deem-data/ArtiFact huggingface dataset:
Gezicht op de Engelse huizen en de Munttoren
Object type: drawing
Date: 1847 – 1847
Materials: ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: inscription: ‘De munttoren te / Amsterdam / 1847’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 14.
Nutmeg Grater
Object type: metalwork
Date: 1820 – 1820
Materials: silver
Location: denmark
Christ Child and Saint Joseph
Object type: plaquette
Date: 1601 – 1633
Materials: gilt bronze
Subjects: christ,saint joseph,virgin mary
Ida Howel, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Walter Cook
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Kaartspelende militairen
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching, intaglio
Subjects: card games, guard duty, keeping sentry
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228

Deze prent is gebruik voor de titelpagina van: Les peintres Belges au XIXe. siècle. Première série. Sujets de genre. Brussel: Dero-Becker fils, 1850. Deze suite etsen bevat zes etsen van Billoin naar Madou.
Portret van Benedict Carpzov
Object type: print
Date: 1653 – 1653
Materials: paper
Techniques: engraving
Location: germany
Subjects: historical persons, pendant, trinket, 'breloque', calligraphy, trees: palm-tree, crowning with laurel, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Heilige Hieronymus in de wildernis, schrijvend
Object type: print
Date: 1682 – 1725
Materials: paper
Techniques: mezzotint
Location: london
Subjects: st. jerome as hermit in a landscape, reading
Inscriptions: collector's mark: Lugt 240
Portret van Robert Southwell op 67-jarige leeftijd
Object type: print
Date: 1702 – 1742
Materials: paper
Techniques: mezzotint
Subjects: historical persons, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 240
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: hilversum
Artist: johannes de koo
Artist role: auteur
Artist dates: 1841 – 1909
Subjects: flushing, henri pierre leonard wiessing, lodewijk van deyssel, amsterdam, painter, draughtsman, publisher, josephus albertus alberdingk thijm, the hague, philip zilcken, liège, venice
Inscriptions: collector's mark: ‘RPK’
[Three Painters, with Brushes and a Can of Paint, in Front of a Painted Window Backdrop]
Object type: tintype
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits,buckets,brushes
Drie lege miniatuurlijsten
Object type: frame
Date: 1900 – 1920
Materials: glass, metal, paper
Artist: Anonymous
Jozef en de vrouw van Potifar
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithography
Location: paris
Subjects: potiphar's wife catches joseph by his robe, usually while lying in bed; joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)
Inscriptions: collector's mark: Lugt 2233, check stamp: Lugt 36a

Prent gebruikt voor: Les Artistes anciens et modernes, dl. 1, 1850.
Upright (Lyre) Piano with Pedalboard
Object type: lyraflügel with pedalboard
Date: 1820 – 1844
Materials: wood
Culture: german
Location: germany
Artist: johann christian schleip
Artist role: maker
Artist nationality: german
Artist dates: 1786 – 1846

This type of upright piano was made almost exclusively in Berlin between 1820 and 1850. The Lyraflügel was a fashionable fixture of middle-class Biedermeier parlors in northern German lands. In the period of the Napoleonic occupation (1806–13), the lyre had become a symbol of freedom and liberation. It was popularized in songs based on the collection of patriotic poems, With Lyre and Sword, by the poet Theodor Körner (1791–1813). These songs, with their references not only to the lyres of Orpheus and Apollo but also to Friedrich Schiller’s ideas of freedom and liberation from tyranny, were sung for decades. The lyre became a widespread emblem, as ornament, as lyre guitar, or, here, as frame for the piano pedals. Schleip was the principal manufacturer of the Lyraflügel, even claiming in 1820 to be its inventor. This example is even more incredible as it originally had a full pedalboard of 27 notes that could be played by a player's feet (like an organ). Two of these pedals actually were used to control the dampers and una corda, while the remaining were bass notes, some of which duplicated the low notes on the manual, while the others extended the range from a low FF to low CC. Technical description: Upright (Lyre) piano with pedalboard: mahogany veneer case with metallic striping inlaid on nameboard and inner side of cheeks, upper portion lyre-shaped with gilt border and shafts representing springs; lyre arms extending from a central medallion bearing a relief profile of Mozart? backing on lyre panel; pedal action mounted on case floor, separate pedal soundboard and strings facing rear of case; compass manual FF-f4 (73 keys), pedal CC-d? (27 keys); ivory naturals, ebony accidentals, 2 pedals with hitches for dampers and "una corda" ; Action: manual, German "hangende" action with escapement, backcheck and spring return; damper arm lifted by back of key lever; pedal, German "stehende" action with escapement, back of key lever; pedal, German "stehende action with escapement, backcheck, spring return; pedalboard missing. Stringing: manual, lowest 22 notes, double-strung, rest triple-strung; lowest 8 notes wound with brass; pedal, double-strung throughout, lowest 13? notes originally wound with brass; pedal, double-strung throughout, lowest 13? notes originally wound. (L. Libin 19 Oct 76).
Kani Jamawar (Fabric for a Jama Coat or Shawl)
Object type: costume and accessory
Date: 1825 – 1875
Materials: wool
Techniques: interlocking, weave
Culture: persian
Location: kashmir
Subjects: paisley, botanical, floral, vines
Vier portretten van leden van de Constitutionele Commissie van de staat New York
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: historical persons (+ head (and shoulders) (portrait))
Inscriptions: number: ‘502’, annotation

Linksboven John J. Armstrong, rechtsboven Erastus Brooks, linksonder Odle Close, rechtsonder Benjamin J. Silliman.
Reproductie van twee prenten met de portretten van Johann Georg en Catharina Jenizin Gödelmann
Object type: reproduction
Date: 1875 – 1880
Materials: paper
Techniques: photolithography
Location: amsterdam
Subjects: germany, historical persons
Inscriptions: inscription: ‘ENTOURAGES exécutés par Egide Sadeler (...)’, monogram: ‘JJvY’, inscription: ‘LITT. E. - PL. 40’
Reclining mouflon
Object type: sculpture
Date: 2600 – 1900
Materials: marble
Culture: indus
Location: indus valley
Subjects: animals
Landschap met figuren bij een hut met twee vlaggen
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: flags flown from a mast, landscapes (+ landscape with figures, staffage)

Blad 56 verso uit een schetsboek met 61 bladen.
Glass finger ring
Object type: ring
Date: 1 – 100
Materials: glass
Culture: roman

Colorless with opaque white trail; intaglio in translucent honey yellow. Circular hoop, with round cross section; flat oval intaglio. Hoop decorated with spiral twisted trails; on intaglio, two figures. Ring intact; part of intaglio missing; dulling and slight pitting.
Portret van Ludovico Ariosto
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: ludovico ariosto, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Twee kinderen op het Petersfriedhof, Salzburg
Object type: stereograph
Date: 1862 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: salzburg
Subjects: churchyard, cemetery
Inscriptions: number: ‘No. 4’
Herder met koe in het bos
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: forest, wood (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Fragment
Object type: fragment
Date: 1801 – 1900
Materials: linen, silk
Techniques: lace
Guillaume Francois de Paffenrode, magistraat van de schatkist van Brussel
Object type: jeton
Date: 1601 – 1698
Materials: copper
Techniques: striking
Location: brussels
Artist: Anonymous
Subjects: brussels

Koperen penning. Voorzijde: gehelmd wapenschild, geflankeerd door twee leeuwen met banieren. Keerzijde: opschrift binnen bloemenkrans
Watch
Object type: watch
Date: 1835 – 1835
Materials: enamel, gold
Artist: p.a. grasseli
Artist role: maker
Artist dates: 1775 – 1875
Subjects: animals,trees
Fridolin ou le page du roi de Portugal / Fridolin of den edelknaep van den koning van Portugael
Object type: print
Date: 1856 – 1900
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen uit het verhaal van Fridolin, die door Robert vals wordt beschuldigd. De koning van Portugal beveelt de smid de eerste persoon die binnenkomt in de oven te werpen, en stuurt Fridolin naar hem toe. Maar deze ontkomt doordat hij eerst naar de mis gaat. Robert ondergaat Fridolins lot. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: n 67.
C.A.J. Queckberner, Shot Put, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,athletes

Trade cards from "World's Champions," Series 2 (N29), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Positano
Object type: photograph
Date: 1888 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: positano

Uitzicht over de berg waarop de stad Positano is gelegen aan de kust van Amalfi.
Plaag van de sprinkhanen
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: haarlem
Subjects: the plague of locusts: as moses raises his hands the locusts come and eat everything that has survived the hail
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel I. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Benavente
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: gelatin silver print, hand coloring
Location: paris
Artist: léopold reutlinger
Artist role: fotograaf
Artist dates: 1863 – 1937
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘MANUFACTURE/ ORION W. LEMER.’

Dergelijke foto's stonden bekend als 'zwartjes'. Men verkreeg ze bij aanschaf van bepaalde merken thee, cacao, sigaretten, beschuit, etc. om te verzamelen. Er waren speciaal voor de 'zwartjes' vervaardigde verzamelalbums in omloop.
Aankomst van Willem IV te Amsterdam, 1748
Object type: print
Date: 1853 – 1861
Materials: paper
Techniques: tone lithography
Location: netherlands
Subjects: the hague, willem iv (prins van oranje-nassau), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', amsterdam
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Jacob van Lennep, De geschiedenis des vaderlands in schetsen en afbeeldingen, Binger, Amsterdam 1855-1861, 8 delen, pl. LXVI. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller.
Watch
Object type: watch
Date: 1620 – 1620
Materials: gilt, metal
Subjects: flowers
Prodigio dis. Pasquale, / Seguite in Tuvani nella Corsica nel Convento de Padri / Minori Riformati
Object type: text sheet
Date: 1760 – 1760
Materials: paper
Techniques: letterpress printing
Location: italy
Inscriptions: collector's mark: Lugt 2228
Laocoonte
Object type: photograph
Date: 1863 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Artist: michèle mang
Artist role: fotograaf
Artist dates: 1840 – 1909
Subjects: laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘31.’
De engel der bergen
Object type: print
Date: 1876 – 1877
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Artist: willem de lucht
Artist role: print maker
Artist dates: 1849 – 1895
Subjects: head-gear: turban, unconsciousness, horse, churchyard, cemetery, veil
Inscriptions: collector's mark: Lugt 2228

Een man met een tulband draagt een gesluierd, bewusteloos meisje een kerkhof uit. Op de achtergrond staat een paard.
Commode
Object type: commode
Date: 1745 – 1750
Materials: gilt bronze, lacquer, marble, wood
Techniques: lacquer, veneering
Artist: jean desforges
Artist role: maker
Artist dates: 1740 – 1757
Subjects: chinoiserie,flowers

The stamp D.F. is found on a number of related mid-eighteenth century commodes either decorated with Asian lacquer or with European imitation lacquer. It is believed that the cabinetmaker Jean Deforge, member of a family of Parisian ébénistes by that name, was responsible for this group and for this particular commode veneered with red Chinese lacquer as well. Jean Deforge was connected with a circle of important craftsmen in Paris: he was related through his marriage with Françoise Pottier (or Pothier) to the cabinetmaker and furniture dealer Albert Pottier, while his younger sister married Guillaume Martin, one of the Martin brothers famous for their imitation lacquer usually called vernis Martin. The two drawers of this commode are sans traverse (meaning without a shelf between them). Although gilt bronze beautifully frames the panels of red lacquer on the front and sides, protects the corners and feet, there are no handles on the drawer fronts which makes it difficult to open them. This may indicate that this commode might have been considered primarily as a display piece rather than having been used for actual storage. By the mid-eighteenth century Chinese red and gold lacquer was made and exported to Europe where it was used for wall decoration and for the fronts of commodes. It is known that the luxury dealer or marchand mercier Lazare Duvaux sold five red lacquer commodes between 1754 and 1758, signifying that there was a certain market for them in Paris. A detailed description of how to reuse Asian lacquer as veneer for European furniture was published by Andre-Jacob Roubo in his treatise L’Art du Menuisier of 1769-75. Roubo described how the lacquer should be cut from its wooden substrate to prevent cracking. Heat was used in order to carefully bend the lacquer to the shape of the piece of furniture to which it was subsequently glued. Roubo also suggested framing the lacquer with gilt-bronze mounts to mask the joints and hide any damage that might have occurred during the cutting process. Even though this commode predates Roubo’s publication by a number of years, it illustrates that these techniques were already practiced at an earlier date.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, tendril from handle palmette
Buste van Jan Zizka, hertog van Bohemen
Object type: print
Date: 1712 – 1762
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: commander-in-chief, general, marshal, battle
Inscriptions: collector's mark: Lugt 2228

Buste van Jan Žižka z Trocnova a Kalicha (Jan Zizka), leider van de Hussieten en hertog van Bohemen. Op de achtergrond een veldslag.
Villetard. Jules, Pierre. 42 ans, né à Ligny-le-Chastel (Yonne). Terrassier. Anarchiste. 5/3/94
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
In de droom
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: lithograph
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: face, flying mammals: bat
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
The Industrious 'Prentice Performing the Duty of a Christian: IIndustry and Idleness, plate 2
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: interiors,men,women,reading
Dubbelportret van de verzamelaars Guido von Usedom en Gustav von Houwald
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: lithograph
Location: rome
Artist: otto greiner
Artist role: print maker
Artist dates: 1869 – 1916
Subjects: politician, art collector (+ graphic arts)
Inscriptions: signature, date and inscription: ‘O. Gr. 30 Oct. 1913 Rom / XX Dr.’, collector's mark: Lugt 4780, collector's mark: ‘Sammlung / Guido v. Usedom’
Chains, 3
Object type: chain, 3
Date: 3900 – 100
Materials: bronze
Culture: cypriot
Portret van William Shenstone
Object type: print
Date: 1744 – 1850
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: william shenstone, historical persons, portrait of a writer
Inscriptions: number: ‘22’
Weaning the Calves
Object type: painting
Date: 1879 – 1879
Materials: canvas, oil
Artist: rosa bonheur
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1899
Subjects: cows

The scene is probably located on one of the high pasturelands of the Pyrenees. Rosa Bonheur took a trip there in 1850 and brought back many studies that she used throughout her career.
Portret van Ferdinand graaf van Hohenfeld
Object type: print
Date: 1670 – 1674
Materials: paper
Techniques: engraving, etching
Location: vienna
Subjects: ferdinand graaf van hohenfeld
Inscriptions: collector's mark: Lugt 2228

Portret van Ferdinand, graaf van Hohenfeld, vrijheer van Aistersheim en Allmeg. Onderaan in de marge een vierregelige tekst in het Italiaans. Rechtsboven genummerd: 34
Shabti of Yuya
Object type: shabti, yuya
Date: 1390 – 1352
Materials: wood, ink
Location: egypt
Subjects: hieroglyphs

The shabtis of Tjuyu (30.8.56–.59) are particularly fine examples of this type of funerary figurine.
Pendant with Charity and Her Children
Object type: pendant
Date: 1567 – 1633
Materials: diamond, gemstone, gold, pearl
Techniques: enamel
Subjects: children,women

Yvonne Hackenbroch attributed this jewel to an Augsburg goldsmith working in the style of Daniel Mignot, a French Huguenot ornamental engraver, who was in Augsburg in the early 1590s and published a large number of engraved designs for jewels. A few of these are in the style associated with the Augsburg enamel work of David Altenstetter of around 1600, but many more have the airy, open, scrolled backs, decorated with swags and grotesques like those found on the reverse side of this pendant. One series of designs, dated 1593, illustrates pendants decorated with the Cardinal Virtues, including Charity clad only in a loose, open robe. Mignot’s designs must have circulated widely, for at least three of them from the series of the Virtues were copied with minor revisions by Johann Israël and Johann Théodore de Bry. The goldsmith who made this jewel has modified the Mignot designs considerably, but he must have had extensive knowledge of them, for he adopted decorative details from several engravings in different series. At some time in its history, this jewel was broken in two, and there is evidence of at least two attempts to refurbish it. The back was soldered together, and the small figures of Hope and Faith were added to strengthen the repair. The six cross-shaped jewel settings, each holding a ruby in the center and diamonds in the arms of the cross, were either repaired or, more likely, newly made. Still another, less skillful, goldsmith replaced or reenameled the base on which Charity stands and reset the jewels.
Spelend kind met hond
Object type: print
Date: 1525 – 1525
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: barthel beham
Artist role: print maker
Artist dates: 1502 – 1540
Subjects: child playing with animals, dog
Inscriptions: collector's mark: Lugt 240

Ornamentprent met een kind dat speelt met een hond en bloemmotieven met bladwerk op de achtergrond op een cirkelvormige afdruk
Valance
Object type: valance
Date: 1860 – 1860
Materials: silk
Techniques: weave
Culture: french
Location: switzerland
Heemskerk's Memorie van Antwoord
Object type: cartoon
Date: 1909 – 1909
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, abraham kuyper, amsterdam, utrecht, snuffers, candle, political caricatures and satires

Abraham Kuyper als een kaars uitgedoofd door de Heemskerk's Memorie van Antwoord.
Portret van Constantijn Huygens
Object type: print
Date: 1672 – 1690
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: abraham bloteling
Artist role: draughtsman, print maker, publisher
Artist dates: 1640 – 1690
Subjects: constantijn huygens (i)
Inscriptions: collector's mark: Lugt 2228

Borstbeeld van Constantijn Huygens heer van Zuylichem, secretaris van Frederik Hendrik, Willem II en Willem III, en dichter, in ovaal.
The Living Basket
Object type: print
Materials: paper
Techniques: etching, roulette
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1800 – 1899
Limestone head of a veiled female votary
Object type: head of a woman
Date: 400 – 1
Materials: limestone
Culture: cypriot
Subjects: heads,women

Female head with veil and earrings.
Nouueaux Desseins de Cheminees a l'Italiene
Object type: ornament print
Date: 1665 – 1670
Materials: paper
Techniques: etching
Location: france

Onderboezem bekroond met cupido die een palmtak en een olijftak vasthoudt. Opstand met profiel en plan, met schaal in Franse voet. Blad 1 uit serie van 6.