deem-data/ArtiFact huggingface dataset:
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 35 (recto)
Object type: book print ornament architecture
Date: 1610 – 1610
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: designer
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: ornament

Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. From top to bottom, and left to right: Design composed of 3 horizontal registers that are divided into halves; each half is decorated with a different linear foliage pattern and contains an inscription (P 48, P 56, P 48, P 48, P 68, P 68). The middle section consisting of the horizontal register is framed on the left and right by 2 vertical columns ornamented with a different linear foliage pattern; the left column ends with the inscription "P 20" and the right column ends with the inscription "P 18".
Confuciustempel te Peking
Object type: photomechanical print
Date: 1915 – 1920
Materials: paper
Techniques: rotogravure
Location: beijing
Subjects: temple, shrine ~ non-christian religions
Piece
Object type: piece
Date: 1501 – 1700
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Pierre Chareau. Commode
Object type: photograph
Date: 1923 – 1923
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: france
Enfield Creek, near Ithaca, N.Y. Cascade above Main Fall, near Lucifer's Kitchen
Object type: photograph
Date: 1860 – 1865
Techniques: albumen print
Location: ithaca
Artist: j. c. burritt
Artist nationality: american
Artist dates: 1860 – 1869
Tobari or Mizuhiki (Temple Banner)
Object type: textile
Materials: silver
Techniques: brocade
Location: japan
Tea caddy
Object type: tea caddy
Date: 1801 – 1900
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,women
Portret van Marco Bragadino
Object type: print
Date: 1591 – 1591
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 240

Met randschrift en tweeregelig onderschrift in het Latijn.
Gezicht van het Latynsche school, tot Amsterdam / Vye de l'ecôle Latine, à Amsterdam
Object type: print
Date: 1778 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: secondary education, canals, waters (in city)
Inscriptions: collector's mark: Lugt 2233

Prent uit een van de volgende edities van de Atlas Fouquet:
Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783.
Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.
Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam. Met derzelver beknopte beschryvingen. Amsterdam: Evert Maaskamp, 1805.
Textile Fragment
Object type: textile fragment
Date: 1501 – 1600
Materials: metal thread, silk
Techniques: brocade
Location: iran
Subjects: faces,flowers

These fragments belong to the same textile panel (38.112.1a-c). They depict a repeating scene of a Safavid man, identifiable by his distinctive turban, being served by a kneeling servant amidst a blossoming landscape. Such figural designs were fairly common in Safavid silks and perhaps reflected the lifestyle of the elite in sixteenth century Iran. The shape of the fragments indicate that they were probably cut to be stitched into a garment.
Allegory of the Arts
Object type: painting, sketch for a ceiling painting
Date: 1742 – 1742
Materials: canvas, oil
Artist: jacob de wit
Artist role: artist
Artist nationality: dutch
Artist dates: 1695 – 1754
Subjects: putti,sky,allegory
Ex libris van J.E. Crommelin-Tutein Nolthenius
Object type: bookplate
Date: 1893 – 1902
Materials: paper
Techniques: printing block
Location: netherlands
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: amsterdam, mother and baby or young child, armorial bearing, heraldry
Inscriptions: inscription: ‘44.2528’
Merklap van wollen mousseline waarop met kruissteken in zijde zijn geborduurd het wapen van Amsterdam, liggende damherten, Josef en Caleb met de vrucht van het land Kanaän, de Hollandse Maagd met vrijheidshoed in de Hollandse tuin, ANNO 1698
Object type: merkdoek, merklap
Date: 1698 – 1698
Materials: silk, wool
Techniques: embroidered, weave
Location: amsterdam
Artist: Anonymous
Subjects: kanaän
Inscriptions: date

Op een wollen mousseline ondergrond (vergeeld) het wapen van Amsterdam met bovenschrift ANNO 1698. Beneden een rij liggende damherten, boven Josef en Caleb met de vrucht van 't land Kanaän, rechts boven een vrouw met vrijheidshoed in de besloten tuin. H.I. onder wapen van Amsterdam: initialen van de maakster. Het hert in een mandje links boven verwijst naar een bijbelconnotatie. Gekleurde zelfkant aan beide zijden: weefbreedte 33.0 cm.
Roman Oil Lamp Found in Sri Lanka
Object type: decorative art
Date: 1 – 200
Materials: bronze
Culture: roman
Location: sri lanka
Fruit dish (part of a service)
Object type: fruit dish
Date: 1771 – 1771
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers
Dress
Object type: dress
Date: 1770 – 1780
Materials: silk
Culture: italian
Studie
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913

Blad 31 recto uit een schetsboek met 38 bladen.
Hout sprokkelende vrouw met kind in een besneeuwd bos
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching, intaglio
Location: weimar
Artist: eduard weichberger
Artist role: print maker
Artist dates: 1843 – 1913
Subjects: woodgathering, woodgatherer, snow, trees: pine, mother and child(ren), woman and child(ren) (family group)
Inscriptions: inscription: ‘Uit "Radierungen", Weimar 1887’, collector's mark: Lugt 2228

Prent maakt deel uit van een groep prenten die tussen 1880 en 1888 werd uitgegeven door het Gesellschaft für Radierkunst te Weimar.
Bowl
Object type: bowl
Date: 1201 – 1300
Materials: stonepaste
Techniques: overglaze, painting
Location: iran
Subjects: birds,men
Le Foyer domestique, ca. 1850 : Robes en etoffes de soi (...)
Object type: fashion print
Date: 1850 – 1850
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: one person playing keyboard instrument, notation of music, clothes, costume (+ girls' clothes), head-gear (+ women's clothes), fashion plates, gloves, mittens, etc. (+ women's clothes), neck-gear ~ clothing (+ women's clothes), pianoforte
Inscriptions: title: ‘Le Foyer domestique’, caption: ‘Robes en etoffes de soie des Magasins de S.t Augustin. rue Neuve S.t Augustin, 45. Vétements d'enfants de Mad. Desplanches, boulevart Montmartre, 8.’, address: ‘11 Rue Neuve S.t Augustin’

Interieur met meisje achter de piano en twee dames. Volgens het onderschrift dragen zij japonnen van zijde uit de winkels van St. Augustin. De kinderkleding is van Madame Desplanches.
Miss Marsden, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Gezicht op de binnenplaats van het Prinsenhof te Haarlem, 1720
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: courtyard, haarlem
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 66.
Roma. Castello e Ponte Sant'Angelo
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: zurich
Artist: Anonymous
Subjects: fortress, bridge, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Chandelier
Object type: chandelier
Date: 1710 – 1715
Materials: gesso, metal, wood
Techniques: gilding
Artist: john gumley
Artist role: maker
Artist nationality: british
Artist dates: 1670 – 1726

One of a pair supplied to James, third Viscount Scudamore (d. 1716) for the State Apartments at Holme Lacy, Herefordshire, this chandelier is in the "French arabesque" manner of William III's architect Daniel Marot (ca. 1663–1752). The court cabinetmakers Moore and Gumley specialized in finely carved gilt-gesso furniture. Holme Lacy later descended to the Earl of Chesterfield. In 1910 he moved much of the contents, including this chandelier, to Beningbrough Hall, Yorkshire, where it remained until 1958.
Bedspread
Object type: bedspread
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: birds,peacocks
Women Standing on Veranda by a River
Object type: print
Date: 1780 – 1800
Techniques: woodblock print, hashira
Location: japan
Artist: chokosai eisho
Artist nationality: japanese
Artist dates: 1780 – 1800
Portret van Jan Willem van Borselen
Object type: photograph
Date: 1890 – 1892
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: gouda, the hague, print maker, draughtsman, jan willem van borselen

Portret van de schilder Jan Willem van Borselen, met palet in de hand achter een schildersezel gezeten
Cup
Object type: cup
Date: 1601 – 1700
Materials: gilt, silver
Subjects: insignia
The Banks of the Cousin
Object type: print
Date: 1850 – 1850
Materials: ivory, paper
Techniques: etching
Location: france
Artist: charles françois daubigny
Artist nationality: french
Artist dates: 1817 – 1878
Schoen van wit chroomleer met Weense hak en afgeronde puntneus
Object type: shoe
Date: 1880 – 1885
Materials: leather
Location: netherlands
Artist: Anonymous

Schoen van wit chroomleer met Weense hak. Afgeronde puntneus. Hoorde oorspronkelijk niet bij de bruidsjapon.
Essempio di recammi, page 5 (verso)
Object type: book print ornament architecture
Date: 1530 – 1530
Techniques: woodcut
Artist: giovanni antonio tagliente
Artist role: author
Artist nationality: italian
Artist dates: 1465 – 1528
Subjects: ornament

Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right: design (torn) composed of 2 horizontal registers: top decorated with black diamonds containing white '*'s, and bottom (torn) decorated with diamonds and various black-and-white checkerboard patterns.
The actor Bando Hikosaburo V as Konjin Chogoro, from the series "One Hundred Selected Actors (Haiyu hyakkasen)"
Object type: print
Date: 1864 – 1864
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Schrijfvoorbeeld: Die trots is van gemoed
Object type: print
Date: 1660 – 1751
Materials: paper
Techniques: engraving
Subjects: calligraphy

Schrijfvoorbeeld met twee keer twee regels tekst in het Nederlands: Die trots is van gemoed ... De prent maakt deel uit van een album
Slijpsteen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: whetstone
Date: 1700 – 1743
Materials: stone
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Hone; flat, rounded corners, tapering pointed ends.
10 stuiver van de Verenigde Belgische Staten, 1790
Object type: coin
Date: 1790 – 1790
Materials: silver
Techniques: striking
Location: brussels

Zilveren munt. Voorzijde: staande leeuw naar rechts. Jaartal in afsnede. Keerzijde: twee uit wolken komende ineengeslagen handen, waarin pijlenbundel. In afsnede waarde-aanduiding. Engelenkop aan het eind van het omschrift. Kabelrand.
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Part of the calf and heel of a figure to right
Fifty-Four Small Piloncito Coins
Object type: coin
Materials: gold
Culture: indonesian, javanese
View of a Theater (Bayreuth): Exterior Elevation of the Façade; Central Portal Surmounted by Royal Crown
Object type: drawing
Date: 1696 – 1756
Materials: ink
Techniques: pen, wash
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: theatre,architecture
Souvenir spoon with view of the Castello del Buon Consiglio
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt
Subjects: coat of arms
Rural scene
Object type: embroidered picture
Date: 1696 – 1696
Materials: cardboard, silk
Artist: leonardus quesi
Artist role: maker
Artist nationality: french
Artist dates: 1650 – 1750
Subjects: men,women,agriculture
Silhouet van een jongeman, Ds. C.A.L. Exalto d'Almaras
Object type: cut paper
Date: 1700 – 1900
Materials: paper
Techniques: brush
Artist: Anonymous
Subjects: historical persons, male sex; man

Silhouet van een jongeman vastgespeld samen met een ander silhouet verso aan een papiertje, met tekst: Ds. C.A.L. Exalto d'Almaras
Effen oranje papier
Object type: decorated paper
Date: 1800 – 1900
Materials: lacquer, paint, paper
Techniques: hand coloring
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760
Dish with Bird, Rabbit, and Quadruped Design
Object type: dish
Date: 1576 – 1600
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: turkey
Subjects: animals,birds,rabbits

The animals on this dish, some more recognizable than others, have an old iconographic tradition in Anatolia and can be related to figural Seljuq art. The central design is, in effect, a painted menagerie, an approach not often attempted by Iznik potters before around 1570. Another group of animals pursue one another on the rim of the dish. The bold effect of the bright green ground is heightened by the potter's decision to leave the cavetto blank, in essence providing breathing room for the composition.
Romeinse gebeeldhouwde reliëfs
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: paris
Subjects: rome, animal sacrifice ~ roman religion, piece of sculpture, reproduction of a piece of sculpture, temple, shrine ~ roman religion, ruler, sovereign, ox
Inscriptions: inscription: ‘Ende lib. No. 6. tom. 1. No. 23. 24. 50.’, number: ‘73’

Deze prent maakt deel uit van een reeks van 54 prenten (+ titelprent) naar antieke reliëfs. De nummering op de prenten loopt van 1 tot en met 50. Sommige prenten hebben dubbele nummers.
Naar een reliëf in het Palazzo dei Conservatori te Rome.
Portret van Pleickhard von Helmstatt
Object type: print
Date: 1591 – 1662
Materials: paper
Techniques: engraving
Subjects: butler, historical persons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
Insteekalbum met 109 cartes-de-visite van de familie Kessler-de Lange
Object type: photograph album
Date: 1870 – 1890
Materials: paper, cardboard, leather, textile
Techniques: albumen print
Artist: Anonymous
Subjects: margaretha jacoba johanna kessler-de lange (margo), jean baptiste august kessler (1853-1900), historical persons, anonymous historical person portrayed

Insteekalbum met 109 cartes-de-visite op 44 bladen van de familie Kessler-de Lange, waaronder ook een portret van gouverneur-generaal Van Lansberge in burger, en portretten van Margo Kessler als klein kind, de meeste gemaakt in het voormalige Nederlands-Indië. Achterin het album zit een serie cartes met fotografische afbeeldingen van sculpturen en reproducties van schilderijen.
De kleine Passie
Object type: print
Date: 1523 – 1523
Materials: paper
Techniques: woodcut
Location: amsterdam
Subjects: the erection of the cross: christ is nailed to the cross which lies on the ground

Christus wordt aan het kruis geslagen. Op de voorgrond giet een man zure wijn in een schaal om daarmee een spons te doordrenken. Maria kijkt toe, ondersteund door Johannes. Prent maakt deel uit van een boek.
Braunschweig's Baudenkmäler
Object type: photomechanical print
Date: 1892 – 1892
Materials: paper
Techniques: photograph
Location: braunschweig
Subjects: bay-window, oriel, façade (of house or building)
Inscriptions: number: ‘No. 17.’
Brief aan Philip Zilcken
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: pen, writing
Location: santpoort
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: publisher, painter, draughtsman, philip zilcken, drawing, illustration ~ printed matter, book
Inscriptions: collector's mark: ‘RPK’
Poort van de basiliek van San Lorenzo in Damaso te Rome
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: architecture, exterior ~ representation of a building

Prent uit: Vignola, Giacomo Barozzi da. Regola delli cinque ordini d'architettura (...). Amsterdam: Johannes Willemszoon en Cornelis Blaeu, 1640, p. 77.
Evening dress
Object type: evening dress
Date: 1810 – 1812
Materials: cotton
Culture: american or european

Fine Indian muslin used in the Empire period was manufactured and embroidered in India and exported to Europe and America. The finest and most sheer cottons were coveted because for these qualities. The Empire silhouette is readily identified with its origins in the chiton of ancient Greco-Romans, which was a tubular garment draped from the shoulders and sometimes belted beneath the bust. Several re-interpretations have occurred throughout costume history but none have been as notable as the period bridging the rectangular panierred skirts of the 18th century and the conical hoop skirts of the 19th century. The neoclassic style was adopted in all forms of decoration after the French Revolution and was upheld during the Napoleonic Wars partly due to Napoleon Bonaparte's (1769-1821) alliance with Greco-Roman principles. In fashion, the style began as children's wear made from fine white cotton, but was adopted by women in the form of a tubular dress with skirts that were gathered under the bust with some fullness over a pad at the back. As the style progressed the skirts began to flatten at the front and solely gather from the bodice at the center back. The style persisted until the 1820s when the waist slowly lowered and the skirts became more bell shaped.
Schloss Schwarzburg i. Th. Blick vom Helenensitz
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: trier
Artist: Anonymous
Subjects: castle, mountains
[Two Plumbers in Overalls]
Object type: tintype
Date: 1880 – 1889
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits,tools
Caspar, from "Three Magi"
Object type: print
Date: 1595 – 1616
Techniques: etching
Artist: jacques bellange
Artist role: artist
Artist nationality: french
Artist dates: 1575 – 1616
Subjects: men
Decafoil salver
Object type: salver
Date: 1722 – 1722
Materials: silver
Artist: david willaume i
Artist role: maker
Artist nationality: british
Artist dates: 1658 – 1741
Subjects: coat of arms
Personificatie van de Hoop
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 2228

De gepersonifieerde Hoop kijkt omhoog, met ontblote borst en een anker in haar handen.
Portret van Paul Tallemant
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: france
Subjects: paul tallemant
Inscriptions: collector's mark: Lugt 2228

Portret van de Franse geleerde en prior Paul Tallemant (1642-1712), afgebeeld in ovale omlijsting met Franse tekst. Onder de lijst een console met een wapen en aan weerszijden een vers van twee regels in Frans.
Jongetje loopt over houten brug
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: bridge (+ one person ~ traffic and transport)
Inscriptions: collector's mark: Lugt 2228
Bezoek aan de leprozerie Pelantoengan
Object type: photograph
Date: 1905 – 1931
Materials: photographic support
Techniques: photography
Location: pelatoengan
Artist: otto hisgen
Artist role: fotograaf
Artist dates: 1874 – 1944
Subjects: the hague, leprosarium, colonial government

De delegatie met gouverneur A.H. Neijs lopend tussen de gebouwen van de Semarang-leprozerie in Pelantoengan in mei 1931. Losse foto in de map met herinneringsfoto's van het bezoek aangeboden aan gouverneur A.H. Neijs.
Napoli. Vesuvio. Cratere 1892
Object type: album leaf
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: mount vesuvius
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: volcano, mount vesuvius, naples
Inscriptions: negative number: ‘2536’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en Zuid-Frankrijk.
Henri de Guénégaud
Object type: print
Date: 1654 – 1654
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,coat of arms
Gerson as a Pilgrim, frontispiece to Gersonis Opera, 1489
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: buildings,shields,men,dogs,landscapes
Design for a Title Page - Angel of the Resurrection
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: human figures,angels
Plate 1, from XX Stuck zum (ornamental designs for goblets and beakers)
Object type: print
Date: 1601 – 1601
Materials: graphite, paper
Techniques: engraving
Location: germany
Artist: master a.p.
Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3)
Object type: drawing
Date: 1801 – 1900
Materials: gouache, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: shakespeare,men,women
Drie jonge vrouwen in nachtgewaad in slaapkamer met twee mannenschoenen die uit open raam steken
Object type: stereograph
Date: 1890 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: bedroom, underclothes and nightwear
Inscriptions: : ‘Vues de Constantinople’
Panel
Object type: textile
Date: 1830 – 1830
Materials: cotton
Techniques: engraving, glazing, weave, printing
Location: england
Subjects: columns, baskets, foliage, flowers
Netsuke of Monkey Scratching His Head
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: monkeys
Emperor Charles V
Object type: print
Date: 1550 – 1550
Techniques: woodcut
Artist: Anonymous
Artist role: artist
Subjects: birds,men,portraits,women,cross
Hiratsuka
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,landscapes,trees
The Story of Samuel
Object type: embroidered picture
Date: 1634 – 1666
Materials: canvas, linen, metal thread, pearl, silk
Techniques: embroidery, stitching
Subjects: birds,men,women,deer,butterflies,lions,dining

The central scene of this panel depicts Elkanah with his wives, Penninah and Hannah-the older of the two and mother to the prophet Samuel. The now faint inscription "XI" on the doorway lintel of the house in the background refers to Samuel 1:11 in which Hannah prays for a male child.