deem-data/ArtiFact huggingface dataset:
Portret van Reinier van Oldenbarnevelt
Object type: print
Date: 1623 – 1637
Materials: paper
Techniques: engraving
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: the hague, historical persons, ornamental birds: peacock
Inscriptions: collector's mark: Lugt 2228
D' Burger Wyk No. 7
Object type: area plan
Date: 1734 – 1738
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, armorial bearing, heraldry, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Schutterswijkkaarten.
Titians daughter
Object type: reproduction
Date: 1860 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: restaurant (+ waiter, waitress, etc.), fruits

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Portret van Leonhard Golling
Object type: print
Date: 1677 – 1690
Materials: paper
Techniques: engraving
Artist: lambert visscher
Artist role: draughtsman, print maker
Artist dates: 1640 – 1679
Subjects: painter, neck-gear ~ clothing (with name) (+ men's clothes), head-gear (with name), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Leonhard Golling, raadsheer te Neurenberg. Golling is geportretteerd in staande houding en gekleed in een toga. Hij draagt een mutsje en zijn hoed ligt naast hem op een tafel.
Adams Sünd
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: etching
Artist: johann jakob bodmer
Artist role: printer, publisher
Artist dates: 1629 – 1650
Subjects: dance of death; death together with one or more human beings, temptation and fall (genesis 3:1-7)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Meyer, Rudolph. Sterbenspiegel, das ist sonnenklare Vorstellung menschlicher Nichtigkeit durch alle Ständ und Geschlechter (...). Zürich: J.J. Bodmer, 1650.
Mother and Two Children with Still Life
Object type: painting
Date: 1810 – 1810
Materials: oil, panel, wood
Techniques: painting
Location: netherlands
Artist: adriaen de lelie
Artist nationality: dutch
Artist dates: 1755 – 1820
Subjects: mothers, babies, chair, daughters, domestic, families, food, fruit, interior, table, toys, woman, children
Portret van Petrus Stockmans
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: brussels
Artist: jacobus harrewijn
Artist role: print maker
Artist dates: 1660 – 1740
Subjects: schrijver, petrus stockmans
Inscriptions: collector's mark: Lugt 2228

Gebruikt als frontispice in 'Clarissimi Ac Amplissimi Viri D. Petri Stockmans [...] Opera Omnia [...]', Brussel c. 1698. Buste naar links van Petrus Stockmans in een ovaal. Onder zijn portret een wapen en het woord: tranquille.
Tales of Ise
Object type: book
Date: 1645 – 1645
Techniques: woodblock print
Location: japan
Artist: Anonymous
Artist nationality: japanese
Close No. 29 Gallowgate
Object type: photograph
Date: 1868 – 1868
Techniques: photogravure
Location: scotland
Artist: thomas annan
Artist role: fotograaf
Artist nationality: scottish
Artist dates: 1829 – 1887
Twee schetsen met vissersboten
Object type: drawing
Date: 1863 – 1863
Materials: paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: sailing-ship, sailing-boat
Inscriptions: date: ‘18 Juny 63’, date: ‘24 Juny.63’
Landschap met figuren bij een brug
Object type: print
Date: 1849 – 1888
Materials: paper
Techniques: etching, roulette
Location: austria
Artist: remigius adrianus haanen
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1894
Subjects: landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Deze prent is genummerd No.6 rechtsboven en zou om die reden een prent kunnen zijn uit de serie van zes waarvan het titelblad is beschreven onder RP-P-OB-55.650.
Ring van goud in cannetille
Object type: ring
Date: 1930 – 1940
Materials: gold
Techniques: filigree
Location: netherlands
Artist: Anonymous
Inscriptions: : ‘585’

Ring van goud in cannetille en filigrein, zonder meesterteken.
Opera Nova Universali intitulata Corona di racammi, page 29 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573
Subjects: ornament

Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice. From top to bottom, and left to right: design composed of 2 vertical columns: left is illustrated with interlace pattern and black diamonds, and right is illustrated with various linear patterns, some of which form hearts.
Crucifix
Object type: cross
Date: 1150 – 1150
Materials: gilt copper, enamel
Techniques: enamel
Culture: spanish
Location: spain
Subjects: christ
Kaart van de Nederlanden, 1631
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving, hand coloring, letterpress printing
Location: amsterdam
Artist: henricus hondius
Artist role: print maker, publisher
Artist dates: 1597 – 1651
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, low countries
Inscriptions: collector's mark: Lugt 195, collector's mark: Briquet 2228

Links een cartouche met een overzicht met topografische informatie over iedere provincie. Rechtsboven titelcartouche in de vorm van een schild omringd door de wapens van de Zeventien Provinciën. Rechtsonder cartouche met schaalstok: Milliaria Germanica communia, Milliaria Gallica communia. Gradenverdeling langs de randen. Oriëntatie: noorden rechts. Op verso Franse tekst.
Les Eaux-Bonnes. Kiosque
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: eaux-bonnes
Artist: j.g. beers
Artist role: fotograaf
Subjects: housing, façade (of house or building)
Inscriptions: number: ‘4053’, number: ‘27113’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the stem and foot of a kylix; the outer edge and the resting surface is reserved; the inside of the foot is glazed
Terracotta fragments of a pelike (jar)
Object type: pelike fragment
Date: 510 – 480
Materials: terracotta
Culture: greek, attic

Two fragments from the neck of a pelike with parts of a red line
Vier gipsen afgietsels van mensfiguren
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation: ‘Amsterdam’, annotation, annotation: ‘M 0.55 1/2 hoog M 0.55 hoog M 0.54 hoog M 0.57 hoog’
Anna Thompson, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
City Walls in Winter
Object type: painting
Date: 1650 – 1670
Materials: canvas, oil
Artist: willem schellinks
Artist role: draughtsman, painter, print maker
Artist dates: 1627 – 1678
Subjects: riding a horse, ass, or mule; rider, horseman, landscape with ruins, sleigh, sledge (non-sport), ice ~ freezing weather, city-walls
Inscriptions: signature: ‘WS’

A canal running alongside a fortified city disappears into the distance, the city walls in ruins and the bridge
collapsed. In the background at right is a glowing furnace, where marble is burned to make chalk. These
motifs, often found in paintings by Dutch Italianates, have here been shifted to a cold wintery day.
Huy. Vue en amont de pont
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: brussels
Subjects: fortress, city-view in general; 'veduta', river
Inscriptions: inscription: ‘La vue en aval se trouve sur la couverture et sur le sous-titre de l'ouvrage’
Zeilschip voor de kust van Sint-Helena
Object type: sketchbook leaf
Date: 1848 – 1854
Materials: paper, pencil
Location: sint-helena
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: city-view, and landscape with man-made constructions, sailing-ship, sailing-boat, mountains
Inscriptions: date and inscription: ‘St Helena’

Blad 36 recto uit een schetsboek met 58 bladen.
Leven van Jan de Wasser en Griet
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: hen-pecked husband, 'betty', 'molly' (man who engages in women's work)
Inscriptions: stamp: ‘Koninklijk Oudheidkundig Genootschap Amsterdam’, collector's mark: Lugt 1641

Blad met acht voorstellingen uit het leven van Jan, een man die van zijn vrouw Griet, die de broek aan heeft, al het huishoudelijk werk moet doen. Een variant op zowel Jan de Wasser als op de strijd om de broek. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 329. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Sallet (Barbuta)
Object type: armor
Date: 1450 – 1460
Materials: steel
Location: milan
Artist: master z o
Artist nationality: Italian

In Italy a form of close-fitting helmet called a barbuta was developed from the open-faced bascinet. Similar to ancient Greek helmets, the face was given a T-shaped opening for vision and ventilation. This example was strengthened with an applied steel strip to stop sword points from sliding into the wearer’s face.
Reproductie van een schilderij van een portret van een onbekende man met een vogel en pijp
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: three-color autotype
Artist: john l. wimbush
Artist role: painter
Artist dates:  – 1914
Subjects: historical persons, pipe ~ tobacco

Prent op vijfde ongenummerde pagina na pagina 48.
Knife with Sheath
Object type: knife with sheath
Date: 1701 – 1900
Materials: ivory, wood
Culture: malayan
Location: malaysia
Twee met sprokkelhout beladen paardenkarren
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: trees (+ branch, stick), (farm) wagon, freight wagon, cart
Inscriptions: monogram: ‘AM’

Blad 39 verso uit een schetsboek met 44 bladen.
Bowl
Object type: bowl
Date: 1752 – 1755
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784

The Chelsea factory often used illustrations drawn from Aesop’s Fables to decorate porcelain in the early 1750s. Much of the best painting of Fable scenes was executed by Jefferyes Hammet O’Neale, to whom the decoration of these pieces is attributed.
Christening dress
Object type: christening dress
Date: 1825 – 1850
Materials: cotton
Culture: british
Cousa
Object type: cousa
Materials: gold, steel, textile, wood
Culture: german
Location: germany
Subjects: coat of arms
Jan Mildert
Object type: drawing and watercolor
Materials: charcoal, paper
Techniques: wash
Location: belgium
Artist: after anthony van dyck
Four Travelers Sharing a Meal?
Object type: drawing
Date: 1534 – 1566
Materials: ink, drawing material
Techniques: pen
Artist: anonymous, italian, mid-16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: food,men
Tiered Box with Figures in a Landscape
Object type: box
Date: 1701 – 1800
Materials: lacquer
Techniques: carving
Culture: chinese
Subjects: human figures,trees
Titelpagina voor Felicia, of De betoveringe door liefde. Hardersspel, Amsterdam 1699
Object type: titelblad, titelpagina
Date: 1699 – 1699
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Inscriptions: collector's mark: Lugt 2228

Een groep mannen en vrouwen zit buiten. Een vrouw staat in het midden en gooit een bal in de lucht, ze houdt een stok in haar hand. Vanuit de hemel komt bliksem op haar af.
Portret van Heinrich Julius von Goldbeck
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: mezzotint
Location: berlin
Subjects: knighthood order, historical persons
Inscriptions: collector's mark: Lugt 2228
Five People Working Like Ten
Object type: woodblock print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ippōsai yoshifuji
Artist role: artist
Artist nationality: japanese
Artist dates: 1828 – 1887
Subjects: men,working
Utrecht, daalder, 1685
Object type: coin
Date: 1685 – 1685
Materials: silver
Techniques: striking
Location: utrecht

Zilveren munt. Voorzijde: gekroond provinciewapenschild, gehouden door twee leeuwen. Keerzijde: zeven gekroonde wapenschilden met waarde-aanduiding 30 ST en jaartal.
Merlen/ graveur sur tous Métaux/ & sur Pierres fines (...)
Object type: print
Date: 1779 – 1850
Materials: paper
Techniques: etching
Artist: barthélémy joseph fulcran roger
Artist role: print maker
Artist dates: 1767 – 1841
Subjects: jean baptiste merlen, (story of) vulcan (hephaestus), (story of) minerva (pallas, athena), printing press, medal (considered as a piece of sculpture, regardless of its specific function), engraving
Inscriptions: collector's mark: Lugt 2228
Scraper
Object type: scraper
Date: 1902 – 1902
Materials: jade
Culture: north american, alaskan
IHS Monogram surrounded by Six Angels
Object type: print
Date: 1485 – 1536
Techniques: etching
Artist: daniel hopfer
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1536
Subjects: angels
Saccos
Object type: sacco
Date: 1829 – 1829
Materials: metal thread, silk
Brief aan Philip Zilcken
Object type: letter
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen, printing, writing
Location: new york city
Artist: l.f. roos
Artist role: manager
Subjects: arnhem, painter, print maker, draughtsman, anton mauve, new york (city), samuel putnam avery, the hague, philip zilcken, art trade, art shop, the graphic arts, painting (including book-illumination, miniature-painting)
Inscriptions: watermark, collector's mark: ‘RPK’

Deze brief is verstuurd als bijlage bij brief RP-D-1982-43-AVERY-30.
Portret van Johann Christoph Friderici
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: engraving
Location: hamburg
Subjects: bookshelves, theologian, writing tools, historical persons, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Prent uit: Friderici, Johann Christoph. Theologische Abhandlung von der wahren und eigentlich Christlichen Tugend. Hamburg: Heinrich Christian
Grund, 1779.
Cartouches in omlijstingen van rolwerk met grotesken, guirlandes en mascarons
Object type: ornament print
Date: 1613 – 1657
Materials: paper
Techniques: engraving
Location: france

Midden boven hangt een mascaron met een knop op het hoofd en linten achter zich.
Bezoeken van de zieken
Object type: print
Date: 1626 – 1671
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: david repentant; he lies on the ground praying and fasting for his child to recover, visiting the sick, 'aeger curatur' ~ one of the (seven) acts of mercy
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een zevendelige serie met de zeven werken van barmhartigheid. De hele serie is opgedragen aan Colbert.
Aanleg (betonstorting) van de dubbele schutsluis te Vlissingen
Object type: photograph
Date: 1807 – 1869
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: flushing
Artist: anton lauwrens preuninger
Artist role: fotograaf
Artist dates: 1846 – 1919
Subjects: sluice, weir, canal, building-site, flushing

Betonstorting tijdens de aanleg van de dubbele schutsluis te Vlissingen, juli 1869. Onderdeel van een serie van veertien foto's van deze bouwprojecten in Zeeland.
Brush holder with lotus decoration
Object type: brush holder
Date: 1834 – 1866
Materials: porcelain
Culture: korean
Subjects: lotuses

Scholarly men of the Joseon dynasty collected and used tasteful writing and painting accessories. This brush holder is an elegant example of nineteenth-century porcelain with carved openwork designs. The lotus is an emblem of the Confucian scholar aptly used here to ornament an object for his study
Glass mosaic fragment
Object type: fragment, mosaic glass
Date: 34 – 33
Materials: glass
Culture: roman

Thin-walled body fragment of shallow dish or bowl. Translucent purple, blue mixed with yellow appearing green, opaque yellow, white, and red. Mosaic pattern formed from sections of two canes: one in a purple ground with a white circle and central yellow dot; the other with concentric rows of green rods outlined in yellow surrounding a central red dot. Polished exterior; pitting of surface bubbles on exterior; dulling and creamy weathering on interior and jagged edges.
Gezicht op Huis de Voorst van de zijkant
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: palace, french or architectonic garden; formal garden

Prent is uitgeven door Pieter Schenk (I) als onderdeel van de zestiendelige prentserie 'Praetorium Dieranum', ca. 1700.
Later is de prent ook gebruikt in: Schenk, Pieter (I). Paradisus Oculorum: sive conspectus degantissimi centum (...). Jacobus Romanus, ca. 1700.
Nuji (Japanese: Joki; female attendant who compiled writings by Daoist sages); “Paper” (Kami), from Four Friends of the Writing Table for the Ichiyō Poetry Circle (Ichiyō-ren Bunbō shiyū)
From the Spring Rain Collection (Harusame shū), vol. 1
Object type: print
Date: 1827 – 1827
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: scrolls,women,brushes

Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups s a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and images.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, part of ground line
Ladle
Object type: ladle
Date: 1750 – 1775
Materials: silver
Culture: american
Location: united states
Artist: john burt lyng
Artist role: maker
Artist nationality: american
Artist dates: 1758 – 1785
Cruet Stand
Object type: ceramic
Date: 1725 – 1725
Materials: ceramic, earthenware
Techniques: glazing
Culture: rouen
Location: rouen
Susanna en de ouderlingen
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: the elders making advances towards susanna
Inscriptions: collector's mark: Lugt 240
Sites des Vosges
Object type: photograph
Date: 1881 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: remiremont
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘31’, inscription: ‘Ad. Braun & Cie./ photographes/ a/ Dornach (Alsace)/ &/ Paris/ 3, Boulevard des Capucines, 3/ 43, Avenue de l'Opéra, 43.’
Portret van een zittende geestelijke
Object type: print
Date: 1625 – 1674
Materials: paper
Techniques: woodcut
Subjects: organization, functionaries and dignitaries in roman catholic church; clergy in general
Inscriptions: collector's mark: Lugt 240
Scarab Decorated with Scrolls
Object type: scarab, scroll
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs

Scrolls and spirals –whether single or interlocking, or in combination with hieroglyphs or floral motifs– already decorate the earliest types of scarabs and are common throughout the first half of the second millennium B.C. While their meaning and source of inspiration remains unknown, scroll designs are also appealing to the eye. A wide variety of combinations, some of which more complex than others, is found on Egyptian scarabs of the Middle Kingdom and scrolls become particularly popular during late Dynasty 12 and Dynasty 13 (ca. 1850–1640 B.C.). While these designs continue to appear on scarabs in the Second Intermediate Period (ca. 1640–1550 B.C.) and on contemporary Canaanite imitations, details in the composition or on the scarab’s back or its legs allow the seal-amulet to be more precisely dated.
Suabian Dance, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,dancing

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Saucer-dish with bamboo, prunus, tiger and a Chinese boy
Object type: dish
Date: 1700 – 1724
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: label: ‘Collectie Westendorp/ 10’

Schaal van porselein met een geribde wand en gelobde rand, beschilderd op het glazuur in blauw, rood, groen, geel, zwart en goud. Op de voorzijde een dansende Chinese jongen tussen drie tijgers aan de ene kant en bamboe en prunustak achter bijeengebonden heggen aan de andere kant. Een chip en een barst in de rand. Oud label op de onderzijde met 'Collectie Westendorp/ 10'. Famille verte in de Japanse Kakiemon-stijl.
Panel
Object type: panel
Date: 1601 – 1800
Materials: metal, silk
Ship’s essentials
Object type: eenschijfsblok
Date: 1590 – 1596
Materials: wood
Techniques: cutting
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Pulleys, boathooks and rope, all these items were recovered on Nova Zembla. The rope in particular is still surprisingly intact. A piece of the hull of Barentsz’ ship has also been preserved and is now kept in St Petersburg.
Kerk en de ruïne van de abdij van Rijnsburg
Object type: drawing
Date: 1727 – 1790
Materials: ink, paper
Techniques: brush, pen
Subjects: ruin of church, monastery, etc.
Navigation
Object type: compass
Date: 1590 – 1596
Materials: brass
Techniques: casting, filing
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

To determine the ship’s position and chart its course, the captain had an entire arsenal of instruments at his disposal. Among the items found on Nova Zembla are an astrolabium catholicum (universal astrolabe), a fragment of a copper sounding line, a cross staff, a sextant and a chart compass.
Art-Nouveau interieur
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Subjects: interior of the house
Mirakuleuze medaille, devotiepenning gewijd aan de Onbevlekte Ontvangenis van de Maagd Maria en de devotie tot de Heilige Harten van Christus en Maria, vervaardigd naar aanleiding van de verschijning
Object type: devotional token
Date: 1830 – 1830
Materials: brass
Techniques: striking
Artist: Anonymous
Subjects: paris
Aanval op Hattem, 1786
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: bombardment
Inscriptions: collector's mark: Lugt 2228

Beschieting van de stad Hattem door de stadhouderlijke troepen, 5 september 1786.