deem-data/ArtiFact huggingface dataset:
Armor for Man and Horse
Object type: armor for man and horse
Materials: copper alloy, gold, leather, steel, textile
Culture: italian
Location: italy

The man's armor, dating from about 1575, is part of a small garniture that included exchange elements for the battlefield and reinforcing pieces for the tournament. The breastplate is a restoration. The horse armor, dating from about 1560, is one of the few complete examples of its period to be preserved. It comes from the armory of the counts Collalto at the castle of San Salvatore, near Treviso, where it was presumably kept from the late sixteenth until the early twentieth century. The bands of etched ornament include classically inspired trophies of arms and armor and musical instruments. These were standard decorative motifs on Italian armor of the period, but here, they are depicted with much more precision, on a larger scale, and in far greater detail and variety than usual. The high quality of the horse armor and its elaborate decoration indicate that it must have belonged to a leading member of the Collalto family, perhaps Collatino Collalto (1523–1569), who was famous both as a soldier and as a man of letters.
Sounding lead from the wreck of the Dutch East Indiaman Hollandia
Object type: sounding lead
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Oval concave base, tapering upwards, flattened semicircular pierced upper end.
Birds, Flowers and Insects
Object type: painting
Materials: ink, paper
Location: china
Artist: li shan (attributed to)
Padded Case
Object type: case
Date: 1801 – 1900
Materials: gold, textile, silk
Culture: japanese
Bottle with stopper
Object type: bottle with stopper
Date: 1751 – 1800
Materials: glass
Subjects: flowers
Brief aan F.E. Posthumus Meyjes
Object type: letter
Date: 1924 – 1924
Materials: ink, paper
Techniques: pen, writing
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: f.e. posthumus meyjes, passions, emotions, affections
Inscriptions: collector's mark: ‘RPK’
Flagellator
Object type: statuette
Date: 1651 – 1700
Materials: bronze
Artist: alessandro algardi
Artist role: artist
Artist nationality: italian
Artist dates: 1598 – 1654
Subjects: men

Groups representing the Flagellation of Christ, of which this figure was once a part, were among the most popular and widely produced of small-scale bronzes in seventeenth-century Rome. Surviving examples consistently show Christ tied to a column at center scourged by two flanking figures. Jennifer Montagu proposed a division of these groups into two stylistic types based on the figures of the flagellators, Type A passive versus Type B dynamic. Type A, which she assigned to François Duquesnoy, is represented by a gilt-bronze group in Brussels and linked to a work mentioned in Giovanni Bellori’s biography of the artist.1 Montagu attributed Type B groups, such as gilt-bronze examples in the Fitzwilliam and the Kunsthistorisches Museum, to Alessandro Algardi.[2] The earliest documentation of Algardi’s authorship is in the 1758 inventory of the Schatzkammer (the Vienna group).[3] Our flagellator, missing the knotted ropes of his whip, is a cast of the figure at Christ’s right from a Type B group. The sense of movement and undercurrent of violence find counterparts in Algardi’s oeuvre, for instance, the dramatic Beheading of Saint Paul marble group in San Paolo Maggiore, Bologna. The twisting flagellator’s weight is balanced on his right foot, his arms raised across his chest, brandishing the flail. The poor-quality cast is unlikely a product of Algardi’s workshop. The modeling is quite rubbery, and the pose lacks the sense of inherent tension or torsion from the torso’s twisting. The finishing of the facial features, toes, and feet is rudimentary, as is the rendering of the anatomy where the two legs join under the stippled loincloth. The brown transparent patina may be original. The legs and arms were cast solid. Two cracks on the left arm were likely caused by the placement of two screw plugs in that area.[4] -JF Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. Bellori 1976 (1672), pp. 301–2. “E per ultimo parmi di non tralasciare tre figurine di suo modello, alte un palmo, le quali si veggono d’argento e di metallo; Cristo flagellato alla Colonna fra due ebrei che lo battono crudelmente esprime l’innocenza e la volontaria passione, esponendosi alle percosse e piegando il volto umile e dimmesso verso la destra spalla.” For the Brussels group, see Montagu 1985, vol. 2, p. 319, no. 9.C.21. 2. For the list of Type A and Type B figures, with further variants, see Montagu 1966–67, pp. 163–67. Grabski 1987 instead proposed that all the groups are variations on types by Algardi. For the Fitzwilliam group, see Montagu 1985, vol. 2, pp. 316–17, no. 9.C.2. For the Vienna group, see ibid., p. 317, no. 9.C.7; see also Pietro Cannata in Montagu 1999a, pp. 128–31, cat. 16. 3. Montagu 1985, vol. 2, p. 317, no. 9.C.7. 4. R. Stone/TR, January 27, 2011.
Kaart van de graafschappen Henegouwen en Namen
Object type: map
Date: 1666 – 1675
Materials: paper
Techniques: engraving, hand coloring, letterpress printing
Location: amsterdam
Subjects: maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial), namur, henegouwen
Inscriptions: collector's mark: Lugt 2228

Kaart van de graafschappen Henegouwen en Namen. Rechtsonder de titelcartouche met links het wapen van Henegouwen en rechts het wapen van Namen. Linksboven een putto met een banderol met daarop twee schaalstokken: 2 Milliaria Germanica / 3 Milliaria Gallica. De kaart is voorzien van een gradenverdeling langs de linker- en rechterrand. Met Latijnse tekst op verso.
Man in een roeiboot
Object type: sketchbook leaf
Date: 1870 – 1931
Materials: chalk
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: standing figure, adult man, rowing-boat, canoe, etc.

Tevens een mogelijke abklatsch van een krijttekening met hutten en bomen of struiken. Blad 5 verso uit een schetsboek met 28 bladen.
Blad met strooipatroon van bloem tussen slingerende lijsten
Object type: printed paper
Date: 1700 – 1850
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met strooipatroon van uitgespaarde bloem tussen slingerende banen.
Zicht op de Bains Vigier aan de oever van de Seine in Parijs
Object type: print
Date: 1822 – 1824
Materials: paper
Techniques: lithograph
Location: paris
Subjects: river bank, public baths, rowing-boat, canoe, etc.
Portret van een onbekende vrouw
Object type: ansichtkaart, prentbriefkaart
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: adult woman
Inscriptions: inscription: ‘Anvers, 20-4-04 (...) Emeré[...]’, inscription: ‘Mademoiselle Mona del'Arbre (...) Allemagne’, date: ‘21 Mai 1904’
Fotoreproductie van het schilderij 'Declaration de l'Indépendance des États-Unis - Philadelphie, 4 Juillet 1776' door Charles Édouard Armand-Dumaresq
Object type: photomechanical print
Date: 1876 – 1881
Materials: paper
Techniques: woodburytype
Artist: edouard armand-dumaresq
Artist role: painter, print maker
Artist dates: 1826 – 1895
Subjects: politics, independence day
Plate 11: Titus Vespasian looking to the right, from "The Twelve Caesars"
Object type: print
Date: 1610 – 1640
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Rekenpenning uit Brussel op Koning Karel II 1688
Object type: jeton
Date: 1688 – 1688
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde het portret van Karel II naar lins met omschrift, op de keerzijde een gekroond spiegelmonogram C tussen twee gekroonde cijfers II, waaronder het jaartal.
Teabowl
Object type: teabowl
Date: 1601 – 1866
Materials: glaze, iron, porcelain
Techniques: underglaze
Culture: japanese
Trough Zither
Object type: trough zither
Date: 1867 – 1900
Materials: hemp, wood
Culture: malawian
Location: malawi

This trough zither would have sat on a small gourd to give it increased resonance.
Man die een mand op zijn schouders draagt
Object type: drawing
Date: 1649 – 1649
Materials: chalk, ink, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘Har[men].t.Borch. Inventor Anno 1649’
Maria met Christus en Johannes de Doper
Object type: print
Date: 1607 – 1637
Materials: paper
Techniques: etching
Location: antwerp
Artist: theodoor rombouts
Artist role: print maker
Artist dates: 1597 – 1637
Subjects: madonna: mary standing (or half-length), christ-child close to her bosom, ass, donkey, john the baptist as child ~ madonna-representations (n.b. secondary notation only)
Inscriptions: collector's mark: Lugt 2165

In een vertrek zit Johannes de Doper (als kind) geknield voor Maria, die het Christuskind op schoot heeft. Door een venster is een man met een ezel te zien.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, hand; start of handle root
Clotaire I roy de France VII
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Prent uit: Eudes de Mézeray, François. Histoire de France, depuis Faramond jusqu’au regne de Louis le Juste (...). 3 dln. Parijs: Denis Thierry, Jean Guignard en Claude Barbin, 1635, dl. 1. Prent waarschijnlijk voor het eerst verschenen in: Bie, Jacques de. Les vrais portraits des rois de France (...). Parijs: Jacques de Bie en Pierre Rocolet, 1634. Prent ook gebruikt in latere publicaties.
Woning van Rembrandt
Object type: print
Date: 1847 – 1883
Materials: paper
Techniques: engraving
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, housing, street
Inscriptions: collector's mark: Lugt 2233
Saucer-dish
Object type: dish
Date: 1650 – 1725
Materials: earthenware, glaze, quartz
Techniques: engraving, firing, turning, vitrification
Location: dehua
Artist: Anonymous

Schaal van kwarts-fritgoed, bedekt met een wit tinglazuur. De voorzijde van de schotel met een ingegrift medaillon op de bodem en vakdecoratie op de wand, gescheiden door vier lijnen; in de vakken ranken en vier evenwijdige lijnen. Bruine vlekken.
Groepsportret van onbekende vrouwen en kinderen voor de winkel van M. Docters van Leeuwen
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1915
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: shop, store, street, anonymous historical persons portrayed in a group, in a group-portrait
Design for Export Furniture
Object type: drawing
Date: 1800 – 1800
Materials: graphite, watercolor
Artist: anonymous, chinese, 19th century
Artist role: artist
Artist nationality: chinese
Artist dates: 1800 – 1900
Subjects: chairs,tables
Terracotta column-krater (bowl for mixing wine and water)
Object type: column krater with panel relief
Date: 560 – 500
Materials: terracotta
Culture: etruscan
Subjects: lions,warriors

Large column-kraters with decorative straps bridging the gap between shoulder and rim are typical of bucchero workshops in the Vulci area during the sixth century B.C. This bucchero pesante (heavy bucchero) example is unusual in that it has six straps, rather than the normal two, and the largest are decorated with striding lions, not human masks. A truncated warrior, equipped with crested helmet, armor or cloak, and two large spears, appears on the four smaller straps. The shape is ultimately derived from Corinthian metallic and ceramic models. When they have human masks, the straps may derive from a type of Corinthian pyxis (cosmetics jar). Thus, the Etruscan potter, although inspired by Greek models, has created an entirely new hybrid.
Fragment van een voetstuk van een verpakking uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: base
Date: 1700 – 1743
Materials: iron
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Container, fragment: base; fragm, circular outline, moulded.
Page from a Dispersed Bhagavata Purana Manuscript (Life of Krishna)
Object type: folio
Date: 1775 – 1775
Materials: paper
Culture: nepali
Subjects: castles,demons,krishna
Wine Pot, Wine Cup and Folded Fan
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: fans
Skillet
Object type: skillet
Date: 1701 – 1900
Materials: iron

High tripod legs raised this skillet above the ashes and coals of the hearth. In addition to the central fire, cooks set aside piles of hot coals and placed tripod-supported vessels over them. This allowed multiple dishes to be cooked simultaneously and at varying temperatures.
Cuneiform tablet: fragment of Lugal-e, tablet 7
Object type: cuneiform tablet
Date: 400 – 1
Materials: clay
Culture: parthian or seleucid
Location: mesopotamia
Private "Alabama" Receiving Her Supplies at Singapore, 1865
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Kleed van rood zijden fluweel.
Object type: kleed
Date: 1600 – 1699
Materials: cotton, textile, silk, velvet
Techniques: weave
Location: italy

Kleed van rood zijden fluweel. Het kleed bestaat uit drie fragmenten. Het kleed is omzoomd door een bruin getint goudgalon. Het kleed is gevoerd met rode satijn.
Portret van een onbekende zittende vrouw met een boek in haar hand
Object type: photograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: stockholm
Artist: carl jacob malmberg
Artist role: fotograaf
Artist dates: 1824 – 1895
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: inscription: ‘C.J. MALMBERG/ FOTOGRAF/ 40 DROTTNINGGATAN N40/ STOCKHOLM.’
Bandontwerp voor: Marcel Matthijs, Schaduw over Brugge, 1940
Object type: drawing
Materials: paint, ink, paper, pencil
Techniques: brush, pen, drawing
Artist: jac nuiver
Artist role: grafisch ontwerper, illustrator
Artist dates: 1892 – 1953
Subjects: tower, clock tower ~ monumental adornment, bridge in city across river, canal, etc.
Inscriptions: signature: ‘J.N.’, workshop stamp: ‘ontwerp: jac. nuiver/ noorder amstellaan 127 amsterdam/ telefoon 21254 postrekening 81326’, collector's mark: Lugt 2228a

Gezicht op het Belfort van Brugge met in de voorgrond een brug over het water.
Rubbing of Guandi (War God) from a Ming dynasty stone carving
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: chinese
Subjects: men,horses
Clapper
Object type: music, clapper, arm, hand
Date: 1900 – 1800
Materials: ivory
Location: egypt
Subjects: musical instruments

Clappers are among the earliest percussion instruments in ancient Egypt. This clapper is shaped like a forearm and hand; a bracelet adorns the wrist. Clappers were used in all activities featuring music or singing, such as banquets, funerary processions, and rituals.
Vrouwenhoofden
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human) - aa - female human figure
Inscriptions: annotation: ‘Ri[...] Kesler / Kl. Kattenburgerstraat / 87 / Kuiperstr. 97 / vd Werfhorst / Looierstr. 17 / Betje Capplaan[?] / Heintje Clewits / 1 Laurierdwardwarsstr. / 30’, watermark

Blad 1 recto uit schetsboek XI met 30 bladen.
At the Star, Le Havre
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
"Somers Medal"
Object type: medal
Date: 1830 – 1870
Materials: bronze
Artist: charles cushing wright
Artist role: maker
Artist nationality: american
Artist dates: 1796 – 1854
Subjects: ships
Portret van Jan zonder Vrees
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Harding, Sylvester. Shakespeare Illustrated. Londen: Edward Harding, 1793.
Portret van René van Châlon, prins van Oranje
Object type: print
Date: 1758 – 1816
Materials: paper, pencil
Techniques: engraving, etching
Location: amsterdam
Subjects: stadhouder, rené van châlon (prins van oranje)
Inscriptions: collector's mark: Lugt 240

Portret van René van Châlon, prins van Oranje, stadhouder van Holland en Zeeland.
Here Comes the Bogeyman, plate three from Los Caprichos
Object type: print
Date: 1797 – 1799
Materials: paper
Techniques: aquatint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828

Plate 3 of The Caprices features a mother with her two children who are frightened by a blanketed figure of el coco (the bogeyman) in the foreground. The mother’s expression contrasts with those of her children: she smiles in gratitude and appreciation. Goya is criticizing the common practice of using fear to keep children well behaved. The print also contains a spelling error, as Goya spells viene, the Spanish verb for “to come,” incorrectly. This is a common mistake due to similarity in sounds between the Spanish b and v. He corrected it in later editions of the print.
Water basin (Pan)
Object type: basin
Date: 800 – 601
Materials: bronze
Culture: chinese
25e Cahier AA Cahier de 6 Grilles de Chenets et de Feux
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: andiron, fire-dog, incense-burner ~ scents, perfumes
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerde vuurbok in de vorm van een rookvat met medaillons met putti en ramskoppen.
11e Cahier
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: writing-table, writing-desk, lion's head ~ ornament, ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een geornamenteerd bureau met blad- en bloemmotieven, ranken en een leeuwenkop. Prentnummer 66.
Kinderen in de schoolbank
Object type: drawing
Date: 1874 – 1945
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: elementary school; class, form
Valance or frontal
Object type: valance or altar frontal
Date: 1701 – 1800
Materials: linen, silk
Landschap met boom bij meer
Object type: print
Date: 1613 – 1695
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2166

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Twee bekers gedecoreerd met Aziatische motieven met op de rechter beker een metalen ornament van een draak en vermoedelijk een feniks
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: applied arts, arts and crafts; industrial design, dragon, container of ceramics: jar, jug, pot, vase, fabulous animals ~ birds: phoenix
Inscriptions: collector's mark: Lugt 3937
Corset
Object type: corset
Date: 1866 – 1867
Materials: bone, cotton, metal
Culture: american
Artist: worcester skirt company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1861 – 1950

In 1950, E.A. Meister, then president of the Royal Worcester Corset Co., donated a collection of 171 corsets to the Brooklyn Museum in memory of Isidor Roth, his father-in-law and former president of the company, who had assembled the collection. The stated dual purpose of the donation was to honor Mr. Roth for his outstanding contributions to the growth of the field of corsetry and to establish a place where the collection could be used as a resource for the history of corsetry. Overall, the collection of corsets represents prime examples of the stylistic and technological developments which took place from1745-1939. It represents not only the changing silhouette of the past 200 years but also the innovative culture of the corset industry, where solutions to further comfort and increasing flexibility were continually being sought. Known first as The Worcester Skirt Company, the company was founded in 1861 in Worcester, Massachusetts, by David Hale Fanning. It specialized in making hoop skirts to support the full skirts that were in vogue. By March 1, 1872, the company shifted foundation directions, as the focus of the woman's silhouette changed from hoop skirts to shaped torsos and hips, and it was renamed the Worcester Corset Co. Fanning became president when the company went public in 1888. In 1901, the name was changed to the Royal Worcester Corset Co. From waist cinchers to full-length corsets, the collection represents the numerous silhouettes that were in mode, the engineering of the shapers that created them and the measures women took to alter their figures accordingly. This corset is of interest for it is well documented. Written in pencil on the busk is the date it was produced as well as the retailer it was produced for. The piece is a testament to the fact that manufacturers took specific orders from retailers, producing quality goods exclusively for them.
Clock lamp
Object type: clock lamp
Date: 1601 – 1800
Materials: glass, pewter
Buitenzorg. Sluis "Empang"
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: autotype
Location: weltevreden
Subjects: sluice, weir
Grafmonument met portret van Johann Friedrich Reinecke
Object type: print
Date: 1787 – 1797
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: mask, plants; vegetation, historical persons, grave, tomb
Stierengevechten
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: aquatint, etching
Location: paris
Subjects: bullfight
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie van 40 prenten door Francisco de Goya met voorstellingen van stierengevechten. De eerste editie bestond uit 33 genummerde prenten en werd uitgegeven in 1816. Dit betreft de derde editie, uitgegeven in 1876 door Eugène Loizelet en door hem voorzien van een titelprent en lijst met titels. Naast de 33 prenten publiceerde Loizelet ook de prenten die door Goya op de achterkanten van 7 van de platen werden geëtst. Deze zijn niet voorzien van nummers maar van de letters A-G.
Portret van Maximilien Sébastien Foy
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, maximilien sébastien foy, historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret een tweeregelig vers van de geportretteerde: Celui qui veut plus que la charte, moins que la charte, autrement que la charte, celui-là manque à ses sermens.
Portret van Cristóbal de Mondragón y Otalora
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: antwerp, firearms: rifle
Inscriptions: collector's mark: Lugt 2228

Latere staat prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Deel VI.
Vrouw met hooivork en open hemd, geleund tegen een hooiberg
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Inscriptions: inscription: ‘ab’, number: ‘74’