deem-data/ArtiFact huggingface dataset:
FIRENZE - Chiesa di S. Croce. Storia della Santa Croce.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: santa croce
Artist: taddeo gaddi
Artist role: painter
Artist dates: 1290 – 1366
Subjects: chosroes ii, having refused baptism, is executed ~ legend of the true cross
Inscriptions: collector's mark: Lugt 3937, number: ‘P.e 2.a N.o 3893.’
Dress
Object type: dress
Date: 1837 – 1839
Materials: cotton
Culture: american

The textile here is a nice example of a process known as mill engraving where the textile is printed from an engraved copper roller. This process allowed for highly detailed small-scale motifs across the textile which enhances the charm. It is firmly anchored it in the 1830s not only because of its textile, but also because of its unabashed emphasis on the bust and shoulders by the way of wider neckline and V-shaped gathering over the bust. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.
Great Salt Lake City and views in Utah
Object type: print
Date: 1870 – 1875
Materials: paper
Techniques: lithograph
Location: new york city
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘From a photograph by C.R. Savage.’, inscription: ‘1. Wahsatch Mountains (...) River Jordan’
Necklet (Musi)
Object type: necklet
Date: 1701 – 1900
Materials: gold
Location: india
Portret van een onbekende halfnaakte vrouw met bloemen
Object type: photomechanical print
Materials: paper
Techniques: photograph
Subjects: flowers, historical persons - bb - woman, woman (showing herself) undressed, quasi-nude
Inscriptions: number: ‘Vol. 1, No 4, Planche 3.’

Deze prent maakt deel uit van 8 omslagen met 22 tekstbladen en 89 prenten op losse bladen in en tussen de omslagen.
Incense Box (Kōgō) in the Shape of a Plum Blossom
Object type: incense box
Date: 1801 – 1850
Materials: enamel, gold, porcelain
Techniques: overglaze, polychrome
Culture: japanese
Subjects: flowers

The small incense box was created for use in the tea ceremony. Plum blossoms, associated with the start of spring, are auspicious symbols in Japanese art. Their sweet fragrance had played an important role in incense culture for centuries.
Zittende man aan een waterkant
Object type: sketchbook leaf
Date: 1825 – 1829
Materials: paper, pencil
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)
Inscriptions: annotation: ‘Brenhuijssen’, number: ‘11/ 6012’

Blad 25 recto uit een schetsboek met 95 bladen.
Kleuters met mutsen
Object type: album leaf
Date: 1890 – 1902
Materials: paper, photographic support
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: historical persons, snow, tot, toddler ~ the ages of man, united states of america

Albumblad met vier foto's van kleuters met mutsen, waarvan één in de sneeuw. Onderdeel van Familiealbum met voornamelijk foto's van een jong Amerikaans meisje.
Exterieur van de Bildergalerie in Kassel
Object type: cabinet photograph
Materials: cardboard, paper, photographic support
Techniques: photograph
Location: kassel
Subjects: travelling; tourism, permanent exhibition, museum

Onderdeel van Album met 38 foto's van een reis door de Harz.
Apollo and the Muses
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: etienne delaune
Artist role: artist
Artist nationality: french
Artist dates: 1518 – 1583
Design for Grate
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture
Coverlet
Object type: textile
Date: 1825 – 1835
Materials: cotton, wool
Techniques: weave
Location: united states
Subjects: geometric motif, zigzags, rectangles, squares, geometric, coverlet
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic
Theatrical Robe for a Military Role
Object type: robe
Date: 1701 – 1800
Materials: metal thread, silk
Techniques: brocade
Culture: chinese
Subjects: dragons

This impressive robe was designed as light military attire for Chinese opera. The white color was often intended for a young general. The powerful, vibrant dragons on this robe help date it to the early eighteenth century.
Portret van Jan Catharinus Schüller
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: print maker, draughtsman, jan schüller
Inscriptions: annotation: ‘Een Pastoor’, annotation: ‘J.C. Schüller // Internat. Tentoonstelling // 1904-1905 // St-Louis . Louisiana // (nog zonder snor!)’

Portret van Jan Catharinus Schüller, kunsthandelaar en vertegenwoordiger van de Nederlandse kunsthandelaren op de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904.
Picture of Revolutionary Assignats (Tableau des papiers monnoies qui ont eut cours depuis l'epoque de la Révolution française)
Object type: print
Date: 1797 – 1797
Materials: ink, paper, watercolor
Techniques: engraving, etching, hand coloring
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1700 – 1799
Two Studies of a Woman Sitting in a Landscape
Object type: drawing
Date: 1874 – 1875
Materials: paper, pencil
Location: paris
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917

In Paris Maris did not make fully worked-up studies, instead he sketched figures and tried out compositions, as can be seen here. In the top part of this sheet a girl tending goats can be discerned twice amidst the jumble of lines. In the bottom half Maris drew a composition
sketch for the painting Girl with Goats, also on view in this gallery.
Vissersboten en studies van een mast
Object type: drawing
Date: 1834 – 1893
Materials: chalk, paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: sailing-ship, sailing-boat
Bowl with Six Dragon Medallions
Object type: vessel
Materials: copper, porcelain
Techniques: painting, underglaze
Location: china
Liggende hond aan een ketting
Object type: print
Date: 1606 – 1658
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pauwels van hillegaert
Artist role: painter, print maker
Artist dates: 1596 – 1658
Subjects: dog, dog (+ stable, shed, kennel)
Inscriptions: collector's mark: Lugt 2228

Liggende hond aan een ketting voor een hondenhok. Op de achtergrond een tweede hond. Eerste prent van een serie van vier prenten met voorstellingen van honden.
Man daalt trap af
Object type: print
Date: 1847 – 1849
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: walking, staircase
Inscriptions: collector's mark: Lugt 2228

Een man in zeventiende-eeuwse kleding met boeken onder zijn arm daalt een trap af.
Expedition des Pantheon
Object type: print
Date: 1830 – 1860
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
Portret van Conradus Hoppe
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Subjects: book
Inscriptions: collector's mark: Lugt 2228

De predikant Conradus Hoppe op 48-jarige leeftijd. Hij heeft een boek in zijn handen.
Les Pyrénées Monumentales et Pittoresques
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: tone lithography
Location: luchon
Subjects: mountains (+ landscape with figures, staffage), river (+ landscape with figures, staffage), village (+ city(-scape) with figures, staffage), landscape with tower or castle (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a
Gezicht op de Minderbroederskerk te Roermond
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: roermond
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior), street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Roermond/ Ned. Herv. kerk/ aug 1901’, annotation: ‘Roermond’
Figuur in de vorm van een ijsvogel
Object type: figure
Date: 1910 – 1910
Materials: porcelain
Techniques: painted
Location: lichte
Artist: paul zeiller
Artist role: sculptor
Artist dates: 1880 – 1915
Inscriptions: signature: ‘Paul Zeiller’, mark: ‘fabrieksmerk Kunst HEUBACH Porzellan in groen, modelnummer 6845 (?).’

Figuur van porselein in de vorm van een ijsvogel in blauw-groen en roze op een witte rots. Gemerkt: HEUBACH Porzellan; onduidelijk modelnummer. Achter op de rots gesigneerd: Paul Zeiller. Gemerkt met: fabrieksmerk Kunst HEUBACH Porzellan in groen, modelnummer 6845 (?).
Ovoid covered jar with flower sprays and floral scrolls
Object type: covered jar
Date: 1645 – 1645
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: label: ‘The Hatcher Collection/ Christie's Amsterdam/ 14-03-1984’

Eivormige dekselpot van porselein met een cilindrische dop, beschilderd in onderglazuur blauw. De buik is bedekt met 'crackled ice' met daarin uitgespaard lotusranken, parels en twee grote, bladvormige cartouches. In de cartouches telkens twee bloemtakken (pioen, chrysant, magnolia, hortensia) en bamboebladeren of insecten. Op de schouder een band met driehoeken in blauw met daarin uitgespaard een motief. De deksel met dezelfde decoratie. Afkomstig uit de 'Hatcher jonk' die ongeveer 1645 verging. Oud label op de onderzijde met 'The Hatcher Collection/ Christie's Amsterdam/ 14-03-1984'. Een chip in de deksel. Overgangsporselein inblauw-wit.
Gezicht op de Castor en de Pollux
Object type: photograph
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: wallis
Artist: louis ghémar
Artist role: draughtsman, print maker
Artist dates: 1819 – 1873
Subjects: mountain-range, snow peaks
Inscriptions: inscription: ‘Bruxelles’
Dubbele oord uit Namen van Philips V, 1709
Object type: coin
Date: 1709 – 1709
Materials: copper
Techniques: striking
Location: namur

Koperen munt. Voorzijde: portret van Philips V naar rechts. Leeuw onder portret. Keerzijde: tussen waarde-aaanduiding gekroond samengesteld wapenschild. Jaartal rondom kroon.
Faith Overcoming Heresy (recto); Tracing after Faith Overcoming Heresy (verso)
Object type: drawing and watercolor
Date: 1779 – 1791
Materials: chalk, graphite, ink, paper, paint, watercolor
Techniques: brush, pen, wash
Location: italy
Artist: pietro antonio novelli
Artist role: artist
Artist nationality: italian
Artist dates: 1729 – 1804
Beeld van Maria met Kind
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: etching
Location: italy
Subjects: mary standing (or half-length), the christ-child on her arm (christ-child to mary's left) - ff - the christ-child to mary's right, mary devotion, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Een beeld van Maria met Kind in een nis. Het beeld is versierd met kronen en juwelen. Boven de nis zweven putti. Tekst in ondermarge.
Observatorium van Parijs
Object type: print
Date: 1839 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Subjects: observatory (~ astronomy)
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 24.’

Prent op vijfennegentigste ongenummerde pagina.
Exterieur van de Cellulaire Strafgevangenis te Groningen
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: johannes gerardus kramer
Artist role: fotograaf
Artist dates: 1845 – 1903
Subjects: prison, jail, façade (of house or building)
Inscriptions: inscription: ‘Groningen?’, name: ‘J. G. Kramer Groningen’
Holland, dubbele stuiver, 1732
Object type: coin
Date: 1732 – 1732
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: tussen waarde-aanduiding 2 S gekroond wapenschild van Holland. Keerzijde: opschrift: provincienaam in drie regels, daaronder jaartal.
Landscape
Object type: drawing
Date: 1635 – 1691
Materials: chalk, gouache, watercolor
Artist: aelbert cuyp
Artist role: artist
Artist nationality: dutch
Artist dates: 1620 – 1691
Subjects: towers,landscapes
Jérusalem. Fontaine Arabe. 1
Object type: page
Date: 1854 – 1856
Materials: cardboard, paper
Techniques: salted paper print
Location: lille
Subjects: ornamental fountain
Portret van Henriëtte van Nassau-Weilburg en Maria Caroline van Oostenrijk
Object type: print
Date: 1827 – 1834
Materials: paper
Techniques: engraving, etching
Location: vienna
Subjects: vienna
Inscriptions: collector's mark: Lugt 2228

Portret van Henriëtte en Maria Caroline. In de ondermarge hun namen en titels.
Temple Model
Object type: temple model
Date: 1401 – 1533
Materials: ceramic
Culture: mexica, aztec
Location: mexico
Subjects: temples
Marshall House, Alexandria, Virginia
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: william r. pywell
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: collected by hugh edwards, gardner's photographic sketch book
Bead
Object type: bead
Date: 801 – 1200
Materials: glass
Location: egypt
La Visitation de la Sainte Vierge (The Visitation), July 2nd, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: virgin mary,visitation

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Panel
Object type: panel
Date: 1701 – 1800
Materials: wood
Subjects: lions,flowers
Muraille Occidentale, Grand Temple d'Isis à Philoe; Nubie, plate 78 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Sortie de la grotte du Pausilype du côté de Naples
Object type: drawing
Date: 1778 – 1778
Materials: chalk, paper, watercolor
Techniques: brush
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Inscriptions: number: ‘No 18 Sortie de la grotte du Pausilype du côté de Naples’
Twee schapen bij drinkbak
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: the hague
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228
Annexation of the Transvaal / by an African
Object type: print
Date: 1877 – 1880
Materials: paper
Techniques: lithograph
Location: south africa
Artist: Anonymous
Subjects: crocodiles: crocodile

De Engelse krokodil eet haar eigen nakomeligen die net uit de eieren zijn gekropen op. De vijf kleine krokodillen zijn genaamd: Stellenbosch, Transvaal, Oranje Vrijstaat, Natal, Griqua West. Onderdeel van de serie van elf spotprenten op de Britse annexatie van Transvaal in 1877.
Ouvrard, from Le Café-Concert
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri-gabriel ibels
Artist nationality: french
Artist dates: 1867 – 1936
Suspended Bridge in the Royal Gorge
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: cañon city
Artist: Anonymous
Subjects: ravine, chasm, abyss, canyon, railway, train
Inscriptions: negative number: ‘812’
Portret van Johann Groland
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: johann alexander böner
Artist role: draughtsman, print maker
Artist dates: 1647 – 1720
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
De Laatste Nagedachtenis van onzen Braave Burgervader H. Hooft
Object type: medal
Date: 1794 – 1794
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: amsterdam, mayor, hendrik danielsz. hooft, patriot (revolutionary)
Inscriptions: collector's mark: ‘18.45’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [voor 1800].
Landscapes in the manner of Song and Yuan masters
Object type: album
Date: 1667 – 1667
Materials: ink, paper
Techniques: painting
Culture: chinese
Artist: yun shouping
Artist role: artist
Artist nationality: chinese
Artist dates: 1633 – 1690
Subjects: mountains,landscapes

Yun Shouping was a member of the close circle of artists that made up the early Qing Orthodox movement. A protege of the "Four Wangs," he gained their admiration for the sensitivity of his brush handling, which was said to have exceeded even that of his contemporary and close friend Wang Hui (1632–1717). This landscape album, one of Yun's earliest dated works, rivals his elegant flower paintings in the exquisite delicacy of its brushwork and variety of its compositions. The individual leaves range from monumental landscape scenes in the manner of Wang Meng (ca. 1308–1385) to intimate studies of isolated trees and rocks in the style of Cao Zhibo (1272–1355). The finely modulated brush lines and spare compositions are deeply expressive of Yun's retiring and highly principled character.
Cup and saucer with the portrait of Philips, Count of Flanders
Object type: kop en schotel, kop en schotel
Date: 1867 – 1867
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, relief, turning, vitrification
Location: berlin
Artist: a. ambronn
Artist role: painter
Inscriptions: signature: ‘A. Ambronn’, mark: ‘scepter met adelaar in medaillon en KOENIGL. PORZELLAN MANUFAKTUR/ S/ D’, mark: ‘scepter met adelaar in medaillon en KOENIGL. PORZELLAN MANUFAKTUR/ M’, inscription: ‘NICHTS OHNE GOTT’

Two cups and saucers with portraits of Philip, Count of Flanders, and Maria von Hohenzollern-Sigmaringen. Porcelain. Berlin, Königliche Porzellan Manufaktur, ca. 1867.
Ongeluk van graaf Johan Maurits op de brug van Franeker, 1665
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: earl, johan maurits graaf van nassau-siegen, collapsing building, bridge, accident with horse (or kindred animal)
Inscriptions: collector's mark: Lugt 12, collector's mark: Lugt 573

Ongeluk van graaf Johan Maurits op de brug van Franeker, 6 januari 1665. De ophaalbrug waar de graaf met zijn gevolg overheen rijdt stort in en de graaf valt in het water.
New York Ferry Boat
Object type: print
Date: 1860 – 1865
Techniques: hand coloring, lithograph
Artist: currier & ives
Artist role: lithographer
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: boats

In this marine view, a ferryboat moves left, smoke billows from its central stack, and two large American flags stream backwards, with passengers seen on the decks. Densely packed masts of moored ships in the right background indicate a site near the piers and docks that line Manhattan's southern tip. The New York firm of Currier & Ives grew from a printing business established by Nathaniel Currier (1813–1888) in 1835. Expansion led, in 1857, to a partnership with James Merritt Ives (1824–1895). The firm operated until 1907, lithographing over 4,000 subjects for distribution across America and Europe with popular categories including landscape, marines, natural history, genre, caricatures, portraits, history and foreign views. Until the 1880s, images were printed in monochrome, then hand-colored by women who worked for the company.
Terracotta fragments of a stamnos (jar)
Object type: stamnos fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

The larger fragment shows a draped figure to right, wearing a chitoniskos, chlamys, and fawn skin, with the left arm extended, holding a staff in the right hand; the smaller fragment has part of a draped figure to left, holding a staff in the left hand
Portret van een onbekende baby
Object type: frame
Date: 1880 – 1900
Materials: paper, cardboard, glass, leather, metal
Techniques: gelatin silver print
Artist: Anonymous
Subjects: anonymous historical person portrayed, infant, baby
Master of Ceremonies and Torchbearer, from The Wedding Dancers
Object type: print
Date: 1500 – 1540
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: swords,men
Portret van Desiderius Erasmus
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: rotterdam, desiderius erasmus, historical persons, scholar, philosopher (+ portrait of scholar, scientist)

Prent in latere staat gebruikt in: Galerie historique des hommes les plus celebres de tous les nations (...). Parijs: Charles Paul Landon, 1805, dl. 5.
The Holy Mountain, folio 3 from The Holy Mountain (Monte Sancto di Dio)
Object type: print
Date: 1477 – 1477
Materials: paper
Techniques: engraving, letterpress
Location: italy
Artist: baccio baldini
Artist nationality: italian
Artist dates: 1436 – 1487

A pair of prints from opposite sides of the Alps demonstrates the didactic capabilities of devotional printmaking. Both depict a sacred mountain that the soul must climb toward heaven. In Baccio Baldini’s extremely early engraved book illustration of an Italianate ladder of virtues, a monk successfully ascends, while a fashionable young man is dragged away by a demon representing worldly pleasures. Its thistle-laden German counterpart (1947.473) consists of banderole rungs filled with xylographic text and a crowned Christ waiting in glory. A nun kneeling at the bottom may have commissioned the print. She envisions a torturous journey up the steep incline, her twelve-step program advocating different Christian virtues: faith, generosity, modesty, constancy, justice, strength, will, patience, obedience, humility and at long last, divinity.
Familieportret
Object type: album leaf
Date: 1889 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Artist: jan goedeljee
Artist role: fotograaf
Artist dates: 1824 – 1905
Subjects: parents with their children, historical persons
Inscriptions: date: ‘18 Nov 1889’
Quel est de ces mourants l'étonnement extrême...
Object type: print
Date: 1825 – 1825
Materials: chine, paper
Techniques: printmaking, lithograph
Location: france
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Trappenhuis van het Palais des Tuileries te Parijs
Object type: stereograph
Date: 1860 – 1871
Materials: cardboard, photographic support
Techniques: albumen print
Location: tuileries palace
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: staircase, tuileries palace
Inscriptions: number: ‘3.’, inscription: ‘E. Lamy's collection’