deem-data/ArtiFact huggingface dataset:
La chambre à Arles
Object type: reproduction
Date: 1926 – 1940
Materials: cardboard
Techniques: autotype
Location: chicago
Subjects: bed, picture, painting, bedroom
Altaar met beeldje van een vrouw
Object type: print
Date: 1713 – 1717
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: altar ~ roman religion

Illustratie voor: Mattheus Gargon, Walchersche arkadia, Samuel (I) Luchtmans, Leiden 1715-1717, pag. 134 No. 4.
Publieke stadstuin in Menton
Object type: photograph
Date: 1886 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: menton
Schip vaart door open brug
Object type: photograph
Date: 1950 – 1960
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: netherlands

Een vrachtschip wordt door een onttakelde brug gesleept door de sleepboot 'Engeland'; langs de kant staan mensen te kijken.
Post Horn in B-flat
Object type: post horn in b flat
Date: 1801 – 1900
Materials: brass
Culture: european
Virginaal uit de collectie van Antonin Terme
Object type: photograph
Date: 1880 – 1885
Materials: photographic support
Techniques: platinum process
Location: liège
Artist: Anonymous
Subjects: art collection, art gallery, spinet, virginal
Young Couple Seen From Behind
Object type: drawing
Date: 1834 – 1866
Materials: graphite, watercolor
Artist: hippolyte-omer ballue
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1867
Subjects: animals,couples,men,women
Private, 5th Regiment, Maryland, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Fragment
Object type: textile
Materials: silk
Techniques: weave
Location: china
Plan of a Washington Monument
Object type: print
Date: 1848 – 1848
Techniques: engraving
Artist: john william orr
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1815 – 1887
Subjects: monuments,george washington

This monument has a square base supporting a portrait of Washington and allegorical statues representing the continents at the corners between flights of steps. Above there is a circular temple with thirteen columns supporting a globe with a statue of Washington at the appex. The design is set within a park and a church spire appears in the distance at right. Presumably this is a proposed alternate plan for the national monument to George Washington built in Washington DC 1848-56, and 1876-84.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, hands of male playing kottabos
Hakone: View of the Lake (Hakone, kosui no zu), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido
Object type: print
Date: 1833 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Piece
Object type: piece
Date: 1801 – 1833
Materials: metal thread, silk
Culture: japanese
Subjects: children
Zwitserland, 2 centimes,1870
Object type: coin
Date: 1870 – 1870
Materials: bronze
Techniques: striking
Location: bern

Bronzen munt. Voorzijde: het wapenschild van Zwitserland, waarboven vrijheidshoed tegen een achtergrond van laurier- en eikentakken. Jaartal onderaan. Keerzijde: binnen twee samengebonden takken in een regel waarde-aanduiding. Onderaan letter B [=Bern]. Gladde rand.
Smalle straat met zwaaiende vrouw
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: henri kervyn van lettenhove
Artist role: print maker
Artist dates: 1856 – 1928
Subjects: street
Inscriptions: collector's mark: Lugt 2228
Staand vrouwelijk naakt met opgeheven hoofd
Object type: sketchbook leaf
Date: 1887 – 1892
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ standing)

Pagina 20 uit een schetsboek met 17 bladen.
Cushion seal
Object type: stamp seal
Date: 1300 – 1101
Materials: stone
Culture: cypriot
Location: cyprus
Violist in orkest
Object type: print
Date: 1893 – 1921
Materials: paper
Techniques: tone lithography
Artist: harrie kuyten
Artist role: print maker
Artist dates: 1883 – 1952
Subjects: large group of musicians, orchestra, violin, fiddle
Inscriptions: collector's mark: Lugt 2233

Tussen de muzikanten van het orkest door is een staande violist te zien. Deze prent maakt deel uit van een omslag met zes prenten.
Fabel van de twee muizen
Object type: book illustration
Date: 1567 – 1567
Materials: paper
Techniques: etching
Location: bruges
Subjects: rodents: mouse, cellar, fables of aesop (with title) : use 85(...)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

In een kelder zitten een huismuis en een veldmuis samen op een tafel en eten voedselresten. Een man komt binnen met een kaars in zijn hand. De huismuis heeft weliswaar een overvloed aan eten, maar zijn leven is veel gevaarlijker dan dat van de veldmuis
Cover
Object type: cover
Date: 1767 – 1800
Materials: silk
Techniques: embroidery
Location: turkey
Subjects: flowers
Finlay - The Deerstalker
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Gezicht op de gevel van de vleeshal in Haarlem
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: haarlem
Artist: Anonymous
Subjects: decorated gable
Inscriptions: number: ‘24.’
Vijf naakte mannen die balken of tabletten dragen
Object type: sketchbook leaf
Date: 1658 – 1728
Materials: ink, paper, pencil
Techniques: pen
Artist: Anonymous
Subjects: carrying something, the (nude) human figure; 'corpo humano' (ripa)
Inscriptions: annotation: ‘y y’

Blad 20 verso uit een schetsboek met 33 bladen.
Fragment pijpenkop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: fish, flounder; fragm, 2hsm1,6.
Below the Caldron, No. 1809 from the series "Dells of the St. Louis River"
Object type: photograph
Date: 1889 – 1889
Techniques: albumen print
Location: united states
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Copper Tweezers
Object type: tweezer
Date: 101 – 700
Materials: copper, shell
Techniques: hammering
Culture: moche
Location: peru
Studie van een vrouwenhoofd(?) met een hoofddoek
Object type: print
Date: 1710 – 1767
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: head (human) - aa - female human figure (+ three-quarter view), head (human) (+ three-quarter view), veil
Inscriptions: collector's mark: Lugt 2228

Studie van een vrouwenhoofd(?) met een hoofddoek en opgeheven arm, driekwart naar links.
Ruïne en sluis buiten Emmerik, 1732-1736
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: etching
Subjects: sluice, weir, ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen van één plaat. Gezicht op de ruïne van een klooster (boven) en een sluis (onder) buiten de Duitse stad Emmerik. De prent maakt deel uit van een 100-delige serie met gezichten op dorpen en steden te Kleef.
Christus aan het kruis
Object type: print
Date: 1635 – 1694
Materials: paper
Techniques: woodcut
Location: netherlands
Subjects: the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: collector's mark: Lugt 2228

Lange bloedvlekken benadrukken de verwondingen aan zijn handen en voeten. Op de achtergrond de stad Jeruzalem.
Gezicht op het Waterfort in Willemstad, Curaçao
Object type: photograph
Date: 1937 – 1940
Materials: photographic support
Techniques: photography
Location: willemstad
Artist: fischer
Subjects: willemstad, curaçao
Stadsgezicht te IJsselstein
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage)
Portret van paus Leo X
Object type: print
Date: 1590 – 1665
Materials: paper
Techniques: engraving
Location: germany
Artist: friedrich van hulsen
Artist role: print maker
Artist dates: 1580 – 1660
Subjects: leo x
Inscriptions: collector's mark: Lugt 2228

Portret van paus Leo X gehuld in het pauselijk gewaad, het hoofd getooid met een camauro. Buste naar rechts in een ovale lijst met randschrift. Boven een tweeregelige tekst in het Latijn en midden boven is zijn pauselijk wapen afgebeeld. Onder het portret zeven tekstregels in het Latijn.
Modellen van beeldhouwwerken voor een prijsvraag uitgeschreven door het Rijksmuseum Amsterdam, 1880
Object type: reproduction
Date: 1880 – 1887
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228, inscription: ‘215/ 60’, inscription: ‘Vermeylen’
Zes portretten van onbekende kinderen die lijden en huilen
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Subjects: passions, emotions, affections, weeping
Inscriptions: number: ‘Tav. I 1 2 3 4 5 6 (Pag. 99)’
Gesicht op Temst
Object type: drawing
Date: 1700 – 1799
Materials: ink, paper
Techniques: brush, drawing, pen
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, quay
Inscriptions: annotation: ‘no. 8’
Landscape with watermill
Object type: painting
Date: 1661 – 1661
Materials: canvas, oil
Artist: jacob isaacksz van ruisdael
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1682
Subjects: watermill in landscape
Inscriptions: signature and date: ‘JVRuisdael 1661’

Landschap met watermolen gelegen aan een weg tussen bomen. Links een meertje met zwanen, rechts een houthakker.
Letter D
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: germany
Artist: peter aubry
Artist role: print maker, publisher
Artist nationality: german
Artist dates: 1596 – 1668
Begrafenis van Johann Albrecht, graaf van Solms, 1623
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: cortege, funeral procession, the hague

De begrafenisstoet (plaat 6). Deelnemers met onderdelen van de wapenrusting. Gedrukt van twee platen. Onderdeel van de serie prenten van de begrafenisoptocht van Johann Albrecht, graaf van Solms, op 25 mei 1623 te Den Haag.
Lovers on a Bench
Object type: print
Materials: ink, paper
Techniques: aquatint, etching
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Portret van Pieter Cornelisz Boom
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: mayor
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Deel VI.
VOLTERRA - Toscana. Compagnia della Santa Croce. Leggenda della Santa Croce. (Cenni di Francesco di ser Cenni, 1410.)
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: chiesa di san francesco
Subjects: painting (including book-illumination, miniature-painting) (+ plaster ~ arts), legend of the true cross
Inscriptions: number: ‘P.e 2.a N.o 8887.’, collector's mark: Lugt 3937
Fan
Object type: fan
Date: 1770 – 1780
Materials: gold, paper, shell
Subjects: men,women
Portret van Klamer Eberhard Karl Schmidt
Object type: print
Date: 1803 – 1867
Materials: paper
Techniques: etching
Artist: christian gottlieb geyser
Artist role: print maker
Artist dates: 1742 – 1803
Subjects: historical persons, writer, poet, author
Accomodation Ladder
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

An elderly naval officer begins to climb a ladder, which is held by a woman more than twice his height. He holds a telescope and wears a ribbon inscribed "Death or Victory." A ribbon on her hat is inscribed "England expects every Man To do his Duty." This state lack's Tegg's name.
Glaive of the Bodyguard of August I, Elector of Saxony
Object type: arm
Date: 1580 – 1580
Materials: brass, silk, steel, wood
Culture: german
Location: saxony

Pole arms (staff weapons) were used not only in warfare and hunting, but also in sporting combat and ceremonies. The term refers to a family of edged weapons attached to wooden staffs. With the exception of the lance, which remained the weapon of the mounted knight, all other staff weapons were wielded by men on foot by 1600. With the development of firearms and their introduction as infantry weapons, pole arms lost their importance on the field, and from the mid-16th century, they were reserved for use in sporting contests and by princely bodyguards for ceremony and parade. The blades lent themselves to embellishment—engraving, etching, or other forms of decoration—and provided a perfect surface for the coats of arms of noble or princely families. The ceremonial use of staff weapons continues to this day with the Swiss Guards at the Vatican and Britain’s Yeomen of the Royal Guard.
Standbeeld van Desiderius Erasmus te Rotterdam
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: rotterdam, desiderius erasmus, historical persons, monument, statue, scholar, philosopher (+ portrait of scholar, scientist)

Prent komt uit een onbekende publicatie.
Prenten naar tekeningen uit het kabinet Jabach
Object type: print
Date: 1652 – 1708
Materials: paper
Techniques: engraving, etching
Location: france
Artist: michel corneille (ii)
Artist role: painter, print maker
Artist dates: 1642 – 1708
Subjects: stigmatization, stigmata, founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata
Inscriptions: collector's mark: Lugt 240
Onbekende buurt te 's-Gravenhage, buurtpenning met no. 26
Object type: buurtpenning
Date: 1655 – 1655
Materials: brass
Techniques: casting, engraving
Location: the hague
Artist: Anonymous
Subjects: the hague

Messing penning. Voorzijde: zittende vrouw met drie kinderen; links boven: cijfer 26 binnen omschrift. Keerzijde: herder met hoed op hoofd houdt met stok wolf van zijn kudde vandaan binnen omschrift
Sheet with an overall pattern of semicircles
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Embroidered darning sampler
Object type: sampler
Date: 1761 – 1761
Materials: linen, silk
Mounted Peasant with a Child in Her Arms, plate six from The Six Large Views of Rome and the Campagna
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Location: italy
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664

This etching by Stefano della Bella is from a series of landscapes of Rome and the Campagna. Unlike most etchers of the 17th century, who also made paintings, Della Bella devoted himself almost entirely to printmaking. His etchings are particularly admired for their intense textures and atmospheric effects. The contrast between the coarse tree bark and the plush bundles of foliage exemplify Della Bella’s style.
The Palisades (No. 19 of The Hudson River Portfolio)
Object type: print
Date: 1823 – 1824
Techniques: aquatint, hand coloring, printing
Artist: john hill
Artist role: etcher
Artist nationality: american, born england
Artist dates: 1770 – 1850
Subjects: rivers,landscapes,boats

John Agg's related text tells us that, "the Pallisadoes consist of a line of rugged and perpendicular bluffs, which at a few miles distance from the city of New-York, margin for a considerable distance and overlook the bed of the Hudson river...Rising in savage grandeur, and stretching their tree-crowned summits far as the vision can compass, these rocks are too prominent a feature in the scenery of the Hudson to be overlooked. The shore...is abrupt, and the water sufficiently deep to allow vessels, even of considerable burthen, to approach within a short distance...The height of these bluffs....rising from 400 to 800 feet, exhibiting...steep and solid masses of stupendous stone, and presenting here and there deep cavities, where the eagle builds his nest among the cliffs." The print comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed—to be issued to subscribers in sets of four—and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School.
Portret van Alexander Freiherr von Bach
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Artist: august weger
Artist role: print maker, printer
Artist dates: 1823 – 1892
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Hendrik IV in jachtkostuum met edelen in een hal
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: berlin
Subjects: paris, hendrik iv (koning van frankrijk en navarra), literary characters and objects, assembling, 'départ pour la chasse'
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Almanac généalogique: pour l'année 1785, uitgegeven te Berlijn. Deze prent maakt deel uit van een serie van twaalf prenten, gedrukt van een koperplaat. De prenten tonen scènes uit het toneelstuk 'La partie de chasse de Henri IV' (1767) van Charles Collé. Deze serie verscheen eerder met Duitse onderschriften in: Genealogischen Calender für West-Preussen auf das Jahr 1775, uitgegeven op kosten van de Konigliche Academie der Wissenschaften.
Porringer
Object type: porringer
Date: 1821 – 1843
Materials: pewter
Culture: american
Location: united states
Artist: josiah danforth
Artist role: maker
Artist nationality: american
Artist dates: 1803 – 1872
Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, landscape with ruins, public baths, roman catholic church, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Piriform Stone Jar
Object type: jar, piriform
Date: 1479 – 1425
Materials: stone
Location: egypt
Oude Stadhuis Amsterdam, 1640 en de Nieuwe Kerk Amsterdam, 1645
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: nieuwe kerk, stadhuis van amsterdam (14e eeuw-1652)
Inscriptions: collector's mark: Lugt 2228

Bladzijde uit 'Versameling van 100. Nederlantse Outheden en Gesigten'. Boven een afbeelding van het oude Stadhuis van Amsterdam uit 1640, onder een afbeelding van het interieur van de Nieuwe Kerk voor de grote brand in 1645.
Mutsu, Noda no Tamagawa
Object type: print
Date: 1833 – 1833
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: men,women,rivers,mountains
Ernste Unterhaltung
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: albumen print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘36’, number: ‘70’
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: stone
Culture: chinese
Overlijdensbericht aan Philip Zilcken
Object type: overlijdensbericht, overlijdensadvertentie
Date: 1915 – 1915
Materials: cardboard
Techniques: printing
Artist: Anonymous
Subjects: hendrik willem mesdag, the hague, painter, draughtsman, philip zilcken
Plattegrond van Hasselt
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of cities
Inscriptions: collector's mark: Lugt 195

Plattegrond in vogelvluchtperspectief. Linksboven het wapen van Overijssel. Links in het midden een schaalstok: Rijnlandtze roeden. Rechtsboven het wapen van Hasselt, rechtsonder een legenda.
Quinarius (Coin) Depicting the Goddess Victory
Object type: coin
Date: 43 – 42
Materials: metal, silver
Culture: roman
Location: italy
Subjects: goddesses, lions
Inscriptions: Obverse: III VIR (R P C) 
Reverse: ANTONI IMP A and XLI in field

The front of this coin depicts the winged goddess of Victory, facing right.

On the back, a lion stands facing right.
Studie van een schelp
Object type: drawing
Date: 1876 – 1951
Materials: chalk, paper
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: molluscs (+ shell, snail-shell etc.)
Brief aan Philip Zilcken
Object type: letter
Date: 1891 – 1891
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: renée hélène laure zilcken, politician, jules destrée, lev tolstoj, the hague, painter, draughtsman, philip zilcken, printed matter
Inscriptions: collector's mark: ‘RPK’, watermark
Landschappen
Object type: print
Date: 1580 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: river, village, windmill, water-birds: duck
Inscriptions: collector's mark: Lugt 538, collector's mark: Lugt 2228

Landschap met een dorp aan een rivier. Links op de voorgrond een windmolen. Bij een steiger liggen diverse boten aangemeerd en op de rivier vaart een volgeladen veerboot. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.
Portret van een vrouw
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: paris
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Photographie/ Artistique/ Raoult Ensch/ 249/ Faub. g St. Martin/ Paris/ Les Clichés sont conservés’
Studieblad, mogelijk met werktuigen
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Subjects: tools, aids, implements ~ crafts and industries

Pagina 49 uit een schetsboek met 30 bladen.
Gezicht op een steeg
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper, pencil
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: lane, alley, civic architecture; edifices; dwellings

Pagina 68 uit een schetsboek met 72 bladen.