deem-data/ArtiFact huggingface dataset:
Hoofden en handen
Object type: print
Date: 1679 – 1750
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: monsters of mixed human and animal shape; 'mostri' (ripa) (+ head or (parts of) face)

Studie van drie hoofden en vijf handen in verschillende gebaren. Kopie naar een voorstelling uit het tekenboek van Abraham Bloemaert.
Landschap met beek
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: brook, farm or solitary house in landscape, container of metal: bucket, can, canister, drum, tin
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Landschap met vakwerkhuis en beek, met daarin een staand wasmeisje met emmer.
Vessel
Object type: vessel
Date: 501 – 1100
Materials: ceramic, pigment
Culture: panamanian
Location: panama
Zittende oude vrouw
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: aquatint, printmaking
Location: the hague
Artist: william v (prince of orange)
Artist role: stadhouder
Artist dates: 1748 – 1806
Subjects: old woman
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
The Writing Master
Object type: painting
Date: 1882 – 1882
Materials: canvas, oil
Culture: american
Artist: thomas eakins
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1916
Subjects: men,portraits,writing,authors

Eakins probably had his first drawing lessons from his father, a professional calligrapher and teacher of penmanship at Friends’ Central School in Philadelphia. Here, Benjamin Eakins (1818–1899) is shown engaged in copying a document in an old-fashioned “copperplate” script. While the serious and affectionate portrayal of an aging craftsman is saturated with Rembrandtesque eloquence and nostalgia, Eakins’s delineation of his father’s head and hands reveals his skills of observation and description. Benjamin Eakins’s wise investments gave his son lifelong financial security.
Henry Brett
Object type: photomechanical print
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Emblemata Sacra è praecipuis utriusque testamenti historiis concinnata (Nieuwe Testament)
Object type: print
Date: 1582 – 1593
Materials: paper
Techniques: etching, letterpress printing
Location: antwerp
Subjects: gulf, bay, city-view, and landscape with man-made constructions, christ between seven golden candlesticks appears to john, who falls to the ground; a sword comes out of christ's mouth and he holds seven stars in his hands, river mouth, estuary
Inscriptions: inscription: ‘Premier vision de saint Jean’

Landschap met een riviermonding, zeilschepen en links een boom. Op de voorgrond het visioen van de zeven kandelaars. Te midden van zeven altaarkandelaren staat een man met vlammende ogen, zeven sterren in zijn rechterhand. Uit zijn mond komt een zwaard. Johannes knielt in gebed voor hem. Naast hem ligt een boek (Op. 1). Met een motto in het Latijn boven de voorstelling en een vierregelig onderschrift in het Latijn onder de prent. De prent maakt deel uit van een album.
Rouen, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "City Flags" series (N6), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Bloeiende staf van Aäron
Object type: print
Date: 1720 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: aaron's rod has sprouted, flowered and produced ripe almonds
Inscriptions: collector's mark: Lugt 2228

Prent gemaakt voor: Figures de la Bible. Amsterdam, Bernard Picart, 1720. Prent ook gebruikt in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (...) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (...) en met beschrijvingen uitgebreid. Den Haag: Pieter de Hondt, 1728.
Serveerster met kruiken in een herberg
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem linnig (ii)
Artist role: print maker
Artist dates: 1842 – 1890
Subjects: inn, coffee-house, public house, etc. (+ waiter, waitress, etc.)
Inscriptions: collector's mark: Lugt 2228
Rotterdam's celebration of the coronation of William of Orange as King of England
Object type: jeton
Date: 1689 – 1689
Materials: silver
Subjects: men
Portret van Martinus Stuart
Object type: print
Date: 1793 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: rotterdam, amsterdam
Inscriptions: collector's mark: Lugt 2228

Portret van Martinus Stuart, predikant en schrijver te Amsterdam.
[New Court of Imam Riza, MESHED]
Object type: photograph
Techniques: albumen silver print
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: architecture,mosques
Christus geeft de sleutels aan Petrus
Object type: print
Date: 1705 – 1778
Materials: paper
Techniques: etching
Location: antwerp
Subjects: christ gives the keys of heaven to peter
Inscriptions: collector's mark: Lugt 240

Christus geeft de sleutels aan Petrus. Op de achtergrond drie andere discipelen. Onder de voorstelling twee regels Latijn.
Bullocks and Goats
Object type: handscroll
Date: 1644 – 1911
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: bulls,goats
Vaandel en figuur
Object type: print
Date: 1889 – 1889
Materials: paper, pencil
Artist: karl meunier
Artist role: print maker
Artist dates: 1864 – 1894
Subjects: banner, standard (as symbol of the state, etc.)
Inscriptions: collector's mark: Lugt 2228

Schets met bovenaan de tekst: 'Le Soir Charite'.
Brush holder with two brushes
Object type: brush holder with two brush
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: trees
Le Mont Rose vue prise du Gornegrat
Object type: carte de visite
Date: 1871 – 1871
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: alps
Artist: florentin charnaux
Artist role: publisher
Artist dates: 1819 – 1883
Subjects: mountain climbing, mountaineering, mountains
Inscriptions: number: ‘113’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Zwitserland.
Ewer (part of a set)
Object type: ewer
Date: 1701 – 1800
Materials: pewter
Graftombe
Object type: print
Date: 1619 – 1619
Materials: paper
Techniques: etching
Location: italy
Artist: angelo falco
Artist role: print maker
Artist dates: 1600 – 1695
Subjects: madonna: i.e. mary with the christ-child, grave, tomb, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een graftombe bestaande uit twee lagen. Onder twee putti naast een leeg cartouche. Bovenop een liggende figuur en een voorstelling van Maria met Kind die aan weerszijden wordt geflankeerd door een putto.
Portret van Willem Vogt
Object type: photograph
Date: 1928 – 1945
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: den helder, willem vogt, historical persons
Inscriptions: number: ‘1’

Deze foto maakt deel uit van een omslag met tien foto's.
Kneeling figure of an angel as a cup-bearer
Object type: reproduction
Date: 1933 – 1950
Materials: cardboard
Techniques: photograph
Location: meriden
Subjects: painting ~ applied arts, cup, angels
Reproductie van een schilderij van kippen en eenden door Melchior d'Hondecoeter
Object type: reproduction
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Location: antwerp
Subjects: fowl (cock, hen, chicken, etc.), ducks (domestic waterbirds)
Portret van Frans Jozef I van Oostenrijk
Object type: print
Date: 1820 – 1893
Materials: paper
Techniques: hand coloring, engraving
Location: vienna
Artist: karl mahlknecht
Artist role: print maker
Artist dates: 1810 – 1893
Subjects: vienna, historical persons
Inscriptions: collector's mark: Lugt 2228, stamp: ‘Carl Mahlknecht’
Gezicht op Cenon
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: drypoint, engraving, etching, intaglio
Location: france
Artist: maxime françois antoine lalanne
Artist role: draughtsman, print maker
Artist dates: 1827 – 1886
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 76, title: ‘Bordeaux Vue de Cenon’

Gepubliceerd in: L'Illustration nouvelle, 1879.
Wandbespanning van cerise-rode halfzijden damast in zes verschillende florale patronen
Object type: upholstered wall
Date: 1700 – 1725
Materials: linen, silk, wool
Techniques: damask
Location: france
Artist: Anonymous

Fragmenten wandbespanning van cerise-rode halfzijden damast bestaande uit zes verschillende florale patronen. Ketting van rode en gele zijde, inslag (niet zichtbaar) van linnen.
Portret van baron Menno van Coehoorn
Object type: print
Date: 1665 – 1688
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: cornelis apeus
Artist role: print maker
Artist dates: 1634 – 
Subjects: the hague, being attacked; defence
Inscriptions: collector's mark: Lugt 2228

Portret van de vestingbouwkundige baron Menno van Coehoorn met rechts op de achtergrond een belegering van een vesting. Onder het portret de namen en titels in het Duits.
Belt Buckle Fragment
Object type: belt buckle
Date: 301 – 700
Materials: iron, silver
Techniques: inlay
Culture: frankish
Saucer with scattered flower sprays and border of standing petals
Object type: platter
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

Schotel, polychroom (famille verte) versierd met strooibloemen.
The Child, from "The Dance of Death"
Object type: print
Techniques: woodcut
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
A lowland farm
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: autotype
Subjects: landscapes
Inscriptions: inscription: ‘Pall Mall’
James The Less from the Martyrdom of the Twelve Apostles
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: suffering,men,apostles
Design for the Decoration of a Wall with Grotteschi in the Antique-Style
Object type: drawing
Date: 1545 – 1545
Materials: chalk, ink, drawing material, paper
Techniques: brush, pen, wash
Artist: luzio luzzi (also known as luzio romano, luzio da todi)
Artist role: artist
Artist dates: 1519 – 1582
Subjects: architecture,grotesques

This drawing was recognized as a typical work of Luzio Luzzi by Eraldo Gaudioso in 1976 (see Bibliography: Gaudioso 1976 and 1981), who also identified the design as preparatory for the room in the Castel Sant'Angelo, nicknamed "Cagliostra." This is a large hall close to the loggia of Pope Paul III Farnese (1534-1549). The room was entirely decorated in fresco by Luzio Luzzi, a collaborator and associate of Perino del Vaga, as documented by payments to the artist of May and December 1545.
Textile with Horned Animals in a Pearl Roundel
Object type: textile
Date: 601 – 900
Materials: silk
Techniques: weave
Culture: chinese or central asian
Subjects: animals

This piece, showing two confronted animals, likely bulls, is a composite of roundels from different parts of the same length of cloth. This category of textile moved with Sogdian merchants along overland trade routes that linked Central Asia with territories farther west. The tradition of setting animals in pearl roundels has its origins in the late Sasanian period and remained popular in Central Asia for many centuries.
Variæ leonum Icones
Object type: print
Date: 1655 – 1690
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 240

Prent uit een serie van vier prenten met voorstellingen van leeuwen naar Pieter Paul Rubens.
Gezicht op de Dorpskerk te Oostvoorne
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: oostvoorne
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior), oostvoorne
Inscriptions: annotation: ‘Oostvoorne/ Ned. Herv. Kerk’, annotation: ‘N.H. Kerk/ Oostvoorne’
Gezicht op het Rokin met de Langebrug
Object type: sketchbook leaf
Date: 1898 – 1902
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Rokin bij Dekema’

Gezien vanuit Rokin 138, Wegner en Mottu (destijds bedreven door Pieter Jan Dekema). Pagina 65 en pagina 66 uit een schetsboek met 42 bladen.
Scarab Decorated with Crossing Lines
Object type: scarab, geometric, cross, linear
Date: 1070 – 900
Materials: stone
Techniques: glazing
Location: egypt
Ostrakon with a Letter
Object type: ostrakon
Date: 580 – 640
Materials: ink, pottery
Culture: coptic
Location: egypt
Lezende non van de Orde van de Karmelieten
Object type: book illustration
Date: 1865 – 1874
Materials: paper
Techniques: tone lithography
Location: haarlem
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: nun(s), reading the bible or other religious books

Prent waarschijnlijk uit: Hofdijk, W.J. De klooster-orden in Nederland. Haarlem: A.C. Kruseman, 1865. Of uit de editie van 1874.
Corte onderwysinghe op de figuerliicke afbeeldinghe, belanghende t'rechte ghebruyck des Roers
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: handling of weapons ~ military training, firearms: rifle

Een soldaat op wacht, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) met zijn rechterhand vasthoudt, de loop schuin omhoog gericht. Hij laat de loop juist in zijn linkerhand vallen, waarin ook een brandende lont. Deze prent is onderdeel van de reeks van 42 met de hand genummerde prenten van roerschutters in de Wapenhandelinghe. Op dit is exemplaar het nummer gedrukt.
View of the Drostdy
Object type: drawing
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Inscriptions: annotation: ‘bij een huis rechts "a"’

Oorspronkelijk in omslag van roodkleurig halfleer en roodgemarmerd plat, dorso met ribben en goudopdruk; 71 x 99 x 6 cm.
Piece
Object type: piece
Date: 1501 – 1600
Materials: cotton, silk
Subjects: peacocks
The Rabbit Hunters
Object type: painting
Date: 1850 – 1850
Materials: canvas, oil
Culture: american
Artist: thomas hewes hinckley
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1896
Subjects: men,hunting,dogs,rabbits
The Holy Family
Object type: painting
Date: 1490 – 1510
Materials: oil, panel
Artist: lorenzo costa
Artist role: painter
Artist dates: 1460 – 1535
Subjects: mary sitting or enthroned, the christ-child sitting on her knee (christ-child to mary's left), holy family (alone), 'trinitas terrestris'

Attributed to Lorenzo Costa (1460 - 1535). Holy family. From the Augusteum, Oldenburg. Presented by a group of members of the Vereniging Rembrandt, 1925.
Portret van Gerhard von Scharnhorst
Object type: print
Date: 1830 – 1840
Materials: paper
Techniques: etching, snipping
Location: magdeburg
Artist: Anonymous
Subjects: prague, knighthood order, commander-in-chief, general, marshal, historical persons, (military) uniforms
Inscriptions: collector's mark: Lugt 2228
Façade of the church of San Lorenzo in Florence, decorated with the emperor's arms, four figures of death flanking the three entrances, the two in center on horseback, a large angel above central door, from "Ceremonies for the Funeral of Emperor Ferdinand II" (Funérailles de l'empereur Ferdinand II)
Object type: print
Date: 1637 – 1637
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: architecture,churches
Card Number 149, Mrs. Cleveland, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-6), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the sixth subset, N145-6. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Liggende naakte vrouw
Object type: sketchbook leaf
Date: 1916 – 1916
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: lying figure - aa - female human figure (+ nude human being)

Blad 32 verso uit een schetsboek met 72 bladen.
Sheet with overall pattern of hexagonal shapes
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Fotoreproductie van een portret van een man door Han van der Kop
Object type: photograph
Date: 1930 – 1940
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: adriaan bijl
Artist role: fotograaf
Artist dates: 1874 – 1967
Subjects: drawing, historical persons
Kaart van de grietenij Ferwerderadeel
Object type: map
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Location: friesland
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Linksboven legenda, linksonder twee schaalstokken: Milliare: Germanicu commune / Een gemene Duytsche myle, Hora itineris / Een uyre gaens - 1400 konings roeden voor een uyre gaens. Rechtsboven het wapen van Ferwerderadeel, rechtsonder cartouche met titel en bestuurlijke informatie over de grietenij.
Fragmentary Bowl
Object type: fragmentary bowl
Date: 901 – 1200
Materials: earthenware, engobe
Location: iran
Beurs van witzijde damast met borduurwerk van slingerende linten, bloemen en druiven
Object type: beurs
Date: 1700 – 1800
Materials: gold thread, silk
Techniques: brocade, embroidered
Location: france

Beurs van damast met een rococo-patroon van slingerende linten, bloemen en druiven. Het borduurwerk heeft een patroon van een brandend hart waar omheen ranken en in de hoeken bloemen. De achterzijde is van zilverbrokaat.
Escutcheon
Object type: escutcheon
Date: 1601 – 1700
Materials: iron
Subjects: human figures,axes
Portretbuste van een jonge man met witte das
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: anonymous historical person portrayed alone (+ three-quarter view portrait)
Inscriptions: collector's mark: Lugt 2228
Kilchenstein. Dominique. 48 ans, né à Luneville (Meurthe & Moselle). Marchand au panier. Anarchiste. 23/4/92
Object type: mugshot
Date: 1892 – 1892
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Landschapstuinen in Chinees-Engelse stijl
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: garden buildings
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De serie 'Jardins anglo-chinois à la mode' verscheen in totaal in 21 zogeheten 'cahiers' (afleveringen). De huidige prent komt uit het tweede 'cahier'. Het Rijksmuseum Amsterdam bezit drie banden met daarin in totaal zes 'cahiers' van deze reeks. In de documentatie wordt verwezen naar een in de bibliotheek van het Rijksmuseum Amsterdam aanwezige facsimile van het complete werk.
Minerva beschermt de Schilderkunst
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: etching
Artist: gerard de lairesse
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1711
Subjects: fury; 'furore', 'furore implacabile', 'furore & rabbia', 'furore superbo & indomito' (ripa), 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa), envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins, (story of) minerva (pallas, athena), satyr(s) (in general), fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 237 a

Minerva beschermt de gepersonifieerde schilderkunst (masker en schilderspalet) tegen de Afgunst (slangen) en Razernij (brandende toorts). Boven Minerva vliegt de bazuin blazende Faam. Op de voorgrond houden een jonge en oude sater samen een stuk papier vast.
Düsseldorf. Schwäne im Hofgarten
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: dusseldorf
Subjects: park, water-birds: swan, pond
Gezicht op Schiemond te Rotterdam
Object type: photomechanical print
Date: 1908 – 1913
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: harbour, river, rotterdam
Inscriptions: inscription: ‘Schiemond’

Deze prent maakt deel uit van een album.
Coaching – Four in Hand – A Swell Turn-out
Object type: print
Date: 1876 – 1876
Techniques: hand coloring, lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: men,women,horses,carriages
Portret van Julie Bennati
Object type: photomechanical print
Date: 1873 – 1880
Materials: paper
Techniques: woodburytype
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Rôle de Phébée (dans Panurge)’
Portret van Gottfried I von Spitzenstein-Helfenstein, bisschop van Würzburg
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: archbishop, bishop, etc. (roman catholic), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233

Prent uit: Ludewig, Johann Peter von. Geschicht-Schreiber von dem Bischoffthum Wirtzburg (...). Frankfurt am Main: Thomas Fritsch, 1713.
Der Handel. Ausstellung Düsseldorf 1902
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1902
Materials: cardboard
Techniques: lithograph
Location: hamburg
Subjects: trade, commerce and finance, temporary exhibition, 'salon'
Inscriptions: date