deem-data/ArtiFact huggingface dataset:
Montmartre. Le Calvaire
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1920
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: christ suffering (with crown of thorns, head usually turned sidewards), crucifix ~ personal devotion
Bell-shaped bowl with pierced sides and water landscapes in medallions
Object type: cup
Date: 1635 – 1650
Materials: cobalt, glaze, paint, porcelain
Techniques: embroidery, firing, turning, vitrification
Location: china
Artist: Anonymous

Klokvormige kom van porselein, beschilderd in onderglazuur blauw. De wand van de kom is opengewerkt met daarin uitgespaard medaillons. In de medaillons rivierlandschappen met bomen, bergen en paviljoens. De onderzijde van de wand met een band gestileerde bladmotieven. Op de buitenrand een band met servetwerk. De onderzijde en de buitenrand zijn ongeglazuurd. Enkele chips in de rand. Overgangsporselein in blauw-wit.
Textile
Object type: textile
Date: 1801 – 1900
Culture: japanese
Subjects: leaves
Groepsportret
Object type: page
Date: 1896 – 1901
Materials: photographic support
Techniques: gelatin silver print
Artist: edouard adelot
Artist role: fotograaf
Artist dates: 1871 – 1937
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
May Milton dansend
Object type: poster
Date: 1874 – 1901
Materials: paper
Techniques: lithograph
Artist: henri de toulouse-lautrec
Artist role: draughtsman, painter, print maker
Artist dates: 1864 – 1901
Subjects: woman dancing alone
Kinderen van de familie Naumann, vermoedelijk na juli 1932, vermoedelijk in Albeck (Oostenrijk)
Object type: photograph
Date: 1907 – 1932
Materials: paper, photographic support
Techniques: gelatin silver print
Location: austria
Subjects: austria
Inscriptions: inscription: ‘Familie Naumann’

Albumblad bevat drie foto's van kinderen van de familie Naumann. Uit album half formaat, blauw kunstlederen omslag met koordbinding.
Female Figure
Object type: female figure
Date: 1001 – 1600
Materials: ceramic
Culture: michoacan
Location: mexico
Subjects: female nudes
Agwel
Object type: agwel
Date: 1867 – 1900
Materials: clay
Culture: moroccan
Location: morocco
Trekpaard dat uit een bak eet
Object type: sketchbook leaf
Date: 1904 – 1912
Materials: chalk, paper
Artist: ferdinand oldewelt
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: harness, horse

Blad 7 recto uit een schetsboek met 27 bladen.
R.D. Munro, from the Sea Captains series (N127) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,ships

Trade cards from the "Sea Captains'" series (N127), issued in an unnumbered set of 25 cards in 1887 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. Each card lists the name of the captain, the shipping company, and the vessel name.
Dish with scene of a woman and children
Object type: dish
Date: 1734 – 1766
Materials: enamel, gold, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
English Filmstars
Object type: playing card
Date: 1960 – 1970
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: london, portrait of actor, actress
The Lake of Gennesareth, or Sea of Galilea; view from Tiberias
Object type: page
Date: 1860 – 1865
Materials: photographic support
Techniques: albumen print
Location: tiberias
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: lake
Muse and Poet
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: england
Artist: alfred edward chalon
Artist nationality: english, born switzerland
Artist dates: 1780 – 1860
Offer aan Aesculapius
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: aesculapian sign, sacrifice
Inscriptions: collector's mark: Lugt 240

Een gezelschap brengt een offer bij de esculaap, het symbool van de god van de gezondheid en geneeskunst Aesculapius. Op de voorgrond zit een naakte jonge man op een voetstuk.
Landscape with a Young Girl at a Waterfall
Object type: drawing
Date: 1767 – 1900
Materials: chalk
Techniques: brush, wash
Location: switzerland
Artist: wolfgang adam töpffer
Artist role: artist
Artist nationality: swiss
Artist dates: 1766 – 1847
Subjects: girls,waterfalls,landscapes,trees
Les Roches noirs, bij Villers
Object type: drawing
Date: 1813 – 1869
Materials: paper, pencil, watercolor
Techniques: brush
Artist: paul huet
Artist role: draughtsman, print maker
Artist dates: 1803 – 1869
Subjects: coastal cliff or crag
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of a round shield with a lion as a shield device (the hind legs of the lion are preserved)
Portret van Luca Tozzi
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: naples
Subjects: historical persons

Prent uit: Gimma, Giacinto. Elogj accademici della Società degli Spensierati di Rossano (...). Napels: Carlo Troise, 1703, p. 179.
Les gens de justice
Object type: cartoon
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), lawyer, attorney at law, restaurant
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 14-10-1846.
Munt van twee cent van de VOC
Object type: coin
Date: 1836 – 1836
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: dutch east indies, the
Inscriptions: inscription: ‘2 Ct’, inscription: ‘Jacques Schulman / Numismaat / Keizersgracht 448 / Amsterdam-C.’, inscription: ‘* NEDERL / INDIE / 1836’

Koperen VOC-muntje van 2 cent uit Nederlands-Indië. Voorzijde: opschrift, jaartal slecht leesbaar, waarschijnlijk 1836. Keerzijde: wapen met leeuw erin, links ervan een 2 en rechts ervan Ct. Het muntje zit in een vierkant envelopje met opschrift.
The Virgin holding the sleeping infant Christ on her lap, after Reni
Object type: print
Date: 1741 – 1784
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: madonna and child
Esther Palliser, from the Actresses series (N246), Type 1, issued by Kinney Brothers to promote Sporting Extra Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actresses" (N246), issued ca. 1890 by Kinney Brothers Tobacco to promote Sporting Extra Cigarettes. There are two types of cards in the series, varying by size.
Samson Killing the Lion
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving, printing
Location: belgium
Artist: nicolaes de bruyn
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1656

The majority of Nicolaes de Bruyn’s work in the first decade of the 17th century consists of engravings after designs by Gillis van Coninxloo, a Netherlandish draftsman who was a generation older than De Bruyn. Highly influenced by his training in tapestry making, Coninxloo focused on the depiction of the heroic landscape, an interpretation of nature based on reality but with an emphasis on the ideal. De Bruyn followed the style of Coninxloo in his own designs, frequently including a small biblical subject within his landscapes. Here the immense and elaborate forest landscape overwhelms the tiny Samson and downplays the urgency of his fight with the lion.
Voorgevel / Façade
Object type: print
Date: 1789 – 1799
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: architectural design or model
Inscriptions: collector's mark: Lugt 2233

Felix Meritis is de naam van een voormalig genootschap en het bijbehorende gebouw aan de Keizersgracht 324 te Amsterdam. Van 1988 tot 2014 was de Stichting Felix Meritis in het pand gevestigd met een Europees Centrum voor Kunst, Cultuur en Wetenschap.

Prent uit: Grondteekeningen van het gebouw der Maatschapije van verdiensten, ter spreuke voerende : Felix Meritis (...). = Détails d'architecture de l'edifice de la Société (...) Felix Meritis. Amsterdam: Cornelis Sebille Roos, [1789-1799].
Glass Harmonica
Object type: glass harmonica
Date: 1701 – 1800
Materials: glass, wood
Culture: german
Location: germany
Ansei kenmonroku
Object type: book
Date: 1856 – 1856
Materials: paper
Techniques: woodcut
Location: japan
Inscriptions: collector's mark: Lugt 2228

Twee delen (van drie) waarin verslag wordt gedaan van de gebeurtenissen rondom de aardbeving en vloedgolf van 1855.
Portret van Louise de Kéroualle hertogin van Portsmouth
Object type: album leaf
Date: 1688 – 1698
Materials: paper
Techniques: engraving, etching, lithography
Location: netherlands
Subjects: hofdame, louise de kéroualle hertogin van portsmouth

Portret van Louise de Kéroualle hertogin van Portsmouth, maitresse van koning Karel II van Engeland, staande bij een tafel waarop een kroon ligt. Deze prent maakt deel uit van een album.
Tegel
Object type: tile
Date: 1500 – 1600
Materials: earthenware
Location: spain
Artist: Anonymous

Tegel, beschilderd in wit, blauw en geel/bruin, glazuur is verdiept en heeft een metaalglans. Decoratie van gevlochten banden waartussen bloemen.
Lake Suwa in Shinano Province (Shinshu Suwako), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Object type: print
Date: 1830 – 1833
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Classical Combat (recto); Sketch of Male Nude (verso)
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: possibly william blake
Artist nationality: english
Artist dates: 1757 – 1827
St. Margaret
Object type: print
Date: 1401 – 1500
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: women,saints
Garde du Grand Seigneur, plate thirteen from Caravanne du Sultan à la Mecque
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: france
Artist: joseph-marie vien, the elder
Artist nationality: french
Artist dates: 1716 – 1809
Poor young man! Just one more letter and his moral situation would become perfectly clear, plate 1 from Sentimens Et Passionsa
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Book clasp
Object type: book clasp
Date: 1601 – 1700
Materials: silver
Barber's Bowl with Baroque Decorations
Object type: barber's bowl
Date: 1667 – 1733
Materials: enamel, gold
Techniques: overglaze, underglaze
Culture: japanese
Subjects: birds,flowers,leaves
Gezeten vrouw die een kruis ophoudt
Object type: print
Date: 1823 – 1839
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues, the cross ~ symbols of christ, parts of ship's exterior: anchor
Inscriptions: collector's mark: Lugt 2228

Een vrouw gezeten op een bank houdt een kruisanker op. Rondom een architecturale omlijsting.
Oude korenmolen in Rusland
Object type: photograph
Date: 1903 – 1904
Materials: photographic support
Techniques: gelatin silver print
Location: russia
Artist: joseph cheetham
Artist role: engineer
Subjects: workshop, grinding, milling (industrial processes), russia

Onderdeel van Fotoalbum van de Engelse familie Cheetham met opnames van hun verblijf in Rusland.
Portret van Johann Georg Walch
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: theologian, historical persons, professor
Curtain Knob
Object type: curtain knob
Date: 1850 – 1850
Materials: alloy, brass
Techniques: gilding
Figuur bij een poort naar een binnenplaats
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk
Location: russia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, arch, archivolt ~ architecture, courtyard
Inscriptions: kleurnotitie, handgeschreven

Pagina 14 en 15 uit een schetsboek met 50 bladen.
Casket
Object type: jewelry box
Date: 1560 – 1600
Materials: wood, copper, steel
Techniques: engraving, etching, gilding
Location: augsburg
Artist: Anonymous
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, scrollwork, strapwork ~ ornament, 'geometria' (~ quadrivium); 'geometria' (ripa)

This casket exudes an air of luxury in every way. Its sides are faced with steel plates ornamented with a pattern of strapwork and foliage scrolls. The plates are set within finely worked gilt bronze mounts. The front opens, revealing nine little drawers of various sizes that were probably meant to hold jewellery or other small precious objects.
Aus Schinkel's Nachlass
Object type: book
Date: 1862 – 1863
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing, marbled paper
Location: berlin
Inscriptions: inscription: ‘Stadtbibliothek Koenigsberg’
Strook applicatiekant met à-jour bloem- en bladtak
Object type: strip
Date: 1840 – 1850
Materials: linen
Techniques: lace
Location: brussels
Artist: Anonymous

Strook naturelkleurige applicatiekant: naaldkant geappliceerd op machinale tule. Dit type kant staat ook bekend onder de naam: point d'Angleterre. Een met drie rijen kleine blaadjes bestrooid binnengedeelte wordt afgesloten door ongelijke schulpen, die gevormd zijn door aaneengeschakelde dunnen takken met à-jour (open) gewerkte bloemen en drie bladeren.
Quatrefoil Mount for a Medieval Ivory of the Crucifixion
Object type: quatrefoil
Materials: enamel, glass, silver gilt, stone
Techniques: enamel
Culture: european
Location: germany
Subjects: virgin mary,saints
Blad met dieren met in het midden een jager
Object type: brocade paper
Date: 1800 – 1800
Materials: gold leaf, paint, paper
Techniques: relief print
Location: nuremberg
Artist: georg daniel reimund
Subjects: animals, cattle, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), dog
Inscriptions: date

Blad met dieren; linksboven olifant, rechtsboven wild zwijn, linksonder schaap, rechtsonder dromedaris, centraal een schietende jager onder een boom. Onderaan genummerd: 1.
Stoel van kersen(?)hout, met beklede zitting, rechthoekig rugraam met opengewerkte vaas met guirlandes en rozetten
Object type: furniture
Date: 1785 – 1800
Materials: wood, textile
Location: northern netherlands
Artist: Anonymous

Stoel van kersenhout met een beklede zitting en rustend op conische poten, waarvan de achterpoten iets wijken. Het rechthoekige rugraam is open en vertoont een opengewerkt vaasmotief met guirlandes, geplaatst boven rozetten, op de hoeken en in het midden. De zitregel is aan de voorkant versierd met guirlandes binnen een rechthoekig open veld, en aan de zijkant met een tandmotief.
Tegel met spreuk die betrekking heeft op het huwelijk
Object type: tile
Date: 1780 – 1780
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: rotterdam
Artist: Anonymous
Inscriptions: inscription: ‘Rotterdam = Den/ 26 Julij 1780’, inscription: ‘Is Een Dwaas En Een Sot/ misdoet Tegen Gods Gebod/’, inscription: ‘Den mens Is Prijslijk Die 't Huwelijk Blameert/ Hij Boet ook wijslijk Die 't overspel Hanteert’, inscription: ‘Die/ wordt/ Geagt/ Verwagt/ Wordt/ Die’, inscription: ‘Een/ Dierbaar/ Pand/ Brand/ Stookie/ Een’, inscription: ‘Die Een Vrouw Troudt/ Die Hem Eerlijk Houd/’, inscription: ‘DIE DIT AANSCHOUWD,/ EEN GOEDE VROUW,/ DIE VIND VERMAAK,’, inscription: ‘EN WEL INZIET,/ EEN KWADE VROUW/ OF GROOT VERDRIET,/’, inscription: ‘Een/ Groot/ Plasier/ Dier/ Monster/ Een’, inscription: ‘Een/ Steun/ Voor t Huijs/ Kruijs/ Droevig/ Een’

Rechthoekige tegel van veelkleurig beschilderde faïence. Op de tegel staat binnen een mangaankleurige omlijsting een spreuk die betrekking heeft op het huwelijk. De tegel is gedateerd: 26 juli 1780.
Piece
Object type: piece
Date: 1830 – 1830
Materials: cotton
Artist: john lowe & co.
Artist role: maker
Subjects: flowers
Interieur van de koepel van de Sint-Pietersbasiliek in Vaticaanstad
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-pietersbasiliek
Artist: lorenzo suscipi
Artist role: fotograaf
Subjects: parts of church interior: dome
Fan leaf adorned with botanical designs
Object type: print
Date: 1792 – 1792
Techniques: etching, hand coloring
Artist: sarah ashton
Artist role: publisher
Artist nationality: british
Artist dates: 1770 – 1798

Scientific instruction is the intent of this fan design. A range of leaf types, each carefully identified, are arrayed along the upper and lower borders, with looping vines adorning the ends. The interior space displays blooming flowers, together with variety of floral reproductive mechanisms. A printed and numbered guide, on a second sheet affixed to the back of this one, could have been consulted by the user once the papers were mounted as a fan.
Boerenmeisje met een mand
Object type: sketchbook leaf
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: carrying something in basket, bag, rucksack, etc., girl (child between toddler and youth)

Blad 74 recto uit een schetsboek met 77 bladen.
Hudibras Vanquished by Trulla, plate five from Hudibras
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764

William Hogarth illustrated the story of a sad-sack adventurer named Hudibras in twelve engravings. His source was Samuel Butler’s satirical, mock-heroic poem written in the vein of Cervantes and Rabelais. Ridiculing the puritan party’s attempts to overthrow the British monarchy during the Great Civil War of 1640, Butler’s poem exposes the hypocrisy and pretensions of the Presbyterians, Independents, and Zealots who hoped to establish themselves as leaders.
Here, Hudibras takes on more than he can handle in the person of a rather large woman called Trulla, who insists on restoring the fiddle player to liberty. To add insult to injury, Hudibras must give him his fiddle and instrument case back as well.
Slecht nieuws
Object type: drawing
Date: 1875 – 1900
Materials: chalk, paper
Techniques: brush
Location: netherlands
Artist: jan de waardt
Artist role: draughtsman
Artist dates: 1871 – 1909
Subjects: family life at home, netherlands

Op de voorgrond op de rug gezien een jongeman aan tafel, tegenover hem links zit een oudere vrouw met verbijsterde gelaatsuitdrukking. Links achter de vrouw voor een deuropening staat een kalende man met witte baard die met twee handen een vel papier voor zich houdt. Rechts een raam met zonnescherm half dicht.
Censer Top
Object type: censer and top
Date: 401 – 600
Materials: copper alloy
Culture: byzantine
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, part of left upper arm and forearm of symposiast and cushion
Child god wearing Amonian crown and named Horus of Mednit (Aphroditopolis)
Object type: statuette, child god, horus
Date: 664 – 630
Materials: metal
Location: egypt

The figure represents a child god in a seated/reclining position, wearing the double feather crown, which associates him with the god Amun. The child god is usually distinguished from adult gods by a range of iconographic clues: his nudity, the finger raised to the mouth (a child-like gesture), and a sidelock on the right side of his head. The right arm of this figure is broken, and thus the position of the hand is unknown; likely it was held at his mouth or at his side, like the left arm. The sidelock also is not in evidence, but his nudity suffices for identification as a child god. Below his pectorals, the child god has two stylized fat rolls, a feature that is very uncommon on these types of statuettes. Nevertheless, many child gods are shown with rounded or chubby bellies, showcasing the god’s ability to bring about prosperity and abundance; these fat rolls express the same ideas. Child gods grew in popularity and cult from the Third Intermediate Period onwards, rivaling even the most powerful and ancient gods, especially as temple offerings. Because of their profusion and many local forms, generally it is very difficult to assign precise identities to child gods, but an inscription on the base names this figure as Horus of Mednit.
Minoritenkirche in Keulen
Object type: stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: cologne
Artist: theodor creifelds
Artist role: publisher
Artist dates: 1815 – 1875
Subjects: church (exterior)
The Unsafe Tenement
Object type: print
Date: 1858 – 1858
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
The Slanderer
Object type: print
Date: 1851 – 1851
Materials: crayon, down, ink, paper, zinc
Techniques: lithograph, pen, scraping, lithography
Location: france
Artist: charles rambert
Artist nationality: french
Artist dates: 1836 – 1867
Portret van een vrouw
Object type: carte de visite
Date: 1883 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hoorn
Artist: johannes laurens theodorus huijsen
Artist role: fotograaf
Artist dates: 1852 – 1910
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘J.L.T. HUIJSEN/ Photographe/ Bekroond op verschillende/ Tentoonstellingen/ HOORN/ Ramen 17./ De plaat blijft ter nabestelling bewaard.’
The Prior's Door, Ely's Cathedral.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: ely
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: parts of church exterior and annexes: portal
Inscriptions: inscription: ‘Sedgfield's English Scenery.’, number: ‘410’
Lannes
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228
Gezicht op de achterzijde van de Waag te Gouda
Object type: book illustration
Date: 1715 – 1715
Materials: paper
Techniques: etching
Location: leiden
Subjects: exterior ~ representation of a building, weigh-house

Prent uit: Les Ouvrages d'Architecture ordonnez par Pierre Post (...). Leiden: Pieter van der Aa, 1705.
Piscium Vivae Icones
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: fishes, swimming mammals
Inscriptions: collector's mark: Lugt 240

Vier verschillende vissen, waaronder een baars en een walrus. Elke vis is voorzien van zijn naam. De prent maakt deel uit van een serie met vissen als onderwerp.
Marta leidt Maria Magdalena naar Christus
Object type: print
Date: 1520 – 1575
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: the patroness of housewives, martha of bethany; possible attributes: aspergillum, broom, bunch of keys, dragon, ladle, the conversion of st. mary magdalene on hearing christ preaching
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

Kopie naar prent van Marcantonio Raimondi. Raimondi baseerde zich op een ontwerp van Giulio Romano voor een niet bewaard gebleven fresco in de S. Trinità dei Monti, Rome (Shoemaker 1981, p. 172).