deem-data/ArtiFact huggingface dataset:
Design for 4 seat Phaeton, no top, no. 3715
Object type: drawing
Date: 1881 – 1881
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cameracum, vulgo Cambray
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), fortified city, maps of cities
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Plattegrond van Kamerijk met gebouwen in vogelvluchtperspectief. Boven, in het midden, de titelcartouche. Linksboven het wapen van het Kamerijk. Rechtsonder een kader met legenda a-t. Met Nederlandse tekst op verso.
Hollandiae pars meridionalior, vulgo Zuyd-Holland
Object type: map
Date: 1680 – 1690
Materials: paper, watercolor
Techniques: engraving, hand coloring
Location: amsterdam
Artist: nicolaes visscher (i)
Artist role: print maker, publisher
Artist dates: 1618 – 1679
Subjects: maps of separate countries or regions

Kaart van omgeving van de Biesbos in Zuid-Holland. Linksonder een cartouche met de titel en drie putti met gekroond wapenschild van Holland. Daarvoor water met man en vrouw erin wadend en ernaast zittende vrouw en man met kruik waaruit water stroomt. Op de voorgrond een steen met de schaal in Hollandse en Franse mijlen met twee putti die een duimstok vasthouden (1:170.000).
Collar
Object type: collar
Date: 1890 – 1890
Materials: linen
Culture: italian
Les plat-fonds ou les tableaux des galeries / De plafonds of gallerystukken
Object type: print
Date: 1721 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ambrose, bishop of milan; possible attributes: beehive, cradle with baby, three-knotted scourge
Inscriptions: collector's mark: Lugt 240

Bisschop Ambrosius; onder de octagonale voorstelling een vers.
Oeuvre de P.P. Rubens
Object type: photograph
Date: 1853 – 1858
Materials: photographic support
Techniques: albumen print
Location: brussels
Subjects: christ is nailed to the erected cross
Inscriptions: number: ‘Vol. 1er. No 28.’
Butter dish with cover and tray
Object type: butter dish with cover
Date: 1765 – 1765
Materials: hard paste porcelain
Subjects: flowers
Gedenkpenning aan de schutterij van Haarlem, vereerd voor de diensten bewezen gedurende den doortocht van Prins W.C.H. Friso aldaar
Object type: history medal
Date: 1747 – 1747
Materials: silver
Artist: gerrit marshoorn
Artist role: medailleur

Zilveren penning. Voorzijde: naar links gewend borstbeeld van de Prins, in harnas en met een ordelint versierd. Omschrift: W C H F(riso) PR(ins) VAN ORANJE EN NASSAU. Onderaan: G(errit) MARSHOORN. Keerzijde: gekroond wapen van Haarlem met daaronder het opschrift: VOOR HAARLEMS/ BURGERY DIE/ FRIZO VRY EN/ BLY STADHOUDER/ VAN ONS LAND/ ONTFING MET HART/ EN HAND/ P.M./ 17 5-12 47.
Glass cinerary urn
Object type: urn with two handle
Date: 34 – 200
Materials: glass
Culture: roman

Translucent blue green; handles in same color. Everted rim, folded down, round, up, and in, forming a solid, vertical collar and upward-projecting lip; flaring mouth; short, concave neck; large, piriform body; splayed hollow foot; concave bottom; two vertical, omega-shaped handles, attached on opposite sides of upper body, each made of a thick trail, applied as a large circular pad, drawn across body from left to right, and trailed off back along top of handle. Intact; pinprick bubbles and bands of horizontal scratches on exterior of mouth and upper part of body; dulling, patches of thick creamy brown weathering, and iridescence on exterior, and brilliant iridescent weathering and soil encrustation on interior. For holding ashes of the dead.
Tartariae sive Magni Chami Regni typus
Object type: print
Date: 1570 – 1570
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche, leaning figure

Ovale cartouche met bovenaan een liggende naakte man en vrouw en twee vogels. De cartouche is een fragment van een kaart van Tartarije. De prent maakt deel uit van een album.
Flintlock Fowling Gun with Miquelet Lock
Object type: arm
Date: 1750 – 1750
Materials: brass, gold, horn, iron, silver, steel, velvet, wood
Location: madrid
Artist: augustin hortiz
Dish
Object type: platter
Date: 1700 – 1720
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

Until the late 17th century all porcelain ware had blue decorations, which were painted directly onto the unfired porcelain. This dish, however, also has other colours, applied with enamel: molten glass paste fused with the porcelain during firing. The blue of the dish’s border was applied in powder form, giving it a dappled, somewhat uneven appearance (an effect known as ‘powder blue’).
Gesp
Object type: jewellery
Date: 1902 – 1903
Materials: silver
Location: birmingham
Artist: archibald knox
Artist role: goldsmith, painter
Artist dates: 1864 – 1933
Inscriptions: maker's mark: ‘L&Co’, town mark: ‘anker’, date letter: ‘C’, alloy mark: ‘lopende leeuw naar links’, mark: ‘CYMRIC in rechthoek’, mark: ‘8’

Gesp van zilver. De gesp heeft een eenvoudige, abstracte, symmetrische vorm. In het zilver zit een hamerslagstructuur.
Copper Poncho Ornament
Object type: ornament
Date: 1101 – 1500
Materials: copper
Culture: chimú
Location: peru
Aan dek
Object type: photograph
Date: 1940 – 1943
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, sailor, netherlands

Twee Duitse matrozen zittend op het dek van een schip. Onderdeel van het fotoalbum over de Kriegsmarine 1940-1943.
Bivak op open vlakte
Object type: photograph
Date: 1903 – 1913
Materials: photographic support
Techniques: gelatin silver print
Location: north sumatra
Artist: Anonymous
Subjects: arnhem, albertus dominicus laman trip, building activities, traffic by road or path with motor-vehicle, landscapes in tropical and sub-tropical regions, road, path, hut, cabin, lodge

Na de expedities naar de Gajo- en Alaslanden o.l.v. Van Daalen (eerste tocht in 1901), werd hij in 1903 belast met voorbereiding van permanente vestiging van Nederlands gezag. Aanleg van een weg van de Noordkust naar het binnenland was hierbij van groot belang. Deze zgn. Gajoweg werd aangelegd tussen 1903 en 1914, van Bireuen aan de kust naar Takinguen aan het bergmeer Danau Lauttawar, totale lengte 104 km.
De sirocco waait
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: winds, king, political caricatures and satires, italy
Inscriptions: collector's mark: Lugt 2228

Spotprent op de Italiaanse verliezen in de slag bij Adowa op 1 maart 1896 tijdens de oorlog met Ethiopië (Abessinië). In het midden verliest de Italiaanse koning Umberto I bijna zijn kroon in de wind, rechts ligt verslagen op de grond de Italiaanse premier Franceso Crispi. Links in de wolken de zegevierende Ethiopische Negus. Verschenen in het bijvoegsel van 'De Kroniek' van 15 maart 1896.
Trade Card for Syers & Treble, Carvers, Gilders, and Printsellers
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
De Wonderbare Spijziging (linkerdeel)
Object type: print
Date: 1535 – 1601
Materials: paper
Techniques: engraving
Location: italy
Subjects: city-view, and landscape with man-made constructions, river, multiplication of loaves and fishes for a multitude of four or five thousand people (matthew 14:13-21, 15:32-39; mark 6:32-44, 8:1-10; luke 9:10-17; john 6:1-14)
Inscriptions: collector's mark: Lugt 240

Christus vermenigvuldigt de broden en de vissen, te midden van zijn discipelen en toeschouwers. Op de achtergrond een landschap met een rivier en huizen.
Portret van Thomas Sydenham
Object type: book illustration
Date: 1805 – 1811
Materials: paper
Techniques: etching
Location: france
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228

Prent uit: Landon, Charles Paul. Galerie historique des hommes les plus celebres de tous les nations. (...). Parijs: Musée et l'école des beaux-arts, 1805-1811.
The Annunciation
Object type: print
Date: 1501 – 1533
Techniques: etching
Artist: parmigianino (girolamo francesco maria mazzola)
Artist role: artist
Artist nationality: italian
Artist dates: 1503 – 1540
Subjects: birds,virgin mary,annunciation
Zes reproducties van schilderijen van Jacob Maris, Willem Maris, Hendrik Willem Mesdag, Jozef Israëls, Bernard Blommers en Anton Mauve
Object type: reproduction
Date: 1905 – 1906
Materials: cardboard, paper
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: picture, painting
Inscriptions: inscription: ‘Serie 19.’

Dergelijke prenten stonden bekend als 'zwartjes'. Men verkreeg ze bij aanschaf van bepaalde merken thee, cacao, sigaretten, beschuit, etc. om te verzamelen. Er waren speciaal voor de 'zwartjes' vervaardigde verzamelalbums in omloop.
Man, mogelijk in een werkplaats
Object type: drawing
Date: 1887 – 1891
Materials: chalk, paper
Location: gelderland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: factory-interior, machine shop (+ labourers ~ crafts, industries, agriculture)
Cushion Cover
Object type: textile
Date: 1601 – 1700
Location: turkey
Gezicht op een hooggelegen Italiaanse of Spaanse stad
Object type: drawing
Date: 1814 – 1868
Materials: paper, pencil
Artist: adrien dauzats
Artist role: draughtsman, print maker
Artist dates: 1804 – 1868
Subjects: city-view in general; 'veduta'
Inscriptions: signature: ‘Dauzats’

Gezicht op een hooggelegen Italiaanse of Spaanse stad met een groot paleisachtig gebouw in de nabijheid van een kerk.
Generaal Narses
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: male persons from classical history
Inscriptions: inscription: ‘115’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 145v.
Mirror Case with Filled Diagonal Lattice and Swastikas (Wan)
Object type: mirror case
Date: 1644 – 1911
Materials: textile, silk
Techniques: embroidery
Culture: chinese
Romeinse triomfboog in Orange, 1639
Object type: print
Date: 1637 – 1640
Materials: paper
Techniques: engraving, letterpress printing
Location: france
Artist: jean beuf
Artist role: print maker
Subjects: triumphal arch

Gebruikt als illustratie in: Joseph de la Pisé, Tableau de l'histoire des princes et principauté d'Orange, Den Haag, 1639-1640, p. 27.
Kaart van de Zeventien Provinciën
Object type: print
Date: 1560 – 1565
Materials: paper
Techniques: engraving
Location: venice
Artist: stefano scolari
Artist role: print maker, printer, publisher
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, low countries
Inscriptions: collector's mark: Lugt 195

Rechtsboven titelcartouche met daaromheen de wapens van de Zeventien Provinciën. Linksonder twee schaalstokken: Scala di 60 Mla Italiatti, Leghe 20 de Franc. Gradenverdeling langs de randen.
Hair Ornament [or Plait Ornament]
Object type: ornament
Date: 1801 – 1900
Materials: coral, glass, gold, silk
Location: uzbekistan

Among the many beautiful adornments worn by Uzbek women were jewels to adorn their hair. This ornament would have attached to a woman’s plait, or braid and embellished her long tresses. A variety of materials make up this object including silk, gilt-silver pendants, coral, turquoise, and pieces of green glass. These individual components were not all locally sourced and illustrate the strategic location of Uzbekistan along the silk road. The regions of Bukhara, Khiva, Samarkand, and Kokand were important centers for the trade of jewels, textiles, and other luxury goods.
Madonna
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Inscriptions: Signed and dated recto, lower right, in graphite: "E. Munch 1895 [?]"
Hoofd van Christus
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: landscape with tower or castle, crown of thorns ~ instruments of the passion, eyes closed, 'portraits' of christ
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Christus met doornenkroon en gesloten ogen. Links op de achtergrond gebouwen met torens.
Gezicht op een lijst met een portret van een onbekende vrouw
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: adult woman, frame of painting, etc.
Journal des Luxus und der Moden, 1797, T 2
Object type: fashion print
Date: 1797 – 1797
Materials: paper
Techniques: etching, hand coloring
Location: weimar
Subjects: ear-rings (+ women's clothes), head-gear (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)
Inscriptions: date

Staande vrouw gekleed in een japon met lange mouwen, hoge taille en sleepje. Accessoires: hoed met veren, oorbel in het rechteroor, fichu, handschoen, waaier. Links een detail van de achterzijde van de japon. Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Jug
Object type: jug
Date: 1882 – 1886
Materials: stoneware
Artist: haviland & co.
Artist role: manufactory
Artist nationality: american and french
Artist dates: 1864 – 1931
Subjects: flowers

Determined that pottery vessels should be regarded as true works of art, avant-garde ceramicists in France in the last decades of the nineteenth century transformed their craft into an intellectual and emotional endeavor. The pioneers of this revival were Jean Carriès, Ernest Chaplet, Théodore Deck, and Auguste Delaherche. These revolutionary artist-potters embraced artisanal traditions while pursuing lost techniques through exhaustive experimentation. Reacting to what they viewed as an excessive and improper use of ornament, they celebrated the simplicity and sincerity of their medium, following the tenets of the Art Nouveau style taking place in Europe. Based on the principles of the British Arts and Crafts movement, Art Nouveau artists sought to reform the decorative arts by emphasizing uniqueness and a return to craftsmanship. Artist-potters found inspiration in Asian ceramics, particularly Japanese stoneware (a hard, dense type of pottery), which was shown in 1878 at the Exposition Universelle in Paris, as well as in the forms, glazes, and techniques of Chinese porcelain and pottery. They also looked to European traditions such as the rustic salt-glazed stoneware of the sixteenth and seventeenth centuries and Gothic sculpture and architecture. In the process they created works of ceramic art that were entirely modern and new.
Carraglia. Charles. 39 ans, né à Moceto (It). Homme de lettres. Anar, infraction à la loi du 21/6/73. 13/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Tile
Object type: tile
Date: 1640 – 1660
Materials: earthenware
Techniques: glazing
Subjects: men,dogs,ships
Windowsill with Bottles, a Glass Globe and an Apple
Object type: watercolor
Date: 1892 – 1892
Materials: paint, paper, watercolor
Techniques: brush
Artist: menso kamerlingh onnes
Artist role: painter
Artist dates: 1860 – 1925
Subjects: fruits: apple, still life of related objects, container of glass: bottle, jar, vase
Inscriptions: signature: ‘M. Kamerlingh Onnes’
Fragment
Object type: textile
Date: 1601 – 1800
Materials: silk
Techniques: brocade, weave
Location: china
Figured flask
Object type: flask
Date: 1830 – 1840
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Artist: keene glass works
Artist role: maker
Artist nationality: american
Artist dates: 1815 – 1815
Subjects: horses,carts
Leaving the Bath
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: aquatint, drypoint
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Stapel dekens
Object type: blanket
Date: 1750 – 1800
Materials: linen, wool
Techniques: napping
Location: netherlands
Artist: Anonymous

Een stapel van drie opgevouwen en samengebonden wollen dekens (?) gebundeld met linnen band.
Liggend dier, mogelijk een leeuw
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: animals

Blad 18 recto uit een schetsboek met 26 bladen.
Sitting Dog
Object type: drawing
Date: 1775 – 1795
Materials: ink, paper
Techniques: brush, pen
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Subjects: dog

This drawing was probably used for a decoration in the villa of the Tiepolo family itself. The dog was copied from a study previously used by
Domenico's father Giambattista Tiepolo for a fresco in Würzburg. The artist signed this relatively small, but elaborate drawing in full. This indicates that Domenico also intended to sell his design as an independent work of art.
Vrouw met een spinnewiel in een interieur te Schleithal
Object type: photograph
Date: 1855 – 1865
Materials: photographic support
Techniques: albumen print
Location: schleithal
Subjects: spinning-wheel, interior ~ representation of a building, spinning (manufacture of yarn)
Inscriptions: number: ‘No. 51.’, number: ‘9’, inscription: ‘France. Alsace. Departement du Bas-Rhin.- Commune de Schleithal’
Figuurstudies en een wagen
Object type: endleaf
Date: 1880 – 1882
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: head (human), adult man, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, eyes
Inscriptions: annotation: ‘[...]’, workshop stamp: Lugt 291d

Schutblad B verso, vrij schutblad, uit een schetsboek met 16 bladen.
A peasant in a high cap, standing leaning on a stick
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the ages of man (+ old male (human being))
Inscriptions: inscription: ‘Coppier’, signature and date: ‘Rembrandt f. 1639’
Opgezette ransuil
Object type: photograph
Date: 1871 – 1876
Materials: paper, photographic support
Techniques: albumen print
Artist: william notman
Artist role: fotograaf
Artist dates: 1826 – 1891
Subjects: collection of animals, owls
Inscriptions: inscription: ‘Copy Right Secured for Canada & U.States’, number: ‘PLATE XXII’
Livre Curieux
Object type: costume print
Date: 1662 – 1662
Materials: paper
Techniques: etching
Location: paris
Subjects: straatsburg (frankrijk)
Inscriptions: collector's mark: Lugt 240

Kopie naar prent die deel uitmaakt van de 50-delige serie met Europese klederdrachten, getiteld "Aula Veneris".. De prent maakt deel uit van de 28-delige serie (excl. titelprent) met voorstellingen van vrouwen in verschillende klederdrachten, getiteld "Livre curieux contenant la naifue representations des habits des femmes des diverses parties du Monde (...), 1662".
Feathered panel
Object type: panel
Date: 650 – 1000
Materials: animal fiber, cotton, feather, fiber
Culture: wari
Location: peru
Artist: wari artist(s)
Artist role: artist
Kennisgeving van het overlijden van Willem III, koning der Nederlanden, op 23 november 1890
Object type: text sheet
Date: 1890 – 1890
Materials: paper
Techniques: letterpress printing
Location: the hague
Subjects: brussels, willem iii (koning der nederlanden)
Inscriptions: date

Kennisgeving van het overlijden van Willem III in Paleis Noordeinde te Den Haag op 23 november 1890.
Portret van een vrouw met pijpenkrullen
Object type: album leaf
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: hamburg
Artist: a. siegmund
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Photographisches Atelier/ von A. Siegmund/ 16, Bazar, 16/ Hamburg’