deem-data/ArtiFact huggingface dataset:
Jaques d'Auchy neemt in de gevangenis te Leeuwarden afscheid van zijn vrouw, 1559
Object type: history print
Date: 1683 – 1685
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: persecution of heretics

De prenten in deze tweede staat gebruikt als illustratie voor: Theatre des martyrs, depuis la mort de J. Christ jusqu'à present (...). = Schau-buhne der Martyrer, P. van der Aa, Leiden ca. 1715, nr. 72. De prenten zijn oorspronkelijk vervaardigd voor en eerst gebruikt in: T.J. van Bragt, Het bloedig tooneel, of Martelaers spiegel der doops-gesinde of weereloose christenen, 1685.
Design for Dog Cart or 2 Wheeler, no. 3875
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Initiaal 'H' met het wapen van Hendrik III en twee onderscheidingen
Object type: album leaf
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: paris
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: initial, knighthood order of the holy spirit - insignia of a knighthood order, e.g.: badge, chain (with name of order), insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)

Initiaal gebruikt voor: Les Statuts de l'ordre du Saint-Esprit. Parijs: Imprimerie Royale, 1703.
Gold earring with head of an antelope
Object type: earring with head of antelope
Date: 400 – 201
Materials: gold
Culture: greek
Subjects: animals

Consisting of a circlet of gold wire, twisted or plain, which tapers from an animal's head at the front end to a hooked point which passes through a loop below the animal's throat.
Prudentia
Object type: drawing
Date: 1570 – 1582
Materials: chalk, paper
Artist: alessandro allori
Artist role: draughtsman
Artist dates: 1535 – 1607
Subjects: prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues
Choemon Carrying Ohan on His Back
Object type: print
Date: 1801 – 1801
Techniques: woodblock print, hashira
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Vier waterbronnen in en rond Spa
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: spring (fluids extracted from the earth)

Bosachtig landschap met aan de voet van een heuvel een groep mensen bij een waterbron.
Die Zuyder Zee
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: cologne
Subjects: city-view, and landscape with man-made constructions, sailing-ship, sailing-boat, storm at sea, zuiderzee
Cuneiform tablet: account of flour, Ebabbar archive
Object type: cuneiform tablet
Date: 549 – 549
Materials: clay
Culture: babylonian
Location: mesopotamia
Dorps- en stadsgezichten te Kleef
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching
Subjects: city-view, and landscape with man-made constructions, city-gate, kalkar
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen van één plaat. Gezichten op de Kleefse poort (boven) en de Hanselersche poort (onder) te Kalkar, Duitsland. De prent maakt deel uit van een 100-delige serie met gezichten op dorpen en steden te Kleef.
Bed curtain border
Object type: border
Date: 1800 – 1850
Materials: linen
Subjects: human figures,birds
Portret van een jonge man in militair uniform
Object type: album leaf
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: sytze reinder elzinga
Artist role: fotograaf
Artist dates: 1858 – 1912
Subjects: historical persons, youth, adolescent, (military) uniforms
Inscriptions: inscription: ‘Photographische Kunst-Inrichting/ van/ S. R. Elzinga/ Photographie, Crayons/ Pastel, Aquarel en Olie verf/ Auvergnestraat/ Bergen op Zoom/ en/ Goes./ Nieuwste Inrichting voor vergrootingen/ naar album-af kleinere portretjes.’
Piece
Object type: piece
Date: 1775 – 1775
Materials: linen, wool
Techniques: embroidery
Culture: american
Location: united states
Subjects: flowers
Ring with Table-cut Diamonds
Object type: ring
Date: 1620 – 1650
Materials: diamond, gold
Techniques: casting, grinding
Location: northern netherlands
Artist: Anonymous

This special ring was found by an amateur archaeologist with a metal detector in a meadow in the province of Noord-Holland. Until now, this type of ring was known only from 17th-century paintings, including Rembrandt’s 1634 portrait of Oopjen Coppit. It may have been an engagement ring, and was set with table-cut diamonds all around the band, three of which have been lost.
Douter
Object type: douter
Date: 1701 – 1750
Materials: silver

A douter made a pincer movement to extinguish a wick in a spirit lamp. The unusual word, now obsolete, is a contraction of "do-outer."
David Copperfield
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johannes christiaan d arnaud gerkens
Artist role: draughtsman, print maker
Artist dates: 1823 – 1892
Subjects: portsmouth, literary characters and objects, historical persons (+ half-length portrait), author, poet writing, specific works of literature
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze staat verschilt van de andere twee staten door de titel 'David Copperfield' en de signatuur zonder jaartal. Ook de afbeelding wijkt af van de andere staten. Zo is de blik van de vrouw uiterst rechts aangepast en heeft de vrouw linksonder een ander kopje vast.

Volgens een notitie op het verso werd deze prent gemaakt naar een tekening door Jacob Groenevelt (1840-1901).
Portret van paus Johannes VIII
Object type: print
Date: 1761 – 1775
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons, pope

Prent waarschijnlijk uit: Effigies Romanorum pontificum a S. Petro ad Pium VI (...). 2 dln. Venetië en Bassano del Grappa: Giuseppe Remondini, 1775. Prent met tekst op verso gebruikt in: Platina (Bartholomaeus Sacchi). Storia delle vite dei pontefici da Platina e d'altri autori (...). Venetië: Domenico Ferrarin, 1760, dl. 2, p. 91.
Driehoekige ornamenten met een floraal motief
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: flowers ~ ornament

Blad 6 recto uit een schetsboek met 11 bladen.
Portrait of a Lady
Object type: painting, miniature
Date: 1801 – 1900
Materials: ivory, watercolor
Culture: american
Subjects: portraits,women
Slottuin, ca. 1600
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: tone lithography
Location: leiden
Subjects: garden
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Slottuin, ca. 1600. Een elegant paar wandelend door een tuin waarin getuinierd wordt. Links een kasteel. Voorstelling in omlijsting met rolwerk. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Oude Nederlandsche Tuinkunst. De kasteeltuin.
Auguste Joseph Biernaux
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: lithograph
Subjects: auguste joseph biernaux, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
[Banian Tree]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: captain r. b. hill
Artist role: artist
Artist nationality: british
Subjects: landscapes,trees
Chiffonnier secrétaire genre empire / Table et jardinière genre empire
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage, table

Een secretaire, rechthoekige tafel en jardinière in de empirestijl. Prent uit 283e Livraison.
Portret van Catharina van Bragança
Object type: print
Date: 1662 – 1690
Materials: paper
Techniques: engraving
Subjects: catharina van bragança, crown (symbol of sovereignty), historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2760, collector's mark: ‘MP’, collector's mark: Lugt 2228
Ruïnes van de Zuiderkerk en de Wijnhaven
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: j. nolte
Artist role: fotograaf
Subjects: ruin of church, monastery, etc. - qq - small church, chapel, devastated, ruined place or city (~ warfare), ruin of a dwelling, house, castle, etc., rotterdam, rotterdam blitz
Inscriptions: annotation: ‘Wijnhaven,/ Achtergrond ruïne Zuiderkerk.’
Heilig Graf in de Dom van Utrecht
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: utrecht
Artist: Anonymous
Subjects: parts of church interior, grave-building, monumental tomb
Inscriptions: annotation:, inscription: ‘Utrecht R K kerk Grafmonument’, collector's mark: Lugt 3937
Aanbidding door de herders
Object type: print
Date: 1633 – 1700
Materials: paper
Techniques: etching
Location: paris
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 240
Presentiepenning van het Sint Joseph- of Timmermansgilde te Amsterdam, 1654
Object type: medal
Date: 1654 – 1654
Materials: brass
Techniques: casting
Inscriptions: circumscription: ‘DE.VLVCHT. - .VAN.EGIPTEN.1654.’, inscription: ‘ANTONI VAN / LUGTENBURG’

Gegoten messing penning met op de voorzijde Jozef met stok en Maria met Jezus op ezel naar links, met omschrift, op de gladde keerzijde twee regels tekst, op naam van Antoni van Lugtenburg
Des eersten werelds ondergang door de zundvloed
Object type: popular print
Date: 1550 – 1650
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: the flood and destruction of mankind ~ story of noah (genesis 7:10 - 8:17), the building of the ark, and the embarkation (genesis 7:5-9)
Inscriptions: collector's mark: Lugt 2228

Blad met een grote voorstelling van dieren die aan boord gaan van de ark van Noach. Op de achtergrond de Zondvloed. Rechtsboven een uitsparing voor twee kolommen tekst uit Genesis 6 en 7. Genummerd rechtsboven: 63.
Gezicht op Keulen bij avond
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: evening, church (exterior), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 387.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, right forearm and hand; top of head, forehead, left eye brow, closed left eye, snub nose, mouth, and right shoulder of satyr
Dagger with Sheath
Object type: dagger with sheath
Date: 1701 – 1900
Materials: steel
Culture: burmese
Location: burma
Actress balancing on ball and holding wand, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
De geschiedenis, bij welke deze afbeeldingen behooren, is, zeer leeslustwekkend en leerrijk, beschreven door den beroemden kindervriend / Camp (...)
Object type: popular print
Date: 1820 – 1848
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: (scenes from) specific works of literature: defoe, robinson crusoe
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen uit het verhaal van Robinson Crusoe die strandt op een eiland. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 19.
Titelpagina voor: Hollantse Mercurius, 1652, deel 3
Object type: print
Date: 1653 – 1653
Materials: paper
Techniques: etching
Location: haarlem
Subjects: warfare; military affairs
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Titelpagina voor: Hollantsche Mercurius, brengende 't verhael der gewichtichste veranderingen, voor-gevallen in Europa, binnen den tijt van het geheele jaer 1652, deel 3, Haarlem, uitgever Pieter Casteleyn, 1653. Bij FMH 1980 staat dat het om de titelbladen voor jaren 1650, 51 en 54 gaat. Het zijn echter de titelbladen voor de jaren 1651, 1652 en 1654.
The Virgin and Child with Saint John the Baptist
Object type: print
Date: 1591 – 1591
Materials: paper, watercolor
Techniques: woodcut
Location: italy
Artist: andrea andreani
Artist role: artist
Artist nationality: italian
Artist dates: 1558 – 1629
Inscriptions: Inscribed verso, upper left, in graphite: “36; upper right, in graphite: “12” (encircled)
Portret van Jacques Jordaens
Object type: album leaf
Date: 1649 – 1662
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, painter, print maker, draughtsman, designer, jacques jordaens, historical persons, portrait, self-portrait of painter

Prent mogelijk uit: Meyssens, Joannes. Image de divers hommes desprit sublime qui par leur art et science deburovent vivre eternellement et des quels la louange et renommée faict estonner le monde. 2 dln. Antwerpen: Joannes Meyssens, 1649, dl. 1, p. 30.

Andere staat van prent gebruikt in: Bie, Cornelis De. Het gulden Cabinet vande edel vry schilder const, inhoudende den lof vande vermarste schilders, architecte, beldthowers ende plaetsnyders van dese eeuw. Antwerpen: Joannes Meyssens, 1662 [1661 foutief op titelpagina], p. 239.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 264.
Pitcher
Object type: pitcher
Date: 1800 – 1830
Materials: earthenware
Culture: british
Location: england
Fred. Hendr. Straat, Amsterdam
Object type: photomechanical print
Date: 1875 – 1930
Materials: cardboard
Techniques: photograph
Location: amsterdam
Artist: h.g. schröder
Artist role: fotograaf
Subjects: street
Inscriptions: inscription: ‘5882 Uitg. H. G. Schröder, Fred. Hendr. plantsoen 52, Amsterdam’
‘La Loge au Mascaron doré’ (The Box with the Gilded Mask)
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: printing, lithograph
Location: paris
Subjects: female sex; woman, theatre (building), the audience ~ art performance
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 1573

The title of this print refers to the gilded mask on the balustrade of the theatre box. The woman’s companion is a friend of Lautrec, the English artist Charles Conder. The intriguing composition was inspired by the interplay of lines and the cropping in Japanese woodcuts. This lithograph was intended as the programme of a play and is a fine example of effective and sparing use of colour.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower drapery of figure to right; Exterior, part of ground line
Portret van Hendrik van Mecklenburg-Schwerin
Object type: photograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: photography
Location: the hague
Artist: m.m. couvée
Artist role: publisher
Subjects: hendrik (prins der nederlanden (1876-1934))

Portret van Hendrik. In zijn linkerhand zijn handschoenen. In de ondermarge zijn naam en titel.
Comb Morion
Object type: armor
Date: 1570 – 1570
Materials: brass, copper alloy, iron, metal alloy, leather, metal, steel
Culture: french
Location: france

The morion was the most common helmet throughout Europe in the 16th century. Its popularity owes to a design that was as stylish as it was practical. The pointed broad brim and comb were crafted to protect the open face, neck, and top of the head by trapping or sliding away an assailant’s blows.
Portret van Lorenz Heister
Object type: print
Date: 1720 – 1728
Materials: paper
Techniques: engraving
Subjects: further education (+ portrait of teacher, professor), historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Fragment pijpenkop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 47; fragment, 2hsm3.
Laat niets, wat leerzaam is, uw aandacht ooit ontglippen / Let met opmerkzaamheid op alles wat gij ziet / Hij komt het verst, die steeds uit alles weet te leeren. / En 't zich te nutte maakt, vergeet, dit laatste niet
Object type: popular print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: animals, firearms: cannon (+ handling of weapons), ships (in general)
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen van voorwerpen, dieren en figuren. Onder elke voorstelling een tweeregelig vers. Genummerd midden boven: no. 11.
Solway Moss (Liber Studiorum, part XI, plate 52)
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: cows,landscapes,clouds

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Lupton here added mezzotint to describe a broad estuary near the English-Scottish border. As cattle are driven across at low tide, smoke rises from low hills in the right distance, and storm clouds move across the sky. The print is lettered "P" in the upper margin, indicating Turner's category of Pastoral landscape.
Portret van Rudolf Virchow
Object type: photomechanical print
Date: 1880 – 1900
Materials: paper
Techniques: photoaquatint
Location: berlin
Artist: wilhelm fechner
Artist role: painter
Artist dates: 1835 – 1909
Subjects: berlin, scholar, philosopher, historical persons, old man
Inscriptions: collector's mark: Lugt 2233
Firing the Canon, plate twelve from The Military Exercises
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Bassoon part
Object type: wind instrument
Date: 1820 – 1820
Materials: copper, wood
Location: amsterdam
Inscriptions: stamp: ‘L. Embach en Co t' Amsterdam’
Rose Coghlan, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actresses and Celebrities" series (N60), issued in 1887 to promote Little Beauties Cigarettes distributed by Allen & Ginter. There are two types of cards in the set. Type 1 cards have the brand name printed on front and Type 2 cards do not.
La recureuse Holandoise
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Subjects: empty bird cage, human figure at (open) window, seen from outside, washing up, container of metal: bucket, can, canister, drum, tin
Inscriptions: collector's mark: Lugt 2228
De rijke man en de Dood
Object type: book illustration
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: antwerp
Subjects: dance of death; death together with one or more human beings, the rich, hourglass
Inscriptions: collector's mark: Lugt 240

Een rijke man zit aan tafel omringd door kisten en zakken met geld. De Dood pakt munten van tafel en verzamelt ze in een schaal. In een nis in de muur staat een zandloper.
4 poeli of 2 kopeken uit Georgië van tsaar Alexander I, 1810
Object type: coin
Date: 1810 – 1810
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: aanduiding in Georgisch schrift. Daarboven een kroon en daaronder twee gekruiste takken. Keerzijde: in drie regels de waarde-aanduiding in Georgisch schrift, waaronder jaartal in het Georgisch. Kabelrand.
Water- en vuurkelder
Object type: print
Date: 1872 – 1886
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: handmill, hot-water bottle, charcoal burning, charcoal burner, wood collier, buying and selling, basement, cellar
Inscriptions: collector's mark: Lugt 2228, inscription: ‘de wed. Dikkers Sluyters.’, inscription: ‘D.J. Sluyter sc.’

Een groepje vrouwen zit, met een poes aan hun zij, te keuvelen rondom de haard in een water- en vuurkelder. Op de tafel achter hen staat een koffiemolen. Een oude vrouw komt binnen met een stoofje om kooltjes vuur te kopen. Achter haar loopt een jonge vrouw vanaf de straat het trapje naar de kelder af. Zij draagt een pannetje in de hand en een waterketel om heet water te kopen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: brygos painter
Artist role: artist

Interior, draped male, leaning on a staff, with his bent right arm seen from beneath his himation, and his left hand holding a skyphos; in the field, a flute case; part of an inscription, [HO] PAI[S] KALOS