deem-data/ArtiFact huggingface dataset:
Gezicht op hofstede de Morgenstond
Object type: print
Date: 1736 – 1773
Materials: paper
Techniques: engraving, etching
Location: amstelveen
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: country-house
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Schoemaker, Gerrit ed. Daniel Willinks Amstellandsche Arkadia, of beschryving van de gelegenheit, toestant en gebeurtenissen van Amstellandt, met deszelfs onderhoorige dorpen, heerlykheden, ambachten, lusthoven, wateren, enz. (…). 2 delen. 1e druk. Amsterdam: Arend van Huyssteen, 1737, dl. 1, p. 102. Of in: Schoemaker, Gerrit ed. Daniel Willinks Amstellandsche Arkadia, of beschryving van de gelegenheit, toestant en gebeurtenissen van Amstellandt, met deszelfs onderhoorige dorpen, heerlykheden, ambachten, lusthoven, wateren, enz. (…). 2 delen. 2e druk. Utrecht: Samuel de Waal, 1773, dl. 1, p. 99.
Accessory set
Object type: accessory set
Date: 1834 – 1866
Culture: american
Christ displaying his wounds
Object type: print
Date: 1814 – 1843
Techniques: engraving
Artist: massimiliano capezzuoli
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Portret van een man met hoed
Object type: album leaf
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: indo-china
Artist: a. kit
Artist role: fotograaf
Subjects: historical persons, head-gear: hat
Inscriptions: inscription: ‘A-KIT./ PHOTOGRAPHIE ET PEINTRE DE/ PORTRAIT/ AU PREMIER/ No. 1, Rue de Chinois No. 1,/ HAIPHONG/ PRIX MODERES./ (...)’
Armes Kirghizes
Object type: page
Date: 1875 – 1885
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: weapons
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 74 (recto)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: peacocks,flowers,leaves
Brief aan Jan Veth
Object type: letter
Date: 1923 – 1923
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: johan huizinga
Artist dates: 1872 – 1945
Subjects: painter, print maker, draughtsman, jan veth, rotterdam, frederik schmidt-degener, nijmegen
Inscriptions: collector's mark: ‘RPK’, watermark
Portret van een vrouw met waaier
Object type: photograph
Date: 1850 – 1850
Materials: cardboard, photographic support
Techniques: albumen print
Artist: maurice hébert
Artist role: fotograaf
Subjects: historical persons - bb - woman, fan
Inscriptions: inscription: ‘Caballero de Gracia 30 y 32, Galeria de Cristales’
Zittende naakte jongen met opgeheven arm
Object type: drawing
Date: 1878 – 1938
Materials: paper, pencil
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Straffen voor christenslaven in Noord-Afrika
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: death penalty, execution, slavery; serfs and enslaved persons, violent death ~ maltreatment, torture, torture, public punishment (death not intended or involved)
Inscriptions: collector's mark: Lugt 2228

Drie voorstellingen van verschillende soorten straffen die aan christelijke slaafgemaakten in Noord-Afrika (christenslaven) zouden worden gegeven. Prent rechtsboven genummerd: fol: 407.
Covered jar with figures, flower sprays and auspicious symbols in shaped panels on a multi-colored ground
Object type: covered jar
Date: 1725 – 1740
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: label: ‘17100/ 91 [...]003/ 5’, label: ‘S.K. 21’

Dekselpot met harlequin motief behorend bij vijfdelig kaststel.
Head of a Bearded Man
Object type: sculpture
Date: 1300 – 1325
Materials: limestone
Techniques: polychromy, carved
Culture: french
Location: france
Subjects: man, fragment, architectural fragments, architectural fragment, stone, bearded man, head
The actors Ichikawa Ebizo V and Ichikawa Saruzo I
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
't Stadhuis en de St. Mathys Kerk te Maastricht, 1740
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: church (exterior), townhall
Inscriptions: collector's mark: Lugt 1641, collector's mark

Prent eerst gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 2 (1746), ill. 127-128.
Later ook gebruikt in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (...). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 2, ill. 127-128.
Dish
Object type: dish
Date: 1821 – 1846
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: enoch wood & sons
Artist role: maker
Artist nationality: british
Artist dates: 1818 – 1846
Subjects: landscapes,boats

This blue and white transfer-printed earthenware vegetable dish features an interior view and four exterior views of the mountain range known as the Hudson Highlands overlooking the Hudson River in New York.
Sampler
Object type: sampler
Date: 1823 – 1823
Materials: linen, silk
Subjects: flowers,leaves
Chocolate pot (part of a set)
Object type: chocolate pot
Date: 1740 – 1750
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Josie Hall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Gezicht op het Keizer Karelplein te Nijmegen
Object type: album leaf
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: square, place, circus, etc., nijmegen

Deze pagina maakt deel uit van een album.
Brunehault
Object type: drawing
Date: 1677 – 1677
Materials: ink, paper
Techniques: pen
Artist: constantijn huygens (ii)
Artist role: draughtsman
Artist dates: 1628 – 1697
Subjects: prospect of village, silhouette of village
Miriam Coles, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Textile Sample Book
Object type: sample book
Date: 1840 – 1860
Materials: cotton
Subjects: flowers
Emilie van Kerckhoff staand in een tuin met twee poppen
Object type: photograph
Date: 1870 – 1906
Materials: paper
Techniques: collodion silver print
Location: netherlands
Subjects: draughtsman, historical persons - bb - woman, girl (child between toddler and youth), (playing with) dolls, netherlands
Inscriptions: inscription: ‘Emilietje van Kerckhoff.’
Scaraboid with an image of Hathor
Object type: scarab, hathor emblem
Date: 1550 – 1295
Materials: faience
Location: egypt
Subjects: hathor,taweret,scarabs

This goddess face is flanked by the uraei that often accompany Hathor. Loop elements rise above the podium crown. These have sometimes been interpreted as a row of uraei, and by the later eighteenth dynasty this may be the case. However, the modius with uraei appears on queens’ crowns only in the time of Amenhotep III, so early loop crowns probably represent something else, possibly feathers like those worn on crowns by Bes and Anukis. The opposite is flat and bears an image of the protective goddess Taweret with a knife(?) to fight fiends and the hieroglyph for protection.
Card Number 110, Pauline Hall, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Montuur van brons
Object type: candelabrum
Date: 1748 – 1748
Materials: bronze, porcelain
Techniques: gilding, painted
Location: meissen
Inscriptions: factory mark

De zwaan is geplaatst in een verguld bronzen montuur in rococo-stijl, in de vorm van een drie-armige kandelaber, waaraan bloemen van porselein in blauw, roze, groen en violet zijn bevestigd.
Zanze
Object type: zanze
Date: 1867 – 1900
Materials: wood
Culture: cameroonian
Location: cameroon

Double Lamellaphone with two groups of seven tongues each. Lamellaphone is a term to designate instruments consisting of thin tongues of metal or split cane, mounted on a resonating board or box. Depressing the free ends of the tongues with the thumbs produces a gentle ringing sound, sometimes augmented by jingling objects attached to the board, and amplified by holding the instrument in a hollow gourd. Tuning is accomplished by sliding the tongues in or out in order to change their vibrating length. Lamellaphones are distributed across sub-Sahara Africa and were brought by slaves to Latin America. They are known by many names that may also be shared with xylophones. Most names have word stems which include: -mbila; -mira; -limba; or -rima. Westerners, not recognizing differences in construction, have simplified the name to two regional terms calling them either mbira or sanza.
Portret van de predikant Johannes d'Outrein
Object type: print
Date: 1736 – 1775
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: middelburg, amsterdam
Inscriptions: collector's mark: Lugt 240
Sugar sifter
Object type: sugar sifter
Date: 1835 – 1835
Materials: silver
Cover
Object type: cover
Date: 1101 – 1200
Materials: linen, wool
Location: egypt
Bombario Actionist en de Geest van Esopus
Object type: print
Date: 1718 – 1720
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: caricatures (human types), little people, may and its 'labours'

Twee kleine mensen voor de maand mei (Bloeimaand). Man speelt op een luit en een zingende vrouw. In het onderschrift verzen in het Duits, Frans en Nederlands. Onderdeel van deel III (een serie van de twaalf maanden) in de tweede Nederlandse gebonden uitgave uit 1720 (en gerelateerd aan de Windhandel in dat jaar) van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel.
Ngonge
Object type: ngonge
Date: 1850 – 1889
Materials: metal
Culture: congolese
Location: congo
Portret van een oudere dame met breiwerk
Object type: photograph
Date: 1854 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: utrecht
Artist: abraham adrianus vermeulen
Artist role: painter
Artist dates: 1817 – 1894
Subjects: historical persons not known by name - bb - woman
Inscriptions: signature: ‘A.A. Vermeulen photographie Utrecht’
Rotterdam. Park
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph, writing
Location: rotterdam
Artist: Anonymous
Subjects: park, lake, bridge, rotterdam
Inscriptions: postage stamp
Glass mosaic ribbed bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent honey brown, partially mixed with white and appearing opaque yellow, blue, and opaque white. Convex curving side, tapering downward to bottom. Ribbon mosaic pattern formed from lengths of a single cane in a brown ground with zigzag bands of white and blue threads in parallel lines and plain bands in yellow; on exterior, lower sections of three vertical ribs, tapering flat. Polished exterior; pitting of surface bubbles on exterior; dulling and creamy iridescent weathering on interior and jagged edges.
Beleg van Gulik door Albrecht, aartshertog van Oostenrijk, noodmunt met het gewicht van een kwart rijksdaalder, vervaardigd uit Dicken van Johann II, graaf van Pfalz-Zweibrucken, bestempeld met het mo
Object type: coin
Materials: silver
Techniques: snipping, striking
Location: gulik
Artist: Anonymous
Subjects: brussels, albrecht aartshertog van oostenrijk
Zakkendragersgilde, gildepenning waarschijnlijk vervaardigd uit afgevijlde munt
Object type: medal
Date: 1789 – 1789
Materials: copper
Techniques: striking
Location: belgium
Artist: Anonymous

Eenzijdige koperen penning. Voorzijde: in ovale stempel: rechtsgewende man met zak over schouder tussen jaartal. Keerzijde: blanco.
The Bull
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: signature and date: ‘Rembrandt f 165’

While on his walks in the surroundings of Amsterdam, Rembrandt came upon not only dwellings and natural settings, but also many animals. He saw this young creature standing at the water’s edge and probably captured it on the etching plate on the spot. He had made a drawing of a similar subject about ten years earlier.
Portret van een onbekende vrouw bij een tafel
Object type: photograph
Date: 1851 – 1864
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: gustav schauer
Artist role: painter, publisher
Artist dates: 1826 – 1902
Subjects: adult woman, anonymous historical person portrayed, berlin
Inscriptions: inscription: ‘Gustav Schauer/ Photographisches Kunst- und Verlags-Institut/ Berlin/ Grosse Friedrichs-Strasse/ No. 188.’
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: compound weave
Culture: japanese
Subjects: feathers
Schilderingen in Palazzo Farnese te Rome
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Location: rome
Subjects: the (nude) human figure; 'corpo humano' (ripa), cupids: 'amores', 'amoretti', 'putti'

Prent uit een reeks prenten met nummers van 1 tot en met 29 (sommige prenten hebben hetzelfde nummer), plus titelprent en opdracht, naar schilderingen in Palazzo Farnese te Rome.
Solomon and the Queen of Sheba
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: anonymous, french, school of fontainebleau, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: weapons,queens

Text on the print mistakenly identifies the subject as Cleopatra bringing presents to Marc Anthony.
Liggend schaap, van voren
Object type: drawing
Date: 1786 – 1839
Materials: paper, pencil
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: sheep
Kogel waarmee C.J. baron Krayenhoff in de buik werd getroffen
Object type: grapeshot
Date: 1815 – 1815
Materials: iron, oil, wood
Techniques: casting, turning
Artist: Anonymous
Subjects: c.j. baron krayenhoff
Inscriptions: inscription: ‘Veldslag bij Waterloo / Corneille. Jean. Ba / ron Krayenhoff. Ritm. Komm.t / 2e F.sc: Regt / Ligte Dragonders / no 4 in de / Buik gewond’

Ronde kogel waarvan één helft zwart geverfd is met daarop in witte verf het opschrift. In ronde doos van hout die bestaat uit twee helften die op elkaar zijn te schroeven.
Carte-de-visite Portraits of Domestic Workers
Object type: photograph
Date: 1900 – 1909
Materials: paper, cardboard
Techniques: collodion silver print
Location: rotterdam
Artist: cornelis deltenre
Artist dates: 1854 – 1933
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed
Inscriptions: address: ‘Nieuwe Binnenweg/ 633/ over de Remise/ Rotterdam’, inscription: ‘SPECIALITEIT IN VERGROOTINGEN./ OLIEVERF PORTRETTEN EN REPRODUCTIES/ NAAR IEDER PORTRET. GROEPEN EN BUITENOPNAMEN.’

The woman in the upper left photograph is Lina Hamming, a domestic worker in Amsterdam. Hamming was one of thousands of women who worked in the households of wealthy families. We do not know the names of the other women, but we do know their occupation: domestic workers. They wore the characteristic white aprons and caps. The baskets and the dustpan and brush indicate their duties in the household.
Terracotta neck-amphora (jar)
Object type: neck amphora
Date: 500 – 500
Materials: terracotta
Culture: greek, attic
Artist: diosphos painter
Artist role: artist
Subjects: lions,herakles

Obverse, Hera sending out Iris with the Nemean lion Reverse, Herakles wrestling the Nemean lion The very rare representation on the obverse depicts a story preserved in Hesiod's Theogony. Hera, queen of the gods, sends out Iris, the divine messenger, with the lion that will ravage the region of Nemea. On the other side, Herakles wrestles with the lion as Athena stands by to assure a successful outcome.
Visiting Prisoners, from The Seven Acts of Mercy
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: françois hutin
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1758
Armchair
Object type: armchair
Date: 1660 – 1685
Materials: wood
Subjects: infants,flowers
Gezicht op het stadhuis van Vlissingen
Object type: album leaf
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Location: klundert
Artist: Anonymous
Subjects: townhall
Inscriptions: inscription: ‘No. 6./ Stadhuis te Klundert.’

Deze prent maakt deel uit van een album.
Canadese militairen op het Leidseplein
Object type: photograph
Date: 1906 – 1945
Materials: paper
Techniques: photography
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: amsterdam

Naar rechts langstrekkende colonne van Canadese militairen te midden van publiek, op het Leidseplein te Amsterdam; foto vanuit Hirsch-gebouw genomen (atelier-Merkelbach) naar de Marnixstraat gezien.
The Mildmay Sea-Piece, plate 40 from Liber Studiorum
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851

The Liber Studiorum (Book of Studies) served as both a testament to Joseph Mallord William Turner’s achievement as a painter and an instruction manual for other artists. As opposed to artists who commissioned professional printmakers to reproduce their paintings, Turner made his etchings, and even some of his mezzotints, himself. He was involved in the entire process, making sure that each print measured up to his standards. The variations in line and shading expertly display the range and variety of atmospheric effects that a landscape painter can achieve, an impressive accomplishment for Turner.
Admiral Dupeare, French Navy, from the Naval Vessels of the World series (N226) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: navy,ships

Trade cards from the "Naval Vessels of the World" series (N226), issued in 1889 to promote Kinney Tobacco Company.
Zelfportret
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: mezzotint
Location: nuremberg
Subjects: draughtsman, jan kupecký, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228
Arch of Gallienus, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: architecture,arches,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 78 in the scrapbook.
Man met kan en wijnglas (variant A)
Object type: print
Date: 1659 – 1740
Materials: paper
Techniques: mezzotint
Artist: jan van der bruggen
Artist role: draughtsman, print maker
Artist dates: 1649 – 1709
Subjects: jar, jug (used as drinking-vessel), wine ~ alcoholic drinks
Inscriptions: collector's mark: Lugt 2228

Een man houdt een kan en een wijnglas in de handen. Achter hem een oude vrouw met een papier in de hand.
Christ's Charge to Peter "Feed my Sheep". Raphael
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: mission of peter ('pasce oves meas'): christ pointing to a lamb, peter perhaps with keys in his hands

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Fides, plate 1 from The Seven Virtues
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: belgium
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Twee onbekende kinderen en een vrouw voor een woning
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: collodion silver print
Subjects: historical persons, housing
Inscriptions: inscription: ‘Concours de négatifs 1885/ Médaille de bronze’, inscription: ‘Bulletin de l'association belge de photographie / Schloss-Gronenbach (Bavière )’
Exterieur van een oud-Hollandse woning aan het kruispunt van de Utrechtsestraat en Rinocerosgracht (zuidzijde) in Batavia
Object type: album leaf
Date: 1920 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: batavia
Artist: Anonymous
Subjects: villa, prospect of city, town panorama, silhouette of city, dutch east indies, the, batavia

Onderdeel van Reisalbum met foto's van Batavia.
Landschappen (serie A)
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: rotterdam
Artist: gerard van nijmegen
Artist role: draughtsman, painter, print maker
Artist dates: 1735 – 1808
Subjects: waterfall, bridge, carrying something on the head or on the shoulders
Inscriptions: collector's mark: Lugt 2228

Heuvelachtig landschap met een brug boven een waterval, waarover een man loopt met een pak op zijn rug. Linksonder: a.