deem-data/ArtiFact huggingface dataset:
Reitergefecht
Object type: print
Date: 1864 – 1923
Materials: paper
Techniques: drypoint
Location: vienna
Subjects: riding a horse, ass, or mule; rider, horseman, charge ~ battle
Inscriptions: collector's mark: Lugt 2228
Wedding dress
Object type: wedding dress
Date: 1869 – 1869
Culture: french
Philip Roveen
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658
Twee festoenen met schaaldieren en schelpen in de oostelijke galerij van het Stadhuis op de Dam
Object type: print
Date: 1655 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: crustaceans, townhall, molluscs (+ shell, snail-shell etc.), ornament ~ festoon, garland
Inscriptions: collector's mark: ‘16,25’ Lugt 1641b

Prent gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Artus Quellinus (I), 1655.

Zie RP-P-AO-22-1-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-1-2 voor bijhorend register.
Zie RP-P-AO-22-1A, RP-P-AO-22-1B, RP-P-AO-22-1C, RP-P-AO-22-1D-1, RP-P-AO-22-1D-2, RP-P-AO-22-1E, RP-P-AO-22-1F, RP-P-AO-22-1G, RP-P-AO-22-1H, RP-P-AO-22-1I, RP-P-AO-22-1K-1, RP-P-AO-22-1K-2, RP-P-AO-22-1K-3, RP-P-AO-22-1K-4, RP-P-AO-22-1K-5, RP-P-AO-22-1L-1, RP-P-AO-22-1L-2, RP-P-AO-22-1M-1, RP-P-AO-22-1M-2, RP-P-AO-22-1N-1, RP-P-AO-22-1N-2, RP-P-AO-22-1N-3, RP-P-AO-22-1N-4, RP-P-AO-22-1O-1, RP-P-AO-22-1O-2, RP-P-AO-22-1O-3, RP-P-AO-22-1O-4, RP-P-AO-22-1P-1, RP-P-AO-22-1P-2, RP-P-AO-22-1P-3, RP-P-AO-22-1P-4, RP-P-AO-22-1Q-1, RP-P-AO-22-1Q-2, RP-P-AO-22-1Q-3, RP-P-AO-22-1Q-4, RP-P-AO-22-1R-1, RP-P-AO-22-1R-2, RP-P-AO-22-1R-3, RP-P-AO-22-1R-4, RP-P-AO-22-1R-5, RP-P-AO-22-1S-1, RP-P-AO-22-1S-2, RP-P-AO-22-1S-3, RP-P-AO-22-1S-4, RP-P-AO-22-1S-5, RP-P-AO-22-1T-1 en RP-P-AO-22-1T-2 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Frederik de Wit, 1665.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
A peasant in a high cap, standing leaning on a stick
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the ages of man (+ old male (human being))
Inscriptions: mark: 2228, signature and date: ‘Rembrandt f. 1639’ Lugt
Studieblad met kreeften
Object type: drawing
Date: 1876 – 1924
Materials: paper
Techniques: brush
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: crustaceans
Monica
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: female saints
Inscriptions: inscription: ‘95’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 136r.
Petrus im Hause des Cornelis
Object type: print
Date: 1847 – 1889
Materials: paper
Techniques: etching, intaglio
Location: germany
Subjects: peter in the house of cornelius: the holy ghost descends upon cornelius and his family, who are baptized by peter
Inscriptions: collector's mark: Lugt 2233

Prent naar het schilderij door Barent Fabritius in het Herzog Anton Ulrich-Museum te Braunschweig (inv.nr. 268).
Portret van Nikolaus Selnecker
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: theologian, historical persons, portrait of a musician
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Boissard, Jean Jacques. Bibliotheca chalcographica. 8 dln. Frankfurt am Main: Johannes Ammon, 1650-1652. Ook gebruikt in latere edities. Eerdere staat van prent verschenen in: Boissard, Jean Jacques. Icones quinquaginta virorum illustrium doctrina & eruditione praestantium ad vivum effictae. 4 dln. Frankfurt am Main: s.n., 1597-1599. Mogelijk ook gebruikt in latere edities.
Stad Rotterdam, loodje met no. 550
Object type: tax token
Date: 1800 – 1875
Materials: brass
Techniques: striking
Location: rotterdam
Artist: Anonymous
Subjects: rotterdam

eenzijdig, vierkant loodje met afgeschuinde hoeken en links en rechts een gat. Voorzijde: wapenschild binnen parelrand onder cijfer 550; op onderste deel van wapenschild: letter S. Keerzijde: blanco
Fan design in honor of Ferdinand VII, King of Spain
Object type: print
Date: 1814 – 1815
Techniques: engraving, hand coloring
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Jacht op fazanten
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: drypoint, etching, intaglio, retroussage
Artist: charles verlat
Artist role: painter, print maker
Artist dates: 1824 – 1890
Subjects: hunting dogs, walker and runner birds: pheasant
Inscriptions: collector's mark: Lugt 2228
Bottle
Object type: bottle
Date: 1700 – 1800
Materials: enamel, glass, lead
Location: czech republic
Subjects: flowers
David Cutting Off Goliath's Head
Object type: print
Date: 1540 – 1540
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni battista scultori
Artist role: artist
Artist nationality: italian
Artist dates: 1503 – 1575
Inscriptions: Inscribed verso, lower center, in graphite: “L126 / ID 31907”; lower right corner, in pen and brown ink: “R5. ig”
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, lower drapery and toes of figure to left
Portret van een kind, waarschijnlijk Lotte Nagel
Object type: print
Date: 1925 – 1925
Materials: paper
Techniques: lithograph
Artist: käthe kollwitz
Artist role: draughtsman, print maker
Artist dates: 1867 – 1945
Subjects: child, historical persons
Inscriptions: inscription: ‘No. 77; 6620/15’, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Gainsborough, begin 1904
Object type: stereograph
Date: 1904 – 1904
Materials: paper, photographic support
Techniques: collodion silver print
Location: gelderland
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Gezicht op de Dom te Florence
Object type: opticaprent
Date: 1742 – 1801
Materials: paper, watercolor
Techniques: brush, etching
Location: germany
Subjects: tower, clock tower ~ monumental adornment, church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)

Links het Baptisterium en in het midden de Campanile. Rechtsboven genummerd: 84. Linksonder genummerd: 15.
Portret van Christoffel Middaghten
Object type: book illustration
Date: 1858 – 1862
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Jonge, J.C. de. Geschiedenis van het Nederlandsche zeewezen. Haarlem: Jonge, J.K.J. de, 1858-62.
Prentalbum met voornamelijk christelijke voorstellingen
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1670 – 1699
Materials: brass, paper, parchment
Techniques: engraving
Artist: Anonymous
Het verraad van Rennenberg aan burgemeester Hillebrands, 1580
Object type: drawing
Date: 1789 – 1791
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: mayor, groningen (province), politician, historical persons, evening meal, dinner, supper, treason, historical events and situations, traitor to one's country

Het verraad van Rennenberg aan burgemeester Hillebrands, 2 maart 1580. De graaf van Rennenberg, inmiddels overgegaan naar Spaanse zijde, verzekert het stadsbestuur van Groningen tijdens een maaltijd bij burgemeester Hillebrands van zijn trouw aan de Staten met een handdruk. Ontwerp voor een prent.
Objects Representing the Ceremony of Exorcising Demons, One of the New Year Performances
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Portret van een onbekende jonge vrouw
Object type: album leaf
Materials: paper
Techniques: gelatin silver print
Location: leeuwarden
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: address: ‘VOORSTREEK 243./ 952’
François Ier's Sword
Object type: print
Date: 1864 – 1864
Techniques: etching
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Subjects: swords
Partie de cartes devant un cafe arabe
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: water-pipe, hookah, narghile, world fair, world exhibition, adult man, card games, asiatic races and peoples (with name), antwerp
Inscriptions: inscription: ‘Exposition Universelle D'Anvers 1894’
Netsuke of Monkey on Peach
Object type: netsuke and slide
Date: 1701 – 1800
Materials: ivory
Culture: japanese
Subjects: peaches
Schetsboek met 91 bladen
Object type: sketchbook
Materials: cardboard, chalk, ink, leather, paper, pencil
Techniques: pen
Location: woensdrecht
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: prospect of village, silhouette of village, sailing-ship, sailing-boat, windmill in landscape
Inscriptions: annotation: ‘Wv Hem[...]s/ orga[...]/ vrije leive [sic]/ vrouwen/ Kerk/ July 11/10’, factory mark: ‘SIZE OF THIS SKETCH BOOK, 5 X 3 1/4./ DIMENSIONS DE L'ALBUM} 13 X 8.5/ GRÖSSE DIESES SKIZZENBUCHES} CM.’, factory mark: ‘THE/ BLACK/ & WHITE/ SKETCH/ BOOK/ Winsor and Newton LtD/ LONDON/ MADE/ IN THE/ FOLLOWIG/ SIZES/ 3 1/2 x 3/ 5 x 3 1/4 8 x 5/ 7 1/4 x 4 1/2 10 x 8’, date and inscription: ‘Alexander Shilling. (Schilling)/ ha[...] schetsen uit/ Woensdrecht/ vanaf 5 Juli 1909/ tot 12 Aug. 1910’

Schetsboek bestaande uit 91 bladen met landschappen met molens, water en bebouwing, zeilboten en gezichten op Woensdrecht.
Zonsondergang boven zee
Object type: page
Date: 1891 – 1896
Materials: paper
Techniques: autotype
Location: london
Artist: rougé
Artist role: fotograaf
Subjects: sunset
Inscriptions: inscription: ‘Négatif de M. Rougé, avec objectiv The Conqueror, sur plaque Graffe et Jougla./ Spécimen de Zincogravure de The Meisenbach Company Limited, West Norwood, Londres./ Papier &lt; Perfection &gt;, qualité A. - Grosvenor, Chater et Co, 6, rue Favart, Paris.’, address: ‘C. CONQUÉRANT, constructeur breveté, 86, boulevard Magenta, Paris.’
Façade van de Biblioteca Marciana te Venetië
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving, etching, intaglio
Location: italy
Subjects: square, place, circus, etc., city-view in general; 'veduta', public library, venice

Façade van de Biblioteca Marciana met op de voorgrond bedrijvigheid op het Piazzetta. Tweeregelige Italiaanse tekst in ondermarge. De prent maakt deel uit van een album.
Gezicht op de Télégraphe op Montmartre
Object type: print
Date: 1798 – 1856
Materials: paper
Techniques: lithograph
Subjects: telegraph pole, telephone pole, paris
Inscriptions: collector's mark: Lugt 2228
The American Fleet Defeating Rais Hamdu off Cape Gata
Object type: illustrated single work
Date: 1801 – 1900
Materials: ink, paper, watercolor
Location: algeria
Subjects: ships

The Arabic inscription at bottom of the painting identifies the scene as the so-called Battle of Cape Gata– a devastating blow to the Barbary forces by the American navy in the year 1815. At the center, the Algerian ship Mashudu is identifiable by its bright red flag at the stern. Nine American ships have surrounded the Algerian vessel as billowing clouds of smoke indicate the exchange of cannon fire. When the smoke cleared, among the dead was Algerian corsair Rais Hamidu (1773–1815) a relentless pirate who was the focus of the American attack. Hamidu was targeted for his role in leading raids on American merchant vessels in the Mediterranean, and demanding ransom for their crews. This is the first work in The Met’s collection to illustrate United States naval history by a North African artist. A related version is in the collection of the New York Historical Society.
Cranes, peach tree, and China rose
Object type: hanging scroll
Date: 1701 – 1800
Materials: ink, silk
Culture: chinese
Artist: shen quan (shen pin)
Artist role: artist
Artist nationality: chinese
Artist dates: 1682 – 1762
Subjects: cranes,peaches,roses,trees

In 1731 the court painter Shen Quan traveled to Nagasaki at the request of the Japanese government. During his nearly two years in Japan, Shen and his students produced a large number of paintings in this style—typified by bold ink brushwork for rocks and trees paired with meticulous application of color for birds and flowers—which served as an enduring inspiration to Japanese artists. This example combines cranes, peaches, and lingzhi fungus, all symbols of longevity or immortality, along with bamboo and China rose (yueji).
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1882 – 1903
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Location: hilversum
Artist: henri de paauw
Artist role: fotograaf
Artist dates: 1849 – 1922
Subjects: adolescent, young woman, maiden
Inscriptions: name: ‘H. de Paauw Photograaf. Hilversum. Kerstraat.’
Frieda Schiff (1876–1958), Later Mrs. Felix M. Warburg
Object type: painting
Date: 1894 – 1894
Materials: canvas, oil
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: portraits,women

Zorn made his reputation as a portrait painter. Fashionable people of wealth on both sides of the Atlantic vied for sittings, knowing that the result would be a picture less theatrical than a portrait by Boldini but more vivid than one by Sargent. Zorn often gave his portraits a sense of immediacy by depicting the subject as if he or she were just entering the room, thus directly addressing the viewer. This portrait was painted in 1894 on Zorn's first trip to America.
Gezicht op een weg met oude poort en twee figuren met pakezels
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: etching
Subjects: horses and kindred animals, road, path, village-gate
Inscriptions: collector's mark: Lugt 240
Town Hall Gouda
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: gelatin silver print
Location: gouda
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, townhall, travelling; tourism, square, place, circus, etc. (+ city(-scape) with figures, staffage), gouda

Onderdeel van Fotoalbum van de excursie naar Nederland van de Britse amateurfotografenvereniging P.C.U.K.
Berglandschap met gebouw, met op de voorgrond een passant
Object type: drawing
Date: 1820 – 1820
Materials: paper, pencil
Techniques: brush
Artist: christoph heinrich kniep
Artist role: draughtsman
Artist dates: 1755 – 1825
Subjects: city-view, and landscape with man-made constructions, mountains
Inscriptions: collector's mark: Lugt 2228
Portret van een vrouw met bril
Object type: photograph
Date: 1905 – 1936
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: eyeglasses, spectacles, historical persons - bb - woman
Inscriptions: inscription: ‘POST CARD/ CARTE POSTALE/ Communication-Correspondance Adress-Adresse’
Torso of Vishnu
Object type: figure
Date: 501 – 600
Materials: stone
Culture: kashmiri
Subjects: kashmir,vishnu,hinduism
Portret van Thomas F. Byrnes
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: boston
Subjects: thomas f. byrnes, portrait of a writer
Inscriptions: inscription: ‘Yours Truly Thomas Byrnes’
Het Amsterdamsche Beursgeheim ontsluierd of 't geduld beloond
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: model ~ architecture, political caricatures and satires

Ongeduldige inwoners van Amsterdam breken de keet open om de plannen voor de nieuwe beurs op het Damrak te kunnen bekijken.
Cloud Study (Distant Storm)
Object type: painting
Date: 1786 – 1806
Materials: oil, paper
Artist: simon denis
Artist role: artist
Artist nationality: flemish
Artist dates: 1755 – 1813
Subjects: sky,clouds

This study shows a range of climatic conditions stacked one above the other. It lightens progressively over a space that extends thousands of feet, from the rainstorm at lower left to the clear sky at top. Denis’s plein-air sketches epitomize the Enlightenment’s embrace of empirical research in the pursuit of knowledge. The artist employed the particular effect seen here in finished paintings of the 1790s, and perhaps earlier.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, right hand on hip and part of lower torso of figure
Bevrijding van Petrus uit de gevangenis
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: the angel leads peter past the sleeping guards
Inscriptions: collector's mark: Lugt 2228

Kopie van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 40.
Incense Burner
Object type: incense burner
Date: 1368 – 1644
Materials: gilt bronze
Culture: chinese
Schildersatelier
Object type: print
Date: 1815 – 1889
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: painter at work, in his studio
Inscriptions: collector's mark: Lugt 2228

In een atelier, bij het venster zit een schilder voor zijn ezel. Op de achtergrond twee leerlingen en een slapende hond.
Recto: Temple Types: Amphiprostyle (Vitruvius, Book 3, Chapter 2, no. 4); Verso: Temple Types: Pseudodipteral (Vitruvius, Book 3, Chapter 2, no. 6).
Object type: drawing ornament architecture
Date: 1530 – 1545
Materials: ink
Techniques: pen
Location: france
Artist: sangallo family
Artist role: artist
Artist nationality: italian
Artist dates: 1530 – 1545
Subjects: architecture,temples
Recueil de quatre-vingt-cinq estampes originales
Object type: album leaf
Date: 1650 – 1807
Materials: paper
Techniques: drypoint, engraving, etching
Location: paris
Subjects: faust
Wien, Eingang zum Schloß Schönbrunn
Object type: photograph
Date: 1950 – 1960
Materials: photographic support
Techniques: gelatin silver print
Location: vienna
Artist: Anonymous
Subjects: palace, gate, entrance
A Painter at Work in his Studio
Object type: drawing
Date: 1663 – 1677
Materials: chalk, gouache, ink, paper
Techniques: brush, heightening, pen, wash
Artist: thomas wijck
Artist role: artist
Artist nationality: dutch
Artist dates: 1616 – 1677
Subjects: painting,interiors,men
Portret van J. Castéra
Object type: print
Date: 1766 – 1844
Materials: paper
Techniques: engraving, etching
Artist: alexandre tardieu
Artist role: print maker
Artist dates: 1756 – 1844
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Schilderingen in de lunetten boven de ramen in de Sixtijnse Kapel
Object type: print
Date: 1540 – 1540
Materials: paper
Techniques: engraving
Location: vatican city
Subjects: sibyls, persian sibyl
Inscriptions: collector's mark: Lugt 240

Prent uit een reeks van 6 prenten naar de schilderingen in de lunetten boven de ramen in de Sixtijnse Kapel door Michelangelo.
Aartsengel Michaël met een zeskoppige draak en de Heilige Drie-eenheid
Object type: print
Date: 1685 – 1750
Materials: paper
Techniques: engraving
Subjects: the archangel michael fighting the dragon (devil, satan), the holy trinity, 'trinitas coelestis'; father, son and holy ghost ~ christian religion
Inscriptions: collector's mark: Lugt 240

De aartsengel Michaël in gevecht met een zeskoppige draak. Boven op wolken zitten Christus en God de Vader, omringd door putti. Midden boven zweeft de Heilige Geest in de gedaante van een duif. Op de achtergrond een poort met een engel.
Terracotta fragment from an undetermined shape
Date: 450 – 401
Materials: terracotta
Culture: greek, attic

Head, neck, shoulder, and part of upper torso of a draped youth to right; at the upper right, an unidentified object
Paard en hond bij een hooiwagen
Object type: print
Date: 1788 – 1814
Materials: paper
Techniques: etching
Artist: jan kobell (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1778 – 1814
Subjects: landscapes, horse, hay-wagon, dog
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

In een glooiend landschap staat een hooiwagen met daarnaast een paard, van achter gezien. Naast het paard een slapende hond.
Au Bal des Etudiants
Object type: print
Techniques: drawing, photography
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: masks,hats,men,women
Green Glazed Censer on feet
Object type: incense burner
Date: 1650 – 1650
Materials: glaze, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

The green colour derives from copper and lead oxides. This colour was used in Jingdezhen from around 1550, but was initially dark and ran unevenly over the surface. In the 18th century a uniform fresh, apple green colour was achieved. It was made opaque through the addition of tin oxide.
Statuette of a nude woman with moveable arms, one missing
Object type: statuette, female nude
Date: 945 – 664
Materials: wood
Location: egypt

This statuette of a woman is an ancient mechanical figure. Both of her arms were attached to an axle that runs between her shoulders; a string was wound around the axle, then ran through a channel in her body and left leg to emerge beneath the base under her feet, so that pulling the string caused the axle to turn and the arms to rise. Such figures, called automata, are known: the museum’s figure of a pygmy (34.1.130) was part of an ensemble of dancing pygmies that turned on a base by a string mechanism, and the mouth of the ivory dog (40.2.1) opens by a simpler lever system. The figurine had been considered problematic, but a recent study has adduced strong technical evidence to support its antiquity, thus restoring it to a place in our displayed collection. The study also endeavored to place the statuette in terms of style, suggested a reconstruction for the pose of its missing left arm, and posited an identity that the author viewed as a clue to understanding a larger group of first millennium figures.
Portret van Mathhaeus Merian
Object type: print
Date: 1704 – 1765
Materials: paper
Techniques: engraving, etching
Artist: johann friedrich schmidt
Artist role: print maker
Subjects: painter, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Met architectonische omlijsting gedrukt van een andere plaat.