deem-data/ArtiFact huggingface dataset:
Portret van Dirk Hoitsma
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: amsterdam
Artist: noach van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Subjects: politician
Inscriptions: collector's mark: Lugt 2228

Portret van Dirk Hoitsma, lid van het provinciaal bestuur van Holland.
Peasant costume fragment
Object type: costume fragment
Date: 1801 – 1900
Materials: canvas, wool
Gezicht op Mirror Lake
Object type: stereograph
Date: 1867 – 1886
Materials: cardboard, paper
Techniques: albumen print
Location: san francisco
Artist: Anonymous
Subjects: lake
Inscriptions: number: ‘1118’
Groepsportret van Johanna Geertruida, Lucas, Willem en Goverdus Henricus Jonker
Object type: carte de visite
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bussum
Artist: verschuur (fotograaf)
Artist role: fotograaf
Subjects: historical persons
Inscriptions: annotation: ‘Hansje, Luc, Pim en Henricus Jonker’
Munitions Cart Drawn by Two Horses
Object type: drawing and watercolor
Date: 1818 – 1819
Materials: graphite, paper
Techniques: brush, wash
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Bouwwerkzaamheden aan de fundering van een gebouw in de haven van Rotterdam
Object type: photograph
Date: 1909 – 1919
Materials: paper, cardboard
Techniques: gelatin silver print
Location: rotterdam
Artist: willem sr. bleuzé
Artist role: fotograaf
Artist dates: 1873 – 1948
Subjects: laying the foundations; trench, rotterdam
Inscriptions: address: ‘W. BLEUZÉ/ ROTTERDAM/ JONKER FRANSSTRAAT 66’
Portret van Sigmund Jacob Baumgarten
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving
Location: halle an der saale
Artist: gottfried august gründler
Artist role: painter, print maker
Artist dates: 1710 – 1775
Subjects: bookshelves, rocaille ornament, theologian, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Baumgarten, Sigmund Jacob. Evangelische Glaubenslehre. Halle an der Saale: Johann Justinus Gebauer, 1759.
De gruwelen van de oorlog (groot)
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching
Location: nancy
Subjects: plundering ~ soldiers, soldiers and civilians, hotel, hostelry, inn, fighting
Inscriptions: collector's mark: Lugt 240

Soldaten verlaten al vechtend een herberg die ze zojuist geplunderd hebben. Onder de voorstelling een lege marge. Deze prent is onderdeel van een serie van 17 (18 incl. titelprent) prenten met voorstellingen van diverse soorten ellende die oorlogvoering met zich meebrengt.
Earring-hook type with pendants and disc
Object type: earring hook type with pendant
Date: 7000 – 330
Materials: gold
Sealing wax case (étui)
Object type: étui
Date: 1782 – 1783
Materials: gold
Artist: nicolas-jean-baptiste choconain-delauney
Artist role: maker
Artist dates: 1775 – 1793

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Pompano, from the series Fishers and Fish (N74) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: knapp & company
Artist role: lithographer
Artist nationality: american
Subjects: fish

Trade cards from the "Fishers and Fish" series (N74), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
Asian
Object type: figure
Date: 1750 – 1755
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: men
Brief aan Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1910 – 1910
Materials: ink, paper
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: amsterdam, anne antoinette weber-van bosse, drawing
God Vishnu with Lakshmi and Sarasvati
Object type: sculpture
Materials: bronze
Location: bengal
Schepping van de vogels en de zeedieren
Object type: print
Date: 1588 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: tortoises, turtles, birds, fishes, god the father as bearded old man, usually with crown or tiara or sceptre and/or globe, creation of the animals ~ genesis, swimming mammals
Inscriptions: collector's mark: Lugt 240

God de Vader staat op de voorgrond en heft zijn armen op. Voor hem zwemmen zeedieren in het water. Op het land en in de lucht verschillende vogels. Op de vijfde dag van de schepping schiep God de vogels in de lucht en de dieren in het water. De prent heeft een Latijns onderschrift.
Belt Plate Fragment
Object type: fragment
Date: 500 – 700
Materials: brass, iron, silver
Techniques: inlay
Culture: frankish
Zaandam
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: autotype
Location: london
Artist: george christopher davies
Artist role: fotograaf, geoloog
Artist dates: 1849 – 1922
Subjects: bridge, windmill
Portret van een onbekende man
Object type: print
Date: 1870 – 1886
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons not known by name
Inscriptions: check stamp: Lugt 2141c, collector's mark: Lugt 2228
Portret van Johann Franz Löw von Erlsfeld
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the center of a kylix, with a graffito; the stem and complete foot is preserved; the outer edge and the resting surface of the foot is reserved; the underside of the foot is glazed
Studie-prentwerk / Etudes gravées
Object type: print
Date: 1807 – 1811
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: head (human)
Inscriptions: collector's mark: Lugt 2228

Serie voor het eerst uitgegeven door Jacob Ernst Marcus onder de titel Studiebeelden en Fragmenten. Amsterdam: ca.1816. Later heruitgegeven als: Studie-prentwerk/ Etudes gravées.
Káldor Artur Konyve
Object type: bookplate
Date: 1905 – 1905
Materials: paper
Techniques: printing block
Location: hungary
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, weighing-instruments
Brief aan Andries Bonger
Object type: letter
Date: 1907 – 1907
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: arï redon, homerus, rome, masaccio, leiden, rembrandt van rijn, amsterdam, andries bonger, leonardo da vinci, travelling; tourism, painting (including book-illumination, miniature-painting), architecture, art collecting, historical persons (portraits and scenes from the life), paris, switzerland
Two Standing Male Figures in Antique Military Costume
Object type: drawing
Date: 1624 – 1663
Materials: ink
Techniques: brush, pen, wash
Artist: francesco allegrini
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1679
Subjects: military clothing,men
Kiekendief
Object type: print
Date: 1878 – 1917
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: predatory birds
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Man holding flowers (?)
Object type: figure
Date: 1745 – 1745
Techniques: salt glaze
Subjects: men
Vier foto's van baby Han met zijn moeder
Object type: album leaf
Materials: cardboard, photographic support
Techniques: collodion silver print, gelatin silver print
Location: dutch east indies
Artist: frédéric gabriël dumas
Artist role: engineer
Artist dates: 1886 – 
Subjects: java, male infant, family life at home, dutch east indies, the
Inscriptions: annotation: ‘6 weken 22 nov 1910 / 3 maanden December 1910 / 3 maanden Dec. 1910’

Blad met vier foto's van baby Han Dumas met zijn moeder. Onderdeel van het fotoalbum over de kindertijd van Han (geboren sept-okt 1910) en Eef Dumas (geboren februari 1915) in Nederlands-Indië.
Beaker
Object type: beaker
Date: 1825 – 1830
Materials: glass
Subjects: cathedrals
Drie figuren zwaaien een zeilschip uit
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, waving farewell ~ departure on a journey
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Huygen, Pieter. De beginselen van Gods koninkryk in den mensch uitgedrukt in zinnebeelden. Amsterdam: wed. Arentsz. Pieter (II), 1689, p. 56.
Leopold van Saksen-Coburg door het Nationaal Congres verkozen tot koning van België
Object type: history medal
Date: 1831 – 1831
Materials: silver
Techniques: striking
Artist: m. borrel
Subjects: laeken, leopold i (koning der belgen)

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen eikenkrans
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
Object type: drawing
Date: 1846 – 1846
Materials: graphite, ink
Techniques: pen
Artist: j. j. grandville
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: birds,girls,men,women,guitars
The Choir of the Church of Our Lady in Breda with the Tomb of Engelbert II of Nassau
Object type: painting
Date: 1843 – 1843
Materials: oil, panel
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: brussels, interior of church, grave-building, monumental tomb
Inscriptions: signature and date: ‘J. Bosboom 1843’

The 15th-century Counts of Nassau were the direct ancestors of King William II. Their tomb in the church of Onze-Lieve-Vrouw in Breda was famous –it was even thought to have been made by Michelangelo. Bosboom painted the figures in 17th-century clothing. At right, a scholar studies the family coats of arms, and at the left an artist admires the monument while his pupil carries his album of drawings.
NSB
Object type: photograph
Date: 1907 – 1942
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: j.c.m. otto
Artist role: fotograaf
Subjects: the hague, politician, anton adriaan mussert, print, e.g.: engraving, etching, lithograph, amsterdam

Mussert ontvangt een ets, die hem wordt aangeboden door mevrouw de Ruiter-van Lankeren Mathes tijdens zijn bezoek aan de provincie Noord-Holland. Mevrouw de Ruiter is de leidster van de NSVO, Nationaal Socialistische Vrouwen Organisatie. Mussert krijgt dit cadeau in het NSVO huis in Amsterdam. Achter Mussert drie NSBers, links Wim Heubel, Nederlandse SSer en broer van de Zwarte Weduwe Rost van Tonningen. Op de muur een versiering met vrouwen.
Fantasiemarmer in verschillende tinten rood, grijs, groen en blauw
Object type: marbled paper
Date: 1900 – 2000
Materials: paint, paper
Techniques: marbled paper
Artist: Anonymous
Virgin and Child with Angels
Object type: painting
Date: 1518 – 1518
Materials: oil, wood
Artist: bernard van orley
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1492 – 1542
Subjects: fountains,music,peacocks,angels,madonna and child
Combination Flintlock and Knife Carrier
Object type: combination flintlock pistol and knife carrier
Date: 1801 – 1900
Materials: gold, steel
Culture: turkish
Location: turkey
Estudiantina Dancer, from the Dancing Women series (N186) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancers

Trade cards from the "Dancing Women" series (N186), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Gezicht op het landgoed van kasteel Broechem
Object type: print
Date: 1669 – 1695
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: castle, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228
Fragment (Dress Fabric)
Object type: textile
Date: 1801 – 1850
Materials: gold, silk
Techniques: weave
Culture: persian
Location: iran
Portret van een vrouw
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, paint, photographic support, silk, textile, watercolor
Techniques: brush
Artist: Anonymous
Subjects: adult woman, historical persons
Kinderportretten
Object type: photomechanical print
Date: 1880 – 1920
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: reading, historical persons, girl (child between toddler and youth), (playing with) dolls

Vier portretten van meisjes, waaronder een van een meisje met een pop en een lezend meisje. Deze pagina maakt deel uit van een album.
Nouveaux desseins de lambris inventés par le Sr. Pineau architecte
Object type: album leaf
Date: 1725 – 1750
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, bed, bedroom

Deze prent maakt deel uit van een album.
Klederdracht van Volendam in Noord-Holland, 1857
Object type: costume print
Date: 1857 – 1857
Materials: paper
Techniques: hand coloring
Location: netherlands
Subjects: folk costume, regional costume

Klederdracht van de plaats Volendam in de provincie Noord-Holland. Man en vrouw bij de haard. Illustratie in een boek uit 1857 met 56 platen van Nederlandse klederdrachten.
Cake plate
Object type: cake plate
Date: 1800 – 1900
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Papyrus
Object type: papyrus
Date: 600 – 600
Materials: ink, papyrus
Culture: coptic
Location: egypt
Subjects: coptic
Oak box with mementos of Jan van Speijk
Object type: ring
Materials: copper, gold, steel
Techniques: forging, striking
Location: antwerp
Subjects: amsterdam, antwerp, jan van speyk

Stalen vingerring met achthoekig plat gedeelte, aan weerszijden daarvan versierd met plantmotieven, de binnenzijde van de ring is van geel metaal (goud of koper). Opmerking; Zie inv. nrs NG-NM-1090-a, c en d.
Drie mannen praten over een krantenbericht
Object type: cartoon
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), newspaper, news-sheet
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 5 juli 1848.
Standbeeld van een obelisk op de rug van een olifant
Object type: book illustration
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: obelisk, needle, (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, pedestal of a piece of sculpture (perhaps in the form of a herm), trunked animals: elephant

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, recto fol. 10.
Flayed man seen from behind
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: male nudes
Chasuble
Object type: chasuble
Materials: metal thread, silk
Subjects: flowers

At the core of this garment are two fine early-18th century silks of the type commonly called "bizarre". In coral pink, gold and silver thread, the sweeping, fantastical foliate motifs were inspired by imported Indian and Persian textiles. However, in the 19th century (or even early 20th century) these silks were cut and retailored (with machine-stitching) to make a pair of chasubles– the tabard-like garment worn by Catholic priests during church services. Its pendant is also in The Met's collection (52.1.12) and, unpatched, is in slightly better condition. As part of that campaign, machine quilting stitches were applied all over the surface of the textile in an effort to stabilize it and garish modern gold-colored braid was attached over some of the seams. Clearly, both chasubles were used in an ecclesiastic setting, with signs of wear-and-tear and sweat-staining still clearly discernable.
Studieblad met drie lopende vrouwen
Object type: drawing
Date: 1650 – 1650
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘Harman ter Borch inventor den 22.Meij 1650’
Cheap fish of St. Giles's
Object type: photomechanical print
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Location: london
Subjects: fishes, persons engaged in trade and commerce, street, customer
Inscriptions: number: ‘Plate 6.’
Hay Field
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: london
Subjects: harvest, low hill country (+ landscape with figures, staffage), painting (including book-illumination, miniature-painting), hay-wagon

Prent is gedrukt op de pagina tegenover pagina 31.
Caliban, from "Twelve Characters from Shakespeare"
Object type: print
Techniques: etching
Artist: john hamilton mortimer
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1740 – 1779
Subjects: shakespeare,monsters

Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and sought British equivalents for his poetic subjects. This etching comes from a series devoted to leading Shakespearean characters, based on drawings exhibited at the Society of Artists in 1775. Merging the seventeenth-century genres of the character head and tête d'expression (expressive head), Mortimer's designs also incorporate aspects of history painting to convey the Bard's dramatic range. Attracted to tragic figures, the artist here portrays Caliban, the offspring of a witch, whom Prospero and Miranda befriend when first exiled to a remote island in "The Tempest." The figure's demonic fingers and goat-like ears point to the lustful nature that drove him to try to rape of Miranda, although his human torso, and lines of engraved text below the image, elicit our sympathy: "Do not torment me prithee I'll bring my wood home faster." (The Tempest, act 2, scene 2)
Sutra Cover
Object type: sutra cover
Date: 1501 – 1600
Materials: silk
Culture: chinese
Subjects: flowers
Bladmuziek Tab. III
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: etching
Location: netherlands
Subjects: notation of music
Inscriptions: collector's mark: Lugt 2760

Bladmuziek uit: Konrad Zumbach von Coesfeld, Institutiones musicæ, of Korte onderwyzingen rakende de practyk van de musyk; en inzonderheid van den generaalen bas [...] benevens de [...] gronden van de compositie, 1743. Rechtsonder: Tab. III.
Oceaanhaven Belawan
Object type: photograph
Date: 1921 – 1921
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: harbour, building-site
Inscriptions: inscription: ‘No. 23. Timmerloods’, date: ‘16/6-21’

Gezicht in de timmerloods met arbeiders en opzichters. Genummerd: 23. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Inhuldigingsmedaille koningin Juliana 1948
Object type: onderscheidingsteken, onderscheiding
Date: 1948 – 1948
Materials: cardboard, silver, textile
Location: netherlands
Artist: Anonymous
Subjects: utrecht, bernhard (prins der nederlanden), willem drees, the hague, juliana of the netherlands, netherlands
Inscriptions: circumscription: ‘JULIANA KONINGIN DER NEDERLANDEN<BR />INHULDIGING 6 SEPTEMBER 1948’

Zilveren penning aan draagring en oranje lint met aan buitenzijde rood-wit-blauwe strepen en aan binnenzijde donkerblauwe streep, aan speld. Voorzijde: de hoofden van Juliana en Bernhard, met profiel naar links. Keerzijde: gekroonde J met omschrift.
Skirt
Object type: skirt
Date: 1701 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: deer,flowers
Puntig, asymmetrisch kapje van langharig zwart vilt en grijs fluweel
Object type: hat
Date: 1949 – 1953
Materials: felt, velvet
Location: paris
Artist: caroline reboux
Artist role: modiste
Artist dates: 1837 – 1927

Puntig, asymmetrisch kapje van langharig zwart vilt en grijs fluweel. Met aan de binnenzijde een ingenaaid label waarop staat: Caroline Reboux/ 9 Avenue Matignon. Paris.
[Jerusalem]
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: john anthony
Artist role: artist
Artist nationality: british, born france
Artist dates: 1823 – 1901
Subjects: landscapes
Portret van dichter Giovanni Battista Casti
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: aquatint, etching
Location: italy
Subjects: paris, historical persons, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘A. Lanzani’
Suede Gloves
Object type: print
Date: 1890 – 1890
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Teapot
Object type: teapot
Date: 1754 – 1775
Materials: pewter
Artist: christian roth
Artist role: maker
Artist dates: 1707 – 1807
Ivno Venvs Pallas
Object type: print
Date: 1587 – 1595
Materials: paper
Techniques: engraving
Location: germany
Subjects: (story of) juno (hera), (story of) minerva (pallas, athena), (story of) venus (aphrodite)
Inscriptions: collector's mark: Lugt 240

De bustes van de drie godinnen die de Trojaanse prins Paris beoordeelde op hun schoonheid. Juno (links met een kroon), Venus (in het midden met ontblote borsten en een appel in de hand) en Minerva (rechts met een helm).
Achttiende verjaardag van Prinses Juliana 1927
Object type: history medal
Date: 1927 – 1927
Materials: bronze
Techniques: striking
Artist: jacob jan van goor
Artist role: medailleur
Artist dates: 1874 – 1956

Bronzen penning, op de voorzijde het portret van Juliana naar links met omschrift, op de keerzijde het ruitvormige wapenschild van Juliana te midden van oranjetakken, met omschrift.