deem-data/ArtiFact huggingface dataset:
Vases Nouveaux
Object type: print
Date: 1745 – 1775
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: flowers, vase ~ ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een geornamenteerde vaas met bloemen rondom.
Album Photographie
Object type: photograph album
Date: 1856 – 1856
Materials: cardboard, leather, paper
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Horse hooves to right; behind the horse, part of a draped male to right?; below, a leftward meander
Allegorie waarin Willem V zijn propositie aan de Staten geeft, 1793
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: the hague, william v (prince of orange), violent death ~ maltreatment, torture, grave-building, monumental tomb, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Allegorie waarin stadhouder Willem V zijn propositie aan de drie vertegenwoordigers van de Staten-Generaal geeft, 28 februari 1793. Stadhouder Willem V staat, vergezeld door twee jongens (zijn zoons), bij de graftombe van Willem van Oranje. Links bestrijdt Vader Tijd het monster van de Laster, rechts een monument met portretten van de voorgangers van Willem V. Op de achtergrond moordpartijen aangericht onder de Nederlanders door de Fransen onder het mom van Vrijheid en Gelijkheid. Op het blad onder de plaat een verklaring van de voorstelling.
“Crab” Inkstand
Object type: metalwork
Date: 1905 – 1905
Materials: bronze, glass, shell
Techniques: casting
Location: corona
Artist: tiffany studios
Artist role: maker
Artist nationality: american
Artist dates: 1902 – 1932
Subjects: crabs, shells
Inscriptions: Struck, bottom, top-middle: Tiffany Studios / New York / 856/11
Earth, from The Four Elements
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: belgium
Artist: philip galle
Artist nationality: flemish
Artist dates: 1537 – 1612
Inscriptions: Lettered lower left: "PGalle Fe. / 1564" and below image: "Claudit Hyems ... illa globo. Had. Iun."
Head of a Grotesque Wearing Wreath
Object type: sculpture
Date: 200 – 1
Materials: terracotta
Culture: greek
Location: greece
Gezicht op het huis van de firma P.G.C. Hajenius
Object type: print
Date: 1914 – 1950
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', façade (of house or building)
Inscriptions: signature: ‘Gre[...]Jr’, collector's mark: ‘7’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Dam (na 1835).
Gezicht op een laan van een buitenplaats, mogelijk Starrenburg
Object type: drawing
Date: 1775 – 1825
Materials: paper, watercolor
Techniques: brush
Artist: dirk abraham clemens
Artist role: draughtsman
Subjects: lane, alley, country-house
Inscriptions: stamp, collector's mark: Lugt 1641

Rechts de voorgevel van een buitenplaats, mogelijk Starrenburg in de Diemermeer. Op het voorplein diverse wandelaars en tuinlieden. Vanuit het voorplein kijkt men in een brede laan met aan weerszijden decoratieve perken en hoge geschoren hagen waarlangs bomen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Oude Nederlandsche Tuinkunst. De kasteeltuin.
Saint Anthony of Padua Healing a Sick Man (recto); Partial Figural Studies Based on the Composition on the Recto (verso)
Object type: drawing
Date: 1590 – 1600
Materials: chalk, ink
Techniques: pen
Artist: tiberio titi
Artist role: artist
Artist nationality: italian
Artist dates: 1573 – 1622
Subjects: saint anthony,crowd

Philip Pouncey first noted in 1965 that this drawing might be a copy after Santi di Tito (as annotated on the verso of this sheet). As pointed out by Carmen Bambach, the Metropolitan's sheet seems to be a very closely related copy of the drawing with Saint Anthony of Padua healing a sick man (Teyler Museum B 71, Haarlem), attributed to the Circle of Santi di Tito by Carel van Tuyll van Serooskerken. This is probably a copy done in Santi di Tito's workshop because the handling of the pen seems close enough to his general manner. The Teyler sheet is discussed and illustrated in Carel van Tuyll van Serooskerken, The Italian Drawings of the Fifteenth and Sixteenth Centuries in the Teyler Museum, Haarlem, 2000, p. 166, cat. 100. The author of the Metropolitan drawing is more probably Tiberio Titi, the son of the more famous painter, Santi di Tito (Borgo Sansepolcro 1536 - 1692 Florence), as proposed by Carmen Bambach. The abbreviated facial notations are extremely characteristic of Tiberio's draftsmanship and can be seen in Tiberio's study for the Birth of the Virgin (Istituto Nazionale per la Grafica di Roma, FC 127645). Although van Tuyll connects the Teyler sheet to the painting of St. Francis da Paola Healing a Cripple (S. Giuseppe, Florence), this drawing and the Metropolitan sheet do not convincingly relate to this altarpiece. The architectural setting and perspective are more complex and confused in the pen and ink designs as opposed to the more unifed, monolithic background in the painting. In addition, the figural arrangement in both sheets also reads with a greater naturalistic simplicity. Furthermore, the orientation of both drawings is in the reverse direction.
Portret van Albert van Saksen-Coburg en Gotha
Object type: page
Date: 1877 – 1887
Materials: paper
Techniques: woodburytype
Location: brighton
Subjects: albert (prins van saksen-coburg en gotha), adult man
Inscriptions: name
Dress
Object type: dress
Date: 1855 – 1860
Materials: wool
Culture: american
Schuimspaan met ovaal blad en steel met ring
Object type: skimmer
Date: 1700 – 1799
Materials: copper, metal
Location: amsterdam
Artist: Anonymous

Schuimspaan met ovaal blad en steel van blok, eindigend in een koperen ring.
Canopic Coffin in the form of Qebehsenuef
Object type: canopic coffin, qebehsenuef
Date: 924 – 889
Materials: paint, plaster, wood
Location: egypt
William Swanson, matroos, 1944
Object type: photograph
Date: 1944 – 1944
Materials: photographic support
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: william swanson
Inscriptions: inscription: ‘PHOTOFRAME / T.M. REG U.S. PSAT. OFF. / PATENT PENDING / Taken by the Photomatic / T.M. REG. U.S. PSAT. OFF. / SEE PATENTS LISTED ON / OUR DAYLIGHT LOADING MAGAZINE / MADE IN U.S.A. / INTERNATIONAL MUTOSCOPE / CORPORATION / NEW YORK CITY’, inscription: ‘Buffalo October 5, 1944’

Photomatic, portret zonder hoofddeksel naar links.
Upper part of a marble torso of a man
Object type: torso of a youth, upper part
Materials: marble
Culture: roman
Subjects: men

The figure wears a short cloak over his left shoulder.
Te atua (The God), from the Suite of Late Wood-Block Prints
Object type: print
Date: 1898 – 1899
Materials: ink, ivory, paper
Techniques: woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Monogrammed upper center, in image, in reverse: "P G"
Voorwerpen voor natuurkundig onderzoek
Object type: book illustration
Date: 1759 – 1759
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: physics (+ tools, instruments; laboratory equipment ~ scientific research)
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Nollet, Jean Antoine. Natuurkundige lessen, door proefneemingen bevestigd, eerste deel. Amsterdam: Kornelis van Tongerlo, 1759.
Portret van Hermanus van Loon
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: print maker, harmanus van loon, weapons (+ artillery)
Inscriptions: collector's mark: Lugt 2228

Portret van Hermanus van Loon, Franse officier en secretaris van de criminele rechtbank te Antwerpen. Hij draagt een steek op het hoofd en steunt met zijn rechterarm op een halfhoge muur. Onder het portret de titel en een vignet met een kanon en trommels.
Portret van Ferdinand Maria van Savoye-Carignano
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: engraving, etching
Location: milan
Subjects: prince, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Jérusalem, Saint-Sépulcre, Bas-relief (porte murée)
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: sculpture,architecture
Tafel met rond blad, met vier bloemen
Object type: table
Date: 1800 – 1849
Materials: iron
Location: amsterdam
Artist: Anonymous

Tafel met rond blad, met vier bloemen in elke kwart van het tafelblad.
Bottle with floral scrolls
Object type: bottle
Date: 1667 – 1733
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers
Border (Furnishing)
Object type: textile
Date: 1601 – 1650
Materials: lace, linen
Techniques: lace
Location: italy
Plate 7, Featuring 10 Coins Issued by European Princes in the 16th and 17th centuries, from "Les Monnaies" (The Currencies)
Object type: print
Date: 1630 – 1630
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: coins

The series depicts coins issued by European Princes, primarily from Germany and Italy, in the 16th and 17th centuries. This plate shows the front and back of 10 coins. These coins feature portraits European princes or emblems and are linked by a cartouche with the inscription "AR" (argentum).
Tol en Teijlingerlaan, - Sassenheim
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: velsen
Subjects: toll gate, street
Gezicht op Baden over de rivier de Limmat
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Location: switzerland
Artist: Anonymous
Subjects: city-view in general; 'veduta', river
Hel en vagevuur (deel linksonder)
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: engraving
Location: florence
Subjects: cosimo ii de' medici, vice, and the seven deadly sins, hell divided into compartments, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Vierde deel (linksonder) van een voorstelling van de hel als een omheinde, trapsgewijs opgebouwde piramide, met helemaal bovenaan Satan die zielen van zondaars verslindt, en op de lagen onder hem vele verdoemden die door duivelse wezens en vuurhaarden gepijnigd worden. In de hoek linksonder buiten de piramide: duivels die per boot nieuwe zielen aanvoeren. Her en der in de voorstelling verklarende teksten in het Latijn, o.a. van verschillende zonden. Onder de voorstelling (een deel van) het wapen van de Medici en een omkaderde tekst in het Italiaans.
He Falls Head Foremost Into the Abyss, plate 17 of 24
Object type: print
Date: 1896 – 1896
Materials: chine, ink, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Gandria vanaf de boot
Object type: photograph
Date: 1934 – 1934
Materials: photographic support
Techniques: gelatin silver print
Location: lake lugano
Artist: Anonymous
Subjects: city-view in general; 'veduta', lake
Inscriptions: number: ‘45’
Gezicht op Delfshaven vanaf het water
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: etching, intaglio
Artist: jean théodore joseph linnig
Artist role: draughtsman, print maker
Artist dates: 1815 – 1891
Subjects: warehouse (~ harbour), sailing-ship, sailing-boat, canals, waters (in city), delfshaven
Inscriptions: collector's mark: Lugt 2228
Belt hook in the shape of a dragon
Object type: belt hook
Date: 300 – 101
Materials: gilt bronze
Culture: north chinese

Belt hooks, possibly inspired by nomadic cultures of the steppes, were not merely a practical garment fastener but also an important means of asserting social standing. The exquisitely cast dragon and luxurious gilding of this accessory communicate the prominent status of the owner.
Suijin Shrine and Massaki on the Sumida River (Sumidagawa Suijin no mori Massaki), No.35 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Saucer (soucoupe)
Object type: saucer
Date: 1783 – 1783
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Jan de Wasscher / Jean-fait-tout
Object type: print
Date: 1800 – 1833
Materials: paper
Techniques: letterpress printing
Location: turnhout
Subjects: hen-pecked husband, 'betty', 'molly' (man who engages in women's work)
Inscriptions: collector's mark

Blad met 24 voorstellingen uit het leven van Jan de Wasser, een man die van zijn vrouw Griet, die de broek aan heeft, al het huishoudelijk werk moet doen. Onder elke voorstelling een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: n. 123.
David: Title Page for Talon, L'Histoire sainte, III
Object type: print
Date: 1645 – 1645
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: men,david
Acanthus Scroll with Rosette
Object type: drawing
Date: 1601 – 1700
Materials: graphite
Techniques: brush, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: acanthus
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, copper alloy, gold, silver
Culture: japanese
Location: japan
Subjects: trees
Yashoda with the Infant Krishna
Object type: figure
Date: 1101 – 1133
Materials: copper alloy
Culture: indian
Subjects: mothers,krishna,nursing

This tender image of maternal affection depicts the child Krishna being nursed by his foster mother, Yashoda. In infancy Krishna had been hidden from the murderous king Kamsa of Mathura to be raised in safety by foster parents. In the repertoire of South Indian processional bronzes cast during the Chola period, this subject is rarely represented. The sophisticated modeling, casting, and tooling link this work to Chola bronzes of the late eleventh and twelfth centuries.
Portrait of Guillaume Coustou
Object type: print
Date: 1770 – 1770
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: men,portraits
Coupon van weerschijntafzijde in paars-groen
Object type: coupon
Date: 1900 – 1950
Materials: silk, textile
Techniques: weave
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Metrage parapluiezijde. Van weerschijntafzijde in paars/groen.
Eskimo family on the Kuskokwim River, Alaska (civilized)
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: alaska
Subjects: indigenous peoples of the arctic regions: yupik, anonymous historical persons portrayed in a group, in a group-portrait
De twaalf maanden
Object type: print
Date: 1698 – 1702
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: landscape symbolizing december, december; 'decembre' (ripa), december and its 'labours', slaughtered ox or pig, piglet, suckling pig, butcher, slaughterman, capricorn (zodiacal sign of december)
Inscriptions: collector's mark: Lugt 2228

De maand december. Op de voorgrond een slager die een varken over zijn knie legt om het te slachten. Op de achtergrond wordt een varken opengesneden en opgehangen. De prent heeft een Duits onderschrift van vier regels over de maand december.
Kaart van het beleg van Gennep, 1641
Object type: history print
Date: 1651 – 1652
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: delft, frederick henry (prince of orange), maps of separate countries or regions, siege, position war

Kaart van Gennep met het Huis te Gennep en omgeving, belegerd en veroverd door het Staatse leger onder Frederik Hendrik, 6 juni - 27 juli 1641. Met de circumvallatielinie van de belegeraars en de hun legerkampen. Linksonderaan twee soldaten bij de cartouche met de titel. Rechtsboven gemerkt: Twede Deel Fol 103.
Bonnet
Object type: bonnet
Date: 1850 – 1850
Materials: silk
Culture: british
“Meeting Him at the Treshold of the House, said 'Come in, thou blessed of the Lord.'”
Object type: reproduction
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Subjects: print, e.g.: engraving, etching, lithograph, angels

Illustratie betreft Christen voor de enge poort met vier vrouwen ervoor.
Eva (Duomo di Milano)
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: milan
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: eve (not in biblical context), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘Milaan : Dom : Eva’, number: ‘No. 919’
Une route de campagne en hiver
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: low hill country, road, path, winter landscape; landscape symbolizing winter (the four seasons of the year)
Boss
Object type: bos
Date: 900 – 801
Materials: bronze
Culture: iranian
Location: iran
Tetradrachm (Coin) Portraying Biga with Mules
Object type: coin
Date: 484 – 476
Materials: metal, silver
Culture: greek
Location: greece
Subjects: chariots

The official record of quadrennial games honoring the supreme Greek god Zeus at a sanctuary dedicated to him at Olympia began in 776 BC. With few interruptions, they took place every four years for about 1,100 years. In AD 394, the Christian emperor Theodosius I (r. 379–95) abolished them as pagan rites.
The most prestigious competition remained the footrace, but eventually it was supplanted in popularity by the horse races. Horses were symbols of socioeconomic status, since only the privileged could afford to buy, feed, and train them and transport their teams and trainers to Olympia every four years. In time, many of the victors in the horse races included kings and tyrants.
Anaxilas, tyrant of Messana and Rhegium, minted this coin to celebrate the victory of his two-mule chariot team in either 484 or 480 BC.
The Birth of John the Baptist
Object type: light window
Date: 1540 – 1540
Materials: glass, lead, pigment
Techniques: leading
Location: southern netherlands
Artist: Anonymous
Subjects: birth of john the baptist, sometimes mary present, naming of john the baptist; zacharias writing john's name

Ronde gebrandschilderde ruit met een voorstelling van de Geboorte van Johannes de Doper. Elisabeth zit met opgetrokken knieën in het kraambed, in de rug gesteund door kussens. De meubels waarmee het vertrek is ingericht zijn uitgevoerd in gefantaseerde renaissancevormen en -ornament. Aan het voeteneinde staat een tafel met een kan, een mand brood en een mes. Een dienstmaagd geeft haar pap uit een kom. Maria zit op de grond bij het vuur met Johannes op schoot. Een bezoekster kijkt toe, zittend in gedraaide houding op een stoel. Links in de doorgang zit Zacharias, de van zijn spraakvermogen beroofde vader van Johannes, aan een lessenaar.
Bad Pyrmont. Bomberg-Allee
Object type: photograph
Date: 1929 – 1929
Materials: photographic support
Techniques: gelatin silver print
Location: eifel
Artist: Anonymous
Subjects: trees, street
Inscriptions: date
Rechthoekige doos van karton met los deksel en grijs schuimrubber
Object type: box
Date: 2010 – 2010
Materials: cardboard, rubber
Location: germany
Artist: iris bodemer
Artist role: designer
Artist dates: 1970 – 
Inscriptions: number: ‘08-024’, name: ‘IRIS BODEMER’
A Lock, a Column, and a Church beside a Lagoon
Object type: painting
Date: 1717 – 1768
Materials: canvas, oil
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
Subjects: columns,churches,venice

In addition to views of real sites, Canaletto painted imaginary ones (he called them “ideal views”). Many date to the early 1740s, when he visited mainland Venice with his nephew Bernardo Bellotto, who also excelled at view painting. The originality of these paintings resides in their abstract design, quality of light, and combination of buildings. Unlike in Canaletto’s conventional views, none of the churches, columns, or other structures can be identified.
Emmerbaggermolen in de Nijl
Object type: stereograph
Date: 1909 – 1935
Materials: paper
Techniques: gelatin silver print
Location: cairo
Artist: Anonymous
Subjects: ships (in general)
Inscriptions: number: ‘101’
Park met water en bomen
Object type: print
Date: 1929 – 1929
Materials: paper
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: park, river
Inscriptions: collector's mark: Lugt 2228, stamp: Lugt 2362b
Aanval van de Britten op Lemmer, 1799
Object type: print
Date: 1800 – 1802
Materials: paper
Techniques: engraving, etching
Location: den helder
Subjects: windmill, battle (+ sailing-ships)
Inscriptions: collector's mark: Lugt 240

Gebruikt als illustratie in: L.C. Vonk. Geschiedenis der landing van het Engelsch-Russisch leger in Noord-Holland; alsmede der krijgsbedrijven en politieke gebeurtenissen, zoo aldaar, als in Vriesland en Gelderland, in den jare 1799. Haarlem: François Bohn, 2 dln, 1801-1802.
Optocht van koning Willem I over het Koningsplein te Brussel op 21 september 1815
Object type: print
Date: 1825 – 1826
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: brussels
Subjects: the hague, berlin, william i of the netherlands, ceremonial procession, parade, pageant ~ installation of a ruler, brussels
Inscriptions: workshop stamp: ‘JLVB’, collector's mark: Lugt 2228

Optocht van koning Willem I na de inhuldiging op het Koningsplein bij de kerk Sint-Jacob-op-Koudenberg te Brussel op 21 september 1815. De koning lopend in de stoet onder een baldakijn. Onderaan het wapen van koning Willem I. Onderdeel van een serie platen van de aankomst en inhuldiging van Willem I in Brussel.
Grand buffet de Salle à coins ronds
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Een lage buffetkast geornamenteerd met jachttaferelen. Prent uit 11e Livraison.
Architectural project for door
Object type: drawing
Date: 1700 – 1780
Materials: ink, drawing material
Techniques: pen
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Brief aan Jan Veth
Object type: letter
Date: 1923 – 1923
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: dordrecht, designer, jan veth, utrecht, johanna henriëtte besier, amsterdam, painter, print maker, draughtsman, willem witsen, jan van wijk (1890-1923), diseases
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of a kylix: Lip cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Exterior, in the handle zone, leg of a male to left; tendrils from a palmette; below, black glaze
Geweer van de VOC met wapen van Amsterdam
Object type: flintlock pistol
Date: 1725 – 1798
Materials: copper, iron, wood
Location: amsterdam
Artist: solingen
Subjects: amsterdam

Geweer met vuursteenslot van de VOC en het wapen van Amsterdam. De laadstok is van ijzer.