deem-data/ArtiFact huggingface dataset:
Man in een landschap buiten Zwolle
Object type: poem
Date: 1659 – 1659
Materials: ink, paper, watercolor
Techniques: brush, calligraphy
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Man in een landschap buiten Zwolle naast liefdesklacht over de wrede nimf Amoril op de wijs van Laduschesse.
Dorpsgezicht
Object type: drawing
Date: 1802 – 1841
Materials: chalk, paper
Techniques: brush
Artist: jan andries töpfer
Artist role: draughtsman, print maker
Artist dates: 1792 – 1841
Subjects: village
Portret van Cornelis Hendricus Willebrordus Zwinkels op bidprent
Object type: prayer card
Date: 1961 – 1961
Materials: paper
Techniques: gelatin silver print, letterpress printing
Location: naaldwijk
Artist: Anonymous
Subjects: historical persons, old man
Inscriptions: inscription: ‘Laten wij bidden voor (...) een met elkaar en laten wij allen voor/ elkaar bidden.’
Kaart van Den Helder en een deel van Texel met het tussenliggende Marsdiep
Object type: drawing
Materials: ink, paper, watercolor
Techniques: brush, pen
Subjects: maps of separate countries or regions, den helder
Inscriptions: collector's mark: Lugt 195

Onderaan de titel met daarboven een schaalstok: Scala van 500 Rijnlantse roeden. Oriëntatie: het noorden links.
Winged Putto Holding the Base of a Cross
Object type: drawing
Date: 1477 – 1510
Materials: chalk, paper
Techniques: heightening
Artist: titian
Artist role: artist
Artist nationality: italian
Artist dates: 1485 – 1576
Subjects: putti
De vier seizoenen A
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: summer, 'aestas'; 'estate' (ripa), summer landscape; landscape symbolizing summer (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months)
Inscriptions: collector's mark: Lugt 240

Etende en converserende figuren en een vrouw met een zeis bij een huis. Links een man met een vel papier in de hand bij toehoorders op een verhoging. Verbeelding van het jaargetijde zomer, tweede prent van een serie van vier.
Denarius (Coin) Depicting a Galley
Object type: coin
Date: 32 – 31
Materials: metal, silver
Culture: roman
Location: roman empire
Inscriptions: Obverse: ANT AVG – III VIR R P C 
(Antonius augur triumvir rei publicae constituendae)
Reverse: LEG V

The front (obverse) of this coin depicts a type of Praetorian ship, called a galley, with rowers. On the back (reverse), an eagle flies between two staffs. The Roman number "V" (five) refers to one of the twenty-three legions that served under Mark Antony. Coins such as this denarius were used to pay his fleet.
Schotel, beschilderd met pluimvee in een landschap
Object type: platter
Date: 1782 – 1784
Materials: porcelain
Location: loosdrecht

Schotel van porselein. Veelkleurig beschilderd met vogels op een landschapsgrondje, en strooibloemen.
Gezicht op de Notre Dame in Parijs
Object type: album leaf
Date: 1887 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Subjects: church (exterior)
Inscriptions: number: ‘223.’

Tussen 1887 en ca. 1900 werkten Neurdein frères onder andere onder de naam 'X phot.'.
Cuneiform tablet: Late Babylonian grammatical text
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Location: mesopotamia

The invention of writing in approximately 3300 B.C. was one of many developments in administrative technology--including the use of geometric tokens for counting and cylinder seals to guarantee transactions--that accompanied the growth of the first cities and states in southern Mesopotamia. Proto-cuneiform is the name given to the earliest form of writing--pictograms that were drawn on clay tablets. Gradually, the pictograms became abstracted into cuneiform (Latin, "wedge-shaped") signs that were impressed rather than drawn. At its greatest extent, cuneiform writing was used from the Mediterranean coast of Syria to western Iran and from Hittite Anatolia to southern Mesopotamia. It was adapted to write at least fifteen different languages. The last dated cuneiform text has a date corresponding to A.D. 75, although the script probably continued in use over the next two centuries. This Late Babylonian period clay tablet demonstrates the ongoing efforts to master the ancient writing and languages of Mesopotamia. The text contains Sumerian entries in the left column and Akkadian translations in the right. The contents of the forty-seven lines are somewhat heterogeneous, including imperative clauses, particles such as "no", and numbers. At the time that this text was written, the Sumerian language was already long-dead and the Akkadian language, once widely spoken across the ancient Near East, was increasingly replaced by Aramaic. The end of the tablet names the scribe who produced the text.
Achtkantig kristallen horloge met op de achterzijde een email versiering van vogels en guirlandes
Object type: chatelaine
Date: 1800 – 1800
Materials: copper, crystal
Location: vienna
Artist: karl komenda

Achtkantig kristallen horloge met koperen chatelaine. Op de achterzijde (van het horloge ?) een email versiering van vogels en guirlandes.
Figuurstudies
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa)

Pagina 36 uit schetsboek XLVIII met 62 pagina's.
Portret van Pierre Belon
Object type: book illustration
Date: 1818 – 1832
Materials: paper
Techniques: engraving, roulette
Location: paris
Subjects: physicist, scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Journal complémentaire du Dictionnaire des sciences médicales. Parijs: Panckoucke, Charles Louis Fleury, 1818-1832.
Set of three double swags
Object type: swag
Date: 1701 – 1800
Materials: gilt bronze
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Exterior, start of handle root; lower drapery with rosettes and part of the calf of a male to left
De twaalf maanden van het jaar
Object type: drawing
Date: 1600 – 1699
Materials: paper
Techniques: brush
Artist: Anonymous
Subjects: october and its 'labours'
Terracotta fragment of a lekanis lid (covered dish)
Object type: lekanis lid fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Fragment of the lid of a lekanis, with a band of rays, framed by lines of red glaze
Portret van een vrouw, vermoedelijk gravin Maria van Hohenzollern-Sigmaringen van Vlaanderen
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: brussels, print maker, maria van hohenzollern-sigmaringen (gravin van vlaanderen), historical persons - bb - woman
Gedecoreerde wand met de namen van hemellichamen
Object type: book illustration
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, allegorical representation of the heavens (celestial bodies), wall-covering

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, recto fol. 32.
Lied ter gelegenheid van de tiende verjaardag van Wilhelmina, later koningin der Nederlanden
Object type: print
Date: 1890 – 1892
Materials: paper
Techniques: tone lithography
Location: amsterdam
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, historical persons - bb - woman, elementary school; class, form
Inscriptions: collector's mark: Lugt 1641, stamp

Lied ter gelegenheid van de tiende verjaardag van Wilhelmina, later koningin der Nederlanden. Gezongen voor de Prinses Wilhelmina Bewaarschool. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Openbare feesten. Vorstelijke intochten, (Illuminaties, vuurwerken en dergelijke, openbare feesten).
Ex libris van het stoomschip Prinses Juliana
Object type: bookplate
Date: 1910 – 1910
Materials: paper
Techniques: printing block
Location: netherlands
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: crown (symbol of sovereignty), beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2233
Charlie Chaplin-Pola Negri
Object type: photograph
Date: 1900 – 1950
Materials: photographic support
Techniques: gelatin silver print
Location: berlin
Subjects: acteur, charlie chaplin
Portret van Benjamin West
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: stippling
Location: berlin
Artist: johann friedrich bolt
Artist role: print maker
Artist dates: 1769 – 1836
Subjects: draughtsman, benjamin west, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Everzwijn: Shitaya
Object type: surimono
Date: 1827 – 1827
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Inscriptions: collector's mark, verso, stamped: Lugt 2228, collector's mark, passe-partout, bottom left, printed: JABdH with a rooster.

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Scott (of Peel)
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Vaas met bloemen
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: letterpress printing
Location: haarlem
Subjects: flowers in a vase
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Giraffi, Alexander. Wonderlijcken Op, ende Ondergang, van Tomaso Aniello, Met de beroerten tot Neapolis. Haarlem: Casteleyn, Vincent 1652.
Studieblad met honden en vleugels
Object type: drawing
Date: 1884 – 1952
Materials: pencil, paper
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: dog
Entombment
Object type: print
Date: 1530 – 1530
Techniques: etching
Artist: parmigianino (girolamo francesco maria mazzola)
Artist role: artist
Artist nationality: italian
Artist dates: 1503 – 1540
Subjects: christ,virgin mary,entombment
Grootbladige verdure met vogels en slakken
Object type: verdure
Date: 1550 – 1575
Materials: silk, wool
Techniques: tapestry
Location: southern netherlands
Artist: Anonymous

Wandtapijt. Grootbladerige verdure met vogels en slakken. Wol en enige zijde. Zuidelijke Nederlanden, ca. 1550-1575.
César Malan
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Amsterdam - Agnietenpoortje
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1912
Materials: cardboard
Techniques: collotype process
Location: amsterdam
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), gate, entrance
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: painter of louvre g 265
Artist role: artist
Portret van H. Leonard Vechel
Object type: print
Date: 1617 – 1618
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: den bosch, brielle, martyrs of gorkum
Inscriptions: collector's mark: Lugt 2228

Portret van de heilige Leonard Vechel, een van de negentien katholieke martelaren van Gorinchem.
Portret van Pieter Corneliszoon Hooft
Object type: print
Date: 1840 – 1843
Materials: paper
Techniques: lithograph
Location: the hague
Artist: f. van goor
Artist role: print maker
Subjects: amsterdam, mayor, cornelis pietersz. hooft, pendant, trinket, 'breloque', historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een witte kanten kraag, witte handschoenen en een ketting met een hanger.
Drag #120
Object type: drawing
Date: 1850 – 1870
Materials: graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Vier vlakken met esdoorntakken, meidoorntakken, hazelaartakken en een hagedis
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: photograph
Location: vienna
Artist: Anonymous
Subjects: lizards, trees: acer (branch, stick), shrubs: hazel
Inscriptions: number: ‘113.’
"Kai Khusrau Crosses the Sea", Folio from a Shahnama (Book of Kings) of Firdausi
Object type: folio from an illustrated manuscript
Date: 1610 – 1610
Materials: gold, ink, paper, watercolor
Location: india
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: men,fish,ships
Bowl with Cross Decoration
Object type: bowl
Date: 1801 – 1900
Materials: stoneware
Techniques: inlay
Culture: japanese
Gezicht op de Grimburgwal
Object type: cabinet photograph
Date: 1860 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: city-view in general; 'veduta', canal, façade (of house or building)
Inscriptions: collector's mark: ‘8’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Galerij Paleis voor Volksvlijt, Gebed zonder end, Geldersche Kade, Gravenstraat, Grimburgwal, Grimnessesluis, Groeneburgwal.
L'École d'Anvers. Portraits biographies cartes de visite. Collection Dupont
Object type: carte de visite
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: antwerp, marienbad, painter, jan swerts, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: inscription: ‘ETABLISSEMENT PHOTOGRAPHIQUE/ de/ J. DUPONT/ Place de Meir 32/ ANVERS/ Maison fondée en 1853’
Landscape with Mercury
Object type: print
Date: 1668 – 1668
Techniques: etching
Artist: claude lorrain (claude gellée)
Artist role: artist
Artist nationality: french
Artist dates: 1604 – 1682
Subjects: ruins,mercury,landscapes,ships
Zicht op het eiland Marken
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: etching, intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: village
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De Wittewerf op het eiland Marken. Op de achtergrond de Havenbuurt.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, back of head, upper torso and left shoulder of male
Hilt of a Gauntlet Sword
Object type: hilt of a gauntlet sword
Date: 1801 – 1900
Materials: steel
Culture: indian, south indian
Location: south india
Portret van twee vrouwen
Object type: photograph
Date: 1870 – 1882
Materials: cardboard, iron
Techniques: ferrotyping
Artist: Anonymous
Subjects: adult woman, historical persons, beach
Inscriptions: annotation: ‘Mother & auntie gone gay/ 1129’
Untitled (Two Men Wearing Top Hats, Leaning on a White Picket Fence)
Object type: photograph
Date: 1853 – 1853
Techniques: daguerreotype, photography
Location: united states
Artist: william j. shew
Artist nationality: american
Artist dates: 1820 – 1903
Subjects: lundberg collection, gold mining, gold rush, people
Plate (Assiette à palmes) (1 of 102) (part of a service)
Object type: plate
Date: 1780 – 1780
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: fruit,flowers
John Singer Sargent
Object type: medal
Date: 1880 – 1880
Materials: bronze
Culture: american
Artist: augustus saint-gaudens
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1907
Subjects: men,profiles

Saint-Gaudens’s and Sargent’s remarkable careers developed along parallel tracks. Both prodigiously gifted, they met in Paris in 1877 or 1878 while Saint-Gaudens was at work on his Farragut Monument and Sargent (1856-1925) was studying in the independent atelier of Carolus-Duran and enjoying early success exhibiting his society portraits and genre scenes in the Paris Salons. Sculptor and painter traveled in the same international cosmopolitan circles, sharing not only friends but also patrons. Saint-Gaudens advised Sargent on sculptural elements for his great mural cycle for the Boston Public Library (1890-1916), and he moved to London in 1886 Sargent reciprocated by introducing Saint-Gaudens to his British colleagues and prospective clients. This medal, Saint-Gaudens’s first, is the smallest of the friendship portraits completed during his Paris tenure. The likeness of his friend is both matter-of-fact and piercing. The inscription on the grainy-textured field, BRVTTO RITRATTO, defies exact interpretation. Literally it means "crude portrait," which might imply that the sculptor was apologizing for the hasty execution, but "brutto" may also refer to Sargent’s forceful and vigorous person, captured on an ironic miniature scale, or it may be an allusion to ancient Roman coins, with their irregular surfaces and profile portrait busts. The medal was given to the Metropolitan by the wife of Edward Robinson, director of the Museum from 1910 to 1931. The Robinsons were close friends of Sargent’s, and they helped the Metropolitan acquire a number of his oils and works on paper, often directly from him.
Straatgezicht
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching
Location: netherlands
Artist: eberhard cornelis rahms
Artist role: print maker, publisher
Artist dates: 1823 – 1907
Subjects: sailing-ship, sailing-boat, horse, street
Inscriptions: collector's mark: Lugt 2228

Stadsgezicht met op de voorgrond enkele figuren op straat en rechts een vrouw in gesprek met een man, die twee paarden aan de leidsels heeft. Links een vaart met een zeilschip en een bootje waar een man in staat, die in gesprek is met een andere man aan wal. Op de achtergrond een ophaalbrug.
Fräulein Klug, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Bowl
Object type: bowl
Date: 1500 – 1500
Materials: gilt, glass
Techniques: glassblowing
Culture: italian
Studieblad met figuren op een strand en rivierlandschappen
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: rowing-boat, canoe, etc., landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage), beach (+ landscape with figures, staffage)

Onder andere twee studies van figuren in roeiboten op het water met op de achtergrond een molen. Blad 58 recto uit een schetsboek met 58 bladen.
Gezicht op de Schinkel met een zeilschip en een visser
Object type: drawing
Date: 1762 – 1762
Materials: ink, paper
Techniques: brush, pen
Artist: gerard van rossum (1698/99-1772)
Artist role: draughtsman
Artist dates: 1698 – 1772
Subjects: river, fresh-water fishery
Inscriptions: inscription: ‘GV.Rossum. 1762 / fecit / Aan den Schinkel’
Fragment
Object type: textile
Date: 1600 – 1600
Materials: textile, silk, velvet
Techniques: cutting, satin weave, voiding, weave
Location: italy
Tien portretten van militairen in de Napoleontische tijd
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: lithograph
Location: meissen
Artist: Anonymous
Subjects: politician, pizzo, paris, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie met portretten. Over deze serie is verder niets bekend. Het betreft voornamelijk portretten van Franse militairen, politici en edellieden die veelal betrokken waren bij de Franse Revolutie en de Napoleontische oorlogen.
Drie portretten van vrouwen met bloemen
Object type: album leaf
Date: 1900 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print, hand coloring
Artist: Anonymous
Subjects: flowers, historical persons - bb - woman

Deze foto's maken deel uit van een album.
Portret van Joseph Zongo Ondedei
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: engraving
Location: paris
Artist: michel lasne
Artist role: print maker
Artist dates: 1590 – 1667
Subjects: archbishop, bishop, etc. (roman catholic), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
A View near Folkstone with Fishermen Selling a Cargo
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,boats
La Bancque du Prest, ou Lombart / De Banck van Leeningh
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: pawnbroker, lombard, bank, street (+ city(-scape) with figures, staffage)

Prent verschenen in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.
Perforated Cylinder
Object type: religious ritual object
Materials: jade
Location: china
Cylinder seal
Object type: cylinder seal
Date: 2000 – 1668
Materials: mineral
Location: syria