deem-data/ArtiFact huggingface dataset:
Naar huis brengen van de bruid
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: (story of) hymen(aeus), animals as bringers of babies, types in 'commedia dell'arte': harlequin, (civil) marriage ceremonies
Inscriptions: collector's mark: Lugt 2228

Bruiloftsstoet met voorop Hymen met een brandende fakkel en een vlag met daarop de tekst 'Au rendés vous', gevolgd door een violist met een hond. Daarachter de bruidegom met op zijn rug de bruid in een mand en op zijn nek een geblinddoekte amor. Daarachter een doedelzakspeler en een harlekijn. Boven de laatste figuren vliegt een ooievaar.
Cup and saucer
Object type: platter
Date: 1725 – 1730
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: label: ‘SAMMLUNG / Dr. FRANZ OPPENHEIMER’, number: ‘178.’, mark, factory mark

Meissener Porzellan Manufaktur
Meissen, c. 1725–1730
hard-paste porcelain
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Kaart van Italië, 1726
Object type: map
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: maps of separate countries or regions, italy

Kaart van Italië. Plaat nr. 357 in deel XV van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit tweede deel met 271 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in het Frans.
Marble portrait of a man
Object type: portrait bust of a man
Date: 34 – 1
Materials: marble
Culture: roman
Subjects: heads,men,portraits

This head with its broad forehead, narrow chin, and long scrawny neck is so similar to portraits of Julius Caesar as he appears on coins and in sculpture that, in the past, it was identified as that famous general and politician. Perhaps the man who is the actual subject of the portrait wished to accentuate this resemblance because he sympathized with the dictatorship of Caesar or with the cause of his party, the populares.
Fotoreproductie van een schilderij, voorstellende een portret van Pontius Pilatus
Object type: page
Date: 1883 – 1888
Materials: photographic support
Techniques: albumen print
Subjects: christ before pontius pilate (matthew 27:11-26; mark 15:2-15; luke 23:2-7, 23:13-25; john 18:28 - 19:16)
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: dragons
Tweeërlei kunst
Object type: drawing
Date: 1746 – 1746
Materials: chalk, gouache, paper
Artist: cornelis troost
Artist role: draughtsman, painter, print maker
Artist dates: 1696 – 1750
Subjects: drum (musical instrument), painter at work, in his studio, fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: collector's mark: Lugt 2488, collector's mark: Lugt 1641a

Allegorische voorstelling; in de monumentale hal van een tempel wordt een historieschilder met bewonderaars, die gekroond wordt door Faam. Rechts een schilder van uilen en apen, aan hem worden vele gouden munten betaald.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Exterior, ends of a fillet? or fingers?
Arrowhead (<i>Yanone</i>)
Object type: arrowhead i yanone i
Date: 1701 – 1800
Materials: steel
Culture: japanese
Location: japan

Although today Japanese warriors are renowned most for their swordsmanship, archery, especially from horseback, has been an essential part of samurai warfare and culture for centuries. Arrows were fitted with heads of varying shape according to their intended use in war, the hunt, or target practice. Arrowheads made for use on the battlefield incorporated different designs intended for specialized purposes such as the piercing of armor or to cause maximum damage to horses and unarmored personnel. Large arrowheads, pierced and elaborately chiseled with landscapes, birds, flowers, dragons, and Buddhist divinities, were created to be admired for the beauty of their metalwork and design rather than for use in archery. Such highly elaborate examples may have been made for presentation or as a votive offerings to a shrine.
Drie opmerkelijke gebeurtenissen te Amsterdam in het jaar 1664
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: burial, consequences of weather, e.g. after the drought, before the storm, after the cyclone, comet, storm on land, plague, amsterdam
Inscriptions: date

Drie opmerkelijke gebeurtenissen te Amsterdam in het jaar 1664. Bovenaan een plaat met drie voorstellingen. Links een gezicht op de Dam met Paleis en Nieuwe Kerk met het begraven van de slachtoffers van de pest. Midden de komeet of staartster boven de stad gezien vanaf de Dam. Rechts afgebroken en omgewaaide bomen langs een gracht. Onder de platen zijn in 3 kolommen beschrijvingen van en verzen op de gebeurtenissen gedrukt.
Portret van Margaretha van Parma
Object type: book illustration
Date: 1614 – 1614
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: historical persons - bb - woman, ornament ~ medallion, regent, substitute ruler; viceroy - bb - female ruler
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1559-86’

Prent uit: Meteren, Emanuel van. Historie der Neder-landscher ende haerder Na-buren Oorlogen (...). Den Haag: Hillebrant Jacobsz. van Wouw, 1614.
Ornament plaque with angels on top holding a wreath
Object type: print
Date: 1800 – 1899
Techniques: engraving, printing
Artist: anonymous, mexican
Artist role: artist
Asakusa River, Great Riverbank, Miyato River (Asakusagawa Okawabata Miyatogawa), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Léon-Hubert Zeyen
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching, intaglio
Artist: adrien de witte
Artist role: print maker
Artist dates: 1850 – 1935
Subjects: léonard hubert zeyen, adult man, historical persons, head-gear: hat
Inscriptions: collector's mark: Lugt 2228
Reliëf van het Nationaal herdenkingsmonument in Niederwald met daarop afscheid nemende soldaten
Object type: photograph
Date: 1887 – 1920
Materials: paper
Techniques: albumen print
Subjects: niederwald, frans-duitse oorlog
Inscriptions: number: ‘'16.5’, title: ‘"Der Abschied"Relief auf Seite der Figur "Krieg"am Nationaldenkmal auf dem Niederwald von Professor Johannes Schilling in Dresden’

Het National monument op de Niederwald is ogericht na de Frans Duitse oorlog
Bifacial Tool
Object type: tool
Materials: stone
Location: egypt
Coverlet
Object type: textile
Date: 1857 – 1857
Materials: textile, cotton, wool
Techniques: jacquard, weave
Location: new york
Artist: harry tyler
Artist nationality: american
Artist dates: 1801 – 1858
Subjects: eagles, vase, star, flowers, gourd, coverlet
Inscriptions: Inscription: Maryette Fillmore  Jefferson Co.  NY.  1857
Portret van Johan van den Sande
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving
Location: leiden
Subjects: arnhem, johan van den sande, historical persons, portrait of a writer
Inscriptions: inscription: ‘33’

Prent uit: Imagines XLI. Virorum celebriorum in politicis historicis &c. Leiden: Pieter van der Aa, [ca. 1720].
Schon newes Modelbuch...Page 15(r)
Object type: album print ornament architecture
Date: 1617 – 1617
Techniques: woodcut
Artist: sigismundus latomus
Artist role: designer
Artist nationality: german
Artist dates: 1599 – 1632
Subjects: animals,birds,centaurs
Terracotta zoomorphic askos (vessel) with antlers
Object type: askos in the form of an animal
Date: 1725 – 1600
Materials: terracotta
Culture: cypriot
Subjects: deer

The animal represented is likely a native species of deer. Bones of wild deer have been found at prehistoric sites on the island.
Juan de Juanes. Le cena
Object type: reproduction
Date: 1910 – 1950
Materials: cardboard
Techniques: autotype
Location: madrid
Subjects: permanent exhibition, museum, picture, painting
Gezicht op de citadel van Corfu vanaf zee
Object type: photograph
Date: 1905 – 1905
Materials: paper, photographic support
Techniques: gelatin silver print
Location: corfu
Artist: Anonymous
Subjects: fortified city

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Three Children
Object type: drawing
Date: 1849 – 1849
Materials: graphite
Artist: frederic, lord leighton
Artist role: artist
Artist nationality: british
Artist dates: 1830 – 1896
Subjects: children
Gallerie des Modes et Costumes Français, 1780, ee 171 (bis) : Manteau à l'Italienn (...)
Object type: fashion print
Date: 1780 – 1780
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: neck-gear ~ clothing (neckerchief) (+ men's clothes), cape (+ men's clothes), cape (manteau à l'italienne) (+ men's clothes), head-gear: hat (+ men's clothes), fashion plates, shoes, sandals (+ men's clothes), stockings, socks (+ men's clothes)
Inscriptions: address: ‘A Paris chez Esnauts et Rapilly, rue St. Jacques à la Ville de Coutances. A.P.D.R.’, caption: ‘Manteau à l'Italienne Cette mode avoit prise en France vers le milieu du régne de Louis XIV, et a duré jusqu'en 1745 quelques variations il paroit que sa comodité la sera adopter de nouveau aussi généralement qu'elle le sut jadis.’

Staande man gekleed in een 'manteau 'à l'Italienne'. Hoed met hoedenband en gesp, geknoopte halsdoek, kousen met golfmotief, schoenen met vierkante gespen. Het onderschrift meldt dat deze mantel in het midden van de regeringsperiode van Lodewijk XIV, tot 1745, in vele variaties, in de mode was. Het draaggemak is waarschijnlijk de oorzaak van de herlevende mode in 1780. Prent uit de serie ee. 29e Cahier de Costumes Français bis Pour servir de Supplément à la 7e suite d'habillements à la mode en 1780, Gallerie des Modes et Costumes Français.
Gezicht op de Oudezijds Achterburgwal en de achterzijde van de Zeedijk in Amsterdam
Object type: photograph
Date: 1894 – 1898
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: canals, waters (in city), quay

Datering gebaseerd op cat. tent. G.H. Breitner. Fotograaf en schilder van het Amsterdamse stadsgezicht (Bussum 1997), nr. 60
Willem III
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: anthonie van volkom
Artist role: print maker
Artist dates: 1821 – 1860
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), historical persons
Inscriptions: collector's mark: Lugt 2228
Strainer handle
Object type: strainer handle
Date: 1295 – 1070
Materials: silver
Location: egypt
Sherd
Object type: sherd
Date: 201 – 700
Materials: ceramic
Culture: parthian or sasanian
Location: mesopotamia
Naakte vrouw en twee paarden in zee
Object type: design
Date: 1891 – 1941
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: female sex; woman (+ nude human being), sea (seascape), horse
Inscriptions: collector's mark: Lugt 2228
Towel or Napkin
Object type: textile
Date: 1850 – 1900
Materials: silk
Techniques: embroidery
Location: turkey
Portret van Martin Luther
Object type: book illustration
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: germany
Artist: Anonymous
Subjects: martin luther, theologian, historical persons

Prent uit: Verheiden, Jacobus. Imagines et elogia praestantium aliqvot theologorum. Neurenberg: erven Johann Daniel Tauber, 1725.
Portret van een onbekende man, mogelijk Bouvé
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: etching, intaglio
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: anonymous historical person portrayed alone
Inscriptions: annotation: ‘1er état’, collector's mark: Lugt 2228
Stamp seal
Object type: stamp seal
Date: 600 – 301
Materials: stone
Culture: achaemenid
Location: iran
Visitekaart voor het atelier van Karel de Bazel en Mathieu Lauweriks
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: woodcut
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: karel petrus cornelis de bazel, amsterdam, print maker, draughtsman, designer, mathieu lauweriks, ornaments ~ art, visiting-card, calling-card, fancy letters

Visitekaart met een decoratief kader rond de adrestekst van het atelier.
Shoes
Object type: shoe
Date: 1701 – 1800
Materials: leather
Culture: french
Bijbelsche kinderprenten
Object type: print
Date: 1869 – 1908
Materials: paper
Techniques: letterpress printing, photoaquatint
Location: amsterdam
Subjects: christ rebuking the winds, raising of the daughter of jairus, who is lying in bed (matthew 9:18-19, 9:23-26; mark 5:21-24, 5:35-43; luke 8:40-42, 8:49-56), adult christ together with apostles, evangelists, saints, etc., new testament, christ in peter's boat preaching to the people
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van verhalen uit het Nieuwe Testament. Christus en de apostelen tijdens een storm op zee, de opwekking van het dochtertje van Jaïrus, Christus en zijn apostelen gaan door het koren en Jezus preekt vanaf de boot van Petrus tot de mensen. Onder elke afbeelding een Bijbeltekst. Genummerd rechtsboven: No. 16.
Nieten Bohren / Walzen
Object type: print
Date: 1866 – 1900
Materials: paper
Techniques: engraving
Artist: Anonymous

Op de prent bovenaan staan een fries en een paneel afgebeeld, opgesplitst in twee delen. Op het linkerdeel van het paneel is een steenhouwerij te zien. Op de prent onderaan staat een fries met drie apen afgebeeld en een omlijsting met acht putti. Onder beide prenten staat: E. Neureuther's sgraffito(-)schilderingen aan het polytechnicum te Munchen.
Beleg van Breda, 1624-1625
Object type: history print
Date: 1650 – 1664
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: siege, position war

Gebruikt als illustratie in: A. Montanus, 'T leven en bedryf der prinsen van Oranje, Wilhelm de eerste, Maurits, Frederik Henrik, Wilhem de tweede, Wilhem de derde : aengehecht met de daden der Nassouwsche stam, van het jaar 682 tot dese tyd, Amsterdam 1664, dl. II, p. 232/233 (exemplaar in Rijksmuseum Research Library 330 F 12-13). Niet in Frederik Muller; door het RPK toegevoegd nummer.
Medallion
Object type: medallion
Date: 1601 – 1700
Materials: wood
Culture: european
Subjects: angels,saints,god the father
Portrait of a Youth
Object type: illustrated album leaf
Date: 1567 – 1600
Materials: gold, paper, watercolor
Location: iran
Subjects: birds,men,portraits
De astronoom
Object type: drawing
Date: 1794 – 1794
Materials: chalk, paper, watercolor
Techniques: brush
Artist: abraham delfos
Artist role: draughtsman, painter, print maker
Artist dates: 1731 – 1820
Subjects: scholar in his study, astronomy (and cosmography) (+ scholar, scientist (at work)), star-globe
Piece
Object type: piece
Date: 1867 – 1900
Materials: cotton
Subjects: birds,flowers
Rivierlandschap met een aantal schepen en huizen aan het water
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: sailing-ship, sailing-boat, river, farm or solitary house in landscape
[Unknown Subject]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Pair of Wheellock Pistols
Object type: arm
Date: 1577 – 1577
Materials: steel
Location: dresden
Artist: a. drechsler
Reclame voor het Grand Hotel New York in Venetië
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, hotel, hostelry, inn, venice
Inscriptions: inscription: ‘(...)/ Venise Etab. Kirchmayer & Scozzi’
Landscape with Architecture
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen
Artist: isaac de moucheron
Artist role: artist
Artist nationality: dutch
Artist dates: 1667 – 1744
Subjects: fountains,landscapes,boats

In Holland at the turn of the eighteenth century, the taste for more elaborate room decoration created a demand for large landscapes, including imaginary garden scenes. This drawing by Isaac de Moucheron, dated ca. 1730, illustrates an imaginary Italianate garden filled with classical architecture and statuary. Beautiful in its own right and much sought after by collectors, the main idea and composition of this drawing may have been used for a larger wall design, carrying the nostalgic atmosphere of a lost arcadia into the Northern European mansion.
Bowl with stylized petal motifs
Object type: bowl
Date: 1275 – 1324
Materials: cobalt, earthenware, glaze, paint, quartz
Techniques: firing, turning, vitrification
Location: kashan
Artist: Anonymous

Kom van kwarts-fritgoed met een beschildering in blauw van gestileerde bladmotieven onder een transparant turquoise alkaliglazuur.
Vloerkleed van wol in bruin en twee tinten beige, met een patroon van geometrische strepen en een kruis in het midden.
Object type: kleed
Date: 1925 – 1925
Materials: wool
Techniques: knotting
Location: moordrecht

Vloerkleed van wol in bruin en twee tinten beige, met een patroon van geometrische strepen en een kruis in het midden. Gemerkt: K.V.T. 25864.
Portret van Benedict Arnold
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons

Prent uit: The Universal Magazine of Knowledge and Pleasure. Londen: Stephen Austen Cumberlege, 1781, dl. 69.
Ruins and Trees
Object type: drawing
Date: 1601 – 1700
Materials: chalk
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: ruins,trees
Portret van een vrouw
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, paper
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: anonymous historical person portrayed

Tekening in een ovaal. Blad 37 verso en 38 recto uit een schetsboek met 105 bladen.
Flint arrowhead
Object type: arrowhead
Date: 4000 – 3001
Materials: stone
Culture: cretan

Stone implement in the shape of an arrowhead.
Bottle
Object type: bottle
Date: 601 – 800
Materials: glass
Techniques: glassblowing, tooling
Location: iraq

This glass bottle was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this bottle attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Jug with Cover
Object type: ceramic
Date: 1760 – 1760
Materials: enamel, stoneware
Techniques: polychrome, salt glaze
Location: staffordshire
Wijnpers
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: woodcut
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: personifications of countries, nations, states, districts, etc., wine-press, the church personified, 'ecclesia', usually with chalice and banner
Inscriptions: collector's mark: Lugt 2228

Links een wijnpers waarmee het bloed van twee mensen wordt uitgeperst. Bij de pers twee dansende naakte figuren. Rechts staan een bisschop en een koning, als personificaties van de Kerk en de Staat, te drinken.
"The Wilde Woman of Aiken," from the "Aiken and Vicinity" series
Object type: photograph
Date: 1882 – 1882
Techniques: albumen silver print, glass negative
Culture: american
Artist: james a. palmer
Artist role: artist
Artist nationality: irish-american
Artist dates: 1825 – 1896
Subjects: women,flowers,jugs

This racially and culturally offensive photograph captures the attitudes and stereotypes prevalent in America at the end of the 19th century. Likely made in response to Oscar Wilde’s aesthetic ideals of beauty and "Art for Art’s sake" philosophy, the image depicts an African American woman seated at a table with an Edgefield face jug displaying a large sunflower and a calla lily. It appears to have been taken at the same time as "An Aesthetic Darkey," another photograph from the same "Aiken and Vicinity" series, whose composition and title were modeled on William Holbrook Beard’s woodcut engraving entitled "The Aesthetic Monkey," featured on the January 28, 1882 cover of Harper’s Weekly, itself a satire of Oscar Wilde. The Irish-born poet and playwright Wilde traveled to the United States and Canada for an 11-month lecture tour in 1882, and garnered much attention and coverage in local press along the way. Notably, Wilde made three lecture stops in Georgia in early July 1882, perhaps inspiring Palmer’s "The Wilde Woman of Aiken" and "An Aesthetic Darkey."
Portret van Vincenzio Sgrilli
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Oji Inari Shrine (Oji Inari no yashiro), No.18 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Appendages
Object type: appendage
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: butterflies
Portret van Karel Rudolph van Kuffeler
Object type: print
Date: 1685 – 1702
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan van munnickhuysen
Artist role: draughtsman, print maker
Artist dates: 1655 – 1701
Subjects: amsterdam, politician, historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van Karel Rudolph van Kuffeler met witte bef.