deem-data/ArtiFact huggingface dataset:
The Last Supper
Object type: relief
Date: 1500 – 1530
Materials: limestone
Techniques: polychromy
Culture: german or south netherlandish
Location: germany
Subjects: apostles,christ

This scene of the Last Supper clearly shows each disciple, including Judas, who is seen at the lower right clutching his bag of money, a reference to his future betrayal. The elaborate and detailed carving indicates that the sculpture came from an important ecclesiastical setting, such as a sacrament house that contained the elements for celebrating mass. Cologne Cathedral contained such a structure, made by the sculptor Franz Maidburg (d. 1533), which was dismantled in the nineteenth century.
Bell-shaped cup with powder blue and fan-shaped panels
Object type: cup
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: collector's mark: ‘N=732’
Exterieur van het Huis met de Hoofden aan de Keizersgracht te Amsterdam
Object type: photograph
Date: 1870 – 1870
Materials: photographic support
Techniques: albumen print
Location: keizersgracht
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: piece of sculpture, reproduction of a piece of sculpture, canals, waters (in city), façade (of house or building)

Onderdeel van Album met foto's en litho's van bezienswaardigheden in Noord- en Zuid-Hollandse steden, schilderijen en klederdrachten.
Decoratief beslag uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: beslag
Date: 1700 – 1743
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fitting, decorative fitting or fragment; eroded, heart-shaped, flat, solder on underside.
Glass head pendant
Object type: head pendant
Date: 500 – 401
Materials: glass
Culture: carthaginian or phoenician
Subjects: heads

Semi-opaque turquoise blue, with additions in opaque white and brownish red, and translucent cobalt blue. Cylindrical with large rod hole at bottom, flattened on back and indented on top; horizontal rounded edge at back, front projecting downwards; applied suspension loop on top of head. Applied row of small curls across forehead in cobalt blue; upper half of face in red, with long blue eyebrows and blue and white stratified eyes; forked beard in turquoise blue with lips and ears in red, and earrings above and below ear in white. Intact, but missing curls on proper right side of forehead and lower blob of right earring; dulling, slight pitting, and some encrustation.
Portret van een jonge vrouw met oorbellen
Object type: photograph
Date: 1862 – 1882
Materials: cardboard, photographic support
Techniques: albumen print
Location: haarlem
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, ear-rings
Inscriptions: inscription: ‘CH. BINGER & Co./ PHOTOGRAPHISCHE INRIGTING/ ZIJLSTRAAT/ TE/ HAARLEM.’
Passe-partouts voor foto's
Object type: photomechanical print
Date: 1907 – 1912
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: photograph, 'passe-partout'
De reede van Groot-Atjeh
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: lithograph
Location: the hague
Artist: c.a. whitten
Artist role: print maker
Subjects: ships (in general) - cc - more than one ship, coast
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2233
Portret van Ermgard Elisabeth van Dorth
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: etching
Artist: magdalena van de passe
Artist role: print maker
Artist dates: 1600 – 1638
Subjects: historical persons
Inscriptions: inscription: ‘Reproduction’

Portret van Ermgard Elisabeth van Dorth in ovale omlijsting met naam en titel. Aan de onderzijde haar familiewapen.
Foto van een oudere heer, gevat in een ronde broche van metaal
Object type: photograph
Date: 1900 – 1925
Materials: metal
Techniques: photography
Artist: Anonymous
Subjects: eugen wachenheimer, else wachenheimer-moos

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
De Haven Poort te Franeker
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: harbour, city-view, and landscape with man-made constructions, harlingen

Afgebeeld is niet de havenpoort van Franeker, zoals in de titel vermeld, maar die van Harlingen.

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Rade de Cherbourg
Object type: stereoscopic photograph
Date: 1860 – 1890
Materials: glass
Techniques: slide
Location: cherbourg
Artist: Anonymous
Subjects: quay
Inscriptions: number: ‘5511’
Vis-à-vis #3056
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Georgenchorschranken, Prophetenrelief (n.SS) 1.Prophet v.li. (Kopf v.v.)
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: interior of church
Inscriptions: number: ‘118.’
Cartouche met een haas onder een brug
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: ansbach
Artist: georg hermann
Artist role: goldsmith
Artist dates: 1579 – 1603
Subjects: rodents: hare, landscape with bridge, viaduct or aqueduct, ornament ~ cartouche
Inscriptions: inscription: ‘5’, inscription: ‘42’

Rolwerk cartouche met een landschap waarin een haas onder de ruïne van een brug zit. De prent maakt deel uit van een album.
Philip H. "Buster" Tomney, Shortstop, Louisville Colonels, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
View of Old Customs House in Rome
Object type: print
Date: 1807 – 1807
Techniques: drypoint, etching
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Subjects: buildings,men,boats,rome
Sloep bij een zeilschip op het water
Object type: drawing
Date: 1855 – 1855
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: sailing-ship, sailing-boat, river
Deer
Materials: bronze
Location: china
Panel
Object type: panel
Date: 1201 – 1400
Materials: ivory, wood
Techniques: carving, inlay
Location: egypt
Sigismunda
Object type: print
Techniques: mezzotint
Artist: robert dunkarton
Artist role: engraver
Artist nationality: british
Artist dates: 1744 – 1744
Subjects: women,tables
Miniatuurportret van een onbekende vrouw
Object type: photograph
Date: 1855 – 1940
Materials: iron, metal, paper
Techniques: ferrotyping
Artist: Anonymous
Subjects: historical persons - bb - woman
Cap
Object type: cap
Date: 1867 – 1900
Materials: linen, metal, silk
Subjects: flowers
Het Hooge Heemraadschap van de Crimpenre Waard
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: maps of separate countries or regions, maps of cities
Inscriptions: collector's mark: Lugt 19

Vijfde deel van de kaart van de zesde druk van 'Het Hooge Heemraadschap van de Crimpenre Waard', een wandkaart (bestaande uit een zesdelige kaart en een wapenrand) van het Hoogheemraadschap van de Krimpenerwaard.
Ex libris van Lily Antrobus
Object type: bookplate
Date: 1841 – 1912
Materials: paper
Techniques: engraving
Artist: charles william sherborn
Artist role: print maker
Artist dates: 1831 – 1912
Subjects: book, flowers: lily
Tool
Object type: tool
Materials: stone
Location: egypt

This tool was created from a flake knocked off from a larger core. There are no obvious signs of working, but one side (lower edge in photograph) appears to have been used, perhaps as a scraper. Flake tools, especially those showing the Levallois technique, and not core tools, characterize the Middle Paleolithic Period (90,000-35,000 B.C.). A number of industries, each with slightly different tool kits, have been noted. By 35,000 B.C. modern humans occupied Egypt.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1896 – 1896
Materials: cardboard, ink
Techniques: pen, writing
Location: naples
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: draughtsman, philip zilcken, the graphic arts, printed matter
Inscriptions: collector's mark: ‘RPK’
Smalle straat in Richmond naar het marktplein
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: drypoint, etching
Location: richmond
Subjects: street
Inscriptions: annotation: ‘Martin Hardie’, collector's mark: Lugt 2760, collector's mark: Lugt 2228
Kerk te Delfshaven
Object type: drawing
Date: 1600 – 1699
Materials: graphite, paper
Techniques: brush
Artist: jan abrahamsz. beerstraten
Artist role: draughtsman, painter
Artist dates: 1622 – 1666
Subjects: church (exterior), delfshaven
Earring
Object type: earring
Date: 701 – 900
Materials: silver
Culture: avar
Seascape with Six Figures in the Foreground
Object type: drawing
Date: 1728 – 1793
Materials: chalk, ink, watercolor
Techniques: brush
Artist: nicolaas aartman
Artist role: artist
Artist nationality: dutch
Artist dates: 1713 – 1793
Subjects: birds,men,seascapes,flags,ships
Ponty word geslagen, in de baey van Gibraltar (sie dese in de voorige) van de vlooten der Geallieerde, den 20 Meert, 1705
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: battle (+ naval force)

Zeeslag bij Gibraltar (Cabrita) waarbij de Engelse vloot een Franse vloot onder admiraal Baron de Pointis versloeg, 21 maart 1705. Ook uitgegeven als een van de negen voorstellingen op een groot blad met gebeurtenissen uit het jaar 1705 van de Spaanse Successieoorlog.
(Caire). Baudet Egytien / (Cairo). Egyptian Donkey
Object type: photomechanical print
Date: 1907 – 1930
Materials: cardboard
Techniques: photograph
Location: cairo
Subjects: ass, donkey
Flask
Object type: glass
Date: 1860 – 1866
Materials: glass
Location: new london
Tafel vervaardigd van olijfhout, bestaande uit een rechthoekig los blad en een X-vormig samenklapbaar onderstel
Object type: miniature
Date: 1690 – 1710
Materials: wood, silk
Location: amsterdam
Artist: Anonymous
Design for Ceiling, Hôtel de Boivin, Paris
Object type: drawing
Date: 1851 – 1900
Materials: ink, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
The Youthful Saint John the Baptist
Object type: statuette
Date: 1625 – 1630
Materials: marble
Artist: domenico pieratti
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1656
Subjects: sheep,saint john the baptist

As their patron saint, John the Baptist was a prominent fixture in the homes of civic-minded Florentines. This large, lyric statuette by Pieratti, the city's first important Baroque sculptor, shows exacting yet expansive compositional experimentation. A masterly study in frozen motion, it evinces discerning responses to lessons learned from great masters. The virile type, an artfully unkempt boy of the people, is Michelangelesque, with a nod to the head of David. From Caravaggio comes the adjustment of limbs in angles to maximize contrasts of light and shadow. Strikingly Caravaggesque is the youth's arm hooked over his chest, holding a honeycomb (referring to the Baptist's wilderness diet). His other hand holds the remnants of his shepherd's crook and a scroll which undoubtedly announced Ecce agnus dei (behold the lamb of God) in deference to his cousin Jesus. The surface is abraded: the work stood in a garden around a hundred years ago, but mercifully briefly, not long enough to diminish its authority and charm.
Landscape
Object type: hanging scroll
Date: 1368 – 1911
Materials: silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Soga on Goro admonished by his mother, from the series "Illustrated Tale of the Soga Brothers (Soga monogatari zue)"
Object type: print
Date: 1843 – 1847
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: mothers, parents
Nose Ornament
Object type: nose ornament
Date: 1 – 300
Materials: gold
Culture: moche
Location: peru
Portret van H.P. Berlage
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945
Subjects: amsterdam, the hague, draughtsman, hendrik petrus berlage, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent afkomstig uit: De Wereld. Democratisch-staatkundig en algemeen weekblad. Amsterdam: Elsevier, 2 (1912) 31.
[Group of 17 Early Stereograph Views of British Churches]
Object type: stereograph
Date: 1850 – 1919
Techniques: albumen silver print
Artist: sedgfield's english scenery
Artist role: publisher
Artist nationality: british
Subjects: architecture,churches
Tulband van foulardzijde met een blauw en geel getinte opdruk van sleutels
Object type: womenswear
Date: 1970 – 1980
Materials: silk
Techniques: printing
Location: paris
Inscriptions: mark: ‘HERMÈS-PARIS’

Tulband van foulardzijde met een blauw en geel getinte opdruk van sleutels. Over een dubbele laag tule raide is de foulardzijde gedrapeerd. Hoedband van blauw grosgrain. Middenachter aan de onderzijde enkele centimeters elastiek.
Vier pratende mannen
Object type: ornament print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: amsterdam
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 42 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated with 4 triangles ornamented with a central floral motif that exist upon a rectangular base ornamented with different floral motifs. Bottom register is decorated with an alternating pattern of a quatrefoil containing a 4-petaled flower and diamond containing 4-petaled flower.
Portret van Abraham de Fabert
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: maarschalk, abraham de fabert
Inscriptions: collector's mark: Lugt 240

Portret van maarschalk Abraham de Fabert (1599-1660), afgebeeld in ovale omlijsting met wapen.
Summer tours in Scotland : Glasgow to the Highlands : "Royal Route," ... with time tables and list of fares
Object type: book
Date: 1886 – 1886
Materials: linen, paper
Techniques: photograph, printing
Location: glasgow
Inscriptions: date: ‘Feb 1995’, annotation: ‘£12’
Mannen, vrouwen en een kind poserend bij bomen voor een huis
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: collodion silver print
Location: france
Artist: Anonymous
Subjects: trees, adult woman, trousers, breeches, adult man, child, historical persons, trees (+ stem, trunk), clothing for the upper part of the body, head-gear: hat, family, relationship, descent, dress, gown, three generations (family group), france

Onderdeel van Album met 8 foto's van (vermoedelijk) een Franse familie.
Kwitantie op naam van Daniel Hooft, 1789
Object type: ontvangstbewijs, kwitantie
Date: 1789 – 1789
Materials: paper
Techniques: letterpress printing, writing
Location: northern netherlands
Artist: Anonymous
Subjects: daniël hooft, amsterdam
Inscriptions: collector's mark: Lugt 2228

Kwitantie uitgeschreven door Daniël Hooft als ontvanger van de gemeene landsmiddelen op 1 september 1789. Voorgedrukt blad waarop met pen de bedragen zijn ingevuld, ondertekend door Hooft.
Schepen op zee (serie B)
Object type: print
Date: 1688 – 1750
Materials: paper
Techniques: etching, hand coloring, lithography
Location: netherlands
Subjects: sailing-ship, sailing-boat, sea (seascape)
Inscriptions: collector's mark: Lugt 2228

Van een zeilschip, dat links van enkele meerpalen ligt, wordt het roodbruine zeil door een man gehesen. Een andere man steekt de vaarboom in het water. Op de achtergrond andere zeilschepen.
A Fresh Breeze
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,illness,men,women,boats
Gezicht op de waterbron van Mara
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: antwerp
Subjects: miracle of the sweetening of the water of marah, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 971, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op de waterbron van Mabelouch. In de tijden van Mozes heette de waterbron Mara. Tijdens de Uittocht uit Egypte had Mozes door een mirakel deze waterbron zoet in plaats van bitter gemaakt (Exodus 15:22). Op de achtergrond rechts de Rode Zee en links de weg naar de berg Sinaï. Op de voorgrond een waterput waar een karavaan zich bevoorraadt. De prent heeft een Nederlands onderschrift met verwijzingen naar gebouwen en plaatsen op de prent.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic
Gezicht op een bouwterrein aan de Nieuwezijds Voorburgwal
Object type: drawing
Date: 1866 – 1928
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: city-view in general; 'veduta', building-site
Inscriptions: collector's mark: ‘14’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Verhulststraat (Johannes), Viaducten, Vierwindenstraat, Vinkenbuurt, Vinkenpad, Vinkenstraat, Vischsteeg, Vliegendesteeg, Voetboogstraat, Volewijk, Vondelstraat, Voorburgwal (N.Z.).
Young Nuba Woman
Object type: photograph
Date: 1853 – 1854
Techniques: paper negative, salted paper print
Artist: pierre trémaux
Artist role: artist
Artist nationality: french
Artist dates: 1818 – 1895
Subjects: female nudes
The California Limited in Crozier Canyon, Arizona
Object type: ansichtkaart, prentbriefkaart
Date: 1928 – 1928
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: ravine, chasm, abyss, canyon, railway, train
Inscriptions: number: ‘H-1575’
Thea en Joanna Diepenbrock staand in veld
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: laren, zanger, joanna diepenbrock, thea diepenbrock
Inscriptions: date

Foto op bruin albumblad 7 van familiealbum van Alphons Diepenbrock.
Galloon
Object type: galloon
Date: 1601 – 1633
Materials: metal thread
Twee vrouwen en een man met een camera
Object type: photomechanical print
Date: 1900 – 1950
Materials: cardboard
Techniques: four-color autotype
Artist: Anonymous
Subjects: flowers, adult woman, photography, adult man

Deze prent maakt deel uit van een album.
Edinburgh Castle
Object type: photograph
Date: 1867 – 1867
Techniques: albumen print
Location: edinburgh
Artist: archibald burns
Aanbrengen van ijsankers
Object type: sketchbook leaf
Date: 1880 – 1880
Materials: paper, pencil
Location: barentsz sea
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: iceberg, rowing-boat, canoe, etc. (+ two persons ~ traffic and transport), sea (seascape)

Twee mannen in een boot brengen ijsankers aan in een ijsberg. Blad 20 verso uit een schetsboek met 35 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Meditation
Object type: painting
Date: 1900 – 1910
Materials: canvas, oil
Culture: american
Artist: john george brown
Artist role: artist
Artist nationality: american, born england
Artist dates: 1831 – 1913
Subjects: interiors,contemplation,women
Schipbrug te Keulen
Object type: stereograph
Date: 1850 – 1860
Materials: cardboard, photographic support
Techniques: albumen print
Location: cologne
Artist: johann heinrich schönscheidt
Artist role: fotograaf
Artist dates: 1835 – 1903
Subjects: city-view in general; 'veduta', pontoon bridge, cologne
Inscriptions: number: ‘No 83’