deem-data/ArtiFact huggingface dataset:
Bladzijde uit: Galenus Abrahamsz van den Haan, Eenige nagelaten schriften, 1707
Object type: text sheet
Date: 1707 – 1707
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: production of printed matter, book-production
Inscriptions: : ‘Op de/ Afbeelding/ Van Dr./ Galenus Abrahamsz./ (...)’

Bladzijde uit: Haan, Galenus Abrahamsz van den. Eenige nagelaten schriften (...). Amsterdam: Cornelis van der Sys en weduwe Pieter (II) Arentsz, 1707.
The Crucifixion of Christ
Object type: drawing
Date: 1577 – 1577
Materials: gouache, ink, paper
Techniques: brush, heightening, pen, wash
Artist: hans speckaert
Artist role: artist
Artist nationality: netherlandish
Artist dates:  – 1577
Subjects: christ,crucifixion

Hans Speckaert was one of several Northern Mannerist painters working in Rome in the sixteenth century. His close study of the art of Michelangelo, Raphael, and other Italian Renaissance masters informs the muscular, monumental figures in this Crucifixion. Two other drawings of this subject made by Speckaert, perhaps in preparation for a painting, are more sedate. Speckaert's art strongly influenced his Northern contemporaries, as can be seen, in particular, in the drawings of Bartholomeus Spranger, Hans von Aachen, and Karel van Mander.
Joris Ivens en John Fernhout achter de camera tijdens het maken van de film 'The 400 Million', China
Object type: photograph
Date: 1938 – 1938
Materials: paper
Techniques: gelatin silver print
Location: china
Artist: robert capa
Artist role: fotograaf
Artist dates: 1913 – 1954
Subjects: john fernhout, nijmegen, joris ivens, filming, cinematographer at work - cc - out of doors, land forces, china
Inscriptions: number: ‘K 295/ K 20’, name: ‘Capa’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, forearm with bracelets
Kwitantie voor onbekend
Object type: ontvangstbewijs, kwitantie
Date: 1881 – 1881
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: Anonymous
Subjects: painting (including book-illumination, miniature-painting), money
Inscriptions: collector's mark: Lugt 2233
Une Carrière, from "Le Magasin Pittoresque"
Object type: print
Date: 1852 – 1852
Techniques: engraving
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
The Prospect Before Us
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Portret van paus Innocentius X
Object type: print
Date: 1644 – 1662
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rome, innocentius x
Inscriptions: collector's mark: Lugt 2228

Portret van paus Innocentius X op 71-jarige leeftijd. In de omlijsting zijn pauselijke wapen.
Frederick William III King of Prussia
Object type: print
Date: 1805 – 1809
Materials: paper
Techniques: stippling
Location: london
Subjects: berlin, frederik willem iii koning van pruisen, historical persons, king
Inscriptions: collector's mark: Lugt 2228
Go-Won-Go Mohawk, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Kermisprent van de Amsterdamse nachtwacht voor het jaar 1858
Object type: fair print
Date: 1858 – 1858
Materials: paper
Techniques: engraving
Artist: friedrich robert prinz
Artist role: print maker
Artist dates: 1820 – 
Subjects: night patrol, city-gate
Inscriptions: collector's mark: Lugt 1641, stamp

Kermisprent van de Amsterdamse nachtwacht (ratelwacht), 13 september 1858. Boven en onder voorstellingen van de Weesperpoort en Muiderpoort te Amsterdam, links en rechts bladranken. Centraal een gedicht. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Bowl with lotus flowers, feng huangs and floral scrolls in relief
Object type: bowl
Date: 960 – 1279
Materials: glaze, stoneware
Techniques: firing, relief, turning, vitrification
Location: china
Artist: Anonymous

Wijde kom van steengoed, bedekt met een gecraqueleerd, transparant glazuur met een lichtblauwe tint. Op de bodem een gestileerde lotusbloem in reliëf. De binnenwand met een brede band met bloemranken met daarin twee feng huangs; daarboven een decoratieve band met een geometrisch motief. Een barst in de rand. Qingbai.
Man in de klederdracht van Walcheren
Object type: photograph
Date: 1870 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: folk costume, regional costume (+ men's clothes)
Inscriptions: number: ‘1’

Onderdeel van Leporelloalbum met Zeeuwse klederdrachten.
Man on Horseback with Attendant
Object type: drawing
Date: 1624 – 1663
Materials: ink
Techniques: pen
Artist: francesco allegrini
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1679
Subjects: men,horses
Monastir
Object type: drawing
Materials: ink, paper, watercolor
Techniques: pen
Artist: edward lear
Artist role: artist
Artist nationality: british
Artist dates: 1812 – 1888

Lear visited Monastir during a fall 1848 tour. His "Journals of a Landcape Painter in Albania, etc." (1851) record Constantinople as his point of departure, and arrival at Monastir on September 18th, with a stay of three days. Then part of the Ottoman Empire, the town lies in a region that borders Illyria and Macedonia and is today known as Bitola, within the Republic of Macedonia. In the mid-nineteenth century local Muslims regarded drawing as blasphemous and made it impossible initially for Lear to sketch outdoors. After visiting a local Ottoman official, the Cambridge eduated Emim Seraskier Pasha, he received a guard and was able to work unmolested. This view along the Dragor River includes a prominent tower at right (repurposed today into a clock tower), with the dome and minaret of the Jeni Mosque visible through trees. In the distance, Lear included a bridge lined with shops, noting in his journal that, "either looking up or down the river, the intermixture of minarets and mosques with cypress and willow foliage, forms subjects of the most admirable beauty...How picturesque were those parts of the crowded city in the Jews' quarter, where the elaborately detailed wooden houses overhung the torrent, shaded by grand plane, cypress, and poplar!" White-capped mountains may be seen in the distance.
Broadsheet relating to life in prison, a man in his jail cell
Object type: print
Date: 1900 – 1913
Materials: paper
Techniques: letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Zittende Indonesiër met een zwaard
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: chalk, paper
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, head (human), sitting figure, carrying something, hacking and thrusting weapons: sword, folk costume, regional costume
Inscriptions: kleurnotitie, handgeschreven

Tevens studies van een mannenkop en een figuur met een schaal in de handen. Pagina 105 uit een schetsboek met 67 bladen.
Twee plattegronden van de Dom van Regensburg
Object type: area plan
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: monogrammist cb (graveur)
Subjects: interior of church, plan ~ architecture
Inscriptions: collector's mark: Lugt 2228
Mausolée de Charles Ier. Comte de Lalaing, attribué à Monet (Jehan), Ec. Fl. XVIe s. Marbre et Albâtre. Musée de Douai
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1940
Materials: cardboard
Techniques: photograph
Location: douai
Subjects: earl, politician, mausoleum, sculpture
Muse
Object type: drawing and watercolor
Date: 1701 – 1800
Materials: chalk, paper
Techniques: drawing, stumping, wash
Location: italy
Artist: after raffaello sanzio, called raphael
Portret van Frederik IV, koning van Denemarken en Noorwegen
Object type: print
Date: 1699 – 1725
Materials: paper
Techniques: mezzotint
Location: nuremberg
Subjects: copenhagen (city), frederik iv (koning van denemarken en noorwegen), historical persons
Inscriptions: collector's mark: Lugt 2228
Snuffbox
Object type: metalwork
Date: 1870 – 1870
Materials: silver
Location: europe
Ruit
Object type: light window
Date: 1691 – 1691
Materials: glass
Techniques: enamel painting
Location: westphalia
Artist: Anonymous

Ruit met gebrandschilderde voorstelling, zit vast aan BK-2000-10-D.
Historische gebeurtenissen uit het Romeinse rijk
Object type: print
Date: 1574 – 1574
Materials: paper
Techniques: woodcut
Location: straatsburg
Subjects: l. junius brutus has his two sons beheaded because they joined a conspiracy, historical events and situations
Inscriptions: collector's mark: Lugt 2228

Omlijsting en voorstelling van verschillende blokken gedrukt. Prent voor het eerst gebruikt in: Livius, Titus. Von Ankunft und Ursprung des Römischen Reichs. Straatsburg: Theodosius Rihel, 1574.
De Hagenaar te Enkhuizen
Object type: print
Date: 1758 – 1812
Materials: paper
Techniques: etching
Subjects: baring the head, lifting one's hat, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Een man zit in een kamer op een stoel en luistert naar de man die met zijn hoed in zijn handen voor hem staat. Deze prent is mogelijk vervaardigd voor het blijspel "De Hagenaar te Enkhuizen" (1758) van Jan Jacob Hartsinck.
Beeld van 'l'Arrotino'
Object type: photograph
Date: 1860 – 1862
Materials: paper, photographic support
Techniques: albumen print
Location: paris
Artist: guillaume benjamin amand duchenne
Artist role: fotograaf, medicus
Artist dates: 1806 – 1875
Subjects: face, physiology and anatomy ~ nervous system, neurology, physiology and anatomy, morphology of facial expression, piece of sculpture, reproduction of a piece of sculpture, physiognomy, experiment, test ~ science and technology, france

Ongenummerde pagina met foto 67 uit Mécanisme de la physionomie humaine ou analyse électro-physiologique de l'expression des passions (Atlas).
Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, church (exterior), landscape with ruins, roman catholic church, temple, shrine ~ roman religion, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Fotoreproductie van een prent van een bijeenkomst van het hof van Karel de Grote
Object type: page
Date: 1856 – 1861
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: charlemagne (holy roman emperor), family of a ruler, and court, emperor
Fan
Object type: fan
Date: 1855 – 1865
Materials: paper, wood
Culture: american
Portret van een vrouw, staand bij een hoge tafel met vaas met bloemen
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: flowers, historical persons - bb - woman, table, standing figure - aa - female human figure
Cicero
Object type: cameo
Date: 1810 – 1820
Materials: gemstone, silver gilt
Artist: niccolò cerbara
Artist role: maker
Artist dates: 1793 – 1869
Subjects: men,profiles

The Neoclassical age prized the sternly republican marble head of Cicero (106–43 B.C.) in the Musei Capitolini, Rome. An intaglio after it by Nathaniel Marchant (40.20.1) circulated in the form of gypsum impressions. The Roman carvers of these two heads consulted the sculpture itself, obtaining different results. The more numismatic approach of the cameo carved about 1810–20 by a member of the Cerbara family, in which the features are affixed with broad authority, typifies the work of that clan (Gian Battista Cerbara [d. 1811] sired Giuseppe [1770–1856] and Nicola [1796–1869], Nicola succeeding Giuseppe as master of the papal mint). Yet Cerbara also employed the buff areas to suggest flesh, while the starker white-on-black contrast in Giuseppe Girometti’s Cicero (40.20.42) evokes marble. Girometti’s work is also more detailed, delivering a keener sense of the great orator’s cogitations through his careworn features.
Abklatsch van een krijttekening
Object type: sketchbook leaf
Date: 1883 – 1922
Materials: paper
Techniques: printmaking
Artist: johanna van de kamer
Artist dates: 1873 – 1922

De tekening is niet langer aanwezig in het schetsboek. Blad 4 verso uit een schetsboek met 27 bladen.
Water Coupe
Object type: water coupe
Date: 1662 – 1722
Materials: biscuit, enamel, porcelain
Techniques: painting
Culture: chinese
Fotoalbum familie Gonggrijp op de plantages Clevia en Morgenstond in Suriname
Object type: photograph album
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: suriname
Artist: Anonymous
Subjects: suriname

Klein fotoalbum in grijze omslag met bloemmotief. De 20 bladen worden bijeengehouden door een touwtje. Het album bevat 14 ingeplakte foto's en 1 losse foto van de familie Gonggrijp over het plantageleven op de plantages Clevia en Morgenstond in Suriname rond 1910.
Bord, beschilderd met een korf met bloemen
Object type: plate dish
Date: 1710 – 1730
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: seal: ‘220’, collector's mark: ‘collection J.F. Loudon’

Bord van faïence. Veelkleurig beschilderd met een korf met bloemen. Rand met ranken en Chinese motieven.
Portrait of a Young Woman
Object type: drawing
Date: 1860 – 1879
Materials: graphite
Artist: théodore valerio
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1879
Subjects: portraits,women

Valério traveled widely throughout Europe during his career and built his reputation producing ethnographic drawings, watercolors, and prints of the people and regional costumes he encountered. This informal portrait of an unknown sitter reveals a more intimate side of the artist’s practice and likely dates from late in the artist's career, when he settled in Brittany.
Twee siegelroodstaarten met kersenbloesem
Object type: print
Date: 1900 – 1936
Materials: paper
Techniques: woodcut
Location: japan
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945
Subjects: plants; vegetation, birds
Inscriptions: collector's mark: Lugt 2228

Twee zwart-rode vogels op tak met bloeiende kersenbloesem.
Plate
Object type: plate
Date: 1820 – 1820
Materials: faience
Techniques: glazing
Subjects: soldiers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic
Artist: penthesilean
Artist role: artist

Interior, head of youth to right with himation, drapery of another figure?
Eglise de la Madeleine. Louis XV posa la première pierre de cette église (...)
Object type: print
Date: 1890 – 1910
Materials: cardboard
Techniques: lithograph
Artist: Anonymous
Subjects: church (exterior), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Patch Box
Object type: box
Date: 1700 – 1740
Materials: silver
Culture: american
Twee bladzijden met stalen van sierlijsten van goudkleurig metaalpapier en bijbehorend tabel
Object type: manuscript
Date: 1830 – 1830
Materials: gold leaf, ink, paper
Techniques: manufacturing, writing
Location: france
Artist: Anonymous
Subjects: ornaments ~ art

Twee bladzijden met links 19 opgeplakte en met etiketten genummerde (465-515) stalen van eenvoudig gedecoreerde sierlijsten van goudkleurig metaalpapier (staal nr. 465 ontbreekt). Op de tegenoverliggende rechterbladzijde een tabel met de handgeschreven corresponderende specificaties (in code) per ornament. Onderdeel van het stalenboek geschonken door de dames Van Rijn, vermoedelijk van een Franse papierfabrikant van luxe papieren, of diens vertegenwoordiger in Nederland, ca. 1830.
Arrowhead (<i>Yanone</i>)
Object type: arrowhead i yanone i
Date: 1501 – 1600
Materials: steel
Culture: japanese
Location: japan
Subjects: birds,turtles,trees

Although today Japanese warriors are renowned most for their swordsmanship, archery, especially from horseback, has been an essential part of samurai warfare and culture for centuries. Arrows were fitted with heads of varying shape according to their intended use in war, the hunt, or target practice. Arrowheads made for use on the battlefield incorporated different designs intended for specialized purposes such as the piercing of armor or to cause maximum damage to horses and unarmored personnel. Large arrowheads, pierced and elaborately chiseled with landscapes, birds, flowers, dragons, and Buddhist divinities, were created to be admired for the beauty of their metalwork and design rather than for use in archery. Such highly elaborate examples may have been made for presentation or as a votive offerings to a shrine.
Plate 56: Wood chopper
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
The Architect Charles-Victor Famin
Object type: drawing
Date: 1836 – 1836
Materials: graphite
Artist: jean auguste dominique ingres
Artist role: artist
Artist nationality: french
Artist dates: 1780 – 1867
Subjects: men,portraits

About a year after he assumed the directorship of the French Academy at the Villa Medici in Rome, Ingres drew this portrait of a newly arrived student of architecture, Charles-Victor Famin (1809-1910). Ingres knew Famin’s father from their student days in the Italian capital and it was likely as a gesture of friendship that he portrayed the young man, who, ultimately, did not distinguish himself professionally. In his reports to the Académie des Beaux-Arts in Paris, Ingres described him as "definitely an idler ... who failed to fulfill his obligations." Although Famin holds his drafting pencil in hand, the portrait has a casual quality characteristic of Ingres’s more informal approach to portrait drawing during this phase of his career.
Ontwerp voor een kast ter nagedachtenis aan J.H. Neethling
Object type: drawing
Date: 1874 – 1945
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: book, cupboard
Jason verslaat de draak die het gulden vlies bewaakt
Object type: print
Date: 1563 – 1563
Materials: paper
Techniques: engraving
Artist: rené boyvin
Artist role: print maker
Artist dates: 1525 – 1598
Subjects: fight with the dragon; jason sprinkles a drug in its eyes, possibly assisted by medea, the story of the argonauts: the quest for the golden fleece
Inscriptions: collector's mark: Lugt 11

Maakt deel uit van een serie van 26 prenten met scènes uit het verhaal van Jason en het gulden vlies, uitgegeven in 1563 te Parijs.
Simon, Giora´s zoon, komt tevoorschijn uit de puinhopen van de tempel
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Josephus, Flavius. Alle de Werken, 2 delen. Amsterdam: Pieter Mortier, 1704, dl. 2, p. 699.
Praalwagen tijdens het bloemencorso
Object type: album leaf
Date: 1912 – 1912
Materials: paper
Techniques: gelatin silver print
Location: bollenstreek
Artist: liesbeth overhoff
Artist role: fotograaf
Artist dates: 1895 – 1969
Subjects: public festivities
Inscriptions: inscription: ‘Corso 1912’
Sampler
Object type: sampler
Date: 1855 – 1855
Materials: canvas, cotton, silk
Subjects: flowers
Elephant Bell with Miniature Elephant
Object type: bell
Date: 300 – 200
Materials: bronze
Culture: thai

Its' shape and the animal standing on one side towards the top indicate that this exquisitely cast bell once adorned an elephant. Indian elephants, also native to mainland Southeast Asia, were used for transportation and treasured for their ivory.
Little Ida
Object type: sculpture
Materials: marble
Culture: american
Artist: charles calverley
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1914
Subjects: profiles,women

In a 1908 interview Calverley recalled the subject of this naturalistic relief and the circumstances of its production. He met Ida at a summer hotel while she tended a boy whose portrait he was modeling, and noticed the "string of alabaster beads around her long neck, and large red ear-drops." Calverley included anecdotal touches in this portrait, including the curls of hair escaping from her knotted scarf, the unbuttoned collar, and the slight twist of the necklace. A prominent portraitist in Reconstruction-era New York, Calverley also produced likenesses of Abraham Lincoln and the radical abolitionist John Brown. In 1899 he revised Ida’s portrait to include the inscription "The Race John Brown Died For," a testament to Brown’s legacy.
Vierstromenfontein op het Piazza Navona te Rome
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: obelisk, needle, ornamental fountain
Inscriptions: collector's mark: Lugt 2228
Zuid-Hollandsche Maatschappy tot redding van schipbreukelingen te Rotterdam, penning uitgereikt aan J. Adams
Object type: honorary medal
Date: 1824 – 1860
Materials: silver
Techniques: engraving, striking
Location: berlin
Subjects: rotterdam
Arch of Drusus at the Porta S. Sebastiano in Rome, plate 8 from Some Views of Triumphal Arches and other monuments
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778