deem-data/ArtiFact huggingface dataset:
Utrechtsche studenten-almanak voor het jaar 1882
Object type: book
Date: 1882 – 1882
Materials: paper, cardboard, linen
Techniques: albumen print, letterpress printing, lithograph
Location: utrecht
Artist: j. van druten
Artist role: publisher
Inscriptions: number: ‘450’
Portret van Wilhelm Ludwig Wekhrlin
Object type: print
Date: 1749 – 1799
Materials: paper
Techniques: etching
Artist: j. muller
Artist role: print maker
Subjects: publisher, historical persons, writer, poet, author
Inscriptions: date: ‘1739-92’, initials: ‘W.L.’, collector's mark: Lugt 2228
Unidentified profile portrait, woman facing left
Object type: cut paper
Date: 1773 – 1820
Materials: paper
Techniques: cutting
Artist: anonymous, german
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 2050
Subjects: profiles,women

Wrapped in paper with five other profiles (2013.141.1–.6). Inscription on the packet in brown ink: Frau Röntchen.
De kerk en een ophaalbrug in het dorp Leur, Brabant
Object type: drawing
Date: 1729 – 1729
Materials: ink, paper, pencil
Techniques: pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: church (exterior), bridge, street
Inscriptions: inscription: ‘gegraveerd bij I. Tirion door H. Spilman’, inscription: ‘Leur / Leur / 7 aug 1729 / 1714 gestigt’
Ruiter te paard in een landschap
Object type: drawing
Date: 1651 – 1651
Materials: chalk, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: date

Overgetrokken van de voorzijde (in spiegelbeeld).
Cystoseira barbata
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants
Tower of Pignattara, plate twenty-two from the Ruins of Rome
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: m. dubourg
Artist nationality: english
Artist dates: 1786 – 1838
Sword Guard (<i>Tsuba</i>) Depicting Two Gibbons (二疋手長猿図鐔)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, copper alloy, gold, iron
Culture: japanese
Location: japan
Subjects: monkeys
Beaker
Object type: beaker
Date: 1670 – 1675
Materials: silver gilt
Artist: samuel schneeweiss
Artist role: maker
Artist dates: 1597 – 1697
Germination, plate two from In Dreams
Object type: print
Date: 1879 – 1879
Materials: ink, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
By Request
Object type: print
Date: 1936 – 1941
Techniques: etching
Artist: charles l. sallee, jr.
Artist role: artist
Artist nationality: american
Artist dates: 1913 – 2006
Subjects: women,pianos,musicians
The Schoolmistress
Object type: group
Date: 1762 – 1762
Materials: biscuit, paste, porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: children,women

Works of art by the French artist François Boucher (1703–1770), who held the prestigious title of first painter to the king, served as a highly popular source of inspiration for artists working in a variety of media in the middle decades of the eighteenth century. Prints made after paintings by Boucher were widely circulated and provided artists with compositions that could be faithfully reproduced in smaller scale or adapted to three-dimensional porcelain sculpture. Works by Boucher served as the source not only for the painted scenes on vases and snuffboxes, but also for the porcelain figures which were listed as "Enfants Boucher" (Boucher Children) in the factory’s sales ledgers.
Priming Flask Bearing the Monograms and Arms of the Prince-Elector August I of Saxony (reigned 1553–86) and  Anna of Denmark (reigned 1553–85)
Object type: priming flask
Date: 1575 – 1575
Materials: gold, iron, silk, silver
Culture: german, saxony
Location: germany
Artist: master thomas der schwertfeger (possibly thomas rucker)
Artist role: iron-chiseler
Artist nationality: german
Artist dates: 1535 – 1606
Portrait of a Woman
Object type: painting
Date: 1445 – 1445
Materials: paint, wood
Artist: giovanni di francesco del cervelliera
Artist role: artist
Artist nationality: italian
Artist dates: 1412 – 1459
Subjects: portraits,profiles,women
Portret van Gaspard Duarte
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: death i.e. the fall of icarus (daedalus present)
Inscriptions: collector's mark: Lugt 2228

Portret van de Antwerpse bankier, juwelier en muziekliefhebber Gaspard Duarte. Op de achtergrond, door het raam, de val van Icarus.
Cover
Object type: cover
Date: 1801 – 1833
Materials: linen, silk
Techniques: embroidery, weave
Location: greece
Grafin von Blessington
Object type: print
Date: 1820 – 1900
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Cover
Object type: cover
Date: 1801 – 1900
Materials: textile, dye
Culture: japanese
Subjects: geese
Canal with Bridge and Houses
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Location: netherlands
Artist: after jan van de velde, i
Artist nationality: dutch
Artist dates: 1568 – 1623
Fotoreproductie van een schets van het afscheid van een liefdespaar door Albert Hendschel
Object type: reproduction
Date: 1865 – 1870
Materials: paper
Techniques: albumen print
Location: frankfurt am main
Subjects: couple of lovers, taking leave
Inscriptions: monogram: ‘AH’

Deze foto maakt deel uit van een omslag met 50 foto's op 48 bladen, een lijst van afbeeldingen en een titelblad.
Ridinger, A Deer
Object type: photograph
Date: 1855 – 1858
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: drawing, sketch

Fotoreproductie van tekening in 'The Reveley Collection of Drawings at Brynygwin', afb. 21.
Beauty at the Mimeguri Shrine
Object type: painting
Materials: gold, gold leaf, ink, pigment, silk
Location: japan
Artist: utagawa toyohiro
Artist role: artist
Artist nationality: japanese
Artist dates: 1773 – 1828

This fashionable woman is enjoying a cool evening by the Mimeguri Shrine, located on an embankment of the Sumida River, which flows through central Tokyo. Her clothing advertises her sophistication: a chic lightweight black kimono that reveals the colors of her robes underneath, with a complementary obi (sash). Toyohiro was a second-generation artist of the Utagawa School, the most prominent painters of ukiyo-e, or “floating world” pictures. The phrase “floating world” describes a way of life in premodern Japanese cities (17th–19th centuries) that celebrated enjoyment in fleeting pleasures such as art, beauty, and fashion.
Russische loopgraven in de Eerste Wereldoorlog bij Grodno, Wit-Rusland
Object type: stereograph
Date: 1916 – 1916
Materials: photographic support
Techniques: gelatin silver print
Location: berlin
Artist: Anonymous
Subjects: war, trenches
Inscriptions: number: ‘296’, stamp: ‘PERRY/ GALERIJ’
Groepsportret van een onbekende familie met twee kinderen
Object type: ansichtkaart, prentbriefkaart
Date: 1912 – 1920
Materials: paper
Techniques: gelatin silver print
Location: leeuwarden
Artist: friedrich otto strüppert
Artist role: fotograaf
Artist dates: 1865 – 1954
Subjects: family group, especially parents with their child(ren), anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: check stamp: ‘F.O. Strüppert/ Leeuwarden’
Scarab: Title (Overseer of the Granary) and Name (Djehuty)
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: scarab beetle, hieroglyphs, inscription, insects
Inscriptions: "Overseer of the double granary of Amun, Djehuty, true of voice"
Actors Nakajima Mihoemon II as Fujiwara no Shihei, Ichikawa Ebizô III as Matsuo-maru, Ichikawa Yaozô II as Sakura-maru, and Ichimura Uzaemon IX as Umeo-maru in “Sugawara’s Secrets of Calligraphy” (“Sugawara denju tenarai kagami”)
Object type: print
Date: 1776 – 1776
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Back of the head, neck, left shoulder, and part of the upper torso of a male to left
Studio of William S. Mount (from McGuire Scrapbook)
Object type: drawing
Date: 1804 – 1868
Materials: graphite, paper
Culture: american
Artist: shepard alonzo mount
Artist role: artist
Artist nationality: american
Artist dates: 1804 – 1868
Subjects: buildings
De vier evangelisten
Object type: book illustration
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: lamb bearing cross or banner, 'agnus dei' ~ symbol of christ, the evangelists writing (+ holy ghost (as a dove))
Inscriptions: inscription: ‘utrechts Fundatie huijs’

De vier evangelisten in de wolken, samen met de apocalyptische dieren. Een engel met een bazuin blaast hen lof toe. Op de achtergrond de Heilige Geest als duif en het Lam Gods. De prent heeft een Grieks, Latijns, Frans, Engels, Duits en Nederlands onderschrift.
Coin Portraying Emperor Gallienus
Object type: coin
Date: 253 – 268
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Subjects: portrait
Ontsnapping van de zeven remonstrantse predikanten uit slot Loevestein, 1631
Object type: print
Date: 1775 – 1799
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: law and jurisprudence (+ escape from prison), loevestein castle

De ontsnapping van de zeven remonstrantse predikanten uit slot Loevestein, 's nachts in een roeibootje, 19 juli 1631. Gemerkt rechtsboven: Pl. 8.
Portret van Carolina, prinses van Oranje-Nassau
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: carolina (prinses van oranje-nassau)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Portret van Salomon Hirzel
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving, letterpress printing
Location: frankfurt am main
Subjects: mayor, mayor, burgomaster, historical persons
Inscriptions: date

Prent uit: Theatrum Europaeum. Frankfurt am Main: Matthäus Merian I, 1647, dl. 5.
Portret van Alexander Vos
Object type: drawing
Date: 1712 – 1795
Materials: paper
Techniques: brush
Artist: tako hajo jelgersma
Artist role: draughtsman, painter
Artist dates: 1702 – 1795
Subjects: historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Koninkrijk Holland, dukaat, 1810
Object type: coin
Date: 1810 – 1810
Materials: gold
Techniques: striking
Location: utrecht
Artist: louis napoleon (king of holland)
Artist role: koning
Artist dates: 1778 – 1846

Gouden munt. Voorzijde: borstbeeld van de koning naar links. Keerzijde: gekroond wapenschild, waaronder jaartal. Daaronder muntmeesterteken. Kabelrand.
Morgentoilette am Sonntage
Object type: print
Date: 1841 – 1902
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: looking in the mirror; (possibly: contemplation of own beauty - aa - (for) women), interior of the house, dressing oneself, getting dressed - aa - female human figure
Inscriptions: collector's mark: Lugt 2228

De vrouw kijkt in de spiegel terwijl zij haar hoofddoek omknoopt. Op de stoel bij de tafel ligt een jas. Achter haar staat de deur van een kast open.
Knielende geestelijke
Object type: print
Date: 1722 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter yver
Artist role: print maker, publisher
Artist dates: 1712 – 1787
Subjects: 'cornucopia', horn of plenty (+ variant), the cross ~ symbols of christ, organization, functionaries and dignitaries in roman catholic church; clergy in general
Inscriptions: collector's mark: Lugt 2233

Een geestelijke knielt en bidt, terwijl voor hem een engel met een banderol verschijnt. Op de banderol staat een tekst in het Latijn, die oproept om te denken volgens de taal van het hart. Een andere engel toont het kruis van Christus. Naast de geestelijke ligt een hoorn des overvloeds met symbolen van kerkelijke macht.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: ribbon, silk
Techniques: embroidery, lace
Subjects: flowers
Pair of Thigh Defenses (Cuisses)
Object type: pair of thigh defense cuisse with knee defense poleyns
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Glass mosaic bead
Object type: bead
Date: 1 – 100
Materials: glass
Culture: roman, egyptian

Opaque brick red ground; details in opaque white and pale yellow, and translucent blue. Globular, slightly flattened at top and bottom; vertical hole; made from four sections pressed together. Each section decorated with same design: central square in blue with leaf-shaped white overlay marked with eight-armed star in blue, surrounded by irregular splashes of yellow on red ground. Intact; slight pitting and faint weathering. The piece is perhaps related to the face beads that are also displayed here.
Abrahams Erscheinung
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: vienna
Subjects: story of abraham, angels
Fan
Object type: costume and accessory
Date: 1701 – 1725
Materials: ivory, skin
Techniques: painting
Location: france
Farmyard, from Revue Fantaisiste
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Hall Stand
Object type: furniture
Date: 1870 – 1870
Materials: iron, marble
Techniques: casting
Location: coalbrookdale
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904
Subjects: greek gods, furniture, rain, wind

The nineteenth century was a period of vast industrial developments, one of which was increased efficiency in cast-iron production. As cast iron proliferated into many aspects of architecture and applied arts, design critics renounced the material as vulgar and deceitful. In an effort to beautify cast-iron products, smelting manufactories hired professional designers, like Christopher Dresser, with visually stimulating results. In this hall stand, which was part of a larger series, Dresser combined medieval foliage motifs with classical depictions of the Greek gods of wind and water, Boreas and Aquarius.
Lot and his Daughters
Object type: painting
Date: 1610 – 1620
Materials: canvas, oil
Artist: jacopo palma (il giovane)
Artist role: draughtsman, painter, print maker
Artist dates: 1544 – 1628
Subjects: lot's daughters make their father drunk
Inscriptions: signature: ‘Jacobus Palma .F.’

Lot wordt dronken gevoerd door zijn dochters. Zittend op rotsen in een landschap krijgt Lot van zijn twee naakte dochters een drinkschaal aangereikt, rechts op een rots staat de wijnkan. Op de achtergrond de vrouw van Lot als zoutpilaar voor de brandende steden Sodom en Gomorra.
Ex libris van Karl Moosmann
Object type: bookplate
Date: 1932 – 1932
Materials: paper
Techniques: woodcut
Location: austria
Artist: karl haselböck
Artist role: print maker
Subjects: aesculapian sign
Inscriptions: inscription: ‘K. Haselböck Oosten/ hs. '32’
Kris with Sheath
Object type: kris with sheath
Date: 1701 – 1900
Materials: copper alloy, ivory, steel, wood
Culture: madurese
Location: indonesia
Terracotta statuette of a male figure holding the head and neck of a mask or image
Object type: figurine of a man holding a protome
Date: 750 – 600
Materials: terracotta
Culture: cypriot
Subjects: masks,men

This clay statuette surely has to do with a performance of some kind. The standing figure is probably wearing a mask and holding either another mask or the head of an image in human form. Among Archaic statuettes from Cyprus, representations of many different types of performers are common.
Architectural Tile with Apsara
Object type: architectural tile
Date: 1301 – 1500
Materials: ceramic, gilt
Techniques: glazing
Culture: thailand, sukhothai
Bowl with Prince on Horseback
Object type: bowl
Date: 1101 – 1300
Materials: glaze, stonepaste
Techniques: gilding, overglaze, painting, polychrome
Location: iran
Subjects: men,horses

Mina'i production, like luster painting, was expensive and labor-intensive because of the double‑firing process involved. For added luxurious effect, potters sometimes applied gilded scrolls in relief, as on this bowl. The theme of a prince on horseback—an image of courtly life widely exploited by Seljuq ceramists—is treated here in a "monumental" style.
Fragment
Object type: textile
Materials: textile, silk
Techniques: brocade
Location: japan
Portret van Pierre Bayle
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: rotterdam, historical persons
Inscriptions: collector's mark: Lugt 2228
Strook goudkant en zilverkant met oversnijdende ranken
Object type: strip
Date: 1700 – 1799
Materials: gold thread, silk, thread
Techniques: lace
Location: france
Artist: Anonymous

Strook gekloste goud- en zilverkant. Het patroon bestaat uit een doorlopende golvende rank met vóór en ná elke golftop een bloem met zeven lobben, gemaakt in gouddraad. Deze gouden rank wordt oversneden door een golvende zilveren rank, met daaraan een aaneenschakeling van een cirkelvormig, een gelobd en een min of meer ovaalvormig motief. Afwisselend is in het centrum van het gelobde motief een goudkleurig ovaal centrum en een hoekig zilverkleurig centrum gemaakt. De motieven zijn voornamelijk gemaakt in vormslag en in linnenslag, met dikkere contourdraden en gevlochten contourlijnen. Boven- en onderzijde van de strook zijn recht afgewerkt, met weinig picots.
Mitts
Object type: mitt
Date: 1870 – 1879
Materials: silk
Culture: american
"Une péroraison à la Démosthène," plate 33 from Les Gens de Justice
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men
Medicine Box
Object type: metalwork
Date: 1850 – 1850
Materials: brass, silver, silver gilt
Location: england
Ipswich Museum Portraits
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: london
Subjects: albert (prins van saksen-coburg en gotha), moustache, adult man, historical persons, table
Inscriptions: check stamp: ‘Ipswich Museum’, collector's mark: Lugt 2228

Prent behoort tot de serie 'Ipswich Museum Portraits', ook bekend onder de titel 'Portraits of Honorary Members of the Ipswich Museum'. Deze serie is in 1852 door George Ransome uitgegeven en gedrukt door M&N Hanhart tussen 1848 en 1852. De serie bestaat uit ca. 60 portretten.
Landaulet #906
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Textile Design with Alternating Vertical Rows of Lozenges and Pearls Framed by Interlacing Garlands of Branches
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating vertical rows of lozenges bordered by ten pearls, framed by interlacing garlands of branches of light tan color with offsetting branches of brown color over a light tan ground with stipples of brown color. The rows of lozenges are colored: two rows with black and one with red; the pearls are colored with white.
The Village of Chanaz (Savoie)
Object type: print
Date: 1866 – 1866
Techniques: etching
Artist: adolphe appian
Artist role: artist
Artist nationality: french
Artist dates: 1818 – 1898
Subjects: villages,landscapes
Lamp
Object type: lamp
Date: 1830 – 1835
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Portret van Dirk I, graaf van Holland
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: cornelis visscher (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1658
Subjects: nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 240

Proefdruk van de eerste prent uit een de serie 'Graven en gravinnen van Holland, Zeeland en West-Friesland', bestaande uit 38 prenten.