deem-data/ArtiFact huggingface dataset:
Pear-shaped bottle vase with powder blue, flower sprays and antiquities
Object type: vase
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

AK-NM-6368 Drie flessen

• Bleu poudré porselein met verte
• Onderdeel van Royers porseleincollectie
• Mogelijk afkomstig van Susanna Louise Huygens
• Gepubliceerd Jörg 2011, nr. 99.

Door de iets diepere kleur blauw van het gesprenkelde blauw in de achtergrond en de met zorg geschilderde banden rond de hals lijken deze vazen verwant aan de fraaie dekselpot AK-NM-6362. Maar de velden zijn hier wel een stuk sneller en onzorgvuldiger geschilderd. Bovendien is hier blauw email gebruikt, een aanwijzing voor een iets latere datering. De kostbaarheden zijn een veel voorkomend motief op Kangxi-porselein, niet alleen bij het bleu poudré. Voor een toelichting, zie de opmerkingen bij AK-NM-6769.
Waarschijnlijk kocht Royer deze vazen in 1786 uit de nalatenschap van zijn oudtante Susanna Louise Huygens (1714-1785). Huygens kocht toen veel porselein en dat zal ook hebben gegolden voor: ‘Drie flessen als vooren [hoog blauw met compartimenten waarin gecouleurde bloemen] met goude vergulde kransjes om de halzen.’ De omschrijving past nauwkeurig (gouden kransjes!) op deze drie vazen die nog steeds in de collectie Royer aanwezig zijn.
Poudré was ook geliefd onder verzamelaars in de periode dat Chinees porselein opnieuw een verzamelonderwerp werd, vanaf het eind van de 19de eeuw. Een goed voorbeeld van een verzameling uit deze periode is die van Gustaaf Hamburger (1887-1977) en zijn vrouw Clara Gerzon (1907-2007). In hun collectie is in de omvangrijke groep poudré een paar identieke flessen te vinden (Bosmans 2011, nr. 40, p. 74).

Bronnen :
Sarah Bosmans, ‘La collection Chinoise Hamburger : une collection caratéristique du XIXe siècle’, in : La donation Clare van Beusekom-Hamburger. Faïences et porcelaines des XVIe-XVIIe siècles (tent.cat. Ariana) Genève, 2010, pp. 52-109.
Joint Stock Street
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: streets,men,women,horses,crowd
Cover of Songes Album
Object type: print
Techniques: lithograph
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Haardsteen met voorstelling van twee portretmedaillons, geplaatst in twee ruiten
Object type: hearthstone
Date: 1400 – 1950
Materials: earthenware

Haardsteen van onverglaasde rode aarde, versierd met ruiten, waarin portretmedaillons in laag reliëf.
Embroidery Design for a Frame, No. 098
Object type: drawing
Date: 1875 – 1875
Materials: watercolor
Artist: morris & company
Artist role: artist
Subjects: flowers
Tobacco box
Object type: tobacco box
Date: 1701 – 1800
Materials: brass, copper
Subjects: animals
Wensbrief met twaalf maanden
Object type: popular print
Date: 1700 – 1899
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: the twelve months (especially personifications); 'mese in generale' (ripa)
Inscriptions: collector's mark: Lugt 2760

Wensbrief met onbeschreven cartouche binnen een decoratief kader met personificaties van de twaalf maanden van het jaar.
Dirck Volkertsz Coornhert (1522-90). Writer and Engraver
Object type: painting
Date: 1572 – 1600
Materials: oil, panel
Subjects: amsterdam, gouda, draughtsman, dirck volckertsz. coornhert, scholar, philosopher, historical persons, portrait of a writer

Dirck Volkertsz Coornhert. Copy after Cornelis Cornelisz of Haarlem, last quarter 16th century. Coornhert (1522-1590) became town secretary of Haarlem in 1562. He belonged to the influential circle of humanist intellectuals associated with William of Orange. For Coornhert, tolerance and religious freedom were central tenets of the Dutch Revolt. This brought him into conflict with both Catholics and Protestants. When Spanish troops landed in the Netherlands in 1567, Coornhert was arrested as a suspected heretic. He managed to escape to Germany. Later, having returned to Haarlem, he was forced to flee again. This time from the Calvinists.
Le Garde-Meuble / Collection de Tentures
Object type: print
Date: 1895 – 1910
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: drawing-room, 'salon', window, hangings and drapery, couch, sofa, settee
Inscriptions: : ‘Droits de reproduction réservés.’

Zithoek met vensters en baldakijn met gedrapeerde gordijnen in de Lodewijk XVI-stijl. Prent uit 351e Livraison.
Le Pont de Galata
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: istanbul
Subjects: bridge in city across river, canal, etc.
Inscriptions: number: ‘42’

Het bijschrift boven deze foto behoort bij foto RP-F-F01141-CC. Dat boven foto RP-F-F01141-CC bij deze foto.
Buckle
Object type: buckle
Date: 1510 – 1520
Materials: brass
Culture: german
Location: germany
Classical Incense Burner
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: incense burners
Noach, zijn familie en de dieren verlaten de ark
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: the disembarkation ~ story of noah (genesis 8:18 - 9:17)
Inscriptions: collector's mark: Lugt 2228, number: ‘14’

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Portret van Lucretia Wilhelmina van Merken
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: leiden, lucretia wilhelmina van merken, historical persons - bb - woman, portrait of a writer

Prent waarschijnlijk uit: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd (...). Amsterdam: Johannes Allart, 1794, dl. 22.
Serie lithografieën
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1818 – 1819
Materials: cardboard, paper, leather
Techniques: bookbinding, lithograph
Subjects: landscapes, monks and nuns, warfare; military affairs, horse, herd, flock
Inscriptions: collector's mark: Lugt 2760, bookplate: ‘Bibliothèque de M. Le Duc d'Uzès Château de Bonnelles’, collector's mark: Lugt 2228

Album met vijftig litho's op vijftig albumbladen uit de beginperiode van de lithografie.
Portret van Jan Maurits Quinkhart
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: etching
Location: amsterdam
Artist: julius henricus quinkhard
Artist role: draughtsman, painter, print maker
Artist dates: 1734 – 1795
Subjects: amsterdam, painter, draughtsman, jan maurits quinkhard, head-gear: cap (+ men's clothes), pipe ~ tobacco, painter at work, in his studio
Inscriptions: collector's mark: Lugt 2228

Portret van de Amsterdamse kunstschilder Jan Maurits Quinkhart. Hij zit in zijn atelier voor een schildersezel met daarop een schilderij, een pijp te roken. Hij draagt een bontmuts op het hoofd.
Portret van François Christophe Kellermann
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: aquatint, etching
Location: paris
Subjects: paris, politician, commander-in-chief, general, marshal, historical persons

Maakt deel uit van een serie portretten van generaals tijdens de Franse Republiek, ten voeten uit. De serie werd in twee formaten uitgegeven, in groot formaat en in klein formaat.
Amphora
Object type: amphora
Date: 750 – 600
Materials: terracotta
Culture: cypriot

Frieze of trees in white, bands, dots, and wavy line.
Gold earring with head of an animal
Object type: earring with head of animal
Date: 400 – 201
Materials: gold
Culture: greek
Subjects: animals
Old Man Looking Downwards, Old Man Seen from the Front, Profile of an Old Man with a Beard, Old Man in a Striped Robe
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Francesco Pesellino (c. 1422-1457). De H. Nicolaas werpt drie gouden ballen als bruidsschat door het venster - Florence, Galleria Buonarroti
Object type: photomechanical print
Date: 1928 – 1928
Materials: cardboard
Techniques: rotogravure
Location: milan
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Flounce
Object type: flounce
Date: 1715 – 1724
Techniques: lace
Le Traité de Paix avec Rome (The Peace Treaty with Rome)
Object type: print
Date: 1789 – 1789
Techniques: etching
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: satire,roosters,cats,politics
Juno
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: etching
Location: netherlands
Artist: abraham bloemaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1566 – 1651

Among the most famous Dutch mannerist artists of the late 16th and early 17th centuries, Bloemaert relied on prints, primarily by other artists, to popularize his designs. This is the only print that he appears to have made himself, and it reflects the fluid line characteristic of his drawings. It was intended to be part of a series that was never completed.
Bando Mitsugoro III as Minamoto no Yorimasa (right), Segawa Kikunojo V as Ayame no Mae (center), and Ichikawa Danjuro VII as I no Hayata (left)
Object type: print
Date: 1820 – 1820
Techniques: woodblock print, surimono
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Gezicht op De Weije Blick op het strand van Valkeveen
Object type: stereograph
Date: 1925 – 1950
Materials: paper
Techniques: gelatin silver print
Location: valkeveen
Artist: Anonymous
Subjects: beach (as place of recreation)

De Weije Blick, tweemaal afgedrukt op één kaart. Op de voorgrond poseert een groep mensen. De Weije Blick was de naam van het bedrijf van de grootvader van de schenkster.
Caricatured figure / Bright's Disease, from the Jokes series (N87) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920

Trade cards from the "Jokes" series (N81), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes.
Gezicht op de Koninklijke Militaire Academie Sandhurst
Object type: album leaf
Date: 1887 – 1887
Materials: paper
Techniques: albumen print
Location: camberley
Artist: c.c. blackburn
Artist role: fotograaf, luitenant-kolonel
Subjects: military academy, royal military academy sandhurst
Inscriptions: number: ‘400.’
Virgin and Child
Object type: painting
Date: 1490 – 1494
Materials: oil, wood
Artist: hans memling
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1465 – 1494
Subjects: books,madonna and child
Piece
Object type: piece
Date: 1750 – 1760
Materials: metal thread, silk
Subjects: human figures,flowers
Weids landschap met twee figuren en zeilschepen
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: haarlem
Subjects: sailing-ship, sailing-boat, water course, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 2228

Gezicht vanf de Rhenense berg over de Betuwe te Gelderland. Zeilschepen op het water en op de voorgrod twee figuren waarvan een wijst met uitgestrekte arm.
Recueil de vues de monuments de Paris, des principales résidences royales et des principaux châteaux de France et de Rome
Object type: album leaf
Date: 1660 – 1703
Materials: paper
Techniques: etching
Location: france
Subjects: french or architectonic garden; formal garden, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Doves of Pliny
Object type: roundel
Date: 1783 – 1783
Materials: bronze, glass
Artist: giacomo raffaelli
Artist role: artist
Artist nationality: italian
Artist dates: 1753 – 1836
Subjects: doves

This roundel depicting the Doves of Pliny is typical of the micromosaics made in Rome in large quantities in the late eighteenth and nineteenth centuries. They were intended for visitors to Italy who wished to bring home a souvenir of their visit to the country whose ancient civilization continued to inspire the rest of Europe and America. Such an object may have served as the model for the decoartion on the Vienna cup in this case.
The Coast of Labrador
Object type: painting
Date: 1866 – 1866
Materials: canvas, oil
Location: united states
Artist: william bradford
Artist nationality: american
Artist dates: 1823 – 1892
Subjects: landscapes
Inscriptions: Signed and dated lower right: "Wm Bradford/1866"

William Bradford devoted the bulk of his career to painting Arctic scenes like The Coast of Labrador. Rendered in minute detail and suffused with light, the artist’s Arctic compositions share stylistic motifs with John Frederick Kensett’s Luminist views of the Rhode Island coast. Bradford first traveled to Labrador between 1854 and 1857; it was not until 1861, however, that the region became his main source of inspiration. He returned to Labrador repeatedly over the next eight years. Signed and dated 1866, this painting probably derives from a number of sketches he accumulated during an 1865 journey, and it attests to Bradford’s interest in the diverse light effects and rocky landscape of the Arctic.
A Nun on Her Deathbed, the Holy Spirit Above
Object type: drawing
Date: 1532 – 1587
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giovanni battista lombardelli (giovanni battista della marca, "il montano")
Artist role: artist
Artist nationality: italian
Artist dates: 1532 – 1587
Subjects: women,death,beds
Pair of bed curtains
Object type: bed curtain
Date: 1701 – 1800
Materials: linen, silk
Subjects: animals

The focal point for textile furnishings in the traditional house in the Cyclades was the bed in an alcove or on a raised mezzanine. The main bed was curtained off, and it was the curtains plus cushions and bolsters that comprised the bulk of domestic fabrics. This panel is embellished with columns and rows of double-leaf and complex triangular forms once considered typical of embroidery attributed to Patmos but now thought to represent Cycladic manufacture.
Bed Figure
Object type: figure
Date: 300 – 400
Materials: ceramic
Culture: michoacan
Location: mexico
Subjects: human figures,beds

This figure features a modelled human figure complete with appliqued facial features, coiffure, and ear spools lying stretched out on a flat surface supported on four legs at the corners, hence the name bed figures. The figure appears to be strapped to the bed with a wide decorated band across the midsection. Across the top and bottom ends of the bed are arches. The bed has modelled decoration and remains of red and white pigment.
Crow-Island Stream, River Wye
Object type: photograph
Date: 1880 – 1889
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Bordurende vrouw
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: london
Subjects: embroidering ~ textile industry, adolescent, young woman, maiden
Hercules verslaat de Hydra van Lerna
Object type: drawing
Date: 1510 – 1530
Materials: ink, paint, paper
Techniques: pen
Location: antwerp
Artist: Anonymous
Inscriptions: collector's mark: ‘L. 2773’
A Family Party Taking an Airing
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching
Location: england
Artist: william heath ('paul pry')
Artist role: artist
Artist nationality: british
Artist dates: 1794 – 1840
Portret van Willem Bartel van der Kooi
Object type: print
Date: 1832 – 1900
Materials: paper
Techniques: engraving
Artist: adolphe frédéric nett
Artist role: print maker
Artist dates: 1822 – 
Subjects: painter, print maker, draughtsman, willem bartel van der kooi, historical persons, portrait, self-portrait of artist
Swan Ballet, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,ballet

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Robed woman standing next to a plinth, her right hand bears a palm branch, a harp rests against the plinth
Object type: print
Date: 1620 – 1688
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: women,palms
Portret van Pierre Roques
Object type: print
Date: 1715 – 1730
Materials: paper
Techniques: engraving
Location: basel
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘No. 1.’
Textile with Sacred Goose (Hamsa) Design
Object type: textile
Date: 1401 – 1533
Materials: cotton
Techniques: dyeing, printing
Culture: indian
Subjects: birds

This Gujarati block-printed and dyed coarse spin cotton textile with hamsa design is a typical western Indian export cloth of the medieval period. In this block-printed repeat design, eight geese (hamsa) encircle a round flower bud, and unopened buds fill the corners, intercepting others to form a four-pointed filler. The hamsa motif has been pervasive in Indian art since at least the Sunga period (3rd–1st century BC) when it most famously is depicted as a frieze decoration on the Vajrasana, the ‘Diamond-throne’ platform which marks the site of the Buddha’s enlightenment at Bodhgaya, eastern India. The pure white goose was widely evoked in Indian literature, but it is as the embodiment of the purity of the Buddha message (sometimes invoked as its messenger), as told in the Hamsa Jataka, that it secured a lasting presence in Indian iconography. The hamsa appears as a repeat pattern in a shawl worn by a princely figure in a mural in Cave 1 at Ajanta, ca. 6th century, and the contemporary playwright Kalidasa refers in his Raghuvamsa to a “silk wedding dress woven with figures of geese”, a motif which is still present in the 15th century in dress worn by royalty, as depicted in Jain Kalpasutra manuscript paintings.
De vallei van Lauterbrunnen
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: bern
Subjects: dale, valley, waterfall, fence, wall, paling, 'en route', traveller under way, mountains
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Wyttenbach, Jakob Samuel. Vues remarquables des montagnes de la Suisse avec leur description. Bern: A. Wagner, 1776.
Portret van een vrouw, staand bij een balustrade
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: frankfurt am main
Artist: g.a. stamm
Artist role: fotograaf
Subjects: historical persons - bb - woman, balustrade, standing figure - aa - female human figure
Inscriptions: inscription: ‘PHOTOGRAPHISCHES INSTITUT/ von/ G. A. Stamm/ FRANKFURT a/M./ Die Original-Platte ist zum Nachbestellen/ aufbewahrt.’
Landschap met drie figuren met een ezel op een pad
Object type: print
Date: 1725 – 1763
Materials: ink, paper
Techniques: etching, pen
Location: france
Subjects: ass, donkey, road, path, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Beggars at a Doorway
Object type: painting
Date: 1650 – 1660
Materials: canvas, oil
Artist: master of the béguins, french or flemish, active 1650–60 (possibly abraham willemsens, flemish, active by 1627, died 1672)
Artist role: artist
Artist nationality: french, flemish
Artist dates: 1627 – 1672
Subjects: children,men,women
Brief aan Philip Zilcken
Object type: letter
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen, printing, writing
Location: glasgow
Artist: j. craibe angus
Artist role: kunsthandelaar
Artist dates: 1865 – 1901
Subjects: painter, draughtsman, philip zilcken, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Ritual Stone (pulidor)
Object type: ritual stone
Date: 1200 – 701
Materials: stone
Culture: olmec
Location: mexico

Small, rounded hard stones such as this example were mounted to a wooden handle and used to polish stone sculptures in ancient Mesoamerica.
Bathers
Object type: painting
Date: 1890 – 1894
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Subjects: bathers, bathing, nudes, trees, weather/seasons, women, landscapes, leisure
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Artist: marguerite picard
Artist role: zangeres
Subjects: brussels, helène lambertine hauzeur, the hague, painter, draughtsman, philip zilcken, passions, emotions, affections
Inscriptions: watermark
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Three black glazed fragments from kylikes
Ruïnes op het eiland Bigeh
Object type: page
Date: 1857 – 1857
Materials: paper
Techniques: albumen print
Location: bigeh
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: landscape with ruins
Inscriptions: number: ‘E No 33’
Koeien
Object type: print
Date: 1796 – 1845
Materials: paper
Techniques: etching
Location: amsterdam
Artist: anthony oberman
Artist role: draughtsman, painter, print maker
Artist dates: 1781 – 1845
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Exercitie van de Amsterdamse burgerij in tegenwoordigheid van Baron van der Capellen tot den Pol, 1783
Object type: print
Date: 1783 – 1784
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: joan derk van der capellen tot den pol, drill ~ military training (+ citizen soldiery, civil guard, citizen militia)
Inscriptions: collector's mark: Lugt 2228

Exercitie en schietoefeningen van de Amsterdamse burgerij op het Drilveld, onder commando van kapitein Huybert Bastert, in aanwezigheid van Joan Derk van der Capellen tot den Pol, 26 april 1783.
Brief van 'Les Administrateurs du Directoire du District de Gannat, Département de l'Allier', 17 januari 1793
Object type: manuscript
Date: 1793 – 1793
Materials: paper
Techniques: handwriting, letterpress printing
Location: france
Artist: Anonymous
Subjects: personifications of countries, nations, states, districts, etc.

Handgeschreven brief in voorgedrukt blad van 'Les Administrateurs du Directoire du District de Gannat, Département de l'Allier', 17 pluviôse (januari), jaar 1 (1793). Blad beschreven op beide zijden met pen in bruin. In de tekst worden de jaren 1793 en 1794 vermeld. Briefhoofd met vignet in houtsnede van de Franse Maagd 'Liberté Égalité'.
Apollo pursuing Daphne, whose toes take the form of tree roots, a round composition, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio
Object type: print
Date: 1550 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: apollo,trees
Jean-Baptiste Jourdan  (1762–1833), Marshal of France
Object type: medallion
Date: 1828 – 1828
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles