deem-data/ArtiFact huggingface dataset:
Design for Stanhope Phaeton, no. 714
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Jacob van Hall
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: etching, engraving
Location: amsterdam
Subjects: rechtsgeleerde, jacob van hall
Inscriptions: collector's mark: Lugt 2228

Portret van Jacob van Hall, rechtsgeleerde, gekleed in toga met witte bef.
Beeldhouwwerk Augustus van Prima Porta
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: vatican city
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, ruler, sovereign

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
Morning start in the Cotton Fields
Object type: stereograph
Date: 1892 – 1892
Materials: cardboard, paper
Techniques: albumen print
Location: littleton
Artist: benjamin west kilburn
Artist role: fotograaf
Artist dates: 1827 – 1909
Subjects: cotton (material ~ textile industry)
Inscriptions: copyright notice: ‘Copyright 1892, by B. W. Kilburn.’, number: ‘6946’
Gezicht op de verwoeste Politieprefectuur van Parijs na de semaine sanglante
Object type: page
Date: 1871 – 1871
Materials: paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: ruin of a building ~ architecture
Knife (Bade-bade) with Sheath
Object type: knife bade bade with sheath
Date: 1701 – 1900
Materials: silver
Culture: minangkabau
Location: malaysia
Plate B: Election and Coronation of Emperor Maximilian II
Object type: print, fete, ornament architecture
Date: 1612 – 1612
Techniques: etching
Location: frankfurt
Artist: anonymous, german, 17th century
Artist role: publisher
Artist nationality: german
Artist dates: 1600 – 1700
Subjects: cathedrals,elections,ceremony

Holy Roman Emperor from July 25, 1565 – October 12, 1576. Coronations Prague: September 20, 1562 Frankfurt: November 24, 1562 Pressburg: September 8, 1563
Anna te drieën
Object type: print
Date: 1610 – 1665
Materials: paper
Techniques: engraving
Location: antwerp
Artist: jan van de sande
Artist role: painter, print maker, publisher
Artist dates: 1600 – 1665
Subjects: 'anna selbdritt', i.e. anna, mary and christ-child close together

Prent in: s.n. Aldernouwkeurigste verhandelinge der geschiedenissen van het Nieuw Testament (...). Antwerpen: Cornelis Marten Spanoghe, 1783, p. 18-19..
Flagon
Object type: flagon
Date: 1801 – 1900
Materials: metal, silver
Artist: elkington & co.
Artist role: manufacturer
Artist nationality: british
Artist dates: 1829 – 1963

This electrotype is after a seventeenth-century original (1606), at time of reproduction a treasure of the Kremlin, Moscow.
Dress
Object type: dress
Date: 1853 – 1857
Materials: cotton
Culture: american
Fotoreproductie van een portret van Jeanne-Sylvanie-Sophie Arnould-Plessy
Object type: reproduction
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, portrait of actor, actress
Inscriptions: inscription: ‘Figaro-Album/ A. Plessy/ d'après Legé et Bergeron Phot.’
Lake George, 1872
Object type: painting
Date: 1872 – 1872
Materials: canvas, oil
Culture: american
Artist: john frederick kensett
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1872
Subjects: lakes,hills,landscapes
Mahakala, Protector of the Tent
Object type: thangka
Date: 1650 – 1650
Materials: gold, silk
Culture: tibetan
Subjects: skeletons,buddhism,deities

This black-ground painting is a visualization image of Mahakala as Panjarantha, the enlightened protector of Buddhism. He tramples a male corpse beneath his feet and displays a flaying knife (kartrika) in his right hand and a skull cup (kapala) in his left, implements for cutting through delusions and ignorance. A ritual wand (gandi) is balanced in the crooks of his arms. Panjaranatha is understood as the “original” Mahakala from which all other manifestations emanate. Several of the latter, along with the deity’s associates, surround him, including Brahmarupa (the “lesser Mahakala,” at left), blowing a thighbone trumpet, and Palden Lhamo (Mahakala’s consort), riding her mule. In the upper corners are two hierarchs of the Sakya lineage, over which Mahakala presides as their principal protector, and below his fearful retinue dances macabrely.
Blouse
Object type: blouse
Date: 1890 – 1899
Materials: cotton
Culture: american
Terracotta oil lamp
Object type: lamp
Date: 40 – 100
Materials: terracotta
Culture: roman, cypriot
Subjects: roosters

Loeschcke Type 4. Mold-made. Discus: cockerel facing right; a single filling hole to lower right, and a broad band of concentric lines and grooves at edge. Volutes flanking nozzle. On left side of body: raised, molded letters: IT. Within impressed base ring, slightly raised base, sunken at center and inscribed with a diagonal line.
Bulb bowl, Numbered Jun ware
Object type: bowl
Date: 1201 – 1400
Materials: glaze, stoneware
Techniques: relief
Culture: chinese
Artist: chinese
Artist role: artist
Zandvoort
Object type: album leaf
Date: 1917 – 1917
Materials: paper
Techniques: gelatin silver print
Location: zandvoort
Artist: charlotte alida boelen-matthes (lot)
Artist role: amateurfotograaf
Artist dates: 1889 – 
Subjects: amsterdam, eva charlotte pennink-boelen, beach (as place of recreation), child and nature (games and plays)

Deze foto's zijn onderdeel van een album.
Gezicht op het Oudezijds Huiszittenhuis te Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: poorhouse, ships (in general), canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Pieter Schenk (I), s.a. [1710-1711]. Of uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, s.a. [1757-1766]. In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Portret van Don Luis de Requesens y Zunega
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: engraving, etching, letterpress printing
Artist: christoffel van sichem (i)
Artist role: print maker, publisher
Artist dates: 1546 – 1624
Subjects: brussels, mayor, luis de zúñiga y requesens
Inscriptions: collector's mark: Lugt 2228

Portret van Don Luis de Requesens, gouverneur-generaal van de Nederlanden. Hij draagt een met bont gevoerde korte mantel en houdt een commandostaf in de hand. Hij staat naast een met een kleed bedekt voetstuk, waarop de helm van zijn harnas ligt. De ruimte voor zijn wapenschild is blanco gelaten. Op de achtergrond een stad. Onder de prent in het Latijn zijn naam en functie. Onder de prent Nederlandse tekst in boekdruk. Rondom een ornamentele omlijsting.
Twee voorstellingen van een hek en een brug
Object type: print
Date: 1809 – 1841
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: joannes bemme
Artist role: print maker, printer
Artist dates: 1775 – 1841
Subjects: fence, wall, paling, windmill in landscape, small canal, ditch
Inscriptions: collector's mark: Lugt 2228, watermark: ‘C&II’

Voor de brug over de sloot staat een houten hek. Het hek in de onderste voorstelling is vervallen en begroeid met planten. In de achtergrond een molen en wat huizen.
Card Number 519, May Belle Raymond, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
View of Luxemburg House at Maarssen on the Vecht
Object type: watercolor
Date: 1757 – 1822
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: hermanus petrus schouten
Artist role: draughtsman, painter, print maker
Artist dates: 1747 – 1822
Subjects: castle, maarssen

Many of Amsterdam’s wealthy merchants had country estates along the River Vecht, similar to Luxemburg House. In this drawing, artist Hermanus Petrus Schouten depicted the house more meticulously than he usually did in his topographical views. Behind the dark foreground and a corner of some other, smaller country estate lies Luxemburg, bathed in gentle sunlight, on the opposite bank of the Vecht.
Vier opgezette fazanten
Object type: album leaf
Date: 1895 – 1910
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: walker and runner birds: pheasant

Deze foto's maken deel uit van een album.
Card Number 23, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: gloves,women

Series G29 presents cut-outs from a tobacco advertising banner issued by Allen & Ginter between 1885 and 1890. Citing Burdick's "The American Card Catalog": "Banners are paper hangers with a metal binding at top and bottom edges. The popular size was about 30 inches long but a few measured over five feet in length...The tobacco firms were prolific advertisers using a constant procession of banners, especially to publicize their current insert card sets...The usual design illustrates the card pictures [from the series inserted into tobacco packaging] with a large appropriate center picture." Many consumers would cut up banners in order to "collect" the whole series of cards at once. Although series G29 is not listed in Burdick's "The American Card Catalog," he included notes in his own edition of the book, now included in the collection at the Metropolitan Museum, labeling the series as G29. They are included not as the original banner, but as cut-outs affixed to an album. Each card in the series is numbered and depicts a leather opera glove holding a portrait of a woman. The original banner advertised Richmond Straight Cut Number 1 Cigarettes issued by Allen & Ginter as a branch of the American Tobacco Company. In 1890, the American Tobacco Company purchased Allen & Ginter, as well as many of the large American cigarette manufacturers.
Study for "The Siege of Gibraltar": Figures Astride Spar
Object type: drawing
Date: 1785 – 1786
Materials: chalk, paper
Techniques: heightening
Culture: american
Artist: john singleton copley
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1815
Subjects: men
Het verbranden en instorten des torens van de Groote-Kerk te Hoorn, op den 3. Augustus 1838
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: on fire, ablaze, church (exterior), hoorn (north holland)
Inscriptions: collector's mark: Lugt 2228

Uitslaande brand in de Grote Kerk te Hoorn op 3 augustus 1838, op het moment dat de kerk instort. Rechts houdt een schutter het publiek op afstand.
Portret Abraham Gottlob Werner
Object type: print
Date: 1804 – 1843
Materials: paper
Techniques: engraving
Location: zwickau
Subjects: historical persons, professor
Inscriptions: collector's mark: Lugt 2228
Bed Valance
Object type: textile
Date: 1867 – 1900
Location: united states
Portret van Maria Carolina van Bourbon-Sicilië, hertogin van Berry
Object type: print
Date: 1816 – 1849
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: maria carolina van bourbon-sicilië, historical persons - bb - woman
De heer Steenkamp als Lady Macbeth
Object type: cartoon
Date: 1891 – 1891
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Subjects: lady macbeth, political caricatures and satires, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Prent uit: De Amsterdammer 15 (1891), nr. 734, 19 juli 1891, p. 7.
Portret van Willem Mensert
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: knighthood order, historical persons

Met facsimile signatuur van geportretteerde.
Headdress
Object type: headdress
Date: 1801 – 1825
Materials: glass, metal, shell, silk
Culture: russian

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. This headdress follows the coronet shape common to maiden's headwear in Russia while incorporating the forehead veil effect of the venchik. Unlike in most headdresses where the venchik is a separate piece, the characteristic beaded veil is attached directly to the headdress.
Studies van mannen in toga
Object type: drawing
Date: 1812 – 1861
Materials: ink, paper, pencil
Techniques: pen
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions)
Gezicht op de staafkerk van Borgund in Noorwegen
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: borgund
Artist: Anonymous
Subjects: the christian churches
Inscriptions: inscription: ‘Norge/ Borgundskirke i Laerdal, Sogn.’
Triumphelijcke Incomst vanden doorluchtighen ende hooghgheboren Aerts-hertoge Matthias, binnen die princelijcke stadt van Brussele in t'iaer ons heeren M.D.LXXVIII. den xviij dach Januarij. Gehouden door Heeren Leden van het Utrechtsche Studentencorps op den 28 Juni 1881 bij gelegenheid van het 245-jarig bestaan der Hoogeschool
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: chromolithography
Location: netherlands
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), students' pageant, costumes used in pageants, commemoration of the founding of a university, utrecht
Inscriptions: collector's mark: Lugt 2228

Eerste plaat met een deel van de optocht. Onderdeel van de serie van zeven platen plus titelprent en verklaring van de gekostumeerde optocht door de studenten van de Utrechtse Hogeschool op 28 juni 1881 bij de viering van het 245-jarig bestaan van de Hogeschool. Voorgesteld is de intocht van aartshertog Matthias in Brusssel op 18 januari 1578.
Ernst Casimir (1573-1632), Count of Nassau-Dietz
Object type: painting
Date: 1633 – 1633
Materials: oil, panel
Artist: wybrand de geest
Artist role: draughtsman, painter
Artist dates: 1592 – 1665
Subjects: ernst casimir graaf van nassau-dietz, historical persons
Inscriptions: signature and date, upper left: ‘Ao. 1633. / VDG. ƒ.’, coat of arms, on the reverse: wax seal containing, among other devices, a four-legged animal

Portret van Ernst Casimir, graaf van Nassau-Dietz, stadhouder van Friesland, Groningen en Drente. Buste, naar rechts. Pendant van SK-A-572.
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: human figures,bridges,boats
Spotprent uit Utrechtse studentenalmanak, 1834
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: maps of separate countries or regions, fictitious countries, student life, utrecht
Inscriptions: collector's mark: Lugt 2228

Spotprent uit de studentenalmanak van de Universiteit van Utrecht van het jaar 1834. Kaart van een fictief eiland vol met plaatsen en kenmerken met namen in het Latijn (en Nederlands) die verwijzen naar de studie op de universiteit.
Paysages gravé d'aprés des tableaux originales
Object type: print
Date: 1739 – 1804
Materials: paper
Techniques: etching
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 240
Plate 10: The Ancient Gallery: a large covered gallery, light entering from the background, six figures standing atop piles of rocks in the foreground, from "Les soirées de Rome"
Object type: print
Date: 1763 – 1764
Techniques: etching
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Subjects: human figures,architecture,buildings
In de Tweede Kamer
Object type: cartoon
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: politician, the hague, jonkheer alexander frederik de savornin lohman, abraham kuyper, rome, priest, herman johannes aloysius maria schaepman, pulling the ears (of naughty children), the good child versus the naughty child, (family) meal, political caricatures and satires

Familiediner waarbij jhr. De Savornin Lohman het ondeugende kind Andries Staalman bij het oor grijpt. Verder aan tafel gastvrouw Abraham Kuyper, Herman Schaepman en oudere zoontje Syb Talma.
Ear Spool
Object type: ear spool
Date: 1501 – 1600
Materials: stone
Culture: mexican
Location: mexico
Candlestick
Object type: candlestick
Date: 1878 – 1878
Materials: copper, gold, iron, silver
Culture: american
Location: united states
Artist: tiffany & co.
Artist role: manufacturer
Artist dates: 1837 – 9999

These candlesticks exemplify the innovative designs and technical virtuosity that characterized Tiffany & Co.’s work during the 1870s and 1880s. Exhibited at the 1878 Paris Exposition Universelle (World’s Fair), the candlesticks evidence a sophisticated engagement with Islamic decorative vocabulary and design. Edward C. Moore, the director of Tiffany’s silver division during most of the second half of the nineteenth century, was a passionate and discerning collector of metalwork, glass, ceramics, and textiles from the Islamic world. His collections informed his creative vision, and these candlesticks reflect the fresh and original ways in which he and his designers and craftsmen responded to these sources of inspiration. A surviving diary of one of Tiffany’s leading designers, Charles Grosjean, documents the candlesticks as the first works he selected for inclusion in the firm’s display in Paris. Particularly striking and unusual for their use of iron, the candlesticks offer compelling supporting evidence for Tiffany’s declaration that their exhibition in Paris "has proved a success far greater than any one had expected…" and "is proof of the growth of our people in art knowledge and education." The acclaim Tiffany & Co. garnered at the fair propelled them to international prominence and prompted the British designer and critic Christopher Dresser to dub them "first silversmiths of the world."
Chinoiserie with a woman playing a gong, from Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt)
Object type: print
Date: 1755 – 1776
Techniques: engraving, etching
Artist: jean pierre louis laurent hoüel
Artist role: artist
Artist nationality: french
Artist dates: 1735 – 1813
Subjects: musical instruments,chinoiserie,women
Portret van een onbekende staande vrouw bij een stoel
Object type: frame
Date: 1880 – 1890
Materials: cardboard, glass, metal, paper, wood
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, anonymous historical person portrayed
Bǎn (板 )
Object type: bǎn clapper
Date: 1867 – 1900
Materials: wood
Culture: chinese
Location: china

The ban is related to the paiban and serves a similar purpose: marking time.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

At the top of the kylix foot, part of a ring; the outer edge and resting surface is reserved
Pointe percée, vue du Col de la Grande Forclaz
Object type: photomechanical print
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Subjects: mountains
De vier elementen
Object type: print
Date: 1573 – 1580
Materials: paper
Techniques: engraving
Artist: etienne delaune
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1519 – 1583
Subjects: the four elements, and ether, the fifth element, (story of) mercury (hermes), air (one of the four elements)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 1041c

Maakt deel uit van een vierdelige serie met personificaties van de vier elementen als klassieke goden in ovale vorm.
Voltaire en zijn muze
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: paris, voltaire, writing-table, writing-desk, trees: palm-tree (+ branch, stick), sitting or standing on clouds, globe, single muses, male sex; man
Inscriptions: collector's mark: Lugt 2228

Deze prent behoort tot een serie van twaalf prenten, vervaardigd voor de geschriften van Voltaire. Prent gebruikt voor: Almanac historique généalogique pour l'année 1782. A Berlin. Berlijn: L'Academie, 1781.
Dr. Gotthold Salomon Prediger am Isr. Tempel zu Hamburg
Object type: print
Date: 1820 – 1864
Materials: paper
Techniques: lithograph
Location: hamburg
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, mark: ‘N.C’
Portret van paus Clemens XIII
Object type: print
Date: 1758 – 1767
Materials: paper
Techniques: etching
Location: italy
Artist: nicolo mogalli
Artist role: print maker
Artist dates: 1723 – 1767
Subjects: clemens xiii, historical persons, pope
Inscriptions: collector's mark: Lugt 240