deem-data/ArtiFact huggingface dataset:
Keizer Wilhelm bij den Sultan van Morokko
Object type: cartoon
Date: 1905 – 1905
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), hoofed animals: dromedary, personifications of countries, nations, states, districts, etc., riding on animal other than horse, ass, or mule, bicycle, political caricatures and satires

De Franse minister van Buitenlandse Zaken Delcassé en een Marokkaan op een fiets drukken zich tegen de muur als de Duitse keizer Wilhelm II op een dromedaris door de straten van een Marokkaanse stad komt aangereden. John Bull (Engeland) kijkt lachend toe.
Oude Schans te Amsterdam
Object type: watercolor
Date: 1870 – 1923
Materials: paper, watercolor
Techniques: brush
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: bridge in city across river, canal, etc.
Ring
Object type: ring
Date: 201 – 1200
Materials: iron
Location: egypt
Glass mosaic beads
Object type: bead, twelve
Date: 1 – 100
Materials: glass
Culture: roman
Maria met kind en Johannes de Doper die een kruis aanreikt
Object type: print
Date: 1654 – 1656
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: mary and the christ-child with john the baptist (as child)
Inscriptions: collector's mark: Lugt 240
Statuette of a Falcon
Object type: statuette, falcon
Date: 304 – 30
Location: egypt
Subjects: falcons
Architectural Capriccio: Courtyard of a Palace
Object type: drawing
Date: 1712 – 1793
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: francesco guardi
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1793
Subjects: architecture,palaces,courtyards
Plate
Object type: plate
Date: 1750 – 1750
Materials: faience
Techniques: glazing
Subjects: birds,flowers,coat of arms

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219)
Object type: drawing
Materials: ink
Techniques: brush, pen, wash
Artist: aubrey vincent beardsley
Artist role: artist
Artist nationality: british
Artist dates: 1872 – 1898
Subjects: flowers,angels

Beardsley made hundreds of detailed ink drawings to illustrate J. M. Dent’s 1893–94 edition of Le Morte d’Arthur, and this border design was used to frame a tale of King Arthur’s piety in book seven, chapter one, titled "How Beaumains Came to King Arthur's Court and Demanded Three Petitions of King Arthur." The theme is underscored by angels whose repeated forms depend on a medievalist aesthetic, but the irregular shape of the lilies—shown open and closed with curvilinear stems—anticipates Art Nouveau.
Buste van een monnik
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: etching
Artist: cornelis van der griendt
Artist role: draughtsman, painter, print maker
Artist dates: 1827 – 1918
Subjects: monk(s), friar(s)
Inscriptions: annotation: ‘6de staat’, collector's mark: Lugt 2228
Postkaart
Object type: print
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: city-view in general; 'veduta', river, delft
Inscriptions: collector's mark: Lugt 2228

Gezicht op de noordzijde van de Maas met op de achtergrond Delft en De Lier.
Bishop, from the Dance of Death
Object type: print
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: dance,skeletons,men,sheep,bishops

The Bishop; Death leads a bishop to the left; sheeps and goats around, and six men walking away; hills in background, the setting sun reflected in a lake; after Holbein
Canadees en Sardijns hert in een landschap met bovenaan op een blad de organen van het hert
Object type: album leaf
Date: 1676 – 1676
Materials: ink, paper
Techniques: engraving, etching, pen
Location: paris
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: dissection, hoofed animals: deer, hoofed animals: stag, animals (+ anatomy of animals)
Inscriptions: inscription: ‘Cerf de Canada & Biche de Sardaigne.’

Prent uit: Perrault, Claude. Mémoires pour servir à l'histoire naturelle des animaux. Dressez par M. Perrault de l'Académie Royale des Sciences (...). Parijs: Imprimerie Royale, 1676.
Springtime
Object type: painting
Date: 1833 – 1894
Materials: oil, wood
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: girls,sheep,spring,shepherds
Gezicht op de Schreierstoren te Amsterdam
Object type: print
Date: 1848 – 1902
Materials: paper
Techniques: drypoint, etching
Location: amsterdam
Artist: frans schikkinger
Artist role: print maker
Artist dates: 1838 – 1902
Subjects: tower, clock tower ~ monumental adornment, canals, waters (in city)
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Schreierstoren vanaf het water van de Geldersekade.
Cylinder bead inscribed with the name Amenhotep
Object type: scarab, amenhotep i
Date: 1525 – 1504
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs
The Autumn Shower, from "Sharing an Umbrella: A Set of Three (Aigasa sanpukutsui)"
Object type: print
Date: 1748 – 1748
Techniques: printmaking, woodblock print
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Jan Carel Josephus van Speyk (1802-31). Zeeofficier
Object type: painting, miniature
Date: 1820 – 1837
Materials: glass, ivory, metal, wood
Artist: joannes antonius augustinus pluckx
Artist role: print maker
Artist dates: 1786 – 1837
Subjects: antwerp, jan van speyk

Portret van Jan Carel Josephus van Speyk (1802-31). Zeeofficier. Buste, het hoofd naar links gekeerd, in uniform. Onderdeel van de collectie portretminiaturen.
Hunting Knife
Object type: hunting knife
Date: 1500 – 1500
Materials: bone, brass, steel, wood
Culture: austrian
Location: austria
Portret van een onbekende man
Object type: carte de visite
Date: 1870 – 1893
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: bernardus petrus rabels
Artist role: fotograaf
Artist dates: 1824 – 1906
Subjects: adult man, anonymous historical person portrayed, amsterdam
Inscriptions: inscription: ‘Photographisch Atelier/ van/ B.P. Rabels/ Prinsengracht bij de Leliestraat M.M.138./ Amsterdam.’
Annuaire de la Principauté de Monaco
Object type: book
Date: 1878 – 1878
Materials: cardboard, paper, photographic support
Techniques: albumen print, printing, engraving
Location: monaco
Inscriptions: date: ‘JULY/ 1984’
Plate 3, Outlines of Figures, Landscapes and Cattle...for the Use of Learners
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: human figures,animals,deer,horses,carriages
Portret van Wilhelm Traugott Krug
Object type: print
Date: 1790 – 1899
Materials: paper
Techniques: tone lithography
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Flowers and Birds of the Four Seasons
Object type: hanging scroll
Date: 1834 – 1866
Materials: gold, ink, silk
Culture: japanese
Artist: ikeda koson
Artist role: artist
Artist nationality: japanese
Artist dates: 1803 – 1868
Subjects: flowers

The right-hand scroll depicts flowers of the spring and summer seasons; the left, flowers and foliage of autumn and winter. Both works are executed in subtle yet rich tones and soft washes of color; leaves, branches, and flowers are rendered in the “boneless” manner—devoid of outline—that was typical of established Rinpa style. In numerous areas pigments are pooled or puddled together to create a mottled effect, a technique known as tarashikomi. Among the more talented students of Sakai Hōitsu, Suzuki Kiitsu (1796–1858) is perhaps the most famous, but his younger contemporary Ikeda Koson was also an artist of great ability and dedication to the ideals of the Rinpa tradition. Koson was open to influences from other styles of painting, however; this pair of hanging scrolls owes much of its poetic appeal and its almost sensuous yet subdued colors to Koson’s Rinpa training.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic
Artist: epiktetos
Artist role: artist

Interior, bit of left leg, end of drapery, and right knee and calf of male to right; part of an inscription, [KA]LOS
Stien met hond Snip bij Tennisclub Quick Advantage in Den Haag
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: collodion silver print
Location: the hague
Artist: gerard aalbersberg (us)
Artist role: amateurfotograaf, arts, chirurg, gynaecoloog
Artist dates: 1870 – 1934
Subjects: the hague
Woman walking and holding her skirt with her right hand, shown in three-quarters view with head turned toward the viewer, from "Figures of Fashion" (Figures de modes)
Object type: print
Date: 1710 – 1710
Techniques: etching
Artist: antoine watteau
Artist role: artist
Artist nationality: french
Artist dates: 1684 – 1721
Subjects: portraits,women,fashion
Portret van een onbekende man, mogelijk Nicol. Grey of Caspar Pusch
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: johann friedrich leonard
Artist role: print maker
Artist dates: 1633 – 1680
Subjects: nicol. grey, caspar pusch
Inscriptions: date
Gezichten in en om Parijs
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: triumphal arch, village square, place (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a
Hannover, Motiv von der alten Stadtmauer
Object type: print
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: leipzig
Subjects: towers ~ fortified city, city-walls
Adoration of the Shepherds
Object type: plaquette
Date: 1600 – 1650
Materials: bronze
Necklace
Object type: necklace
Date: 1810 – 1810
Materials: gold, iron
Culture: german
Kris with Sheath
Object type: kris with sheath
Date: 1501 – 1900
Materials: brass, ivory, steel, wood
Culture: madurese
Location: indonesia
Proposal for a new system to better isolate reactionnaries, from 'News of the day,' published in Le Charivari, January 14, 1870
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,heads,fear
4.e Feuille du 11.e Cahier.
Object type: print
Date: 1762 – 1793
Materials: paper, pencil
Techniques: printmaking, drawing
Location: france
Subjects: cut flowers; nosegay, bunch of flowers, hand, horse

Deze prent maakt deel uit van een album dat uit minstens elf delen bestaat. Dit is het vierde blad van het elfde album. Waarschijnlijk dienden deze albums als voorbeeld voor tekenaars, schilders en graveurs.
Twee allegorische tafelversieringen, 1786
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: festivities on events of national importance (+ eating and drinking ~ festive activities), centre-piece, epergne, 'surtout', 'milieu-de-table', alliance with france (1785)
Inscriptions: collector's mark: Lugt 2228

Blad met twee allegorische tafelversieringen (milieu de table) gebruikt bij de feestelijke maaltijd gehouden op 27 januari 1786 te Amsterdam om de Alliantie met Frankrijk te vieren. Links "De Vrije Zeevaart": schip met vlag van de Republiek, watergod en de Hoop. Rechts "'s Lands Recht": Gerechtigheid bij een zuil met de zeven provinciewapens, Hoogmoed ligt op de grond.
Button
Object type: button
Date: 1785 – 1785
Materials: metal
Culture: french
Subjects: bagpipes
Splat-back armchair
Object type: armchair
Date: 1735 – 1743
Materials: wood
Culture: american
Location: united states
Artist: john gaines iii
Artist role: maker
Artist nationality: american
Artist dates: 1704 – 1743

In the design and construction of this armchair, the incline of the back, relaxed slope of the arms, and forward pull of the powerful ram’s-horn handgrips are in perfect balance. The scrolls, foliate carvings, and piercing of the crest rail and the extended length and breadth of the outward-sweeping carved feet are design elements associated with John Gaines III. Trained by his father, a turner and chairmaker in Ipswich, Massachusetts, Gaines moved in 1724 to Portsmouth, where his shop remained active until 1745.
The Adoration of the Magi
Object type: orphrey, textile cover
Date: 1367 – 1400
Materials: cotton, gilt, hemp, ink, linen, metal, silk
Techniques: embroidery, laid work, weave, stitching, drawing, wash
Culture: italian
Subjects: birds,men,dogs,horses,saint joseph,virgin mary
Length of brocaded velvet
Object type: length
Date: 1501 – 1550
Materials: metal thread, silk
Gezicht op de Houses of Parliament te Londen
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching, soft ground etching
Artist: norbert goeneutte
Artist role: draughtsman, painter, print maker
Artist dates: 1854 – 1894
Subjects: city-view in general; 'veduta', palace
Inscriptions: collector's mark: Lugt 2228
Journal des Luxus und der Moden 1788, Band III, T.1
Object type: fashion print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: weimar
Subjects: fashion plates

Elegante vrouw uit Rome, in een japon waarmee zij 's avonds op de Corso verschijnt of naar het theater gaat. Fichu met strik op de borst. Corselet met gespen om het middel. Op het hoofd een Turkse tulband, versierd met parels, veren, een aigrette en een sluier. Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Stadsgezicht met marktkramen
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Subjects: urban housing, city-view, and landscape with man-made constructions, stall, booth (~ market)

Pagina 45 uit een schetsboek met 29 bladen.
Cathédrale de Louviers, vue générale
Object type: photograph
Date: 1852 – 1854
Techniques: glass negative, salted paper print
Artist: edmond bacot
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: architecture,cathedrals
Vier koninkrijken
Object type: print
Date: 1574 – 1574
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the lion with eagle's wings (griffin), standing on its hind legs ~ daniel's visions, nebuchadnezzar captures the city; jehoiachin, his mother, his wives, and the royal princes are carried away as prisoners (first siege of jerusalem

Koning Nebukadnessar staande in strijdtenue triomferend op het slagveld. Aan zijn voeten liggen verslagen mannen. Op de achtergrond een van zijn overwinningen: een overwonnen koning wordt door soldaten weggevoerd. Links rijst een leeuw met adelaarsvleugels op uit de zee. Het is één van de vier dieren uit het visioen van Daniël. Onder de voorstelling een verklarende tekst in het Latijn. Deze prent maakt deel uit van een album.
Portret van Claude-Joseph Dorat
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, claude-joseph dorat, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Illustrations du Cours de Littérature de la Harpe, ou collection de 400 portraits destinés à l'ornement de cet ouvrage. Parijs: Boblet, 1830.
Penannular Brooch
Object type: brooch
Date: 901 – 1100
Materials: copper alloy
Culture: scandinavian or baltic
Subjects: serpents
Gezicht op fort Noordwijk in Jakarta
Object type: book illustration
Date: 1747 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: fortifications, military engineering
Inscriptions: collector's mark: Lugt 2228

Illustratie in: Bois, J.P.J. du: Histoire Générale Des Voyages, Ou Nouvelle Collection De Toutes Les Relations De Voyages Par Mer Et Par Terre, deel XVII, Den Haag: Pierre de Hondt, 1747- 1779, na p. 264.
Top of a Scepter
Object type: scepter top
Date: 1251 – 1300
Materials: copper alloy
Culture: indonesian, javanese
Magnesite bobbin
Object type: spindle whorl
Date: 3900 – 100
Culture: cypriot

Spindle shaped object with concentric circles.
Draped Model
Object type: drawing and watercolor
Date: 1866 – 1869
Materials: board, chalk, charcoal, ivory, paper
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: century of progress, world's fairs, chicago world's fairs
Inscriptions: Signed recto, upper right, in black chalk: [artist's butterfly monogram]
Maanden van het jaar
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: october ~ other concepts
Inscriptions: collector's mark: Lugt 2228

Een aantal oesters. In de bovenmarge een regel Nederlandse tekst.
Flute (end blown flute)
Object type: flute end blown flute
Date: 1801 – 1900
Materials: shell, skin, wood
Culture: native american, apache
Location: united states
Portret van een onbekende meisje bij een fauteuil
Object type: carte de visite
Date: 1863 – 1885
Materials: cardboard, paper
Techniques: albumen print
Subjects: girl (child between toddler and youth), anonymous historical person portrayed
Brief aan Philip Zilcken
Object type: letter
Date: 1897 – 1897
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: abraham bredius
Artist role: kunsthistoricus, museumdirecteur
Artist dates: 1855 – 1946
Subjects: delft, carel fabritius, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Gezicht op Port Elizabeth
Object type: page
Date: 1877 – 1882
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: city-view in general; 'veduta', sea (seascape)
Aanbidding door de herders
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 240

Het Christuskind ligt op het hooi in de stal. Maria tilt het laken op om hem aan de herders te tonen. Achter haar staat Jozef. De herders en hun vrouwen richten zich in aanbidding tot het Christuskind. Engelen kijken toe vanuit de hemel. Eén van hen houdt een banderol vast waarop een opschrift in het Latijn. In de marge een Bijbelcitaat uit Jes. 7 in het Latijn.
Vier schetsen van een bonte kraai
Object type: drawing
Date: 1887 – 1924
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: song-birds: crow
Handkerchief
Object type: textile
Date: 1875 – 1900
Materials: cotton, linen
Techniques: lace, treatment, weave
Location: belgium
Landschap bij Nikko, Japan
Object type: album leaf
Date: 1890 – 1903
Materials: paper, photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: landscapes, mountains, japan
Inscriptions: inscription: ‘B 54 The Road of (Chuzenji) at Nikko’
Sneeuwballen gooien
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: woodcut
Location: japan
Subjects: throwing snowballs

Sneeuwlandschap met drie vrouwen en twee kinderen kijkend naar twee mannen, waarvan de één gebukt staat met zijn handen in de sneeuw, terwijl de ander zojuist een sneeuwbal gegooid heeft. In de achtergrond een bevroren meer, in de sneeuw op de voorgrond diverse afdrukken van voetstappen.
Zeilschepen
Object type: drawing
Date: 1762 – 1762
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: john greenwood
Artist role: auctioneer, draughtsman, print maker
Artist dates: 1727 – 1792
Subjects: sailing-ship, sailing-boat
Francesco I d'Este Presents Himself with Warmth and Humility with Representatives of the Republic of Venice and the Duke of Savoy, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Object type: print
Date: 1659 – 1659
Techniques: etching
Location: italy
Artist: bartolomeo fenice (fénis)
Artist role: artist
Artist nationality: italian
Subjects: human figures,interiors,venice

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.
De School van Athene (rechter deel)
Object type: print
Date: 1530 – 1582
Materials: paper
Techniques: engraving
Location: italy
Subjects: scholar, philosopher
Inscriptions: collector's mark: Lugt 240

Het fresco 'De School van Athene' door Rafaël in de Stanza della Segnatura in het Apostolisch paleis in het Vaticaan. Het toont een filosofenschool of agora waar beroemde Griekse filosofen en geleerden, zoals Aristoteles, Plato en Socrates, in groepjes staan te praten. Het is een uitbeelding van de filosofie en haar rationele zoektocht naar de Waarheid.
‘Night’ Cap made of chintz
Object type: menswear
Date: 1750 – 1750
Materials: cotton, silk
Techniques: painting, painted, weave
Location: northwest india
Artist: Anonymous
Subjects: jonkheer jan six, painter, gijs bosch reitz, foliage, tendrils, branches ~ ornament, flowers ~ ornament, amsterdam

To our knowledge this is the only extant example of a chintz cap. In the Netherlands such caps were worn by gentlemen indoors. Since the model was unknown in India, the pattern – along with instructions for painting the design partly on the front and partly on the back of the piece of cotton – had to be sent from the Netherlands to India.
Man staat naast een ketel bij een trap
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: etching, intaglio
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: adult woman, staircase
Inscriptions: collector's mark: Lugt 2228