deem-data/ArtiFact huggingface dataset:
Hilda Clark, from the Actresses series (N246), Type 1, issued by Kinney Brothers to promote Sporting Extra Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actresses" (N246), issued ca. 1890 by Kinney Brothers Tobacco to promote Sporting Extra Cigarettes. There are two types of cards in the series, varying by size.
The Last Gasp, or Toadstools Mistaken for Mushrooms
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,doctors

The cobbler leans over his wife who is tied to a chair with her wrists bound. With his awl between his teeth he pulls at the threads with which he is stitching up her mouth. Another woman holds a candle over them at right.
Cartouches met dieren in landschappen
Object type: album leaf
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: ansbach
Artist: georg hermann
Artist role: goldsmith
Artist dates: 1579 – 1603
Subjects: ass, donkey, landscape with bridge, viaduct or aqueduct, ornament ~ cartouche
Inscriptions: inscription: ‘38’, inscription: ‘1’

Rolwerk cartouche met een ezel in een landschap met een stenen brug. De prent maakt deel uit van een album.
Geënsceneerd ziekbed
Object type: photograph
Date: 1924 – 1932
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: nursing, tending the sick

Geënsceneerde scène (toneelstuk?) met een verpleegster en vier mannen rond een patient. Onderdeel van een fotoalbum over de bewoners van het huis aan de Reguliersgracht te Amsterdam in de periode 1924-1932.
Box
Object type: box
Date: 1801 – 1900
Materials: wood
Techniques: inlay
Location: iran
Schoolfoto van een klas rondom juf
Object type: photograph
Date: 1905 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: unknown
Artist: Anonymous
Glass bowl
Object type: bowl
Date: 201 – 400
Materials: glass
Culture: roman

Colorless. Vertical rim, knocked off and ground; shallow body curving in to flat bottom. Wheel-cut decoration on exterior: below rim, band of 23 horizontal oval facets, alternating with and flanked above and below by pairs of smaller, rice-shaped grooves; occupying most of side, zone of four overlapping rows of vertical facets, becoming progressively thinner towards the bottom; on bottom, hexagon, outlined with a single, long groove on each side and containing a pattern of six pentagonal facets around a central pentagonal facet. Broken and repaired with several large cracks and one small area of fill; pinprick bubbles; small patches of limy encrustation, slight dulling, and iridescent weathering, mainly within facets.
One of his wifes
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Inscriptions: caption: ‘One of his wifes’

De vrouw is mogelijk een van de vrouwen van de koning van Rauden
Mark, from The Four Evangelists
Object type: print
Date: 1610 – 1620
Techniques: etching
Artist: pieter feddes van harlingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1614 – 1614
Subjects: books,saint mark
Scene of Battle, Fredericksburg, Virginia [Caissons Destroyed by Federal Shells]
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: andrew j. russell
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: lundberg collection, battles, landscape, landscapes, people
Heiligen
Object type: print
Date: 1615 – 1676
Materials: paper
Techniques: engraving
Subjects: cherubs, i.e. children's heads with wings, saints, the abbess gertrude of nivelles; possible attributes: book, pastoral staff, crown, cup, demon, mouse or mice, model of church or hospital, palm, (healing) well
Inscriptions: collector's mark: Lugt 240

De heilige Gertrudis van Nijvel, met in haar hand een staf waartegen muizen kruipen. Aan haar voeten een kroon. In de lucht cherubijnen. Prent uit een serie van acht prenten met heiligen.
Boerenschuur en een hooistapel buiten Zwolle
Object type: sketchbook leaf
Date: 1631 – 1633
Materials: ink, paper
Techniques: pen
Location: zwolle
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Subjects: shed, hay-stack

In de boerenschuur staan een kar en werktuigen. Blad 4 recto uit een schetsboek met 55 bladen.
Chalice à soleil
Object type: chalice
Date: 1532 – 1533
Materials: gilt silver
Schoorsteenmantel en betimmeringen van hout, onderdeel van betimmering 1617
Object type: interieuronderdeel
Date: 1617 – 1617
Materials: wood, stone
Location: northern netherlands
Artist: Anonymous
Subjects: dordrecht

De schoorsteenmantel van eikenhout, versierd met ebbenhout en andere houtsoorten, steunend op twee consoles gedragen door zandstenen grijsgeverfde kariatiden op een voetstuk. Het mantelfries heeft in het midden en op de hoeken een boogstelling, waarin een obelisk van satijnhout op voetstuk bekroond met een geschaduwde bol. De boogstellingen zijn geflankeerd door vlakke pilasters met cannelures en versierd met palmhouten diamantkopjes en zwart-eiken gespen met gezwarte druipers. De liggende panelen tussen de boogstellingen hebben cornissingen met zwart-eiken moresken als middenstuk. Het hoofdgestel is geleed door consoles met dierenmaskers, die geplaatst zijn boven de pilaster en de ver uitspringende kroonlijst steunen. De zijkanten hebben ieder één liggend paneel.
Germaanse legertroepen
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon frisius
Artist role: print maker
Artist dates: 1570 – 1628
Subjects: extinct, 'historical' peoples
Inscriptions: collector's mark: Lugt 2228

Soldaat met schild, helm met vleugels en geheven zwaard staat links op de voorgrond. Diverse legertroepen op de achtergrond in een berglandschap.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1914 – 1914
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: willy martens
Artist role: painter
Artist dates: 1856 – 1927
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Fles van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; decoratie van bloesemtakken op bolvormige buik en bloemen in twee vakken op slanke hals.
Object type: miniature
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous

Fles van melkglas met blauw emailverf beschildering, imitatie Chinees blauw porselein; decoratie van bloesemtakken op bolvormige buik en bloemen in twee vakken op slanke hals. Op standring.
Fragment of a Bowl
Object type: fragment of a bowl
Date: 901 – 1000
Materials: earthenware, glaze
Techniques: polychrome
Location: iran
Virgin and Child
Object type: sculpture
Date: 1425 – 1450
Materials: terracotta
Techniques: firing
Location: utrecht
Artist: Anonymous
Subjects: joseph désiré de lupus
Gezicht op de Grote Kerk en het Oude Stadhuis aan de Markt te Vlaardingen
Object type: print
Date: 1743 – 1744
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: church (exterior), townhall, market, village square, place (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Latere staat van prent ook gebruikt in: Handvesten, octroyen, privilegien en regten, aan de stede Vlaardingen (…) en met der stede grondteekening en andere kopere plaaten verçiert (…). Den Haag: Johannes Gaillard, 1772. En in: Handvesten, octroyen, privilegien en regten, aan de stede Vlaardingen (…) en met der stede grondteekening en andere kopere plaaten verçiert (…). Utrecht: Johannes van Schoonhoven, 1775.
Hemelvaart van Maria
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: etching
Location: brussels
Artist: eugène van maldeghem
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1867
Subjects: the assumption of mary ('assumptio corporis'): she is borne into heaven by angels
Inscriptions: collector's mark: Lugt 2228

De prentmaker vervaardigde een schilderij met eenzelfde scène voor de kapel van de koningin van België (destijds Louise Marie d'Orléans).
Glas, mogelijk voorstellend een waterlens
Object type: miniature
Date: 1675 – 1699
Materials: glass

Glas, helder kleurloos, mogelijk voorstellend een waterlens; grote bolle cuppa met nauwe naar buiten omgeslagen rand, op naar binnen gestoken holle voet en op korte stam.
Gezicht op het Paleis voor Volksvlijt vanaf de Sarphatistraat
Object type: photomechanical print
Date: 1893 – 1930
Materials: cardboard, paint
Techniques: photograph, hand coloring
Subjects: city-view in general; 'veduta', permanent exhibition, museum, street
Inscriptions: inscription: ‘Hooge Sluis / (Sarphatistraat)’, collector's mark: ‘12,82’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Sarphatistraat, Schans.
Portret van een meisje, staand op een bank
Object type: photograph
Date: 1860 – 1920
Materials: cardboard, photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: historical persons, girl (child between toddler and youth)
De vier kerkvaders
Object type: print
Date: 1630 – 1642
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the four latin (western) fathers of the church together: ambrose (usually as bishop), jerome (usually as cardinal), augustine (usually as bishop), gregory the great (usually as pope) (+ angel(s))
Inscriptions: collector's mark: Lugt 2228

De vier Latijnse kerkvaders zitten in de hemel bij elkaar en bespreken een bijbeltekst. Rechts Hieronymus met de leeuw. Ernaast Augustinus met het brandend hart, in het midden links paus Gregorius en geheel links Ambrosius, te herkennen aan zijn attribuut de bijenkorf.
Portret van een vrouw met muts
Object type: album leaf
Date: 1871 – 1891
Materials: cardboard, paper
Techniques: albumen print
Location: hoorn
Artist: gerrit dirk siewers
Artist role: fotograaf
Artist dates: 1846 – 1899
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘Photographe/ van/ G. D. SIEWERS/ DAGELIJKS WERKZAAM/ ACHTER DE GROOTE KERK./ HOORN.’
Lyre (reproduction)
Object type: lyre reproduction
Date: 1801 – 1900
Materials: wood, skin
Culture: egyptian
Location: egypt
Wapenschilddrager in een cartouche
Object type: design
Date: 1545 – 1574
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: dirck pietersz. crabeth
Artist role: draughtsman
Artist dates: 1520 – 1574
Inscriptions: inscription: ‘midden onder de figuur geannoteerd: Gegeven by der stadt van Amstelredam/ ofte Delft. R.o. geannoteerd: verbeter(?)in de drye staende/ glaesen ende laet hier/ helmen in maecken’

Ontwerp voor een gebrandschilderd raam met een wapenschilddrager in een cartouche.
Baret met een bol van leverkleurig zijden fluweel en een rand in dezelfde kleur vilt
Object type: beret
Materials: silk, wool
Techniques: pressing, weave
Location: paris
Inscriptions: company name

Baret met een bol van leverkleurig zijden fluweel en een rand in dezelfde kleur vilt. Maud et Nano. Met de originele kartonnen doos (BK-1984-94-B).
Ewer
Object type: ewer
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Teapot with panel decoration with flowering plants, figures and silver mounts
Object type: teapot
Date: 1610 – 1630
Materials: cobalt, glaze, paint, porcelain, silver
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Theepot van porselein met een geribd, bolvormig lichaam en S-vormige tuit, beschilderd in onderglazuur blauw. De wand is verdeeld in vakken met afwisselend een bloeiende plant (chrysant, pioen) en een persoon zittend op een omheind terras; de schouder met een band servetwerk afgewisseld met een bloem in een cartouche. Voorzien van een 19e-eeuws zilveren montuur en handvat door Arnoldi & Wielick, Amsterdam 1850. Kraakporselein.
Les Orateurs chrétiens
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: lithograph
Location: paris
Subjects: priest, historical persons
Inscriptions: collector's mark: Lugt 2228a
Drie foto's van een vakantie in Noordwijk
Object type: photograph
Date: 1908 – 1911
Materials: paper
Techniques: gelatin silver print
Location: noordwijk
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: historical persons not known by name - bb - woman

Deze foto's maken deel uit van een album.
La Mode, 8 octobre 1832, Pl. 270 : Manteau de mérinos (...)
Object type: fashion print
Date: 1832 – 1832
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: underclothes for the lower part of the body: bloomers (+ girls' clothes), head-gear (capote) (+ girls' clothes), neck-gear: collar (+ girls' clothes), coat (+ girls' clothes), clothing for the upper part of the body (spencer) (+ girls' clothes), fashion plates
Inscriptions: caption: ‘Manteau de mérinos doublé de soie á col de velours des mag.s de M.Gagelin - Capote de velours - Spencer de velours - Jupe de jaconas - Capote de satin’, address: ‘L'Administration est Rue du Helder 25’, title: ‘La Mode’

Meisje in een mantel van geruite merinowol gevoerd met zijde en een kraag van fluweel, uit de winkels van Gagelin. Capote van fluweel. Meisje, op de rug gezien, in een spencer van fluweel. Rok van 'jaconas'. Capote van satijn. Bloomers. De prent is een kopie naar No 3034, 25 septembre 1832, van het modetijdschrift Journal des Dames et des Modes, Costumes Parisiens.
Joseph and Potiphar's Wife
Object type: painting
Date: 1690 – 1710
Materials: oil, panel
Artist: nicolas bertin
Artist role: painter
Artist dates: 1668 – 1736
Subjects: potiphar's wife catches joseph by his robe, usually while lying in bed; joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)
Inscriptions: signature: ‘Bertin in.’

Interieur van een slaapkamer waarin de naakte vrouw van Potifar vanuit haar bed Jozef aan zijn mantel trekt. Pendant van SK-A-41.
Portret van Johannes Cornelis Zaalberg
Object type: print
Date: 1848 – 1885
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: historical persons, functionaries and dignitaries ~ protestant churches

Met facsimile handtekening van geportretteerde.
Banana Leaves
Object type: hanging scroll
Date: 1790 – 1799
Materials: ink, paper
Culture: japanese
Artist: itō jakuchū 伊藤若冲
Artist role: artist
Artist nationality: japanese
Artist dates: 1716 – 1800
Subjects: leaves

In a bold, graphic composition, overlapping leaves of a banana plant with have been rendered in expanses of pale gray ink and the so-called sujime-gaki, or “white-line drawing,technique. To achieve this effect, the artist carefully applied moist brushstrokes to the soft and absorbent gasenshi paper in such a way as to leave a narrow, unpainted space between them, resembling a white line. Itō Jakuchū was counted as one of the Three Eccentrics of the Edo period, together with Soga Shōhaku (1730– 1781) and Nagasawa Rosetsu (1754–1799). Born the eldest son of a wholesale grocer in Kyoto, Jakuchū inherited the family business and ran it for more than fifteen years. It was not until he reached his late thirties that he began to paint full-time. The round seal reading “Lay Buddhist devotee Jakuchū” is the one the artist cherished and used most, especially during his late career, but it also appears on works created by his pupils, so caution must be exercised in separating studio creations from those of the master. For reasons unknown, there has always been a break in the circular outline on the left side of this seal; a second small break, on the right side, begins to appear in later works, as here. The vertical rectangular seal above it, “Seal of Tō (Fujiwara),” was also a favorite of Jakuchū’s. The seal in the lower left corner reading Senga zeppitsu can be interpreted to mean, “a thousand paintings, each one [created as if it were] my last one”—certainly a sentiment shared by many artists.
Portret van Christoph Carl von Bülow
Object type: print
Date: 1754 – 1799
Materials: paper
Techniques: engraving, etching
Artist: daniel berger
Artist role: print maker
Artist dates: 1744 – 1824
Subjects: commander-in-chief, general, marshal, historical persons

Oorspronkelijk rechtsboven genummerd: 3 (hier weggesneden).
Joined table with drawer
Object type: table
Date: 1680 – 1710
Materials: wood
Culture: american
Location: united states

Rectangular tables such as this, with a high stretcher at the front and back and low side stretchers connected by a medial brace, represent a format peculiar to the late seventeenth and early eighteenth centuries. It includes a drawer and is ornamented with shaped brackets and cutouts on all four sides, indicating that it was designed to be freestanding. The legs and stretcher exemplify the turner’s art and resemble the bases of several chests-on-frames thought to have been made in and around Boston.
Floral print
Object type: floral print
Date: 1767 – 1800
Materials: linen
Subjects: flowers,leaves
Studs
Object type: stud
Date: 900 – 801
Materials: bronze
Culture: iranian
Location: iran
Five-fold screen
Object type: screen
Materials: canvas, gilt, oil, panel, silk, wood
Techniques: lining
Artist: jean jacques françois le barbier
Artist role: designer
Artist nationality: french
Artist dates: 1738 – 1826
Subjects: men,women,cupid
Engeltie Pieters / Kort-Leve
Object type: print
Date: 1638 – 1658
Materials: paper
Techniques: engraving, etching
Subjects: neck-gear: collar
Inscriptions: collector's mark: Lugt 240
Figaro Plate-forme: intinéraire de la plate-forme mobile et du chemin de fer électrique. Programme Hebdomadaire de l'Exposition
Object type: photomechanical print
Date: 1900 – 1900
Materials: paper
Techniques: bookbinding
Location: paris
Artist: Anonymous
Subjects: arm raised upward - aa - both arms or hands, physiology and anatomy, collection, exhibition, show, paris

Figaro Plate-forme: intinéraire de la plate-forme mobile et du chemin de fer électrique. Programme Hebdomadaire de l'Exposition. Parijs: Éditions Figaro, 1900.
Groepsportret van drie onbekende vrouwen op een bank en een staande man (vermoedelijk) te Biarritz
Object type: photograph
Date: 1912 – 1912
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: biarritz
Artist: Anonymous
Subjects: street, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Souvenir de Biarritz Saint Loubes 20 septembre 1912’
Schreyersche Grabmal aan de buitenzijde van het koor van de Sint-Sebalduskerk te Neurenberg
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: nuremberg
Artist: Anonymous
Subjects: descent from the cross: christ is taken down from the cross, usually by nicodemus and joseph of arimathaea who are standing on the ladders (both arms of christ detached), sculpture (+ relief ~ sculpture)
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, inscription: ‘CWN.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, inscription: ‘Overgang van de Gothiek naar de Renaissance - Duitschland.’
Piece
Object type: piece
Date: 1730 – 1735
Materials: silk
Subjects: flowers,leaves
Plate 34 from Blatt Baum und Landschafts Studien
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: lithograph
Location: sweden
Artist: lorenz ekemann alesson
Artist nationality: swedish
Artist dates: 1791 – 1828
Twee mannen en twee vrouwen bekijken een fotoalbum in een woonkamer
Object type: page
Date: 1861 – 1866
Materials: photographic support
Techniques: albumen print
Artist: j.c. browne
Artist role: fotograaf
Subjects: adult woman, adult man, living-room, parlour, sitting-room

Foto tegenover pagina 1, achter semi-transparante omslag.
Tête-à-tête in the garden
Object type: print
Date: 1894 – 1894
Materials: ink, parchment
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gezicht op de ruïnes te Pompeï
Object type: photograph
Date: 1862 – 1867
Materials: cardboard
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: ruin of a building ~ architecture, pompeii

Foto op derde ongenummerde pagina na pagina 62.
The goddesses Kali and Jagadhatri
Object type: print
Date: 1850 – 1870
Materials: metal, watercolor
Techniques: hand coloring, printing, relief
Culture: indian, west bengal, kalighat
Artist: sri hemchandra das
Artist role: artist
Artist nationality: indian

This double-image, printed from two metal plates on a single sheet of paper is one of the pioneering images of Calcutta print-making. They are referred to as Battala prints, named after Battala, a locality in the Hooghly district of Kolkata, where many local presses had been established in the early to mid-19th century. The print engravers worked both on metal sheets and woodblocks. The print on the left depicts the goddess Kali standing on the prone figure of Shiva, wielding a sacrificial blade in a raised hand while holding by a tuft of hair the severed head of her victim in her lower hand. Her expression, with wide eyes, blood-stained mouth and protruding tongue—intended to instill terror in the disbeliever—is a source of comfort to her devotees. The second print (right) depicts the goddess Jagadhatri, a form of the Hindu goddess Durga, in a near identical setting of a Europeanized columned pavilion. Like Kali, to whom she is related, Jagadhatri is also honored lavishly in an annual puja held in the Hooghly district of Kolkata in the month of Kartik (mid-November). A third eye in her forehead and a snake rising above her right shoulder signal her allegiance to Shiva. The goddess sits upon a lotus-cushion, poised majestically upon her lion vehicle (vahana), wielding her divine weapons. She is flanked by two female guards and at her feet knell a worshipful couple. Both goddesses are framed by a Victorian cusped arch supported on slender openwork pillars with Ionic capitals, all evocative of the cast-iron architectural décor that was such a feature of British Calcutta.
Cattle and sheep at resting at the edge of a forest
Object type: drawing
Date: 1840 – 1840
Materials: gouache, graphite, gum arabic, watercolor
Artist: george barret, the younger
Artist role: artist
Artist nationality: british
Artist dates: 1767 – 1842
Subjects: cows,sheep,trees

Barret joined his teacher, John Varley as a founding member of the Society of Painters in Water-Colours in 1805. The institution promoted watercolor as a medium whose subtlety and range could approximate oil, and Barret would show over six hundred works in their annual London exhibitions during his long career. He developed a type of romantic-classical landscape anchored by rustic elements such as the herdsmen that here tend cattle before a distant castle. The golden tonality echoes the varnished oil paintings of the seventeenth-century landscapist Claude Lorrain, but Barret described trees in a singular manner, mixing gum arabic with watercolor and using a resist method to create textured branches and globular foliage. This mature work likely dates close to the end of the artist’s life.
Panel
Object type: textile
Date: 1701 – 1733
Materials: gilt, metal, textile, silk
Techniques: brocade, damask, weave
Location: france