deem-data/ArtiFact huggingface dataset:
In a Railway Carriage (After a Night's Journey)
Object type: drawing and watercolor
Date: 1851 – 1851
Materials: gouache, paper, oil, pastel
Location: germany
Artist: adolph menzel
Artist role: artist
Artist nationality: german
Artist dates: 1815 – 1905

This is a remarkable example of an early work from a pioneering proponent of Realism. Menzel revealed the unglamorous aspect of bourgeois train travel in many compelling details: a man asleep in a contorted position, a wistful woman gazing out at early morning light, the detritus of their journey around them. Menzel began to use opaque watercolor (gouache) in 1850, combining it with pastel (and oil) as seen here.
Fragment of a Relief Ornament
Object type: relief fragment
Date: 1101 – 1200
Materials: terracotta
Culture: central asian
Deel van de optocht, nr. 15
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: ghent, charles v (holy roman emperor and king of spain), cortege, funeral procession, brussels

Vijf deelnemers aan de optocht, paarden en het vaandel met het wapen van Valencia. Onderdeel van de prentreeks van de Begrafenisoptocht van keizer Karel V op 29 december 1558 te Brussel.
Platter
Object type: platter
Date: 1750 – 1770
Materials: faience
Techniques: glazing
Artist: olérys factory
Artist role: manufactory
Artist nationality: french
Artist dates: 1738 – 1838
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Scipio Granting Clemency to the Prisoners
Object type: print
Date: 1501 – 1600
Techniques: engraving, etching
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Subjects: soldiers,prisoners,punishment
John Williams op Samoa
Object type: popular print
Date: 1869 – 1882
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: europe
Subjects: missionary, ships (in general), spreading the gospel; missionary work
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van de missionaris John Williams op Rarotonga. Onder elke afbeelding een onderschrift. Genummerd midden boven: No. 55.
The Dancing Dog
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: netherlands
Artist: cornelis dusart
Artist role: artist
Artist nationality: dutch
Artist dates: 1660 – 1704
Beloningskaart (carte d'honneur) van het pensionaat Sint-Elisabeth te Heythuysen
Object type: print
Date: 1897 – 1901
Materials: cardboard, ink
Techniques: lithograph, pen
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church

Beloningskaart voor het behalen van goede cijfers, uitgereikt aan Annette Molkenboer.
Vessel in the Form of a Seated Hunchback
Object type: vessel
Date: 100 – 250
Materials: ceramic, pigment
Location: colima
Sketch of Trees (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: landscapes,trees

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Ink stand with a relief decoration
Object type: inkstand
Date: 1750 – 1799
Materials: cobalt, glaze, stoneware
Techniques: embroidery, firing, forming, relief, turning, vitrification
Location: westerwald
Artist: Anonymous

Inkstel van steengoed met een pennenbak en twee houders voor de inktpot en de zandstrooier. Gedeeltelijk bedekt met kobaltblauw. Het stel is versierd met een gedrukte en opgelegde reliëfdecoratie. Op elke hoek aan de bovenzijde een gemodelleerde 'klinknagel'. De cilincrische zandstrooier is opengewerkt aan de bovenzijde. De inktpot ontbreekt, alleen de deksel is aanwezig. Westerwald.
Ruwine van Koningsvelt 1573
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: ruin of church, monastery, etc., fisherman
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 119.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Natuurlijke geschiedenis
Object type: print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: water-birds: goose, water-birds: swan, birds, water-birds: duck
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van vogels, zoals een flamingo, een pelikaan en een gans. Boven elke afbeelding een titel, onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 119.
Nandi, the vehicle of Shiva. Dieng Plateau , Wonosobo district , Central Java province , 8th - 9th century
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Subjects: nandi (bull)

Nandi, Shiva's vervoersmiddel naar rechts gedraaid.
Bowl
Object type: bowl
Date: 1710 – 1730
Materials: hard paste porcelain
Subjects: birds,flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
The Actor Ichikawa Danjuro V as a Stone Image of Fudo Myoo in the Play Kitekaeru Nishiki no Wakayaka, Performed at the Nakamura Theater in the Eleventh Month, 1780
Object type: print
Date: 1780 – 1780
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Portret van Johan Michael von Loën
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor de publicatie: Zuverlässige Nachrichten von dem gegenwärtigen Zustande, Veränderung und Wachsthum der Wissenschaften. Leipzig: Johann Friedrich Gleditsch, 1752, dl. 147.
Grafmonument voor paus Sixtus V
Object type: print
Date: 1576 – 1618
Materials: paper
Techniques: etching
Location: rome
Subjects: sixtus v, grave, tomb
Inscriptions: number: ‘56’

Tekst in het Italiaans onder de voorstelling. De prent maakt deel uit van een album.
Strafgevangenis te 's-Hertogenbosch, huismunt ter waarde van tien cent. In de periode 1824-1830 in 's-Hertogenbosch gebruikt, daarna in de periode 1831-1834 in Gouda en Woerden
Object type: tien cent
Date: 1824 – 1834
Materials: metal
Techniques: striking
Location: den bosch
Artist: hendrikus wansink
Artist role: blikslager
Artist dates: 1778 – 1869
Subjects: den bosch

eenzijdige betaalpenning. Voorzijde: waardeaanduiding; rechts onder: vijfbladige rozet. Keerzijde: blanco
Pair of spaniels
Object type: figure
Date: 1830 – 1850
Materials: copper, earthenware
Techniques: glazing
Subjects: dogs
Gesluierde figuur
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: pencil
Location: tunis
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, folk costume, regional costume
Inscriptions: kleurnotitie, handgeschreven: verwijst naar de schets op pagina 43

Pagina 42 uit een schetsboek met 67 bladen.
Boerderijen achter een meer met een roeiboot in het water
Object type: print
Date: 1854 – 1883
Materials: paper
Techniques: etching
Artist: aristide de biseau
Artist role: print maker
Artist dates: 1844 – 1883
Subjects: rowing-boat, canoe, etc., farm or solitary house in landscape
Inscriptions: annotation: ‘unique ex. 1e etat’
Portret van een man, mogelijk Johann Georg Hamann
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: engraving, etching, letterpress printing
Artist: Anonymous
Subjects: scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228
Gerusalemme Liberata (deel 2)
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: warfare; military affairs (+ cavalry, horsemen), militant proselytizing: religious war, crusade, etc., (scenes from) specific works of literature: tasso, gerusalemme liberata, knight
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’, number: ‘20’

Deze prent maakt deel uit van een reeks van twintig prenten (+ opdracht) met voorstellingen van scènes uit Tasso's 'Jeruzalem verlost', een episch gedicht geschreven door de Italiaanse dichter Torquato Tasso en voor het eerst gepubliceerd in 1581. Het verhaal vertelt grotendeels in fictie over de Eerste Kruistocht waarin de christenen, geleid door Godfried van Bouillon, de strijd aangaan met de moslims om het Beleg van Jeruzalem.
Kaart van Friesland, Overijssel en Groningen
Object type: print
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, groningen (province)
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Rechtsboven de wapens van Friesland, Overijssel en Groningen. Daaronder een schaalstok: Milliaria Germanica communia / Ghemene Dutsche mylen.
Huon de Bordeaux en Gérasme in gesprek met de feeënkoning Oberon
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: wild man, wodewose, woodehouse, going to church, armour, sitting or standing on clouds, child (at home)
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor Tressans 'Huon de Bordeaux'. Latere staat gebruikt voor: Almanac de Gotha contenant diverses connaissances curieuses et utiles pour l'année MDCCLXXXIII. Gotha: C. W. Ettinger, 1782.
Bedcover
Object type: textile
Date: 1825 – 1875
Materials: cotton, textile, silk, thread
Techniques: appliqué, treatment, embroidery, weave, stitching
Location: united states
Cream pitcher
Object type: cream pitcher
Date: 1886 – 1890
Materials: glass, onyx
Techniques: glassblowing, molding
Culture: american
Location: united states
Artist: dalzell, gilmore and leighton
Artist role: maker
Artist nationality: american
Artist dates: 1885 – 1898
Subjects: flowers
Flute
Object type: flute
Date: 1860 – 1860
Materials: metal, wood
Location: hannover
Artist: heinrich friedrich meyer
Artist role: musical instrument maker
Artist dates: 1814 – 1897
Inscriptions: stamp: ‘HF Meyer / HANNOVER’

Driedelige dwarsfluit van grenadille met 10 kleppen (zilver?). Ivoren kop met metaal gevoerd en houten stemschuif. Stemming a=468 Hz.
Food Serving Vessel (Gui)
Object type: vessel
Date: 1200 – 1101
Materials: bronze
Culture: chinese
Koker
Object type: needle case
Date: 1700 – 1800
Materials: iron
Techniques: forging
Location: france
Artist: Anonymous

Een gesmeed ijzeren achthoekige naaldenkoker met afschroefbaar deksel door gravure met bladornament versierd.
Naaktstudie van een half naakte vrouw
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: woman (showing herself) undressed, quasi-nude
Inscriptions: monogram: ‘BX’
Ex libris van Pol Leclercq
Object type: bookplate
Date: 1900 – 1952
Materials: paper
Techniques: printing block, engraving
Location: france
Artist: valentin le campion
Artist role: print maker
Artist dates: 1861 – 1952
Subjects: heart symbolism, horn, trumpet, cornet, trombone, tuba, infant, baby, armorial bearing, heraldry
Moses Telling the Israelites to Gather the Manna and Moses Striking the Rock
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: men,women,moses,manna

This print combines two related episodes from the Old Testament Book of Exodus. At left, Moses strikes a rock to reveal the stream of water that God had promised him would quench the Israelites’ thirst during their escape through the desert to the Promised Land. At right, Moses tells the Israelites to gather manna, food provided by God to sustain his people during their flight. The horizontal format that resembles a frieze elegantly unites the two episodes. The inscription at lower right of the print attributes its design to the artist Parmigianino (Girolamo Francesco Maria Mazzola, 1503–1540), but it was actually inspired by a Roman fresco, now lost, painted by Polidoro da Caravaggio (1492–1543).
Figures Carrying a Fainting (or Dead) Woman
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: pen
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: suffering,men,women
Vase
Object type: vase
Date: 1885 – 1895
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: mount washington glass company
Artist role: maker
Artist nationality: american
Artist dates: 1837 – 1958
Subjects: leaves
Fotoreproductie van een portret van William Knabe
Object type: reproduction
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Subjects: historical persons
Nellie Beaumont, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Ovoid sake bottle with a yellow glaze and brown marks
Object type: sakefles
Date: 1750 – 1850
Materials: wood
Techniques: firing, forming, turning, vitrification
Location: japan
Artist: Anonymous
Inscriptions: label: ‘W504’

Geelbruine scherf. Gelige glazuur met vier donkerbruine vlekken.
'Kijk', exemplaar nr. 27
Object type: magazine
Date: 1945 – 1945
Materials: paper
Techniques: printing
Location: london
Subjects: tweede wereldoorlog, bevrijding van nederland (1945)
Inscriptions: title: ‘Kijk’

"Kijk wordt om de veertien dagen uitgegeven door de Amerikaanschen Voorlichingsdienst om eht wereldnieuws te geven in woord en beeld, totdat uw eigen pers deze taak kan overnemen." Omschrijving van het blad Kijk, overgenomen uit dit blad.
Vegetatio orchidearum in regione Montana Javae occidentalis
Object type: print
Date: 1816 – 1875
Materials: paper
Techniques: tone lithography
Subjects: flowers: orchid, waterfall, java
Inscriptions: stamp: ‘'s Rijks Herbarium No 899.108-493’, collector's mark: Lugt 2228
Friese vrouw
Object type: print
Date: 1890 – 1940
Materials: paper
Techniques: chromolithography
Artist: Anonymous
Subjects: clothes, costume (+ women's clothes), folk costume, regional costume
Inscriptions: collector's mark, collector's mark: Lugt 1641

Buste van een Friese vrouw, met kap, binnen een krans van bloemen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht, Zeeland.
Terracotta tumbler
Object type: beaker
Date: 2100 – 1950
Materials: terracotta
Culture: minoan

Drinking cups are the most common shape of pottery from the Middle Minoan I period.
Chandelier
Object type: chandelier
Materials: brass
Culture: german

The chandelier has two series of eight S-shaped branches around a baluster shaft resting on a massive globe and with a finial shaped as a double-headed eagle. It is a coarse cast and overly elaborated model.
Kinderslof van crèmekleurig wafelpiqué, geborduurd met beige zijden bloemetjes en afgezet met gefestonneerde schulpjes
Object type: childrenswear
Date: 1891 – 1892
Materials: cotton, linen, velvet
Techniques: embroidered, weave
Location: dutch east indies
Artist: Anonymous
Inscriptions: inscription: ‘19’

Kinderslof van crèmekleurig wafelpiqué, geborduurd met zijden bloemetjes en afgezet met gefestonneerde schulpjes. Model: plat, uitgesneden voorblad, hoge hiel met twee bandjes die middenvoor sluiten d.m.v. een fluwelen knoopje, gevoerd met roze linnen. Versiering: midden op de neus een geborduurde verticale band met aan weerszijden twee geborduurde bloemetjes. De schulprandjes zijn gefestoneerd met zijde.
Vrouw, staand met de handen achter de rug
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: sailing-ship, sailing-boat, arm or hand bent behind the body

De vrouw heeft een doek, mogelijk een zakdoek in haar handen. Blad 15 verso uit een schetsboek met 42 bladen.
Drug pot (one of a pair)
Object type: drug pot
Date: 1530 – 1530
Techniques: maiolica, glazing
Artist: orazio pompei
Artist role: maker
Artist nationality: italian
Artist dates: 1511 – 1596
Subjects: men,women,dragons

Yellow scales cover the spouts of these pots (see also 41.190.73), culminating in dragons’ heads at the openings; these vessels would have been used to store herbal syrups. The intersection of spout and body is marked by a painted flower, with male and female portraits appearing on either side. Fantastic and chaotic, these pots must have brought joy to the pharmacist’s routine.
Acorn Knave: A Man Astride a Swine
Object type: drawing
Materials: ink
Techniques: pen
Artist: johannes brandenberg
Artist role: artist
Artist nationality: swiss
Artist dates: 1661 – 1729
Subjects: men,pigs,flags
The Supper at Emmaus
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt f. 1654’

n this later version, Rembrandt deviates from tradition by depicting the sharing rather than the breaking of the bread. The two disciples react with surprise. The innkeeper calmly descending the stairs seems unaware of what is transpiring. Unlike previously, here Rembrandt places Christ under a baldachin as though he, as the Redeemer, is already seated on a throne.
Basalt whetstone or polisher
Object type: polishing stone
Date: 3900 – 100
Materials: stone
Culture: cypriot
Salute Dawn
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed on the reserved tab, in graphite, with the butterfly and inscribed “imp”; inscribed verso, lower left, in graphite: “a38685 / a15442 (crossed out)”
Hercules Strangling the Nemean Lion, from the Labors of Hercules
Object type: print
Date: 1528 – 1528
Materials: paper
Techniques: woodcut
Location: france
Artist: gabriel salmon
Artist nationality: french
Artist dates: 1504 – 1542
Ruiter te paard
Object type: carte de visite
Date: 1872 – 1891
Materials: cardboard, paper
Techniques: albumen print
Location: versailles
Artist: cyrien dominique philippon
Artist role: fotograaf
Artist dates: 1840 – 1891
Subjects: riding a horse, ass, or mule; rider, horseman
Inscriptions: inscription: ‘Philippon phot. Versailles’, inscription: ‘Philippon/ 17, Rue Colbert/ Maison du Chemin de Fer Americain/ Versailles/ English Spoken’
Ruit met een vogel op een tak
Object type: light window
Date: 1650 – 1675
Materials: glass, lead, pigment
Techniques: enamel painting
Artist: Anonymous
Subjects: birds

Een gebrandschilderd ruit met de afbeelding van een vogel in grisaille en zilvergeel. Deze ruit vertoont een opvallende gelijkenis met BK-LXXX-J.
Bras de Cheminée à l'Antique
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: sconce, wall lamp, incense-burner ~ scents, perfumes, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een tweearmige wandkandelaar met een putto, de benen in vlechtwerk eindigend, en een rookvat. Prentnummer 313.
Helmet (Hachi)
Object type: helmet hachi
Date: 1501 – 1600
Materials: iron, lacquer
Culture: japanese
Location: japan
Bonnet
Object type: bonnet
Date: 1875 – 1875
Materials: silk, fiber
Culture: american
Spotpenning op J. Hilman bij de verbouwing van de Stadsschouwburg te Amsterdam 1873
Object type: history medal
Date: 1873 – 1873
Materials: tin
Techniques: striking
Location: amsterdam
Artist: van maarsseveen
Artist role: factory
Inscriptions: inscription: ‘Hier staat de Chef der knoeipartij / Die verzen knoeit voor boeken / Wenscht zich een kruisje waarna hij / Wel eeuwig kan gaan zoeken’

Tinnen penning, op de voorzijde een lijntekening van een heer met sigaar in bewondering voor een gebouw, met vier regels tekst, op de keerzijde zes regels tekst.
Portret van Abraham Kuyper
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: the hague, abraham kuyper, historical persons
Medal Commemorating  the Marriage of William III, Prince of Orange and Princess Mary
Object type: medal
Date: 1677 – 1677
Materials: gold, silver
Culture: dutch
Location: netherlands
Subjects: princesses,profiles,women