deem-data/ArtiFact huggingface dataset:
A Flute-Playing Monk (Komusō); The Fourth Month (Uzuki), from the series Fashionable Poetic Immortals of the Four Seasons (Fūzoku shiki kasen)
Object type: print
Date: 1768 – 1768
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: men,women

Komusō were itinerant Zen Buddhist monks of the Fuke sect who traveled the countryside, covering their heads with oversize basketlike hats and playing bamboo flutes (shakuhachi). Here the young monk has caught the attention of young women, who ogle him from indoors. He turns to watch the flight of a cuckoo bird (hototogisu), a symbol of “the fourth month,” the beginning of summer, and fleeting love. The anonymous poem is from the summer section of Seven Hundred Poems Compiled by Lord Shirakawa (Shirakawa-dono shichi-hyakushu, no. 136), compiled around 1265: Hito mo toe saku ya uzuki no hana-zakari kōchō ni nitaru yado no kakine o Let everyone know that now in the fourth month, the deutzia flowers in bloom resemble butterflies covering a hedge in the garden. —Trans. John T. Carpenter
Plate One, from Five Wise and Five Foolish Virgins
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Titelpagina voor: C. Caesar, Vertoog van de ongelukkige regeringe en het rampzalig leven der zes Engelsche koningen die voorheen den naam van de Tweede gevoert hebben, 1696
Object type: titelblad, titelpagina
Date: 1696 – 1696
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: jacobus ii (koning van engeland en schotland), london, karel ii (koning van engeland), hunting, chase, violent death by arrow(s)
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Caesar, Charles. Vertoog van de ongelukkige regeringe en het rampzalig leven der zes Engelsche koningen die voorheen den naam van de Tweede gevoert hebben. Amsterdam: Jan Claesz ten Hoorn, 1696.
Stadhuis te Middelburg
Object type: print
Date: 1854 – 1907
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: ruurt de vries
Artist role: print maker, printer
Artist dates: 1813 – 1874
Subjects: architectural detail, townhall
Inscriptions: collector's mark: Lugt 1641, collector's mark

Delen van de Koertoren van het stadhuis van Middelburg. Onderaan een schaalstok. Dubbelgevouwen blad. Architectuurvoorstelling. Plaat XII. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Stadhuizen (H-M).
[Child holding tambourine], from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Tuin
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: netherlands

Foto op bruin albumblad 57 van familiealbum van Alphons Diepenbrock.
The Courtesan Takikawa of Ogiya, from the series Seven Beautiful Komachi (Bijin nana Komachi)
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Portret van Louis des Balbes de Berton de Crillon
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Wine Glass
Object type: wine glass
Date: 1850 – 1870
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Collar
Object type: collar
Date: 1700 – 1942
Materials: linen
Culture: american
Portret van Ninon de Lenclos als Jane Grey
Object type: print
Date: 1650 – 1720
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: paris, historical persons - bb - woman, ornament ~ medallion, pearl; pearl necklace
Scarab Finger Ring of Neferkhawet
Object type: ring, scarab, neferkhawet
Date: 1504 – 1447
Materials: silver, stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Boerderijen
Object type: sketchbook leaf
Date: 1780 – 1800
Materials: paper, pencil, watercolor
Techniques: brush
Subjects: farm (building)

Blad 13 recto uit een schetsboek met 16 bladen.
Paard in een stal aangelijnd
Object type: album leaf
Date: 1811 – 1811
Materials: paper
Techniques: etching
Artist: johann adam klein
Artist role: draughtsman, print maker
Artist dates: 1792 – 1875
Subjects: barn, saddle, horse, shrubs: broom
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Vestingplattegrond van Maastricht, 1673
Object type: area plan
Date: 1673 – 1675
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: fortified city, maps of cities, maastricht

Links een Franse legenda 1-33. Mogelijk een vestingplattegrond bij het Beleg van Maastricht door de Fransen, 1673.
Magistraatskussen met het wapen van West-Friesland
Object type: magistratenkussen
Date: 1767 – 1767
Materials: silk, wool
Techniques: embroidered
Location: west frisia
Artist: Anonymous
Inscriptions: inscription: ‘DE Hr NICOLAAS BRUYN GECOMMIT TEERDE RAAD 1767’

Magistratenkussen van donkergroen laken met het gekroonde wapenschild van West-Friesland en als schildhouders twee leeuwen, het geheel in zijden borduursel. Onder het wapenschild is een banderol aangebracht met de inscriptie "DE HR. NICOLAAS.BRUYN.GECOMMIT.TEERDE.RAAD.1767". Het kussen is afgewerkt met een korte donkergroenzijden franje en gevoerd met okergeel satinet.
Combination table
Object type: combination table
Date: 1775 – 1775
Materials: wood, gilt bronze, lacquer, marble, porcelain, quartz, silver gilt
Techniques: veneering
Artist: martin carlin
Artist role: maker
Artist nationality: french
Artist dates: 1725 – 1785

The principal occupation indeed of a French Lady is her Toilet. — Elizabeth Seymour Percy, Duchess of Northumberland, diary entry for June 9, 1770 The daily ritual of dressing and grooming was taken very seriously in France, and it was not unusual for an aristocratic lady to receive visitors, who could even be called upon to assist her. Special pieces of furniture were designed for the toilette, such as this elegant marquetry table signed by Martin Carlin, which is more versatile than most dressing tables. The upper section can be removed to serve as a bed table, as it has its own short legs. It is fitted with an adjustable mirror that can be reversed to form a book rest. A shallow drawer is provided in front, and the lidded compartments on either side are used for the storage of toilet articles. The lower section is a fullsize table with a marble top, pull-out shelves in front and back, and drawers on both ends holding equipment for dressing, breakfasting, and writing. A trelliswork pattern enclosing rosettes, which may have been based on designs seen in Japanese lacquerwork, embellishes the exterior of this multipurpose piece, which is further enriched with gilt-bronze mounts. Most dressing tables do not have as many fittings as the Museum's piece (not all of which are original), and for that reason it has been suggested that it was intended for use while traveling. However, the spindly legs are not provided with a threaded rod for detachment, meaning that the dressing table would have had to be transported intact. This makes it highly unlikely that the piece was meant to be taken on journeys, as it would not only prove cumbersome in the extreme but liable to damage en route. The table is a typical product of a marchand-mercier, who would have bought or ordered the various rockcrystal, Sevres porcelain, and silver accoutrements and engaged a cabinetmaker to create the wooden frame. Martin Carlin, a German-born cabinetmaker who had settled in Paris by 1759, specialized in making expensive and fashionable furniture and often collaborated with the dealers Simon-Philippe Poirier and Dominique Daguerre. A closely related combination table is in The Frick Collection, New York.
Portret van paus Leo XII
Object type: print
Date: 1801 – 1834
Materials: paper
Techniques: stippling
Location: nuremberg
Subjects: rome, historical persons, pope
Inscriptions: collector's mark: Lugt 2228
Cephalus door Aurora meegenomen in haar strijdwagen
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: etching
Location: france
Subjects: aurora carrying off cephalus
Inscriptions: collector's mark: Lugt 2228
Schetsen van een man, twee handen en een stuk draperie
Object type: drawing
Date: 1700 – 1745
Materials: chalk, paper
Artist: nicolas lancret
Artist role: draughtsman
Artist dates: 1690 – 1745
Subjects: bird in a cage
Inscriptions: inscription, recto, red chalk: ‘''bleu'' (tweemaal)’, collector's mark, recto, lower left: Lugt 837, collector's mark, recto, lower left: Lugt 911, collector's mark, recto, on the mount, lower right: Lugt 2228

Schetsblad met een zittende man naast een vogelkooi, twee handen los er naast, verder een stuk draperie.
F. Gebhard, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women,jockeys

Trade cards from the "Racing Colors of the World" series (N22b), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not.
Hoed van fijn, bruin en naturel stro
Object type: womenswear
Date: 1954 – 1954
Materials: straw
Techniques: braiding
Location: netherlands
Artist: Anonymous

Hoed van fijn, bruin en naturel stro. Gemaakt van rondgelegde vlechtbandjes. Plat model, als een brede baret, met twee ingestreken ringdeuken. Randbeleg aan de binnenzijde, van naturel, naar geel gaand, stro.
Strook gekleurd kantborduurwerk met wingerdblad
Object type: strip
Date: 1585 – 1599
Materials: textile, linen, silk
Techniques: embroidery
Location: italy
Artist: Anonymous

Strook gekleurd kantborduurwerk: Burato-kant. Op een slingerdraadweefsel van lichtbruine zijde en linnen is met zijdedraad in de kleuren blauw, groen, geel en crème een randpatroon in doorstoptechniek aangebracht. Het patroon bestaat uit een hoekige lopende rank, met daaraan een schuingericht wingerdblad. Omlijsting door een rij van driehoekige bladeren (?) aan een stengel.
Meditistic Arabesque
Object type: drawing
Date: 1910 – 1930
Materials: cardboard, paper, pencil
Location: netherlands
Artist: jacob bendien
Artist role: draughtsman, print maker
Artist dates: 1890 – 1933
Inscriptions: signature: ‘J Bendien’

Around 1913, Jacob Bendien and several other Dutchmen developed their own form of entirely abstract art. They presented it in Amsterdam as ‘absolute art’, derived from the ‘absolute music’ – music not explicitly about anything – that was making its appearance at the time. In his work Bendien strove for what he called ‘Meditism’, an expression of emotions that was controlled by the mind.
Memorieprent voor Hendrik Danielsz. Hooft
Object type: print
Date: 1794 – 1796
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: amsterdam, hendrik danielsz. hooft, mayor, burgomaster
Inscriptions: collector's mark: Lugt 2233

De Amsterdamse stedenmaagd, met de vrijheidshoed op een lans in de hand, wijst naar het portret van Hendrik Hooft Danielsz., burgemeester van Amsterdam.
Panel Depicting Annunciation of Virgin
Object type: textile
Date: 1667 – 1667
Materials: textile, linen
Techniques: embroidery, treatment, weave, stitching
Location: germany
Artist: catarina bremselin

The scene portrays the visit of the Archangel Gabriel to the Virgin Mary to announce to her that she woulbe be the mother of God. The piece is unusual in that the piece is in fine condition and is unaltered and still retains its original borders. The very detailed design motif with architectural elements of the canopy and prie dieu are typical of the period. The centrally placed lily in a vase between the Virgin and the announcing angel represents purity; because of its depiction in many Annumciation scenes, the lily has become the flower of the Virgin and an attribute of the Archangel Gabriel. Mary appears to have been interrupted in prayer by the angel, carrying the scepter as herald of God. The dove at the upper right, is symbolic of the Holy Spirit. The panel is worked in a technique generally known as lacis, utilizing a ground of square netting which is subsequently embroidered with cloth and/or darning stitches. Lacis, or netting, is the oldest of the techniques of lace making, evolving from fishing nets and animal snares. Intended for ecclesiastical use, such as for alter frontals, funeral palls, hangings, and a variety of other liturical linens, were ornamented with sacred emblems or symbolic figures. This panel may have been a section from a much-larger alter frontal or hanging, or it may have been a separate picture. It is an excellent example of lacis work.
Scarab with Hathor-like Canaanite Goddess
Object type: scarab, canaanite goddess, 'hathor'
Date: 1740 – 1640
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs

Around the middle of Dynasty 13 (ca. 1802–1640 B.C.), scarabs carved in the eastern Nile Delta, at a site presently known as Tell el-Dab’a, show decorative elements that reveal Canaanite influence. Part of the population in this region was of Levantine origin. Soon afterward, at the beginning of the Second Intermediate Period (ca. 1700/1640 B.C), when Canaanites took political control over the Delta, a Canaanite production of scarabs is initiated; these scarabs also show details on their back and sides that distinguish them from Egyptian Middle Kingdom and Second Intermediate Period scarabs. These Canaanite scarabs (ca. 1700–1500 B.C.) imitate Egyptian late Middle Kingdom models (ca. 1850–1640 B.C.) while also introducing new decorative elements and symbols. This scarab manufactured at a workshop in Tell el-Dab’a shows a female face in frontal view with large plume-like extensions on her head. This is an example of how Egyptian motifs were adapted into the Canaanite repertoire, because the head strongly resembles the Egyptian representation of the Hathor emblem (often in the shape of a Hathor sistrum). On scarabs, the Canaanite "Hathor" head is paired with geometric decorative elements, plants, or sometimes by signs, and can be distinguished from the Egyptian Hathor motif because of the presence of two or three long extensions on her head.
Tijger
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: beasts of prey, predatory animals: tiger
Inscriptions: number: ‘134’

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Ōtani Hiroemon in the role of Gokumon no Shobei
Object type: woodblock print nishiki e
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors
Wandarm, waarvan de armen en de kaarsenhouders zijn vormgegeven als bloemtakken
Object type: altaarboeket
Date: 1700 – 1750
Materials: iron
Techniques: forging
Artist: Anonymous

Een gesmeed ijzer altaarboeket. Met de oorspronkelijke kleuren beschilderd.
Portret van een onbekende jongeman in uniform
Object type: carte de visite
Date: 1903 – 1920
Materials: paper, cardboard
Techniques: collodion silver print
Location: haarlem
Artist: jan van roon
Artist role: fotograaf
Artist dates: 1879 – 1948
Subjects: youth, adolescent, anonymous historical person portrayed, (military) uniforms, haarlem
Inscriptions: inscription: ‘J. van Roon/ Generaal Cronjéstraat 41 en 43./ Haarlem.’
Portret van Petrus Ramus
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: paris, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Portret van Johann Florian Hammerschmid
Object type: print
Date: 1746 – 1799
Materials: paper
Techniques: engraving
Location: prague
Subjects: prague, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Effigies Virorum eruditorum atque Artificum Bohemiae et Moraviae (...). Praag: Wolfgang Gerle, 1775, dl. 2.
Pauline Markham, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Dish with Allegory of Autumn
Object type: dish
Materials: earthenware
Techniques: glazing
Artist: bernard palissy
Artist role: maker
Artist nationality: french
Artist dates: 1510 – 1590
Subjects: food,fruit,grapes,wine,men,walking,autumn,harvesting
Snuff Bottle with Panels of Gourds
Object type: vessel
Materials: stone
Techniques: carving
Location: china
The soprano Karoline Hetzenecker in the role of Sesto in La Clemenza di Tito by W.A. Mozart
Object type: drawing
Date: 1848 – 1848
Materials: graphite, watercolor
Location: germany
Artist: moritz von schwind
Artist role: artist
Artist nationality: austrian
Artist dates: 1804 – 1871
Subjects: women,actresses
Jonge vrouw met edelman, tegengehouden door haar vader
Object type: print
Date: 1811 – 1813
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: father and daughter(s) (family group), theatre, theatrical performance
Inscriptions: collector's mark: Lugt 2228

Prent van scène zes uit de tweede acte van 'Mr de Pourceaugnac' door Jean Baptiste Molière. Dit betreft een van de dertig prenten, gemaakt in opdracht van Antoine Augustin Renouard, bestemd voor verschillende edities van Molières werk daterend van 1811 tot 1813. De prenten zijn vervaardigd door verschillende kunstenaars naar composities van Moreau.
Collar
Object type: collar
Date: 1820 – 1830
Materials: cotton
Culture: american
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 200
Materials: glass
Culture: roman

Colorless with blue green tinge. Rim folded out, over, and in; cylindrical neck, expanding downward with tooling marks around base; broad conical body with convex sides; slightly concave bottom. Intact; many bubbles; deep pitting and brilliant iridescent weathering.
Westgevel van de San Marco te Venetië
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: parts of church exterior and annexes: west façade
Inscriptions: inscription: ‘San Marco, Venetie’
Table Spoon
Object type: spoon
Date: 1780 – 1800
Materials: silver
Culture: american
Location: united states
Artist: john burger
Artist role: maker
Artist nationality: american
Artist dates: 1783 – 1807
Sacrae historiae acta a Raphael Urbin in Vaticanis xystis ad picturae miraculum expressa
Object type: album leaf
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: paris
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh) (+ donor(s), supplicant(s), whether or not with patron saint(s))

Deze prent maakt deel uit van een album.
View of the Campidoglio with the Statue of Marcus Aurelius
Object type: drawing
Date: 1762 – 1762
Materials: chalk, ink, watercolor
Techniques: brush, printmaking, pen
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Subjects: human figures,sculpture,doors

Hubert Robert is known to have made counterproofs of his drawings to reproduce a unique work of art in duplicate. In this instance, he took a red chalk drawing and ran it through a press against a blank sheet of paper, resulting in the same image in reverse. Counterproofs were customarily reworked in other media, here in pen and black ink, and watercolor. The Lehman drawing was strengthened with red ochre wash to denote half tones, white wash to emphasize the brilliantly lit middle ground, and blue green watercolor to accentuate the walls framing the doorway. The figures were then heavily reworked with pen and black ink.
View of the Palais Cardinal, from "Various views of remarkable palaces in Italy and France" (Diverses vues d'endroits remarquables d'Italie et de France)
Object type: print
Date: 1649 – 1651
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: palaces,trumpets
Nieuwjaarswens van de Amsterdamse askarrenmannen voor het jaar 1866
Object type: print
Date: 1865 – 1866
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Artist: dirk wijbrand tollenaar
Artist role: print maker
Artist dates: 1808 – 1858
Subjects: public road - ii - ideal city, garbage collection, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens namens de askarrenmannen (karrenman of vuilnisman) te Amsterdam voor het jaar 1866. Gezicht op de Dam te Amsterdam met de Beurs van Zocher en het Commandantshuis. Tussen het publiek de vuilnismannen met hun kar. Onderaan een gedicht in twee kolommen. Namens H. Sluiters, de askarreman van wijk no. 30.
Gezicht op de Karthuizer kerk te Parijs
Object type: album leaf
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: church (exterior)

Prent origineel vervaardigd als boekillustratie voor: Zeiller, Martin. Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Frankreich, 13 delen. Frankfurt am Main: Caspar Merian, 1655-1661. De prent werd voor het eerst gepubliceerd in deel 1: Topographia Galliae, 1655.
Overijsselse bezemstuiver, 1628
Object type: coin
Date: 1628 – 1628
Materials: silver
Techniques: striking
Location: kampen

Zilveren munt. Voorzijde: binnen lauwerkrans drieregelig opschrift, waaronder jaartal. Keerzijde: binnen lauwerkrans tussen waarde-aanduiding I S pijlenbundel.