deem-data/ArtiFact huggingface dataset:
Head of a female figure
Object type: sculpture
Date: 800 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: heads,women

Carved in the round, this female head was found in the Burnt Palace at Nimrud and was blackened through exposure to fire during the final defeat of Assyria at the end of the seventh century B.C. Originally, it may have been part of a composite statuette made of various materials and overlaid with gold. The fleshy cheeks, full lips, and small, receding chin are combined with stylized features such as the eyebrows and eyes, all characteristic of Syrian style ivories. The pupils are drilled to receive inlays in colored glass or semiprecious stones. The hair, tucked behind the ears, falls in braids. Like other carved ivory female figures from the Neo-Assyrian period in the Metropolitan Museum’s collection (MMA 57.80.11, 57.80.12, 57.80.13, and 61.197.5), this figure is richly adorned with jewelry, including hoop earrings with pendants, and a woven diadem, studded with rosettes and a rectangular forehead ornament with pendant pomegranates. A diadem closely resembling the one depicted here, made of gold and inlaid with lapis lazuli and colored stones, was found in the grave of a royal woman at Nimrud. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Fragment of a Cup
Object type: fragment
Date: 1201 – 1600
Materials: glaze, stonepaste
Techniques: painting
Location: egypt
“- Aren't you getting dressed? - No... I remain like this in my swimming gear all day long, outside the swimming pool. - Even in winter? - Then I put on my hat!,” plate 28 from Croquis D'été
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Square Vase
Object type: vase
Date: 1801 – 1850
Materials: glaze, marble, porcelain
Culture: chinese
Jupiter and Antiope: The Larger Plate
Object type: print
Date: 1659 – 1659
Materials: ink, paper
Techniques: engraving, drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669

Slightly later than Rembrandt’s al fresco courtship scenes of the 1640s, this mythological outdoor work depicts one of the god Jupiter’s many mortal conquests. Jupiter appears disguised as a horned and wreathed satyr who comes upon the nymph Antiope slumbering in the nude in a woodland glade. Antiope remains asleep as he delicately peels away her covering sheet and examines her body appreciatively. The relationship between the perspective of the viewer and of the figures is close; we seem nearly to enter the glade, and Antiope’s bed, along with the intrusive god
Hartelijk Gefeliciteerd
Object type: ansichtkaart, prentbriefkaart
Date: 1880 – 1920
Materials: paint, photographic support, silk, textile, watercolor
Techniques: brush, gelatin silver print
Artist: Anonymous
Subjects: flowers, adult woman, historical persons
Plafonds
Object type: ornament print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: netherlands
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752

Plafond met rechthoekig middenstuk met een mythologische voorstelling gesteund door termen. De lange zijden gesteund door twee bogen. In de hoeken zijn consoles met een masker en een vaas te zien. Uit serie van 6 (mogelijk 12) bladen.
Pair of pilasters
Object type: pilaster
Date: 1701 – 1725
Materials: wood
Techniques: carving, painting
Belt Buckle Tongue
Object type: buckle tongue
Date: 301 – 700
Materials: iron, silver
Culture: burgundian or frankish
Brief aan Philip Zilcken
Object type: letter
Date: 1913 – 1913
Materials: ink, paper
Techniques: pen, printing, writing
Location: genoa
Artist: marie zénicheff
Subjects: painter, draughtsman, philip zilcken, applied arts, arts and crafts; industrial design, exhibition ~ art, italy, russia, london, brussels, prague, paris
Inscriptions: collector's mark: ‘RPK’
Artillery, Train, Germany, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 434 – 368
Materials: terracotta
Culture: etruscan

Interior, bent left leg and a bit of the right thigh of a male to right with a spear?; Exterior, part of a circumscribed palmette
Miss Thornton, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from "World's Beauties," Series 2 (N27), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, printing, writing
Location: brussels
Artist: alice holbach
Subjects: painter, draughtsman, philip zilcken, temporary exhibition, 'salon'
Inscriptions: collector's mark: ‘RPK’, monogram: ‘AH’
Falstaff liegt over zijn overwinning op Douglas
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: william shakespeare, literature, armour, lie; 'bugia' (ripa), falstaff
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor William Shakespeares 'Henry IV'. Latere staat gebruikt voor: Goettinger Taschen Calender vom Jahr 1786. Göttingen: Johann Christoph Dietrich, 1785.
Twee grotesken, naar links lopend
Object type: print
Date: 1600 – 1625
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: ornament ~ grotesque, fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa)

Twee grotesken, naar links lopend. De voorste heeft vogelpoten, de achterste hoeven. Uit serie van 12.
Executie van 't Vonnis, aan C. van der Burgh Burgemeester der Stad Bolswerd &c. &c., binnen Leeuwarden, den 16 May 1789
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: rienk jelgerhuis
Artist role: draughtsman, print maker
Artist dates: 1729 – 1806
Subjects: mayor, pardon, reprieve, violent death by hanging, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Terechtstelling van Cornelis van der Burg, uitgesproken patriotse burgemeester van Bolsward, te Leeuwarden op 16 mei 1789. Voor het schavot een grote massa toeschouwers. Als de burgemeester geblinddoekt knielt op het schavot houdt de beul het zwaard boven zijn hoofd en wordt het doodsvonnis omgezet in een verbanning van twintig jaar.
Civil official
Object type: figure
Materials: earthenware, glaze, pigment
Culture: chinese
Subjects: men

Despite the fact that they undoubtedly depict foreigners of Western origin, these officials are dressed in the typical Tang-dynasty Chinese court dress of a long, wide-sleeved tunic over a long gown. Their hats illustrate two varieties of the standard headgear of Tang-dynasty Chinese court officials.
Portret van Catharina Howard
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: engraving
Location: london
Subjects: london, historical persons, queen
Inscriptions: collector's mark: Lugt 2228
Neckpiece
Object type: neckpiece
Date: 1700 – 1945
Culture: american or european
Gold beads, perhaps from a necklace
Object type: bead, spindle, with spherical control
Date: 600 – 501
Materials: gold
Culture: cypriot

Beads, spindle, with spherical controls.
Tobiuo and Ishimochi Fish, from the series Uozukushi (Every Variety of Fish)
Object type: woodblock print
Date: 1840 – 1849
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: fish
Broadsheet relating to a young girl who was beheaded while her father Tomás Sánchez left her at home alone
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: girls,death,documents
Staande vrouw met een mand
Object type: sketchbook leaf
Date: 1868 – 1887
Materials: pencil
Artist: jan willem van borselen
Artist role: draughtsman, print maker
Artist dates: 1825 – 1892
Subjects: standing figure, container made of plant material other than wood: basket

Blad 32 recto uit een schetsboek met 51 bladen.
Sint-Pietersberg met de ruïne van kasteel Lichtenberg
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: etching
Artist: alexander schaepkens
Artist role: draughtsman, print maker
Artist dates: 1815 – 1899
Subjects: low hill country
Inscriptions: collector's mark: Lugt 2228

Zicht op de Sint-Pietersberg met de ruïne van kasteel Lichtenberg en de kasteelhoeve. Links aan de overzijde van de Maas de dorpskerk van Heugem.
Gezicht in het dorp Harmelen
Object type: drawing
Date: 1749 – 1749
Materials: paint, ink, paper, watercolor
Techniques: brush, pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: date: ‘23 Augustus 1749’
Bewening van Christus
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ's body lying on the ground
Inscriptions: collector's mark: Lugt 2228

Het lichaam van Christus ligt op een lijkwade aan de voet van het kruis. Maria, Johannes, Maria Magdalena en twee vrouwen treuren bij het lichaam. In het kader in de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.
Miniature oval frame
Object type: frame
Date: 1765 – 1765
Materials: gilt bronze
Subjects: flowers
Fishing
Object type: painting
Date: 1862 – 1863
Materials: canvas, oil
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: men,women,fishing,dogs,boats
Rapier
Object type: rapier
Date: 1534 – 1566
Materials: steel
Culture: spanish
Location: spain
Artist: juan martinez the elder
Artist role: bladesmith
Artist nationality: spanish
Artist dates: 1525 – 1575

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Maddalena Corvina
Object type: print
Date: 1636 – 1636
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: portraits,women
Hieratic ostracon
Object type: ostracon, hieratic
Date: 1295 – 1070
Materials: ink, limestone, paint
Location: egypt

Ostraca (plural for ostracon) are potsherds used as surfaces on which to write or draw. The term is used, by extension, to refer to chips of limestone, which were employed for similar purposes. Despite their humble appearances, ostraca bear a wide range of images and texts, including administrative documents, literary texts, and depictions of royal and divine figures. The texts were mostly written with reed pen and ink of two colors, red and black, and inscribed in Hieratic, the cursive script of ancient Egypt throughout most of its periods. This ostracon is inscribed with an hieratic text noting distribution of lamps/torches.
Paardenkar op het terrein van distilleerderij Delizy & Doistau Fils in Pantin
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: pantin
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), factory-building, alcoholic drinks

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Tempel in Bilabadjang, Bali, voormalig Nederlands-Indië
Object type: photograph
Date: 1890 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: onnes kurkdjian
Artist role: fotograaf
Artist dates: 1851 – 1903
Inscriptions: number: ‘14’, check stamp: ‘Kurkdjian / Sourabaia Java’, annotation: ‘Tempel te Bilabadjang. Bali’, stamp: ‘Foto Kurkdjian, Soerabaia (...)’

Een Javaanse jongeman poseert bij een rijk geornamenteerde tempel.
Groep zwaar boomgewas
Object type: print
Date: 1806 – 1860
Materials: paper
Techniques: etching
Location: oudewater
Artist: eberhard cornelis rahms
Artist role: print maker, publisher
Artist dates: 1823 – 1907
Subjects: forest, wood, water meadows, water-birds
Inscriptions: inscription: ‘Koper - N 11 geetst Juny 1860 / Groep zwaar Boomgewas / ECR / Zelf Gedrukt Juny 1860’, collector's mark: Lugt 2228

Gezicht op een stuk bos met op de voorgrond een watertje met enkele watervogels. Links op de achtergrond twee figuren.
Gezicht op Mount Kineo en Moosehead Lake, Maine
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: photograph
Location: moosehead lake
Subjects: lake, mountains
Fork
Object type: fork
Date: 1700 – 1800
Materials: iron
Culture: american
Location: united states
Diverses paisages
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: windmill in landscape - ii - ideal landscapes, landscapes, farmers, windmill
Inscriptions: collector's mark: Lugt 240

Prent uit een reeks van 12 prenten met landschappen. Getekende voorstudie wordt bewaard in de Hermitage te St. Petersburg (inv. nr. 14177).
Hoveling buigt voor de jonge Lodewijk XIV van Frankrijk
Object type: print
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: leiden
Subjects: lodewijk xiv (koning van frankrijk), throne-room
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Het leven en bedryf van den wytberoemden en grooten staatkundigen Julius Mazaryn. Leiden: Boudewijn van der Aa, 1699, dl. 2, f. 38.
Cordonnier
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Location: france
Artist: Anonymous
Subjects: hand, legs, shoe-maker, cobbler
Inscriptions: inscription: ‘Durillon charactéristique (...) l'opération du clouage.’

Boven twee handen met beschadigingen en een instrument, onder een been en een schoenmaker.
Border
Object type: textile
Date: 1601 – 1633
Materials: cotton, glass, lace, linen, textile
Techniques: lace, cutting, drawing, interlocking, weave, stitching
Location: italy
Geschiedenis van Judit en Holofernes
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: nebuchadnezzar gives holofernes the command of an army to fight the neigbouring states

De koning van de Assyriërs Nebukadnessar zit op een troon en ontbiedt zijn opperbevelhebber Holofernes. Hij geeft hem de opdracht ten strijde te trekken tegen de buurvolkeren. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Judit 2:4. Deze prent maakt deel uit van een album.
True valour is always invincible / Virtus timoris nescia sordidi / La vraye valeur est toujours invincible
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: the army of porus and its elephants are conquered by alexander, battle
Inscriptions: collector's mark: Lugt 1838, collector's mark: Lugt 240

Dit object is omwille van een betere presentatie virtueel samengevoegd, maar bestaat fysiek uit losse onderdelen.
Galerij met vazen, sculpturen en schilderijen
Object type: stereograph
Date: 1852 – 1858
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: gallery of sculptures
Glass beaker
Object type: beaker
Date: 1 – 200
Materials: glass
Culture: roman

Translucent yellow green. Plain, knocked-off, and ground rim; tall, conical body with straight side, tapering downwards and curving in at base; slightly concave bottom. On upper half of body, seven bands of horizontal grooves, alternating as four thick and three narrow lines. Broken and repaired, with two holes in rim and one long hole in lower half of body; many pinprick and a few larger bubbles; deep pitting and weathering, and iridescence on exterior, thick weathering and iridescence on interior.
Architectuurstudies
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: arch, archivolt ~ architecture, architecture

Linksboven een studie van een rondboog, mogelijk van een poort. Links en rechts studies van architectonische details. Blad 44 recto uit een schetsboek met 52 bladen vervaardigd in de omgeving van Kampen, Hattem, Hoorn en Zwolle.
Limestone statue fragment of a right hand with a bracelet, holding a flower
Object type: statue fragment of a right hand with a bracelet, holding a flower
Date: 400 – 201
Materials: limestone
Culture: cypriot
Subjects: hands

The right hand holds a flower with five petals; a bracelet circles the wrist. The nails are carefully articulated.
Kalenderblad voor februari 1901
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: c.a.j. van dishoeck
Artist role: publisher
Artist dates: 1863 – 1931
Subjects: ornaments ~ art, calendar, almanac

Kalenderblad voor februari 1901 van de kalender 'Bloem en Blad', met een randdecoratie van uitkomende bladeren en bladknoppen aan takken.
Titelpagina voor: Rodrigo de Arriaga,  Disputationes theologicae. Antwerpen: 1643
Object type: titelblad, titelpagina
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, god the father (as bearded old man) enthroned, usually with crown or tiara, and with sceptre and/or globe
Inscriptions: collector's mark: Lugt 240

God de Vader zit op een stoel in de hemel. Hij rust met zijn voet op een globe waarop het paradijs te zien is. Op een sokkel staan de personificaties van Licht (links) en Geloof (rechts). Geloof schrijft met een veer de titel van het boek op een stenen plaat.
Vignet met twee putti
Object type: ornament print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: france
Subjects: (lovers) kissing each other, vignette, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Vignet met twee kussende putti in een rechthoekige omlijsting.
The Noord-West-Buitensingel in The Hague
Object type: painting
Date: 1863 – 1863
Materials: oil, panel, paper
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: water course (+ landscape with figures, staffage)
Inscriptions: signature: ‘MM.’

Gezicht op de Noord-West-Buitensingel te Den Haag. Links huizen, aan de oever van de gracht ligt een boot.
Portret van een vrouw
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: numa blanc
Artist role: publisher
Artist dates: 1816 – 1897
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Paris 1867/ Numa Blanc/ Langerock sr/ Peintre-Photographe/ De S.M. le roi de Prusse/ 29, Bould des Italiens, 29/ Paris’
Tray
Object type: tray
Date: 1801 – 1900
Materials: gold, lacquer, silver
Techniques: hiramakie
Culture: japanese
Subjects: dragonflies
Figuurstudies en een paard-en-wagen
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Location: scheveningen
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult man, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

Pagina 5 uit een schetsboek met 37 bladen.
Ovaal studioportret van vrouw, buste
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: albumen print
Location: amsterdam
Artist: willem gerhardus kuijer
Artist role: fotograaf, hoffotograaf
Artist dates: 1834 – 1899
Subjects: amsterdam
Inscriptions: name: ‘W.G. Kuijer Westermarkt 19 Amsterdam’
Fotoreproductie van een tekening van het gebruik van een apparaat om foto's mee te kleuren en te retoucheren
Object type: page
Date: 1890 – 1900
Materials: paper
Techniques: autotype
Location: paris
Artist: charles louis klary
Artist role: fotograaf
Artist dates: 1837 – 
Subjects: colours, pigments, and paints
Trekpot
Object type: teapot
Date: 1746 – 1746
Materials: silver, wood
Location: haarlem
Artist: albert gaillard
Artist role: silversmith
Inscriptions: maker's mark: ‘AG, toegeschreven aan Albert Gaillard (Voet 117; Citroen 1988, nr. 162)’, : ‘schrijfletter L = Alkmaar 1795’, mark: ‘stadskeur Haarlem, jaarletter M = 1746’

De ronde pot rust op een holle standring, en heeft een lichaam dat bestaat uit een gedrukt bol en een gerekt hol gedeelte, gescheiden door bolle profielen, en aan de bovenzijde afgesloten door een dubbele bolle rand. Het bol gewelfde deksel heeft een dubbele profielrand en wordt bekroond door een vaasvormige knop, waarvan het lichaam in hout is uitgevoerd. Het onderste deel van het lichaam is versierd met dekkleden, kwasten en ingedreven schelpen, dat op het deksel wordt herhaald ; het gerekt holle deel aan de bovenzijde met een bladrand. Het recht uitstaande S-vormige houten oor is gevat in rechte zilveren manchetten. Het onderste gedeelte van de ingesnoerde, S-vormige tuit heeft de vorm van een bloemkelk met facetten.
Notities
Object type: endleaf
Date: 1908 – 1927
Materials: ink, paper, pencil
Techniques: pen
Inscriptions: inscription: ‘Schetsboekje van/ mijn vriend/ G.W. van Blaaderen./ Jan Ponstijn’, retailer's mark: ‘THE PARIS AMERICAN ART Co/ 2, Rue Bonaparte, 2/ 125, Boul. de Montparnasse/ PARIS’, date and inscription: ‘8 Augustus/ 1927 (...) 23884 Concarneau/ 251’

Voorste schutblad uit een schetsboek met 33 bladen.
Canary and morning glories
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858