deem-data/ArtiFact huggingface dataset:
The Evergreen Pine
Object type: book
Date: 1682 – 1682
Techniques: sumizuri, woodblock print
Location: japan
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
[Army Wagons and Forge, City Point, Virginia]
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: andrew joseph russell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: american civil war,wagons
Gusman d'Alfarache bij bed met dames
Object type: print
Date: 1655 – 1697
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: bedroom
Inscriptions: collector's mark: Lugt 2228

Boekillustratie uit: Mateo Alemán, Het leven van Gusman d'Alfarache, mogelijk Rotterdam, onbekend jaar, deel 2, nr. 5. Mogelijk kopie naar Jan de Bray, vergelijk inv.nr. RP-P-1901-A-22273.
Portret van Samuel Theodor Quellmaltz
Object type: print
Date: 1726 – 1757
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Wilmot, Washington, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen print, photography
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Gezicht op de Nicolaasbrug over de Neva in Sint-Petersburg
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: albert felisch
Artist role: fotograaf
Subjects: ships (in general), bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Panorama de la Neva et Pont Nicolas’

Onderdeel van Fotoalbum met opnames van Sint-Petersburg.
Watch
Object type: watch
Date: 1830 – 1840
Materials: enamel, gold, steel
Artist: firm of rey frères
Artist role: maker
Subjects: flowers,leaves
Portrait of Pieter de Graeff (1638-1707), lord of Zuid-Polsbroek, Purmerland, and Ilpendam. Alderman of Amsterdam
Object type: painting
Date: 1663 – 1663
Materials: oil, panel
Artist: caspar netscher
Artist role: draughtsman, painter, print maker
Artist dates: 1639 – 1684
Subjects: amsterdam, politician
Inscriptions: signature and date: ‘CNetscher 1663. AEtat 25’, coat of arms, bottom right: ‘Gevierendeeld: I en IV in rood een omgekeerde zilveren schop, II en III in blauw een zilveren zwaan. Hartschild:?’

Portret van Pieter de Graeff, heer van Zuid-Polsbroek, Purmerland en Ilpendam. Schepen van Amsterdam. Kniestuk, staande bij een zuil waarop het familiewapen staat. In de handen een hoed en handschoenen. Pendant van SK-A-3978.
Portret van Peter Benoit
Object type: print
Date: 1866 – 1928
Materials: paper
Techniques: lithograph
Subjects: antwerp, historical persons
Lycée Lakanal, a Sceaux
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: photograph, lithograph
Artist: paul dujardin
Artist role: print maker, printer
Artist dates: 1843 – 1913
Subjects: secondary education, civic architecture; edifices; dwellings
Inscriptions: inscription: ‘Avant-corps avec/ Lavabos au 1er et au 2me Etage’, inscription: ‘Echelle de 0,01 pr mètre.’, inscription: ‘Architecte: M. de Baudot’, inscription: ‘Réfectoires au Rez-de-chausée./ Dortoirs au 1er et 2me Etage.’, inscription: ‘1ère Année: LA CONSTRUCTION MODERNE Pl. 39’

Links een deel van een vooraanzicht, rechts een deel van een zijaanzicht.
Twee paarden
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching
Location: netherlands
Artist: jacobus cornelis gaal
Artist role: print maker
Artist dates: 1796 – 1866
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Oeuvre de Sebastien Le Clerc (...)
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1647 – 1714
Materials: cardboard, ink, leather, paper
Techniques: bookbinding, engraving, etching, pen, marbled paper
Subjects: orders, order-books ~ architecture, palace, gravestone, tombstone, fortified city
Inscriptions: collector's mark: Lugt 2166, inscription: ‘16/ B.16’, inscription: ‘Ms. Van Leyden 67.4 Tome III/ cat. Bibl. II, 256/7’, collector's mark: Lugt 2165

Bladzijde 6 is blanco.

Het album is volgens een bepaalde thematische logica samengesteld. Het bevat vooral architectonische voorstellingen, zoals plafonds, triomfbogen en paleizen. Vervolgens bevat het album veel boekillustraties voor publicaties over klassieke architectuur, zoals de werken van Vitruvius. Hier komen ook uitgebreid de verschillende zuilenordes aan bod. Het album eindigt met plattegronden van vestingsteden.
Portret van een echtpaar
Object type: cabinet photograph
Date: 1900 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: bride and groom in wedding-dress
Twee mannen door soldaten en anderen uit elkaar gehaald
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: hand-to-hand fighting (~ battle)
Inscriptions: collector's mark: Lugt 240
Metrage bekledingsstof met borduurwerk
Object type: bekledingsstof
Date: 1850 – 1949
Materials: cotton
Techniques: weave
Artist: Anonymous

Metrage bekledingsstof, met een bloemboeket vergeetmenietjes.
Portret van Friedrich August Ludwig von Burgsdorf
Object type: print
Date: 1759 – 1791
Materials: paper
Techniques: engraving, etching
Subjects: berlin, coat of arms (as symbol of the state, etc.), aspects of science in general (+ tools, instruments; laboratory equipment ~ scientific research), botany (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Duits op de kaften van de boeken in de voorstelling.
Portret van Kurd Christoph von Schwerin
Object type: print
Date: 1798 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Met eenregelig onderschrift in het Duits.
Verheffing van de prins van Oranje tot stadhouder
Object type: history medal
Date: 1747 – 1747
Materials: silver
Techniques: striking
Location: amsterdam
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764
Subjects: the hague, willem iv (prins van oranje-nassau)
Prick Spur
Object type: spur
Date: 1101 – 1200
Materials: copper alloy, gold
Culture: german
Location: germany

The prick spur was the first type of spur to be invented, and it consists of a goad or prick, more or less pointed, connected to side arms or a heel plate. The earliest spurs were probably simple thorns attached at the back of the heel, before they started to be made out of metal in antiquity. Prick spurs were the main type of spurs used in the Middle Ages until the mid-14th century, when they were supplanted by rowel spurs, which appeared in Europe a century before and with which they had cohabitated for a time. As a knight’s status was closely related to his horse, spurs became one of the symbols of chivalry, and one of the tokens given to him during his knighting.
Saint Eustace
Object type: print
Date: 1501 – 1501
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Dukaat van goud afkomstig van het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: ducat
Date: 1729 – 1734
Materials: gold
Techniques: striking
Artist: Anonymous
Subjects: 't vliegend hart (schip)
Nieuwe kaart van het Westelykste Deel der Weereld, dienende tot aanwijzing van de scheepstogten der Nederlanderen naar Westindië volgens de laatste ontdekkingen
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps, atlases
Inscriptions: date
Portret van een vrouw in een medaillon, mogelijk de zus van Jean Bernard
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: historical persons not known by name - bb - woman, ornament ~ medallion
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De 18de eeuw (de pruikentijd). Mannen en vrouwen.
World`s Columbian exposition
Object type: book
Date: 1893 – 1894
Materials: paper
Techniques: woodcut
Location: japan
Inscriptions: date

Vier delen (compleet) met afbeeldingen van het Japanse paviljoen en tentoongestelde werken op de wereldtentoonstelling in Chicago in 1893.
Portret van John Bright
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: politician, e.g. party leader
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: eleusis painter
Artist role: artist

Exterior, head of bald man, with a wreath, wearing a chiton and himation; an Egyptian?
Bottle with flowers
Object type: bottle
Date: 1801 – 1900
Materials: porcelain
Techniques: molding
Culture: chinese
Subjects: flowers,leaves
Panorama de Mayence, côté du Levant
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: mainz
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘J. CONTAL/ Rue Saint Dizier 356 à Nancy’, number: ‘No 64’, inscription: ‘M/ L’
Goblet
Object type: goblet
Date: 1850 – 1870
Materials: glass
Techniques: pressed
Subjects: flowers
Geometrische figuren, voorzien van handgeschreven uitleg
Object type: sketchbook leaf
Date: 1780 – 1800
Materials: ink, paper, pencil
Techniques: drawing, pen, writing
Inscriptions: inscription: ‘No 1’, inscription: ‘Eerste (Geometrise) Figuren dienende tot Lessen en / Grondlegging voor de (Perspectief) [...]’

Blad 15 verso uit een schetsboek met 17 bladen.
The Farnesian Hercules, plate one from Three Famous Antique Sculptures
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617

On a long-awaited pilgrimage to Italy in 1590 and 1591, the great Haarlem Mannerist artist Hendrick Goltzius made many studies after ancient and modern sculpture. This ancient Greek statue of Hercules by Lysippus was unearthed and restored around 1550 and placed in the Farnese Palace. Goltzius engraved only three statues of a projected series, and these were not printed until after his death, around 1617.
Driekeizerjaar in Duitsland 1888
Object type: history medal
Date: 1888 – 1888
Materials: brass
Techniques: striking

Messing penning met verwijderd draagoog, op de voorzijde het borstbeeld van Wilhelm II naar rechts met omschrift, op de keerrzijde het borstbeeld van Frederik III naar rechts met omschrift.
Urformen der Kunst
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘33’

facher Vergrößerung. Afkomstig uit losbladige uitgave.
Terracotta fragment of an unidentified shape
Object type: unidentified shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from an unidentified shape
Feast in the House of Simon
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, drawing, wash
Location: italy
Artist: giovanni battista lanzeni
Artist nationality: italian
Artist dates: 1660 – 1737
Portrait of a Man
Object type: print
Materials: paper
Techniques: etching
Location: germany
Artist: hieronymous hopfer
Artist nationality: german
Artist dates: 1520 – 1550
Lidded Vessel
Object type: bowl with lid
Date: 201 – 400
Materials: ceramic, pigment
Culture: maya
Location: guatemala

This large, lidded polychrome bowl has an anular base, a basal flange, and a rattle handle. The artist decorated the surface in a cream slip and a complex scene involving anthropomorphic acrobats in red, orange, and blue-green, outlined in black. The inner base of the bowl is also decorated with the image of a standing figure in costume. Disembodied heads line the base of the lid’s handle, which is also decorated with spiraling lines of green and red. The fugitive green pigment on this vessel faded to a gray-ish shade at present. Two acrobats on the wall of the main bowl chamber and two on the sloping lid strike poses with their torsos on the ground, arms extended in front of them, while lifting one leg into the air and placing the other knee on the ground. They are adorned with jewelry, body paint, and elaborate headdresses. Acrobats such as these, often reaching their feet towards their heads, appear in Mesoamerican art from the 1st millennium B.C., and in Maya art the Maize God is often performing such feats. The interior of the bowl contains the image of a standing ruler, adorned with a headdress with elaborate spirals, trumpet shapes, and spiky feather finials. The figure wears a belt with a representation of a jade head pendant, below which dangle two elliptical celts. In the rulers hand is a thin spear. The erosion of the central portion of the bowl perhaps indicates that the pottery was in use to hold food or liquids before it was deposited in the tomb of an important individual. James Doyle, 2016
Liefdespaar en kind
Object type: shunga
Date: 1768 – 1768
Materials: paper
Techniques: woodcut
Location: japan
Artist: suzuki harunobu
Artist role: print maker
Artist dates: 1725 – 1770
Subjects: coitus, cohabiting, sexual intercourse
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Man en vrouw bedrijven de liefde onder een muskietennet terwijl de vrouw een kind stil houdt met speelgoed. Rechts van het kind een lantaarn, waarachter zicht op de veranda.
Banded agate inlay fragment
Object type: fragment, inlay
Date: 34 – 33
Materials: glass
Culture: roman

Flat and smooth on both sides; small hole drilled at angle in one side near edge; broken, jagged edges.
Kaart van de verlote kavels in de Heerhugowaard, 1631
Object type: print
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: maps of separate countries or regions, polder, reclaimed land
Inscriptions: collector's mark: Lugt 19

Kaart van de verlote genummerde kavels in de Heerhugowaard, 20 juni 1631. Bovenaan in het midden de titelcartouche. Rechtsboven een schaalstok: Roeden van 12 voeten, Geesterambachts binnebans maet, ofte Zijpsche dijckmaat, van 600 int morgen, bij een gestelt door den ingenieur Anthonius Metius. Onderaan een cartouche met tekst over de Veenhuyser gronden.
Portret van Maximiliaan Emanuel II
Object type: print
Date: 1672 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: maximiliaan ii emanuel (keurvorst van beieren)
Inscriptions: collector's mark: Lugt 964

Maximiliaan Emanuel II, keurvorst van Beieren en landvoogd van de Zuidelijke Nederlanden.
Brief aan Philip Zilcken
Object type: letter
Date: 1899 – 1899
Materials: ink, paper
Techniques: pen, writing
Location: nantes
Artist: gustave bourcard
Artist role: verzamelaar
Artist dates: 1846 – 1925
Subjects: félix hilaire buhot, painter, draughtsman, philip zilcken
Inscriptions: seal, collector's mark: ‘RPK’
Portret van Stanislaw Jan Jablonowski in medaillon omringd door oorlogsbuit
Object type: print
Date: 1670 – 1742
Materials: paper
Techniques: engraving, etching
Artist: jean mariette
Artist role: print maker, publisher
Artist dates: 1660 – 1742
Subjects: historical persons, booty, spoil
Inscriptions: inscription: ‘272 fr’, collector's mark: Lugt 2228
S 9 No 99. Een inl. suikerrietmolen.
Object type: photograph
Date: 1900 – 1935
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: malang
Artist: neville keasberry
Artist role: fotograaf
Artist dates: 1866 – 1944
Inscriptions: signature: ‘Neville Keasberry, Malang (Java)’

Een suikerrietmolen in een veld met daarachter twee runderen. De molen moet met de hand worden voortbewogen.
Letter I
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: germany
Artist: peter aubry
Artist role: print maker, publisher
Artist nationality: german
Artist dates: 1596 – 1668
Mon Tour de Marne
Object type: photomechanical print
Date: 1884 – 1889
Materials: paper
Techniques: photoaquatint
Location: marne river
Subjects: river, shrubs
Lasciva Venus Blandusque Cupido
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: mezzotint
Location: delft
Artist: jan verkolje (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1650 – 1693
Subjects: (story of) cupid, amor (eros), (story of) venus (aphrodite)
Inscriptions: collector's mark: Lugt 240
Wapenschild van Amsterdam
Object type: stamp
Date: 1750 – 1850
Materials: copper
Techniques: cutting
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

gekroond wapenschild, geflankeerd door twee staande leeuwen
[Soldier with Rifle and Bugle]
Object type: photograph
Techniques: gelatin silver print
Artist: Anonymous
Artist role: artist
Subjects: musical instruments,soldiers,firearms
Sampler
Object type: sampler
Date: 1820 – 1820
Materials: canvas, silk, wool
Eend en schildpad op oever van sloot
Object type: print
Date: 1860 – 1865
Materials: paper
Techniques: etching
Subjects: tortoises, turtles

Een eend loopt achter een schildpad aan op de oever van een sloot. In het water groeien allerlei goed herkenbare planten zoals een zwanenbloem en gele plomp.
Wrikkende arbeider
Object type: print
Date: 1881 – 1931
Materials: paper
Techniques: engraving
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: working class, labourers
Inscriptions: collector's mark: Lugt 2228

Een arbeider wrikt met een staaf tussen een stel balken. Op de voorgrond een rieten mand.
Baptismal Certificate of Catharina Wentzelsin
Object type: drawing and watercolor
Materials: paper, watercolor
Location: united states
Artist: Anonymous
Artist nationality: American
The Fringe of the Mere
Object type: photomechanical print
Date: 1883 – 1888
Materials: cardboard, paper
Techniques: photoaquatint
Location: great britain
Subjects: village, lake, great britain
Fender
Object type: fender
Date: 1701 – 1800
Materials: copper
Actress posing with foot on cushion, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Man
Object type: crèche figure
Date: 1751 – 1800
Materials: cotton, silk, thread, terracotta, fiber, metal
Techniques: polychrome
Subjects: men

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Portret van Ottavio Giovanni Battista Assarotti
Object type: print
Date: 1814 – 1829
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni a. bonaldi
Artist role: print maker
Artist dates: 1804 – 
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
The Vision of Saint Francis, kneeling at right, receiving the Christ child from the Virgin Mary
Object type: print
Date: 1617 – 1620
Techniques: engraving
Artist: michel lasne
Artist role: artist
Artist nationality: french
Artist dates: 1590 – 1667
Subjects: angels,madonna and child,saint francis
Fotoreproductie van een prent van Samson die een leeuw doormidden scheurt
Object type: page
Date: 1852 – 1857
Materials: photographic support
Techniques: salted paper print
Subjects: samson kills the lion with his bare hands
Inscriptions: inscription: ‘Duch No 18. col. V. Sestich’
Vase
Object type: vase
Date: 1760 – 1760
Materials: enamel, glass
Culture: british
Location: england
Subjects: musical instruments,birds,men,women
Head Pendant
Object type: pendant
Date: 601 – 800
Materials: shell
Culture: maya
Location: mexico
Subjects: heads
Pitture esistenti nella Galleria Vaticana
Object type: book
Date: 1868 – 1868
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, lithograph, printing
Artist: Anonymous
Inscriptions: annotation: ‘MAR/ 1992’
Bord van faience
Object type: plate dish
Date: 1710 – 1735
Materials: faience
Location: amsterdam
Artist: Anonymous
Jérusalem, Arcades Inférieures De L'Eglise Du Saint-Sépulcre; Palestine
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: painter z
Artist role: artist

Exterior, draped figure holding fillet in hands, filleted youth with himation draped over left shoulder and holding stick in right hand; to the left of youth's head, is part an inscription, on the top, IS, below, OS?
Brief aan Philip Zilcken
Object type: letter
Date: 1929 – 1929
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: lya berger
Artist role: schrijver
Artist dates: 1877 – 1941
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’, address: ‘Mlle. L. Berger/ 2, Square du Croisic, XVe’
Panel
Object type: panel
Date: 201 – 400
Materials: linen, wool
Techniques: weave
Location: egypt
Straat in een stad
Object type: print
Date: 1857 – 1920
Materials: paper
Techniques: etching
Location: amsterdam
Artist: abram george steelink
Artist role: print maker
Artist dates: 1844 – 1920
Subjects: traffic and transport, street
Inscriptions: collector's mark: Lugt 2228

Straatbeeld in een stad. Voor een huis een paardenkar waarop meubels worden geladen.
Vedute d'Italia / Vues d'Italie
Object type: stereograph
Date: 1861 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: obelisk, needle, church (exterior)
Inscriptions: number: ‘26.’