deem-data/ArtiFact huggingface dataset:
Portret van Ferdinand Sigismund Kurtz von Senftenau
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving
Location: vienna
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Priorato, Galeazzo Gualdo. Historia di Leopoldo Cesare. Wenen: Giovanni Battista Hacque, 1670.
Einige und auf die neueste Façon eingerichte Oefen u. Vasi
Object type: print
Date: 1712 – 1755
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: pedestal of a piece of sculpture (perhaps in the form of a herm), container of ceramics: jar, jug, pot, vase, heating stove
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerpen voor een geornamenteerde kachel, een vaas, een pot en een voetstuk. Van de kachel ook een plattegrond. Prentnummer 185, uitgeversnummer 38.
Self-Portrait in a Flat Cap and Embroidered Dress
Object type: print
Date: 1642 – 1642
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Henry Bouguet
Object type: print
Materials: paper
Techniques: etching
Location: united states
Artist: Anonymous
Artist nationality: likely american or british
Artist dates: 1800 – 1899
Twee kraagstenen van de ruïne van een kloosterkerk in Tébessa, gedecoreerd met vissengolven
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: france
Artist: Anonymous
Subjects: column, pillar ~ architecture, ruin of church, monastery, etc.
Inscriptions: number: ‘Fig. XI et XII’
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 10 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. From top to bottom, and left to right: Design is printed upon a grid and illustrates 2 winged cherubim standing on clouds that hold a chalice that has a floating cross above it. Below the cherubim is a landscape of houses and trees.
Nabootsing van VOC- duit
Object type: coin
Date: 1780 – 1830
Materials: copper
Techniques: striking
Location: banjarmasin

Koperen munt. Nabootsing van duit van de VOC. Voorzijde: gekroond fictief wapenschild. Keerzijde: monogram van de VOC, waarboven onduidelijke figuur en waaronder fictief jaartal.
Waarschuwing tegen de vredesonderhandelingen te Keulen
Object type: history medal
Date: 1579 – 1579
Materials: silver
Techniques: striking
Location: dordrecht
Artist: gerard van bylaer
Artist role: die cutter
Artist dates: 1540 – 
Subjects: brussels, earl, cologne
Inscriptions: circumscription: ‘QVAM SIMVLATA PACE DECIPI’, circumscription: ‘PRAESTAT PVGNARE PRO PATRIA 1579’

Zilveren penning. Voorzijde: twee ruiters en twee soldaten te voet met elkaar in gevecht binnen omschrift. Keerzijde: twee lijken, waarvan de hoofden op staken zijn geplaatst binnen omschrift.
Portret van een onbekende man
Object type: photograph
Date: 1860 – 1880
Materials: copper, glass, paper
Techniques: daguerreotype
Artist: leroux
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Porteus av. dag/ exécutes oar Leroux [...] Au Grand Bazar Bordelais’
Vier oosterse mannen, gekleed volgens de dracht van ca. 1580
Object type: costume print
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: asiatic races and peoples (+ costume)
Inscriptions: number: ‘55’

Prent uit het boek 'Omnium pene Europae, Asiae, Aphricae atque Americae gentium habitus...', 1581. De prent maakt deel uit van een album.
De Linschoterpoort te Oudewater
Object type: drawing
Date: 1745 – 1745
Materials: ink, paper
Techniques: brush, pen
Artist: hendrik de winter
Artist role: draughtsman
Artist dates: 1717 – 1790
Subjects: city-walls, bridge, city-gate
Inscriptions: inscription: ‘H De Winter del ad viv: 1745 D'Linschootter Poort tot Oudewaatter’

Voor prent gebaseerd op deze tekening zie RP-P-AO-10-65A-2.
Platter
Object type: platter
Date: 1800 – 1830
Materials: porcelain
Culture: chinese
Location: china
Subjects: landscapes
Rondel Dagger
Object type: arm
Date: 1801 – 1900
Materials: steel
Culture: german
Location: germany
Lady and Child
Object type: drawing and watercolor
Materials: chalk, paper
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist nationality: dutch
Artist dates: 1645 – 1708
Set of Four Designs for Smallswords
Object type: four drawing
Date: 1725 – 1780
Materials: ink, paper
Techniques: pen, wash
Culture: french
Location: france
Subjects: hilts
Northern Dome of Phantom Cathedral, No. 1305 from the series "Curiosities of Adams and Juneau Counties"
Object type: photograph
Date: 1870 – 1908
Techniques: albumen print
Location: wisconsin
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Omlijsting
Object type: drawing
Date: 1809 – 1814
Materials: ink, paper, pencil
Techniques: brush, pen
Location: southern netherlands
Artist: Anonymous
Subjects: frame of painting, etc.

Lege omlijsting. Onderdeel van het eerste album met tekeningen van vogels. Tweede van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Two Angels Seated on Clouds
Object type: print
Date: 1600 – 1688
Techniques: etching
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: angels,coat of arms
Portret van een jonge vrouw
Object type: album leaf
Date: 1891 – 1914
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: brussels
Artist: jean günther
Artist role: fotograaf
Artist dates: 1860 – 1920
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘(...)/ Günther/ 33/ Rue Neuve/ Bruxelles.’
Annunciatie /De Mens tussen Vernuft en Christus
Object type: print
Date: 1546 – 1562
Materials: paper
Techniques: engraving
Location: antwerp
Artist: frans huys
Artist role: print maker
Artist dates: 1522 – 1562
Subjects: the annunciation: mary kneeling, doctrine on original sin, and redemption, stupidity, poverty of intellect; 'stupidità overo stolidità' (ripa) (+ personification), the incarnation ~ christ
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee bijbelse allegorieën in architecturale omlijsting. Links de verkondiging aan Maria door de engel Gabriël met God de Vader en de Heilige Geest als duif. De voorstelling verbeeldt de menswording van Christus. Rechts de Mens gekleed in habijt en met rozenkrans tussen de personificatie van het blind Vernuft en Christus. De Mens is doof voor de woorden van Christus en luistert naar de inblazingen van het Vernuft om op zijn goede werken te vertrouwen. Onder beide voorstellingen een vierregelig vers in het Nederduits en een vierregelige tekst in het Latijn. Nummer 13 en 14 uit een reformatorische serie over de zondigheid en rechtvaardiging van de mens.
Artillerie camp by Breda 1769
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: the hague
Subjects: the hague, william v (prince of orange), (military) camp with tents, manoeuvre ~ military training (+ artillery)
Inscriptions: check stamp: ‘Archief Ministerie van Oorlog Afdeeling Genie’

Gezicht op het artilleriekamp van het Staatse Leger buiten Breda, waar het leger in juni 1769 oefeningen hield. Bovenaan een voorstelling van de schietoefeningen, daaronder een plattegrond van het oefengebied met het schietterrein en het legerkamp, met rechtsonder een schaalstok: Echelle de 200 Pas a 2 Pied 1/2 / Maat van 200 passen van 2 1/2 Voet. In het midden een cartouche met de tenten van de prins. Op het blad onder de plaat legenda's in het Nederlands en Frans.
Demitasse Cup and Saucer
Object type: demitasse cup and saucer
Date: 1860 – 1866
Materials: porcelain
Culture: chinese
Location: china
Twee studies van een vrouw met een hoed
Object type: drawing
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Verschijning van de heilige Joris
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: militant proselytizing: religious war, crusade, etc., the warrior martyr george (georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword, knight
Inscriptions: collector's mark: Lugt 2228

Prent uit: Michaud, Joseph François. Geschiedenis der Kruistochten. Amsterdam: Henri Bogaerts, 1879.
Terracotta rim, handle, and upper body of a bowl
Object type: vase fragment
Date: 2900 – 2300
Materials: terracotta
Culture: minoan
Stater (Coin) Depicting a Shield
Object type: coin
Date: 379 – 338
Materials: metal, silver
Techniques: striking
Culture: greek
Location: thebes
Inscriptions: Reverse: ΔΑ ΜΟ

The use of coins as a form of money was invented in western Asia Minor in the early 7th century BCE. At the time this coin was struck, Greece was made up of separate city-states that issued their own currency. Made of gold, silver, bronze, and electrum (a gold-silver alloy), coins were literally worth their weight, but their value varied according to the percentage of their precious metal content. Occasionally a city needed more money than it had in reserves. By reducing the amount of precious metal and substituting a base metal, a coin could be produced of the same weight but no longer of the same value. Some currency was only honored within its own city walls, but trustworthy money encouraged trade. Athens had the biggest economy, and its coin became the standard in the Greek world.

The population was largely illiterate, but it could identify the place of origin of a coin by its imagery. Many of these images referred to myths that were associated with the history of the community and thus were well known to the populace from religious ceremonies and theatrical entertainment. The story of a city’s founding, a local hero, the city’s guardian deity, and even the reason for the city’s wealth were subjects for a coin’s insignia.

The distinctive oxhide or Mycenaean shield shown on the front (obverse) of this coin was particular to the Theban army. It remained a symbol of the city for centuries until 335 BCE, when the city was razed for opposing Alexander the Great, and its citizens, who used this coinage, were enslaved. The back (reverse) of this coin depicts an amphora, symbolizing the Theban cult of Dionysos, with a laurel wreath above.
View of Buildings Adjoining the Capitol, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Location: rome
Artist: Anonymous
Artist role: artist
Subjects: human figures,buildings,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 16 in the scrapbook.
Monkey Dance
Object type: print
Date: 1760 – 1760
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: men,women
Belegeringsplattegrond van Namen
Object type: area plan
Date: 1692 – 1692
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: fortified city, siege, bombardment

Hoewel er een plaatrand om de afbeelding heen zit, lijken alle lijnen op de prent getekend te zijn. Mogelijk is dit het ontwerp voor een prent.
Ganzenhoeder met kudde ganzen met vrouwenhoofden
Object type: cartoon
Date: 1772 – 1772
Materials: paper
Techniques: etching
Artist: johann rudolph schellenberg
Artist role: print maker
Artist dates: 1740 – 1806
Subjects: animals with human head, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228
Kachelplaat met voorstelling van Judith met het hoofd van Holofernes
Object type: stove plate
Date: 1600 – 1700
Materials: iron
Techniques: casting
Location: germany
Artist: Anonymous
Subjects: judith shows holofernes' head to the people
Inscriptions: inscription: ‘IVDITH.XIII’

Kachelplaat van gietijzer. De voorstelling is verdeeld in twee zones. In de bovenste is een tent te zien met daarin Judith die het hoofd van Holofernes in een zak stopt. In de onderste zone staat in een cartouche IVDITH.XIII
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, youth with frontal torso in three-quarter view, with his himation draped over his left shoulder, bent left arm, lower body, and across his left forearm
Lidded jar
Object type: pot
Date: 1700 – 1715
Materials: earthenware, glaze
Location: delft
Artist: Anonymous
Subjects: flowers ~ ornament

Pot van faïence. Veelkleurig beschilderd.
Portret van een man met baard
Object type: album leaf
Date: 1877 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: historical persons, beard
Inscriptions: inscription: ‘Amsterdam/ 1877./ M. Büttinghausen/ Photographisch artistisch Atelier/ Singel b/d Torensteeg/ G 133/ Amsterdam/ Specialiteit in vergrootingen./ De plaat blijft ter nabestelling bewaard.’
A profile of a man with a large nose looking to the left
Object type: print
Date: 1880 – 1910
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,profiles
Raven Bowl
Object type: bowl
Date: 1870 – 1870
Materials: paint, wood
Culture: haida
Location: canada
Subjects: faces
Vue du Loo résidence ordinaire de S.M. le Roi pendant l'été
Object type: print
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: paleis het loo
Inscriptions: collector's mark: Lugt 2228

Prent naar tekening van Cornelis de Kruyff
Portret van een kind staand op een stoel
Object type: album leaf
Date: 1867 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: willem gerhardus kuijer
Artist role: fotograaf, hoffotograaf
Artist dates: 1834 – 1899
Subjects: child, historical persons, amsterdam
Inscriptions: inscription: ‘Photographisch Atelier/ van/ W.G. Kuijer/ Rozengracht DD.455./ Amsterdam’
Bust of an Old Bearded Man Looking Down, Three-Quarters Right
Object type: print
Date: 1631 – 1631
Techniques: etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,portraits
Vendor of Chairs, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 6
Object type: print
Date: 1660 – 1660
Techniques: etching
Artist: giuseppe maria mitelli
Artist role: artist
Artist nationality: italian
Artist dates: 1634 – 1718

This print is from a series of 41 plates depicting Bolognese professions. This print is from the unnumbered first state published by Giovanni Giacomo De Rossi (Bertarelli).
Sidi-Okba. - La Mosquee
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: algeria
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘[...]’, check stamp: ‘J. Kuhn Editeur/ 220 Rue de Rivoli Paris’
Book, from the Novelties series (N122) issued by Gail & Ax Tobacco to promote Navy Long Cut
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: gail & ax tobacco
Artist role: publisher
Subjects: books,women
Massacre of the Innocents
Object type: print
Date: 1544 – 1544
Techniques: woodcut, printing
Artist: master nd
Artist role: artist
Artist nationality: italian
Artist dates: 1540 – 1540
Subjects: massacres,boys,men,women
Mariko: Famous Tea Shop (Mariko, meibutsu chamise), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido
Object type: print
Date: 1833 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Tankard
Object type: metalwork
Date: 1700 – 1701
Materials: metal, silver
Location: london
Artist: william penstone
Portret van Johannes Straub
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: engraving
Location: vienna
Artist: elias widemann
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Fragment
Object type: textile
Date: 1850 – 1900
Materials: cotton, linen, textile, silk, wool, thread
Techniques: treatment, embroidery, embroidered, stitching
Location: england
Four Portraits of a Soldier on Horseback
Object type: photograph
Date: 1891 – 1913
Materials: cardboard, paint, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, warfare; military affairs (+ cavalry, horsemen), warfare; military affairs (+ artillery)

Militair van het 3e régiment d'artillerie. Onderdeel van 7 portretten van Franse militairen uit verschillende regimenten en jaren.
A Hunting Scene
Object type: painting
Date: 1494 – 1500
Materials: oil, paint
Artist: piero di cosimo (piero di lorenzo di piero d'antonio)
Artist role: artist
Artist nationality: italian
Artist dates: 1462 – 1522
Subjects: bears,men,hunting,centaurs,satyrs,deer,dogs,lions,forests
Mercurius en Argus
Object type: album leaf
Date: 1662 – 1662
Materials: paper
Techniques: etching
Location: rome
Subjects: mercury lulls argus into sleep by making music, landscape with ruins (+ city(-scape) with figures, staffage)
Inscriptions: date

Argus zit op een steen bij de ingang van een tempel. Voor hem ligt de in een koe veranderde Io. Mercurius staat naast Argus en speelt op een blaasinstrument om hem in slaap te sussen.
Prent maakt deel uit van een album.
Portret van Lüder Mencke
Object type: print
Date: 1709 – 1709
Materials: paper
Techniques: engraving, letterpress printing
Location: leipzig
Subjects: historical persons

Prent uit: Ittig, Thomas. Historiae ecclesiasticae primi a christo nato seculi selecta capita. Leipzig: Johannes Grossius en Jo. Frider Braun, 1709.
Netsuke of a Group of Rats Nestled in an Abalone Shell
Object type: netsuke
Date: 1867 – 1900
Materials: horn, ivory
Culture: japanese
Artist: masamitsu
Artist role: artist
Subjects: mice
Doop in de Doopsgezinde Kerk Bij 't Lam te Amsterdam
Object type: print
Date: 1743 – 1750
Materials: paper
Techniques: engraving, etching
Subjects: protestant churches and denominations (mennonites), baptism, christening ceremony ~ the first of the seven sacraments, interior of church, amsterdam
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent waarschijnlijk uit: Schijn, Hermannus. Geschiedenis dier christenen, welke in de Vereenigde Nederlanden onder de protestanten mennoniten genaamd worden (...). Amsterdam: Kornelis de Wit, 1743. Of uit: Maatschoen, G. Levensbeschryving van eenige voornaame mannen, in hun leven leeraaren, by de Doopsgezinden (...). Amsterdam: Kornelis de Wit, 1750.
Gezicht op de Pont Saint-Bénézet en de toren van het fort van Villeneuve-lès-Avignon
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Location: france
Subjects: landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een serie van zestien prenten, deels ongenummerd.
Vrouwenborst
Object type: drawing
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: breasts - aa - female human figure
Inscriptions: collector's mark: Lugt 2228a, :, annotation: ‘7 pag 38’

Ontwerp voor: Borrebach, Hans. Tekenen en schetsen als hobby. Amsterdam: Veen, 1961.
Lady in a Wide Skirt
Object type: glass
Date: 1750 – 1799
Materials: glass, metal
Techniques: lampwork
Location: france
Gezelschap rondom een tafel met daarop een maaltijd
Object type: book illustration
Date: 1581 – 1658
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: christoffel van sichem (ii)
Artist role: print maker
Artist dates: 1581 – 1658
Inscriptions: collector's mark: Lugt 2228
The Ruinous Hut
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: ruins
Mill by the Stream
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: belgium
Artist: jan van der straet, called stradanus
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1523 – 1605
Portret van prins Hendrik
Object type: cabinet photograph
Date: 1900 – 1901
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: the hague, hendrik (prins der nederlanden (1876-1934)), prince, historical persons
De King Im Sit Right Flat in a Chair
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: united states
Artist: arthur burdett frost, sr.
Artist nationality: american
Artist dates: 1851 – 1928