deem-data/ArtiFact huggingface dataset:
Chaumelin. Odilon. 22 ans, né à Paris VIe. Publiciste. Anarchiste. 24/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Canadese bruiden vertrekken naar Canada
Object type: documentary photograph
Date: 1946 – 1946
Materials: photographic support
Techniques: photography
Location: rotterdam
Artist: van t hof
Artist role: fotograaf
Subjects: canada, rotterdam
Inscriptions: number: ‘18929’

A. Leblanc, de kapitein van het Canadese schip de S.S. 'Lady Rodney' zit op het dek, omringd door vijftien meisjes, een kaart te lezen. Hij legt de Nederlandse meisjes, die onlangs met Candese militairen in het huwelijk zijn getreden, de te volgen vaarroute naar Canada uit.
Reverse Copy of Le Mendiant a la Jambe de Bois (The Beggar with the Wooden Leg), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: men
Gezicht op het Damrak met zeilschepen
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: ships (in general) - cc - more than one ship
The Loge with the Gilded Mask
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Venezia Palazzo Cavalli e Chia della Salute
Object type: photograph
Date: 1870 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: canal, palace, church (exterior), venice
Inscriptions: negative number: ‘11’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Genua, Florence en Venetië.
Prosopographia, sive virtutum, animi, corporis, bonorum externorum, vitiorum, et affectuum variorum delineatio
Object type: print
Date: 1585 – 1590
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: crutches - aa - female human figure, disabilities, deformations and monstrosities; diseases
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een uitgemergelde vrouw met een waterkruik aan de riem, loopt blootvoets en ondersteund door krukken. Onder de voorstelling twee regels tekst in het Latijn. De prent maakt deel uit van een album.
Gezicht op een droogdok te Port Arthur
Object type: page
Date: 1898 – 1899
Materials: paper
Techniques: photograph
Location: port arthur
Subjects: dock labourer, dry-dock, floating-dock
Inscriptions: number: ‘27’
Dado Panel
Object type: dado panel
Date: 901 – 1000
Materials: plaster
Techniques: carving, casting
Location: iran

The original placement of this unique carved stucco panel is uncertain, although its shape and size suggests that it adorned a dado, or the lower half of a wall. It was found in fragmentary form on the floor of a courtyard excavated in the mound known as Sabz Pushan (the Green Covered) at Nishapur, having crumbled from a nearby wall centuries before. In addition to its richly carved decoration of a three-lobed niche, this panel once had bright colors. Traces of yellow pigment were found on the un-carved band that frames the main scene. Other carved and painted ornamental panels were found in the rooms surrounding the courtyard where this piece was found, speaking to the building’s rich architectural ornament.
Jug
Object type: jug
Date: 1892 – 1892
Materials: earthenware, silver
Culture: american
Location: united states
Artist: rookwood pottery company
Artist role: maker
Artist nationality: american
Artist dates: 1880 – 1967
Subjects: grapes,corn
Animal figurine
Object type: figurine, animal
Date: 1981 – 1640
Materials: clay
Location: egypt
Subjects: animals
't Huis Grondstein 1745
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: etching
Subjects: castle

Gezicht op Kasteel Grondstein nabij het Duitse dorp Elten. De prent maakt deel uit van een 100-delige serie met gezichten op dorpen en steden te Kleef. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Over de Grenzen.
Recueil de divers griffonnemens et epreuves d'eau forte (...)
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: etching
Location: paris
Artist: jacques-philippe le bas
Artist role: draughtsman, print maker, publisher
Artist dates: 1707 – 1783
Subjects: chest, bust, youth, adolescent
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een twaalfdelige serie getiteld 'Recueil de divers griffonnemens et epreuves d'eau forte (...)', gegraveerd en uitgegeven door Le Bas te Parijs.
Seated Agastya
Object type: figure
Date: 701 – 900
Materials: bronze
Culture: indonesian, sumatran
Subjects: hinduism
Gauntlet for the Left Hand
Object type: armor
Date: 1450 – 1460
Materials: steel
Culture: italian
Location: milan
Portret van Nicolaus Bruno
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons, physician, doctor

Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Table
Object type: table
Date: 1825 – 1825
Materials: iron, wood, steel
Techniques: veneering
Tout ce qu'on voudra
Object type: cartoon
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: paris
Subjects: caricatures (human types), marriage, married couple, 'matrimonium', resting - bb - out of doors
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 18 mei 1852.
Landschap met bebouwing
Object type: sketchbook leaf
Date: 1880 – 1880
Materials: chalk, paper
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: landscapes, civic architecture; edifices; dwellings

Blad 23 recto uit een schetsboek met 38 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Portret van Jan Sluijs op bidprent
Object type: photograph
Date: 1877 – 1877
Materials: paper
Techniques: albumen print, lithograph
Location: steenbergen
Subjects: historical persons, old man
Inscriptions: inscription: ‘Jan Sluijs/ Poldervoogd/ van/ Cruijslands Polders, enz./ Geboren te Texel 22 Augustus 1797./ Overleden te Steenbergen, 25 November 1877./ Hij ruste in vrede/ Amsterdam B. Lenfring Rotterdam’
Abraham Lincoln, Springfield, Illinois
Object type: photograph
Techniques: platinum print
Location: united states
Artist: alexander hesler
Artist nationality: american, born canada
Artist dates: 1823 – 1895
Subjects: portraits, photography
Inscriptions: Unmarked recto; inscribed verso, upper left, in graphite: "764"; verso, center, diagonally, in graphite: "235 / 7x9 / Hessl [?]"; verso, right center, in graphite: "L-16325 2 86 [underlined] / El P. Bug [?] 1/2 [encircled] 5 92 [underlined]"; verso, lower center, in graphite: "Wal [?]"

Alexander Hesler, a noted commercial photographer based in Chicago, arranged two portrait sessions with Lincoln, in 1858 and 1860. The images from their first session displayed the presidential candidate with disordered and messy hair. During the subsequent election campaign, the Republican National Committee grew concerned that Lincoln might appear unkempt compared to his opponent, Stephen A. Douglas. Hesler therefore produced this more dapper and well-groomed representation of the candidate at the second sitting, and these and similar portraits by Mathew Brady were widely distributed as badges. In this first presidential campaign to employ photographs, the decision to make Lincoln a familiar face may well have swayed voters. The artist George B. Ayers purchased Hesler's studio in 1867, a move that saved its contents from being destroyed when the gallery burned down in the Chicago Fire of 1871. Ayers later reprinted Hesler's glass plate negatives, claiming this image in particular as the "Original and Best Picture of Abraham Lincoln," essential for any collector of portraits or Lincoln memorabilia.
Sugar Bowl (part of a set)
Object type: metalwork
Date: 1852 – 1864
Materials: silver
Location: chicago
Artist: j.t. and e.m. edwards
Subjects: chicago
Inscriptions: Each piece marked on bottom "J.T.& E.M.E." in a rectangle and "Chicago" in a rectangle; each piece with engraved Gothic "R".John T.& E..M. Edwards, Chicago, Illinois, 1852-1864
Ring
Object type: ring
Date: 1736 – 1736
Materials: gold
Techniques: filigree
Location: amsterdam
Artist: Anonymous
Inscriptions: maker's mark

Gouden ring, versierd met ruiten en sterren.
Silver jug
Object type: juglet
Date: 700 – 601
Materials: silver
Culture: cypriot

Jugs of this type were popular in Cyprus from the end of the Geometric through the Archaic period, but only one silver example is known. In the Aegean area, comparable vases probably contained perfumed oil. This is a unique example in silver of a popular shape for ceramic jugs. The ceramic vases circulated widely in the Aegean.
Théâtre Français: recueil de costumes par MM. J. Alaux et L. Duponchel d'après les dessins manuscrits de la Bibliothèque de la Comédie-Française
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: stage costume, historical persons, actor (on the stage), tragedy
Inscriptions: collector's mark: Lugt 2228a
Vouwstoel, voorzijde poten, armleggers en stijlen ingelegd met ruitmotief waarbinnen afwisselend sterren en dambordmotief.
Object type: chair
Date: 1500 – 1600
Materials: bone, wood, mother of pearl
Techniques: marquetry
Location: northern italy
Artist: Anonymous

Vouwstoel van iepenhout met leren rug en zitting en rustend op halfcirkelvormige poten, die met halfcirkelvormige stijlen in verbinding staan. De poten staan op verbindingsklossen. De armleggers eindigen in voluten en lopen omhoog in de rugstijlen. De voorzijde der poten, de stijlen en de bovenzijde der armleggers zijn ingelegd in een ruiten- met dambordmotief, afgewisseld met ruiten met sterrenvelden en concentrische cirkels, in de certosina-techniek uitgevoerd in been, parelmoer en diverse houtsoorten.
Titelpagina voor de Europische Mercurius voor het jaar 1710
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: specific aspects, allegorical aspects of mercury; mercury as patron

Titelpagina voor de Europische Mercurius, dl. XXI, eerste deel van 1710. Op de voorgrond spelende engeltjes, daarachter Mercurius en de vlammen van de oorlog.
Fontana Felice
Object type: photograph
Date: 1851 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: square, place, circus, etc., ornamental fountain
Inscriptions: collector's mark: ‘VOSMAER’, number: ‘4050’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Interior, legs of a male to right; Exterior, two thin black glazed lines and two bands of reserve
Portret van August Hermann Niemeyer
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Beleg van Oostende: beschieting van de schepen die de stad bevoorraden, 1603
Object type: print
Date: 1603 – 1604
Materials: paper
Techniques: etching, letterpress printing
Location: low countries
Subjects: siege, position war

Onderdeel van illustraties in: Belaegerung der Statt Ostende : Journal: Tagregister... aller gedenckwurdigsten Sachen... so inner und ausserhalb... sich zugetragen... von 5 July 1601. biss auff diese.. Herbstmisse Anno 1604... auss der Niderlendischen in die Hochteutsche Sprach transferirt, Und mit: Journal. Ander theil uber die Belägerung der statt Ostende biss auf die Herbstmiss in Sept. 1604 bey gefugt Mappa der Statt Ostende neben dem abriss des Parvae und Novae Troiae, s.l., 1604, fol°, ill. Hierbij gevoegd enkele prenten voorzien van Duitse teksten, 1604 (z.n., z.p.). In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 10).
Cairo, Mosque Ibrahim Agha
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1930
Materials: cardboard
Techniques: color autotype
Location: cairo
Subjects: quadrangular pyramid
Inscriptions: inscription: ‘R. Carl L.’
Outline Sketches of Two Rowboats (from Sketchbook)
Object type: drawing
Date: 1891 – 1891
Materials: gilt, graphite, leather, paper
Techniques: bookbinding
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: boats
The Shepherd Finding Romulus near the Goat
Object type: print
Materials: paper
Techniques: etching
Artist: carl baron von vittinghoff
Artist role: artist
Artist nationality: german
Artist dates: 1772 – 1826
Subjects: goats,shepherds
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Bent right arm of a draped figure
Clarissimvs Ivstvs Lipsivs Historiographvs regivs professor consliarivs etc.
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: louvain, justus lipsius
Inscriptions: collector's mark: Lugt 240

Prent naar schilderij van Anthony van Dyck.
S. Nicolas, évêque (St. Nicholas, Bishop), December 6th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,bishops,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Allegorie op intocht van aartshertog Karel als koning Karel III van Spanje te Barcelona, 1705
Object type: propagandaprent
Date: 1705 – 1705
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: vienna, charles vi (holy roman emperor), symbolic triumphs of individual persons
Inscriptions: collector's mark: Lugt 2228

Allegorie op de intocht van aartshertog Karel van Oostenrijk als koning Karel III van Spanje te Barcelona, oktober 1705. De aartshertog rijdend te paard bij de stadspoort, begeleid door allegorische figuren met een portret van keizer Leopold I en toegejuicht door het volk. In de wolken allegorische figuren en putti met kronen en palmtakken. Gedrukt op het blad onder de plaat een vers in 2 kolommen.
Portret van Cornelis Anthony Fannius Scholten
Object type: print
Date: 1814 – 1817
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cornelis anthony fannius scholten
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Herman Bosscha, Geschiedenis der Nederlandsche staatsomwenteling in 1813. 4 dln. Amsterdam: P. den Hengt en zn. en J. van der Hey, 1817.
Cephalus besluit op jacht te gaan
Object type: print
Date: 1547 – 1612
Materials: paper
Techniques: etching
Location: antwerp
Subjects: cephalus and procris
Inscriptions: collector's mark: Lugt 2228

Cephalus zit op de grond. Naast hem zijn pijl en boog en zijn jachthonden. Procris wandelt in de achtergrond terug naar huis. De prent is deel van een serie over het mythologische verhaal van Procris en Cephalus.
Zes taferelen met kinderen
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: children's games and plays, picnic, alfresco, 'déjeuner sur l'herbe', mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2228a
Mouwloze kinderjurk van wit linnen (?), versierd met wit borduurwerk, oprijgen, ajour tussenzetsels met ruitpatroon en kantranden; hoekige gefestonneerde zoom
Object type: robe, japon, jurk
Date: 1922 – 1926
Materials: linen
Techniques: embroidered, embroidery
Artist: Anonymous

Mouwloze kinderjurk van wit linnen (?), versierd met wit borduurwerk, oprijgen, ajour tussenzetsels met ruitpatroon en kantranden; hoekige gefestonneerde zoom.
Sketch of a Young Boy
Object type: drawing
Date: 1857 – 1857
Materials: chalk, pastel
Artist: eugène-ernest hillemacher
Artist role: artist
Artist nationality: french
Artist dates: 1818 – 1887
Subjects: boys
Italiaans landschap
Object type: drawing
Date: 1761 – 1800
Materials: chalk, ink, paper, watercolor
Techniques: brush, pen
Artist: daniël dupré
Artist role: draughtsman, print maker
Artist dates: 1751 – 1817
Vase
Object type: vase
Date: 1662 – 1722
Materials: ivory
Culture: chinese
Subjects: human figures,boats
Guitar
Object type: guitar
Date: 1701 – 1800
Culture: french
Location: france
Artist: bernard
Artist role: maker
Artist nationality: french
Subjects: women
Scarab with Hieroglyphs
Object type: scarab, bee, djed, ankh
Date: 1850 – 1640
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

Symmetric compositions of hieroglyphs creating a positive meaning are very popular on scarab amulets during the Middle Kingdom. This scarab shows the sign for endurance (djed) between signs of life (ankh) and a royal symbol, the bee. These hieroglyphs convey benevolent concepts, aimed at providing the owner of the amulet with protection and support. The manner in which the details of the back and sides of the scarab are incised, allows dating the scarab to the late Middle Kingdom (late Dynasty 12–Dynasty 13, ca. 1850–1640 B.C.).
Landschappen naar Domenico Campagnola
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching, intaglio
Location: italy
Subjects: landscapes, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Rotsachtig landschap met centraal een dak op palen, waaronder mannen bidden voor een crucifix. Rechts een brullende leeuw. Titel in het Latijn in ondermarge. Genummerd rechtsonder: 3.
Untitled (Portrait of Man with Hat)
Object type: photograph
Date: 1850 – 1899
Techniques: tintype
Artist: Anonymous
Artist dates: 1800 – 1899
Banknote vignette with three putti as a shepherd, a farmer, and a sailor
Object type: print
Date: 1824 – 1837
Techniques: engraving, etching
Artist: asher brown durand
Artist role: artist
Artist nationality: american
Artist dates: 1796 – 1886
Subjects: putti,sheep,boats
Madonna and Child Enthroned
Object type: painting, triptych
Date: 1265 – 1295
Materials: gold leaf, paint, wood
Artist: master of the magdalen
Artist role: artist
Artist nationality: italian
Artist dates: 1265 – 1295
Subjects: christ,madonna and child,bearing the cross,crucifixion,last supper,saints,flagellation

In the center of this triptych are the Madonna and Christ Child enthroned, with Saints Peter and Paul (below) and the Annunciation (above). On the left are Christ in Glory, above the Last Supper and the Betrayal of Christ. On the right, from bottom to top, are the Flagellation, the Way to Calvary, and the Crucifixion.
Leipzig - Hauptbahnhof. Entwurf der Architekten William Lossow und Max Hans Kühne, Dresden-A.
Object type: photomechanical print
Date: 1908 – 1908
Materials: cardboard
Techniques: writing
Location: leipzig
Artist: Anonymous
Subjects: station; shelter (railway, tramway)
Inscriptions: date
Rattle
Object type: rattle
Date: 1801 – 1900
Materials: hair
Culture: native american, apache
Location: united states

This rattle is made of an inflated bladder and a handle edged with buckskin, terminating in a skein of horsehair.
Nieuw letterspel voor kinderen / Nouveau jeu d'alphabet pour les enfants
Object type: print
Date: 1833 – 1911
Materials: paper
Techniques: lithograph, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: animals, letters, alphabet, script
Inscriptions: collector's mark: Lugt 2760

Blad met 25 voorstellingen van de letters van het alfabet geïllustreerd met dieren waarvan de woorden met de betreffende letter beginnen. Onder elke afbeelding een onderschrift. Genummerd middenboven: 62.
Charleroi in 't graafschap Namen
Object type: book illustration
Date: 1742 – 1742
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: city-view in general; 'veduta', fortified city
Inscriptions: collector's mark: Lugt 2233

Prent uit: Wagenaar, Jan. Hedendaagsche historie, of tegenwoordige staat der Oostenryksche, Fransche en Pruissische Nederlanden. Amsterdam: Isaak Tirion, 1742, p. 122.
Lotta, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
The Needle Rock, Duirainc, Skye
Object type: photograph
Date: 1875 – 1885
Materials: photographic support
Techniques: albumen print
Location: skye
Artist: Anonymous
Subjects: rock-formations
Inscriptions: number: ‘598, J.V.’
Portret van Willem II, prins van Oranje
Object type: print
Date: 1840 – 1884
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: william ii (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Amsterdam: J.F. Schleijer, 1840-1884.
Ascension of Female Saint
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: martino altomonte
Artist nationality: italian
Artist dates: 1657 – 1745
Caprarola. Cascata del Bicchiere. Villa Farnese
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: caprarola
Subjects: statues, sculptures in garden, garden cascade
Interieur van het Militair Tehuis Koningin Wilhelmina
Object type: photograph
Date: 1900 – 1940
Materials: photographic support
Techniques: collodion silver print, gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: sumatra, dutch east indies, the

Interieur van de recreatiezaal van het Militair Tehuis Koningin Wilhelmina, stoelen en tafels met boeken en bordspellen. Onderdeel van een groep van 14 losse foto's genomen op Midden- en Zuid-Sumatra in de periode ca. 1900-1940.
Textile Fragment
Object type: textile fragment
Date: 901 – 1100
Materials: cotton, wool
Location: iran
Subjects: birds
Portret van Willem Bilderdijk
Object type: print
Date: 1810 – 1849
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: amsterdam, haarlem, print maker, draughtsman, willem bilderdijk, historical persons, portrait of a writer, book