deem-data/ArtiFact huggingface dataset:
Alarming and Terrible Flood, Never Before Seen in Guanajuato!
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: engraving, etching, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Gathering of government officials
Object type: hanging scroll
Date: 1551 – 1551
Materials: ink, silk
Culture: korean
Artist: unidentified artist
Artist role: artist
Subjects: waterfalls,mountains,landscapes

Written by Jeong Sa-ryong (1491–1570), a distinguished poet, calligrapher, and official, the inscription identifies the depicted scene as a gathering of sixty-year-old men who joined the civil service around the same time. For this reason, it belongs to the Joseon painting genre known as gyehoedo. Mirroring Jeong’s vivid description of camaraderie, the get-together (lower right) is rendered with unusual detail, showing the colleagues with plentiful food and drink, cushions, books, writing implements, and many attendants. As is typical of gyehoedo, though the gathering is the reason for the painting, the figures are diminutively placed within an ideal landscape. It is an image about not only social interaction but also communion with nature.
Le chancelier Pierre Séguier
Object type: print
Date: 1657 – 1657
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,coat of arms
Anton in de herberg
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, drinking, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor August Wilhelm Ifflands 'Die Jäger'. Latere staat gebruikt voor: Berliner genealogischen Calender auf das Jahr 1787. Berlijn: s.n., 1786.
Handkerchief
Object type: handkerchief
Date: 1886 – 1886
Materials: linen, silk
Culture: hungarian
Johannes Le Francq van Berkhey
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: leiden, print maker, draughtsman, johannes le francq van berkhey, ink-well
Inscriptions: collector's mark: Lugt 240

Portret ten halven lijve naar links van Johannes le Francq van Berkhey, in een architectonische omlijsting, zijn linkerarm rustend op een plint. Daaronder zijn naam en gegevens in vier regels in het Nederlands. Op de plint een vogelnestje en schrijfgerei, in zijn hand een blaadje.
Terracotta miniature jar with two handles
Object type: jar, miniature
Date: 700 – 501
Materials: terracotta
Culture: greek, laconian

Two handles, traces of white paint.
Fireworks in a Piazza
Object type: drawing
Date: 1618 – 1623
Materials: ink, drawing material
Techniques: brush, pen, wash
Artist: guercino (giovanni francesco barbieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1591 – 1666
Subjects: buildings,fireworks

Mahon (1968, no. 191, p.187) tentatively dated the Museum's drawing to the first phase of Guercino’s career, prior to his Roman sojourn of 1621-23. Mahon noted a similarity between the genre subject matter of the drawing and that of scenes painted by Guercino and assistants in the Casa Pannini, Cento (1617). Mahon suggests the possibility of the architecture reflecting the travels of Guercino's Venetian sojourn of 1618. William Griswold (1991) followed Mahon's dating to the pre-Roman period, noting similar realistic-looking, but fictitious architecture in the background of paintings such as the Manning Collection Tobias and the Angel (c. 1617). Supporting the dating in the pre-Roman period is also the related drawing of a piazza bonfire showing a similar conical straw construction attributed to the Circle of Guercino (Chatsworth, Devonshire Collection, inv. no. 548: see Jaffe 1994, cat. no. 568). The subject matter is no less elusive. Because Guercino spent much of his life in Bologna, it has been suggested that these fireworks may have had a connection with the election to the papacy of the Bolognese Alessandro Ludovisi (Gregory XV, 1554-1523) in 1621. Although the piazza, with its distinctly Palladian palace to the left and its medieval tower from which fireworks are being shot off, is probably imaginary, the scene has a sense of reality and immediacy (Cazort and Johnston, 1982, no. 51, p. 92) . In regards to the location of the piazza featured in the Museum's drawing, Denis Mahon (1968) commented that the architecture is too monumental to be that of the main piazza at Cento and that it also does not represent the Piazza Maggiore at Bologna. Of great interest, Janos Scholz stated in 1945 that the piazza shown in this drawing is the Piazza delle Erbe at Verona (note in departmental file: J. Bean, December 65 LN). Indeed this drawing portrays the Piazza delle Erbe, though not exactly in its current appearance. The palace in the drawing to the left of the bonfire, with its balustrade surmounted by freestanding figural sculptures, resembles the Palazzo Maffei in Verona's Piazza delle Erbe. Another structure from this piazza reflected in the Museum's drawing is the three-storey High Renaissance facade adjacent at a right angle to the Palladian facade. As is documented, Guercino went to Venice in 1618 and to Mantua in 1620. Verona is near to both cities. A structure similar to the Palazzo Maffei is Palladio's Palazzo Chiericati in Vicenza, which, like the palazzo of the Museum's drawing, has rectangular ground-floor bays open to the street and freestanding figural statues along the top of the facade. However, the exact arrangement of buildings in the Museum's drawing are yet unidentified and the drawing is very likely a pastiche of Emilian and Lombard piazze, which offer a similar combination of crenellated gothic rooflines and classicizing Renaissance facades.
Box
Object type: box
Date: 1767 – 1800
Artist: josiah wedgwood
Artist role: factory
Artist nationality: british
Artist dates: 1730 – 1795
Subjects: horses
Portret van Ernst, markgraaf van Brandenburg
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: cologne
Subjects: historical persons

Prent waarschijnlijk uit: Des Fürstlichen Geschlechts und Hauses Gülich, Clev, Berg und Mark. Stamm Register (...). Arnhem: Jan Jansen, 1610.
Cul-de-lampe met blazoen blazende engelen
Object type: book illustration
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: paris
Subjects: angels

Prent gebruikt voor: Tallemant, Abbé Paul. Panegyriques et harangues à la louange du Roy (...). Parijs: Pierre Le Petit, 1680.
Gezicht op de oorlogsvloot van een noordelijke macht in de haven te Napels
Object type: opticaprent
Date: 1755 – 1779
Materials: paper, watercolor
Techniques: brush, etching
Location: augsburg
Subjects: harbour, sailing-ship, sailing-boat, battle, rowing-boat, canoe, etc., sea (seascape) (+ landscape with figures, staffage), civic architecture; edifices; dwellings, naples

De versterkte bouwwerken aan de waterkant en de schepen in de haven vuren kanonnen op elkaar af.
Dear Mary, when four years of age
Object type: photograph
Date: 1872 – 1882
Materials: photographic support
Techniques: albumen print
Subjects: historical persons - bb - woman, child (at home) - aa - girl
Christ returning from the temple with his parents
Object type: print
Date: 1757 – 1825
Materials: paper
Techniques: drypoint, etching
Subjects: christ returning with his parents
Inscriptions: collector's mark: Lugt 2228, stamp, collector's mark: Lugt 2760
Queen of Portugal, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: queens,portraits,coat of arms

Trade cards from the "World's Sovereigns" series (N34), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Tunic with Diamond Band
Object type: tunic
Date: 1460 – 1540
Materials: animal fiber, cotton
Culture: inca
Location: peru
Apis, inscribed
Object type: figurine, apis
Date: 664 – 630
Materials: metal
Location: egypt

The worship of the Apis bull is attested as early as Dynasty I. Arguably the Apis, unlike many sacred animals in Egypt, was not just favored by a certain deity, but was considered a deity in his own right. A single living representative was stabled near the Ptah temple in Memphis. The bull selected for this important role had certain colorful markings, such as a white triangle on the forehead, and black patches resembling winged birds or scarabs on the body. The bull is often shown, as here, wearing a large sun disc, a banded collar, and a decorated rectangular cloth on its back. Similar markings are easily visible on Apis 17.190.62. The base is inscribed. The Apis bull participated in ceremonies of fertility and regeneration. When it died, it was embalmed and buried with all honors; at that time, a new bull bearing the requisite markings was selected. Beginning with the reign of Amenhotep III (1390–1352 B.C.) in Dynasty 18, the place of Apis burials gradually became a huge and growing underground system of chambers called the Serapeum in the Memphite necropolis, Saqqara. The bull was so revered that even the mothers of Apis bulls had their own cult and burial place.
Gezicht op een gebouw in Bretagne, Frankrijk
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: brittany
Artist: h. chala
Artist role: fotograaf
Subjects: civic architecture; edifices; dwellings
Inscriptions: inscription: ‘la Bretagne Pittoresque et Monumental/ photographiée par H. CHALA, élève de PIERRE PETIT./ PUBLICATION DE LA/ Librairie-Papeterie Générale de l'Ouest/ Place de la Mairie et Rue d'Orléans, 6./ RENNES.’
Verovering van Philippsburg door keizer Leopold I
Object type: history medal
Date: 1676 – 1676
Materials: silver
Techniques: striking
Location: germany
Artist: Anonymous
Subjects: leopold i (keizer van duitsland)

Zilveren penning. Voorzijde: plattegrond van stad. Keerzijde: opschrift.
Heilige Lucas
Object type: print
Date: 1525 – 1530
Materials: paper
Techniques: engraving
Location: germany
Subjects: st. luke as patron of painters
Inscriptions: collector's mark: Lugt 2233

De heilige Lucas aan het schilderen, zittend achter zijn ezel in een gallerij. Naast hem de os.
Portret van Frans Jansz. Post
Object type: print
Date: 1650 – 1686
Materials: paper
Techniques: engraving
Location: haarlem
Artist: jonas suyderhoef
Artist role: draughtsman, print maker
Artist dates: 1613 – 1686
Subjects: painter, frans jansz post, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240

Portret van Frans Jansz. Post, prentmaker, tekenaar en schilder, zittend in een armstoel met een hoed op het hoofd.
Jongen bij ezelwagen met drie kinderen en een vrouw
Object type: photograph
Date: 1880 – 1910
Materials: photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: passenger carriage, mother and child(ren), woman and child(ren) (family group)
Insecten, bloemen en vruchten
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: tailless amphibians: frog, fruits: apple, plants and herbs: garlic, fruits: hazelnut, insects
Inscriptions: collector's mark: Lugt 2228

Prent uit een serie van 48 prenten, opgedeeld in vier afzonderlijke delen van elk twaalf prenten. Rechtsonder vermeld: [deel] 1. Boven- en onderaan een tekst in het Latijn.
Wilde roos
Object type: drawing
Materials: ink, paper
Techniques: pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: flowers: rose
Inscriptions: collector's mark: Lugt 2228a, : ‘verkleinen’, annotation: ‘wilderoos’, number: ‘7134’

Ontwerp voor: Knappert, Emilie C. Kijkjes in de plantenwereld. Loman & Funke: Amsterdam, 1893.
The Last Judgment
Object type: page
Date: 1854 – 1859
Materials: photographic support
Techniques: albumen print
Subjects: last judgement
Vase
Object type: vase
Date: 1896 – 1908
Materials: stoneware
Culture: american
Location: united states
Artist: dedham pottery
Artist role: manufacturer
Artist nationality: american
Artist dates: 1895 – 1943

Steeped in ceramics from birth, Hugh C. Robertson pursued his craft with fierce devotion and a passion for experimentation. From a family of trained English ceramists, he honed his skills in New Jersey before settling in Massachusetts as one of the founders of Chelsea Keramic Art Works and later, Dedham Pottery. Robertson’s lifelong explorations in glazes, particularly their color and texture, make him one of the key figures of American art pottery at the turn of the twentieth century. From Chelsea to Dedham, Robertson continued to pursue his passion for innovation, employing the grayish-white stoneware used for Dedham’s dinnerware to throw simple forms covered with bold combinations of colored and textured glazes. Despite his financial backers’ stipulation against further research into sang-de-boeuf, or oxblood, glazes, Robertson did not entirely abandon that costly pursuit. Many of his Dedham vessels have brilliant layerings of red and purple glazes. Experimenting with a daring, difficult-to-control method, Robertson tried painting designs with glaze onto glaze, layering one over the other. The propensity for the glazes to flow together or even run off the vessel made this technique very challenging. One of the most successful of these efforts is this vase with red fernlike fronds set against a deep green glaze streaked with blue. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known.
Pair of Greaves (<i>Tsutsusuneate</i>)
Object type: pair of greave i tsutsusuneate i
Date: 1701 – 1800
Materials: hemp, iron, silk, silver
Culture: japanese
Location: japan
Schwedischen Friedensmahls, in Nürnberg den 25. herbstm: Anno 1649
Object type: print
Date: 1650 – 1663
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: celebration meal, feast, banquet
Inscriptions: collector's mark: Lugt 2228

Feestmaal aangeboden door de Zweedse opperbevelhebber en latere koning Karl Gustav, in Neurenberg ter gelegenheid van de Vrede van Westfalen, 25 september 1649. De gasten gezeten aan lange tafels in de zaal van het Raadhuis. Onderaan de namen van de zitters aan de eerste tafel. In een lange stoet worden de gerechten binnengedragen. Verschillende vogelpasteien.
Landschap met meertje
Object type: print
Date: 1666 – 1681
Materials: paper
Techniques: etching
Location: paris
Subjects: lake, artist (in general) making preliminary designs, sketching - bb - out of doors
Inscriptions: collector's mark: Lugt 2228

Aan de oever van het meer zit een kunstenaar te tekenen. Naast hem zit een andere man die met zijn hand naar iets wijst.
Spes
Object type: print
Date: 1530 – 1530
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 240

Personificatie van de deugd Hoop: naakte vrouw zittend, putto houdt cirkelvormige band boven haar hoofd, lichtstralen vallen kamer binnen.
Esther and Mordecai before King Ahasuerus (Esther 8:1- 12)
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giovanni de' vecchi
Artist role: artist
Artist nationality: italian
Artist dates: 1536 – 1615
Subjects: kings,men,women,esther,ahasuerus

Of Tuscan origins, Giovanni de’ Vecchi spent most of his career in Rome, where he was active as a fresco painter on some of the city’s most prestigious commissions. This detailed sheet, executed in a painterly, animated style in pen and ink with delicate washes, has been identified as a scene from the Book of Esther. King Ahasuerus presents to Mordecai a signet ring (here enlarged by the artist for emphasis) that once belonged to the evil Haman as Queen Esther stands at right. The work is perhaps a modello (demonstration drawing) for a fresco, though no related final work exists.
The Factory Village
Object type: painting
Date: 1897 – 1897
Materials: canvas, oil
Culture: american
Artist: julian alden weir
Artist role: artist
Artist nationality: american
Artist dates: 1852 – 1919
Subjects: factories,villages

Having studied with leading academic painters in Paris, Weir was repelled by French Impressionism in the 1870s. By the 1890s, however, under the influence of Childe Hassam, Theodore Robinson, and others, he had himself adopted the style. Here, he celebrated picturesque New England industry, offering symbols of progress in harmony with nature. A large tree spreads its protective canopy over two telegraph poles, in the extreme foreground, as well as over the smokestack and spool shop (with tower) of the Willimantic Linen Company’s Connecticut factory. In the tranquil scene, there is no hint of the company’s labor woes or financial problems.
Covered Goblet
Object type: glass
Date: 1730 – 1730
Materials: glass, gold, gemstone
Techniques: cutting
Location: bohemia
Briefkaart aan Johannes de Koo
Object type: postcard
Date: 1899 – 1899
Materials: cardboard, ink
Techniques: pen, writing
Location: utrecht
Artist: pieter hendrik van moerkerken
Artist role: print maker
Artist dates: 1877 – 1951
Subjects: liège, johannes de koo, painter, draughtsman, philip zilcken, printed matter
Inscriptions: collector's mark: ‘RPK’
Jar
Object type: vessel
Materials: stoneware
Location: china
Twee Composietzuilen met voetstukken, kapitelen, een hoofdgestel en details
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: rome

Links staan details afgebeeld van het hoofdgestel, kapiteel, basement en een doorsnede van de schacht.
Begrafenis van J.C.J. van Speyk in vier platen
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam, antwerp, jan van speyk, cortege, funeral procession, commander-in-chief, admiral, historical person (with name), royal palace of amsterdam
Inscriptions: collector's mark: ‘25D.140’ Lugt 1641b

Rechtsonder genummerd: No 3. Derde plaat in een serie van vier platen van de begrafenis van Jan van Speyk te Amsterdam op 4 met 1832. Onderwerpsrubriek binnen de Atlas Amsterdam: Krijgswezen I: De Admiraliteit van Amsterdam, D. J.C. van Speyk.
Pair of Ear Clips with Bead in Four-Prong Lotus Base Setting
Object type: ear clip
Materials: gold
Culture: indonesian, javanese
Subjects: lotuses
Notice historique et biographique de la ville de Braine-le-Comte / par A. Parent
Object type: book
Date: 1868 – 1868
Materials: cardboard, leather, paper, photographic support
Techniques: albumen print, lithograph, printing
Location: braine-le-comte
Inscriptions: annotation: ‘AUG/ 2001’, annotation: ‘Très rare/ 220 fcs’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Exterior, part of a draped figure to left; left arm in front of an unidentified object
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Exterior, drapery of a figure to left; part of the head and upper torso of a filleted, bearded man to right, with his right arm bent; behind the draped figure, a vine
Rivier stromend door een dorp in de bergen
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: river, village, mountains
Inscriptions: collector's mark: Lugt 2228
Dress
Object type: dress
Date: 1828 – 1828
Materials: cotton, metal
Culture: american
Case (Inrō) with Design of Shishi Dogs beside Rocks and Waterfall
Object type: inrō
Date: 1701 – 1900
Materials: gold, lacquer, metal
Techniques: fundame, hiramakie, inlay, roiro, maki-e
Culture: japanese
Subjects: dogs,waterfalls
Arabesken, ontworpen door Pierre-Alexandre Le Prieur, tiende serie
Object type: album leaf
Date: 1802 – 1802
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: dolphin ~ ornament, ornament ~ arabesque, monsters of the sea, fabulous beings with wings, cupids: 'amores', 'amoretti', 'putti', ornament derived from plant forms

Doordat dit album bestaat uit meerdere, deels eerder uitgegeven prentreeksen, is de datering niet consequent. Het geheel is op de titelpagina gedateerd op 1802. Deze reeks is niet afzonderlijk gedateerd.
De serietitel voor het gehele werk is "Recueil d'arabesques, contenant les loges du Vatican". De andere serietitel is de titel van de specifieke reeks binnen het geheel.
Portret van Jean Baptiste baron de Cloots du Val-de-Grâce
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: cleves, paris, politician, historical persons, politician, e.g. party leader

Prent mogelijk uit: Tafereelen van de staatsomwenteling in Frankrijk. Amsterdam: Johannes Allart, 1798, dl. 6, tussen p. 204 en 205.
M. Guerre, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Gezicht op het stadhuis van Hattem
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: hattem
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: townhall
Inscriptions: annotation: ‘t’, annotation: ‘Het Raadhuis te Hattem’
Gedicht op het doorbreken van de Sint-Antoniesdijk, 1651
Object type: text sheet
Date: 1651 – 1651
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: dike-break

Tekstblad met een gedicht op het doorbreken van de Sint-Antoniesdijk of Diemerzeedijk op 5 maart 1651.Tekst in drie kolommen. Onderdeel van een grote plaat bestaande uit vier afbeeldingen en een tekstblad met een vers.
Annunciatie
Object type: print
Date: 1690 – 1757
Materials: paper
Techniques: woodcut
Location: italy
Artist: anton maria i zanetti
Artist role: draughtsman, painter, print maker
Artist dates: 1680 – 1757
Subjects: the annunciation: mary kneeling
Inscriptions: collector's mark: Lugt 240

De engel Gabriël kondigt aan Maria aan dat ze zwanger zal worden. Maria zit bij een tafel en achter haar staat een bed. De Heilige Geest daalt als een duif neer.
Panel (Furnishing Fabric)
Object type: textile
Date: 1876 – 1876
Materials: cotton
Techniques: engraving, weave, printing
Location: united states
Pair of candlesticks
Object type: candlestick
Date: 1731 – 1732
Materials: silver
Artist: paul de lamerie
Artist role: maker
Artist nationality: british
Artist dates: 1688 – 1751
Fotoreproductie van een gravure van een portret van Johannes Petrus Hasebroek
Object type: page
Date: 1869 – 1874
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: leiden, amsterdam, historical persons
Watch
Object type: watch
Date: 1701 – 1800
Materials: gilt copper, enamel, silver
Artist: (w.r.?) rose
Artist role: maker
Artist dates: 1745 – 1755
Subjects: human figures,musical instruments
Dom van Limburg an der Lahn, Duitsland
Object type: stereograph
Date: 1867 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: limburg an der lahn
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: church (exterior)
Inscriptions: inscription: ‘(Registered)’, number: ‘74’