deem-data/ArtiFact huggingface dataset:
Coin
Object type: coin
Materials: copper
Location: iran

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Karadeuk, de Bagaude
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: standing figure, monkeys, apes, beasts of prey, predatory animals: bear
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sue, Eugène. De Verborgenheden des Volks, of geschiedenis van een Arbeiders-geslacht, door de eeuwen heen. Amsterdam: M.H. Binger en Zonen, 1851, dl. 4, tussen p. 126 en 127.
Portrait of Ernst Casimir I, Count of Nassau-Dietz
Object type: painting
Date: 1630 – 1635
Materials: canvas, oil
Artist: wybrand de geest
Artist role: draughtsman, painter
Artist dates: 1592 – 1665
Subjects: ernst casimir graaf van nassau-dietz, historical persons

The stadholders of Friesland were not the descendants of William of Orange, but of his brother Jan. Ernst Casimir, Janâ€™s son, moreover, was also stadholder of Groningen and Drenthe. He is shown here in military regalia, with a buff jerkin, cuirass, boots with spurs, and a staff of office. The style of the clothing suggests that the portrait originated around 1630; it could have been painted after his violent death in 1632.
Gezelschap te paard in het bos
Object type: drawing
Date: 1864 – 1902
Materials: paper, pencil
Artist: karel frederik bombled
Artist role: draughtsman, print maker
Artist dates: 1822 – 1902
Subjects: riding a horse, ass, or mule; rider, horseman, forest, wood
Inscriptions: stamp, collector's mark: Lugt 1641

Ontwerp voor het AB boek van Karel Frederik Bombled. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Schilderkunst, Tekeningen.
Studies
Object type: sketchbook leaf
Date: 1905 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Inscriptions: annotation: ‘[...]’

Mogelijk architectuurstudies. Blad 7 recto uit een schetsboek met 30 bladen.
Stand
Object type: furniture
Date: 1790 – 1810
Materials: wood
Location: new hampshire
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1899
Helft van damschijf met portret: Theophano, vrouw van  Otto II
Object type: checker
Date: 1550 – 1550
Materials: wood
Location: nuremberg
Artist: Anonymous

THEOPHONIA. NICEPHORI. SOROR.OTHONIS.VXOR. Theophano, vanaf 972 gehowd met Otto II)
Frits en Janneman voor Tommy's deur
Object type: boekillustratie ontwerp
Date: 1916 – 1916
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: nelly spoor
Artist role: draughtsman
Artist dates: 1885 – 1950
Subjects: open door, child, rain, umbrella
Inscriptions: :, collector's mark: Lugt 2228, annotation: ‘Een regenachtige/ dinsdag.’, signature and date: ‘NELLY SPOOR 16.’

Frits en Janneman staan in de regen onder een paraplu voor de deur van Tommy. Tommy staat in de deuropening in een matrozenpak.
Borstbeeld van een vrouw
Object type: glasnegatief, glasplaatnegatief
Date: 1865 – 1900
Materials: glass
Techniques: collodion process
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909
Subjects: sculpture

Onderdeel van een groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, met stillevens, portretten, zelfportretten en kunstreproducties.
Gezicht op de vuurtorens van Hourtin
Object type: page
Date: 1873 – 1883
Materials: paper
Techniques: photograph
Location: france
Subjects: lighthouse, lightship, dune coast
La Commémoration de l'Image du Christi (The Commemoration of the Image of Christ), November 9th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: christ,crucifixion

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Collar
Object type: collar
Date: 1830 – 1839
Materials: cotton
Culture: british
James G. Almy
Object type: painting, miniature
Date: 1798 – 1798
Materials: ivory, watercolor
Culture: american
Artist: edward greene malbone
Artist role: artist
Artist nationality: american
Artist dates: 1777 – 1807
Subjects: men,portraits

This miniature is thought to date from the time of Almy's marriage to Myra Eliot on March 29, 1801, in New Bedford, Massachusetts.
Actor Bando Shuka I as Jujibei's Wife Ohaya (Jujibei nyobo Ohaya)
Object type: print
Date: 1848 – 1848
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Blay. François. 53 ans, né à St Gervais (Rhône). Tailleur. Anarchiste. 4/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Gezicht op de Binnen-Amstel en het Muntplein
Object type: photograph
Date: 1850 – 1925
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘4A’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel van Doelensluis tot Blauwbrug.
Cuff
Object type: cuff
Date: 1867 – 1900
Materials: linen, silk
Techniques: lace, embroidery
Fles, veelkleurig beschilderd met bloemtakken
Object type: bottle
Date: 1690 – 1720
Materials: faience
Location: nevers
Artist: Anonymous

Fles van faïence. Veelkleurig beschilderd met bloemtakken.
Sheet with figures in landscapes in red, purple, and yellow
Object type: print
Date: 1701 – 1800
Materials: paper, paste
Artist: Anonymous
Artist role: artist
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of a circumscribed palmette; head, shoulders, and part of the arms, and upper torso of a youth to right, with his himation draped over his left elbow and forearm; right hand of a second figure
Portret van Jean-Baptiste Bessières
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: etching, engraving
Location: paris
Subjects: historical persons
Portret van Totila
Object type: print
Date: 1549 – 1575
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: historical persons, king

Prent gebruikt in: Giovio, Paolo. Elogia Virorum bellica virtute illustrium (...). Bazel: Peter Perna, 1575.
Kinderen op de slee achter een auto
Object type: stereograph
Date: 1908 – 1914
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: e. ten cate
Artist role: fotograaf
Subjects: sledge, sleigh (winter sports), automobile

Voor een huis staat een auto met een rijtje sleeën erachter gebonden waarop kinderen zitten.
Terracotta female head
Object type: head of a woman
Date: 300 – 101
Materials: terracotta
Culture: greek
Subjects: heads,women
Spotprent op de Schouwburgstrijd, ca. 1685
Object type: cartoon
Date: 1716 – 1738
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, pieter corneliszoon hooft, govard bidloo, cologne, joost van den vondel, joan pluimer, amsterdam, gerbrand adriaensz. bredero, attributes of apollo: lyre, pegasus, the winged horse, symbolic representations, allegories and emblems ~ the theatre, (story of) apollo (phoebus), bee-hive, (story of) marsyas, melpomene (one of the muses); 'melpomene' (ripa)
Inscriptions: collector's mark: Lugt 2228

Spotprent op het wanbeheer van Joan Pluimer en Govert Bidloo, die van 1679 tot 1681 regenten, en van 1681 tot 1687 pachters van de Amsterdamse Schouwburg waren. In het midden staat Pluimer met een veer op zijn hoofd, een bokaal drank in zijn hand en een lier onder zijn arm. Voor hem een dienaar met een pastei in de vorm van een hert. Rechts van hem een grijsaard die een stok richting hem heft. Links op de voorgrond een bedroefde personificatie van de Amsterdamse Schouwburg met een bijenkorf in haar hand, links van haar de muze Melpomene. Rechts op de voorgrond wordt een overleden man (mogelijk de in 1687 overleden medepachter Pieter de la Croix) van zijn lijkkleed beroofd door een man met een baret op zijn hoofd en een geldkoffer onder zijn arm (waarschijnlijk Bidloo). Publiek met ezelsoren op loopt door de vervallen boog naar het theater maar wordt door Apollo verjaagd. Apollo staat voor een poort met daarop links, van boven naar beneden, de portretten van Pieter Corneliszoon Hooft, Joost van den Vondel en Gerbrand Adriaensz. Bredero. Daarachter de sater Marsyas vastgebonden aan een boom. Helemaal op de achtergrond Pegasus op de berg Parnassus.
Saint Dominic Reading
Object type: drawing and watercolor
Date: 1573 – 1573
Materials: chalk, ink, paper, lead, pigment, watercolor
Techniques: brush, pen, wash
Location: belgium
Artist: bartholomaeus spranger
Artist nationality: flemish
Artist dates: 1546 – 1611
Inscriptions: Inscribed, verso, lower left, in graphite: “Spranger”
Voetwassing van Petrus
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: christ washes peter's feet
Inscriptions: collector's mark: Lugt 2228

Kopie van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 33.
Nieuwe voorgevel van het Lutherse Diaconie Weeshuis te Amsterdam, 1784
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: orphanage
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Maandelijkse Nederlandsche Mercurius, augustus 1784, tweede stuk, p. 72.
Standing Man in Long Robes with Two Swords in His Sash
Object type: statuette
Date: 1901 – 2000
Materials: ivory
Culture: japanese
Subjects: fans,hats,swords,men
Man op een zeilboot
Object type: photograph
Date: 1920 – 1920
Materials: paper
Techniques: gelatin silver print
Location: south holland
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, adult man
Inscriptions: inscription: ‘Kagerplassen mei 1920’
Zes portretten van onbekende mensen en kinderen die vreugde tonen
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Subjects: passions, emotions, affections, laughing
Inscriptions: number: ‘Tav. III 1 2 3 4 5 6 (Pag. 133)’
The Prince's Dock, Liverpool
Object type: print
Date: 1820 – 1860
Materials: paper
Techniques: etching
Location: great britain
Subjects: harbour, sailing-ship, sailing-boat, liverpool
Inscriptions: collector's mark: Lugt 2228
Vos in monnikspij (Reinaert) met haas (Cuwaert) bij vossin (Hermeline) en welpen in vossenhol
Object type: boekillustratie ontwerp
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Rowe, Shortstop, Detroit, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen print, photography
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Isabel Wachenheimer in de armen van een onbekende verpleegster, juni-juli 1928, Hamburg
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: hamburg
Subjects: else wachenheimer-moos, leiden, isabel wachenheimer-elon, family life at home, infant, baby
Inscriptions: inscription: ‘Das jüngste Wachenheimer 5 Wochen alt!’

Albumblad met drie foto's. Foto links en rechts, Isabel Wachenheimer (rechts) en onbekende verpleegster (links); foto midden, Isabel Wachenheimer. Onderdeel van het fotoalbum met foto's van Isabel Wachenheimer als kind (1928-1931).
Interieur met wandbetimmering, een bank en schouw
Object type: sketchbook leaf
Date: 1903 – 1904
Materials: ink, paper, pencil
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: panelling, interior of the house, chair
Inscriptions: annotation: ‘[...]’

Tevens een studie van wandbetimmering en een stoel. Blad 6 recto uit een schetsboek met 17 bladen.
Dish with Dragons
Object type: vessel
Materials: glass
Location: china
Odyssey
Object type: album leaf
Date: 1805 – 1805
Materials: paper
Techniques: etching
Subjects: (story of) mercury (hermes), (story of) jupiter (zeus), specific aspects, allegorical aspects of minerva; minerva as patroness

Prent maakt onderdeel uit van een serie met 34 prenten over de Odyssee, geschreven door Homerus.
Eli, Eli lama sabachtani
Object type: print
Date: 1892 – 1931
Materials: paper
Techniques: woodcut
Artist: henri verstijnen
Artist role: draughtsman, print maker
Artist dates: 1882 – 1940
Subjects: christ
Inscriptions: collector's mark: Lugt 2228
Gezicht op een straat in Amsterdam, mogelijk de Kloveniersburgwal
Object type: print
Date: 1868 – 1950
Materials: paper
Techniques: engraving
Artist: hans herrmann
Artist role: painter
Artist dates: 1858 – 1942
Subjects: city-view in general; 'veduta', the usual house or row of houses, street
Inscriptions: collector's mark: ‘9.80’, inscription: ‘Kloveniersburgwal ?’

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
Rocking Melodeon
Object type: rocking melodeon
Date: 1826 – 1850
Materials: leather, metal, wood
Culture: american
Location: united states
Antefix, head of satyr
Object type: antefix, head of satyr
Date: 500 – 401
Materials: terracotta
Culture: etruscan
Subjects: heads,satyrs
Negen dieren
Object type: print
Date: 1547 – 1577
Materials: paper
Techniques: engraving
Location: italy
Subjects: mammals
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit een reeks van drie prenten met voorstellingen van dieren. Volgens het opschrift op prent nummer I werden de prenten vervaardigd naar in 1547 ontdekte schilderingen in een hypocaustum.

Deze prent behoort tot het prentcorpus dat bekend staat als de ‘Speculum Romanae Magnificentiae’ (‘Spiegel van Romeinse pracht’). Dit corpus, bestaande uit prenten met voorstellingen van kunstwerken en gebouwen uit het antieke en het moderne Rome, vond zijn oorsprong bij uitgevers Antonio Salamanca en Antonio Lafreri. Deze twee buitenlandse uitgevers bundelden hun krachten te Rome in de periode 1553-1563. Hun prenten werden al snel razend populair bij toeristen en verzamelaars, die de prenten individueel of in grote groepen aanschaften. Grote groepen Speculum-prenten werden vaak op aanvraag samengebonden in albums. Er zijn verschillende Speculum-albums overgeleverd die allemaal verschillen van inhoud. Tussen 1573 en 1577 gaf Antonio Lafreri een speciale titelpagina uit (met de titel ‘Speculum Romanae Magnificentiae’) die mensen voor hun verzamelingen konden voegen. Het overlijden van Lafreri in 1577 betekende niet het einde van het corpus. Een groot deel van de koperplaten ging over op Claudio en Stefano Duchetti. De rest raakte verspreid over verschillende andere uitgevers. De populariteit van de Speculum-prenten wist nog geruime periode uitgevers te inspireren tot het laten maken van kopieën en het toevoegen van nieuwe prenten aan het corpus.
Dominica X. Post Pentecost
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Artist: antonie wierix (ii)
Artist role: draughtsman, print maker
Artist dates: 1555 – 1604
Subjects: the praying pharisee and the repentant publican in the temple (luke 18:10-14)
Inscriptions: collector's mark: Lugt 2165

Christus vertelt de gelijkenis van de farizeeër en de tollenaar in de tempel. De mensen proberen ook kleine kinderen bij hem te brengen. Bij verschillende elementen uit de voorstelling staan letters die corresponderen met de legenda in de marge.
Lodovicus XI D. G. Galliae rex Christianiss
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, letterpress printing
Location: arnhem
Subjects: historical persons, king

Prent uit: Clerck, Nicolaes de. Tooneel der keyseren ende coningen van Christenryck sedert den onderganck van het Griecks keyserdom. Vervatende hare beeltenissen (...). Arnhem: Jan Jansz, 1615.
Transplanting of Teeth
Object type: print
Date: 1787 – 1787
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,doctors

Dentists extract teeth from poor people and insert them into the jaws of well-to-do patients. At center, a young chimney-sweep is about to have a tooth pulled, and a lady next to him has just endured an extraction and is about to receive a transplantation. At right a good-looking young lady clenches her fists as a spectacled dentist places his instrument in her mouth. Behind the group a man in uniform inspects his mouth with a mirror and at left, a ragged boy and girl leave the room in pain, with the girl holding a coin.
Plate 19: Vendor of holy pictures
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
Piece
Object type: piece
Date: 1775 – 1775
Materials: cotton
Subjects: flowers
Portret van James Mounsey
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving, etching
Location: sint-petersburg
Artist: georg friedrich schmidt
Artist role: draughtsman, print maker
Artist dates: 1712 – 1775
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240
Banner
Object type: banner
Date: 1793 – 1793
Materials: silk
Culture: french
Location: france
Lower Meguro (Shimo Meguro), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Object type: print
Date: 1830 – 1833
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Terracotta stirrup jar
Object type: stirrup jar
Date: 1300 – 1230
Materials: terracotta
Culture: mycenaean

Large numbers of Mycenaean vases inundated the Cypriot market starting at the beginning of the fourteenth century B.C., perhaps as a result of intensive trade relations between the Aegean and the eastern Mediterranean regions. The stirrup jar is one of the most common Mycenaean shapes used to contain liquids such as oil or wine. It is possible, however, that some of the vases, especially those made in the thirteenth century B.C., may have been made by Mycenaean potters working on Cyprus. It is now also well documented that clay was traded in antiquity.
Sleutel
Object type: key
Date: 1499 – 1599
Materials: iron
Bladornament met putti (linker deel)
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, lithography
Location: netherlands
Subjects: foliage, tendrils, branches ~ ornament, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ornamentele bladmotieven en drie putti met een krans. In het midden van de krans een voorstelling van drie andere putti.
Page from the Mustard Seed Garden Manual of Painting
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Artist: wang gai
Artist role: artist
Artist nationality: chinese
Artist dates: 1645 – 1710
Subjects: houses,landscapes
Le Portrait de Jeannot
Object type: page
Date: 1891 – 1896
Materials: paper
Techniques: autotype
Artist: c. picard
Artist role: fotograaf
Subjects: rodents: rabbit, head-gear: top hat
Inscriptions: inscription: ‘Papier &lt; Lustré &gt;. Grosvenor, Chater et Co, 6, rue Favart, Paris.’
Britannia
Object type: print
Materials: paper
Techniques: woodcut
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Drie jongens spelen met een schommel
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: boy (child between toddler and youth), swinging (children's game), swing
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 1397c