deem-data/ArtiFact huggingface dataset:
Ponte Rialto.(Venezia)
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: venice
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: bridge in city across river, canal, etc.
Inscriptions: number: ‘3622’, inscription: ‘Venetie : Ponte Rialto’
Feestelijkheden bij het bezoek van Maria de' Medici aan Amsterdam in 1638
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cologne, print maker, maria de' medici, coat of arms (as symbol of the state, etc.) (+ city; municipal), sailing-ship, sailing-boat, seal (as symbol of the state, etc.) (+ city; municipal), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', rowing-boat, canoe, etc., prospect of city, town panorama, silhouette of city, amsterdam
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in:* Baerle, Caspar van. Medicea hospes, sive descriptio publicae gratulationis, qua Serenissimam, Augustissimamque Reginam, Mariam de Medicis (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van. Marie de Medicis, entrant dans Amsterdam : ou, histoire de la reception faicte à la Reyne Mere du Roy tres-Chrestien (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van en Joost van den Vondel. Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. Vertaelt uit het Latijn (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1639.

* Doorgaans zijn de prenten in de bovengenoemde publicaties rechtsonder genummerd (van de huidige prent is dat de derde bekende staat). Maar er zijn ook exemplaren waarin eerdere, ongenummerde, staten van de prenten (van de huidige prent de eerste en tweede bekende staat) zijn ingebonden.
Gezicht op de Traitors Gate
Object type: print
Date: 1850 – 1949
Materials: paper
Techniques: etching
Location: london
Artist: Anonymous
Subjects: fortress, gate, entrance, tower (of house or building)
Inscriptions: collector's mark: Lugt 2228
Portret van de Jubilee Singers
Object type: photomechanical print
Date: 1876 – 1881
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: choir, historical persons (portraits and scenes from the life)
Inscriptions: inscription: ‘F.J. Loudin, Maggie L. Porter, Jennie Jackson, Mabel R. Lewis, R.A. Hall./ George E. Barret, Ella Shepard, Patti Malone’
Duitsche Leger
Object type: print
Date: 1914 – 1918
Materials: paper
Techniques: autotype
Location: netherlands
Subjects: (military) uniforms, germany
Inscriptions: collector's mark: Lugt 2228

Overzicht van de onderscheidingstekenen op de uniformen van het Duitse leger tijdens de Eerste Wereldoorlog.
Ex libris van Eugène Fabre
Object type: bookplate
Date: 1900 – 1900
Materials: paper
Techniques: etching
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: ex-libris, rowing-boat, canoe, etc.
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Ex-libris en gelegenheidsgrafiek.
Drinkschaal met Venus en Adonis
Object type: fragment
Date: 1550 – 1575
Materials: silver
Location: nuremberg
Artist: hans jamnitzer
Artist dates: 1539 – 1603

Tazza with Venus and Adonis. Silver. Nuremberg (?), c. 1550-1575. Dagger and sheath. Silver and iron. Germany?, c. 1540.
Fragment of a marble neo-Attic relief with Peitho
Object type: relief fragment with peitho
Date: 100 – 1
Materials: marble
Culture: roman
Subjects: doves,women
Draw-top table
Object type: draw top table
Date: 1601 – 1700
Materials: wood
Portret van Gian Battista Sommariva
Object type: print
Date: 1792 – 1867
Materials: paper
Techniques: etching
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a
Piece
Object type: piece
Date: 1867 – 1900
Materials: cotton
A young sailor and an old man sitting by the sea
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,dogs,sailors
First and Second Part of the Verses...
Object type: print
Materials: paper
Techniques: lithograph
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Portret van Jet Boelen als jong meisje
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: matte daylight collodion silver print
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: address: ‘Amsterdam Heerengracht 150 / Batavia’

Onderdeel van Fotoalbum van de familie Boelen.
Beladen ezel
Object type: print
Date: 1724 – 1798
Materials: paper
Techniques: printmaking
Location: amsterdam
Subjects: pack-animal, ass, donkey
Inscriptions: collector's mark: Lugt 2228
Nederlandse militaire uniformen in de jaren 1830-1832
Object type: costume print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2227

Staande jager van het Korps Noord-Brabantse Jagers. Onderdeel van een serie van 157 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.
Drinkende koe langs de oever
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching
Artist: félix cogen
Artist role: print maker
Artist dates: 1838 – 1907
Subjects: cow, river
Inscriptions: inscription: ‘1 etat (épreuve unique)’, collector's mark
Schnapps glass (one of twelve)
Object type: schnapps glass
Date: 1750 – 1775
Materials: enamel, glass
Subjects: musical instruments,men,women,swans

The form of this piece is unprecedented in the seventeenth century either in silver (the usual prototype for new glass forms) or in glass. It is close to the idea of cruet frames with central handle which were common in the eighteenth century. The signs of the zodiac are contained in swiftly sketched rococo cartouches, and there is a mixture of periods of costume worn by the various figures, including one in the garb of the sixteenth century and others from the seventeenth century. For all these reasons, it seems probable that the glass was decorated in the third quarter of the eighteenth century.
Boekband voor: Herman Robbers, De roman van een gezin I. De gelukkige familie, 1909
Object type: binding
Date: 1909 – 1909
Materials: cardboard, linen
Techniques: printing block
Subjects: ornaments ~ art
Inscriptions: collector's mark: ‘R:MVS.’
Figuren op de bloemen- en plantenmarkt te Brussel
Object type: sketchbook leaf
Date: 1908 – 1930
Materials: chalk, paper
Location: brussels
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: city dwellers, market
Inscriptions: date and inscription: ‘BRUSSEL/ GRANDE PLACE/ 25/8/1930’

Tevens een studie van een man met een pet. Pagina 3 uit een schetsboek met 60 bladen.
Personificaties van de kardinale deugden
Object type: print
Date: 1649 – 1734
Materials: paper
Techniques: etching
Location: rome
Artist: louis de châtillon
Artist role: print maker
Artist dates: 1639 – 1734
Subjects: prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, architectural detail, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 240, inscription

Maakt deel uit van een vierdelige serie met personificaties van de kardinale deugden naar fresco's door Domenichino in de San Carlo ai Catinari te Rome.
Essais de gravure a l'eau forte
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: etching
Location: geneva
Artist: alexandre calame
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1864
Subjects: landscapes, trees: oak (+ dead, withered plant), deciduous forest
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Boy Fishing (from McGuire Scrapbook)
Object type: drawing
Date: 1820 – 1820
Materials: graphite, paper
Culture: american
Artist: james g. clonney
Artist role: artist
Artist nationality: american
Artist dates: 1812 – 1867
Subjects: boys,fishing,trees
Atropos, One of the Three Destinies, Death, from the Goddesses of the Greeks and Romans series (N188) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Goddesses of the Greeks and Romans" series (N188), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Double gourd vase with ruyi form handles
Object type: vase
Date: 1701 – 1733
Materials: copper, glaze, porcelain
Culture: chinese
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander and checkerboard ornament; handle palmette, tendrils, and volute
Joined armchair
Object type: joined armchair
Date: 1650 – 1700
Materials: wood
Culture: american
Location: united states

The most imposing chairs in seventeenth-century New England were the joined-oak armchairs with panel-and-frame backs carved in the same manner as chests. Based on English Renaissance and Mannerist designs, this example, with its solid, vigorous form enlivened by carving, has a commanding presence. Its massive rear posts taper on the front surface toward the crest and foot, resulting in a back that slants to accommodate the human form and in legs that are lightened. The carving, which consists of a double arcade, intersecting lunettes with stylized foliage, and S-scrolls, creates a lively interplay of semicircles, circles, and vertical accents. The square pillars, used instead of turnings to ornament the front posts (part of the vocabulary of Mannerist decoration), are an unusual feature in New England furniture of the period known primarily on this and five related chairs. Several of these chairs have histories associating them with Essex County, Massachusetts.
Guitar
Object type: guitar
Date: 1835 – 1835
Materials: wood
Culture: french
Location: france
Artist: pierre-rené lacôte
Artist role: maker
Artist nationality: french
Artist dates: 1785 – 1785

Rene Lacôte was the most well-known maker of the guitar in France during the early nineteenth century. His guitars were endorsed by several famous performers including Fernando Sor, Ferdinando Carulli, Zani de Ferranti, and others. The mechanism for the tuners are housed within the headstock, a design by Lacôte that is quite elegant. The guitar bears a label with the signature of Fernando Sor. Several surviving instruments by Lacôte are similarly signed, suggesting that this was an endorsement from the famous player. The guitar was once owned and used by twentieth-century guitarist Julian Bream. Technical description: Six-string guitar; two-piece pine soundboard with an ebony binding and an alternating bwbwbwbwbwb purfling; soundhole diamer of 78.42 mm with ebony binding and alternating wb (10x) purfling; ebony pin bridge with circular tips and mother-of-pearl dots; two-piece rosewood back with ebony binding; rosewood ribs; neck with rosewood veneer; dark-stained hardwood slotted headstock; ebony fingerboard with seventeen German silver frets; Lacote inset tuners (Daniel Wheeldon 2016)
Diverses Pièces de Serruriers
Object type: ornament print
Date: 1662 – 1711
Materials: paper
Techniques: engraving
Location: paris

Blad 4 uit serie van titelblad, blad met opdracht en 14 bladen met beslag en smeedwerk, sleutelgatplaten, sleutels, deurkloppers en deurknoppen. Tweede editie.
Bit Boss
Object type: bit bos
Date: 1567 – 1700
Materials: copper alloy
Culture: italian
Location: italy

Bit bosses were ornamental elements decorating both sides of a horse bit. The decoration of this very popular kind of Italian bit boss imitates traditional Venetian filigree.
Tray
Object type: tray
Date: 1785 – 1790
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,coat of arms

This object belongs to a large dinner service (10.149.1–.248) bearing the Townley family coat-of-arms. The service, probably ordered by Justice Samuel Chase (1741–1811) of Annapolis, Maryland, displays the enamel-painted arms of Margaret Townley, Chase's aunt.
Office Tremont House, Cor. Lake and Dearborn Sts.
Object type: photograph
Date: 1850 – 1871
Techniques: albumen print
Location: chicago
Artist: lovejoy & foster
Artist nationality: american
Artist dates: 1870 – 1879
Biografische kaart van belangrijke Nederlanders
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: statistic diagram, graph; pictorial chart, etc., netherlands
Inscriptions: date

Grote biografische kaart of tabel waarin de namen van voor de Staatkundige geschiedenis van Nederland belangrijke personen afgezet worden tegen een tijdsbalk met jaartallen en gebeurtenissen en met een indeling naar geografische regio.
Wandtapijt van Michelfeld
Object type: print
Date: 1521 – 1528
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: farmers, contrast between rich and poor, contrast between important and unimportant people; the inferior before the superior, the weak before the mighty, working class, labourers, social stratification, social groups, turn of fate, wheel of fortune, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228

Het linkerdeel (de eerste twee blokken van de zes) van een brede houtsnede, die ofwel het voorbeeld is geweest voor, ofwel een kopie is van de voorstelling op een wandtapijt uit Slot Michelfeld aan de Rijn. Links het rad van fortuin, bewogen door enerzijds een vos en anderzijds een jongedame die Tijd verbeeldt. Rechts een boer, een smid, een koopman, een vorst en een ridder, verbeeldingen van de vijf sociale standen. Zij voeren een banderol mee met daarop een tekst over de onrechtvaardige rechter op het volgende deel van de houtsnede.
Prinsdom Orange, double, Frederik Hendrik, 1625-1647
Object type: coin
Date: 1625 – 1647
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: portret van de prins naar rechts. Keerzijde: wapen, bestaande uit drie lelies in twee regels.
Parke B. Swartzel, Pitcher, Kansas City Cowboys, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Why Born Enslaved!
Object type: bust
Materials: terracotta
Artist: jean-baptiste carpeaux
Artist role: artist
Artist nationality: french
Artist dates: 1827 – 1875
Subjects: female nudes

While Carpeaux used terracotta for preparatory models, such as his clay sketch of the unidentified woman who posed for Why Born Enslaved!, the medium also had commercial applications. This bust was not sculpted by Carpeaux but was instead cast from a mold in his studio, which from 1869 onward produced copies of his major works as luxury consumer goods. The commercial viability of these reproductions reflected the popularity of antislavery imagery in post-emancipation France, where narratives of abolition evoked a sense of patriotism. This was particularly the case after the United States abolished slavery in 1865, seventeen years after the French abolition.
Boy Writing or Sketching
Object type: drawing and watercolor
Date: 1830 – 1830
Materials: crayon, paper
Location: england
Artist: thomas jones barker
Artist nationality: english
Artist dates: 1815 – 1882
Oud paar met doedelzakspelende Dood
Object type: print
Date: 1610 – 1612
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: death as skeleton (+ death with musical instrument), death in old age
Inscriptions: collector's mark: Lugt 2228

Een oud paar bij een tafel waarop een bord met een bot, begroet de Dood, spelend op een doedelzak. De man neemt zijn hoed af en geeft zijn hand aan de Dood. De vrouw maakt een eerbiedig gebaar met haar hand tegen haar borst.
Evénemens de la Belgique Dessinés sur les lieux par des témoins oculaires, Bruxelles, à la Lithographie de Jobard
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: the hague, william ii of the netherlands, city-view, and landscape with man-made constructions, city-gate, brussels

Onderdeel van een groep van prenten afkomstig uit verschillende andere series maar toegevoegd aan het recueil over de gebeurtenissen tijdens de Belgische Revolutie in Brussel, Antwerpen en andere steden in de periode 25 augustus 1830 tot 27 maart 1831. Uitgegeven in de serie van 23 prenten getiteld: Evénemens de la Belgique Dessinés sur les lieux par des témoins oculaires, Bruxelles, à la Lithographie de Jobard, éditeur, [1831].
Cliff on a Seashore
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: woodcut, printing
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower center: "HG"
Portret van Louis-Eugène Cavaignac
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
Archangel Gabriel
Object type: sculpture
Date: 1480 – 1520
Materials: wood
Location: north brabant
Inscriptions: inscription, on the banderole, in red paint: ‘[AVE] GRATIA PLENA’

Hij staat op een geprofileerd, rechthoekig voetstuk met het rechterbeen gebogen en het hoofd iets naar links gewend. In de linkerhand een om de arm gewonden, tot op de bodem afhangende spreukband; de rechterarm is gebogen. Hij draagt albe en amict en een voor de borst gekruiste stool, welke onde de singel doorloopt. Om het hoofd met golvend haar een gewonden parelband. Op de spreukband (latere overschildering): Gra-tia plena.
Portret van Cornelis Cats
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: jan de visscher
Artist role: print maker
Artist dates: 1633 – 1712
Subjects: book, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 240

De geestelijke Cornelis Cats, zittend in een stoel aan een tafel met boeken en een crucifix.
Vase
Object type: vase
Date: 1700 – 1722
Materials: glaze, porcelain
Culture: chinese
Liggend schaap
Object type: drawing
Date: 1800 – 1900
Materials: chalk, paper
Techniques: printmaking
Artist: Anonymous
Subjects: sheep
Portret van Gerard van Velzen
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: breaking into city or fortress ~ siege
Inscriptions: collector's mark: Lugt 2228

Later staat prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Deel II.
Gezicht van de pont te Leerdam en Heukelom in het verschiet
Object type: drawing
Date: 1801 – 1850
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: ferry, river (+ landscape with figures, staffage), windmill in landscape (+ city(-scape) with figures, staffage)

Tekening naar een prent van Izaak de Wit, zie RP-P-1905-908.
Twee mannen met een paard op een binnenplaats
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: photoaquatint
Location: morocco
Subjects: adult man, façade of inner court, horse
Inscriptions: title: ‘Nomads from the Interior.’
Fotoreproductie van twee anatomische tekeningen van een normaal oog
Object type: reproduction
Date: 1871 – 1891
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: anatomy (non-medical), eyes
Inscriptions: inscription: ‘Fig. 7. Fond d'oeil normal Fig. 8. Fond d'oeil normal’
Jezus in huis met de Ziel, aan welke het kruis wordt voorgehouden
Object type: print
Date: 1678 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: cross as symbol of christ, the soul, christ and the soul
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Pieter Arentsz II, 1678-1687. Tussen 1678-1744 verschenen van dit emblemataboek 10 edities.
Poem in Chinese about Sugar
Object type: hanging scroll
Date: 1301 – 1400
Materials: ink, paper
Culture: japanese
Artist: kokan shiren
Artist role: artist
Artist nationality: japanese
Artist dates: 1278 – 1346

A prominent figure in early fourteenth-century Japanese Zen, Shiren was born into an aristocratic family in Kyoto and studied Zen in Kamakura with the Chinese émigré monk Yishan Yining (Japanese: Issan Ichinei, 1247–1317). Shiren’s calligraphy reveals a debt to his master in its crisp brushwork, long horizontal strokes, and overall rightward-leaning tendency. The seven-character quatrain, about sugar, reads: Now let fire and water fight it out: Heat and boil it many times, It will form naturally; Don’t say that it always tastes like honey. When you roll your tongue It may also taste sour. —Trans. Yoshiaki Shimizu and John M. Rosenfield
Portret van Jan Havicksz. Steen
Object type: print
Date: 1763 – 1823
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: jan oortman (sr.)
Artist role: print maker
Artist dates: 1753 – 1823
Subjects: leiden, painter, print maker, jan havicksz. steen, historical persons, portrait, self-portrait of artist
Portret van Ulrich Jasper Seetzen
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: mezzotint
Location: jever
Subjects: sophiengroden, midden-oosten, arts, oriëntalist, ulrich jasper seetzen
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1337

Portret van de arts Ulrich Jasper Seetzen in zijn studeerkamer.
Zee-olifant met oren van bladeren
Object type: ornament print
Date: 1580 – 1610
Materials: paper
Techniques: engraving
Location: rome
Sample
Object type: sample
Date: 1801 – 1833
Materials: felt, silk
Subjects: flowers
Frans Snyders, from "The Iconography"
Object type: print
Date: 1601 – 1633
Techniques: etching
Artist: anthony van dyck
Artist role: artist
Artist nationality: flemish
Artist dates: 1599 – 1641
Subjects: men,portraits
Vier und Zwanzig Landschaftliche Gegenstände
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: karlsruhe
Artist: johann velten
Artist role: print maker, publisher
Artist dates: 1784 – 1864
Subjects: courtyard
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie van 24 prenten.
Poort van het Spinhuis, nu aangebracht in het nieuwe politiebureau in de Spinhuissteeg te Amsterdam
Object type: photograph
Date: 1910 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: policeman, constable, gate, entrance, civic architecture; edifices; dwellings
Inscriptions: annotation: ‘Spinhuis’, collector's mark: Lugt 2166
Ibsan en Jefta
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: fulfilment of jephthah's vow to the lord: jephthah's daughter is sacrificed, the time of ibzan (judges 12:8-10), male persons from the old testament (with name) (not in biblical context)
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond de zevende en achtste Rechter van Israel: Ibsan en Jefta. Op de achtergrond twee verhalen uit hun tijd. Rechts offert Jefta zijn eigen dochter aan God. Links de bruiloft van de dertig zonen van Ibsan. De prent heeft een Latijns onderschrift.
Two Sketches: Seated Man Holding Book, Draped Right Arm
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: italy
Artist: attributed to carlo maratta
Artist nationality: italian
Artist dates: 1625 – 1713