deem-data/ArtiFact huggingface dataset:
Kwitantie voor Rudolf Stang
Object type: ontvangstbewijs, kwitantie
Date: 1886 – 1886
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: rudolf stang
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1927
Subjects: the graphic arts, money
Inscriptions: collector's mark: Lugt 2233
Water lily attachment, probably for a processional barque
Object type: statue or equipment attachment, lotus
Materials: bronze, gesso, glass, gold foil
Techniques: inlay
Location: egypt
Subjects: lotuses

This lotus may have been an attachment on a shrine baldachin, where a god seated on a lotus is often depicted.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Drapery and part of the forearm of a woman bending to right?; on the inside, korymboi
The Actor Matsumoto Koshiro II as Osada no Taro Kagemune Disguised as the Woodcutter Gankutsu no Gorozo in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
Object type: print
Date: 1770 – 1770
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Fragment of Dish with Fish Motif
Object type: ceramic fragment
Date: 1401 – 1500
Materials: glaze, stonepaste
Techniques: painting, underglaze
Location: egypt
Portret van Johann Angelius Werdenhagen op 54-jarige leeftijd
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: historical persons
Portret van Socrates
Object type: print
Date: 1783 – 1851
Materials: paper
Techniques: engraving, etching
Artist: willem van senus
Artist role: painter, print maker
Artist dates: 1773 – 1851
Subjects: filosoof, socrates
Inscriptions: collector's mark: Lugt 2228

Portret van de Griekse filosoof Socrates.
Roof Seat Break #4204
Object type: drawing
Date: 1893 – 1893
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Sugar bowl
Object type: sugar bowl
Date: 1775 – 1781
Materials: glass, silver
Artist: pierre benardié (or berardier)
Artist role: maker
Artist dates: 1745 – 1822
Subjects: coat of arms

Sugar came to be used in Europe with the newly imported beverages as tea, coffee, and chocolate. Sugar bowls were often fashioned as part of a silver service. Following English examples, French sugar bowls were shaped like an openwork basket with a blue glass liner during the 1770s and 1780s. Resting on four hoof feet, the bowl has two shaped handles and a knob in the shape of strawberries, most likely a reference to the sweetness of this summer fruit. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, as is illustrated by this sugar bowl.
Gevel van de Hervormde Kerk te Blokzijl
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: blokzijl
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Kerk der N.H. gemeente te Blokzijl’
Portret van Ulrich Zwingli
Object type: book illustration
Date: 1841 – 1841
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: clergyman, theologian, historical persons

Prent waarschijnlijk uit: Neander, A.F. Vitae quatuor Reformatorum (...). Berlijn: G. Eichler, 1841.
God Shiva and Goddess Uma Seated with their Son, Skanda (Somaskanda)
Object type: sculpture
Materials: bronze
Location: tamil nadu
Captain Halsey, The Dutchman Acquainted them of this Error, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Pirates of the Spanish Main" series (N19), issued ca. 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Perseus Liberating Andromeda
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Inscriptions: Lettered lower center: "Iaques de Gheyn sculptor. KVMander inve. Rob. de Baudous exc."; and around the border: "Vis tibi nulla ... J. Razet exc."
Serie 8: Nederlandse Gebeurtenissen, 1577-1583
Object type: print
Date: 1582 – 1585
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: paris, françois-hercule de valois (hertog van anjou), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', antwerp

Feestelijke intocht van Anjou te Antwerpen, 22 februari 1582. De stoet met de hertog komt op de Grote Markt waar een beeld van de reus Druon opgesteld staat. Met onderschrift van 8 regels in het Duits en 2 regels in het Frans. Linksonder genummerd: 177. De prent maakt deel uit van een album.
Portret van Antonio Quiroga
Object type: print
Date: 1812 – 1875
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: inscription: ‘Kapitein Generaal in Grenada / + San Jago 25 maart 1841’
Stem of pedestal vase
Object type: pedestal vase stem
Date: 3100 – 3100
Materials: ceramic, paint
Culture: iranian
Location: iran

This ceramic tube is the pedestal of a goblet or stemmed bowl. It is made of red clay and decorated with black paint. It was excavated at Yarim Tepe in northeastern Iran, six miles south of the modern town of Gonbad-e Kavus. Yarim Tepe was a small settlement, inhabited from the Neolithic to the Parthian period, with many interruptions. Pedestal vessels have been discovered at other sites in the region, such as Shah Tepe, Tureng Tepe and Tepe Hissar, dating to the late Chalcolithic period. This pedestal probably dates to the same period, when this region served as an important link between the emerging cities of Mesopotamia and Afghanistan, one of the few sources of both tin and lapis lazuli in the ancient Near East.
The Oiran Yoyogiku of Matsubaya Standing under a Cherry Tree
Object type: print
Date: 1754 – 1806
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: men,women,trees
Veue de devers Poussole
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: etching
Location: france
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van 22 prenten.
Tigers Hunting Boars and Deer
Object type: painting
Date: 1830 – 1830
Materials: ink, paper
Culture: indian, rajasthani, kota
Subjects: hunting,boars,deer,tigers

The hunt was central to Kota court life. Since artists routinely accompanied these expeditions, depictions of animals in a landscape feature prominently in the works of the Kota school. In this unusual composition, the human predator has been eliminated; instead, the focus is on a pack of tigers stalking and attacking their prey. The exceptional scale of this ambitious work suggests that it was a preparatory study for a mural painting.
Terracotta fragment of a kylix (drinking cup)?
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: etruscan

Part of the handle of a kylix?; the underside is unglazed
Portret van Jörg von Halsbach
Object type: print
Date: 1768 – 1810
Materials: paper
Techniques: etching
Location: munich
Artist: felix halm
Artist role: painter, print maker, publisher
Artist dates: 1758 – 1810
Subjects: historical persons, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2228
Brief aan Etha Fles
Object type: letter
Date: 1901 – 1901
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: blankenese
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: utrecht, etha fles, sculpture, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Reproductie van een prent van de aartsengel Michaël door Franz Hanfstaengl naar Giovanni Francesco Penni
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: woodburytype
Subjects: the archangel michael (often in armour with sword or lance)
Kwitantie voor Johan Conrad Greive
Object type: ontvangstbewijs, kwitantie
Date: 1863 – 1863
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: painter, print maker, draughtsman, johan conrad greive, drawing, money
Inscriptions: collector's mark: Lugt 2233
Putti op een wolk
Object type: print
Date: 1640 – 1655
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: flowers, clouds, harp, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Een groep putti op een wolk. Links bespeelt een putto de harp, een ander zingt daarbij uit een boek. Twee vliegende putti strooien bloemen.
Autumn Shower, Illustration from Bungei Kurabu (Literary Club)
Object type: print
Date: 1904 – 1904
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki kason
Artist role: artist
Artist nationality: japanese
Artist dates: 1860 – 1919
Subjects: soldiers,sadness,women,reading
Exterieur van het stadhuis (Het Statenlogement) te Hoorn
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: hoorn
Artist: Anonymous
Subjects: townhall, street (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘1613.’, inscription: ‘H 11.’, collector's mark: ‘RIJKS-NORMAALSCHOOL-VOOR-TEEKENONDERWIJZERS-AMSTERDAM’
Gezicht op het Begijnhof
Object type: drawing
Date: 1757 – 1822
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: hermanus petrus schouten
Artist role: draughtsman, painter, print maker
Artist dates: 1747 – 1822
Subjects: alms-house (dutch: 'hofje'), city-view in general; 'veduta'
Inscriptions: inscription: ‘448 Het Bagijnhof. (...) breed 34 cent.’, collector's mark: ‘34’ Lugt 1641b, inscription: ‘Port 34’

Onderwerpsrubriek binnen de Atlas Amsterdam: Begijnhof, t/m Petrus en Paulus.
Studioportret van een jonge vrouw met krullend haar
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Inscriptions: name: ‘A. Greiner, Amsterdam’
Pair of ewers
Object type: ewer
Date: 1815 – 1830
Materials: gilt bronze, glass
Portret van Christian Wildvogel
Object type: print
Date: 1676 – 1728
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: christian wildvogel, historical persons
Inscriptions: number: ‘64’

Met vierregelig onderschrift in het Latijn.
Cylinder seal and modern impression: royal figures flanking a standard; sphinxes
Object type: cylinder seal
Date: 1720 – 1650
Materials: mineral
Location: levant
Subjects: sphinx

Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This seal shows two royal male figures wearing mantles with rolled borders and caps with rolled brims. They each hold crooks with both hands and flank a globular standard mounted by a winged rosette. Next to this scene the pictorial field is divided into three registers. At the top two seated figures face each other with birds behind their chairs. In the middle are three rosettes inside a guilloche. On the bottom two seated winged sphinxes face each other. The top of the seal is broken.
Cowroid Stamp Seal with an Ankh Inscribed on the Base
Object type: cowroid seal
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: hieroglyphs
Voormalige hoofdpoort van Goedereede
Object type: photograph
Date: 1897 – 1897
Materials: cardboard, photographic support
Techniques: albumen print
Location: goedereede
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: gate, entrance
Inscriptions: annotation: ‘Overblijfsel van de voormalige Hoofdpoort, gezien van uit het Zuiden/ Aug. 1897/ Goedereede’, annotation: ‘Goedereede (Z.H.)/ overblijfsel van de voormalige hoofdpoort gezien van uit het zuiden/ Aug 1897’
Gezicht op een zeilboot te water
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Artist: o. bozenhardt
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: monogram: ‘MR/&Co’
Teapot
Object type: ceramic
Date: 1845 – 1845
Materials: ceramic, hard paste porcelain, porcelain
Techniques: gilding
Location: sèvres
Artist: sèvres porcelain manufactory
Artist nationality: french
Artist dates: 1740 –
Biddende man
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: head-gear (with name), one person praying
Inscriptions: collector's mark: Lugt 2228

'Hartstochten na J.B. Greuze' bestaat uit twee of drie genummerde reeksen. (Sommige nummers komen drie keer voor op drie verschillende afbeeldingen.) Binnen deze omslag bevinden zich achttien verschillende afbeeldingen. Mogelijk heeft dit te maken met de twee momenten waarop Daiwaille de reeks uitgaf, ten tijden van zijn directeurschap aan de Rijksakademie in Amsterdam en daarna als zelfstandige. De omslag behoort waarschijnlijk bij een van deze twee series. Zie Marres-Schretlen in het Bulletin van het Rijksmuseum.
Pantalets
Object type: pantalets
Date: 1830 – 1830
Materials: cotton, linen
Culture: american
Giovanni Bellino Venet
Object type: print
Date: 1768 – 1775
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: philipp kilian
Artist role: print maker
Artist dates: 1628 – 1693
Subjects: venice, draughtsman, giovanni bellini, historical persons, portrait, self-portrait of painter

Prent uit: Sandrart, Joachim von. Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben. 14 dln. Neurenberg: erven Johann Andreas Endter, [1774], dl. 7, p. L.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 1, p. 40.
Twee pratende vrouwen op stoelen en een jongen die met een hond speelt
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: etching
Location: england
Subjects: index finger forwards, pointing, indicating, dog, child between toddler and youth (of undetermined sex)
Inscriptions: collector's mark: Lugt 2228

Tweede staat met titel 'Scandal' gebruikt in: The Keepsake, 1832.
The Three Magi, from an Adoration of the Magi
Object type: sculpture
Date: 1550 – 1560
Materials: wood
Techniques: gilding, polychromy
Location: utrecht
Artist: Anonymous
Inscriptions: inscription, on the back, in a modern hand, in white paint: ‘nºINV. 7331’

The Three Magi. Oak with original polychromy. Utrecht, c. 1550.
Vijf gevelstudies, waarschijnlijk te Amsterdam
Object type: sketchbook leaf
Date: 1846 – 1882
Materials: paper, pencil
Location: amsterdam
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: façade (of house or building), amsterdam
Inscriptions: annotation: ‘1/ 2/ 3/ 4/ onder de middelste/ kop een lantaarn’

Vijf gevelstudies, waarschijnlijk te Amsterdam. Blad 75 verso uit een schetsboek met 91 bladen.
Geschiedenis van Ester
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: ahasuerus being sleepless, has the court records read to him
Inscriptions: collector's mark: Lugt 2228

Ahasveros ligt op bed en omdat hij niet in slaap kan komen, laat hij zich voorlezen uit de kronieken. Door het gordijn is te zien hoe Haman buiten de galg voor Mordekai voorbereidt.
Zonder titel (twee schetsen liggend veulen)
Object type: drawing
Date: 1935 – 1936
Materials: ink, paper, pencil
Techniques: brush
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: horse

De huidige titels zijn door het museum toegekend bij gebrek aan informatie over een originele titel.
Portret van Ariosto Ludovico
Object type: print
Date: 1754 – 1818
Materials: paper
Techniques: engraving
Subjects: ludovico ariosto, historical persons, writer, poet, author
Inscriptions: number: ‘147’, collector's mark: Lugt 2228
Plaque fragment with chariot scenes inscribed with the Urartian royal name Argishti
Object type: relief
Date: 713 – 679
Materials: bronze
Culture: urartian
Location: urartu
Subjects: men,horses,chariots

This fragment is decorated with two identical royal or religious processions, a typical stylistic and iconographic representation. What the footmen carry remains unknown. The Urartian cuneiform inscription above the top panel reads: "From the arsenal of Argishti."
Boek over de zijdeteelt
Object type: miniature
Date: 1690 – 1710
Materials: paper, parchment
Location: amsterdam
Artist: Anonymous

Boek, gebonden in blank perkament (splitsel-binding), schutbladen van gemarmerd papier, snede onversierd; acht katernen van vier bladen, 1ste blanco, vijftig bladzijden met bruine inkt beschreven. De tekst behandelt de teelt van zijdenrupsen en het profijt daarvan.
Chalcedony Disk
Object type: seal, discoid
Date: 1700 – 1600
Materials: stone
Culture: minoan
Subjects: rams
Enquêteformulier ingevuld door Arnoldus Antonius Christianus van 't Zant
Object type: questionnaire
Date: 1810 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: deventer
Subjects: deventer, print maker, arnoldus antonius christianus van 't zant
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Coronation of Pope Pius VI
Object type: print
Date: 1801 – 1801
Techniques: engraving
Artist: antonio poggioli
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1801
Glass finger ring
Object type: ring
Date: 1 – 100
Materials: glass
Culture: roman

Translucent honey yellow, with opaque white trails and opaque green blob. Circular hoop and cross section made from a straight rod and bent into ring so that ends meet at bezel. Top of bezel shaped into an oval projecting blob in green, encircled by white, imitating a gem; spirally twisted trails in hoop. Intact; some pinprick bubbles; dulling, slight pitting and weathering. Many rings of this type have been found at sites throughout the Roman Empire.
Bodhisattva
Object type: figure
Date: 901 – 1000
Materials: clay, pigment
Culture: chinese
Subjects: women
Imagines et figurae bibliorum
Object type: print
Date: 1582 – 1593
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river, isaac lying in bed blesses jacob who, disguised in esau's clothes, brings food to his father; jacob's hands and neck are covered with goatskins, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), old testament

De oude en blinde Isaak zegent Jakob vermomd als zijn broer Esau. Jakob knielt bij het bed. Links staat zijn moeder Rebekka. Rechts een rivierlandschap met Esau die terugkeert van de jacht (Gen. 27:18). De prent maakt deel uit van een album.
Glass perfume bottle
Object type: perfume bottle
Date: 101 – 300
Materials: glass
Culture: roman

Translucent blue green. Everted rim, folded over and in, pressed flat on upper surface and forming slight constriction to mouth; tall cylindrical neck with tooling indent around base; conical body, slightly over half of total height; thick, flattened bottom with off-center pontil scar. Neck broken and repaired, with one large hole, but rim and body complete; many bubbles; deep pitting on exterior, soil encrustation, black weathering, and brilliant iridescence on interior.