deem-data/ArtiFact huggingface dataset:
Jan Blanken Jansz., Superintendent of Waterworks
Object type: painting
Date: 1820 – 1838
Materials: canvas, oil
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: jan blanken jansz., historical persons

Jan Blanken, by J.A. Daiwaille, c. 1825. Hydraulic engineer Jan Blanken (1755-1838) played a key roll in the development of the Dutch water authority after 1800. Despite the political turmoil of those years, this was a period in which major projects were initiated. Under a succession of Dutch governments, Blanken supplied the country with docks, harbours, canals and fortifications. One of his best-known works is the North Holland canal, opened in 1824. In the painting in the background is the entrance to the canal, the Willem sluice at Amsterdam, named after the man who commissioned the work, King William I. Here Blanken is portrayed in his official uniform. Like Goudriaan, he was appointed inspector general of the water authority in 1808. Blanken supported the wearing of uniforms: the corps of engineers was organised along military lines.
Brief aan Ary Johannes Lamme
Object type: letter
Date: 1862 – 1862
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jean zacherie mazel
Artist role: draughtsman, print maker
Artist dates: 1792 – 1884
Subjects: dordrecht, painter, print maker, draughtsman, sculptor, ary scheffer, ary johannes lamme, sculpture
Inscriptions: collector's mark: Lugt 2228
Plate
Object type: plate
Date: 1912 – 1912
Materials: earthenware
Artist: andré metthey
Artist role: designer
Artist nationality: french
Artist dates: 1871 – 1920
Subjects: adam,eve

At a time when many decorative artists were mining the sources of their craft for material to transform into new, meaningful forms of expression, the archetype of the human figure continued to inspire: the elegant, active, and muscular figures of Adam and Eve—together with the acanthus-tip border—demonstrate Metthey’s interest in Hellenic pottery.
The church of St. Jacques, Antwerp
Object type: photograph
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: antwerpen
Subjects: parts of church interior: aisle, interior of church
Karnak (Thèbes), Palais - Salle Hypostyle - Vue Générale Prise du Point Q
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: columns,ruins
Medal
Object type: medal
Date: 1776 – 1783
Materials: brass, gilt
Location: france
Subjects: men,profiles
Enkhuizen. Chyrurgynskaemer
Object type: photomechanical print
Date: 1909 – 1930
Materials: cardboard
Techniques: photograph
Location: amsterdam
Subjects: (human) skull, permanent exhibition, museum

De chirurgijnskamer bevond zich in het Waagmuseum te Enkhuizen.
I Elck wat wils
Object type: print
Date: 1614 – 1614
Techniques: engraving, printing
Location: amsterdam

I Elck wat wils. Tweede schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Scarab Finger Ring
Object type: ring, scarab, ramesses ii
Date: 1279 – 1213
Materials: bronze, copper alloy, stone
Techniques: glazing
Location: egypt
Triomfen van Petrarca
Object type: print
Date: 1563 – 1567
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues, 'trionfo della castità', 'triumphus pudicitiae'; 'carro della castità' (ripa), (story of) p. cornelius scipio africanus minor (p. cornelius scipio aemilianus), constancy, tenacity; 'costanza', 'tenacità' (ripa), female persons from the old testament (with name) (not in biblical context), joseph (not in biblical context)

De wagen van Kuisheid (Pudicitia), een gesluierde vrouw, wordt getrokken door eenhoorns, legendarische kuise dieren. Amor zit geblinddoekt en vastgebonden aan haar voeten. In de stoet lopen kuise figuren uit de geschiedenis, de Bijbel en de klassieke mythologie, bijvoorbeeld de Romeinse veldheer Scipio, Jozef, Susanna en de eerzame Judit, met in haar hand het hoofd van Holofernes. Ook de deugden Zelfbeheersing (Continentia) en Matigheid (Temperantia) zijn in de stoet aanwezig. De wagen rijdt richting de tempel van Kuisheid. Onder de voorstelling een verklarende tekst in het Latijn. Deze prent maakt deel uit van een album.
Sacrifical Axe (Matchu)
Object type: sacrifical axe matchu
Date: 1601 – 1800
Materials: steel
Culture: indian, thanjavur
Location: india
Box-board for chess and backgammon
Object type: chess and backgammon board
Date: 1801 – 1900
Materials: bone, brass, mother of pearl, wood
Subjects: chess
Octagonal bowl with water landscape and scholars
Object type: bowl
Date: 1630 – 1645
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Achthoekige kom van porselein met twee oren waarvan het einde is gemodelleerd in een monsterkop die in de rand van de kom bijt, beschilderd in onderglazuur blauw. De wand is verdeeld in acht vakken met afwisselend een rivierlandschap of een geleerde in een landschap. Overgangsporselein in blauw-wit.
Portret van Wladislaus IV van Polen
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: wladislaus wasa (iv), historical persons, knighthood order of the golden fleece, king
Inscriptions: collector's mark: Lugt 2228, privilege: ‘Cum Privilegiis Regis Christianissimi, Serenissimae Infantis et Ordinum Confederatorum’

Met tweeregelig onderschrift in het Latijn.
Miss May Belfort (large plate)
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Anastasis
Object type: print
Date: 1480 – 1500
Materials: paper
Techniques: woodcut
Subjects: christ arrives at the entrance of hell and breaks the door(s)

Eén blad van 113 uit Ludolphus de Saxonia, "Dit es dleué ons liefs heeren ihesu christi". Anonieme Nederlandse vertaling. Uitgegeven door Henrick Eckert van Homberch te Antwerpen in 1503. Botke, K. Deze 113 houtsneden, die meestal reeds in vroege Nederlandse boeken gebruikt zijn, worden toegeschreven aan de tweede Meester van Delft, de Meester van de Delbecq-Schreiber-passie en de Meester van de Virgo inter Virgines. In Conway (1884) en in "De gulden passer"(1951) zijn ook eerdere versies opgenomen. Botke, K.
Figure pendant
Object type: pendant
Date: 700 – 1550
Materials: gold
Culture: diquís
Location: costa rica
Artist: greater chiriquí artist
Artist role: artist
Subjects: mythical creatures,serpents

This pendant features a zoomorphic being stretching a bicephalic serpent across its body. The figure also holds a severed leg in its mouth, signaling its role as a predator. Four abstract crocodilian heads with spiral eyes and snouts sprout from the head and feet of the creature, which is framed by two arched brackets. Composite creatures consisting of human figures with pronounced animal features occur throughout Costa Rica, signaling that beliefs and their expressions were shared by many groups. Local styles developed distinctive characteristics, however. Metalwork from the Diquís Delta area in southwestern Costa Rica is ornate and replete with detail. Spirals and twisted and braided rope proliferate, and danglers, tinkling like bells and glittering in the sunlight, sometimes conceal the figures behind them. Costa Rica is the most northerly of the Precolumbian goldworking areas, which run from southern Peru and Bolivia on the west side of South America, along the Andean Mountain chain to Ecuador and Colombia, and from there across onto the Isthmus of Panama. This generally continuous region, in which ancient American goldworking technologies developed, intermingled, and expanded, ends approximately in southern Costa Rica. Costa Rican metalwork is thus consistent with southern technologies and imagery, although it has its own distinct, and quite strong, visual character. Depictions of predatory animals are common; crocodiles, felines, bats, sharks, and spiders appear in various guises, many anthropomorphized, and many with bared teeth showing. It is believed that the ability of such creatures to cause harm also engendered their capacity of inspire religious awe and respect. The major mountain ranges account for the creation of three cultural zones in ancient Costa Rica, where diverse ethnic groups developed distinct artistic traditions. The south-eastern zone of Pacific Costa Rica, near the Panamanian border, was the most important region for goldworking. It has yielded more gold objects than any other Costa Rican area. Early European accounts report that the tropical rainforest region of the Diquís Delta, where rivers come from the Cordillera de Talamanca, was particularly rich in gold. Each community owned a stretch of river where people panned for gold.
Kuipers- en wijnverlatersgilde van Amsterdam, gildepenning van Jan Courten
Object type: medal
Date: 1664 – 1715
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: dissel en passer binnen bladerkrans. Keerzijde: opschrift
Eingang zum Kloster der Salesianerinnen
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: vienna
Artist: Anonymous
Subjects: fence, wall, paling, gate, entrance, sculpture (+ relief ~ sculpture)
Inscriptions: inscription: ‘III. Rennweg 10’, number: ‘XXXII.’
Portret van een onbekend persoon gekleed in een witte mantel met kap
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: naples
Artist: giorgio conrad
Artist role: fotograaf
Artist dates: 1827 – 1889
Subjects: anonymous historical person portrayed, coat, cape, naples
Inscriptions: address: ‘Strada fontana Medina 54/ NAPOLI’, number: ‘N. 219’
View of Saleve, near Geneva
Object type: painting
Date: 1834 – 1834
Materials: canvas, oil, paint, paper
Techniques: painting
Location: france
Artist: théodore rousseau
Artist role: artist
Artist nationality: french
Artist dates: 1812 – 1867
Subjects: landscape, wilderness, weather/seasons, trees, sky, nature, landscapes, foliage, clouds

An ardent explorer of the remotest corners of France, Théodore Rousseau painted View of Salève, near Geneva during a three-month stay in the mountainous Jura region. Although his larger canvases were consistently excluded from the official Parisian art show known as the Salon, his smaller panoramic oil sketches found mainstream admirers. With a few deft strokes, Rousseau conveyed steep, rocky outcroppings; plains dotted with shrubs; and the luminosity of moisture-laden clouds and sky.
Vest
Object type: vest
Date: 1780 – 1793
Culture: american or european
Vrouw met een hand onder haar kin
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman

Pagina 30 uit schetsboek XLIV met 43 pagina's.
Coupé # 746
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Snuffbox
Object type: snuffbox
Date: 1801 – 1900
Materials: diamond, enamel, gold, pearl
Subjects: men,women
Gezicht op de Prinsengracht bij de Leliegracht in Amsterdam
Object type: stereograph
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: canals, waters (in city)
Inscriptions: inscription: ‘No. 211./ DE PRINSENGRACHT/ BIJ DE/ Leliegracht te Amsterdam./ A. JAGER, WATER 110, TE AMSTERDAM.’, annotation: ‘[...]/ Nr 64’
A Waterfall in Switzerland (near Lausanne?) with a Resting Wayfarer
Object type: drawing
Materials: ink
Techniques: brush, pen
Artist: jan hackaert
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1685
Subjects: human figures,waterfalls

This view of a waterfall is one of numerous drawings Hackaert produced during, or just after, his travels in Switzerland between 1653 and 1656. (An inscription, probably added in the eighteenth century, locates the scene near Lausanne.) Short vertical strokes describe the cascading water. Two figures—one seated in the foreground and another climbing the hill above—provide a sense of scale. Hackaert may well have produced the drawing for a collector. Other examples of Hackaert’s Swiss views were acquired by Laurens van der Hem (1621-1678) and incorporated into the collector's extraordinary atlas preserved in the Österreichhische Nationalbibliothek, Vienna.
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: men
Palembang, Sumatra, sultan Mamoed Bader ed-din II, pitji, A.H. 1219 (1804)
Object type: coin
Date: 1804 – 1804
Materials: tin
Techniques: casting
Location: palembang

Tinnen achthoekige munt. Voorzijde: omschrift in Arabische lettertekens, waartussen jaartal in Islamitische jaartelling. Keerzijde, glad. In het midden rond gat.
Adam
Object type: sculpture
Materials: bronze, copper alloy, metal, paint, patina
Techniques: casting, painting, carved
Location: france
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: religion, religious scenes, emotions, portraits, men, genesis, man, nudes, religious figures

Auguste Rodin’s powerfully expressive figure of Adam was originally intended to be paired with a sculpture of Eve, flanking a sculptured bronze portal commissioned by the French government for the Musée de Arts Décoratifs, Paris. For this monumental undertaking, which he entitled The Gates of Hell, Rodin turned to past Italian masters. Michelangelo’s Creation of Adam fresco on the ceiling of the Sistine Chapel in Rome (1508–12) inspired the pose of Rodin’s subject. Rodin rotated Michelangelo’s reclining Adam and transferred the frescoed figure’s gesture of receiving life from God to the sculpture’s right arm. The exaggerated turn of Adam’s left arm comes from Michelangelo’s sculpture of the dead Christ in his Pietà (1548–55; Museo del Duomo, Florence). Rodin chose the portal’s theme from Dante’s fourteenth-century epic poem Inferno; here Adam’s agonized body strikingly conveys the sufferings caused by original sin. Although the museum building was never constructed and the portal was not completed as originally conceived, Rodin explored the expressive potential of the human body as few artists before him had dared. As independent statues, Adam and Eve are among the commission’s numerous progeny. Not until 1938 was the gate cast in bronze and placed at the entrance to the grounds of the Musée Rodin, Paris.
Fotoalbum met portretten op carte-de-visite-formaat van Groningse hoogleraren in 1864
Object type: slip in album
Date: 1864 – 1864
Materials: brass, cardboard, leather, paper, photographic support
Techniques: albumen print, gilding
Location: groningen
Subjects: amsterdam, middelburg, delft, the hague, willem august hecker, professor
Inscriptions: inscription: ‘Professores academiae gro-/ ninganae. 1864._/ Wijsbegeerte en Letteren./ 1. W.J.A. Jonckbloet./ 2. J.J.P. Valeton./ 3. W. Hecker./ 4. C.M. Francken./ 5. B.H.C.K. Van der Wijck./ Regtsgeleerdheid./ 6. J.H. Philipse./ 7. B.J. Gratama./ 8. B.D.H. Tellegen./ 9. G. Diephuis./ Geneeskunde./ 10. F.Z. Ermerins./ 11. J. Baart de la Faille./ 12. J. Hissink Jansen./ 13. J. Van Deen./ Wis- en natuurkunde./ 14. H.P. Van Hall./ 15. J.W. Ermerins./ 16. P.J. Van Kerckhoff./ 17. C. Mulder./ 18. W.A. Enschedé./ Godgeleerdheid./ 19. P.Hofstede de Groot./ 20. L.G. Pareau./ 21. W. Muurling./ 22. E.J. Diest Lorgion.’

Fotoalbum met 22 fotografische portretten op carte-de-visite-formaat van Groningse hoogleraren in 1864.
Prins Genji en Yugao
Object type: print
Date: 1795 – 1800
Materials: paper
Techniques: woodcut, nishiki e
Location: tokyo
Artist: chokosai eishô
Artist role: print maker
Subjects: girl (child between toddler and youth), adult woman (+ two persons), passenger carriage

Twee vrouwen, één een wit vaandel dragend, en een meisje met dienblad in handen, naast rijtuig; onder geel wolkpatroon.
Equipment
Object type: equipment
Date: 1801 – 1900
Materials: wood
Culture: unknown
Subjects: flowers

Jessie Franklin Turner was said to have made many of her own textiles, both by printing and dyeing. She may have used these printing blocks to physically create her textiles or simply for design inspiration. When assembled, these eleven blocks form a Renaissance-inspired motif featuring a large pomegranate and vine element. One hallmark of Turner's designs is motifs, silhouettes, and decoration drawn from various world cultures. Many of her designs feature Eastern design elements, so it is interesting to see another locale and time period that inspired her designs. Turner retired from her fashion career in approximately 1942, and because she frequented the Brooklyn Museum's Study Room and Edward C. Blum Design Lab during her career its possible she could have been motivated to give these blocks to be used as inspiration by other designers who used the Lab.
Falconer (one of a pair)
Object type: figure
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,men,women,dogs
Panel
Object type: textile
Date: 1690 – 1699
Materials: textile, silk
Techniques: damask, weave
Location: france
Casket or toilet box
Object type: casket or toilet box
Date: 1770 – 1770
Materials: niello, silver gilt
Subjects: men,women
Kandelaar
Object type: candlestick
Date: 1400 – 1950
Materials: brass, copper
Portret van Otto Heinrich von Schwarzenberg
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: munich
Subjects: earl, politician, otto heinrich von schwarzenberg, historical persons, politician, e.g. party leader

Met zesregelig onderschrift in het Latijn.
Schotel, behorend bij een servies versierd met lintmotief met bladeren, bloemboeketten en gestrooide bloemtakken
Object type: platter
Date: 1780 – 1820
Materials: porcelain
Location: loosdrecht

Schotel van porselein, behorend bij een servies van porselein versierd met een geslingerd lintmotief in paars en goud met groene bladertakken, bloemboeketten en gestrooide bloemtakken. Randen licht gegolfd, met decoratie in goud met paars bladmotief waartussen groen gekruist bladmotief. Gemerkt: M.O.L. en Amstel.
Profiellijst van donkerbruin hout
Object type: frame
Date: 1400 – 1950
Materials: wood

Profiellijst van donkerbruin hout met een brede vlakke bodem.
Zelfportret
Object type: print
Date: 1917 – 1917
Materials: paper
Techniques: lithograph
Artist: henri jonas
Artist role: draughtsman, print maker
Artist dates: 1878 – 1944
Subjects: maastricht, print maker, draughtsman, henri jonas, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Penning met het portret van koning Lodewijk XIV en de namen van Franse koningen
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: lodewijk xiv (koning van frankrijk), king, seal (symbol of sovereignty)
Inscriptions: number: ‘21’

Ontwerp van een ronde penning met, in zeven concentrische cirkels, de namen van Franse koningen en hun regeringsjaren, beginnende bij koning Pharamond en eindigend bij koning Robert I. In het midden van de penning het portret van Lodewijk XIV.
Aanzicht op ingang en een deel van de toren van de Nederlands Hervormde Kerk in De Rijp
Object type: photograph
Date: 1921 – 1921
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: alkmaar
Artist: leonard vlaanderen
Artist role: fotograaf
Subjects: de rijp
Inscriptions: stamp: ‘L.Vlaanderen//Alkmaar’, annotation: ‘De Rijp 1921’

Aanzicht op de Nederlands Hervormde Kerk in De Rijp, ingangsportaal, open deur, bomen ervoor, rechts zijn houten stellingen te zien (werkzaamheden?), links een aparte afsnijding: een muur met daarachter een kind geleund, waarvan alleen het lichaam zichtbaar is.
Staartster en de wonderbaarlijke genezing van een doofblinde jongen, 1627
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: magic healings, unusual solar phenomena: parhelion or mock sun, spots on solar halo, etc., deaf and non-verbal, formerly known as 'deaf-mute', deaf, deafness, blind, blindness, comet, being silent, henegouwen

De wonderbaarlijke genezing van een dove en blinde jongen die niet kon spreken, te Rhijnbeeck in Vlaanderen, die zijn spraakvermogen herkreeg drie dagen voor het verschrikkelijke onweer van 1 januari 1627 te Artois en Henegouwen. De jongeman knielend voor een engel met uitgestoken hand, rechts zijn ouders. Op de achtergrond een ommuurde stad met in de hemel een zon met een bloedend zwaard in de mond, de staartster of komeet en twee omgekeerde manen (of zonnen).
Isabel Wachenheimer met gestrekte armen en handen op een touw voor een vijver, oktober 1936
Object type: photograph
Date: 1910 – 1936
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: date: ‘Oktober 1936.’

Isabel Wachenheimer met gestrekte armen en handen op een touw voor een vijver.
Seal
Object type: seal
Date: 1368 – 1644
Materials: bronze
Culture: chinese
Turkish Soldiers around a Camp Fire
Object type: drawing
Date: 1605 – 1647
Materials: graphite, paper
Techniques: brush
Artist: guilliam du gardijn
Artist role: draughtsman, painter
Artist dates: 1595 – 1657
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1567 – 1633
Materials: copper, gold, iron, lacquer, silver
Culture: japanese
Location: japan
Subjects: men,fishing
Ridderlijke Confrerie van de Handbussche te Delft
Object type: koningspenning
Date: 1718 – 1718
Materials: cardboard, paper
Techniques: gilding, striking
Location: netherlands
Artist: gerard van loon
Artist role: designer
Artist dates: 1683 – 1758
Subjects: delft