deem-data/ArtiFact huggingface dataset:
Terracotta oil lamp
Object type: lamp
Date: 40 – 100
Materials: terracotta
Culture: roman

Loeschcke Type 4. Mold-made. Discus: rosette of four pointed petals with central rib; a single filling hole at center; band of lines and grooves towards edge. Volutes flanking nozzle, with large wick hole. Incised base ring, and uneven, concave base. Intact, but surface chipping on base.
Landschap Studien naar de Natuur getekend en op steen gebracht door C.L. Hansen
Object type: print
Date: 1809 – 1840
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: carel lodewijk hansen
Artist role: draughtsman, painter, print maker
Artist dates: 1765 – 1840
Inscriptions: inscription: ‘1ste’, inscription: ‘F 2,50-’

In deze omslag bevinden zich zes prenten, genummerd 1 tot en met 6.
Uitstalling van stenen en hout uit Turnov
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: rock types; minerals and metals; soil types
Standard Bearer with Raised Left Hand
Object type: print
Date: 1501 – 1533
Techniques: engraving
Artist: barthel beham
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1540
Subjects: men
Bowl
Object type: bowl
Date: 1600 – 1050
Materials: terracotta
Culture: cypriot

Flat handle, bands of lattice, chain and dots.
Mug
Object type: mug
Date: 1701 – 1800
Materials: enamel, glass, lead
Location: czech republic
Dorpsgezicht met kerk te Monster
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Location: monster
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: public road in village
Inscriptions: annotation: ‘Monster’

Blad 14 recto uit een schetsboek met 78 bladen.
Wonderbaarlijke vermenigvuldiging van broden en vissen door Christus en Christus loopt over het water
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: multiplication of loaves and fishes for a multitude of four or five thousand people (matthew 14:13-21, 15:32-39; mark 6:32-44, 8:1-10; luke 9:10-17; john 6:1-14), christ saves peter from drowning
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Garthwait, Henry. Historie des levens en stervens onses Heeren en saligmakers Jesu Christi. Amsterdam: Jan Claesz ten Hoorn, 1690.
Drie brandspuiten en een brandend gebouw
Object type: drawing
Date: 1680 – 1690
Materials: ink, paper
Techniques: brush, pen
Artist: jan van der heyden
Artist role: draughtsman, painter, print maker
Artist dates: 1637 – 1712
Subjects: fire-fighting, pump (fire-extinguishing equipment), fire-hose
Rivierlandschappen met bebouwing en figuren
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching
Location: the hague
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., hunter, brook (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Links van de beek liggen twee herders in een weiland bij hun koeien en schapen. Rechts van de beek enkele jagers met honden. Rechtsvoor wandelt een paar met een hond. Op de achtergrond enkele gebouwen.
Reclame voor zwarte kousen van Onyx met reproductie van een racistische prent van negen baby's
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, african peoples, africans (+ caricatured), infant, baby
Inscriptions: inscription: ‘"ONYX BLACKS" / "WE NEVER CHANGE COLOR" / BLACK "ONYX" HOSIERY’
One of Pair of Rice Bowls
Object type: one of pair of rice bowl
Date: 1736 – 1795
Materials: jade
Culture: chinese
Dorisch hoofdgestel
Object type: ornament print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: doric order ~ architecture, other architectural details (entablature)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een Dorisch hoofdgestel met ronde elementen, een eierlijst en dennenappels.
Half-moon-shaped bugle (halbmond)
Object type: wind instrument
Date: 1800 – 1800
Materials: copper
Location: germany
Artist: Anonymous

Jachthoorn (halve maan) in D van messing. Rondom de beker is een krans gelegd, die aan de bovenzijde versierd is met een rand schelpmotiven en relief. In het midden en aan de beide uiteinden zijn ringen bevestigd voor een draagriem.
Kozakkenkoor
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: choir

Met dirigent. Blad 8 recto uit schetsboek V met 33 bladen.
Jug with cover
Object type: jug with cover
Date: 1753 – 1795
Materials: faience, metal
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Knife, Hand
Object type: knife
Date: 1 – 300
Materials: copper, gold
Techniques: casting
Culture: moche
Location: peru
Subjects: hands
Le chevalier Flors van Pouderoyen
Object type: reproduction
Date: 1889 – 1908
Materials: cardboard, paper
Techniques: albumen print
Artist: michel berthaud
Artist role: publisher
Artist dates: 1845 – 1912
Subjects: historical persons, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Mins zech?’
Document Box (Bunko) with Design of Cherry Trees in Bloom in Yoshino
Object type: document box
Date: 1840 – 1840
Materials: gold, lacquer, silver
Techniques: polish, relief, maki-e
Culture: japanese
Subjects: landscapes
Design for Landau, No. 3604
Object type: drawing
Date: 1880 – 1880
Materials: gum arabic, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Zittende jongen met een takkenbos onder de arm
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: trees (+ bundle of twigs, faggot), head-gear: hood (+ men's clothes), sitting figure (+ young male (human being))

De jongen draagt laarzen en een pak met een capuchon. Blad 14 verso uit een schetsboek met 16 bladen.
Portret van Franz Georg von Schönborn, aartsbisschop en keurvorst van Trier
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Die Neue Europäische Fama, Welche den gegenwärtigen Zustand der vornehmsten Höfe entdecket. dl. 83. Leipzig: Gleditsch, 1742.
Interieurs en borduurvoorbeelden voor delen van bedden
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous

Tegenzijdige kopie naar blad uit de serie Nouveaux Livre da Partements.
Ontwerpen voor onderdelen van musket of haakbus
Object type: ornament print
Date: 1659 – 1659
Materials: paper
Techniques: engraving
Location: france
Subjects: ornaments ~ art, flat decoration ~ applied arts, firearms
Inscriptions: signature: ‘Berain Fecit’
Gezicht op het Franse kamp op het Malieveld te Den Haag ter eere van de troonsbestijging van Lodewijk Napoleon
Object type: print
Materials: paper
Techniques: etching
Location: amersfoort
Subjects: louis napoleon (king of holland), (military) camp with tents, the hague
Inscriptions: dedication: ‘Pour M. Vandervick Capit. du genie / a Amersfoort / André’ opdracht, collector's mark: Lugt 2166

Gezicht op het Franse kamp op het malieveld in Den Haag. Onder de afbeelding een plan van het kamp met een legenda van a-p.
Frame
Object type: frame
Date: 1701 – 1733
Materials: gilt bronze
Mountainous landscape with herdsmen and cows
Object type: print
Date: 1725 – 1780
Techniques: etching
Artist: joseph wagner
Artist role: artist
Artist nationality: italian
Artist dates: 1706 – 1780
Mexico, from the National Flags series (N195) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: eagles,snakes,flags

Trade cards from the "National Flags" series (N195), issued in 1891 by W.S. Kimball & Co. to promote Hard Tack Cut Plug and Mechanics' Long Cut Tobacco.
Maffet Ledger: Indian and two horses
Object type: drawing
Date: 1874 – 1881
Materials: crayon, graphite, paper, watercolor
Culture: cheyenne
Location: united states
Subjects: spears,men,horses
Portret van René Aubert de Vertot
Object type: print
Date: 1727 – 1727
Materials: paper
Techniques: engraving
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: priest, historical persons, military orders, e.g.: knights templars, knights of malta, teutonic knights ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 125. Leipzig: Johann Gottlieb Gleditsch, 1727.
Protestantse kerk
Object type: print
Date: 1645 – 1694
Materials: paper
Techniques: woodcut
Location: northern netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: protestant churches and denominations, interior of church, sermon ~ holy mass
Inscriptions: collector's mark: Lugt 698, collector's mark: Lugt 2228
Kraantjeskan met handvat van ivoor, met deksel
Object type: coffee urn
Date: 1780 – 1780
Materials: ivory, silver
Location: london
Inscriptions: mark

Tea urn. Silver, the handle of ivory. London, 1780, by Andrew Fogelberg and Stephen Gilbert.
Terracotta oil lamp
Object type: lamp
Date: 1 – 200
Materials: terracotta
Culture: roman

Plain discus with central filling hole, surrounded by a narrow band of lines and grooves. Broad, sloping shoulder: two rows of small circles and dots. Volutes flanking nozzle, with plain channel between them. Base ring and concave base inscribed: SIƧ.
Vijftien Mysteries van de Rozenkrans
Object type: print
Date: 1602 – 1604
Materials: paper
Techniques: etching
Location: rome
Artist: raffaello schiaminossi
Artist role: painter, print maker
Artist dates: 1572 – 1622
Subjects: the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: number: ‘10’, collector's mark: Lugt 240

De prent maakt deel uit van de serie 'Quindecim Mysteria Rosarii Beatae Mariae Virginis'. De serie bestaat uit een titelprent en vijftien prenten met voorstellingen van de Mysteries van de Rozenkrans (episodes uit de levens van Christus en Maria). In een andere staat is de prent in de plaat genummerd linksonder: 10.
Pop, voorstellende een baker of een kindermeisje
Object type: doll
Date: 1675 – 1700
Materials: cotton, glass, linen, metal thread, silk, fiber, wax
Location: amsterdam
Artist: Anonymous

Pop, voorstellende een baker of een kindermeisje, vervaardigd van metaaldraad en mattenbies. Hoofd en handen van was.
La Vera Perfettione del Disegno di varie sorti di recami, page 4 (verso)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: flowers,vines

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design composed of 5 horizontal registers that are printed upon a grid. First register is decorated with a curving vine of leaves and flowers. Second register is decorated with 2 intertwining vines forming ovals, inside of which is a flower, fruit, or an acorn. Third register is decorated with a curving vine of leaves, fruit, and an acorn. Fourth register is decorated with a curving vine of leaves and 4-petaled flowers. Fifth register is decorated with a coiling vine of leaves and 6-petaled flowers.
Liggende hazewindhond
Object type: print
Date: 1849 – 1912
Materials: paper
Techniques: etching
Location: netherlands
Artist: otto eerelman
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1926
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Sketch for Wall Decoration
Object type: collection ornament architecture
Date: 1540 – 1580
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: ornament
Rowel Spur (Right)
Object type: spur
Date: 1601 – 1633
Materials: metal alloy
Culture: german
Location: germany

The articulated branches of this spur were intended to fit it to the foot. This example is featured with ice cleats, probably a later addition.
Souvenir aan den afgetreden Resident der Preanger-Regentschappen Jhr. E.Th.H. van Benthem van den Bergh
Object type: document
Date: 1903 – 1903
Materials: cardboard, ink
Techniques: printing
Location: bandung
Subjects: zaltbommel, resident, jonkheer eduard thomas theodorus van benthem van den bergh, bandung

Nederlandse namen met personen die bijgedragen hebben aan de degenstok met gouden knop met geciseleerd geslachtswapen 1903, geschonken aan de afgetreden Resident der Preanger-Regentschappen Jhr. E.Th.H. van Benthem van den Bergh. Tekst gedrukt in zwart en rood met gouden versierd kader. Aan de bovenrand is met balpoint geschreven.
Sculptuur van Antinoüs in de Capitolijnse Musea te Rome, Italië
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture
Circulus Vicissitudinis Rerum Humanarum
Object type: print
Date: 1564 – 1633
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: vicissitudes of life (+ allegorical scene, i.e. two or more personifications involved in an action), chariot, triumphal car, wealth, opulence; 'opulenza', 'richezza' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Op een triomfwagen zit de personificatie van de rijkdom (Opulentia) met kroon en scepter, zakken met geld onder haar troon. De wagen wordt begeleidt door personificaties van Woeker (Usura), Lust (Libido), Verraad (Proditio) en List (Dolus) die ervoor zorgen dat rijkdom tot stand komt. Prent uit een serie van negen prenten met triomfwagens uit de Antwerpse Besnijdenis-ommegang van 1561. De personificaties op de wagens verbeelden samen de kringloop van het menselijk handelen.
Vier koppen
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head (human), caricatures (human types)
Inscriptions: collector's mark: Lugt 2228
Cup with cover and stand (one of a pair)
Object type: cup with cover and stand
Date: 1766 – 1767
Materials: silver gilt
Artist: john parker
Artist role: maker
Artist nationality: british
Artist dates: 1759 – 1777
Subjects: women,coat of arms

This pair of cup was made for the Curzon family, important patrons of the architect Robert Adam. The bold profile, rich beading, and unusual square base represent an early foray into the neoclassical style. Although the design is not attributed, some motifs are apparently borrowed from the published designs of William Kent, an architect active a generation earlier.
The Poet Otomo no Kuronushi, from the series "Modern Children as the Six Immortal Poets (Tosei kodomo rokkasen)"
Object type: print
Date: 1804 – 1805
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi
Object type: folio from an illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: iran
Artist: muhammad ibn badr al-din jajarmi
Artist role: author
Artist nationality: iranian
Artist dates: 1315 – 1365
Subjects: poetry,wells,goats,moon,zodiac
Bracelet with lion's-head terminals
Object type: bracelet
Date: 1000 – 668
Materials: bronze
Location: transcaucasia
Subjects: lions
Plate 11 from Military Figures
Object type: print
Date: 1590 – 1610
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: heinrich ulrich
Artist role: draughtsman, painter, print maker
Artist nationality: german
Artist dates: 1572 – 1671
Inscriptions: Lettered upper center: "11" and below image: "Censeo militae Capcta atque recenseo" [sic]
Yabu Street at the foot of Atago Hill (Atagoshita yabukoji), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Ornament
Object type: ornament
Date: 1801 – 1900
Materials: bronze
Culture: japanese
Subjects: snails
Album des objects d'art religieux du moyen age et de la renaissance exposés à Malines en 1864 / photogr. par J. Maes; texte desc. par W.H. James Weale
Object type: book
Date: 1864 – 1864
Materials: cardboard, leather, linen, paper, photographic support
Techniques: albumen print, printing
Location: brussels
Inscriptions: annotation: ‘Important par [...], bronzes/ et orfevrerie anciens -/ Plusieurs des pieces reproduites/ sont aujourd'hui perdues’
Loodje met no. 259
Object type: tax token
Date: 1885 – 1885
Materials: copper
Techniques: striking
Artist: Anonymous

eenzijdig loodje met gat erin. Voorzijde: wapenschild tussen jaartal boven cijfer 259. Keerzijde: blanco
Le Bon Genre: Observations sur les modes et les usages de Paris
Object type: book
Date: 1827 – 1827
Techniques: engraving
Location: france
Artist: la messangère
Artist role: publisher
Artist nationality: french
Subjects: hair,men,women,dressing,mirrors
Modèles de plafonds, corniches, profils, fragments et détails d'ornements, tirés des plus beaux edifices modernes d'Italie : premier cahier
Object type: ornament print
Date: 1792 – 1802
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: decorations (interior of the house), ornament derived from plant forms

Doordat dit album bestaat uit meerdere, deels eerder uitgegeven prentreeksen, is de datering niet consequent. Het geheel is op de titelpagina gedateerd op 1802. Deze reeks is gedateerd 1792. Aangezien onduidelijk is wanneer de prenten in deze vorm precies uitgegeven zijn, worden beide data gehanteerd: zowel 1802 als publicatiedatum, en de eerdere datum.
De serietitel voor het gehele werk is "Recueil d'arabesques, contenant les loges du Vatican". De andere serietitel is de titel van de specifieke reeks binnen het geheel.
Portret van Edmond de Pressensé
Object type: page
Date: 1855 – 1867
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
My Queen, from the Illustrated Songs series (N116) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1893 – 1893
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women

Trade cards from the "Illustrated Songs" series (N116), issued in an unnumbered set of 25 cards in 1893 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Woman with a Garland of Flowers
Object type: glass
Date: 1750 – 1799
Materials: glass, metal
Techniques: lampwork
Location: france
Damas. Colonnade dans l'intérieur de la grande mosquée
Object type: photograph
Date: 1867 – 1877
Materials: cardboard, paper
Techniques: albumen print
Location: damascus
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, number: ‘422bis’, check stamp: ‘Bristol/ L.M.’, title: ‘S 95. Colonnade van de Groote moskee. Damascus.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).