deem-data/ArtiFact huggingface dataset:
Isabel Wachenheimer in een kinderwagen, 30 december 1928
Object type: photograph
Date: 1928 – 1928
Materials: paper, photographic support
Techniques: gelatin silver print
Subjects: leiden, isabel wachenheimer-elon, baby-carriage, pram, perambulator, family life at home, infant, baby
Inscriptions: date: ‘30.12.28’

Albumblad met vier foto's met Isabel Wachenheimer. Onderdeel van het fotoalbum met foto's van Isabel Wachenheimer als kind (1928-1931).
Journal des Dames et des Modes: Men’s Fashion
Object type: fashion print
Date: 1809 – 1809
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), neck-gear ~ clothing (cravat) (+ men's clothes), coat (+ men's clothes), fashion plates, trousers, breeches, etc. (breeches) (+ men's clothes), boots (+ men's clothes), gloves, mittens, etc. (+ men's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Habit à un Rang de Boutons. Culotte de Peau.’

The Journal des Dames et des Modes occasionally provided coverage of men’s styles. These illustrations give a good picture of trends in mens’ clothing from 1797 to 1825. During the 18th century, gentlemen wore culotte (knee-breeches) 1. These fell out of fashion with the elimination of strict class distinctions during the French Revolution, to be replaced by a type of long trouser(s) known as pantalon à la Hussarde 2. These were worn with hussar boots. ‘Pantaloons’ 3 were trousers pulled tight with an elastic strap under the instep. Carrick 4 coats with a double collar were popular, and in the evenings men wore a special dress cloak 5.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, two letters of an inscription, PO
Maria Salome en Zebedeus
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: prophets, sibyls, evangelists, doctors of the church; persons ~ the bible (not in biblical context)
Inscriptions: inscription: ‘4’

Een bloemkelk met een man en vrouw. De vrouw heeft haar handen gevouwen. De voorstelling is onderdeel van de stamboom van Anna in de Liber Chronicarum. De tekst identificeert hen als Maria Salome en haar man Zebedeus. De prent maakt deel uit van een album.
Reproductie van een tekening van een meisje in gedachten verzonken
Object type: album leaf
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: thinking, thought, reflection; 'pensiero' (ripa), girl (child between toddler and youth)
Inscriptions: inscription: ‘No. 4./ Marietje denkt aan de toekomst?/ of is ze stout geweest?’

Deze prent maakt deel uit van een album.
Palais du Trocadéro tijdens de Wereldtentoonstelling van 1900 te Parijs
Object type: page
Date: 1900 – 1900
Materials: paper, photographic process
Location: paris
Artist: Anonymous
Subjects: world fair, world exhibition, civic architecture; edifices; dwellings
Inscriptions: inscription: ‘17311. P.Z. Paris autour du Trocadéro’
Sun's Rays Breaking through Storm Clouds (from Sketchbook VI,I)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: landscapes

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Catalogue of the valuable collection of pictures, works of art, and decorative objects, of Christopher Beckett Denison
Object type: book
Date: 1885 – 1885
Materials: cardboard, paper
Techniques: decorated paper, printing, woodburytype
Location: london
Inscriptions: date: ‘OCT/ 1998’

Dit boek zit samen in een band met RP-F-2001-7-1698 en RP-F-2001-7-1700.
Anklet
Object type: anklet
Materials: bronze
Culture: thai
Storage Jar (Albarello)
Object type: albarello
Date: 1501 – 1600
Techniques: maiolica, glazing

Storage vessels were among the most frequently produced maiolica wares in late medieval and Renaissance Italy. Made in fairly standard shapes, they were designed to fit with dozens of others on a shelf, often in a pharmacy or shop. Their handles therefore tend to fit within the vessel’s profile, and the cylindrical albarello type is generally narrower at the middle than at the top or bottom, making it easy to grip. Other common features include inscriptions indicating contents and flanged lips to help secure cloth or paper seals. The decoration, usually more elaborate on one side than the other, can sometimes link pieces to a known dispensary or specific workshop or artist.
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Fragment from an unidentified shape with a band of reserve in between two band of black glaze; part of the fragment is sheared
Portret van Wolfgang von Dalberg, aartsbisschop en keurvorst van Mainz
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons

Prent mogelijk gebruikt in: Khevenhüller, Franz Christoph. Conterfet Kupferstich (so viel man bekommen können) deren jenigen vornehmen Ministren un hohen Officiern (...). Leipzig: Moritz Georg Weidmann, 1722, dl. 2.
Ontwerp voor de bijlage behorende bij de pensioenbrief van de Stoomvaart Maatschappij Nederland
Object type: drawing
Date: 1874 – 1945
Materials: paper, pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: names of organizations, companies, trade unions, etc.
Enquêteformulier ingevuld door Christiaan Kramm
Object type: questionnaire
Date: 1847 – 1847
Materials: ink, paper
Techniques: pen, printing, writing
Location: haarlem
Subjects: utrecht, draughtsman, christiaan kramm
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Fragment (From a Chasuble)
Object type: textile
Date: 1760 – 1760
Materials: silk, velvet
Techniques: cutting, weave, voiding
Location: france
Gezicht op Paraiba, ca. 1636-1644
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: earl, johan maurits graaf van nassau-siegen

Gezicht op de stad Paraiba gelegen aan de rivier Rio Paraiba, ca. 1636-1644. In de lucht een gevleugelde banderol met de titel en een wapen met zes bergen of korven. In het onderschrift de verklaring van de letters A-F in het Latijn. Plaat nr. 27 in een serie van 55 voorstellingen van de tocht naar en het verblijf in Brazilië van graaf Johan Maurits van Nassau in de jaren 1636-1644.
Ste. Irène, vierge et martyre (St. Irene, Virgin and Martyr), October 20th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,women,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Street at Saverne
Object type: print
Date: 1858 – 1858
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Bracket
Object type: bracket
Date: 1750 – 1750
Materials: wood
Techniques: carving, gilding
Dish
Object type: dish
Date: 1806 – 1815
Materials: pewter
Culture: american
Location: united states
Artist: george lightner
Artist role: maker
Artist nationality: american
Artist dates: 1749 – 1815
Scherf van een kom uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: bowl
Materials: porcelain
Location: netherlands
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Eén scherf uit de rand van een porseleinen kom. Delftsblauw met de tekening van buiten. Bowl.
Kaartspel. / Nr. 4. / Klaveren
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: germany
Artist: j. beeg
Artist role: draughtsman, print maker
Subjects: playing-cards
Inscriptions: collector's mark: Lugt 2760

Blad met 13 voorstellingen van speelkaarten (klaveren), met verschillende figuren. Onder de titel een achtregelig vers. Genummerd midden onder: Nr. 12. Genummerd rechtsboven: 12.
Vrouwenkop met hoofdkap
Object type: sculpture
Date: 1300 – 1500
Materials: terracotta, wood
Location: indonesia
Artist: Anonymous

Fragment (hoofd) van een vrouw met nauw op de schedel aansluitende hoofdkap. Op sokkel.
Herders bij een hooiberg
Object type: print
Date: 1789 – 1793
Materials: paper
Techniques: aquatint, etching
Location: london
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, hay-stack
Inscriptions: collector's mark: Lugt 2228

Twee zittende herders bij een deels lege hooiberg. Bij het hek drie schapen. Op de achtergrond een torenspits.
Saddle-back, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds,cats

Large trade cards from the "Song Birds of the World" series (N42), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N42 reproduces the cards from N23 in a larger size.
Standing tambourine player
Object type: statuette of a votary, female, playing tambourine
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: human figures,musical instruments,musicians

The figurine, of uncertain gender, is in the Kamelarga style. It is wheel-made and hollow, with a cylindrical body that flares at the bottom. The head is mold-made, the arms handmade
Portret van kardinaal Rinaldo d'Este
Object type: print
Date: 1658 – 1679
Materials: paper
Techniques: engraving
Location: italy
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit een reeks van onbekende omvang met portretten van kardinalen. De prenten werden vanaf 1657 vervaardigd in opdracht van uitgever Giovanni Giacomo de’ Rossi, waarna de productie werd voortgezet onder leiding van zijn opvolgers Domenico de’ Rossi en Lorenzo Filippo de’ Rossi, en ten slotte onder leiding van de Calcographia R.C.A.
Zeilboot en stoomschip
Object type: sketchbook leaf
Date: 1825 – 1875
Materials: paper, pencil
Artist: petrus johannes schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1865
Subjects: sailing-ship, sailing-boat, steamship, motorship
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 29 recto uit een schetsboek met 44 bladen.
Collection cup
Object type: collection cup
Date: 1753 – 1758
Materials: silver
Artist: anne maillard
Artist role: maker
Artist nationality: french
Artist dates: 1723 – 1764
Gezichten in de omgeving van Amsterdam
Object type: print
Date: 1825 – 1845
Materials: paper
Techniques: lithograph
Subjects: windmill in landscape, farm or solitary house in landscape, amsterdam
Inscriptions: collector's mark: Lugt 2228

Gezichten op een boerenwoning in de buurt van Amstelveen en molen de Vink tussen de Wetering en Weteringsluis.
Border
Object type: textile
Date: 1701 – 1750
Materials: lace, linen
Techniques: lace
Location: italy
Optogt des Nederlandschen Legers naar Ostende, den 3 July 1600, daags na de overwinning by Nieuwpoort; volgens de gecostumeerde voorstelling, gegeven door H H Studenten, by gelegenheid van het Tweede Eeuwfeest der Utrechtsche Hoogeschool. den 16 Juny 1836
Object type: print
Date: 1837 – 1837
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Location: rotterdam
Subjects: students' pageant, costumes used in pageants, battle of nieuwpoort
Inscriptions: date

Historische gekostumeerde optocht van de studenten van de Hogeschool van Utrecht op 16 juni 1836, bij de viering van het tweede eeuwfeest van de Utrechtse Hogeschool. De optocht verbeeldt de intocht van het Staatse leger in Oostende op 3 juli 1600, daags na de overwinning in de Slag bij Nieuwpoort. Derde plaat in een serie van tien ongenummerde platen, met de groepen genummerd 8-11.
Beeld van de heilige Nicolaas in een kerk te Edam
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1931
Materials: photographic support
Techniques: collodion silver print
Location: edam
Subjects: saints, interior of church, monument, statue, vault ~ architecture
Gezicht op een kerk, vermoedelijk in Moskou
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: inscription: ‘93 Monastere grec St Nicolas Moscou’
The Evening of the National Holiday. It never fails... you go out to see the fireworks, and all you get is waterworks!, plate 20 from The Best Days in Life
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Gezicht op het Château de Bécon in Courbevoie na de Commune van Parijs
Object type: page
Date: 1871 – 1871
Materials: photographic support
Techniques: albumen print
Location: courbevoie
Artist: alphonse-justin liébert
Artist role: fotograaf, marinier
Artist dates: 1827 – 1914
Subjects: castle, back steps
Inscriptions: address: ‘31, Rue St. Lazare’, number: ‘(No. 64)’
Landscape on a Bay
Object type: drawing
Date: 1801 – 1900
Materials: watercolor
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: landscapes
Landscape with High Rocks and Fortresses
Object type: print
Date: 1546 – 1546
Techniques: etching
Artist: augustin hirschvogel
Artist role: artist
Artist nationality: german
Artist dates: 1503 – 1553
Subjects: fortification,landscapes
Dish
Object type: dish
Date: 1723 – 1736
Materials: pottery
Culture: chinese
Polyphemus Begging Ulysses for More Wine
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: john flaxman
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1826
Bird-head finial
Object type: finial
Date: 500 – 201
Materials: bronze
Culture: chinese
Subjects: birds
Zeilende praam
Object type: print
Date: 1870 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228
Garniture Louis XIV
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: lion's head ~ ornament, chandelier, candelabrum, clock, europe
Inscriptions: inscription: ‘No520<BR />720 [...]tuur<BR />XX pl 7’, number: ‘No 2.’, inscription: ‘hautr 0m77cm largr 0m38cm<BR />Candélabres Louis XIV<BR />hautr 0m76cm largr 0m59cm’, collector's mark: Lugt 3937
Rug
Object type: rug
Date: 1701 – 1800
Materials: wool
Subjects: animals,eagles
Portret van een zittende vrouw in interieur, met hoed en kanten blouse
Object type: photograph
Date: 1900 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, head-gear: hat, interior of the house
Miniature meiping vase
Object type: vase
Date: 1701 – 1800
Materials: glaze, porcelain
Culture: chinese
One Standing Woman; Two Seated Women in Fashionable Attire, All 3/4 Length; Two Female Heads in Bonnets (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: women
Woman working within a shed
Object type: print
Date: 1869 – 1880
Techniques: etching
Artist: etienne delrieux
Artist role: artist
Artist nationality: french
Artist dates: 1850 – 1950
Design for Coupé, no. 3633
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op de tuin van Paleis Het Loo met op de voorgrond het monogram van Willem III prins van Oranje
Object type: album leaf
Date: 1696 – 1718
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: palace, french or architectonic garden; formal garden

Gezicht op de tuin van Paleis Het Loo met op de voorgrond het monogram van Willem III (prins van Oranje en koning van Engeland, Schotland en Ierland). Prent maakt deel uit van een album.
A Short History of General John B. Hood, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Book cover with overall splotchy pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Waiting
Object type: print
Date: 1879 – 1879
Materials: paper, ink, ivory
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Group of Laborers in a Field (recto); Angel Appearing to a Kneeling Saint (verso)
Object type: drawing
Date: 1530 – 1586
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giovanni battista maganza the elder
Artist role: artist
Artist nationality: italian
Artist dates: 1513 – 1586
Subjects: men,saints
Apollo en Aurora (rechterdeel)
Object type: print
Date: 1622 – 1634
Materials: paper
Techniques: engraving
Location: vatican city
Subjects: apollo in the chariot of the sun, drawn by four horses, usually preceded by aurora holding a torch; 'carro del sole' (ripa), hours (horae), seasons
Inscriptions: collector's mark: Lugt 240

Apollo de Zonnegod zit op zijn wagen die vooruit wordt getrokken door vier paarden. Om hem heen dansen de Horae, de godinnen van de jaargetijden. Voor hem uit zweven een putto met een fakkel en Aurora. Strooiend met bloemen verjaagt Aurora de nacht en brengt zij het ochtendgloren. Midden onder een wapenschild. Opdracht en tweeregelige tekst in het Latijn in de ondermarge.
Portret van Guy de Malesec
Object type: book illustration
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching, letterpress printing
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Du Chesne, François. Histoire de tous les cardinaux françois de naissance, ou qui ont esté promeus au cardinalat. Parijs: François Du Chesne, 1660.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Interior, tendrils with ivy leaves; Exterior, handle patch and start of handle root; ornament applied with Six's Technique
Prelaten en bisschoppen van Utrecht
Object type: print
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: radboud van utrecht, merovingische en karolingische tijd in nederland
Inscriptions: collector's mark: Lugt 240

De heilige Radboud afgebeeld als een bisschop met tuniek, kap, mijter en kruis op het moment dat hij het visioen ondergaat van Madonna met het Kind met de heiligen Agnes en Thecla. Met een verklarend Latijns onderschrift. Prent uit een serie van twaalf prenten met prelaten en bisschoppen van Utrecht door Cornelis en Frederick Bloemaert.
Kohl Container
Object type: vessel
Date: 401 – 600
Materials: glass
Techniques: appliqué, glassblowing
Culture: byzantine
Location: palestine
Subjects: beauty, rituals, containers

Byzantine glassmakers refined the techniques they inherited from their Roman predecessors, creating objects with increasingly elaborate forms and complex decorative elements to flaunt their skills. Cosmetic containers like this one were often adorned with fine strands (trails) of glass that required a steady hand and rapid execution, while other vessels look quite complex yet were easily made. Glass continued to be used in objects of personal adornment such as jewelry, both as a material in its own right and to imitate precious stones, offering more affordable options for what was in fashion.