deem-data/ArtiFact huggingface dataset:
Portret van Philippe-Emmanuel Coulanges
Object type: print
Date: 1788 – 1861
Materials: paper
Techniques: engraving, etching
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Koperen beslagband, onderdeel van een houten schenkkan
Object type: ewer
Date: 1590 – 1596
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Bronze/Copper bands and spout for a wooden pitcher.
Eef en Han Dumas
Object type: photograph
Date: 1918 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: frédéric gabriël dumas
Artist role: engineer
Artist dates: 1886 – 
Subjects: paris, beatrice jacqueline eveline dumas, historical persons - bb - woman, historical persons, family life at home, toddler - aa - girl, netherlands, dutch east indies, the

Blad met twee foto's van Eef Dumas met haar oudere broer Han: samen met een derde kind in de speelkamer en alleen staande met waaier en kat in de tuin. Onderdeel van het fotoalbum van Beatrice Jacqueline Eveline (Eef) Dumas, ca. 1880-1952.
Portret van een man, zittend aan een tafel
Object type: album leaf
Date: 1855 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: gorinchem
Artist: kornelis willem schorteldoek
Artist role: boekbinder, fotograaf
Artist dates: 1800 – 1885
Subjects: sitting figure, historical persons
Inscriptions: inscription: ‘SCHORTELDOEK/ PHOTOGRAAF/ GORINCHEM/ Groote Markt’
Gethsemane und Golgotha
Object type: book
Date: 1873 – 1873
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing
Location: berlin
Plate 65  from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?)
Object type: print
Date: 1814 – 1814
Techniques: aquatint, engraving, burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,women,dogs
Spatula
Object type: spatula
Date: 670 – 330
Materials: bronze
Culture: roman
Iconographie
Object type: print
Date: 1630 – 1646
Materials: paper
Techniques: engraving
Location: antwerp
Artist: lucas vorsterman (i)
Artist role: print maker
Artist dates: 1595 – 1675
Subjects: theodoor galle
Inscriptions: collector's mark: Lugt 240

Prent gebruikt voor: Icones principum, virorum doctorum, pictorum, chalcographorum, statuariorum nec non amatorum pictoriae artis numero centum ab Ant. van Dyck ad vivum expressae ejusque sumptibus aeri incisae. Antwerpen: Gillis Hendricx, [1645-1646].
Lantern
Object type: lantern
Date: 1700 – 1900
Materials: tin
Guisarme
Object type: guisarme
Date: 1530 – 1530
Materials: steel, wood
Culture: italian
Location: italy
Anthony van Dyck op zijn sterfbed
Object type: print
Date: 1818 – 1863
Materials: paper
Techniques: etching, intaglio
Subjects: antwerp, london, painter, print maker, draughtsman, anthony van dyck, deathbed, interior ~ representation of a building, medicament, medicine
Inscriptions: collector's mark: Lugt 2228

Van Dyck zit in een grote stoel bij een tafel met om zich heen een vrouw, jongen met een blad met medicijnen en een hond.
Gezelschap op straat
Object type: album leaf
Date: 1933 – 1933
Materials: paper
Techniques: gelatin silver print
Location: the hague
Artist: Anonymous
Subjects: street, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Oom Labree + Emy’
Schetsboek met 47 bladen
Object type: sketchbook
Date: 1866 – 1866
Materials: cardboard, ink, leather, paper, pencil
Techniques: pen
Location: bohemia
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hoofed animals: deer, adult man, landscapes with waters, waterscapes, seascapes (in the temperate zone), windmill in landscape

Schetsboek bestaande uit 47 bladen met koppen, herten en landschappen. Slechts de voorste pagina's bevatten tekeningen.
Twee bogen
Object type: sketchbook leaf
Date: 1905 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: arch, archivolt ~ architecture
Inscriptions: annotation: ‘37/ 27’

Blad 9 verso uit een schetsboek met 30 bladen.
Aetas aurea
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: italy
Subjects: the golden age, 'aetas aurea'; men live happily, gathering fruits under the reign of saturn
Inscriptions: collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Excursion Wagon
Object type: print
Date: 1850 – 1870
Materials: gum arabic
Techniques: engraving, hand coloring
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Journal des Luxus und der Moden, 1795, T 21
Object type: fashion print
Date: 1795 – 1795
Materials: paper
Techniques: etching, hand coloring
Location: weimar
Subjects: bow (ornamental part of clothing) (+ women's clothes), diadem, tiara (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), skirt (+ women's clothes), dress, gown (+ women's clothes)

Vrouw in een gestippelde japon met een geplooide kraag en halflange wijde mouwen met strikken. De rok is aan de voorzijde opgehouden en voorzien van een strik met twee afhangende linten, waaronder een onderrok te zien is. Accessoires: haarband, ceintuur, schoenen. Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
La Perspective du Canal des Jardins et du Chasteau de Chantilly (...)
Object type: print
Date: 1650 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: french or architectonic garden; formal garden, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Relief fragment from mortuary complex of Senwosret I
Object type: relief, falcon head
Date: 1961 – 1917
Materials: limestone
Location: egypt
Subjects: falcons
Portret van een man
Object type: print
Date: 1809 – 1912
Materials: paper, pencil
Techniques: drawing
Artist: Anonymous
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Ptah Figure
Object type: ptah figure
Date: 730 – 332
Materials: faience
Location: egypt

The tight-fitting skull cap, enveloping shroud, and animal-headed scepter identify this figure as Ptah, chief deity of the northern city of Memphis. Master craftsman to the gods, Ptah was the patron of artisans. A hole pierced through the back pillar indicates that this was meant to be suspended.
Timmerliedengilde, penning van het Engels Coffyhuys (koffiehuis) te Rotterdam
Object type: medal
Date: 1800 – 1900
Materials: brass
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: rotterdam

Messing penning. Voorzijde: hamer boven monogram van letters W, H en S binnen sierrand. Keerzijde: opschrift binnen sierrand. Vermoedelijk een gildepenning.
Afscheidsvers op de Raampoort
Object type: book illustration
Date: 1844 – 1845
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: city-gate

Vers over het afbreken van de Raampoort in twee kolommen. Bovenaan een vignet waar twee mensen buiten de Raampoort staan. Onderwerpsrubriek binnen de Atlas Amsterdam: Poorten, verzamelbladen, A. Raampoort.
Cup
Object type: cup
Date: 1601 – 1733
Materials: glass
Landschap met rivier en bouwsel op rots
Object type: print
Date: 1590 – 1640
Materials: paper
Techniques: etching
Location: italy
Subjects: landscapes, river, landscape with ruins
Inscriptions: number: ‘4’, collector's mark: Lugt 11, collector's mark: Lugt 2228, number: ‘T. 68.’

Landschap met rivier en een vervallen bouwsel op een rots. Op de voorgrond een vrouw onder een boom.
Undersleeves
Object type: undersleeves
Date: 1840 – 1850
Materials: cotton
Culture: american
Portret van een zittend meisje, aangeduid als Alix Rubens
Object type: photograph
Date: 1866 – 1890
Materials: cardboard, paper
Techniques: carbon print
Location: brussels
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, toddler (female)
Inscriptions: name: ‘Alix Rubens’, inscription: ‘Procédé inaltérable/ Photographie au Charbon/ (...)/ Géruzet Frères/ Photographes de S.M. la Reine des Belges/ 27b. Rue de l'Ecuyer/ Bruxelles’
Stier
Object type: print
Date: 1920 – 1940
Materials: paper, ink
Techniques: linocut
Artist: tinus van doorn
Artist role: painter, print maker
Artist dates: 1905 – 1940
Subjects: bull
Inscriptions: monogram: ‘TVD’

Stier in witte contouren tegen een zwart fond.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1918 – 1918
Materials: cardboard, ink
Techniques: pen, writing
Location: laren
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: the hague, painter, draughtsman, philip zilcken, printed matter
Inscriptions: collector's mark: ‘RPK’
Pickwick in the Wrong Room
Object type: stereograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: the hague
Subjects: bedroom
Inscriptions: workshop stamp: ‘Appareils et Articles / pour la Photographie/ S. Bosman / Opticien / La Haye (Hollande)’
Dordrecht zoals het vroeger was
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: tone lithography
Location: dordrecht
Artist: carel frederik bendorp (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1897
Subjects: windmill in landscape, city-gate, dordrecht
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Aan de andere kant van de poort is een kade, water en in de verte een windmolen. Het plafond van de poort is gewelfd. Onder de afbeelding het jaartal 1820.
Fotoreproductie van een geschilderd portret van een vrouw
Object type: album leaf
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, painting, drawing and the graphic arts
Inscriptions: annotation: ‘Indigence’
Jar
Object type: jar
Date: 1701 – 1800
Materials: clay, enamel, glaze
Culture: japanese
Subjects: flowers
Sheet with floral and dot pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Beaker
Object type: beaker
Date: 1567 – 1633
Materials: gilt, glass
Techniques: glassblowing
Culture: italian
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: "La Renommée" door Auguste Poitevin
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘533 en 534’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Bag
Object type: bag
Date: 1876 – 1900
Materials: cotton
Culture: american
Kraenstrate Maline, from Facsimiles of Sketches made in Flanders and Germany
Object type: print
Date: 1833 – 1833
Materials: chine, ivory, paper
Techniques: lithograph
Location: england
Artist: samuel prout
Artist role: artist
Artist nationality: british
Artist dates: 1783 – 1852
Fotoreproductie van een schilderij door Bartolomé Esteban Murillo, voorstellend Johannes de Doper als kind
Object type: photograph
Date: 1860 – 1875
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: child, lamb, series of scenes from the life of john the baptist
Inscriptions: inscription: ‘[...]de S. [...]’

Onderdeel van Reisalbum met opnames van kunstwerken, personen en bezienswaardigheden in Spanje.
Portret van een onbekende vrouw, mogelijk een lid van de familie Onnen-van den Berg
Object type: carte de visite
Date: 1884 – 1892
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: address: ‘De Riemerstraat No 21./ La Haye.’
Gezicht op Culzean Castle
Object type: print
Date: 1801 – 1802
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: castle
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Scotia Depicta; or the antiquities, castles, public buildings, noblemen (...). Londen: William Miller, 1801.

Zie ook: RP-P-2018-1877.
Personen op een balustrade met festoenen
Object type: drawing
Date: 1633 – 1638
Materials: chalk, paper
Artist: cornelis holsteyn
Artist role: draughtsman, painter, print maker
Artist dates: 1618 – 1658
Subjects: balustrade, vocal music, singing
Tafellaken van linnendamast met een bloempatroon
Object type: tablecloth
Date: 1740 – 1740
Materials: linen
Techniques: damask, weave
Artist: Anonymous

Tafellaken van linnendamast met een bloempatroon. Bij het laken horen zes servetten (BK-1973-177-A t/m BK-1973-177-F).
Gezicht op een haven in Frankrijk met zeilboten en havenhoofd
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, harbour (+ view ~ vehicle, ship, etc.), pier, quay, wharf, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Laatste avondmaal
Object type: print
Date: 1628 – 1682
Materials: paper
Techniques: etching
Subjects: the episode of the last supper
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een zesdelige serie met scènes uit het leven van Christus, opgedragen aan François de Rostaing. Enkel de laatste plaat uit de serie is door Lepautre gesigneerd. Zie IFF 17e siècle, p. 101.
Saint Genevieve
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: louis philibert debucourt
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1832
Portret van piloot G. F. Myers en pilote Ruth Law Oliver
Object type: photograph
Date: 1948 – 1948
Materials: photographic support
Techniques: gelatin silver print
Location: washington d.c.
Artist: Anonymous
Subjects: pilot
Inscriptions: inscription: ‘International news photo a unit of king features synd. (...) the individuals appearing in it’, inscription: ‘103,486 - Watch your credit (...) 12/17/48 -NS-’
Brandspuithuis te IJsselstein
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: ijsselstein
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: fire-department, fire-brigade
Inscriptions: annotation: ‘Brandspuithuisje te IJsselstein (U.)/ Nov. 1910’
Case (Inrō) with Design of Goldfish and Reed with Wave Pattern
Object type: inrō
Date: 1701 – 1900
Materials: gold, lacquer
Techniques: fundame, hiramakie, roiro
Culture: japanese
Subjects: fish,plants,waves
Koeien in een ondergelopen weiland
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Bartmann (bearded-man) jug with the arms of Constantin von Nivenheim
Object type: jug
Date: 1644 – 1660
Materials: engobe, glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: frechen
Artist: Anonymous
Subjects: beard, armorial bearing, heraldry
Inscriptions: date: ‘1644’, inscription: ‘CONSTANTIN VON NIVENHEIM ZVR GASTENDVNCK RITER UND OB’

Kruik (baardmankruik) van steengoed op standvlak met een bolvormig lichaam en smalle nek. Het C-vormige oor is bevestigd aan de nek en de schouder. Profielen op de nek. Bedekt met een bruine engobe. Op de buik in reliëf driemaal een gedrukt en opgelegd en opgelegd medaillon met een gekroond wapen en het opschrift 'CONSTANTIN VON NIVENHEIM ZVR GASTENDVNCK RITER UND OB' en de datum '1644'. Op de nek, doorlopend op de schouder, een baardman. Frechen.
Dwarf musician (one of a pair)
Object type: figure
Date: 1750 – 1750
Materials: faience
Techniques: glazing
Subjects: boys,flutes,musicians

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Halo
Object type: halo
Date: 1001 – 1100
Materials: bronze
Culture: thai
Subjects: animals
Portret van John Churchill, hertog van van Marlborough
Object type: print
Date: 1701 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: john churchill (1e hertog van marlborough), battle
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Het Lat. onderschrift ingeslepen’, inscription: ‘Op de laatste staat leest men in de marge er 3 regels onderschrift. Jean, baron de Churchill, duc et comte de Marlborough. Jean, baron de Churchill, duc et comte de Marlborough, conseiller interne de la reyne d'angleterre chevalier de Londen de la jaretiene, commendant general de lártillerie des troups angloises prince de 1 empie. In het miodden odner deze regels. A Paris ches Basset rue St Jacques.’, collector's mark: Lugt 240

John Churchill, hertog van van Marlborough en generaal van het Engelse leger tijdens de Spaanse successieoorlog. Op de achtergrond een veldslag. De prent heeft een Latijns onderschrift.
Bust of an Administrator of the Domain of Neit
Object type: bust, private person
Date: 600 – 600
Materials: stone
Location: egypt
Subjects: men,hieroglyphs

This small, exquisitely carved bust was once part of a kneeling or a standing statue of a man who held before him either a smaller figure of a deity or a shrine containing the divine image. Traces of the object are still visible at the lower edge of his chest. The sophisticated sensibility of the face with its slanted eyes and small smiling protruding mouth belongs to a period of about fifty years around 600 BC, when the recoalescence of styles developed in the northern and southern parts of the country achieved a harmonious balance. The man's name, carved on the lower part of the back pillar, has been lost. The upper part gives his most important title, "Administrator of the Domains of Neith (goddess of Sais)," and the beginning of the curiously cryptic appeal to the "local god" that scholars call the Saite formula.
Bus behorend bij chrismatorium, op de wand de letter O
Object type: bus
Date: 1774 – 1774
Materials: silver
Location: ghent
Artist: p.i. dupret
Artist role: silversmith
Inscriptions: mark

Chrismatory. Silver.Ghent, 1774, by P.I. Dupret.
Studies van kreeften
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: crustaceans: lobster
Inscriptions: number: ‘66’, number: ‘934’
The fireplace, Hermit's Rest
Object type: photograph
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: grand canyon
Artist: Anonymous
Subjects: open hearth, fire-place
Inscriptions: annotation: ‘Grand Canyon’
La Recompense Villageoise
Object type: print
Date: 1717 – 1783
Materials: paper
Techniques: engraving, etching
Subjects: landscape with bridge, viaduct or aqueduct, group dancing
Inscriptions: collector's mark: Lugt 240, inscription: ‘f 2100 a f 6-’
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Mouth, chin, neck, left shoulder, and part of upper torso of a Athena to right, wearing a patterned garment over her chiton and an aegis?
Studies van een lezende vrouw en spelende kat
Object type: drawing
Date: 1892 – 1916
Materials: ink, paper
Techniques: pen
Artist: rik wouters
Artist role: draughtsman, print maker
Artist dates: 1882 – 1916
Subjects: reading, cat
Plundering van het huis van een Fransgezinde visverkoper te Deventer, 1747
Object type: history print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: plundering ~ riot, deventer
Inscriptions: collector's mark: Lugt 2228

Een Fransgezinde visverkoper te Deventer mishandeld en zijn huis geplunderd door oproerkraaiers, 20 september 1747. Gemerkt rechtsboven: XI. Dl. pl. III.