deem-data/ArtiFact huggingface dataset:
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring
Object type: tapestry
Date: 1515 – 1515
Materials: silk, wool
Artist: bernard van orley
Artist role: designer
Artist nationality: netherlandish
Artist dates: 1492 – 1542
Subjects: men,women,working

This is the first of a set of four tapestries illustrating the life of a man as divided into twelve periods of six years. Venus, in the center, stands for the springtime of life; the symbols and occupations of three months, January, February, and March, represent the years from birth to eighteen. The stories show Moses, as a child, choosing a burning coal instead of a piece of gold; a Roman boy, Papirius, explaining to the Senators how he had tricked his mother in order to conceal their secrets; and the youthful Alexander astonishing the Persian ambassadors by his shrewdness.
Man aangesproken door een man vanuit de hemel
Object type: page
Date: 1796 – 1796
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: london
Subjects: adult man
Inscriptions: : ‘What, night eternal-but a frown from thee ?(...)’

Prent maakt deel uit van een boek, bladzijde 80. Tekst in het Engels op het recto en verso.
Portret van een man
Object type: photograph
Date: 1879 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: friedrich julius von kolkow
Artist role: fotograaf
Artist dates: 1839 – 1914
Subjects: historical persons
Inscriptions: inscription: ‘Philadelphia 1876/ 1879/ Fr. Jul. von Kolkow/ Hof-Photograph/ Z.K.H. Prins Hendrik der Nederlanden/ Groningen’
Portret van Johann Marcus Goebel
Object type: print
Date: 1710 – 1745
Materials: paper
Techniques: mezzotint
Artist: georg kilian
Artist role: print maker
Artist dates: 1683 – 1745
Subjects: trees: palm-tree (+ branch, stick), historical persons, book
Inscriptions: collector's mark: Lugt 2228
Portret van Francesco Primaticcio
Object type: print
Date: 1568 – 1650
Materials: paper
Techniques: letterpress printing
Artist: cristoforo coriolano
Artist role: print maker
Artist dates: 1540 – 1610
Subjects: paris, painter, draughtsman, sculptor, francesco primaticcio, historical persons, portrait, self-portrait of artist

Prent komt uit een editie van Vasari's 'Vite'. Prent met een andere omlijsting is gebruikt in de editie uit 1568: Vasari, Giorgio. Le vite de' piu eccellenti pittori scultori, e architettori. Florence: Filippo Giunta, 1568. En mogelijk in de editie uit 1647.
Knife
Object type: knife
Date: 1769 – 1770
Materials: silver gilt, steel
Artist: nicolas collier
Artist role: maker
Artist dates: 1733 – 1833
Length
Object type: length
Date: 1830 – 1830
Materials: cotton
Subjects: flowers
Frontispiece - Yvette Guilbert before the Prompter's Box
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: women
Sampler
Object type: sampler
Date: 1801 – 1900
Techniques: embroidery
Gezicht op een rivier met daaraan gebouwen en een schoorsteen
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Location: berlin
Artist: Anonymous
Subjects: canals, waters (in city)
Inscriptions: inscription: ‘Rathenower optische Industrie-Anstalt/ vorm. Emil Busch (...)’
Le grand tank
Object type: page
Date: 1889 – 1889
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: ruin of a building ~ architecture
Inscriptions: number: ‘18’
Tandradspoorweg en spoorbrug in de Anaikloof op Sumatra
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: funicular railway, landscape with bridge, viaduct or aqueduct, ravine, chasm, abyss, canyon, railway, train, sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Tile
Object type: tile
Techniques: glazing
Subjects: men
Aankomst van Maria de' Medici in Haarlem
Object type: book illustration
Date: 1639 – 1639
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: cologne, print maker, maria de' medici, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', haarlem

Maria de' Medici arriveert op de Markt in Haarlem. Ze is uit haar rijtuig gestapt en een man maakt een buiging voor haar. Daaromheen verschillende mannen met fakkels. De prent maakt deel uit van een boek over het bezoek van Maria de' Medici aan de Nederlanden.
Actress in profile, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Leeuw kijkt omhoog
Object type: book illustration
Date: 1729 – 1729
Materials: paper
Techniques: etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2165

Prent ook als illustratie gebruikt in: Recueil de lions, dessinez d'après nature par divers maitres. Amsterdam: Bernard Picart, 1729.
Bowl
Object type: bowl
Date: 1101 – 1300
Materials: stonepaste
Techniques: painting, underglaze
Location: syria
Subjects: mythical creatures
Pioenroos (Paeonia)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: peony

Pioenrozen. Genummerd rechtsboven: 227. Rechts de naam in zeven talen. Onderdeel van het derde album met tekeningen van bloemen en planten. Tiende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Design for Wall Paneling, Deepdene, Dorking, Surrey
Object type: drawing ornament architecture
Date: 1875 – 1879
Materials: watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: doors
Harfleur
Object type: print
Date: 1903 – 1903
Materials: board, paper
Techniques: etching
Location: scotland
Artist: david young cameron
Artist role: draughtsman, print maker
Artist nationality: scottish
Artist dates: 1865 – 1945
The Sacrifice of Isaac
Object type: painting
Materials: canvas, oil
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Subjects: knives,angels,abraham

An angel keeps Abraham from sacrificing his son Issac, as God had commanded him to do as a test of his faithfulness. The loose paint handling and daring composition of this painting are very similar to works by his father Giovanni Battista Tiepolo. It was probably painted when both artists worked together on the decoration of the Residenz at Würzburg.
Portret van Johan Adam Kulmus
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: breslau, danzig, medicus, anatoom, johan adam kulmus
Inscriptions: collector's mark: Lugt 240

Portret ten halven lijve naar links van Johan Adam Kulmus in een ovaal. Onderaan een wapen en een vierregelige tekst in het Latijn.
Figure: Female (Neganou)
Object type: figure
Date: 1801 – 1900
Materials: wood
Culture: bidjogo peoples
Location: guinea bissau
Subjects: female nudes
Circumcision
Object type: print
Date: 1590 – 1590
Techniques: engraving
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Subjects: christ,circumcision

This engraving is one of 13 plates from the series, Salus generis humani (Salvation of Mankind), engraved by the Netherlandish printmaker Aegidius Sadeler. Made in 1590, the engravings feature scenes from the Life of Christ after designs by Hans von Aachen. The central compositions are surrounded by emblematic borders, whose designs originate from illuminations in the missal (Missale romanum) made by Joris Hoefnagel in 1581–90 for Ferdinand II, Archduke of Austria, now in the Austrian National Library in Vienna.
Inname van Bergen op Zoom in 1747
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, siege, position war, bergen op zoom
Inscriptions: collector's mark: Lugt 2228

Inname van Bergen op Zoom door het Franse leger onder maarschalk Lowendal, 16 september 1747. Lowendal te paard tussen enkele officieren, op de achtergrond de bestorming van de muren van de stad. In het onderschrift een lange beschrijving van de loopbaan van de maarschalk tot aan zijn dood in 1755, in twee kolommen in het Frans. Gemerkt linksboven: B. en rechtsboven: No. 6.
Monkey
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Artist: mori sosen
Artist role: artist
Artist nationality: japanese
Artist dates: 1747 – 1821
Subjects: monkeys
Bowl
Object type: bowl
Date: 1701 – 1800
Materials: stonepaste
Location: iran
Subjects: birds
Portret van Wilhelmina, koningin der Nederlanden
Object type: print
Date: 1882 – 1903
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic
Gezicht op Battak Kampong Roemah Kinangkang, Sumatra (Battak Kampong Roemah Kinangkang)
Object type: photograph
Date: 1885 – 1900
Materials: photographic support
Techniques: collodion silver print
Location: sumatra
Artist: carl j. kleingrothe
Artist role: fotograaf
Artist dates: 1864 – 1925
Subjects: sumatra

Enkele inwoners van het Batakdorp Roemahkiwangkoeng in Boven-Deli in de Oostkust van Sumatra poseren op rotsen in een rivier. Onderdeel van het Sumatra fotoalbum van Paul en Lucie Sandel uit 1900.
A Great Grey Shrike
Object type: drawing
Materials: paint, watercolor
Artist: pieter holsteyn (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1614 – 1673
Subjects: birds
Schouwburg met toneeldecor: Zonnehof
Object type: print
Date: 1738 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre, theatrical performance, stage design
Inscriptions: collector's mark: Lugt 2228

Toneelvoorstelling in de Amsterdamse Schouwburg op de Keizersgracht met het coulissendecor Zonnehof met scène uit: Het eeuwgetijde van den Amsteldamschen Schouwburg. Het decor gedrukt van een aparte plaat binnen een nieuw passe-partout met de zaal, orkestbak en de façade van het toneel met zuilen en kroonluchters. De titel en een vierregelig vers ook gedrukt van een aparte plaat. Onderdeel van een latere uitgave van de serie van 12 toneeldecors.
Wijding der St. Thomas-kerk te Utrecht
Object type: history print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: inauguration, consecration of person(s) ~ church

De wijding van de Sint-Thomaskerk te Utrecht, 7e eeuw. Een groep mensen verzameld buiten de kerk voor de ceremonie. Onderdeel van de groep staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti et Amicitiae.
Cuxa Cloister
Object type: cloister
Date: 1130 – 1140
Materials: marble
Culture: catalan
Location: france

The Benedictine monastery of Saint-Michel-de-Cuxa, located at the foot of Mount Canigou in the northeast Pyrenees, was founded in 878. In 1791, Cuxa's monks departed in the wake of the French Revolution, and much of the monastery's stonework was subsequently dispersed. The monastery's cloister, built during the twelfth century, originally measured some 156 by 128 feet, or approximately twice its current size at The Cloisters, much of whose architecture is modern. Like the ensemble from Saint-Guilhem, elements were purchased by George Grey Barnard and brought to the United States; part of the cloister survives at the monastery which, once again, houses a community of monks. The cloister was the heart of a monastery. By definition, it consists of a covered walkway surrounding a large open courtyard, with access to all other monastic buildings. Usually attached to the southern flank of the church, a cloister was at the same time passageway and processional walkway, a place for meditation and for reading aloud. At once serene and bustling, the cloister was also the site where the monks washed their clothes and themselves. The warm beauty of the native pink marble used at Cuxa harmonizes this cloister's many elements, such as the varied capital sculptures carved during different periods in its construction. Some of these are fashioned in the simplest of block forms, while others are intricately carved with scrolling leaves, pinecones, animals with two bodies and a common head (a special breed for the corners of capitals), lions devouring people or their own forelegs, or a mermaid holding her tail. While many of these motifs may derive from popular fables or depict the struggle between the forces of good and evil, the conveyance of meaning seems to have been less important for the Cuxa artists than the creation of powerful works capturing the energy and tension between the forms depicted.
Landschap met vee bij voorde
Object type: drawing
Date: 1754 – 1820
Materials: ink, paper, pencil
Techniques: brush, pen
Portrait Bust of a Man in a White Wig
Object type: drawing and watercolor
Materials: chalk, ink, paper, lead, pigment
Techniques: brush, heightening
Location: netherlands
Artist: cornelis van poelenburgh
Artist nationality: dutch
Artist dates: 1594 – 1667
Leeuwenkop
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: etching
Artist: clément benoit
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1953
Subjects: beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228
Fragment of a Bowl
Object type: fragment of a bowl
Date: 801 – 1000
Materials: earthenware
Location: iran

This ceramic fragment was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Dubbele akelei (Aquilegia vulgaris) en appel (Malus pumila)
Object type: print
Date: 1604 – 1632
Materials: ink, paper, watercolor
Techniques: engraving, hand coloring
Location: cologne
Artist: Anonymous
Subjects: fruits: apple, flowers: columbine, birds

Dubbele akelei en appel. Met een vogel en enkele ornamentele planten. Figs. 51 en 52 op een blad met de hand genummerd 26. In: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Inwijding van het Huis met de Hoofden als Conservatorium
Object type: cartoon
Date: 1908 – 1908
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: rotterdam, oss, conductor ~music - cc - out of doors, choir, place or institution of education and training of the artist, e.g.: academy of art, municipal government, political caricatures and satires

Componist en koordirigent Daniël de Lange dirigeert de zingende hoofden aan de gevel van het Huis met de Hoofden aan de Keizersgracht te Amsterdam in een jubelzang bij de ingebruikneming van het gebouw als Conservatorium van Amsterdam. Op de trap als de beheerder van het gebouw, wethouder van Publieke Werken Zadok van den Bergh.
Kitty
Object type: photograph
Date: 1908 – 1908
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Bloemen in groot formaat - deel twee
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1926 – 1926
Materials: paper
Techniques: woodcut
Location: japan
Subjects: flowers
Inscriptions: date
Briefkaart aan jonkheer Hendrik Teding van Berkhout (1879-1969)
Object type: postcard
Date: 1932 – 1932
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: henri verstijnen
Artist role: draughtsman, print maker
Artist dates: 1882 – 1940
Subjects: haarlem, amsterdam, jonkheer hendrik teding van berkhout (1879-1969), maastricht
Inscriptions: watermark
Portret van Gerardus Joannes Vossius
Object type: print
Date: 1620 – 1670
Materials: paper
Techniques: engraving
Subjects: amsterdam, gerardus joannes vossius, theologian, historical persons, portrait of a writer
Brief aan Jan Veth
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: dordrecht, painter, designer, jan veth, the hague, print maker, draughtsman, marius bauer, willem van konijnenburg, haarlem, georg rueter
Inscriptions: collector's mark: ‘RPK’
Grenspaal tussen de Bataven en de Cananefaten
Object type: historical object representation
Date: 1734 – 1734
Materials: paper
Techniques: engraving, etching
Location: leiden
Artist: françois van bleyswijck
Artist role: draughtsman, print maker
Artist dates: 1671 – 1746
Subjects: boundary-post, boundary-stone

Prent gebruikt in: Loon, Gerard van. Aloude Hollandsche histori der keyzeren, koningen, hertogen en graaven; welken, sedert de komst der Batavieren in het thans genaamde Holland, tot de herstelling van 's graaven Florents den eerstens zoon, aldaar het hooggebied gehad hebben (…). 2 delen. Den Haag: Pieter de Hondt, 1734, deel 1, fol. 173.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, right eye, nose, mouth, chin, and upper torso, in profile, of youth with right arm extended
Codium adhærenus
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Fotoreproductie van een schilderij, voorstellende een portret van Dante Alighieri
Object type: reproduction
Date: 1882 – 1887
Materials: photographic support
Techniques: albumen print
Location: palazzo del bargello
Artist: Anonymous
Subjects: dante alighieri, portrait of a writer
Inscriptions: number: ‘3066’
Bloemen- en vogelschetsen van Keinen
Object type: print
Date: 1811 – 1892
Materials: paper
Techniques: woodcut
Location: osaka
Subjects: plants; vegetation, birds, insects: caterpillar
Inscriptions: collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937, collector's mark: Lugt 2228
The Thirteen Buddhas
Date: 1501 – 1600
Techniques: hand coloring, woodblock print
Culture: japanese
Location: japan
Baksteen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: brick clay product
Date: 1700 – 1743
Materials: brick
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Constructional elements, brick; sim. NG 1980-27H1009.
Openwork Plaque
Object type: plaque
Date: 601 – 800
Materials: copper alloy
Culture: frankish
Location: france
Overlooking the bay at Shinagawa
Object type: print
Date: 1790 – 1790
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Plattegrond van Leiden
Object type: book illustration
Date: 1632 – 1632
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: maps of cities, leiden

Prent uit: Boxhorn, Marcus Zuerius. Theatrum sive Hollandiae comitatus et urbium nova descriptio (...). Amsterdam: Henricus Hondius, 1632, p. 180.
La Curieuse (Les Filles d'Eve)
Object type: print
Date: 1845 – 1877
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: seal, stamp, letter, envelope, curiosity, inquisitiveness, desire of knowledge; 'curiosità' (ripa)
Inscriptions: collector's mark: Lugt 2228
Portret van een dame
Object type: drawing
Date: 1813 – 1857
Materials: chalk, charcoal, paper
Artist: h. deville
Artist role: draughtsman
Subjects: anonymous historical person portrayed alone
Kaart van Franse kust bij La Rochelle en de eilanden Ré en Oleron
Object type: map
Date: 1600 – 1650
Materials: paper
Techniques: colour, engraving
Subjects: maps of separate countries or regions

Kaart van de eilanden Ré en Oleron en de Franse kust, grenzen en kusten gekleurd. Drie windrozen, r.b, m.o. en l.b. Het noorden ligt links. Schepen in zee. L.o. schaal in Franse mijlen met zeemonster en passer. R.o. bij opschrift allegorische figuren. Verso: 2 pagina's tekst, 2 kolommen ieder. Opschrift; r.o.: INSLAVAE / DIVI MARTINI et VLIARVS, Vulgo / L'ISLE DE RE et OLERON.
Wolfert I van Borselen te paard in wapenrusting
Object type: sketchbook leaf
Date: 1892 – 1901
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: delft, armour, historical persons (portraits and scenes from the life)
Inscriptions: annotation: ‘Wolfert v. Borsele/ heer c. Veere./ vermoord 1294/ tu[...] v. Jan I na d[...]/ [...] Floris V’

Blad 19 verso uit een schetsboek met 51 bladen.
Martyrdom of Saint Peter
Object type: drawing and watercolor
Date: 1863 – 1863
Materials: chalk, paper
Location: france
Artist: jean baptiste carpeaux
Artist role: draughtsman, print maker, sculptor
Artist nationality: french
Artist dates: 1827 – 1875