deem-data/ArtiFact huggingface dataset:
Handwerkende vrouw bij een raam
Object type: sketchbook leaf
Date: 1874 – 1925
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: sitting figure, adult woman, window, head-gear: cap (+ women's clothes), home sewing; repair of clothes
Inscriptions: kleurnotitie, handgeschreven

De vrouw draagt een kapje op het hoofd en zit op een kruk. Blad 42 verso uit een schetsboek met 42 bladen.
Meguro Gionin Zaka
Object type: print
Date: 1797 – 1858
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,inns,mountains
Tabel met namen van officieren van burgerwijk L te Amsterdam
Object type: naamlijst
Date: 1751 – 1766
Materials: ink, parchment
Techniques: pen
Location: northern netherlands
Artist: johann daniel vergin
Artist role: schrijver
Subjects: military service (+ citizen soldiery, civil guard, citizen militia), amsterdam
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan de Schutterij.
Woman's Head
Object type: painting
Date: 1890 – 1890
Materials: cardboard, oil, paint
Techniques: painting
Location: france
Artist: albert besnard
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1849 – 1934
Subjects: woman, chair, interior, portrait, portraits: female subject, window
Theepot, beschilderd met bomen en vogels
Object type: teapot
Date: 1774 – 1778
Materials: porcelain
Location: loosdrecht
Artist: louis victor gerverot
Artist role: ceramicist
Artist dates: 1747 – 1829

Tea pot. Porcelain. Loosdrecht, c. 1774 - 1778. Factory of Joannes de Mol, the decoration attributed to Louis Victor Gerverot.
Ballerina
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: the ballet, ballet performance, female dancer

Pagina 23 uit een schetsboek met 58 bladen.
Kloosterleven in emblemen
Object type: cognizance
Date: 1621 – 1635
Materials: paper
Techniques: etching, letterpress printing
Location: nancy
Subjects: winds, plants and herbs: reed
Inscriptions: collector's mark: Lugt 240

Voorstelling van rietstengels, wuivend in de wind, op een klein eilandje in het water. Boven en onder deze prent Latijnse en Franse teksten in boekdruk. Dit blad is onderdeel van de embleemserie 'Kloosterleven in emblemen'. De tweede staat van deze serie behelst naast een geïllustreerde titelpagina en 26 emblemen nog een titelpagina en een blad met opdracht, beide in boekdruk zonder afbeelding.
Enquêteformulier ingevuld door Pierre Joseph Witdoeck
Object type: manuscript
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: brugelette
Subjects: antwerp, pierre joseph witdoeck
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
See 14.6.349
Object type: canopic chest fragment, siptah
Date: 1194 – 1188
Materials: stone
Location: egypt
Valance
Object type: valance
Date: 1820 – 1820
Materials: silk
Culture: chinese
Subjects: dragons
Portret van Willem Bartel van der Kooi
Object type: drawing
Date: 1778 – 1886
Materials: parchment, pencil
Techniques: brush
Artist: Anonymous
Subjects: draughtsman, willem bartel van der kooi, historical persons, portrait, self-portrait of artist
Ruwine van Koningsvelt 1573
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ruin of church, monastery, etc., fisherman
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 107.
Needlework
Object type: textile
Date: 1698 – 1698
Materials: gilt, glass, linen, metal, pearl, textile, silk
Techniques: embroidery, cutting, weave, satin weave, stitching, stumping
Location: england
Inscriptions: Inscription: 98  S B
Portret van Johann Maukisch
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving, snipping
Location: germany
Artist: johann franck
Artist role: print maker
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Zuiderkerk te Amsterdam
Object type: print
Date: 1695 – 1699
Materials: paper
Techniques: engraving, etching, lithography
Location: amsterdam
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Tooneel der voornaamste Nederlandse huizen en lusthoven, naar 't leven afgebeeld in 55. kopere plaaten. Amsterdam: Carel Allard, [1697].
Leaf of a book-cover of the Carlovingian school
Object type: page
Date: 1850 – 1856
Materials: photographic support
Techniques: albumen print
Artist: j.a. spencer
Artist role: fotograaf
Subjects: book-cover, binding, the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: inscription: ‘In the Bibliothèque Impérials, Paris, Representing the Crucifixion. Size 9.5 inches by 5.’, number: ‘(Class V.) g.1.’
S 2 No 23. Een dessa in 't Gebergte
Object type: photograph
Date: 1900 – 1935
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: malang
Artist: neville keasberry
Artist role: fotograaf
Artist dates: 1866 – 1944
Inscriptions: inscription: ‘Stereoscopische Fotografie’, signature: ‘Neville Keasberry, Malang (Java)’
Arion on a Dolphin surrounded by a Border decorated with Sea Creatures, from a set of circular designs with sea gods
Object type: print
Date: 1580 – 1600
Techniques: engraving
Artist: adriaen collaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1618
Subjects: male nudes,dolphins,fish,lyres
Breastplaste Depecting Character Hachiman, God of War
Object type: breastplate
Date: 1701 – 1800
Materials: copper alloy, lacquer, steel
Culture: japanese
Location: japan
Artist: myōchin morisuke
Artist role: armorer
Artist nationality: japanese
Artist dates: 1701 – 1800
Verdorde zonnebloem
Object type: print
Date: 1892 – 1942
Materials: paper
Techniques: etching, intaglio
Artist: johannes proost
Artist role: print maker
Artist dates: 1882 – 1942
Subjects: flowers: sunflower
Inscriptions: collector's mark: Lugt 2228
Tureen (one of a pair)
Object type: tureen
Date: 1770 – 1790
Materials: hard paste porcelain
Subjects: faces
Brief aan Jan Veth en Anna Dorothea Dirks
Object type: letter
Date: 1874 – 1925
Materials: ink, paper
Techniques: pen, writing
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, artist, anna dorothea dirks, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’, watermark

Brief gedateerd 17 Dec: 92 in latere hand.
Portret van een onbekende vrouw
Object type: print
Date: 1868 – 1912
Materials: paper
Techniques: etching
Artist: maria van hohenzollern-sigmaringen (gravin van vlaanderen)
Artist role: print maker
Artist dates: 1845 – 1912
Subjects: historical persons not known by name - bb - woman
Inscriptions: collector's mark: Lugt 2228
Gezicht op burcht Pfalzgrafenstein bij Kaub
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: etching, lithography
Location: netherlands
Subjects: fortress
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228

Gezicht op de tolburcht Pfalzgrafenstein in de Rijn. Op de achtergrond de stad Kaub met daarboven op de heuvel burcht Gutenfels.
Jug
Object type: jug
Date: 1801 – 1900
Materials: faience
Techniques: glazing
Subjects: men

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic
Potpourri vase with candleholders (pot-pourri à bobêche) (one of a pair)
Object type: potpourri vase with candleholders
Date: 1760 – 1760
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: men,women,flowers

These potpourri vases with candleholders reflect the quest for innovation that characterizes so much of the Sèvres factory’s production of the 1760s. The vases could have been used as potpourris (the scent of petals inside could waft through the panels of pierced trelliswork at the top), and the two flanking candle sockets allowed them also to serve as candelabra, yet it seems probable that they were primarily intended for decoration. Both the unusual and complex form and the dual ground colors of pink and green made them completely unlike anything being produced elsewhere on the Continent or in Britain at this time. As mentioned earlier, the English businessman Thomas Bentley disliked some of the models he saw at the Sèvres factory when he visited there in 1776, and he enlarged on the topic in his journal: “They have an immense number of ornamental vases, highly enriched with enamel and burnished gold; and amongst several hundreds there may be about half a dozen very elegant forms. All the rest are neither antique nor gothic, but barbarous beyond conception.” The design of the potpourri vases must have appealed to Louis XV, however, as he purchased four with pink and green grounds in December 1760. Given the rarity of this model—approximately fifteen surviving examples with a variety of ground colors are known—it is probable that this pair was part of that purchase. The factory sales records indicate that the four potpourri vases acquired by the king were to join another model of vase to form a garniture.
Ornamental Design with Flowers
Object type: drawing and watercolor
Materials: chalk, graphite, paper, paint, watercolor
Location: france
Artist: circle of jean baptiste pillement
Artist nationality: french
Artist dates: 1719 – 1808
Jozef maakt zich bekend aan zijn broers
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: joseph reveals his identity and in tears forgives his brothers' past misdeed
Inscriptions: number: ‘40’, collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Taboeret
Object type: miniature
Date: 1676 – 1676
Materials: linen, wood, silk, thread, wool
Artist: Anonymous

Taboeret met rechthoekige zitting, op getorste poten van olijfhout, de poten zijn twee aan twee gekruist en worden verbonden aan de onderzijde door twee getorste dwarspoten, en boven door twee gladde dwarsregels. Tussen de bovenregels is de zitting gespannen, bestaande uit een linnen onderlaag, waarop wolpluis, afgedekt door een complex weefsel van zijde en metaaldraad met geometrisch patroon in de kleuren geel en zwart. De stof is rondom afgezet met passement met franje van dezelfde gele en zwarte zijde en verguld zilverdraad.
Plafondschildering met allegorische voorstelling van de Ochtend
Object type: painting
Date: 1666 – 1695
Materials: oil, panel
Location: netherlands
Artist: theodoor van der schuer
Artist role: draughtsman, painter
Artist dates: 1634 – 1707
Subjects: maria ii stuart (koningin van engeland, schotland en ierland)

Afkomstig uit de slaapkamer van Mary Stuart, de vrouw van prins Willem III. De kamer bevond zich in de stadhouderlijke verblijven aan het Binnenhof in Den Haag.
Deel van een schotelrand met ranken en figuren
Object type: design drawing
Date: 1840 – 1860
Materials: graphite, paper, watercolor
Techniques: aquarelle
Location: france
Artist: Anonymous
Subjects: ornament derived from plant forms
St. Simon, from "Christ and the Apostles"
Object type: print
Date: 1530 – 1576
Techniques: backing, engraving
Artist: lambert suavius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1576
Subjects: men,saints
Nederland, 10 gulden, 1840
Object type: coin
Date: 1840 – 1840
Materials: gold
Techniques: striking
Location: utrecht
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Gouden munt. Voorzijde: borstbeeld naar links. Keerzijde: tussen waarde-aanduiding 10 G gekroond rijkswapenschild. Jaartal boven kroon. Randschrift.
Card Number 80, Jansen, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Dutch Ships Entering the Port of the Island of Rhodes (Rokosuto minato Oranda fune nyushin no zu)
Object type: print
Date: 1818 – 1830
Techniques: woodblock print
Location: japan
Artist: utagawa kunitora
Artist nationality: japanese
Artist dates: 1804 – 1844
Ornamental Drawing
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: male nudes,female nudes,trees
Sampler
Object type: sampler
Date: 1804 – 1804
Materials: linen, silk
Subjects: butterflies,flowers
Slot Wiesberg in het Voralgebergte
Object type: sketchbook leaf
Date: 1809 – 1858
Materials: ink, paper, pencil
Techniques: pen
Location: austria
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscape with tower or castle, mountain-range, snow peaks
Inscriptions: date and inscription: ‘Schloss Wiesberg bij Me[..]berg?/ in 't Voralgebergte 8/9 58./ uit [...]’

Blad 27 recto uit een schetsboek met 47 bladen.
Tsjechische graanmolen
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: grinding, milling (industrial processes)
Jousting Shield (Stecktarge) with the Coat of Arms of the City of Deggendorf
Object type: armor
Date: 1450 – 1460
Materials: canvas, gesso, iron, leather, paint, wood
Culture: german, south
Location: saxony

This large curved rectangular shield was developed especially for use with a lance. The jouster rested his lance in the cutout opening on the proper right, called a bouche or mouth. Such shields had been common in war, but by the mid-15th century they functioned more often in jousting, as targets. After tournaments these were frequently hung in homes or in public places to celebrate a noble family or, as in this case, a city.
Allegorical Figure Representing Europe
Object type: painting, monochrome overdoor
Date: 1747 – 1804
Materials: canvas
Techniques: fresco
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Subjects: women,allegory
Polemische scènes
Object type: ornament print
Date: 1771 – 1771
Materials: paper
Techniques: etching
Location: augsburg
Artist: johann esaias nilson
Artist role: draughtsman, print maker, publisher
Artist dates: 1721 – 1788
Subjects: mask, (story of) momus, disapprobation, disapproval, rebuking, family group, especially parents with their child(ren)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Voor een halfrond gebouw staat een beeld van een nar met staf en masker in zijn hand. Links lopen een man en een vrouw met hun kind, zij geven hem het advies mensen niet te bedillen. Rechts staan twee gemaskerde mannen met een geldbuidel, een zweep en een open boek met de tekst Momo Sacrum. De tekst verwijst naar Momus, personificatie van de kritiek en god van dichters en schrijvers. In de ondermarge een Duitse tekst. Uitgeversnummer XXXXV.
Gezichten van molens en bruggen langs de Overtoomse vaart
Object type: photomechanical print
Date: 1880 – 1950
Materials: paper
Techniques: autotype
Subjects: city-view in general; 'veduta', river, windmill in landscape, bridge in city across river, canal, etc., boat propelled by man or animal
Inscriptions: inscription: ‘Overtoom / Overtoom / 10 (...) Joh. M. Coffeng. 1966’, collector's mark: ‘10G,104’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Overtoom.
Plant in een pot
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: plants and herbs

Blad 39 recto uit een schetsboek met 69 bladen.
Grote kaart van het beleg van Namen (blad nr. 3), 1695
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), siege, position war, maps of cities

Grote ongemonteerde kaart van het beleg van Namen door de geallieerden onder koning Willem III tijdens de maanden juli-september 1695. De kaart is opgebouwd uit vier losse genummerde voorstellingen en twee bladen met het onderschrift. Dit blad (nr. 3) is het deel linksonder. Onderaan een monument en trofee opgebouwd uit kanonnen en andere wapens.
Landschap met Christus en de Samaritaanse vrouw
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: etching
Location: verona
Artist: giovanni battista fontana
Artist role: draughtsman, painter, print maker
Artist dates: 1524 – 1587
Subjects: christ and the woman of samaria: sitting at jacob's well he asks her for a drink from her jug
Inscriptions: watermark:, collector's mark: Lugt 2228, collector's mark: Lugt 2760, date

Boomrijk landschap met in het midden een weg waarop figuren lopen en in de achtergrond een zuidelijke stad met kerktorens en vestingwerken. Links op de voorgrond Christus en de Samaritaanse vrouw naast een waterput. Uit een serie van acht landschappen met scènes uit het leven van Christus en uit Zijn parabels, gedateerd 1572-73.
Beaker signed by Meges
Object type: beaker signed by meges
Date: 34 – 66
Materials: glass
Culture: roman, syro-palestinian

Translucent yellow green. Outsplayed knocked-off rim with indent below; body with convex sides, tapering downwards; slightly concave bottom. Three-part mold with two vertical sections joined to cup-shaped bottom section, forming decoration in relief on sides and bottom; two horizontal ridges above central frieze containing two Greek inscriptions, each in two lines and divided vertically by a stylized palm frond; below frieze, three more horizontal ridges; near bottom on cup section of mold, two more horizontal ridges; on bottom, three raised concentric circles surrounding small central depression. Intact except for one chip in rim; blowing striations, pinprick and a few larger bubbles; slight dulling, pitting, and iridescence on exterior, and patches of whitish weathering on side of interior. The inscriptions read "Meges made (me/it)" on one side and "May the buyer be remembered" on the other. This beaker is very similar to two others displayed here except that here it is signed by Meges, not Jason.
Man met bierpul
Object type: drawing
Date: 1865 – 1930
Materials: chalk
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Portret van Aloysius Contareno
Object type: print
Date: 1616 – 1744
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: diplomaat, aloysius contareno
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2228

Busteportret van Aloysius Contareno, Venetiaans diplomaat. Het portret is gevat in een ovale omlijsting met het wapenschild van de geportretteerde en een randschrift in het Latijn. In het kader een drieregelig onderschrift in het Latijn. In de marge de naam en functie van de geportretteerde in het Nederlands. Kopie in spiegelbeeld naar de gelijknamige prent van Pieter de Jode II uit een serie portretten naar schilderijen van Anselmus van Hulle van alle gedelegeerden bij de vredesonderhandelingen te Münster en Osnabrück.
Kade met schepen in Woudrichem, op de achtergrond de stadswal
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: george hidderley
Artist role: fotograaf
Subjects: city-walls, quay (+ city(-scape) with figures, staffage), prospect of city, town panorama, silhouette of city, woudrichem

Onderdeel van fotoalbum met opnames van Volendam, Dordrecht, Gorinchem en Woudrichem.
Portret van Jean-François de la Pérouse
Object type: print
Date: 1711 – 1798
Materials: paper
Techniques: etching
Location: london
Artist: james heath
Artist role: print maker
Artist dates: 1757 – 1834
Subjects: naval officer, historical persons, explorer
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, head of bearded satyr to left
Portret van Michiel Adriaenszoon de Ruyter
Object type: print
Date: 1673 – 1707
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: flushing, michiel adriaenszoon de ruyter
Inscriptions: collector's mark: Lugt 2228

Portret van admiraal Michiel Adriaenszoon de Ruyter met de commandostaf in zijn hand. Op de achtergrond een zeegevecht. Onder het portret een lofdicht van zes regels in het Nederlands.