deem-data/ArtiFact huggingface dataset:
Designs for One Half of an Overdoor, and One Half of a Pedestal (?)
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault
Object type: print, fete, ornament architecture
Date: 1629 – 1629
Techniques: etching
Artist: melchior tavernier
Artist role: artist
Artist nationality: french
Artist dates: 1564 – 1641
Subjects: arches
Monarques d'Europe
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: rome, the hague, william i of the netherlands, caserta, vienna, frans ii (rooms-duits keizer), berlin, frederik willem iii koning van pruisen, historical persons, ruler, sovereign, pope
Inscriptions: check stamp: Lugt 4088, collector's mark: Lugt 2228

Portretten van Europese vorsten met genummerde lijst: 1. Gregorius XVI, 2. Willem I (koning der Nederlanden), 3. Ferdinand II (koning der Beide Siciliën), 4. Mahmud II (sultan van het Ottomaanse Rijk), 5. Nicolaas I Pavlovitsj (tsaar van Rusland), 6. Frederik Willem III koning van Pruisen, Karel Albert (koning van Sardinië), Frans II (Rooms-Duits keizer). Midden onder genummerd: No. 22.
Le garde-meuble / Collection de Meubles
Object type: print
Date: 1839 – 1885
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage
Inscriptions: stamp: ‘H.F. Jansen en Zn’

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Portret van de grootvizier van sjah Mozaffer ed-Din Kadjar
Object type: page
Date: 1897 – 1902
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons not known by name
Portret van Michaël Lukas Leopold Willmann
Object type: print
Date: 1769 – 1775
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: leonhard heckenauer
Artist role: print maker
Artist dates: 1650 – 1704
Subjects: leubus, print maker, draughtsman, michael willmann, historical persons, portrait, self-portrait of painter

Prent uit: Sandrart, Joachim von. Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben. 14 dln. Neurenberg: erven Johann Andreas Endter, [1774], dl. 7, p. SS.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 4, p. 648.
Halt of the Hunt
Object type: painting
Date: 1737 – 1737
Materials: canvas, oil
Artist: carle (charles andré) vanloo
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1765
Subjects: food,men,women,dogs,drinking,picnics
Herdenkingskaart voor Světlá
Object type: print
Date: 1923 – 1923
Materials: paper
Techniques: etching
Artist: hugo steiner-prag
Artist role: illustrator, pedagoog
Artist dates: 1880 – 1945
Subjects: 'in memoriam'-card
Inscriptions: date
Apotheosis of a Warrior
Object type: drawing
Date: 1696 – 1770
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: animals,soldiers
Ring
Object type: ring
Date: 1070 – 712
Materials: glass
Location: egypt
Heart of the Andes
Object type: painting
Date: 1859 – 1859
Materials: canvas, oil
Culture: american
Artist: frederic edwin church
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1900
Subjects: rivers,waterfalls,forests,mountains,landscapes

This picture was inspired by Church's second trip to South America in the spring of 1857. Church sketched prolifically throughout his nine weeks travel in Ecuador, and many extant watercolors and drawings contain elements found in this work. The picture was publicly unveiled in New York at Lyrique Hall, 756 Broadway, on April 27, 1859. Subsequently moved to the gallery of the Tenth Street Studio Building, it was lit by gas jets concealed behind silver reflectors in a darkened chamber. The work caused a sensation, and twelve to thirteen thousand people paid twenty-five cents apiece to file by it each month. The picture was also shown in London, where it was greatly admired as well.
Pope Blessing Two Women in the Presence of Satyr and Assembled Women with Castel Sant Angelo in the Background
Object type: drawing and watercolor
Materials: chalk, gouache, ink, paper
Techniques: brush, heightening, pen, wash
Location: italy
Artist: after federico zuccaro
Serrated Harpoon
Object type: harpoon
Date: 1500 – 500
Materials: copper
Culture: indian
Inwijding van de vlag van de Oud-Militairen van Ormeignies 1910
Object type: history medal
Date: 1910 – 1910
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde het borstbeeld van Koning Albert naar links met omschrift, op de keerzijde een medaillon met zeven regels tekst te midden van krijgsbenodigdheden waaronder links een grote vlag.
Jar from Neferkhawet's Tomb
Object type: jar, neferkhawet, ruiu
Date: 1504 – 1447
Materials: paint, pottery, stone
Location: egypt
Portret van Philippe de Chabot
Object type: print
Date: 1550 – 1650
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Leiden's ontzet herdacht / De feestviering op 3 October 1891
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: children's games and plays, royal household; courtiers, retinue, train, political caricatures and satires, leiden

Verschillende scènes van de viering van het Leids ontzet op 3 oktober 1891.
Plate
Object type: plate
Date: 1801 – 1833
Materials: faience
Techniques: glazing
Artist: stone, coquerel et legros
Artist role: maker
Subjects: fruit,flowers,trees

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Portret van Odon de Pins
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Artist: philippe thomassin
Artist role: print maker, publisher
Artist dates: 1562 – 1622
Subjects: historical persons, military orders, e.g.: knights templars, knights of malta, teutonic knights ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een grotere prent met vier portretten die later is verknipt. Prent waarschijnlijk uit: Veltroni, Tolomeo. Statuta hospitalis Hierusalem. [Rome: s.n., 1588].
Portret van Elizabeth Cromwell
Object type: photomechanical print
Date: 1870 – 1915
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Actors Iwai Hanshirô IV, Ichikawa Monnosuke II, and Sakata Hangorô III, in “Snowflakes: Raising the Standard at Izu” (“Mutsu no Hana Izu no Hataage”)
Object type: print
Date: 1786 – 1786
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Exterior ,part of torso of male?
Possibly a Pendant
Object type: pendant
Date: 701 – 1300
Materials: stone
Techniques: carving, incising
Location: iran
Wine and Beer Publicans
Object type: medal
Date: 1634 – 1651
Materials: brass
Techniques: casting, engraving
Location: middelburg
Artist: Anonymous
Subjects: hendrick thibaut, middelburg

Guild medals
Members of trade guilds had to identify themselves
with a medal at their meetings.
Rechthoekige cartouche met drie Chinezen en een tijger
Object type: drawing
Date: 1650 – 1655
Materials: ink, paper
Techniques: brush, pen
Artist: pieter jansz
Artist role: draughtsman
Artist dates: 1602 – 1672
Subjects: beasts of prey, predatory animals: tiger, chinese, ornament ~ cartouche
Fille Turque, jouant du Canon, plate 50 from "Recueil de cent estampes représentent differentes nations du Levant"
Object type: print
Date: 1714 – 1715
Techniques: engraving, etching
Artist: jean baptiste vanmour
Artist role: artist
Artist nationality: french
Artist dates: 1671 – 1737
Subjects: women
Fabel van de jongen die wolf riep
Object type: print
Date: 1567 – 1617
Materials: paper
Techniques: etching
Location: bruges
Artist: marcus gheeraerts (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1520 – 1590
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., fables of aesop : use 85(...), sheep, herd, flock, beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2228

De prent is met tekst op verso gebruikt in: Dene, Eduard de. De warachtighe fabulen der dieren. Brugge: Pieter de Clerck, 1567. De prent is vermoedelijk daarna nog gebruikt in andere publicaties uit 1579 en 1617. Zie Hollstein. Mogelijk is deze prent ook nog gebruikt in 'Vorstelijcke warande der dieren', 1682.
No. 8. Ye-nan-gyoung [Yenangyaung]. Kyoung.
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: salted paper print
Location: england
Artist: linnaeus tripe
Artist role: artist
Artist nationality: british
Artist dates: 1822 – 1902

Linnaeus Tripe produced some of the earliest photographs of British India and Burma ever made. The British ruled large parts of India through the East India Company, a corporation with its own private armies and governmental functions. Tripe rose through the ranks of the Company army, and began to experiment with photography in the early 1850s, photographing temples and other Indian monuments. In 1855, James Broun-Ramsay, Governor General of India, commissioned him to join a diplomatic mission to Burma as its official photographer to document architecture and points of interest. Over the course of several months, Tripe produced over 200 waxed paper negatives, selecting 120 for albums for the colonial government of India; this print is from an album that remained, until recently, with the Broun-Ramsay family. When the complete series was exhibited in 1857, the jury called the photographs “excellent; remarkable for great distinctness and also for their unusual and beautiful tint.”
Bracelet
Object type: bracelet
Date: 201 – 1100
Materials: iron
Culture: bura peoples
Location: niger
Portret van Franz Ludwig Pfyffer
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: mezzotint
Location: augsburg
Artist: johann elias haid
Artist role: print maker
Artist dates: 1739 – 1809
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
Two Sketches of Pheasant (recto); Sketch of Pheasants and Female Nude (verso)
Object type: drawing and watercolor
Date: 1849 – 1898
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: henry stacy marks
Artist role: artist
Artist nationality: english
Artist dates: 1829 – 1898
Francesco Sforza
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: standard-bearer, flag-bearer
Inscriptions: inscription: ‘297’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 248v.
Portret van Johannes Alberti
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: leiden
Inscriptions: date

Portret van Johannes Alberti in een rechthoekige omlijsting. In een kader zijn naam, zijn geboortedatum, zijn beroep en de datum van zijn inauguratie.
The Annunciation, Adoration of the Shepherds, and Adoration of the Kings
Object type: cushion cover
Date: 1601 – 1633
Materials: silk, silver gilt, thread, wool
Artist: anonymous workshop, british
Artist role: artist
Artist nationality: british
Subjects: animals,men,women,annunciation
Hana kagami
Object type: book
Date: 1904 – 1904
Materials: paper
Techniques: woodcut
Location: kyoto
Inscriptions: date
Intérieur du Palais Royal Galerie a Palerme
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: palermo
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: palace, gallery (spacious corridor)
Inscriptions: number: ‘1260’
Diverse messing onderdelen
Object type: nut
Date: 1850 – 1900
Materials: brass
Location: unknown
Artist: Anonymous
Gezicht op de voormalige Rooms-Katholieke kerk te Horssen
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: horssen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘c’, annotation: ‘Horssen (G.)/ Oct 1908’
Ontwerpen voor smeedwerk
Object type: print
Date: 1694 – 1756
Materials: paper
Techniques: etching
Location: augsburg
Subjects: floral interlace ~ ornament, forging (industrial process) (+ product ~ crafts, industries, agriculture)
Inscriptions: collector's mark: Lugt 2228

De prent hoort bij een serie van vier prenten.
Studie en annotaties
Object type: endleaf
Date: 1881 – 1883
Materials: paper, pencil
Location: north brabant
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘Heere[?] b/ Eindhoven/ [...] van Hertroys/ gekocht een kerk[?] voor f 15,-/ [...]’

Pagina 2, vrij schutblad, uit een schetsboek met 42 bladen.
Nekhbet amulet
Object type: amulet, nekhbet
Date: 664 – 380
Materials: gold
Subjects: goddess
Ruïnes van Pompeï
Object type: stereograph
Date: 1861 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: ruin of a building ~ architecture, landscape with ruins, pompeii
Inscriptions: number: ‘66.’
Terracotta fragment of a lekanis lid (covered dish)
Object type: lekanis lid fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Fragment of the lid of a lekanis, with a band of rays, framed by two red glazed lines
Zeegezicht
Object type: sketchbook leaf
Date: 1854 – 1868
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: sea
Inscriptions: kleurnotitie, handgeschreven

Blad 47 recto uit een schetsboek met 88 bladen.
Cylinder seal
Object type: cylinder seal
Date: 1500 – 1301
Materials: mineral
Culture: mitanni
Location: mesopotamia
Subjects: lions,ibex
Drie relikwieënkasten uit de Collegiale kerk Onze-Lieve-Vrouw en Domitianus van Hoei, België
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: relics (and reliquaries)
Inscriptions: monogram: ‘JJvY’, inscription: ‘CHASSES appartenant au (...)’, inscription: ‘CHASSES. - PL. 3.’
Rijtuigen op Place de la Concorde te Parijs
Object type: photograph
Date: 1887 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Artist: f. hélaine
Artist role: fotograaf, handelaar
Subjects: square, place, circus, etc., four-wheeled vehicle drawn by two animals
Inscriptions: stamp: ‘F. Hélaine/ 214, Rue de Rivoli, 214/ Paris’, number: ‘217’, number: ‘656’
Piek van ijzer met veren vastgeklonken aan een houten steel
Object type: pike
Date: 1590 – 1596
Materials: iron, wood
Techniques: cutting, forging
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Weapons. Weapons were an essential part of any distant voyage. On Nova Zembla they were used to keep the polar bears at bay.
Headdress Box
Object type: headdress box
Date: 1701 – 1800
Materials: gold
Culture: thai
Fotoreproductie van het schilderij L'Explication de la Bible naar Hunin
Object type: reproduction
Date: 1860 – 1860
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: picture, painting
Inscriptions: monogram: ‘P.O.’

Deze foto maakt deel uit van een omslag.
Armband van zilver, smalle versie
Object type: bracelet
Date: 1945 – 1950
Materials: silver
Location: amsterdam
Inscriptions: maker's mark: ‘9HJ’, alloy mark: ‘oud zwaard’

De armband is een voorbeeld van een zogenaamde tankarmband, refererend aan de rupsbanden van tanks die in de Tweede Wereldoorlog werden gebruikt.
Ontwerpen voor een lampenkap en -voet
Object type: sketchbook leaf
Date: 1928 – 1928
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: electric lamp

Blad 12 verso uit een schetsboek met 24 bladen.
Echtpaar Jetten op een rivierboot
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: river, suriname

Het echtpaar Jetten op een rivierboot, bij Paramaribo (?). Foto met hoekjes bevestigd op een bladzijde van een albumblad in het fotoalbum over de familie Jetten en het leven en werken in de mijnstad Moengo in Suriname rond 1927.
Maria met kind aan de borst
Object type: print
Date: 1519 – 1519
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: christ-child suckling, or beginning to suckle, e.g. mary uncovering her breast ~ madonna-representations, mary sitting or enthroned, the christ-child in front of her in her lap (or in front of her bosom)
Inscriptions: collector's mark: Lugt 240

Maria zit op een muurtje en zoogt het Christuskind aan de rechterborst.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, altar; Exterior, part of a palmette with a tendril
Boerderij te Groesbeek
Object type: sketchbook leaf
Materials: chalk, paper
Location: groesbeek
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: farm (building)
Inscriptions: date and inscription: ‘16 Aug/ Groesbeek’

Blad 27 verso en 28 recto uit een schetsboek met 44 bladen.
Schoenzool uit het wrak van de Oostindiëvaarder Hollandia
Object type: sole
Date: 1700 – 1743
Materials: leather
Artist: Anonymous

Schoenzool met stiksels. Klein formaat (kind).
Watch
Object type: watch
Date: 1822 – 1838
Materials: enamel, gold
Artist: charles oudin
Artist role: maker
Artist nationality: french
Artist dates: 1768 – 1840
Subjects: flowers,leaves
Fragment voet van een kandelaar uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: candlestick
Date: 1700 – 1743
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Candlestick, foot; fragm, sim. NG 1980-27H118.
Twenty Tirthankaras: Folio from a Kalpasutra Manuscript
Object type: folio
Date: 1401 – 1500
Materials: gold, ink, paper, watercolor
Culture: indian

The Kalpasutra singles out for special mention four tirthankharas: the first, original jina, Rsabhanatha, and the last three, Neminatha, Parshvanatha, and Mahavira. They are given extensive biographies, especially Mahavira. The twenty in between are grouped together, as depicted serially here. Their biographical information is not provided, but the cosmic lapse of time between each of their appearances on earth is. They are shown seated in meditation, bejeweled, and framed by a pair of pendant red lotus buds, perhaps denoting their perfected being and siddha status.
Circular Box and Cover
Object type: box
Date: 1301 – 1400
Materials: glaze, stoneware
Culture: chinese
Jonge vrouw met waaier
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: fan, flowers: rose
Inscriptions: collector's mark: Lugt 240
Yoshiwara Nihonzutsumi
Object type: print
Date: 1804 – 1857
Materials: paper
Techniques: woodcut, nishiki e
Location: tokyo
Artist: utagawa hiroshige (i)
Artist role: draughtsman, print maker
Artist dates: 1797 – 1858
Subjects: dikes, levee (+ landscape with figures, staffage)
Inscriptions: date

Gezicht op de drukke weg over de dijk die naar het Yoshiwara, de plezierwijk van Edo, leidde. Langs de maan een vlucht ganzen.
Leap Frog, from The Games of the Urchins of Paris
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Location: france
Artist: jean-baptiste tilliard
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1740

Jean-Baptiste Tilliard and Augustin de Saint-Aubin’s series of prints depicting traditional children’s games also included horseshoes and jump rope. Although some of the leap-frogging “urchins” in this etching are barefoot and disheveled from their athletics, their trappings would not be out of place for the more adult and aristocratic game of the hunt. The moralizing verse at the bottom of the print notes that while this pastime is good exercise for forgetting the woes of schooling, the delicately etched, rosy-cheeked boys also symbolize ambitious members of society or politics, those who unduly elevate themselves before their reputation comes crashing down.
Five Caricatures of Men (recto); Sketch of Male Figure and Bird (verso)
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: follower of faustino bocchi
Artist nationality: italian
Artist dates: 1659 – 1742
De geschiedenis van Alexander de Grote
Object type: tapestry
Date: 1625 – 1650
Materials: silk, wool
Techniques: tapestry

Wandtapijt met Darius voor Alexander, uit een serie met de geschiedenis van Alexander de Grote. Slechte staat, er ontbreken grote delen, deels ingeschilderd.