deem-data/ArtiFact huggingface dataset:
Door de Britten opgehangen Boeren
Object type: page
Date: 1901 – 1901
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: violent death by hanging, the soldier; the soldier's life, political caricatures and satires

Prent maakt deel uit van een tijdschrift met spotprenten op de Tweede Boerenoorlog. Met drieregelig onderschrift: ..... de proclamatie, waarin ik verklaarde dat een ieder die met wapens in de hand ... (Officieel rapport van generaal Kitchener aan het War Office.).
Study for Surrey Institution, from Microcosm of London
Object type: drawing and watercolor
Date: 1809 – 1809
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Gedecoreerde schoorsteenmantel, vermoedelijk in het Palais Ducal in Nancy
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: nancy
Artist: Anonymous
Subjects: chimney-piece, mantelpiece
Inscriptions: annotation: ‘Nancy/ Chéminée/ Palais ducal’, collector's mark: ‘RIJKS NORMAALSCHOOL voor T[EEKENONDERWIJZERS] AMSTERDAM’, annotation: ‘Nancy’, annotation: ‘Frankrijk 20’
Terracotta female head
Object type: head of a woman
Date: 234 – 101
Materials: terracotta
Culture: cypriot
Subjects: heads,women

The head is mold-made and solid. The back is handmade.
Stupa
Object type: stupa
Date: 1201 – 1300
Materials: brass
Culture: tibetan
Subjects: stupas

Commemorative stupas (Tibetan: chorten) are the oldest symbols of Buddhism and came to be emblematic of both the dharma and of the Buddha himself. Repositories for relics associated with the Buddha, his disciples, and their lineages, they assumed a central place in later Buddhist imagery. Portable versions often contain relics of eminent monks or holy texts.
Portret van Michael Hewetson
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Subjects: historical persons, regular clerics, e.g. jesuits, redemptorists
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 1842
Design for a Cabinet with Classical Ornament and Bookshelves
Object type: drawing
Date: 1801 – 1833
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
F.H.
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: fleur-de-lis ~ ornament, unicorn, armorial bearing, heraldry
Portret van Clisson
Object type: print
Date: 1811 – 1871
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Louis-Antoine Garnier-Pages
Object type: medallion
Date: 1877 – 1877
Materials: bronze
Artist: daniel jean-baptiste dupuis
Artist role: artist
Artist nationality: french
Artist dates: 1849 – 1899
Subjects: men,profiles

Garnier-Pages was mayor of Paris and a stalwart republican opponent of the government of Napoleon III.
Knielende vrouw met offertafeltje
Object type: surimono
Date: 1830 – 1835
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Inscriptions: collector's mark, verso, stamped: Lugt 2228

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Standbeeld van Gerlach van Nassau
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: monument, statue
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4269

Standbeeld van Gerlach. Links en rechts zijn naam en titels.
Effen roze papier
Object type: decorated paper
Date: 1800 – 1900
Materials: paint, paper
Techniques: hand coloring
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760
Gold hoop with glass pendant stamped disk
Object type: pendant, stamped
Date: 367 – 500
Materials: glass, gold
Culture: roman
Subjects: animals

Pendant: Translucent brownish yellow. Circular disk with rounded edge and flat underside; at top, rounded suspension tab pierced with hole sideways and flattened into a point. Stamped with a lion facing left; star above. Intact; few bubbles; dulling, faint iridescence, and small patches of weathering.
Mlle Troisvalets dans le Papillon
Object type: photograph
Date: 1861 – 1861
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Portret van een staande vrouw bij een stoel, aangeduid als Kraayenhoft
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: gorinchem
Artist: kornelis willem schorteldoek
Artist role: boekbinder, fotograaf
Artist dates: 1800 – 1885
Subjects: historical persons - bb - woman, standing figure - aa - female human figure, chair
Inscriptions: name: ‘Kraaye[n]hoft’, inscription: ‘SCHORTELDOEK, phot.’
Portret van Charles de Freycinet
Object type: print
Date: 1861 – 1911
Materials: paper
Techniques: etching
Artist: louis le nain
Artist role: print maker
Artist dates: 1851 – 1939
Subjects: adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
Inkstone with phoenix design
Object type: inkstone
Date: 1701 – 1800
Materials: limestone
Culture: chinese
Artist: gu erniang
Artist role: artist
Artist nationality: chinese
Artist dates: 1700 – 1733
Subjects: phoenix
Mishima Pass in Kai Province (Kōshū Mishima goe), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: men,mountains,trees

Expressing their exuberance and triumph at having reached the site of the ancient cryptomeria tree, three travelers embrace its enormous trunk. The contrast of the small human figures with the enormous natural forms reveals Hokusai's empathy with the pilgrims.
Bern. Bärengraben
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: zurich
Artist: Anonymous
Subjects: public gardens, park (+ city(-scape) with figures, staffage), bear-pit, beasts of prey, predatory animals: bear
Portret van Josephus Augustinus Brentano
Object type: print
Date: 1797 – 1836
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 2228

Portret van Josephus Augustinus Brentano, kunstverzamelaar te Amsterdam.
Adreskaart van de kompasmaker Jacob de Jong
Object type: business card
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: amsterdam
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Adreskaart van de kompasmaker Jacob de Jong in Amsterdam. Windroos met in het midden Vrouwe Justitia in de zee. Om haar heen de vier windrichtingen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Koophandel, Veilingen, Makelaardij en Verzekeringswezen, Oude adreskaarten van winkels en fabrieken, reclame.
Fountains Abbey.  The Chapel of the Nine Alters, Interior
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: joseph cundall
Artist role: fotograaf, schrijver
Artist nationality: british
Artist dates: 1818 – 1895
Subjects: architecture,abbeys,ruins
Fotografische reproductie van een schets "Col Wood's Water Party - Norwich - August 1893" door J.W.H. Anderson
Object type: album leaf
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: norwich
Inscriptions: caption: ‘Col Wood's Water Party - Norwich - August 1893//by J.W.H. Anderson’
Monumental vase
Object type: vase
Materials: bronze, gilt bronze
Artist: pierre philippe thomire
Artist role: maker
Artist nationality: french
Artist dates: 1751 – 1843

This celebrated vase was made for the Florentine house of Count Nicholas Demidoff. The Russian Demidoff family owned the lands from which the malachite was mined.
Portret van Jacobus I van Engeland
Object type: print
Date: 1612 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: jacobus i (koning van engeland), knighthood order, head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Jacobus I van Engeland, met een scepter, een hoed op het hoofd en om zijn hals een keten waaraan het ordeteken van de orde van de Kousenband.
Schotelscherf van aardewerk voorzien van een tekening van een ster in mangaan
Object type: sherd
Date: 1500 – 1799
Materials: earthenware, glaze
Artist: Anonymous
Terracotta fragment of an oinochoe (jug)?
Object type: oinochoe fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
The Coronation of Esther
Object type: drawing
Date: 1510 – 1585
Materials: chalk, ink
Techniques: pen, drawing
Artist: carlo urbino
Artist role: artist
Artist nationality: italian
Artist dates: 1505 – 1605
Subjects: men,women,ceremony

This detailed sketch was formerly ascribed to Paolo Veronese (note on the mount), but when it was acquired by the Metropolitan Museum in 1984, Lawrence Turčić proposed that it might instead be the work of Carlo Urbino (March 1984), a relatively little known painter from Crema whose drawings are somewhat similar in style to those of Bernardino Campi. The attribution to Urbino was subsequently confirmed by Giulio Bora, who connected the sheet with a fresco in the church of Santa Maria di Campagna at Pallanza, on Lago Maggiore. According to Bora, the interior of the charch was richly decorated about 1576-77 by Urbino in collaboration with the Milanese painter Aurelio Luini. Luini was responsible for roughly half of the large ‘Assumption of the Virgin’ that occupies the entire apse of the church, as well as for the figures of Saint Mark and Saint Luke in the pedentives beneath the dome and the ‘Death of the Virgin on the apsidal arch. Urbino apparently painted the other half of the ‘Assumption’, the figures of Saint John the Evangelist ans Saint Matthew in the pedentives, and the ‘Coronation of Esther’ in the presbytery, where it is paired with Luini’s ‘Dearth of the Virgin.’ He is also credited with the design – if not the actual execution – of much of the rest of the decoration of the building. The present sketch is a compositional study with minor differences for the fresco of the Coronation of Ester, a subject that prefigures the elevation of the Virgin Mary to her role as Queen of Haeven. The autograph inscription in pen and ink "13. giornate" (13 days) presumably refers to the number of days that would be required to execute the fresco.
J.D. Morrisey, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women,jockeys

Trade cards from the "Racing Colors of the World" series (N22b), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not.
Boerin van Groningen
Object type: print
Date: 1689 – 1713
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: mother and son(s) (family group), clothes, costume (+ children's clothes), farmers - aa - female farmer, farmer's wife, clothes, costume (+ women's clothes), folk costume, regional costume, groningen (province)
Inscriptions: collector's mark: Lugt 1641, collector's mark

Een boerin uit Groningen, staande met een zoon aan de hand. Ongenummerd. Prent uit een serie prenten naar Pieter van den Berge met dorpelingen die klederdrachten dragen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht, Groningen.
Portrait of three unknown men from the Bairagi community of the former Berar in central India
Object type: photograph
Date: 1862 – 1862
Materials: photographic support
Techniques: albumen print
Location: berar
Artist: james mulheran
Artist role: fotograaf
Subjects: asceticism ~ hinduism, buddhism, jainism, human races; peoples; nationalities
Inscriptions: number: ‘403.’, inscription: ‘BYRAGEES./ HINDOO DEVOTEES./ BERAR.’
Table Centerpiece
Object type: metalwork
Date: 1768 – 1768
Materials: bronze, gilt bronze
Location: london
Artist: denis rené gastecloux
Bemanning van de S.M.S. Loreley aan dek, op de achtergrond vermoedelijk het Kanaal van Korinthe
Object type: photograph
Date: 1905 – 1905
Materials: paper, photographic support
Techniques: albumen print
Location: greece
Artist: Anonymous
Subjects: parts of ship's exterior: deck

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Ex libris van Jarmila Prokešová
Object type: bookplate
Date: 1943 – 1943
Materials: paper
Techniques: woodcut
Location: czech republic
Artist: jiří vodehnal
Artist role: print maker
Subjects: cat
3 kopeken uit Rusland van tsaar Nikolai I, 1843
Object type: coin
Date: 1843 – 1843
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: gekroond monogram van Nicolai I in het cyrillisch. Keerzijde: in drie regels waarde-aanduiding. Daaronder jaartal, waaronder in het Cyrillisch de letters E en M [=Ekaterinenburg]. Gladde rand.
Cap
Object type: cap
Date: 1830 – 1850
Materials: linen
Subjects: flowers
Children playing at Horses, from "Illustrated London News"
Object type: print
Techniques: engraving
Artist: william luson thomas
Artist role: engraver
Artist nationality: british
Artist dates: 1830 – 1900
Subjects: interiors,boys,girls,women,playing

After the death of Charles Leslie the "Illustrated London News" honored him with a long commemorative article, illustrated by this wood engraving. A related text describes the American-born artist who achieved professional success in England as "the most individual and thoroughly English, perhaps of all our painters." Although Leslie was known for works that responded to well-known drama and literature, the periodical singled out this genre subject to embody the artist's ability to capture "natural truth and beauty." "Children Playing at Horses" is praised for a "subtlety and simplicity" that uses the "simplest and most familiar materials...[to] create a precious something which shall convey a new impression, impart a new pleasure--compelling us in this instance to sympatize with and almost share the fun of those little folks." William Luson Thomas, a leading wood engraver, was chosen to make the print.
Two Forces
Object type: drawing
Date: 1881 – 1881
Materials: graphite
Artist: sir john tenniel
Artist role: artist
Artist nationality: british
Artist dates: 1820 – 1914
Subjects: swords,kings,women
Twee leeuwen, een slang en een schedel
Object type: print
Date: 1588 – 1650
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: snakes, (human) skull, beasts of prey, predatory animals: lion

De leeuwen en de stronk rechts zijn gekopieerd naar een prent van Cort naar ontwerp van Muziano. De slang is gekopieerd naar een prent van Saenredam naar ontwerp van Bloemaert.
Monniken in pij
Object type: sketchbook leaf
Date: 1845 – 1891
Materials: chalk, paper
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: monk(s), friar(s)
Inscriptions: annotation: ‘Tor G eer prijs en taem/ Zoo hu[...] krijgt den Mol/ Zijn naem’

Blad 14 verso uit een schetsboek met 46 bladen.
Landschap met bomen en reigers bij een plas
Object type: sketchbook leaf
Date: 1874 – 1875
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: trees, shore-birds and wading-birds: heron, pond, pool

Blad 38 recto uit een schetsboek met 46 bladen.
Venus Disguised as a Huntress Appears to Aeneas (Aeneid I: 305 ff.)
Object type: drawing
Date: 1699 – 1768
Materials: chalk, paper
Techniques: highlighting
Artist: stefano pozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1699 – 1768
Subjects: aeneas,venus,horses,trees
Sugar Bowl
Object type: sugar bowl
Date: 1770 – 1800
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,coat of arms
Portret van Joan de Haes
Object type: print
Date: 1723 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: joan de haes
Inscriptions: collector's mark: Lugt 2228

Joan de Haes, een Rotterdamse dichter. Onder het portret een Nederlands gedicht ter nagedachtenis van zijn leven.
Coffeepot (part of a service)
Object type: coffeepot
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: frankenthal porcelain manufactory
Artist role: manufactory
Artist nationality: german
Subjects: birds,trees
Zeeuwse dubbele stuiver, 1733
Object type: coin
Date: 1733 – 1733
Materials: silver
Techniques: striking
Location: middelburg

Zilveren munt. Voorzijde: tussen waarde-aanduiding 2 S gekroond wapenschild van Zeeland. Keerzijde: opschrift in drie regels, waarboven muntteken burcht tussen twee rozetten en waaronder jaartal.
Strook met borduurwerk
Object type: strip
Date: 1700 – 1725
Materials: gold thread, silk, velvet, wood
Artist: Anonymous

Strook met gouden borduurwerk op karmozijnrode, fluwelen grond. Met rand van blauwe zijde. Op raam gezet.
Tappy-on-the-Window-Pane, "This'll scare em sick," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys

Trade cards from the "Terrors of America" series (N136), issued in a set of 50 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The original lithographs for the series were created by Knapp & Company, N.Y. This is the second time that Duke released the "Terrors of America" series. The cards of the first set (N88) are smaller than N136 cards.
Aanval op Amor
Object type: medal
Date: 1600 – 1700
Materials: copper
Techniques: engraving
Artist: Anonymous

Eenzijdig gegraveerde koperen penning. Voorzijde: knokige man met wapperende mantel en vlammende haren houdt mes [?] in geheven rechterhand en drie langwerpige voorwerpen [?] in de linkerhand; voor hem zit een naakt jongetje met pijlenkoker en boog verschrikt ter aarde. Keerzijde: blanco.
Plate
Object type: plate
Date: 1841 – 1841
Materials: earthenware
Culture: american
Location: united states
Vijf vogels en een spin
Object type: print
Date: 1601 – 1650
Materials: paper
Techniques: colour, engraving
Artist: Anonymous
Subjects: birds, ornamental birds: peacock
Inscriptions: inscription: ‘57’, inscription: ‘1’

Vijf vogels neergestreken op een stuk fruit of een tak. Linksonder een pauw. Bovenaan hangt een spin. De prent maakt deel uit van een album.
Fragrant Garden under a Hazy Moon
Object type: hanging scroll
Date: 1843 – 1843
Materials: ink, silk
Culture: japanese
Artist: nakabayashi chikutō
Artist role: artist
Artist nationality: japanese
Artist dates: 1776 – 1853
Subjects: gardens,boys,men

In a garden of spring blossoms and mountain-shaped boulders, a group of gentlemen relax, converse, and accept wine and delicacies from youthful boy-attendants. Eroded ornamental garden rocks like those from Lake Tai identify the scene as taking place in China. A hazy moon hangs in the sky while bands of mist, rendered by unpainted areas of silk, obscure the far distance. The poetic title derives from an early, perhaps original, box inscription. Nakabayashi Chikutō was born the son of a doctor in Nagoya, where he became the protégé of a well-to-do collector of Chinese paintings. He eventually moved to Kyoto with Yamamoto Baiitsu (1783–1856), and both became artists of the Nanga (Literati) school. In addition to painting, he designed images for woodblock-printed illustrated books and authored a number of painting treatises. This work, with its lively subject matter, is unusual for Chikutō, who often created tranquil landscapes in ink, with little, if any, human activity.
Toneelvoorstelling in een zaal, 1714
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: vienna, public festivities at birth of royal persons, theatre, theatrical performance, utrecht
Inscriptions: collector's mark: Lugt 2228

Toneelvoorstelling in een zaal, 1714. Onderdeel van een groep van twaalf illustraties van de feestelijkheden georganiseerd in Utrecht in 1714 door de Portugese graaf Joao Gomes da Silva conde de Tarouca ter ere van de geboorte van twee Portugese prinsjes van koning Johan V.
Fan
Object type: fan
Date: 1701 – 1750
Materials: ivory
Subjects: men,women,dogs
Portret van Antoine de Loménie
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: politician, historical persons, politician, e.g. party leader, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Burgemeester verbiedt Heijermans Allerzielen
Object type: drawing
Date: 1904 – 1905
Materials: chalk, ink, paper
Techniques: pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: herman heijermans, theatre, theatrical performance, mayor, burgomaster, political caricatures and satires
Inscriptions: inscription: ‘Vrijheid / Bugervader: we zullen dien Rooien, immoreelen Heyermans wel klein krijgen!’

Een burgemeester schrijft een verbod uit op de opvoering van Heijermans toneelstuk Allerzielen (1904). Ontwerp voor een politieke spotprent.
Brazier
Object type: brazier
Date: 1401 – 1500
Materials: bronze
Techniques: casting, chasing
Location: india

The interwoven and symmetrical organization of the scrolling stems and leaves of the side panels follows a gracious design common in Timurid objects and architecture and can also be seen in the tile panels and stuccowork of the buildings at Bidar. The auspicious dragon heads along the legs of this object are also part of a shared decorative vocabulary.
Voetwassing van Petrus
Object type: album leaf
Date: 1583 – 1583
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: Anonymous
Subjects: christ washes peter's feet

Eerdere staat van prent gebruikt als boekillustratie in: Biblia Sacra. Antwerpen: Christoffel Plantijn, 1583.
Scudella
Object type: scudella
Date: 1451 – 1500
Materials: earthenware
Techniques: luster painting, glazing

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.