deem-data/ArtiFact huggingface dataset:
Private, 71st Regiment, New York State Militia, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,firearms,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Fragmenten ruit uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: light window
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, window glass; fragm, broken, flat.
Keisei gaen/Keijo Gaen (A Garden of Pictures from the Capital)
Object type: book
Date: 1814 – 1814
Techniques: woodblock print
Location: japan
Artist: Anonymous
Artist nationality: japanese
The Spanish Singer
Object type: print
Date: 1861 – 1862
Materials: paper, ivory
Techniques: etching, roulette
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 79 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of multiple sections. Decorating the top left corner is a large floral and figural element, which attaches to a rectangular base ornamented with different foliage patterns, one of which includes a figural representation. At the top edge (right of center) is a set of curving vines on top of an ornamented rectangular base. At the lower left corner is an ornamented triangle.
Christus aan het kruis
Object type: print
Date: 1821 – 1877
Materials: paper
Techniques: etching
Location: brussels
Subjects: crucified christ, with particular persons under the cross, crucified christ with mary, john, and mary magdalene, christ is nailed to the erected cross
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228

Christus aan het kruis met onder andere Maria, Jozef en Maria Magdalena. Onder de afbeelding tekst in het Latijn. Rondom een ornamenteel kader met bladmotief.
Glass square bottle with base inscription
Object type: bottle, square
Date: 101 – 200
Materials: glass
Culture: roman

Translucent blue green; handle in same color. Slanting rim folded out, down, over, and in, and flattened on top surface, forming a restricted oval opening to mouth; cylindrical neck with tooling marks around base; uneven shoulder, partially pushed in, with rounded corners; tall, misshapen square body with vertical sides; sides with irregular concave profile towards top; two opposite sides have vertical ribbing in shallow relief (from mold ?); bottom pushed in at center with part of circular pontil; broad three-ribbed handle applied in a thick pad to edge of shoulder, drawn up, turned in at an acute angle, and trailed onto neck and underside of rim with a single upright fold. On bottom, four projecting circular bosses, one at each corner, and a Greek inscription in relief, written in retrograde, across the middle: BACOY. Intact; many bubbles; some soil encrustation and creamy brown weathering on exterior, encrustation, weathering, and brilliant iridescence on interior. Many everyday containers were made in molds to a consistent size, like modern wine or beer bottles. Some of the molds included a stamp, usually on the base, as a trademark, although it remains uncertain whether this referred to the bottles or to their contents. On this example there is a name in the genitive case in large Greek letters on the base: it reads BACOY ("of Basos").
Glasraam van keizer Maximiliaan I en Mirakelkist in de Heilige Stede te Amsterdam
Object type: print
Date: 1763 – 1765
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: maximilian i (holy roman emperor), church-window, e.g. rose-window, relics (and reliquaries), money-chest, treasure-chest, money-box

Illustratie voor: J. Wagenaar, Amsterdam, in zyne opkomst, aanwas, geschiedenissen, voorregten, koophandel, gebouwen, kerkenstaat, schoolen, schutterye, gilden en regeeringe, 4 delen, Isaak Tirion etc., Amsterdam 1760-1788, dl. II (1765), p. 122. Staat met de letter. De kist naar de tekening van Dilhof in het RPK.
Gezicht op het administratiekantoor van de Hollandsche IJzeren Spoorweg-Maatschappij aan de Droogbak in Amsterdam
Object type: album leaf
Date: 1908 – 1908
Materials: cardboard, ink, photographic support
Techniques: pen
Location: amsterdam
Artist: j.j. reynders
Artist role: fotograaf
Subjects: railway, train, office (~ administration), amsterdam
Muziekvereniging te Amsterdam
Object type: insignia
Date: 1845 – 1845
Materials: silver, textile
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

eenzijdig insigne, opgebouwd uit lier onder kroon aan draagoog, draagring en lint met rode en zwarte verticale baan; op lier: geemailleerd wapenschild
Dish with Parasol Ladies
Object type: dish
Date: 1735 – 1740
Materials: cobalt, enamel, glaze, porcelain
Techniques: painting
Culture: japanese
Artist: cornelis pronk
Artist role: artist
Artist nationality: dutch
Artist dates: 1691 – 1759
Subjects: birds,women,parasols

Two graceful ladies attired in Japanese kimono have stopped to look at three birds that have crossed their path. An inner border encircles the scene with floral designs, while the outer border contains panels with images of birds and ladies, echoing the central motif. The design on this plate is a modified version of a drawing by a Dutch artist named Cornelis Pronk, originally depicting Chinese ladies in the same setting. Pronk was commissioned by the Dutch East India Company to create a design for tea and dinner sets for Chinese potters to use as a model. At some point, this design made its way to Japan, where Pronk's original design was altered to reflect Japanese fashions instead of Chinese. However, the Japanese versions of this type were sold privately, not by the Dutch East India Company.
Paris. Centre National dárt et de culture Georges-Pompidou
Object type: postcard
Date: 1920 – 1950
Materials: photographic support
Techniques: rotogravure
Location: paris
Subjects: musée national d'arte moderne centre pompidou
Militair
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Location: london
Artist: a.c. cooper
Artist role: fotograaf
Subjects: london

Geposeerde foto van een militair voor een gordijn, ten voeten uit. Hij richt zijn karabijn. Cor Visser wilde deze foto waarschijnlijk gebruiken voor een van zijn tekeningen, vandaar het lijnennet dat hij op de foto getekend heeft.
De vlootlanding bij Philippine, 1600
Object type: print
Date: 1610 – 1624
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), troop movements, transportation (+ sailing-ships)

De vlootlanding bij Philippine. De Staatse vloot van Maurits voor Philippine waar manschappen aan boord worden genomen, 22 juni 1600. Tocht naar Oostende van het Staatse leger, 19-27 juni, 1600.
Plaque
Object type: plaque
Date: 1700 – 1740
Materials: iron
Border of woven silk
Object type: piece
Date: 1770 – 1780
Materials: silk
Artist: philippe de lasalle
Artist role: designer
Artist nationality: french
Artist dates: 1723 – 1804
Subjects: flowers,plants
Conspirators, or Delegates in Council
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Ontwerp voor een stoel
Object type: design drawing
Date: 1887 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: gust van de wall perné
Artist role: draughtsman, painter, print maker
Artist dates: 1877 – 1911
Subjects: chair
Inscriptions: collector's mark: Lugt 2228

Met mogelijk een sjabloon voor een armleuning. Met op verso een fragment van een schets.
Zürich, Hafen
Object type: photomechanical print
Date: 1913 – 1920
Materials: cardboard, photographic process
Location: zurich
Subjects: harbour, monument, statue, prospect of city, town panorama, silhouette of city
Face of Seniseneb, Tomb of Puyemre
Object type: facsimile, puyemre tt 39
Date: 1479 – 1458
Materials: paper, paint
Location: egypt
Artist: norman de garis davies
Artist role: artist
Artist dates: 1865 – 1941
Subjects: faces,women
The Maid of Amsterdam, Part of a Model for the East Tympanum of the Amsterdam Town Hall (now Royal Palace) at Dam Square
Object type: model
Date: 1650 – 1653
Materials: terracotta
Techniques: modeling
Location: amsterdam
Artist: artus quellinus (i)
Artist role: draughtsman, print maker, sculptor
Artist dates: 1609 – 1668
Subjects: personification of a city, town-patron(ess), amsterdam

Artus Quellinus (1609 - 1668). Naiads and Tritons. Terracotta. Amsterdam, c. 1651. On loan from the City of Amsterdam.
Brief aan Cornelis Gerdus 't Hooft
Object type: letter
Date: 1911 – 1911
Materials: ink
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: abraham bredius, dordrecht, painter, draughtsman, cornelis gerardus 't hooft, the graphic arts, exhibition ~ art, london
Inscriptions: collector's mark: ‘RPK’
Portret van Elisabeth Catharina Broers en haar grootmoeder Geertruida van Pesch
Object type: photograph
Date: 1900 – 1910
Materials: iron, paper
Techniques: ferrotyping
Location: netherlands
Artist: Anonymous
Subjects: leiden, historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: annotation: ‘Elisabeth/ Catharina/ Broers/ dochter van/ Jacob Cornelis Br/ en/ Geertruide van/ Pesch’
Sword Grip Ornament (Megugi)
Object type: sword grip ornament megugi
Date: 1801 – 1900
Materials: silver
Culture: japanese
Location: japan
Fragment of a Relief
Object type: relief fragment
Date: 201 – 700
Materials: clay
Culture: central asian
Subjects: human figures
Portret van James Cook
Object type: print
Date: 1839 – 1855
Materials: paper
Techniques: etching
Location: hildburghausen
Artist: Anonymous
Subjects: james cook, historical persons

Prent mogelijk uit: Meyer, Joseph. Conversations-Lexikon für die gebildeten Stände. Hildburghausen: Bibliographisches Institut, 1839-1855.
Blackware Bowl with Fish and Scroll Motif
Object type: bowl
Date: 200 – 101
Materials: ceramic
Culture: nasca
Location: peru
Subjects: birds
Plate
Object type: plate
Date: 1801 – 1900
Materials: metal, silver
Subjects: shields,swords,horses,flowers

This electrotype is after a seventeenth-century original a treasure of the Kremlin, Moscow, at the time of reproduction.
The dongo, through which Lieut. Roberts led his heroes to save the Guns, and was mortally wounded, Colenso, S.A.
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: colenso
Subjects: landscapes
Inscriptions: name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’, number: ‘183’
Portret van Hadrianus Visscherus
Object type: print
Date: 1630 – 1680
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: predikant, hadrianus visscherus
Inscriptions: collector's mark: Lugt 2228

Portret van Hadrianus Visscherus, predikant en schrijver.
Wooded Landscape with Stag Hunt
Object type: drawing
Date: 1567 – 1633
Materials: chalk, ink
Techniques: pen, wash
Artist: tobias verhaecht
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1631
Subjects: human figures,hunting,deer,landscapes,trees
Wineglass (part of a service)
Object type: wineglass
Date: 1840 – 1870
Materials: glass, gold

Part of a wine service consisting of three ewers and twelve wine glasses.
Dance Paddle(?)
Object type: paddle
Date: 1820 – 1840
Materials: wood
Culture: austral islanders
Location: french polynesia
Designs for Plates Taken from Oudry's Illustrations to La Fontaine's Fables
Object type: print
Date: 1755 – 1755
Techniques: etching
Artist: jean-baptiste oudry
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1755
Subjects: animals,birds,men,elephants,lions
Köbenhavn. Parti fra Gl. Strand i Aftenbelysning
Object type: photomechanical print
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: copenhagen
Artist: Anonymous
Subjects: canal, night, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage), copenhagen (city)
Fragment scheepsbel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: ship bell
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Acoustic, bell (ship's); fragment of rim, eroded, concentric band moulding, fits to NG 1980-27H2990/830/3010a.
Apostle or Saint
Object type: figure
Date: 1520 – 1529
Materials: gilt, wood
Techniques: polychrome
Artist: alonso berruguete
Artist role: artist
Artist nationality: spanish
Artist dates: 1488 – 1561
Subjects: men,apostles,saints

The figure’s dynamic twist and its finish on three sides suggest that this sculpture stood on an outer corner of a retablos, or a multistoried altarpiece composed of sculptures and paintings. That larger ensemble, and the unidentified chapel or church of its origin, would have provided more clues to the bearded figure’s identity. Berruguete visited Italy in the age of Michelangelo and returned to Spain to become one of the country’s most important sculptors. His expressive figures, often represented in dramatic movement, stand at the head of that country’s centuries-long tradition of carved and painted sculpture.
Staff Weapon (<i>Coresca</i>)
Object type: staff weapon i coresca i
Date: 1550 – 1550
Materials: copper alloy, steel, textile, wood
Culture: italian
Location: italy
Portret van Johann Gottlob Eckoldt
Object type: print
Date: 1780 – 1836
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johan friedrich schrötter
Artist role: print maker
Artist dates: 1770 – 1836
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Fragment (Dress Fabric)
Object type: textile
Date: 1701 – 1800
Location: france
Cope-shape
Object type: cope shape
Date: 1601 – 1700
Materials: linen, silk
Commode
Object type: furniture
Date: 1770 – 1780
Materials: gilt bronze, wood, marble
Location: france
Artist: jean henri riesener
Subjects: furniture
Zittende putto met een lauwerkrans in de handen
Object type: book illustration
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: moses and aaron confront pharaoh (exodus 5-7:13), foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2228

Prent oorspronkelijk bedoeld voor: Figures de la Bible. Amsterdam, Bernard Picart, 1720. Prent ook gebruikt in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (...) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (...) en met beschrijvingen uitgebreid. Den Haag: Pieter de Hondt, 1728.
Prent kan mogelijk ook zijn gebruikt in andere bijbels.
Cylinder Seal of King Sekhemre Sewadjtawy Sebekhotep
Object type: cylinder seal, king sebekhotep iii
Date: 1748 – 1741
Materials: stone
Techniques: glazing
Location: egypt
Man leunend op een juk
Object type: drawing
Date: 1820 – 1830
Materials: chalk, paper
Location: the hague
Artist: Anonymous
Subjects: wooden shoes, clogs, adult man, yoke

Tekeningen waarschijnlijk ontstaan bij het Haagse kunstgenootschap ‘Tot Nut der Tekenkunst’, waar twee keer per week tekenavonden werden georganiseerd met geklede modellen.
Ontwerpen voor een kleed met ornamentale randen
Object type: design
Date: 1874 – 1945
Materials: pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: ornaments ~ art, carpet, rug
Pilatus wast zijn handen in onschuld
Object type: print
Date: 1558 – 1558
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: pilate washing his hands (in innocence)
Inscriptions: number: ‘180’

Gebruikt voor de publicatie: Rhau, Georg. Hortulus Animae. Neurenberg: Valentin Geißler, 1558.
Topographia Variarum Regionum
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: etching
Subjects: roof-covering, village

Middenvoor twee geiten. Rechts een rijtje houten huizen en een kerktoren.
Set of Four Mirriors (Cuirass)
Object type: set of four mirror cuirass
Date: 1701 – 1900
Materials: iron, leather, textile
Culture: nepalese or tibetan
Location: nepal
Vlakdecoratie met grotesken, in het midden staat Ceres
Object type: ornament print
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: (story of) ceres (demeter), (story of) bacchus (dionysus), liber

Ceres staat in een nis. Twee vrouwelijke hermen ter weerszijden van de nis houden een cartouche omhoog waarin Bacchus zit, geflankeerd door twee vogels.
Trade Card for R. Brook, Engraver
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Plate
Object type: plate
Date: 1711 – 1771
Materials: pewter
Culture: american
Location: united states
Artist: thomas byles
Artist role: maker
Artist nationality: american
Artist dates: 1682 – 1771
Diana en Endymion
Object type: print
Date: 1660 – 1666
Materials: paper
Techniques: etching
Location: rome
Subjects: diana (luna) visiting the sleeping endymion
Inscriptions: collector's mark: Lugt 240

Diana bezoekt de eeuwig slapende schone jongeling Endymion. Het tafereel wordt gadegeslagen door twee putti. Aan de voeten van Endymion waakt een hond.
Gezicht op de façade van het Kasteel van Pierrefonds
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: pierrefonds
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: castle, façade of inner court
Inscriptions: number: ‘No. 412’, inscription: ‘Pl[...]’, collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers Amsterdam’
Plate with angels
Object type: plate
Date: 1480 – 1500
Techniques: incising
Subjects: angels

The finest examples of incised slipware were made in the north Italian city of Ferrara in the fifteenth century and are among the many achievements of court artists working for the Este dukes. The technique reaches back to Tang China and is noteworthy for the contrast between the sharp, incised lines and the fluid colors of the glaze.
Bovenaanzicht van Parijs, met in het midden de Arc de Triomphe
Object type: page
Materials: paper
Techniques: collo-autotype
Location: paris
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘Fig. 5. - Vue de l'Arc de Triomphe, à paris, et des quartiers environnants, prise en ballon libre à 500 mètres d'altitude.’

Prent op plaat los in boek tussen pagina 134 en 135.
Look out!, from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
De bedroefde man
Object type: book illustration
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: kitchen, pain, sorrow, sadness; 'dolore', 'dolore di zeusi' (ripa), communal rooms, rubbing, wringing one's hands
Inscriptions: collector's mark: Lugt 1641, collector's mark

Gebruikt als illustratie in: E. Bekker en A. Deken, Economische liedjes, Den Haag: Isaac van Cleef, 1792, dl. 1. p. 27.
Landschap met schuiten in een sloot nabij een vaart
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching, intaglio
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: canal, ships, boats on land, beached
Inscriptions: collector's mark: Lugt 2228
Briefkaart aan Willem Bogtman
Object type: postcard
Date: 1924 – 1924
Materials: cardboard, ink, pencil
Techniques: pen, writing
Location: utrecht
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: haarlem, willem bogtman, henriëtte roland holst-van der schalk
Borstbeeld van een oude vrouw
Object type: print
Date: 1625 – 1674
Materials: paper
Techniques: etching
Artist: jan lievens
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1674
Subjects: old woman
Inscriptions: collector's mark: Lugt 240
Biskra. - Groupe de Palmeirs de Sidi - Zerzour
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Subjects: historical persons, road, path, trees: palm-tree
Inscriptions: check stamp: ‘J. Kuhn Editeur/ 220 Rue de Rivoli Paris’, number: ‘210’
Portret van Tiberius Hemsterhuis
Object type: print
Date: 1809 – 1871
Materials: paper
Techniques: tone lithography
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur en biografische gegevens van de geportretteerde.
The ‘Kleine Houtpoort’ at Haarlem, from Landscapes (Playsante Lantschappen)
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: attributed to claes jansz. visscher ii
Artist nationality: dutch
Artist dates: 1586 – 1652
Inscriptions: Lettered lower right: "17"
Head of the Artist
Object type: drawing
Date: 1919 – 1919
Materials: graphite, paper
Culture: american
Artist: abbott h. thayer
Artist role: artist
Artist nationality: american
Artist dates: 1849 – 1921
Subjects: heads,men
Heilige Wendelinus
Object type: print
Date: 1516 – 1518
Materials: paper
Techniques: woodcut
Artist: cornelis liefrinck
Artist role: houtsnijder
Artist dates: 1517 – 1517
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., saints, armorial bearing, heraldry
Inscriptions: : ‘V’, collector's mark: Lugt 2228

Onderdeel van een serie van 123 houtsnedes met heiligen.
Portret van Martinus Mytens de Oude / Martin Mytens (der Ältere)
Object type: drawing
Date: 1792 – 1792
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: the hague, painter, print maker, martin mytens (i), historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Negen besten
Object type: album leaf
Date: 1582 – 1635
Materials: paper
Techniques: engraving
Location: low countries
Subjects: joshua (one of the nine worthies)

Jozua, een beroemde veldheer uit het Oude Testament, staat met een zwaard en een vaandel in de handen in een landschap. Hij maakt deel uit van De Negen Besten. Onder de voorstelling een vers in het Latijn. De voorstelling is gevat in een omlijsting met krulornamenten en verschillende dieren, zoals konijnen, honden, eekhoorns en vogels. Deze prent maakt deel uit van een album.