deem-data/ArtiFact huggingface dataset:
Vrouw met kind bij een wieg
Object type: drawing
Date: 1854 – 1914
Materials: chalk, paper, watercolor
Techniques: brush
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: mother and baby or young child
Arm met kaarsenhouder van kaarsenkroon
Object type: chandelier
Date: 1825 – 1875
Materials: brass
Techniques: casting
Location: western europe
Artist: Anonymous

Kaarsenarm behorende bij een messing kaarsenkroon. De S-vormige arm is versierd met negen wingerdbladeren wingerdbladeren, ten dele aan verstrengelde ranken, en eindigt in de platte verdikking met een schroefgat. De ronde vetvanger is voorzien van ajour bewerkte gekartelde versieringen aan de onderzijde. Deze is bevestigd met een achtvlakkige voor en achter geperforeerde kaarsenhouder op verticale ringvormige voet, die op de armen zijn geschroefd.
Dit is de vijfde arm, genummerd met 5 driehoeken.
De families Kessler en Heyning uitrustend in het hoge gras, vermoedelijk tijdens een wandeltocht in de Harz
Object type: photograph
Date: 1903 – 1908
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: harz
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945

De families Kessler en Heyning uitrustend in het hoge gras, vermoedelijk tijdens een wandeltocht in de Harz. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Bezoek van een Nederlandse hoogwaardigheidsbekleder aan het hof van de Sultan van Langkat te Sumatra
Object type: photograph
Date: 1919 – 1919
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: other sovereign, automobile, sumatra
Two Women and Two Cupids, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Object type: print
Techniques: engraving
Location: rome
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: female nudes,cupid
Miniature Openwork Bottle with Birds and Peonies
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting
Location: china
Design for a Ceiling with Swans and Cornucopias
Object type: drawing
Date: 1801 – 1900
Materials: gilt, gold, gouache, graphite, ink
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: swans,cornucopia
Honesty (Lunaria annua)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: honesty

The honesty plant is immediately recognizable by its distinctive flat, and sometimes translucent, seed pods. In this drawing, the plant also bears flowers, something that never occurs simultaneously in reality. De Boodt wanted to give a generic image of the plant in all of its flowering stages, rather than depict a specific specimen from nature. Thus, the drawing was useful in identifying the species.
Fisherman's Quarter
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: etching
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Güiro
Object type: güiro
Date: 1867 – 1900
Culture: cuban
Location: cuba

A güiro is a hollowed tube most often made of gourd but also of wood, metal or plastic with ridges on one side. Rhythmic accompaniment is produced when a stick or comb is rubbed against the ridges. Common in both the Caribbean and Sub-Saharan Africa where it has many names, it provides a rhythmic pulse for different types of Latin-American and Africa music.
Antiek reliëf met Bacchus en Ariadne
Object type: print
Date: 1520 – 1561
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: battista franco
Artist role: draughtsman, painter, print maker
Artist dates: 1510 – 1561
Subjects: triumph of bacchus and ariadne, (story of) ariadne and bacchus, (story of) ariadne, satyr(s) (in general)
Inscriptions: number: ‘1’, number: ‘3’

Boven: Bacchus en Ariadne op een triomfwagen die wordt voortgetrokken door twee centauren. Voor de wagen lopen een sater, een bacchante en een naakte man. Onder: de dronken Silenus op een ezel, saters, een bacchante en naakte figuren.
Fonteines et Cuuettes
Object type: ornament print
Date: 1657 – 1661
Materials: paper
Techniques: etching
Location: paris

Een naakte man ondersteunt het handvat. Links van de fontein staan figuren naast een bassin.
Three Diamonds, from the Playing Cards series (N84) to promote Turkish Cross-Cut Cigarettes for W. Duke, Sons and Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: playing cards

Trade cards from the "Playing Cards" series (N84), issued in a set of 53 cards in 1888 to promote Turkish Cross-Cut Cigarettes produced by W. Duke Sons & Co. The versos across the set display a matching abstract floral pattern. The Joker advertises Duke brand cigarettes and the Ace of Spades displays an ad for Turkish Cross-Cut Cigarettes. Besides Turkish Cross-Cut, a version of the same set of playing cards was also released to promote the overall W. Duke Sons & Co. brand.
In Memory of Dr. Leon-Athanase Gosselin, French Surgeon (1815–1887)
Object type: plaque
Date: 1888 – 1888
Materials: bronze, patina
Artist: louis-oscar roty
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1911
Subjects: men,profiles
Pieter van Foreest (Petrus Forestus)
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered within image: "Aetat. Suae 64 Ao 1586" and below image with seven lines of Latin text: "Ceu vivum... aere tibi N. F. A."; inscribed in pen and ink with four illegible symbols.
Gezicht op 's-Gravenzande
Object type: print
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: city-view in general; 'veduta', river

Gezicht op de noordkant van de Maas met op de achtergrond de stad 's-Gravenzande.
Gezicht op het Maagdenhuis in Amsterdam
Object type: print
Date: 1780 – 1786
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rooms-katholiek maagdenhuis (amsterdam)
Inscriptions: collector's mark: Lugt 2233

Gezicht op het net voltooide nieuwe gebouw voor het rooms-katholieke meisjesweeshuis aan het Spui in Amsterdam. Het gebouw ligt aan een gracht en is ontworpen door Abraham van der Hart.
Maria met Kind en de drie koningen
Object type: print
Date: 1621 – 1667
Materials: paper
Techniques: etching
Location: utrecht
Artist: jacob duck
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1667
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: Lugt 240
Copy of a Lithographic Print
Object type: photographically illustrated book
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: faces,anger,sadness,men,women
Harp
Object type: harp
Date: 1701 – 1800
Materials: wood
Culture: italian
Location: italy
Sword (Ayda Katti)
Object type: sword ayda katti
Date: 1801 – 1900
Materials: brass, horn, steel
Culture: indian, coorg
Location: india
Maria Magdalena of de heilige Agatha
Object type: drawing
Date: 1587 – 1603
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: joos van winghe
Artist role: draughtsman, painter
Artist dates: 1544 – 1603
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Ax
Object type: model ax
Date: 1550 – 1295
Materials: bronze, copper alloy, gold leaf, wood
Location: egypt
Standing Courtesan
Object type: hanging scroll
Date: 1720 – 1729
Materials: ink, silk
Culture: japanese
Artist: baiōken eishun
Artist role: artist
Artist nationality: japanese
Artist dates: 1710 – 1730
Subjects: poetry,women

Baiōken Eishun was among the ukiyo-e artists specializing in paintings of courtesans of the pleasure quarters in the style popularized by artists of the Kaigetsudō studio. He even prefaced his signature with Yamato-e, in the same way Kaigetsudō artists did, to assert that his style of painting was in the distinguished “Japanese-style painting” associated with courtly tastes. Here, a patron or a courtesan has inscribed a poem to add a level of sexual suggestiveness: Though I didn’t say I was retiring for the night still she loosens her sash. She reads my thoughts, bringing tears to my eyes. —Trans. Miyeko Murase
Fragment
Object type: textile
Date: 1650 – 1700
Location: italy
Cravat
Object type: cravat
Date: 1850 – 1850
Materials: silk
Culture: american
Christ Scourged, from "The Doctrine, Life, and Passion of Jesus Christ"
Object type: print
Date: 1537 – 1537
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: men,christ
Paus Adrianus VI
Object type: history medal
Date: 1650 – 1750
Materials: silver
Techniques: striking
Artist: monogrammist mb (medailleur)
Artist role: medailleur
Subjects: utrecht, rome, clergyman

Zilveren penning. Voorzijde: borststuk man met tiara binnen omschrift. Keerzijde: opschrift
Anthropoides paradisea (Blue crane or Stanley crane)
Object type: album leaf
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Subjects: shore-birds and wading-birds: crane
Inscriptions: annotation: ‘Blaue Graan Vogel.’

Vogelstudie: Blauwe kraanvogel (Anthropoides paradisea).
The Irish Question
Object type: painting
Date: 1880 – 1889
Materials: canvas, oil
Location: united states
Artist: de scott evans
Artist nationality: american
Artist dates: 1847 – 1898
Subjects: still life, potatoes, potato
Inscriptions: Signed "S.S. David" at lower left

A seemingly uncomplicated representation of two potatoes suspended by a string against a wood panel, The Irish Question is an unusual and striking trompe l’oeil painting that raises numerous questions. The title may refer to the troubled status of the Irish in the late 19th century; the hanging potatoes inflect this allusion with either ominous overtones or a dark sense of humor. Illusionistic paintings such as The Irish Question offer an enjoyable form of visual deception, and the pseudonymous signature “S.S. David” suggests that De Scott Evans relished the opportunity to puzzle his viewers on many levels.
Tea chest
Object type: tea chest
Date: 1780 – 1780
Materials: gilt, wood, marble
Techniques: veneering
Piano Player
Object type: print
Date: 1935 – 1940
Techniques: engraving
Artist: fred becker
Artist role: artist
Artist nationality: american
Artist dates: 1913 – 2004
Subjects: men,pianos,trumpets,musicians
Old Manor of Criqueboeuf
Object type: painting
Date: 1882 – 1892
Materials: canvas, oil
Culture: american
Artist: homer dodge martin
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1897
Subjects: houses,landscapes
Constructie van een muizenval
Object type: book illustration
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: mouse trap
Inscriptions: collector's mark: Lugt 2233

Prent bedoeld voor: Chomel, Noel. Dictionnaire oeconomique, contenant divers moïens d'augmenter son bien, et de conserver sa santé. Amsterdam: Johannes Covens en Cornelis Mortier, 1732.
Portret van vijf onbekende jonge mannen
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, paper
Techniques: daguerreotype, hand coloring
Artist: Anonymous
Subjects: youth, adolescent, anonymous historical persons portrayed in a group, in a group-portrait
Saint John the Baptist in the Wilderness
Object type: painting
Date: 1622 – 1622
Materials: canvas, oil, paint
Techniques: painting
Location: seville
Artist: diego rodriguez de silva y velázquez
Artist role: artist
Artist nationality: spanish
Artist dates: 1599 – 1660
Subjects: saint john the baptist, wilderness, trees, sky, sheep, saints, religious figures, religious, religion, nature, man, leaves, leaf, foliage, cross, christianity, christian subjects, animals

This painting depicts a young Saint John the Baptist living as a hermit in the wilderness. His cross of reeds, pointing gesture, and the nearby lamb refer to his role as a prophet foretelling the coming of Christ, the so-called “lamb of God,” in the New Testament.

Previously attributed to an unknown Sevillian artist, this painting has recently been recognized as the work of a young Diego Velázquez. The treatment of the saint is more idealized than figures in Velázquez’s earliest work, suggesting that it may have been made after his brief visit to Madrid in 1622, where Italian paintings in the royal collection exposed him to new ways of depicting the human figure.
Portret van onbekende vrouw
Object type: print
Date: 1822 – 1893
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: willem troost (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Boots
Object type: boot
Date: 1865 – 1875
Materials: wool
Culture: american

By the last quarter of the 19th century, the United States had risen to the world leader in shoe manufacturing technology and production volume. Mechanical advances were recognized as paramount to improved and accelerated production, and were accordingly regarded as a great point of pride for the developing nation. This pair of boots bears a rare paper label on the heel indicating the use of the McKay sole-sewing machine, an important American technological innovation in shoe manufacture. The McKay machine allowed the sole to be machine stitched to the upper, thereby eliminating the laborious and time-consuming task of hand stitching while producing a high quality and flexible shoe. This well-preserved pair of button boots, the standard girl's style for period, exhibits the curved top and straight button fly then in favor.
Theepot van roodbakkend aardewerk, beschadigd, voorzien van gewolkt glazuur in beige en bruin aan de buitenzijde
Object type: fragment
Date: 1600 – 1899
Materials: glaze, stoneware
Artist: Anonymous
Brief aan August Allebé
Object type: letter
Date: 1892 – 1892
Materials: ink, paper
Techniques: pen, writing
Location: plombières-les-bains
Artist: ferdinand leenhoff
Artist role: print maker
Artist dates: 1841 – 1914
Subjects: amsterdam, draughtsman, august allebé, travelling; tourism
Inscriptions: watermark
Jasper Lentoid
Object type: seal, lentoid
Date: 1450 – 1375
Materials: jasper
Culture: minoan
Optocht van de geluksgoden
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: woodcut
Location: japan
Artist: chikushin
Artist role: print maker
Subjects: shinto, oriental ideographic script (chinese, korean, japanese)

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Kikker
Object type: drawing
Date: 1887 – 1924
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: tailless amphibians: frog
Inscriptions: number: ‘72’
Rogero Bruxellensi Pictori
Object type: print
Date: 1600 – 1650
Materials: paper
Techniques: engraving
Subjects: brussels, painter, rogier van der weyden, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 964, caption: ‘Non tibi sit...non moritura micant’, title: ‘ROGERO BRUXELLENSI PICTORI’

Latere staat van prent gebruikt in: Sebastiano Resta, The True Effigies of the most eminent Painters and other Famous Artists that have Flourished in Europe Curiously Engraven on 125 Copper Plates, 1694.
Embleem met engel die man toont hoe hij deugd en zonde tegen elkaar af moet wegen
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the life of man
Inscriptions: collector's mark: Lugt 2228

Een engel staat bij een weegschaal en toont een man hoeveel zwaarder de deugd weegt dan de zonde. Op de ene schaal zit de duivel met de wereldbol en tekenen van macht, hij wordt te licht bevonden. De engel die wel gewicht in de schaal legt, staat voor de deugd. Het landschap achter hen toont wat de man staat te wachten bij zijn keuze.
Three Cupids Holding a Helmet
Object type: print
Date: 1731 – 1765
Techniques: engraving, etching
Artist: louis félix de la rue
Artist role: artist
Artist nationality: french
Artist dates: 1731 – 1765
Subjects: helmets,cupid
Jonge vrouw in slaapkamer wijst op voorwerp
Object type: stereograph
Date: 1870 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: nightwear: night-gown, screen, folding screen, bedroom
Inscriptions: : ‘Photografische Kunst-inrichting, Amsterdam’, : ‘Speciaal adres voor goede stereoscopen en fraaie stereoscopische-photo's’
Cupid Chastised
Object type: painting
Date: 1613 – 1613
Materials: canvas, oil, paint
Techniques: painting
Location: italy
Artist: bartolomeo manfredi
Artist nationality: italian
Artist dates: 1582 – 1622
Subjects: cupids, doves, violence, mother, sons, women, men, man, woman, arrows, arrow, helmets, breasts, cuirass, gods (deities), goddesses, venus, war, love, nudes, conflict, greek mythology, greek gods, roman, birds

Following the example of the revolutionary early seventeenth-century artist Michelangelo Merisi da Caravaggio, Bartolomeo Manfredi chose to depict ordinary individuals in his scenes from the Bible and Greek and Roman mythology. Caravaggio had demonstrated to Manfredi and an entire generation of European artists that such lofty themes could be transformed into events experienced by ordinary people. Employing dramatic lighting and locating the action directly before the viewer, these artists were able to endow their narratives with great immediacy and power.

Cupid Chastised depicts a moment of high drama: Mars, the god of war, beats Cupid for having caused his affair with Venus, the goddess of love, which exposed him to the derision and outrage of the other gods. Venus implores him in vain to desist. Surrounded by darkness, the three figures are boldly illuminated from the left, intensifying the dynamism and impact of the composition. The sheer physicality of the figures — the crouching Venus, whose broadly realized face strays from the classical ideal; the powerful Mars, whose musculature and brilliant red drapery seem to pulsate with fury; and Cupid, whose naked flesh and recumbent position render him particularly vulnerable—conveys the violent discord of the scene. On one level a tale of domestic disturbance, the story also symbolizes the eternal conflict between love and war.
Twee lezende vrouwen met hoeden
Object type: print
Date: 1875 – 1926
Materials: paper
Techniques: drypoint, intaglio
Artist: françois courboin
Artist role: print maker
Artist dates: 1865 – 1926
Subjects: newspaper, news-sheet
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the back, right buttock, genitals, thighs, and tail of an ithyphallic satyr to right
Medal commemorating the marriage of Mary, Queen of Scots to the Dauphin Francis of France, with Mary's privy seal and signet ring
Object type: print
Date: 1849 – 1849
Techniques: engraving
Artist: john west
Artist role: artist
Artist nationality: british
Artist dates: 1847 – 1855
Subjects: coat of arms,mary queen of scots

This plate shows the privy seal (above) and signet ring (below) of Mary, Queen of Scots, flanked by the obverse and reverse of the commemorative medal. It is likely based on a plate by John West, included in A Souvenir of the Abbey and Palace of Holyrood – "Medal Struck at Paris Commemorative of the Marriage of Francis Dauphin of France & Mary Queen of Scots 24 April A.D. 1558." West's engraving includes five additional seals not depicted here.
Il nuovo teatro di Roma moderna
Object type: album leaf
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: rome
Subjects: interior of church

Deze prent maakt deel uit van een reeks van 35 prenten met voorstellingen van gebouwen in Rome. Samen met vier andere reeksen vormt het de grote reeks: 'Il nuovo teatro di Roma moderna'.
Parrot Komachi (Omu Komachi), from the series The Seven Fashionable Aspects of Komachi (Furyu yatsushi nana Komachi)
Object type: print
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Portret van een onbekende tekenende man
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: historical persons, secretary, scribe
Inscriptions: inscription: ‘Beambte aan de munt te Utrecht/ Neef van den Heer Kockers.’, collector's mark: Lugt 2228
Antique Statue of Standing Goddess with Outstretched Arms
Object type: drawing and watercolor
Date: 1774 – 1774
Materials: crayon, paper
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Attributa Beatae Mariae
Object type: print
Date: 1633 – 1634
Materials: paper
Techniques: etching
Location: paris
Subjects: 'immaculata', 'purisima': mary, usually standing on a crescent moon, descending from heaven, exempt from original sin (sometimes trampling serpent)
Inscriptions: collector's mark: Lugt 240

Maria, staand in de lucht boven een landschap op een omgekeerde halve maan die op de rug van een monsterlijke vogel rust, te midden van engelen die objecten dragen (o.a. zon, maan, waterput, plant, palmtak, boom). Onder de voorstelling een onderschrift in Latijn. Deze prent is onderdeel van een reeks prenten rond het leven van Maria, bestaande uit een titelprent en dertien verhalende voorstellingen.
Here is the Calaveron of the Penitentiary. Don't break, old bones, for your day has just arrived
Object type: print
Materials: paper
Techniques: etching, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Ars musica
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Oranjelint
Object type: ribbon material
Date: 1725 – 1750
Materials: silk
Techniques: printing, weave
Location: netherlands

Kleine lint met tweemaal het opschrift tussen twee takjes. Opschrift: VIVAT ORANJE.
Grafkelder van de Dom van Bremen
Object type: cabinet photograph
Date: 1850 – 1868
Materials: cardboard, photographic support
Techniques: albumen print
Location: bremen
Artist: laurentius herzog
Artist role: fotograaf
Artist dates: 1831 – 1913
Subjects: (human) skull, grave, tomb, coffin
Inscriptions: inscription: ‘Breme Bleikeller’, inscription: ‘Erster Preis/ Berlin 1865 Hamburg 1868/ L. Herzog Atelier für Photographie Bremen,/ Wall 160./ Die Platte bleibt reservirt.’
The Four Worthies (Plum, Bamboo, Orchid, Chrysanthemum) (Shikunshi) 竹洞四君子
Object type: illustrated book
Date: 1853 – 1853
Materials: ink, paper
Techniques: bookbinding, woodblock print
Culture: japanese
Artist: nakabayashi chikutō 中林竹洞
Artist role: artist
Artist nationality: japanese
Artist dates: 1776 – 1853