deem-data/ArtiFact huggingface dataset:
In een kerk knielt Sancho voor een heiligenbeeld en wordt door zijn meester tot ridder geslagen
Object type: book illustration
Date: 1696 – 1696
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: don quixote, sancho panza, becoming a knight, knighting
Inscriptions: collector's mark: Lugt 2228, number: ‘31’

Illustratie uit: Cervantes y Saavedra, Miguel de. Histoire de l'admirable Don Quixotte de La Manche, 5 delen. Amsterdam: Pieter Mortier, 1696, dl. V.
Gallant
Object type: toy
Date: 1765 – 1765
Materials: soft paste porcelain
Artist: derby porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 1785
Subjects: men
Fontane di Roma
Object type: album leaf
Date: 1653 – 1691
Materials: paper
Techniques: etching, intaglio
Location: italy
Subjects: ornamental fountain, rome

Genummerd rechtsonder: 25. De prent maakt deel uit van een album.
Bloementuin
Object type: page
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: arnhem
Subjects: flowers

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Pair of mules
Object type: childrenswear
Date: 1800 – 1900
Materials: copper, leather, wood
Location: netherlands
Artist: Anonymous

Schoen of muil met houten zolen die in de buiging van de voet scharniert. Voorzool en hak met leer bekleed, vierkante neus. Hielband en gesp ontbreken. Gemerkt: 154. Kindermodel
Het vrouwenbad
Object type: print
Date: 1496 – 1501
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: taking a bath

Zes naakte vrouwen en twee kleine kinderen zijn in een badkamer of sauna in de weer met water en zeep, sponzen en borstels etc.
Ruitertafereel op Koninklijke Houtvesterij Het Loo: groep ruiters op een helling
Object type: photograph
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, hunting, chase, hunting-ground

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
Gezicht op de Beurs van Zocher tijdens de Kroningsfeesten in 1898
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', public festivities, market-hall
Inscriptions: inscription: ‘Beursdam. / Kroningsfeesten 1898.’, collector's mark: ‘7’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Dam (na 1835).
Card Number 127, Flora Livingston, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Aan de vecht
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: breukelen
Artist: Anonymous
Subjects: prospect of village, silhouette of village, canals, waters (in village), vecht

Deze prent maakt deel uit van een album.
Wind and Thunder God Playing Go
Date: 1701 – 1800
Techniques: woodblock print
Location: japan
Artist: Anonymous
Artist nationality: japanese
Oost-Indische kers
Object type: print
Date: 1919 – 1919
Materials: paper
Techniques: woodcut
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: flowers
Inscriptions: collector's mark: Lugt 2228
Netsuke: Tanuki no Hara Tsutsumi
Object type: netsuke
Date: 1701 – 1800
Materials: wood
Culture: japanese
Subjects: mythical creatures
Wouden tinderbox from the wreck of the Dutch East Indiaman Hollandia
Object type: pot
Date: 1700 – 1743
Materials: bone, copper, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Enquêteformulier ingevuld door Alexander Cranendoncq
Object type: questionnaire
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: nijmegen
Subjects: nijmegen, print maker, draughtsman, alexander cranendoncq
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Pendant amulet
Object type: amulet pendant
Date: 332 – 330
Materials: gold
Location: egypt
Portret van Joseph Schnabel
Object type: print
Date: 1656 – 1689
Materials: paper
Techniques: engraving
Artist: johann jacob schollenberger
Artist role: print maker, publisher
Artist dates: 1646 – 1689
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Bovenaanzichten van drie kasten
Object type: ornament print
Date: 1705 – 1775
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: ornamental cupboard
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerpen van bovenaanzichten van drie kasten. Uitgeversnummer 42.
Jug
Object type: jug
Date: 801 – 1000
Materials: ceramic, glaze
Culture: islamic
Location: iran
The Virgin Mary Presented at the Temple, from The Life of the Virgin
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: virgin mary, christian subjects, mythology, prints and drawings
Gezicht vanuit het park van Bellagio, aan het Comomeer
Object type: drawing
Date: 1824 – 1888
Materials: cardboard, pencil, watercolor
Techniques: brush
Artist: karoly lajos libay
Artist role: draughtsman
Artist dates: 1814 – 1888
Subjects: lake, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)
Amsterdam, Schreierstoren.
Object type: photomechanical print
Date: 1913 – 1928
Materials: cardboard
Techniques: photograph, writing
Location: amsterdam
Subjects: tower, clock tower ~ monumental adornment
Inscriptions: postage stamp
Johan Fraser (1780-1843)
Object type: painting
Date: 1835 – 1835
Materials: canvas, oil
Artist: charles howard hodges
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1837
Subjects: amsterdam, historical persons
Inscriptions: signature, date and inscription: ‘J: Fraser: geb: 1780: obit 1843 C: H: Hodges pinxit 1835’

Portret van Johan Fraser. Ten halven lijve, zittend in een stoel voor een boekenkast. Pendant van SK-A-1568.
Studieblad met staande vrouwen en een Christushoofd
Object type: drawing
Date: 1631 – 1661
Materials: chalk, paper
Artist: flaminio torri
Artist role: draughtsman, print maker
Artist dates: 1621 – 1661
Subjects: christ as adult, standing figure - aa - female human figure
Representation du Feu d'Artifice, tirée en presence de Sa Majesté Imperiale à l'ocasion des Fêtes de la paix conclue entre la Russie et la Porte ottomane
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: russia
Artist: emelian alekseevič fedoseev
Artist role: print maker
Artist dates: 1745 – 1778
Subjects: catharina de grote, bonfire, fire-works, festivities on events of national importance (+ illumination, fire-works ~ festive activities)
Inscriptions: collector's mark: Lugt 2228

Vuurwerk in Moskou bij de viering op 23 juli 1775 van het einde van de Russisch-Turkse Oorlog met het sluiten van Verdrag van Küçük Kaynarca. Vuurwerk afgestoken in aanwezigheid van tsarina Catharina de Grote. Onderdeel van een serie van drie platen met onderschriften in het Russisch en Frans.
Vogel, mogelijk een zwaan
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: ink, paper
Techniques: pen
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: ornaments ~ art, birds

Tevens studies van ornamenten. Blad 34 recto uit een schetsboek met 42 bladen.
Two beaker vases and a vase, part of a garniture
Object type: kaststel
Date: 1760 – 1800
Materials: faience
Location: delft
Artist: lambertus sanderus
Inscriptions: mark: ‘figuratief teken klauw/ 22 0/2 0’

attributed to De Klaauw (Lambertus Sanderus)
Delft, c. 1760–1800
tin-glazed earthenware (faience)
Pharmacy Jar
Object type: pharmacy jar
Date: 1401 – 1500
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain

Lusterware is the term used to describe a glazed earthenware ceramic decorated with an iridescent finish. The technique for creating this finish was developed in the ninth century under the rule of the Abbasid Caliphate in present-day Iraq. The medium involves a technique that is difficult to master, but if completed successfully, the surfaces of the ceramic objects display an iridescent sheen which is achieved through multiple firings and the application of a metal-based pigment (including silver, copper, tin, or a combination of these). Lusterware manufacture is still difficult to understand from a technical perspective because for generations, production was kept secret to protect workshop practices from being replicated by competitors. Therefore, pigment formulas and trade techniques were passed down from master to pupil and rarely recorded. Knowledge of the technique for creating lusterware made its way to the Iberian Peninsula by the twelfth century, when most of the region was still under Islamic rule. By the 1400s, the Iberian center of lusterware production was in Manises, near the city of Valencia. Previously a Muslim taifa, or principality, the Kingdom of Valencia was conquered in the thirteenth century by James I for the Crown of Aragon, and it was here that Christians and Muslim potters worked, sometimes together, for a diverse clientele with a voracious appetite for high quality lustered wares.
Landschap
Object type: sketchbook leaf
Date: 1839 – 1872
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscapes
Inscriptions: kleurnotitie, handgeschreven

Blad 68 recto uit een schetsboek met 73 bladen.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three complete kylix handles with handle patch preserved to rim
Staande vrouw met mof
Object type: print
Date: 1780 – 1840
Materials: paper
Techniques: etching
Subjects: muff, head-gear: hat, dress, gown
Inscriptions: stamp, collector's mark: Lugt 1641

Rechtsboven genummerd: 3. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De 18de eeuw (de pruikentijd). Mannen en vrouwen.
Bag
Object type: bag
Date: 1880 – 1880
Materials: silk
Culture: italian
Patch box
Object type: patch box
Date: 1770 – 1770
Materials: copper, enamel, glass
Piëta in de San Marco in Venetië
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: venice
Subjects: mary sitting or enthroned, the christ-child in front of her, lying in her lap (or in front of her bosom), sometimes in pietà-posture, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘228’, number: ‘L.1.’, number: ‘L.I’

Deze prent maakt deel uit van een omslag met 79 prenten op 53 bladen en 2 tekstbladen.
Portret van Amat
Object type: drawing
Date: 1921 – 1921
Materials: chalk, paper, pencil
Techniques: brush
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: asiatic races and peoples (indonesians)
Inscriptions: inscription: ‘Garoet’
Sutton, 3rd Base, Boston, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Gazette du Bon Ton. Art - Modes & Frivolités, 1920, 3e Année, No 10
Object type: fashion print
Date: 1920 – 1920
Materials: paper
Techniques: letterpress printing, pochoir
Location: paris
Artist: lucien vogel
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

Aflevering No. 10, december 1920, van Gazette du Bon Ton, bestaand uit een omslag, negen katernen met tekst en illustraties en twaalf losse prenten. Aan dit deel werkten de volgende modeontwerpers mee: Beer, Cheruit, Doeuillet, Doucet, Lanvin, Paquin, Paul Poiret, Redfern en Worth.
Collar
Object type: collar
Date: 1830 – 1839
Materials: cotton
Culture: american
Steatite seal with bridge handle
Object type: stamp seal
Date: 2900 – 2200
Materials: stone
Culture: minoan

S-spirals in quadrilateral formation.
Kustlandschap met zeilschip
Object type: print
Date: 1688 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: harbour, rocky coast (+ landscape with figures, staffage), sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Kustlandschap met op de voorgrond een zeilschip die richting een haven vaart.
Coming Squall (Nahant Beach with a Summer Shower)
Object type: painting
Date: 1835 – 1835
Materials: canvas, oil, panel
Location: united states
Artist: thomas doughty
Artist nationality: american
Artist dates: 1793 – 1856
Subjects: landscapes

As the first American artist to identify himself as a landscape painter, Thomas Doughty was instrumental in pushing the genre beyond mere topographical description to explore the larger idea of nature itself. Produced at the height of his career, this view of the sea at Nahant, Massachusetts, recalls 17th-century Dutch landscapes in the way that it captures changing atmospheric conditions and their effect on the surroundings without any hint of a narrative. Such paintings made Doughty one of the most popular landscapists in the United States in the 1820s and 1830s. In elevating nature as a worthy subject in its own right, Doughty, like fellow artist Thomas Cole, was particularly influential for the generation of landscape painters who came after him, namely the Hudson River School.
Effie Snyder, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Fragment
Object type: fragment
Date: 1701 – 1800
Materials: linen, silk
Portret van Laurens Janszoon Coster
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: j.b. clermans
Artist role: print maker
Subjects: haarlem, historical persons
Inscriptions: collector's mark: Lugt 2228, signature: ‘J.C.’
Stenen brug
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: drypoint, etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: rowing-boat, canoe, etc., brook, trees: willow, bridge, fisherman
Inscriptions: collector's mark: Lugt 2228

Gezicht op een vlak landschap met een stenen brug waar een visser in een bootje voor ligt. Naast de brug twee knotwilgen en een bord.
Kyōsai Sketchbook (Kyōsai manga) 暁斎漫画
Object type: illustrated book
Date: 1881 – 1881
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Subjects: skeletons
Kop
Object type: endleaf
Date: 1890 – 1946
Materials: chalk, paper
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: head (human)
Inscriptions: collector's mark: Lugt 2228a

Voorste schutblad uit een schetsboek met 24 bladen.
Brandy Tumbler
Object type: brandy tumbler
Date: 1801 – 1900
Materials: glass
Techniques: glassblowing, cutting
Culture: british
Location: england
Portret van twee jongens bij een zuil, met trompet en hoed in de hand
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: zeist
Artist: k. moen
Artist role: fotograaf
Subjects: boy (child between toddler and youth) (+ two persons), historical persons, pedestal of a piece of sculpture (perhaps in the form of a herm)
Inscriptions: inscription: ‘K. Moen./ Photograaf./ ZEIJST’
Amstela inter Ceruleum Semilunaremque, pontes / De Binnen-Amstel tusschen de Blauwe en Halve Maans brugh
Object type: print
Date: 1694 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., boat propelled by man or animal
Inscriptions: collector's mark: ‘4A no 40 a en b’ Lugt 1641b

Prent uit: Admirandorum Quadruplex Spectaculum. Amsterdam: Pieter Schenk (I), [1694-1697]. In Hollstein vermeld bij een serie van 100 prenten over Amsterdam, maar de prenten die in Hollstein worden genoemd zijn groter.
Pompei forum: fouilles 1813
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: column, pillar ~ architecture, excavation ~ archaeology, pompeii
Inscriptions: negative number: ‘4201’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.
The Rain Shelter at Nii Hill by the Aji River, Osaka (Osaka Ajigawa Niiyama amayadori), from the series "Famous Places in Osaka: Fine Views of Mount Tenpo (Naniwa meisho Tenpozan shokei ichiran)"
Object type: print
Date: 1834 – 1834
Techniques: woodblock print
Location: japan
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Handled Cup
Object type: decorative art
Materials: silver
Location: china
Kasumu yube Shinobazu chihan
Object type: print
Date: 1932 – 1932
Materials: paper
Techniques: woodcut
Location: japan
Subjects: water course, lighting; lamps, public gardens, park
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Het Ueno park tijdens een nevelige avond. Water op de voorgrond, in de achtergrond brandende lantaarns, wandelende mensen en een pagode.
Christus disputeert met mannen in de tempel
Object type: print
Date: 1830 – 1840
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: christ explaining his doctrine
Inscriptions: collector's mark: Lugt 2228
Volwassen man
Object type: print
Date: 1748 – 1795
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Artist: jan chalon
Artist role: print maker
Artist dates: 1738 – 1795
Subjects: head-gear: cap (+ men's clothes), morphology of human expression (+ adult male (human being))
Kerk van Westkapelle
Object type: drawing
Date: 1834 – 1893
Materials: paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: church (exterior)
Tetradrachm (Coin) Portraying Ptolemy I Soter
Object type: coin
Materials: metal, silver
Culture: greek
Location: egypt

Obverse: Head of Ptolemy I to right, diademed and wearing aegis; partial border of dots
Reverse: Eagle standing on thunderbolt to left, at left the letter P and a monogram, countermark at right
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of draped figure?
De overtocht der Franschen over de Waal enz. in januarij 1795
Object type: print
Date: 1795 – 1841
Materials: paper
Techniques: etching
Subjects: the defeated (after the battle)

De gehavende soldaten steken te voet en te paard de bevroren rivier over. Geschut wordt op wagens mee gevoerd.
Plaquette met Pomona of Ceres
Object type: plaque
Date: 1600 – 1600
Materials: bronze
Location: northern netherlands
Artist: Anonymous

Aarde. Ronde bronzen plaquette, omgeven door een vlakke rand. De naakte, zinnebeeldige vrouwenfiguur is gezeten ter linker zijde, het hoofd omkranst en een bos bloemen in haar omhoog geheven linkerhand; haar rechterarm steunt op een vaas met vruchten, achter haar een boomstam. Een rivierlandschap op de achtergrond met bomen en bergen in het verschiet.
Studies van lichaamsdelen
Object type: drawing
Date: 1866 – 1900
Materials: paper, pencil
Techniques: drawing
Artist: Anonymous

Studies van neus, voet, hand, arm en been.
Imperial Curtain
Object type: imperial curtain
Date: 1667 – 1733
Materials: cotton, metal thread, silk
Culture: chinese
Subjects: dragons
Terracotta fragment of a neck-amphora (jar)?
Object type: neck amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Band of tongues from the shoulder of a neck-amphora
Aanbidding der koningen
Object type: print
Date: 1655 – 1700
Materials: paper
Techniques: mezzotint
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: Lugt 2228

Het Christuskind wordt, in het bijzijn van Maria en Jozef, aanbeden door de drie Wijzen uit het Oosten die zich met hun geschenken voor het Kind hebben opgesteld.
Ritual Wine Vessel (Jue)
Object type: wine vessel
Date: 1034 – 1001
Materials: bronze
Culture: chinese

This elaborate set of wine vessels provides an idea of the splendor of Shang and early Zhou ritual ceremonies. The set is said to have come from a tomb uncovered in 1901; shortly thereafter, it entered the collection of Duan Fang, a senior Manchu official and one of the preeminent antiquarians of the late Qing period. The pieces vary in style and execution. Although eleven of the vessels are inscribed, only one grouping shares identical inscriptions: the two wine containers, or you (nos. 2, 3) and the tall wine container, or zun (no. 4). A second grouping has largely comparable inscriptions: the spouted water vessel, or he (no. 5) and one cup, or zhi (no. 11). A partial reconstruction of the set’s arrangement in the tomb may be established from corrosion outlines on the three principal vessels—the two wine containers, or you, and the central tall wine container, or zun—that were etched onto the surface of the altar table. The diagram shows a hypothetical arrangement of the remaining vessels around the major pieces. Even if this is accepted as the original grouping, the disparate inscriptions and vessel styles remain unexplained. Created around the time of the Zhou conquest of the Shang, and clearly by different foundries, the pieces of the set may represent the accumulated wealth of a family shrine. 青銅禁 1. Ritual Altar Table (Jin) (24.72.1) 青銅帶座卣 2. Ritual Wine Container (You) (24.72.2a-c) 青銅卣 3. Ritual Wine Container (You) (24.72.3a, b) 青銅尊 4. Ritual Wine Container (Zun) (24.72.4) 青銅盉 5. Spouted Ritual Water Vessel (He) (24.72.5a, b) 青銅觶 6. Ritual Wine Cup (Zhi) (24.72.6) 青銅斚 7. Ritual Wine Container (Jia) (24.72.7) 青銅斗 8. Ritual Ladle (Dou) (24.72.8) 青銅爵 9. Ritual Wine Vessel (Jue) (24.72.9) 青銅觚 10. Ritual Wine Beaker (Gu) (24.72.10) 青銅觶 11. Ritual Wine Cup (Zhi) (24.72.11) 青銅觶 12. Ritual Wine Cup (Zhi) (24.72.12) 青銅角 13. Ritual Wine Vessel (Jiao) (24.72.13) 青銅觶 14. Ritual Wine Cup (Zhi) (24.72.14)