deem-data/ArtiFact huggingface dataset:
Design for Wagonette (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kort verhaal / Van den dood van zijne majesteit / Lodewijk den XVIIIen / Narration / De la mort de sa Majesté / Louis XVIII
Object type: print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: paris, lodewijk xviii (koning van frankrijk), mourning the dead, lying in state
Inscriptions: collector's mark: Lugt 2760

Koning Lodewijk XVIII ligt opgebaard onder een baldakijn. Hovelingen staan rouwend om zijn lichaam. Onder de afbeelding een onderschrift in het Nederlands en in het Frans in twee kolommen. Genummerd rechtsboven: n. 194. B.
Badende Diana
Object type: print
Date: 1744 – 1744
Materials: paper
Techniques: etching
Location: paris
Artist: charles michel-ange challe
Artist role: draughtsman, print maker
Artist dates: 1718 – 1778
Subjects: diana bathing
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Betreft de pendant van een badende nimf, eveneens in een ovaal door Challe. Beide prenten zijn 1744 gedateerd. De pendant bevindt zich o.a. in de collectie van het Metropolitan Museum of Art te New York, inv.nr. 53.523.6.
Portret van Petrus Boudaan
Object type: print
Date: 1728 – 1738
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: historical persons, armorial bearing, heraldry
Medal Showing John, Second Duke of Montagu
Object type: medal
Date: 1751 – 1751
Materials: bronze
Culture: swiss
Location: switzerland
Subjects: men,profiles
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, lower body and part of thigh, with greave, of male wearing a chlamys
Houtsprokkelaarsters met een huilend kind
Object type: print
Date: 1857 – 1883
Materials: paper
Techniques: photo-zincography
Artist: maurits verveer
Artist role: painter
Artist dates: 1817 – 1903
Subjects: woodgathering, woodgatherer, snow
Inscriptions: collector's mark: Lugt 2228

Een houtsprokkelaarster in een besneeuwd landschap met naast haar een huilend kind.
Portret van Henri Vieuxtemps
Object type: print
Date: 1840 – 1846
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: historical persons, portrait of composer
Hugh N. "Little Nick" Nicol, Right Field, Cincinnati, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Heqanakht Account VI
Object type: papyrus, letter, heqanakht
Date: 1961 – 1917
Materials: ink, papyrus
Location: egypt
Subjects: documents,hieratic

Heqanakht was a native of Thebes (present day Luxor) during the early twelfth dynasty. As "ka-servant" of a high official he was responsible for the high official's statue cult and the administration of the land and income that had been endowed to maintain this cult. The letters and accounts written by Heqanakht and one or more scribes on sheets of papyrus were discovered by Museum excavator Herbert E. Winlock in the excavation season of 1921-1922 in the tomb of Meseh, who had a side passage and crypt in the tomb complex of the vizier Ipy, one of the rock cut tombs along the cliff overlooking the temples at Deir el-Bahri. The documents - some still folded, tied and sealed, when found - provide unique insights into the domestic and financial affairs of an average middle class family that lived almost four thousand years ago.
Officers of U.S.S. Hunchback
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: navy,cannons,american civil war,men
Stal met koeien, kippen en een varken
Object type: print
Date: 1867 – 1874
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: pig, cow, fowl (cock, hen, chicken, etc.), stall, stable
Inscriptions: collector's mark: Lugt 2228
Figuur- en architectuurstudies
Object type: drawing
Date: 1886 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: standing figure, civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2228, annotation: ‘lijnbaanssteeg’
Robe
Object type: robe
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Carpet
Object type: carpet
Date: 1601 – 1700
Materials: cotton, wool
Techniques: pile
Location: iran
Mirror with animals of the four directions and other mythical creatures
Object type: mirror
Date: 1 – 200
Materials: bronze
Culture: chinese
Dood van Uria
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: uriah is killed in the battle
Inscriptions: collector's mark: Lugt 2228

Latere staat van prent gebruikt in: Theatrum biblicum : hoc est historiae sacrae veteris et novi testamenti tabulis aeneis expressae. Opus praesentatissimorum huius ac superioris seculi pictorum atque sculptorum, summo studio conquisitum et in lucem editum. Amsterdam: Claes Jansz. Visscher, 1643.
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1301 – 1400
Materials: copper, gold
Culture: french or spanish
Location: spain
Subjects: coat of arms

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Goblet
Object type: glass
Date: 1700 – 1700
Materials: glass
Location: potsdam
The landing of Chinese prisoners at Wei-Hai-Wei
Object type: photomechanical print
Date: 1895 – 1895
Materials: paper
Techniques: photograph
Location: japan
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: transfer, deportation ~ prisoner of war, prisoner of war (after the battle)
Inscriptions: inscription: ‘Expedition to Wei-Hai-Wei.’
Twee stukken Duits borduurwerk uit circa 1720, uit de collectie van het Kunstgewerbemuseum in Dresden, Duitsland
Object type: photomechanical print
Date: 1888 – 1888
Materials: paper
Techniques: photograph
Location: dresden
Artist: Anonymous
Subjects: embroidery (ornamentation)
Inscriptions: number: ‘Tafel 44.’, inscription: ‘E. KUMSCH, SPITZEN UND WEISS-STICKEREIEN DES XVI.-XVIII. JAHRH./ aus dem Königlichen Kunstgewerbe-Museum zu Dresden’

Deze prent maakt deel uit van een omslag met 49 prenten en een lijst van afbeeldingen.
Blad met strooipatroon van bloemtakje op puntenfond
Object type: printed paper
Date: 1750 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met strooipatroon van bloemtakje op puntenfond. Met etiket met opschrift: 'C. Bijleveld ... interpretaone'. Helft van een omslag.
Kerkgebouw achter bomenrij
Object type: drawing
Date: 1600 – 1699
Materials: chalk, paper
Artist: Anonymous
Subjects: landscape with bridge, viaduct or aqueduct, landscapes with waters, waterscapes, seascapes (in the temperate zone), church (exterior)

Kerkgebouw achter bomenrij langs een vaart met een voetbrug.
Vreugdezang op de geboorte van de prins, 1711
Object type: text sheet
Date: 1711 – 1711
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jacobus van egmont
Artist role: printer, publisher
Subjects: the hague, willem iv (prins van oranje-nassau)
Inscriptions: date

Blad met de tekst van een vreugdezang gecomponeerd ter gelegenheid van de geboorte te Leeuwarden van de prins Willem Karel Hendrik Friso (de latere erfstadhouder Willem IV) op 1 september 1711.
Vier penningen
Object type: ornament print
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: ornaments ~ art, coin
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Flavius Claudius Julianus Apostata. Les cesars. [Vertaald uit het Grieks door] Ezechiel Spanheim. Amsterdam: François L'Honoré, 1728, p. XLII.
Portiek van eikenhout versierd met ebbenhout
Object type: portiek
Date: 1650 – 1700
Materials: wood
Location: northern netherlands
Artist: Anonymous

Het portiek heeft op de stijlen pilasters, eveneens belijmd met ebben en bekroond met een Ionisch kapiteel. Met deur (BK-NM-3114-2).
A  wide cup with ornamental stem
Object type: print ornament architecture
Date: 1646 – 1646
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: women,cups

Wide cup with ornamental stem, featuring two grotesque heads with goat's horns, and lid with female figure holding a blank shield.
Twee voorstellingen van kinderen en hun moeder
Object type: print
Date: 1779 – 1779
Materials: paper, pencil
Techniques: etching
Location: leiden
Subjects: mother and baby or young child
Inscriptions: collector's mark: Lugt 240, number: ‘Etsdr. 27. 26.’

Twee voorstellingen van kinderen en hun moeder: links twee moeders in gesprek en rechts een moeder met vier kinderen.
Vuursteengeweer Staatse leger
Object type: flintlock pistol
Date: 1780 – 1805
Materials: brass, iron, wood
Techniques: printing, engraving
Location: amsterdam
Artist: johannes rousseau
Artist role: geweermaker, pistoolmaker
Inscriptions: coat of arms: ‘PIF; NR (cf. St. 4170)’, : ‘GB (St. 2564)’, signature: ‘I.ROUSSEAU // AMSTERDAM’
Julius Hardouin Mansart
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: france
Subjects: paris
Inscriptions: collector's mark: Lugt 240

De Franse architect Jules Hardouin-Mansart (1646-1708), afgebeeld zittend in stoel, met op de achtergrond een draperie en een pilaar. Onderaan een wapen en drie regels tekst in Latijn.
Wetenschappelijke experimenten uitgevoerd in een huiskamer
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: drawing-room, 'salon', experiment, test ~ science and technology
General George Armstrong Custer
Object type: photograph
Date: 1860 – 1876
Techniques: albumen print
Location: united states
Artist: brady's national photographic portrait galleries
Artist nationality: american
Artist dates: 1900 – 1999
Subjects: collected by hugh edwards, portraits
Gipsmodellen voor versieringen van het Palais du Louvre: links door Jules Lafrance, midden door Pierre Edouard Charrier, rechts onbekend
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, ornamenting, decorating ~ applied arts, paris, tuileries palace
Inscriptions: number: ‘435, 866, 486 (vlnr)’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 4.
Sailing from a California Port
Object type: print
Date: 1862 – 1862
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Subjects: men,women,ships
Sécretaire du Directoire Exécutif
Object type: print
Date: 1795 – 1799
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: national government, clothes, costume, head-gear: hat (+ feathers used for clothes)
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De Fransche Revolutie. (Het Directoire).
Waarheid en Poëzie in gesprek
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: minerva as patroness, devil(s) and demons, truth; 'verità' (ripa), symbolic representations, allegories and emblems ~ poetry; 'poesia' (ripa)
Inscriptions: collector's mark: Lugt 2228

Waarheid en Poëzie, vergezeld door Minerva, in gesprek bij een altaar waarop de titel in het Nederlands. Een engel, met vlam boven het hoofd als symbool voor geloofsijver, wijst hen op het hemelse Jeruzalem. Links op de voorgrond een duivel die hen bespiedt. Rechts op de achtergrond een vrouw die duivels met haar gesel het huis uitjaagt.
Thames Warehouses
Object type: print
Date: 1859 – 1859
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Hagar en Ismaël in de woestijn
Object type: print
Date: 1618 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: hagar and ishmael in the wilderness
Inscriptions: collector's mark: Lugt 2610, collector's mark: Lugt 2228

Hagar rust aan de voet van een dikke boom. Ismaël leunt tegen haar.
Untitled (Portrait of a Seated Woman)
Object type: photograph
Date: 1847 – 1847
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits: female subject, female, photography, portrait, portraits
Aequivalent
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: tax payment, amsterdam
Inscriptions: collector's mark: Lugt 2228

Spotprent op een nieuwe belasting volgens de vertering, ingevoerd te Amsterdam, 14 maart 1856. Centraal een emblematische bloeiende handelsstad met attributen van de handel, vaandels en een kraaiende haan. Ter weerszijden twee rijen belastingbetalers die hun mening geven over de inkomstenbelasting. Bovenaan het stadswapen van Amsterdam.
Design for a Pediment (for the Hôtel de Ville)
Object type: drawing
Date: 1834 – 1866
Materials: graphite, ink, watercolor
Techniques: pen
Artist: jean-baptiste louis plantar
Artist role: artist
Artist nationality: french
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic
Artist: euergides painter
Artist role: artist

Interior, head and right hand, holding skyphos, of wreathed youth to right; part of an inscription, K[AL]O[S]?
Gezicht op het marktplein van Wittenberg met Luther-monument
Object type: print
Date: 1813 – 1877
Materials: paper
Techniques: lithograph
Artist: eduard dietrich
Artist role: painter, print maker
Artist dates: 1803 – 1877
Subjects: monument, statue, village square, place
Inscriptions: collector's mark: Lugt 2228
Gezicht op het Crystal Palace in Londen tijdens de Great Exhibition of the Works of Industry of All Nations van 1851
Object type: page
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: london
Subjects: world fair, world exhibition
Studieblad met benen en een zittende vrouw
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Subjects: legs, adult woman (+ sitting)

Blad 27 recto uit schetsboek XVI met 32 bladen.
Vestibule of an ancient temple... (Vestibolo d'antico Tempio...), from "Prima Parte di Architettura, e Prospettive"
Object type: print
Date: 1743 – 1750
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: architecture,arches,temples
Oranje geeft Bossu te Hoorn zijn zwaard terug, 1573
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: delft, william i (prince of orange), antwerp, earl, hoorn (north holland)
Inscriptions: date

Illustratie voor: J. Nomsz, Willem de eerste, of de grondlegging der Nederlandsche vryheid. : In vier en twintig zangen, Erven van David Klippink, Amsterdam 1779. Staat met de letter.
Besnijdenis
Object type: album leaf
Date: 1629 – 1629
Materials: paper
Techniques: woodcut, pasting
Location: amsterdam
Subjects: circumcision of the christ-child by the priest in the temple (luke 2:21)
Inscriptions: date

Het Christuskind wordt besneden in een kapel in een grote kerk. Veel omstanders kijken toe. De prent maakt deel uit van een album.
Franse maagd smeekt de goden om hulp
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cologne, maria de' medici, hendrik iv (koning van frankrijk en navarra), 'tableau vivant', personifications of countries, nations, states, districts, etc., symbols, allegories of peace, 'pax'; 'pace' (ripa), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', justice; 'forza alla giustitia sottoposta', 'giustitia', 'giustitia retta', 'giustitia rigorosa', 'impietà e violenza soggetta alla giustitia' (ripa), (story of) venus (aphrodite), amsterdam
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in:* Baerle, Caspar van. Medicea hospes, sive descriptio publicae gratulationis, qua Serenissimam, Augustissimamque Reginam, Mariam de Medicis (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van. Marie de Medicis, entrant dans Amsterdam : ou, histoire de la reception faicte à la Reyne Mere du Roy tres-Chrestien (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van en Joost van den Vondel. Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. Vertaelt uit het Latijn (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1639.

* Doorgaans zijn de prenten in de bovengenoemde publicaties rechtsonder genummerd (van de huidige prent is dat de derde bekende staat). Maar er zijn ook exemplaren waarin eerdere, ongenummerde, staten van de prenten (van de huidige prent de eerste en tweede bekende staat) zijn ingebonden.
Onbekende tennisspeler op de tennisbaan
Object type: photograph
Date: 1917 – 1917
Materials: photographic support
Techniques: collodion silver print
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: tennis, lawn-tennis, historical persons
Inscriptions: annotation: ‘28 mei 1917’, number: ‘2’
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Part of the head of a woman to left wearing a diadem; part of a chair; to the left of the woman's head, part of an inscription, KALE
Saint Anne and the Virgin with the Infant Christ
Object type: print
Date: 1500 – 1527
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: infants,saint anne,virgin mary
Reproductie van een foto van een portret van Mathieu de Ruddere de te Lokeren
Object type: page
Date: 1853 – 1858
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: historical persons
Inscriptions: inscription: ‘Représentant,/ Elu par l'arrondissement d'Alos[t].’
Soldaat die de pan van zijn musket sluit
Object type: sketchbook leaf
Date: 1826 – 1888
Materials: paper, pencil
Artist: johannes antonius canta
Artist role: draughtsman, painter
Artist dates: 1816 – 1888
Subjects: firearms, (military) uniforms

Kopie naar Jacob de Gheyns 'Wapenhandelinghe van roers musquetten ende spiessen: achtervolghende de ordre van syn excellentie Maurits prince van Orangie grave van Nassau &c' uit 1607. Blad 6 recto uit een schetsboek en album met 59 bladen.
Pictura (de Schilderkunst)
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: cornelis galle (i)
Artist role: print maker
Artist dates: 1576 – 1650
Subjects: 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa)
Inscriptions: collector's mark: Lugt 240

Pictura de personificatie van de schilderkunst vermaalt pigmenten in haar atelier. Op een ezel staat een schilderij. Op de grond zitten twee putti die een tekening van haar maken. Onder de voorstelling een Frans vers.
Title Plate, from "Pendant Designs with Architectural Elements and Vegetal-Arabesques"
Object type: print ornament architecture
Date: 1573 – 1573
Techniques: embroidery, engraving
Artist: jan collaert i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1530 – 1581
Subjects: birds,cartouches,ornament

Vertical panel with pendant design at center with the text on a cartouche set in an ornament with a vegetal-arabesque pattern. Above, a circular temple flanked by two small heart motifs. From a set of ten plates with pendant designs incorporating arabesque decoration. This plate belongs to the first edition, published by Hans I Liefrinck in Antwerp before 1573.
Battle scene in a landscape with soldiers on horseback and several fallen men, another group of riders in the background
Object type: print
Date: 1520 – 1520
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: battles,soldiers,weapons,horses,landscapes
Copper Animal Ornament
Object type: ornament
Date: 1101 – 1500
Materials: copper
Culture: chimú
Location: peru
Subjects: animals