deem-data/ArtiFact huggingface dataset:
Sounding Log
Object type: lead
Date: 1855 – 1855
Materials: lead
Location: marseille
Artist: adolphe pécoul
Subjects: paris

Pécoul's uitvinding, zoals beschreven in de brochure, werkte met slechts één boei, die zowel als log en als dieplood werd gebruikt. Indien als log gebruikt, werd de boei met het lood op een vastgestelde afstand verzwaard en de pal in het houten cilindertje op het viertouw gestoken, zodat de boei met zijn punt naar beneden in het water komt te liggen en een vlakke kant aan de vaarrichting biedt: zo gauw als het viertouw strak komt te staan, laat de pal los. Zoals bij een gewoon log wordt de snelheid van het schip afgeleid uit de lengte van het gevierde touw in een bepaalde tijd. Het gebruik van het lood maakte het minder gevoelig voor stromingen.
Armchair
Object type: armchair
Date: 1701 – 1800
Materials: wood
Techniques: carving, gilding, painting
Artist: sulpice brizard
Artist role: maker
Artist dates: 1735 – 1798
Subjects: human figures
Gedeelte van de Sint-Lambertuskerk te Rosmalen
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: rosmalen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior), rosmalen
Inscriptions: annotation: ‘Rosmalen/ Maart 1910’
Stier in een weiland
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: lithograph
Location: london
Subjects: bull, meadow, pasture
Inscriptions: collector's mark: Lugt 2228a
Gevecht tussen cavaleristen en infanteristen
Object type: print
Date: 1528 – 1583
Materials: paper
Techniques: engraving
Artist: etienne delaune
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1519 – 1583
Subjects: battle, military discipline (+ cavalry, horsemen), military discipline (+ infantry)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
The Lime-Burner
Object type: print
Date: 1859 – 1859
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gezicht op het Palazzo Borghese
Object type: book illustration
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: italy
Subjects: city-view in general; 'veduta', hôtel, i.e. small palace in city
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Barbault, Jean. Les plus beaux édifices de Rome moderne publiés par Jean Barbault peintre (...). Rome: Bouchard et Gravier, 1763.
Proclamation of the Code of Napoleon. 1804.
Object type: medal
Date: 1801 – 1900
Materials: gilt bronze
Techniques: struck
Artist: nicholas guy antoine brenet
Artist role: artist
Artist nationality: french
Artist dates: 1773 – 1846

This medal was struck for the Metropolitan Museum of Art at the Paris Mint at the request of the donor, Hon. Levi P. Morton, formerly U.S. Minister to France.
Zoeterwoude. R.K. kerk Zuidbuurt
Object type: ansichtkaart, prentbriefkaart
Date: 1892 – 1905
Materials: paper
Techniques: collodion silver print
Location: zoeterwoude
Artist: Anonymous
Subjects: church (exterior)
Le Louvre, Paris
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Artist: Anonymous
Subjects: palace
Heilige Apollonia
Object type: print
Date: 1583 – 1587
Materials: paper
Techniques: engraving
Subjects: the virgin martyr apollonia of alexandria; possible attributes: book, crown, palm-branch, tooth in pincers
Inscriptions: collector's mark: Lugt 2228, number: ‘152’

De H. Apollonia, knielend naar rechts, het hoofd naar links. Naast haar een open boek en een roede. Op de achtergrond springt de H. Apollonia uit eigen wil op de brandstapel. De vierde prent van een zeventiendelige serie met vrouwelijke heiligen.
Offersteen der Romeinen en de Bijlhouwerstoren in Utrecht
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: city-view, and landscape with man-made constructions, windmill in landscape, public road in village, goat
Inscriptions: collector's mark: Lugt 2228

Prent in eerder staat ook gebruikt voor: Johannes Weppelman, Verzameling van bouw- en beeldhouwkunst, en vele verdere zeldzaamheden ..., Utrecht (W.F. Stamrood) 1817. Los tekstblad met beschrijving aanwezig bij RMA.
Mlle Hauthclair
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: adult man, historical persons
Cupid
Object type: statuette
Date: 1701 – 1800
Materials: bronze
Subjects: cupid
Covered jar with hatched plants in petal-shaped panels
Object type: covered jar
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Subjects: ornament derived from plant forms

Dekselpot van porselein met een uitgerekt, bolvormig lichaam en een hoge, spreidende voet, beschilderd in onderglazuur blauw. Op de wand langwerpige, bloembladvormige vakken met daarin bloeiende planten aangezet met arceerwerk; tussen de vakken langs de rand en de voet telkens een halve bloem. De rand en de voet met driemaal een gestileerde bloem. De deksel met dezelfde decoratie. Blauw-wit.
Deur van de Saint-Maclou te Rouen door Jean Goujon
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: church of saint-maclou
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: parts of church exterior and annexes: portal, door
Inscriptions: inscription: ‘CWN.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, number: ‘235’, inscription: ‘Gothische Kunst en Renaissance - Frankrijk.’
Virgin and Child with the infant Saint John the Baptist
Object type: print
Date: 1581 – 1613
Techniques: engraving
Artist: Anonymous
Artist role: artist
Christ on the Cross with the Virgin and Saint John, from the Passau Missal (Missale Pataviense)
Object type: print
Date: 1505 – 1505
Materials: parchment
Techniques: hand coloring, woodcut
Location: germany
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
Subjects: christ,saint john the baptist,virgin mary,crucifixion
Zogende moeder
Object type: print
Date: 1768 – 1796
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: nursing, suckling
Inscriptions: collector's mark: Lugt 240
Canaanite Scarab of the "Anra" Type
Object type: scarab, anra
Date: 1648 – 1540
Materials: stone
Location: canaan
Subjects: hieroglyphs,scarabs
Figuur op een brug over een rivier
Object type: sketchbook leaf
Date: 1907 – 1913
Materials: chalk, paper
Location: dedham
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: bridge, landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)
Inscriptions: date: ‘Jul 30/13’

Mogelijk een brug bij Dedham. Blad 15 recto uit een schetsboek met 30 bladen.
Bottle
Object type: vessel
Date: 34 – 33
Materials: glass
Techniques: glassblowing
Culture: roman
Location: mediterranean region
Subjects: containers

Initially affordable only among the wealthy, glass was used in ancient Rome as containers for oils, perfume, and tablewares. The variety of glass-making techniques reveals the changing tastes and fashions over the centuries. During the 1st century A.D., cast glass was a novel form that was a luxury for the Roman household, but by the end of the century, the innovation of blown glass allowed for less labor-intensive and less expensive production, which meant people of lesser means could afford it. Blown glass became so popular it nearly supplanted ceramic and even bronze wares in the home.
Reed Horn
Object type: reed horn
Date: 1867 – 1900
Materials: horn, metal
Culture: african
Bird-Shaped Water Dropper
Object type: vessel
Materials: stoneware
Techniques: celadon glazed, incising, molding
Location: korea
American Fall from below
Object type: stereograph
Date: 1866 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: american falls
Artist: george e. curtis
Artist role: fotograaf
Artist dates: 1830 – 1910
Subjects: waterfall
Inscriptions: number: ‘246’
Magic Tower, Yosemite
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: men,mountains,landscapes
Cup
Object type: cup
Materials: glaze, porcelain
Culture: chinese
Pope Adrian VI
Object type: painting
Materials: canvas, oil
Location: northern netherlands
Artist: Anonymous
Subjects: utrecht, rome, clergyman, historical persons, pope
Inscriptions: coat of arms, upper right: divided diagonally, 1, a plain field; 2, St Martin on horseback dividing his cloak with a beggar; tinctures unknown, coat of arms, upper left: 1 and 4, three crampons, two above one; 2 and 3, a lion rampant; tinctures unknown

Portret van paus Adrianus VI (1459-1523). Buste in ovaal naar links, met tiara en rijk bewerkte mantel; links en rechts familiewapens. Kopie naar een origineel uit ca. 1520.
The high wall at grand view
Object type: photograph
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: grand canyon
Artist: Anonymous
Subjects: ravine, chasm, abyss, canyon
Inscriptions: annotation: ‘Grand Canyon’
Kennemerpoort te Alkmaar
Object type: sketchbook leaf
Date: 1862 – 1867
Materials: paper, pencil
Location: alkmaar
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: gate, entrance, vault ~ architecture
Inscriptions: annotation: ‘Kennemerpoort Alkmaar’

Tevens een studie van een interieur overkapt met een kruisribgewelf. Blad 35 recto uit een schetsboek met 58 bladen.
Vrouw met opengeslagen boek onder een boom
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: etching
Subjects: reading
Inscriptions: collector's mark: Lugt 2228

Een vrouw zit met een opengeslagen boek in haar hand onder een boom te lezen.
The Order of the Bust of Bolivar, or Order of the Liberator of Venezuela, from the World's Decorations series (N44) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: medals

Trade cards from the "World's Decorations" series (N44), issued in 1890 in a numbered set of 50 cards to promote Allen & Ginter brand cigarettes. Series N44 reproduces the cards from N30 in a larger size.
Daphnis speelt panfluit voor Chloé
Object type: print
Date: 1937 – 1937
Materials: paper
Techniques: woodcut
Artist: aristide maillol
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1861 – 1944
Subjects: panpipes, daphnis (in greek mythology a shepherd who invented pastoral poetry, chloe, one person playing an instrument - cc - out of doors
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent gebruikt in: Longus. Les Pastorales de Longus ou Daphnis & Chloé. Parijs: Frères Gonin, 1935, p. 23.
Het gaat hier duidelijk om een proefdruk; tekst en paginering kloppen niet met de uiteindelijke publicatie.
Dood van Lucretia
Object type: print
Date: 1519 – 1519
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: death of lucretia: she commits suicide by stabbing herself
Inscriptions: collector's mark: Lugt 2228a
Monteith with the Gibbs and Nelthorpe coats of arms
Object type: monteith
Date: 1700 – 1700
Materials: glass
Techniques: engraving
Subjects: birds,cupid,cows,sheep,coat of arms,musicians

Monteiths, filled with ice water, were used to cool wineglasses, which were suspended in the water by the foot held in the notches of the rim. At the time this piece was made, monteiths were primarily of silver; thus this rare example is an unusually large object to be found in glass. The piece was engraved (with a diamond point) with the arms commemorating the marriage of William Gibbs of Horsley Park, Essex, and the heiress Mary Nelthorpe and inscribed with the name of the groom. Around the rim are moralizing inscriptions in Italian, Hebrew, Slavonic, Dutch, French, and Greek (such as "Fear God and honor the King" in the main panel). Cupid sitting between the bride and groom sings from a songbook while musicians assembled around a table play the lute, viol da gamba, and recorder. Other panels are engraved with scenes of country pursuits, such as harvesting and fishing. This monteith is the Museum's earliest example of flint glass, which was perfected in the late seventeenth century in England, where it immediately became the preferred material, having equal strength but greater inner "fire," or luminosity, than the Venetian and German imports.
Brief aan Ary Johannes Lamme
Object type: letter
Date: 1861 – 1861
Materials: ink, paper
Techniques: pen, writing
Location: passy
Artist: josephine fodor-mainville
Artist role: zangeres
Artist dates: 1789 – 1870
Subjects: dordrecht, print maker, draughtsman, ary johannes lamme, gioacchino antonio rossini, photography, cinematography, family life, diseases
Inscriptions: collector's mark: Lugt 2228
Groot kaasjeskruid (Malva sylvestris)
Object type: drawing
Date: 1596 – 1610
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: flowers: mallow, insects: beetle

Kaasjeskruid, met een kever. Rechtsboven genummerd: 119. Met de naam in vijf talen. Onderdeel van het tweede album met tekeningen van bloemen en planten. Negende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Maximilian I
Object type: print
Date: 1520 – 1520
Techniques: engraving, etching
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: men,portraits

This sensitive portrayal of the Holy Roman Emperor Maximilian I, produced in commemoration of his death in 1519, is one of Lucas's most technically innovative works. It demonstrates how, for the first time in Northern Europe, an artist combined the techniques of etching and engraving. Etching allowed Lucas greater freedom of draftsmanship, but at the time the print was made, its use as a printmaking technique was still rather new. He therefore turned to engraving in the areas that required greater precision. Thus, the artist engraved Maximilian's face with very fine, sharp lines, but the less rigid, wavering, and slightly more animated strokes in the rest of the composition were etched.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, two rim fragments with parts of circumscribed palmettes
Architectura de Oorden Tusschana
Object type: album leaf
Date: 1578 – 1578
Materials: paper
Techniques: etching
Location: antwerp
Subjects: tuscan order ~ architecture, other architectural details (console), gate, entrance

Twee halve portalen in de Toscaanse Orde, geflankeerd door een zuil. De zuilen zijn gedecoreerd met gestileerde bossage, in het linker ontwerp met halve kogels en in het rechter met diamantkoppen. Links en rechts twee consoles. De prent maakt deel uit van een album.
Twee foto's van een steengroeve in Valkenburg en een optocht met koningin Wilhelmina in Amsterdam
Object type: photograph
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: amsterdam, carel frederik van den berg (cay), frank willem van den berg (1912-1998), public festivities on the occasion of royal events, quarry
Inscriptions: inscription: ‘Steengroeve bij Valkenburg/ Mei '23’, inscription: ‘Intocht Koningin Sept '23’

Deze foto's maken deel uit van een album.
The Triumph of Fame
Object type: tapestry
Date: 1502 – 1504
Materials: silk, wool
Subjects: fruit,men,women,flowers,writing,allegory

Based in part on Petrarch’s poem I Trionfi (The Triumphs), this tapestry belonged to a set of six representing the consecutive triumphs of Love, of Chastity over Love, of Death over Chastity, of Fame over Death, of Time over Fame, and of Religion over Time. Here Fame reads at a lectern, surrounded by writers whose works immortalized the deeds of the ancients. Triumphant over Death, she tramples the Fates and holds an orb crowned with a cross, locating the subject in a distinctly Christian context. This tapestry, or one identical to it, was purchased by Isabella, Queen of Castile and Aragon in 1504. It remains extraordinary for its condition, color and harmonious composition.
Sculptuur van Rode Faun
Object type: photograph
Date: 1880 – 1904
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: rome
Elba Pittoresca. Marciana Marina coi paesi di Poggio Terme e Marciana
Object type: ansichtkaart, prentbriefkaart
Date: 1935 – 1938
Materials: photographic support
Techniques: photography
Location: marciana marina
Artist: Anonymous
Subjects: prospect of village, silhouette of village, island, coast
The Vigilant Stuyvesant's Wall Street Gate
Object type: painting
Date: 1863 – 1863
Materials: canvas, oil
Culture: american
Artist: john quidor
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1881
Subjects: gates,boys,trumpets,horses,trees
Luieren aan het strand in Zandvoort
Object type: photograph
Date: 1900 – 1905
Materials: photographic support
Location: zandvoort
Subjects: beach (as place of recreation)

Een man en twee vrouwen zitten in strandstoelen. Links wat meisjes in witte jurken en hoedjes op. Op de achtergrond een trap omhoog en gebouwen.
Plafondlampen in de Beurs van Berlage te Amsterdam
Object type: photograph
Date: 1903 – 1903
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: stock exchange, stock-market, electric lamp
Inscriptions: stamp: ‘Rijksmuseum/ Amsterdam’
5 centavos uit Colombia, 1886
Object type: coin
Date: 1886 – 1886
Materials: nickel
Techniques: striking

Koper-nikkelen munt. Voorzijde: borstbeeld van een vrouw met hoofdband, waarop opschrift: Libertad. Jaartal onderaan. Keerzijde: tussen twee takken waarde-aanduiding in twee regels. Gladde rand.
Courtesan of Osaka and Her Attendant, left sheet of a triptych of beauties of the three capitals (Sanpukutsui Osaka hidari)
Object type: print
Date: 1745 – 1745
Techniques: hand coloring, hashira, woodblock print
Location: japan
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Lidded Container
Object type: vessel
Materials: wood
Culture: nguni, northern nguni
Location: south africa
Artist: unobhadule
Artist dates: 1850 – 1899
Subjects: containers, ceremony, prestige, storage

The use of this container with its graceful ovoid form and incised linear pattern is unclear. It may have served as a prestige object for a high-ranking member of society—for instance, providing a place to store tobacco in honor of guests and ancestors on festive and ritual occasions. Recent scholarship suggests that it may have been made explicitly for sale to a foreign client, tourist, or resident.
Un Gentilhomme et son Page (A Gentleman and his Page), from "Les Caprices" Series A, The Florence Set
Object type: print
Date: 1617 – 1617
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: boys,men
Schroeffitting uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: verpakking
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
De Vrije Katheder
Object type: magazine
Date: 1946 – 1946
Materials: paper
Techniques: printing, stapling
Location: amsterdam
Subjects: netherlands
Inscriptions: date

Tijdschrift, jaargang 6 nr. 6 van 'De Vrije Katheder', pp 82 t/m 96. Gedateerd; midden boven: 7 Juni 1946.
Groep soldaten trekt door een heuvellandschap
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: army 'en route', low hill country, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228

Prent behoort tot een serie met twaalf genretaferelen vervaardigd door Madou en Fourmois. Vier prenten zijn enkel door Madou vervaardigd en de overige prenten door Madou en Fourmois samen. Madou vervaardigde de figuren en Fourmois het landschap.
Journal des Demoiselles, 15 Février 1903, No. 5298 : Toilettes de Mmes Forcillon (...)
Object type: fashion print
Date: 1903 – 1903
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: veil (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), book, bride (in wedding-dress), fan (+ women's clothes), the bible as a book
Inscriptions: caption: ‘Toilettes de M.mes FORCILLON SOEURS, 165, Rue S.t Honoré (Place du Théâtre Français) _ Modes de Mmes WYNS & DUREAU, 14, Rue de Richelieu_ Corsets de la M.on GUELLE, 3, Place du Théâtre Français_ Etoffes de la M.on ROULLIER F.RES, Fabricants , 27, Rue du 4 Septembre_ Parfumerie HOUBIGANT _ 19, Faubourg S.t Honoré_.’, address: ‘14, Rue Drouot’, title: ‘Modes de Paris / Journal des Demoiselles’

Japonnen van Forcillon Soeurs. 'Modes' van Mmes Wyns & Dureau. Korsetten van de firma Guelle. Stoffen van de firma Roullier F.res. Prent uit het modetijdschrift Journal des Demoiselles (1833 -1922).
Wapentrofeeën waaronder harnas en helm en hellebaard
Object type: print
Date: 1500 – 1548
Materials: paper
Techniques: drypoint, engraving
Location: italy
Artist: meester van 1515
Artist role: print maker
Subjects: trophy ~ battle, war
Inscriptions: collector's mark: Lugt 240
Vrouwen met baby in een tuin of park
Object type: photograph
Date: 1870 – 1890
Materials: photographic support
Techniques: platinum process
Artist: Anonymous
Subjects: trees, historical persons, mother and child(ren), woman and child(ren) (family group)
Inscriptions: inscription: ‘[...]’
Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 15v)
Object type: book print ornament architecture
Date: 1532 – 1532
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament

Published by Peter Guentel, Cologne. The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs.
Briefkaart aan Andries Bonger
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: laren
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: amsterdam, andries bonger
Ex libris van Torsten Moritz
Object type: bookplate
Date: 1941 – 1941
Materials: paper
Techniques: printing block
Location: sweden
Artist: Anonymous
Subjects: print maker, torsten moritz, riding a horse, ass, or mule; rider, horseman, protective weapons: shield, horse
Virgin and Child
Object type: appliqué
Date: 1501 – 1600
Materials: linen, metal thread, silk, wool
Subjects: madonna and child
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic
Artist: apollodoros
Artist role: artist

Interior, part of a draped male holding a net in his right hand
Landschap met water bij Kamerik en een hooiberg
Object type: sketchbook leaf
Date: 1808 – 1895
Materials: paper, pencil
Location: kamerik
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), hay-stack
Inscriptions: date and inscription: ‘Kamerik/ 3 Aug 95’

Blad 16 verso en 17 recto uit een schetsboek met 39 bladen.
Escutcheon of lock
Object type: escutcheon with lock
Date: 1740 – 1760
Materials: iron