deem-data/ArtiFact huggingface dataset:
Nederzetting bij Albina, Suriname
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: indigenous peoples of south america, village (+ city(-scape) with figures, staffage), suriname
Inscriptions: inscription: ‘Indianen kamp Albina 19/12-12’

Een familie van Surinaamse indianen (mogelijk Arowakken) poseert voor een hut in het dorp Albina. Tijdens een bezoek aan het dorp door de familie Gonggrijp op 18-19 december 1912. Onderdeel van een groep van elf albumbladen met familiefoto's van de familie Gonggrijp in Suriname, ca. 1912.
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1830 – 1890
Materials: graphite
Techniques: heightening
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: trees,stage design
Design for the decoration of a wall punctuated by a fireplace and a door and hung with gold-framed pictures
Object type: drawing
Date: 1830 – 1897
Materials: gold paint, graphite, watercolor, paper
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: birds,doors,fireplaces
Krijgsgevangenen Ladysmith Straat - Waterval
Object type: photograph
Date: 1899 – 1900
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: south africa
Artist: Anonymous
Subjects: (military) camp with tents, prisoner of war (after the battle)

Onderdeel van Fotoalbum met opnames van de Tweede Boerenoorlog (1899-1902).
Amsteldam ten vijffde mael vergroot soo veel als sich vertoont westwaert buyten de Heeregraft, Anno 1612
Object type: print
Date: 1662 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter hendricksz. schut
Artist role: print maker
Artist dates: 1618 – 1660
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), seal (as symbol of the state, etc.) (+ city; municipal), maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 195

Plattegrond van Amsterdam zoals het er na de uitbreiding in 1612 uit zou hebben gezien. Met gebouwen in vogelvluchtperspectief. Linksboven het wapen en zegel van de stad. Rechtsboven een cartouche met de legenda 1-40. Rechtsonder gemerkt: d. Oriëntatie: zuidzuidwest boven.
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: fish,flowers
Heilige met een stok en een boek
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: saints

Prent uit: Sichem, Christoffel van (II). 'tSchat der zielen, dat is: Het geheele leven ons Heeren Iesu Christi. Amsterdam: Pieter Jacobsz. Paets, 1648.
Silver phiale (libation bowl)
Object type: phiale
Date: 2300 – 2000
Materials: silver
Culture: anatolian

This vase, along with 1989.281.45-.48 are said to have been found together, are best paralleled by pieces found by Heinrich Schliemann at Troy in a stratigraphic level know as Troy II. The wealth of jewelry and objects from the latest phase, Troy IIg, led Schliemann to believe that he had found the city described by Homer. In reality, this material is datable to about a thousand years before the Trojan War.
La Cavalcata infortunata
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: riding a horse, ass, or mule; rider, horseman, riding-school, manège
Inscriptions: collector's mark: Lugt 2228
Of All Foolish Things...
Object type: drawing and watercolor
Materials: graphite, ink, paint, paper, watercolor
Techniques: pen
Location: england
Artist: john leech
Artist role: artist
Artist nationality: british
Artist dates: 1817 – 1864
B.M. Petrus Calmthoutanus
Object type: print
Date: 1620 – 1668
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: male saints (with name)
Inscriptions: collector's mark: Lugt 2880

De heilige Petrus van Kalmpthout, gekleed in premonstratenzer kleding, een bijl in de ene hand, een Bijbel in de andere hand. Een engel op de wolken houdt een palmtak vast en kroont hem met een lauwerkrans. Naast Petrus van Kalmpthout staat het model van een kerk op een sokkel. Op de sokkel twee reliëfs, die zijn marteldood verbeelden. Onderaan op het pedestal een vierregelige tekst in het Latijn. Prent uit een serie van heiligen.
Death Surprising a Young Couple
Object type: print
Date: 1610 – 1650
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: neck-gear ~ clothing (with name) (+ men's clothes), pin (+ women's clothes), scenes symbolizing 'vanitas', death as skeleton, death battling with life, or with the living, neck-gear: collar (+ women's clothes), shoes, sandals (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), couple of lovers, clothing for the upper part of the body (doublet) (+ men's clothes), stockings, socks (+ men's clothes), sleeves (+ men's clothes), netherlands
Inscriptions: caption: ‘In weelden sijn wij dickwils geseten, de Doot veel naerder dan wy weten’, address: ‘CVisscher excudebat’, signature: ‘J. v. Velde fecit.’

A sumptuously attired couple enjoy food, drink, and luxury objects. Death appears behind them, holding a winged hourglass as a warning about the brevity of life. The withered flowers on the ground, too, symbolize transience. Young couples overtaken by Death was a popular theme in the 16th and 17th century, when life was shorter and death always around the corner.
Het Arminiaans Testament, 1618
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maurice (prince of orange), cologne
Inscriptions: collector's mark: Lugt 240

Gedetailleerde allegorische voorstelling waarin de arminianen bespot worden. De prent is een bewerking van een oude plaat van Simon Frisius vervaardigd in 1609 ter gelegenheid van het Bestand. Centraal in de voorstelling staat een toren met kleine scènes van de verrichtingen van de arminianen in de steden van Utrecht, Leiden, Haarlem, Rotterdam, Gouda, Schoonhoven, Hoorn, Alkmaar en Kampen. Op de toren staan de waardgelders en personificaties van Afgunst, Bedrog, Laster, Verleiding en Dwaling. Op de voorgrond, aan de voet van de toren, zitten de zeven provinciemaagden. Links en rechts torens van de prins van Oranje en de Nederlandse Leeuw. In de lucht vliegen Faam en Tijd.
Paardenstal
Object type: print
Date: 1638 – 1658
Materials: paper
Techniques: engraving, etching
Subjects: barn, agricultural products and by-products: hay, saddle, horse
Inscriptions: collector's mark: Lugt 240

In een stal eet een aangelijnd paard hooi uit een ruif, het paard ernaast unirneert overvloedig. Op de binnenplaats, op de achtergrond, zadelt een jongen een derde paard. Boven de deur naar de binnenplaats hangt een beeltenis.
Fishing for Shells
Object type: painting
Date: 1885 – 1885
Materials: canvas, oil
Artist: jacob maris
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1899
Subjects: shell fishery, beach
Inscriptions: signature: ‘J. Maris’

Fishermen comb the shoreline with their nets in search of shells, their diminutive figures dwarfed by the expansive beach around them. However, the true star of the composition is the broadly painted sky. Maris used a host of grey and white shades to capture the silvery light of a day by the sea. He was fascinated by the pristine Dutch coastal landscape, which was gradually changing with the advent of tourism.
Blouse
Object type: blouse
Date: 1801 – 1833
Materials: cotton, glass
Belt buckle
Object type: belt buckle
Date: 1735 – 1796
Materials: cotton, metal, stone
Culture: chinese

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Chasuble
Object type: chasuble
Date: 1701 – 1800
Materials: metal thread, silk
Liggende jager
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: lying face downwards, hunter
Inscriptions: collector's mark: Lugt 2228

Op de grond liggende, opkijkende jager. Getekend op de achterzijde van een deel van een envelop of brief geadresseerd aan Tavenraat.
Show Towel
Object type: towel
Date: 1794 – 1794
Materials: linen, silk
Techniques: embroidery
Culture: american
Location: united states
La Porte, New York, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Staande vrouw grijpt een boomtak
Object type: drawing
Date: 1870 – 1923
Materials: chalk, paper
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: wooden shoes, clogs, anonymous historical person portrayed alone - bb - woman
Inscriptions: label: ‘W.F. / T. 32’
Hoofd
Object type: sketchbook leaf
Date: 1916 – 1916
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: head (human)

Blad 66 recto uit een schetsboek met 72 bladen.
Ex libris van A.A. Vorsterman van Oyen
Object type: bookplate
Date: 1855 – 1912
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: antonie abraham vorsterman van oijen, beasts of prey, predatory animals: lion, armorial bearing, heraldry
Textile
Object type: textile
Date: 1850 – 1899
Materials: silk
Gezicht op de Veerhaven te Rotterdam
Object type: print
Date: 1834 – 1867
Materials: paper
Techniques: engraving
Location: darmstadt
Subjects: harbour, city-view in general; 'veduta', ships (in general)
Inscriptions: collector's mark: Lugt 2233
Bei der Arbeit
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: photochemical processes
Artist: Anonymous
Subjects: painter, print maker, draughtsman, ephraim moshe lilien, artist at work, in his workshop (+ graphic arts), printing press, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228, inscription: ‘Bei der Arbeit’

Ephraim Moshe Lilien in zijn atelier, bezig met het schoonmaken van een koperplaat. In de achtergrond een plaatpers.
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic
Gezicht op kasteel IJsselstein
Object type: print
Date: 1711 – 1774
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacobus schijnvoet
Artist role: draughtsman, print maker
Artist dates: 1685 – 1743
Subjects: castle
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent als illustratie opgenomen in: Smids, Ludolph. Schatkamer der Nederlandsse[!] oudheden; of Woordenboek, behelsende Nederlands steden, Amsterdam: Pieter de Coup, 1711. Verscheen tevens in de heruitgave van voorgenoemd werk in 1737 en 1774. In 1721 verscheen er een uitgave met alleen de prenten: Nederlandsche oudheden, bestaande in zestig verbeeldingen (...) gelegen in Holland, 't Sticht van Utrecht en Gelderland enz. Amsterdam: Hendrik Bosch, 1721.
Kussend jong paar, een man in de kracht van zijn leven, een grijsaard en een stokoude man
Object type: print
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: human races; peoples; nationalities (+ sex and age), the ages of man, clothes, costume (+ women's clothes), proverbs, sayings, etc., clothes, costume (+ men's clothes)
Inscriptions: inscription: ‘Dit doe ik al den dag En ik als ik mag Mij gedenkt dat ik vlag Wat doet men dan nu?’

Vier mannen in verschillende leeftijden op een rij naast elkaar staand. Links een jongeman die een dame omhelst. Daarnaast een volwassen man met opgeheven arm. Als derde op de rij een man op leeftijd, gekleed in korte cape, muts op het hoofd, op zijn vingers tellend. Geheel rechts een oude man, krom lopend, leunend op een stok. Verwijzingen naar de seksuele capaciteiten van de man in verschillende levensfasen.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: silver alloy, gold
Culture: japanese
Location: japan
Subjects: fish
Headband:  Basket of Fruit
Object type: print
Date: 1600 – 1688
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: fruit
Elevation of the Interior of a Columbarium
Object type: drawing
Date: 1710 – 1727
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: pietro paolo coccetti (cocchetti)
Artist role: artist
Artist nationality: italian
Artist dates: 1710 – 1727
Subjects: architecture,buildings
Haven van Hamburg
Object type: print
Date: 1851 – 1924
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: harbour
Inscriptions: collector's mark: Lugt 2228

Zeilboten en -schepen in de haven van Hamburg.
Robert E. Burks, Shortstop, Sioux City Corn Huskers, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Aankondiging van een inboedelveiling te Ankeveen, 1839
Object type: poster
Date: 1810 – 1839
Materials: paper
Techniques: letterpress printing
Location: weesp
Artist: jan christoffel vaarberg vaarberg
Artist role: printer
Artist dates: 1797 – 1851
Subjects: ankeveen
Inscriptions: stamp: ‘Koninkrijk der Nederlanden / buiten gewoon te zegelen’, collector's mark: Lugt 2228, stamp: ‘Buitengewoon Zegel Noord-Holland / 2 1/2 C.’

Aankondiging van de veiling van de inboedel van Maria Han, weduwe van Jan van Blarcum junior, op 8 oktober 1839 en de twee daarop volgende dagen.
Pumps
Object type: pump
Date: 1860 – 1869
Materials: leather
Culture: french
Oude boom
Object type: print
Date: 1826 – 1828
Materials: paper
Techniques: lithograph
Location: dordrecht
Artist: adrianus van der koogh
Artist role: draughtsman, print maker
Artist dates: 1796 – 1831
Subjects: trees
Inscriptions: collector's mark: Lugt 2228

In 1826 gaf Steuerwald & Comp een serie boomstudies uit van Adrianus van der Koogh, bedoeld voor het tekenonderwijs. In de collectie van het Rijksmuseum bevinden zich de omslag voor deze eerste bundel uit 1826 (RP-P-OB-28.980) en de titelprent voor een tweede bundel uit 1828 (RP-P-OB-68.274). In de literatuur wordt enkel de uitgave in 1826 genoemd. Zie: Kramm, 1859.
Fatigue Dress, Lieutenant General, Spain, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,profiles,generals

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Gezicht op Frankfurt am Main
Object type: print
Date: 1851 – 1902
Materials: paper
Techniques: lithograph
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: church (exterior), bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 60.
Relief of Ramesses IX
Object type: relief, ramesses ix
Date: 1126 – 1108
Materials: limestone
Location: egypt
Subjects: kings,hieroglyphs

Ramesses IX is shown seated at left within a shrine, facing a hymn of praise in his honor. The inscription likens the king to the creator gods Ra and Khnum.
Gig (unnumbered)
Object type: drawing
Date: 1850 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Accademia di Belle Arti - Amorini che danzano per il ratto di Proserpina; Albano
Object type: photograph
Date: 1856 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Subjects: picture, painting
Inscriptions: number: ‘203.’, collector's mark: ‘VOSMAER’
Portret van Marioetari
Object type: page
Date: 1883 – 1884
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: historical persons, indigenous peoples of south america, tot, toddler ~ the ages of man, amsterdam
Inscriptions: inscription: ‘Collection du Prince Roland Bonaparte/ Phototypie Roche’

Portret van Marioetari, een Caraïb uit Suriname, gefotografeerd op de Internationale Koloniale en Uitvoerhandel Tentoonstelling, Amsterdam 1883.
Portret van Catharine van Tussenbroek
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: lithograph
Artist: willy sluiter
Artist role: draughtsman, painter, print maker
Artist dates: 1873 – 1949
Subjects: utrecht, amsterdam, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Glass mosaic carinated bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent light blue appearing green, purple appearing brick red, and opaque yellow. Outsplayed, almost horizontal rim with rounded edge; carinated side, with part of one narrow convex curve, turning sharply downward at bottom. Composite mosaic pattern formed from polygonal sections of a single cane in light blue with an irregular pattern of yellow rods and a central yellow rod surrounded by a red (?) circle. Polished interior; pitting of surface bubbles and deep weathering of circle around central rod on interior; dulling, deep pitting, and iridescent weathering on exterior, outer edge of rim, and jagged edges.
Decanter
Object type: decanter
Date: 1801 – 1833
Materials: glass
Dress
Object type: dress
Date: 1795 – 1795
Materials: cotton
Culture: british
Pommel Plate
Object type: pommel plate
Date: 1601 – 1800
Materials: gold, iron, silver
Culture: eastern tibetan or chinese
Location: china
Aanslagbiljet op naam van Paulus van Liebergen
Object type: document
Date: 1655 – 1655
Materials: ink, paper
Techniques: letterpress printing, pen
Location: amsterdam
Subjects: tax collection, tax payment, amsterdam
Inscriptions: collector's mark: Lugt 1641b, inscription: ‘28’

Inzake betaling van de tweehonderdste penning met schriftelijke aantekening dat deze is voldaan op 21 april 1655. Onderwerpsrubriek binnen de Atlas Amsterdam: Belastingen.
Scarab Inscribed with the Throne Name of Thutmose I
Object type: scarab, thutmose i, aakheperkare
Date: 1504 – 1492
Materials: stone
Location: egypt
Subjects: hieroglyphs,scarabs
Friedrich Wilhelm, Kronprinz von Preussen
Object type: print
Date: 1820 – 1870
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: berlin, frederik willem iv (koning van pruisen), adult man, historical persons, civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 4519
Portret van Charlotte Hooykaas van der Linden met haar zoon
Object type: carte de visite
Date: 1891 – 1922
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: johan christiaan reesinck
Artist role: fotograaf
Artist dates: 1838 – 1922
Subjects: historical persons
Inscriptions: workshop stamp: ‘Reesinck, J.C./ Zutphen Deventer’, annotation: ‘Charlotte Hoogkaas v.d. Linden met zoon Piet’
Ontwerp voor twee begrafeniskruizen of -staven
Object type: drawing
Date: 1680 – 1700
Materials: chalk, paper
Inscriptions: watermark: ‘naar links lopende leeuw’, collector's mark: Lugt 3893, collector's mark: ‘Lodewijk Houthakker (L. 3893)’
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Part of the bent leg of a male to right; right hand and part of the forearm of a male to left (komasts?)
Preussischer Schreib-Kalender für Damen
Object type: book
Date: 1863 – 1863
Materials: paper, photographic support
Techniques: albumen print, printing
Location: berlin
Rommelpotspelende jongen
Object type: drawing
Date: 1637 – 1637
Materials: chalk, parchment, pencil
Artist: anna van n.h.
Artist role: draughtsman
Subjects: improvised musical instruments: rumbling pot, 'music' of children
Yokei Tsukuri Niwa no Zu
Object type: book
Date: 1695 – 1695
Techniques: woodblock print
Location: japan
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694