deem-data/ArtiFact huggingface dataset:
De exercitie met de targe en rapier: de soldaat steekt zijn rapier terug in de schede, (nr. 11), 1618
Object type: print
Date: 1616 – 1618
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Illustratie in: Adam van Breen, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieu ordening [van] ... Maurits van Nassau / Korte Onderwijsinge op de figuerlijcke af-beeldinghe belangende 'trecht ghebruyck van al 'tghene een Soldaet noodigh is in het handelen vande Targes met het Rappier, 's-Gravenhage, [Aert Meuris] 1618, plaat nr. 11. In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 22).
Portret van Johannes Bogaert
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: johannes bogaert
Inscriptions: collector's mark: Lugt 240, number: ‘No. 58’

Portret van Johannes Bogaert, predikant te Haarlem.
Bezoekers stromen een kermistent binnen
Object type: drawing
Date: 1808 – 1808
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: amsterdam
Inscriptions: inscription: ‘24 Sept Hier heb je onze groote reus, groot 8 voet 5 duijm, ook heb je hier de 2 kunstpaardjes, de eene zal (...) op zijn achterste poten’, collector's mark: Lugt 1641a, collector's mark: Lugt 1641, signature: ‘J Andriessen’, inscription: ‘la premier avanture de cette foire’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Prospect of the inner part of Tangier
Object type: print
Date: 1670 – 1670
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: fortification,houses,horses

View of Tangier, with Peterborough Tower; horses in the foreground, and various figures in the market place; in the distance, the coast of Spain.
Gezicht op het meer van Albano en Castel Gandolfo
Object type: print
Date: 1817 – 1888
Materials: chalk, paper
Techniques: etching, intaglio
Artist: joseph meganck
Artist role: print maker
Artist dates: 1807 – 1891
Subjects: riding a horse, ass, or mule; rider, horseman, lake, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Memoires et réflexions sur les principaux évenemens du regne de Louis XIV, & sur le caractere de ceux qui y ont eu la principale part. Par mr. l.m.d.L.F
Date: 1749 – 1749
Location: netherlands
Artist: charles auguste, marquis de la fare
Artist role: author
Artist nationality: french
Artist dates: 1644 – 1712

Arms of Paul and Maria Feodorovna as Tsarevitch and Tsarevna; with the Pvlovsk Palace booklabel and shelf-marks.
Personal effects
Object type: comb
Date: 1590 – 1596
Materials: wood
Techniques: sawing, sewing
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Each crewman had his own sea chest for his personal belongings. These wooden chests have since perished, only the locks and little keys remain. To kill time, the men made music and played sports. A drumstick and a flute were found on Nova Zembla. The ball is made of whalebone and was used to play ‘kolven’, a kind of hockey. The little comb was used to remove headlice.
Bosgezicht nabij de koffieplantage van Silo Sanen
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: indonesia
Artist: Anonymous
Inscriptions: caption: ‘Koffietuinen van Silo Sanen’
Brief aan Philip Zilcken
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, writing
Location: baarn
Artist: karel johan lodewijk alberdingk thijm
Artist role: criticus, prozaschrijver
Artist dates: 1864 – 1952
Subjects: ernest van loon, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Suit
Object type: suit
Date: 1780 – 1780
Materials: cotton, linen, silk
Culture: american
Happy Moment
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: nicolas delaunay
Artist role: draughtsman, print maker, printer, publisher
Artist nationality: french
Artist dates: 1739 – 1792
The Resurrection
Object type: painting
Date: 1619 – 1620
Materials: canvas, oil, paint
Techniques: painting
Location: italy
Artist: cecco del caravaggio
Artist role: artist
Artist nationality: italian
Artist dates: 1588 – 1620
Subjects: resurrection scenes, lantern, clouds, armor, sleep, shields, swords, flags, angels, soldiers, biblical, religious, religion, christianity, christian subjects

Francesco Buoneri was one of the closest followers of Caravaggio, the groundbreaking and influential painter of the Italian Baroque period. Buoneri may have assisted and modeled for Caravaggio during the elder painter’s last years in Rome, a personal connection suggested by his contemporary nickname, Cecco (a diminutive of Francesco) del Carravaggio. The Resurrection exaggerates the bold contrast of light and dark and the realistic treatment of sacred figures that were hallmarks of Caravaggio’s revolutionary style.

The only documented painting by Buoneri, this work was commissioned in 1619 by the Tuscan ambassador to Rome, Piero Guicciardini, for his family’s chapel in Florence. For reasons lost to history, the painting was rejected, a not uncommon event in Rome’s rapidly evolving art scene. It was eventually sold to another important collector, Cardinal Scipione Borghese.
Glass barrel jug
Object type: jug
Date: 201 – 300
Materials: glass
Culture: roman
Artist: frontinus
Artist role: artist

Translucent blue green; handle in same color. Tubular rim, folded out, round, and in, and flattened on top; slightly uneven cylindrical neck; broad, slightly sloping shoulder; cylindrical body with slightly convex sides; flat bottom, slightly pushed-in at center, with small round pontil mark; broad, flat strap handle attached to top edge of body, drawn up vertically, then turned in and down, and trailed on to underside of rim and top of neck. Body blown into a three-part mold of two vertical sections, extending to base of neck, joined to a disk-shaped base section. Body shaped and decorated like a barrel with three horizontal bands of roughly equal width: a central plain band flanked above and below by bands comprising six continuous horizontal ribs; on bottom, a faint circle around center with indistinct marking outside it, perhaps vestigial lettering. Intact; many pinprick bubbles; small patches of weatehring and faint iridescence. Barrel jug of greenish hue, with one handle.
Internationale tentoonstelling van Kunstnijverheid in het Paleis voor Volksvlijt te Amsterdam 1877
Object type: history medal
Date: 1877 – 1877
Materials: aluminum
Techniques: striking
Location: the hague
Artist: salomon de vries
Artist role: graveur, medailleur
Artist dates: 1830 – 1899

Tinnen penning met doorboring, op de voorzijde het portret van Koning Willem III naar rechts met omschrift, op de keerzijde het aanzicht van het Paleis van Volksvlijt met omschrift en afsnedetekst.
Rotterdam. De Bierhaven.
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: harbour (+ view ~ vehicle, ship, etc.), canal

Onderdeel van Fotoalbum met opnames van steden in Noord- en Zuid-Holland en Utrecht.
Brief aan de commissie van de Tentoonstelling van Levende Meesters in Utrecht
Object type: letter
Date: 1848 – 1848
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Subjects: art trade, art shop, painting (including book-illumination, miniature-painting), exhibition ~ art, money
Inscriptions: seal, collector's mark: Lugt 2233
Silvester PP I Romanus
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope, armorial bearing, heraldry

Prent uit: Cavalieri, Giovanni Battista de'. Effigies pontificum romanorum cum eorum vitis (...). Rome: Bartolomeo Bonfadino, 1595. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Ball Net
Object type: ball
Date: 301 – 400
Materials: linen
Culture: coptic
Location: egypt
Terracotta amphora (jar)
Object type: amphora, type a
Date: 530 – 530
Materials: terracotta
Culture: greek, attic
Artist: andokides
Artist role: artist
Subjects: apollo,dionysus,maenads,satyrs,herakles

On the body, obverse, Herakles and Apollo vying for possession of the Delphic tripod, which was central to the oracle of Apollo; reverse, Dionysos, the god of wine, between satyr and maenad On the lip, obverse and reverse, Herakles and the Nemean Lion The introduction of the red-figure technique is attributed to the workshop of Andokides. While we think of red-figure mainly in terms of drawing, it differs from black-figure also in the very different apportionment of glazed and unglazed surfaces on a vase. The preparation of these surfaces was probably the responsibility of the potter, and for this reason, the new technique is associated with a potter rather than a painter. On some works combining red-figure and black-figure, a single painter seems to have done both; here, however, two different artists are likely. The scene on the obverse depicts the hero Herakles with his club and the god Apollo with bow and arrows, struggling over the Delphic tripod, which Herakles sought to carry off.
Portretten van een onbekende jongeman en jongen, mogelijk Spaans
Object type: photograph
Date: 1900 – 1920
Materials: paper, glass, metal
Techniques: gelatin silver print
Artist: Anonymous
Subjects: boy (child between toddler and youth), historical persons, youth, adolescent
Inscriptions: inscription: ‘gekocht Rastro Madrid/ november 1983 P 500- (F10-)’
Boekenmarkt in Den Haag
Object type: drawing
Materials: chalk, paper
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: book-stall, kiosk, market, the hague
L'art de dessiner le paysage d'apres nature
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: lithograph
Artist: richard sasse
Artist role: print maker
Artist dates: 1774 – 1849
Subjects: waterfall, france
Inscriptions: collector's mark: Lugt 2228

Prent behoort tot de serie 'L'art de dessiner le paysage d'apres nature'. Deze serie is in tien delen met elk zes lithografieën uitgegeven.
Trestle Work (No. 1) on City Point & Army Rail Road
Object type: photograph
Date: 1863 – 1864
Techniques: albumen silver print, glass negative
Artist: andrew joseph russell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: railways,american civil war
Staand mannelijk naakt
Object type: print
Date: 1843 – 1843
Techniques: printmaking, engraving, etching
Location: netherlands
Artist: lubertus teunis van deth
Artist role: draughtsman, print maker
Artist dates: 1814 – 1875
Subjects: human figure of ideal proportions, e.g. academic nude
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Aangeboden aan den WelEd. Heer Buchler door ZnEdienaar L.T. van Deth’
Design for the painted decoration of a coffered ceiling with initials:  VR
Object type: drawing
Date: 1830 – 1897
Materials: gouache, ink, watercolor, paper
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Interieur van het Crystal Palace te Sydenham
Object type: stereograph
Date: 1854 – 1855
Materials: copper, glass, paper
Techniques: daguerreotype
Location: london
Artist: Anonymous
Subjects: collection, exhibition, show
Twee kwarten van plafonds
Object type: ornament print
Date: 1668 – 1716
Materials: paper
Techniques: etching
Location: nuremberg

De hoek van het plafond links is gedecoreerd met een medaillon met een keizersbuste.
Bodice
Object type: bodice
Date: 1820 – 1825
Materials: cotton
Culture: french
Scarab seal
Object type: stamp seal
Date: 1700 – 1560
Materials: stone
Location: levant
Musketkogel met concretie uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: musketkogel
Date: 1700 – 1743
Materials: stone, lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Road Past Trees
Object type: drawing and watercolor
Materials: charcoal, ink, paper
Techniques: pen
Location: netherlands
Artist: pieter gaal
Artist role: draughtsman, print maker
Artist nationality: dutch
Artist dates: 1769 – 1819
Roma. Basilica di S. Lorenzo fuori le Mura. Facciata
Object type: photograph
Date: 1906 – 1930
Materials: photographic support
Techniques: photography
Location: rome
Subjects: church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Tankard
Object type: tankard
Date: 1601 – 1700
Materials: pewter, stoneware
Techniques: salt glaze
Subjects: flowers

German stoneware tankards were brought to America in large numbers on Dutch fur-trading ships. Shards of these popular vessels have been uncovered at seventeenth century sites in New York and New England.
Norway
Object type: book
Date: 1866 – 1866
Location: england
Artist: charles george lewis
Artist nationality: english
Artist dates: 1808 – 1880
Figure Group
Object type: figure group
Date: 1785 – 1835
Materials: earthenware
Culture: british
Location: england
Subjects: children,women
Gezicht op het station van Milaan, Italië
Object type: photograph
Date: 1864 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: milan
Subjects: exterior ~ representation of a building, station; shelter (railway, tramway)
Inscriptions: number: ‘3833.’, inscription: ‘(Diepr. nagekomen)’
Hillhouse Avenue
Object type: photograph
Techniques: albumen print
Location: united states
Artist: peck brothers
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: collected by hugh edwards
Bezienswaardigheden in Wenen en omstreken
Object type: photograph
Date: 1930 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: vienna
Artist: berti hoppe
Artist role: fotograaf
Subjects: church (exterior), permanent exhibition, museum, street, city-gate, vienna

Vier foto's van bezienswaardigheden in Wenen. In de onderschriften is vermeld dat het gaat om: Nussdorf, de Heidentor in Petronell-Carnuntum, de Schubertkirche en het Beethovenhaus. Er ontbreekt één foto op het albumblad. Deze foto's maken deel uit van een album.
Case (Inrō) with Design of Hilly Landscape with Maple and Cherry Trees beside a River
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie, maki-e
Culture: japanese
Subjects: landscapes,trees
Winter, from "Full-Length Seasons"
Object type: print
Date: 1643 – 1644
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: women
Seven plates from the service of Stadtholder William v
Object type: eating drinking utensil
Date: 1772 – 1774
Materials: porcelain
Techniques: painted
Location: meissen
Subjects: the hague, william v (prince of orange)
Inscriptions: mark, mold mark: ‘39’, inscription: ‘Het Huijs Termeer bij Maarsen van de Vegt te zien’, painter's mark: ‘J’, factory mark

These seven plates are from a 435-part service owned by Stadtholder William v of Orange. The service was produced in Meissen between 1772 and 1774, possibly on commission for the Dutch East India Company (VOC). The plates bear scenes of various Dutch cities and buildings, as well as views of Java and Ceylon, then important Company territories.
Portret van een man in oosters kostuum met tulband
Object type: sketchbook leaf
Date: 1696 – 1696
Materials: chalk, paper
Artist: hendrick van beaumont
Artist role: draughtsman
Subjects: head-gear: turban, anonymous historical person portrayed, folk costume, regional costume
Inscriptions: number: ‘21’

De man heeft een lange snor en draagt rijk versierde kleding. Portret in een ovaal. Blad 16 recto uit een schetsboek met 30 bladen.
Pendant Cross
Object type: costume and accessory
Date: 1575 – 1625
Materials: gemstone, enamel, gold, pearl
Culture: german or spanish
Location: spain

This pendant cross is an elaborate assemblage of cast and fused segments ornamented with emeralds in tall, pyramidal mounts. Enameled gold and pin-fastened pearls add vigorous effects of color, texture, and light. The three-dimensional quality of this piece would have been particularly distinctive when worn upon the rich garments of the Renaissance.
Der Ludwigstein
Object type: page
Date: 1865 – 1875
Materials: paper
Techniques: photolithography
Location: frankfurt am main
Artist: m. seifert
Artist role: fotograaf
Subjects: island, garden
Cathedral Rock, La Jolla, Near San Diego, California, No. 6118
Object type: print
Date: 1899 – 1899
Techniques: color lithograph
Artist: detroit publishing company
Artist role: publisher
Artist nationality: american
Subjects: beaches,seascapes

California postcards by the Detroit Publishing Company, ca. 1905. This series is labelled in the American Card Catalog as part of the PC143 grouping, called "Other Phostints".
Verschiet van zaken kunt gy vinden, / Leergraage jeudg! in prent by prent. / Wilt uwe oplettend heid verbinden / Aan alles waar g uw oog naar wend
Object type: popular print
Date: 1830 – 1892
Materials: paper
Techniques: colour, letterpress printing
Location: zaltbommel
Subjects: craft-production, skilled handiwork, crafts and industries, potter, ceramist, sewing, tapestry weaver, gobelin maker
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van ambachtslieden en beroepen, zoals jager, pottenbakker en wever. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 127.
Old C'lo (from Sketchbook)
Object type: drawing
Date: 1854 – 1855
Materials: ink, iron, paper
Techniques: pen
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,smoking
Band
Object type: band
Date: 901 – 1100
Materials: linen, silk
Location: egypt
Hemelvaart van Christus
Object type: print
Date: 1638 – 1658
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: cornelis visscher (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1658
Subjects: the ascension (christ surrounded by radiant light or in a mandorla)
Inscriptions: collector's mark: Lugt 240

Deze prent is ook gebruikt in: Variarum imaginum a celeberrimis artificibus pictarum caelaturae, elegantissimis Tabulis repraesentatae (...) sunt. Amsterdam, nummer 13.
Terracotta head of a woman
Object type: sculpture
Date: 334 – 301
Materials: terracotta
Culture: greek, tarentine
Subjects: heads,women

This terracotta head showcases the mastery of Tarentine coroplastic art. It belonged to a life-size statue of a goddess, or alternatively a female attendant- a funerary statue type common in the late Classical period.
Bottle
Object type: bottle
Date: 1736 – 1795
Materials: glaze, porcelain
Culture: chinese
Anti-fascistische eenheid
Object type: newspaper
Date: 1934 – 1935
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: netherlands
Le Déjeuné de Ferney
Object type: print
Date: 1775 – 1811
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, voltaire, historical persons, midday meal, lunch
Inscriptions: inscription: ‘Mr. de la Borde chez Voltaire.’, collector's mark: Lugt 2228
Portret van Giulia Molino-Colombini
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Dominica XX. Post Pentecosten
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Artist: antonie wierix (ii)
Artist role: draughtsman, print maker
Artist dates: 1555 – 1604
Subjects: miracles of christ ~ healing the sick
Inscriptions: collector's mark: Lugt 2165

De hoofdman van Kafarnaüm smeekt Christus zijn zieke knecht die op sterven ligt te genezen. Bij verschillende elementen uit de voorstelling staan letters die corresponderen met de legenda in de marge.
Borobudur
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: java
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: flight of steps, places and objects of worship ~ hinduism, buddhism, jainism

Pagina 92 uit een schetsboek met 67 bladen.
Female attendant
Object type: figure
Date: 601 – 800
Materials: earthenware
Culture: chinese
Subjects: women

This figure and the others from the same ensemble (28.106.1-9) resemble the group of musicians and dancers excavated from the Tang dynasty Cen family tomb in Mengjin, Luoyang, Henan province.
Bead
Object type: bead
Date: 701 – 1300
Materials: ceramic
Techniques: glazing
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Reclamefoto met Mies Merkelbach als model
Object type: advertisement
Date: 1920 – 1935
Materials: plastic
Techniques: black and white slide
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: amsterdam, mies rosenboom-merkelbach, perfume bottle, adult woman, agreeable smell - aa - female human figure
Flute
Object type: flute
Date: 1795 – 1800
Materials: wood, ivory, metal
Location: london
Artist: richard potter
Artist dates: 1726 – 
Inscriptions: stamp: ‘'POTTER / JOHNSON’S COURT / FLEET STREET / LONDON'’

Gaaf geconserveerde en nog uitstekend speelbare vierdelige dwarsfluit van buxushout met ringen van ivoor, gepatenteerde stemschuif (tuning slide) en zes metalen kleppen met klepvoeringen van tin. In originele doos; stemming ongeveer a-440 Hz. Stempel: 'POTTER / JOHNSON’S COURT / FLEET STREET / LONDON'.