deem-data/ArtiFact huggingface dataset:
Stadsgezicht met een paard-en-wagen
Object type: drawing
Date: 1880 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: four-wheeled vehicle drawn by one animal, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven
Portret van Johannes Wesling
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni georgi
Artist role: print maker
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Moeder met kinderen bij kraam met speelgoed
Object type: print
Date: 1781 – 1799
Materials: paper
Techniques: etching
Subjects: (playing with) toys, mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Aangenaam Kinderschool, wed. J. Dóll (uitgever), eerste druk, Amsterdam 1781. Mogelijk uit tweede, derde of vierde druk en op basis daarvan datering periode 1781-1799. Prent naar tekening van Isaac van Haastert.
Sword Guard (<i>Tsuba</i>) Depicting Prawn (海老図鐔)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold alloy, silver alloy, gold, iron
Culture: japanese
Location: japan
Subjects: fish
& Baptizatus est a Joanne
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends
Inscriptions: collector's mark: Lugt 240

Christus wordt door Johannes de Doper in de Jordaan gedoopt. Boven Christus' hoofd verschijnen God en de Heilige Geest in de gedaante van een duif.
Zes voorstellingen met Brandenburgse oorlogsscènes
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: placing the corpse in the coffin, commander-in-chief, general, marshal, battle, firearms, war, death of human being
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Genealogischer Militairischer Calender auf das Jahr 1787 (...). S.l.s.n.s.a.
Hanging
Object type: hanging
Date: 1601 – 1800
Materials: cotton, silk
Subjects: flowers
Ioannes Deknatel
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: norden, joannes deknatel
Inscriptions: collector's mark: Lugt 240

Portret ten halven lijve van Joannes Deknatel op 58-jarige leeftijd voor een gordijn en een boekenkast. Voor hem een plint waarop een bijbel en waarop zijn naam en gegevens in twee regels in het Nederlands.
Vrouw kust een andere vrouw in haar nek
Object type: drawing
Date: 1912 – 1951
Materials: paint, ink, paper
Techniques: brush, pen
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: (verlaine, il baccio) specific works of literature (with author, title)

Ontwerp voor: Verlaine, Paul. Il Baccio, Baiser-Rose Trémiereau Jardin des Caresses. Onbekende uitgave.
Silver denarius of Brutus
Object type: denarius
Date: 54 – 54
Materials: silver
Culture: roman
Subjects: men,profiles,coins

LIBERTAS, head of Liberty/BRVTVS, Iunius Brutus (Consul in 509 B.C.) accompanied by lictors Rome
Wheellock Pistol
Object type: wheellock pistol
Date: 1560 – 1570
Materials: copper, gold, horn, steel, wood
Culture: german
Location: germany

The sheathing of the stock in plaques of gilt copper with raised strapwork ornament is highly unusal but recalls clock cases, powder flasks, and other decorative metal objects made in Augsburg.
Amulet Case
Object type: case
Date: 1601 – 1900
Materials: gold, stone
Culture: tibetan
Subjects: flowers
Afbeelding der Illuminatie voor het Huis van den Heere M.T. Peypers op 't Haringvliet te Rotterdam Op den 8 Maart 1788
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: william v (prince of orange), rotterdam, bonfire, fire-works (+ illumination, fire-works ~ festive activities)
Inscriptions: collector's mark: Lugt 2228

Illuminatie van de gevel van het huis van Matthias Theodorus Peypers aan het Haringvliet te Rotterdam, ter gelegenheid van de veertigste verjaardag van prins Willem V op 8 maart 1788. Op de gevel vijf chassinetten met allegorische voorstellingen.
Gouden fanam uit Tinnevelli  in India onder de Nayakas,1520-1736
Object type: gouden fanam
Date: 1520 – 1736
Materials: gold
Techniques: striking

Gouden munt. Voorzijde: aanziende godheid [?]. Keerzijde: versiering, waaronder drie rijen van elk vier stippen.
Twee oosterse mannen met tulbanden
Object type: sketchbook leaf
Date: 1899 – 1899
Materials: chalk, paper
Location: turkey
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, adult man, head-gear: turban
Inscriptions: kleurnotitie, handgechreven

Pagina 47 uit een schetsboek met 42 bladen.
De Nederlandse leeuw zoekt hulp bij Willem III, 1672
Object type: drawing
Date: 1672 – 1672
Materials: ink, parchment
Techniques: pen
Location: northern netherlands
Artist: monogrammist esb (tekenaar)
Artist role: draughtsman
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), battle (+ land forces)

Allegorische voorstelling uit 1672 met de Nederlandse leeuw bij een schild met het portret van Willem III. Bij het schild liggen andere delen van een wapenrusting en de Nederlandse pijlenbundel, als symbool van de eendracht der zeven Nederlandse provincies. In het omringende landschap woedt de oorlog. De leeuw is gekopieerd naar een prent van Abraham Blooteling.
Kardinaal Cristoforo Madruzzo, bisschop van Trente en Brixen
Object type: copy
Date: 1544 – 1544
Materials: bronze
Techniques: casting
Artist: Anonymous
Subjects: kardinaal, cristoforo madruzzo

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gezicht op haven, beschenen door zon, die in water wordt weerkaatst; op voorgrond rechts op heuvel: stanbeeld dat naar zon wijst
Egyptenaren op een straat in Luxor
Object type: sketchbook leaf
Date: 1919 – 1919
Materials: chalk, paper
Location: luxor
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: africans, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

De mannen zitten en staan op een stoep. Eén van hen draagt een dienblad. Pagina 2 uit een schetsboek met 28 bladen.
Knotwilg aan het water
Object type: drawing
Date: 1872 – 1939
Materials: chalk, paper
Artist: egbert rubertus derk schaap
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1939
Subjects: trees: pollard willow, small canal, ditch
Heilige Tomas in een rolwerk omlijsting
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: the apostle thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones, scrollwork, strapwork ~ ornament, death of thomas: he is brought out of the city by four soldiers, who kill him with their lances
Inscriptions: collector's mark: Lugt 240, number: ‘87’, collector's mark: Lugt 2228

Prent gebruikt voor het gebedenboek: Solis, Virgil. Ein New Künstlich Betbüchlein. Neurenberg: Hieronymus Petri, 1568. Bij elke prent met afbeelding van een apostel behoort een prent met een gebed in het Latijn en in het Duits. Bij elkaar horende prenten hebben dezelfde nummering en het monogram VS is steeds verspreid over twee bladen met dezelfde nummering.
143. Copper Ore Vessel, Swansea
Object type: photograph
Date: 1846 – 1846
Materials: paper
Techniques: salted paper print
Location: england
Artist: rev. calvert r. jones
Artist nationality: welsh
Artist dates: 1804 – 1877
Foto van televisiebeeldscherm, Carel Willink werkend aan het schilderij 'Evenwicht der krachten' (1963), waarschijnlijk tijdens de uitzending van de film 'Carel Willink' door Helène van Zijl, Lies Westenburg en Hans Redeker (1963)
Object type: photograph
Date: 1963 – 1963
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: television, television broadcasting
Inscriptions: stamp: ‘FOTO E. VAN MOERKERKEN / COPYRIGHT / E. VAN MOERKERKEN / AMSTERDAM / No.’
Portret van Jacob Cats
Object type: print
Date: 1861 – 1863
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: the hague, jacob cats (1577-1660)
Inscriptions: collector's mark: Lugt 2228

Illustratie in: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. 5 delen, Amsterdam: Schleijer, J.F. 1840-1884, dl. 3.4, p. 198.
Straatgezicht in Payakumbuh met langs de kant van de weg een onbekend echtpaar met baby, een baboe en bediende
Object type: photograph
Date: 1891 – 1912
Materials: paper
Techniques: albumen print
Location: payakumbuh
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: baby-sitter, trees: palm-tree, house personnel, servants, street (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Pajacombo’
Gold ring with intaglio of seated woman and flying Eros
Object type: ring with eros
Date: 450 – 401
Materials: gold
Culture: greek
Subjects: women,eros

The bezel of this ring has an exquisitely detailed intaglio of a woman approached by Eros. The woman is seated on a stool, one turned leg of which is visible. Her hair is bound up in a netlike sakkos. She wears earrings, a necklace, and, on her right wrist, a double bracelet. A belted chiton covers her upper arms, and a himation is bunched around her waist, covering her legs. The fabric's folds are rendered in parallel ridges, organized to clarify the direction of the drapery as well as to reveal the forms of the body. The woman holds a frond in her right hand. Eros flies up toward her face, touching her right shoulder with one hand and raising a wreath to her head with the other. Such a scene was fairly common on this type of ring, which was made to be decorative rather than to serve primarily as a signet. Both the subject and the rendering are also closely related to the work of contemporary Attic vase painters, who often showed Eros with either Aphrodite or a bride being prepared for her nuptials. The composition of the figures together with the fine details and the impression of sculptural weight make this a diminutive masterpiece of the high Classical period.
Graftombe van Laevinus Torrentius
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: ghent, brussels, laevinus torrentius, archbishop, bishop, etc. (roman catholic), grave-building, monumental tomb

Linksboven handgeschreven genummerd: pag. 129.
Rue Transnonain, le 15 avril 1834
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Subjects: murder, the corpse, revolution, revolt, massacre ~ war

Prent gepubliceerd in: L'Association mensuelle, juni 1834, pl. 24.
At an Old English Eating House
Object type: drawing and watercolor
Materials: graphite, ink, paint, paper, watercolor
Techniques: brush, pen
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Bronzen olielamp op een piëdestal in het Museo Nazionale te Napels
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: naples
Artist: Anonymous
Subjects: oil-lamp, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: inscription: ‘Grieksche Kunst.<BR />Bronzen lamp voor twee lichten op voetstuk in het Nationaal museum te Napels.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS<BR />AMSTERDAM<BR />FRANS HALSSTRAAT 14.’, inscription: ‘CWN.’, collector's mark: ‘INSTITUUT VOOR KUNST-<BR />NIJVERHEIDSONDERWIJS<BR />GABRIËL METSUSTRAAT No. 16.<BR />AMSTERDAM’
Le petit Canon
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: children's games and plays, firearms: cannon
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Arrowhead (<i>Yanone</i>)
Object type: arrowhead i yanone i
Date: 1501 – 1900
Materials: steel
Culture: japanese
Location: japan

Although today Japanese warriors are renowned most for their swordsmanship, archery, especially from horseback, has been an essential part of samurai warfare and culture for centuries. Arrows were fitted with heads of varying shape according to their intended use in war, the hunt, or target practice. This arrowhead and others like it also in the Metropolitan Museum's collection (acc. nos. 32.75.489, .494, .503, .506, .562, .586, .591, .614, .657, .658, .659) were made for use on the battlefield, with different designs intended for specialized purposes such as the piercing of armor or to cause maximum damage to horses and unarmored personnel. On the other hand, highly elaborate examples (acc. nos. 32.75.318, .321, .327, .330, .334, .337, .339, .340, .398, .399, .403, .406, .409, 36.25.2616) were made as gifts or for ceremonial purposes. This arrowhead combines the lance-head shape (togari-ya) with the "bird’s tongue" shape (torijita).
Copper alloy dagger blade
Object type: dagger
Date: 2200 – 1800
Materials: bronze
Culture: cypriot

Leaf-shaped blade with tang and two rivet-holes in base of blade.
Spijker afkomstig uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: nagel, spijker
Date: 1700 – 1743
Materials: iron
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)
Ollio pot with cover and stand
Object type: ollio pot with cover and stand
Date: 1725 – 1725
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: men,dragons
Schotelfragment van aardewerk voorzien van loodglazuur aan de achterzijde en tinglazuur met blauwe decoratie met een dier aan de voorzijde
Object type: sherd
Date: 1600 – 1620
Materials: earthenware
Location: northern netherlands
Artist: Anonymous
Bierbeschooiersgilde van Amsterdam, gildepenning van Pieter van der Meulen
Object type: medal
Date: 1687 – 1687
Materials: copper
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Guilds were urban organisations of people in specific occupations. The guild represented the interests of the profession. Each member had a token as proof of membership. The person’s name was engraved on one side of the token, often together with the arms of the guild or of the city in which it was based. The other side carried a motif signifying the occupation represented by the guild.
Honeysuckle
Object type: furnishing textile
Materials: linen
Artist: william morris
Artist role: designer
Artist nationality: british
Artist dates: 1834 – 1896
Subjects: flowers
Figuren in historisch kostuum
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, adult man, historical costume

Mogelijk kostuums voor een theaterstuk. Pagina 12 uit een schetsboek met 58 bladen.
Portret van een astronoom
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: astronomy (and cosmography) (+ portrait of scholar, scientist), astronomical instruments
Inscriptions: collector's mark: Lugt 240

Portret van een astronoom. Op de achtergrond sterren, de maan en een hemelglobe (armillarium). Linksboven zijn geboortejaar.
Ceremonial Knife (Tumi)
Object type: knife
Date: 601 – 1500
Materials: copper
Culture: peruvian
Location: peru
Ruiterportret van Nero, keizer van het Romeinse Rijk
Object type: print
Date: 1595 – 1596
Materials: paper
Techniques: etching
Location: rome
Subjects: (story of) nero, the roman emperor - portrait of person from classical history, historical persons, equestrian statue
Grand Temple d'Isis à Philoe, Proscynéma (Acte d'Adoration); Nubie, plate 75 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Staand studioportret van Carolina Frederika Holle
Object type: photograph
Date: 1860 – 1889
Materials: photographic support
Techniques: photography
Artist: Anonymous
Subjects: amsterdam, carolina frederika van den berg-holle
Inscriptions: name: ‘C.F. van den Berg- / Holle’
Scènes et types - La prière au désert
Object type: photomechanical print
Date: 1907 – 1930
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: paris
Artist: Anonymous
Subjects: hoofed animals: camel, desert, one person praying
London. St. Paul's Cathedral from the River
Object type: reproduction
Date: 1903 – 1909
Materials: cardboard
Techniques: autotype
Location: england
Subjects: church (exterior), canals, waters (in city), thames
The Madonna Adoring the Child, with an Angel
Object type: drawing
Date: 1501 – 1533
Materials: chalk, ink
Techniques: pen, drawing
Artist: lorenzo di credi (lorenzo d'andrea d'oderigo)
Artist role: artist
Artist nationality: italian
Artist dates: 1456 – 1536
Subjects: angels,madonna and child

Similar compositions frequently appear in painted roundels (tondi) attributed to Lorenzo di Credi and his circle, including an example in the Metropolitan Museum (09.197), which differs in its inclusion of Saint John the Baptist. It is uncertain whether this drawing was a preparatory study for a painting or was derived from a finished work.
Het oordeel van Salomo
Object type: print
Date: 1530 – 1540
Materials: paper
Techniques: etching
Location: low countries
Artist: monogrammist saf
Artist role: print maker
Subjects: solomon indicates the true mother
Inscriptions: collector's mark: Lugt 2228

Binnen cirkelvormige ruimte met zuilen zit Salomo op troon en wijst met staf. Voor hem geknield twee moeders. De goede moeder wijst naar de slechte moeder die kind bij zich heeft. Beul met zwaard geheven houdt ander kind vast.
Portret van een man en vrouw
Object type: photograph
Date: 1867 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: historical persons not known by name - bb - woman, historical persons not known by name
Inscriptions: inscription: ‘Photographisch Etablissement/ C. Stapert & van Caspel./ Bloemgracht D.D.43/ Amsterdam’
Tablā
Object type: tablā
Date: 1867 – 1900
Materials: skin, wood
Culture: indian, north
Location: india

The tablā, a cylindrical handdrum and bāyā, a kettle drum are performed together as a set of drums used to accompany the classical music and dance traditions of North India. Modern tablā sets usually feature smaller right-hand drums (tablā) made of wood and much larger left-hand drums (bāyā) made of clay or metal. During the nineteenth century the two drums were much closer in size than they are today. The development of the tablā in 18th and early 19th century corresponds with the development of the modern sitār and sarod and the gaining popularity of new genres of music and dance.
XIe Station. Jésus est cloué sur la croix. Cette station se trouve placée au pied même de l'autel.
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: louis de clercq
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1901
Subjects: altars,cross,lamps
Pa si
Object type: cloth
Date: 1900 – 1949
Materials: silk
Techniques: weave
Location: thailand
Artist: Anonymous
Galloon
Object type: galloon
Date: 1801 – 1900
Materials: metal thread, silk
Landscapes, Flowers and Birds
Object type: album
Materials: ink, paper
Techniques: painting
Culture: chinese
Artist: xiang shengmo
Artist role: artist
Artist nationality: chinese
Artist dates: 1597 – 1658
Subjects: birds,flowers,landscapes

Xiang Shengmo enjoyed two significant advantages in his early years as a painter. First, his grandfather Xiang Yuanbian possessed the greatest collection of old masterworks in the realm. Second, Dong Qichang, whose theories were so influential in seventeenth-century art circles, served for a period of time as a tutor in his home, and Xiang maintained a friendship with the elder painter. With this unusual background, Xiang achieved an exceptional range, as is evident from this diverse album of landscape and flower subjects.
Spotprenten uit 'De Amsterdammer' van het jaar 1896
Object type: cartoon
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: political caricatures and satires

Bundel van 61 spotprenten van Braakensiek gepubliceerd als bijvoegsel bij 'De Amsterdammer' in het jaar 1896. Met ook enkele portretten. Bundel geplakt in slappe omslag van grijsgroen karton met handgeschreven etiket '1896'.
Bird on a Branch
Object type: hanging scroll
Date: 1535 – 1535
Materials: ink, paper
Culture: japanese
Artist: unkei eii
Artist role: artist
Artist nationality: japanese
Artist dates: 1500 – 1549
Subjects: birds

This work features dry and spontaneous brushwork that captures the moment a small bird (a titmouse) has alighted on a wizened branch. The brusque calligraphy by Daitokuji temple prelate Daiko Shōkaku cites a verse by the well-known Zen monk-poet Son’an (Kisei Reigen, 1402–1488). The poem reads: In the forest, when evening comes birds retire and nest together. Coupled birds remain in flight, their joined wings letting them soar, not looking for a place to spend the night. —Translation after Miyeko Murase
Maanden van het jaar
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: standing figure, the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months', garden, standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Portret van Pietro Vettori
Object type: print
Date: 1574 – 1574
Materials: paper
Techniques: engraving
Location: rome
Subjects: filoloog, humanist, piero vettòri
Inscriptions: collector's mark: Lugt 2228

Portret van Pietro Vettori op 80-jarige leeftijd, in ovaal met randschrift.
St. Georges Church, Preston
Object type: page
Date: 1884 – 1889
Materials: paper
Techniques: photolithography
Location: preston
Artist: Anonymous
Subjects: interior of church
Inscriptions: inscription: ‘MESSrs Garlick & Sykes, Architect’

Prent op zesde ongenummerde pagina na pagina 90.
Wonzeradeel de seste grietenije van Wester goo (...)
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), (story of) ceres (demeter), triton(s), maps of separate countries or regions
Inscriptions: label: ‘264’, collector's mark: Lugt 195, collector's mark: Lugt 2228

Linksboven titelcartouche met de wapens van Wonseradeel en Bolsward, daaromheen twee tritons. Rechtsboven legenda, rechtsonder cartouche met bestuurlijke informatie over de grietenij, daaromheen het wapen van grietman jonker Tjaard van Aylva, drie putti, vee en Ceres. Daaronder een schaalstok: Maat van konings roeden van 1200 in een uire gaans, welker 1000 maaken een halve gemeene Duytsche myle van 15 in een graad.
Union Internationale de Photographie - Excursion au Mont Salève
Object type: photomechanical print
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Cosmetic tool
Object type: cosmetic tool
Date: 1295 – 1070
Materials: bronze, copper alloy
Location: egypt