deem-data/ArtiFact huggingface dataset:
Titelpagina voor de Europische Mercurius van 1743
Object type: titelblad, titelpagina
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: vienna, maria theresia (rooms-duits keizerin)
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor het Nederlandsch Gedenkboek of Europische Mercurius, over het jaar 1743. De Nederlandse Leeuw met zwaard op een voetstuk voor Mars, een portret van Maria Theresia op de grond, rechts de wenende Europa met stier, op de achtergrond de vlammen van de oorlog.
Eenden
Object type: sketchbook leaf
Date: 1856 – 1870
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: water-birds: duck

Blad 16 recto uit een schetsboek met 39 bladen.
Gezicht op Paramaribo en de Surinamerivier
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: albumen print
Location: paramaribo
Artist: julius muller
Artist role: official, politician
Artist dates: 1846 – 1902
Subjects: prospect of city, town panorama, silhouette of city

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Europa, Trinidad, Haïti, Martinique en Suriname.
Standing Soldier with a Spear
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, spanish, school of seville, 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1600 – 1700
Subjects: soldiers,spears
Henri-Jules de Bourbon, duc d'Enghien
Object type: print
Date: 1661 – 1661
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits
Rank Badge with Design of Mountains, Waves and Bats
Object type: rank badge
Date: 1867 – 1933
Materials: metal thread, silk
Culture: chinese
Subjects: bats,waves
Landscape in the style of Wang Meng
Object type: fan
Date: 1824 – 1824
Materials: ink, paper
Culture: chinese
Artist: zhu angzhi
Artist role: artist
Artist nationality: chinese
Artist dates: 1764 – 1841
Portret van Jacques Necker
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving
Location: basel
Subjects: official; civil servant; functionary (in general), historical persons
Inscriptions: collector's mark: Lugt 2228
Vier gipsen afgietsels van panelen, vermoedelijk afkomstig uit Oudenaarde
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation, annotation: ‘M 0.53 hoog - M 0.30 breed’, annotation: ‘Oudenaarde’
Pendant
Object type: pendant
Date: 1201 – 1600
Materials: gold
Culture: sonso
Location: colombia
Slag bij Saint-Denis, 1567
Object type: history print
Date: 1565 – 1573
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: battle, fighting in general

Gekopieerd naar de prent in: Jean Tortorel et Jacques Perrissin, Premier volume contenant quarante tableaux ou Histoires diverses qui sont memorables touchant les Guerres, Massacres et Troubles advenus en France en ces dernieres annees : le tout recueilly selon le tesmoignange de ceux qui y ont esté en personne et qui les ont veus : lesquels sont pourtraits à la vérité, Genève ca. 1570. Bibliotheek Rijksmuseum: 329 A 2, pl. 28.
Vallei met een kasteel
Object type: drawing
Date: 1784 – 1786
Materials: chalk, ink, paper, pencil
Techniques: brush
Location: amsterdam
Subjects: castle, lake, cattle driving, cattle driver

Landschap met achter het geboomte een kasteel. Op de voorgrond veedrijvers met koeien en schapen bij een meer. De doordruktekening ligt los in een album, zie blad 40.
Twee vrouwen in Volendamse klederdracht staand op een dijk
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: volendam
Artist: george hidderley
Artist role: fotograaf
Subjects: folk costume, regional costume (+ women's clothes), dikes, levee

Onderdeel van fotoalbum met opnames van Volendam, Dordrecht, Gorinchem en Woudrichem.
The Two Junior Princes of Spain and Maria Isabella, their Sister
Object type: print
Date: 1805 – 1811
Materials: paper
Techniques: etching
Location: london
Subjects: earl, prince, historical persons, brothers or sisters (second degree family relationships)
Inscriptions: collector's mark: Lugt 2228

Prent uit: La Belle assemblée: or Bell's court and fashionable magazine, mei 1811, dl. 18.
Plate
Object type: ceramic
Date: 1866 – 1875
Materials: earthenware
Techniques: enamel, glazing
Location: france
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Maison de campagne des Monstres à quelques milles de Palerme
Object type: watercolor
Date: 1778 – 1778
Materials: chalk, paper, watercolor
Techniques: brush, pen
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Inscriptions: inscription: ‘No 274 Maison de campagne des Monstres à quelques milles de Palerme’

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Altinnik of 3 kopeken uit Rusland van tsaar Peter I,1712
Object type: coin
Date: 1712 – 1712
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: dubbelkoppige gekroonde adelaar met gespreide vleugels en met in zijn poten scepter en bol met daarop kruis. Boven de adelaar een kroon. Keerzijde: in twee regels de waarde-aanduiding: altinnik, waaronder jaartal. Gladde rand.
Sullivan, Left Field, Chicago, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Mlle. Darce, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Document gericht aan M.J. Sanou
Object type: document
Date: 1943 – 1943
Materials: ink, paper
Techniques: printing, typewriting, writing
Location: amsterdam
Subjects: netherlands
Inscriptions: date

Een brief gericht aan M.J. Sanou, verband houdende met het betalen van f300,00 als cautie vanwege zijn beroep als aardappelhandelaar. Gesigneerd en gedateerd.
Portret van een man met baard
Object type: cabinet photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: ernst ulbrich
Artist role: fotograaf
Subjects: adult man, historical persons, beard
Huis met een watermolen
Object type: sketchbook leaf
Date: 1874 – 1874
Materials: ink, paper, pencil
Techniques: brush
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: watermill

Achterste schutblad uit een schetsboek met 27 losse bladen.
Fragment van een grafzerk met beeldhouwwerk
Object type: grafzerk, zerk
Date: 1497 – 1497
Materials: stone
Location: berne
Subjects: bern (gelderland)

Fragment van de linkerzijkant van de grafzerk van Arent van Malsen. Het fragment heeft een rondschrift en bladranken op het middenveld. Het fragment hoort bij zeven fragmenten van een incomplete grafzerk (BK-NM-8657-B-1 t/m BK-NM-8657-B-8).
H.E. Sir H. Bartle, E. Frere, G.C.B.&c
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: colonial governor
Optocht NSB
Object type: photograph
Date: 1936 – 1937
Materials: photographic support
Techniques: gelatin silver print
Location: utrecht
Artist: Anonymous
Subjects: military parade, pageant, amsterdam

Optocht van de NSB. Voorop drie mannen waaronder de man in de geruite pullover. Niemand is in uniform, wel hebben sommigen hoge laarzen aan. Links een rij huizen. Vanaf 1936 gold voor de NSB en aan hen verwante organisaties een verbod om in uniform op straat te verschijnen.
Earrings
Object type: earring
Date: 1801 – 1900
Materials: metal, stone
Culture: chinese
Artist: muriel kallis newman
Artist role: designer
Artist nationality: american
Artist dates: 1914 – 2008

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Shono, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi)," also known as the Figure Tokaido (Jinbutsu Tokaido)
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Tubular Stone Bead
Object type: bead
Date: 1501 – 1600
Materials: stone
Culture: mexican
Location: mexico
Cartons voor glas in lood ramen
Object type: photograph
Date: 1878 – 1938
Materials: cardboard, photographic support
Techniques: photography
Subjects: applied arts, arts and crafts; industrial design
Printed Piece: The Apotheosis of Franklin
Object type: piece
Date: 1785 – 1785
Materials: cotton
Techniques: printing
Culture: british
Location: england
Subjects: animals,benjamin franklin,men,women,chariots
Amsterdam
Object type: accordion book
Date: 1870 – 1900
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: city-view in general; 'veduta', amsterdam
Inscriptions: collector's mark: ‘Dienst Verspreide Rijkskollekties (...) A921’

Leporelloalbum met twaalf stadsgezichten van Amsterdam. Het album bevat twaalf aan elkaar vastzittende, kartonnen bladen met foto's. De bladen zijn als een harmonica uitklapbaar naar twee kanten. Onder andere te zien zijn het Amstel Hotel, het paleis op de Dam en de Waag.
Palace banquet
Object type: hanging scroll
Date: 967 – 1000
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: food,palaces,women,banquets

This large painting is one of the earliest surviving examples of the “ruled-line” (jiehua) genre of architectural renderings. It offers an intimate view of the women’s quarters of a palace where elegant rooms face onto private courtyards graced with trees and blossoming lotus, an indication of the summer season. Activity centers around a second-story terrace where women at a banqueting table point skyward or concentrate on threading needles. On the seventh day of the seventh month, women traditionally decorated their homes, set out fruits, and competed in threading needles as part of the festivities celebrating the one night each year when the Herd Boy and the Weaving Maid, legendary lovers immortalized as constellations, are allowed to meet. Behind the banquet, a woman knocks at a gate, beyond which, to the left, another woman claps her hands beside a bed to awaken its occupant. A third woman, to the right, gazes out beneath two trees that have grown intertwined—a symbol, perhaps, of the fateful union about to occur. At the upper right, two women prepare to open the gate to a visitor. The painting alludes to the love affair between the Tang emperor Xuanzong (r. 712–56) and his consort, Yang Guifei, who famously slept all day to arise refreshed at night. In 755, a rebellion broke out as a consequence of the emperor’s inattention to rulership. Xuanzong was forced to flee, and the palace guards blamed Yang Guifei for the insurrection. They forced the emperor to execute her before escorting him to safety. Bai Juyi’s (772–846) epic poem, The Song of Everlasting Sorrow, describes the tragic story, beginning with the fateful tryst alluded to by the painting. Both poem and painting may be read as admonitions against neglecting state affairs.
Bloemstudie
Object type: photograph
Date: 1895 – 1895
Materials: photographic support
Techniques: gelatin silver print
Location: france
Decorated Paper
Object type: wrapper
Date: 1780 – 1820
Materials: paper
Techniques: scoring
Location: netherlands
Artist: Anonymous
Inscriptions: annotation: ‘Publicatie Deventer 1798’

For centuries, paper decorated with printed or handmade patterns was used to cover books and to apply to furniture. F.G. Waller donated some 750 examples to the museum. Recently, the collection was expanded with sheets collected by the print historian Jan van der Waals (1947-2009), including some highly eccentric and exuberant examples.
Portret van Jean-Henri-Samuel Formey
Object type: print
Date: 1725 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: berlin, book, wig
Inscriptions: collector's mark: Lugt 2233

Portret van de Duitse schrijver Jean-Henri-Samuel Formey. Hij draagt een pruik en heeft in zijn hand een boek. Onder het portret zijn naam, geboortejaar en geboorteplaats.
Star of Bethlehem Quilt
Object type: quilt
Date: 1845 – 1845
Materials: cotton
Culture: american
Location: united states

This unusual quilt illustrates the transition that took place in the mid-nineteenth century, when repeating block patterns began to take precedence over centrally focused quilt designs. Although the large Star of Bethlehem motif in the middle remains the principal focus, the use of blocks with smaller stars in the border signals the approach of the new style. Quilts worked in blocks gained popularity over those with large centralized designs for a variety of reasons. One highly probable factor is that blocks of about twelve-inches square or smaller, which are easily transportable, made it possible for women to work on a section of their quilt while visiting with friends. Although leisure time was on the rise in nineteenth-century America, a woman was still expected to fill most of her hours with some type of work that benefited her family; and the supposedly nonproductive activity of friendly visiting became acceptable when accompanied by sewing. Another possible reason for the ascendancy of pieced-block patterns over appliquéd designs, which often depended on English chintzes for their decoration, stems from the rise of the printed cotton industry in the United States. By the 1830s, colorful printed cottons made in America were widely available, quite inexpensively and in great variety. In 1836, American mills manufactured some 120 million yards of these fabrics. Traditionally, it has been thought that American quilts were made from scraps of leftover cloth pieced together by thrifty housewives. In fact, there is much evidence within the quilts themselves—for example, in those that employ large panels of previously unused fabrics—to support a theory that many women bought new fabrics for their quilts. Pieced-block patterns made it possible to display a great number of the latest brightly colored American cottons. The diamond-shaped pieces that form the stars on this quilt had to be joined with great precision, since uneven stitching would have prevented the stars from lying flat. The arrangement of the different colored fabric pieces within the stars was, of course, also a matter of major concern. At first glance, all the smaller stars appear identical in their color progression: They all start with a red center, as is traditional in Star of Bethlehem quilts, and radiate outward in rings of tan, brown, blue, red, tan, and red. One, however, is different: In the middle star of the bottom border, the red center is surrounded by rings of blue, brown, tan, red, tan, and red. Its color scheme, alone among those of all the small stars, repeats the scheme of the large central star. Was this irregularity intentional, or was the block contributed by a different sewer, or did the rigors of piecing so many diamonds cause the quiltmaker to slip?
De ziekten van het suikerriet op Java
Object type: book
Date: 1898 – 1898
Materials: cardboard, linen, paper
Techniques: photograph, printing
Temperantia / Fortitudo
Object type: book illustration
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues, temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues, hoofed animals: rhinoceros, ox

Pagina uit Jacob Typotius, Symbola Divina & Humana Pontificum Imperatorum Regum. Arnhem, J.F. Hagen, 1666 of uit de titeluitgave van 1669 of 1679. Het werk van Typotius werd voor het eerst uitgegeven in 1601 met prenten van Aegidius Sadeler.
Aantekening uit archief Philip Zilcken
Object type: aantekening
Date: 1867 – 1982
Materials: paper, pencil
Techniques: writing
Artist: Anonymous
Subjects: the hague, painter, draughtsman, philip zilcken, london
Inscriptions: watermark
Japanse soldaten op het strand, links 13 mannen liggend in een cirkel
Object type: album leaf
Date: 1930 – 1940
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: the soldier; the soldier's life, beach
Inscriptions: inscription: ‘[...]’

Deze foto's zijn onderdeel van een album.
Maximilian Joseph, König von Bayern
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: etching, engraving
Location: zwickau
Artist: christian schule
Artist dates: 1764 – 1816
Subjects: maximiliaan i jozef (koning van beieren), historical persons, king
Inscriptions: collector's mark: Lugt 2228

Potret van koning Maximiliaan I Jozef van Beieren.
Number 21, Clairvoyance, from the Tricks with Cards series (N138) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,magic

Trade cards from the "Tricks with Cards" series (N138), issued in a numbered set of 24 cards in 1887 by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco.
Interior of a Military Hospital
Object type: print
Materials: ink, paper
Techniques: aquatint, printing
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: human figures,hospitals
Woman with Arms Akimbo
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: brush, pen, wash
Location: france
Artist: constantin guys
Artist role: artist
Artist nationality: french
Artist dates: 1802 – 1892
Subjects: portraits,women
Tankard with cover
Object type: tankard with cover
Date: 1801 – 1900
Materials: metal, silver
Artist: elkington & co.
Artist role: manufacturer
Artist nationality: british
Artist dates: 1829 – 1963
Subjects: musical instruments,women

This electrotype is after a sixteenth-century original (ca. 1550) in the Hermitage, St. Petersburg, at the time of reproduction, actually in the Thyssen-Bornemisza collections.
Bonaire
Object type: print
Date: 1860 – 1862
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Volgens het bijbehorende tekstdeel in aparte omslag betreft dit de dertiende prent binnen het plaatwerk 'Gezigten uit Neerland's West-Indien'.
Plattegrond van Cuneo, 1693
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: france
Subjects: fortress, maps of cities

Plattegrond van de versterkingen rond de Italiaanse stad Cuneo (Coni). Onderdeel van het tweede deel (1693) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Reverse frame
Object type: frame
Date: 1667 – 1700
Materials: wood
Culture: italian
Vitrine Containing Twenty-Three Ornaments
Object type: ornament in vitrine
Date: 1701 – 1900
Materials: ivory, jade, wood
Culture: chinese
Kruisvormig gebouw
Object type: ornament print
Date: 1561 – 1561
Materials: paper
Techniques: etching
Location: paris
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: column, pillar ~ architecture, architectural design or model

Kruisvormig open paviljoen, het dak gedragen door zuilen. Met twee mannen. Genummerd: VI. Onderdeel van 'Seconde livre d'architectvre' (1561): 64 etsen met geornamenteerde architectuuronderdelen.
Tentoonstelling van voortbrengselen van kunst en nijverheid uit Limburg te Maastricht
Object type: medal
Date: 1841 – 1841
Materials: silver
Techniques: striking
Location: brussels
Artist: jacob wiener
Artist role: medailleur
Artist dates: 1815 – 1899
Subjects: maastricht

Zilveren penning. Voorzijde: globe, schilderspalet met penselen, bijenkorf, inktkoker, boeken, passer, driehoek, steenhouwershamer, beitel en lier, verzameld rond sokkel, waarop borstbeeld van Minerva staat, omgeven door olijftakken binnen Gothische sierrand en omschrift. Keerzijde: blanco veld binnen krans van olijftakken en omschrift
Coupon zwart bedrukte zijde met silhouetten van mensen en planten
Object type: coupon
Date: 1916 – 1916
Materials: silk
Techniques: printing block, weave
Location: vienna
Artist: dagobert peche
Artist role: designer
Artist dates: 1887 – 1923

Coupon zwart bedrukte zijde met silhouetten van mensen en planten, dessin 'Schatten'.
Box
Object type: glass
Date: 1730 – 1730
Materials: brass, glass, panel
Location: bohemia
Herder achtervolgt een wolf
Object type: print
Date: 1639 – 1677
Materials: paper
Techniques: etching
Artist: johan le ducq
Artist role: draughtsman, print maker
Artist dates: 1629 – 1677
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2228

Een herder achtervolgt met een speer een wolf die een lam heeft gedood en dit in zijn bek houdt. Op de achtergrond een kudde schapen.
La Mode Illustrée, 1870, No. 14: Toilettes de Mme Breant-Castel (...)
Object type: fashion print
Date: 1870 – 1870
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: pendant, trinket, 'breloque' (+ women's clothes), notation of music, gloves, mittens, etc. (+ undressing, taking off clothes), fashion plates, dress, gown (+ women's clothes), bracelet, wristlet (+ women's clothes), pianoforte
Inscriptions: address: ‘Bureaux du Journal, 56, Rue Jacob. Paris’, title: ‘La Mode Illustrée’, caption: ‘Toilettes de Mme Bréant-Castel, 28, r. Nve des Pts Champs’

Twee vrouwen in een interieur, bij een piano en kast met bladmuziek, gekleed in avondjaponnen van Bréant- Castel. Prent uit het modetijdschrift La Mode Illustrée (1860-1937).
Faience amulet of a erect uraeus cobra
Object type: amulet, snake
Date: 664 – 630
Materials: faience
Culture: egyptian
Subjects: snakes

Amulets representing animals were attributed to a deity: a hawk for Ra, the Sun God, a lion for Sakhmi, the War Goddess, a ram for Khnum and a cat for Bast. Snakes were symbols of royalty.
Gezicht op de Morning Glory Pool in Yellowstone National Park
Object type: page
Date: 1902 – 1902
Materials: paper, photographic process
Location: detroit
Artist: william henry jackson
Artist role: fotograaf
Artist dates: 1843 – 1942
Subjects: steam, hot spring, geyser, trees: pine
Inscriptions: inscription: ‘53332/ COPYRIGHT, 1902, BY/ DETROIT PHOTOGRAPHIC CO.’

Prent op zevenentwintigste ongenummerde pagina.