deem-data/ArtiFact huggingface dataset:
Fotoreproductie van een prent naar een schilderij door Robert Smirke, voorstellend een scene uit De koopman van Venetië door William Shakespeare
Object type: photograph
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. XX. 79’

Te zien is akte II, scene 5 met Shylock, Jessica en Lancelot Gobbo in het huis van Shylock.
Portret van Joseph Asser Lehmans
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: amsterdam, the hague, bookshelves, writing tools, book, historical persons (+ half-length portrait), chief rabbi
Inscriptions: : ‘Gedeponeerd.’
Portret van Tavakoli (rechts) en 3 parlementariërs of ministers
Object type: photograph
Date: 1900 – 1950
Techniques: gelatin silver print
Location: iran
Artist: Anonymous
Helmet and Cuirass
Object type: helmet and cuirass
Date: 1701 – 1900
Materials: steel
Culture: indian
Location: china
Inrō with Tanabata Story of the Weaver and the Herdboy
Object type: inrō
Materials: gold, ivory, mother of pearl, silver, wood
Techniques: carving, hiramakie, inlay, lacquer
Culture: japanese
Artist: nomura kyūkoku
Artist role: artist
Artist nationality: japanese
Artist dates: 1800 – 1849

One of the relatively large pieces of mother-of-pearl that comprise the surface of this inro was colored with gold and incised to create an image of a silk winder, identifying the imagery as a representation of the Milky Way. The winder refers to the Weaver Star, who is tragically separated by the Milky Way from her lover, the Cowherd Star. The two are allowed to meet only once a year, a union that is the basis for Tanabata, or the Star Festival, in Japan, held annually between July 7 and August 7. Over time, this festival has been conflated with Obon, a celebration of one's ancestors.
Sculptuur van een engel met een zonnewijzer aan de gevel van de Kathedraal van Chartres
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: photograph
Location: chartres
Subjects: church (exterior), sculpture, sundial
Inscriptions: number: ‘Tafel IX’, inscription: ‘Lichtdruckreproduktion (...) Davanne (1853)’
Speld
Object type: pin
Date: 1900 – 1925
Materials: metal
Artist: Anonymous
Subjects: eugen wachenheimer, else wachenheimer-moos

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Portret van een onbekende baby
Object type: photograph
Date: 1892 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: historical persons, infant, baby
Inscriptions: inscription: ‘voor Grietje boon’, address: ‘M. H. Laddé/ Amsterdam/ 57-59 Nieuwendijk.’
Gevangenneming der Girondijnen 1793
Object type: print
Date: 1850 – 1890
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: death penalty, execution, despair (of person under sentence of death), prisoner in cell or locked place, paris
Inscriptions: collector's mark: Lugt 2228

Groep girondijnen in een gevangeniscel in de Conciergerie, op het moment dat ze hun doodvonnis vernemen, 1793.
Chapiteaux, XIe Siècle
Object type: photomechanical print
Date: 1875 – 1880
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: capital (~ column, pillar)
Inscriptions: inscription: ‘LITT. C. - PL. 40’, inscription: ‘Chapiteaux exécutés en (...)’, monogram: ‘JJvY’
Sampler
Object type: textile
Date: 1601 – 1700
Materials: textile, linen, silk
Techniques: embroidery, embroidered, stitching, weave
Location: italy
Portret van Jean Joseph Baléchou
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: engraving
Location: france
Subjects: jean joseph baléchou, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Bruxelles: Manneken-Pis
Object type: cabinet photograph
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, ornamental fountain, (military) uniforms
Inscriptions: collector's mark: ‘Vosmaer’
Weeping Woman Kneeling, Seen from Behind
Object type: drawing
Date: 1634 – 1638
Materials: chalk, paper
Techniques: heightening
Artist: jacob backer
Artist role: artist
Artist nationality: dutch
Artist dates: 1608 – 1651
Subjects: women
Livre des diverses Paisages
Object type: print
Date: 1650 – 1695
Materials: paper
Techniques: etching
Artist: adam perelle
Artist role: draughtsman, print maker
Artist dates: 1638 – 1695
Subjects: watermill in landscape
Inscriptions: collector's mark: Lugt 240
Portret van een onbekende man, mogelijk Barend Peelen
Object type: print
Date: 1820 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: adult man, historical persons
Inlay fragment, rekhyt birds
Object type: inlay fragment, rekhyt bird
Date: 100 – 100
Materials: glass
Location: egypt
Subjects: birds

Mosaic glass techniques allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar (10.130.2729, 17.194.2463) that was sectioned at right angles, probably by being struck with an appopriate tool, to produce small inlay tiles. Such elements could also be used side by side to create repeating patterns for long borders (26.7.1228). Here it looks as though mosaic tiles with rekhyt birds were created and refused into a larger composition with other elements that had already been preformed. Possibly the additional remelting led to some of the distortion one sees in the lines and patterns.
Gemeente-aardappelen
Object type: document
Date: 1914 – 1918
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: potatoes
Inscriptions: stamp, collector's mark: Lugt 1641

Aankondiging voor gemeente aardappels van 24 cent per 4 kilo. Tijdens de crisisjaren in de Eerste Wereldoorlog hield de regering de prijzen van bepaalde voedingsmiddelen kunstmatig laag. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Crisismaatregelen gedurende den wereldoorlog 1914-1919.
Bowl (one of a pair)
Object type: bowl
Date: 1801 – 1833
Materials: glass
Abklatsch van de krijttekening op blad 18 verso
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 19 recto uit schetsboek IX met 28 bladen.
Op vereerend verzoek
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: lithograph
Location: netherlands

Spotprent met gefingeerd portret van Jan Salie. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 3, 1873.
She Who is Ill Wed Never Misses a Chance to Say So, plate seven from Los Proverbios
Object type: print
Date: 1815 – 1824
Materials: ink, paper
Techniques: aquatint, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Tienarmige bronzen kandelaar
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: france
Artist: Anonymous

De kandelaar wordt omhoog gehouden door een bronzen jongetje op de schouders van een vrouwelijk faun. Om de kandelaars zijn kristallen druppelvangers aangedracht.
The Mansion of the Plates (Sara yashiki), from the series "One Hundred Ghost Tales (Hyaku monogatari)"
Object type: print
Date: 1831 – 1832
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849

This print illustrates the legend of a woman murdered by her husband because she accidentally broke plates. Her corpse and the pieces of the dishes were thrown into a well, but her ghost returned every night to haunt him in the eerie form seen here.

The Art Institute’s collection boasts one of the most well-preserved and appreciated editions of Katsushika Hok usa i’s One Hundred Ghost Tales series (1831–32). The artist apparently planned to produce a full hundred images, but the series was not completed and only five prints are known. The title refers to a game in which people would gather at night to tell scary stories, putting out a candle after each tale until the room was completely dark. These small-format works feature a bright-blue color made possible by Berlin blue pigment (often called “Prussian blue”), which had become affordable shortly before their production. Although this hue may seem cheery to us, Hokusai’s original audience would have associated it with death and the occult.
Rol met lila lint met één gerafelde zijde en drie zwarte horizontale strepen
Object type: rol
Date: 1930 – 1930
Materials: cardboard, paper, textile
Location: france

Rol met lila lint met één gerafelde zijde en drie zwarte horizontale strepen.
Earring with head of a goat
Object type: earring with head of goat
Date: 7000 – 330
Materials: gold
Subjects: goats
Scène uit Assepoester
Object type: tissue stereograph
Date: 1867 – 1867
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Location: paris
Subjects: the arts of the stage: ballet, theatre, musical drama, motion picture, paris
Inscriptions: number: ‘10’, inscription: ‘Toutes les épreuves non revêtues du timbre ci-contre/ seront considérées comme contrefacon, le Dépôt/ ayant été fait en France selon la loi et à l' Etranger/ conformément aux conventions internationales./ PROPRIÉTÉ/ B.K./ PARIS’, inscription: ‘DÉPOSÉ’
Ball gown
Object type: ball gown
Date: 1893 – 1894
Materials: silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956
The Actors Bando Hikosaburo I as Araki Shozaemon and Nakamura Sukegoro I as Daidoji Tahatanosuke in the play "Chigozakura Futabajikki," performed at the Ichimura Theater in the tenth month, 1746
Object type: print
Date: 1746 – 1746
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyonobu ii
Artist nationality: japanese
Artist dates: 1725 – 1761
Fichu
Object type: fichu
Date: 1845 – 1845
Materials: silk
Culture: european
[Tree and Brush in Creek Scene]
Object type: photograph
Date: 1853 – 1856
Techniques: salted paper print
Artist: john dillwyn llewelyn
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1810 – 1882
Subjects: landscapes,trees
Table fork
Object type: table fork
Date: 1787 – 1787
Materials: silver, steel
Suecia Antiqua et Hodierna
Object type: album leaf
Date: 1670 – 1670
Materials: paper
Techniques: etching
Subjects: church (exterior)

Gezicht op de kathedraal van Uppsala met links het anatomisch theater en het Gustavianum aldaar. De prent maakt deel uit van een album.
Contemporary gaming scene
Object type: spoon
Date: 1601 – 1633
Materials: ivory
Subjects: men,women
Vase with a River God in an Oval Medallion
Object type: print collection ornament architecture
Date: 1601 – 1700
Techniques: engraving
Artist: rené boyvin
Artist role: artist
Artist nationality: french
Artist dates: 1525 – 1598
Subjects: vases

Depiction of a vase or ewer. The vase is caracterized by an abundance of motifs from the Fontainebleau School. In the center an oval medallion with a river god is placed. The handle is shaped like a satyr. The print is part of a series of 12 vases said to be designed by Rosso Fiorentino and Polidoro da Caravaggio and initially engraved and published by René Boyvin. The current series was first published by Claes Jansz. Visscher in the early seventeenth century and subsequently also by Frederik de Wit.
Plein te Gmund am Tegernsee
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: wormerveer
Artist: Anonymous
Subjects: street, village square, place
Inscriptions: number: ‘Serie IX No 5’, inscription: ‘De Jong Chocolat’
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Exterior, four fragments with egg pattern at rim; one fragment has miltos
Landschap met bomen
Object type: sketchbook leaf
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: trees

Blad 63 recto uit een schetsboek met 77 bladen.
Bat-Nosed Figure Pendant
Object type: pendant
Date: 1101 – 1400
Materials: gold, pigment
Culture: coclé, parita
Location: panama
Subjects: human figures

The powerful Prehispanic rulers of present-day Panama and Costa Rica expressed their authority and status by the ostentatious display of gold ornaments in both life and death. Pendants that combine human form with those of various animals selected for specific behavioral characteristics were suspended from the neck by a thong or cord. The ability of a bat to move in the dark might have led to the use of abstractions of its features in the goldwork of the region, particularly the loop nose and eyes on stalklike projections. In present-day Central American lore, bats are associated with sacrifice, agriculture, and vegetation. At his sides, the bat-headed human torso holds two paddles with flared tops that repeat the shape of his headdress. The open mouth of the figure reveals bared teeth, and catfishlike barbels extend from above its corners. The unclothed torso features prominent knoblike breasts and is flanked by two spiraling flares suggestive of crocodilians. A whale tooth emerges from the hollow base of the torso with a curved shape that continues the line of the upper body.
Twee figuren in een bos met hoge bomen
Object type: print
Date: 1850 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: h. van meerbeeck
Artist role: print maker
Subjects: moonlight, forest, wood (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic
Gedicht aan Theresia Augusta Alida Allebé
Object type: poem
Date: 1833 – 1833
Materials: ink, paper, pencil
Techniques: pen, writing
Location: amsterdam
Subjects: death's head, skull (symbol of death)

Gedicht werd bewaard in een bruinleren omslag met goudopdruk `1836 Hulde aan Dr. G.A.N. Allebé 1886', met daarin brieven, tekeningen en gedichten afkomstig uit de familie van de schilder August Allebé.
Portret van de Franse kardinaal René de Birague
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving
Location: antwerp
Artist: frans van den wijngaerde
Artist role: print maker, publisher
Artist dates: 1614 – 1679
Subjects: cardinal
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Albi, Henri. Eloges historiques des Cardinaux illustres François et etrangers mis en parallele. Parijs: Anthoine de Cay, 1644.
Twee vrouwen
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
"The Friend of the People" & his Petty New Tax Gatherer, Paying John Bull a Visit
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,men,caricature,politics
Design for an Overdoor or Headpiece: Two Reclining Figures and Urn
Object type: drawing
Date: 1701 – 1800
Materials: chalk, graphite, ink, lead
Techniques: brush, highlighting, pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: urns
Limestone incense burner on four legs
Object type: altar, miniature
Date: 600 – 501
Materials: limestone
Culture: cypriot

The four wide legs, marked with a lambda-shaped sign on two sides, support a squarelike shaft between two projecting horizontal tiers.
Slippers
Object type: slipper
Date: 1830 – 1849
Culture: american or european
Subjects: butterflies
Venus and Cupid
Object type: print
Date: 1528 – 1528
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: bow and arrow,female nudes,cupid,venus
Naakt jongetje met schildersattributen
Object type: drawing
Date: 1600 – 1699
Materials: ink, paper
Techniques: brush, pen
Artist: jan moninckx
Artist role: draughtsman
Subjects: 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa), boy (child between toddler and youth), tools, implements of painter, taming of wild horses

Allegorische voorstelling: een naakt jongetje met schildersattributen, palet, penselen en schildersstok, dat een steigerend paard aan de leidsels in bedwang houdt.
Koppen en aderlaten door Khoikhoi
Object type: book illustration
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: cupping man (~ bleeding, blood-letting), khoikhoi
Inscriptions: collector's mark: Lugt 2228

Landschap met Khoikhoi die bij patiënten koppen zetten en aderlaten. Op de voorgrond ligt een man, met een hoorn op de pijnlijke plek om de wond te verdoven. De dokter snijdt in het lichaam, zet de hoorn er weer op, die zich vervolgens vol bloed zuigt. Op de achtergrond het aderlaten bij een patiënt met een riem en een mes.
Originele oranje kartonnen doos behorend bij 5 grote glasnegatieven
Object type: box
Materials: cardboard
Location: amsterdam
Artist: Anonymous
Inscriptions: annotation: ‘4 opnamen 50 x 60 van fotograaf Bern. Eilers/ cadeau ontvangen 30 Oct. 1939/ 2016 Rembrandt. De Nachtwacht/ 2074 J. van Ruisdael Molen bij Wijk bij Duurstede/ 1501 Nic Maes Oude vrouw in gebed<BR />Jozef Israëls Na de Storm (Stedelijk Museum)’

Originele doos behorend bij vijf grote glasnegatieven: fotoreproducties schilderijen in de collecties van Rijksmuseum en Stedelijk Museum en van een reliëf in de collectie van het Rijksmuseum. Vier glasnegatieven werden aan het Rijksmuseum geschonken door fotograaf Bernard Eilers op 30 oktober 1939.
Damn Boots! That Will Teach Me to Take Smaller Steps...” plate 6 from Coquetterie
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Kleine verzameling van prenten
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: engraving
Location: paris
Subjects: monkeys, apes, gluttony, intemperance, 'gula'; 'gola', 'ingordigia', 'ingordigia overo avidità', 'voracità' (ripa) ~ personification of one of the seven deadly sins, wig, glutton

Blad met twee afzonderlijke voorstellingen. Deze prent maakt deel uit van een album.
A Scene in Pizzaro, Grotesque Borders for Rooms & Halls (?)
Object type: print
Date: 1799 – 1800
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,cats
Man Shading His Face with a Tricorne
Object type: drawing
Date: 1691 – 1765
Materials: graphite
Techniques: brush, wash
Artist: giovanni paolo panini
Artist role: artist
Artist nationality: italian
Artist dates: 1691 – 1765
Subjects: tricorns,faces,men
Portrait of Cornelia Rijdenius, Wife of Johannes Lublink II
Object type: painting
Date: 1790 – 1795
Materials: canvas, oil
Artist: johann friedrich august tischbein
Artist role: painter
Artist dates: 1750 – 1812
Subjects: historical persons - bb - woman

Portret van Cornelia Rijdenius (1746-1826), echtgenote van Johannes Lublink. Kniestuk, zittend op een terras met een brief in de hand, in de verte bomen en een kerktoren. Pendant van SK-A-2827.
Zeleznicni vuz pro dopravu kyseliny sirové
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: railway wagon
Portret van François Castanier
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: date
Frog Mold
Object type: mold
Date: 1390 – 1352
Materials: pottery
Location: egypt
Subjects: frogs
Seated Voltaire
Object type: statuette
Date: 1778 – 1778
Materials: plaster, terracotta
Techniques: tinting
Artist: jean antoine houdon
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1828
Subjects: men,portraits,authors

In March of 1778, in the course of recording Voltaire's features for the revered writer's portrait bust (see 1972.61), Houdon seems to have made a quick sketch of the old man informally seated in the sculptor's studio. Later that year, Voltaire's niece, Mme Denis, commissioned a lifesize marble statue based on the sketch, which had been much admired by visitors who saw it in Houdon's studio. The marble (Comédie-Française, Paris) was completed in 1781, but a small gilt-bronze example of the maquette version, destined for the collection of Catherine the Great, was shown in the Salon of 1779. (The Russian empress also commissioned a marble version, still in Saint Petersburg.) Houdon's studio went on to produce numerous replicas of this sketch model, of which the Museum's example, which features the sculptor's atelier seal on its back, is one. The contrast between the two subtly different versions—the sketch from life and the tuned-up final conception—is fascinating and instructive, revealing precisely how the artist adjusted "reality" to produce an immortal image. The initial maquette is more passive, less alert than the large versions; it shows the bald-pated philosopher seated upright with left hand resting inertly on the chair arm and both feet aligned. One contemporary description emphasizes its naturalistic, domestic quality: "This is precisely the old man of Ferney. . . . shrouded in his dressing gown, tired, ready for bed . . ." In comparison to the maquette, the larger sculpture was subtly energized. Its head is slightly cocked to the side, the left hand actively grips the chair arm and the right foot is angled further back. A lower seat back and bulkier robe both lend greater monumentality to the sculpture, a graphic demonstration of the creative processes that transformed a casual genre sketch into an icon of the Enlightenment."
Studieblad met twee vrouwen en een kop
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: sitting figure - aa - female human figure, container made of plant material other than wood: basket
Inscriptions: collector's mark: Lugt 2228

Serie voor het eerst uitgegeven door Jacob Ernst Marcus onder de titel Studiebeelden en Fragmenten. Amsterdam: ca.1816. Later heruitgegeven als: Studie-prentwerk/ Etudes gravées.
St. Jerome in the Wilderness (S. Hieronymus in Deserto), from "The Large Landscapes"
Object type: print
Date: 1555 – 1556
Techniques: engraving, etching
Artist: johannes van doetecum i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1528 – 1605
Subjects: landscapes,trees