deem-data/ArtiFact huggingface dataset:
Twee prentbriefkaarten met portretten van koningin Wilhelmina en prins Hendrik te paard
Object type: photomechanical print
Date: 1905 – 1915
Materials: paper, cardboard
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: print maker, wilhelmina of the netherlands, the hague, hendrik (prins der nederlanden (1876-1934)), riding a horse, ass, or mule; rider, horseman, historical persons - bb - woman, historical persons, queen
Inscriptions: inscription: ‘H.M. de Koningin in Galatoilet.’, inscription: ‘Z.K.H. Prins Hendrik der Nederlanden.’

Deze foto en prent maken deel uit van een album.
Architectural Tile with Partial Inscription
Object type: tile
Date: 1351 – 1400
Materials: stonepaste
Techniques: carving, glazing
Location: uzbekistan

This tile, created in a single piece, once formed part of a larger decorative scheme on the façade of a building. The fragmentary calligraphic inscription along the bottom half was hand-carved, and the tile created in a slightly irregular shape to fit - puzzlelike - with the other tiles that once surrounded it. The slightly curving top suggests that it may have formed part of an arch-shaped decoration over a window or iwan.
Zittend mannelijk naakt, van voren gezien (3e prijs 1805)
Object type: drawing
Date: 1805 – 1805
Materials: chalk, paper
Artist: abraham johannes ruytenschildt
Artist role: draughtsman
Artist dates: 1778 – 1841
Subjects: sitting figure (+ nude human being)
Layer Marney
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print, paper negative
Artist: alfred capel cure
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1896
Subjects: architecture,buildings
Les Toquades
Object type: print
Date: 1858 – 1858
Techniques: printmaking, lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: inn, coffee-house, public house, etc., card games, card games (+ sportsman, player, etc.)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee mannen spelen in een café een kaartspel. Twintigste plaat in een serie van 20 platen verschenen in 1858 onder de titel 'Les Toquades'.
Fotoreproductie van een fresco van Michelangelo van een Madonna met kind en een schenker of heilige (?), Rome
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: carbon print
Mes met pistoolvormig heft
Object type: miniature
Date: 1775 – 1800
Materials: silver
Location: netherlands
Artist: Anonymous

Mes met pistoolvormig lemmet en pistoolvormig heft. Het mes is niet gemerkt. Het mes is gelijk aan vijf messen met de invnrs. BK-NM-11177-237, BK-NM-11177-239, BK-NM-11177-240, BK-NM-11177-241 en BK-NM-11177-242.
Samuel Finley Breese Morse
Object type: bust
Materials: plaster
Techniques: painting
Culture: american
Artist: horatio greenough
Artist role: artist
Artist nationality: american
Artist dates: 1805 – 1852
Subjects: men,portraits

Greenough met artist and inventor Samuel F.B. Morse (1791-1872) in New York in 1828, with a letter of introduction from his mentor, the Boston painter Washington Allston. Morse was then at the height of his artistic career and was the first president of the recently founded National Academy of Design. In 1828 Greenough settled in Florence, Italy. Morse arrived there in 1830; soon he and Greenough shared a house on the via Valfonda with American painters Thomas Cole and John Cranch. In spring 1831 Greenough modeled busts of Cole and Morse. How closely Greenough portrayed the features of the forty-year-old Morse can be deduced by comparing the bust to the description on Morse’s passport: "middling forehead…prominent nose, common mouth, …rather sharp face." The original marble is now in the collection of the Smithsonian American Art Museum; the Metropolitan’s plaster may have been cast in 1928 from a plaster at the National Academy of Design in preparation for the production of a bronze cast for New York University (Bobst Library).
Paarden bij een boog
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk, paper
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: arch, archivolt ~ architecture, horse
Inscriptions: annotation: ‘berekening’

Pagina 113 uit een schetsboek met 56 bladen.
Gezicht op Place de la Concorde vanuit de Rue Royale in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: square, place, circus, etc., obelisk, needle
Inscriptions: number: ‘No. 58’, inscription: ‘rue Royale Paris’
Miniature Buddhist Water Sprinkler (Kundika) with Lotus-leaf Spout
Object type: vessel
Materials: stoneware
Techniques: glazing
Location: china
Kraag van filetkant met druiventrossen aan wijnranken
Object type: womenswear
Date: 1915 – 1920
Materials: cotton
Techniques: stopwork, filet lace, filet knotwork, lace embroidery
Location: netherlands
Artist: Anonymous
Subjects: bunch of grapes

Kraag van naturelkleurig kantborduurwerk: filetkant. Model met rechthoekig rugstuk en lange punten voor. Het patroon is symmetrisch en heeft op het rugstuk twee korte en gekruiste wijnranken met aan elk een druiventros. In elke punt hangen twee trossen druiven aan een wijnrank. De gehele rand bestaat uit kleine gestileerde anjers.
Coach #798
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Speld
Object type: pin
Date: 1850 – 1914
Materials: silver
Location: belgium
Artist: Anonymous
Subjects: the hague, sculptor, bart van hove, leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, netherlands

Speld met ivoorkleurig ovaal medaillonportretje (Rembrandt?). De speld is eigendom geweest van Bart van Hove.
The Monkey Bridge in Kai Province (Kōyō Saruhashi no zu)
Object type: print
Date: 1841 – 1842
Materials: ink, paper
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: bridges,moon,landscapes,streams
Prins Bernhard fotografeert zijn dochters Beatrix en Irene in Ottawa, Canada
Object type: photograph
Date: 1943 – 1943
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: yousuf karsh
Artist role: fotograaf
Artist dates: 1908 – 2002
Subjects: utrecht, bernhard (prins der nederlanden), beatrix (koningin der nederlanden)
Inscriptions: signature: ‘COPYRIGHT / "ANEFO" / KERKSTRAAT 310 / AMSTERDAM-C. / TEL. 30744 33902 / No. [in potlood ingevuld: PRF131]’
Paperweight
Object type: glass
Date: 1867 – 1900
Materials: glass
Location: united states
Artist: mount washington glass co.
Artist nationality: american
Artist dates: 1837 – 1900
Schoorsteenmantel met kroonlijst en schildering van vogels
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: europe
Artist: Anonymous
Subjects: birds, open hearth, fire-place, predatory birds: vulture, europe
Inscriptions: collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, number: ‘XVII’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, number: ‘(31)’, number: ‘Kat 37’
Head of Jupiter
Object type: cameo
Date: 1801 – 1833
Materials: onyx
Artist: filippo rega
Artist role: artist
Artist nationality: italian
Artist dates: 1761 – 1861
Subjects: jupiter

Filippo Rega, son of an antiques dealer in Naples who sent him to Rome to study with the Pichlers (see 39.22.42, .45, .46) returned to Naples and settled there. This monumental, rounded head emerges from subtly graduated, cloudlike mauve hues.
Agneta en Frederik houden elkaars hand vast
Object type: print
Date: 1804 – 1805
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: public festivities, lighting; lamps, group dancing, lovers' meeting, index finger forwards, pointing, indicating, night
Inscriptions: collector's mark: Lugt 2228

Nachtgezicht met Agneta en Frederik die een gesprek voeren terwijl ze elkaars hand vast houden. Op de achtergrond is een feest gaande. Illustratie bij het verhaal Frederik en Agneta.
Ontwerp voor een glas-in-loodvenster met een vogel
Object type: sketchbook leaf
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: window, birds, work of applied art (+ types of art)

Blad 16 recto uit een schetsboek met 24 bladen.
Getal 41
Object type: design
Date: 1904 – 1904
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’

Het getal is gebruikt voor: Veth, Jan. Jozef Israëls en zijn kunst. Arnhem en Nijmegen: Gebroeders E&M Cohen, 1904.
Onenigheid in de Staten van Overijssel over de verkiezing van Willem III tot stadhouder van Overijssel
Object type: history medal
Date: 1657 – 1657
Materials: silver
Techniques: striking
Location: amsterdam
Artist: juriaen pool (i)
Artist role: medailleur
Artist dates: 1618 – 1669
Subjects: william iii (prince of orange and king of england, scotland, and ireland)

Zilveren penning. Voorzijde: borststuk jongeman met vederbaret binnen omschrift. Keerzijde: opschrift.
Geschiedenis van Daniël, Bel en de draak
Object type: print
Date: 1601 – 1633
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: king cyrus sets food before the image of bel; daniel and his servants strew ashes on the floor of the temple, the door of the temple is sealed ~ story of the image of bel
Inscriptions: inscription: ‘Daniel ontdekt door middel van ...’, collector's mark: Lugt 2228

Om te bewijzen dat niet het beeld van de god Bel het eten nuttigt, maar de priesters, strooit Daniël as uit op de vloer van de tempel. Koning Cyrus laat de deur van de tempel verzegelen, zodat niemand ongemerkt binnen kan komen.
Otomo no Kuronushi, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)"
Object type: print
Date: 1814 – 1817
Techniques: woodblock print
Location: japan
Artist: kikukawa eizan
Artist nationality: japanese
Artist dates: 1787 – 1867
Reproductie van een prent naar een schilderij van hertenjagers in Schotland door Edwin Landseer
Object type: photomechanical print
Date: 1878 – 1878
Materials: paper
Techniques: woodburytype
Location: london
Subjects: hunter, return from the hunt
Twee zittende Indiase mannen
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, head-gear: turban, asiatic races and peoples: indians

De mannen dragen tulbanden. Pagina 11 uit een schetsboek met 15 bladen.
Boerderij aan een plas
Object type: print
Date: 1887 – 1952
Materials: paper
Techniques: etching, intaglio
Artist: chris van der windt
Artist role: print maker
Artist dates: 1877 – 1952
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Cuneiform tablet case impressed with four cylinder seals
Object type: cuneiform tablet case
Date: 2000 – 1801
Materials: clay
Culture: assyrian
Location: anatolia
Kousenband van witte en blauwe gebrocheerde zijde; met de tekst IK GEVE JOU DESE KOUSEBANT MDCCXXII
Object type: clothing
Date: 1722 – 1722
Materials: silk
Techniques: brocade
Location: northern netherlands
Artist: Anonymous
Inscriptions: inscription: ‘IK GEUE IOU DESE KOUSEBANT MDCCXXII’

Kousenband van witte en blauwe gebrocheerde zijde. Over de hele lengte van de kousenband staat de tekst: IK GEUE IOU DESE KOUSEBANT MDCCXXII. Tussen opschrift en het jaartal een keizerskroon.
Cheval de Cosaque irrégulier
Object type: print
Date: 1816 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Subjects: the soldier; the soldier's life, horse
Inscriptions: collector's mark: Lugt 2228
A Farmer Entrusting the Plow to His Son
Object type: drawing
Materials: graphite, ink
Techniques: brush, pen, drawing, wash
Location: france
Artist: jean-baptiste greuze
Artist role: artist
Artist nationality: french
Artist dates: 1725 – 1805
Subjects: cows,dogs,trees,farmers
Tekst en twee hoorns gevuld met vergeet-me-nietjes en rozen
Object type: print
Date: 1770 – 1816
Materials: paint, ink, paper, watercolor
Techniques: brush, writing
Location: gottingen
Subjects: 'cornucopia', horn of plenty, floral interlace ~ ornament, 'album amicorum', 'stammbuch'
Inscriptions: tekst, verso, handgeschreven
Losse fragmenten van een prent van Pyramus en Thisbe
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: thisbe kills herself with pyramus' sword (the scene may be represented near a fountain)

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Vase with cover
Object type: vase with cover
Date: 1765 – 1775
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Small ewer
Object type: ewer
Date: 1662 – 1722
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Artist: chinese
Artist role: artist
Subjects: women,flowers
Zes scheerriemen van J.R. Torrey Razor Co. in Duitse stijl
Object type: page
Date: 1876 – 1881
Materials: paper
Techniques: photograph
Subjects: care of the body, hygiene, razor
Antoninianus (Coin) Portraying Emperor Balbinus
Object type: coin
Materials: metal, silver
Techniques: striking
Culture: roman
Location: rome
Subjects: portraits
Inscriptions: Obverse: IMP CAES D CAEL BALBINVS AVG
"Imperator Caesar Decimus Caelius Balbinus Augustus"
Reverse: PIETAS MVTVA AVGG
"Mutual Piety of the Augusti"

The front (obverse) of this coin portrays a bust of Emperor Balbinus facing right, with a radiate crown and wearing a cuirass and paludamentum. The back (reverse) depicts two hands clasped.

Since few citizens actually saw their sovereign, recognizable symbols such as crowns, robes, and regalia served to identify the ruler on coinage. The ray-like crown depicted on Balbinus’s head associated the emperor with the sun much like a halo indicates a holy being.
Funerary Cone of Wesy
Object type: cone, davy 508, wesy, scribe
Date: 1550 – 1352
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Portret van Jacques Callot
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving
Subjects: print maker, draughtsman, jacques callot, auricular ornament, lobe style ~ ornament, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 240
Gezicht op de Montelbaanstoren te Amsterdam
Object type: book illustration
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: urban housing, sailing-ship, sailing-boat, towers ~ fortified city, rowing-boat, canoe, etc., bridge in city across river, canal, etc.

Deze prent komt voor in: Dapper, Olfert. Historische beschryving der stadt Amsterdam (...). Amsterdam: Jacob van Meurs, 1663, p. 402-403. En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam (...). Amsterdam: Joachim Nosche, 1664, p. 150-151.
In sommige exemplaren van Olfert Dapper komt een iets gewijzigde staat voor, met een Franse titel boven het Nederlandse opschrift.
Heads Studies for "Castor and Pollux Freeing Helen"
Object type: drawing
Date: 1817 – 1817
Materials: chalk, crayon, paper
Techniques: stumping
Artist: joseph-ferdinand lancrenon
Artist role: artist
Artist nationality: french
Artist dates: 1794 – 1874
Subjects: men,women

Lancrenon was a student of Anne Louis Girodet-Trioson, whose elegant Neoclassical style he closely emulated. He competed for the Prix de Rome in 1817, when the subject assigned was Castor and Pollux freeing Helen. In Greek and Roman mythology, Helen of Troy was carried off to Athens by Theseus as a young girl and rescued by her twin brothers, Castor and Pollux. This drawing is one of eight preliminary studies in the museum's collection, together showing the distinct steps the artist used to plan his canvas, executing a series of gradually more precise compositional studies, followed by studies of facial expression as well as figure and drapery studies. Lancrenon used black chalk, stumping, and white chalk on a variety of different papers to emphasize the sinuous contours and to delicately model the forms.
Visser komt thuis met zijn vangst
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: hand coloring, lithography
Location: london
Subjects: being welcomed ~ travelling, fisherman showing catch, family life at home
Inscriptions: collector's mark: Lugt 2228
Doos
Object type: box
Date: 1400 – 1950
Materials: metal

Doos van verzilverd (?) metaal. Rechthoekig met een zeer hoge glans.
Bethune Ville forte des Pais-Bas, du Comté d'Artois (...)
Object type: map
Date: 1695 – 1697
Materials: paper
Techniques: etching
Location: france
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om de stad Béthune in Artois. Onderdeel van het achtste deel (1697) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Beschietingen van en vanuit de schans Papenmuts gebouwd door Maurits in de Rijn, 1620
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: maurice (prince of orange), fortifications, military engineering

Beschietingen van en vanuit de schans Papenmuts gebouwd door prins Maurits in de Rijn, 6 oktober 1620.
Cover to Japonisme
Object type: print
Date: 1883 – 1883
Materials: ink, paper
Techniques: aquatint, etching
Location: france
Artist: félix hilaire buhot
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1847 – 1898
Cérémonie religieuse dans la Pagode Chinoise de Cholen, Saïgon, Cochinchine
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: emile gsell
Artist role: artist
Artist nationality: french
Artist dates: 1838 – 1879
Subjects: musical instruments,men,ceremony,musicians
Aanbidding door de koningen
Object type: print
Date: 1567 – 1602
Materials: paper
Techniques: engraving
Location: bologna
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)

De aanbidding van het Christuskind door de koningen voor een grote ruïne. Op de achtergrond een heuvellandschap met antieke bouwwerken en de processie met het gevolg van de koningen. Boven de ruïne verschijnt God de Vader vergezelt door een koor van engelen.
Vairochana, the Supreme Transcendent Buddha
Object type: figure
Date: 1001 – 1200
Materials: copper alloy, gilt, gold paint, pigment
Culture: nepali
Subjects: buddhism,buddha

Vairochana is the original of the five Transcendent Buddhas of Vajrayana Buddhism, identified by his hands held in bodhyagri mudra, an esoteric gesture denoting the zenith of the universe. Considered the primoridal Buddha, he is understood to reside at the center of Buddhist cosmology.
Advertentietekst voor: Johannes le Francq van Berkhey, De Politieke Hollandsche Koemarkt, 1787
Object type: manuscript
Date: 1787 – 1787
Materials: paper
Techniques: writing
Location: leiden
Artist: johannes le francq van berkhey
Artist role: draughtsman, print maker
Artist dates: 1729 – 1812
Subjects: leiden, print maker, draughtsman, johannes le francq van berkhey, patriots (1780-1795)
Inscriptions: inscription: ‘Jasper van Hoeken’, collector's mark: Lugt 2228

Handschrift met de tekst voor de advertentie in de Brielse Couranten van de uitgave van: Johannes le Francq van Berkhey, De Politieke Hollandsche Koemarkt, 1787.
Page from the 'Gaceta Callejera' relating to the continuation of anti re-election riots
Object type: print
Date: 1892 – 1892
Materials: metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: crowd
Portrait of an unknown man from the Gangaputra Brahmin community of Varanasi, Uttar Pradesh, India, who places benches on the banks of the Ganges during religious festivals
Object type: photograph
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: varanasi
Artist: Anonymous
Subjects: hinduism, buddhism, jainism, human races; peoples; nationalities
Inscriptions: inscription, q: ‘GHAUTEEA./ HINDOO FRIAR./ BENARES.’, number: ‘(93)’

Een brahmaan uit de Gangaputra-gemeenschaap is ook bekend als Ghatiya.
Illustration from Kunst des Messens (The Art of Measurement), plate eight from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Techniques: woodcut
Location: germany
Artist: monogrammist h.h.
Artist nationality: german
Artist dates: 1539 – 1559