deem-data/ArtiFact huggingface dataset:
Louise, Königin von Dänemark
Object type: reproduction
Date: 1875 – 1880
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, queen, empress, etc. (wife of a ruler)
Standbeeld van Takamori Saigo in Uenopark, Tokyo
Object type: stereograph
Date: 1898 – 1912
Materials: cardboard, paper
Techniques: albumen print
Location: uenopark
Artist: Anonymous
Subjects: monument, statue
Inscriptions: number: ‘30’, number: ‘63’, number: ‘1580.’
Musketier te paard in een landschap met meer ruiters te paard
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: riding a horse, ass, or mule; rider, horseman, the soldier; the soldier's life, horse
Inscriptions: collector's mark: Lugt 240
Cellaret
Object type: cellaret
Date: 1800 – 1830
Materials: wood
Culture: american
Location: united states
Artist: duncan phyfe
Artist role: maker
Artist nationality: american, born scotland
Artist dates: 1770 – 1854
Das Riesengebirge
Object type: book
Date: 1892 – 1892
Materials: cardboard, linen, paper
Techniques: photograph, printing
Location: warmbrunn
Textile Fragment
Object type: textile fragment
Date: 1501 – 1600
Materials: silk
Location: iran
Subjects: birds,flowers
Thomas en de heilige Bonaventura worden uit de universiteit verdreven
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: thomas van aquino, bonaventura, cardinal bishop of albano and minister general of the franciscan order; possible attributes: book, cardinal's hat (sometimes hanging from a tree), crucifix (sometimes flowering), the dominican theologian, 'angelic doctor' thomas of aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast)
Inscriptions: collector's mark: Lugt 2228

De heilige Thomas en de heilige Bonaventura worden in Parijs door studenten uit de universiteit verdreven. Prent uit een serie van 30 prenten die het levensverhaal van Thomas van Aquino verbeelden. De prenten, naar ontwerp van en uitgegeven door Otto van Veen, zijn door C. Boel, E. van Paenderen, C. Galle en G. Swanenburgh vervaardigd
Pair of vases
Object type: vase
Date: 1720 – 1750
Materials: bronze, glaze, porcelain
Techniques: gilding
Location: china
Artist: Anonymous
Subjects: ornaments ~ art

Originally made in China, these gourd vases were fitted in Paris with fashionable gilt-bronze mounts, with pagoda-shaped lids. In this way the French craftsman adapted an exotic object to Western taste. With their gilding, the vases matched the other furnishings in a luxuriously appointed interior.
A Horse Frightened by a Lion
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: england
Artist: george stubbs
Artist role: artist
Artist nationality: british
Artist dates: 1724 – 1806
Portret van Karl Müchler
Object type: print
Date: 1820 – 1860
Materials: paper
Techniques: lithograph
Artist: monogrammist fm (duitsland)
Artist role: print maker
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends, tetragram (in roman or hebrew script) ~ symbol of god the father

Christus wordt gedoopt door Johannes de Doper en de Heilige Geest daalt als een duif op hem neer. Twee engelen kijken rechts toe. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst. Deze prent maakt deel uit van een album.
Oude vrouw leest een brief
Object type: print
Date: 1744 – 1776
Materials: paper
Techniques: printmaking
Location: paris
Subjects: letter, envelope, newspaper, news-sheet
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Het nummer verwijst naar de oeuvre-catalogus van Demarteau, uitgegeven in 1788 door diens neef, Gilles-Antoine Demarteau.
Portret van drie kinderen
Object type: cabinet photograph
Date: 1884 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: haarlem
Artist: august ferdinand heinrich harms
Artist role: fotograaf
Artist dates: 1845 – 1916
Subjects: studio requisites ~ photographer, child
Inscriptions: name: ‘A.F.H. Harms Haarlem Zylweg 75’
Early Morning, Battersea (Battersea Dawn) (Cadogan Pier)
Object type: print
Date: 1861 – 1861
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: rivers,boats,piers

In a scene near his new lodgings on Lindsey Row in Chelsea, Whistler responds to the calm of the Thames at dawn. A beached rowboat lies across the foreground and small sailboats cluster around a wooden dock at center. Beyond is a wooden ferry terminal rests on Cadogan Pier and Battersea Bridge extends across the river. Drypoint has been combined with etching to create soft effects evocative of misty water under an overcast sky. The print probbaly was made in 1863, but not published until in 1871 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (the "Thames Set").
Card 441, Miss Rosevelt, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Funerary mask
Object type: mask
Date: 900 – 1100
Materials: gold
Culture: lambayeque, sicán
Location: peru
Artist: lambayeque (sicán) artist(s)
Artist role: artist
Kop, beschilderd met figuren in een waterlandschap. Bladranken langs de randen
Object type: cup
Date: 1784 – 1809
Materials: earthenware
Techniques: painted
Location: ouder-amstel
Inscriptions: mark: ‘Amstel’

Kop veelkleurig beschilderd met figuren in een waterlandschap. Langs de randen, bladranken. Gemerkt: Amstel in zwart.
Dickey
Object type: dickey
Date: 1895 – 1895
Materials: silk
Culture: american or european
Hudibras and the Lawyer, plate twelve from Hudibras
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764

William Hogarth here depicted Hudibras’s visit to a lawyer who encourages the knight to write a letter to the woman he is courting. Just as Hudibras is a play on the popular figure of the “heroic knight,” Samuel Butler used his past experience in law to satirize the lawyer. Hogarth translated Butler’s humorous critique into the engraving by showing a robed and wigged lawyer sitting in his office like a king on his throne. Hogarth’s engravings of Butler’s satirical epic summarize the social and political environment in England with the same cleverness and wit seen in his later works, including the Marriage à la Mode and A Harlot’s Progress.
Een koe wordt in de stal gemolken
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: drypoint, etching
Location: antwerp
Artist: gerard jan bos
Artist role: print maker
Artist dates: 1860 – 1943
Subjects: milking (+ indoors; in laboratory, factory, barn, etc.)
Inscriptions: collector's mark: Lugt 2228
Two second course dishes
Object type: dish
Date: 1720 – 1730
Materials: silver
Artist: david clayton
Artist role: maker
Artist nationality: british
Artist dates: 1659 – 1719
Jug
Object type: vessel
Date: 801 – 1200
Materials: glass
Culture: islamic
Location: syria
Portret van Heliodorus de Barea
Object type: print
Date: 1636 – 1679
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: historical persons
Stok van een vaandel van de gewapende burgermacht
Object type: stok
Materials: linen, wood
Techniques: lining, painted
Location: netherlands
Artist: Anonymous
Subjects: netherlands

Vaandel van het model van 13.2.1800. Ecru,op het midden een ovaal van twee naar beneden gebogen lauwertakken, die bovenaan bijeengehouden worden door een grote strik van rood- wit-blauw lint. De witte baan is breder dan de beide andere. Hierop staat in gouden klassieke kapitalen: 3DE BATAILLON, en: 3DE HALVE BRIGADE. In het ovaal een gaande leeuw in natuurlijke kleur met driekwart omgewende kop; in de opgeheven rechterpoot een kromzwaard met geel gevest. Hij loopt in een landschap onder een lichtbewolkte blauwe hemel. Paradekant: dito ovaal met lauwertakken, strik en opschrift. Op het rode ovaal in gouden klassieke kapitalen: VOOR HET VADERLAND EN DE WET.
Fotoreproductie van een tekening voorstellende de Frans-Duitse oorlog
Object type: photograph
Date: 1870 – 1875
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: drawing, battle
Window Keystone from 223 W. Madison Street, Chicago, Illinois
Object type: architectural fragment
Materials: limestone
Location: united states
Artist: edward burling
Subjects: chicago
Zelfportret van Peter Snijers
Object type: print
Date: 1694 – 1752
Materials: paper
Techniques: etching
Artist: peeter snijers
Artist role: painter, print maker
Artist dates: 1681 – 1752
Subjects: antwerp, painter, print maker, peeter snijers, child
Inscriptions: inscription: ‘P. Snayers’, collector's mark: Lugt 2228

Zelfportret van de schilder en prentmaker Peter Snijers. Hij houdt een palet en kwasten vast.
Comforts of Bath, Plate 3
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: doors,men,women,crowd
Vis-a-Vis #4184
Object type: drawing
Date: 1892 – 1892
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
High Constable, Poland, 18th Century, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Meel en water storten in den trog
Object type: print
Date: 1865 – 1872
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: baker (+ labourers ~ crafts, industries, agriculture), baker
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Mannelijk, Eet- en drinkwaren.
Marba en Eckart Titzenthaler, kinderen van de fotograaf, op een balkon
Object type: photograph
Date: 1918 – 1919
Materials: paper
Techniques: gelatin silver print
Location: germany
Artist: waldemar titzenthaler
Artist role: fotograaf
Artist dates: 1869 – 1937
Subjects: boy (child between toddler and youth), girl (child between toddler and youth), germany
Design for 2 seat Phaeton, no. 3036a
Object type: drawing
Date: 1874 – 1874
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Rustic Wedding
Object type: furnishing textile
Date: 1820 – 1820
Materials: cotton
Subjects: human figures,houses,trees
Tiger Calligraphy
Object type: hanging scroll
Materials: ink, paper, silver
Culture: chinese
Artist: weng tonghe
Artist role: artist
Artist nationality: chinese
Artist dates: 1830 – 1904
The Virgin and Child with Saint John the Baptist
Object type: print
Date: 1722 – 1722
Techniques: woodcut
Artist: conte anton maria zanetti
Artist role: artist
Artist nationality: italian
Artist dates: 1680 – 1767

By trading the harmony of brown and yellow for the clash of red and green, Zanetti explored the impact of color on the appearance of his prints. The ochre inks in the work on the LEFT depict the shading of figures, drapery, and architecture within a narrow range of colors that evokes the restraint of a monochromatic image. The translation into red and green yields an unnatural palette that gives the scene an unsettling air. Such effects were easy to investigate with chiaroscuro woodcuts—images formed by successively printing multiple woodblocks, each in its own color.
Design for the Verso of a Pendant with Three Large Flowers
Object type: print
Date: 1573 – 1573
Techniques: engraving
Artist: jan collaert i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1530 – 1581
Subjects: pendants,flowers

Vertical panel with the design for a pendant verso at center. The ornament is decorated with a flower-arabesque pattern, with a stick or plant rising from bottom center and a large flower in each of the ornament's three arms. Flanking the central motif are diamond shaped ornaments that may be designs for earrings or buttons. From a set of ten plates with pendant designs, five of which show deities in niches. Four designs in the series are decorated exclusively with ornate flower-arabesques and are most likely designs for pendant versos. This plate belongs to the first edition, published by Hans I Liefrinck in Antwerp before 1573. Jan Collaert I produced several series of plates with pendant designs, a practice continued by his son, Adriaen Collaert.
Begrafenisstoet te Florence
Object type: page
Date: 1858 – 1863
Materials: photographic support
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: cortege, funeral procession
Inscriptions: number: ‘[...]68.’
Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: antonio da labacco
Artist role: artist
Artist nationality: italian
Artist dates: 1495 – 1567
Subjects: churches,coat of arms,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 21 in the scrapbook.
Designs for Two Sconces and a Chandelier
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: chandelier
Clara Davis, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Terracotta lekanis (covered dish)
Object type: lekanis with lid
Date: 400 – 400
Materials: terracotta
Culture: greek, attic
Artist: otchët group
Artist role: artist
Subjects: birds,women,eros,rabbits

On the lid, woman, youths, and Erotes Many covered dishes of this type were decorated with scenes of women. Apparently, they were often brought to brides to fill with food and other gifts.
Bronze statuette of a bull
Object type: statuette of a bull
Date: 700 – 601
Materials: bronze
Culture: greek
Subjects: bulls

Statuette of a bull with horns facing forward.
Portret van Eleonora Gonzaga
Object type: print
Date: 1624 – 1650
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: vienna, historical persons - bb - woman

Met vierregelig onderschrift in het Latijn.
Book or Sutra Cover with Lady Bearing a Conch
Object type: book or sutra cover
Date: 1501 – 1600
Materials: silk
Techniques: patterning, weave
Culture: chinese
Subjects: women,flowers,shells

Sutras printed in the accordion-fold format were often encased by covers wrapped in decorative silks. Covers both protected the sacred words and presented the sutras in beautiful envelopes that signaled the importance of the contents within. These examples from the sixteenth century indicate the variety of sutra cover motifs, including some seemingly irrelevant to Buddhist philosophy, such as dragons, phoenixes, or the character shou, meaning longevity
Portret van Pierre Bayle op 28-jarige leeftijd
Object type: print
Date: 1736 – 1751
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: rotterdam, historical persons, book
Portret van Julius Caesar
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: rome, portrait of caesar, historical persons, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 109. Eerste staat verschenen in een grotere prent met twaalf portretten, gedateerd 1695.
Sol, noodmunt geslagen voor de soldaten van Genève tijdens de oorlog tussen Genève en Savoie
Object type: coin
Date: 1590 – 1590
Materials: copper
Techniques: striking
Location: geneva
Artist: Anonymous
Subjects: genève, oorlog tussen geneve en savoie

Voorzijde: wapenschild in ster met acht golvende punten. Keerzijde: opschrift
Ruiterstoet in bos
Object type: print
Date: 1940 – 1940
Materials: paper
Techniques: lithograph
Artist: dirk berend nanninga
Artist role: print maker
Artist dates: 1868 – 1954
Subjects: riding a horse, ass, or mule; rider, horseman, sorcerer, magician, wizard, warlock, forest, wood
Inscriptions: collector's mark: Lugt 2228

Acht ruiters met tovenaarshoeden op galopperen door een bos. Drie vogels en twee herten trekken met de stoet op. Linksonder het logo van de Vereniging tot bevordering van het Aesthetisch Element in het Voortgezet Onderwijs (V.AE.V.O.).
Deelnemers aan de race Parijs-Amsterdam voor automobielen onderweg te Coulommiers
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: gelatin silver print
Location: coulommiers
Artist: delizy
Artist role: manufacturer
Subjects: motorcar racing, automobile, street (+ city(-scape) with figures, staffage)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.