deem-data/ArtiFact huggingface dataset:
Card 41, from the Girl Cyclists series (N49) for Virginia Brights Cigarettes
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: girls,portraits,bicycles

Trade cards from the "Girl Cyclists" series (N49), issued in 1887 by Allen & Ginter to promote Virginia Brights Cigarettes.
Gezicht op een gebouw van de Rugby School te Warwickshire
Object type: stereograph
Date: 1850 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: warwickshire
Artist: Anonymous
Subjects: secondary education, housing, façade (of house or building)
Inscriptions: inscription: ‘Sich House Rugby School’
Shahnama (Book of Kings) of Firdausi
Object type: illustrated manuscript
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: fountains,men

In the late seventeenth century, the imprint of European painting appears in the style of certain Persian artists such as Muhammad Zaman. Here it can be seen in the use of perspective, the thick-foliaged trees, the shaded hills, and the bellpull in the pavilion. The terrace with its openwork railing and the river with its bank just beyond reflect the influence of painting of Mughal India, where the artist may have resided at one time.
Christuskind omringd door maagden
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hieronymus wierix
Artist role: draughtsman, print maker
Artist dates: 1553 – 1619
Subjects: christ-child together with others
Inscriptions: collector's mark: Lugt 2228

Tien maagden vormen een kring rond het Christuskind. Maria zit aan de rand van een tuin, te midden van engelen, op de achtergrond. In de bomen musicerende engelen. In de marge een gebed, in drie kolommen, in het Latijn.
Flask
Object type: flask
Date: 601 – 900
Materials: glass
Techniques: glassblowing, tooling
Culture: islamic
Meadow with sheep
Object type: print
Date: 1860 – 1860
Materials: chine, paper
Techniques: etching, printing
Location: france
Artist: charles françois daubigny
Artist nationality: french
Artist dates: 1817 – 1878
Coventry, from "Remarks on a Tour to North and South Wales, in the year 1797"
Object type: print
Techniques: aquatint, etching
Artist: john hill
Artist role: artist
Artist nationality: british
Artist dates: 1714 – 1775
Shard:  Bust and Profile of a Figure
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: gandhara
Jews at a Luncheon
Object type: print
Date: 1794 – 1794
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,pigs,dining
Christus geneest de zieke van Betzata (Bethesda)
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Artist: antonie wierix (ii)
Artist role: draughtsman, print maker
Artist dates: 1555 – 1604
Subjects: disabilities, deformations, christ says to a paralytic man: 'rise, take up your pallet (bed)', sick people lying near the pool of bethesda ~ christ healing paralytics (john 5:1-9)
Inscriptions: collector's mark: Lugt 2165

Genezing op sabbat. Christus geneest een man die al achtendertig jaar ziek is bij het bad van Betesda (Betzata). Rond het water zitten zieke en blinde mensen en mensen met beperkingen. In de lucht vliegt een engel. Bij verschillende elementen uit de voorstelling staan letters die corresponderen met de legenda in de marge.
Portret van Charles Watson-Wentworth
Object type: print
Date: 1731 – 1775
Materials: paper
Techniques: mezzotint
Artist: richard houston
Artist role: print maker
Artist dates: 1721 – 1775
Subjects: politician, charles watson-wentworth (2e markies van rockingham), historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 240
Design for a hand-screen
Object type: design drawing
Date: 1738 – 1749
Materials: ink, paper
Techniques: brush, pen, scoring
Artist: gabriel huquier
Artist role: painter, print maker, publisher
Artist dates: 1695 – 1772
Subjects: fire-screen

Small hand-screens, mounted on a short handle, were used to protect the face from the heat and glare of an open fire. Their decoration exercised the inventive powers of many rococo artists. Here flowers, foliage, a shell and an insect have been combined into an asymmetrical, ornamental border. Between 1738 and 1749 Huquier published an engraving based on this watercolour.
Apteryx, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of the Tropics" series (N5), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Plaque fragment
Object type: relief
Date: 900 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia

This small ivory fragment was probably blackened through exposure to fire when the palace complexes at Nimrud were sacked during the final defeat of Assyria at the end of the seventh century B.C. A stylized palmette is depicted at the bottom of the fragment, below a plain border. Above, the foot of a figure wearing a long garment with fringed border can be seen; to the left, the heel of the figure’s other foot is still preserved. The original composition was probably similar to other Assyrian carved ivories and reliefs that show processions of court officials and foreign dignitaries bringing tribute to the king. Carved ivory pieces such as this were widely used in the production of elite furniture during the early first millennium B.C., and were often inlaid into a wooden frame using joinery techniques and glue. Ivories carved in this style, in which scenes similar to those depicted in the stone reliefs decorating the walls of the Assyrian palaces are represented using an incised technique, are thought to have been made in Assyrian workshops for the use of the royal court. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
The Wool Carder
Object type: print
Date: 1855 – 1856
Techniques: etching
Artist: jean-françois millet
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: women,working
Aankomst van de prins van Oranje te Scheveningen, 1813
Object type: print
Date: 1813 – 1815
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: the hague, berlin, william i of the netherlands, being welcomed ~ travelling, homage to a ruler, landing of william frederick i (1813)
Inscriptions: collector's mark: Lugt 2228

De aankomst van prins Willem Frederik als souverein vorst op het strand van Scheveningen op 30 november 1813. Voorstelling in contouren binnen omlijsting.
Chalumeau in F
Object type: chalumeau in f
Date: 1801 – 1900
Materials: wood
Culture: british
Location: france or england
Artist: francis w. galpin
Artist role: maker
Artist nationality: british
Artist dates: 1858 – 1945
Meubles de salon Louis XV
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Portret van een onbekende man en vrouw
Object type: photograph
Date: 1896 – 1904
Materials: paper, cardboard
Techniques: gelatin silver print
Location: groningen
Artist: abraham salomon weinberg
Artist role: fotograaf, hofleverancier
Artist dates: 1869 – 1932
Subjects: adult woman, adult man, anonymous historical person portrayed
Inscriptions: address: ‘GRONINGEN/ HEERESTRAAT/ h/k Zuiderdiep.’
Necklace
Object type: necklace
Date: 1801 – 1900
Materials: silver
Location: india
Portret van Christian Furchtegott Gellert
Object type: print
Date: 1838 – 1902
Materials: paper
Techniques: engraving, etching
Location: leipzig
Subjects: decoration of printed matter, historical persons, writer, poet, author
Zeeslag bij Doggersbank
Object type: print
Date: 1781 – 1783
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: zeeslag bij doggersbank
Inscriptions: collector's mark: Lugt 2228
Portret van Zopf
Object type: print
Date: 1739 – 1791
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Tour de Saint-Ouen, Rouen
Object type: photograph
Date: 1852 – 1854
Techniques: glass negative, salted paper print
Artist: edmond bacot
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: architecture,cathedrals
Plaque with head and shoulders of a priestly figure, opposite side head of priestly figure and most of a figure of crocodile-headed god
Object type: sculptor's model votive, priest, opposite side priest, crocodile god
Date: 400 – 30
Materials: limestone, paint
Location: egypt
Subjects: men

Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. Personifications of kingship, figures that may represent the now emerging demigods Imhotep and Amenhotep Son of Hapu, and popular gods like Harpokrates or Isis, are heavily represented within the corpus. Taken together, the figures represented and the other features indicate the reliefs and sculptures of this class, sometimes called by Egyptologists "sculptor’s models / votives," were the material of a donation practice, perhaps connected with the prolific temple building of these centuries. Unfortunately there is little to illuminate us about the mechanics of such a donation practice. This relief depicts a the upper body of a capped figure on one side that may represent Imhotep, and on the opposite side an unfinished version of a similar figure and a partial representation of the crocodile-headed god Sobek-Re.
Napoleon Bonaparte
Object type: history medal
Date: 1801 – 1801
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het borstbeeld van Napoleon naar rechts met omschrift, op de keerzijde zeven regels tekst tussen samengestrikte eiken- en palmtakken.
Krantenknipsel betreffende Jac. P. Thijsse
Object type: newspaper clipping
Date: 1910 – 1949
Materials: paper, ink
Techniques: printing
Artist: Anonymous
Subjects: jac. p. thijsse, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Portretten van vier leden van het Lagerhuis van de staat New York
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ head (and shoulders) (portrait))
Inscriptions: annotation, number: ‘491’

Linksboven John McDonough, rechtsboven William H. McIntyre, linksonder John McManus, rechtsonder Thomas Maher.
Ontwerp voor drukwerk
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: printed matter

Blad 23 verso uit een schetsboek met 29 bladen.
Portret van Benedictus Arias Montanus
Object type: book illustration
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Location: brussels
Subjects: benedictus arias montanus, scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bullert, Isaac. Académie des Sciences et Arts contenant les vies et éloges his. des hommes illustres qui ont excellé en ces professions depuis environ quatre siècles. Brussel: Foppens, François, 1682.
Het boek werd in 1682 eveneens in Amsterdam uitgegeven door de erfgenamen van Daniel Elzevier.
Deze portretten dienen ter illustratie van de biografie van een kunstenaar of geleerde. De meeste portretten werden door Nicolas de Larmessin vervaardigd (162), 93 door De Boulonois en een derde door ongeïdentificeerde prentmakers. Dit betreft een illustratie op p. 45, deel II.
Berglandschap met een kasteel
Object type: drawing
Date: 1800 – 1900
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes van reijn
Artist role: draughtsman
Subjects: castle, mountains
Triple Crutcher
Object type: photograph
Date: 1934 – 1934
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: machines; parts of machines; tools and appliances, java
Inscriptions: date

Albumblad met een foto van een 'Triple Crutcher', vervaardigd in 1934 en bestemd voor Lever's Zeepfabrieken te Batavia. Onderdeel van een fotoalbum met foto's van machines en constructies van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Tegal uit de periode 1931-1937.
Εν αρχη ην ο λογος
Object type: photomechanical print
Date: 1884 – 1941
Materials: paper
Techniques: photoaquatint
Location: germany
Subjects: ruin of a building ~ architecture, temple, shrine ~ greek religion
Portret van Willem III, prins van Oranje-Nassau, koning van Engeland
Object type: print
Date: 1689 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), knighthood order
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 963

Borstbeeld van Willem III, prins van Oranje-Nassau, koning van Engeland. Hij draagt het ordeteken van de Kousenband.
Woman's Birthday Overvest
Object type: woman's birthday overvest
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: cranes
Portret van Frederik Willem I, koning van Pruisen
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Subjects: berlin, frederik willem i koning van pruisen, historical persons
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Frederik de Grote. Mémoires pour servir a l'histoire de la maison de Brandebourg. Sanssouci, Frederik de Grote, 1751.
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Object type: print
Date: 1767 – 1800
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women,working
Portret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1815 – 1829
Materials: paper
Techniques: lithograph
Location: brussels
Artist: claudio linati
Artist role: print maker
Artist dates: 1790 – 1832
Subjects: berlin, william i of the netherlands
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Standing female figurine square headdress, missing most of her legs
Object type: statuette of a woman
Date: 1390 – 1186
Materials: pottery
Location: egypt
Subjects: women
Reims - Figures de Portail
Object type: photomechanical print
Date: 1903 – 1932
Materials: cardboard
Techniques: photograph, writing
Location: reims
Artist: Anonymous
Subjects: church (exterior), statues, paintings, etc. ~ objects of worship in roman religion
Inscriptions: collector's mark: ‘AFE v S’
Portret van Lazzaro Vasari
Object type: print
Date: 1568 – 1650
Materials: ink, paper
Techniques: letterpress printing, pen
Artist: cristoforo coriolano
Artist role: print maker
Artist dates: 1540 – 1610
Subjects: painter, historical persons, portrait, self-portrait of painter

Prent komt uit een editie van Vasari's 'Vite'. Prent met een andere omlijsting is gebruikt in de editie uit 1568: Vasari, Giorgio. Le vite de' piu eccellenti pittori scultori, e architettori. Florence: Filippo Giunta, 1568. En mogelijk in de editie uit 1647.
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1736 – 1795
Materials: gemstone, jade
Culture: chinese
Still Life with Fruit
Object type: painting
Date: 1668 – 1668
Materials: oil, panel
Artist: johannes hannot
Artist role: painter
Artist dates: 1633 – 1684
Subjects: fruit, still life of related objects
Inscriptions: signature and date: ‘J. Hannot 1668’

Stilleven met vruchten. Op de hoek van een tafel staat een tinnen bord waarop een geschilde citroen en een tak met kersen liggen, daarachter een Chinese kom met druiven, een vijg, perziken en pruimen.
Marie Jaensen, from the Actresses series (N67) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products
Object type: print
Date: 1888 – 1888
Techniques: photolithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N67), issued ca. 1888 to promote Virginia Brights and Dixie Cigarettes distributed by Allen & Ginter Tobacco Manufacturers.
Portret van James Stuart, hertog van Richmond
Object type: print
Date: 1708 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: prins, james stuart (1e hertog van richmond en 4e hertog van lennox)
Inscriptions: collector's mark: Lugt 240

Buste naar rechts van James Stuart, hertog van Richmond, in een ovaal medaillon.
The Boat-House
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: boat-house, shed (+ four persons or more ~ traffic and transport), university building, college
Dood van H. Scholastica
Object type: print
Date: 1702 – 1756
Materials: paper
Techniques: etching
Location: paris
Subjects: martyrdom, suffering, misfortune, death of st. scholastica
Inscriptions: collector's mark: Lugt 240
Jonge man ruikt aan een bloem die een jonge vrouw vasthoudt
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching
Subjects: flowers, couple of lovers
Inscriptions: inscription: ‘premiere epreuve’, collector's mark: Lugt 2228
Ruine de l'abbaye de Villers
Object type: print
Date: 1825 – 1827
Materials: paper
Techniques: lithograph
Location: brussels
Artist: lith. de la cour des ps. bas à bruxelles
Artist role: printer, publisher
Artist dates: 1797 – 1851
Subjects: abbey, monastery, convent ~ roman catholic church, landscape with ruins, ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2228
Bacchus and a Panther
Object type: statuette
Date: 1501 – 1700
Materials: bronze
Subjects: animals,grapes,bacchus

A large number of statuettes of this model exist, varying so much in their surface treatment that it is improbably that they were made at the same time and place. Some examples, such as another in the Metropolitan Museum (32.100.190), are less articulate than the Linsky Bacchus and have relatively matte surfaces, which might indicate Venetian workmanship. Attributions have ranged from the early-sixteenth-century Paduan goldsmith Francesco da Sant’Agata, to a Florentine under the influence of Benvenuto Cellini.[1] There is undoubtedly a Mannerist element in the svelte figure, but this is due largely to the ancient type that the artists were imitating. The classical precedent may have been a bronze statuette, since lost,[2] or a variation on a marble, such as one in Munich.[3] [James D. Draper, 1984] Footnotes: [1] See H. R. Weirauch, Die Bildwerke in Bronze und in anderen Metallen, Munich, Bayerisches Nationalmuseum, 1956, no. 266. [2] For the type, see S. Reinach, Répertoire de la statuaire greque et romaine, II, Paris, 1908, pl. 122, nos. 1, 2. [3] A. Furtwängler, Beschreibung der Glyptothek, Munich, 1900, no. 226; the much-restored sculpture, from the Braschi collection, was originally an Apollo of the type of the Apollino in the Uffizi, Florence.
Fortune ne vieillit pas
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Plate 2: Porter
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
Hond liggend bij een deurpost
Object type: sketchbook leaf
Date: 1863 – 1864
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: dog

Blad 18 recto uit een schetsboek met 41 bladen.
Panel for a hand screen (one of a pair)
Object type: hand screen panel
Date: 1701 – 1750
Materials: canvas, wool
Subjects: birds,women,dogs,sheep,sun,trees,shepherds

Panels of this sort were mounted with handles and used to protect the face from the heat of an open fire.
Vitae passionis et mortis Jesu Christ
Object type: print
Date: 1590 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: a woman washes christ's feet with her tears, and wipes them with her hair
Inscriptions: collector's mark: Lugt 240

Prent uit: Joannes Bourgois, Vitae passionis et mortis Jesu Christi Somini nostri mysteria, Antwerpen Hendrick Aertssens, 1622, afb. 25
Bodhisattva (Maitreya?)
Object type: statuette
Date: 801 – 900
Materials: bronze
Culture: indonesian, javanese
Subjects: buddhism,bodhisattvas,maitreya
Card Number 98, Miss Dille Dean, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
De vijf dwaze maagden worden door de duivel de hel ingetrokken
Object type: watercolor
Date: 1869 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: the wise virgins are let into the house with the bridegroom (christ); the foolish virgins are shut out (+ variant)

De tekening betreft het ontwerp voor een wandschildering.