deem-data/ArtiFact huggingface dataset:
The Earth Spider Slain by Brave Samurai Watanabe no Tauna (center image)
Object type: print
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Gezicht op de Stourdza-Kapelle te Baden-Baden
Object type: photograph
Date: 1890 – 1899
Materials: photographic support
Techniques: albumen print
Location: baden-baden
Artist: ll
Artist role: fotograaf
Subjects: orthodox churches
Inscriptions: inscription: ‘862 Baden-Baden Die Griechische Kapelle. L.L.’
Design for a Door
Object type: drawing
Date: 1700 – 1725
Materials: chalk, ink
Techniques: pen
Artist: anonymous, flemish
Artist role: artist
Artist nationality: flemish
Subjects: doors
Lijkstatie van prinses Maria Louise, 1765
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: leeuwarden
Subjects: funeral carriages
Inscriptions: collector's mark: Lugt 2228

De eerste twee spannen paarden voor de lijkwagen van de prinses. Gemerkt rechtsonder: Pl. X. Op het blad onder de plaat de naam van een persoon in de stoet. Onderdeel van de serie platen van de begrafenis van prinses Maria Louise te Leeuwarden op 13 juni 1765.
Bosgezicht
Object type: print
Date: 1807 – 1868
Materials: paper
Techniques: etching
Artist: cornelis ouboter van der griendt
Artist role: print maker
Artist dates: 1797 – 1868
Subjects: river, forest, wood
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Bosgezicht met een riviertje en links een hut.
Limestone head of a bearded male votary
Object type: head of a male votary
Date: 400 – 201
Materials: limestone
Culture: cypriot
Subjects: heads,men
Portret van Giulio Romano
Object type: print
Date: 1798 – 1898
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: painter, print maker, giulio romano, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Oude Kerk en het Oudekerksplein
Object type: drawing
Date: 1906 – 1927
Materials: chalk, paper
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: square, place, circus, etc., church (exterior)
Inscriptions: inscription: ‘Oude Kerk kerksplein met oude / noord zijde geteekend. Juni 1927. / [...]’, signature and date: ‘Van Teyne 27’, inscription: ‘Oude Kerkplein’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 9.
Three Graces in a group
Object type: toy
Date: 1750 – 1755
Materials: soft paste porcelain
Artist: saint james's factory
Artist role: maker
Artist nationality: british
Artist dates: 1749 – 1759
Subjects: women,flowers,leaves
Gezicht op het Leesmuseum aan het Rokin
Object type: photomechanical print
Date: 1904 – 1904
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, permanent exhibition, museum, façade (of house or building), bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘12,43’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Rokin, Rotterdammersloot, Rozengang, Rozengracht, Rozenstraat, Rusland, Rustenburgerstraat, Ruysdaelkade, Ruysdaelstraat, Ruyterkade (de), Ruyterweg (Admiraal de).
British officers, Kohat, Pakistan
Object type: album leaf
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: gelatin silver print
Subjects: pakistan
Inscriptions: number: ‘19’, title: ‘British officers 25th Cavalry 7.7. Kohat 1904’, signature: ‘Holmes’

Negen officieren van het Britse leger in uniform van het 25. Cavalry 7.7. zittend en staand voor een huis, Kohat, Pakistan
Portret van Lodewijk XVIII van Frankrijk
Object type: print
Date: 1814 – 1824
Materials: paper
Techniques: stippling
Location: france
Subjects: paris, lodewijk xviii (koning van frankrijk), historical persons, king
Inscriptions: collector's mark: Lugt 2228, : ‘Dép.é à la Direction G.al de l'imp.ie et de la libie’, inscription: ‘April 1841 [sic] door het P[...] Gouvernement/ tot koning van Frankrijk geproclameerd’
Trompe-l'Oeil Still Life with a Flower Garland and a Curtain
Object type: painting
Date: 1658 – 1658
Materials: oil, paint, panel
Techniques: painting
Location: netherlands
Artist: adriaen van der spelt
Artist nationality: dutch
Artist dates: 1630 – 1673
Subjects: still life, curtains, flowers
Inscriptions: Inscribed lower left: van der Spelt.1658

Adrien van der Spelt’s splendid garland displays about 20 floral varieties—including a tulip, a 16th-century import from Persia that would eventually become an icon of Dutch culture. The deceptively realistic blue curtain, painted by Frans van Mieris, refers to the historical strategy for protecting paintings but also to the tale of Parhassius, a skilled Greek artist who fooled his rival into attempting to pull back a curtain painted onto one of his pictures. Examples of collaborative works by Dutch artists from this period are rare, perhaps due to the intense competition created by the region’s thriving art market.
Splendore delle virtuose giovani, page 4 (recto)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: women,flowers

Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns printed upon a grid. Left column is decorated with 2 curving vines with black flowers and leaves that connect to a white dotted flower at the bottom. Middle column is decorated with 2 coiling vines that connect at bottom to frame a black heart with 2 arrows shot through it. Right column is decorated with 2 coiling vines that form the legs of a composite female figure at the very bottom.
Chylocladia ovalis
Object type: photograph
Date: 1843 – 1853
Materials: photographic support
Techniques: cyanotype
Location: united kingdom
Artist: anna atkins
Artist role: fotograaf
Artist dates: 1799 – 1871
Subjects: algae, seaweed
Brasem, makreel, twee ponen en een snotolf
Object type: print
Date: 1600 – 1638
Materials: paper
Techniques: engraving
Location: paris
Artist: pierre firens
Artist role: print maker
Artist dates: 1580 – 1638
Subjects: fishes
Inscriptions: collector's mark: Lugt 2228
A Confession Of Faith. “Yes Sir, I bared my political life in pure sincerity before my country. I was convinced that my true love for our institutions would make me worthy of representing my fellow citizens. I was wrong, Monsieur, it seems the nation wasn't ready for this yet,” plate 23 from Les Baigneurs
Object type: print
Date: 1842 – 1842
Materials: paper, stone
Techniques: letterpress, lithograph, scraping
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Panel of velvet
Object type: panel
Date: 1451 – 1500
Materials: metal thread, silk, velvet
Techniques: brocade, cutting, voiding

During the early fifteenth century, European velvet design was largely characterized by the use of voided patterns formed where the pile was absent. In the second half of the century, technical innovations led to the production of increasingly complex velvets in which the richness of design and texture were achieved through the use of different heights of cut pile and of supplementary metal threads. In this example, the broad meandering vine and the stylized foliage are woven in metal-wrapped thread with some details in raised loops to give even greater tactile effect.
Private School
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,schools,boys,playing,students

In this second print of a group of eight, young boys surround a bird's nest and two prepare to throw stones at a fallen chick. They are ignored by a distant schoolmaster, and only one boy appears horrified by the cruelty that a companion shows to a butterfly. Related text by Willyams, who also designed the image, suggests satirically that cruel children will grow up to be sucessful adults and that the main purpose of grammar school is to rid them of soft-heartedness. The author-designer was a university-educated lieutenant-colonel from Cornwall who also supplied supporting satirical text under the pseudonym Joel McCringer. Rowlandson, who etched the print, imbues the figures with his own characteristic elegance which does not disguise the dark human impulses being satirized. Like Hogarth's "First Stage of Cruelty," the image implies that boys allowed to mistreat small creatures will grow up to do far worse.
Hat Finial
Object type: hat finial
Date: 1901 – 1933
Materials: brass
Culture: chinese
Groteske figuren
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: small group of musicians, chamber orchestra, jazz band, caricatures (human types)
Inscriptions: collector's mark: Lugt 240

Musicerend gezelschap rond een tafel. Vier mannen en één vrouw met groteske koppen bespelen luit, harp en strijkinstrumenten.
Souvenir
Object type: souvenir
Date: 1770 – 1771
Materials: gold, ivory, shell
Artist: louis marie sicardi
Artist role: artist
Artist nationality: french
Artist dates: 1743 – 1825
Subjects: portraits,women

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Brhaspati (The Personification of the Planet Jupiter)
Object type: relief
Date: 1101 – 1200
Materials: stone
Culture: indian
Another Year by the Old Clock (from "Harper's Bazar," Vol. III)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: men,women
Column Capital
Object type: column capital
Materials: stone
Location: egypt

This capital and its companion piece (11.154.5) are carved with a stylized palmette pattern, with the plants arranged in two tiers of different sizes. The palmette pattern—once brightly painted—covers the unstructured bell-shaped core like a dense net. This surface treatment is a typical stylistic feature of the architecture of the period. Both this capital and its companion probably came from the temple of Harendotes—the name of the god Horus in his role as avenger of his father, Osiris, who was slain by Seth. The temple, which was built under the emporers Claudius and Nero, was located west of the great Isis temple on the Island of Philae. The building stood on a platform with a central staircase leading to the front. The facade was similar to that of the Museum's Temple of Dendur (68.154); the Harendotes temple, however, had four front columns. In late antiquity, the building was razed to its foundation platform and elements were incorporated into Byzantine churches.
Cup with the Arms of Poland/Saxony and Naples/Sicily
Object type: cup
Date: 1745 – 1747
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: women,coat of arms
Stoel van Willem Bilderdijk
Object type: seating furniture
Date: 1750 – 1750
Materials: textile, wood
Location: france
Artist: Anonymous
Subjects: amsterdam, haarlem, print maker, draughtsman, willem bilderdijk, netherlands

Bergère van notenhout, bekleed met groen saai en met een los kussen en hoofdrol. Het meubel rust op S-vormige poten, die zonder onderbreking in het zitraam overgaan. Het halfronde zitraam is aan de voorzijde geschulpt. De armleggers hebben kussentjes en eindigen in voluten. De armleggerstutten zijn achterwaarts geplaatst, komen uit het zitraam voort en gaan S-vormig in de armleggers over. Deze gaan weer zonder onderbreking in de wangen van het rugraam over. Bovendorpel is geschulpt. Profiellijsten rondom.
Band
Object type: band
Date: 1501 – 1600
Materials: linen, silk
Techniques: embroidery

Colorful silk embroidery complements the bleached ground of this gauze-weave linen textile. To produce such a fine, yet robust, buratto cloth, the warp and weft threads are highly twisted and plied, which creates a mesh-like surface that is well suited to receive embroidery. The cloth was woven in a narrow band and both selvages are preserved.
Portret van Benedict Maria Werkmeister
Object type: print
Date: 1780 – 1832
Materials: paper
Techniques: stippling
Location: berlin
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Corsicaanse vrouw
Object type: print
Date: 1921 – 1921
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: courtyard, veil
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 5i

Een Corsicaanse vrouw met hoofddoek. Op de achtergrond een binnenplaats.
Kapiteel, verguld
Object type: architectural element
Date: 1650 – 1650
Materials: wood
Techniques: gilding
Location: netherlands
Artist: Anonymous

Houten gebeeldhouwd en verguld composietkapiteel.
Maaltijd te Emmaüs
Object type: album leaf
Date: 1750 – 1807
Materials: paper
Techniques: etching
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread
Pijpenkop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 91; fragment, 1hsm1.
Man in a Black Haori (Coat) and Two Women Approaching a Temple
Object type: woodblock print
Date: 1742 – 1815
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: men,women

From the Edo period to the present, Sensōji Temple at Asakusa has been the representative temple of Tokyo's shitamachi (merchant-class neighborhoods). Originally built in the Nara period, Sensōji was made resplendent in Edo times. The citizens of Edo visit the temple at the end of the year to buy charms and pray for prosperity or a safe home.
Two Drinkers
Object type: drawing
Date: 1834 – 1866
Materials: chalk, paper
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Fan
Object type: fan
Date: 1834 – 1866
Materials: feather, ivory
Culture: american or european
"Diving Dipper and Other Birds", Folio from the Shah Jahan Album
Object type: album leaf
Materials: gold, ink, paper, watercolor
Location: india
Artist: mansur
Artist role: artist
Artist dates: 1584 – 1626
Subjects: birds,flowers

Frequently praised in Jahangir’s memoirs, the artist Mansur painted many of the natural wonders the emperor saw during his travels. Jahangir wrote of his discovery of the Diving Dipper: "I ordered them to catch two or three of these birds, that I might ascertain whether they were waterfowl and were web-footed, or had open feet like land birds. They caught two . . . One died immediately, and the other lived for a day. Its feet were not webbed like a duck’s. I ordered [nadir al-asr] Ustad Mansur to draw its likeness."
Female figurine wearing necklace
Object type: statuette, female, necklace
Date: 3500 – 3300
Materials: bone
Location: egypt
Vissersboot voor de kust van Katwijk
Object type: sketchbook leaf
Date: 1895 – 1896
Materials: paper, pencil
Location: katwijk
Artist: chris huidekooper
Artist role: draughtsman
Artist dates: 1878 – 1939
Subjects: sailing-ship, sailing-boat, coast
Inscriptions: annotation: ‘Katwijk’

Blad 10 recto uit een schetsboek met 32 bladen.
Motief van kloskant in de vorm van een spitsovaal met daarin een tak met vijf bladeren
Object type: motif
Date: 1914 – 1914
Materials: linen
Techniques: lace
Location: amsterdam
Artist: sophia gerardine cenijn-smit
Artist dates: 1876 – 

Motief in de vorm van een spitsovaal van naturelkleurig kloskant: Cluny-kant. De contour van het ovaaltje is gemaakt in linnenslag. Binnen de contour staat een tak met vijf bladeren gemaakt in vormslag. De tak wordt gevormd door een vlechtje.
Wedjat Incision Plaque
Object type: amulet, wedjat eye, tiye
Date: 1070 – 945
Materials: wax
Location: egypt
Portret van Petrus Haack
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: brielle, petrus haack, study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 2228

Portret van Petrus Haack, dichter en predikant te Amsterdam.
Tamar Turned Out of Amnon's House
Object type: print
Date: 1540 – 1540
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: men,women

Tamar crying at left, while approached by Amnon's servant, who stands in a doorway at right. Based on 2 Samuel 13:17. Plate 3 from a series of seven plates with the Story of Amnon and Tamar.
Ceramic Fragment
Object type: fragment
Date: 1201 – 1300
Materials: stonepaste
Techniques: painting, polychrome, underglaze
Location: syria
Ogen van een meisje
Object type: drawing
Date: 1894 – 1954
Materials: chalk, paper
Artist: theo van reijn
Artist role: draughtsman, print maker
Artist dates: 1884 – 1954
Subjects: eyes
Inscriptions: check stamp
Juglet
Object type: juglet
Date: 750 – 600
Materials: terracotta
Culture: cypriot

Horizontal bands and concentric circles.
Barbe van naaldkant met moesjesfond
Object type: lappet
Date: 1860 – 1860
Materials: linen
Techniques: needle lace
Location: brussels
Artist: Anonymous

Rechthoekig van vorm met iets verbrede, driehoekige uiteinden. Het midden is met wijd verspreide moesjes bezaaid en door een smal getorst randje omgeven. De uiteinden vertonen assymetrische bloem- en bladranken en symmetrische, holle en bolle C-voluten, waaromheen aaneengerijde klaproosjes. Het fond gazé is vervangen door een tullen ondergrond. Point de gaze de Bruxelles.
Portret van paus Leo XIII, zittend, van opzij gezien
Object type: photograph
Date: 1804 – 1878
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: leo xiii, pope

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Italiaanse steden en van kunstwerken.
Sutra Cover with Lingzhi Fungus and Diagonal Cloud Bands
Object type: sutra cover
Date: 1501 – 1600
Materials: metal thread, silk
Culture: chinese

Sutra cover with repeating pattern of lingzhi fungus and diagonal cloud bands; gold metallic thread on a red background. Silk satin with supplementary-weft patterning in metallic thread.
Petticoat
Object type: petticoat
Date: 1870 – 1879
Materials: cotton
Culture: french
Une Fête sur la Place de la Signoria a Florence (A Festival on the Piazza della Signoria in Florence), from "Les Caprices" Series A, The Florence Set
Object type: print
Date: 1617 – 1617
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Plate 23: Judith and Holofernes, from "The Battles of the Old Testament"
Object type: print
Date: 1590 – 1610
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: tents,horses,fire,holofernes,judith
The Seizure of the States of the Church
Object type: medal
Date: 1809 – 1809
Materials: gilt bronze
Techniques: struck
Artist: bertrand andrieu
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1822

This medal was struck for the Metropolitan Museum of Art at the Paris Mint at the request of the donor, Hon. Levi P. Morton, formerly U.S. Minister to France.
Drum
Object type: musical instrument
Materials: brass, leather, fiber, wood
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘1855-16’

Music has always been a crucial element of public celebrations, such as military parades, coronations, royal weddings, and funerals, adding grandeur to the solemnity of the occasion. Musical ensembles entrusted with performing music at these events have existed in Europe since the Middle Ages. This display highlights various marching bands and their musical instruments dating from the 16th to the 19th century.
Funke's prenten
Object type: popular print
Date: 1875 – 1903
Materials: paper
Techniques: lithograph, letterpress printing
Location: utrecht
Subjects: craft-production, skilled handiwork, children's games and plays, animals, crafts and industries
Inscriptions: collector's mark: Lugt 2760

Blad met 28 voorstellingen van verschillende aard, waaronder voorstellingen van dieren, spelende kinderen en ambachtslieden. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 74.
Owl on a Magnolia Branch
Object type: surimono
Date: 1890 – 1900
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: owls

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Gezicht op de Vijgendam
Object type: photomechanical print
Date: 1902 – 1908
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: city-view in general; 'veduta', façade (of house or building), street
Inscriptions: collector's mark: ‘14.95’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Voorburgwal (O.Z.), Voorweg, Vijgendam, Vijzelstraat.
Sketches
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: woodcut
Location: france
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1814 – 1875
John Francis Galaup de la Pérouse
Object type: print
Date: 1765 – 1821
Materials: paper
Techniques: engraving, etching
Artist: paton thomson
Artist role: print maker
Artist dates: 1750 – 1821
Subjects: naval officer, explorer (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228
Ax
Object type: ax
Date: 500 – 300
Materials: bronze
Culture: indonesian
Portret van Robert Arthur Talbot Gascoyne-Cecil, derde markies van Salisbury
Object type: page
Date: 1886 – 1891
Materials: paper
Techniques: photoaquatint
Location: glasgow
Subjects: historical persons

Prent op titelpagina, achter semi-transparante omslag.
Varkenshoedster voor een boerderij
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: etching
Location: paris
Subjects: pig, herd, flock, farm (building)
Inscriptions: collector's mark: Lugt 2233