deem-data/ArtiFact huggingface dataset:
Muts, gebreid met een bol van rode zijde met ruitvormige, geometrische ornamenten van gouddraad en een omgekrulde rand van effen rode zijde
Object type: night cap
Date: 1600 – 1699
Materials: gold thread, silk
Techniques: knitting
Location: england
Artist: Anonymous

Muts, gebreid met een bol van rode zijde met ruitvormige, geometrische ornamenten van gouddraad en een rand van effen rode zijde. Rond gebreid met vier of vijf naalden. Het gouddraad is meegebreid met de rode zijde. Middenachter een 'naad', waar geminderd is. Geheel recht gebreid. De versiering bevindt zich op de bol, de omgekrulde 'rand' is effen. De muts is hoogstwaarschijnlijk in vorm gebracht door stomen en oprekken, aangezien er haast niet gemeerderd of geminderd is om de vorm te bereiken.
Dr. John Baptist v. Kirscher's nachgelassene kleinere Schriften
Object type: book
Date: 1868 – 1868
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing, marbling
Location: freiburg im breisgau
Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses
Object type: print
Date: 1526 – 1526
Techniques: engraving
Artist: giovanni jacopo caraglio
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1565
Subjects: weapons,saturn
Gezicht op Allee de Palmiers in Jardin d'essai du Hamma te Algiers
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: algiers
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: trees: palm-tree, botanic garden, 'hortus botanicus'
Inscriptions: number: ‘277’
Portret van Maria Malibran
Object type: drawing
Date: 1828 – 1880
Materials: chalk, paper
Artist: Anonymous
Subjects: historical persons - bb - woman, harp, portrait of opera-singer
Inscriptions: monogram: ‘A.G.S.’, inscription: ‘Malibran’
Bilder aus Mekka, mit kurzem erläuterndem Texte
Object type: photograph album
Date: 1889 – 1889
Materials: cardboard, paper, textile
Techniques: photograph, letterpress printing
Location: mecca
Subjects: city-view in general; 'veduta'

Omslag voor 20 fotomechanische afdrukken van gezichten in Mekka.
Palazzi di Roma dei più celebri architett (...)
Object type: album leaf
Materials: paper
Techniques: etching
Location: italy
Subjects: palace, façade (of house or building)
Inscriptions: inscription: ‘Ende lib. No. 22. fol./ Ende lib. No. 23. fol. 813...’, number: ‘7’

Deze prent maakt deel uit van de reeks getiteld: Palazzi di Roma. Deze reeks bestaat uit twee boeken. Boek één getiteld: Palazzi di Roma dei più celebri architetti..., bestaat uit 44 prenten die worden toegeschreven aan Giovanni Battista Falda (naam staat enkel op prent 27) en uitgegeven door Giovanni Giacomo de'Rossi. Deze 44 prenten zijn bekend in twee staten (met en zonder nummer). Boek twee getiteld: Nuovi disegni dell'architetture... libro secondo, bevat 66 prenten door Giovanni Battista Falda en Simone Felice. Deze 66 prenten zijn bekend in twee staten (met en zonder nummer).
Phaeton (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Seascape (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, ink, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: seascapes

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Graflegging door twee engelen
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving
Location: france
Subjects: christ's entombment (possibly by angels)
Inscriptions: number: ‘XVII’, collector's mark: Lugt 240
Alphonsvs Rodrigvez segobiae (...) aetatis 87. Religionis 47
Object type: print
Date: 1617 – 1659
Materials: paper
Techniques: engraving
Subjects: saints, madonna (i.e. mary with the christ-child) in the air, or on the clouds
Inscriptions: collector's mark: Lugt 240
Four-Armed Dancing God Ganesha with His Rat Mount
Object type: sculpture
Date: 1501 – 1700
Materials: bronze, gilt bronze
Techniques: repoussé
Location: nepal
Subjects: ganesha, hindu, religion, dancing ganesha, gods (deities)
Jérusalem, Enceinte de l'Hopital des Chevaliers-de-Saint-Jean, Côté Sud
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture
White Shield, Southern Cheyenne, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N2), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Enthroned Virgin and Child
Object type: statuette
Date: 1260 – 1280
Materials: ivory, paint
Techniques: gilding
Culture: french
Location: france
Subjects: madonna and child

This statuette of the Virgin and Child was produced at a time when Paris was the principal European center of ivory carving. The sensitively carved face of the Virgin generates a tender aura, presenting her as a loving mother rather than the Queen of Heaven. The head of the child Jesus is a modern replacement.
Kalenderblad oktober 1900
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: october ~ other concepts
Knielende engel bij een boom
Object type: drawing
Date: 1602 – 1655
Materials: chalk, paper
Artist: claes moeyaert
Artist role: draughtsman, painter, print maker
Artist dates: 1592 – 1655
Subjects: lower angel(s)
Landschap met reizigers en bedelaars
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: landscapes, 'en route', traveller under way, beggar
Inscriptions: collector's mark: Lugt 2228
Porter, Pitcher, Brooklyn, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Medaille met het portret van Etienne Pottier d'Aubancourt
Object type: album leaf
Date: 1683 – 1683
Materials: paper
Techniques: etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: historical persons, medal (considered as a piece of sculpture, regardless of its specific function)
Inscriptions: date
Herdenking van de bevrijding van Groningen
Object type: history medal
Date: 1694 – 1694
Materials: silver
Techniques: striking
Location: emden
Artist: johann von reckingen
Artist role: medailleur
Subjects: groningen, reductie van groningen

Zilveren penning. Voorzijde: geharnaste soldaat met zwaard en wapenschild, op achtergrond gezicht op stad binnen sierrand en omschrift. Keerzijde: opschrift binnen omschrift
Set of seven pruning tools
Object type: pruning tool
Date: 1575 – 1600
Materials: mother of pearl, steel
Techniques: gilding

Decorated with engraved natural motifs, including fruit and fish, precious tools such as these were meant for noble patrons for whom gardening had gradually become a suitable pastime. The set, comprising clippers, a saw, four knives, and a combination hammer-rasp-file-and-auger, would have been used for trimming branches and obtaining bud grafts.
Volant van kloskant met ruitvormige medaillons
Object type: dust ruffle
Date: 1870 – 1920
Materials: linen
Techniques: lace
Location: belgium
Artist: Anonymous

Volant van naturelkleurige kloskant: Parijse kant. De grond is in tweeën gedeeld in een Parijse grond met klaverblaadjes bovenaan en een tulegrond daaronder. In de laatste staat een symmetrisch patroon van ruitvormige opengewerkte medaillons met zijranken bekroond door een bloem tussen twee bladeren. De bladeren, de zijranken en een reeks bloempjes en rankjes in de schulprand staan in drie gesloten slingers los boven elkaar. De motieven zijn gemaakt in linnenslag en voorzien van contourdraden. Als siergrond is een rozengrond toegepast. BK-BR-J-375-H en -J zijn in de lengte aan elkaar genaaid. Bij beide stroken is de onderrand verknipt. Bij -J is de zijkant schuin afgeknipt.
Twee mannen met monoculair op het strand van Banda Besar
Object type: photograph
Date: 1875 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: banda besar
Artist: c. dietrich (fotograaf)
Artist role: fotograaf
Subjects: beach (+ landscape with figures, staffage)
Pocket-sized bronze mirror
Object type: mirror
Date: 601 – 900
Materials: metal
Culture: alanic
Location: caucasus
Gezicht op Dijon
Object type: print
Date: 1786 – 1826
Materials: paper
Techniques: etching
Location: rotterdam
Artist: hendrik roosing
Artist role: print maker
Artist dates: 1763 – 1826
Subjects: riding a horse, ass, or mule; rider, horseman, church (exterior), 'en route', traveller under way, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Gezicht vanuit het bos op de Franse stad Dijon. Op de voorgrond twee ruiters en een wandelaar.
"The King of the Hares in Counsel with his Subjects", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: rabbits,flowers

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Gustav slapend bij de rozenstruik
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, shrubs: rose-bush, sleeping; unconsciousness, parental love, dog
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Richter, Friedrich. Die unsichtbare Loge. Eine Biographie von Jean Paul. 2 dln. Berlijn: Karl Matzdorffs Buchhandlung, 1793.
Landschap op Sumatra gezien vanaf Loeboek Rajah
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: landscapes in tropical and sub-tropical regions, sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1907 – 1907
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: amsterdam
Artist: herman robbers
Artist role: redacteur, schrijver
Artist dates: 1868 – 1937
Subjects: delft, print maker, antoon derkzen van angeren, the hague, painter, draughtsman, philip zilcken, the graphic arts, printed matter, venice
Inscriptions: collector's mark: ‘RPK’
Rank Badge with Silver Pheasant
Object type: rank badge
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: pheasants,fish
100 Afbeeldinge der voornaamste gebouwen van Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., bridge in city across river, canal, etc., hotel, hostelry, inn

Prent uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Pieter Schenk (I), [1710-1711]. Of: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, [1757-1766], prent nummer 21.
In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Cowroid Stamp Seal from Ruiu's Burial
Object type: cowroid, ruiu, ankhs
Date: 1504 – 1447
Materials: stone
Techniques: glazing
Location: egypt
Portret van Matthias Saxtorph
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: aquatint, engraving
Location: copenhagen
Artist: gerhard ludwig lahde
Artist role: goldsmith, print maker
Artist dates: 1765 – 1833
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228

Portret van Matthias Saxtorph, Deens gynaecoloog.
Piece from a Kosode with Congratulatory Decoration (noshi)
Object type: piece from a kosode
Date: 1615 – 1868
Materials: metal thread, silk
Techniques: damask, dyeing, embroidery, resist
Culture: japanese
Subjects: flowers
A Polish groom, from the back, holding a horse by the bridle
Object type: print
Date: 1662 – 1662
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,horses
Wit servet met ingeweven ruitjespatroon
Object type: napkin
Date: 1800 – 1930
Materials: textile
Techniques: weave
Location: europe
Artist: Anonymous
Inscriptions: monogram: ‘M’
Vrouw in winterjas bij de deur van een Chinees huis
Object type: album leaf
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: china
Artist: Anonymous
Subjects: urban housing, coat, china
Kostuums
Object type: print
Date: 1865 – 1878
Materials: paper
Techniques: etching
Location: netherlands
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: clothes, costume

Laat vijftiende-eeuwse kostuums: Drie mannen etend aan tafel, linksachter een doorkijk naar een zieke in bed.
Panel
Object type: textile
Materials: cotton, paint
Techniques: painting, weave
Culture: chancay
Location: peru
Subjects: anthropomorphic figure, animals, birds, headdresses, mouths, mythological figures, triangles

This painted panel depicts an anthropomorphic figure with a crescent headdress accompanied by two birds. Certain details of the figure—especially the triangularly stacked tail and the beak-like mouth and tongue—are often associated with depictions of the caiman, a large reptile native to South America. Caimans were revered in Andean culture for their ability to transition between land and water, which implied cosmic duality and mythical power. Although the top right corner has been replaced, the artist's hand is discernible in the differences in line thickness and intensity of color, achieved with only a single colorant.
Terracotta fragment of a krater (bowl for mixing wine and water)?
Object type: krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Tendrils and part of a palmette
Drypoint Number Two: Portrait
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: drypoint
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Friesland, duit, 1618
Object type: coin
Date: 1618 – 1618
Materials: copper
Techniques: striking
Location: leeuwarden

Koperen munt. Voorzijde: gekroond en versierd wapenschild van Friesland. Keerzijde: in een bladerkrans opschrift in twee regels, waaronder jaartal.
Ruïne van de redactie en de zetterij van 'De Telegraaf' na een brand
Object type: photomechanical print
Date: 1908 – 1908
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: ruin of a building ~ architecture
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Gemeentewerken: B. Branden in particuliere gebouwen.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of a palmette frond; on the right, an unidentified object
Tapestry with the arms of Emperor Charles V
Object type: tapestry
Date: 1540 – 1555
Materials: gold thread, silk, thread, wool
Techniques: tapestry
Location: brussels
Artist: willem de pannemaker
Artist role: tapijtwever
Artist dates: 1512 – 1581
Subjects: ghent, charles v (holy roman emperor and king of spain), flowers, coat of arms (symbol of sovereignty), plants; vegetation
Inscriptions: mark: ‘BB, waartussen een hart’

This tapestry symbolizes the power of the Habsburg Emperor Charles V. Surrounded by abundant plants and flowers, a crowned double-headed eagle bears his coat of arms. Charles was ruler, among others, of Austria, Hungary, Sicily, Spain, Burgundy, and the Low Countries. Until his abdication in 1555, he was the most powerful man in Europe. Such tapestries were probably used on festive occasions.
Portret van ds. J. Dekker
Object type: print
Date: 1927 – 1927
Materials: paper
Techniques: lithograph
Artist: bertha van hasselt
Artist role: print maker
Artist dates: 1878 – 1932
Subjects: reading, book, statues, paintings, etc. ~ objects of worship (hinduism, buddhism, jainism)

Portret van een man met een snor, lezend in een stoel. Op de achtergrond boeken en een boeddhabeeld op een schoorsteenmantel of vensterbank.
Male Actor in Ballet Costume
Object type: drawing
Materials: chalk, ink
Techniques: pen
Artist: jean berain
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1711
Subjects: costumes,men,actors,ballet

Drawing with a design for a male ballet costume, consisting of a highly ornamented tonnelet and matching knee breeches with grotesque motifs. The tonnelet, whose structure almost resembles a classical Roman armor, is decorated with an open-winged bat on the chest, which is flanked by strips with beads; similar strips with beads make up the upper part of the sleeves, the shoulders adorned with a cartouche around another bead, and with long, hanging sleeves with ruffled points below the level of the elbows. On the stomach is a grotesque face, and below it, the front part of the tonnelet's skirt is made up of four panels with grotesque heads, crowned by stylized fleurs de lis, from which hang tassels; the back of the skirt is made up of ruffled points, in a fashion similar to the sleeves. Under the tonnelet is a chemise with a pattern of diamonds and cuffs with gems and ruffled borders, and matching knee breeches, with the same diamond pattern and border with gems, and grotesque heads on the knees. A choker with gems, flanked by triangles also with gems makes up the collar of the chemise. An elaborate headdress with scrolling motifs and branches with stylized leaves adorns the long, loose, curly hair. Plain, white stockings and square-toed, high-heeled shoes with jeweled rosette brooches and other gems cover the legs and feet.
Standing Bodisattva Maitreya (Buddha of the Future)
Object type: figure
Date: 201 – 300
Materials: stone
Culture: gandhara
Subjects: gandhara,buddhism,bodhisattvas,maitreya

Maitreya is the Buddha of the next age, much as Shakyamuni is the Buddha of our age. He resides in Tushita heaven waiting for his final rebirth. As befits his highest rebirth, he wears the garments and jewels of a prince, though his halo clearly demarks his deified status. He can be identified by the sacred water flask in his left hand.
Fragment of a Vessel
Object type: decorative art
Date: 100 – 100
Materials: glass
Techniques: mosaic glass
Culture: roman
Location: roman empire
Subjects: decoration

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
Drie schapenrassen
Object type: photomechanical print
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: sheep
Voetstuk met halffiguren
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: etching
Subjects: pedestal of a piece of sculpture (perhaps in the form of a herm), ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Voetstuk met twee vrouwelijke halffiguren aan weerszijden van een cartouche met tekst AM / ID. EI / 1749. Rechts in het landschap staat een man naast een vaas op een zuil.