deem-data/ArtiFact huggingface dataset:
Mater Dolorosa (Mourning Virgin)
Object type: figure
Date: 1701 – 1800
Materials: ivory, pigment, silver, wood
Techniques: gilding
Culture: chinese
Subjects: virgin mary

The Chinese characters on the bottom of this sculpture indicate the colors used for the various patterns on the robes and help catalogue it as a work of art produced by an artist trained in China, as does the style of the rocks upon which the Madonna sits. The mournful expression of the face of the Virgin, the clasped hands, and the seated position are typical of representations of the mourning Madonna (mater dolorosa), an image of the Virgin Mary that represents her sorrows during the sufferings of her Son, a theme that was popular in music and ritual during the eighteenth century. The sculpture was most likely produced either in Fujian Province or by an artist trained in that area but working in the Philippines.
The Old Palace, Richmond
Object type: photomechanical print
Date: 1902 – 1930
Materials: cardboard
Techniques: lithograph
Location: richmond
Artist: Anonymous
Subjects: castle, gate, entrance
Scene from Cymbeline
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: samuel john stump
Artist role: artist
Artist nationality: english
Artist dates: 1783 – 1863
Home! Thy Joys are passing Lovely
Object type: photograph
Date: 1855 – 1875
Techniques: albumen print
Location: new hampshire
Artist: kilburn brothers
Artist nationality: american
Artist dates: 1855 – 1875
Griekse vaas en grafstenen
Object type: print
Date: 1819 – 1897
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: tiemen hooiberg
Artist role: painter, print maker
Artist dates: 1809 – 1897
Subjects: vase ~ ornament, gravestone, tombstone
Inscriptions: collector's mark: ‘Verzameling [...]rs T.H. Afd. Bouwkunde No.’

Reproductie van Griekse vaas en drie grafstenen met menselijke figuren en Grieks opschrift. Genummerd 4, 5, 6 en 9. Rechts boven II genummerd.
Bijbelsche kinderprenten
Object type: popular print
Date: 1869 – 1908
Materials: paper
Techniques: letterpress printing, photoaquatint
Location: amsterdam
Subjects: the banishment of hagar and ishmael (genesis 21:9-21), story of isaac, the destruction of sodom and gomorrah: lot and his family flee to zoar, carrying their belongings; an angel may be showing the way (genesis 19:24-29), old testament, abraham goes to canaan (genesis 12:1-9)
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van verhalen uit het Oude Testament. Abraham reist naar Kanaän, Lot en zijn dochter op de vlucht na de verwoesting van Sodom en Gomorra, de verbanning van Hagar en Ismaël en Isaak draagt het hout voor het brandoffer. Onder elke afbeelding een Bijbeltekst. Genummerd rechtsboven: No. 2.
Portretten van kardinalen
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving
Location: antwerp
Artist: frans van den wijngaerde
Artist role: print maker, publisher
Artist dates: 1614 – 1679
Subjects: cardinal
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Albi, Henri. Eloges historiques des Cardinaux illustres François et etrangers mis en parallele. Parijs: Anthoine de Cay, 1644.
Deel lambrizering, afkomstig uit het huis van Dentz van Schaick
Object type: betimmering
Date: 1900 – 1905
Materials: wood
Location: amsterdam
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945

Schot, deel van de lambrizering vervaardigd voor het huis van mr Th.G. Dentz van Schaick aan het Amsterdamse Frederiksplein 50-52. Dit schot bestaat uit twee verticale en één horizontaal paneel en is gemaakt van palissander en notehnout. In potlood: 4.
Eccentric Anthropomorph
Object type: anthropomorph
Date: 1500 – 500
Materials: copper
Culture: indian
Terracotta oil lamp
Object type: lamp
Date: 40 – 100
Materials: terracotta
Culture: roman, cypriot
Subjects: men

Loeschcke Type 4. Mold-made. Discus: at left, a slave, wearing a loin-cloth, kneeling to right with hands in a large basket or bowl; above to right, a goat's head; single filling hole below towards nozzle, with a band of lines and grooves towards edge. Volutes flanking nozzle. Incised base ring, and flat base. Right side of nozzle broken and missing; small hole in left underside of nozzle.
Kraagkandelaar van messing
Object type: candlestick
Date: 1475 – 1525
Materials: brass
Techniques: casting, riveted, turning
Location: southern netherlands
Artist: Anonymous

De kandelaar is samengesteld uit twee gegoten en afgedraaide delen: de voet met het onderste deel van de stam en de vetvanger, en het bovenste deel van de stam met de kaarsenhouder. Dit laatste deel loopt uit in een pin, die onder in de voet is geklonken. De naar het midden toe oplopende voet is met rillen versierd, de stam is versierd met een knoop halverwege de voet en de tot een kraag uitgegroeide vetvanger. De geprofileerde cylindrische houder heeft in de wand twee rechthoekige openingen, die in elkaars verlengde liggen.
Road Wagon #604
Object type: drawing
Date: 1865 – 1865
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Studioportret van een vrouw in een bolle jurk, zij zit aan een dressoir
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: heinrich löwenstein
Artist role: artist
Artist dates: 1806 – 1841
Stamp seal (duck-shaped) with divine symbols
Object type: stamp seal
Date: 700 – 601
Materials: stone
Culture: assyrian
Location: mesopotamia
Schnee und Nebel
Object type: page
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: road, path, snow, four-wheeled vehicle drawn by two animals
Inscriptions: monogram: ‘Dr A Co’
Boerderij met molen
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: drypoint, intaglio
Location: germany
Artist: benedikt momme nissen
Artist role: painter, print maker
Artist dates: 1870 – 1943
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228, : ‘Uit "Radierungen", Weimar 1889.’

Prent maakt deel uit van een groep prenten die tussen 1880 en 1895 werd uitgegeven door het Gesellschaft für Radierkunst te Weimar.
Gebouw onder de rotsformatie Prebischtor
Object type: stereograph
Date: 1855 – 1855
Techniques: albumen print, salted paper print
Location: czech republic
Artist: Anonymous
Subjects: rock-formations

De Prebischthor (Pravčická brána) ligt in het huidige Tsjechië op de grens met Duitsland.
De kikvorsch, die zoo dik wil zijn als de os
Object type: popular print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: tailless amphibians: frog, animals acting as human beings, fables, ox
Inscriptions: collector's mark: Lugt 2760, : ‘marque de fabrique / deposée / * D.V.D. *’

Blad met een grote voorstelling uit de fabel van Jean de La Fontaine, van de kikvors die zo dik wil zijn als de os. Rechtsboven een tekstblok met een vers. Genummerd linksboven: Série 6. - No. 7.
Buste van een jonge vrouw
Object type: print
Date: 1756 – 1776
Materials: paper, pencil
Techniques: printmaking
Location: paris
Subjects: head (human) - aa - female human figure (+ sideview, profile)
Inscriptions: number: ‘No. 386’

Buste van een jonge vrouw, kijkend over haar schouder naar rechts. Met potlood zijn er lijnen gezet die de verhoudingen in het gezicht aangeven.
Silhouetportret van Johann Groll
Object type: cut paper
Date: 1800 – 1900
Materials: ink, paint, paper, pencil
Techniques: brush, snipping
Artist: Anonymous
Subjects: abcoude, leiden, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228, : ‘v. S. II, no 2132’
Long-Necked Jar
Object type: jar
Date: 200 – 538
Materials: wood, glaze, stoneware
Culture: japanese
Knop van zwart hoorn, eindigend in een hondenkop van beige-bruin hoorn
Object type: haakknop
Date: 1900 – 1930
Materials: glass, horn
Techniques: manufacturing, cutting
Location: netherlands

Knop van zwart hoorn, eindigend in een hondenkop van beige-bruin hoorn, ogen van glas.
Gezicht op het Grand Canal en de parterre aan het water van de tuin van het Château de Chantilly
Object type: opticaprent
Date: 1700 – 1799
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: garden, garden fountain, ornamental plants, garden ornaments, water-works in garden, civic architecture; edifices; dwellings
Portret van een man met ringbaard
Object type: carte de visite
Date: 1889 – 1920
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: hoorn
Artist: cornelis bos jr.
Artist role: fotograaf
Artist dates: 1869 – 1953
Subjects: historical persons, beard
Inscriptions: inscription: ‘Corn. Bos jr./ GOUW 27/ Hoorn.’
Half Model of a Schooner Gunboat
Object type: ship model
Date: 1780 – 1820
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Inscriptions: inscription, top centre, on a rectangular black label: ‘KANONNEER SCHOENER. / LANG. 85 7/11 Vt.’, label, bottom right: ‘400’ former inventory label

Gepolychromeerd mallenmodel (stuurboord) van een tweemaster. De huid boven het barkhout is gesloten, het schip heeft een reling. Gewrongen spiegel, hol wulf, geen details van het hek, geen zijgalerij; recht roer met vierkante roerkoning. Zeeg naar beide einden oplopend, één barkhout en één reehout. Gepiekt rondspant. Schaal ca. 1:30 (afgeleid).
Portret van Desiderius Erasmus
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: engraving
Subjects: rotterdam, desiderius erasmus, historical persons, scholar, philosopher (+ portrait of scholar, scientist)

Prent waarschijnlijk uit: G. Brandts Historie der Reformatie (...). Amsterdam: Jan Rieuwertsz., Hendrik en Dirk Boom, 1671.
Coin Depicting the God Apollo
Object type: coin
Date: 320 – 200
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Portret van Renée Richard
Object type: photomechanical print
Date: 1875 – 1884
Materials: paper
Techniques: woodburytype
Location: paris
Artist: wilhelm benque
Artist role: fotograaf
Artist dates: 1843 – 1903
Subjects: historical persons - bb - woman, opera-singer (female)
Netsuke of Boar
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: boars
Piece
Object type: piece
Date: 1845 – 1845
Techniques: lace
Subjects: human figures,insignia
Cupboard
Object type: case furniture
Date: 1630 – 1640
Materials: wood
Location: amsterdam
Artist: Anonymous

The decoration of this ornamental cupboard refers to the architecture of Greek and Roman antiquity. It is detailed like a building. The corners and the central stile are formed as pilasters crowned by human bodies, known as herms. The owner of such a piece of furniture demonstrated his interest in classical culture, considered to be the fountainhead of western civilization.
Verschillende onderdelen van een zeppelin
Object type: album leaf
Date: 1919 – 1919
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: 46c35 airship, zeppelin, historical persons, germany

Zes foto's van onder meer verschillende onderdelen van de zeppelin de Bodensee. Alle foto's zijn voorzien van een nummer en titel. Deze pagina maakt deel uit van een album.
Rock Harmonicon
Object type: rock harmonicon
Date: 1880 – 1880
Materials: stone
Culture: british
Location: united kingdom
Artist: william till
Artist role: maker
Artist nationality: british

This rock harmonicon or stone xylophone was made by the Till family, who were one of several so called "rock bands" that captivated British audiences during the Victorian period. All hailed from the area of Keswick in the English Lake District, the source of Skiddaw stone, a type of hornfels prized for its tone quality and resonance. Tuned bars of this sonorous rock were supported on a wooden stand and laid out much like a modern xylophone. This instrument has twenty two bars that produce a three-octave diatonic scale. It may have also originally included a second row of stones enabling it to sound a full chromatic scale. A range of hammers and leather and cloth covered mallets were used to coax different timbres from the instrument. Audiences throughout England, Scotland and Europe heard the Till Family Rock Band during their extensive tours. The sound of the rock band caught the ear of the English art critic John Ruskin, who encouraged the family’s performances and owned a stone xylophone made by William Till. In the late 1880s, the family embarked on a concert tour of the United States and Canada, later settling for five years in Bayonne, New Jersey.
The Little Lagoon
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: boats,venice
Langwerpige doos van gelakt en geverfd hout met deksel
Object type: box
Date: 1900 – 1900
Materials: metal, paint, wood
Techniques: lacquer
Location: netherlands
Artist: Anonymous

Langwerpige doos van gelakt en geverfd hout. Met metalen slot en scharnieren.
Gezicht op de Klingentor in Rothenburg ob der Tauber
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: rothenburg ob der tauber
Artist: delizy
Artist role: manufacturer
Subjects: towers ~ fortified city, gate, entrance, city-gate

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Jar with cover (one of a pair)
Object type: jar with cover
Date: 1775 – 1775
Materials: hard paste porcelain
Artist: royal porcelain manufactory, berlin
Artist role: manufactory
Artist nationality: german
Artist dates: 1763 – 9999
Subjects: flowers
Utrecht, gouden rijder, 1760
Object type: gouden rijder
Date: 1760 – 1760
Materials: gold
Techniques: striking
Location: utrecht

Voorzijde: ruiter met zwaard naar rechts, daaronder gekroond Utrechts wapenschild. Keerzijde: tussen waarde-aanduiding gekroond generaliteitswapenschild. Boven kroon jaartal. Kabelrand.
Nubian head inlay
Object type: inlay, nubian head
Date: 1295 – 1070
Materials: faience
Location: egypt
Rubbing of Seated Warriors
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: cambodian
Subjects: soldiers,shields,swords
Fruitoogst
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: fruit harvest
Inscriptions: collector's mark: Lugt 2166

Een man en een vrouw in een met bomen begroeid landschap. Om hen heen drie naakte kinderen, waarvan er één een mand met fruit op zijn schouders draagt. De vrouw houdt een druiventros in haar handen. Op de achtergrond draagt een man een bos takken op zijn rug.
Half of bracelet clasp: double knot
Object type: clasp, double knot
Date: 1991 – 1540
Materials: gold
Location: memphite region
Lotus Stemcup
Object type: vessel
Materials: porcelain
Techniques: glazing
Location: china
Schepen op een gracht in Amsterdam
Object type: print
Date: 1875 – 1923
Materials: paper
Techniques: aquatint, etching, intaglio
Location: netherlands
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: sailing-ship, sailing-boat, canals, waters (in city), façade (of house or building), amsterdam
Inscriptions: collector's mark: Lugt 2228
Journal des Luxus und der Moden, 1798, T 5
Object type: fashion print
Date: 1798 – 1798
Materials: paper
Techniques: etching, hand coloring
Location: weimar
Subjects: diadem, tiara (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), head-gear (+ women's clothes), fashion plates, skirt (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), necklace (+ women's clothes), belt, girdle, waistband (+ women's clothes)

Staande vrouw gekleed in een japon met overslag, driekwart mouwen en sleepje, afgezet met een gerimpelde strook stof. In het haar een diadeem versierd met een struisveer en doek. Verdere accessoires: collier bestaande uit twee snoeren met kruis, ceintuur, lange handschoenen, waaier. Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Rustende militairen in een kamp
Object type: print
Date: 1815 – 1841
Materials: paper
Techniques: aquatint, etching, roulette
Location: paris
Subjects: (military) camp with tents, evening
Inscriptions: collector's mark: Lugt 2228, : ‘Déposé au Bureau des Estampes’
Portret van Rutger Jan Schimmelpenninck
Object type: print
Date: 1805 – 1817
Materials: paper
Techniques: printing, engraving, hand coloring
Location: amsterdam
Subjects: amsterdam, rutger jan schimmelpenninck (1761-1825), historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van Rutger Jan Schimmelpenninck, raadspensionaris van de Bataafse Republiek, in een ovaal. Onder het portret zijn naam en functie in drie regels in het Nederlands.
Male Figure
Object type: male figure
Date: 3000 – 3000
Materials: ceramic
Culture: valdivia
Location: ecuador
Artist: valdivia artist(s)
Artist role: artist
Subjects: men
Interno di S. M. Maggiore
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: basiliek van santa maria maggiore
Artist: Anonymous
Subjects: interior of church
Inscriptions: number: ‘99.’, collector's mark: ‘VOSMAER’
Buddhist Vestment (Kesa)
Object type: robe, priest's
Date: 1701 – 1800
Materials: metal thread, silk
Culture: japanese

This robe, an example of a Buddhist vestment (Japanese: kesa; Sanskrit: kashaya) meant to distinguish the clergy from laypersons, is made from a woven textile that was cut up and reconfigured into a rectangular, bordered patchwork. As such, these garments embody both a form of pious donation and the practice of recycling textiles. The labor-intensive practice of piecing together fragments of cloth into specific columnar layouts was itself considered an act of religious devotion. The auspicious pattern of interlocking circles, which has a long history in East Asian art, suggests the design’s potential to continue endlessly in four directions. Various East Asian textiles with this type of pattern can be found in the mid-eighth century collection in the Shōsō -in imperial repository in Nara, Japan.
Koppelgesp van V.O.C.-militair
Object type: koppelgesp
Date: 1700 – 1800
Materials: brass, iron
Techniques: casting, forging
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie
Inscriptions: inscription: ‘V O C’

Gesp bestaande uit een vierkante beugel met kromming in alle zijden. Op de horizontale zijden van de beugel is het opschrift, in reliëf, bevestigd. Keerzijde: aan linkerkant twee haken, en aan rechterizijde een spijl.
Rattle?
Object type: rattle
Date: 220 – 589
Materials: bronze
Culture: chinese
Subjects: musical instruments
S.A.R. M.gr le Duc de Nemours
Object type: print
Date: 1835 – 1860
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Blankenburg, Schwarzatal
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: lithograph, writing
Location: blankenburg
Subjects: city-view, and landscape with man-made constructions, mountains
Gezicht op de Zwanenburgwal met de Montelbaanstoren
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1956
Materials: paper
Techniques: letterpress printing, line block
Location: rotterdam
Artist: eugène rensburg
Artist role: draughtsman, print maker
Artist dates: 1872 – 1956
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', canal
Inscriptions: inscription: ‘5 Zwanenburgwal’, collector's mark: ‘14 145’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Zaagmolensloot, Zandpad, Zeeburg, Zeeburgerdijk, Zeeburgerpad, Zeeburgerstraat, Zwanenburgwal, Zwartebijlsteeg.
Portret van een echtpaar in bruidskleding
Object type: photograph
Date: 1898 – 1930
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: bride and groom in wedding-dress
Inscriptions: inscription: ‘C.J.L. Vermeulen/ Den Haag/ Toussaintkade 11/ Utrecht/ Nieuwe gracht 50’
Diverse uitjes 1937-1939
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: spa
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, the family travelling, on holiday, outing, pleasure trip, theatre (building) - aa - open-air performances
Inscriptions: inscription

Abumblad met vier foto's van publiek in openluchttheater in Ede in augustus 1937, het echtpaar in Spa in juni 1938 en moeder met dochter met pony in Speeltuin Leerendoedel in de zomer van 1939. Onderdeel van het fotoalbum van het gezin van een Nederlandse officier in krijgsgevangenschap in Kamp Stanislau.
Collage van bloemen, vermoedelijk uit de Alpen
Object type: album leaf
Date: 1860 – 1890
Materials: flower, paper
Techniques: collage
Artist: Anonymous
Subjects: dried flowers

Onderdeel van Reisalbum met foto's van Zwitserland, Oostenrijk, Italië en Duitsland.
Messenheft uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife handle
Date: 1700 – 1743
Materials: metal, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knife, handle, cylindrical: tapering; knob-shaped flat upper end, turned decoration of wavy lines, concentric circles at lower end, ferrule.
Portret van Marco Aurelio Severino
Object type: print
Date: 1630 – 1670
Materials: paper
Techniques: engraving
Subjects: cosenza, naples, fruits and vegetables ~ ornament, historical persons
Inscriptions: inscription: ‘Prof: Anatom: & Chirurg. Neapolitan: nat 1580. den: 1656.’, collector's mark: Lugt 2228