deem-data/ArtiFact huggingface dataset:
Doornenkroning
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)
Inscriptions: collector's mark: Lugt 240

Een soldaat plaatst de doornenkroon op het hoofd van Christus. Een andere man geeft Chritus een staf van riet.
Girl on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album "B"
Object type: drawing
Date: 1795 – 1797
Techniques: brush, wash
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: girls,men

The drawing here captures the joy of outdoor activity. A smiling girl swings freely, while a man raises his hands and cries out—presumably encouraging her. It would not be surprising if Goya sought to imply sexual tension between the pair; other sheets from the album have similar overtones. The expression on the girl’s face suggests coyness or flirtation. There are undeniable sexual overtones in the drawing on the other side of the page (35.103.3). The smiling young maja (a fashionable, confident, and carefree young Spanish woman from the lower classes), eyes wide open, stands demurely in shadow, while a soldier cranes his neck before making his next move.
Dish with stylized flower heads, flower sprays and bouquets
Object type: platter
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Bord, gedecoreerd in Chinees Imari-kleuren. bloemtakken, boeketten.
Meer buiten de stadsmuren van Fez
Object type: photomechanical print
Date: 1887 – 1897
Materials: paper
Techniques: photoaquatint
Location: morocco
Subjects: lake, city-walls
Inscriptions: title: ‘Outside the Walls of Fez.’
Musicienne
Object type: print
Date: 1742 – 1776
Techniques: printmaking, etching
Artist: gilles demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1722 – 1776
Subjects: women,lutes,musicians
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink, pencil
Techniques: pen, writing
Location: amsterdam
Subjects: delft, print maker, draughtsman, antoon derkzen van angeren, new york (city), samuel putnam avery, the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’

Briefkaart bevat aantekening van Philip Zilcken.
Standing Man
Object type: drawing
Date: 1767 – 1900
Materials: chalk
Location: germany
Artist: johann christian reinhart
Artist role: artist
Artist nationality: german
Artist dates: 1761 – 1847
Subjects: men
Titelpagina voor: G. Leti, Het leeven van Sixtus den Vyfden, paus van Rome,1697
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rome, sixtus v, kissing the pope's feet
Inscriptions: collector's mark: Lugt 2228

Camilla, de zuster van paus Sixtus V, kust geknield zijn voet. Hierachter kijken figuren toe. Boven en onder deze centrale afbeeldingen vier scènes uit het leven van paus Sixtus V.
Portret van een man en vrouw, Adirondack Mountains
Object type: photograph
Date: 1898 – 1898
Materials: metal, paper
Techniques: ferrotyping
Location: united states
Artist: Anonymous
Subjects: adirondack mountains
Inscriptions: annotation: ‘Adirondack Mts / Summer 1898.’
Dish
Object type: dish
Date: 1801 – 1900
Materials: clay, glaze
Techniques: drawing
Culture: japanese
Mary, Queen of Scots being urged by Sir Robert Melville to abdicate (from "Oeuvres de Walter Scott: Histoire d'Écosse," series one, volume 26, chapter 29)
Object type: print
Date: 1835 – 1835
Techniques: printmaking, etching
Location: france
Artist: pierre-léonard dandeleux
Artist role: artist
Artist nationality: french
Artist dates: 1783 – 1850
Subjects: queens,men,women,mary queen of scots

This scene, showing an armored man thrusting a sheet of paper at the seated queen, likely represents Sir Robert Melville urging Mary, then imprisoned at Lochleven Castle, to resign the crown of Scotland in favor of her infant son. During their meeting on July 24, 1567, Melville dramatically drew from his scabbard a letter from the English ambassador, which contained a message from Elizabeth supporting his case.
Nederlandse cent, 1827
Object type: coin
Date: 1827 – 1827
Materials: copper
Techniques: striking
Location: utrecht
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen munt. Voorzijde: tussen jaartal gekroonde rechte letter W. Keerzijde: tussen waarde-aanduiding 1 C. gekroond rijkswapenschild. Gladde rand.
Parabola V. Virginvm Typis Aen: Expressa
Object type: album leaf
Date: 1589 – 1611
Materials: paper
Techniques: engraving
Location: cologne
Subjects: the wise and the foolish virgins ~ parable of christ (matthew 25:1-13), the (seven) acts of mercy

De vijf wijze maagden voeren werken van barmhartigheid uit (het bezoeken van een gevangene, het voeden van hongerigen en het laven van dorstigen, kleden van naakten en het herbergen van vreemdelingen). In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn dat verwijst naar de deugdzaamheid van de vijf wijze maagden. Deze prent maakt deel uit van een album.
Philippe Pinel
Object type: print
Date: 1910 – 1915
Materials: paper
Techniques: blind stamped, lithograph
Location: germany
Artist: Anonymous
Subjects: paris, advertising, physician, doctor

Kaart met portretbuste van de arts Philippe Pinel. Met binnenin tekstbladen. Onderdeel van de serie kaarten in reliëfdruk uitgebracht als reclame voor de medische producten van Tropon-Werke, Mülheim am Rhein.
Gezicht op het Palazzo Vecchio in Florence
Object type: photograph
Date: 1861 – 1871
Materials: photographic support
Techniques: albumen print
Location: florence
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: tower, clock tower ~ monumental adornment, palace
Inscriptions: number: ‘Tavola VII.’
Huis van Hope / Hôtel de Mr Hope
Object type: print
Date: 1830 – 1846
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: palace
Inscriptions: collector's mark: Lugt 2228

Hotel Hope, tegenwoordig Paleis Lange Voorhout. Op het plein lopen mensen.
Gräfin Alice Hardegg-Harnoncour
Object type: photomechanical print
Materials: paper
Techniques: photograph, hand coloring
Artist: Anonymous
Subjects: historical persons - bb - woman, aristocracy; 'aristocratia' (ripa)

Deze prent maakt deel uit van een omslag met 86 prenten op 78 bladen en 11 tekstbladen.
Rocky Landscape with House and Trees
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: houses
Gezicht op het Damrak, gezien op de Papenbrug
Object type: photomechanical print
Date: 1880 – 1930
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘4’ Lugt 1641b, collector's mark: ‘7’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Damrak, Damstraat, Doelensluis, Doelenstraat (Nieuwe), Driehoekstraat, Droogbak, Duvelshoek, Dijkstraat en Korte -.
Fan
Object type: fan
Date: 1700 – 1723
Materials: ivory
Subjects: men,women
Het verliefde paar
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johannes arnoldus boland
Artist role: print maker
Artist dates: 1838 – 1922
Subjects: (scenes from) specific works of literature: bredero, lucelle, couple of lovers
Inscriptions: collector's mark: Lugt 2228

Illustratie voor J.P. van der Kellen, Le peintre graveur hollandais et flamand, Utrecht: 1866.
The Temptation of Saint Anthony
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Cephalus en Procris
Object type: print
Date: 1673 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: landscapes, cephalus inadvertently kills procris
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Tweetuinmannen (?) aan het werk in de moestuin van landhuis De Wildbaan, Driebergen
Object type: photograph
Date: 1903 – 1907
Materials: paper, photographic support
Techniques: photography
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Christ at Emmaus: the smaller plate
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread
Inscriptions: inscription: ‘Jan Veth’, collector's mark: Lugt 2228, signature and date: ‘Rembrandt f. 1634’
Portret van een man, aangeduid als Anton Zettner
Object type: photograph
Materials: paper, cardboard
Techniques: collodion silver print
Location: vienna
Artist: sigmund bing
Artist role: fotograaf
Subjects: adult man, anonymous historical person portrayed
Inscriptions: inscription: ‘Zur freundlichen/ Errinnerung an Anton Zettner’, number: ‘47407’, address: ‘Wien,/ I, Goldschmidgasse 4/ (Ecke Stefansplatz.)/ II. Bez./ Photographie Palast/ an der Marienbrücke./ III. Bez./ Landstrasse, Hauptstrasse 27/ XVII. Bez./ Hernalser Hauptstrasse 17/ (im Garten.)’
Garden Elevation of the Villa Madama, Rome
Object type: drawing
Date: 1710 – 1727
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: pietro paolo coccetti (cocchetti)
Artist role: artist
Artist nationality: italian
Artist dates: 1710 – 1727
Subjects: architecture,buildings
Tankard
Object type: tankard
Date: 1801 – 1900
Materials: pewter
Cylinder seal with hunting scene
Object type: cylinder seal
Date: 834 – 668
Materials: faience
Culture: assyrian
Location: mesopotamia
Gebreide muts van wit katoen met opengewerkte rondjes, een omgeslagen rand en een kwast bovenop, met rondom uitwaaierende ajourranden
Object type: cap
Date: 1850 – 1960
Materials: cotton
Techniques: embroidery, knitting
Location: europe
Artist: Anonymous
Inscriptions: label: ‘M. DE CLERCQ’

Gebreide muts van wit katoen met opengewerkte rondjes, een omgeslagen rand en een kwast bovenop, met rondom uitwaaierende ajourranden.
Portret van een onbekende man
Object type: photograph
Date: 1884 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: haarlem
Artist: august ferdinand heinrich harms
Artist role: fotograaf
Artist dates: 1845 – 1916
Subjects: adult man
Inscriptions: name: ‘A.F.H. Harms Zylweg 75. Haarlem’, name: ‘A.F.H. Harms Haarlem Zylweg 75.’
Haniwa House of the Period
Object type: haniwa model
Date: 201 – 700
Materials: earthenware
Culture: japanese
Kruisiging van Christus
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: france
Artist: Anonymous
Subjects: the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: collector's mark: Lugt 240

Dit object is omwille van een betere presentatie virtueel samengevoegd, maar bestaat fysiek uit losse onderdelen.
Letter K
Object type: ornament print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous

Uit serie van 24 gotische letters met vlechtwerk: A-I, K-T en V-Z.
Gezicht op Souda (nu Chania) op Kreta
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: creta
Artist: johannes lodewijk heldring
Artist role: fotograaf, predikant, schrijver
Artist dates: 1852 – 1923
Subjects: city-view in general; 'veduta'
Plate
Object type: ceramic
Date: 1834 – 1834
Materials: enamel, soft paste porcelain
Techniques: gilding, polychrome
Location: sèvres
Artist: sèvres porcelain manufactory
Artist nationality: french
Artist dates: 1740 –
Standbeeld voor Wilhelmina van Pruisen
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), monument, statue, the all-seeing eye, triangle with eye ~ symbol of god the father, homage to a ruler, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Allegrorisch standbeeld ter ere van van Wilhelmina, naar aanleiding van de bemiddeling tussen de Staten van Holland en West-Friesland en de erfstadhouder, 1786 (Tweede druk). Beeld van de prinses als een gewapende Amazone. Rechts een monument met de vorsten uit het stamhuis van Oranje, links knielt de Godsdienst. In de hemel het Alziende Oog. Op het blad onder de plaat een verklaring van de voorstelling en een vers in twee kolommen. Bij de plaat behoort een pendant.
Spiegel van het schip de Zeven Provinciën
Object type: drawing
Date: 1665 – 1707
Materials: paper, pencil
Techniques: brush
Subjects: sailing-ship, sailing-boat, names of artefacts and man-made objects (buildings excluded), navy (+ sailing-ships)
Ziener, schouwer en alchemist
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: 'haruspex' ~ roman religion

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Icones Revelationum S Johs Evangeliste in Pathmo
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the throne of god ~ revelation
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

God de Vader, zittend op zijn troon met boek op zijn schoot en het Lam. De troon is omgeven door de zeven fakkels, de vier Apocalyptische dieren en de 24 oudsten, de harp bespelend. In de marge een vierregelig onderschrift in het Latijn. Derde prent uit een serie van vierentwintig met de openbaring van Johannes op Patmos.
Cup and saucer
Object type: cup and saucer
Date: 1751 – 1800
Materials: hard paste porcelain
Artist: doccia porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1737 – 1896
Subjects: flowers
Column Shaft
Object type: shaft
Date: 1467 – 1500
Materials: marble
Culture: french
Glass juglet with vertical ribbing
Object type: juglet
Date: 51 – 100
Materials: glass
Culture: roman

Translucent cobalt blue, with colorless handle. Everted rim, folded over and in; uneven cylindrical neck; globular but slightly lentoid body; circular low base with rounded edge; uneven, flat bottom; rod handle attached in a large claw pad to top of body, drawn up and out, turned in and trailed onto top of neck and underside of rim, with vertical loop above rim. One continuous mold seam around body, but misaligned causing one side of bottom to be higher than the other. On body, twenty-two vertical rounded ribs. Intact; pinprick bubbles; pitting, patches of weathering, and brilliant iridescence. "Melon-shaped" bottles form a relatively rare type of early mold-blown glass, probably made in Syria. Several examples are recorded from ancient cemetery sites in Armenia, Georgia, and the Crimea, whereas the type is not known in the western half of the Roman empire.
The Lamentation
Object type: painting
Date: 1593 – 1593
Materials: canvas, oil
Artist: scipione pulzone (il gaetano)
Artist role: artist
Artist nationality: italian
Artist dates: 1569 – 1598
Subjects: sadness,suffering,christ,mary magdalene,saint john the evangelist,virgin mary,lamentation,death
WA Heerbanleider Meulenberg
Object type: photograph
Date: 1942 – 1942
Materials: photographic support
Techniques: gelatin silver print
Location: the hague
Subjects: political meeting, propaganda meeting, the hague

WA Heerbanleider Meulenberg, rechts in WA uniform, spreekt met een Duitser in uniform en een lid van de NSB tijdens een kort bezoek van een groep Duitsers aan Den Haag.
Stamp seal
Object type: stamp seal
Date: 201 – 700
Materials: marble
Culture: sasanian
Location: iran or mesopotamia
Fabel van de drijvende stokken
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching
Artist: johann heinrich meil (der ältere)
Artist role: print maker
Artist dates: 1730 – 1820
Subjects: fables of lafontaine : use 85(...), floating (movement in water)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Fontaine, J. de la. Fables choisies, mises en vers. Dl. 2. Dresden & Leipzig: George Conrad Walther, 1758.
Standing Nude
Object type: drawing
Date: 1910 – 1910
Materials: graphite, paper
Artist: amedeo modigliani
Artist role: artist
Artist nationality: italian
Artist dates: 1884 – 1920
Subjects: male nudes
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Two fragments with meanders on the interior, and parts of palmettes on the exterior
Illustration of Su Shi’s “Second Rhapsody on Red Cliff”
Object type: handscroll
Materials: ink, textile
Culture: chinese
Artist: zhang ruitu
Artist role: artist
Artist nationality: chinese
Artist dates: 1570 – 1641
Subjects: mountains,landscapes

Passing the palace examination with high honors in 1607, Zhang Ruitu held a number of important government posts before being elevated to the grand secretariat in 1626 through the support of the powerful eunuch Wei Zhongxian (1568–1627). Zhang, a renowned calligrapher, won favor with Wei by writing out texts composed in the eunuch's honor. Although Zhang retired from office in 1628, shortly after Wei's downfall, he was later listed as one of the eunuch's followers andescaped imprisonment only by paying a large fine. He spent his last years in his native Fujian, and most of his paintings date to that period. Zhang Ruitu's illustration of Su Shi's (1036–1101) Second Ode on the Red Cliff focuses on the moment Su Shi, separated from his companions, climbs the cliff and comes face-to-face with untamed nature. The painting and Zhang's accompanying transcription of another poem by Su Shi, Nostalgia for the Past at the Red Cliff, dated soon after his retirement from office, reflect his feelings about the transience of life and careers in politics.
Hat of Hendrik Casimir I
Object type: menswear
Date: 1612 – 1640
Materials: felt, silk, thread
Techniques: braiding, forming, pressing
Location: netherlands
Artist: Anonymous
Subjects: arnhem, hendrik casimir i graaf van nassau-dietz

Hendrik Casimir was the son of Ernst Casimir. When his father lost his life in 1632, Hendrik succeeded him as stadholder of Friesland, Drenthe, and Groningen. Hendrik also met a violent death: he was shot from his horse in the Flemish city of Hulst in 1640. This is the hat he was wearing at the time. Adjacent to it is the bullet that struck him in the back.
Final Page and Back Cover of Buddhist Manuscript With Four Guardian Kings
Object type: painting
Date: 1601 – 1800
Materials: gold, ink, paper, silk, watercolor, wood
Location: mongolia
M'lle Grery, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Arm met kaarsenhouder van kaarsenkroon van drie hoogten
Object type: chandelier
Date: 1675 – 1725
Materials: brass
Techniques: casting, screwed, turning
Location: southern netherlands
Artist: Anonymous

Kaarsenarm behorende bij een messing kaarsenkroon van drie hoogten. De S-vormige arm heeft een krul en gaat naar buiten toe over in het platte verdikking met een schroefgat. Daarin is de kaarsenhouder met de vetvanger vastgezet. De vetvanger is aan de onderzijde geribd geprofileerd rond de opening en heeft verder twee maal twee gegroefde ringen. De cylindrische kaarsenhouder, die een geprofileerde uitstekende rand, twee gegroefde ringen en een verdikking onderaan heeft, gaat over in een baluster met onderaan het eind met schroefdraad en een knopje, waarin het centergat te zien is. Dit is de eerste arm van de onderste standring, genummerd met 1 ronde punt.
De pin, om de arm aan de standring te bevestigen, heeft een balustervorm.
Gujari Mahal paleis
Object type: page
Date: 1900 – 1900
Materials: photographic support
Techniques: gelatin silver print
Artist: k.h. mawal
Artist role: fotograaf
Subjects: civic architecture; edifices; dwellings
Design for a Porcelain Vase with Bronze Mount
Object type: drawing
Date: 1801 – 1900
Materials: gilt, gold, gouache, graphite, watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: children,flowers,leaves,vases
New England Coast
Object type: watercolor
Date: 1835 – 1900
Materials: graphite, ink, watercolor, paper
Techniques: wash
Culture: american
Artist: william stanley haseltine
Artist role: artist
Artist nationality: american
Artist dates: 1835 – 1900
Subjects: landscapes
Zittende man en soldaten met varkens
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: pig, table, division of armed forces, sitting on an elevation
Inscriptions: annotation: ‘[...]’

Blad 29 verso uit een schetsboek met 25 bladen.
Adoration of the Kings
Object type: tapestry and frame
Date: 1525 – 1535
Materials: silk, silver, silver gilt, thread, wool
Artist: bernard van orley
Artist role: designer
Artist nationality: netherlandish
Artist dates: 1492 – 1542
Subjects: animals,kings,infants,women

Though small in size, this rich devotional tapestry, woven with virtuoso technique in the priciest of raw materials, embodies the highest end production associated with early sixteenth-century Brussels. Complementing its physical appeal was the caliber of its designer, Bernard van Orley, wo was admired official court painter to both Margaret of Austria and, subsequently, Mary of Hungary. With fleeting movement, gorgeously observed draperies billowing, the three kings launch themselves into this scene, as if having just strode into the tapestry from behind its left and right borders. This is a more dynamic version of a design van Orley also executed in oil on panel in a painting now in the collection of the Philadelphia Museum of Art. Van Orley, or a member of his workshop, also explored this composition in a related and extended scene in The Met’s drawing (2014.100) itself, apparently, a design for a larger tapestry.
Portret van Jacobus Koning
Object type: print
Date: 1809 – 1850
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: historical persons (+ head (and shoulders) (portrait))
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een donkere jas en een witte gestrikte das. Onder het portret zijn naam.
Groepsportret van de Senaat van het Alkmaarsche Cadettenkorps
Object type: page
Date: 1911 – 1916
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Portret van Balthasar Karel van Spanje
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Verloving van Prinses Juliana met Bernhard 1936
Object type: history medal
Date: 1936 – 1936
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde de elkaar half toegewende borstbeelden van Juliana en Bernhard met bovenaan omschrift, op de keerzijde twee wapenschilden tegen een oranjeboom met één regel tekst.