deem-data/ArtiFact huggingface dataset:
S. Juste, soldat (St. Justus, Soldier), July 14th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Piccadilly Circus, London
Object type: photomechanical print
Date: 1902 – 1930
Materials: cardboard
Techniques: photograph
Location: great britain
Subjects: square, place, circus, etc., monument, statue
Cup
Object type: cup
Date: 664 – 332
Materials: faience
Location: egypt
Fotoreproductie van een prent naar een schilderij door William Miller, voorstellend een scene uit Hendrik VI, deel 3 door William Shakespeare
Object type: page
Date: 1854 – 1867
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. LX. 239’

Te zien is akte IV, scene 5 met koning Edward en een jager in een park.
St Bonaventure
Object type: painting
Date: 1490 – 1490
Materials: oil, panel
Artist: girolamo da treviso i
Artist role: painter
Artist dates: 1450 – 1497
Subjects: bonaventura, cardinal bishop of albano and minister general of the franciscan order; possible attributes: book, cardinal's hat (sometimes hanging from a tree), crucifix (sometimes flowering)

De heilige Bonaventura. Halffiguur met boek in de linkerhand en opgestoken rechterhand.
Huizen aan het water
Object type: print
Date: 1878 – 1938
Materials: paper
Techniques: etching, intaglio
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), housing
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Theatrum praecipuarum urbium ducatus Brabantiae necnon comitatuum Flandriae et Zelandiae
Object type: album leaf
Date: 1657 – 1657
Materials: paper
Techniques: etching, hand coloring
Subjects: city-view, and landscape with man-made constructions, 'en route', traveller under way, ghent

Gezicht op de stad Gent met op de voorgrond onder meer enkele ruiters en een huifkar. De prent maakt deel uit van een album.
Vulcanus
Object type: print
Date: 1647 – 1714
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: (story of) vulcan (hephaestus)

Deze prent is een anonieme kopie naar de originele prent van Sébastien Leclerc.
7. Doofheid of de Twee Waereld-Zaagers
Object type: cartoon
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: lodewijk xiv (koning van frankrijk), madame de maintenon, filips v (koning van spanje), urination, political caricatures and satires

Spotprent op Lodewijk XIV en Filips V die met een grote zaag de wereld in tweeën proberen te zagen. Bovenop de wereldbol zit Madame de Maintenon die op de zaag plast om het blad te smeren. Op de voorgrond een duivel met kardinaalshoed van Portocarrero. In de plaat 3 kolommen in het Nederlands, op het blad om de plaat 2 kolommen in het Frans. Blad nr. 7 (genummerd rechtsboven) in de serie van 25 bladen getiteld: Byvoegsel tot de Koninglyke Almanach, genaamd het Gulde-Jaar der Bondgenooten, 1706. Onderdeel van het prentwerk uitgegeven onder de verzameltitel: 't Lust-Hof van Momus, met de gebundelde series van spotprenten tijdens de jaren 1701-1713 van de Spaanse Successieoorlog.
Seascape with Breaking Waves (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: seascapes,waves

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
St. Andrew
Object type: drawing
Date: 1601 – 1700
Materials: charcoal, paper
Artist: juan carreño de miranda
Artist role: artist
Artist nationality: spanish
Artist dates: 1614 – 1685
Subjects: men,saints
Ex libris van Ludovico de Gobbis
Object type: bookplate
Date: 1904 – 1977
Materials: paper
Techniques: woodcut
Location: venice
Artist: alberto zanverdiani
Artist role: print maker
Artist dates: 1894 – 1977
Subjects: (story of) mercury (hermes), ex-libris, ships (in general)

Cartouche met een schip en Mercurius in een strijdwagen getrokken door twee adelaars. Daarbij een banderol met het motto: Je fus sage je fus fou. Het geheel in een ornamentele rand met links een man met drie korenhalmen en rechts een man met twee maïsstengels. Onderaan het monogram VdG. De ex-libris is geplakt in een boek over de ontvangst van de Franse koning-moeder Maria de' Medici aan Engeland.
Portret van Jacob Thomasius
Object type: print
Date: 1665 – 1721
Materials: paper
Techniques: engraving
Subjects: jacob thomasius, historical persons
Inscriptions: collector's mark: Lugt 2228
The Arton Trial (third plate)
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Peasant Woman from Ingria (Ingermanland)
Object type: figure
Date: 1780 – 1800
Materials: hard paste porcelain
Artist: imperial porcelain manufactory, st. petersburg
Artist role: manufactory
Artist nationality: russian
Artist dates: 1744 – 9999
Subjects: women

About 1780 the Imperial factory began the production of a large series of figures depicting Russian national types, of which fourteen are represented in the Linsky Collection. Like most of the figures, this figure is modeled from engravings published by Johann Gottlieb Georghi in his Description if All the Peoples Inhabiting the Russian State (editions of 1774, 1776, and later). The authorship of the models themselves is not established, but some may be attributable to Jean-Dominique Rachette (1744–1809), chief modeler at the factory from 1779 to 1804.
Acht consoles
Object type: design drawing
Date: 1830 – 1850
Materials: graphite, paper
Location: paris
Portret van een onbekende vrouw met boek bij balustrade
Object type: photograph
Date: 1855 – 1879
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: félix-jacques moulin
Artist role: fotograaf
Artist dates: 1802 – 1879
Subjects: adult woman, anonymous historical person portrayed, paris
Inscriptions: inscription: ‘Atelier Photographique/ Moulin/ Rue Richer, 23, Paris’
Salver
Object type: salver
Date: 1729 – 1729
Materials: silver
Artist: jean-joseph giraud
Artist role: maker
Artist dates: 1677 – 1781
Cruet Stand
Object type: cruet stand
Date: 1796 – 1796
Materials: silver
Culture: american
Location: united states
Artist: joseph dubois
Artist role: maker
Artist nationality: american
Artist dates: 1767 – 1798
Bronze handle from a cista (toiletry box)
Object type: handle of a cista with youth
Date: 400 – 301
Materials: bronze
Culture: praenestine
Subjects: male nudes

These solid-cast handles depict a popular subject in Etruscan art, warriors carrying the body of a fallen comrade from the battlefield. In these two examples, all the figures are nude, but some handles show them wearing armor, and occasionally the carriers are given wings, indicating that they are the personifications of Sleep and Death.
Swiss scenes
Object type: piece
Date: 1820 – 1820
Materials: cotton
Subjects: animals,houses,men,women
Design for a Brooch with Jael Killing Sisera
Object type: print ornament architecture
Date: 1580 – 1600
Techniques: embroidery, engraving
Artist: johann theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1623
Subjects: jewelry,brooches

Design for a brooch with a circular scene showing Jael hammering a peg into the head of Sisera on a blackwork background at center. The scene is derived from a drawing by Lucas van Leyden. Three terminals emerge from the top, left and right of the central motif.
Reproductie van een foto van een portret van Stanislas Verwilghen
Object type: page
Date: 1853 – 1858
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: politician, stanislas jean françois verwilghen, historical persons
Inscriptions: inscription: ‘Représentant,/ Elu par l'arrondissement de Saint Nicolas.’
Aap dwingt een kat de kastanjes uit het vuur te halen
Object type: print
Date: 1834 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio, retroussage
Artist: charles verlat
Artist role: painter, print maker
Artist dates: 1824 – 1890
Subjects: cat, monkeys, apes, fables, fruits: chestnut
Inscriptions: collector's mark: Lugt 2228

De aap Bertrand haalt de kat Raton over kastanjes voor hem uit het vuur te halen. Hij belooft hem een deel, maar de aap eet alles zelf op. Fabel van Jean de La Fontaine "De aap en de kat".
George Lodewijk van Braunschweig en Lueneburg benoemd tot opperbevelhebber over het keizerlijke leger
Object type: history medal
Date: 1707 – 1707
Materials: silver
Techniques: striking
Location: nuremberg
Artist: philipp heinrich müller
Artist role: medailleur
Artist dates: 1654 – 1719
Subjects: george i (koning van groot-brittannië en ierland)
Stretcher from a console table from the Queen's bed chamber at Versailles
Object type: console
Date: 1730 – 1730
Materials: gilt, wood
Artist: jules degoullons
Artist role: maker
Artist nationality: french
Artist dates: 1671 – 1737
Subjects: children,dolphins

Louis XIV was succeeded in 1715 by his great-grandson Louis XV (1710–1774), then only five years old. During the eight years that Philippe II, due d'Orléans (1674–1723), served as regent (the Régence period), the court moved back to Paris, but in 1723, when the young king came of age, Versailles once again became the main royal residence. Two years later Louis XV married Marie Leszczynska (1703–1768), daughter of Stanislas I of Poland (r. 1704–9 and 1733–36), and she was given the quarters in the palace that had belonged to the queen consort of Louis XIV, Marie Thérèse (1638–1683). As part of the renovation of the queen's bed chamber after the birth of the dauphin in September 1729, a new pier glass and matching console table were made for the room by sculptors Jules Degoullons, Mathieu Legoupil (active 1714-35), and Jacques Verberckt (1704–1771) following Robert de Cotte's designs. The mirror, incorporating a portrait of the queen's father and surmounted by the Polish crown, is still in the room today. The matching table was removed in 1786 when the bedchamber was refurbished for Marie Antoinette. In a detailed memorandum of 1730 the sculptors described their work with such precision that French scholar Pierre Verlet was able to establish that a fragment in the Museum's collection formed part of the table's stretcher, the only element that appears to have survived. A drawing made about 1735 showing the elevation of the window wall in the queen's bedroom includes the mirror and the outline of the table. The unusually wide table was supported on three cabriolet legs. Part of the center leg is still visible on the plinth, and tenons on either end indicate where the other two legs were originally attached. The rich carved decoration of foliage, palm leaves, and floral garlands complemented the ornamentation on the mirror above. For the carved elements the artists charged 850 livres, 350 livres of which was for the figural composition, a group of four children and two entwined dolphins that clearly referred to the recent birth of the dauphin. Standing near this table or even leaning against it, Marie Leszczynska held audiences with her subjects.
Portret van Pierre Louis Du Pont
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: dordrecht
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Graf van Arthur Rowley Heyland in Mont-Saint-Jean
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: brussels
Artist: h. gérard
Artist role: printer
Subjects: grave, tomb, waterloo
Inscriptions: date

Gezicht op het graf van de Britse militair Arthur Rowley Heyland in Mont-Saint-Jean bij Waterloo. Bij het omheinde graf staan vijf bezoekers. Rowley Heyland sneuvelde tijds de slag. Onderdeel van een album met twaalf platen met gezichten uit ca. 1840-1846 van de omgeving waar de slag bij Waterloo plaatsvond op 18 juni 1815. Genummerd rechtsboven: No. 4.
Piece
Object type: piece
Date: 1760 – 1770
Materials: silk
Subjects: flowers
Netsuke of Man with a Bag, Standing on a Block
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: men
Portret van Jan de Marre
Object type: print
Date: 1745 – 1750
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ornament ~ medallion, historical persons, portrait of a writer
Inscriptions: collector's mark: ‘Collectie/ Dr. J.G. de Lint.’
The Cow Pasture
Object type: print
Date: 1871 – 1871
Materials: paper
Techniques: printing, lithography
Location: france
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Korenveld met molen
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerardus emaus de micault
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: harvest
Inscriptions: collector's mark: Lugt 2228

Op een akker zijn drie mannen koren aan het maaien, waarna twee vrouwen de halmen in schoven bijeen binden. Op de achtergrond een molen en een dorp.
Oplegstuk van gehaakte kant imitatie grove Venetiaanse kant
Object type: oplegstuk
Date: 1890 – 1909
Materials: cotton
Techniques: crocheted lace, irish crochet lace
Location: ireland
Artist: Anonymous

Het is een aanname dat deze Ierse gehaakte kant ook daadwerkelijk in Ierland is gemaakt. Ierse gehaakte kant kent zijn oorsprong rond 1760 en kwam vanaf 1840 in ontwikkeling. Aangezien volgens Martine Bruggeman (Kant in Europa) de Ierse haakindustrie aan het eind van de 19e eeuw gereorganiseerd werd en in populariteit groeide, is het hier beschreven stuk gedateerd rond 1890, tot 1909 vanwege de datering in het eerste decennium van populariteit van Ierse gehaakte kant volgens het Kantlexicon (Johan Coene).
Man vraagt andere man om een vuurtje
Object type: cartoon
Date: 1842 – 1842
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: charles-joseph traviès
Artist role: print maker
Artist dates: 1804 – 1859
Subjects: adult man, tobacco
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Interior, band of linked circumscribed palmettes; Exterior, tail and hind legs of horse; below, band of palmettes alternately circumscribed
Whip Handle in the Shape of a Horse
Object type: whip handle, horse
Date: 1390 – 1352
Materials: gemstone, ivory, paint
Location: egypt
Subjects: horses

The horse was a relative latecomer to Egypt. It was introduced in the Second Intermediate period during the Hyksos domination of northern Egypt (ca. 1667–1570 B.C.E.), when new elements of warfare, notably the horse and chariot, were brought from the Near East. During the New Kingdom, this animal became a familiar sight, and there were many depictions of horses in art, particularly during the Amarna period. This small ivory handle of a light whip or fly whisk is carved in the form of a prancing or running horse stained reddish brown with a black mane. The eyes, one of which has fallen out, were inlaid with garnet. The lively carving of this piece, especially the gracefully arched back, typifies the ability of Egyptian artists to evoke the essential qualities of animals. It also exemplifies the fine quality attained in the decorative arts during the reign of Amenhotep III.
Gloves
Object type: glove
Date: 1800 – 1825
Materials: cotton
Culture: american
Gezicht op de schouwburg aan het Leidseplein te Amsterdam bij avond
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: hermanus schouten
Artist role: artist
Artist dates: 1714 – 1786
Subjects: theatre (building), city-gate, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Stijl, Simon. Amsterdam, in zyne geschiedenissen, voorregten, koophandel, gebouwen, kerkenstaat, schoolen, schutterye, gilden en regeeringe, beschreeven. Om te dienen ten vervolge op het werk van Jan Wagenaar (…). 10 dln. Amsterdam en Harlingen: Petrus Conradi en Folkert van der Plaats, 1788-1801.
Eerder is deze prent ook uitgegeven in diverse edities van de Atlas Fouquet, en later nog door Evert Maaskamp (1805).
Ruiter op een springend paard
Object type: print
Date: 1878 – 1938
Materials: paper
Techniques: woodcut
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: riding a horse, ass, or mule; rider, horseman
Inscriptions: number: ‘33’
Uitnodiging voor de begrafenis van Ludolf Bakhuysen
Object type: invitation
Materials: paper
Techniques: printing
Artist: w. doornick
Artist role: printer
Subjects: amsterdam, print maker, draughtsman, ludolf bakhuysen
Inscriptions: collector's mark: Lugt 2233
Studioportret van een jongetje met een houten paard bij een tafel
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: carl rensing
Artist role: fotograaf
Artist dates: 1826 – 1898
Terracotta fragment of a kylix: Lip cup (drinking cup)
Object type: kylix fragment
Date: 560 – 525
Materials: terracotta
Culture: greek, attic

Rim fragment from a lip cup; below, palmette frond?
Twee knotwilgen en boerderijen op de achtergrond
Object type: drawing
Date: 1897 – 1897
Materials: chalk, paper
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: trees
Inscriptions: date: ‘97’
Bediende toont twee baby's aan geschrokken vader
Object type: tissue stereograph
Date: 1855 – 1868
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Location: paris
Artist: florent grau
Artist role: manufacturer
Subjects: infant, baby
Inscriptions: inscription: ‘DÉPOSÉ A PARIS’
Stuccobeeld in Huis ter Meer te Maarssen, voorstellende het continent Azië
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: huis ter meer
Artist: Anonymous
Subjects: head-gear: turban, sculpture, incense-burner ~ scents, perfumes, interior ~ representation of a building
Inscriptions: annotation, inscription: ‘neg. no 15959 foto 22305’, inscription: ‘Maarsen, U <BR />Huis ter Meer. gesloopt Aug. 1903 Een der stucco beelden in de gang.’
Landschap met rustende reizigers bij een waterval
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: landscapes, waterfall, (traveller) resting in the open air
Inscriptions: collector's mark: Lugt 2228
Alto Saxhorn in B-flat
Object type: soprano saxhorn in b flat
Date: 1900 – 1900
Materials: brass
Culture: french
Location: france
Artist: gautrot aîné
Artist role: maker
Artist nationality: french
Artist dates: 1870 – 1884

This instrument was typical of the saxhorn form widely used in military and brass bands in a number of different sizes. It was one of many designs by Sax that Gautrot copied with little alteration. Gautrot was Sax’s most formidable rival and patent disputes embroiled them in multiple lawsuits.
Bacchus, Seated, Drinking from a Vase Presented by a Putto, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: putti,bacchus,drinking

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 149 in the scrapbook.
9me Cahier
Object type: print
Date: 1788 – 1810
Materials: paper
Techniques: aquatint, etching
Subjects: ornament ~ arabesque, vase ~ ornament
Inscriptions: collector's mark: Lugt 2228

Arabesken met een vaas met saters, eekhoorns, een tablet met figuren, twee vrouwelijke halffiguren met vleugels en een sfinx.
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: writing
Location: scheveningen
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van Bertha Teixeira de Mattos-Mendes
Object type: photograph
Date: 1890 – 1905
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Bertha Teixeira de Mattos/ née Mendes’, collector's mark: Lugt 2228
Bowl
Object type: bowl
Date: 1700 – 1720
Materials: hard paste porcelain
Alfabetische gids van emblemen
Object type: book
Date: 1881 – 1881
Materials: paper
Techniques: woodcut
Location: tokyo
Inscriptions: collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937

Zie RP-P-OB-JAP-48 voor een tweede exemplaar van dezelfde gids.
1593 / Prins Maurits voor Geertruidenberg
Object type: history print
Date: 1853 – 1855
Materials: paper
Techniques: tone lithography
Location: netherlands
Artist: Anonymous
Subjects: maurice (prince of orange), siege, position war, geertruidenberg

Gebruikt als illustratie in: J.H. Eichman & H. Altmann, Vaderlandsche historieplaten voor scholen en huisgezinnen, Leiden, 1855. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller.