deem-data/ArtiFact huggingface dataset:
Portret van Ludovico Gonzaga III, markies van Mantua
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: ludovico iii gonzaga (markies van mantua), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ritratti et elogii di capitani Illustri. Rome: Pompilio Totti en Andrea Fei, 1635, p. 10. Eerdere staat van prent in ieder geval ook gebruikt in: Ritratti di cento capitani illustri con li lor Fatti in guerra (…), Rome: Domenico Gigliotti, 1596. Latere staat van prent in ieder geval ook gebruikt in: Ritratti et elogii di capitani Illustri. Che ne'secoli moderni hanno gloriosamente guerreggiato. Rome: Filippo de'Rossi en Vitale Mascardi, 1646.
Part of a dress border
Object type: border fragment
Date: 1701 – 1800
Materials: linen, silk
Subjects: birds,flowers
Kop van een kat
Object type: sketchbook leaf
Date: 1886 – 1895
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: cat

Pagina 5 uit een schetsboek met 20 bladen.
Portrait of a Gentleman
Object type: painting, miniature
Date: 1835 – 1835
Materials: ivory, watercolor
Culture: american
Artist: alfred thomas agate
Artist role: artist
Artist nationality: american
Artist dates: 1812 – 1846
Subjects: men,portraits
The tribute money
Object type: print
Date: 1850 – 1906
Materials: paper
Techniques: drypoint, etching
Subjects: christ discussing the temple tribute with the apostles
Inscriptions: inscription: ‘Coppier’
Portret van Egbert Meeusz Kortenaer
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons

Prent ook gebruikt in: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...). 21 dln. Amsterdam: Isaak Tirion, 1749-59.
Theepot met bloemranken in reliëf (De caluwe bakafval)
Object type: teapot
Date: 1700 – 1725
Materials: earthenware
Techniques: firing
Location: delft
Artist: jacobus de caluwe
Artist role: plateelbakkerij
Artist dates:  – 1730
Inscriptions: mark

Ronde theepot met een rechte rand en voet, en met een conische tuit. Op beide zijden een bloemtak in reliëf. Gemaakt van in verschillende tinten oranjebakkende klei en voorzien van een laag donkerbruin glazuur aan de binnenzijde, én op het uiteinde van de tuit. Ovaal merk op de bodem (rennend hert). Deksel en oor ontbreken.
Spotprent op Sjoerd Vening Meinesz
Object type: cartoon
Date: 1809 – 1895
Materials: paper
Techniques: letterpress printing, line block
Artist: Anonymous
Subjects: harlingen, politician, mayor, burgomaster, political caricatures and satires, amsterdam
Inscriptions: collector's mark: ‘19,52’ Lugt 1641b, date: ‘September 1895’

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [na 1800].
Casket
Object type: metalwork
Date: 1801 – 1900
Materials: gold, steel
Culture: french
Location: france
Subjects: travel, casket

This small casket or strongbox with its handle and locking mechanism was well designed for the restless, mobile nature of French court life in the sixteenth century. The casket’s intimate scale was suitable for housing jewelry, devotional aids, and other precious objects that the owner wished to transport when following a prince from one palace or castle to another.

Here, the intricate interlace of bright gold wire is a counterpoint to the blackened steel that forms the body of the casket. These designs are executed in the labor-intensive technique called false damascening, whereby soft gold wire is burnished or rubbed into a crosshatched steel surface. This technique was practiced mostly by sword cutlers or furbishers, who diversified their usual bladed products with caskets like this that might appeal to ladies as well as gentleman of the court. The monogram of intertwined D's over an H ornamenting the front and also under the base of the casket may reference Diane de Poitiers, the official mistress of King Henri II of France.
Wapenschild van Félix Vialar
Object type: print
Date: 1608 – 1688
Materials: paper
Techniques: engraving
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: clergyman, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Drie antieke vazen waarvan een op voetstuk
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: vase ~ ornament

De 'Vasi'-reeks telt 110 prenten, verspreid over twee volumes met elk een eigen titelprent. Piranesi werd voor deze reeks geholpen door verschillende assistenten uit zijn werkplaats, waaronder zijn zoon Francesco die ook nog eens 8 platen toevoegde aan de reeks in 1779-1780.
The Archer and the Milkmaid
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: netherlands
Artist: after jacques de gheyn ii
Inscriptions: Lettered below image: "Wacht u voor hem die alsins mickt Dat sijnen boogh, u niet verklickt."
Terracotta mold for amulet of Osiris in mummyform
Object type: plaque, unglazed
Date: 664 – 630
Materials: clay
Culture: egyptian or levantine
Mug
Object type: mug
Date: 1863 – 1863
Materials: porcelain
Culture: american
Location: united states
Artist: karl l. h. müller
Artist role: designer
Artist nationality: american
Artist dates: 1820 – 1887
Subjects: bears,men
Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Object type: print
Date: 1830 – 1833
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Pectoral with scarab
Object type: pectoral with scarab
Date: 1070 – 525
Materials: faience
Location: egypt
Serie portretten van vijftiende- en zestiende-eeuwse geleerden
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Location: france
Artist: robert boissard
Artist role: print maker
Artist dates: 1570 – 1611
Subjects: hoofed animals: deer - ff - fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa), historical persons, book
Inscriptions: collector's mark: Lugt 2228
Genealogie van het geslacht Rendorp
Object type: manuscript
Date: 1837 – 1837
Materials: paint, paper
Techniques: brush, writing
Location: the hague
Artist: Anonymous
Subjects: rendorp, familie
Inscriptions: : ‘GENEALOGIE van het GESLACHT RENDORP’, : ‘GENEALOGIE’

Handgeschreven gebonden genealogisch overzicht van elf generaties Rendorp. In rood linnen band met opdruk in goud en rug en hoeken versterkt met rood leer. Na een inleiding over de oorsprong en afkomst van het geslacht Rendorp volgt een beschrijving en afbeelding van het familiewapen, een inhoudsopgave, een naamlijst en per generatie een beschrijving van de huwelijkspartner, hun kinderen, de gerelateerde familiewapens in kleur en andere bijzonderheden omtrent opleiding of beroep.
Antependium
Object type: textile
Date: 1801 – 1900
Materials: textile, gilt, metal, silk
Techniques: embroidery, treatment, embroidered, weave, stitching
Location: italy
Subjects: religious scenes
Pair of Rattles
Object type: pair of rattle
Date: 1867 – 1900
Materials: wood
Culture: african
Rusland, tsaar Nikolai I, 2 kopeken, 1841 EM
Object type: coin
Date: 1841 – 1841
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: gekroond monogram van Nicolai I in het cyrillisch. Keerzijde: in drie regels waarde-aanduiding. Daaronder jaartal, waaronder in het Cyrillisch de letters E en M [=Ekaterinenburg]. Gladde rand.
Reisnecessaire
Object type: reisnecessaire
Date: 1883 – 1883
Materials: canvas, leather, silk, silver
Location: london
Inscriptions: maker's mark: ‘JB’, maker's mark: ‘C.A’, maker's mark: ‘B&C, Sheffield, 1869’, maker's mark: ‘TJ, Londen, 1854’
Portret van Johann Caspar Aescher op 66-jarige leeftijd
Object type: print
Date: 1691 – 1712
Materials: paper
Techniques: engraving, etching
Subjects: hans caspar escher
Inscriptions: collector's mark: Lugt 2228

Portret van Johann Caspar Aescher in een geornamenteerde, ovale omlijsting met randschrift. Midden onder een wapen. In de ondermarge zes regels Latijnse tekst.
Lower part of a royal head
Object type: head, royal, lower part of
Date: 1353 – 1336
Materials: quartzite
Location: middle egypt
Subjects: heads

This lower part of a face represents a member of the Amarna royal family. The wide and full lips and the lack of lines in the face suggest one of the princesses is depicted. The fragment may have come from the Great Aten Temple, like so many others in the collection, but it might also have come from another site such as the Great Palace or the Small Aten Temple, or elsewhere. Statuary in all the temples and palaces at the city of Amarna was hammered into small fragments by Akhenaten's successors.
Brug
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis steffelaar
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1861
Subjects: landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: Lugt 2227
Vierkante zakdoek van batist
Object type: handkerchief
Date: 1850 – 1940
Materials: textile
Techniques: weave
Location: europe
Artist: Anonymous
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of a draped figure to left
Duit van de VOC uit Westfriesland,1767
Object type: coin
Date: 1767 – 1767
Materials: copper
Techniques: striking
Location: enkhuizen

Koperen munt. Voorzijde: gekroond wapenschild van Westfriesland. Keerzijde: monogram van de VOC, waarboven muntmeesterteken en waaronder jaartal. Gladde rand.
Mohonk, 1871 (from Sketchbook)
Object type: drawing
Date: 1870 – 1870
Materials: graphite, paper
Culture: american
Artist: daniel huntington
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1906
Subjects: landscapes

The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. He sketched throughout the course of his life and his extant drawings number over a thousand. This page is from one of Huntington’s sketchbooks that contains forty-one drawings in graphite, some in a panorama format. The sketches are primarily of scenic locations in New York State including, Cornwall, Walton, and Mohonk subjects. Many of the drawings are dated 1871 and most are inscribed with the site represented.
Plate (assiette à palmes) (1 of 102) (part of a service)
Object type: plate
Date: 1775 – 1775
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers
Handle of sistrum
Object type: music, sistrum, hathor emblem, bat
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: musical instruments,heads
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, youth with himation draped over his shoulders and his bent left arm, holding a lyre in his right hand; Obverse, draped youth bending to right, with his arm extended under his himation; filleted youth looking over his right shoulder, wearing a himation, holding a lyre in his left hand, and the plektron in his right; part of the torso and legs of a youth with a himation; handle palmette and tendrils; Reverse, draped youth bending to right; draped youth with his right arm bent, holding a lyre in his hand; draped youth to left, leaning on a knobby stick; handle palmette with elongated central frond, and tendrils
Verbrijzelde jacht van Rietmilder, 1807
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Subjects: leiden
Inscriptions: collector's mark: Lugt 2228

Het verbrijzelde jacht van de heer Pieter Rietmilder dat op het moment van de buskruitramp in Leiden op 12 januari 1807 schuin tegenover het kruitschip in het water aan het Steenschuur lag. Met enkele toeschouwers, op de voorgrond een arbeider met een kruiwagen. Onderaan een vierregelig vers.
Portret van vier vrouwen, in passepartout met gedrukte decor, van het atelier ‘Park Galleries’
Object type: photograph
Date: 1890 – 1910
Materials: metal, paper
Techniques: ferrotyping
Location: sylvan beach
Subjects: historical persons not known by name - bb - woman, new york
Inscriptions: address: ‘TIN TYPES // NEW PROCESS // THREE // PARK GALLERIES // IN ONE .// NEXT DOOR TO LARGE MERRY GO ROUND // Cottages and // Furnished Rooms to Rent. // ADDRESS Park Galleries, // Sylvan Beach, N.Y.’
Hagen Leaves Siegfried's Body to be Carried Home from the Forest
Object type: print
Materials: paper
Techniques: etching
Location: germany
Artist: julius schnorr von carolsfeld
Artist role: artist
Artist nationality: german
Artist dates: 1794 – 1872
Lentoid Bottle ("New Year's Bottle")
Object type: lentoid bottle, new year's bottle
Date: 664 – 332
Materials: faience
Location: egypt

Faience flasks of this type, often inscribed with good wishes and apparently filled with water from the Nile, were given as presents at the New Year. This example is missing its neck.
“Leopard-skin” robe of the priest, Harnedjitef
Object type: robe, harnedj
Date: 1 – 100
Materials: linen, paint
Location: northern upper egypt
A Treatise on the Theory and Practice of Landscape Gardening
Object type: book
Date: 1841 – 1841
Materials: watercolor
Techniques: engraving
Location: boston
Artist: andrew jackson downing
Artist role: author
Artist nationality: american
Artist dates: 1815 – 1852
Subjects: buildings,gardens,boys,dogs,lakes,landscapes,trees
Visitatie
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: mary and elisabeth, both pregnant, embracing

De prent is vervaardigd naar het schilderij van Palma dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer GG_56). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Brief aan A. van der Boom
Object type: letter
Date: 1945 – 1945
Materials: ink, paper
Techniques: pen, writing
Location: blaricum
Artist: jacob samuel witsen elias
Artist role: schrijver
Artist dates: 1898 – 1977
Subjects: publisher, a. van der boom
Inscriptions: collector's mark: Lugt L.2228a
Incense box with tray
Object type: incense box with tray
Date: 1701 – 1800
Materials: gold, lacquer, silver
Culture: japanese
Subjects: birds,dragons,leaves
Cylinder seal and modern impression: bearded deity flanked by kneeling heroes; Horus and monkeys; ibex-demon; sphinx trampling serpents
Object type: cylinder seal
Date: 1900 – 1801
Materials: mineral
Location: syria
Subjects: horus,sphinx,monkeys,demons

Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This seal shows a complex scene. A two-faced nude bearded and belted deity with streams flowing from his shoulders is flanked by two kneeling nude belted male figures holding lotus flowers and spears. Above this scene a Horus falcon with outspread wings, surmounted by a crescent with disc, is flanked by two squatting monkeys and stars. A smaller nude figure with a caprid head holding a mace strides behind a kneeling figure. Above him, a sphinx strides on two snakes.
Portret van Johannes Neudörffer
Object type: print
Date: 1643 – 1680
Materials: paper
Techniques: engraving
Artist: johann friedrich leonard
Artist role: print maker
Artist dates: 1633 – 1680
Subjects: neurenberg, johannes neudörffer
Inscriptions: collector's mark: Lugt 1337, collector's mark: Lugt 2228

Portret van Johannes Neudörffer, arts te Neurenberg.
Door knocker
Object type: door knocker
Date: 1534 – 1566
Materials: bronze
Techniques: painting
Subjects: eagles,faces,men
Portrait of Jacob Mossel, Governor-General of the Dutch East India Company
Object type: painting
Date: 1750 – 1799
Materials: copper, oil
Location: netherlands
Artist: Anonymous
Subjects: enkhuizen, dutch east indies, the
Inscriptions: inscription: ‘Jacob Mossel Generaal over d'Infanterye van den Staat en Gouverneur Generaal van Nederlands India’

Portret van Jacob Mossel (1704-61). Gouverneur-generaal (1750-61). Heupstuk, staande in wapenrusting naar links. Commandostaf in de rechterhand, de linkerhand in de zij. Op de achtergrond een schip op zee. Onderdeel van een reeks van kopieën naar portretten van de gouverneurs-generaal van het voormalige Nederlands Oost-Indië, waarschijnlijk afkomstig van de Verenigde Oostindische Compagnie.
Bad Salzuflen. Leopold Sprudel
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: bad salzuflen
Subjects: well, watering-place, spa
Portaal van de Kathedraal van Sevilla
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: sevilla
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: parts of church exterior and annexes: portal
Inscriptions: number: ‘2470.’
Portret van Atar Singh Sandhanvalia
Object type: indian miniature
Date: 1860 – 1860
Materials: paper
Techniques: brush
Location: punjab
Artist: Anonymous

Fragment van een portret (onderkant afgescheurd). Portret van een man in een witte tulband en een witte sjaal, in een ovaal met zwarte rand. Boven tekst in het Gurmukhi schrift: aa.tar si.mgh sedaa haaliiaa, onderaan in het Nashtaliq: a..tar singh s -- aa haaliyaa (i.e. Atar Singh Sandhanvalia).
Flowers and Grasses of Autumn
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Artist: yamamoto baiitsu 山本梅逸
Artist role: artist
Artist nationality: japanese
Artist dates: 1783 – 1856
Subjects: flowers
Pocket Bottle
Object type: pocket bottle
Date: 1821 – 1840
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Mijwiz (Meijiwiz)
Object type: mijwiz meijiwiz
Date: 1867 – 1900
Materials: bamboo, cord
Culture: syrian
Location: syria
Drinkhoorn van het handboogschuttersgilde van Amsterdam
Object type: drawing
Date: 1801 – 1900
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: insignia of a guild, drinking-horn, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Volledig object en detail van het zilversmeedwerk. Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan de Schutterij.
Untitled
Object type: photograph
Date: 1860 – 1869
Artist: Anonymous
Portret van Raymond Vieussens
Object type: print
Date: 1650 – 1699
Materials: paper
Techniques: engraving
Artist: mathieu boulanger
Artist role: print maker
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Exterieur van de Collegiata di Santa Maria Assunta te Ariccia
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: ariccia
Artist: Anonymous
Subjects: church (exterior), façade (of house or building)
Interior view of the Basilica of S. Maria Maggiore, from Views of Rome
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Portret van Joseph Stalin
Object type: photomechanical print
Date: 1932 – 1932
Materials: paper
Techniques: letterpress printing, rotogravure
Artist: Anonymous
Subjects: historical persons, politician, e.g. party leader

Fotomechanische afdruk uit: The Illustrated London News (1932), 13 februari 1932.
General Reed
Object type: print
Materials: paper
Techniques: etching
Location: united states
Artist: Anonymous
Artist nationality: likely american
Artist dates: 1800 – 1899
Gustaaf Willem, baron van Imhoff, gouverneur-generaal van Nederlands-Indië vertrekt uit Amsterdam
Object type: plaque
Date: 1742 – 1742
Materials: mother of pearl
Techniques: cutting, engraving
Location: amsterdam
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764
Subjects: batavia, dutch east indies, the, amsterdam

Eenzijdige plaquette. Voorzijde: borststuk man binnen omschrift. Keerzijde: blanco.
Bileam en zijn ezel
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: an angel holding a sword bars the way and causes balaam's ass to turn aside; the angel is invisible to balaam
Inscriptions: collector's mark: Lugt 2228

Variant op illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 7.
Man zit aan tafel met een opengeslagen boek en kijkt door een raam naar buiten
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: etching
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: book - mm - book open, table, old man, beard
Inscriptions: collector's mark: Lugt 2228
Erfurt. Hauptpost
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: dresden
Artist: Anonymous
Subjects: square, place, circus, etc., street
Kwiksulfide uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pigment
Date: 1700 – 1743
Materials: mineral, pigment
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
S. Helena
Object type: print
Date: 1623 – 1660
Materials: paper
Techniques: engraving
Subjects: empress helena, mother of constantine the great; possible attributes: model of church, (royal) crown, crown of thorns, cross, three nails
Inscriptions: collector's mark: Lugt 2228
William Beckford (1709–1770)
Object type: portrait miniature
Date: 1769 – 1770
Materials: copper, enamel
Artist: robert sayer
Artist role: publisher
Artist nationality: british
Artist dates: 1725 – 1794
Subjects: men,portraits
Mansportret
Object type: drawing
Date: 1774 – 1837
Materials: chalk, paper
Artist: charles howard hodges
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1837
Subjects: anonymous historical person portrayed alone