deem-data/ArtiFact huggingface dataset:
Orphrey
Object type: orphrey
Date: 1401 – 1500
Materials: linen, metal thread, silk
Culture: italian or spanish
Subjects: human figures
Ear Ornament, Garuda
Object type: ear ornament
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Sprague, Pitcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Portret van Johannes Theodoor Buys
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: etching, intaglio
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Kingfisher and roses
Object type: print
Date: 1847 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
54e Cahier
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: face, chandelier, candelabrum, table
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een gueridon met een driearmige kandelaar en twee vrouwelijke gezichten. Prentnummer 323.
Fotoreproductie van een schilderij met spelende kinderen van Anthony van Dyck
Object type: reproduction
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: child, dog

Foto op de 56e ongenummerde pagina na titelpagina.
Marienkirche zu Hannover. Dr. Ludw. Windhorst's Grabstätte
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: hannover
Subjects: interior of church, pulpit, ambo, chancel, altar with altar-piece
[Entrenchments on Left of Bermuda Hundred Lines, Near Richmond, Virginia]
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: andrew joseph russell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: wars,american civil war
The Stone Temple and Statue of Zeus in Europe (Yoroppashu sekizo kyo mokudo jinkyo), from the series "Newly Published Dutch Perspective Pictures (Shinpan Oranda uki-e)"
Object type: print
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa kuninaga
Huizen aan een rivier
Object type: photograph
Date: 1863 – 1869
Materials: photographic support
Techniques: albumen print
Location: java
Subjects: village, java

Gezicht op enkele grote huizen gebouwd aan de oever van een rivier. Onderdeel van het groene fotoalbum met foto's van Java, uit het bezit van apotheker Specht-Grijp, die in 1865 vanuit Batavia naar Nederland terugkeerde.
Fibula
Object type: fibula
Date: 1600 – 1100
Materials: bronze
Culture: italic
Venezia. Canal Grande col Ponte di Rialto
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: venice
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), canal, gondola
Boterpot van albast
Object type: miniature
Date: 1650 – 1699
Materials: alabaster
Location: netherlands
Artist: Anonymous
Dit 's 't hoofd van Dylius, getekend naar het leven, En naar de Schedel-leer van Doctor Gall beschreven
Object type: manuscript
Date: 1806 – 1806
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: jacob willemz. de vos
Artist role: draughtsman
Artist dates: 1774 – 1844
Subjects: amsterdam, utrecht, phrenology, head (human), (human) skull, physician, doctor
Inscriptions: collector's mark: Lugt 1641

Handschrift met beschrijvingen op rijm met verklaringen van de genummerde knobbels op de schedel zoals getekend op het portret van Daniel Dijlius (zie KOG-ZG-4-5-1). Volgens de leer van Gall duiden die de plaats aan van verschillende hersenfuncties. In deze tekst zijn dat: T(eeltdrift), Plaats Geheugen, Kleurzin, Toonzin, Kunstzin, Moordzin, Geestigheid, Boven natuurkundige Diepzinnigheid, Goedaardigheid en Vriendschappelijke Gehegtheid. Waarschijnlijk gemaakt ter gelegenheid van een feestmaaltijd met vrienden aangeboden door Dijlius. Geschreven op twee dubbelgevouwen aan elkaar genaaide bladen.
Herder en een vrouw met koeien en schapen
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: printmaking
Location: haarlem
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, dog
Inscriptions: collector's mark: Lugt 240, inscription: ‘Na een tekening van Berghem, in 't koper gebragt door Corn : van Noorde, 1768’

Een herder met een staf en een vrouw met een mand op haar hoofd staan achter twee koeien en vier schapen. Links van hen staat een hond.
(From Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: men
Shawl
Object type: shawl
Date: 1801 – 1833
Culture: indian
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: roman

Loeschcke Type 4. Mold-made. Discus: a single, slightly off-center filling hole, surrounded by a raised circle and a frieze band containing gladiatorial equipment: a helmet, a curved sword, a pair of greaves, and a rectangular shield; band of two grooves towards edge; narrow, plain, horizontal shoulder. Volutes flanking nozzle, with large wick hole. Incised base ring, and raised, concave base. Intact.
Buste van Ricciardetto
Object type: print
Date: 1550 – 1599
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: helmet, sphinx (lion/woman); 'sfinge' (ripa) - aa - female human figure, male characters from 'orlando furioso' : use 82a(...)
Inscriptions: number: ‘3’, collector's mark: Lugt 11, inscription: ‘T. 128’, collector's mark: Lugt 2228

Buste van Ricciardetto, een karakter uit Ludovico Ariosto's epos 'Orlando Furioso'. Op zijn hoofd draagt hij een helm gedecoreerd met bladeren, veren en een sfinx. Rechtsboven de titel en acht Italiaanse versregels uit het epos.
Oval Pendant
Object type: pendant, lotus petal
Date: 1390 – 1352
Materials: faience
Location: egypt
Inkstand
Object type: inkstand
Date: 1601 – 1800
Materials: pewter
Snuffbox
Object type: snuffbox
Date: 1760 – 1761
Materials: gold
Artist: jean-charles-simphorien dubos
Artist role: maker
Artist dates: 1719 – 1819
Subjects: flowers

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Figure of a Female Dwarf
Object type: statuette, dwarf
Date: 1981 – 1640
Materials: faience
Location: egypt
Subjects: women

Dwarves and pygmies were highly respected in ancient Egypt. Apparently their short stature gave raise to the belief that they possessed beneficial magic powers. They also served as well-liked jesters at the royal court. This figure of a female dwarf of light blue faience is represented with a long bead necklace, armlets and an elaborate hairdo. An ancient magical spell prescribes that a dwarf figure should be placed on the body of a woman giving birth.
Portret van Johann Wilhelm Weinmann op 54-jarige leeftijd
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: etching
Location: augsburg
Subjects: flowers: dandelion, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Trade Card for Bisset's Directory, Birmingham
Object type: print, trade card
Date: 1800 – 1800
Techniques: engraving
Artist: thomas hancock
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1850
Figure of a Tiger
Object type: figurine
Date: 960 – 1279
Materials: pottery
Culture: chinese
Subjects: tigers
Slapend hondje
Object type: print
Date: 1702 – 1767
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: dog
Inscriptions: collector's mark: Lugt 240

Kopie naar de gelijknamige prent van Rembrandt.
Rivier met palmbomen langs de kant in de omgeving van Bou Saada
Object type: album leaf
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: river, trees: palm-tree
Inscriptions: number: ‘461’
Haag
Object type: stereograph
Date: 1884 – 1928
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: wilhelm frederick antonius delboy
Artist role: fotograaf
Artist dates: 1853 – 1928
Subjects: urban housing, street, the hague
Wegenkaart van Midden-Java
Object type: print
Date: 1906 – 1938
Materials: linen, paper
Techniques: lithograph
Location: batavia
Artist: Anonymous
Subjects: maps of separate countries or regions

Schaal 1:500.000. Onder de kaart een legenda van suikerfabrieken per regentschap.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, start of foot
Iesvs crvcifixvs
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: longinus pierces christ's side with a lance, the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: collector's mark: Lugt 240

Kruisiging van Christus met de soldaat Longinus die zijn speer in Christus' zij steekt. Maria en Johannes staan treurend onder het kruis, Maria Magdalena knielt bij de met nagels doorboorde voeten van Christus. Aan weerszijden van Christus hangen de twee misdadigers aan kruizen. In de marge onder staat een Latijnse bijbeltekst uit Johannes 19.
Animal-Shaped Whistle
Object type: whistle
Date: 801 – 1000
Materials: earthenware
Location: iran
Subjects: musical instruments,horses
Gezelschap aan tafel tijdens een diner in een tuin
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: evening meal, dinner, supper - cc - out of doors
Panel
Object type: panel
Date: 1501 – 1600
Techniques: embroidery
Subjects: bulls,madonna and child,nativity
Kadetrappen
Object type: sketchbook leaf
Date: 1783 – 1797
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes huibert prins
Artist role: draughtsman, painter, print maker
Artist dates: 1757 – 1806
Subjects: flight of steps, pier, quay, wharf

Pagina 147 uit een schetsboek met 175 pagina's.
Ontwerp voor een feestprogramma ter gelegenheid van de eerste verjaardag van prinses Juliana
Object type: drawing
Date: 1910 – 1910
Materials: paint, pencil
Techniques: brush
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’, name: ‘N. v. AMERONGEN’

Ontwerp met tekst in een decoratief kader met patroon van driehoeken en vierkanten.
Tegel met het portret van een vrouw, oorspronkelijk gebruikt als gevelsteen in het huis Wijnhaven 16 te Delft
Object type: tile
Date: 1535 – 1535
Materials: earthenware, glaze
Techniques: maiolica, painted, polychromy
Artist: leonardo da vinci
Artist role: artist
Artist dates: 1452 – 1519

Tile with a portrait of a woman. Maiolica. Italy, c. 1510 - 1520. Originally used as a tablet on the house at 16 Wijnhaven in Delft.
Goblet
Object type: goblet
Date: 1850 – 1855
Materials: glass
Techniques: cutting
Culture: american
Location: united states
Artist: brooklyn flint glass company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1824 – 1868

New York City was an important center for machine-cut luxury glass in the middle of the nineteenth century. This partial group (2014.626.1a,b -.7) of blue-cut-to-clear glass is extraordinarily rare and perhaps even experimental when it was made in the 1850s. This is the only known blue plated cut glass attributed to the Brooklyn Flint Glass Works. The diamond pattern is thought to have been executed by Joseph Stouvenel, a highly skilled glass cutter whose works were exhibited at the New York Exhibition of 1853–54 and published during the period.
Pair of marriage goblets with lids
Object type: goblet
Date: 1759 – 1759
Materials: glass
Techniques: diamond point engraving
Location: northern netherlands
Artist: Anonymous
Subjects: utrecht, armorial bearing, heraldry
Inscriptions: inscription: ‘Sint licet annorum sat multo podere pressae et stant et vigent / felicitas foederis deo dante conservata’

These goblets commemorate the fiftieth anniversary of Jan Jacob van Westrenen and Johanna Catharina Mamuchet van Houdringe. The arms were executed with a diamond-point stylus, a small diamond chip in a holder used to incise the glass. This technique was common in the Netherlands in the 17th century.
Translation of inscription A: Best wishes and good cheer oh Noble couple on your Fiftieth Wedding Year.
Translation of inscription B: Despite the burden of so many years,
Herv. Kerk. Bergum
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: paper
Techniques: gelatin silver print
Location: bergum
Artist: Anonymous
Subjects: church (exterior)
Milan, Washington, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: lithography
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Portret van een vrouw
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, head-gear, historical persons
View in the Stables of the Villa of Maecenas, Tivoli
Object type: painting
Date: 1805 – 1810
Materials: canvas, oil, paper
Artist: françois marius granet
Artist role: artist
Artist nationality: french
Artist dates: 1775 – 1849
Subjects: arches
Titelpagina voor: Molesworth, Christmas-tree land, 1884
Object type: titelblad, titelpagina
Date: 1884 – 1884
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: four-wheeled vehicle drawn by one animal, forest, wood, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Molesworth, Mary Louisa. Christmas-Tree land. Londen: Macmillan & Co., 1884.
The Mill at Cuincy, Near Douai
Object type: print
Date: 1871 – 1872
Techniques: lithography
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Subjects: watermills,trees
Purse
Object type: purse
Date: 1801 – 1900
Materials: leather, linen
Culture: european
Virgin and Child in Glory with Saints Sebastian, John the Evangelist, and Roch
Object type: drawing and watercolor
Date: 1610 – 1610
Materials: graphite, paper, oil
Location: italy
Artist: pasquale ottino (pasqualotto)
Artist role: artist
Artist nationality: italian
Artist dates: 1578 – 1630
Subjects: virgin and child/madonna and child, christian subjects, mythology, prints and drawings, saints
Two-Handed Sword for the Bodyguard of Julius, Duke of Brunswick-Lüneburg and Prince of Wolfenbüttel
Object type: arm
Date: 1573 – 1573
Materials: brass, iron, leather, steel, wood
Location: germany
De heilige familie
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: holy family, and derived representations

Heilige Familie rust tijdens de vlucht naar Egypte. Onder de voorstelling staat een vers in Latijn. Deze prent maakt deel uit van een album.
Flask (one of a pair)
Object type: flask
Date: 1701 – 1800
Materials: glass, silver gilt
Techniques: cutting
De Heilige Familie in Bethlehem
Object type: print
Date: 1498 – 1551
Materials: paper
Techniques: engraving
Location: lyon
Artist: jean de gourmont (i)
Artist role: goldsmith, painter, print maker, publisher
Artist dates: 1483 – 1557
Subjects: mary, joseph and the new-born christ (nativity)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

In een ruïne zit Maria geknield bij het Chistuskind. Jozef verzorgt de ezel en de os.
Portret van een man met vlinderstrik
Object type: photograph
Date: 1869 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: johannes petrus oppers
Artist role: fotograaf
Artist dates: 1833 – 1890
Subjects: historical persons
Inscriptions: inscription: ‘J. P. Oppens/ Photograaf/ van zyne/ Majesteit den Koning/ der Nederlanden/ Kalverstraat E. 55/ AMSTERDAM.’
The Print Enthusiast, after a drawing by Meissonier
Object type: print
Date: 1877 – 1877
Techniques: etching
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Subjects: men
Dish
Object type: dish
Date: 1301 – 1400
Materials: earthenware
Techniques: glazing, painting
Location: iran
Panel
Object type: textile
Date: 1880 – 1880
Materials: cotton, fiber, gilt, gold, textile, silk
Techniques: cutting, embroidery, weave, stitching
Location: egypt
Portretten van prominente figuren
Object type: print
Date: 1642 – 1678
Materials: paper
Techniques: engraving
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Joannes Barbeyracius
Object type: print
Date: 1717 – 1744
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: béziers, predikant, hoogleraar, jurist, jean barbeyrac
Inscriptions: collector's mark: Lugt 2228

Buste naar links van Jean Barbeyrac in een ovaal. Onder het portret zijn wapen en naam en zes regels in het Latijn.
Band van blauwgrijze zijde, met kwast, Louis XIV
Object type: band
Date: 1889 – 1889
Materials: silk
Techniques: weave
Location: western europe
Artist: Anonymous

Band van blauwgrijze zijde, met kwast, Louis XIV.
Wandschildering 'De Processie'
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: haarlem
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: mural painter, procession ~ christian religion
Inscriptions: collector's mark: Lugt 2166

Prent uit: Maandschrift voor vercieringskunst 1 (1896), nr. 1/2, maart en april 1896.
Beker van zilver met oor waarop een gevleugelde vrouwenfiguur
Object type: cup
Date: 1650 – 1650
Materials: silver
Location: franeker
Artist: Anonymous

Beker van zilver, met oor en klapdeksel. Versierd met een gedreven triomftocht. Aan het oor een gevleugelde vrouwenfiguur. Vals?
Landweg met boerderij tussen bomen
Object type: print
Date: 1865 – 1902
Materials: paper
Techniques: etching
Artist: emile de baré
Artist role: painter, print maker
Artist dates: 1855 – 1902
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228, watermark: ‘Van Gelder’
Border
Object type: border
Date: 1701 – 1750
Techniques: lace
Subjects: flowers
A Woman Playing the Theorbo-Lute and a Cavalier
Object type: painting
Date: 1658 – 1658
Materials: oil, wood
Artist: gerard ter borch the younger
Artist role: artist
Artist nationality: dutch
Artist dates: 1617 – 1681
Subjects: men,women,music,lutes
Wtrecht
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of cities, utrecht

Prent ook gebruikt in: Guicciardini, Lodovico. Belgicae, sive inferioris Germaniae descriptio. 3 delen. Amsterdam: Johannes Janssonius, 1652, dl. 3, tussen p. 192 en 193.
Which proves that physical imprisonment is not abolished everywhere, from 'News of the day,' published in Le Charivari, August 10, 1867
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: prisons,men
Doorknocker
Object type: door knocker
Date: 1467 – 1533
Materials: bronze, iron

A knocker inserted through the wood of a door, when struck against a metal plate that was likewise affixed to the door, allowed visitors to announce their presence to those within. This bronze knocker was cast in the form of a ring, around which was forged the horizontal iron strap that held it in place; the narrow slot at the end of the strap helped secure it on the other side of the door with an iron wedge. The weight and thickness imply a door of considerable stoutness. The object shows plenty of age and use, evincing a rich natural patina, nicks, and a well-rubbed, slightly flattened area behind the lower back of the knocker, where it struck the now-missing plate. The ringlike composition incorporates acanthus and sea creatures somewhat resembling dolphins, the mouths of which form a bezel of sorts for the diamond in which it terminates. The most celebrated imagery to include a diamond belonged to the Medici family in Florence, but it lacked acanthus and dolphinlike sea life.[1] The ring could signify any marital alliance. The handsome forms and facture of this unstudied object do not, for that matter, appear particularly Florentine. -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. No such combinations appear in Langedijk 1981–87.
The Black Horse
Object type: painting
Date: 1942 – 1942
Materials: canvas, oil
Artist: john atherton
Artist role: artist
Artist nationality: american
Artist dates: 1900 – 1952
Subjects: horses,mountains
Het oordeel Godts over de Werelt de komen: Insonderheyt de sware plagen, die de Nederlanden aenstaende zijn, soo sy haer niet bekeeren, en in Sack en Assche nederleggen
Object type: print
Date: 1668 – 1668
Materials: paper
Techniques: etching, letterpress printing
Location: low countries
Subjects: third vision of daniel (daniel 9): the archangel gabriel explains to daniel the meaning of the 'seventy weeks', 'watch therefore, for you do not know on what day your lord is coming' ~ doctrine of christ on the kingdom of heaven (matthew 24:42-44, 25:13; luke 12:40), sayings of christ: discourse on the last things (matthew 24; mark 13; luke 21)
Inscriptions: date

Waarschuwing over de aanstaande bestraffing van het land door God, 1668. Blad met een prent van de plagen die de Nederlanden zullen treffen: vuur vanuit de hemel, brandende steden, stormen die overstromingen brengen en bomen afbreken. Bergen vallen om, walvis op zee, dansend duivels met fakkels, in de wolken blaast een engel op een bazuin. Onder de plaat gedrukt op het blad een beschrijving van de plagen en de oproep tot bekering.