deem-data/ArtiFact huggingface dataset:
Gezicht op Thiers
Object type: stereoscopic photograph
Date: 1860 – 1900
Materials: glass
Techniques: slide
Location: thiers
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Kaart van Duitsland in de Romeinse tijd
Object type: print
Date: 1721 – 1774
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions, germany
Inscriptions: collector's mark: Lugt 1641a, collector's mark: Lugt 2228
Portret van veldheer opgehouden door Minerva en putti, boven de Tijd
Object type: print
Date: 1695 – 1753
Materials: paper
Techniques: engraving, etching
Subjects: (story of) minerva (pallas, athena), historical persons, father time, man with wings and scythe
Kaart van de regio Solms tussen Marburg en Frankfurt am Main in Duitsland (blad rechtsboven)
Object type: print
Date: 1689 – 1712
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

De personificatie van de oorlog met zwaard en fakkel. Een man, vrouw en twee kinderen verschuilen zich voor hem voor een architectonisch plaquette met titel. rechts een man met vaandel. Links een voorstelling van een brandende en expoderende burcht, daarvoor een ruiterleger. Boven de titel een wapen met daarop een tweekoppige adelaar met twee zwaarden, geflankeerd door twee putti en met kroon bekroond. Links en onder de kaart van de regio Solms tussen Marburg en Frankfurt am Main.
Drinkuitsma State
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Subjects: country-house
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave. Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis. Het opschrift vermeldt een andere benaming voor de Eminga State, Drinkuitsma State (zie http://www.stinseninfriesland.nl).
Pulsering van röntgenstraling
Object type: photomechanical print
Date: 1904 – 1909
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: electrical phenomena
Inscriptions: inscription: ‘Figure 5’
Herald's College, The Hall
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,men,law
Lago di Garda. Torbole
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: torbole
Artist: Anonymous
Subjects: prospect of village, silhouette of village, lake, mountains
Portret van Tiny Kleiterp als kleuter in een pakje met driekwart mouwen en broek
Object type: photograph
Date: 1924 – 1924
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Location: dutch east indies
Artist: klaas kleiterp (i)
Artist role: arts, officier
Artist dates: 1892 – 1943
Subjects: studio requisites ~ photographer, child, dutch east indies, the

Onderdeel van Fotoalbum van de familie Kleiterp-Vermeulen met opnames van de kinderen Klaas en Tiny in Nederlands-Indië.
Covered jar and saucer with flowering plants and floral scrolls
Object type: lid
Date: 1700 – 1720
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Hoge pot met rechte wanden en een hoge, bolle deksel. Twee kleinde S-vormige oren en een dekselknop die is gemodelleere in de vorm van een eekhoorn. Met bijpassende schaal. Beschilderd in onderglazuur blauw, rode, groene en gele emails en goud op het glazuur met bloeiende boomtakken die zich over de wand van de pot en de deksle uitstrekken. het decor wardt onderbroken door vier smalle, horizontale blauwe banden met gestileerde bloemranken. De onderschotel heeft hetzelfde decor. Imari-porselein.
Henri. de Puyt. Né à Bruxelles l'an 1737. Sindic de la Nation de S. Laurent 1787 (...)
Object type: print
Date: 1787 – 1790
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Artist: j.f. de la rue
Artist role: print maker
Subjects: brussels, brabant

Portret van Henri de Puyt, in 1787 vertegenwoordiger van Saint-Laurent. Onderdeel van de gebundelde verzameling prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
De Waarheid
Object type: newspaper
Date: 1945 – 1945
Materials: paper
Techniques: mimeography, printing
Subjects: netherlands
Inscriptions: date

Nummer van het illegale blad 'De Waarheid': No 19 'Bloed Maart 1945', 6 pp. Opschrift; l.b.: 'Volksdagblad voor bevrijd Nederlandd', r.b. 'Uitgave voor het bezette gebied'. Gedateerd: boven.
Liggend schaap met dikke vacht
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: brussels
Artist: frédéric théodore faber
Artist role: print maker
Artist dates: 1782 – 1844
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment of a cup-skyphos (drinking cup)?
Object type: cup skyphos fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic
Rozet
Object type: rosette
Date: 1700 – 1800
Materials: linen
Techniques: stitching, weave
Location: netherlands

Rozet met de kleuren van buiten naar binnen: wit - rood - wit - blauw - wit.
De papegaai wordt opgegeten
Object type: sketchbook leaf
Date: 1875 – 1920
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: ornamental birds: parrot, family life at home, dining-room

De papegaai wordt gebraden en geserveerd bij de maaltijd. Onderdeel van het schetsboek met humoristische tekeningen over het leven van een 'famille nombreuse'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven.
Portret van dr. Jacob Christiaan Muller en face
Object type: copper plate
Date: 1884 – 1884
Materials: copper
Techniques: etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: dokter, jacob christiaan muller
Four Naked Women
Object type: print
Date: 1497 – 1497
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: female nudes
Pair of scallop shells
Object type: scallop shell
Date: 1734 – 1735
Materials: silver
Artist: paul de lamerie
Artist role: maker
Artist nationality: british
Artist dates: 1688 – 1751
Subjects: shells

In the first decades of the eighteenth century, fashionable English households adopted a taste for French cuisine. Silver dinner services were expanded to accommodate the new, elaborate sauces, soups, gratins, and fricassees. These naturalistic shells may have been used to serve oysters, sauce, or possibly butter.
Terracotta fragments of Nolan neck-amphorae (jars)?
Object type: neck amphora fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Four black glaze fragments from the necks of Nolan neck-amphorae?
Marble statue of the Diadoumenos (youth tying a fillet around his head)
Object type: statue of the diadoumenos
Date: 1 – 200
Materials: marble
Culture: roman
Artist: polykleitos
Artist role: artist
Subjects: male nudes,athletes

Copy of a Greek bronze statue of ca. 430 B.C. by Polykleitos The statue of the Diadoumenos by Polykleitos was extremely popular during the Roman period. Its beauty and fame are mentioned three times in ancient literature, and over twenty-five full-size marble copies are known. This copy was owned by the Marchese Vincenzo Giustiniani of Rome, who, during the first third of the seventeenth century, formed one of the earliest European collections of ancient art. Scholars had not yet identified this statue type as the Polykleitan Diadoumenos, and an incorrect head and arms were added to complete the figure. These have since been removed.
Goddess Bhuvaneshvari
Date: 1880 – 1885
Materials: glaze, watercolor
Techniques: hand coloring, lithograph, printing
Culture: west bengali

The goddess Bhuvaneshvari is worshipped as the embodiment of the power of knowledge and belongs to the ten mahavidyas, the personifications of transcendent wisdom. She is represented in both spoken and visual evocations in tantric ritual. A seed-mantra (bijamantra), a sacred syllable, is her thought-form through which she can be invoked as a visualized deity. She is seen here in four-armed form, regally enthroned on a red-lotus cushion installed on a low throne, seated with one foot pendant in royal ease. Her defining attributes, held in her lower hands, are the noose (pasa) and the elephant goad (ankusa). Her raised hands gesture protection to worshippers. She wears a green bodice embroidered with white flowers, and crimson sari with gold trim. Heavy bracelets and anklets adorn her limbs and she wears a rich necklace, large elliptical earrings and a spectacular crown. Her beautiful and youthful face is framed by a radiant nimbus.
Portret van Louis de Boisot
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: brussels, historical persons, officer
Inscriptions: inscription: ‘1574’

Prent voor het eerst verschenen in: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...). 21 dln. Amsterdam: Isaak Tirion, 1749-1759, dl. 6. Prent ook gebruikt in latere edities van dit werk.
Snuffbox
Object type: snuffbox
Date: 1750 – 1751
Materials: enamel, gold
Artist: claude lisonnet
Artist role: maker
Artist nationality: french
Artist dates: 1661 – 1761
Subjects: human figures,musical instruments,animals,birds

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Liggende naakte vrouw met haar hoofd rustend op een kussen
Object type: print
Date: 1930 – 1930
Materials: paper
Techniques: drypoint, soft ground etching, sugar lift
Subjects: pillow, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Linksboven staat een gedicht van Baudelaire.
Panel (Dress Fabric)
Object type: textile
Date: 1860 – 1869
Materials: silk
Techniques: interlacings, painting, weave, satin weave
Location: france
Subjects: flowers, foliage
Fotoreproductie van Amor
Object type: album leaf
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: angel(s) represented as child(ren), painting, drawing and the graphic arts
Inscriptions: number: ‘2916’
Mantle Fragment
Object type: mantle
Date: 801 – 1000
Materials: animal fiber, cotton
Culture: wari
Location: peru
Subjects: birds
Portret van een man
Object type: album leaf
Date: 1880 – 1915
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult man, historical persons
Dancer
Object type: male figure
Date: 100 – 300
Materials: ceramic
Culture: jalisco
Location: mexico
Subjects: male nudes,dancers
Oudeklooster
Object type: print
Date: 1612 – 1614
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: siege, position war

Het beleg van het door de wederdopers bezette Oldeklooster bij Bolsward door de troepen van stadhouder Georg Schenck, april 1535. Prent uit het boek geknipt.
Londen
Object type: print
Date: 1751 – 1751
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: london
Subjects: mayor, burgomaster, civic architecture; edifices; dwellings, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2233

De serie “Londen” bevat 52 prenten met de nummers 1-52, waarvan dit nummer 8 is.
Fotoreproductie van een tekening van Girodet, god met maîtresse, illustratie bij Apothéose d'Anacréon
Object type: photograph
Date: 1859 – 1864
Materials: paper
Techniques: albumen print
Subjects: gods ~ classical mythology
Study of a Fallen Soldier
Object type: drawing
Date: 1825 – 1830
Materials: graphite
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Portret van Maximiliaan I Jozef van Beieren
Object type: print
Date: 1795 – 1866
Materials: paper
Techniques: stippling
Location: vienna
Artist: heinrich joseph mansfeld
Artist role: print maker
Artist dates: 1785 – 1866
Subjects: maximiliaan i (keurvorst van beieren), historical persons
Inscriptions: inscription: ‘No 1843’, collector's mark: Lugt 2228
Portret van een vrouw met hoed
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: robert ruegg
Artist role: fotograaf
Subjects: adult woman, head-gear, historical persons
Inscriptions: inscription: ‘Photographie/ Robert Ruegg/ Badstrasse No. 516/ Baden/ Schweiz (...)’
Bonnet
Object type: bonnet
Date: 1800 – 1875
Materials: fiber
Culture: american or european
Galerie historique, collection de 200 portraits
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: london, oliver cromwell, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Galerie historique, collection de 200 portraits des personnages les plus célèbres. Parijs: Jean François Bènard, 1839.
Crushed Lafayette!... Trapped, Old Fellow!, plate 22 from L’Association mensuelle
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: printmaking, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Titelpagina voor: S.n., Missae propriae sanctorum hispanorum, 1640
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword - posthumous deeds, appearances of male saints
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: S.n. Missae propriae sanctorum hispanorum. Antwerpen: Meurs, Johannes van, 1640.
Schoorsteen met klok in het huis van Antonin Terme
Object type: page
Date: 1880 – 1885
Materials: photographic support
Techniques: platinum process
Location: liège
Artist: Anonymous
Subjects: art collection, art gallery, clock, chimney-piece, mantelpiece
Too Many Cooks Spoil the Broth, plate 129 from Actualités
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Piece
Object type: piece
Date: 1735 – 1740
Materials: metal thread, silk
Subjects: flowers,leaves
Staand mannelijk naakt, op de rug gezien
Object type: drawing
Date: 1790 – 1790
Materials: chalk, paper
Artist: johannes ziesenis
Artist role: draughtsman
Artist dates: 1770 – 1799
Subjects: postures of the human figure
Inscriptions: inscription: ‘Voor de stelbeurt van D. Vrydag / den : November 1799’

Staand mannelijk naakt, op de rug gezien, de rechterarm op de rug, de benen gekruist. Rechtsonder: no. 114.
Burcht aan het water
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: cow, landscapes with waters, waterscapes, seascapes (in the temperate zone), rowing-boat, canoe, etc., landscape with tower or castle
Inscriptions: collector's mark: Lugt 1209, collector's mark: Lugt 2228

Aan het water ligt een burcht met een ronde toren. Vooraan bestuurt een man een roeiboot met figuren en koeien. Linksboven de letter f.
Boar Spear
Object type: boar spear
Date: 1601 – 1700
Materials: leather, steel, wood
Culture: french
Location: france
Bronzen beeld van Narcissus, afkomstig van Pompeï
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: naples
Artist: Anonymous
Subjects: (story of) narcissus, sculpture
Inscriptions: collector's mark: Lugt 3937
Album de 1836
Object type: titelprent, frontispice
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: paris
Artist: denis auguste marie raffet
Artist role: draughtsman, print maker
Artist dates: 1804 – 1860
Subjects: messenger, horse
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Een postiljon te paard, volgepakt met exemplaren van het Album van Raffet en andere zaken. Enkele exemplaren van het album zijn van het paard gevallen. In de achtergrond figuren voor een wand vol prenten.
Gable seal
Object type: stamp seal
Date: 4000 – 3500
Materials: mineral, stone
Location: northern syria or southeastern anatolia
Subjects: animals
Biarritz. Les Bains du Port Vieux
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1920
Materials: cardboard
Techniques: photograph, writing
Location: paris
Subjects: urban housing, in or beside the water (on the beach)
Landschap met de Muro Torto in Rome
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching
Location: rome
Artist: paolo anesi
Artist role: print maker
Artist dates: 1700 – 1761
Subjects: city-view, and landscape with man-made constructions, city-walls, rome
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Landschap met rechts de Muro Torto in Rome. Onder de voorstelling de titel. Genummerd rechtsboven: 6.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, on exergue, lower drapery and feet of a male to right; stick; lower drapery and feet of a male to left; the underside of the kylix has a reserved circle in the center, with a black glazed ring
Tote Mutter, from the series Vom Tode Zweiter Teil
Object type: print
Techniques: aquatint, etching
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: children,women,death
Plate 14: Mercury standing in a niche playing his pipes, with the severed head of an old man and a sword at his feet, from "Mythological Gods and Goddesses"
Object type: print
Date: 1526 – 1526
Techniques: engraving
Artist: giovanni jacopo caraglio
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1565
Subjects: musical instruments,mercury
Frederick Langenheim Looking at Talbotypes
Object type: photograph
Date: 1849 – 1851
Techniques: daguerreotype
Artist: w. & f. langenheim
Artist role: photography studio
Artist nationality: american
Artist dates: 1843 – 1874
Subjects: men,portraits

In 1849 the Langenheim brothers bought the United States patent for making photographs from paper negatives from William Henry Fox Talbot, the medium's inventor. The Langenheims also continued to produce daguerreotypes, such as this brilliant composition in which Frederick examines a group of Talbotype portraits-including his own-that may themselves be copies of daguerreotypes. In other words, this image presents three distinct subjects: Frederick Langenheim, photography itself, and the very process of reproduction. Using the nonreproducible daguerreotype process to make a picture about reproduction may seem paradoxical, but the incomparable detail seen here, from the visible writing on the mounts of the paper prints to the finely woven pattern in Frederick's silk vest, would have been impossible to capture with a paper negative.
Fragment of a Sleeve
Object type: fragment of a sleeve
Date: 401 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Maternity
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: france
Artist: edouard jean vuillard
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1868 – 1940
Maria Magdalena doet afstand van aardse ijdelheden
Object type: print
Date: 1619 – 1675
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: st. mary magdalene renounces the vanities of the world, laying aside her jewels
Inscriptions: collector's mark: Lugt 240

Maria Magdalena vertrapt een kist met haar aardse bezittingen, waaronder een spiegel, parfumflesje, haarspelden en sieraden.
Louw en Krelis
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange)

Samenspraak van Louw en Krelis, ter gelegenheid van het huwelijk van stadhouder Willem V en prinses Wilhelmina van Pruisen op 4 oktober 1767. Tekst in boekdruk in twee kolommen binnen een ornamentele rand putti en bladranken. Vervolg van de tekst op de achterzijde.
Staande man met hoed
Object type: sketchbook leaf
Date: 1882 – 1882
Materials: chalk, paper
Subjects: standing figure, head-gear: hat (+ men's clothes)
Inscriptions: : ‘rood’

Pagina 15 uit een schetsboek met 31 bladen vervaardigd te Den Haag en Rotterdam.
Engel verschijnt aan Cornelius
Object type: print
Date: 1739 – 1804
Materials: paper
Techniques: etching
Artist: johann andreas benjamin nothnagel
Artist role: print maker
Artist dates: 1729 – 1804
Subjects: cornelius the centurion and the angel
41 portretten van beroemde mannen
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: leiden
Subjects: traveler, ornament ~ medallion, armour, historical persons
Inscriptions: inscription: ‘[D]uitsch reiziger; geeft 1645 een reis uit over de Oost Indien’, number: ‘15’

Prent in een eerdere staat gebruikt in: Mandelslo, Johann Albrecht de. Voyages celebres & remarquables faits de Perse aux Indes Orientales (...). Leiden: Pieter van der Aa, 1719, dl. 1. De prent is daarna door Pieter van der Aa gebruikt in de serie 'Imagines XLI virorum celebriorum in politicis, historicis &c.' De prent wordt ook in de eerste staat gevonden in de edities van 'Voyages celebres & remarquables (...)' uit 1727 en 1732, uitgegeven door Michel Charles Le Cène. Mogelijk zijn dit ingebonden oudere afdrukken.
London. Cheapside
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1912
Materials: cardboard, lacquer
Techniques: blind stamped, photograph
Location: london
Artist: Anonymous
Subjects: diligence, omnibus, horse-tram, automobile, street, london
Inscriptions: check stamp