deem-data/ArtiFact huggingface dataset:
"A Man Complained to Da'ud of a Sufi Mystic Drunk", Folio from a Kulliyat (Complete Works) of Sa'di
Object type: folio from an illustrated manuscript
Date: 1801 – 1900
Materials: gold, ink, paper, watercolor
Location: india
Staande vrouw met kruik, mogelijk Hebe
Object type: sketchbook leaf
Date: 1701 – 1701
Materials: chalk, paper
Artist: jacob toorenvliet
Artist role: draughtsman, painter, print maker
Artist dates: 1640 – 1719
Subjects: standing figure, standing figure - aa - female human figure

Blad 14 recto uit een schetsboek met 63 bladen.
Mask of Bhairava
Object type: mask
Date: 567 – 700
Materials: brass, copper alloy
Culture: kashmiri
Subjects: kashmir,masks

This object is from a rare group of early Brahmanical masks. The small fangs seen rising from the corners of the open mouth and the exposed upper teeth identify this deity as Bhairava, a wrathful form of Shiva. Such masks were employed as temporary fixtures during worship and used to enliven processional icons in the Brahmanical cultures of northwestern India and the territories of Gandhara in Pakistan.
Vestingplattegrond van Valletta op Malta
Object type: area plan
Date: 1550 – 1650
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: island, maps, atlases, fortified city
Inscriptions: collector's mark: Lugt 2228
Brush washer in the shape of a peach
Object type: brush washer
Date: 1701 – 1800
Materials: glass
Culture: chinese

This charming brush washer has been lovingly crafted in the form of a peach. It is made from opaque white glass with daubs of red and pink to simulate the skin of a fully ripe fruit. A green branch with pointed leaves extends from its bottom and winds around one side. A small blue bat with curving wings is perched near the mouth of the vessel. Most appealing of all is a clear, bright red drop of glass that highlights the pointed tip of the fruit. The bottom of the vessel bears a four-character inscription is incised into the surface and filled with gold: “Made in the Qianlong reign era.” The inscription makes it likely that this piece was the product of the imperial workshop. Considering the small size and delicate shape, it is more likely a desktop ornament than a practical object.
Design for a Mirrored Cabinet and a Set of Corner Shelves
Object type: drawing
Date: 1801 – 1900
Materials: gouache, ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: furniture,cabinets,mirrors
Eagle Pursuing Rabbit
Object type: hanging scroll
Date: 1885 – 1885
Materials: ink, paper
Culture: japanese
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Subjects: eagles,rabbits

In this set of four large paintings (14.76.64a–d), depicting the fierce spirit of eagles hunting or protecting their young, the artist Kyōsai distilled the soul of the Japanese nation, which was at the onset of westernization and exerting itself as an international power. In addition to their regal presence, these raptors represented unhesitating, even ruthless action, a necessary quality during this turbulent period. Determined to break the mold of traditional East Asian ink painting, Kyōsai exaggerated the vigor of his subjects with coarse bravado, varying long and short brushstrokes and contrasts of light and dark. Kyōsai sought a degree of realism, even brutal naturalism, that indicates his final abandonment of the classical Kano-school aesthetic. Often called the last spark of the Kano school, Kyōsai was one of the first Japanese artists to be introduced to the Western world. A prodigy who started painting at age seven, the prolific Kyōsai built his art on the foundation of his early training in ukiyo-e and Kano-school painting techniques; later, he assimilated into his work such antithetical styles as Rinpa and Maruyama-Shijō realism.
Portret van Johannes Sleidanus
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: engraving
Artist: hendrick hondius (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1650
Subjects: historical persons, diplomacy, diplomat

Prent gebruikt in: Verheiden, Jacob. Praestantium aliquot theologorum qui Rom. antichristum praecipuè oppugnarunt (...). Den Haag: Beuckel Corneliszoon Nieulandt,1602.
Opera Nova Universali intitulata Corona di racammi, page 38 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573
Subjects: flowers

Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice. From top to bottom, and left to right: designed composed of 2 vertical columns containing letters from the alphabet, but missing "U" and "W". Alphabet ends with letter "R" and design finishes with illustration of 5-petaled flower. Letters are printed in black in curvilinear script that matches letters from previous page.
Bell
Object type: bell
Date: 1769 – 1770
Materials: silver
Artist: françois delapierre
Artist role: maker
Artist dates: 1728 – 1821
Subjects: musical instruments
Gezicht op het Damrak gezien naar de Oude Brug
Object type: drawing
Date: 1868 – 1868
Materials: chalk, paper, pencil
Location: amsterdam
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: date: ‘Damrak 9 Sept 1868’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 3.
Hoog bezoek aan de mijn en fabriek te Moengo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Hoog bezoek begeleid door de heer en mevrouw Jetten over het terrein van de mijn en fabriek te Moengo. Op het fabrieksterrein zijn allerlei feestelijkheden aan de gang, links een stalletje van de voetbalclub V.V. Juliana. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Munchener platen
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: munich
Subjects: water-birds: goose
Inscriptions: collector's mark: Lugt 2760

Blad met 7 taferelen met een gans. Onder elke afbeelding een onderschrift. Genummerd midden onder: Nr. 29. Genummerd rechtsboven: 29.
Bowl
Object type: bowl
Date: 918 – 1392
Materials: pottery
Culture: korean
Lampetkan, beschilderd met bloemen
Object type: ewer
Date: 1770 – 1800
Materials: earthenware, glaze
Techniques: painted
Location: england
Artist: Anonymous

Lampetkan van blauw beschilderde faience, op een lichtblauwe fond. De kan is ei-vormig, heeft een brede lip, een c-vormig oor en staat op een hoge, brede voet. De kan is beschilderd met bloemen.
Celeberrimi ad pacificandum Christiani nominis orbem legati Monasterium et Osnabrugas (...)
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Subjects: diplomaat, johann fromhold
Inscriptions: collector's mark: Lugt 2228

Portret van Johann Fromhold, in ovaal met randschrift, sierlijst en wapens. Fromhold was afgezant voor Brandenburg tijdens de vredesonderhandelingen van Osnabrück.
Illustration for a Book:  Booty Presented to Three Dignitaries
Object type: drawing
Date: 1696 – 1770
Materials: chalk, graphite
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: men,women,working
Koelvat met op de lange zijden een blank wapenschild omgeven door vier godrons
Object type: wine cooler
Date: 1600 – 1650
Materials: brass
Techniques: brazing, punching, riveted, soldering
Location: netherlands
Artist: Anonymous

Met uitzondering van de twee uit stangen vervaardigde ringen bestaat het voorwerp uit de volgende uit plaat gedreven delen: de bak, die de indruk maakt uit één plaat te zijn gemaakt; de daaraan gebraseerde twee leeuwekoppen, de viet poten, waaraan tegen de onderkant vier platen zijn gebraseerd. De bak heeft een gedreven decor met op de lange zijden in het midden een blank wapenschild waarboven gestileerd rankenwerk, en links en rechts omgeven door vier godrons. De opstaande rand heeft een koordrand en een holle eierlijst. Het bovenste uitstekende boord van het vat heeft en decor met noppen en geponste stermotieven. De met ijzerdraad verstevigde rand is als een koord versierd. De wand is hier en daar met lood of tin gesoldeerd. In het boord bevinden zich aan beide korte kanten telkens drie dichtgeklonken gaten.
Rouge Box
Object type: rouge box
Date: 206 – 220
Materials: clay
Culture: chinese
Subjects: turtles
Portrait of Vicomte Ludovic Napoléon Lepic
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: drypoint, engraving, printing
Location: france
Artist: marcellin desboutin
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1902
Affiche voor Delftsche Slaolie
Object type: poster
Date: 1874 – 1945
Materials: paper
Techniques: lithograph
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: oil, vinegar, sauces, poster
Inscriptions: collector's mark: Lugt 2228
Vaasje met bloemen en een blauwe vlinder
Object type: drawing
Date: 1800 – 1900
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: l.w. garrison
Artist role: draughtsman
Subjects: insects: butterfly, flowers in a vase
Decorated Initial "P" with Roses from a Manuscript
Object type: drawing and watercolor
Materials: ink, silver, paint, parchment
Techniques: cutting
Culture: european
Location: europe
Gezicht op de loofgang van de tuin van de gouverneur te Pondicherry
Object type: print
Date: 1745 – 1775
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: garden, garden fountain, ornamental plants
Inscriptions: watermark, collector's mark: Lugt 2233
Twee prentbriefkaarten van koningin Wilhelmina op bezoek in Haarlem en de opening van de Staten-Generaal in 1910
Object type: photograph
Date: 1909 – 1910
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, queen, haarlem
Inscriptions: inscription: ‘Kon. bezoek in Haarlem. Bij de Aubade.’, inscription: ‘Opening Staten-Generaal in 1910.’

Deze foto en prent maken deel uit van een album.
Kasteel Ooij te Ooij
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Location: ooy
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: castle
Inscriptions: annotation: ‘de nissen in de voormuur/ zijn van binnen wit en hol rond hol uitgaande/ Ooij’

Blad 20 recto uit een schetsboek met 69 bladen.
Fotoreproductie van een gravure van een dwaze maagd door Martin Schongauer
Object type: reproduction
Date: 1910 – 1940
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: drawing, sketch, print, e.g.: engraving, etching, lithograph
Base and feet of a worshipper
Object type: sculpture
Date: 2500 – 2350
Materials: alabaster, gypsum
Culture: sumerian
Location: mesopotamia
Subjects: feet

Many Early Dynastic dedicatory statues stand with their left foot forward, but there are many exceptions to this rule, especially when the feet and legs are carved against a back support. This base for a missing statue depicts two feet side-by-side. However, they are carved in the round. The details of the toes and nails are very finely modeled. A mortise hole in the back of the base suggests that this was part of a composite statue in which the figure was constructed from separate pieces of carved stone fitted together with pegs and dowels.
Panel
Object type: panel
Date: 1801 – 1900
Materials: cotton
Location: iran
Subjects: flowers,leaves
Lopende vrouw met een hoed
Object type: sketchbook leaf
Date: 1874 – 1945
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: walking (+ female (human being) (not to be used where -aa- is prescribed)), head-gear: hat (+ women's clothes)

Blad 31 recto uit een schetsboek met 41 bladen.
Bust of a man
Object type: medallion
Date: 1501 – 1600
Materials: wood
Subjects: men,profiles
Sculpturale omlijsting van een straatlantaarn
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: lantern, sculpture, façade (of house or building)
Portret van Hendrik Gravé
Object type: book illustration
Date: 1770 – 1770
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, commander-in-chief, general, marshal, historical persons

Prent uit: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...). Amsterdam: weduwe Isaak Tirion, 1770, dl. 1, p. 338.
Eerdere staat gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...). 21 dln. Amsterdam, Isaak Tirion, 1749-1759.
House in the Trees (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: john william casilear
Artist role: artist
Artist nationality: american
Artist dates: 1811 – 1893
Subjects: houses,trees
Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme aussi les Cartes des Côtes de France et d'Espagne
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: leiden
Subjects: duinkerke, spaanse successieoorlog

Gezicht op Duinkerke, op de voorgrond schepen. Plaat nr. 241 in deel XI van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit tweede deel met 271 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel in het Frans.
Portret van Cornelia Theresia Carolina van den Berg (Cornelie)
Object type: photograph
Date: 1855 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: johannes baer
Artist role: fotograaf
Artist dates: 1840 – 1912
Subjects: rotterdam, delft
Inscriptions: name: ‘J. Baer , Rotterdam’, inscription: ‘tante Cornelie / v:d. Berg / 1837 - 1907’, name: ‘J. BAER / PHOTOGRAPHE / ROTTERDAM /’

Zittende vrouw aan tafel met een boek op haar schoot.
Portret van Pierre Séguier
Object type: print
Date: 1651 – 1668
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, pierre séguier, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Plate depicting Pompeo Colonna, from a series of twelve showing knights and their attendants dressed for a tournament (plate 6)
Object type: print
Date: 1565 – 1565
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: spears,men,horses,knights

This etching is from a set of twelve, of which the MMA has ten (numbers 2–12). Plate 6 depicts a procession of Cardinal Pompeo Colonna (1479–1532), also including Prospero Colonna (1452–1523), Alfonso Gonzaga (1541–1592) and others. A detail of the costume for the horses appears at lower right. See 53.601.153 for a description of the series. See 154, 155, 156, 158–163 for the rest of the set.
Portret van Sophia Charlotte, koningin van Pruisen, als keurvorstin van Brandenburg
Object type: print
Date: 1688 – 1701
Materials: paper
Techniques: engraving
Location: berlin
Artist: samuel blesendorf
Artist role: painter, print maker
Artist dates: 1633 – 1706
Subjects: berlin, crown (symbol of sovereignty), historical persons - bb - woman, ornaments, jewels
Inscriptions: collector's mark: Lugt 2228
Creamer
Object type: cream pot
Date: 1888 – 1888
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: richards and hartley flint glass co.
Artist role: maker
Artist nationality: american
Artist dates: 1867 – 1890
Album of Landscapes and Calligraphy for Liu Songfu
Object type: painting
Materials: ink, paper
Location: china
Artist: xugu 虛谷
Artist role: artist
Artist nationality: chinese
Artist dates: 1823 – 1896
Inscriptions: Inscribed by the artist on one leaf: 
[Painted] in the winter of the yiwei year, the twenty-first year of the Guangxu era [November 1895 – February 1896], Xugu
Portret van Gerrit Lamberts, zittend in een stoel
Object type: drawing
Date: 1843 – 1843
Materials: paper, pencil
Artist: coenraad hamburger
Artist role: draughtsman
Artist dates: 1809 – 1891
Subjects: amsterdam, print maker, draughtsman, bookseller, gerrit lamberts, historical persons, portrait, self-portrait of artist
Vase with hexagonal foot (one of a pair)
Object type: vase
Date: 1885 – 1885
Materials: bone china, enamel
Techniques: gilding
Artist: crown derby
Artist role: maker
Artist nationality: british
Artist dates: 1750 – 9999

The history of the Derby porcelain manufactory can generally be divided into two periods. The old Derby porcelain was produced from 1750 to 1848, and was foremost distinguished by the ownership of William Duesbury I and II. When the original factory closed in 1848, a number of former workers established a separate smaller factory at King Street, Derby, using Crown Derby’s original molds and patterns and oftentimes incorporating the factory marks on its wares. Around 1876, a separate company established a factory at Osmaston Road under the name Derby Crown Porcelain Company (and eventually bought the King Street factory in 1935), although the firm did not being producing commercial pieces until two years later. In 1890, the factory was granted the privilege of using the title "Royal Crown Derby Porcelain Company." Although the new Crown Derby continued to produce the firm’s old eighteenth-century Japan patterns, it became known for making vessels lavishly decorated with raised and chased gold work and Persian-style decoration.
Dye and pigment patterned textile with peonies and butterflies
Object type: textile
Date: 907 – 1125
Materials: ink, pigment, silk
Culture: chinese
Subjects: butterflies,peonies
"To you I give myself, for I am yours" (Shakespeare, As You Like It, Act 5, Scene 4)
Object type: print
Techniques: engraving, etching
Location: england
Artist: peter simon
Artist role: engraver
Artist nationality: british
Artist dates: 1764 – 1813
Subjects: shakespeare,men,women
Portret van Wilhelm Friedrich Hufnagel
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, date
Mantel frieze
Object type: mantel frieze
Date: 1451 – 1500
Materials: marble
Artist: andrea bregno
Artist role: artist
Artist nationality: italian
Artist dates: 1418 – 1503
Subjects: heads
Lappet
Object type: lappet
Date: 1701 – 1800
Techniques: lace
Subjects: flowers
Het huwelijk
Object type: family medal
Date: 1550 – 1600
Materials: silver
Techniques: striking
Location: germany
Artist: Anonymous

Zilveren penning. Voorzijde: man en vrouw reiken elkaar hand, beschenen door hemellicht met daarin naam van Jehovah in Hebreeuws en duif binnen omschrift. Keerzijde: bruiloft van Kanaan binnen omschrift
K. k. Hofburg - Theater
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: photograph
Artist: Anonymous
Subjects: vienna
Plaquette ter gelegenheid van het 50-jarig bestaan van de Nederlands-Indische Maatschappij in rijtuigen en automobielen v/h F.J. Fuchs en Rens, 1886 - 1936
Object type: plaque
Date: 1936 – 1936
Materials: bronze
Location: voorschoten
Subjects: voorschoten, dutch east indies, the
Inscriptions: mark: ‘KON. BEGEER / VOORSCHOTEN’, inscription: ‘1 JANUARI / 1886=1936 / 1886 MAATSCHAPPIJ TOT EXPLOITATIE DER RIJTUIG- 1913 / FABRIEK EN V/D HANDEL IN PAARDEN V/H F.J. FUCHS / 1913 RIJTUIG EN AUTOMOBIELMAATSCHY V/H F.J. FUCHS 1919 / N.V. MAATSCHAPPIJ TOT VOORTZETTING DER ZAKEN V/H FUCHS EN RENS’, inscription: ‘TER HERINNERING AAN HET 50JARIG BESTAAN DER MAATSCHY / AANGEBODEN DOOR CHEFS EN PERSONEEL v/d KANTOREN / BATAVIA.SOERABAJA.SEMARANG.MEDAN / BANDOENG.DJOCJAKARTA.PALEMBANG.AMSTERDAM’, inscription: ‘OPGERICHT DOOR F.J. FUCHS.DIRECTEUR.1886-1895 / IN STAND GEHOUDEN DOOR J.W.RENS.DIRECTEUR.1895-1902 / ONTWIKKELD EN TOT BLOEI GEBRACHT DOOR D.RENS.DIRECTEUR VANAF 1902 / EN ZIJNE MEDEWERKERS H.UKKERMAN.DIR.V/A1922 EN AV/DSCHAAR.PLV.DIR.V/A1927’

Rechthoekige gedenkplaquette met m.b. datering en tekst; daaronder in kader: afbeelding van de fabriek met de namen en data van de verschillende directeuren van de onderneming. Links en rechta van het kader: tweemaal 4 stadswapens. Onder het kader eveneens tekst. Op keerzijde: naam en plaats vervaardiger.
Diverse genretaferelen
Object type: print
Date: 1642 – 1669
Materials: paper
Techniques: etching
Artist: jan baptist de wael
Artist role: print maker
Artist dates: 1632 – 1669
Subjects: barber; surgeon
Inscriptions: collector's mark: Lugt 2228, inscription: ‘de Wael fe.’, collector's mark

Een chirurgijn maakt een insnijding in het hoofd van een man die voor hem zit. Omstanders kijken toe.
Paris: Louvre: L'Amour, par Falconnet
Object type: stereograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: louvre museum
Subjects: sitting figure - aa - female human figure, (story of) cupid, amor (eros), sculpture
Inscriptions: number: ‘64’, inscription: ‘Neue Photographische Gesellschaft A.-G. Steglitz-Berlin 1904.’
Sketchbook of Columbus Subjects: Caravels, Figures, Heraldry, and Accessories
Object type: sketchbook
Date: 1891 – 1891
Materials: gilt, graphite, leather, paper
Techniques: bookbinding, drawing
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: coat of arms,boats

This image represents one of twenty-seven drawings in this sketchbook.
Gezicht op de buitenplaats Cronenburgh aan de Vecht
Object type: album leaf
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: river (+ landscape with figures, staffage), country-house, vecht

Prent gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719.
Prent ook gebruikt in: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Gezicht op de overhaal aan het einde van de Overtoom
Object type: drawing
Date: 1817 – 1817
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: city-view in general; 'veduta', canal, rolling bridge (dutch: 'overtoom'), the usual house or row of houses
Inscriptions: signature, date and inscription: ‘Gezigt van de overhaal / van het end van den overtoom. / G. Lamberts. 1817.’, inscription: ‘Port. 10-256’, collector's mark: ‘10’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Overtoom.
Toren van de Onze-Lieve-Vrouwekerk te Breda
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: breda
Artist: Anonymous
Subjects: roman catholic church, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 3937, annotation, annotation, inscription: ‘Toren v/d R K kerk te Breda’