deem-data/ArtiFact huggingface dataset:
Parques St James
Object type: print
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: st james's park
Inscriptions: collector's mark: Lugt 2228, watermark

Gezicht op Rosemonds Pond en lange bomenrijen in het park St James in Londen, met wandelende paren. Links een ruïne van een huis met een ronde toren.
Agriculture (for the St. Louis Exposition, 1904)
Object type: token
Date: 1904 – 1904
Materials: bronze
Techniques: struck
Artist: daniel jean-baptiste dupuis
Artist role: artist
Artist nationality: french
Artist dates: 1849 – 1899
Subjects: profiles
Histoire de l'entree de la reyne mere du Roy tres-chrestien, dans les Provinces Unies des Pays-Bas.
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: cologne, print maker, maria de' medici, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', dordrecht

Havengezicht van Dordrecht. Maria de' Medici arriveert per schip. Op de kade staan veel mensen. Ook haar koets staat klaar. De prent maakt deel uit van een boek over het bezoek van Maria de' Medici aan de Nederlanden.
Raam van gebrandschilderd glas met het wapen van Batenburg
Object type: photograph
Date: 1903 – 1908
Materials: paper
Techniques: collodion silver print
Location: batenburg
Artist: benjamin charlé
Artist dates: 1845 – 1925
Subjects: armorial bearing, heraldry
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of a draped man to right, leaning on a knobby stick, with his himation draped around his waist, lower back, and legs
Bottle
Object type: bottle, lentoid amphora
Date: 1295 – 1070
Materials: glass
Location: egypt
Centennial Print (Furnishing Fabric)
Object type: textile
Date: 1875 – 1875
Materials: cotton
Techniques: weave, printing
Location: new hampshire
Artist: cocheco cotton manufacturing company
Artist nationality: american
Artist dates: 1812 –
Saint Paul and Three Other Standing Figures
Object type: drawing and watercolor
Date: 1701 – 1800
Materials: gouache, graphite, ink, paper, paint, watercolor
Techniques: brush, heightening, pen, wash
Location: italy
Artist: count antonio maria zanetti the elder
Artist nationality: italian
Artist dates: 1679 – 1767
Portret van Johannes Plantinus op 61-jarige leeftijd
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons, the bible as a book
Inscriptions: collector's mark: Lugt 240

Johannes Plantinus, predikant te Amsterdam, op 61-jarige leeftijd. Hij staat bij een opengeslagen Bijbel. Onderaan een achtregelig vers in het Nederlands.
Castallou. Charles. 53 ans, né le 4/10/41 à Paris IIe. Tapissier. Anarchiste. 16/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Interieur van Harrow School
Object type: page
Date: 1860 – 1870
Materials: photographic support
Techniques: albumen print
Location: harrow
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: secondary education, interior ~ representation of a building
A Pair of Carp
Object type: painting
Materials: ink, paper
Location: korea
Chinese Beauty
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Artist: yokoi kinkoku  横井金谷
Artist role: artist
Artist nationality: japanese
Artist dates: 1761 – 1832

Yokoi Kinkoku was a Nanga artist famous for his Chinese-style landscapes, but this relatively early work is a rare example in the artist's corpus of a figural subject in a style not generally associated with the Nanga movement. An elegant Chinese lady in a colorful robe with a green scarf over her shoulders, a jeweled ornament in her hair, sits on a bench upon which various accoutrements for refined living—a rolled scroll, an incense burner, a cup, and a handwarmer—have been placed. This image was painted with delicate precision and detail, and in some respects resembles other paintings of Chinese beauties by several of Kinkoku's contemporaries, most notably Maruyama Ōkyo (1733–1795) and his followers such as Genki (1747–1797). Typical of such images are the very slender figure and narrow, sloping shoulders, the coiffed hair, and aristocratic garb. In some instances, these paintings were meant to depict figures from Chinese history or legend, but in the absence of identifying attributes, it is difficult to say whether this fragile-looking lady was intended as an image of a specific beauty from Chinese antiquity or a more generalized image. Yokoi Kinkoku belonged to the mature phase of the Nanga school movement and was influenced by the work of the great Yosa Buson (1716–1783), although there is no documentary evidence of his having studied directly with him. His paintings are often characterized by rough and dynamic brushwork, almost expressionistic in feeling, so this image presents a striking contrast to his usual style.
View of Sakurababa Valley from Irabayashi Hill outside Nagasaki
Object type: photograph
Date: 1862 – 1866
Materials: paper
Techniques: albumen print
Location: japan
Artist: antoon bauduin
Artist role: amateurfotograaf, hoogleraar
Artist dates: 1820 – 1885
Subjects: dale, valley, japan
Inscriptions: number: ‘27’
Fotoreproductie van een prent naar een schilderij door Richard Westall, voorstellend een scene uit Hendrik IV door William Shakespeare
Object type: photograph
Date: 1854 – 1867
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. XLVII. 187’

Te zien is akte III, scene 1 met de graaf van Worcester, Lord Edmund Mortimer en anderen rond een tafel.
Mont Blanc Seen from the Massif, Les Aiguilles Rouges
Object type: drawing
Date: 1874 – 1874
Materials: gouache, graphite, watercolor, paper
Techniques: heightening
Artist: eugène-emmanuel viollet-le-duc
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1879
Subjects: mountains

One of the nineteenth-century's most influential architects, Viollet-le-Duc, known especially for his restorations of France's greatest churches, was also a prolific author of theoretical writings, as well as a talented draftsman. In this spectacular mountain view he married an architect's understanding of structure and space to an artist's sense of color and line. The drawing dates from the end of Viollet-le-Duc's life, when he was working on a map of the Mont Blanc massif. The map was published in 1876 with a "study of its geodesic and geological construction, of its transformations, and of the old and modern state of its glaciers." Viollet-le-Duc's love for the mountains was born much earlier, however, in 1831, when he took a trip to the Auvergne in central France.
Turners’ Guild
Object type: medal
Date: 1709 – 1709
Materials: brass
Techniques: casting
Location: middelburg
Artist: willem du pre
Artist dates: 1687 – 1722
Subjects: middelburg

Messing penning. Voorzijde: stoel met gedraaide stijlen en poten tussen jaartal, staande op kist met opschrift binnen omschrift. Keerzijde: leunstoel tussen borstel en geweer onder ladder binnen omschrift.
Dress
Object type: dress
Date: 1897 – 1897
Culture: french
Artist: house of paquin
Artist role: design house
Artist nationality: french
Artist dates: 1891 – 1956
Feestelijkheden op het terrein van de IJsclub te Amsterdam ter gelegenheid van de inhuldiging van Koningin Wilhelmina
Object type: photograph
Date: 1809 – 1898
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: museumplein
Subjects: the hague, print maker, wilhelmina of the netherlands, emma (queen consort of the netherlands), ceremonial celebration of installation of a ruler, public festivities on the occasion of royal events, canopy, baldachin, installation of a ruler - bb - female ruler

Gezeten onder een baldakijn wonen Koningin-Moeder Emma, Prinses Wilhelmina en hoogwaardigheidsbekleders feestelijkheden bij op het terrein van de IJsclub (nu het Museumplein), aan de vooravond van de inhuldiging van de prinses. Onderdeel van Fotoalbum met 11 opnames van de inhuldiging van Koningin Wilhelmina en de inhuldigingsfeesten.
Tankard
Object type: tankard
Date: 1720 – 1725
Materials: hard paste porcelain, silver
Artist: vienna
Artist role: manufactory
Subjects: animals,men,flutes

Monochrome decoration ornamented Du Paquier porcelain from the beginning; indeed, it is one of the manufactory’s defining characteristics. It is found in several colors, including a lovely iron red. The name of the artist who painted this tankard is not known; his hand is found, however, on a number of other early pieces made at Du Paquier as well as on a Chinese bowl in the Museum of Decorative Arts, Prague, so it is likely that he both was employed within the factory and performed freelance, or Hausmaler, work.
Gezicht op het Velperplein in Arnhem
Object type: cabinet photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: arnhem
Artist: j.s.j. de jongh
Artist role: fotograaf
Subjects: square, place, circus, etc.
Inscriptions: inscription: ‘Velperplein. Arnhem./ J. S. J. DE JONGH W.Jzn., Koningstraat 84-85. ARNHEM.’
Design for Pony Phaeton, no. 3242a
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
T' Dorp Kapelle
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: village
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Copper Lime Spoon in Snake Form
Object type: lime spoon
Date: 1401 – 1600
Materials: copper
Techniques: casting
Culture: inca
Location: peru
Writing Book (Eine Gute Ordnung und kurtze unterucht' [sic])
Object type: book ornament architectture
Date: 1538 – 1541
Techniques: etching, hand coloring
Artist: johann neudörffer the elder
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1563
De eerste eisch
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Subjects: torch, working class, labourers
Inscriptions: collector's mark: Lugt 2228

Richard Roland Holst vervaardigde deze prent bij het gedicht 'De eerste eisch' van Henriëtte Roland Holst-van der Schalk, dat zij schreef 'ter herinnering aan de meeting voor Staatspensioneering, den Haag 19 Sept. '97.'
Hoorn Waag-Groote Kerk en Jan Pieterzoon Coen
Object type: ansichtkaart, prentbriefkaart
Date: 1929 – 1933
Materials: cardboard
Techniques: photograph, writing
Location: hoorn
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, sculpture, hoorn (north holland)
Inscriptions: postage stamp
Onthoofding van Egmond en Horne, 1568
Object type: print
Date: 1568 – 1570
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: fernando álvarez de toledo (3rd duke of alba), brussels, earl, on the scaffold or place of execution, violent death by beheading

De onthoofding van Egmond en Horne op de Grote Markt te Brussel, 5 juni 1568. Horne knielt geblinddoekt, het lichaam van Egmond ligt onder een kleed. Terechtstelling op een schavot omgeven door soldaten van Alva. Met onderschrift van 8 regels in het Duits. Genummerd: 14. De prent maakt deel uit van een album.
Panel
Object type: textile
Date: 1775 – 1775
Materials: silk
Techniques: brocade, satin weave, weave
Location: lyon
Artist: philippe de lasalle
Artist role: designer
Artist nationality: french
Artist dates: 1723 – 1804
Hanging
Object type: hanging
Date: 1801 – 1900
Materials: textile, silk
Techniques: compound weave
Culture: chinese
Subjects: phoenix
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: birds,boats
Map of Saldanha Bay and immediate surroundings
Object type: drawing
Date: 1784 – 1784
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Inscriptions: annotation: ‘zie De Jong’

Ontsloten door middel van 9 afgebakende delen, aangeduid door de letters A t/m J (met gidskaart, voorzien van kompasroos met streken).
View to the North from Asuka Hill (Asukayama kita no chobo), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Het huisje bewoond door Czaar peeter de groten te Zaandam in het Jaar 1697 (...) - La maisonnette habitée par le Czar pierre le grand à Zaandam (...)
Object type: print
Date: 1824 – 1825
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: amsterdam
Subjects: peter i de grote (tsaar van rusland)
Inscriptions: inscription: ‘chez E: Maaskamp à Amsterdam’

Interieur van Tsaar Peterhuisje te Zaandam naar de scheepstimmerwerf, ca. 1824-1825. Onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden.
Aristides
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: male persons from classical history
Inscriptions: inscription: ‘152’

De houtsnede wordt gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 71r.
Portret van Bernard Germain de Lacépède
Object type: print
Date: 1814 – 1825
Materials: paper
Techniques: lithograph
Location: france
Artist: Anonymous
Subjects: politician, historical persons, politician, e.g. party leader
Studioportret van Piet Onnen
Object type: cabinet photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: pieter jan gerard onnen
Gezicht op een onbekend persoon op een akker
Object type: page
Date: 1872 – 1877
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, cultivated land, belgium
Inscriptions: inscription: ‘Bois de [...]’
Broadside with 48 scenes relating to the life of Juanito the Skinny one, or, the apprentice tailor
Object type: print
Date: 1860 – 1870
Techniques: engraving
Artist: antonio bosch
Artist role: publisher
Artist nationality: spanish
Artist dates: 1860 – 1880
Subjects: animals,buildings,girls,men,women
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1911
Materials: ink
Techniques: pen, printing, typewriting, writing
Location: paris
Artist: edmond sagot
Artist role: publisher
Artist dates: 1857 – 1917
Subjects: print maker, draughtsman, pieter dupont, the hague, philip zilcken, exhibition ~ art, printed matter
Inscriptions: collector's mark: ‘RPK’
Badge of the Society of Cincinnati, United States of America, from the World's Decorations series (N44) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: medals

Trade cards from the "World's Decorations" series (N44), issued in 1890 in a numbered set of 50 cards to promote Allen & Ginter brand cigarettes. Series N44 reproduces the cards from N30 in a larger size.
Amulet: Taweret
Object type: amulet, taweret
Date: 1390 – 1352
Materials: glass
Location: egypt
Subjects: taweret
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, part of thigh, knee, and calf of male?; Exterior, part of left foot; behind foot, unidentified object
Mannelijk naakt, ten halven lijve, neerziend
Object type: drawing
Date: 1868 – 1940
Materials: chalk, paper
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Monument in Lucknow voor gesneuvelde Europeanen in 1857-1858
Object type: page
Date: 1864 – 1874
Materials: photographic support
Techniques: albumen print
Location: lucknow
Artist: darogha ubbas alli
Artist role: fotograaf
Subjects: monument, statue
Inscriptions: number: ‘19’
't Stadhuys van Utrecht, daar het Congres tot een Generale Vreede door de gevolmagtigde is gehouden
Object type: history print
Date: 1712 – 1750
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: peace negotiations

De vredesonderhandelingen in de gebouwen van het oude stadhuis van Utrecht, begonnen op 29 januari 1712. Rechts op de achtergrond de Dom. Op de voorgrond de aankomst van de koetsen van de onderhandelaars bij de toegang tot het stadhuis.
Medea de tovenares
Object type: print
Date: 1692 – 1738
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: medea, witchcraft, sorcery
Inscriptions: collector's mark: Lugt 240
Portret van een meisje
Object type: photograph
Date: 1852 – 1852
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: anonymous historical person portrayed alone - bb - woman, netherlands
Vijver in het bos met badende naakte vrouwen
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: forest, wood, taking a bath - aa - in the open air, pond, pool (+ landscape with figures, staffage)
Inscriptions: check stamp: Lugt 4776, collector's mark: Lugt 2228a

Prent gebruikt voor: Les Peintres Vivants, 1852.
Spear
Object type: spear
Date: 1501 – 1900
Materials: silver, steel, wood
Culture: javanese
Location: indonesia
Portret van Marie Antoinette
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching, lithography
Subjects: vienna, paris, marie antoinette, adult woman, historical persons, queen
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
The Visitation, from The Life of the Virgin
Object type: print
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Kunstenaar zittend achter een schildersezel
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: artist at work, in his workshop

De man zit op een kruk en draagt een pak en hoge hoed. Op het doek voor hem is een kop te zien. Mogelijk een zelfportret. Blad 6 recto uit een schetsboek met 18 bladen.
Le moulin de Ruysdaeel
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: drypoint, etching
Location: france
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), watermill in landscape
Inscriptions: collector's mark: Lugt 12
Niigata in Echigo Province (Echigo Niigata), from the series "Wrestling Matches between Mountains and Seas (Sankai mitate zumo)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of foot type B with chamfer in between two reserve lines; graffito on the underside?
Portret van graaf Camillo Benzo di Cavour, Italiaans minister-president
Object type: carte de visite
Date: 1855 – 1861
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: politician, eyeglasses, spectacles, prime minister, historical persons, neck-gear ~ clothing, clothing for the upper part of the body, beard
Inscriptions: inscription: ‘Cavour’, address: ‘Boulevart des Capucines 3, Paris’

Onderdeel van Fotoalbum met 123 cartes-de-visite van leden van Europese vorstenhuizen, politici en bekende personen.
Blad uit de serie schoorstenen
Object type: ornament print
Date: 1520 – 1561
Materials: paper
Techniques: etching
Location: paris

Aan weerszijden van de mantel zit op de plaat een geboeide krijgsman bij wapens en vaandels. Uit een serie, bestaande uit een titelblad en 66 bladen met schoorsteenmantels, gedecoreerd met zuilen, hermen, cartouches, guirlandes en mascarons. Alle schoorsteenmantels zijn voorzien van haardijzers.