deem-data/ArtiFact huggingface dataset:
Governor Lounsbury, Connecticut, from "Governors, Arms, Etc." series (N133-1), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: buildings,men,portraits,coat of arms

Trade cards from the "State Governors, Arms, Etc." sseries (N133-1), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Portrait of Philippe Coypel and His Wife
Object type: drawing and watercolor
Date: 1742 – 1742
Materials: canvas, paper, pastel, wood
Location: france
Artist: charles-antoine coypel
Artist role: painter, print maker
Artist nationality: french
Artist dates: 1694 – 1752
Inscriptions: Signed lower center, in image: "C Coypel 1742"

Charles-Antoine Coypel served as First Painter to the King and was also a professor at, and eventually Director of, the French Academy. Part of a powerful artistic dynasty, he was a significant collector, an aesthetic theorist, playwright, and poet, and an amateur actor. Although many of his most important paintings have been lost, this unusual double portrait pastel probably commemorates the tenth anniversary of the artist's beloved brother, Philippe Coypel ( 1703-1777) and his wife Marie-Catherine Botet. A true tour-de-force, this work shows one of France's most esteemed public artists at his very best.
Ornamenten met bloemen en bladeren
Object type: photomechanical print
Date: 1870 – 1937
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228

Vijf ontwerpen voor ornamenten met (gestileerde) bloemmotieven in de vorm van horizontale decoratieve banden.
Studio delle virtuose Dame, page 33 (recto)
Object type: book print ornament architecture
Date: 1597 – 1597
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: designer
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: ornament

Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. From top to bottom, and left to right: Design composed of 3 horizontal registers. Top register is decorated with 5 triangular motifs that have a small floral motif in the center. Middle register is decorated with an alternating pattern of black squares and squares with a black-and-white stripped pattern. Bottom register is decorated with squares containing the same pattern characterized by triangles and circles; the squares are framed by a border ornamented with a simple linear pattern.
Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)
Object type: tapestry
Date: 1500 – 1520
Materials: silk, wool
Culture: south netherlandish
Subjects: angels,saint joseph,virgin mary,jesus,annunciation,nativity,god the father

This tapestry with its rich and complex imagery is the fourth in a series of ten expounding the story of Christ’s redemption of mankind. The series reveals, on the one hand, mankind’s fall from grace and its inability to resist temptation in spite of the assistance offered by the Virtues, and, on the other, Christ’s mission to reconcile mankind with God and thus achieve redemption. The content of these extended visual narratives is drawn from Christian scriptures as well as from medieval allegory, poetry, and drama, and is perhaps based ultimately on a mystery or morality play. Trees, flora, and waterways separate the various episodes. (The subjects are identified and the inscriptions translated in the line drawing.) The individual scenes in the tapestry have counterparts in contemporary panel paintings by Netherlandish artists, notably Rogier van der Weyden. It may be that the unknown designers of the series were painters or were active in a workshop that included painters. The quality and style of the weaving suggest that the series was created in Brussels. This tapestry and seven others from the series were in the collection of Juan Rodríguez de Fonseca, bishop of Burgos from 1514 until his death in 1524.
Leeuw
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: beasts of prey, predatory animals: lion

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Zittende en liggende figuren op een trap
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, flight of steps, lying figure, asiatic races and peoples: indians

Pagina 14 uit een schetsboek met 15 bladen.
Horizontal Panel Design Filled with a Meandering Acanthus Rinceau and Two Fantastical Creatures.
Object type: collection ornament architecture
Date: 1601 – 1700
Materials: ink, drawing material
Techniques: pen
Artist: anonymous, italian, venetian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700

Design for a horizontal panel filled with a meandering acanthus rinceau. In the middle, near the lower edge of the design two snake-like creatures with grotesque heads are depicted.
A visit to the "Central Park" in the summer of 1863
Object type: stereograph
Date: 1863 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: thomas c. roche
Artist role: fotograaf
Artist dates: 1826 – 1895
Subjects: park, bridge
Inscriptions: number: ‘No. 1164’, : ‘Board of Commissioners of the Central Park, 1863 (...)’, number: ‘7’
Gezicht op de Basiliek van de Onbevlekte Ontvangenis te Lourdes
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: lourdes
Artist: p. viron
Artist role: fotograaf
Subjects: church (exterior), façade (of house or building)
Inscriptions: inscription: ‘P. Viron photographe-éditeur 52, Rue de la Grotte &lt;en face l'hôtel de la grotte&gt; Lourdes déposé’
Terracotta fragment of an open shape
Object type: undetermined open shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from an open shape
Prometheus, naked, chained to a rock, looking up at an eagle standing over him
Object type: print
Date: 1795 – 1795
Materials: ink
Techniques: printmaking
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Subjects: eagles,male nudes
Minaret
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching, intaglio
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: collector's mark: Lugt 2228

Minaret van een moskee met een muezzin die oproept tot het rituele gebed.
Amulet of the God Thoth
Object type: costume and accessory
Materials: ceramic, faience
Culture: egyptian
Location: egypt
Subjects: gods (deities)
Portret van een jongen en een meisje
Object type: photograph
Date: 1895 – 1920
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: lyon
Artist: victoire
Artist role: fotograaf
Subjects: historical persons - bb - woman, historical persons, toddler (male), toddler (female)
Inscriptions: inscription: ‘MAISON FONDÉE en 1850/ 7 Médailles d'Or/ Membre du Jury Hors-Concours/ Victoire/ 22/ Rue Paul Chenavard/ EX-RUE ST PIERRE/ Lyon/ Hôtel-Privé/ au 1er Etage/ Téléphone/ 1.80’
Nieuwe Pascaert van de Oost Cust van Schotlandt Beginnende van Barwyck tot aen de Orcades Ylanden
Object type: print
Date: 1681 – 1799
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps, atlases, parts of ship's exterior: rudder, cupids: 'amores', 'amoretti', 'putti', position-finding at sea; nautical instruments, swimming mammals: whale
Inscriptions: collector's mark: Lugt 2228

Paskaart van een gedeelte van noordoostkust van Schotland en de Orkney Eilanden, met twee kompasrozen, het Noorden ligt rechts. Bovenaan een cartouche met de titel en het adres van de uitgever geflankeerd door putti met kaarten en nautische instrumenten en een vrouw die een kaart tekent. Rechtsonder de schaalverdeling in Duitse, Spaanse en Engelse of Franse mijlen (schaal: c. 1:700.000), waarbij twee zeegoden.
Isabelle Everson, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Jager leunend tegen een boom
Object type: drawing
Date: 1840 – 1870
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hunters resting during the hunt
Inscriptions: collector's mark: Lugt 2228, annotation:

Staande jager leunend tegen een boom, zijn geweer rust op de grond tegen de boom, op de voorgrond een weitas.
Kathryn Kidder, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Rome
Object type: drawing
Date: 1774 – 1775
Materials: graphite, ink, iron
Techniques: pen, wash
Artist: richard cooper ii
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1740 – 1822
Capital with ram heads and masks, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1537 – 1537
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: capitals,rams

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 27 in the scrapbook.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, head and hand of a youth to left
Escapement Watch
Object type: pocket watch
Date: 1777 – 1777
Materials: diamond, glass, gold, metal, silver
Techniques: enameling
Location: paris
Inscriptions: serial number: ‘2 489’, signature

Dit horloge behoort tot de vroegst bekende van de beroemde Parijse horlogemaker Jean Anthoine Lépine. Het nummer onder de wijzerplaat is een serienummer; een exemplaar dat dankzij de merken in de kast (Parijs, 1778) met zekerheid kan worden gedateerd, is genummerd 3 053 (Veiling Auctorem Genève, 10-4-1992, nr. 111), een ander genummerd 2 025, heeft gehaltemerken voor 1777 (Chapiro 1988, p. 44).
Straat te Dinan
Object type: sketchbook leaf
Date: 1927 – 1927
Materials: paper, pencil
Location: dinan
Artist: gerrit van blaaderen
Artist role: draughtsman
Artist dates: 1873 – 1935
Subjects: street
Inscriptions: date and inscription: ‘Dinan/ 11.8.27’

Bladen 6 verso en 7 recto uit een schetsboek met 33 bladen.
Vrouw en twee kinderen plukken bloemen in een weide
Object type: photograph
Date: 1895 – 1918
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: willem de jong (fotograaf)
Artist role: arts, fotograaf
Artist dates: 1864 – 1918
Subjects: picking flowers, child, meadow, pasture
Gezicht op de Waag vanaf de Geldersekade
Object type: drawing
Date: 1807 – 1865
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: william john cooke
Artist role: print maker
Artist dates: 1797 – 1865
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., weigh-house
Inscriptions: signature: ‘WJCooke’

Onderwerpsrubriek binnen de Atlas Amsterdam: Veemen, Waaggebouwen.
Edmund Kean as Richard III
Object type: print
Date: 1814 – 1814
Techniques: etching, hand coloring
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Subjects: shakespeare,men,actresses
Brief aan Philip Zilcken
Object type: letter
Date: 1908 – 1908
Materials: ink, paper
Techniques: pen, writing
Location: corbeil-essonnes
Artist: eugène demolder
Artist role: illustrator, schrijver
Artist dates: 1862 – 1919
Subjects: the hague, painter, draughtsman, philip zilcken, literature ~ arts
Inscriptions: collector's mark: ‘RPK’
Bracelet
Object type: bracelet
Date: 1834 – 1866
Materials: glass, silver
Culture: french
1/4 Qedet weight
Object type: weight, qedet
Date: 664 – 630
Materials: bronze
Location: egypt
Krantenverkoopster
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: vienna
Subjects: street-trader, newspaper, news-sheet
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Straatgezicht met een krantenverkoopster, een vrouw met een sjaal en een hoofddoek. In haar linkerhand houdt ze een opengevouwen krant met de kop: '30 Damphschiffe aus Ungarn!!!'.
Portret van Christoph Zunckel
Object type: book illustration
Date: 1740 – 1740
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: christoph zunckel, historical persons, printer

Prent waarschijnlijk uit: Kappens, Johann Erhard. Die so nöthig als nützliche Buchdruckerkunst und Schriftgießerey: (...). Leipzig: Chirstian Friedrich Geßner, 1740, dl. 1.
Child Jesus (from a nativity)
Object type: statuette
Date: 1701 – 1800
Materials: ivory, wood
Techniques: gilding, polychrome
Culture: ecuadorian or philippine
Location: philippines
Subjects: infants,jesus
Gezicht op de Oudezijds Achterburgwal tussen de Korte Niezel en de Spooksteeg
Object type: photograph
Date: 1880 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘3’ Lugt 1641b, inscription: ‘O.Z. Achterburgwal tusschen de Korte Niezel en Spooksteef’

Onderwerpsrubriek binnen de Atlas Amsterdam: Achterburgwal, Nieuwezijds en - Oudezijds; Nieuwe Achtergracht, Achterweg, Akoleienstraat.
Seated Troubadour Looking at Woman Asleep on Ledge
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: switzerland
Artist: henry fuseli
Bandontwerp voor: Marie Corelli, Innocentia: droomleven en werkelijkheid (Innocence), 1915
Object type: study for binding design
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: flowers, other birds: dove, ear of corn
Inscriptions: collector's mark: Lugt 2228a

Een vrouw staat in een landschap met korenschoven met een witte duif op haar hand. De voorstelling is omgeven door een bloemenkrans.
Gedeelte van een pijpaarden pijp met twee stervormige bloemen
Object type: pipe
Date: 1400 – 1950
Materials: earthenware, clay
Artist: Anonymous

Gedeelte van een pijpaarden pijp met twee stervormige bloemen.
Saint James the Greater
Object type: print
Date: 1723 – 1723
Materials: gold, watercolor
Techniques: woodcut, printing
Location: venice
Artist: conte anton maria zanetti
Artist role: artist
Artist nationality: italian
Artist dates: 1680 – 1767
Groepsportret van Marthe, Georges en Paul Maréchal
Object type: photograph
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: de l oratoire
Artist role: fotograaf
Subjects: boy (child between toddler and youth), girl (child between toddler and youth), anonymous historical persons portrayed in a group, in a group-portrait, paris
Inscriptions: address: ‘152, Rue St-Honoré, 152/ PARIS’
Verovering van de Kattenburgerbrug, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: battle (+ citizen soldiery, civil guard, citizen militia)
Inscriptions: collector's mark: Lugt 2228

De verovering van de Kattenburgerbrug naar het eiland Kattenburg op de opstandige Oranjegezinden door de gewapende Amsterdamse burgers, 30 mei 1787. Links een deel van 's Lands Zeemagazijn.
Alfred de Musset
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: lithograph
Location: france
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Bowl
Object type: bowl
Date: 901 – 1000
Materials: earthenware, glaze
Techniques: incising
Location: uzbekistan

The floriated kufic script used to decorate this bowl is especially well suited for writing on stone, wood, ceramics, or metal because of its angularity, and it developed freely since its early use in the ninth century. The inscription on this bowl, divided visually rather than following rules of grammar, reads: "Blessing and well-being to the owner."
Plump to the Devil We Boldly Kick'd Both Nap and His Partner Joe
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,men,devil,politics
Uitnodiging voor een dansfeest
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: invitation to the dance
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

In een decoratief kader van een herhaald klavertje drie, een trommel, herdersstaf en fluit, boven de tekst: 'Festa di ballo'.
Prenten-magazijn voor de jeugd
Object type: print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: street-trader, milkmaid
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van straatverkopers: een fruitverkoopster, een parapluverkoper, een verkoper van zure producten en een melkmeid. Boven elke afbeelding een titel, onder elke afbeelding een achtregelig vers. Genummerd rechtsboven: No. 111.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Two animal hooves to right; lower legs and feet of a draped figure to right; animal hoof to right
Row W. Trefriw, Wales, from Picturesque Selections
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Relief fragment from the tomb of Meketre
Object type: relief fragment, tomb of meketre
Date: 1981 – 1975
Materials: limestone
Location: egypt
Boerderij en hooischuur aan het water
Object type: print
Date: 1896 – 1944
Materials: paper
Techniques: woodcut
Artist: emilius wilhelmus dehé
Artist role: draughtsman, print maker
Artist dates: 1886 – 1947
Subjects: river, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Handvat voor een paraplu of parasol van zwarte kunststof
Object type: handle
Date: 1910 – 1920
Materials: plastic
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Ronde parapluie- en parasolknop. Klein, van zwart zilverkleurig inlegwerk van bloempjes, vogels en besjes.
Cast-Iron Samples
Object type: sample
Date: 1859 – 1859
Materials: iron
Techniques: casting
Location: netherlands
Artist: Anonymous

Drie ijzermonsters van gietijzer, alle gebroken, één incompleet. Ze hebben alle de vorm van een kruk, dun in het midden en met wijde uiteinden met een gat erin. Eén proefstaaf is in tweeën gebroken, de tweede in drie stukken en de derde ook in drie, maar het tussenstuk daarvan ontbreekt.
Portret van Frederik III van Sleeswijk-Holstein-Gottorp
Object type: book illustration
Date: 1630 – 1700
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: historical persons
Brief aan Ary Johannes Lamme
Object type: letter
Date: 1842 – 1842
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: hendrikus van de sande bakhuyzen
Artist role: draughtsman, painter, print maker
Artist dates: 1795 – 1860
Subjects: ary johannes lamme, sophia frederika mathilda van württemberg, art trade, art shop, painting (including book-illumination, miniature-painting), art collecting
Inscriptions: collector's mark: Lugt 2228
Im Näröfjord bei Gudwangen
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: gelatin silver print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘15’

De afdruk van de foto is rond, het papier vierkant. foto gemaakt met Nr. 1 Kodak Camera
Mirror
Object type: mirror
Date: 1651 – 1675
Materials: textile, silk
Subjects: men,women,leopards,lions

Stylized representations of the king and queen were popular in embroidery after the restoration of the monarchy in 1660. The figures in the lower border are presumably portraits, though they have not been identified. The animals and floral motifs are derived from contemporary pattern books.