deem-data/ArtiFact huggingface dataset:
Chinese genrestukken in landschappen
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: etching
Location: london
Subjects: boat propelled by man or animal
Inscriptions: collector's mark: Lugt 2228

Drie Chinese figuren op een boot meren aan bij een afdak op een oever. Onder het afdak hangen lampionnen en staan vazen.
Vue de l'Eglise de la Gloria, à Rio Janeiro
Object type: book illustration
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: paris
Subjects: gulf, bay, sailing-ship, sailing-boat, church (exterior), rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit een album dat is uitgegeven bij: Arago, J.E.V. Promenade autour de monde pendant les années 1817, 1818, 1819 et 1820, sur les corvettes du roi l'Uranie et la Physicienne, commandées par M. Freycinet. 2 dln. Parijs: Leblanc, 1822.
Ornamental Design with a Mask and an Eagle between Two Fauns below
Object type: print ornament architecture
Date: 1549 – 1549
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: eagles,masks,fauns

Ornamental design with mask at center flanked by two cornucopias. Below, there is an eagle between two fauns who hold a cloth that drapes behind the eagle. At the top, two eagles perch on the cornucopias, facing inwards.
Portret van Johannes Dubravius
Object type: print
Date: 1746 – 1799
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, tendril and lotus bud from handle ornament; right forearm with drapery and part of lower torso of male
Josiah Celebrating Passover
Object type: print
Techniques: engraving
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652

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Nihon Embankment near the Yoshiwara (Yoshiwara Nihon-zutsumi), from the series "Famous Places in Edo (Koto meisho)"
Object type: print
Date: 1835 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van oude man met baret met pluim en wandelstok
Object type: print
Date: 1857 – 1914
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: nikolay semyonovich mosolov
Artist role: print maker
Artist dates: 1847 – 1914
Subjects: walking-stick, staff, anonymous historical person portrayed alone, head-gear: beret
Spoelkom van aardewerk, Neale & Palmer Black Basalt
Object type: bowl
Date: 1790 – 1825
Materials: earthenware
Location: hanley

Halfbolvormige spoelkom van aardewerk, Black Basalt. De kom heeft een standring. De onderste helft van de kom is geribd, langs de bovenrand loopt een zilverkleurige bladrank. Aan de binnenzijde loopt langs de bovenrand een geometrische band.
Afternoon dress
Object type: afternoon dress
Date: 1886 – 1888
Culture: american
Koenen met echtgenote
Object type: photograph
Date: 1932 – 1950
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons

Koenen met echtgenote. In een aparte envelop met nabestellingen door Koenen bij Fotobureau Ben Zwaan in Den Haag. In envelop met losse foto's behorend bij het fotoalbum over de bewoners van het huis aan de Reguliersgracht te Amsterdam in de periode 1924-1932.
Tafellaken met een bloempatroon
Object type: tablecloth
Date: 1800 – 1810
Materials: linen
Techniques: damask
Location: western europe
Artist: Anonymous
Inscriptions: mark: ‘ME’

Tafellaken van linnendamast met een bloempatroon. Verspringende rijen van rozetten. Brede rand van spiraalsgewijs een middenstam omvattende tweezijdig gevederde bladranken. Vallend blaadje als vulling. Gelijke binnen- en buitenzoom van aaneengeschakelde cirkels. Rondom: blokkenrand. De bladranken van de servetten zijn niet identiek aan die van het tafellaken.
The Judgment of Paris
Object type: print
Date: 1520 – 1520
Materials: paper
Techniques: engraving
Location: italy
Artist: antonio salamanca
Artist role: bookseller, print maker, publisher
Artist nationality: italian
Artist dates: 1478 – 1562
Indiër met een zak op de rug
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: head-gear: turban, asiatic races and peoples: indians, carrying something on the head or on the shoulders
Inscriptions: kleurnotitie, handgeschreven

Pagina 21 uit een schetsboek met 15 bladen.
Slag bij Hardenberg, 1580
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: battle

Slag bij Hardenberg waarbij het Spaanse leger het Staatse leger onder bevel van Filips van Hohenlohe verslaat, 17 juni 1580. Gezicht op het slagveld met in de verte Hardenberg. Met onderschrift van 4 regels in het Latijn. Genummerd 121. Bedrukt op achterzijde met tekst in het Latijn.
Predikantenbriefje Amsterdam 7 augustus 1796
Object type: text sheet
Date: 1708 – 1796
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: johannes wessing willemsz.
Artist role: publisher
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Dit is het 2de na de Remotie van onze 15 brave Predikanten / x deze 2 waren in Commissie over de Remotie en om die reden konde zij niet Prediken’

Predikantenbriefje, met een overzicht van de kerken van Amsterdam en welke predikanten op zondag 7 augustus 1796 aldaar de dienst zullen leiden. Tweede predikantenbriefje verschenen na de remotie van 15 Oranjegezinde predikanten te Amsterdam. Enkele namen zijn met de pen doorgestreept en vervangen door andere namen.
Promenoir de Thoutmès III - Dernières galeries du Palais de Karnac (Thèbes)
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,buildings,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Statuette of a Woman
Object type: figure
Date: 401 – 600
Materials: copper alloy
Culture: byzantine

This statuette of a woman in fashionable dress probably once held in its hand a spear or other object identifying it as a personification, perhaps of a city.
Samples (4)
Object type: sample
Date: 1801 – 1833
Plattegronden van Philippeville, Mariembourg, Landrecies en Beaumont
Object type: area plan
Date: 1607 – 1609
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: Anonymous
Subjects: maps of cities

Blad met vier plattegronden van de steden Philippeville, Mariembourg, Landrecies (Landeschie) en Beaumont, op één blad gedrukt van afzonderlijke platen. Onderdeel van de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
The Actor Yamashita Kinsaku II as Osaku (?) in the Play Onna Aruji Hatsuyuki no Sekai, Performed at the Morita Theater in the Eleventh Month, 1773
Object type: print
Date: 1773 – 1773
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Lower body and feet of a woman to right, wearing a chiton and himation; below, a meander
Gezicht op Ouderkerk aan de Amstel
Object type: drawing
Date: 1608 – 1608
Materials: chalk, ink, paper
Techniques: pen
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: village
Inscriptions: inscription: ‘Maria Simon 1958 (...) C Jz Visscher del’, inscription: ‘Ouderkerk a/d Amstel 1608’, signature: ‘C.J. Visscher’

Onderwerpsrubriek binnen de Atlas Amsterdam: Ouderkerk aan de Amstel.
Kettingkogels uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: chain shot
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Shot, springshot; 2 balls with wire: fragment single balls with wire fragment, id. NG 1980-27H3168.
Magical stela or cippus of Horus
Object type: cippus, horus
Date: 332 – 280
Materials: mineral, stone
Location: egypt
Subjects: animals,hieroglyphs,horus

This stela is known in Egyptian art as a cippus (pl. cippi) or magical stela. The instructions found on some cippi indicate that they were used to heal afflictions caused by snake or scorpion venom. Specifically, Egyptians believed that the water poured over these cippi would be transformed into a curative remedy that the afflicted could then drink or apply to the body. The central image of the object here depicts the god Horus striding atop two crocodiles with the head of the protective god Bes above him. The figure of Horus is carved in high raised relief, with careful modeling of the body. He is nude, with the exception of his bracelets and neck collar, and maintains a side lock of hair on his right side to indicate his youth. In his hands, he is grasping several strong and dangerous desert animals (scorpions, serpents, lion, oryx) by their tails or horns. This motif shows Horus’ dominance over these powerful animals and the dangers that they may pose. In addition, Horus is flanked by standards in the form of lotus and papyrus columns. This stela’s high quality is evident in its detailed carvings, such as the individual components of the neck collar and the fine crisscross pattern on the scorpions’ exoskeletons. On the top portion of the reverse side of the stela, there is a winged sun disk with a row of nine deities in sunk relief below it. Similar to the carvings on the front, the reverse also exhibit a strong attention to detail. For instance, small incised lines on the clothing of the deities, provide hints at their folding and draping over the divine bodies. This creates an extra dimensionality to the carvings that enlivens the flattened surface of the sunk reliefs. This object is inscribed with text on all of its sides (front, sides, reverse, top, and bottom), as is common for Horus cippi. Texts on these stelae are usually comprised of healing spells that include references to the mythological story in which the god Horus was injured and was then healed. By referencing this popular story, an individual bitten by a snake or stung by a scorpion could likewise hope to be healed. The other selected spells on cippi usually allude to broader themes of healing, rejuvenation, and renewal. On the backside of this stela, for example, a well-known healing spell that describes the rejuvenation of an aged god is partially inscribed.
Teatro delle Nobili et Virtuose Donne..., page 24 (recto)
Object type: book print ornament architecture
Date: 1616 – 1616
Techniques: engraving, woodcut
Artist: isabella catanea parasole
Artist role: author
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: ornament

Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome. From top to bottom, and left to right: Design composed of 4 horizontal registers that are framed on the left and right sides by borders decorated with diverse foliage patterns. First register is decorated with a wavy vine of flowers with striped stems. Second register is decorated with an alternating pattern of upside-down and right-side up flowers that are attached to a striped vine. Third register is decorated with a pattern of flowers characterized by a central gridded oval surrounded by 3 white circles on the bottom. Fourth register is decorated with striped braches that form 'S' shapes, which interlock with one another.
Landschap met bebouwing
Object type: drawing
Date: 1838 – 1915
Materials: chalk, paper
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: city-view, and landscape with man-made constructions
Inscriptions: annotation: ‘Hui[...]ig’, collector's mark: Lugt 1181b
Lea Castle, View in Tilt-Court, Facing North
Object type: drawing
Date: 1816 – 1816
Materials: graphite, ink
Techniques: brush
Artist: john carter
Artist role: artist
Artist nationality: british
Artist dates: 1748 – 1817
Subjects: castles,horses
Man en vrouw bewerken de grond in een landschap met omheinde kavels en bomen
Object type: print
Date: 1880 – 1940
Materials: paper
Techniques: etching, intaglio
Artist: albert delstanche
Artist role: print maker
Artist dates: 1870 – 1941
Subjects: trees, fenced or walled garden; 'hortus conclusus'
Inscriptions: inscription: ‘Le Bosquet de Bouleaux’, inscription: ‘Albert Delstanche Brabantsch landschap belgique [...] Ohain’, collector's mark: Lugt 2760, collector's mark: Lugt 2228
The Grimaces
Object type: print
Date: 1823 – 1823
Techniques: lithograph
Artist: louis léopold boilly
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1845
Subjects: men
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, part of shod foot and part of a container
Plate with the coat of arms of Hendrik Peter Godfried Quack and Isabella Gertraud von Carnap
Object type: service set
Date: 1790 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris
Artist: Anonymous
Inscriptions: mark: ‘N’

Diep bord van porselein, beschilderd op het glazuur met goud. Op het plat het alliantiewapen van Hendrik Peter Godfried Quack en Isabella Gertraud von Carnap. De rand met een bloemrank en een gouden band. Twee proenen op de onderzijde. Gemerkt op de onderzijde met N.
Portret van Jacob George Jeronimo Hahn
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: haarlem, politician
Inscriptions: collector's mark: Lugt 2228

De patriot en rechtsgeleerde Jacob George Jeronimo Hahn, zittend in een fauteuil.
Portret van Simon Fokke
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: draughtsman, simon fokke, tools, implements of graphic artist
Inscriptions: collector's mark: Lugt 2228

Portret van de graveur Simon Fokke in een ovaal. Het portret rust op een plint waarop het gereedschap van de graveur: burijn, etsnaald en papier. Onder het portret zijn naam en gegevens in twee regels in het Nederlands.
Gezicht op een boulevard te Parijs
Object type: stereograph
Date: 1850 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, avenue, boulevard, promenade, esplanade
Inscriptions: number: ‘N. 12’
À Saint-Lazare
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Bridge Vessel Depicting Abstract Motifs, Likely Beans or Seeds
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: peru
Paa Vei Til Sæteren
Object type: reproduction
Date: 1874 – 1879
Materials: photographic support
Techniques: albumen print
Subjects: bovine cattle, boat propelled by man or animal
Figure of Seated Lion
Object type: figure
Date: 960 – 1279
Materials: pottery
Culture: chinese
Card Number 171, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portrait of Napoleon Bonaparte, to left
Object type: print
Date: 1781 – 1811
Techniques: aquatint
Artist: gilles louis chrétien
Artist role: artist
Artist nationality: french
Artist dates: 1754 – 1811
Subjects: napoleon i,men,portraits,profiles
Twaalf apostelen in paren
Object type: print
Date: 1529 – 1529
Materials: paper
Techniques: woodcut
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 240
Tile with Niche Design
Object type: tile
Materials: stonepaste
Techniques: glazing, molding
Location: iran
Subjects: mihrabs

Evoking an architectural mihrab niche, the design of this tile includes columns topped by a multilobed arch. The vigorous calligraphic inscriptions that surround and fill the interior of the "niche" comprise an evocation to the Chahar‑dah Ma'sum (Fourteen Infallibles)—naming the twelve Shi'i Imams and the family of the Prophet Muhammad. The date of this tile places it within the reign of the Ilkhanid ruler Sultan Uljaitu, who was known to have embraced Shi'i Islam.
Gezicht op de baai van Ajaccio met cactussen ervoor
Object type: photograph
Date: 1902 – 1904
Materials: paper
Techniques: gelatin silver print
Location: ajaccio
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: gulf, bay, city-view in general; 'veduta', plants and herbs: cactus
Polonaise Carpet
Object type: carpet
Date: 1601 – 1700
Materials: cotton, metal thread, silk
Techniques: asymmetrically knotted pile, brocade
Location: iran
Tumbler
Object type: tumbler
Date: 1800 – 1800
Materials: gemstone, glass
Techniques: glassblowing
Culture: american
Location: united states
Gezicht op Franeker
Object type: drawing
Date: 1700 – 1800
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city
Brief aan Christina Sibilla Charlotte Bakhuizen
Object type: letter
Date: 1759 – 1759
Materials: ink, paper
Techniques: pen, writing
Location: rotterdam
Artist: gerrit backhuijzen
Artist role: draughtsman, painter
Artist dates: 1721 – 1760
Subjects: christina sibilla charlotta bakhuizen, christian religion
Inscriptions: watermark, collector's mark: Lugt 2233
Een visioen van den heer Fransen van de Putte
Object type: cartoon
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: imperialism, horrors of war, brewing, boiling (in a cauldron); witches' kitchen, political caricatures and satires

Voormalig minister van Koloniën Isaäc Dignus Fransen van de Putte achtervolgd door de gruwelen van de oorlog die opstijgen uit een heksenketel. Onder het bewind van minister Van de Putte startte in 1873 de Atjeh-oorlog.
Portret van een onbekende vrouw in lokale dracht met koperen wateremmers, een kind kijkt in een van de emmers
Object type: photograph
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: anonymous historical person portrayed, folk costume, regional costume, container of metal: bucket, can, canister, drum, tin
Twee portretten van François Buys
Object type: snapshot
Date: 1910 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: françois buys, historical persons

Deze foto's maken deel uit van een album.
Gustave III. Rex Sueciae
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: england
Subjects: armour, historical persons
Inscriptions: collector's mark: Lugt 2228
Pier Table
Object type: pier table
Date: 1830 – 1850
Materials: wood
Culture: american or british
Location: england
Subjects: eagles
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Exterior, panther to right, in between two eyes
Abklatsch van de krijttekening op blad 20 recto
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 19 verso uit schetsboek L met 42 bladen.
Cupido met een ei en ekster
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Artist: john smith (prentmaker/ uitgever)
Artist role: print maker, publisher
Artist dates: 1652 – 1743
Subjects: child robbing bird's nests, (story of) cupid, amor (eros), song-birds: magpie
Inscriptions: collector's mark: Lugt 240
Reizigers naar het eiland Cythere
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: engraving, etching
Subjects: 'ile de cythère', 'en route', traveller under way
Inscriptions: caption: ‘vierregelig vers’, title: ‘Pelerins de l'Isle de Cithere’

Binnen een ovaal zijn een rijk geklede dame en heer voor bossage afgebeeld. De dame (Venus) omvat met haar linkerhand een staf, hier als attribuut van de pelgrim bedoeld. De schelp in haar rechterhand heft zij op als een glas. De man schenkt er vanuit een kruik wijn in. Voor het liefdespaar staat de halfnaakte Bacchus, god van de wijn, met een kroon van wingerdbladeren en in zijn hand een thyrsus, een staf met een knop in de vorm van een dennenappel (een oud vruchtbaarheidssymbool). Tevens houdt hij een toorts met brandend vuur vast. Ook op de voorgrond een kleine, gebeeldhouwde voorstelling van een herme. Een dergelijke herme werd gebruikt bij het ‘geheime huwelijksritueel’, verbonden met reiniging en vruchtbaarheid. Op de achtergrond zijn bootjes en het eiland Cythere, voor de kust van Laconia in Zuid-Griekenland, te zien. De prent verwijst naar het thema ‘Inscheping naar Cythera’: jongens en meisjes afkomstig uit alle standen en gekleed als pelgrims maken zich op om aan boord te gaan van een boot die hen naar de Tempel van de Liefde op het eiland zal brengen.