deem-data/ArtiFact huggingface dataset:
Drie portretten van onbekende mannen en vrouwen die minachting tonen
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Subjects: passions, emotions, affections
Inscriptions: number: ‘Tav. V 1 2 3 (Pag. 171)’
Card 749, Ida Mulle, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Small unguentarium. Translucent light yellow brown. Rim folded out, over, and in; flaring mouth; cylindrical neck, tapering downwards with tooled indent around base; conical body with slightly convex sides; flattened bottom. Intact, except for chip in rim; pinprick bubbles and blowing striations; dulling, pitting and iridescent weathering, with some soil encrustation on interior.
Studie, mogelijk van daken met een wolkenlucht
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Subjects: roof (of house or building), clouds

Pagina 24 uit een schetsboek met 31 bladen.
Zdrobnováni repy
Object type: page
Date: 1891 – 1891
Materials: paper
Techniques: autotype
Location: prague
Subjects: machines; parts of machines; tools and appliances
Portret van Isidore Hemeryck
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: etching
Location: antwerp
Subjects: louvain, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Melanges de Vaisseaux, de Barques et de Bateaux 3e Cahier
Object type: print
Date: 1747 – 1813
Materials: paper
Techniques: etching
Location: paris
Subjects: sailing-ship, sailing-boat, parts of ship's exterior: anchor
Inscriptions: collector's mark: Lugt 2233
Luitspeelster
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: transfer, print drawing
Location: amsterdam
Subjects: string instruments (plucked)
Inscriptions: collector's mark: Lugt 2725, collector's mark: Lugt 2228
Koord van oranje katoen
Object type: menswear
Date: 1875 – 1890
Materials: cotton
Location: netherlands
Artist: Anonymous

Koord van oranje katoen, mogelijk herenkleding.
Isabella aan tafel bij Karel VI
Object type: print
Date: 1803 – 1861
Materials: paper
Techniques: drypoint, etching
Artist: jacob joseph eeckhout
Artist role: draughtsman, print maker
Artist dates: 1793 – 1861
Subjects: paris, queen, king
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485

Koning Karel VI trouwde met Isabella van Beieren. De narrenfiguur in de achtergrond van deze prent symboliseert de waanbeelden die Karel VI teisterden.
Enquêteformulier ingevuld door Casparis Haanen
Object type: questionnaire
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: maastricht, amsterdam, draughtsman, casparis haanen
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Riemgesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

D-shaped, ring and tongue, id. NG 1979-177H537, belt buckle.
Actress leaning on ballustrade, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
De geschiedenis van Pluto en Proserpina
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the rape of proserpina (by pluto in his chariot); possibly with diana and minerva trying to rescue her
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1968

Pluto sleept Proserpina naar zijn zegewagen. Proserpina schreeuwt om hulp. De paarden met de zegewagen staan bij een bos te wachten.
Portret van Theodora Adriana von dem Knesebeck
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Location: berlin
Artist: johann georg wolfgang
Artist role: graveur
Artist dates: 1662 – 1744
Subjects: the hague, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Knesebeck’
The Violin Concert
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Ontwerp voor reclame van Nutrix beschuit
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: advertising, (other) historical names

Ontwerp voor reclame van Nutrix beschuit 'De holle bolle wagen'.
Terracotta fragment of a kylix: Lip cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic
Giotto, dit Bondone - La Mort de la Vierge. Musée Condé, Chantilly
Object type: photomechanical print
Date: 1903 – 1932
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Référence des portraits contemporains
Object type: magazine
Date: 1900 – 1906
Materials: paper
Techniques: photograph, printing
Location: paris
Rivierlandschap
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: windmill in landscape, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Rivierlandschap met roeiboot en molen. Getekend op de achterzijde van een drukwerk met reclame voor 'Winter-Artikelen'.
Vier foto's van Carel Frederik en Frank Willem van den Berg met een vrouw in Bergerac
Object type: photograph
Date: 1914 – 1914
Materials: paper
Techniques: gelatin silver print
Location: bergerac
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: amsterdam, carel frederik van den berg (cay), frank willem van den berg (1912-1998), garden, child

Deze foto's maken deel uit van een album.
Glass bowl
Object type: bowl
Date: 34 – 33
Materials: glass
Culture: roman

Translucent golden brown. Rounded vertical rim; sides tapering downward, then curved in to slightly concave bottom. On interior, three horizontal wheel-cut grooves: one below rim, the other two in a band around middle of body; on exterior, plain slightly recessed band immediately below rim with ridge below. Intact; many pinprick bubbles and striations; dulling, pitting, and large patches of iridescent creamy brown weathering.
Noh Costume (Surihaku) with Water, Water Plants, and Leaves
Object type: noh costume surihaku
Date: 1801 – 1900
Materials: gold leaf, silk
Techniques: weave
Culture: japanese
Subjects: plants

Noh robes patterned with metallic leaf are called surihaku, a term also used for the textiles from which they are made. For this robe, the surihaku textile was decorated by applying paste through stencils, placing and pressing gold leaf onto the still-wet paste and finally, when the paste was dry, brushing away the excess gold leaf. Some surihaku robes have static, repetitive patterns, but the artful arrangement of the stencils for this robe yielded a fluid, rhythmic design. The conventionalized flowing water beneith the plants is sometimes called kanze mizu (literally, "Kanze water"), a pattern associated with the Kanze troupe of Noh actors. Kanze mizu later became the symbol for a particular Kabuki actor, Sawamura Sōjūrō III, who appears wearing clothing patterened with the motif in a woodblock print (JP2720) by Utagawa Toyokuni.
Fotoreproductie van een tekening van een bruid die wordt aangekleed door vrouwen
Object type: page
Date: 1871 – 1881
Materials: paper
Techniques: photograph
Location: germany
Subjects: dressing the bride
Portret van Abraham Josephus van Lith
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: dordrecht
Artist: j.w. wolters
Artist role: publisher
Subjects: trees: oak (+ leaf), garland, wreath, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde is afgebeeld tussen de wolken en geflankeerd door een krans van eikenbladeren en laurierbladeren, bijeengehouden door een kruis en een anker. Onder het portret een vierregelig onderschrift.
Tile
Object type: tile
Date: 1620 – 1640
Materials: earthenware
Techniques: glazing
Subjects: firearms,men
Rekenpenning van de stad Brussel
Object type: jeton
Date: 1551 – 1551
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: brussels

Koperen penning. Voorzijde: Christus met uitgestrekte handen, staande op wereldbol, geflankeerd door twee mensen; afsnede: opschrift. Keerzijde: wapenschild binnen omschrift
Pair of Sandals
Object type: sandal
Date: 301 – 700
Materials: leaf
Techniques: weave
Culture: coptic
Location: egypt
Subjects: footwear

This well-made pair of palm-leaf sandals for an infant is similar in style (with a thong emerging between the big and second toes and an ankle strap) to forty-one single sandals and two pairs found at Kellis (modern Ismant al-Kharab) in Dakhla Oasis, though the Museum’s pair has pointed rather than square toes. Palm footwear was traditional in Egypt, and palm-leaf soles, such as those seen here, are frequently seen on children’s and smaller-sized adult sandals.
Netsuke of Drunken Man
Object type: netsuke
Date: 1867 – 1900
Materials: wood
Culture: japanese
Artist: sanshō
Artist role: artist
Artist nationality: japanese
Artist dates: 1871 – 1936
Subjects: drunkenness,men
Johannes de Evangelist
Object type: print
Date: 1625 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 240 of 1838

Bovenplaat. Op de voorgrond van de prent staat Johannes de Evangelist. Zijn ogen zijn naar de hemel gericht. Op de achtergrond een stadsgezicht.
View from Friar's Crag - Derwentwater
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: derwentwater
Artist: Anonymous
Subjects: lake
Portret van een vrouw met witte klederdrachtmuts en oorijzers
Object type: album leaf
Date: 1873 – 1909
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: idanus hendrikus slaterus
Artist role: fotograaf
Artist dates: 1846 – 1921
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘Photographie/ I. H. Slaterus/ Leeuwarden/ Weerd K. 13,/ hoek Bagÿnestraat/ en/ Harlingen.’
Dish
Object type: dish
Date: 501 – 700
Materials: silver
Culture: byzantine
Subjects: eros,mythical creatures
Reproduction of a Sarmatian bottle and lid
Date: 1801 – 1900

Electrotyping is a chemical process used historically to make high quality reproductions of works of art. During the Victorian era, one of the main producers was Elkington & Co. of Birmingham. They were licensed by the South Kensington Museum of London (now the Victoria & Albert Museum) to produce replicas of objects from royal treasuries and museums across Europe. The electrotypes approved by the Department of Science and Art, a British governmental agency, carry Messrs. Elkington’s mark in the form of an official stamp in metal. This modern electrotype is a copy of a gold bottle with a lid in the Hermitage Museum, St. Petersburg. The original was found in 1864 in the Khokhlach kurgan (burial mound) in the vicinity of Novocherkassk, one of the largest cities of the Don region. It was part of a group of precious objects – a crown, collars, ornaments, flacons or perfume-boxes – known as the “Treasure of Novocherkassk” and considered as the burial of an elite Sarmatian woman in the first century A.D. Sarmatian objects are decorated with animal imagery comparable to the Scythian “animal style” and frequently enhanced with colored inlays. The bottle and lid, covered with elk, lions and griffins (?), were originally inlaid with turquoise and coral. In the nineteenth century, many museums collected copies of ancient and historical works of art with the aim of presenting outstanding works to a broader public and to serve as inspiration for artists and manufacturers. The Metropolitan Museum of Art, founded in 1870, began to acquire electrotypes in its first decade. In 1883, Henry Marquand, a collector and early patron of the Museum, funded a large purchase from Elkington & Co. of nearly three hundred pieces. Today, these works are part of many departments in the Museum and along with plaster casts reflect the history of collecting and the role of the museum as a locus for the teaching of art history.
Negenentwintig koperen kandelaars
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation, annotation
Munchener platen
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: germany
Subjects: correction of naughty children, water-birds: goose
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over Jantje die de ganzen plaagt. De ganzen nemen hem als wraak mee op een luchtreis, waarna hij bij zijn moeder in een ketel met rijstebrij belandt. Onder elke afbeelding een tweeregelig vers. Genummerd midden onder: Nro. 121. Genummerd rechtsboven: 121.
Maskerade van de Leidse studenten, 1865 (plaat 8)
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: students' pageant, costumes used in pageants, leiden

Historische gekostumeerde optocht van de studenten van de Leidse Hogeschool gehouden op 6 juni 1865 ter gelegenheid van het 290-jarig bestaan van de Hogeschool. De optocht verbeeldt de intocht van de Hollanders binnen Zierikzee op 12 augustus 1304. Achtste plaat met de groepen genummerd 97-106. Onderdeel van de serie van 16 aaneen geplakte bladen.
Fotoreproductie van (vermoedelijk) een prent van Willem I, prins van Oranje
Object type: reproduction
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: william i (prince of orange), coat (+ fur used for clothes), prince, historical persons, clothing for the upper part of the body, head-gear: cap, stadtholder, neck-gear: collar
Inscriptions: address: ‘Water 110 Amsterdam’

Onderdeel van Fotoalbum met 29 foto's van Nederlandse vorsten.
Le filet
Object type: page
Date: 1905 – 1910
Materials: paper
Techniques: photograph
Location: berlin
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: container of textile material: bag, sack
Inscriptions: number: ‘93.’
Bomen
Object type: sketchbook leaf
Date: 1912 – 1912
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: trees
Inscriptions: workshop stamp: Lugt 291d, :

Pagina 18 uit een schetsboek met 16 bladen.
L'Enfant blanc
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: girls,portraits
Tea Bowl with Crescent Moon, Clouds, and Blossoming Plum
Object type: bowl
Date: 1201 – 1400
Materials: glaze, pigment, stoneware
Culture: chinese
Subjects: flowers

A common theme in the decorative arts, this imagery may have been inspired by contemporaneous poems invoking the beauty of blossoming flowers in the subtle light of a crescent moon.
Virginius Killing His Daughter
Object type: print
Date: 1546 – 1547
Materials: paper
Techniques: engraving
Location: germany
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Sir James Dashwood (1715–1779)
Object type: painting
Date: 1737 – 1737
Materials: canvas, oil
Artist: enoch seeman the younger
Artist role: artist
Artist nationality: german
Artist dates: 1685 – 1744
Subjects: men,portraits

Sir James Dashwood, here depicted at age twenty-three, devoted much of his energy and most of his fortune to the building and furnishing of Kirtlington Park, visible in the right background of this painting. The dining room from Kirtlington Park, with its masterful plasterwork decoration, is installed nearby.
Male term figure
Object type: term
Date: 1667 – 1700
Materials: bronze
Artist: annibale fontana
Artist role: artist
Artist nationality: italian
Artist dates: 1540 – 1587
Subjects: men,hermes

At least three casts of this figure exist. That in the Kunsthistorisches Museum, known since 1806, was attributed by Leo Planiscig to the highly gifted Milanese Annibale Fontana (see cat. 90).[1] Notes in The Met’s object files reflect curator James Rorimer’s belief that the Vienna bronze was “probably an aftercast of [the museum’s], as it is somewhat smaller in size, and our piece has the original clay from the firing.” Our bronze came with Emilie Thorn Post’s recollection that, until her father-in-law bought it in 1854, it had been paired with a “female caryatid.” The latter, she said, was “acquired for the Demidoff collection in 1854.” It has left no trace. The two had embellished “a mantelpiece in a palace torn down immediately afterwards. Leonardo’s Cartoons were in this palace and I understood that the fireplace was in the Hall of his paintings.”[2] For Hans Weihrauch, ours is a replica of the Vienna bronze, which he too attributed to Fontana while illustrating the third known example, then on the London market, subsequently with Patricia Wengraf, and now in a private collection. In a dossier she kindly shared in 2010, Wengraf opined that her bronze was by Alessandro Vittoria working with Agostino Rubini. The three are virtually identical in facture and in pose—all looking over their right shoulders.[3] It is doubtful that they can be Italian. Certainly, they do not communicate Fontana’s elegance or Vittoria’s rich plasticity. Just two traits contradict the idea: the superficial, raised V-shaped veins on the hands and the discontinued hem of the drapery. It is also queer that no corresponding pendant, leaning in the opposite direction, survives (unless we are to trust Mrs. Post). It is possible that these casts belong instead to the world of seventeenth-century furniture mounts. -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. Planiscig 1919, p. 147, no. 232. 2. Letter from Emilie Thorn Post to Joseph Breck, May 15, 1930, MMA Archives (P842); MMA 1930, p. 163. 3. Ours was cast in a quaternary alloy of copper, zinc, tin, and lead with trace impurities. The wax appears to have been produced pressing into an open piece-mold and inserting the pinkish “Paduan” clay core. The right arm is hollow, and there is evidence of the use of square cut core pins. R. Stone/TR, 2012.
Hand
Object type: cast
Materials: plaster
Techniques: casting
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: hands

Possibly a study made in connection with one of the versions of Jean d'Aire, a Burgher of Calais (see 1989.407), who grips a key.
Balloon bracket clock
Object type: bracket clock
Date: 1795 – 1795
Materials: gilt bronze, wood
Techniques: inlay, veneering
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower back and himation wrapped around waist of male
Landschap met rivier en houten ophaalbrug
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: drypoint, etching, intaglio
Location: france
Artist: la barre
Artist role: print maker
Subjects: bascule bridge, river
Inscriptions: collector's mark: Lugt 2228
Deathbed Scene
Object type: drawing
Date: 1601 – 1700
Materials: ink
Techniques: brush, heightening, pen, wash
Artist: anonymous, flemish, 17th century
Artist role: artist
Artist nationality: flemish
Artist dates: 1600 – 1700
Subjects: sadness,men,women,death
Tile
Object type: tile
Date: 1601 – 1625
Materials: earthenware
Techniques: glazing
Subjects: flowers
Portret van Thomas Reinesius op 56-jarige leeftijd
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving
Location: berlin
Subjects: flowers, ornament ~ medallion, historical persons, pendant, trinket, 'breloque', ornament ~ cartouche, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of a foot type B with reserve line at chamfer and a graffito on the underside of the foot
Bedel van zilver van een molen
Object type: charm
Date: 1953 – 1970
Materials: silver
Location: maarn
Artist: g. foreman
Artist role: jeweler
Inscriptions: import mark: ‘G+F’, alloy mark: ‘Z2’
Hot water jug
Object type: hot water jug
Date: 1748 – 1748
Materials: silver
Artist: paul de lamerie
Artist role: maker
Artist nationality: british
Artist dates: 1688 – 1751
Subjects: flowers
Landschap
Object type: album leaf
Date: 1850 – 1900
Materials: ink, paper
Location: shexian
Artist: cheng men

Albumblad met een landschap. Gesigneerd door Cheng Men, bekend als porseleinschilder in Jingdezhen.
Pinkney, 3rd Base, Brooklyn, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Saint Francis Adoring Virgin and Child
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: possibly luigi garzi
Artist nationality: italian
Artist dates: 1638 – 1721
Piece
Object type: piece
Date: 1501 – 1600
Materials: cotton, silk
Yamashiro - sono ichi
Object type: surimono
Date: 1832 – 1832
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Inscriptions: collector's mark, verso, stamped: Lugt 2228, collector's mark, passe-partout, bottom left, printed: JABdH with a rooster.

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Shirtwaist
Object type: shirtwaist
Date: 1900 – 1900
Materials: cotton
Culture: american