze, iron, stoneware
Location: china
Boerderij met schuur
Object type: print
Date: 1855 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Wapen van Nederland met motto: Je Maintiendrai
Object type: print
Date: 1830 – 1845
Materials: paper
Techniques: etching
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: coat of arms (as symbol of the state, etc.)
Inscriptions: inscription: ‘paspoort afgegeveb door Mr. J.G. baron Verstolk van Soelen’, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, part of right arm, lower torso, buttocks, genitals, and part of upper thighs of male to right, holding an unidentified object in his right hand
Landschap met koe en herderin
Object type: print
Date: 1826 – 1886
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2228
Voetenbank
Object type: miniature
Date: 1700 – 1799
Materials: silver
Techniques: filigree
Location: netherlands
Artist: Anonymous
Subjects: footstool

Langwerpige voetenbank van filigrein op vier poten. De voetenbank is gemerkt: zwijnskop. De voetenbank is een onderdeel van een ameublement bestaande uit: 1 tafel (BK-NM-11177-88), 1 bank (BK-NM-11177-89), 6 stoelen (BK-NM-11177-92 t/m BK-NM-11177-97) en nog een voetenbank (BK-NM-11177-90).
Sampson's Guide to the City and Cathedral of York
Object type: book
Date: 1875 – 1875
Materials: paper, textile
Techniques: albumen print, letterpress printing, line block
Location: york
Artist: john sampson
Artist role: bookseller, printer
Inscriptions: date: ‘SEPT 2015’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, unidentified subject; below, parts of four glazed lines
Terracotta kylix (drinking cup)
Object type: kylix
Date: 480 – 470
Materials: terracotta
Culture: greek, attic or boeotian
Subjects: satyrs

Interior, satyr with wineskin and drinking horn Exterior, Achilles and Polyxena A series of black-figure cups of the later first quarter of the fifth century B.C. does not allow easy attribution to Attica or Boeotia. The fabric is poorly fired, the execution exceedingly careless, often with a combination of silhouette and incision. The Attic pieces come from the workshop of the Haimon Painter, a prolific producer of lekythoi (oil flasks) as well as skyphoi (deep drinking cups). Although the fabric of this cup has the pink hue characteristic of Attic clay, the misfiring of the interior and its execution resemble the Boeotian examples. The interpretation of the well-established subject of Achilles and Troilos on the exterior suggests a painter unfamiliar with the canonical story. According to the latter, the Greek hero Achilles lies in wait for the Trojan prince Troilos near a fountain house where Polyxena, Troilos' sister, fetches water. When Achilles attacks Troilos, Polyxena runs off, dropping her hydria (water jar). This cup shows Polyxena and Achilles on either side of the fountain house; Troilos may be the warrior running up from the other side.
Anna Maria Vaiani
Object type: print
Date: 1624 – 1636
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: portraits,women
Titel van de Festa della Sensa (tweede gedeelte)
Object type: text sheet
Date: 1697 – 1697
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: city-view in general; 'veduta', procession ~ christian religion, gondola, venice

Tweede gedeelte van een titel behorende bij een prent van de Festa della Sensa. De voorstelling is gedrukt van veertien blokken, de titel van vijf blokken en het onderschrift bestaat uit vijf delen van elk drie kolommen Duits tekst. In de collectie Rijksmuseum bevinden zich twee complete exemplaren inclusief titel en onderschrift. Omdat niet alle delen van de titel en het onderschrift op afzonderlijke bladen zijn gedrukt, is dit exemplaar niet virtueel samengevoegd omwille van een betere presentatie. Zie voor het andere exemplaar: RP-P-2017-6073.
Sluitgewicht uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sluitgewicht, pijlgewicht
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Portret van paus Gregorius XIII
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: rome, gregorius xiii, historical persons, pope, cupids: 'amores', 'amoretti', 'putti'
Bank, zogenaamde sittekist, versierd met briefpanelen en met een omklapbare rugleuning in het Rijksmuseum te Amsterdam
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: bench
Inscriptions: number: ‘XLV Kat 147 114’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’, collector's mark: ‘Kunstnijverheidschool Quellinus Amsterdam Frans Halsstraat 14.’

Zie voor het originele object BK-NM-1971.
Souvenir
Object type: souvenir
Materials: gold, ivory, lacquer
Artist: nadine vallin
Artist role: artist
Artist dates: 1787 – 1813
Subjects: portraits,women

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Mannelijk naakt, ten halven lijve, beide armen boven het hoofd
Object type: drawing
Date: 1868 – 1940
Materials: chalk, paper
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Het Zeevende deel Nieuwe t Zaam gevlogte Naam letteren gemaakt Door Gerret Visscher Woondt op de Singel bij de Beulinsluijs tot Amsterdam
Object type: print
Date: 1690 – 1710
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: gerrit visscher
Artist role: print maker
Subjects: ornaments ~ art, garden vase, letter combinations such as letterword, anagram, letter square, monogram, etc.
Inscriptions: collector's mark: Lugt 2228
Time-keeping lamp
Object type: time keeping lamp
Date: 1601 – 1700
Materials: pewter
Goldschmidt Scrapbook
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Journal des Dames et des Modes, Costume Parisien, 15 octobre 1807, (843): Négligé pour la Promenade
Object type: fashion print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), dress, gown: walking dress (+ women's clothes), monocle, single lorgnette - aa - female human figure, fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), necklace (+ women's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Négligé pour la Promenade.’

Staande vrouw gekleed in 'négligé pour la Promenade'. Zij draagt een wandeljapon met korte pofmouwen en ceintuur van gestrikt lint. Verdere accessoires: hoed met struisveren, collier bestaande uit twee snoeren, lange handschoenen, lorgnet, lange sjaal afgezet met franjes, platte schoenen met gestrikte banden. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
A child sleeping on a cushion, holding a piece of fruit (?), a curtain behind him, after Reni (?)
Object type: print
Date: 1601 – 1700
Techniques: engraving
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: sleeping,children
Kruisiging van Petrus
Object type: print
Date: 1535 – 1601
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: peter crucified upside down
Inscriptions: inscription: ‘[...] lib. No. 24.’, collector's mark: Lugt 10, collector's mark: Lugt 11

Petrus hangt ondersteboven aan een kruis genageld. Een groep mannen is bezig het kruis op te richten. Een menigte kijkt toe.
Brief aan Philip Zilcken
Object type: letter
Date: 1876 – 1922
Materials: ink, paper
Techniques: pen, writing
Location: oostende
Artist: albert baertsoen
Artist role: draughtsman, print maker
Artist dates: 1866 – 1922
Subjects: the hague, painter, draughtsman, philip zilcken, temporary exhibition, 'salon'
Inscriptions: watermark, collector's mark: ‘RPK’
Bruin gebeitste mahoniehouten lijst met ojiefvorming profiel
Object type: frame
Date: 1933 – 1999
Materials: wood, wax
Techniques: staining
Location: unknown
Artist: Anonymous

Bruin gebeitste mahoniehouten profiellijst met ojiefvorming profiel. De lijst is afgewerkt met was. De hoekverbindingen zijn koud verstekt en gelijmd.
Bowl
Object type: bowl
Date: 1601 – 1700
Materials: enamel, silver
Subjects: human figures
Hervormde Diakonie te Amsterdam, armenpenning die behoeftige kerklidmaten bij uitdeling recht gaf op brood
Object type: broodpenning
Date: 1861 – 1861
Materials: copper
Techniques: striking
Location: amsterdam
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: amsterdam
Kinderjurk van witte katoenen piqué, met passement, soutache en zigzagranden
Object type: clothing
Date: 1890 – 1890
Materials: cotton
Techniques: weave
Location: netherlands
Artist: Anonymous

Kinderjurk van witte katoenen piqué. Glad lijfje. Knoopsluiting van achteren. Schuitvormige hals. Wijde armsgaten en zeer korte gladde mouwtjes. Het rokje is romdom in stolpplooien gelegd, terwijl in de taille zes ronde aansluitende slippen opgenaaid zijn. De hals, de mouwtjes en de slippen zijn zigzagvormig uitgetand en met passement en krullend soutache belegd, terwijl langs de sluiting en de hals een open handgeborduurd entre-duex is tussengezet.
Forten aan de Ooster- en Westerschelde, 1627
Object type: map
Date: 1629 – 1665
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: maps of separate countries or regions

Kaart van forten aan de Ooster- en Westerschelde en rond Zandvliet, 1627. Wellicht in relatie met de aanslag door Spinola op Zuid-Beveland, september 1627. Linksboven de vertaling van termen Nederlands - Latijn. Rechtsonder een cartouche met de titel.
Slag bij Solferino 1859
Object type: history medal
Date: 1859 – 1859
Materials: brass

Vergulde penning met ring en draagoog, op de voorzijde twee medaillons met de portretten van Napoleon III en Victor Emanuel waartussen een Franse adelaar en een Italiaanse leeuw, op de keerzijde vijf regels tekst tussen samengebonden lauwer- en eikentakken, met omschrift.
Gij zult de naam van de Heer uw God niet ijdel gebruiken: het tweede Gebod
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: index finger forwards, pointing, indicating (+ indicating, pointing at), putting a finger to the lips, 'silentium'; 'silentio' (ripa), 'you shall not take the name of the lord your god in vain' ~ separate representation of the third of the ten commandments
Inscriptions: collector's mark: Lugt 2228

Vrouw drukt een wijsvinger op haar lippen en wijst naar de lucht. Genummerd rechtsboven: foli 221.
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Miniature perfume bottle Translucent pale purple. Rim folded out, over, and in, flattened on top; long, slightly funnel-shaped neck, tooled in around base; conical body with convex sides; flattened bottom, concave at center. Intact; few bubbles; patches of dulling and iridescent weathering. Stands insecurely on bottom; the flattened rim allows for it to be stood securely upside down.
Zeilschip
Object type: sketchbook leaf
Date: 1849 – 1895
Materials: paper, pencil
Artist: willem koekkoek
Artist role: draughtsman
Artist dates: 1839 – 1895
Subjects: sailing-ship, sailing-boat

Blad 13 verso en 14 recto uit een schetsboek met 35 bladen.
Portret van een zittend meisje en een staande jongen
Object type: album leaf
Date: 1900 – 1905
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: leeuwarden
Subjects: historical persons - bb - woman, boy (child between toddler and youth), historical persons, girl (child between toddler and youth)
Inscriptions: inscription: ‘Photographie/ Studio/ Groote Hoogstraat No 9/ naby de Brol/ Leeuwarden’
Linen mark (Type XX)
Object type: linen mark
Date: 1961 – 1917
Materials: linen
Location: egypt
Suite de divers sujets de figure de Paysage et Ornements Chinois et François
Object type: print
Date: 1770 – 1770
Techniques: etching
Artist: jean pillement
Artist role: artist
Artist nationality: french
Artist dates: 1728 – 1808
Subjects: chinoiserie
Design for a chandelier
Object type: drawing
Date: 1750 – 1750
Materials: ink
Techniques: pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: chandelier
Bobbin
Object type: bobbin
Date: 1801 – 1900
Materials: plastic, wood
Helmet of Boeotian Type, and Belt
Object type: helmet with belt
Date: 167 – 135
Materials: bronze, lead
Culture: roman
Location: italy

This late Hellenistic helmet combines the distinctive features of two separate types generally known as Attic and Boeotian. Both cavalrymen and gladiators appear to have worn comparable helmets. This particular example and the belt complementing it were reportedly discovered in the former gladiators' barracks in Rome according to the sale catalogue of the collection of the painter and art dealer Attilio Simonetti (1843–1925).
Bladzijde uit het fotoalbum van de familie Diepenbrock met 8 foto's van Alphons Diepenbrock en zijn omgeving
Object type: album leaf
Date: 1909 – 1920
Materials: cardboard, photographic support
Techniques: photography
Location: amsterdam
Subjects: netherlands

Bruin albumblad 56 van familiealbum van Alphons Diepenbrock.
Small chest of drawers
Object type: chest of drawer
Date: 1735 – 1750
Materials: wood
Techniques: painting
Culture: american
Location: united states
Subjects: men,women,hunting,deer,dogs

The people, animals, and trees depicted on the front of this chest have parallels in the pastoral scenes that were popular embroidery subjects in Boston during the second quarter of the eighteenth century. On the middle drawer, a hunter follows a dog in pursuit of a stag; on the bottom drawer, a woman is serenaded by a man playing a horn.
Greeting Card
Object type: card
Date: 1850 – 1850
Materials: paper, pencil
Techniques: cutting
Artist: anonymous, netherlandish, 19th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1800 – 1900
Subjects: leaves,angels,coat of arms

This intricate, cut-paper greeting card contains a message in Dutch that reads, "Jesus is my lord and king."
Gezicht op het Sint-Pietersplein in Rome, Italië
Object type: photomechanical print
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Location: rome
Artist: Anonymous
Subjects: square, place, circus, etc., prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘No. 6./ Panorama Rome.’

Deze prent maakt deel uit van een album.
Inktstel op een houten sokkel
Object type: inkstand
Date: 1850 – 1850
Materials: crystal, iron, silver, wood
Techniques: manufacturing, casting, cutting, engraving, forging, striking
Location: utrecht
Artist: johannes mattheus van kempen
Artist role: silversmith
Artist dates: 1814 – 1877
Subjects: utrecht
Inscriptions: date

Inktstel op een zwartgelakte houten sokkel.