deem-data/ArtiFact huggingface dataset:
Buitenbad voor kinderen aan een kade in Wenen
Object type: album leaf
Date: 1930 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: swimming (movement in water) (+ more than eight persons), public baths - aa - in the open air, vienna

Drie foto's van kinderen bij een buitenbad in Wenen. Deze foto's maken deel uit van een album.
Landschap met koeien, schapen en herderin, gewijzigde kopie naar een schilderij van Paulus Potter, de herderin gekopieerd van een schilderij van Karel Dujardin (recto); onvoltooid portret van een man (verso)
Object type: pastel
Date: 1761 – 1761
Materials: parchment
Artist: jean-etienne liotard
Artist role: painter, print maker
Artist dates: 1702 – 1789
Subjects: cow, spinning (manufacture of yarn)
Inscriptions: inscription: ‘d'après P. Potter, ajouté la figure par J.E. Liotard’

Jean-Etienne Liotard (1702 - 1789). Unfinished portrait of a man (verso). J.W.R. Tilanus bequest, 1885.
Stencil
Object type: stencil
Date: 1615 – 1868
Materials: paper
Culture: japanese
Subjects: fish,waves
Jongeman met tulband
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: etching
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: head-gear: turban
Inscriptions: collector's mark: Lugt 2228
Two Handled Pot
Object type: pot
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Camp of the 5th Dragoon Guards
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards
Landscape with a Bridge and a Dovecote
Object type: print
Date: 1701 – 1800
Materials: paper
Techniques: engraving, etching
Location: france
Artist: pierre françois laurent
Artist role: artist
Artist nationality: french
Artist dates: 1739 – 1809
The Cannon ‘Fredelant’
Object type: cannon
Date: 1533 – 1533
Materials: bronze
Techniques: casting
Location: arnhem
Artist: willem tolhuys
Artist role: caster

This is the oldest known cannon inscribed with a Dutch text, which translates as: ‘Fredelant is my name’. On the barrel are the arms of the married couple Hendrik van Isendoorn à Blois and Sophia van Stommel. Hendrik owned Cannenburch Castle in Vaassen, where this little
cannon stood until 1881. The decoration is in the style of the period (transition from Gothic to Renaissance), when the candlestick motifs would then have been considered very modern-looking.
Shabti of Seniu
Object type: shabti, seniu
Date: 1525 – 1504
Materials: paint, stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs

The shabti of the chief steward and scribe Seniu is a particularly fine example of this type of funerary figurine from the early New Kingdom. It is inscribed with the spell ensuring that the shabti will perform certain kinds of labor for the deceased in the afterlife. This work included maintenance of irrigation canals, and cultivation of the fields. The shabti was discovered during excavations by the Museum's Egyptian Expedition. It had been broken and mended in antiquity suggesting that it was valued by its owner.
Bedspread with a cypress-shaped, tree pattern
Object type: woven material
Date: 1600 – 1799
Materials: cotton
Techniques: printing block, weave
Artist: Anonymous

Chintz is a multicoloured cotton fabric produced in India and decorated by means of a woodblock print, and hand-painted floral and other motifs. Chintz was imported into Europe in the 17th century by the Dutch East India Company, and in large quantities brought to Persia (Iran), Siam (Thailand), Indonesia, China and Japan. The main pattern on this bedspread is an Indian form of the ‘tree of life.’
Berlin. Schloss mit Schlossbrücke
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Artist: Anonymous
Subjects: castle, canals, waters (in city), bridge in city across river, canal, etc., berlin
Inscriptions: stamp: ‘5’, monogram: ‘F’
Limestone head of a beardless male with a diadem
Object type: head of a male votary
Date: 567 – 535
Materials: limestone
Culture: cypriot
Subjects: diadems,heads,men

Head of a man wearing a frontlet with rosettes.
Two Nudes Seen from Below (recto); Male Figure with Upraised Arm (verso)
Object type: drawing
Date: 1580 – 1582
Materials: chalk
Techniques: drawing
Artist: pomarancio (cristoforo roncalli)
Artist role: artist
Artist nationality: italian
Artist dates: 1553 – 1626
Subjects: male nudes

In 1981 Lawrence Turčić recognized the figures on the recto of this sheet as studies by Roncalli for two of the personifications of winds that appear in a ceiling fresco surrounding the circular field of an anemoscope in the Sala della Meridiana, Torre dei Venti of the Vatican Palace. The figures are preparatory studies for southerly winds, Auser Africus and Notabilicus, two of the personifications surrounding the circular field in the center of the ceiling which names the various winds and indicates the direction of their origin. The Torre dei Venti (Tower of the Winds), Gregory XIII's astronomical and meteorological observatory at the Vatican, was constructed between 1578 and 1580. The frescoed decoration of the rooms of the Tower, executed from 1580 to ca. 1582, was a collaborative artistic venture between Niccolò Circignani, the brothers Matthijs and Paul Bril and Matteino da Siena. The Metropolitan drawing and the related figures in the Sala della Meridiana substantiate Baglione's hitherto unverified statement that Roncalli worked in the Vatican Palace under the supervision of Circignani on decorations for Pope Gregory XIII (Baglione 1642, pp. 288-89). There are a number of differences between fresco and drawing, the most obvious being the angle of the standing figure's head and the substitution of a deflated cloud for the skull in his right hand. John Gere (Nov. 1962) pointed out that the mount of this drawing is that of the English collector, William Young Ottley (1771-1836). (F.R.)
Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects
Object type: album print ornament architecture
Date: 1800 – 1850
Materials: chalk, graphite, ink
Techniques: pen
Artist: charles percier
Artist role: designer
Artist nationality: french
Artist dates: 1764 – 1838
Subjects: architecture,furniture,chairs
Gezicht op Weggis
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: lucerne
Subjects: city-view in general; 'veduta', lake
Inscriptions: number: ‘21’, inscription: ‘NPG’
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues; below, at the left, part of the head and the left hand of a filleted woman to right (maenad?); wreathed Dionysos to right, wearing a himation, holding a drinking horn in his left hand; head, neck, right shoulder and bent right arm, and tail of a satyr looking over his right shoulder at Dionysos
Franca Trippa - Fritellino, plate 23 from Balli di Sfessania
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Cover of a sugar bowl with a foliate scroll
Object type: service set
Date: 1785 – 1795
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: furstenberg

Deksel van een suikerpot van porselein, beschilderd op het glazuur in goud. Versierd met een bladrank en dekselknop in de vorm van een dennenappel.
Theepot met deksel, veelkleurig beschilderd met een Kakiemon-decor
Object type: teapot
Date: 1735 – 1735
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Tea pot. Porcelain. Meissen, c. 1735.
Veel schoene stucken om te snyden (...) Bekers, bokalen en schalen
Object type: print
Date: 1500 – 1598
Materials: paper
Techniques: engraving
Location: germany

Gelijkzijdige kopieën van de onder Orn Cat I-324 vermelde serie. Titelblad en 13 bladen.
Zwemmende mensen in een rivier
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: collodion silver print
Location: unknown
Artist: Anonymous
Subjects: swimming (sport), river (+ landscape with figures, staffage)
Timpaanvulling voorstellend Marta tussen twee engelen door Andrea della Robbia
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: the patroness of housewives, martha of bethany; possible attributes: aspergillum, broom, bunch of keys, dragon, ladle, angels, sculpture (+ relief ~ sculpture), europe
Inscriptions: inscription: ‘CWN.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, inscription: ‘Italiaansche Renaissance.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’
De liereman
Object type: print
Date: 1762 – 1764
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: parents with their children, hurdy-gurdy player - cc - out of doors, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Op een stoep voor een deuropening in een stad zit een gezin waaronder twee jonge kinderen. Naast hen staat een straatmuzikant met een draailier. Rechts een gracht.
Portret van Cornelius Jansenius, bisschop van Ieper
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: brush, etching
Location: netherlands
Artist: matthys van den bergh
Artist role: draughtsman, print maker
Artist dates: 1617 – 1687
Subjects: louvain, archbishop, bishop, etc. (roman catholic)
Inscriptions: collector's mark: Lugt 514, collector's mark, inscription: ‘t' portret van vermaerde Iansenius te Ypren na tleven/ ijcop gedaen aldaer en muts bij gevoecht bij Berghensprent/ Is zijn einichste/ prent tot 1690’

Portret van Cornelius Jansenius, bisschop van Ieper en profil, met vierkante baret en gekleed in stola.
Oude vrouwen uit Notre-Dame-de-Lorette in Parijs
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1853 – 1853
Materials: paper
Techniques: lithograph
Location: paris
Subjects: print, e.g.: engraving, etching, lithograph, art collector, old woman, various human types

Album met tien prenten op tien bladen. Op de omslag slaat een prentverzamelaar een album open. Hij wordt omringd door verschillende menselijke figuren.
Zeilschepen Harlequin, Astore en Sally te water
Object type: album leaf
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Artist: james adamson
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Montagehalle der Grossmaschinenfabrik
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: autotype
Artist: Anonymous
Subjects: germany
Solidus
Object type: solidus
Date: 610 – 641
Materials: gold
Culture: byzantine
Location: constantinople
Subjects: emperors,men
Slingerglas met klokvormige kelk
Object type: goblet
Date: 1750 – 1775
Materials: glass
Techniques: glassblowing

Slingerglas met conische voet en rechte stam. In de stam dubbele witte spiraal rond een blauwe staaf. Klokvormige kelk.
Britannia's Protection or Loyalty Triumphant
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,kings,men,women

George III stands at right, resting his elbow on a column inscribed "Fortitude." Britannia, beside him, raises her spear and shield to threaten Hadfield (who famously attempted to assassinate George III in 1800), who drops his pistol and is carried off by a small winged demon.
Portret van Filips van Bourgondië-Beveren
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: armour, historical persons, knighthood order of the golden fleece
Inscriptions: inscription: ‘Philip van Burgonjen den broeder van David van Burgonjen (...)’

Prent met paginanummer rechtsboven gebruikt in: Gargon, Mattheus. Walchersche Arkadia. Leiden: Samuel Luchtmans, 1717. Prent ook gebruikt in latere edities van dit werk.
The Eel Master (Unagi danna), illustration from Bugei Kurabu (Literary Club)
Object type: print
Date: 1866 – 1908
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: mizuno toshikata
Artist role: artist
Artist nationality: japanese
Artist dates: 1866 – 1908
Subjects: men,women,smoking
Rear Piazza, Grand Union Hotel, Saratoga, N.Y., No. 26 from the series "Saratoga Springs, N. Y."
Object type: photograph
Date: 1875 – 1899
Techniques: albumen print
Location: saratoga springs
Artist: baker & record, photographers
Fragmenten spelden uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pin
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tools and instruments, sewing and sailmaking, pin; fragm, shaft with blade-mount and bow, id. NG 1980-27H3265.
Hat
Object type: hat
Date: 1894 – 1894
Materials: silk, fiber
Culture: american
Subjects: flowers
Das Rothkappchen
Object type: print
Date: 1814 – 1859
Materials: paper
Techniques: engraving
Subjects: tales and fairy tales: little red riding-hood
Inscriptions: collector's mark: Lugt 2228
Fragment
Object type: textile
Date: 1000 – 1476
Location: peru
Kop, veelkleurig beschilderd met chinoiserieën
Object type: cup
Date: 1725 – 1730
Materials: porcelain
Techniques: painted
Location: meissen
Subjects: catharina de grote

Tea service on silver-gilt stand. Porcelain and silver gilt. Meissen, c. 1725 - 1730, the stand Augsburg, c. 1730, by Johannes Engelbrecht. From the possessions of Catharine the Great of Russia
Funerary Cone of the Scribe Amenemopet
Object type: cone, davy 73, amenemopet, tjanefer, scribe, grain of amun, field
Date: 1400 – 1352
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Portret van Tipu Sahib, Sultan van Mysore
Object type: print
Date: 1777 – 1832
Materials: paper
Techniques: etching
Subjects: other sovereign, historical persons, ornaments, jewels, head-gear: turban
Inscriptions: collector's mark: Lugt 2228
Ontwerp voor een plafond met vijf vlakken
Object type: drawing
Date: 1680 – 1757
Materials: graphite, ink, paper
Techniques: brush, pen
Artist: mattheus terwesten
Artist role: draughtsman, painter
Artist dates: 1670 – 1757
Subjects: (decorated) ceiling

Ontwerp voor een plafond met vijf vlakken, figuren schragen de kapitelen.
Landschap met de verdrijving van Hagar en Ismaël door Abraham
Object type: print
Date: 1582 – 1582
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions, landscapes, river, the banishment of hagar and ishmael (genesis 21:9-21), old testament

Rivierlandschap met huizen. In de verte de zee met opkomende zon. Links stuurt Abraham Hagar en zijn eerste zoon Ismaël weg op verzoek van zijn vrouw Sara (Gen. 21:10). De prent maakt deel uit van een album.
Portret van Andreas Krannöst
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving
Artist: matthias van sommer
Artist role: draughtsman, print maker
Subjects: mayor, andreas krannöst, historical persons, armorial bearing, heraldry

Prent mogelijk uit: Sommer, Matthias van. Hasce omnium electorum principum ac statuum Sacri Romani Imperii ad comitia praesentia legatis ac deputatis icones (…). Regensburg: Matthias van Sommer, [1667-1671]. Alhoewel op de titelpagina van de publicatie het jaar 1667 wordt vermeld, zijn meerdere prenten later gedateerd. Waarschijnlijk werd de publicatie pas in 1671 daadwerkelijk uitgegeven.
La Vera Perfettione del Disegno di varie sorti di recami, page 39 (recto)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: birds,ornament,lions
Verschillende honden
Object type: print
Date: 1606 – 1658
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pauwels van hillegaert
Artist role: painter, print maker
Artist dates: 1596 – 1658
Subjects: dog
Inscriptions: collector's mark: Lugt 240

Drie honden in een landschap. Op de achtergrond nog twee honden. Tweede prent van een serie van vier prenten met voorstellingen van honden.
Studie van een luipaard, liggend op een tak
Object type: drawing
Date: 1857 – 1910
Materials: chalk, paper
Artist: john macallan swan
Artist role: draughtsman, painter
Artist dates: 1847 – 1910
Subjects: beasts of prey, predatory animals: leopard
Inscriptions: signature: ‘JM Swan’

Studie van een luipaard, liggend op een tak
La platinotypie, exposé théorique et pratique d'un procédé photographique aus sels de platine
Object type: book
Date: 1883 – 1883
Materials: cardboard, linen, paper, photographic support
Techniques: marbled paper, combed marbled paper, platinum process, printing
Location: paris
Gezicht op de Gurgler Ferner, in Tirol
Object type: print
Date: 1826 – 1900
Materials: paper
Techniques: engraving
Location: hildburghausen
Artist: Anonymous
Subjects: glacier
Inscriptions: collector's mark: Lugt 2228
Untitled
Object type: photograph
Date: 1860 – 1900
Materials: platinum
Techniques: albumen silver print
Location: england
Artist: graham vivian
Artist nationality: british
Artist dates: 1860 – 1869
Wall light (bras de lumière) (one of a pair)
Object type: wall light
Date: 1775 – 1775
Materials: bronze
Techniques: gilding
Artist: robert joseph auguste
Artist role: maker
Artist nationality: french
Artist dates: 1723 – 1805
"Keizer der Britten"
Object type: cartoon
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., 46c35 airship, zeppelin, lighting; lamps, political caricatures and satires

John Bull (Engeland) brengt een lamp met stralende keizerskroon naar de Britse koning George V, die ziet dat het licht van de 'Britsche Macht' tijdelijk wordt verduisterd door een Duits luchtschip.
Magpie (one of a pair)
Object type: figure
Date: 1733 – 1733
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…." [Elizabeth Sullivan, 2013]
Binnenplaats
Object type: print
Date: 1887 – 1952
Materials: paper
Techniques: etching
Artist: chris van der windt
Artist role: print maker
Artist dates: 1877 – 1952
Subjects: courtyard
Inscriptions: collector's mark: Lugt 2228
Sutra Cover
Object type: sutra cover
Date: 1601 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: fish
The Actor Segawa Kikunojo III as Lady Tomoe (Tomoe Gozen) in the Play Yasa Gumbai Miyako no Jindori, Performed at the Miyako Theater in the Eleventh Month, 1793
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Personificatie van Eendracht en Kracht
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: augsburg
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues, agreement, unity; 'concordia', 'concordia insuperabile', 'concordia militare', 'concordia di pace', 'unione civile' (ripa), fruits: pomegranate (+ plants used symbolically), strength, power; 'fortezza', 'fortezza d'animo e di corpo', 'fortezza del corpo congiunta con la generosità dell'animo', 'fortezza & valore del corpo congiunto con la prudenza & virtù del animo', 'forza' (ripa)
Inscriptions: collector's mark: Lugt 2228

De verhalen van de onbreekbare pijlenbundel (een metafoor afkomstig van Scilurus, koning van de Scythen, beschreven door Plutarchus) en het uittrekken van een paardenstaart (een uitspraak door Quintus Sertorius, generaal van het Romeinse leger, beschreven door Plutarchus) zijn zinnebeelden die het bundelen van kracht, (strategisch) doorzettingsvermogen en concordantie benadrukken. Tekst in het Duits in de ondermarge. Rechtsonder genummerd: 27. Prent maakt deel uit van een album.
Isabel Wachenheimer in gestreepte jurk voor een hek op Evi's verjaardag, mei-juni 1937
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon

Isabel Wachenheimer in gestreepte jurk voor een hek.
Ex libris van J. Sibinga Mulder
Object type: bookplate
Date: 1876 – 1944
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: amsterdam, politician, johannes sibinga mulder, housing, trees: palm-tree
Inscriptions: inscription: ‘i.f’
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Part of a draped woman to right with her hand above her waist, wearing a garment decorated with rosettes
Civilis laat het land onder water lopen, 69-70
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: dike-break, battle, fighting in general, extinct, 'historical' peoples (with name), netherlands

De Bataven strijden tegen de Romeinen op het land dat Civilis onder water heeft laten lopen. Prent nummer 29 in de serie prenten over de Bataafse Opstand: Batavorum cum Romanis bellum / à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, auctore Othone Vaenio Lugdunobatava = De Batavische oft oude Hollandtsche oorloghe teghen de Romeynen. Otto Vaenius, Antwerpen 1612. Onderaan twee verzen van vier regels in het Nederlands en in het Latijn. Zonder tekst op achterzijde.
Border
Object type: textile
Date: 1870 – 1879
Materials: silk
Techniques: lace
Location: england