deem-data/ArtiFact huggingface dataset:
Portret van een meisje
Object type: album leaf
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘Wegner & Mottu/ Photographisch Artistisch Atelier/ AMSTERDAM/ Rokin . D 88.’
Portret van Ignatius Josephus Van Regemorter
Object type: print
Date: 1803 – 1850
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: antwerp, painter, print maker, conservator, ignatius josephus van regemorter, historical persons
Inscriptions: collector's mark: Lugt 12
Groep mensen rond een bord eten
Object type: book illustration
Date: 1635 – 1715
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: giving food, proverbs, sayings, etc., the poor
Inscriptions: stamp, collector's mark: Lugt 1641

Veel versies van dit embleem verschenen in verschillende uitgave van Spiegel van den Ouden ende Nieuwen Tydt. Zoals: Cats, Jacob. Spiegel van den Ouden ende Nieuwen-tijt, Bestaende uyt Spreeck-woorden (...). Dordrecht: Jacob Braat, 1647. Maar ook in andere publicaties (1665, 1671, 1715, 1722).
Vue orientale prise du moulin-a-vent. Corfou
Object type: reproduction
Date: 1906 – 1909
Materials: cardboard
Techniques: writing
Location: corfu
Subjects: island, sea

Voor de Franse titel staat de titel in het Grieks.
Fringe
Object type: fringe
Date: 1750 – 1750
Materials: silk
Bergachtig landschap met draailierspeler
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: venice
Subjects: hurdy-gurdy - cc - out of doors, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 2228

Bergachtig landschap met op de voorgrond een bebaarde oude man die muziek maakt met een draailier. Hij kijkt hierbij naar een jonge vrouw die haar arm om zijn schouder heeft geslagen. In de verte stroomt een beek en liggen huizen. De prent maakt deel uit van een 53-delige serie prenten naar schilderijen van Titiaan en Veronese.
Open Here I Flung the Shutter, from "The Raven" by Edgar Allan Poe
Object type: print
Date: 1875 – 1875
Techniques: lithography
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: birds,windows,men
Reisdocument
Object type: travel document
Date: 1808 – 1833
Materials: paper
Techniques: printing, writing
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan rudolf thorbecke, germany
Inscriptions: date

Handgeschreven, gevouwen vel met persoonlijke reisuitgaven. Gedateerd: aug. 1833.
Young woman holding libation cup
Object type: relief
Date: 1891 – 1907
Materials: terracotta
Techniques: painting
Artist: césar-isidore-henry cros
Artist role: maker
Artist nationality: french
Artist dates: 1840 – 1840
Subjects: profiles,women
Second livre de vases (...)
Object type: ornament print
Date: 1729 – 1737
Materials: paper
Techniques: etching
Location: paris
Subjects: snakes, griffin (lion/eagle); 'griffo' (ripa), vase ~ ornament
Inscriptions: collector's mark: Lugt 2228

Een vaas met twee griffioenen en een slang.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Ten fragments with meanders from DvB 22.3
Snuffbox
Object type: snuffbox
Date: 1764 – 1765
Materials: gold
Artist: louis-philippe demay
Artist role: maker
Artist nationality: french
Artist dates: 1672 – 1772
Subjects: human figures,animals,flowers

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Presenteerblad van zilver met gedecoreerde rand. In het midden een gegraveerd gekroond wapen, mogelijk van de familie Van Bijlandt.
Object type: salver
Date: 1732 – 1732
Materials: silver
Location: deventer
Artist: johannes bos
Artist role: silversmith
Inscriptions: date letter: ‘2H (Ter Molen 1997, p. 199)’, maker's mark: ‘I.B (Ter Molen 1997, p. 202 )’

Tray. Silver. Deventer, 1732, by Johannes Bos.
Staande man met staf, naar links
Object type: drawing
Date: 1830 – 1887
Materials: chalk, paper, pencil
Artist: johan hendrik koelman
Artist role: draughtsman, print maker
Artist dates: 1820 – 1887
Portret van een jongen met racket en bal
Object type: cabinet photograph
Date: 1890 – 1926
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: jean daniel matthieu
Artist role: fotograaf
Artist dates: 1865 – 1926
Subjects: boy (child between toddler and youth), ball games in which ball is hit with racket (or hand)
Inscriptions: inscription: ‘J.D. Matthieu/ Amsterdam/ Ceintuurbaan 167’
Plaque: Titleholder with Calabash Rattle
Object type: plaque
Date: 1501 – 1700
Materials: brass
Culture: edo period
Location: nigeria
Subjects: men
Design for the Medal to Commemorate the Charter of 1830
Object type: drawing
Date: 1830 – 1830
Materials: chalk, gouache
Techniques: heightening
Artist: charles-nicolas odiot
Artist role: artist
Subjects: eagles,insignia
Vijf etsproeven
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: brush, drypoint, etching
Location: netherlands
Artist: pierre louis dubourcq
Artist role: draughtsman, painter, print maker
Artist dates: 1815 – 1873
Subjects: hay-wagon
Inscriptions: collector's mark: Lugt 2228
Obelisk of Nebsen
Object type: obelisk, nebsen
Date: 2323 – 2100
Materials: limestone
Location: egypt
Te Eext in Drenthe
Object type: print
Date: 1775 – 1840
Materials: paper
Techniques: etching
Location: netherlands
Artist: carel lodewijk hansen
Artist role: draughtsman, painter, print maker
Artist dates: 1765 – 1840
Subjects: farm or solitary house in landscape, oven ~ kitchen - cc - in the open air

Onderdeel van een serie landschappen, voornamelijk in Drenthe, rechtsonder gemerkt: a-f. Deze prent is gemerkt: d.
Schemering in de haven van Cuxhaven
Object type: print
Date: 1851 – 1902
Materials: paper
Techniques: lithograph
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: harbour, dusk, evening twilight
Inscriptions: number: ‘40’, collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 40.
Portret van Willem Treub
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: voorschoten, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2233

Dit portret werd uitgegeven als bijvoegsel bij De Kroniek op 30 mei 1897.
Lijster met een bes in de bek
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, lithography
Location: netherlands
Subjects: song-birds: thrush
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Gebouw aan een vijver in de Kinkaku-ji tuin in Kyoto, Japan
Object type: album leaf
Date: 1890 – 1903
Materials: paper, photographic support
Techniques: albumen print
Location: kyoto
Artist: Anonymous
Subjects: trees, garden pond, civic architecture; edifices; dwellings
Inscriptions: inscription: ‘54 Kinkakuji Garden - Kioto’
Pair of seated figures with globes
Object type: figure
Date: 1735 – 1735
Materials: enamel, gilt bronze, soft paste porcelain, glaze
Techniques: painting
Artist: chantilly
Artist role: factory
Artist nationality: french
Subjects: men,globes

In the seventeenth and eighteenth centuries, Asian countries were a source of considerable fascination and allure to Europeans. Asian figures were frequently chosen as subjects to decorate ceramics and other works of art produced in Europe, but these depictions were rarely based on firsthand knowledge and thus were usually fanciful. This figure of a Chinese man seated with a globe was intended to be decorative, but also may allude to China’s sophisticated understanding of astronomy during this period.
A Monk with a Carrot and a Woman with a Chamber Pot
Object type: drawing
Date: 1667 – 1766
Materials: ink
Techniques: pen
Artist: pier leone ghezzi
Artist role: artist
Artist nationality: italian
Artist dates: 1674 – 1755
Subjects: carrots,women,monks
Landschap met twee figuren bij een boerderij en twee grote bomen
Object type: print
Date: 1850 – 1913
Materials: paper
Techniques: etching
Artist: h. van meerbeeck
Artist role: print maker
Subjects: trees, farm or solitary house in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Four Small Allegories
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: pen
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Subjects: deer,dogs,fish,lions,trees
Figure of bodhisattva Guanyin
Object type: figure
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: bodhisattvas
[Col. Topham Endeavouring, With His Squirt, to Extinguish the Genius of Holman]
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,owls
The testimony of the rocks; or, geology in its bearings on the two theologies, natural and revealed
Object type: book
Date: 1857 – 1857
Materials: cardboard, paper, linen
Techniques: albumen print, letterpress printing
Location: edinburgh
Artist: hugh miller
Artist role: geoloog, schrijver
Artist dates: 1802 – 1856
Inscriptions: collector's mark: ‘BIBLIOTHEEK/ RIJKSMUSEUM/ AMSTERDAM’, inscription: ‘N/ 5[?]7’, inscription: ‘6’, inscription: ‘HARRY WALKER,/ WESTWOOD NEWPORT.’, inscription: ‘1sv’
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: compound weave
Culture: japanese
Subjects: birds
Jan Claasz of de gewaande dienstmaagd: de liefdesverklaring van Reinier Adriaansz
Object type: print
Date: 1741 – 1820
Materials: paper
Techniques: mezzotint
Location: haarlem
Subjects: candle, proposal, declaration of love, comedy, night
Inscriptions: collector's mark: Lugt 2488

Nachtgezicht. Reinier Adriaansz verklaart Saartje Jansz de liefde. Zij staat met een kaars in de deuropening. De prent verbeeldt een scène uit de komedie 'Jan Claasz of de gewaande dienstmaagd' van Thomas Asselijn.
Large vase found at the Pantanello, Hadrian's Villa, Tivoli, in 1770 (The 'Warwick Vase'), from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Object type: print
Date: 1778 – 1780
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: faces,vases
View of the Remains of the Forum of Nerva, from Views of Rome
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Aardrijkskundige beeldengalerij, verzameld door M.J. Broekhuijsen, hoofd eener school te Amsterdam
Object type: stereograph
Date: 1900 – 1902
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Subjects: arcade ~ architecture, shop-window, show-window
Inscriptions: inscription: ‘in Den Haag: overdekte winkelstraat. We zien hier slechts de helft, daar de/ straat aan het eind een bocht maakt. Boven ons in 't midden electrische verlichting.’, number: ‘F.9.’, number: ‘9.’
Marken Havenbuurt
Object type: photomechanical print
Date: 1918 – 1927
Materials: cardboard
Techniques: lithograph, writing
Location: marken
Artist: Anonymous
Subjects: harbour, city-view, and landscape with man-made constructions
Inscriptions: postage stamp
Architectuurstudies
Object type: endleaf
Date: 1886 – 1895
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: architectural detail
Inscriptions: annotation: ‘Vanier.[?]/ La Monaca[...]/ Lia d Via[...]/ Palais Pitti [...]/ [...] ets / de Jong[...] Prinseng/ Oude Waal 5 [...]’

Pagina 1, voorste schutblad, uit een schetsboek met 20 bladen.
Portret van Andreas Schelfhout
Object type: print
Date: 1871 – 1871
Materials: paper
Techniques: lithograph
Location: the hague
Artist: jan mesker
Artist role: print maker
Artist dates: 1843 – 1890
Subjects: the hague, painter, andreas schelfhout, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent waarschijnlijk uit: Kunstkronijk (...) 12 (1871).
Kettle (Kama) and Brazier (Furo)
Object type: kettle and brazier
Date: 1701 – 1800
Materials: iron
Culture: japanese
Kernos
Object type: kernos
Date: 750 – 600
Materials: terracotta
Culture: cypriot

Annular body on which are nine miniature vases.
Snuff Bottle
Object type: snuff bottle
Date: 1701 – 1800
Materials: porcelain
Culture: chinese
Subjects: animals
Opening van het Palais de l'Industrie te Parijs 1855
Object type: history medal
Date: 1855 – 1855
Materials: bronze
Techniques: striking
Artist: armand auguste caqué
Artist role: print maker
Artist dates: 1795 – 1881

Bronzen penning, op de voorzijde de geconjugeerde portretten van Keizer Napoleon III en Eugenie naar links met omschrift, op de keerzijde het aanzicht van het Palais d'Industrie met bovenaan omschrift en onderaan zeven regels afsnedetekst.
Courtesans of the Nakaomiya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 2
Object type: print
Date: 1776 – 1776
Techniques: woodblock print, cutting
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Schagen, Oude Slot met Ned. Herv. Kerk
Object type: ansichtkaart, prentbriefkaart
Date: 1929 – 1941
Materials: photographic support
Techniques: photography, writing
Location: schagen
Subjects: city-view, and landscape with man-made constructions, castle, church (exterior), schagen
Inscriptions: postage stamp
Aanzicht van het Brunswick mausoleum in Genève
Object type: cabinet photograph
Date: 1879 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: geneva
Artist: garcin (prentmaker)
Artist role: print maker
Subjects: mausoleum, monument, statue
Inscriptions: inscription: ‘Papeterie/ H. Bruel/ Corraterie,16/ Genève’, inscription: ‘Suisse Savoie/ Garcin/ Photographe/ A/ Geneve/ Midi de la France’

Monument gebouwd ter ere van Charles II, hertog van Brunswick en qua stijl een replica van de Scaliger graftombe in Verona.
Portret van een baby
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: cologne
Subjects: infant, baby
Inscriptions: inscription: ‘Samson & Co./ Photogr. Atelier/ Köln a. Rh./ Hohestr. 53’, number: ‘3632’
William III as Prince of Orange, with the four preceding Stadthouders, William I, Maurice, Frederick Hendrick, William II
Object type: print
Techniques: etching
Artist: romeyn de hooghe
Artist role: artist
Artist nationality: dutch
Artist dates: 1645 – 1708
Subjects: princes,men,horses
Vrolijk gezelschap dat door de dood wordt gestoord
Object type: drawing
Date: 1660 – 1660
Materials: chalk, ink, paper, watercolor
Techniques: brush
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690
Inscriptions: signature and date: ‘Gesina ter Borch; Geesken Ter Borch, 1660, ... [onleesbaar]’
Wasp and turnip stalk, from "The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)"
Object type: print
Date: 1814 – 1814
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Solid Undecorated Bangle
Object type: solid undecorated bangle
Materials: bronze
Culture: thai
Suit
Object type: suit
Date: 1787 – 1787
Materials: silk
Culture: british
Sculptuur, opgegraven in Juslenville in 1868
Object type: photograph
Date: 1868 – 1869
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sculpture
Hobnail Water Pitcher
Object type: water pitcher
Date: 1886 – 1886
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: hobbs, brockunier and company
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1891
Spindle-back chair
Object type: spindle back chair
Date: 1680 – 1710
Materials: wood
Culture: american
Location: united states

This chair, ornamented with turnings of repeated barrel, flattened ball, and baluster shapes, is of a distinctive type associated with areas of Dutch cultural influence in New York and northern New Jersey. Its overall design and turned motifs, including the urn-and-flame finials, are based on a form of chair that was popular in the Netherlands during the second half of the seventeenth century. This type of turned chair derived its basic format from that of fashionable seventeenth-century upholstered chairs.
Francofurtum ad Moenum Floridum, urbis hujus imperialis (...)
Object type: titelblad, titelpagina
Date: 1738 – 1738
Materials: paper
Techniques: engraving
Location: augsburg
Inscriptions: date

Titelpagina voor: Francofurtum ad Moenum Floridum (...). Augsburg: Johann Andreas Pfeffel, 1738.
Londen
Object type: print
Date: 1745 – 1753
Materials: paper, watercolor
Techniques: brush, etching
Location: london
Subjects: stock exchange, stock-market, interior ~ representation of a building

De serie “Londen” bevat 52 prenten met de nummers 1-52, waarvan dit nummer 7 is.
De beschrijving van de begrafenis van Frederik Hendrik, p. 29
Object type: book
Date: 1651 – 1651
Materials: paint, paper
Techniques: letterpress printing
Location: amsterdam
Subjects: delft, frederick henry (prince of orange)
Inscriptions: date

Pagina 29 van de beschrijving van de begrafenis van Frederik Hendrik. Blad uitgeknipt, versierd met goud en ingeplakt in de luxe editie uit ca. 1755 van het boek 'Begraeffenisse van syne hoogheyt Frederick Henrick' van Pieter Post, uitgegeven te Amsterdam in 1651.
Strand bij Colombo (Ceylon) met palmen en bank
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: platinum process
Location: colombo
Subjects: trees: palm-tree, beach
Inscriptions: name: ‘Plate Ltd. Ceylon copy right’

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Pitcher
Object type: pitcher
Date: 1896 – 1896
Materials: stoneware
Culture: american
Location: united states
Artist: dedham pottery
Artist role: manufacturer
Artist nationality: american
Artist dates: 1895 – 1943

Steeped in ceramics from birth, Hugh C. Robertson pursued his craft with fierce devotion and a passion for experimentation. From a family of trained English ceramists, he honed his skills in New Jersey before settling in Massachusetts as one of the founders of Chelsea Keramic Art Works and later, Dedham Pottery. Robertson’s lifelong explorations in glazes, particularly their color and texture, make him one of the key figures of American art pottery at the turn of the twentieth century. From Chelsea to Dedham, Robertson continued to pursue his passion for innovation, employing the grayish-white stoneware used for Dedham’s dinnerware to throw simple forms covered with bold combinations of colored and textured glazes. Despite his financial backers’ stipulation against further research into sang-de-boeuf, or oxblood, glazes, Robertson did not entirely abandon that costly pursuit. Many of his Dedham vessels have brilliant layerings of red and purple glazes. This sturdy, squat pitcher is not only distinguished by thick, deep-red glazes but also has historical significance. Inscribed as the first piece made at Dedham Pottery and dated "Sep 25, 1896," it was dedicated to Arthur A. Carey, the company’s president. Experimenting with a daring, difficult-to-control method, Robertson tried painting designs with glaze onto glaze, layering one over the other. The propensity for the glazes to flow together or even run off the vessel made this technique very challenging. In 1898 a writer for the magazine Arts for America probably had such a vase in mind when he wrote of the Dedham Pottery: "In high-fire work the temperature ranges between 3,000 and 4,000 degrees, and the glaze applied to the top of the vase bubbles like pitch and runs down the sides, coating the surface. In this class of work it is impossible to have the effects twice alike, for at the different firings the chemical conditions vary." This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known.
Fragment of an Inlay with a Zig-zag Pattern
Object type: decorative art
Date: 100 – 100
Materials: glass
Techniques: mosaic glass
Culture: roman
Location: italy
Subjects: decoration

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
Portret van een man met snor en baard
Object type: semi enamel
Date: 1864 – 1904
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: paris
Artist: eugène pirou
Artist role: fotograaf, fotostudio
Artist dates: 1841 – 1909
Subjects: moustache, historical persons, beard
Inscriptions: inscription: ‘Eugène Pirou/ Photographie/ 3 Bard St GERMAIN/ PARIS’
Asymmetric Pediform Hafted Ax with Eye
Object type: hafted ax
Date: 500 – 300
Materials: bronze
Culture: vietnamese
Brief aan Philip Zilcken
Object type: letter
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen, printing, writing
Location: new york city
Artist: samuel putnam avery
Artist role: verzamelaar
Artist dates: 1822 – 1904
Subjects: the hague, draughtsman, philip zilcken, art trade, art shop, the graphic arts, art collecting, money
Inscriptions: watermark, collector's mark: ‘RPK’