deem-data/ArtiFact huggingface dataset:
Paar en bediende in een interieur
Object type: book illustration
Date: 1625 – 1633
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: bed with tester, picture, painting, quarrel, argument, living-room, parlour, sitting-room, dog
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Rechts in het vertrek een hemelbed. tegen de achterwand hangt een schilderij met zeilschepen en hangen portretten. Met tekst over de dure kleding van de vrouw: Soo dat hij niet en merckt, al wort hij schoon gepluckt,/Hoe diep de vrouwe-pracht hem inde beurse druckt....
Armchair (one of a pair)
Object type: armchair
Date: 1676 – 1700
Materials: wood
Techniques: carving, gilding
Ovoid Vase with Floral Sprays
Object type: vessel
Materials: glaze, stoneware
Location: china
Dish
Object type: dish
Date: 1667 – 1700
Materials: enamel, porcelain
Techniques: overglaze
Culture: japanese
Dress
Object type: dress
Date: 1885 – 1885
Materials: cotton, silk
Culture: french
Artist: maison pingat
Artist role: design house
Artist nationality: french
Artist dates: 1860 – 

Emile Pingat had a proclivity for designing carefully finished dresses and outerwear which made him one of the top three French fashion designers during the second half of the 19th century. Active between 1860 and 1896, Pingat was adroit at manipulating multiple textiles and trimmings into a cohesive and elevated garment. He was inspired by design elements of other cultures and often reinterpreted them into his own work, making them unique and intriguing. His elaborately decorated and impeccably tailored outwear was particularly sought after. In this exemplary dress, Pingat presents a complex monochromatic scheme with a variety of textiles. The variations in tonality are created through textures of low luster patterned crepe contrasting with the sheen of faille alongside a sense of openness and light in the blue eyelet. All of these combined create an air of sophistication while the simple hint of cream cotton eyelet lends a sense of informality.
Ornament met rolwerk
Object type: sketchbook leaf
Date: 1901 – 1901
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: ornaments ~ art

Blad 9 recto uit een schetsboek met 42 bladzijden.
Piece
Object type: piece
Date: 1625 – 1635
Materials: silk
Subjects: flowers
Pilgrim bottle
Object type: pilgrim bottle
Date: 1601 – 1700
Materials: stoneware
Subjects: human figures,deer
Overwinning van Karel VI op de Turken
Object type: jeton
Date: 1717 – 1717
Materials: silver
Techniques: striking
Location: antwerp
Artist: philippe roëttiers (ii)
Artist role: medailleur
Artist dates: 1640 – 1718
Subjects: vienna, charles vi (holy roman emperor)

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: arend met halve maan in klauwen vliegt op naar stralende zon, daaronder leeuwin met twee jongen jaagt draak en twee slangen op vlucht binnen omschrift; afsnede: jaartal
Toegangsbewijs voor de overdracht van de gedenksteen van Nicolaas de Roever aan de Gemeente Amsterdam
Object type: admission ticket
Materials: paper
Techniques: handwriting, letterpress printing
Artist: Anonymous
Subjects: milk, selling, weigh-house, amsterdam
Inscriptions: collector's mark: Lugt 1461b

Onderwerpsrubriek binnen de Atlas Amsterdam: Markten, handel: C. Veemen, Waaggebouwen.
The Sackville Children
Object type: painting
Date: 1796 – 1796
Materials: canvas, oil
Artist: john hoppner
Artist role: artist
Artist nationality: british
Artist dates: 1758 – 1810
Subjects: boys,girls,portraits

The children of the third Duke of Dorset were painted at Knole, the Sackville family seat. They are (left to right): Lady Mary Sackville (1792–1864); the Duke's only son, Lord Middlesex (1793–1815), later fourth Duke of Dorset; and Lady Elizabeth Sackville (1795–1870). The picture was exhibited in 1797 under the title "Portraits of a nobleman's children." The pose of the boy derives from a famous portrait of Henry VIII by Hans Holbein.
Container in the Shape of a Duck
Object type: mummified duck case
Date: 1525 – 1504
Materials: plaster, wood
Location: egypt
A Burial Party, Cold Harbor, Virginia, pl. 94 from the album "Gardner's Photographic Sketch Book of the War, Volume II" (1866)
Object type: photograph
Techniques: albumen print
Location: united states
Artist: john reekie
Artist nationality: american
Artist dates: 1861 – 1865
Subjects: collected by hugh edwards, gardner's photographic sketch book
Omkaderde Franse tekst met olijftakken en mythologisch figuur
Object type: book illustration
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: (fenelon, telemachus) specific works of literature (with author, title), ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Twaalfregelige Franse tekst, getiteld 'Livre XIII' met daaronder een afbeelding van een mythologisch figuur met een dolk in haar hand. Het geheel wordt gekaderd door een sierlijst met olijftakken en onderaan een strik.
Portret van Johanna van Oostenrijk
Object type: photomechanical print
Date: 1871 – 1871
Materials: paper
Techniques: letterpress printing, printing block
Location: paris
Subjects: prague, historical persons - bb - woman, nobility and patriciate; chivalry, knighthood

Prent uit: L'Art pour tous 10 (1871), nr. 269, 30 augustus 1871.
Rest on the Flight into Egypt
Object type: print
Date: 1650 – 1671
Materials: paper
Techniques: engraving
Subjects: rest on the flight into egypt (+ angel(s)), hanging the wash to dry
Deel van het exterieur van La Seo te Zaragoza
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: zaragoza
Artist: Anonymous
Subjects: church (exterior), parts of church exterior and annexes: façade, ornament ~ geometric motifs
Inscriptions: inscription: ‘Spanje’, inscription: ‘X k1 fl 1’, inscription: ‘T & M B.F.K. Rive[...]’, number: ‘2438’, collector's mark: Lugt 3937
Sculptuur L'Amour blessé door Jean-Baptiste Carpeaux
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: sculpture, angels
Inscriptions: inscription: ‘Carpeaux/ Appartient au Prince Stirbey/ Galerie Contemporaine, Littéraire et Artistique/ 126, boulevard de Magenta.’
Mug
Object type: mug
Date: 1834 – 1866
Materials: glass
Illustrations of various styles of Indian architecture
Object type: book
Date: 1869 – 1869
Materials: cardboard, leather, paper
Techniques: albumen print, printing, woodburytype
Artist: james fergusson
Artist role: architect, kunsthistoricus
Artist dates: 1808 – 1866
Domschatz, hl. Christophoes v. vorn
Object type: album leaf
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: interior of church
Inscriptions: number: ‘167’
Portret van Jean-Baptiste Jules Bernadotte
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: engraving
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: date

Portret van Jean-Baptiste Jules Bernadotte, de latere Karel XIV Johan, koning van Zweden en Noorwegen.
Implement
Object type: tool
Materials: copper alloy
Location: egypt
Mystieke huwelijk van Catherina van Alexandrië met het Christuskind
Object type: album leaf
Date: 1753 – 1810
Materials: paper
Techniques: printmaking
Artist: william baillie
Artist role: print maker
Artist dates: 1723 – 1810
Subjects: the mystic marriage of st. catherine of alexandria with the infant christ: the christ-child puts a ring on her finger

De maagd Maria met één hand op de schouders van de heilige Catharina van Alexandrië en haar andere hand om de middel van het Christuskind. Hij schuift een ring aan de vinger van Catharina. De prent maakt deel uit van een album.
Mexico, from the Races of Mankind series (T181) issued by Abdul Cigarettes
Object type: print
Date: 1881 – 1881
Techniques: color lithograph
Artist: abdul cigarettes
Artist role: publisher
Artist nationality: american
Artist dates: 1881 – 1881
Subjects: men
Ha, ha, 't Drie-Koningsfeest ziet men hier vrolijk vieren; / Philippus zag zijn hoofd met eenen kroon versieren
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: children's games and plays, twelfth night, usually falling on the eve of january 6, royal household; courtiers, retinue, train
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van zes kinderen die het spel koning-trekken spelen op het Driekoningenfeest. Moeder kijkt vanaf een afstandje toe. Onder de afbeelding een zesregelig vers in twee kolommen. Genummerd rechtsboven: No. 71.
Brief aan Philip Zilcken
Object type: letter
Date: 1876 – 1929
Materials: ink, paper
Techniques: writing
Artist: baronne madeleine deslandes
Artist role: schrijver
Artist dates: 1866 – 1929
Subjects: the hague, painter, draughtsman, philip zilcken, literature ~ arts
Inscriptions: collector's mark: ‘RPK’
Middelburg, brandspuitpenning
Object type: medal
Date: 1680 – 1800
Materials: brass
Techniques: casting
Location: middelburg
Artist: Anonymous
Subjects: middelburg

Messing penning. Voorzijde: burcht, waaraan twee vaandels hangen. Keerzijde: brandspuit binnen slangerond; op zijde van brandspuit: opschrift No.
Iron Razor or Folding Knife with Ivory Handle
Object type: knife or razor handle, herakles
Materials: iron, ivory
Location: egypt or italy

The ivory handle has a tiger or panther carved three dimensionally on the outer edge. On its face is Herakles with his club, resting after cleaning the Augean stables. On the lower right is the container he used to capture the river water, which, according to the myth, he diverted for that purpose. Notched decoration occurs at the lower edge, and notched and crossed decoration is visible on the back. An iron blade extends almost two-thirds of the way into the handle, although the blade and details of its fitting are obscured by heavy corrosion.
Hathor emblem seal inscribed to Amenhotep I
Object type: seal, hathor, inscribed to amenhotep i
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hathor
Strijdende soldaten en twee figuren aan een tafel
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: division of armed forces (+ during the battle), table, horse, sitting on an elevation

Blad 44 verso uit een schetsboek met 25 bladen.
Duke of Westminster, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,jockeys

Trade cards from the "Racing Colors of the World" series (N22a), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not.
Last Judgment
Object type: painting
Date: 1611 – 1611
Materials: canvas, oil
Artist: aert pietersz.
Artist role: draughtsman, painter
Artist dates: 1550 – 1612
Subjects: comprehensive representation of last judgement: christ (with sword and lily), often surrounded by elders and sometimes accompanied by mary and john the baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils
Inscriptions: signature and date: ‘A. 1611 AP’

Ronde voorstelling van het Laatste Oordeel. In de hemel troont Christus tussen heiligen en engelen met de passiewerktuigen. In de wolken blazen engelen op bazuinen. Op aarde rijzen de doden uit hun graven, in het midden de aartsengel Michaël. Links engelen met de geredde zielen, rechts trekken duivels aan de verdoemden. In de vier hoeken de symbolen van de evangelisten met banderollen.
The Baptism of Christ (with Two Ducks in the Water at Lower Right)
Object type: drawing
Date: 1770 – 1790
Materials: ink
Techniques: pen, wash
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Subjects: ducks,men,baptism of christ
Portret van Pierre Belon op 36-jarige leeftijd
Object type: book illustration
Date: 1555 – 1555
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: physicist, historical persons

Prent uit: Belon, Pierre. L'histoire de la nature des oyseaux, avec leurs descriptions, & naïfs portraicts retirez du naturel (...). Parijs: Guillaume Cavellat, 1555.
Horse Bound to a Post, turned left, from "The Horses"
Object type: print
Date: 1610 – 1686
Techniques: etching
Artist: dirck stoop
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1686
Subjects: dogs,horses
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, head, right shoulder, and extended arm of balding satyr
Intocht van Ferdinand van Oostenrijk in Gent
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: antwerp
Artist: jacob neefs
Artist role: print maker, publisher
Artist dates: 1610 – 1660
Subjects: charles v (holy roman emperor and king of spain), flag raising, sailing-ship, sailing-boat, africa represented allegorically; 'africa' (ripa), prince, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 240

Karel V stapt van boord en zet voet aan land in Afrika. De keizer grijpt de personificatie van het continent Afrika, die vergezeld is door een leeuw, bij de arm. Links een schip waar door een man een vaandel wordt gehesen met daarop een gekroonde adelaar. Verbeelding van de strijd tegen de Turken en de verovering van Tunis in Noord-Afrika, 1535. Voorstelling rechts op de voorzijde van de triomfpoort Arcus Caroli op de Vrijdagmarkt. Prent maakt deel uit van een serie, die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Gent op 28 januari 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreert.
Le Deluge
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: the flood and destruction of mankind ~ story of noah (genesis 7:10 - 8:17)
Inscriptions: collector's mark: Lugt 240

Naakte mannen, vrouwen en kinderen proberen aan het stromende water te ontkomen door in een boom of op hoger gelegen delen te klimmen. Enkelen liggen levenloos in het water. Op de achtergrond vaart de ark van Noach. Onder de voorstelling vier regels in het Frans en vier in Latijn.
Piece
Object type: piece
Date: 1601 – 1700
Materials: cotton, silk
Culture: chinese
Subjects: flowers
Desk
Object type: desk
Date: 1790 – 1795
Materials: marble, wood, soft paste porcelain
Techniques: stain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999

This desk mounted with seven Sèvres porcelain plaques comes from the Hillingdon Collection, which was founded by Sir Charles Mills (1792–1880), a partner in the great firm of Glyn, Mills, Currie and Company, bankers to the British royal family. Tradition says that Sir Charles acquired the collection during a series of visits to France in the first half of the nineteenth century. Sir Charles’ son was created first Baron Hillingdon in 1886. In 1937, his descendants sold the collection to the well-known art dealers Duveen Brothers. Although various collectors, such as Calouste Gulbenkian and J. Paul Getty, were interested in buying the Hillingdon Collection, ultimately the majority of the artworks, including seventeen pieces of porcelain-mounted furniture, were acquired in 1947 by the cultural foundation that had been established by the American businessman and philanthropist Samuel H. Kress (1863–1955). Under the leadership of Samuel’s brother Rush H. Kress (1877–1963), the Samuel H. Kress Foundation gave these extraordinary objects to the Museum in 1958, making it the foremost repository in the world of Sèvres-mounted furniture.
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: nice
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Vrouw met Thesy af Ugglas als baby
Object type: album leaf
Date: 1933 – 1934
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: mother and baby or young child
Inscriptions: inscription: ‘Thesy af Ugglas’
Promenade, from World's Dudes series (N31) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,profiles

Trade cards from the "World's Dudes" series (N31), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Anatomische studie van een voet
Object type: drawing
Date: 1812 – 1861
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: foot
A Pipe Organ with Papal Arms
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: organs
Fotoreproductie van twee anatomische tekeningen van het loslaten van het netvlies
Object type: reproduction
Date: 1871 – 1891
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: anatomy (non-medical), eyes
Inscriptions: inscription: ‘Fig. 59. Décollement avec déchirure de la rétine Fig. 60. Chorio-rétinite cicatricielle, suite de décollement’
Cup with a frieze of gazelles
Object type: cup
Date: 1000 – 668
Materials: gold
Culture: iranian
Location: northwestern iran, caspian region
Subjects: animals

A number of vessels similar in form and technique to this one have been excavated in the rich burials at Marlik, a site southwest of the Caspian Sea in northern Iran; one is also known from Susa, in southwestern Iran. On the body of the cup, four gazelles, framed horizontally by guilloche bands, walk in procession to the left. Their bodies are rendered in the repoussé technique and are detailed with finely chased lines to indicate hair and musculature. The projecting heads were made separately, as were the ears and horns, and were fastened invisibly in place by a colloid hard-soldering, a process much practiced in Iran involving glue and copper salt. The hooves and eyes are indented, probably to receive inlays.
Schets van een lezende vrouw
Object type: drawing
Date: 1800 – 1900
Materials: paper
Techniques: brush
Location: japan
Artist: Anonymous
Candlestick
Object type: candlestick
Date: 1870 – 1875
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: henry whitney
Artist role: designer
Artist nationality: american
Artist dates:  – 9999
Subjects: caryatids

This candlestick, whose design was patented in 1870, has as its shaft a caryatid, a Renaissance Revival motif. Although other glass manufacturers used the caryatid motif, the New England Glass Company was unique in combining it with other elements in a single mold.
Sheet 1: Soldiers carrying banners depicting Julius Caesar's triumphant military exploits, from "The Triumph of Julius Caesar"
Object type: print
Date: 1599 – 1599
Materials: ink
Techniques: woodcut
Artist: andrea andreani
Artist role: artist
Artist nationality: italian
Artist dates: 1558 – 1629
Subjects: musical instruments,soldiers,men,flags

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Fontein en Bacchus op een ton
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: etching
Location: antwerp
Subjects: (story of) bacchus (dionysus), liber, ornamental fountain

Vrijstaande fontein in de vorm van een kruisvormig paviljoen op een voetstuk. Tegen het voetstuk liggen twee lage bekkens. In het paviljoen bevindt zich een derde bekken waarin een voetstuk staat. Daarop zit Bacchus op een ton. Op het hoofdgestel rust een opbouw met een fries met een bacchantenoptocht. De prent maakt deel uit van een album.
Netsuke of Woman Sitting on a Log
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: women
Exposition Universelle d'Anvers 1894
Object type: page
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: hoofed animals: camel, world fair, world exhibition, adult man, street, antwerp

Prent op derde ongenummerde pagina na pagina 134.
Flowering Tree
Object type: illustrated album leaf
Date: 1700 – 1700
Materials: gold, paper, watercolor
Location: india
Subjects: flowers,trees
Gezicht op het Palais du Louvre
Object type: print
Date: 1845 – 1850
Materials: paper
Techniques: engraving
Location: paris
Subjects: palace

Prent op derde ongenummerde pagina na titelpagina. Prent gemaakt naar daguerreotypie.
Collection Nilsson - Nouvelle Série
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: london, historical persons - bb - woman, portrait of actor, actress
Inscriptions: number: ‘No 190’
The orange market, with the Rialto Bridge beyond, Venice
Object type: drawing
Date: 1867 – 1867
Materials: gouache, graphite, watercolor
Artist: james holland
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1870
Subjects: human figures,buildings,canals,markets,boats,venice

Holland visited Italy for the first time in 1835, returned often, and gained a reputation in Britain for his watercolors of Venetian subjects. Here he portrays a bustling market scene and uses saturated, opaque colors, mixing watercolor and gouache reinforced with graphite. In the foreground at the right, before San Bartolomeo, figures transport goods from vessels to the stone buildings that line the Grand Canal. The Rialto Bridge bisects the scene, with Casa Ruzzini, and the pinnacled upper story of the Fondaco dei Tedeschi on the left, and the Palazzo Camerlinghi on the right.
Servet met een profiel van een havenstad en diverse schepen
Object type: napkin
Date: 1600 – 1649
Materials: linen
Techniques: damask
Location: haarlem
Artist: Anonymous

Servet van linnendamast met een havenstad en diverse schepen, waaronder beurtschepen, wijdschepen, walvissloep, gondel en pinas. Staande en liggende randen: allegorische voorstellingen van de scheepvaart bij dag en bij nacht en nautische instrumenten als kompasroos, jacobsstaf, anker, hemelglobe, passers, quadrant, boek (journaal?), sterrebeeld.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen
Techniques: lace
Portret van twee vrouwen van de Bangala te Nieuw-Antwerpen
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: photograph
Location: nieuw-antwerpen
Artist: franz thonner
Artist role: botanicus, ontdekkingsreiziger
Artist dates: 1863 – 1928
Subjects: adult woman
Inscriptions: number: ‘Pl. 34.’
Gezicht op het Rijpenhofje te Amsterdam
Object type: drawing
Date: 1879 – 1879
Materials: ink, paper
Techniques: pen
Location: amsterdam
Artist: Anonymous
Subjects: alms-house (dutch: 'hofje'), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: III. Verschillende gestichten en instellingen / Hofjes: Rapen- en Bosscherhofje - Regenboog's liefde Hofje - Rijper-Hofje.