deem-data/ArtiFact huggingface dataset:
Standing Female Figure Turning to the Left
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: john michael rysbrack
Artist role: artist
Artist nationality: flemish
Artist dates: 1694 – 1770
Rivierlandschap met boten en een beladen kar
Object type: page
Date: 1886 – 1891
Materials: paper
Techniques: photograph
Location: norfolk broads
Artist: john payne jennings
Artist role: fotograaf
Artist dates: 1843 – 1926
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), (farm) wagon, freight wagon, cart
Portret van Tuman Bay II, sultan van Egypte
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons
Inscriptions: inscription: ‘110 Tomombey [...] l'Egypte’, collector's mark: Lugt 2228

Deze prent werd gebruikt voor de publicatie 'Les vrais pourtraits et vies des hommes illustres grecz, latins et payens' van André Thevet, uitgegeven in 1584 te Parijs (dl. 3, p. 639 recto).
Earring, One of a Pair
Object type: earring
Date: 1001 – 1200
Materials: gold, metal
Techniques: filigree
Location: iran
Cornelio Poulenbourgh
Object type: print
Date: 1649 – 1662
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: utrecht, painter, draughtsman, cornelis van poelenburch, historical persons, portrait, self-portrait of painter

Prent mogelijk uit: Meyssens, Joannes. Image de divers hommes desprit sublime qui par leur art et science deburovent vivre eternellement et des quels la louange et renommée faict estonner le monde. 2 dln. Antwerpen: Joannes Meyssens, 1649, dl. I, p. 33.

Andere staat van prent gebruikt in: Bie, Cornelis De. Het gulden Cabinet vande edel vry schilder const, inhoudende den lof vande vermarste schilders, architecte, beldthowers ende plaetsnyders van dese eeuw. Antwerpen: Joannes Meyssens, 1662 [1661 foutief op titelpagina], p. 257.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 3, p. 404.
Glass rhyton (drinking horn)
Object type: rhyton
Date: 34 – 66
Materials: glass
Culture: roman

Translucent pale blue green. Tubular rim, folded out, slightly down, over, and in; flaring mouth; short cylindrical neck; elongated cylindrical body, tapering downwards and then curving out and down to pointed end. Intact, but broken at end and missing tip of horn; some elongated bubbles; slight pitting of surface bubbles, small areas of whitish weathering, iridescence on exterior, most of interior covered with soil-encrusted weathering and brilliant iridescence. With curved foot ending in a point.
Vermagerde Boerenvrouw en -kinderen in een concentratiekamp
Object type: cartoon
Date: 1901 – 1901
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: concentration camp, horrors of war, starvation, famine, political caricatures and satires

Prent maakt deel uit van een tijdschrift met spotprenten op de Tweede Boerenoorlog. Met vierregelig onderschrift: ..... in de reconcentratie-kampen aangekomen vinden de Boerenvrouwen aldaar ruime en luchtige tenten ... (Officieel rapport van Lord Kitchener aan het War Office.).
Scent bottle
Object type: scent bottle
Date: 1750 – 1755
Materials: soft paste porcelain
Artist: saint james's factory
Artist role: maker
Artist nationality: british
Artist dates: 1749 – 1759
Subjects: flowers
Gloves
Object type: glove
Date: 1878 – 1878
Materials: leather, silk
Culture: french
The Holy Family
Object type: drawing
Date: 1750 – 1757
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: holy family
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: aberdeen painter
Artist role: artist

Interior, draped figure; Exterior, ornament
Design for T-Cart, no. 3903
Object type: drawing
Date: 1884 – 1884
Materials: gum arabic, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Pavillon Neerlandais et restaurant Allemand
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1910
Materials: cardboard
Techniques: photograph, lithograph
Location: brussels
Subjects: world fair, world exhibition, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), brussels
Inscriptions: date
Tôsei hokku awase
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: woodcut
Location: osaka
Artist: utagawa kunimasu
Artist role: print maker
Subjects: adult man, hacking and thrusting weapons: sword, actor (on the stage)

Toneelspeler Nakamura Utaemon IV in de rol van Danshichi Kurobei, in het stuk "Natsumatsuri Naniwa kagami", opgevoerd in het Naka Theater, in de vijfde maand van 1850.
Philips III, koning van Spanje
Object type: medal
Date: 1598 – 1598
Materials: bronze
Techniques: striking
Artist: Anonymous
Subjects: filips iii (koning van spanje)

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: anker bekroond met lauwerkrans binnen omschrift
Exterieur van het Stadhuis van Manchester
Object type: page
Date: 1877 – 1877
Materials: photographic support
Techniques: albumen print
Location: manchester
Artist: j. mcleod
Artist role: fotograaf
Subjects: townhall, façade (of house or building)
Inscriptions: title: ‘Cooper Street Front’
Hiten
Object type: figure
Date: 901 – 1000
Materials: wood
Culture: japanese
Coffeepot
Object type: coffeepot
Date: 1766 – 1767
Materials: wood, silver
Artist: denys frankson
Artist role: maker
Artist nationality: french
Artist dates: 1735 – 1821

Initially taken as a medicinal drink, the reception at the French court of Suleyman Aga Mustafa Raca, the envoy of the Ottoman Sultan Mehmet IV in 1669, made coffee drinking fashionable in France. Quickly becoming popular at all levels of society, the beverage was enjoyed in salons and coffee-houses. Coffee was brewed with finely powdered grounds in the Turkish manner and served from the same vessel. In contrast with the teapot, the spout on the coffee-pot, rising from the base of the neck of the vessel, was placed as high as possible, so that the coffee-grounds could settle and would not be poured into the cups. The more commonly found type of coffeepot has a pear-shaped body mounted on three feet, a flattened lid, a short spout, and a wooden handle, sometimes placed at a straight angle to the spout or directly opposite it. A three-legged pot could accommodate a burner placed between the feet to keep the beverage warm. As seen in this example by the Paris silversmith Denys Frankson, a different type of coffeepot was also known. Referred to as a Marabout or a Coquemar, this kind of pot was considerably smaller in size, had a bulbous body and a flat short base which would have been placed directly on a burner. Made in 1766-67, this Marabout coffeepot is plain and austere, has the typical wooden handle attached to the body by a frame of silver scrolls with a horizontal pin holding the handle in place. Frankson became a master in 1765 as reward for his service of teaching abandoned children at Hôpital de la Trinité the art of silversmithing. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver as illustrated by this coffeepot.
H.R.H. Duke of Connaught, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,jockeys

Trade cards from the "Racing Colors of the World" series (N22b), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not.
Cuirass
Object type: cuirass
Date: 1490 – 1500
Materials: gold, steel
Culture: flemish or italian
Location: italy

By the end of the fifteenth century, one-piece breastplates had mostly replaced the two-piece Gothic form. The shape of this breastplate, particularly the boldly boxed borders at the neck and arms, is characteristic of the new type created in Italy and emulated in Flanders.
Reliëf op het voetstuk van een pendopo aan de oostzijde van Candi Panataran
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Candi Panataran (Temple Complex), Pendopo terrace, reliefs 4-10 ('Sang Satyawan' story), east side. Panataran, Blitar district, East Java province 1375 AD.
Façade van Haus zum Ritter, Heidelberg
Object type: photograph
Date: 1855 – 1879
Materials: cardboard, paper
Techniques: albumen print
Location: heidelberg
Subjects: front façade
Inscriptions: check stamp: ‘Kunst & Musikalienhandlung/ L. Meder/ Heidelberg’, number: ‘98 d.’, collector's mark: Lugt 3937
Reclame voor een locomotief van Atkins Stover in Brooklyn, New York
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, steam locomotive
Brief aan Philip Zilcken
Object type: letter
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: thérèse schwartze
Artist role: draughtsman, painter, print maker
Artist dates: 1851 – 1918
Subjects: mayor, gijsbert van tienhoven, the hague, painter, philip zilcken, exhibition ~ art
Inscriptions: watermark, collector's mark: ‘RPK’
Graftombe van Paus Urbanus VIII
Object type: print
Date: 1685 – 1736
Materials: paper
Techniques: engraving, etching
Location: rome
Artist: philibert bouttats (ii)
Artist role: print maker, publisher
Artist dates: 1675 – 1750
Subjects: naples, rome, painter, draughtsman, sculptor, gian lorenzo bernini, clergyman, urbanus viii, charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, death as skeleton, grave-building, monumental tomb, pope
Inscriptions: signature: ‘Philibertus Bouttats Junior fecit’, collector's mark: Lugt 2228

Graftombe van Paus Urbanus VIII in de Sint-Pietersbasiliek van Rome, door Bernini. Boven op de tombe het zittend standbeeld van Urbanus VIII. Hij maakt een zeggenend gebaar. Links het standbeeld van Caritas, rechts dat van Justitia. In het midden van de tombe de dood die in een boek de naam van de overledene schrijft. Boven de tombe het persoonlijk pauselijk wapen van Urbanus VIII, opgehouden door twee putti. Links, rechts van en onder de tombe portretten van andere leden van Barberini-familie
Rembrandt
Object type: page
Date: 1871 – 1881
Materials: photographic support
Techniques: albumen print
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: adult woman
Inscriptions: inscription: ‘2. Classische Bilder.’
Armchair
Object type: armchair
Date: 1865 – 1870
Materials: gilt, wood
Culture: american
Location: united states
Artist: herter brothers
Artist role: maker
Artist nationality: american
Artist dates: 1864 – 1906
Bowl with geometric pattern
Object type: bowl
Date: 1634 – 1666
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers,leaves
Sample
Object type: sample
Date: 1801 – 1833
Materials: metal thread, silk, wool
Covered Vase
Object type: vase
Date: 1886 – 1890
Materials: earthenware
Culture: american
Location: united states
Artist: faience manufacturing company
Artist role: maker
Artist nationality: american
Artist dates: 1881 – 1892
Subjects: flowers

Through its form and decoration, this vase, like many of the Faience Manufacturing Company's objects made after 1886, illustrates the Near and Far Eastern, as well as English, influence on late nineteenth-century American ceramics. Rising from a bulbous body, the long neck with domed cover recalls an Islamic minaret. Botanical motifs depicted on Japanese ceramics inspired the lavender and sepia wisteria enriched with raised gold paste that trails over the shoulder of the vase and down its sloping sides.
Gezicht op de Grote Kerk te Edam
Object type: print
Date: 1757 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 6 (1757), ill. 412. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 6, ill. 412.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
Les Chanteurs
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: france
Subjects: hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2228
Oyah (Bibilia)
Object type: oyah bibilia
Date: 1801 – 1900
Materials: silk
Location: turkey
Subjects: trees
Elegantly dressed male and female skeletons arm in arm (vignette for the feast of the dead)
Object type: print
Date: 1894 – 1894
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons,men,women

Image included in the broadsheet "Aquí tiene a dos muertos", from "El gran panteón amoroso" (Imprenta de A. Vanegas Arroyo, ca 1894).
Daphnis en Chloë badend
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Location: paris
Subjects: daphnis (in greek mythology a shepherd who invented pastoral poetry, chloe
Inscriptions: collector's mark: Lugt 2228

Prent uit: Amyot, Jacques. Les Amours pastorales de Daphnis et de Chloé (...). Parijs: François-Ambroise Didot, 1800.
Portret van de markies van Ávila en Boloma.
Object type: page
Date: 1866 – 1871
Materials: photographic support
Techniques: engraving
Artist: Anonymous
Subjects: politician, historical persons
Inscriptions: inscription: ‘Marquis d'Avila et de Boloma’
Portret van Jan van Speyk
Object type: print
Date: 1831 – 1832
Materials: paper
Techniques: etching, roulette
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam, jan van speyk, historical persons, commander-in-chief, admiral

Met tweeregelig onderschrift in het Nederlands.
Musefeld bekeert zijn vader
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: father and son(s) (family group), conversion and belief
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor een serie over Duitse rages. Latere staat gebruikt voor: Berliner genealogischen Calender auf das Jahr 1789. [Berlijn]: s.n., [1788].
Schotel uit V.O.C.-schip de 'Witte Leeuw'
Object type: platter
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: lotus ~ ornament - aa - stylized

A saucer. The colour of the cobalt blue varies from grey to purple blue. The decoration on the inside consists of a flowering lotus plant with a duck underneath in the centre. On the cavetto 6 similar lotus plants are drawn.
Wedding ensemble
Object type: wedding ensemble
Date: 1875 – 1875
Materials: silk
Culture: european
Afkondiging van het Generaal Pardon, 1570
Object type: book illustration
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: fernando álvarez de toledo (3rd duke of alba), granting mercy; free pardon
Inscriptions: collector's mark, collector's mark: Lugt 1641

Afkondiging van het Generaal Pardon, 16 juli 1570. Op een stellage voor het stadhuis van Antwerpen laat Alva het Algemeen Pardon voorlezen. Bovenaan zit Alva op een troon, op de trappen daaronder zitten soldaten. Met onderschrift van 4 regels in het Latijn. Genummerd: 25. Bedrukt op achterzijde met tekst in het Nederlands. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen; prenten van Baudart. 80j. oorlog.
Skeletons of the good defenders
Object type: print
Date: 1900 – 1910
Materials: metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons,dancing
Tankard
Object type: tankard
Date: 1567 – 1600
Materials: gilt silver
Artist: gregorius gunesch
Artist role: maker
Artist dates: 1592 – 1602
Lid of vessel
Object type: lid of vessel, grotesque head be
Date: 1981 – 1640
Materials: pottery
Location: egypt
Reclameboekje voor lessen in Versieringskunst door R.W.P. de Vries Jr. en een apothekersetiket voor levertraanemulsie
Object type: print
Date: 1884 – 1952
Materials: paper
Techniques: lithograph, printing block
Subjects: fishes
Inscriptions: number: ‘No26'27'’

Ornamenten rondom het woord 'versieringskunst' en een etiket met twee vissen aan weerszijden van de woorden 'levertraan' en 'emulsie'.
Untitled (Royal Portal of Chartres Cathedral)
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: chartres
Artist: Anonymous
Portret van een onbekende vrouw
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, leather, mother of pearl, papier mâché, velvet
Techniques: daguerreotype
Artist: Anonymous
Subjects: adult woman, historical persons
Inscriptions: inscription: ‘Bijou’
Maraca (gourd rattle)
Object type: maraca
Date: 1801 – 1900
Materials: wood
Culture: native american
Location: united states

Street musicians in Puerto Rico and other West Indian islands use this type of rattle.
De Ambonsche Hongi of De Coracora-Vloot
Object type: print
Date: 1717 – 1770
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: frederik ottens
Artist role: draughtsman, print maker
Subjects: verenigde oostindische compagnie, ambon
Dirhem van de Ghaznaviden, 365-387 [=976-997] uit Ferwan [?]
Object type: coin
Date: 976 – 997
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: binnen cirkel versiering, waaronder in Arabische lettertekens in Koefisch schrift in vier regels opschrift, de Kalima [=geloofsbelijdenis] ? Rondom cirkel omschrift in Arabische lettertekens in Koefisch schrift. Keerzijde: in Arabische lettertekens in Koefisch schrift opschrift in vier regels.
Doornburg, het Huis van Mejuffr: Weduwe van de H. Willem van Son, Dom heer van Oud-Munster (...) / Doornburg la Maison de Mademoiselle La veuve du Sr. Willem van Son (...)
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: etching
Subjects: rural housing, e.g. country-house, villa, cottage, french or architectonic garden; formal garden, maarssen

Prent uit: De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende. Amsterdam: Wed. Nicolaes Visscher, 1719.
Vest
Object type: vest
Date: 1820 – 1825
Materials: silk
Culture: american or european
Hilly Landscape with Shepherd and Flock
Object type: drawing and watercolor
Materials: charcoal, paper
Techniques: drawing, stumping
Location: england
Artist: follower of thomas gainsborough
Doodsportret van Napoleon I Bonaparte, keizer van Frankrijk
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: napoleon i (emperor of the french), death-mask, historical persons, emperor

Prent uit: Le Magasin pittoresque 2 (1834).
Stad in de Eifel
Object type: drawing
Date: 1876 – 1915
Materials: chalk, paper
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: dale, valley, germany
Bouffé
Object type: photograph
Date: 1873 – 1873
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: pierre petit
Artist role: fotograaf
Artist nationality: french
Artist dates: 1832 – 1909
Subjects: collected by hugh edwards, contemporaine littéraire
Bottle with stopper
Object type: bottle with stopper
Date: 1730 – 1730
Materials: glass
Subjects: trees
Dieren
Object type: print
Date: 1570 – 1668
Materials: paper
Techniques: engraving, etching
Subjects: hoofed animals: dromedary, walker and runner birds: ostrich, beasts of prey, predatory animals: bear, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Deze serie is gekopieerd naar of het voorbeeld voor de serie Bestiarum quadrupedum Vivae Icones naar prenten van Adriaen Collaert die werd uitgegeven door Crispijn de Passe in Utrecht. Zie New Hollstein Dutch, The Collaert Dynasty, dl. VI, p. 168, cat.nrs. 1462-1481 copy b.
Nursemaid
Object type: print
Date: 1843 – 1843
Materials: chine
Techniques: drypoint, roulette
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Achttien gezichten op kerken en gebouwen in West Dorset
Object type: page
Date: 1868 – 1873
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: church (exterior), exterior ~ representation of a building
Inscriptions: inscription: ‘Corfe (...) Bradford’
David harpspelend voor Saul
Object type: drawing
Date: 1554 – 1618
Materials: chalk, ink, paper, pencil
Techniques: pouncing
Artist: ambrosius francken (i)
Artist role: draughtsman, print maker
Artist dates: 1544 – 1618
Subjects: david as harpist at saul's court (1 samuel 16:14-23)