deem-data/ArtiFact huggingface dataset:
Fragment
Object type: textile
Date: 1601 – 1700
Materials: textile, cotton, linen, silk
Techniques: patterning, weave
Location: europe
Bacchanten met ezel en bokken
Object type: print
Date: 1617 – 1626
Materials: paper
Techniques: etching
Location: rome
Subjects: children's bacchanal, ass, donkey, goat
Inscriptions: collector's mark: Lugt 240
Galerie du Palais
Object type: print
Date: 1637 – 1638
Materials: paper
Techniques: engraving, etching
Subjects: shop, store, head-gear: hat (+ men's clothes), neck-gear: collar (+ women's clothes), clothes, costume (+ women's clothes), accessories (~ clothing), gloves, mittens, etc. (+ women's clothes), clothes, costume (+ men's clothes), neck-gear: collar (+ men's clothes), table-cloth, gloves, mittens, etc. (+ men's clothes), book-shop, bookseller
Inscriptions: collector's mark: Lugt 240, caption: ‘Tout ce que l'Art humain a jamais inventé / Pour mieux charmer les sens par la galanterie / Et tout ce qu'ont d'appas la Grace et la beauté, / Se descouvre à nos yeux dans cette Gallerie. // Icy les Cavaliers les plus advantureux / En lisant les Romans, s'animent à combatre; / Et de leur passion les Amans langoureux, / Flattant les mouvements par des vers de Theatre. // Icy faisant semblant d'acheter devant tous / Des gands, des Evantails, du ruban, des danteles; / Les adroits Courtisans se donnent rendez-vous, / Et pour se fair aimer, galantisent les Belles. // Icy quelque Lingere à faute de succez / A vendre abondamment de colere se picque / Contre des Chiccaneurs qui parlant de procez / Empeschent les Chalands d'aborder sa Boutique.’

With over 200 shops the Galerie du Palais was the epicentre of luxury merchandise in Paris and the place par excellence for well-to-do people to meet. At the left is a bookshop, while at the right people gape at lingerie, lace collars and cuffs. The centre shop sells fans, gloves, and accessories. A number of ladies wear a short and very fashionable pearl necklace.
Kwitantie voor anoniem
Object type: ontvangstbewijs, kwitantie
Date: 1794 – 1794
Materials: ink, paper
Techniques: pen, writing
Location: rotterdam
Artist: dionys van nijmegen
Artist role: draughtsman, painter
Artist dates: 1705 – 1798
Subjects: art trade, art shop, painting (including book-illumination, miniature-painting), money
Staande jongeman, ten voeten uit
Object type: drawing
Date: 1600 – 1699
Materials: paper, chalk
Artist: Anonymous
Subjects: standing figure
Portret van Sigismund Friedrich Hermbstaedt
Object type: print
Date: 1770 – 1833
Materials: paper
Techniques: engraving
Artist: johann samuel ludwig halle
Artist role: print maker
Artist dates: 1763 – 1829
Subjects: berlin, sigismund friedrich hermbstaedt, pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, ornament ~ medallion (+ framing decorations), historical persons
Inscriptions: collector's mark: Lugt 2228
Vierde suite
Object type: print
Date: 1807 – 1861
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis steffelaar
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1861
Subjects: chopping (industrial process), wooden shoes, clogs, tools, aids, implements ~ crafts and industries: axe
Inscriptions: number: ‘29’, collector's mark: Lugt 1485, collector's mark: Lugt 2228
Portret van een vrouw met muts
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: historical persons - bb - woman, head-gear: hat, standing figure - aa - female human figure
Inscriptions: inscription: ‘Establissement Photographiqué/ de Maes & Michaux/ Place de la Monnaie/ 36, Rue Fossé-aux-Loups/ Bruxelles’
Portret van twee kinderen
Object type: photograph
Date: 1883 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, youth, adolescent
Grafmonument van Frederik Willem Conrad
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: lithograph
Subjects: delft, grave, tomb
Evening Snow on Mount Hira
Object type: print
Date: 1832 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: houses,mountains,landscapes,boats
Le noeud de dentelle. "Ritrosetta"
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Johannes doopt in de Jordaan
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: john the baptist baptizing
Inscriptions: collector's mark: Lugt 240
Westfriese stuiver, 1676
Object type: coin
Date: 1676 – 1676
Materials: silver
Techniques: striking
Location: enkhuizen
Artist: dirck bosch
Artist role: mintmaster

Zilveren munt. Voorzijde: tussen letters B en P gekroond wapenschild van West-Friesland. Keerzijde: Opschrift in twee regels.Daaronder waarde-aanduiding en jaartal. Daarboven een rozet tussen twee punten.
Magic wand
Object type: magic wand
Date: 1900 – 1802
Materials: ivory
Location: egypt
Engageantes
Object type: engageantes
Date: 1734 – 1766
Materials: cotton
Culture: british
Zeewind II
Object type: print
Date: 1904 – 1918
Materials: paper
Techniques: lithograph
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: sea (+ landscape with figures, staffage), java
Inscriptions: collector's mark: Lugt 2233
Portret van Emma, koningin-regentes der Nederlanden, en Wilhelmina, koningin der Nederlanden
Object type: photograph
Date: 1928 – 1930
Materials: photographic support
Techniques: photography
Location: rijswijk
Artist: franz ziegler
Artist role: fotograaf
Artist dates: 1893 – 1939
Subjects: wilhelmina of the netherlands, the hague, emma (queen consort of the netherlands)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Franz Ziegler plaatste een portret van Wilhelmina door Herman Deutmann uit 1912 voor zijn portret van Emma uit 1928.
High Point: Shandaken Mountains
Object type: painting
Date: 1853 – 1853
Materials: canvas, oil
Culture: american
Artist: asher brown durand
Artist role: artist
Artist nationality: american
Artist dates: 1796 – 1886
Subjects: men,women,fishing,cows,mountains,landscapes

This work, first shown at the National Academy of Design’s annual exhibition in New York City in 1853, depicts a scene near the town of Olive, New York, where Durand spent the summers of 1853 and 1855. During those months, he repeated sketches he had made of a nearby mountain, High Point (also known as Ashokan High Point), on an earlier visit to the region in 1847. In this painting, in contrast to his large “historical landscapes,” the artist focused on depicting light and shade in the type of bucolic setting popular with an increasingly urban American public—represented here by the couple fishing on the bank of the stream, enjoying the bounty of nature.
Gezicht op Neurenberg, met de Neutorturm en de burcht
Object type: album leaf
Date: 1890 – 1900
Materials: paper
Techniques: photograph
Location: nuremberg
Artist: Anonymous
Subjects: city-view in general; 'veduta', towers ~ fortified city

Deze prent maakt deel uit van een album.
I didn't vote yes for this!, from "News of the day"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
In the gallery of the Lion Rock at Sigiriya, Sri Lanka
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: woodburygravure
Location: sigiriya
Subjects: gallery (spacious corridor), rock-formations
Inscriptions: title: ‘IN THE GALLERY OF SIGIRI.’
Femme Juive, en habit de cèrèmonie, plate 64 from "Recueil de cent estampes représentent differentes nations du Levant"
Object type: print
Date: 1714 – 1715
Techniques: engraving, etching
Artist: jean baptiste vanmour
Artist role: artist
Artist nationality: french
Artist dates: 1671 – 1737
Subjects: women
Virgin and Child
Object type: painting
Date: 1526 – 1550
Materials: oil, wood
Culture: dutch
Artist: netherlandish (antwerp?)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1525 – 1549
Subjects: madonna and child
Glass bead
Object type: bead, grooved into one piece
Date: 1500 – 1350
Materials: glass
Culture: levantine or western asiatic

These beads probably belong to a type known as Nuzi beads, named after the site of Nuzi (present-day Yorgan Tepe, Iraq) where similar examples were discovered in the 1920s. Others have been found at sites across the ancient Near East, as well as at the Hittite capital of Hattusa (present-day Bogazkale, Turkey) and Mycenae in Greece. Made in the same mold, these two beads are the only known examples of this type from Cyprus.
Fotoreproductie van Jonge vrouw die gevogelte verkoopt door Gabriel Metsu
Object type: reproduction
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: pg
Artist role: fotograaf
Subjects: adult woman, adult man, pipe ~ tobacco, fowl (cock, hen, chicken, etc.), persons engaged in trade and commerce, painting, drawing and the graphic arts
Inscriptions: number: ‘964’, annotation: ‘Der Federviehhandler’
Gezicht op de Brouwersgracht, hoek Prinsengracht
Object type: drawing
Date: 1895 – 1942
Materials: chalk, paper
Location: amsterdam
Artist: tinus de jongh
Artist role: print maker
Artist dates: 1885 – 1942
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: signature: ‘TinusdeJongh’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 18.
[Japanese Naval Officer]
[Studio Portrait: Japanese Man (Tateise Onogero) Standing Holding Hat and Sword]
Object type: carte de visite
Date: 1867 – 1867
Techniques: albumen silver print
Artist: felice beato
Artist role: fotograaf
Artist nationality: british, born italy
Artist dates: 1825 – 1909
Subjects: men,portraits

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
De Kattenburgerbrug, 1879
Object type: photograph
Date: 1879 – 1879
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: the hague, emma (queen consort of the netherlands), brussels, willem iii (koning der nederlanden), visiting; receiving guests; elegant company, landscape with bridge, viaduct or aqueduct, decorations, honours (as symbols of the state, etc.)
Inscriptions: inscription: ‘Kattenburgerbrug.’

Decoraties aangebracht op de Kattenburgerbrug. Bij de brug staat een groep mannen. Links het Zeemagazijn. Onderdeel van een serie van tien foto's van de versieringen aangebracht in de stad ter gelegenheid van het bezoek van koning Willem III en zijn tweede echtgenote Emma aan Amsterdam op 21 april 1879.
Verkoopster van kranten
Object type: print
Date: 1831 – 1874
Materials: paper
Techniques: engraving
Subjects: reading, sale of newspaper, newspaper stand, street-trader
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Kraampje van een vrouw die kranten verkoopt. Vier mannen en vrouwen in achttiende-eeuwse kleding bekijken het aanbod. Tekst op verso.
Portret van Andreas Elias Büchner
Object type: print
Date: 1749 – 1784
Materials: paper
Techniques: engraving
Artist: johann friedrich schleuen
Artist role: print maker
Artist dates: 1739 – 1784
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Earring with Lion Head Finial
Object type: costume and accessory
Date: 300 – 101
Materials: gold
Culture: greek
Location: greece
Subjects: beauty, rituals
Frederik Augustus, koning van Polen en keurvorst van Saksen aangesteld tot stadhouder van het Roomse Rijk
Object type: history medal
Date: 1711 – 1711
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: august ii (king of poland)

Zilveren penning. Voorzijde: man in wapenrusting met kroon en scepter staande naast tafel, waarop keurvorstelijke muts en degen liggen. Keerzijde: twee wapenschilden, waarvan linker onder kroon en rechter onder keurvorstelijke muts voor samengebonden palm- en olijftak onder drieregelig opschrift.
Portret van een vrouw
Object type: album leaf
Date: 1649 – 1723
Materials: chalk, paper
Techniques: pasting
Subjects: historical persons not known by name - bb - woman, wig
Canteen with twelve bottles, six glasses and one dish
Object type: canteen with bottle, glass and dish
Date: 1767 – 1800
Materials: brass, glass, wood
Wapenoefening met de degen
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: etching
Artist: monogrammist cl
Artist role: print maker
Subjects: handling of weapons ~ military training
Neptune Riding a Dolphin
Object type: relief
Date: 1530 – 1530
Materials: wood
Artist: peter flötner
Artist role: artist
Artist nationality: german
Artist dates: 1485 – 1546
Subjects: neptune,dolphins,boats

The Roman sea god Neptune, identified by his three-pronged trident, straddles a dolphin swimming inland amid roiling waves. The marine scene, with additional dolphins and sailing boats, is enlivened by landscapes fortified with castles and towers along a central strait. Many artisans took inspiration from Flötner’s work, and references to his designs suffuse Northern Renaissance artworks in a wide range of materials. The artist was a key figure in adapting Italianesque styles to northern tastes.
Gezigt van het Genoodschap Bato's kroost
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Buiten de Leidse poort van Amsterdam ontvangt het Amsterdamse exercitiegenootschap "Bato's kroost" in 1786 het vaandel, de trom en de geweren die zijn status als vrijcorps bevestigen. In het midden worden de geschenken overhandigd. De prent heeft een Nederlands onderschrift.
Terracotta fragment of a kylix: Droop cup (drinking cup)
Object type: kylix fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

Exterior, below the black glazed rim, top of a patterned band
Les Paniers
Object type: costume print
Date: 1729 – 1730
Materials: paper
Techniques: etching
Artist: isaac greve
Artist role: publisher
Artist dates: 1677 – 1757
Subjects: dress, gown: robe volante (+ women's clothes), skirt (underskirt) (+ women's clothes), dress, gown (robe a paniers) (+ women's clothes), fashion plates
Inscriptions: title: ‘Les Paniers’, address: ‘Y. Greve Excudit’

Twee vrouwen in 'Paniers'. Links van voren, rechts van achteren gezien. Mannenfiguren en insecten op de achtergrond. Uit reeks van kostuumprenten. 6 stuks. Kopie naar Hérisset, met toegevoegde achtergrond: figuren, planten, vogels en insecten.
Toef van zwarte struisveren
Object type: hoedenveer
Date: 1880 – 1940
Materials: metal
Location: western europe
Artist: Anonymous
Straat en de kerk Notre-Dame met gedraaide torenspits in Puiseaux
Object type: photograph
Date: 1896 – 1896
Materials: paper, photographic support
Techniques: gelatin silver print
Location: puiseaux
Artist: delizy
Artist role: manufacturer
Subjects: church (exterior), parts of church exterior and annexes: spire, street

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Portret van Willem III, graaf van Holland
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: cornelis visscher (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1658
Subjects: willem iii de goede (graaf van holland en henegouwen), head-gear
Inscriptions: collector's mark: Lugt 12

Willem III de Goede, graaf van Holland en Henegouwen. Hij draagt een met veren en parels verfraaide hoofddeksel. De omlijsting is versierd met het wapen van Holland.
Design for Landau, No. 4179
Object type: drawing
Date: 1892 – 1892
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fotoalbum (leeg)
Object type: photograph album
Date: 1860 – 1900
Materials: cardboard, leather, metal, paper
Techniques: color on snow
Artist: Anonymous
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 862’

Fotoalbum met dertig pagina's met ieder een met gepreegde rand omkaderde passe-partout voor een kabinetfoto. Op de rug van het album is de naam Antoine Maitre gepreegd.
View of the stone pavement of the Appian Way (Veduta dell'antica Via Appia), from "Le Antichità Romane"
Object type: print
Date: 1756 – 1756
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: roads
Silhouet van Madame Eugène de Block-Looz
Object type: drawing
Date: 1852 – 1852
Materials: paper
Techniques: snipping
Artist: charles auguste fraikin
Artist dates: 1817 – 1893
Inscriptions: date: ‘1852’
Philosophy Asleep
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: jacques aliamet
Artist role: artist
Artist nationality: french
Artist dates: 1726 – 1788
Fille de qualité habillée pour le Printemps
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: etching
Location: paris
Artist: nicolas arnoult
Artist role: print maker, publisher
Subjects: ear-rings (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, clothes, costume (+ women's clothes), skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes), fan (+ women's clothes), dress, gown: manteau (+ women's clothes), pearl; pearl necklace (+ women's clothes)
Inscriptions: title: ‘Fille de qualité habillée pour le Printemps’, address: ‘Ce vend à Paris, chez N.Arnoult, rue de la Fromagerie, à ljmage St.Claude, aux halles. Avec privilege du Roy.’

Vooraanstaande jonge vrouw, lopend naar links, gekleed in een kostuum voor de lente. Zij draagt een manteau met sleep en een gestreepte rok met steekzakken. Op het hoofd een muts versierd met strikjes van gestreept lint en afhangende slippen. In het gezicht twee mouches. Accessoires: oorbel, kralencollier (parelcollier), waaier en handschoenen. De prent maakt deel uit van een reeks van 82 kostuumprenten, uitgegeven door Nicolas Arnoult, Parijs, 1682-1690.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, bent legs of youth to left; Exterior, the underside of the floor has a band of reserve, a wide black glaze band, and the middle is in reserve
Side chairs (one of a pair; part of a set)
Object type: side chair
Date: 1734 – 1766
Materials: wood, wool
Techniques: embroidery, painting, silvered
Kussenovertrek met het wapen van de Admiraliteit van Zeeland
Object type: pillow sham
Date: 1670 – 1670
Materials: linen, silk, wool
Techniques: tapestry
Location: northern netherlands
Artist: Anonymous
Subjects: middelburg

Kussenovertrek van tapisserieweefsel. Tegen een donkerblauwe achtergrond is het gekroonde wapen van Zeeland aangebracht, de leeuw in rood, het water in blauw. In de beide bovenhoeken een anker, voorts touwen. Boven de letters A.V.Z. en onder AMSTERDAM 1670.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, knobby stick; youth, in three-quarter view, with himation draped over his extended left arm; lower back, buttocks, thighs, and right elbow of a draped male with shod feet
Cap crown
Object type: cap crown
Date: 1701 – 1800
Materials: linen
Techniques: lace
Subjects: flowers
Portret van Johannes Schwend
Object type: print
Date: 1665 – 1712
Materials: paper
Techniques: engraving, etching
Artist: johannes meyer (ii)
Artist role: print maker
Artist dates: 1655 – 1712
Subjects: mayor, mayor, burgomaster, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Onderaan de ovale omlijsting genummerd: 16.
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1875 – 1906
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: otto van bosch
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘33.33/ Geschenk F.G. Waller/ "chatelain"’, address: ‘van Bosch/ PARIS/ 35 BOULD DES CAPUCINES.’, inscription: ‘Van Zandt’
Snuffbox
Object type: snuffbox
Date: 1730 – 1730
Materials: gilt bronze, hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,chinoiserie
Gezicht op een verwoest Paleis van Justitie te Parijs
Object type: photograph
Date: 1871 – 1871
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: palace, ruin of a dwelling, house, castle, etc.