deem-data/ArtiFact huggingface dataset:
Buste van Marcus Tullius Cicero
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: marcus tullius cicero
Inscriptions: collector's mark: Lugt 240
Apothekerspot met tekst: Cons. rosar. rub.
Object type: apothecary jar
Date: 1400 – 1950
Materials: earthenware, paint
Techniques: vitrification
Artist: Anonymous

Apothekerspot met in blauw een landschap en de tekst: Cons. rosar. rub.
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: antwerp
Artist: pol de mont
Artist role: dichter, prozaschrijver
Artist dates: 1857 – 1931
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Les artistes contemporains
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: river, river bank, horse
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 36b
Portret van Fanny Geefs-Corr
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: engraving
Subjects: brussels, painter, print maker, draughtsman, fanny geefs-corr, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228

Prent met tekst op verso gebruikt in: Immerzeel, Johannes. De levens en werken der Hollandsche en Vlaamsche kunstschilders. Den Haag: Johannes Christoffel van Kesteren, 1842, dl. 1, p. 34.
Snuff Bottle with Design of Parcel Wrapper
Object type: snuff bottle
Date: 1767 – 1800
Materials: enamel, porcelain
Techniques: overglaze
Culture: chinese
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, top line of meander border
Twee soldaten te paard
Object type: print
Date: 1821 – 1827
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes mock
Artist role: draughtsman, painter, print maker
Artist dates: 1800 – 1884
Subjects: land forces (+ cavalry, horsemen), landscape with ruins
Inscriptions: collector's mark: Lugt 2228

Landschap met twee soldaten te paard en links een ruïne.
Gezichten op Arnhem en zijn omgeving
Object type: print
Date: 1865 – 1875
Materials: paper
Techniques: tone lithography
Location: arnhem
Subjects: theatre (building), arnhem
Inscriptions: collector's mark: Lugt 2228
Inner Plate of a Forearm Defense (Vambrace)
Object type: inner plate of a forearm defense vambrace
Date: 1450 – 1470
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Zeilboten op zee
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: antonie waldorp
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1866
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Zeilboten op woelig water. In de achtergrond links de kust met een toren.
Hals met kurk van een wijnfles en een glasscherf uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, neck, onion-shaped bottle or bottle with vertical side; f-string rim, projecting cork
Inwijding van de Roomskatholieke kerk te Rijsenburg, gesticht door Petrus Judocus van Oosthuysen en Margaretha de Jongh, Heer en Vrouwe van Rijsenburgh
Object type: history medal
Date: 1810 – 1810
Materials: silver
Techniques: striking
Location: netherlands
Artist: gerrit klouzing
Artist role: medailleur
Artist dates: 1794 – 1881
Subjects: petrus judocus van oosthuysen, rijsenburg, margaretha de jongh, sint-petrus'-bandenkerk

Zilveren penning. Voorzijde: Heilige Geest, voorgeteld als duif in hemellicht boven kerkgebouw binnen omschrift; afsnede: opschrift. Keerzijde: gekroond wapenschild omhangen met bladerguirlandes boven doek met opschrift
The Sunny Smithy
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Portret van Matthias Mutzenbecher
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, part of upper torso and thighs of male wearing a chitoniskos underneath a corselet, with a chlamys draped around shoulders, holding a spear in his left hand; drapery of a second figure
Piece
Object type: piece
Date: 1770 – 1785
Materials: silk
Subjects: flowers,leaves
Portret van Abraham Bogaert
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, abraham bogaert, forest, wood, wig
Inscriptions: collector's mark: Lugt 2228

De apotheker, dichter en prozaschrijver Abraham Bogaert staat voor een boslandschap. Hij maakte, in dienst van de Oostindische Compagnie, reizen naar Oost-Indië en Zuidoost-Azië.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Bit of the neck; at the shoulder, a band of tongues; draped, bearded male to right with his right arm bent and his hand raised; filleted youth with a himation, with his right arm bent and his hand on his hip and his left hand holding a spear; filleted youth to left, with a himation, with his right arm raised, holding a helmet in his left hand; the panel ornament is comprised of a vertical line between dots
Begrafenisstoet van aartshertog Albrecht (plaat LXI), 1622
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: cornelis galle (i)
Artist role: print maker
Artist dates: 1576 – 1650
Subjects: brussels, albrecht aartshertog van oostenrijk, cortege, funeral procession

Deelnemers in de begrafenisstoet. Plaat LXI in de serie van de begrafenis van aartshertog Albrecht van Oostenrijk te Brussel op 12 maart 1622.
Voorpoort van de Ruïne van Brederode
Object type: drawing
Date: 1640 – 1677
Materials: ink, paper
Techniques: brush, pen
Artist: anthonie van borssom
Artist role: draughtsman, print maker
Artist dates: 1629 – 1677
Subjects: landscape with ruins, ruin of a dwelling, house, castle, etc.
Nachtverblyf tusschen Bushire en Shiraz, in een der "rest houses" van het Indo-European Telegraph Department.
Object type: photograph
Date: 1925 – 1925
Materials: cardboard, paper
Techniques: gelatin silver print
Location: unknown
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: iran
Inscriptions: number: ‘12.’

Een van de 'rest houses' van het Indo-European Telegraph Department tussen Bushire en Shiraz, nachtverblijf van de fotograaf.
Portret van Georg Christoph Walther
Object type: print
Date: 1656 – 1675
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: georg christoph walther (jurist), historical persons
Inscriptions: collector's mark: Lugt 2228
Portret Charles-Maurice Le Tellier
Object type: print
Date: 1658 – 1658
Materials: paper
Techniques: engraving
Artist: robert nanteuil
Artist role: print maker
Artist dates: 1623 – 1678
Subjects: priest, charles-maurice le tellier
Inscriptions: date

Buste naar links, in octagonale lijst met wapen middenonder.
Ontwerpen voor hekwerken
Object type: ornament print
Date: 1731 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: fence, wall, paling
Inscriptions: collector's mark: Lugt 2228

Drie hekwerken boven elkaar met bladmotieven. Uitgeversnummer 60.
Incense burner with leaves and diaper pattern
Object type: koro
Date: 1800 – 1899
Materials: glaze, paint, porcelain, silver
Techniques: firing, forming, turning, vitrification
Location: kutani
Artist: Anonymous
Inscriptions: label: ‘K. Dingwall Collection/ No. 151’

Wierookbrander (koro) van porselein op vier voeten en met een zilveren montuur, beschilderd op het glazuur in rood en turquoise. De wand is bedekt met servetwerk met hierin uitgespaard twee cartouches met in elk drie bladeren. Aan de onderzijde een band in turquoise. De rand is omvat met een zilveren montuur, met daarop een geperforeerde, zilveren deksel. Een voet is gerestaureerd. Oud label op de onderzijde met 'K. Dingwall Collection/ No. 151'. Kutani.
The Skating Season
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Gibraltar. Southport Gates
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: gibraltar
Subjects: city-gate
Length
Object type: length
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: owls,butterflies,flowers,plants,leaves
Torenwachters Nieuwjaars-wensch, aan de inwooners te Amsterdam. Zuider Kerks tooren
Object type: print
Date: 1819 – 1842
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: parts of church exterior and annexes: tower

Nieuwjaarswens van de torenwachters van de Zuiderkerkstoren te Amsterdam. Bovenaan een gezicht op de kerktoren. Daaronder centraal een gedicht en onderaan een toezang in drie kolommen. Aangeboden door de torenwachter: F.W. Bulsing. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Sacrifice to Hercules, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: men,hercules

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 124 in the scrapbook.
Sir Henry Ponsonby
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: carbon print
Location: london
Subjects: historical persons
Inscriptions: address: ‘57 & 61, Ebury Street, London.’
Verhaal van Amor en Psyche
Object type: print
Date: 1530 – 1560
Materials: paper
Techniques: engraving, intaglio
Location: italy
Subjects: psyche is attended by invisible hands; the toilet of psyche, psyche in cupid's palace, hurdy-gurdy, vocal music, singing, cupid and psyche as lovers
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’, number: ‘25’, collector's mark: Lugt 10

Amor en Psyche op bed in het paleis van Amor. Rechts vier muzikanten met een liedboek en een draailier. Italiaanse tekst in twee cartouches in ondermarge. Tweemaal genummerd linksonder: 8.
Schotel uit V.O.C.-schip de 'Witte Leeuw'
Object type: platter
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A saucer. The decoration on the inside consists of a flowering lotus plant with a duck underneath in the centre. On the cavetto 6 similar lotus plants are drawn.
Staande Victoria
Object type: drawing
Date: 1525 – 1535
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: giulio romano
Artist role: draughtsman, painter, print maker
Artist dates: 1499 – 1546
Saint Elizabeth of Hungary
Object type: sculpture
Date: 1851 – 1851
Materials: marble, stone
Techniques: carved
Location: france
Artist: félicie de fauveau
Artist nationality: french
Artist dates: 1801 – 1886
Subjects: saints, woman, crowns, flowers, floral, floral motifs, leaf, foliage, christian subjects, christianity, devotion, religion, religious, religious figures
Rococo Design for a Frame
Object type: drawing
Date: 1701 – 1800
Materials: ink, pencil
Techniques: pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: ornament
One Good Turn Deserves Another, from the Jokes series (N87) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920

Trade cards from the "Jokes" series (N81), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes.
Fukusa (Gift Cover)
Object type: textile
Materials: gold leaf, paper, silk
Techniques: interlocking, lacquer, slit, weave
Location: japan
Portret van Gaspard de Coligny
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: paris, politician, gaspard de coligny (ii)
Inscriptions: inscription: ‘Caspar de Coligne admiraal van Frankrijk 10 D. p. 1.’, collector's mark: Lugt 240

Latere staat prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel X.
Twee vrouwen en een man in een roeiboot en aan een picknicktafel in het bos
Object type: album leaf
Date: 1911 – 1911
Materials: paper, cardboard
Techniques: collodion silver print
Location: russia
Artist: Anonymous
Subjects: historical persons, rowing-boat, canoe, etc., forest, wood, russia
Inscriptions: inscription: ‘En bateau sur le lace de Petrovski-Razoemovski’, inscription: ‘- Petrovski-Razoemovski - "Le goûter". 24 août. 1911.’

Deze foto's maken deel uit van een album.
Zittend mannelijk naakt, op de rug gezien
Object type: drawing
Date: 1799 – 1799
Materials: chalk, paper
Artist: chrétien dubois
Artist role: draughtsman, print maker
Artist dates: 1765 – 1837
Alfred Naquet (Ne a Carpentras, en 1835)
Object type: page
Date: 1874 – 1879
Materials: paper
Techniques: woodburytype
Artist: pierre petit
Artist role: fotograaf
Artist dates: 1832 – 1909
Subjects: paris, politician, adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine/ 126, boul. Magenta. - Paris./ (Né a Carpentras, en 1835)’
Ink Tablet with Tang Mirror Design
Object type: ink tablet
Date: 1867 – 1933
Materials: ink
Culture: chinese

Woodblock illustrations were an important source of decorative designs during the late Ming and Qing dynasties. The eight-lobed, foliated Tang mirror decorating this octagonal ink cake was borrowed from an illustration in the Xinqing gujian (Catalogue of Xiqing Antiques), a compilation of the antiques collected in the Qing palace. A fictitious mark of Fang Yulu was added to this ink cake to increase its value.
Kinderspelen
Object type: print
Date: 1593 – 1608
Materials: paper
Techniques: etching
Location: antwerp
Subjects: draughtsman, pieter bruegel (i), children's games and plays, monkeys, apes, 'mundus inversus', the reversed world, the topsy-turvy world, 'le monde bestourné'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 318, number: ‘3429’

In een open veld zijn apen aan het sporten en spelen. We zien jonge apen kegelen, hoepelen, knikkeren, boomklimmen, stokpaardje rijden, golfen, steltlopen, tollen, bokspringen, boogschieten en nog veel meer. Met onderschrift van twee regels in het Latijn.
Salzburg-Tiroler Bahn
Object type: stereograph
Date: 1862 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: schmittenhöhe
Subjects: hotel, hostelry, inn
Inscriptions: number: ‘No. 728’
Terracotta fragment of a krater (bowl for mixing wine and water)?
Object type: krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of a draped figure to right
Jérusalem, Chemin de Naplouse
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: landscapes,trees

Centrally placed olive trees stretch toward a vacated sky, while rocky terrain leads to a stone wall that marks the split between heaven and earth. This picturesque landscape recalls Salzmann’s earlier endeavors as a painter; throughout the late 1840s and early 1850s, he exhibited idyllic views of Italy and France at the official Salons. He had been influenced by the Barbizon School, a group of artists dedicated to elevating the genre of landscape painting in France. Here, he also references his photographic instructor, the eminent artist Gustave Le Gray (1820–1884), who promoted the paper negative process in France and created striking compositions of single beech and oak trees in the Fontainebleau Forest just outside Paris.
Portret van een onbekende man, mogelijk Niese
Object type: print
Date: 1818 – 1861
Materials: paper
Techniques: lithograph
Location: berlin
Artist: e. weinecke
Artist role: print maker
Subjects: birthday, historical persons
Inscriptions: collector's mark: Lugt 2228
Boulevart de Sébastopol (Rive gauche)
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), street
Inscriptions: number: ‘No. 43’
Robe à la française
Object type: robe à la française
Date: 1770 – 1770
Culture: french
Veroveringe van t' Kasteel van Breda, door Soldaten, in een Turfschip verborgen, Ao. 1590
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: traffic and transport (+ unloading)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: J. le Clerc, Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten, Z. Chatelain, Amsterdam 1730, 3 delen.
Coin Depicting the God Dionysos
Object type: coin
Date: 133 – 133
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Subjects: gods (deities)
Jardins anglo-chinois à la mode
Object type: print
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: castle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De serie 'Jardins anglo-chinois à la mode' verscheen in totaal in 21 zogeheten 'cahiers' (afleveringen). De huidige prent komt uit het vierde 'cahier'. Het Rijksmuseum Amsterdam bezit drie banden met daarin in totaal zes 'cahiers' van deze reeks. In de documentatie wordt verwezen naar een in de bibliotheek van het Rijksmuseum Amsterdam aanwezige facsimile van het complete werk.
Falstaff verkleed als vorst voor Henry
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: william shakespeare, fat (human type), literature, ruler, sovereign, clothes, costume, falstaff
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor William Shakespeares 'Henry IV'. Latere staat gebruikt voor: Goettinger Taschen Calender vom Jahr 1786. Göttingen: Johann Christoph Dietrich, 1785.
Portret van de schilder Cornelis Jonson van Ceulen (I)
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: london, utrecht, painter, draughtsman, cornelis janssens van ceulen i, portrait, self-portrait of painter

Prent gebruikt in: Image de divers hommes d'esprit sublime, qui par leur art et science devraient vivre éternellement et desquels la louange et renommée faict estonner le monde. Antwerpen: J. Meyssens, 1649.
The Home, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

In the 17th century, the word capriccio generally indicated a musical composition that thwarted listeners’ expectations with sudden changes in tempo, rhythm, or structure that appeared to be made according to the performer’s whim, or caprice. Jacques Callot borrowed the term to describe a series of etchings with a wide variety of diverting subjects including peasants, architectural sites, military maneuvers, and musicians. Among other motifs, he depicted two pairs of dancers frolicking and playing musical instruments and a shepherd playing a flute.
Jaina Tirthankara Seated in Meditation (Dhyanamudra)
Object type: sculpture
Date: 1401 – 1500
Materials: marble, pigment
Location: gujarat
Subjects: jain, gods (deities), religion, jaina, jainism
Saucer with a portrait of Lieve Geelvinck
Object type: kop en schotel, kop en schotel
Date: 1760 – 1760
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, mayor, lieve geelvinck
Inscriptions: inscription: ‘DE EDELE GROOTACHTBARE HEER Mr. LIEVE GEELVINCK’

Het portret is een nauwkeurige kopie naar een gravure uit 1758 door Jacob Houbraken (1698-1780) en gebaseerd op een schilderij van Jan Wandelaar (1690-1759).
Geelvinck was naast burgemeester van Amsterdam ook één van de directeuren van de VOC. Dit bood hem een uitstekende gelegenheid om Chine de commande porselein in China te laten vervaardigen.
Hij bezat eveneens een polychroom servies voorzien van zijn wapen. Ook is een bord bekend met een allegorische voorstelling op zijn huwelijk met Jacoba Graafland in 1729.
(C.J.A. Jörg en Jan van Campen, Chinese Ceramics in the Rijksmuseum, Londen 1997, p. 280)
Yokkaichi, section of sheet no. 10 from the series "Cutout Pictures of the Tokaido (Tokaido harimaze zue)"
Object type: print
Date: 1848 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858