deem-data/ArtiFact huggingface dataset:
Oude vrouwen
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: old woman

Pagina 10 uit een schetsboek met 31 bladen.
Laken
Object type: beddenlaken, laken object
Date: 1744 – 1744
Materials: linen
Location: netherlands
Artist: Anonymous

Laken van wit heellinnen, met initialen ITS en CCL en het jaartal 1744.
Coffeepot
Object type: coffeepot
Date: 1750 – 1750
Materials: stoneware
Techniques: salt glaze
Omphale
Object type: sculpture
Date: 1625 – 1641
Materials: bronze
Techniques: casting
Location: london
Artist: hubert le sueur
Artist role: sculptor
Artist dates: 1580 – 1668
Subjects: hercules in love with omphale; the hero is set to spin wool or to do other women's work among the servants, while omphale wears his lion's skin and wields his club and bow

Omphale: vrouwenfiguur, gekleed in de leeuwenhuid van Hercules. Zij draagt de knots die achter haar op de grond rust. Haar haar zit in de nek in een wrong, met afhangende tressen tot op de schouders.
Fragment
Object type: textile
Materials: silk
Techniques: brocade
Location: spain
Ledger Figures, Capt. Richard Black (from Sketchbook)
Object type: drawing
Date: 1811 – 1893
Materials: graphite, ink, paper, watercolor
Techniques: pen
Culture: american
Artist: john william casilear
Artist role: artist
Artist nationality: american
Artist dates: 1811 – 1893
Thesaurus sacrarum historiaru[m] veteris testame[n]ti, elega[n]tissimis imaginibus expressu[m] excelle[n]tissimoru[m] in hac arte viroru[m] opera: nu[n]c primu[m] in luce[m] editus
Object type: album leaf
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: it is reported to king nebuchadnezzar that shadrach, mesach, and abed-nego do not worship the golden statue, the dedication of the golden statue: in the presence of king nebuchadnezzar, trumpets are blown and all the people surrounding the image fall on their knees

Twee mannen rapporteren aan Koning Nebukadnessar dat Sadrach, Mesach en Abednego niet willen buigen voor het gouden beeld dat de koning heeft laten oprichten. Links het gouden standbeeld en een mensenmassa die het beeld aanbidt. Sadrach, Mesach en Abednego blijven staan. Op de achtergrond een brandende oven, waarin iedereen die weigert het beeld te aanbidden zal worden gegooid. Onder de voorstelling een verklarende tekst in het Latijn. Prent maakt deel uit van een album.
Terracotta fragment of an oinochoe: olpe (jug)
Object type: olpe fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Mouth with a glazed lip and part of the neck of an olpe with an egg pattern at the shoulder
Piece
Object type: piece
Date: 1700 – 1700
Materials: silk
Subjects: animals,owls,flowers
Bird and Cattails
Object type: painting
Materials: ink, paper
Location: japan
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Nouvelle carte d'Europe dressée pour 1870
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: engraving
Artist: paul hadol
Artist role: print maker
Artist dates: 1835 – 1875
Subjects: (map of) europe, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228
Trees on a Hill (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: trees
Gevel van paleis met vijver
Object type: print
Date: 1703 – 1712
Materials: paper
Techniques: etching
Location: netherlands
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752

Links staan twee bomen. Uit serie van 6 bladen.
Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya
Object type: print
Date: 1794 – 1794
Techniques: woodblock print
Location: japan
Artist: eishosai choki
Artist nationality: japanese
Artist dates: 1790 – 1799
Portret van een zittende man, aangeduid als Kooymans
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: gorinchem
Artist: kornelis willem schorteldoek
Artist role: boekbinder, fotograaf
Artist dates: 1800 – 1885
Subjects: sitting figure, historical persons
Inscriptions: inscription: ‘SCHORTELDOEK/ PHOTOGRAAF/ GORINCHEM./ Groote Markt’, name: ‘Kooymans’
Noodmunt van 2 sols uit Mainz, Hessen tijdens belegering door de Verbondenen, 1793
Object type: siege coin
Date: 1793 – 1793
Materials: copper
Techniques: striking

Koperen noodmunt. Voorzijde: binnen twee takken houder voor pijlen, waarop vrijheidshoed. Jaartal onderaan. Keerzijde: in twee regels waarde-aanduiding: 2 sols.
Paard aan een boom
Object type: print
Date: 1767 – 1821
Materials: paper
Techniques: etching
Location: haarlem
Subjects: horse
Inscriptions: collector's mark: Lugt 12
Ferdinand de Lesseps a Port Said
Object type: photograph
Date: 1894 – 1910
Materials: paper
Techniques: albumen print
Location: port said
Subjects: france, engineer, monument, statue
Sets met potloden van Eberhard Faber
Object type: photograph
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’
The Combat between Dares and Entellus (Aeneid, Book V)
Object type: plaque
Date: 1530 – 1535
Materials: copper, enamel
Techniques: gilding, painting
Artist: master of the aeneid
Artist role: artist
Artist dates: 1525 – 1545
Subjects: battles,men

European of the Renaissance period viewed ancient Rome not only as the origin of Italian civilzation but also the geographic center of a lost golden age. This plaque belongs to a series of at least eighty Limoges enamels illustrating events from Virgil’s Aeneid. The Latin epic poem tells the story of the legendary hero Aeneas, who escaped the sack and burning of Troy by the Greeks and, after wandering for some time, settled in Italy, where his descendants founded Rome. The scenes are not, however, the product of the enameler's imagination; rather, they are close copies of the woodcut illustrations for the edition of the Latin poet’s Opera printed by Johann Grüninger in Strasbourg in 1502. The same woodcuts were used again for the edition published in Lyon in 1517. The anonymous painter of the enamels may have used either the Strasbourg of the Lyon edition as his model, but the enamels are somewhat later than either edition. Because of changes made at an early point in the series in the technique employed for counterenameling the plaques (enameling the reverse side), it seems likely that most of them were painted after about 1530 or 1533.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, head, part of upper torso, and upper right arm of wreathed youth with a skyphos
Eczema infantile
Object type: photomechanical print
Date: 1870 – 1881
Materials: paper
Techniques: photograph, hand coloring
Location: new york city
Subjects: skin and venereal diseases, infant, baby
Lijkstatie van Willem IV, 1752, plaat 17
Object type: print
Date: 1753 – 1755
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: the hague, willem iv (prins van oranje-nassau), public library (+ scholar, scientist in non-work situations), military music, cortege, funeral procession, royal household; courtiers, retinue, train, delft

Leden van de stadhouderlijke hofhouding, waaronder de bibliothecaris en lijfarts, gevolgd door trommelslagers en trompetters. In de marge het onderschrift in Nederlands, Frans en Engels. Onderdeel van een serie van 41 platen van de begrafenisstoet van stadhouder Willem IV te Delft op 4 februari 1752. Genummerd rechtsboven: 17. In de gebonden uitgave van 1755.
Albestrook (deel) van kloskant met gevederde bladeren en palmetbloemen
Object type: albestrook
Date: 1680 – 1699
Materials: linen
Techniques: lace
Location: milan
Artist: Anonymous

Albestrook (deel) van naturelkleurige kloskant: Milanese kant of oudvlaamse kant met vlechtengrond. Patroon met grote krullende ranken met gevederde bladeren en palmetbloemen. De motieven zijn met elkaar verbonden door een vlechtengrond, met lange gepicoteerde vlechten. De omtrek van de bloemen en bladeren is gemaakt in linnenslag met uitsparingen en binnen deze contouren zijn verschillende siergronden toegepast. De bovenzijde van de strook is recht afgewerkt, de onderzijde volgt de lijnen van het patroon.
Belvédère te Nijmegen
Object type: sketchbook leaf
Date: 1874 – 1874
Materials: paper, pencil
Location: nijmegen
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: tower (of house or building)
Inscriptions: annotation: ‘De Belvédere/ te Nijmegen’

Blad 8 recto uit een schetsboek met 47 bladen.
A floral boa
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: color autotype
Artist: Anonymous
Subjects: cut flowers; nosegay, bunch of flowers, adult woman
Aankomst
Object type: manuscript
Materials: ink, paper
Techniques: handwriting, pen
Location: lochem
Artist: Anonymous
Subjects: the hague, willem drees, old-people's home

Handgeschreven titel voor de foto op het volgende blad. Onderdeel van het fotoalbum over de opening van het bejaardenhuis De Berkelhof in Lochem door premier Willem Drees op 8 augustus 1953.
Zittend naakt koppel
Object type: print
Date: 1935 – 1935
Materials: paper
Techniques: woodcut
Location: lausanne
Subjects: woman (showing herself) undressed, quasi-nude, couple of lovers

Prent in: Ovidius Naso, Publius. L'art d'aimer. [Vertaald uit het Latijn door] Henri Bornecque. Parijs/Lausanne: Les frères Gonin, 1935, na p. 108.
Herdenkingskaart voor R. McNeil
Object type: photomechanical print
Date: 1825 – 1875
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: upright gravestone, devil(s) and demons
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760

Een duivel beitelt de tekst 'In memory of R. Mc.Neil' in een grafsteen met een schedel en gekruiste botten bovenin.
Plattegrond en voorgevel van een gebouw
Object type: sketchbook leaf
Date: 1825 – 1907
Materials: ink, paper, pencil
Techniques: pen
Artist: willem springer jr.
Artist role: draughtsman
Artist dates: 1815 – 1907
Subjects: façade (of house or building), plan ~ architecture

Pagina 27 uit een schetsboek met 28 pagina's.
Schatzoekers van Muiden, 1800
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Location: netherlands
Artist: jacobus van meurs
Artist role: draughtsman, painter, print maker
Artist dates: 1760 – 1824
Subjects: amsterdam, digging for or finding of treasure
Inscriptions: collector's mark: Lugt 2228

De schatzoekers van Muiden bidden rond het kruis op de plaats van de vermeende schat. De Duitse oplichter gaat er lachend wijzend vandoor met de zak geld. Illustratie van het verhaal van het bedrog van de bijgelovige katholieke luitenant-kolonel Dirk Cornelis van der Meulen door een Duitse oplichter, te Muiden in de nacht van 12 op 13 augustus 1800. Op de achtergrond het Muiderslot. Op het blad onder de plaat een vers in twee kolommen.
Gezicht op het huis van de heer Huydecoper
Object type: print
Date: 1655 – 1690
Materials: paper
Techniques: etching
Subjects: amsterdam, mayor, joan huydecoper van maarseveen (i)
Inscriptions: collector's mark: Lugt 240

Gezicht op de achterzijde van het huis van de burgermeester Joan Huydecoper van Maarsseveen. Op de voorgrond zijn arbeiders bezig met het graven van de Herengracht.
Hook with Raptor-Headed Ungulate
Object type: garment hook
Date: 300 – 101
Materials: bronze
Techniques: gilding
Culture: north chinese
Subjects: mythical creatures
Orpheus, returning from Hades without Eurydice
Object type: medal
Materials: iron
Artist: marie alexandre lucien coudray
Artist role: maker
Artist dates: 1864 – 1964
Subjects: musical instruments,men,orpheus,lyres

Born in Paris, Coudray entered the École des Beaux-Arts in 1882. In 1893 he won the Prix de Rome with a medal of Orpheus at the Gates of Hell. While staying at the Villa Medici in Rome, Coudray designed a steel medallion of the same subject, which may have been the obverse of this medal. The Paris Mint purchased the issuing rights in 1899, going on to sell over 4500 copies at the 1900 Exposition Universelle, where it won a silver prize.
Taking Shelter from the Rain
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Artist: teisai hokuba
Artist role: artist
Artist nationality: japanese
Artist dates: 1771 – 1844
Subjects: children,men,women,ox

Travelers caught in a sudden downpour take shelter under the eaves of a gate at a large estate. Men and women from different walks of life—a flower vendor, a bookseller with a stack of books, assorted pilgrims, a lion-dance performer, and a warrior—huddle under the roof. A restless child, untroubled by the rainstorm, hangs upside down from a beam. This painting is based on a pictorial theme made popular by Hanabusa Itchō (1652–1724), who rendered the scene to represent the summer season in various formats (including a screen in the Burke Collection). The style here adheres neither to Hokuba’s usual hypermeticulous depictions of women of the pleasure quarters nor to his landscapes inspired by Kano-school paintings, but perhaps was directly inspired by Itchō or one of his followers.
Beggar's Bowl (Kashkul)
Object type: beggar's bowl
Date: 1867 – 1933
Materials: gold, steel
Location: iran

The kashkul, or beggar’s bowl, is perhaps the most emblematic accoutrement of the wandering dervish. These typically boat-shaped vessels were made in a variety of media, including coco-de-mer shell, wood, metal, and ceramic. Dervishes used them primarily to collect and store alms (their main source of sustenance) and occasionally as drinking vessels. In later centuries, many were marketed as decorative objects since a devoted dervish would be unlikely to carry an elaborately carved kashkul as it would contradict his belief in the renunciation of worldly goods in favor of unconditional devotion to the Divine. The kashkul has a number of metaphorical associations. For example, it represents the cleansing of a Sufi’s soul of all extraneous earthly desires in preparation for the acceptance of Divine love and a dervish's life of poverty. The inscription, an excerpt from the Qur'an, has been skillfully pierced into the steel body of the vessel and then damascened in gold.
Staande engel, met gespreide vleugels
Object type: drawing
Date: 1600 – 1600
Materials: ink, paper
Techniques: brush, pen
Location: northern italy
Artist: Anonymous
Bowl
Object type: ceramic
Date: 1901 – 2000
Materials: glaze, stoneware
Culture: chinese
Bronze statuette of the goddess Fortuna
Object type: statuette of fortuna
Date: 101 – 200
Materials: bronze
Culture: roman
Subjects: diadems,cornucopia,goddess

Fortuna is the Roman equivalent of the Greek goddess Tyche. She holds a ship’s rudder and a cornucopia. On her head she wears a diadem with a modius on top.
Zittende man met mand en wandelstok
Object type: drawing
Date: 1820 – 1830
Materials: chalk, paper
Location: the hague
Artist: Anonymous
Subjects: sitting figure, walking-stick, staff, adult man, container made of plant material other than wood: basket

Tekeningen waarschijnlijk ontstaan bij het Haagse kunstgenootschap ‘Tot Nut der Tekenkunst’, waar twee keer per week tekenavonden werden georganiseerd met geklede modellen.
Japanese Government Officials
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Ornamental Design with a Couple of Satyrs, Children and a Trophy
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Villa Giulia, Casino, elevation
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture,buildings
Fan Mount: The Cabbage Gatherers
Object type: drawing
Date: 1878 – 1879
Materials: gouache, silk
Artist: camille pissarro
Artist role: artist
Artist nationality: french
Artist dates: 1830 – 1903
Subjects: farms,vegetables,women,agriculture,working

This is one of many painted fans that Pissarro began to produce with the encouragement of Degas, who envisioned a room devoted to fans at the 1879 Impressionist exhibition. While Degas favored designs showing urban entertainment, Pissarro opted for rural subjects. Here, peasant women in bright kerchiefs harvest cabbages and tend the fields. The work was among the first by the artist to be acquired by an American. Louisine Elder (later Mrs. H. O. Havemeyer) bought it in the late 1870s, along with a Degas and a Monet, launching her pioneering collection of Impressionist pictures.
Staande non en staande broeder
Object type: drawing
Date: 1657 – 1657
Materials: paper, watercolor
Techniques: brush
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 440 – 420
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, tendril from handle ornament; part of a draped figure to right
Toegangspoort bij een pad langs een waterkant
Object type: sketchbook leaf
Date: 1819 – 1870
Materials: ink, paper, pencil
Techniques: brush
Artist: Anonymous
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), gate, entrance

Blad 17 recto uit een schetsboek met 39 bladen.
Print of William 2nd Earl of Craven in Costume Worn at Eglinton Tournament 1839
Object type: framed print
Date: 1839 – 1839
Materials: ink, paper
Culture: british
Location: england
Subjects: armor,men
Design for Two White Curtains with Gold Fringes and a White and Gold Pelmets
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: curtains
Fotoreproductie van een ontwerp van een gezicht op het kasteel van Meudon, gezien vanaf de kant met de bloemperken
Object type: photograph
Date: 1860 – 1865
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: pierre petit
Artist role: fotograaf
Artist dates: 1832 – 1909
Subjects: castle, ornamental plants
Inscriptions: number: ‘26’, check stamp: ‘PHOTOGRAPHIE des DEUX MONDES/ PIERRE PETIT/ 31, Rue Cadet, 31/ PARIS’

Deze foto maakt deel uit van een omslag met 38 foto's en 17 tekstbladen.
The Creation of Eve and The Temptation (one of a set of three)
Object type: bed valance
Date: 1567 – 1600
Materials: canvas, metal thread, silk, wool
Techniques: stitching, weave
Subjects: animals,apples,snakes,flowers,adam,eve
Matthieu Molé
Object type: print
Date: 1640 – 1656
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: men,portraits
Herscheppinge van Publius Ovidius Naso
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: origin of man
Inscriptions: collector's mark: Lugt 2228

Bladzijde uit een boek met tekst op recto en verso en een illustratie aan het begin van boek 1. God schept de mens. Hij staat op een wolk en draagt een kroon. De mens ligt naakt tegen een boom geleund. Om hem heen lopen dieren, een leeuw, hert, stier en een kameel.
Terracotta fragment of a hydria (water jar)
Object type: hydria fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Draped woman to right, holding a lyre in her left hand, and a plektron in her right; around her right forearm, a bracelet; around the handle root, a band of tongues
Portret van Isaac Pecreau
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Artist: johan barra
Artist role: print maker
Artist dates: 1581 – 1634
Subjects: neck-gear ~ clothing (with name) (+ men's clothes), cape (+ men's clothes), clothing for the upper part of the body (+ men's clothes), gloves, mittens, etc. (+ men's clothes), beard
Inscriptions: date

Buste van Isaac Pecreau met geplooide kraag, mantel over zijn schouder en handschoenen in zijn hand. Portret op 33-jarige leeftijd aldus het opschrift. In ronde omlijsting met randschrift in ornament met rolwerk en festoenen. De kunstenaar heeft zijn naam gesigneerd op een lei met een griffel.
Interieur van de Broerenkerk te Zwolle
Object type: photograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: albumen print
Location: broerenkerk
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church
Inscriptions: annotation: ‘Broerenkerk/ Zwolle’, annotation: ‘Broerenkerk te Zwolle/ Interieur gezien naar het koor. juni 1909’
Snuffbox
Object type: snuffbox
Date: 1762 – 1768
Materials: enamel, gold
Subjects: women,working

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Self-Portrait
Object type: painting
Date: 1893 – 1893
Materials: canvas, oil
Artist: eugène carrière
Artist role: artist
Artist nationality: french
Artist dates: 1849 – 1906
Subjects: men,self-portraits

This self-portrait, part of a series begun in 1887, exemplifies Carrière’s signature approach. Nuanced umber tones and hazy brushwork create the impression of the figure materializing out of, or merging into, the surface of the canvas. The misty appearance of Carrière’s work was prized by contemporaries tired of precisely detailed and realistic paintings. A critic once compared Carrière’s style to that of his colleague Auguste Rodin, writing, "Rodin paints in marble and Carrière sculpts with shadow."
Penssée diferentes
Object type: ornament print
Materials: paper
Techniques: etching
Subjects: lay-out of garden

Onderaan staat een plan voor een tuin met een alternatief ontwerp voor vier parterres; bovenaan staat een plan voor een tuin met rabatten met bloemen. Tegenzijdige kopie naar prent uit serie Nouveux Livre de Parterres uitgegeven door Daniel Marot. Blad uit serie tuinontwerpen met parterres, fonteinen en paviljoenen met latwerk.
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: oostende
Artist: albert baertsoen
Artist role: draughtsman, print maker
Artist dates: 1866 – 1922
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Sprekende figuur op een baar
Object type: print
Date: 1802 – 1809
Materials: paper
Techniques: etching
Location: haarlem
Subjects: political caricatures and satires, paris
Inscriptions: collector's mark: Lugt 2228

Prent als boekillustratie gebruikt in: Fokke Simonsz., Arend. Het hoekjen van den haard of Historie van Frankrijk. Deel IV-VII uit: Boertige Reis door Europa. 7 dln. Haarlem: François Bohn, 1802-1809.