deem-data/ArtiFact huggingface dataset:
Tetradrachm (Coin) Portraying Emperor Otho
Object type: coin
Materials: metal, silver
Culture: roman
Location: antioch
Subjects: animals
Inscriptions: Obverse: ΑYTOKPATωP MAPKOC OΘωN KAICAP CεBACTOC
Reverse: εTOVC A (below)

The front (obverse) of this coin portrays the head of Emperor Otho, laureate and facing to the right. On the back (reverse), an eagle, wings spread and wreath in beak, stands left on a laurel branch with a palm branch to the left.

Portraits of important people appear on local currency all around the world. The same was true in ancient Rome, which began producing its first coinage in the late 4th century BC. Early coins depicted the heads of gods and goddesses on the front side, often in profile, while the back depicted animals, natural resources, symbols, and references to historical events. It was not until 44 BC that the portrait of a living person—Julius Caesar—appeared on coins. Thereafter, profile portraits of rulers or other members of the imperial family became the standard subject on coins throughout the Roman Empire.

Inscriptions on coins help identify the ruler. While the front side depicted the sovereign’s portrait, the back was often used to communicate the ruler’s accomplishments or aspirations. Until Late Antiquity, portraits usually appeared in profile. The tiny images were carved by engravers into bronze dies, with one for the front and another for the back. The coins were then struck, one by one, in a process similar to how coins are created today.

Roman emperor Nero killed himself in 68, bringing an end to his chaotic reign. What followed was an equally chaotic struggle over who would succeed him. The year 69 saw one general after another rule and die in quick succession: Galba (reigned June 68–Jan. 69), Otho (reigned Jan.–Apr. 69), Vitellius (reigned Apr.–Dec. 69), and finally Vespasian (reigned 69–79), who founded the Flavian dynasty that ruled until 96. The harsh character of these four emperors is emphasized by the realistic features of their coin portraits—the hooked nose of Galba, the double chin and vain curls of Otho (seen in this coin), the plump features of the gluttonous Vitellius, and the lined complexion of battle-hardened Vespasian.
Panel
Object type: textile
Date: 1601 – 1700
Materials: silk
Techniques: embroidery, satin weave
Location: england
Subjects: religious scenes
Twee zeilboten op het water
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: sailing-ship, sailing-boat
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 3 verso uit een schetsboek met 34 bladen.
Sibille van Cumae
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cave, grotto, the announcement of christ's birth (luke 1:26-38), cumaean sibyl
Inscriptions: collector's mark: Lugt 2228

Sibille van Cumae. Op de achtergrond twee mannen voor de ingang van een grot en de verbeelding van de Annunciatie. Prent rechtsboven gemerkt: Pag: 747.
Cap crown
Object type: cap crown
Date: 1701 – 1750
Materials: linen
Techniques: lace
Subjects: flowers

Making extensive use of decorative zigzags and other geometric designs, this type of extremely fine needle lace, which was made during the first half of the eighteenth century, is rare and highly prized. The seemingly endless array of effects is achieved by using one basic buttonhole stitch but varying the grouping and spacing of the stitches.
Zeeschlach in Duyns door Marten Harpers Tromp den 21 October Anno 1638
Object type: print
Date: 1649 – 1651
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maarten harpertszoon tromp, battle (+ naval force), battle of the downs

Zeeslag bij Duins tussen de Spaanse vloot onder bevel van Antonio de Oquendo en de Staatse vloot onder Maarten Harpertsz. Tromp, 21 oktober 1639. Rechterplaat met op de voorgrond een brandend schip en sloepen met bemanningsleden, rechts de veroverde Spaanse schepen. Op de achtergrond de Engelse kust tussen Walmer en Margate. Bovenaan in het midden een cartouche met de titel (gedeeld).
Snuffbox (?) (one of a pair)
Object type: snuffbox
Date: 1760 – 1770
Materials: soft paste porcelain
Artist: mennecy
Artist role: factory

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Hercules and the Centaur
Object type: plaquette
Date: 1467 – 1500
Materials: bronze
Subjects: hercules,centaurs

Closely related, though of different sizes, these boss-like plaquettes (see also 1986.319.10) seem to be unique and unpublished. Their subject and style immediately recall the work of Antonio Plllaiolo.
Sleutel
Object type: key
Date: 1700 – 1700
Materials: iron
Location: italy

Sleutel behorend bij twee hekdeuren BK-16959-A-TM-B. In de ring een stervormig ornament opgevuld met driekwart cirkels.
Dinar minted in Nishapur
Object type: coin
Materials: gold
Location: iran
Kaart van de omgeving van Douai, 1710
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: brussels
Subjects: maps of separate countries or regions, siege, position war

Kaart van de omgeving van Douai, met de omsingeling van de stad door de Geallieerden, 30 april 1710. Linksonder de legenda A-H in het Frans. Onderdeel van een gebundelde verzameling van plannen van veldslagen en steden vermaard in de Spaanse Successieoorlog.
Venice
Object type: drawing
Materials: watercolor
Artist: félix-françois-georges-philibert ziem
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1911
Subjects: buildings,clouds,boats,venice
Collar
Object type: collar
Date: 1834 – 1866
Materials: cotton
Culture: american
The far west, Mission Junction
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: los angeles
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Inscriptions: title: ‘The far west Mission junction’

Vermoedelijk het gebied rond het station Mission Junction in Los Angeles in California. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Bowl
Object type: bowl
Date: 1101 – 1300
Materials: stonepaste
Techniques: overglaze, painting
Location: iran
Subjects: horses
Brief aan Jan Veth
Object type: letter
Date: 1917 – 1917
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: george hendrik breitner, dordrecht, jan veth, amsterdam, the hague, painter, print maker, draughtsman, isaac israels, ed gerdes, diseases
Inscriptions: collector's mark: ‘RPK’
Portret van een onbekende man
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, ceramic, metal, velvet
Techniques: photoceramics
Artist: Anonymous
Subjects: adult man, anonymous historical person portrayed
Portret van Jozef II, Duits keizer
Object type: print
Date: 1779 – 1829
Materials: paper
Techniques: engraving
Artist: carl hermann pfeiffer
Artist role: print maker
Artist dates: 1769 – 1829
Subjects: vienna, jozef ii (duits keizer), historical persons, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
Portret van twee onbekende meisjes
Object type: photograph
Date: 1900 – 1920
Materials: paper, cardboard
Techniques: matte daylight collodion silver print
Location: amersfoort
Artist: j.h. hentzel
Artist role: fotograaf
Subjects: girl (child between toddler and youth), anonymous historical persons portrayed in a double portrait
Two Profiles, Possibly of John Adams
Object type: drawing
Date: 1796 – 1796
Materials: paper, pastel
Culture: american
Artist: james sharples
Artist role: artist
Artist nationality: british
Artist dates: 1751 – 1811
Subjects: men,profiles
Black glass ring stone
Object type: intaglio
Date: 1 – 100
Materials: glass
Culture: roman
Subjects: aphrodite,eros

Aphrodite and Eros riding on a hippocamp.
Close Helmet
Object type: armor
Date: 1520 – 1520
Materials: steel
Location: southern germany
Pair of panels
Object type: panel
Date: 1701 – 1800
Materials: wood
Techniques: gilding, painting
Subjects: leaves
Rug van Joanna Lion Cachet-Cordes
Object type: sketchbook leaf
Date: 1935 – 1940
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: adult woman

Blad 2 recto uit een schetsboek met 25 bladen.
[Dante Gabriel Rossetti]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Stirrup
Object type: stirrup
Date: 1701 – 1900
Materials: iron
Culture: indian
Location: india
Portret van Heinrich von Bellegarde
Object type: print
Date: 1775 – 1828
Materials: paper
Techniques: engraving
Artist: gottlieb wilhelm hüllmann
Artist role: print maker
Artist dates: 1765 – 1828
Subjects: vienna, earl, knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), historical persons, officer
Inscriptions: collector's mark: Lugt 2228
Gezichten te Soengeiliat
Object type: photograph
Date: 1907 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, opencast mine; strip mining, minerals and metals: tin, landscapes in tropical and sub-tropical regions
Inscriptions: inscription

Albumblad met vier foto's genummerd 89-92 van verschillende gezichten bij de tinmijnen te Soengeiliat op Banka: afvoer en stort van afgegraven grond en een boorpondok in het bos. Onderdeel van het Banka-Album met foto's over het eiland Banka en de tinwinning door het staatsbedrijf de Banka-tinwinning in de periode ca. 1907-1919.
Zittende man in middeleeuwse kleding
Object type: print
Date: 1850 – 1909
Materials: paper
Techniques: engraving
Artist: eduard augustyns
Artist role: print maker
Subjects: sitting on an elevation

Sterfdatum kunstenaar onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
H. Vincentius Ferrerius en H. Petrus Martyr van Verona
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the dominican friar peter martyr of verona; possible attributes: crucifix, finger at lips, palm, sword (axe or knife) in skull (or breast), wound in head, the dominican friar vincent ferrer of valencia (or vannes); possible attributes: book, baptismal font, cardinal's hat at feet, flames, flaming sword, ihs monogram, lily, sun, trumpet of the last judgement, particular types of adult christ (without others), flowers in a vase
Inscriptions: collector's mark: Lugt 2228

Links: De heilige Petrus Martyr van Verona, in dominicaner habijt, een wond in zijn schedel en zijn borst met een zwaard doorstoken. In zijn ene hand houdt hij nog een zwaard, in de andere een boek waarop drie kronen liggen. Rechts: De heilige Vincentius Ferrerius, in dominicaner habijt, met boeken in de hand. De namen onder de portretten zijn foutief, vermoedelijk abusievelijk verwisseld. De voorstellingen zijn gevat in ovale omlijstingen, daartussen Christus op de regenboog en een vaas met bloemen.
Three-Quarter Composite Armor for the Infantry
Object type: armor
Date: 1575 – 1585
Materials: paint, steel
Culture: german
Location: nuremberg
The Archangel Michael defeats Satan
Object type: print
Date: 1725 – 1779
Techniques: etching
Artist: lorenzo zucchi
Artist role: artist
Artist nationality: italian
Artist dates: 1704 – 1779
Vijfentwintigjarig regeringsjubileum van Willem III, koning der Nederlanden
Object type: history medal
Date: 1874 – 1874
Materials: bronze
Techniques: striking
Location: the hague
Artist: edouard louis geerts
Artist role: medailleur
Artist dates: 1846 – 1889
Subjects: willem iii (koning der nederlanden), low countries
Beeldhouwwerk 'La Vittoria' door Vincenzo Consani in het Palazzo Pitti in Florence
Object type: photograph
Date: 1870 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ sculpture), monument, statue
Inscriptions: negative number: ‘3211’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Genua, Florence en Venetië.
Portret van humanist Leonardo Salviati
Object type: print
Date: 1755 – 1805
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Salviati 442’

Onder het portret een tekst in het Italiaans en een wapenschild in een cirkelvormig kader.
Portret van Johann Arndt
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: theologian, historical persons, book
Thomas Rowlandson, A Visit to my Grandmother
Object type: photograph
Date: 1855 – 1858
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: london, print maker, thomas rowlandson, drawing, sketch

Fotoreproductie van tekening in 'The Reveley Collection of Drawings at Brynygwin', afb. 57.
Cover for 'Cantares Oaxaqueños: Nueva Coleccion de Canciones Modernas para 1898', couples walking arm in arm on the outskirts of a town
Object type: print
Date: 1898 – 1898
Materials: ink, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: buildings,couples,men,women

"Cantares oaxaqueños. Nueva colección de canciones modernas" (Imprenta de A. Vanegas Arroyo, 1898).
Exterieur van de Oriëntaalse sectie van de wereldtentoonstelling te Antwerpen
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: world fair, world exhibition, façade (of house or building)
Christ Preaching
Object type: print
Date: 1657 – 1657
Materials: ink, paper
Techniques: engraving, drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Castitas
Object type: print
Date: 1560 – 1560
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: 'castità ', 'pudicitia', 'vergogna honesta' (ripa)

De personificatie van de Kuisheid houdt een ooievaar en een lelie in haar handen. De lelie verwijst naar de kuisheid van Maria en ook de ooievaar staat symbool voor het weerstaan van de verleiding. Deze prent maakt deel uit van een album.
Visiting dress
Object type: visiting dress
Date: 1890 – 1893
Materials: silk
Culture: american
Untitled
Object type: photograph
Date: 1850 – 1900
Techniques: albumen print
Location: united states
Artist: mathew brady
Subjects: documentary
Pipa (琵琶 )
Object type: pipa
Date: 1801 – 1900
Materials: bamboo, lacquer, mother of pearl, wood
Culture: chinese
Location: china
Portret van Georg Nürnberger
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Fragment of Ornamental Drawing after the Antique; Half-harpy with Acanthus Rinceaux
Object type: drawing
Date: 1545 – 1560
Materials: ink
Techniques: brush, pen, wash
Artist: andrés de melgar
Artist role: artist
Artist nationality: spanish
Artist dates: 1554 – 1554
Subjects: ornament,acanthus
Portretten van Jan Joest van Calcar, Christoffel Zwarts en Philips Galle
Object type: book illustration
Date: 1764 – 1764
Materials: paper
Techniques: etching
Artist: jan l admiral
Artist role: draughtsman, print maker
Artist dates: 1699 – 1773
Subjects: haarlem, antwerp, print maker, publisher, philips galle
Inscriptions: collector's mark: Lugt 2228

Prent opgenomen in: Mander, Karel van; Jongh, Jacobus de (vert.). Het leven der doorluchtige Nederlandsche en eenige Hoogduitsche schilders. Amsterdam: Steven van Esveldt, 1764.
Gezicht op de rede van Soerabaja met op de voorgrond een havenbassin
Object type: photograph
Materials: paper, photographic support
Techniques: albumen print
Location: surabaya
Artist: Anonymous
Subjects: harbour (+ view ~ vehicle, ship, etc.), ship in the roads, roadstead, surabaya

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Standing Woman
Object type: figure
Date: 1101 – 1400
Materials: bronze
Culture: indonesian, javanese
Subjects: women
Sigismonda (Sigismunda)
Object type: print
Techniques: engraving, etching
Artist: benjamin smith
Artist role: engraver
Artist nationality: british
Artist dates: 1775 – 1833
Subjects: portraits,women
Tazza
Object type: glass
Date: 1575 – 1600
Materials: glass
Culture: italian
Location: venice
Vier figuren met links een moeder met kind
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: etching
Location: france
Subjects: sitting figure, container made of plant material other than wood: basket, mother and baby or young child
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van twaalf prenten naar tekeningen door Abraham Bloemaert, getiteld 'Livre d'Etude d'après les Desseins Originaux de Blomart'.
Christ on the Mount of Olives (reverse copy in roundel)
Object type: print
Date: 1467 – 1600
Techniques: engraving
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Subjects: suffering,men,angels,christ,praying
Muurschildering in de Jacobskerk te Winterswijk
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: winterswijk
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church, picture, painting
Inscriptions: annotation: ‘Winterswijk (G.)/ Ontdekte muurschildering in de kerk der N.H. gem - detail/ juni 1895’, annotation: ‘Winterswijk’
Ober met dienblad
Object type: drawing
Date: 1930 – 1970
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: head (human)
Inscriptions: :, annotation: ‘Het/ natuurtalent’, number: ‘20’, collector's mark: Lugt 2228a

Een ober in een jacquet houdt een dienblad met wijnglazen in zijn hand.
Low-Seated Peasant Dwelling, Troyes
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: etching
Location: france
Artist: gustave leheutre
Artist role: print maker
Artist nationality: french
Artist dates: 1861 – 1932
Bust of a Man Facing Left
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered around the oval frame, in reverse: "Moderata durant. Aetatis suae 32. HGoltzius fec. 1580"
Paard van opzij gezien
Object type: drawing
Date: 1610 – 1650
Materials: ink, paper
Techniques: brush, pen
Subjects: horse
Fixture
Object type: fixture
Date: 1701 – 1800
Materials: gilt bronze
Subjects: boys
Obsidian Blade
Object type: knife
Date: 1501 – 1600
Materials: obsidian
Culture: mexican
Location: mexico
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 434 – 368
Materials: terracotta
Culture: greek, attic

Below the rim, an egg pattern; hanging on the wall, a sakkos
Execution of the Conspirators
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: soldiers,american civil war,women,execution

Alexander Gardner's intimate involvement in the events following President Lincoln's assassination would have challenged even the most experienced twentieth-century photojournalist. In just short of four months, Gardner documented in hundreds of portraits and views one of the most complex national news stories in American history. The U.S. Secret Service provided Gardner unlimited access to individuals and places unavailable to any other photographer. Free to retain all but one of his negatives-a portrait of Booth's corpse-Gardner attempted to sell carte-de-visite and large-format prints of the whole picture story. America, still wounded from the four-year war, was less than interested. The photographs of the execution of Mary Surratt, Lewis Paine, David Herold, and George Atzerodt on July 7, 1865, were, however, highly sought after by early collectors of Civil War ephemera beginning in the 1880s. This photograph shows the final preparations on the scaffolding in the yard of the Old Arsenal Prison. The day was extremely hot and a parasol shades Mary Surratt, seated at the far left of the stage. (She would become the first woman in America to be hanged.) Two soldiers stationed beneath the stage grasp the narrow beams that hold up the gallows trapdoors. The soldier on the left would later admit he had just vomited, from heat and tension. Only one noose is visible, slightly to the left of Surratt; the other three nooses moved during the exposure and are registered by the camera only as faint blurs. Members of the clergy crowd the stage and provide final counsel to the conspirators. A private audience of invited guests stands at the lower left. Minutes after Gardner's exposure, the conspirators were tied and blindfolded and the order was given to knock out the support beams.
Drie ontwerpen voor een bord
Object type: design
Date: 1874 – 1945
Materials: pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: work of applied art (+ ceramics ~ arts), dish, plate, saucer
Collar
Object type: collar
Date: 1876 – 1900
Materials: linen
Culture: italian

The cartouche pattern at center back which differs from the overall pattern and the variations in surface texture and fillings are features that define the refined quality of this lace collar.
Nederlands Indië,1/4  stuiver,1826. Engelse vervalsing en incusum
Object type: coin
Date: 1826 – 1826
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: incusum van de keerzijde. Keerzijde: tweeregelig opschrift, waarboven muntteken en waaronder jaartal. Daaronder letter S. Beide keerzijden versierd met partelrand. Gladde rand. Engelse vervalsing.
Cassandra preventing Deiphobe from killing Paris
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, heightening, pen, wash
Artist: jean cousin the elder
Artist role: artist
Artist nationality: french
Artist dates: 1485 – 1565
Subjects: men,women,horses,crowd
Portret van Friedrich von Hessen-Kassel, koning van Zweden
Object type: print
Date: 1720 – 1757
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: frederik i (koning van zweden), armour, historical persons
Inscriptions: collector's mark: Lugt 2228