deem-data/ArtiFact huggingface dataset:
Minerva als beschermster der kunsten
Object type: album leaf
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: augsburg
Artist: mathäus küsel
Artist role: print maker
Artist dates: 1629 – 1681
Subjects: minerva as patroness, tools, implements of graphic artist, tools, implements of painter, fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: collector's mark: Lugt 964

Minerva staat bij een tafel waarop verschillende attributen van de kunsten: een palet met kwasten, een zilveren bokaal, papieren met tekeningen, een globe, een kleine sculptuur en een burijn. Boven de tafel blaast Faam op twee bazuinen. Rechts putti met een kist erepenningen en een zwaard. Onder de voorstelling vier regels tekst in het Latijn. De prent maakt deel uit van een album.
Portret van Laurens Pieter van de Spiegel
Object type: print
Date: 1786 – 1809
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: laurens pieter van de spiegel
Inscriptions: collector's mark: Lugt 2228

Latere staat prent ook gebruikt als boekillustratie in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Dl. 1-43. Amsterdam: Johannes Allart, 1786-1809.
Ingang van moskee (?) in Perzië
Object type: photograph
Materials: cardboard, paper
Techniques: gelatin silver print
Location: unknown
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: iran
Inscriptions: number: ‘51.’
Annunciatie
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)
Inscriptions: collector's mark: Lugt 240
Toilet box
Object type: box
Date: 1750 – 1760
Materials: copper, enamel
Artist: dancker danckerts
Artist role: engraver
Artist nationality: dutch
Artist dates: 1634 – 1666
S. Lucia
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: city-view, and landscape with man-made constructions, naples
Inscriptions: number: ‘K 23.’, number: ‘No. 231’
[The Hoogly River by Fort William]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: rivers,ships
Jar with Basketweave Pattern
Object type: vessel
Materials: wood, glaze, stoneware
Techniques: underglaze
Location: china
Man laat taart met vogel zien
Object type: book illustration
Date: 1880 – 1927
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: pie, birds, adult man (+ four persons)

Prent uit: Sing a song of sixpence. Londen: George Routledge & Sons, 1880. Of uit een later gepubliceerde (gebundelde) uitgave.
Decorated ware jar depicting two boats
Object type: jar, decorated ware
Date: 3850 – 2960
Materials: paint, pottery
Location: egypt
Maria van de zeven smarten
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: mary pierced by seven swords

Zittende Maria, doorstoken met zeven zwaarden, die verwijzen naar de zeven smarten van Maria.
Goudmijn Tambang te Sumatra
Object type: book illustration
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: utrecht
Subjects: mine
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Frik, Christoff. Drie seer aenmercklijcke reysen nae en door veelerley gewesten in Oost-Indien. Amsterdam: Willem van de Water, 1694.
Spouted vessel
Object type: vessel
Date: 900 – 701
Materials: bronze
Culture: iranian
Location: western iran

This bronze pitcher has a globular body, a flat base, a cylindrical neck, a flaring rim and a long spout in the shape of an S-curve. A basket handle is attached to the rim with two rivets with rounded heads. The spout is attached to the body of the pitcher with thirteen rivets. The back of the pitcher is decorated with a plaque showing a winged male human figure, facing frontally. He wears a long robe, and has a large nose, small eyes and mouth, a beard, and ears or rolls of hair that project upwards from the sides of his head. The plaque is also attached to the pitcher with rivets. The body of the pitcher was made by hammering, whereas the spout and plaque were cast in molds and engraved. Although pitchers of this type are typically attributed to Luristan in the Zagros Mountains, the form is paralleled in both bronze and ceramic across western Iran in the late second and early first millennia B.C. Bronze examples have been found at Hasanlu, Marlik, Sialk, Hamadan, and Tepe Guran in Luristan. The pitcher from Hamadan, which survives only in fragments, is arguably the closest parallel, depending on how it is reconstructed. These vessels all suggest an early Iron Age date for this pitcher, probably in the 9th or 8th century B.C. Presumably this pitcher was used to pour a liquid containing dregs, such as wine, since the round body and long spout would prevent the dregs from ending up in the cup. In some cases spouted pitchers like this are found in graves along with cups, suggesting they were used in a funerary banquet or ritual before being placed in the grave.
Body Fragment of a Glass Vase
Object type: vase fragment
Date: 1390 – 1352
Materials: glass
Location: egypt
Portret van de predikant Hendrik Cannegieter
Object type: print
Date: 1794 – 1866
Materials: paper
Techniques: engraving, hand coloring, lithography
Location: amsterdam
Subjects: hendrik cannegieter (predikant)
Inscriptions: collector's mark: Lugt 2228
Shilling uit Engeland van George II, 1743
Object type: coin
Date: 1743 – 1743
Materials: silver
Techniques: striking
Location: london

Zilveren munt. Voorzijde: gelauwerd borstbeeld van de koning naar links. Keerzijde: rondom kruis binnen cirkel, waaromheen stralen, vier in kruisvorm geplaatste gekroonde wapenschilden. In de hoeken vier rozen. Jaartal bovenaan in omschrift. Kabelrand.
[Man Demonstrating Patent Model for Sash Window]
Object type: tintype
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: windows,men,portraits
Vor dem Pantheon
Object type: drawing
Date: 1908 – 1908
Materials: gouache, graphite, ink, paint, silver
Techniques: brush
Artist: heinrich krenes
Artist role: artist
Artist nationality: austrian
Artist dates: 1874 – 1913
Subjects: male nudes,women
Portret van een onbekende vrouw
Object type: page
Date: 1886 – 1891
Materials: paper
Techniques: autotype
Artist: heinrich riffarth
Artist role: printer
Subjects: anonymous historical person portrayed alone - bb - woman
Drieling Arntzenius
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
De geldzuchtige wereld, 1664
Object type: cartoon
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: filips iv (koning van spanje), greed, covetousness, cupidity; 'cupidità' (ripa), fighting, money
Inscriptions: collector's mark: Lugt 1114

Allegorie op de geldzuchtige wereld, of de op- en ondergang van de actiehandel. Centraal een figuur zittend op een wereldbol met een geldstuk van koning Filips IV van Spanje uit 1664 als hoofd. De voorstelling is verder gevuld met allerlei voorbeelden van de dwaasheid van de mens in zijn zucht naar geld, vechtpartijen, kwakzalvers, boeren etc. Bovenaan een vers in vier kolommen in het Nederlands, ook in de voorstelling enkele opschriften. Het voorbeeld voor prent 70 in de serie Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Les Modes Parisiennes, 1846, No. 179 : Chapeau et Capot (...)
Object type: fashion print
Date: 1846 – 1846
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: cut flowers; nosegay, bunch of flowers, head-gear (capote) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), ornamental parts of clothing (+ women's clothes), clothing for the upper part of the body (shawl) (+ lace used for clothes), clothing for the upper part of the body (mantelet) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), neck-gear ~ clothing (+ women's clothes)
Inscriptions: caption: ‘Chapeau et Capote de M.lles Romain, rue de la Chaussée d'Antin, 18_ Fleurs de Millery, élève de Batton, rue de Ménars, 12_ Robe de soie, façon de M.lle Eglantine, rue Olivier S"t Georges.4_ Mantelet et lingeries de M.me Colas, rue Vivienne 47_ Robe de Nankin de M.me Sédille, rue de Richelieu, 108_ Echarpe de dentelles des Magasins Violard, rue de Choiseul, 2_ Passementeries et galons de Bertheley, boulev.t Montmartre, 18.’, title: ‘Les Modes Parisiennes.’, address: ‘Paris chez Aubert et C.ie Place de la Bourse.’

Twee vrouwen bij een boom. In de verte een tuinlandschap met een antieke tempel. Volgens het onderschrift: hoed en 'capote' van Romain. Bloemen van Millery, leerling van Battou. Japon van zijde, uitgevoerd op de manier van Eglantine. Kleine schoudermantel en 'lingeries' van Colas. Japon van 'nankin' van Sédille. Sjaal van kant uit de winkels van Violard. Passementerie en galons van Bertheley. Prent uit het modetijdschrift Les Modes Parisiennes (1843-1885).
Roncone
Object type: roncone
Date: 1525 – 1525
Materials: gold, steel, textile, wood
Culture: italian
Location: italy
Messrs. Hall & Holtz's decorations. Decorations at Messrs. E.D. Sassoon & Co.'s
Object type: photograph
Date: 1897 – 1897
Materials: photographic support
Techniques: albumen print
Location: shanghai
Artist: w.r. kahler
Artist role: fotograaf
Subjects: festivities (+ wreath, garland ~ festive activities), façade (of house or building), commemoration, jubilee, street
Pendants
Object type: pendant
Date: 1301 – 1500
Materials: silver
Location: morocco
Zorgeloosheid
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: good and bad behaviour, moral qualities
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Kleinen Taschen Calender auf das gemeine Jahr 1785 (...). Berlijn: S.n., 1784.
Tekstblad uit: Janus Bleuland, Observationes Anatomico-Medicae de Sana et Morbosa Oesophagi Structura, 1785
Object type: text sheet
Date: 1785 – 1785
Materials: paper
Techniques: letterpress printing
Location: leiden
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Pagina 29 en 30 uit: Janus Bleuland, Observationes Anatomico-Medicae de Sana et Morbosa Oesophagi Structura, 1785. Blad op beide zijden bedrukt.
Swan candelabrum (one of a pair)
Object type: candelabrum
Materials: gilt bronze, hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: swans

In eighteenth-century France, luxury merchants known as marchands-merciers combined expensive porcelain from Meissen with French gilt-bronze mounts to create distinctive forms of opulence, seen in this extravagant pair of candelabra featuring swans floating amidst flowering branches of gilt bronze.
Towel
Object type: towel
Date: 1801 – 1833
Materials: cotton, linen, metal thread
Divers Tables
Object type: print
Date: 1730 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: rocaille ornament, table, attributes of minerva, attributes of mars, beasts of prey, predatory animals: lion (+ ornamental variants of animals)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De tafels hebben elk een opengewerkte regel en mogelijk twee poten. Het onderstel van de bovenste tafel is versierd met twee leeuwen, rocailles, florale motieven en een wapenschild. Het onderstel van de onderste tafel is versierd met rocailles. Links een putto met de attributen van Mars en rechts een putto met de attributen van Minerva. Midden onder 46 genummerd. Deze prent maakt deel uit van een serie van vier.
Landschap met hutten bij Amsterdam
Object type: drawing
Date: 1879 – 1879
Materials: paper, pencil
Location: north holland
Artist: jan hoynck van papendrecht
Artist role: draughtsman, painter
Artist dates: 1858 – 1933
Subjects: hut, cabin, lodge, landscapes (+ landscape with figures, staffage)
Inscriptions: annotation: ‘hutten van Polderjongens/ bij Amsterdam 20 Sept 79’, collector's mark: Lugt 2228

Rondom de hutten lopen en werken figuren.
Basin
Object type: basin
Date: 1801 – 1900
Materials: pottery
Artist: william adams
Artist role: maker
Artist nationality: british
Artist dates: 1798 – 1865
Subjects: buildings,boys,flowers,trees
Cylinder seal
Object type: cylinder seal
Date: 1800 – 1601
Materials: mineral
Culture: babylonian
Location: mesopotamia
Subjects: men,goddess

Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This seal features a three line inscription and a scene with the goddess Ishtar, who is shown wearing an open robe and holding a mace in her raised right hand and a scimitar in her left. Weapons emerge from her shoulders and she stands on a lion-headed eagle. Facing her is a man with a mace standing on a platform and behind him stands a suppliant goddess. Presentation scenes – featuring a worshipper before a deity or ruler – were common motifs on seals of the Old Babylonian period. The use of hematite, a dark colored hard stone, is another characteristic of seal production in this period.
Vestee
Object type: vestee
Date: 1855 – 1869
Culture: american
Blaricum, Dr. Catslaan
Object type: ansichtkaart, prentbriefkaart
Date: 1929 – 1951
Materials: photographic support
Techniques: photography, writing
Location: blaricum
Subjects: city-view, and landscape with man-made constructions, automobile
Inscriptions: postage stamp
Athletic, from the Sports and Art Subjects series (N197) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,spectators

Trade cards from the "Sports and Art Subjects" series (N197), issued ca. 1889 by Wm. S. Kimball & Co. to promote Straight Cut Cigarettes.
Jupiter en Alcmene
Object type: print
Date: 1537 – 1555
Materials: paper
Techniques: engraving
Location: unknown
Artist: cornelis bos
Artist role: print maker, printer, publisher
Artist dates: 1510 – 1566
Subjects: jupiter, in the guise of amphitryon, and alcmene, mother of hercules
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228

Jupiter verleidt Alcmene in de gedaante van haar man Amphitryon. Alcmene raakt zwanger en baart later Hercules. Jupiters adelaar zit naast Jupiter en Alcmene op de grond. Prent uit een serie van 10 prenten die het liefdesleven van Jupiter illustreren.
Kechapi
Object type: kechapi
Date: 1867 – 1900
Materials: textile, metal, wood
Culture: javanese
Location: indonesia
Gezicht op de Waal en Waalstraat te Vlaardingen
Object type: print
Date: 1747 – 1775
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: townhall, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage), parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Handvesten, octroyen, privilegien en regten, aan de stede Vlaardingen (…) en met der stede grondteekening en andere kopere plaaten verçiert (…). Den Haag: Johannes Gaillard, 1772. En in: Handvesten, octroyen, privilegien en regten, aan de stede Vlaardingen (…) en met der stede grondteekening en andere kopere plaaten verçiert (…). Utrecht: Johannes van Schoonhoven, 1775.
Vues d'Italie et de Sicile, dessinées d'après nature
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., lake (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a
Kalf drinkend bij zijn moeder
Object type: drawing
Date: 1815 – 1815
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: cow, calf
Kastelen
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: landscape with ruins, landscape with tower or castle
Inscriptions: collector's mark: Lugt 964

Ruïne van het kasteel Rossum. Op de voorgrond een zittende figuur. Zesde prent uit een serie van zes.
Shoulder Band Fragment
Object type: shoulder band fragment
Date: 501 – 800
Materials: wool
Techniques: weave
Location: egypt
Portret van Nikolaus Ludwig, graaf von Zinzendorff
Object type: print
Date: 1762 – 1764
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: nikolaus ludwig graf von zinzendorf
Inscriptions: collector's mark: Lugt 2228
Cabinet
Object type: cabinet
Date: 1601 – 1650
Materials: wood
Subjects: horses,lions,madonna and child
Schotel, veelkleurig beschilderd met een landschap met figuren.
Object type: platter
Date: 1777 – 1777
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mold mark, factory mark

Ronde schotel van beschilderd porselein. De schotel is beschilderd met landschappen waarin figuren en langs de rand een brede strook groen vlechtwerk. De schotel is gemerkt.
Marie Burroughs in Colors of the New York Yacht Club, from the Yacht Colors of the World series (N140) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,flags

Trade cards from the "Yacht Colors of the World" series (N140), issued in an unnumbered set of 50 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The same set was released by Duke in a smaller size, as well (N91).
Design for a Catafalque (recto); Female Saint Kneeling on Clouds under an Arch, and a Design for the Pinnacle of the Catafalque (verso)
Object type: drawing
Date: 1669 – 1669
Materials: chalk
Artist: baldassarre franceschini (il volterrano)
Artist role: artist
Artist nationality: italian
Artist dates: 1611 – 1690
Subjects: architecture
Fannie Batchelder, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Beenderen en gemummificeerde Ibissen
Object type: book illustration
Date: 1803 – 1805
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: shore-birds and wading-birds: ibis (+ dying animal; death of animal; dead animal), mummy
Inscriptions: collector's mark: Lugt 2228

Prent vermoedelijk gebruikt in: Denon, Dominique Vivant [vertaald door Herman Bosscha]. Reize in Opper- en Neder-Egipte, gedurende den veldtocht van Bonaparte. 3 dln. Amsterdam: Johannes Allart, 1803-1805.
Halberd
Object type: halberd
Date: 1650 – 1700
Materials: steel, wood
Culture: german
Location: germany
Belt Buckle with Zoomorphic Design
Object type: belt buckle
Date: 300 – 101
Materials: bronze
Techniques: gilding
Culture: north chinese
Subjects: animals
Molen aan het water
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), windmill in landscape
Inscriptions: annotation: ‘hooi’

Gezicht op een molen aan het water. Vooraan een figuur op een brug. Bij de brug een boot. Blad 34 recto uit een schetsboek met 58 bladen.
Glass bead
Object type: bead
Date: 301 – 400
Materials: glass
Culture: roman
Zilveren reliekhouder afkomstig uit de kerk Saint-Pierre te Champagnac-le-Vieux
Object type: page
Date: 1850 – 1857
Materials: photographic support
Techniques: salted paper print
Location: france
Artist: hippolyte malègue
Artist role: archeoloog, fotograaf, schrijver
Artist dates: 1825 – 1901
Subjects: relics (and reliquaries)
Inscriptions: number: ‘PL. 9.’, inscription: ‘appartenant a l'eglise de Champagnax-le-Vieux.’
Thesaurus sacrarum historiaru[m] veteris testame[n]ti, elega[n]tissimis imaginibus expressu[m] excelle[n]tissimoru[m] in hac arte viroru[m] opera: nu[n]c primu[m] in luce[m] editus
Object type: print
Date: 1556 – 1556
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the meeting of parents and son ~ tobias' return

Tobias omhelst zijn moeder Anna bij thuiskomst. Achter haar leidt een jongen de blinde Tobit naar buiten. De aartsengel Rafaël wijst in de richting van Sara en de met geschenken bepakte dieren. Onder de voorstelling een verwijzing naar de Bijbeltekst in Tobit 11 in het Latijn. Prent maakt deel uit van een album.
Strook kloskant met ruiten Padang niet Sadiah
Object type: strip
Date: 1917 – 1917
Materials: linen
Techniques: lace
Artist: Anonymous

Strook naturelkleurige kloskant, stropkant. Langs de onderzijde van de strook bestaat het patroon uit een rij ruiten in netslag. Daarboven loopt een rij ruiten met een traliegrond, een vijfgaatjesgrond, tussen grove spinnen. Aan de strook is een etiket genaaid met de tekst: Padang niet Sadiah.
Biddende kluizenaar
Object type: print
Date: 1633 – 1672
Materials: paper
Techniques: etching
Location: amsterdam
Artist: willem basse
Artist role: draughtsman, print maker
Artist dates: 1613 – 1672
Subjects: hands folded with fingers knit, anchorite, hermit, one person praying
Inscriptions: collector's mark: Lugt 240

Een kluizenaar knielt in een grot. Hij kijkt naar een kruis dat op de grond ligt en bidt.
Twee gezichten op de gangen van het klooster bij de kathedraal van Monreale
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: cloisters ~ monastery
A lady standing in center holding a fan watching the bathers in the river to right, other ladies and men watching bathers to left in the background, from "Various figures and lands" (Diverse figure e paesi)
Object type: print
Date: 1649 – 1649
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: fans,women,rivers,bathing