deem-data/ArtiFact huggingface dataset:
Robert Macomb
Object type: painting, miniature
Date: 1806 – 1806
Materials: ivory, watercolor
Culture: american
Artist: edward greene malbone
Artist role: artist
Artist nationality: american
Artist dates: 1777 – 1807
Subjects: men,portraits

The sitter (1783-1832) was the lawyer and civic leader in New York City for whom Macomb's Dam across the Harlem River was named. This portrait is thought to date from the time of his marriage to Mary Cornell Pell.
Gedeeltelijke zons- of maansverduistering
Object type: photomechanical print
Date: 1883 – 1886
Materials: paper
Techniques: collo-autotype
Location: paris
Subjects: eclipse of the moon, solar eclipse
Inscriptions: number: ‘Fig. 70.’, inscription: ‘Reproduction des clichés obtenus a l'Observatoire de Paris, par/ M.M. Paul et Prosper Henry (le 1er à 11 h. 47 m. 7s., le 2e à 11h. 49m 7s.).’
Portretten uit het Ipswich Museum
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: london
Subjects: adult man, historical persons, book - mm - book open
Inscriptions: check stamp: ‘Ipswich Museum’, collector's mark: Lugt 2228

Prent behoort tot de serie 'Ipswich Museum Portraits', ook bekend onder de titel 'Portraits of Honorary Members of the Ipswich Museum'. Deze serie is in 1852 door George Ransome uitgegeven en gedrukt door M&N Hanhart tussen 1848 en 1852. De serie bestaat uit ca. 60 portretten.
Giovanni Caroto (1495?–1555), Veronese Painter
Object type: medal
Date: 1501 – 1600
Materials: bronze
Artist: giulio della torre
Artist role: artist
Artist dates: 1481 – 1562
Subjects: men,male nudes,profiles,female nudes
Kaart van Sardinië en een gedeelte der aangrenzende rijken
Object type: map
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Location: zwolle
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166
Liggende kat
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: cat

Pagina 2 uit een schetsboek met 13 bladen.
Triumphbogen des Generalstab-Gebäudes.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: louis gothe
Artist role: fotograaf
Subjects: triumphal arch
Inscriptions: number: ‘18.’, inscription: ‘Ansichten von St. Petersburg.’
Druivenranken
Object type: photomechanical print
Date: 1887 – 1897
Materials: paper
Techniques: photograph
Location: vienna
Artist: Anonymous
Subjects: vine, bunch of grapes
Inscriptions: number: ‘2.’
Der polygraphische Apparat oder die verschiedenen Kunstfächer der k.k. Hof- und Staatsdruckerei zu Wien
Object type: book
Date: 1853 – 1853
Materials: paper, photographic support
Techniques: albumen print, engine turning, lithograph, printing, engraving
Inscriptions: annotation
Infantry, Spain, 1853, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Jubeljaar van Clemens VII
Object type: history medal
Date: 1524 – 1525
Materials: bronze
Techniques: striking
Location: italy
Artist: Anonymous
Subjects: rome

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: wapenschilden onder tiara en twee gekruiste sleutels binnen omschrift
Mannen rond een tafel bekijken een prent of tekening
Object type: drawing
Date: 1775 – 1825
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: england
Artist: Anonymous
Subjects: criticizing and discussing art, art criticism, print, e.g.: engraving, etching, lithograph
Inscriptions: watermark, collector's mark: Lugt 2228
Johannes van Capestrano roept de inwoners van Neurenberg op om spellen en speelkaarten te verbranden, 1452
Object type: print
Date: 1500 – 1540
Materials: paper
Techniques: woodcut
Location: germany
Artist: hans schäufelein
Artist role: print maker
Artist dates: 1480 – 1540
Subjects: st. john of capestrano preaching against the vanities of this world; wordly goods are burned in public, backgammon, tric-trac, playing-cards
Inscriptions: collector's mark: Lugt 240

De Franciscaanse minderbroeder Johannes van Capestrano roept de inwoners van Neurenberg op om wereldse vermaak zoals bordspellen en speelkaarten te verbranden, 1452.
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Above the foot (which is not preserved), a band of tongues, with dots in the upper corners
Trade Card for N. R. Hewitt, Engraver
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Sheet 1 of figures for Chinese shadow puppets
Object type: print
Date: 1850 – 1870
Techniques: woodcut
Artist: juan llorens
Artist role: publisher
Artist nationality: spanish
Artist dates: 1800 – 1900
Subjects: musical instruments,men,women,puppets
Vignet met vrouw met lier en twee putti op een wolk
Object type: vignette
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: lyre, cithara, psaltery, sitting or standing on clouds - aa - female human figure, crowning with laurel, vignette, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 5007, inscription: ‘Titelvignet van "Adriani van Royen, Poëmata./ Lugduni Batavorum,/ Sumptibus Auctoris, 1778’

De putto links houdt een loftrompet vast, terwijl de andere putto de vrouw kroont met een lauwerkrans.
Yellow moon flask with "cloisonné" decoration
Object type: moon flask
Date: 1870 – 1879
Materials: bone china, enamel
Techniques: gilding
Artist: worcester factory
Artist role: maker
Artist nationality: british
Artist dates: 1751 – 2008

After the end of the Flight, Barr & Barr ownership of the Worcester factory in 1840, the firm went through a succession of owners and mergers before falling under the ownership of Kerr & Binns in 1852. During the partnership, the factory sought to rebuild its former eighteenth-century reputation in porcelain and known for Renaissance-inspired designs. With the establishment of the Royal Worcester Porcelain Company in 1862, the company gradually gained recognition for its Japanese-inspired designs, which formed part of Japonisme, a collective fascination with Japan that took place in Europe and the United States following the opening of Japanese markets to the West by Commodore Perry in 1853.
Handen en een gezicht
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: face, hand

Blad 7 recto uit een schetsboek met 29 bladen.
Panel
Object type: panel
Date: 1500 – 1500
Materials: silk
Portret van Bernhard August von Lindenau
Object type: print
Date: 1840 – 1855
Materials: paper
Techniques: engraving
Location: vienna
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Conversations-Lexikon für die gebildeten Stände, voor het eerst uitgegeven tussen 1840-1855.
Aanleg van het Viaur Viaduct in Frankrijk door de Societé de Construction des Battignolles, 4 januari 1902
Object type: photograph
Date: 1902 – 1902
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)
Inscriptions: date
Queen Elizabeth in Parliament
Object type: print
Date: 1682 – 1682
Techniques: engraving
Artist: anonymous, 17th century
Artist role: engraver
Artist dates: 1600 – 1700
Portret van Philippe Le Roy
Object type: print
Date: 1630 – 1675
Materials: paper
Techniques: engraving
Location: antwerp
Artist: lucas vorsterman (i)
Artist role: print maker
Artist dates: 1595 – 1675
Subjects: dog
Inscriptions: name: ‘Philippe le Roy’, collector's mark: Lugt 240

Portret van de kunstverzamelaar en diplomaat Philippe Le Roy, Heer van Ravels, Baron van Broechem, raadsheer van koning Filips IV van Spanje.
Leger van keizer Koenraad III verraden en in de bergen door de Saracenen overvallen
Object type: book illustration
Date: 1683 – 1683
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: militant proselytizing: religious war, crusade, etc., surprise attack (stratagem)
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Maimbourg, Louis. Historie der kruisvaarders, tot de verlossing van't heilig land. Amsterdam: Timotheus ten Hoorn, 1683.
Frame
Object type: frame
Date: 1701 – 1733
Materials: wood
Artist: italian (roman)
Artist role: artist
Artist dates: 1700 – 1745
Torso of a Nude Man
Object type: sculpture
Date: 300 – 1
Materials: terracotta
Culture: greek
Location: greece
Melkmeisje
Object type: print
Date: 1772 – 1791
Materials: paper
Techniques: aquatint, printmaking, etching
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: milkmaid
Inscriptions: collector's mark: Lugt 2228

De prent verscheen vanaf 1818 tevens als onderdeel van een 33-delige reeks prenten door Mathias de Sallieth, samengebonden in: Perkois, Jacobus, Prins, Johannes Huibert. Verzameling van verschillende gekleede mans- en vrouwenstanden, ter oefening van jonge schilders en liefhebbers. Rotterdam: Johannes Immerzeel, 1818.
Ouchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"
Object type: print
Date: 1806 – 1806
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Schepen op de Schelde
Object type: print
Date: 1846 – 1913
Materials: paper
Techniques: drypoint, etching
Artist: isidore meyers
Artist role: print maker
Artist dates: 1836 – 1917
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 2228, mark: ‘Antwerpsche Etsers 1880’
Marble statuette of Aphrodite Anadyomene (rising)
Object type: statuette of aphrodite anadyomene
Date: 1 – 100
Materials: marble
Culture: roman
Subjects: aphrodite

In this graceful pose, Aphrodite was represented with both arms raised, wringing water from her hair, as though she were just emerging from the sea, where she was born. Sometimes thought to derive from a famous painting, statues with this graceful motif were extremely popular. Here, a narrow band is carved in relief on either shoulder, perhaps to indicate a fillet with which the goddess binds up her locks.
Portret van de parfumeur Jean Chabert
Object type: print
Date: 1675 – 1700
Materials: paper
Techniques: engraving
Location: lyon
Subjects: scents, perfumes ~ stimulants, drugs (+ foodstuffs in other container, e.g.: barrel, can, cask, tin, etc.), perfumes
Inscriptions: collector's mark: ‘L. [?] 20.X.1787.’, collector's mark: Lugt 2228
Théophile Gautier
Object type: photograph
Date: 1856 – 1856
Techniques: glass negative, salted paper print
Artist: félix nadar
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1910
Subjects: men,portraits

Ringmaster, publicist, and performer in a highly theatrical life, the legendary Nadar wore many hats–those of journalist, bohemian, left-wing agitator, playwright, caricaturist, and aeronaut. He had success in all these roles, but what he did best was collect a pantheon of friends whom he honored with his generous and perceptive photographic portraits. The subject of this portrait, Théophile Gautier (1811-1872), was a poet, novelist, and engaging critic of art and literature who also defined the theory of art for art's sake-art pursued for its own intrinsic perfection. In this portrait by his intimate friend, the hirsute and disheveled writer appears in his working clothes, an apt embodiment of Gautier's self-description as "the terror of the bald and beardless bourgeois."
Schoorsteen met klok in het huis van Antonin Terme
Object type: photograph
Date: 1880 – 1885
Materials: photographic support
Techniques: platinum process
Location: liège
Artist: Anonymous
Subjects: art collection, art gallery, clock, chimney-piece, mantelpiece
16de-eeuwse Franse kast van hout, op de Exposition Rétrospective van 1877 in Lyon, Frankrijk
Object type: photomechanical print
Date: 1877 – 1880
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: ornamental cupboard (+ wood and other phytogenic material), lyon
Inscriptions: number: ‘PL. VIII.’, inscription: ‘EXPOSITION RÉTROSPECTIVE DE LYON/ PAR J. B. GIRAUD.’, inscription: ‘ARMOIRE/ FRANCE_XVIe SIÈCLE/ COLLECTION DE Mr CHABRIÈRES-ARLÈS.’
Portret van Hermann von Petkum op 64-jarige leeftijd
Object type: print
Date: 1674 – 1682
Materials: paper
Techniques: engraving
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228
Diezerkade. Zwolle
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: zwolle
Subjects: sailing-ship, sailing-boat, canals, waters (in city), street
Croisée drapée Fantaisie
Object type: print
Date: 1895 – 1910
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery
Inscriptions: annotation: ‘no. 189’, : ‘Droits de reproduction réservés.’

Kruisvenster met gedrapeerde gordijnen in fantasiestijl. Prent uit 353e Livraison.
Panel
Object type: textile
Date: 1801 – 1825
Materials: textile, silk
Techniques: interlacings, satin weave, weave
Location: england
Subjects: flowers
Design for the Façade of an Arsenal
Object type: drawing
Date: 1837 – 1837
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: c. pompetti
Artist role: artist
Artist nationality: italian
Subjects: architecture,buildings
Familie en vrienden van het gezin Onnen-van den Berg in een tuin, op een boot en bij een tennisbaan
Object type: photograph
Date: 1913 – 1914
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: tennis, lawn-tennis, sailing-ship, sailing-boat, garden, family life

Deze foto's zijn onderdeel van een album.
Romeinse ruïnes en monumenten
Object type: print
Date: 1651 – 1693
Materials: paper
Techniques: etching
Artist: johann franz ermels (der ältere)
Artist role: draughtsman, print maker
Artist dates: 1641 – 1693
Subjects: fence, wall, paling, landscape with ruins, rome
Inscriptions: collector's mark: Lugt 240
Rural Sports, or a Pleasant Way of Making Hay
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Landscape with Ducks
Object type: painting
Date: 1872 – 1872
Materials: oil, wood
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: ducks,landscapes

In this landscape, Daubigny provides a tranquil view of a river at sunset in rural France. The dramatic orange glow of the sky that dominates the upper right-hand corner of the composition is balanced by the darker foliage of the trees on the left. At the center of the canvas, small but vibrant flecks of paint define the garments worn by the women who wash their clothing in the river. The water, still and reflective, shows a variety of brushwork ranging from smooth to more forceful, vertical strokes. On the left, ducks paddle down the river, their white delicate plumage glimmering in the water. Daubigny was a well-established painter who, despite the fact that he rarely worked in the Fountainbleau region, associated with the Barbizon painters. His landscapes were featured in the Salon in Paris on many occasions, and his work was well sold by the reputable Parisian dealer Charles Durand-Ruel.
Te atua (The God) from the Noa Noa Suite
Object type: print
Date: 1893 – 1894
Materials: ink, paper, oil
Techniques: printing, woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Monogrammed lower left, in image: "P G O"; inscribed verso, in ink: "Pg 15 mars"
Sacrifice to Priapus, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: male nudes,female nudes,satyrs,goats

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 150 in the scrapbook.
Het Spook!
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching, hand coloring
Location: england
Subjects: materialization, appearance of spirit or ghost, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Spotprent waarin iemand verkleed als een geest of spook een groep van vier mannen angst aanjaagt, een vijfde is gevlucht.
Copper Peapod Ornament
Object type: ornament
Date: 1101 – 1500
Materials: copper, gilt
Culture: chimú
Location: peru
Oude gevels details en fragmenten van oude architectuur en beeldhouwkunst te Delft
Object type: portfolio
Date: 1904 – 1904
Materials: cardboard, linen, paper, photographic support
Techniques: gelatin silver print
Inscriptions: inscription: ‘v.d Haagen 9 E. 28 Oude gevels’
Portret van schrijver en mecenas Alvise Corner (Luigi Cornaro)
Object type: print
Date: 1855 – 1865
Materials: paper
Techniques: engraving
Location: italy
Subjects: venice, alvise corner, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Twee vrouwen, een man en een baby aan een tafel in een tuin
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: parents with their children, garden, infant, baby

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
H. Licinia
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: martyr(s) (often with palm-branches) - qq - female martyr
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 73 prenten (+ titelprent) met voorstellingen van Romeinse martelaressen.
Kaarsenhouder
Object type: kaarsenhouder
Date: 1700 – 1725
Materials: brass
Techniques: casting, screwed
Location: netherlands
Artist: Anonymous

Het voorwerp is samengesteld uit de volgende onderdelen: de baluster, de arm, de vetvanger, de draaier, twee kaarsenhouders en de knop.
De aan beide einden van een schroefdraad voorziene baluster is geprofileerd en heeft boven een glad stuk, waarop de arm is gestoken, die met een knop is vastgezet. De arm is tweemaal gebogen, aan één kant eindigend in een vogel- of dolfijnenkop, op het andere eind in een verdikking. Hierin is de draaier op de aan de onderkant grof geprofileerde ronde vetvanger geschroefd. Op de draaier zijn de twee korte geprofileerde kaarsenhouders geschroefd. De draaier is gescheurd.
Eductuum de carcere Ioseph Pharaoni obtulerunt
Object type: print
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: story of joseph (part i)
Inscriptions: collector's mark: Lugt 2228

Prent uit een reeks van 14 prenten (+ titelprent) naar schilderingen door Rafaël in de Stanze di Raffaello in het Apostolisch Paleis in het Vaticaan en naar ontwerpen voor wandtapijten voor de Sixtijnse Kapel door Rafaël. Naar een schildering door Rafaël in de Stanza di Eliodoro.
Portret van Peter Paul Rubens
Object type: print
Date: 1822 – 1845
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: antwerp, painter, print maker, draughtsman, peter paul rubens, historical persons, portrait, self-portrait of artist
The constancy of Tom Jones subdued by the charms of Black Moll, from "The History of Tom Jones, a Foundling"
Object type: print
Date: 1792 – 1792
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women
Portret van Anaïs Fargueil
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Artist: mulnier
Artist role: fotograaf
Subjects: portrait of actor, actress
Inscriptions: number: ‘No 101’, inscription: ‘Journal hebdomadaire paraissant le jeudi Du 22 au 28 Avril 1875’
Key
Object type: key
Date: 201 – 700
Materials: iron
Culture: sasanian
Location: iran
Vruchten van den sterken drank, een kwade boom brengt kwade vruchten voort
Object type: print
Date: 1864 – 1897
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: drunkenness, alcoholic drinks, drinking
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een boom waarin medaillons met scènes met de gevolgen van het drinken van sterke drank. Onder de boom krioelen slangen en staan grafstenen.
The Marble Arch
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Adam van Noort
Object type: drawing and watercolor
Materials: charcoal, graphite, paper
Techniques: brush, wash
Location: belgium
Artist: after anthony van dyck
Mlle. Muller, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.