deem-data/ArtiFact huggingface dataset:
Kruistogt en Kaapvaart
Object type: print
Date: 1776 – 1851
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) neptune (poseidon), sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster), (story of) mercury (hermes), predatory birds: eagle (+ animals used symbolically)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een adelaar houdt een afbeelding vast van Neptunus en Mercurius die elkaar de hand schudden. Daaronder een banderol en daaronder de letters: AJvH.
Architectur der Niederlande
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: hoorn
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment
Inscriptions: number: ‘28.’
Crocosmia (Montbretia)
Object type: drawing
Date: 1650 – 1708
Materials: paper, watercolor
Location: amsterdam
Artist: elias van den broeck
Artist role: painter
Subjects: flowers: crocosmia
Inscriptions: signature: ‘Elias V. De Broeck’
Fragment of a Figure
Object type: fragment
Date: 301 – 700
Materials: ceramic
Culture: coptic
Location: egypt
Twee sculpturen van tempelbewakers (Niō)
Object type: photograph
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: hinduism, buddhism, jainism, sculpture, guard duty, keeping sentry
Paris Fire (Interior of the Ministry of Finance), from the series "Paris Incendié"
Object type: photograph
Techniques: albumen print
Location: france
Artist: charles soulier
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1875
Subjects: collected by hugh edwards, paris
Bloeiende orchideeëntak
Object type: drawing
Date: 1876 – 1951
Materials: chalk, paper
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: flowers: orchid
De Ontdekte Schijndeugd: Bely en Dirk
Object type: print
Date: 1754 – 1764
Materials: paper
Techniques: engraving
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: glass, rummer, candlestick, lovers; courting, flirting
Inscriptions: collector's mark: Lugt 240

Dienstmeid met haar vrijer. Volgens het gedicht onder de prent profiteert een dienstbode van de afwezigheid van haar werkgevers. Met haar vrijer zit zij bij een tafeltje in de kamer van mevrouw te drinken en te eten bij kaarslicht. Tegen de wand staat een grote wasmand. De dienstmeid Bely maakt plezier met haar vrijer Dirk. Scène uit het blijspel De Ontdekte Schijndeugd van David Lingelbach uit 1687. Onderaan twee zesregelige verzen in het Nederlands en in het Frans.
Tijdgenoten
Object type: print
Date: 1829 – 1840
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: carl mayer
Artist role: print maker
Artist dates: 1798 – 1868
Subjects: vienna, historical persons
Inscriptions: collector's mark: Lugt 2228

Vermoedelijk afkomstig uit de portretserie 'Zeitgenossen', uitgegeven tussen 1829 en circa 1840.
Pair of Table Screens
Object type: table screen
Date: 1736 – 1795
Materials: ivory
Culture: chinese
Subjects: mountains,trees
Birth of St. John
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: men,women,saint john the baptist,birth
Bryopsis hypnoides
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Pratham Milan, Shrinathji revealing himself to Vallabhacharya on Mount Govardhan
Object type: painting
Date: 1801 – 1833
Materials: gold, ink, paper, watercolor
Location: india
Buste van een man met muts in een cirkel
Object type: drawing
Date: 1700 – 1799
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Sestertius (Coin) Portraying Julia Mamaea
Object type: coin
Date: 222 – 235
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IVLIA MAMAEA AVGVSTA
Reverse: FELICITAS PVBLICA S C

The front (obverse) of this coin portrays the bust of Julia Mamaea, the mother of Roman Emperor Alexander Severus, facing to the right, draped, and diademed. On the back (reverse), the goddess Felicity is seated to the left with a caduceus and horn of plenty.

Coins recorded the ever-changing hairdos of the royal ladies in Rome and carried the new fashions to the far corners of the empire.
Worth Winning, from the Jokes series (N87) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,gambling

Trade cards from the "Jokes" series (N81), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes.
Aanbidding der koningen
Object type: print
Date: 1661 – 1684
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: Lugt 240

Maria en Jozef tonen het Christuskind aan de drie koningen. De drie bieden het kind hun geschenken aan. Leden van hun gevolg kijken toe.
Le Chevalier Hallé, Jean-Noël
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Brief aan J. van Delden
Object type: letter
Date: 1926 – 1926
Materials: ink, paper
Techniques: pen, typewriting, writing
Location: the hague
Subjects: amsterdam, abraham bredius, painter, gerard delfgaauw, draughtsman, philip zilcken, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Tile
Object type: tile
Date: 1601 – 1625
Techniques: glazing
Gezicht op de vis- en groentemarkt te Alkmaar
Object type: print
Date: 1746 – 1747
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: canals, waters (in city), market, bridge
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Boomkamp, Gysbert. Alkmaer en deszelfs geschiedenissen uit de nagelatene papieren van Simon Eikelenberg (...). Rotterdam: Philippus en Jakobus Losel, 1747.

Zie ook RP-P-1905-659 en RP-P-AO-9A-5-1
Sheet with overall pattern of pointed shapes within ovals
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Kate Chaice, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Portret van Bernhard Friedrich Hahn
Object type: print
Date: 1717 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Baltimore Oriole, from the Birds of America series (N37) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of America" series (N37), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N37 reproduces the cards from N4 in a larger size.
Virgin and Christ Child
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: madonna and child
David en Abigaïl
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: castle, meeting of david and abigail, who kneels before him, dale, valley (+ landscape with figures, staffage), farm (building)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘LeBl 12’, collector's mark: Lugt 523, collector's mark: Lugt 2610

Wanneer een gierige boer weigert David en zijn manschappen te helpen, dreigen ze hem te straffen. Abigaïl, de vrouw van de boer, knielt voor David en biedt hem en zijn soldaten eten en drinken aan. Achter haar enkele bedienden en drie ezels bepakt met drank en voedsel. Op de achtergrond een landschap met een kasteel en enkele boerderijen.
La Présentation au Peuple (The Presentation to the People), from "La Petite Passion" (The Little Passion)
Object type: print
Date: 1624 – 1625
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Portret van de humanist Georgius Cassander
Object type: print
Date: 1776 – 1851
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: daniël veelwaard (i)
Artist role: print maker
Artist dates: 1766 – 1851
Subjects: theoloog, humanist, joris cassander
Inscriptions: collector's mark: Lugt 2228
Oproer op de Dam tijdens het Aansprekersoproer, 1696
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: political demonstration, townhall, street-fights, riots
Inscriptions: collector's mark: Lugt 2228

Huidige staat van prent ook gebruikt in: Rabus, Pieter. Historie van den oproer, te Amsterdam voorgevallen (…) 1696 (…). Amsterdam: Samuel Lamsveld, 1725. En in: Rabus, Pieter. Historie van den oproer, te Amsterdam voorgevallen (…) 1696 (…). Amsterdam: Samuel Lamsveld, 1733.

Eerdere staat van prent (RP-P-AO-28-51-1) ook gebruikt in: Rabus, Pieter. Historie van den oproer, te Amsterdam voorgevallen (…) 1696 (…). Amsterdam: Willem van Lamsveld, 1702.
Terracotta amphora (storage jar)
Object type: amphora
Date: 530 – 530
Materials: terracotta
Culture: rhodian
Schotel van een soepkop, van aardewerk en versierd met blokpatroon
Object type: service
Date: 1900 – 1925
Materials: earthenware
Location: gouda
Inscriptions: mark: ‘fabrieksmerk (in zwart)’

Schotel van een soepkop, van aardewerk en versierd met een blokpatroon in groen en geel.
Draughtsmen (30) and box-board for checkers, backgammon and nine-men's morris
Object type: draughtsman and box board for checker, backgammon and nine men's morris
Date: 1834 – 1866
Materials: gold, leather
Subjects: chess
Portretten van de familie de' Medici
Object type: print
Materials: paper
Techniques: engraving
Location: florence
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie van onbekende omvang met portretten van de familie De' Medici. De ornamentlijst is vergelijkbaar met de ornamentlijsten door Adriaen Haelwegh in een serie van 31 prenten met portretten van de familie De' Medici.
Tankard
Object type: tankard
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,men,women,trees
Vissen
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: sea (seascape), bony fishes: gurnard, bony fishes: rockling, bony fishes: mugil
Inscriptions: collector's mark: Lugt 2228

Een harder, een vliegende knorhaan, een lompje en een onbekende vis liggen samen met wat schelpen aangespoeld op het strand. Op de achtergrond een zee met enkele schepen. De prent maakt deel uit van een serie met vissen als onderwerp.
Handen en twee voetzolen
Object type: print
Date: 1650 – 1750
Materials: paper, pencil
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: hand, foot

Studieblad met handen en voeten uit 'Oorspronkelyk en vermaard Konstryk Tekenboek.' van Abraham Bloemaert. genummerd 24 (de voetzolen zijn met kleurpotlood bruin en oranje ingekleurd (door een kind))
Classical Border Elements with Vines and Leaves
Object type: drawing
Date: 1776 – 1779
Materials: graphite
Artist: thomas hardwick
Artist role: artist
Artist nationality: british
Artist dates: 1752 – 1829
Subjects: ornament
Portret van een onbekende man die pijp rookt
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: a. wicky
Artist role: fotograaf
Subjects: historical persons, pipe ~ tobacco
Inscriptions: monogram: ‘C. Cie’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, head and left shoulder of figure to left, with himation draped over head
Teasing the Cat
Object type: print
Date: 1888 – 1888
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: tsukioka yoshitoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1839 – 1892
Subjects: women,cats
Chalcedony Triangular Prism
Object type: prism, triangular
Date: 1800 – 1600
Materials: stone
Culture: minoan

spiral motifs and Cretan hieroglyphs
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, hands holding an aulos; Exterior, genitals, thighs, and tail of a satyr with an animal skin
Hals met kurk van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: wine bottle
Date: 1700 – 1743
Materials: cork, glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, neck, onion-shaped bottle or bottle with vertical side; fragm, eroded, vs-string rim, projecting cork.
Oliver Cromwell, Lord Protector
Object type: history medal
Date: 1653 – 1653
Materials: silver
Techniques: casting, gilding
Location: london
Subjects: oliver cromwell

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: leeuw met lauwerkrans en wapenschild binnen omschrift
Hakama No, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Portret van Georg Friedrich Heyer
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Subjects: historical persons, old man
Inscriptions: collector's mark: Lugt 2228
Heilige Antonius de Grote van Egypte als kluizenaar
Object type: book illustration
Date: 1644 – 1644
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: anchorite, hermit, the hermit antony abbot (antonius abbas) of egypt, also called the great; possible attributes: bell, book, t-shaped staff, flames, pig
Inscriptions: collector's mark: Lugt 2228

Prent uit: Rosweyde, Heribert. 'tBosch der eremyten ende eremitinnen, van Aegypten ende Palestinen. Amsterdam: Pieter Jacobsz. Paets, 1644.
Woman Holding a Tray with Clothing
Object type: surimono
Date: 1807 – 1807
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: adult woman, clothes, costume

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Melkkan van geribde veelkleurig beschilderde faïence met decor van hoorn van overvloed, gevuld met bloemen
Object type: milk jug
Date: 1700 – 1720
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: mark: ‘APK (ineen)’, mark: ‘VI’, collector's mark: ‘collection J.F. Loudon’

Geribde melkkan van veelkleurig beschilderde faïence. De kan heeft een plat deksel en een c-vormig oor. De kan is beschilderd met ovale vakken waarbinnen een hoorn gevuld met bloemen.
Gezicht op de Oosterpoort te Hoorn, 1620
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rowing-boat, canoe, etc., bridge, city-gate, fisherman
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 24.
Bibi Lalouette
Object type: print
Date: 1859 – 1859
Materials: ink, ivory, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: girls
Louis Pasteur
Object type: medal
Date: 1884 – 1884
Materials: alloy, bronze, copper alloy, metal
Techniques: casting
Location: france
Artist: jean désiré ringel d'illzach
Artist nationality: french
Artist dates: 1847 – 1916
Subjects: portrait, faces, portrait: french subject, man, portraits, portraits: male subject, profile
Terracotta rim fragments of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Exterior, the larger rim fragment has the tip of an eyebrow and the upper right corner of an eye; above the eye, part of a vine; head, neck, and part of the upper torso of a bearded satyr looking to left; the smaller rim fragment, has the upper right corner of an eye, and the head, upper torso, and bent right arm of a bearded satyr to right, looking over his right shoulder
Ring with busts of Osiris and Isis twisted so as to form a bezel
Object type: ring, osiris, isi
Materials: gold
Location: egypt
Subjects: men,women

Osiris wears a rounded crown with a sun disk and cross-hatched wrappings, while Isis wears a knotted garment and double plumes.
Woman with dark hair and a bow in profile to the left
Object type: print
Date: 1642 – 1642
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: profiles,women

Portrait of a woman, head and shoulders almost in profile to left, with curly hair falling over her shoulders and a bow on the side, wearing transparent collar with double lace flounce over bodice laced across her chest.
De kleine figuren
Object type: print
Date: 1635 – 1669
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: farmers
Inscriptions: collector's mark: Lugt 2228

Jongeman met stok die met de linkerhand iets uit een mand haalt.
Portret van Willem IV Hendrik (koning van het Verenigd Koninkrijk en Hannover)
Object type: print
Date: 1811 – 1859
Materials: paper
Techniques: lithograph
Location: hannover
Subjects: london, willem iv hendrik (koning van het verenigd koninkrijk en hannover), historical persons, king
Inscriptions: collector's mark: Lugt 2228
Female musician with lute
Object type: figure
Date: 667 – 700
Materials: earthenware, pigment
Culture: chinese
Subjects: musical instruments,women,musicians

Ensembles featuring female musicians often served as a musical bridge between elite and popular culture. As expert musicians, they were often musical innovators. Here, a small ensemble is shown (23.180.4–.7), clapping and playing the pipa, tongbo (small copper cymbals), and konghou (harp). The pipa is played in its original position, like an Arabic lute; its silk strings are plucked with a triangular plectrum. The construction and playing style resemble those of the biwa, a Japanese lute derived from the pipa. Today, the biwa maintains the use of a triangular plectrum, the West Asian plectrum guard, and the C-shaped sound holes seen on the instrument played by the musician here as well as on the jade belt featured in this case. The Chinese playing style changed during the chaotic Later Tang period (921–36), when the plectrum was discarded. The angular konghou harp, introduced at the end of the Han dynasty, was in decline at this time and had gone completely out of use by the end of the Tang. The highest-rated musicians at the Tang court performed seated, while the lower ranks played standing and were also treated less well in other respects.
Schets naar een model van een zeventiende eeuws Hollands fregat
Object type: drawing
Date: 1827 – 1880
Materials: chalk, paper
Techniques: brush
Artist: willem gruyter jr.
Artist role: draughtsman, print maker
Artist dates: 1817 – 1880
Subjects: navy (+ sailing-ships), ship-model
Preekstoel van de Sint-Andreaskerk te Pistoia door Giovanni Pisano
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: pistoia
Subjects: pulpit, ambo, chancel, sculpture (+ relief ~ sculpture)
Inscriptions: annotation, inscription: ‘R.B-. 6.’, collector's mark: Lugt 3937, number: ‘P.e 1.a N.o 10140.’
Beroepen en bezigheden
Object type: popular print
Date: 1822 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: human types, working class, labourers
Inscriptions: collector's mark: Lugt 2166

Blad met 15 voorstellingen van verschillende beroepen en bezigheden voor mannen en vrouwen. Onder elke figuur een vierregelig vers. Genummerd rechtsboven: N. 11.
Snuff Bottle
Object type: snuff bottle
Date: 1701 – 1800
Materials: gemstone
Culture: chinese
Subjects: human figures
Nieuwe Scheeps Batalien
Object type: print
Date: 1652 – 1656
Materials: paper
Techniques: drypoint, etching
Location: low countries
Subjects: title-page, warfare; military affairs (+ naval force)
Inscriptions: collector's mark: Lugt 2228

Titelblad voor een reeks van zeeslagen. De uitrusting van een oorlogsschip waaronder kanonnen, kogels, kruitvaten en twee trommels. Een zeeman blaast op een trompet waaraan een vlag hangt.
Judith with the Head of Holofernes
Object type: print
Date: 1497 – 1497
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni antonio da brescia
Artist nationality: italian
Artist dates: 1460 – 1520
Furniture plaque: incised waterbirds
Object type: furniture element
Date: 1800 – 1701
Materials: ivory
Culture: assyrian
Location: anatolia
Subjects: birds

This piece belongs to a group of five carved ivory plaques probably found at the site of a palace at Acemhöyük in central Anatolia. Originally, they formed the composition of a falcon with outstretched wings grasping antelopes in its extended talons. The central plaque forms the head and body of the bird, finely carved to indicate the swelling of the breast, the stylized peregrine falcon cheek markings, and the large eyes with holes for inlaid pupils, now missing. Traces of gilding survive on the eyes and beak. The plaque is discolored with a combination of reddish areas, where iron oxides are present on the surface, and a gray hue that indicates the object was exposed to considerable heat, perhaps during the destruction of the palace. Scans of the surface revealed traces of silver in the more intensely red areas, although it cannot be determined whether this is due to a metal overlay that is no longer preserved or to the proximity of a silver object during burial. There is one hole in the top of the head for attachment to another furniture element and two on the bottom, probably for attachment to the missing legs. Mortises at the sides of the breast held the tenons that extended from the large wings; only one of the original wings survives in the Metropolitan Museum collection. Two small plaques depicting antelopes held by powerful talons must have belonged to such an ensemble. While there are two holes at the bottom of each plaque, there are no visible means by which to attach them to the bird’s body. The larger antelope has a light pink surface discolored by black stains, while the smaller is red with a surface that has bubbled from burning. As only one plaque is in proper proportion to this falcon, the antelopes probably belonged to two different but similar compositions. This image of a bird of prey recalls Egyptian depictions of the god Horus as a falcon. Here, it has been transformed from divine symbol to hunter, clasping prey in its talons, perhaps deriving from a Near Eastern tradition in which the lion-headed eagle known as the Imdugud bird is sometimes depicted with stags held in its talons.