deem-data/ArtiFact huggingface dataset:
[Member of the Paris Commune: Louise Bonenfant, cantinière et pointeuse dans l’artillerie des fédérés, à perpétuité]
Object type: carte de visite
Date: 1871 – 1871
Techniques: albumen silver print
Artist: ernest eugène appert
Artist role: artist
Artist nationality: french
Artist dates: 1831 – 1891
Subjects: portraits,women

Following France’s defeat in the Franco-Prussian War and the fall of Napoleon III, thousands of Parisians revolted against the new royalist-leaning government and declared Paris an independent commune. Weeks of fighting ensued, during which Versailles troops attacked the city while the Communards threw up barricades, shot hostages, and burned government buildings. Women participated in the insurrection in great numbers, most notoriously as pétroleuses, or female arsonists, who torched several government buildings during the Commune's bloody last week. Soon afterward, Appert, a Parisian portrait photographer, gained exclusive access to a makeshift prison at Versailles and made portraits of individual prisoners, who ceded the rights to their likenesses. He issued many of the portraits as cartes-de-visites, such as these, but also integrated the Communards' faces into a series of propagandistic photomontages entitled "Crimes of the Commune."
A Reconstruction of the Temple of Romulus and Remus (above) and a View of the Ruins (below)
Object type: drawing
Date: 1704 – 1704
Materials: chalk, ink
Techniques: brush, pen, wash
Location: italy
Artist: jan goeree
Artist role: artist
Artist nationality: dutch
Artist dates: 1670 – 1731
Subjects: animals,architecture,temples,ruins
Dame als echtgenote
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: mother with son(s) and daughter(s) (mother-love)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Neuffer, Christian Ludwig. Taschenbuch für Frauenzimmer von Bildung auf das Jahr 1800 (...). Stuttgart: Steinkopf, s.a.
Portret van Jacob Joseph Eeckhout
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: brussels
Artist: charles baugniet
Artist role: print maker
Artist dates: 1814 – 1886
Subjects: antwerp, paris, print maker, draughtsman, jacob joseph eeckhout, historical persons, portrait, self-portrait of painter, tools, implements of painter, book
Inscriptions: collector's mark: Lugt 2228
Portret van Isabel Wachenheimer in Lysil, 1937
Object type: photograph
Date: 1937 – 1937
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: inscription: ‘Isabel Maria Lysil 1937.’
The paint pots
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photoaquatint
Location: new york city
Artist: frank jay haynes
Artist role: fotograaf
Artist dates: 1853 – 1921
Subjects: hot spring, geyser, pond, pool
Parthenium ple. / Matercruyt ofte Mutterkraut
Object type: book illustration
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: flowers

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
St. Peter's Church near White House, Where Washington was Married.  General E. V. Sumner and Staff
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: churches,army,soldiers,american civil war
Sword-Hilt Collar (Fuchi)
Object type: sword hilt collar fuchi
Date: 1615 – 1868
Materials: gold, iron
Culture: japanese
Location: japan
Subjects: men
Twee vrouwelijke pelgrims op een bospad
Object type: print
Date: 1776 – 1851
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: pilgrimage, pilgrim(s) under way
Inscriptions: collector's mark: Lugt 2228

Twee vrouwelijke pelgrims op een bospad, met achter en voor hen nog andere reizigers. rechtsonder: bl. 144.
Panel
Object type: textile
Date: 1625 – 1650
Materials: silk, velvet
Techniques: cutting, weave, voiding
Location: italy
Gezicht op het Buitengasthuis te Amsterdam
Object type: book illustration
Date: 1907 – 1907
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Subjects: hospital
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Buitengasthuis (Pesthuis).
Staande man met stok
Object type: costume print
Date: 1623 – 1653
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: head-gear: hat (+ men's clothes), clothes, costume (+ men's clothes), neck-gear: collar (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes), boots (+ men's clothes), walking-stick, staff, cane (+ men's clothes), netherlands
Inscriptions: collector's mark: Lugt 1967

Man met stok, gekleed volgens de Nederlandse mode van ca. 1625- 1635, staand in landschap, naar links. Kampement en vechtende mannen op de achtergrond. Prent is deel van een serie van verschillende dames en herenkostuums.
The Mill by the Stream
Object type: print
Materials: paper
Techniques: etching
Location: austria
Artist: franz edmund weirotter
Artist role: draughtsman, painter, print maker
Artist nationality: austrian
Artist dates: 1733 – 1771
Twee mannen voor de veranda van een huis in Nederlands-Indië
Object type: photograph
Date: 1895 – 1920
Materials: paper, cardboard
Techniques: matte daylight collodion silver print
Location: dutch east indies
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, anonymous historical person portrayed, dutch east indies, the
Asukayama Hanami
Object type: print
Date: 1615 – 1868
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,parks,horses,trees
Staande vrouw, op de rug gezien
Object type: sketchbook leaf
Date: 1919 – 1919
Materials: paper, pencil
Subjects: adult woman (+ standing)

Met haar handen op haar rug. Pagina 27 uit schetsboek XXXV met 36 pagina's.
The Virgin and Joseph with the Young Jesus
Object type: print
Date: 1710 – 1740
Techniques: engraving, etching
Artist: carlo maratti
Artist role: artist
Artist nationality: italian
Artist dates: 1625 – 1713
Subjects: animals,madonna and child,saint joseph,virgin mary,jesus
Bronze steelyard weight
Object type: weight, bust of isi
Date: 101 – 300
Materials: bronze
Culture: roman
Subjects: isis

The weight, which would have been suspended from a steelyard, is in the form of a bust of Isis.
Long-necked jar
Object type: jar, long necked
Date: 1279 – 1213
Materials: silver
Location: egypt

Wine was a coveted drink starting in Egypt’s earliest days, though wine services do not have a long history there, as strainers were not found before the New Kingdom. The importance of wine grew during that period, as intoxicating drinks played a prominent role in festivals and in communal celebrations. When associated with Bastet and other feline goddesses, these drinks helped partakers emulate the drunkenness that brought about the goddesses’ pacification. Such practices probably occurred in festivals for Bastet in Tell Basta, where this and other vessels were found. The vessels were buried in two caches close to the temple, along with silver and gold jewelry, ingots, and lesser objects. Rare in antiquity, most silver and gold vessels were later melted down and reused for new projects. The Tell Basta hoards are thus exceptional finds. Jars like this one might be used for mixing wine.
Cover
Object type: cover
Date: 1601 – 1700
Materials: metal thread, silk
Location: turkey
Bath' Abbey 1901
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, paper
Techniques: gelatin silver print
Location: netherlands
Artist: frits freerks fontein fz.
Artist role: fotograaf
Artist dates: 1882 – 1928
Design for a Stage Set
Object type: drawing
Date: 1828 – 1890
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: landscapes,stage design
Cruet
Object type: cruet
Date: 1501 – 1700
Materials: glass
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, and left shoulder of helmeted warrior with round shield
Gezicht op het schiereiland van Portland
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: great britain
Artist: Anonymous
Inscriptions: annotation: ‘Fort Verne’, number: ‘27326’, inscription: ‘PORTLAND / Fort Verne et presquile de Portland vus du Sud de Weymouth’

Foto uit een album met 35 topografische foto's van Britse kustplaatsen, waarop in pen militaire verdedigingswerken zijn aangegeven door een Franse militair.
Studioportret van Pauline van den Berg met een waaier in haar rechterhand
Object type: carte de visite
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Subjects: pauline wilhelmine louise blommestein-van den berg
Inscriptions: name: ‘WOODBURY & PAGE / PHOTOGRAPHERS / JAVA.’, inscription: ‘Pauline Blommestein- / van den Berg’, name: ‘WOODBURY & PAGE PHOTOGRAPHERS / JAVA’
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Fragment of the shoulder and upper right corner of the panel, with tongues?
Terracotta pithoid jar
Object type: pithoid jar
Date: 1300 – 1201
Materials: terracotta
Culture: mycenaean

Pear-shaped vase with three handles and scale pattern on shoulder.
Valance
Object type: valance
Date: 1701 – 1800
Materials: metal, silk
Subjects: flowers
Ruïnes bij de Witte de Withstraat richting de Schiedamsesingel te Rotterdam
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: j. nolte
Artist role: fotograaf
Subjects: devastated, ruined place or city (~ warfare), ruin of a dwelling, house, castle, etc., rotterdam, rotterdam blitz
The Two Immortals of Harmony and Unity
Object type: print
Date: 1736 – 1795
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: chinese
Man met tak voor een boerderij
Object type: sketchbook leaf
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: fowl (cock, hen, chicken, etc.), farm (building)

Naast de man lopen eenden en kippen. Blad 69 recto uit een schetsboek met 77 bladen.
Flowers and Landscape, from Livre Nouveau de Fleurs...
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: france
Artist: nicolas cochin
Artist role: artist
Artist nationality: french
Artist dates: 1610 – 1686
Plan general de la Sainte Chapelle & l'edifice qui l'entoure
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: paris
Subjects: plan ~ architecture
Inscriptions: collector's mark: Lugt 240

Prent mogelijk gebruikt als illustratie in: Le véritable plan et pourtrait de la maison de la Ste. Vierge Maria de Lorette. Parijs: Pierre Mariette 1649.
Brief aan Philip Zilcken
Object type: letter
Date: 1907 – 1907
Materials: ink, paper
Techniques: pen, writing
Artist: henri pierre paillard
Artist role: painter, print maker
Artist dates: 1844 – 1912
Subjects: draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
View of Boxmeer, Noord-Brabant
Object type: drawing
Date: 1675 – 1675
Materials: ink, paper
Techniques: brush, pen
Location: boxmeer
Artist: barend klotz
Artist role: draughtsman
Subjects: prospect of village, silhouette of village, church (exterior), boxmeer
Heilige Elisabeth van Hongarije geeft aalmoes
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: st. elisabeth giving alms
Inscriptions: collector's mark: Lugt 240

Prent naar ontwerp van Peter Paul Rubens.
Cartouche met Prudentia
Object type: print
Date: 1567 – 1567
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues

Aan weerszijden van de cartouche is op het rolwerk een vaas met bloemen bevestigd. Aan beide vazen hangt een vruchtenguirlande met een wapentrofee. Gearceerde achtergrond. Hoort bij serie van 14 bladen cartouches met rolwerk, grotesken, trofeeën en friezen. Het titelblad ontbreekt.
Smeedijzeren kroonluchter uit de collectie van Antonin Terme
Object type: photograph
Date: 1880 – 1885
Materials: photographic support
Techniques: platinum process
Location: liège
Artist: Anonymous
Subjects: art collection, art gallery, chandelier, candelabrum
Death of the Foolish Litigant, from Litis Abusus (The Abuses of the Law)
Object type: print
Date: 1576 – 1576
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered within image: "Litigator / Conscientia mala / Paupertas" and below image: "8 / Wat wint donwijse pleiter ... auf dem waeg bist."
Rijtuigparasol met dek van machinale Chantilly-kant op lavendelblauwe tafzijde, opengewerkte stok van been
Object type: carriage parasol
Date: 1840 – 1860
Materials: bone, silk, steel, wood
Techniques: casting, lace, cutting, manufacturing, lacquer, weave
Location: france
Artist: Anonymous

Rijtuigparasol met dek van zwarte machinale Chantilly-kant met een patroon van bloemtakken, bloemen en bladeren. Onder de Chantilly-kant een lavendelblauwe tafzijde. Voering van witte pongé-zijde met blind ingestanst bloemmotief in de schulpen. Gedeeltelijk opengewerkt, getorst benen handvat, met halverwege een stalen ring. Bovenste deel van de stok is van gelakt hout. Baleinen van donker hout. Bovenop een benen knop.
Hérault de Sechelles
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Half Ground Plan and Half Elevation for a Catafalque for a Prince of Hanover, probably Ernst August (1674–1728)
Object type: drawing
Date: 1696 – 1756
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: architecture
Numazu—Dusk (Numazu—tasogare zu), from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi)
Object type: print
Date: 1831 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858

Travelers on the Tōkaidō Road (the highway running between Edo and Kyoto) often stopped at inns along the route, such as this one at Numazu. In this image, the bright full moon illuminates the path of three pilgrims. One carries a portable shrine with a long-nosed tengu (goblin) mask, meant to provide spiritual protection.
Nautilus met drie medaillons met gesneden versieringen, resp. Louis XV; Le roy de Angleterre; Le roy de Prusse
Object type: nautilus shell
Date: 1675 – 1700
Materials: mother of pearl
Artist: Anonymous

Een nautilus waarop in drie medaillons gesneden: (1) Louis XV (2) Le roy de Angleterre (3) Le roy de Prusse.
Schat oft voorbeelt ende verthooninge van verscheyden geschriften (...)
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: calligraphy

Lettervoorbeelden van de textura, fraktur en bastarde, veertien regels. De prent maakt deel uit van een album.
Illustration of the Issuing of the State Constitution in the State Chamber of the New Imperial Palace
Object type: print
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: adachi ginkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1853 – 1902
Subjects: government,palaces,interiors,men,women

This triptych captures the ceremony for Japan’s first constitution, held at the imperial palace in Tokyo on February 11, 1889. At center, a minister presents the document to the Meiji emperor, who stands on a high dais decorated with sumptuous European and European-style fabrics. He is flanked by high ministers with a group of foreign diplomats to his left and the empress, seated on a low dais before members of her court, to his right. Based largely on Prussian models, the Meiji Constitution established Japan as a constitutional monarchy centered on a powerful emperor.
Poort bij Juyong Guan
Object type: page
Date: 1915 – 1920
Materials: paper
Techniques: rotogravure
Location: beijing
Subjects: gate, entrance
Henry Duc de Montpensier
Object type: print
Date: 1592 – 1660
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Pouch
Object type: pouch
Date: 1876 – 1900
Materials: glass, linen, silk
Culture: american
Subjects: leaves
Watermolen
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching, roulette
Location: brussels
Artist: martinus antonius kuytenbrouwer jr.
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1897
Subjects: agricultural products and by-products: hay, farmers - aa - female farmer, farmer's wife, brook, fowl (cock, hen, chicken, etc.), watermill in landscape
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485

Landschap met een watermolen aan een beek. In de beek loopt een man met een baal hooi op zijn rug. Op het erf voor de molen staat een boerin en lopen een paar kippen. Aan de waterkant twee spelende kinderen.
Amulet of Bes
Object type: costume and accessory
Materials: ceramic, faience
Culture: egyptian
Location: egypt
Subjects: gods (deities), crowns, lions
Lascivia
Object type: print
Date: 1549 – 1549
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: licentiousness, lasciviousness; 'lascivia', 'licenza' (ripa) (+ abstract concept represented by female figure)
Inscriptions: date

Personificatie van losbandigheid (Lascivia). Een vrouw, in de rechterhand houdt zij een veer omhoog gestoken, met haar linkerhand spuit zij melk uit haar borst, bij haar zit een beer zich te wassen. Achtste prent uit een serie van veertien met personificaties van deugden en ondeugden.
Segawa Kikunojo II as a Girl and Ichikawa Tomiyeimon?
Object type: print
Date: 1770 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ippitsusai bunchō
Artist role: artist
Artist nationality: japanese
Artist dates: 1765 – 1792
Subjects: girls,men,actors
Crouching Tiger Figure
Object type: figurine
Date: 206 – 250
Materials: bronze
Culture: chinese
Subjects: tigers
[George Gilbert Scott]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Zelfportret van de schilder Marinus van der Maarel
Object type: drawing
Date: 1911 – 1911
Materials: charcoal, paper
Artist: marinus van der maarel
Artist role: draughtsman, painter
Artist dates: 1857 – 1921
Subjects: the hague, painter, draughtsman, marinus van der maarel, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Klein binnenlandsvaardersgilde van Amsterdam, gildepenning van Johannis Leeseman
Object type: medal
Date: 1807 – 1807
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: naar links varend schip; op achterplecht:gearceerde vlag. Keerzijde: opschrift
Sculptuur van de nimf Aegeria
Object type: album leaf
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: egeria (roman fountain-deity), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘72’, inscription: ‘Ende lib. No. 21. fol. 35. Ende lib. No. 23. fol. 460.’, inscription: ‘Ende lib. No. 21. fol. 339/ Ende lib. No. 1. fol. 48. Ende lib. No. 23. fol. 79.’

Deze prent maakt deel uit van een reeks van ten minste 50 prenten van sculpturen uit de oudheid.
Tandwiel
Object type: album leaf
Date: 1937 – 1937
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: parts of machines, java
Inscriptions: date

Albumblad met een foto van een gietstalen tandwiel in bewerking op de freesbank in 1937 en bestemd voor de Suikerfabriek Gempolkerep. Onderdeel van een fotoalbum met foto's van machines en constructies van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Tegal uit de periode 1931-1937.
Model of a bell (Niu Zhong)
Object type: ceramic model
Date: 500 – 201
Materials: stoneware
Techniques: glazing
Culture: chinese

During the Eastern Zhou period, graduated sets of bronze bells became an important adjunct to courtly ceremonies as well as a mark of elite status. This pottery imitation was undoubtedly part of a set intended for burial to provide the tomb occupant with music in the afterlife.
Tea caddy
Object type: caddy
Date: 1713 – 1720
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds
Temple of Concord at Foot of Campidoglio
Object type: drawing and watercolor
Materials: graphite, paper
Location: united kingdom
Artist: Anonymous
Reproductie van een tekening van een schilder die zijn werk aan iemand toont door Eugène van Gelder
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: photoaquatint
Location: brussels
Subjects: working situations ~ painter