deem-data/ArtiFact huggingface dataset:
Ontmoeting van David en Abigaïl
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: dordrecht
Subjects: david and abigail (1 samuel 25)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Hamelsveld, Ysbrand van. De gewigtigste geschiedenissen des Bybels, afgebeeld in twee honderd twee en vijftig printverbeeldingen (...) met eene zaaklijke uitbreiding opgehelderd. Amsterdam / Dordrecht: Jan de Groot / Abraham en Pieter Blussé.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, seated and standing youth; Obverse, woman, male with staff, lower torso and legs of woman; Reverse, lower legs of draped figure, male with staff, youth; in field, sandal and fillet
Tetschen-Bodenbach. Schloβ Tetschen
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: vienna
Subjects: castle, canals, waters (in city)
Inscriptions: check stamp: ‘"Austria"’
Ruiterstandbeeld van de prins van Oranje, 1815
Object type: drawing
Date: 1815 – 1820
Materials: ink, paper, pencil
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: the hague, william ii of the netherlands, equestrian statue, waterloo
Inscriptions: collector's mark: Lugt 2228

Ruiterstandbeeld van de prins van Oranje, als overwinnaar en bevrijder van Nederland, naar aanleiding van zijn heldenrol tijdens de Slag bij Waterloo op 18 juni 1815. De prins te paard, met getrokken zwaard in de rechterhand, het gezicht nog oningevuld. Links een Oranjeboom met vruchten, een oranjeappel is van de boom gevallen en ligt voor het voetstuk van het beeld.
Terracotta fragment of a skyphos (deep drinking cup)?
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the foot of a skyphos?; the outer edge and resting surface are glazed; the inner wall of the foot has a band of reserve, and, at the top, a bit of black glaze
Saint Jude facing left, book under his left arm, from "Christ and the Apostles"
Object type: print
Date: 1548 – 1550
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: profiles,saints
Salome ontvangt het hoofd van Johannes de Doper
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: salome is given the head of john the baptist by the executioner
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Portret van een vrouw, aangeduid als Johanna Hermina van Dreeven
Object type: photograph
Date: 1850 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: johannes peter metzger
Artist role: fotograaf
Artist dates: 1830 – 1867
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘J.P Metzger/ Photographe/ Utrecht’, annotation: ‘No.2 (bl2)/ Mijn moeder/ Johanna Hermina van Dreeven/ + 4 oct 1867/ [...] [13] jaar’
Bowl
Object type: bowl
Date: 801 – 900
Materials: earthenware, glaze
Techniques: incising, polychrome
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Portret van Johannes Bugenhagen
Object type: print
Date: 1600 – 1649
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons
Portret van Peter I de Grote, tsaar van Rusland
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: peter i de grote (tsaar van rusland), armour, adult man, historical persons
Inscriptions: date
Yokkaichi, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi)," also known as the Figure Tokaido (Jinbutsu Tokaido)
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Bobbin
Object type: bobbin
Date: 1801 – 1900
Materials: pewter, wood
Icon with the Deesis
Object type: plaque
Materials: ivory
Culture: byzantine
Location: probably constantinople
Subjects: christ,saint john the baptist,virgin mary

This representation of Christ joined with the Virgin and John the Forerunner (the Baptist), one of the most widespread middle Byzantine icon types, is known as the Deesis. By tradition the first witnesses to Christ's divinity, the Virgin and Saint John came to be seen as holy figures who would act as intercessors with him on behalf of humanity.
Embroidered Rug
Object type: rug
Date: 1870 – 1879
Materials: wool
Techniques: embroidery
Culture: american
Location: united states
Subjects: birds,flowers
Terracotta fragment of a skyphos (deep drinking cup)?
Object type: skyphos fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of the inside of the bowl and a bit of the foot of a skyphos?; the underside of the foot is unglazed
Gezicht op de Torensluis te Amsterdam
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: sluice, weir, urban housing, bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Torensluis/ avond geele/ lucht’

Pagina 43 en pagina 44 uit een schetsboek met 30 bladen vervaardigd in Amsterdam.
Wedding vest
Object type: wedding vest
Date: 1879 – 1879
Materials: silk, wool
Culture: american
Portret van Magnus Gottfried Lichtwer
Object type: print
Date: 1775 – 1846
Materials: paper
Techniques: engraving
Location: germany
Artist: johann caspar weinrauch
Artist role: draughtsman, print maker
Artist dates: 1765 – 1846
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Iac. Nicol. Colbert (...)
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, jacques-nicolas colbert, archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 12
Inlays: white rosettes on blue backgrounds
Object type: inlay
Date: 900 – 701
Materials: glass
Culture: assyrian
Location: mesopotamia
Fotoreproductie van een gezicht op het driehoekig Forum
Object type: photograph
Date: 1890 – 1895
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: civic architecture; edifices; dwellings, pompeii
Hemdsknopen van zilver met rozet van strasz
Object type: jewellery
Date: 1700 – 1799
Materials: paste, silver
Location: amsterdam

Twee hemdsknopen van zilver versierd met een rozet van strasz. Gemerkt met een boompje in een wapenschild.
Brief aan Philip Zilcken
Object type: letter
Date: 1887 – 1887
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: alfred stevens
Artist role: painter, print maker
Artist dates: 1823 – 1906
Subjects: draughtsman, philip zilcken, the graphic arts, painting (including book-illumination, miniature-painting)
Inscriptions: watermark, collector's mark: ‘RPK’
Gezicht op Britse soldaten op een vlakte bij Honey Nest Kloof nadat een aanval van de Boeren is afgewend
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: honey nest kloof
Artist: Anonymous
Subjects: (military) camp with tents, the soldier; the soldier's life
Inscriptions: inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’, inscription, number: ‘56’
Portret van een onbekend kind, zittend in een fauteuil
Object type: photograph
Date: 1890 – 1915
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: historical persons, infant, baby, chair
Inscriptions: inscription: ‘Photographische/ ATELIERS/ C. J. L. Vermeulen/ Heerenstraat 6,/ Heiligenweg/ hoek Singel/ AMSTERDAM,/ Specialiteit in vergrootingen.’
Terracotta fragment of an oinochoe (jug)?
Object type: oinochoe fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Above the ground line, lower drapery and part of the right calf and foot of a male to left
Surinaamse man in het binnenland van Suriname
Object type: photograph
Date: 1929 – 1930
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: albina, moengo

Surinaamse man in het binnenland van Suriname. Hij is schaars gekleed en wijst naar de camera.
Figure of Li Tieguai, one of the Eight Immortals
Object type: figure
Date: 1801 – 1900
Materials: biscuit, enamel
Techniques: polychrome
Culture: chinese
Subjects: peaches,men
Evening dress
Object type: evening dress
Date: 1842 – 1842
Materials: silk
Culture: american or european
Tile
Object type: tile
Date: 1601 – 1700
Techniques: glazing, painting
Location: iran
Subjects: calligraphy
Panel Illustrating Feminine Virtue: The Art of Sewing and Embroidery
Object type: panel
Date: 1601 – 1700
Materials: paper, textile
Culture: chinese
Artist: lin yuncai
Artist role: artist
Artist nationality: chinese
Medallion
Object type: medallion
Date: 1501 – 1550
Materials: wood
Subjects: men,profiles
Sloop van wit linnen
Object type: sloop
Date: 1773 – 1776
Materials: linen
Location: northern netherlands
Zilveren ropij van de VOC uit Java, 1795
Object type: coin
Date: 1795 – 1795
Materials: silver
Techniques: striking
Location: batavia

Zilveren munt. Voorzijde: tweeregelig opschrift in Arabische letters. Daarboven muntteken en daaronder jaartal. Keerzijde: drieregelig opschrift in Arabische letters. Kabelrand.
Fotoreproductie van een portret van A. Duvernois
Object type: reproduction
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons
Inscriptions: inscription: ‘Figaro-Album/ A. Duvernois/ Liébert Phot.’
Begrafenis in Moengo
Object type: photograph
Date: 1929 – 1930
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: burial
Obelisk op het Piazza del Popolo te Rome
Object type: page
Date: 1852 – 1862
Materials: photographic support
Techniques: gelatin silver print
Location: piazza del popolo
Artist: Anonymous
Subjects: square, place, circus, etc., obelisk, needle
Neue Wache, Berlijn, Duitsland
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: berlin
Inscriptions: caption: ‘19298 BERLIN, NEW GUARD HOUSE’

Neue Wache is een neoclassicistisch gebouw uit 1816 van de architect Karl Friedrich Schinkel. Het was tot 1931 in gebruik als een legerplaats voor de Pruissische troepen, sinds die tijd is het een oorlogsmonument.
Stone Lake In Suzhou : An Emulation of ‘Famous Scenes of West Lake’
Object type: print
Date: 1736 – 1795
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: chinese
Portret van Albert Coenraads Burgh
Object type: print
Date: 1861 – 1863
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: albert coenraads burgh
Inscriptions: collector's mark: Lugt 2228

Illustratie in: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. 5 delen, Amsterdam: Schleijer, J.F. 1840-1884, dl. 3.4, p. 529.
Galleria Giustiniana del Marchese Vincenzo Giustiniani II
Object type: album leaf
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Artist: reinier van persijn
Artist role: draughtsman, painter, print maker
Artist dates: 1614 – 1668
Subjects: shaking hands, 'dextrarum junctio', piece of sculpture, reproduction of a piece of sculpture, gripping someone by the hand or the wrist; clasped hands

Bas-reliëf met twee soldaten die in een tempel elkaar de hand schudden als symbool van eendracht. De rechterman draagt een kroon. Midden onder het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Madonna met kind
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Subjects: madonna: mary sitting or enthroned, the christ-child in her lap (or in front of her bosom) (mary sometimes represented half-length)

Het Christuskind zit op Maria's knie; hij steunt zichzelf tegen haar schouder.
Calligraphy
Object type: album leaf
Date: 1470 – 1524
Materials: gold, ink, paper
Culture: chinese
Artist: tang yin
Artist role: artist
Artist nationality: chinese
Artist dates: 1470 – 1524
Medan. Residentswoning
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: medan
Subjects: villa
Inscriptions: number: ‘5’

Onderdeel van Album met heliogravures van Sumatra's oostkust.
Women Conversing
Object type: illustrated album leaf
Date: 1601 – 1700
Materials: gold, ink, paper, watercolor
Location: india
Subjects: houses,women,fire
Portret van Levinus Wilhelmus Christiaan Keuchenius
Object type: print
Date: 1843 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: batavia, the hague, historical persons
Inscriptions: collector's mark: Lugt 2228
Forest Clearing
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, wash
Location: netherlands
Artist: style of jan both
Willem III wordt ingezworen als stadhouder, 1672
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), frederick henry (prince of orange), william ii (prince of orange), delft, william i (prince of orange), maurice (prince of orange), new ruler taking the oath
Inscriptions: number: ‘N. 49’, collector's mark: Lugt 2228

Prent ook gebruikt als illustratie in: Clerc, J. le. Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten, deel III, p. 410. Amsterdam: Zacharias Chatelain (II), 1730.
Dish of a butter tub with a cityscape and bouquets
Object type: platter
Date: 1778 – 1778
Materials: glaze, gold, paint, porcelain, soft paste porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: doornik
Inscriptions: inscription: ‘MERDERVOORT’, mark: ‘ooievaar/ g’

Schotel van een botervloot van soft-paste porselein (pâte tendre) met een geschulpte rand, beschilderd op het glazuur in emailkleuren en goud. Op het plat een stadsgezicht op Merdervoort. De rand, doorlopend op de wand, is licht gemodelleerd in telkens drie smalle en één breed getordeerd vak. In de vier brede vakken een rocaille cartouche met daarin boeketten. Gouden rand. Gemerkt op de onderzijde met de ooievaar, 'MEDERVOORT' en g.
De galeyen van Frederik Spinola door 's Landts oorlogs scheepen overseilt in den Jaere 1602
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: battle (+ naval force), warfare; military affairs (+ oared ships, e.g.: galley), trireme, galley, english channel
Inscriptions: collector's mark: Lugt 2228

De vernietiging van de Spaanse galeien in het Kanaal voor de Vlaamse kust door de Staatse vloot onder vice-admiraal Jacob van Duivenvoorde, heer van Obdam, 3 oktober 1602. De zeeslag door toeschouwers gade geslagen vanaf de kust.
Design for Canopy Top Phaeton, no. 3721
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ontwerpen voor voetstukken
Object type: ornament print
Date: 1751 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: tendrils ~ ornament, pedestal of a piece of sculpture (perhaps in the form of a herm), ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Twee voetstukken met guirlandes en bloemenranken. Uitgeversnummer 121.
Portret van Otto von Bismarck
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: historical persons

Prent uit: Le monde illustré, journal hebdomadaire, nr. 696, 15 augustus 1870, p. 104.
Hora decisiva
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: autotype
Location: portugal
Artist: Anonymous
Subjects: comet, roman catholic church
Man at His Dressing Table
Object type: print
Date: 1825 – 1830
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Artist: utagawa kunisada (i)
Artist role: print maker
Artist dates: 1786 – 1865
Subjects: making toilet, actor (on the stage), kneeling on both knees

De toneelspeler Matsumoto Kôshirô V (1764-1838) zit voor zijn kaptafel. Hij rookt een lange pijp. De titel Sekidera is een toespeling op het gelijknamige toneelstuk, waarin de acteur heeft gespeeld. Met één anoniem gedicht. Met de 'zeven Komachi', uit de titel, worden zeven gebeurtenissen uit het leven van de beroemde vrouwelijk dichter Ono no Komachi bedoeld. De relatie met Komachi in deze prent is dat het hoofd van de Sekidera tempel op een goed moment zijn volgelingen meenam om de oude Komachi te ontmoeten.
Portret van Maximilian III Joseph, keurvorst van Beieren
Object type: print
Date: 1720 – 1772
Materials: paper
Techniques: engraving
Location: vienna
Subjects: historical persons, knighthood order of the golden fleece, ruler, sovereign, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Vase
Object type: vase
Date: 1650 – 1650
Materials: glaze, stoneware
Culture: japanese
Pendant
Object type: pendant
Date: 1501 – 1800
Materials: gold
Culture: colonial
Location: peru
Subjects: human figures
Sampler
Object type: sampler
Date: 1701 – 1800
Materials: linen, silk
Subjects: human figures,buildings,plants
Observant en Conventuaal
Object type: book illustration
Date: 1865 – 1874
Materials: paper
Techniques: tone lithography
Location: haarlem
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: monk(s), friar(s), monastic orders, monastic life: franciscans

Prent waarschijnlijk uit: Hofdijk, W.J. De klooster-orden in Nederland. Haarlem: A.C. Kruseman, 1865. Of uit de editie van 1874.
Oordeel van Pluto
Object type: print
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: desiderius erasmus, pluto as king of the underworld, tartarus (and the condemned assigned there)
Inscriptions: collector's mark: Lugt 2228

Pluto, de god van de onderwereld, zit op zijn troon om te oordelen over de zielen van de gestorvenen. Een processie van overleden historische personen - onder wie Erasmus - heeft zich voor hem verzameld. Op de achtergrond de Tartarus, het gedeelte van de onderwereld waar de verdoemden gestraft worden. In de marge een tweeregelig onderschrift in het Frans.
Deep Vessel with Handles
Object type: vessel
Date: 3500 – 2500
Materials: cord, earthenware
Techniques: incising
Culture: japanese