deem-data/ArtiFact huggingface dataset:
Landaulet # 3231
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kalender 1908 12 lithografien door Th. v. Hoytema
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: shore-birds and wading-birds: lapwing, may ~ other concepts
Inscriptions: collector's mark: Lugt 2228
Studies of a Bearded Head and a Greek or Roman Coin
Object type: drawing
Materials: graphite
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Jar with Winged Animals over Waves
Object type: jar
Date: 1434 – 1466
Materials: cobalt, glaze, porcelain
Culture: chinese
Subjects: animals,waves

The theme of winged animals, in this case a horse, an elephant, a mongoose, a fish, a rabbit, and two cervids, was most likely inspired by the extraordinary court-sponsored maritime expeditions of the early fifteenth century, in which a Chinese fleet, under the direction of Zheng He (1371–1433), reached the coast of Africa.
Kaart van de slag bij Oudenaarde, 1708
Object type: map
Date: 1708 – 1708
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: johan willem friso (prins van oranje-nassau), john churchill (1e hertog van marlborough), maps of separate countries or regions, battle (+ land forces)

Kaart van de slag bij Oudenaarde tussen de Geallieerden onder de prins van Savoye en de hertog van Marlborough en de Fransen, 11 juli 1708. Genummerd rechtsonder: Tom. I. No. 34. Illustratie in het tweede deel van : [Jean] du Mont, Oorlogskundige beschryving van de veldslagen en belegeringen, der drie ... wydvermaarde krygsoversten... den Prins Eugenius van Savoye, den ... Hertog van Marlborough, en den Prins van Oranje en Nassau-Vriesland, in de editie van 1729. Dit tweede deel is hoofdzakelijk gewijd aan de daden van de hertog van Marlborough en prins Johan Willem Friso.
Titelpagina voor: H. Hillers, De gelykenis van den ryke man en Lazarus, 1698
Object type: titelblad, titelpagina
Date: 1697 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: dives dies; his soul is brought into hell by devils, the rich man (dives) is feasting, while poor lazarus is starving at the gate (dogs licking lazarus' sores) (luke 16:19-31)
Inscriptions: collector's mark: Lugt 240

De geschiedenis van Lazarus en de rijke man in één grote en vijf kleine voorstellingen. Als centrale voorstelling is de maaltijd van de rijke man weergegeven.
Metal Keyplate for Church
Object type: drawing
Date: 1851 – 1900
Materials: gouache
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck
Object type: painting
Date: 1485 – 1495
Materials: gold, oil, wood
Artist: jacometto (jacometto veneziano)
Artist role: artist
Artist nationality: italian
Artist dates: 1472 – 1498
Subjects: men,portraits,profiles

This exquisite and enigmatic portrait and its pendant (1975.1.85) are most likely the works by the Venetian painter and illuminator Jacometto, recorded by the connoisseur Marcantonio Michiel in the collection of a Venetian patrician in 1543. Michiel, who praised them as "a most perfect work," identified the man as Alvise Contarini and the woman as a "nun of San Secondo" (a Benedictine convent in Venice). The paired portraits and the allusion to fidelity on the verso of the male effigy (a roebuck chained beneath the Greek word AIEI, meaning “forever”) would normally suggest a married couple; however, her possible status as a nun makes it difficult to determine their relationship. If the garment is a habit, which seems doubtful given her bare shoulders, she may have led a secular life as a nun or entered the convent as a widow. The portrait may have been commissioned platonically (such cases are known). Alternatively, the wimple-like headdress may represent an entirely secular and contemporary fashion trend. Perhaps the portraits, which probably fit together in a boxlike frame, were designed to hide their clandestine relationship. Illustrating the influence of Netherlandish painting on Venetian portraiture, the portraits are striking for their meticulous detail, highly refined technique, and luminous, atmospheric landscape backgrounds.
Riviergezicht met molen
Object type: print
Date: 1873 – 1886
Materials: paper
Techniques: etching, intaglio
Location: netherlands
Artist: wilhelmus johannes steenhoff
Artist role: draughtsman, print maker
Artist dates: 1863 – 1932
Subjects: river, windmill in landscape, hay-stack
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond in het midden aan de waterkant een rolpaal. Op de achtergrond een molen en een hooiberg.
Portret van Philip Willem van Heusde
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: utrecht
Artist: willem jan paling jz.
Artist role: print maker
Artist dates: 1776 – 1848
Subjects: rotterdam, historical persons
Inscriptions: collector's mark: Lugt 2228
Landscape with Figures Binding a Bundle of Wood
Object type: print
Materials: ink
Techniques: aquatint, etching, printing
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Carrefour de la Croix Rouge
Object type: photograph
Date: 1871 – 1871
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: theatre (building), street, paris
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, nose, mouth, upper torso, and extended arm of draped youth to right
December 31st, Table of contents, from 'News of the day,' published in Le Charivari, December 31, 1868
Object type: print
Materials: ink, paper, pencil
Techniques: lithograph, pen
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,skeletons,bicycles
Bouw van de toren van Babel
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the building of the tower of babel; nimrod may be present, supervising or assisting the construction
Inscriptions: collector's mark: Lugt 2228

De toren van Babel wordt gebouwd. Op de voorgrond mannen die muren metselen en ovens die hoog op worden gestookt. Onder de voorstelling een verwijzing naar de Bijbeltekst in Gen. 11.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, head of helmeted warrior with right hand resting on bridge of nose; Exterior, lower drapery and feet of figure to left
Boekband van: Dichters van dezen tijd, 1899
Object type: photograph
Materials: photographic support
Techniques: cyanotype
Artist: Anonymous
Subjects: book-cover, binding
Inscriptions: collector's mark: ‘R:MVS.’

Hall, J.N. van. Dichters van dezen tijd. Amsterdam: Van Kampen, 1899. De reeks werd uitgegeven vanaf 1894 en verscheen vanaf 1899 (de derde druk) met een bandontwerp van R.W.P. de Vries Jr.
Portret van een onbekende man met hoge hoed
Object type: carte de visite
Date: 1865 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: reims
Artist: louis baudart
Artist role: fotograaf
Artist dates: 1828 – 
Subjects: adult man, anonymous historical person portrayed, head-gear: top hat
Inscriptions: inscription: ‘Ls. Baudart’, inscription: ‘Ls. Baudart/ Peintre & photographe/ 80, Rue du Bourg St. Denis, 80/ Reims.’
Woman
Object type: statuette
Date: 1601 – 1700
Materials: ivory
Subjects: women
Portrait of a Surgeon
Object type: painting
Date: 1569 – 1569
Materials: oil, wood
Artist: netherlandish painter
Artist role: artist
Artist nationality: netherlandish
Subjects: men,portraits,doctors

A surgeon is represented here with the attributes of his trade: a skull and a metal instrument that resembles the tool used to cauterize skulls. From his belt hang several keys and a saw. The man’s features—a firm jaw, lines around the eyes, and large, powerful hands—attest to the rigors of his profession, in contrast to the courtly refinement of portraits by Corneille de Lyon. The cryptic inscription on the left reads, "seit om of swijcht" (be cautious or keep silent).
Portrait of two unknown young women
Object type: photograph
Date: 1855 – 1940
Materials: iron
Techniques: ferrotyping
Artist: Anonymous
Subjects: historical persons - bb - woman, head-gear: hat, adolescent, young woman, maiden (+ two persons)
Corpvs - mevm - dei - percvtientibvs
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: collector's mark: Lugt 2228

Christus, vastgebonden aan een pilaar, wordt door soldaten gegeseld. Op de achtergrond toeschouwers, onder wie Pilatus.
Man with Black Hair
Object type: wall painting fragment
Date: 801 – 1000
Materials: plaster
Techniques: painting
Location: iran

Colored with blue, yellow, black and traces of red, this fragment from a wall painting was excavated from the mound at Nishapur known as Sabz Pushan (the Green Covered). The excavations at Sabz Pushan revealed part of a residential neighborhood dating to the tenth century. This and several similar fragments were found deposited in the bottom of a well dug into the floor of what was likely a domestic unit after having been chipped off a wall and discarded, so their original location is not known. Several are now housed in the Metropolitan Museum, and include 38.40.267, 38.40.268, 38.40.269, and 38.40.270 While we can only guess at the scene or scenes to which these pieces belonged, it is clear that the subject matter was figural. This piece contains part of a male head. One can make out a prominent widow’s peak and, below this, arched eyebrows, all rendered in black. The outline of the eyes and nose appears in red, as does the halo or nimbus that encircles the head.
Drie gipsen afgietsels van sculpturen waaronder de Laocoön
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation: ‘M 1.10 hoog / [...]’, annotation: ‘M 1.11 hoog / Laocoon’, annotation: ‘M 0.92 hoog / L'amour Grec’, annotation
Ciborium
Object type: ciborium
Date: 1501 – 1600
Materials: silver gilt
Culture: spanish
Subjects: angels
Iwan bij een kerstboom
Object type: boekillustratie ontwerp
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: c. goes
Artist role: draughtsman
Subjects: christmas tree, boy (child between toddler and youth), celebration meal, feast, banquet
Inscriptions: :, signature: ‘C GOES.’, collector's mark: Lugt 2228a

Iwan staat bij een opgetuigde kerstboom. Voor de boom staat een met tafelkleed bedekte tafel waarop schalen met lekkernijen en fruit staan.
Dubbelgebogen onderkast met lade horend bij bureau; bovenzijde met schuine klep met knorrenrand; beslag van zilver
Object type: desk
Date: 1750 – 1800
Materials: wood, glass, silver
Location: indonesia
Artist: Anonymous

Onderdeel van bureau, miniatuur met opstand van ebbenhout en het spint van tropisch hout. Het losse voetstuk met overhoeks geplaatste gedrongen gebogen poten toont bloem- en bladwerk, voluten en rocailles. Hierop staat de onderkast met een dubbelgebogen onderstuk en een lade met zilveren sleutelplaat; op de zijkanten getordeerde hengsels met rozetten, omlijst door knorren.
Mary (from a nativity)
Object type: statuette
Date: 1701 – 1800
Materials: glass, metal, wood
Techniques: gilding, polychrome
Culture: ecuadorian
Location: ecuador
Artist: caspicara (manuel chil)
Artist role: former attribution
Subjects: virgin mary
Length
Object type: length
Date: 1901 – 1933
Materials: silk
Culture: chinese
Subjects: men,trees,parasols
Ex libris, mogelijk van Torreat Valls
Object type: bookplate
Date: 1900 – 1999
Materials: chalk, paper
Techniques: drawing, printing block
Location: spain
Artist: Anonymous
Subjects: birds, book
Portret van een vrouw
Object type: semi enamel
Date: 1870 – 1875
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: paris
Artist: walery
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: annotation: ‘Souvenir de Moedertje Gerken/ Arnhem feb 10th 1875’
Art - Goût - Beauté, Feuillets de l' élégance féminine, Mai 1931, No. 129, 11e Année, p. 35
Object type: magazine
Date: 1931 – 1931
Materials: paper
Techniques: printing, photography
Subjects: fashion plates

Tekst 'A l'Obre Ronde des Ponniers...' met twee afbeeldingen van 'Maison Normande' en 'Rouen - La ville aux cent clochers.'. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Bandontwerp voor: J.P. Baljé, Vier h.b.s.ers op avontuur, 1933
Object type: study for binding design
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: diving (movement in water), boy (child between toddler and youth), swimming (sport), traffic on the water, rocks
Inscriptions: annotation: ‘rug los monteren/ fond is papier’, :, signature: ‘HANS/ BORREBACH’, collector's mark: Lugt 2228a

Drie jongens en een kapitein zitten op een boot die richting een rotsformatie vaart. Aan de voet van de rots ligt een tweede boot op het water. Eén van de jongens aan boord heft zijn linkerhand op. Op de boekrug een jongen die van een duikplank springt en twee zwemmende jongens.
Plattegrond van de grafkelder van het Huis Oranje-Nassau
Object type: print
Date: 1759 – 1790
Materials: paper
Techniques: etching
Location: delft
Subjects: interior of church, grave-building, monumental tomb, delft
Inscriptions: inscription: ‘Wanneer deze jager ...’

Plattegrond en doorsneden van de grafkelder van het Huis Oranje-Nassau onder de Nieuwe Kerk te Delft met de daarin geplaatste kisten, voorzien van nummers en letters.
Portret Johannes Fugger
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: engraving
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Collar
Object type: collar
Date: 1890 – 1890
Materials: cotton
Culture: belgian
Special Session Held by Louis XVI at the Palace, from the series Tableaux historiques de la Révolution française
Object type: print
Date: 1798 – 1804
Materials: paper
Techniques: engraving, etching, printing
Location: france
Artist: claude niquet
Artist role: print maker
Artist nationality: french
Artist dates: 1770 – 1831
Ex libris van K. Otten
Object type: bookplate
Date: 1942 – 1942
Materials: paper
Techniques: printing block
Location: netherlands
Artist: frederik hermann paul reitmann
Artist role: painter, print maker
Artist dates: 1903 – 1963
Subjects: flowers, book, caduceus (staff with two snakes, attribute of mercury), flute, aulos, tibia
Inscriptions: inscription: ‘370 / Fr. Reitman / Med. ex libris’
Coin
Object type: coin
Date: 1267 – 1300
Materials: copper
Location: iran
Ludwig Uhland. Prämie zu "Uhland's Leben" von Dr. Johannes Gihr
Object type: print
Date: 1820 – 1860
Materials: paper
Techniques: tone lithography
Location: stuttgart
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Garmisch - Sulden 1906
Object type: stereograph
Date: 1906 – 1906
Materials: paper, photographic support
Techniques: collodion silver print
Location: gelderland
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Coach #3981
Object type: drawing
Date: 1886 – 1886
Materials: gouache, graphite, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Figuur die een duinpad richting het strand afdaalt
Object type: sketchbook leaf
Date: 1876 – 1876
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: dune coast (+ landscape with figures, staffage)

De compositie van de schets vertoont gelijkenissen met het schilderij 'Morgenrit langs het strand' uit 1876.
Interieur van een machinekamer met een tentoonstelling van Skoda
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: machines; parts of machines; tools and appliances, interior ~ representation of a building
Silhouet van een man naar rechts kijkend
Object type: drawing
Date: 1700 – 1900
Materials: paper, pencil
Techniques: brush
Artist: Anonymous
Subjects: historical persons, male sex; man
Vest
Object type: vest
Date: 1800 – 1810
Materials: silk
Culture: american or european
3713 Torinio Palazzo Madama
Object type: photograph
Date: 1885 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: palazzo madama
Artist: Anonymous
Inscriptions: caption: ‘3713 Torinio Palazzo Madama’
Terracotta hydria: kalpis (water jar)
Object type: hydria, kalpis
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: villa giulia painter
Artist role: artist
Subjects: dionysus,maenads,satyrs

Satyr with young Dionysos between women After Dionysos was born from the thigh of his father, Zeus, he was brought up by the nymphs on Mount Nysa; its location was indeterminate but probably in northern Greece. The representation here presents a conflation of the nymphs and the maenads who were to become his female followers.
Portret van Johann Georg August Galletti
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: berlin
Artist: friedrich wilhelm bollinger
Artist role: print maker
Artist dates: 1777 – 1825
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)
Antique Statue of Seated Putto Holding Mask of Silenus
Object type: drawing and watercolor
Date: 1775 – 1775
Materials: chalk, charcoal, crayon, paper
Techniques: drawing, heightening, stumping
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Inscriptions: Recto, lower right, in graphite: “From the statue in the Capital/by JD 1775”; stamp, William F.E. Gurley; verso: Lugt 1230b

British portrait artist and Royal Academician John Downman spent the years 1773 to 1775 in Italy learning from antiquity. In Rome, he produced numerous drawings after ancient sculptures, including the Spinario (Boy with a Thorn) and the Dying Gaul, both in the Capitoline Museums, which opened to the public in 1734. Downman drew this putto with a theater mask at least twice during the same sitting, noting that it was “from a beautiful Statue in the Capital.” The Art Institute owns nearly 50 sheets after the antique by the artist, which he likely kept in an album for later reference.
Portret van de predikant Franciscus van Schie
Object type: print
Date: 1683 – 1746
Materials: paper
Techniques: engraving
Subjects: wig
Inscriptions: collector's mark: Lugt 2228
Landschap
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes
Inscriptions: kleurnotitie, handgeschreven

Landschap. Pagina 50 en pagina 51 uit een schetsboek met 70 bladen.