deem-data/ArtiFact huggingface dataset:
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1601 – 1700
Materials: bronze, copper, iron
Culture: japanese
Location: japan
Subjects: dragons
Portret van Lodewijk Ernst, hertog van Brunswijk-Wolfenbüttel
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ludwig ernst von braunschweig-wolfenbüttel, ornament ~ medallion, historical persons, wig
Inscriptions: collector's mark: Lugt 2228, number: ‘1504a’

Prent waarschijnlijk uit: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...). Amsterdam: Johannes Allart, 1796, dl. 20. Prent is in eerdere staten gebruikt in eerdere drukken van dit werk uit 1759, 1770 en 1782.
Brief aan Philip Zilcken
Object type: letter
Date: 1916 – 1916
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: eugénie loudon
Artist dates: 1861 – 1940
Subjects: the hague, painter, draughtsman, philip zilcken, germany
Inscriptions: collector's mark: ‘RPK’
Plate Depicting a Woman Playing Tambourine
Object type: plate
Date: 1600 – 1600
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: turkey
Subjects: musical instruments,women

In the seventeenth century, the popularity of images of human figures, animals, and inanimate objects such as ships on Iznik pottery increased. Some of these motifs may have held deeper significance. The young woman with a tambourine, for example, may symbolize the sun—sometimes referred to in Ottoman poetry as a tambourine.
Le Nouveau Vignole ou Regles Des Cinq Ordres D'Architecture (...)
Object type: book illustration
Materials: paper
Techniques: etching, letterpress printing
Location: paris
Subjects: rocaille ornament
Inscriptions: collector's mark: Lugt 2228

Pagina 19 uit: Babel, Pierre Edme. Le Nouveau Vignole ou Regles Des Cinq Ordres D'Architecture (...). Parijs: Chereau, François (II), 1755.
Buddha Shakyamuni or Akshobhya, the Buddha of the East
Object type: figure
Date: 1001 – 1200
Materials: copper gilt
Culture: tibetan
Subjects: buddhism,buddha,shakyamuni

The robust body of this early Tibetan Buddha seems to derive from the art of the North Indian post-Gupta period (seventh to eighth century), while its physiognomy is based on Central Asian prototypes of similar date. Few works of art from tenth-century Tibet have survived, but what does remain seems to be an eclectic synthesis of elements drawn from the artistic traditions of Central Asia, India, Nepal, and China. The identification of the statue is difficult. The earth-touching gesture (bhumisparshamudra), a variant of which our Buddha makes with his right hand, is most frequently associated with Shakyamuni, the Historic Buddha. It alludes to his victory over the evil demon Mara, who sought to disturb his meditation, and therefore his enlightenment. The same gesture is also associated with Akshobhya, one of the five great cosmic Buddhas central to the iconography of early Tibetan Buddhism. The position of the Buddha's other hand, with his thumb and middle finger pressed together in an unusual gesture is not associated with the Historic Buddha and seems to support the identification of the sculpture as Akshobhya.
Figuurstudies
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: girl (child between toddler and youth)
Inscriptions: kleurnotitie, handgeschreven

Pagina 35 uit een schetsboek met 31 bladen.
Scarab beetle and longhorn beetle
Object type: photograph
Date: 1863 – 1868
Materials: paper
Techniques: albumen print
Location: india
Artist: john edward saché
Artist role: fotograaf
Subjects: insects: beetle
Inscriptions: inscription: ‘PLATE III.’, inscription: ‘EUCHIRUS, SPECIES. MONOCHAMUS MONTANA.’, inscription: ‘Saché Photo’
Overwinning van Rusland op Zweden in de Zeeslag bij Aland 1714
Object type: history medal
Date: 1714 – 1714
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het borstbeeld van Tsaar Peter de Grote naar rechts met omschrift, op de keerzijde het aanzicht van de zeeslag in vogelvlucht, met omschrift en afsnedetekst.
Piece
Object type: piece
Materials: silk
Subjects: flowers,leaves
Portret van Lorenz Friedrich
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Queekhoven, van binnen, siende naer agteren / Queekhoven par dedans, regardant vers le derriére
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: french or architectonic garden; formal garden, forest path or lane, country-house, vecht
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent mogelijk uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in 100 heerlyke gezichten. Amsterdam: Jan Roman, s.a. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Andries en Hendrik de Leth, s.a [1729-1732]. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Jan Roman, s.a.
Portretten van Hendrik van Limborch, Coenraet Roepel en Gerhard Jan Palthe
Object type: book illustration
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, painter, print maker, draughtsman, hendrik van limborch, coenraet roepel, deventer, gerhard jan palthe, ornament ~ medallion, historical persons, portrait, self-portrait of artist, palette
Inscriptions: collector's mark: Lugt 2228, inscription: ‘JV Gool’, collector's mark: Lugt 2760

Prent waarschijnlijk uit: Gool, Johan van. De nieuwe schouburg der Nederlantsche kunstschilders en schilderessen. Den Haag 1750, dl. 1, p. 426.
Hoed van bruin vilt met opstaande rand en licht verzonken bol voorzien van bruin grosgrain met strik
Object type: womenswear
Date: 1938 – 1940
Materials: felt
Techniques: weave
Location: paris
Artist: rose descat
Artist role: modiste
Inscriptions: name: ‘Rose Descat/ 22, Rue Royale/ Paris’

Hoed van bruin vilt met opstaande rand en licht verzonken bol voorzien van bruin grosgrain met strik. Model: losse bol en rand. De bol bestaat uit één stuk vilt met een naad middenachter. De bol is verzonken. De rand staat licht op en is geheel gefestonneerd. Ongevoerd. Bruin ripslint en bruin hoedenelastiek. Versiering: om de bol een 5 cm breed lint van bruin grosgrain dat aan de rechterkant gestrikt is en aan de uiteinden gerafeld.
De Drie Europeaeaanders / Fabricq van George Mayer tot Amsterdam
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: jupiter, usually in the shape of a white bull, abducts europa and carries her across the water, tobacco, white races and peoples, armorial bearing, heraldry, amsterdam
Inscriptions: stamp, collector's mark: Lugt 1641

Handelsetiket van de Drie Europaeaanders. Bovenaan de drie Europese mannen met tabaksplanten in hun handen. In het midden een wapenschild. Onderaan de ontvoering van Europa. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Koophandel, Veilingen, Makelaardij en Verzekeringswezen, Oude adreskaarten van winkels en fabrieken, reclame.
Sleperspaard en arbeiders op een bouwterrein
Object type: drawing
Date: 1897 – 1897
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: harbour, building-site (+ men (labourers)), horse, amsterdam
Inscriptions: annotation, workshop stamp: Lugt 291d
Reproductie van Le nid door Charles Joshua Chaplin
Object type: photomechanical print
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Subjects: adult woman, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Chaplin/ Galerie Contemporaine/ 126, boulevard Magenta. - Paris’
Design for Pony Phaeton, no. 3824
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Slang
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper, pencil
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: snakes
Saucer with eight geese
Object type: kop en schotel, kop en schotel
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel met gelobde rand, beschilderd op het glazuur in blauw, rood, groen, zwart en goud. Op de voorzijde van de schotel acht ganzen bij rotsen, grazend of vliegend. Porselein met emailkleuren.
Heilige Familie in een interieur
Object type: print
Date: 1847 – 1889
Materials: paper
Techniques: etching
Location: germany
Subjects: cat, holy family, and derived representations, (feigned) picture curtain
Inscriptions: collector's mark: Lugt 2228

Prent naar het schilderij door Rembrandt Harmensz. van Rijn in de Gemäldegalerie Alte Meister te Kassel (inv.nr. GK 240).
Inspection of Troops at Cumberland Landing, Pamunkey, Virginia
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: wood and gibson
Subjects: collected by hugh edwards, gardner's photographic sketch book
Dam Koorn-beurs en Wisselbanck
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Location: middelburg
Subjects: sailing-ship, sailing-boat, stock exchange, stock-market, bank, square, place, circus, etc. (+ city(-scape) with figures, staffage), parts of church exterior and annexes: tower

Oorspronkelijk van één plaat gedrukt met drie andere voorstellingen (zie RP-P-AO-15-141L-2-2, RP-P-AO-15-141M-2-2 en RP-P-AO-15-141N-1-2). Prent in zijn geheel ook gebruikt in: Smallegange, Mattheus. Nieuwe Cronyk van Zeeland (…). Middelburg en Amsterdam: Johannes Meertens en Abraham van Someren, 1696.

Huidige voorstelling later (plaat mogelijk versneden) met één andere voorstelling van zelfde plaat, één andere voorstelling van andere plaat en apart gedrukte sierrand ook gebruikt in: Aa, Pieter van der. La galerie agreable du monde (...). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 20.
Flounce
Object type: flounce
Date: 1701 – 1733
Materials: linen
Techniques: lace
One of a Pair of Manuscript Covers with Buddha Overcoming Temptation Surrounded by Disciples
Object type: religious ritual object
Date: 1701 – 1800
Materials: paint, pigment, wood
Location: nepal
Kleine overwinningen van koning Lodewijk XIV
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: engraving, etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: siege
Cup and saucer
Object type: cup and saucer
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,chinoiserie
Portret van musicus Betti
Object type: print
Date: 1767 – 1809
Materials: paper
Techniques: engraving
Location: verona
Subjects: musician, historical persons, portrait of a musician
Inscriptions: collector's mark: Lugt 2228
Wensbrief met decoratief kader
Object type: print
Date: 1775 – 1780
Materials: paper
Techniques: hand coloring
Location: netherlands
Subjects: skates (winter sports), birth and youth of christ
Inscriptions: collector's mark: Lugt 2228

Wensbrief met onbeschreven cartouche binnen een decoratief kader met boven twee voorstellingen uit het leven van Christus en onder twee straatgezichten met wintervermaak. Ca. 1800-1850.
Folding Fan with Scene of Figures in a Landscape
Object type: fan
Date: 1801 – 1900
Materials: brass, paper, silk, silver
Subjects: children,men,women,landscapes
Portrait of two unknown men from the Rajput community of Kangra, Himachal Pradesh, India
Object type: page
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Location: kangra
Artist: Anonymous
Subjects: head-gear: turban, human races; peoples; nationalities
Inscriptions: number: ‘(217)’, inscription: ‘RAJPOOTS./ KUTOCH AND PUTHANEEA./ HINDOOS./ TRANS-SUTLEJ STATES.’
Plate 9, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fans,women

Trade cards from the "Fans of the Period" series (N7), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
John Wilson
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Het Rode Madeliefken In liefde verwarmdt Warmondt
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Artist: h. van den berck
Artist role: print maker
Subjects: 'rhetorica', 'eloquentia' (~ trivium); 'rettorica' (ripa), chamber of rhetoric (dutch: 'rederijkerskamer'), warmond
Inscriptions: date

Blazoen van de rederijkerskamer Het Rode Madeliefje te Warmond, 1620. Blazoen met een hen met haar kuikens in een landschap. Met zittende personificatie van de Rhetorica. Aan weerszijden wapens, strikken en festoenen.
Kleine landschappen
Object type: print
Date: 1613 – 1680
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: canals, waters (in city)
Inscriptions: collector's mark: Lugt 2228a
Miss Meyer, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Portret van Jacobus Trigland
Object type: print
Date: 1612 – 1665
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: jacobus trigland (i)
Inscriptions: collector's mark: Lugt 2228

Portret van Jacobus Trigland. Borststuk van de theoloog gekleed in toga.
Portret van Nikolaas Rockox
Object type: print
Date: 1625 – 1666
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, mayor, nikolaas rockox, (story of) demosthenes - portrait of person from classical history (+ full face)
Inscriptions: collector's mark: Lugt 240

Portret van Nikolaas Rockox, burgemeester van Antwerpen en kunstliefhebber. Hij zit in een interieur met voor hem op tafel boeken en kunstvoorwerpen, waaronder een buste van de Griekse redenaar en politicus Demosthenes.
Hendrik Leys
Object type: reproduction
Date: 1872 – 1877
Materials: cardboard, paper
Techniques: photograph
Location: antwerp
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: antwerp, painter, print maker, draughtsman, henri leys (baron), historical persons
Inscriptions: inscription: ‘1815. - 1869.’

Deze prent maakt deel uit van een omslag met 150 prenten en een katern met een lijst van afbeeldingen.
Twee allegorische tafelversieringen, 1786
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: festivities on events of national importance (+ eating and drinking ~ festive activities), centre-piece, epergne, 'surtout', 'milieu-de-table', alliance with france (1785)
Inscriptions: collector's mark: Lugt 2228

Blad met twee allegorische tafelversieringen (milieu de table) gebruikt bij de feestelijke maaltijd gehouden op 27 januari 1786 te Amsterdam om de Alliantie met Frankrijk te vieren. Links "Nederlands Groei en Bloei": de Nederlandse Maagd gezeten voor een zuil omringd door allegorische figuren. Rechts "Vrankrijks Voorspoed": een zuil met het Franse wapen omringd door allegorische figuren.
Portret van Amy Stephen
Object type: photograph
Date: 1871 – 1871
Materials: cardboard, photographic support
Techniques: albumen print
Location: melbourne
Artist: john botterill
Artist role: fotograaf
Artist dates: 1817 – 
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Botterill/ Portrait Painter and Photographer/ 19, Collins, Street, East/ Melbourne’, annotation: ‘Amy Stephen/ with kind regards/ 1871/ [...]/ Melbourne’
Portret van een man met snor
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: moustache, historical persons
Silhouetportret van Wilhelmina Cornelia Maas
Object type: photomechanical print
Date: 1895 – 1950
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Case (Inrō) with Design of Bugaku Dance Hat on Stand beside Pine Tree (obverse); Dance Drum (reverse)
Object type: inrō
Date: 1701 – 1800
Materials: ceramic, gold, lacquer
Techniques: fundame, incising, inlay, roiro, maki-e
Culture: japanese
Subjects: hats,trees
Titel omlijst door rozenstruik, vaas en Venetiaans masker
Object type: print
Date: 1785 – 1790
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: mask, shrubs: rose-bush
Inscriptions: collector's mark: Lugt 2228

Titel omlijst door onder andere rozenstruik, vaas en een Venetiaans masker als verwijzing naar de hoofdpersoon in de roman van Meissner: Bianca Capello.
Piece
Object type: piece
Date: 1501 – 1600
Materials: linen, silk
Le général Faidherbe
Object type: page
Date: 1878 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons
Inscriptions: inscription: ‘Sénateur, grand chancelier de la légion d'honneur’, inscription: ‘L.B. Depose’, inscription: ‘Le Nord Contemporain/ Revue Historique & Biographique’, inscription: ‘Journal le Nord Contemporain, No 1, année 1882’
Schotel met Annunciatie
Object type: platter
Date: 1500 – 1600
Materials: brass
Techniques: casting, punching
Location: nuremberg
Artist: Anonymous
Subjects: the annunciation: mary kneeling
Inscriptions: inscription

In het plat van de schotel, die in het midden het centerpunt heeft, is met behulp van stempelvorm een voorstelling van de Verkondiging aan Maria geponst. Daaromheen is een ornamentaal letterfries (enige keren herhaald) aangebracht. Op de boord is tegen de met ijzerdraad verstevigde rand een ornament van kruisbloemen geponst.
Allegory of Sleep
Object type: drawing
Date: 1570 – 1570
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giorgio vasari
Artist role: artist
Artist nationality: italian
Artist dates: 1511 – 1574
Subjects: sleeping

The two rapid sketches with the Allegory of Forgetfulness (acc. no. 67.95.3) and the Allegory of Sleep (acc. no. 67.95.4) were executed in pen and brown ink by the Renaissance artist and historian Giorgio Vasari in a quick and spontaneous manner to record his ideas for a ceiling or wall decoration. In 1981 Julian Kliemann pointed out that Vasari’s allegorical drawings in the Metropolitan Museum of Art correspond with two sections of a ceiling decoration of a bedroom (possibly for Francesco I de' Medici) planned by Vincenzo Borghini in a text datable ca. 1569-70. The Allegory of Forgetfulness is represented as a river god resting on an urn from which flow the dark waters of Lethe. The sleeping leopard and lizard in the foreground play emblematic roles, while "certi spiritelli come diavolini," representing cares, fly away at upper right. The Allegory of Sleep (acc. no. 67.95.4) differs in a number of ways from Vincenzo Borghini's description for the bedroom project. The essential elements of Borghini's scheme are nonetheless present: Sleep is attended by a young woman, and butterfly-winged putti holding mirrors appear above.
Portret van mevrouw R. M. Wilson
Object type: photograph
Date: 1887 – 1892
Materials: photographic support
Techniques: albumen print
Location: philadelphia
Subjects: r.m. wilson (mevrouw), historical persons - bb - woman
Duin Digt
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: trees, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 1641, stamp, stamp, : ‘Gedeponeerd’

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland.
Gold roundel with stamped designs
Object type: roundel
Date: 1600 – 1050
Materials: gold
Culture: cypriot

Made of hammered sheet metal, these gold roundels would have adorned a cloth or garment, probably a funerary shroud. Similar examples have been found in the Royal Shaft Graves at Mycenae and in Mycenaean tombs on the island of Rhodes.
Ewer
Object type: ewer
Date: 1467 – 1533
Materials: brass, copper, enamel, gilt
Techniques: painting
De vier delen van de dag
Object type: design
Date: 1575 – 1635
Materials: chalk, paper
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: morning
Finette
Object type: print
Date: 1859 – 1859
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Humphry Clinker Smashing a Dish at Dinner..., an illustration from Tobias Smollett's "The Expedition of Humphry Clinker" (London, 1793), Vol. 1
Object type: print
Date: 1793 – 1793
Techniques: engraving, etching
Artist: charles grignion, i
Artist role: artist
Artist nationality: british
Artist dates: 1710 – 1810
Subjects: men,women,dogs
The Actor Ichikawa Danjuro II as Soga no Goro and Nakamura Takesaburo I as Kewaizaka no Shosho in the play "Bando Ichi Kotobuki Soga," performed at the Nakamura Theater in the first month, 1715
Object type: print
Date: 1715 – 1715
Techniques: hand coloring, woodblock print
Location: japan
Artist: attributed to torii kiyonobu i
Artist nationality: japanese
Artist dates: 1664 – 1729