deem-data/ArtiFact huggingface dataset:
Portret van prinses Emma
Object type: print
Date: 1880 – 1900
Materials: glass, leather, paper
Techniques: printing block
Artist: Anonymous
Subjects: the hague, emma (queen consort of the netherlands), adult woman, historical persons (portraits and scenes from the life) - bb - woman
Portret van Jacobo Willem Bos als student
Object type: page
Date: 1910 – 1920
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons, youth, adolescent
Standbeeld van Peter I van Brazilië op het Pedro IV-plein in Lissabon
Object type: carte de visite
Date: 1855 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: lisbon
Artist: francisco rocchini
Artist role: fotograaf
Artist dates: 1822 – 1895
Subjects: square, place, circus, etc., monument, statue
Inscriptions: inscription: ‘Travessa da Água de Flor N.º 1 - 2.º andar/ defronte da Torre de S. Roque/ LISBOA/ Encarrega-se de fazer todos os objectos p.a Photographia.’, inscription: ‘DEPOSITADA’
Schets van een driemaster
Object type: drawing
Date: 1834 – 1893
Materials: paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: sailing-ship, sailing-boat
Inscriptions: date: ‘Octob.’
Panel (Furnishing Fabric)
Object type: textile
Techniques: brocade
Location: china
Ceramic Fragment
Object type: fragment
Date: 801 – 900
Materials: earthenware
Location: iraq
Fragment
Object type: textile
Techniques: compound weave
Location: peru
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: birds,lotuses
Stucco Fragment
Object type: fragment
Date: 701 – 1200
Materials: stone
Techniques: carving, painting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Fragment van een borduursel
Object type: embroidery
Date: 1500 – 1600
Materials: gold thread, linen, textile, silk
Techniques: embroidered
Location: italy
Artist: Anonymous

Fragment van een geborduurde praetexta of aurifries van een dalmatiek. Het fragment bestaat uit rood satijn op een linnen voering. Het borduurwerk heeft rinceaux van goud en zijde in de kleuren geel en groen. Het fragment hoort bij twee fragmenten met invnrs. BK-NM-1239-B-2 en BK-NM-1239-B-3.
Altar candlestick (one of a pair)
Object type: candlestick
Date: 1610 – 1620
Materials: bronze, gilt, quartz

These candlesticks were probably made for a church altar. The pair entered The Met with the donation of J. Pierpont Morgan in 1917 but seem never to have been on view. They were previously dated to the eighteenth century, however the style and materials point to an earlier date, possibly the second decade of the seventeenth century. The combination of rock crystal and gilt bronze was common in Italian production of metal religious objects in the early seicento. Here, the ornate rock crystal and the cherubs, their hair adorned with small flowers, recall the decorative output of Stefano Maderno and his workshop. Maderno was a prominent sculptor and gifted metalworker in Rome at the beginning of the seventeenth century.[1] The candlesticks could have been designed and then cast in one of the numerous goldsmiths’ shops active around the 1610s, after the completion of the monumental ciborium in the Sistine Chapel in the Basilica of Santa Maria Maggiore and the high altar of Santa Cecilia in Trastevere, where many sculptors and goldsmiths jointly produced lavish decorations under Maderno’s supervision. -PD’A Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. For Stefano Maderno, see Dickerson 2008 and Arnaboldi 2008.
Huifkar op een pad in een bergachtig rivierlandschap
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: river, landscape with bridge, viaduct or aqueduct, (high) hill, covered wagon, hooded wagon

Een man met een hond en een huifkar op een landweg langs een rivier met een stenen brug. Links een gebouw op een berg. Negende prent van een serie van in totaal 52 prenten met landschappen, verdeeld over twee delen van elk 26 prenten.
Lewis Powell [alias Lewis Payne]
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: lundberg collection, men, male, portraits, portrait
Teatro delle Nobili et Virtuose Donne..., page 30 (recto)
Object type: book print ornament architecture
Date: 1616 – 1616
Techniques: engraving, woodcut
Artist: isabella catanea parasole
Artist role: author
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: ornament

Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome. From top to bottom, and left to right: Design consists of a central section that is divided into halves and framed on all sides by borders decorated with curvilinear patterns (top and bottom borders are separated into 2 parts, each has a different pattern). Left side of middle section is comprised of 3 half-registers that are ornamented with various floral and foliage patterns formed by geometric shapes and curvilinear lines. Top register is labeled "30," middle register is labeled "28," and bottom register is labeled "36." Similar to the left side, right side of middle section is comprised of 3 half-registers that are ornamented with various floral and foliage patterns formed by geometric shapes and curvilinear lines. Top register is labeled "40," middle register is labeled "38," and bottom register is labeled "30."
Cup Plate
Object type: cup plate
Date: 1801 – 1900
Materials: glass
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Subjects: arrows,lyres
Fragment
Object type: fragment
Date: 1501 – 1533
Materials: silk
Subjects: leaves
Beek-Nijmegen
Object type: photograph
Date: 1905 – 1907
Materials: photographic support
Techniques: collodion silver print
Location: beek
Artist: folkert idzes de jong
Artist role: architect
Artist dates: 1877 – 1929
Subjects: inn, coffee-house, public house, etc., village street, bicycle, meadow, pasture (+ landscape with figures, staffage)

Onderdeel van Topografisch album van Nederlandse dorpen en steden 1905.
Terracotta globular cup
Object type: cup
Date: 520 – 510
Materials: terracotta
Culture: etruscan
Artist: tityos painter
Artist role: artist
Subjects: men,women,lions

Male and female figures flanked by heraldic lions The subject of this vase is unusual: a male figure wearing winged boots and holding a bow and an axe pursues a woman carrying a bow. Do the figures represent divine characters, perhaps Apulu (Apollo) and his twin sister Artumes (Artemis)? The bow is a typical attribute of both these deities, and winged boots often signify a divine or supernatural being in Etruscan art.
Karaiskaki, dessiné d'après nature par Boggi
Object type: print
Date: 1827 – 1829
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Measuring Substitutes for the Army of Reserve
Object type: print
Date: 1805 – 1805
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Lord Roberts' Army advancing Johannesburg - 84th Battery and Balloon Corps, South Africa
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: south africa
Subjects: army 'en route'
Inscriptions: number: ‘187’, name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’
Piece
Object type: piece
Date: 1840 – 1840
Materials: cotton
Artist: wright and lee
Artist role: manufacturer
Subjects: birds,leaves
Figure of a Man
Object type: figure
Date: 25 – 220
Materials: pottery
Culture: chinese
Subjects: men
Portret van Bettino Ricasoli
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: politician, mayor, historical persons
Inscriptions: collector's mark: Lugt 2228
Notities
Object type: sketchbook leaf
Date: 1874 – 1874
Materials: chalk, paper, pencil
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Inscriptions: annotation: ‘JAN STEEN/ Antonetta I erri/ 31 Eyre St Hill/ Scott Lane/ stretcher 140 x 1.81/4/ [...]1/2 [...]’

Blad 37 verso uit een schetsboek met 37 bladen.
Plate with the coat of ams of Count Heinrich von Podewils and flower sprays
Object type: plate dish
Date: 1763 – 1800
Materials: glaze, gold, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: berlin
Inscriptions: mark: ‘scepter/ 23’

Twaalfhoekig bord van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op het plat, de wand en de rand bloemtakken en strooibloemen in de stijl van het Japanse Kakiemon porselein. Het gekroonde wapen van Graaf Heinrich von Podewils (1695-1760) op de rand. Langs de rand een dubbele gouden lijn onderbroken door zes schelpmotieven. De achterzijde met twee strooibloemen. Gemerkt op de onderzijde met de scepter en nummer 23.
't Is al geen Goudt, wat' er blinckt
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: spirit (or soul) versus body
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Voncken der liefde Jesu, van het godtbegerende zielenvier. Amsterdam: Pieter Arentsz (II), 1687, p. 146.
Gezicht op de Amstel bij herberg het Molentje
Object type: print
Date: 1708 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: matthijs pool
Artist role: print maker
Artist dates: 1676 – 1740
Subjects: sailing-ship, sailing-boat, river, rowing-boat, canoe, etc., hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 195

Prent gebruikt in: Pool, Matthijs. Verscheyde gesigten van de vermaarde rievier de buyten Amstel van de stadt Amsterdam, tot het dorp Ouwerkerk (…) / Plusieurs veuës et perspectives de la fameuse riviére de Buyten-Amstel depuis Amsterdam jusqu'au village d'Ouwerkerk (…). Amsterdam: Matthijs Pool, z.j. [1708-1740].
Familiegeluk
Object type: drawing
Date: 1831 – 1899
Materials: paper, pencil, watercolor
Techniques: brush
Artist: david bles
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1899
Inscriptions: signature: ‘David Bles ft.’

In: Krabbels en kapitale tekeningen, nr. 29, e.v. lit./ tent.
Vase with Foliated Rim
Object type: vase
Date: 1601 – 1700
Materials: bronze
Culture: chinese
Nederland, ½ gulden,1829 B
Object type: coin
Date: 1829 – 1829
Materials: silver
Techniques: striking
Location: brussels
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Zilveren munt. Voorzijde: borstbeeld naar rechts. Keerzijde: tussen waarde-aanduiding ½ G gekroond rijkswapenschild. Jaartal boven kroon. Randschrift.
Design for the Decoration of the Surround of the Barrel Tang of a Firearm
Object type: drawing
Date: 1795 – 1805
Materials: ink, paper, pencil
Techniques: wash
Culture: french
Location: france
Artist: nicolas noël boutet
Artist role: designer
Artist nationality: french
Artist dates: 1761 – 1833
Subjects: birds,dragons
Soldaten en duikende figuren
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: diving (movement in water), division of armed forces

De soldaten laden mogelijk hun geweer. Blad 12 verso uit een schetsboek met 25 bladen.
Portret van Johann Caspar Füssli
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: mezzotint
Location: augsburg
Subjects: johann caspar füssli, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Amulet of the God Shu
Object type: costume and accessory
Materials: ceramic, faience
Culture: egyptian
Location: egypt
Subjects: gods (deities)
Kampement van de Pruisen te Hilversum, 1787
Object type: print
Date: 1790 – 1792
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: maps of cities
Inscriptions: collector's mark: Lugt 2228

Kaart met de ligging van het kampement van de Pruisische troepen bij Hilversum op 18 september 1787. Onderdeel van een groep van veertien genummerde kaartjes van de kampementen van de Pruisische troepen tijdens de interventie in de Nederlanden in september 1787.
Sculptuur van Arrotino in de Galleria degli Uffizi te Florence
Object type: photograph
Date: 1852 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘No. 2044.’, collector's mark: ‘VOSMAER’
Climbing up the Beams on the Empire State-100 Stories Up
Object type: photograph
Date: 1931 – 1931
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: cityscapes, documentary
Inscriptions: Signed recto, on image, lower right, in white: "HINE"; verso unchecked
Portrait Memorial of C.M. Bachofen von Echt
Object type: medal
Date: 1886 – 1886
Materials: bronze
Artist: anton scharff
Artist role: artist
Artist nationality: austrian
Artist dates: 1845 – 1903
Subjects: men,portraits,lambs,coat of arms
Haïti, Alexandre Pétion, 12 centimes of reaal, 1817
Object type: coin
Date: 1817 – 1817
Materials: silver
Techniques: striking
Location: haiti

Zilveren munt. Voorzijde: hoofd van de president naar links. Onderaan jaartal: AN 14. Keerzijde: uit trommel oprijzende palmboom, waarachter banieren. links en rechts van trommel twee kanonnen, waaronder stapel kogels. Onderaan waarde-aanduiding: 12 C.. Gladde rand.
Grieks-orthodoxe bisschop met attributen uit de orthodoxe traditie
Object type: print
Date: 1733 – 1733
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: bishop of russian orthodox church
Inscriptions: collector's mark: Lugt 2228

Blad met zeven geletterde voorstellingen en onderaan in de marge een legenda. In het midden toont een Grieks-orthodoxe bisschop een drie- en twee-armige kandelaar. De bovenste figuren (A) tonen de hostie, zoals deze wordt gebruikt bij de viering van de eucharistie door de Grieks-Orthodoxen. Naast de bisschop een kruisvormig voorwerp en een staf. De onderste twee figuren (E) onen de hostie, zoals deze wordt gebruikt bij de viering van de eucharistie door de Koptisch-orthodoxe christenen.
Blad met schubbenpatroon van driehoeken
Object type: printed paper
Date: 1750 – 1950
Materials: paper, paint
Techniques: printing block
Artist: Anonymous
Subjects: ornament ~ geometric motifs
Fotoreproductie van een tekening, voorstellende een portret van Julius Charles Hare
Object type: reproduction
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, lower drapery and shod feet of figure to left
Brief aan anoniem
Object type: letter
Date: 1821 – 1821
Materials: ink, paper, pencil
Techniques: pen, writing
Location: brussels
Subjects: utrecht, draughtsman, christiaan kramm, art trade, art shop, painting (including book-illumination, miniature-painting), printed matter
Inscriptions: collector's mark: Lugt 2233
Vaandel van het regiment van de Hollandse Gardes te voet
Object type: banner
Materials: silk
Techniques: lining, painted
Location: netherlands
Artist: Anonymous
Subjects: holland

Ecru, op het midden een ovaal wapenschild met het volledige wapen van Oranje-Nassau omgeven door de Orde van de Kousenband, gehouden door twee leeuwen waarvan die aan stokzijde afgewend, met koningskroon op, en gedekt door een koningskroon. De leeuwen staan op een witte banderol, waarop in zwarte klassieke kapitalen: JE MAINTIENDRAI. Het geheel is geplaatst op een trofee van vaandels, trompetten, trommels, kanonnen enz. Onderaan hangt aan een wit lint het juweel van de Orde van de Zwarte Adelaar van Pruisen. Opschrift op het wapen: HONI SOIT QUI MAL Y PENSE. In de onderhoek aan stokzijde en de vluchttop een geharnaste arm met gouden kromzwaard; in de bovenhals en vluchthoek een schuin geplaatste granaat. Paradekant identiek.
Schepen aan de wal in Zaandam, Nederland
Object type: photograph
Date: 1904 – 1904
Materials: paper
Techniques: gelatin silver print
Location: zaandam
Artist: james higson
Artist role: politician
Artist dates: 1862 – 1933
Subjects: ships (in general)
De Passie
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)
Inscriptions: collector's mark: Lugt 567, collector's mark: Lugt 2228

Christus zit tussen soldaten op het plein van het gerechtsgebouw van Pilatus. Hij draagt een mantel en krijgt een nep scepter in zijn hand, soldaten drukken de doornenkroon op zijn hoofd en omstanders reageren spottend door voor hem te knielen.
Koning Numa ontvangt het heilige schild
Object type: print
Date: 1655 – 1699
Materials: paper
Techniques: engraving, etching
Subjects: (story of) numa pompilius, philosophy
Inscriptions: collector's mark: Lugt 240
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

On the handle plate of a column-krater, red and black ivy; confronted panthers and rosettes
Portret van Jacopo Strada
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: vienna, draughtsman, goldsmith, historical persons

De prent is vervaardigd naar het schilderij van Titiaan dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer GG_81). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Feline Figurine
Object type: sculpture
Date: 250 – 550
Materials: gold, metal
Techniques: repoussé, soldering
Culture: moche
Location: peruvian north coast
Subjects: feline, animals
Portret van Lodewijk II van Vendôme
Object type: print
Date: 1665 – 1800
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: paris, historical persons
Trajanus, Italicam Romanam Coloniam in Hisp. (...)
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: historical persons, (story of) the emperor trajan, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 135. Eerste staat verschenen in een grotere prent met twaalf portretten, gedateerd 1695.
Hond, rennend naar links
Object type: drawing
Date: 1887 – 1911
Materials: chalk, paper, pencil
Artist: gust van de wall perné
Artist role: draughtsman, painter, print maker
Artist dates: 1877 – 1911
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Charitatenhuis te Delft
Object type: armenloodje
Date: 1600 – 1700
Materials: lead
Techniques: casting
Location: delft
Artist: Anonymous
Subjects: delft

Loden penning. Voorzijde: gekroond wapenschild binnen omschrift. Keerzijde: opschrift
Duit van de VOC uit Westfriesland,1766
Object type: coin
Date: 1766 – 1766
Materials: copper
Techniques: striking
Location: enkhuizen

Koperen munt. Voorzijde: gekroond wapenschild van Westfriesland. Keerzijde: monogram van de VOC, waarboven muntmeesterteken en waaronder jaartal. Gladde rand.
Portret van Johann Ludwig Ewald
Object type: print
Date: 1768 – 1826
Materials: paper
Techniques: engraving, etching
Subjects: theologian, historical persons
Titelpagina voor: Cornelis de Bruyn, Reizen van Cornelis de Bruyn, door de vermaardste deelen van Klein Asia, 1698
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: delft
Subjects: (story of) hercules (heracles), 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa), 'sculptura', symbolic representations, allegories and emblems ~ sculpture; 'scoltura' (ripa), victoria as roman personification, 'architectura', symbolic representations, allegories and emblems ~ architecture; 'architettura' (ripa), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Hercules, met een knots in zijn hand, wordt gekroond door de gevleugelde Victoria. Op de grond zitten de personificaties van sculptuur, schilderkunst en architectuur bijeen. Putti spelen met de meetinstrumenten van Architectuur. Op de achtergrond een piramide, klassieke gebouwen en een palmboom.