deem-data/ArtiFact huggingface dataset:
Gazette du Bon Ton, 1920 - No. 5 : Une robe du soir de Worth
Object type: fashion print
Date: 1920 – 1920
Materials: paper
Techniques: hand coloring, letterpress printing, photochemical processes, pochoir
Location: geneva
Subjects: dress, gown: evening dress (+ women's clothes), head-gear (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), fan (+ women's clothes)
Inscriptions: date

Staande vrouw, op de rug gezien, gekleed in een avondjapon met sleep van Worth. In de linkerhand een grote waaier. Planche 39 uit Gazette du Bon Ton 1920, No. 5. Uitleg over de kleding op pagina "Explication des Planches".
Collectie van beroemde portretten
Object type: print
Date: 1798 – 1841
Materials: paper
Techniques: engraving, etching
Subjects: leiden, historical persons
Inscriptions: collector's mark: Lugt 2228
Maria geeft het Christuskind de borst (Maria lactans)
Object type: print
Date: 1697 – 1741
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: bed, cradle, crib
Inscriptions: collector's mark: Lugt 240

Interieur met Maria zittend op een bed, de borst gevend aan het Christuskind; aan het voeteneinde van het bed een wieg.
Pierre Alexandre Tardieu
Object type: drawing and watercolor
Date: 1825 – 1825
Materials: graphite, paper
Location: france
Artist: jean–auguste–dominique ingres
Artist nationality: french
Artist dates: 1780 – 1867
Subjects: century of progress, world's fairs, chicago world's fairs
Inscriptions: Signed lower left: "Ingres à Monsieur Tardieu"
Spreekwoorden, passende op de beelden, die gy ziet / In dit tafreel zyn u tot nut, vergeet ze niet; / Maar prent, ô jeugd! den zin 'er van in uw gedachten, / Gy moogt daar van 't vermaak met lust betrachten
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Artist: johan noman
Artist role: printer, publisher
Artist dates:  – 1833
Subjects: proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 2760

Blad met 36 verbeeldingen van spreekwoorden. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 134.
Portret van Aernout van Citters
Object type: print
Date: 1708 – 1780
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: ambassadeur, aernout van citters
Inscriptions: collector's mark: Lugt 240

Buste naar rechts van Aernout van Citters, in een ornamentele ovale omlijsting met onderaan zijn wapen en een piëdestal met een leeg veld voor zijn naam.
Cult vessel
Object type: vessel
Date: 2250 – 2000
Materials: copper alloy
Location: northern mesopotamia
Lion and cub
Object type: figure
Date: 1701 – 1800
Materials: lapis lazuli
Culture: chinese
Subjects: lions
Keukenmeid die vis schoonmaakt
Object type: drawing
Date: 1832 – 1832
Materials: paper, pencil
Artist: p. de visscher
Artist role: draughtsman
Subjects: kitchen
Portret van een jonge vrouw
Object type: painting, miniature
Date: 1775 – 1795
Materials: ivory, metal
Location: france
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure

Portret van een jonge vrouw met een parelsnoer in het haar. Ten halven lijve, het hoofd naar rechts gekeerd. Met halfontbloot boezem. Onderdeel van de collectie portretminiaturen.
Caricature of a windblown woman on the beach at Rottingdean, Sussex
Object type: drawing
Materials: chalk
Location: great britain
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Subjects: women,beaches,wind,caricature

Burne-Jones produced caricatures throughout his career to entertain friends and family. These also offered an emotional release as visual opposites to the ideal forms that filled the artist's paintings. In the 1860s, when Burne-Jones and William Morris shared rooms at Red Lion Square, the artist often contrasted his own thinness to his friend's rotund figure. The present image is one of many focused on large women and reflects Burne-Jones's concurrent fascination with, and horror at, obesity. He created this drawing to entertain Bertram Brooke, the future Tuan Muda of Sarawak, while the latter was a teenager recooperating from serious illness. The recipient treasured the drawing and later gave it to his wife Gladys. In a memoir of 1929, she identifies the subject as a woman honeymooning at Rottingdean, Sussex (a suberb of Brighton where Burne-Jones had a country house), but specifies it must be "a widow remarried, as there is no indication of virginal contours."
Plate
Object type: plate
Date: 1450 – 1500
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain
Subjects: flowers

Lusterware is the term used to describe a glazed earthenware ceramic decorated with an iridescent finish. The technique for creating this finish was developed in the ninth century under the rule of the Abbasid Caliphate in present-day Iraq. The medium involves a technique that is difficult to master, but if completed successfully, the surfaces of the ceramic objects display an iridescent sheen which is achieved through multiple firings and the application of a metal-based pigment (including silver, copper, tin, or a combination of these). Lusterware manufacture is still difficult to understand from a technical perspective because for generations, production was kept secret to protect workshop practices from being replicated by competitors. Therefore, pigment formulas and trade techniques were passed down from master to pupil and rarely recorded. Knowledge of the technique for creating lusterware made its way to the Iberian Peninsula by the twelfth century, when most of the region was still under Islamic rule. By the 1400s, the Iberian center of lusterware production was in Manises, near the city of Valencia. Previously a Muslim taifa, or principality, the Kingdom of Valencia was conquered in the thirteenth century by James I for the Crown of Aragon, and it was here that Christians and Muslim potters worked, sometimes together, for a diverse clientele with a voracious appetite for high quality lustered wares.
Balustrade fragment with cartouche of Nefertiti
Object type: balustrade fragment, cartouche of nefertiti
Date: 1352 – 1336
Materials: quartzite
Location: egypt
Subjects: cartouches
Smee poort te Harderwijk 1745
Object type: drawing
Date: 1745 – 1745
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: city-gate
Inscriptions: inscription: ‘Smee poort te Harderwijk 1745’
Vrouw
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Techniques: stumping
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman

Pagina 18 uit schetsboek XLVII met 52 pagina's.
Snuffbox
Object type: snuffbox, painting
Date: 1769 – 1770
Materials: enamel, gold
Artist: jean-joseph barrière
Artist role: maker
Artist nationality: french
Artist dates: 1733 – 1833
Subjects: musical instruments,men,women

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer. The varied techniques and intricate design of the box illustrate the collaboration required for the production of gold boxes. The medallions depicting allegories of music and love would have been the work of one enameler, while the undecorated panels, perhaps the work of another; all the enameling would have been done in the enameler’s workshops. The box would then have been returned to Barrière to cast portrait medallions in their ribbon-tied frames attached over the enameling and pinned down, and to have some of the borders chiseled.
Miniature candlestick
Object type: candlestick
Date: 1701 – 1800
Materials: silver
Drawing for a Memorial Tablet: Two Winged Children Holding an Empty Oval in a Frame with Gryphons
Object type: drawing
Materials: ink
Techniques: pen, wash
Artist: federico zuccaro (zuccari)
Artist role: artist
Artist nationality: italian
Artist dates: 1540 – 1609
Subjects: cupid,griffins
Kleedje van geknoopte kant met cirkeltje aan acht spandraden in het centrum
Object type: mat
Date: 1900 – 1900
Materials: linen
Techniques: tatting
Location: europe
Artist: Anonymous

Kleedje van naturelkleurige geknoopte kant: frivolité. Rond model. Rozet met druppelvormig lusjes met in het centrum een cirkeltje aan acht spandraden. Om de rozet ronde lusjes met picots en daar omheen de schulpenrand die bestaat uit boogjes met picots.
Zittende man met hoed, ten halven lijve van achteren gezien
Object type: drawing
Date: 1773 – 1815
Materials: chalk, paper
Artist: hermanus van brussel
Artist role: draughtsman, print maker
Artist dates: 1763 – 1815
Mlle. Casseve, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Parabolarum Evagelicaru Typi
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: the labourers in the vineyard ~ parable of christ (matthew 20:1-16)
Inscriptions: collector's mark: Lugt 240

De arbeiders ontvangen na hun werk in de wijngaard het loon van één denarie van de rentmeester van de landheer (Mat. 20). De voorstelling is gevat in een ronde omlijsting met een randschrift in het Latijn. Prent uit een serie met gelijkenissen van Christus.
Plattegrond van een verdieping
Object type: sketchbook leaf
Date: 1864 – 1864
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: willem springer jr.
Artist role: draughtsman
Artist dates: 1815 – 1907
Subjects: plan ~ architecture
Inscriptions: annotation: ‘1 : 200./ E/ D/ C/ G/ H/ F’

Pagina 83 uit een schetsboek met 164 pagina's.
Brabant vrij verklaard
Object type: history medal
Date: 1789 – 1790
Materials: copper
Techniques: striking
Location: brabant
Artist: Anonymous
Subjects: brabant

Koperen penning. Voorzijde: opschrift binnen lauwerkrans. Keerzijde: opschrift binnen lauwerkrans
Landschap met Hagar en Ismaël
Object type: print
Date: 1594 – 1635
Materials: paper
Techniques: engraving, etching
Subjects: waterfall, an angel appears and reveals a well of water to hagar
Inscriptions: collector's mark: Lugt 240

Hagar zit in wanhoop op de grond met de lege kruik naast zich. Haar zoon Ismaël ligt naast haar. Een engel redt Hagar door haar te wijzen op de waterval. Boven op de boogvormige rots zit een herder met zijn schapen. Prent uit een serie Italiaanse landschappen.
Portret van Pieter Jansz. van Asch
Object type: book illustration
Date: 1718 – 1718
Materials: ink, paper
Techniques: engraving, etching, pen
Location: amsterdam
Subjects: painter, draughtsman, pieter jansz van asch, historical persons, portrait, self-portrait of painter
Inscriptions: inscription: ‘Pieter Jansze van Asch/ Delft’

Prent afkomstig uit een grotere prent uit: Houbraken, Arnold. De groote schouburgh der Nederlantsche konstschilders en schilderessen. Amsterdam: Arnold Houbraken, 1718, dl. 1. Zie RP-T-1897-A-3450 en RP-T-1897-A-3428 voor de ontwerptekeningen. En zie RP-T-2019-336 voor tekening naar deze prent.
De Hollandsche Schilderschool / Het Hollandsche Schilder- en Letterkundig Album
Object type: print
Date: 1847 – 1848
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: sailing-ship, sailing-boat, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Uitgegeven als onderdeel van de prentserie 'De Hollandsche Schilderschool. Teekeningen en schetsen van de beroemdste schilders van Nederland, door hun zelven op steen geteekend', die in 1847 te Den Haag werd uitgegeven door C.W. Mieling. In 1848 werd de serie opnieuw uitgegeven onder de titel 'Het Hollandsche Schilder- en Letterkundig Album. Verzameling van oorspronkelijke steenteekeningen en letterkundige voortbrengselen der beroemde schilders en letterkundigen'. Uitgever Mieling verkreeg in 1847 het predicaat 'koninklijk'. Gezien die vermelding op de eerdere staat ontbreekt (zie RP-P-1880-A-4083 en RP-P-1904-1666), is het waarschijnlijk dat die eerste staat tot de uitgave van 1847 behoort en dat die in dat jaar nog vóór de toekenning van het koninklijke predicaat verscheen. De huidige staat behoort dan waarschijnlijk tot de tweede uitgave, uit 1848.
Portret van Johann Porst
Object type: print
Date: 1715 – 1715
Materials: paper
Techniques: engraving
Location: berlin
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228
Dam.
Object type: cabinet photograph
Date: 1804 – 1887
Materials: cardboard, paper, ink
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: monument, statue, prospect of city, town panorama, silhouette of city, amsterdam

Onderdeel van Fotoalbum met opnames van de Aprilfeesten in 1887 te Amsterdam.
Portret van Jean-Antoine de Mesmes, comte d'Avaux
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: mezzotint
Location: nijmegen
Artist: herman hendrik de quiter (i)
Artist role: painter, print maker
Artist dates: 1627 – 1708
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent voor het eerst gebruikt in: Quiter, Hermann Hendrik. Icones legatorum (...). Nijmegen: s.n., 1679.
Paris: Porte St. Denis.
Object type: stereograph
Date: 1906 – 1915
Materials: photographic support
Techniques: gelatin silver print
Location: paris
Subjects: triumphal arch
Inscriptions: annotation: ‘NPG’, number: ‘157’
An Adirondack stage road
Object type: photomechanical print
Date: 1891 – 1891
Materials: paper
Techniques: photograph
Location: adirondack mountains
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: number: ‘Plate XXVII.’
Vestingplattegrond  van Haarlem
Object type: area plan
Date: 1654 – 1700
Materials: paper
Techniques: engraving, etching
Location: frankfurt am main
Artist: caspar merian
Artist role: print maker
Artist dates: 1627 – 1689
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), fortified city, maps of cities, haarlem

Prent gebruikt in: Zeiller, Martin. M.Z. Topographia Circuli Burgundici Oder Beschreibung une Eigentliche Abbildung der Vornehmsten Örter in dem Hochlöblichen Burgund- un Niderlandischen Crayse. Frankfurt am Main: Caspar Merian, 1654. Of in: Zeiller, Martin. M. Z. Topographia Germaniae-Inferioris vel Circuli-Burgundici, das ist Beschreibung (…). Frankfurt am Main: Caspar Merian, 1659. Of in een van de twee latere uitgaven van deze publicatie die, hoewel het jaar 1659 erin staat vermeld als jaar van uitgave, zijn uitgegeven in respectievelijk ca. 1670 en ca. 1700.
Poort van kasteel de Haar
Object type: photograph
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print
Location: haarzuilens
Artist: Anonymous
Subjects: castle, gate, entrance
Plan van de Ligging der Schepen op den 27e Juny 1821
Object type: map
Date: 1821 – 1821
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Kaart van de rivier bij Palembang met de ligging van de Nederlandse schepen op 27 juni 1821 tijdens de Tweede expeditie naar Palembang op Sumatra. Links de legenda 1-30. Zie ook de pendant.
Bottle
Object type: bottle
Date: 1701 – 1900
Materials: glass
Techniques: glassblowing, molding
Location: iran
Portret van aartsbisschop Jean-Sifrein Maury
Object type: print
Date: 1792 – 1808
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: jean sifrein maury
Inscriptions: collector's mark: Lugt 2228
Townsend's Monthly Selection of Parisian Costumes, 1837, No. 681 : Turban en velours (...)
Object type: fashion print
Date: 1837 – 1837
Materials: paper
Techniques: engraving, hand coloring
Location: london
Subjects: flowers, head-gear: turban (+ women's clothes), styles of hairdress - aa - ~ women, head-gear: cap (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), sleeves (+ women's clothes)
Inscriptions: caption: ‘Turban en velours, Robe en satin / Coiffure orné de Fleurs Robe en crépe / Chapeau en velours épinglé Robe en Satin.’

In het bovenste kader: mutsen, luifelhoeden, kapsel, canezou (?) en mantels. In het onderste kader drie vrouwen, van links naar rechts: tulband van fluweel en japon van satijn. 'Coiffure' versierd met bloemen. Japon van crêpe. Hoed van 'velours épinglé'. Japon van satijn. Prent uit het modetijdschrift Townsends Monthly Selection of Parisian Costumes (London 1823-1888).
Two women representing the alliance of Peace and Abundance
Object type: print
Techniques: woodcut
Artist: bartolomeo coriolano
Artist role: artist
Artist nationality: italian
Artist dates: 1599 – 1676
Subjects: women,cornucopia
There Were Also Embryonic Beings, plate 4 of 6
Object type: print
Date: 1885 – 1885
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Overvest
Object type: overvest
Date: 1801 – 1900
Materials: fur
Culture: chinese
Glass dish
Object type: dish
Date: 301 – 400
Materials: glass
Culture: roman

Colorless with yellow tinge. Tubular, flaring rim, folded out, down, and in, with narrow, slightly convex inner shoulder; S-shaped side to body, curving in to integral tubular base ring; concave bottom, thickened at center and traces of small pontil mark. Intact; pinprick bubbles; pitting, dulling, and iridescence, with most of exterior covered in thick enamel-like weathering.
Pendant with Daoist divinities
Object type: pendant
Date: 1801 – 1900
Materials: stone
Culture: chinese

Both sides of this fruit pit are meticulously carved with images of Daoist immortals, including the fairy Magu with her deer attendant and Shoulao, God of Longevity. The small size and hard surface of fruit stones (usually ganlan, also known as “Chinese olives”) make them extremely difficult to carve, which is why this craft was highly valued. Very few of these objects were created and even fewer survived.
Studies van een dienstmaagd die de kachel pookt
Object type: drawing
Date: 1770 – 1825
Materials: ink, paper, pencil
Techniques: pen
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825

Schetsblad met studies van een dienstmaagd die de kachel pookt.
Spieghel der schrijfkonste
Object type: ornament print
Date: 1605 – 1605
Materials: paper
Techniques: engraving, intaglio
Location: amsterdam
Subjects: water-birds: swan, calligraphy
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Schrijfvoorbeeld met de aanhef: Al eccellen. S. dott. Giovanni Bontio ... Daaronder zeven regels in het Italiaans: De riverenza ch'io ho portato ... Ondertekend: D.V. Sig. Humiliss Ser. Velde. Links een zwaan in krulwerk. De prent maakt deel uit van een album.
Man voor een hek
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: fence, wall, paling, adult man (+ standing), civic architecture; edifices; dwellings

Pagina 69 uit een schetsboek met 44 bladen.
Monument voor Guy de Maupassant in Parc Monceau, Parijs
Object type: photograph
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: parc monceau
Artist: Anonymous
Subjects: paris, monument, statue
Beware of Derailment!, from "News of the Day"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: railways,men,trains
Lamp
Object type: lamp
Date: 1201 – 1400
Materials: earthenware
Techniques: glazing, molding
Location: egypt

This heavily potted lamp contains a closed reservoir that would have held burning oil and a wick. Soaked in the oil and lighted, the wick would transport the fuel to the flame. Similar ceramic lamps were common in Egypt in the thirteenth to fourteenth century, together with other examples in which the reservoir is placed on a stem.
Study of a Reclining Nude
Object type: print
Date: 1736 – 1800
Techniques: engraving, etching
Artist: jean edme nochez
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1800
Subjects: female nudes
Necklace
Object type: necklace
Materials: shell
Location: egypt
Portret van Martinus van Velden
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: priest (roman catholic), historical persons, martyr(s) (often with palm-branches)

Onder het portret is een achtregelig vers in het Nederlands geplakt.
Portret van een jonge vrouw, staand in een tuin bij een stoel
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, garden, chair
Souvenir bij het gouden huwelijksjubileum van Lucas Jonker en Maria Engelina Jonker van Zijp
Object type: marriage print
Date: 1878 – 1878
Materials: paper, silk
Techniques: chromolithography
Artist: Anonymous
Subjects: cut flowers; nosegay, bunch of flowers, marriage, married couple, 'matrimonium', banner, standard (as symbol of the state, etc.)

Klein vaandel met daarop de tekst: 'Feestviering der 50jarige Echtvereeniging van den Heer Lucas Jonker en Mevrouw Maria Engelina van Zijp. Bennebroek, 27 Juli 1878'. Op de achterzijde nog de tekst van het refrein van een lied (op de wijs van Henri's Drinklied). Bovenaan een bosje bloemen.
Ruiters in duinlandschap
Object type: print
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: riding a horse, ass, or mule; rider, horseman, dunes (sea not visible); in the dunes
Inscriptions: collector's mark: Lugt 2228

Een groep ruiters staat in een duinachtig landschap bij een plas.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Interior, three kylix fragments with top part of meander
Ritual Objects, from a Set of Initiation Cards (Tsakali)
Object type: painting
Date: 1301 – 1500
Materials: ink, paper, watercolor
Location: tibet
Bremen, Reiter mit Marktplatz
Object type: photomechanical print
Date: 1904 – 1904
Materials: paper
Techniques: photograph, writing
Location: bremen
Subjects: square, place, circus, etc., monument, statue
Inscriptions: annotation: ‘Jul. 03/ [...]’