deem-data/ArtiFact huggingface dataset:
Plate with a portrait of Petrus de Wolff
Object type: plate dish
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: england
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: petrus de wolff
Inscriptions: inscription: ‘PETRUS DE WOLFF PETR FIL’

Bord op een voetring, gedecoreerd in encre de Chine met de emailkleuren blauw en goud. Centraal staat een voorstelling van een jongeman met in zijn rechterhand een geweer dat op de grond steunt. Links van de jongeman is een hond afgebeeld die naar hem opkijkt. Zij bevinden zich in een landschappelijke, bosrijke omgeving, met op de achtergrond een huis. Onder aan de voorstelling is in de rand een inscriptie te zien met de woorden: PETRUS DE WOLFF PETR FIL.

De Wolff was historicus en schrijver van 'The General History of the Jesuits' (1789).
De voorstelling op het porselein is geschilderd naar een prent van Pieter Schenk (1660-1718). Schenk maakte de gravure naar een mezzo-tint door John Smith, die zich weer liet inspireren door een schilderij van William Wissing (1658-1687).
Van deze afbeelding van Petrus de Wolff, vervaardigd door Schenk, bestaat nog een ‘companion print’. Het is een voorstelling van zijn broer Johannes de Wolff. Ook deze persoon bevindt zich in een bosrijke omgeving, terwijl hij met zijn linkerarm achterwaarts op een huis wijst. Ook deze voorstelling is afgebeeld op porselein.
Le cerf voyant dans l'eau
Object type: book illustration
Date: 1758 – 1758
Materials: paper
Techniques: etching
Artist: johann heinrich meil (der ältere)
Artist role: print maker
Artist dates: 1730 – 1820
Subjects: fables of lafontaine : use 85(...), hoofed animals: deer, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Fontaine, J. de la. Fables choisies, mises en vers. Dl. 2. Dresden & Leipzig: George Conrad Walther, 1758.
Pin
Object type: pin
Date: 801 – 900
Materials: copper alloy
Culture: irish
Sets met potloden van Eberhard Faber
Object type: album leaf
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: number: ‘1197’, stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’
Hydria (Water Jar)
Object type: vessel
Date: 515 – 500
Materials: ceramic, terracotta
Location: athens
Artist: attributed to a painter of the leagros group
Artist nationality: ancient greek
Subjects: mythological figures, drinking, heracles, aphrodite
Inscriptions: kalo[s]p[u]this ("Pythis [is] beautiful")

This large handled jar held the water used to dilute large quantities of wine in preparation for the Greek symposium. It was considered uncivilized for a Greek to consume undiluted wine, so water was fetched from a public fountain house in a jar like this one. The horizontal handles made it easier to carry, while the vertical handle at the back was used for pouring.

On the front of this vase, the hero Hercules wrestles Triton - the messenger of the sea who is depicted as a merman - as a man and a woman look on. They are likely Nereus and Triton's mother Amphitrite, but we cannot be certain. The intricate composition has the Greek hero astride the monster, his arms locked around Triton's neck in an implacable grip, while Triton flails his arms, black fingers stretched against the red background. They face different directions-Herakles to the viewers' right and up, victorious, and Triton to the left and down, vanquished. Precise incision renders the outline and details of the lion skin that Herakles wears, as well as the contour and detail of Triton's scales and fins. Above this scenethe artist has written kalo[s]p[u]this – or "Pythis [is] beautiful"; exactly who Pythis is is another mystery.

On the shoulder of the vessel, the area above the front scene on the flat surface between the handles, another mythological scene plays out. This time it is the judgement of Paris, in which the handsome youth must judge a beauty contest between three goddesses - Aphrodite, Hera and Athena (shown seated). Aphrodite famously wins the contest by promising Paris the love of the most beautiful woman in the world. The woman in question turns out to be Helen of Troy, whose love affair with Paris would set in motion the deadly Trojan war.
Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)"
Object type: print
Date: 1793 – 1794
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Sedvlitas
Object type: print
Date: 1589 – 1611
Materials: paper
Techniques: engraving
Location: cologne
Subjects: carefulness, diligence; 'diligenza' (ripa)
Inscriptions: collector's mark: Lugt 2228

Landschap met de vrouwelijke personificatie van Arbeidzaamheid (Sedulitas), met een brandende olielamp en een opengeslagen boek in haar handen. Op de voorgrond mieren, een spinnewiel, en een kip met haar kuikens, die symbool staan voor vlijtig werken. Op de achtergrond een scène waarin deze deugd tot uiting komt: het spinnen van wol. Rechts op de achtergrond een ooievaar die haar jongen voedt. In de marge een vierregelig onderschrift in het Latijn. Zevende prent uit een serie met deugden.
H. Dorothea biedt het Christuskind een bloemenmand aan
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: brussels
Subjects: the virgin martyr dorothea of caesarea; possible attributes: basket of roses and apples, child with basket of roses, garland of roses, roses in hand or lap (+ mary), landscapes in the temperate zone, madonna: mary sitting on the ground, the christ-child in her lap

David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Prosp. de la ville de Lyon du coste de septentrio
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta', lyon

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1657, dl. 5, na p. 10. De titel is uit de originele prent gesneden. Boven de gravure is een deel lucht en wolken (bij)geschilderd, waarin de titel gelijmd is. Origineel gedrukt op één blad met een gezicht op Lyon vanuit het zuiden (RP-P-1957-607-35-2).
Portret van Anna Stuart, koningin van Groot-Brittannië
Object type: photomechanical print
Date: 1850 – 1899
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: london, anna stuart (koningin van engeland en schotland), historical persons - bb - woman, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral) - bb - female ruler
Jewelry set
Object type: jewelry set
Date: 1850 – 1899
Materials: gemstone, silver, stone
Culture: american or european
View of the Temple of the Tooth (Dalada Maligawa), Kandy, Sri Lanka
Object type: photograph
Date: 1903 – 1914
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: kandy
Subjects: kandy
Inscriptions: name: ‘Skeen & Co.’, inscription: ‘3. Kandy.’, number: ‘116’

Rechts is de Tempel van de Tand (Dalada Maligawa) te zien.
Portret van François Gaultier
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: paris
Artist: étienne desrochers
Artist role: print maker, publisher
Artist dates: 1668 – 1741
Subjects: clergyman, historical persons
Inscriptions: collector's mark: Lugt 2228

Behoort waarschijnlijk tot een serie portretten, grotendeels door Etienne Desrochers, getiteld: 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes que dans Belles-Lettres et les Arts, comme aussi la famille royale de France et autres cours étrangères'. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985. Echter was Desrochers reeds enkele jaren eerder begonnen met het uitgeven van de serie. Na de dood van Desrochers werd de serie voortgezet door Gilles Edme Petit. Een latere staat werd uitgegeven door Jean François Daumont in Parijs.
De stereofabriek
Object type: stereograph
Date: 1860 – 1860
Materials: photographic support
Techniques: albumen print
Location: france
Artist: alexis gaudin
Artist role: publisher
Inscriptions: inscription: ‘onleesbaar’
½  gulden van de VOC uit Westfriesland,1786
Object type: coin
Date: 1786 – 1786
Materials: silver
Techniques: striking
Location: hoorn

Zilveren munt. Voorzijde: tussen waarde-aanduiding X St. gekroond generaliteitswapenschild, waaronder cartouche, waarin monogram van de VOC. Jaartal aan het eind van het omschrift. Keerzijde: Nederlandse maagd met speer, waarop vrijheidshoed, leunend op een bijbel op een altaar. Kabelrand.
Coin Portraying King Vabalathus
Object type: coin
Date: 270 – 275
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: VABALATHVS VCRIMDR
Reverse: IMP AVRELIANVS AVG

On the front (obverse) of this coin the king Vabalathus is portrayed, facing right and wearing a crown of laurels.
On the back (reverse), the emperor Aurelian is similarly portrayed, facing right and wearing a crown.
Astronomy
Object type: statuette
Date: 1601 – 1700
Materials: bronze
Artist: giambologna
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1529 – 1608
Subjects: female nudes,astronomy
Portret van M. Rauch
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Charles de Villers
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: lithograph
Location: hamburg
Artist: friedrich carl gröger
Artist role: draughtsman, painter, print maker
Artist dates: 1766 – 1838
Subjects: scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228
La Vedette
Object type: print
Date: 1853 – 1854
Materials: paper
Techniques: lithography
Location: paris
Subjects: helmet, private soldier, guard duty, keeping sentry, hacking and thrusting weapons: rapier
Inscriptions: collector's mark: Lugt 2233, check stamp: Lugt 36a

Prent gebruikt voor: Les Artistes anciens et modernes, dl. 3, vol. 5, 1853-1854.
Tekst over de invoering van een munt in het Nieuwe Werkhuis te Amsterdam
Object type: text sheet
Date: 1830 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaandam
Artist: gerrit van orden
Artist role: mayor
Artist dates: 1774 – 1854
Subjects: prison, jail, coin, workhouse, penal camp, penitentiary, chain gang
Inscriptions: collector's mark: Lugt 1641b

Tekst uit: Orden, Gerrit van. Bijdragen tot de Penningkunde (numismatiek) van het Koningrijk der Nederlanden. Zaandam: Jan Groot & Comp., 1830, p. 22-23, 43-44.
Gold Belt Mount with Loop
Object type: belt mount
Materials: gold
Culture: avar

The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively cast. Some show no signs of use, while others are quite worn. The Avars The Avars were a nomadic tribe of mounted warriors from the Eurasian steppe. The Byzantine emperor Justinian negotiated with them in the sixth century to protect the Empire’s northern border along the Black Sea. Emboldened by their subjugation of numerous tribes, they unsuccessfully attempted to seize the Empire’s capital, Constantinople. They remained a scourge of both Byzantium and the Western kingdoms until Charlemagne defeated them through a series of campaigns in the 790s and early 800s. All the money and treasure that the Avars had been years amassing was seized, and no war in which the Franks have ever engaged . . . brought them such riches and such booty. Up to that time the Avars had passed for a poor people, but so much gold and silver was found . . . that one may well think that the Franks took justly from the Avars what the Avars had formerly taken unjustly from other nations. — Einhard (ca. 770–840), biographer of the Frankish ruler Charlemagne, early 800s The Vrap Treasure Tribute payments from the Byzantine Empire and war booty provided the Avars with enormous amounts of gold and silver. Avar goldsmiths created work of exceptionally high quality and were counted among the Avars’ ruling class. This ensemble of objects, all found together in Vrap, in present-day Albania, would seem to attest to the wealth of the Avars. Why this varied group was brought together remains a mystery. Some scholars have suggested that these objects were part of a treasure belonging to an Avar chief; others have speculated that they were the materials of an Avar artist. Others question whether an Avar metalsmith made them at all and assert these objects to be the products of a provincial Byzantine artist.
Portret van een man
Object type: carte de visite
Date: 1892 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: johannes jr. baer
Artist role: fotograaf
Artist dates: 1864 – 1940
Subjects: historical persons
Inscriptions: inscription: ‘Baer/ Prinsestraat No90/ 's Gravenhage/ Atelier voor Fotografie’
Death of Antiochus After His Fall
Object type: print
Date: 1738 – 1738
Techniques: etching
Artist: noël hallé
Artist role: artist
Artist nationality: french
Artist dates: 1711 – 1781
Subjects: soldiers,men,women,death

During the years Saint-Aubin competed for the Prix de Rome, students were encouraged to learn printmaking by etching their own compositions. This print takes as its model the painting he submitted to a special competition in 1753, today in the Musée du Louvre, Paris. The story appears in the Book of Genesis (24:31), in the Old Testament. After Laban refused to grant his son-in-law Jacob his earnings, Jacob’s wife Rachel—Laban’s daughter—stole her father’s household gods and hid them by sitting on a trunk.
Chalice veil
Object type: chalice cover
Date: 1720 – 1720
Materials: metal thread, silk
Subjects: flowers
De H. Rochus
Object type: print
Materials: paper
Techniques: engraving
Location: rome
Subjects: the confessor and pilgrim roch(us) (rocco, rock) of montpellier; possible attributes: angel (with ointment box or spoon), dog (sometimes with loaf), (pointing at) plague-spot on thigh, pilgrim's shell, staff, hat and wallet
Inscriptions: collector's mark: Lugt 240

De heilige Rochus staand met een pelgrimsstaf. Achter zijn benen schuilt een hond met een appel in zijn bek. De hond bracht Rochus dagelijks vers eten toen hij aan de pest leed.
The Beast with Two Horns like a Lamb, from The Apocalypse
Object type: print
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Ax Head
Object type: ax head
Date: 1201 – 1600
Materials: gold, iron
Culture: mongolian or tibetan
Location: tibet
Portret van Johannes Justus Landsberg
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: altarcross, crucifix, historical persons, monk(s), friar(s), book - mm - book open, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2233
Plaque Showing a King in the Red Crown
Object type: sculptor's model votive, king in red crown
Date: 767 – 735
Materials: limestone
Location: the delta
Bowl
Object type: bowl
Date: 850 – 750
Materials: terracotta
Culture: cypriot

Bowl with ibex heads for handles, and straight and wavy bands.
Glaucus and Scylla
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: drypoint, etching
Location: italy
Artist: salvator rosa
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1673
Portret van J.B. de Linge
Object type: print
Date: 1847 – 1875
Materials: paper
Techniques: lithograph
Location: brussels
Artist: joseph schubert
Artist role: print maker
Artist dates: 1816 – 1885
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of a draped figure; Exterior, bit of the inner wall of the foot; the underside of the floor is glazed with two thin bands of reserve; the center is reserved
Portret van de beeldhouwer Johannes Antonius van der Ven
Object type: print
Date: 1849 – 1890
Materials: paper
Techniques: etching
Location: rosmalen
Artist: martinus johannes cornelis weegenaar
Artist role: print maker
Artist dates: 1834 – 1909
Subjects: draughtsman, sculptor, jan antonie van der ven, portrait, self-portrait of sculptor
Inscriptions: collector's mark: Lugt 2228
Bacchic Scene; Two Roman Soldiers
Object type: drawing
Date: 1701 – 1800
Materials: graphite
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: soldiers
Card Number 552, Fanny Rice, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses
Portret van Johann Joachim Winckelmann
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: history and archaeology (+ portrait of scholar, scientist), historical persons
High-back chair (pair with 1975.1.1998)
Object type: chair
Materials: bone, ivory
Culture: north african
Autopsy of the First Crocodile Onboard, Upper Egypt
Object type: photograph
Date: 1852 – 1852
Techniques: paper negative, salted paper print
Artist: ernest benecke
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1894
Subjects: men,crocodiles,boats

This is perhaps the world’s first traveler snapshot, made on the deck of a traditional Nile vessel almost forty years before hand-held cameras, shutters, and fast film made the genre a possibility. In 1852, whether for business or simply on a young man’s grand tour, Benecke traveled throughout Egypt and the Mediterranean with a camera and a surprisingly humane spirit. The photographers who traveled there shortly before and after him, including Maxime Du Camp, Félix Teynard, and J. B. Greene, focused almost exclusively on the ancient monuments and landscape. Benecke, instead, documented the contemporary world with such keen sensitivity that his photographs, beyond their ethnographic value, present intimate and unaffected portraits of the region’s inhabitants.
Oudezijds Voorburgwal gezien naar de Oudezijds Kolk en de St. Nicolaaskerk in Amsterdam
Object type: photograph
Date: 1884 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: canal, church (exterior)

Onderdeel van Fotoalbum met opnames van steden in Noord- en Zuid-Holland en Utrecht.
Fotoreproductie van een schilderij, voorstellende een optocht met een liggende, naakte vrouw en een jongen met een geit
Object type: photograph
Date: 1850 – 1858
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: woman (showing herself) undressed, quasi-nude, goat
The Breached Dike at Jaap Hannes and Houtewael
Object type: print
Date: 1651 – 1652
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: dike-break, building activities

Repairs to the dike begun some time after the disaster. In the left foreground of the upper print is a pile driver, and at the right are fragments of the burst dike. At the left of the lower print can be discerned the temporary dam put up behind the dike, and in the middle the canteen of the recovery workers.
De fanatiekelingen, 1828
Object type: cartoon
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: southern netherlands
Artist: jean-louis van hemelryck
Artist role: print maker
Subjects: the soldier; the soldier's life, belgium
Inscriptions: collector's mark: Lugt 2228

Een oude officier instrueert een groep van drie nieuwelingen. Onderdeel van een serie van ca. 24 spotprenten uit 1828 op de wanverhoudingen binnen de Belgische schutterijen door de maatschappelijke ongelijkheid binnen het korps, na de reorganisatie ingevoerd op 11 april 1827.
Bowl
Object type: bowl
Date: 1867 – 1900
Materials: jade
Culture: chinese
Subjects: mythical creatures
Unobserved Man Spying on Reclining Lovers
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: germany
Artist: johann heinrich ramberg
Artist role: artist
Artist nationality: german
Artist dates: 1763 – 1840
Gitaarspeler
Object type: sketchbook leaf
Date: 1930 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: cithern, mandolin, guitar, balalaika (+ artist at work)

De man speelt gitaar of een aanverwant snaarinstrument. Blad 4 verso uit schetsboek I met 26 bladen.
Drug Jar (Albarello)
Object type: ceramic
Date: 1515 – 1515
Materials: earthenware
Techniques: glazing
Location: siena
A Duck
Object type: drawing
Date: 1634 – 1700
Materials: gouache, watercolor
Artist: aert schouman
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1710 – 1792
Subjects: ducks
Caudieux at the Petit Casino (from Le Café Concert)
Object type: print
Date: 1893 – 1893
Materials: crayon, paper
Techniques: lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: men
A New Way to Float Down the River of Life, plate three from Les Canotiers Parisiens
Object type: print
Date: 1843 – 1843
Materials: ink, paper
Techniques: lithograph, pen
Location: france
Artist: honoré-victorin daumier
Artist nationality: french
Artist dates: 1808 – 1879
Oude man met kapmantel en wandelstok
Object type: print
Date: 1871 – 1871
Materials: paper
Techniques: etching
Artist: juliaan de vriendt
Artist role: print maker
Artist dates: 1842 – 1935
Subjects: walking-stick, staff, old man
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent met de titel 'De Oude van Eisenach' is verschenen in: Album du journal des Beaux-Arts, dix eaux-fortes inédites. Brussel: Decq et al., 1871.
Somerhill, near Tunbridge, in the County of Kent, from Edward Hasted's "The History and Topographical Survey of the County of Kent", vols. 1-3
Object type: print
Date: 1777 – 1790
Techniques: engraving, etching
Artist: richard bernard godfrey
Artist role: artist
Artist nationality: british
Artist dates: 1728 – 1795
Subjects: buildings,swans,lakes,landscapes,trees

Plate 28, vol. II. Southeast View of Summer Hill, the Seat of Henry Woodgate. See 2014.599.1–.30 for comments.
La Galerie du Palais Royal
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: cupid handling his weapons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van 354 prenten naar schilderijen uit de collectie van de Hertog van Orléans, getiteld: La Galerie du Palais Royal, uitgebracht tussen 1786 en 1808. De serie werd uitgegeven door Jacques Couché die het project samen met Jacques Bouillard leidde.
A Cottage Parlour
Object type: drawing
Date: 1838 – 1910
Materials: graphite
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Subjects: doorways,windows,interiors,tables
Vier boeren bij een haardvuur
Object type: print
Date: 1626 – 1740
Materials: paper
Techniques: etching
Location: low countries
Subjects: pipe ~ tobacco, open hearth, fire-place
Inscriptions: collector's mark: Lugt 514, collector's mark: Lugt 2228

Vier boeren met hun pijpjes bij het haardvuur.
Brief aan Philip Zilcken
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: annie maris
Artist dates: 1875 – 1944
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’