deem-data/ArtiFact huggingface dataset:
Designs for Brackets with Silverwork
Object type: print ornament architecture
Date: 1667 – 1700
Techniques: engraving, etching
Artist: jean berain
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1711
Subjects: garlands,ornament,mythical creatures,furniture,vases

Etching and engraving with designs for brackets with silverwork, designed by Jean I Berain. Entrusted with drawings for costumes, stage sets, and royal ceremonies at the 'Academie Royale de la Musique' since 1680, Berain's ingenious creations took acanthus and laurel leaves, palmettes and grotesques, mixing them with dancers, acrobats, monkeys and satyrs, to create his own, imaginative, theatrical world. His designs were multiplied and disseminated by means of engravings, his design motifs and manner objects becoming highly influential in the closing years of the seventeenth century. This design contains five designs for bracquets in the manner of the time, made up of scrolling strapwork decorated with scrolling acanthus leaves and thin garlands with flowers and leaves, ornamental vases, grotesques, and mythical creatures with human faces and butterfly wings.
Gezicht op waterwerken in de Ganges
Object type: page
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: india
Artist: thomas george glover
Artist role: fotograaf, luitenant-kolonel
Artist dates: 1825 – 1881
Subjects: river
Inscriptions: inscription: ‘main canal. mile 9.’, inscription: ‘Plate VIII’
Waistcoat
Object type: waistcoat
Date: 1760 – 1760
Materials: metal thread, silk
Culture: french
Scene from 'A Winter's Tale'
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: united states
Artist: charles robert leslie
Artist role: artist
Artist nationality: british
Artist dates: 1794 – 1859
Brand van de Nicolaikerk te Hamburg, penning geslagen uit het koper afkomstig van de kerktoren
Object type: history medal
Date: 1842 – 1842
Materials: copper
Techniques: engraving, striking
Location: bremen
Artist: marten heinrich wilkens
Artist role: goldsmith
Artist dates: 1782 – 1869
Subjects: sankt nikolaikirche (hamburg)
Mensen op een grindpad in een tuin
Object type: photograph
Date: 1935 – 1950
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: norbert van den berg (1901-1972)
Artist role: amateurfotograaf
Artist dates: 1901 – 1972
Subjects: garden, road, path
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues; head of woman wearing diadem, necklace, chiton and himation, with her left arm extended and her right hand holding a sceptre with a floral finial
Portret van Georg Teuffel
Object type: print
Date: 1591 – 1662
Materials: paper
Techniques: engraving
Artist: wolfgang kilian
Artist role: print maker
Artist dates: 1581 – 1662
Subjects: city council, commander-in-chief, general, marshal, historical persons, counsellor
Inscriptions: collector's mark: Lugt 2228
Gezicht op het Kurhaus in Scheveningen
Object type: photograph
Date: 1887 – 1900
Materials: paper
Techniques: albumen print
Location: scheveningen
Artist: Anonymous
Subjects: public baths
Plattegrond van Arras, 1711
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: the hague
Subjects: johan willem friso (prins van oranje-nassau), john churchill (1e hertog van marlborough), maps of cities

Plattegrond van de versterkingen om de stad Arras (Atrecht), ca. 1711. Genummerd rechtsonder: Tom. II. No. 53. Illustratie in het tweede deel van : [Jean] du Mont, Oorlogskundige beschryving van de veldslagen en belegeringen, der drie ... wydvermaarde krygsoversten... den Prins Eugenius van Savoye, den ... Hertog van Marlborough, en den Prins van Oranje en Nassau-Vriesland, in de editie van 1729. Dit tweede deel is hoofdzakelijk gewijd aan de daden van de hertog van Marlborough en prins Johan Willem Friso.
Schets van een lopende vrouw
Object type: drawing
Date: 1867 – 1928
Materials: chalk, paper
Artist: hendrik johannes haverman
Artist role: draughtsman, print maker
Artist dates: 1857 – 1928
Subjects: africans (bedouins)
Gezicht op het Rijksmuseum, zijde Stadhouderskade
Object type: drawing
Date: 1900 – 1999
Materials: paper, pencil
Artist: Anonymous
Subjects: permanent exhibition, museum
Onderkant van een doosje
Object type: box
Date: 1898 – 1898
Materials: cardboard
Location: amsterdam
Artist: johannes albertus adolf gerritsen
Artist dates: 1840 – 1904
Subjects: the hague, print maker, wilhelmina of the netherlands, netherlands

Onderkant van een kartonnen doosje met een goudkleurig randje en een gekroonde W.
Dr. Syntax Loses His Wig
Object type: drawing
Date: 1820 – 1820
Materials: graphite, paper
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Ex libris van Hans Baedeker
Object type: bookplate
Date: 1900 – 1959
Materials: paper
Techniques: woodcut
Location: germany
Artist: adalbert duntze
Artist role: print maker
Subjects: trees, sitting figure, walking, hiking (recreation)
Tafel met poten in de vorm van gestileerde zuilen verbonden door een dubbel Y-vormig kruis
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: table
Inscriptions: number: ‘LIV (K 263) 162’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’, collector's mark: ‘Kunstnijverheidschool Quellinus Amsterdam Frans Halsstraat 14.’
Half mask (Menpō)
Object type: half mask menpō
Date: 1615 – 1868
Materials: iron, lacquer, silk
Culture: japanese
Location: japan
Candlestick (one of a pair)
Object type: ceramic
Date: 1810 – 1820
Materials: earthenware
Techniques: glazing
Location: sunderland
Interieur van de Galerie de Diane in het Palais des Tuileries te Parijs
Object type: stereograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: tuileries palace
Artist: Anonymous
Subjects: chandelier, candelabrum, gallery (spacious corridor), interior ~ representation of a building, tuileries palace
Chest
Object type: chest
Date: 1601 – 1700
Materials: wood
Portrait of a girl
Object type: relief
Date: 1801 – 1900
Materials: gilt, wax, wood
Subjects: girls,profiles
Rabāba
Object type: rabāb
Date: 1867 – 1900
Materials: plant material, wood, hair, iron, pearl
Culture: egyptian
Location: egypt

Rabāba or kamānja agūz, a spike fiddle used today to accompany folk singers. Two horsehair string pass over a coconut resonator covered with skin. The resonator can be turned on the spike to facilitate bowing. Once an integral part of the Arabic ensemble, it is today replaced by the violin and used only to accompany folk singers. The player may either sit cross-legged on the ground with the instrument to the front or on a chair with the spike resting on the chair between his legs or in a cup on his knee. Rabāba also refer to a quadrangular single-string instrument used in Saudi Arabia and the term kamānja agūz is an obsolete Egyptian name derived from the Persian term for this type of bowed lute.
Porch to refectory of ruined abbey, Merivale, Warwickshire
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: merevale
Subjects: ruin of church, monastery, etc.
Brief aan Jan Veth
Object type: letter
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen, writing
Location: utrecht
Artist: cornelis winkler
Artist role: hoogleraar
Artist dates: 1855 – 1941
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Vrouw die een hoed voor haar hoofd houdt
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: adult woman, head-gear: hat (+ women's clothes), tea-pot; samovar, cup and saucer

Tevens een studie van een theepot en een kop en schotel. Blad 5 recto uit een schetsboek met 28 bladen.
Forget Me Not (valentine)
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: cutting, embossing, hand coloring, lithograph
Location: england
Artist: george kershaw
Artist nationality: english
Artist dates: 1800 – 1899
Portrait of Jean-Louis Robin
Object type: drawing and watercolor
Date: 1810 – 1810
Materials: graphite, paper
Techniques: drawing, stumping
Location: france
Artist: jean–auguste–dominique ingres
Artist nationality: french
Artist dates: 1780 – 1867

Ingres famously said that “Drawing is everything; it is all of art,” and that “Smoke itself should be expressed by a line.” His celebrated portrait drawings exemplify his devotion to pure line.
Ingres drew his portrait of Jean-Louis Robin, chief physician of the French Hospital in Rome, from the Villa Medici, the site of the French Academy in Rome, where the artist was in residence at the time. In the distance, drawn with technical precision, is Saint Peter’s Basilica.
Using only graphite, with an astonishing economy of means and in the absence of color and modeling, Ingres rendered a personality and a setting as fully realized as in any painted portrait.
Drie paardenhoofden
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Artist: martin ferdinand quadal
Artist role: print maker
Artist dates: 1736 – 1808
Subjects: horse
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 971

Prent onderdeel van de serie: A variety of Tame and Wild Animals Studies from nature (...). Londen: Quadal, 1793.
Portret van Franz Volkmar Reinhard
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: stippling
Location: leiden
Artist: philippus velijn
Artist role: print maker
Artist dates: 1787 – 1836
Subjects: historical persons

Prent mogelijk uit: Reinhard, Franz Volkmar. De christelijke zede-leer (...). Leiden: Abraham en Jan Honkoop, 1812, dl. 7.
Portret van Anna Stuart, koningin van Engeland en Schotland
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: mezzotint
Location: london
Subjects: anna stuart (koningin van engeland en schotland), historical persons, queen
Inscriptions: collector's mark: Lugt 240
Tile with Buddha Triad
Object type: relief
Date: 651 – 700
Materials: earthenware
Culture: japanese
Subjects: buddhism,bodhisattvas,buddha

Clay relief tiles with figures of the Buddha, known as senbutsu, were made for only a short period of time, between the second half of the seventh and the early eighth century. Here, the Buddha sits beneath a canopy with two (unidentifiable) attendant bodhisattvas in front of the sacred bodhi tree. This example is believed to have been an interior wall decoration at Tachibanadera Temple in Asuka, near the ancient capital of Nara.
Monju Bosatsu with Eight Sacred Sanskrit Syllables
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Subjects: lions,buddhism,bodhisattvas

Monju (Sanskrit: Manjushri), the Bodhisattva of Wisdom, is seated on a lion against an ovoid nimbus edged with flames. He wears a crown decorated with eight miniature Buddhas and holds a sword and a long stemmed lotus flower supporting a vajra—a pronged implement with origins in Indian weaponry. In other manifestations of the bodhisattva, Monju’s lotus typically supports a Buddhist scripture, but here the vajra is an emblem of wisdom. Monju is surrounded by eight Sanskrit seed syllables, or sacred utterances symbolizing the eight guardian youths) from a mantra invoking him. Inscribed in the upper part of the painting is a verse praising Monju, dated to 1371 on the day following the arrival of winter. It says, “In the past, you were the bodhisattva Ryūshu, and in the future, you will become the Buddha Fuken, the patriarch of the Seven Buddhas, the mother who gives rise to wisdom [the Buddha], Great Master Monju!” The painting would have been used in rituals performed for the purpose of warding off natural disasters, and is said to have belonged to the temple Daigoji near Kyoto.
Collection Nilsson - Nouvelle Série
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: new york (city), historical persons - bb - woman, portrait of actor, actress
Inscriptions: number: ‘No 299’
Fragment of a bowl with a frieze of bulls in relief
Object type: bowl
Date: 3300 – 2900
Materials: mineral, stone
Location: southern mesopotamia
Subjects: bulls
Cutout
Object type: cutout
Date: 1892 – 1892
Materials: brass
Techniques: chasing
Location: india
Artist: lockwood de forest
Artist role: designer
Artist nationality: american
Artist dates: 1850 – 1932

A key figure in the Aesthetic movement, New York-born artist Lockwood de Forest (1850–1932) was very inspired by Indian arts and crafts, and created the Ahmedabad Woodcarving Company in Gujarat, which exported many items to the United States. These cut and chased brass cutouts, designed by de Forest, were based on examples found in wood, plaster, and stone in Indian architecture. In his designs, they would have been used as ornament on architecture or furniture.
Gezelschap bij de ruïne van de abdij te Rijnsburg
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: etching
Location: haarlem
Artist: joannes pieter visser bender
Artist role: draughtsman, print maker
Artist dates: 1785 – 1813
Subjects: ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Gezicht op de ruïne van de abdij te Rijnsburg. Op de voorgrond een gezelschap.
Bergachtig landschap in Frankrijk met velden en een kerk op een rots
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: field filled with a crop, church (exterior), mountains, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Willem V vertoont zich als Ridder in de Orde van de Kousenband op het bordes van Huis ten Bosch, 1752
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: the hague, william v (prince of orange), knighthood order
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: P.A. Loosjes, Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (...).Twee-en-twintigste deel. Beginnende met den jaare 1752 en eindigende met den jaare 1758 ... ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie.
Apollo
Object type: drawing and watercolor
Date: 1600 – 1620
Materials: chalk, ink, paper, lead, pigment
Techniques: heightening, pen
Location: netherlands
Artist: after jan harmensz muller
Keizerrijk Frankrijk, Napoleon III, 10 centimes,1853 A
Object type: tien centime
Date: 1853 – 1853
Materials: bronze
Techniques: striking
Location: paris

Bronzen munt. Voorzijde: hoofd van de keizer naar links. Jaartal onderaan. Keerzijde: op bundel, waaruit bliksemschichten, staande, naar rechts kijkende adelaar met gespreide vleugels, waaronder de letter A [=Parijs]. Waarde-aanduiding onderaan in omschrift. Gladde rand.
Rmt. de Mr. Duc de Bretagne Compa. G. Monsr. barly Colt.
Object type: drawing
Date: 1713 – 1720
Materials: paper
Techniques: drawing, writing
Location: northern netherlands
Artist: Anonymous
Subjects: (military) flags and standards

Frans vaandel veroverd bij de slag bij Ramillies 1706. In het boek met tekeningen van Franse vaandels, standaarden en pauken, veroverd tijdens de Spaanse Successieoorlog (1701-1713).
Portretten van hedendaagse kunstenaars uit het Verenigd Koninkrijk der Nederlanden
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Subjects: brussels, print maker, charles spruyt, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 12
Piece
Object type: piece
Date: 1801 – 1833
Materials: silk
Culture: japanese
't Hoogh-heemraetschap vande Uytwaterende Sluysen in Kennemerlandt ende West-Frieslandt
Object type: map
Date: 1680 – 1680
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195

Eerste deel van een kaart van Kennemerland en West-Friesland. Rechtsonder genummerd: 1.
Plattegrond van Gent
Object type: area plan
Date: 1745 – 1745
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: fortified city, maps of cities, ghent
Inscriptions: date

Plattegrond van Gent. Rechtsboven een kader met titel en schaalstok: 400 Toises.
Coffin
Object type: coffin
Date: 301 – 400
Materials: paint, wood
Culture: coptic
Location: egypt
Sr. Samuel House
Object type: print
Techniques: etching, roulette
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,drinking
Vuurbok van verguld brons met liggende hond
Object type: andiron
Date: 1775 – 1800
Materials: bronze
Techniques: gilding
Location: france
Artist: Anonymous

Verguld bronzen vuurbok. Op een verhoging op een rechthoekige plaat, rustend op twee rechthoekige steunen, ligt een hond. Het gehele basement is licht gebogen. De steunen worden geflankeerd door versierde consoles en vertonen vlakke velden met guttae. In het midden is een rosetvormig motief aangebracht. De dekplaat vertoont aan de voorkant een eierlijst met een bloemmotief in de hoeken. De dekplaat en verhoging hebben uitgespaarde hoeken.
Schellagh
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: prospect of village, silhouette of village, coat of arms (as symbol of the state, etc.), ruins (garden ornaments), garden, french or architectonic garden; formal garden, armorial bearing, heraldry, country-house
Inscriptions: collector's mark: Lugt 2228

Gezicht op de heerlijkheid Schellach, gelegen tussen Middelburg en Veere, in vogelvluchtperspectief. Linksboven het wapen van de familie Boudaen Courten, die de heerlijkheid in haar bezit had sinds Hendrik Boudaen Courten het had gekocht. Boven in het midden een banderol met de titel. Rechtsboven een putto met het wapen van Brigdamme. Rechts op de voorgrond een ruïne als middelpunt van de aangelegen tuin van de hofstede. Rechtsboven gemerkt: Pag. 662.
See 11.215.732
Object type: vessel fragment, join with 11. 215. 732
Date: 1390 – 1353
Materials: glass
Location: egypt
Dish
Object type: dish
Date: 1301 – 1400
Materials: earthenware, glaze
Location: iran

This object was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Vrede van Neustadt tussen Rusland en Zweden 1721 (Russische tekst)
Object type: history medal
Date: 1721 – 1721
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde een ark op zee waarboven een duif met olijftak, op de achtergrond Petersburg en Stockholm door een boog verbonden, met Russisch omschrift en afsnedetekst, op de keerzijde twaalf regels Russische tekst.
Annotaties
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: ink, paper
Techniques: writing
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘Paard. Rokin/ Rokin beurspleintje/ afbraak Sinkel Nieuwendijk/ Damrak studies/ Lijnbaansgr. b/ Leidsche Kruisstraat/ Prinsengr. [..] d Elandsgracht/ Damrak/ Kerk te Haarlem/ Damrak/ afbraak Agnietenstraat/ Prins Hendrikkade avond/ Oudekerks toren/ Brug Keizersgr. b/d Reguliersstraat/ Toren kerk Haarlem/ Korte Prinsengracht b/ Brouwersgr/ Kermis Haarlemmerplein/ Spaarne Haarlem/ Muntplein uit de Bodega/ Huizen hoek Kalverstraat & Munt/ Brug Singel b/d Paleisstraat/ Afbraak Damrak (Passage)/ Poortje Heiligland Haarlem/ Damrak v.d. oude brug gezien/ Spui/ Rokin met OZ. Kapelpoort/ afbraak Agnietenstraat/ Meiden Haarl. plein/ Keizersgr. b/d Beerenstraat/ Handkarren Stadh. k. Vondelpark/ Damrak/ Beulingstraat/ Prins Hendrik kade avond’

Annotaties. Pagina 1, voorste schutblad, uit een schetsboek met 46 bladen vervaardigd te Amsterdam en Haarlem.
Fotoreproductie van een geschilderd portret van Ludwig van Beethoven door Carl Jaeger
Object type: cabinet photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, portrait of composer, picture, painting
Inscriptions: annotation: ‘L. von Beethoven/ 1770 - 1827’, name: ‘Jäger pinx. Déposé Registered/ Fr. Bruckmann pho[...]’
Tafel om ontwikkelvloeistof te circuleren
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: table
Botanical Painting: Geranium
Object type: illustrated single work
Date: 1630 – 1630
Materials: paper
Location: india

This work depicts a geranium plant with several pinkish-red flowers and buds sprouting from a central stem with a number of leaves. The painting has been mounted with three borders: the innermost in blue with gold floral motifs, the middle of orange and gold flowers, and the outermost on tan paper with gold flowers.
Kat en eenden
Object type: sketchbook leaf
Date: 1839 – 1872
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: cat, water-birds: duck

Blad 40 recto uit een schetsboek met 73 bladen.
A Fountain in the Park
Object type: drawing
Date: 1831 – 1831
Materials: chalk, graphite
Location: germany
Artist: karl blechen
Artist role: artist
Artist nationality: german
Artist dates: 1798 – 1840
Subjects: fountains
Madonna and Child
Object type: painting
Date: 1452 – 1512
Materials: gold leaf, paint, wood
Artist: antoniazzo romano (antonio di benedetto aquilio)
Artist role: artist
Artist nationality: italian
Artist dates: 1435 – 1508
Subjects: madonna and child,nursing
Footed bowl
Object type: bowl
Date: 7333 – 7001
Materials: granite
Location: syria