deem-data/ArtiFact huggingface dataset:
Cuboid vase
Object type: vase
Date: 1870 – 1870
Materials: bone china
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
Dagger (Bichuwa)
Object type: dagger bichuwa
Date: 1701 – 1800
Materials: silver, steel
Culture: indian, south indian
Location: south india
Five of Clubs, from the Transparent Playing Cards series (N220) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the series "Transparent Playing Cards" (N233), issued in 1888 to promote Kinney Bros. Cigarettes for Kinney Tobacco Company. Some card versos state that there are 52 cards included in the deck whereas other versos confirm the number at 53. Each card verso reads, "Hold to the light/ Read your fortune."
Head of mushhushshu
Object type: sculpture
Date: 900 – 801
Materials: stone
Culture: assyrian
Location: mesopotamia
Cup from a torch-holder
Object type: cup from a torch holder
Date: 3900 – 100
Materials: bronze
Culture: cypriot
Mannen rond een vuur
Object type: print
Date: 1623 – 1653
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter nolpe
Artist role: draughtsman, print maker
Artist dates: 1613 – 1653
Subjects: sleeping in chair (+ variant), pipe ~ tobacco, jar, jug (used as drinking-vessel), open hearth, fire-place
Inscriptions: collector's mark: Lugt 240

Rond een vuur in een interieur zitten vier mannen, waarvan er twee een kruik in de handen hebben. De man op de rug gezien rookt pijp. Linksachter is een man op een bankje in slaap gevallen.
Karper en houting
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: fishes, bony fishes: carp
Inscriptions: collector's mark: Lugt 2228

Prent uit serie Libelivs varia Genera piscium complectens van dertien prenten met zoetwatervissen, zeevissen, kikkers, schaaldieren en zeewezens (inclusief titelprent). Vermoedelijk ging een uitgave van Assuerus van Londerseel vooraf aan deze editie van Francoys van Beusekom, zie De Groot 1988, p. 38.
Deksel van een sluitgewicht uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: lid
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Weight, cupweight, lid; id. NG 1980-27H33, eroded, 1 mark id. NG 1980-27H2892 legible.
Belvedere Torso
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: belgium
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
H. Jacobi, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Printer's samples for the collector's album "World's Inventors" (A25), issued in 1888 to promote Allen & Ginter brand cigarettes. Citing Burdick's "The American Card Catalog": "Souvenir albums of this type, as issued by the tobacco companies, were probably intended to replace the individual cards if the smoker so desired, or at least enable him to own the entire collection of designs without the difficulty attendant to obtaining all the individual cards in a set. Later, their popularity induced the tobacco companies to publish a few albums that had no card counterparts. All were given in exchange for coupons packed with the cigarettes, usually 75 or 100 coupons for each album...All date in the 1888-1890 period." This series depicting inventors was never issued as individual cards and only released in album form. However, this set of printer's proofs retain individual card form.
Gimmel ring (Twin ring)
Object type: gimmel ring
Date: 1551 – 1600
Materials: gemstone, enamel, gold

This two-part ring of interlaced gold hoops is inscribed with a German phrase that translates to “Those whom God hath joined together let no man put asunder.” This type of ring was commonly used as a wedding band during the Renaissance. A gimmal ring with a similar message featured in the marriage ceremony of Protestant reformer Martin Luther (1483–1546) and Katharina von Bora (1499–1552), a former Cistercian nun.
Silver bowl
Object type: bowl with medallion of isi
Date: 675 – 625
Materials: silver
Culture: cypriot
Subjects: animals,horus,isis

The particularly dense decoration consists of a tondo surrounded by four friezes. In the center, the Egyptian goddess Isis suckles her son Horus amid papyrus plants. The innermost frieze shows a shepherd, a horse, a cow and calf. The next frieze presents six banqueters attended by men and women. The third zone combines banqueters with tribute bearers. The outermost zone depicts figures in carts departing from a citadel to a palm grove and going back. The carts are particularly reminiscent of the terracotta models. The Isis motif and the fortifications derive from Egyptian and Assyrian sources.
Bustle pad from striped red and white linen-cotton
Object type: tournure
Date: 1870 – 1890
Materials: cotton, hair, linen, ribbon
Techniques: weave
Location: europe
Artist: Anonymous

De tournure is gevuld met paardenhaar en voorzien van twee linten.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 540 – 530
Materials: terracotta
Culture: greek, attic

Part of the mane, neck, and throat of a horse to right
Figuren in de branding
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: in or beside the water (on the beach)

Figuren in de branding. Blad 6 uit een schetsboek met 29 bladen.
Félix Lepeletier
Object type: print
Date: 1820 – 1840
Materials: paper
Techniques: relief engraving
Location: france
Subjects: paris, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Walking boots
Object type: walking boot
Date: 1860 – 1875
Materials: wool
Culture: american
"The Coronation of the Infant Shapur II", Folio 538r from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1525 – 1530
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: men,women

The last section of the Shahnama chronicles the reigns of the Sasanian kings of Iran. Here, the tiny infant Shapur, born after the death of his father Hurmuzd II, is depicted seated on an ornately bejeweled throne as his nurse fans him. The artist Muzaffar 'Ali’s lifelong familiarity with the court and his good-natured approach to its denizens inform the portrayal of the servants bearing jewels and gifts for the new king, the chatting courtiers in the foreground, and the elegant ladies who observe from a window above the door.
Christus in huis van Simon de Farizeeër
Object type: print
Date: 1520 – 1575
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: a woman washes christ's feet with her tears, and wipes them with her hair
Inscriptions: collector's mark: Lugt 240

Kopie naar prent van Marcantonio Raimondi. Raimondi baseerde zich op fresco's welke zich oorspronkelijk in de S. Trinità dei Monti te Rome bevonden, van de hand van Giulio Romano en Giovanni Francesco Penni (Shoemaker 1981, p. 174).
Vlag van een islamitisch land
Object type: drawing
Date: 1667 – 1670
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: france
Artist: Anonymous
Subjects: flag, colours (as symbol of the state, etc.)
Inscriptions: number: ‘277 / CCLXXVII / 277’

Vlag van een onbekend islamitisch land. Rode vlag waarop een salamander of hagedis, met een decoratieve geborduurde rand met franje, met afgeronde vluchtzijde. Vlag op vlaggensteng en mastvoet. Afgebeeld op folio 139r. Onderdeel van een vlaggenboek met vlaggen uit Europa, Noord-Afrika, Nabije en Verre Oosten.
Rivierlandschap
Object type: drawing
Date: 1694 – 1766
Materials: paper
Techniques: brush, pen
Artist: matthijs balen (1684-1766)
Artist role: draughtsman, painter, print maker
Artist dates: 1684 – 1766
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
The Last Supper, from The Small Passion
Object type: print
Date: 1624 – 1631
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

Jacques Callot’s etching series The Small Passion exemplifies the artist’s penchant for intimate detail. These prints highlight the ways he depicted space throughout a complete narrative. He framed each stage of the Passion of Christ with a different type of architectural or natural element. The porous boundaries of the exterior scenes allow visual movement by extending the view beyond the foreground figures, while the more rigorously contained interior scenes evoke a sense of finality. For example, Callot’s iconic image of the Last Supper takes place within an isolated triumphal arch that resembles an altar.
Iconographie
Object type: print
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: painter, wenzel coebergher, portrait, self-portrait of painter

Deze prent maakt deel uit van een album.
Trees along a lane in Mumbai, Maharashtra, India
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: mumbai
Subjects: trees, lane, alley
Inscriptions: caption: ‘THE LAST OF THE AVENUE OF TWISTED TREES.’
Schaal met geschulpte rand; op het plat een heraldisch ornament
Object type: dish
Date: 1720 – 1750
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: collector's mark: ‘collection J.F. Loudon’

Schaal met geschulpte rand; op het plat een heraldisch ornament
Fan
Object type: fan
Date: 1834 – 1866
Materials: ivory, mother of pearl
Techniques: gilding, painting, silvered
Subjects: men,women
Thoth Amulet
Object type: amulet, thoth
Date: 664 – 630
Materials: faience
Location: egypt

Amulets often represent deities in order to invoke their protection and specific powers. Such amulets were used by the living and often placed on mummies as well. The piece here depicts the god Thoth as a man with an ibis-head. Thoth was the god of knowledge and writing, and he was thought to have healing powers. Thoth amulets were popular mummy amulets, which possibly relates to his healing powers and to his role as recorder of the final judgment, in which it was determined if the deceased had lived a virtuous life.
Sancho wordt omhoog gegooid
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Inscriptions: date

Voor een herberg wordt Sancho, de knecht van Don Quichot, door een groep mannen met een deken op gegooid, omdat ze niet betaald hebben voor de overnachting. Bij de ingang staat de waard te lachen en achter de schutting staat Don Quichot.
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1892 – 1906
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: adult woman, anonymous historical person portrayed, amsterdam
Terracotta fragments of open shapes
Object type: undetermined open shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Five misfired black glazed fragments from open shapes
Straat in Athene met het choregisch monument van Lysicrates
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: etching
Location: rome
Artist: joseph thürmer
Artist role: print maker
Artist dates: 1789 – 1833
Subjects: city-view in general; 'veduta', monument, statue, street
Inscriptions: collector's mark: Lugt 2228
July and August (part of a set illustrating months of the year)
Object type: panel
Date: 1726 – 1750
Materials: canvas, oil, wood
Techniques: gilding, painting
Artist: antoine watteau
Artist role: artist
Artist nationality: french
Artist dates: 1684 – 1721
Subjects: birds,garlands,men,women

One of a set of panels (22.225.1–.6) which probably formed a set of decoration for a room. Each panel represents two months of the year, depicting astrological signs and occupations appropriate to the seasons. July and August are represented by peasants resting and a landscape with bathers.
Print
Object type: print
Date: 1830 – 1830
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: women,mirrors
Tegenspoed leert bidden
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: diest
Subjects: small group of musicians, chamber orchestra, jazz band, adversity, misfortune, bad luck; 'fortuna infelice', 'infortunio' (ripa), abstract ideas and concepts (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2228

Bladzijde uit een boek (p. 19) met tekst op verso. In een ovale cartouche een kamerorkest in actie. het orkest telt 10 leden. Er wordt gespeeld op de viool, de cello, fluit. doedelzak, luit en klavier. Enkele orkestleden zingen. Boven de cartouche de titel (motto) van de prent en een citaat uit de bijbel (Psalm 106:6). Onder de prent een onderschrift: 'Uyt bedwanck komt klanck' en een beschrijving die vertelt dat bidden soelaas brengt in moeilijke tijden.
S. Saturnin, prêtre et ses compagnons (St. Saturninus, Priest and His Companions), February 11th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Henu barque amulet
Object type: amulet, henu barque
Date: 525 – 30
Materials: glass
Location: egypt

Starting in the later Late Period and continuing through the Ptolemaic Period, a type of glass amulet cast by pressing the glass into a shallow open mold appears. The back was left rough, and the amulets may look ragged because glass overflowed the mold around the edges. The earlier amulets are monochrome, bi- or multicolor amulets supplement the repertoire during the Ptolemaic Period. Some of the amulets can be specifically tied to spells of the Book of the Dead – for example, acc. no. 17.194.2526 – and most are clearly funerary amulets, presumably meant to be wrapped between the bandages of the mummy where the presence of the amulet would do its job irrespective of its degree of finish.
Mr. Garrick in Hamlet, Act 1, Scene 4
Object type: print
Techniques: mezzotint
Artist: james mcardell
Artist role: engraver
Artist nationality: irish
Artist dates: 1728 – 1765
Subjects: shakespeare,men,portraits,actors,hamlet

Portrait of the famous actor and theater manager David Garrick in the role of Hamlet in Shakespeare's play. He stands three-quarter length with his hands outstretched and looking to right, wearing a velvet suit and white shirt with ruffled sleeves. The castle of Elsinore is shown behind at right. The print evokes a dramatic moment in Act 1 when the prince encounters the ghost of his murdered father.
Pointed salver with Hannah and Samuel
Object type: dish
Date: 1618 – 1618
Materials: silver
Techniques: gilding
Location: middelburg
Subjects: ornaments ~ art, samuel in the temple at shiloh presented to eli by hannah
Inscriptions: maker's mark

The engraving on this salver demonstrates the sheer virtuosity of the Zeeland seal engraver Johannes Looff. With incised grooves varying in depth and width, he rendered a painting by the Zeeland painter Dirk van Delen and prints by other contemporaries in silver. Thanks to the gilding, the refined play of light can still be admired in its full glory.
Caarte van het geinundeerde Weer-gors en 't fort van Helle-Voet-Sluys
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, maps of cities, 'navigatione' (ripa), hellevoetsluis
Inscriptions: collector's mark: Lugt 19

Deze kaart is onderdeel van het zogenaamde 'Voorne Caart-boeck' / 'Caartboeck van Voorne', dat bestaat uit een titelpagina (zie RP-P-1942-347), drie algemene kaarten (van Oost-, West- en Zuid-Voorne)* en dertig detailkaarten. Het kaartboek werd vervaardigd in opdracht van de Staten van Voorne en werd in 1701 uitgegeven. Een deel van de koperplaten is bewaard gebleven en in de negentiende en twintigste eeuw gebruikt voor herdrukken.

*Over de naam Voorne kan verwarring ontstaan omdat de betekenis door de eeuwen heen is veranderd. Vroeger stonden de (voormalige) eilanden Voorne, Goeree en Overflakkee – allen historisch gezien onderdeel van het Land van Voorne – bekend als respectievelijk Oost-, West- en Zuid-Voorne.
Ushibori in Hitachi Province (Jōshū Ushibori), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: birds,mountains,boats
Seated Scholar
Object type: sculpture
Materials: glaze, iron, stoneware
Location: china
Naaukeurige Afbeelding Der Forten Fredrik Hendrik, Lillo, de Kruysschans en Liefkenshoek, met de daaromtrent leggende Sterktens en geinnundeerde Landeryen
Object type: map
Date: 1747 – 1747
Materials: paper
Techniques: etching, letterpress printing
Location: the hague
Subjects: fortress, maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘G’

Kaart met de belegering van de Nederlandse forten Frederik Hendrik, Lillo, Kruisschans en Liefkenshoek, gelegen aan de Schelde, door de Fransen tussen 1 en 14 oktober 1747, en de geïnundeeerde gebieden. Met opschriften in pen in de voorstelling. Op het blad onder de plaat een beschrijving van de forten in twee kolommen.
De dwerg Rusticus Schermutsius, 1720
Object type: caricature
Date: 1716 – 1720
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: caricatures (human types), little people, warfare; military affairs (+ citizen soldiery, civil guard, citizen militia)

De kleine mens Rusticus Schermutsius als lid van de Tiroolse schutterij. In het onderschrift verzen in het Duits, Frans en Nederlands. Genummerd rechts midden: 39. Afdruk binnen een decoratieve omlijsting gedrukt van een aparte plaat met muziek makende kleine mensen en onderaan een aap die pap eet. Onderdeel van deel II in de tweede Nederlandse gebonden uitgave uit 1720 (en gerelateerd aan de Windhandel in dat jaar) van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel, deels gekopieerd naar een ouder Duits voorbeeld.
Gen. Kelly-Kenny's Infantry creeping on the Boers at Dreifontein - on the march to Bloemfontein, S.A.
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, paper
Techniques: albumen print
Location: driefontein
Artist: Anonymous
Subjects: fight between farmers and soldiers, siege
Inscriptions: copyright notice: ‘Copyright 1901 by Underwood and Underwood.’, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, number: ‘77’, inscription
Portret van Honorée de Glimes-Grimberghe, Gravin van Bossut
Object type: print
Date: 1610 – 1650
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Medal:  Bust of Gianbattista Orsini
Object type: medal
Date: 1467 – 1533
Materials: bronze, copper alloy, patina
Culture: italian
Subjects: men,portraits,profiles,unicorns

On the obverse is a portrait of Gianbattista Orsini. On the reverse is a landscape with a unicorn dipping his horn in a fountain, and a cartouche with the Orsini arms hanging on a tree in the background. Orsini was probably the son of Lorenzo Orsini. Still a boy, he was made canon of the Lateran church in Rome and became cardinal-deacon in 1483.
Gun Powder Flask
Object type: vessel
Materials: copper, gilt copper, ivory
Culture: islamic
Location: ottoman empire
Winters berglandschap, met op de voorgrond een huis
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: berlin
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, snow, mountains
Inscriptions: inscription: ‘Fig. 3’
Portret van Gérard de Lally-Tollendal en de vlucht van Lally-Tollendal
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Artist: c. beneworth
Artist role: print maker
Subjects: paris, politician, gérard de lally-tollendal, historical persons, historical events and situations
Inscriptions: collector's mark: Lugt 2228
Eikenhouten sculpturen in de Onze-Lieve-Vrouwekerk te Dendermonde
Object type: page
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: dendermonde
Subjects: sculpture
Inscriptions: inscription: ‘SCULPTURES. PL. 7.’, monogram: ‘JJvY’, inscription: ‘SCULPTURE en bois (...)’
Ring with scarab
Object type: ring with scarab
Date: 7000 – 330
Materials: gemstone, gold
Subjects: scarabs
Mimeguri no Kei (Toyoha-ya)
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: musical instruments,gates,men,women
Vissersboten te Katwijk
Object type: print
Date: 1862 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: sailing-ship, sailing-boat, beach, sea
Inscriptions: collector's mark: Lugt 2228

Twee boten op het strand van Katwijk, waarvan één op het land ligt en de ander in het water.
Telegram met gelukwensen, 1928
Object type: telegram
Date: 1928 – 1928
Materials: paper
Techniques: typewriting
Location: weltevreden
Subjects: batavia

Telegram met gelukwensen namens de familie VanderSande, verzonden vanuit Soerabaja op 29 september 1928. Document van Gouvernements Post-, Telegraaf- en Telefoondienst, kantoor Weltevreden, met gedrukte en getypte tekst, stempels en een verbroken zegel. Behoort bij het herinneringsalbum aangeboden aan Willem Ree van accountantsbureau Frese & Hogeweg bij zijn vertrek bij het kantoor in Weltevreden op 30 september 1928.
An anatomy lesson, from 'News of the day,' published in Le Charivari, August 21, 1869
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: human anatomy,satire,men
The Drinking Lady
Object type: print
Date: 1634 – 1666
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: artist
Artist nationality: dutch
Artist dates: 1623 – 1677