deem-data/ArtiFact huggingface dataset:
Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780)
Object type: drawing and watercolor
Date: 1752 – 1752
Materials: canvas, paper, pastel
Location: france
Artist: maurice quentin de latour
Artist nationality: french
Artist dates: 1704 – 1788

In 1747, the noted violinist and composer Jean-Joseph Cassanéa de Mondonville married Anne-Jeanne Boucon (1708-1780), the daughter of a great art collector and herself a noted musician. She asked La Tour to make her likeness but claimed she could only pay half his usual rate. It is said that La Tour drew this complex, powerful portrait in just one sitting. When Mme de Mondonville sent him the amount she had promised, their friendship was ruptured.
Zittende muis
Object type: print
Date: 1917 – 1917
Materials: paper
Techniques: woodcut
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: rodents: mouse
Inscriptions: collector's mark: Lugt 2228
The Condemnation to Death, from The Small Passion
Object type: print
Date: 1624 – 1631
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

Jacques Callot’s etching series The Small Passion exemplifies the artist’s penchant for intimate detail. These prints highlight the ways he depicted space throughout a complete narrative. He framed each stage of the Passion of Christ with a different type of architectural or natural element. The porous boundaries of the exterior scenes allow visual movement by extending the view beyond the foreground figures, while the more rigorously contained interior scenes evoke a sense of finality. For example, Callot’s iconic image of the Last Supper takes place within an isolated triumphal arch that resembles an altar.
Six Designs for Decorated Cups
Object type: drawing
Date: 1845 – 1855
Materials: ink, watercolor
Techniques: pen
Artist: alfred henry forrester [alfred crowquill]
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1872
Subjects: cups
Portret van Isabel Wachenheimer
Object type: photograph
Date: 1945 – 1958
Materials: photographic support
Techniques: gelatin silver print
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: number: ‘10721’

Portret van Isabel Wachenheimer, als voorkant van een onbeschreven briefkaart.
Le Cardinal
Object type: page
Date: 1848 – 1853
Materials: photographic support
Techniques: salted paper print
Subjects: cardinal
Splendore delle virtuose giovani, page 15 (recto)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: eagles,ornament

Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 4 vertical columns printed upon a grid. First column is decorated in the center with an interlace motif surrounding a 4-petaled flower in the middle, which is flanked on the top and bottom by leaves. Second column is decorated in the center with a double-headed bird that forms into leaves followed by coiling stems. Third column is decorated with a curving vine of leaves. Fourth column is decorated with a pattern of leaves that attach to illustrations of a bull's head.
Figuur met uitgestrekte armen
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: paper, pencil
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: anatomy (non-medical), arm stretched forward

Blad 3 recto uit een schetsboek met 68 bladen.
Order of Alcantara of Spain, Instituted 1177, from the World's Decorations series (N44) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: medals

Trade cards from the "World's Decorations" series (N44), issued in 1890 in a numbered set of 50 cards to promote Allen & Ginter brand cigarettes. Series N44 reproduces the cards from N30 in a larger size.
Miniature fender
Object type: fender
Date: 1720 – 1730
Materials: silver
Artist: david clayton
Artist role: maker
Artist nationality: british
Artist dates: 1659 – 1719
Marble-slab Table
Object type: furniture
Date: 1750 – 1790
Materials: wood, marble
Location: new york city
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Subjects: furniture
Cymbal Case with Set of Cymbals
Object type: cymbal case with set of cymbal
Date: 1667 – 1700
Materials: textile, metal, wood
Culture: chinese or tibetan
Location: tibet

In Tibetan processions and dance, drums and cymbals set up basic rhythmic patterns for wind instruments, and in temple settings are used with bells to accompany chant.
Spice Cabinet
Object type: spice cabinet
Date: 1700 – 1730
Materials: wood
Culture: american
Location: united states

Spice boxes, with their small interior compartments, served the practical purpose of storing and safeguarding valuables and exotic spices. The handsome example of the form mimics the full-scale William and Mary style high chests of drawers seen in this gallery. Its fine craftsmanship, ornate design, and delicate inlay indicate that it was likely placed on display in the parlor or best room in the house.
Folding stool (pliant) (one of a pair)
Object type: folding stool
Date: 1735 – 1739
Materials: gold, silk, velvet, wood
Techniques: carving, gilding

Stools played an important role in the hierarchical seating arrangements of the French court, which followed a strict and complex protocol. Depending on the rank of the company–which would include members of the royal family, courtiers, and dignitaries–one remained standing or was assigned a floor cushion (carreau), stool, or, rarely, a side chair. Armchairs were reserved for the king and the queen. Large numbers of stools were listed in the royal inventories; one type, called pliant, which includes the present pair, had an X-shaped frame that could conveniently be folded. The inventory mark of the palace of Versailles, an interlaced double V and a closed crown, is stamped underneath the lower struts of the Museum’s stools. Even though the authenticity of these marks has been questioned, the excellent quality of the work, expressed not only in the carving but also in the recutting (reparure) of the gesso, leaves no doubt that this pair belonged to an important set of seat furniture. Consisting of calcium carbonate mixed with rabbit glue, gesso or whiting forms the base coat for the gilding. After it has been applied to a carved frame and has dried, this layer needs to be recut to restore detail or definition to the decoration. Motifs or ground patterns too delicate to be cut into the wood itself, such as the diaper design on the Museum’s stools, were also added during the reparure. Despite the fact that the appearance of these low seats depended largely on the richness of the upholstery and trimmings of their cushions, the frames of the stools were elaborately carved with Rococo ornament. The shaped outline of the supports is enlivened with bulrushes, basketweave motifs, and partly openworked acanthus leaves. Large rosettes cover the bolts that allow the stools to fold.
Voordeur naar de woning van J. Busch
Object type: photograph
Date: 1880 – 1910
Materials: paper, cardboard
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: gate, entrance
Inscriptions: inscription: ‘'s Gravenhage, Hl. Geesthofje, Pav. gracht’
Portret van de markies Alessandro Maffei
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: jean henri van schawberg
Artist role: print maker
Artist dates: 1717 – 1760
Subjects: armour, historical persons
Inscriptions: inscription: ‘*1675, te Verona. Letterkundige. +1755’

Prent is gebruikt als boekillustratie in: Maffei, Alessandro. Mémoires du marquis Maffei: lieutenant-général des troupes de l'Electeur de Baviere, & ensuite de celles de l'empereur, Den Haag: Jean Neaulme, 1740
Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 5 (recto)
Object type: book print ornament architecture
Date: 1620 – 1620
Techniques: woodcut
Artist: cesare vecellio
Artist role: author
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Written by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, published by Alessandro de' Vecchi. From top to bottom, and left to right: Design forms triangular shape and is decorated with various floral and foliage elements, animals, and the God of Love at the center of a rectangular frame.
Miniature Vessel
Object type: religious ritual object
Materials: bronze
Techniques: inlay
Location: china
Portret van een onbekende man, mogelijk Montigny
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: etching
Artist: louis peeters (i)
Artist role: print maker
Artist dates: 1876 – 1964
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228

Geboorte- en sterfdatum van de prentmaker zijn onbekend. Daarom is voor de bepaling van de rechten van dit object gebruik gemaakt van de verwervingsdatum Rijksmuseum Amsterdam.
Vrouwen hanhaba obi met Chinese bloemen
Object type: obi
Date: 1920 – 1940
Materials: silk
Techniques: weave
Location: japan
Artist: Anonymous

Ceintuur van zijdebrokaat voor een kimono van een halve breedte (hanhaba obi) voor een vrouw, met een versiering over het hele vlakvan bloemmotieven en geometrische patronen. Ivoorwitte zijde met brokaat geweven decoratie (nishiki).
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, forearm and hand of a symposiast reclining on a kline with two cushions; a second fragment depicts a hand and cushions; Exterior, three fronds of a palmette
Erepenning van de Maatschappij tot Nut der Jeugd op naam van J.W.L.F. Ippel 1824
Object type: medal
Date: 1824 – 1824
Materials: silver
Techniques: engraving, pressing, scoring, soldering
Inscriptions: inscription: ‘AAN / J.W.L.F. IPPEL / 18 10/1 24 / VERDIENSTE’, inscription: ‘MAAT / SCHAPPIJ / TOT NUT / DER / JEUGD’, hallmark: ‘(zwaardje)’

Zilveren gegraveerde penning met oog en draagring, op de voorzijde vijf, op de keerzijde vier regels tekst gegraveerd, met kartelrand.
Venezia, Ponte Rialto regata
Object type: page
Date: 1884 – 1889
Materials: paper
Techniques: photograph
Location: venice
Subjects: canals, waters (in city), bridge in city across river, canal, etc.
Inscriptions: number: ‘170’
Portret van William Henry Fox Talbot
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: william henry fox talbot, historical persons, portrait, self-portrait of photographer
Ornament
Object type: ornament
Date: 501 – 700
Materials: gilt copper
Culture: moche
Location: peru
Fragment
Object type: textile
Date: 1325 – 1375
Materials: silk
Techniques: bookbinding, interlacing, patterning, weave
Location: italy
Plein met vuurwerk ter ere van de geboorte van de dauphin
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Artist: jean michel moreau
Artist role: draughtsman, print maker
Artist dates: 1741 – 1814
Subjects: crowd, mob, bonfire, fire-works
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Gennep
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 297.
Lord Charles Beresford
Object type: photomechanical print
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: politician, e.g. party leader
Portrait of a Lady
Object type: painting, miniature
Date: 1790 – 1790
Materials: ivory, watercolor
Culture: french
Subjects: portraits,women
Fotoreproductie van een schildering, voorstellende een gezicht op de voorgevel van Court Farm te Abbotskerswell
Object type: page
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Location: abbotskerswell
Artist: Anonymous
Subjects: façade (of house or building), farm (building)
Médaillon de Balth. Moretus
Object type: page
Date: 1879 – 1879
Materials: cardboard, paper
Techniques: woodburytype
Location: antwerp
Subjects: antwerp, printer, publisher, balthasar moretus (i), piece of sculpture, reproduction of a piece of sculpture
Cream Pitcher
Object type: cream pitcher
Date: 1770 – 1800
Materials: porcelain
Culture: chinese
Location: china
Vedute d'Italia / Vues d'Italie
Object type: stereograph
Date: 1861 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: amphitheatre
Inscriptions: number: ‘19.’
Joan of Arc
Object type: painting
Date: 1879 – 1879
Materials: canvas, oil
Artist: jules bastien-lepage
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1884
Subjects: gardens,joan of arc
Beeld van leeuw en man te Babylon, Hillah
Object type: photograph
Date: 1925 – 1925
Materials: cardboard, paper
Techniques: gelatin silver print
Location: unknown
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: irak
Inscriptions: number: ‘7.’

Titel op object afkomstig uit inventaris (Verklaring der Photo's) behorend bij het album.
Kogyo zushiki
Object type: book
Date: 1883 – 1883
Materials: paper
Techniques: woodcut
Location: tokyo
Artist: kôno bairei
Artist role: painter, print maker
Artist dates: 1844 – 1895
Inscriptions: collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937

Vijf delen (van vijf) met schetsen van mensen, dieren en landschappen.
Prose Poem on Fishing
Object type: handscroll
Materials: gold, ink, paper
Culture: chinese
Artist: zhu yunming
Artist role: artist
Artist nationality: chinese
Artist dates: 1461 – 1527
Subjects: poetry

Poet, calligrapher, and bon vivant, Zhu Yunming was one of the most prominent and colorful literary figures of the Ming period. Except for a brief official career as a magistrate in Guangdong Province from 1515 to about 1520, Zhu passed most of his life in the Suzhou area enjoying scholarly pastimes in the company of such friends as Wen Zhengming (1470–1559) and Tang Yin (1470–1523). An uninhibited, highly creative calligrapher, Zhu is best known for his "wild" cursive script inspired by the Tang dynasty masters Zhang Xu (ca. 700–750) and Huaisu (ca. 735–800?) and by the Song scholar-poet Huang Tingjian (1045–1105). Prose Poem on Fishing, nearly twenty-seven feet long, is a tour de force of sustained creative energy. Written on coarse paper "by lamplight" with a "worn brush," the rounded and thick brushstrokes have a blunt strength that distinguishes this writing from Zhu's usually more carefully executed and gracefully modulated characters.
Neuenahr: im Kurgarten
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: bad neuenahr
Subjects: river, watering-place, spa
Inscriptions: monogram: ‘K.T.F.’
Sheet, linen mark, fine spin, close weave
Object type: linen mark
Date: 1492 – 1473
Materials: linen, wax
Location: egypt
Venus, Mars, and Cupid
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: cupid,mars,venus
Portret van Otto Heurnius
Object type: print
Date: 1600 – 1649
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: otto heurnius, historical persons, physician, doctor
Table bell
Object type: table bell
Date: 1755 – 1757
Materials: silver gilt
Artist: johann martin satzger i
Artist role: maker
Artist dates: 1707 – 1785
Subjects: musical instruments,coat of arms
Ruit met de ontmoeting van Tobias met zijn blinde vader
Object type: light window
Date: 1500 – 1600
Materials: glass, lead, pigment
Techniques: leading
Artist: Anonymous

The Story of Tobias. Stained glass. Southern Netherlands, c. 1525 - 1550.
Portret van Johann Georg Pertsch
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: bookshelves, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor de publicatie: Zuverlässige Nachrichten von dem gegenwärtigen Zustande, Veränderung und Wachsthum der Wissenschaften. Leipzig: Johann Friedrich Gleditsch, 1754, dl. 174.
"$10,000" Kelly, Boston, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Studies for the Sick Woman in the ‘Hundred Guilder Print’
Object type: drawing
Date: 1648 – 1648
Materials: paint, ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: adult woman

While Rembrandt seldom made specific preparatory designs for his etchings, he occasionally tried out new motifs in drawings. Here, he explored various poses for the sick woman lying before Jesus in the ‘Hundred Guilder print.’ The seated woman on the left keeps her hands lowered, while the other, semi-reclining woman raises one hand to attract Jesus’ attention. In the print, Rembrandt went for a greater dramatic effect, portraying her with barely enough strength to lift her arm.
Portret van Napoleon III
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, napoleon iii (keizer der fransen), historical persons
Inscriptions: collector's mark: Lugt 2228a
Gotisch raamwerk met vijf portretten
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: london
Subjects: london, historical persons, queen
Inscriptions: collector's mark: Lugt 2228
Undersleeves
Object type: undersleeves
Date: 1851 – 1875
Materials: cotton
Culture: american
Krabber
Object type: drawing
Date: 1868 – 1892
Materials: charcoal, paper
Artist: anthon gerhard alexander van rappard
Artist role: draughtsman, print maker
Artist dates: 1858 – 1892
Allegorie op de stichting van Felix Meritis
Object type: print
Date: 1781 – 1783
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: noach van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Subjects: felix meritis, stadhuis van amsterdam (1655-1808)
Inscriptions: collector's mark: Lugt 2228

Titelpagina met een allegorisch vignet op de stichting van de maatschappij Felix Meritis te Amsterdam, 1 november 1777. Twee allegorische vrouwenfiguren ter weerszijden van een obelisk met het vignet van Felix Meritis, op de achtergrond het stadhuis en een stralende tempel.
[Actress in studio reclining in heavy wooden chair], from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Snow White and the Seven Dwarfs
Object type: print
Date: 1898 – 1898
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: sleeping,men,women

"Blanca Nieves y los siete enanos," (Imprenta de A. Vanegas Arroyo, ca. 1898).
Portret van Georg Ludwig von Wurmb
Object type: print
Date: 1721 – 1733
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: garden fountain, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Furniture element
Object type: furniture element
Date: 1800 – 1701
Materials: ivory
Culture: assyrian
Location: anatolia
Subjects: animals
Naakte man gevangen door slang en naakte vrouw
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: snakes, the (nude) human figure; 'corpo humano' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: ‘AFE v S’
Saint Paul
Object type: print
Date: 1726 – 1726
Techniques: engraving, etching
Artist: michel aubert
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1757
Subjects: reading,saint paul
Karmelieten bij wijnrank met Madonna
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: vine-tendril, leaf, madonna: i.e. mary with the christ-child, monastic orders, monastic life: carmelites
Inscriptions: collector's mark: Lugt 240

Twee Karmelieten staan met een brandend zwaard en een waterkruik bij wijnranken met een doek met de titel van het boek. Daarboven wordt Madonna aanbeden door geknielde broeders en zusters.
River God
Object type: figure
Date: 1753 – 1754
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: men,women

The river god is based on a Meissen porcelain figure of 1740 modeled by J.J. Kaendler (1706–1775).
Paardenhoofd in lichtgebogen houding, naar links
Object type: print
Date: 1800 – 1841
Materials: paper
Techniques: etching
Location: rotterdam
Artist: joannes bemme
Artist role: print maker, printer
Artist dates: 1775 – 1841
Subjects: horse (+ head of an animal)
Inscriptions: collector's mark: Lugt 2165
Het Henriette Hofje aan de Stadhouderskade te Amsterdam
Object type: drawing
Date: 1870 – 1926
Materials: paint, ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: alms-house (dutch: 'hofje'), amsterdam

Het Henriette Hofje aan de Stadhouderskade te Amsterdam, gebouwd in 1869 door Tetar van Elven.
Designs for Two Ewers, a Carafe (two alternate designs), and a Covered Tureen
Object type: drawing
Date: 1845 – 1855
Materials: ink, watercolor
Techniques: pen
Artist: alfred henry forrester [alfred crowquill]
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1872
Subjects: ewers
Du Cap au Zambèze : notes de voyage dans l'Afrique du Sud
Object type: book
Date: 1884 – 1884
Materials: cardboard, paper, textile
Techniques: albumen print, letterpress printing
Location: baden-baden
Artist: émile manheimer
Artist role: schrijver
Artist dates: 1843 –
Boom
Object type: sketchbook leaf
Date: 1870 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: trees
Hieratic ostracon with three columns of accounts
Object type: ostracon, hieratic
Date: 525 – 404
Materials: ink, limestone
Location: egypt
Portret van de architect Jacob Vennekool met een ontwerp voor het stadhuis op de Dam
Object type: print
Date: 1648 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sculptor, jacob vennekool
Inscriptions: collector's mark: Lugt 2228