deem-data/ArtiFact huggingface dataset:
Grote Havenbrug te Leiden
Object type: photograph
Date: 1804 – 1894
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: henri de louw
Artist role: fotograaf
Artist dates: 1851 – 1944
Subjects: bridge in city across river, canal, etc.
Inscriptions: date

Grote Havenbrug te Leiden in de oude situatie voor de plaatsing van de dubbele ophaalbrug in 1894-1895
Höllenstaffel
Object type: photomechanical print
Date: 1895 – 1900
Materials: cardboard, paper
Techniques: photograph
Location: darmstadt
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church, staircase
Inscriptions: inscription: ‘17 Juli 1894’, number: ‘719’
Stoel
Object type: chair
Date: 1900 – 1900
Materials: wood, textile, wool
Location: netherlands
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
[Spiral of Lightning in a Thunderstorm]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: charles moussette
Artist role: artist
Artist nationality: french
Artist dates: 1880 – 1889
Subjects: lightning

As part of a late-nineteenth-century global contingent of scientists dedicated to the documentation of electrical storms, Charles Moussette was a pioneer of lightning photography in France. Like other like-minded researchers, Moussette was determined to prove that artistic renderings of lightning as zigzagging bolts were unrealistic. He made his most famous images from his laboratory in Arcueil, outside Paris, as a thunderstorm subsided around 9:45 p.m. on May 12, 1886. On a single glass plate negative, he recorded two bolts of lightning to the northwest and, by enlarging a portion of his negative, he provided visual evidence of the blast’s irregular spiral form. Moussette published his image in 1886 and exhibited his photographs at the Royal Meteorological Society in 1888, alongside displays of meteoric iron (alleged thunderbolts), lightning rods, and articles of clothing reportedly torn off a man by lightning strikes.
Portret van een onbekende man
Object type: carte de visite
Date: 1861 – 1874
Materials: cardboard, photographic support
Techniques: carbon print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: adult man, historical persons
Inscriptions: inscription: ‘AG/ A. GREINER AMSTERDAM./ Onvergankelyke Photographie’, inscription: ‘Kooldruk’
Gezicht op het Paleis van Justitie in Parijs na de brand door de Commune van Parijs
Object type: cabinet photograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: court building, ruin of a building ~ architecture
Inscriptions: annotation: ‘Palais de Justice/ Lo[cation] de la cour de Cassation’
The Death of Munrow
Object type: figure group
Date: 1820 – 1830
Materials: earthenware, enamel
Techniques: glazing
Subjects: soldiers,men,tigers,death

This figure group records a specific historic event in which Hugh Munro, a British soldier, was killed by a tiger in India in 1791. Its composition was inspired by an almost life-size wooden sculpture depicting a tiger killing a European that was owned by Tipu Sultan, the ruler of Mysore in India. Tipu’s sculpture was seized by the British army in 1799 and brought to London, where it was put on public display. Its great popularity inspired the creation of the Staffordshire figure group.
Huizen bij de Onze-Lieve-Vrouwetoren in Amersfoort
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: urban housing, flowers: sunflower, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Op de voorgrond zonnebloemen en andere planten in de achtertuinen van de huizen.
Stirrup Spout Bottle with Portrait Head
Object type: bottle
Date: 201 – 500
Materials: ceramic, pigment
Culture: moche
Location: peru
Subjects: heads
Rekenpenning uit Middelburg op de overwinningen van Prins Maurits 1599
Object type: jeton
Date: 1599 – 1599
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde een veldslag der Israëlieten met Moses, Aaron en Hur op een berg, op de keerzijde het gekroonde wapenschild van Zeeland, met omschrift.
Fotoalbum (leeg)
Object type: slip in album
Date: 1860 – 1930
Materials: cardboard, leather, paper
Techniques: marbling
Artist: Anonymous
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 1011’

Fotoalbum met 24 pagina's met ieder 4 passe-partouts met het formaat 80 mm bij 110 mm. In totaal is er in het album plaats voor 96 foto's.
Landschap met wilgen
Object type: print
Date: 1837 – 1880
Materials: paper
Techniques: etching
Subjects: trees: willow, public road

Landschap met een weg naast een paar wilgen.
Chaise et Fauteuil Louis XVI, bois laqué
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Een stoel en fauteuil in de Lodewijk XVI-stijl. Prent uit 20e Livraison.
Shower Below the Summit (Sanka hakuu), from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
Object type: print
Date: 1830 – 1833
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Portret van Sigismund III van Polen
Object type: book illustration
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching, letterpress printing, snipping
Artist: Anonymous
Subjects: sigismund iii (koning van polen), historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), king
Inscriptions: inscription: ‘M[...] 237 / 29 / 43 / 34 / XXI / 343’, number: ‘No 600’

Met zesregelig onderschrift in het Latijn en tekst in het Latijn rondom het portret.
Gezicht op een vallei tussen Vira en Tesserete, Zwitserland
Object type: photograph
Date: 1934 – 1934
Materials: photographic support
Techniques: gelatin silver print
Location: ticino
Artist: Anonymous
Subjects: dale, valley, snow
Inscriptions: number: ‘32’
Portret van een man met snor
Object type: photograph
Date: 1887 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: arnhem
Artist: e. v.d. kerkhoff
Artist role: fotograaf
Artist dates: 1861 – 1943
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Atelier/ E. v.d. Kerkhoff/ Arnhem/ Ridderstraat No. 27.’
Ex libris Johannae Mariae Frowein
Object type: bookplate
Date: 1940 – 1940
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: vine, armorial bearing, heraldry
Inscriptions: date
Ome Jan 1880
Object type: photograph
Date: 1880 – 1880
Materials: photographic support
Techniques: photography
Location: amsterdam
Inscriptions: inscription: ‘Ome Jan . 1880 -’

Foto op bruin albumblad 16 van familiealbum van Alphons Diepenbrock.
Wedding medallion
Object type: medallion
Date: 1600 – 1625
Materials: silver
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: men,women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, tip of beard and upper torso of male
Two Alternate Designs for a Wall with a Frame for a Painting
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: cartouches
Dragon Carpet
Object type: carpet
Date: 1767 – 1833
Materials: cotton, wool
Techniques: embroidery, weave
Location: azerbaijan
Subjects: dragons

This embroidered rug features a design with repeating s-like motifs. They are arranged in four rows with a black one altenating with a white. The motif recalls a highly stylized dragon. This repeating pattern of stylized dragons gave the name "Dragon Carpet" to this type of rug which was produced in Trans-Caucasia.
Pair of Tea Caddies
Object type: metalwork
Date: 1878 – 1879
Materials: metal, silver, silver gilt
Location: london
Artist: william barnard
Scarf End
Object type: costume and accessory
Date: 1801 – 1900
Location: spain
Oakland Avenue Railroad Station, Chicago, Illinois, East Elevation
Object type: architectural drawing
Date: 1886 – 1886
Materials: ink, linen
Location: chicago
Artist: adler and sullivan
Subjects: train station, architecture, elevation, chicago
Peacock
Object type: hanging scroll
Date: 1601 – 1700
Materials: ink, paper
Culture: japanese
Subjects: peacocks
Ex libris van Gustav Schulze
Object type: bookplate
Date: 1880 – 1951
Materials: paper
Techniques: engraving
Location: germany
Artist: hans rudolf schulze
Artist role: print maker
Artist dates: 1870 – 1951
Subjects: trees, plants and herbs
Inscriptions: signature: ‘Schulz’
Magazine of Female Fashions of London and Paris: London walking dresses
Object type: fashion print
Date: 1798 – 1806
Materials: paper, ink
Techniques: engraving, hand coloring
Location: london
Artist: richard phillips
Artist role: bookseller, publisher
Artist dates: 1767 – 1840
Subjects: fashion plates
Metamorfosen van Ovidius
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: antwerp
Subjects: hecuba finds her dead son polydorus on the sea-shore
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Fotoreproductie van een prent van een bacchanaal
Object type: photograph
Date: 1853 – 1858
Materials: photographic support
Techniques: salted paper print
Subjects: bacchanal: bacchus with his wine-flushed train (thiasos)
Inscriptions: inscription: ‘Duch. No 219. col. V. Sestich’

Foto op zevende ongenummerde pagina na pagina 142.
Gezicht op de Pont Royal in Parijs
Object type: print
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: bridge in city across river, canal, etc.
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 48.’

Prent op honderdeenennegentigste ongenummerde pagina.
Berzelius
Object type: print
Date: 1812 – 1874
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: chemistry, historical persons
Inscriptions: collector's mark: Lugt 2233
Chair seat
Object type: upholstery panel
Date: 1810 – 1820
Materials: silk, wool
Artist: beauvais
Artist role: manufactory
Subjects: birds,feathers
Standing Virgin and Child
Object type: statuette
Date: 1301 – 1500
Materials: paint, stone
Culture: french
Location: france
Subjects: madonna and child,virgin mary,jesus
Portrait of a Gentleman
Object type: painting, miniature
Date: 1820 – 1822
Materials: ivory, velvet, watercolor
Techniques: lining
Culture: american
Artist: daniel dickinson
Artist role: artist
Artist nationality: american
Artist dates: 1795 – 1877
Subjects: men,portraits
Faisant son apprentissage au tourniquet de la bourse..., from Croquis Parisiens, published in Le Charivari, February 6, 1857
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: gates,men,snow
The Actor Nakamura Nakazō in the Role of Kan Shōjō
Object type: woodblock print nishiki e
Date: 1780 – 1780
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors

Based on the legend of Sugawara Michizane, Sugawara's Secrets of Calligraphy (Sugawara Denju Tenarai Kagami) became one of the most popular Kabuki plays. In it, Kan Shōjō (Sugawara Michizane; 845–903), a distinguished statesman, poet, and scholar, was deified as the god Tenjin to appease his spirit's righteous vengeance after his death in exile. The storm in this print is the dramatic personification of Michizane's wrathful spirit. The actor Nakamura Nakazō is depicted in a vengeful pose, brandishing a plum branch (the plum was closely associated with Michizane).
Reliëf van ruiters op het Parthenonfries
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: salted paper print
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, sculpture (+ relief ~ sculpture)
Orphan sampler
Object type: sampler
Date: 1806 – 1806
Materials: cotton, silk
Holland House
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: england
Artist: thomas robert way
Artist role: print maker, printer
Artist nationality: english
Artist dates: 1861 – 1913
Halvemaansteeg te Amsterdam
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: zinc etching
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: urban housing, lane, alley
Inscriptions: collector's mark: Lugt 2228, number: ‘no 1612’

Gasthuismolensteeg in Amsterdam, gezien vanuit Herengracht 232. Spiegelbeeldig.
Soldaat die zijn musket met zijn linkerhand bij zijn rechterzijde vasthoudt (nr. 5), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met zijn linkerhand bij zijn rechterzijde vasthoudt (nr. 5), ca. 1600. In zijn linkerhand behalve het musket ook een furket (musketvork) en een brandende lont. Zijn rechterhand losjes bij de trekker van het musket. Plaat 5 in de instructies voor het hanteren van het musket: Corte onderrechtinghe op de figuerliicke afbeeldinghe, soo veel aengaet het recht ghebruyck vant Musquet. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, 's-Gravenhage, 1607. Krijgswezen rond 1600.
Herself
Object type: painting
Date: 1913 – 1913
Materials: canvas, oil
Location: united states
Artist: robert henri
Artist nationality: american
Artist dates: 1865 – 1929
Subjects: fashion, century of progress, world's fairs, chicago world's fairs, people, portraits
Inscriptions: Signed: Robert Henri (l. center)

Robert Henri painted Himself (1924.912) and Herself (Irish terms of endearment for a husband and wife) during a summer trip to Ireland; the canvases depict the fisherman Johnnie Cummings and his wife, Biddy. The rich hues and thick, lush paint add depth to the works, while the figures’ elusive expressions and informal poses give them a brusque, forthright quality. Each portrait reveals a distinctive character and, according to Henri, was meant to be a dynamic example of “humanity in the making, in the living.”
Andries Boom, met een groep zittende Hindostanen
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: andries augustus boom, working class, labourers, suriname

Andries Boom staande tussen een groep zittende contractarbeiders uit Brits-Indië. Onderdeel van het fotoalbum over het leven van de familie Gonggrijp in Suriname rond 1912.
Dressing table
Object type: dressing table
Date: 1760 – 1790
Materials: wood
Culture: american
Location: united states
Musicerend gezelschap
Object type: print
Date: 1833 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: manuscript of musical score, musician(s) accompanying singer(s), lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 2228

De man zit in een stoel met een luit in zijn armen. Naast hem staan twee vrouwen met bladmuziek.
Nachtgezicht met drie figuren met een baby in een landschap
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: torch, night ~ landscape (sometimes titled 'nox'), infant, baby
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie voor: Bilderdijk, Willem. De Mensch: Popes Essay on men. Amsterdam: Johannes Allart, 1807, p. 35-36.
A Compendium of Model Gardens (Chikusan zu tei ga; Yokei-tsukuri niwa no zu)  築山図庭畫; 余景作り庭の図
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Subjects: gardens
Gezichten op Rio de Janeiro
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: draughtsman at work - cc - out of doors, mountains
Inscriptions: collector's mark: ‘T’, collector's mark: Lugt 2228
Terracotta mug with horizontal rills
Object type: mug
Date: 434 – 401
Materials: terracotta
Culture: greek, south italian, apulian
Ward Hunt
Object type: print
Materials: paper, steel
Techniques: engraving
Location: united states
Artist: henry bryan hall
Artist role: print maker
Artist nationality: american
Artist dates: 1808 – 1884
Case (Inrō) with Design of Quail Standing beside Millet Stalks
Object type: inrō
Date: 1734 – 1766
Materials: gold, lacquer, metal
Techniques: fundame, hiramakie, roiro
Culture: japanese
Subjects: birds,plants
Geharnaste mannen en monnik
Object type: print
Date: 1824 – 1894
Materials: paper
Techniques: lithograph
Subjects: armour, monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2228

Een geharnaste man zit in een stoel met een zwaard in de rechterhand. Links staat een eveneens geharnaste man bewaakt door bewapende mannen. Rechts achter de stoel staat een monnik.
You're not having anything?, from 'Parisian sketches,' published in Le Charivari, November 2-3, 1865
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men

- You are not having anything? - No, I am afraid. - Oh come now, at least have a laudanum grog!
Disk Brooch
Object type: brooch
Materials: amber, gemstone, glass, gold, mother of pearl
Culture: frankish
Cabinet
Object type: cabinet
Materials: marble, wood
Portret van Albrecht Haller
Object type: print
Date: 1749 – 1784
Materials: paper
Techniques: engraving
Subjects: physicist, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Gezicht op het Plaza del Azoguejo en het Romeinse aquaduct te Segovia
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: segovia
Artist: Anonymous
Subjects: square, place, circus, etc., aqueduct (~ water supply), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 3937, number: ‘2034’
Groepsportret van een onbekende familie, rond een tafel met een fotoalbum
Object type: frame
Date: 1890 – 1910
Materials: paper, cardboard, glass, metal
Techniques: gelatin silver print
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), anonymous historical person portrayed
Allegorie op het geduld tijdens de periode van oorlog
Object type: propagandaprent
Date: 1577 – 1578
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: flying mammals: bat, patience; 'patienza' (ripa), allegorical representations of the effects of time, disagreement, discord; 'discordia' (ripa), owls, horrors of war, tetragram (in roman or hebrew script) ~ symbol of god the father, the bible as a book
Inscriptions: collector's mark: Lugt 2760, address: ‘P.Baltens ex.’, signature: ‘Marten de Vos inven.’, collector's mark: Lugt 2228, caption: ‘Al ist dat Discoort, den Tijt in haer gewelt heeft...Want die standvastich blijft, die sal salich wesen’

Politieke allegorie op het geduld in de tijd van de Tachtigjarige Oorlog, ca. 1577. De vrouwelijke personificatie van Geduld (Patientia), weergegeven als een naakte vrouw, is geketend aan een boom. Naast haar hoofd vliegen een uil en een vleermuis. Voor haar op de grond ligt het geopende evangelie, als verwijzing naar de troost die ze vindt in het geloof. De personificatie van de Tweedracht (Discordia) ligt aan haar voeten, ze heeft de tijd aan haar zijde (gesymboliseerd door de zandloper in haar handen). Rondom scènes van moord en beroving. Rechts wordt een vrouw met kind door twee soldaten aangevallen. Links twee dode kinderen en een lam, een derde kind wordt aangevallen door een leeuw. Op de achtergrond, aan de andere oever van de rivier, een brandende stad. Rechtsboven aan de hemel het tetragram als symbool van God de Vader. In de marge een zesregelig gedicht in het Nederlands, het Latijn en het Frans.
Figuren rondom kaart van Zaanland
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: etching
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Subjects: maps, atlases
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Soeteboom, Hendrik. Oud-Heeden van Zaan-land Stavoren Vronen en Waterland. I deel. Amsterdam: Linnig van Koppenol, Willem, 1702.
Viola d'Amore
Object type: viola d'amore
Date: 1701 – 1800
Materials: wood, metal, mother of pearl
Culture: french
Location: france

The viola d'amore, or viola "of love," is a bowed stringed instrument which gained great popularity in the eighteenth century. Much of its history, including the derivation of its name, is unknown. It has many characteristics of the viol family such as a flat back, ribs that are flush with the top and back, and a rosette in addition to soundholes. Yet, like a violin, it is unfretted and held under the chin while played. Violas d'amore typically have seven playing strings, though instruments with other numbers of strings are not unusual. Perhaps the most distinguishable characteristic of the eighteenth-century viola d'amore is the presence of sympathetic strings, which are not played but located behind the bowed strings and vibrate "in sympathy." The sympathetic strings contribute to produce a tone that is clear and often described as "silvery," as well as creating a more resonant sound with a longer decay. Sympathetic strings are found on several European folk instruments, including the Swedish nyckelharpa and the Norwegian hardanger fiddle. They are prevalent on stringed instruments from India, most notably the sitar. The viola d'amore was popular with eighteenth-century composers and can be found in the works of J. S. Bach, Vivaldi, Telemann, Haydn, and Locatelli.
Bloeiende plant in een interieur, tegen de achtergrond van rood fluwelen stof
Object type: glasdia
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Location: netherlands
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Le Petit Journal / Supplément Illustré / Samedi 17 Décembre 1892 / Numéro 108 / L'Aveu
Object type: cartoon
Date: 1892 – 1892
Materials: paper
Techniques: hand coloring, printed materials, engraving
Location: france
Subjects: berlin, wilhelm i (keizer van duitsland), death as skeleton

'De bekentenis', keizer Wilhelm I met de Dood en staande tussen de slachtoffers van de oorlog. Illustratie op voorzijde van de krant 'Le Petit Journal' van 17 december 1892
Kleeren en vlokkepetje op de knop van mijn ledikant
Object type: drawing
Date: 1906 – 1906
Materials: chalk, paper
Location: oegstgeest
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: hanging clothes, bed

Deze tekening is vervaardigd in de periode dat Hoytema voor enkele maanden was opgenomen in het sanatorium Rhijngeest.
St. Peter Delivered from Prison
Object type: drawing
Date: 1499 – 1543
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: polidoro da caravaggio
Artist role: artist
Artist nationality: italian
Artist dates: 1494 – 1548
Subjects: angels,saint peter
Twee portretten van Anders Andersen en Anna Aslaksdatter Skumma
Object type: page
Date: 1870 – 1880
Materials: paper, photographic support
Techniques: albumen print
Subjects: adult man (+ front view), adult woman (+ front view)
Inscriptions: number: ‘Tavola XIX.’

Links een vooraanzicht van Anders Andersen, rechts een vooraanzicht van Anna Aslaksdatter Skumma.