deem-data/ArtiFact huggingface dataset:
Birth and Christening of Frederick, Duke of Württemberg, Stuttgart, March 17, 1616
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: matthäus merian the elder
Artist role: artist
Artist nationality: swiss
Artist dates: 1593 – 1650
Subjects: gardens,fireworks
Study of a Woman in Bust-Length Three-Quarter View (recto); Summary Sketch of the Same (verso).
Object type: drawing
Date: 1701 – 1800
Materials: chalk, paper
Artist: anonymous, italian, north italy, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: portraits,women
Very pretty indeed
Object type: stereograph
Date: 1856 – 1861
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: london
Artist: james elliott
Artist role: publisher
Artist dates: 1832 – 1900
Subjects: easel
Inscriptions: inscription: ‘dn Fr 80 [onz]’, inscription: ‘Entered at Stationers' Hall.’
Rossi. Guillaume. 20 ans, né le 8/3/71 à Biel (Italie). Serrurier. Vagabondage. 15/1/95.
Object type: mugshot
Date: 1895 – 1895
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Pitcher
Object type: decorative art
Date: 1820 – 1860
Materials: wood
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Meisjeskopje, driekwart naar rechts
Object type: drawing
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: anonymous historical person portrayed alone
Christus als Salvator Mundi
Object type: print
Date: 1586 – 1633
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet
Inscriptions: collector's mark: Lugt 2228

Christus zittend aan een tafel. Met zijn rechterhand maakt hij een spreekgebaar, zijn linkerhand rust op een wereldbol. Onder de voorstelling een Latijns bijbelvers uit Psalm 44. Deze prent vormt een pendant met een prent van Cornelis Galle van de maagd Maria.
Panel (Furnishing Fabric)
Object type: textile
Materials: velvet
Techniques: cutting
Location: china
Gezelschap op een strand voor een rotswand, vermoedelijk bij Etretat
Object type: photograph
Date: 1808 – 1883
Materials: photographic support
Techniques: albumen print
Location: etretat
Artist: Anonymous
Subjects: beach (as place of recreation), coastal cliff or crag

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
A great cry and little wool or The right of search, versus the right of visit!
Object type: cartoon
Date: 1845 – 1845
Materials: paper
Techniques: tone lithography
Location: london
Subjects: match, firearms: cannon, political caricatures and satires

Spotprent uit 1845 met Lord Palmerston die met een enorme lucifer de lont van een zeer klein kanon aansteekt. Uitgegeven als nr. 841 in de serie HB Sketches.
Twee schepen op zee
Object type: print
Date: 1874 – 1909
Materials: paper
Techniques: drypoint, etching, hand coloring, intaglio
Artist: omer coppens
Artist role: print maker
Artist dates: 1864 – 1926
Subjects: sailing-ship, sailing-boat, steamship, motorship
Inscriptions: collector's mark: Lugt 2228, inscription: ‘2eme Etat’
Terracotta fragment of a dinos
Object type: dinos fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Part of the fragment of a dinos with band of black glaze alternating with bands of reserve
Paleis Noordeinde met het ruiterstandbeeld van Willem van Oranje
Object type: sketchbook leaf
Date: 1845 – 1891
Materials: paper, pencil
Location: the hague
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: monument, statue, hôtel, i.e. small palace in city

Blad 2 verso uit een schetsboek met 46 bladen.
Terracotta conical-hemispherical spindle-whorl with rounded base
Object type: spindle whorl
Date: 2000 – 1725
Materials: terracotta
Culture: cypriot
Prentbriefkaart aan Willem Bogtman
Object type: ansichtkaart, prentbriefkaart
Date: 1925 – 1925
Materials: ink, paper
Techniques: pen, writing
Location: zundert
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: haarlem, willem bogtman, education, tuition of the artist (in general), paris, amsterdam
The parable of the rich man (Dives) and Lazarus
Object type: print
Date: 1700 – 1800
Techniques: engraving
Artist: Anonymous
Artist role: artist
Entree van de Pazzi kapel te Florence
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: florence
Subjects: santa croce
Inscriptions: : ‘FRATELLI ALINARI / FIRENZE’, : ‘8512’
2 of Nooses, from The Cloisters Playing Cards
Object type: playing card
Date: 1475 – 1480
Materials: glaze, gold, ink, paint, paper, silver
Techniques: pen
Culture: south netherlandish
Subjects: playing cards,games

The Cloisters set of fifty-two cards constitutes the only known complete deck of illuminated ordinary playing cards (as opposed to tarot cards) from the fifteenth century. There are four suits, each consisting of a king, queen, knave, and ten pip cards. The suit symbols, based on equipment associated with the hunt, are hunting horns, dog collars, hound tethers, and game nooses. The value of the pip cards is indicated by appropriate repetitions of the suit symbol. The figures, which appear to be based on Franco-Flemish models, were drawn in a bold, free, and engaging, if somewhat unrefined, hand. Their exaggerated and sometimes anachronistic costumes suggest a lampoon of extravagant Burgundian court fashions. Although some period card games are named, it is not known how they were played. Almost all card games did, however, involve some form of gambling. The condition of the set indicates that the cards were hardly used, if at all. It is possible that they were conceived as a collector’s curiosity rather than a deck for play.
Hand-and-a-Half Sword
Object type: arm
Date: 1520 – 1520
Materials: cord, iron, steel, wood
Location: germany
Isabel Wachenheimer met haar neven Klaus en Werner Zürndorfer, in de tuin van de familie Wachenheimer in Stuttgart, 1935
Object type: photograph
Date: 1935 – 1935
Materials: photographic support
Techniques: gelatin silver print
Location: stuttgart
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Op de Afbeelding van Hk. Hooft Danielsz. / Gedachten by het doen der eed
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: amsterdam, mayor, hendrik danielsz. hooft, medal (considered as a piece of sculpture, regardless of its specific function), patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Beide zijden van een penning met opschriften ter ere van de Amsterdamse burgemeester Hendrik Danielsz. Hooft, met een verwijzing naar een publicatie van 28 november 1787.
Les abus du mariage, / misbruyck des houlycx
Object type: titelprent, frontispice
Date: 1641 – 1641
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: (story of) cupid, amor (eros), cheat, deceit; 'fraude', 'inganno' (ripa), adultery

Allegorische titelprent. De personificaties van de gekochte liefde (met geldkist) en bedrog (met masker) staan links en rechts van een voetstuk waarop Amor zit op een stierenhoorn. Over het voetstuk hangen druivenranken. Op de voorkant symbolen die verwijzen naar overspel: volle geldbuidels, drank, geschenken zoals een ring en een kanten kraag (verwijzend naar het vrouwelijk geslacht). De prent maakt deel uit van een album.
Alcmaer
Object type: area plan
Date: 1603 – 1603
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Plattegrond in vogelvluchtperspectief. Linksboven het wapen van Holland, in het midden een cartouche met de titel, rechtsboven het wapen van Alkmaar. Linksonder een cartouche met een lofdicht in het Nederlands. Rechtsonder een cartouche met een lofdicht in het Latijn. Rechtsonder in de marge genummerd: 50.
Cerveliere (Cap Worn Under Mail)
Object type: cerveliere
Date: 1401 – 1500
Materials: fiber
Culture: german
Location: germany
Gezichten op het oude Frankrijk
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: owls, rock-formations, other kinds of grave-markers, e.g. cross, dog, france
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Deze prent behoort tot de serie 'Voyages pittoresques et romantiques dans l'ancienne France'. De serie is uitgevoerd onder leiding van Isidore Justin Séverin baron Taylor en bevat begeleidende teksten van Charles Nodier en Alphonse de Cailleux. Voor het project zijn vele kunstenaars naar delen van Frankrijk afgereisd. De reeks is tussen 1821 en 1878 in ca. 21 delen gepubliceerd.
This Good Day
Object type: hanging scroll
Materials: ink, paper
Techniques: calligraphy
Artist: nakagawa sōen
Artist role: painter
Artist dates: 1907 – 1984
Inscriptions: inscription

The anatomy of this bicycle is not quite right, but that is not the point. The painting captures the essence of a bicycle. The accompanying inscription reads ‘this good day’. It is taken from a Zen proverb, which invites us to live in the moment and make the most of each day.
Man met een mand en een wandelstok op een markt in Algiers, Algerije
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Artist: jules gervais-courtellemont
Artist role: fotograaf
Artist dates: 1863 – 1931
Subjects: adult man, container made of plant material other than wood: basket, market
Chargford, Holy S. Mill
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Subjects: watermills,landscapes
Portret van Dagobert III, koning der Franken
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Subjects: scrollwork, strapwork ~ ornament, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228, number: ‘158’

Prent afkomstig uit de publicatie: Michael Eizinger. Könige in Frankreich. Keulen: Johann Bussemacher, 1598, p. 36. De publicatie bevat prenten van Jost Amman en Virgil Solis.
La Terreur de Grennelle
Object type: print
Date: 1894 – 1894
Techniques: printmaking, printing, lithograph
Subjects: brothel, whore, prostitute, male sex; man
Inscriptions: stamp: Lugt 1338, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Lithografie gebruikt voor omslag van muziekblad La terreur de Grenelle, G. Ondet (uitgever), Parijs 1894.
Women Carrying Pots for the Tsukuma Festival
Object type: hanging scroll
Materials: ink, silk
Techniques: painting, woodblock print
Culture: japanese
Artist: katsushika hokusai 葛飾北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849

At first glance, this work showing two elegantly dressed women appears to be a deluxe painting on silk by the renowned artist Katsushika Hokusai, but microscopic inspection and scientific analysis of the pigment reveals that it is rather a sophisticated facsimile created partly by woodblock printing and partly by painting by hand. Some of the pigments used to color the kimono were not invented until over two decades after Hokusai died in 1849, so it would have been impossible for the master to have supervised the production of these works, even though obviously the technology for creating meticulous outlines (that replicate brush-drawn lines) already existed in the Edo period. A handful of other Hokusai paintings are known to have been reproduced using the same reproductive technology. This facsimile was based on an original meticulously colored painting on silk that represents the epitome of Hokusai’s bijinga (“paintings of beautiful women”), dating to around 1806 or 1807, when he was moving away from the depiction of svelte and delicate feminine beauty of his Sōri period (when he styled himself “Hokusai Sōri”) to a more sensuous portrayal of women. Two women here, one with two iron cooking pots on her head, the other carrying one in her left hand, are no doubt on their way to participate in the Tsukuma Festival (Tsukuma matsuri 筑摩祭) held in the early summer at the Shinto shrine of that name in Maihara near Lake Biwa, to the northeast of Kyoto. It is also referred to the Cooking Pot Festival (Nabe Matsuri) by locals. According to custom, the number of pots a women places on her head is supposed to correspond to the number of men she has had relationships with (though popular literature and humorous senryū poetry of Hokusai’s day openly spoofed the idea that pots would fall off the heads of women who lied about the number of men they had been involved with). There is also a two-panel screen treating the same theme by Hokusai dating to around 1799 to 1801 in the Freer Gallery Collection (F1904.177).
Bedelaar lopend op krukken
Object type: print
Date: 1635 – 1669
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: beggar
Inscriptions: collector's mark: Lugt 2233

Een jongeman loopt voorovergebogen steunend op twee krukken.
Bovenaanzichten van twee tafels
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: holborn
Subjects: table

Genummerd: Pl. 63. Prent maakt deel uit van een boek.
Camel
Object type: sculpture
Materials: earthenware, glaze, lead
Location: china
Luciferhouder met op de voorzijde een portret van een onbekende vrouw, op de achterzijde het portret van een man
Object type: photograph
Date: 1900 – 1930
Materials: paper, metal
Techniques: gelatin silver print
Artist: Anonymous
Subjects: anonymous historical person portrayed, anonymous historical person portrayed - bb - woman
Portret van Cornelis de Gijselaar
Object type: print
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: abraham jacobsz. hulk
Artist role: print maker
Artist dates: 1751 – 1817
Subjects: gorinchem, pensionaris, cornelis de gijselaar
Inscriptions: collector's mark: Lugt 2228

De plaat van deze prent werd door Jacobus Wijsman aangepast en hergebruikt in zijn eigen serie patriottenportretten.
Shawangunk Mt., Catskills, 1871 (from Sketchbook)
Object type: drawing
Date: 1870 – 1870
Materials: graphite, paper
Culture: american
Artist: daniel huntington
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1906
Subjects: mountains
Figuren bij een godenbeeld in een nis
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, altar ~ hinduism, buddhism, jainism, statues, paintings, etc. ~ objects of worship (hinduism, buddhism, jainism)
Inscriptions: kleurnotitie, handgeschreven

Mogelijk een altaar in of bij een tempel. Pagina 144 uit een schetsboek met 74 bladen.
Tripod incense burner with lid
Object type: incense burner
Date: 1401 – 1433
Materials: enamel
Techniques: enamel
Culture: chinese

This incense burner features two types of enameling: cloisonné on the body and champlevé on the handles. The latter method requires artists to carve enclosures into the metal body that were then filled with enamel color paste, instead of using copper wires to create compartments for the enamel, as in cloisonné. The visual appeal of enamel’s vivid colors inspired a new polychrome palette across Ming art.
Candelabrum
Object type: candelabrum
Date: 1830 – 1830
Materials: copper, silver
Location: england
Two oval plates with figures and cattle in a river landscape
Object type: plate
Date: 1778 – 1782
Materials: porcelain
Techniques: painted
Location: loosdrecht
Artist: joseph balthasar zwinger
Artist dates:  – 1795

Manufactuur Oud-Loosdrecht
painted decoration: attributed to Joseph Balthasar Zwinger (?–1795)
after a print by Abraham Rademaker (1676–1735)
Loosdrecht, c. 1778–1782
hard-paste porcelain
Covered Jar
Object type: covered jar
Date: 1601 – 1650
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome, underglaze
Culture: chinese
Subjects: human figures
Les Forces de l'Europe, Asie, Afrique et Amerique, ou description des principales villes avec leurs fortifications. Dessignées par les meilleurs ingenieurs, particulierement celles qui sont sous la domination de la France (...) et ornées de plusieurs superbes edifices
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maps of separate countries or regions, france

Kaart van de westkust van Gascogne bij Bayonne. Gemerkt rechtsonder: Z. Onderdeel van het tweede van twee delen van het prentwerk: Les costes de France et d'Espagne (oftewel deel 14 van: Les Forces de l'Europe, Asie, Afrique et Amerique), uitgegeven ca. 1702. Het prentwerk bestaat in totaal uit 43 gemerkte platen van de kust van Frankrijk en Spanje, in het kader van de Spaanse Successieoorlog. Deze platen zijn gekopieerd naar anonieme Franse platen oorspronkelijk uitgegeven door Nicolas de Fer te Parijs. Titel en opschriften in de plaat in het Frans.
The confessor's chapel and coronation chairs, Westminster
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: new york
Artist: catharine weed barnes ward
Artist role: fotograaf
Artist dates: 1851 – 1913
Subjects: interior of church
Inkstone in the Form of a Qin (Zither)
Object type: inkstone
Date: 960 – 1279
Materials: stone
Culture: chinese
Portret van de prinsessen Beatrix en Irene met op schoot prinses Margriet, achter hen Koningin Wilhelmina
Object type: photograph
Date: 1943 – 1943
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: wilhelmina of the netherlands, beatrix (koningin der nederlanden)
Inscriptions: stamp: ‘Copyright ANEFO Kerkstraat 310 Amsterdam-c’
Keizer Wilhelm in Engeland
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), wilhelm ii (keizer van duitsland), historical persons, ruler, sovereign, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 26 november 1899.
Vier mannen staand bij de mast van een schip
Object type: photograph
Date: 1905 – 1905
Materials: cardboard, paper
Techniques: photography
Location: paramaribo
Artist: Anonymous
Subjects: suriname

Vier mannen staand bij de mast van een schip. Onderdeel van fotoalbum 'Suriname'.
Traphekken en hekwerken
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: welding (industrial process), fence, wall, paling, staircase
Inscriptions: collector's mark: Lugt 2228

Ontwerpen voor smeedijzeren hekwerken en twee smeedijzeren traphekken. In de ondermarge de tekst zu finden in der Akademischen Kunsthandlung in Augsburg.
Molens op een helling, mogelijk te Montmartre
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: etching, intaglio, roulette
Location: paris
Artist: charles emile jacque
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: windmill
Inscriptions: collector's mark: Lugt 2228
Brief aan Andries Bonger
Object type: letter
Date: 1898 – 1898
Materials: ink, paper
Techniques: pen, writing
Location: cairo
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: draughtsman, odilon redon, amsterdam, andries bonger, family life, paris
Table Set for Tea
Object type: photograph
Date: 1841 – 1842
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: cups,tables,teapots,tea
Afternoon jacket
Object type: afternoon jacket
Date: 1905 – 1905
Materials: silk, wool
Culture: french
Artist: lichtenstein millinery company
Artist role: department store