deem-data/ArtiFact huggingface dataset:
Portretten van Gerbrand van den Eeckhout, Wallerant Vaillant en Jacques Vaillant
Object type: book illustration
Date: 1719 – 1719
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: lille, wallerant vaillant, print maker, gerbrand van den eeckhout, amsterdam, berlin, painter, jacques vaillant, historical persons, tools, implements of graphic artist, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent waarschijnlijk uit: Houbraken, Arnold. De groote schouburgh der Nederlantsche konstschilders en schilderessen (...). Amsterdam: Arnold Houbraken, 1719, dl. 2. Latere staat gebruikt in editie van dit werk uit 1753. Tweede staat gebruikt in publicatie uit 1729.
Capture of the Gun, Lady Breckinridge, No. 1754 from the series "Kansas City Panorama. Battle Missionary Ridge"
Object type: photograph
Date: 1889 – 1889
Techniques: albumen print
Location: wisconsin
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Numismata virorum illustrium ex Barbadica gente
Object type: print
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: reward, 'praemium'; 'premio', 'remuneratione' (ripa)
Inscriptions: collector's mark: Lugt 2228

Een console met de vrouwelijke personificatie van Beloning. De vrouw draagt een kroon en heeft een maatstok in haar schoot. In haar rechterhand een lauwerkrans en gouden ketting. In haar linkerhand een bos korenaren en een geldbeurs. De prent maakt deel uit van een album.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, part of filleted head to left
Bust of the Adult Christ
Object type: print
Date: 1652 – 1652
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: portraits,christ
Portret van Lodewijk Filips I, koning van Frankrijk
Object type: print
Date: 1829 – 1840
Materials: paper
Techniques: engraving
Subjects: paris, lodewijk filips i (koning van frankrijk), historical persons
Inscriptions: collector's mark: Lugt 2228

Afkomstig uit de portretserie 'Zeitgenossen', uitgegeven tussen 1829 en circa 1840.
Paperweight
Object type: paperweight
Date: 1850 – 1850
Materials: glass
Culture: american
Location: united states
Artist: william leighton sr.
Artist role: designer
Artist dates: 1808 – 1891
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1601 – 1633
Materials: iron
Culture: japanese
Location: japan
L'estacade à Burght sur l'Escaut
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: river, pier, quay, wharf
Inscriptions: collector's mark: Lugt 2228

Riviergezicht met links een staketsel. Op de achtergrond zeilboten.
Meisje voor een schildersezel tekent een stoomtrein
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: constant aimé marie cap
Artist role: print maker
Artist dates: 1842 – 1915
Subjects: painter at work, in his studio
Inscriptions: annotation: ‘3e etat’, collector's mark: Lugt 2228
The Expulsion from Paradise, from The Fall and Redemption of Man
Object type: print
Date: 1513 – 1513
Materials: paper
Techniques: woodcut
Location: germany
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Twee monniken op een pad
Object type: sketchbook leaf
Date: 1829 – 1894
Materials: paper, pencil
Artist: gerrit postma
Artist role: draughtsman
Artist dates: 1819 – 1894
Subjects: sitting figure, fence, wall, paling, monk(s), friar(s)

De monniken lopen voorbij twee figuren die langs de weg zitten. Blad 21 verso uit een schetsboek met 35 bladen.
Kalenderblad voor juli 1898
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: flowers, insects: butterfly, dress, gown, ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228

Een rechthoekig kader opgevuld met de dagen van de maand juli en daaromheen bloemen, bladeren, vlinders en een vrouw in een bebloemd gewaad die een bloem vasthoudt.
Woman Carrying Basket (from Sketchbook)
Object type: drawing
Date: 1854 – 1855
Materials: ink, paper
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women
Portret van Maria Louise van Savoye, prinses van Lamballe
Object type: print
Date: 1826 – 1870
Materials: paper
Techniques: engraving
Artist: henry brown
Artist role: print maker
Artist dates: 1816 – 1870
Subjects: paris, historical persons - bb - woman
Lady Ruthven
Object type: photograph
Date: 1845 – 1845
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: portraits,women

The vast majority of Hill and Adamson photographs show the ministers of the Free Church, notable residents of Edinburgh and distinguished visitors, or the hardy fisherfolk of Newhaven and Saint Andrews. On occasion, particularly in their portraits of the ministers-sober and all dressed alike-Hill and Adamson fell into formulaic patterns based on academic portrait painting. But there is no doubt that they were among the medium's most gifted portraitists, and one need only look at works such as this mysterious portrait of Lady Ruthven-reminiscent of Victorian fashion plates-to understand that Hill and Adamson possessed not only a profound human sensitivity but also a creative and sophisticated formal sensibility.
Portret van Andreas Sennert op 80-jarige leeftijd
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving
Artist: michael fennitzer
Artist role: print maker, printer
Artist dates: 1641 – 1702
Subjects: historical persons, book, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228
The King's Sons Shooting Their Father's Corpse
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: master m.z.
Artist nationality: german
Artist dates: 1500 – 1550
Messchede van hout met afbeeldingen van de verloren zoon en van de geschiedenis van Job en de twaalf apostelen
Object type: knife with sheath
Date: 1590 – 1590
Materials: wood

Houten messchede met afbeeldingen van de verloren zoon en de geschiedenis van Job en de 12 apostelen. Gemerkt.
Man zwemt in de golven
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: woodcut
Location: london
Artist: charles ricketts
Artist role: print maker
Artist dates: 1866 – 1931
Subjects: adult man, swimming (movement in water)
Inscriptions: collector's mark: Lugt 2228
Diana and Hecate
Object type: drawing
Materials: ink
Techniques: pen
Location: italy
Artist: rosso fiorentino
Artist role: artist
Artist nationality: italian
Artist dates: 1494 – 1540
Subjects: diana,horses
Staff Major, Italy, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Vissers in een boot
Object type: sketchbook leaf
Date: 1839 – 1839
Materials: ink, paper, pencil
Techniques: brush, pen
Location: ginneken
Subjects: hunter, horse, fisherman, dog
Inscriptions: date and inscription: ‘Ch. Rochussen/ Ginneken 39-/ Ch. Rochussen/ Ginneken 1839-’

Tevens studies van honden, paarden en jagers. Blad 41 verso uit een schetsboek met 41 bladen.
Coin Portraying Emperor Valentinian I
Object type: coin
Date: 364 – 375
Materials: bronze
Culture: roman
Location: roman empire
Inscriptions: Obverse: D N VALENTINIANVS P F AVG
Reverse: [GLORIA] ROMANORVM
Theefabriek Kertamanah gebouwd door Machinefabriek Braat Soerabaia 1934
Object type: photograph
Date: 1934 – 1934
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bandung
Artist: d.h. buys
Artist role: fotograaf
Subjects: factory-building, making the overground structures (~ building activities), java
Inscriptions: date

Albumblad met een foto van de theefabriek Kertamanah ten zuiden van Bandoeng, in aanbouw in 1934. Onderdeel van een fotoalbum met foto's van machines en constructies van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Tegal uit de periode 1931-1937.
Oude man met wandelstok
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: etching
Subjects: walking-stick, staff, old man
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228
Frieze with Children Fighting Bears
Object type: print ornament architecture
Date: 1537 – 1537
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: bears,children,horses
Ex libris van T. Wolski
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Subjects: insects
Witte bloemen bij huis
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: woodcut
Location: kyoto
Subjects: flowers, roof (of house or building), plants and herbs: reed
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Wit bloeiend raapzaad bij houten huis, met zilverkleurige volle maan.
Abraham and Isaac on the Way to Sacrifice, from Landscapes with Biblical and Mythological Scenes
Object type: print
Date: 1558 – 1558
Materials: paper
Techniques: etching
Location: netherlands
Artist: hieronymus cock
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1570
Inscriptions: Lettered lower right: "Abraham filij immolationem parat. Cock fe".
Broche met wajangpop in email in zilveren rand
Object type: brooch
Date: 1937 – 1971
Materials: copper, silver
Techniques: enameling
Location: amsterdam
Artist: s. fuchs
Inscriptions: maker's mark: ‘2SF’, : ‘I’

Broche met wajangpop in ovaalvormig email op koper in zilveren rand voorzien van een kanonsluiting.
Gebakschaal, rond op voet, veelkleurig beschilderd met bloemen en vliegende vogel.
Object type: cake plate
Date: 1700 – 1725
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: cornelis koppens
Inscriptions: mark: ‘11’, mark: ‘CK (ineen)/ 10/ 0’

Ronde taartschaal op een voet, van veelkleurig beschilderde faience. Op het plat is een plant met bloemen op een grond en een vliegende vogel geschilderd. De rand is gestreept en in relief. Op de voet zijn twee takken geschilderd. De gebruikte kleuren zijn: blauw, rood en groen. De schaal is gemerkt met de letters CK.
Landscape
Object type: fan
Date: 1601 – 1700
Materials: paper
Culture: japanese
Artist: kano motonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1477 – 1559
Subjects: landscapes,boats
Den Grooten Emblemata Sacra, bestaande in meer dan vier hondert bybelsche figuren, zoo des Ouden als des Nieuwen Testaments
Object type: print
Date: 1582 – 1593
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: 'as a shepherd (the son of man) separates the sheep from the goats' (matthew 25:32), representation of last judgement, with the archangel michael weighing the souls (or dividing the blessed and the damned)

Een herder scheidt de schapen van de bokken. Links op de achtergrond enkele gebouwen met een poort. Christus troont op de wolken en velt het laatste oordeel. De doden worden door engelen naar de hemel geleid of naar de hel gevoerd (Mat. 25). De prent maakt deel uit van een album.
Gezicht op de Église Saint-Sulpice te Parijs
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view in general; 'veduta', paris
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met 60 platen van monumenten, kathedralen en paleizen in Parijs.
Elektriciteitsmast
Object type: stereograph
Date: 1913 – 1930
Materials: glass
Techniques: photography
Location: suriname
Artist: theodoor brouwers
Artist role: amateurfotograaf
Artist dates: 1874 – 1932
Subjects: amsterdam, theodoor brouwers, suriname

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
Lijk van Suzanne Lavollée, vermoord door Francesco Zeiro Finatti
Object type: photograph
Date: 1904 – 1924
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: tours
Artist: Anonymous
Subjects: violent death by mutilation or maiming, murder, the corpse
Inscriptions: label: ‘Suzanne Lavollee/ Assassinee/ par Finatti Zeiro’
Hat
Object type: hat
Date: 1869 – 1869
Materials: wool
Culture: american
Nederlandse militaire uniformen in de jaren 1830-1832
Object type: costume print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2227

Staande officier van het Korps Noord-Brabantse Jagers. Met getrokken sabel. Onderdeel van een serie van 157 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.
Gezicht op de noordoostkant van Vanua Balavu
Object type: photomechanical print
Date: 1885 – 1899
Materials: paper
Techniques: photograph
Location: new york city
Subjects: island, haff, lagoon created by sand, shingle bank ~ coast
Inscriptions: name: ‘Artotype, E. Bierstadt, N. Y.’, number: ‘Plate 72.’, name: ‘Woodworth Photo’
The Goddess Taweret with a Feline Head
Object type: amulet, taweret with lion head
Date: 664 – 332
Materials: faience
Location: egypt
Subjects: taweret

In this depiction of Taweret, the goddess is shown with a feline head and on top of her head seems to be a small animal. As usual her massive hippopotamus torso includes the pendulous breasts of a woman, while the tail of a crocodile is on her back. Her human arms end in the paws of a lion and she stands upright on the legs of a lion. This hybrid creature combines the elements of dangerous and fertile creatures, perfect for a goddess that was meant to protect women and their children. In front of her legs is the sa-symbol, a protective loop that was also used as a hieroglyph to write the word for "protection" and for "amulet." The object here is a very small figurine that might have been used as a protective amulet, but it is also possible that it was a personal object of adoration or a gift to Taweret expressing the hope for her help and protection.
Tile with Adam and Eve
Object type: ceramic
Date: 1700 – 1700
Materials: ceramic, earthenware
Techniques: glazing
Location: lambeth
Portret van Johann Peter Krafft
Object type: print
Date: 1740 – 1757
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons, candle
Inscriptions: collector's mark: Lugt 2233
Household ring
Object type: household ring
Date: 1295 – 1070
Materials: lead
Location: egypt
Earring-hook type with ball pendant and disc
Object type: earring hook type with pendant
Date: 7000 – 330
Materials: gold
Gordijn of schort van witte katoen, aan de onderzijde afgezet met een rand gehaakte kant
Object type: apron
Date: 1800 – 1900
Materials: cotton, linen
Techniques: crochet
Artist: Anonymous
Inscriptions: mark: ‘V I X’, mark: ‘106’

Gordijn of schort van witte katoen, aan de ondrzijde afgezet met een rand gehaakte kant. Aan de bovenzijde voorzien van een brede zoom waardoor een wit linnen (?) bandje. Gemerkt op de bovenzoom: 106 (machinaal ingeweven).
Pectoral Ornament (?)
Object type: ornament
Date: 1801 – 1900
Materials: carnelian, glass, silver, stone, metal
Techniques: cutting, embossing, gilding
Location: central asia
Portret van Johann Gottfried Kirsch
Object type: print
Date: 1724 – 1733
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228
Hat
Object type: hat
Date: 1890 – 1890
Materials: silk, fiber
Culture: american
Actress wearing dress with floral neckline, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Très Parisien, 1923, No 6: 10. -GARDEN PARTY. - Dans sa fraîche...
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: picking flowers, embroidery (ornamentation) (+ women's clothes), neck-gear ~ clothing (bertha) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: title: ‘Très Parisien / No 6. - 1923’, caption: ‘10. -GARDEN PARTY. - Dans sa fraîche simplicité, bien charmante est cette robe de broderie sur métier suisse; elle se garnit d'une berthe de même broderie. / Tissus de chez RÉAL, 422, Rue Saint-Honoré.’

Garden Party. Jurk met borduurwerk 'op zwitserse wijze'', gegarneerd met een berthe met hetzelfde borduurwerk. Stoffen van Réal. Prent uit het modetijdschrift Très Parisien (1920-1936).
Havengezicht met stadhuis in Vlissingen
Object type: print
Date: 1887 – 1902
Materials: paper
Techniques: drypoint, intaglio
Location: netherlands
Subjects: harbour, townhall, flushing
Inscriptions: number: ‘307’, collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 307.
Design for Coupé, no. 3759
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ozi
Object type: ozi
Date: 1867 – 1900
Materials: skin, wood
Culture: burmese
Location: myanmar

Long-stemmed goblet drums of Myanmar were most popular during the reign of King Mindon (1853–78) shortly before this instrument was made. Carved from a single piece of wood and fitted with a deerskin head having a central pa’sa (blackened tuning paste), this drum is found in a variety of sizes. It is usually suspended either diagonally across the player’s chest or hanging to the left side.
Kop van een koe, liggend in een stal, naar rechts
Object type: drawing
Date: 1818 – 1818
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: cow
Upright piano and reed organ
Object type: upright piano and reed organ
Date: 1834 – 1866
Culture: american
Location: united states

Technical description: vertical rectangular rosewood-veneer case with fretwork grille backed with red cloth over keys, case top having cyma profile; varnished soundboard, large oblong pierced tuning pins, seemingly haphazard assortment of free reeds, bellows lined with American printed paper including part of a piano-accompanied song and a scrap from a life insurance company bearing the word "Baltimore"; compass c-e3 (41 keys), ivory naturals with plain wood fronts, ebony accidentals; 2 pedals, left raising dampers, right pumping bellows; keys padded at back ends and so heavily leaded as to stop the ventil perfectly when at rest; upright action with unusual simple escapement; forward action of hammer interrupted by let-off screw; spring facilitates hammer return; felt-covered hammers with top 6 hammers leather covered; no back-check; regulating screws on rail in front of hammer-butts produce escapement of hammer after stroke; originally double-strung throughout, none wound; strings bend around hitchpins with both ends attached to tuning pins; bridge backpinned throughout. (L. Libin 1976)
Stencil with Chrysanthemums and Fence
Object type: stencil
Materials: paper, silk
Culture: japanese
Bowl
Object type: bowl
Date: 301 – 700
Materials: stone
Culture: coptic
Location: egypt
Subjects: bowls
Armchair
Object type: armchair
Materials: silk, wood, wool
Techniques: carving, gilding
Artist: beauvais
Artist role: manufactory
Subjects: chickens,women,goats,ox
Page from Ein new kunstlich Modelbuch...(Page 40v)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: flowers

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Schapen en een figuur in een landschap
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: sheep, landscapes (+ landscape with figures, staffage)

Blad 19 verso uit een schetsboek met 44 bladen.