deem-data/ArtiFact huggingface dataset:
Buffet de salle à manger (genre Anglais)
Object type: print
Date: 1895 – 1935
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Panorama di Pegli
Object type: photograph
Date: 1870 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: pegli
Artist: celestino degoix
Artist role: fotograaf
Artist dates: 1825 – 1902
Subjects: prospect of village, silhouette of village

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Genua, Florence en Venetië.
Design for an Elaborate Cornice with a Cartouche and Figures Supporting a Ceiling, with Two Arched Openings
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink, drawing material
Techniques: brush, incising, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: architecture,ceilings
Caroline, Königin von England, geborne Prinsessin von Braunschweig
Object type: print
Date: 1814 – 1857
Materials: paper
Techniques: tone lithography
Artist: karl dietrich pirscher
Artist role: print maker
Artist dates: 1791 – 1857
Subjects: adult woman, historical persons
Inscriptions: collector's mark: Lugt 2228
Kaart van het eiland Djerba
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: island, maps, atlases
Inscriptions: collector's mark: Lugt 2228
Border
Object type: textile
Date: 1575 – 1625
Materials: lace, linen, textile
Techniques: lace, cutting, drawing, treatment, embroidery, interlocking, weave, stitching
Culture: lace
Location: italy
Fotoreproductie van een tekening van een landschap met lariksen en een wandelaar met een hond
Object type: photograph
Date: 1867 – 1879
Materials: photographic support
Techniques: albumen print
Location: munich
Artist: johann fischbach
Artist role: painter
Artist dates: 1797 – 1871
Subjects: trees
Portret van Hans Willem Bentinck, graaf van Portland
Object type: book illustration
Date: 1749 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: armour, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (...). 21 dln. Amsterdam: Isaak Tirion, 1749-1759.
"Rustam Captures Rakhsh", Folio from a Shahnama (Book of Kings)
Object type: folio from an illustrated manuscript
Date: 1434 – 1466
Materials: gold, ink, paper, watercolor
Techniques: dyeing
Location: india
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: birds,men,horses,trees

When he came of age, Zal promised his son, the hero Rustam, the pick of the wild horses that roamed Zabulistan and Kabulistan. Rustam chose a horse that was notoriously difficult to catch; for three years, it had resisted the attempts of the warriors who tried to tame him. Rustam, however, was able to capture the horse with his lasso and climb on its back.
Hooge dam tusschen Kedoeng Djattie / en de diepe ingraving waar de grond met stortkarren wordt vervoerd / 2e gedeelte der 1e Sectie.
Object type: album leaf
Date: 1865 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Subjects: colonial system, railway-traffic, building-site, java

Storten van aarde met stortkarren op de verhoogde spoordam bij Kedoeng Djattie. Albumblad met opgeplakte foto, onderdeel van het fotoalbum over de aanleg van de spoorlijn Semarang - Kedoeng Djattie (Kedungjati) op Java in 1865.
Plate 32: Men with heraldic flags and horses from Overijssel and Utrecht marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Object type: print, fete, ornament architecture
Date: 1623 – 1623
Techniques: etching, hand coloring
Location: brussels
Artist: cornelis galle (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1576 – 1650
Subjects: men,horses,funerals,coat of arms,flags

Plate from 'Pompa Funebris ... Alberti Pii', after Jacques Francquart, illustrating the funeral procession of Albert the Pious (1559–1621), Archduke of Austria, son of Emperor Maximilian II. 2 sheets pasted together at center. The first edition of this series contains 54 numbered plates and an engraved title page, published in 1623. The second and third editions contain 66 plates and were published in 1728 and 1729 respectively.
Lid van de Reichsarbeitsdienst
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: occupation ~ war, netherlands

Een lid van de SS met een doodskop embleem op zijn pet en een hakenkruisband om zijn arm staat ergens in de duinen. Links van hem een paar geweren, rechts van hem een Wehrmacht militair. Achterop staat: Abteilungsführer Oberstfeldmstr. Ewers
Monkey Dandy, from Monkey-ana, or Men in Miniature
Object type: print
Techniques: printmaking, etching
Artist: thomas landseer
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1880
Subjects: monkeys
Coin Portraying Emperor Valens
Object type: coin
Date: 364 – 378
Materials: metal, silver
Culture: roman
Location: roman empire
Inscriptions: Obverse: DN VALEN S PF AVG
Reverse: SECVRITAS REIPVBLICAE

The front (obverse) of this coin portrays the head of Emperor Valens, facing to the right. On the back (reverse), Victory strides to the left.
Portret van een jongeman in uniform met sigaar en boek
Object type: photograph
Date: 1865 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: cigar, historical persons, (military) uniforms
Inscriptions: inscription: ‘Trumper Frères/ photographes/ Rue Névraumont, No 1/ station du Nord/ Bruxelles/ Atelier de Pose au Rez-de-Chaussée’
Non in een kloosterhal met een bloemenvaas
Object type: print
Date: 1880 – 1936
Materials: paper
Techniques: lithograph
Artist: rené janssens
Artist role: draughtsman, print maker
Artist dates: 1870 – 1936
Subjects: nun(s), abbey, monastery, convent ~ roman catholic church, flowers in a vase
Inscriptions: collector's mark: Lugt 2228
Le garde-meuble / Collection de Sièges
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Korendragers- en -stortersgilde van Amsterdam, gildepenning van Maximiliaan Hendrik Wythof
Object type: medal
Date: 1822 – 1822
Materials: copper
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Koperen penning. Voorzijde: man met last op hoofd en face, staande voor lichterschuit. Keerzijde: opschrift
Spoon
Object type: spoon
Date: 401 – 600
Materials: silver
Culture: byzantine
Abraham casting out Hagar and Ishmael
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the banishment of hagar and ishmael (genesis 21:9-21)
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt f. 1637’

Before Abraham and Sarah had their own child, Isaac, at a very advanced age, Abraham had already fathered a son with Hagar, Sarah’s Egyptian servant. After Isaac’s birth, Sarah insisted that Abraham cast out Hagar and her son, Ishmael. Abraham reluctantly agreed. Rembrandt injects the scene with drama. At the right, the distraught, tearful Hagar is being sent away. At the left, Sarah leans out the window, laughing out loud.
Portret van Johan Wolfgang Carel von Römer en Anton Reinhardt von Römer
Object type: photomechanical print
Date: 1913 – 1913
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Nederland's Patriciaat, 1913.
Governor General of Canada, from the Rulers, Flags, and Coats of Arms series (N126-1) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,coat of arms,flags,generals

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-1), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Pitcher
Object type: metalwork
Date: 1806 – 1820
Materials: silver
Location: boston
Artist: ebenezer moulton
Inscriptions: Marked on bottom: "MOULTON"
Apostelen
Object type: print
Date: 1712 – 1786
Materials: paper
Techniques: engraving
Location: venice
Subjects: the apostle jude thaddaeus; possible attributes: book, club, halberd, scroll
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 12 prenten.
Tas van textiel gedecoreerd met bloemmotieven en een metalen sluiting
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper, ink
Techniques: photograph
Location: europe
Artist: Anonymous
Subjects: bag, flowers ~ ornament, europe
Inscriptions: collector's mark: Lugt 3937
Portret van Daniël Wittius
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving
Location: gouda
Subjects: predikant, daniël wittius
Inscriptions: collector's mark: Lugt 2228

Portret van Daniël Wittius, predikant te Schoonhoven en Gouda, op 64-jarige leeftijd. In de marge een achtregelig lofdicht, in twee kolommen, in het Nederlands.
Stadsgezicht met mensen op een brug
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘1.50’
Coin Portraying Emperor Constans
Object type: coin
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: CONSTANS P F AVG
Reverse: GLORIA EXERCITVS
In exergue: TAS (or TRS)

The front (obverse) of this coin portrays the emperor Constans, facing right.

On the back (reverse), two soldiers are depicted flanking military standards.
Portret van Aucke Stellingwerff
Object type: photomechanical print
Date: 1882 – 1970
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons, commander-in-chief, admiral
Medal
Object type: medal
Date: 1867 – 1900
Culture: japanese
Subjects: flowers
Fragments of a Bowl with Green Splashes and Blue Inscription
Object type: bowl
Date: 801 – 900
Materials: earthenware, glaze
Techniques: painting
Location: iraq

This bowl was excavated at Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city was known in Arabic as al-Mada’in, or "the cities", for its extended area. Arab historians indulge in describing al-Mada’in/Ctesiphon’s grand monuments, which obsessed Muslim rulers and may have acquired a symbolic meaning related to its imperial past. This was the case of the Taq-i Kisra, an impressively-sized ivan (a vaulted hall with one side open) partially dismantled to reuse its bricks in caliphal buildings in the new capital Baghdad. Finds like this fragment, which was excavated at a site named Selman Pak V, attest to the continued occupation of Ctesiphon’s urban area in the early Islamic period. Similar ceramics count amongst the advances achieved by Iraqi potters in the 9th century. Beside technical innovations, such as the development of a range of opacifying techniques for glazes and the use of cobalt blue, the potters’ works attest of their artistic creativity. The combination of uncontrolled green splashes and precise in-glaze-painted blue inscription is an example of the new aesthetic—remarkably, the fragmentary inscription on this bowl would have read the artisan’s name. Such advanced pottery productions profited of broad commercial networks both for the retrieval of raw materials and the diffusion of the finished product. The cobalt employed for the blue, nearly absent in Iraq, was imported from the Caucasus or Iran.
Waarschuwing tegen de voorstellen voor een bestand tussen de Republiek en Spanje
Object type: jeton
Date: 1608 – 1608
Materials: copper
Techniques: striking
Location: middelburg
Artist: Anonymous
Subjects: zeeland
Inscriptions: circumscription: ‘ZEELANDIA’, circumscription: ‘EQVO NE CREDITE TEVCRI / 1608’

Koperen penning. Voorzijde: binnenhalen van het paard van Troje binnen omschrift. Keerzijde: gekroond wapenschild binnen omschrift en rand van zeven met lint verbonden wapenschilden.
Deflection of Secondary Rays Produced by Beta Radiation
Object type: photograph
Date: 1903 – 1903
Techniques: gelatin silver print
Artist: henri becquerel
Artist role: artist
Artist nationality: french
Artist dates: 1852 – 1908
Miss Eunice Vance, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Stockings
Object type: stocking
Date: 1851 – 1875
Materials: cotton
Culture: american
Le Bonheur du Jour ou Les Graces à la Mode
Object type: fashion print
Date: 1920 – 1924
Materials: paper
Location: paris
Subjects: fashion plates

Index.Uit serie Le Bonheur du Jour ou Les Graces à la Mode.
Paestum. Tempelruïnen
Object type: wrapper
Date: 1900 – 1950
Materials: cardboard, ink
Techniques: pen
Artist: Anonymous
Doop van Christus
Object type: print
Date: 1604 – 1670
Materials: paper
Techniques: engraving
Location: unknown
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends
Inscriptions: inscription: ‘58.’, collector's mark: Lugt 2228

Johannes de Doper doopt Christus in de Jordaan. In het opengetrokken wolkendek de Heilige Geest in de gedaante van een duif. Op de achtergrond drie toekijkende engelen. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, toes of sandaled foot?
Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (620) Réseau et Broderies en Chenille.
Object type: fashion print
Date: 1805 – 1805
Materials: paper
Techniques: engraving, hand coloring
Subjects: diadem, tiara (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), neck-gear ~ clothing (shawl) (+ women's clothes), fashion plates, dress, gown (+ women's clothes), pearl; pearl necklace (+ women's clothes)
Inscriptions: title: ‘Réseau et Broderies en Chenille.’
Terracotta rim fragments of kylikes(drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Seven rim fragments with thin band of black glaze above right half of handle patch
Plate, page 65 from "Ornament Designs Invented by J. Berain"
Object type: book
Date: 1667 – 1733
Techniques: engraving
Artist: jean berain
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1711
Subjects: birds,grotesques,ornament,dancing

This design by the architect and designer Jean Berain shows the delightful, lighthearted, whimsical, and strictly symmetrical decoration known as grotesques. Berain's work was very influential and was adopted for the decoration of Boulle marquetry, tapestries, and other textiles, as well as faience. Berain, who was named chief designer to the French court in 1690, was given lodgings in the Louvre near those of his son-in-law, the clockmaker Jacques Thuret, and the cabinetmaker André-Charles Boulle.
Gezicht op de Wampoe rivier, Tandjong Poera,  Langkat Sumatra
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: bindjai
Subjects: tandjong poera
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of head and upper body of a draped woman to left, wearing a sakkos
“- Tell me, mayor, what are communists? - You know, Pierre, communists are people who want to have everything in common with every Frenchman: the money, the work, and the land. - Well, in my opinion there is one thing they seem to be lacking: common sense,” plate 42 from Tout Ce Qu'on Voudra
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Christus geneest een zieke
Object type: book illustration
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: miracles of christ ~ healing the sick
Inscriptions: collector's mark: Lugt 240
Celebration of the Birth of Krishna (Janamashtami)
Object type: painting
Date: 1880 – 1900
Materials: ink, paper, watercolor
Culture: indian, rajasthani, nathadwara
Artist: ragunath
Artist role: artist
Subjects: lions,krishna,crowd
Fragment of a Cup
Object type: cup, fragment
Date: 801 – 900
Materials: glass
Techniques: glassblowing
Location: iraq
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, lower drapery of a figure to left; calf of a male to left; part of a round shield
Québec, from Levis
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: levis
Subjects: city-view in general; 'veduta', river, québec
Inscriptions: inscription: ‘Québec, de Lévis’
Incised bowl with geometric pattern
Object type: bowl
Date: 300 – 101
Materials: ceramic, pigment
Culture: paracas
Location: peru
Schepen in de Wijnhaven te Rotterdam
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: wijnhaven
Artist: Anonymous
Subjects: harbour (+ view ~ vehicle, ship, etc.), steamship, motorship
Inscriptions: inscription: ‘Wijnhaven’

Onderdeel van Fotoalbum met stadsgezichten van Rotterdam.
Virgin on the Crescent with Scepter and Starry Crown
Object type: print
Date: 1516 – 1516
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: madonna and child
Wandbespanning van geel zijden damasten met symmetrisch patroon van twee opgaande golvende ranken met onder andere pioenvormige bloemen
Object type: silk textile
Date: 1700 – 1725
Materials: silk, wood
Techniques: damask
Location: france
Artist: Anonymous

Geel zijden damasten wandbespanning. Symmetrisch patroon van twee opgaande golvende ranken waaraan grote pioenvormige bloemen met geschubtd hart; kleinere bloemen zijn paarsgewijs geplaatst, evenals bloemknoppen, gevederde bladeren en arabeskrankjes, die eindigen in wolkenbanden. Patroon van keperstreep, fond van satijnbinding. Afkomstig uit het pand Voorstraat 140 te Dordrecht. Eén baan heeft aan de onderkant wat waterschade.
Wapenhandelinghe van Musquetten
Object type: design
Date: 1596 – 1606
Materials: ink, paper
Techniques: brush, pen
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: handling of weapons ~ military training
Design for Cabriolet or Victoria, no. 3723
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Tussenzetsel van kloskant met golvende middenlijn en losse ovaaltjes
Object type: strip
Date: 1600 – 1624
Materials: linen
Techniques: lace
Location: friesland
Artist: Anonymous

Tussenzetsel van naturelkleurige kloskant. Het patroon bestaat uit een regelmatig golvende smalle middenlijn met een los ovaaltje onder elke golftop en in elk golfdal. De motieven zijn met elkaar verbonden door maasgrond. De motieven zijn gemaakt in linnenslag met opengewerkte randjes. Boven- en onderzijde van de strook zijn recht afgewerkt, waarbij de onderzijde oorspronkelijk was voorzien van picots, maar deze zijn door de rafelig geworden randen niet meer zichtbaar. Het tussenzetsel is afkomstig van of bedoeld voor beddengoed.
Mecca, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "City Flags" series (N6), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Gekroond wapenschild gedragen door een hybride adelaar en een leeuw
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: coat of arms (as symbol of the state, etc.), beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228
De Gereformeerde Kerck
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church (exterior), cleves
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Veues et perspectives de la ville de Cleves, et de sa cour. Amsterdam: Gerard Valck, 1695.