deem-data/ArtiFact huggingface dataset:
Fotoreproductie van de tekening door Arthur Grottger uit de serie Litouwen, voorstellende een vrouw die met een verschrikte uitdrukking naast een slapende man staat
Object type: reproduction
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: drawing, sketch
Inscriptions: name: ‘Vosmaer’, name: ‘[...]ufert [...]ograf’
Landschap met zuilen, herders en reizigers
Object type: print
Date: 1613 – 1695
Materials: paper
Techniques: engraving, etching
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Portretten van Izaak Schmidt, Jurriaan Andriessen en Reinier Vinkeles
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: painter, jurriaan andriessen, amsterdam, print maker, izaak schmidt, reinier vinkeles (i), palette, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: signature and date: ‘r.o.: R. Vinkeles sculps. 1765 l.o.: J. Andriessen delin.’, collector's mark: Lugt 2228

Twee putti bij de portretten van de kunstenaars Izaak Schmidt, Jurriaan Andriessen en Reinier Vinkeles.
Hanging Case
Object type: case, hanging
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: flowers
La vieille Kate
Object type: photomechanical print
Date: 1843 – 1898
Materials: paper
Techniques: photoaquatint
Location: bruges
Artist: félicien rops
Artist role: draughtsman, print maker
Artist dates: 1833 – 1898
Subjects: old woman, kitchen-interior, potatoes
Inscriptions: collector's mark: Lugt 2228
Female Figure
Object type: female figure
Date: 1200 – 801
Materials: ceramic
Culture: olmec
Location: mexico
Subjects: female nudes

Ceramic figures from central Mexico made during the late second millennium B.C. usually depict women. Commonly described as fertility figurines, their attenuated limbs and occasionally disturbing facial features have been interpreted as abnormalities indicative of special access to the supernatural realm. As there is a wide range of representation and type among these figures, such interpretations are not necessarily exclusive. Certain figurines have details that may indicate social status, such as the earspools and hairstyle seen here, while others clearly relate to Olmec imagery. Most of the details reflect regional traditions in which facial and body treatments can be recognizably precise. The crisp narrow eyes and mouth of this figurine, for instance, recall the so-called pretty lady figures from Tlatilco, an early site in the Basin of Mexico, but the bodily proportions are less distorted than those of Tlatilco figures. A possible source may be further to the south, as the figure is said to be from the site of Las Bocas in the present-day state of Puebla.
Village Road, plate fourteen after Pictures of Farms, Country Houses and Rustic Villages (Praediorum villarum et rusticarum casularum icones)
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: netherlands
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652
Inscriptions: numbered lower right, in plate, "14"
King's Weir, River Lea
Object type: photograph
Date: 1880 – 1889
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Vase with landscape decoration
Object type: vase
Date: 1736 – 1795
Materials: enamel, porcelain
Techniques: incising, overglaze, painting
Culture: chinese
Subjects: flowers,landscapes,trees

Imperial workshops quickly excelled at producing polychrome enamels, and the ware won the court’s favor during the eighteenth century. New techniques from Europe made it possible to render colors on enamels with the same level of complexity and gradation as when painting on paper or silk. The elegant landscape encircling this vase represents such a success. The mint green ground with fine floral scrolls and gilding adds an extra layer of luxury to this exquisite vase.
John Ban MacKenzie
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits,bagpipes
Waarheid komt de kerk binnen
Object type: print
Date: 1635 – 1715
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: truth; 'verità' (ripa), proverbs, sayings, etc., interior of church
Inscriptions: stamp, collector's mark: Lugt 1641

Veel versies van dit embleem verschenen in verschillende uitgave van Spiegel van den Ouden ende Nieuwen Tydt. Zoals: Cats, Jacob. Spiegel van den Ouden ende Nieuwen-tijt, Bestaende uyt Spreeck-woorden (...). Dordrecht: Jacob Braat, 1647. Maar ook in andere publicaties (1665, 1671, 1715, 1722).
Madonna met het Christuskind en de kleine Johannes de Doper
Object type: drawing
Date: 1526 – 1528
Materials: chalk, ink, paper
Techniques: pen
Artist: parmigianino
Artist role: draughtsman, painter, print maker
Artist dates: 1503 – 1540

Voorstudie voor het schilderij "Het visioen van de Heilige Hieronymus" in de National Gallery te Londen.
Plate 40 from "The Disasters of War" (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca)
Object type: print
Date: 1810 – 1810
Techniques: engraving, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: suffering,men
The Ox of Saint Luke (one of two appliqués from a book cover)
Object type: appliqué
Date: 1200 – 1225
Materials: copper, enamel, gilt
Techniques: enamel, chasing, engraving, repoussé
Culture: french
Location: france
Nijmeegse daalder, 1689
Object type: coin
Date: 1689 – 1689
Materials: silver
Techniques: striking
Location: nijmegen

Zilveren munt. Voorzijde: staande geharnaste ridder met geheven zwaard in rechterhand en gekroond wapenschild van Nijmegen voor zich. Keerzijde: gekroond wapenschild van Nijmegen, gehouden door twee leeuwen. Onder wapenschild waarde-aanduiding 30 ST.
Vignet van Abraham Hasius
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), rodents: hare, vignette, haarlem
Inscriptions: collector's mark: Lugt 240

Een haas in een cirkel met randschrift. Midden boven het wapen van de stad Haarlem. Midden onder het monogram van Abraham Hasius.
L'École d'Anvers. Portraits biographies cartes de visite. Collection Dupont
Object type: photograph
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: the hague, antwerp, painter, print maker, huib van hove bz, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: inscription: ‘ETABLISSEMENT PHOTOGRAPHIQUE/ de/ J. DUPONT/ Place de Meir 32/ ANVERS/ Maison fondée en 1853’
Greppel
Object type: photograph
Date: 1912 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: curacao
Artist: Anonymous
Subjects: plantation

Akkers met greppel. Bij Plantage Mount Pleasant op Curaçao. Onderdeel van het fotoalbum uit ca. 1912-1913 met 92 foto's van de plantages Peperpot en Dordrecht in Suriname en Mount Pleasant op Curaçao.
Funerary Cone of Amenhotep
Object type: cone, circular impression, amenhotep
Date: 1550 – 1352
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Bord, gevonden bij V.O.C.-schip Witte Leeuw, mogelijk afkomstig van Zeelelie
Object type: plate dish
Date: 1725 – 1800
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Later blue and white Chinese porcelain with flower patterns. Part of a base and cavetto of a plate. A white body and pale blue painting under a greenish white translucent glaze. A central decoration of a table with a flower vase. To the left a peony branch, surrounded by a double band, with accolades, intersected by stylized buds.
Ex libris van Willem van Loon
Object type: bookplate
Date: 1750 – 1899
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, head (human), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Buddha Standing with Hand in the Gesture of Reassurance (Abhayamudra) with Radiating Nimbus
Object type: sculpture
Materials: ivory, pigment, wood
Location: sri lanka
Subjects: buddha
Ex libris van F.J. Groot Enzerink
Object type: bookplate
Date: 1943 – 1943
Materials: paper
Techniques: printing block
Location: netherlands
Artist: w.r.a. van ekelen
Artist role: painter
Subjects: mayor, collecting (leisure time activity), stamp (~ postal matter), water-birds: goose
Inscriptions: inscription: ‘Cl. / W. van Ekelen '43’
Portret van Joh. Huijssen van Cattendijck (W.30 I)
Object type: print
Date: 1583 – 1650
Materials: paper
Techniques: engraving
Artist: hendrick hondius (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1650
Façade van het Buiten-Proveniershuis te Kampen
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: kampen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: urban housing, façade (of house or building)
Inscriptions: annotation: ‘Kampen’, annotation: ‘Kampen/ Het buitenproveniershuis aan de Nieuwstraat/ nov 1896’
Evening hat
Object type: evening hat
Date: 1885 – 1885
Materials: feather, metal, silk
Culture: american
Artist: atherton fine millinery
Artist role: designer
Gezicht op de Sloterdijkbrug te Amsterdam
Object type: sketchbook leaf
Date: 1907 – 1907
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: bridge in city across river, canal, etc.

Gezicht op de Sloterdijkbrug te Amsterdam. Op de achtergrond Prinseneiland. Pagina 54 uit een schetsboek met 46 bladen vervaardigd in Amsterdam, Rotterdam en Haarlem.
Short sword and scabbard
Object type: sword with scabbard
Date: 501 – 700
Materials: iron, silver
Culture: sasanian
Location: iran
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 351
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed palmette
Sofa Table
Object type: furniture
Date: 1805 – 1805
Materials: brass, gilt, wood
Location: england
Subjects: furniture
Linen mark (Type XXIV)
Object type: linen mark
Date: 1961 – 1917
Materials: linen
Location: egypt
Portret van een man met baard
Object type: album leaf
Date: 1880 – 1905
Materials: cardboard, photographic support
Techniques: albumen print
Location: surabaya
Artist: herman salzwedel
Artist role: fotograaf
Subjects: historical persons, beard
Inscriptions: inscription: ‘(...)/ ATELIER/ van/ H. SALZWEDEL/ SOERABAYA/ JAVA.’
Ste Monique et St Augustin
Object type: reproduction
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: france
Subjects: st. monica and st. augustine in ostia
Inscriptions: inscription: ‘Propriété de Dusacq & Cie Editeurs d'Estampes à Paris’
Reproductie van het schilderij 'Mitternachtsonne' van Louis Douzette
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: autotype
Location: berlin
Subjects: sunset, farm or solitary house in landscape
Abklatsch van een krijttekening
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper
Techniques: printmaking
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888

De tekening, vermoedelijk van een figuur, is niet langer aanwezig in het schetsboek. Blad 12 verso uit een schetsboek met 53 bladen.
Aankomst van het vliegtuig met de delegatie van gouverneur A.H. Neijs voor een bezoek aan de leprozerie Pelantoengan
Object type: photograph
Date: 1905 – 1931
Materials: photographic support
Techniques: photography
Location: semarang
Artist: otto hisgen
Artist role: fotograaf
Artist dates: 1874 – 1944
Subjects: the hague, leprosarium, aircraft, aeroplane, colonial government

Aankomst van het vliegtuig van de Koninklijke Nederlandsch-Indische Luchtvaart Maatschappij met de delegatie van gouverneur A.H. Neijs voor een bezoek aan de Semarang-leprozerie in Pelantoengan in mei 1931. Losse foto in de map met herinneringsfoto's van het bezoek aangeboden aan gouverneur A.H. Neijs.
Plafondschildering van de kapel van Château de Sceaux
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: engraving, etching
Subjects: god the father as bearded old man, usually with crown or tiara or sceptre and/or globe, (decorated) ceiling, angels
Inscriptions: collector's mark: Lugt 1838, collector's mark: Lugt 240

Dit object is omwille van een betere presentatie virtueel samengevoegd, maar bestaat fysiek uit losse onderdelen.
Radbourn, Pitcher, Boston, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Barbarossaplatz en de Hohenstauffenring in Keulen
Object type: photomechanical print
Date: 1880 – 1895
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: square, place, circus, etc. (+ city(-scape) with figures, staffage), ornamental fountain (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage), cologne

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in België, Duitsland en Noorwegen.
Overlijdensbericht aan Adriaan van der Willigen
Object type: overlijdensbericht, overlijdensadvertentie
Date: 1839 – 1839
Materials: paper
Techniques: printing
Location: the hague
Artist: Anonymous
Subjects: the hague, painter, print maker, draughtsman, wijnand nuijen, haarlem, adriaan van der willigen
Inscriptions: seal
Heilige  Athanasius
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: athanasius the great, bishop of alexandria; possible attributes: book, heretic under feet, scroll
Inscriptions: collector's mark: Lugt 240

De heilige Athanasius met boek en staf, wijst omhoog naar de heilige drie-eenheid, weergegeven als een gelijkzijdige driehoek in een lichtkrans. Onder de voorstelling een onderschrift in Latijn.
Twee geknielde mannen op een kade
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: kneeling figure
Inscriptions: collector's mark: Lugt 240
Decoratief ontwerp met engelen
Object type: drawing
Date: 1874 – 1945
Materials: paper, pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: anthropomorphic ornament, lower angel(s)
Niche Stela with Nebseny Reciting Solar Hymns
Object type: false door, niche stela, solar hymn
Date: 1550 – 1400
Materials: stone
Location: egypt
Subjects: men,hieroglyphs

This is the upper section of a niche stela in which the man dedicating the monument is depicted in the niche with his arms upraised in a prayerful pose. The inscriptions on either side of the niche are prayers to the sun god Re.
Key
Object type: key
Date: 1726 – 1750
Materials: gilt bronze
Interieuronderdeel
Object type: betimmering
Date: 1500 – 1550
Materials: wood
Location: netherlands
Artist: Anonymous

Paneel, versierd met de uit de "brief" ontwikkelde bladslingers, die een kabeling in het midden vertonen en wingerdtakjes met druiventrossen in de uitgrondingen hebben.
Het Groote Tafereel der Dwaasheid
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: econoom, john law, windhandel van 1720

Portret van John Law, staande ten voeten uit, op de achtergrond een tuin met fontein. In het onderschrift een vierregelig vers in het Frans. Blad (uitgeknipt en opgeplakt) in de gebonden eerste uitgave (304 B 11) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
L'Age Heureux
Object type: tazza with medallion
Date: 1900 – 1900
Materials: bronze
Artist: victor peter
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1918
Les forces de l'Europe, ou description des principales villes, avec leurs fortifications : dessignées par les meilleurs ingenieurs, particulierement celles (...) de la France, dont les plans ont esté levez par M. de Vauban
Object type: map
Date: 1693 – 1696
Materials: paper
Techniques: etching
Location: paris
Subjects: maps of separate countries or regions, battle (+ land forces), québec

Aanval door Engelse schepen op de Fransen in de stad Québec, de aanval wordt afgeslagen, 16-22 oktober 1690. Kaart van Québc en omgeving met de Engelse vloot op de Saint Lawrencerivier voor de stad. Onderdeel van het vijfde deel (1696) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Hampstead Heath
Object type: print
Date: 1829 – 1829
Materials: chalk, ink
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: men,landscapes,storms

View of a man sitting on a hillside under a stormy sky. The proof has been touched to add a donkey in the right foreground and a pick in the man's hand. In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Stads- en dorpsgezichten in Zeeland
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Location: netherlands
Subjects: cattle, windmill in landscape, prospect of village, silhouette of village (+ city(-scape) with figures, staffage), flushing
Inscriptions: collector's mark: Lugt 2228

Prent eerst rond 1656 uitgegeven door Zacharias Roman.
Later gebruikt in: Speculum Zelandiae dat is: een beschryvinge ofte afbeelding der steden (...). Amsterdam: Nicolaes Visscher I, 1662 en in een heruitgave van dit werk in 1720 door de weduwe Ottens.
Finches and bamboo
Object type: handscroll
Date: 1101 – 1133
Materials: ink, silk
Culture: chinese
Artist: emperor huizong
Artist role: artist
Artist nationality: chinese
Artist dates: 1082 – 1135
Subjects: birds,bamboo

Huizong was the eighth emperor of the Song dynasty and the most artistically accomplished of his imperial line. Finches and Bamboo exemplifies the realistic style of flower-and-­bird painting practiced at Huizong’s academy. Whether making a study from nature or illustrating a line of poetry, however, the emperor valued capturing the spirit of a subject over literal representation. Here the minutely observed finches are imbued with the vitality of their living counterparts. Drops of lacquer added to the birds’eyes impart a final lifelike touch.
Vue du Pont Neuf, prise de l'IJ le long du Water et Damrak jusqu' au Dam
Object type: print
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: amsterdam
Subjects: rowing-boat, canoe, etc., geographical names of countries, regions, mountains, rivers, etc.
Inscriptions: collector's mark: Lugt 1641, stamp

Tweede staat gebruikt in: Nouvelle statistique historique d'Amsterdam, ou Le guide du voyageur en cette ville. Amsterdam: Evert Maaskamp, 1817, dl. 1, na p. 132.
Hanging Lamp in the Form of a Kinnari
Object type: hanging lamp
Materials: bronze
Culture: indonesian, javanese
Subjects: mythical creatures
Two Designs for Memorial Tablets
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: monuments
Temple d'Amada; Nubie, plate 99 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Januari 1809, No. 67: Robe de Cour en Satin...
Object type: magazine
Date: 1809 – 1809
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: gold-thread embroidery, dress, gown: court gown or court dress (+ women's clothes), handkerchief (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, bracelet, wristlet (+ women's clothes)
Inscriptions: caption: ‘Robe de Cour en Satin; Le Manteau en Velours.’

Volgens de begeleidende tekst (p. 32): 'Grande parure'. Rood fluwelen mantel met goud geborduurd. 'Coëffure en diamans'. Toque van wit satijn (??). Diamanten armbanden. Volgens het onderschrift: Hofjapon van satijn. Mantel van fluweel. Prent uit het modetijdschrift Elegantia, of tijdschrift van mode, luxe en smaak voor dames 1807-1814 (onderbroken door de periode 1811-1813).
Sword
Object type: sword
Date: 1601 – 1700
Materials: iron
Culture: indian, south indian
Location: south india
[U.S. Gunboat "Mendota" and Other Ships on James River, Virginia]
Object type: photograph
Date: 1864 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: american civil war,rivers,ships
Côté Occidental, Porte Latérale de droite XII Siècle
Object type: photomechanical print
Date: 1854 – 1857
Materials: cardboard
Techniques: photoaquatint
Location: chartres
Subjects: parts of church exterior and annexes
Inscriptions: inscription: ‘GRAVURE HÉLIOGRAPHIQUE sur Acier’

Plaat VII uit Monographie de la Cathédrale de Chartres.
Chessman (King)
Object type: chessman
Date: 1801 – 1900
Materials: ivory
Subjects: kings,chess,elephants
Chineese Begraffplaatz van den Lieutenant Kouw Tjanko
Object type: drawing
Materials: paper, pencil
Techniques: brush
Location: batavia
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: churchyard, cemetery, batavia
Inscriptions: inscription: ‘Chineese Begraffplaatz van den Lieutenant Kouw Tjanko’

De Chinese begraafplaats bij Brandes' huis buiten Batavia. De VOC bestuurt de Chinezen in Batavia door middel van Chinese voormannen waarvan de voornaamste de 'kapitein Chinees' is, daarna diens luitenants.
Pitcher
Object type: pitcher
Date: 1850 – 1858
Materials: porcelain
Culture: american
Location: united states
Artist: united states pottery company
Artist role: maker
Artist nationality: american
Artist dates: 1852 – 1852
Subjects: corn
Denis Lebey de Batilly, Emblemata, 1596
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: accident with (farm) wagon, freight wagon, cart
Inscriptions: collector's mark: Lugt 240

Een kar met een wijnvat staat op een stenige weg met pech. Twee mannen proberen om de kar weer op de weg te krijgen.
Dressing gown
Object type: dressing gown
Date: 1845 – 1850
Materials: cotton
Culture: american
Tropical Scenery, The Brook El Bano, Chipigana
Object type: photograph
Date: 1871 – 1871
Techniques: albumen silver print, glass negative
Artist: john moran
Artist role: artist
Artist nationality: american, born england
Artist dates: 1821 – 1903
Subjects: forests,landscapes