deem-data/ArtiFact huggingface dataset:
Lamp
Object type: lamp
Date: 401 – 600
Materials: earthenware
Techniques: molding
Location: egypt

Small earthenware lamps, made from double molds, were the most commonly used source of light in Coptic Egypt. A wick produced from plant fiber or linen fabric was placed in a reservoir filled with oil, generally castor or sesame oil, and illuminated. This red earthenware lamp is decorated with a horse running, enclosed by a border of concentric circles, leaves, scrolls, and a pellet at each end.
Afteeckeninghe van de Chinesche Joncken
Object type: print
Date: 1644 – 1646
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: rotterdam, mayor, ships (in general) (+ propulsion of vehicle, ship, etc. by wind), landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie: Historisch Verhael Vande treffelijcke Reyse, gedaen naer de Oost-Indien ende China, met elf Schepen. Door den Manhaften Admirael Cornelis Matelief de Jonge. Inden Jaren 1605. 1606. 1607. ende 1608. Deze tekst opgenomen in : I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 10.
Plate with marine subject
Object type: plate
Date: 1789 – 1797
Materials: porcelain
Artist: dihl et guérhard
Artist role: maker
Artist nationality: french
Artist dates: 1781 – 1824
Subjects: coral

The decoration and unusual painting composition found on this plate, which probably dates to around 1797, attest to the high quality and experimental work of the Dihl et Guérhard manufactory. Founded in 1781 by the modeler Christophe Dihl and the entrepreneur Antoine Guérhard and based in Paris, the factory became the most important private porcelain firm during the French Revolution. Reaching a height during the turbulent period of 1789 to 1798, the firm capitalized upon the abolition of Sèvres’s royal monopoly on porcelain in order to experiment with a variety of vessel shapes, ground colors, decorative effects, and subject matter. Although eighteenth-century natural history cabinets often featured shells and corals, artists rarely depicted specimens in a natural setting, particularly one as unsettling as the misty shoreline and cliffs found in this group of three plates (2018.143.1–.3).
Cornish Celebration Presentation Plaquette
Object type: plaquette
Date: 1905 – 1906
Materials: bronze, silver
Culture: american
Artist: augustus saint-gaudens
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1907
Subjects: trees,angels
Court Lady with Branch of Plum
Object type: surimono
Date: 1810 – 1820
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: plants; vegetation, adult woman (+ three persons), maid ~ house personnel

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Amulet, vulture
Object type: amulet, vulture
Date: 664 – 332
Materials: lapis lazuli
Location: egypt
Subjects: birds
De werken van Odysseus
Object type: print
Date: 1632 – 1633
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: theodoor van thulden
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: polyphemus is blinded with a pointed stake
Inscriptions: collector's mark: Lugt 2228

Odysseus en zijn krijgslieden steken het oog van de reus Polyphemus uit.
Gesigt van de groenmarkt siende naar de vlees-hal, vismarkt, groote-kerk en stadhuys tot 's Gravenhage / Vue du marche aux herbes, du coté de la boucherie la pois-sonnerie la grande eglise et la maison de ville a la Haye
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: leonard schenk
Artist role: print maker, publisher
Artist dates: 1696 – 1767
Subjects: vegetables, market, fruits
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Gezicht op de Groenmarkt. Rond de markt bevinden zich de Vleeshal, het stadhuis, de Grote Kerk en de Vismarkt. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Marktwezen, 's-Gravenhage.
Fragment of a limestone relief with enthroned couple
Object type: relief fragment with enthroned couple
Date: 400 – 201
Materials: limestone
Culture: greek, south italian, tarentine
Subjects: men

The scene comprised of three fragments may symbolize the journey of the deceased to the Underworld. To the left, 1996.151.1, are Hades and Persephone enthroned; at center, 1996.151.2, the standing figure may be Orpheus, and to the right, 1996.305, Hermes, who conducted the souls of the dead to Hades, takes the hand of a woman dressed in a chiton, with her himation (cloak) pulled over her head and around her waist. She stands in front of a cave-like opening that represents the entrance to the Underworld. Such reliefs are known to have been popular on funerary monuments at Tarentum.
The blindness of Tobit: a sketch
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: tobit's blindness (tobit 2 - 3:6)
Plate 12 depicting the trades of Rome, here including vendors of lanterns, brooms, almonds, figs etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Object type: print
Date: 1770 – 1800
Techniques: engraving, hand coloring
Artist: remondini
Artist role: publisher
Artist nationality: italian
Artist dates: 1650 – 1860
Rivet
Object type: rivet
Date: 500 – 168
Materials: silver
Culture: achaemenid or seleucid
Location: iran

This silver rivet or nail was found in the courtyard of the Tall-i Takht at Pasargadae in southwestern Iran, about 90 km northeast of Shiraz. Pasargadae was the first capital of the Achaemenid Persian Empire, founded by Cyrus the Great c. 546 B.C. Tall-i Takht, a massive artificial platform presumably built as the site of a royal palace but converted into a fortified compound after Darius established a new capital at Persepolis around 520. Rivets and nails would normally be made of a sturdy base metal, such as bronze or iron. The only reason to have a silver rivet would be if it were part of a larger silver object, such as an item or jewelry or other personal adornment, or perhaps as part of some elaborate piece of décor. The Takht may have served as a storehouse or treasury during the 5th and 4th centuries B.C.; Elamite tablets from Persepolis refer to a treasury there during the reign of Darius, and according to the Greek historian Arrian (3.18.10), Alexander the Great captured a treasury at Pasargadae. This rivet might thus be remains of a silver object stored there.
Juno, from "Game of Mythology" (Jeu de la Mythologie)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: birds,juno
Ritual Cauldron
Object type: vessel
Materials: antimony, lead
Location: china
Artist: Anonymous

This cauldron was used for libations of wine during ritual offerings. It is known as jia. Ancient Chinese bronzes were made of alloys of copper and tin, and sometimes also lead. These materials were heated into a molten mass and subsequently cast in the desired form in ceramic moulds.
Graflegging
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: engraving, etching
Subjects: christ's entombment (possibly by angels), bearing of christ's body to the grave, christ's body on or in the grave
Inscriptions: collector's mark: Lugt 2228, name

Christus wordt door Jozef van Arimatea in het rotsgraf gelegd. Aan de rechterkant een groep treurende vrouwen waaronder Maria en Maria Magdelena. (Matteüs 27:57-61). De prent heet twee Latijnse onderschriften.
Coin
Object type: coin
Date: 1001 – 1300
Materials: copper
Location: iran
Portret van Ludwig von der Tann-Rathsamhausen
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: letterpress printing, engraving
Subjects: commander-in-chief, general, marshal, historical persons

Prent uit: Über Land und Meer 8 (1866), nr. 48, augustus 1866, p. 757.
Le Dam, Amsterdam
Object type: stereograph
Date: 1856 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: square, place, circus, etc., royal palace of amsterdam
Inscriptions: retailer's mark: ‘C.P. Staalman/ Amsterdam’
Paris Grippé, from  Actualités, published in "Le Charivari"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women
Bebouwing
Object type: sketchbook leaf
Date: 1880 – 1906
Materials: chalk, paper
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: architecture, civic architecture; edifices; dwellings

Pagina 25 en pagina 26 uit een schetsboek met 81 bladen.
Portret van Willem Lodewijk, graaf van Nassau-Dillenburg
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: willem lodewijk graaf van nassau-dillenburg

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Meteren, Emanuel van. Niderlandische Historien. Amsterdam: Johannes Janssonius, 1640.
Soup bowl with cover (tazza con coperchio)
Object type: soup bowl with cover
Date: 1601 – 1633
Techniques: maiolica, glazing
Culture: italian
Head
Object type: sculpture
Date: 800 – 601
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: heads

This carved head was probably blackened through exposure to fire when the palace complexes at Nimrud were sacked during the final defeat of Assyria at the end of the seventh century B.C. Originally, this piece may have been part of a composite statuette made of various materials and overlaid with gold foil. The figure is depicted with fleshy cheeks, large eyes and nose, and a small mouth. The hair appears as a row of curls along the forehead, held back by a plain fillet. A striated pattern and fragmentary additional element at top may represent hair topped by a headdress, although this is an unusual image not paralleled by other headdresses known from this period. Alternatively, the figure may be represented as a caryatid, a column in the form of a human figure, and the fragmentary element at top may be a column capital. As the head is beardless, it could represent either a male foreigner, a woman, or a eunuch. Eunuchs, who were castrated men, served in many high-level positions in the Assyrian court and are frequently represented on the stone reliefs that decorate the walls of the Northwest Palace at Nimrud. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Fotoreproductie van een getekend portret van een onbekende vrouw
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, glass, metal, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, anonymous historical person portrayed
Staande boer met zeis
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching, hand coloring
Artist: Anonymous
Subjects: agricultural implements: scythe, standing figure, farmers, clothes, costume
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De 18de eeuw (de pruikentijd). Mannen en vrouwen.
The Madonna of Mercy, from Hymmelwagen auff dem, wer wol lebt...
Object type: print
Date: 1517 – 1517
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: human figures,angels,madonna and child
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Right forearm and hand; below, a skyphos; one letter of an inscription, …L…; ancient repair visible
Poon, prik en slakkehuis
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving, hand coloring
Location: netherlands
Subjects: fishes, animals (+ shell, snail-shell etc.)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit serie Libelivs varia Genera piscium complectens van dertien prenten met zoetwatervissen, zeevissen, kikkers, schaaldieren en zeewezens (inclusief titelprent).
Ring: Oval
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: circles
Ceramic Fragment
Object type: fragment
Date: 1401 – 1500
Materials: glaze, stonepaste
Techniques: painting
Location: egypt
Woven silk
Object type: piece
Date: 1601 – 1633
Materials: silk
The Keys to Paradise, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Ian Semel alias mostertman
Object type: print
Date: 1630 – 1706
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: carrying something with yoke

Een man (Ian Semel alias mostertman) draagt een juk met daaraan twee emmers. Op de achtergrond een houten brug en een huis. De prent maakt deel uit van een serie van 32 prenten met genretaferelen.
Disk
Object type: disk
Materials: glass
Location: egypt
The Old Dragoons of 1850
Object type: sculpture
Materials: bronze, copper alloy, metal, patina
Location: new york
Artist: frederic remington
Artist nationality: american
Artist dates: 1861 – 1909
Subjects: animals, people, portraits
Inscriptions: Inscribed on rear of base: "Roman Bronze Works / N.Y."
Inscribed left side of base: "Copyright / Frederic Remington"

The Old Dragoons of 1850 is another feat of Frederic Remington’s technical achievement. Stretching, twisting men and horses move at top speed, depicted by Remington in an arrested moment in time. The complex sculpture suggests the chaos of eyewitness observation, yet it also achieves the choreographed monumentality and unity of synthetic composition. Remington designed his three-dimensional works after the drawings and photographs he made on his trips to the West, and the ability to freeze motion photographically undoubtedly fed the force and dynamism of his sculpture.
Havengezicht
Object type: print
Date: 1885 – 1937
Materials: paper
Techniques: lithograph
Artist: johan hendrik van mastenbroek
Artist role: painter, print maker
Artist dates: 1875 – 1945
Subjects: harbour, dock crane
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Scaraboid of Amenemhat III
Object type: scaraboid, amenemhat iii
Date: 1859 – 1813
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Mars and Venus Trapped by Vulcan
Object type: plaquette
Date: 1567 – 1600
Materials: gilt bronze
Artist: guglielmo della porta
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1577
Subjects: mars,venus,vulcan
Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: aquatint, brush, etching, roulette, wash
Location: netherlands
Artist: christian josi
Artist nationality: dutch
Artist dates:  – 1828
Inscriptions: Verso: inscribed in graphite: "2nd proof with the hard etching ground lines and roulette and a light tint of aquatinta - the border is washed with the brush. This was the best state of the plate"
Wat men den shah van Perzië te Amsterdam te zien zal geven
Object type: cartoon
Date: 1900 – 1900
Materials: paper
Techniques: letterpress printing, lithograph
Location: netherlands
Artist: petrus van geldorp
Artist role: draughtsman, print maker
Artist dates: 1872 – 1939
Subjects: politician, tricycle, (military) tattoo, bicycle, horse, automobile, police, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Gepubliceerd als bijvoegsel van 'De Amsterdamsche Courant', 29 juni 1900.
The Blue John Mine, near Castleton, Derbyshire
Object type: photomechanical print
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Location: blue john cavern
Artist: Anonymous
Subjects: cave, grotto
L'Exercice de la Hallebarde (Drill with Halberds), from "Les Exercices Militaires" (The Military Exercises)
Object type: print
Date: 1635 – 1635
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Glass perfume bottle
Object type: bottle
Date: 101 – 300
Materials: glass
Culture: roman

Miniature perfume bottle Translucent pale light blue. Rim folded out, over, and in; flaring mouth; short, funnel-like neck; bulbous body; flattened bottom. Intact; pinprick bubbles and blowing striations; dulling, pitting, and patches of iridescent weathering.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 440 – 420
Materials: terracotta
Culture: greek, attic

Part of a palmette; start of handle root
Kinderen spelen een loterijspel
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching, hand coloring
Artist: Anonymous
Subjects: raffle, lottery, children's games and plays, child
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Isabel Wachenheimer met twee onbekende personen voor het sanatorium Etania, 1945-1947, Davos
Object type: photograph
Date: 1945 – 1947
Materials: photographic support
Techniques: gelatin silver print
Location: davos
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: number: ‘23’

Isabel Wachenheimer (links), onbekende man in uniform (midden) en onbekende vrouw (rechts)
Saint Benedict on a Bed of Thorns
Object type: drawing
Date: 1666 – 1724
Materials: chalk, paper
Techniques: brush, highlighting, wash
Artist: benedetto luti
Artist role: artist
Artist nationality: italian
Artist dates: 1666 – 1724
Subjects: men,putti,saints
Ein new getruckt model Büchli...Page 24, verso
Object type: book print ornament architecture
Date: 1529 – 1529
Materials: ink, paper
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550

Published by Schoensperger, Augsburg. Title page, 45 pages of designs for weaving and embroidery, and 5 manuscript pages of weaver's notations at back.
Petrus geneest de kreupele in de tempel
Object type: drawing
Date: 1508 – 1564
Materials: paint, paper
Techniques: brush, pen
Artist: aertgen claesz van leyden
Artist role: draughtsman, painter
Artist dates: 1498 – 1564
Subjects: healing of a lame beggar at the beautiful gate of the temple by peter and john (acts 3 - 4:31), disabilities, deformations

De voorstelling is gebaseerd op de tekst uit Handelingen 3:4-31.
Spruce gum box, ER. PQ
Sculpturen uit de oudheid
Object type: album leaf
Date: 1538 – 1538
Materials: paper
Techniques: engraving
Location: italy
Subjects: (story of) hercules (heracles), fight of gladiators, piece of sculpture, reproduction of a piece of sculpture, (story of) flora
Inscriptions: inscription: ‘Ende lib. No. 20 fol. 44. et lib. No. 14 fol. 62. 63...’, number: ‘60’

Deze prent maakt deel uit van een reeks van ten minste 19 prenten van sculpturen uit de oudheid.
De beelden bevinden zich in Palazzo Farnese te Rome.
Actress playing stringed instrument, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: musical instruments,portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
De Drie Gratiën of De Kracht van het Verguldsel
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: (military) uniforms

Spotprent op de overladen uniformen van de generaals. Drie generaals in uniformen zwaar beladen met verguldsel en andere versieringen. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 3, 1870.
Titelprent voor 'Verhandeling van de oude orakelen der Heydenen' van Anthoni van Dale
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: statues, paintings, etc. ~ objects of worship in roman religion, temple, shrine ~ roman religion
Inscriptions: collector's mark: Lugt 2228a

Sokkel met tekst met daarop afgebroken beeld waarvan alleen de voeten nog staan. In het holle beeld staat een soldaat. Voor de sokkel ligt de rest van het beeld met eromheen lachende soldaten. Op de achtergrond heuvels met tempels.
Nederlands Indië,1/10 gulden,1904
Object type: coin
Date: 1904 – 1904
Materials: copper
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: tussen waarde-aanduiding 1/10 G gekroond rijkswapenschild. Boven kroon landsaanduiding en onder wapenschild jaartal. Keerzijde: tweeregelig Maleis opschrift in Arabische tekens, waaromheen omschrift in het Javaans. Kartelrand.
Fragment diep bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl with a flattened rim. Taotie mask and/or borders with diaper patterns. A central decoration of a grasshopper on a rock next to a peony. Panels decorated with flowers and fruits.
Vessel
Object type: vessel
Materials: ceramic
Location: syria
Kaart van het Hoogheemraadschap van Delfland, met Zevenhuizen en Bleiswijk, deel rechtsboven
Object type: print
Date: 1611 – 1692
Materials: paper
Techniques: engraving, etching
Subjects: maps of separate countries or regions