deem-data/ArtiFact huggingface dataset:
Fragment of onderdeel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: part
Date: 1743 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, bar(-shaped) fragments; fragm, extremely eroded, one end broken, square in section, other end slightly curved, joining a 2nd bar fragm, paralleled, smaller in section.
Journal des Dames et des Modes, Costumes Parisiens, 10 octobre 1824, (2269): Chapeau de bois blanc (...)
Object type: fashion print
Date: 1824 – 1824
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: bow (ornamental part of clothing) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), shaking hands, 'dextrarum junctio', dress, gown: redingote (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes)
Inscriptions: caption: ‘Chapeau de bois blanc. Robe de barèges. Chapeau de gros de Naples. Redingote de mousseline.’, title: ‘Costumes Parisiens.’

Twee vrouwen van wie de linker op de rug gezien. Zij draagt een japon van barège. Op het hoofd een hoed van 'bois blanc'. De vrouw rechts draagt een redingote van mousseline, met strikken op de mouwen en rok. Hoed van 'gros de Naples'. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Reproductie van Une surprise dans un chateau door Édouard Detaille
Object type: reproduction
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Subjects: the soldier; the soldier's life (+ during the battle), painting, drawing and the graphic arts
Inscriptions: inscription: ‘Detaille/ Galerie Contemporaine, Littéraire et Artistique/ 126, boulevard de Magenta, Paris.’
Soldaat richt de roer met beide handen omhoog (nr. 10), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) met beide handen vasthoudt en deze schuin omhoog richt (nr. 10), ca. 1600. Plaat 10 in de instructies voor het hanteren van de roer. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, Amsterdam, 1608. Krijgswezen rond 1600.
Vijfenzeventigste vergadering van de Nederlandsche Maatschappij ter Bevordering van Nijverheid 1852
Object type: history medal
Date: 1852 – 1852
Materials: bronze
Techniques: striking
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879

Bronzen penning, op de voorzijde de Vaderlandsliefde als vrouw in militair tenue lauwert de Nijverheid, met hoorn des overvloeds leunend op een bijenkorf, met omschrift, op de keerzijde tien regels tekst binnen een zware eikenkrans.
Bowl (one of a pair)
Object type: bowl
Date: 1701 – 1800
Materials: pewter
Set of Five Writing Boxes with Japanese Globeflowers, Plum Blossoms, and Interlaced Roundels
Object type: writing box
Date: 1767 – 1833
Materials: gold, gold foil, silver, wood
Techniques: hiramakie, lacquer
Culture: japanese

Writing-box sets are used in poetry contests or incense games in which several participants have to write at the same time. The writing boxes are distributed at the beginning of the event and collected at the end. This set of five boxes is housed in an open frame decorated with a landscape with a river and Japanese globeflowers. The lid of the stacked boxes is embellished with a plum-tree branch and brushwood fence, a well-known design from the Tōshōgū (Tokugawa memorial shrine) in Nikkō, where the door of the main shrine is decorated with a similar motif. The sides are embellished with interlaced gold and silver roundels (shippō), an auspicious motif on nashiji (pear skin) ground.
Sleutel
Object type: key
Date: 1600 – 1699
Materials: iron

Sleutel waarvan de greep uit blad- en randmotieven is samengesteld. De schacht is vierpasvormig geboord en gaat bij de greep over in geledingen.
Portret van Thomas à Kempis
Object type: print
Date: 1654 – 1709
Materials: paper
Techniques: engraving
Subjects: priest, thomas à kempis
Inscriptions: collector's mark: Lugt 2228

Portret van Thomas à Kempis, schrijver en monnik in het Agnietenbergklooster bij Zwolle.
Portret van Agostino Barbarigo en de personificaties van Scheepsoverwinning, Overwinning en Welvaart
Object type: print
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: 'cornucopia', horn of plenty, medal (considered as a piece of sculpture, regardless of its specific function), 'victoria'; 'vittoria', 'vittoria navale', 'vittoria degl'antichi' (ripa), welfare, prosperity; 'felicità publica', 'prosperità della vita', 'salute' (ripa), caduceus (staff with two snakes, attribute of mercury)
Inscriptions: collector's mark: Lugt 2228

Voetstuk in de vorm van een cartouche. Daarop een medaillon met op de voorzijde het portret van Agostino Barbarigo met dogehoed. Op de achterkant vier kinderen met jachtbuit, korenaren en schalen met bloemen en fruit. Daarbij de tekst: Temporum Felicitas. Het voetstuk wordt omringd door drie personificaties. Geheel links staat Overwinning op zee: een vrouw met lauwerkrans en palmtak, staande op een scheepsboeg. Daarnaast schrijft Overwinning op een schild. Haar linkervoet staat op een helm. Rechts zit Welvaart of Gelukzaligheid op een troon. In haar handen een slangenstaf en hoorn des overvloeds. Op haar hoofd een bloemenkrans. De prent maakt deel uit van een album.
Lateraanse Obelisk en het Lateraans Paleis te Rome
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: obelisk, needle, rome
Inscriptions: collector's mark: Lugt 2228
Batikker aan het werk, mogelijk in Batavia
Object type: photograph
Date: 1857 – 1864
Materials: glass
Techniques: slide
Location: batavia
Subjects: dyeing of cloth with pattern; batik-work, batavia
Gezicht op een brug in Amsterdam
Object type: sketchbook leaf
Date: 1870 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: urban housing, city-view, and landscape with man-made constructions, bridge
Judith and Her Servant
Object type: print
Date: 1520 – 1530
Materials: paper
Techniques: engraving
Location: germany
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Verschrikkingen van de zee
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: lithography
Subjects: bretagne
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Deze prent werd na 1900 gepubliceerd door Ambroise Vollard in een oplage van ongeveer vijftig exemplaren.
The Actor Matsumoto Koshiro 3rd in an Unidentified Role
Object type: print
Date: 1769 – 1769
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ippitsusai bunchō
Artist role: artist
Artist nationality: japanese
Artist dates: 1765 – 1792
Subjects: men,actors
Jacket
Object type: jacket
Date: 1840 – 1859
Materials: cotton
Culture: american or european
Serie portretten van vijftiende- en zestiende-eeuwse geleerden
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving, letterpress printing
Location: france
Subjects: ink-well, historical persons, insects: moth, book
Inscriptions: collector's mark: Lugt 2228
Mlle. Palledino, Paris, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Plaque
Object type: plaque
Date: 1800 – 1883
Materials: glass, paste
Location: france
Subjects: men,profiles
Venster met gordijnen
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Kruisvenster met gedrapeerde gordijnen in Chinese stijl. Prent uit 293e Livraison.
Portret van een onbekende vrouw met drie kinderen
Object type: frame
Date: 1880 – 1910
Materials: paper, cardboard, glass, metal, paint, wood
Techniques: brush, gelatin silver print
Artist: Anonymous
Subjects: anonymous historical person portrayed, mother and child(ren), woman and child(ren) (family group)
Reliëf op de tombe van keizer Maximiliaan I
Object type: carte de visite
Date: 1855 – 1867
Materials: cardboard, paper
Techniques: albumen print
Location: innsbruck
Subjects: grave, tomb, ruler, sovereign
Inscriptions: number: ‘19’
Portret van Frans Lodewijk van Bourbon-Conti
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, frans lodewijk de bourbon-conti, prince, historical persons
Inscriptions: collector's mark: Lugt 240
Poliphilo loopt een dichtbegroeid bos in
Object type: book illustration
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, forest, wood
Inscriptions: collector's mark: Lugt 2166

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, verso fol. 1.
Gezicht op de passage van Pichoux
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: aquatint
Location: amsterdam
Subjects: road, path
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Promenade Pittoresque dans l'évêché de bâle aux bords de la Birs (...). Amsterdam: T.B. Groebe, 1710.
Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Oktober 1807, No. 25 : Chapeau paré de Plumes panachées...
Object type: fashion print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), head-gear (straw hat) (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)
Inscriptions: caption: ‘Chapeau paré de Plumes panachées. Canezou de Hussarde.’

Volgens de beschrijving in het tijdschrift (p. 328): Japon van witte mousseline. 'Canezou à la Hussarde'. 'Fichu van wol; witte strohoed met veren. Sjaal genaamd 'Zéphyre'. Pistache kleurige handschoenen. Lilakleurige satijnen schoenen. Prent uit het modetijdschrift Elegantia, of tijdschrift van mode, luxe en smaak voor dames 1807-1814 (onderbroken door de periode 1811-1813).
Portret van Frederik, prins van Oranje-Nassau
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, willem george frederik (prins van oranje-nassau), knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Fragment of a mummy label
Object type: mummy label
Materials: wood
Location: egypt
William Gale
Object type: painting, miniature
Date: 1776 – 1776
Materials: ivory, watercolor
Culture: american
Artist: joseph dunkerley
Artist role: artist
Artist nationality: american
Artist dates: 1776 – 1776
Subjects: men,portraits

This miniature is Dunkerley's earliest known dated work.
Design for Stanhope Phaeton, no. 3959
Object type: drawing
Date: 1885 – 1885
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Drie stoelen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: europe
Artist: Anonymous
Subjects: chair, europe
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, inscription: ‘Tijdperk van Lodewijk XIV.’, inscription: ‘C.W.N.’

Links een armstoel bekleed met fluweel, midden een armstoel waarvan de geslingerde rugstijlen worden bekroond door gedraaide vazen, rechts een armstoel met geslingerde spijlen.
Portret van John Egerton
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: mezzotint
Subjects: politician, historical persons, politician, e.g. party leader, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 240
Jar with Chrysanthemums
Object type: jar
Date: 1601 – 1700
Materials: porcelain
Techniques: painting, underglaze
Culture: japanese
Vessel with Lizards
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Techniques: modeling, painting
Culture: nazca
Location: peruvian south coast
Subjects: landscapes, animals, birds, lizards
Hammered Copper Pin (tupu)
Object type: pin
Date: 701 – 1566
Materials: copper, gilt
Techniques: hammering
Culture: peruvian
Location: peru
Transport van plaatijzeren drums
Object type: photograph
Date: 1932 – 1932
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: truck, van, colonial system, machines; parts of machines; tools and appliances, java
Inscriptions: date

Transport van een lading plaatijzeren drums op een vrachtwagen met opleggers. Vervaardigd in 1932 in Soerabaja en bestemd voor de Boeton Maatschappij. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Jogyakarta, uit de periode 1908-1942.
Dominicus van Tol - De Muizenval, la souricière
Object type: photograph
Date: 1866 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: youth, adolescent, sea (seascape), mouse trap
Inscriptions: annotation: ‘Musée de La Haye’, annotation: ‘Musée d'Amsterdam’

Deze foto maakt deel uit van een omslag met 25 foto's.
Landschap met bomen
Object type: print
Date: 1800 – 1886
Materials: paper
Techniques: drypoint, intaglio
Location: italy
Artist: banfi
Artist role: print maker
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2228
View of Western architecture
Object type: print
Date: 1701 – 1800
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: chinese
Arigayoi, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Rijssel door de bondgenoten ingenomen
Object type: history medal
Date: 1708 – 1708
Materials: silver
Techniques: striking
Location: nuremberg
Subjects: paris, vienna, eugenius van savoye, john churchill (1e hertog van marlborough), lille
Portrait of a Man
Object type: drawing
Date: 1830 – 1830
Materials: chalk, crayon, paper
Techniques: heightening
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: men,portraits
Fireworks celebrating the erection of the Temple of Glory and equestrian statue of Louis le Grand, Paris 1699
Object type: print, fete, ornament architecture
Date: 1699 – 1699
Techniques: etching
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: temples,men,fireworks
Private, 9th Regiment, New York State Militia, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,firearms,men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Portret van een vrouw met een kap op het hoofd
Object type: print
Date: 1836 – 1857
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons - bb - woman (+ (full) bust portrait), head-gear: cap
Inscriptions: monogram: ‘P.A.L.’, monogram: ‘J.D.K.’, collector's mark: Lugt 2228
Deelnemers aan een optocht voor een tribune
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: public festivities at birth of royal persons, dutch east indies, the

Onderdeel van familiealbum Nederlands-Indië.
Robe à la française
Object type: robe à la française
Date: 1778 – 1785
Materials: linen, silk
Culture: french
Mannenkop naar Grieks voorbeeld
Object type: print
Date: 1824 – 1824
Materials: paper, pencil
Techniques: engraving
Artist: johannes de mare
Artist role: draughtsman, print maker
Artist dates: 1806 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘Gegraveerd door J. de Mare/ in de zomer van Ao. 1824’, collector's mark: Lugt 2228
Minolo, from the Ballet Queens series (N182) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Ballet Queens" series (N182), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Koninklijke arm met scepter en zwaard / Franse lelie op een berg
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: paris, scorpions, postures and gestures of arms and hands, mountains

Een embleem met twee voorstellingen. Boven een arm gekleed in mouw met Franse lelie. De koninklijke arm heeft een scepter vast. De scepter heeft een zwaard. Onder een berg waarop een Franse lelie. Het betreffen deviezen van koning Lodewijk II en Filips II van Frankrijk.
Orfévrerie
Object type: print
Date: 1859 – 1864
Materials: paper
Techniques: chromolithography
Location: paris
Subjects: container of (semi-)precious stone
Fragment hals met kurk van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: wine bottle
Date: 1700 – 1743
Materials: cork, glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, neck, onion-shaped bottle or bottle with vertical side; fragm, mouth, vs-string rim, with cork.
Bulla
Object type: bulla
Date: 500 – 168
Materials: clay
Culture: achaemenid or seleucid
Location: iran

This bulla (a lump of clay used in an administrative context) bears the impression of a stamp seal. It is difficult to make out the image on the seal, but it seems to show an animal of some kind. This bulla was excavated at Pasargadae in southwestern Iran, about 90 km northeast of Shiraz. Pasargadae was the first capital of the Achaemenid Persian Empire, founded by Cyrus the Great c. 546 B.C. The bulla was found in a room near the eastern corner of the Tall-i Takht, a massive artificial platform presumably built as the site of a royal palace but converted into a fortified compound after Darius established a new capital at Persepolis around 520. Presumably it was once attached to a document of some kind – a clay tablet or papyrus or parchment document. Alternatively, it may have been used as a token, indicating the bearer was authorized by a superior to do some particular action. Without more bullae, or indeed any documents, it is impossible to do more than speculate. Nevertheless, the presence of bullae at Pasargadae suggest the existence of a bureaucracy there. Indeed, the Takht may have served as a storehouse or treasury during the 5th and 4th centuries B.C.; Elamite tablets from Persepolis refer to a treasury there during the reign of Darius, and according to the Greek historian Arrian (3.18.10), Alexander the Great captured a treasury at Pasargadae. This bulla thus may be a remnant of the management of that treasury.
Gondel met stadsprofiel en gezicht vanaf de Canal Grande
Object type: photograph
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: venice
Artist: Anonymous
Subjects: tourism, gondola, canals, waters (in city) (+ city(-scape) with figures, staffage), venice
Inscriptions: inscription: ‘Palais Royal (vue d'ensemble) / Grand Canal’

Albumblad met twee foto's in Venetië. Onderdeel van een fotoalbum van een reis door Italië, ca. 1900.
Vogel op nest
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Inscriptions: mark: ‘T&M [= Trapp & Münch]’
Portretten van priesters en wetenschappers
Object type: print
Date: 1622 – 1658
Materials: paper
Techniques: engraving, etching
Artist: dietrich meyer
Artist role: painter, print maker, publisher
Artist dates: 1572 – 1658
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Covered Box
Object type: covered box
Date: 1801 – 1900
Materials: bamboo
Culture: japanese
Design for a Candelabrum with the Monogram of Louis XIV
Object type: drawing
Date: 1601 – 1700
Materials: ink, paper
Techniques: pen
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: louis xiv,dolphins,candelabra
Study for frontispiece from Marmion
Object type: print
Date: 1808 – 1808
Materials: ink, paper
Techniques: wash
Location: england
Artist: thomas stothard
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1834