deem-data/ArtiFact huggingface dataset:
S. Franciscus de Paula, Ordinis Minimorum Fundator
Object type: print
Date: 1630 – 1651
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the hermit and founder of the (franciscan) minim friars, francis of paola; possible attributes: inscription 'charitas' on breast, discipline, skull, staff
Inscriptions: collector's mark: Lugt 240, inscription

De heilige Franciscus van Paola, stichter van de Orde der Miniemen, is aan een groep mensen verschenen om de zieken onder hen te genezen. Rechts kijken een koning en koningin vanaf een bordes toe. In de marge een drieregelig onderschrift in Latijn en Nederlands.
Herbouw van de muren van Jeruzalem en Esther bezoekt koning Ahasveros
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: esther before ahasuerus (esther 5:1-4), the rebuilding of jerusalem's walls (nehemiah 2:12 - 4; 6)
Inscriptions: collector's mark: Lugt 2233, collector's mark

Illustratie uit: Hamelsveld, Ysbrand van. De gewigtigste geschiedenissen des Bybels, afgebeeld in twee honderd twee en vijftig printverbeeldingen (...) met eene zaaklijke uitbreiding opgehelderd. Amsterdam / Dordrecht: Jan de Groot / Abraham en Pieter Blussé.
Boslandschap met houten brug
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: forest, wood, landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Boslandschap met houten brug en enkele reizigers. Stad in de verte. Zesde prent van een zesdelige reeks met berglandschappen uit Tirol.
[Cavalry Maneuvers, Camp de Châlons]
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print, glass negative
Artist: gustave le gray
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1884
Subjects: soldiers,horses

For six weeks in August, September, and October 1857, 25,000 men from the French Imperial Guard, renowned for their victory in the decisive battle of the Crimean War two years earlier, conducted exercises under the command of Napoleon III to inaugurate a vast military camp at Châlons-sur-Marne. Le Gray was commissioned to take photographs of the camp, the inaugural events, and the officers. The pictures were later bound in albums and presented by the emperor to his highest-ranking officers. The skillfully executed maneuvers, like the imperial celebrations, religious services, and elaborate entertainments that also marked the inaugural weeks, were intended as much for the pleasure of the emperor and the thousands of day-trippers who came to watch as for the improvement of the troops. Far from the chaos of real battle and the unfamiliarity of foreign terrain, the regiments of infantry and cavalry moved in precisely coordinated lines across some 30,000 acres of flat countryside. Silhouetted on the horizon in the early morning mist, this highly trained and well-equipped military force could easily be mistaken for a battalion of toy soldiers.
Bencharong (Five-Colored) Ware, Bowl
Object type: vessel
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Location: china
Gedenkteken voor Johannes Christiaan Mohr
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: amsterdam
Artist: theodoor koning
Artist role: print maker
Artist dates: 1748 – 1829
Subjects: amsterdam, johannes christiaan mohr, other memorial structures
Inscriptions: collector's mark: Lugt 2228

Allegorisch gedenkteken voor de dichter Johannes Christiaan Mohr. In het midden het monument met daarop het silhouetportret van Mohr, in een ovale omlijsting naar rechts. Op het monument een harp, bokaal, lauwerkrans, enkele brieven, medailles en een engeltje.
Skaters on the Ice, a Man Pushing a Sledge and a Kolf-player / verso: Two Skaters
Object type: drawing
Date: 1620 – 1625
Materials: chalk, graphite, ink, paper, watercolor
Techniques: brush, pen
Artist: hendrick avercamp
Artist role: draughtsman
Artist dates: 1585 – 1634
Subjects: clothes, costume (+ women's clothes), clothes, costume (+ men's clothes), skates (winter sports), 'kolf' on the ice

Schaatsers op het ijs; links een man die een slede voortduwt, rechts een kolfspeler.
Gezicht op een molen en een aantal huizen
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Location: berlin
Artist: f. stender
Artist role: fotograaf
Subjects: housing, windmill
Inscriptions: monogram: ‘MR&C’
Jacobus II beroept een vrij parlement, 1688
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: jacobus ii (koning van engeland en schotland), rome, clergyman, innocentius xi

Koning Jacobus II wordt door leden van het parlement na een aanvankelijke weigering overgehaald om een vrij parlement bijeen te roepen. Links de koning staande bij een tafel, aan de wand grote portretten van de paus en Lodewijk XIV (?). Plaat G in de serie 'Engelants schouwtoneel' over de Glorious Revolution en gebeurtenissen uit de voorafgaande jaren 1685-1689 (eerste deel). Met onderschriften in het Nederlands en Frans.
Portret van Ludolph van Ceulen
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving, letterpress printing
Location: leiden
Subjects: leiden

Boekillustratie in: Meursius, Joannes. Athenæ Batavæ. Sive, De vrbe Leidensi, & academiâ, virisque claris. Leiden: Andries Clouck, Bonaventura en Abraham Elzevier, 1625. Abusievelijk tweemaal gecatalogiseerd bij Franken & Van der Kellen.
Gezicht op de Arc de Triomphe in Parijs, Frankrijk
Object type: stereoscopic photograph
Date: 1856 – 1890
Materials: glass, paper
Techniques: hand coloring, slide
Location: paris
Artist: Anonymous
Subjects: triumphal arch
Inscriptions: number: ‘90’
Fragment of Velvet
Object type: textile
Date: 1401 – 1450
Materials: gilt, metal, silk, velvet
Techniques: bookbinding, brocade, cutting, satin weave, weave, voiding
Location: italy
Twee voorstellingen voor Jakob und sein Herr van Diderot
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: sitting figure - aa - female human figure, literature, sick-bed, staircase, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Diderot, Denis. Jakob und sein Herr, aus Diderots ungedrucktem Nachlasse (...). Berlijn: Johann Friedrich Unger, 1792.
Handschoen, van een paar, van donkerbruin glacéleer
Object type: glove
Date: 1960 – 1960
Materials: leather
Location: amsterdam
Artist: Anonymous

Rechter handschoen, van bruin glacéleer. Model: kort, met omgezoomde entree. Geen versieringsnaden.
Portret van Sarah Bates met harp en bladmuziek
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons, harp - cc - out of doors
Inscriptions: collector's mark: Lugt 2228
Garden rug
Object type: textile
Date: 1890 – 1890
Location: kazakhstan
Toren van de Walfriduskerk te Bedum
Object type: photograph
Date: 1911 – 1911
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: bedum
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: parts of church exterior and annexes: tower
Inscriptions: annotation: ‘Juni 1911/ Bedum’
Allegorische voorstelling met Minerva in een studeerkamer
Object type: print
Date: 1713 – 1752
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan schenk
Artist role: draughtsman, print maker
Artist dates: 1698 – 1752
Subjects: truth; 'verità' (ripa) (+ allegorical scene, i.e. two or more personifications involved in an action), literature (+ variant), study; 'studiolo'; library, specific aspects, allegorical aspects of minerva; minerva as patroness
Inscriptions: collector's mark: Lugt 2228

In een studeerkamer zit Minerva tegenover de personificatie van de literatuur. Minerva draagt een helm en de Literatuur houdt een schrijfveer vast. Achter hen zit de Waarheid(?) bij een globe. Vooraan zitten twee putti tussen enkele boeken.
Cittern
Object type: cittern
Date: 1701 – 1800
Materials: brass, ivory, steel, wood
Culture: french
Location: france

Although there is no signature on this instrument, it is so similar to other instruments by Deleplanque including another example at The Met (1982.241.2) that its attribution is not in doubt. Built in the 1760s, this instrument is an earlier example of Deleplanque’s work, featuring a friction peg box instead of the later English-influenced watch-key tuning mechanism. The wooden peg box is lighter than the brass tuning mechanism and allows the neck to vibrate with the entire instrument, though with iron strings it was more difficult to keep in tune. Instrument makers of this time were looking for new ways to keep their instruments in tune, and 1982.241, made only a few years later, shows further developments towards this goal. (Daniel Wheeldon, 2016) Technical description: Eleven-string (seven course) pear-shaped cittern; two-piece pine top with bone and ebony (ebonized hardwood?) binding in isometric pattern with b/w/b/w laminate between; soundhole diameter 73.6 mm with a carved, floral patterned wood rosette (originally gilded), floating beech bridge, ivory tailpiece with 11 pins; two-piece maple back; ribs, neck and head of maple; ebony veneer (maple core?) fingerboard with 15 brass frets; friction tuners. (Daniel Wheeldon, 2016)
Peace (Preliminary Study)
Object type: drawing
Date: 1899 – 1900
Materials: chalk, paper
Techniques: brush
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917

Jong paar, getekend op de achterkant van een ets.
Res. huis
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: jogjakarta
Artist: Anonymous
Subjects: exterior ~ representation of a building
Inscriptions: number: ‘No 1’, inscription: ‘FOTO’

Deze foto zat oorspronkelijk in prentenkabinet RP-F-AA3192.
Bowl
Object type: bowl
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Location: china
Subjects: boys,men,women
Mug
Object type: mug
Date: 1801 – 1833
Materials: pottery
Artist: durham co.
Artist role: factory
Subjects: flowers
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, helmeted warrior, with shield in left hand and spear in the right, striding to right, with greaved legs, and a scabbard on a baldric
Portret van Alexander von Humboldt
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: berlin, traveler, historical persons, biology (+ portrait of scholar, scientist)
Bekende tijdgenooten naar het leven geschetst
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: amsterdam, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 8 november 1896.
Landscape with a Peddler and Woman Resting
Object type: painting
Date: 1669 – 1669
Materials: canvas, oil
Artist: jan wijnants
Artist role: draughtsman, painter
Artist dates: 1632 – 1684
Subjects: low hill country, pedlar
Inscriptions: signature and date: ‘J. Wijnants 1669’

Landschap met een marskramer die een praatje maakt met een rustende vrouw die bij boomstammen naast de weg ligt. Meer naar achteren komen andere figuren over de weg. Links een vissende man met een hengel.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1918 – 1918
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: cyriel buysse
Artist role: schrijver
Artist dates: 1859 – 1932
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Bomen aan een waterkant
Object type: sketchbook leaf
Date: 1811 – 1811
Materials: chalk, paper, watercolor
Techniques: brush
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: trees, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: signature: ‘A. Schelfhout.[...]fecit’

Blad 2 recto uit een schetsboek met 75 bladen.
Nova raccolta de li animali piu curiosi del mondo
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: other mammals: porcupine
Inscriptions: collector's mark: Lugt 11, number: ‘80’

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
De Gracieuse, Geïllustreerde Aglaja,  januari 1899, No. 3600
Object type: fashion print
Date: 1899 – 1899
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: dress, gown: evening dress (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), cape (+ women's clothes), fashion plates
Inscriptions: title: ‘"De Gracieuse" / Geïllustreerde Aglaja.’

Prent uit het modetijdschrift De Gracieuse (1865-1936).
Man berispt een andere man
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: fainting, swooning, hacking and thrusting weapons: dagger, accusing
Inscriptions: collector's mark: Lugt 240

Proefdruk van illustratie die mogelijk is gebruikt in: Lessing, Gotthold Ephraim. Emilia Galotti. Amsterdam: Pieter Meijer, 1777.
The Creation of Durga: Page from a Dispersed Markandeya Purana: (Stories of the Sage Markandeya)
Object type: folio
Date: 1810 – 1820
Materials: ink, paper, watercolor
Culture: indian
Subjects: lions,hills,gods,durga
The Virgin Adored by Saints (recto); Study of the Torso Belvedere (verso)
Object type: drawing
Date: 1597 – 1640
Materials: chalk, ink
Techniques: pen
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: male nudes,virgin mary,saints

Recto: These rapidly executed sketches represent Rubens's first ideas for an altarpiece commissioned by the Church of the Augustinian Fathers in Antwerp, now in the city's Royal Museum of Fine Arts. At top center, Saint Catherine kneels before the Virgin and Christ Child, while to the left is a more detailed study of her drapery. Below, several other saints are depicted with gentle outlines. In the foreground, from left to right, Saints George, Sebastian, and William of Aquitaine pay homage to the Virgin. Although Rubens later altered the composition, he incorporated several elements from this early stage of his creative process into the painting. Verso: This drawing was made by Rubens as a young man on his first trip to Rome, in 1601–2. It is a study of the back view of the an antique sculpture dating to the first century B.C., which belonged to the Colonna family in the seventeenth century and is today in the Vatican Museums. Using red chalk and a technique of soft overlapping hatching, Rubens produced lifelike results that belie the marble material of his subject.
Portretten van Josse van Liere, Cornelis Cort en Dirck Volckertsz. Coornhert
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Artist: jan l admiral
Artist role: draughtsman, print maker
Artist dates: 1699 – 1773
Subjects: brussels, painter, josse van liere, cornelis cort, amsterdam, gouda, print maker, draughtsman, dirck volckertsz. coornhert
Inscriptions: collector's mark: Lugt 2228

Prent opgenomen in: Mander, Karel van; Jongh, Jacobus de (vert.). Het leven der doorluchtige Nederlandsche en eenige Hoogduitsche schilders. Amsterdam: Steven van Esveldt, 1764.
Ornament
Object type: ornament
Date: 1770 – 1780
Balaklava, from Guard's Hill
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards, crimea 1856
Boerderij met vier schapen
Object type: print
Date: 1781 – 1822
Materials: paper
Techniques: etching
Location: amsterdam
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Een gezicht op een boerderij met rieten dak en een houten hek waarachter struikgewas. Bij de deur van de boerderij staat een man. Achter de weide met drie staande en een liggend schaap, een bergachtig landschap.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, part of head, torso, and left arm of filleted youth to left; handle palmette
Byland Abbey
Object type: photograph
Date: 1856 – 1856
Techniques: albumen silver print, paper negative
Artist: alfred capel cure
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1896
Subjects: architecture,abbeys,ruins
Cup
Object type: cup
Date: 1701 – 1800
Materials: soft paste porcelain
Subjects: houses,infants,women
Ahrtal. Altenahr
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: rhineland-palatinate
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘NPG’, number: ‘154’
The Actors Nakajima Mihoemon II as Aramaki Mimishiro (right), Matsumoto Koshiro II as Otomo no Yamanushi (center), and Ichikawa Danzo III as Hannya no Goro (left), in the Play Kuni no Hana Ono no Itsumoji, Performed at the Nakamura Theater in the Eleventh Month, 1771
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Terracotta fragments of neck-amphorae (jars)
Object type: neck amphora fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Two fragments with parts of friezes of upright lotus buds; below, two lines
Pair of bronze situla (bucket) handles
Object type: handle of a situla
Date: 600 – 501
Materials: bronze
Culture: etruscan

A symmetrical arrangement of volutes, palmettes, and entwined serpents forms a highly decorative pair of handles that originally were attached to a bronze situla. The pairs of holes at the top of each attachment would have held bronze swing handles.
Saucer with floral scrolls in petal-shaped panels
Object type: kop en schotel, kop en schotel
Date: 1725 – 1749
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein met rechte, uitlopende wand, beschilderd op het glazuur in blauw, rood, groen, geel en zwart. Op het plat van de schotel vakken in de vorm van een bloem, in het centrum een lotus en in de bloembladvormige vakken bloemranken op verschillend gekleurd servetwerk; op de rand een swastika-patroon. Een barst in de wand. Famille rose.
Plaque
Object type: plaque
Date: 1725 – 1725
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: flowers,leaves
Pad in een landschap
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: charcoal, paper
Artist: hermannus adrianus van oosterzee
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1933
Subjects: landscapes, fence, wall, paling

Blad 22 recto uit een schetsboek met 23 bladen.
Gezicht op de Linthvallei, met op de voorgrond een berghut
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: glarus
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: dale, valley, façade (of house or building), mountains
Inscriptions: inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’, number: ‘180.’
Gezicht op de haven in Dordrecht
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), church (exterior), dordrecht
Inscriptions: collector's mark: Lugt 2228

Achter de haven de Grote Kerk. Over het water loopt de Lange IJzeren Brug.
Platter
Object type: platter
Date: 1885 – 1885
Materials: porcelain
Culture: american
Location: united states
Artist: union porcelain works
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1922

Union Porcelain Works was one of the most important and inventive American porcelain manufacturers in the second-half of the nineteenth century. In addition to their imaginative works designed by the German-born artistic director, Karl H. L. Müller, the firm’s mainstay was the production of heavy porcelain hotel dinnerware. This extensive service was made by Thomas Carll Smith, head of the Union Porcelain Works, as a gift to his daughter, Pastora Forest Smith Chace. The neoclassical decoration of the gilt bellflower and basket motif is complimented by turquoise enamel. Unlike the firm’s more eccentric and lavish designs created for their display at the Philadelphia Centennial Exposition in 1876, the pottery favored a more restrained classical style for their dinner services. This service descended in the Chace family.
Kalenderblad april met stadsgezicht in Deventer
Object type: print
Date: 1923 – 1923
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: ferdinand van wolde
Artist role: print maker
Artist dates: 1891 – 1945
Subjects: church (exterior), april ~ other concepts, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op de Sint-Nicolaas- of Bergkerk.
Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI, part XIII, plate 66 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: nymphs,forests

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. In a few instances he also developed the tone, here adding mezzotint to evoke a wooded landscape centered on the water nymph Hesperia, watched drying herself on a river bank by Aesacus, a prince of Troy. The Ovidian theme ties the imag to poetry, and Turner weaves arborial layers, slanted rays of sun, and dappled shadows into a kind of magic naturalism. The letter "H" in the upper margin indicates the artist's category of Historical landscape.
Gezicht op de Willemspoort
Object type: drawing
Date: 1808 – 1880
Materials: paint, gouache, ink, paper
Techniques: brush, pen
Subjects: city-view in general; 'veduta', city-gate
Inscriptions: signature, date and inscription: ‘torentje Eilandskerk / Wilm Steelink / Aug. 80’, inscription: ‘28.70’, inscription: ‘De Willemspoort gezien (...) het voormalige station’

Onderwerpsrubriek binnen de Atlas Amsterdam: Willemspoort.
Ex libris van Robert Lowe
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: etching
Location: england
Artist: Anonymous
Subjects: armorial bearing, heraldry