deem-data/ArtiFact huggingface dataset:
Four-spring Drop Front Road Wagon #908a
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Shiba Atago Sanjo no Zu
Object type: print
Date: 1833 – 1834
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,houses,landscapes,trees,rainbows
Plate 3: four street vendors from Madrid selling large tomatoes, milk, water, milk shakes, from 'Los Gritos de Madrid' (The Cries of Madrid)
Object type: print
Date: 1809 – 1817
Techniques: engraving, hand coloring
Artist: miguel gamborino
Artist role: artist
Artist nationality: spanish
Artist dates: 1760 – 1828
Terracotta lebes gamikos (round-bottomed bowl with handles and stand used in weddings)
Object type: lebes gamikos
Date: 420 – 420
Materials: terracotta
Culture: greek, attic
Artist: naples painter
Artist role: artist
Subjects: men,women,mirrors

Obverse, seated woman with two women and youth Reverse, two women At each handle, Nike The scene shows preparations for a wedding. The seated bride, who holds a mirror, is flanked by attendants holding a dinos (deep bowl), probably of bronze, and a casket. The youth at the right might be the groom.
Jan Catharinus Schüller zittend op de sokkel van een beeldhouwwerk op het terrein van de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: painter, print maker, draughtsman, jan schüller, world fair, world exhibition
Inscriptions: annotation: ‘31 Dec ’04 // 70o in de zon’

Jan Catharinus Schüller zittend op de sokkel van een beeldhouwwerk op het terrein van de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904.
Milk Bowl
Object type: milk bowl
Date: 1800 – 1830
Techniques: glassblowing
Vase
Object type: vase
Date: 1896 – 1902
Materials: earthenware
Culture: american
Location: united states
Artist: charles volkmar
Artist role: maker
Artist nationality: american
Artist dates: 1841 – 1914
A River Glimpse
Object type: painting
Date: 1843 – 1850
Materials: canvas, oil
Culture: american
Artist: thomas doughty
Artist role: artist
Artist nationality: american
Artist dates: 1793 – 1856
Subjects: rivers,mountains,landscapes

A native of Philadelphia, Doughty represents a link between the eighteenth-century pastoral style of landscape painting first imported from England and the passionate language of the Sublime introduced later by Thomas Cole, founder of the Hudson River School. Doughty occasionally attempted to emulate the style of his more famous successor, as in the gnarled expressiveness of the largest tree in this picture, but he could never forsake the modesty of arrangement and touch that distilled, even from a specific site, a “river glimpse.”
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Interior, part of the collarbone and upper torso of a male?
Portret van John Chamber
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: etching
Location: antwerp
Subjects: arts, john chamber
Inscriptions: collector's mark: Lugt 384

Portret van John Chamber, lijfarts van Hendrik VIII van Engeland.
Studie, mogelijk van een landschap met wolkenlucht
Object type: sketchbook leaf
Date: 1883 – 1885
Materials: chalk, paper
Subjects: landscapes, clouds, rural housing, e.g. country-house, villa, cottage

Pagina 17 uit een schetsboek met 16 bladen.
Het bezoek van graaf Lamoral von Thurn und Taxis aan Alexander Roelants, 1650
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: going to church
Inscriptions: date

De keizerlijke hoofdpostmeester graaf Lamoral von Thurn und Taxis en zijn vrouw de gravin gaan in Hemiksem ter kerke. Bij de kerk worden ze begroet door keizerlijke postmeester voor de Nederlanden Alexander Roelants, de priester en een orkestje. Genummerd linksonder: 2. Met onderschrift van twee regels in het Latijn.
Il Gesù te Rome
Object type: album leaf
Date: 1669 – 1670
Materials: paper
Techniques: etching
Location: rome
Subjects: city-view, and landscape with man-made constructions, church (exterior)

Deze titelprent maakt deel uit van een reeks van 38 prenten met voorstellingen van kerken in Rome. Samen met vier andere reeksen vormt het de grote reeks: 'Il nuovo teatro di Roma moderna'.
Fan
Object type: fan
Date: 1701 – 1800
Materials: ivory
Subjects: musical instruments,men,women
Coronation of the Virgin
Object type: relief
Date: 1460 – 1460
Materials: alabaster, paint
Culture: british
Location: england
Subjects: virgin mary
Abraham casting out Hagar and Ishmael
Object type: print
Date: 1710 – 1766
Materials: paper
Techniques: etching
Subjects: the banishment of hagar and ishmael (genesis 21:9-21)
Inscriptions: stamp, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Portret van Wilhelm graaf Verdugo
Object type: print
Date: 1603 – 1650
Materials: paper
Techniques: engraving, etching
Artist: matthäus merian (i)
Artist role: print maker
Artist dates: 1593 – 1650
Subjects: helmet, cherubs, i.e. children's heads with wings, (story of) minerva (pallas, athena), armour, weapons, 'victoria'; 'vittoria', 'vittoria navale', 'vittoria degl'antichi' (ripa), crowning with laurel, baton of general, fabulous animals ~ birds: phoenix, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Gezicht op het Meer van Genève
Object type: drawing
Date: 1875 – 1875
Materials: paper, pencil
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: lake, mountains
Inscriptions: date and inscription: ‘Meer van Geneve 75’, collector's mark: Lugt 1181b
Zeegezicht met zeilschepen en een walvis
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: etching
Location: low countries
Artist: monogrammist ab (17e eeuw)
Artist role: print maker
Subjects: sailing-ship, sailing-boat, sea (seascape), swimming mammals: whale
Inscriptions: collector's mark: Lugt 2228

Enkele zeilschepen op open water. Vooraan gooit een man een ton van het schip af. Links een walvis. Rechts in de verte de kustlijn met een stadsgezicht.
Cherry Blossoms at Ueno, Tokyo
Object type: photomechanical print
Date: 1895 – 1905
Materials: paper
Techniques: photograph
Location: tokyo
Artist: kōzaburō tamamura
Artist role: fotograaf
Artist dates: 1856 – 1923
Subjects: hand-cart, trees: cherry-tree, public gardens, park
Bowl
Object type: bowl
Date: 1830 – 1830
Materials: faience, glaze
Culture: japanese
Artist: eiraku hozen
Artist role: artist
Artist nationality: japanese
Artist dates: 1795 – 1854
Ontwerp voor een haarsieraad
Object type: design
Date: 1904 – 1911
Materials: paper, pencil
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: comb, brush and other tools (care of the hair), ornaments, jewels
Inscriptions: date: ‘april 1911’
Scarab Inscribed Hatshepsut United with Amun
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,amun,scarabs

During the 1926-1927 excavation season, the Museum's Egyptian Expedition uncovered three foundation deposits along the eastern enclosure wall of Hatshepsut's funerary temple at Deir el-Bahri in Western Thebes. Among the contents were 299 scarabs and stamp-seals. Sixty-five of these are now in the Egyptian Museum, Cairo, and the rest were acquired by the Museum in the division of finds. Among the inscriptions on the bases of these scarabs and seals are examples of every title Hatshepsut held, from the time she was "king's daughter" during the reign of her father, Thutmose I; through the time she was queen of her half-brother, Thutmose II; and during her co-reign with her nephew/step-son, Thutmose III. Thirteen of the scarabs (27.3.199 to 27.3.212) are inscribed with various writings of the extended form of Hatshepsuts personal name, Hatshepsut-united-with-Amun, which sometimes appears, enclosed in a cartouche, as the last element of her titulary as king. By adopting this name, Hatshepsut links herself to the powerful god Amun of Thebes, whom she claimed as her father.
Portret van Willem van Braam
Object type: print
Date: 1780 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, commander-in-chief, admiral
Batseba leidt haar zoon Salomo naar een troon met daarop een kroon en staf
Object type: titelblad, titelpagina
Date: 1645 – 1645
Materials: paper
Techniques: engraving, etching
Subjects: solomon and bathsheba
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: Le Jay, Guy Michel. Biblia Hebraica, Samaritana, Chaldaica, Graeca, Syriaca, Latina, Arabica. Parijs: Antoine Vitré, 1645.
Edging
Object type: edging
Date: 1867 – 1900
Materials: cotton
Techniques: lace
Studie van een gebeeldhouwd hoofd
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: etching
Location: bergen
Artist: louis joseph greuse
Artist role: print maker
Artist dates: 1863 – 1950
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: annotation: ‘2e Etat; tiré à 3 exemplaires’, collector's mark: Lugt 2228
Gezicht langs de Bloemeis rivier, Rinteh, Sumatra (Bloemeis Fluss Gg. Rinteh)
Object type: photograph
Date: 1885 – 1900
Materials: photographic support
Techniques: collodion silver print
Location: sumatra
Artist: carl j. kleingrothe
Artist role: fotograaf
Artist dates: 1864 – 1925
Subjects: sumatra

Gezicht op een rivier door het oerwoud bij op Sumatra. Onderdeel van het Sumatra fotoalbum van Paul en Lucie Sandel uit 1900.
La Belle Dame paresseuse
Object type: print
Date: 1894 – 1894
Materials: ink, paper, parchment
Techniques: lithograph, printing, transfer
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Noli Me Tangere
Object type: painting
Date: 1500 – 1505
Materials: canvas, panel, paint, wood
Techniques: painting
Location: italy
Artist: perugino (pietro di cristoforo vannucci)
Artist nationality: italian
Artist dates: 1445 – 1523
Subjects: religious scenes, woman, soldiers, resurrection scenes, cave, trees, sky, religious figures, religious attire, religious, religion, nature, narrative, men, landscape, jesus, figures, figure, clouds, christianity, christian subjects, biblical, century of progress, world's fairs, chicago world's fairs

Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond, most famously through his contact with the young Raphael. These four panels, together with another one depicting the Resurrection, now at the Metropolitan Museum of Art, New York, once constituted a predella—a series of small pictures, often with narrative content, forming the base of an altarpiece. In this case, the painting that was positioned above the predella as the focal point of the altarpiece is unidentified. The predella scenes depict moments when Christ’s special nature was revealed: his birth, his baptism by Saint John the Baptist in the river Jordan, his conversation with a woman of Samaria at the well of the patriarch Jacob, the Resurrection, and his appearance to Mary Magdalene after the Resurrection.
Portret van Pierre-Paul Riquet
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Servet van linnendamast met kersen
Object type: napkin
Date: 1900 – 1925
Materials: linen
Techniques: damask, weave
Location: eindhoven
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Servet van linnendamast met kersen (dessin 600 van Chris Lebeau). Het servet hoort bij vijf servetten (BK-1971-62-A t/m BK-1971-62-F) en een tafellaken (BK-1971-61).
IJzerwerkers
Object type: book illustration
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: handicrafts, craftsman at work, other handicrafts ~ metal, smith, blacksmith, iron and steel industry
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Comenius, Johannes Amosius. Orbis sensualium picti pars prima (...). Neurenberg: Martin Endter, 1719, dl. 2, p. 150. Prent eerder gebruikt in: Comenius, Johannes Amosius. Orbis Sensualium Picti denuo aucti Pars Secunda (...). Neurenberg: Martin Endter, 1730, dl. 2.
Michael Dahl
Object type: print
Materials: paper
Techniques: engraving, etching
Location: united states
Artist: thomas chambars
Artist role: engraver
Artist nationality: irish
Artist dates: 1724 – 1789
Mourning jewelry
Object type: mourning jewelry
Date: 1834 – 1866
Materials: glass, gold, hair
Culture: american
[Astronauts in Lifeboat After Apollo 11 Splashdown]
Object type: photograph
Date: 1969 – 1969
Techniques: gelatin silver print
Artist: national aeronautics and space administration (nasa)
Artist role: publisher
Artist nationality: american
Subjects: men,boats
Landscape with Lovers and Hunters
Object type: drawing
Materials: chalk, ink
Techniques: pen, wash
Artist: adam van noort
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1641
Subjects: men,lovers,women,landscapes
Acta Apostolorum
Object type: album leaf
Date: 1575 – 1575
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: healing of a lame beggar at the beautiful gate of the temple by peter and john (acts 3 - 4:31)

Prent maakt deel uit van een prentbijbel.
Drei güt Ivdin
Object type: print
Date: 1516 – 1519
Materials: paper
Techniques: woodcut
Artist: hans burgkmair (i)
Artist role: draughtsman, print maker
Artist dates: 1473 – 1531
Subjects: jael (one of the nine worthiest women), judith (one of the nine worthiest women), esther (one of the nine worthiest women)
Inscriptions: collector's mark: Lugt 240

Ester staat links in haar mooiste kleren en zij draagt een kroon op haar hoofd. In het midden staat Judit met in haar handen een zwaard en het hoofd van Holofernes. Rechts staat Jaël met een hamer en een nagel in haar hand, zij legt haar andere hand op de schouder van Judit. Op de grond staan drie schilden met de wapens van de vrouwen. De Duitse tekst identificeert hen als drie joodse heldinnen.
Gezicht op de Pont Louis-Philippe in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Parijs, Pont Louis Philippe No. 9. f.m.’
Zecchino, Domenico Contarini (1659–75)
Object type: coin
Date: 1659 – 1675
Materials: gold
Subjects: men,flowers,coins
Barneveld. Pastorie. Ned. Herv Kerk
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: barneveld
Subjects: church (exterior)
Cupid and the Three Graces
Object type: print
Date: 1518 – 1519
Materials: paper
Techniques: engraving
Location: italy
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534

When Raphael painted the frescoes in the garden loggia of Rome’s Villa Farnesina, he faced an unusual pictorial format. Working in the spandrels, he had to account for the nearly triangular spaces created by the arched ceiling. This engraving, a detail of the fresco, clearly demonstrates the structural obstacles of the architecture, as the numerous curved lines represent the vaulted ceiling, trim, and wall.
Pair of Arm Guards
Object type: pair of arm guard
Date: 1701 – 1800
Materials: copper alloy, gold, steel, textile, velvet
Culture: indian
Location: india
Willem de Tweede, Koning der Nederlanden, Groot-Hertog van Luzemburg. enz
Object type: print
Date: 1845 – 1898
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, william ii of the netherlands, historical persons, king
Inscriptions: stamp, collector's mark: Lugt 1641, check stamp: ‘François Buffa & Fils’

Onderaan een wapenschild met twee staande leeuwen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Portretten, Portretten van Vorsten uit het huis van Oranje, Regeerende Vorsten, Koningen uit het huis van Oranje.
S. Célestin, pape (St. Celestine, Pope), April 6th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
De begrafenisstoet van stadhouder Frederik Hendrik te 's-Gravenhage in 1647
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

De begrafenisstoet van stadhouder Frederik Hendrik te 's-Gravenhage op 10 mei 1647. Plaat nr. 27 met een deel van de stoet met leden van de Staten van Holland en West-Friesland, boven de personen staat hun functie. Onderdeel van een serie van 30 platen en 20 tekstbladen, bedoeld om aan elkaar geplakt te worden.
Cuneiform tablet case impressed with two cylinder seals, for tablet 66.245.20a: statement before witnesses
Object type: cuneiform tablet case
Date: 2000 – 1801
Materials: clay
Culture: assyrian
Location: anatolia
Groepsportret van een jonge vrouw
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Wild paard
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: horse
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760
Twaalf voorstellingen uit de fabels van Gellert
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, hunter, rodents: hare, commander-in-chief, general, marshal, gardening, fables, horse, beasts of prey, predatory animals: lion, sundial, fisherman, digging for or finding of treasure, giants, colossi
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Gellert, Christian Fürchtegott. Kleiner Taschen Kalender auf das gemeine Jahr 1795 (...). Berlijn: s.n.s.a.
Glass aryballos (perfume bottle)
Object type: aryballos
Date: 534 – 401
Materials: glass
Culture: greek, eastern mediterranean

Translucent blue, with same color handles; trails in opaque yellow and opaque pale turquoise blue. Broad inward-sloping rim-disk; cylindrical neck; angular shoulder; almost spherical body; convex, slightly flattened bottom; two vertical ring handles with flattened tails, applied over trail decoration, extend from shoulder to neck. Yellow trail applied to outer edge of rim-disk; another yellow trail applied unevenly on shoulder and wound spirally down, at first in horizontal lines, then tooled into a close-set zigzag pattern around central section of body; turquoise blue trails applied over yellow, also forming part of the zigzag pattern; below this, a yellow trail wound horizontally twice around body. Intact; white gritty impurities in body; dulling and pitting, and patches of milky weathering and iridescence.
Twee vrouwen in een interieur
Object type: print
Date: 1848 – 1912
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Artist: toyohara chikanobu
Artist role: print maker
Artist dates: 1838 – 1912
Subjects: pipe ~ tobacco, book
Portret van Nicolas de Largillière
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, painter, nicolas de largillière, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
A Bodhisattva, probably Guanyin
Object type: statuette
Date: 1368 – 1644
Materials: mud
Techniques: gilding, polychrome
Culture: chinese
Subjects: bodhisattvas
John Wilkes Esqr.
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: mezzotint
Location: london
Subjects: politician, handwriting, writing as activity, historical persons, book
Inscriptions: collector's mark: Lugt 240

Linksonder een plaat met een buste in profiel van John Hampden.
Staal kloskant met tulegrond
Object type: sample
Date: 1875 – 1899
Materials: cotton
Techniques: lace
Location: turnhout
Artist: Anonymous

Staal of kort stuk van een strook naturelkleurige kloskant: Rijsselse kant. Afkomstig van een opgeheven kantschool te Turnhout.
Portret van Ferdinand II
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving, etching
Artist: sebastian furck
Artist role: print maker
Artist dates: 1600 – 1655
Subjects: vienna, ferdinand ii (duits keizer), historical persons, emperor, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), abstract ideas and concepts (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Helvicus, Nicolaus. Theatrum Historiae universalis Catholico Protestantium (...). Frankfurt am Main: Johann Gottfried Schönwetter, 1641.
Gezicht op het Imperial Engineering College in Tokyo, Japan
Object type: photograph
Date: 1884 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: tokyo
Artist: Anonymous
Subjects: university
Inscriptions: number: ‘G.87’, inscription: ‘[...] in der Nähe der [...]’