deem-data/ArtiFact huggingface dataset:
Barbichon. Jacques, Émile. 62 ans, né à Provins. Marchand de mouron. Anarchiste. 9/3/91.
Object type: mugshot
Date: 1891 – 1891
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Interior of St. Mark's, Venice
Object type: painting
Date: 1869 – 1869
Materials: canvas, oil
Location: munich
Artist: david dalhoff neal
Artist nationality: american
Artist dates: 1838 – 1915
Subjects: interiors, architecture, religion, venice, italy, churches, cathedrals
Portret van Ferdinand Albrecht II van Brunswijk-Wolfenbüttel
Object type: print
Date: 1735 – 1744
Materials: paper
Techniques: engraving, etching
Location: berlin
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Small covered wine pot or teapot
Object type: covered winepot or teapot
Date: 1662 – 1722
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Artist: chinese
Artist role: artist
Subjects: flowers
Ruiterportret van Willem V, prins van Oranje-Nassau
Object type: print
Date: 1810 – 1849
Materials: paper
Techniques: colour
Location: dordrecht
Artist: Anonymous
Subjects: the hague, william v (prince of orange)

Ruiterportret van Willem V in een ovaal. In de bovenmarge twee kolommen met elk twee regels Nederlandse tekst. In de ondermarge twee kolommen met elk vier regels Nederlandse tekst. Rechtsboven '15'.
Schrijfvoorbeeld met kapitaal D
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: calligraphy

Schrijfvoorbeeld in het Duits met kapitaal D en negen regels tekst: Den Herr ist mein Liecht (...). Omlijst door kalligrafisch krulwerk. De prent maakt deel uit van een album.
Vuë et Representation de la Bataille de Belgrade, donnée le 16 D'aoust 1717
Object type: print
Date: 1727 – 1729
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: paris, vienna, eugenius van savoye, battle (+ land forces)

Veldslag bij de verovering van de stad Belgrado door de keizerlijke troepen onder de prins van Savoye op de Turken, 16 augustus 1717. Linksvoor de prins te paard. Genummerd rechtsonder: Tom. I. No. 32. Illustratie in het eerste deel van: Jean du Mont, Oorlogskundige beschryving van de veldslagen en belegeringen, der drie ... wydvermaarde krygsoversten... den Prins Eugenius van Savoye, den ... Hertog van Marlborough, en den Prins van Oranje en Nassau-Vriesland, in de editie van 1729. Dit eerste deel is gewijd aan de daden van Eugenius, prins van Savoye.
Two Baby’s Jackets
Object type: main garment
Date: 1750 – 1800
Materials: textile, cotton, metal
Techniques: embroidered, sewing
Location: netherlands
Artist: Anonymous

Chintz is eminently suitable for baby clothing because unlike silk and wool it is easy to wash. One jacket is decorated with floral motifs and trimmed at the neck and sleeves with red long-band, while the other one features two birds in addition to flowers. These jackets came from Hindeloopen, where they were called ‘sliepwentke’ or nightgowns.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of calf and foot of a figure to left
Planting Chrysanthemums
Object type: hanging scroll
Date: 1501 – 1600
Materials: ink, paper
Culture: chinese
Artist: lu zhi
Artist role: artist
Artist nationality: chinese
Artist dates: 1495 – 1576
Subjects: mountains,landscapes

Lu Zhi presented Planting Chrysanthemums to his friend Tao in exchange for rare cuttings. To express his ideal of reclusion, Lu combined poetry with painting: I hear you have opened up a “Tao path” near the ocean, Where clouds of leaves and frost-covered flowers vie in wondrous splendor. I too have built a new residence at Zhixing Mountain, May I share some of your autumn colors on my eastern hedge? The first two lines of Lu’s verse allude to “Peach Blossom Spring,” a famous poem by his friend’s namesake Tao Qian (365–427) in which a fisherman stumbles upon a hidden Utopia. In the last two lines, Lu suggests that he has planned his own Utopian retreat and refers to the growing of chrysanthemums, a passion he shared with Tao Qian. Lu was the son of a Suzhou schoolteacher and a pupil of Wen Zhengming (1470–1559). After his father’s death, Lu supported his family by selling his paintings. About 1557 he retired to the mountains west of Suzhou, where he led a reclusive life cultivating rare flowers, poetry, and painting. Awash in mist and soft colors, the crystalline mountains in Lu’s painting perfectly evoke the dreamlike Peach Blossom Land of the immortals.
Dish
Object type: dish
Techniques: maiolica, glazing
Artist: casa pirota manufactory
Artist role: maker
Artist nationality: italian
Subjects: portraits,women
Bracelet
Object type: bracelet
Date: 2000 – 1785
Materials: bronze
Location: lebanon
Ensemble
Object type: ensemble
Date: 1865 – 1867
Materials: cotton, silk
Culture: french
Ridderlijke Confrerie van de Handbussche te Delft
Object type: marksman medal
Date: 1718 – 1718
Materials: silver
Techniques: striking
Location: netherlands
Artist: gerard van loon
Artist role: designer
Artist dates: 1683 – 1758
Subjects: delft
The Prophet Isaiah
Object type: medallion
Date: 1533 – 1533
Materials: glass
Artist: valentin bousch
Artist role: artist
Artist nationality: french
Artist dates: 1514 – 1541
Subjects: men,writing

This window comes from a series of seven windows made for the choir of the Benedictine priory church of Saint-Firmin in Flavigny-sur-Moselle in the Lorraine region of France. The windows had been commissioned by the prior, Wary de Lucy (1510–1557) from Valentin Bousch, a glass painter in Metz who had already worked on a number of important projects including Metz cathedral. Bousch was occupied by the Flavigny-sur-Moselle project in the early 1530s. Three of the extant monumental windows from the series each bear a date (1531, 1532 and 1533). Bousch was one of the most significant master glaziers in north-eastern France in the sixteenth century and has long been recognized as an important participant in the stylistic and technical developments of the Northern Renaissance. Together, the windows presented a Biblical narrative reflecting the story of humanity, starting with the Creation and Fall of Man (now in a private collection, Langley, British Columbia), then consecutively depicting the Deluge (MMA 17.40.2a–r), Moses presenting the tablets of Law (MMA 17.40.1a–r), the Nativity or Annunciation at the east end (lost), the Crucifixion (Saint Joseph's church, Stockbridge, Mass.), the Resurrection or the Supper at Emmaus (lost) and, finally, the Last Judgement (lost). This medallion, together with the medallion of Moses (MMA 17.40.4) and the two medallions with the Craincourt and Savigny arms (MMA 17.40.5, .6), was originally part of the window from the set depicting the Creation and Fall of Man (now in a private collection, Langley, British Columbia), inscribed with the date 1533; a drawing in Nancy, Bibliothèque municipale (Fonds Abel, carton 152), records the complete window intact in the priory church of Saint-Firmin before it was sold. In these windows, Valentin Bousch rejected traditional compartmentalization, instead treating each composition like an enormous painted or carved retable, with trompe l'œil architectural frames. Brilliant hues of colored glass are combined with painted areas of grisaille and silver-stain on clear glass. The windows provide an early example of daring virtuoso glass-cutting to achieve sharp and sinuous contours. As a group, the windows are remarkable because of their nuanced modeling, their vitality of composition, lifelike features and the contrast of exquisite landscape details (like those in the Moses window) with dramatic dynamism (most skilful in the Deluge window).
Ring with Turtle
Object type: ring
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Portret van Lord John Cutts
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: battle, wig
Inscriptions: collector's mark: Lugt 2228

De luitenant-generaal en dichter Lord John Cutts, baron van Gowran. Hij draagt een pruik en een harnas. Op de achtergrond strijdende manschappen.
Drie foto's van leden van familie Onnen-Van den Berg tijdens een wandeling tussen Arnhem en Deventer
Object type: album leaf
Date: 1918 – 1918
Materials: paper, cardboard
Techniques: gelatin silver print
Subjects: walking, hiking (recreation), historical persons, fringe, edge of the wood, deventer, arnhem
Inscriptions: caption: ‘wandeltocht./ Arnhem-Deventer’

Deze foto's maken deel uit van een album.
Portret van Johann Christian Schmidt
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Place St. Pierre Le jour de la Fête
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: public festivities
Inscriptions: number: ‘No. 119’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Interior, part of a stick or spear?; one letter of an inscription, H
Portret van Luigi Valentino Brugnatelli
Object type: print
Date: 1783 – 1840
Materials: paper
Techniques: etching
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks portretprenten.
A View of Amsterdam from the north Bank of the IJ
Object type: print
Date: 1611 – 1611
Techniques: engraving, etching
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652
Subjects: cities,rivers,coat of arms,boats,amsterdam
Pantalets
Object type: pantalets
Date: 1830 – 1839
Materials: linen
Culture: american
Hypte Bellangé
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: paris, print maker, draughtsman, hippolyte bellangé, eyeglasses, spectacles, adult man, historical persons, battle, head-gear: top hat

Prent verschenen in: Baugniet, Charles. Les artistes contemporains: portraits lithographiés d'après nature, accompagnés de notices sur la vie et les ouvrages de chacun d'eux. Brussel: De Wasme-Pletinckx, [1836-1840].
Stadsherberg met aanlegsteiger op de plaats van het tegenwoordige centraal station
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: paul henri jean reynet de la rue
Artist role: boekhandelaar, drukkerij, fotograaf, lijstenmaker
Artist dates: 1839 – 1927
Subjects: river, inn, coffee-house, public house, etc., canals, waters (in city), amsterdam
Werf gelegen aan de tuin van het koninklijk paleis in Napels
Object type: album leaf
Date: 1670 – 1670
Materials: paper
Techniques: etching
Subjects: garden, pier, quay, wharf (+ four persons or more ~ traffic and transport), naples
Inscriptions: collector's mark: Lugt 2228

Tekst in het Duits in de ondermarge. Rechtsonder genummerd: 34. Prent maakt deel uit van een album.
The real masked fighter, from 'News of the day,' published in Le Charivari, November 9, 1867
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: masks,men
Gezicht op Saint-Jean-de-Losne
Object type: album leaf
Date: 1656 – 1656
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: maps of cities

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1656, dl. 4, na p. 18.
Studies for the title page and vignettes for Blumen vom Pöhlberg-Hang by Anna Wechsler
Object type: drawing
Materials: pencil
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
Subjects: men,women
Pelike, fragmentary
Object type: pelike, fragmentary
Date: 520 – 520
Materials: terracotta
Culture: greek, attic
Artist: euthymides
Artist role: artist
Mannenkoppen en mannen met hoge hoeden
Object type: sketchbook leaf
Date: 1839 – 1872
Materials: ink, paper, pencil
Techniques: pen
Location: cleves
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: cow, walking-stick, staff, adult man, head-gear: top hat
Inscriptions: annotation: ‘Cleve’

Tevens een studie van de achterkant van een koe. Blad 69 recto uit een schetsboek met 73 bladen.
Design for a Façade
Object type: drawing
Date: 1710 – 1727
Materials: graphite, ink
Techniques: pen
Artist: pietro paolo coccetti (cocchetti)
Artist role: artist
Artist nationality: italian
Artist dates: 1710 – 1727
Subjects: architecture,buildings
Isis-Aphrodite with Egyptian vulture cap
Object type: statuette, isi aphrodite
Materials: bronze
Location: egypt
Subjects: aphrodite,goddess

Images of Aphrodite wearing the Egyptian vulture cap are attested from Egypt and Syria. This statuette of the goddess may have been made in the image of the Roman Empress Faustina Minor, wife of Marcus Aurelius.
Portret van Jean-Charles Pichegru
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching, roulette
Location: paris
Subjects: paris, politician, jean-charles pichegru, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Tardieu, Ambroise. Portraits des généraux français, faisant suite aux "Victoires et conquêtes des Français". Parijs: Panckoucke, Charles Louis Fleury, ca. 1818.
Derde eeuwfeest van de inname van Den Briel
Object type: insignia
Date: 1873 – 1873
Materials: silver, textile
Techniques: striking, weave
Location: netherlands
Artist: Anonymous
Subjects: brielle

Eenzijdig zilveren ovaal draagteken aan draagoog en gele strik. Voorzijde: staande leeuw naar links met in beide klauwen speer, waarop vrijheidshoed rust; boven en onder een jaartal binnen omschrift. Keerzijde: blanco.
Wenende vrouwen bij het lichaam van Hector
Object type: book illustration
Date: 1887 – 1888
Materials: paper
Techniques: letterpress printing, lithograph
Location: london
Artist: walter crane
Artist role: draughtsman, print maker
Artist dates: 1845 – 1915
Subjects: (story of) hecuba, (story of) cassandra, funeral and mourning of hector, (story of) helen, (story of) andromache
Inscriptions: collector's mark: Lugt 2228

Prent uit: Warr, George C. Echoes of Hellas: the tale of Troy & the story of Orestes from Homer & Aeschylus. Londen: Marcus Ward & Company, [1887/1888].
Vier mannen aan een tafel
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: halle an der saale
Subjects: adult man (+ four persons)
Inscriptions: inscription: ‘Das Atelier des Photographen.’

Prent op derde ongenummerde pagina na pagina 124.
Classical Urn in Front of a Shed, with Temple and Mountain in Background
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: france
Artist: pierre antoine mongin
Artist nationality: french
Artist dates: 1761 – 1824
1935 in beeld
Object type: supplement
Date: 1936 – 1936
Materials: paper
Techniques: printing, stapling
Location: amsterdam
Subjects: netherlands
Inscriptions: date
Groote Hout Poort te Haarlem. 1682
Object type: book illustration
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: bridge, city-gate

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 58.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Gezicht op de tempel van Minerva Medica
Object type: drawing
Date: 1585 – 1601
Materials: ink, paper
Techniques: pen
Artist: jacques franckaert (i)
Artist role: draughtsman
Artist dates: 1550 – 1601
Subjects: (story of) minerva (pallas, athena)
Kosode with a Paragon of Filial Piety
Object type: kosode
Date: 1801 – 1900
Materials: silk
Techniques: dyeing, embroidery, painting, resist
Culture: japanese
Subjects: cranes,flowers

In the late Edo period, warrior-class women often wore robes ornamented with Japanese or Chinese classical or literary themes. Embedded in the decoration of this robe—a winter landscape with plum blossoms and chrysanthemums—is a visual reference to the ancient Chinese Confucian legends known as the Twenty-Four Paragons of Filial Piety. The story illustrated here involves Wang Xiang (Japanese: Ōshō), a third-century official who, to fulfill his stepmother's craving for fresh fish in midwinter, caught some fish by lying on the ice until it melted. Wang Xiang is represented by only his clothing: an official's cap in gold with a red cord and a court robe in white with green details lie on the riverbank in front of a fishing pole and creel.
Leger trekt een stad binnen
Object type: print
Date: 1645 – 1646
Materials: paper
Techniques: woodcut, pasting
Location: amsterdam
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: breaking into city or fortress ~ siege, (military) attack, siege

De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
Whistle
Object type: whistle
Date: 1867 – 1900
Materials: bone
Culture: melanesian, bismarck archipelago or papua new guinean
Location: papua new guinea
Annotaties
Object type: sketchbook leaf
Date: 1893 – 1899
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘[...]’

Pagina 1, voorste schutblad, uit een schetsboek met 28 bladen.
Brief aan Philip Zilcken
Object type: letter
Date: 1914 – 1914
Materials: ink, paper
Techniques: pen, printing, writing
Location: paris
Artist: léonce bénédite
Artist role: conservator, museumdirecteur
Artist dates: 1856 – 1925
Subjects: the hague, draughtsman, philip zilcken, photography, cinematography, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
Sculptuur van Victoria
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Subjects: victoria as roman personification, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘E10’, number: ‘377’
Gezicht op de Basilique Saint-Epvre te Nancy
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: paris
Subjects: church (exterior)
Inscriptions: inscription: ‘Basilique Saint-Epvre/ Vue de l'abside (Place des Dames) (...)’

Deze prent maakt deel uit van een omslag met 103 prenten op 101 bladen en een titelblad.
Hatpin
Object type: hatpin
Date: 1801 – 2000
Materials: porcelain
Culture: french
Twee pelikanen aan de waterkant
Object type: drawing
Date: 1884 – 1952
Materials: chalk, paper
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: water-birds: pelican
Inscriptions: collector's mark: ‘R:MVS.’
Vajracarya priest's crown
Object type: vajracarya priest's crown
Materials: copper, gold, stone
Culture: nepalese
Location: tibet
Subjects: buddhism,crowns
Vier gevangenen onder toezicht van schutters
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: prisoner with hands bound
Inscriptions: collector's mark: Lugt 240

Vier geboeide gevangenen staan onder toezicht van bewakers in een hal. Een mannelijke gevangene wordt door een bewaker tegengehouden wanneer hij een eveneens geboeide vrouw wil omarmen. Op de voorgrond knielt een gevangene voor de opzichter.
Mary, Queen of Scots
Object type: print
Techniques: engraving
Location: england
Artist: henry meyer
Artist role: artist
Artist nationality: british
Artist dates: 1780 – 1847
Subjects: queens,portraits,women,mary queen of scots
Detail van het retabel van het hoofdaltaar van de kathedraal, Sevilla, Spanje
Object type: photograph
Date: 1857 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: madrid
Artist: juan laurent
Artist role: publisher
Artist dates: 1816 – 1896
Subjects: kathedraal van sevilla
Inscriptions: caption: ‘SEVILLA._2138._Catedral._Detalle del retablo del altar mayor. J.Laurent y cia. Madrid//Es propiedad. Déposé.’

Stenen reliëfs met bijbelse voorstellingen boven- en onderaan plantmotieven. Vergelijk RP-F-00-6078.
Portret van Madame de Viette
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: etching, intaglio
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit een veilingcatalogus: "Catalogue des Tableaux anciens composant la très importante collection de Monsieur le Baron de Beurnonville", uitgegeven in 1881 te Parijs door Pillet en Dumoulin. De veiling vond plaats op 9 tot en met 14 en 16 mei 1881.
Card Number 127, Lillian Russell, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Italian Farmer
Object type: drawing
Date: 1834 – 1866
Materials: graphite, watercolor
Artist: pierre louis dubourcq
Artist role: artist
Artist nationality: dutch
Artist dates: 1815 – 1873
Subjects: men,farmers
Section Norvegienne
Object type: stereograph
Date: 1878 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: adolphe block
Artist role: publisher
Artist dates: 1829 – 1918
Subjects: world fair, world exhibition, exterior ~ representation of a building, paris
Portret van Hendrik Berkman
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: lithograph
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: amsterdam, historical persons
Inscriptions: collector's mark: Lugt 2228