deem-data/ArtiFact huggingface dataset:
Model of a Windlass
Object type: demonstration model
Date: 1850 – 1850
Materials: brass, wood
Location: netherlands
Artist: Anonymous
Inscriptions: label, on the base: ‘208’ former inventory label

Model van een braadspil op een vloerplank. De trommel, tussen twee wangen opgehangen, heeft acht doorlopende gaten voor windbomen: de braadspil kan ook bediend worden met een enkele windboom aan de stuurboord wang, die met een pal in een tandwiel grijpt. In het midden staat een stut met twee houten en vier metalen pallen, die in het tandwielgedeelte van de trommel grijpen om het teruglopen te voorkomen. Schaal 1:10 (schatting).
Van Noah en de Diluvie
Object type: print
Date: 1558 – 1560
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: god's covenant with noah: never again shall there be a flood; as a sign of this covenant god puts a rainbow in the sky, noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)
Inscriptions: number: ‘29’

Links een altaar waarop verschillende dieren orden geofferd. Noach en zijn familie knielen rond het altaar. In de lucht het symbool voor God, het tetragram, en de regenboog ten teken van Gods verbond. Rechtsachter staat op een heuvel de ark. Onderaan een verwijzing naar de Bijbeltekst in Gen. 8:20 in het Latijn. Deze prent maakt deel uit van een album.
Four Butterflies on Flowers
Object type: drawing
Date: 1747 – 1802
Materials: paint, ink, paper, watercolor
Techniques: brush, pen
Artist: paulus knogh
Artist role: draughtsman
Artist dates: 1737 – 1802
Subjects: insects: butterfly
Cleopatra en bedienden met sieraden en vat wijn
Object type: print
Date: 1743 – 1747
Materials: paper
Techniques: etching
Location: venice
Subjects: banquet of mark antony and cleopatra: she dissolves a pearl in a cup of wine, which she then drinks
Inscriptions: collector's mark: Lugt 2228

Prent naar ontwerp van Giovanni Battista Tiepolo.
Galleria Uffizi. Interno del Terzo Corridoio
Object type: photograph
Date: 1857 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Subjects: gallery of sculptures, piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum
Inscriptions: number: ‘No. 2002.’, collector's mark: ‘VOSMAER’
Liber Chronicarum
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: emperor, king
Inscriptions: inscription: ‘57’

Een bloemkelk met een koning, naar voren gericht. In zijn handen heeft hij een rijksappel en een scepter. De voorstelling is onderdeel van de opeenvolging keizers in de Liber Chronicarum. De tekst identificeert de man als Hendrik Raspe. De prent maakt deel uit van een album.
The Farmer (No) from the series Beauties Illustrating the Four Social Classes (Adesugata shi no ko sho)
Object type: print
Date: 1779 – 1779
Techniques: woodblock print, koban
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Walking dress
Object type: walking dress
Date: 1885 – 1885
Materials: copper, cotton
Culture: french
Portrait of the Artist (recto); Fragment of a Landscape Study (verso)
Object type: drawing
Date: 1880 – 1880
Materials: graphite
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Subjects: men,portraits
Landschap met watermolen en een visser
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: etching
Artist: pierre françois de noter
Artist role: painter, print maker
Artist dates: 1779 – 1843
Subjects: watermill in landscape (+ city(-scape) with figures, staffage), angling
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Sculptuur van Neptunus in de Bobolituinen te Florence
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: giardino di boboli
Subjects: (story of) neptune (poseidon), garden, sculpture
Inscriptions: number: ‘38’, inscription: ‘NPG’
Costume Design for "Touchstone" [a]; Descriptive Sheet of Costume and Accessories [b]
Object type: drawing
Date: 1889 – 1889
Materials: graphite, ink, watercolor
Techniques: pen, drawing
Artist: charles bianchini
Artist role: artist
Artist nationality: french
Artist dates: 1860 – 1905
Subjects: costumes,men
Actress holding onto metal bar above head, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Fotoreproductie van een schilderij van de aanslag op Willem van Oranje in Antwerpen
Object type: glasnegatief, glasplaatnegatief
Date: 1884 – 1900
Materials: glass
Techniques: collodion process
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909
Subjects: delft, william i (prince of orange), piece of sculpture, reproduction of a piece of sculpture, attempt, political murder, antwerp

Onderdeel van een groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, met stillevens, portretten, zelfportretten en kunstreproducties.
Miner Playing the Cello
Object type: figure
Date: 1730 – 1730
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,cellos
Wine pot and cover
Object type: wine pot with cover
Date: 1801 – 1833
Materials: hard paste porcelain
Subjects: children,women,playing,flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Wine glass with a lying-in chamber
Object type: goblet
Date: 1750 – 1750
Materials: glass
Techniques: glassblowing
Location: northern netherlands
Artist: Anonymous
Subjects: lying-in room

translation of inscription: the well-being of the mother and child
Zittende vrouw
Object type: drawing
Date: 1656 – 1657
Materials: chalk, paint, gouache, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: annotation: ‘copie nr. Parmegiano/ zie aldaar (G)’

Kopie naar tekening van Polidoro da Caravaggio (RP-T-1887-A-1171), opgenomen in het bezit van de familie Ter Borch (zie cat.nr. FC 44 in Drawings from the Ter Borch studio estate).
Catalogue d'une riche collection de tableaux des maîtres les plus célebres des trois écoles : qui composent le cabinet de feu son Altesse Sérenissime Monseigneur le Prince de Conti, prince du sang, & grand prieur de France
Date: 1777 – 1777
Location: france
Artist: pierre rémy
Artist role: publisher
Artist dates: 1787 – 1791
Gezicht op de Koppelpoort te Amersfoort
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: civic architecture; edifices; dwellings, city-gate, tower (of house or building), street (+ city(-scape) with figures, staffage)
Portret van Michiel Adriaenszoon de Ruyter
Object type: print
Date: 1833 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: michiel adriaenszoon de ruyter, historical persons
Inscriptions: collector's mark: Lugt 2228

Los onder het portret de signatuur van de geportretteerde.
Terracotta fragment of a lekanis lid (covered dish)
Object type: lekanis lid fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Fragment of the lid of a lekanis, with a band of rays; at the top, the rays are framed with a thin line of black glaze; below, they are framed with three thin black glazed lines; band of dots; three thin black glazed lines; top part of the arches of a band of pendant lotus buds
Buste van Septimus Severus
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: carbon print
Location: london
Artist: Anonymous
Subjects: male persons from classical history (+ head, bust, etc.), (story of) the emperor septimius severus, piece of sculpture, reproduction of a piece of sculpture, europe
Inscriptions: inscription: ‘CWN.’, inscription: ‘Romeische Kunst.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, name: ‘W.A. MANSELL & CO COPYRIGHT [....] OXFORDST’
Portret van een jonge man
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: torquay
Artist: walter bradnee
Artist role: fotograaf
Artist dates: 1817 – 1898
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘W. Bradnee,/ Torquay./ &/ Calabria/ Newton Abbot.’
Gustave Boyer (b. 1840) in a Straw Hat
Object type: painting
Date: 1870 – 1871
Materials: canvas, oil, paper
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Subjects: men,portraits
Ring with Domed Bezel of Foliate Shape
Object type: ring
Materials: gold
Culture: indonesian, javanese
Water Carafe
Object type: water carafe
Date: 1850 – 1850
Materials: glass, lead
Techniques: glassblowing
Culture: american
Location: united states
Subjects: birds,flowers
Zeven bloedingen van Christus
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: christ meets veronica, who has a cloth to wipe christ's face
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Christus draagt het kruis en kijkt om naar Veronica, die hem de doek toont, waarop de afdruk van Christus' gelaat achterbleef. Onderaan in de marge een vers in het Latijn. Prent maakt deel uit van een serie over de zeven bloedingen van Christus.
Ph Sadée
Object type: photograph
Date: 1881 – 1885
Materials: cardboard, paper
Techniques: woodburytype
Location: the hague
Subjects: the hague, painter, print maker, draughtsman, philip sadée, historical persons
Portret van Gustav Scholber
Object type: print
Date: 1816 – 1886
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende man met de naam Gustav Scholber, advocaat.
Scheiding van administratief en rechterlijk gezag op Java
Object type: print
Date: 1869 – 1869
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: magistracy, judges, java

Spotprent op de scheiding van administratief en rechterlijk gezag op Java. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 46, 1869.
Chair
Object type: sewing chair
Date: 1867 – 1869
Materials: wood
Techniques: gilding, veneering
Culture: american
Location: united states
Artist: herter brothers
Artist role: maker
Artist nationality: american
Artist dates: 1864 – 1906

Herter Brothers, established by Gustave Herter and his brother Christian, became New York City’s preeminent cabinetmakers from the 1860s through the 1880s. The firm provided fashionable furnishings and interior decorations for affluent clients throughout the country, including William H. Vanderbilt, Mark Hopkins, and J. Pierpont Morgan. This chair may have been made for the mansion of shipping and railway tycoon LeGrand Lockwood: Elm Park, in Norwalk, Connecticut. The marquetry plaque in the carved crest, depicting horns and pipes, alludes to the chair’s intended use in the music room.
Cup
Object type: cup
Date: 1736 – 1795
Materials: gilt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: flowers
Reproduction of a Scythian plaque with animal combat
Date: 1801 – 1900

Electrotyping is a chemical process used historically to make high quality reproductions of works of art. During the Victorian era, one of the main producers was Elkington & Co. of Birmingham. They were licensed by the South Kensington Museum of London (now the Victoria & Albert Museum) to produce replicas of objects from the royal treasuries and museums in Europe. The electrotypes approved by the Department of Science & Art, a British governmental agency, carry Messrs. Elkington’s mark in the form of an official stamp in metal. This modern electrotype is a copy of a gold plaque in the Hermitage Museum, St. Petersburg. The original was part of the Siberian collection of Peter the Great of Russia (r. 1682-1725), who commissioned the first Russian archaeological excavations. The Siberian Collection of Peter the Great contains gold artefacts from the Scythian and Sarmatian nomadic cultures of Eurasia. This ornament corresponds to the left side of a pair of symmetrical belt buckles depicting a combat between a tiger and a horned monster. The complex representation of the fantastic beast is characteristic of later “animal style” art in which animal contests are one of the most popular motifs. In the nineteenth century, many museums collected copies of ancient and historical works of art with the aim of presenting outstanding works to a broader public and to serve as inspiration for artists and manufacturers. The Metropolitan Museum of Art, founded in 1870, began to acquire electrotypes in its first decade. In 1883, Henry Marquand, a collector and early patron of the Museum, funded a large purchase from Elkington & Co. of nearly three hundred pieces. Today, these works are part of many departments in the Museum and along with plaster casts reflect the history of collecting and the role of the museum as a locus for the teaching of art history.
Standing Basin
Object type: basin
Date: 1865 – 1865
Materials: earthenware, enamel
Techniques: glazing
Artist: worcester factory
Artist role: maker
Artist nationality: british
Artist dates: 1751 – 2008

An example of historical revivals at ceramics factories in Victorian Britain, this basin imitates a sixteenth-century group of ceramics known as Saint-Porchaire wares and is a nineteenth-century copy of a sixteenth-century model in the museum (17.190.1741). Ceramics factories in Britain sought to explore historical production techniques alongside more standardized forms of industrial production.
Ferns of the British isles
Object type: book
Date: 1877 – 1877
Materials: linen, paper, photographic support
Techniques: albumen print
Location: london
Inscriptions: inscription: ‘Miss Keurick with E.R.'s love Dear 1877’
Story of Michizane Sugawara, known as Tenjin (Tenjin engi) 天神縁起
Object type: illustrated book
Date: 1801 – 1900
Materials: ink, paper
Culture: japanese
Artist: reizen saburo tametaka 冷泉(岡田)為恭
Artist role: artist
Artist dates: 1864 – 1864
Subjects: buildings,men,women
Boots
Object type: boot
Date: 1855 – 1865
Materials: silk
Culture: french
Weide met bomen, Ewijkshoeve
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Slide for Strap
Object type: slide for strap
Date: 1401 – 1700
Materials: bronze, gilt
Culture: european
Tempel van de Bataafse Vrijheid, 1795
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan gerritsz. visser
Artist role: print maker, publisher
Artist dates: 1745 – 1821
Subjects: the hague, johan arnold zoutman, herman willem daendels, politician, joan derk van der capellen tot den pol, paris, jan willem de winter, freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure)
Inscriptions: collector's mark: Lugt 2228

Allegorie op de Vrijheid, 1795. De Bataafse Vrijheid treedt uit een open tempel om de Franse troepen, die over het ijs aankomen, te verwelkomen. Aan de zuilen van de tempel hangen portretten van verdienstelijke Patriotten. De zetel van de Nationale Conventie is leeg. Rechts wordt de zuil met een ridder aangeduid als 'Oude Constitutie Adel' door bliksem getroffen en valt om. Slavernij, Hoogmoed, Gierigheid en Valsheid vluchten. Bij de prent behoort een verklaring.
The Entombment
Object type: panel
Date: 1401 – 1500
Materials: alabaster
Culture: british
Location: nottingham
Artist: school of nottingham
Artist role: artist
Artist nationality: british
Subjects: christ,virgin mary,entombment
Snuff Bottle
Object type: snuff bottle
Date: 1851 – 1900
Materials: gemstone, wood
Techniques: stain
Culture: chinese
Numazu, section of sheet no. 3 from the series "Cutout Pictures of the Tokaido (Tokaido harimaze zue)"
Object type: print
Date: 1848 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Circular Covered Box with Floral and Lingzhi Mushroom Scrolls
Object type: vessel
Materials: porcelain
Techniques: incising, underglaze
Location: china
“- It's really quite flattering to have one's portrait exhibited at the Salon,” plate 7 from Le Salon de 1857
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo)
Object type: print
Date: 1800 – 1800
Techniques: woodblock print, hashira
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Book of Designs (Katazome mihonchō) 型染見本帖
Object type: illustrated book
Date: 1680 – 1680
Materials: ink, paper
Culture: japanese
Artist: unidentified artist
Artist role: artist
Cushion cover
Object type: cushion cover
Date: 1795 – 1805
Materials: metal thread, silk
Subjects: grapes
Wine glass with a company drinking and a bacchante on a barrel
Object type: goblet
Date: 1750 – 1775
Materials: glass
Techniques: glassblowing, grinding
Location: germany
Artist: Anonymous
Subjects: celebration meal, feast, banquet

translation of inscription: The Good Anniversary
Portret van Karel de Stoute
Object type: print
Date: 1600 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Artist: frederik bouttats (i)
Artist role: artist, painter, print maker
Artist dates: 1590 – 1661
Subjects: earl, charles the bold (duke of burgundy)
Inscriptions: collector's mark: Lugt 1838, collector's mark: Lugt 240

Portret in een ovale lijst van Karel de Stoute, hertog van Bourgondië. Buste naar rechts. Karel de Stoute draagt de keten van de Orde van Het Gulden Vlies. De prent heeft een Frans onderschrift met de naam van de geportretteerde en wat informatie over zijn leven.
Parasol
Object type: parasol
Date: 1870 – 1870
Materials: metal, silk, wood
Culture: american

A special feature of this parasol is its telescoping handle, which lengthens from 14 1/2 inches closed to 21 1/2" when fully extended. Makers of parasols and umbrellas were an inventive lot who relentlessly worked on designs that would improve or differentiate their products from their competitors.
Le petit saint Bernard
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: birds,books,saints,chairs
Liggende bok en geitje
Object type: print
Date: 1791 – 1839
Materials: paper
Techniques: etching
Location: netherlands
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: goat
Inscriptions: collector's mark: Lugt 2228
Zeegezicht met zeilboten en een stoomboot
Object type: drawing
Date: 1888 – 1927
Materials: chalk, paper
Artist: anton dirckx
Artist role: draughtsman
Artist dates: 1878 – 1927
Subjects: sailing-ship, sailing-boat, steamship, motorship
Stabat - Gouvernementsbrug (boven), Weg door het oerwoud (onder)
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: sumatra
Subjects: clearing ~ forest, landscape with bridge, viaduct or aqueduct, road, path, sumatra
Inscriptions: number: ‘19’

Onderdeel van Album met heliogravures van Sumatra's oostkust.
Abklatsch van de krijttekening op pagina 32 verso
Object type: sketchbook leaf
Date: 1876 – 1879
Materials: paper
Techniques: printmaking
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888

Blad 33 recto uit een schetsboek met 33 bladen.
Ovaal portret van Tine Vermeulen
Object type: photograph
Date: 1910 – 1930
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Portret van Johan Frederik I Saksen
Object type: print
Date: 1563 – 1642
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, ruler, sovereign
Inscriptions: number: ‘68’, collector's mark: Lugt 2228, number: ‘49’

Deze prent is gemaakt naar een prent uit een serie portretten van hertogen en kiesmannen uit Saksen door Balthasar Jenichen (in HG: cat. nr. 238, p.85).
Brief aan Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1915 – 1915
Materials: ink, paper
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: anne antoinette weber-van bosse, louis bertrand
The Four Accomplishments
Object type: painting
Date: 1700 – 1700
Materials: ink, silk
Location: japan
Artist: kano tsunenobu
Artist nationality: japanese
Artist dates: 1636 – 1713
Portret van een theoloog
Object type: drawing
Date: 1680 – 1731
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: jan goeree
Artist role: draughtsman, print maker
Artist dates: 1670 – 1731
Subjects: anonymous historical person portrayed (+ historical person or scene in allegorical or symbolic frame or setting; or with allegorical or symbolic accessories)

Portretmedaillon van een theoloog; boven zijn hoofd brandt een vuurtje. Onder twee andere portretjes en een voorstelling van een schaap bedreigd door twee wolven.
Valance for Table
Object type: valance
Date: 1701 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: dragons