deem-data/ArtiFact huggingface dataset:
Landschap met de ruïne Huis ter Kleef en twee tekenaars
Object type: print
Date: 1742 – 1784
Materials: paper
Techniques: etching, roulette
Location: haarlem
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: drawing (+ artist at work), church (exterior), landscape with ruins, landscape with tower or castle, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

Landschap met de ruïne van het Huis ter Kleef te Haarlem, met links een molen en rechts een kerk. In een weiland graast vee en op de voorgrond zitten twee tekenaars.
Drie meubelpoten en handvat van vaas
Object type: drawing
Date: 1866 – 1900
Materials: paper, pencil
Techniques: drawing
Artist: Anonymous

De tafelpoot links heeft de vorm van een roofvogel.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Part of a round shield seen from the inside?
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Back of the head, neck, and shoulder of a draped woman to left with a sakkos on her head
Gezicht op de Herengracht
Object type: print
Date: 1824 – 1825
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: amsterdam
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., two-wheeled vehicle drawn by two animals, street
Inscriptions: collector's mark: ‘8,89’ Lugt 1641b, inscription: ‘Gezigt van de (...) Maaskamp a Amsterdam’

Onderwerpsrubriek binnen de Atlas Amsterdam: Haarlemmerplein, Halvemaansteeg, Handboogstraat, Handelskade, Haringpakkerij, Hartenstraat, Hasseltsteeg (Dirk van), Heerengracht.
Toyokuni shrine dedicated to Toyotomi Hideyoshi.
Object type: print
Date: 1947 – 1947
Materials: paper
Techniques: woodcut
Location: japan
Inscriptions: date

Gezicht op de ingang van de Toyokuni schrijn, met op de voorgrond een schooljongen.
Heilige Carolus Borromeus geeft pestlijders de laatste Communie
Object type: drawing
Date: 1662 – 1736
Materials: ink, paper
Techniques: brush, pen
Artist: claude guy hallé
Artist role: draughtsman
Artist dates: 1652 – 1736
Subjects: male saints (with name)
Portret van Jan Willem de Winter
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: paris, jan willem de winter, historical persons, commander-in-chief, admiral
Inscriptions: date
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed rim fragments from a kylix
Ring: Figure of Bes playing frame drum, sa (protection) before him
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: goddesses
Zeven gaven van de Heilige Geest
Object type: print
Date: 1593 – 1597
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the fume of abel's sacrifice goes straight to heaven, whereas the smoke of cain's offering is beaten down, god (or the hand of god) appears and blesses abel ~ sacrifice
Inscriptions: collector's mark: Lugt 2228

De offers van Kaïn en Abel (Genisis 4:3-4). De prent toont de passage waar Abel zijn godsdienstigheid demonstreert. Op de voorgrond Abels offeraltaar, waarop schapen aan God worden geofferd. De rook van het offer stijgt omhoog. Op de achtergrond, Kaïns offeraltaar, waarop korenschoven worden geofferd. De rook gaat omlaag. Boven in de lucht verschijnt God in de wolken. God keurt Abels offer goed. De prent heeft een Latijns onderschrift. De prent is deel van een serie met de verschillende gaven van de Heilige Geest.
Landschap met een grote boom in de knop
Object type: print
Date: 1946 – 1946
Materials: paper
Techniques: drypoint
Location: sussex
Subjects: trees, spring, 'ver'; 'primavera' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, annotation: ‘Martin Hardie’
Fragment of a Cornice
Object type: fragment of a cornice
Date: 501 – 700
Materials: limestone
Techniques: carving, relief
Location: egypt
Deurklopper.
Object type: door knocker
Date: 1400 – 1500
Materials: iron

Een ijzeren deurklopper met plaat. Afkomstig uit de verzameling D. van der Kellen.
John Law, de uitvinder van de windnegotie, in zijn zegekar, 1720
Object type: cartoon
Date: 1706 – 1706
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: chariot, triumphal car, person with a physical disability

John Law, de uitvinder van de windnegotie, in zijn zegekar getrokken door twee Franse hanen. Rechts de schildwacht van de Mississippi in een toren, op de voorgrond de 'kreupele koerier' van de Zuidzee-Compagnie. Gedrukt op het blad aan weerszijden van de plaat een vers in twee kolommen. Prent in de gebonden eerste uitgave (304 B 11) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Coin
Object type: coin
Materials: silver
Location: balkh
Jachtgezelschap met honden
Object type: sketchbook leaf
Date: 1873 – 1876
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hunter, resting - bb - out of doors, dog
Inscriptions: kleurnotitie, handgeschreven

Vermoedelijk rusten de mannen. Zij roken, zitten en liggen bij een boom. Blad 8 verso uit een schetsboek met 46 bladen.
Calvarium van de Notre-Dame des Accoules te Marseille
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: marseille
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: church (exterior) - qq - small church, chapel, façade (of house or building)
Inscriptions: inscription: ‘Calvaire Marseille’, number: ‘588’
Het Vrije van Brugge 1776
Object type: history medal
Date: 1776 – 1776
Materials: silver
Techniques: striking
Artist: theodorus victor van berckel
Artist role: mintmaster
Artist dates: 1739 – 1808

Zilveren penning, op de voorzijde het gesluierde portret van Maria Theresia met omschrift, op de keerzijde een ovaal wapenschild van het Vrije tussen een staande wildeman en een zittende vrouw, in afsnede SPQF.
De politiek en de Prov. Staten-verkiezingen
Object type: cartoon
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: voting, election, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 5 juni 1904.
Female Saint (Virgin and Child?)
Object type: sculpture
Date: 1470 – 1480
Materials: clay
Techniques: gilding, polychromy
Location: utrecht
Artist: Anonymous

The Virgin Mary (?). Pipeclay with remains of polychromy. Utrecht, c. 1480.
Beads, 3
Object type: bead, 3
Date: 7000 – 330
Materials: glass
Reclining Female Nude
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ lying)

Met haar handen achter haar hoofd. Blad 7 verso uit schetsboek III met 36 bladen.
Lied op den verrader Frans Vergonet
Object type: pamphlet
Date: 1906 – 1944
Materials: paper
Techniques: linocut, printing
Location: the hague
Subjects: political propaganda, printed edition of musical score, violent death by firearms
Inscriptions: collector's mark: Lugt 1641, collector's mark
Vier gipsen afgietsels van sculpturen, waarvan drie van Maria met kind
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation: ‘M 0.54 M 0.75 M 0.73 M 0.56’, annotation
Serie 9: Nederlandse en Duitse Gebeurtenissen, 1583-1587
Object type: print
Date: 1587 – 1591
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: delft

Gebhard Truchsess trekt in stoet met troepen richting Delft, 20 april 1584. Episode uit de Keulse Oorlog. Met onderschrift van 12 regels in het Duits. Linksonder genummerd: 202. De prent maakt deel uit van een album.
Inscribed Fragment of Vase
Object type: vase fragment
Date: 1390 – 1352
Materials: glass
Location: egypt
La Coquette Espagnole
Object type: print
Date: 1788 – 1888
Materials: paper
Techniques: etching
Subjects: europeans: spaniards, woman (showing herself) undressed, quasi-nude, veil, chest, bust - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Terracotta zoomorphic askos (vessel)
Object type: vase in the form of an animal
Date: 1900 – 1600
Materials: terracotta
Culture: cypriot
Subjects: animals
Meiping Vase
Object type: vase
Date: 1401 – 1433
Materials: glaze, porcelain
Culture: chinese
Covered Box
Object type: vessel
Materials: stoneware
Techniques: molding, underglaze
Location: china
Wintergezicht bij de Haringpakkerstoren te Amsterdam
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: tower, clock tower ~ monumental adornment, horse-sleigh, winter ~ human activities (the four seasons of the year), skates (winter sports), sledge, sleigh (winter sports)
Inscriptions: collector's mark: Lugt 1641b

Vanaf 1760 gaf Pierre Fouquet stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars uit. Deze prenten werden aanvankelijk los verkocht. Later werden ze samengebonden verkocht in verschillende volgordes en aantallen in:

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783. Deze 'uitgave' bestond waarschijnlijk alleen uit een titelblad en inhoudsopgave van de tot dusver 100 uitgegeven prenten, die de koper zelf aan zijn of haar reeds verzamelde prenten kon toevoegen. De hoeveelheid en volgorde van prenten verzameld onder deze titel verschilt dus sterk.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.

Ook werden er door verschillende uitgevers tussen 1788 (Amsterdam: Petrus Conradi) en 1805 (Amsterdam: Evert Maaskamp) heruitgaven gepubliceerd.
Goetz von Berlichingen Writing His Memoirs
Object type: print
Date: 1836 – 1843
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: armor,men,women,writing

The subject of this print is based on a scene in Goethe's play (published in German in 1773; and French in 1823) that tells the story of the life of a German knight (1480-1562) who fought to regain the privileges of free knights, nullified by the emperor Maximilian I in 1495. This lithograph is the fourth in a series of seven illustrations to Goethe's play Goetz von Berlichingen, executed by Delacroix between 1836 and 1843. For a preparatory drawing, see the work in the Robert Lehman Collection (1975.1.614).
Wine glass with the arms of Johan de Back
Object type: goblet
Date: 1750 – 1766
Materials: glass
Techniques: glassblowing
Location: northern netherlands
Artist: Anonymous
Subjects: rotterdam, the hague, willem iv (prins van oranje-nassau), armorial bearing, heraldry

translation of inscription: Privy Councillor and / Secretary to His / Highness, De Back
Vuurtoren op kaap Carbon te Algerije
Object type: album leaf
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Subjects: lighthouse, lightship, cape (coast)
Inscriptions: annotation: ‘Kaap Carbon en vuurtoren van Bougie’, check stamp: ‘J. Kuhn Editeur/ 220 Rue de Rivoli Paris’, number: ‘208’
Viewing Maple Trees
Object type: print
Date: 1835 – 1835
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Inscriptions: Signature: Kochoro Kunisada ga
Dijkwerkers
Object type: print
Date: 1960 – 1990
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: dikes, levee, labour
Inscriptions: collector's mark: Lugt 2228
Portret van een man
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult man, historical persons
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic
Artist: lyandros painter
Artist role: artist

Interior, lower drapery and toes of figure to right; Exterior, block with three line inscription; base?
Box with cover
Object type: box with cover
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: animals
Pet Peacock, from the Household Pets series (N194) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,peacocks

Trade cards from the "Household Pets" series (N194), issued in an unnumbered set of 25 in 1891 by Wm. S. Kimball & Co. to promote Sweet Lavender, Old Gold, Black and Tan, and Hard Tack Tobacco.
Gezicht op een villa te Harrow
Object type: page
Date: 1884 – 1889
Materials: paper
Techniques: photolithography
Location: harrow
Artist: Anonymous
Subjects: villa
Inscriptions: inscription: ‘E.S. Prior M.A. Architect/ The Architectural Illustration Society. Second Series Plate No.127’

Prent op vierde ongenummerde pagina na pagina 34.
Paysan corfiote
Object type: ansichtkaart, prentbriefkaart
Date: 1895 – 1905
Materials: paper, photographic support
Techniques: gelatin silver print
Location: corfu
Subjects: studio requisites ~ photographer, farmers, folk costume, regional costume

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Ornements de paneaux a la Romaine
Object type: ornament print
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: france

De man links ontspruit uit een bladrank en houdt een draperie boven de vrouw.
Fotoreproductie van het schilderij In 't Gein bij Abcoude door Willem Roelofs
Object type: photograph
Date: 1877 – 1895
Materials: cardboard, paper
Techniques: carbon print
Location: amsterdam
Subjects: river, abcoude
Inscriptions: inscription: ‘N. 1205 (...) Sted. Mus. A'dam’
Water Pavilion by Twin Pines
Object type: painting
Materials: ink, paper
Location: china
Artist: guo xi
Inscriptions: Seals on painting: 11 seals in total, of which 2 have been deciphered: 

1. seal on the middle left edge reading 'Lan'an jushi', or 'The Lay Buddhist of the Retreat for Idleness': this may be the seal of the artist. This was the style-name of the 14th-century Yuan artist Wu Fang, and might therefore be attributed to his hand. 

2. second seal from the top on the left edge: reads 'Runzhou Dai Zhi zi Peizhi jiancang shuhua zhang' (Seal of the Calligraphy and Painting Collection of Dai Zhi, stylename Peizhi, of Runzhou), and belongs to the collector Dai Zhi (act. first half of 19th C.). 

With the painting is a separate handscroll of colophons, which carries a photographic reproduction of the painting:
1. frontispiece by Luo Zhenyu (1866-1940), dated 1921, "Heyang Mo miao' (Wondrous Ink by Heyang (Guo Xi)).
2. title label to the photographic reproduction mounted on the scroll, inscribed by Luo Zhenyu: "Song Guo Heyang (Guo Xi) Shuangsong shuige tu, shenpin" (Twin Pines by the Water Pavilion, by Guo Xi of the Song dynasty, divine class).
3. first colophon to the photographic reproduction, by Luo Zhenyu: providing art-historical commenary to the work of Guo Xi.
4. second colophon, by Mr. Nagao, dated 1922: providing biographical and art-historical commentary on Guo Xi's painting activities, and a stylistic evaluation of this painting amongst other works attributed to Guo Xi viewed by the author.
5. third colophon, by Naito Konan, dated 1924:  providing and art-historical evaluation of Guo Xi's accomplishments in the development of landscape painting since the Five Dynasties, and a stylistic appreciation of this painting in comparison to other transmitted paintings viewed by the same author.
two colophons written in Chinese by the Japanese historian Naito Konan (1866-1934), a leading authority on Chinese painting.
3. one colophon by a Mr. Nagao.

This landscape was attributed to the Northern Song court painter Guo Xi (c. 1001-c. 1090) by the authors of early 20th-century colophons that accompany the painting. The depiction of figures gazing out from two water pavilions at the foot of a rocky outcrop—as well as a dramatic clusters of old pine-trees and billowing, restless forms of mountain-ridges that rise from valleys into the high distance—are all features associated with Guo Xi’s iconic landscapes. The relatively looser composition and hybrid brushwork, however, point to a Yuan re-interpretation of this Northern Song style. A seal on the painting that may be associated with a Yuan scholar named Wu Fang supports this fourteenth-century date.
Genie de la Musique
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: madame la marquise de pompadour
Artist role: artist
Artist nationality: french
Artist dates: 1721 – 1764
Subjects: children
Stier met voorpoten op een verhoging
Object type: titelprent, frontispice
Date: 1619 – 1619
Materials: paper
Techniques: colour, engraving
Location: châteaudun
Artist: jean toutin
Artist role: print maker
Artist dates: 1578 – 1644
Subjects: ornaments ~ art, title-page, sheep, bee-hive, ox
Inscriptions: inscription: ‘63’

Een stier of os met de titel van de serie tussen zijn horens en zijn voorpoten op een verhoging met twee pilaren en mascarons. Aan beide zijden een bijenkorf en op de voorgrond twee grazende schapen en een kip in een mand met eieren. Bovenaan een putto met een guirlande en een lint met het devies: Sic vos non vobis. Linksonder genummerd I. De prent maakt deel uit van een album.
Zittende figuren aan een kade
Object type: sketchbook leaf
Date: 1868 – 1887
Materials: pencil
Artist: jan willem van borselen
Artist role: draughtsman, print maker
Artist dates: 1825 – 1892
Subjects: landscapes (+ landscape with figures, staffage), quay

Blad 18 recto uit een schetsboek met 51 bladen.
Ochiyo en Hanbei nemen de benen
Object type: print
Date: 1780 – 1784
Materials: paper
Techniques: woodcut
Location: japan
Artist: torii kiyonaga
Artist role: draughtsman, print maker
Artist dates: 1752 – 1815
Subjects: elopement, running away

Ochiya en haar man Hanbei, opkijkend naar een koekoek, onder een paraplu.
Blad met hoorns, egels en insecten
Object type: book illustration
Date: 1736 – 1775
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: animals (+ antlers; horn), other mammals: hedgehog, insects
Inscriptions: collector's mark: Lugt 2228

Blad met hoorns, egels en insecten. Bij elk een letter die naar de legenda verwijst.
Bookbinding
Object type: bookbinding
Date: 1601 – 1700
Materials: board, leather, paper
Location: india
Subjects: birds,flowers
Eerste gehoorgeveing van Z.K.H. den soevereinen vorst der vereenigde nederlanden te Amsterdam, op den 2den van wintermaand 1813
Object type: book illustration
Date: 1814 – 1816
Materials: paper
Techniques: etching
Location: the hague
Subjects: the hague, berlin, william i of the netherlands, landing of william frederick i (1813)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Konijnenburg, J. Nationaal gedenkboek der hernieuwde Nederlandsche unie, van den jare 1813. Den Haag: Johannes Allart, 1816.
Scène uit Tasso's 'La Gerusalemme liberata'
Object type: print
Date: 1735 – 1800
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: torquato tasso, head-gear: turban, the corpse, horse
Inscriptions: collector's mark: Lugt 240

Een scène uit Tasso's 'La Gerusalemme liberata'. Een vrouwenfiguur met een helm en een figuur met een tulband staan bij een paard. Ze vinden twee dode lichamen in een landschap. Tekst en wapenschild in ondermarge.
Plaque fragment
Object type: relief
Date: 800 – 601
Materials: ivory
Culture: assyrian
Location: mesopotamia

Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C. This small broken piece of ivory, showing a flower emerging from a volute, was originally part of a plaque. Carved ivory plaques were widely used in the production of elite furniture during the early first millennium B.C. They were often inlaid into a wooden frame using joinery techniques and glue, and could be overlaid with gold foil or inlaid with colored glass or stone pieces to create a dazzling effect of gleaming surfaces and bright colors. This fragment contains thin-walled carved cells, called cloisons, that were filled with colored inlays. One inlay, a petal in the farthest left cloison, is still in place, but has changed from what was probably originally red to a greenish color. Traces of blue and red color that remain in the other three cloisons are left by the material that fixed the inlays in place rather than by the inlays themselves. When the royal buildings at Nimrud were sacked during the fall of Assyria in 614 and 612 B.C., looters stripped the gold inlay from the ivory furniture and left the broken pieces behind. Floral forms such as the blossom and volute on this piece formed the background of many ornately carved inlaid ivories.
Furisode
Object type: costume and accessory
Date: 1701 – 1800
Materials: gold leaf, paper, silk
Techniques: bookbinding, dyeing, interlacings, lacquer, lining, patterning, weave
Location: japan
Portret van Johan VIII, graaf van Nassau-Siegen
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: historical persons
Inscriptions: stamp, collector's mark: Lugt 1641

Portret van Johan VIII in een ovaal met randschrift. In een kader zes regels Latijnse tekst. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Portretten, Portretten van Vorsten uit het huis van Oranje, Niet regeerende Vorsten.
Gezicht op de Tempel van Hercules Invictus te Rome
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, temple, shrine ~ non-christian religions
Inscriptions: number: ‘6’
Ugliness and Beauty, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847