deem-data/ArtiFact huggingface dataset:
Vergadering der Patriotten op de Burgerzaal in de Cloveniers Doelen te Amsterdam, in augustus Ao. 1748
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: meeting, assembly, political meeting, propaganda meeting
Inscriptions: collector's mark: ‘25.165’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Krijgswezen I: De Admiraliteit van Amsterdam, E. Doelen en Wachthuizen.
Cap
Object type: textile
Date: 1701 – 1800
Materials: linen, thread
Techniques: embroidery, weave, stitching
Location: england
Subjects: fashion
Strip
Object type: strip
Date: 1801 – 1900
Techniques: embroidery
Gezicht op de Amstel gezien in naar de Magere Brug
Object type: drawing
Date: 1873 – 1943
Materials: paper, pencil
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: city-view in general; 'veduta', river, bridge in city across river, canal, etc.
Inscriptions: signature: ‘AV.T’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 19.
Twee portretten van Gilda Darthy en Gaby Deslys
Object type: photomechanical print
Date: 1900 – 1930
Materials: cardboard, ink, photographic support
Techniques: gelatin silver print, pen
Location: paris
Artist: Anonymous
Subjects: paris, historical persons - bb - woman, portrait of actor, actress

Deze foto en prent maken deel uit van een album.
Twaalf etsen naar Rembrandt
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: etching
Location: london
Subjects: tobit's blindness (tobit 2 - 3:6)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2617
Portret van een moeder met kind
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: mother and baby or young child
Dish with lobed rim
Object type: dish
Date: 1201 – 1300
Materials: lacquer
Techniques: gilding
Culture: chinese

Found in ceramics, metalwork, and lacquer, dishes shaped with overlapping petals first appear in north China about the eleventh century, and the form later becomes a standard motif in the art of the Yuan dynasty (1271–1368). This dish, which has an inscription on the bottom giving the name of the maker or owner—a common practice during the Southern Song dynasty—was likely intended to represent a six-petal camellia, a flower often associated with joy and protection.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, part of head of wreathed youth to left
Portret van een zittende vrouw
Object type: album leaf
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: number: ‘93’
Panorama van de ontvangstzaal in het paleis van de Sultan van Langkat met mannen op tapijten op de grond gezeten
Object type: album leaf
Date: 1919 – 1919
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: palace - aa - civic architecture: inside, historical persons, sitting on the ground, sumatra
Tile with Women Playing a Board Game
Object type: tile
Date: 1201 – 1300
Materials: earthenware
Culture: chinese
Subjects: women,games
Landscape in the Style of Ancient Masters: colophon by Lu Hui, dated 1912
Object type: painting
Materials: ink, paper
Location: china
Artist: lu hui
Artist nationality: chinese
Artist dates: 1851 – 1920
Blad 34 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949)
Object type: photograph
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 31e driemaandelijkse cursus van 21 september tot en met 20 december 1931, stamboeknummers 694 tot en met 698. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949).
Ax head
Object type: ax head
Date: 1981 – 1550
Materials: bronze, copper alloy
Location: egypt

"Duckbill-shaped" axes like this one were produced primarily in Syria-Palestine during the Middle Bronze Age IIA phase, which is roughly contemporaneous with the 12th Dynasty in Egypt. They are attested throughout the eastern Mediterranean world from Anatolia in the north to the Nile Delta in the south. An ax head very similar to this one, for example, was found in a tomb in the late 12th Dynasty stratum at Tell el-Daba (ancient Avaris) in the delta, where many Asiatic people settled during the Middle Kingdom and later established the capital city of the Hyksos Dynasty. Instead of having a series of small binding-holes like a typical Egyptian ax, this Asiatic type has a large socket to receive the haft. Its cutting edge is much smaller than that of its Egyptian counterpart due to its narrow shape, but the force generated by swinging this hefty ax would have been so focused that a single blow might have proven lethal, especially since armor and helmets were apparently unknown to Egyptian soldiers until the New Kingdom.
T-Cart Phaeton #1058
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Stalk and Leaves of a Sunflower
Object type: drawing
Date: 1874 – 1918
Materials: paper, pencil, watercolor
Techniques: brush
Artist: martinus van andringa
Artist role: draughtsman
Artist dates: 1864 – 1918
Subjects: flowers: sunflower (+ leaves, putting forth leaves)
Inscriptions: inscription: ‘28.’, inscription: ‘250’, inscription: ‘AR 8/30’, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Mezoeza
Object type: mezuzah
Date: 1400 – 1950
Materials: iron

De Joodse wet in een ijzeren foedraal, zoals dit aan de deuren der Israelieten gehangen wordt.
Koor van de Dom van Keulen
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: cologne
Artist: theodor creifelds
Artist role: publisher
Artist dates: 1815 – 1875
Subjects: parts of church interior: choir
Inscriptions: number: ‘Nro. 11’, number: ‘No 76’
Oeuvres de Ph.pe Wouwermans Hollandois
Object type: print
Date: 1733 – 1762
Materials: paper
Techniques: engraving, etching
Artist: jean moyreau
Artist role: print maker, publisher
Artist dates: 1690 – 1762
Subjects: predatory birds: falcon, bird hunting
Inscriptions: inscription: ‘f 330-’, collector's mark: Lugt 240

Maakt deel uit van een serie van 89 prenten te dateren tussen ca. 1733-1762, naar het geschilderde oeuvre van Philips Wouwerman. Dit betreft plaat 30.
Filmnegatief met opname van Genua, Pisa, Ravenna of Milaan
Object type: negative
Date: 1907 – 1935
Materials: film
Techniques: gelatin silver negative
Location: italy
Artist: Anonymous
Subjects: italy
Pair of gloves
Object type: glove
Date: 1601 – 1650
Materials: linen, metal thread, silk

The highly skilled maker who executed these gloves chose an intricate design—floral yet geometric—that alludes to the more simple versions found in early seventeenth century pattern books. As scholars have pointed out, pattern books for needlework and lacemaking, which were marketed towards women of the middling classes, presented an opportunity for upward mobility at a time when wealth was partially measured in fine possessions. The elite classes might hire artists and professionals to design and carry out, and thus distinguish their own embroidered goods. This pair of gloves features French knots, couching and raised work on purple satin in colored silk, silver and gilded silver thread, further ornamented with spangles and bobbin lace. The rich coloring and metallic details would have made a dramatic impression as they caught the light; the color palette is repeated in a later pair in the museum’s collection (2003.461a, b). -Sarah Bochicchio, 2020
Terracotta krater (mixing bowl)
Object type: krater
Date: 550 – 550
Materials: terracotta
Culture: etruscan
Subjects: heads,sphinx,lions

Six female heads decorate the rim of the large vessel. Below, a frieze showing a procession of modeled sirens moving to the right. They alternate with lion protomai facing left. The trumpet shaped foot is fluted.
Krantenknipsel betreffende Marinus van der Maarel
Object type: newspaper clipping
Date: 1913 – 1913
Materials: paper, ink
Techniques: printing
Artist: Anonymous
Subjects: the hague, painter, draughtsman, marinus van der maarel
Erotische voorstelling
Object type: print
Date: 1678 – 1698
Techniques: woodcut
Location: edo
Artist: hishikawa moroshige
Artist role: print maker
Subjects: group-sex, man and woman cohabiting, hacking and thrusting weapons: sword

Een man vrijend met twee vrouwen. Naast hen ligt een zwaard.
Titelpagina voor: De Nederlanden : karakterschetsen, kleederdrachten, houding en voorkomen van verschillende standen : tekst van de meest geachte schrijvers : met gravuren van Henry Brown naar teekeningen van de voornaamste Nederlandsche kunstenaars, 1841
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Artist: henry brown
Artist role: print maker
Artist dates: 1816 – 1870
Subjects: netherlands

Vignet met vissersvrouwen met manden met vis. Titelpagina in het boek De Nederlanden: karakterschetsen, kleederdrachten, houding en voorkomen van verschillende standen, een boek met karakterschetsen, beroepen en klederdrachten van Nederlandse volkstypen uit 1841.
Dead stag and a hound
Object type: statuette group
Date: 1734 – 1766
Materials: wood
Techniques: gilding, polychrome
Artist: ferdinand tietz
Artist role: artist
Artist nationality: austrian
Artist dates: 1708 – 1777
Subjects: deer,dogs,flowers,trees
Portret van Franz Christoph von Scheyb
Object type: print
Date: 1749 – 1796
Materials: paper
Techniques: engraving, etching
Subjects: vienna, historical persons
Inscriptions: collector's mark: Lugt 2228
Graveurs a l'eau forte et burin
Object type: print
Date: 1745 – 1850
Materials: paper
Techniques: etching
Subjects: engraver, etcher, artist at work, in his workshop (+ graphic arts), tools, implements of graphic artist, workshop, studio of the artist (in general)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779, collector's mark: Lugt 4780

Een prentmaker achter een tafel, een man beroet een etsplaat die aan het plafond hangt met een kaars, een man giet een etsbad af in een kom die door een jongen wordt vastgehouden, een man achter een tafel voor het raam brengt een etsgrond aan. Rechtsboven de letter T.
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: roman

Loeschcke Type 4. Mold-made. Discus: rosette of eight rounded petals; a single filling hole at center; band of lines and grooves towards edge. Volutes flanking nozzle, with large wick hole. Incised base ring, and raised, flat base. Intact.
Stirrup Spout Vessel with Circular Motifs
Object type: vessel
Date: 100 – 500
Materials: ceramic, paint, pigment
Culture: moche
Location: peruvian north coast
Wapen van de stad Amsterdam
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), amsterdam
Inscriptions: collector's mark: Lugt 240

Het wapen van de stad Amsterdam met een kroon, twee leeuwen en drie Andreaskruisen. Daaronder een cartouche.
Gordeldier
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: other mammals: armadillo
Inscriptions: collector's mark: Lugt 11, number: ‘107’

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Birth of Love (Valentine)
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: ink, paper, watercolor
Techniques: collage, cutting, embossing, pen
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Omega and the Pig
Object type: print
Date: 1908 – 1909
Materials: paper
Techniques: lithograph
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Vertrek van Maria Stuart uit Holland
Object type: print
Date: 1689 – 1691
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland), brielle
Inscriptions: collector's mark: Lugt 2228

Gezicht op de vloot die Maria Stuart naar Engeland zal brengen. Op de achtergrond is Den Briel te zien. Rechts op de voorgrond vaart het schip met Maria Stuart die net afscheid neemt van haar Gedeputeerden. Met legenda van 1-8 in de ondermarge.
Inzegening van het huwelijk van prinses Juliana en prins Bernhard in de St. Jacobskerk in Den Haag, 7 januari 1937
Object type: photograph
Date: 1937 – 1937
Materials: paper
Techniques: gelatin silver print
Location: the hague
Artist: erich salomon
Artist role: fotograaf
Artist dates: 1886 – 1944
Subjects: utrecht, bernhard (prins der nederlanden), juliana of the netherlands, marriage ~ protestant service
Inscriptions: annotation: ‘DE INZEGENING // van // HET HUWELIJK // van Hunne Koninklijke Hoogheden // PRINSES JULIANA EN PRINS BERNHARD // in de St. Jacobskerk te 's Gravenhage // 7 Januari 1937 // UITGAVE VAN WEEKBLAD "HET LEVEN" // Copyright Dr. Erich Salomon’

Eén van 10 prentbriefkaarten in een mapje.
Natsu no maki
Object type: book
Date: 1906 – 1906
Materials: paper, textile
Techniques: woodcut, letterpress printing
Location: japan
Inscriptions: date
Basin
Object type: basin
Date: 1755 – 1756
Materials: silver gilt
Artist: abraham portal
Artist role: maker
Artist nationality: british
Artist dates: 1709 – 1809
Subjects: flowers,coat of arms

Although silver made by the Jewel Office for diplomatic officers was generally classical in inspiration, this ewer (68.141.316) and basin (68.141.317) represent a rare foray into the rococo style. They were part of a large service for three dozen guests made for Sir Charles Hanbury Williams’s embassy to Russia in 1755.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of a dolphin?; below, three thin black glazed lines and a thick band of black glaze
Capital with Man Fighting Lion (A) and Riding Griffin (B)
Object type: sculpture
Date: 1180 – 1180
Materials: marble, stone
Techniques: carved
Culture: italian
Location: italy
Subjects: man, architecture, architecture, architectural fragments, architectural fragment, architectural, architectural detail, architechture, figure, mythology, mythological figures, mythical, battles
Portret van James Cook
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: engraving
Subjects: james cook, historical persons, seaman
Inscriptions: collector's mark: Lugt 2228

Het schilderij uit 1775 door Nathaniel Dance waarop deze prent is gebaseerd bevindt zich in National Maritime Museum, te Greenwich, Londen.
Ruiterportret van Pieter Schout drost van Hagestein
Object type: print
Date: 1660 – 1690
Materials: paper
Techniques: engraving, etching
Subjects: riding a horse, ass, or mule; rider, horseman
Inscriptions: collector's mark: Lugt 1641, collector's mark: Lugt 1641, stamp

Portret van Pieter Schout drost van Hagestein te paard in een duinlandschap. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Het midden der 17de eeuw. (De Fransche mode).
Gekruisigde Christus aanbeden door Franciscus Xaverius en Stanislaus Kostka
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: clergyman, missionary, venerating the cross, the jesuit missionary francis xavier; possible attributes: cross, crucifix, flaming heart, indian, lily, torch, male saints (with name)
Inscriptions: collector's mark: Lugt 2228

Christus hangt aan het kruis. Aan de voet van het kruis knielen de jezuïeten Franciscus Xaverius en Stanislaus Kostka in aanbidding. Het vlammende hart daalt op hen neer. In de marge twee Bijbelcitaten uit Spr. 23 en Ps. 107 in het Latijn.
Gezicht op een fort, vermoedelijk aan de kust van Zuid-Frankrijk
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: southern france
Artist: Anonymous
Subjects: fortress

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Étretat: The Beach and the Falaise d'Amont
Object type: painting
Date: 1885 – 1885
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: claude monet
Artist role: painter
Artist nationality: french
Artist dates: 1840 – 1926
Subjects: landscapes, beach, cliff, rocks, boats, sailing, summer, sky, weather/seasons, water
Inscriptions: Inscribed lower right: Claude Monet

Claude Monet painted this sun-soaked scene of the cliffs of Amont in Étretat on the northern coast of France in saturated tones of blue, orange, and pink. Étretat was a popular tourist destination, but Monet decided to travel there with his family during the town’s offseason, in the fall and winter of 1885. Instead of bustling with travelers, as it would have been during the summer months, the beach appears desolate aside from a small grouping of local fishing boats gathered at the shore.

This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.
Bowl in the shape of a chrysanthemum flower
Object type: bowl
Date: 1701 – 1800
Materials: jade
Culture: indian
Half Mask (Menpō)
Object type: half mask menpō
Date: 1615 – 1868
Materials: hair, iron, lacquer
Culture: japanese
Location: japan
Collage van miniatuurportretten van beroemde personen, midden bovenaan Karel Lodewijk Napoleon Bonaparte en diens echtgenote, Eugénie de Montijo
Object type: carte de visite
Date: 1854 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: andré-adolphe-eugène disdéri
Artist role: fotograaf
Artist dates: 1819 – 1889
Subjects: sevilla, paris, london, napoleon iii (keizer der fransen), historical persons, france
Inscriptions: inscription: ‘Breveté s.g.d.g’, address: ‘8, Boulevart des Italiens/ PARIS’
Gezicht op Serooskerke in Zeeland
Object type: drawing
Date: 1754 – 1800
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: prospect of village, silhouette of village (+ city(-scape) with figures, staffage)

Kopie naar de prent van Hendrik Spilman, zie RP-P-AO-15-126-18-3.
Adam en Eva bij het lijk van Abel
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: engraving
Location: italy
Subjects: adam and eve discover the dead body of abel and grieve over it
Inscriptions: collector's mark: Lugt 2165

Adam en Eva ontdekken het dode lichaam van Abel en treuren.
Promotieprent met H. Franciscus met drie globes op de schouders, bovenste deel
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: filips iv (koning van spanje), devil(s) and demons, monk(s), friar(s), founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata, the four cardinal virtues, mary standing or resting on the earth
Inscriptions: collector's mark: Lugt 2228

De heilige Franciscus ('Seraphicus Atlas') zit geknield in een landschap, drie globes rusten op zijn schouders. Op één daarvan staat Maria. Links Filips IV, koning van Spanje, vergezeld door familieleden. Ze kijken op naar Maria. Rechts verdrijven monniken duivels. In de lucht twee wagens voortgetrokken door adelaars en leeuwen, in de één Habsburgse koningen (links), in de ander personificaties van de kardinale deugden.
Sarah Bernhardt, from Treize Lithographies
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
The Circumcision of Jesus
Object type: drawing
Date: 1555 – 1619
Materials: chalk, ink
Techniques: brush, highlighting, pen, drawing, wash
Artist: giovanni battista trotti ("il malosso")
Artist role: artist
Artist nationality: italian
Artist dates: 1556 – 1619
Subjects: men,women,virgin mary,jesus,circumcision
Prenten naar tekeningen van Claude Lorrain
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: london
Subjects: river - hh - ideal landscapes, landscape with ruins - ii - ideal landscapes, jacob moves the stone which covers the opening of the well and waters rachel's sheep
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze prenten werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 430 – 420
Materials: terracotta
Culture: greek, attic

Interior, double reserve framing tondo; Exterior, lozenge pattern with white X in glazed lozenges; and glazed X in reserved lozenges
Portret van Leopold II
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: stippled etching
Location: rotterdam
Subjects: leopold ii (keizer van oostenrijk)
Inscriptions: collector's mark: Lugt 2228

Portret van Leopold II, aartshertog van Oostenrijk, groothertog van Toscane, vorst van de Zuidelijke Nederlanden, koning van Bohemen en keizer van het Heilige Roomse Rijk. Afgebeeld in ovale omlijsting met versiering van eikenblad. Op de console een kroon, scepter en rijksappel.