deem-data/ArtiFact huggingface dataset:
Cabochon for a Ring
Object type: cabochon for a ring
Date: 801 – 1200
Materials: gemstone
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Nesting Table
Object type: nesting table
Date: 1860 – 1870
Materials: paper
Culture: american
Location: united states
The Street Singers
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: charles maurand
Artist nationality: french
Artist dates: 1824 – 1904
The Sick Lion Summons the Animals to His Bedside from the Sick Lion blockbook, 2nd edition
Object type: print
Date: 1465 – 1465
Techniques: hand coloring, woodcut
Artist: anonymous, german, ulm or basel, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: dogs,donkeys,horses,lions

The Sick Lion block book, consisting of nine woodcuts with text banderoles and almost three hundred lines of manuscript text, was created in the region of Basel in the 1450s. The fable of the sick lion formed the core of numerous literary works of the medieval period. The specific text of the block book, however, seems to have originated in that region, and its woodcut images have no known visual precedent. Two examples of the first edition exist; the Metropolitan's sheet is the only known surviving sheet from a later edition, copied probably less than a decade after the original. In the story, all the animals except the fox come to visit the sick lion. The wolf tells the lion that the fox does not care about his well-being. The fox gets his revenge by telling the lion that in traveling far and wide seeking a cure, he has learned that in order to get well the lion must skin a wolf alive and wrap himself in the warm skin. Although the fox seems to be the hero of the story, readers are also admonished that only unquestioning trust in their master--the lion, and by extension, the Church--will safeguard them from the evils of both the wolves and foxes of this world.
Relief Fragment
Object type: fragment
Date: 501 – 700
Materials: ivory
Culture: coptic
Location: egypt
Portrait of three unknown blacksmiths with tools from Lahore, Punjab, Pakistan
Object type: photograph
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Location: lahore
Artist: Anonymous
Subjects: smith, blacksmith, human races; peoples; nationalities
Inscriptions: inscription: ‘BLACKSMITHS./ HINDOOS./ LAHORE.’, number: ‘(229)’
Gezicht op het voormalige jachtslot van Oldenbarnevelt of Torenzicht te Poeldijk
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: poeldijk
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle
Inscriptions: annotation: ‘Poeldijk (Z.H.)/ Torenzicht voormalig jachtslot van Oldenbarneveldt/ Nov. 1904’, annotation: ‘Voormalig jachtslot van Oldenbarneveldt/ Nov. 1894 Poeldijk’
Bezoek aan een dorp
Object type: album leaf
Date: 1927 – 1931
Materials: paper, photographic support
Techniques: gelatin silver print
Location: suriname
Artist: Anonymous
Subjects: village, suriname

Albumblad met vijf foto's van een bezoek gebracht door een groep Europeanen aan een Surinaams dorp. Onderdeel van het album van de familie Guilonard over de bauxietwinning in Moengo en Albina in Suriname in de jaren 1929-1930.
Fragment rood damast met een zelfkant van satijn
Object type: zijdedamast
Date: 1700 – 1750
Materials: silk
Techniques: damask
Location: china
Artist: Anonymous

Fragment rode damast, oosters textiel. Het patroon heeft bloemen met omgekrulde takken.
Herbarius - Gart der gesuntheit - Hortus sanitatis
Object type: book
Date: 1485 – 1485
Techniques: hand coloring, woodcut
Location: germany
Artist: hans schönsperger the elder
Artist role: publisher
Artist nationality: german
Artist dates: 1481 – 1520
Subjects: flowers
Roman Key Ring with Inscription
Object type: ring
Date: 301 – 400
Materials: gold
Culture: byzantine

Surviving images of rings and their wearers offer a window into the personal values and beliefs of premodern peoples. Here, finger rings are paired with portraits in which rings play a prominent role in the imagery of personal identity. By considering who wore rings and why, we develop an appreciation of the meanings attached to these objects and the many contexts in which they appear from antiquity through the early modern period.
Gezicht op de Amstel gezien vanaf de Munt naar de Halvemaansbrug
Object type: drawing
Date: 1666 – 1703
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: jan van call (i)
Artist role: draughtsman, print maker
Artist dates: 1656 – 1706
Subjects: city-view in general; 'veduta', river, bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Port. 4A6’, collector's mark: ‘4A’ Lugt 1641b, inscription: ‘op de BinnenAmstel.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel van Doelensluis tot Blauwbrug.
Armchair (one of a pair)
Object type: armchair
Date: 1701 – 1800
Materials: wood
Techniques: carving, gilding, painting
De Spiegel
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: reading, bible, mirror
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Luyken, Jan. Het leerzaam huisraad, vertoond in vyftig konstige figuuren, met godlyke spreuken en stichtelyke verzen. Amsterdam: weduwe Pieter Arentsz. II en Cornelis van der Sys, 1711, p. 54.
Ornament met herten, jachthonden en bladranken
Object type: book illustration
Date: 1683 – 1733
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: ornament derived from animal forms, hoofed animals: deer, hunting dogs, ornament ~ festoon, garland, foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2228

Prent oorspronkelijk bedoeld voor: Figures de la Bible. Amsterdam, Bernard Picart, 1720. Prent ook gebruikt in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (...) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (...) en met beschrijvingen uitgebreid. Den Haag: Pieter de Hondt, 1728.
Prent kan mogelijk ook zijn gebruikt in andere bijbels.
Vase with cover (part of a garniture of three vases)
Object type: vase with cover
Date: 1773 – 1773
Materials: hard paste porcelain
Artist: bristol
Artist role: factory
Artist nationality: british
Subjects: trees
Haarlem Citizen
Object type: painting
Date: 1529 – 1529
Materials: oil, paint, panel
Location: haarlem
Artist: jan van scorel
Artist role: draughtsman, painter, print maker
Artist dates: 1495 – 1562
Subjects: head-gear: cap (+ men's clothes), anonymous historical person portrayed
Inscriptions: inscription, bottom transverse of the frame, on the cartellino: ‘A[nn]o m d xxix // [A]Etate vero xlvi’

The only thing known about this man is inscribed in Latin on the trompe-l’oeil cartellino on the original frame: ‘In the year of our Lord 1529 / true age 46.’ The word ‘true’ implicitly emphasizes the memory of his appearance at that specific moment. The little piece of paper seems about to come loose at any moment and thus refers to the transience of earthly existence.
Portretstudie van een onbekende jonge vrouw
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Artist: h.o. klein
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: collector's mark: ‘Worcester Public Library/ Victoria Institute’

Prent op zevende ongenummerde pagina na pagina 96.
Twee vuurbokken
Object type: print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: andiron, fire-dog
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerde vuurbok op leeuwenpoten met guirlandes en een lier. Daaronder een geornamenteerde vuurbok met guirlandes, twee bollen en een vaas met vuur.
Serving spoon
Object type: spoon
Date: 1711 – 1712
Materials: silver
Artist: lewis mettayer
Artist role: maker
Artist nationality: british
Artist dates: 1640 – 1740
Cosmetic Container and Applicator
Object type: vessel
Date: 301 – 400
Materials: bronze, glass
Culture: roman
Location: italy
Londres et ses Environs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: trafalgar square
Artist: Anonymous
Subjects: ornamental fountain
Inscriptions: inscription: ‘Jets-d'eau de Trafalgar Square’
Chez le garde
Object type: photomechanical print
Date: 1872 – 1879
Materials: paper
Techniques: woodburytype
Artist: georges jean marie haquette
Artist role: painter
Artist dates: 1853 – 1906
Subjects: the naughty child, glass of wine
Inscriptions: inscription: ‘Musée pour tous 1877’
Prentverkoper
Object type: magazine
Date: 1841 – 1841
Materials: paper
Techniques: letterpress printing, lithograph
Location: france
Artist: Anonymous
Subjects: print, e.g.: engraving, etching, lithograph, street-trader, merchant, salesman
Inscriptions: collector's mark: Lugt 2228

Gepubliceerd in 'Le Magasin Pittoresque', 1841, dl. 16, p. 121.
Vase
Object type: vase
Date: 1622 – 1722
Materials: porcelain
Culture: chinese
Windvlaag waait langs bomen en een stenen brug met figuren en dieren
Object type: print
Date: 1762 – 1829
Materials: paper
Techniques: etching
Artist: jean louis demarne
Artist role: draughtsman, painter, print maker
Artist dates: 1752 – 1829
Subjects: animals, landscapes with waters, waterscapes, seascapes (in the temperate zone), winds, bridge
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Herder met een kudde schapen in een heuvellandschap
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep
Inscriptions: collector's mark: Lugt 2228
De Heilige Familie met Johannes de Evangelist, Maria Magdalena en Nicodemus
Object type: print
Date: 1510 – 1515
Materials: paper
Techniques: drypoint
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll, holy family with others, e.g.: anna, the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 240

Maria zit op een houten bank met het Christuskind op schoot. Aan haar rechterzijde Jozef, achter haar Johannes de Evangelist, Maria Magdalena en Nicodemus.
King's attendant
Object type: crèche figure
Date: 1767 – 1833
Materials: gilt, gold thread, metal, silk, silver, terracotta, fiber
Techniques: polychrome
Subjects: men
Zelfportret in medaillon omringd door schildersattributen
Object type: drawing
Date: 1705 – 1754
Materials: paint, ink, paper
Techniques: brush, pen
Artist: jacob de wit
Artist role: draughtsman, painter, print maker
Artist dates: 1695 – 1754
Subjects: amsterdam, painter, draughtsman, jacob de wit, historical persons, portrait, self-portrait of painter, tools, implements of painter, portrait, self-portrait of artist
St Simon, from Christ, the Apostles and St Paul with the Creed
Object type: print
Date: 1589 – 1589
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower left: "HG. fe." and below image: "X. Remissionem peccatorum 11."
Statuette of Isis nursing Horus (missing above the legs), inscribed for Hor son of Padihorresnet
Object type: statuette, isi, horus padihorresnet
Date: 611 – 594
Materials: bronze, gilt silver
Location: egypt
Subjects: horus,isis,nursing

This figure of Isis, now missing all but the lower legs of the nursing figure of the child that was seated on her lap, has an exceptionally fine countenance. The slightly slanted eyes and upturned lips characteristic of the 26th Dynasty are combined here with the extended brow and eyelines suitable to a divinity. The goddess wears the horned headdress that by the Late Period she had adopted from the goddess Hathor as well as the vulture cap that emphasized the maternal role of goddesses. The small base under her feet bears an inscription asking that "great Isis" give life, prosperity, and health to the "Chamberlain of the Divine Consort, Hor, son of the Prince, Count, Overseer of Upper Egypt, Overseer of the Great House of the Divine Consort, Padihorresnet." Although Hor is not well known, his father, Padihorresnet, was the highest official of Nitocris, the God's Wife of Amun, and in his day he was one of the most important men in Thebes. The dates given above for this statue reflect his term in office. The decoration of the figure is unusual. Gilded-silver inlaid bands were hammered into the recess between the horns and the sun disk on both sides, and the whites of the eyes are gilded silver or electrum, from which much of the gold surface has been abraded.
Dvellvm Eqvinvm
Object type: print
Date: 1583 – 1587
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: don juan van oostenrijk, fighting horses
Inscriptions: number: ‘79’, collector's mark: Lugt 2228

Twee paarden vechten. Een van de paarden bijt de andere in het oor. De prent heeft een Latijns onderschrift en maakt deel uit van het eerste deel van een 39-delige serie over de paardenrassen uit Koninklijke stallen van Don Juan van Oostenrijk.
Patch box
Object type: patch box
Date: 1734 – 1766
Materials: silver
Subjects: birds,women,flowers,trees
Fotoreproductie van een schilderij met twee kinderen die hout sprokkelen
Object type: photograph
Date: 1875 – 1875
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: woodgathering, woodgatherer
Landschap met wandelend stel
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: landscapes in the temperate zone
Lezende jonge vrouw aan een tafel
Object type: drawing
Date: 1770 – 1837
Materials: chalk, paper
Artist: taco scheltema (i)
Artist role: draughtsman
Artist dates: 1760 – 1837
Subjects: reading
Plate
Object type: plate
Date: 1755 – 1758
Materials: soft paste porcelain
Artist: william duesbury
Artist role: enameler
Artist dates: 1725 – 1786
Subjects: insects
Putti en saters
Object type: print
Date: 1644 – 1652
Materials: paper
Techniques: etching
Location: antwerp
Subjects: boy (child between toddler and youth), male bacchant(es), satyr(s) (in general), goat
Inscriptions: collector's mark: Lugt 2228
Mask of a man who wore a striped headcloth
Object type: mask, man, striped headcloth
Materials: glass, paint, plaster
Location: egypt

The plaster masks derive from pharaonic traditions, in which the mask served as a substitute for the head of the deceased and as a means of elevating him or her to immortal status. The derivation is often reflected in paintings and texts located on the mantle surrounding the head. Like the painted mummy portraits, the masks suggest strongly individualized appearances and affect Roman fashions in hairstyle, jewelry, and dress. They follow, however, a somewhat different pattern. For example, female masks may have coiffures that combine Roman arrangements of the upper part of the hair with long corkscrew locks that were considered typically Egyptian. Despite the seeming individuality of the masks, most faces were made in a mold. Distinguishing details were worked in the plaster with a spatula or knife. The ears were added separately, and sometimes eyes were inlaid with glass or stone. The mask was then frequently painted or gilded.
Vrije graafschap Vlaanderen, munt van twaalf mijten, geslagen te Gent
Object type: coin
Date: 1584 – 1584
Materials: copper
Techniques: striking
Location: ghent
Artist: Anonymous
Subjects: vlaanderen, tachtigjarige oorlog

Voorzijde: gekroonde, staande leeuw boven jaartal binnen omschrift. Keerzijde: gekroond wapenschild binnen omschrift
Scènes uit de Commedia dell'arte
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: etching
Location: france
Subjects: types in 'commedia dell'arte'
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie van twaalf prenten met scènes uit de Commedia dell'arte door Huquier naar tekeningen door Gillot. De serie werd tussen 1729 en 1732 uitgegeven door Huquier en de weduwe van François Chéreau.
Portret van Sultan Mahmud, zoon van Ibrahim Adil-shah; na zijn vader is hij heerser over Bijapur geweest
Object type: indian miniature
Date: 1686 – 1686
Materials: paint, gold leaf, gouache, paper
Techniques: brush
Location: golkonda
Artist: Anonymous
Subjects: amsterdam, print maker, nicolaes cornelisz. witsen, historical person (...) - historical person (...) portrayed alone, ruler, sovereign
Inscriptions: annotation: ‘Sultan Mahmoud, Zoon van Ibrahim Adilstah Koning van Vigiapour’, collector's mark: Lugt 1838, collector's mark: Lugt 240

Sultan Mahmud is tot aan zijn heupen afgebeeld, naar links gewend, met in zijn linker hand een zwaard, in zijn rechter hand een bloem en een schild aan zijn linker zijde. Blad 40 in het `Witsen-Album', met 49 Indiase miniaturen van vorsten. Boven het portret een stukje papier met de naam in het Perzisch. Onder het portret een stukje papier met de naam in het Portugees.
In winter dress
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: autotype
Location: japan
Artist: Anonymous
Subjects: adult woman, parasol, sunshade
Bowl
Object type: bowl
Date: 734 – 601
Materials: bronze
Culture: assyrian
Location: iran
Subjects: flowers
Twee bladzijden met stalen van vignetten van goudkleurig metaalpapier en bijbehorend tabel
Object type: metallic paper
Date: 1830 – 1830
Materials: gold leaf, ink, paper
Techniques: manufacturing, writing
Location: france
Artist: Anonymous
Subjects: ornaments ~ art

Twee bladzijden met links 12 opgeplakte en met etiketten genummerde (294-234) stalen van afzonderlijke vignetten en emblemen van goudkleurig metaalpapier (stalen nrs. 277 en 233 ontbreken). Op de tegenoverliggende rechterbladzijde een tabel met de handgeschreven corresponderende specificaties (in code) per ornament. Onderdeel van het stalenboek geschonken door de dames Van Rijn, vermoedelijk van een Franse papierfabrikant van luxe papieren, of diens vertegenwoordiger in Nederland, ca. 1830.
Lucretia
Object type: print
Date: 1530 – 1580
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hans collaert (i)
Artist role: draughtsman, print maker
Artist dates: 1520 – 1581
Subjects: (story of) lucretia
Inscriptions: collector's mark: Lugt 2241, collector's mark: Lugt 2228

De naakte Lucretia in een nis. Ze staat op het punt zich te doorsteken met een dolk. De prent is deel van een serie met ontwerpen van bekende personen uit de Bijbel, de mythologie en de Oudheid als onderwerp.
Ring, inscribed
Object type: ring, inscribed
Date: 900 – 100
Materials: gold
Culture: etruscan
Calli e canali
Object type: photomechanical print
Date: 1888 – 1898
Materials: paper
Techniques: photoaquatint
Location: san marco square
Subjects: square, place, circus, etc., tower, clock tower ~ monumental adornment
Inscriptions: inscription: ‘d’
Benoeming van een nieuwe commissie die vergaderingen van de regering moet controleren
Object type: text sheet
Date: 1798 – 1798
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: municipal government, amsterdam
Inscriptions: collector's mark: ‘18.55’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [voor 1800].
Portret van een meisje en een jongen
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: boy (child between toddler and youth), historical persons, girl (child between toddler and youth)
Natuurkunde
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: on fire, ablaze, (flying a) gas balloon, balloon flight (sport), diving-bell, bathysphere, mine (+ coal), mine
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van natuurkundige zaken: een luchtballon, een steenkolenmijn, brand en een duikerklok. Boven elke voorstelling een titel en onder elke voorstelling een zesregelig vers. Genummerd rechtsboven: No. 18
Portret van Prins Frederik
Object type: drawing
Materials: chalk, paper
Artist: jacob joseph eeckhout
Artist role: draughtsman, print maker
Artist dates: 1793 – 1861
Subjects: berlin, frederik (prins der nederlanden), historical persons
Schipbreuk
Object type: drawing
Date: 1843 – 1911
Materials: paint, ink, paper, pencil
Techniques: brush
Artist: johannes huygens
Artist role: draughtsman
Artist dates: 1833 – 1911
Subjects: shipwreck

Rechts een hellend schip op een woeste zee. Links een sloep met mensen.
Schotel met het opschrift: Het booste quaed, niet in de vuilste quaen, maer in die, door 'et goe vernist, bestaen
Object type: platter
Date: 1675 – 1692
Materials: glass
Techniques: diamond point engraving, façon de venise, glassblowing
Location: low countries
Subjects: leiden, willem jacobszoon van heemskerk

Ronde schotel met omgeslagen rand, waarin een blauwe draad is gesmolten. Op de brede rand is in Italiaanse letters de volgende tekst gegraveerd 'Het booste quaed, niet in de vuilste quaen, maer in die, door 'et goe vernist, bestaen.'.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Three fronds of a palmette and concentric circles; below, an egg pattern with dots in the interstices