deem-data/ArtiFact huggingface dataset:
Medal and Button
Object type: medal and button
Date: 1867 – 1900
Materials: ribbon
Culture: japanese
Bloementuin
Object type: page
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: garden

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Veue du Colisée
Object type: print
Date: 1627 – 1655
Materials: paper
Techniques: colour, etching
Location: france
Subjects: ruin of a building ~ architecture, landscape with ruins, theatre (building) - aa - open-air performances

Landschap met de resten van een Romeins amfitheater. Rechts een lopende man en een vrouw op een ezel. Titel in ondermarge. Prent maakt deel uit van een album.
Cupido en zijn attributen
Object type: print
Date: 1800 – 1854
Materials: paper
Techniques: engraving, etching, hand coloring
Location: nuremberg
Artist: Anonymous
Subjects: attributes of cupid: bow and arrow, (story of) cupid, amor (eros), attributes of cupid
Inscriptions: stamp, collector's mark: Lugt 1641

Negen medaillons met scènes met cupido en attributen. Linksonder genummerd: No. 103. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Portions of a Field Armor
Object type: armor
Materials: metal alloy, leather, metal, steel
Location: innsbruck
Vlaardingen, het Nieuwe Handelsgebouw
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: vlaardingen
Subjects: organization of trade and finance
Ontmoeting met S.S. Rotterdam
Object type: photograph
Date: 1936 – 1936
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: united states
Artist: wouter cool
Artist role: engineer
Artist dates: 1877 – 1947
Subjects: steamship, motorship
Inscriptions: title: ‘ONTMOETING MET / S.S. ROTTERDAM.’
Maria Magdalena
Object type: print
Date: 1661 – 1726
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: christ's feet are anointed by mary (magdalene), the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond Maria Magdalena, in haar hand een kruik met balsemolie. Ze huilt. Op de achtergrond zalft Maria Magdalena de voeten van Christus wanneer hij te gast is bij Simon de Farizeeër. De prent heeft een Latijns onderschrift en maakt deel uit van een prentserie met beroemde vrouwen uit het Nieuwe Testament
Heilige Onyphrius de Grote als kluizenaar met engel
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: male saints (with name), anchorite, hermit, angels
Inscriptions: collector's mark: Lugt 2228

Prent uit: Rosweyde, Heribert. 'tBosch der eremyten ende eremitinnen, van Aegypten ende Palestinen. Amsterdam: Pieter Jacobsz. Paets, 1644.
Celery vase
Object type: celery vase
Date: 1810 – 1820
Materials: glass
Techniques: glassblowing, engraving, molding
Culture: american
Location: united states
Artist: benjamin bakewell & co.
Artist role: maker
Artist dates: 1809 – 1813

The molded fluting around the base of the vase may reference gadrooning on silver vessels of the seventeenth and eighteenth centuries.
Vrouw in klederdracht met breiwerk, staande tussen kale bomen
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: collodion silver print
Location: netherlands
Artist: george hidderley
Artist role: fotograaf
Subjects: trees, historical persons - bb - woman, folk costume, regional costume, knitting
Ippitsu gafu (Album of Drawings with One Stroke), complete in 1 vol.
Object type: book
Date: 1823 – 1823
Materials: ink, paper
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Central street
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: photograph
Location: lowell
Artist: Anonymous
Subjects: city-view in general; 'veduta', street
Column of Duilius, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1575 – 1575
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: columns,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 107 in the scrapbook.
Molen bij Middelburg
Object type: print
Date: 1931 – 1945
Materials: paper
Techniques: drypoint
Location: middelburg
Subjects: windmill, meadow, pasture (+ landscape with figures, staffage), middelburg
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, annotation: ‘Martin Hardie’
Portret van Hans Alenson
Object type: print
Date: 1604 – 1670
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: haarlem
Inscriptions: collector's mark: Lugt 240

Portret van Hans Alenson, Doopsgezinde predikant te Delft en Haarlem. In de marge de naam en functie van de geportretteerde in het Nederlands. Daaronder een zesregelig lofdicht in het Nederlands.
Floral printed cotton
Object type: piece
Date: 1780 – 1780
Materials: cotton
Subjects: flowers
The Actor Ichikawa Tsunazo, from "A Picture Book of Stage Fans (Ehon butai ogi)"
Object type: print
Date: 1770 – 1770
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Brief aan onbekend
Object type: letter
Date: 1932 – 1932
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: andries bonger
Artist role: kunstverzamelaar
Artist dates: 1861 – 1936
Subjects: passions, emotions, affections, diseases

De brief is gericht aan een vriendin van Anne Marie Louise van der Linden.
Portret van Willem IV, 1751
Object type: book illustration
Date: 1753 – 1753
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, willem iv (prins van oranje-nassau), flushing
Inscriptions: collector's mark: Lugt 2166

Portret van standhouder Willem IV in wapenrusting, ovaal in een stenen muur. Voor het portret een vaandel, helm, roer en dolk. Onder het portret een vers door het Vlissingse dichtersgenootschap 'Conamur tenues grandia'. Illustratie in het boek over de inhuldiging van Willem IV als erfheer van Vlissingen op 5 juni 1751.
Figurine of Elephant and Rider
Object type: sculpture
Date: 1301 – 1500
Materials: glaze, stoneware
Location: thailand
Paint Roller
Object type: paint roller
Date: 3500 – 3500
Materials: earthenware
Culture: thai
Portret van Erik Johan Löfgren
Object type: photomechanical print
Date: 1873 – 1883
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: portrait, self-portrait of painter
Portret van de predikant Elie Benoit
Object type: print
Date: 1685 – 1702
Materials: paper
Techniques: engraving
Artist: johannes klopper
Artist role: print maker
Artist dates: 1666 – 1734
Subjects: paris, delft
Inscriptions: collector's mark: Lugt 2228

Portretbuste in een ovaal naar rechts van Elie Benoit, predikant in Beauce en Alençon, en Waals predikant in Delft. Benoit draagt een toga en een platte kraag. Onder de afbeelding een achtregelige Franse tekst.
Duitse militaire hervormingen in China, ca. 1900
Object type: print
Date: 1890 – 1910
Materials: paper
Techniques: printed materials
Location: germany
Subjects: wilhelm ii (keizer van duitsland), military training, china

Strip over Duitse militaire hervormingen door keizer Wilhelm I in China, ca. 1900. In zes scènes met verzen. Blad genomen uit een onbekend Duits tijdschrift.
Netsuke of Monkey Attacking a Boar
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Techniques: stain
Culture: japanese
Subjects: boars,monkeys
Souvenir spoon with view of Medici Palace, Florence
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt, silver
Subjects: palaces
Recuyell of the Historyes of Troye
Object type: page
Date: 1904 – 1909
Materials: paper
Techniques: color autotype
Artist: Anonymous
Subjects: book-cover, binding

Prent op tweede ongenummerde pagina na pagina 324.
Portret van Antoine-Jean Gros
Object type: print
Date: 1835 – 1838
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, painter, print maker, antoine-jean gros, historical persons
Inscriptions: collector's mark: Lugt 2228a
Coffin of Nefnefret
Object type: coffin, nefnefret
Date: 1802 – 1640
Materials: paint, wood
Location: egypt
Subjects: hieroglyphs,coffins

In 1919, the Museum's Egyptian Expedition found a large deposit of coffins and objects in a fill below the causeway of Thutmose III in the central part of the Asasif Valley, in an area known as "East of Pabasa." The coffin of Nefnefret is one of the more than fifty coffins that were part of this deposit, which seems to have been made up of the contents of tombs that were destroyed by the cutting of the Dynasty 18 causeway to the royal memorial temples at Deir el-Bahri and represents a significant number of burials of the late Middle Kingdom and Second Intermediate Period in Thebes. The Museum has four black-painted coffins from this find including the coffin of Nefnefret, all on display in gallery 109. These include the coffin of a wab-priest named Entemaemsaf (32.3.428a, b); the coffin of a wab-priest named Ikhet (32.3.430a, b); and the coffin of an un-named owner (32.3.431a, b).
Roger and Angelica Mounted on a Hippogriff
Object type: statuette group
Materials: bronze
Artist: antoine-louis barye
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: men,women,mythical creatures,dolphins

In 1838 Barye obtained a commercial patent for casting small bronzes, and by 1845 he had formed a partnership with the entrepreneur Emile Martin for the purpose of producing small bronzes in quantity for middle-class collectors. Barye soon began to market his bronzes with the aid of a series of catalogues that permitted the purchaser to order from a variety of models. The earliest catalogue was published in 1844. The catalogue of 1847 stated that each bronze would be numbered and punch marked, but the marking system was quickly abandoned, perhaps because of its very success. After Barye's death, the models were bought by a number of founders, some of whom continued to use them for many years.
Dedicated to Madame Vve. Charlet
Object type: print
Date: 1846 – 1846
Techniques: lithograph
Artist: hippolyte bellangé
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1866
Subjects: sculpture,men,crowd,working
Coat of Arms, Brazil, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,coat of arms

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Twee fotoreproducties van tekeningen van wanddecoratie
Object type: reproduction
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Subjects: atlantes ~ architecture, open hearth, fire-place, picture, painting, leaning figure, europe
Inscriptions: number: ‘57.’, number: ‘21’, number: ‘56.’, name: ‘C. PINI FIRENZE’, collector's mark: Lugt 3937

Boven (56) een tekening van wanddecoratie met figuren en (vermoedelijk) een schouw, onder (57) een tekening van een interieur met een schouw.
"Sakyamuni (Buddha) Announces Another Prophet", Folio from a Majma al-Tavarikh (Compendium of Histories)
Object type: folio from an illustrated manuscript
Date: 1425 – 1425
Materials: gold, paper, silver, watercolor
Location: afghanistan
Artist: hafiz-i abru
Artist role: author
Artist nationality: iranian
Artist dates: 1350 – 1430
Subjects: birds,men,trees

This painting illustrates a passage of the "Compendium of History", which Hafiz-i Abru composed by the order of Shah Rukh, the Timurid ruler of Herat. The text narrates the story of Sakyamuni, a name for Buddhha, who with his followers and servants goes through the jungle. When they see a bird in its nest in a tree, the men decide to repose in the tree’s shade. There, Buddha answers his followers’ questions: ‘who will proceed you as the next prophet?’ and ‘what will he be like?’.
Vase
Object type: vessel
Date: 101 – 200
Materials: glass
Techniques: glassblowing
Culture: roman, levantine
Location: syria
Subjects: vases
Edward Augustine "Ed" Knouff, Pitcher, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Engel wijst Hagar de waterbron
Object type: print
Date: 1763 – 1764
Materials: paper
Techniques: etching
Subjects: an angel appears and reveals a well of water to hagar
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Hagar zittend op de grond, naast haar ligt Ismaël. Zij kijkt omhoog naar een engel die haar een waterbron zal wijzen.
Het Laatste Avondmaal
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
Inscriptions: collector's mark: Lugt 2228

De twaalf bladen van deze serie zijn gegraveerd in de stijl van Lucas van Leyden, maar ook komen delen van de composities overeen met gedeeltes van Dürers Passie. Er bevindt zich een ongedateerde tekening die gediend heeft als model voor de prent in het Museum für Bildende Kunst in Leipzig (afgebeeld in Reznicek, zie literatuur). Jacobs, G.
Side chair
Object type: side chair
Date: 1760 – 1790
Materials: wood
Culture: american
Location: united states

This chair represents the Philadelphia scrolled-strapwork splat type at its refined best. The carved ornament has the bold high relief of the finest Philadelphia work.
Palembang, Sumatra, sultan Mohammed Beha ed-din, pitji, A.H. 1203 (1788)
Object type: coin
Date: 1788 – 1789
Materials: tin
Techniques: casting
Location: palembang

Tinnen munt. Voorzijde: omschrift in Arabische lettertekens, waartussen jaartal in Islamitische jaartelling. Keerzijde, glad. In het midden rond gat.
Gezicht op Trondheim, Noorwegen
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: trondheim
Artist: knud knudsen
Artist role: fotograaf
Artist dates: 1832 – 1915
Subjects: landscapes
Inscriptions: number: ‘1369’
Marble vase with high foot and four lug handles
Object type: kandila
Date: 2800 – 2700
Materials: marble
Culture: cycladic
Funerary Cone of the Royal Scribe Menkheperreseneb
Object type: cone, circular impression, menkheperreseneb, royal scribe, double granary
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This cone has the impression of a stamp seal inscribed for a royal scribe named Menkheperresonb, owner of Theban tomb 79, who was also overseer of the double granary of Upper and Lower Egypt. For a drawing of this impression see http://www.funerarycones.com/, number 493.
Twin-spouted vessel
Object type: vessel
Date: 700 – 501
Materials: ceramic
Culture: iranian
Location: northwestern iran
Piece
Object type: piece
Date: 1550 – 1599
Materials: silk
Ruïnes van twee portalen
Object type: print
Date: 1752 – 1803
Materials: paper
Techniques: etching
Location: paris
Subjects: landscape with ruins, persia
Inscriptions: collector's mark: Lugt 2228

Prent uit: Histoire universelle (...) Tome septieme, contenant la suite de l'histoire des Babyloniens, celle des Medes, & celle des Perses jusqu'a la mort de Darius Codomon, d'apres les auteurs grecs & latins. Parijs: Nicolas-Léger Moutard, s.a. dl. 7, p. 189.
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Subjects: sitting figure, historical persons - bb - woman
Inscriptions: inscription: ‘C. DELIGNE &/ A DELERIVE/ AMATEURS/ PHOTOGRAPHES’
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 27 december 1898
Object type: print
Date: 1812 – 1898
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts, 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa)
Inscriptions: collector's mark: Lugt 2228

Pictura. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 27 december 1898 van de portefeuille van het Genootschap "Pictura".
Manschappen te paard
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: theodor schafgans
Artist role: fotograaf
Artist dates: 1859 – 1907
Subjects: riding a horse, ass, or mule; rider, horseman
De laatste daad van het ministerie
Object type: cartoon
Date: 1913 – 1913
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: groningen (province), london, amsterdam, utrecht, maastricht, dordrecht, the hague, politician, hendrikus colijn, minister ~ government, cigar, political caricatures and satires

Het kabinet Heemskerk treedt af direct na de opening van het Vredespaleis in Den Haag. De ministers steken een sigaar op en vertrekken.
Crucifixion
Object type: tabernacle
Date: 1467 – 1533
Materials: enamel, pearl, gemstone, silver, silver gilt
Techniques: painting
Subjects: christ,cross,jesus,crucifixion
Jacht met valken op vogels
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: etching
Location: rome
Subjects: predatory birds: falcon, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), bird hunting

Landschap met jagers en jachthonden op vogeljacht. Op de voorgrond een jager te paard met een valk. Zijn assistent geeft hem zijn kruisboog.
Jacket
Object type: jacket
Date: 1898 – 1900
Culture: american
Fragments
Object type: fragment
Date: 301 – 700
Materials: earthenware, glass, metal, shell, stone
Techniques: glazing
Culture: coptic
Location: egypt
Keepsake Photographique: Études & Paysages
Object type: photographically illustrated book
Date: 1854 – 1854
Materials: photographic print
Artist: alphonse de brébisson
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1872
Governor Gordon, Georgia, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,coat of arms,flags

Trade cards from the "State Governors, Arms, Etc." sseries (N133-2), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Antiche venetiane
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Vlinder en vlammen
Object type: illustration
Date: 1895 – 1895
Materials: paper
Techniques: woodcut
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: holy ghost represented as flames, insects: butterfly
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt als illustratie van het gedicht 'Geen geest in hen' in: Licht en waarheid. Orgaan van de vereeniging 'Wie Denkt Overwint'. Amsterdam: Wie Denkt Overwint, 25 mei 1895.
Plus hault
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: netherlands
Artist: l. lucas (twintigste-eeuws)
Artist role: print maker
Subjects: the hague, armorial bearing, heraldry
Inscriptions: inscription: ‘L. Lucas’
Torricellian barometer
Object type: torricellian barometer
Date: 1750 – 1750
Materials: wood, mercury
VOC, ½ stuiver, 1644
Object type: halve stuiver
Date: 1644 – 1644
Materials: copper
Techniques: striking
Location: batavia
Subjects: verenigde oostindische compagnie

Koperen noodmunt. Voorzijde: naar beneden gericht zwaard. Jaartal in omschrift. Keerzijde: monogram van de VOC, waarboven waarde-aanduiding 1/2 st. Gladde rand.
Portret van Christian Ludwig Ermisch op 58-jarige leeftijd
Object type: book illustration
Date: 1710 – 1710
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 240

Prent waarschijnlijk uit: Ermisch, Christian Ludwig. Leichen- und Miscellan-Predigten (...). Leipzig: Johann Ludwig Gleditsch, 1710.
Rapier
Object type: arm
Date: 1590 – 1600
Materials: steel, wood
Location: dresden
Amulet of Thoth
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: gods (deities), moon, deities, baboon

Thoth, a god of wisdom and writing, could be shown as an ape or an ibis-headed man. The disk on the ape’s head alluded to his association with the moon.