deem-data/ArtiFact huggingface dataset:
Shovel, from the Novelties series (N228, Type 5) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,tools

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Kalāt, the capital of Balochistan
Object type: reproduction
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Location: kalat
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Frontispiece.’, inscription: ‘Town & Fort of Khalat from S.F.L.E. 10th Oct 1858 MS.’
Tak orchideeën
Object type: drawing
Date: 1874 – 1945
Materials: charcoal, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: flowers: orchid
Lapis Polaris, Magnes
Object type: print
Date: 1589 – 1593
Materials: paper
Techniques: engraving
Location: florence
Subjects: amalfi, scholar in his study, laboratory apparatus and equipment, compass, medicament, medicine, invention, discovery ~ science and technology, ship-model
Inscriptions: collector's mark: Lugt 2228

De wiskundige Flavio Goija, volgens legende de uitvinder van het kompas. zit in zijn studeerkamer en maakt met zijn passer enkele berekeningen. Op zijn werktafel allerlei wetenschappelijke instrumenten. Een maquette van een galjoen hangt van het plafond. De prent heeft een Latijns onderschrift en maakt deel uit van een negentiendelige serie over nieuwe uitvindingen en ontdekkingen.
Picrolite figure
Object type: figure
Date: 3900 – 2500
Culture: cypriot
Subjects: human figures

The form and material are characteristic of figures from the Chalcolithic (literally "copper-stone") period on Cyprus. These works, found mainly in graves, may have been deposited as offerings or worn as pendants.
Kopie naar Meindert Hobbema's 'Een watermolen'
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: watermill in landscape
Inscriptions: annotation: ‘Hobbema.-’

Blad 5 recto uit een schetsboek met 19 bladen.
Estimate for repair work and explanatory note
Object type: document
Date: 1701 – 1800
Materials: ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800

This work is part of a collection of drawings for furniture, clocks, candelabra, etc. for decoration of the Chateau de Laeken (outside Brussels in the area formerly called Schoonenberg, now the Belgian Royal Palace). The designs were sent to Albert, Duke of Saxe-Teschen and the Archduchess Marie Christine, governors of Belgium from 1780-1790, from artisans in Paris, Vienna, and England. See 63.547.18a for the drawing of the object.
(Facsimile) The Fourth Month (Uzuki), from the series "Popular Versions of Immortal Poets in Four Seasons (Fuzoku shiki kasen)"
Object type: print
Date: 1768 – 1768
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Facsimile of Albrecht Dürer’s Third Knot
Object type: print ornament architecture
Date: 1865 – 1865
Materials: paper
Techniques: lithograph
Artist: ralf leopold von retberg-wettbergen
Artist role: artist
Artist nationality: german
Artist dates: 1812 – 1885

Design for a roundel made up out of so-called knot work. The main pattern has a circular shape and is presented in white on a dark ground. The knotted ropes or straps form circular patterns or wreaths, which can be separated into two main tiers around the central motif, which is a blank scalloped shield. On all four corners another, leaf-shaped ornament has been added which sticks out of the circle. The leaves are filled with more knot work in white on the dark ground with swirling calligraphic lines around them. The print reproduces an Italian interlace design attributed to Leonardo da Vinci. It is one of six designs that were translated into engravings in Milan in the late fifteenth century. The German artist Albrecht Durer likely encountered them during his second trip to Italy and made a set of copies in woodcut several years later. They show minor alterations that may have been necessitated by the change of medium. Many posthumous impressions of the prints exist, which can be identified by the addition of his initials AD. This print is a facsimile created in the nineteenth century by Ralf Leopold von Retberg-Wettbergen who was an avid collector of Durer's graphic work. He also copied a small number of some of Durer's rarest woodcuts in limited editions of ca. 25-50 copies, which were not sold but donated to friends and collectors. Each is carefully inscribed on the verso to clarify their status as copies.
Figure of a man
Object type: figure
Date: 1752 – 1757
Materials: glaze, porcelain
Techniques: firing, forming, vitrification
Location: berlin
Inscriptions: mark: ‘W/ 2/90/49’

Two figures. Porcelain. Berlin, c. 1752 - 1757, factory of Wilhelm Kaspar Wegely, model by Ernst Heinrich Reichard.
Twaalf verschillende hoedjes en toques van diverse stoffen
Object type: print
Date: 1805 – 1805
Materials: paper, watercolor
Techniques: engraving, etching, hand coloring
Location: france
Subjects: head-gear: toque (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Twaalf verschillende hoedjes en toques van diverse stoffen. 1. Chapeau, Toques et Capotes de Velours. 2, Toquets de Lingères. 3. Capotes de Satin. 4, Chapeau de Satin à Liserets de Velours. 1. Chapeau, Toques et Capotes de Velours. 2, Toquets de Lingères. 3. Capotes de Satin. Chapeau de Satin à Liserets de Velours. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Modeplaten.
Dictyota dichotoma
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants
Queen Mariana of Austria, by Velasquez
Object type: reproduction
Materials: photographic support
Techniques: albumen print
Subjects: vienna, maria anna van oostenrijk (koningin van spanje), historical persons - bb - woman, queen
Inscriptions: number: ‘No. 75./ ANCIENT.’, number: ‘11’, inscription: ‘In the Collection of Col. H. Baillie./ London, Published Septr, 1857, by P. & D. Colnaghi & Co, 13 & 14, Pall Mall East/ & T. Agneur & Sons, Manchester. For the Proprietors.’
Eight-Armed Bodhisattva
Object type: figure
Date: 801 – 900
Materials: bronze
Culture: indonesian, javanese
Subjects: buddhism,bodhisattvas
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1850
Materials: silver alloy, gold, iron
Culture: japanese
Location: japan
Subjects: birds
Square Wall Tile
Object type: tile
Date: 1390 – 1352
Materials: faience
Location: egypt
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: brygan
Artist role: artist

Interior, part of a kline with a reclining, draped figure?; in front, part of a standing, draped figure?
Arc de Triomphe de l'Etoile, Paris
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: guerard ainé
Artist role: fotograaf
Subjects: triumphal arch
Inscriptions: address: ‘RUE DU DAUPHIN, No. 2./ au Coin de celle Rivoli/ GUÉRARD AÎNE/ DEPÔT DE PHOTOGRAPHIES/ Choix immenses de Portrait Cartes/ et Vues Stéréoscopiques de tous pays.’
Muizen
Object type: sketchbook leaf
Date: 1928 – 1930
Materials: paper, pencil
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: rodents: mouse

Pagina 23 uit een schetsboek met 51 bladen.
Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
Object type: print
Date: 1816 – 1816
Techniques: aquatint, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,bulls

A number of advances in Spanish bullfighting were thought to have been invented by Muslim settlers (known as Moors) in the Middle Ages, when this scene is set. It records a practice by which Moorish bullfighters called the bulls by using a burnoose (hooded cloak), a forerunner of the matador’s cape. Goya built this scene with great visual economy. Pace and tone emphasize the action and enliven otherwise uniform backgrounds. Even relatively simple compositions like this reveal Goya’s artistic intuition in brilliant details, such as the arrogant demeanor of the bullfighters or the bull’s tail, which resembles the burning fuse of a firework about to be propelled against its human opponents.
Voerweg en het Belvédère te Nijmegen
Object type: album leaf
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: towers ~ fortified city, historical persons, road, path

Deze pagina maakt deel uit van een album.
Gezicht op de werf in Antwerpen
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: etching, intaglio
Location: antwerp
Subjects: pier, quay, wharf, quay, antwerp
Inscriptions: collector's mark: Lugt 2228

Prent uit: Mertens, F.H. Album historique de la ville d'Anvers [...]. Antwerpen: J.E. Buschmann, 1868.
Olieslager
Object type: print
Date: 1719 – 1759
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: handicrafts, craftsman at work, oil-lamp
Inscriptions: collector's mark: Lugt 1641, stamp

Prent met andere letterzetting gebruikt in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Janssoons van Waesberge, 1719, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman de Jonge, 1741, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman, 1759, dl. 2. Huidige prent uit een andere editie. Naar een prent van: Jan Luyken.
De graftombe van Willem van Oranje, 1623
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: delft, william i (prince of orange), grave-building, monumental tomb

De graftombe of praalgraf van Willem van Oranje in de Nieuwe Kerk te Delft, voltooid in 1623.
Ontwerp voor een behangselbeschildering
Object type: design
Date: 1677 – 1744
Materials: ink, paper
Techniques: brush, pen
Artist: isaac de moucheron
Artist role: draughtsman, painter, print maker
Artist dates: 1667 – 1744
Cup and saucer with a man, woman and two panels with characters
Object type: kop en schotel, kop en schotel
Date: 1825 – 1874
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: inscription

Kop en schotel, met figuren in polychroom email kleuren.
Bowl with Radiating Petals and Two Fish
Object type: vessel
Materials: stoneware
Techniques: celadon glazed, incising, underglaze
Location: korea
Ex libris van Zdeněk Fliegel
Object type: bookplate
Date: 1938 – 1938
Materials: paper
Techniques: printing block
Location: czech republic
Subjects: zdeněk fliegel, standing figure, (human) skull, book
Inscriptions: workshop stamp: ‘V. Fliegel 1938’
Portret van een onbekende man
Object type: carte de visite
Date: 1861 – 1874
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: adult man, historical persons
Inscriptions: inscription: ‘AG/ A. GREINER/ Photograf/ AMSTERDAM/ NIEUWENDIJK L. 89’, inscription: ‘AG/ A. GREINER AMSTERDAM./ Onvergankelyke Photographie’, stamp: ‘ONVERANDERLYKE KOOLDRUK’, inscription: ‘A. Greiner Nieuwendijk L. 89’
Jupiter helpt de Trojanen
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: engraving
Location: utrecht
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: (story of) jupiter (zeus)
Inscriptions: number: ‘38-65’, collector's mark: Lugt 240

Jupiter versterkt het Trojaanse leger en verbiedt Juno en Minerva om mee te vechten. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, top of basket with fillets; to the left, start of handle root
Pijp, de kop versierd met bloemmotieven
Object type: miniature
Date: 1700 – 1799
Materials: clay
Location: gouda
Artist: Anonymous

Pijp van rode pijpaarde, de kop versierd met fijne bloemmotieven.
Amsterdam
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: Anonymous
Subjects: palace
Inscriptions: number: ‘No. 3965.’, number: ‘80’, inscription: ‘6de Ramts’
Pin Part
Object type: pin
Date: 200 – 500
Materials: copper alloy
Culture: roman
Actress posing behind reeds, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Kousenband of cingulum, groen met goud gebrocheerd; met de tekst SARA MARIA HATTEVIER JERUSALEM
Object type: cingulum
Date: 1677 – 1700
Materials: gold thread, silk
Techniques: braiding, brocade
Location: jerusalem
Artist: Anonymous
Inscriptions: inscription: ‘SARA MARIA HATTEVIER JERUSALEM’

Kousenband of cingulum, groen met goud gebrocheerd. In gouden letters tegen een groene achtergrond is de tekst SARA MARIA HATTEVIER JERUSALEM te lezen. Langs de randen lopen twee rode/ roze strepen. Het ene uiteinde van de band heeft een lus, het andere een gevlochten koord waaraan een kwast.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of draped male with a stick
Ira, plate 6 from The Seven Vices
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: belgium
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Vogeltje
Object type: print
Date: 1892 – 1951
Materials: paper
Techniques: linocut
Artist: janus de winter
Artist role: print maker
Artist dates: 1882 – 1951
Subjects: birds
Inscriptions: inscription: ‘No 17’, collector's mark: Lugt 2228
Mirabeau
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: letterpress printing, engraving
Artist: hippolyte charlerie
Artist role: draughtsman, print maker
Artist dates: 1827 – 1869
Subjects: paris, politician, honoré-gabriel de riqueti (graaf van mirabeau), historical persons, ambassador
'Excursions daguerriennes' omslagpagina's
Object type: print
Date: 1840 – 1840
Techniques: engraving
Artist: Anonymous
Design for a Greek Revival Entrance Screen, Elevation
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, early 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1850
Subjects: gates
Portrait of Balthasar Bort
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: japan, battle (+ naval force)

Portret van Balthasar Bort en een zeeslag. In verband met de expedities van de VOC van 1662-1665 onder leiding van Balthasar Bort tegen de Chinese krijgsheer Coxinga. Met een vers van 6 regels. Gemerkt rechtsboven: 9.
Statuette of the Vizier Iuy
Object type: statue, vizier
Date: 1700 – 1700
Materials: limestone
Location: egypt
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: chinese
Subjects: leaves
Soldaten bij een toren in een rivierlandschap
Object type: print
Date: 1639 – 1641
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: river, landscape with tower or castle, the soldier; the soldier's life, (farm) wagon, freight wagon, cart
Inscriptions: collector's mark: Lugt 964

Soldaten bij een toren in een rivierlandschap. Op de voorgrond een kar getrokken door twee paarden. Bij de toren een kanon. Tweede prent van een serie met 36 prenten van landschappen, verdeeld over zes delen.
Gezicht op Altenahr en Burg Are in het Ahrdal, Duitsland
Object type: stereograph
Date: 1880 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: altenahr
Artist: anselm schmitz
Artist role: publisher
Artist dates: 1831 – 1903
Subjects: dale, valley, village, landscape with ruins
Zwaan vastgevroren in het ijs
Object type: album leaf
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: water-birds: swan
Inscriptions: date

Deze prent maakt deel uit van een album.
Mirror Handle
Object type: mirror handle
Date: 501 – 800
Culture: kashmiri
Subjects: kashmir
Schepen en water
Object type: poem
Date: 1870 – 1914
Materials: paper
Techniques: etching, intaglio
Subjects: handwriting, written text, author, poet writing
Inscriptions: collector's mark: Lugt 2233, poem: ‘Terwijl ik zachtkens achterover lag, begon/ de vloed te stijgen, en ene glans vol mee te vloeien (...)’

Het gedicht 'Schepen en water' van Albert Charles Auguste Plasschaert.
Landschap
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: gottingen
Subjects: landscapes
Inscriptions: monogram: ‘BX’
S. Agnese. Particolare del quadro <La Madonna e Santi>. Siena. Duccio di Boninsegna
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: color autotype
Location: italy
Subjects: interior of church, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Drie ontwerpen voor een ex libris
Object type: design
Date: 1940 – 1940
Materials: pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: ex-libris
Oude Delft W.Z. No. 141. Lodwijk XV deur
Object type: photograph
Date: 1900 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: delft
Artist: Anonymous
Subjects: canals, waters (in city), bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Delft.’, number: ‘65’, inscription: ‘Het recht van reproductie dezer photo's wordt door den Uitgever voorbehouden.’

Naast de voordeur is te lezen: Maison H.W.J. Bontekoe Cuisine.
Terracotta ring vase
Object type: ring vase
Date: 800 – 701
Materials: terracotta
Culture: greek

Vases with a vertical ring-shaped body occur sporadically in the Greek world. The present example is noteworthy for the combination of a twisted handle, flaring foot, and the body that is rounded in section. The object's place of origin has not been identified.
Study of St. Jerome
Object type: drawing
Date: 1578 – 1579
Materials: chalk
Artist: girolamo muziano
Artist role: artist
Artist nationality: italian
Artist dates: 1528 – 1592
Subjects: men
Martinus Bucerus theologus
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Location: france
Artist: robert boissard
Artist role: print maker
Artist dates: 1570 – 1611
Subjects: ink-well, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Portret van gravin De Beaulaincourt
Object type: carte de visite
Date: 1860 – 1860
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: naples
Artist: Anonymous
Subjects: studio requisites ~ photographer, historical persons, styles of hairdress - aa - ~ women, dress, gown, naples
Inscriptions: date: ‘1860’, address: ‘Naples’, name: ‘Mad.e la C.tesse de Beaulaincourt née Castellane’
Veelkleurig beschilderde schoen van faïence
Object type: shoe
Date: 1860 – 1890
Materials: faience
Location: amsterdam
Artist: arie blankers
Artist role: plateelbakker

Schoen van faïence. Veelkleurig beschilderd met bloemdecoratie en strik met gesp. De veelkleurige beschildering is later aangebracht, waarschijnlijk 1860-1890.
Kruisafneming
Object type: print
Date: 1583 – 1593
Materials: paper
Techniques: etching
Location: italy
Subjects: descent from the cross: christ is taken down from the cross, usually by nicodemus and joseph of arimathaea who are standing on the ladders (both arms of christ detached)
Inscriptions: number: ‘4’, collector's mark: Lugt 10, collector's mark: Lugt 11

Het lichaam van Christus wordt van het kruis gehaald door Johannes de Evangelist, Jozef van Arimatea en Nikodemus. Maria Magdalena knielt bij de voeten van Christus. Maria zit treurend naast het kruis geknield. Rechts drie mannen die het graf voor Christus openen. Links een groepje toeschouwers, mogelijk de Maria´s.
Glass pourer flask
Object type: pourer flask
Date: 101 – 233
Materials: glass
Culture: roman, cypriot

This simple but practical vessel was used for pouring liquids, drawn from large storage jars, into small containers. For example, such flasks might have been used to refill small terracotta oil lamps.
Twee 16de-eeuwse Franse zetels van hout, op de Exposition Rétrospective van 1877 in Lyon, Frankrijk
Object type: photomechanical print
Date: 1877 – 1878
Materials: paper
Techniques: photoaquatint
Location: lyon
Subjects: chair (+ wood and other phytogenic material), lyon
Inscriptions: number: ‘PL. XXVIII.’, number: ‘PL. XXIX.’, inscription: ‘EXPOSITION RÉTROSPECTIVE DE LYON/ PAR J. B. GIRAUD.’, inscription: ‘CHAYÈRES/ ART FRANÇAIS_XVIe SIÈCLE/ COLLECTION DE Mme Vve ROUGIER.’

Deze prenten maken deel uit van een omslag met 79 prenten op 54 bladen en 65 tekstbladen.
Runka
Object type: runka
Date: 1540 – 1540
Materials: leather, metal thread, steel, textile, wood
Culture: italian
Location: italy
Portret van Frans Alexander van Rappard
Object type: print
Date: 1833 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: utrecht, knighthood order, historical persons
Landschap met de parabel van de Barmhartige Samaritaan
Object type: print
Date: 1626 – 1671
Materials: paper
Techniques: etching
Location: paris
Artist: sébastien bourdon
Artist role: draughtsman, painter, print maker
Artist dates: 1616 – 1671
Subjects: landscapes, the traveller is attacked by robbers ~ parable of the good samaritan
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van twaalf prenten van landschappen met enkele Bijbelse taferelen.
Roundel
Object type: roundel
Date: 1 – 1000
Materials: bronze
Culture: iranian
Location: iran (?)
Cup with cover
Object type: cup with cover
Date: 1650 – 1650
Materials: stone, diamond, enamel, gemstone, silver gilt
Artist: jeremias sibenbürger
Artist role: maker
Artist dates: 1583 – 1659
Front view of Buckingham Palace the residence of Queen Victoria / Le Palais de Buckingham à Londres
Object type: print
Date: 1841 – 1885
Materials: paper
Techniques: etching
Location: london
Subjects: palace
Portret van Johann Joachim Spalding
Object type: print
Date: 1809 – 1899
Materials: paper
Techniques: lithograph
Artist: maas (graveur)
Artist role: print maker
Subjects: berlin, johann joachim spalding, head-gear, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een muts. Onder het portret zijn naam.
Bowl
Object type: bowl
Materials: ceramic, paint
Location: central iran
The Pedlar
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: pedlar, family life at home
Inscriptions: collector's mark: Lugt 12
Terracotta statuette of a man
Object type: statuette of a man, grotesque
Date: 200 – 1
Materials: terracotta
Culture: greek
Subjects: male nudes