deem-data/ArtiFact huggingface dataset:
Stielen en Ambachten / Arts et Métiers
Object type: print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: craft-production, skilled handiwork, pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, painter at work, in his studio - cc - out of doors, crafts and industries, potter, ceramist, shoe-maker, cobbler
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen van ambachtslieden en beroepen, zoals papiermaker, koperslager, barbier en schilder. Onder elke afbeelding een tweeregelig vers in het Nederlands of in het Frans. Genummerd midden onder: No. 36.
Kotter en een oorlogsfregat
Object type: print
Date: 1764 – 1826
Materials: paper
Techniques: aquatint, etching
Location: rotterdam
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: ships (in general)
Inscriptions: collector's mark: Lugt 2228

Een driemaster met een vlag en een kleine zeilschip op de golven.
Halvemaanvormige lichtgrijze kartonnen doos met blauwe biezen
Object type: verpakking
Date: 1790 – 1810
Materials: cardboard, paper
Techniques: sewing
Location: amsterdam

Halvemaanvormige lichtgrijze kartonnen doos met blauwe biezen. Met losse deksel.
Bullock cart with Burmese people in front of a pagoda and a monastery, Myanmar
Object type: album leaf
Date: 1885 – 1886
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: myanmar
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, two-wheeled, animal-drawn vehicle
Inscriptions: caption: ‘Pagoda and Kyoung’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Birma.
Belt buckle
Object type: belt buckle
Date: 1701 – 1900
Materials: gold, jade, pearl, stone
Techniques: inlay
Culture: chinese
Fragment riemgesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

D-shaped with pointed side, ring, squashed, id. NG 1980-27H384, belt buckle.
Plate with the coat of arms of Hendrik Peter Godfried Quack and Isabella Gertraud von Carnap
Object type: service set
Date: 1790 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris
Artist: Anonymous
Inscriptions: mark: ‘L’

Diep bord van porselein, beschilderd op het glazuur met goud. Op het plat het alliantiewapen van Hendrik Peter Godfried Quack en Isabella Gertraud von Carnap. De rand met een bloemrank en een gouden band. Een proen op de onderzijde. Gemerkt op de onderzijde met L.
Portière encadrée
Object type: print
Date: 1860 – 1880
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: door, hangings and drapery

Deur met decoratieve omlijsting en draperie. Prent uit 241e Livraison.
Vase with Cover (one of a pair)
Object type: ceramic
Date: 1770 – 1770
Materials: ceramic, porcelain, soft paste porcelain
Techniques: gilding
Location: worcester
Typus piscationis novae novorum apostolorum
Object type: pamphlet
Date: 1560 – 1600
Materials: paper
Techniques: engraving, letterpress printing
Location: germany
Artist: Anonymous
Subjects: clergyman, priest, martin luther, the (true) church vs. other churches and ideas, trying to win souls, fishing for souls
Inscriptions: collector's mark: Lugt 2228

Allegorische voorstelling waarin Luther, Schwenckfeld, Calvijn en Zwingli zijn voorgesteld vissend in een vijver waarin verschillen typen mensen zwemmen: rijk geklede jonge mannen en vrouwen, monniken, landheren, boeren en ambachtslieden. Daarom heen zijn diverse scènes weergeven in en rond herbergen waarin ondermeer drinkende gezelschappen en dansende monniken figureren. Rechtsonder wordt in een kleermakerswerkplaats een kazuifel verknipt tot vrouwenkleding. Daarboven wordt in een smederij een monstrans omgesmeed. In de voorstelling figureren verschillende dieren: een ooievaar, kikkers, apen, etc. De hoofdrol lijkt weggelegd voor de bever, die drie maal is voorgesteld. Met apart gedrukte Latijnse tekst in boekdruk.
Adieu aux Karpatz
Object type: print
Date: 1857 – 1857
Techniques: printmaking, etching
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: eagles,mountains
Waternimf Padusa
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: personification of river po; 'po' (ripa)
Inscriptions: collector's mark: Lugt 2228

De waternimf Padusa (de rivier de Po), gezeten op een stenen blok. De prent maakt deel uit van een zeventiendelige serie over stroom- en waternimfen.
Sandalen, een dode muis, een chimère, boegbeeld van een schip en een boerderij
Object type: print
Date: 1867 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: rodents: mouse, shoes, sandals, parts of ship's exterior: figure-head, farm (building)
Inscriptions: collector's mark: Lugt 2228
Bowl
Object type: bowl
Date: 4500 – 4100
Materials: ceramic, paint
Culture: iranian
Location: iran

This bowl has gently curving sides that give way to a conical shape in its lower section, terminating in a small, flat base. It is made of a fine buff clay with painted brown decorations, namely two thick horizontal bands with an overlapping sequence of Xs in between them. Horizontal marks on the bowl suggest that it was finished using a slow wheel. This bowl was excavated in 1932 at Tall-i Bakun A in southwestern Iran, a prehistoric site near Persepolis. During the fifth millennium B.C. Bakun was a hub for trade between pastoral nomads who raised sheep and goats in the highlands and the farmers who raised barley, wheat and peas in the Marvdasht Plain. As a result it grew into a major administrative center, as attested by the many stamp seals found there. It was also where much of the pottery used by the pastoralists was made, including this bowl. Although it has a flat bottom, the bowl was probably used with a stand, as several have been found at Bakun. This would have made the bowl easier to use on rough terrain, even if it meant more to carry. Given its size the bowl was most likely a drinking cup, though it is unclear what was drunk from it.
Fichu
Object type: fichu
Date: 1801 – 1900
Techniques: embroidery
Hemidrachm (Coin) Depicting a Female Head
Object type: coin
Date: 146 – 127
Materials: metal, silver
Culture: greek
Location: greece

The front (obverse) of this coin shows a female head, facing to the right and wearing a veil. On the back (reverse), a lyre is depicted within a wreath.
Twee kinderen spelen in de tuin
Object type: album leaf
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: child, playing toddler; child amusing itself, gardening
Inscriptions: inscription: ‘No. 2./ Twee tuiniers.’

Deze prent maakt deel uit van een album.
View of the Garden Terrace of the Villa d'Este at Tivoli
Object type: drawing
Date: 1643 – 1644
Materials: ink, pencil, watercolor
Techniques: wash
Artist: israël silvestre
Artist role: artist
Artist nationality: french
Artist dates: 1621 – 1691
Subjects: buildings,gardens
Diva Faustina
Object type: relief
Date: 1401 – 1500
Materials: marble
Techniques: gilding
Artist: mino da fiesole (mino di giovanni)
Artist role: artist
Artist nationality: italian
Artist dates: 1429 – 1484
Subjects: profiles,women

Idealized portrait of Annia Galeria Faustina, wife of Marcus Aurelius.
Een Nederlandse collaborateur
Object type: documentary photograph
Date: 1904 – 1945
Materials: photographic support
Techniques: photography
Location: hengelo
Subjects: publisher

Nederlanders hebben een collaborateur opgepakt.Op weg naar het huis van een leider van het verzet wordt hij aan de bevolking getoond, die enthousiast applaudiseerd.
Dress
Object type: dress
Date: 1856 – 1857
Materials: cotton, silk
Culture: american
Gold fibula (safety pin)
Object type: fibula
Date: 1050 – 750
Materials: gold
Culture: cypriot

The bow-shaped fibula appeared in the Greek world about 1100 B.C., and although it is particularly associated with Greece and the Aegean area, its distribution was considerably broader.
Door knocker
Object type: door knocker
Date: 1676 – 1700
Materials: iron
Landschap met twee runderen
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: etching
Artist: edmond tschaggeny
Artist role: print maker
Artist dates: 1818 – 1873
Subjects: bovine cattle
Inscriptions: collector's mark: Lugt 2228
Opening van het tooneel
Object type: cartoon
Date: 1867 – 1867
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: amsterdam, the hague, politician, minister ~ government, the stage and its equipment

Spotprent met de ministers (ministerie Heemskerk) met hun portefeuilles staande op het toneel. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 46, 16 november 1867.
Angel and Two Putti
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: spain
Artist: moncayo pignatelly
Artist nationality: spanish
Artist dates: 1700 – 1770
Studioportret van een man
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: cornelis leenheer sr
Artist role: fotograaf
Subjects: amsterdam
Inscriptions: name: ‘Corn-s Leenheer Sr Utrechtsestraat 45 Amsterdam’
Kinderbriefkaarten derde reeks. Zes prentbriefkaarten naar schilderingen van Jan Veth
Object type: wrapper
Date: 1928 – 1928
Materials: paper
Techniques: printing
Artist: Anonymous
Inscriptions: collector's mark: ‘AFE v S’

Het omslag is bedoeld voor zes prentbriefkaarten uit serie drie. In dit exemplaar zijn vijf prentbriefkaarten uit serie drie en een prentbriefkaart uit serie vier aangetroffen.
Martelaarschap van Tomas
Object type: print
Date: 1500 – 1536
Materials: paper
Techniques: woodcut
Location: germany
Artist: Anonymous
Subjects: martyrdom and death of thomas

Tomas wordt terwijl hij bij een altaar staat met een speer doorstoken. Prent maakt deel uit van een album.
Spotprent op koninklijke huwelijken
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: tone lithography
Location: london
Subjects: politician, paris, lodewijk filips i (koning van frankrijk), political caricatures and satires
Inscriptions: stamp: ‘HB Subscribers Copy’

Spotprent uit 1847 waarin de Franse premier François Guizot de Spaanse huwelijken aankondigt aan een verschrikt kijkende Lord Normanby. Achter een kamerscherm luistert de Franse koning Lodewijk Filips I mee. Uitgegeven als nr. 879 in de serie HB Sketches.
Piece
Object type: piece
Date: 1880 – 1880
Materials: cotton
Techniques: printing
Culture: american
Subjects: men,horses,flowers
Portret van Cornelius Dietrich Koch
Object type: print
Date: 1704 – 1765
Materials: paper
Techniques: engraving, etching
Location: braunschweig
Artist: johann georg schmidt
Artist role: print maker
Artist dates: 1694 – 1767
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Fire Bowl
Object type: fire bowl
Date: 1801 – 1900
Materials: clay, glaze
Culture: japanese
Wapenschilden met lege banderollen en lege cartouches
Object type: ornament print
Date: 1611 – 1625
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
A Bedroom in Bernstorff Palace near Copenhagen
Object type: painting
Date: 1845 – 1845
Materials: canvas, oil
Artist: johan vilhelm gertner
Artist role: artist
Artist nationality: danish
Artist dates: 1818 – 1871
Subjects: bedrooms,mirrors
Saturnus (Saturn), from Eight Pagan Gods
Object type: print
Date: 1592 – 1592
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered upper center: "Saturnus"; and below image: "Anno / 1592 / Octo gentium Dij per Polydorum quondam quodam in atrio Romae e Coenobij Divi Pauli regione in colle Quirinali, nunc M. Cavallo ad parietem et lucide et subumbrose deliniati, per HGoltzium ibidem adnotati, et caelati postmodum in Tyronum gratiam."
Ein new Modelbuch..., page 13 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: ornament,vines

Published by Johann Schӧnsperger the Younger, Zwickau. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column is decorated with a curving white line. Middle column is decorated with vines of leaves and fruit that emanate from a grotesque head at the bottom edge. Right column is decorated with a pattern of horizontal hatch marks.
The Martyrdom of Saint John the Evangelist, plate five from The Martyrdoms of the Apostles
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Jar
Object type: jar, painted
Date: 1919 – 1878
Materials: mineral, pottery
Techniques: wash
Location: egypt
Gourd-Shaped Snuff Bottle with Trailing Vines and Gourds
Object type: vessel
Materials: glass
Location: china
Scene with Apollo? Orpheus?
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: animals,apollo,orpheus
Mud impression of ivory handle 54.117.3
Object type: mud impression
Date: 800 – 701
Materials: mud
Culture: assyrian
Location: mesopotamia
Page of Calligraphy
Object type: folio from a non illustrated manuscript
Date: 1401 – 1500
Materials: gold, ink, paper, watercolor
Location: egypt or iran
Subjects: calligraphy
Landscape with Oxen and Felled Tree
Object type: drawing
Date: 1775 – 1827
Materials: graphite, ink
Techniques: pen
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: animals,landscapes,trees
Eve Bewailing the Death of Abel
Object type: figure
Date: 1800 – 1810
Materials: terracotta
Artist: joseph nollekens
Artist role: artist
Artist nationality: british
Artist dates: 1737 – 1823
Subjects: sadness,eve

Eve, the Biblical mother of humanity, halts in mid-stride to confront the body of her murdered son, Abel. The force of her arrested motion and out flung gestures of grief scatter her unbound hair and unfurl the length of drapery that billows around her upraised arm and cascades downward to her feet. Nollekens modeled Eve by building up the clay with his fingers. He worked with speed, leaving the flesh patterned with rough strokes made with a flat wooden modelling tool. Long, deep incisions, scored into the clay with a pointed modelling stick, separate the locks of hair and punctuate the winding folds of drapery. Nollekens drove the stick’s sharp end into the clay to create the dark expressive holes that are Eve’s eyes and open mouth. To fashion her nose he pinched the clay with his fingers. The subject of Eve mourning the death of Abel is not recounted in the Old Testament narrative of Cain’s murder of his brother (Genesis 4:8). Rather, John Milton’s epic poem of mankind’s fall from divine grace, Paradise Lost (1674), probably inspired the creation of this work. Nollekens’s Eve eloquently captures the brutal impact of bearing witness to the first human death that foreshadowed all those to come as the consequence of her and Adam’s sin and expulsion from Eden. The work’s free handling and dramatic emotional intensity reveal a creative proto-Romantic energy that Nollekens, who was Britain’s foremost Neoclassical marble sculptor, limited to his small terracottas. Termed "pensieri," or thoughts, Nollekens considered terracottas like Eve not as preparatory sketches for large-scale marbles, but rather as finished works of art; and he publicly exhibited many of them at the Royal Academy in London.
Mummy label of Psenpnouthes, (son of) Kollouthes; his mother Senpsenthmesios
Object type: mummy label, psenpnouthes, son of kollouthes, his mother senpsenthmesios
Materials: ink, wood
Location: northern upper egypt
Standing Figure of Nefertum
Object type: amulet, nefertum
Date: 664 – 332
Materials: silver
Location: egypt
Ruit met vier wapens, waaronder het wapen van Utrecht
Object type: light window
Date: 1618 – 1618
Materials: glass, lead
Techniques: leading
Artist: Anonymous

Vier gekleurde ovale ruiten van gebrandschilderde glas met de wapens van Utrecht, waarvan twee grote en twee kleine ruiten.
View of the City of Washington in 1807
Object type: drawing and watercolor
Date: 1807 – 1807
Materials: gouache, paint, paper, watercolor
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1800 – 1899
Twee mannen aan het werk in een houtzagerij
Object type: print
Date: 1896 – 1954
Materials: paper
Techniques: etching, intaglio
Artist: gustaaf van nifterik
Artist role: print maker
Artist dates: 1886 – 1954
Subjects: wood, timber ~ building material, woodcutting, woodcutter ~ forestry, village, tools, aids, implements ~ crafts and industries: saw
Inscriptions: collector's mark: Lugt 2228

De mannen zagen een boomstam die zich in een houten stellage bevindt. Op de grond liggen boomstammen en planken. Op de achtergrond verschillende gebouwen, waaronder een kerk en een boerderij.
Lichfield Cathedral: The West Front
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: lichfield
Artist: alexander wilson
Artist role: fotograaf
Subjects: church (exterior), façade (of house or building)
Inscriptions: name: ‘Alexander Wilson, Photographer, Leamington.’, number: ‘No. 101.’
Portret van een onbekende vrouw met een tafel op het hoofd
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: photoaquatint
Location: morocco
Subjects: adult woman, carrying something on the head or on the shoulders
Inscriptions: title: ‘Negress bringing Presents for a Bride.’
Interieur met openstaande deur
Object type: print
Date: 1837 – 1882
Materials: paper, pencil
Techniques: drypoint, etching
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: key, interior of the house
Inscriptions: collector's mark: Lugt 2228

Interieur van een vertrek met openstaande deur, waarin een sleutel steekt. Bij de deur zijn twee figuren weergegeven. Aan de linkerzijde van het vertrek staan een bankje, een kruik en een emmer.
Pair of chutes
Object type: chute
Date: 1701 – 1800
Materials: gilt bronze
Subjects: leaves
Interieur, mogelijk van een moskee
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk, paper
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: temple, shrine ~ islam, mohammedanism, architecture

Pagina 11 uit een schetsboek met 53 bladen.
Saint Jerome
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: after agostino carracci
Jug
Object type: jug
Date: 600 – 480
Materials: terracotta
Culture: cypriot

One-handle and vertical groups of concentric circles.
Buckle with Incised Petal Pattern
Object type: costume and accessory
Date: 1601 – 1800
Materials: gold, jade, gemstone
Location: india
S. Marc, évangéliste (St. Mark, Evangelist), April 25th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,lions,saint mark

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Venturing out in the rain
Object type: page
Date: 1886 – 1896
Materials: paper
Techniques: photograph, hand coloring
Location: japan
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: adult woman, umbrella
Inscriptions: inscription: ‘The rain umbrella (...) feet from mud.’
Madrid
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: madrid
Artist: juan laurent
Artist role: publisher
Artist dates: 1816 – 1896
Subjects: townhall
Inscriptions: number: ‘0-5’
St. John the Baptist
Object type: bust
Materials: bronze
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: men,saint john the baptist

This early bronze betrays the raw physical and emotional intensity that set Rodin’s work apart from conventional sculpture of his era. The saint’s gouged eyes, sunken cheeks, and tousled locks convey the spiritual ferocity with which he announces Christ’s coming. A painted plaster version of the bust (which Rodin derived from his over-life-size, full-length figure Saint John the Baptist Preaching of 1878) was first exhibited as an independent work in the Paris Salon of 1879. Donated to The Met by Samuel P. Avery, a founding trustee, this was the first Rodin sculpture to enter the collection.
Terracotta fragment of a kylix (drinking
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic
Twee staande figuren bij hoge boomen
Object type: print
Date: 1800 – 1815
Materials: paper
Techniques: etching
Location: netherlands
Artist: hermanus van brussel
Artist role: draughtsman, print maker
Artist dates: 1763 – 1815
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228
Bowl
Object type: bowl
Date: 901 – 1100
Materials: earthenware, glaze
Techniques: painting
Location: iran
Subjects: birds
Wardrobe
Object type: wardrobe
Date: 1875 – 1883
Culture: american
Location: united states
Artist: herter brothers
Artist role: maker
Artist nationality: american
Artist dates: 1864 – 1906
Subjects: flowers

Herter Brothers, the firm of Gustave and Christian Herter, produced furniture and integrated interior designs in a great variety of styles. This wardrobe epitomizes their Anglo-Japanesque style of the 1870s, incorporating many of the design principles that the British critic Charles Locke Eastlake (1793–1865) promoted in the most widely read primer of the Aesthetic movement, his "Hints on Household Taste" (1868), published in America in 1872. The wardrobe is spare, rectilinear, and, as Eastlake espoused, has no "extravagant contour or unnecessary curves." Despite its apparent simplicity, however, the wardrobe is a highly sophisticated object. It references Ming-dynasty cupboards of the seventeenth century that are nearly identical in form, and the marquetry decoration is one of the most remarkable examples in the Herter oeuvre.
Tekstblad met titel: de reis van Abraham
Object type: text sheet
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Inscriptions: collector's mark: Lugt 240

Boekillustratie voor Willem Goeree. Mosaize historie der Hebreeuwse kerke. Amsterdam: Willem & David Goeree, 1700.
Diverse ontwerpen
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: germany
Subjects: venus hands over the armour to aeneas, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Prent afkomstig uit de serie 'Opera Varia Historica, Poetica & Iconologica', uitgegeven in 1693. Deze serie omvat vrijwel het complete oeuvre van de kunstenaar en bestaat uit 48 prenten, voornamelijk ontwerpen voor plafonds.