deem-data/ArtiFact huggingface dataset:
Portretschets van twee onbekenden
Object type: cartoon
Date: 1875 – 1895
Materials: ink, paper, pencil
Techniques: pen
Location: netherlands
Artist: johan michaël schmidt crans
Artist role: draughtsman, print maker
Artist dates: 1830 – 1907
Subjects: political caricatures and satires, historical persons not known by name, netherlands

Schetsblad met een van twee onbekende mannen, waarschijnlijk kamerleden. Voorstudie voor politieke spotprent.
Interieur van de Sint-Vincentiuskerk te Velp
Object type: photograph
Date: 1911 – 1911
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: velp
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church
Inscriptions: annotation: ‘Velp (N.B.) R.K. Kerk dec 1911’
Portret van de gebroeders Coligny
Object type: print
Date: 1579 – 1612
Materials: paper
Techniques: engraving
Subjects: politician, gaspard de coligny (ii), coat (+ fur used for clothes), coat (+ men's clothes), shoes, sandals (+ men's clothes), clothes, costume (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes), gloves, mittens, etc. (+ men's clothes), stockings, socks (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

De gebroeders Coligny, van links naar rechts: Odet, kardinaal van Châtillon, Gaspard, admiraal van Frankrijk en François, generaal der infanterie. Ze zijn in de volledige Spaanse dracht gekleed. In de marge een tweeregelig onderschrift in het Duits.
Terracotta fragment from a kantharos: head vase? or rhyton?
Object type: kantharos fragment head vase or rhyton fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Bearded man to left, reclining on drapery, playing the aulos
Regtspleging van Oldenbarnevelt
Object type: manuscript
Date: 1710 – 1720
Materials: paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan van oldenbarnevelt

Spotprent van Goossen Schaffer, rechter van Van Oldenbarnevelt; eekhoorn bijtend in oranje-appel. Op linkerschouder wapen. In krans van bloemen en bladeren, daaronder cartouche met naam en nummer 25. Behorende bij serie aquarellen in boek.
Relief Frieze
Object type: relief frieze
Date: 501 – 600
Techniques: polychromy
Culture: coptic
Location: egypt
Subjects: animals

A lion and leopard sprint toward the center of this wood lintel, while other animals sit peacefully. Peacocks of paradise guard a gemmed cross between billowing curtains, draped and held behind two columns. A continuous, decorative stem of vines, flowers, and bunches of grapes encircle the animals in six medallions, creating a motif known as rinceau. The original bright blues, pinks, and greens would have enlivened the decoration of the lintel. The artist merged classical motifs that would typically represent prosperity with Christian themes, possibly illustrating a biblical passage (Isaiah 11:6). During the Late Antique period, Christians aspired to a good life.
Minerva richt een obelisk op
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving
Artist: lambert visscher
Artist role: draughtsman, print maker
Artist dates: 1640 – 1679
Subjects: flowers, obelisk, needle, (story of) minerva (pallas, athena), fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Minerva richt een obelisk op terwijl de Stedenmaagd van Paderborn helpt om een guilande te plaatsen. Fama blaast op haar loftrompet.
Chute
Object type: chute
Date: 1701 – 1725
Materials: gilt bronze
Subjects: garlands,sun,flowers
Kohl Stick
Object type: kohl stick
Date: 1492 – 1473
Materials: wood
Location: egypt

The ancient Egyptians used several powdered minerals as eye make-up. These powders, generally referred to as kohl, were stored in small kohl jars of stone (36.3.62), wood (26.7.1447), glazed steatite (1989.281.101), faience (26.7.910), and glass (91.1.1351). The powder was usually applied using a long, tapering stick like this one which was found in the tomb of Hatnefer (36.3.1)
Bass Ophicleide
Object type: bass ophicleide
Date: 1825 – 1825
Materials: brass
Culture: french or german
Location: germany
Portret van een onbekende jonge vrouw
Object type: carte de visite
Date: 1884 – 1913
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed, the hague
Inscriptions: inscription: ‘Adolphe/ Riemerstraat No. 21. La Haye.’, inscription: ‘Adolphe Zimmermans/ Photographe./ Riemerstraat No.21/ La Haye.’
Portret van een man met bakkebaarden, een strikje en een jas
Object type: carte de visite
Date: 1877 – 1877
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: groningen
Artist: friedrich julius von kolkow
Artist role: fotograaf
Artist dates: 1839 – 1914
Subjects: sideburns, historical persons, neck-gear ~ clothing, clothing for the upper part of the body, hairdress
Inscriptions: address: ‘Groningen’, inscription: ‘1877’

Onderdeel van Fotoalbum van een Nederlandse familie met 168 cartes-de-visite en kabinetfoto's.
Herd of Swine Coming Out of a Wood
Object type: print
Date: 1849 – 1849
Materials: chine, paper
Techniques: drypoint, etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Portret van Girolamo Savonarola
Object type: book illustration
Date: 1549 – 1572
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: priest, politician, historical persons, politician, e.g. party leader

Prent is gebruikt in: Rabus, Ludovicus. Historien der Martyrer (...). Straatsburg: Josias Rihel, 1572.
Bowl with Repeating Inscription, "Oh, Abundant!"
Object type: bowl
Date: 867 – 900
Materials: earthenware, glaze
Location: iran

The tadpole-like design in the center is sometimes doubled, resembling a yang-yin motif. Seldom does a bowl of such high quality have a repeating inscription. Although the decipherment is uncertain it may exclaim: "O abundant!" (lit., "O Milk-filled!").
Horse and Rider
Object type: metalwork
Date: 1630 – 1630
Materials: silver, silver gilt
Techniques: gilding, carved
Location: ulm
Artist: hans ludwig kienle
Subjects: men, horses, warriors, nudity
Inscriptions: Marks: signed and dated 'Hanns Ludovickh.Kienle.f.Vlmae, 1630'; hallmarked on edge of the base and on the bezel beneath the horse's head for Ulm and maker's mark; also marked on base with French post-1893 import mark

This extraordinary sculptural group, which consists of a male nude astride a rearing horse, is a rare example of the work of Hans Ludwig Kienle, a German silversmith who specialized in depicting animals. Conceived as a drinking cup, this work was destined for display on a buffet or sideboard. Kienle’s work belongs to a larger body of German Renaissance and Baroque sideboard silver that includes cups in the form of three-dimensional horses, lions, stags, and other animals. Horse-and-rider figural groups have their roots in earlier Greek and Roman sculpture. Renaissance princes often had themselves depicted in monumental form, wearing Classical dress or contemporary armor and sitting atop prancing or rearing steeds. That Kienle based this silver cup on an earlier sculptural model is suggested by the existence of a bronze group of virtually identical subject, composition, and scale, made in northern Italy during the second half of the sixteenth century. Kienle masterfully rendered the differentiation of human and equine musculature through the contrast of silver and silver-gilt surfaces, thus animating the already dynamic subject.
Tripod bowl
Object type: bowl
Date: 2000 – 1600
Materials: ceramic
Culture: iranian
Location: iran, luristan

This cylindrical bowl has a rounded bottom and an outturned rim, and sits on three legs. It is made of buff clay, with painted black geometric decorations. It was found in a grave at Kamterlan II, a mound in Luristan in the Zagros Mountains of western Iran. Although it had been a settlement in the late third millennium B.C., by the second millennium the site had become a cemetery. It is difficult to say what purpose this bowl served, or even to determine whether it was a special funerary item or an object of everyday use. It is often thought that the inhabitants of Luristan in this period were pastoral nomads, who moved with their herds from the high valleys of the Zagros during the summer to lowland pastures in the winter. This theory arises from the dearth of evidence for settlements, and the occurrence of isolated cemetery sites. At the same time, the infrastructure necessary for bronze working, an important industry in Luristan, suggests that some sedentary settlements must have existed. In all likelihood these settlements were not located on mounds, but at lower elevations near water sources where agriculture could be practiced. This is probably the case with Kamterlan II, where an earlier settlement was replaced around 2000 B.C. by another, lower one, and the site at the top of the mound subsequently became a cemetery.
View of the Palazzo di Montecitorio, from Views of Rome
Object type: print
Date: 1750 – 1759
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Cover
Object type: textile
Date: 1875 – 1900
Materials: lace, linen
Techniques: lace, cutting, drawing, embroidery, weave, stitching
Location: italy
Terracotta fragment of an amphora (jar)?
Object type: amphora fragment
Date: 625 – 601
Materials: terracotta
Culture: etruscan, etrusco-corinthian

At the top, guilloché; below, tail, hindquarters, and belly of a dog running to right; at the bottom, guilloché
Seated Young Woman
Object type: drawing
Date: 1567 – 1633
Materials: gouache
Artist: adam elsheimer
Artist role: artist
Artist nationality: german
Artist dates: 1578 – 1610
Subjects: women

Seated alone in deep shadow, this partially draped young woman might be Bathsheba, whom King David spied upon and seduced, or Susanna, who was caught bathing in her garden by two lascivious church elders. Diminutive here, she appears enormously vulnerable. Adam Elsheimer was the most singular and influential German artist to follow Dürer. It was especially the poetic atmosphere and the meticulous, miniature-like execution, as one can see in this very fine gouache, that were much admired by the next generation of artists, among which were Peter Paul Rubens and Rembrandt.
Intérieur van de Kapel in 't Zand. Roermond
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: roermond
Artist: Anonymous
Subjects: parts of church interior: nave, interior of church
Writing table
Object type: table
Date: 1745 – 1745
Materials: bronze, wood, leather
Techniques: gilding
Location: paris
Artist: jacques dubois
Artist role: furniture worker
Artist dates:  – 1773
Subjects: rocaille ornament
Inscriptions: stamp: ‘GENIE’, inscription: ‘Reggenerirt durch Georg Noll Tischlergesell aus Laumersheim in Mainz’

A table of this format –with a single row of drawers and a leather writing surface –was the preferred writing desk for a gentleman in 18th-century Paris. Its curving form and fanciful mounts are typical of the Rococo style.
Ruïnelandschap met landhuis
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: etching
Artist: ferdinand kobell
Artist role: artist, painter, print maker
Artist dates: 1740 – 1799
Subjects: rural housing, e.g. country-house, villa, cottage, landscape with ruins
Inscriptions: collector's mark: Lugt 2228
Portret van Johann Adam von Ickstatt
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: etching
Location: augsburg
Artist: johann jacob haid
Artist role: print maker, publisher
Artist dates: 1704 – 1767
Subjects: bookshelves, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent gebruikt voor: Brucker, Jacob. Bildersal heutiges Tages lebender und durch Gelahrheit berühmter Schrifftsteller. Augsburg: Johann Jacob Haid, 1741.
Plate 2, from "Livre Nouveau de Prinsipes D'Ornemens, tres facil. Pour apprendre a Dessigner"
Object type: print
Date: 1715 – 1725
Techniques: engraving
Artist: nicolas guérard
Artist role: artist and publisher
Artist nationality: french
Artist dates: 1648 – 1719

Plate 2 of the series 'Livre Nouveau de Prinsipes d'Ornemens', consisting of a title page and seven plates of rudimentary ornament designs to instruct (young) artists in how to design and delineate ornaments. This plate consists of four square panels and two friezes with individual motifs made up out of C-volutes, simple rocaille ornament, palmettes, and acanthus scrolls.
La belle Fortunata (Rome)
Object type: print
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adolescent, young woman, maiden, folk costume, regional costume, europeans (with name), rome
Inscriptions: collector's mark: Lugt 2228a
Bacchanalian Group with Children Drinking
Object type: drawing
Date: 1613 – 1678
Materials: ink
Techniques: brush, pen, wash
Artist: giulio carpioni
Artist role: artist
Artist nationality: italian
Artist dates: 1613 – 1678
Subjects: men,female nudes
Groep huizen en bomen bij Hooghalen
Object type: drawing
Date: 1892 – 1892
Materials: chalk, paper
Location: hooghalen
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: farm or solitary house in landscape
Inscriptions: date
Returning home
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: arrival and return ~ travelling
Inscriptions: inscription: ‘Registered.’
Standing Shield
Object type: standing shield
Date: 1301 – 1333
Materials: foil, gesso, iron, leather, silver, wood
Techniques: polychromy
Culture: german
Location: germany

Shields of this exceptionally large size and weight (49 lb. [22 kg]) were propped on the ground to form a wall that protected archers and infantrymen. This example is decorated with the coat of arms of the city of Erfurt––a silver wheel on a red ground––and was probably made before 1324, when the city's coat of arms changed.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, part of handle palmette
Beachwear
Object type: beachwear
Date: 1895 – 1899
Materials: cotton
Culture: american
Kermisprent van de Amsterdamse askarrenmannen voor het jaar 1867
Object type: fair print
Date: 1867 – 1867
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: garbage collection

Kermisprent namens de askarrenmannen (karrenman of vuilnisman) te Amsterdam, september 1867. Namens J. Dalgreen, de askarreman van wijk no. 17. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Vues remarquables des montagnes de la Suisse
Object type: print
Date: 1763 – 1785
Materials: paper
Techniques: etching
Subjects: mountains
Inscriptions: inscription: ‘R. Hentzi liber Civis Bernensis’, inscription: ‘chalco-graphig Hentziana’, inscription: ‘Si totus illabatur orbis impavidum ferient ruinae Gustavo III audaci suecorum regi impavido hanc Vallis Hasleyanae delineatorum humillime D.D.D.’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een berglandschap in Zwitserland. Tussen twee rotsen een pad met een man en een vrouw. Onder de voorstelling tekst en een wapenschild.
Femme de qualité en Stenkerke et falbala
Object type: costume print
Date: 1694 – 1694
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: styles of hairdress (with name) - aa - ~ women, neck-gear ~ clothing (stenkerke) (+ women's clothes), fashion plates, clothes, costume (+ women's clothes), dress, gown (+ women's clothes), head-gear: fontange (+ women's clothes), dress, gown: manteau (+ women's clothes), painting of body or face
Inscriptions: collector's mark: Lugt 2228, title: ‘Femme de qualité en Stenkerke et falbala’, date:, signature: ‘P. Schenk fec.’

Staande vrouw met in de hand een waaier. Zij is gekleed volgens de mode van eind 17de eeuw en draagt een fontange kapsel. De sjaal (cravat) is à la Stenkerke vastgemaakt.
Collar
Object type: collar
Date: 1830 – 1839
Materials: linen
Culture: american
Design for T-Cart, no. 3031
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fragment of the Upper Edge of Siptah's Canopic Chest
Object type: canopic box, siptah, lip fragment
Date: 1194 – 1188
Materials: paint, stone
Location: egypt
Tikky
Object type: drawing
Date: 1920 – 1920
Materials: chalk, paper
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: dog (doberman)
Inscriptions: collector's mark: Lugt 2228
Bust of a Roman emperor, probably Emperor Domitian (r. 81–96 A.D)
Object type: cameo medallion
Date: 1701 – 1800
Materials: jasper
Artist: josiah wedgwood
Artist role: factory
Artist nationality: british
Artist dates: 1730 – 1795
Subjects: kings,profiles

The subject is intended to be a likeness of T. Flavius Domitianus Augustus (b.. A.D. 52, emperor 81–96) but cannot be certainly a likeness since the portraits of the emperors of this period are all very similar in appearance.
Plein met mannen en vrouwen die prenten en aanplakbiljetten bekijken
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: etching, hand coloring
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: print, e.g.: engraving, etching, lithograph
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780
General View of Castle Ruins and of The Village of Saint-Necataire
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: printmaking, lithograph
Artist: eugène isabey
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1886
Subjects: ruins,villages

This is from the series of prints Eugène Isabey made for the 'Auvergne' chapter of the book 'Voyages pittoresques et romantiques dans l'ancienne France'.
Staande vrouw, op de rug gezien
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Subjects: standing figure - aa - female human figure (+ back view)

Pagina 20 uit een schetsboek met 30 bladen.
Fragment of a Coat
Object type: fragment of a coat
Date: 1301 – 1333
Materials: silk
Techniques: weave
Location: egypt
Subjects: arabic

The repeated Arabic inscription in thuluth script is translated as "Glory to our master the Sultan al‑Malik al‑Mu’ayyad." This probably refers to the Rasulid sultan al-Mu'ayyad Da'ud ibn Yusuf (r. 1297–1321), indicating that this is one of the many objects manufactured in Egypt for the Yemeni sultans, either as diplomatic gifts or special commissions. Several other fragments of this textile survive, and their shapes suggest that they once formed a coat.
Aeneas Going to Battle
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: etching
Artist: gerard de lairesse
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1711
Subjects: (story of) aeneas
Inscriptions: collector's mark: Lugt 240

De Lairesse’s subject matter was frequently highly idiosyncratic. This time he chose a rarely portrayed scene in the Aeneid, Vergil’s epic poem about the Trojan Aeneas. The goddess Venus, Aeneas’ mother, enjoins her son from a cloud to wage war against the Greeks. Desperate, his wife Creusa and son Ascanius, try to stop him. To no avail, naturally.
Willem slaapt in een landschap bij nacht
Object type: drawing
Materials: paint, ink, paper
Techniques: brush, pen
Artist: anny leusink
Artist role: draughtsman
Subjects: trees, going to sleep - bb - out of doors, darkness
Inscriptions: collector's mark: Lugt 2228, monogram:, :, annotation: ‘blz 158. Wat was hij doodvermoeid!’

Ontwerp voor: Ulehake, L.A.B. Terechtgekomen. Amsterdam: Veen, 1926.
Cherry Blossom Viewing (Shunchaku hana no shizuku)
Object type: print
Date: 1833 – 1833
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Cap crown
Object type: cap crown
Date: 1801 – 1900
Techniques: crochet
Dame op schommel
Object type: costume print
Date: 1680 – 1680
Materials: paper
Location: amsterdam
Subjects: fashion plates
Inscriptions: address: ‘Barent Veldhuysen Excudit.’, caption: ‘Ick zit hier op een Schop heel lugtig in het groen / Ey juffers staat wat stil en let hier op myn doen / Ick wandel door de lugt heel liugtig sonder voeten / De lugt is myn vermaak de lugt mijn lust kan boeten.’
Textile fragment
Object type: fragment
Date: 1700 – 1899
Materials: linen
Subjects: birds
Portret van Armand Carrel
Object type: print
Date: 1820 – 1900
Materials: paper
Techniques: engraving, etching, roulette
Artist: ferdinand lehman
Artist role: print maker
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Schepen voor een rotsachtige kust
Object type: drawing
Date: 1641 – 1708
Materials: chalk, graphite, ink, paper
Techniques: brush, pen
Artist: ludolf bakhuysen
Artist role: draughtsman, print maker
Artist dates: 1631 – 1708
Subjects: sailing-ship, sailing-boat, rocky coast
Initiaal 'I' met twee putti bij het wapen van Lebrun
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: etching
Location: paris
Subjects: initial, cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry

Prent uit: Mignard, Paul. Ode à Mr Lebrun premier peintre du Roy. Parijs: Pierre Le Petit, 1683.