deem-data/ArtiFact huggingface dataset:
Portret van een vrouw met gedecoreerde omlijsting
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: hoffmeister
Artist role: fotograaf
Subjects: adult woman, 'passe-partout', historical persons
Buitenwijk van Paramaribo
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Gezicht op een weg door een buitenwijk van Paramaribo. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Embleem met engelen die mannen aanmoedigen om mededogen te hebben met de smekende zielen in het vagevuur
Object type: book illustration
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Subjects: church (exterior), guardian angel, (private) prayer; 'oratione', 'preghiere', 'preghiere a dio' (ripa), holy mass (divine service, especially of roman catholic church), purgatory, usually the souls praying or asking for intercession, churchyard (around church), the life of man
Inscriptions: collector's mark: Lugt 2228

Prent uit: Antoine Sucquet, Den wech des eeuwich levens, beschreven int latijn : met beelden verlicht door Boëtius a Bolsvert, Antwerpen, Hendrick Aertssens, 1620, afb. tegenover p. 238
Inlay fragment, net design
Object type: inlay fragment
Date: 1 – 300
Materials: glass
Location: egypt

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards.
Nine-light chandelier
Object type: chandelier
Date: 1785 – 1785
Materials: bronze, gilt

In the era before gas lighting and electricity, candles played a principal role in illuminating the interior of a house. The number and type of candles lit was an indication of the wealth and status of the owner. Beeswax candles burnt cleaner and smelled more pleasant than tallow and were rather expensive. Contemporary travelers and diarists frequently commented on the illumination and cost of brightly lit spaces. Gilt bronze was extensively used for different types of lighting ranging from standing candlesticks and candelabra to hanging chandeliers and lanterns. This graceful chandelier has a vase-shaped patinated-bronze body fitted with a fluted neck of gilt bronze. From a gilt-bronze band encircling the vase rise nine S-shaped branches, each decorated with scrolling acanthus-leaf motifs, a flaring drip pan and a candle socket. The chandelier is suspended from gilt-bronze chains. The combination of patinated metal and gilt bronze used here offered the kind of rich and sophisticated contrast favored during the late eighteenth century.
Pickenpack Thies & Co.
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Marie-Catherine Cadière belandt in een kerker
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: etching
Location: france
Artist: jacques gabriel huquier
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1725 – 1805
Subjects: toulon, sexual abuses of monks, witch-hunt, persecution of witches and sorcerers

Jean-Baptiste Girard beschuldigt Marie-Catherine Cadière van hekserij, hier voor wordt zij in een stinkende kerker opgesloten. Onderdeel van de reeks van 32, veelal erotisch getinte, prenten gewijd aan het schandaal rond Marie-Catherine Cadière en de Jezuïet Jean-Baptiste Girard in 1730-1731.
Portret van Ibrahim Bascia
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Location: italy
Artist: giuseppe buccinelli
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Landschap met ruïne en herders
Object type: print
Date: 1762 – 1829
Materials: paper
Techniques: etching
Artist: jean louis demarne
Artist role: draughtsman, painter, print maker
Artist dates: 1752 – 1829
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Bussesundet met twee schepen, waaronder de Willem Barents
Object type: sketchbook leaf
Date: 1880 – 1880
Materials: chalk, paper, pencil, watercolor
Location: vardø
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: coast (in polar regions), ships (in general)
Inscriptions: annotation: ‘de Barents[?] uit[?] de Bussesundet/ [...]’

Blad 19 recto uit een schetsboek met 35 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
I 370 The caving of Kairo Shinto Temple Nikko.
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: salted paper print
Location: nikko
Artist: Anonymous
Subjects: nikko
Inscriptions: number: ‘34.’
Septem planetae, septem hominis
Object type: print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adult man, battle, discretion, modesty; 'discretione', 'modestia' (ripa), mars and his children ('planetenkinder')
Inscriptions: collector's mark: Lugt 2228

In de lucht zweeft de planeetgod Mars, omringd door allerlei wapentuig. Op de voorgrond de personificatie van Discretio, onderscheid. Ze heeft als attributen de weegschaal, de maatbeker en de zeef. Naast haar staat een soldaat met een lans. Op de achtergrond een veldslag. De prent heeft een Latijns onderschrift en is deel van een zevendelige serie over de macht van de zeven planeten over de zeven leeftijden van de mens.
Onderdeel of hulpstuk afkomstig uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: part
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)

Strip-shaped fitting; fragm, sim. 80H947.
Panel
Object type: panel
Date: 1601 – 1800
Materials: silk
Subjects: animals,birds,fountains,butterflies,trees
The Actor Ichikawa Omezo I as Koyurugi Motomenosuke (?) in the Play Haru no Nishiki Date-zome Soga (?), Performed at the Nakamura Theater (?) in the First Month, 1790 (?)
Object type: print
Date: 1790 – 1790
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Piece
Object type: piece
Date: 1801 – 1900
Materials: wool
Subjects: roses,leaves
Greek Waltz, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,dancing,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Levendig Parijs
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: mother-love, couple of lovers
Inscriptions: collector's mark: Lugt 2228

De prentserie werd in 1826 in twee afleveringen van tien prenten uitgebracht. Zie voor de eerste aflevering: Bibliographie de la France (1826), nr. 51, 28 juni 1826, p. 568. Voor de tweede aflevering: Bibliographie de la France (1826), nr. 67, 23 augustus 1826 p. 728.
The Reed Offered to Christ
Object type: print
Date: 1630 – 1640
Materials: ink, paper
Techniques: engraving, etching
Location: belgium
Artist: anthony van dyck
Artist role: artist
Artist nationality: flemish
Artist dates: 1599 – 1641
Titelblad voor het pamflet: Europe nooit voor een, 1702
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), lodewijk xiv (koning van frankrijk), vienna, leopold i (keizer van duitsland)

Een leeuw (Willem III) en een vos knippen de nagels en breken de tanden van de tijger (Frankrijk), de adelaar (Keizerrijk) ziet goedkeurend toe. De macht van Frankrijk in Europa door Willem III en het keizerrijk beknot. Op de achtergrond een obelisk met opschrift in het Latijn. Titel staat op apart tekstblad.
Mannen op een aangemeerde boot
Object type: album leaf
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: volendam
Artist: george hidderley
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, adult man, historical persons
Soldaat houdt de laadstok van zijn musket recht voor zich, ca. 1645
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: petrus rucholle
Artist role: print maker
Artist dates: 1618 – 1647
Subjects: handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, die met zijn rechterhand de laadstok van zijn musket recht voor zich houdt. In zijn linkerhand het musket. Bedrukt op achterzijde met tekst in het Frans. Nieuwe voorstelling niet ontleend aan de instructies voor het hanteren van het musket in de Wapenhandelinghe van J. de Gheyn. Krijgswezen rond 1600.
Fürstentor P.r.6.v.NO.
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: number: ‘88’
Comforts of Bath, Plate 3
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,drinking
Cyclist, from the Occupations for Women series (N166) for Old Judge and Dogs Head Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: women,athletes,bicycles

The "Occupations for Women" series of trading cards (N166) was issued by Goodwin & Company in 1887 to promote Old Judge and Dogs Head Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series, as well as three duplicate cards.
Nederlandse heiligen
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: heilige, fredericus i van utrecht
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van de serie: Iesv Christo, Fideli Militantis Ecclesiae Imperatori, Liberali Eivsdem, Trivmphantis, Remvneratori, hos In Foederato Belgio Militiae Svae Legatos, Sanctissimos Sacri Belli Dvces, Patriae Apostolos, Et Decora Lvmina, Cvm Dvabvs Heroinis, Militans In Iisdem Provinciis Ecclesia. Haarlem: Pieter Claesz. Soutman, 1650.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Materials: terracotta
Culture: greek, attic

Interior, part of head, crest, and neck of horse to left
Wakashu (Male Youth) with Two Swords
Object type: hanging scroll
Date: 1667 – 1700
Materials: ink, silk
Culture: japanese
Artist: unidentified artist
Artist role: artist
Heuvellandschap met bomen en twee figuren
Object type: sketchbook leaf
Date: 1811 – 1811
Materials: chalk, paper
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: low hill country (+ landscape with figures, staffage)

Blad 28 recto uit een schetsboek met 75 bladen.
Situla
Object type: situla
Date: 600 – 100
Materials: copper alloy
Location: egypt

Situlae are vessels for libations.The type to which this one belongs is encircled with a particular arrangement of gods and scenes, and is frequently found, often with its loop handle still affixed. Examples are mostly rather small. Some examples with provenance (see 1976.63.3) seem to have been temple dedications. Unless there is excavation information, the objects cannot be closely dated but seem to relate to iconography popular from the Saite into early Roman periods. The scenes seen at the rim and in the central field on this object recur with minor variations on almost all situlae of this type. In the top register the sun-god in his day-bark is adored by baboons, while his night-bark is drawn by jackals. In the wider middle field the deceased is seen behind an offering table with a large lotus worshiping a number of deities led by the ithyphallic Amen-Re, who is followed by here by Horus, Isis and Nephthys, Ptah, Sakhmet and the Nefertum fetish. Raised tabs have hieroglyphs - scarcely readable here - identifying the gods. A band below this scene is inscribed with an offering formula and a dedicator's name Khonsu-m-?.A lotus calyx enfolds the bottom of the vessel.
Gezicht op de Dam te Amsterdam met het Koninklijk Paleis en de Nieuwe Kerk
Object type: sketchbook leaf
Date: 1885 – 1898
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage), royal palace of amsterdam
Inscriptions: kleurnotitie, handgeschreven

Pagina 8 uit een schetsboek met 32 bladen.
Kris with Sheath
Object type: kris with sheath
Date: 1501 – 1900
Materials: ivory, pigment, steel, wood
Culture: balinese
Location: indonesia
Men Gathering Papyrus
Object type: facsimile, puyemre tt 39, papyrus industry
Materials: paper, paint
Location: egypt
Artist: hugh r. hopgood
Artist role: artist
Subjects: men,working,walk-like-egyptian

This facsimile painting copies a scene of papyrus gathering in the tomb of Puyemre (TT 39) at Thebes. For a continuation of the scene, see 30.4.10.
Waschen, persen & drogen (linksboven), frucht & zaad-noot, (linksonder), 23 jarige boom (rechts)
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: munich
Subjects: plantation, (non-fruit) products of plants or trees: rubber, sumatra
Inscriptions: number: ‘41’

Onderdeel van Album met heliogravures van Sumatra's oostkust.
Bath Scraper
Object type: bath scraper
Date: 1101 – 1300
Materials: earthenware
Techniques: molding, relief
Location: iran
Subjects: lions

Prolonged exposure to water and steam in a hammam’s hot rooms loosens dead skin and forces impurities out of the body, which are then wiped or scrubbed away with any number of exfoliating implements, such as a mitt or sponge. A group of ceramic scrapers similar to this one are believed to come from Iran. Their decoration includes a variety of animal, floral, and geometric patterns, suggesting customers could select their own designs.
Martyrdom of Saint Sebastian
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: bartholomaeus spranger
Artist nationality: flemish
Artist dates: 1546 – 1611
Maria met het lichaam van Christus
Object type: print
Date: 1640 – 1680
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: 'pietà ', 'vesperbild', 'marienklage' (no others present): christ, either with or without crown of thorns, mourned by mary
Inscriptions: collector's mark: Lugt 240

Maria leunt tegen een steen aan en slaapt, het lichaam van Christus ligt naast haar. Op de steenblok liggen Christus' doornenkroon en de spijkers. Onder de voorstelling een vers in het Latijn en een aflaat door de bisschop van Gent Antonius van Triest.
Overijssel, Nederlandse rijksdaalder, 1677
Object type: leeuwendaalder
Date: 1677 – 1677
Materials: silver
Techniques: striking
Location: kampen

Zilveren munt. Voorzijde: gehelmde, naar rechts kijkende ridder, voor zich wapenschild met leeuw aan lint. Keerzijde: klimmende leeuw naar links. Jaartal bovenaan in omschrift.
Brief aan Max Wilhelm Carl Weber en Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1913 – 1913
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: charles albert de burlet, amsterdam, the hague, painter, print maker, draughtsman, jozef israëls, lourens alma tadema, anne antoinette weber-van bosse, leiden, rembrandt van rijn, rijksmuseum amsterdam, art trade, art shop, the graphic arts, painting (including book-illumination, miniature-painting)
Cold Water Canon, towards the Jug from above, No. 1026 from the series "In and About the Dells of the Wisconsin River"
Object type: photograph
Date: 1870 – 1908
Techniques: albumen print
Location: wisconsin
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Studie-prentwerk / Etudes gravées
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: draughtsman, pieter pietersz. barbiers
Inscriptions: collector's mark: Lugt 2228

Serie voor het eerst uitgegeven door Jacob Ernst Marcus onder de titel Studiebeelden en Fragmenten. Amsterdam: ca.1816. Later heruitgegeven als: Studie-prentwerk/ Etudes gravées.
Aardbeving te San Severo op Sicilië, 1627
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: leiden
Subjects: earthquake, san severo
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. I, p. 1445.
Batavia - Kerkhof
Object type: photograph
Date: 1863 – 1866
Materials: photographic support
Techniques: albumen print
Location: batavia
Subjects: churchyard, cemetery, batavia
Inscriptions: inscription: ‘Batavia - Kerkhof’

Het Europese kerkhof in Tanah Abang, Batavia. Onderdeel van het rode fotoalbum met foto's van Java, uit het bezit van apotheker Specht-Grijp, die in 1865 vanuit Batavia naar Nederland terugkeerde.
Roundel with Coat of Arms
Object type: roundel
Date: 1467 – 1500
Materials: glass, paint, pigment
Culture: south netherlandish
Subjects: coat of arms
Sauskom, veelkleurig beschilderd met een Kakiemon-decor en het wapen van Johann Christian graaf von Hennicke (1681-1752)
Object type: sauceboat
Date: 1735 – 1740
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Two sauce boats from the service of Count Johann Christian von Hennicke. Porcelain. Meissen, c. 1735. Given by L. Mainz, 1938.
Brief aan A.G.C. de Vries (1872-1936)
Object type: letter
Date: 1912 – 1912
Materials: ink, paper
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: alphonse legros, paris, print maker, charles meryon, a.g.c. vries (1872-1936), art trade, art shop, the graphic arts, money
Gezicht op de kaasmarkt en de Waag in Enkhuizen
Object type: photomechanical print
Date: 1888 – 1888
Materials: paper
Techniques: autotype
Location: enkhuizen
Subjects: market, weigh-house, village street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Flounce
Object type: flounce
Date: 1700 – 1700
Techniques: lace
La double surprise
Object type: print
Date: 1741 – 1797
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: wooden container: barrel, cask, bucket, candle, interrupted meeting, lovers caught by surprise
Inscriptions: collector's mark: Lugt 2228
Vijf foto's van de familie Onnen met vrienden, Hilversum
Object type: photograph
Materials: paper
Techniques: gelatin silver print
Location: hilversum
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: amsterdam, carolina frederika onnen (lien/loen), friends, historical persons not known by name

Deze foto's maken deel uit van een album.
Comb
Object type: comb
Materials: ivory
Culture: french or dutch
Subjects: animals,men,women,saint john the baptist,tables,herod
Gezicht op verschillende gebouwen in New York, waaronder het stadhuis, de Tribune, de Times en de American Tract Society
Object type: album leaf
Date: 1902 – 1902
Materials: paper
Techniques: photograph
Location: new york city
Subjects: city-view in general; 'veduta', exterior ~ representation of a building

Deze prent maakt deel uit van een album.
Portret van een jonge vrouw
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: arnstadt
Artist: christian beitz
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘Chr. Beitz/ Hof-Photograph/ [...]’
Bericht in de Bataafsche Staats Courant over Rutger Jan Schimmelpenninck wordt gelezen in het koffiehuis
Object type: drawing
Date: 1806 – 1806
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: amsterdam, print maker, draughtsman, christiaan andriessen, inn, coffee-house, public house, etc., newspaper, news-sheet
Inscriptions: collector's mark: Lugt 1641a, signature: ‘J Andriessen’, collector's mark: Lugt 1641, inscription: ‘6 junij 1806 missive van den raadpensionaris Schimmelpenninck aan hun hoogmogende waarbij hij zijn demissie neemt’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Oorsieraad van goud
Object type: ear ornament
Date: 1045 – 1500
Materials: gold
Techniques: casting
Location: java
Artist: Anonymous
[Seated Female Nude]
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: female nudes

This daguerreotype was surely intended to serve artistic purposes, but the odd twist of the body and the strange relationship of the three visible limbs seem to render it inappropriate for artistic emulation. Such tension between an artistic ideal and realistic means—between the classicism of an academic pose and the awkwardness of the camera’s rendering of human movement—seems emblematic of the dilemma faced by the nascent medium striving to be an art.
Panel
Object type: textile
Date: 1810 – 1810
Location: england
Untitled Valentine (Pink and White Flowers)
Object type: drawing and watercolor
Materials: paper, watercolor
Techniques: collage, cutting, embossing
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Portret van Job Ludolf
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: wig
Inscriptions: collector's mark: Lugt 2228

De oriëntalist Job Ludolf. Hij was vanaf 1652 tot 1678 in dienst van Ernst I van Saksen-Gotha. Hij draagt een lange krulpruik en een kraag van kant.
Portretten van beroemde Nederlandse en Vlaamse geleerden
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Subjects: nijmegen, historical persons
Eiffeltoren gezien van het viaduct van Auteuil
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: woodcut
Artist: henri rivière
Artist role: draughtsman, print maker
Artist dates: 1864 – 1951
Subjects: city-view, and landscape with man-made constructions, eiffel tower
Inscriptions: collector's mark: Lugt 2228
Interieur met vier drinkende mannen
Object type: print
Date: 1825 – 1863
Materials: paper
Techniques: etching, intaglio
Artist: guillaume joseph vertommen
Artist role: print maker
Artist dates: 1815 – 1863
Subjects: adult man (+ four persons), interior of the house, drinking, chimney-piece, mantelpiece
Inscriptions: collector's mark: Lugt 2228
L'ameublement / Collection Simple
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage, table

Een buffetkast, lage open kast en tafel in de Lodewijk XV-stijl. Prent uit 300e Livraison.