deem-data/ArtiFact huggingface dataset:
Portret van Dirk Janszoon de Graeff
Object type: print
Date: 1749 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent is oorspronkelijk bedoeld als aanvulling op Jan Wagenaars ‘Vaderlandsche historie’* en was zo vanaf 1796 verkrijgbaar bij Johannes Allart te Amsterdam.

Voor de advertentie waarin Allart de 60 portretten en 7 platen, allen gegraveerd door Houbraken, ter aanvulling op Wagenaars ‘Vaderlandsche historie’ aanbiedt, zie RP-P-OB-77.766.

*Van dit werk zijn in de achttiende eeuw meerdere uitgaves verschenen, zoals:

Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 delen. Amsterdam: Isaak Tirion, 1749-1759.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: weduwe Isaak Tirion, 1770.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam, Leiden, Dordrecht en Harlingen: P. Schouten e.a., 1782.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: Johannes Allart, 1790-1796.
Coat of arms
Object type: coat of arm
Date: 1601 – 1700
Materials: metal thread, silk
Subjects: coat of arms
Mirror with floral patterns
Object type: mirror
Date: 701 – 800
Materials: bronze
Culture: chinese
Gen. Grant giving order to Gen. McPherson, from the series "The Chicago Panorama of the Battle of Shiloh"
Object type: photograph
Date: 1887 – 1887
Techniques: albumen print
Location: chicago
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Beleg van La Rochelle, september 1627-oktober 1628 (randwerk, deel middenonder)
Object type: history print
Date: 1628 – 1631
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: gaston jean-baptiste hertog van orléans, historical persons, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 240

Zestiende deel (randwerk, deel middenonder) van een prent van het beleg van het hugenotenbolwerk La Rochelle in de jaren 1627 en 1628, dat werd uitgevoerd in opdracht van de Franse koning door het Franse leger onder aanvoering van kardinaal Richelieu. Op dit blad een portret van de broer van Lodewijk XIII, Gaston, in ovaal met randschrift, omgeven door een kroon en militaire attributen.
Gezicht op Swan Island in Loch Lomond
Object type: stereograph
Date: 1858 – 1872
Materials: cardboard, photographic support
Techniques: albumen print
Location: loch lomond
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: island, lake
Inscriptions: number: ‘No. 834.’
Bowl
Object type: bowl
Date: 1800 – 1800
Materials: enamel, porcelain
Culture: japanese
Rectangular tray with fish chime, treasures, and clouds
Object type: tray
Date: 1736 – 1795
Materials: gold, lacquer
Techniques: engraving, polychrome
Culture: chinese
Subjects: fish

The two fish on this tray are suspended from a pendant in the shape of an ancient stone chime, which represents wishes for happiness and abundance (yuqing). The twin fish is also one of the eight Buddhist treasures—the other seven are arranged in the foreground: a wheel, conch shell, umbrella, parasol, flower, jar, and double knot. Shown with bats and clouds, these symbols convey auspicious wishes beyond religious meaning.
Beker uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: cup
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Grafmonument van het echtpaar Cassiers in de kerk van Houthulst, België
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: houthulst
Subjects: niche-tomb, wall-tomb, interior of church
Inscriptions: number: ‘Pl. no XXXI.’
Technik der Lichtbildnerei
Object type: book
Date: 1921 – 1921
Materials: cardboard, paper, textile
Techniques: letterpress printing, rotogravure
Location: halle an der saale
Vase
Object type: vase
Date: 1701 – 1800
Materials: glaze, porcelain
Culture: chinese
A Pinch of Snuff Behind the Drop
Object type: print
Date: 1827 – 1827
Techniques: lithograph
Artist: carle vernet
Artist role: artist
Artist nationality: french
Artist dates: 1758 – 1836
Subjects: costumes,men,lions
Portret van Cornelia Hendrika Nije
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: baarn
Artist: gerardus george johannes mathijs frohn
Artist role: fotograaf
Artist dates: 1871 – 1910
Subjects: historical persons
Inscriptions: annotation: ‘[...] Mevr. J.G. Jonker-Nije’
Koninklijk Paleis op de Dam met op de voorgrond een man
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: collodion silver print
Location: dam
Artist: Anonymous
Subjects: palace, royal palace of amsterdam

Onderdeel van Fotoalbum met 35 foto's van Amsterdam, personen en dieren.
Boer leunend op onderdeur
Object type: print
Date: 1651 – 1655
Materials: paper
Techniques: etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: divided door, upper part opened, male sex; man
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 514, collector's mark: Lugt 2228a

op verso onjuist inventarisnummer vermeld
Harpoon
Object type: harpoon
Date: 1500 – 500
Materials: copper
Culture: indian
Tapisserie de la Reine Mathilde - Bayeux / The Queen Mathilda tapestry
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1932
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: paris
Artist: Anonymous
Subjects: permanent exhibition, museum, tapestry
Inscriptions: collector's mark: ‘AFE v S’
Saint Anthony of Padua (recto); Standing Monk (verso)
Object type: drawing and watercolor
Date: 1540 – 1575
Materials: chalk, charcoal, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: circle of stefano dall' arzere
Inscriptions: Recto: Inscribed recto, lower left, in pen and brown ink: "Stefano dall'Arzere"; verso, lower left. in graphite: "24. Aple 1832"
Général Dufour, commandant en chef de l'armée fedérale accompagné de son état Major
Object type: print
Date: 1811 – 1870
Materials: paper
Techniques: lithograph
Subjects: riding a horse, ass, or mule; rider, horseman, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Portretten van generaal Guillaume Henri Dufour, De Linden, Pfander, Gatschet, Fischer, Friedrich Frey-Herosé, de Gross, d'Orelli, Louis Denzler, Zimmerli, Frey, Herosé, Hussy, d'Orelli, Scherrer en Arnd. Grossman.
Studies for Figures of Five Angels
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, drawing, wash
Artist: anonymous, spanish, school of seville, 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1600 – 1700
Subjects: angels
Paleis van Tunis
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: chromolithography
Location: amsterdam
Artist: Anonymous
Subjects: world fair, world exhibition, amsterdam

Het Paleis van Tunis op de Wereldtentoonstelling op het Museumplein te Amsterdam. Onderdeel van een groep van zestien platen en een plattegrond van de Wereldtentoonstelling in Amsterdam van 1 mei tot 1 oktober 1883. Uitgave van het Nieuws van den Dag.
Slippers
Object type: slipper
Date: 1800 – 1815
Materials: leather
Culture: british
Ambrose Powell Hill
Object type: photograph
Date: 1858 – 1858
Techniques: glass negative, salted paper print
Artist: mathew b. brady
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1823 – 1896
Subjects: men,portraits,profiles
Visit of Empress Marie Louise to the Mint. 1813.
Object type: medal
Date: 1801 – 1900
Materials: gilt bronze
Techniques: struck
Artist: bertrand andrieu
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1822

This medal was struck for the Metropolitan Museum of Art at the Paris Mint at the request of the donor, Hon. Levi P. Morton, formerly U.S. Minister to France.
Oil lamp in the form of a grotesque animal
Object type: oil lamp
Date: 1601 – 1700
Materials: bronze
Artist: andrea briosco, called riccio
Artist role: maker
Artist nationality: italian
Artist dates: 1470 – 1532

Bernard de Montfaucon illustrated an example of such an oil lamp as antique.[1] Many of the type exist but have not been studied, probably because they are not Italian. The sinuous creature somewhat calls to mind the salamander-like shapes that were a staple of French bronziers, but there is none resembling it by Barthélemy Prieur, who might otherwise be a candidate.[2] The creature is also formally reminiscent of the fantastic hybrid grotesques by the Amsterdam bronze master Arent van Bolten (fig. 187a).[3] -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. Montfaucon 1719–22, vol. 5, pl. 144, no. 2. 2. Regina Seelig-Teuwen in Bresc-Bautier et al. 2008, pp. 102–47. 3. See Scholten and Verber 2005, pp. 130–33, cats. 40, 41.
Die
Object type: die
Date: 1200 – 1200
Materials: ivory
Location: egypt
Subjects: dice
N Nouveau Dessin de Cheminée. Necessaire aux Menuisiers Sculpteurs et Tailleurs de Pierre Et a ceux qui Veullent se perfectionner dans le Dessin
Object type: ornament print
Date: 1759 – 1775
Materials: paper
Techniques: etching
Location: paris
Subjects: rocaille ornament, open hearth, fire-place
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent is onderdeel van een serie van vier. Prenten RP-P-2003-404 t/m 407 zijn aan elkaar gebonden.
Portret van Johan Huyssen van Kattendijke
Object type: print
Date: 1585 – 1630
Materials: paper
Techniques: engraving
Location: middelburg
Subjects: johan huyssen van kattendijke
Inscriptions: collector's mark: Lugt 2228

Het Huis met de Hoofden aan de Keizersgracht te Amsterdam.
Titelpagina voor: Halma, François. Het groot Fransch en Nederduitsch woordenboek (...)1761
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: jan wandelaar
Artist role: draughtsman, print maker
Artist dates: 1690 – 1759
Subjects: personifications of countries, nations, states, districts, etc., title-page
Inscriptions: collector's mark: Lugt 2228

In het midden zit de personificatie van de Oostenrijkse Nederlanden met een muurkroon en een vrijheidsstaf met hoed. Ze houdt een opengeslagen boek vast met de verkorte titel. Aan haar voeten ligt een leeuw met een pijlenbundel. Links achter haar bespeelt een vrouw een harp en schrijft een andere vrouw in een boek. Aan de andere kant van het opengeslagen boek zit de personificatie van Frankrijk met een kroon, een scepter en een haan aan haar voeten. Achter hen vliegt Mercurius met zijn caduceus, een envelop en een sleutel.
One Person, Six Expressions (Hitori rokumenso)
Object type: print
Date: 1884 – 1884
Techniques: woodblock print
Location: japan
Artist: kobayashi kiyochika
Artist role: artist
Artist nationality: japanese
Artist dates: 1847 – 1915
Palazzo Mancini te Rome
Object type: print
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: italy
Subjects: city-view, and landscape with man-made constructions, hôtel, i.e. small palace in city

Deze prent maakt deel uit van een reeks van 52 prenten met voorstellingen van paleizen in Rome. Samen met vier andere reeksen vormt het de grote reeks: 'Il nuovo teatro di Roma moderna'.
Platter
Object type: platter
Date: 1840 – 1854
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: william ridgway & co.
Artist role: maker
Artist nationality: british
Artist dates: 1834 – 1854
Subjects: buildings,landscapes
Krantenknipsel uit archief Philip Zilcken
Object type: newspaper clipping
Date: 1867 – 1930
Materials: paper
Techniques: printing
Artist: Anonymous
Subjects: baronne madeleine deslandes, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Sestertius (Coin) Portraying Empress Faustina
Object type: coin
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obv: DIVA FAVSTINA
Rev: AVGVSTA S C
Liefdespaar achter kamerscherm
Object type: print
Date: 1770 – 1775
Materials: paper
Techniques: woodcut
Location: japan
Artist: isoda kôryûsai
Artist role: print maker
Artist dates: 1735 – 1790
Subjects: coitus, cohabiting, sexual intercourse

Copulerend paar, liggend onder raam, op een futon; rechtsvoor een kamerscherm.
A Bacchanal: a satyr holds Silenus as he lies on a donkey's back and picks a leaf from a garland, two putti carry an amphora and a basket with grapes at left, and a faun carries a sack at right
Object type: print
Date: 1619 – 1619
Techniques: engraving
Artist: giovanni battista costantini
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1628
Subjects: grapes,bacchus,horses
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, draped figure and stick
Group of Blessed Souls: Study for the Last Judgment
Object type: drawing and watercolor
Date: 1576 – 1579
Materials: chalk, ink, paper
Techniques: brush, pen, drawing, wash
Location: italy
Artist: federico zuccaro (zuccari)
Artist role: artist
Artist nationality: italian
Artist dates: 1540 – 1609
Violinist: study from life
Object type: drawing
Date: 1851 – 1900
Materials: graphite
Artist: george du maurier
Artist role: artist
Artist nationality: british
Artist dates: 1834 – 1896
Subjects: men,violins
Annotaties
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘[...]/ N.C. Beetsstr. 4/ L.J. Neumeijer/ Looiersgr 60/ de Jong/ Brouwersgr. 68/ Achtergr. 46’, collector's mark: Lugt 2228

Pagina 1, voorste schutblad, uit een schetsboek met 8 bladen.
Hero en Leander omhelzen elkaar in het licht van de fakkel
Object type: print
Date: 1824 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Subjects: torch, (lovers) embracing each other, 'symplegma', (story of) hero and leander
Inscriptions: collector's mark: Lugt 2228a
Afternoon dress
Object type: afternoon dress
Date: 1845 – 1845
Materials: cotton, silk
Culture: american

The rustle of silk was a sound which epitomized elegance in the middle of the 19th century. This beautiful gown would have combined the visual appeal with the auditory appeal simply through its choice of taffeta. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.
Lazarus in Abrahams schoot en de rijke man in de hel
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: the rich man (dives) is feasting, while poor lazarus is starving at the gate (dogs licking lazarus' sores) (luke 16:19-31)
Inscriptions: collector's mark: Lugt 2228

Kopie van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 29.
S. Bruno, chartreux (St. Bruno, Carthusian Monk), October 6th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Een herder met koeien op de weg naar Waalsdorp
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228
Esemplario di Lauori..., page 12 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Location: venice
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573
Subjects: men,flowers

Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's brother), Italian, active 16th century. Reissued by Macmillan & Co., British, London and New York. From top to bottom, and left to right: Design decorated with diamonds, inside which are birds flanking a long flower, double-headed birds, and 4 other birds placed among the leaves and stumps of trees.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Interior, black glazed line from the tondo border; Exterior, part of a reserve band
Basin
Object type: basin
Date: 1301 – 1333
Materials: brass, silver
Techniques: inlay
Location: egypt

This large low basin is a familiar object produced by Mamluk metalworkers. Its decoration consists of inscriptional bands alternating with circular medallions. The Rasulid five-petaled rosette appears in the center of each of the six medallions. Three of the medallions contain an eulogy dedicated to the Rasulid sultan. The bold inscriptions in the elongated cartouches, which mention the name of the sultan, were copied in a less elegant thuluth than the inscriptions on the other objects dedicated to him (91.1.602, .605). The large medallion on the inside of the bowl is very finely carved and once was lavishly inlaid with silver. It is divided into sections by means of interlacing circles. All the sections are filled with peonies and alternating five-petaled and swirling rosettes against a botanical background. The center contains the same radial inscription that is in the smaller medallions on the exterior. Judging by its decoration, this bowl was probably produced toward the end of al-Mu'ayyad Dawud's reign.
S. Gervais et S. Protais, martyrs (St. Gervase and Protase, Martyrs), from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Middag: herdersfamilie rust met kudde
Object type: print
Date: 1660 – 1666
Materials: paper
Techniques: etching
Location: amsterdam
Artist: dancker danckerts
Artist role: print maker
Artist dates: 1633 – 1666
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., rocks
Inscriptions: collector's mark: Lugt 240

Herdersfamilie rust met kudde koeien bij bomen. Herderin zit met kind op schoot. Prent nummer 2 uit serie van vier prenten met tijden van de dag.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

On the wall, a pinax?; part of a herm to right
Bijeenkomst bij het graf van Albrecht Dürer
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: etching
Subjects: commemoration of an artist, horn, trumpet, cornet, trombone, tuba, mourning customs, churchyard, cemetery
Inscriptions: collector's mark: Lugt 2228

Ludwig Emil Grimm bezocht samen met beeldhouwer Werner Henschel het graf van Dürer op 6 april 1828, tijdens de herdenking van zijn 300e sterfte jaar. Waarschijnlijk zijn de twee kunstenaars links op de prent afgebeeld.
Heilige familie
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: engraving
Location: paris
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 240

Christus zit met Maria aan tafel en kijkt naar Jozef, die tegen een sokkel leunt. Door het venster een gezicht op een berglandschap. Op de sokkel een Franse tekst van tien regels.
The Tama River at Ide, Yamashiro Province
Object type: print
Date: 1766 – 1766
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women,servants

The poetry of place and place name has a long and evocative tradition in Japanese literature. Locations, celebrated sites called meisho, often evoked a season, a certain emotion or a famous historical or fictional event. The accumulated associations were so strong that a place name became a synedoche, an indispensable device for infusing the short poetic forms of Japan with broader meaning. Ukiyo-e artists, too, made use of such allusions, both to the place and its use in classical literature, to expand and to play upon meaning. The six Tamagawa ("Jewel Rivers")—Ide, Mishima (or Kinuta), Noji, Kōya, Chōfu and Noda—were a non-traditional meisho subject that became popular in the early eighteenth century as the theme for poetry, song and dance. Harunobu most likely drew inspiration for this print series from the use of the Jewel rivers theme in the haikai circles of his day. The Tamagawa in Ide, south of the old capital, Kyoto, is the river most frequently cited by the ancient poets and, over time and accumulated imagery, came to be associated with the kerria flower, horseback riding and frogs. Harunobu's courtesan and her two younger attendants ford the river, the graceful swirls of the current cool around their feet. The square cartouche contains a poem by Shunzei (Fujiwara Toshinari, 1114–1204) from the Shinkokin waka shu anthology: Uma tomete nao mizu kawan yamabuki no hana no tsuyu sofu Ide no tamagawa I stop my horse and have him drink for a time where the dew falls from the kerria flowers at the Tamagawa in Ide.
Bord van verguld zilver, met palmetrand. Op het plat het gegraveerde wapen Potemkin.
Object type: plate dish
Date: 1809 – 1819
Materials: silver
Techniques: gilding
Location: paris
Artist: Anonymous

Empire bord van verguld zilver. Omgeven door een palmetrand. In het plat het gegraveerde wapen van Potemkin.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three parts of feet type C, outer face is profiled