deem-data/ArtiFact huggingface dataset:
Verschillende dieren
Object type: print
Date: 1636 – 1692
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: cat, hunting dogs, hunter, friendship between man and animal; caressing, petting
Inscriptions: collector's mark: Lugt 2228

Kopie naar gelijknamige prent uit een achtdelige serie met voorstellingen van verschillende dieren door Pieter Bodding van Laer.
Servet met Orpheus te midden van de dieren
Object type: napkin
Date: 1650 – 1650
Materials: linen
Techniques: damask
Location: haarlem
Artist: Anonymous
Subjects: orpheus playing the lyre: trees and rocks move, beasts and birds are enchanted
Inscriptions: mark: ‘NM 12097’

Servet van linnendamast met Orpheus te midden van de dieren. Middenveld: Het symmetrisch verdubbeld patroon vertoont Orpheus gezeten te midden van de dieren. Staande randen: honden die op een hert en een haas jagen. Liggende randen: jager met hoorn, speer en hond die jaagt op een hert en een haas. Hoeken: een jager met een hond.
A Temple Elephant, Ceylon
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1903
Materials: cardboard
Techniques: photograph
Location: colombo
Subjects: adult man ( + one person), trunked animals: elephant
Plate Ten from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
Object type: engraving
Date: 1660 – 1660
Techniques: engraving
Culture: french
Location: france
Artist: c. jacquinet
Artist role: engraver
Artist nationality: french
Artist dates: 1625 – 1675
Subjects: ornament

Little is known about the royal gunmakers, Thuraine and Le Hollandois, who published the pattern book from which this sheet comes. It remains a rare and important document of Parisian gunmaking and the leading style of firearms ornament early in the reign of Louis XIV.
Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 15 (recto)
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: flowers

Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right: Design composed of 4 vertical columns printed upon a grid. The first 3 columns consist of 2 decorative lines that flank a central blank line, which all terminate with a singular ornamental motif with a point. The fourth column is decorated with an alternating pattern of 2 different types of flowers.
Briefkaart aan Jan Veth
Object type: postcard
Date: 1901 – 1901
Materials: cardboard, ink
Techniques: pen, writing
Location: baarn
Artist: karel johan lodewijk alberdingk thijm
Artist role: criticus, prozaschrijver
Artist dates: 1864 – 1952
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth
Inscriptions: collector's mark: ‘RPK’
Heilige Familie
Object type: print
Date: 1626 – 1657
Materials: paper
Techniques: etching
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 789a, collector's mark: Lugt 2228
Kind schuilt voor onweer in een grot
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: woodcut, pasting
Location: amsterdam
Subjects: thunderstorm
Inscriptions: collector's mark: Lugt 2165

Prent uit: Herman Hugo, Pia desideria emblematis, elegiis & affectibus S. S. Patrum illustrata, Antwerpen 1628. Volgens de titelpagina verscheen dit werk in Antwerpen bij Hendrick Aertssens, in werkelijkheid verscheen het in Amsterdam bij Pieter Jacobsz Paets (Dietz 2012, p. 58-59).
Beeld van een zittende vrouw
Object type: decoratief object
Date: 1800 – 1900
Materials: wood
Location: germany
Artist: Anonymous

Beeld van een zittende vrouw, de handen gevouwen op schoot.
Letter V: kinderen verbinden de arm van een kind
Object type: book illustration
Date: 1543 – 1543
Materials: paper
Techniques: woodcut
Subjects: letters, alphabet, script, physiology and anatomy
Inscriptions: collector's mark: Lugt 2227

Prent uit: Vesalius, Andreas. De Humani Corporis Fabrica. Bazel: Jan Herpst, 1543.
Arming Sword
Object type: arm
Date: 1520 – 1530
Materials: iron, silk, steel, textile, wood
Techniques: gilding
Culture: italian
Location: italy
Design for 8 spring Victoria, no. 3920
Object type: drawing
Date: 1884 – 1884
Materials: gum arabic, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Militair in de regen
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: downpour, rain shower, private soldier
Inscriptions: collector's mark: Lugt 2228, inscription: ‘[...] den regen’

Negende prent uit een serie van twaalf taferelen die 'Natürliche und affectirte Handlungen des Lebens' (tweede serie) illustreren waarin 'natuurlijk' en 'geaffecteerd' gedrag op karikaturale wijze tegenover elkaar worden gezet. Deze taferelen zijn op een plaat geëtst. Een latere staat van deze serie, voorzien van toelichtingen door Georg Christoph Lichtenberg, is ook gebruikt in: Almanac de Goettingue pour l'année 1780. Göttingen: Johann Christian Dieterich.
Initiation Card (Tsakalis): Bhumirgharba
Object type: initiation card
Date: 1401 – 1433
Materials: paper, watercolor
Culture: tibetan
Subjects: buddhism,deities

These tsakali cards, when arranged on the ground as a mandala, create a fixed sacred space like a temple. They show the celestial Buddhas, bodhisattvas, protectors, and, at bottom, the six possible realms of rebirth. Monastic teachers used tsakali cards to align (initiate) a disciple with one of many Vajrayana Buddhist deities. The disciple sought permission from the deity (via dream or supervised by a teacher) and visualized the deity as described in recited mantras and represented on the card. A Nepali artist probably made this set for a Tibetan patron of the Nyingma school of Tibetan Buddhism.
Rapier
Object type: arm
Date: 1610 – 1620
Materials: metal alloy, metal, silver, steel
Culture: italian
Location: italy
Landschap met water
Object type: sketchbook leaf
Date: 1828 – 1894
Materials: paper, pencil, watercolor
Techniques: brush
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: landscapes, landscapes with waters, waterscapes, seascapes (in the temperate zone), artist (in general) making preliminary designs, sketching

Pagina 45 verso uit een schetsboek met 50 bladen.
Interieur met een handwerkende vrouw bij een raam
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paint, paper
Techniques: brush
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: sitting figure, adult woman, window, interior of the house, home sewing; repair of clothes

Blad 26 verso uit een schetsboek met 51 bladen.
Iustitie van Carel de[n] Stoute[n] hert van Bourg. etc. grave van Holl: Zel: etc. over seker Gouv. in Zelant
Object type: history print
Date: 1660 – 1695
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: earl, charles the bold (duke of burgundy), juridical examples; exemplary judges; 'gerechtigkeitsbilder', zeeland, burgundian netherlands

Rechtspraak van Karel de Stoute over de gouverneur van Zeeland, ca. 1474. De gouverneur van Zeeland (of Gelderland) doodt de man (P. Stalins) en verkracht de weduwe. De hertog dwingt de gouverneur eerst met de weduwe te trouwen en laat hem vervolgens onthoofden. Ook bekend als het verhaal van Rhynsault en Saphira.
Pa in Suriname
Object type: photograph
Date: 1909 – 1909
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, historical persons not known by name, suriname
Inscriptions: inscription: ‘Pa in Suriname, Javanen’

Foto met zes volwassenen en drie kinderen tussen bananenplanten in Suriname. Het gezelschap bestaat uit drie blanke volwassen mannen, vermoedelijk Nederlanders, een Javaans gezin, bestaande uit een man en een vrouw en drie kleine kinderen, en een Creoolse vrouw. Op de achterkant een opschrift.
Zittend meisje
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: girl (child between toddler and youth) (+ sitting)
Inscriptions: annotation: ‘Paul’

Pagina 42 uit een schetsboek met 29 bladen.
Portret van een meisje, staand op een sofa
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: le havre
Artist: angelo maria alessio caccia
Artist role: fotograaf
Artist dates: 1802 – 1877
Subjects: historical persons - bb - woman, girl (child between toddler and youth), couch, sofa, settee
Inscriptions: inscription: ‘Portrait - Album/ A. CACCIA, Phot. - 126, Bould. de Strasbourg/ HÂVRE’
Sixteenth-century-style pendant
Object type: pendant
Date: 1801 – 1900
Materials: enamel, gold, pearl, gemstone
Artist: albrecht dürer
Artist role: maker
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: mermaids
Zittende hond
Object type: tracing
Date: 1777 – 1777
Materials: chalk, paper
Location: amsterdam
Subjects: dog

Over de calques van Ploos van Amstel zie LNP, p. 201.
Bronze statuette of a bull
Object type: statuette of a bull
Date: 101 – 200
Materials: bronze
Culture: roman
Subjects: bulls

The bull was a powerful symbol in many ancient religions, none more so than in that of Egypt, where the animal was worshipped as the god Apis. The Romans found it easier to accept the Apis bull than some of the more exotic deities of the Egyptian pantheon, like the ibis-headed god Thoth or the jackal-headed Anubis, and they ridiculed Egyptians as worshippers of animals such as cats and crocodiles.
Waterval van Arpenaz nabij Sallanches, Frankrijk
Object type: stereograph
Date: 1867 – 1867
Materials: cardboard, paper
Techniques: albumen print
Location: sallanches
Artist: eugène savioz
Artist role: fotograaf
Subjects: waterfall
Inscriptions: number: ‘No. 2’
Drie meisjes in kimono's
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: girl (child between toddler and youth), anonymous historical persons portrayed in a group, in a group-portrait
Portret van Jan Willemsz Bogaert
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: jan willemsz bogaert
Inscriptions: collector's mark: Lugt 964

Portret van Jan Willemsz Bogaert, oud schepen van Amsterdam en verbannen wegens verzoekschrift tegen de Remonstranten.
Pictorial relief, Aten rays
Object type: pictorial relief, aten ray
Date: 1353 – 1336
Materials: limestone
Location: egypt
The Nativity
Object type: tazza
Date: 1538 – 1538
Techniques: maiolica, glazing
Artist: fra xanto avelli da rovigo
Artist role: artist
Artist dates: 1486 – 1582
Subjects: angels,madonna and child,nativity
Taanstraat te Amsterdam
Object type: drawing
Date: 1870 – 1926
Materials: ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: street, amsterdam
Statue of the Dying Gaul
Object type: drawing and watercolor
Date: 1775 – 1775
Materials: charcoal, crayon, paper
Techniques: drawing, stumping
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
La Condamnation a Mort (The Condemnation to Death), from "La Grande Passion" (The Large Passion)
Object type: print
Date: 1619 – 1624
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Étude aux deux crayons par Z. Gengembre
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: lithography
Location: paris
Subjects: beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228a
Two Women Washing Their Hair
Object type: print
Date: 1767 – 1768
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Overvest (kataginu)
Object type: overvest kataginu
Date: 1615 – 1868
Culture: japanese
Zie hier, o lieve jeugd! van uit het verre Oosten, / Veel volkeren bij een, elk in zijn kleederdragt, / Tartaar en Arabier, Armeniers, Kalmukken, / Vindt gij, tot uw vermaak, hier nu te zaam gebragt
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: den bosch
Artist: Anonymous
Subjects: asiatic races and peoples, human types, characters (human types)
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van verschillende figuren uit het Oosten. Onder elke afbeelding een onderschrift. Genummerd midden boven: No. 39.
Officierskruis van het Legioen van Eer van I.J.A. Gogel
Object type: ordeteken
Date: 1808 – 1811
Materials: gold
Techniques: casting, forging, sewing, striking, weave
Location: france
Artist: Anonymous
Subjects: napoleon i (emperor of the french)
Inscriptions: edge inscription: ‘HONNEUR ET PATRIE’, edge inscription: ‘NAPOLEON EMP. DES FRANCAIS’

Decorations and medals, 1806-1813. King Louis Napoleon instituted two national orders: the Order of Merit, with the motto 'do well and do not look back', and the Order of the Union, with the motto 'luctor et emergo'. A year later the two orders were merged to form the Royal Order of Holland, renamed the Royal Order of the Union after 1808. Instead of the king's head, the medal showed a bundle of arrows. When the Netherlands was annexed by France in 1810, Emperor Napoleon introduced the Order of Reunion to replace the Order of the Union. These decorations were originally awarded to I.J.A. Gogel, who served for many years as minister of finance.
Gewonde krijgsman
Object type: print
Date: 1837 – 1886
Materials: paper
Techniques: drypoint, etching
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: landscapes, hacking and thrusting weapons, infections and wounds, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228

In een landschap verbindt een krijgsman zijn gewonde linkerbeen. Rechts naast hem ligt het levenloze lichaam van een soldaat, en links zijn rapier. Op de achtergrond zijn enkele naaldbomen en de contouren van een verwoeste gevel te zien.
Schaal met druiven en ander fruit
Object type: print
Date: 1896 – 1944
Materials: paper
Techniques: woodcut
Artist: emilius wilhelmus dehé
Artist role: draughtsman, print maker
Artist dates: 1886 – 1947
Subjects: fruit, grape
Inscriptions: collector's mark: Lugt 2228
Elevation of a Domed Corinthian Temple
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: architecture,temples
Monnikbeker
Object type: cup
Date: 1600 – 1610
Materials: earthenware, glaze
Location: netherlands
Artist: Anonymous

Beker van loodglazuuraardewerk, in de vorm van een monnik. De beker is bedekt met groene en gele loodglazuur. De capuchon op de rug vormt de beker. Aan de rechterarm hangt een groen tasje. Langs de onderrand van het kleed zijn rozetten aangebracht.
Pair of Wheellock Pistols
Object type: pair of wheellock pistol
Date: 1634 – 1666
Materials: steel, wood
Culture: italian
Location: italy
Artist: giovan antonio gavacciolo
Artist role: lock maker
Artist nationality: italian
Artist dates: 1625 – 1675

Gavacciolo was considered among the best lockmakers and most gifted steel-chiselers in Brescia. His work was so highly valued that the Venetian government presented sets of Gavacciolo's firearms to King Louis XIII of France (reigned 1610–43) and the King of Persia.
Decanter
Object type: decanter
Date: 1850 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Een post-unie met Duitschland
Object type: cartoon
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., (playing with) dolls, (playing with) toys, political caricatures and satires

Germania (Duitsland) wil de Nederlandse Maagd, als meisje, een doos (de postunie) geven om mee te spelen. Nederland wil echter liever alleen met haar eigen speelgoed (Indonesische en Surinaamse poppen, speelgoed trein) blijven spelen.
The Triumph of Henry IV
Object type: painting, sketch
Date: 1630 – 1630
Materials: oil, wood
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: kings,men,women,horses,chariots

This energetic sketch shows Henry IV, king of France, entering Paris “in the manner of the triumphs of the Romans,” as described in Rubens’s contract of 1622. Rubens was commissioned to paint forty-eight large canvases for the king’s widow, Maria de’ Medici, to decorate the Palais de Luxembourg. Those depicting her life (now at the Musée du Louvre, Paris) were finished in 1624, but little of the companion series devoted to her husband was completed before Maria’s banishment from France in 1631. The present oil sketch is the last of four in which Rubens worked out his heroic allegory of events from recent history.
Chute d'eau, Mont Cenis
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: col du mont cenis
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: waterfall
Inscriptions: inscription: ‘Vues de la Suisse Savoie et Italie’, number: ‘442’
A Labour of Love, from "Illustrated News of the World"
Object type: print
Techniques: engraving
Artist: thomas francis dicksee
Artist role: artist
Artist nationality: british
Artist dates: 1819 – 1895
Subjects: children,women,dogs

A student of Henry Perronet Briggs, Dicksee came from a family of artists and exhibited at the Royal Academy from 1841 through 1895. He specialized in historical and genre subjects and often portrayed actors in roles. Between 1873 and 1895 the artist produced a series of evocative full-length depictions of leading female characters from Shakespeare, shown within landscapes, including "Ophelia" (1875), "Juliet" (1875), "Cleopatra" (1876), and "Miranda" (1895). The present representation of a young woman who joyfully carries a young boy through a rocky Welsh landscape anticipates those dramatic works, and was shown by Dicksee at the British Institution in 1860, then engraved for the "Illustrated News of the World."
Adreskaart van lijstenhandel Petri te Amsterdam
Object type: business card
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: printed matter

Bij gebrek aan gegevens over de vervaardiger is voor de bepaling van de rechten van dit object gebruik gemaakt van de vervaardigingsdatum.
Landschap met geit op brug
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: landscape with bridge, viaduct or aqueduct

Bosachtig landschap met hoge rotspartijen aan weerszijden van een beek. Over het water een houten brug waar een geit en een man met een mand op zijn rug lopen. Een tweede persoon zit op een rotsblok.
Man met knapzak
Object type: print
Date: 1630 – 1706
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: river, carrying something in basket, bag, rucksack, etc.

Een man met een knapzak loopt langs de waterkant. Op de rivier een boot en aan de overkant een heuvellandschap met huizen. De prent maakt deel uit van een serie van 32 prenten met genretaferelen.
Dijkrichter van de Zwyndrechtse waard
Object type: drawing
Date: 1772 – 1844
Materials: chalk, paper
Artist: cornelis apostool
Artist role: draughtsman, print maker
Artist dates: 1762 – 1844
Subjects: anonymous historical person portrayed
Inscriptions: caption: ‘Dijkrichter van de Zwyndrechtse waard / Accordeerd met deszelfs Principaal voor zo (...) het geextra(...) aangaat / door C Apostool’
Sword Guard (Tsuba)
Object type: sword guard tsuba
Materials: gold, silver
Culture: japanese
Location: japan
Subjects: dragons
Vrouwenschoentje (Cypripedium calceolus)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: orchid, flowers: lady's-slipper orchid

Orchidee vrouwenschoentje of venusschoentje. Genummerd rechtsboven: 62. Hier ook de naam in drie talen. Onderdeel van het eerste album met tekeningen van bloemen en planten. Achtste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Servet met schepen, vissen en de wapens van Scipio Meckama van Aijlva en Lucia van Eysinga
Object type: napkin
Date: 1661 – 1661
Materials: linen
Techniques: damask
Subjects: lucia van eysinga, scipio meckama van aijlva
Inscriptions: mark: ‘L.V.A. 1661’

Servet van linnendamast met schepen, vissen en de wapens van Scipio Meckama van Aijlva en Lucia van Eysinga. Middenveld: het symmetrisch patroon vertoont: twee schepen, dolfijnen, zeemeerminnen, zeepaarden en diverse vissen. Staande randen: vis- en schaaldieren. In de brede liggende randen: een tak met bloemen, waaronder twee wapens met de onderschriften SCIPIO MECKAMA VAN ALVA en LUCIA VAN EYSINGA ANO 1661. In de hoeken geborduurd L.V.A. 1661.