deem-data/ArtiFact huggingface dataset:
Zutphen
Object type: area plan
Date: 1607 – 1609
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: Anonymous
Subjects: maps of cities
Inscriptions: number: ‘70’

Plattegrond van de stad Zutphen. Midden boven de titel, linksboven het wapen van de unie van het hertogdom Gelre en de graafschap Zutphen, rechtsboven het stadswapen. Linksonder een cartouche met de legenda 1-11. Rechtsonder een man en een vrouw. Onderdeel van de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
Cup with handle with three women in a panel on a ground of scrolls
Object type: cup
Date: 1750 – 1774
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Kleine oorkop van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. De wand is bedekt met krulwerk en ranken met hierin uitgespaard een cartouche met drie vrouwen om een tafel met naast hen vazen en gelukssymbolen; op de bodem een twijg. Famille rose.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a kylix, with the handle attachments preserved
Zicht op het binnenwerk van gebouwen
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2228a
Portret van hertog Frederik van Schomberg
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: commander-in-chief, general, marshal, historical persons, battle

Prent waarschijnlijk uit: The Universal Magazine of Knowledge and Pleasure 28 (1761), januari 1761.
Verering van de godin Devi
Object type: indian miniature
Date: 1720 – 1720
Materials: paper
Techniques: brush
Location: mewar
Artist: Anonymous
Inscriptions: inscription: ‘.’
Twee lambriseringen
Object type: ornament print
Date: 1752 – 1794
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: panelling
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerpen en profielen van twee lambriseringen.
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware
Techniques: glazing
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Card Number 31, Annie Leslie, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Lekythos
Object type: lekythos
Date: 467 – 435
Materials: terracotta
Culture: greek, attic
Artist: angers painter
Artist role: artist
Subjects: nike

Nike dressed in himation and sleeved chiton.
Titelpagina voor: Richard Cumberland, Traité philosophique des loix naturelles, 1744
Object type: print
Date: 1744 – 1744
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: 'natura' (allegorical figure or scene; or as diana of ephesus, with many breasts); 'natura' (ripa), symbolic representations, allegories and emblems ~ science, 'scientia'; 'scienza', 'studio' (ripa), truth; 'verità' (ripa), error; 'errore' (ripa), equality, equity, fairness, righteousness; 'equalità', 'equità', 'giuditio giusto', 'ordine dritto e giusto', 'ugualità' (ripa)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Titelpagina voor een boek van Richard Cumberland, waarin hij de ideeën van Thomas Hobbes bestrijdt. De Wet van de Natuur, in de persoon van Venus, omarmt het Gelijk. Zij houdt een zwaard in de hand. De Wet van de natuur wordt door Wetenschap ontsluierd en door Waarheid verlicht. Putti, die het genie van de schrijver Richard Cumberland personifiëren, overwinnen de Fout van Thomas Hobbes, die op de grond ligt. In de ondermarge een tweeregelige Franse tekst.
Christ with the Reed
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: etching
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
The Sacrifice of a Ram, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: men,male nudes,rams,fire,trees

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 155 in the scrapbook. On a sheet with 41.72(2.156)
The Construction of the Viaur Viaduct
Object type: photograph
Date: 1901 – 1901
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)
Inscriptions: date

The Viaur Viaduct took seven years to build, from 1895 to 1902. Its progress was recorded every few months by a possibly local photographer. He must have carried out daredevil feats in the mountainous region in order to take good pictures of the bridge and its parts. In their time, these modernistic photographs were nothing more than helpful tools for the architects.
Exposition Int: de Sport de Pêche et de Chevaux / Scheveningen Pays-Bas Juin-Octobre 1892
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: lithograph
Location: haarlem
Artist: otto eerelman
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1926
Subjects: sports, etc. on land, antique types of bicycles, (annual) fair, trade fair

Affiche van de Internationale Sport-, Visscherij- en Paardententoonstelling in Scheveningen juni-oktober 1892. De Nederlandse Maagd met een vaandel gezeten op een steigerend paard. Op de voorgrond attributen van de paardensport en andere sporten, een fiets en een palingfuik. Op de achtergrond het Kurhaus en rechts het tentoonstellingsgebouw op het toenmalige Gevers Deynootplein.
Portret van Jan Beukelszoon van Leiden
Object type: print
Date: 1613 – 1617
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: orb (symbol of sovereignty; sphere with cross on top), sceptre, staff (symbol of sovereignty)

Portret van Jan Beukelszoon van Leiden, leider en zelfuitgeroepen koning van de wederdopers in Münster. Om zijn hals een ketting, onder de arm een scepter en in zijn handen een Bijbel en een pamflet. Rechtsboven een gekroonde rijksappel, doorboord met twee zwaarden. Onderaan een vierregelig vers in het Latijn.
Handle-Shaped Jade
Object type: religious ritual object
Materials: jade
Location: china
The Prophet Balaam
Object type: modello
Date: 1575 – 1577
Materials: terracotta
Techniques: modeling
Subjects: the story of balaam (numbers 22-24)

This sculpted modello or bozzetto is a design for a statue of the prophet Balaam intended for the basilica of the pilgrimage site of Loreto in Central Italy. The church was built around the Santa Casa, the house where, according to legend, the Virgin was born. The statuette stands out for its virtuoso modelling, as in the figure’s right arm and hand. It was long thought to be by Michelangelo.
Ontwerp voor een schildering in de kinderkamer van de Mailboot
Object type: drawing
Date: 1874 – 1945
Materials: chalk, ink, paper, pencil
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: proverbs, sayings, etc.

Ontwerp voor een schildering in de kinderkamer van de Mailboot: uitbeelding van het spreekwoord 'De kruik gaat zoo lang te water, tot dat ze breekt'.
Huis te Enkhuizen
Object type: print
Date: 1850 – 1900
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: façade (of house or building), enkhuizen
Justitia troont boven voorstellingen van de doodstraf
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: netherlands
Subjects: title-page, death penalty, execution
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Titelpagina voor: Reynolds, Johan. Tonneel der wereltse rampsaligheden, Amsterdam: Gerrit van Goedesbergh, 1667
Spanish Noblewoman
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Borstbeeld van een jongeman
Object type: print
Date: 1705 – 1778
Materials: paper
Techniques: etching
Location: paris
Subjects: adult man
Inscriptions: collector's mark: Lugt 2228

Studiebeeld. Borstbeeld van een jongeman met lang haar, hij buigt het hoofd dat in profiel links is gewend naar achteren, zijn borst is ontbloot.
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1701 – 1900
Materials: stone, crystal
Culture: chinese
Subjects: human figures,birds
Terracotta fragment of an olpe (jug)
Object type: olpe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the hind leg of an animal to left
Textile Fragment
Object type: textile fragment
Date: 301 – 500
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: animals,men
Dress
Object type: dress
Date: 1871 – 1871
Materials: silk
Culture: american
halve stuiver
Object type: halve stuiver
Date: 1575 – 1575
Materials: tin
Techniques: striking
Location: woerden
Artist: Anonymous
Subjects: woerden, beleg van woerden

eenzijdige, ruitvormige, tinnen noodmunt van een halve stuiver uit Woerden. Voorzijde: wapenschild tussen II en S. Keerzijde: blanco.
Lezende man en oude vrouw en drie koppen
Object type: print
Date: 1768 – 1796
Materials: paper
Techniques: etching
Location: leiden
Artist: pieter de mare
Artist role: print maker
Artist dates: 1758 – 1796
Subjects: reading, old woman
Inscriptions: collector's mark: Lugt 240
Halberd
Object type: halberd
Date: 1750 – 1750
Materials: steel, wood
Culture: american
Location: united states
Terracotta fragment of an open shape
Object type: undetermined open shape
Date: 367 – 335
Materials: terracotta
Culture: greek, attic

Black glazed fragment of an open shape with impressed vertical petals
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic
Subjects: women,lyres

Interior, on exergue, woman seated on drapery to right, wearing a wreath and a band in her hair, as well as a thigh band and bracelets, holding a lyre in her left hand and a plektron in her right; on the ground, a bird; Exterior, profiled ring foot, with a glazed resting surface; the inner wall of the foot is also glazed; the underside of the floor is decorated with concentric circles; the outer ring is in reserve, followed by a wide band of black glaze, a thin band of reserve, and a thin band of black glaze; the central circle is reserved and inside there is a small black glazed circle with a dot in the center
Coffret
Object type: coffret
Date: 1601 – 1633
Materials: brass, copper
Subjects: flowers
Not in this case, plate 36 from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: aquatint, engraving, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war
Mde. Rosi, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
De katafalk voor de overleden Spaanse koning Karel II, 1700
Object type: print
Date: 1700 – 1701
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: karel ii (koning van spanje), catafalque, 'castrum doloris' (~ public funeral)

De katafalk in de vorm van een obelisk op een rotsgroep met fontein, opgericht voor de op 1 november 1700 overleden Spaanse koning Karel II. Versierd met vaandels, wapens, allegorische figuren en Latijnse spreuken. Aan de rechterzijde van de kader een schaalaanduiding.
Vrouw leunend op de schouder van een man met tulband
Object type: print
Date: 1831 – 1877
Materials: paper
Techniques: etching
Artist: adolphe alexandre dillens
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1877
Subjects: adolescent, young woman, maiden, head-gear, adult man, bracelet, wristlet
Inscriptions: collector's mark: Lugt 2227
Snuffbox
Object type: snuffbox, painting
Date: 1771 – 1772
Materials: enamel, gold
Artist: charles le bastier
Artist role: maker
Artist nationality: french
Artist dates: 1724 – 1783
Subjects: men,portraits,flowers

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 133
Materials: glass
Culture: roman

Thick-walled bottle, containing traces of a red pigment, identified as the mineral cinnabar. Translucent green. Everted rim, folded over and in, with beveled upper surface; cylindrical neck, expanding slightly downwards, then tooled in around base; elongated conical body, curving in to uneven, concave bottom. Intact; pinprick and elongated bubbles, with blowing striations; deep pitting and brilliant iridescence on exterior, encrustation and weathering on interior.
Covered bowl with a putto in a medallion
Object type: covered bowl
Date: 1765 – 1775
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: furstenberg
Inscriptions: mark: ‘F/ ZO[20?]/ Nor. A’

Bowl and cover. Porcelain. Fürstenberg, c. 1765 - 1775. Given by Jonkheer J.E. van Heemskerck van Beest, 1877.
Dorpsgezicht te Baarn
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Location: baarn
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: village
Inscriptions: date and inscription: ‘Baeren 1731.cp.’

Blad 52 recto uit een schetsboek met 78 bladen.
A Vignette Study
Object type: page
Date: 1887 – 1892
Materials: photographic support
Techniques: albumen print
Location: providence
Artist: p.h. rose
Artist role: fotograaf
Subjects: historical persons not known by name - bb - woman, girl (child between toddler and youth), (playing with) dolls
Belle Howett, from the Actresses series (N665) promoting Our Knocker Cigars
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N665), issued ca. 1888 to promote Our Knocker Cigars.
Sneek
Object type: photograph
Date: 1905 – 1907
Materials: photographic support
Techniques: collodion silver print
Location: sneek
Artist: folkert idzes de jong
Artist role: architect
Artist dates: 1877 – 1929
Subjects: water-birds: swan, winter landscape; landscape symbolizing winter (the four seasons of the year), windmill in landscape, snow

Onderdeel van Topografisch album van Nederlandse dorpen en steden 1905.
Monte Carlo te Monaco
Object type: ansichtkaart, prentbriefkaart
Date: 1889 – 1905
Materials: cardboard
Techniques: photograph
Location: hamburg
Artist: Anonymous
Subjects: trees: palm-tree, avenue, boulevard, promenade, esplanade
Inscriptions: number: ‘920’, inscription: ‘Briefkaart [...]’
Trade card for Frazer, Army Printer, Stationer and Bookbinder
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, irish, 19th century
Artist role: artist
Artist nationality: irish
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Trombone
Object type: musical instrument
Date: 1850 – 1900
Materials: brass
Techniques: engraving, hammering
Location: amsterdam
Artist: christoffel rep
Artist role: musical instrument maker
Artist dates: 1797 – 1872
Inscriptions: name: ‘CH: REP. AMSTERDAM’

Trombone van messing, met de naam van de maker geggraveerd rond de beker: CH: REP. AMSTERDAM. Het geheel bestaat uit een schuifgedeelte, een bekerstuk en een mondstuk. Stemming: bes.
Zuil van Trajanus
Object type: album leaf
Date: 1637 – 1691
Materials: paper
Techniques: etching
Location: rome
Subjects: triumphal column with helical friezes, piece of sculpture, reproduction of a piece of sculpture, the soldier; the soldier's life

Detail van het spiraalvormige gebeeldhouwde fries op de Zuil van Trajanus. Het fries toont de oorlogen tussen de Romeinen en de Daciërs. Verklarende nummers in de ondermarge. Prent maakt deel uit van een album.
Knife
Object type: knife
Date: 1902 – 1902
Materials: jade
Culture: french
Leven van Christus, evangeslisten en heiligen
Object type: print
Date: 1610 – 1676
Materials: paper
Techniques: woodcut
Artist: marx anton hannas
Artist role: print maker, publisher
Artist dates: 1600 – 1676
Subjects: after a three-day sojourn in the belly of the monster jonah is cast on dry land; jonah may be shown nude and bald-headed
Inscriptions: collector's mark: Lugt 2228
Schotel, beschilderd met het Krokus-decor
Object type: platter
Date: 1896 – 1896
Materials: porcelain
Techniques: painted
Location: meissen
Artist: konrad hentschel
Inscriptions: model number: ‘71’, factory mark, mark: ‘71’

Parts of a coffee service. Porcelain. Meissen, Königlich Sächsische Porzellanmanufaktur, 1896, designed by Julius Konrad Hentschel.
Helene, Wilfried en zijn moeder
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: steel etching
Location: amsterdam
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: one person praying
Inscriptions: collector's mark: Lugt 2228, inscription: ‘2de st’

Helene, Wilfried, zijn moeder en een vierde persoon zijn bijeen gekomen en bidden. Illustratie van een scène uit een boek met gedichten genaamd 'Helene'.