deem-data/ArtiFact huggingface dataset:
Journey Home
Object type: drawing
Date: 1833 – 1833
Materials: chalk, watercolor
Artist: david cox, the elder
Artist role: artist
Artist nationality: english
Artist dates: 1783 – 1859

In this sweeping view across an English plain, market women move away from us towards a distantly glimpsed coastline. Bright colors distinguish the dress of women travellers who pass near men who plow a field with a team of horses. Overhead, dark clouds and circling gulls signal approaching rain. Cox was born in Birmingham and moved to London in 1804 to study with John Varley. In 1813–14 he published a "Treatise on Landscape Painting and Effect in Watercolours." After a period of financial struggle occasioned by the ecomomic depression that followed the Napoleonic Wars, the artist found success from the late eighteen-twenties and became one of Britain's leading landscape painters. He exhibited works, such as "Journey Home," at the Society of Painters in Water Colours and found appreciative patrons that supported his distinct vision.
Bowl
Object type: bowl
Date: 1301 – 1350
Materials: stonepaste
Techniques: painting, underglaze
Location: iran
Subjects: birds
Mirror
Object type: mirror
Date: 618 – 1911
Materials: bronze, silver
Techniques: repoussé
Culture: chinese
Inro and Netsuke in the shape of a Boar
Object type: print
Date: 1801 – 1833
Materials: paper
Techniques: woodblock print, surimono
Location: japan
Artist: kurinara gyokudo
Artist nationality: japanese
Artist dates: 1830 – 1850
Vrouwelijke figuur met vleugels en wapenschild
Object type: print
Date: 1608 – 1688
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Textile Design for Stencil
Object type: textile design
Date: 1601 – 1700
Materials: paint, paper
Culture: japanese
Subjects: houses,flowers,landscapes
Vignet met een wapenschild, boeken en een caduceus
Object type: print
Date: 1650 – 1799
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: book, illustration ~ printed matter, book, caduceus (staff with two snakes, attribute of mercury), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Festoen van bladeren en attributen van Mercurius
Object type: ornament print
Date: 1665 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous

Kopie naar festoen uit de serie Prima Pars Praecipuarum.../ Het Eerste Deel Van de voornaemste Statuen ende Cieraten.../ La Premier Partie....
Maple Leaves at Kaian Temple (Kaianji benikaede), section of a sheet from the series "Cutout Pictures of Famous Places in Edo (Edo meisho harimaze zue)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Flying Raven: ex libris, from The Raven (Le Corbeau)
Object type: print
Date: 1875 – 1875
Materials: ivory, paper, parchment
Techniques: lithography
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Castaliaanse Bron
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photograph
Location: delphi
Artist: Anonymous
Subjects: delphi
Inscriptions: annotation: ‘14. Bron te Delphi, alwaar de pelgrims zich waschten, voordat ze het orakel gingen raadplegen.’
Gezicht op de Dom in Milaan
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: milan
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: church (exterior)
Inscriptions: number: ‘No. 911.’
Bottle
Object type: glass
Date: 1867 – 1900
Materials: glass, gemstone
Techniques: glassblowing, gilding, tooling
Location: bohemia
Knoop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: button
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knoop. (1) domed, relieved flower-head motif (1.4d, 0.5h), flat base, shank broken
Jug
Object type: jug
Date: 1872 – 1875
Materials: earthenware, silver
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904
Galloon
Object type: textile
Date: 1701 – 1800
Materials: velvet
Location: italy
Judas
Object type: photograph
Date: 1871 – 1871
Materials: photographic support
Techniques: albumen print
Location: oberammergau
Artist: joseph albert
Artist role: printer, publisher
Artist dates: 1825 – 1886
Subjects: judas iscariot (not in biblical context)
Raccolta di dissegni originali di Mauro Tesi
Object type: album leaf
Date: 1787 – 1787
Materials: paper
Techniques: aquatint, etching
Location: bologna
Subjects: bridge
Doop bij de Rijnsburgse Collegianten, ca. 1735
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: drypoint, engraving, etching, writing
Location: northern netherlands
Artist: balthasar bernards
Artist role: print maker
Subjects: baptism ~ protestant service
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195, inscription: ‘Manier van Doopeen te Rhijnsburg’

Doopceremonie bij de Rijnsburgse Collegianten, ca. 1735. Doop door onderdompeling van volwassenen in een gracht om het Groot Huis, bijgewoond door de leden van de gemeente. In de marge een opschrift in handschrift en krassen met droge naald.
Portret van Godard, baron van Reede-Ginckel, graaf van Athlone
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: utrecht, godard baron van reede-ginckel (graaf van athlone), armour, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Elements
Object type: element
Date: 1001 – 1200
Materials: gold
Location: iran
Portret van Frederik Adriaensz. Westphalen
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: enkhuizen, traveler
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XXXI.
Ex libris van de Bridgewater Library
Object type: bookplate
Date: 1898 – 1898
Materials: paper
Techniques: engraving
Artist: charles william sherborn
Artist role: print maker
Artist dates: 1831 – 1912
Subjects: foliage ~ ornament, horse, mis-shapen animals; monsters, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Tray (part of a service)
Object type: tray
Date: 1785 – 1800
Materials: hard paste porcelain
Portret van Hendrick Goltzius
Object type: drawing
Date: 1644 – 1649
Materials: chalk, paper
Techniques: brush
Artist: pieter claesz. soutman
Artist role: draughtsman, print maker, publisher
Artist dates: 1593 – 1657
Subjects: haarlem, print maker, draughtsman, hendrick goltzius, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of graphic artist
Portret van Prokop de Grote
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: engraving
Artist: johann conrad klüpfel
Artist role: print maker
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Dit is een van de veertien prenten door Johann Conrad Klüpfel, gebruikt in: Theobald, Zacharias. Bellum hussiticum. Frankfurt: s.n., 1621.
Ruiterstandbeeld van Filips IV op Plaza de Oriente in Madrid
Object type: album leaf
Date: 1857 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: madrid
Artist: juan laurent
Artist role: publisher
Artist dates: 1816 – 1896
Subjects: filips iv (koning van spanje), equestrian statue
Inscriptions: annotation: ‘Philippe IV’, inscription: ‘MONUMENTS ET VUES D'ESPAGNE/ J. LAURENT, Fotog. / Dépot Central./ 39, Carrera S. Geronimo, MADRID/ 27, Rue Richelieu, PARIS’
Roundel with Saint John on Patmos
Object type: roundel
Date: 1510 – 1510
Materials: glass, paint, pigment
Culture: south netherlandish
Subjects: birds,saint john the evangelist,ships
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Part of a circumscribed palmette?
Feestlied 1813-1863
Object type: text sheet
Date: 1863 – 1863
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: vocal popular music
Inscriptions: collector's mark: Lugt 2228

Blad met feestliederen ter gelegenheid van het vijftigjarige jubileum van het herstel van de vrijheid in Nederland, 16 november 1863. Geheel georganiseerd door de 'Typographische Vereeniging: De Nederlandsche Drukpers'. In vieren gevouwen blad bedrukt op alle acht zijden met de de liederen: Feestlied 1813-1863, De Volksgeest, Oranje Boven!, Hoezee!, Neerlands Vrijheid, '16 November 1863', 'Drukpers, Nijverheid en Kunst' en 'Amsterdam op 16 November 1863'.
Galloon
Object type: galloon
Date: 1801 – 1900
Materials: cotton
George Inness
Object type: sculpture
Date: 1891 – 1891
Materials: bronze, copper alloy, metal
Location: new york
Artist: jonathan scott hartley
Artist role: artist
Artist nationality: american
Artist dates: 1845 – 1912
Subjects: people, portraits
Brief aan de heer J.J.W.B. van Dijck
Object type: letter
Date: 1933 – 1933
Materials: ink
Techniques: pen, printing, writing
Location: aerdenhout
Artist: johannes franciscus maria sterck
Artist role: letterkundige
Artist dates: 1859 – 1941
Amor
Object type: print
Date: 1677 – 1741
Materials: paper
Techniques: color etching, mezzotint
Artist: jacob christof le blon
Artist role: print maker
Artist dates: 1667 – 1741
Subjects: (story of) cupid, amor (eros)
Inscriptions: collector's mark: Lugt 2228

Amor staat op een openplek in het bos. Met een sikkel bewerkt hij zijn boog.
William George Frederick, Prince of Orange-Nassau, as a Child
Object type: painting
Date: 1775 – 1775
Materials: canvas, oil
Location: northern netherlands
Artist: Anonymous
Subjects: willem george frederik (prins van oranje-nassau), historical persons

Portret van Willem George Frederik (1774-99), prins van Oranje-Nassau, als kind. Ten halven lijve naar rechts, in de rechterhand een kleine verrekijker, op het hoofd een hoed met witte pluim. Pendant van SK-A-1476.
Taperstick
Object type: taperstick
Date: 1760 – 1770
Materials: enamel, glass
Culture: british
Location: england
Artist: michael edkins
Artist role: maker
Subjects: flowers
Pair of candlesticks
Object type: candlestick
Date: 1729 – 1730
Materials: silver
Artist: jacques besnier
Artist role: maker
Artist dates: 1688 – 1761

In the era before gas lighting and electricity, candles played a principal role in illuminating the domestic interior. The number of candles lit was an indication of the wealth and status of the owner: beeswax candles burned clean, had a pleasant smell, but were quite expensive compared to those made of tallow. In late seventeenth-century France, a change in dining habits had a significant effect on the production of silver candlesticks. Entertainment was increasingly orientated towards the evening; the use of domestic space changed and as a result, elegant lighting became an important part of the interior decoration. This pair of candlesticks is an example of a popular Régence model. The chased decoration of flower-filled lozenges, medallions with male and female profile heads, and lambrequin motifs reflect the influence of the court designer Jean Bérain (1640–1711). Bérain’s numerous prints provided models for the decoration of silver, ceramics, furniture, and wall paneling, and the so-called Bérainesque style dominated the designs of these media during the years 1680 through the 1720s as seen in this pair of candlesticks made by the Parisian silversmith Jacques Besnier in 1729–30. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver as illustrated by this pair of candlesticks.
Palatium Ordinis Equestris urbem versus
Object type: album leaf
Date: 1670 – 1670
Materials: paper
Techniques: etching
Subjects: civic architecture; edifices; dwellings

Het Riddarhuset (Ridderhuis), de vaste vergaderplaats van de Zweedse adel in Stockholm. Op de voorgrond verschillende rijtuigen. De prent maakt deel uit van een album.
Portret van Willem, graaf van Nassau-Siegen
Object type: book illustration
Date: 1793 – 1793
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: historical persons
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Cerisier, Antoine M. Algemeene Geschiedenis der vereenigde Nederlandsche Provincien (...). Amsterdam en Leiden: Petrus den Hengst, Jan Augustijn Swalm en Abraham Honkoop I, 1793, dl. 6.
Reproductie van een vermist schilderij van Thomas Gainsborough met een oproep en beloning voor de vinder
Object type: reproduction
Date: 1850 – 1915
Materials: cardboard, paint, photographic support
Techniques: albumen print
Artist: thomas gainsborough
Artist role: draughtsman, painter, print maker
Artist dates: 1727 – 1788
Subjects: london, georgiana spencer (hertogin van devonshire), advertising, historical persons - bb - woman
Inscriptions: inscription: ‘THE DUTCHESS OF DEVONSHIRE / BY GAINSBOROUGH / This celebrated picture was purchased by Messrs Agnew, (...) it was stolen on the night of the 25th of May, being cut out of the frame. /&nbsp;£1000 is offered by Messrs. Agnew or the recovery of the picture, and conviction of the thief or thieves. (...)’
The Column of Trajan, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: architecture,columns,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 95 in the scrapbook.
Een Synode
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: etching
Location: italy
Subjects: council, synod ~ roman catholic church, dordrecht
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor Salmon, Thomas. Lo stato Presente di tutti i Paesi del Mondo... volume XI, Delle sette provincie unite, Dei paesi Bassi, Degli Svizzeri, Grigioni, e loro alleati. Venetië: Giambattista Albrizzi, 1742.
The Old Woman, from "The Dance of Death"
Object type: print
Techniques: woodcut
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Subjects: skeletons,women
Vianden
Object type: album leaf
Materials: paper, photographic support
Techniques: gelatin silver print
Location: belgium
Artist: Anonymous
Subjects: bus, coach, low hill country, the family travelling, on holiday, outing, pleasure trip
Inscriptions: inscription

Albumblad met vier foto's van de omgeving van Vianden in Luxemburg. Onder de foto's uitgeknipte papiertjes met getypte opschriften. Onderdeel van het eerste fotoalbum met foto's van de twee fietstochten van vader en zoon door Nederland in september 1939 en juli 1940 en een autotrip met het gezin door Nederland, België en Luxemburg in juni 1949.
Card Number 254, Mary Mills, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Dubbele foto van Isabel Wachenheimer en haar moeder  Else Wachenheimer-Moos
Object type: photograph
Date: 1934 – 1943
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: else wachenheimer-moos, leiden, isabel wachenheimer-elon
Inscriptions: number: ‘3x 6x’

Isabel Wachenheimer en Else Wachenheimer-Moos in de openlucht.
Dode vogel
Object type: zinkplaat
Date: 1940 – 1948
Materials: zinc
Techniques: etching
Artist: jan petrus ponstijn
Artist role: draughtsman, print maker
Artist dates: 1883 – 1970
Anthology of Persian Poetry
Object type: illustrated manuscript
Date: 1401 – 1500
Materials: gold, ink, leather, paper, silver, watercolor
Techniques: bookbinding
Location: iran
Subjects: poetry,men,women,horses
Stone Jug
Object type: jug
Date: 1550 – 1458
Materials: stone
Location: egypt

The lidded jug of Egyptian alabaster was excavated by the Museum's Egyptian Expedition in 1916. It had been placed near the head of a coffin along with a number of other objects that came to the Museum when the finds were divided with the Egyptian Antiquities Service. These include two other alabaster jars (16.10.421, 16.10.423), one small ointment jar of serpentine (16.10.422), two pottery vessels (16.10.427–.428), a small ivory cosmetic box (16.10.425), and three ivory combs (16.10.428–.430)
De brand in de Amsterdamse Schouwburg, 1772
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: cornelis bogerts
Artist role: print maker
Artist dates: 1745 – 1817
Subjects: on fire, ablaze, theatre, theatrical performance
Inscriptions: collector's mark: Lugt 2228

Gezicht op het toneel met het uitbreken van de brand in de Amsterdamse Schouwburg tijdens de voorstelling op 11 mei 1772. Leden van het orkest vluchten weg uit de orkestbak. Onderdeel van een serie van vier prenten met titelprent over de brand in de Amsterdamse Schouwburg.
Teapot
Object type: teapot
Date: 1825 – 1825
Materials: earthenware
Culture: british
Location: england
Subjects: flowers
Miniature terracotta squat lekythos (oil flask) with siren
Object type: squat lekythos, miniature
Date: 467 – 435
Materials: terracotta
Culture: greek, attic
Artist: seireniske painter
Artist role: artist
Subjects: sirens

In Greek mythology, sirens, human-headed birds known for their beautiful voices, were offen associated with the afterlife, and they appear frequently in Classical Greek funerary art. In addition to their mournful depictions on grave stelai, sirens were also an appropriate decoration for a lekythos, a type of vase often connected with death and burial ritual.
Garrick and his wife
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: david garrick, vienna, london, historical persons, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228
"The Parent Bird Blinds the Prince in Revenge for the Death of her Young One", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: birds,princes

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Design for a Frieze Decorated With a Palmette and Tendrils (recto); Two Designs for a Rosette (verso)
Object type: drawing
Date: 1672 – 1725
Materials: chalk, ink
Techniques: pen
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: palmettes,flowers
Portraits of Lise Jordan, George Hendrik Breitner, Lise Jordan, Jaap Batavier, Hein Boeken, Paul Verlaine and Herman Gorter
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: historical persons (portraits and scenes from the life) - bb - woman, netherlands

Witsen was a painter, etcher, and engraver of Amsterdam city views. The writers known as De Tachtigers (Literary Movement of Eighteen Eighties) and the artists’ models Marie and Lise Jordan met in his studio. In his free time Witsen photographed his friends in a way he had cribbed from Joseph Jessurun de Mesquita, who died young. He experimented endlessly, for instance with heads filling the picture plane and seen close up. He also managed to convince the French poet Verlaine to pose in front of his camera.
Hat
Object type: hat
Date: 1810 – 1810
Materials: fiber
Culture: american
Shipwrecked Victim Thrown onto the Shore of Pourville
Object type: print
Date: 1822 – 1822
Techniques: lithograph
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Hôtel de la Monnaie, Parijs
Object type: photograph
Date: 1865 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: street (+ city(-scape) with figures, staffage), paris
Inscriptions: inscription: ‘Hotel de la Monnaie/ Pris’
Dood van Frison Seerp Adelen
Object type: print
Date: 1842 – 1843
Materials: paper
Techniques: lithograph
Subjects: violent death, being killed; being mishandled and maltreated; seeking death, fighting
Inscriptions: collector's mark: Lugt 2228

Twee mannen met zwaard en knots in gevecht. Omstanders kijken toe. Naar de roman De Roos van Dekama door Jacob van Lennep.