deem-data/ArtiFact huggingface dataset:
Haarlem reception room 1794
Object type: interieuronderdeel
Date: 1793 – 1795
Materials: wood
Location: amsterdam
Artist: abraham van der hart
Artist role: draughtsman
Artist dates: 1747 – 1820
Subjects: haarlem, ornaments ~ art

This room was built and furnished for Willem Philip Kops, a merchant and art collector, as an addition to his house at 74 Nieuwe Gracht in Haarlem. With the exception of the original stucco ceiling, the room survives virtually intact. Abraham van der Hart, the city architect of Amsterdam, succeeded in creating a harmonious, classicizing entity, in which all the arts are in tune with one another. He must have been assisted by a specialized firm of upholsterers, which ordered the furnishings and coordinated the installation. The chimneypiece probably came from Italy, the carpet from the Flemish city of Tournai, the furniture from Amsterdam, the silk hangings and upholstery from Lyon in France and the glass chandelier and candelabra from England. The room was most likely used only for formal evening receptions.
Length of silk with Carmelite Order coat-of-arms
Object type: panel
Date: 1601 – 1700
Materials: silk
Subjects: coat of arms
Cabinet Design with Doors Adorned with Porcelain Plaques
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
Triomf van Gouverneur Starrenburg
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: etching
Location: antwerp
Subjects: asiatic races and peoples: turks, the three theological virtues, armour, head of a beheaded person, the heavens (celestial bodies)
Inscriptions: collector's mark: Lugt 2228

Gouverneur Starrenburg staat centraal in de prent. Hij draagt een harnas en staat op de wapens en vaandels van overwonnen Ottomaanse strijders. Naast hem op de grond liggen de afgekapte hoofden van enkele van deze Ottomaanse soldaten. Hij wordt door Hoop, Geloof en Liefde vergezeld op de trap van Eer richting de hemelberg, waar een triomfboog op hem wacht. Een cartouche bovenaan de prent heeft een Latijns devies. De prent heeft een nederlands onderschrift: 'Hier siet ghy Sterenbergh met een volmaeckt ghemoedt. Voorvechter van het Ryck, en van't onnoosel Bloedt. Gaen op den trap van eer, beklimmen S'hemels wegen, nu hij voor Oosten-ryck becommen heeft Godts segen. De Hope geeft hem moet, de Liefde drijft hem aen. En doet doot't waer gheloof den Mahomet verslaen'.
Trofee bij het portret van Leonardos Philaras
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: engraving
Location: france
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, historical persons
Inscriptions: collector's mark: Lugt 240

Deze prent hoort bij het portret van Leonardos Philaras. Zie RP-P-OB-69.997.
Blad met banenpatroon van rondje met tak met twee vruchten in sierlijst met stippen
Object type: printed paper
Date: 1700 – 1850
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228

Blad met banenpatroon van takje met twee vruchtjes in cirkel omgeven door streepjes en van motief met drie cirkels in balkje met punten.
Zeegezicht met zeilschepen
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Subjects: ships (in general) - cc - more than one ship, armorial bearing, heraldry, zeeland, middelburg
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Zeegezicht met verschillende zeilschepen. Onderaan het familiewapen van de heer Kien van Citters. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Zeemacht.
A triton and a siren fighting at center, their legs as scrollwork, a swan to right, the grotesque head of an old man below, plate 6 from "Friezes, foliage, and grotesques" (Frises, feuillages et grotesques)
Object type: print
Date: 1638 – 1643
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: ornament,triton,swans
Ex libris van Cato J.M. Scholte
Object type: bookplate
Date: 1935 – 1935
Materials: paper
Techniques: hand coloring, printing block
Location: netherlands
Subjects: cato j.m. scholte
Die Nahe. Hutten-Sickingen-Denkmal auf der Ebernburg
Object type: photomechanical print
Date: 1907 – 1907
Materials: cardboard
Techniques: photograph, writing
Location: mainz
Subjects: castle, monument, statue
Inscriptions: date
Dagger hilt inlay
Object type: dagger hilt inlay
Date: 900 – 801
Materials: ivory
Culture: iranian
Location: iran
Gold Weight: Mask
Object type: weight
Date: 1601 – 1800
Materials: brass
Culture: brong
Location: ghana
Subjects: masks
Pedestal with candleholder (one of a pair)
Object type: pedestal with candleholder
Date: 1775 – 1775
Materials: brass, glass, wood
Standing Figure of a Woman
Object type: print
Date: 1715 – 1715
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: torii kiyomasu i
Artist nationality: japanese
Artist dates: 1704 – 1718
Omlijsting voor portret van Georg Friedrich Brander
Object type: design
Date: 1769 – 1774
Materials: chalk, paper
Artist: johann esaias nilson
Artist role: draughtsman, print maker, publisher
Artist dates: 1721 – 1788
Subjects: instrument maker, historical persons

De omlijsting voor het bijbehorend portret van Georg Friedrich Brander (inv. nr. RP-T-1954-196B).
Portret van Karel II, koning van Spanje
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: karel ii (koning van spanje), historical persons, ruler, sovereign

Portret mogelijk afkomstig van een grote prent, getiteld 'Effigies et series regum Hispaniae primum ex Gothis Christianorum (...)', bestaande uit meerdere bladen die samengevoegd konden worden, uitgegeven door Giovanni Giacomo de' Rossi in 1684.
Straat met een winkel 'Le rendez vous des Artistes'
Object type: print
Date: 1856 – 1909
Materials: paper
Techniques: etching
Artist: william spread
Artist role: print maker
Artist dates: 1846 – 1909
Subjects: shop, store, street
Inscriptions: collector's mark: Lugt 2228
Flamborough Head, England
Object type: drawing and watercolor
Date: 1882 – 1882
Materials: chalk, fiber, gouache, graphite, paper, paint, watercolor
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: women, people, seascapes
Inscriptions: Signed recto, lower left, in graphite: "Winslow Homer 1882/Flamborough Head 1882"

Flamborough Head, England shows Maggie Storey, one of Homer's favorite models, standing resolutely upon the high chalk cliffs of Flamborough. Bearing the burden of a large basket and with her hands firmly on her hips, she is every bit the strong fisherwoman, the artist's most frequent subject during his English sojourn of 1881-82. Homer positions the viewer slightly below Storey, giving her an even nobler, more monumental presence. The greater solidity and refinement of Homer's figure drawing style was due at least in part to his study of Old Master drawings at the British Museum.

This drawing demonstrates a shift in the way that Homer used opaque white watercolor. No longer reserving it for discrete highlights, he adopted the English practice of diluting opaque white watercolor to portray mist, clouds, and the “effects of distance and atmosphere” (Cohn 1977, p. 51). The artist applied this media in broad, expressive strokes, ending them in curves to indicate wispy clouds and varying the opacity to suggest different densities. He employed a dilute wash in the lower portion of the sky, dragging the side of his brush to create a hard edge that defined the horizon.
Jug
Object type: jug
Date: 1601 – 1700
Materials: earthenware
Techniques: glazing
Subjects: cranes,donkeys,trees

The bold, sketchily drawn designs on this jug are typical of Talavera, in Castile, where potters broke with the Hispano-Moresque lusterware tradition to develop a vivacious polychrome pictorial style related to northern Italian wares of the period.
Ontwerp voor een tapijt
Object type: design
Date: 1854 – 1864
Materials: gouache, paper
Techniques: brush
Location: deventer
Artist: Anonymous
Subjects: ornaments ~ art
Inscriptions: number: ‘N 59.ii’, retailer's mark: ‘JHS.’

De presentatietekeningen BK-1971-77-1 t/m 86 zijn kopieën van de originele ontwerptekeningen. Ze werden gemaakt voor vertegenwoordigers van bijvoorbeeld magazijnen, die ze aan hun klanten konden tonen. De meeste tekeningen tonen een kwart van het dessin inclusief rand, middenpartij (de zogenaamde grond of fond) en centraal medaillon. Door het gebruik van spiegels kan de illusie van het gehele tapijt worden opgeroepen. Een deel van de tekeningen heeft een alfabetische opeenvolgende letter als kenmerk, de andere groep een cijfer.Waarschijnlijk is de reeks dessins met een letter eerder samengesteld dan de genummerde tekeningen.
Man en vrouw zittend in huiskamer
Object type: photograph
Date: 1903 – 1926
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Man en vrouw zittend in een huiskamer (Lansvelts house). Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Luiheid (Acedia)
Object type: print
Date: 1619 – 1675
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: sloth, indolence, 'acedia', 'desidia'; 'accidia' (ripa) ~ personification of one of the seven deadly sins, head held in the hand(s), with elbows leaning on an elevation or on the knees

Een jonge vrouw zit achter een tafel en ondersteunt met haar arm haar hoofd.
F.M.W.v.M.
Object type: bookplate
Date: 1935 – 1935
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: fré cohen
Artist role: draughtsman, print maker
Artist dates: 1903 – 1943
Subjects: court jester, court fool, book, owls
Inscriptions: inscription: ‘1935’
Morning dress
Object type: morning dress
Date: 1875 – 1875
Materials: cotton
Culture: american
The Gallant Decature and His Brave Tars Capturing the Algerine Admiral (Furnishing Fabric)
Object type: textile
Date: 1820 – 1820
Materials: cotton
Techniques: engraving, weave, printing
Location: england
Subjects: propaganda
Two Ladies
Object type: print
Date: 1764 – 1772
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: poetry,women,mirrors

In 1765 Harunobu introduced nishiki-e, the polychrome woodblock print, adding further luxury and realism to ukiyo-e art. Although the use of reflection appeared in the earliest woodblock prints, the advent of color and use of embossing and mica enhanced the illusion represented by the mirror. In this print two courtesans gaze at each other through a mirror, using reflection as a means of communication. The artist enables the viewer to see both the back of the woman's head and her face at the same time. The portrayal reflects the tradition of women cutting the hair from the nape of the neck. A beautiful nape was essential to female beauty and was also considered an area of erotic charm. With the addition of the poem to his print, Harunobu heightens the power and narrative of his image. The poem, by Mitsunari, a Heian-period poet, reads: Even if the mirror feels sad, it is still clear as before. Rather it increases in its clarity, And it never forgets the image it once reflected. Through personification, the poet gives the mirror the human abilities to love and to remember.
Laban Searching for his Idols
Object type: drawing
Date: 1667 – 1667
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: jan de bray
Artist role: artist
Artist nationality: dutch
Artist dates: 1622 – 1697
Subjects: men,women

This small, signed and dated sketch by Jan de Bray depicts a scene from chapter 31 of Genesis. Rachel sits on the ground, concealing the idols she, unbeknownst to her husband, Jacob, stole from the home of her father, Laban, who has come to confront the couple. De Bray conveys the intensity of their verbal exchange through gesture and body language. Laban stands upright and points an accusatory finger. Jacob grabs his father-in-law's wrist, the forward motion of his body and his outstretched arms conveying the earnestness and anger with which he defends his family, while Rachel nonchalantly extends an open palm and makes her false excuse for being unable to stand. Servants and children watch intently as the conflict unfolds. The drawing is a quick sketchprobably made in preparation for a painting. De Bray may have known Pieter Lastman’s 1622 painting of the subject (Musée Boulogne-sur-Mer), with which the present drawing shares certain elements, in particular the portrayal of Laban. De Bray, however, reduced the number of subsidiary figures, which in combination with the more dynamic gestures makes for greater narrative clarity. He also costumed Rachel in a more refined gown, in keeping with later seventeenth-century taste. Although no painting of this subject by his hand is known, he presumably made the sketch with a projected picture in mind. (JSS, 8/24/2018)
Zwaardvechters
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: engraving, etching
Location: groningen
Subjects: athletics, gymnastics
Inscriptions: collector's mark: Lugt 2228, number: ‘H.368’, collector's mark: Lugt 2760

Twee naakte zwaardvechters. De prent maakt deel uit van een serie over twee zwaardvechters in een tweekamp.
Terracotta fragments of an open shape
Object type: undetermined open shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed fragments from an open shape, each with parts of two red glazed lines on the exterior
Frederik van Eeden, schrijvend
Object type: drawing
Date: 1874 – 1925
Materials: ink, paper
Techniques: pen
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: haarlem, frederik van eeden, handwriting, writing as activity, historical persons
Bed Pillars, in Chippendale Drawings, Vol. I
Object type: drawing ornament architecture
Date: 1759 – 1759
Materials: ink
Techniques: wash
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: furniture

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XXXIV in the third edition of 1762, but created as early as 1759 according to the Act of Parliament on the print itself.
Portret van Gerardus Oorthuys
Object type: print
Date: 1858 – 1862
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: rotterdam, gerardus oorthuys, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Jonge, J.C. de. Geschiedenis van het Nederlandsche zeewezen. Haarlem: Jonge, J.K.J. de, 1858-62.
Les châteaux de Meudon et le château de Bellevue / rec., publ., et précédées d'une notice historique par le vicomte de Grouchy
Object type: wrapper
Date: 1865 – 1865
Materials: cardboard, linen, paper
Techniques: photograph, printing
Gedeelte van Kasteel Zwanenburg te Gendringen
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: gendringen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle
Inscriptions: annotation: ‘c/ Kasteel Swanenburg/ Gendringen (G.)/ gesloopt aug 1900’
Geseling van Christus voor Pontius Pilatus
Object type: drawing
Date: 1694 – 1766
Materials: paper
Techniques: brush, pen
Artist: matthijs balen (1684-1766)
Artist role: draughtsman, painter, print maker
Artist dates: 1684 – 1766
Subjects: christ before pontius pilate (matthew 27:11-26; mark 15:2-15; luke 23:2-7, 23:13-25; john 18:28 - 19:16), flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Stadsgezicht, vermoedelijk in Duitsland
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: germany
Artist: g. koczyk
Artist role: fotograaf
Subjects: dale, valley, germany
Inscriptions: inscription: ‘G. KOCZYK/ ATELIER/ für/ Portraits- und Landschafts-/ PHOTOGRAPHIE/ CHEMNITZ/ Zwingergasse No. 9./ MEISSEN/ Rothe Stufen No. 28./ Die Platte bleibt für Nachbestellungen/ sowie Vergösserungen aufbewahrt.’
Dish
Object type: dish
Date: 1754 – 1770
Materials: silver
Culture: american
Location: united states
Artist: myer myers
Artist role: maker
Artist nationality: american
Artist dates: 1723 – 1795
Beschrijving van een compositie
Object type: sketchbook leaf
Date: 1854 – 1868
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Inscriptions: annotation: ‘beschrijving van een compositie met o.a. een liggende os’

Blad 78 recto uit een schetsboek met 88 bladen.
De twaalf maanden van het jaar verbeeld in scènes uit het volksleven
Object type: print
Date: 1600 – 1649
Materials: paper
Techniques: engraving
Location: low countries
Subjects: october and its 'labours', wine production, scorpio (zodiacal sign of october), drinking, low countries

Ronde voorstelling met de maand oktober. Een man en vrouw drinken wijn gezeten aan een tafel, de man zit op een wijnvat. Rechts op de achtergrond wordt wijn gemaakt, ca. 1600. Met het teken van de Schorpioen. Met randschrift in het Latijn. Prent nr. 10 in de serie van de twaalf maanden van het jaar verbeeld in scènes uit het volksleven.
Photographisches Archiv. Einunddreissigster Band - Jahrgang 1890
Object type: book
Date: 1890 – 1890
Materials: cardboard, linen, paper
Techniques: photograph, engraving, letterpress printing, photolithography
Location: dusseldorf
Inscriptions: stamp: ‘Departement/ Bibliotheek/ van oorlog.’, stamp: ‘Departement van oorlog/ Bibliotheek’
Portret van Hendrik VIII van Engeland
Object type: print
Date: 1538 – 1548
Materials: paper
Techniques: hand coloring
Location: antwerp
Artist: sylvester van parijs
Artist role: publisher
Subjects: gloves, mittens, etc., historical persons, king
Inscriptions: number: ‘218’, address: ‘Gedruct tot Antwerpe[n] op de camerpoort brug tege[n] over de[n] pant duer Sylvester va[n] parijs Formsnyd.’

Hendrik VIII, koning van Engeland, gekleed in tabbaard, staand ten voeten uit. Een paar handschoenen in de hand. Rechtsboven zijn wapen en opschrift van vijf regels in het Nederlands: Henricus de achste...prijs verleene. Amen.
Lingen door Spinola ingenomen, 1605
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: siege, position war, maps of cities

Verovering van Lingen door Spinola, 21 augustus, 1605. Plan van de stad met de belegeraars in het omliggende land. Met onderschrift van 4 regels in het Latijn. Genummerd 265. Bedrukt op achterzijde met tekst in het Latijn.
Groepsportret van een familie
Object type: photograph
Date: 1883 – 1883
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: child(ren) with other members of the family, historical persons
Inscriptions: inscription: ‘To Aunt Ann/ With love from all at Shobury [...] Monday/ 1883’
Schaffhausen
Object type: photograph
Date: 1860 – 1890
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: waterfall (+ landscape with figures, staffage)

Onderdeel van Reisalbum met foto's van Zwitserland, Oostenrijk, Italië en Duitsland.
Console ornament
Object type: console ornament
Date: 1701 – 1800
Materials: gilt, wood
Subjects: flowers
Portret van de dochter van Victor-Charles Mahillon
Object type: print
Date: 1897 – 1909
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: historical person (with name) - bb - woman - historical person (with name) portrayed alone
Inscriptions: annotation: ‘2ème état; deux exemplaires de cet etat’, collector's mark: Lugt 2228
Psoriasis
Object type: photograph
Date: 1860 – 1868
Materials: photographic support
Techniques: albumen print
Artist: a. de montméja
Artist role: arts, fotograaf
Artist dates: 1841 – 
Subjects: skin and venereal diseases
Inscriptions: inscription: ‘Ad naturam phot. et pinx.’, inscription: ‘Affections dartreuses’, number: ‘26’
Het leyden en sterven van onzen heere Jesus Christus
Object type: print
Date: 1831 – 1854
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: the episode of the last supper, new testament, christ taken up by a cloud ~ ascension, series of scenes from the life of christ
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen uit het leven van Christus, zoals het Laatste Avondmaal, de Kruisdraging en de hemelvaart van Christus. Onder elke voorstelling een onderschrift en een verwijzing naar de bijbehorende Bijbeltekst. Genummerd rechtsboven: No. 5.
Getal 32
Object type: design
Date: 1904 – 1904
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’

Het getal is gebruikt voor: Veth, Jan. Jozef Israëls en zijn kunst. Arnhem en Nijmegen: Gebroeders E&M Cohen, 1904.
Café Chantant
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching, intaglio, retroussage
Subjects: theatre, theatrical performance, vocal music, singing, indoor recreation
Inscriptions: mark: ‘Vin[c]k pinxt.’, collector's mark: Lugt 2228
Sleigh (unnumbered)
Object type: drawing
Date: 1860 – 1860
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages
Grizzly Bear, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: bears

Trade cards from the "Wild Animals of the World" series (N25), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Vergaan van de Spaanse vloot bij Kaap Finistere en verovering van Gulik door prins Maurits
Object type: history medal
Date: 1610 – 1610
Materials: silver
Techniques: striking
Location: dordrecht
Artist: gerard van bylaer
Artist role: die cutter
Artist dates: 1540 – 
Subjects: the hague, maurice (prince of orange)

Zilveren penning. Voorzijde: vergaan van schepen binnen omschrift. Keerzijde: plattegrond van belegerde vesting (Gulik) binnen omschrift
The Triumph of the Cardinal Virtues: Temperance, Prudence, Fortitude and Justice (one of a series)
Object type: plaquette
Date: 1576 – 1600
Materials: bronze
Subjects: men,women,horses,chariots
Portret van Nicolaas I Pavlovitsj, tsaar van Rusland te paard
Object type: print
Date: 1825 – 1899
Materials: paper
Techniques: lithograph
Subjects: riding a horse, ass, or mule; rider, horseman, knighthood order, historical persons, emperor, warfare; military affairs
Susanna Bronkhorst bij het sterfbed van mevrouw Elzevier
Object type: print
Date: 1806 – 1807
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: death of human being

In een donkere kamer staat een meisje met een kaars bij een oude vrouw, liggend in bed. Zij heeft haar ogen gesloten en haar handen gevouwen. De prent maakt deel uit van een album.
A Youth at a Stream
Object type: statuette
Date: 1844 – 1844
Materials: lacquer, lead
Artist: john henry foley
Artist role: artist
Artist nationality: irish
Artist dates: 1818 – 1874
Subjects: male nudes

Reduction of a model exhibited at Westminster Hall, London, in 1844. A bronze sculpture of this subject was for sale in 1846; another statue of this subject was made for the Royal Horticultural Society in 1864. Has been linked to the lines [source not given]: "Playful and wanton to the stream he trips,/And dips his foot."