deem-data/ArtiFact huggingface dataset:
End of a Noh wig band
Object type: end of a noh wig band
Date: 1767 – 1800
Materials: gold leaf, silk
Techniques: embroidery, patterning
Culture: japanese
Subjects: flowers

This band, lacking red in the embroidery is used for middle-aged or elderly female roles.
Glass beaker
Object type: beaker
Date: 201 – 400
Materials: glass
Culture: roman

Colorless, with pale blue green tinge. Slightly flaring, rounded, and thickened rim; funnel-shaped body with side curving in at bottom; folded tubular foot ring; deep, pointed kick in bottom. Intact, but one small weathering hole in side; severe pitting of surface bubbles and brilliant iridescence on exterior, patches of creamy brown weathering on interior.
A Woman Fishing
Object type: drawing
Date: 1884 – 1884
Materials: crayon
Location: france
Artist: georges seurat
Artist role: artist
Artist nationality: french
Artist dates: 1859 – 1891
Subjects: women,fishing
Pendant Shaped as a Dragon
Object type: costume and accessory
Date: 1575 – 1600
Materials: enamel, gold, pearl
Culture: spanish
Location: spain
Teapot in the form of a camel
Object type: teapot
Date: 1745 – 1745
Materials: stoneware
Techniques: salt glaze
Subjects: human figures,animals
Evening at Medfield, Massachusetts
Object type: painting
Date: 1875 – 1875
Materials: canvas, oil
Culture: american
Artist: george inness
Artist role: artist
Artist nationality: american
Artist dates: 1825 – 1894
Subjects: cows,landscapes

The influence of the Barbizon style is evident in this work, which was painted shortly after Inness returned from travels in Italy and France.
Judge Herkinbald Cutting the Throat of his Nephew
Object type: print
Date: 1553 – 1553
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: bedrooms,suffering,men
Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46)
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: women,moon,trees,night

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Dunkarton here added mezzotint to describe a gruesome Old Testament subject. After the death of King Saul, his sons by his concubine Rizpah were executed by the Gibeonites, and left unburied. Their mother here protects the corpses, using a torch to ward off an approaching lion at night. The letter "H" in upper margin indicates Turner's category of Historical landscape.
Zebu, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: animals

Trade cards from the "Wild Animals of the World" series (N25), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Border
Object type: border
Date: 1840 – 1850
Materials: cotton
Subjects: flowers
Gezicht op het dorpsplein van Bourg-Saint-Andéol
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: jean jacques de boissieu
Artist role: draughtsman, print maker
Artist dates: 1736 – 1810
Subjects: city-view in general; 'veduta', ass, donkey, village square, place
Inscriptions: collector's mark: Lugt 12
Reiziger en zijn page komen de herberg binnen
Object type: print
Date: 1823 – 1869
Materials: paper
Techniques: etching, intaglio
Location: brussels
Subjects: being welcomed ~ travelling, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2165
Shield for the Field or Tournament (Targe)
Object type: shield for the field or tournament targe
Date: 1450 – 1500
Materials: gesso, iron, leather, silver, wood
Techniques: polychromy
Culture: german
Location: germany

The surface of the shield is painted with delicate foliate scrolls in silver leaf (now tarnished) on a black ground. During its working life, the shield was painted a second time with two shields bearing the arms of the Nuremberg patrician families Ketzel (on a black ground, a silver monkey holding a gold ball) and Igelbrecht (on a silver ground, a black hedgehog with three gold apples stuck on its spine). The arms may have been added in the late fifteenth century by the Ketzel family as a memorial to Heinrich Ketzel the Elder (died 1438), a citizen of Nuremberg by 1435–36, and his wife Anna Igelbrecht, who married in 1391.
Cassetta frame
Object type: frame
Date: 1590 – 1590
Materials: wood
Techniques: polish
Culture: italian
Gezicht op Victoria Tower
Object type: photograph
Date: 1864 – 1869
Materials: photographic support
Techniques: albumen print
Location: london
Artist: john harrington
Artist role: fotograaf
Subjects: tower (of house or building)
Broche van tin met kersen
Object type: brooch
Date: 1940 – 1960
Materials: tin
Techniques: casting
Location: tiel
Artist: Anonymous
Inscriptions: : ‘Handmade, Tiel, 94% tin’

Broche met bladvorm waarop een takje met twee kersen.
The G&P Series
Object type: photomechanical print
Date: 1915 – 1930
Materials: cardboard
Techniques: autotype
Location: london
Artist: Anonymous
Subjects: trees, garden, road, path
Gezelschap poseert bij rivier in Saint Jean
Object type: photograph
Date: 1912 – 1912
Materials: cardboard, photographic support
Techniques: photography
Location: french guiana
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: date

Groepsportret van een gezelschap poserend bij de rivier in Saint-Jean-du-Maroni in Frans Guyana op 20 december 1912. Onderdeel van een groep foto's van de familie Boom-Gonggrijp in Suriname.
Koorddanser Charles Blondin in het Paleis voor Volksvlijt
Object type: print
Date: 1828 – 1831
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: acrobat ~ circus
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Volksfeesten. Circusmenschen, dierentemmers, acrobaten, goochelaars, en dergelijken.
Coach #3748
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Grote Oorlog: de inspanningen en idealen van Groot-Brittannië
Object type: print
Date: 1916 – 1917
Materials: paper
Techniques: lithograph
Location: england
Artist: muirhead bone
Artist role: artist, print maker
Artist dates: 1876 – 1953
Subjects: ships (in general), harbour equipment, building-site
Inscriptions: watermark

Deze prent behoort tot de reeks 'Building Ships' binnen de serie 'The Great War: Britain’s Efforts and Ideals'.
Courant-ombrengers Nieuwjaars-Wensch (...) 1857
Object type: new year card
Date: 1856 – 1857
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: hagar and ishmael (often with bow and arrow) depart, the story of ruth, the moabitess
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens namens de ombrengers van couranten (krantenbezorgers) te Amsterdam voor het jaar 1857. Bovenaan drie vignetten aan boeken ontleend, met centraal een mythologische scène getiteld 'Het menschelijke leven', links de verstoting van Hagar en Ismaël, rechts Ruth en Naomi. Onderaan een gedicht in drie kolommen. Van de courantombrengster: wed. Martijns.
Aantekening uit collectie August Allebé
Object type: aantekening
Date: 1918 – 1918
Materials: ink
Techniques: pen, printing, writing
Location: amsterdam
Artist: Anonymous
Subjects: rijksakademie van beeldende kunsten
Glass pendant in the form of a miniature jug
Object type: pendant in the form of a miniature jug
Date: 301 – 400
Materials: glass
Culture: roman

Semi-opaque dark green, appearing opaque black; handle in same color; trail in semi-opaque pale yellow. Biconical body; broad rounded rim; short cylindrical neck with spiral ribbing; large, flat pad base, slightly pushed-in on bottom; handle applied to body over decoration, drawn out and up in a loop, and attached to rim and trailing off to one side. On body, single zigzag trail. Body intact, but large weathered chip in body; faint dulling and slight weathering. Small one-ndled glass vase; blue with light design.
Wall bracket
Object type: wall bracket
Date: 1740 – 1770
Materials: hard paste porcelain
Subjects: flowers
Covered jar (Guan)
Object type: covered jar
Date: 500 – 335
Materials: stoneware
Techniques: relief
Culture: chinese
A View on the Banks of the Thames
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs
Portret van Jean-Jacques Rousseau, gezeten op een rots in een landschap
Object type: print
Date: 1824 – 1835
Materials: paper
Techniques: engraving, etching
Subjects: scholar, philosopher, historical persons, portrait of a writer
Arenberg (Roter Hahn) Total
Object type: photograph
Date: 1907 – 1921
Materials: photographic support
Techniques: photography, writing
Location: weis
Artist: fritz wagner
Artist role: fotograaf
Subjects: city-view, and landscape with man-made constructions, church (exterior), mountains
Inscriptions: date
Effect of the setting sun
Object type: print
Materials: paper, zinc
Techniques: burnishing, drypoint, etching
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Plattegrond van het Escorial
Object type: album leaf
Date: 1665 – 1706
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: plan ~ architecture

Eerste staat gebruikt in: J. Blaeus Grooten Atlas, oft Werelt- Beschryving, in welcke 't Aerdryck, de Zee, en Hemel, wort vertoont en beschreven. Deel 8 getiteld: Achste stvck der Aerdrycks-Beschryving welck vervat Spaenjen, Africa en America, Amsterdam: Johannes Willemszoon Blaeu, 1665.
The Horse Armoury in the Tower
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: soldiers,armor,men,women,horses
Figuren bij een doorgang
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: vestibule, hall

Op de achtergrond is een aansluitende ruimte met figuren te zien. Blad 12 recto uit een schetsboek met 36 bladen.
Scorpion Amulet (?)
Object type: amulet, scorpion
Date: 1802 – 1450
Materials: faience
Location: egypt
Subjects: scorpions
Souvenir du Japon vues d'après nature avec texte par le comte de Lijnden
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: chromolithography
Location: the hague
Subjects: temple, shrine ~ non-christian religions, japan

Gezicht op de Gozinzie tempel bij D'jnassa. Op de voorgrond staan Japanners en Hollanders.
Vase with cover
Object type: vase with cover
Date: 1634 – 1666
Materials: enamel, gold, quartz
Artist: imperial court workshop, prague
Artist role: maker
Subjects: birds
Water jar
Object type: water jar
Date: 1644 – 1911
Materials: jade
Culture: chinese
Subjects: leaves
Studie van een oude man
Object type: print
Date: 1837 – 1880
Materials: paper
Techniques: etching
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: habit, frock, monk(s), friar(s), old man, beard
Inscriptions: collector's mark: Lugt 2228

Studie van een bebaarde oude man, mogelijk een monnik in een habijt.
[Mary Hillier]
Object type: photograph
Date: 1864 – 1866
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: portraits,profiles,women
Ornamentrand
Object type: print
Date: 1500 – 1599
Materials: paper
Techniques: engraving
Location: italy
Artist: monogrammist f (italië)
Artist role: print maker
Subjects: foliage ~ ornament - aa - stylized
Inscriptions: collector's mark: Lugt 2228

Fries met moresken in een gesp-achtige vorm. Daartussen bevinden zich arabesken.
Oerwoud van Ceylon
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: chalk, paper, watercolor
Techniques: brush
Location: sri lanka
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: jungle, sri lanka
Inscriptions: monogram: ‘MB’

Pagina 4 uit een schetsboek met 20 bladen.
Lontslotmusket
Object type: matchlock rifle
Date: 1638 – 1638
Materials: iron, wood
Location: netherlands
Artist: Anonymous
Subjects: low countries
Inscriptions: date: ‘1638’

Musket, probably made in the Netherlands, 1638.
Titelblad en 11 bladen van "Architectura und Aufstheilung der V Senln (...)" 1593
Object type: ornament print
Date: 1560 – 1598
Materials: paper
Techniques: etching
Location: germany

Links bedient een man de zwengel, rechts loopt een vrouw weg met een watervat op haar hoofd. Linksboven is de plattegrond van de pomp getekend. Eén van 20 bladen uit een serie (Architectura. Von Ausztheilung, Symmetria und Proportion der fünff Seulen...) bestaande uit 193 bladen en 5 titelbladen, verdeeld over vijf boeken. Het gaat hier om een tweede, uitgebreide editie van de onder Orn Cat I-319 beschreven serie.
Mummy Cloth Fragment of Djedptahefankh
Object type: cloth, linen, blue and red dye, fringed, djedptahefankh, mummy cloth
Date: 1070 – 945
Materials: linen
Location: upper egypt, thebes
Swallow Dicaeum, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Large trade cards from the "Song Birds of the World" series (N42), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N42 reproduces the cards from N23 in a larger size.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, meander with cross squares
A Peasant Leading his Horse on the Outskirts of a Wood
Object type: drawing
Date: 1761 – 1842
Materials: gold, gouache, graphite
Artist: pieter barbiers ii
Artist role: artist
Artist nationality: dutch
Artist dates: 1749 – 1842
Subjects: men,dogs,horses,trees

At the edge of a forest, a man is leading his horse towards a waterfront. With his head turned and left arm outstretched, the man at the same time seems to be commanding his dog. These figures are nearly dwarfed by the two majestic, age-old trees rising to their side. The viewer’s gaze then continues to the wide open landscape, unfolding in the left background, where some lilac clouds are coloring the blue sky. In the far distance, Barbiers depicted high hills that are completely alien to the Dutch countryside. Pieter Barbiers was a member of a family of artists, working in Amsterdam. He started off as a painter of wall hangings - large ensembles of arcadian landscapes, used to decorate a drawing room. When around 1800 the interest in this art form started to wane, Barbiers directed his focus to making drawings, paintings and prints of landscapes. These rustic scenes, and specifically painterly sheets like the one shown here, were in high demand among contemporary collectors. It is unlikely that this landscape was based on direct observation, but rather came together in the artist’s studio. Barbiers would likely have used some sketches and figure studies which he assembled to make this highly finished sheet. After drawing a preliminary sketch in black chalk, the artist carefully applied various layers of gouache. The complexity of their layering is apparent for example in the bark of the tree to the right, which is constructed out of numerous dashes of gray, brown and blueish-green to articulate its various textures. The finishing touches were some additions of white that make this tree and its undergrowth stand out in the foreground.
Lila Dana, from the Actors and Actresses series (N45, Type 3) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 3), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Card 324, Aimi Gloryprint, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,women,actors,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van de heer Marchetti
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: italy
Artist: f. perrin
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

De prent is voorzien van een imitatieplaatrand.
Portret van Willem Dubbelens
Object type: print
Date: 1739 – 1774
Materials: paper
Techniques: mezzotint
Artist: pieter anthony wakkerdak
Artist role: print maker
Artist dates: 1729 – 1774
Subjects: portrait, self-portrait of sculptor, historical persons, tools, implements of sculptor
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Op hetzelfde opzetvel van deze prent is een tweede blad bevestigd met een beschrijving van de tekst die op de latere staat van de prent is gebruikt.
Portret van Virginie Déjazet
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: france
Artist: j. tourtin (lainé)
Artist role: fotograaf
Subjects: portrait of actor, actress
Inscriptions: number: ‘No 72’, inscription: ‘Journal hebdomadaire paraissant le jeudi Du 1er au 7 Octobre 1874’
Christus voor Annas
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: christ before annas (hanna); maybe a soldier about to strike christ (john 18:13, 18:19-24)
Inscriptions: collector's mark: Lugt 2228

Christus wordt door gewapende soldaten voor de hogepriester Annas geleid. Eén van de soldaten staat op het punt Christus in het gezicht te slaan.
Silhouetportretten van W. Spiering, P. van Nievelt, J.H. Elsevier, J. Schiphorst, V.W. van Hompesch en L.F. de Pasque
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: kapitein, l.f. de pasque, v.w. van hompesch, j. schiphorst, j.h. elsevier, majoor, p. van nievelt, kolonel, w. spiering, beleg van willemstad
Inscriptions: collector's mark: Lugt 2228

Prent uit: Oldenborgh, Pieter van. De belegering en verdediging van de Willemstad, in maart MDCCXCIII. Amsterdam: Johannes Allart, Dordrecht: Abraham en Pieter Blussé, 1793.
Juno, Mars and Cupid, set within an elaborate frame, from "Loves, Rages and Jealousies of Juno"
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: animals,cupid,juno,mars
Miseries of High Life
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women
The Peasant Attacked by Bees, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

Jacques Callot excelled at integrating colorful, often lowbrow details into his elegant etchings. His humorous series The Caprices includes snippets from the daily life of soldiers and peasants alike.
Vrouwen gekleed in badpak voor een decor met een zeegezicht
Object type: stereograph
Date: 1858 – 1870
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: set, scenery ~ stage
Inscriptions: inscription: ‘Cg/70’, inscription: ‘No 54’, inscription: ‘9’
Brief aan anoniem
Object type: letter
Date: 1842 – 1842
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: jan adam kruseman
Artist role: draughtsman, painter, print maker
Artist dates: 1804 – 1862
Subjects: paris, print maker, draughtsman, benoit taurel, martinus gerardus tetar van elven, painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life), brussels
Inscriptions: watermark
Portret van Jacobus Arminius
Object type: print
Date: 1696 – 1704
Materials: paper
Techniques: engraving, etching
Subjects: leiden
Inscriptions: collector's mark: Lugt 2228, inscription: ‘gebooren Oudewater 1560-1609’

Prent gebruikt voor: Brandt, Geeraert. Historie der Reformatie (...). 4 dln. Amsterdam: Jan Rieuwertsz., Hendrik en Dirk Boom, 1671-1704, dl. 2, p. 86.
Military suit
Object type: military suit
Date: 1862 – 1862
Materials: metal, wool
Culture: american
Artist: ware, pratt & company
Artist role: manufacturer
Artist nationality: american