deem-data/ArtiFact huggingface dataset:
Twee vissers met een fuik
Object type: print
Date: 1634 – 1693
Materials: paper
Techniques: etching
Location: augsburg
Artist: jonas umbach
Artist role: print maker
Artist dates: 1624 – 1693
Subjects: sports, games ~ animals (+ live-basket), fisherman
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee vissers staand in een rivier, de een met een fuik in zijn handen, de ander met de tas waar de vissen in meegenomen kunnen worden.
Mantle
Object type: mantle
Date: 1885 – 1890
Materials: cotton, fur
Culture: american or european
Peonies
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: zhao zhiqian
Artist role: artist
Artist nationality: chinese
Artist dates: 1829 – 1884
Stapel boeken en schrijfwaren
Object type: boekillustratie ontwerp
Date: 1934 – 1936
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: (cohen, van anarchist tot monarchist) specific works of literature (with author, title), book
Inscriptions: clichéaanwijzing, recto, handgeschreven

Ontwerp voor een boekillustratie voor: Cohen, Alexander. Van anarchist tot monarchist. Amsterdam: De Steenuil, 1936.
Portret van Johann Caspar Lavater
Object type: print
Date: 1780 – 1830
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: johann caspar lavater, ornament ~ medallion, historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Grands Hommes Français: Arouet de Voltaire (1817)
Object type: history medal
Date: 1817 – 1817
Materials: bronze
Techniques: striking
Artist: françois augustin caunois
Artist dates: 1787 – 1859

Bronzen penning, op de voorzijde het borstbeeld van Voltaire naar rechts met omschrift, op de keerzijde negen regels tekst.
Count de Las Cases
Object type: book illustration
Date: 1855 – 1855
Materials: paper
Techniques: etching, engraving
Location: london
Artist: robert cooper
Artist role: print maker
Artist dates:  – 1839
Subjects: politician, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Cases, Emmanuel de Las. Memoirs of the Life, Exile, and Conversations of the Emperor Napoleon. New York: Redfield, 1855.
Hairpin
Object type: hairpin
Date: 1801 – 1900
Materials: copper, gilt, glass, metal
Culture: italian
Oosters tapijt
Object type: oriental rug
Date: 1850 – 1900
Materials: wool
Location: hamadan

Oosters tapijt van geknoopte wol, loperformaat. Op het middenveld staan drie puntige medaillons met ruitfiguren. Rondom drie randen.
Portret van Johann Planckenauer
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de cartouche.
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: hessen
Subjects: painter, draughtsman, philip zilcken
Transverse Section of the Small Theater at the Palace of Caserta, with a View of a Stage Design
Object type: drawing
Date: 1700 – 1773
Materials: graphite, ink
Techniques: brush, pen, drawing, wash
Artist: luigi vanvitelli
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1773
Subjects: theatre,architecture
Blussen van de zware brand aan de Elandsgracht, 1679
Object type: book illustration
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching
Subjects: on fire, ablaze, fire-fighting, fire-extinguishing equipment
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Het blussen van de zware brand tussen de Elandsgracht en de Elandsstraat te Amsterdam, ontstaan door blikseminslag in de nacht van 27 juli 1679. Vanaf verschillende huizen wordt met brandspuiten gepoogd de brand te blussen. Ter illustratie van vaardig brand blussen met slangbrandspuiten. Met vijfregelig onderschrift in het Nederlands en Frans. Bovenaan de tekst: 8ste Figuur Pag: 14. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Brandwezen.
Rotterdam. Groote Schouwburg
Object type: photomechanical print
Date: 1911 – 1911
Materials: cardboard
Techniques: photograph
Location: the hague
Artist: Anonymous
Subjects: theatre (building)
Inscriptions: date
Bighorn, from Quadrupeds series (N41) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: sheep

Large trade cards from the "Quadrupeds" series (N41), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N41 reproduces the cards from N21 in a larger size.
Le jour de guignon
Object type: print
Date: 1831 – 1846
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: hunter, bird hunting, firearms: rifle
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 1397c
Nova Alphati Effictio
Object type: titelprent, frontispice
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: bunch of flowers ~ ornament, frequently used ornamental compositions
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Centraal een cartouche met de titel in het Latijn en Duits. Rondom een kader van ornament met bloemenvazen, guirlandes en midden boven een masker. In de bovenhoeken brandende kaarsen. In de onderhoeken aan een draad hangende vissen. Midden onder een mannelijke en vrouwelijke halffiguur, die de luit bespelen. Tekst in boekdruk op verso. Prent maakt deel uit van een album.
Disturbed Slumber
Object type: group
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: sleeping,children
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of an inscription, KAL[OS]; a second smaller fragment, has part of another inscription, ATH…; Exterior of larger fragment depicts the calf and heel of a male to left; lower legs of a male to left; part of a round shield, seen from the inside; a second fragment depicts the knee and calf of a male to right
Doorgebroken Sint-Antoniesdijk bij Jaap Hannes, 1651
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: dike-break, building activities
Inscriptions: collector's mark: Lugt 2228a

Blad met twee voorstellingen. Boven heiwerkzaamheden tijdens het herstel van de op 5 maart 1651 doorgebroken Sint-Antoniesdijk of Diemerzeedijk bij de herberg Jaap Hannes. In het midden de herbergen bij de Bocht, in de verte Durgerdam en Diemen. Onder de doorgebroken dijk bij Houtewael. Twee onderdelen van een grote plaat bestaande uit vier afbeeldingen en een tekstblad met een vers.
Plate
Object type: plate
Date: 1750 – 1760
Materials: faience
Techniques: glazing
Artist: pierre-clement caussey
Artist role: factory
Artist dates: 1742 – 1782
Subjects: cupid,flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Zittende vrouw
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ sitting)

Blad 20 recto uit schetsboek XXII met 30 bladen.
Portret van schilder Jean Jacques Rousseau, aan het werk
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: portrait, self-portrait of painter, painter at work, in his studio, historical persons not known by name
Portret van Jacobus Perizonius
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: leiden, adult man, historical persons

Prent waarschijnlijk uit: Effigies Professorum aliorumque illustrium Virorum Academiae Lugduno-Batavae. Leiden: Pieter van der Aa, [1716].
Portret van Agatha Valck
Object type: print
Date: 1690 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: garden
Inscriptions: collector's mark: Lugt 964

Agatha Valck, echtgenote van de prentmaker en uitgever Pieter Schenk.
Fondement-Boeck
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: letterpress printing
Location: rotterdam
Artist: jan van de velde (i)
Artist role: painter
Artist dates: 1568 – 1623

Folio B1v. Instructie hoe de rietpen vastgehouden moet worden (tweede vervolg) met een uitleg van de voorbeelden op de vorige pagina. De tekst vangt aan met een gedecoreerde initiaal A. Het tekstblad maakt deel uit van een album.
Ontwerp voor 21 vignetten
Object type: ornament print
Date: 1773 – 1805
Materials: paper
Techniques: etching
Location: veere
Artist: jacob schwartzenbach
Artist role: draughtsman, painter, print maker
Artist dates: 1763 – 1805
Subjects: ornaments ~ art
Inscriptions: collector's mark: Lugt 2228
Seated Figure
Object type: sculpture
Materials: glaze, iron, stoneware
Location: china
Ride to the Hounds, Mont-Gérard
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Mending
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Librije te Zutphen
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: public library
Inscriptions: inscription: ‘proefdruk / J.V.’, collector's mark: Lugt 2228

Deze prent werd uitgegeven als bijvoegsel bij De Kroniek op 26 september 1897.
Portret van paus Innocentius VII
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Subjects: historical persons, pope

Prent uit: Panvinio, Onofrio. Accurate effigies pontificum maximorum, numero XXVIII: ab anno Christi MCCCLXXVIII ad aetatum (...). Straatsburg: Bernhard Jobin, 1573.
Deels verbrand schip op de VOC-scheepswerf op Oostenburg, 1690
Object type: book illustration
Date: 1690 – 1702
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: painter, print maker, draughtsman, jan van der heyden, building a ship, ship under construction, pump (fire-extinguishing equipment), fire-hose, shipyard, shipdock, fire-extinguishing equipment
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Prent ook gebruikt in sommige exemplaren van: Heyden, Jan van der. Beschryving der nieuwlyks uitgevonden en geoctrojeerde slang-brand-spuiten en haare wyze van brand-blussen, tegenwoordig binnen Amsterdam in gebruik zijnde (…). 2e druk. Amsterdam: erfgenamen Jan van der Heyden, 1735.

Verkleinde kopie naar de prent toegeschreven aan Jan van der Heyden (RP-P-OB-82.100, FMH 2301/19a).
Aanleg van het Viaur Viaduct in Frankrijk door de Societé de Construction des Battignolles, 21 mei 1902
Object type: photograph
Date: 1902 – 1902
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)
Inscriptions: date: ‘21 Mai 1902 // SOCIETÉ DE CONSTRUCTION DES BATIGNOLLES’
Cathedra Petri
Object type: album leaf
Date: 1692 – 1692
Materials: paper
Techniques: colour, etching
Location: rome
Subjects: interior of church, piece of sculpture, reproduction of a piece of sculpture, bishop's throne

De Cathedra Petri, het altaar waarin het reliek van de katheder van de apostel Petrus wordt bewaard achter in de Sint-Pietersbasiliek in Vaticaanstad. Aan weerszijden van de stoel staan twee beelden van de kerkvaders. Tekst in ondermarge. Prent maakt deel uit van een album.
Kaart van het beleg van Diksmuide, 1647
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: Anonymous
Subjects: leopold willem van oostenrijk (landvoogd der zuidelijke nederlanden), maps of separate countries or regions, siege, position war

Kaart van het beleg van het plaatsje Diksmuide in Vlaanderen op de Fransen door de Spanjaarden onder bevel van landvoogd Leopold Willem. Ongemonteerd geheel bestaande uit drie losse bladen.
Plundertocht van de Spanjaarden in het land van Kleef en moord op Wirich von Daun, graaf van Falkenstein, 1598
Object type: history print
Date: 1619 – 1621
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: plundering ~ soldiers, violent death, being killed; being mishandled and maltreated; seeking death, cleves

Afkomstig uit: De spaansche tiranije gheschiet in Neder-lant waer in te sien is de onmenschelicke ende wreede handelingen der Spaengiaerden ... ooc de moort van den ... prince van Orangnien, ende grave van den Broeck, C.L. vander Plasse, Amsterdam 1621, in de collectie van de Rijksmuseum Research Library, signatuur 327 K 30, p. 96.
Jem Smith, Pugilist, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,boxing,athletes

Trade cards from "World's Champions," Series 1 (N28), issued in 1887 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Haarlem: Frans Hals Monument
Object type: ansichtkaart, prentbriefkaart
Date: 1896 – 1905
Materials: cardboard
Techniques: photograph
Location: amsterdam
Subjects: antwerp, draughtsman, frans hals, monument, statue, haarlem
Inscriptions: number: ‘1,-’, inscription: ‘Briefkaart/ Aan...’, number: ‘416’
Gold Box with a Scene of Two Figures in a Landscape
Object type: metalwork
Date: 1800 – 1810
Materials: enamel, gold
Location: switzerland
Annie
Object type: print
Date: 1858 – 1858
Materials: ink, paper
Techniques: etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: girls

Early in 1858 Whistler went to London from Paris to recuperate from a bad fall and stayed with his sister Deborah and her husband Seymour Haden. A gifted etcher, the latter encouraged the artist’s first serious efforts in the medium. This example centers on Whistler's niece and emphasizes an abstract pattern of darks and lights over portraiture, omitting the figure's legs. In November 1858, Whistler included the print in his first published set, "Douze eau-fortes d'apres Nature" ("Twelve Etchings from Nature"), known as the "French Set."
Roundel with an Eagle and Inscription
Object type: roundel
Date: 1401 – 1500
Materials: glass, paint, pigment
Culture: british
Subjects: eagles
Portret van Christina Ewartina van Saksen
Object type: costume print
Date: 1675 – 1711
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: crown (symbol of sovereignty), garden
Inscriptions: collector's mark: Lugt 2228

Christina Ewartina, hertogin van Saksen met veren in het haar. Naast haar de kroon.
My Burial, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Bad Bentheim. Pulverturm auf der Burg
Object type: ansichtkaart, prentbriefkaart
Date: 1960 – 2000
Materials: cardboard
Techniques: offset printed
Location: bad bentheim
Artist: Anonymous
Subjects: towers ~ fortified city
Vlak landschap met bomen
Object type: sketchbook leaf
Date: 1842 – 1868
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: city-view, and landscape with man-made constructions, trees, spire (of tower on house or building)

Op de achtergrond een kerktoren. Blad 14 recto uit een schetsboek met 45 bladen.
Portret van Peeter Baltens
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: antwerp, painter, print maker, draughtsman, publisher, peeter baltens, publishing, publisher (+ portrait of scholar, scientist), historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228

Als stiefzoon van Dominicus Custos, is Peeter (Pieter) Baltens ook bekend als Petrus Custos.
A Young Man in Armor, Facing Right
Object type: drawing
Date: 1425 – 1425
Materials: ink
Techniques: pen, wash
Artist: arcangelo di cola da camerino
Artist role: artist
Artist nationality: italian
Subjects: men
Netsuke
Object type: netsuke
Date: 1700 – 1850
Materials: wood
Location: japan

De geluksgod Hotei en een Chinese knaap.
Affiche voor een tentoonstelling met twee kolibries
Object type: poster
Date: 1874 – 1945
Materials: paper
Techniques: woodcut
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: other birds (with name), poster
Inscriptions: collector's mark: Lugt 2228
Staand paard, naar links
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: horse
Schutterij van Hoorn
Object type: marksman medal
Date: 1696 – 1697
Materials: silver
Techniques: striking
Location: hoorn
Artist: jacob t lam
Artist role: die cutter, silversmith
Artist dates: 1664 – 1720
Subjects: hoorn (north holland)
Inscriptions: inscription: ‘PRO ARIS AC FOCIS’
Exterieur van de pastorie van de rooms-katholieke kerk in Batavia
Object type: photograph
Date: 1890 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: batavia
Artist: Anonymous
Subjects: exterior ~ representation of a building, batavia

Onderdeel van Album met foto's van Batavia en van de zusters Ursulinen.
Portret van Jean Henri van Swinden
Object type: print
Date: 1822 – 1853
Materials: paper
Techniques: lithograph
Subjects: the hague, amsterdam, physicist, jean henri van swinden, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
In den tempel
Object type: print
Date: 1914 – 1914
Materials: paper
Techniques: drypoint, intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: temple, shrine ~ hinduism, buddhism, jainism, riding on animal other than horse, ass, or mule, courtyard, trunked animals: elephant
Inscriptions: collector's mark: Lugt 2233

Links op de voorgrond een olifant die achter figuren met vaandels en zonneschermen loopt.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, back of head, left ear, part of upper torso, left shoulder, part of extended upper arm, and right hand, over head, of wreathed youth to left
Franklin Stove
Object type: franklin stove
Date: 1795 – 1795
Materials: iron
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, head, upper torso, and bent right arm of wreathed youth to right
Tea caddy
Object type: tea caddy
Date: 1701 – 1800
Materials: silver
Flounce or Border
Object type: textile
Date: 1850 – 1900
Materials: lace, linen
Techniques: lace
Location: germany
Portret van Cornelis Kruseman
Object type: drawing
Date: 1800 – 1900
Materials: pencil, paper
Artist: Anonymous
Subjects: amsterdam, painter, print maker, draughtsman, cornelis kruseman, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Maria met Christuskind en Johannes de Doper
Object type: print
Date: 1625 – 1642
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mary and the christ-child with john the baptist (as child)
Inscriptions: collector's mark: Lugt 240
Interior Ornamented Wall with Doors, nos. 228–239, plate 42 from "Designs for Various Ornaments"
Object type: print
Techniques: etching
Artist: michelangelo pergolesi
Artist role: artist and publisher
Artist nationality: italian
Artist dates: 1760 – 1801

These designs for an interior wall with doors, and a central panel showing Cupid holding a wreath, are numbered 228-239. The print comes from a group that Pergolesi made and published serially in London between 1777 and 1792. There is no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The complete set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in Roman numerals at first, then with Arabic numbers). In 1801, after Pergolesi's death, four additional plates of designs were published by a bookseller Dulouchamp (or Dulonchamp).
Man with Arms Crossed in Front
Object type: glass
Date: 1700 – 1750
Materials: glass, metal
Techniques: lampwork
Location: france
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Exterior, part of the chin, neck, and upper torso of a draped woman, running to right, with her bent left arm in front of her
Miss Mauri, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
View of the Arruns Pass and Peak from the Pont de Soubé
Object type: photograph
Date: 1852 – 1852
Techniques: paper negative, salted paper print
Artist: john stewart
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1814 – 1887
Subjects: mountains,landscapes
Romeinse scène met een keizer en een veldheer
Object type: drawing
Date: 1783 – 1839
Materials: chalk, paper
Artist: mattheus ignatius van bree
Artist role: draughtsman, print maker
Artist dates: 1773 – 1839
Subjects: throne-room, emperor, officer, making a bow to a ruler

Een keizer ontvangt een veldheer in zijn paleiszaal.
Imperial Court Robe
Object type: robe, imperial court
Date: 1701 – 1733
Materials: metal thread, silk
Culture: chinese
Subjects: dragons