deem-data/ArtiFact huggingface dataset:
Glass fragmentary beaker with painted decoration
Object type: beaker, fragmentary
Date: 101 – 200
Materials: glass
Culture: roman
Subjects: men,deer,lions

Colorless; enamel-painted in blue, yellow, green, brown, brick red, and white. Body with straight side, tapering downwards; band at bottom beveled by cutting. Parts of three horizontal registers of painted decoration on exterior, divided by horizontal ground lines in yellow and red: at top, only part of a vertical object, possibly a leg and foot, in yellow and red survives; at center, two pairs of gladiators, one pair with round, the other with oblong shields - at left, a gladiator in a blue tunic defeats his opponent dressed in red, who has dropped his shield and falls backwards; above and between them a victory wreath and to either side small Greek letters, perhaps the names of the gladiators; at right, the gladiators are still fighting, the one to the left is dressed in yellow with his left leg also covered; only the large shield of his opponent has survived; at bottom, an animal hunt is depicted with two large cats at left - a blue-spotted leopard and a tawny yellow lion - and two deer fleeing to the left, one of which is being attacked from behind by the lion; in the field between the animals, patches of green indicate vegetation. Two large conjoining fragments, broken on all sides; few bubbles; very little weathering. Relatively few painted glass vessels have survived from antiquity. This example, although sadly incomplete, is decorated in a rich palette of colors with lively scenes representing gladiators and wild beast fights.
Fragment rood en geel zijdeweefsel met gestileerde bloem- en bladmotieven
Object type: silk textile
Date: 1550 – 1600
Materials: silk
Techniques: double-sided binding
Location: italy
Artist: Anonymous

Fragment gele zijde met patroon in rood en geel van gerekte ovalen gevormd door gekrulde voluten en gevuld met bladwerk.
Bevrijdingsfeest op de Dam
Object type: documentary photograph
Date: 1945 – 1945
Materials: photographic support
Techniques: photography
Location: amsterdam
Artist: Anonymous
Subjects: dam, bevrijding van nederland (1944-1945)

Een grote menigte staat op de Dam voor het Koninklijk paleis. Het betreft het eerste officiele bevrijdingsfeest, met name om de Canadezen te huldigen. Op een houten tribune staan o.m. Gerbrandy en Beel. Links van de tribune is een muziektent. De mensen dragen spandoeken en vlaggen.
Statuette of a youth
Object type: statuette of a youth
Date: 400 – 301
Materials: bronze
Culture: greek, cypriot
Subjects: men
Portret van Wilhelm Fabry op 67-jarige leeftijd
Object type: book illustration
Date: 1641 – 1641
Materials: paper
Techniques: engraving, letterpress printing
Location: lyon
Subjects: historical persons, medical instruments, barber; surgeon

Prent uit: Fabry, Wilhelm. Observationum et curationum chirurgicarum (...). Lyon: Jean Antoine Huguetan, 1641.
Devotional portable cross
Object type: cross
Date: 1751 – 1775
Materials: bronze
Subjects: men,angels,cross

THis devotional portable cross was probably pilgrim's memento, copied partially from an older object of same kind, but the shape of the chalice, form of letters in sacred monograms, and three nails would all indicate a later date.
Gezicht op Rosenlaui
Object type: print
Date: 1820 – 1892
Materials: paper
Techniques: aquatint
Location: zurich
Subjects: prospect of village, silhouette of village, glacier, spring (fluids extracted from the earth)
Inscriptions: collector's mark: Lugt 2228
The Capture of Carthagena by Scipio and His Troops
Object type: print
Date: 1539 – 1539
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: soldiers,shields,men,crowd,ladders
Kardoeskoker uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: cartridge canister
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cartridge canister; fragm: straight cylinder of rolled sheet, eroded, longitudinal fold-over seam, narrow flanged rim on lower end, base missing, in the centre two vertical tube-shaped fittings on diametrically opposite sides (id. NG 1980-27H2394).
Altobello Averoldo of Brescia, Bishop of Pola (1497–1532)
Object type: medal
Date: 1501 – 1550
Materials: lead
Artist: maffeo olivieri
Artist role: artist
Artist dates: 1484 – 1544
Subjects: profiles,bishops
Bowl
Object type: bowl
Date: 960 – 1279
Materials: ceramic glaze, glaze
Culture: chinese
De hartelijke ontvangst i/d feestelijk versierde pendopo v/d Ass: Wedono. Mr.C.W.A. Abbenhuis met den Leider der Kolonisatie en Mevr: Barkmeijer.
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: official; civil servant; functionary (in general), reception, cocktail party, dutch east indies, the

Op de foto links mevrouw Barkmeijer, in het midden C.W.A. Abbenhuis, naam man rechts onbekend. Onderdeel van Fotoalbum aangeboden aan de resident der Lampongse districten F.J. Junius door studerende ambtenaren van de bestuursschool te Batavia.
Monkey on a Rock; Monkey Trainer with Chinese Children and Puppy
Object type: hanging scroll
Materials: ink, paper
Culture: japanese
Artist: nagasawa rosetsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1799

Nagasawa Rosetsu, the son of a low-ranking samurai, was adopted by a Kyoto family and studied painting with Maruyama Ōkyo (1733–1795), the leading realist painter of the era. Following Ōkyo’s style, especially his naturalistic depiction of animals, birds, and fish, Rosetsu established a reputation as an eccentric but imaginative and popular artist. In this pair of paintings, he shows, at right, a macaque perched atop a rock entwined with pink-colored vines. In the left scroll, a man, probably a monkey trainer, appears startled by his companions: two young boys and a puppy. Monkeys, children, and puppies are subjects Rosetsu turned to time and again over the course of his relatively brief career.
Mariana in the South (Illustration for "The Palace of Art" in Tennyson's Poems, New York, 1903)
Object type: print
Date: 1857 – 1903
Techniques: engraving
Artist: dante gabriel rossetti
Artist role: artist
Artist nationality: british
Artist dates: 1828 – 1882
Subjects: women,cross,mirrors

Rossetti’s 1857 illustrations of Tennyson—reissued here in 1903—incorporate startling effects derived from medieval and early Renaissance art. Space collapses, forms are cut off, and narrative details are inserted without concern for conventional perspective. Mariana kneels before a sharply receding room and kisses a crucifix. Rossetti criticized the engravers and insisted on many changes, delaying the publication.
Titelprent voor: Oeuvres de monsieur de Saint-Evremond, 1726
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: (story of) mars (ares), voluptuousness, pleasure, 'voluptas' ~ one of the seven gifts of the body, chess, 'philosophia'; 'filosofia' (ripa), crowning with laurel, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 240

Portretbuste van Charles de Saint Denis, heer van Saint Évremond, door een putto gelauwerd. De buste is omringd door Mars (hij slaapt als verwijzing naar het einde van de militaire loopbaan van de geportretteerde), Filosofie (met scepter en globe), Wellust (met harp) en Vader Tijd. Op de voorgrond zijn twee putti aan het schaken. In de marge een vierregelig gedicht en een vijfregelig onderschrift in het Frans.
Fotoreproductie van een schilderij naar het gedicht Huisgodsdienst door J.J.L. ten Kate
Object type: reproduction
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: reading the bible or other religious books, family life
Inscriptions: inscription: ‘HUISGODSDIENST./ Als (...) stem gehoord!/ J. J. L. TEN KATE.’, inscription: ‘Breveté S.G.D.G.’
Verwoest huis in een ondergelopen buitenwijk van Parijs
Object type: photograph
Date: 1901 – 1910
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: paris
Artist: g. dangereux
Artist role: fotograaf
Subjects: flood (+ landscape with figures, staffage), paris

Onderdeel van fotoalbum overstroming Parijs en voorsteden 1910.
Fantasiemarmer in twee tinten groen en oranje
Object type: marbled paper
Date: 1900 – 2000
Materials: paint, paper
Techniques: marbled paper
Artist: Anonymous
Allegorien, Waarmede de Muzijkzaal door het penseel des Heeren J.H. van de Laar, is opgeluisterd
Object type: print
Date: 1855 – 1855
Techniques: printmaking, lithograph
Location: netherlands
Subjects: 'musica', symbolic representations, allegories and emblems ~ music; 'musica'(ripa), rotterdam
Inscriptions: collector's mark: Lugt 2228

Twee allegorische voorstellingen ter versiering van het nieuwe Feestgebouw waar het muziekfeest is gehouden, 1854. De bovenste met het jaartal 1854 en 'Nederland', de onderste met het jaar 1829 en 'Rotterdam'. Onderdeel van een serie van twaalf portretten naar daguerrotypieën en twaalf stadsgezichten. Ter gelegenheid van het Muziekfeest ter viering van het 25-jarige bestaan van de Maatschappij ter Bevordering van Toonkunst in Rotterdam, 12-15 juli 1854.
Limestone statuette of a male aulos player
Object type: statue of a flute player
Materials: limestone
Culture: cypriot
Subjects: musical instruments,men,musicians

he figure wears a chiton and a himation, draped over the left shoulder, and holds in each hand the reed of a large aulos, the lower end of which is attached to the abdomen.
Block of Wood
Object type: wood block
Date: 1479 – 1458
Materials: wood
Location: egypt
Chap. XIII: Ste. Pelagie! charmant séjour! (Sainte-Pélagie Prison, a charming stay!)
Object type: print
Date: 1824 – 1824
Techniques: lithograph
Artist: victor adam
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1866
Subjects: prisons,men,portraits,smoking
Verschillende schepen en stadsgezichten van Amsterdam, tweede deel
Object type: print
Date: 1652 – 1654
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Subjects: ships (in general)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1494, collector's mark: Lugt 1227

De Gelderse Kade, de Schreierstoren en de brug over het water. Vele schepen in het water.
Samson and the Lion
Object type: statuette group
Date: 1601 – 1700
Materials: bronze, lacquer, patina
Subjects: lions,samson

This is a relatively crisply chased example of a composition in which the lion’s gaping mouth serves as an inkwell. The model is frequently encountered in disappointing casts. Attributions in the past have run a wide gamut, from Pollaiuolo to Tiziano Aspetti. Anthony Radcliffe has ascribed the Samson statuettes to Bernardino Danese, the seventeenth-century Roman founder, noting a resemblance between the lion in a good example of the type in the Plymouth City Museum and Art Gallery and the two lions that adorn the pedestal of the bust of Paolo Giordano II Orsini in the same museum.[1] The Samson and the Orsini bust in Plymouth share the same early provenance.[2] When actually placed side by side, however, the lions in Plymouth are not so compellingly similar in modeling or in chasing. Those under the bust are conventional Baroque heraldic beasts tooled with relatively rigid parallel strokes. Bernardino Danese’s main documented efforts—various bronze castings for Bernini’s Cappella del Sacramento (of 1673–75) in Saint Peter’s—are works of a much higher technical order than any of these small bronzes. Radcliffe may be right to trace the Samson’s flowing design to the seventeenth century, but we are no closer than before to knowing the name of its author. [James D. Draper, 1984] Footnotes: [1] See A. Radcliffe, “Two Bronzes from the Circle of Bernini,” Apollo n.s. CVIII (1978), pp. 418–22, with a full account of earlier literature; A. Radcliffe, in An Exhibition of Old Master and English Drawings and European Bronzes. . . on loan from The City Museum and Art Gallery, Plymouth, London, Sotheby’s, 1979, no. 2, pp. 32–33, citing numerous other versions, among them three said to be in the Metropolitan Museum. In 1982, the two then in the Museum were deaccessioned once the superiority of the Linsky example was recognized. [2] The collection of the Marchese Leonori of Pesaro (sale, Christie’s, London, January 27–30, 1772, nos. 31, 86, both as by Alessandro Algardi).
Fox Hunt
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: hunting, chase
Inscriptions: collector's mark: Lugt 2228

Een man te paard nadert met opgeheven zwaard een op zijn rug liggende vos, die door honden in het nauw is gedreven. Vier andere mannen rennen naar het dier toe met speren en knuppels: een van hen spietst de vos. Daarachter zit een vos vast door een strik om zijn lijf. Een man met een stok in de aanslag rent er naar toe. Op de achtergrond een drijfjacht.
Drie kippen en twee hanen
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van twaalf prenten met vogels en insecten. Bij Hollstein zijn bladen van een andere serie prenten afgebeeld, zie De Groot 1988, p. 37.
Fragment droogdoeken met groene ruiten
Object type: fragment
Date: 1800 – 1900
Materials: cotton
Location: england
Schets van een landschap met bossage
Object type: drawing
Date: 1832 – 1897
Materials: paper, pencil
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Fragment
Object type: textile
Date: 1601 – 1700
Location: china
Gezicht op boerderij Leyenhof te Wahlwiller
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: wahlwiller
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: farm (building)
Inscriptions: annotation: ‘De boerderij Leyenhof te Wahlwiller/ geph. - 25 oct 1890 afgebrand 31 oct 1890’, annotation: ‘Gem. Wittum/ Wahlwiller’
Fragment kom uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: porcelain
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Bodemfragment kom uit V.O.C.-schip de 'Witte Leeuw'.
Saint Barbara
Object type: statue
Date: 1401 – 1600
Materials: paint
Techniques: gilding
Culture: german
Subjects: women
Altaren
Object type: ornament print
Date: 1740 – 1745
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: chandelier, candelabrum, rays of natural light, altar
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerp voor een rocaille altaar met drie kandelaren. Boven wordt een engelenhoofd met vleugels omgeven door wolken en lichtstralen. Prentnummer 265.
Netsuke of Bat and Fruit
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: pomegranates
Frame, Medallion
Object type: medallion frame
Date: 1701 – 1800
Materials: copper alloy, gilt
Culture: british
Location: egypt
Ontwerp voor een menukaart met bloemmotief
Object type: drawing
Date: 1851 – 1930
Materials: paper, pencil, watercolor
Techniques: brush
Artist: theo colenbrander
Artist role: draughtsman
Artist dates: 1841 – 1930
Subjects: ornament derived from plant forms
Inscriptions: number: ‘1.’
Portion of a cover
Object type: cover fragment
Date: 1701 – 1800
Materials: linen, silk
A Short History of General W. T. Sherman, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: soldiers,cannons,men,portraits,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander with billeting
Animal Pendant
Object type: pendant
Date: 401 – 1000
Materials: shell
Culture: international or initial style
Location: panama
Subjects: animals
Frankrijk, Tweede Republiek met Louis Napoleon als president, 5 francs,1852 A
Object type: coin
Date: 1852 – 1852
Materials: silver
Techniques: striking
Location: paris

Zilveren munt. Voorzijde: hoofd van de president naar links. Omschrift: Louis-Napoleon Bonaparte. Keerzijde: binnen twee samengebonden takken waarde-aanduiding in twee regels, waaronder jaartal. Onderaan de letter A [=Parijs]. Opliggend randschrift.
Nijvre zaaier blijde maaier
Object type: photomechanical print
Date: 1920 – 1929
Materials: paper
Techniques: printing block
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: sowing, reaping, picking, mowing ~ harvest
Inscriptions: annotation: ‘De faba. Basel/ {...]mma [...]48’, collector's mark: ‘R:MVS.’

Bewijs van deelneming met bovenaan een kader. Links in het kader zaait een man in een veld en rechts maait hij zijn oogst. Een bundel koren scheidt de twee voorstellingen.
Figurine
Object type: sculpture
Date: 2100 – 2000
Materials: ceramic
Culture: neo-sumerian
Location: mesopotamia
Zes landschappen naar Matthäus Merian I
Object type: print
Date: 1628 – 1679
Materials: paper
Techniques: etching
Subjects: city-view, and landscape with man-made constructions, horse
Inscriptions: collector's mark: Lugt 2228

Kopie in dezelfde richting naar de prent van Matthäus Merian I (Hollstein 332). Deze prent heeft het nummer 6 rechtsonder gedrukt.
Staand paard, naar links
Object type: drawing
Date: 1912 – 1915
Materials: chalk, paper
Artist: johannes abraham mondt
Artist role: draughtsman, print maker
Artist dates: 1859 – 1941
Subjects: horse
Slippers
Object type: slipper
Date: 1840 – 1849
Materials: leather, silk
Culture: american
Arm at shoulder, Aten cartouches
Object type: arm at shoulder, aten cartouch
Date: 1353 – 1336
Materials: limestone
Location: egypt
Initial letter P on patterned background
Object type: print
Date: 1520 – 1520
Techniques: woodcut
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Beauties Parodying the Seven Sages - A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe): Hanasaki of the Daimonjiya
Object type: print
Date: 1793 – 1793
Techniques: woodblock print
Location: japan
Artist: chobunsai eishi
Kneeling statuette of King Amasis
Object type: statuette, kneeling king, king amasis kneeling
Date: 570 – 526
Materials: bronze, metal
Techniques: inlay
Location: egypt
Subjects: kings
Design for a Fruit Plate
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: brush, heightening
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: fruit,dishes
Piece
Object type: piece
Date: 1723 – 1735
Materials: paint, silk
Culture: chinese
Subjects: clouds
Panel
Object type: panel
Date: 1434 – 1466
Materials: metal thread, silk
"Devotional Scene," Folio from the Bellini Album
Object type: illustrated album leaf
Date: 1600 – 1600
Materials: gold, ink, paper, watercolor
Location: netherlands
Subjects: men,christ,crucifixion,coat of arms
Deugdzaamheid van de vruchtbaren
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: st. ursula as patron, protector, intercessor
Inscriptions: collector's mark: Lugt 2228

De heilige Ursula, met haar mantel aan beide zijden uitgespreid om een schuilplaats te bieden aan mannen en vrouwen. Aan haar voeten ligt een boek met een pijl erop. In de marge een tweeregelig Bijbelcitaat uit Wijsh. 4 in het Latijn.
Fotoreproductie van een fresco, voorstellend de Opvoeding van Bacchus
Object type: photograph
Date: 1879 – 1900
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: ludovico tuminello
Artist role: fotograaf
Artist dates: 1824 – 1907
Subjects: (story of) bacchus (dionysus), liber
Inscriptions: address: ‘Roma Via dei Coni[...] 21’, number: ‘678’

Onderdeel van Reisalbum met opnames van kunstwerken en bezienswaardigheden in Italië, Griekenland en Frankrijk.
Oeuvres de A. Calame
Object type: print
Date: 1852 – 1855
Materials: paper
Techniques: lithograph
Location: paris
Subjects: low hill country, lake, sunlight
Inscriptions: collector's mark: Lugt 2228a
Implement
Object type: implement
Date: 2333 – 1668
Materials: copper alloy
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Subjects: rams
Jerobeam en de profeet Achia
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: meeting of jeroboam and the prophet ahijah; ahijah rends his garment in twelve pieces, ten of which he gives to jeroboam

De profeet Achia heeft zijn mantel in twaalf stukken gescheurd en overhandigt tien stukken aan Jerobeam. De gescheurde mantel staat symbool voor de splitsing van het Joodse volk. Jerobeam werd koning van tien van de twaalf stammen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 1 Kon. 11:29. Deze prent maakt deel uit van een album.
Sheepshearing
Object type: print
Date: 1853 – 1853
Techniques: printmaking, engraving
Artist: jean-françois millet
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: men,women,working
Collar
Object type: collar
Date: 1860 – 1860
Materials: cotton, linen
Culture: french
Subjects: flowers
Oproer, Tegens de Bisschop van Nimes int Jaar 1650
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: street-fights, riots
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Benoist, Elie. Historie der gereformeerde kerken van Vrankryk, 4 delen. Amsterdam: Jan Claesz ten Hoorn, 1696, dl. III.
Untitled (Man with Top Hat Sitting on Carriage)
Object type: photograph
Date: 1864 – 1864
Techniques: photography, tintype
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portrait, portraits, portraits: male subject
Portrait of a young woman
Object type: ansichtkaart, prentbriefkaart
Date: 1936 – 1945
Materials: photographic support
Techniques: photography
Location: detroit
Subjects: adult woman (+ sideview, profile), historical persons not known by name

Het Detroit Institute of Arts schrijft het schilderij inmiddels toe aan het "atelier van Domenico Ghirlandaio". Op de kaart staan Verrocchio of Leonardo als mogelijke schilders.
Half Model of a Ram Monitor
Object type: builder's model
Date: 1867 – 1869
Materials: brass, wood
Techniques: polychromy
Location: amsterdam
Subjects: hyena (schip)
Inscriptions: inscription, top left, on an oval black label: ‘MONITOR / tijpe / HIJENA.’, label, centre right: ‘1270’ former inventory label, inscription, top right, on a piece of paper, in ink: ‘Voornaamste bepalingen. / [followed by measurements, armament and scale]’

De monitor Hyena, lang 56.76 m, met twee 23 cm kanons, werd in 1869-1870 op de Rijkswerf te Amsterdam gebouwd. De bewapening werd in 1887 gewijzigd naar een 28 cm kanon, een 7.5 cm kanon, twee 3.7 cm kanons en twee 3.7 cm revolver kanons. Zij deed alleen dienst bij de verdediging van de zeegaten; in 1888 uit dienst wegens averij, in 1905 van de sterkte afgevoerd en in 1906 voor de sloop verkocht.
Monteith
Object type: monteith
Date: 1695 – 1696
Materials: silver
Artist: charles overing
Artist role: maker
Artist dates: 1662 – 1722
Subjects: coat of arms