deem-data/ArtiFact huggingface dataset:
Oude Zydts van oudts St. Olofs Capel
Object type: book illustration
Date: 1664 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church (exterior) - qq - small church, chapel, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: ‘32.3A+B’ Lugt 1641b

Huidige staat van prent ook gebruikt in: Fockens, Melchior. Beschrijving Der wijdt-vermaarde Koop-stadt Amstelredam, Van haar eerste beginselen, zedert den Jare 1203. oude Voorrechten, verscheyde Vergrootingenoude Voor-rechten, en verscheyde Vergrootingen (…). 3e druk. Amsterdam: Marcus Willemsz. Doornick, 1664. En in: Zesen, Philipp von. Beschrybung der Weidtberuhmde Kauf-Stadt Amstelredam / Beschreibung der Stadt Amsterdam darinnen von derselben ersten ursprunge bis auf gegenwartigen zustand (…). Amsterdam: Marcus Willemsz. Doornick, 1664. Tweede bekende staat (met toevoeging Franse titel) ook gebruikt in: Domselaer, Tobias en Isaac Commelin. Beschryvinge van Amsterdam : haar eerste oorspronk uyt den huyze der heeren van Aemstel en Aemstellant (…). 6 delen. Amsterdam: Marcus Willemsz van Doornick, 1665. Derde bekende staat (rechtsboven genummerd: 11) ook gebruikt in verschillende latere zeventiende- en achttiende-eeuwse publicaties.
Portret van de schrijver en dichter Giulio Perticari
Object type: print
Date: 1804 – 1848
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
La Laiterie, (Jardin du Petit Trianon)
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: le hameau de la reine
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: garden
Inscriptions: inscription: ‘E. Lamy's collection’, number: ‘183.’
Oliver Tebeau, 3rd Base, Chicago, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Pendant with Resurrection
Object type: costume and accessory
Date: 1850 – 1900
Materials: diamond, enamel, gold, pearl
Location: northern europe
Writing Box with a Scene from the “Butterflies” Chapter of The Tale of Genji
Object type: writing box with writing utensil
Date: 1901 – 2000
Materials: gold, lacquer
Culture: japanese
Subjects: landscapes,boats

This writing box forms a pair with document box 1981.243.1a–f.. The decoration on the lid continues the story of the sunny spring day depicted on the document box: cranes fly over the blossoming cherry and pine trees, while a boat on the shore waits for its passengers. The insides of both boxes are embellished with autumn grasses by a river. It refers to one of the poems Lady Murasaki composed during the boat party.
Kneeling statue of Hatshepsut
Object type: statue, hatshepsut kneeling
Date: 1479 – 1458
Materials: granite, paint
Location: egypt

At least eight, and perhaps as many as twelve small kneeling statues of Hatshepsut are thought to have been placed somewhere in the uppermost court of her temple at Deir el-Bahri. In these statues Hatshepsut is represented wearing the khat headcloth, and she offers a nemset vessel with a djed pillar superimposed on the front. It has been suggested that the combined use of the headdress, the vessel, and the djed pillar, which symbolizes endurance, is intended to evoke the setting up of a djed pillar at a king’s rejuvenation festival, or Heb Sed. It has also been suggested that Hatshepsut intended to celebrate a Heb Sed toward the end of her reign.
Pair of miniature bowls
Object type: bowl
Date: 1751 – 1775
Materials: earthenware
Techniques: glazing
Artist: whieldon type
Artist role: maker
Portret van Florence de Werguignoeul
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: engraving
Location: paris
Artist: gerard edelinck
Artist role: print maker
Artist dates: 1640 – 1707
Subjects: france
Inscriptions: collector's mark: Lugt 240

Portret van de abdis Florence de Werguignoeul (1559-1638), afgebeeld met gevouwen handen, bij crucifix, in ovale omlijsting met wapen. Onder de lijst een console met een Frans vers van vijf regels.
Forum Romanum te Rome
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: etching
Location: rome
Subjects: city-view, and landscape with man-made constructions, triumphal arch, landscape with ruins

Gezicht op het Forum Romanum vanaf het Capitool te Rome. Genummerd rechtsboven: Tab. 6. De prent maakt deel uit van een album.
Lezende man bij een bron
Object type: print
Date: 1824 – 1894
Materials: paper
Techniques: etching
Location: netherlands
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: well, reading, saddle, horse
Inscriptions: collector's mark: Lugt 2228

In een heuvelachtig landschap zit een man te lezen bij een bron. Achter de bron staat zijn afgezadelde paard. Het zadel ligt naast hem.
Lamp
Object type: lamp
Date: 1 – 700
Materials: earthenware
Location: egypt
Ornament
Object type: ornament
Date: 1801 – 1900
Techniques: lace
Subjects: flowers,leaves
Teabowl
Object type: teabowl
Date: 1790 – 1790
Materials: clay
Techniques: overglaze, underglaze
Culture: japanese
Artist: ryōnyu
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1835
Cimon and Pero
Object type: painting
Date: 1655 – 1657
Materials: canvas, oil
Location: venice
Artist: willem drost
Artist role: draughtsman, painter, print maker
Artist dates: 1633 – 1659
Subjects: pero suckling cimon ('caritas romana')

Pero secretly breastfeeds her father Cimon in prison, sustaining him when he was sentenced to death by starvation. Pero thus kept him alive and he was eventually pardoned. This story from Roman antiquity is about ultimate charity and self-sacrifice. The painting is a rare masterpiece by the young and short-lived Rembrandt pupil, Willem Drost.
Biscuit box with cover
Object type: box with cover
Date: 1870 – 1870
Materials: earthenware, silver
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904

The pattern is a variation on a design inspired by frost on a window pane that Christopher Dresser published in 1873 as a design for stained glass. It also represents Dresser's "idea of power, energy, force, or vigour" in a single pattern. The common earthenware material combined with the silver-plated mounts appealed to Dresser's desire to create affordable yet well-designed goods for the growing consumer market.
Saltcellar
Object type: saltcellar
Date: 1701 – 1800
Materials: pewter
Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity
Object type: diptych
Date: 1350 – 1350
Materials: ivory
Culture: german
Location: germany
Subjects: christ,saint john the baptist,saint michael,virgin mary,annunciation,crucifixion,resurrection

The densely packed scenes on this large diptych depict an unusually rich array of New Testament events, apocryphal legends, and the lives of the saints. The sequence of events shown on the left panel beginning with the lower left row is: the Annunciation, Nativity, Adoration of the Magi, Presentation in the Temple, Resurrection, Descent into Hell, and Coronation of the Virgin. On the right panel, beginning with the lower row is: Saint Michael the Archangel and Saint John the Baptist, the martyrdom of Saint Thomas Becket, Crucifixion, Ascension, Holy Trinity, and Virgin nursing.
Pendule bekroond met wereldbol
Object type: ornament print
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: clock

Een pendule bekroont met een wereldbol, geflankeerd door personificaties van Astronomie en Waarheid. De pendule is omringd door vier decoraties voor wijzerplaten of horlogekasten en tien andere ornamenten.
Figuur in een roeiboot bij een waterkant
Object type: sketchbook leaf
Date: 1895 – 1895
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: rowing-boat, canoe, etc., landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)

Blad 36 recto uit een schetsboek met 39 bladen.
De heilige Andreas
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching, intaglio
Location: italy
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll, crucifixion of andrew: he is undressed and tied to the cross, calling of peter and andrew; they are called away from their fishing-boat (matthew 4:18-20; mark 1:16-18)
Inscriptions: collector's mark: Lugt 11, number: ‘8’, collector's mark: ‘Hinloopen’

De heilige Andreas met Andreaskruis. Op de achtergrond links de heilige Andreas vissend in een boot op zee. Op de achtergrond rechts de kruisiging van de heilige Andreas.
Shepherd and Shepherdess
Object type: sculpture
Date: 1790 – 1800
Materials: clay, terracotta
Techniques: modeling, carved
Location: france
Artist: joseph charles marin
Artist nationality: french
Artist dates: 1759 – 1834
Subjects: shepherds, couples, foliage, food, grapes, instruments, leaf, leaves, man, musical instruments, nudes, rocks, textile, woman
Inscriptions: Signed: Marin (on jug in incised script)
Soldaten bestelen hun slachtoffers
Object type: print
Date: 1591 – 1659
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: plundering ~ soldiers, warfare; military affairs (+ during the battle)
Inscriptions: collector's mark: Lugt 2228

Gevechtsscène. Op de voorgrond soldaten die hun buit halen bij dode vijanden. Op de achtergrond is het gevecht nog aan de gang. Prent tien uit een serie met gevechtsscènes naar Antonio Tempesta.
Baldakijn met kruis
Object type: print
Date: 1772 – 1780
Materials: paper
Techniques: etching
Location: paris
Artist: jean françois de neufforge
Artist role: print maker
Artist dates: 1714 – 1791
Subjects: canopy, baldachin, altarcross, crucifix
Inscriptions: collector's mark: Lugt 2228

Vooraanzicht en plattegrond van een baldakijn met een medaillon met de duif als symbool van de Heilige Geest. Onder het baldakijn staat in het midden een altaar met een kruisbeeld en links en rechts twee beelden. Bovenop het baldakijn staan twee vazen en Mozes met de stenen tafelen. Prentnummer CLXXXVII.
Presentiepenning van het Metselaars-, timmerlieden- en leidekkersgilde te Groningen, 1759
Object type: history medal
Date: 1759 – 1794
Materials: brass
Techniques: engraving
Inscriptions: circumscription: ‘Hermannus Ruiter Meester Geworden den 23 Maaij 1794’

Rond messing plaatje gegraveerd op de voorzijde een passer en een winkelhaak met omschrift, op de keerzijde een troffel binnen een rand met bladmotieven, op naam van Hermannus Ruiter 1794
Indian in an Ambush
Object type: print
Date: 1801 – 1900
Techniques: etching
Artist: paul-edme le rat
Artist role: engraver
Artist nationality: french
Artist dates: 1849 – 1892
Subjects: daggers,men,trees
Stoffende vrouw
Object type: documentary photograph
Date: 1945 – 1945
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: netherlands

In een eenvoudig gemeubileerde huiskamer is een vrouw bezig een stoel af te stoffen. Zij draagt een bril en een geruit schort. In de huiskamer staat een tafel met een geruit tafelkleed en een vaas met bloemen, aan het plafond een lamp. Achter in de kamer een kinderledikant.
Konische parasolknop of parapluknop van blauwgeverfd hout met gouden nerven of blauwe kunststof; de knop is ingelegd met rode steen of kunststof
Object type: parapluknop
Date: 1920 – 1920
Materials: plastic, wood
Techniques: inlay, polish
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Konische parasolknop of parapluknop van blauwgeverfd hout met gouden nerven of blauwe kunststof. De knop is ingelegd met rode steen of kunststof.
Portret van Bruno Henne
Object type: photograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: coburg
Artist: eduard uhlenhuth
Artist role: fotograaf
Artist dates: 1853 – 
Subjects: historical persons
Inscriptions: annotation: ‘Zur Familie Ehrhardt/ zur freundlichen Erinnerung/ [...]/ [...] Agnes/ zum/ [...]mal/ Coburg November/ 1909.’, annotation: ‘Bruno Henne/ Meine [...] a.D.’, inscription: ‘(...)/ Professor E. Uhlenhuth/ (...)/ Coburg/ am Albertplatz./ Schweinfurt, gegenüber dem Schrotthurm./ Von diesem Bilde kann stets nachbestellt und jede/ Art Vergrösserung angefertigt werden.’
Seesaw—Gloucester, Massachusetts
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Lower Arm Fragment
Object type: statuette
Date: 301 – 700
Materials: alabaster
Culture: coptic
Location: egypt
Subjects: arms
Gazette du Bon Ton, 1914 - No. 3, Pl. 30: M. Bergson a promis de venir (...) / Robe de dîner de Worth
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph, pochoir
Location: paris
Subjects: embroidery (ornamentation) (+ women's clothes), dress, gown: dinner dress  (+ women's clothes), fashion plates, necklace (+ women's clothes)
Inscriptions: date

Staande vrouw gekleed in een damasten lila dinerjapon met zilverlamé van Worth. Om de taille een ceintuur geborduurd met diamanten. Planche 30 uit Gazette du Bon Ton 1914, No. 3. Uitleg over de kleding op pagina "Explication des Planches".
Portret van Jean-Gilbert Victor Fialin, duc de Persigny
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: politician, moustache, adult man, historical persons
Official Staff
Object type: staff
Date: 1790 – 1790
Materials: brass, ivory, wood
Bowl with Dragons amid Clouds
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Portrait of John D. Rockefeller
Object type: print
Date: 1921 – 1921
Materials: paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Snuff bottle with the character of longevity (shou)
Object type: snuff bottle
Date: 1801 – 1900
Materials: quartz
Culture: chinese
Yoro, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Letter D
Object type: book illustration
Date: 1700 – 1799
Materials: paper
Techniques: etching, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: fancy letters

Letter D tegen een achtergrond met vlechtwerk en een masker.
Boots
Object type: boot
Date: 1801 – 1900
Techniques: embroidery
Location: russia
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 132
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving
Subjects: head-gear (+ women's clothes), fashion plates, dress, gown (+ women's clothes), clothing for the upper part of the body (shawl) (+ fur used for clothes)

Japon met geplooide stroken stof. 'Parure' van hermelijn. Pumps met rode hakken. Proefdruk voor prent in het modetijdschrift Journal des Dames et des Modes (1912-1914). In de versie met tekst: Robe à volants - Parure d'hermine.
Three profile heads, one in outline only
Object type: print
Date: 1644 – 1652
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: men

Three heads in profile to left; at left, outline of the head of a youth; in middle, head of an old man; at right, head of a youth, with curly hair falling over the nape of his neck; after Leonardo da Vinci
Gezicht op de vesting van Carcasonne
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: fortress, city-view, and landscape with man-made constructions
Inscriptions: collector's mark: ‘RIJKS-NORMAALSCHOOL voor TEEKENONDERWIJZERS. AMSTERDAM’, annotation: ‘Carcassonne./ Toren den Visigotten/ en der [...]uisché’, check stamp: ‘A. Giraudon/ Éditeur/ 15, R. Bonaparte. Paris’, annotation: ‘Frankrijk./ 74.’
Bead, One of a Pair
Object type: bead
Date: 1701 – 1800
Materials: gemstone, garnet, gold
Location: morocco

Because this bead and 1981.5.18 are the only beads of their type known to us, we can only speculate as to how they were used in combination with other elements; it is likely, however, that they were strung as a necklace and separated by pearls in multiple strands, as was common in many seventeenth- to nineteenth-century Moroccan necklaces. Although this type of pushed-up setting on a repoussé ground of thin metal is typical of Moroccan jewelry, the fine workmanship and design, including the dense setting of stones in graduated rows on the melonlike form, create an effect unparalleled in the work of this school.
Seaweed, portable writing case, and plum branch, no. 5 from the series "The Rabbit's Boastful Exploits (Usagi tegarabanashi)"
Object type: print
Date: 1819 – 1819
Techniques: woodblock print, surimono
Location: japan
Artist: ryuryukyo shinsai
Artist role: draughtsman, print maker
Artist nationality: japanese
Artist dates: 1764 – 1820
Verlichting
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: lightness; 'leggierezza' (ripa), light shining out of the heavens
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2135

De personificatie van de verlichting laat haar licht schijnen op Europa.
Amphora
Object type: amphora
Date: 750 – 600
Materials: terracotta
Culture: cypriot

Krater with bands, wavy lines, and triangle ornament between lotus flowers.
Industriële haven met schoorstenen en een toren in het water
Object type: print
Date: 1866 – 1910
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: frans hens
Artist role: print maker
Artist dates: 1856 – 1928
Subjects: harbour, chimney, industries
Inscriptions: collector's mark: Lugt 2228
Driehonderd jaar Athenaeum Illustre Amsterdam (Vereniging voor Penningkunst 1932, eerste penning)
Object type: history medal
Date: 1932 – 1932
Materials: bronze
Techniques: striking
Artist: bertus sondaar
Artist role: sculptor
Artist dates: 1904 – 1984

Bronzen penning, op de voorzijde een kapel waarvoor een poort tussen twee bomen en twee jaartallen, met boven omschrift en onderaan het Amsterdamse stadswapenschild te midden van symbolen van de faculteiten, op de keerzijde een brandende olielamp met omschrift, met verklaring.
Page from Ein new kunstlich Modelbuch...(Page 27r)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
The street called straight, Damascus
Object type: photograph
Date: 1857 – 1863
Materials: paper
Techniques: albumen print
Location: damascus
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: street
Pendant with Saint Anthony of Padua
Object type: pendant
Date: 1501 – 1900
Materials: brass
Techniques: casting
Culture: kongo, kongo kingdom
Location: angola
Artist: kongo artist
Artist role: artist
Subjects: men,christ,saint anthony,cross
Wedding headdress
Object type: wedding headdress
Date: 1834 – 1866
Materials: metal, silk
Culture: american
The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah
Object type: painting
Date: 1720 – 1720
Materials: copper, wood, gold, oil, silver, shell
Culture: mexican
Location: mexico
Artist: juan francisco de aguilera
Artist role: artist
Artist nationality: mexican
Subjects: men,women,virgin mary,jesus

Juan Francisco de Aguilera is considered one of the most influential painters of the second decade of the eighteenth century in New Spain. His ability to capture fleeting effects of light and atmosphere heralded a major stylistic change that would mark the next generation of painters. This small painting on copper, made for individual devotion, depicts the Virgin of Carmen interceding on behalf of souls in purgatory. According to Roman Catholic doctrine, purgatory is the place or or state where departed souls are purified of their sins through punishment before entering heaven. In an apparent gesture of devotion, the artist has inscribed his signature above the shackles of an anguished soul.
Piece
Object type: piece
Date: 1601 – 1633
Materials: linen, silk
Subjects: leaves
Blad met handtekeningen van de leden van de Vergadering der Aanzienlijken, 1814
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: etching
Location: the hague
Subjects: the hague, berlin, william i of the netherlands, handwriting, written text, amsterdam
Inscriptions: collector's mark: Lugt 2228

Blad nr. 8 uit de serie van negen bladen met in facsimile de handtekeningen van de leden van de Vergadering der Aanzienlijken bijeen ter onderhandeling over de nieuwe grondwet, te Amsterdam op 29 maart 1814.
Snuffbox with hunting scenes
Object type: snuffbox, painting
Date: 1768 – 1769
Materials: gold, paper
Artist: j.d.
Artist role: maker
Subjects: animals,hunting,horses

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Portret van keizer Julius Caesar
Object type: print
Date: 1643 – 1680
Materials: paper
Techniques: engraving
Subjects: keizer, julius caesar
Inscriptions: collector's mark: Lugt 2165
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: canvas, silk
L'Automne
Object type: print
Date: 1652 – 1711
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: year divided into four seasons, vintage, grape harvest, autumn, fall, 'autumnus'; 'autunno' (ripa), bunch of grapes
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maakt deel uit van een vierdelige serie met personificaties van de vier seizoenen.
Head of a Bearded Man
Object type: drawing
Date: 1750 – 1750
Materials: chalk, graphite, paper
Techniques: heightening, drawing
Artist: jean restout le jeune
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1768
Subjects: heads,men,profiles
Albumblad
Object type: painting
Date: 1850 – 1900
Materials: ink, paper
Location: china
Artist: hui nian

Albumblad met een landschap. Behoort twee albums met 24 landschappen in de stijl van diverse meesters.