deem-data/ArtiFact huggingface dataset:
Roma
Object type: print
Date: 1603 – 1658
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: riding a horse, ass, or mule; rider, horseman, wandering communities: romani or roma, travelling; tourism
Inscriptions: collector's mark: Lugt 2166, inscription: ‘Hoog 120, Bred 232, het [onge..] 235, n hoog 122’

Roma op reis. twee te paard, een met een grote kar en een met een ezel. Ze rijden in profiel van links naar rechts. De prent heeft een Frans opschrift: 'Ces pauvres gueux pleins de bonadventures, ne portent rien que des Choses futures'. Prent uit serie van vier prenten met Roma als onderwerp.
Sofa
Object type: sofa
Date: 1734 – 1766
Materials: silk, wood, wool
Techniques: carving, painting, tapestry
Artist: aubusson
Artist role: factory
Artist dates: 1665 – 9999
Subjects: horses
Vessel Fragment
Object type: fragment
Date: 301 – 700
Materials: limestone
Culture: coptic
Location: egypt
Muiderslot
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: muiden
Artist: Anonymous
Subjects: castle
Madonna op de maansikkel
Object type: print
Date: 1478 – 1482
Materials: paper
Techniques: drypoint
Location: germany
Artist: meester van het amsterdamse kabinet
Subjects: madonna on the crescent of the moon (sometimes called queen of heaven) (in mandorla)
Inscriptions: collector's mark: Lugt 2228a

Maria met Kind, staand op de maansikkel.
Kindermoord te Betlehem
Object type: print
Date: 1675 – 1727
Materials: paper
Techniques: engraving
Location: paris
Subjects: soldiers entering bethlehem ~ massacre of the innocents
Inscriptions: collector's mark: Lugt 2228
Design for Landau, No. 3932
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Presentatie in de tempel
Object type: print
Date: 1638 – 1679
Materials: paper
Techniques: etching
Location: rome
Subjects: presentation of the christ-child in the temple, usually simeon (and anna) present (luke 2:22-39)
Inscriptions: collector's mark: Lugt 240
Titelpagina voor het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme aussi les Cartes des Côtes de France et d'Espagne (deel XVIII), 1726
Object type: titelblad, titelpagina
Date: 1726 – 1726
Materials: paper
Techniques: letterpress printing
Location: leiden
Artist: pieter van der aa (i)
Artist role: printer, publisher
Artist dates: 1659 – 1733
Subjects: spaanse successieoorlog

Titelpagina gedrukt in zwart en rood voor deel XVIII van het prentwerk Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne, 1726. Dit tweede deel van het prentwerk bestaat uit 271 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel in het Frans.
Khanjari
Object type: khanjari
Date: 1885 – 1885
Materials: metal, skin, wood
Culture: indian
Location: india

The khanjari is a small frame drum of southern India that has a single set of jingles. A circular frame over one edge of which a circular piece of skin is stretched and glued. An incision 1/2 inch wide a 2 1/2 in. in length on one side of frame through the centre of which is a wire supporting a circular cymbal of metal 2 in. in diam. Top half of drum painted black; bottom half painted red, both halves decorated with gold chevrons and other designs. (Allen Roda 2014)
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, bit of framing border from meander; Exterior, part of leg with drapery in front of thigh?
Pastorale (deel 2)
Object type: poem
Date: 1650 – 1650
Materials: ink, paper
Techniques: calligraphy
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Vervolg van het gedicht op de vorige pagina (verso van folio 21) over het contrast tussen de luxe aan het hof en de eenvoud van het herdersleven.
Madone
Object type: print
Date: 1864 – 1911
Materials: paper
Techniques: etching
Subjects: 'portraits' of mary
Inscriptions: collector's mark: Lugt 2228
View of a Village alongside a River
Object type: drawing
Date: 1766 – 1766
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: samuel hieronymus grimm
Artist role: artist
Artist nationality: swiss
Artist dates: 1733 – 1794
Subjects: human figures,buildings,houses,villages,rivers
Handkerchief
Object type: handkerchief
Date: 1870 – 1890
Materials: linen
Culture: american
View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
La Section Allemande
Object type: photomechanical print
Date: 1910 – 1910
Materials: cardboard
Techniques: photograph, lithograph
Location: brussels
Subjects: world fair, world exhibition, bandstand, prospect of city, town panorama, silhouette of city, brussels
Inscriptions: date
Knife with Sheath
Object type: knife with sheath
Date: 1701 – 1900
Materials: brass, gold, jade, skin, steel
Culture: chinese
Location: china
Zittende vrouw en man
Object type: drawing
Date: 1873 – 1923
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: sitting on an elevation, couch, sofa, settee, sitting on an elevation - aa - female human figure
Inscriptions: workshop stamp: Lugt 291d, collector's mark: Lugt 2228, signature: ‘G H Breitner’

Ze zitten tegenover elkaar op banken. De vrouw leunt met haar rechterarm op de rugleuning.
Coffeepot (part of a service)
Object type: coffeepot
Date: 1809 – 1819
Materials: mother of pearl, silver
Artist: marc jacquart
Artist role: maker
Artist dates: 1767 – 1859
Subjects: birds,women
Celt Shaped Pendent
Object type: pendant
Date: 801 – 1500
Materials: stone
Culture: costa rican
Location: costa rica
On of a Pair of Cushion Covers
Object type: cushion cover
Date: 1736 – 1795
Materials: metal thread, silk
Culture: chinese
Roma - Museo Nazionale - Fianco del Trono Ludovisi. Una flautista (arte del V secolo)
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: paper
Techniques: gelatin silver print
Location: rome
Artist: Anonymous
Subjects: statues, paintings, etc. ~ objects of worship in roman religion, permanent exhibition, museum
Inscriptions: collector's mark: ‘AFE v S’
Défaite de la Cavalerie Turque (Defeat of the Turkish Cavalry), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Object type: print
Date: 1614 – 1620
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.
Agathon Léonard
Object type: medallion
Date: 1900 – 1900
Materials: bronze
Artist: victor peter
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1918
Subjects: men,profiles
Gezichten aan de oevers van de Seine
Object type: print
Date: 1829 – 1831
Materials: paper
Techniques: lithograph
Location: paris
Subjects: river (+ landscape with figures, staffage), prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 1828b

Prent maakt deel uit van een omslag met twaalf prenten.
Pavilon lesnický a lovecký s výstavou lesnických skolek
Object type: page
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: (annual) fair, trade fair, façade (of house or building)
Agost Carracci
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving
Location: paris
Subjects: draughtsman, agostino carracci, historical persons, portrait, self-portrait of painter

Prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. 6 dln. Parijs: Jean-Luc Nyon, 1777, dl. 6.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 1, p. 104.
Canaanite Scarab Showing a Prostrate Man under Two Cobras and a Scarab (Emblems of a Ruler)
Object type: scarab, cobra, ruler emblem
Date: 1600 – 1500
Materials: stone
Techniques: glazing
Location: egypt
Subjects: men,scarabs,snakes
Directeur / Leerlingen
Object type: photograph
Date: 1925 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: soekaboemi
Artist: Anonymous
Subjects: dutch east indies, the

Albumblad met twee foto's: portret van de directeur achter bureau en leerlingen tijdens exercitie, politieschool te Soekaboemi. Onderdeel van het fotoalbum aangeboden aan S. Koster door de Vereeniging van Hoogere Politie Ambtenaren in Nederlandsch-Indië in 1931.
Terracotta fragment of an olpe (jug)
Object type: olpe fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

On the neck, a key pattern to right; below, a dot net pattern; in the panel, part of the hair, forehead, bridge of nose and bound right hand of a filleted boxer to right, whose hand is hitting the face of the filleted boxer to left; to the right, part of a vine with korymboi
Saint Briac, from the Fancy Bathers series (N187) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Fancy Bathers" series (N187), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Tityrus en Menalkas
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: painter, print maker, salomon gessner, literature, father and son(s) (family group), pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2228

Tiende prent afkomstig uit een serie met twaalf scènes die 'Idyllen' van Salomon Gessner illustreren. De twaalf scènes werden samen op een plaat geëtst. De serie is gebruikt als illustratie in: 'Berliner genealogischen Calender auf das Jahr 1773'.
Carriage makers' autograph book
Object type: book
Date: 1878 – 1878
Materials: gold, ink, leather, paper
Techniques: treatment
Portret van een man met hoed, zittend op een stoel
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: munster
Artist: friedrich hundt
Artist role: fotograaf
Artist dates: 1807 – 1887
Subjects: historical persons, chair, head-gear: top hat
Inscriptions: annotation: ‘Aug. Buchholz/ ([...]ir [.]ase)’, inscription: ‘Photographisches Atelier/ F. HUNDT. Kreuzstrasse 96/ MÜNSTER/ Westfalen.’
Piazza S. Croce e Statua di Dante
Object type: photograph
Date: 1861 – 1871
Materials: photographic support
Techniques: albumen print
Location: piazza santa croce
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: square, place, circus, etc., church (exterior), monument, statue
Inscriptions: number: ‘Tavola XXI.’
Studioportret van een meisje in Nederlands-Indië
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: indonesia
Inscriptions: number: ‘30’

Portret van een meisje, gemaakt in een studio (?), Nederlands-Indië
Man met een landbouwwerktuig
Object type: sketchbook leaf
Date: 1820 – 1872
Materials: paper, pencil
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: agricultural implements (+ labourers ~ crafts, industries, agriculture)

De man draagt hoge laarzen en heeft mogelijk een zeis op de rechterschouder. Blad 11 recto uit een schetsboek met 39 bladen.
Panel
Object type: textile
Date: 1815 – 1815
Materials: cotton
Techniques: printing block, weave, printing
Location: preston
Artist: bannister hall print works
Artist nationality: english
Artist dates: 1799 – 1840
Bruidsschoen van wit glacé-leer, op het voorblad met geborduurde crème takjes en witkralen bloemen; afgeronde spitse neus, Pompadourhak met leer overtrokken, wreefbandje
Object type: damesschoen
Materials: glazing
Techniques: embroidered
Location: netherlands
Artist: Anonymous
Subjects: amsterdam

Bruidsschoentjes van wit glacé-leer, horend bij bruidsjapon. Het glacé-leer is op het voorblad geborduurd met crême takjes en wit kralen bloempjes. Afgeronde zeer spitse neus, riempje over de wreef met knoopsluiting en Pompadour-hakje met leer overtrokken.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, feet and drapery of two figures; Exterior, handle palmette, youth with himation draped over left shoulder, leaning on a stick, and gesturing with right hand; draped figure leaning on stick; head and upper torso of youth to right with himation draped over left shoulder
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of extended left arm and hand and lower body of a draped maenad to right, holding a thrysos;part of an inscription, PLE?; Obverse, left foot of satyr; lower body and feet of a maenad with a nebris; buttocks, tail and legs of a satyr to left; Reverse, legs of a satyr to right; lower drapery and left foot of a maenad to right
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, handle patch, part of palmette, start of handle root; in field, a bag; filleted youth with himation bent to the right, with his right hand on his hip and his left elbow resting on a stick
Christ, the Virgin, and Saint John the Baptist with Saints Paul and Catherine
Object type: print
Materials: paper
Techniques: engraving, printing
Location: italy
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534

Marcantonio Raimondi’s gleaming yet darkly printed engraving shows an unusual saintly grouping. Here the adult Saint John the Baptist sits enthroned with the Virgin Mary and Jesus Christ in a cloud of glory. John had played a vital role in preparing Christ for the Crucifixion by baptizing him in the river Jordan. The Baptist’s subsequent martyrdom by beheading then elevated him to preside alongside Christ. The saints shown below, Paul and Catherine, underwent their own conversion experiences and martyrdoms: Paul changed from an avid persecutor to a converter of Christians, and Catherine survived torture on the wheel in God’s name.
Man met opgeheven armen
Object type: print
Materials: paper
Techniques: lithograph
Location: the hague
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: standing figure, knight
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vondel, Joost van den. Gysbrecht van Aemstel, treurspel. Den Haag: Nederlandsche Maatschappij van Schoone Kunsten, 1841.
Midsummer Night's Dream
Object type: book
Techniques: engraving
Artist: william shakespeare
Artist role: author
Artist nationality: british
Artist dates: 1564 – 1616
Subjects: insects,butterflies,leaves

A prolific German silhouette artist, Konewka designed illustrations for many British and American literary publications. Two of the most popular were Goethe's "Faust" and Shakespeare's "Midsummer Night's Dream, and contemporary printing techniques allowed his graceful images to be placed strategically as vignettes within the text.
Fragment van een touw of geweven stuk textiel uit het wrak van de in 1735 vergande Oost-Indiëvaarder 't Vliegend Hart
Object type: rope
Date: 1700 – 1735
Materials: hemp
Techniques: ropemaking
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Het fragment is bijna vierkant en plat. Het is een rommelig stuk vezels, bruin van kleur. Rope.
Pair of Vambraces (Arm Defenses) from a Costume Armor
Object type: pair of vambrace arm defense from a costume armor
Date: 1525 – 1525
Materials: copper alloy, gold, steel
Culture: german
Location: germany
Artist: kolman helmschmid
Artist role: armorer
Artist nationality: german
Artist dates: 1471 – 1532

This armor reproduces in steel the extravagant puffed and slashed costume of the German Landsknechte (mercenary infantry troops). The matching pieces are preserved in the Musée de l'Armée, Paris. Coming from the Radziwill armory in Nesvizh in present-day Belarus, this armor may have been made for Jerzy Herkules Radziwill (1480–1541), a powerful Polish nobleman.
Signiora Squalini
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: musical instruments,satire,men,women,musicians
Finger Rings
Object type: ring
Date: 301 – 700
Materials: copper alloy, iron
Culture: coptic
Location: egypt
Subjects: rings
Twee voorstellingen uit Clarissa van Samuel Richardson
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: fainting, swooning, literature, despair; 'disperatione' (ripa)
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Richardson, Samuel. Clarissens Schicksale dargestellt in vier und zwanzig Kupferblättern von Daniel Chodowiecki. mit Erläuterungen des Deutschen Uebersetzers Dr. L. Th. Kosegarten. Leipzig: Heinrich Gräff, 1796.
Hoofd van een man met baard
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: etching
Location: france
Subjects: head (human), old man, beard
Inscriptions: collector's mark: Lugt 240

Prent uit een serie van 31 prenten naar getekende hoofden door Van Dyck, plus een titelprent naar Bouchardon, getiteld: "Recueil de Testes d'Antoine Van Dyck tirées du Cabinet de M. Crozat et gravées par M. le C. de C.".
Lion
Object type: figure
Date: 1701 – 1800
Materials: brass
Culture: chinese
Subjects: lions
Grotesque Borders for Halls & Rooms
Object type: print
Materials: paper
Techniques: etching, engraving
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Titelpagina voor: J. Buingha, Oprecht fondament ende principalen inhout van het Italiaens boeck-houden, 1642
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: boekhouder, joannes buingha
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Buingha, Joannes. Oprecht fondament ende principalen inhout van het Italiaens boeck-houden. Amsterdam: Willem Willemsz Stam, 1642.
Design for a Glass Fronted Cabinet with Red Interior
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
Deksel van veelkleurig beschilderde faience
Object type: lid
Date: 1750 – 1750
Materials: faience
Location: delft
Inscriptions: mark: ‘figuratief teken bloem / onbekend figuratief teken pi’, mark: ‘figuratief teken bijltje met V’, mark: ‘figuratief teken bijltje met V’

Deksel in de vorm van een druiventros. Horend bij een terrine en onderschotel.
A21: Virginia Parlor, 1758-87
Object type: miniature room
Date: 1940 – 1940
Location: united states
Artist: narcissa niblack thorne
Virgin and Child
Object type: statuette
Date: 1567 – 1600
Materials: ivory
Subjects: madonna and child

The Madonna with a crown over her flowing hair stands on a crescent moon, the symbol of her immaculate conception in Revelations. The sculpture melds late Gothic, Renaissance, and Mannerist elements in a tender portrayal of the bond between mother and child.
Corry Goelst, Wilhelmina van Zijll de Jong en Henriëtte Wassink op een terras in Scheveningen
Object type: album leaf
Date: 1932 – 1932
Materials: paper
Techniques: gelatin silver print
Location: scheveningen
Artist: Anonymous
Subjects: batavia, the hague, henriëtte wassink, wilhelmina van zijll de jong, historical persons - bb - woman, pavement, terrace in front of inn or restaurant
Inscriptions: inscription: ‘Scheveningen’
De Danaïden
Object type: drawing
Date: 1644 – 1689
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: ciro ferri
Artist role: draughtsman, print maker
Artist dates: 1634 – 1689
Subjects: (story of) the danaids
Portret van een vrouw met parasol op een stoel in Nederlands-Indië
Object type: photograph
Date: 1890 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: park, trees, historical persons, forest, wood, parasol, sunshade, dutch east indies, the
View of Hill Town with Cathedral
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: Anonymous
Artist nationality: flemish
Artist dates: 1600 – 1699