deem-data/ArtiFact huggingface dataset:
Groepsportret in het gras
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: garden, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: annotation: ‘1899/ [...]’
Cuffee Dancing for Eels – Catharine Market (Life in New York)
Object type: print
Date: 1857 – 1857
Techniques: hand coloring, lithograph
Artist: thomas b. worth
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1917
Subjects: cities,men,dancing

The late nineteenth-century Darktown prints by Currier & Ives depict racist stereotypes that are offensive and disturbing. The Metropolitan Museum of Art preserves such works to shed light on their historical context and to enable the study and evaluation of racism. A satirical New York genre subject on a quay near Catharine Market: eight white men and boys stand around a black man (wearing ragged clothes), who dances. At left, another Black man dangles eels in front of the dancing man. At right, the Bowery B'hoy Mose leans against a barrel.
Snuff Bottle with Eight Foreign Figures Bearing Tribute
Object type: vessel
Materials: cobalt, enamel, porcelain
Techniques: overglaze, painting, underglaze
Location: china
Koning Salomon
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: solomon (not in biblical context); possible attributes of solomon: crown, sceptre, sword
Inscriptions: collector's mark: Lugt 240

Koning Salomon zit met opgeheven arm en ganzeveer in stralen licht vanuit de hemel. onder de voostelling een onderschrift in Latijn.
Wedding headdress
Object type: wedding headdress
Date: 1863 – 1863
Culture: american
Design for 4 seat Phaeton, no top, no. 3879
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Titelpagina voor: Jean-Raymond de Petity, Bibliothèque des artistes et des amateurs, 1766
Object type: titelblad, titelpagina
Date: 1766 – 1766
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: louis xv of france, education, science and learning, bookshelves, abstract ideas and concepts (+ abstract concept represented by female figure), cupids: 'amores', 'amoretti', 'putti', specific aspects, allegorical aspects of apollo; apollo as patron
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780, collector's mark: Lugt 4779

Apollo en de personificatie van de wetenschappen houden een kroon boven de buste van Lodewijk XV van Frankrijk. Op de voorgrond zeven putti met attributen die verwijzen naar de wetenschappen. In de achtergrond staan boekenkasten.
Landschap met vrouw bij een boomstronk
Object type: print
Date: 1766 – 1815
Materials: paper
Techniques: etching
Location: haarlem
Artist: warner horstink
Artist role: draughtsman, print maker
Artist dates: 1756 – 1815
Subjects: walking-stick, staff, arm raised upward (+ back view), trees (+ stump, stub)
Inscriptions: collector's mark: Lugt 240

Landschap met een vrouw, op de rug gezien met in haar hand een herdersstaf, bij een boomstronk. Met haar linkerarm wijst zij naar in de verte.
Intogt te Damiate
Object type: print
Date: 1845 – 1902
Materials: paper
Techniques: etching
Location: leipzig
Subjects: st. louis ix on crusade, militant proselytizing: religious war, crusade, etc.
Inscriptions: collector's mark: Lugt 2228
Highland Mary, by Brodie
Object type: carte de visite
Date: 1862 – 1862
Materials: cardboard, paper
Techniques: albumen print
Location: london
Subjects: sculpture, london
Straat
Object type: sketchbook leaf
Date: 1877 – 1932
Materials: pencil
Location: paris
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: street
Inscriptions: annotation: ‘Parijs’

Pagina 136 uit een schetsboek met 68 bladen.
The Jaguar. The Rattlesnake. The Crested Eagle. The Bell Bird. The Cock of the Rock. The Jabiru
Object type: page
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: snakes, birds
Inscriptions: number: ‘32 33 34 35 36 37’
Oil Jar
Object type: jar
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Figure Group
Object type: figure group
Date: 1765 – 1775
Materials: porcelain
Culture: british
Location: england
Artist: chelsea factory
Artist role: maker
Artist dates: 1742 – 1784
Subjects: men,women
Terracotta neck-amphora (jar)
Object type: neck amphora
Date: 570 – 560
Materials: terracotta
Culture: greek, attic
Artist: painter of london b 76
Artist role: artist
Subjects: birds,shields,men,roosters

On the body, obverse, two warriors in combat Reverse, two roosters facing On the neck, obverse and reverse, head of a man The aggressiveness of roosters was well familiar to the ancient Greeks. The subjects on each side of this vase may be considered complementary.
Piped cup
Object type: cup
Date: 1800 – 1701
Materials: ceramic
Culture: assyrian
Location: anatolia
Het Bosch
Object type: print
Date: 1738 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre, theatrical performance, stage design
Inscriptions: collector's mark: Lugt 2228

Toneelvoorstelling in de Amsterdamse Schouwburg op de Keizersgracht met het coulissendecor Het Bosch met scène uit: Het Eeuwgetijde van den Amsteldamschen Schouwburg. Het decor gedrukt van een aparte plaat binnen een passe-partout met de zaal, zijloges, orkestbak en de façade van het toneel met zuilen, guirlandes en kroonluchters. De titel en een vierregelig vers ook gedrukt van een aparte plaat. Onderdeel van een serie van twaalf toneeldecors.
Portret van Johan Temmink
Object type: print
Date: 1766 – 1768
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: vlaardingen, predikant, johan temmink
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve van Johan Temmink in een ovaal medaillon. Het portret rust op een richel waarop zijn naam en gegevens in acht regels in het Nederlands.
Portret van Christoph IV Fürer von Haimendorf
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, symbols, allegories of war; 'guerra' (ripa), abstract ideas and concepts (+ emblematical representation of concept), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
De Waarheid
Object type: newspaper
Date: 1945 – 1945
Materials: paper
Techniques: mimeography, printing
Subjects: netherlands
Inscriptions: date

Nummer van het illegale blad 'De Waarheid': 'Brood!! Brood!! Brood!!, 2pp. Opschrift; l.b.: 'Volksdagblad voor bevrijd Nederland, r.b. 'Uitgave voor het bezette gebied'. Gedateerd: boven.
Ontwerpen voor de rand van een achthoekige schotel, met scènes van het landleven
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: amsterdam
Versos muy extravagantes (Very Extravagant Verses)
Object type: print
Materials: paper
Techniques: relief print
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Discourse on Poetry
Object type: handscroll
Date: 1698 – 1698
Materials: ink, paper
Culture: chinese
Artist: gao jian
Artist role: artist
Artist nationality: chinese
Artist dates: 1634 – 1725
Subjects: gardens,landscapes

Gardens were often designed to embody the ideals of their owners. Paintings of gardens could take even greater license in conveying a man’s character by constructing symbols and metaphors drawn from elements of the natural environment. That is surely the case with this painting by the Suzhou artist Gao Jian. The painting was made to accompany a treatise on Chinese poetry by the renowned scholar-official and collector Song Luo (1634–1713). In it, Gao presents an idealized evocation of Song composing his discourse in a garden pavilion. Rejecting bright color and representational verisimilitude, Gao renders his simplified, almost naive vision of the garden in a spare, “dry brush” monochrome style that emphasizes the painting’s role as a “portrait” rather than a literal description of the scholar’s surroundings. The majestic pines, dense grove of bamboo, and tranquil lotus pond may all be read as metaphors for Song’s lofty character, moral virtue, and detached state of mind. The sparse foreground and meticulous brushwork exemplify the Suzhou School of painting, from which Gao derived his style. Framed by a bold seal-script frontispiece and Song’s treatise, transcribed in formal standard-script calligraphy by Song’s son, the scroll unites poetry, painting, and calligraphy in a quintessential work of early Qing literati culture.
Titel onbekend
Object type: print
Date: 1975 – 1980
Materials: paper, watercolor
Techniques: brush, etching
Location: amsterdam
Artist: pieter holstein
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1934 – 
Inscriptions: signature: ‘p. holstein - 221’, edition: ‘4/20’

De huidige titels zijn door het museum toegekend bij gebrek aan informatie over een originele titel.
Tea caddy with cover
Object type: tea caddy with cover
Date: 1780 – 1790
Materials: hard paste porcelain
Veld van twee tegels
Object type: tile
Date: 1610 – 1635
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van twee tegels elk met een blauw geschilderd ornament van gestileerde bladpatronen. In één van de vier hoeken, een kwart rozet.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, torso of male with himation
Titelpagina voor: Rembertus Dodonaeus, Cruydt-boeck, 1608
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving
Location: leiden
Subjects: rembertus dodonaeus, leiden, herb garden, 'cornucopia', horn of plenty, garden fountain, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor de plantenatlas van Rembertus Dodonaeus. Door een bouwwerk met vier zuilen zicht op een kruidentuin met in het midden een fontein. Links- en rechtonder onder de zuilen cartouches met de portretten van Dodonaeus en Clusius. Rond het cartouche middenonder en langs het bouwwerk vruchten, bloemen en planten.
Portrait of Jean-Louis de Nogaret de La Valette,
Object type: print
Date: 1632 – 1632
Materials: paper
Techniques: engraving
Location: paris
Subjects: politician, historical persons, commander-in-chief, admiral
Inscriptions: inscription: ‘Admiral de france’, collector's mark: Lugt 2228, inscription: ‘v. Polianoff(?) 1930/ 740’

The printmaker Michel Lasne trained in the workshop of Rubens. However, the master did not find Lasne’s interplay of lines sufficiently dynamic for translating his paintings into prints. His taut style, however, did appeal to the French king Louis XIII and he was even appointed court engraver. In this capacity, Lasne engraved numerous portraits of members of the French court.
Christus in de hof van Getsemane
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: engraving
Location: mannheim
Subjects: christ's prayer in the garden of gethsemane during the night, 'arma christi', chalice, angels
Inscriptions: collector's mark: Lugt 12
Tablespoon
Object type: metalwork
Date: 1760 – 1775
Materials: silver
Location: new haven
Artist: hezekiah silliman
Très Parisien, 1926, No.  1, pag. 1: Créations Philippe et Gaston
Object type: fashion print
Date: 1926 – 1926
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: dress, gown: day dress (+ women's clothes), coat (+ women's clothes), fashion plates, walking the dog
Inscriptions: date: ‘Créations Philippe et Gaston. Ce manteau de velours, éclairé d'un col d'hermine, est de forme ample. La robe de crêpe Georgette est soulignée de rubans de velours noir.’

Creaties van het modehuis Philippe et Gaston. Mantel van fluweel met kraag van hermelijn. Japon van crêpe Georgette met banden van zwart fluweel. Pagina 1 uit Très Parisien, No. 1, 1926
Vere
Object type: print
Date: 1615 – 1666
Materials: paper
Techniques: etching
Location: netherlands
Artist: cornelis bol
Artist role: print maker
Artist dates: 1589 – 1666
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228
Crane
Object type: hanging scroll
Date: 1368 – 1644
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: cranes
Double Saddle Bag (Khorjin)
Object type: saddle bag
Date: 1900 – 1900
Materials: wool
Techniques: weave, slit, pile, tapestry
Location: western iran

While animals common to local villages or encampments often appear in nomadic works, the elephant—an exotic beast for tribes in Iran—is a unique addition to this design. Together with the tent motif, it animates this everyday object. The closure is composed of brown-and-yellow bands with slit tapestry on the front and braided loops on the back. The back part of the closure is constructed with a band of twining, which extends into the three-dimensional loops.
Schets van hoge bomen voor een huis
Object type: drawing
Date: 1830 – 1879
Materials: paper, pencil
Artist: jacob jan van der maaten
Artist role: draughtsman, print maker
Artist dates: 1820 – 1879
Portret van Heinrich Bullinger
Object type: book illustration
Date: 1581 – 1581
Materials: paper
Techniques: letterpress printing
Location: geneva
Subjects: theologian, historical persons

Prent uit: Beze, Theodore de. Les vrais pourtraits des hommes illustres en piete et doctrine (...). Genève: Jean de Laon, 1581, p. 94. Prent eerder gebruikt in: Beze, Theodore de. Icones id est verae imagines virorum doctrina simul et pietate illustrium (...). Genève: Jean de Laon, 1580. Mogelijk ook gebruikt in andere publicaties.
Landschap met ruiter nabij gehucht
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: landscapes (+ landscape with figures, staffage)

Ovaal landschap met een gehucht van houten gebouwen en een pad waarop een man te paard en twee voetgangers. Verderop bij een brug een vierde man.
Servet met pellenpatroon
Object type: napkin
Date: 1790 – 1790
Materials: linen
Location: northern netherlands

Servet van wit linnen met pellenpatroon, merk kroon SW 35 en 1790.
Nightgown
Object type: nightgown
Date: 1895 – 1900
Materials: linen
Culture: american
Ritual Tripod Cauldron with Cover (Ding)
Object type: cauldron
Date: 500 – 301
Materials: bronze
Culture: chinese
Sloop van wit linnen
Object type: sloop
Date: 1880 – 1920
Materials: linen
Location: northern netherlands

Wit linnen sloop met opengewerkte randen, merk kroon H WH 2oonl.
Golf van Petali bij Marathon
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: attica
Artist: johannes lodewijk heldring
Artist role: fotograaf, predikant, schrijver
Artist dates: 1852 – 1923
Subjects: sea (seascape), ships (in general) - cc - more than one ship, petalioi gulf
MiniatureTunic
Object type: miniature tunic
Date: 1101 – 1300
Materials: cotton, feather
Culture: ica
Location: peru
Ewer with loop handles
Object type: ewer
Date: 801 – 900
Materials: glaze, stoneware
Culture: chinese
These van Paul, graaf van Zicky
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: doctoral thesis, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2165

Dit object is omwille van een betere presentatie virtueel samengevoegd, maar bestaat fysiek uit losse onderdelen.
Seated Woman Holding a Fan
Object type: drawing
Date: 1717 – 1717
Materials: chalk, ink, paper
Techniques: pen
Artist: antoine watteau
Artist role: artist
Artist nationality: french
Artist dates: 1684 – 1721
Subjects: fans,women

Watteau was most famous for his fêtes galantes—scenes of aristocratic and theatrical figures at leisure in imaginary park settings. He made numerous figure studies from life that he used to prepare his paintings. In this drawing, he used three colors of chalk to create a lively, lifelike effect. The white highlights add to the luster of the sheet, especially in the sheen of the silky dress.
Ornamentiek en een aap met een schedel
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Rattle
Object type: rattle
Date: 1867 – 1900
Materials: shell
Culture: liberian
Location: liberia

The pocketbook shaped basket rattle is made of woven fiber with a gourd base.
Journey for Eternity, No. 6
Object type: print
Date: 1839 – 1839
Techniques: lithograph
Artist: j. j. grandville
Artist role: designer
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: skeletons,men,dogs,dining
Card 327, from the Actors and Actresses series (N45, Type 5) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 5), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Dress
Object type: dress
Date: 1880 – 1883
Materials: silk
Culture: american
Crown with disks
Object type: head of akhenaten, blue crown
Date: 1353 – 1336
Materials: limestone
Location: egypt
Chateau d'Amblève
Object type: page
Date: 1876 – 1881
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: landscapes, castle
Cover of a coffeepot with a gothic arcade decoration
Object type: lid
Date: 1800 – 1899
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: saint-yrieix-la-perche

Deksel van koffiekan van porselein, deel van een servies, beschilderd in goud op een koningsblauw fond met een arcademotief met gotische traceringen. Buiten dit decor is het gehele oppervlak verguld. Merken: zie algemeen record.
Pygmalion wordt in een droom door Venus bezocht
Object type: print
Date: 1748 – 1815
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: venus and cupid (cupid not being mere attribute), pygmalion prays to venus
Inscriptions: collector's mark: Lugt 2228

Venus verschijnt aan Pygmalion in een droom. Cupido maakt de beeldhouwer wakker. De prent maakt deel uit van een serie over het verhaal van Pygmalion.
Slag bij Borgerhout, 1579
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), battle

Slag bij Borgerhout bij Antwerpen, 2 maart 1579, tussen het Staatse leger en het leger van de hertog van Parma. Op de voorgrond Spaanse ruiters en een Spaanse schans, links de brandende huizen van Borgerhout in de verte Antwerpen. Met onderschrift van 4 regels in het Latijn. Genummerd: 110. Bedrukt op achterzijde met tekst in het Latijn.
Schetsblad met studies van goudwinden en schubbenstudie
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: fishes
Mrs. John Garden (Ann Garden, 1769–1842) and Her Children, John (1796–1854) and Ann Margaret (born 1793)
Object type: painting
Materials: canvas, oil
Artist: john hoppner
Artist role: artist
Artist nationality: british
Artist dates: 1758 – 1810
Subjects: boys,girls,portraits,mothers,family

This portrait of a mother and two children shows the family of John Garden. Until 1808, when Garden senior bought the estate of Redisham Hall, Suffolk, the family lived in London. Garden's son, still a baby, has the fair skin of a redhead. He wears a white dress trimmed with three rows of four tiny, brass buttons on the bodice, and sits in his mother's lap. The picture, which demonstrates Hoppner's sympathetic response to young children, is unfinished but was accepted by the family nevertheless.
Piece
Object type: piece
Date: 1640 – 1640
Materials: metal thread, silk
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, wineskin and part of a figure?
Sala de los Divanes, Alhambra, Granada, Spanje
Object type: photograph
Date: 1857 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: madrid
Artist: juan laurent
Artist role: publisher
Artist dates: 1816 – 1896
Subjects: alhambra
Inscriptions: caption: ‘GRANADA._2202._ Sala de los Divanes (Alhambra).//J. Laurent y Cia Madrid//Es propiedad. Déposé.’

Leeg interieur met mozaïek bekleed en slanke stenen pilasters die een omgang dragen.
Ichikawa Danjuro V as Kudo Suketsune, Richly Attired, Leaning on His Sword
Object type: woodblock print nishiki e
Date: 1615 – 1868
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: swords,men,actors
Envelop van Andries Bonger
Object type: envelope
Date: 1871 – 1936
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: ricardo viñes, lille, paris, print maker, émile bernard, andries bonger, photography, cinematography