deem-data/ArtiFact huggingface dataset:
Portret Carl Adolph von Wachsmann
Object type: print
Date: 1817 – 1877
Materials: paper
Techniques: etching, roulette
Location: berlin
Artist: auguste hüssener
Artist role: print maker
Artist dates: 1789 – 1877
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Andreas
Object type: print
Date: 1555 – 1565
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll, adult christ together with apostles, evangelists, saints, etc., the twelve apostles (as a group), usually with books or scrolls (not in biblical context)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Slechts één andere, complete serie bekend: in de Koninklijke Bibliotheek te Brussel. Proefdrukken, vóór de opschriften van de namen van Christus en de apostelen.
Utrecht, zilveren rijder, 1790
Object type: coin
Date: 1790 – 1790
Materials: silver
Techniques: striking
Location: utrecht

Zilveren munt. Voorzijde: ridder te paard naar rechts met in rechterhand zwaard. Onder paard gekroond wapenschild van Utrecht. Keerzijde: door twee gekroonde leeuwen gehouden generaliteitswapenschild. Daaronder in cartouche jaartal. Kabelrand.
Moitié de la façade du Spéos d'Athor, à Abousembil (partie méridionale)
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Christus en de maagd maria verschijnen aan de Heilige Franciscus en zijn orde
Object type: print
Date: 1581 – 1633
Materials: paper
Techniques: engraving
Artist: raphaël sadeler (ii)
Artist role: print maker
Artist dates: 1584 – 1632
Subjects: monastic orders, monastic life ~ roman catholic church (with name of order), after the miracle of the roses, christ and mary appear to st. francis of assisi in the portiuncula chapel (+ angel(s))
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond enkele franciscaner monniken. Ze lezen uit een bijbel. Op de grond liggen de symbolen van wereldlijke en geestelijke macht (kroon, mijter en kardinaalshoed). Op een heuvel knielt de H. Franciscus voor de verschijning van Christus en de maagd Maria. Onder de verschijning de activiteiten van de orde der Franciscanen.
Alabaster pyxis (lidded jar)
Object type: pyxis with lid
Date: 500 – 301
Culture: cypriot

This vase is probably of Egyptian workmanship.
Jardinère, Candelabre, Fleurs & Feuillages
Object type: print
Date: 1850 – 1860
Materials: paper
Techniques: lithograph
Location: paris
Artist: claude nicolas malapeau
Artist role: print maker
Artist dates: 1755 – 1803
Subjects: flowers, chandelier, candelabrum, container made of plant material other than wood: basket
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Goupil, Vibert & C / Editeurs / A Paris’

Links een kandelaber met een vrouw en putti. In het midden bloemen en ranken in een ornamentele omlijsting. Rechts een mand met bloemen op een opengewerkt voetstuk. Rondom de drie afbeeldingen een omlijstingen van ranken.
Portret van een man met snor
Object type: carte de visite
Date: 1861 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: william elliot debenham
Artist role: fotograaf
Artist dates: 1839 – 1924
Subjects: sitting figure, moustache, adult man, historical persons
Inscriptions: inscription: ‘W. E. Debenham, Photographer/ 158, Regent St./ W.’
Van velerlei gebak en ook van lekkernij, / Is deze prent voorzien, wat uwe keus ook zij, / Beschouw dus, lieve jeugd, haar steeds tot uw vermaak, / En kies er alles uit, dat is naar uwen smaak
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: vegetables, cake, tart, pastry, bread, loaf, fruits
Inscriptions: collector's mark: Lugt 2760

Blad met 36 voorstellingen van etenswaren, zoals roggebrood, zalm, peer en knol. Onder elke afbeelding een onderschrift. Genummerd midden boven: No. 20.
Fragment van een tuinlandschap met figuren en twee studies van een vrouw
Object type: design
Date: 1715 – 1798
Materials: chalk, ink, paper, pencil
Techniques: brush, pen
Artist: dionys van nijmegen
Artist role: draughtsman, painter
Artist dates: 1705 – 1798
Portret van Ferdinand van Beieren
Object type: print
Date: 1574 – 1637
Materials: paper
Techniques: engraving
Location: unknown
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: ferdinand van beieren
Inscriptions: collector's mark: Lugt 2228

Portret van de bisschop Ferdinand van Beieren, eronder zijn devies in het Latijn.
Vrouw in een hoepelrok zit een man achterna die op een koets klimt
Object type: stereograph
Date: 1861 – 1890
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: adult woman, adult man
Duitse heraut
Object type: print
Date: 1500 – 1559
Materials: paper
Techniques: woodcut
Subjects: herald
Inscriptions: verso, gestempeld
A Snow Slide in the City
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
The Nine Old Men of Mount Xiang (Kozan kyuro), from the series "A Set of Ten Famous Numbers for the Katsushika Circle (Katsushikaren meisu juban)"
Object type: print
Date: 1828 – 1828
Techniques: woodblock print, surimono
Location: japan
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Interior, hand holding drinking horn?; part of an inscription, PAR?
Minden, Werstfalen, noodmunt van 8 Mariengroschen, 1634
Object type: acht mariëngroschen
Date: 1634 – 1634
Materials: silver
Techniques: striking

Zilveren vierkante noodmunt. Voorzijde: in twee regels opschrift: MINDA OBSESSA, waaronder jaartal. Keerzijde: in twee regels waarde-aanduiding met klop stadswapen: twee gekruiste sleutels.
Bruxelles. Statue des Comtes d'Egmont et de Hornes
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: brussels, park, monument, statue
Young Mother Gazing at Her Child
Object type: painting
Date: 1871 – 1871
Materials: canvas, oil
Artist: william bouguereau
Artist role: artist
Artist nationality: french
Artist dates: 1825 – 1905
Subjects: children,mothers,women
Plate with two Chinese figures in a landscape, floral scrolls and a panel decoration
Object type: plate dish
Date: 1625 – 1675
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: arita
Artist: Anonymous

Bord van porselein met een geschulpte rand, beschilderd in onderglazuur blauw. Op het plat een medaillon met twee zittende Chinese personen in een landschap; om het medaillon een band met ranken. De wand en rand zijn verdeeld in brede en smalle vakken. De brede vakken met personen in een landschap of bloemranken, de smalle vakken met bloemranken. De achterwand met twee gestileerde ranken. Een barst in de wand. De decoratie is gebaseerd op Chinees kraakporselein. Bakzand aan de voetring. Arita, blauw-wit.
Figure
Object type: figure
Date: 1701 – 1800
Materials: bone
Culture: columbia river
Location: united states
Subjects: human figures
Gezicht op Athene
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sightseeing, landscape with ruins
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Spon, Jacob. Voyagie door Italien, Dalmatien, Grieckenland, en de Levant. Amsterdam: Jan Claesz ten Hoorn, 1689.
Field Officer, Artillery, United States Army, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: army,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Portrait of actress in profile facing right, from the Transparencies series (N137) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: profiles,women,actresses

Trade cards from the "Transparencies" series (N137), issued in an unnumbered set of 25 cards in the late 1880s by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco. Each image is printed on very thin paper, intended to be transparent when held up to the light.
Landscape with a Path between Trees
Object type: drawing
Date: 1886 – 1886
Materials: gouache, watercolor, paper
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: landscapes,trees
Moscow. The Gorky Central Recreation Park / Moskau. Im Zentralen Gorki-Park für Kultur und Erholung / Moscou. Au Parc de culture et de repos Gorki
Object type: photomechanical print
Date: 1956 – 1956
Materials: cardboard
Techniques: color autotype
Location: moscow
Artist: Anonymous
Subjects: park, garden
Inscriptions: date

De titel op object staat ook in het Russisch.
Zittend paar
Object type: print
Date: 1910 – 1937
Materials: paper, watercolor
Techniques: hand coloring, relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: other birds: dove, couple of lovers, dog
Inscriptions: collector's mark, annotation: ‘Met ongec. grijs/ 1e ongec. druk v/d 2e snede op v. Gelder pap met waterverf getint’

Illustratie voor een uitgave van een onbekend toneelstuk. Deze prent is waarschijnlijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Shofar
Object type: shofar
Date: 1801 – 1900
Materials: horn
Culture: russian
Location: russia
Nellie Rosebud, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Design for Landau, No. 3006
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Landschappen en zeegezichten met de lotgevallen van reizigers
Object type: album leaf
Date: 1700 – 1725
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view in general; 'veduta', arrival and return ~ travelling

Deze prent maakt deel uit van een album.
Reliëf van een apadana in Persepolis
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘PL. XIX’, inscription: ‘Imprimeries réunies_Editeurs. Imp. Eudes, à Paris_3.’

Deze prent maakt deel uit van een omslag met twintig prenten op zeventien bladen en vijftien tekstbladen.
Twee olifanten in een landschap
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: drypoint, etching
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: landscapes, trunked animals: elephant, mountains - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 240

Gezicht op een landschap met op de voorgrond twee olifanten. Op de achtergrond zijn bergen te zien.
The Holy Family
Object type: print
Date: 1535 – 1573
Techniques: etching
Artist: battista angolo del moro
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1573
Vogels eten kersen van een schaal
Object type: boekillustratie ontwerp
Date: 1915 – 1935
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: d. viel
Artist role: draughtsman
Subjects: birds, fruits: cherry, dish, plate, saucer
Inscriptions: collector's mark: Lugt 2228, signature: ‘D Viel’, :

Drie vogels zitten naast en in een schaal. Eén van de vogels heeft een kers in de bek. Onder de voorstelling de hoofdstuktitel versierd met kersen.
Two candlestick designs
Object type: print ornament architecture
Date: 1550 – 1560
Techniques: engraving
Artist: rené boyvin
Artist role: artist
Artist nationality: french
Artist dates: 1525 – 1598
Subjects: sphinx,candlesticks

Print with two designs for candlesticks. At left, a pyramidal design composed of sphinxes, cherubs, garlands, and scrollwork; at right, a pyramidal design composed of masks, masked figures, monstrous creatures, and scrollwork; from a series of nine designs for various metalwork objects possibly after Rosso Fiorentino or Léonard Thiry.
Illustrations of Honorable Anecdotes of Japan and China (Ehon wakan no homare) 絵本和漢誉
Object type: illustrated book
Date: 1850 – 1850
Materials: ink, paper
Culture: japanese
Artist: katsushika hokusai 葛飾北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: swords,men
Portretkoppen, spelende kinderen en figuren voor enkele huizen op het platteland
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: head (human), toddler, rural housing, e.g. country-house, villa, cottage

Blad 13 recto uit een schetsboek met 19 bladen.
Gezicht op een ijzeren spoorbrug
Object type: stereograph
Date: 1879 – 1910
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: suspension bridge, railway, train
Inscriptions: number: ‘3050’
Flowering Plants and Vegetables of the Four Seasons
Object type: screen
Date: 1701 – 1733
Materials: gold leaf, ink, panel, paper
Culture: japanese
Subjects: flowers,plants

These screens feature a profusion of flowering plants and vegetables painted with “boneless” brushwork (without outlines) in mineral colors and ink on a gold-leaf ground. They were created by an eighteenth-century follower of the Rinpa style established by Tawaraya Sōtatsu (ca. 1570–ca. 1640). Flowers and flowering grasses of the four seasons, including cotton roses, dandelions, irises, violets, and wild wisteria, are depicted on the right screen; vegetables—such as carrots, corn, eggplants, millet, peas, radishes, and turnips—predominate on the left. Thirty-four flowering plants and thirty-two vegetables have been identified. The broad-leafed vegetation on the left creates a bold visual contrast to the delicate flora on the companion screen. During the eighteenth century, Chinese pharmacology and Western botany drew the attention of Japanese intellectuals not only to plants linked to classical literary traditions but also to domestic flowers and vegetables in their natural environs.
Portret van een onbekende communicant achter een bidstoel
Object type: cabinet photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: brussels
Subjects: studio requisites ~ photographer, first communicant
Inscriptions: name: ‘Photo Compagnie Belge Maison principale Bruxelles 109, Rue Neuve (...)’
Portret van een zittende man voor een huis en een vrouw met baby achter het raam
Object type: album leaf
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: john h. williams
Artist role: fotograaf
Subjects: adult man, historical persons, mother and child(ren), woman and child(ren) (family group)
Inscriptions: inscription: ‘John H. Williams/ Phototgrapher/ 42, Hornsey Park Rd London, N.’
Art - Goût - Beauté, Feuillets de l' élégance féminine, Novembre 1928, No. 99, 9e Année, p. 23
Object type: fashion print
Date: 1928 – 1928
Materials: paper
Techniques: printing, lithograph, photography
Subjects: fashion plates, furniture and household effects, textile fabric, cloth
Inscriptions: title: ‘PETIT SALON’

Rechtsonder: kleine salon van Eric Bagge versierd met stoffering van Lucien Bouix. Linksboven: voorbeeld van een stof waarmee de kleine salon is bekleed. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1918
Materials: ink, paper
Techniques: pen, writing
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: thérèse schwartze, dordrecht, painter, print maker, draughtsman, designer, jan veth
Inscriptions: collector's mark: ‘RPK’
De chocolade
Object type: popular print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: chocolate, cocoa
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over de ontdekking van cacao in Amerika, en de verspreiding van chocolademelk in Europa. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 393.
Portret van Goverd Bidloo
Object type: print
Date: 1680 – 1690
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, leiden, govard bidloo
Inscriptions: collector's mark: Lugt 2228

Borstbeeld van de dichter en lijfarts van Willem III, Goverd Bidloo. Bidloo houdt een mes in zijn handen, als symbool voor zijn werk als chirurgijn.
Portret van Karel XIV Johan van Zweden
Object type: print
Date: 1802 – 1813
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons, crown prince
Inscriptions: collector's mark: Lugt 2228
Portret van Dirk Langendijk
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Artist: joannes bemme
Artist role: print maker, printer
Artist dates: 1775 – 1841
Subjects: painter, print maker, draughtsman, dirk langendijk, art (+ portrait, self-portrait of artist)
Inscriptions: collector's mark: Lugt 2228

Portret van de kunstenaar Dirk Langendijk met bontmuts.
Straat met poorten, vermoedelijk in Hyderabad
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: hyderabad
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: arch, archivolt ~ architecture, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Op de straat lopen figuren en er zitten figuren op de daken. In de verte de koepels, vermoedelijk van een tempel. Pagina 34 uit een schetsboek met 62 bladen.
Fashionable Beauties in a Chrysanthemum Garden (Furyu bijin kikubatake)
Object type: print
Date: 1810 – 1810
Techniques: woodblock print
Location: japan
Artist: kikukawa eizan
Artist nationality: japanese
Artist dates: 1787 – 1867
De H. Theresa door Christus gekroond
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ, crowned with thorns, appears to st. theresa and displays his wounds
Inscriptions: number: ‘16’, signature: ‘Adrian Collaert sculp.’, caption: ‘Constructo primo novae reformationis...fulgentissima redimitur.’

Prent in album 'Vita B. Virginis Teresiae A. Jesu ordinis carmelitarum excalceatorum piae restauratricis..., 1613.
Notebook with Views of the Excavations at Herculaneum and of Other Italian Cities
Object type: album
Date: 1750 – 1751
Materials: leather
Techniques: bookbinding
Artist: jérôme charles bellicard
Artist role: artist
Artist nationality: french
Artist dates: 1726 – 1786
Afbeelding van gildepenning [?] van het hoedemakersgilde te Amsterdam
Object type: medal
Date: 1674 – 1674
Materials: paper
Techniques: printing
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Eenzijdige afbeelding op papier; v.z: gekroond wapenschild, geflankeerd door twee leeuwen boven hoed binnen omschrift. Keerzijde: blanco.
Gezicht op het Rembrandtplein te Amsterdam
Object type: sketchbook leaf
Date: 1883 – 1885
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘[...] is oprecht/ [...]/ Eén ziet slecht met [...] beide oogen/ maar hier zit [...]’, annotation: ‘Rembrandtplein’

Pagina 23 en pagina 24 uit een schetsboek met 16 bladen.