deem-data/ArtiFact huggingface dataset:
Zicht op een straat in Chicago
Object type: photograph
Date: 1915 – 1915
Materials: ink
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Inscriptions: annotation: ‘CHGO. ILL. zA. / GILPIN PL. PROPTY. / No 8418 2.17.15.’, annotation: ‘South Clinton Street / intersection / Gilpin Place / Chicago, Illinois / Wednesday / February 17, 1915’

Met handgeschreven perceelnummers op de gebouwen in rode inkt. Mogelijk ten behoeve van de aanleg van een metro en/of een spoor.
Portret van Louis Moritz
Object type: drawing
Date: 1841 – 1841
Materials: paper, pencil
Artist: coenraad hamburger
Artist role: draughtsman
Artist dates: 1809 – 1891
Subjects: the hague, amsterdam, painter, louis moritz, historical persons, portrait, self-portrait of artist
Perspectivae Pictorum atque Architectorum
Object type: ornament print
Date: 1708 – 1711
Materials: paper
Techniques: engraving
Location: germany

Raamkozijnen met opstand, plan, profiel en details. Rechtsboven staat: Figura 103.
Gezicht op Great Yarmouth, met op de voorgrond de Breydon bij eb
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: norfolk
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘Plate XXX’, inscription: ‘The last of the ebb-Great Yarmouth from Breydon’
Plattegrond van Pont-Saint-Esprit, ca. 1695
Object type: print
Date: 1695 – 1697
Materials: paper
Techniques: etching
Location: france
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om de Franse stad Pont-Saint-Esprit met de brug over de Rhône. Onderdeel van het achtste deel (1697) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Portret van Matthäus Ayerschöttel
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: theologian, historical persons, book
Inscriptions: inscription: ‘n. B July 1589 [...]’

Prent uit: Würfel, Andreas. Diptycha ecclesiae Sebaldianae (...). Neurenberg: s.n., 1756.
Knielende naakte vrouw
Object type: book illustration
Date: 1948 – 1948
Materials: paper
Techniques: lithograph
Location: paris
Subjects: kneeling figure - aa - female human figure, woman (showing herself) undressed, quasi-nude

Prent uit: Lucianus van Samosata. Dialogues des Courtisanes. [Vertaald uit het Grieks door] Charles Astruc. Parijs: s.n., 1948, deel van de suite met een extra afdruk van de prenten in sanguine.
Bord, veelkleurig beschilderd met een korf met bloemen
Object type: plate dish
Date: 1710 – 1730
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: seal: ‘219’, collector's mark: ‘collection J.F. Loudon’

Bord van faïence. Veelkleurig beschilderd met een korf met bloemen. Rank met ranken en Chinese motieven.
Elf Italiaanse landschappen
Object type: print
Date: 1628 – 1635
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view, and landscape with man-made constructions, river, sports, games ~ animals (+ hunting with falcon, hawk; falconry), mountains
Inscriptions: collector's mark: Lugt 240

In een bergachtig landschap met enkele huizen en een rivier rijdt een valkenier met zijn buit, zijn valk, zijn knecht en zijn honden. Deze prent is onderdeel van een serie van 11 Italiaanse (waarschijnlijk voornamelijk Florentijnse) landschappen (12 incl. titelprent).
Eyeglasses
Object type: eyeglass
Date: 1801 – 1825
Materials: metal
Culture: european
Bead anklet
Object type: anklet
Date: 2060 – 2010
Materials: faience, linen, thread
Location: egypt
Textile with Beast and Geometric Designs
Object type: textile
Date: 1101 – 1300
Materials: gilt, hemp, silk, tin
Culture: german
Subjects: animals
The Pietà: the Virgin standing over the dead Christ, her hands outspread
Object type: print
Date: 1515 – 1517
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: christ,virgin mary,death
Die Klostersuppe
Object type: print
Date: 1880 – 1907
Materials: paper
Techniques: aquatint, drypoint, etching, roulette
Location: vienna
Artist: ferdinand schmutzer
Artist role: painter, print maker
Artist dates: 1870 – 1928
Subjects: soup-kitchen, cook-shop, the poor
Inscriptions: collector's mark: Lugt 2166
De mislukte hond
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: dog
Versailles. Palais du Petit Trianon. Chambre de Marie-Antoinette
Object type: photomechanical print
Date: 1903 – 1920
Materials: cardboard
Techniques: photograph
Location: versailles
Subjects: palace, interior ~ representation of a building, bedroom
Âne. / Donkey. / Esel. / Asino. / Ezel
Object type: popular print
Date: 1829 – 1880
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: mainz
Artist: Anonymous
Subjects: ass, donkey
Inscriptions: collector's mark: Lugt 2760

Een ezel bij een hek. Genummerd rechtsonder: 31.
Design for T-Cart, no. 3530
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op Bergen (Mons)
Object type: print
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Huidige staat van prent ook gebruikt in: Aa, Pieter van der. Europa. Leiden: Pieter van der Aa, s.a. [ca. 1715]. En in: Afbeeldinghe der voornaemste steeden van Nederlant / Les principales villes des Pais-bas. Amsteram: Covens & Mortier, s.a. [na 1721]. En in: Les forces de l'Europe, Asie, Afrique et Amerique, ou description des principales villes, avec leurs fortifications (…). 20 delen. Leiden : Pieter van der Aa, 1726.

Huidige staat met apart gedrukte sierrand gebruikt in: Aa, Pieter van der. La galerie agreable du monde (...). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 16.
Portret van Gustave-Adolphe Hirn
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: colmar
Artist: anton meyer
Artist role: fotograaf
Subjects: physicist, historical persons
Inscriptions: inscription: ‘Déposé’

Deze foto maakt deel uit van een omslag met 29 foto's op 29 bladen en 23 teksbladen.
The Courier Kantan dreaming of Himself as a Daimyo (Hikyaku Kantan: yume no daimyo), no. 8 from a series of 12 prints depicting parodies of plays
Object type: print
Date: 1716 – 1735
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Bonnet
Object type: bonnet
Date: 1880 – 1887
Culture: american or european
Italiaanse landschappen
Object type: print
Date: 1594 – 1635
Materials: paper
Techniques: engraving, etching
Artist: guilliam van nieulandt (ii)
Artist role: draughtsman, print maker
Artist dates: 1584 – 1635
Subjects: the body of the prophet of judah lies intact on the road with the donkey and the lion beside it, landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, inscription: ‘1 Koningen 13: 24’, inscription: ‘98’

De gestorven godsman uit Juda op de weg. Naast hem staan de leeuw en de ezel. De godsman was tegen de opdracht van God in gegaan door toch in Betel te eten en te drinken. Toen hij daar vandaan ging werd hij door een leeuw aangevallen en gedood, maar niet verslonden. Naar het Bijbelverhaal uit 1 Kon. 13: 23-28. Prent uit een serie Italiaanse landschappen.
Meran. Reichsbrücke
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard, photographic process
Location: merano
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), bridge, mountains
Reproductie van een schilderij van een landschap met waterval door Andreas Schelfhout
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: three-color autotype
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: waterfall (+ landscape with figures, staffage)
Inscriptions: collector's mark: ‘Worcester Public Library/ Victoria Institute’, inscription: ‘From a Painting by A. Schelfhout./ (Collection G.C.V. Schöffer, Amsterdam.)’
Rowel Spur (Right)
Object type: spur
Date: 1630 – 1660
Materials: gold, iron
Culture: german
Location: germany

This spur is decorated overall with stamped floral designs originally entirely gilded. In the first half of the 17th century, the fashion trend for gentlemen was to wear boots and spurs even non-riding circumstances, including for dancing or walking around at court. Spurs became then more than equestrian tools, but pieces of male jewelry often enriched by the same goldsmiths also working on armor and weapons. Their decoration was sometimes intended to match the sword hilt and the general outfit and horse tack of their owner. These trendy accessories were also a significant mark of status for gentlemen, sometimes nonetheless copied by the bourgeoisie. This fashion progressively disappeared after the mid-17th century.
Cornelis van Foreest
Object type: print
Date: 1766 – 1833
Materials: paper
Techniques: etching, engraving
Subjects: wig
Inscriptions: collector's mark: Lugt 2228

Portretbuste in profiel van Cornelis van Foreest, heer van Schoorl, Groet en Kamp. Hij draagt een staartpruik en een sjaal.
Henry "Harry" Eli Staley, Pitcher, Pittsburgh, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Blindemannetje
Object type: print
Date: 1725 – 1790
Materials: paper
Techniques: etching
Artist: charles nicolas cochin (ii)
Artist role: draughtsman, print maker
Artist dates: 1715 – 1790
Subjects: blind-man's buff
Inscriptions: collector's mark: Lugt 240
IJzeren Kruis (Duitsland) Tweede Klasse aan lint
Object type: onderscheidingsteken, onderscheiding
Materials: iron, silk
Location: germany
Artist: Anonymous
Subjects: eugen wachenheimer

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Cupid as sculptor
Object type: toy
Date: 1765 – 1765
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: cupid,working
Water Jar
Object type: water jar
Date: 1801 – 1833
Materials: glaze, pottery
Culture: japanese
Portret van Karel III, koning van Spanje
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: karel iii (koning van spanje (1716-1788), historical persons, knighthood order of the golden fleece, war, king
Probably a model macehead
Object type: macehead
Date: 3800 – 3600
Materials: pottery
Location: egypt
Les Forces de l'Europe, Asie, Afrique et Amerique, ou description des principales villes avec leurs fortifications. Dessignées par les meilleurs ingenieurs, particulierement celles qui sont sous la domination de la France (...) et ornées de plusieurs superbes edifices
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: filips v (koning van spanje), palace

Gezicht op het Koninklijk Paleis en enkele andere bezienswaardigheden te Madrid en een portret van koning Filips V. Plaat nr. 259 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
Elie Williams
Object type: painting
Date: 1789 – 1789
Materials: canvas, oil
Culture: american
Artist: charles willson peale
Artist role: artist
Artist nationality: american
Artist dates: 1741 – 1827
Subjects: men,portraits

Peale executed this vivid portrait during a period of incessant experimentation with his paints. The artist, who was seeking stronger colors and bolder contrasts, realized those aims here, especially in the robust flesh tints and the fashionable costume. The change in palette as well as the direct gaze of his subject increased the realism of the work. The Philadelphia Windsor chair, with its green paint worn down to the grain, is convincingly rendered. Williams (1750–1822) was a quartermaster in the Maryland militia when he sat for Peale.
Duinlandschap
Object type: print
Date: 1975 – 1976
Materials: paper
Techniques: aquatint, etching
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: dunes (sea not visible); in the dunes
Inscriptions: signature: ‘KEES STOOP’

Duinlandschap met helmgras, links aan de horizon de zee.
Portret van Johannes Olearius
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons, book, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228
Sketchbook No. 2 (L'Estaque)
Object type: drawing and watercolor
Date: 1875 – 1886
Materials: graphite, ink, paper
Techniques: bookbinding, drawing, pen
Location: france
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Montelbaanstoren bij avond in Amsterdam
Object type: print
Date: 1887 – 1888
Materials: paper
Techniques: aquatint
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: tower, clock tower ~ monumental adornment
The Ghosts of the Heike Appear in Daimotsu Bay in Settsu Province (Sesshu Daimotsu no ura Heike onryo arawaruru zu)
Object type: print
Date: 1847 – 1852
Techniques: woodblock print
Location: japan
Artist: katsushika hokui
Brief aan Philip Zilcken
Object type: letter
Date: 1883 – 1883
Materials: ink, paper
Techniques: pen, writing
Location: elsene
Artist: jean-baptiste meunier
Artist role: print maker
Artist dates: 1821 – 1900
Subjects: the hague, painter, draughtsman, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Crucifix
Object type: crucifix
Date: 1501 – 1700
Materials: brass, bronze, copper, copper alloy, wood
Techniques: casting
Culture: kongo, kongo kingdom
Location: angola
Subjects: christ,cross,crucifixion

At its height in the fifteenth century, the Kongo kingdom was one of the largest in all of sub-Saharan Africa, spanning 115,000 square miles. Centered on an extremely strong monarchy, the elaborate social structure was pervasive across a complex system of trade and interchange between the forest of the north and the coast and savannah plains to the south. In 1491, the Kongo king Nzinga converted to Christianity, thereby strengthening ties with his counterpart in Portugal. The adoption of Christianity allowed the kings of Kongo to participate in an international community of leaders beyond Portugal that included the Vatican. The Kongo kings found that local religious beliefs had significant parallels with Christianity and so they were easily able to synthesize the two. They did not feel that they had renounced one for the other. The cross, a primary emblem of Christian ritual, was also a fundamental motif at the core of Kongo belief systems. The Kongo icon, called the Four Moments of the Sun, is a circle around a Roman cross. It depicts the four divisions of the day—dawn, noon, dusk, and midnight—which represents the cyclical journey of a human life from birth to the afterlife of the ancestors. Fifteenth-century Kongo Christian artifacts such as this one are closely modeled on European prototypes. They were usually cast in an open mold using metal obtained from brass units of currency known as manillas, imported from Europe. In this work, Christ's hair and beard are distinctly European. The facial expression is anguished, with closed eyes, an open mouth, and a furrowed brow. The modeling of the figure is naturalistic and the proportions relate to European sculpture. Additionally, he is depicted with a fiery halo. All of these elements are clearly retentions of European models.
Gezicht op 's Lands Zeemagazijn (Admiraliteitsmagazijn) te Amsterdam
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: pier, quay, wharf, civic architecture; edifices; dwellings
Inscriptions: watermark

Prent verschenen in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.* En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam: darinnen von derselben ersten Ursprunge bis auf gegenwärtigen Zustand (…). Amsterdam: Joachim Nosche, 1664.

* In sommige exemplaren van deze uitgave komt de huidige staat van de prent voor. In andere exemplaren is een latere staat ingebonden, waarop boven de Nederlandse een Franse titel is toegevoegd.
Zittend naakt
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: adamo scultori
Artist role: painter, print maker, sculptor
Artist dates: 1530 – 1585
Subjects: the (nude) human figure; 'corpo humano' (ripa), fruits: acorn

Zittende naakte man, naar rechts gedraaid, met over zijn schouder een guirlande van eikels. Eén van de 'ignudi' (naakte mannen) van Michelangelo's plafondschildering. Genummerd rechtsonder: 12. De prent maakt deel uit van een album.
Bretons landschap met koeien in de nevel
Object type: print
Date: 1902 – 1951
Materials: paper
Techniques: lithograph
Artist: henri rivière
Artist role: draughtsman, print maker
Artist dates: 1864 – 1951
Subjects: landscapes, mist, fog
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Henri Rivière Brume matinale’, signature: ‘H.R.’

Het stempel van Henri Rivières monogram is meegedrukt. Zie: Toudouze, Georges. Henri Rivière. Peintre et Imagier. Parijs: Henri Floury, 1907, p. 177.
Marktscène
Object type: sketchbook leaf
Date: 1923 – 1923
Materials: paper, pencil, watercolor
Techniques: brush
Location: morocco
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: africans, market, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Pagina 3 uit een schetsboek met 66 bladen.
Portret van paus Anacletus
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: venice
Subjects: historical persons, adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh) (+ donor(s), supplicant(s), whether or not with patron saint(s))

Prent uit: Palazzi, Giovanni. Gesta pontificum Romanorum a Sancto Petro (...). Venetië: Giovanni Paré, 1687, p. 28.
Apollo met portret van Caspar Brandt
Object type: titelblad, titelpagina
Date: 1702 – 1702
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: pegasus, the winged horse, (story of) apollo (phoebus), portrait of a writer, grave, tomb and other grave-forms and grave-markers, cupids: 'amores', 'amoretti', 'putti', crowning the victor with laurel
Inscriptions: collector's mark: Lugt 2228

Apollo zit met zijn lier op een bordes en houdt een schild met het auteursportret van Caspar Brandt vast. Een putto vliegt met een lauwerkrans boven het portret. Op de achtergrond een gedenkteken voor de overleden schrijver en het gevleugelde paard Pegasus. In de lucht houden twee putti een doek met de titel van het boek vast.
Shekel of Augustus, 27 B.C.-14 A.D., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Tekening van 17e eeuws zilver behorende bij een album
Object type: album
Date: 1725 – 1728
Materials: paper
Techniques: drawing
Location: amsterdam
Artist: Anonymous
Twee Wehrmacht soldaten op een bruggetje
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: hoek van holland
Artist: Anonymous
Subjects: the soldier; the soldier's life, occupation ~ war

Twee Wehrmacht soldaten hebben zich laten fotograferen op een bruggetje bij Hoek van Holland. Ze dragen legerpetten, maar een heeft ook nog een helm in zijn hand en draagt een bril. Beide hebben verrekijkers om.
Scherf majolica met veelkleurige decoratie
Object type: sherd
Date: 1500 – 1699
Materials: earthenware, glaze
Location: northern netherlands
Artist: Anonymous
Buurt Noordeinde te 's-Gravenhage, buurtpenning van de buurtvrijers met no. 16
Object type: buurtpenning
Date: 1669 – 1669
Materials: brass
Techniques: casting, engraving
Location: the hague
Artist: Anonymous
Subjects: noordeinde

Messing penning. Voorzijde: leeg veld binnen omschrift. Keerzijde: jaartal boven cijfer 16