deem-data/ArtiFact huggingface dataset:
Top hat, from the Novelties series (N228, Type 5) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: hats,women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Blad 110 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949)
Object type: album leaf
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 52e driemaandelijkse cursus van september tot december 1938, stamboeknummers 1034 tot en met 1038. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949).
Bed Curtain
Object type: textile
Date: 1675 – 1725
Materials: linen, silk
Techniques: embroidery, interlacings, weave, stitching
Location: greece
Box
Object type: box
Date: 1501 – 1600
Materials: gilt, leather, velvet
Votive Stupa
Object type: sculpture
Date: 900 – 1100
Materials: limestone
Location: bihar
Artist: Anonymous

A stupa is a hemispherical Buddhist structure built to commemorate the Buddha. Miniature stupas were commissioned by Buddhist pilgrims and offered to monasteries. Human ashes and bones have been found in some of these small stupas; it was considered highly auspicious to be buried in a place visited by the Buddha or where his relics were kept.
De Russische "overwintering" in Mandschoerije
Object type: cartoon
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), personifications of countries, nations, states, districts, etc., kicking, warming oneself at a fire (or hearth, stove, fire-pan, brazier), political caricatures and satires

John Bull (Engeland), Uncle Sam (Verenigde Staten) en de Duitse keizer Wilhelm II kijken toe hoe Japan een Chinees wegschopt voor de deur van het warme huis van de Rus in Mantsjoerije.
Antigraceful
Object type: sculpture
Materials: bronze
Artist: umberto boccioni
Artist role: artist
Artist nationality: italian
Artist dates: 1882 – 1916
Portret van Henry Lascelles, graaf van Harewood
Object type: print
Date: 1922 – 1949
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: earl, historical persons
Siermotief met drie peulvruchten
Object type: print
Date: 1874 – 1945
Materials: paper
Techniques: printing block
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: ornament derived from plant forms - aa - stylized
Inscriptions: collector's mark: Lugt 2228
The Oberland and its glaciers : explored and illustrated with ice-axe and camera
Object type: book
Date: 1866 – 1866
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing
Location: london
Inscriptions: inscription: ‘June 1985’
Landscape with a Plowed Field and a Village
Object type: painting
Materials: canvas, oil
Artist: georges michel
Artist role: artist
Artist nationality: french
Artist dates: 1763 – 1843
Subjects: landscapes

As a restorer at the Louvre, Michel became familiar with Dutch seventeenth-century landscapes by Van Ruisdael, Van Goyen, and Rembrandt. Though Michel’s works are rarely dated, making it difficult to understand the development of his own landscape style, works like this one provided a link to the northern tradition well before those by the Englishman John Constable caused a sensation in Paris in 1824. This imaginary view was painted on paper mounted on canvas, an inexpensive means of starting with a smooth surface in emulation of more expensive wood panel, the favored support of Dutch old masters.
Chimneypiece (cheminée)
Object type: chimneypiece
Date: 1784 – 1784
Materials: bronze, gilt bronze, marble
Artist: françois joseph belanger
Artist role: designer
Artist nationality: french
Artist dates: 1744 – 1818

The model of this imposing Neoclassical chimneypiece, incorporating large figures of female satyrs as supports of the architrave and mantel shelf, was repeated a number of times. Although commissioned for the Grand Salon Ovale of the Hôtel Thelusson in Paris, the chimneypiece appears never to have been installed there. It was used at the Hôtel de Massa instead, a residence rented by the banker Paul-Louis de Thelusson (b. ca. 1762) in January 1785. The earliest mantelpiece of this design appears to have been the one for the Paris hôtel particulier of Louise-Jeanne de Durfort, duchesse de Mazarin (1735–1781), for which Pierre Gouthière executed the bronzes in 1781. Made of blue turquin marble, that first mantelpiece is very well documented, and we therefore know that the architect François-Joseph Bélanger was responsible for its design and that the striking caryatid figures, their legs crossed and hands folded above their heads, were modeled by the sculptor Jean-Joseph Foucou. Gouthière was to supply five different mantelpieces for the Hôtel Thelusson but was able to finish the work for only four of them. The bronze figures and decoration of the fifth were done by François Rémond in 1784, and it is believed to be the one now in the Museum’s collection. The bronze satyresses have a dark patination but their paraphernalia are gilded—the wreath of vine leaves and grapes in their hair, the drapery cascading down their backs, and the ivy girdle hiding their nudity. In addition, a gilded strap runs across the chests and a similar ribbon is tied around the hooves of these mythological half-figures, attendants of the wine god Bacchus. Musical instruments are suspended from the straps—a pair of cymbals on the left and a tambourine on the right—and bells are attached to the ribbons; thus these satyresses could make music during their drunken revelry. The lustrous and sensuous skin of their upper bodies starkly contrasts with their hairy goat’s legs. Unlike the other known examples of this design, the Museum’s mantelpiece is the only one in which the frieze is entirely decorated with repeating gilt-bronze ornament.
Le Triomphe d'Amphitrite
Object type: print
Date: 1751 – 1780
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: triumph of amphitrite
Inscriptions: collector's mark: Lugt 240
Portret van Bruno van der Dussen
Object type: print
Date: 1749 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: mayor, bruno van der dussen, historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent is oorspronkelijk bedoeld als aanvulling op Jan Wagenaars ‘Vaderlandsche historie’* en was zo vanaf 1796 verkrijgbaar bij Johannes Allart te Amsterdam.

Voor de advertentie waarin Allart de 60 portretten en 7 platen, allen gegraveerd door Houbraken, ter aanvulling op Wagenaars ‘Vaderlandsche historie’ aanbiedt, zie RP-P-OB-77.766.

*Van dit werk zijn in de achttiende eeuw meerdere uitgaves verschenen, zoals:

Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 delen. Amsterdam: Isaak Tirion, 1749-1759.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: weduwe Isaak Tirion, 1770.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam, Leiden, Dordrecht en Harlingen: P. Schouten e.a., 1782.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: Johannes Allart, 1790-1796.
Terracotta amphora with Phoenician inscription
Object type: amphora with phoenician inscription
Date: 600 – 401
Materials: clay
Culture: cypriot
Subjects: phoenician

There is a painted inscription of three lines: at top, Baalpilles, probably the name of the owner; below, Yaton, inspector. Production of such Phoenician amphorae appears to have taken place on Cyprus, but finds at shipwrecks sites show that they were widely dispersed thoughout the eastern Mediterranean.
Kussensloop van linnen met een tussenzetsel van Hollandse kant.
Object type: pillowcase
Date: 1650 – 1700
Materials: linen
Techniques: lace, weave
Location: northern netherlands

Kussensloop van linnen met aan een korte zijde een tussenzetsel van Hollandse kloskant, met een patroon van een gelobde rozetbloem met gelobde S-vormige ranken. Het sloop heeft een rijgsluitihg door middel van een ronde veter. Bij het sloop hoort een sloop met invnr. BK-16817-A.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1910 – 1910
Materials: ink, paper
Techniques: pen, printing, writing
Location: budapest
Artist: gabriel de térey
Artist role: kunsthistoricus
Artist dates: 1864 – 1927
Subjects: painter, draughtsman, daniel cottier, the hague, print maker, matthijs maris, pieter haverkorn van rijsewijk, art trade, art shop, painting (including book-illumination, miniature-painting), art collecting
Inscriptions: watermark
Fotoreproductie van de gravure Bij de kuikens
Object type: page
Date: 1872 – 1875
Materials: paper
Techniques: albumen print
Subjects: print, e.g.: engraving, etching, lithograph, family life, chicken house
Storage Vessel with Snake Relief
Object type: vessel
Date: 1280 – 1450
Materials: ceramic, pigment
Techniques: modeling, painting
Location: new mexico
Artist: Unknown ceramist
Subjects: animals, owls, snakes, snake
Les Traveaux de Champs
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: engraving
Location: paris
Subjects: crafts and industries (+ agricultural processes), reaping, picking, mowing ~ harvest
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van tien houtgravures gepubliceerd in 'L'Illustration' van 5 februari 1853, bij het artikel Revue Agricole van Saint-Germain Leduc.
Tulpen Vijfje; eerste slag "400 jaar diplomatieke betrekkingen Nederland en Turkije"
Object type: coin
Date: 2012 – 2012
Materials: silver
Techniques: striking
Location: the hague
Artist: deniz seyda tunca
Artist role: vormgever
Artist dates: 1973 – 
Subjects: beatrix (koningin der nederlanden), flowers: tulip
Inscriptions: circumscription: ‘2012 Nederland Turkije 400 jaar’, circumscription: ‘Beatrix Koningin der Nederlanden’, edge inscription: ‘God zij met ons’

Zilveren munt van 5 euro, geslagen ter gelegenheid van de viering van 400 jaar diplomatieke betrekkingen tussen Nederland en Turkije. Voorzijde: rode tulp met groene steel, met rechts daarnaast een klein silhouetportret van een vrouw (koningin Beatrix), het geheel binnen een in perspectief weergegeven ovaal (bedoeld als munt in een munt), met omschrift "Beatrix Koningin der Nederlanden". Keerzijde: gesloten tulp met links daarnaast een maansikkel met een ster (wapen van Turkije), het geheel binnen een in perspectief weergegeven ovaal, met omschrift "2012 Nederland Turkije 400 jaar". Randschrift: "God zij met ons".
Straatverkopers en dienstverleners
Object type: print
Date: 1760 – 1818
Materials: paper
Techniques: etching
Location: france
Artist: jean duplessis-bertaux
Artist role: print maker
Artist dates: 1750 – 1818
Subjects: fruits: apple, 'cris de paris', cries of london, etc. - bb - women engaged in trade and commerce
Inscriptions: collector's mark: Lugt 2228
The proposal
Object type: drawing
Date: 1800 – 1800
Materials: chalk, ink, paper
Techniques: brush
Location: amsterdam
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: man kneeling before his beloved (proposing)
Inscriptions: inscription: ‘J. Andriessen del.’, inscription: ‘9 25/12 5’, collector's mark: Lugt 4618
Polychrome Jar
Object type: vessel
Date: 1880 – 1880
Materials: ceramic, pigment
Culture: acoma pueblo
Location: new mexico
Virgin and Child
Object type: statuette
Date: 1250 – 1275
Materials: ivory, paint
Techniques: gilding
Culture: french, north

Material has a direct impact on form, especially in the case of ivory sculpture. Here the graceful curve of the Virgin’s body reflects the shape of the elephant tusk from which the statue was carved. The monumental quality of this ivory closely corresponds to stone sculpture on Gothic cathedrals.
Groep figuren bij een gebouw met torens
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: street (+ city(-scape) with figures, staffage)

Op de voorgrond een man met een mantel en hoed bij een boom. Op de achtergrond de contouren van huizen en een toren. Blad 46 verso uit een schetsboek met 60 bladen.
Portret van Johannes Jacobus Vitriarius
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: leiden
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: leiden, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Springer, Leendert. Galerij van hoogleeraren aan de Hoogeschool te Leijden, naar de oorspronkelijke afbeeldsels op de Senaat-zaal aldaar berustende. Leiden: Springer, Leendert., s.a. [circa 1850].
The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776
Object type: print
Date: 1776 – 1776
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Grisaille Panel with Foliate Pattern
Object type: panel
Date: 1320 – 1330
Materials: glass, metal, paint, pigment
Culture: french
Location: france
Subjects: leaves

The five panels assembled here come from at least four different lancets of the choir windows at Saint-Ouen at Rouen. They incorporate three different patterns of stylized leaves and tendrils, one with silver-stained blossoms, and three different strapwork designs in four combinations. All are known to have originated in this glazing program. The botanical theme is continued in the border pattern and in three of the central bosses or fermaillets. The combination of grisaille, silver stain, and colored glass is typical of fourteenth-century French stained glass.
Bag
Object type: bag
Date: 1867 – 1900
Materials: silver
Culture: french
Recueil de la diversité des habits (A Collection of the Various Styles of Clothing)
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: woodcut
Location: paris
Subjects: indigenous peoples of south america (+ costume), fashion plates, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228

This is the very first costume book, with more than a hundred images of clothing from around the world. Below each figure are four lines of verse describing the country’s outfits or related customs. This was an age of unprecedented overseas exploration. Europeans were especially fascinated to see and read about inhabitants of the so-called New World, such as the Brazilian woman with her child 1.
Ovale hoedendoos van karton, beplakt met lichtgrijs of lichtblauw papier dat op de deksel is afgezet met een bruine bies
Object type: womenswear
Materials: cardboard, linen, paper
Techniques: pasting
Location: paris
Inscriptions: company name

Volgens de schenkster gekocht tijdens een bezoek aan de Wereldtentoonstelling in Parijs in 1937. Echter, Maud & Nano begonnen pas in 1942 met hun modehuis.
Reproductie van een schilderij van een breiend meisje in de duinen naar Bart Johannes Blommers
Object type: reproduction
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: dunes (sea not visible); in the dunes, girl (child between toddler and youth), knitting
Inscriptions: inscription: ‘No. 5./ B.J. Blommers, In het duin, "het breistertje".’

Deze prent maakt deel uit van een album.
Binnenplaats van de tempel van Diana te Nîmes
Object type: photograph
Date: 1859 – 1859
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: temple, shrine ~ roman religion
Fles in de vorm van een ton
Object type: trick glass
Date: 1700 – 1800
Materials: glass, tin
Techniques: gilding, glassblowing

Vier rechthoekige pootjes, tonvormig lichaam waaromheen als hoepels twee maal drie geribde draden. Op het breedste punt een korte hals, gevat in een tinnen montuur met schroefdraad. Tinnen schroefdop met ring. Op de middenbaan vier witte siermotieven, aan weerszijden en tussen de hoepels dubbele gestipte witte biezen. Op de hoepels resten van verguldsel.
Study for Clovis (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Object type: drawing
Date: 1801 – 1900
Materials: chalk
Techniques: stumping
Artist: isidore pils
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1875
Subjects: men
Plaisante Lantschappen ofte vermakelijcke Gesichten
Object type: print
Date: 1637 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: prospect of village, silhouette of village, church (exterior), hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 195

Gezicht op Spaarnwoude, met op de voorgrond een herberg en links de kerk. De prent is deel van een serie landschappen met dorpen rondom Amsterdam. Rechtsonder genummerd: 12.
Horse Tack Ornament
Object type: horse tack ornament
Date: 101 – 300
Materials: copper alloy, gold
Culture: roman-german
Location: germany
Bangia laminaræ
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Desseins de diverses pièces d'argenterie
Object type: print
Date: 1731 – 1796
Materials: paper
Techniques: etching
Location: germany
Artist: franz xaver habermann
Artist role: draughtsman, print maker
Artist dates: 1721 – 1796
Subjects: chandelier, candelabrum
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Drie tafelkandelaars met bladmotieven en ornamenten.
Patacano van 2000 reis van het keizerrijk Brazilië van D. Pedro II, 1852
Object type: coin
Date: 1852 – 1852
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: binnen cirkel van bloemen waarde-aanduiding: 2000. In omschrift onderaan jaartal. Keerzijde: tussen twee samengebonden takken gekroond wapenschild van Brazilië. Kartelrand.
Portret van een man
Object type: photograph
Date: 1859 – 1892
Materials: cardboard, photographic support
Techniques: albumen print
Location: germany
Artist: emil tiedemann
Artist role: fotograaf
Artist dates: 1858 – 1892
Subjects: historical persons
Inscriptions: inscription: ‘EMIL TIEDEMANN/ HOF-PHOTOGRAPH/ (...)’
Recueil de plusieurs Figures d'Academie, Dessinée d'apres le Naturel
Object type: print
Date: 1679 – 1728
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: youth, adolescent
Inscriptions: collector's mark: Lugt 2228
Studie, mogelijk van een kind
Object type: sketchbook leaf
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: child

Pagina 49 uit een schetsboek met 28 bladen.
The Hundred Guilder Print
Object type: print
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Statuette of a man ?
Object type: statuette of a man
Date: 300 – 1
Materials: bronze
Culture: etruscan
Subjects: men
Wine Glass
Object type: glass
Date: 1767 – 1800
Materials: glass
Techniques: engraving, stippling
Location: england
Panorama van het groot Kanaal, genomen van uit het Koninglijke Paleis te Amsterdam / Profil van het Groot Kanaal
Object type: print
Date: 1824 – 1825
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: sluice, weir, canal
Inscriptions: inscription: ‘Fragment uit de Kaart van het Kanaal’

Twee afbeeldingen van het Noordhollandsch Kanaal, december 1824. Bovenaan een gezicht op de Tolhuis bij de Willemssluis, in het onderschrift de legenda 1-10 op de met de hand in de voorstelling geschreven nummers. Onderaan een dwarsdoorsnede van het kanaal met de doorvaart op 16 december van de twee schepen, het fregat Bellona en het schip de Christina Bernardina. Onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden.
Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones
Object type: album leaf
Date: 1584 – 1584
Materials: paper
Techniques: engraving, intaglio
Location: italy
Subjects: piece of sculpture, reproduction of a piece of sculpture, man (showing himself) undressed, quasi-nude

Deze prent maakt deel uit van een set van 79 prenten (+ titelprent) met voorstellingen van antieke sculpturen in Rome.
Astley's Amphitheatre
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: performance,theatre,spectators,horses,london
After arrival at Palace Soestdijk
Object type: photograph
Date: 1964 – 1964
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Subjects: utrecht, bernhard (prins der nederlanden), paris
Inscriptions: annotation: ‘Keystone. After arrival at Palace Soestdijk: top Pr. Irene and Pr. Hugo Carlos de Bourbon Parma. Front f.l.t.r. Pr. Beatrix, Pr. Bernhard, Pr. Cecile (sister of Pr. Carlos). Foto ANEFO 8-2-1964’
Overijsselse florijn van 28 stuiver, 1685
Object type: coin
Date: 1685 – 1685
Materials: silver
Techniques: striking
Location: kampen

Zilveren munt. Voorzijde: op kort bloemenkruis gekroond gevierendeeld wapenschild. Jaartal boven kroon. Keerzijde: dubbelkoppige adelaar met op borrst waarde-aanduiding 28. Op voorzijde klop HOL .
Figure of a gentleman
Object type: figure
Date: 1701 – 1900
Materials: wood, hair, silk
Culture: chinese
Subjects: men

This unusual sculpture portrays a gentleman wearing a long braid and an unadorned robe with a low-cut, folded collar, a Manchu style popular during the Qing dynasty. In addition to his imposing posture, the figure’s facial expression conveys a sense of self-confidence. Polished to evoke the texture of soft silk, his finely carved robe imparts realism to the sculpture. Although the figure’s identity is unrecorded, the sculpture is likely a portrait after a real person for a family memorial.
The Flying Down of Wild Geese at Yoshiwara
Object type: print
Date: 1770 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: birds,women
Plattegrond van de Domkerk te Utrecht
Object type: print
Date: 1816 – 1873
Materials: paper
Techniques: etching
Subjects: plan ~ architecture
Inscriptions: collector's mark: Lugt 2228
Wevende vrouw in een interieur
Object type: page
Date: 1886 – 1896
Materials: paper
Techniques: autotype
Location: france
Subjects: adult woman, weaving-loom, chair
Terracotta kantharos (drinking cup) with vertical ring handles
Object type: kantharos
Date: 400 – 301
Materials: terracotta
Culture: greek, boeotian