deem-data/ArtiFact huggingface dataset:
The Art of Ingeniously Tormenting
Object type: print
Date: 1808 – 1808
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Chamber candlestick
Object type: chamber candlestick
Date: 1808 – 1809
Materials: silver
Artist: william fountain
Artist role: maker
Artist dates: 1791 – 1821
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Part of the right forearm of a figure to right, with the hand holding horizontal object (spear or reins?)
Mlle. Olga, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Gezicht op het strand van Scheveningen met pakijs
Object type: photograph
Date: 1801 – 1891
Materials: cardboard, paper
Techniques: albumen print
Location: scheveningen
Artist: Anonymous
Subjects: winter landscape; landscape symbolizing winter (the four seasons of the year), beach, drift ice
Inscriptions: number: ‘125’, inscription: ‘Scheveningen Januari 1891’
Een aangemeerde grote stoomboot
Object type: photograph
Date: 1900 – 1915
Materials: paper, photographic support
Techniques: albumen print
Location: jakarta
Artist: johanna hermina marmelstein
Artist dates: 1897 – 1990
Inscriptions: number: ‘r. 171’
Prentbriefkaart aan Andries Bonger
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: antwerp
Subjects: andries bonger, anacapri, sculptor, saar de swart, zeeland, middelburg, amsterdam
Jozef rijdt op een wagen door Egypte
Object type: book illustration
Date: 1705 – 1720
Materials: paper
Techniques: engraving, etching
Subjects: triumph of joseph: dressed in a royal attire he rides in one of pharaoh's chariots, preceded by a herald
Inscriptions: collector's mark: Lugt 2228

Prent oorspronkelijk bedoeld voor: Figures de la Bible. Amsterdam: Bernard Picart, 1720. Prent ook gebruikt in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (...) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (...) en met beschrijvingen uitgebreid. Den Haag: Pieter de Hondt, 1728.
Model Adze
Object type: model adze, hatshepsut, foundation deposit
Date: 1479 – 1458
Materials: bronze, copper alloy, leather, wood
Location: egypt
Gezicht op de Butte
Object type: drawing
Date: 1773 – 1843
Materials: chalk, paper
Artist: georges michel
Artist role: draughtsman
Artist dates: 1763 – 1843
Subjects: outskirts of city (+ city (-scape) with figures, staffage)

Een van 120 tekeningen, afkomstig uit een 19e eeuws album met tekeningen van Georges Michel.
Palazzo Carignano in Turijn
Object type: photograph
Date: 1885 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Inscriptions: caption: ‘3717 Torino Palazzo Carignano’
Sketch of a Fireplace with a Mirror Surrounded by Drapery
Object type: collection ornament architecture
Date: 1785 – 1790
Materials: graphite, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: fireplaces,mirrors

Page with a sketch of a fireplace with a mirror and curtains with fringes and three tassles. Over the hearth is a vase flanked by two candalabras. The sketch was later scribbled over in graphite, though not completely obscured.
De knappe kleermaker
Object type: popular print
Date: 1828 – 1937
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph
Location: neuruppin
Artist: Anonymous
Subjects: tales and fairy tales, tailor, dressmaker
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen uit het verhaal van de knappe kleermaker, die heldendaden verricht en met een prinses trouwt. Onder elke afbeelding een onderschrift. Genummerd linksonder: No. 51.
The Monk and Death
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Fibula, boat-shaped type
Object type: fibula, boat shaped type
Date: 900 – 701
Materials: bronze
Culture: italic

The bow is hollow and open on the underside.
Sleutel bij de prent van het Franse leger op de veroverde lunet van Saint-Laurent, 15 december 1832
Object type: print
Date: 1832 – 1833
Materials: paper
Techniques: etching
Location: paris
Subjects: siege, position war, fortifications, military engineering
Inscriptions: collector's mark: Lugt 2228

Sleutel behorende bij de prent van het Franse leger op de veroverde lunet van Saint-Laurent (Sint Laurens) op 15 december, tijdens het beleg van de Citadel van Antwerpen, november-december 1832. Met een lijst van de afgebeelde personen 1-14 in twee kolommen.
Antony and Cleopatra, Act 1, Scene 2: Charmian–"Good Sir, give me good fortune"
Object type: print
Techniques: engraving, etching
Artist: john hall
Artist role: engraver
Artist nationality: british
Artist dates: 1739 – 1797
Subjects: cleopatra,mark antony,shakespeare,women
Capital decorated with Acanthus Leaves from the Church of Sant' Agnese fuori le mura, from "Speculum Romanae Magnificentiae"
Object type: print ornament architecture
Date: 1514 – 1536
Techniques: engraving
Location: rome
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Subjects: acanthus,vases

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). .Originally volume 3, plate 4 in the scrapbook.
Een dienstmeid bezig een trap voor een huis schoon te maken
Object type: drawing
Date: 1780 – 1836
Materials: chalk, paper
Techniques: brush
Artist: johannes jelgerhuis
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1836
Subjects: cleaning (the house), maid ~ house personnel
Gracie Seavy, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Spoon
Object type: spoon
Date: 1770 – 1800
Materials: silver
Culture: american
Location: united states
Artist: paul revere jr.
Artist role: maker
Artist nationality: american
Artist dates: 1734 – 1818
Maria met kind zittend op een troon tussen Petrus en Johannes de Doper met musicerende engelen en drie vrouwelijke heiligen op de achtergrond
Object type: print
Date: 1480 – 1531
Materials: paper
Techniques: engraving
Location: italy
Artist: girolamo mocetto
Artist role: print maker
Artist dates: 1458 – 1531
Subjects: angels singing, making music, 'sacra conversazione'
Inscriptions: collector's mark: Lugt 240

Maria met kind zittend op een troon tussen Petrus of mannelijke heilige en Johannes de Doper. Drie musicerende engelen zitten op trede van troon. Drie vrouwelijke heiligen staan achter de troon.
Terracotta fragment of a pot
Object type: pot fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Extended left arm of a male with a himation, touching the back of the draped woman to right, whose right shoulder and bent right arm is preserved; the inside has a matte red glaze
Saber (Peidao) with Scabbard
Object type: saber peidao with scabbard
Date: 1767 – 1900
Materials: brass, bronze, gold, leather, silk, silver, steel, wood
Culture: chinese
Location: china
Emma Homan
Object type: painting
Date: 1844 – 1844
Materials: canvas, oil
Culture: american
Artist: john bradley
Artist role: artist
Artist nationality: american
Artist dates: 1790 – 1890
Subjects: girls,portraits,cats,flowers

Bradley may have emigrated from Ireland in 1826. By 1836 he had established himself as a portraitist in New York, where he attracted sitters eager for his marked attention to likeness and detail. For this portrait of two-year-old Emma Homan (1842–1908), Bradley posed her standing next to a potted rosebush and playing with her cat, which scales the plant and extends a paw to bat Emma’s finger.
Woven Fragment
Object type: fragment
Date: 1301 – 1500
Materials: animal fiber, cotton
Culture: peruvian
Location: peru
Portret van Mehmet III, sultan van het Ottomaanse Rijk
Object type: print
Date: 1592 – 1650
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, head-gear: turban, ruler, sovereign
Het slot Valkensteen, aan de Nahe
Object type: print
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river - hh - ideal landscapes
Inscriptions: inscription: ‘Uit Tesselschade 1840’, collector's mark: Lugt 2228

Twee bootjes liggen voor anker in een rivier. Op de oever wandelen mensen. Op de achtergrond de ruïnes van een kasteel en enkele huizen.
Mary, Queen of Scots and Lord Darnley
Object type: print
Date: 1816 – 1816
Techniques: mezzotint
Location: england
Artist: robert dunkarton
Artist role: artist
Artist nationality: british
Artist dates: 1744 – 1744
Subjects: queens,portraits,women,mary queen of scots
Beaker
Object type: glass
Date: 1701 – 1733
Materials: glass
Location: bohemia
Expositie van Belgische levensmiddelen tijdens de wereldtentoonstelling te Antwerpen
Object type: page
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: world fair, world exhibition, industries ~ food, drink, stimulants, collection, exhibition, show
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic
Les vrais pourtraits de quelques unes des plus grandes dames de la chrestiente desguisees en bergeres.
Object type: album leaf
Date: 1640 – 1640
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: initial

Franstalig voorwoord met de aanhef: Aux nymphes de l'Amstel. De tekst vangt aan met een gedecoreerde initiaal I en is ondertekend: C.dP. Het blad maakt deel uit van een album.
Esopus in Europa
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching, letterpress printing
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: spaanse successieoorlog

Een paard tussen mensen in een gebouw, links een boog met uitzicht op een stad (Rome?). Titel staat op apart tekstblad.
Kasteel Nijenrode bij Breukelen
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: castle
Kerst- en nieuwjaarswens voor 1950-1951 van The Arts Council of Great Britain
Object type: christmas card
Date: 1950 – 1950
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: large group of musicians, orchestra, christmas card

Buitenzijde rood met zwarte en witte tekst ('Arts Council Xmas 1950') en binnenin een afbeelding van een orkest met strijkers en blazers, en de tekst: 'With best wishes for Christmas 1950 and the New Year'.
Terracotta fragment of an oinochoe (jug) or olpe (jug)
Object type: oinochoe or olpe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the upper torso of a draped male to left, with arms extended, driving chariot?
Two joined lappets
Object type: lappet
Date: 1751 – 1775
Materials: linen
Techniques: lace
Subjects: butterflies,flowers

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of thirty-eight laces recently given to the Museum by her nieces, Mrs. Donald P. Spence and The Lady Reigate, in memory of her sister, their mother, Mrs. William Redmond Cross. These represent a selection of the finest of Miss Newbold's personal lace collection, a collection probably made at the time she was active in lace circles in New York about the last decade of the nineteenth and early part of the twentieth century, under the guidance of Marian Hague, a distinguished connoisseur and collector herself. This period witnessed the last peak of appreciation of and connoisseurship in an art form that had been in tremendous vogue from its beginnings in the fifteenth century. And it was the last period in which fine laces were available in any number. Among choice examples of the great lace types represented in Miss Newbold's small collection are: early Italian pieces combining cut-work, pulled work, reticella, embroidery on linen ground; Sicilian polychrome silk filet; seventeenthcentury Venetian points (point de Venise à reseau and the widely known rose point de Venise); famous French needlepoints (Point de Paris, Argentan, Alençon); French and Flemish bobbin laces (Binche, Valenciennes, Brussels, Point d'Angleterre, and Point de Gaz); and a beautiful cap crown of Argentella (1979.310.9), a rare eighteenth-century European lace whose place of origin has never been surely determined.
Meertje bij het raceterrein
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: matte daylight collodion silver print
Location: indonesia
Artist: Anonymous
Subjects: lake, indonesia
Inscriptions: inscription: ‘meertje bij het race Terrrein’
Plaag van de kikkers / Farao's leger verdrinkt in de Rode Zee
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the plague of frogs: aaron stretches out his hand over the water of egypt; frogs come out and cover the land, with his people safe on the shore, moses raises his hands and causes the water to return; pharaoh's army perishes in the water (red sea)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. I.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora, tyrrhenian fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

In the top frieze, foot of a male to right; muzzle of a horse bending forward, touching its forelegs; legs of a second horse to left; lower part of a draped figure wearing a striped garment with a patterned hem; in the frieze below, at the upper left, part of a frontal panther; part of a siren to right
Scarab: Wish Formula
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: hieroglyphs, boats, gods (deities), insects, sun, suns
Inscriptions: "Amun-Re, excellent of counsel"
Antique Statue of Standing Draped Woman
Object type: drawing and watercolor
Date: 1774 – 1774
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Plate XXIII. View on the river Divie
Object type: text sheet
Date: 1801 – 1801
Materials: paper
Techniques: letterpress printing
Location: london
Artist: william miller
Artist role: bookseller, printer, publisher
Artist dates: 1769 – 1844
Subjects: schotland
Inscriptions: collector's mark: Lugt 2228

Tekstblad gebruikt in: Scotia Depicta; or the antiquities, castles, public buildings, noblemen (...). Londen: William Miller, 1801.
Roerkop
Object type: roerkop
Date: 1700 – 1800
Materials: wood
Techniques: cutting, polychromy
Location: netherlands

Roerkop, waarschijnlijk voorstellende het borstbeeld van Flora, Italische godin van de bloei van bloemen en veldgewas, zonder schouders, getooid met veelkleurige krans, om de hals een goudkleurige halsketting, tussen de borsten het wapen van Amsterdam. Het geheel staat ter bevestiging op een houten, ronde pin.
Loulou
Object type: photograph
Date: 1910 – 1914
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: suriname
Inscriptions: inscription: ‘Loulou’

Een kind genaamd Loulou, lopend op een tuinpad. Onderdeel van een groep van elf albumbladen met familiefoto's van de familie Gonggrijp in Suriname, ca. 1912.
Paddenburg, apartenant a mr. Reyks / Paddenburg, toebehoorende den heer Reyks
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rural housing, e.g. country-house, villa, cottage

Prent uit: Rademaker, Abraham. Hollands Arcadia, of de vermaarde rivier den Amstel (...) / L'Arcadie Hollandoise (...). Amsterdam: Leonard Schenk, 1730.
Dryburgh Abbey
Object type: photograph
Date: 1885 – 1890
Materials: photographic support
Techniques: albumen print
Location: scotland
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: ruin of church, monastery, etc.
Vase (one of a pair)
Object type: vase
Date: 1720 – 1725
Materials: enamel, gold, hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: ships
Servet op het ontzet van Grave door stadhouder Willem III
Object type: napkin
Date: 1674 – 1674
Materials: linen
Techniques: damask
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), grave

Servet van linnendamast op het ontzet van Grave door stadhouder Willem III. Middenveld: Het symmetrisch patroon vertoont van onder naar boven de volgende taferelen: 1 De vesting Grave aan een rivier. Opschriften: DE MAES, D'GRAEF en DE BORGHERS VAN GRAEF DANCKEN SYN HOOGHEYT VAN HUN VERLOSSINGHE. 2 Drie burgers met de hoed in de hand en twee knielend, gekleed in justaucorps, kniebroek, cape en platte pruiken. 3 Kasteel, met ter weerszijden een steigerend omziend paard, waarop ruiter, gekleed in justaucorps met brede manchetten, sjerp, lange pruik, gevederde breedgerande hoed en dragende een maarschalkstaf. Boven zijn hoofd een engel met lauwerkrans en bazuin. 4 Gekroond wapenschild van Willem III, omgeven door de leuze van de orde van de kousenband HONI SOIT QUI MAL I PENCE. In het midden het jaartal 1674 en LANGE LEEFT ONSEN VICTORIUESEN PRINCE VAN ORANGE. Staande randen: enkelvoudige lopende rank met anjer, eikel, tulp, viooltje, kersen, granaatappel, narcis en druiventros. Rondom: blokkenrand.
Tobit en Tobias begraven de Israëliet
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: italy
Subjects: tobit buries a dead man at night

David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
De Veldgesangen van Thyrsis
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: satyr(s) (in general)
Inscriptions: collector's mark: Lugt 2228

Twee saters en putti houden een toneelgordijn open waarachter een landschap met bergen en een rivier te zien is. Vanuit de lucht gooit de geblinddoekte Fortuna symbolen voor rijkdom en verval naar de mensenmassa beneden. Voor het toneel een rond cartouche met de titel en aan weerszijden een putto.
Brief aan Alphons Diepenbrock
Object type: letter
Date: 1904 – 1904
Materials: ink, paper
Techniques: pen, printing, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: alphons diepenbrock, family life
Inscriptions: collector's mark: ‘RPK’, watermark
Block from a Relief Depicting a Battle
Object type: relief, battle scene
Date: 1427 – 1400
Materials: paint, stone
Location: egypt
Subjects: battles,men

Builders reused this painted relief block in the foundation of Ramesses IV's mortuary temple, subsequently excavated by the Metropolitan Museum. In the relief, western Asian soldiers are shown being trampled under the horses that pull the royal chariot, signaling the foreigners' defeat in battle by the might of the Egyptian pharaoh. When the piece was excavated, this and another fragment of a battle scene (13.180.22) were dated to the reign of Ramesses II. A recent study of their stylistic and iconographic features, however, has caused scholars to redate them earlier, probably to the reign of Amenhotep II. This redating indicates that by the middle of the Eighteenth Dynasty, monumental battle scenes had become part of the decorative scheme of a temple's exterior walls.
Gezicht op Sankt Moritz en het meer
Object type: photograph
Date: 1880 – 1899
Materials: paper, photographic support, ink
Techniques: photograph
Location: sankt moritz
Artist: Anonymous
Subjects: prospect of village, silhouette of village, lake, mountains (+ landscape with figures, staffage)
Inscriptions: number: ‘5758’

Onderdeel van Reisalbum met bezienswaardigheden in Duitsland, Oostenrijk, Zwitserland, Luxemburg en België.
Scharenslijper
Object type: book illustration
Date: 1827 – 1830
Materials: paper
Techniques: hand coloring
Artist: Anonymous
Subjects: handicrafts, craftsman at work, tools, aids, implements ~ crafts and industries: scissors
Inscriptions: collector's mark: Lugt 1641, stamp, collector's mark: Lugt 1641a

Prent waarschijnlijk uit: Nuttige en vermakelijke prentverbeeldingen: met ophelderende gesprekken, kleine raadsels en charaden. Rotterdam: T.J. WIjnhoven Hendriksen, 1830. Of een eerdere uitgave (1827).
Mountain Landscape
Object type: fan mounted a an album leaf
Date: 1368 – 1911
Materials: ink, silk
Culture: chinese
Subjects: cranes,mountains,landscapes