deem-data/ArtiFact huggingface dataset:
Intocht van Willem III in Dublin
Object type: history medal
Date: 1690 – 1690
Materials: silver
Techniques: striking
Location: netherlands
Artist: jan luder (i)
Artist role: medailleur
Artist dates: 1648 – 1719
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: Willem in Romeinse kledij met hand rustend op brandend altaar zet Hibernia vrijheidshoed op, terwijl Jacobus en Frans soldaat vluchten binnen omschrift; afsnede: opschrift.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, head and left shoulder of youth to right
Anatomical Study and Sketch of Kneeling Figure
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: follower of michelangelo buonarroti
Inscriptions: Inscribed recto, lower left, in pen and brown ink: "M. A. Buonarotti 1491"; lower right, in pen and brown ink: "Col J. L. David"; lower center, in graphite: "Michel Angelo Buonarotti"; lower right in graphite: "No 87 / Charles 1st"; inscribed verso, upper left, in pen and brown ink: "Michel Angelo Bonarroti"
Illuminatië van het huis van de heer J.A. Scholten van Aschat te Amsterdam, 1766
Object type: print
Date: 1774 – 1776
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: noach van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Subjects: the hague, william v (prince of orange), bonfire, fire-works (+ illumination, fire-works ~ festive activities)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Verlicht en juichend Nederland, of Vaderlandsche geschiedenissen; van het tijdstip, dat (...) den heere prinse van Oranje (...) digniteiten (...) heeft aenvaerd. Leiden: Cornelis van Hoogeveen junior, Cornelis van Leiden, 1776, p. 236/237.
Le delicie della Brenta
Object type: print
Date: 1750 – 1760
Materials: paper
Techniques: etching
Location: venice
Artist: giovanni francesco costa
Artist role: draughtsman, painter, print maker
Artist dates:  – 1773
Subjects: river, tow-boat, towing-barge, hôtel, i.e. small palace in city, fisherman

Gezicht op Palazzo del N. H. Gottoni aan de rivier de Brenta. Op het water vaart een trekschuit. Op de voorgrond zitten een visser en wasvrouwen aan de waterkant. Genummerd midden onder: VIII en rechtsonder: Tom: II. Deze prent maakt deel uit van een album.
Brief aan Christiaan Kramm, Elie Saraber en J.A. Scholten
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: dordrecht
Subjects: the hague, utrecht, print maker, draughtsman, christiaan kramm, den bosch, dordrecht, painter, george nicolaas itz, amsterdam, isaac warnsinck, passions, emotions, affections, architecture, money, rotterdam

Brief bevat verso brief van Willem Samuel van den Bergh van Heinenoord aan George Nicolaas Itz.
Portret van Henri Louis Habert de Montmor
Object type: print
Date: 1644 – 1671
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris, henri louis habert de montmor, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Les villes principales de la Hollande
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: scheveningen
Artist: Anonymous
Subjects: beach (as place of recreation)
Inscriptions: number: ‘15’
Drie portretten van een man met gezichtsuitdrukkingen van pijn en weemoed
Object type: page
Date: 1881 – 1886
Materials: cardboard, photographic support
Techniques: albumen print
Artist: nicola tonger
Artist role: fotograaf
Artist dates: 1846 – 1917
Subjects: pain, sorrow, sadness; 'dolore', 'dolore di zeusi' (ripa), morphology of facial expression
Inscriptions: inscription: ‘Unmittelbar (...)Traurigkeit.’, number: ‘Tafel XXII.’, number: ‘81 (...) 83’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Exterior, helmeted warrior to right, with a Boeotian shield; head and extended arm of a bearded, draped man to left; in the back ground, vines with grapes; three holes from ancient repairs
Chest of Drawers, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: chests

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LXXXVIII in the 1754 and 1755 editions, not reprinted in the 1762 edition.
Twee kraagstenen aan de voorzijde van het Maarten van Rossumhuis in Zaltbommel
Object type: photomechanical print
Date: 1875 – 1880
Materials: paper
Techniques: photograph, photolithography
Location: zaltbommel
Subjects: architectural detail
Inscriptions: monogram: ‘JJvY’, inscription: ‘ENCORBELLEMENTS en briques (...)’, inscription: ‘LITT. E. - PL. 14’
Kyosai rakuga
Object type: book
Date: 1881 – 1881
Techniques: woodblock print
Location: japan
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Collar
Object type: collar
Date: 1867 – 1900
Culture: french
Glass two-handled bottle
Object type: bottle, two handled
Date: 301 – 400
Materials: glass
Culture: roman

Translucent pale blue-green; handles in same color. Rim folded out, round, and in, and flattened in to side of flaring mouth; misshapen cylindrical neck; lentoid body with bulbous sides and slight tooling depressions on both faces; deep kick in bottom with circular pontil mark; two rod handles applied as pads to sides of upper body, drawn up (one straight, the other in a curve), turned in, and trailed onto top of neck, underside of mouth, and edge of rim, with rounded projecting ends. Intact; many pinprick bubbles; dulling, pitting, creamy brown weathering, and iridescence.
Brougham #3815
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Malvolio (Twelfth Night, Act 2, Scene 5)
Object type: print
Date: 1825 – 1840
Techniques: engraving, etching
Artist: charles heath, the elder
Artist role: engraver
Artist nationality: british
Artist dates: 1785 – 1848
Subjects: shakespeare,men
Willem en zijn vader werken aan een scheepsmodel
Object type: drawing
Materials: paint, ink, paper
Techniques: brush, pen
Artist: anny leusink
Artist role: draughtsman
Subjects: interior of the house, father and son(s) (family group), ship-model
Inscriptions: annotation: ‘blz 90/ En dan begon de explicatie en exercitie.’, :, collector's mark: Lugt 2228, signature: ‘A. Leusink.’

Willem en zijn vader zitten in een woonkamer aan tafel en buigen zich over een scheepsmodel.
Briefpapier met voorstellingen van vermaak aan een zuidelijke kust
Object type: stationery
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Artist: lefman
Artist role: print maker
Subjects: beach (as place of recreation), open-air recreation
Portret van Johann Konrad Dieterich
Object type: book illustration
Date: 1671 – 1671
Materials: paper
Techniques: engraving
Location: giessen
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Dieterich, Johann Konrad. Antiquitates biblicae. Giessen: Jakob Gottfried Seyler, 1671.
Boom
Object type: sketchbook leaf
Date: 1842 – 1868
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees
Inscriptions: annotation: ‘fatsoen/ der Kr[...]’

Blad 18 recto uit een schetsboek met 45 bladen.
Heilige Familie in Egypte
Object type: print
Date: 1581 – 1590
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: stay of the holy family in egypt (+ angel(s)), holy family, and derived representations
Inscriptions: collector's mark: Lugt 2810, collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 5k, collector's mark: 3974

Interieur met de Heilige Familie in Egypte. Maria voert het Christuskind pap terwijl engelen helpen in het huishouden. Op de achtergrond timmert Josef.
Drie figuren bij een roeiboot voor een gebouw
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: drypoint, etching
Artist: hendrik jozef franciscus van der poorten
Artist role: draughtsman, print maker
Artist dates: 1789 – 1874
Subjects: rowing-boat, canoe, etc., bridge in village across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228
Royal bust
Object type: sculptor's model votive, royal bust
Date: 400 – 200
Materials: limestone
Location: egypt
Subjects: human figures,heads

Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. Personifications of kingship, figures that may represent the now emerging demigods Imhotep and Amenhotep Son of Hapu, and popular gods like Harpokrates or Isis, are heavily represented within the corpus. Taken together, the figures represented and the other features indicate the reliefs and sculptures of this class, sometimes called by Egyptologists "sculptor’s models / votives," were the material of a donation practice, perhaps connected with the prolific temple building of these centuries. Unfortunately there is little to illuminate us about the mechanics of such a donation practice. This royal image takes the form of a bust. The back side is flat and shows a grid.
Microscopische weergave van juniperus sabina
Object type: page
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Subjects: microscope (+ scientific research)
Inscriptions: number: ‘XXII’
Russian Palaces and Gardens
Object type: portfolio
Date: 1761 – 1761
Materials: leather
Techniques: engraving
Location: russia
Artist: mikhail makhaev
Artist role: artist
Artist nationality: russian
Artist dates: 1716 – 1770
Subjects: human figures,palaces,gardens
Kain songket, saput
Object type: heupdoek
Date: 1900 – 1949
Materials: silk
Techniques: weave
Location: bali
Artist: Anonymous

Heupdoek met molenwiekmotief en vogelfiguren.
"Page of Calligraphy Illuminated with Animals and Plants in a Field of Flowers", Folio from the Shah Jahan Album
Object type: album leaf
Materials: gold, ink, paper, watercolor
Location: india
Artist: nanha
Artist role: artist
Subjects: persian,deer,flowers,calligraphy

Many of the pages of calligraphy have been attributed to Mir 'Ali of Herat, a famed calligrapher trained in the style of the great Persian calligrapher, Sultan 'Ali of Mashhad. The latter was known both for his poetry, primarily composed in quatrains, and his calligraphy, the majority of which is in Persian. Mir 'Ali, an artist of the Timurid court, was greatly admired, and avidly collected, by Jahangir and Shah Jahan. As seen here, works of calligraphy and painting from earlier eras were commonly included in Mughal-era albums and reset within contemporary Mughal margins. In this case, the margin, as well as the illumination surrounding the calligraphy, probably date from the seventeenth century, and the decoration of the delicately rendered flowering plants and grazing animals accords with such a dating.
Portret van Frederik II, hertog van Saksen-Gotha-Altenburg
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: armour, wig, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Terracotta oil lamp
Object type: lamp
Date: 301 – 500
Materials: terracotta
Culture: roman

Vessberg Type 18. Mold-made, with small, unpierced handle. Discus with scene inverted: Christ, with rayed nimbus, flanked by large jar and amphora, performing the Miracle at Cana, surrounded by a narrow band of radiating lines. Two filling holes at sides. On wide, horizontal shoulder, vine tendril with stylized bunches of grapes. Undefined, concave base. Broken with losses around wick hole and along left side of body; worn, weathered surface.
Portret van een Japanse vrouw met witte doek
Object type: album leaf
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, historical persons - bb - woman
Inscriptions: number: ‘195’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, head and part of upper torso of youth with himation draped over head and body; head and part of upper torso of youth with himation; Exterior, part of handle palmette; lower body and feet of draped figure; stick; lower drapery and feet of a second figure; stick; lower drapery and feet of a third figure
Gedoofde kaarsen en leeuw (Nobel) geflankeerd door adelaars
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox

Prent gebruikt in: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Dessus-de-porte met een afbeelding van een hond
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: wijnstraat
Subjects: door, interior of the house, picture, painting
Inscriptions: annotation: ‘Huis Wijnstraat 69, genaamd "de onbeschaamde" Dessus de Porte in de zaal/ Juni 1910/ In Juni 1910 verkocht en gesloopt/ Dordrecht’
Ex libris van Alterio
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: italy
Artist: Anonymous
Subjects: stars, horse, armorial bearing, heraldry
Reliëfs op de Boog van Septimius Severus te Rome
Object type: album leaf
Date: 1676 – 1676
Materials: paper
Techniques: etching
Location: italy
Subjects: triumphal arch, battle, fighting in general, piece of sculpture, reproduction of a piece of sculpture, horse
Inscriptions: number: ‘7’, number: ‘39’, number: ‘85’

Prent afkomstig uit de publicatie: Suares, Joseph Marie. Arcus L. Septimii Severi Aug. Rome: Michael Hercules, 1676.
Terracotta jug with an oversize spout
Object type: vase with spout and strainer
Date: 567 – 535
Materials: terracotta
Culture: lydian
Portret van Filips II, koning van Spanje
Object type: print
Date: 1567 – 1567
Materials: paper
Techniques: engraving, etching
Location: venice
Artist: niccolò nelli
Artist role: print maker, publisher
Artist dates: 1535 – 1585
Subjects: philip ii of spain, angels singing, making music, ornament ~ hybrid beings; human and animal forms mixed - aa - stylized, historical persons, satyr(s) (in general), ruler, sovereign, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), ornament derived from architectural details
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt voor een serie portretten van onbekende omvang getiteld 'Imagines Quorundam Principum et Illustrium Virorum' met prenten door Niccolò Nelli, Domenico Zenoi, Martino Rota, Nicolas Bèatrizet en Cornelis Cort, uitgegeven in 1569 te Venetië.
Bruid in de hemel
Object type: print
Date: 1574 – 1574
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: trinity in which god the father and christ are represented as persons, the holy ghost as dove (+ angel(s)), (ascent into) heaven, bride (in wedding-dress)
Inscriptions: collector's mark: Lugt 2228

De bruid is opgenomen in de hemel. Ze zit tussen Christus, haar bruidegom, en God de Vader. Boven haar de duif van de Heilige Geest. Oudtestamentische figuren en engelen hebben zich in aanbidding rondom hen geschaard. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.
St. Barlaam et St. Josaphat, November 27th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Le Mariage (Furnishing Fabric)
Object type: textile
Date: 1810 – 1810
Materials: cotton
Techniques: weave, printing
Location: bolbec
Subjects: propaganda
Terracotta fragments from undetermined shapes
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Three black glazed fragments with a bit of reserve, from unidentified shapes
Werken van Hercules
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (4) the erymanthian boar is captured by hercules, hercules kills geryon, the monster with three heads and three bodies, after having slain the herdsman eurytion, and orthrus, the two-headed watch-dog
Inscriptions: collector's mark: Lugt 2228

Hercules verslaat de driekoppige reus Geryon en zijn tweekoppige hond. Op de achtergrond is te zien hoe Hercules het zwijn van Erymanthus vangt en naar de stad brengt.
Terracotta oil lamp
Object type: lamp
Date: 40 – 100
Materials: terracotta
Culture: roman

Loeschcke Type 4. Mold-made. Discus: a circle halfway down side; a single small filling hole slightly off-center; narrow band of lines and grooves around edge. Undecorated, narrow, sloping shoulder; two elongated scrolled knobs at sides. Volutes flanking nozzle, with large wick hole. Incised base ring, and uneven, slightly concave base. Intact.
Twee knopen van in diamantvorm geslepen staal
Object type: button
Date: 1785 – 1800
Materials: steel
Techniques: forging
Location: france
Artist: Anonymous

Twee sierknoopjes van geslepen staal. Roosje van zeven diamantknopjes omsloten door een cirkel.
Boom en struiken aan een waterkant
Object type: sketchbook leaf
Date: 1849 – 1917
Materials: paper, pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: trees, shrubs, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Blad 9 verso uit een schetsboek met 35 bladen.
Reclame voor potloden van Eberhard Faber
Object type: photograph
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’, number: ‘890’
Waterval in Noorwegen
Object type: print
Date: 1861 – 1934
Materials: paper
Techniques: etching
Subjects: waterfall, watermill, norway
Spouted Vessel with Double Headed Snake
Object type: vessel
Date: 500 – 301
Materials: ceramic, paint
Techniques: firing
Culture: paracas
Location: peru
Subjects: snakes
Jug
Object type: jug
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Maria Feodorovna, Dowager Empress of Russia
Object type: photograph
Date: 1885 – 1890
Techniques: gelatin silver print
Artist: Anonymous
Artist role: artist
Subjects: men,women
Fragment of a Cover
Object type: cover fragment
Date: 1601 – 1700
Materials: silk
Location: turkey
Carved Bead
Object type: bead
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: animals
Omslagontwerp voor: Programma van het Concertgebouw Amsterdam
Object type: design
Date: 1921 – 1921
Materials: paper
Techniques: lithograph
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: panpipes, satyr(s) (in general), apollo playing the lyre, apollo citharoedus, (story of) marsyas, bunch of grapes, dulcimer, zither
Inscriptions: collector's mark: Lugt 2228

Links een sater, vermoedelijk Marsyas, met een panfluit te midden van druiven. Rechts een figuur met een citer, vermoedelijk Apollo.
Kermis-prent / Willem de Vde
Object type: popular print
Date: 1761 – 1804
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: the hague, william v (prince of orange), equestrian state-portrait, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760

Ruiterportret van Willem V in een ovale sierlijst van oranjeboomtakken. Midden boven een wapenschild. Onder de voorstelling een twaalfregelig vers in twee kolommen. Genummerd rechtsboven: No. 60.
The mother of the actress, from 'Dramatic sketches,' published in Le Charivari, July 2, 1864
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: performance,mothers,women,actresses

What good fortune, they recognize the talent of my daughter... they are throwing flowers. Thank God (In her joy she forgets that it was her who had bought them).
Portret van Juliette Simon-Girard
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: photograph
Location: paris
Subjects: paris, opera-singer (female)
Inscriptions: inscription: ‘Deux poses en deux éditions différentes’