deem-data/ArtiFact huggingface dataset:
Abigail Inskeep Bradford
Object type: painting
Date: 1803 – 1808
Materials: canvas, oil
Location: united states
Artist: rembrandt peale
Artist nationality: american
Artist dates: 1778 – 1860
Subjects: fashion, women, portraits, people

Painted sometime after Rembrandt Peale’s 1803 return from London and before his 1808 trip to Paris, this sensitively rendered portrait marks a concerted effort by Peale to expand his repertory to include female subjects. Abigail Inskeep Bradford belonged to a prestigious Philadelphia family; her father served as the city’s mayor (1800–01 and 1805–06) and her brother, John Inskeep, presided over a successful publishing business. Unlike Peale’s portrait of her husband, Samuel Fisher Bradford (1986.21), in this work Abigail looks away from the viewer, avoiding a direct gaze. This subtle positioning followed social convention of the time, which demanded women be discreet in public and maintain distance from mundane worldly concerns.
Dish with rocks, flowers, and birds
Object type: dish
Date: 1710 – 1730
Materials: enamel, glaze, hard paste porcelain
Subjects: birds,flowers,trees

The dense Imari-style patterns on this dish embed numerous reworkings of traditional bird-and-flower motifs drawn from Asian textile and painting traditions. These frame a more conventional arrangement of bird, rock, and tree at water's edge that is Chinese inspired.
H. Martina
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: martyr(s) (often with palm-branches) - qq - female martyr, violent death by beheading
Inscriptions: number: ‘14’

Deze prent maakt deel uit van een reeks van 73 prenten (+ titelprent) met voorstellingen van Romeinse martelaressen.
Beads, 17
Object type: bead, 17
Date: 670 – 330
Materials: glass
Culture: roman
Compositie van draperie en arm
Object type: drawing
Date: 1870 – 1923
Materials: chalk, paper, pencil
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: drapery, draped garment, 'gewandgebung'
Inscriptions: inscription: ‘Een [...]’
Group of four men from the Korku tribe and a British hunter around a table with a head of bison on it in the former Berar in central India
Object type: photograph
Date: 1862 – 1862
Materials: photographic support
Techniques: albumen print
Location: berar
Artist: james mulheran
Artist role: fotograaf
Subjects: hunter, human races; peoples; nationalities, hoofed animals: bison
Inscriptions: number: ‘404’, inscription: ‘KORKOOS./ ABORIGINAL TRIBE./ BERAR.’
Miss Fannie Summerville, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Automobiel rijdt achter ossen aan op een landweg bij Hautefort
Object type: photograph
Date: 1904 – 1904
Materials: paper, photographic support
Techniques: gelatin silver print
Location: hautefort
Artist: delizy
Artist role: manufacturer
Subjects: road, path, ox, automobile

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Earring-loop type, hammered flat
Object type: earring loop type, hammered flat
Date: 7000 – 330
Materials: gold
Hannover. Haus der Väter
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph, lithograph
Location: dresden
Artist: Anonymous
Subjects: façade (of house or building)
Vue générale des Ruines du Palais de Karnac (prise à l'Est) - Thèbes
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,obelisks,palaces,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Der berühmte Verduner-Altar von Klosterneuburg
Object type: ansichtkaart, prentbriefkaart
Date: 1927 – 1955
Materials: cardboard
Techniques: printing
Location: klosterneuburg
Artist: Anonymous
Subjects: interior of church, altar with altar-piece
Saint Paul
Object type: painting, part of an altarpiece
Date: 1330 – 1330
Materials: gold leaf, paint, wood
Artist: lippo memmi (filippo di memmo)
Artist role: artist
Artist nationality: italian
Artist dates: 1317 – 1356
Subjects: swords,saint paul
Plaque: 15 Scarabs/”Amunhotep”
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Subjects: scarab beetle, hieroglyphs
Fotoreproductie van een portret van Franz Joseph Haydn door Carl Jaeger
Object type: photograph
Date: 1865 – 1875
Materials: photographic support
Techniques: albumen print
Subjects: vienna, composer
Inscriptions: name: ‘[...]er 1870’
Portret van een man
Object type: album leaf
Date: 1895 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Artist: charles edmund long
Artist role: fotograaf
Artist dates: 1856 – 1904
Subjects: moustache, adult man, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: annotation: ‘Yours faithfully/ Lionel, Holland’, inscription: ‘Chas E. Long 60, Bow Road, E.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, bent left leg and drapery of male
Gezicht op de Poel in Zaandam
Object type: album leaf
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Location: zaandam
Artist: Anonymous
Subjects: prospect of village, silhouette of village, lake
Inscriptions: inscription: ‘No. 4./ Langs de Poel.’

Deze prent maakt deel uit van een album.
O contemporaneo
Object type: photograph
Date: 1877 – 1882
Materials: paper, photographic support
Techniques: albumen print, printing
Subjects: historical persons

Op de voorpagina bevindt zich een portret van Baptista Machado.
Fotoreproductie van een schilderij voorstellende de markt en het raadhuis van Goslar
Object type: reproduction
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: townhall, picture, painting, market, parts of church exterior and annexes: tower
Inscriptions: inscription: ‘Markt en Raadhuis te Goslar/ te Goslar/ Markt en Raadhuis te Goslar’, bookplate: ‘EX/ LIBRIS/ I/S’
Moraliserende liefdesemblemen
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: paris
Subjects: qualities of love: first series (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2166

Een bloeiende roos. Op een banderol een devies in Latijn en een onderschrift in Frans, beide over de liefde.
Two Seat Phaeton #568
Object type: drawing
Date: 1865 – 1865
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Zeilschepen op een rivier bij een gebouw met vijf torens
Object type: sketchbook leaf
Date: 1864 – 1880
Materials: ink, paper, pencil
Techniques: brush
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: city-view, and landscape with man-made constructions, sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Blad 71 verso uit een schetsboek met 98 bladen.
Stone Bowl
Object type: bowl
Date: 1501 – 1600
Materials: stone
Culture: mexican
Location: mexico
Peasant costume fragment
Object type: costume fragment
Date: 1801 – 1900
Materials: canvas, silk
Aanbidding door de herders (rechter blad)
Object type: print
Date: 1601 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 240

Enkele herders zitten en staan in een gewelfde ruimte. Rechts staat een oude vrouw. Onder de voorstelling een tweeregelige, Latijnse tekst met een toelichting op de aanbiddingsscène.
Livre de Fleurs & de Feuilles pour servir a l'art d'orfevrerie
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: amsterdam
Inscriptions: title: ‘Livre de Fleurs & de Feuillies pour servir alart dor/feverie invante / parFrancoisle / febure maistre / orfeure a Paris / a Amstelredam.’, date: ‘1639’, address: ‘S. Savery Excudit’, number, address: ‘Par Salomon Sav[e]ry graveur demurent au Rue neuf Avec Privilege’

Titel in staand ovaal opgebouwd uit bloemen.
Pijprokende man en twee kinderen
Object type: boekillustratie ontwerp
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: d. viel
Artist role: draughtsman
Subjects: cat, pipe ~ tobacco, sitting figure (+ old male (human being))
Inscriptions: :, collector's mark: Lugt 2228, signature: ‘D. Viel’

In een interieur zit een oude man in een leunstoel een pijp te roken. Een jongen en een meisje zitten elk op een kruk naast hem. Onder de stoel van de man ligt een kat.
Cartouches in een omlijsting van rolwerk met grotesken, mascarons en guirlandes
Object type: print
Date: 1500 – 1600
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous

Op de bovenrand van de cartouche staan drie vazen. Uit serie van 17 bladen.
Slippers
Object type: slipper
Date: 1825 – 1825
Materials: silk
Culture: british

As the countries of Europe spread their empires across the globe, accounts of the mysterious and exotic peoples of foreign lands captivated the audience at home. Along with the other indigenous peoples of the world, Native Americans were romanticized by white society as noble savages, particularly in Europe, far from any actual contact and conflict of the frontier. Demonstrating this interest, these British slippers are an unusual close imitation of Native American footwear. Despite their faithful resemblance to actual moccasins of the Great Lakes region, the shoes are made entirely with Western construction techniques: satin and flannel replace the native buckskin, quillwork ornamentation has been reproduced in thread embroidery, and Western turn shoe construction with a hard sole has replaced the authentic moccasin construction.
Staande naakte vrouw
Object type: book illustration
Date: 1948 – 1948
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Subjects: woman (showing herself) undressed, quasi-nude, standing figure - aa - female human figure

Prent uit: Lucianus van Samosata. Dialogues des Courtisanes. [Vertaald uit het Grieks door] Charles Astruc. Parijs: s.n., 1948, p. 21.
Fotoreproductie van vijf schilderijen met dieren en vijf sculpturen
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: stockholm
Subjects: sculpture, picture, painting
Inscriptions: number: ‘PL. XIV.’
Oude vrouw met stok
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: etching, intaglio
Artist: charles de groux
Artist role: painter, print maker
Artist dates: 1825 – 1870
Subjects: walking-stick, staff, old woman
Inscriptions: collector's mark: Lugt 2228
Pair of consoles
Object type: console
Date: 1601 – 1700
Materials: wood
Techniques: carving, gilding
Young Woman in Court Attire Receiving Letter from Kneeling Man
Object type: print
Date: 1772 – 1772
Techniques: woodblock print, hashira
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, bit of meander; Exterior, part of javelin
Portret van Guillaume, baron van Lamboy
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: armour
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Deel van de beschrijving van Lo
Object type: text sheet
Date: 1652 – 1652
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: johannes willemszoon blaeu
Artist role: printer, publisher
Artist dates: 1596 – 1673
Subjects: lo (lo-reninge)

Tekst gebruikt in: Blaeu, Johannes Willemszoon. Toonneel der steden van de Vereenighde Nederlanden. 2 delen. Amsterdam: Johannes Willemszoon Blaeu, 1652, dl. 2.

Zie ook: RP-P-AO-18-142-1.
Portret van een zittende jongen met strik om zijn arm
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: boy (child between toddler and youth)
Portret van Christoph Herdesianus
Object type: book illustration
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: halberstadt, christoph herdesianus
Inscriptions: collector's mark: Lugt 2233

Gemaakt voor: J.J. Boissard, Icones virorum illustrium doctrina &c eruditione praestanti um contines. Frankfurt am Main: de Bry, 1597-1599. Opnieuw gebruikt in: J.J.Boissard, Bibliotheca chalcographica, hoc est Virtute et eruditione clarorum Virorum Imagines. Heidelberg: Clemens Ammon, 1669 (te herkennen aan de toegevoegde signatuur in de rechter onderhoek: 2K2).
Orpheus (Orpheus in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: orpheus

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 164 in the scrapbook. On a sheet with 41.72(2.157)-41.72(2.167)
Loopgraven van de Turken voor Wenen
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: jan iii sobieski (koning van polen), leopold i (keizer van duitsland), siege, position war, trenches, vienna
Inscriptions: collector's mark: Lugt 2228

Illustratie voor Johann van Ghelen, Relation succinte et veritable de tout ce qui s'est passé pendant le siege de Vienne, residence de Sa Majesté Imperiale, assiegée par les Turcs depuis le 14. juillet jusqu'au 12. de septembre 1683., Bruxelles: Jean Leonard, 1684.
Urn
Object type: ceramic
Date: 1776 – 1777
Materials: hard paste porcelain, porcelain
Techniques: gilding
Location: frankenthal
Artist: frankenthal porcelain factory
Artist nationality: german
Artist dates: 1755 –
Nederlandse ½  gulden,1928
Object type: coin
Date: 1928 – 1928
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: hoofd naar links. Keerzijde: tussen waarde-aanduiding ½ G gekroond rijkswapenschild. Jaartal onderaan in omschrift. Kartelrand.
Zandenhoeff
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: two-wheeled vehicle drawn by one animal, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Uitgegeven in: Gezigten van buitenplaatsen en gebouwen gelegen tusschen de Stad Utrecht en de Grebbe. Utrecht, I. P. Houtman: 1829.
Incense box with pines
Object type: incense box
Date: 1701 – 1800
Materials: gold, gold foil, gold leaf, silver
Techniques: cutting, hiramakie, maki-e
Culture: japanese
Subjects: flowers,leaves
Card Number 45, Abbott, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Design for a Gothic Style Mirrored Cabinet
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
Pair of Chairs
Object type: furniture
Date: 1844 – 1844
Materials: mother of pearl, paper, wood
Techniques: gilding, inlay
Location: birmingham
Artist: jennens and bettridge
Subjects: furniture
Speelpenning uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: gaming counter
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Rectangular, square, flat, engraved diagonal cross on one side, game token.
Witch of Endor
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: ary scheffer
Artist role: artist
Artist nationality: dutch
Artist dates: 1795 – 1858
Subjects: skeletons,men,women,witches
Antoninianus (Coin) Portraying Emperor Gallienus
Object type: coin
Date: 260 – 268
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire

The front (obverse) of this coin portrays the emperor Gallienus, facing right and wearing a radiant crown.

On the back (reverse), the sun god Sol is depicted standing, his head turned to the left, holding a staff and a globe.
Baby zittend in een kinderwagen
Object type: album leaf
Date: 1900 – 1915
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: christiaan otto roelofs
Artist role: fotograaf
Artist dates: 1882 – 1970
Subjects: baby-carriage, pram, perambulator, historical persons, infant, baby
The Aztecs before the scientists, plate 211 from Actualités
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
George Washington
Object type: statuette
Materials: bronze
Culture: american
Artist: john quincy adams ward
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910
Subjects: george washington

This statuette was cast after the final sketch model for Ward’s monumental statue of George Washington (1732–1799), erected on the front steps of the old Sub-Treasury Building (now Federal Hall) at Wall and Broad Streets in New York City. The monument stands where Washington took his oath of office as the first president of the United States in 1789. Here, Washington is shown right after being sworn in, his right hand extended to the spot where the Bible would have been.