deem-data/ArtiFact huggingface dataset:
Figuren aan tafels, mogelijk in een café
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: inn, coffee-house, public house, etc., the audience ~ art performance, female singer

Ze luisteren mogelijk naar een zangeres. Pagina 37 uit schetsboek XXIX met 44 pagina's.
Allegorische voorstelling met keizer Ferdinand III
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving
Artist: lucas vorsterman (i)
Artist role: print maker
Artist dates: 1595 – 1675
Subjects: vienna, ferdinand iii (duits keizer)
Inscriptions: collector's mark: Lugt 240

Het betreft het bovenste deel van een thesisprent van Georg Erdödy (1614-63), die in 1633 zijn thesis verdedigde aan de jezuitische universiteit van Douai.
Nederlands familiealbum met 86 foto's
Object type: slip in album
Materials: cardboard, leather, metal, paper, photographic support
Techniques: albumen print, decorated paper, gelatin silver print
Location: groningen
Subjects: historical persons - bb - woman, child, historical persons
Inscriptions: dedication: ‘Aan onze logé, die ons in twee/ Eeuwen gezelschap hield, ter herinnering/ aan de familie van Campen./ Goes, 23 Januari 1901.’, collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 984’

Fotoalbum met 30 pagina's met in totaal 86 foto's. Het album bevat 61 cartes-de-visite, 20 kabinetfoto's, 4 prentbriefkaarten en een foto op karton van afwijkend formaat. Een kabinetfoto en de foto van afwijkend formaat bevinden zich los achterin het album, de overige foto's zijn in met gouden lijnen omkaderde passe-partouts gestoken. Niet alle passe-partouts in het album zijn gevuld. Afgebeeld zijn portretten van mannen, vrouwen en kinderen, waarvan 5 bij naam bekend zijn. De foto's zijn gemaakt door hoofdzakelijk Nederlandse fotografen, waarvan 25 gemaakt zijn door Friedrich Julius von Kolkow. Van 4 foto's is de fotograaf anoniem.
Handbell
Object type: handbell
Date: 1801 – 1900
Materials: metal
Culture: european
Subjects: men
Stadhuis in Den Haag
Object type: zinkplaat
Date: 1900 – 1900
Materials: zinc
Techniques: drypoint
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: stadhuis
Kostuums uit verschillende landen
Object type: costume print
Date: 1605 – 1610
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: handkerchief (+ women's clothes), coat (+ men's clothes), dress, gown (vlieger) (+ women's clothes), head-gear: hat (+ men's clothes), clothes, costume (+ women's clothes), head-gear: hat (+ women's clothes), neck-gear ~ clothing (with name) (+ women's clothes), skirt (+ women's clothes), sleeves: cuffs (+ women's clothes), shoes, sandals (+ men's clothes), clothes, costume (+ men's clothes), folk costume, regional costume, trousers, breeches, etc. (breeches) (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes), gloves, mittens, etc. (+ men's clothes), sleeves (+ women's clothes), sleeves (+ men's clothes), clothing for the upper part of the body (with name) (+ women's clothes), england
Inscriptions: collector's mark: Lugt 240, title: ‘ADOLESCENTIS ANGLI ET IVVENCVLAE HABITVS.’, caption: ‘Quisquis ad aequoreos flexit sua vela Britannos,/ Mille modis animo laetior inde redit: / Vidit ibi tot delicias, lususque Diones,<BR />Nec mirum, est medio nam Venus orta mari.’

Landschap met een paar, gekleed volgens de Engelse mode. De vrouw heeft een zakdoek in haar linkerhand en de man heeft een paar handschoenen in zijn rechterhand. Op de achtergrond diverse zeilschepen op water. In de marge, in twee kolommen, een onderschrift in het Latijn over de Britse zeevaart en de liefdesspelletjes van de Britten. Tiende prent uit een serie van tien met kostuums uit verschillende landen.
Portret van een jongeman
Object type: carte de visite
Date: 1871 – 1871
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rotterdam
Inscriptions: address: ‘C. Janssens/&/E. Radermacher/Photohgraphes/Hofplein 14.341/Rotterdam’, annotation: ‘Aan mijn vriend Johan/Dachlig, ter herinnering aan/Chr. Mac.../17 Mei 1871’

Zittende jongeman met dik, achterovergekamd haar, ten halven lijve naar links.
Monk Saying Grace, "Tibi Gracias" (Recto); Three Sketches of Lamp (Verso) (from Sketchbook)
Object type: drawing
Date: 1854 – 1855
Materials: graphite, ink, paper
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,portraits
Execution in Japan
Object type: print
Date: 1865 – 1865
Techniques: etching
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Portret van koning George V van Hannover in uniform
Object type: album leaf
Date: 1860 – 1878
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, (military) uniforms, king
Inscriptions: number: ‘1344’, annotation: ‘George V -1878/ koning v Hannover’, annotation: ‘König v Hannover’
Zonder titel Paard
Object type: drawing
Date: 1937 – 1937
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: horse

De voormalige titel is door het Rijksmuseum overgenomen van het Instituut Collectie Nederland.
Anchor Plate from the Pullman-Jennings Building, Chicago, Illinois
Object type: architectural fragment
Date: 1882 – 1882
Materials: iron, metal
Techniques: casting, painting
Location: madison street
Artist: solon spencer beman
Artist nationality: american
Artist dates: 1853 – 1914
Subjects: chicago
Design for Unclassified Carriage, no. 1089
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Plate 7, Outlines of Figures, Landscapes and Cattle...for the Use of Learners
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,horses,carriages
Young Lady Looking through Door at Her Kamuro (Little Servant) who is Asleep on the Floor
Object type: print
Date: 1725 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: sleeping,women,servants
Gloves
Object type: glove
Date: 1801 – 1833
Materials: leather
Culture: european
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, back of head, right ear, neck, and upper torso of a bearded man with his right hand on his hip, and his himation draped over his left shoulder, left arm, and around his back; part of the wreathed head of a youth bending to left
Vest van crème satijn, met geborduurd floraal strooimotief in bruin, crème en groen en fijne bloem- en bladranken in bruin, roze, crème en groen; mouwen en rug van wit flanel
Object type: main garment
Date: 1770 – 1770
Materials: textile, linen, silk
Techniques: embroidered
Artist: Anonymous

Vest van wit zijden satijn, geborduurde paarse en groene bloempkjes. Wit geruwd linnen mouwen. Geen kraag, gesloten rug.
Portret van Charles Drelincourt II
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, physician, doctor, professor

Prent mogelijk uit: Fundatoris curatorum et professorum celeberrimorum, (...) academia Lugduno-Batava (...). Leiden: Pieter van der Aa, [ca. 1716].
Portret van Elizabeth Leveson-Gower
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 2760
Plate
Object type: plate
Materials: pewter
Reverse frame
Object type: frame
Date: 1634 – 1666
Materials: wood
Culture: italian
Vier Chinese mannen dragen een Europese vrouw in een draagstoel
Object type: album leaf
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: china
Artist: Anonymous
Subjects: colonial system, (carrying a person in a) sedan-chair, china
Oversteekplaats aan de Carigliano
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: jean jacques de boissieu
Artist role: draughtsman, print maker
Artist dates: 1736 – 1810
Subjects: crossing a river, landscapes with waters, waterscapes, seascapes (in the temperate zone), garigliano (river)
Inscriptions: collector's mark: Lugt 12
Hemelkaart met een theorie over epicykels
Object type: map
Date: 1660 – 1660
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: zodiac; the twelve zodiacal signs together, star-chart, star map, planets; planetary system, solar system
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Cellarius, Andreas. Harmonia Macrocosmica seu Atlas Universalis et Novus. Amsterdam: Pieter Schenk (I) en Gerard Valck, 1708.

Zie ook: Gent, Rob van. De hemelatlas van Andreas Cellarius: het meesterwerk van een vergeten Hollandse kosmograaf. In: Caert-Thresoor, jaargang 19, nr. 1, 2000.
Portret van Salomon Hausdorf
Object type: print
Date: 1713 – 1733
Materials: paper
Techniques: engraving
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: theologian, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Mortar
Object type: mortar
Date: 0 – 0
Materials: stone
Culture: japanese
Eunuchs Reformed by the Bey of Tunis, from "News of the Day"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men

- What's going to become of us... we have been fired.... - The only thing we can do is go to Constantinople and become coachmen.
Bowl with two panthers
Object type: bowl
Date: 1894 – 1895
Materials: stoneware
Artist: pierre-adrien dalpayrat
Artist role: maker
Artist nationality: french
Artist dates: 1844 – 1910
Subjects: animals
Kardinaal en de dood
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: etching
Subjects: cardinal, personifications of death; 'morte' (ripa), dance of death; death together with one or more human beings
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228

Prent uit: Meyer, Rudolph. Sterbenspiegel, das ist sonnenklare Vorstellung menschlicher Nichtigkeit durch alle Ständ und Geschlechter (...). Zürich: J.J. Bodmer, 1650.
Animal Locomotion.  An Electro-Photographic Investigation of Consecutive Phases of Animal Movements.  Commenced 1872 - Completed 1885.  Volume I, Men (Nude)
Object type: photographically illustrated book
Date: 1880 – 1889
Techniques: photogravure
Artist: eadweard muybridge
Artist role: artist
Artist nationality: british and american
Artist dates: 1830 – 1904
Subjects: male nudes
Portret van John Tillotson
Object type: print
Date: 1741 – 1743
Materials: paper
Techniques: engraving, etching, pen
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: clergyman
Inscriptions: collector's mark: Lugt 240, name: ‘Tillotson’

Prent ook gebruikt in: Thomas Birch. The heads of illustrious persons of Great Britain : engraved by Houbraken, and Vertue, with their lives and characters. London: John en Paul Knapton, 1743-1751.
Fotoalbum met 11 opnames van de inhuldiging van Koningin Wilhelmina en de inhuldigingsfeesten
Object type: verzamelalbum
Date: 1809 – 1898
Materials: cardboard, paper, photographic support, textile
Techniques: collodion silver print
Location: netherlands
Subjects: the hague, print maker, wilhelmina of the netherlands, ceremonial celebration of installation of a ruler, public festivities on the occasion of royal events, installation of a ruler - bb - female ruler, netherlands

Groene verzamelmap met op de voorzijde in gouddruk de titel, de naam van de fotograaf en linksboven een wapenschild met daaronder de spreuk 'Je maintiendrai'. De map heeft aan de binnenkant 3 uitklapbare flappen. Het album bevat 11 foto's, op stevig karton geplakt. Het betreft opnames van de inhuldiging van Wilhelmina als koningin in september 1898 en van festiviteiten die in dit kader werden gehouden.
Detail van het Fürstenportal in de dom van Bamberg
Object type: album leaf
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: number: ‘108’
Specimens of Modern Masters
Object type: print, trade card
Date: 1701 – 1800
Techniques: etching
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Stad Antwerpen, loodje dat bij uitdeling recht gaf op brood
Object type: armenloodje
Date: 1708 – 1708
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: antwerp

Koperen penning. Voorzijde: twee geopende handen boven burcht binnen omschrift. Keerzijde: letter B binnen omschrift
Veer met schieter
Object type: anchor tie
Date: 1500 – 1600
Materials: iron
Techniques: forging
Location: unknown
Artist: Anonymous

Veer en schieter behorend bij een muuranker in gotische stijl.
Gezicht op een kratermeer in Nederlands-Indië
Object type: photograph
Date: 1917 – 1917
Materials: photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: lake, volcano, dutch east indies, the

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
Cock-of-the-Rock, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: roosters

Trade cards from the "Birds of the Tropics" series (N5), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Tropenweelde
Object type: print
Date: 1902 – 1918
Materials: paper
Techniques: lithograph
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: trees: coconut-tree, dutch east indies, the
Inscriptions: collector's mark: Lugt 2233
Kettle and Box with Paint Brushes
Object type: album leaf
Date: 1882 – 1882
Materials: gold, lacquer, paper
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: kettles,brushes
Cassetta frame
Object type: frame
Date: 1450 – 1450
Materials: gilt, wood
Culture: sienese

Despite various alterations, this frame, now used on a "Madonna and Child" by Sano di Pietro (1405-1481), still has a fine patina. The two rows of punching of the same pattern in the frame create a visual rhythm that resonates in the punched halos and garment borders in the painting.
Leaf-Shaped Dish
Object type: vessel
Materials: porcelain
Techniques: glazing
Location: china
Portret van Simon van der Plas
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: book
Inscriptions: collector's mark: Lugt 240

De pastoor Simon van der Plas, zittend aan een tafel met boeken en een crucifix. Op de achtergrond een gezicht op een dorp, mogelijk Spaarnwoude.
Symbola Divina et Humana Pontificum Imperatorum Regum
Object type: book illustration
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: walker and runner birds: ostrich, ladder

Pagina uit Jacob Typotius, Symbola Divina & Humana Pontificum Imperatorum Regum. Arnhem, J.F. Hagen, 1666 of uit de titeluitgave van 1669 of 1679. Het werk van Typotius werd voor het eerst uitgegeven in 1601 met prenten van Aegidius Sadeler.
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: gold, ivory, lacquer
Culture: japanese
Subjects: fans
Gezicht op de Barentszzee met ijsschotsen
Object type: sketchbook leaf
Date: 1880 – 1880
Materials: chalk, paper, watercolor
Location: barentsz sea
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: iceberg, sea (seascape), drift ice

Blad 6 verso uit een schetsboek met 35 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Inname van Doornik, 1581
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving, etching
Location: rome
Artist: giacinto gimignani
Artist role: draughtsman, print maker
Artist dates: 1606 – 1681
Subjects: rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), capture of city (after the siege)
Inscriptions: date

Verovering van Doornik door de hertog van Parma na een beleg van 1 oktober tot 29 november. Op de voorgrond een ruitergevecht en vertegenwoordigers van de stad die de sleutels van de stad overhandigen aan Parma. Op de achtergrond de belegering van de stad. Bovenaan een banderol met de legenda A-K in het Latijn.
Design for a Ceiling: Apotheosis of Callisto or Diana (recto), and Sketch of Figures (verso)
Object type: drawing and watercolor
Date: 1731 – 1731
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, drawing, wash
Location: netherlands
Artist: jacob de wit
Artist role: artist
Artist nationality: dutch
Artist dates: 1695 – 1754
Inscriptions: Signed recto, lower left, below lozenge, in pen and brown ink: "JdeWit invt /F"; inscribed verso, upper right, in graphite: “gris opseule gris avec siltets et ... / tus raisins g d marge"; lower margin, in pen and brown ink: “Blaffon / voor mevrouw de wede van Lennep op Haar sael geschildert/ 1731”
Portret van een vrouw bij palmbomen, Verenigde Staten
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: cyanotype
Location: united states
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, trees: palm-tree, united states of america
Gezicht op Schellingwoude
Object type: print
Date: 1731 – 1767
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: city-view in general; 'veduta', sea (seascape)
Inscriptions: collector's mark: Lugt 195

Gezicht op het dorp Schellingwoude, gezien vanaf het water. Op de voorgrond schepen, op de achtergrond het dorp.
Obsessi apud Bommeliam Hispani an 1585
Object type: print
Date: 1649 – 1651
Materials: paper
Techniques: etching
Location: rome
Artist: Anonymous
Subjects: battle

De Spanjaarden onder de graaf van Mansfeld door de graaf van Hohenlohe uit de Bommelerwaard verdreven door het doorsteken van de dijken, 22 december 1585. De door het water ingesloten Spaanse soldaten worden uiteindelijk gered, deze episode staat ook bekend als het wonder van Empel. In het onderschrift de legenda A-M in het Latijn.
Moses Striking Water from the Rock
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: netherlands
Artist: attributed to crispin van den broeck
Artist nationality: netherlandish
Artist dates: 1524 – 1590
Plantage Rust en Werk
Object type: photograph
Date: 1928 – 1932
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: amsterdam, theodoor brouwers, suriname
Inscriptions: inscription: ‘Rust en Werk’

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage.
Kop van een soldaat
Object type: print
Date: 1527 – 1583
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: head (human), ornament derived from plant forms
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228a

Kopie in spiegelbeeld, alleen kop van soldaat.
Plaque with the Head of Saint John the Baptist on a Charger
Object type: plaque
Date: 1401 – 1500
Materials: alabaster, paint
Techniques: gilding
Culture: british
Location: england
Artist: school of nottingham
Artist role: artist
Artist nationality: british
Subjects: heads

John the Baptist, who recognized Christ as the "the Lamb of God,… who taketh away the sin of the world,"(John 1:23) was beheaded on Herod's orders. This relief depicts the relic of John's head, which was kept in Amiens Cathedral. Doubling as a halo, the charger stands against a flowering meadow, an evocation of Paradise. Other English alabaster carvings with this subject survive as the centerpieces of triptychs. The well-preserved original paint of this relief suggests that it too was originally part of such an ensemble.
Portret van Dirk Pronk
Object type: carte de visite
Date: 1889 – 1925
Materials: cardboard, paper
Techniques: albumen print
Location: purmerend
Artist: josephus hendrikus petrus coppens
Artist role: fotograaf
Artist dates: 1864 – 1941
Subjects: boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘Negatieven voor nabestelling bewaard.’
Earring with ball pendant and green stone setting
Object type: earring with ball pendant and green stone setting
Date: 670 – 330
Materials: gold
Culture: roman