deem-data/ArtiFact huggingface dataset:
Portret van Johannes Wamesius op 46-jarige leeftijd
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: johannes valdor (i)
Artist role: print maker
Artist dates: 1580 – 1640
Subjects: louvain
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Wamesius, J. Responsorvm sive consiliorvm ad ivs forvmqve civile pertinentivm, centvria prima (-secvnda). Antwerpen: Hendrik Aertssens I, 1639-1641.
Gezelschap zittend op de trappen van een straat in Roquebrune-Cap-Martin
Object type: photograph
Date: 1930 – 1935
Materials: photographic support
Techniques: gelatin silver print
Location: roquebrune-cap-martin
Artist: Anonymous
Subjects: adult woman, sloping street; street with steps or stairs, adult man

Onderdeel van Fotoalbum met opnames van vakanties in Zuid-Frankrijk.
Fotoreproductie van twee anatomische tekeningen van stafyloom aan het oog
Object type: reproduction
Date: 1871 – 1881
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: anatomy (non-medical), eyes
Inscriptions: inscription: ‘Fig. 27. Staphylome postérieur. Fig. 28. Staphylome postérieur progressif.’
Man of War, Germany, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "Naval Flags" series (N17), issued ca. 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Tomb of Arnold van der Sluis of Heusden, Knight (c. 1245-1296)
Object type: tomb
Date: 1296 – 1325
Materials: limestone
Techniques: carved
Location: meuse area
Artist: Anonymous
Subjects: bern (gelderland)
Inscriptions: coat of arms, inscription: ‘[Qui fuerat gratus cun]ctis iac[et] h[ic] tumulat[us] Husde[n]si nat[us] ex clara stirpe vocat[us] Arnold[us] mile[s] de slusa sp[er]ne[re] viles Act[us] h[ic] novit falso[s] [a] seque removit Fortis formosus prudens erat atque animosus Justus pacifuc probitati semper amicus Finiit is vitam morum gravitate p]olita[m] Q[ua]rto redde[n]das a mense dec[em]bre kale[n]das. An[n]o milleno d[omi]ni noviesq[ue] noveno Et bis centeno terno quo[que] cu[m] duedeno Gaudeat in c[oelis ut hoc orat] quis[que] fidelis Hoc pater et flamen sacrum nat[us]q[ue] [det amen]’, coat of arms, in reliëf, coat of arms, in relief

Onderdeel van de graftombe van Ridder Arnold van der Sluis van Heusden. In het onderdeel staat een heilige geflankeerd met twee wapenschilden.
Terracotta fragment of a lekanis (dish)?
Object type: lekanis fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Black glazed fragment a lekanis lid?, with a band of rays
Studies van voorns, met kleurnotities
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: bony fishes: rock bass
Gezicht op de Zeeburgerdijk
Object type: drawing
Date: 1850 – 1950
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: goedkoop
Artist role: draughtsman
Subjects: city-view in general; 'veduta', street

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 25.
Gong
Object type: gong
Date: 206 – 220
Materials: jade
Culture: chinese
Embroidered map sampler
Object type: sampler
Date: 1767 – 1833
Materials: silk
Subjects: women,flowers,maps
Apa
Object type: apa drum
Date: 1867 – 1900
Materials: skin, wood
Culture: melanesian
Location: papua new guinea

Apa with open end carved to resemble crocodile jaws, and incising highlighted with lime. The lizard-skin head may be attached with an adhesive containing human blood. Single-headed, hourglass-shaped drums often with a central handle, distinct from the cylindrical, freestanding drums of Polynesia, are found only in Melanesia. In New Guinea and surrounding islands they are called by various names including apa and kundu, a pidgin dialect term. The drumheads are made of reptile skin in the lowlands and of opossum hide in the highlands. These drums are played almost exclusively by men to accompany songs and dance.
Copies after the 'Livre contenant passement de moresques' (plate 4)
Object type: album print ornament architecture
Date: 1801 – 1900
Techniques: etching
Artist: jacques androuet du cerceau
Artist role: artist
Artist nationality: french
Artist dates: 1510 – 1585

Modern album containing 19 etchings with moresque designs after the French artist Jacques Androuet Du Cerceau.
Varkensslacht
Object type: print
Date: 1778 – 1787
Materials: paper
Techniques: etching, hand coloring, roulette
Location: amsterdam
Subjects: slaughtered ox or pig, butcher, slaughterman
Inscriptions: collector's mark: Lugt 240, inscription: ‘J. Saenredamdel 1610 pl. v. Amstel fec’, collector's mark: Lugt 2725

Op een binnenplaats slachten een man en een vrouw een varken.
Tingroeve in Pangkalpinang met stoomlier en pompinstallatie
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: pangkalpinang
Artist: Anonymous
Subjects: mining, minerals and metals: tin

Onderdeel van Fotoalbum over de tinwinning op Bangka.
Portret van drie meisjes in klederdracht
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: george hidderley
Artist role: fotograaf
Subjects: girl (child between toddler and youth) (+ three persons), historical persons, folk costume, regional costume
De Waarheid van de universele geschiedenis onthuld
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter yver
Artist role: print maker, publisher
Artist dates: 1712 – 1787
Subjects: time revealing truth; time carrying truth aloft, alertness, vigilance; 'guardia', 'vigilanza', 'vigilanza per difendersi & oppugnare altri' (ripa), crown prince
Inscriptions: collector's mark: Lugt 240

Waakzaamheid, met een helm op het hoofd, Vader Tijd, en Amor onthullen de Waarheid van de universele geschiedenis voor de ogen van een jonge prins. Op de achtergrond een standbeeld voor religie en standbeelden van de helden uit het verleden, onder andere Alexander en Cesar. Onderaan in de marge een vierregelige tekst in het Frans.
Silver strigil (scraper)
Object type: strigil
Date: 300 – 268
Materials: silver
Culture: etruscan or italian

Strigils were used to scrape accumulated oil, dirt, and sweat gently from the body. In Greek and Roman society, they were exclusively used by men; both sexes are shown using them in Etruscan culture. A retrograde monogram reads DA:MV (Ra… : Mu...) and probably refers to the owner, whose name might have been Ramtha Murcnas or Murinas. Ramtha was a common woman's name, and both family names are attested in the Bolsena region.
Portret van Martin Chladni
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 49 Leipzig: Johann Gottlieb Gleditsch, 1717.
Theedoek
Object type: kitchen towel
Date: 1831 – 1860
Materials: linen
Location: netherlands
Inscriptions: mark: ‘R6’

Roodgeruite theedoek van linnen. Merk R6.
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: frankfurt am main
Artist: johann schäfer
Artist role: fotograaf
Artist dates: 1822 – 
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: inscription: ‘J. Schäfer/ Photograph/ Frankfurt a. M.’
Partie perdue (Soldiers Playing Cards)
Object type: print
Date: 1898 – 1898
Materials: paper, parchment
Techniques: engraving, etching
Location: france
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Portrait of Thaddeus Kosciuszko
Object type: drawing
Materials: graphite
Techniques: brush, wash
Artist: jean-baptiste-françois bosio
Artist role: artist
Artist nationality: french
Artist dates: 1764 – 1827
Subjects: swords,men,portraits,horses
Pin cushion
Object type: pincushion
Date: 1743 – 1745
Materials: silver gilt
Artist: johann jakob schoap i
Artist role: maker
Artist nationality: german
Artist dates: 1725 – 1774
Mercure / Merkurius
Object type: text sheet
Date: 1693 – 1693
Materials: paper
Techniques: letterpress printing
Location: amsterdam

Verklaring van de prent met de voorstelling van Mercurius in het Frans en het Nederlands, pagina 6. Tekstblad maakt deel uit van een album.
Adgillis II, zevende koning der Friezen
Object type: book illustration
Date: 1611 – 1623
Materials: paper
Techniques: etching
Location: friesland
Artist: pieter feddes van harlingen
Artist role: painter, print maker, publisher
Artist dates: 1586 – 1623
Subjects: adgilt ii (koning der friezen)
Inscriptions: collector's mark: Lugt 2228

Adgillis II, zevende koning der Friezen, ten voeten uit, met kroon, mantel en in zijn linker hand een scepter. Achter hem enkele gebouwen en naast hem het wapen van Friesland.
Terracotta fragment of a kylix (drinking cup)?
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a kylix?
Batseba door David begluurd
Object type: print
Date: 1698 – 1776
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: putting on (tying) or taking off (untying) sandals or shoes, jewel-box, bathsheba attended by servant(s)
Inscriptions: watermark, collector's mark: Lugt 2228
London. - Piccadilly Circus
Object type: photomechanical print
Date: 1902 – 1918
Materials: cardboard
Techniques: photograph
Location: london
Subjects: music-hall, street
Graftombe van Willem I, prins van Oranje, in de Nieuwe Kerk te Delft
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: delft, william i (prince of orange), grave-building, monumental tomb
Groepsportret van zes meisjes op het kampeerterrein van Valkeveen, met onder andere Koos Ochse
Object type: photograph
Date: 1930 – 1940
Materials: paper
Techniques: gelatin silver print
Location: valkeveen
Artist: Anonymous
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘Ivi Aalkema/ Nannie Obbes/ Marietje Obbes/ Puck Obbes/ Ans Robbe/ Koos Ockse/ Het kampeerterrein/ Valkeveen’

Portret van zes mensen op het kampeerterrein van Valkeveen. Achterop de foto zijn in potlood hun namen gegeven: Ivi Alkema, Nannie Obbes, Merietje Obbes, Puck Obbes, Ans Robbe en Koos Ochse.
Advertentie van de Hilversumsche Vereeniging tot bestrijding der tuberculose, advertentie voor zuiver citroensap van M. de Pijper en een bandontwerp
Object type: study for binding design
Date: 1884 – 1952
Materials: paper
Techniques: printing block
Subjects: coat of arms (as symbol of the state, etc.), crown (symbol of sovereignty)
Inscriptions: number: ‘No14.15’

Bandontwerp voor: Clodd, Edward. De geschiedenis van den oorspronkelijken mensch. Zutphen: W.J. Thieme & Cie, 1897. De publicatie maakt deel uit van een reeks met de titel: De natuur en hare wonderen. Populair-wetenschappelijke bibliotheek.
Portret van Alexander Cruden
Object type: print
Date: 1729 – 1784
Materials: paper
Techniques: engraving, etching
Subjects: theologian, historical persons, merchant, salesman
Inscriptions: collector's mark: Lugt 2228

Tekst in het Engels in de boeken en in het Latijn in de ondermarge.
Brief aan Jan Veth
Object type: letter
Date: 1924 – 1924
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: f.e. posthumus meyjes
Artist dates: 1865 – 1926
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, passions, emotions, affections
Inscriptions: name: ‘Mr. F.E. POSTHUMUS MEYJES’, collector's mark: ‘RPK’
Set of six knives (part of a set)
Object type: knife
Date: 1767 – 1771
Materials: silver gilt
Artist: louis-joseph lenhendrick
Artist role: maker
Artist dates: 1683 – 1783

The tooled leather box contains six couverts—the French term for two or more matched pieces of flatware—which in this instance each comprise a fork, spoon, and knife. Six identical couverts housed in a similar box are also in the Museum’s collection. It is not known for whom these thirty-six pieces of flatware were made because the coats of arms that decorated each fork, knife, and spoon have been erased. However, the two boxes are decorated on the lids with the Noailles arms, suggesting that a member of that distinguished aristocratic family owned the cutlery in the eighteenth century. The designs of the flatware are unusually elaborate and ambitious, especially in the use of openwork in the stems of the fork and spoon, and in the molded and chased decoration of the knife blades. The amount of work required by the complexity of the designs marks these as especially fine pieces of silver cutlery. The two sets date from the years 1767–71, but the designs of the fork, spoon, and knife closely resemble those of a gilt silver dessert service made in 1744 by the celebrated silversmith Thomas Germain (1673–1748). Germain’s designs were then copied twenty years later by his son, François-Thomas Germain, for a gold couvert that formed part of the celebrated service made by the latter for the Portuguese court. One of the many silversmiths who assisted Germain with the Portuguese commission was Louis-Joseph Lenhendrick, whose mark appears on the Museum’s flatware. As Lenhendrick had also been apprenticed to the elder Germain, he would have been well acquainted with the design of this couvert.
Karel V, Duits keizer, bereidt zich voor op de oorlog tegen de Turken, rekenpenning ten behoeve van Mr. Jacob de Jonge, auditeur van de rekenkamer van Holland
Object type: jeton
Date: 1538 – 1538
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain), holland

Koperen penning. Voorzijde: Karel V te paard, met kroon op hoofd en getrokken zwaard in rechterhand binnen omschrift. Keerzijde: vijf in diagonaal kruis geplaatste wapenschilden; daartussen: letters M, I, D en I binnen omschrift
Gezicht op Sils im Engadin, Zwitserland
Object type: photograph
Date: 1860 – 1890
Materials: paper
Techniques: albumen print
Location: sils maria
Artist: Anonymous
Subjects: prospect of village, silhouette of village, dale, valley
Haas, vrouwen in mantels met kappen en mannenkoppen
Object type: sketchbook leaf
Date: 1840 – 1840
Materials: ink, paper, pencil
Techniques: pen
Location: ruhla
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head (human), adult woman, rodents: hare, adult man, head-gear: hat, folk costume, regional costume
Inscriptions: annotation: ‘Ruhla’

Blad 3 recto uit een schetsboek met 63 bladen.
Brief aan Mien Cambier van Nooten
Object type: letter
Date: 1939 – 1939
Materials: ink
Techniques: pen, writing
Location: bennekom
Artist: dick ket
Artist role: draughtsman, print maker
Artist dates: 1902 – 1940
Subjects: arnhem, mien cambier van nooten, amsterdam, print maker, draughtsman, john rädecker, charley toorop, haarlem, dollmaker, textile artist, nelly johanna hagelen-schilt, painter, eppo doeve, music, illustration ~ printed matter, book, painting (including book-illumination, miniature-painting)
Rekenpenning uit Antwerpen op de Spaanse hulp tegen Kardinaal Mazarin 1652
Object type: history medal
Date: 1652 – 1652
Materials: copper
Techniques: striking

Koperen penning, op de voozijde het borstbeeld van Philips IV naar rechts met omschrift, op de keerzijde een adelaar met mercuriusstaf en bliksem, met omschrift.
Brocade
Object type: brocade
Date: 1501 – 1600
Materials: metal thread, silk
Techniques: brocade
Location: turkey
Subjects: flowers
Overblyfsels van het Adelijk Slot der Heeren van Egmond
Object type: print
Date: 1748 – 1784
Materials: paper
Techniques: etching
Location: haarlem
Subjects: landscape with ruins (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Figuren en koeien aan de waterkant bij de ruïnes van kasteel van Egmond. Rechtsboven: Vereen. Nederl. VIII. D. Bl. 356.
Zelfportret van Pieter Schenk
Object type: print
Date: 1680 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: print maker, pieter schenk (i), garden, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

De prentmaker en uitgever Pieter Schenk staat onder een draperie. Op de achtergrond een tuin met een sculptuur van een naakte vrouw.
Titelprent met twee leeuwen en twee mannen die half tot boom zijn vergroeid
Object type: print
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: rome, leo x, coat of arms (symbol of sovereignty), beasts of prey, predatory animals: lion

Titelprent met twee leeuwen en twee mannen die half tot boom zijn vergroeid. Midden boven het wapen van paus Leo X. Midden onder een kader met tekst in het Latijn.
Portret van een student met bakkebaarden in Oxford
Object type: photograph
Date: 1860 – 1861
Materials: paper, photographic support
Techniques: albumen print
Location: oxford
Artist: j. bagnall evans
Artist role: fotograaf
Subjects: sideburns, trousers, breeches, higher education, e.g.: teacher's college (+ pupil), university education, youth, adolescent, neck-gear ~ clothing, chair, student, coat, cape

Onderdeel van Fotoalbum met 6 portretten van studenten van het Jesus College in Oxford.
Landschap met een brug
Object type: album leaf
Date: 1695 – 1695
Materials: paper
Techniques: etching
Artist: albert meyering
Artist role: draughtsman, print maker
Artist dates: 1645 – 1714
Subjects: ox, landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage)

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 334.
Eikenhouten preekstoel in de Sint-Andrieskerk in Antwerpen, België, ontworpen door Jean-François van Geel en Jean-Baptiste van Hool
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: pulpit, ambo, chancel
Inscriptions: inscription: ‘CHAIRE en bois (...)’, inscription: ‘CHAIRES. - PL. 2.’, monogram: ‘JJvY’
Mon. Ephrussi, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: profiles,women,jockeys

Trade cards from the "Racing Colors of the World" series (N22b), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not.
Bouquet with Peonies, from Collection of Different Bouquets of Flowers, Invented and Drawn by Jean Pillement and Engraved by P. C. Canot
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: pierre-charles canot
Artist nationality: french
Artist dates: 1710 – 1777
Portret van een vrouw met muts
Object type: cabinet photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, head-gear: cap
Portret van Zulma Bouffar
Object type: page
Materials: paper
Techniques: woodburytype
Location: paris
Artist: charles reutlinger
Artist role: publisher
Artist dates: 1816 – 1880
Subjects: zangeres, zulma bouffar
Inscriptions: number: ‘No 108’, inscription: ‘Du 10 au 16 Juin 1875’
The Actor Arashi Hinasuke I as Watanabe Choshichi Tonau in the Play Tokimekuya O-Edo no Hatsuyuki (Thriving Now: The First Snow of Edo), Performed at the Morita Theater from the First Day of the Eleventh Month, 1780
Object type: print
Date: 1780 – 1780
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Landschap met bomen
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: paper, pencil, watercolor
Techniques: brush
Artist: jonkheer johannes ludovicus paulus bosch van drakestein
Artist role: draughtsman
Artist dates: 1865 – 1929
Subjects: trees

Blad 46 verso uit een schetsboek met 58 bladen.
Pijpenkop
Object type: fragment
Date: 1750 – 1785
Materials: clay
Location: gorinchem
Artist: dirk barunet
Artist role: pijpenfabrikant
Subjects: directeur, hoogleraar, caspar jacob christiaan reuvens

Pijpenkop met een kroon afgebeeld. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Annotaties
Object type: drawing
Date: 1873 – 1923
Materials: chalk, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘Hartenstraat de lucht is/ sterk licht/ huizen links [...] boven/ verlicht, vlaggen door/ schijnend/ [...]’, annotation: ‘[...]’
Clement de Jonghe, printseller
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: drypoint, etching
Subjects: germany, amsterdam, publisher, clement de jonghe
Inscriptions: collector's mark: Lugt 2228 a, inscription: ‘&gt;v z’, inscription: ‘a 37480’, inscription: ‘Fbx’, collector's mark: Lugt 822, inscription: ‘8379’, inscription: ‘4617’, signature and date: ‘Rembrandt f 1651’
Glass mosaic fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Thin-walled body fragment. Translucent blue, purple, opaque white and yellow, with some colorless. Shallow curving side. Composite mosaic pattern formed from polygonal sections of two canes: one in a purple ground with a hollow white circle and a central yellow spiral, and the other in a blue ground with a large white spiral around a central purple ground containing a small yellow spiral. Polished exterior; deep pitting of surface bubbles on exterior; dulling, pitting, and iridescent weathering on interior and edges.
Portret van Elisabeth Keppel
Object type: print
Date: 1761 – 1785
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons, page ~ court
Inscriptions: collector's mark: Lugt 2228

Tekst in het Engels in de prent. Guirlandes vastgehouden door de zwarte page, terwijl de witte vrouw bloemenkransen om een beeld op een altaar hangt.
Twee mannen en een vrouw in gesprek
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 240

Proefdruk van een prent die mogelijk als illustratie is gebruikt in: Gellert, Christian Fürchtegott. Vier blyspeelen. Amsterdam: Gerrit Warnars en Petrus den Hengst, 17??.
Medaillon met portret van Barbra Allart
Object type: print
Materials: paper
Techniques: relief engraving
Location: france
Subjects: historical persons - bb - woman, ornament ~ medallion
Inscriptions: collector's mark: Lugt 2228
Napoleon
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: jean-baptiste de grateloup
Artist role: painter, print maker, sculptor
Artist nationality: french
Artist dates: 1735 – 1817
Portret van een onbekende bisschop
Object type: photograph
Date: 1850 – 1900
Materials: glass
Techniques: photography
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Étampes (S.-et-O.) - Intérieur de l'Eglise St-Basile
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: etampes
Subjects: interior of church