deem-data/ArtiFact huggingface dataset:
Caddy spoon
Object type: caddy spoon
Date: 1832 – 1833
Materials: silver
Artist: john lias
Artist role: maker
Artist dates: 1791 – 1837
Jongeman tussen Waarheid en Bedrog
Object type: print
Date: 1677 – 1677
Materials: paper
Techniques: engraving
Location: paris
Subjects: truth; 'verità' (ripa) (+ clothed), cheat, deceit; 'fraude', 'inganno' (ripa)
Inscriptions: collector's mark: Lugt 240

Een jongeman in Romeinse kledij loopt tussen Veritas en een man, die een masker voorhoudt en een dolk in zijn hand heeft. Onder zijn arm draagt hij een boek met het opschrift 'Seneca'. In de marge een regel tekst in het Latijn.
Funerary Cone of the High Priest of Amun Hapuseneb
Object type: cone, circular impression, iaiefib, seal bearer, priest
Date: 1479 – 1458
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This funerary cone is stamped with a seal inscribed for man named Hapuseneb who was high priest of the god Amun and seal-bearer of the king of Lower Egypt during the joint reign of the female pharaoh Hatshepsut and her nephew, Thutmose III. Hapusenb's tomb (TT 67) is in the Sheikh Abd el-Qurna cemetery of western Thebes. The tomb's facade seems to have been decorated with funerary cones stamped with two different, but similar, seals. In this example, the Inscription consists of three rows of hieroglyphs separated by raised lines. The second stamp has the same rows of hieroglyphs, but the separating lines have been omitted. For other examples of this second seal type, see cones 15.10.41 and 28.3.26. (CHR)
Gezicht op buitenplaats Karssenhof
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', river, rural housing, e.g. country-house, villa, cottage, boat propelled by man or animal

Prent waarschijnlijk uit: Tijsens, Gijsbert. Hollands Arcadia, of de vermaarde rivier den Amstel (...) naar 't léven getekend en in 't ligt gebragt door Abraham Rademaker (...). Amsterdam: Leonardus Schenk, 1730.
Gezicht op de Galgengasse, te Rothenbrug ob der Tauber
Object type: print
Date: 1758 – 1796
Materials: paper
Techniques: engraving, etching
Subjects: street
Inscriptions: collector's mark: Lugt 2228
Versailles - Cabinet de travail (Gd. Trianon)
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: grand trianon
Artist: jd
Artist role: fotograaf
Subjects: bench, chandelier, candelabrum, palace, interior of the house
Inscriptions: number: ‘51’, collector's mark: Lugt 3937
Tantric Temple Banner of a Dancing Goddess Flanked by Dakinis
Object type: painting
Date: 1601 – 1700
Materials: textile, ink, pigment
Location: nepal

This horizontal scroll (bilampo) from Nepal features three dancing Buddhist deities framed within aureoles and interspersed with flowers. The white multi-armed goddess at the center is the largest and most powerful figure and is probably White Tara (the Savioress); she has a third eye and holds a lotus in each of her 18 hands. The goddess is flanked by two bird-headed female attendants, one blue and one green, each wearing a necklace of human skulls and trampling a nude male figure (a symbol of ignorance). These are probably dakinis, tantric sky dancers who play a supportive role helping humans to overcome ignorance. This type of banner was and still is displayed outdoors, often on the walls of a temple, during festivals.
Mrs. Showell, the Woman who shows General Guise's Collection of Pictures at Oxford
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: profiles,women
Nederland, groot in de dingen waarin een klein land niet groot kan wezen
Object type: cartoon
Date: 1912 – 1912
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: beasts of prey, predatory animals: polar bear, snakes, predatory birds: eagle, personifications of countries, nations, states, districts, etc., trunked animals: elephant, political caricatures and satires, dog

Nederland als een kleine hond (foxterriër) die zich uit ontevredenheid gaat wapenen met de wapens van andere grote (roof)dieren. Parabel op de Nederlandse behoefte aan pantserschepen.
Fan
Object type: fan
Date: 1767 – 1800
Materials: ivory, mother of pearl, paper
Culture: french
Subjects: painting,men,women,cupid
Portret van Jacques Bongars
Object type: print
Date: 1612 – 1657
Materials: paper
Techniques: engraving
Location: straatsburg
Subjects: paris, hebrew script, historical persons, book, armorial bearing, heraldry

Met midden boven het portret zijn wapenschild.
Design for Double Brougham (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Plattegrond van Pavia, ca. 1701-1713
Object type: print
Date: 1701 – 1714
Materials: paper
Techniques: etching
Location: leiden
Subjects: maps of cities

Gekopieerd naar de Franse prenten in: Nicolas de Fer, Les forces de l'Europe, ou description des principales villes, avec leurs fortifications : dessignées par les meilleurs ingenieurs, particulierement celles ... de la France, dont les plans ont esté levez par M. de Vauban, Nicolas de Fer, Parijs 1693-1696, of andere voorbeelden.
Maanden van het jaar
Object type: book illustration
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 240
Fotoreproductie van een prent, voorstellende Christus als goede herder met volgelingen
Object type: photograph
Date: 1865 – 1870
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: the sheep follow the good shepherd ~ parable of the good shepherd
Memorial Portrait of the Actor Ichimura Takenojo V
Object type: print
Date: 1851 – 1851
Techniques: woodblock print
Location: japan
Artist: attributed to utagawa kunimaro i
Artist nationality: japanese
Artist dates: 1850 – 1875
Descriptive key to the Kynge's Beestes. Hampton Court Palace
Object type: ansichtkaart, prentbriefkaart
Date: 1894 – 1905
Materials: cardboard
Techniques: printing
Location: kingston-upon-thames
Subjects: palace
Stillevens op een schoorsteenmantel
Object type: sketchbook leaf
Date: 1863 – 1864
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: chimney-piece, mantelpiece, still life of miscellaneous objects

Blad 40 verso uit een schetsboek met 41 bladen.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1601 – 1700
Materials: brass, iron
Culture: japanese
Location: japan
Vrouwen op straat, mogelijk in Amsterdam
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, street (+ city(-scape) with figures, staffage), amsterdam

Blad 14 recto uit schetsboek LXIII met 23 bladen.
Palmiers inondés et pyramides
Object type: photograph
Date: 1870 – 1898
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: egypt
Subjects: flood, high tide, pyramid (historical grave form), trees: palm-tree
Inscriptions: negative number: ‘1441’

Onderdeel van Reisalbum met 80 foto's van Egypte.
Anatomical Studies: a left forearm in two positions and a right forearm
Object type: drawing
Date: 1600 – 1605
Materials: ink
Techniques: pen
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: hands

This impressive sheet demonstrates Rubens' understanding of the human body and his commitment to rigorous anatomical study of the sort pioneered in the Italian Renaissance. The same powerful left arm and hand appears in two positions; each view exposes in detail the structure of the underlying muscles, bones, and blood vessels. A right arm and hand is partly concealed beneath one bulky arm, and views of the left shoulder seen from above are drawn in different degrees of finish. Rubens (1577–1640), one of the definitive masters of Baroque painting, had a humanist education and a deep admiration for the accomplishments of Michelangelo and other Italian artists. Like them, he used his command of anatomy to design figures in dramatic poses seen from unusual angles. Evidence suggests that Rubens planned a book of anatomical lessons with illustrations engraved after his designs. Although the project was never completed, this drawing may have been made for it, and several other sheets have been associated with it. In order to impart a sense of energy and immediacy to his paintings, Rubens sought to master the representation of the human figure in all its actions. To achieve this end, he drew anatomy studies in the tradition of Italian Renaissance artists while in Italy between 1600 and 1608. In these drawings, Rubens used cross-hatching in pen to define the muscles and sinews of the flayed body parts that he studied from casts, a technique Leonardo also used for his own anatomy drawings, which Rubens knew. Unlike Leonardo, however, Rubens was interested in more than anatomical accuracy and clear presentation. He also created dynamic compositions, as is so masterfully demonstrated in this drawing, by studying the contorted arms from unusual angles, by inventing details, and by placing the models in a highly complex spatial relationship.
Review of architecture in Belgium
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: dresden
Artist: eugène carpentier
Artist role: architect
Artist dates: 1819 – 1886
Subjects: church (exterior), plan ~ architecture, exterior ~ architectural design or model
Inscriptions: inscription: ‘2me. année.’, number: ‘Pl. 12.’

Deze prent maakt deel uit van een omslag met 110 prenten op 90 bladen en 18 tekstbladen.
Terracotta fragment of a kylix (drinking cup)?
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a lipped kylix?
Quillwork Sconce
Object type: sconce
Date: 1720 – 1740
Materials: copper, glass, paper, shell, silver, metal
Culture: american
Location: united states
Artist: eunice deering
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Subjects: flowers

A fragile form of handiwork, quillwork consists of narrow strips of paper rolled into tiny scrolls and glued, one against the other, within a shadow-box frame to form a design. In this case, sconces for candles were attached to the front of each frame, and the glittering mica-covered quillwork magnified and reflected the candlelight. This sconce and its mate (48.158.13) was made by Eunice Deering of Kittery, Maine and is still in its original frame.
Frederick C. "Fred" Smith, Pitcher, Des Moines Prohibitionists, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Mannen laden zakken af van een wagen getrokken door muildieren
Object type: print
Date: 1855 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: xavier mellery
Artist role: print maker
Artist dates: 1845 – 1921
Subjects: container of textile material: bag, sack, two-wheeled vehicle drawn by two animals, mule
Inscriptions: collector's mark: Lugt 2228
Les Singuliers et Nouveaux Portraicts... page 6 (recto)
Object type: book print ornament architecture
Date: 1588 – 1588
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: ornament,putti,coat of arms

Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top to bottom, and left to right: Design is decorated with 3 semi-ellipse motifs that sit upon and ornamented rectangular base. Each semi-ellipse is decorated in the center with a spotted putto that is surrounded by foliage. Base consists of 2 squares that are each ornamented in the center with an emblem, which is flanked by 2 nude spotted putti entangled in twisting vines.
Book cover with blue curved line pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Pernantian en Brussel, 1932
Object type: album leaf
Date: 1932 – 1932
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: rubber, (non-fruit) products of plants or trees: palm oil, exterior of industrial structures, factories, sumatra
Inscriptions: inscription

Blad met een foto van de zgn. 'sheetfabriek' op rubberproductie op Pernantian en twee foto's van de aanplant van oliepalmen tussen rubberbomen op Brussel, 1932. Met etiketten met onderschriften onder de foto's. Onderdeel van het fotoalbum over de plantages Brussel en Pernantian van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1910-1935.
Walking dress
Object type: walking dress
Date: 1885 – 1890
Materials: metal thread, silk
Culture: american
Philipp Herbert, Earl of Pembroke
Object type: print
Date: 1625 – 1677
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: men,portraits

Portrait bust to right, looking to front, with shoulder-length wavy hair; wearing a wide collar trimmed with scalloped lace and order suspended from a ribbon around his neck; in an oval; after Anthony van Dyck.
Boerderij
Object type: print
Date: 1928 – 1928
Materials: paper
Techniques: etching
Location: paris
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
N Kamerinrichtingen
Object type: print
Date: 1752 – 1794
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: bench, window, panelling, boudoir
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een boudoir met panelen en rechts een venster, in het midden staat een bank in een nis.
Portret van Victoria, koningin van het Verenigd Koninkrijk
Object type: print
Date: 1837 – 1870
Materials: paper
Techniques: stippled etching
Location: germany
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), historical persons - bb - woman, queen, empress, etc. (wife of a ruler)
Inscriptions: inscription: ‘n. 24 Mai 1819 [...]’, collector's mark: Lugt 2228
Portret van een man, twee vrouwen en een meisje voor een geschilderd achtergronddoek met de Drachenfels
Object type: photograph
Date: 1890 – 1910
Materials: metal, paper
Techniques: ferrotyping, lithograph
Location: germany
Artist: Anonymous
Subjects: anonymous historical person portrayed, anonymous historical person portrayed - bb - woman

Portret van een man, twee vrouwen en een meisje voor een geschilderd achtergronddoek met de Drachenfels. In een papieren passpartout met lithografische voorstellingen van de Drachenfels, Heisterbach, Godesberg, Siebengebirge en Nonnenwerth.
Five Fragments
Object type: textile
Date: 1701 – 1800
Materials: textile
Location: france
Ex libris van
Object type: bookplate
Date: 1813 – 1854
Materials: paper
Techniques: lithograph
Location: france
Artist: Anonymous
Subjects: lyon, paris, historical persons, old man
Inscriptions: collector's mark: Lugt 2233, collector's mark: ‘V’, collector's mark: Lugt 2760
Decanter
Object type: decanter
Date: 1700 – 1900
Techniques: glassblowing
Culture: american
Location: united states
Herfstlandschap met boom
Object type: print
Date: 1872 – 1950
Materials: paper
Techniques: etching
Subjects: trees, landscapes in the temperate zone, autumn landscape; landscape symbolizing autumn (the four seasons of the year)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Debrun[...]’

Prent naar het schilderij 'Herfst' van Jules Dupré uit ca. 1865.
Album Wetro Photo zegels
Object type: photograph album
Date: 1937 – 1937
Materials: paper, photographic support
Techniques: gelatin silver print
Subjects: rotterdam, amsterdam, bernhard (prins der nederlanden), juliana of the netherlands, swimming (sport) (+ sportsman, player, etc.), soccer, football (early names: soule, choule, cholle) (+ sportsman, player, etc.), historical persons, ruler, sovereign
Inscriptions: annotation: ‘384 Zegels/ C. Rooze/ Schoolstr 2/ Woerden’

Plakboek met 384 fotozegels van onder andere Prinses Juliana en Prins Bernhard, ter gelegenheid van hun huwelijk op 7 januari 1937, en verschillende bekende sporters. De zegels werden verspreid bij de Utrechtse Courant.
Lucretia met dolk tegen haar borst
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: death of lucretia: she commits suicide by stabbing herself
Inscriptions: collector's mark: Lugt 2228

Lucretia staat met een dolk op haar borst gericht om zichzelf te doden.
Haardtang
Object type: miniature
Date: 1788 – 1788
Materials: silver
Location: amsterdam
Artist: hendrik duller
Artist role: silversmith
Artist dates: 1749 – 1820
Subjects: fire-tongs

Vuurtang met gladde benen en een ring aan het uiteinde van het handvat. De vuurtang is gemerkt: stk.= Amsterdam, jrl.= D (1788) en mt.= H. Duller. De vuurtang wordt bewaard als onderdeel van een haardstel (BK-NM-11177-157).
Dish with childhood of Bacchus
Object type: dish
Date: 1801 – 1900
Materials: earthenware
Techniques: glazing
Artist: bernard palissy
Artist role: maker
Artist nationality: french
Artist dates: 1510 – 1590
Subjects: animals,grapes,bacchus
A Man with the Initials JD
Object type: painting, miniature
Date: 1790 – 1790
Materials: ivory
Artist: villers
Artist role: artist
Artist nationality: french
Artist dates: 1781 – 1793
Subjects: men,portraits
Fôret de Saint-Germain. Cabane de Bûcherons
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1918
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: industries ~ wood, forest, wood, sowing
Openluchtmis voor de Rozenkransbasiliek te Lourdes
Object type: album leaf
Date: 1901 – 1910
Materials: paper
Techniques: gelatin silver print
Location: lourdes
Artist: Anonymous
Subjects: place of pilgrimage, sacred place, church (exterior), cave, grotto, sermon ~ holy mass
Inscriptions: inscription: ‘grot onder de kapel’
Ensemble
Object type: ensemble
Date: 1750 – 1799
Materials: silk
Culture: american or european
Chronos-blauwbaard
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: new year's eve (december 31)
Inscriptions: date

Prent uit: De Kroniek. Een algemeen weekblad 3 (1897), nr. 1.
De weg langs de heuvels
Object type: print
Date: 1810 – 1830
Materials: paper
Techniques: etching
Location: nijmegen
Artist: johannes franciscus christ
Artist role: draughtsman, print maker
Artist dates: 1790 – 1845
Subjects: forest path or lane
Inscriptions: collector's mark: Lugt 2228
Sweetmeat Glass
Object type: glass
Date: 1790 – 1790
Materials: glass
Location: england
Carl Fugger en Fronsberger gevangen genomen voor Bergen op Zoom, 1577
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon frisius
Artist role: print maker
Artist dates: 1570 – 1628
Subjects: augsburg, bergen op zoom

De Duitse legeraanvoerders Carl Fugger (Focker) en Fronsberger worden door de magistraat van Bergen op Zoom uitgeleverd aan het Staatse leger onder Champagney, 13 september 1577. Met onderschrift van 4 regels in het Latijn. Genummerd: 83. Onbedrukt op achterzijde.
Springen van de Haagse Kaper de Dappere Patriot, 1781
Object type: history print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: gunpowder disaster (+ sailing-ships), shipwreck (+ propulsion of vehicle, ship, etc. by wind), fourth anglo-dutch war

Illustratie voor: J. Fokke. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1783-1795, 25 delen. deel XIV pl. IX.
Opening van het Kanaal van Terneuzen naar Gent 1827
Object type: history medal
Date: 1827 – 1827
Materials: silver
Techniques: striking
Location: brussels
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864
Subjects: haarlem, the hague, berlin, william i of the netherlands, ghent
Earring (One of a Pair)
Object type: earring
Date: 401 – 600
Materials: gold
Culture: korean
Fragment koppelstuk van een brandslang uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: firehose
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fire engine, firehose coupling; fragment, loop id. NG 1978-29H649.
Washington's Triumphal Entry into New York
Object type: painting
Date: 1850 – 1850
Materials: canvas, oil
Culture: american
Subjects: george washington,men,women,horses
The Beach, Hastings
Object type: print
Date: 1875 – 1878
Materials: ink, paper
Techniques: drypoint
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Diogenes bij een portret van André-Hercule de Fleury
Object type: print
Date: 1728 – 1750
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: france, historical persons, lantern, (story of) diogenes, the philosopher, armorial bearing, heraldry
Inscriptions: inscription: ‘Le Portret [...] un Cardinal/ si Renommé pendant sa Vie/ [...] après bonne Copie/ D'un fort mauvaise Original/ [...] eté fait Par M.L.D.D.V.’

Een knielende Diogenes, met in zijn hand een lantaarn en op de achtergrond zijn ton, bij een portret van André-Hercule de Fleury in een ovaal ornamenteel medaillon. Met onderschrift in het Frans.