deem-data/ArtiFact huggingface dataset:
Dorpsgezicht met kippen op de weg
Object type: print
Date: 1878 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: dirk berend nanninga
Artist role: print maker
Artist dates: 1868 – 1954
Subjects: village, public road in village, fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 2228

Vooraan lopen twee kippen, een kind en een vrouw over de weg. Erachter huizen en bomen.
Nouveau Livre des Dieux et Deeßes De la Marine Bouckje van Zeegoden en Godinnen
Object type: print
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: triton(s), harp
Portret van keizer Ferdinand III
Object type: print
Date: 1627 – 1637
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: wolfgang kilian
Artist role: print maker
Artist dates: 1581 – 1662
Subjects: ferdinand iii (duits keizer), historical persons, knighthood order of the golden fleece, emperor
Inscriptions: inscription: ‘Sohn Ferdinand II/ nat. 1608 succ: 1637 obiit 1657./ vrij jong; als Kon. v. Hong. en Boh., en nog geen R. Kon., dus tusschen 1627 en 1636’
Borstbeeld van koningin Wilhelmina (1880-1962)
Object type: sculpture
Date: 1898 – 1898
Materials: marble
Artist: bart van hove
Artist role: sculptor
Artist dates: 1850 – 1914
Subjects: print maker, wilhelmina of the netherlands
Portret van Johan Pieter van Harencarspel
Object type: print
Date: 1831 – 1862
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Gezicht op de Heilig Grafkerk
Object type: page
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: church (exterior)
"Rustam Shoots His Half-brother Shaghad through a Plane Tree", Folio from a Shahnama (Book of Kings) of Firdausi
Object type: folio from an illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: bow and arrow,men,trees

Rustam, the great epic hero of the Iran, was lured by his treacherous half-brother to ride over a hidden pit implanted with spears, which impaled him and his trusted horse Raksh. However, with the last vestige of his strength, Rustam was able to shoot his murderer through the tree behind which he was lurking. This miniature is in the forthright style associated with the city of Shiraz under the Aq Qoyonlu (White Sheep) Turkoman domination. The compositions are usually simplified and balanced, while the overall effect is both vigorous and decorative.
10 soldi uit de Kerkelijke Staat van paus Pius IX, 1867
Object type: coin
Date: 1867 – 1867
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: portret van de paus naar links. In omschrift jaartal: An XXII = 1867. Keerzijde: binnen twee samengebonden takken waarde-aanduiding in twee regels, waaronder jaartal. Onderaan letter R. Kartelrand.
A Drapery Study of a Seated Man
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Location: germany
Artist: johann friedrich overbeck
Artist role: artist
Artist nationality: german
Artist dates: 1789 – 1869
Subjects: men
vierjaarlijkse tentoonstelling van kunstwerken te Arnhem
Object type: medal
Date: 1901 – 1901
Materials: bronze
Techniques: striking
Location: netherlands
Subjects: arnhem
Tureen with cover
Object type: tureen with cover
Date: 1740 – 1745
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: flowers
Degendrager van de jas van ambassadeur A.H.J. Lovink
Object type: degendrager, degenhanger
Date: 1948 – 1950
Materials: textile, leather, metal
Techniques: sewing, weave
Location: the hague
Subjects: ambassadeur, hoge vertegenwoordiger van de kroon, antonius hermanus johannes lovink, ottawa

Zwarte lakense ceintuur of degendrager, gesloten met goudkleurige metalen gesp waarop een kroonmet een W eronder. Aan de ceintuur hangt een driehoekige zak (om de degen in te hangen). Ceintuur versierd met goudband. Behorend bij ambtskostuum van ambassadeur A.H.J. Lovink.
Portretten van Portretten van acht historische figuren
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: rome, painter, rafaël, politician, johan de witt, fernando álvarez de toledo (3rd duke of alba), peter i de grote (tsaar van rusland), berlin, leiden, vienna, paris, voltaire
Inscriptions: collector's mark: Lugt 2228

Portretten van de advocaat Johan de Witt, de schilder Rafaël, de hertog van Alva, de schrijver Voltaire, baron Heathfield, mogelijk Gerard baron Van Swieten, Peter de Grote, tsaar van Rusland en de filosoof Moses Mendelssohn.
Ferdinando Francesco II d'Avalos of Aquino, Marquis of Pescara (ca. 1530–1571)
Object type: medal
Date: 1560 – 1570
Materials: bronze, patina
Techniques: casting
Artist: annibale fontana
Artist role: artist
Artist nationality: italian
Artist dates: 1540 – 1587
Subjects: men,profiles
Horlogeketting
Object type: jewellery
Date: 1840 – 1845
Materials: gold, hair
Location: amsterdam

Dames-horlogeketting van een lang en dun gedraaid of geknoopt koord. Het ringetje en de haak zijn driemaal germerkt met een eikeblad. Een haarsieraad.
Battle at Rokuhara, from The Tale of the Heiji Rebellion
Object type: hanging scroll
Date: 1301 – 1325
Materials: gold, ink, paper
Culture: japanese
Subjects: battles,swords,men,horses

This action-packed fragment is one of fourteen salvaged from a handscroll illustrating the epic narrative The Tale of the Heiji Rebellion, which describes the confrontation in late 1159 between two military clans: the Minamoto and the Taira. Their conflict led to the collapse of aristocratic courtier control of the government, and the rise of autocratic rule by a series of warrior clans. The original handscroll was severely damaged in the eighteenth century, and the portion that survived was cut into sections that were then remounted as hanging scrolls. This detail from a battle scene depicts a frantic melee of armored soldiers and horses, with two warriors of the Taira clan closing in on a Minamoto soldier. As the latter draws his sword, one of the warriors grabs for his horse’s trappings while another seizes the soldier’s helmet and raises his sword to behead him, beneath the red banner of the Taira forces.
Briefkaart aan Jan Veth
Object type: postcard
Date: 1896 – 1896
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: alphons diepenbrock
Artist role: componist
Artist dates: 1862 – 1921
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, middelburg, politician, pieter lodewijk tak, printed matter
Inscriptions: collector's mark: ‘RPK’
Insertion
Object type: insertion
Date: 1801 – 1900
Techniques: embroidery
Gezicht op het kasteel van Civitavecchia
Object type: drawing
Date: 1660 – 1689
Materials: chalk, paper
Techniques: brush
Location: civitavecchia
Artist: jacob van der ulft
Artist role: draughtsman, painter, print maker
Artist dates: 1627 – 1689
Subjects: harbour, fortress, castle, quay
Inscriptions: annotation: ‘Casteel van Civitavechia’, signature: ‘J. v.d. Ulft’

De haven en het kasteel van Civitavecchia.
128 negatieven met opnamen van portretten van onbekende personen en landschappen
Object type: filmnegatief
Date: 1890 – 1920
Materials: film
Techniques: gelatin silver negative
Artist: Anonymous
Subjects: beach (as place of recreation), the family travelling, on holiday, historical persons not known by name, mountains, netherlands, italy, amsterdam, switzerland

Tachtig kleine negatieven, twee middelgrote negatieven en 46 grote negatieven.
Figuren op een heuvel
Object type: sketchbook leaf
Date: 1931 – 1931
Materials: pencil, watercolor
Techniques: brush
Location: java
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: (high) hill, landscapes (+ landscape with figures, staffage)

Pagina 13 uit een schetsboek met 74 bladen.
Worstelaars
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: wrestling (sport)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, number: ‘H.362’

Twee naakte worstelaars. De prent maakt deel uit van een serie over twee worstelaars in gevecht.
Ex libris van Perfect
Object type: bookplate
Date: 1700 – 1900
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: chest, bust, ornament ~ festoon, garland, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Twee helften van lijsten en twee helften van kroonelementen
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: etching
Location: germany

Lijsten en kroonelementen in de vorm van een driehoek, met lege tabletten. Blad 26 uit serie van titelblad en 28 bladen.
De Haringpakkers Tooren te Amsterdam, van de Mosselstyger na de Nieuwe Stadsherberg te zien / Vue de la Tour de la S. Croix, à Amsterdam, du coté de la Nouvelle Auberge
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, tower, clock tower ~ monumental adornment, rowing-boat, canoe, etc., canals, waters (in city)
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Atlas, of Verzameling van afbeeldingen der voornaamste gebouwen, torens en gezichten der stad Amsterdam (...). Amsterdam: Hendrik Moolenyzer, [1824].
Portret van Eduard von Bauernfeld
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: vienna, vienna state, historical persons, writer, poet, author
Plate 14, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Object type: print
Date: 1620 – 1620
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: architecture,buildings
Voussoir Fragment
Object type: voussoir
Date: 1401 – 1500
Materials: marble
Culture: french
Location: france
Card Number 162, Elmore, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Gezicht op het Louvre
Object type: print
Date: 1650 – 1655
Materials: paper
Techniques: engraving, etching
Subjects: city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van dertien prenten.
Groepsportret van een onbekend Japans gezin
Object type: photograph
Date: 1890 – 1920
Materials: paper, cardboard
Techniques: collodion silver print
Location: japan
Artist: Anonymous
Subjects: family, descendance, anonymous historical persons portrayed in a group, in a group-portrait, japan
Inscriptions: inscription: ‘Photographer’
Blad met zes rijen met verschillende voertuigen
Object type: brocade paper
Date: 1783 – 1815
Materials: gold leaf, paint, paper
Techniques: relief print
Location: nuremberg
Artist: paul reimund
Artist role: sierpapiermaker
Artist dates: 1764 – 1815
Subjects: two-wheeled, animal-drawn vehicle, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, animal-drawn sledge (dutch: 'toeslede')
Inscriptions: collector's mark: Lugt 2760

Blad met zes rijen met verschillende door paarden getrokken voertuigen. Onderaan genummerd: 70.
Nasr-Eddin Chan in Chan
Object type: page
Date: 1869 – 1885
Materials: paper
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: ruler, sovereign
Inscriptions: name: ‘Silvestre et Cie, 97, rue Oberkampf.’
Ronde tafel met drie poten
Object type: endleaf
Date: 1925 – 1925
Materials: pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: table
Inscriptions: collector's mark: Lugt 2228a

Voorste schutblad uit een schetsboek met 11 bladen.
Portret van Rulemann Friedrich Eylert
Object type: print
Date: 1810 – 1860
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Geperste turf
Object type: stereograph
Date: 1900 – 1902
Materials: cardboard, paper
Techniques: albumen print
Location: netherlands
Subjects: peat-cutting, netherlands
Inscriptions: number: ‘24.’, number: ‘A.24.’, inscription: ‘Zie pl. 23. De machine schuift de geperste en gesneden stukken veen op/ plankjes langs een riem zonder eind aan de turfdragers toe, die de plankjes/ omkeeren op den grond, waar de turven nu drogen moeten.’
Laadpriem uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: priming wire
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Priming wire; fragm, upper end, shaft eroded, id. NG 1975-17H374.
Sancta Tecla
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the virgin martyr thecla of iconium; possible attributes: bear, (ball of) flames, lion, pillar, serpents, anchorite, hermit

Prent uit: Rosweyde, Heribert. 'tBosch der eremyten ende eremitinnen, van Aegypten ende Palestinen. Amsterdam: Pieter Jacobsz. Paets, 1644.
The Moors make a different play in the ring calling the bull with their burnous, plate six from The Art of Bullfighting
Object type: print
Materials: paper
Techniques: aquatint, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Vrouw en meisje bezoeken oude man
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: visiting; receiving guests; elegant company, old man
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Dóll-Egges, Catharina Maria. Klein lettergeschenk voor de beschaafde jeugd. Haarlem: Loosjes Pz., weduwe Adriaan, 1831.
Festa della Sensa (eerste gedeelte)
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: city-view in general; 'veduta', procession ~ christian religion, gondola, merchant, salesman, venice
Inscriptions: collector's mark: Lugt 240, number: ‘i’

Eerste gedeelte van een grote voorstelling van de Festa della Sensa. De voorstelling is gedrukt van veertien blokken, de titel van vijf blokken en het onderschrift bestaat uit vijf delen van elk drie kolommen Duits tekst. In de collectie Rijksmuseum bevinden zich twee complete exemplaren inclusief titel en onderschrift. De veertien blokken die samen de voorstelling vormen zijn in de titels met de klok mee vanaf linksboven genummerd.
Les beaux jours de la vie
Object type: cartoon
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), head-gear: hat, reflection (in a mirror) - aa - (for) women
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 04-11-1845.
Gathering at the Orchid Pavilion
Object type: handscroll
Materials: ink
Techniques: damask
Culture: chinese
Artist: qian gong
Artist role: artist
Artist nationality: chinese
Artist dates: 1573 – 1619
Subjects: men,poets,pavilions

Qian Gong worked in Suzhou in the waning years of the Ming dynasty. His depiction of the Gathering at the Orchid Pavilion is unusual in that it is painted on figured damask, silk woven with a pictorial pattern. This type of support is rarely used for paintings because the dueling images of the silk ground and the painting can be difficult for the eye to parse. This piece of silk must have been particularly treasured, as Qian notes in his signature that the painting’s recipient made a special request for him to paint on it.
Portretten van beroemde Europese wetenschappers, humanisten en geestelijken
Object type: print
Date: 1650 – 1669
Materials: paper
Techniques: engraving
Subjects: antwerp, janus gruterus
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Janus Gruterus unus surge arti ...’

Prent gebruikt in een van de edities van Jean-Jacques Boissard. Boissard, Jean-Jacques. Bibliotheca sive Thesaurus Virtutis et Gloriae: In quo continentus Illvstrivm Ervditione & doctrina Virorum Effigies & Vitae (...). Frankfurt, [1628]. Zie Hollstein Dutch, deel LVIII, p. 86-87.
Carcassonne
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: carcassonne
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers Amsterdam’ Lugt 3937, number: ‘208’, number: ‘Frankrijk 8’
Portret van Wilhelm von Humbolt
Object type: print
Date: 1840 – 1899
Materials: paper
Techniques: engraving
Subjects: knighthood order (red eagle order), historical persons, medals and other marks of military honour
Inscriptions: name, collector's mark: Lugt 2228
Ruïne van de kruitfabriek Sollenburg na de ontploffing op 14 augustus 1758
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: gunpowder disaster
Inscriptions: collector's mark: Lugt 2228

Gezicht op de ruïne van de kruitfabriek in de kruitmolen Sollenburg aan de Overtoom te Amsterdam na de ontploffing op 14 augustus 1758.
Rouw der Israëlieten te Gibea
Object type: print
Date: 1690 – 1757
Materials: paper
Techniques: engraving, etching
Subjects: messengers of jabesh-gilead come to gibeah; the people weep on hearing the news
Inscriptions: collector's mark: Lugt 2228
Tripod (Ding)
Object type: tripod
Date: 1801 – 2000
Materials: earthenware
Culture: chinese
Dressing Table
Object type: dressing table
Date: 1730 – 1750
Materials: brass, wood
Culture: american
Location: united states
The Olympian gods at the marriage feast of Cupid and Psyche, after Raphael
Object type: print
Date: 1530 – 1535
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: cupid,psyche
Cylinder seal and modern impression: suppliant goddess
Object type: cylinder seal
Date: 1700 – 1501
Materials: gemstone
Culture: babylonian or kassite
Subjects: goddess

Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This seal shows a suppliant goddess with raised hands, wearing a horned headdress and long robe, facing a four-lined cuneiform inscription in Akkadian: "Kalpanitum, merciful lady Lamaṣani, female servant of…"
Pantheon, partial plan; details (recto) Pantheon, rectangular niche, perspective; vault, detail (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: cotton, silk
Subjects: birds,flowers
Omslag met serie monumenten te Maastricht
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: monument, statue, maastricht
Inscriptions: collector's mark: Lugt 2166

Onderdeel van een omslag met een serie van tien lithografieën van monumenten te Maastricht.
Muzikanten op een terras aan de Esplanade des Invalides, tijdens de Wereldtentoonstelling van 1900
Object type: stereograph
Date: 1900 – 1900
Materials: paper, cardboard
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: musician - cc - out of doors, tea garden, garden restaurant, paris
Inscriptions: number: ‘47’
Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782)
Object type: painting
Date: 1781 – 1781
Materials: canvas, oil
Artist: george romney
Artist role: artist
Artist nationality: british
Artist dates: 1734 – 1802
Subjects: portraits,women
Gezicht op het beursgebouw te Parijs
Object type: print
Date: 1826 – 1900
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: stock exchange, stock-market, representation of real building (either existing or having existed), paris
Implement with Curved Blade
Object type: implement
Date: 1300 – 1001
Materials: bronze
Culture: chinese
Bewening van Christus
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: engraving
Location: haarlem
Artist: jacob matham
Artist role: draughtsman, print maker
Artist dates: 1571 – 1631
Subjects: the dead christ in mary's lap, the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 240, date: ‘1607’, signature and address: ‘J. Matham Inven Sculp. et excud.’

Het lichaam van Christus op de schoot van Maria met links Maria Magdalena en achter hen een engel.
Portret van Caroline L. van den Berg-Van den Berg (Line)
Object type: cabinet photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: albumen print
Location: spui
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: the hague, caroline louise van den berg-van den berg
Inscriptions: inscription: ‘Moeder 1908 ...’, date: ‘1908’, inscription: ‘M. Büttinghausen AMSTERDAM / Spui 15.’
Landschap met een klein gebouw tussen kale bomen
Object type: print
Date: 1816 – 1875
Materials: paper
Techniques: etching, intaglio
Artist: paulus lauters
Artist role: print maker
Artist dates: 1806 – 1875
Subjects: trees, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Tapijten (2)
Object type: album leaf
Date: 1910 – 1911
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: carpet, rug

Albumblad met vier foto's van tapijten. Onderdeel van Fotoalbum van de familie Palthe uit Almelo.
Spotprent op baron Van Zuylen van Nijevelt, 1864
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: tow-boat, towing-barge
Inscriptions: collector's mark: Lugt 2228

Spotprent op een toespraak door baron Van Zuylen van Nijevelt gehouden op 22 november 1864. Vier personen pratend in een trekschuit, de baron voorgesteld als een kleine jongen. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 49, 3 december 1864.