deem-data/ArtiFact huggingface dataset:
Design for Bowl No. 7751
Object type: drawing and watercolor
Date: 1883 – 1883
Materials: ink, paper
Location: united states
Graven en gravinnen van Holland, Zeeland en West-Friesland
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: haarlem
Artist: cornelis visscher (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1658
Subjects: floris ii (count of holland), historical persons, ruler, sovereign, armorial bearing, heraldry

Midden boven genummerd: XI. Met onderschrift in het Latijn.
Een jonge vrouw onder een boom
Object type: print
Date: 1650 – 1716
Materials: paper
Techniques: engraving
Artist: cornelis bloemaert (ii)
Artist role: draughtsman, print maker
Artist dates: 1603 – 1692
Subjects: pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 240

Een vrouw rust uit onder een boom in een landelijke omgeving. Naast haar twee ganzen.
Portret van Ary Scheffer
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: stippling
Subjects: dordrecht, draughtsman, sculptor, ary scheffer, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Glass perfume bottle
Object type: candlestick perfume bottle
Date: 101 – 300
Materials: glass
Culture: roman

Candlestick unguentarium. Colorless with bluish tinge. Tubular rim folded out, over, and in; cylindrical neck flaring downward; convex body, curving out and sharply downward; pushed-in bottom with central kick. Broken and repaired on body with small hole in edge at base; many bubbles and blowing striations; pitting, iridescence, and patches of creamy brown weathering. Colorless blown glass "candle-stick" vase with very long neck and wide base.
Cup with birds and flowering plants
Object type: cup
Date: 1730 – 1750
Materials: glaze, paint, porcelain, soft paste porcelain
Techniques: firing, forming, turning, vitrification
Location: chantilly

Cup, soft paste porcelain Chantilly, c. 1730 - 1750
Glass mosaic inlay fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Thin inlay fragment. Translucent deep purple streaked with colorless, greyish blue, turquoise blue appearing green; opaque white and yellow. Flat with one straight edge; slightly uneven underside. Mosaic pattern formed from polygonal sections of three canes: one in a purple ground with a white circle and a central white rod; another in a purple ground around a rosette of five green rods outlined in yellow and a central white rod surrounded by a purple circle, and a third in a purple ground around a rosette of six blue rods outlined in white and a central yellow spiral surrounded by a purple circle. Polished upper side; pitting of surface bubbles on upper side; pitting and thick creamy weathering and brilliant iridescence on underside and edges.
Scent bottle
Object type: scent bottle
Date: 1750 – 1755
Materials: soft paste porcelain
Artist: saint james's factory
Artist role: maker
Artist nationality: british
Artist dates: 1749 – 1759
Subjects: women,flowers
Vestknoop van kunststof met reliëf-ribbel, vast oogje en losse tegenklem
Object type: menswear
Date: 1900 – 1940
Materials: metal, plastic
Location: netherlands
Artist: Anonymous

Vestknoop van kunststof met reliëf-ribbel, vast oogje en losse tegenklem.
Maharana Jagat Singh Hawks for Cranes
Object type: painting
Materials: gold, ink, paper, watercolor
Culture: western indian, rajasthan, udaipur
Artist: shiva and dayal
Artist role: artist
Subjects: cranes,hunting,horses,landscapes

This spectacular panoramic vista of the Mewar landscape depicts a royal hunting party in a series of consecutive vignettes, creating a continuous narrative. The aerial perspective, reflecting the plunging views of terrain offered from many Rajput forts, was an innovation of the Mewar school, perhaps combined here with a new awareness of European cartography. The rays of golden sun—the insignia that Rajput princes displayed on their standards—add a surreal if somewhat celestial dimension to the composition. This painting is remarkable for its complex topography, differentiated with imaginatively devised pictorial devices—hillocks, streams, fields—each deployed to create a landscape of the imagination. The large scale of the work is typical of mid-eighteenth-century Mewar painting, as is the likelihood that multiple artists worked on it in a palace studio environment.
Haarspeld, tweetand van koper met diadeemvorm van zilver(?) met dubbele rij strasstenen
Object type: hairpin
Date: 1900 – 1910
Materials: copper, glass, silver
Techniques: forging, grinding, inlay
Location: netherlands
Artist: Anonymous

Haarspeld (trembleuse) van koper, zilver (?) en stras. Een vorkvormige haarspeld van koper en een dito verlengstuk van een trilveer dragen een kleine diadeemvorm van dubbele rij van grote, diamantgeslepen stenen. De middelste ovaal, de 15 andere rond.
Fotoreproductie van een schilderij van een vrouw met kind door Robert Beyschlag
Object type: reproduction
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Subjects: bed, picture, painting
Printed Advertisement
Object type: print
Date: 1805 – 1808
Techniques: letterpress
Artist: cermenati & bernarda
Artist role: publisher
Artist nationality: american
Artist dates: 1805 – 1808

This printed advertisement is a rare survival that provides valuable information concerning a Boston firm of carvers, gilders and makers of picture frames and looking glasses. They were located at No. 2 State Street south of the Old State House in Boston.
La Cène (The Last Supper), from "La Petite Passion" (The Little Passion)
Object type: print
Date: 1624 – 1625
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Fransche kavallerie in de Krim
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van Franse militairen te paard. Genummerd rechtsboven: 87.
Journal des Dames et des Modes, Costumes Parisiens, kopie naar 25 mai 1812, (1230), No. 1: Chapeau de Gros de Naples (...)
Object type: fashion print
Date: 1912 – 1912
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Artist: Anonymous
Subjects: handkerchief (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: title: ‘Costume Parisiens.’, caption: ‘Chapeau de Gros de Naples. Canezou et Robe Perkale.’

Vrouw, lopend naar links, gekleed in een canezou en japon van katoenbatist (percale). Op het hoofd een hoed van 'gros de Naples'. Verdere accessoires: zakdoek, platte schoenen met gekruiste banden. Prent No. 1230 uit het modetijdschrift Journal des Dames et des Modes (1797-1839). uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839. Hier gepresenteerd als prent No. 1 in het modetijdschrift Journal des Dames et des Modes (1912-1914).
Reverse frame
Object type: frame
Date: 1634 – 1666
Materials: wood
Culture: italian, veneto
Kohl Container
Object type: vessel
Date: 401 – 600
Materials: glass
Techniques: glassblowing
Culture: byzantine
Location: levant

Glass containers were used to store cosmetics, including scented oils and kohl, a mineral compound used to dramatic effect to darken eyelids and eyelashes. Containers for cosmetics were fashioned out of a variety of materials in addition to glass, including metal, ivory, bone, and wood. In his writings, the third-century church father Saint Clement of Alexandria (d. 215) mentions white lead, charcoal, and even the “droppings of crocodiles” as common ingredients for cosmetics, although he must be regarded as a hostile witness at best. Nevertheless, the fact that his writings feature such detail about the use of makeup attests to its ubiquity.

Multicompartment kohl containers were formed when a hollow tube of glass was folded in half, thereby creating two tubular containers from one. Over time, the appearance of these vessels became more elaborate and whimsical.
Portret van de beeldhouwer Pier Pander (1864-1919)
Object type: painting
Date: 1893 – 1894
Materials: canvas, oil
Location: rome
Artist: thomas cool
Artist role: draughtsman, painter
Artist dates: 1851 – 1904
Subjects: rome, draughtsman, designer, pier pander, portrait, self-portrait of sculptor, portrait, self-portrait of artist
Bamboo in Wind
Object type: painting
Date: 1723 – 1776
Materials: ink, paper
Location: japan
Artist: attributed to ike taiga
Artist nationality: japanese
Artist dates: 1723 – 1776
Portret van een geestelijke
Object type: album leaf
Date: 1872 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Location: ghent
Subjects: historical persons, organization, functionaries and dignitaries in roman catholic church; clergy in general
Inscriptions: initials: ‘B’, inscription: ‘RUE DE LA VIGNE 16 HARENG PEC/ BEERNAERT/ FRÈRES/ GAND/ Tous les Clichés étant conservés on peut/ toujours en obtenir de nouvelles épreuves/ ainsi que e ceux de l'ancienne Photie Renoz’
Fotoreproductie van een getekend portret van een onbekende vrouw met pruik
Object type: reproduction
Date: 1865 – 1900
Materials: glass
Techniques: collodion process
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909
Subjects: drawing, historical persons

Onderdeel van groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, stillevens, portretten, zelfportretten en kunstreproducties.
Messenheft uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife handle
Date: 1700 – 1743
Materials: bone
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knife-handle, tangplate; cracked, rel. NG 1980-27H1149, 4 rivet-holes.
Sake Bottle (Tokkuri) with “Three Friends of Winter” (Pine, Bamboo, and Plum)
Object type: sake bottle
Date: 1701 – 1800
Materials: enamel, stoneware
Techniques: overglaze, polychrome
Culture: japanese
Subjects: trees
Knife Box
Object type: knife box
Date: 1790 – 1790
Materials: wood
Culture: american
Location: united states
Portret van Adam Duncan
Object type: print
Date: 1712 – 1797
Materials: paper
Techniques: etching, engraving
Location: london
Subjects: adam duncan (burggraaf van duncan), paris, jan willem de winter, historical persons, officer
Inscriptions: collector's mark: Lugt 2228
Begrafenisoptocht van Willem Frederik, graaf van Nassau-Dietz (blad 8), 1665
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving
Location: leeuwarden
Subjects: arnhem, cortege, funeral procession

Begrafenisoptocht van Willem Frederik, graaf van Nassau-Dietz, in Leeuwarden op 6 januari 1665. Deel van de begrafenisstoet. Plaat nr. 8 in een ensemble van 24 (van de 25) ongemonteerde genummerde platen (zonder tekstbladen) die samen een lange fries vormen.
Lunette met putti, leeuwen en hoornen des overvloeds in de oostelijke galerij van het Stadhuis op de Dam
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: 'cornucopia', horn of plenty, beasts of prey, predatory animals: lion, cupids: 'amores', 'amoretti', 'putti', attributes of cybele

Prent gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Artus Quellinus (I), 1655.

Zie RP-P-AO-22-1-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-1-2 voor bijhorend register.
Zie RP-P-AO-22-1A, RP-P-AO-22-1B, RP-P-AO-22-1C, RP-P-AO-22-1D-1, RP-P-AO-22-1D-2, RP-P-AO-22-1E, RP-P-AO-22-1F, RP-P-AO-22-1G, RP-P-AO-22-1H, RP-P-AO-22-1I, RP-P-AO-22-1K-1, RP-P-AO-22-1K-2, RP-P-AO-22-1K-3, RP-P-AO-22-1K-4, RP-P-AO-22-1K-5, RP-P-AO-22-1L-1, RP-P-AO-22-1L-2, RP-P-AO-22-1M-1, RP-P-AO-22-1M-2, RP-P-AO-22-1N-1, RP-P-AO-22-1N-2, RP-P-AO-22-1N-3, RP-P-AO-22-1N-4, RP-P-AO-22-1N-5, RP-P-AO-22-1O-1, RP-P-AO-22-1O-2, RP-P-AO-22-1O-3, RP-P-AO-22-1O-4, RP-P-AO-22-1P-1, RP-P-AO-22-1P-2, RP-P-AO-22-1P-3, RP-P-AO-22-1P-4, RP-P-AO-22-1Q-1, RP-P-AO-22-1Q-2, RP-P-AO-22-1Q-3, RP-P-AO-22-1Q-4, RP-P-AO-22-1R-1, RP-P-AO-22-1R-3, RP-P-AO-22-1R-4, RP-P-AO-22-1R-5, RP-P-AO-22-1S-1, RP-P-AO-22-1S-2, RP-P-AO-22-1S-3, RP-P-AO-22-1S-4, RP-P-AO-22-1S-5, RP-P-AO-22-1T-1 en RP-P-AO-22-1T-2 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Frederik de Wit, 1665.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
Riviermonding in zee
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers
Inscriptions: inscription: ‘Monding der Soengei kiat rivier bij zonsondergang’

Gezicht op de monding van de rivier in zee bij zonsondergang, bij Soengeiliat op Banka. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
Scherf van een voorraadpot uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: stoneware
Location: cologne
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Stoneware, Rhenish, Langerwehe-ware, storage-jar; fragm of body, sim. NG 1980-27H409.
Gezicht op Waterloo Bridge in de mist in Londen
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: aquatint, etching, intaglio
Location: london
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: rowing-boat, canoe, etc., bridge in city across river, canal, etc.
Inscriptions: inscription: ‘proefdruk v. W. Witsen’, collector's mark: Lugt 2228, watermark
C.T.J. Louis Rieber, Het Koninklijk Paleis te Amsterdam
Object type: photograph
Date: 1899 – 1899
Materials: cardboard
Techniques: photograph
Artist: Anonymous
Subjects: seating furniture, palace, royal palace of amsterdam

Vierschaar. Marmeren gestoelte voor den Geheimschrijver.
Willemynken moedigt vechtende honden aan en Dyfken vermaant haar
Object type: book illustration
Date: 1590 – 1627
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: pilgrim(s), animals (+ fighting animals; aggressive relations), dog
Inscriptions: collector's mark: Lugt 2228

Prent uit: Boëtius Adamsz. Bolswert, Duyfkens en Willemynkens pelgrimagie tot haren beminden binnen Iervsalem. Haerlieder teghenspoet, belet en eynde, Antwerpen, Hendrick Aertssens, 1638. Op het verso staat een verklarende Nederlandse tekst bij de voorgaande illustratie in dit devotie boekje (vergelijk RP-P-BI-2197).
Pharmacy bottle (one of a pair)
Object type: pharmacy bottle
Date: 1550 – 1550
Techniques: maiolica, glazing
Artist: orazio pompei
Artist role: maker
Artist nationality: italian
Artist dates: 1511 – 1596
Subjects: women

Storage vessels were among the most frequently produced maiolica wares in late medieval and Renaissance Italy. Made in fairly standard shapes, they were designed to fit with dozens of others on a shelf, often in a pharmacy or shop. Their handles therefore tend to fit within the vessel’s profile, and the cylindrical albarello type is generally narrower at the middle than at the top or bottom, making it easy to grip. Other common features include inscriptions indicating contents and flanged lips to help secure cloth or paper seals. The decoration, usually more elaborate on one side than the other, can sometimes link pieces to a known dispensary or specific workshop or artist.
Bloemstudie
Object type: photograph
Date: 1875 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: a. calavas
Artist role: publisher
Subjects: flowers
Inscriptions: collector's mark: Lugt 3937, number: ‘21’

Onderdeel van Verzamelband met foto's van bloemstudies.
Een Fries openbaart aan graaf Floris V waar zich het lijk van koning Willem bevindt
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: leiden, floris v (graaf van holland en zeeland), earl

Illustratie voor: J.P. Arend, Algemeene geschiedenis des vaderlands, Amsterdam, 5 delen, 1840-1882, dl. 2.1, p. 347.
Landschap
Object type: drawing
Date: 1856 – 1909
Materials: paper, watercolor
Techniques: brush
Artist: sientje mesdag-van houten
Artist role: draughtsman, painter
Artist dates: 1834 – 1909
Subjects: landscapes in the temperate zone
Portret van de schilder Jacob Denys
Object type: print
Date: 1650 – 1694
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: richard collin
Artist role: print maker
Artist dates: 1627 – 1697
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, inscription: ‘Jacobus De Neijs Peintre.’

Behoort tot de Verzameling Gerritsen, kunstenaarsportretten
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, hand with bow and drapery?
Gezicht op zeilboten te water
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Artist: george hidderley
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Accounts—"Life School" (from Sketchbook)
Object type: drawing
Date: 1796 – 1886
Materials: graphite, paper
Culture: american
Artist: asher brown durand
Artist role: artist
Artist nationality: american
Artist dates: 1796 – 1886
Jongen met houten emmer
Object type: print
Date: 1808 – 1848
Materials: paper
Techniques: soft ground etching
Artist: pieter barbiers (iv)
Artist role: painter, print maker
Artist dates: 1798 – 1848
Subjects: youth, adolescent, container of metal: bucket, can, canister, drum, tin
Inscriptions: collector's mark: Lugt 2228
Armstoel, onderdeel van een divan de milieu
Object type: furniture
Date: 1852 – 1852
Materials: wood, silk
Location: the hague

Divan de milieu. Mahogany, upholstered with silk lampas. The Hague, c. 1852, by the Horrix Brothers. The lampas France. The divan de milieu, which retains its original upholstery, was made for Prince Frederik of The Netherlands.
Portret van Joost van den Vondel op 84-jarige leeftijd
Object type: print
Date: 1657 – 1707
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrik bary
Artist role: draughtsman, print maker
Artist dates: 1640 – 1707
Subjects: cologne, amsterdam, joost van den vondel
Inscriptions: inscription: ‘Aetat. LXXXIV’, collector's mark: Lugt 2228
Wall Tile
Object type: tile
Date: 1401 – 1500
Materials: earthenware, glaze
Culture: spanish
Location: spain
Portret van Abraham Everardus Simon Thomas
Object type: photomechanical print
Date: 1900 – 1924
Materials: paper
Techniques: autotype
Subjects: historical persons, professor
Inscriptions: collector's mark: Lugt 2233
Knife with Sheath
Object type: knife with sheath
Date: 1801 – 1900
Materials: copper, silver, steel, wood
Culture: philippine, moro
Location: philippines
A Seated Personification of Charity with two Children
Object type: drawing
Date: 1539 – 1591
Materials: ink
Techniques: pen
Artist: jost amman
Artist role: artist
Artist nationality: swiss
Artist dates: 1539 – 1591
Subjects: children,women
Gerrit Van Kouwenhoven
Object type: painting, miniature
Date: 1805 – 1805
Materials: ivory, watercolor
Culture: american
Subjects: men,portraits

Gerrit Van Kouwenhoven (1787-1854) and his brother, Johannis Van Kouwenhoven (1781-1838; 48.56.2), were both of Flatlands, Long Island, New York. Gerrit was a great-grandfather of the donor.
Enquêteformulier ingevuld door Augustus van der Steene
Object type: manuscript
Date: 1840 – 1841
Materials: paper, pencil
Techniques: printing, writing
Subjects: bruges, draughtsman, augustus van der steene
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Shitaya Hirokoji, from the series “One Hundred Famous Views of Edo (Meisho Edo hyakkei)”
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Arnoldus Vinnius op 49-jarige leeftijd
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: professor
Inscriptions: collector's mark: Lugt 240

Portret van Arnoldus Vinnius op 49-jarige leeftijd, professor aan de juridische faculteit Leiden. Borststuk in ovale omlijsting met motto Virtutis laus omnis in actione consistit. Onder in marge een Latijns vers van Marcus Zuerius Boxhorn.
Man's Jifu (Semiformal Court Robe)
Object type: costume and accessory
Materials: textile, gold leaf, metal, paper, silk
Techniques: brocade, lacquer, weave, satin weave
Culture: manchu
Location: china
Secundum praelium navale ad Promont, album, vulgo Cabo Blanco XIII Jan.
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: earl, johan maurits graaf van nassau-siegen, battle (+ naval force)

Tweede gevecht tussen de vloot van de WIC onder Willem Cornelisz. Loos met de Portugese vloot onder graaf de la Torre bij Cabo Blanco (Branco), voor de kust bij Salvador (Bahia), 13 januari 1640. In de lucht een gevleugelde banderol met de titel en twee rookhoorns. In het onderschrift de verklaring van de letters A-E en de cijfers 1-7 in het Latijn. Plaat [nr. 43] in een serie van 55 voorstellingen van de tocht naar en het verblijf in Brazilië van graaf Johan Maurits van Nassau in de jaren 1636-1644.
Overhanging Rock, Glacier Point
Object type: photograph
Date: 1906 – 1906
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: california
Subjects: californië
Inscriptions: annotation: ‘4. Yosemete-Valley’

Onder de titel staat: Copyright, 1906, by Pillsbury Picture Co. No. 1110.