deem-data/ArtiFact huggingface dataset:
Solitude at Strawberry Hill
Object type: drawing and watercolor
Date: 1822 – 1822
Materials: board, ink, paint, paper, watercolor
Techniques: brush, pen
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Oproer in de kerk te Marburg waar ds. Schonerus wordt mishandeld, 1606
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: leiden
Subjects: interior of church, fighting, violent death, being killed; being mishandled and maltreated; seeking death - ee - death not certain; wounded person
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. I, p. 67.
Spaanstalige en Franstalige tekst
Object type: sketchbook leaf
Date: 1883 – 1885
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: inscription: ‘[...]’

Pagina 31 uit een schetsboek met 17 bladen.
Groepsportret van vermoedelijk een familie
Object type: cabinet photograph
Date: 1878 – 1929
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: louis fraenkel
Artist role: fotograaf
Artist dates: 1842 – 1929
Subjects: studio requisites ~ photographer, family, descendance
Inscriptions: name: ‘Louis Fraenkel Photograhie Centraal Nieuwendijk 108. Amsterdam.’
Drie gerstaren tegen egale achtergrond
Object type: photograph
Date: 1900 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Subjects: cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet)
Inscriptions: : ‘Gerst-Aren’, signature: ‘foto / R. Tepe’
Box-board for chess and backgammon
Object type: chess and backgammon board
Date: 1801 – 1900
Materials: wood
Subjects: chess
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, head, part of upper torso and right arm, in profile to right, of a wreathed youth to right; branch; head of wreathed youth to left; Exterior, part of the profiled ring foot, with an unglazed resting surface; the inner wall of the foot is glazed; the underside of the floor is decorated in concentric circles; the outer most band is in reserve, followed by a wide black band, and another band of reserve; a thin black glaze line borders the middle, which is in reserve
VOC, duit Zeeland, 1746
Object type: coin
Date: 1746 – 1746
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Fragment
Object type: textile
Culture: egyptian
Location: egypt
Portret van een man met bakkebaarden
Object type: album leaf
Date: 1862 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: matthijs adolph conen
Artist role: painter
Artist dates: 1833 – 1894
Subjects: sideburns, sitting figure, historical persons
Inscriptions: inscription: ‘ADOLPHE CONEN/ PEINTRE-PHOTOGRAPHE/ AMSTERDAM.’
Journal des Dames et des Modes, Costume Parisien, 26 décembre 1799, An 8, (182) : Robe à la Demi-Psyché
Object type: fashion print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: diadem, tiara (+ women's clothes), bag (reticule) (+ women's clothes), fashion plates, dress, gown (+ women's clothes), necklace (+ women's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Robe à la Demi-Psyché’

Staande vrouw gekleed in een japon 'à la Demi-Psyché', bij de zoom versierd met geometrische motief. Accessoires: haarband met ovaal medaillon, collier, reticule of buidel, platte schoenen met puntige neuzen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Sailors Drinking the Tunbridge Waters
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,drinking
Portret van een meisje met pijpenkrullen
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, girl (child between toddler and youth)
Gezicht op een boom op een begraafplaats
Object type: page
Date: 1907 – 1912
Materials: paper
Techniques: autotype
Location: united kingdom
Artist: henry w. taunt
Artist role: fotograaf
Artist dates: 1842 – 1922
Subjects: trees, churchyard, cemetery
Inscriptions: inscription: ‘'Some country-nook, (...) yew-tree's shade.'’
Les plat-fonds ou les tableaux des galeries / De plafonds of gallerystukken
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the meeting of abraham and melchizedek, the high priest and king of salem, who brings bread and wine (genesis 14:18-20)
Inscriptions: date: ‘1751’, collector's mark: Lugt 2228

Melchisedek staat op een trap en overhandigt twee broden aan Abraham. Onder de rechthoekige voorstelling een vers in het Latijn uit Gen. 14:18.
Ester voor Ahasveros
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: brussels
Subjects: ahasuerus holds out his sceptre to esther (esther usually kneeling)

David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
The Holy Family and Kindred
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: children,men,women,reading,holy family
Verkiezingen van 1925
Object type: cartoon
Date: 1925 – 1925
Materials: ink, paper, pencil
Techniques: pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: voting, election, political caricatures and satires
Inscriptions: inscription: ‘Als Hij komt / De Kamermaagd: Och ja, Opa! ze beginnen ...’

Boze man met drietand, zak en klok met 'Hora Est' bij de 'Parlementaire Kinderkamer', naar aanleiding van de verkiezingen van 1925. Ontwerp voor een politieke spotprent.
Vrouw in gebed
Object type: print
Date: 1864 – 1934
Materials: paper
Techniques: lithograph
Subjects: adult woman, one person praying
Inscriptions: collector's mark: Lugt 2228
The Apse of Notre-Dame, Paris
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Document
Object type: document
Date: 1839 – 1839
Materials: ink, paper
Techniques: printing, writing
Location: amsterdam
Subjects: amsterdam
Inscriptions: date

Document, waarin Wosselings Gerrit Weveringh, schutter te Amsterdam, van actieve dienst wordt vrijgesteld. Gesigneerd en gedateerd.
Floral print with hunting scenes
Object type: print
Date: 1785 – 1785
Materials: linen
Subjects: hunting,horses
Portret van Odulia Avila, vermoedelijk bij Mission San Juan Capistrano
Object type: album leaf
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, historical persons
Inscriptions: annotation: ‘Odulia Avila’
Serie 11: Varia Buitenlandse Gebeurtenissen, 1571-1631
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: capture of city (after the siege), violent death, being killed; being mishandled and maltreated; seeking death

Verovering van Papa in Hongarije, 19 augustus 1597. Belegering van de stad Papa, voor de stad een legerkamp waar allerlei verminkingen en terechtstellingen plaatsvinden. Verschillende elementen in de voorstelling aangeduid met cijfers maar een legenda met een verklaring ontbreekt. Zonder onderschrift. Linksonder genummerd: 319. De prent maakt deel uit van een album.
Landscape, House in Park
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: germany
Artist: franz kobell
Artist nationality: german
Artist dates: 1749 – 1822
Vignet
Object type: photomechanical print
Date: 1884 – 1952
Materials: paper
Techniques: printing block
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’
Portrait of a Manchu Prince
Object type: painting
Materials: ink, silk
Location: china
Artist: gu jianlong
Artist role: artist
Artist nationality: chinese
Artist dates: 1606 – 1687
Stamboom van Maria de Medici
Object type: print
Date: 1610 – 1678
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: maria de' medici, family lineage, pedigree, genealogical tree or table

Stamboom met in het midden een ovaal portret van Maria de Medici. Een engel en een Venus wateren de boom uit kruiken. In de bloemen van de boom zitten Marias familieleden. Onder de voorstelling een Franse tekst.
Nefertum Amulet
Object type: amulet, nefertum
Date: 1070 – 332
Materials: faience
Location: egypt

Nefertem, child of Ptah and Sakhmet, represented youthful power, and was identified with the lotus flower, a symbol of the newborn sun and regeneration. The god wears a lotus headdress with two tall feathers.
Arm with Aten cartouches
Object type: arm, aten cartouch
Date: 1353 – 1336
Materials: limestone
Location: egypt
Subjects: cartouches,hieroglyphs
Schouw met draperieën
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: chimney, hangings and drapery

Een schouw met draperieën en een haardscherm. Rechts details van de draperieën. Prent uit 292e Livraison.
View on the Hudson River (Copy after Engraving by Weld and S. Springsguth in Weld, Travels Through the States of North America, 1807)
Object type: watercolor
Date: 1811 – 1813
Materials: gouache, paper, watercolor
Culture: american
Artist: pavel petrovich svinin
Artist role: artist
Artist nationality: russian
Artist dates: 1787 – 1839
Subjects: rivers,landscapes,boats
Costume Design for Lady with a Fan
Object type: drawing
Date: 1890 – 1899
Materials: graphite, paint, watercolor
Artist: basil crage
Artist role: artist
Artist nationality: british
Artist dates: 1890 – 1900
Subjects: fans,women

Costume design for a lady with a fan, made up of a gray, corseted bodice with floral motifs and pairs of small, white wings on the shoulders, and a knee-length, paneled, gray skirt of thin fabric, also with floral motifs. A headdress made up of a white lace headband with golden scrolling antennae decorates the head. A fan with golden hear motifs flanked by scales with scrolling and floral motifs is held on the right hand. The left hand holds a panel of the skirt, with scalloping edges and floral motifs.
Ex libris van Jarmily Prokešové
Object type: bookplate
Date: 1942 – 1942
Materials: paper
Techniques: woodcut
Location: czechoslovakia
Artist: jiří vodehnal
Artist role: print maker
Subjects: dog
Inscriptions: inscription: ‘Jiří Vodehnal / 1942’
Hydria
Object type: hydria
Date: 350 – 320
Materials: terracotta
Culture: greek, south italian, apulian
Artist: perth group
Artist role: artist
Subjects: women
Soeplepel met het familiewapen Clifford
Object type: spoon
Date: 1823 – 1823
Materials: silver
Location: amsterdam
Artist: nathanael teuter
Artist role: silversmith
Artist dates: 1767 – 1831
Inscriptions: maker's mark, date letter: ‘O’, assay office mark

De ronde, diepe bak is door middel van enkel lof verbonden met de platte, krachtig gebogen steel, die zich verbreedt naar het afgeronde uiteinde en die aan de bovenzijde omgeven wordt door een filetrand. Op de bovenzijde van de steel is het gekroonde wapen Clifford met het helmteken en schildhouders gegraveerd.
Nightgown
Object type: nightgown
Date: 1890 – 1890
Materials: cotton
Culture: french
Head of Christ
Object type: drawing
Date: 1810 – 1850
Materials: graphite
Location: france
Artist: andre-jacques-victor orsel
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1850
Subjects: heads,portraits,christ
Reichstagsgebäude und Bismarkdenkmal
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: rotogravure, writing
Location: berlin
Artist: Anonymous
Subjects: berlin, frederik willem iv (koning van pruisen), monument, statue
Kasteel Nieuw Herlaer te Sint-Michielsgestel
Object type: sketchbook leaf
Date: 1701 – 1759
Materials: paper, pencil
Subjects: castle
Inscriptions: annotation: ‘Nieuw Herlaer Z.’

Blad 56 recto uit een schetsboek met 65 bladen.
Coin Depicting the God Zeus
Object type: coin
Date: 58 – 58
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Portret van André Rivet
Object type: print
Date: 1644 – 1652
Materials: paper
Techniques: engraving
Subjects: andré rivet
Inscriptions: collector's mark: Lugt 2228

Portret van André Rivet, professor honorarius theologie aan de universiteit van Leiden en gouverneur van Prins Willem II. In de marge een vers in het Latijn.
Gezicht op de Nikko Toshugo te Nikko, Japan
Object type: album leaf
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Location: nikko
Artist: Anonymous
Subjects: temple, shrine ~ shinto
Inscriptions: inscription: ‘No. 3./ Jajaskerk te Nikko.’
Miniature Votive Spearhead
Object type: miniature votive spearhead
Date: 1701 – 1900
Materials: gold, iron
Culture: tibetan
Location: tibet
Landschap met de H. Hieronymus die de bijbel vertaalt
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: engraving
Location: rome
Subjects: st. jerome translating the old and the new testament into latin (the vulgate)
Inscriptions: collector's mark: Lugt 2228
August de domme
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: lamouche
Artist role: print maker
Subjects: circus, clown
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen over circusclowns. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 160.
Bottle
Object type: bottle
Date: 1401 – 1700
Materials: ceramic, pigment
Culture: caddoan
Location: united states

The westernmost region in which Mississippian cultural patterns occurred was in eastern Oklahoma and adjacent areas of Missouri and Arkansas. Called Caddoan to distinguish it from the more eastern, and somewhat distinct, Mississippian patterns, its major center was at Spiro in Le Flore County, Oklahoma, where a new type of construction was undertaken in the thirteenth century that combined aspects of both ceremonial platforms and mortuary mounds into one structure. Believed to have served as the major ancestral shrine of the region, Craig Mound has thus yielded a particularly impressive array of funerary offerings associated with privilege and high status. Many of these objects, principally those of shell, are incised with decoration of apparent sacred and/or warrior imagery. The incised patterns on Caddoan pottery, while less ambitious in depiction, are elegantly conceived and executed, as this bottle illustrates. It is reported to be from Yell County in west central Arkansas.
Liggend schaap
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: printmaking, etching
Location: netherlands
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Een kijkje achter de schermen bij de toneelspelers
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: woodcut
Location: edo
Subjects: boxes, loges ~ theatre, etc., adult man, adult woman (+ three persons)

Pijp rokende man, vanaf een bank kijkend naar drie dames die de loge verlaten; één van de drie zijdelings achter de coulissen kijkend. Twee bladen, aan elkaar geplakt, uit het Japanse boek Yakusha gakuya tsu.
Cours de l'Aar à la Handeck
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: brook, mountains
Inscriptions: collector's mark: Lugt 2166

Prent gepubliceerd in: 'Douze vues des Vallées de Lauterbrunnen et Meyringen, dessinées d'après nature et lithographiées par A. Calame', 2e cahier, Genève 1842 (uitgever: J.H. Wessel).
Standing Buddha
Object type: figure
Date: 1101 – 1300
Materials: bronze, silver
Techniques: inlay
Culture: burmese
Subjects: buddhism,buddha
Brief aan Mien Cambier van Nooten
Object type: letter
Date: 1940 – 1940
Materials: ink, paper
Techniques: pen, writing
Location: bennekom
Artist: dick ket
Artist role: draughtsman, print maker
Artist dates: 1902 – 1940
Subjects: rotterdam, painter, print maker, hans timmermans, amsterdam, arnhem, mien cambier van nooten, haarlem, textile artist, nelly johanna hagelen-schilt, drawing, literature ~ arts
May Walden, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,reading,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
H.M.S. Agamemnon Laying the Atlantic Telegraph Cable in 1858: a Whale Crosses the Line
Object type: drawing
Date: 1865 – 1866
Materials: gouache, graphite, watercolor
Artist: robert charles dudley
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1909
Subjects: whales,industry,ships,transatlantic cable

One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. This watercolor by Dudley shows the H.M.S. Agamemnon laying cable in 1858. A former battleship powered by both sail and steam, it was recommissioned by the British government to serve the Telegraph Company and met the U.S.S. Niagara mid-Atlantic on July 29th, to allow the two ends of the cable to be spliced. Part of a series documenting the long, arduous process, this image was reproduced as a color lithograph in William H. Russell's 1866 book "The Atlantic Telegraph" (92.10.100 and 61.536.5). In 1892 Field donated art works by Dudley, a copy of Russell's book, commemorative medals, memorabilia, and specimens of cable to the Museum.
Huizen langs het water
Object type: print
Materials: paper
Techniques: tone lithography
Location: haarlem
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), housing
Inscriptions: collector's mark: Lugt 2228

Proefdruk voor prent uit: Hofdijk, W.J. Ons voorgeslacht. Haarlem: Kruseman, Arie Cornelis, 1862.
Myologie Complette en Couleur et Grandeur Naturelle
Object type: book
Date: 1746 – 1746
Artist: joseph guichard duverney
Artist role: author
Artist nationality: french
Artist dates: 1648 – 1730
Subjects: human anatomy,science,heads

Jacques-Fabien Gautier-Dagoty received a royal license for his technique of four-plate color printing in mezzotint, a process closely derived from the three-plate method of his teacher, Jacob Christoph Le Blon (to which Gautier-Dagoty added a plate printed in black or brown). Although he also made prints that reproduced paintings or depicted notable figures, Gautier-Dagoty's special interests lay in anatomy, botany, and zoology—fields that would be revolutionized by the publication of accurate color illustrations. He founded the first French illustrated scientific journal, and prepared large-scale publications such as Myologie complète en couleur et grandeur naturelle a treatise on the anatomy of muscles.
Vue du Village d'Herment
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: villages,landscapes

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Konst Boek met Tekeningen van Verscheide meesters
Object type: titelblad, titelpagina
Materials: graphite, ink, paper
Techniques: brush, pen
Artist: dirk langendijk
Artist role: draughtsman, painter, print maker
Artist dates: 1748 – 1805
Subjects: (story of) minerva (pallas, athena)
Inscriptions: annotation: ‘Konst Boek/ met/ Tekeningen/ van/ Verscheide meesters’
Portion of a Loom Length
Object type: textile
Date: 1850 – 1875
Materials: dye, silk, velvet
Techniques: cutting, dyeing, resist, weave
Location: uzbekistan

The production of silk velvet ikat was a specialty of the highly skilled weavers in Bukhara between the late 1860s and about 1910. The luxurious fabric was fashioned into women's robes as dowry items intended for special occasions such as weddings and funerals. The loom length fragment on the left, with a pattern of repeating medallion forms, dates from the early years of production, when natural dyes were still being used. The piece on the right has a rare animal skin pattern of foreign origin, whose exoticism must have appealed to the Bukharan court. Full loom lengths are known to exceed 22 feet.
—Islamic Galleries, June 6, 2016
Gezicht in het Haagse Bos
Object type: photograph
Date: 1923 – 1923
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: forest, wood

Gekocht als serie van 6 foto's (RP-F-2005-40 t/m 45) die verkocht werden als 'Haagse Bos, 1923'
Staande heiligen
Object type: print
Date: 1608 – 1649
Materials: paper
Techniques: engraving
Location: france
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll
Inscriptions: collector's mark: Lugt 240
St. James's with the Village of Charing as It Appeared in ye Reign of Henry VIII
Object type: drawing and watercolor
Materials: paper, paint, watercolor
Techniques: brush
Location: england
Artist: attributed to augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832