deem-data/ArtiFact huggingface dataset:
Portret van Sarah Siddons
Object type: photomechanical print
Date: 1863 – 1898
Materials: paper
Techniques: autotype
Location: paris
Subjects: london, historical persons, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228

Fotomechanische afdruk mogelijk uit een deel van: Reber, Franz von en Adolph Bayersdorfer. Klassischer Bilderschatz. München: Verlagsanstalt für Kunst und Wissenschaft.
Portret van een onbekende jonge vrouw
Object type: carte de visite
Date: 1911 – 1914
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed
Inscriptions: number: ‘4830’, address: ‘AMSTERDAM/ Kalverstraat 103.’
Vase (one of two)
Object type: vase
Date: 1734 – 1766
Materials: hard paste porcelain
Subjects: fruit,flowers
Portret van een staande vrouw met waaier in de hand
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: stroud
Artist: o.c. smith
Artist role: fotograaf
Subjects: historical persons - bb - woman, fan, standing figure - aa - female human figure
Inscriptions: inscription: ‘O. C. SMITH/ LANDSDOWN/ STROUD/ NEGATIVES KEPT - COPIES CAN ALWAYS BE HAD’
Matchlock Petronel
Object type: matchlock petronel
Date: 1570 – 1580
Materials: bone, steel, wood
Culture: french
Location: france

When aiming a gun of this type, the sharply curved end of the stock was pressed against the chest (poitrine in French), hence the name petronel. The inlaid decorations of bone, some tinted green, reflect German influence. Whereas plain, inexpensively made matchlock guns were the standard weapon of muskateers throughout the sixteenth and seventeenth centuries, richly decorated examples such as this one seem to have been made for noblemen, either for hunting or for target shooting.
Tinmijn te Merawang
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers
Inscriptions: inscription: ‘Erts waschen Mijn 14 Merawang’

Gezicht in een open tinmijn te Merawang op Banka. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
P.I.N. 6502 Roma, museo Vaticano. Apollo detto di Belvedere (scultura Greca)
Object type: photograph
Date: 1893 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Subjects: vaticaanse musea

Een marmeren beeld van Apollo Belvedere ook bekend als phyton Apollo.
Portret van Hendrik Herman van den Berg (Henk)
Object type: cabinet photograph
Date: 1898 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: spui
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: hendrik herman van den berg
Inscriptions: inscription: ‘M. Büttinghausen AMSTERDAM / Spui 15.’
Python ab Apolline interficitur
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: italy
Subjects: apollo shoots python, the dragon, (story of) apollo (phoebus)
Inscriptions: collector's mark: Lugt 240

Apollo schiet met pijl-en-boog op Python. Op de achtergrond de zonnewagen van Apollo met vier paarden. Titel in het Latijn in ondermarge.
Statuette
Object type: statuette
Date: 1601 – 1700
Materials: mud
Culture: chinese
Subjects: women
Weiland met koeien bij een sloot
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: cow, meadow, pasture, small canal, ditch
Inscriptions: annotation: ‘G80’

Blad 1 verso uit een schetsboek met 44 bladen.
Jurriaan Andriessen omhelst de meid uit 'de Zon'
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: etching, roulette
Location: amsterdam
Subjects: (lovers) embracing each other, 'symplegma'
Inscriptions: collector's mark: Lugt 240, inscription: ‘geoffreerd mijne neef de Hoog Ed Geb Heer JL v Dussen // Ploos v Amstel F’
Gezicht op een dorp aan het water
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: etching
Artist: alexander schaepkens
Artist role: draughtsman, print maker
Artist dates: 1815 – 1899
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), church (exterior)
Inscriptions: collector's mark: Lugt 2228

Langs de Maasoever loopt de stadsmuur. Op de wal de Wycker Kruittoren, afgebroken in december 1868, en de middeleeuwse Sint Martinuskerk, afgebroken in 1855.
Eenzijdig bankbiljet van 10 Kreuzer van het keizerrijk Oostenrijk
Object type: bank note
Date: 1860 – 1870
Materials: paper
Techniques: printing
Location: austria
Subjects: bank-note

Voorzijde: meertalig opschrift, waardeaanduiding, uitgiftedatum en signatuur tussen twee figuren op sokkels. Keerzijde: blanco.
Cloak
Object type: cloak
Date: 1840 – 1845
Culture: american
Twee ontblote mannelijke ruggen
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: charles messaz
Artist role: fotograaf
Artist dates: 1866 – 1928
Subjects: historical persons, back
Inscriptions: monogram: ‘C. Cie’
Runderen en varkens
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Op het eiland Marken
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: etching, intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: village
Inscriptions: collector's mark: Lugt 2228

De Wittewerf op het eiland Marken. Op de achtergrond de Havenbuurt.
Stad Utrecht, duit, 1723
Object type: coin
Date: 1723 – 1723
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: gekroond stedelijk wapenschild. Keerzijde: opschrift in twee regels, waaronder jaartal.
Card Number 204, Clara Want, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Fragment
Object type: fragment
Date: 1601 – 1700
Materials: silk
Subjects: horses
Peg tankard
Object type: peg tankard
Date: 1703 – 1704
Materials: silver
Artist: henry muston
Artist role: maker
Artist dates: 1703 – 1704
Forearm Defense (Vambrace)
Object type: forearm defense vambrace
Date: 1450 – 1470
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Profile of Daniel Chodowiecki
Object type: drawing and watercolor
Date: 1773 – 1773
Materials: graphite, paper, parchment
Location: switzerland
Artist: adrian zingg
Artist role: artist
Artist nationality: swiss
Artist dates: 1734 – 1816
Suit
Object type: suit
Date: 1775 – 1780
Materials: silk
Culture: british
Landsknecht Carrying a Barrel
Object type: drawing
Date: 1467 – 1566
Materials: ink
Techniques: brush, heightening, wash
Artist: georg lemberger
Artist role: artist
Artist nationality: german
Artist dates: 1490 – 1540
Subjects: men,barrels
Gezicht op de oude walmuur in de tuin van de Zusters onder de bogen te Maastricht
Object type: photograph
Date: 1898 – 1898
Materials: cardboard, photographic support
Techniques: albumen print
Location: zusters onder de bogen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: garden, city-walls
Inscriptions: annotation: ‘Oude walmuur (stadszijde)/ in de tuinen der Zusters onder de bogen te Maastricht (L.)/ oct 1898’, annotation: ‘Maastricht’
Inval van Lodewijk XIV in Gelderland
Object type: history medal
Date: 1699 – 1703
Materials: bronze
Techniques: striking
Location: paris
Artist: jean mauger
Artist role: medailleur
Artist dates: 1648 – 1722
Subjects: lodewijk xiv (koning van frankrijk), gelderland, rampjaar (disaster year)

Bronzen penning. Voorzijde: borststuk man (Lodewijk XIV) binnen omschrift. Keerzijde: Rijn en IJssel verschrikt door plotseling uitbrekend noodweer binnen omschrift.
Scarab with device of an antelope
Object type: scarab, antelope
Date: 1550 – 1500
Materials: stone
Techniques: glazing
Location: egypt
Subjects: animals,scarabs
Strook kloskant met hartvormige motieven tussen occiolini-lussen
Object type: strip
Date: 1900 – 1924
Materials: linen
Techniques: lace
Location: milan
Artist: Anonymous

Strook naturelkleurige kloskant: occhiolini. Het zich herhalende patroon bestaat uit drie omgekeerde hartvormige motieven in een rechthoekig veld dat wordt gevormd door een wirwar aan lussen. De lussen worden gevormd door een smal lint dat is geklost in linnenslag opengewerkte randjes aan één zijde en dat doorlopend over zichzelf heen kronkeld. De harten komen voort uit dit doorlopende lint en zijn deels gekost in linnenslag met een boogjesrandje buitenlangs en een siergrond aan de binnenkant met open steken en langwerpige spinnen in netslag. De lussen zijn met elkaar verbonden door inhaking op de plaatsen waar ze elkaar raken, enkele extra verbindingen zijn gemaakt met vlechtjes. De rechthoekige velden zijn met elkaar verbonden door een verticale kolom, gevormd door een zigzaggende vlecht en die met een haakje tussen de lussen van de opeenvolgende rechthoekige velden is bevestigd. Boven- en onderzijde van de strook zijn recht afgewerkt waarbij de onderzijde is voorzien van randje met vetergatslagen en vlechten dat is afgewerkt met een gepicoteerd boogjesrandje.
Terracotta fragment of a lekanis lid (covered dish)
Object type: lekanis lid fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

Unidentified subject; the underside is glazed
Victoria/Phaeton #485
Object type: drawing
Date: 1860 – 1860
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Flora geeft een krans
Object type: print
Date: 1501 – 1580
Materials: paper
Techniques: engraving
Location: mantua
Artist: giulio bonasone
Artist role: painter, print maker
Artist dates: 1510 – 1576
Subjects: vineyard, nymphs (in general); 'ninfe in commune' (ripa), (story of) flora
Inscriptions: collector's mark: Lugt 240

Flora geeft een krans aan een vrouw die voor haar geknield zit in een wijngaard. Ze worden omringd door verschillende figuren, onder wie Amor. Rechts een man en een jongen bij een boom. Op de voorgrond links ligt een nimf.
Twee mannen en een kale vrouw met schedel aan een door kaarsen verlichte tafel
Object type: print
Date: 1749 – 1799
Materials: paper
Techniques: etching
Location: bern
Subjects: (human) skull, baldness - aa - ~ women, dog, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Les Nouvelles de Marguerite, reine de Navarre. Bern: la nouvelle Société Typographique, 1780-1781.
Laadstok van een handwapen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: rammer
Date: 1700 – 1743
Materials: copper, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Hand weapon, ramrod; fragm of wood shaft, everted conical end fitted with copper band.
Panel (For a Bed Curtain)
Object type: textile
Date: 1601 – 1700
Materials: linen, textile, silk
Techniques: embroidery, weave, stitching
Location: patmos
Fragment of a Portrait Statue of a Man
Object type: sculpture
Date: 101 – 200
Materials: marble
Culture: roman
Location: roman empire
Subjects: portraits, mythological figures

Beginning in the 1st century A.D., it became increasingly popular among well-to-do Roman men to represent oneself in the guise of a Greek mythological hero. Such portraits, which typically paired a muscular, youthful body with a more mature, realistic portrait head, were intended to equate the individual’s achievements and admirable qualities with those of the favored hero. This statue likely alluded to the Greek hero Diomedes, who played a pivotal role in the Trojan War by stealing the Palladium, a wooden image of the goddess Athena thought to protect the city of Troy from danger.
Christ and the woman of Samaria among ruins
Object type: print
Date: 1634 – 1690
Materials: paper
Techniques: etching
Subjects: christ and the woman of samaria: sitting at jacob's well he asks her for a drink from her jug
Inscriptions: collector's mark: Lugt 240

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, two draped figures; Exterior, unidentified subject
Hamlet and the Gravediggers
Object type: drawing and watercolor
Date: 1843 – 1843
Materials: chalk, graphite, paper
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Inscriptions: Inscribed verso on mount, in blue ballpoint (by Winslow Ames): "Eugène Delacroix: 'Hamlet and the Gravediggers', final ddrawing for the / lithograph (in reverse) / of 1834 / A version of this drawing by Delacroix himself, with all the...(hallmarks?) of / tracing, bein in pencil on tracing paper, was dedicated to Liszt on the / mount; its dimensions, 28.7 x 21.7 cm., vary only slightly from this, / which is 28.4 x 19.9. The Liszt drawing was evidently given by L. to his / mistress Princess Sayn-Wittgenstein, for it tunred up in her sale (Pss / Carolyne S.-W., 1819-1889) sold bby Hirsch, Munich, 26 November 1921, No. 52.* / A preparatory study in red chalk for the man on the ground, right, and the / standing man, left, is in the Bonnat Collection, Bayonne, repro. In 'Dessins / del la Collection Léon Bonnat', deuxième année, 1925, plate 59. / Ex coll. Eugène Lecomte (sale Paris 11/13 June 1906?; also from /  sale of atelier Delacroix / * Delacroix's journal for 26 August 1855 shows that he met Princess Witt- / genstein, and that Liszt had asked Delacroix for a drawing for her. D. dined / with her on 28 August '55. The only other reference to Liszt in D's journal is a / quotation of L.'s obituary of Chopin. The present drawing is not in Robaut's/ list, but the tracing is iin Bötticher's suppleent to Robau, I, p. 216, no. 13."; at l.l.: "Kraushaar 1936 xscy".
Portret van Johann Friedrich Schleusner
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving
Artist: johann heinrich lips
Artist role: draughtsman, painter, print maker
Artist dates: 1758 – 1817
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Oudezijds Achterburgwal te Amsterdam
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: cornelis brandenburg
Artist role: print maker
Artist dates: 1884 – 1954
Subjects: urban housing, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228

Huizen aan, en een brug over, het water van de Oudezijds Achterburgwal.
Roasting Rack
Object type: roasting rack
Date: 1700 – 1800
Materials: iron
Rebus: Here Lies the Ancient Vendetta
Object type: print
Date: 1862 – 1862
Materials: ink, paper
Techniques: engraving, etching, printing, lithography
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Il est mort
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: paris
Subjects: burial
Portret van Johan Knopff
Object type: print
Date: 1600 – 1666
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, book, cross with symbol of christ on it, e.g. lamb
Inscriptions: collector's mark: Lugt 2228
Ontwerp voor een plafondschildering met apotheose van Liefde
Object type: design
Date: 1677 – 1755
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: (personifications and symbolic representations of) love; 'amore (secondo seneca)' (ripa) (+ abstract concept represented by female figure), (decorated) ceiling

Ontwerp voor een plafondschildering: apotheose van Liefde, in de andere vakken allegorische vrouwenfiguren.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of round shield with an octopus as a shield device
Twaalf maanden
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving
Location: france
Artist: etienne delaune
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1519 – 1583
Subjects: july and its 'labours', leo (zodiacal sign of july)
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een twaalfdelige serie van de twaalf maanden met tekens van de dierenriem, in ovale vorm. In de collectie van het Rijksmuseum bevindt zich de complete serie.
Half Model of a Gunboat
Object type: ship model
Date: 1400 – 1950
Materials: wood
Location: unknown
Artist: Anonymous
Subjects: ship-model (+ propulsion of vehicle, ship, etc. by wind)

Halfmodel van een zeilkanonneerboot (spanten en centen) met twee masten.
Portret van Philippe de Comines
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: engraving
Artist: cornelis martinus vermeulen
Artist role: print maker
Artist dates: 1644 – 1709
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Godefroy, Denis. Memoires de messire Philippe (...). Brussel: Francois Foppens, 1723.
Landschap met een kasteelruïne
Object type: sketchbook leaf
Date: 1805 – 1859
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: city-view, and landscape with man-made constructions, ruin of a dwelling, house, castle, etc.
Inscriptions: date and inscription: ‘gekocht in München / 1858 / J. Tavenraat / zür Cleve - Rotterdam/ 2 Brüder bei Dornhofer a/R/ 29. Mei 59-’

Voorste schutblad uit een schetsboek met 48 bladen.
Pardon Granted to the Cairo Rebels
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
The Nativity (copy)
Object type: print
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: angels,virgin mary,jesus,nativity
Portret van Charlotte Hooykaas van der Linden
Object type: carte de visite
Date: 1861 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons, amsterdam
Inscriptions: workshop stamp: ‘A. Greiner/ Photograaf/ Nieuwendijk L. 89, Amsterdam’, annotation: ‘Lot Hoogkaas v.d. Linden’
Journal des Luxus und der Moden, 1795
Object type: fashion print
Date: 1795 – 1795
Materials: paper
Techniques: etching, hand coloring
Location: weimar
Subjects: fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), necklace (+ women's clothes), belt, girdle, waistband (+ women's clothes)

Vrouw in een gestippelde japon met driekwart mouwen en sleepje. Het lange gekrulde haar is versierd met een lint en struisveren. Accessoires: collier bestaande uit twee snoeren, om het middel een breed lint (ceintuur) gestrikt, vouwwaaier. Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Trade Card for Whiting & Branston, Engravers & Printers
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Blad met ruitenpatroon met bladmotief
Object type: printed paper
Date: 1750 – 1950
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760
Campaign Button
Object type: campaign button
Date: 1876 – 1876
Materials: porcelain
Culture: american
Location: united states
Artist: union porcelain works
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1922
Subjects: men,profiles
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: angular painter
Artist role: artist

Interior, meander; Exterior, lower body, drapery, and feet of woman; right foot of figure with stick
Gezelschap aan boord van de S.S. 'Van Rensselaer'
Object type: photograph
Date: 1906 – 1924
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, adult man, travelling; tourism

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Needle, netting
Object type: needle, netting
Date: 7000 – 330
Materials: bronze