deem-data/ArtiFact huggingface dataset:
The Hunters Enter the Woods (from the Unicorn Tapestries)
Object type: tapestry
Date: 1495 – 1505
Materials: gilt, silk, silver, wool
Culture: french or south netherlandish
Location: netherlands
Subjects: spears,men,hunting,dogs,flowers,trees

This tapestry is one of seven hangings at The Cloisters that depict the hunt of the unicorn, a mythical creature first mentioned by the Greek physician Ctesias in the fourth century B.C. In the Middle Ages the animal was best known for its supposed invincibility and for the therapeutic property of its horn. So strong was the belief in the horn's miraculous cures that by the twelfth century the tusks of male narwhals, a small whale native to the Arctic, came to be regarded as "unicorn horns." The Unicorn Tapestries, as the group of seven is known, were probably designed in Paris but woven in Brussels. They are first documented in 1680, when they hung in the Paris home of François VI de La Rochefoucauld. By 1728 five of them decorated a bedroom at the family's château in Verteuil, in western France. The tapestries were looted during the French Revolution but were recovered in the 1850s; by 1856 they had been restored and rehung in the château's salon. No documentation sheds light on the early history of the tapestries, including either their commission or sequence of hanging. Striking differences in dimension and composition have prompted scholars to question whether the hangings constitute one set or are, in fact, from multiple sets. The Hunters Enter the Woods, like The Unicorn in Captivity, is set against a millefleurs background: a field of dark green spangled with blossoming trees and flowers. Of the 101 species of plants represented, 85 have been identified, including the prominent cherry tree behind the hunters and lush date palm in front of the sniffing hound. The cipher "AE" that is woven into each of the Unicorn Tapestries—and repeated here five times—alludes to their original owners, who remain unknown.
Foot Ornament
Object type: ornament
Date: 501 – 700
Materials: metal
Culture: moche
Location: peru
Subjects: feet
Cup
Object type: cup
Date: 1801 – 1900
Materials: gilt, metal, silver
Artist: elkington & co.
Artist role: manufacturer
Artist nationality: british
Artist dates: 1829 – 1963
Subjects: lions

This electrotype is after a seventeenth-century original (ca. 1630–45) in the Treasury of the Kremlin, Moscow.
Portret van Baron de Polinière verkleed als de Pont de la Guillotière
Object type: photograph
Date: 1803 – 1891
Materials: photographic support
Techniques: albumen print
Location: lyon
Artist: Anonymous
Subjects: actor (on the stage)
Staande eend naar links
Object type: album leaf
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, hand coloring, lithography
Location: netherlands
Subjects: water-birds: duck

Deze prent maakt deel uit van een album.
Missionary Houses, Foochow
Object type: photograph
Date: 1869 – 1869
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Subjects: architecture,houses
Standard Bearer
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacques de gheyn ii
Inscriptions: Lettered lower center: "Bosscher excu. A.o 1589"; lower right: "IDGheyn. fecit."; and below image: "Militiae vexilla ferens ... caditque cohors. H. Iacobi com."
Vita, passio et Resvrrectio Iesv Christi
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ says to a paralytic man: 'rise, take up your pallet (bed)', an angel stirs up the water of the pool of bethesda

Prent maakt deel uit van een prentbijbel.
Ax Blade (Celt)
Object type: ax blade
Date: 1500 – 500
Materials: copper
Culture: indian
Haniwa Dish
Object type: haniwa dish
Date: 301 – 700
Materials: earthenware
Culture: japanese
Ziet in deez kind'ren haar bedrijven / De spiegel van de uwe. o jeugd! / Leer ook daar uit op 't spoor der Deugd, / By alles wat gy doet, te blijven
Object type: popular print
Date: 1806 – 1806
Materials: paper
Techniques: colour, letterpress printing
Location: breda
Subjects: children's games and plays
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van kinderen die worden beloond voor deugdzaam gedrag. Onder elke afbeelding een zesregelig vers. Genummerd rechtsboven: No. 9.
Replica van een stadspoort tijdens de Wereldtentoonstelling voor het Hotel- en Reiswezen op het Museumplein in 1895
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, paper, ink
Techniques: photograph
Location: amsterdam
Subjects: gate, entrance, prospect of city, town panorama, silhouette of city, temporary exhibition, 'salon', amsterdam
Inscriptions: number: ‘No. 6’

Onderdeel van Fotoalbum met opnames van de Wereldtentoonstelling voor het Hotel- en Reiswezen op het Museumplein in 1895.
Illustrated Manuscript of Episodes from The Life of Phra Malai, a Follower of Buddha
Object type: manuscript
Materials: ink, paper
Culture: thai
Subjects: buddhism
Ex-regent van Goens/ Politiek vertoog schryver. 1784 / Petrus Hofstede/ Professor en Predikant te Rotterdam
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: rotterdam, petrus hofstede, utrecht, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Bij deze portretten een begeleidend blad met verzen getiteld: Een viertal verzen, op den alom befaamden ex-regent R.M. van Goens. Schelm voor't vaderland, en beminnaar van het Oranje huis / Een vyftal verzen, op den berugten Petrus Hofstede, schelm voor't vaderland, en beminnaar van het Oranje huis. S.l.s.n. [1782]. De portretten zijn door Muller beschreven bij het jaar 1784.
The Actors Ichimura Kamezo I as Sengokuya Ihei and Sanogawa Ichimatsu I as his wife Omatsu in the play "Kashiwa ga Toge Kichirei no Sumo," performed at Ichimura Theater in the eleventh month, 1755
Object type: print
Date: 1755 – 1755
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyohiro
Artist nationality: japanese
Artist dates: 1737 – 1776
Francesco da Sangallo
Object type: medal
Date: 1551 – 1551
Materials: bronze
Artist: francesco da sangallo
Artist role: artist
Artist nationality: italian
Artist dates: 1494 – 1576
Subjects: men,profiles

This medal, made to commemorate the foundation of the tower of Santa Croce, bears the artist's self-portrait on its obverse.
Koeien, een paard en een schaap bij een ruïne
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: cow, lamb, horse, landscape with ruins (+ city(-scape) with figures, staffage)
Boekje met omslag van brokaatpapier
Object type: pamphlet
Date: 1710 – 1735
Materials: gold leaf, paint, paper
Techniques: relief print
Location: furth
Artist: georg popp
Subjects: ornament derived from animal forms, ornament derived from plant forms

Pamflet met een omslag van een blad brokaatpapier met gestileerde bloemen, links hoorn des overvloeds en vruchtenschaal met spin en heraldische leeuw, rechts grote bloem en granaatappels. Het pamflet bestaat uit drie bladen en is waarschijnlijk gedrukt in Würzburg in 1726.
Bowl sherd
Object type: bowl
Date: 800 – 601
Materials: ceramic
Culture: assyrian
Location: mesopotamia
Tile Panel
Object type: tile panel
Date: 1601 – 1625
Materials: stonepaste, wax
Techniques: glazing, polychrome, resist
Location: iran
Subjects: men,women,flowers,trees

Isfahan, the Safavid capital, and Na'in were the two main centers in which buildings were lavishly decorated with tilework. The old tile-making tradition of composing repetitive geometrical or vegetal patterns was kept alive on mosques and madrasas, but an important innovation on secular buildings was a composition of square tiles individually painted as single elements of an outdoor scene with characters set in a garden landscape. These were placed in royal garden pavilions from the time of Shah 'Abbas to that of Shah Sulayman (the last example being the Hasht Bihisht of 1669). The Museum owns three of these panels, all purchased in 1903 and reported to come from "a palace and pavilion built by Shah 'Abbas on the garden avenue of the Chahar Bagh at Isfahan." The panel here shows a woman and three men in the garden. Such scenes were among the most frequent and fashionable subjects chosen by miniature painters of the Safavid period.
Gezicht op de John Wesley kaap op Kadavu
Object type: page
Date: 1885 – 1899
Materials: paper
Techniques: photograph
Location: boston
Subjects: island, cape (coast)
Inscriptions: name: ‘The Heliotype Printing Co. Boston’, number: ‘Plate 50.’, name: ‘Max Agassiz, Photo’
Equine-shaped belt buckle
Object type: belt buckle
Date: 101 – 300
Materials: bronze
Culture: korean
Subjects: horses
Natuurgezichten tijdens een vakantie van de familie Wachenheimer, juni-juli 1934, Vulpera (Zwitserland)
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: switzerland
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: the family travelling, on holiday, mountains, switzerland
Inscriptions: inscription: ‘Vulpera, Juni/Juli 34’

Blad bevat zeven foto's met natuurgezichten. Uit het album, half formaat, groen geaderd kartonomslag met koordbinding.
Theatrical jacket with grapevines
Object type: jacket, imperial theatrical
Date: 1701 – 1800
Materials: metal thread, silk
Techniques: brocade, embroidery
Culture: chinese
Subjects: grapes,dragons

The pattern on this jacket—part of a theatrical costume with skirt 30.76.23— features an amalgam of grapevines and dragons that twists and curves across the white background. You can see one dragon head on the left of the jacket, and another can be found in the center on the back. The quality of both the materials and the workmanship is very high: note the subtle changes in color of the silk embroidery within the leaves and the use of gold thread to delineate the branches, leaves, and tendrils of the grapevine.
The Sleeping Shepherdess
Object type: group
Date: 1775 – 1775
Materials: hard paste porcelain
Artist: fulda pottery and porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1764 – 1789
Subjects: sleeping,men,women,dogs,shepherds
Fotoreproductie van een schilderij van Antonius Moncada die koningin Blanca I begeleid naar het schip dat haar naar Syracuse zal brengen, door David Teniers en Jan van Kessel I
Object type: page
Date: 1865 – 1870
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: taking leave
Potpourri jar with cover
Object type: potpourri jar with cover
Date: 1801 – 1900
Materials: hard paste porcelain, silver
Subjects: flowers
The Same Man Throws a Bull in the Ring at Madrid, plate 16 from The Art of Bullfighting
Object type: print
Materials: paper
Techniques: aquatint, engraving, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Porch of Rachael's Tomb, 1904 (from Sketchbook)
Object type: drawing
Date: 1904 – 1904
Materials: graphite, paper
Culture: american
Artist: mary newbold sargent
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: human figures,tombs
Column Base
Object type: base
Date: 1901 – 2000
Materials: cement
Culture: european
Titelprent met titel op een zuil en bouwfragmenten
Object type: titelprent, frontispice
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: column, pillar ~ architecture, ruin of a building ~ architecture, italy
Inscriptions: collector's mark: Lugt 2228

Titelprent van het vierde deel van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Staand vrouwelijk naakt en een hoofd
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human), the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ standing)

De vrouw houdt een draperie vast. Blad 21 verso uit schetsboek IX met 28 bladen.
Pilgrim's Badge with Sun with human face
Object type: pilgrim's badge
Date: 1401 – 1500
Materials: lead
Culture: french
Location: france
Subjects: sun
Boer op zijn land in een hagelstorm
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: hail

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Portretten van de koppelaarster La Poudriere Macrelle en de courtisane Madamoiselle F.C.E. de Court
Object type: album leaf
Date: 1635 – 1635
Materials: paper
Techniques: engraving, letterpress printing
Location: utrecht
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Twee voorstellingen op een albumblad. Links de courtisane La poudriere Macrelle. Zij heeft een doos bij zich en een kaartje met de boodschap: a madamoiselle Françoise ma chere amie. Rechts Madamoiselle F.C.E. de Court. Daaronder twee kwatrijnen in het Engels. Het blad maakt deel uit van een album.
Caroline van den Berg op de fiets
Object type: photograph
Date: 1913 – 1913
Materials: paper
Techniques: gelatin silver print
Location: blaricum
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: the hague, caroline louise van den berg-van den berg, historical persons - bb - woman, bicycle
Portrait of Theodorus Bisdom van Vliet and his Family
Object type: painting
Date: 1757 – 1757
Materials: canvas, oil
Artist: jan stolker
Artist role: draughtsman, painter, print maker
Artist dates: 1724 – 1785
Subjects: mayor, (story of) neptune (poseidon), family group, especially parents with their child(ren), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: signature and date: ‘J. Stolker Pinx. 1757’

Theodorus Bisdom van Vliet, burgomaster of Haastrecht, had himself and his family portrayed as though they were nobility. The family owned the De Herstelling plantation in Demerary, a Dutch colony west of Suriname. The eldest son Cornelis, here at the far left, ran it. After his death, his brothers sold the plantation along with the 30 men, 26 women and 10 children who lived and worked there in slavery.
December
Object type: book illustration
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Midden boven een voorstelling van figuren schaatsend op het ijs. Daaronder een aantal voorstellingen van gebeurtenissen die plaatsvonden in de maand december, waaronder de tocht van de Fransen naar Nederland over het ijs in 1672 en in 1795. Midden onder voorspellingen en waarnemeningen voor de maand december in 1849.
A Shipwreck in a Storm
Object type: painting, drawing
Date: 1782 – 1782
Materials: canvas, pastel
Artist: jean pillement
Artist role: artist
Artist nationality: french
Artist dates: 1728 – 1808
Subjects: shipwrecks,men,women,seascapes,waves,storms,ships
Two flower pot holders (cache-pots)
Object type: cachepot
Date: 1730 – 1770
Materials: earthenware, glaze
Location: delft
Artist: Anonymous
Subjects: walking, hiking (recreation)

Bloempothouder van faïence. Met oren in de vorm van kinderkopjes. Blauw beschilderd met landschappen.
Japon van blauwgroene velours chiffon en zalmkleurige zijde, waarover machinale kant en zwarte tule met blauwgroen kralenborduursel, bestaande uit een lijf (a) en rok (b).
Object type: womenswear
Date: 1912 – 1912
Materials: fiber
Location: paris

Japon van blauwgroene velours chiffon waarover machinale kant en zwarte tule met blauwgroen kralenborduursel, zgn. strompeljapon. Voor rechte halsuitsnijding, achter V-hals, halflange mouwen, hoge taille. Rok uitlopend in klein sleepje. Hier overheen machinale kanten rok. Brede tailleband. Zalmkleurig zijden onderlijfje in hemdmodel waarover tule met kant. Brede tailleband die asymmetrisch uitloopt naar de rechter schouder. Voeringlijfje is afgezet met kant. Over lijfje en rok een overjapon van zwarte tule met kralenborduursel. Sachet met opschrift "D'ORSAY...,12 RUE DE LA PAIX, PARIS, LES ROSES D'ARSAY" Adres: Hirsch & Cie., Amsterdam.
Piece
Object type: piece
Date: 1835 – 1855
Materials: cotton
Subjects: flowers,leaves
Shawl
Object type: shawl
Date: 1850 – 1850
Materials: wool
Textile sample
Object type: textile sample
Date: 1900 – 1900
Materials: silk
Artist: Anonymous
Artist role: designer
Subjects: leaves
Plan of a Hotel and Garden
Object type: drawing ornament architecture
Date: 1667 – 1733
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: architecture,gardens
Jonkheer Theodorus Frederik van Capellen (1761-1824), vice-admiraal
Object type: drawing
Date: 1800 – 1824
Materials: parchment, pastel
Artist: charles howard hodges
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1837
Subjects: vice-admiraal, theodorus frederik van capellen

Portret van Jonkheer Theodorus Frederik van Capellen (1761-1824). Vice-admiraal. Buste in ovaal, naar links, in uniform met de decoratie van de Bath orde. Onderdeel van de collectie pastels.
Ark des Verbonds in de tempel van Dagon
Object type: print
Date: 1520 – 1561
Materials: paper
Techniques: etching
Location: italy
Artist: battista franco
Artist role: draughtsman, painter, print maker
Artist dates: 1510 – 1561
Subjects: the statue of dagon in ashdod falls down
Inscriptions: collector's mark: Lugt 240

De Filistijnen plaatsen de Ark des Verbonds in de tempel van Dagon. Stukken van een kapot beeld liggen op de grond.
London. St. Pauls Cathedral
Object type: photomechanical print
Date: 1888 – 1914
Materials: paper
Techniques: autotype, chromophotolithography
Location: london
Artist: Anonymous
Subjects: parts of church exterior and annexes: façade

Deze prent maakt deel uit van een album.
Portret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1831 – 1832
Materials: paper
Techniques: lithograph
Artist: jean-baptiste van der hulst
Artist role: draughtsman, painter, print maker
Artist dates: 1790 – 1862
Subjects: the hague, berlin, william i of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Cartouche bekroond met een halve maan in een grotto
Object type: ornament print
Date: 1710 – 1772
Materials: paper, fiber
Techniques: engraving, etching
Location: paris
Subjects: fantasy ornament, ornament derived from plant forms

Cartouche bekroond met een halve maan in een grotto. Onderdeel van een reeks van twaalf genummerde ornamentprenten.
De liefde tot syn lant is ieder aengheboren
Object type: photomechanical print
Date: 1903 – 1903
Materials: paper
Techniques: autotype
Location: netherlands
Artist: Anonymous
Subjects: quill, armorial bearing, heraldry, zeeland
Inscriptions: date
Covered Bowl
Object type: ceramic
Date: 1700 – 1700
Materials: earthenware
Techniques: glazing
Location: delft
Gold openwork hairnet with medallion
Object type: hair ornament
Date: 200 – 150
Materials: gold
Culture: greek, ptolemaic
Subjects: women

This hairnet, with its combination of delicate filigree, carefully hammered decorative bust, and spool-shaped beads, is a superb example of the Hellenistic goldsmith's skill. The medallion represents the head of a maenad, one of the female followers of the god Dionysos, wearing spiral earrings, a wreath of vine leaves and grapes, and a panther skin.
The Knight Did Not Die at the Crusade, plate five from Love
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: maurice denis
Artist role: print maker
Artist nationality: french
Artist dates: 1870 – 1943

These 12 prints come from Love, a series of color lithographs that form a disjointed narrative about a woman who experiences love, although it is unclear if she is falling in love with a man, nature, or her faith. Each soft and dreamlike image is paired with a caption of fragmented poetry that serves as its title, but these phrases do not directly describe their corresponding images. Maurice Denis, who was also a writer, crafted these puzzling yet evocative captions to add layers of meaning through the interplay of text and image.
Portret van Hendrick Tuyll van Serooskerken
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: lierre, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Rees, Otto van, en Brill, Willem Gerard. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Amsterdam: Schleijer, J.F. 1860, dl. 3.3, p. 675.
Portrait of Hendrik Casimir II (1657-96), Prince of Nassau-Dietz
Object type: painting, miniature
Date: 1690 – 1690
Materials: cardboard, silver
Artist: marie duchatel
Artist role: miniatuurschilder
Artist dates: 1652 – 1697
Subjects: hendrik casimir ii graaf van nassau-dietz

Portrait case with the monogram of Hendrik Casimir II, Prince of Nassau-Dietz (1657-1695). Gold and enamel Netherlands, c. 1690.
Cage crinoline
Object type: cage crinoline
Date: 1880 – 1889
Materials: cotton, metal
Culture: american
Vrouw bestijgt ezel
Object type: print
Date: 1642 – 1669
Materials: paper
Techniques: etching
Artist: jan baptist de wael
Artist role: print maker
Artist dates: 1632 – 1669
Subjects: ass, donkey, mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘de Wael fec.’

Een man helpt een vrouw die een balkende ezel bestijgt. Linksachter een vrouw die samen met haar kind op een ezel zit.
Drie putti met een bloemenmand en vlinders
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan wandelaar
Artist role: draughtsman, print maker
Artist dates: 1690 – 1759
Subjects: flowers, container made of plant material other than wood: basket, insects: butterfly
Inscriptions: collector's mark: Lugt 240
Portret van de mezzosopraan Julia Culp
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1920
Materials: paper, cardboard, ink
Techniques: gelatin silver print, pen, typewriting
Location: berlin
Artist: Anonymous
Subjects: historical persons, female singer, netherlands, berlin
Inscriptions: inscription: ‘Amice, Dank voor je kaart. (...)’

Gesigneerd. Op de achterzijde een korte getypte tekst gericht aan Nico Meijer, geschreven door een kennis van hem.
Portret van Rafaël
Object type: print
Date: 1700 – 1849
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: rome, painter, rafaël, historical persons
25 Jaar Nederlandsch Verbond van Vakverenigingen
Object type: commemorative plate
Date: 1931 – 1931
Materials: earthenware
Techniques: firing
Location: maastricht
Subjects: netherlands
Inscriptions: inscription: ‘25 NVV’, mark: ‘7 3/4 8’, inscription: ‘NEDERLANDSCH VERBOND VAN VAKVERENIGINGEN 1906 1 JANUARI 1931’, mark

Commemorative plate for the 25th anniversary (1906-1931) of the Dutch trade union association, the Nederlandsch Verbond van Vakvereenigingen (NVV). The NVV were social democrats.