deem-data/ArtiFact huggingface dataset:
Kunsten presenteren boek aan gekroonde vrouw
Object type: print
Date: 1692 – 1692
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: crown (symbol of sovereignty), book - mm - book open, symbolic representations, allegories and emblems ~ art; 'arte' (ripa)
Inscriptions: collector's mark: Lugt 2228

Vier vrouwelijke personificaties van de kunsten met een kapiteel, een buste, een schilderspalet en meetinstrumenten presenteren een boek aan een vrouw met kroon en scepter rechts. Achter haar zit een vrouw met een lauwerkrans en hoorn des overvloeds. In de achtergrond de triomfboog op de Place de la Nation en de oostelijke façade van het Louvre te Parijs, beiden ontworpen door Claude Perrault. De prent is een kopie naar de titelpagina voor Les dix livres d'architecture de Vitruve (1673) van Perrault.
The Homeopaths: First Treatment (plate 4)
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Two Men Wearing Brown Coats, also Straw Hats with Brown Bows
Object type: woodblock print
Date: 1776 – 1878
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: men
De Beurs Zo als dezelve zig, by den eersten Opbouw, in 't jaar 1611, vertoonde
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: stock exchange, stock-market, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Gezicht in vogelvlucht en gezicht op de Beurs van Hendrik de Keyser op het Rokin te Amsterdam, in de situatie in 1611. Boven in het midden de titelcartouche. Links onder het gezicht in vogelvlucht de legenda 1-4. Rechtsboven gemerkt: I. Stuk Bladz. 424. Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart: Beurs op het Rokin.
Gezicht op het Sint-Bernardusgesticht te Amsterdam
Object type: photomechanical print
Date: 1915 – 1915
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), old-people's home
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: II. Kerkelijke inrichtingen: Inrichtingen der Roomsch-Katholieken.
Fragment of a Bowl
Object type: fragment
Date: 801 – 1000
Materials: alabaster
Techniques: carving, painting
Location: nishapur
Brief aan onbekend
Object type: letter
Date: 1845 – 1845
Materials: ink, paper
Techniques: pen, writing
Location: rotterdam
Artist: ary johannes lamme
Artist role: draughtsman, print maker
Artist dates: 1812 – 1900
Subjects: abraham van strij (i)
Queen of Spades, The German, from Harlequin Cards, 2nd Series (N220) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the "Harlequin Cards, 2nd Series" (N220), issued in 1889 to promote Kinney Tobacco Company.
Vaas met sfinxen
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: etching
Location: france
Artist: jacques francois joseph saly
Artist role: print maker, sculptor
Artist dates: 1717 – 1776
Subjects: sphinx (lion/woman); 'sfinge' (ripa), mask, mascaron ~ ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een geornamenteerde vaas met twee zittende sfinxen en twee maskers met baard.
Figures de différents caractères
Object type: costume print
Date: 1728 – 1770
Materials: paper
Techniques: etching
Subjects: dress, gown: robe volante (+ women's clothes), fashion plates, skirt (+ women's clothes)

Staande vrouw, schuin op de rug gezien, gekleed in een sak met op de rug een aantal platte plooien. De prent is een eerste staat van een prent voor de serie kostuumprenten getiteld Figures de différents caractères.
Passage du Granique
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: etching
Location: paris
Subjects: historical persons, battle
Inscriptions: collector's mark: Lugt 2228a
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, extended right arm and phiale?
Brief aan Philip Zilcken
Object type: letter
Date: 1908 – 1908
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: utrecht
Artist: n.j. singels
Artist role: leraar, schrijver
Artist dates: 1857 – 1931
Subjects: the hague, painter, philip zilcken, the graphic arts, painting (including book-illumination, miniature-painting), utrecht
Inscriptions: collector's mark: ‘RPK’
Gezicht op Alblasserdam
Object type: drawing
Date: 1701 – 1759
Materials: ink, paper
Techniques: brush, pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: church (exterior), founding a village
Mrs. Stuart Robson, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Souvenir spoon with view of Paris Opera House and finial in form of the arms of Paris
Object type: souvenir spoon
Date: 1867 – 1900
Materials: gilt, silver

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Untitled (People in front of a Building)
Object type: photograph
Date: 1861 – 1861
Techniques: ambrotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, buildings, cities, city scenes, houses, people, urban life
Landschap met figuur op brug
Object type: print
Date: 1815 – 1837
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: pieter bartholomeusz. barbiers
Artist role: draughtsman, print maker
Artist dates: 1772 – 1837
Subjects: landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: Lugt 2228

Links een huis en grote boom. In het midden een rivier met daarover een brug. Links loopt een figuur de brug op.
Inwijding van het nieuwe stadhuis te Amsterdam
Object type: history medal
Date: 1655 – 1655
Materials: silver
Techniques: striking
Location: amsterdam
Artist: wouter muller
Artist role: publisher
Artist dates: 1604 – 1673
Subjects: stock exchange, stock-market, royal palace of amsterdam, amsterdam

Zilveren penning. Voorzijde: het nieuwe stadhuis binnen omschrift. Keerzijde: de beurs van Amsterdam binnen omschrift
Fabel van de vos en de geit
Object type: book illustration
Date: 1608 – 1608
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: prague
Artist: aegidius sadeler (ii)
Artist role: draughtsman, print maker
Artist dates: 1568 – 1629
Subjects: fables, goat, beasts of prey, predatory animals: fox, cellar

De vos staat boven een keldertrap. De geit zit in de kelder. Op de achtergrond een stad. De fabel beschrijft hoe de vos samen met een geit een kelder binnenbreken om daar wijn te drinken. De geit helpt de vos de kelder opnieuw te verlaten, maar kan er zonder hulp zelf niet uit. Het verhaal waarschuwt voor edelmoedig handelen.
Gipsen afgietsel van een sculptuur van een gladiator
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation: ‘Gladiateur’, annotation, annotation: ‘M 1.70’
Folding Fan with Scene of Figures in a Landscape
Object type: fan
Date: 1734 – 1766
Materials: ivory, mother of pearl, paper
Subjects: birds,boys,fishing
Cylinder seal and modern impression: heroes wrestling rampant animals
Object type: cylinder seal
Date: 2250 – 2150
Materials: jasper
Culture: akkadian
Location: mesopotamia
Subjects: animals,men
Overstroming van de Rijndijk in Gelderland, 1770
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: dike-break, gelderland
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: P.A. Loosjes, Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Vier-en-twintigste deel. Beginnende met den jaare 1766 en eindigende met den jaare 1774, bevattende het tydperk der meerderjaarigheid des erfstadhouders Willem den V, tot de Americaensche onlusten. Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie. Amsterdam: Johannes Allart, 1789.
Visser bij een vesting
Object type: drawing
Date: 1853 – 1860
Materials: chalk, paper, pencil
Location: netherlands
Artist: joannes carolus alberdingk thijm (jan)
Artist role: pater, schrijver
Artist dates: 1847 – 1926
Subjects: fortress, castle
Inscriptions: inscription: ‘A.Th.’
Design for T-Cart, no. 3372
Object type: drawing
Date: 1877 – 1877
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Textile Design with a Network of Circles with Pearls in the Middle
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of a network of circles rendered with stipples of dark reddish-brown over a light tan base. In the center of each circle there is a pearl of white color, outlined in black.
Twee mannen aan een tafel voor herberg het Molentje aan de Amstel
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: etching
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: inn, coffee-house, public house, etc.
Inscriptions: collector's mark: Lugt 2233
Portret van Maurits van Saksen
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons, armorial bearing, heraldry
Veduta interna della Basilica di S. Pietro in Vaticano
Object type: print
Date: 1700 – 1799
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2233
Gezicht van de nieuwe Muider poort, van de Buiten Zingel af te zien / Vuë de la nouvelle porte de Muiden, regardeé du Buiten-Cingel
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: rowing facing backward, pulling, bridge in city across river, canal, etc., city-gate, angling
Inscriptions: date
Spotprent op Goejanverwellesluis, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: london
Subjects: berlin, draughtsman, wilhelmina of prussia (princess of orange), tailless amphibians: frog, animals acting as human beings
Inscriptions: collector's mark: Lugt 2228

Spotprent op de aanhouding van prinses Wilhelmina van Pruisen te Goejanverwellesluis door patriotten, 28 juni 1787. Een groep van kikkers verkleed als patriotse soldaten voeren, hiertoe aangespoord door een Franse trommelaar, een aanval uit op een hut met een aanhangbord met de Prins van Oranje en een vaandel met de dubbele adelaar van Pruisen.
Tulip Vase
Object type: vase
Date: 1700 – 1720
Materials: earthenware
Techniques: glazing
Culture: dutch
Subjects: putti
Vues de Java photographies par Woodbury & Page Batavia
Object type: photograph album
Date: 1863 – 1866
Materials: cardboard, photographic support, vegetable tanned sheepskin
Techniques: albumen print
Location: batavia
Subjects: java, batavia
Inscriptions: inscription: ‘VUES DE JAVA / PHOTOGRAPHIES PAR WOODBURY & PAGE / BATAVIA’

Album met vergulde sneden in rode band van schapenleer met letters in goud, met foto's van Java uit het bezit van apotheker Specht-Grijp, die in 1865 vanuit Batavia naar Nederland terugkeerde. Het album bevat 25 bladen van karton met op beide zijden één foto ingeplakt, in totaal 49 foto's van gezichten in Batavia. Bij de foto's in het album staan bijschriften in drie verschillende handschriften. De eerste foto in het album is een portret van drie heren, de mogelijke aanbieders van het boek aan Specht-Grijp.
Inscribed weight
Object type: weight
Date: 900 – 701
Culture: babylonian
Location: cyprus or mesopotamia
Man in profiel naar rechts met de linkerhand opgeheven
Object type: sketchbook leaf
Materials: ink, paper
Techniques: pen
Location: amsterdam
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: adult man, arm stretched forward
Inscriptions: signature and date: ‘22.1.44/23. mesquita/ en 24.1.44’

De man heeft de hand opgeheven voor een half-ovale met daarin rijen pianotoetsen. Blad 16 recto uit een schetsboek met 18 bladen.
Portret van Louis Antoine Henri de Bourbon-Condé
Object type: print
Date: 1804 – 1808
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons, hacking and thrusting weapons: sword
Inscriptions: collector's mark: Lugt 2228
Snails, Strawberries and a Flower in a Decorated Initial "A" from a Manuscript
Object type: drawing and watercolor
Materials: gold paint, ink, paint, parchment
Techniques: cutting
Culture: european
Location: europe
G 35. Nike. Museum op het Parthenon, Athene
Object type: photomechanical print
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) nike
Inscriptions: title: ‘G 35. Nike. Museum op het Parthenon, Athene.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, check stamp: ‘Bristol/ L.M.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze fotomechanische afdruk is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Sakata Sajūrō I as a Samurai’s Manservant
Object type: print
Techniques: woodblock print
Location: japan
Artist: ippitsusai buncho
Artist nationality: japanese
Artist dates: 1755 – 1790

The black sky in this image is a perfect backdrop for the weather. Here the driving rain pours down on a manservant who has just sliced in half the lantern hanging from the pine tree above him. As with many prints depicting Kabuki actors, we cannot identify the character or the play he comes from.
Lillian Russell, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Bijin (Beauty), one of six sketches
Object type: painting
Materials: ink, paper
Location: japan
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Pijprokende vrouw, vrouw met bloem en dienstmeisje uit Istanboel
Object type: drawing
Date: 1750 – 1850
Materials: gouache, paper, pencil
Techniques: brush
Location: france
Artist: Anonymous
Subjects: cut flowers; nosegay, bunch of flowers, folk costume, regional costume, pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.), maid ~ house personnel
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Une Dami Grec qui [...] Constantinople fumant sa pipe dans la Maison (...)/ Femme de L'Isle de [...]/ une Servant des Isles de Archipel a Constantinople dans son habit de [...]’
Dorpsgezicht met links een bospad
Object type: print
Date: 1583 – 1645
Materials: paper
Techniques: etching
Artist: jacob van der heyden
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1645
Subjects: prospect of village, silhouette of village, church (exterior), road, path
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1861 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: adult woman, studio requisites ~ photographer
Inscriptions: name: ‘Proefkaart A. Greiner.’
Column of Trajan, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: architecture,columns,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 94 in the scrapbook.
Angry Dog
Object type: drawing
Date: 1701 – 1800
Materials: chalk, paper
Techniques: heightening
Location: france
Artist: jean-baptiste oudry
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1755
Subjects: anger,dogs
Portret van een onbekende man
Object type: photograph
Date: 1885 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Artist: victor froment
Artist role: fotograaf
Artist dates: 1842 – 
Subjects: adult man, anonymous historical person portrayed, brussels
Inscriptions: inscription: ‘V. Froment/ 19, Rue du Fossé aux Loups 18,/ Place de la Monnaie/ Bruxelles./ Ancienne Maison Delabarre./ Les clichés sont conservés.’, inscription: ‘V. Froment Bruxelles’
Fragment
Object type: fragment
Date: 1101 – 1200
Materials: linen
Subjects: birds
Holyrood Abbey ; Interior
Object type: page
Date: 1852 – 1862
Materials: photographic support
Techniques: albumen print
Location: holyrood abbey
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: ruin of church, monastery, etc.
Figuren in de Visbank te Delft en figuurstudies
Object type: sketchbook leaf
Date: 1887 – 1889
Materials: chalk, paper, pencil
Location: delft
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: face, adult woman, adult man, market-hall
Inscriptions: annotation: ‘Delft Vischbank’

Pagina 35 en pagina 36 uit een schetsboek met 27 bladen.