deem-data/ArtiFact huggingface dataset:
Portrait of Carle Vernet
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: lithograph
Location: france
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Aansporing tot eendracht
Object type: jeton
Date: 1588 – 1588
Materials: copper
Techniques: striking
Location: hoorn
Artist: paulus van wtewael
Artist role: die cutter, draughtsman, print maker
Subjects: tachtigjarige oorlog
Inscriptions: circumscription: ‘TRAHITE AEQVO IVGO / 1588’, circumscription: ‘FRANGIMVR SI COLLIDIMVR’

Koperen penning. Voorzijde: span ossen voor ploeg binnen omschrift. Keerzijde: gezicht op stad Hoorn aan water, waarop twee potten drijven binnen omschrift.
Portret van een vrouw in een tuin of park
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: plants (in general), adult woman, historical persons, standing figure - aa - female human figure
Plate
Object type: plate
Date: 1763 – 1765
Materials: faience
Techniques: glazing
Artist: veuve perrin factory
Artist role: factory
Subjects: insects,flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Archibald McCall
Object type: painting, miniature
Date: 1755 – 1760
Materials: gold leaf, ivory, lead, watercolor
Culture: american
Artist: john hesselius
Artist role: artist
Artist nationality: american
Artist dates: 1728 – 1778
Subjects: men,portraits

The sitter (1727-1799) was a Philadelphia merchant and underwriter for the Insurance Company of North America.
Dan. de Lange
Object type: page
Date: 1888 – 1896
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: historical persons, portrait of a musician
Boerderij met hooischuur in Nieuw-Loosdrecht
Object type: print
Date: 1934 – 1934
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: trees (+ bare plant), horse, farm or solitary house in landscape, nieuw-loosdrecht
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2228

Op de voorgrond een schuit in een vaart, bomen met kale takken en een paard in een weiland. Rechts op de achtergrond een brug en het silhouet van een nederzetting met kerk.
Oudere man met snor, en loopstok en hoed in zijn handen, staand voor een gebouw, met begroeiing naast hem
Object type: photograph
Date: 1890 – 1940
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous

Oudere man met snor, en loopstok en hoed in zijn handen, staand voor een gebouw, met begroeiing naast hem.
Meisje in een raamkozijn
Object type: print
Date: 1826 – 1840
Materials: paper
Techniques: etching, engraving
Location: leipzig
Subjects: girl (child between toddler and youth)
Inscriptions: collector's mark: Lugt 2228
Vuursteen cavaleriepistool Staatse leger
Object type: flintlock pistol
Date: 1780 – 1790
Materials: brass, iron, wood
Techniques: printing, cutting, engraving
Location: culemborg
Inscriptions: : ‘B3’, : ‘AG’, mark: ‘HI of IH’, coat of arms: ‘DM’
Barrel
Object type: flower pot
Date: 1700 – 1750
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Fotoreproductie van een tekening van een kangoeroe
Object type: page
Date: 1863 – 1868
Materials: paper
Techniques: albumen print
Subjects: other mammals (with name), australia
Fox Head
Object type: ornament
Date: 501 – 700
Materials: copper, shell
Culture: moche
Location: peru
Subjects: foxes
Doos horend bij een bronzen penning
Object type: box
Date: 1874 – 1874
Materials: cardboard
Location: the hague
Artist: edouard louis geerts
Artist role: medailleur
Artist dates: 1846 – 1889
Subjects: brussels, willem iii (koning der nederlanden), netherlands

Rond kartonnen doosje. De binnenkant is gewatteerd. Deksel ontbreekt.
Noordbrabantse Maatschappij ter Bevordering van Nyverheid, Afdeling 's-Hertogenbosch
Object type: medal
Date: 1855 – 1855
Materials: bronze
Techniques: striking
Location: brussels
Artist: jean wurden
Artist role: medailleur
Artist dates: 1807 – 1874
Subjects: den bosch
Verenigde Oostindische Compagnie, kamer Amsterdam, brandspuitpenning
Object type: medal
Date: 1680 – 1799
Materials: brass
Techniques: casting
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: monogram van letters V, O en C. Keerzijde: brandspuit onder leeg cartouche binnen slangerond.
Venster met gordijnen
Object type: print
Date: 1895 – 1910
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Kruisvenster met gedrapeerde gordijnen in de Lodewijk XII-stijl. Prent uit 349e Livraison.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic

Chin, neck, and bent arms of a draped aulos player to right (aulos not preserved)
Coat
Object type: coat
Date: 1895 – 1905
Materials: cotton, silk, wool
Culture: american
Glass striped mosaic bowl fragment
Object type: fragment, striped mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment of thin-walled bowl. Translucent honey brown, blue, purple appearing opaque brick red, and opaque white. Applied vertical coil rim, with rounded top edge; straight side slanting downward. Rim in blue with white spiral thread; body decorated with mosaic pattern formed from bands slanting from top left to bottom right in combinations of brown, blue with white spiral thread, brown with white splashes, purple, and white. Pinprick bubbles; exterior polished, with pitting of surface bubbles; dulling and creamy weathering on interior and some iridescent weathering on edges.
Mug
Object type: mug
Date: 1825 – 1850
Materials: silver
Culture: american
Location: united states
Artist: jones, low and ball
Artist role: maker
Artist nationality: american
Artist dates: 1789 – 1889
Wolken
Object type: sketchbook leaf
Date: 1839 – 1872
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: clouds
Inscriptions: kleurnotitie, handgeschreven

Blad 44 verso uit een schetsboek met 73 bladen.
Heidelandschap
Object type: boekillustratie ontwerp
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: plants (in general), landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228a

Links van de voorstelling een decoratieve rand met een plant vermoedelijk een leeuwenbekje. Rechts een decoratieve rand met stralende zon en een vliegenvangertje.
Knife with Iron Blade and Hollow Handle
Object type: knife
Date: 1000 – 1
Materials: bronze, iron
Culture: chinese
Gezicht op de Hartenstraat te Amsterdam
Object type: sketchbook leaf
Date: 1885 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: civic architecture; edifices; dwellings, street
Inscriptions: annotation: ‘Hartenstraat.’

Gezien vanaf de brug over de Herengracht. Pagina 55 uit een schetsboek met 32 bladen.
La Mode Nouvelle, 12 novembre 1862, No. 448: Modes de la M.on Fournier (...)
Object type: fashion print
Date: 1862 – 1862
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: arranging flowers, coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes)
Inscriptions: caption: ‘Modes de la M.on Fournier, Herst successeur. - Ceinture régente de Mesd. de Vertus. 31.r. de la Chaussée d'Antin. - Lingerie de M.elles Noël soeurs.- Ceinture relève-jupe de la M.on Simon.183.r. S.t Honoré.- Fleurs de Chagot, 73.r. Richelieu. - Ganterie et Parfumerie de Godbout. - Chapeau de M.me Alexandrine,14.r. d'Antin. - Fournitures de Seuguot, 28,r. du Bac. - Foulards de la Malle des Indes. - Bijoux en cheveux de Lemonnier.’, title: ‘La Mode Nouvelle’, address: ‘63, rue S.te Anne.’

Twee vrouwen in een interieur, van wie één een boeket bloemen aan het schikken is. Onder de voorstelling enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift La Mode Nouvelle (1856-1862).
Triomftocht van Christus met figuren uit het Oude en Nieuwe Testament
Object type: print
Date: 1687 – 1694
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: the founder of the order of the carthusians, bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s), triumphs (allegorical and symbolic), founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata, the giant and martyr christophorus; possible attributes: palm-tree (with bunches of dates, or withered), infant christ
Inscriptions: collector's mark: Lugt 2228
Parts of a Service, Known as the ‘Swan Service’
Object type: eating drinking utensil
Date: 1739 – 1739
Materials: porcelain
Techniques: painted
Location: meissen
Artist: johann joachim kändler
Artist role: designer, sculptor
Artist dates: 1706 – 1775
Subjects: heinrich von brühl
Inscriptions: factory mark

These pieces are part of one of the most famous services produced by the Meissen Porcelain Factory. It was ordered by Count Heinrich von Brühl, a statesman and the factory’s director. Scenes of swans occur on almost every one of the more than 2200 parts. On display are a dish, a sauceboat, and the base of the plat-de-ménage (centrepiece). The large basket decorated with figures that stood on it has been lost.
Man met baard en baret
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head-gear, beard (+ male human being (not to be used where -a- is prescribed))

Blad 6 recto uit schetsboek VI met 33 bladen.
Dancer with a Sword
Object type: hanging scroll
Date: 1670 – 1670
Materials: ink, paper
Culture: japanese
Artist: unidentified
Artist role: artist
Subjects: swords,dancers

The dancer in fantastic costume creates a visual conundrum to anyone familiar with the history of Japanese dress. At first glance we would imagine this must be a male courtier wearing an eboshi (palace headgear) tied with elaborate red silk cords and donning ceremonial swords. Attached to the backside of the sash are ceremonial paper wand traditionally associated with Shinto rituals. Yet viewed in the history of performance, another interpretation unfolds. On one hand, the costume closely resembles that of female shirabyōshi performers of the early medieval times who cross-dressed in courtier robes for entertaining nobility with elegant dances and songs, and also sometimes serving as amorous companions. Yet this painting dates to the late seventeenth century, and captures the appearance of a female performer who performed otokomai, literally “manly dances.” Further visual confusion is caused because the hairstyle since, the upright topknot below the hat is a tonsorial style associated with male teenage performers generically referred to as wakashu, or “youths.” Thus the painting captures a fashionable type of performance of the second half of the seventeenth century of young women wearing anachronistic aristocratic fashion. The frisson of transvestite entertainment, poking fun at authority, and fabulous over-the-top fashion sensibility enjoyed widespread popularity both in private and public stages. An entire subgenre of genre painting, being produced parallel and simultaneously with paintings called Kanbun bijin, “beauties of the Kanbun period.” of the 1670s and 80s, which showed young women donning similarly gorgeous raiment. Such images of individual entertainers, male and female, against a blank background anticipated the genre of ukiyo-e paintings and prints that would emerge along with new forms of popular literature at the end of the seventeenth century.
Mannelijke bijeneter op een tak
Object type: print
Date: 1801 – 1806
Materials: paper
Techniques: engraving, etching, hand coloring, lithography
Location: paris
Subjects: birds
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit: F. Levaillant. Histoire naturelle des oiseaux de paradis. Parijs: Perlet Denné le jeune, 1801-1806.
Portret van keizer Frederik I Barbarossa
Object type: print
Date: 1549 – 1575
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: historical persons, ruler, sovereign

Prent gebruikt in: Giovio, Paolo. Elogia Virorum bellica virtute illustrium (...). Bazel: Peter Perna, 1575.
Portrait of a Man
Object type: painting
Date: 1693 – 1693
Materials: canvas, oil
Artist: hyacinthe rigaud
Artist role: artist
Artist nationality: french
Artist dates: 1659 – 1743
Subjects: men,portraits

This portrait comes from the last years that Rigaud accepted commissions from sitters of relatively modest social standing. He would soon paint almost exclusively for the court, including two of the most iconic portraits depicting Louis XIV. This distinguished man’s identity remains unknown, but the size and format were a way to purchase a work that included the features for which Rigaud was celebrated—the soft lighting, undulating curls, and shifting surface of shot silk—at a lesser cost.
Zeeuwse duit, 1769
Object type: coin
Date: 1769 – 1769
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: in rococo-lijst gekroond ovaal wapenschild van Zeeland. Keerzijde: in een rococo-versiering opschrift in drie regels, waarboven muntteken burcht tussen twee sterren en waaronder jaartal.
Brief aan Philip Zilcken
Object type: letter
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen, writing
Location: middlesex
Artist: Anonymous
Subjects: elbert jan van wisselingh, brussels, helène lambertine hauzeur, the hague, painter, draughtsman, philip zilcken, passions, emotions, affections, diseases
Inscriptions: watermark
Three Cases from a Set
Object type: case
Date: 1867 – 1900
Materials: metal thread, silk
Techniques: embroidery
Culture: chinese

These three cases are embroidered with bats, flowers, and some of the attributes of the Eight Daoist Immortals, such as the fan and the sword. The cylindrical case was used to hold a ring; the rectangular case, cards; and the case with a round opening, a watch.
George IV (1762–1830), When Prince of Wales
Object type: painting
Date: 1773 – 1839
Materials: canvas, oil
Artist: sir william beechey
Artist role: artist
Artist nationality: british
Artist dates: 1753 – 1839
Subjects: princes,men,portraits

This portrait of the prince wearing a uniform of the Tenth Light Dragoons and the star of the Order of the Garter is a version of Beechey's diploma work, which was presented to the Royal Academy in 1798. Another version, commisssioned by the sitter and probably painted in 1803, is in the British Royal Collection.
Portretten van Duitse mannen
Object type: print
Date: 1848 – 1849
Materials: paper
Techniques: lithograph
Location: frankfurt am main
Subjects: vienna, adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
Vogelkop (mogelijk een groenling of een appelvink)
Object type: print
Date: 1856 – 1935
Materials: paper
Techniques: engraving
Location: netherlands
Artist: evert schippers
Artist role: print maker
Artist dates: 1846 – 1935
Subjects: birds
Inscriptions: collector's mark: Lugt 2228
Sluitsteen met heilige Ursula Begijnhof in Amsterdam
Object type: print
Date: 1877 – 1894
Materials: paper
Techniques: lithograph
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: st. ursula protecting the eleven thousand virgins with her cloak, keystone ~ architecture, amsterdam
Inscriptions: collector's mark: Lugt 1641, stamp

Sluitsteen in de toegangspoort tot het Begijnhof op de Gedempte Begijnensloot. Genummerd midden boven: No. 1. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Uithangteekens, gevelstenen.
Hamaya of the Asahimaruya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"
Object type: print
Date: 1778 – 1780
Techniques: woodblock print
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Groep kinderen met een oude vrouw
Object type: drawing
Date: 1758 – 1808
Materials: ink, paper, pencil
Techniques: pen
Artist: christina chalon
Artist role: draughtsman, print maker
Artist dates: 1748 – 1808
Houthakker aangevallen door een beer
Object type: print
Date: 1860 – 1888
Materials: paper
Techniques: drypoint, etching, retroussage
Artist: charles verlat
Artist role: painter, print maker
Artist dates: 1824 – 1890
Subjects: animals threatening man, beasts of prey, predatory animals: bear
Inscriptions: collector's mark: Lugt 2228

Prent naar het schilderij van Charles Verlat getiteld "Strijd op het leven en dood".
[Stereograph of a Woman Wearing a Tiara and Tulle and Lace Dress, Seated Before a Mirror]
Object type: daguerreotype
Date: 1850 – 1859
Techniques: daguerreotype
Artist: bautain
Artist role: artist
Artist nationality: french
Subjects: portraits,women
Armor plate
Object type: armor
Date: 734 – 601
Materials: bronze
Culture: assyrian
Location: mesopotamia
Abklatsch van een krijttekening
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 43 uit een schetsboek met 44 bladen.
Fragment of a Bowl
Object type: ceramic fragment
Date: 1101 – 1300
Materials: stonepaste
Techniques: overglaze, painting
Location: iran
Subjects: horses
Ruitergevecht
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: etching
Location: netherlands
Subjects: riding a horse, ass, or mule; rider, horseman, battle, fighting in general
Inscriptions: collector's mark: Lugt 2228

Een gevecht tussen ruiters op een weg. Op de voorgrond een gevallen paard. Linksonder gemerkt: M.M.
Vijf eenheden, noodmunt uit Gulik, geslagen tijdens het beleg door Maurits, prins van Oranje-Nassau, vervaardigd door stuk te knippen uit bord of kom en bestempeld met het monogram van Rudolf II, Duits keizer
Object type: coin
Materials: silver
Techniques: striking
Location: gulik
Artist: Anonymous
Subjects: the hague, maurice (prince of orange), vienna, prague, rudolf ii van habsburg (duits keizer)
Zeilschip en een roeiboot op een rivier te Japan
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: japan
Subjects: sailing-ship, sailing-boat, river, rowing-boat, canoe, etc.
Historia Giddöni Sive folijn
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: woodcut
Location: antwerp
Subjects: garland, wreath
Inscriptions: inscription: ‘Historia Giddöni Sive folijn’

Ornamentele bloemenkrans met in het midden een handgeschreven titel. Prent maakt deel uit van een album.
Head of beared man (recto), Study of an apostle (verso)
Object type: drawing
Date: 1620 – 1660
Materials: chalk, paper
Techniques: highlighting
Artist: giacomo cavedone
Artist role: artist
Artist nationality: italian
Artist dates: 1577 – 1660
Edwin John "Ed" McKean, Shortstop, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Fotoreproductie van een geschilderd portret van Joseph Haydn door Carl Jaeger
Object type: reproduction
Date: 1870 – 1872
Materials: paper
Techniques: albumen print
Subjects: portrait of composer, picture, painting
Exposition Internationale Paris 1937
Object type: photograph
Date: 1937 – 1937
Materials: photographic support
Techniques: photography, writing
Location: boulogne-sur-seine
Artist: h. chipault
Artist role: publisher
Subjects: temporary exhibition, 'salon', paris
Inscriptions: postage stamp
Portret van een onbekende vrouw met een mand fruit op het hoofd
Object type: album leaf
Date: 1870 – 1880
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, container made of plant material other than wood: basket
The Dragon and the Bee
Object type: print
Date: 1514 – 1536
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Subjects: dragons,bees
Portret van een meisje met een wagen met pop
Object type: carte de visite
Date: 1890 – 1907
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: jean daniel matthieu
Artist role: fotograaf
Artist dates: 1865 – 1926
Subjects: historical persons - bb - woman, girl (child between toddler and youth), (playing with) dolls
Inscriptions: inscription: ‘Fotografie/ Artistique/ J. D. Matthieu/ Amsterdam/ Ceintuurbaan 167/ Atelier parterre./ Specialiteit in Vergrootingen.’
Boefjes
Object type: photomechanical print
Date: 1901 – 1906
Materials: paper
Techniques: photoaquatint
Location: netherlands
Subjects: boy (child between toddler and youth), child
Portret van Johann Valentin Andreae
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: theologian, historical persons, armorial bearing, heraldry
Maria met ingebakerd kind
Object type: print
Date: 1520 – 1520
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: mary sitting or enthroned, the christ-child in front of her, lying in her lap (or in front of her bosom), sometimes in pietà-posture
Inscriptions: collector's mark: Lugt 2228a

Mogelijk had deze prent oorspronkelijk het inventarisnummer RP-P-1877-A-33 (zie opmerking aldaar). Klinkert, C.
Portret van Clemens XIV
Object type: print
Date: 1736 – 1792
Materials: paper
Techniques: mezzotint
Location: augsburg
Artist: johann simon negges
Artist role: print maker
Artist dates: 1726 – 1792
Subjects: rome, historical persons, pope, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228