deem-data/ArtiFact huggingface dataset:
Mask of a woman with ball earrings, corkscrew locks and bang
Object type: mask, woman, corkscrew lock
Materials: paint, plaster
Location: egypt

he plaster masks derive from pharaonic traditions, in which the mask served as a substitute for the head of the deceased and as a means of elevating him or her to immortal status. The derivation is often reflected in paintings and texts located on the mantle surrounding the head. Like the painted mummy portraits, the masks suggest strongly individualized appearances and affect Roman fashions in hairstyle, jewelry, and dress. They follow, however, a somewhat different pattern. For example, female masks may have coiffures that combine Roman arrangements of the upper part of the hair with long corkscrew locks that were considered typically Egyptian. Despite the seeming individuality of the masks, most faces were made in a mold. Distinguishing details were worked in the plaster with a spatula or knife. The ears were added separately, and sometimes eyes were inlaid with glass or stone. The mask was then frequently painted or gilded.
Figuurstudies
Object type: drawing
Date: 1648 – 1648
Materials: ink, paper, watercolor
Techniques: brush
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690
Inscriptions: date

Tekening op verso; op papier dat oorspronkelijk gevouwen was in het midden, ingevoegd toen het boek opnieuw werd ingebonden. Twee van de figuren zijn herhaald op folio 9 van het Materi-Boeck. De figuurstudies werden ook jaren later nog door Gesina gebruikt als modellen in haar kunst.
Portret van Wilhelmina en Hendrik
Object type: album leaf
Date: 1900 – 1920
Materials: cardboard, paint, photographic support, silk, textile, watercolor
Techniques: blind stamped, brush, gelatin silver print
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, hendrik (prins der nederlanden (1876-1934)), historical persons, queen, king
Inscriptions: annotation: ‘Gerard’
Study of a Woman, Bust Length, Wearing a Headdress, Facing Right
Object type: drawing
Date: 1660 – 1662
Materials: chalk, paper
Location: haarlem
Artist: cornelis pietersz. bega
Artist role: draughtsman, painter, print maker
Artist dates: 1631 – 1664
Subjects: head (human) - aa - female human figure

Borstbeeld van een vrouw met een doek om het hoofd, die tot op de borst hangt.
Luxury
Object type: print
Materials: ink
Techniques: etching, printing
Artist: thomas rowlandson
Artist role: artist and engraver
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men
Panel (part of a set)
Object type: panel
Date: 1510 – 1510
Materials: wood
Techniques: carving
Artist: nicolas castille
Artist role: maker
Artist dates: 1503 – 1521
Subjects: men,profiles,putti

The panels’ decorations, which include putti holding heraldic shields or strings of beads, floral scrolls, masks, and fabulous creatures, correspond to French adaptations of Italian motifs derived from prints and other sources. The portraits represent the donor, Georges d’Amboise (1460–1510), in his cardinal’s hat and cloak and Louis XII (1462–1515; ruled 1498–1515) surrounded by a wreath topped by a porcupine, a symbol of the monarch’s courage and ability to defend his kingdom. These panels and the ones displayed nearby are from the now-destroyed chapel of Cardinal d’Amboise’s château de Gaillon.
High Bridge Crossing the Appomattox, Near Farmville
Object type: photograph
Date: 1865 – 1865
Techniques: albumen print, photography
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, gardner's photographic sketch book
Kruisafneming
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: christ is laid down ~ descent from the cross

De prent is vervaardigd naar het schilderij van Tintoretto dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer GG_1565). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Cow Creamer
Object type: ceramic
Date: 1750 – 1750
Materials: earthenware
Techniques: glazing
Location: staffordshire
Earrings
Object type: earring
Date: 1501 – 1900
Materials: gold
Culture: spanish
Marriage A-la-Mode, Plate IV
Object type: print
Date: 1704 – 1745
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: partner deceived, transverse flute, vocal music, singing, hairdresser, picture, painting, satire on marriage
Inscriptions: date

De vrouw, die door het overlijden van de vader van haar man gravin is geworden, zit bij een spiegel terwijl een kapper haar haar doet. Silvertongue zit naast haar. Rechts zit een zingende man. Een staande man achter hem speelt dwarsfluit. In het midden van de kamer zitten nog drie mannen en een vrouw, die een drankje aangeboden krijgt van een bediende. Aan de wanden hangen verschillende erotische schilderijen. Links vooraan zit een jongen bij een mand met spullen die aangeboden worden voor een veiling. Hij wijst naar de hoorns van een sculptuur van Actaeon, symbool voor de man van een overspelige vrouw.
Shaving cup with cover and handle; soap dish (part of a set)
Object type: shaving cup with cover and soap dish
Date: 1848 – 1849
Materials: ivory, silver
Artist: johann bernhard hertz (hentz)
Artist role: maker
Artist dates: 1834 – 1855

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Gezicht op de Sint-Olofskapel (Oudezijds Kapel) te Amsterdam
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior) - qq - small church, chapel, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2233

Vanaf 1760 gaf Pierre Fouquet stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars uit. Deze prenten werden aanvankelijk los verkocht. Later werden ze samengebonden verkocht in verschillende volgordes en aantallen in:

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783. Deze 'uitgave' bestond waarschijnlijk alleen uit een titelblad en inhoudsopgave van de tot dusver 100 uitgegeven prenten, die de koper zelf aan zijn of haar reeds verzamelde prenten kon toevoegen. De hoeveelheid en volgorde van prenten verzameld onder deze titel verschilt dus sterk.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.

Ook werden er door verschillende uitgevers tussen 1788 (Amsterdam: Petrus Conradi) en 1805 (Amsterdam: Evert Maaskamp) heruitgaven gepubliceerd.
Il se présente aux Seize, et demande des fers...
Object type: print
Date: 1825 – 1825
Materials: chine, paper
Techniques: printmaking, lithograph
Location: france
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Portrait of Johanna le Maire (c. 1601-60)
Object type: painting
Date: 1622 – 1629
Materials: oil, paint, panel
Artist: nicolaes eliasz pickenoy
Artist role: painter
Artist dates: 1588 – 1656
Subjects: historical persons - bb - woman, gloves, mittens, etc.
Inscriptions: coat of arms, top left: quartered, 1 and 4: three black Moor’s heads on a silver field, 2: three gold boar’s heads on a red field, 3: three rows of black ermine tails on a gold field, date, top right: ‘162[.]’

Nicolaes Eliasz, named Pickenoy (1588 - 1650/56). Johanna Le Maire, wife of Pieter van Son, 1622. Purchase made possible by the SponsorBingo Lottery.
Gloves
Object type: glove
Date: 1851 – 1875
Materials: wool
Culture: american
Schepen op het water, in de verte het profiel van een stad
Object type: drawing
Date: 1834 – 1893
Materials: paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: sailing-ship, sailing-boat
Saucer
Object type: saucer
Date: 1800 – 1800
Materials: porcelain
Techniques: underglaze
Culture: japanese
Subjects: landscapes
Thomas Kitchenham Staveley, M.P. Ripon
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Portrait of Leonardus van der Voort
Object type: painting
Date: 1799 – 1799
Materials: oil
Location: netherlands
Artist: johan bernard scheffer
Artist role: draughtsman, painter, print maker
Artist dates: 1765 – 1809
Subjects: historical persons
Inscriptions: inscription: ‘Med:Doct: Leonardus van der Voort geb. 5 Februari 1762 te Boxtel overl. 8 October 1809 aldaar.’, inscription: ‘o.a. Concept Grondwet’, inscription: ‘REPRESENTANT’

Leonardus van der Voort was one of Holland’s delegates to the National Assembly. He holds the draft of the Constitution of the Batavian Republic of 1796, a forerunner of the first Constitution of 1798. He wears the sash donned by all of the people’s delegates. As far as is known, this is the only painted portrait of a member of the National Assembly.
Leren penningdoos bij penning van B'nai Berith
Object type: medal box
Date: 1912 – 1984
Materials: leather
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam, willem drees, netherlands
Inscriptions: inscription: ‘TORRINI’

Bruin leren achthoekige penningdoos met op het dekel een gouden randje en in het midden een gouden merkje waaronder tekst. Binnenzijde van lichtbruin suède en uitsparing voor penning. In kartonnen doos.
Design for a Ceiling with Square Central Compartment and Semicircular Ends, the Ornament of Foliage and Grotesque Motifs
Object type: drawing
Date: 1767 – 1800
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, late 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1800
Subjects: grotesques,ornament
Design for a Carriage with a Variant for the Decoration
Object type: drawing
Date: 1601 – 1800
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, 17th or 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1799
Subjects: carriages
Lough Erne Shrine
Object type: shrine
Date: 1901 – 1933
Materials: silver
Culture: irish
Jar
Object type: vessel
Date: 201 – 500
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Subjects: containers
Portret van Goverta Machtella Fontein
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, photographic support
Techniques: photography
Location: netherlands
Subjects: surabaya, haarlem, historical persons - bb - woman
Inscriptions: annotation: ‘Gov. TvB-Fonteyn’

Portret van Goverta Machtella Fontein, eerste echtgenote van jhr. Hendrik Teding van Berkhout sr.
L'art en photographie
Object type: wrapper
Date: 1901 – 1901
Materials: paper
Techniques: photograph, printing
Vaas en cartouche
Object type: ornament print
Date: 1770 – 1780
Materials: paper
Techniques: etching
Subjects: vase ~ ornament, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerde vaas, daaronder een cartouche met guirlande. Rechts boven D genummerd.
Bergbeklimmers op de Bossonsgletsjer nabij het Mont Blanc-massief
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Location: haute-savoie
Artist: Anonymous
Subjects: mountain climbing, mountaineering, glacier, bossons glacier
Fighting Orchids
Object type: drawing
Date: 1917 – 1917
Materials: gouache, paper, watercolor
Techniques: brush
Location: netherlands
Artist: janus de winter
Artist role: print maker
Artist dates: 1882 – 1951
Subjects: flowers: orchid
Inscriptions: signature and date: ‘A de Wint17’

Janus de Winter raised a furore around 1916 with depictions of his own feelings – ‘sensations’ – as abstractions. He transformed moods into visionary images for which recognisable motifs were stylised and adapted. His art impressed Theo van Doesburg (1883-1931), founder of De Stijl, who briefly attempted to make abstract art in the manner of De Winter.
Boomstammen
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: trees (+ stem, trunk)

Blad 20 recto uit een schetsboek met 43 bladen.
Figurine of female
Object type: figurine, woman
Date: 1981 – 1640
Materials: clay
Location: egypt
Subjects: women
Portret van een kunstenaar
Object type: book illustration
Date: 1842 – 1843
Materials: paper
Techniques: engraving
Location: netherlands
Inscriptions: collector's mark: Lugt 2228

Prent uit: Immerzeel, Johannes. De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters : van het begin der vijftiende eeuw tot heden. Amsterdam: J.C. van Kesteren, 1842-1843.
Design for an Overdoor
Object type: drawing
Date: 1640 – 1640
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: coat of arms
Coverlet
Object type: coverlet
Date: 1600 – 1600
Materials: linen, metal thread, silk
Subjects: flowers
Een krabber
Object type: drawing
Date: 1868 – 1892
Materials: ink, paper
Techniques: pen
Artist: anthon gerhard alexander van rappard
Artist role: draughtsman, print maker
Artist dates: 1858 – 1892
Subjects: crafts and industries
Fruits of the Midi
Object type: painting
Date: 1881 – 1881
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: still life, white (color), tablecloth, table, pomegranates, peppers, leaves, leaf, bowl, food, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed lower left: Renoir 81
Journal des Dames et des Modes, Costume Parisien, 28 juillet 1798, An 6, (52) : Capote en Crêp (...)
Object type: fashion print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: head-gear (capote) (+ women's clothes), bag (handbag) (+ women's clothes), coat (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: caption: ‘Champs élysées.’, caption: ‘Capote en Crêpe jaune, garnie en noir. Sac Falbalassé.’, title: ‘Costume Parisien.’

'Capote' van gele crêpe, afgezet met zwart band. Driehoekig tasje: 'Sac Falbalassé'. Kleine schoudermantel met lange slip op een japon met lange mouwen en sleep. Volgens het onderschrift is deze voorstelling naar het leven getekend op de 'Champs Élysées'. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Sellèque, Parijs, 1797-1839.
Portret van Johan van Dissel
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Subjects: johan van dissel, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van J.A. Wijnne, hoogleraar letteren en wijsbegeerte en rector magnificus van de Universiteit Utrecht
Object type: photograph
Date: 1885 – 1886
Materials: paper
Techniques: albumen print
Location: utrecht
Artist: jean jacques antoine van winsen
Artist role: fotograaf
Artist dates: 1851 – 1927
Subjects: utrecht, historical persons, professor
Inscriptions: signature: ‘J.A. Wijnne’
Four Men in Conversation
Object type: drawing and watercolor
Date: 1701 – 1900
Materials: chalk, graphite, paper
Location: italy
Artist: after raffaello sanzio, called raphael
Teapot
Object type: metalwork
Date: 1848 – 1848
Materials: silver, wood
Location: boston
Artist: obadiah rich
Inscriptions: Marked on bottom: O.RICH. / BOSTON / fine
Engraved on side: R.L. 1848 L.L.

Made in the Rococo revival mode by Boston silversmith Obadiah Rich, this teapot includes repoussé ornament and asymmetrical cartouches. On one side, a cartouche is inscribed with the date of the teapot and the initials “RL” and “LL,” presumably for the Boston owners of this vessel. On the other side, a laborer carrying a yoke laden with baskets of produce walks in a lush landscape, likely that of the tropical West Indies.
Design of a Flintlock, Side Plate, Butt Plate, and Trigger Guard, unnumbered plate from Nouveaux Desseins d'Arquebuserie Inventez et Gravez par Le Sr. Gillot
Object type: etching and engraving
Date: 1715 – 1715
Techniques: engraving, etching
Culture: french
Location: france
Artist: claude gillot
Artist role: engraver
Artist nationality: french
Artist dates: 1673 – 1722
Subjects: ornament
Souvenir spoon with view of west front of Notre Dame (Paris) and finial in form Joan of Arc
Object type: souvenir spoon
Date: 1867 – 1900
Materials: gilt, silver

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Portret van Maria Tesselschade
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: printing, printmaking
Location: amsterdam
Subjects: maria tesselschade roemers visscher, adult woman, book
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2725, collector's mark: Lugt 2228, inscription: ‘Geoffreerd aan mijnen waarde vriend de heer Hemsterhuis P v Amstel 3 proef af / Hendr Goltzius del 1612’

Naar een tekening van Hendrick Goltzius in het Amsterdam Museum. Vanaf de achttiende eeuw werd de geportretteerde, onder andere door Cornelis Ploos van Amstel, regelmatig aangeduid als zijnde Maria Tesselschade Roemer Visscher, maar dat is onjuist gebleken.
Societe d'Horticulture te Luik
Object type: medal
Date: 1825 – 1850
Materials: bronze
Techniques: striking
Location: brussels
Artist: julien gabriel leclercq
Artist dates: 1805 – 1882
Subjects: liège
Loincloth
Object type: loincloth fragment
Date: 1101 – 1400
Materials: animal fiber, cotton
Culture: chancay
Location: peru
Subjects: animals
Actress in profile facing left, from Stars of the Stage, Third Series (N131) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1891 – 1892
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Stars of the Stage, Third Series" (N131), issued in an unnumbered set of 25 cards in 1891-92 by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco.
Arithmetica, from "The Seven Liberal Arts"
Object type: print
Date: 1570 – 1600
Techniques: engraving, etching
Artist: johann sadeler (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1550 – 1601
Subjects: women,mathematics,writing
Rietgors (?)
Object type: watercolor
Date: 1650 – 1719
Materials: paper, watercolor
Techniques: brush
Artist: jan weenix
Artist role: draughtsman, painter
Artist dates: 1640 – 1719
Subjects: song-birds: reed bunting
Dorpsgezicht in Noorwegen
Object type: photomechanical print
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print, lithograph
Location: norway
Artist: Anonymous
Subjects: city-view in general; 'veduta', norway
Memory of Meijer de Haan
Object type: print
Date: 1896 – 1897
Materials: ink, paper, watercolor
Techniques: brush, printing, woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Not signed
Landscape with Wayside Cross and Cottages
Object type: drawing and watercolor
Materials: graphite, ink, paint, paper, watercolor
Techniques: brush, pen, wash
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Oosterbeek. Hemelsche Berg
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1906
Materials: cardboard
Techniques: lithograph
Location: leipzig
Artist: Anonymous
Subjects: villa
Gezicht op een boerenhoeve in Duffel
Object type: print
Date: 1887 – 1912
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: albert van holsbeeck
Artist role: print maker
Artist dates: 1877 – 1948
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Gaming or Chess Piece, Possibly a Pawn
Object type: gaming or chess piece
Date: 701 – 1100
Materials: stone
Location: western islamic lands
Subjects: games
Lopende vrouw met een hoed
Object type: sketchbook leaf
Date: 1874 – 1945
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: walking (+ female (human being) (not to be used where -aa- is prescribed)), head-gear: hat (+ women's clothes)

Blad 31 verso uit een schetsboek met 41 bladen.
Gods on Olympus
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, wash
Location: france
Artist: françois verdier
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1651 – 1730
Vier donkere mannen bij de Arco Felice tussen Pozzuoli en Cumae
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: africans, gate, entrance, ruin of a dwelling, house, castle, etc., italy
Inscriptions: negative number: ‘4526’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.