deem-data/ArtiFact huggingface dataset:
Portret van prins Eugenius van Savoye
Object type: print
Date: 1681 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter van gunst
Artist role: print maker
Artist dates: 1658 – 1731
Subjects: vienna, eugenius van savoye
Inscriptions: collector's mark: Lugt 2228

Eugenius, prins van Savoye en generaal van Oostenrijk tijdens de Spaanse successieoorlog.
Bowl With Musicians in a Garden
Object type: bowl
Date: 1167 – 1233
Materials: stonepaste
Techniques: glazing, luster painting
Location: iran
Subjects: women,lutes

Checkerboard cypresses, a stylized canopy, and a flying bird on this luster bowl symbolize the garden pavilion where two women play the lute and possibly sing. They sport tattooed hands and wear earrings, drop-shaped diadems, and dresses ornamented with harpies and scrolls, which aid in the evocation of a luxurious setting.
Design for Wagon, no. 821
Object type: drawing
Date: 1860 – 1860
Materials: gouache, gum arabic, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fotoalbum (leeg)
Object type: photograph album
Date: 1860 – 1900
Materials: cardboard, leather, metal, paper
Techniques: color on snow
Artist: Anonymous
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 856’

Fotoalbum met veertig pagina's met op iedere pagina een met gouden lijnen omkaderde passe-partout voor een kabinetfoto.
View of Sciacca, Sicily
Object type: drawing
Materials: graphite, ink
Techniques: pen
Artist: edward lear
Artist role: artist
Artist nationality: british
Artist dates: 1812 – 1888
Joseph Interprets the Dreams of the Baker and the Butler
Object type: painting
Date: 1648 – 1648
Materials: canvas, oil
Artist: jan victors
Artist role: painter
Artist dates: 1619 – 1676
Subjects: joseph interpreting the dreams of the butler and the baker (the two dreams combined)
Inscriptions: signature and date: ‘Johanes Victors. fe. 1648’

Jozef legt de bakker en de schenker hun dromen uit. In de gevangenis zit Jozef links op een stenen trap, de bakker en de schenker liggen rechts geketend op de grond.
Lyceum Henri IV in Parijs
Object type: print
Date: 1863 – 1864
Materials: paper
Techniques: etching
Location: paris
Subjects: university building, college, bird's eye view ~ representation of building, paris
Inscriptions: collector's mark:, collector's mark:, collector's mark: Lugt 2228

Het lyceum Henri IV in Parijs weergegeven in vogelvluchtperspectief, het gebouw is tot in kleine details uitgewerkt. Op de voorgrond zijn schaatsende figuren weergegeven en figuren die zich bezig houden met andere lichamelijke oefeningen. Opvallend is het verschil in verhoudingen ten opzichte van de gebouwen en de kleine figuurtjes in het landschap. Ook de figuren in de rij bij Caritas, rechts op de voorgrond, zijn groot weergegeven. In de zevende staat wijzigde de kunstenaar de voorstelling ingrijpend, hij vulde het blad tot boven aan toe met bebouwing en verving daarmee het vrijwel lege vlak met lucht en de zee aan de horizon.
Portret van een onbekende man
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: the hague
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Woman Kneeling Facing Left (recto); Seated Woman Facing Right (verso)
Object type: drawing
Date: 1555 – 1619
Materials: chalk, ink
Techniques: pen, drawing, transfer
Artist: giovanni battista trotti ("il malosso")
Artist role: artist
Artist nationality: italian
Artist dates: 1556 – 1619
Subjects: women
Petanque Players in Brittany
Object type: drawing and watercolor
Date: 1890 – 1890
Materials: graphite, paper
Location: france
Artist: charles laval
Artist nationality: french
Artist dates: 1862 – 1894
Inscriptions: Signed lower right, in graphite: "1890- / CL"

This drawing of the French lawn game pétanque shows bowlers in the countryside of Brittany. Their traditional costume appealed to Laval, who had been born and raised in Paris. City dwellers frequently traveled to Brittany in search of a preindustrial age, and it was there that Laval met Paul Gauguin. The two stayed at the same guesthouse in 1886 and—in an extension of their search for the otherworldly—they traveled to Panama and Martinique together in 1887. The friendship came to an end, however, when both artists developed feelings for Madeleine Bernard. Laval married her, but he died from tuberculosis just a few years later.
Schetsen van het alledaagse leven
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Location: paris
Artist: alexandre-gabriel decamps
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1860
Subjects: ass, donkey, windmill in landscape
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760
Black lacquer box with phoenix designs
Object type: box
Date: 1701 – 1900
Materials: gold paint, lacquer, metal
Culture: korean
Winkel voor veren en sieraden
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: handicrafts, craftsman at work, making of feather attire, textile fabric, cloth
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Comenius, Johannes Amosius. Orbis sensualium picti pars prima (...). Neurenberg: Martin Endter, 1719, dl. 2, p. 400. Prent eerder gebruikt in: Comenius, Johannes Amosius. Orbis Sensualium Picti denuo aucti Pars Secunda (...). Neurenberg: Martin Endter, 1730, dl. 2.
Jeune Femme au Bain
Object type: print
Date: 1866 – 1866
Techniques: etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: women,female nudes
Portret van Frederik IV van Baden
Object type: print
Date: 1663 – 1695
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: christiaan hagen
Artist role: draughtsman, print maker
Artist dates: 1635 – 1707
Subjects: battle (+ cavalry, horsemen), military clothing and other equipment (uniforms, cap, armour, helmet, etc.)
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve naar rechts van Frederik van Baden, gekleed in een harnas waarover een sjerp. In zijn rechterhand houdt hij een commandostaf, op de achtergrond is een veldslag afgebeeld. Onder zijn portret een plint, waarop zijn naam en titel in twee regels in een cartouche.
Portret van Johannes Rebhan
Object type: print
Date: 1672 – 1717
Materials: paper
Techniques: engraving
Artist: johann adam seupel
Artist role: painter, print maker
Artist dates: 1662 – 1717
Subjects: johannes rebhan, historical persons, pendant, trinket, 'breloque', armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Page from a Dispersed Ramayana (Story of Rama)
Object type: folio
Date: 1801 – 1825
Materials: graphite, paper
Culture: indian, kangra, punjab hills
Subjects: birds,men,women,peacocks,deer

In the Hindu epic the Ramayana, the demon-king Ravana captures Sita; Rama, her husband, secures her release only after waging a long and brutal war. Although Sita successfully undergoes a trial by fire to prove her virtue, Rama sends her into exile in the forest to quell the rumor that she has been raped. In this drawing, Rama's brother Lakshmana, turns to the river after reluctantly leaving Sita in the forest, prostrate with grief. At the upper right, Sita is surrounded by animals who vow to remain silent until she is exonerated. The peacock, whose cry is associated with amorous longing, is particularly significant in the case. At the lower right, Sita is pictured with Valmiki, the poet of the revered Sanskrit rendition of the Ramayana that the artist is illustrating. Valmiki, an ascetic, approaches Sita to comfort her. She sits in the conventional posture of deep sorrow, back somewhat slumped forward and head in hand. The artist has indicated the names of the characters and, on Lakshmana's robe, the color to be applied-badami, or almond.
Blackwells Island, from the Lighthouses series (N119) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: lighthouses

Trade cards from the "Lighthouses" series (N119), issued in an unnumbered set of 25 die-cut cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Kerktoren te Delft
Object type: drawing
Date: 1834 – 1893
Materials: paper, pencil, watercolor
Techniques: brush
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: church (exterior), delft
Chamber candlestick
Object type: chamber candlestick
Date: 1743 – 1744
Materials: silver
Artist: george wickes
Artist role: maker
Artist dates: 1698 – 1761
Subjects: lions,coat of arms
Covered jar with baskets of flowers
Object type: covered jar
Date: 1701 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers
Schepen in de Oudehaven, Rotterdam
Object type: photomechanical print
Date: 1929 – 1929
Materials: paper
Techniques: rotogravure
Location: rotterdam
Artist: Anonymous
Subjects: harbour, ships (in general) - cc - more than one ship, rotterdam
Inscriptions: inscription: ‘In onze binnenhavens (...) 'n levendig beeld.’
D'Arminiaensche uytvaert
Object type: print
Date: 1619 – 1619
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: banishment, exile, the hague, waalwijk

Spotprent op de uittocht van de remonstranten uit 's-Gravenhage op 6 juli 1619 na de veroordeling door de Synode. Onder de prent de samenspraak tussen twee boeren genaamd Kees en Joost getiteld 'Boere Praetjen: over D'Arminiaensche uytvaert / Ghehouden den VI. Iulij 1619'. Rechts een lijst van de wagens met de namen van de passagiers.
Duit van de stad Utrecht, 1670
Object type: coin
Date: 1670 – 1670
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: gekroond stedelijk, horizontaal gearceeerd wapenschild, gehouden door twee leeuwen. Keerzijde: binnen een versierde vierpas opschrift in twee regels, waaronder jaartal.
Mountain with landscape scene
Object type: relief
Date: 1701 – 1800
Materials: lapis lazuli
Culture: chinese
Subjects: landscapes,boats
Gebeurtenissen rond de Februarirevolutie van 1848 te Parijs
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: revolution, revolt, paris
Inscriptions: collector's mark: Lugt 2228

Onderschrift: La France entière s'agitait pour obtenir (...).
Portret van Nicolaus Rodriguez Fermosino
Object type: print
Date: 1673 – 1740
Materials: paper
Techniques: engraving
Location: schaffhausen
Artist: johann georg seiller
Artist role: print maker
Artist dates: 1663 – 1740
Subjects: liturgical vestments, canonicals, historical persons, book, crucifix ~ personal devotion, writing accessories, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Prinsengracht in Amsterdam
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: etching, intaglio
Location: amsterdam
Artist: pieter dupont
Artist role: draughtsman, print maker
Artist dates: 1870 – 1911
Subjects: trees, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228

Gezicht op de prinsengracht in Amsterdam. Op de voorgrond een boom.
Writing Box with Design of Flowering Bush Clover and Sun
Object type: writing box
Date: 1801 – 1850
Materials: gold, gold foil, silver
Techniques: cutting, hiramakie, maki-e
Culture: japanese
Subjects: sun,plants
Grote groep mannen te paard
Object type: photograph
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, adult man
Inscriptions: annotation: ‘Tanger (Marokko)’, number: ‘60’
Preekstoel in de Dom van Siena door Nicola Pisano
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: siena
Subjects: pulpit, ambo, chancel
Inscriptions: inscription: ‘R.B-. 3’, number: ‘P.e I.a N.o 8978.’, collector's mark: Lugt 3937
Gevechten met de Pruisische troepen rond Amsterdam in 1787
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: karel willem ferdinand hertog van brunswijk-wolfenbüttel, (military) attack
Inscriptions: collector's mark: Lugt 2228

Aanval op de stad Amstelveen door de Pruisische troepen onder commando van de hertog van Brunswijk, verdedigd door Amsterdamse schutters onder kolonel Grave des Portes, 1 oktober 1787. Onderdeel van een groep van zeven prenten van de gevechten met de Pruissische troepen rond Amsterdam in 1787.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, figure with belted garment
Ornament panelen
Object type: ornament print
Date: 1500 – 1500
Materials: paper
Techniques: engraving
Location: italy
Artist: giampietrino birago
Artist role: print maker
Subjects: trophy ~ battle, war, satyr(s) (in general)
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een serie met twaalf ornament panelen.
De aankomst voor de Nieuwe Kerk van de begrafenisstoet van Emma, koningin-regentes der Nederlanden, te Delft op 27 maart 1934
Object type: photograph
Date: 1934 – 1934
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: emma (queen consort of the netherlands), cortege, funeral procession

De aankomst voor de Nieuwe Kerk van de begrafenisstoet van Emma te Delft op 27 maart 1934. Eronder een regel Nederlandse tekst.
Armchair
Object type: armchair
Date: 1750 – 1780
Materials: wood
Culture: american
Location: united states
Portret van Daniel Tieboel Siegenbeek
Object type: print
Date: 1843 – 1863
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: leiden, mayor, walking-stick, staff, historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde heeft een wandelstok in zijn rechterhand. Onder het portret zijn signatuur.
Vrouwenfiguur met omgekeerde fakkel: De Vrede
Object type: sculpture
Date: 1800 – 1899
Materials: bronze
Location: venice
Artist: Anonymous
Drie konijnen en een jachthond
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: rodents: rabbit
Vier figuren ter verduidelijking van chronofotografie
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: france
Artist: Anonymous
Subjects: first beginnings of photography and cinematography
Inscriptions: number: ‘Fig. 5. Fig. 6. Fig. 7. Fig. 8.’, inscription: ‘Projection des mouvements d'un fil engendrant la surface d'un cylindre. Hyperboloïde de révolution. Conoïde projeté sur un plan. Photographies successives d'un hyperboloïde de rèvolution et de son cône asymptote.’
Four of Hearts, from the Transparent Playing Cards series (N220) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the series "Transparent Playing Cards" (N233), issued in 1888 to promote Kinney Bros. Cigarettes for Kinney Tobacco Company. Some card versos state that there are 52 cards included in the deck whereas other versos confirm the number at 53. Each card verso reads, "Hold to the light/ Read your fortune."
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 174 : Robe de taffetas (...)
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving, hand coloring, pochoir
Subjects: fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: caption: ‘Robe de taffetas et voile de soie rayé.’, inscription: ‘Cop. J. N. A. et Cie 1914’, title: ‘Costumes Parisiens’

Vrouw in een japon van tafzijde en gestreepte 'voile de soie'. Chinese of Japanse parasol in de hand. Prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Fan
Object type: fan
Date: 1860 – 1869
Materials: ivory, metal, mother of pearl, paper
Culture: spanish
Subjects: men,women,flowers,drinking
Arbeiders die aan een touw trekken
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: lithograph
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: working class, labourers, tools, aids, implements ~ crafts and industries: rope
Inscriptions: collector's mark, collector's mark: Lugt 2228

Een arbeider die een hoed en laarzen draagt heeft een strakgespannen touw in handen. Een arbeider met een pet pakt het touw ook vast. Links op de voorgrond een zittende arbeider en op de achtergrond een heuvel, een hut, een machine en twee staande arbeiders.
Composiet kapiteel
Object type: book illustration
Date: 1640 – 1640
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: composite order ~ architecture, orders, order-books ~ architecture

Prent uit: Vignola, Giacomo Barozzi da. Regola delli cinque ordini d'architettura (...). Amsterdam: Johannes Willemszoon en Cornelis Blaeu, 1640, p. 63.
Fotoreproductie van een prent naar een schilderij door Joshua Reynolds, voorstellend een scene uit Hendrik VI, deel 2 door William Shakespeare
Object type: photograph
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: london, specific works of literature
Inscriptions: number: ‘Ph. LVII. 227’

Te zien is akte III, scene 3 met de kardinaal in bed en koning Henry VI, de graaf van Salisbury en de graaf van Warwick ervoor.
Boerderij tussen bomen
Object type: drawing
Date: 1890 – 1890
Materials: chalk, paper
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: farm (building)
Inscriptions: date

Boerderij tussen bomen. Opschrift linksonder: Drouwe 90 / JGVogel.
Landschap met vijver, links zit een visser met een puntige hoed
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: pond, pool
Inscriptions: collector's mark: Lugt 2228
Corset
Object type: corset
Date: 1880 – 1880
Materials: bone, cotton, metal, silk
Culture: british
Artist: carlson's
Artist role: manufacturer
Fundatoris, curatorum et professorum celeberrimorum
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: scholar, philosopher, historical persons

Met omlijsting gedrukt van twee aparte platen.
Schetsblad met kopstudie
Object type: drawing
Date: 1848 – 1927
Materials: chalk, ink, paper
Techniques: pen
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Brief aan Jan Veth
Object type: letter
Date: 1889 – 1889
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: dordrecht, designer, jan veth, family life
Inscriptions: collector's mark: ‘RPK’
Portret van een vrouw met bloemen
Object type: photograph
Date: 1880 – 1920
Materials: paint, photographic support, silk, textile, watercolor
Techniques: brush, gelatin silver print
Artist: Anonymous
Subjects: flowers, adult woman, historical persons
Naaktfiguur met gebogen hoofd
Object type: drawing
Date: 1616 – 1669
Materials: chalk, paper
Subjects: male sex; man
't Huys tot Renswoude
Object type: book illustration
Date: 1710 – 1710
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: castle, landscape with tower or castle

Prent uit: De Ridder-matige Huysen en Gesichten in de Provincie van Utrecht. Amsterdam: Joachim Ottens, [ca. 1710].
Spoorwegbrug te Culemborg
Object type: stereograph
Date: 1868 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: culemborg
Subjects: railway, train, bridge
Inscriptions: inscription: ‘(Nederland)’, number: ‘No. 7.’, inscription: ‘Uitgave van A.J. Blom, te Culemborg.’
Man die een fotomechanische afdruk maakt en retoucheert
Object type: photomechanical print
Date: 1922 – 1932
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: print, e.g.: engraving, etching, lithograph, photographic apparatus
Inscriptions: number: ‘Fig. 237. Fig. 238.’
Jug
Object type: jug
Date: 1760 – 1760
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: cows,horses
Card Number 135, Sadie Martinot, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of head, neck, right shoulder, and upper torso of archer wearing a kidaris; to the left, a quiver; part of an inscription, [K]ALOS