deem-data/ArtiFact huggingface dataset:
Gezichten op Huis Ter Nieuburch in Rijswijk
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: castle

Prent uit: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (...). 21 dln. Amsterdam: Isaak Tirion, 1749-1759, dl. 16 (1757), p. 348-349.
Actress seated in chair, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Schort geweven van ruw  linnen
Object type: apron
Date: 1400 – 1950
Materials: linen
Artist: Anonymous
Inscriptions: mark: ‘GvL 12’

Schort van ruw geweven linnen, bestaande uit een rechthoekige schoot en borststuk voorzien van een halsband en smallere, iets fijner geweven striklinten. Gemerkt in rode kruissteek: GvL 12 (Gevers van Lennep)
And She Was a Witch
Object type: painting
Date: 1877 – 1884
Materials: canvas, oil
Culture: american
Artist: george fuller
Artist role: artist
Artist nationality: american
Artist dates: 1822 – 1884
Subjects: women,landscapes
Portret van Mahmut II
Object type: print
Date: 1828 – 1843
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: historical persons, head-gear: turban, ruler, sovereign
Pitcher (Hu)
Object type: pitcher
Date: 2500 – 2500
Materials: earthenware
Culture: chinese
Gezicht op Lviv
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), coat of arms (as symbol of the state, etc.) (+ province; provincial), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
Vier pastorale scènes
Object type: print
Date: 1650 – 1716
Materials: paper
Techniques: engraving
Location: paris
Subjects: pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 240

Een vrouw rust uit onder een boom in een landelijke omgeving. Naast haar twee ganzen. Met vierregelig Franstalig onderschrift.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1733
Materials: copper, silver
Culture: japanese
Location: japan
Subjects: men
Zelfportretten van Cor van Teeseling
Object type: drawing
Date: 1905 – 1942
Materials: chalk, paper
Location: amsterdam
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman, netherlands
Inscriptions: inscription: ‘veel kussen’

Zelfportret van Cor van Teeseling, mei 1942. Cor van Teeseling driekwart afgebeeld, zijn hoofd naar links gewend.
Versierde olifant
Object type: boekillustratie ontwerp
Materials: paint, paper, pencil, watercolor
Techniques: brush, pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: trunked animals: elephant
Inscriptions: collector's mark: Lugt 2228a

Ontwerp voor: Borrebach, Hans. Een hart klopt voor Pepita. Roman voor oudere meisjes. Amsterdam: Veen, 1948.
Sir Joseph Whitworth, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Printer's samples for the collector's album "World's Inventors" (A25), issued in 1888 to promote Allen & Ginter brand cigarettes. Citing Burdick's "The American Card Catalog": "Souvenir albums of this type, as issued by the tobacco companies, were probably intended to replace the individual cards if the smoker so desired, or at least enable him to own the entire collection of designs without the difficulty attendant to obtaining all the individual cards in a set. Later, their popularity induced the tobacco companies to publish a few albums that had no card counterparts. All were given in exchange for coupons packed with the cigarettes, usually 75 or 100 coupons for each album...All date in the 1888-1890 period." This series depicting inventors was never issued as individual cards and only released in album form. However, this set of printer's proofs retain individual card form.
Fishing Boats going out Macao
Object type: photograph
Date: 1869 – 1869
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Subjects: seascapes,boats
De stadt van Antwerpen Haer beghinsel ende vermeerderingen
Object type: map
Date: 1575 – 1699
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: maps of cities, antwerp

Plattegrond van Antwerpen met de historische ontwikkelingen en uitbreidingen over de jaren 1201-1567. Onderaan de Schelde, rechts het Kasteel. Met onderschrift van 2 regels in het Nederlands met de uitbreidingen 1-6. Rechtsboven een cartouche met de legenda A-Y en a-y. Hierbij gevoegd is een kolom tekst afkomstig uit een boek, in het Latijn.
Vue g"ale de Bethleém
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: bethlehem
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Terracotta fragment of a pot; unglazed on the inside
Object type: pot fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Lower back, buttock, part of thigh, and drapery of a figure to left
Apron
Object type: apron
Date: 1760 – 1770
Materials: cotton
Culture: british

This apron is deemed special for it is an unusual eighteenth century example. The exotic motifs show the interest in botanical rarities at that time. Supporting this observation, the accession records note that the "whitework embroidery motifs [are] based on ancient Near Eastern (Mesopotamia) and cylinder seal motifs of date palm."
Snaffle Bit
Object type: bit
Date: 1 – 400
Materials: metal alloy
Culture: european
Location: czech republic

The snaffle bit is the simplest type of horse bit, and has an effect on the bars (part of the horses’ jaw without teeth) and the corners of the lips. Here the twisted canons and the central piece add some severity, since by bending over the tongue, they would bring the twisted links in contact with the bars. This bit was originally probably completed by larger metal rings or cheekpieces made of perishable material, like wood or bone. The cheekpieces help indicate the direction to the horse and keep the rings from pulling through the horse's mouth. The headstall would have probably being connected to these missing rings or cheekpieces as well. This kind of bit is found in burials associated with several populations living and travelling between eastern and central Europe during this period. This example was found in what is today Poděbrady, in Czech Republic
Vaas, beschilderd met chinoiserie decoratie in blauw en paars
Object type: vase
Date: 1660 – 1690
Materials: faience
Location: delft
Artist: Anonymous

Vaas van faience. Beschilderd in blauw en paars met een chinoiserie decoratie.
Heiligenbeeld aan de gevel van het Rathaus te Gernsbach
Object type: sketchbook leaf
Materials: paper, pencil
Location: gernsbach
Artist: geo poggenbeek
Artist role: draughtsman, painter, print maker
Artist dates: 1853 – 1903
Subjects: saints, piece of sculpture, reproduction of a piece of sculpture, capital (~ column, pillar)
Inscriptions: annotation: ‘Gernsbach’

Blad 36 recto uit een schetsboek met 69 bladen.
Roman Alphabet letter P with Louis XIV decoration
Object type: print
Date: 1701 – 1800
Techniques: engraving
Artist: bernard picart
Artist role: artist
Artist nationality: french
Artist dates: 1673 – 1733
Subjects: faces,flowers,vases
Groepsportret van acht en een halve maand oude baby Klaas Kleiterp en Corrie en Els Bakker in Batavia
Object type: photograph
Date: 1921 – 1921
Materials: paper, photographic support
Techniques: gelatin silver print
Location: batavia
Artist: klaas kleiterp (i)
Artist role: arts, officier
Artist dates: 1892 – 1943
Subjects: child, infant, baby ~ the ages of man, dutch east indies, the, batavia

Onderdeel van Fotoalbum van de familie Kleiterp-Vermeulen met opnames van de kinderen Klaas en Tiny in Nederlands-Indië.
Très Parisien, 1923, No 9: 4. - TURQUOISE. - Une étroite gaine de moire...
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: dress, gown: evening dress (+ women's clothes), border, ribbon, braid (+ women's clothes), fashion plates
Inscriptions: caption: ‘4. - TURQUOISE. - Une étroite gaine de moire métal s'ouvrant devant sur un fond de tout petits rubans d'argent, d'évase sur la jupe en godets amusants. / Tissus et rubans de A. PREVOST et Cie, Lyon.’, title: ‘Très Parisien / No 9. - 1923’

Avondjurk(?) van 'moire métal'; open rok met 'godets' (valse plooien) waaronder kleine zilverkleurige linten. Stoffen en linten van A. Prevost et Cie. Prent uit het modetijdschrift Très Parisien (1920-1936).
Smalle vergulde lijst met pâte-ornamenten in classicistische stijl.
Object type: frame
Materials: gold leaf, wood
Techniques: gilding

Goudkleurige houten lijst met spiraalmotief en parelrand en op de hoeken een bloemmotief.
Figures d'Academie pour apprendre à désiner
Object type: print
Date: 1665 – 1673
Materials: paper
Techniques: etching
Location: paris
Subjects: apollo shoots python, the dragon, model-books ~ implements of painter

Maakt deel uit van een 32-delige serie met tekenvoorbeelden van goden en helden uit de klassieke oudheid. Een eerste editie werd in 1673 uitgegeven en een tweede in 1684 door Nicolas Langlois.
Hexagonal dish
Object type: dish
Date: 1696 – 1696
Materials: silver
Techniques: gilding
Subjects: flowers,coat of arms
Figure Sketches, Including Pegasus and Perseus with Head of Medusa; (Rape of Persephoney?) (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: swords,medusa,perseus,pegasus
Terracotta fragment of a mastoid (drinking cup with narrow base) or a kyathos (cup-shaped ladle)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Head, chest, and wing of a sphinx or siren to right; bent right arm, with hand at the hip, bit of the upper torso, and right buttock and thigh of a male to right
Unfinished Statuette
Object type: unifinished workshop piece with drawing of osiris or khentamentiu
Date: 1980 – 1975
Materials: ink, limestone
Location: egypt
Design for Knife Handles with the Temptation of Adam and Eve and a Memento Mori Scene
Object type: print ornament architecture
Date: 1580 – 1600
Techniques: embroidery, engraving
Artist: johann theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1623
Subjects: hilts,skeletons,snakes,adam,eve

Panel with two knife handle designs, both with scenes under arches at top. The motif at left shows Adam and Eve tempted by the snake, after a design by Heinrich Aldegrever (Bartsch VIII.363.3). The scene at right shows a man with a rose before the seated figure of Death, shown as a skeleton, and is based on a design by Jan Saenredam after Hendrik Goltzius (Bartsch III.258.123). Both designs have a blackwork background with grotesques. From a series of twelve plates.
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "La Sagesse" en rechts "La Loi" door Pierre Edouard Charrier
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘866 (beide)’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 4.
Strook kloskant met symmetrische composities met hartvormige vaas en driehoekig architectonisch motief
Object type: strip
Date: 1840 – 1849
Materials: linen
Techniques: lace
Location: belgium
Artist: Anonymous

Strook naturelkleurige kloskant: Rijselse kant. Het zich herhalende patroon bestaat uit twee in elkaar overlopende symmetrische composities. In het centrum van de ene compositie staat een door s-voluten gevormde hartvormige vaas. In het centrum van de andere compositie staat een driehoekig architectonisch motief. Langs de onderrand vormen verschillende voluten een vlakke schulpenrand. De motieven zijn grotendeels gemaakt in linnenslag en voorzien van dikkere en glimmende contourdraden. Enkele motieven of vullingen zijn gemaakt in netslag. De motieven zijn met elkaar verbonden door een fijne traliegrond, een tulegrond. In de motieven zijn grovere siergronden toegepast. De bovenzijde is recht afgewerkt met een apart geklost bandje. De vlakke schulpenrand is afgewerkt met picots.
De gouden koets van de huwelijksstoet van Wilhelmina, koningin der Nederlanden, en Hendrik van Mecklenburg-Schwerin te Den Haag op 7 februari 1901
Object type: photomechanical print
Date: 1901 – 1901
Materials: paper
Techniques: photograph
Location: netherlands
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, hendrik (prins der nederlanden (1876-1934)), animal traction, animal-drawn vehicle (carriage etc.), (civil) marriage ceremonies
Inscriptions: inscription

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Ste. Victoire, vierge et martyre (St. Victoria, Virgin and Martyr), December 23rd, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: women,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
De Verwagting
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: etching, intaglio
Location: antwerp
Subjects: feeding a baby, one lover waiting for the other
Inscriptions: collector's mark: Lugt 2228

Prent uit: De Noordstar: tijdschrift voor letteren, kunsten en wetenschappen, 3 (1842).
Borstelrug, beschilderd met een pastorale scene
Object type: borstelrug
Date: 1725 – 1735
Materials: faience
Techniques: kiln, painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: collector's mark: ‘collection J.F. Loudon’, inscription: ‘35 (in rood)/ 9 (in zwart)’

Borstelrug van faïence, veelkleurig beschilderd met een herder zittend in een landschap.
Lillian Russell, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Geschilderd plafond in Noordeinde 140 te Den Haag
Object type: photograph
Date: 1912 – 1912
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: noordeinde
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: (decorated) ceiling
Inscriptions: collector's mark: ‘R:MUS.’ Lugt 2228, annotation: ‘Huis Noordeinde 140, bewoond geweest door Fagel, een der hoeken plafond van de koepel. Jan. 1912/ 's Gravenhage’
Covered incense box In form of mandarin duck
Object type: covered incense box
Date: 1800 – 1800
Materials: porcelain
Culture: japanese
Subjects: ducks
Portret van Pierre François Charles Augerau
Object type: print
Date: 1790 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: paris, politician, historical persons
Landschap met vee
Object type: print
Date: 1867 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Location: brussels
Subjects: bovine cattle
Inscriptions: collector's mark: Lugt 2228
Twee foto's van de kathedralen van Hereford en Norwich
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Location: england
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: inscription: ‘Hereford/ Cathedral./ Norwich/ Cathedral.’

Deze foto's maken deel uit van een album.
August - Dogs Have Their Days from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
Object type: print
Materials: paper, steel
Techniques: printmaking, etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Design for Dog Cart or 2 Wheeler, no. 3979
Object type: drawing
Date: 1886 – 1886
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Voorstellingen met harlekijnen
Object type: print
Date: 1739 – 1780
Materials: paper
Techniques: engraving, etching
Location: venice
Subjects: adolescent, young woman, maiden, types in 'commedia dell'arte': harlequin
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van vier prenten met voorstellingen met harlekijnen. In de collectie van het Rijksmuseum bevinden zich twee van de vier prenten.
Casket
Object type: casket
Date: 1551 – 1600
Materials: brass, ivory, silver
Culture: sri lankan
Basho's Hut on Camellia Hill Beside the Aquaduct at Sekiguchi, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Scherf van een pot uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: stoneware
Location: westerwald
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Stoneware, Rhenish, Westerwald, pot; of body, sim. NG 1980-27H2624r.
Portret van een jongeman
Object type: album leaf
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: stettin
Artist: alexander matthaey
Artist role: fotograaf
Artist dates: 1846 – 1917
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘Alex. Matthaey/ Stettin/ Breitestrasse 25’
Portret van Eugène Péligot
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: engraving, photoaquatint
Subjects: historical persons, portrait, self-portrait of photographer
Inscriptions: inscription: ‘Membre de l'institut/ Président de la Société Française de Photographie’
Raccolta di teste, pensieri, trofei e prove varie d'acquaforte
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: etching
Location: italy
Artist: benigno bossi
Artist role: print maker
Artist dates: 1727 – 1792
Subjects: adult man, head-gear: turban
Brush and cover
Object type: writing brush
Date: 1601 – 1700
Materials: lacquer
Culture: chinese
The Fourth Matsumoto Koshiro as a Man Standing on the Bank of a River
Object type: woodblock print nishiki e
Date: 1785 – 1785
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,rivers,actors
Visioen van Cornelius
Object type: print
Date: 1582 – 1582
Materials: paper
Techniques: engraving
Location: florence
Subjects: cornelius sends two servants and a soldier to peter in joppa, cornelius the centurion and the angel
Inscriptions: collector's mark: Lugt 2228

Een engel verschijnt voor Cornelius in een visioen. Hij beveelt hem de apostel Petrus op te zoeken. Twee soldaten worden eropuit gestuurd om Petrus te halen. De prent heeft een Latijns onderschrift en maakt deel uit van een 34-delige serie met als onderwerp de Handelingen van de apostelen.
Brief aan Philip Zilcken
Object type: letter
Date: 1924 – 1924
Materials: ink, paper
Techniques: pen, printing, typewriting, writing
Location: nice
Artist: Anonymous
Subjects: the hague, painter, draughtsman, philip zilcken, exhibition ~ art
Paperweight
Object type: glass
Date: 1848 – 1855
Materials: glass
Location: lunéville
Artist: baccarat glassworks
Portret van een onbekende vrouw, aangeduid als Nelletje Zwemmer
Object type: photograph
Date: 1867 – 1888
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: johannes wilhelmus franciscus offenberg
Artist role: fotograaf
Artist dates: 1839 – 1919
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Nelletje Zwemmer’, inscription: ‘OFFENBERG/ PHOTOGRAPHE/ DE S.M. LA REINE DES PAYS-BAS/ Damstraat/ AMSTERDAM’
Dress border
Object type: border
Date: 1697 – 1697
Materials: linen, silk
Subjects: birds,flowers
Twee gezichten
Object type: study for binding design
Date: 1933 – 1933
Materials: chalk, paper
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Inscriptions: inscription: ‘Paul Fierens’, inscription: ‘l'Art Hollandais contemporain’

Twee hoekige gezichten in zwart-wit met tekst; ontwerp voor boekomslag Paul Fierens 'L'Art Hollandais contemporain'.