deem-data/ArtiFact huggingface dataset:
Ruytergevecht tusschen den E Heer van Breaute ende Geraert Leckerbeetien Ao. 1600
Object type: history print
Date: 1630 – 1650
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: den bosch, battle (+ land forces)

Het gevecht van Lekkerbeetje. Ruitergevecht op de Vughterheide bij Den Bosch tussen de Spaanse ruiters onder Anthony Schetz van Grobbendonck en de Staatse ruiters onder de Pierre de Breauté, 5 februari 1600. Op de voorgrond links ligt de gesneuvelde Gerardt Abrahamsz. Lekkerbeetje. In de verte 's-Hertogenbosch en Vught. Bovenin het wapen van Grobbendonck. Onderaan het opschrift Hoge Moedt Selde Goedt. Met onderschrift van 2 kolommen in het Nederlands en 2 kolommen in het Frans.
Satyr en nimf bedrijven de liefde
Object type: print
Date: 1825 – 1830
Materials: paper
Techniques: woodcut
Location: japan
Artist: yanagawa shigenobu (i)
Artist role: draughtsman
Artist dates: 1787 – 1832
Subjects: coitus, cohabiting, sexual intercourse
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Naakte satyr bedrijft de liefde met nimf in rood gewaad. Tekst in de linker en rechter bovenhoek.
Panel for a decorative frieze with portrait of Bernini (from a set of six)
Object type: panel
Date: 1771 – 1771
Materials: wood
Techniques: carving, gilding, painting
Subjects: men,flowers

One of nine panels forming originally a decorative frieze in the cabinet intérieur of Étienne-François, duc de Choiseul (1719-1785) at his château of Chanteloup. In an anonymous drawing dating to ca. 1771, six of the frieze panels are seen in the duke’s private cabinet, one of the most richly decorated rooms in the castle, placed above large paintings by Giovanni Paolo Panini. Together the paintings and carved frieze panels, each with a medallion of a celebrated Italian artist framed by tied branches of laurel leaves and ribbon-tied garlands of flowers, commemorated Choiseul’s successful ambassadorship to the Vatican in 1753-1757. This particular panel has the portrait of the Italian sculptor and architect Gian Lorenzo Bernini (1598-1680) as indicated below the rendering in the French spelling of his name: Bernin. Overall, this and the other panels recall the decorative vignettes with profile medallion of famous artists designed by Jean-Baptiste Marie Pierre and engraved by Claude-Henri Watelet for the latter’s L’Art de peindre, published in 1760. It has been suggested that Choiseul’s architect Louis-Denis Le Camus may have directed the execution of the panels by the sculptor Jean-François Antoine Boulanger, the latter’s brother the joiner Jean-Éienne Boulanger, and possibly the painter-gilder Jean Gilles Ramier, all of whom worked for Choiseul around the time that the room was most likely decorated. After the duke’s death, the paintings were sold at auction in 1786 but the frieze remained in place. It was removed at an unknown date and six of the panels were later part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885, the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three of the panels are visible in Léopold Stevens’ (1866-1935) Interior of the Hoentschel Collection at 58 Boulevard Flandrin, Paris (2019.55). In 1906, Hoentschel sold the collection to J. Pierpont Morgan who gave the panels with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art the following year.
Pair of candlesticks
Object type: candlestick
Date: 1801 – 1900
Materials: brass
Isle of Shoals, from the Fancy Bathers series (N187) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Fancy Bathers" series (N187), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Portret van Joseph Le Bon
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Waarschuwing tegen de vredesonderhandelingen te Keulen
Object type: jeton
Date: 1579 – 1579
Materials: silver
Techniques: striking
Location: dordrecht
Artist: gerard van bylaer
Artist role: die cutter
Artist dates: 1540 – 
Subjects: earl, cologne

Zilveren penning. Voorzijde: twee ruiters en twee soldaten te voet met elkaar in gevecht binnen omschrift. Keerzijde: twee lijken, waarvan de hoofden op staken zijn geplaatst binnen omschrift
Gezicht op de Hervormde kerk te Leur
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: leur
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior), landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: annotation: ‘W’, annotation: ‘N.H. Kerk te Leur bij Wijchen (G.)’
Wa Yura, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Portret van Đorđe Stratimirović
Object type: print
Date: 1849 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: vienna, politician, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Met eenregelig onderschrift in het Duits.
Jan van der Does, from Quatuor Personae
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, letterpress
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658
Bekende tijdgenooten naar het leven geschetst
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: amsterdam, historical persons
Inscriptions: collector's mark: Lugt 2228

Verschenen in het bijvoegsel van 'De Amsterdammer, Weekblad voor Nederland' van 27 oktober 1895.
Design for a Vessel with Hunting Scenes
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: hunting,dogs,horses
Goblet
Object type: goblet
Date: 900 – 801
Materials: ceramic
Culture: iranian
Location: iran
Stroomversnelling
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: photography
Location: pyrenees
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: rapids
Inscriptions: number: ‘87.’
Vase fragment
Object type: vase fragment
Date: 100 – 100
Materials: terracotta
Culture: roman
Valentine
Object type: valentine
Date: 1878 – 1878
Materials: ink, lace, paper
Techniques: chromolithography, embossing, gilding, open work
Artist: Anonymous
Artist role: artist
Scènes met Hercules
Object type: print
Date: 1515 – 1565
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni jacopo caraglio
Artist role: goldsmith, print maker
Artist dates: 1500 – 1565
Subjects: (2) the hydra of lerna is killed by hercules, the hydra is killed by hercules assisted by iolaus, who sears the roots of the severed heads with burning brands; an enormous crab nips hercules' foot
Inscriptions: collector's mark: Lugt 240

Hercules en een metgezel (mogelijk Iolaus) gaan met knots en brandende fabbel de meerkoppige hydra van Lerna te lijf.
The Beau Monde
Object type: cartoon
Date: 1829 – 1829
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: dandy, beau, head-gear: hat
Inscriptions: collector's mark: Lugt 2760, stamp:, collector's mark: Lugt 2228

Torso van een dame met een enorme hoed waarop een aantal elegante mannenfiguurtjes zitten, waarvan er twee over de rand van de hoed buigen. Onder de afbeelding de titel en de ondertitel: "Our ladies heads are fill'd with Bows"
Winterakoniet (Eranthis hyemalis)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: winter aconite, insects: wasp, insects: caterpillar

Winterakoniet. Met een rups en een wespachtig insect. Genummerd rechtsboven: 325. Bovenaan de naam in drie talen. Onderdeel van het vierde album met tekeningen van bloemen en paddestoelen. Elfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, lower back, genitals, and thighs of a male with a chlamys; lower torso, genitals, and thighs of male to left
Hemidrachm (Coin) Depicting a Chimera
Object type: coin
Date: 400 – 300
Materials: metal, silver
Culture: greek
Location: greece

The front (obverse) of this coin depicts a mythical creature called a Chimera, running to the left. The back (reverse) shows a dove flying to the left.
Gevangene wordt voorgeleid en achteraan dodelijke martelmethodes
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Subjects: jury, violent death by burning at the stake; pyre, violent death ~ maltreatment, torture, corporal punishment in public

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.

Deze prent is ook gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Brief aan Willem Bogtman
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: ab bogtman, toos bogtman, draughtsman, joep nicolas, haarlem, willem bogtman
Vase fragment
Object type: vase fragment
Date: 120 – 300
Materials: terracotta
Culture: roman, gaul
Subjects: heads,women
Card Number 706, Miss Greenwood, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Zittende lezende oude vrouw
Object type: drawing
Date: 1865 – 1930
Materials: paper, pencil
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: reading
Fragment (Dress Fabric)
Object type: textile
Materials: fiber, gilt, silk
Techniques: bookbinding, patterning, weave
Location: middle east
Shard:  Head of Offerer with Plant
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: gandhara,heads
Christus en de Samaritaanse vrouw
Object type: miniature
Date: 1600 – 1700
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: christ and the woman of samaria: sitting at jacob's well he asks her for a drink from her jug

Op een rechthoekige plaat staat een halfronde, cilindrische waterput. Naast de put zit een man met baard. Zijn linkerhand ligt op de rand van de put. Tegenover de man staat een vrouw. Het beeld stelt Christus voor met de Samaritaanse vrouw. De plaat staat op vier bolpoten, heeft een gegraveerde zig-zag lijn langs de rand en heeft gegraveerde bladeren in een hoek. Het beeld is gemerkt met een onleesbaar merk.
Partially shorn sheep lying in the grass with insects hovering around its head
Object type: print
Date: 1655 – 1655
Techniques: etching
Artist: karel dujardin
Artist role: artist
Artist nationality: dutch
Artist dates: 1622 – 1678
Subjects: insects,sheep
Servet van linnendamast met een historisch tafereel
Object type: napkin
Date: 1706 – 1725
Materials: linen
Techniques: damask, weave
Location: flanders

Servet van linnendamast met de verheerlijking van Karel III als koning van Spanje na de slag bij Ramilies.
Utrechtse dubbele stuiver, 1790
Object type: coin
Date: 1790 – 1790
Materials: silver
Techniques: striking
Location: utrecht

Zilveren munt. Voorzijde: tussen waarde-aanduiding 2 S gekroond enkelveldig wapenschild van Utrecht. Keerzijde: onder muntteken tussen twee puntjes opschrift: provincienaam in drie regels, daaronder jaartal. Kabelrand.
The Wedding Feast of Cupid and Psyche
Object type: dish
Date: 1558 – 1558
Materials: copper, enamel, gilt
Techniques: painting
Artist: pierre reymond
Artist role: artist
Artist nationality: french
Artist dates: 1513 – 1590
Subjects: men,women,cupid,psyche,dining

Enameling is a technique whereby a vitreous substance, often containing pigment, is fused with metal to produce a glossy surface. Limoges became a center for enameling as early as the twelfth century, when the art flourished in monastic workshops. In the late fifteenth century, this city in central France emerged as a center of secular as well as ecclesiastical enamelwork, and the school flourished throughout the sixteenth century. Among the most famous and prolific of the enamel painters practicing in sixteenth-century Limoges was Pierre Reymond (1513–after 1584), the author of this dish. Reymond's mastery of his medium is evident in the rich tonal range, the accurate modeling of his figures, and the sense of life and action. The restricted palette, in which white, black, and red are combined into rich, varied gray tones—hence the name grisaille painting—is enlivened by the decorative use of gold. The lip of the dish is remarkable for its rich vegetal decoration from which varied figures emerge. Reflecting Reymond's pride as an artist, the dish prominently displays his initials and the date 1558. Renaissance humanists interpreted the wedding of Cupid and Psyche, a subject drawn from The Golden Ass by Lucius Apuleius (born ca. 124 A.D.), as the union of desire and soul.
Design for a Pendant Combined with Sirens and Dragonflies
Object type: print collection ornament architecture
Date: 1616 – 1616
Techniques: embroidery, engraving
Location: germany
Artist: daniel mignot
Artist role: artist
Artist nationality: french
Artist dates: 1593 – 1616
Subjects: pendants,dragonflies

Design for a pendant, hanging from a ribbon. The pendant is made up out of Schweifwerk and has three pearls attached to it. On both sides of the pendant a dragonfly and a siren are depicted in silhouette style using the blackwork technique.
Earrings
Object type: earring
Date: 146 – 30
Materials: gold
Culture: greek or roman
Interieur van een museumzaal in het Musée du Louvre in Parijs
Object type: stereograph
Date: 1855 – 1860
Materials: cardboard, photographic support
Techniques: albumen print
Location: louvre museum
Artist: Anonymous
Subjects: permanent exhibition, museum
Inscriptions: number: ‘No. 109 14.’, inscription: ‘La salle des antiques au Louvre, prise a la porte d'entrée’
North Carolina, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "Flags of the States and Territories" series (N11), issued in 1888 in a set of 47 cards to promote Allen & Ginter brand cigarettes. There are also approximately 100 scroll color variations. The museum's collection contains the full set of 47 cards, as well as 54 scroll color variations and one cutout card.
Six Brigandine Plates
Object type: six brigandine plate
Date: 1401 – 1500
Materials: copper alloy, iron, textile
Culture: european
Location: greece

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Maria met Kind, omringd door engelen
Object type: print
Date: 1683 – 1733
Materials: paper
Techniques: engraving
Subjects: madonna: i.e. mary with the christ-child, angels
Inscriptions: collector's mark: Lugt 2228
Poncho
Object type: poncho
Date: 1864 – 1880
Materials: wool
Culture: mexican
Gezichten op Parijs
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view in general; 'veduta', palace
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met 60 platen van monumenten, kathedralen en paleizen in Parijs.
Plate 23, from Landscapes with Scenes from the Old and New Testament and Ovid’s Metamorphoses
Object type: print
Date: 1574 – 1574
Materials: ink, paper
Techniques: etching
Location: belgium
Artist: hans bol
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1534 – 1593
Inscriptions: Lettered lower right: "23"
Newhaven Fishwives
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: women
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, two fragments with parts of palmettes
Proefschrift van Johan Gerard Hendrik Swellengrebel, Universiteit Utrecht 1844
Object type: book
Date: 1844 – 1844
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: johan gerard hendrik swellengrebel
Artist dates: 1821 – 1854
Subjects: utrecht, johan gerard hendrik swellengrebel

Dissertatio Historico-Philosophica exhibens Veterum de Elementis-Placita. Proefschrift van Joannes Gerardus Henricus Swellengrebel, Universiteit Utrecht 1844. Met omslag van groen papier. Onderdeel van de groep publicaties door leden van het geslacht Swellengrebel.
Meisje met een schaal vruchten
Object type: print
Date: 1828 – 1887
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adolescent, young woman, maiden, fruits
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Kunst-Verlag F. Sala & Co Berlin’
Portret van schrijver Vincenzo Monti
Object type: print
Date: 1783 – 1840
Materials: paper
Techniques: etching
Location: italy
Artist: luigi rados
Artist role: print maker
Artist dates: 1773 – 1840
Subjects: historical persons, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Naar een schilderij door Andrea Appiani in de Pinacoteca di Brera te Milaan.
Lyk-staetsie van zyne doorluchtigste Hoogheid den Heere Willem [IV] Carel Hendrik Friso, Prince van Orange en Nassau (...) gehouden den IV Februari 1752
Object type: print
Date: 1752 – 1755
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: the hague, willem iv (prins van oranje-nassau), military parade, pageant (+ cavalry, horsemen), cortege, funeral procession, delft

Dragonders en een trommelslager. In de marge het onderschrift in Nederlands, Frans en Engels. Onderdeel van een serie van 41 platen van de begrafenisstoet van stadhouder Willem IV te Delft op 4 februari 1752. Genummerd rechtsboven: N. 1. In de gebonden uitgave van 1755.
Gil Blas in gesprek met Pedrillo en kapitein Don Annibal
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: berlin
Subjects: literature, wooden leg, interior of the house, conversation, dialogue; conversation piece, disabilities affecting the eyes
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor 'Gil Blas de Santillane' van Alain-René Lesage. Een latere staat gebruikt in: Almanac de Gotha (...). Gotha: C. W. Ettinger, 1784.
Portret van Johannes Colerus
Object type: print
Date: 1694 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: johannes colerus (1647-1707), theologian, study; 'studiolo'; library, book
Inscriptions: collector's mark: Lugt 2228

De schrijver en theoloog Johannes Colerus zittend aan een tafel en wijzend op een boek. In de marge zijn naam, titels en een lofdicht op zijn werk.
Landschap met herders en vee bij huis
Object type: print
Date: 1650 – 1695
Materials: paper
Techniques: etching
Location: france
Subjects: farm or solitary house in landscape (+ city(-scape) with figures, staffage), herd, flock
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Dameskleding, waaronder kragen, mouwen en japonnen
Object type: sketchbook leaf
Date: 1834 – 1906
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: fashion, clothing (+ women's clothes)

Blad 5 recto uit een schetsboek met 30 bladen.
Boy Asleep by Candle
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1700 – 1799
Shawl Border (Pallu)
Object type: costume and accessory
Date: 1820 – 1820
Materials: wool
Techniques: interlocking, weave
Location: kashmir
Subjects: floral, paisley, floral motifs

The earliest Kashmir shawls introduced to Europe were made of white cashmere wool with decorated ends containing rows of stylized floral buta motifs. The pattern became known as paisley in English, after the town in Scotland that was a center of shawl weaving. The fine wool of a shawl’s central area was always the most fragile component, and this long shawl has been mended with two nearly invisible seams across the central white field. Europeans valued Kashmir shawls so highly that even fragments of the decorative borders were preserved, collected, and treasured.
Lillebil Christensen IV
Object type: print
Date: 1920 – 1920
Techniques: etching
Artist: ernst oppler
Artist role: artist
Artist nationality: german
Artist dates: 1867 – 1929
Subjects: women,dancing
Sala Tiga
Object type: drawing
Date: 1762 – 1783
Materials: ink, paper
Techniques: brush, pen
Location: salatiga
Artist: a. de nelly
Artist role: draughtsman
Subjects: fortress, java

Gezicht op het fort van de VOC te Salatiga. Weg naar de vesting in open land waarover drie figuren lopen. Links drie hutjes, rechts omheind terrein en boer leunend op schop. Heuvels op achtergrond.