deem-data/ArtiFact huggingface dataset:
Landschap met ruïnes en andere antieke overblijfselen
Object type: ornament print
Date: 1767 – 1770
Materials: paper
Techniques: etching
Location: france
Artist: jean laurent legeay
Artist role: print maker
Subjects: vase ~ ornament, landscape with ruins
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Landschap met ruïnes en andere antieke overblijfselen. Centraal een zittende man. In een latere staat genummerd: 16. Onderdeel van groep prenten afkomstig uit één van de vier series van vazen, ruïnes, tombes en fonteinen met in totaal ca. 25 bladen.
James-Jacques-Joseph Tissot (1836–1902)
Object type: painting
Date: 1867 – 1868
Materials: canvas, oil
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: men,portraits,artists

The fashionable painter James Tissot was Degas’s friend and mentor in the 1860s and early 1870s. Posed in a studio, top hat and satin-lined cape by his side, Tissot is surrounded by canvases that reflect the wide-ranging tastes he shared with Degas: an exotic, Japanese-style picture; scenes of contemporary leisure; and behind the easel, a sixteenth-or-seventeenth-century Venetian subject. At center, a copy after a portrait of Frederick the Wise in the Louvre, formerly attributed to Lucas Cranach the Elder, pays homage to Northern Renaissance art.
Portret van Gerrit Rietveld
Object type: photograph
Date: 1902 – 1964
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: utrecht, gerrit thomas rietveld, historical persons
Portret van Marcus Antonius Coccius Sabellicus
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: etching, letterpress printing
Location: venice
Subjects: historical persons, portrait of a writer

Prent uit: Sabellicus, Marcus Antonius Coccius. Degl' istorici delle cose Veneziane (...). Venetië: Domenico Lovisa, 1718. Latere staat van prent in een latere editie van: Sabellicus, Marcus Antonius Coccius. Degl' istorici delle cose Veneziane (...). Venetië: Domenico Lovisa, 1718.
Dog Cart Phaeton  (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Diverse navires dont on se sert dans les Provinces Unies / Icones variarum navium Hollandicarum quarum usus maximè in aquis interioribus regionis
Object type: print
Date: 1717 – 1779
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: sailing-ship, sailing-boat

Boeiers op het water. Rechtsonder genummerd: 7. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Scheepsvaart.
Orange strainer
Object type: orange strainer
Date: 1722 – 1723
Materials: silver
Chinese Short Sword, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: swords,men

Trade cards from the "Arms of All Nations" series (N3), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Terracotta rim fragments of kylikes(drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Six rim fragments with part of handle patch and bit of handle attachment
Stencil with Pattern of Wine Cups on Waves
Object type: stencil
Date: 1801 – 1900
Materials: paper, silk
Culture: japanese
Subjects: waves

The presence here of shallow wine cups floating on water calls to mind the Poetry Gathering at the Orchid Pavilion in fourth-century China, in which poets famously drank from cups of wine that had been set adrift down a meandering stream. Two paintings on view in these galleries treat the same theme.
J.B. Rousseau
Object type: print
Date: 1828 – 1850
Materials: paper
Techniques: etching
Location: paris
Subjects: paris, brussels, jean baptiste rousseau (1669-1741), historical persons, portrait of a writer
Inscriptions: check stamp: ‘A[?]’, collector's mark: Lugt 2228
Belt
Object type: belt
Date: 1830 – 1839
Materials: enamel, metal, silk
Culture: american or european
Gordijn voor een serre in zwart gaasweefsel, patroon "Madras".
Object type: curtain
Date: 1920 – 1930
Materials: textile
Location: ghent

Gordijn voor een serre van madras in zwart gaasweefsel met groene verticale strepen en bladranken in ovaalvorm. Onderaan afboording in zelfde motief. Binnen een lijstornament een brede en een smalle strook groene rozen en rose bloemen tussen een ruitvormig patroon met bladranken in. Bovenaan tien ophangringen bevestigd.
Mozes
Object type: print
Date: 1600 – 1669
Materials: paper
Techniques: woodcut
Subjects: moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, tables of the law
Inscriptions: collector's mark: Lugt 240
The Prodigal Son in a House of Ill Repute
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: interiors,children,men,women,dogs
Een Hoeker op de Neeringh / An Hulk or great Hoy upon Herring Fishing place
Object type: print
Date: 1728 – 1761
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: bony fishes: herring, sea and coastal fishery
Inscriptions: collector's mark: Lugt 2228

Muller beschrijft onder FMH 3013C een ander volledig exemplaar van de serie bestaande uit 32 platen. In dit album zijn slechts 17 prenten uit de serie aanwezig (nrs 1-17).
An Old Man in a Fur Cap
Object type: painting
Date: 1655 – 1655
Materials: oil, paint, panel, wood
Techniques: painting
Location: netherlands
Artist: karel van der pluym
Artist role: painter, print maker
Artist nationality: dutch
Artist dates: 1625 – 1672
Subjects: man, portraits, portrait, interior, hat, globes, glasses, elderly, books, book, bearded man, century of progress, world's fairs, chicago world's fairs
Goden in nissen
Object type: print
Date: 1510 – 1569
Materials: paper
Techniques: engraving
Location: italy
Artist: jacob binck
Artist role: painter, print maker
Artist dates: 1494 – 1569
Subjects: (story of) jupiter (zeus), attributes of jupiter
Inscriptions: collector's mark: Lugt 11

De god Jupiter zit op een adelaar en met bliksemschichten in zijn hand in een nis.
Gezicht op een haven
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: harbour
Programma voor een uitvoering van het Remonstrantsch Zangkoor op 18 december (1893?)
Object type: text sheet
Date: 1893 – 1893
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: listening to music, large group of musicians, orchestra, choir
Inscriptions: collector's mark: Lugt 1641, collector's mark

Gedrukt programma voor een uitvoering van het Remonstrantsch Zangkoor op 18 maart (1893?), in het 'Kerkgebouw der Remonstanten' te Amsterdam. Dubbelgevouwen omslag van oranje papier met binnenin bladen met de teksten van de zangstukken. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Muziek en muziekinstrumenten: Varia.
Portrait of Pope Paulus IV
Object type: print
Date: 1530 – 1566
Techniques: engraving
Artist: nicolas beatrizet
Artist role: artist
Artist nationality: french
Artist dates: 1515 – 1566
Subjects: men,popes,coat of arms
Fragment
Object type: fragment
Date: 1760 – 1770
Materials: cotton, silk
Subjects: flowers,leaves
Haven van Den Briel / Port de La Brille
Object type: print
Date: 1779 – 1787
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: harbour, coat of arms (as symbol of the state, etc.) (+ city; municipal), sailing-ship, sailing-boat, brielle
Inscriptions: collector's mark: Lugt 2228

Zie RP-P-AO-13-58A-1 voor proefdruk.

Latere staat ook gebruikt in: Aa, Cornelis van der. Atlas van de zeehavens der Bataafsche Republiek. Met derzelver beschrijvingen in XXXI kunstplaaten / Atlas van de zeehavens der Bataafsche Republiek, die van Batavia en Onrust. Mitsgaders de afbeeldingen van de haringvisscherij en de walvischvangst […]. Amsterdam: Evert Maaskamp, 1805.
Beam from a scale
Object type: scale, beam
Materials: copper alloy
Location: egypt
Piece
Object type: piece
Date: 1451 – 1500
Materials: metal thread, silk
Portret van Pierre Dezoteux de Cormatin
Object type: print
Date: 1796 – 1802
Materials: paper
Techniques: engraving
Location: paris
Artist: françois bonneville
Artist role: draughtsman, painter, print maker, publisher
Subjects: paris, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie getiteld: Portraits des personnages célèbres de la Révolution (...), uitgegeven tussen 1796-1802.
Lady Hotoke Dancing
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: fans,women
Gezicht op de Pont au Change en La Fontaine du Palmier in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: two-wheeled, animal-drawn vehicle, bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Pont au Change, Paris.’
Drie kinderen spelend met een bok
Object type: sculpture
Date: 1890 – 1900
Materials: clay
Artist: eugène lacomblé
Artist role: draughtsman, painter, sculptor
Artist dates: 1828 – 1905
Portret van Martin Luther
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: priest, martin luther, theologian, historical persons, book - mm - book open
Christuskopf
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: christ, sculpture
Inscriptions: inscription: ‘Robert Cauer sculp./Cauer's plastische Werke. Nr. 20 Déposé. Mit gesetzlichem Schutz gegen Nachbildung’
Portret van Wilhelmus Lambertus Wijmans
Object type: drawing
Date: 1920 – 1976
Materials: paper, pencil
Artist: Anonymous
Subjects: utrecht, draughtsman, wilhelmus lambertus wijmans, portrait, self-portrait of artist
Inscriptions: signature: ‘K[...]W.’
Gezicht op de brug Lekkeresluis te Amsterdam
Object type: sketchbook leaf
Date: 1903 – 1904
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: bridge in city across river, canal, etc.
Inscriptions: : ‘[...]’

Pagina 24 uit een schetsboek met 16 bladen.
Landscape with Pyramid and Sarcophagus, plate six from Les Soirées de Rome
Object type: print
Date: 1763 – 1764
Materials: paper
Techniques: etching
Location: france
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Toneeldecors van de Amsterdamse Schouwburg, ca. 1760
Object type: print
Date: 1736 – 1738
Materials: paper
Techniques: engraving, etching
Subjects: theatre, theatrical performance, stage design
Inscriptions: stamp, collector's mark: Lugt 1641

Het coulissendecor De Italiaansche Straat met scène uit: De Gewaande Advocaat. Alleen het decor gedrukt van een aparte plaat, dus zonder het passe-partout. Onderdeel van een serie van twaalf toneeldecors van de Amsterdamse Schouwburg op de Keizersgracht. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Tooneel, Schouwburg op de Keizersgracht (1637 – 1772).
Vijf stuiver, noodmunt uit Amsterdam, geslagen tijdens het beleg
Object type: siege coin
Date: 1578 – 1578
Materials: silver
Techniques: striking
Location: amsterdam

Zilveren noodmunt van Amsterdam. Voorzijde: twee stempels, in het midden binnen parelrand tussen waarde-aanduiding en jaartal gekroond wapenschild van Amsterdam, bovenaan meesterteken soldeervaas. Keerzijde: blank. Noodmunt op zilveren min of meer vierkante plaat.
Portret van Floris II, graaf van Holland
Object type: book illustration
Date: 1601 – 1601
Materials: paper
Techniques: engraving, letterpress printing
Location: dordrecht
Subjects: floris ii (count of holland), armour, historical persons, ruler, sovereign, armorial bearing, heraldry

Prent uit: Petit, Jean François le. La grande chronique ancienne et moderne, de Hollande, Zelande, West-Frise (...). Dordrecht: Jacob Canin, 1601.
Saint John the Evangelist
Object type: print
Date: 1567 – 1567
Materials: paper
Techniques: etching
Location: italy
Artist: paolo farinati
Artist role: artist
Artist nationality: italian
Artist dates: 1524 – 1606
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, bit of drapery; leg of stool?; Exterior, part of ground line
Theodore Roosevelt
Object type: print
Materials: paper
Techniques: photolithograph
Location: united states
Artist: Anonymous
Artist nationality: likely american or british
Artist dates: 1800 – 1899
Head Executioner; Chief of Private Gang Capturefd Off Hong Kong; A Government Executioner, Canton
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Palazzo Senatorio aan het Piazza del Campidoglio in Rome
Object type: photograph
Date: 1855 – 1860
Materials: paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: townhall
Inscriptions: number: ‘29.’
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "Palissy" door Jean Pierre Victor Huguenin en rechts "Rigaud" door Victor Therasse
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘V21 en 36’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Fabel van de boer en de sater
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: prague
Artist: aegidius sadeler (ii)
Artist role: draughtsman, print maker
Artist dates: 1568 – 1629
Subjects: the satyr and the peasants; according to aesop: the satyrs and the peasant (meal, blowing to cool food, etc.)

Een boer en een sater aan een tafel in een huis. De sater kijkt geboeid naar de boer die in zijn soep blaast. De fabel beschrijft hoe een sater te gast is bij een boer. De boer blaast eerst in zijn verkleumde handen en daarna in zijn kom soep. De sater is verbaasd dat de boer uit eigen mond zowel warmte als kou kan blazen en beschouwt hem als een tovenaar.
Portret van Jassie Bond
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: signature: ‘Jessie Bond’, inscription: ‘'But if the truth must be confessed,/ I own I love him dearly.'/ The Sorcerer’
Ziet in dit prentgestel verscheiden schetsen pronken, / Zy worden u, ô jeugd! geschonken, / Die leerzaam en vermaaklyk zyn; / Tot tydverdryf: Maar schei het weezen van den schyn
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., drawing-lesson, fisherman
Inscriptions: collector's mark: Lugt 2760

Blad met 15 voorstellingen van beroepen en bezigheden, zoals zeilen, vissen en tekenen. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 202.
Veld van achtenveertig tegels met Cupido's
Object type: tegelveld
Date: 1630 – 1670
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van achtenveertig tegels (8 x 6) elk met een blauw en paars geschilderde Cupido en in de hoeken een ossenkop.
Water receptacle with cover
Object type: water receptacle with cover
Date: 1368 – 1644
Materials: jade, wood
Culture: chinese
Design for Landaulet, no. 3194
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Arc de Triomphe du Carrousel te Parijs
Object type: stereograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: place du carrousel
Artist: Anonymous
Subjects: triumphal arch
Inscriptions: inscription: ‘Arc du Carrousel’, number: ‘53’
Twee vrouwenhoofden
Object type: sketchbook leaf
Date: 1887 – 1934
Materials: chalk, paper
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: eyes closed, head (human) - aa - female human figure

Een vrouw met gesloten ogen en een vrouwenhoofd, in profiel. Pagina 31 uit schetsboek XLIX met 32 pagina's.
Wehrmachtsoldaat zittend op een houten bankje
Object type: photograph
Date: 1942 – 1942
Materials: photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: netherlands, germany, france, belgium
Inscriptions: date

Een Wehrmachtsoldaat zit op een houten bankje, achter hem twee zuilen van een gebouw. Foto behorend bij album 'Kriegserinnerungen'.
Portret van een kind
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: child, historical persons
Portret van Henri-Jules de Bourbon, prins van Condé
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paris, historical persons

Prent mogelijk uit: Historia di Leopoldo Cesare (...). Wenen: Giovanni Battista Hacque, 1630, dl. 2.
Vrouw bij bloemen in tuin
Object type: album leaf
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: flowers, adult woman, garden, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Portret van Christian Hohburg
Object type: print
Date: 1675 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: adult man, historical persons, devil or demons attacking mortals, lightning, flash of lightning, thunderbolt
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit een uitgave van: Hohburg, Christian. Teutsch-Evangelisches Judenthum.
Vijver in het Haagse Bos bij avond
Object type: print
Date: 1851 – 1924
Materials: paper
Techniques: etching
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: evening, pond, pool
Inscriptions: number: ‘510’, collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 510.
Fragment of a Fan
Object type: fan fragment
Date: 901 – 1000
Techniques: weave
Location: egypt or syria
Portret van Adriaan van Eynthouts
Object type: print
Date: 1574 – 1637
Materials: paper
Techniques: engraving
Location: unknown
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: schout, adriaan van eynthouts
Inscriptions: collector's mark: Lugt 2228

Portret van Adriaan van Eynthouts, schout van Cuyk. In het randschrift van de omlijsting de naam en functie van de geportretteerde in het Latijn.
Netsuke of Wood Carver
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, wood
Culture: japanese
Subjects: men