deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Interior, parts of two reserve lines; Exterior, tips of two rays; three black glazed lines; two reserve lines
Langwerpig kerkgebouw met op de hoeken torens
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: etching
Location: orléans
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: church (exterior), exterior ~ representation of a building

Langwerpig kerkgebouw met op de hoeken torens. Deze prent maakt deel uit van een album.
Petticoat
Object type: petticoat
Date: 1850 – 1859
Materials: cotton
Culture: american
Two Pierrots Balancing on Swans and Two Dancers
Object type: cut paper
Date: 1820 – 1875
Materials: paper
Artist: hans christian andersen
Artist role: artist
Artist nationality: danish
Artist dates: 1805 – 1875
Subjects: men,women,swans,dancers

Andersen made many of his paper cuts—which were completely independent of his written fairy tales, but with stories all their own—as gifts for the children of family and friends. Certain imagery and forms repeat across these works, such as the ballerinas dancing on butterfly wings and the lively pierrots balanced on long-necked swans, which can also be found in different configurations in the more elaborate cut-out in the collection (2012.379). Like many of Andersen’s cut-outs, the one here was originally mounted in an album, most likely juxtaposed with verses, clippings, or other collected ephemera.
The Actors Yamamoto Iwanojo as the courtesan Katsuragi and Sanogawa Ichimatsu I as Fuwa Bansaku in the play "Monzukushi Nagoya Soga," performed at the Ichimura Theater in the first month, 1748
Object type: print
Date: 1748 – 1748
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyonobu ii
Artist nationality: japanese
Artist dates: 1725 – 1761
The Harpies Driven from the Table of King Phineus by Zetes and Calais
Object type: drawing
Materials: chalk, paper
Techniques: brush, heightening, wash
Artist: françois verdier
Artist role: artist
Artist nationality: french
Artist dates: 1651 – 1730
Subjects: men
Soldaat met een lans
Object type: print
Date: 1656 – 1657
Materials: paper
Techniques: drypoint, etching
Location: italy
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: helved weapons, polearms (for striking, hacking, thrusting): lance, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Prent spiegelbeeldig naar een tekening die zich eens bevond in de collectie van Ladislao Odescalchi te Rome. De tekening werd in 1976 geveild te Londen. Deze prent maakt deel uit van de serie 'Figurine', bestaande uit een titelprent en 80 prenten van klein formaat met voorstellingen van mannelijke en vrouwelijke figuren. Rosa produceerde de serie waarschijnlijk gedurende de jaren 1656 en 1657.
River Scene with Windmill (from Plate 9, Outlines of Figures, Landscapes and Cattle...for the Use of Learners)
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: windmills,men,women,boats,carriages
Bayreuth en Regensburg
Object type: album leaf
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: outing, pleasure trip, germany
Inscriptions: inscription

Albumblad met drie, deels gekochte, foto's van Bayreuth en een uitgeknipte afbeelding van het hotel in Regensburg. Verslag van een twaalfdaagse groepsreis per autobus naar Salzburgerland en Beieren van 30 juli tot 10 augustus 1936. Onderdeel van het reisalbum van de familie Van den Broek 1935-1937.
Scherf van een kan uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: stoneware
Location: westerwald
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Stoneware, Rhenish, Westerwald, jug; fragm of body, sim. NG 1980-27H2615.
Japanse vrouw in paarse kimono
Object type: photomechanical print
Date: 1900 – 1920
Materials: paper
Techniques: photograph, hand coloring
Artist: Anonymous
Subjects: flowers, historical persons - bb - woman, folk costume, regional costume

Deze prent maakt deel uit van een album.
The Melancholic Man
Object type: print
Date: 1800 – 1800
Techniques: etching
Artist: chevalier ignace joseph de claussin
Artist role: artist
Artist nationality: french
Artist dates: 1766 – 1844
Subjects: contemplation,men,portraits
Le sette chiese di Roma con le loro principali reliquie stationi et indultie
Object type: print
Date: 1658 – 1666
Materials: paper
Techniques: engraving, etching
Subjects: church (exterior), armorial bearing, heraldry, rome
Inscriptions: collector's mark: Lugt 2228
Molen
Object type: sketchbook leaf
Date: 1823 – 1894
Materials: paper, pencil
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: windmill in landscape

Pagina 18 verso uit een schetsboek met 61 bladen.
Cylinder seal
Object type: cylinder seal
Date: 1900 – 1501
Materials: mineral
Culture: babylonian
Location: mesopotamia
Subjects: animals,men
Visitekaart van Louis Jean Allais en Angélique Briceau
Object type: visiting card
Date: 1791 – 1827
Materials: paper
Techniques: etching
Subjects: print maker, louis jean allais, angélique briceau, visiting-card, calling-card, paris

Een groep putti met diverse attributen bij een schild met daarop: 'Allais et son Epouse Graveurs en Taille Douce. Rue des Mathurins No. 397 au [...] des Thermes a Paris'.
Portret van Ida Keyser
Object type: carte de visite
Date: 1892 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: historical persons, amsterdam
Inscriptions: annotation: ‘Ida Keyser’, workshop stamp: ‘Photographie/ Atelier Herz/ Heerengracht 80 en Heerenstraat 4, Amsterdam’, number: ‘7/2B’
Gezicht op het Zeemanshuis te Amsterdam
Object type: print
Date: 1843 – 1887
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: garrison (+ naval force)
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, part of upper torso, left hip, genitals, and thighs of a frontal youth
Vase with cover
Object type: vase with cover
Date: 1662 – 1722
Materials: jade
Culture: chinese
Subjects: dragons
Alexander the Great meeting Diogenes
Object type: print
Date: 1580 – 1640
Techniques: etching
Artist: Anonymous
Artist role: artist

Nagler suggests the monogram refers to a non-existent "Ludovico Cavazza." (Mon. IV, 326.996)
Sugar box
Object type: sugar box
Date: 1723 – 1724
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,plants
Les Travaux d'Ulysse
Object type: album leaf
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: mercury orders calypso to release ulysses (homer, odyssey v), ulysses escapes from charybdis by clinging to a fig-tree, ulysses builds a raft

Odysseus weet links op de achtergrond zichzelf te redden van het zeemonster Charybdis door zich aan een vijgenboom vast te klampen. Rechts wordt Odysseus ontvangen door Calypso. Mercurius daalt af van de Olympus om Calypso te verzoeken Odysseus te laten gaan. Op de voorgrond bouwt Odysseus een vlot. De prent maakt deel uit van een album.
Gezicht op Rodos
Object type: print
Date: 1550 – 1600
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: island, marine charts
Inscriptions: inscription: ‘Assiegee par Mahomet (...)’, collector's mark: Lugt 2228, inscription: ‘Prise par Solyman (...)’
Huis met rijtuig ernaast in Nederlands-Indië
Object type: photograph
Date: 1917 – 1917
Materials: photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: two-wheeled, animal-drawn vehicle, the usual house or row of houses, dutch east indies, the

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
Saucer with a flower spray and ornamental border
Object type: platter
Date: 1800 – 1824
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: france
Artist: Anonymous
Inscriptions: mark: ‘g’

Schotel van porselein, versierd met gouden banden waartussen een slingermotief dat wordt gevormd door halvemaanvormige schijven waarin punten. De schijven worden verbonden door driehoeken. Op de tussenliggende velden gouden sterren. Op het plat een bloemtak. Behoort tot een serie van twaalf kop-en-schotels (BK-16044-F-1-24), onderdeel van een koffie- en theeservies.
Pont Ambrussi, à Gallargue
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: landscape with bridge, viaduct or aqueduct, france
Inscriptions: inscription: ‘L'Illustration 11 Nov. 1854’

Gezicht op de Romeinse brug Pont Ambroix (Ambrussum) gelegen bij Gallargues-le-Montueux.
Serpent
Object type: serpent
Date: 1820 – 1820
Materials: brass, leather, paint, wood
Culture: french
Location: france
Artist: c. baudouin
Artist role: maker
Artist nationality: french

The serpent is a European bass brasswind instrument that was a predecessor of the tuba. Its snake-like form helps to position the finger holes within reach of the player’s hands. The serpentine qualities of this example, made by one of the most celebrated makers, are heightened by its zoomorphic paint scheme, a rare decorative embellishment for an instrument that was typically finished in black. The wear marks around its finger holes are the result of extensive use. They show how this serpent was held and also prove that its musical properties were as strong as its visual appeal. The serpent has a long association with church music. In France it was used to bolster and accompany plainsong from the late sixteenth century onwards. Its warm, resonant sound complemented male voices, and it found favor in English church bands during the eighteenth and nineteenth centuries. Played alongside the cello and the bassoon, it provided vital accompaniment in churches that could not afford organs. The serpent became a popular military band instrument in England and Germany in the mid-eighteenth century. It sometimes was used as a bass voice in the orchestra, notably by Handel, Haydn, Berlioz, and Mendelsohn.
Ex libris voor Klaas Groesbeek en Paul Nijhoff
Object type: print
Date: 1876 – 1924
Materials: paper
Techniques: woodcut
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: klaas groesbeek, fishes, shrubs: rose-bush
Inscriptions: collector's mark: Lugt 2228

De initialen van Klaas Groesbeek en Paul Nijhoff, de directeuren van boekhandel Scheltema & Holkema in Amsterdam, in een rechthoek die verder is opgevuld met een rozenstruik en twee vissen.
Signora Gomez d'Arza
Object type: painting
Date: 1901 – 1902
Materials: canvas, oil
Culture: american
Artist: thomas eakins
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1916
Subjects: portraits,women

Although Signora Gomez d’Arza did not belong to Eakins’s immediate circle, she inspired one of his most eloquent portraits. An actress of Italian ancestry, she was married to Enrico Gomez d’Arza, the impresario of a small theater that Eakins and his wife visited in the Italian quarter of Philadelphia. Susan Eakins recalled in 1927: “They were very poor, depending on their acting and Signora’s teaching young actors, for a living. They could not speak English. Mr. Eakins spoke Italian and learned from her that she had had tragic experiences in her early life. She was about thirty years old when the portrait was painted.
Antoinette Cécile Hortense Lescot, Mme. Haudebourt-Lescot, painter
Object type: medallion
Date: 1829 – 1829
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: profiles,women

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Microscopische weergave van cacao
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Subjects: microscope (+ scientific research)
Inscriptions: number: ‘XXXIV’
Stamboom van Frederik en Ottheinrich van Palts-Neuburg (plaat 1)
Object type: print
Date: 1535 – 1594
Materials: paper
Techniques: woodcut
Location: basel
Subjects: family lineage, pedigree, genealogical tree or table, cologne
Inscriptions: collector's mark: Lugt 240

Blad 1 van een stamboom bestaande uit 21 bladen, gedrukt van 42 blokken.
Portret van David van Heyst
Object type: print
Date: 1817 – 1836
Materials: paper
Techniques: lithograph
Subjects: amsterdam, eyeglasses, spectacles, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een bril. Onder het portret zijn signatuur.
Prenten-magazijn voor de jeugd
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: john the baptist baptizing, visitation (possibly joseph and/or zacharias present) (luke 1:39-56), new testament, series of scenes from the life of john the baptist, john the baptist preaching (perhaps christ among the bystanders)
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen uit het leven van Johannes de Doper. Boven elke voorstelling een titel en onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 5.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Exterior, part of a vine and a bunch of grapes?; hole from an ancient repair
Christus in de kribbe met boven hem God de Vader en de Heilige Geest
Object type: print
Date: 1632 – 1693
Materials: paper
Techniques: engraving, etching
Location: france
Artist: françois de poilly (i)
Artist role: print maker, publisher
Artist dates: 1622 – 1693
Subjects: cherubs, i.e. children's heads with wings, the holy trinity, 'trinitas coelestis'; father, son and holy ghost ~ christian religion
Inscriptions: collector's mark: Lugt 240
Zaait rogge of tarwe
Object type: poster
Date: 1918 – 1918
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: willy sluiter
Artist role: draughtsman, painter, print maker
Artist dates: 1873 – 1949

Affiche, waarop een zaaiende boer; gele lucht, zwarte grond. Gesigneerd. Geplakt op karton. Achterzijde beplakt met kranten van 'De Telegraaf' van zaterdag 10 februari 1923.
Knielende vrouw voor een ridder
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: philippus velijn
Artist role: print maker
Artist dates: 1787 – 1836
Subjects: adolescent, young woman, maiden, kneeling figure - aa - female human figure, armour, knight
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Almanak aan bevalligheid en deugd gewijd. Amsterdam: M. Westerman, 1822.
Baluster
Object type: baluster
Date: 1780 – 1780
Materials: lead, iron
Terracotta fragment of a mastoid (drinking cup with narrow base)
Object type: mastoid fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

A bit of the overhang from the rim; below, part of the head and upper torso of a male to right, with his right arm bent; behind him, a vine
Bassett, 2nd Base, New York, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Indiana, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "Flags of the States and Territories" series (N11), issued in 1888 in a set of 47 cards to promote Allen & Ginter brand cigarettes. There are also approximately 100 scroll color variations. The museum's collection contains the full set of 47 cards, as well as 54 scroll color variations and one cutout card.
Lampetschaal, ovaal en geheel gedreven met bloemranken, met in het midden van de rand een medaillon met monogram, bestaande uit de letters SLMVB
Object type: washbowl
Date: 1670 – 1670
Materials: silver
Techniques: repoussé
Location: the hague
Artist: jonas gutsche
Subjects: flowers ~ ornament

Ewer and basin, silver, The Hague, 1669, by Jonas Gutsche.
Koninginne Dok
Object type: photograph
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: willem frederik piek jr.
Artist role: fotograaf
Artist dates: 1874 – 1954
Subjects: student life
Zes portretten van werknemers van het Zoöligisch Station te Napels
Object type: photograph
Date: 1873 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: employer ~ employee, historical persons
Inscriptions: collector's mark: ‘VOSMAER’, number
Gezicht op Prinsessegracht in Den Haag
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: canal, the hague

Onderdeel van Fotoalbum met opnames van steden in Noord- en Zuid-Holland en Utrecht.
Infortunium
Object type: print
Date: 1533 – 1567
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco salviati
Artist role: draughtsman, painter, print maker
Artist dates: 1510 – 1563
Subjects: adversity, misfortune, bad luck; 'fortuna infelice', 'infortunio' (ripa)
Inscriptions: collector's mark: Lugt 240

Een vrouw vallend uit een toren. Bovenaan een regel Latijnse tekst.
Mary, Queen of Scots
Object type: print
Date: 1851 – 1851
Techniques: engraving
Artist: joseph brown
Artist role: artist
Artist nationality: british
Artist dates: 1809 – 1887
Subjects: portraits,women,mary queen of scots

Produced as the frontispiece for the English translation of M. Mignet's The History of Mary, Queen of Scots, published in 1851. It is after a colored etching by Adolphe Pierre Riffaut, published in P.-G.-J Niel's "Portraits des personnages français les plus célèbres du XVIe siècle [...]" in 1848. Riffaut's etching reproduced a drawing in the Bibliothèque nationale de France by François Clouet (Paris, BNF, Estampes, Rés. Na 22).
Portret van Pieter François Timmers Verhoeven
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: the hague
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: dordrecht, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Danse rituelle pour apaiser les esprits
Object type: card game
Date: 1900 – 1920
Materials: cardboard, paper
Techniques: rotogravure
Artist: Anonymous
Subjects: african traditional religions, card games
Box with portrait of Louis XVI in Phrygian cap
Object type: box
Date: 1789 – 1789
Materials: horn, paper
Subjects: kings,profiles
Hydroa bullosum
Object type: photomechanical print
Date: 1870 – 1881
Materials: paper
Techniques: photograph, hand coloring
Location: new york city
Subjects: skin and venereal diseases, arms
Vue de la façade du pronaos du Temple de Dakkeh (Pselcis)
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,temples,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Manskop, naar links
Object type: drawing
Date: 1874 – 1925
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: anonymous historical person portrayed alone
Portret van Joachim Hartmann
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving
Subjects: bookshelves, writing tools, historical persons
Inscriptions: collector's mark: Lugt 2228
Livre Second: Essais de gravure par Pierre Bourdon
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: engraving
Location: paris
Artist: pierre bourdon
Artist role: print maker
Artist dates: 1656 – 
Subjects: ornaments ~ art, watch
Inscriptions: signature: ‘P. bourdon in et fecit’, privilege: ‘Cum p. R’, number: ‘*4’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad uit serie van zeven van ontwerpen voor horlogemakers, goudsmeden, beeldhouwers en graveurs.
The Duel Between Faust and Valentine, from Faust
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Jérusalem, Enceinte du Temple, Face Sud de l'angle Sud-Est
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture
Relief of a warrior and Nike
Object type: relief of a warrior and nike
Date: 201 – 400
Materials: ivory
Culture: roman
Subjects: nike,horses,warriors