deem-data/ArtiFact huggingface dataset:
Plate Four from Nouveavx Desseins D'Arquebvseries
Object type: engraving
Date: 1730 – 1730
Techniques: engraving
Culture: french
Location: france
Artist: de lacollombe
Artist role: engraver
Artist nationality: french
Artist dates: 1702 – 1736
Subjects: ornament

This print is a prime example of French designs for the decoration of firearms in the late rococo style, which set the fashion for luxury arms across Europe at the time. It was created by an enigmatic engraver known only as De Lacollombe and comes from a series of prints that was added to after his death and then published by his better-known pupil Gilles Demarteau (1722–1776) in about 1749. Individual motifs taken from them can be seen on guns made throughout the eighteenth century in France, Germany, the Netherlands, Italy, and Spain.
Apenspel
Object type: print
Date: 1545 – 1608
Materials: paper
Techniques: etching
Location: antwerp
Subjects: monkeys, apes, 'mundus inversus', the reversed world, the topsy-turvy world, 'le monde bestourné', skates (winter sports)

Schaatsende apen op de Schelde, net buiten Antwerpen. Apen schaatsen samen of alleen over het ijs. Er zijn valpartijen en een van de apen is zelfs door het ijs gezakt. Toeschouwers kijken naar het schouwspel. Op de achtergrond de stad Antwerpen.
Stockholm. Kungsträdgården
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: stockholm
Artist: Anonymous
Subjects: park
Portret van Gerard Aarnout Hasselaer
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: mayor, gerard aarnout hasselaer, mayor, burgomaster
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Sculptuur van de Nijl
Object type: album leaf
Date: 1525 – 1565
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: piece of sculpture, reproduction of a piece of sculpture, personification of river nile; 'nilo' (ripa)
Inscriptions: number: ‘76’, inscription: ‘Ende lib. No. 8. fol. 90. lib. 21. fol. 103. Ende lib. No. 23. fol. 705.’

Sculptuur van de riviergod de Nijl met als attributen een hoorn met vruchten, een sfinx, krokodillen en kleine jongetjes. Rond de voorstelling een lijst met voorstellingen van krokodillen, nijlpaarden, ossen en kleine mannetjes in boten. De prent maakt deel uit van een album.
Dance in the Country
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Portret van Piero Vettòri
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving, letterpress printing
Location: venice
Artist: Anonymous
Subjects: scholar, philosopher, historical persons, portrait of a writer

Prent uit: Imperiali, Giovanni. Musaeum historicum et physicum (...). Venetië: Giunti, 1640, p. 152.
Round Tray
Object type: tray
Date: 1615 – 1868
Materials: lacquer
Culture: japanese

The underside and curved rim of this tray, with a low wide ring foot, are lacquered to a glossy black that contrasts with the red surface. Inscribed in red lacquer on the black underside is the name of the Tōdaiji temple. Such objects, familiarly known as "rising sun trays" (Hinomaru-bon) after their resemblance to the Japanese national flag, are used to serve meals to monks during the two-week shuni-e ritual of purification performed annually at the Hokkedō hall in the Tōdaiji temple complex in Nara. The ceremony marks the beginning of the Buddhist liturgical calendar and invokes peace and prosperity for the nation.
Man te paard waarvan het gezicht is weggeretoucheerd
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: united states
Artist: Anonymous
Subjects: united states of america
Spoelkom
Object type: slop bowl
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Spoelkom versierd met gouden biezen, strooiblaadjes en een golvende twijg rond de hals of rand.
Dish
Object type: dish
Date: 1866 – 1866
Materials: earthenware
Artist: joseph-théodore deck
Artist role: maker
Artist nationality: french
Artist dates: 1823 – 1891
Subjects: flowers
Gezicht op Dinant en plattegrond van Walcourt en het fort Charlemont
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Boven een gezicht op Dinant, met rechtsboven een cartouche met het wapen van Dinant. Rechtsonder een plattegrond van Walcourt in vogelvluchtperspectief. De titelcartouche rechtsonder. Linksonder een plattegrond van het fort Charlemont in vogelvluchtperspectief. De titelcartouche rechtsonder. Met Latijnse tekst op verso.
Koppelstuk van een brandslang uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: firehose
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Pair of candelabra with Winged Victories
Object type: candelabrum
Date: 1810 – 1815
Materials: gilt bronze
Artist: pierre philippe thomire
Artist role: artist
Artist nationality: french
Artist dates: 1751 – 1843

Winged Victories, symbols of military triumph, were a staple of Napoleonic decoration. These candelabra are comprised of Hellenistic winged figures of Nike or Victory, arms upraised and supporting floral wreaths from which branch ten candle sockets decorated with fluting, acanthus leaves, and spirals. Torches of flowers in the center are supported by spirals. The rectangular bases with wreaths in relief and stylized artichokes support the figures above. Similar candelabra were designed by Charles Percier (1764–1838) for the boudoir of Empress Josephine at the Château de Saint-Cloud, where they were identified in the 1805 and 1807 inventories. Percier's original drawing of his candelabra (entitled Pieces of furniture in a "boudoir") is in the Metropolitan Museum's collection.
Shield Depicting Saint George Slaying the Dragon
Object type: shield
Date: 1560 – 1570
Materials: gold, silver, steel
Culture: italian
Location: italy
Subjects: dragons,horses,saint george

Italian armorers of the mid to late sixteenth century produced armors with amazingly lavish and complex decoration. They used a technique known as embossing or repoussé and chasing—the ornamentation of metal by raising designs in relief from the surface and then chiseling and filing the details on the front. Because this method seriously weakened armor plate and eliminated the smooth surfaces that served to deflect weapons, embossed armors were created exclusively for ceremonial use in military and civic festivals. Following the tradition of the Negroli armor workshop, Milanese armorers pursued new pictorial and sculptural styles of armor decoration. Shields, helmets, and entire armors were embossed with complex, multifigured scenes from ancient history, legends, mythology, and the Bible. To further enrich the raised surfaces, they were often damascened with gold or silver and contrasted with a russet or blued background. The finest armor decorator of the period was Lucio Piccinino (active about 1575–90), who reputedly designed, embossed, and damascened the armors himself, uniting skills usually assigned to separate craftsmen.
De kudde in het midden der plaat
Object type: print
Date: 1648 – 1705
Materials: paper
Techniques: etching
Location: france
Subjects: landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228

Landschap met staande vrouw kijkend naar liggende man; verderop een schaapsherder met zijn kudde. Op de achtergrond een stad met brug over het water. Vijfde prent uit deserie van zes.
Turkse mannen in Broussa
Object type: sketchbook leaf
Date: 1899 – 1899
Materials: chalk, paper
Location: broussa
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, sitting figure
Inscriptions: annotation: ‘Broussa’

Pagina 12 uit een schetsboek met 42 bladen.
Costumes des Pays-Bas
Object type: cabinet photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: historical persons not known by name - bb - woman, folk costume, regional costume
Inscriptions: inscription: ‘Publié par A. Jager, Amsterdam./ Le droit de réproduction réservé.’
Firenze
Object type: photograph
Date: 1865 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Artist: pio fedi
Artist role: sculptor
Artist dates: 1815 – 1892
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘No. 1568’, collector's mark: ‘VOSMAER’
Kunstenaars, ter ere van Willem III, koning der Nederlanden
Object type: medal
Date: 1849 – 1849
Materials: bronze
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: brussels, willem iii (koning der nederlanden)

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: lier, waar lauwerkrans overheen hangt en wimpel met opschrift doorheen gevlecht is onder ster binnen omschrift en slangerond.
Gebouw in Scheveningen
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper, pencil
Location: scheveningen
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: architecture, civic architecture; edifices; dwellings

Pagina 19 uit een schetsboek met 31 bladen.
Portière fantaisie / Croisée renaissance
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, door, hangings and drapery

Een deur en een renaissance venster met gedrapeerde gordijnen. Prent uit 326e Livraison.
Roman Soldiers Stoning a Serpent
Object type: drawing and watercolor
Materials: chalk, fiber, ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: abraham bloemaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1566 – 1651
Macaw on ivy-covered tree
Object type: print
Date: 1830 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Marcus Antonius sterft in de armen van Cleopatra
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving
Location: paris
Subjects: death of mark antony: he dies after having stabbed himself: cleopatra grieves at his bedside, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Opname van S.S. Altenburg te Singapore
Object type: photograph
Date: 1921 – 1921
Materials: photographic support
Techniques: gelatin silver print
Location: singapore
Artist: Anonymous
Subjects: steamsailer, singapore
Inscriptions: inscription: ‘No. 75 / Opname van S S Altenburg te Singapore’, date: ‘22/9-21’

Machinerie aan boord van de S.S. Altenburg in Singapore. Genummerd: 75. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
H. Barbara
Object type: print
Date: 1645 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the virgin martyr barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, dioscuros (her father), peacock feather, sword, torches, mason's tools, tower
Inscriptions: collector's mark: Lugt 240

De heilige Barbara met de toren, de plaats van haar gevangenschap, in haar handen. Barbara's haar ligt gevlochten om haar hoofd en ze heeft een aureool. Onder de voorstelling een Latijns vers op het leven van Barbara.
Tile
Object type: tile
Date: 1567 – 1633
Materials: paste
Techniques: glazing, painting
Location: syria
Subjects: grapes
Primula officinalis L. Capsella Bursa pastoris M.
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Subjects: flowers
Inscriptions: number: ‘Tab. XII.’, inscription: ‘primeveri boursette’
Diogenes en Alexander de Grote
Object type: print
Date: 1700 – 1725
Materials: paper
Techniques: etching
Location: bologna
Artist: ludovico cavazza
Artist role: print maker
Subjects: alexander's visit to diogenes, who sits by his barrel and asks alexander to get out of his light
Inscriptions: number: ‘(43’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

De filosoof Diogenes zit voor zijn ton. Hij wenkt naar Alexander de Grote en zijn gevolg opzij te gaan, zodat hij niet langer in hun schaduw zit.
De brave vrouwen
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: household chores, kitchen-maid, kitchen servant, sewing
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van vrouwen die huishoudelijke taken uitvoeren, zoals voor de kinderen zorgen en naaien. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 13.
Ritual wine warmer (Jue)
Object type: wine warmer
Date: 1701 – 1900
Materials: bronze
Culture: chinese

A jue is used to serve warm wine during rituals. Its particular shape—flared, pointed, triangular legs; ovoid body; long curved spout counterbalanced with a pointed flange; and two columnar protrusions—makes jue one of the most easily identifiable ancient Chinese bronze and pottery vessel forms. In later periods, jue were still made for ritual use and Qing-dynasty (1644–1912); examples often have elongated legs.
Moses and the Burning Bush and the Coming of the Three Kings
Object type: medal
Date: 1538 – 1538
Materials: silver gilt
Artist: hans reinhart the elder
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1581
Subjects: cows,dogs,snakes,holy family,moses
Bookseller and Author
Object type: print
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Kerkruïne te Bergen
Object type: sketchbook leaf
Date: 1862 – 1867
Materials: paper, pencil
Location: alkmaar
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: ruin of church, monastery, etc.
Inscriptions: annotation: ‘gr kerk/ Alkmaar/ kerk ruïne Bergen/Bergen bij Alkm.’

Tevens een studie van een deel van de Grote Kerk te Alkmaar. Blad 37 recto uit een schetsboek met 58 bladen.
Mercurius
Object type: print
Date: 1801 – 1830
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: artist (in general) (+ artist at work), (story of) mercury (hermes), debate, discussion (~ meeting) - aa - in the open air
Inscriptions: inscription: ‘T dis. D. Sluiter Jan. 1830’, collector's mark: Lugt 2228, inscription: ‘Naar J. Saenredam B. 78’

Te midden van verschillende kunstenaars staat de naakte Mercurius als heerser over de kunsten op een sokkel. Op de voorgrond voeren twee schrijvers een discussie. In de lucht symbolen van de sterrenbeelden tweelingen (links) en maagd (rechts).
The Deposition
Object type: print
Date: 1460 – 1465
Materials: ink, paper, watercolor
Techniques: brush, hand coloring, pen
Location: germany
Artist: Anonymous
Artist nationality: bavarian
Artist dates: 1400 – 1499

Communion bread came in different shapes in Renaissance Europe, and this variety is particularly clear from depictions of the Last Supper, when Christ symbolically offers his body to his disciples. In this metalcut series on the life of Christ, the shape of the bread—the traditional Bretzel, or pretzel—betrays that the prints were made in Bavaria. While the handwritten text on the verso of the adjoining sheet in the booklet (once comprising nineteen metalcuts) does not mention the pretzel, it is handcolored in a warm, doughy yellow. A similar glow suffuses the head-on Sudarium at center, an unusually abstract inclusion for an image of the Passion.

The fifteen metalcuts, or "dotted prints," that form this Passion suite constitute one of the most complete block books in existence. It is possible that the series at one time included as many as nineteen images, each exquisitely hand-colored with the biblical text inscribed on the reverse. The stars, shells, and other repeating patterns were produced by hammering metal punches, such as those used by goldsmiths and armorers, into the soft metal plates.
Palais de Monseigneur Van Maanen Ministre de la justice à Bruxelles. Incendié par le peuple le 26 Août 1830
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Location: belgium
Subjects: devastated, ruined place or city (~ warfare), street-fights, riots, brussels
Inscriptions: collector's mark: Lugt 2228

Ruïne van het uitgebrande huis van Cornelis Felix van Maanen, minister van Justitie, in Brussel. In brand gestoken door het volk op 26 augustus 1830. Onderdeel van een groep van prenten uit verschillende andere series verwant aan de platen in het recueil over de gebeurtenissen tijdens de Belgische Revolutie in Brussel, Antwerpen en andere steden in de periode 25 augustus 1830 tot 27 maart 1831.
Portret van Christiaan V van Denemarken
Object type: print
Date: 1671 – 1704
Materials: paper
Techniques: engraving, etching, intaglio
Location: paris
Artist: françois jollain
Artist role: print maker
Artist dates: 1641 – 1704
Subjects: copenhagen (city), armour, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Band of circumscribed palmettes with dots from the neck of an amphora?; the inside is sheared
Ste. Séraphie et Ste. Erasme, vierges et martyres (St. Seraphia and St. Erasma, Virgins and Martyrs), September 3rd, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: women,angels,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Conduite voor J.D.B. Wilkens, 20 september 1815
Object type: letter
Date: 1815 – 1815
Materials: ink, paper
Techniques: handwriting, pen
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, military service, netherlands
Inscriptions: number: ‘11198’

Onderdeel van een groep van documenten betreffende de staat van dienst, benoemingen, enz. van Luitenant Kolonel van de Infanterie J.D.B. Wilkens. Behorende bij de schenking van het geschilderde portret.
(1) de Bree Straet in de stede Beverwyk met het (2) stadhuis, zoo als die zich tegenswoordigh vertonen / (1) le Bree Straet et la maison (2) de ville de Beverwyk comme on les trouve aujourd'hui
Object type: book illustration
Date: 1729 – 1729
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: townhall, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Brouërius van Nidek, Matthaeus. Het zegenpralent Kennemerlant, vertoont in (…). 2 delen. Amsterdam: Andries en Hendrik de Leth, 1729-1732, deel 1 (1729).
Man Visiting a Prostitute
Object type: print
Date: 1580 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the book of proverbs (with book chapter:verse)
Inscriptions: collector's mark: Lugt 2228

This print illustrates a line from the Book of Proverbs in the Hebrew Bible: ‘Because a prostitute is a deep pit, and the adulterous woman a narrow well’. This noble gentleman is about to fall into the trap, lured by the elderly woman, possibly the procuress, to this prostitute’s bed. The fate that awaits him is symbolized by the rope she has tied to his ankle.
Antoninianus (Coin) Portraying Emperor Gordian III
Object type: coin
Date: 240 – 241
Materials: bronze, copper alloy, metal, silver
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP GORDIANVS PIVS FEL AVG
Reverse: CONCORDIA MILI[T]

The front (obverse) of this coin portrays the bust of emperor Gordian III, facing right. The back (reverse) depicts Concordia, seated, holding a patera (dish) and double cornucopia.
Landschap met vee
Object type: print
Date: 1867 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: bovine cattle
Inscriptions: collector's mark: Lugt 2228
Pijp
Object type: pipe
Date: 1700 – 1740
Materials: clay
Techniques: firing
Location: japan
Artist: Anonymous
Subjects: japan

Pijp in Japans pijpfoedraal, onduidelijk of deze pijp bij de doos hoort. De pijp is gemerkt: Peter Berger uit Grenzhausen [Westerwald], actief 1734-1771).
Landschap met twee mannen onder een boom
Object type: drawing
Date: 1743 – 1796
Materials: paper
Techniques: brush
Artist: dirk kuipers
Artist role: draughtsman
Artist dates: 1733 – 1796
Schouwburg van den Oorlog, Beginnende van Koning Karel den II. Tot op Koning Karel den III. Bestaande in IX. Historische Figuren op een Olifants Blad, als Veldslagen, Belegeringen te Water en te Lande, met de voornaamste Vestingen (...)
Object type: print
Date: 1720 – 1722
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: frederik i (koning van zweden), battle (+ naval force), coronation of a ruler, signing of peace treaty, concluding the peace, battle (+ land forces), confinement, birth

Blad met negen voorstellingen van gebeurtenissen uit het jaar 1720. Blad XXI in: Schouwburg van den oorlog (editie van 1720), het prentwerk met de gebundelde reeks van 31 platen over de Spaanse Successieoorlog.
Portret van James Watt
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: historical persons

Prent uit: Deutsche Gewerbezeitung, 1850.
Matrozen houden een schermwedstrijd aan boord van een oorlogsschip
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: crew ~ ship, sailor, fencing (sport), steamship, motorship