deem-data/ArtiFact huggingface dataset:
Miroku Bosatsu
Object type: hanging scroll
Date: 1301 – 1400
Materials: gold, ink, silk
Culture: japanese
Subjects: bodhisattvas,maitreya

Miroku Bosatsu (Sanskrit: Maitreya Bodhisattva), the future Buddha, resides in the Tushita heaven, awaiting rebirth on earth. He usually has a princely appearance and holds a stupa. Legends say that Vasubandhu and Asanga, the great Indian philosophers of the Hossō sect, received teachings directly from Miroku Bosatsu. Shell powder was not used to build up the surface underneath the application of gold, suggesting that the painting was probably produced at the end of the Kamakura period, before that practice became prevalent.
Dress border
Object type: border
Date: 1801 – 1833
Materials: silk
Subjects: roses
Hilly Landscape with Figure in Foreground
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: Anonymous
Boom
Object type: sketchbook leaf
Date: 1874 – 1875
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: trees

Blad 34 verso uit een schetsboek met 46 bladen.
Gemicius en Sempronius
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: male persons from classical history
Inscriptions: inscription: ‘180’

Twee bloemkelken met twee mannen. Ze wijzen naar elkaar. De tekst identificeert hen als Gemicius (Genucius?) en Sempronius. De voorstelling is een fragment van de opeenvolging van Romeinse consuls in de Liber Chronicarum. De prent maakt deel uit van een album.
Coin (Noble) Showing Henry VI
Object type: coin
Date: 1422 – 1461
Materials: gold
Culture: british
Location: england
Subjects: coins
Ste. Eulalie, vierge et martyre (St. Eulalia, Virgin and Martyr), February 12th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: women,crucifixion,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Yellow-Green Hexagonal Glass Bottle with a Stylite Saint
Object type: bottle
Date: 434 – 700
Materials: glass
Techniques: molding
Culture: byzantine
Location: syria

The stylite saints depicted on tall glass vessels made in Syria were men who renounced the world and lived atop pillars (styloi). Most renowned was Saint Symeon the Stylite the Elder (389–459), whose pillar on the mountain of Qal‘at Sem‘an, near Antioch, became the center of a large pilgrimage complex. Pilgrims collected dirt from the base of his column.
Ex libris van G. Botta
Object type: bookplate
Date: 1916 – 1943
Materials: paper
Techniques: rotogravure
Location: italy
Subjects: politician, arm raised upward, woman (showing herself) undressed, quasi-nude, disabilities, deformations, eyes, sunrise
Inscriptions: number: ‘58’, workshop stamp: ‘M. Fingesten-es-1584 (?)’
Oude Zijds Kapel Steeg te Amsterdam
Object type: drawing
Date: 1870 – 1926
Materials: paint, ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: lane, alley
Portret van Niccolò Machiavelli
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: italy
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228
The Last Supper, from "The Passion of Christ"
Object type: print
Date: 1598 – 1598
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: food,men,women,christ,last supper,dining

Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas’s prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius’s famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin. The Passion of Christ was extremely popular during Goltzius’s own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius’s own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius’s original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170).
Portret van een meisje zittend op een stoel
Object type: drawing
Date: 1877 – 1913
Materials: chalk, paper
Artist: cornelis spoor
Artist role: draughtsman
Artist dates: 1867 – 1928
Subjects: sitting figure, anonymous historical person portrayed alone, girl (child between toddler and youth), chair
Bruges. Porte d'Ostende
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: bruges
Artist: Anonymous
Subjects: water course, gate, entrance, bruges
Flora
Object type: sculpture
Date: 1745 – 1749
Materials: bronze
Location: france
Artist: Anonymous
Portret van Louis-Antoine de Noailles
Object type: print
Date: 1694 – 1769
Materials: paper
Techniques: engraving
Artist: johann gottfried krügner (i)
Artist role: artist, print maker
Artist dates: 1684 – 1769
Subjects: paris, priest, louis-antoine de noailles, archbishop, bishop, etc. (roman catholic), cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret een onbekende vrouw, mogelijk mevrouw Courtois
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: historical person (with name) - bb - woman - historical person (with name) portrayed alone
Inscriptions: annotation: ‘1er état’, collector's mark: Lugt 2228

De identificatie madame Cousin is gebaseerd op een potloodaantekening op een latere staat van dezelfde prent in de collectie van het Rijksmuseum Amsterdam.
Falcon amulet
Object type: amulet, falcon
Date: 2040 – 1640
Materials: faience
Location: egypt
Subjects: falcons
S. Gimignano - Chiesa di S. Agostino - Coro (Particolare della Scuola - Benozzo Gozzoli)
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: san gimignano
Artist: Anonymous
Subjects: interior of church, picture, painting
Inscriptions: collector's mark: ‘AFE v S’, postage stamp
Bronze statuette of drunken Herakles
Object type: statuette of herakles, drunken
Date: 300 – 101
Materials: bronze
Culture: greek
Subjects: male nudes

Said to be from Smyrna The hero lists back, clearly inebriated, his stomach bloated and the muscles of his legs taut as he tries to maintain balance. On analogy with other statuettes of this type, he may have held his club in his left hand and a kantharos (two-handled drinking cup) in his right.
Marine bull, detail (recto) blank (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: bulls
Samlung verschiedner Blumen, Früchte, gewohnlicher Zierathen (...)
Object type: ornament print
Date: 1778 – 1779
Materials: paper
Techniques: etching
Location: augsburg
Subjects: vase ~ ornament, fruits
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een geornamenteerde vaas met midden onder een gevleugelde putto en diverse vruchten en bloemen links- en rechts boven. Uitgeversnummer 4.
Bekende tijdgenooten naar het leven geschetst
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: amsterdam, politician, historical persons, politician, e.g. party leader
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 22 september 1895.
Portret van Hendrik Willem Tydeman
Object type: print
Date: 1809 – 1863
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: utrecht, leiden, hendrik willem tydeman, historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Man en vrouw werkend in een boslandschap
Object type: photograph
Date: 1895 – 1918
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: willem de jong (fotograaf)
Artist role: arts, fotograaf
Artist dates: 1864 – 1918
Subjects: forest, wood, labour
Chrysanthemums
Object type: album leaf
Date: 1644 – 1911
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: flowers
Twistende kaartspelers en de Dood
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: antwerp
Subjects: (personifications of) 'vanitas', the vanity of human life; fragilità humana, fugacità delle grandezze & della gloria mondana, meditatione della morte, opera vana, piacere vano, vana gloria, vanità (ripa), card games, fighting
Inscriptions: collector's mark: Lugt 240

Twee kaartspelers zijn slaags geraakt, de oude man rechts zwaait met een kruik als wapen en zijn tegenspeler heeft de tafel met speelkaarten omgestoten terwijl een hand met een mes dreigend in de lucht steekt. De Dood komt tussenbeide door de man links bij de keel te grijpen en te zwaaien met een bot. Onder de prent staat een Latijns motto in twee regels dat zinspeelt op de ijdelheid (ledigheid) van de mens op het moment dat de dood in zicht is.
Jockey on a Horse
Object type: statuette
Date: 1877 – 1877
Materials: bronze, marble
Artist: isidore bonheur
Artist role: artist
Artist nationality: french
Artist dates: 1827 – 1901
Subjects: horses,jockeys

The horse, which belonged to Mr. William Astor, was called Ferncliff and was foaled in 1877.
Landscape with a Man Riding a Donkey
Object type: painting
Date: 1655 – 1684
Materials: canvas, oil
Artist: jan wijnants
Artist role: draughtsman, painter
Artist dates: 1632 – 1684
Subjects: riding a horse, ass, or mule; rider, horseman, low hill country
Inscriptions: signature: ‘J. Wijnants’

Landschap waarin een man op een ezel over een landweg gaat, gevolgd door een vrouw met kind. Op de achtergrond een kasteel aan een meer voor een heuvelrug.
Brigandine Plate
Object type: brigandine plate
Date: 1400 – 1450
Materials: metal, textile
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Stoelkussen
Object type: stoelkussen
Date: 1690 – 1710
Materials: down, silk
Location: amsterdam
Artist: Anonymous

Rechthoekige dikke stoelkussen van bordeaux rode zijden fluweel, rondom afgezet met wit / bruin gevlochten koord van zijde. De vulling van dons was oorspronklijk zonder binnenhoes in het kussen gestopt.
String of 6 beads
Object type: bead, string
Date: 1 – 400
Materials: glass
Location: egypt
Cup (gobelet litron) (one of nine) (part of a a service)
Object type: cup
Date: 1787 – 1787
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: roses
Chalons Encampment: Maneuvers on October 3 (Camp de Châlons: manoeuvres du 3 octobre)
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print
Location: france
Artist: gustave le gray
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1884
Subjects: paris

After achieving considerable success for his seascapes and studio work, Gustave Le Gray received a monumental commission from Napoléon III in 1857. The emperor asked Le Gray to document the newly inaugurated Camp de Châlons, a vast military training ground for 25,000 troops and 6,000 horses. Le Gray’s results were edited and collated into a series of presentation albums offered by Napoléon III to the principal officers participating in exercises held at the camp (this print is drawn from one such album). Unfazed by lengthy exposure times or the immensity of his subject, Le Gray displayed a characteristic sensitivity to composition and light. In this photograph, a mounted officer and a soldier in a bearskin cap are visible in the foreground, but the line of troops receding into the haze suggests the presence of unseen multitudes.
Nunney Castle Somerset
Object type: photograph
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: nunney
Artist: Anonymous
Subjects: castle, ruin of a dwelling, house, castle, etc., plants and herbs: ivy

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Gouddelverskamp aan den voet van den Brownsberg
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘30. / Gouddelverskamp aan den voet van den Brownsberg.’

Hut in het kamp van goudzoekers bij de Browns Berg. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Sickle Insert
Object type: sickle, insert, denticulate, backed, bi truncated, blade, tool, element
Date: 3100 – 2650
Materials: stone
Location: northern upper egypt

This small piece of flint was a key element to a successful agricultural season in ancient Egypt. Grain was a staple of the economy, as bread and beer made from grain were consumed daily. They also formed the foundation of eternal sustenance, as funerary offerings. Ancient Egyptians used sickles made from flint and wood to reap grain. Pieces of flint such as this one were shaped to fit into a wooden haft along with a number of other such inserts, and secured with an adhesive. The flint pieces provided a sharp edge to cut the grain stalks. With use, the flint would wear down and develop a shiny gloss. The flint inserts could be re-sharpened or replaced as needed. Flint, rather than copper alloy, was the primary material used to make sickles in Egypt until the first millennium B.C. when iron became more widely available. The reason for using flint was probably multifaceted and included considerations such as its abundance, its ease of manufacture compared to casting metal tools, flint’s proficiency at cutting grain, and the relationships between the people who made flint tools and the people who used them.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, on exergue, a cushioned stool; in the field, an aryballos; male wearing a himation holding a hare and leaning on a stick, facing a draped male to left; part of an inscription, HO PAIS KA[LOS]; Obverse, complete handle and handle palmettes and tendrils; two draped males facing one another; in the field, an aryballos?; draped male leaning on a stick with his right hand touching the himation of the draped male in front of him; part of a draped male to left
Statuette, Hooded Figure
Object type: statuette
Date: 1 – 300
Materials: stone
Culture: celtic
Subjects: human figures
Portret van Karel Rabenhaupt, baron von Sucha
Object type: print
Date: 1633 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
De Verovering van Bon, Brueil, Rynbach, Duyts, Zons, &c. Door Sijn Koninklicke Hoogheyt den Heere Prince van Oranje, nevens de geconjugeerde Keyserlijcke en Spaansche Volckeren
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), battle, fighting in general, rampjaar (disaster year)

Verovering van Bonn, Rheinbach, Brühl en andere Duitse steden door de prins van Oranje, 1673. Gezicht op de aan de Rijn gelegen Duitse steden in vogelvluchtperspectief. Op de voorgrond rechts feliciteren de prins en graaf Montecuccoli elkaar. Bovenaan een wapentrofee rond het wapen van de prins, links een portret van de prins, rechts het portret van Montecuccoli. Onder de voorstelling een beschrijving van de gebeurtenissen en de legenda A-Z in 3 kolommen in het Nederlands.
Ex libris van W.J.J. van Rossum
Object type: bookplate
Date: 1944 – 1944
Materials: paper
Techniques: printing block
Location: netherlands
Artist: antonius cornelis van den berg (ton)
Artist role: print maker
Subjects: w.j.j. van rossum, book
Inscriptions: workshop stamp: ‘Ontw: A.C. van den Berg / Cliché 1944’
Heilige maagden
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Artist: Anonymous
Subjects: female saints
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van onbekende omvang met kopieën naar prenten door Pieter de Jode I naar ontwerp van Jan van Mechelen. De prenten door Pieter de Jode werden gebruikt voor de publicatie: Rosweyde, Heribertus. Het leven der HH. Maeghden. Antwerpen: Jan Cnobbaert, 1626.
Galloon
Object type: galloon
Date: 1734 – 1766
Materials: metal thread
Fotoreproductie van een tekening van een familie in een veld met bloemen door Émile-Antoine Bayard
Object type: photograph
Date: 1870 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: émile-antoine bayard
Artist role: draughtsman, painter
Artist dates: 1837 – 1891
Subjects: family group, especially parents with their child(ren)
Inscriptions: inscription: ‘M-71-54’, date: ‘1870’
Arm van een kaarsenkroon in twee hoogten
Object type: chandelier
Date: 1650 – 1675
Materials: brass
Techniques: screwed, turning
Location: amsterdam
Artist: Anonymous

De S-vormige arm is aan de stamzijde voorzien van een nok met een opening om deze met een pin in de standring te kunnen vastzetten. Bij de stam is de arm op het eind versierd met een gestileerde dolfijnenkop en met twee krullen, waarvan de vormgeving aan het kwabornament is ontleend. Naar buiten toe eindigt de arm in een verdikking, waarin een van een schroefdraad voorzien gat is aangebracht ter bevestiging van de kaarsenhouder met de vetvanger. De arm is met behulp van hetzelfde model gegoten als de overige armen van de krans en heeft dezelfe grootte. De kaarsenhouder heeft een ronde zich naar boven toe versmallende en in een uitstekende rand overgaande vaasvorm op balustervoet met een van een schroefdraad voorzien eind, waarin onderaan het centergat. De vetvanger is aan de bovenkant naar het midden toe één keer verdiept. Aan de onderkant is zij geprofileerd op de rand en rond het gat op het enigszins bolvormige midden. De vetvanger heeft telkens zijn eigen grootte en is met behulp van hetzelfde model gegoten als de overige vetvangers van deze krans. De pin is voorzien van een knop in vaasvorm.
Dit is de achtste arm van de onderste standring, genummerd op de nok met de letter H.
Frederik August van Saksen Koning van Polen 1711
Object type: history medal
Date: 1711 – 1711
Materials: silver
Techniques: striking

Zilveren penning, op de voorzijde Frederik August te paard naar rechts, boven een versierd wapenschild, op de keerzijde twee tafels waarop de Saksische regalia te midden van zeven regels tekst.
Vaas op een voetstuk in de tuin van Versailles
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: gardens of versailles
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: garden vase
Inscriptions: number: ‘121.’, inscription: ‘E. Lamy's collection’
Terracotta oil lamp
Object type: lamp
Date: 101 – 200
Materials: terracotta
Culture: roman
Subjects: women,gladiators

Loeschcke Type 8. Mold-made. Discus: at right, gladiator, and, on left, woman. Raised ring-and-dot pattern between discus and nozzle (stylized volutes?). On base, in Greek letters: ZWIΛ/Y. Red-buff clay.
Aanzichten van Villa Grada en een ontwerp voor de plattegrond van de villa
Object type: sketchbook leaf
Date: 1856 – 1870
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: plan ~ architecture
Inscriptions: annotation: ‘[...]’

In 1870 lieten Maria Vos en haar vriendin Adriana Haanen in Oosterbeek een eigen huis met de naam Villa Grada bouwen.
Scherven aardewerk uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: earthenware, stoneware
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven roodakkend aardewerk uit V.O.C.-schip de 'Witte Leeuw'.
Plate
Object type: plate
Date: 1701 – 1800
Materials: brass
Techniques: engraving
Location: iran
Subjects: men

Later Iranian metalwork, such as this brass plate with a six-pointed star (or hexagram) in the center, attests to the continued use of this motif as a form of ornament. Other overlapping geometric shapes form a scalloped rosette on the interior of the plate. These are punctuated by standing and seated figures. The rim consists of a pattern of elaborate openwork that adds variety to the overall design. The combination of large geometric forms filled with vegetal, floral, and figural designs and the intricate openwork of the rim is characteristic of later Iranian metalwork.
Vue prise du Nord-Est de Philae - Village de Kolokina
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: villages,landscapes

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.