deem-data/ArtiFact huggingface dataset:
View of the Pont Neuf
Object type: print
Date: 1630 – 1635
Materials: paper
Techniques: etching, printing
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Cleric
Object type: glass
Date: 1701 – 1800
Materials: glass, metal
Techniques: lampwork
Location: france
Hanging
Object type: hanging
Date: 1701 – 1900
Materials: cotton, linen
Techniques: embroidery
Location: uzbekistan
Portret van Jkvr. Ida Helena Reusz de Ráthony-Teding van Berkhout
Object type: carte de visite
Date: 1905 – 1915
Materials: cardboard, photographic support
Techniques: photography
Location: haarlem
Artist: peter clausing
Artist role: fotograaf
Artist dates: 1870 – 1913
Subjects: historical persons - bb - woman
Inscriptions: annotation: ‘Ida, dochter van Fred. TvB en Sophie TvB-Van Taack Trakranen’

Portret van Jkvr. Ida Helena Reusz de Ráthony-Teding van Berkhout.
Seated Maternity Figure
Object type: sculpture
Date: 100 – 300
Materials: ceramic, pigment
Techniques: modeling
Culture: ameca style
Location: colima
Subjects: mothers, children, people
Tea cup (part of a service)
Object type: teacup
Date: 1750 – 1770
Materials: hard paste porcelain
Subjects: birds,men,women
Plattegrond van Coevorden
Object type: area plan
Date: 1916 – 1923
Materials: paper
Techniques: lithograph
Location: the hague
Artist: jacob van deventer
Artist role: draughtsman, print maker
Artist dates: 1510 – 1575
Subjects: maps of cities
Inscriptions: collector's mark, collector's mark: Lugt 1641

Plattegrond van de stad Coevorden. Genummerd rechtsonder: 17. Onderdeel van een serie 'Nederlandsche Steden in de 16e eeuw', reproducties naar de oorspronkelijke topografische tekeningen van Jacob van Deventer. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: topografie; stadsplattegronden.
Portret van een onbekende vrouw
Object type: photograph
Date: 1880 – 1900
Materials: metal, paint, paper, fiber, wood
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: inscription: ‘Luech/ 16073’, inscription: ‘Dugardin[?]’
Schizonema Grevillii
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Portrait of a Gentleman
Object type: painting, miniature
Date: 1825 – 1825
Materials: ivory, watercolor
Culture: scottish
Artist: william john thomson
Artist role: artist
Artist dates: 1771 – 1845
Subjects: men,portraits
Narcissus
Object type: painting
Materials: gold, ink, paper
Location: china
Artist: wang guxiang
Artist nationality: chinese
Artist dates: 1501 – 1568
Inscriptions: Signature and seal on left side, smaller seal in upper right corner
Portret van een vrouw, staand bij een kinderwagen met daarin een baby
Object type: photograph
Date: 1882 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: baby-carriage, pram, perambulator, historical persons - bb - woman, infant, baby ~ the ages of man
Inscriptions: inscription: ‘Photographische Inrichting/ van/ Jacques Chits/ Haarlem/ Nassaustraat/ No. 14./ Amsterdam/ Plantage/ Kerklaan No. 15/ over de Koningskroon./ De plaat blijft ter nabestelling bewaard.’
Pine Mountain
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: american civil war,landscapes
Chest of Drawers
Object type: chest of drawer
Date: 1700 – 1720
Materials: wood
Techniques: painting
Culture: american
Location: united states

Eight different pigments were used to decorate the drawers and sides of this chest. The moldings on the four deep drawers were painted to imitate highly veined wood veneers, and the floral designs on the drawer panels relate to motifs found on inlaid English furniture. Vivid green moldings and orange accents add further vibrancy. When the paint was strong and fresh, the effect must have been dazzling.
Phaeton (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ondermuts van katoen met zigzagband
Object type: cap
Date: 1910 – 1910
Materials: cotton
Location: netherlands
Artist: p. titjen-baas
Artist dates: 1900 – 

Ondermuts van katoen met zigzagband. Behorend bij pop "LILLY".
Gezicht op Noordwelle, 1745
Object type: print
Date: 1754 – 1792
Materials: paper
Techniques: etching
Location: haarlem
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: prospect of village, silhouette of village, church (exterior)

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 5 (1754), ill. 85. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden [….]. 9 delen. Amsterdam: Jan de Groot, 1792, dl. 5, ill. 85.
Fingalls Cave, Staffa
Object type: photograph
Date: 1851 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: staffa
Artist: james valentine
Artist role: fotograaf
Artist dates: 1815 – 1880
Subjects: cave, grotto
Inscriptions: number: ‘1111’
Dinner plate (part of a service)
Object type: dinner plate
Date: 1760 – 1770
Materials: hard paste porcelain
Subjects: human figures,flowers,coat of arms
Caricature of a Man
Object type: drawing and watercolor
Date: 1859 – 1859
Materials: chalk, charcoal, paper
Techniques: heightening
Location: france
Artist: étienne carjat
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1906
Trap Ball
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: engraving, etching
Location: london
Artist: Anonymous
Subjects: children's games and plays, ball games in which ball is hit with wooden object (team play) (+ out of doors (sports, games, etc.))
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Anima mea desideravit te in nocte
Object type: book illustration
Date: 1628 – 1628
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the book of isaiah
Inscriptions: collector's mark: Lugt 2228

Prent uit: Hugo, Herman. Pia desideria. Antwerpen: Hendrick Aertssens, 1628.
Absalom Watkin, Born 1787; Died 1861
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: woodburytype
Subjects: politician, politician, e.g. party leader
Inscriptions: inscription: ‘(From a Painting by William Bradley.)’
Portret van Johannes Jacobus Prins
Object type: photograph
Date: 1855 – 1870
Materials: paper, photographic support
Techniques: salted paper print
Location: netherlands
Artist: Anonymous
Subjects: leiden, theologian, historical persons
Enquêteformulier ingevuld door Reinier Craeyvanger
Object type: questionnaire
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: utrecht, amsterdam, print maker, draughtsman, reinier craeyvanger
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Saucers (12) (part of a service)
Object type: saucer
Date: 1758 – 1769
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: birds,flowers

The gilding on these pieces (see 54.163.7a, b–.34) is of a very high order, with tooled work on a thick application of honey gilding selectively matte and burnished for a lively design of pheasants, peacocks, and swallows in a landscape. The deep bowl was for little cakes.
Etend paard voor een kar
Object type: drawing
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: (farm) wagon, freight wagon, cart
Kesa
Object type: textile
Materials: cord, cotton, gold leaf, paper, silk
Techniques: bookbinding, cutting, interlacings, lacquer, patterning, weave
Location: japan
Twee gezichten op Geertruidenberg
Object type: drawing
Date: 1729 – 1729
Materials: ink, paper, pencil
Techniques: pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: church (exterior), city-walls, prospect of city, town panorama, silhouette of city, geertruidenberg
Inscriptions: inscription: ‘11 aug 1729 / 't hof vanden Gouverneur / Geertruidenberg’
De S. Pieters-kerk te Leijden 1762
Object type: book illustration
Date: 1762 – 1762
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)

Prent uit: Beschrijving der stad Leyden, haar gelegenheid, oorsprong (...). Leiden: Weduwe Abraham Honkoop en Cornelis van Hoogeveen junior, 1762, dl. 1, tussen p. 24 en 25.
Muziekvereniging Kunst en Vriendschap
Object type: medal
Date: 1825 – 1875
Materials: cardboard, silver
Techniques: engraving
Location: netherlands
Artist: Anonymous

Zilveren penning aan draagoog. Voorzijde: lier boven twee ineen geslagen handen binnen omschrift. Keerzijde: blanco veld binnen bladerkrans; bijbehorend rood doosje, ingelegd met donkerrood fluweel en ingeplakt nummer 1122
Portret van een onbekend meisje
Object type: photograph
Date: 1840 – 1860
Materials: glass, leather, metal, velvet, wood
Techniques: ambrotype
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘MAYALL/ 224 REGENT St/ Argyll place/ LONDON’, inscription: ‘Houdet, 145 Rue St. Honore’
Kostuums van de leden van twee raden
Object type: print
Date: 1795 – 1799
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: star forms ~ magic mathematical figures, book - mm - book open, christian religion
Inscriptions: stamp, collector's mark: Lugt 1641

Onder zijn arm een boek met de tekst: Culte Natural. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De Fransche Revolutie. (Het Directoire).
Aus Juhl, Internationale Kunstphotographie
Object type: page
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: berlin
Artist: james craig annan
Artist role: fotograaf
Artist dates: 1864 – 1946
Subjects: cow, meadow, pasture, farmers

Prent tegenover pagina 12, achter semi-transparante omslag met reclameboodschap.
Colts on a Norfolk Marsh
Object type: photomechanical print
Date: 1883 – 1888
Materials: paper
Techniques: photoaquatint
Location: great britain
Subjects: horse
Inscriptions: inscription: ‘Plate V.’
Chess Piece, Pawn or Backgammon Piece
Object type: chess or backgammon piece
Date: 1001 – 1200
Materials: ivory
Location: western islamic lands
Subjects: chess,games
Arcas richt zijn pijl op Callisto
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: arcas changed into a constellation: when arcas is about to shoot the bear into which his mother, callisto, has been changed, jupiter turns him into a constellation (ovid, metamorphoses ii 506), callisto is hunted by her son arcas, callisto changed into a constellation: jupiter changes callisto into a constellation, when, transformed into a bear she is about to be shot by arcas (ovid, metamorphoses ii 506)

Arcas, de zoon van Jupiter en Callisto, richt zijn pijl op een beer, niet wetend dat dat zijn moeder is. Die is vijftien jaar eerder van gedaante veranderd. Op de achtergrond rechts is te zien hoe Jupiter moeder en zoon, voordat Arcas kan schieten, aan de hemel plaatst, als sterrenbeelden. Onder de voorstelling twee keer twee regels Latijnse tekst. Deze prent is onderdeel van een serie van 52 prenten die verhalen uit Ovidius' Metamorfosen verbeelden. Deze serie valt uiteen in drie genummerde reeksen: twee van 20 prenten en één van 12 prenten. Deze prent behoort tot de tweede reeks.
Glass mosaic carinated bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent deep purple, light blue appearing green, opaque white and yellow. Outsplayed, almost horizontal rim with rounded edge; carinated side, with upper narrow convex curve and part of a second turned sharply downward. Composite mosaic pattern formed from polygonal sections of a single cane in a purple ground outlined in white with a yellow circle enclosing a blue ground, another yellow circle, and central white rod. Polished interior; pitting of surface bubbles on interior; dulling and iridescent creamy weathering on exterior, edge of rim, and jagged edges.
Groepsfoto's
Object type: album leaf
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, handling of weapons ~ military training, military training, germany

Albumblad met vier foto's van de militairen, o.a. bij een waterrad, rondom een stuk geschut en een foto van een jonge vrouw te paard, februari-mei 1940. Onderdeel van de fotoalbum van de Wehrmacht 1938-1941.
La dernière photographie de l'Empereur
Object type: photograph
Date: 1873 – 1873
Materials: paper
Techniques: rotogravure
Location: london
Artist: Anonymous
Subjects: napoleon iii (keizer der fransen), emperor
Paar beenplaten behorend bij de wapenrusting, vermoedelijk gedragen door den ridder Pankraz von Freyberg
Object type: beenplaat
Date: 1500 – 1550
Materials: iron
Techniques: riveted, striking
Artist: Anonymous
Subjects: ridder, pankraz von freyberg, kasteel hohenaschau
Duke of Portland, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: profiles,women,athletes,jockeys

Trade cards from the "Racing Colors of the World" series (N22a), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not.
Noh Robe (Karaori) with Chrysanthemums and Waves
Object type: noh robe
Date: 1801 – 1850
Materials: metal thread, silk
Techniques: brocade, weave
Culture: japanese

Bold, golden waves gleam among large chrysanthemum plants of various types in the decoration of this Noh costume. The combination of water with chrysanthemums is suggestive of a mythical Chinese river that became a prominent theme in Japanese art. Sweetened by dewdrops falling from the petals of the chrysanthemums, the river's water was said to impart eternal life to anyone who drank it. The presence of red in this robe suggests that it was used for the role of a young woman.
Suona (嗩吶 ) body
Object type: suona
Date: 1867 – 1900
Materials: brass, wood
Culture: chinese
Location: china
Cup
Object type: cup
Date: 1501 – 1600
Materials: glaze, porcelain
Culture: chinese
Landschappen
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: passengers ~ ship (+ preparations ~ departure), landscape with tower or castle, city-gate

Landschap met de Amsterdamse Poort te Haarlem. Op de voorgrond een elegant gezelschap bij een boot met een loopplank op de oever. Tiende prent van deel vier van een serie van in totaal zestig prenten met landschappen, verdeeld over vijf delen van elk twaalf prenten.
The Sewer
Object type: painting
Date: 1870 – 1879
Materials: oil, paper
Culture: american
Artist: william p. chappel
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1878
Subjects: towns,men,horses,wagons

This scene of pristine streets appears quite charming, but in 1807 the intersection of Roosevelt and Oak probably looked (and smelled) less pleasant. The city’s patchwork of sewers were intended to divert excess water to the rivers. Some were open trenches, but others, like this one, were enclosed in an attempt to prevent the stagnant or slow-running water from festering under the sun. Yet the sewers’ lack of ventilation and tendency to back-up often led to foul odors and streets marinating in fetid water. Lucky for the gentleman (at left) and the sailor (at right) that the sidewalks are somewhat elevated!
Piece
Object type: piece
Date: 1750 – 1760
Materials: metal thread, silk
Subjects: flowers,plants
Gebouw bij de Tempel van Confucius, Wierook brander, Portret van de ambassadeurs uit Vietnam en Monstrans
Object type: photomechanical print
Date: 1892 – 1897
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: temple, shrine ~ traditional chinese religions, ostensorium, monstrance, historical persons, incense-burner ~ scents, perfumes, china
Dress
Object type: dress
Date: 1840 – 1840
Materials: silk
Culture: american
Twee mannen voor een ruïne van een poort
Object type: print
Date: 1740 – 1792
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228
Groepje leden van Tennisclub Quick Advantage 1901 in Den Haag
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: collodion silver print
Location: the hague
Artist: gerard aalbersberg (us)
Artist role: amateurfotograaf, arts, chirurg, gynaecoloog
Artist dates: 1870 – 1934
Subjects: the hague
Terracotta bowl fragment
Object type: vase fragment
Date: 101 – 200
Materials: terracotta
Culture: roman
Subjects: men,hunting,lions

Rim fragment with lion hunt; red-gloss sigillata. This type of mold-made fineware pottery, known as terra sigillata, derives from Arretine and related wares made in Italy in the early first century A.D. By the second century, most terra sigillata was made at sites in central and eastern Gaul (modern France and Germany).
Doctor Syntax Taking Possession of his Living, from The Tour of Doctor Syntax
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Chutter Munzil the second
Object type: page
Date: 1864 – 1874
Materials: photographic support
Techniques: albumen print
Location: lucknow
Artist: darogha ubbas alli
Artist role: fotograaf
Subjects: palace
Inscriptions: number: ‘31’
Stad Rotterdam, loodje met no. 269
Object type: hondenbelastingloodje
Date: 1860 – 1860
Materials: copper
Techniques: striking
Location: rotterdam
Artist: Anonymous
Subjects: rotterdam

eenzijdig, rechthoekig loodje met afgeschuinde, holle zijden en gat erin. Voorzijde: gekroond wapenschild tussen jaartal boven cijfer 269. Keerzijde: blanco
Shirt of Mail
Object type: mail shirt
Date: 1601 – 1900
Materials: iron, leather, textile
Culture: bhutanese or indian
Location: bhutan
Apotropaic Wand
Object type: magic wand
Date: 1981 – 1640
Materials: ivory
Location: egypt
Subjects: animals

Wands such as this were a common feature in burials of the late Middle Kingdom. They were usually carved out of hippopotamus ivory and still retain the shape of a hippopotamus tusk-line canine. These teeth are a hippo's most powerful weapon and make the animal most dangerous. The apotropaic wand here shows signs of wear on one tip, suggesting that it was used over a period of time before being placed in the tomb. The wand is decorated on one side with the figures of protective deities that carry knives to ward off evil forces. Some wands, like this one, and 15.3.197 are inscribed on the front with the words "protection of day" and "protection of night." Another wand in the collection (08.200.19) has a longer inscription on the back, indicating that it was used to protect a child. Although their exact use is unknown, these wands seem to have provided protection during birth and early in life. They were also placed in tombs to offer protection of the deceased at his or her rebirth.
Onbekend gilde, gildepenning met opschrift Hoofmans Order
Object type: medal
Date: 1600 – 1700
Materials: brass
Techniques: engraving
Artist: Anonymous

Messing ovale penning. Voorzijde: gekroonde hamer tussen letters K en B binnen bladerkrans. Keerzijde: opschrift binnen bladerkrans, vermoedelijk een gildepenning.
Natural Trumpet
Object type: natural trumpet
Date: 1765 – 1765
Materials: silver
Culture: austrian
Location: austria
Artist: anton kerner
Artist role: maker
Artist nationality: austrian
Artist dates: 1726 – 1806

Silver, in places gold wash. It bears an oval plaque with the coat of arms of the Electors of Saxony. The trumpet follows the style of the Haas-trumpets, probably so as to match the other instruments of the original ensemble to which it belonged. Decorative details, however, show Viennese features: the Hapsburg double eagle, armor, weapons, banners, et cetera. The red-yellow cord and mouthpiece are not original.
Groepsportret van vier mannen, een vrouw, een jongen en een meisje, zittend rond een tafel in een tuin
Object type: album leaf
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: adult woman, boy (child between toddler and youth), garden, adult man (+ four persons), table, toddler (female), anonymous historical persons portrayed in a group, in a group-portrait