deem-data/ArtiFact huggingface dataset:
The Holy Family with the Virgin reading a book
Object type: print
Date: 1640 – 1660
Techniques: etching
Artist: giulio carpioni
Artist role: artist
Artist nationality: italian
Artist dates: 1613 – 1678
Five Music-Making Figures
Object type: drawing
Date: 1610 – 1662
Materials: ink
Techniques: brush, pen, wash
Artist: giovanni francesco romanelli
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1662
Subjects: men,women,music,harps,musicians
Fragments of a cart or chariot, rings
Object type: chariot fragment, ring
Date: 500 – 480
Materials: bronze
Culture: etruscan

Large collection of bronze and iron attachments once belonging to a chariot.
Portret van de jezuïet Michelangelo Tamburini
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: rome, ihs ('iesus hominum salvator') ~ symbol of christ
Inscriptions: collector's mark: Lugt 2228

Portret van de jezuïet Michelangelo Tamburini. Hij draagt een biretta. In het kader onder zijn portret het monogram van de jezuïeten.
Burning Weeds
Object type: print
Materials: ink
Techniques: pen, lithography
Artist: vincent van gogh
Artist role: artist
Artist nationality: dutch
Artist dates: 1853 – 1890

In July 1883, Van Gogh decided to try his hand at lithography for a second time. This is one of two prints he produced that summer on a scale he hoped would cater to illustration projects. The subject reveals his early interest in the work of the renowned French painter of peasant subjects, Jean-François Millet. In 1881, he read Alfred Sensier’s biography of Millet, which illustrates a sheet of sketches featuring a woman burning weeds. The standing figure poking the fire in the background is reminiscent of illustrations in the Sensier volume. For this work, he used a fine pen on smooth transfer paper and encountered some difficulty with the fidelity of the transfer to the lithographic stone and subsequent printing. Consequently, he touched up the print extensively with pen and ink.
Brief aan Philip Zilcken
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, writing
Location: hampstead
Artist: ernestine hadkinson
Artist dates: 1863 – 1928
Subjects: the hague, painter, print maker, draughtsman, jozef israëls, elbert jan van wisselingh, philip zilcken, sculpture, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’

Vormt samen met RP-D-1982-43-HADKINSON(E.)-11B een doorlopende brief.
Oude man met baard met de blik naar beneden gericht: driekwart, naar rechts
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: old man
Inscriptions: collector's mark: Lugt 2228

Coll. de la Faille. kopie naar Rembrandt: Bartsch 260
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1876 – 1876
Materials: ink, paper
Techniques: pen, writing
Location: rotterdam
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: publisher, william unger, rijksmuseum amsterdam, drawing, the graphic arts
Inscriptions: collector's mark: Lugt 2233
Pilgrim's bottle
Object type: pilgrim's bottle
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: leaves
Milk jug with cover
Object type: milk jug with cover
Date: 1787 – 1787
Materials: copper, enamel, gilt, silver gilt
Techniques: painting
Subjects: children,men,women,dogs,mirrors
Piece
Object type: piece
Date: 1701 – 1800
Materials: canvas, linen, silk
Subjects: owls,peacocks
Wall of Solomon's Temple, Jews' Wailing Place
Object type: photograph
Date: 1860 – 1860
Techniques: albumen print
Location: yerushalayim district
Artist: Anonymous
Artist dates: 1800 – 1899
Poetic Travel
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891

Shibata Zeshin depicts a section of a sugoroku board game featuring the Tokaido highway. The game appeared early in Japanese history, and, by the early modern period, it had become widely popular. It was also traditionally played at New Year’s, making it a fitting subject for this print, which is dated from January. The Tokaido sugoroku pitted players against each other as they traveled along the highway stations on a large woodblock-printed board.
Zeshin inscribed the players’ markers with their names. As a joke, he wrote his own name and the name of the host of this surimono poetry gathering, Hirota Seichi, on two of the cards. The print demonstrates Seichi’s ability to gather a wide range of participants, likely his students and friends, of which Zeshin seems to have been one. They may also have gathered around a game of sugoroku in real life.
Plattegrond van Rome in de Romeinse tijd (vijfde deel)
Object type: area plan
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: maps of cities, rome
Inscriptions: collector's mark: Lugt 2228

Vijfde deel van een plattegrond van Rome in de Romeinse tijd, in vogelvluchtperspectief, bestaande uit twaalf delen. Rechtsboven genummerd: 5.
Galloon
Object type: galloon
Date: 1701 – 1800
Materials: metal thread
A Sibyl reading a book facing left
Object type: print
Date: 1518 – 1518
Techniques: woodcut
Artist: ugo da carpi
Artist role: artist
Artist nationality: italian
Artist dates: 1480 – 1532
Snuff Bottle
Object type: snuff bottle
Date: 1801 – 1900
Materials: amber, coral
Culture: chinese
American Elk, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: animals

Trade cards from the "Wild Animals of the World" series (N25), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Design for Landau, No. 4042
Object type: drawing
Date: 1889 – 1889
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages
Portretten van bekende personen uit de zestiende eeuw
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: bisschop van regensburg philip willem van beieren
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: D. Custos en M. Henning. Atrium heroicum Caesarum, regum aliorq. summatum ac procerum qui intra proximum seculum vixere, aut hodie supersunt, imaginib. Deel 1-4. Augsburg: D. Custos, 1600-1604.
Bell
Object type: bell
Date: 1867 – 1900
Materials: metal
Culture: chinese
Location: china
Mythological Figure on Horseback (from Sketchbook)
Object type: drawing
Date: 1811 – 1893
Materials: graphite, ink, paper, watercolor
Techniques: pen
Culture: american
Artist: john william casilear
Artist role: artist
Artist nationality: american
Artist dates: 1811 – 1893
Subjects: mythical creatures,horses
Bertha Waring, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of draped figure
Kinderlaken. Merk: HW 18.
Object type: beddenlaken, laken object
Date: 1852 – 1860
Materials: linen
Location: northern netherlands
Artist: Anonymous
Weight
Object type: weight
Date: 1981 – 1640
Materials: limestone
Location: egypt
Terracotta oinochoe (jug)
Object type: oinochoe
Date: 434 – 401
Materials: terracotta
Culture: greek, attic

Obverse, the handle extends high above the beaked mouth. Narrow neck. High ogive foot; long, steep spout. Undecorated.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Head, neck, and part of the upper torso of a helmeted warrior looking to left, wearing a chlamys around his neck and shoulders
Portret van Jeanne Guétin
Object type: semi enamel
Date: 1880 – 1900
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: paris
Artist: jean théodore jamin
Artist role: fotograaf
Artist dates:  – 1867
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘PHOTOGRAPHIE/ JAMIN/ (Bte S.G.D.G.)/ 13, Rue Chapon 13,/ HÔTEL DE MONTBRISON/ Paris’
Haventje
Object type: print
Date: 1885 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: frederika henriëtte broeksmit
Artist role: draughtsman, print maker
Artist dates: 1875 – 1945
Subjects: harbour, city-view, and landscape with man-made constructions, rotterdam
Inscriptions: collector's mark: Lugt 2228

Een haven in Rotterdam. Op de kade een zuil of schoorsteen. Aan de kade een huizenrij.
Festival Banner Showing Krishna Rescuing and Marrying Rukmini
Object type: cover
Date: 1800 – 1800
Materials: cotton, metal thread, silk
Techniques: dyeing, embroidery
Culture: indian
Subjects: men,elephants,horses,krishna,boats

This banner was likely used in an annual festival commemorating Krishna’s marriage to his first wife, Rukmini, that is still celebrated today in parts of the Himalayan foothills. As the work was shown only periodically, the colors remain vivid. The brilliant hues were produced from vegetable dyes: red derived from cochineal and lac insects, blue and green from indigo plants, and orange from safflower. In contrast, the silk threads, which were bleached white or etched with mordant to enable black coloring to bond to the fibers, have disintegrated, making it possible to see the underdrawing. Painted in henna with details created in carbon black, the preparatory sketch served as the guide for the final embroidery. This technique is similar to that used to make preliminary sketches for paintings, which are also produced in red and black.
Waltham Abbey, Essex
Object type: drawing
Date: 1840 – 1840
Materials: graphite, watercolor
Artist: peter de wint
Artist role: artist
Artist nationality: british
Artist dates: 1784 – 1849
Subjects: abbeys,landscapes

De Wint’s masterful control of a watercolor here evokes trees, water and sky, as well as architecture. One of the oldest monasteries in England, Waltham Abbey is situated about sixteen miles north of London. Dissolved by Henry VIII, all that survives today of the once extensive complex is a twelfth-century church founded by Augustinian canons, its tower added 1556–58, and fragments of a fourteenth-century gatehouse. De Wint brought these elements closer together than they are in reality, and reduced the impact of secular encroachments by screening or omitting them. The entrance gate, at the left end of a bridge, is pierced by two gothic arches framed with moldings, with the sixteenth-century church tower standing against the sky beyond. Contemporary life is evoked by figures in the water and leaning over the bridge who wield long poles to clear weed or some other obstruction.
Brief aan August Allebé
Object type: letter
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: j. luden
Artist role: artist
Subjects: amsterdam, print maker, draughtsman, august allebé, drawing, education, tuition of the artist (in general)
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Interior, right pectoral muscle, bent right arm, thighs, and genitals of ithyphallic male
Arthur Albert "Doc" Irwin, Shortstop, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Dublin
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: james malton
Artist nationality: english
Artist dates: 1761 – 1803
Plate 36: Civilis and Cerialis Meet on a Broken Bridge to Reach an Accord, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Object type: print
Date: 1611 – 1611
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: bridges,soldiers,horses
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1601 – 1700
Materials: copper, iron
Culture: japanese
Location: japan
Subjects: birds
Sealing on jar stopper (?)
Object type: sealing
Date: 1 – 100
Materials: ceramic
Culture: parthian
Location: iran

This lump of clay, called a ‘bulla,’ bears four impressions of the same stamp seal, featuring an image of a stylized tree. Based on its shape, this bulla seems to have been a stopper in the mouth of a jar. Seals were ancient accounting tools, used for example to indicate who supplied a commodity, who was responsible for its disbursement, or who received it. In this case, the seal impressions may indicate who supplied the contents of the jar. Once the jar was opened, the bulla was discarded. This bulla was excavated at Shahr-i Qumis in northern Iran, which has been identified as the ancient city of Hecatompylos, established by the Parthians as the capital of their empire by about 200 B.C. In Greek Hecatompylos means ‘a hundred gates,’ suggesting that the city was quite large. Indeed, the modern archaeological site includes several mounds, only a few of which have been excavated, and a vast area covered with potsherds. This bulla was found in a well at Site IV. The well appears to be have been filled deliberately, but it is difficult to say whether this bulla – and the jar to which it may have been attached – was placed in the well for a specific reason or if it was simply discarded. The large building at Site IV was completely filled with dirt sometime in the late 1st century B.C. or early 1st century A.D., perhaps when the Parthian capital was moved elsewhere and the city’s elite residents left with it.
Portretbuste van Stefano Spada
Object type: photomechanical print
Date: 1882 – 1970
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: historical persons, grave-building, monumental tomb

Fotomechanische afdruk uit een onbekende publicatie.
Stool (tabouret)
Object type: stool
Date: 1805 – 1810
Materials: wood, silk
Techniques: lampas
Artist: friedrich gilly
Artist role: designer
Artist nationality: german
Artist dates: 1772 – 1800
Subjects: flowers,leaves,stools

The classicizing form is based on ancient pediment designs of Attic grave Stelai. By turning the crowning pediment structure of the Stelai upside down, the corner-shaped acroteria were elongated and adapted as the four feet of the stool, creating an extravagant contrast to its restrained rails. The overall design is indebted to English influences, examples of which can be found in Thomas Hope’s Household Furniture (1807) and George Smith’s A Collection of Designs for Household Furniture and Interior Decoration (1808). The curtailed yet dramatic outline and the omission of protruding décor reflect the distinguished style of Friedrich Gilly’s ornamental inventions. By merging individual design details drawn from ancient classical architecture and decoration with the unusual choice of the yellowish birch wood that was highly fashionable during this period in Eastern Europe and especially Russia, an object of commanding design quality with a considerable visual impact was created.
Venezia. Rio S. Barnaba
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: three-color autotype
Artist: Anonymous
Subjects: river, church (exterior), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), venice

Deze kaart hoort misschien bij het omslag RP-F-00-20565.
Lamp
Object type: lamp
Date: 301 – 400
Materials: earthenware
Techniques: molding
Location: egypt
Marmalade Jar
Object type: marmalade jar
Date: 1870 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: adams and company
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Stamp seal
Object type: stamp seal
Date: 201 – 700
Materials: jasper
Culture: sasanian
Location: iran
Subjects: birds
Digit fragment
Object type: digit fragment
Date: 1353 – 1336
Materials: limestone
Location: egypt
Portret van Laurens Janszoon Coster
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Subjects: historical persons, tools, implements of printer

Prent mogelijk uit: Ampzing, Samuel. Beschryvinge ende lof der stad Haerlem in Holland […]. Haarlem: Adriaen Roman (I), 1628.
Soldaten en edelmannen
Object type: print
Date: 1615 – 1638
Materials: paper
Techniques: etching
Artist: rudolph meyer
Artist role: print maker
Artist dates: 1605 – 1638
Subjects: helved weapons, polearms (for striking, hacking, thrusting): pike, family life, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228

Onderdeel van een serie van zestien voorstellingen van soldaten (Soldatenbüchli).
Édouard Manet at the Races
Object type: drawing
Date: 1868 – 1869
Materials: chalk, graphite
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: men

After Anglophiles introduced horse racing into France and a large track with viewing stands opened in the Bois de Boulogne in 1857, thousands of Parisians enjoyed the sport. Both Degas and Manet painted the resulting spectacle. Perhaps planning a painting, Degas sketched Manet in the midst of the crowd.
Vrouw zittend in de schaduw onder een boom
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: shadow of an object, trees
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Voncken der liefde Jesu, van het godtbegerende zielenvier. Amsterdam: Pieter Arentsz (II), 1687, p. 160.
Martini Kerkhof. Groningen
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: groningen
Subjects: square, place, circus, etc.
“Hilt of a Sword,” from the series of Seven Prints for the Shōfudai Poetry Circle
Object type: print
Date: 1810 – 1819
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: hilts
Portret van Ludwig von Zumbusch
Object type: print
Date: 1881 – 1899
Materials: paper
Techniques: etching
Location: munich
Subjects: painter, draughtsman, ludwig von zumbusch, portrait, self-portrait of painter
Inscriptions: name, collector's mark: Lugt 2228
Architectonisch detail
Object type: sketchbook leaf
Date: 1895 – 1896
Materials: paper, pencil
Artist: chris huidekooper
Artist role: draughtsman
Artist dates: 1878 – 1939
Subjects: architectural detail

Blad 29 verso uit een schetsboek met 32 bladen.
Vier jaargetijden
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: winter ~ human activities (the four seasons of the year)
Inscriptions: collector's mark: Lugt 2542, collector's mark: Lugt 2228

Winterlandschap met activiteiten die in dit seizoen plaatsvinden: mensen schaatsen op het ijs, een dame wordt in een slee vervoerd en kinderen gooien sneeuwballen. In de marge onder een vers in vier regels Latijn.
Sjabloon met verticaal banenpatroon
Object type: katagami
Date: 1800 – 1909
Materials: paper, silk
Techniques: cutting
Location: japan
Artist: Anonymous
Subjects: ornament derived from plant forms

Japanse sjabloon (katagami) met een verticaal golvend banenpatroon met bloem- en lijnenmotief.
Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374)
Object type: painting
Materials: ink, paper
Location: china
Artist: lan ying
Artist nationality: chinese
Artist dates: 1585 – 1664
Inscriptions: 西湖外史藍瑛法倪迂於平山堂。

Xihu Waishi [West Lake unofficial historian] painted in the style of Ni Zan (1306–1374) at the Pingshan Hall (in Yangzhou).

Artist's seal: 蜨叟
Servet van linnendamast met een kantpatroon
Object type: napkin
Date: 1736 – 1736
Materials: linen
Techniques: damask
Location: southern netherlands
Artist: Anonymous
Inscriptions: date

Wit linnendamasten servet, versierd met "kant"-patroon en ingeweven AGT BESIER ANNO 1736 en GHD IORDENS ANNO 1736.
Beeldenstorm, 1566
Object type: history print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: iconoclasm, beeldenstorm (1566)

Illustratie voor: J. Fokke. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1783-1795, 25 delen. deel IV pl. IV.
Gezigt van het strand en de duinen te Scheveningen en Voorstelling van het badhuis van den heer Pronk / Vue du rivage et des dunes a Scheveninge et representation des Bains appartement à mons.r Pronk
Object type: print
Date: 1824 – 1830
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: netherlands
Subjects: beach (as place of recreation)
Inscriptions: inscription: ‘Gezigt van het strand en de duinen te Scheveningen en Voorstelling van het badhuis van den heer Pronk / Vue du rivage et des dunes a Scheveninge et representation des Bains appartement à mons.r Pronk / chez E: Maaskamp à Amsterdam’

Gezicht op de duinen en het strand bij Scheveningen en het badhuis van de heer Pronk, ca. 1825. Onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden.
Cauliflower (Brassica oleracea convar. botrytis var. Botrytis)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: plants and herbs: cauliflower

That the Historia Naturalis albums were sold only three times in four centuries accounts for the excellent condition of the individual watercolours. The green leaves and white florets of the cauliflower still look incredibly fresh. The draughtsman successfully rendered the structure of the vegetable by using green and brown watercolour and some white highlights.
København. Glyptoteket
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph, lithograph
Location: copenhagen
Artist: Anonymous
Subjects: permanent exhibition, museum, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Op glad ijs
Object type: cartoon
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: petrus van geldorp
Artist role: draughtsman, print maker
Artist dates: 1872 – 1939
Subjects: politician, horatio herbert kitchener, historical persons, skates (winter sports), political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdamsche Courant, 19 januari 1900.
Piece
Object type: piece
Date: 1730 – 1730
Materials: metal thread, silk
Subjects: flowers,leaves
Figuren die een cornemuse, tympanon en psalterium bespelen
Object type: sketchbook leaf
Date: 1892 – 1901
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: percussion instruments, bagpipe, musette, string instruments (plucked)
Inscriptions: annotation: ‘cornemuse 13-/ Tympanon XIII/ Psalteria rond XII’

Getekend naar voorbeelden uit de twaalfde en dertiende eeuw na Christus. Blad 26 recto uit een schetsboek met 51 bladen.