deem-data/ArtiFact huggingface dataset:
Gevangenneming van Caspar de Robles, 1576
Object type: print
Date: 1851 – 1853
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: antwerp, caspar de robles, prisoner; in fetters

Gevangenneming van Caspar de Robles in Groningen door zijn eigen Spaanse soldaten uit ontevredenheid over achterstallig soldij, december 1576.
Portret van Tobias Gutberleth
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: engraving, letterpress printing
Location: franeker
Subjects: historical persons, professor
Inscriptions: collector's mark: Lugt 2228

Prent uit: Gutberleth, Tobias. Opuscula, I. De saliis martis sacerdotibus apud Romanos (...). Franeker: François Halma, 1704.
Éventail
Object type: photomechanical print
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Artist: robert demachy
Artist role: fotograaf
Artist dates: 1859 – 1936
Subjects: boy (child between toddler and youth), girl (child between toddler and youth)
St. Jean. (Augs. '97)
Object type: photograph
Date: 1808 – 1897
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: workhouse, penal camp, penitentiary, chain gang
Inscriptions: inscription: ‘St. Jean. (Augs. '97) / Telegraafkantoor / De cantine.’

Het telegraafkantoor en de kantine in de Franse strafkolonie te St. Jean (Saint-Jean-du-Maroni) in Guyana, augustus 1897. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Vis-à-vis/Brett #3074
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Barent van Orley
Object type: print
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Artist: cornelis cort
Artist role: print maker
Artist dates: 1533 – 1578
Subjects: brussels, painter, bernard van orley, portrait, self-portrait of painter
Inscriptions: number: ‘5’, collector's mark: Lugt 2228, title: ‘THEODORO HARLEMIO, PICTORI’, caption: ‘Huc et ades/Theodore, tuam quoque Belgica semper/Laude nihil ficta tollet ad astra manum,/Ipsa tuis rerum genitrice expressa figuris/Te natura sibi dum timet arte parem.’, collector's mark: Lugt 2760

Portret van de schilder Barent van Orley, ten halven lijve, naar links gekeerd, een baret met brede rand op het hoofd, handschoenen in de hand. Onder het portret een Latijns vers.
Buste in de colonnade op Place la Carrière te Nancy
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: nancy
Subjects: colonnade, column, pillar ~ architecture, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘Hémicycle de la Place de la Carrière (...)’

Deze prent maakt deel uit van een omslag met 103 prenten op 101 bladen en een titelblad.
Portret van Joanna Emilia Agnes van den Berg (Jeanette)
Object type: carte de visite
Date: 1855 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: eduard françois georges
Artist role: sculptor
Artist dates: 1817 – 1895
Subjects: joanna emilia agnes van den berg
Inscriptions: inscription: ‘J.E.A. Trip- / van den Berg’, name: ‘GEORGES UTRECHT.’, name: ‘Georges. / Statuaire / Photographe / UTRECHT / Vrouw Jutte straat / 344’
Sylvicapra grimmia (Common Duiker)
Object type: drawing
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Subjects: animals
Inscriptions: annotation: ‘"De Ram.../ Caapse Sogenaamde duiker [...]; schaalverdeling rechts met Rijnlands Maat. ...voet en ...duijm’

De Kaapse duiker (Sylvicapra grimmia), ook genaamd kuifduiker: de ram.
Maria Magdalena
Object type: print
Date: 1582 – 1590
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: watermark

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
De gesneuvelde Frederik Willem van Brunswijk, 1815
Object type: print
Date: 1815 – 1816
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: violent death, being killed; being mishandled and maltreated; seeking death (+ death during war)
Inscriptions: collector's mark: Lugt 2228

De gesneuvelde Frederik Willem, hertog van Brunswijk-Lüneburg-Oels, gedood tijdens de slag bij Quatre-Bras op 16 juni 1815. Onderdeel van een groep illustraties van gebeurtenissen rond en tijdens de veldslagen bij Quatre-Bras en Waterloo, 16-18 juni 1815.
Schaatsers en sleeën op het ijs
Object type: print
Date: 1727 – 1793
Materials: paper
Techniques: etching
Location: netherlands
Subjects: skates (winter sports)
Inscriptions: collector's mark: Lugt 240
Scarab Inscribed for the God's Wife Hatshepsut
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: women,scarabs

This scarab was found in a foundation deposit associated with Hatshepsut's funerary temple at Deir el-Bahri. The base is inscribed with her personal name, Hatshepsut ("foremost of noblewomen") linked with the title God's Wife. Hatshepsut inherited the title while she served as principal queen of her half-brother, Thutmose II. Later in her life, after taking on the titles of King, Hatshepsut passed the title to her daughter, Neferure (see scarab 27.3.326).
Fragment
Object type: textile
Materials: gilt, metal, silk
Techniques: brocade, weave
Location: japan
Trommelaar voor een zittende man
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult man (+ sitting), musician, drum (musical instrument)

Blad 29 verso uit schetsboek L met 42 bladen.
Portret van Maria van Hongarije
Object type: print
Date: 1670 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: brussels, maria van hongarije (landvoogdes der nederlanden), historical persons - bb - woman, ornament ~ medallion, regent, substitute ruler; viceroy - bb - female ruler
Portret van een meisje, vermoedelijk een dochter van George II, koning van Engeland
Object type: painting, miniature
Date: 1715 – 1725
Materials: glass, ivory, metal
Location: england
Artist: Anonymous
Subjects: the hague, anna van hannover

Portret van een meisje, vermoedelijk een dochter van George II, koning van Engeland (misschien Anna van Hannover (1709-59), de toekomstige echtgenote van prins Willem IV). Buste, naar rechts. Onderdeel van de collectie portretminiaturen.
Portret van een onbekende staande man
Object type: carte de visite
Date: 1851 – 1864
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: gustav schauer
Artist role: painter, publisher
Artist dates: 1826 – 1902
Subjects: adult man, anonymous historical person portrayed, berlin
Inscriptions: inscription: ‘Gustav Schauer/ Photographische Kunst- und Verlags-Institut/ Berlin/ Grosse Friedrichs-Strasse/ No. 188.’
Fotoreproductie van een pagina met achttien portretten van presidenten van de Verenigde Staten van Amerika en een gezicht op het Witte Huis en het Capitool
Object type: photograph
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Location: boston
Artist: b.p. browne
Artist role: fotograaf
Subjects: president ~ head of republic, façade (of house or building)
The Shadow
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Location: france
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Schrijfvoorbeeld: de Franse letter
Object type: ornament print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: rotterdam
Artist: simon frisius
Artist role: print maker
Artist dates: 1570 – 1628
Subjects: calligraphy

Schrijfvoorbeeld bestaande uit vijf regels letters en tekst in de Franse letter. Daarboven de aanhef: Instructien methodique ... Met krulwerk. De prent maakt deel uit van een album.
Portret van prins Karl von Württemberg
Object type: book illustration
Date: 1849 – 1849
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Vermoedelijk afkomstig uit: Almanach de Gotha, 1849.
Mrs. Francis Brinley and Her Son Francis
Object type: painting
Date: 1729 – 1729
Materials: canvas, oil
Culture: american
Artist: john smibert
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1688 – 1751
Subjects: children,infants,portraits,mothers,women

Born Deborah Lyde, Mrs. Francis Brinley (1698–1761) was the daughter of Edward and Catherine Lyde and the granddaughter of Judge Nathaniel Byfield (see portrait by Smibert, 24.109.87). When she married Francis Brinley in 1718, she was a woman of wealth and social prominence. An entry in Smibert's notebook dated May 1729 identifies the infant as the Brinley's son Francis (1729–1816). Mrs. Brinley holds a sprig of orange blossoms, a gesture which may have been taken from an eighteenth-century print by Sir Peter Lely. The white orange blossom symbolizes both marriage and purity, while the fruit, a sign of fertility, emphasizes Mrs. Brinley's role as a mother. Orange trees, although fashionable in Europe, were expensive rarities in the colonies. The presence of one here reinforces the sitter's wealth. Smibert also painted a portrait of Mrs. Brinley's husband (62.79.1).
Jubilaeumsstiftung der Universitaet zur 350. Jahrfeier 1932
Object type: bookplate
Date: 1932 – 1932
Materials: paper
Techniques: autotype
Location: germany
Artist: Anonymous
Subjects: university, armorial bearing, heraldry
Inscriptions: stamp: ‘Univ. Bibliothek/ Würzburg’
Reclamemateriaal voor potloden van Eberhard Faber
Object type: album leaf
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’, number: ‘40’
Landschap studiën tweede levering
Object type: print
Date: 1844 – 1845
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: pig, trees: willow, neglected dwelling, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

In 1829 en 1830 gaf Koekkoek, samen met Daiwaille, zes cahiers uit met ieder zes prenten getiteld Landschapstudiën. Deze werden gebruikt in het tekenonderwijs. Vijftien jaar later werd deze reeks, in een andere samenstelling nogmaals uitgegeven door Meyer en Comp in Amsterdam. Zie: De Bruyn Kops, 1963.
Pair of Wheellock Rifles Made for Emperor Leopold I (1640–1705)
Object type: pair of wheellock rifle
Date: 1670 – 1680
Materials: silver, steel, wood
Culture: bohemian
Location: czech republic
Artist: caspar neireiter
Artist role: gunsmith
Artist nationality: bohemian
Artist dates: 1667 – 1755
Subjects: horses

Because most rifles fired only one charge and then had to be reloaded, wealthy hunters often ordered matched sets of two or more guns that would allow them a quick second shot. Leopold I (1640–1705) was Holy Roman Emperor, King of Hungary and King of Bohemia. He was a descendant of both the Austrian and Spanish branches of the powerful Habsburg dynasty.
Kaart van het eiland Rozenburg (vierde deel van onder)
Object type: print
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of separate countries or regions, polder, reclaimed land
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Deel (vierde van onder) van een kaart van het eiland Rozenburg, bestaande uit acht delen.
Ships in a Stormy Sea
Object type: drawing
Date: 1634 – 1733
Materials: chalk, ink
Techniques: pen, wash
Artist: ludolf backhuysen
Artist role: artist
Artist nationality: dutch
Artist dates: 1630 – 1708
Subjects: waves,storms,ships

Strong winds pitch several ships on the storm-tossed swells, so characteristic of the North Sea. To the right of the composition, clearer skies are a harbinger of calmer waters. The artist brilliantly captured the shifting light of a tempestuous sky and the coiling waters in gray wash. This seascape has been attributed to Ludolf Backhuysen, and could be recognized as an example of his romantic, mature style. Some stylistic features that are uncharacteristic for Backhuysen’s late work have caused questions to be raised about the drawing’s authorship. It is unusual for the artist, for example, to use an underdrawing in pen and brown ink in his renderings of the sea. The cautious application of washes, most noticeable in the rendering of tumultuous water, are equally uncommon. Backhuysen was one of the leading late-seventeenth-century marine painters in Holland, and his highly finished drawings were sought-after by collectors. It is therefore not remarkable that followers or workshop assistants hoped to benefit from this popularity by producing similar imagery. According to the artist-biographer Arnold Houbraken (1660–1719), Bakhuysen’ earliest endeavors as a draftsman date to 1650. The artist was strongly influenced by the works of father and son Willem van de Velde (1611–1693 and 1633–1707 respectively), the leading painters of seascapes at the time. When the Van de Velde’s immigrated to England around 1672, Bakhuysen became the foremost painter in this genre.
Drie voorstellingen van gebeurtenissen uit de nieuwere geschiedenis
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: asiatic races and peoples: turks, history, africans, ruler, sovereign - bb - female ruler, despair; 'disperatione' (ripa), slavery; serfs and enslaved persons, monument, statue, lightning, flash of lightning, thunderbolt, revolution, revolt, phrygian bonnet, aesculapian sign, cruelty, ferocity; 'crudeltà', 'ferocità' (ripa), trees: olive-tree (+ branch, stick)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Goettinger Taschen Calender für das Jahr 1793. Göttingen: Johann Christian Dietrich, [1792].
Komfoor van zilver
Object type: komfoor
Date: 1730 – 1749
Materials: silver
Location: amsterdam
Artist: cornelis coutrier
Artist role: silversmith
Artist dates: 1702 – 1749
Inscriptions: maker's mark: ‘(Citroen, 1030)’, town mark: ‘Amsterdam’

Komfoor van zilver, ronde bak met roset van zes bladeren in de bodem, gevat tussen drie pootjes die op de plaats van aanhechting een hart in reliëf hebben.
Verzamelband met het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme aussi les Cartes des Côtes de France et d'Espagne, delen XI-XX, 1726
Object type: album
Date: 1726 – 1726
Materials: leather, paper
Techniques: engraving, etching, letterpress printing
Location: leiden
Artist: pieter van der aa (i)
Artist role: printer, publisher
Artist dates: 1659 – 1733
Subjects: fortress, maps of separate countries or regions, maps of cities

Verzamelband waarin zijn samengebonden de laatste tien delen van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne. Vermeerderde heruitgave van het album van Pieter Mortier uit ca. 1702 nu samengesteld en uitgegeven door Pieter van der Aa in twee delen in 1726. In een boekband van leer met de titel op de rug. De 271 platen in dit tweede deel zijn met de hand genummerd 239-509. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Hieraan zijn veel nieuwe platen toegevoegd, sommige met voorstellingen van gebeurtenissen uit de Spaanse Successieoorlog. Titels en opschriften in het Frans.
Meadfoot. Torquay.
Object type: album leaf
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: torbay
Artist: Anonymous
Subjects: gulf, bay
Inscriptions: inscription: ‘9217. Meadfoot Torquay’
The Finest Perch is Not for Me
Object type: print
Materials: paper
Techniques: aquatint, engraving, hand coloring
Location: england
Artist: charles turner
Artist role: artist
Artist nationality: english
Artist dates: 1774 – 1857
Vrouwenportretten in achthoekige lijsten
Object type: print
Date: 1637 – 1638
Materials: paper
Techniques: etching
Location: london
Subjects: muff, anonymous historical person portrayed alone - bb - woman, pearl; pearl necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 240

De prent maakt deel uit van een zesdelige serie met vrouwenportretten in achthoekige lijsten.
Huizen aan de Tondano te Manado
Object type: photograph
Date: 1860 – 1880
Materials: photographic support
Techniques: albumen print
Location: celebes
Subjects: villa

Huizen gelegen aan de rivier de Tondano te Manado op Celebes, in de verte een brug. Ingeplakte foto in het fotoalbum getiteld: Gezichten van Java.
Man in boom wordt door een slang gegrepen
Object type: boekillustratie ontwerp
Materials: paint, paper, pencil, watercolor
Techniques: brush
Artist: h.c. louwerse
Artist dates: 1878 – 1946
Subjects: snakes, trees, head-gear: turban
Inscriptions: signature: ‘H.C.L.’, number: ‘No 1303’, collector's mark: Lugt 2228a

Twee bebaarde mannen in lange tunieken en met tulbanden op het hoofd zijn in een boom geklommen. De man die het minst hoog is geklommen wordt gegrepen door een reusachtige slang.
Free Negroes in the North (from Confederate War Etchings)
Object type: print
Date: 1861 – 1863
Techniques: etching
Artist: adalbert john volck
Artist role: artist
Artist nationality: american
Artist dates: 1828 – 1912
Subjects: american civil war,men
Bowl
Object type: bowl
Date: 1701 – 1800
Materials: glass
Subjects: birds
"As-tu faim?" dit-elle. "Oui," dit-il
Object type: book illustration
Date: 1861 – 1861
Materials: paper
Techniques: etching
Location: paris
Artist: charles de groux
Artist role: painter, print maker
Artist dates: 1825 – 1870
Subjects: giving alms or other charity, e.g.: handing out food, battlement, crenellation ~ fortified city
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485

Prent uit: Coster, Charles de. Légendes Flamandes. 1e druk. Brussel: Veuve Parent & Fils, Parijs: Michel-Lévy, Leipzig: Ch. Muquardt, 1861, p. 232-233. De prent illustreert het verhaal Smetse Smee.
10 centimes uit België van Leopold II, 1907
Object type: tien centime
Date: 1907 – 1907
Materials: nickel
Techniques: striking
Location: brussels

Nikkelen munt. Voorzijde: gekroond monogram van twee letters L. Jaaartal onderaan. Keerzijde: rechts van gebogen lauwertak waarde-aanduiding 10 Ces. Centrale doorboring. Gladde rand.
E. Collectione cl Rici Mead M.D.
Object type: print
Date: 1692 – 1742
Materials: paper
Techniques: woodcut, etching
Subjects: mary, the christ-child and john the baptist, elisabeth present
Inscriptions: collector's mark: Lugt 240
Peter de Groote en zijn huisje te Zaandam
Object type: print
Date: 1823 – 1900
Materials: paper
Techniques: etching
Subjects: zaandam
Inscriptions: collector's mark: Lugt 2228

Peter de Grote zit in zijn huis in Zaandam bij de schouw. In zijn hand houdt hij een passer en naast hem op tafel staat een halfvol glas.
Infanta Ysabel, Spain, from the Famous Ships series (N50) for Virginia Brights Cigarettes
Object type: photograph
Date: 1895 – 1895
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: ships

Trade cards from the "Famous Ships" series (N50), issued in 1895 by Allen & Ginter to promote Virginia Brights Cigarettes. Full series consists of 48 unnumbered cards.
Passement van linnen en gele zijde in ruitpatroon
Object type: braid
Date: 1700 – 1899
Materials: linen, silk
Techniques: weave
Location: europe
Artist: Anonymous

Passement van linnen en gele zijde in een patroon van ruiten in ruiten. BK-NM-12186-19, BK-NM-12186-20-A en BK-NM-12186-20-B hebben eenzelfde patroon.
Terracotta fragment of a hydria (water jar)
Object type: hydria fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues, alternating with black and red; below, in the panel, filleted youth to right, wearing a himation, holding a staff in his right hand; head, neck, and part of the upper torso of a wreathed youth to right (charioteer holding the reins of a chariot and a goad?)
Half-dressed Nymph with two children, surrounded by four men, from the Scherzi
Object type: print
Date: 1743 – 1750
Techniques: etching
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: children,men,nymphs