deem-data/ArtiFact huggingface dataset:
Administratie uit de marine tijd van Eugen Wachenheimer
Object type: document
Date: 1917 – 1933
Materials: paper

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Amulet of the Osirian Triad (Nephthys, Horus, and Isis)
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: goddesses, gods (deities), children
Lille / Douay / Montcasel / Ipre
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: fortress, maps of cities, lille

Blad met vier plattegronden van de versterkingen om de steden Lille, Douai, Montcassel (?) en Yperen. Plaat nr. 236 in deel X van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit eerste deel met 238 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titels en opschriften in het Frans.
Gezicht op de Basilica van Maxentius te Rome
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: square, place, circus, etc., ruin of a building ~ architecture, market-hall
Inscriptions: inscription: ‘Basilique de Constantin Rome’
De Reuck
Object type: print
Date: 1638 – 1665
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: smell, smelling (one of the five senses), hygienic care of children, defecation, dog
Inscriptions: collector's mark: Lugt 2228

Een man veegt de billen van een kind met een doek schoon. Een tweede kind kijkt toe. Links ruikt een hond aan de uitwerpselen van het kind. De prent maakt deel uit van een zesdelige serie prenten met voorstellingen van de vijf zintuigen (ongenummerde titelprent).
Kaart van een deel van het verloop van de Rijn, de Waal en de Maas
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: maps of separate countries or regions, river
Inscriptions: collector's mark: Lugt 2228

De kaart bestaat uit twee delen. Boven in het midden de titelcartouche. Rechts daarvan een legenda. Rechts in het midden een cartouche met twee schaalstokken: 2 Milliaria Germanica / 3 Milliaria Gallica communia. Onder in het midden nog een cartouche met twee schaalstokken: 1 1/2 Milliaria Germanica / 2 Milliaria Gallica communia. Met Latijnse tekst op verso.
Mold for Bes-image Amulet
Object type: mold, amulet, be image
Date: 1390 – 1352
Materials: pottery
Location: egypt
Subjects: bes

This mold was used to make an amulet in the form of the Bes-image, either to be worn or for decoration in one of the palaces of Amenhotep III at his festival city of Malqata. Remnants of paste used to make the faience amulet can be seen in its crevices. The Bes-image represented a number of deities, in particular Bes and Aha, whose responsibilities generally centered on the guarding of children and their mothers during childbirth. In later times, he assisted in protecting the eternal survival of Egypt as recorded in a well-known myth of the Far Away Goddess. From the New Kingdom on, Bes has a close tie to music and is often depicted playing a different instruments. Either the protective nature of this deity or his musical ability could speak to a role at Malqata.
Prosopographia, sive virtutum, animi, corporis, bonorum externorum, vitiorum, et affectuum variorum delineatio
Object type: print
Date: 1585 – 1590
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rationality, reasoning; 'ratiocinatione o discorso' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een staande vrouw met in haar rechterhand een roede en in haar linkerhand het hoofdstel van een paard. De Rede houdt de gevoelens van de mens in bedwang, zoals de roede de kinderen en het hoofdstel het paard. Onder de voorstelling twee regels tekst in het Latijn. De prent maakt deel uit van een album.
Atelier van een prentmaker
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching, letterpress printing
Location: paris
Subjects: engraver, etcher, artist at work, in his workshop (+ graphic arts), tools, implements of graphic artist
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228

Atelier van een prentmaker met in het midden een man die met een kaars een koperplaat beroet. Achter hem twee personen die etswater uit een bak laten lopen. Rechts is iemand bezig met het verwarmen van inkt. Links een prentmaker, waarschijnlijk bezig met stippelwerk.
Portret van Filips III
Object type: print
Date: 1778 – 1779
Materials: paper
Techniques: drypoint, etching
Location: spain
Subjects: filips iii (koning van spanje), equestrian state-portrait
Inscriptions: collector's mark: Lugt 2237a, collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 2926

Ruiterportret van Filips III, koning van Spanje.
Yolande Wallace, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Glass fragment
Object type: fragment, body
Date: 1 – 100
Materials: glass
Culture: roman

Translucent cobalt blue, with opaque white. Body fragment with convex curving side. Decoration of large irregular blobs on exterior. Two large parallel internal cracks running lengthwise across fragment; polished on exterior, with pitting of surface bubbles; weathered edges; faint iridescent weathering on exterior. Probably part of a closed bottle rather than an open cup.
Portret van Carle van Loo
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving
Subjects: paris, painter, print maker, carle van loo, historical persons, portrait, self-portrait of painter, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2233
Interieur van de Notre-Dame, Parijs
Object type: sketchbook leaf
Date: 1877 – 1932
Materials: pencil
Location: paris
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: interior of church, paris
Inscriptions: kleurnotitie, handgeschreven

Pagina 46 uit een schetsboek met 68 bladen.
The Beginning of Autumn (Monument Mountain near Stockbridge)(from McGuire Scrapbook)
Object type: drawing
Date: 1900 – 1900
Materials: board, gouache, paper
Culture: american
Artist: james henry moser
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1854 – 1913
Subjects: mountains,landscapes
Pair of salvers
Object type: salver
Date: 1729 – 1729
Materials: silver
Artist: simon pantin ii
Artist role: maker
Artist dates: 1633 – 1733
"Climbing Roses"
Object type: floral print
Date: 1765 – 1775
Materials: cotton
Artist: j.r. wetter
Artist role: manufactory
Subjects: roses
Curtain
Object type: curtain
Date: 1883 – 1885
Materials: cotton
Culture: american
Location: united states
Artist: ida f. clark
Artist role: designer
Artist dates: 1858 – 1958

This fabric featuring scallop shells interlaced with seaweed is among the few patterns produced by textile designer Candace Wheeler’s firm, Associated Artists, that can be attributed to a specific artist. Ida F. Clark began her career as an embroiderer for Wheeler’s earlier partnership with Louis C. Tiffany but soon became one of the chief designers at Associated Artists. According to the press, she created "the more conventional designing done by the house." Clark reused the motif seen here, which was printed on both cotton velveteen and ribbed cotton, from the border of her 1881 prizewinning wallpaper design.
Windmolen
Object type: photograph
Date: 1898 – 1898
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: windmill in landscape
Inscriptions: annotation: ‘J.D. van der Waals/ 1898’
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 425 – 401
Materials: terracotta
Culture: greek, attic

Head and upper torso of a draped woman to left, with a sakkos on her head, and her right arm bent, holding a mirror? in her hand
Medaille met portret van Jan Walravenz uit 1563
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: historical person (...) - historical person (...) portrayed alone
Inscriptions: collector's mark: Lugt 2228, annotation: ‘3 etat’
Cavalry and Artillery Battle
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: france
Artist: imitator of jacques courtois
Pillow Cover
Object type: textile
Date: 1890 – 1890
Materials: cotton, paint, silk
Techniques: embroidery, embroidered, painting, stitching, weave
Location: england
Beeldhouwkunde XVI Eeuw Statuaire
Object type: photograph
Date: 1873 – 1873
Materials: paper
Techniques: woodburytype
Location: antwerp
Artist: Anonymous

Ongenummerd blad met 4 Woodburytypieën. Blad uit 'Verzameling der overblijfsels onzer nationale kunst', 1873-1876.
Portret van een meisje
Object type: drawing
Date: 1916 – 1916
Materials: chalk, paper
Subjects: anonymous historical person portrayed alone
Inscriptions: date: ‘'16’
Necklace
Object type: necklace
Date: 1960 – 1965
Materials: silver, thread
Location: netherlands
Inscriptions: alloy mark: ‘925s’, alloy mark: ‘Z1’, : ‘3’, serial number: ‘136’, : ‘20’, import mark: ‘NEK+B in een zeshoek’, : ‘20’, name: ‘Georg Jensen / Denmark’

The artist Arno Malinowski (1899-1976) designed this silver necklace for George Jensen, a famous Copenhagen silversmith company. The design dates from the early 1960s and is in keeping with the fashionable jewellery of the time: sleek and smooth.
Pair of Four-Barreled Turnover Percussion Pistols of Henry Pelham Fiennes Pelham-Clinton, 4th Duke of Newcastle-under-Lyne (1785–1851), with Pair of Box-Lock Turn-Off Pocket Pistols, Case, and Accessories
Object type: set of four pistol with case and accessory
Date: 1831 – 1831
Materials: brass, copper, gold, horn, ivory, leather, paper, silver, steel, textile, wood
Culture: british
Location: england
Artist: james purdey the elder
Artist role: gunsmith
Artist nationality: british
Artist dates: 1784 – 1863

Recent archival research revealed this lavish set to be one of the costliest pistol ensembles ever made by James Purdey, selling for £101 10s in 1831. Purdey made just ten four-barreled pistols in his career, and this pair is the only surviving set cased with pocket pistols. It is remarkable, too, for its exceptional state of preservation. The combination of vivid blueing, case-hardening, and finely finished wood looks much as it would have to the original owner, the fourth Duke of Newcastle-under-Lyne. The fourth Duke of Newcastle-under-Lyne took delivery of this lavish pistol set from Purdey in April 1831. The duke purchased it for self-defense three months after being assaulted by a mob in the streets of Newark. The attack was prompted in part by his vigorous opposition to electoral reform, a contentious national issue that reached a boiling point in the early 1830s. Roughly six months after the duke acquired his pistols, the House of Lords rejected a new reform bill, resulting in widespread public violence. Several private residences were attacked, including the duke’s Nottingham mansion, which rioters burned to the ground on October 10, 1831. The duke was in London at the time. Weapons with a small customer base among the elite, Purdey’s four-barreled pistols show the great expense that members of the aristocracy lavished on firearms for personal protection. The finest London firearms made in the classic British style of the early nineteenth century rank among the most stately and innovative in the history of gunmaking. They are recognizable by their elegant proportions, restrained ornament, and technical refinement. Graceful yet practical and balanced in the hand, they privilege overall formal quality over applied adornments. This emphasis on the purity of form references the Neoclassical style then in vogue. It also breaks from the longstanding tradition of decorative opulence in fine Continental European firearms. London gunmakers favored subtle embellishments that complemented the firearms’ deliberate and meticulous assemblies. An aesthetic vocabulary of blued, case-hardened, and browned steel and richly finished walnut, both with tasteful gold and silver accents, defines much of their best work. The various component parts of these firearms were individually produced under the direction of a master gunmaker by highly specialized craftsmen, including a lock smith, barrel forger, stocker, and engraver. From about 1790 firearms were generally fitted with mahogany cases, whose interiors were lined with green baize (woolen cloth) and subdivided into discrete compartments for the weapon, tools, and accessories.
Gardner, 2nd Base, Philadelphia, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic
Artis Perspectivae (...)
Object type: album leaf
Date: 1568 – 1568
Materials: paper
Techniques: etching
Location: antwerp
Subjects: piece of sculpture, reproduction of a piece of sculpture, ornamental fountain, village square, place

Op een plein staat een ronde fontein bekroond met een rond tempeltje van twee verdiepingen. In het tempeltje staat een standbeeld van een vrouw. Het bassin wordt ondersteund door vier naakte waterspuwende mannen. Bij de fontein staan figuren met kruiken. Rond het plein een gang van traliewerk. Deze prent maakt deel uit van een album.
Study for a Hovering Putto
Object type: sculpture
Date: 1735 – 1750
Materials: terracotta
Techniques: modeling
Location: southern netherlands
Artist: laurent delvaux
Artist role: sculptor
Artist dates: 1696 – 1778
Game of Backgammon
Object type: drawing
Date: 1741 – 1788
Materials: chalk
Artist: johann esaias nilson
Artist role: artist
Artist nationality: german
Artist dates: 1721 – 1788
Subjects: men,women,games
Gipsmodel van de maankrater Copernicus
Object type: page
Date: 1870 – 1882
Materials: paper
Techniques: woodburytype
Subjects: surface of the moon
Inscriptions: number: ‘Plate VI.’
Textile Fragment
Object type: textile fragment
Date: 301 – 400
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: leaves
Three heads of women: one asleep
Object type: print
Date: 1711 – 1800
Materials: paper
Techniques: etching
Subjects: adult woman, sleeping; unconsciousness
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Mars, plate three from The Seven Planets with the Zodiacs
Object type: print
Date: 1539 – 1539
Materials: paper
Techniques: engraving
Location: germany
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Bloemen in een vaas
Object type: drawing
Date: 1700 – 1800
Materials: chalk, ink, paper, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: flowers in a vase
Marco Cambini, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)
Object type: print
Date: 1611 – 1619
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Onder veel ceremonieel vertoon hijst men de Indonesische vlag op het paleis van de HVK
Object type: documentary photograph
Date: 1949 – 1949
Materials: photographic support
Techniques: photography
Location: batavia
Artist: willem boshouwers
Artist role: fotograaf
Subjects: the hague, batavia, transfer of sovereignty to indonesia

Met op de voorgrond een strak in het gelid staande formatie van soldaten, daarachter een groep belangstellenden op het gazon net voor het paleis van de Hoge Vertegenwoordiger van de Kroon. Op het dak van het paleis salueert een aantal soldaten tijdens het hijsen van de vlag, daarbij nauwlettend gade geslagen door een links op de dakrand zittende fotograaf. Net daarvoor werd om 17:51 uur plaatselijke tijd de Nederlandse vlag gestreken door de toenmalige HVK de heer Lovink, waarna de rood-witte vlag van de Indonesische Republiek werd gehesen.
Mary, Queen of Scots
Object type: print
Date: 1801 – 1833
Techniques: engraving
Artist: robert cooper
Artist role: artist
Artist nationality: british
Artist dates:  – 1828
Subjects: portraits,women,mary queen of scots
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1875 – 1875
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: delfshaven, rotterdam, gerke henkes, publisher, art trade, art shop, painting (including book-illumination, miniature-painting), exhibition ~ art
Inscriptions: collector's mark: Lugt 2233
Gezicht op de Groote Club, met molen op de hoektoren
Object type: photomechanical print
Date: 1914 – 1914
Materials: paper
Techniques: letterpress printing, line block
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', windmill in landscape, façade (of house or building)
Inscriptions: collector's mark: ‘7’ Lugt 1641b

Fotomechanische afdruk uit: De Amsterdammer (1914), 5 april 1914.
[Frederick Richard Lee]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Portret van Willem III, koning der Nederlanden
Object type: print
Date: 1842 – 1905
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: willem iii (koning der nederlanden), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Fotoreproductie van een schilderij door Velázquez, voorstellend een portret van de Griekse filosoof Menippos
Object type: photograph
Date: 1857 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: madrid
Artist: juan laurent
Artist role: publisher
Artist dates: 1816 – 1896
Subjects: scholar, philosopher, adult man
Inscriptions: negative number: ‘33’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Spanje en Marokko.
T' Dorp Heeg
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: public road in village
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Jeremia in de wildernis
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving
Location: antwerp
Artist: nicolaes de bruyn
Artist role: print maker
Artist dates: 1571 – 1656
Subjects: other scenes ~ the book of jeremiah
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1114, collector's mark: Lugt 1238

De profeet Jeremia in de wildernis. Rondom hem verschillende wilde dieren, waaronder een leeuw. Een onderschrift bij de prent verwijst naar de profetie van Jeremia 12.
Peasant costume fragment
Object type: costume fragment
Date: 1701 – 1900
Materials: canvas
Djehuty and his Mother Receiving Offerings, Tomb of Djehuty
Object type: facsimile, djehuty tt 45, offering scene
Materials: paper, paint
Location: egypt
Artist: norman de garis davies
Artist role: artist
Artist dates: 1865 – 1941
Subjects: women,hieroglyphs,walk-like-egyptian
Esemplario di lavori, page 17 (recto)
Object type: book print ornament architecture
Techniques: bookbinding, inlay, woodcut
Location: italy
Artist: nicolò zoppino
Artist role: publisher
Artist nationality: italian
Artist dates: 1478 – 1544
Subjects: ornament

Published by Nicolo Zoppino, Italian, active 16th century, Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers: top shows alphabet printed in black letters with each letter separated by a black '+', and bottom is illustrated with a white geometric interlace pattern upon a black background.
Glas in loodraam van Willem Bogtman met een vrouwelijke personificatie
Object type: photograph
Date: 1907 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: work of monumental art
David met het hoofd van Goliath
Object type: print
Date: 1727 – 1727
Materials: paper
Techniques: engraving
Location: france
Subjects: david with goliath's head, hacking and thrusting weapons: sword
Inscriptions: collector's mark: Lugt 2228
The judgment of Pilate. Abraham, Isaac, Moses, Daniel, Prophets, Christ and the Apostles
Object type: page
Date: 1867 – 1877
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: sarcophagus, decorating 'en relief', appliquéing, pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)
Pylon shaped stela of Ramesses II
Object type: stela, ramesses ii
Date: 1279 – 1213
Materials: limestone
Location: egypt

This pylon-shaped stela describes Ramesses II as beloved of two different manifestations of the goddess Hathor: "Hathor, Lady of the West," and "Hathor, Mistress of the Southern Sycamore."