deem-data/ArtiFact huggingface dataset:
Esch senior loopt zijn zus Olympia en nicht Charlotte tegen het lijf
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, family, relationship, descent, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor Christian Friedrich Bretzners 'Eheprocurator'. Latere staat gebruikt voor: Konigl. Grosbrit. Genealogischen Kalender auf das Jahr 1785. Lauenburg: J. G. Berenberg, 1784.
Foedraal met eenvoudige boomversiering in rijen
Object type: case
Date: 1700 – 1700
Materials: cardboard, leather, wood
Techniques: cutting, printing
Location: netherlands
Artist: Anonymous

Een houten, slank canopische foedraal, van binnen met karton en van buiten met leer beplakt, aan de buitenzijde bewerkt met eenvoudige boomversiering in rijen van drie gegroepeerd. De omgekeerd schotelvormige voet is rondom bewerkt met in het leer gedrukte medaillons. Aan de binnenzijde 12 vakken, van elkaar gescheiden door een kartonnen raster. De cilindrische deksel sluit over de schacht.
Dish with European Subject
Object type: dish
Date: 1801 – 1833
Materials: enamel
Techniques: painting
Culture: chinese
Subjects: men,women,trees,drinking
Levensbeschrijving
Object type: popular print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: west-graftdijk, wiskundige, bernard nieuwentijt, purmerend
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen uit het leven van Bernard Nieuwentijt. Boven elke voorstelling een titel en onder elke voorstelling een achtregelig vers. Genummerd rechtsboven: No. 103.
Vijf figuren in een herberg
Object type: print
Date: 1643 – 1692
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan de visscher
Artist role: print maker
Artist dates: 1633 – 1712
Subjects: inn, coffee-house, public house, etc., pipe ~ tobacco, dog, printed matter
Inscriptions: collector's mark: Lugt 240

In een rommelige herberg bevinden zich vijf figuren en een hond. Drie van hen zitten aan tafel te roken en te drinken. Aan de muur hangt een prent met een afbeelding van een zwaan en tekst.
Paard met gareeltuig
Object type: sketchbook leaf
Date: 1863 – 1863
Materials: paper, pencil
Subjects: horse

Rug en nek van een paard met gareeltuig. Blad 46 verso uit een schetsboek met 55 bladen vervaardigd op de Veluwe en in Noord-Duitsland.
Opwekking van Lazarus
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: italy
Subjects: the raising of lazarus ('lazarus, come out')

David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Houten schot met twintig panelen, versierd met uit de "brief"ontwikkelde bladslingers
Object type: betimmering
Date: 1500 – 1550
Materials: wood
Location: netherlands
Artist: Anonymous

Een schot, oorspronkelijk van een betimmering van eikenhout, bestaande uit twintig panelen. De panelen zijn versierd met de uit de "brief" ontwikkelde bladslingers, die een kabeling in het midden vertonen en wingerdtakjes met druiventrossen in de uitgrondingen hebben. Deels vernieuwd.
Bestowing the Buddhist Name “Fumyō”
Object type: hanging scroll
Date: 1425 – 1425
Materials: ink, paper
Culture: japanese
Artist: ichidon shōzui
Artist role: artist
Artist nationality: japanese
Artist dates: 1394 – 1428

The two large characters brusquely brushed at the top of this scroll read fumyō, literally “not marvelous.” The Zen master Ichidon Shōzui bestowed this Buddhist moniker on Jumyō, an attendant monk at Kenchōji Temple whose original name meant “longevity and marvelousness”. By citing various Buddhist sources concerning the term myō, or “marvelous,” Ichidon pointed out to Jumyō that attaining such a level of enlightenment was perhaps beyond his current capacity as a pupil. He advised that Jumyō, instead, commit to achieving a more fundamental fumyō stage of Zen practice, aimed at breaking down an overly rational, dichotomous manner of thinking.
Portret van Pierre Le Moyne
Object type: print
Date: 1632 – 1693
Materials: paper
Techniques: engraving
Subjects: paris, historical persons, regular clerics, e.g. jesuits, redemptorists, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Portret van Martin Pfinzing II op 40-jarige leeftijd
Object type: print
Date: 1625 – 1724
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: adult man, historical persons
Scheeps studien
Object type: print
Date: 1827 – 1884
Materials: paper
Techniques: tone lithography
Artist: johannes cornelis van pappelendam
Artist role: print maker
Artist dates: 1810 – 1884
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met scheepsstudies.
Titelpagina voor: C.H. Gietermaker, Konst der Stuur-lieden, 1697
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: measuring-instruments
Inscriptions: collector's mark: Lugt 2228

Buste naar links van Klaas Hendriksz Gietermaker in een ovaal met randschrift in het Nederlands. Links en rechts van het portret een vrouwfiguur met meet- en navigatie-instrumenten. Onderaan een cartouche met vijf figuren rond een tafel waarop een globe en boeken. Bovenaan de titel.
Drapery Study for the Figure of the Dying Mary Magdalen
Object type: drawing
Date: 1815 – 1856
Materials: chalk
Techniques: stumping
Location: france
Artist: paul (hippolyte) delaroche
Artist role: draftsman
Artist nationality: french
Artist dates: 1797 – 1856
Subjects: suffering,mary magdalene
Demonstratie van de slangbrandspuiten op de toren van de Onze-Lieve-Vrouwekathedraal te Antwerpen, ca. 1670-1680
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching
Artist: laurens scherm
Artist role: draughtsman, print maker
Artist dates: 1671 – 1702
Subjects: on fire, ablaze, roman catholic church, pump (fire-extinguishing equipment)
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Demonstratie van het gebruik van de slangbrandspuiten door het oppompen van water uit een put en over de toren van de Onze-Lieve-Vrouwekathedraal te Antwerpen heen te spuiten (ca. 1670-1680). Op de voorgrond het blussen van een brand in een huis aan het plein. In een cartouche de verklaring van de letters A-D in het Nederlands. Boven de plaat is een tweede plaat met tekst afgedrukt. Plaat 25 in de herdruk van het Brandspuitenboek van Jan van der Heyden uit 1735. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Brandwezen.
Terracotta rim fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 520 – 490
Materials: terracotta
Culture: greek, attic

Exterior, tip of eyebrow and part of outer eye
Hoofden
Object type: drawing
Date: 1520 – 1563
Materials: chalk, paper
Techniques: brush
Artist: schiavone
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1563

Hoofden, waaronder één van een vioolspelende engel, uitstekend boven een wolkenrand.
Bonito and saxifrage, from an untitled series of fish
Object type: print
Date: 1832 – 1833
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Gezicht op de Temple de Diane in Nîmes
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: nîmes
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: ruin of a building ~ architecture, temple, shrine ~ roman religion
Inscriptions: number: ‘640.’
Plattegrond
Object type: ornament print
Date: 1559 – 1559
Materials: paper
Techniques: etching
Location: paris
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: plan ~ architecture

Plattegrond. Aanzicht en plattegrond van architectuur. Genummerd: XLVI. Onderdeel van 'De architectura Iacobi Androuetii du Cerceau' (1559): 69 etsen met 171 voorstellingen van architectuur en ornamentiek.
Portret van Jan ten Brink
Object type: print
Date: 1855 – 1886
Materials: paper
Techniques: etching, engraving
Location: amsterdam
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: leiden, jan ten brink (1834-1901), portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Standing Female Nude, Bending Forward
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: drawing, stumping
Location: france
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Portret van Alexander I (tsaar van Rusland)
Object type: print
Date: 1801 – 1834
Materials: paper
Techniques: engraving, etching, roulette
Location: amsterdam
Subjects: alexander i (tsaar van rusland)
Court Robe
Object type: robe, court
Date: 1701 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: dragons

This Chinese court robe is approximately the same age as the one used to make the Japanese kesa displayed here, and both are made of brocaded satin. Eight dragons, four seen full-face and four in profile, are visible when the robe is worn. The frontal dragons are on the chest, the upper back, and each shoulder, while the profile dragons decorate the lower part of the robe, one pair confronted on the front and the other on the back. A fifth profile dragon, not seen when the robe is worn, occurs under the front overlap, for a total of nine dragons. In contrast, the kesa features eight dragons, three seen full-face and five in profile; one frontal dragon from a shoulder is missing. Dragon robes of the Qing dynasty featured comparatively narrow sleeves ending in crescent-shaped cuffs. The robes' decoration was standardized: appropriately placed dragons occurred among clouds at the top of the robe and water, waves, and mountains at the hem.
Fotoreproductie van een schilderij van Rosa Bonheur van pakezels in een berglandschap
Object type: page
Date: 1890 – 1910
Materials: paper
Techniques: albumen print
Subjects: ass, donkey
Vrouw op een stoel
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: chair, sitting on an elevation

Pagina 23 en pagina 24 uit een schetsboek met 27 bladen
Rotterdam. Tol Bergweg
Object type: photomechanical print
Date: 1904 – 1904
Materials: cardboard
Techniques: lithograph
Location: leipzig
Artist: Anonymous
Subjects: toll gate, street, rotterdam
Inscriptions: date
Man Carrying the Base of a Column
Object type: print
Date: 1515 – 1530
Materials: paper
Techniques: engraving
Location: italy
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536

Agostino Veneziano was one of the chief assistants in the workshop of Marcantonio Raimondi, the premier engraver of Raphael’s drawings. Both artists engraved versions of Man Carrying the Base of a Column, which bear striking resemblances to each other; it is unclear which print came first. Raimondi reversed the compositions of his sources, and his rendition of this scene is a mirror image of the present work. Agostino Veneziano’s curious Man under a Laurel Tree (1920.2361) may also reproduce a Raphael drawing.
Coin Portraying Julia Maesa
Object type: coin
Date: 165 – 224
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Subjects: portrait, female
Portret van Sethus Calvisius II
Object type: print
Date: 1651 – 1699
Materials: paper
Techniques: engraving
Subjects: historical persons
Phoenix Dactylifera. Principaute de Monaco
Object type: page
Date: 1866 – 1871
Materials: paper
Techniques: albumen print
Location: monaco
Artist: jean walburg de bray
Artist role: fotograaf
Artist dates: 1839 – 1901
Subjects: trees: date-palm
Inscriptions: inscription: ‘Et ils arrivèrent à Elim, et il y a avait là douze fontaines et soixante-dix Palmiers, et ils y campè-/rent./ EX. XV, 27.’, number: ‘No 15.’, inscription: ‘Page 88.’
Staande naakte jongen
Object type: page
Materials: paper
Techniques: photograph
Location: berlin
Subjects: standing figure, toddler (male)
Inscriptions: number: ‘A 40’
Maternity
Object type: drawing
Date: 1784 – 1784
Materials: chalk, paper
Culture: american
Artist: benjamin west
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1820
Subjects: children,mothers,women,nursing

West was a prolific painter of historical scenes and a tireless draftsman, but seldom did he lavish such care on a drawing as he did here. For West, this work is unusual for its allegorical subject, Caritas (Charity), or Maternal Love, whose long tradition was briefly revived in the late eighteenth century, prompted by the popularity of Jean-Jacques Rousseau's writings on the mother's primary role in childhood education. The remarkable delicacy of both contour and modeling, as well as the thin paper bearing this image, suggest that West made the drawing as the basis for an engraving, though no corresponding print is known.
Gezicht op berglandschap gezien vanuit een bosrijke omgeving, Oostenrijk
Object type: stereograph
Date: 1906 – 1906
Materials: paper, photographic support
Techniques: collodion silver print
Location: austria
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: austria
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Left halves of three kylix handles with repairs
Coffeepot (part of a coffee service)
Object type: coffeepot
Date: 1801 – 1833
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: women
Louise Paullin, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Portret van Gustaaf Verriest
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: drypoint, etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: historical person (...) - historical person (...) portrayed alone
Inscriptions: annotation: ‘2me etat; 3 épreuves’, collector's mark: Lugt 2228
Cuffs
Object type: cuff
Date: 1867 – 1900
Materials: linen
Culture: belgian
Vessel with Marine Beings
Object type: vessel
Date: 50 – 500
Materials: ceramic, pigment
Techniques: modeling, painting
Culture: nazca
Location: peruvian south coast
Subjects: people, animals, composite, fish, sacrifice, warriors, costumes, masks
The Virgin with the Swaddled Child (copy)
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: madonna and child
Dover Castle. The Keep
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1934
Materials: cardboard
Techniques: rotogravure
Location: london
Artist: Anonymous
Subjects: castle
Baltic Snaplock Rifle
Object type: arm
Date: 1610 – 1650
Materials: brass, horn, iron, mother of pearl, steel, wood
Culture: polish or swedish
Location: poland
Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme aussi les Cartes des Côtes de France et d'Espagne
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: monument to the great fire of london, spaanse successieoorlog

Het Monument voor de Grote Brand van Londen in 1666. Plaat nr. 19 in deel I van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit eerste deel met 238 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel in het Frans.
Albumblad voor een album voor Prof. Hugo de Vries
Object type: photomechanical print
Date: 1918 – 1918
Materials: paint, ink, paper, pencil
Techniques: brush, pen, printing block
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: haarlem, hugo de vries, flowers ~ ornament
Inscriptions: annotation: ‘pag 35.’, collector's mark: ‘R:MVS.’

Rechthoekig kader met bloem- en bladornamenten met daarin vier vakken voor portretten met onder elk vak de naam van de geportretteerde.
Splendore delle virtuose giovani, page 11 (verso)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: grapes,peacocks,flowers,leaves

Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 2 vertical columns printed upon a grid. Left column is decorated with 2 curving vines with leaves, grapes, and peacocks, which emanate from a black flower at the top. Right column is decorated in the center by a dotted interlace motif surrounded by foliage.
View of Modern Rome from the West, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1590 – 1590
Techniques: etching
Location: rome
Artist: giovanni ambrogio brambilla
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1599
Subjects: maps,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 11 in the scrapbook.
Vier patronen voor borduurwerk door Johann Siebmacher
Object type: photograph
Date: 1875 – 1900
Materials: paper, ink
Techniques: photograph
Location: europe
Subjects: embroidery (ornamentation), europe
Inscriptions: inscription: ‘Blatt 147.’, collector's mark: Lugt 3937, name: ‘H. Sibmacher (533-536)’
Heuvellandschap met figuren
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: etching
Artist: auguste herman marie de noter
Artist role: print maker
Artist dates: 1806 – 1838
Subjects: low hill country (+ landscape with figures, staffage), dog
Inscriptions: collector's mark: Lugt 2228

Twee figuren op de voorgrond zijn met elkaar in gesprek.
Après la faute / after / nach dem Fall
Object type: cartoon
Date: 1848 – 1850
Materials: paper
Techniques: tone lithography
Location: new york city
Subjects: adult woman, priest (roman catholic)
Inscriptions: collector's mark: Lugt 2228
Portret van een man, mogelijk W.B. Norcott
Object type: page
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sitting figure, historical persons
Inscriptions: name: ‘[W.B. Norcott]’
Bomen
Object type: sketchbook leaf
Date: 1920 – 1920
Materials: chalk, paper
Techniques: stumping
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: trees

Bomen. Blad 4 recto uit een schetsboek met 21 bladen.
Jug
Object type: jug
Date: 867 – 933
Materials: earthenware
Techniques: incising
Location: iran
Beaker
Object type: beaker
Date: 1801 – 1900
Materials: metal, silver

This electrotype is after a seventeenth-century original in Romanoff House, Moscow, at the time of reproduction.
Table knife
Object type: table knife
Date: 1667 – 1700
Materials: bronze, steel
Naturae Non Artis Opus / Buena Guia
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: naples, crystals, ships (in general)

Een embleem met twee voorstellingen. Boven een landschap met daarboven zwevend een plateau met kristallen en een kroon. Onder een schip op zee. Daarbij de poolster. Het betreffen deviezen van koning Ferdinand II van Aragon en koning Alfons V van Aragon.
Quatrain by Meng Haoran
Object type: fan mounted a an album leaf
Date: 1260 – 1264
Materials: ink, silk
Culture: chinese
Artist: emperor lizong
Artist role: artist
Artist nationality: chinese
Artist dates: 1205 – 1264

Like most imperial calligraphies, this fan is not signed or dated, but its distinctive writing style— the same as that of the couplet mounted together with Ma Lin's Landscape at Sunset (Nezu Museum, Tokyo) and dated 1254—clearly identifies it as a work by Lizong. The round seal showing the trigram qian ("Heaven"), used only by the emperor, confirms its imperial pedigree. The poem, though composed by Meng Haoran (689–740), perfectly describes the kind of atmospheric qualities that thirteenth-century painters, such as Ma Lin and Liang Kai, sought to evoke pictorially: In the Chan meditation hall, on the mountaintop, hangs a priest's robe. There is no one outside the window, only birds flying by a stream. As dusk half envelops the mountain path, I hear the bells toll over the endless greenery. (Wen C. Fong, trans., in Beyond Representation: Chinese Painting and Calligraphy, 8th–14th Century [New York: The Metropolitan Museum of Art, 1992], p. 239)
Still-Life with Monkey Mask
Object type: print
Date: 1824 – 1824
Materials: pigment
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Twee onbekende vrouwen die een mand op het hoofd dragen
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Artist: christiaan johan neeb
Artist role: arts, fotograaf, officier
Artist dates: 1860 – 1925
Subjects: adult woman, historical persons, carrying something on the head or on the shoulders