deem-data/ArtiFact huggingface dataset:
Storming a City
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: drawing, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: cities,men,crowd
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of frontal torso, left shoulder, and extended arm of male
Portret van Michael Heinrich Griebner
Object type: print
Date: 1734 – 1767
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons, lawyer, attorney at law, professor
Inscriptions: collector's mark: Lugt 2228
Figurine of a crouching falcon
Object type: figurine, falcon
Date: 3100 – 2650
Materials: faience
Location: egypt
Subjects: falcons
Coffer in Nanban (Southern Barbarian) Style
Object type: coffer
Date: 1600 – 1630
Materials: gilt bronze, gold, lacquer, mother of pearl
Techniques: inlay, maki
Culture: japanese
Subjects: flowers,plants,chests

This coffer belongs to a category of Japanese goods known as namban (literally, southern barbarians) that were produced in the late sixteenth and early seventeenth century for trade with Portugal and other European countries. The shape derives from European chests, while the decoration illustrates an awareness of Indian designs transmitted via such trade goods as lacquers and textiles.
Full Dress, Captain General, Spain, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Veil (Aër)
Object type: veil
Date: 1761 – 1761
Materials: metal thread, silk
Jug of the Treasurer and High Priest of Amun, Menkheperreseneb
Object type: jug, menkheperreseneb
Date: 1479 – 1425
Materials: limestone
Location: egypt
Subjects: amun

This jug is inscribed for the Treasurer and High Priest of Amun Menkhperraseneb.
Tile Fragment
Object type: tile fragment
Date: 1334 – 1434
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: uzbekistan
Kandelaar met geprofileerde stam en voet
Object type: candlestick
Date: 1500 – 1600
Materials: brass
Techniques: casting, soldering, turning
Location: southern germany
Artist: Anonymous

De ronde geprofileerde voet gaat over in een overwegend holrond geprofileerde stam en vervolgens in een vetvanger, waarop de kaarsenpin is gesoldeerd. Voet, stam en vetvanger, die als één geheel zijn gegoten, zijn voorzien van gegroefde ringen. De holle stam bevat nog resten van de zaadkern.
Penelope carrying the bow of Ulysses to the suitors
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Subjects: penelope announces she will marry the man who can shoot an arrow through twelve axe-rings, and produces ulysses' bow (homer, odyssey xxi)

Prent maakt onderdeel uit van een serie met 34 prenten over de Odyssee, geschreven door Homerus.
Scarab Finger Ring of Ramesses II
Object type: ring, scarab, ramesses ii
Date: 1295 – 1070
Materials: silver, stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Terracotta rim fragment of a stemless? kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, extended right arm and left hand of a draped woman to right; part of the lower body of a draped woman, running to right, wearing a chiton and himation
Vrouw met amfoor
Object type: print
Date: 1500 – 1536
Materials: paper
Techniques: engraving
Location: italy
Subjects: the (nude) human figure; 'corpo humano' (ripa), container of stone: stone vase
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘5’, collector's mark: Lugt 10, collector's mark: Lugt 11

Spiegelbeeldige kopie naar een prent van Agostino Veneziano, zonder landschap op de achtergrond. Een tekening met deze compositie, gevat in een architectonische omlijsting, bevindt zich in het Musée du Louvre te Parijs (inv.nr. 3585).
Bottine van ambassadeur Allard Merens
Object type: shoe
Date: 1940 – 1940
Materials: iron, leather, rubber, textile
Location: china
Subjects: the hague

Laklederen bottine. Behorend bij de diplomatieke ambtskleding van ambassadeur Allard Merens.
Scarab
Object type: scarab
Date: 1479 – 1458
Materials: faience
Location: egypt
Subjects: scarabs
Plum Branch and Teapot
Object type: folding fan
Date: 1868 – 1912
Materials: lacquer, paper
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: teapots
Inschrijvingsbiljet van Jacob Schalcken
Object type: document
Date: 1720 – 1720
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: jacob schalcken
Artist role: draughtsman, painter, print maker
Artist dates: 1683 – 1733
Subjects: money, the hague
Inscriptions: collector's mark: Lugt 2233
The Actor Nakamura Nakazo I in the Role of an Evil Courtier, Probably Prince Takahito, Illegitimate Son of Emperor Takakura, Disguised as Aso no Matsuwaka, in Part One of the Play Iro Moyo Aoyagi Soga (Green Willow Soga of Erotic Design), Performed at the Nakamura Theater from the Thirteenth Day of the Second Month, 1775
Object type: print
Date: 1775 – 1775
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Fragment
Object type: textile
Date: 1701 – 1800
Materials: gilt, paper, silk
Techniques: weave
Location: japan
"La Constance" Wallpaper Fire Board
Object type: covering and hanging
Date: 1790 – 1795
Materials: paper
Techniques: printing block, printing
Location: france
Amulet: Taweret
Object type: amulet, taweret
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: taweret
De Waag op de Botermarkt te Amsterdam
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: letterpress printing
Location: leiden
Subjects: weigh-house, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Prent onderdeel van een grotere volksprent: Nederlandsche hoofdgebouwen, zie RP-P-OB-206.587.
Coiffure Support
Object type: coiffure support
Date: 201 – 700
Materials: leather
Location: egypt
Plattegrond van de percelen aan de IJgracht tussen de Foeliestraat en de Peperstraat
Object type: area plan
Date: 1650 – 1750
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: plan ~ architecture
Inscriptions: inscription: ‘Afmeeting der Erven (...) op de Raapenburgergragt.’, collector's mark: ‘11.85’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Prinsengracht, Korte Prinsengracht, Prins Hendrikkade. Zie ook Portefeuille 1: gezichten van het IJ op de stad.
Initial letter A with putto
Object type: print
Date: 1496 – 1496
Techniques: woodcut
Artist: anonymous, italian, 15th century
Artist role: artist
Artist nationality: italian
Artist dates: 1400 – 1500
Subjects: flowers
Figuren en paarden
Object type: sketchbook leaf
Date: 1893 – 1894
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult man, horse

Pagina 48 uit een schetsboek met 36 bladen.
Begroeide bomen in Dordtwijk
Object type: drawing
Date: 2013 – 2013
Materials: charcoal, paper
Artist: rein dool
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1933 – 
Subjects: dordrecht
Inscriptions: signature
Eunuches, from "The Comedie of Terence", 19th century reprint
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: buildings,men
Portret van Laurens Rijnhardt Beijnen
Object type: book illustration
Date: 1897 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Artist: m. weber
Artist role: print maker
Subjects: laurens rijnhardt beijnen

Portret van Laurens Rijnhardt Beijnen. In de ondermarge zijn naam, zijn geboortedatum en zijn sterfdatum.
Portret van David McConaughy
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons
Theorem painting
Object type: theorem painting
Date: 1840 – 1860
Materials: cotton, velvet
Techniques: painting
Culture: american
Subjects: fruit,roses,still life
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a kylix with a bit of the handle patch
L'antica porta d'ingrezza a Persepolis]
Object type: photograph
Date: 1858 – 1858
Techniques: paper negative, salted paper print
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: architecture,ruins
Brocade Prints of the Thirty-six Poetesses (Nishiki zuri onna sanjūrokkasen) 錦摺女三十六歌仙
Object type: illustrated book
Date: 1801 – 1801
Materials: ink, paper
Culture: japanese
Artist: chōbunsai (hosoda) eishi , 鳥文斎(細田)栄之
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Subjects: men,women

In 1801 Hokusai provided a frontispiece to an album by the ukiyo-e master Chōbunsai Eishi (1756–1829), who elegantly portrayed thirty-six female poets. The frontispiece reveals the lyricism typical of Hokusai's Sōri period, early in his career. The signature reads Gakyōjin Hokusai zu ("painted by the madman of painting, Hokusai").
Portret van Giulio Romano
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: rome, painter, print maker, draughtsman, giulio romano, historical persons
Inscriptions: collector's mark: Lugt 2228
S. Nonnose, abbé (St. Nonossus, Abbot), September 2nd, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, bit of meander; Exterior, part of a draped figure
Sword Stand
Object type: sword stand
Date: 1701 – 1800
Materials: gold, lacquer, silver, wood
Culture: japanese
Location: japan
Subjects: horses
Gold Pectoral with Zoomorphic Face
Object type: costume and accessory
Date: 500 – 500
Materials: gold
Culture: chavín
Location: peruvian north coast
Subjects: supernatural, status, serpents, feline, gold (color), ornaments

The archaeological site of Chavín de Huántar, high in a valley in the northern Andes of Peru, was a seat of economic, political, and religious power, giving rise to art and symbolic imagery that deeply affected the Andean world between 900 and 200 BCE. The rulers of Chavín brought about a cultural synthesis, adapting architectural and sculptural forms that had been associated with ruler-ship by the urban coastal societies of Peru for at least a thousand years. Artists created a new imagery, deriving forms from both the human figure and dominant predators—caymans, harpy eagles, jaguars, and pumas, some of them native to the Amazon forests east of the Andes mountains. These animal and anthropomorphic icons were often combined in a fearsome visual vocabulary. Expressed in imposing architectural reliefs, monumental three-dimensional sculptures, textile designs, and splendid ritual attire and portable objects, this symbolic imagery was emblematic of Chavín priestly rulers and the warrior aristocracy, affirming their spiritual connections with the domain of animal powers and the deified forces and phenomena of nature. Chavín art was a distinctly Andean expression of the cosmological and religious worldview that once held sway throughout the Americas.

This pectoral is a rare example of the attire worn by a Chavín leader on ceremonial occasions. Metallurgy was well developed in the Andes; to make this object, an artisan would first have cut a hammered sheet of gold and copper alloy into a rectangular shape, with four "arms" extending at the corners in a cruciform pattern; then he used a sharp instrument to engrave the design of the mask and the ornamental curls and linear appendages; the sculptural low relief was achieved by hammering the metal over a carved wooden mold. The menacing face with its zigzag eyebrows, bulbous nose, and fanged, grinning mouth is an iconic type found on gold work, stone monuments, textiles, and ceramic vessels. Many objects of Chavín gold work are found in broken condition: the deliberate damage done to this piece was undoubtedly inflicted when it was ritually "killed" for burial and sent to accompany its wearer on his journey to the world of the ancestor spirits.
Funerary Cones
Object type: cone
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Als gij, lieve kleinen, deez' prent hebt gelezen, / En welligt verlangend naar and'ren mogt wezen, / Haal dan uwe ouders of vriendenmaar aan, / Er zijn er nog meer die u aan zullen staan
Object type: popular print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: education, science and learning, children's games and plays, child playing with animals
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van bezigheden voor kinderen, zoals studeren en spelen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No 135.
Twee koeien
Object type: print
Date: 1900 – 1917
Materials: paper
Techniques: woodcut
Artist: adriaan korteweg
Artist role: print maker
Artist dates: 1890 – 1917
Subjects: bovine cattle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Plaque from a Tantric Ritual Apron (Chakrasamvara and Vajravarahi at Center)
Object type: plaque
Date: 1501 – 1600
Materials: bone
Culture: nepali
Subjects: women
Rivierlandschap met een man in een boot en ganzen op de oever
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching
Location: nieuwer-amstel
Artist: elias stark
Artist role: draughtsman, print maker
Artist dates: 1849 – 1933
Subjects: water-birds: goose, river, rowing-boat, canoe, etc., trees: willow
Inscriptions: collector's mark: Lugt 2228

Op een rivier een man in een boot bij twee knotwilgen. Rechts op de oever ganzen. Links aan de horizon een molen.
Portret van Jan van den Bussche in militair uniform
Object type: album leaf
Date: 1910 – 1912
Materials: paper
Techniques: gelatin silver print
Location: gelderland
Artist: Anonymous
Subjects: historical persons, youth, adolescent, (military) uniforms, gelderland
Inscriptions: inscription: ‘Jan v/d Bussche.’
Faïence émaillée de B. Palissy-Bas-relief
Object type: page
Date: 1859 – 1864
Materials: paper
Techniques: chromolithography
Location: paris
Subjects: adult woman, child
Inscriptions: name: ‘Phot. col. A. Noël./ Daumont Perf’
Huis (Amsterdam)
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: amsterdam
Dungeon-Ghyll, Langdale
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: lake district
Artist: thomas ogle
Artist role: fotograaf
Subjects: waterfall
Card 4, from the Girl Cyclists series (N49) for Virginia Brights Cigarettes
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: girls,bicycles

Trade cards from the "Girl Cyclists" series (N49), issued in 1887 by Allen & Ginter to promote Virginia Brights Cigarettes.
Portret van Carl Johann Jakob Schulthess
Object type: print
Date: 1854 – 1875
Materials: paper
Techniques: lithograph
Subjects: draughtsman, carl johann jakob schulthess, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Hollandse ijsschuitjes met op de achtergrond Koog aan de Zaan, ca. 1775
Object type: print
Date: 1774 – 1776
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: ice-sailing (winter sports), winter sports
Inscriptions: collector's mark: Lugt 2228

Wintergezicht met Hollandse ijsschuitjes. IJszeilen, sledes en schaatsers op de bevroren Zaan, op de achtergrond molens en huizen van Koog aan de Zaan, ca. 1775. De molens zijn van links naar rechts: oliemolen De Reus, loodwitmolen De Rob, pelmolen De Pelikaan en oliemolen De Christoffel of Broodkorf. Deze laatste twee molens stonden op de zogenaamde Koger Hem.
Inventions nouveaux de differents Vases (...)
Object type: ornament print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: paris
Artist: johann thomas hauer
Artist role: print maker
Artist dates: 1748 – 1820
Subjects: pedestal of a piece of sculpture (perhaps in the form of a herm), architecture
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vijf onderzijdes van voetstukken en drie bouwwerken met vazen en guirlandes.
Prenten toegevoegd aan de serie Evénemens de Bruxelles, Anvers (...) (1831)
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Subjects: the hague, devastated, ruined place or city (~ warfare), street-fights, riots, brussels

Onderdeel van een groep prenten uit verschillende andere series verwant aan de platen in het recueil over de gebeurtenissen tijdens de Belgische Revolutie in Brussel, Antwerpen en andere steden in de periode van 25 augustus 1830 tot 27 maart 1831. Uitgegeven in een serie van 23 prenten getiteld: Evénemens de la Belgique Dessinés sur les lieux par des témoins oculaires. Brussel: Jean Baptiste Jobard, [1831].
Lamme goedzak / Le bon Guillaume
Object type: popular print
Date: 1833 – 1856
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: hen-pecked husband, 'betty', 'molly' (man who engages in women's work)
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen over het leven en bezigheden van Lamme Goedzak en zijn Griet. Onder elke afbeelding een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: N. 21.
Belgische Revolutie
Object type: print
Date: 1822 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: antwerp, jan van speyk, the hague, berlin, william i of the netherlands, frederik (prins der nederlanden), battle, warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life, netherlands, belgium
Inscriptions: collector's mark: Lugt 2760

Uitgave van nr. 28 uit de fondslijst van Jan de Lange (II) met het adres van de wederverkoper Schalekamp, Van de Grampel & Bakker.
Ex libris van Nelly Hanrath-van Ootmarsum
Object type: bookplate
Date: 1932 – 1932
Materials: paper
Techniques: printing block
Location: netherlands
Artist: constant joseph alban
Artist role: painter, print maker
Artist dates: 1873 – 1944
Subjects: scholar in his study, candle
Inscriptions: signature: ‘C.J. Alban / Cl. 32’
Page from Ein new kunstlich Modelbuch...(Page 8v)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Militair met hoed en militairen in overleg
Object type: boekillustratie ontwerp
Materials: paint, ink, paper
Techniques: brush, pen
Artist: jan hoynck van papendrecht
Artist role: draughtsman, painter
Artist dates: 1858 – 1933
Subjects: head-gear: cap (+ men's clothes), lantern, the soldier; the soldier's life, conversation, dialogue; conversation piece
Inscriptions: :, collector's mark: Lugt 2228, annotation: ‘N. 23’, annotation: ‘N 24’, annotation: ‘N. van Harpen, Losse en Scherpe Patronen,/ Illustraties van J. Hoynck van Papendrecht’

Twee illustraties op één opzetvel. Boven een militair die zijn hoed aanbiedt aan een man, die vermoedelijk de hoed borstelt of schoonmaakt. Onder twee militairen aan een tafel in overleg. Eén van de mannen houdt een lantaarn in de lucht.
Portret van Karel I, koning van Engeland
Object type: print
Date: 1649 – 1727
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: karel i (koning van engeland), head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 240

Vgl. New Holstein German (Hollar) 1062 en Pennington 1432.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, upper body of draped figure to left; part of circumscribed palmette with elongated central frond
Lacquer Inrō with Waterbirds and Ox-shaped Netsuke in a Box
From the Spring Rain Collection (Harusame shū), vol. 3
Object type: woodblock print
Date: 1817 – 1817
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: birds,ox

Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and images. This album forms part of a set of three containing more than four hundred surimono. The prints are arranged on facing leaves according to themes or in a way that creates an attractive arrangement of designs, complementary in both color and shape. The printing techniques, pigments, and paper used for surimono were often the highest quality, and represent the epitome of late Edo-period woodblock printing.
Parasol
Object type: parasol
Date: 1870 – 1889
Materials: silk, wood
Culture: american
Shabti of Nesinebtasheru
Object type: shabti, nesinebtasheru
Date: 1070 – 945
Materials: clay
Location: egypt
Cache-chache / Hide and seek
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: hide-and-seek, child
Inscriptions: collector's mark: Lugt 2166, check stamp: Lugt 1397c
Capri. Panorama della Strada di Anacapri
Object type: photograph
Date: 1889 – 1906
Materials: paper
Techniques: gelatin silver print
Location: milan
Subjects: rocky coast, landscapes with waters, waterscapes, seascapes (in the temperate zone), capri, isola di
Libelivs varia Genera piscium complectens
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: fishes, bony fishes: sturgeon
Inscriptions: collector's mark: Lugt 2228

Prent uit serie Libelivs varia Genera piscium complectens van dertien prenten met zoetwatervissen, zeevissen, kikkers, schaaldieren en zeewezens (inclusief titelprent). Vermoedelijk ging een uitgave van Assuerus van Londerseel vooraf aan deze editie van Francoys van Beusekom, zie De Groot 1988, p. 38.
Sash
Object type: sash
Date: 1801 – 1900
Materials: silk
Fulga XXVI Hisp Rex Cath
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving, etching
Artist: arnold van westerhout
Artist role: print maker
Artist dates: 1651 – 1725
Subjects: historical persons, ruler, sovereign

Portret ook gebruikt in: Niphus, Agustinus. Effigies et series regum Hispaniae primum ex Gothis Christianorum (...). Rome: s.n., 1684.