deem-data/ArtiFact huggingface dataset:
Man Sleeping on a Bamboo Couch
Object type: album leaf
Date: 1300 – 1435
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist

The three-panel screen painting within this painting creates a metaphorical, as well as illusionistic, space within an intimate composition. The sleeping scholar, his contented face turned toward the viewer, seems to be dreaming peacefully. The artist cannot depict the gentleman's dream, but the mesmerizing pattern of waves covering the screen that encloses the man is highly suggestive of his serene state of mind.
Tekenende jongen
Object type: drawing
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: draughtsman at work
Portret van August Beernaert
Object type: photomechanical print
Date: 1910 – 1930
Materials: paper
Techniques: photograph
Subjects: politician, historical persons
Guqin (古琴 )
Object type: qin
Date: 1801 – 1900
Materials: horn, mother of pearl, silk, wood
Culture: chinese
Location: china

Endowed with cosmological and metaphysical significance and empowered to communicate the deepest feelings, this zither, beloved of sages and of Confucius, is the most prestigious instrument in China. Han Dynasty (206 B.C.-220 A.D.) writers state that the qin helped to cultivate character, understand morality, supplicate gods and demons, enhance life, and enrich learning. Ming Dynasty (1368-1644) literati who claimed the right to play the qin suggested that it be played outdoors in a mountain setting, a garden or a small pavilion or near an old pine tree (symbol of longevity) while burning incense perfumed the air. A serene moonlit night was considered an appropriate time for performance. Each part of the instrument is identified by an anthropomorphic or zoomorphic name and cosmology is ever present: for example, the upper board of wutong wood symbolizes heaven, the bottom board of zi wood symbolizes earth. Qins over a hundred years old are considered best, the age determined by the pattern of cracks (duanwen) in the lacquer. The 13 studs (hui) indicate finger positions. Strings of varying thicknesses are made of twisted silk.
Pair of vases
Object type: vase
Date: 1870 – 1886
Materials: stoneware
Subjects: insects,butterflies
Sword with Scabbard Mounts
Object type: sword with scabbard
Date: 501 – 600
Materials: gilt bronze, copper gilt, iron, silver
Culture: japanese
Location: japan
Design for Jersey Wagon
Object type: drawing
Date: 1850 – 1870
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Apostle spoon
Object type: apostle spoon
Date: 1565 – 1566
Materials: gilt, silver
Artist: john foxe
Artist role: maker
Artist nationality: british
Artist dates: 1546 – 1597
Subjects: men
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Interior, four thin black glazed lines and an unidentified object; Exterior, bit of a reserve line
To C.W. Field, and his Telegraph Companies, Universal Exhibition, Paris, 1867
Object type: medal
Date: 1867 – 1867
Materials: gold
Artist: françois-joseph-hubert ponscarme
Artist role: artist
Artist nationality: french
Artist dates: 1827 – 1903
Subjects: eagles,napoleon iii,profiles,coat of arms
Full Evening Dress
Object type: childrenswear
Date: 1850 – 1856
Materials: cotton, metal, textile, silk
Location: netherlands
Artist: Anonymous

The boat neck was reserved for eveningwear. Day dresses were higher-necked and usually had long sleeves. The pointed bodice of this dress is fitted with whalebones, and a medium-size crinoline (hooped petticoat) was worn under the skirt. The striped fabric, which became fashionable around 1855, is incorporated into the design both horizontally and vertically.
Slapende soldaat
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: lithograph
Subjects: sleeping on the ground - bb - out of doors, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Brief aan Mien Cambier van Nooten
Object type: letter
Date: 1912 – 1940
Materials: ink, paper
Techniques: pen, writing
Location: bennekom
Artist: dick ket
Artist role: draughtsman, print maker
Artist dates: 1902 – 1940
Subjects: mien cambier van nooten, johan mekkink, singapore, w. jos de gruyter, music, literature ~ arts, arnhem

Brief gedateerd 'wrsch Aug '40' in latere hand.
Gezicht op de Singel, op de achtergrond de Munttoren, Amsterdam
Object type: photograph
Date: 1895 – 1918
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: willem de jong (fotograaf)
Artist role: arts, fotograaf
Artist dates: 1864 – 1918
Subjects: defence of fortification or city, canal
Plattegrond van Schoonhoven
Object type: area plan
Date: 1632 – 1649
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities

Prent ook gebruikt in: Boxhorn, Marcus Zuerius van. Theatrum sive Hollandiae comitatus et urbium nova descriptio (…). Amsterdam: Henricus Hondius, 1632. En in sommige exemplaren van: Blaeu, Johannes Willemszoon. Novum ac magnum theatrum urbium Belgicae (...). 2 delen. 2e druk. Amsterdam: Johannes Willemszoon Blaeu, 1649, dl. 1.
Nationaal Herstel
Object type: newspaper
Date: 1934 – 1934
Materials: paper
Techniques: printing
Location: the hague
Subjects: the hague, hendrik (prins der nederlanden (1876-1934)), netherlands

Krant over het overlijden van prins Hendrik, nr. 11 van de 2de jaargang van de "Nationaal Herstel", 4pp voorpagina zwart omkaderd.
Hemispheroid seal with addorsed Egyptianizing human heads
Object type: stamp seal
Date: 1991 – 1786
Materials: stone
Location: lebanon
Subjects: heads
String of 46 Cowroids Inscribed with Various Hieroglyphs
Object type: cowroids 46, nefer, heka, maat, ankh, sa
Date: 1390 – 1352
Materials: faience
Location: egypt

These cowrie-shaped beads are inscribed on the base with various hieroglyphs including the ankh (life), nefer (beautiful or good), and maat (truth). They were found together with other beads and pendants. The cowries were strung together for convenience, but it is possible they worn as a necklace.
Auguste Danse aan de schildersezel
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: louise danse
Artist role: painter, print maker
Artist dates: 1867 – 1948
Subjects: brussels, print maker, auguste danse, painter at work, in his studio
Inscriptions: collector's mark: Lugt 2228, annotation: ‘1re Etat’
Basin
Object type: basin
Date: 1800 – 1809
Materials: pewter
Culture: american
Location: united states
Artist: gershom jones
Artist role: maker
Artist nationality: american
Artist dates: 1751 – 1809
Pitcher
Object type: pitcher
Date: 1800 – 1830
Materials: stoneware
Culture: american
Location: united states
Ce qu'on voit et ce qu'on ne voit pas! / Was man sieht und nicht sieht! / What one sees, and what one does not see!
Object type: print
Date: 1825 – 1875
Materials: paper
Techniques: lithograph, drawing
Subjects: private soldier, pleasure fair and circus, peep-show
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Een jongen en een vrouw kijken door een van de vensters van een kijkkast. Naast de kast zit de eigenaar met een bord met munten op zijn schoot. Naast hem een hond en een ezel. Rechts staan drie soldaten; een van hen omhelst een jonge vrouw. In de achtergrond klimt een jongen omhoog langs een paal. De paal en de kijkkast zijn versierd met Franse vlaggen. Linksonder genummerd: No. 271.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head, shoulders, and upper back in three-quarter view, of filleted youth to left
Ezophus leert en beveelt aan alle dieren / Dat yder zal leven in goede manieren
Object type: print
Date: 1725 – 1780
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: animals, fables
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met 24 voorstellingen uit de fabelen van Aesopus. Onder elke afbeelding een tweergelig vers. Genummerd rechtsboven: 35.
Model of a 40-Gun Dutch East Indiaman
Object type: show model
Date: 1780 – 1780
Materials: brass, glass, iron, leather, fiber, wood
Techniques: polychromy
Location: amsterdam
Subjects: ship-model
Inscriptions: inscription, on the stern: ‘17 VERGELIJKING.80.’

De beheerders van de Marinemodellenkamer lieten niet alleen nieuwe modellen bouwen, maar brachten soms ook ‘verbeteringen’ aan op bestaande modellen. Dit scheepsmodel van een 18de-eeuwse Oost-Indiëvaarder is een eeuw later door J.P. Asmus van een noodfokkenmast en bliksemafleiders voorzien. De VOC had geen schip Vergelijking in gebruik; de naam doet vermoeden dat het model nieuwe scheepsbouwtechnieken inzichtelijk moest maken.
Phineus en zijn volgelingen in steen veranderd
Object type: book illustration
Date: 1569 – 1569
Materials: paper
Techniques: letterpress printing
Location: frankfurt am main
Subjects: scrollwork, strapwork ~ ornament, phineus and his attendants are turned into stone

Illustratie bij de Metamorfosen van Ovidius, afkomstig uit de publicatie: Posthius, Johannes. Tetrasticha in Ovidii metam. Frankfurt am Main: Georg Rab en Sigmund Feyerabend en erven Weigand Han, 1569. De voorstellingen en ornamentranden van deze boekillustraties zijn van twee aparte blokken gedrukt. Beide werden afzonderlijk van elkaar ook gebruikt voor andere publicaties, en de ornamentranden werden eveneens binnen deze publicatie meerdere keren gebruikt.
Prenten naar tekeningen van Claude Lorrain
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: london
Subjects: crossing a river, city-view, and landscape with man-made constructions - ii - ideal landscapes, cattle driving, cattle driver, pastorals, arcadian scenes
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze prenten werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Wapenschild van Pruisen
Object type: plaque
Date: 1817 – 1845
Materials: iron
Techniques: casting
Artist: henri-françois brandt
Artist role: painter
Artist dates: 1789 – 1845

eenzijdige plaquette. Voorzijde: gekroond wapenschild, omhangen met ordeteken en geflankeerd door twee half naakte mannen met knots. Keerzijde: blanco
Gezicht op een palazzo gelegen aan de Tiber
Object type: album leaf
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: augsburg
Subjects: hôtel, i.e. small palace in city
Inscriptions: collector's mark: Lugt 2228

Tekst in het Duits in de ondermarge. Rechtsonder genummerd: 22. Prent maakt deel uit van een album.
Portret van Jan Jacob Lodewijk ten Kate
Object type: album leaf
Date: 1877 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: w. canter
Artist role: fotograaf
Subjects: the hague, amsterdam, jan jakob lodewijk ten kate, historical persons, writer, poet, author
Inscriptions: date: ‘31 december 1877’, annotation: ‘J.J.L. ten Kate/ foto W. Canter’
Man probeert de krant te lezen van de rug van een krantenjongen
Object type: print
Date: 1814 – 1846
Materials: paper
Techniques: lithograph
Location: paris
Subjects: reading, newsboy, newsman, caricatures (human types), newspaper, news-sheet
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Bar F. Heeckeren / Utrecht / ft.’, inscription: ‘Copie naar een fransche / gravure uit "Musée / grotesque" no. 3 (bis) van / Maleuvre. Getekend / "A Paris, chez Martinet / Li(...), rue du Coq no. 15"’

Deze prent is een kopie naar een prent uit 'Musée Grotesque'. Dit was een serie satirische prenten die bestond uit minstens 65 prenten, gepubliceerd in Parijs tussen 1814 en 1829 en uitgegeven door Aaron Martinet. Deze prent, nummer 3 uit de serie, werd mogelijk ontworpen door Pierre Maleuvre in 1814.
Garment Plaque with Raptor's Heads
Object type: garment plaque
Date: 600 – 401
Materials: bronze
Culture: chinese or mongolian
Gravure op ivoor. Portret van een man.
Object type: plaque
Date: 1700 – 1800
Materials: ivory
Techniques: engraving
L'Architecture la Décoration l'Ameublement
Object type: photograph
Date: 1873 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: liège
Subjects: clock, wall-covering
Inscriptions: stamp: ‘TEEKENSCHOOL/ VOOR/ KUNST-NIJVERHEID/ HAARLEM’, inscription: ‘Déposé’, inscription: ‘Eug. Prignot. inv.’, stamp: ‘AFGESCHREVEN/ [...]’, number: ‘19’

Deze foto maakt deel uit van een omslag met 61 foto's op 61 bladen.
Stool (one of a pair)
Object type: stool
Date: 1690 – 1690
Materials: velvet, wood

This stool and its mate (58.166.1) were formerly at Drayton House, Northamptonshire, England.
Constantinople
Object type: stereoscopic photograph
Date: 1860 – 1870
Materials: glass
Techniques: slide
Location: istanbul
Artist: ferrier (fotograaf)
Artist role: fotograaf
Subjects: harbour
Gezicht op de Botermarkt te Amsterdam met een nooit gebouwde koepelkerk
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: church (exterior), village square, place
Inscriptions: collector's mark: Lugt 2233, inscription: ‘bis 504’
H. Franciscus biddend
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata
Inscriptions: collector's mark: Lugt 240
Het Damrak te Amsterdam met passanten
Object type: stereograph
Materials: cardboard
Techniques: albumen print
Location: damrak
Inscriptions: annotation: ‘Juni 17 in 1867’, label
Bowl
Object type: bowl
Date: 1820 – 1820
Materials: enamel, porcelain
Culture: japanese
Allegorische voorstelling met vrouw met meetinstrumenten en engel
Object type: book illustration
Date: 1714 – 1714
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: measuring-instruments, prisoner; in fetters, angels

Op een verhoging zit een vrouw met passer en vleugels aan het hoofd naast een globe. Bij haar voeten liggen een meetlat en kompas. Een engel met een tak en boekrollen in de hand overhandigt haar munten. Tussen de twee figuren staan een haan en een hond. Rechts tegen de verhoging zit een geboeide figuur als personificatie van het verslagen koninkrijk Judea, bij haar liggen een tulband en kroon. In de achtergrond een gezicht op de stad Jaffa aan zee waarop zeilschepen varen. De voorstelling is onderdeel van een kaart van Palestina en Israël.
Bowl
Object type: bowl
Date: 1601 – 1700
Materials: earthenware
Techniques: luster painting, glazing
Subjects: birds

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
De Kroniek
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: the hague
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: birds
Inscriptions: date

Prent uit het bijvoegsel van: De Kroniek 1 (1895), 17 november 1895.
Kade met schepen, mogelijk het Damrak te Amsterdam
Object type: sketchbook leaf
Date: 1901 – 1907
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: ships (in general), quay
Inscriptions: kleurnotitie, handgeschreven

Pagina 14 uit een schetsboek met 72 bladen.
Portret van Georges Cuvier
Object type: print
Date: 1795 – 1849
Materials: paper
Techniques: engraving, etching
Subjects: paris, historical persons, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228
Scepter (ruyi) with gourds and vines
Object type: scepter
Date: 1767 – 1833
Materials: ivory, pigment
Culture: chinese
Subjects: vines

Used as a display item, this scepter takes the shape of a fungus known as a ruyi, a rebus for "as your wish."
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, leg of a mounted Scythian or Amazon?
Gezicht op de Vecht bij Zuilen
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: river (+ landscape with figures, staffage), village (+ city(-scape) with figures, staffage), vecht

Prent gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719. Prent ook gebruikt in: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Abklatsch van de krijttekening op pagina 71
Object type: sketchbook leaf
Date: 1886 – 1891
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 70 uit een schetsboek met 40 bladen.
Ex libris van Toni en Fanny Hofer
Object type: bookplate
Date: 1937 – 1937
Materials: paper
Techniques: engraving
Location: france
Artist: valentin le campion
Artist role: print maker
Artist dates: 1861 – 1952
Subjects: painter, toni hofer, standing figure - aa - female human figure, flowers: rose, printed matter
Brief aan Jan Veth
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, writing
Location: charlottenburg
Artist: wilhelm von bode
Artist role: conservator, kunsthistoricus, museumdirecteur
Artist dates: 1845 – 1929
Subjects: painter, print maker, draughtsman, designer, jan veth
Inscriptions: watermark, collector's mark: ‘RPK’
Portret van een onbekende man
Object type: print
Date: 1843 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: eyeglasses, spectacles, walking-stick, staff, historical persons (+ half-length portrait), head-gear: top hat
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit op een stoel. Hij draagt een bril en heeft een wandelstok in zijn rechterhand. Naast hem, op de tafel, ligt een omgekeerde hoge hoed.
Sculpture
Object type: sculpture
Date: 1933 – 1933
Materials: brass
Techniques: casting
Location: amsterdam
Artist: jacob bendien
Artist role: draughtsman, print maker
Artist dates: 1890 – 1933

Jacob Bendien and Jan van Deene, both from Amsterdam, became friends in Paris in 1912. They each found a studio in the Montparnasse district and made their first abstract paintings there. Twenty years later, Bendien created an abstract sculpture in the same style: an upward-pointing form that seems to want to break free from its pedestal.
"Renaissance" Fringe
Object type: textile
Date: 1501 – 1600
Materials: fiber, gilt, gold, metal, silk
Techniques: patterning, weave
Location: italy
Jachthonden
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: hunting, chase, hunting dogs
Inscriptions: collector's mark: Lugt 2228
Klimvogels
Object type: print
Date: 1865 – 1875
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Subjects: ornamental birds: cockatoo
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van kaketoes. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 24.
Ontwerpen om in goud, zilver, hout en steen uit te werken
Object type: ornament print
Date: 1651 – 1653
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: container of metal: bucket, can, canister, drum, tin
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Portret van Gudrun Hildebrandt
Object type: photograph
Date: 1900 – 1909
Materials: paper, ink
Techniques: gelatin silver print, pen, writing
Location: vienna
Artist: Anonymous
Subjects: portrait of actor, actress
Inscriptions: inscription: ‘M A/ Anna van Aalst/ p.a. Mevrouw Sillenis/ Kerk-Avezaaht’, number: ‘1381/82’
Trade Card for Castildine & Dunn, Copper Plate Engravers
Object type: print, trade card
Date: 1796 – 1796
Techniques: engraving
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Venus, plate five from The Seven Planets with the Zodiacs
Object type: print
Date: 1539 – 1539
Materials: paper
Techniques: engraving
Location: germany
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550