deem-data/ArtiFact huggingface dataset:
Fontein van Château d'eau in Parijs op de (huidige) Place de la République
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ sculpture), ornamental fountain (+ city(-scape) with figures, staffage), paris
Inscriptions: inscription: ‘Chateau d'eau’
Program for Kawarazaki Theater
Object type: woodblock print
Date: 1800 – 1800
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: theatre,actors
Dish
Object type: dish
Date: 1301 – 1400
Materials: earthenware
Techniques: painting, underglaze
Location: iran
De ruïne van de toren van de kerk te Egmond
Object type: drawing
Date: 1741 – 1743
Materials: ink, paper
Techniques: pen
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: ruin of church, monastery, etc., historical events and situations
Inscriptions: inscription: ‘H. Spilman f Ruinen van de Toren van Egmond met de neergeslage muur / in't jaar 1741 door sware storm nu niet meer in wesen / kort daar na getekent na het leven door H Spilman’
Figure-top spoon
Object type: spoon
Date: 1734 – 1766
Materials: silver
Subjects: children
Ritual Stand with Lion Supports
Object type: religious ritual object
Date: 1401 – 1600
Materials: copper, wood
Culture: tibetan
Location: tibet
La sollicitude d'une mère dans l'éternité
Object type: print
Date: 1786 – 1843
Materials: paper
Techniques: engraving
Location: zurich
Subjects: mother and baby or young child, the new-born child, apotheosis (or ascension) of individuals, index finger forwards, pointing, indicating, anxiety, solicitude; 'sollecitudine' (ripa), looking upwards, death of human being
Inscriptions: collector's mark: Lugt 2228
Figure-top spoon
Object type: spoon
Date: 1851 – 1900
Materials: silver
Interieur van de Sixtijnse Kapel te Vaticaanstad
Object type: photograph
Date: 1870 – 1880
Materials: photographic support
Techniques: gelatin silver print
Location: vatican
Artist: Anonymous
Subjects: interior ~ representation of a building, parts of church interior: chapel
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1801 – 1900
Materials: copper, iron
Culture: japanese
Location: japan
Subjects: men,mountains,boats
Audenarde
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: brussels
Artist: gustave choppinet
Artist role: fotograaf
Subjects: townhall, interior of the house
Inscriptions: inscription: ‘1534/ Hôtel de Ville/ Salle Échevinale/ (côté gauche)’, number: ‘PLANCHE 72’

Deze prent maakt deel uit van een omslag met 89 prenten en 5 tekstbladen.
Portret van Anna Catharina Leyser
Object type: print
Date: 1731 – 1733
Materials: paper
Techniques: engraving, etching
Location: leipzig
Subjects: the new jerusalem, city-view in general; 'veduta', historical persons - bb - woman, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Brief aan Alberto Caramelli
Object type: letter
Date: 1875 – 1875
Materials: ink, paper
Techniques: pen, writing
Location: baarn
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: utrecht, alberto caramelli, ruurt de vries, family life, painting (including book-illumination, miniature-painting), printed matter
Inscriptions: collector's mark: Lugt 2233
Archeologische vondsten uit Albano en Castel Gandolfo
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: city-view, and landscape with man-made constructions, ruin of a building ~ architecture, landscape with ruins, public baths

Deze prent maakt deel uit van de serie van 33 prenten (inclusief titelprent, opdracht, vignet en ornamentele letter) met de titel 'Antichità d'Albano e di Castel Gandolfo'.
Box
Object type: box
Date: 1832 – 1833
Materials: silver, shell
Artist: john lacy
Artist role: maker
Artist dates: 1775 – 1875
Subjects: lions,leaves
Altaar van den H. Petrus van Verona, Dominicanenkerk - Zwolle
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: zwolle
Artist: Anonymous
Subjects: interior of church, altar
Portret van een onbekende vrouw
Object type: photograph
Date: 1855 – 1870
Materials: glass, metal, plastic, velvet
Techniques: ambrotype, hand coloring
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Evening mitts
Object type: evening mitt
Date: 1851 – 1875
Materials: silk
Culture: american
Germaanse man en vrouw op jacht, figura XI
Object type: history print
Date: 1614 – 1616
Materials: paper
Techniques: etching
Artist: nicolaes van geelkercken
Artist role: print maker
Artist dates: 1585 – 1656
Subjects: extinct, 'historical' peoples (with name)

Germaanse man en vrouw op jacht. Afkomstig uit: Philippus Cluverius, Germaniæ antiquæ libri tres, Lowijs (I) Elzevier, Leiden, 1616. Lib. I, Pag. 148, figura XI
Schildering
Object type: painting
Date: 1700 – 1750
Materials: dye, ink, paper
Location: china
Artist: gao qipei
Artist role: painter
Artist dates: 1661 – 1734

A mountain ridge in a sea of cloud. Gao Qipei (1660 - 1734). China, c. 1700. Colours and ink on paper. Gao Qipei painted many of the album leaves of landscape scenes from nature. As a high-placed official he held various positions which entailed travel. Every few years he left Peking to visit a different administrative district. During these journeys he sketched the landscape. Inscribed on the left is the text: 'Piles of emeraldgreen amidst the clouds / this is a fair approximation. Pei Wei.'
Arm met kaarsenhouder van kaarsenkroon van twee hoogten met ieder zes armen
Object type: chandelier
Date: 1475 – 1500
Materials: brass, iron
Techniques: casting, metalworking, forging, screwed
Location: southern netherlands
Artist: Anonymous

Kaarsenarm behorende bij een kaarsenkroon van twee hoogten met Mariafiguur bovenaan. De arm is twee maal gebogen en is versierd met vier druiventrossen en vijf wingerdbladeren. De ronde vetvanger heeft aan de onderkant opengewerkte, gekartelde verticaal geplaatste randen, ter maskering van de bevestiging op de arm. Dit geschiedt door een ronde ijzeren pin, die in het einde van de arm is geschroefd. Dit is de vierde arm van de onderste ring, genummerd met 4 verticale inkepingen. De vetvanger is genummerd met 4 verticale inkepingen.
Loggia met een trap en een gewelf gedecoreerd met ribben in rozetvorm
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: staircase, loggia, verandah, porch, europe
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’
Porta di Po te Turijn
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: turin
Subjects: representation of real building (either existing or having existed), city-gate

Deze prent maakt deel uit van een reeks met bouwwerken binnen het domein van de Savoie-familie in de late 17e eeuw.
Gezicht op Delft met het stadhuis
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper
Location: delft
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, city-view, and landscape with man-made constructions, tower (of house or building)

Gezicht op Delft met de toren van het stadhuis. Pagina 136 en pagina 137 uit een schetsboek met 70 bladen.
Portret van Kenau Simonsdochter Hasselaer
Object type: print
Date: 1740 – 1774
Materials: paper
Techniques: mezzotint
Subjects: weapons, haarlem

Kenau Simonsdochter Hasselaer is bewapend en heeft op haar rechterarm een medaillon met de Hollandse Leeuw.
Portretten van burgemeesters van Zürich
Object type: print
Date: 1665 – 1712
Materials: paper
Techniques: engraving, etching
Artist: johannes meyer (ii)
Artist role: print maker
Artist dates: 1655 – 1712
Subjects: mayor, burgomaster, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Onderaan de ovale omlijsting genummerd: 12.
James J. Myers
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: lawyer, attorney at law
Cutout Disk
Object type: ornament
Date: 501 – 700
Materials: gilt copper
Culture: moche
Location: peru
Firenze - Chiesa del Carmine - Cappella Brancacci. S. Pietro risuscita Tabita e risana uno storpio Masolino da Panicale
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: florence
Subjects: picture, painting, church (exterior) - qq - small church, chapel
Inscriptions: collector's mark: ‘AFE v S’, monogram
Portret van Henry Nelson O'Neil
Object type: page
Date: 1858 – 1868
Materials: paper
Techniques: albumen print
Location: london
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: historical persons, portrait, self-portrait of painter
Huizen op het eiland Marken
Object type: photograph
Date: 1885 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Inscriptions: annotation: ‘(Hollande)’
Twee klipdassen
Object type: print
Date: 1871 – 1927
Materials: paper
Techniques: lithograph
Artist: floris verster
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1927
Subjects: mammals
Inscriptions: collector's mark: Lugt 2228
Kandelaar
Object type: candlestick
Date: 1803 – 1803
Materials: silver
Techniques: casting, metalworking
Location: the hague
Artist: francois marcus simons
Artist role: silversmith
Artist dates: 1750 – 1828
Subjects: foliage, tendrils, branches ~ ornament

Dinner service. Silver, parcel gilt. The Hague, 1803 and 1804, by François Simons. The Government of the Batavian Republic presented this service to I.J.A. Gogel (1765 - 1821) in 1804 in recognition of his financial services to the country. Gogel was a prominent patriot, minister of finance under King Louis Napoleon and subsequently financial advisor to King
Head from the Statuette of a King
Object type: head, king, statuette
Date: 1479 – 1458
Materials: stone
Location: egypt
Subjects: kings,heads
Soliman 2.e Acte, from "Soliman"
Object type: print
Date: 1620 – 1620
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Rustic Scene (recto); Landscape (verso)
Object type: drawing
Date: 1601 – 1700
Materials: ink
Techniques: pen
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: men,women,bulls,landscapes
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 490
Materials: terracotta
Culture: greek, attic

Interior, strings, crossbow and arm of lyre
Coin
Object type: coin
Date: 1067 – 1233
Materials: copper
Location: iran

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Künstler-Aquarell-Karte
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: writing
Subjects: castle, pharmacy, pharmaceutics, bridge in city across river, canal, etc.
Inscriptions: monogram: ‘P.F.B.’
Silhouetportret van Jean Louis Verster
Object type: print
Date: 1776 – 1810
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Artist: govert kitsen
Artist role: print maker
Artist dates: 1766 – 
Subjects: den bosch, rotterdam, wig (+ sideview, profile)
Inscriptions: collector's mark: Lugt 2228

Portret van Jean Louis Verster, predikant te Zuilen, Wageningen, Dordrecht en Rotterdam. Hij draagt een batterijpruik en bef. Buste in profiel in ovale lijst met strik bovenaan.
Vase
Object type: vase
Date: 1767 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, underglaze
Culture: chinese
Subjects: human figures,flowers
Jahangir Visiting a Holy Man
Object type: album leaf
Date: 1801 – 1900
Materials: gold, ink, paper, watercolor
Location: india
Subjects: musical instruments,kings,men,flowers,landscapes,leaves
Waistcoat
Object type: waistcoat
Date: 1770 – 1770
Materials: metal, silk
Culture: french
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 700 – 601
Materials: terracotta
Culture: greek, attic

Part of the foot of a calyx-krater?
Glass oinochoe (perfume jug)
Object type: oinochoe
Date: 400 – 201
Materials: glass
Culture: greek, eastern mediterranean

Translucent cobalt blue, with handle in same color; trails in opaque yellow and opaque white. Applied trefoil rim-disk; short cylindrical neck; broad rounded shoulder; ovoid body with downward taper; applied low circular coiled pad-base, with uneven bottom; strap handle attached to outer edge of shoulder, drawn up and round in a curve, arching above the rim-disk, and attached to top of neck behind rim-disk. A fine yellow trail attached at edge of rim-disk; another yellow trail wound spirally nearly two times around upper body; a white trail wound spirally four times round upper body, tooled into an irregular zigzag pattern; below, another yellow trail wound horizontally round in two turns and a white trail wound round one and a half times further down body; another fine yellow trail attached at edge of pad-base. Intact; some dulling, pitting, and iridescent weathering.
Zelfportret 1990 nr. 45
Object type: drawing
Date: 1990 – 1990
Materials: ink, paper, watercolor
Techniques: brush
Location: netherlands
Artist: philip akkerman
Artist role: draughtsman, painter, sculptor
Artist dates: 1957 – 
Subjects: painter, draughtsman, sculptor, philip akkerman, historical persons, portrait, self-portrait of painter

¾ En face weergegeven, ingezoomd zelfportret met krullende bakkebaarden en overhemd.
Trousers
Object type: trouser
Date: 1801 – 1833
Materials: cotton
Culture: american
Militairen te paard passeren de ruïne van een toren
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: zurich
Subjects: riding a horse, ass, or mule; rider, horseman, landscape with ruins
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘RA WANKLER’, collector's mark: Lugt 2760

Krijtlitho afkomstig uit de 'Lithographische Original-Zeichnungen von J.G. Schinz, Zürich 1822'.
Gallerie des Modes et Costumes Francais, 1778, H.43: Jeune Dame de Qualité en grande Robe...
Object type: costume print
Date: 1770 – 1810
Materials: paper
Techniques: engraving, etching
Location: france
Artist: etienne claude voysard
Artist role: print maker
Artist dates: 1746 – 1812
Subjects: ornamental parts of clothing (+ women's clothes), head-gear (pouf) (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, dress, gown (+ women's clothes)
Inscriptions: caption: ‘Jeune Dame de Qualité en grande Robe coëffée avec un Bonnet ou Pouf élégant dit la Victoire’, signature: ‘Dessiné par Desrais.’, address: ‘A Paris chez Esnauts et Rapilly, rue St. Jacques...’, signature: ‘Gravé par Voysard’

Jonge vrouw van stand, ten voeten uit, in hofjapon met brede paniers. Op het hoge kapsel een elegante 'Bonnet' of 'Pouf' die 'la Victoire' werd genoemd. Open vouwwaaier in de hand. Prent uit 8me Cahier des Costumes Francais, 2e Suite d'Habillemens de Femmes à la mode (ca. 1790).
Zittend mannelijk naakt, van voren gezien (2e prijs 1798)
Object type: drawing
Date: 1798 – 1798
Materials: chalk, charcoal, paper
Artist: jacobus wijsman
Artist role: print maker
Artist dates: 1768 – 1827
Subjects: sitting figure (+ nude human being)
Gezicht op een klif waar water tegen aanslaat in Maine
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: maine
Artist: Anonymous
Subjects: coastal cliff or crag
Inscriptions: inscription: ‘Ocean View. (...)’
Fragment
Object type: textile
Date: 1876 – 1876
Materials: cotton
Techniques: weave, printing
Location: united states
Interieur met een marmeren schoorsteenmantel
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: wijnstraat
Subjects: open hearth, fire-place, interior of the house
Inscriptions: annotation: ‘Huis Wijnstraat 69, genaamd "de onbeschaamde/ grijs geaderde marmeren schoorsteenmantel, achterkamer links/ Juni 1910/ in Juni 1910 verkocht en gesloopt/ Dordrecht’
Dubbel kruis
Object type: page
Date: 1871 – 1876
Materials: cardboard
Techniques: woodburytype
Artist: Anonymous
Subjects: cross as symbol of christ
Inscriptions: inscription: ‘Appartenant à la Confrérie de Notre-Dame des Miracles, à Saint-Omer’, inscription: ‘Exposition d'objets d'art religieux de Lille’, inscription: ‘Pl. XVI.’
Staande man met muts, mogelijk een bedelaar, van voren gezien
Object type: print
Date: 1764 – 1834
Materials: paper
Techniques: etching
Artist: sauveur legros
Artist role: print maker
Artist dates: 1754 – 1834
Subjects: beggar
Inscriptions: collector's mark: Lugt 2228
Coin
Object type: coin
Date: 1101 – 1200
Materials: copper
Location: iran
Bean-Shaped Pillow with Peony Scroll
Object type: decorative art
Materials: amber, earthenware, glaze
Techniques: carving, incising
Location: china
Viewing the Bush Clover at Hagidera
Object type: print
Date: 1785 – 1785
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: men,women,benches
Fragment of clay lump with imbedded ring beads
Object type: fragment, clay, ring bead
Date: 1802 – 1450
Materials: clay, faience
Techniques: firing
Location: egypt
Willem V vereert de helden van de zeeslag bij Doggersbank, 1781
Object type: design
Date: 1786 – 1788
Materials: ink, paper
Techniques: brush, pen
Location: northern netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: the hague, william v (prince of orange), johan arnold zoutman, medals and other marks of military honour (+ sailing-ships), ruler giving mark of honour, decorations, honours (as symbols of the state, etc.)

Prins Willem V beloont op 30 november schout-bij-nacht Johan Zoutman met een gedenkpenning aan een gouden ketting, na zijn overwinning in de zeeslag bij Doggersbank tussen de Nederlandse en de Britse vloot op 5 augustus 1781. Ontwerp voor een prent.
Court of Common Pleas, Westminster Hall
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,men,spectators,law
Wine Bottle, Cup and Cherry Blossoms
Object type: woodblock print
Date: 1817 – 1817
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: flowers
Broekenmakersgilde van Antwerpen
Object type: medal
Date: 1563 – 1563
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: antwerp

Koperen penning. Voorzijde: vrouw, voorstellende St. Catherina, staande tussen letters S en K houdt zwaard met punt op grond in rechter- en rad in linkerhand. Keerzijde: bed of tafel onder kroon tussen jaartal en geopende hand binnen bladerkrans.
Portret van een vrouw met medaillon
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Cheese Vendor, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 3
Object type: print
Date: 1660 – 1660
Techniques: etching
Artist: giuseppe maria mitelli
Artist role: artist
Artist nationality: italian
Artist dates: 1634 – 1718

This print is from a series of 41 plates depicting Bolognese professions. This print is from the unnumbered first state published by Giovanni Giacomo De Rossi (Bertarelli).
Bust forms
Object type: bust form
Date: 1860 – 1875
Materials: cotton
Culture: american
Oil lamp or pitcher
Object type: oil lamp or pitcher
Date: 1601 – 1800
Materials: glass
Subjects: animals
Vue des debris des bains de Neron from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: adélaide allou
Artist role: artist
Artist nationality: french
Artist dates: 1776 – 1800
Subjects: buildings,boats
S. Philippvs
Object type: print
Date: 1574 – 1637
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: the apostle philip; possible attributes: book, cross, dish with snake, lance, scroll, stone, sword, philip is crucified (sometimes upside down)
Inscriptions: collector's mark: Lugt 240

De apostel Filippus, ten voeten uit, een kruisstaf en een boek in zijn handen. Op de achtergrond zijn kruisiging. In de marge een onderschrift in het Latijn. Prent uit een serie met de twaalf apostelen.
Rings
Object type: ring
Date: 1725 – 1750
Materials: diamond, gold, silver
Techniques: grinding
Location: istanbul

Before the 19th century, men wore different types of rings to underline their power, wealth and prestige. The wearers of these particular rings were a bishop of the Catholic Church, a Dutch diplomat, and an administrator in Stadholder William V’s treasury. Today, wedding rings and signet rings still indicate their wearers’ social status, but often in more austere forms.