deem-data/ArtiFact huggingface dataset:
Theatrum biblicum (...)
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: david speaks to uriah, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228

Koning David heeft Uria, de man van Batseba, teruggeroepen uit de oorlog. Uria knielt, gekleed in zijn wapenrusting, voor hem neer. David dringt er bij Uria op aan om te ontspannen en de door knechten gebrachte wijn en het voedel aan te nemen. Uria gaat echter niet naar huis om bij zijn vrouw Batseba te slapen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 2 Sam. 11.
Piece
Object type: piece
Date: 1750 – 1750
Materials: silk
Subjects: flowers
Ruth Stetson, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Exterior, head and neck of a wreathed Dionysos to right, wearing a himation, with a drinking horn; in the background, vines
Comites Nassoviae
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: amalia of solms-braunfels

Portret van Amalia. In een kader haar naam en titels. Geheel in een afzonderlijk gegraveerde ovale omlijsting met takken en linten.
Portret van Hugo Capet, koning van Frankrijk
Object type: book illustration
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: crown (symbol of sovereignty), historical persons, hacking and thrusting weapons: sword, king

Prent voor het eerst gebruikt in: Cronica Breve de i fatti illustri de're di Francia, con le loro effigie dal naturale cominciando da Faramondo (...). Venetië: Bernardo Giunti, 1588. Prent in ieder geval ook gebruikt in de editie van 1590 en mogelijk ook in een Franse uitgave van 1597.
Textile Design with Alternating Vertical Rows of Pearls Framed by Undulating Vertical Zig-Zagging Lines
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating rows of squared pearls framed by undulating vertical zig-zagging lines of light tan color over a dark reddish-brown ground. The square pearls are of white color and are positioned over highlights of light tan color with stipples of dark-reddish brown color.
Geschiedenis van Guliver / Histoire de Guliver
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: (scenes from) specific works of literature: swift, gulliver's travels
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen uit Gullivers reizen, waaronder Gulliver in Lilliput en twee reuzen die Gulliver gevangennemen. Onder elke voorstelling een tweeregelig vers in het Nederlands en het Frans. Genummerd midden boven: N. 17.
Limestone head of a lion from a votive stele (?)
Object type: head of a lion
Materials: limestone
Culture: cypriot
Subjects: lions

The head of a large lion is turned to the left. The mane is smooth, the mouth open, the tongue extended, and the teeth clearly shown.
Portretten van vier leden van de medische sociëteit van de staat New York
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ head (and shoulders) (portrait))
Inscriptions: number: ‘512’, annotation

Linksboven Henry D. Didama, rechtsboven William H. Bailey, linksonder Abraham Jacobi, rechtsonder Harvey Jewett.
Ferret
Object type: ferret
Date: 501 – 700
Materials: copper alloy
Culture: frankish
Location: germany
Menu of a Dinner for French Lithographers, April 1, 1887
Object type: print
Materials: ink, ivory, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
St. Conon, Martyr, March 6th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,horses,saints,carriages

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Fan
Object type: fan
Date: 1876 – 1900
Materials: glass, mother of pearl, paper, silk
Subjects: men,women,flowers
Pair of fireplace ornaments
Object type: fireplace ornament
Date: 1701 – 1800
Materials: gilt bronze
Revised Panoramic View of Yokohama (Saikai Yokohama fukei)
Object type: print
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
S. Ignace, martyr (St. Ignatius, Martyr), February 1st, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Feast Days of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,dogs,lions,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
My friend, why are you up in the middle of the night, are you ill?, from 'The spiritualists,' published in Le Charivari, November 7, 1865
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women

- My friend, why are you up in the middle of the night, are you ill? … - Shhh … I was called by my table and when it stamps with the foot, it means it is impatient
Sleper
Object type: drawing
Date: 1840 – 1880
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: animal traction, animal-drawn vehicle (carriage etc.), hitching up, harnessing ~ animal traction, reins
Inscriptions: annotation: ‘Sleper’, collector's mark: Lugt 2228

Man met teugels, waarschijnlijk achter een paard dat iets sleept.
Strook machinale kant met aaneengeschakelde u-vormige velden met een bloemtakje erin en een hangende rozetbloem eronder
Object type: strip
Date: 1800 – 1949
Materials: cotton
Techniques: lace
Location: western europe
Artist: Anonymous

Strook naturelkleurige machinale kant. Het zich herhalende patroon langs de onderste helft van de strook bestaat uit een aaneenschakeling van u-vormige motieven gemaakt met siergronden. Onder elke ‘poot’ van een u hangt een rozetbloem naar beneden. Deze bloem zorgt samen met de u-vormige velden voor een schulpenrand langs de onderzijde van de strook. In het u-vormige veld staat een bloemtak met twee kleinere rozetbloempjes. Tussen deze bloempjes steekt een takje met blaadjes omhoog. Onder de bloempjes hangen twee grotere bladeren. De bovenste helft van de strook heeft een wijd verspreid strooipatroon van moesjes waartussen één rij hangende bladertakjes. De motieven zijn deels voorzien van contourdraden en zijn met elkaar verbonden door een fijne machinale tulegrond. Een smal randje langs de bovenzijde is gemaakt in machinale rozenslag. De schulpenrand langs de onderzijde van de strook is afgewerkt met picots.
Nederlandse dorpen
Object type: print
Date: 1786 – 1805
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan evert grave
Artist role: draughtsman, print maker
Artist dates: 1759 – 1805
Subjects: village square, place (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Het dorp Laren. Op de voorgrond het dorpsplein. Op de achtergrond de kerktoren. De prent maakt deel uit van een serie met Nederlandse dorpen.
Berlin. Hallesches Tor
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: berlin
Subjects: railway, train, station; shelter (railway, tramway), street, berlin
Inscriptions: stamp: ‘5’, monogram: ‘P.F.B.’
Piece
Object type: piece
Date: 1401 – 1500
Materials: silk
Study for a plate from Telemachus
Object type: drawing and watercolor
Date: 1797 – 1797
Materials: ink, paper
Techniques: wash
Location: england
Artist: thomas stothard
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1834
Piece
Object type: piece
Date: 1810 – 1815
Materials: cotton
Subjects: birds,flowers,leaves
The Andalusian dance (El Vito)
Object type: print
Date: 1824 – 1825
Techniques: lithograph
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: women,dancing

The title of this print refers to a popular type of jaleo dance, an antecedent of flamenco that was performed by a solo female dancer and accompanied by singing, clapping, guitar, and tambour. After moving to Bordeaux, Goya made this lithograph in the workshop of Cyprien Charles Gaulon. He might have thought the subject would appeal to the Romantic tastes of the French audience, many of whom regarded Spanish customs as alluringly exotic. Exploiting the possibilities of the medium, Goya drew directly on the stone with the lithographic crayon and modulated the areas of light and shade with the scraper, creating a sense of depth. The result is a lively, picturesque scene that demonstrates Goya’s bold approach to lithography.
Wall tile
Object type: wall tile
Date: 1501 – 1600
Materials: earthenware
Techniques: glazing
Pocket bottle
Object type: pocket bottle
Date: 1815 – 1840
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Hier kunt g'o lieve jeugd! een zestal kunstgebouwen, / Tot uw verlusting, in deze prent beschouwen
Object type: print
Date: 1806 – 1858
Materials: paper
Techniques: colour, letterpress printing
Location: zutphen
Subjects: landscape with monument
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met 6 voorstellingen van stadsgezichten en monumenten, waaronder het kasteel van Segovia en de Brandenburger Tor. Onder elke afbeelding een tweeregelig vers. Genummerd linksboven: no. 75.
Menghina Coming from the Garden Meets Cacasenno
Object type: drawing
Date: 1665 – 1747
Materials: chalk
Artist: giuseppe maria crespi
Artist role: artist
Artist nationality: italian
Artist dates: 1665 – 1747
Subjects: girls,women
Flint shaped like a bird
Object type: eccentric
Date: 3300 – 2900
Materials: stone
Location: egypt
Subjects: birds
Portret van de predikant Johannes Brill
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: wig
Inscriptions: collector's mark: Lugt 2228
Chateau de Blois
Object type: photomechanical print
Date: 1870 – 1875
Materials: paper
Techniques: woodburytype
Location: tours
Subjects: castle, tower (of house or building)
Inscriptions: number: ‘PL. 25.’
Huis aan een meer, vermoedelijk op de Filipijnen
Object type: photograph
Date: 1870 – 1891
Materials: paper, photographic support
Techniques: albumen print
Location: philippines
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, lake, philippines

Onderdeel van Fotoalbum van een reis naar Manilla.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic
Artist: flying-angel painter
Artist role: artist

At the shoulder, a band of tongues; below, head, neck, right shoulder, and part of right arm and upper torso of a wreathed, bearded man to right, with his himation draped over his left shoulder; head and neck of a draped, wreathed youth to left
Model of spinning bowl
Object type: miniature spinning bowl
Date: 1850 – 1800
Materials: limestone, paint
Location: egypt
Begrafenisoptocht van keizer Karel V, 1558
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: ghent, charles v (holy roman emperor and king of spain), cortege, funeral procession, brussels

Vier deelnemers aan de optocht, paarden en de vaandels met de wapens van Navarra en Jeruzalem. Onderdeel van de prentreeks van de Begrafenisoptocht van keizer Karel V op 29 december 1558 te Brussel.
Portret van Aben Humeya, koning van Granada
Object type: print
Date: 1621 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: head-gear: turban

Portret van Aben Humeya in een geornamenteerde, ovale omlijsting. Daaronder in een cartouche zijn naam en titel. Rechtsboven: fol. 502.
Grafmonument met portret van Charles-Michel de l'Epée
Object type: print
Date: 1804 – 1804
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: eelke jelles eelkema
Artist dates: 1788 – 1839
Subjects: scholar, philosopher, historical persons, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228
Kalenderblad voor de bloeimaand, mei, van een kalender van Kunstnijverheidsschool Quellinus
Object type: print
Date: 1885 – 1925
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: ornaments ~ art, calendar, almanac, insects: bee

Met een randdecoratie met bloemen, bijen en bladeren, en bovenin een vignet met twee naakte figuren met daaromheen de tekst: 'De zon in de tweelingen'.
Ingang van het weeshuis te Leiden
Object type: cabinet photograph
Date: 1879 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: jan goedeljee
Artist role: fotograaf
Artist dates: 1824 – 1905
Subjects: orphanage, leiden
Inscriptions: inscription: ‘J. Goedeljee (...) Leiden/ Hoogeword 160/ naby de Plantage’, inscription: ‘J. Goedeljee/ Leiden/ 88’, annotation: ‘Ingang Weeshuis/ Leiden’
Verbetering van de Gouwe.
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: photography
Artist: weijert jan van zanen
Artist role: fotograaf
Artist dates: 1873 – 1960
Subjects: gouda
Inscriptions: date

Foto op karton van waterbouwkundige werken (verbeteringen die in 1904 aan de Gouwe te Gouda zijn aangebracht). Gedateeerd en gesigneerd.
St. Thomas
Object type: print
Date: 1510 – 1510
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: men,saints
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: roman

Loeschcke Type 1A. Mold-made. Discus: rosette with ten radiating petals, issuing from a single small, central filling hole; broad band of lines and grooves around edge. Volutes flanking angular nozzle with large wick hole. Incised base ring, and uneven, concave bottom. Intact, except for one tiny hole on right edge of discus.
Portret van Giovan Battista Castaldo
Object type: print
Date: 1589 – 1637
Materials: paper
Techniques: engraving
Subjects: engineer, engineering (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
Fairy Land
Object type: drawing and watercolor
Date: 1881 – 1881
Materials: gouache, graphite, paint, paper, watercolor
Location: france
Artist: gustave doré
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Inscriptions: Signed and dated lower right, in ink: "Gv Doré / 1881".
Head of Youth in a Pink Cap
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: follower of jacopo bassano
Inscriptions: Inscribed verso, lower left, in graphite: "1916"
Standing cup (one of a pair)
Object type: standing cup
Materials: gilt, glass
Techniques: cutting, enamel, polish
Artist: harrachsche hütte
Artist role: decorator

Enamel and gilt decoration added at the Harrachschen Hütte (Harrachov Glassworks), about 1845–50.
The birth and childhood of our Lord Jesus Christ
Object type: book
Date: 1871 – 1871
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing
Location: london
Inscriptions: name: ‘G.C. Phair’
Cup (part of a coffee service)
Object type: cup
Date: 1801 – 1833
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: cupid
Medaillon met takken omgeven
Object type: titelblad, titelpagina
Date: 1777 – 1777
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: ornament ~ medallion
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Gesner, Salomon. Erastus: tooneelspel. Amterdam: Weduwe G. ten Boekelaar Junior, 1777.
H. Adjutor heeft een visioen
Object type: print
Date: 1640 – 1696
Materials: paper
Techniques: engraving, etching
Subjects: saints, one person praying
Inscriptions: collector's mark: Lugt 2228

In de marge onderaan vier regels tekst in het Latijn over deze Benedictijner monnik.
Drie studies van anemonen
Object type: drawing
Date: 1760 – 1769
Materials: paper, watercolor
Techniques: brush
Artist: c. baak
Artist role: draughtsman
Subjects: flowers: anemone
Candlestick (one of a pair)
Object type: candlestick
Date: 1760 – 1765
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: boars,dogs,leaves

The subject, a boar attacked by two hounds, probably came from a French or German source, as the wild boar was extinct in England long before the eighteenth century.
Hamilton's Floating Battery Moored at the End of Sullivan's Island the Night Before They Opened Fire upon Fort Sumter
Object type: carte de visite
Techniques: albumen silver print, glass negative
Artist: alma a. pelot
Artist role: artist
Artist nationality: american
Artist dates: 1850 – 1869
Subjects: american civil war

In January 1861, prior to the outbreak of war, James Randolph Hamilton began the construction of the ironclad floating battery to be used by the Confederate government to attack Fort Sumter and other Federal positions or naval vessels in Charleston, South Carolina. Built in clear view of the Union forces stationed at Sumter, the floating battery was one hundred feet long, twenty-five-feet wide, and sheathed in two layers of iron plate. It flies the first Confederate flag. Towed into the harbor close to Fort Sumter, Hamilton’s Battery fired on the fort intermittently for thirty-four hours beginning on the morning of April 12. It survived the intense counterattack sustaining little damage; by 1863, however, its protective skin had been stripped off and reused by the Confederacy for the construction of navigable ironclad ships. Southern troops would occupy Fort Sumter until February 17, 1865, when Union General William Tecumseh Sherman’s forces cut off supplies to Charleston and the city itself was evacuated.
Zittende man
Object type: sketchbook leaf
Date: 1892 – 1900
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: sitting on an elevation

Blad 8 recto uit schetsboek VIII met 12 bladen.
Textile Design with Alternating Vertical Strips of Undulating Honeycomb Pattern with Branch Offsets and Undulating Garlands of Pearls with Alternating Offsetting Wheat Ears and Pairs of Circles
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating vertical rows of undulating garlands of honeycomb pattern of light tan color over a dark reddish-brown base with offsetting branches of dark reddish-brown color and undulating garlands of pearls with alternating offsetting wheat ears and pairs of circles over a bakcground of light tan color with dark-reddish brown stipples. The pearls and wheat ears are of white color; the circles are of purple, orange and green color.
Stamboom van Juliana, koningin der Nederlanden
Object type: print
Date: 1926 – 1926
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: tiete van der laars
Artist role: designer, draughtsman
Artist dates: 1861 – 1939
Subjects: anna paulowna romanowa, print maker, wilhelmina of the netherlands, hendrik (prins der nederlanden (1876-1934)), emma (queen consort of the netherlands), william v (prince of orange), johan willem friso (prins van oranje-nassau), louise de coligny, william i of the netherlands, brussels, willem iii (koning der nederlanden), william iii (prince of orange and king of england, scotland, and ireland), paris, willem (prins der nederlanden), the hague, william ii of the netherlands, frederick henry (prince of orange), william ii (prince of orange), delft, william i (prince of orange), maurice (prince of orange), maria ii stuart (koningin van engeland, schotland en ierland), amalia of solms-braunfels, london, mary henrietta stuart, juliana of the netherlands, draughtsman, wilhelmina of prussia (princess of orange), sophia frederika mathilda van württemberg, willem iv (prins van oranje-nassau), anna van hannover, berlin, wilhelmina frederica louisa (koningin der nederlanden)
Inscriptions: collector's mark: Lugt 2233

Stamboom van Juliana, van Willem I tot en met Juliana. In een geornamenteerde rechthoek dertien regels Nederlandse tekst. Daar omheen aan de takken van een boom meerdere wapens met namen en data. Geheel in een rechthoek van oranjetakken. Vervaardigd ter gelegenheid van het 25-jarig huwelijksjubileum van Wilhelmina en Hendrik in 1926. Premieplaat van de 'Nieuwe Rotterdamsche Courant', 'Het Vaderland' en de 'Nieuwe Courant'.
Lac Leman. Château de Chillon
Object type: photomechanical print
Date: 1970 – 1990
Materials: cardboard
Techniques: offset printed
Location: montreux
Subjects: castle, lake
Portret van Augusta van Hessen-Kassel, hertogin van Cambridge
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: engraving
Artist: charles wentworth wass
Artist role: print maker
Artist dates: 1822 – 1905
Subjects: london, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Bovenbeen en een rug in profiel
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: upper leg, back

Blad 67 recto uit een schetsboek met 69 bladen.
Bronze statuette of a woman
Object type: statuette of a woman
Date: 567 – 535
Materials: bronze
Culture: east greek
Subjects: women

This figure probably represent a Persian. Her hair is in braids down her back; she wears a long belt and slightly trailing skirt stretched tightly in the back.