deem-data/ArtiFact huggingface dataset:
La Peinture
Object type: print
Date: 1780 – 1800
Materials: paper
Techniques: engraving, lithography
Location: paris
Subjects: 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa), tools, implements of painter
Inscriptions: collector's mark: Lugt 2228, : ‘Déposé à la Bibliothèque.’

Maakt deel uit van een vierdelige serie met personificaties van de Kunsten.
Het vast-zeilen van het O.J. Comp. Schip Woestduyn, op de Noorder-Rassen. den 24 July 1779
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: engraving, etching
Location: middelburg
Subjects: shipwreck, exploration, expedition, voyage of discovery, flushing
Inscriptions: collector's mark: Lugt 2228

Het VOC-schip 'Woestduin' van de Kamer Amsterdam is vlak voor terugkeer van zijn vijfde thuisreis uit Batavia op de Noorderassen bij Vlissingen vastgelopen. De bemanning wordt gered met sloepen onder leiding van de Vlissinger zeeloodsen, de gebroeders Frans en Jacob Naerebout.
Rivierlandschap met huis op een eilandje
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: etching
Subjects: carrying something, village

Groot huis met bijgebouwen op een eilandje. Links op de voorgrond twee mannen met een kuip (vat) op hun rug. Een roeibootje in het water.
Vrouw die een man afwijst
Object type: print
Date: 1830 – 1837
Materials: paper
Techniques: lithograph
Location: paris
Subjects: refusal, evening, ball, formal dance, partially clothed - aa - female human figure, adult man
Inscriptions: check stamp: Lugt 3987, check stamp: ‘ED’, collector's mark: Lugt 2228

In een kamer lopen een man en een half ontkleedde vrouw. De man probeert haar vast te pakken, maar de vrouw duwt hem weg terwijl ze een masker voorhoudt. Een derde figuur staat in de opening van een balzaal gevuld met dansende paren en kijkt naar het stel.
The Archangel Raphael and Tobias
Object type: painting
Date: 1457 – 1463
Materials: gold, paint, wood
Artist: neri di bicci
Artist role: artist
Artist nationality: italian
Artist dates: 1419 – 1491
Subjects: men,fish,angels
Herberginterieur met vechtende boeren
Object type: print
Date: 1679 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: johannes gronsveld
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1658 – 1728
Subjects: drunken brawl (usually peasants fighting in an inn)
Inscriptions: collector's mark: Lugt 240

Herberginterieur met drie vechtende boeren van wie een, zittend aan een tafel, in zijn hand gebeten wordt. De bijtende boer heeft een kruik in zijn handen. De derde boer probeert hem tegen te houden. Rechts op de tafel een omgevallen kruik.
World's Columbian Exposition Commemorative Presentation Medal
Object type: medal
Materials: bronze
Culture: american
Artist: augustus saint-gaudens
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1907
Subjects: christopher columbus

Saint-Gaudens, who served as an advisor for the Chicago World’s Columbian Exposition sculptural program, accepted the commission for the official award medal. He had completed his design for the medal by the time of the fair’s closing in November 1893. His design for the obverse met ready acceptance. It shows Columbus making landfall in the Americas. At the lower right are three male figures, one bearing an unfurling banner, and above them are the symbolic Pillars of Hercules with the three Spanish caravels and the inscription plvs vltra. His concept for the reverse, however—a nude male youth representing the Spirit of America—was deemed improper by United States Senate Quadro-Centennial Committee. Two variant designs with the figure’s genitals covered and a third with a wreath-encircled eagle and inscription were also rejected. In the end, Saint-Gaudens’s obverse was muled with a design for the reverse by Charles E. Barber, longtime chief engraver at the United States Mint. The reverse of the final minted version features a central tablet with an inscription and a space for a drop-in die with the name of the recipient. The tablet is flanked by flaming torches symbolizing light or intelligence, and below it the Santa Maria appears at full sail. Above, two winged (and ironically bare-breasted) females hold symbolic attributes—a trumpet and laurel wreaths and a stylus and a blank tablet—that celebrate the award recipient. The hubs and dies for the medal were produced at the United States Mint in Philadelphia and farmed out for striking to the Scoville Manufacturing Company of Waterbury, Connecticut. The medal was finally awarded to recipients in 1896. The Metropolitan’s example retains its original velvet-lined aluminum case.
Joannes Operinus, Graecae Linguae Professor, & Tijpographus Basilien
Object type: book illustration
Date: 1597 – 1599
Materials: paper
Techniques: engraving, letterpress printing
Location: france
Subjects: printer, beasts of prey, predatory animals: fox - ff - fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa), historical persons
Inscriptions: collector's mark: Lugt 2228
Hendrik Danielsz Hooft, burgemeester van Amsterdam
Object type: plaque
Date: 1787 – 1794
Materials: silver
Techniques: embroidery
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, mayor, hendrik danielsz. hooft
Prentdrukkerij
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: etching
Location: paris
Subjects: printing press, printing, printing office, tools, implements of printer, persons ~ printing
Inscriptions: collector's mark: Lugt 240

In de werkplaats wordt het drukken van etsen gedemonstreerd. De drukker op de achtergrond wrijft met een tampon de inkt op de plaat. De man voor de werkbank 'slaat de plaat af' met de palm van zijn hand. De schone plaat, waarop de inkt nu alleen nog in de fijne groeven zit, wordt afgedrukt op de etspers.
Italiaanse landschappen
Object type: print
Date: 1739 – 1740
Materials: paper
Techniques: etching
Location: venice
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., waterfall
Inscriptions: collector's mark: Lugt 2228

Prent uit tweede serie van negentien prenten met achttien Italiaanse landschappen naar ontwerp van Marco Ricci en titelprent (zie RP-P-1952-1). Tweede serie is opgedragen aan Antonio Maria Zanetti. De serie in de collectie van het RMA is gedrukt in de eerste staat voor vermelding van de uitgever Teodoro Viero. Het serienummer 17 is van het blad afgesneden.
Piece
Object type: piece
Date: 1801 – 1833
Techniques: lace
Subjects: leaves
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, nose and mouth of warrior with round shield over left arm; part of an inscription, HO [PAIS KALOS]
Vessel with Straw Hole
Object type: jar
Date: 501 – 800
Materials: wood, glaze, stoneware
Techniques: incising
Culture: japanese

Archaeologists currently think that one would have filled a vessel like this from the top with sake and then put a bamboo straw into the hole in the side to drink it. This is one of a number of vessel types imported to Japan from Continental Asia from about the middle of the fifth century. Excavations in Gifu prefecture, in central Japan, yielded this vessel.
Mary, Queen of Scots
Object type: print
Techniques: engraving
Location: england
Artist: e. bocquet
Artist role: artist
Artist nationality: british
Artist dates: 1806 – 1841
Subjects: queens,portraits,women,mary queen of scots
Figuren in een loggia
Object type: album leaf
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: augsburg
Subjects: head-gear: turban, loggia, verandah, porch, veil
Inscriptions: collector's mark: Lugt 2228

Tekst in het Duits in de ondermarge. Rechtsonder genummerd: 30. Prent maakt deel uit van een album.
Gebouw van de Yukon Mill and Grain Company, Yukon, Oklahoma
Object type: photograph
Date: 1900 – 1912
Materials: paper
Techniques: cyanotype
Location: yukon
Artist: Anonymous
Subjects: factory in landscape
Inscriptions: annotation: ‘Yukon Mill’, date: ‘DEC 1900’
The Forge, Passage du Dragon
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: printing, stumping, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: windows
Valentine's Series
Object type: photomechanical print
Date: 1902 – 1930
Materials: cardboard
Techniques: photograph
Location: london
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, river, thames
Tekst betreffende Theodor Van Ryswyck, Jan Baptist van Rijswijck en Lambert van Rijswijck
Object type: tekst
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: antwerp, print maker, theodor van ryswyck, literature ~ arts, sculpture
Inscriptions: collector's mark: Lugt 2228
Aan boord van de 'Koningin Wilhelmina'
Object type: photograph
Date: 1904 – 1911
Materials: photographic support
Techniques: photography
Subjects: paramaribo (stad)
Inscriptions: inscription: ‘kapt. Wijsmuller ... Na 't diner aan boord v/d Koningin Wilhelmina in een der Corantijn expeditie / P'bo April 1911’

Groepsfoto van de bemanning en gasten aan dek van het schip de 'Koningin Wilhelmina', Paramaribo, april 1911. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Status Belgicus cum vicinis
Object type: map
Date: 1647 – 1656
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: vienna, leopold willem van oostenrijk (landvoogd der zuidelijke nederlanden), coat of arms (as symbol of the state, etc.), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Linksboven cartouche met titel, daaronder drie putti die de wapens van de Zeventien Provinciën dragen. Daaronder een cartouche met portret van aartshertog Leopold Willem van Oostenrijk (landvoogd der Zuidelijke Nederlanden) en een Latijnse tekst waarin de kaart aan hem wordt opgedragen. Linksonder een windroos met windrichtingen in het Nederlands. Daarnaast een Franstalige uitleg over de tijdberekening op zee. Langs de linker-, boven- en rechterkant een gradenverdeling.
Postzegel Republik Indonesia
Object type: postage stamp
Date: 1949 – 1949
Materials: paper
Techniques: photoaquatint, engraving
Location: vienna
Subjects: indonesia
Enquêteformulier ingevuld door Willem Rikkers
Object type: questionnaire
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: rotterdam
Subjects: rotterdam, painter, print maker, printer, willem rikkers
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Portret van Hendrik Ibsen
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: printing
Subjects: theatre, theatrical performance, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Programma voor een voorstelling van het stuk "Peer Gynt" in 1902 te Wenen met een portret van de toneelschrijver Hendrik Ibsen, een berglandschap en een treurende vrouw bij het lichaam van een man.
Skelet van een kikker
Object type: photomechanical print
Date: 1891 – 1901
Materials: paper
Techniques: autotype
Location: paris
Subjects: tailless amphibians: frog
Inscriptions: number: ‘Fig. 36.’

Prent in album 'La photographie des objets immergés', 1901.
Gezicht op de Colonne Vendôme te Parijs
Object type: stereograph
Date: 1855 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: square, place, circus, etc., triumphal column with helical friezes
Un des inconvénients des sous-sols, from Croqius Parisiens, published in Le Charivari, November 26, 1856
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women
Paardenhoofd met halster
Object type: print
Date: 1809 – 1872
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: head-stall, horse
Inscriptions: collector's mark: Lugt 2228
Pugna navalis qua Hispanos vicere in Duins Angliae Belgae Foederati Ao. MDCXXXIX
Object type: print
Date: 1640 – 1643
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: brielle, maarten harpertszoon tromp, battle (+ naval force), battle of the downs

Grote voorstelling van de zeeslag bij Duins tussen de Spaanse vloot onder bevel van Antonio de Oquendo en de Staatse vloot onder Maarten Harpertsz. Tromp, 21 oktober 1639. Blad 4: gevechten op zee, centraal de verwoesting van de Santa Teresa, op de voorgrond worden bij de zinkende St. Francisco drenkelingen uit het water gehaald. Op de achtergrond de Engelse kust bij Sandwich. Ongemonteerde ensemble bestaande uit 7 genummerde platen, de zwarte stroken met de titel en tekstblad met de beschrijving.
Waarschuwing over sneeuwruimen, 1809
Object type: publication
Date: 1809 – 1809
Materials: paper
Techniques: letterpress printing
Location: leiden
Subjects: government services, public services, snow, leiden
Inscriptions: collector's mark: Lugt 1641, collector's mark

Waarschuwing met de herinnering aan de keur uit 1773 over de verplichting om de stoepen en straten sneeuwvrij te maken, Leiden, 4 januari 1809. Gedrukte tekst op blauw papier. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Publicaties.
Toilet casket
Object type: toilet casket
Date: 1700 – 1715
Materials: brass, gilt bronze, wood, steel, shell
Techniques: veneering
Subjects: faces,women

Known in French as a carré de toilette, this casket has canted corners and is richly decorated with boulle marquetry of tortoiseshell and brass (première partie). Named for André-Charles Boulle (1642–1732), cabinetmaker to Louis XIV, who excelled in this technique, the marquetry features strap- and scrollwork interspersed with animals, birds, and a few human figures reminiscent of designs by Jean Bérain (1640–1711). Similar caskets are depicted in Jean-Marc Nattier’s portrait Madame Marsollier and Her Daughter (1749).
Smells Powder for the first time
Object type: print
Date: 1815 – 1815
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: battles,soldiers,men

A battle scene with Johnny at the end of a long line of soldiers, charging forward with bayonets while he holds a sword. The French flee to the right.
Glaive of the Rota Family
Object type: glaive
Date: 1600 – 1600
Materials: gold, steel, wood
Culture: italian
Location: italy
Paschaviering in Egypte
Object type: print
Date: 1720 – 1728
Materials: paper
Techniques: engraving, etching
Subjects: the israelites eat the passover lamb standing about a table with their loins girt, their shoes on their feet and with staves in their hands, ready to depart
Inscriptions: inscription: ‘ütrechts Fündatie hüijs’

De Israëlieten staan rond een tafel en eten haastig het lam. Met schoenen aan hun voeten en stokken in hun handen zijn ze klaar om te vertrekken uit hun ballingschap. Op de achtergrond wordt op de deurpost een teken met bloed aangebracht. Bijbelse voorstelling uit Ex. 12:1-27 met in de marge de titel van de voorstelling in zes talen.
Handle Spout Vessel in the Form of a Seated Royal Figure
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1400 – 1400
Materials: copper, enamel, gold
Culture: spanish
Location: spain

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Childhood (Dawn), from "The Four Ages of Man and Death with the Last Judgment"
Object type: print
Date: 1619 – 1619
Techniques: engraving
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Subjects: human figures,infants,last judgement,death,carriages
Pariset
Object type: print
Date: 1797 – 1841
Materials: paper
Techniques: roulette
Location: paris
Subjects: paris, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Genre Scenes (Fūzoku byōbu)
Object type: painting
Date: 1640 – 1640
Materials: gold, gold leaf, ink, paper, silver
Location: japan
Artist: Anonymous

The large building complex depicted here contains a bathhouse, teahouse, kitchen, puppet-show theater, and a games room. Inside, commoners and aristocrats alike enjoy the various forms of entertainment, while outside, people dance, play music, and wrestle. A kasamawashi, a street performer who balances objects on a spinning umbrella, performs to the left of the dancers. In scenes of merriment like this one, Japanese artists often depicted figures fighting—this painting includes a sumo match and people arguing over a game of shōgi—to emphasize the heightened levels of energy and excitement.
De wederdopers bezetten de Dam, 1535
Object type: history print
Date: 1657 – 1659
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: pieter colijn, dam, stadhuis van amsterdam (14e eeuw-1652), wederdopersoproer in amsterdam en friesland

Illustratie voor: L. Hortensius, Het boeck D. Lamberti Hortensii (...). Van den oproer der weder-dooperen, J.J. Schipper, Amsterdam 1659. De prenten in deze uitgave zijn gekopieerd naar de anonieme gravures in de eerste uitgave van 1614. Naar het verloren gegane schilderij van Barend Dircksz. in het oude stadhuis te Amsterdam.
Wiesbaden. Bismarck Denkmal mit Engl. Kirche
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: wiesbaden
Subjects: church (exterior), monument, statue
The Pont Neuf
Object type: painting
Date: 1849 – 1850
Materials: canvas, oil
Artist: johan barthold jongkind
Artist role: artist
Artist nationality: dutch
Artist dates: 1819 – 1891
Subjects: bridges,rivers,boats,paris

This view is based on drawings (Musée du Louvre, Paris) that Jongkind made along the Seine in 1849, the year he began to paint scenes of Paris. He took liberties with the prospect by reducing the number of the bridge’s arches from five to four, eliminating the Place Dauphine, and making Notre-Dame Cathedral appear closer than it is from this vantage point on the river’s left bank. These alterations, together with the dramatic sky and open brushwork, amount to a composition very much in the manner of Jongkind’s mentor, the Romantic marine painter Eugène Isabey (1803–1886).
Meisje pakt snoep van het aanrecht
Object type: photomechanical print
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: girl (child between toddler and youth), sugar-candy
Inscriptions: inscription: ‘No. 2./ De snoepster./ Wie leerde haar snoepen?’

Deze prent maakt deel uit van een album.
White-throated Dipper
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: shore-birds and wading-birds: white-throated dipper

Waterspreeuw. Genummerd linksboven: 17. Rechts de Duitse naam. Onderdeel van het derde album met tekeningen van vogels. Vijfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Reclamebiljet voor: Émile Zola, Paris, [1897]
Object type: photomechanical print
Date: 1897 – 1897
Materials: paper
Techniques: photograph, letterpress printing
Location: paris
Subjects: emile zola, finding a dead person, crowd, mob
Inscriptions: collector's mark: Lugt 2166

Voorpagina van de eerste aflevering van Le Journal (1897) waarin in feuilletonvorm de roman Paris van Émile Zola gedrukt zou worden.
Tomb of Dagobert
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: lithograph
Location: france
Artist: jean lubin vauzelle
Artist role: artist
Artist nationality: french
Artist dates: 1776 – 1837
The Pic-Nic Orchestra
Object type: print
Techniques: engraving, etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: men,women,cellos,flutes,pianos
Chepstow, Marten's Tower
Object type: page
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Location: chepstow castle
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: ruin of a dwelling, house, castle, etc.
Letter to Yamagishi Hanzan
Object type: hanging scroll
Materials: ink, paper
Culture: japanese
Artist: matsuo bashō 松尾芭蕉
Artist role: artist
Artist nationality: japanese
Artist dates: 1644 – 1694

Matsuo Bashō, the renowned peripatetic poet of seventeenth-century Japan, did more than any other to elevate the esteem and spread the popularity of the seventeen-syllable seasonal verse form haikai—now called haiku. The opening verse of a string of linked verses (renga), was originally called a hokku, comprising three lines with five-seven-five syllables respectively. This poetic form, practiced by Bashō and his many pupils and an infinite number of followers of later generations, injected wit and humor into Japanese versifying and encouraged anyone with a literary disposition to try their hand at composing a verse when the opportunity arose. This letter was brushed by Bashō and sent to Yamagishi Hanzan 山岸半残 (1654–1726), the master’s nephew who also became a close disciple. Hanzan, whose given name was Jūzaemon 十左衛門, was born of samurai stock in Iga, Ueno (present Mie prefecture), where the master himself was born. Hanzan achieved a certain renown as one of the principal poets of the Bashō school from Iga. A good number of Bashō personal missives survive, mostly addressed to disciples who had asked for comments or critiques of their poems, as is the case here (see below). As is usually the case with Bashō’s correspondence, it is inscribed in a relaxed, informal epistolary style, which can be characterized as sotsui 卒意 (without deliberation). Typically in missives to his pupils, he gives extra space on the paper to places where hokku are inscribed, as if to give them breathing space and visual prominence (here, just to the right of the middle of the letter), featuring the master’s comments on Hanzan’s poem: 禰宜独 人は桜の まばら哉 Negi hitori/ hito wa sakura no/ mabara kana A Shinto priest by himself— since there are so few people amid scattered cherry blossoms. (Trans. John T. Carpenter)
Panel (From a Dress)
Object type: textile
Date: 1745 – 1746
Materials: silk
Techniques: brocade, patterning, weave
Location: england
Bienne. Vue générale
Object type: ansichtkaart, prentbriefkaart
Date: 1890 – 1905
Materials: cardboard
Techniques: photograph
Location: saint-imier
Subjects: waterfall, lake
Inscriptions: stamp
Salvino Degl' Armati
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving, etching
Location: france
Artist: gustave
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Ojime
Object type: ojime
Date: 1801 – 1900
Culture: japanese
Shabti
Object type: shabti
Date: 688 – 525
Materials: faience
Location: egypt