deem-data/ArtiFact huggingface dataset:
Pijprokende man op stoel
Object type: print
Date: 1755 – 1808
Materials: paper
Techniques: etching
Location: europe
Artist: david deuchar
Artist role: print maker
Artist dates: 1743 – 1808
Subjects: pipe ~ tobacco

Na de overname van de firma Niemeyer door British American Tabacco Group besloot deze de collectie van het Niemeyer Tabaksmuseum af te stoten. De beheerder van de collectie, het Noordelijk Scheepvaartmuseum, organiseerde in januari 2011 open dagen voor musea waar deze hun voorkeuren voor collectieonderdelen kenbaar konden maken. De objecten zijn getaxeerd door medewerkers van Christie's en vervolgens ter overname aangeboden aan de belangstellende musea. Het Rijksprentenkabinet koos 46 prenten uit de collectie tegen door de medewerkers van Christie's vastgestelde waarde.
[H. Leeflang, 2011-06-09]
Card Number 305, M. Ricotti, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Japan, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 1 (N9), issued in 1887 in a series of 48 cards to promote Allen & Ginter Brand Cigarettes. The museum's collection contains the 48 cards from the Series 1 set, as well as 10 variations and 5 mis-printed cards.
Groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn
Object type: glasnegatief, glasplaatnegatief
Date: 1865 – 1900
Materials: glass
Techniques: collodion process
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909

Groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, stillevens, portretten, zelfportretten en kunstreproducties.
Blad met strooipatroon van ranken en bloemen
Object type: printed paper
Date: 1800 – 1900
Materials: paper, paint
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met strooipatroon van gestileerde ranken over verschillende bloemen.
Pouch
Object type: pouch
Date: 1876 – 1900
Materials: glass, leather, linen, silk
Culture: american
Subjects: leaves
Child's Desk
Object type: desk
Date: 1730 – 1760
Materials: wood
Culture: american
Location: united states
Bowl
Object type: bowl
Date: 1200 – 801
Materials: ceramic
Culture: olmec
Location: mexico
Voetwassing van Petrus
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: christ washes peter's feet
Inscriptions: collector's mark: Lugt 240

Kopie van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 33.
Panel (Furnishing Fabric)
Object type: textile
Date: 1848 – 1850
Materials: cotton
Techniques: engraving, weave, printing
Location: united states
Subjects: propaganda
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Bit of the neck of a lekythos; on the shoulder, pendant lotus buds
Portretten van Pius VII en Leo XII
Object type: print
Date: 1823 – 1861
Materials: paper
Techniques: lithograph
Subjects: rome, clergyman, pius vii, historical persons, pope
Inscriptions: collector's mark: Lugt 2228, watermark: ‘Hulpe’
Bos met sloot bij maanlicht
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: etching, retroussage
Subjects: moonlight, forest, wood, brook
Inscriptions: mark: ‘Aan Milly’, collector's mark: Lugt 2228
Rondedans
Object type: print
Date: 1545 – 1608
Materials: paper
Techniques: etching
Location: antwerp
Subjects: monkeys, apes, 'mundus inversus', the reversed world, the topsy-turvy world, 'le monde bestourné', skates (winter sports)

Verschillende dansen uitgevoerd door apen, begeleid door een trommelaar, een fluitist en twee doedelzakspelers (een in een boom en een op de grond). Toeschouwers kijken vol bewondering toe.
Prenten en bladmuziek uit de collectie Daniël François Scheurleer, tentoongesteld in Pulchri Studio in 1893
Object type: photomechanical print
Date: 1893 – 1893
Materials: cardboard, paper
Techniques: woodburytype
Location: pulchri studio
Artist: adrianus van der grient
Artist role: fotograaf
Artist dates: 1858 – 1941
Subjects: the hague, daniël françois lunsingh scheurleer, printed edition of musical score, printing ~ applied arts, exhibition ~ art
Inscriptions: inscription: ‘A. v. d. GRIENT, PHOT. - DEN HAAG.’
Ichimura Manzo as Yatsushi Goro and Segawa Kikujiro as Yatsushi Shosho
Object type: print
Date: 1745 – 1745
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyomasu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1696 – 1716
Subjects: birds,men,women,actors
Pendant
Object type: pendant
Date: 1701 – 1800
Materials: diamond, gold
Christiaan Andriessen vraagt een vrouw model te zitten
Object type: drawing
Date: 1805 – 1805
Materials: ink, paper, pencil
Techniques: pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: print maker, draughtsman, christiaan andriessen, painter working from live model, working situations ~ painter, amsterdam
Inscriptions: signature: ‘J Andriessen’, collector's mark: Lugt 1641, collector's mark: Lugt 1641a, inscription: ‘7 april voor geen 8, ..... voor geen duizend, voor geen 100.000 gulden... maar voor een ja dan wel / als gij het eens gedaan hebt dan ben jij er voor’

Christiaan Andriessen vraagt een vrouw model te zitten, eerst wil zij niet, maar later bedenkt zij zich.
Fragment van een gesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Buckle, not identifiable; fragm of ring, curving short side with two knobbed projections.
Portret van Henricus Wilhelmus Couwenberg
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: engraving
Subjects: the hague, amsterdam, print maker, draughtsman, henricus wilhelmus couwenberg
Inscriptions: collector's mark: Lugt 2228, inscription: ‘H.W. Couwenberg’

Portretbuste in ovaal naar rechts van Henricus Wilhelmus Couwenberg, graveur, tekenaar en schilder.
Portret van Frederik Willem IV, koning van Pruisen
Object type: album leaf
Date: 1845 – 1861
Materials: cardboard, photographic support
Techniques: albumen print
Artist: max pflaum
Subjects: berlin, frederik willem iv (koning van pruisen), historical persons, king
Inscriptions: inscription: ‘Berlin, Leipzigerstrasse 44’
Covered Compote
Object type: compote
Date: 1850 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, genitals, left hind leg and hindquarters and tail of horse to left; lower body and legs of draped figure to right
Compositie met tien voorstellingen, mogelijk adreskaarten
Object type: visiting card
Date: 1856 – 1897
Materials: paper
Techniques: aquatint, etching, intaglio
Artist: henri charles guérard
Artist role: print maker
Artist dates: 1846 – 1897
Subjects: lantern, horse
Inscriptions: collector's mark: Lugt 2228
Box
Object type: box
Date: 1675 – 1700
Materials: wood
Culture: american
Location: united states

The most common small storage unit in the seventeenth century was the rectangular box with a hinged lid. Boxes provided a place to keep valuables, documents, writing implements, books, and small articles of apparel. Except for one rare example decorated with applied moldings, these boxes are carved utilizing a vocabulary of stylized plant forms and simple geometric shapes. The boxes are all of simple five-board nailed construction and have a deep association with America’s so-called "Pilgrim Century." They were avidly sought after by the earliest collectors of seventeenth-century American oak furniture, hence their acquisition by the museum in 1910 as part of the foundation for the museum’s collection of early American furniture.
Figure of John Wilkes
Object type: figure
Date: 1775 – 1775
Materials: porcelain
Culture: british
Location: england
Artist: chelsea factory
Artist role: maker
Artist dates: 1742 – 1784
Subjects: men,cupid
Portret van paus Clemens XIII
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: clemens xii, historical persons, pope
Inscriptions: date
Sugar caster (one of a pair)
Object type: sugar caster
Date: 1728 – 1729
Materials: silver
Artist: nicolas besnier
Artist role: maker
Artist nationality: french
Artist dates: 1686 – 1754

Europeans not only used sugar to sweeten coffee, tea, and chocolate imported from the Americas, India, and East Asia, but also to complement savory dishes and flavor fruit and desserts. The taste for sugar drove a rapid expansion of enslaved labor in the Caribbean. Crystallized sugar was shipped in hard, paper-wrapped cones which had to be broken or cut into small pieces. Served in a bowl, small lumps of sugar were offered with tea and coffee, the hot liquids quickly dissolving the lumps of sugar. Alternatively, the imported sugar was refined in France and crushed into a fine powder for use as a condiment during the meal. This required a different type of serving vessel: either a caster with an openwork lid for sprinkling, or a lidded bowl with a pierced spoon for dusting. Small casters to contain salt, ground pepper, spices, and dry mustard were already used in France by the mid-1600s. With the increasing sugar consumption, taller casters for powdered sugar were added to the table. A dusting of fine grain or powdered sugar enhanced the flavor of fresh fruit served at the time of the dessert. The early cylindrical form of the sugar caster with a pierced domed lid surmounted by a finial or knob, gave way in the eighteenth century to a more elegant baluster shape. The ornate openwork of the lid allowed the sugar to be sprinkled (saupoudroir) or “cast.” This caster, one of a pair, by the silversmith Nicolas Besnier, dates to 1728-29.
Landschap bij Windsor
Object type: drawing
Date: 1765 – 1765
Materials: paper, watercolor
Techniques: brush
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: landscapes
Inscriptions: inscription: ‘Dit heb ik geteekent uyt het Logement t witte Hert te / winsor 1765’
Visitekaartje van prenthandelaar Theo Mahler te Parijs
Object type: print
Date: 1854 – 1907
Materials: paper
Techniques: lithograph
Subjects: print, e.g.: engraving, etching, lithograph, art dealer, art collecting
Inscriptions: collector's mark: Lugt 4780, inscription: ‘16 rue de Palestine/ Avec tous nos souhaits’, collector's mark: Lugt 2228

Een vrouw bekijkt de inhoud van een prentstandaard.
[The Wilderness Battlefield]
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: g. o. brown
Artist role: artist
Artist nationality: american
Artist dates: 1860 – 1889
Subjects: american civil war,landscapes

There is still much to learn about the role of the camera during the Civil War. One day we may know more about some of the war’s most intriguing field photographs: the macabre studies of skulls and unburied bones discovered by an unknown photographer in the Wilderness battlefield where Generals Robert E. Lee and Ulysses S. Grant had fought to a bloody draw in May 1864. It seems likely that these photographs date from the immediate postwar period, during cleanup operations. Printed from negatives that were probably unintentionally solarized during development in the field, the photographs appear illuminated by an unearthly light and are, in part, tonally reversed: the black sky becoming an appropriate symbol for the terrible place called Wilderness, second only to Gettysburg in the number of Union killed, wounded, and missing.
Premiere Suite de Cris et Divers Marchands de Petersbourg et de Moscou
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: france
Artist: jean baptist leprince
Artist role: draughtsman, print maker
Artist dates: 1734 – 1781
Subjects: container made of plant material other than wood: basket, merchant, salesman - bb - women engaged in trade and commerce, eggs, egg-dishes
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een zesdelige serie met handelaren en straatverkopers uit Sint-Petersburg en Moskou.
Fringe
Object type: fringe
Date: 1667 – 1700
Materials: silk
Horse
Object type: figure
Date: 601 – 800
Materials: earthenware, pigment
Culture: chinese
Subjects: horses
Piece
Object type: piece
Date: 1867 – 1900
Materials: metal thread, silk
Culture: japanese
Ontmoeting Joachim en Anna
Object type: print
Date: 1865 – 1878
Materials: paper
Techniques: etching
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: meeting of anna and joachim at the golden gate; they usually embrace or kiss each other (immaculate conception of mary)

Een houten sculptuur van de ontmoeting van Joachim en Anna.
Gezicht op Pernambuco, 1630
Object type: album leaf
Date: 1630 – 1632
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: pernambuco

Gezicht op Pernambuco, 1630. Hollandse schepen op zee voor de kust. Zonder onderschrift en ongenummerd [428]. De prent maakt deel uit van een album.
Pure Sterilized Milk from the Vingeanne Region
Object type: print
Date: 1894 – 1896
Materials: paper
Techniques: lithograph
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Subjects: cats, animals
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1830 – 1890
Materials: gouache, graphite
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: trees,stage design
Wine container (hu)
Object type: wine container hu
Date: 500 – 301
Materials: bronze
Techniques: inlay
Culture: chinese
Portret van Friedrich Wilhelm Paalzow
Object type: print
Date: 1817 – 1835
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende man met de naam Friedrich Wilhelm Paalzow of Palzow, politicus en chef van loterijen.
Vase with cover
Object type: vase with cover
Date: 1801 – 1900
Materials: wood
Subjects: heads,griffins

This electrotype is after a sixteenth-century original in the Botkine collection, St. Petersburg, at the time of reproduction.
Fragment
Object type: textile
Date: 1601 – 1633
Materials: textile
Techniques: brocade, damask, weave
Location: spain
Terechtstelling van Lodewijk XVI, koning van Frankrijk
Object type: jeton
Date: 1793 – 1793
Materials: copper
Techniques: striking
Location: france
Artist: Anonymous
Subjects: paris, lodewijk xvi (koning van frankrijk)

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: lijkbus met opschrift staande tussen scepter en kroon binnen omschrift; afsnede: datering
Paulus
Object type: sculpture
Date: 1600 – 1650
Materials: bronze
Location: rome

Peter and Paul. Bronze, green and white mottled marble. Rome (?), c. 1600 - 1640.
Slapende jongeman
Object type: print
Date: 1789 – 1859
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter de goeje
Artist role: draughtsman, print maker
Artist dates: 1789 – 1859
Subjects: sleeping; unconsciousness
Inscriptions: collector's mark: Lugt 2228

Een man ligt te slapen aan de kant van een weg. Hij rust zijn hoofd op een zak.
Jeanne, prends sans qu'on te voie . . . , from Le Rire, No. 129, 24 April 1897
Object type: print
Date: 1897 – 1897
Techniques: lithograph
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: men,women
Cap
Object type: cap
Date: 1813 – 1813
Materials: cotton
Culture: american

Finely embroidered baby caps such as this were kept by families as much for their sentimental value as for their obviously pleasing aesthetics and fine workmanship. Many have subsequently been accepted into museum collections. The interesting provenance of this piece enhances its value as a museum object. The accession record states that it was "worn by the brother of Harriet Beecher Stowe," (1811-1896) author of the great novel Uncle Tom's Cabin. The Beecher family consisted of eleven children, seven boys and four girls. Harriet was the eleventh child. Three boys were born to the family between 1809 and 1815. The brother most likely to have worn this cap as a baby was the prominent Brooklyn preacher and reformer, Henry Ward Beecher (1813-1887).
Brug over een sloot
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photoaquatint
Location: vienna
Artist: hugo henneberg
Artist role: fotograaf
Artist dates: 1863 – 1918
Subjects: brook, bridge
Soldiers Playing at Cards, from "Illustrated London News"
Object type: print
Techniques: engraving
Artist: william luson thomas
Artist role: engraver
Artist nationality: british
Artist dates: 1830 – 1900
Subjects: interiors,soldiers,men,playing cards

The Spanish painter Ruipérez was known for producing gently nostaglic historical genre subjects, often inspired by 17th and 18th century Dutch and French precedents. In this composition, a French soldier plays at cards with a country man in an inn, and the latter seems likely to be outwitted. Thomas's engraving, published in the "Illustrated News," reproduced a painting shown in April 1861 at The French Gallery at 120-121 Pall, a venue established by Ernest Gambart around 1854 that showed European works every Spring.
Gezicht op de Pont du Cabouillet in L'Isle-Adam
Object type: photograph
Date: 1897 – 1897
Materials: paper, photographic support
Techniques: gelatin silver print
Location: l'isle-adam
Artist: delizy
Artist role: manufacturer
Subjects: prospect of village, silhouette of village

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
De St Lievens Monsterkerk te Zierikzee, Daags na den brand
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jan dam steuerwald
Artist role: print maker, printer
Artist dates: 1805 – 1869
Subjects: ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2228

Gezicht op het gebouw van de Sint-Lievensmonsterkerk te Zierikzee, daags na de brand van 6 oktober 1832. Links de toren die intact is gebleven, rechts het verwoeste kerkgebouw.
View of the Ruins of the Sint Jacobspoort (‘St Jacob’s Gate’), Bergen op Zoom
Object type: drawing
Date: 1672 – 1672
Materials: graphite, ink, paper
Techniques: pen
Location: bergen op zoom
Artist: josua de grave
Artist role: draughtsman
Artist dates: 1645 – 1712
Subjects: ruin of a building ~ architecture, city-gate, bergen op zoom
Grondtekening der Stad Edam
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities
Inscriptions: date

Prent uit: Tegenwoordige Staat der Vereenigde Nederlanden (...). Amsterdam: Isaak Tirion, 1744, dl. 5, p. 479.
Petticoat
Object type: petticoat
Date: 1750 – 1750
Materials: linen, wool
Techniques: embroidery
Culture: american
Location: united states
Covered Bowl for Preserves
Object type: glass
Date: 1700 – 1725
Materials: glass
Techniques: glassblowing
Location: france
Folio from a Qur'an Manuscript
Object type: folio from a non illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: iran
Artist: muhammad al-zanjani
Artist role: calligrapher
Artist nationality: iranian
Subjects: qur'an

Eight folios of this dispersed Qur'an are held in the Museum collection. Among these folios is the colophon page, with the signature of the scribe Muhammad al‑Zanjani from the town of Zanjan, in northwestern Iran, and the date of completion, 531 AH/1137 CE. The text is written in the script known as eastern kufic with some elements in cursive (naskh), and is lavishly illuminated with designs of foliate scrolls and geometric interlace.
Miniatuur kom
Object type: miniature
Date: 1765 – 1765
Materials: silver
Location: amsterdam
Artist: Anonymous

Kom van zilver, met bijbehorende schotel (L). Kom glad met groefrand, op standring. Gemerkt: stadsteken Amsterdam; jaarletter F.
[Company A, 30th Pennsylvania Infantry, Captain Mott Hooton]
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: army,soldiers,american civil war
Candlestick (one of a pair)
Object type: candlestick
Date: 1751 – 1775
Materials: silver
Artist: françois ii lacassaigne
Artist role: maker
Artist dates: 1706 – 1803
6th Regiment, Inf. Massachusetts, V.M., from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Kleine cartouche naar voorbeeld te Fontainebleau
Object type: ornament print
Date: 1520 – 1584
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous

Linksboven en rechtsboven bevindt zich een venster met een dolfijn erin. Uit serie van 32 bladen. De cartouches zijn deels ontleend aan de prenten van Antonio Fantuzzi naar de decoratie van de Galerie van François 1er door Giovanni Battista Rosso. De serie staat ook bekend onder de titel Petits cartouches de Fontainebleau.
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: shechem and hamor propose the circumcision to their fellow-townsmen (+ variant)

Sichem wordt besneden. Rechts wordt de zojuist besneden Chamor, de vader van Sichem, door een jongen ondersteund. Onderaan in de marge een verwijzing in het Latijn naar de Bijbeltekst in Gen. 34:24. Deze prent maakt deel uit van een album.
Harpoon
Object type: harpoon
Date: 1500 – 1000
Materials: copper
Culture: indian
A French Dragoon, Study for "The Revolt of Cairo"
Object type: drawing
Date: 1809 – 1809
Materials: crayon, gold, paper, pastel
Techniques: dyeing, stumping
Artist: anne louis girodet-trioson
Artist role: artist
Artist nationality: french
Artist dates: 1767 – 1824
Subjects: soldiers,swords
Prinzessin Victoria Luise von Preußen
Object type: photograph
Date: 1910 – 1910
Materials: paper, cardboard
Techniques: gelatin silver print
Location: berlin
Artist: erich sellin
Artist role: fotograaf
Subjects: historical persons, princess, berlin
Inscriptions: inscription, inscription: ‘Original-Aufnahme/ von Erich Sellin/ Hofphot. Berlin’, inscription: ‘2373/ Verlag von/ Gust. Liersch. & Co/ Berlin S.W.’