deem-data/ArtiFact huggingface dataset:
C. Coene
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: brussels, painter, draughtsman, constantinus fidelio coene, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van zestig prenten.
Portret van Konrad Johann Martin Langenbeck
Object type: print
Date: 1808 – 1861
Materials: paper
Techniques: etching
Location: germany
Artist: heinrich lödel
Artist role: print maker
Artist dates: 1798 – 1861
Subjects: barber; surgeon (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228
Lierdraaier
Object type: album leaf
Date: 1647 – 1647
Materials: paper
Techniques: etching, galvanization
Location: haarlem
Subjects: hurdy-gurdy, hurdy-gurdy player
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: ‘B’

De prent maakt deel uit van een portefeuille en is met een andere prent op één albumblad gedrukt.
Panel
Object type: panel
Date: 1551 – 1600
Materials: wood
Techniques: carving
Glass mosaic hemispherical bowl
Object type: bowl, mosaic
Date: 200 – 35
Materials: glass
Culture: greek

Translucent blue and opaque white. Vertical, squared-off rim; convex curving side; convex bottom. Composite mosaic pattern formed from irregular circular sections of a single cane in a blue ground with a white spiral, interspersed with a small number of angular segments of a cane in solid white; a blue network cane wound spirally with a white trail is attached as a rim. Broken and repaired with one large hole in side and another in rim; dulling, pitting, and creamy weathering with faint iridescence.
Two Portlights
Object type: portlight
Date: 1832 – 1832
Materials: glass
Location: netherlands
Artist: Anonymous
Inscriptions: label, on portlight 1, top centre: ‘238’ former inventory label

Obreens toeschrijving van dit model aan de fabriek van Regout in Maastricht wordt nog door geen enkel bewijsmateriaal gestaafd, noch zijn er vier modellen gevonden zoals in de catalogus beschreven. Het model door P. Schuijt jr. in 1832 gemaakt en werden ter beoordeling door een commissie van constructeurs (P. Schuijt jr., P. Glavimans Jz. en C. Soetermeer.) naar Rotterdam gezonden. De houten en koperen vattingen die in de archiefstukken worden genoemd, ontbreken. Met inachtneming van enkele kleine wijzigingen werd zij goedgekeurd.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed rim fragments from kylikes, with abraded surfaces
Malines. Panorama
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1914
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: church (exterior), prospect of city, town panorama, silhouette of city, mechelen
Staying in the heart
Object type: print
Date: 1968 – 1968
Materials: paper, watercolor
Techniques: brush, etching
Location: amsterdam
Artist: pieter holstein
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1934 – 
Inscriptions: signature: ‘p. holstein’, title: ‘CLANGING CLANGING UPON THE HEART / AS UPON AN ANVIL’, edition: ‘1/20’
Roma, N. 9459 Villa Madama, cornicione
Object type: photograph
Date: 1868 – 1900
Materials: paper
Techniques: albumen print
Location: villa madama
Artist: romualdo moscioni
Artist role: fotograaf
Artist dates: 1849 – 1925
Subjects: villa, edge ~ stereometry
Inscriptions: inscription: ‘Roma, N. 9459 Villa Madama, cornicione Fotog. R. Moscioni’
Little Venice (The Little Venice)
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: boats,venice
Figuren bij een poort
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: arch, archivolt ~ architecture, street (+ city(-scape) with figures, staffage)

Pagina 5 uit een schetsboek met 58 bladen.
Gezicht op het Yumuridal
Object type: album leaf
Materials: paper
Techniques: platinum process
Location: matanzas
Artist: Anonymous
Subjects: dale, valley
Flagellation, from The Engraved Passion
Object type: print
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Fries met arabesken, een masker en een vaas
Object type: print
Date: 1561 – 1561
Materials: paper
Techniques: etching, intaglio
Location: venice
Subjects: ornaments ~ art, foliage ~ ornament, vase ~ ornament
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt onderdeel uit van een reeks.
Plan du Bagno
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Subjects: plan, map of garden, water-works in garden, garden buildings
Inscriptions: collector's mark: Lugt 2228
Head of Hercules
Object type: cameo
Date: 1834 – 1866
Materials: gemstone
Subjects: heads,hercules

The head of Hercules framed in a helmet formed by the open jaws of the Nemean lion, the dead beast’s paws tied around his neck, was a staple of Neoclassical glyptics inspired by ancient gems and coins (see also 40.20.37). Within the format endless variations could appear. Both this carving and 40.20.48 have three strata. The anonymous carver, who chose a stone so fiery it has even been wrongly said to be artificially colored, manipulated the pale middle layer to limn the blunt profile, offset between the reds of the ground and top layers. Maria Elisa Pistrucci worked closely from a composition by her father (art market, Rome, 2007), who invented a younger, more lyrical type of Hercules. The dappled brown stone she selected produced, simultaneously, greater legibility and greater subtlety. The lion skin emerges clearly from the dark top layer, all the facial features were excavated from the middle white layer, and irregularities in the translucent bottom layer provide an appealing foil.
Descriptio fluminum Rheni, Vahalis et Mosae a Rheno Berca ad (...)
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching, hand coloring, letterpress printing
Location: amsterdam
Subjects: maps of separate countries or regions, river
Inscriptions: collector's mark: Lugt 2228

De kaart bestaat uit twee delen. Rechts in het midden de titelcartouche. Onder in het midden van het bovenste deel een cartouche met twee schaalstokken: 1 Milliare unum Germanium / 2 Milliaria duo Gallica. Onder in het midden van het onderste deel een cartouche met dezelfde schaalstokken. De kaart is voorzien van een gradenverdeling langs de randen. Met Franse tekst op verso.
Archtop Guitar
Object type: archtop guitar
Date: 1917 – 1917
Materials: wood, mother of pearl, nickel, silver
Culture: american
Location: united states
Artist: gibson mandolin-guitar manufacturing co., ltd.
Artist role: maker
Artist nationality: american
Artist dates: 1902 – 9999

L-3 model guitar with a light to dark red sunburst finish, serial number 32544. The guitar has a carved, arched top and back, a design patented by Orville Gibson in 1898. Five businessmen bought the name and patent from Orville Gibson in 1902 and started The Gibson Mandolin-Guitar Manufacturing Co., Ltd. The L-3 was a small, parlour type guitar, that Gibson introduced as part of its line of archtop guitars in 1902 and discontinued in 1933. Oval soundhole with three decorative inlaid rings of colored wood. The binding around the top and back of the instrument as well as the fingerboard is ivoroid. Mahogany is used for the neck, and the fingerboard is of ebony and extends over the soundhole. There are twenty nickel-silver frets with mother-of-pearl position dots on the fingerboard and upper edge of the neck. The instrument has a floating bridge and a "trapeze" style tailpiece. Headstock inlaid with mother-of-pearl words "The Gibson." Waverly three-on-a-plate ivoroid machine guitar tuners.
Portret van Paul Jacob von Marperger
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Verplegers en patiënten in de polikliniek van suikerfabriek Goedo te Djombang op Java
Object type: photograph
Date: 1925 – 1930
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: jombang
Subjects: plantation, physician, doctor, hospital, patient, sick person, plants and herbs: sugarcane, sugar, dutch east indies, the

Onderdeel van Fotoalbum met opnames van vier suikerfabrieken op Java.
Huwelijk van Tobias en Sara
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: tobias and sarah praying, raguel gives sarah to tobias as his wife

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Noordzee Hotel te Zandvoort
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1916
Materials: cardboard
Techniques: writing
Location: zandvoort
Artist: Anonymous
Subjects: hotel, hostelry, inn
Inscriptions: postage stamp
Terracotta focolare (offering tray)
Object type: focolare
Date: 550 – 500
Materials: terracotta
Culture: etruscan
Subjects: sphinx,lions,sirens

Large rectangular or circular offering trays made of bucchero are typical tomb gifts in the Chiusi region. Normally they contain a variety of small vessels, spoons, spatulas, palettes and other utensils that may be associated with the preparation of food or cosmetics. Some scholars have suggested that these items imitate, on a miniature scale, the more expensive banquet sets in bronze or silver.
Box with Medallion Top
Object type: box
Date: 1760 – 1883
Materials: gilt, glass, metal, shell, wood
Techniques: engraving
Location: france
Subjects: benjamin franklin,men
Image of Daikoku and the Artist's Seals
Object type: painting
Date: 1754 – 1799
Materials: ink, paper
Location: japan
Artist: nagasawa rosetsu 長澤蘆雪
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1799
Ruiter
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman

Pagina 5 uit een schetsboek met 23 bladen.
France, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 1 (N9), issued in 1887 in a series of 48 cards to promote Allen & Ginter Brand Cigarettes. The museum's collection contains the 48 cards from the Series 1 set, as well as 10 variations and 5 mis-printed cards.
Leather Working, Tomb of Rekhmire
Object type: facsimile, rekhmire tt 100, leather work, sandal
Date: 1504 – 1425
Materials: ink, paint, paper
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Spoon
Object type: spoon
Date: 1770 – 1800
Materials: silver
Culture: american
Location: united states
Artist: john burger
Artist role: maker
Artist nationality: american
Artist dates: 1783 – 1807
Laatste avondmaal
Object type: print
Date: 1574 – 1632
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)

Christus zit tijdens het laatste avondmaal te midden van zijn discipelen. Johannes ligt tegen zijn borst. Geheel in een geornamenteerde omlijsting.
Landscape of a Peasant's Yard
Object type: print
Date: 1845 – 1845
Techniques: etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: houses,courtyards,women
Interieur van een salon
Object type: sketchbook leaf
Date: 1810 – 1838
Materials: paper, pencil, watercolor
Techniques: brush
Artist: Anonymous
Subjects: drawing-room, 'salon'
Inscriptions: date: ‘oct. 1838.’

Interieur van een salon met drie vensters, planten, een bloemstandaard, tafel en chaise longue. Tekening in een kader. Blad 4 recto uit een schetsboek met 45 bladen.
Martyrdom of Saint Simon, plate ten from The Martyrdoms of the Apostles
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Ngonge
Object type: ngonge
Date: 1867 – 1900
Materials: wood
Culture: congolese
Location: democratic republic of the congo
Jardin de la Maison de Carlton dans Pall-Mall, a feu m. la Princesse de Galles/ La pagode, la mosquée, l'Alhambra ou temple moresque dans les desert de Kew
Object type: album leaf
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: lay-out of garden, garden buildings
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De serie 'Jardins anglo-chinois à la mode' verscheen in totaal in 21 zogeheten 'cahiers' (afleveringen). De huidige prent komt uit het zesde 'cahier'. Het Rijksmuseum Amsterdam bezit drie banden met daarin in totaal zes 'cahiers' van deze reeks. In de documentatie wordt verwezen naar een in de bibliotheek van het Rijksmuseum Amsterdam aanwezige facsimile van het complete werk.
Het overtrekken van een rivier
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: leiden
Artist: j. van veen (fotograaf)
Artist role: fotograaf
Subjects: crossing a river, military training, netherlands

Deze prent maakt deel uit van een album.
Wetgeving op de berg Sinaï
Object type: book illustration
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: mount sinai is covered by a thick cloud, thunder and lightning
Inscriptions: collector's mark: Lugt 2228

Mozes spreekt met God op de berg Sinaï. Het Joodse volk op de voorgrond raakt in paniek bij het horen van donderslagen en het zien van lichtflitsen en van rook die uit de berg komt (Ex. 20:21).
Het laatste kattekwaad van Poes Snorbaart
Object type: popular print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: lamouche
Artist role: print maker
Subjects: cat, animals acting as human beings, song-birds: sparrow
Inscriptions: collector's mark: Lugt 2760

Blad met 11 voorstellingen over Poes Snorbaart die sterft nadat hij twee mussen probeerde te vangen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 116.
Sardonicvs
Object type: print
Date: 1578 – 1582
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: don juan van oostenrijk, horses and kindred animals
Inscriptions: collector's mark: Lugt 2228, number: ‘86’

Een Sardinisch paard, van achteren. De prent heeft een Latijns onderschrift en maakt deel uit van het derde deel van een 39-delige serie over de paardenrassen uit Koninklijke stallen van Don Juan van Oostenrijk.
Faience amulet of Bes image
Object type: amulet, be
Date: 1090 – 900
Materials: faience
Culture: egyptian
Subjects: bes
Verlovingsportret van koningin Wilhelmina en prins Hendrik
Object type: cabinet photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: wilhelmina of the netherlands, the hague, hendrik (prins der nederlanden (1876-1934)), queen, betrothal
Inscriptions: number: ‘1900’
Length of wool damask
Object type: piece
Date: 1720 – 1720
Materials: wool
Subjects: flowers

Wool was the core of the British economy for centuries. Nationwide, weavers created globally admired woolen worsted cloth across a range of qualities and types, versatile and vogueish in design. Most expensive were complex damasks like this, reversible and subtly patterned by contrasting shining warp face and matte weft face. Particularly suited to furniture and wall coverings, this example and another in The Met's collection (x.397.2) repeat the same pattern produced in different colorways- this mustard yellow, and the other warm gold.
Kussenovertrek met bloemen en vogels
Object type: stoelzitting
Date: 1600 – 1610
Materials: silk, wool
Techniques: tapestry

Stoelzitting van tapijtweefsel met gezaaide bloemen en drie vogels.
Portret van Achilles Pirminius Gasser
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: mezzotint
Location: augsburg
Artist: johann jacob haid
Artist role: print maker, publisher
Artist dates: 1704 – 1767
Subjects: augsburg, physicist, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Brucker, Jacob. Ehrentempel der Deutschen Gelehrsamkeit. Augsburg: Johann Jacob Haid, 1747.
Poort voor het Kasteel Nienoort bij Leek
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: leek
Artist: Anonymous
Subjects: castle, gate, entrance
Portret van Dirk VII, graaf van Holland
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: dordrecht, armour, historical persons, head-gear: hat, ruler, sovereign
Inscriptions: collector's mark: Lugt 964

In een medaillon. Onder het portret een tweede medaillon met daarin enkele attributen waaronder een kroon en een mijter. Rechtsboven genummerd: P. 28.
Krishna Rajagopalaswamy, king of the cowherds
Object type: painting
Date: 1767 – 1800
Materials: paper, silver, watercolor
Techniques: hand coloring
Culture: south indian
Artist: tirupati school, south india
Artist role: artist

This diminutive painting celebrates Krishna as king of the cowherds—a form of the divinity unique to the Rajagopalaswamy temple in Mannargudi in Tamil Nadu. It is a work of tender devotion, immediate in its celebration of Krishna as the pastoral protector of cows. Painted in a seemingly folkish style that belies its sophistication, this powerful image was likely painted in Tirupati, the great Vaishnava temple and pilgrimage center in southern Andhra Pradesh as part of a series celebrating the childhood and youth of Krishna. Wearing the distinctive turban of a cowherd and leaning nonchalantly on a crutch, he grasps a punch-dagger in his left hand; in his right he holds a lotus and a herdsman’s whip. This stylized serpentine device with a snake terminal here assumes the status of a royal scepter. A bow is slung over his left shoulder; a quiver is visible behind the other. Devotees who stay overnight in prayer at his temple believe they earn merit equivalent to gifting 1000 cows!
Button
Object type: button
Date: 1850 – 1880
Materials: ivory, metal
Culture: french
Subjects: portraits,women
Theater van bisschoppen, keizers, koningen, hertogen, prinsen, enz.
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: filips iii (koning van spanje), crown (symbol of sovereignty), sceptre, staff (symbol of sovereignty), armour, knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret van Filips III, ten halven lijve. Hij is gekroond en draagt een harnas, een mantel en een keten met de Orde van het Gulden Vlies. In zijn rechterhand houdt hij een scepter. Het portret is gevat in een boogvormige omlijsting met vierkant randwerk. In de marge een tweeregelig onderschrift in het Latijn.
Coiffures, Poufs, Hats and Bonnets: Eleven Coiffures and Headdresses
Object type: fashion print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: flowers, ear-rings (+ women's clothes), styles of hairdress (herisson) - aa - ~ women, fashion plates
Inscriptions: address: ‘A Paris chez Esnauts et Rapilly rue St. Jacques a la Ville de Coutances. A.P.D.R.’, inscription: ‘Coëffure nouvelle le devant lisse qui se terminé par un hérisson crêpé le bas de la Coëffure par derriere et sur les côtés comme la coëffure à l'enfance le tout ceint entierement d'une couronne de fleurs.’

Ladies’ hairstyles were ingenious works of art, built around a core of cushions and horsehair. Hair was piled high in curls and twists (chignons) and adorned with feathers, ribbons, artificial flowers, tulle and jewels to create various fancifully named poufs. Because the hair was dressed using animal fat and powdered with wheat flour, these poufs attracted all manner of insects. Far from hygienic, they moreover did not last long. When they went out, ladies protected their hairdos with a voluminous ribbed hood called a calèche 1. Hairdressers of the time, who styled themselves as artists, used prints to advertise their latest creations and craftsmanship 2 3.
Château de Chantilly, gezien vanaf de tuinzijde
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: photograph
Location: nancy
Subjects: castle
Gezicht op Venetië in vogelvluchtperspectief
Object type: area plan
Date: 1650 – 1700
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: harbour, city-view, and landscape with man-made constructions, maps of cities, venice
Inscriptions: collector's mark: Lugt 2228
Ezel met twee figuren in oosterse kleding
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, asiatic races and peoples

Pagina 75 uit een schetsboek met 49 bladen.
Maria met Kind en vogel
Object type: print
Date: 1592 – 1622
Materials: paper
Techniques: etching, intaglio
Location: italy
Subjects: madonna: i.e. mary with the christ-child, christ-child holding something in his hand, e.g. apple, bird, cherries, crucifix, grapes, paper wind-mill ~ madonna-representations

Maria zittend met het Christuskind in haar armen. In zijn linkerhand houdt het Kind een vogel vast.
Vue intérieure de l'Eglise des Invalides (prise du milieu du Dôme)
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: aquatint, etching
Artist: Anonymous
Subjects: roman catholic church, interior of church, architecture
Inscriptions: collector's mark: Lugt 1337, collector's mark: Lugt 2228

Prent maakt mogelijk deel uit van een serie.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Below the rim, ivy; head of a woman to right
Amulet Depicting the God Min
Object type: amulet, min
Date: 1850 – 1775
Materials: silver
Location: egypt

This amulet is part of a group of objects found in tomb V21 at Abydos with two bodies. The group includes 04.18.1–04.18.49.
Gezicht op de haven van Szczecin
Object type: photograph
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: szczecin
Artist: willem frederik piek jr.
Artist role: fotograaf
Artist dates: 1874 – 1954
Subjects: harbour