deem-data/ArtiFact huggingface dataset:
Sugar Bowl and Cover
Object type: sugar bowl
Date: 1765 – 1765
Materials: silver
Culture: american
Location: united states
Artist: john bayly
Artist role: artist
Artist nationality: american
Artist dates: 1720 – 1789
Subjects: birds,flowers

As sugar became more readily available in the eighteenth century, sugar bowls, usually with covers, became an essential part of tea equipage. Horizontal bands of naturalistic flowers and foliage chased in high relief transform this classic double­bellied sugar bowl into a fully developed expression of the rococo style. Rather than encasing the entire body and cover in an overall decorative scheme, however, the designer created compact bands of exuberant ornament that offset the smooth plain surfaces of the curvilinear forms. Relatively rare in American silver, cast finials in the form of birds, as seen here, date mainly from the mid­eighteenth century and possibly derive from English prototypes. When first acquired by the Metropolitan Museum in 1939 this sugar bowl was attributed to the New York silversmith Jacob Boelen II (1733–1786). More recent research, however, has determined that the mark IB in a rounded rectangle is that of the Philadelphia silversmith John Bayly
Paard
Object type: design
Date: 1938 – 1940
Materials: ink, paper
Techniques: brush
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: horse
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor een illustratie voor: De Gemeenschap 16, 1940.
Portret van de tenor Louis Dister, als Marouf in de opera Marouf
Object type: photograph
Date: 1938 – 1938
Materials: paper, ink
Techniques: gelatin silver print, pen
Location: brussels
Artist: rené lonthie
Artist role: fotograaf
Artist dates: 1889 – 1959
Subjects: liège, historical persons, portrait of opera-singer, brussels
Inscriptions: stamp: ‘Commission d'Assistance Publique/ Comblain-Fairon’, inscription: ‘à Monsieur Meijer/ en souvenir de ma opéra/ Marouf au Gebouw Carré/ Amsterdam, L.Dister/ 1938’, inscription: ‘Louis Dister/ du/ Théatre Royal de la Monnaie/ dans le rôle de Marouf/ Lonthie/ Brux.’

Gesigneerd en met opdracht aan Nico Meijer, 1938.
Portret van David Teniers II
Object type: print
Date: 1649 – 1662
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, brussels, painter, print maker, draughtsman, david teniers (ii), historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Bie, Cornelis De. Het gulden Cabinet vande edel vry schilder const, inhoudende den lof vande vermarste schilders, architecte, beldthowers ende plaetsnyders van dese eeuw. Antwerpen: Joannes Meyssens, 1662 [1661 foutief op titelpagina]. En mogelijk ook al in: Meyssens, Joannes. Image de divers hommes desprit sublime qui par leur art et science deburovent vivre eternellement et des quels la louange et renommée faict estonner le monde. 2 dln. Antwerpen: Joannes Meyssens, 1649.

Tweede bekende staat (genummerd 79) gebruikt in: Resta, Sebastiano. The true effigies of the most eminent painters and other famous artists that have flourished in Europe. Londen, 1694.

Derde bekende staat (genummerd 58) gebruikt in: The Portraits of the Most Eminent Painters, and other Famous Artists (...). Londen: Olive Payne, 1739.
Ceamic Fragment
Object type: fragment
Date: 801 – 900
Materials: earthenware, glaze
Techniques: incising, polychrome
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
A. van Dyck (1599-1641)
Object type: photograph
Date: 1913 – 1950
Materials: photographic support
Techniques: photography
Location: brussels
Subjects: antwerp, london, painter, print maker, draughtsman, anthony van dyck, historical persons, portrait, self-portrait of painter
Turban Helmet
Object type: turban helmet
Date: 1478 – 1490
Materials: iron, silver, steel
Culture: iranian or turkish
Location: turkey
Subjects: arabic

This turban helmet is inscribed with the name of the sultan Ya'qub of the Aq Quyunlu (White Sheep Turkoman), who ruled from 1478 to 1490.
Het zinkende schip Holland, 1781
Object type: history print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: shipwreck
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: P.A. Loosjes. Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie. Dl. 3. Amsterdam: J. Allart, 1788.
Le port
Object type: photomechanical print
Date: 1888 – 1890
Materials: paper
Techniques: photoaquatint
Location: nice
Subjects: harbour
Inscriptions: inscription: ‘35 Boulevard des Capucines Paris’, inscription: ‘Nice’
Textile Fragment
Object type: textile fragment
Date: 301 – 500
Materials: linen, wool
Techniques: embroidery, weave
Location: egypt
Graf van paus Gregorius XIII in de Sint-Pietersbasiliek te Vaticaanstad
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: sint-pietersbasiliek
Subjects: grave, tomb, interior of church
Inscriptions: number: ‘154’, inscription: ‘NPG’
Christ Presented to the People
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: drypoint
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: christ,crowd

The Roman governor Pontius Pilate on the dais points to Christ at his side as he asks the people whether he should release Barrabas or Christ (Matthew 27:21–23). Just as fascinating as the riveting central subject of this powerful print are the varied characters, attitudes, and poses to be found within the crowd of spectators witnessing the event from the street below and the surrounding windows. Rembrandt composed this print entirely in drypoint, which accounts for the velvety quality of many of the lines. With drypoint, Rembrandt could combine the immediacy of drawing with the ability to print many impressions of a single image. This impression was printed on Japan paper, whose yellow tone bathes the scene in a warm light. The standard-size Japan sheet was smaller than Rembrandt's printing plate, but the printmaker solved this dilemma by adding an extra strip of paper to the top of the sheet.
Fragment rood met geel zijdesatijn
Object type: zijdesatijn
Date: 1550 – 1599
Materials: silk
Techniques: figure weft system, satin binding
Location: italy
Artist: Anonymous

Fragment, samengesteld uit 9 stukken, van rode zijde met patroon in geel van gekroonde medaillons met granaatappel.
Portret van Pieter Gerard Reepmaker
Object type: photomechanical print
Date: 1875 – 1906
Materials: paper
Techniques: photograph, letterpress printing
Artist: Anonymous
Subjects: rotterdam, historical persons
Inscriptions: collector's mark: Lugt 2228
Harpspelers
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: musician, harp

Pagina 86 uit een schetsboek met 56 bladen.
Rucnik
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: embroidering ~ textile industry, table-ware, towel
Stomacher
Object type: stomacher
Date: 1701 – 1733
Materials: silk
Culture: italian
Subjects: fruit
Susanna beschuldigd door de ouderlingen
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the elders accusing susanna before the people, laying their hands on her head or unveiling her

Susanne wordt voor de ouderlingen geleid, die haar beschuldigen van ontrouw. Als rechters veroordelen ze haar ook. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Dan. 13:41. Prent maakt deel uit van een album.
The Reception of the Diplomatique and his Suite at the Court of Pekin
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,men,politics
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Nine fragments with reserve line for tondo border from DvB 9.2
Standbeeld van Coster in Haarlem, 1856
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: haarlem
Artist: charles binger
Artist role: print maker, printer
Artist dates: 1830 – 1916
Subjects: monument, statue, haarlem

Het standbeeld van Laurens Coster op de Grote Markt te Haarlem, onthuld 15-17 juli 1856.
Portret van Johann Ludwig von Eckardt
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving
Artist: ephraïm gottlieb krüger
Artist role: print maker
Artist dates: 1756 – 1834
Subjects: further education (+ portrait of teacher, professor), historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2228
Bowl
Object type: bowl
Date: 1710 – 1720
Materials: soft paste porcelain
Artist: saint-cloud factory
Artist role: factory
Artist nationality: french
Artist dates: 1693 – 1766
Newes Modelbuch in Kupffer  (Page 44r)
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: etching
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: ornament

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.
Dorpsgezicht met rivier
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Artist: rodolphe bresdin
Artist role: draughtsman, print maker
Artist dates: 1822 – 1885
Subjects: village
Inscriptions: collector's mark: Lugt 2228

Dorpsgezicht met een rivier. Rechts op de oever staan huizen op een rij langs de rivier die met een bocht links onder een brug het dorp in loopt. Op de voorgrond staan vissers met hengels in het ondiepe water.
Seated female musician with lute
Object type: figure
Date: 601 – 800
Materials: earthenware
Culture: chinese
Subjects: lutes,musicians
Staande man met zijn handen in de zakken van zijn jas
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: hand in the pocket - aa - both arms or hands, adult man (+ standing)
Cloud-Shaped Pillow with Peony Scroll
Object type: decorative art
Materials: stoneware
Techniques: carving, incising, inlay, underglaze
Location: china

With its sturdy stoneware body and incised and carved decorations, this pillow is an example of Cizhou ware, a type of ceramic crafted in northern China. While ceramic pillows were initially perceived solely as items for burial, it is now believed they were also utilized in daily life. The ceramic material served as an efficient cooling aid during hot summer days, while auspicious decorative motifs made these objects ideal gifts for special occasions. Symbolizing wealth, love, and feminine beauty, the motif of peonies frequently adorns Cizhou pillows, including this one here.
Twee mannenhoofden
Object type: sketchbook leaf
Date: 1882 – 1882
Materials: chalk, paper, pencil
Subjects: head (human) (+ left side visible; left - (l. hand, l. foot, etc.)), head (human) (+ three-quarter view)

Pagina 11 uit een schetsboek met 31 bladen vervaardigd te Den Haag en Rotterdam.
Tuin bij een huis met een veranda in Nederlands-Indië
Object type: photograph
Date: 1895 – 1905
Materials: paper, photographic support
Techniques: collodion silver print
Location: dutch east indies
Artist: Anonymous
Subjects: garden, loggia, verandah, porch, dutch east indies, the

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië, Zwitserland en Nederlands-Indië.
Wall Hanging
Object type: covering and hanging
Date: 1801 – 1850
Materials: cotton, dye, silk
Techniques: dyeing, weave
Location: uzbekistan

This wall hanging is an ikat, a silk textile whose design is created by dyeing the warp threads before weaving. Today these fabrics from Central Asia are renowned and valued worldwide. The silks were produced mainly in the area that is now Uzbekistan. They were given as gifts and exchanged at weddings, and used as both garments and household decorations. The bold silks were often displayed in multiples as an expression of the owner’s status and wealth. In this example, the number of colors and the complexity of the design make it a particularly fine example of the dyers’ and weavers’ art.
Bowl
Object type: bowl
Date: 1101 – 1150
Materials: glaze, stoneware
Culture: chinese

Kilns producing Jun ware, which were based in north China, are listed among the kilns that made wares for the court during the Northern Song dynasty (960–1127). The light blue color of the glaze on this elegant bowl typifies some of the finest Jun wares produced during this period.
Mand met uitneembare binnenbak, ovaal, met opengewerkte wand met parelslingers en medaillons
Object type: basket
Date: 1782 – 1782
Materials: silver
Location: amsterdam
Artist: johannes horstman
Artist role: silversmith
Artist dates: 1721 – 1804
Inscriptions: : ‘L’, date letter: ‘X’, alloy mark, maker's mark, : ‘gekroonde O’, town mark

De ovale mand rust op vier gegoten pootjes in de vorm van met een bloem versierde dubbele voluten. De vlakke bodem is gevat in de onderrand, die evenals de bovenrand is opgebouwd uit laurierbladeren en bessen. Langs de bovenrand zijn deze zo geplaatst, dat de bessen, waar de in tegenovergestelde richting lopende bladeren samenkomen, zich steeds in het midden van een zijde bevinden. Langs de onderrand is de plaatsing minder zorgvuldig. Op twee plaatsen bevinden de bessen zich juist op het aanhechtingspunt van een pootje. De gewelfde wand is geheel opengewerkt met gegraveerde motieven: een rand van guilloches, waarboven een middengedeelte met afwisselend reeksen verticale spijlen en traliewerk gescheiden door C-voluten met rocailles, en daarboven een rand van door bolletjes verbonden cirkels. Over de gedeeltes met spijlen lopen bloemslingers. Van de gegolfde bovenrand hangen parelslingers en vier ovale medaillons af, die op de wand zijn opgelegd. Aan beide lange zijden vertoont het medaillon een gelauwerde mannenkop in profiel. Aan beide korte zijden bevindt zich een leeg medaillon met een parelrand. De uit C-voluten opgebouwde oren zijn versierd met een rozet binnen een kabelrand en met laurierbladeren. In het midden van elke zijde is aan de binnenkant een gleufje aangebracht, waarin het uitneembare interieur past. Dit bestaat uit twee haaks op elkaar geplaatste schotten met geschulpte bovenzijden, op de kruising bekroond door een rechthoekig voetstuk, gegraveerd met rozetten op een gearceerde grond, waarop een vaas met een boeket bloemen, onder andere een roos en een chrysant. De vaas is versierd met afhangende laurierslingers en heeft ronde oren, waaraan ringen hangen.
De onderzijde van het boeket, waar nu een lange schroefdraad te zien is, is waarschijnlijk gerestaureerd, evenals het voetstuk waarop de vaas staat.
Javaanse vogels
Object type: drawing
Date: 1704 – 1784
Materials: paper, pencil, watercolor
Techniques: brush
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: birds, indonesia

Kleurtekening van twee vogels. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 167.
Leven van Johannes de Doper
Object type: print
Date: 1580 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: horn, trumpet, cornet, trombone, tuba, the head of john the baptist brought to or lying on the banqueting table, salome gives the head of john the baptist to her mother, salome with the head of john the baptist on a dish
Inscriptions: collector's mark: Lugt 240

Herodes en Herodias zitten achter een gedekte tafel onder een baldakijn. Salome staat aan de andere kant van de tafel en biedt het hoofd van Johannes de Doper op een schotel aan haar ouders aan. Achter hen staat een bediende voor een loggia met bazuinspelers. Onder de voorstelling bevindt zich een tweeregelige, Latijnse tekst met de beschrijving van de scène uit Mar. 6.
Thuiskomende vissers
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: fisherman, boat propelled by man or animal
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een groep vissers aan wal. Links in de achtergrond ligt een vissersboot.
Ruïne van de Wernerkapel in Bacharach, Duitsland
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: bacharach
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, ruin of church, monastery, etc.
Inscriptions: inscription: ‘S’, number: ‘No 89’
Grindelwald (1037 m) mit Wetterhorn (3703 m)
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: grindelwald
Artist: Anonymous
Subjects: prospect of village, silhouette of village, dale, valley, mountain-range, snow peaks
Scenes from Matthew 10: 34-38
Object type: print
Date: 1490 – 1536
Techniques: etching
Artist: daniel hopfer
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1536
Subjects: houses,battles,men
Liggende hond genaamd Fidel
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: l.j. goudman
Artist role: fotograaf
Subjects: dog, amsterdam
Inscriptions: inscription: ‘Fidel’, address: ‘Lange Leidsche straat No. 350 Amsterdam’

Onderdeel van Fotoalbum met 36 opnames van Europese landen.
Fluitbeker. Molenbeker (Glaswerk uit de 17e. Eeuw)
Object type: print
Date: 1836 – 1905
Materials: paper
Techniques: tone lithography
Location: netherlands
Artist: pieter willem marinus trap
Artist role: print maker, printer
Artist dates: 1821 – 1905
Subjects: drinking-vessel in unusual shape, alcoholic drinks, windmill
Inscriptions: collector's mark, collector's mark: Lugt 1641
Mucius Scaevola and Porsenna, from "Roman Heroes"
Object type: print
Date: 1535 – 1535
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: swords,men
Fishing for Roach
Object type: print
Date: 1865 – 1865
Techniques: etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: men,fishing
Constance d'Aragon II. Espouse du roy Louys. VII
Object type: print
Date: 1634 – 1685
Materials: paper
Techniques: engraving
Artist: jacques de bie
Artist role: print maker, publisher
Artist dates: 1581 – 1647
Subjects: paris, historical persons - bb - woman, queen

Prent waarschijnlijk voor het eerst verschenen in: Bie, Jacques de. Les vrais portraits des rois de France (...). Parijs: Jacques de Bie en Pierre Rocolet, 1634. Prent ook gebruikt in latere publicaties, in ieder geval tot in 1685.
Study of a Figure
Object type: drawing
Date: 1837 – 1911
Materials: chalk
Location: france
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Subjects: male nudes
Portret van Tobias Smollett
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228, number: ‘156’
Studieblad met tien hoofden
Object type: print
Date: 1756 – 1817
Materials: paper
Techniques: printmaking, drypoint, etching
Location: unknown
Artist: louis bernard coclers
Artist role: draughtsman, print maker
Artist dates: 1741 – 1817
Subjects: head-gear: cap (+ women's clothes)
Miniature Brahmanical Shrine
Object type: shrine
Date: 901 – 1000
Materials: copper alloy
Culture: india, himachal pradesh
Subjects: ganesha,reliquaries
Yorick en Maria wandelen arm in arm
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: london, clergyman, literature, garden, walking the dog, walking arm in arm
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor Laurence Sternes 'empfindsame Reise'. Prent gebruikt voor: Berliner genealogischen Calender auf das Schalt Jahr 1784. S.l.s.n., [1783].
Gezicht op de cascades van de tuin van het Château de Sceaux
Object type: opticaprent
Date: 1700 – 1799
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: garden, garden fountain, ornamental plants, garden ornaments, garden cascade
Ruïne van het Maison du Gare, Asnières, Parijs
Object type: photograph
Date: 1871 – 1871
Materials: paper
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: devastated, ruined place or city (~ warfare), paris
Inscriptions: title: ‘20 Asnières (maison du gare)’, signature: ‘GOUPIL & CIE’

Het Maison du Gare werd verwoest tijdens de Commune-opstand.
Brush
Object type: brush
Date: 1501 – 1600
Materials: leather, wood
Brief aan Philip Zilcken
Object type: letter
Date: 1922 – 1922
Materials: ink
Techniques: pen, writing
Location: satigny
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: utrecht, draughtsman, philip zilcken, drawing, painting (including book-illumination, miniature-painting), money, france, switzerland
Inscriptions: collector's mark: ‘RPK’
Covered jar with shishi, hoo-birds, flowering plants and floral scrolls
Object type: kaststel
Date: 1775 – 1824
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Kaststel, bestaande uit drie potten met deksel en twee bekervormige vazen, in kleuren en goud met druk decor in reserves, Imari.
W. H. B. Sands, Publisher
Object type: print
Materials: paper, zinc
Techniques: drypoint
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901