deem-data/ArtiFact huggingface dataset:
Stucco Fragment
Object type: fragment
Date: 701 – 1200
Materials: plaster
Techniques: carving
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prom
Nine Tiles
Object type: tile
Date: 1301 – 1400
Materials: earthenware
Techniques: glazing
Culture: french
S. Jean Climaque, abbé (St. John Climaticus, Abbot), March 30th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Partial statuette probably depicting a young boy
Object type: statuette, young boy
Date: 3100 – 2650
Materials: ivory
Location: egypt
Subjects: boys
Portret van Filips III de Schone
Object type: book illustration
Date: 1661 – 1663
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: bruges, filips de schone (hertog van bourgondië), knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 240

Busteportret van Filips III de Schone, met baret. Hij draagt een mantel en een keten met de Orde van het Gulden Vlies. Het portret is gevat in een boogvormige omlijsting met vierkant randwerk en een motto in het Latijn. In de marge het wapenschild van de geportretteerde en een zesregelig onderschrift in het Frans. Prent uit een boek waarin 54 prenten met portretten.
Portret van Johan Briedé
Object type: print
Date: 1906 – 1945
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: rotterdam, amsterdam, print maker, draughtsman, johan briedé, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Portret van Karl Friedrich Vollrath Hoffmann
Object type: print
Date: 1811 – 1844
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Guillaume Dupuytren
Object type: print
Date: 1826 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, barber; surgeon
Landschap met een weg die zich om twee bomen buigt
Object type: print
Date: 1812 – 1832
Materials: paper
Techniques: etching
Location: hamburg
Artist: andré paul de beurs-stiermans
Artist role: print maker
Artist dates: 1802 – 1832
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2228
View of the Temple of Bacchus, now the church of S. Urbano, two miles distant from Rome, beyond the Porta S. Sebastiano, from Views of Rome
Object type: print
Date: 1750 – 1759
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778

The temple depicted in this etching was built in the 2nd century A.D. by the Greek aristocrat Herodes Atticus and originally dedicated to the fertility goddess Ceres. During the 9th century, it was converted into a Christian church to honor Saint Urban, a 3rd-century pope. By the time Giovanni Battista Piranesi drew it, the temple had withstood various centuries of abandonment before being restored in 1634. In the print, part of an enclosing wall is visible on the side of the temple. This wall has since disappeared. The church is now the property of the Roman government and was reopened for worship in 2005.
Waterraden
Object type: sketchbook leaf
Date: 1780 – 1800
Materials: paper, pencil, watercolor
Techniques: brush
Subjects: watermill

Blad 4 recto uit een schetsboek met 25 bladen.
Het Damrak met beurtschip. Amsterdam. Vue du canal dit Damrak.
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: freight vessel, canal, prospect of city, town panorama, silhouette of city, amsterdam
Miquelet Pistol
Object type: miquelet pistol
Materials: gold, ivory, leather, niello, silver, steel
Culture: caucasian
Location: circassia

The barrel is signed in both Russian and Arabic, suggesting that the pistol was made in Tbilisi in Georgia or Circassia, which were then under Russian control. Kubachi, the other major armsmaking center in the Caucasus, did not fall under Russian domination until the 1860s.
Hector lying on his funeral pyre
Object type: relief
Date: 1801 – 1900
Materials: marble
Artist: giovanni maria benzoni
Artist role: artist
Artist nationality: italian
Artist dates: 1809 – 1873
Subjects: sadness,children,men,women,funerals,death

One of four panels (99.9c–f) that originally decorated the sides of the marble pedestal of 99.9a, b, Hector and Andromache. This relief, the third relief of the sequence, derives from Homer's Iliad XXIV, 780-87.
Fotoreproductie van een schilderij met een vrouw die een paard voedt
Object type: carte de visite
Date: 1865 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, horse
Scenes from the Lives of Jacob and Joseph: Joseph interprets the Pharaoh’s dream
Object type: panel
Date: 1601 – 1700
Subjects: kings,men,women
Beleg van de Citadel van Antwerpen
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: draughtsman, print maker
Artist dates: 1804 – 1860
Subjects: firearms (with name), siege, position war, the soldier; the soldier's life

Soldaat bezig met het afschieten van een mortier in een ingegraven stelling. Onderdeel van de serie van 24 prenten over het beleg van de Citadel van Antwerpen, 30 november - 23 december 1832.
Ex libris van H.K. Frech
Object type: bookplate
Date: 1893 – 1945
Materials: paper
Techniques: hand coloring, printing block
Location: bratislava
Subjects: magic, supernaturalism, occultism, zodiac; the twelve zodiacal signs together, the all-seeing eye, triangle with eye ~ symbol of god the father
Inscriptions: signature: ‘K. Frech’, workshop stamp: ‘Karl Frech/ Maler-Graphiker/ Bratislava - Pressburg Simonyi Ivan Rad.’
Wine Glass
Object type: glass
Materials: glass
Techniques: glassblowing, cutting, engraving, stain
Location: bohemia
Twee modellen met geborduurde jassen en mutsen van de Wiener Werkstätte
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: fashion plates, head-gear: cap, coat, cape
Inscriptions: inscription, number: ‘87’
Morning, or, the Man of Taste
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: food,satire,men,women,dining,servants

A middle aged couple sit at a table next to a screen. The woman raises her hands as a servant brings in a dead duck and a lobster. A second servant carries in plates of pancakes at right.
Maaltijd in Emmaüs
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hans witdoeck
Artist role: print maker
Artist dates: 1615 – 
Subjects: flying mammals: bat, the supper at emmaus: christ is recognized while blessing or breaking the bread, ornamental birds: parrot
Inscriptions: collector's mark: Lugt 240

Christus en twee apostelen zitten rond een tafel in een herberg. Christus breekt het brood en maakt zo zijn identiteit bekend. De apostelen reageren geschokt. Boven de tafel een papegaai. Op de achtergrond een landschap en een vleermuis die door de lucht vliegt.
Halle, XIVe Siècle
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: townhall
Inscriptions: inscription: ‘HALLES. - PL. 1.’, inscription: ‘HALLE de Malines (...)’, monogram: ‘JJvY’
Bastet
Object type: figure, bastet
Date: 664 – 630
Materials: bronze, metal
Techniques: inlay
Location: egypt
Subjects: goddess

Bastet, here shown as a cat-headed goddess, was a powerful protective figure who also was known for her fertility. She could be represented with a lion head as well, but as a cat-headed goddess her peaceful traits were emphasized. Her personal adornments and garments are elaborate on statuettes, often more so than other goddesses, and she usually carries numerous attributes. This figure likely once held at least two separately-attached attributes, probably an aegis against her chest and a sistrum in her other hand. Her dress has an elaborate striped pattern with alternating dotted and lined bands. Bastet does not always wear a decorated dress, but it is much more common for her than for other goddesses. The patterning highlights its craftsmanship and quality; also, as some have suggested, the vertical banding may recall the striped fur of a cat. Great attention to detail and color was lavished on this figure. Inlays are still visible in Bastet’s eyes, and alternating rows of precious metal and black bronze inlay form her broad collar. Also special to this piece is the base; rather than an inscription or blank register, as on most statuettes, this base bears a pattern of repeated lotus blossoms and buds. Bastet’s main cult center was at Bubastis in the Delta, where thousands of cat mummies and a large number of cat statuettes were discovered. Her cult extended far beyond Bubastis, however, and statuettes of this goddess, as a cat or cat-headed, were among some of the most popular dedications of the Late and Ptolemaic Periods.
Portret van Wilhelmina, koningin der Nederlanden
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: photoaquatint
Location: berlin
Artist: richard kameke
Artist role: fotograaf
Artist dates: 1847 – 1898
Subjects: the hague, print maker, wilhelmina of the netherlands
Inscriptions: date

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Vue générale de la halle aux machines, du pont, du Congo et du musée
Object type: page
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: world fair, world exhibition, façade (of house or building)
Handelsetiket van een lakenfabriek te Brussel
Object type: business card
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: trade-company, materials ~ textile industry, textile fabric, cloth, brussels
Inscriptions: collector's mark: Lugt 1641, stamp

Een man toont een stapel stoffen aan kooplieden. Op een van de stukken laken het monogram CWD. Midden boven een wapenschild met Christus aan het kruis. Onderaan een medaillon met een koets. Achter het medaillon een stadspanorama. Mogelijk de stad Brussel. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Koophandel, Veilingen, Makelaardij en Verzekeringswezen, Oude adreskaarten van winkels en fabrieken, reclame.
Satirische voorstellingen van koddige figuren
Object type: popular print
Date: 1730 – 1730
Materials: paper
Techniques: woodcut
Location: netherlands
Subjects: caricatures (human types), monsters of mixed human and animal shape; 'mostri' (ripa)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ook afdruk bekend met tekst in boekdruk, zie hiervoor RP-P-OB-30.881.
Miniature limestone amphora (jar)
Object type: vase
Date: 1200 – 1100
Materials: limestone
Culture: cypriot

Wide mouth, two handles and geometric ornament.
Naakte man die een fluit bespeelt
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: flute, aulos, tibia, man (showing himself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 5i, collector's mark: Lugt 2228

Op de achtergrond een orgel en een gebouw met torens.
Vignet van de rederijkerskamer 'Trouw moet blyken' te Haarlem
Object type: print
Date: 1741 – 1795
Materials: paper
Techniques: woodcut
Location: haarlem
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: chamber of rhetoric (dutch: 'rederijkerskamer'), vignette, water-birds: pelican
Inscriptions: collector's mark: Lugt 2228

Een pelikaan met vier jongen in haar nest.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Three black glazed fragments from kylikes
Verklaring van voorstellingen op de prent 'Wet des Heeren'
Object type: print
Date: 1820 – 1899
Materials: paper
Techniques: letterpress printing
Subjects: the book exodus: story of moses and aaron
Inscriptions: collector's mark: Lugt 2228

Verklaring van de voorstellingen op het blad 'Wet des Heeren' (RP-P-1905-6755).
The Yugao Chapter from "The Tale of Genji" (Genji Yugao), from a series of Genji parodies
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Kinderen blazen tegen een boot in een teil
Object type: print
Date: 1830 – 1838
Materials: paper
Techniques: lithograph
Location: paris
Subjects: child playing with animals, (playing with) toys
Inscriptions: collector's mark: Lugt 2228a
Broche 'Bij'
Object type: lapel pin
Date: 1942 – 1953
Materials: gold
Location: amsterdam
Artist: Anonymous
Inscriptions: : ‘HH2’, alloy mark: ‘eikenblad’

Broche of reversspeld 'Bij', in twee kleuren goud. Samen met de pendant 'Bloem' staan de twee spelden symbool voor de geboortegolf na de Tweede Wereldoorlog. Het roodgouden hart van de bloem is hetzelfde als de kop van het insect. Het is echter onwaarschijnlijk dat de broches samen tegelijkertijd werden gedragen. De bij heeft een kanonsluiting.
Foto
Object type: photograph
Date: 1905 – 1905
Materials: paper
Techniques: photography
Artist: edwin hale lincoln
Artist role: fotograaf
Artist dates: 1848 – 1938
Scarabs from Hatshepsut Foundation Deposits
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

During the 1926-1927 excavation season, the Museum's Egyptian Expedition uncovered three foundation deposits along the eastern enclosure wall of Hatshepsut's funerary temple at Deir el-Bahri in Western Thebes. Among the contents were 299 scarabs and stamp-seals. Sixty-five of these are now in the Egyptian Museum, Cairo, and the rest were acquired by the Museum in the division of finds. Among the inscriptions on the bases of these scarabs and seals are examples of every title Hatshepsut held, from the time she was "king's daughter" during the reign of her father, Thutmose I; through the time she was queen of her half-brother, Thutmose II; and during her co-reign with her nephew/step-son, Thutmose III. Thirteen of the scarabs (27.3.199 to 27.3.212) are inscribed with various writings of the extended form of Hatshepsuts personal name, Hatshepsut-united-with-Amun, which sometimes appears, enclosed in a cartouche, as the last element of her titulary as king. By adopting this name, Hatshepsut links herself to the powerful god Amun of Thebes, whom she claimed as her father.
Court Cupboard
Object type: furniture
Date: 1660 – 1660
Materials: iron, wood
Location: england
Subjects: display, banquet, buffet, cupboard, england, english

From the medieval period to the seventeenth century, prosperous households used short, tiered cupboards or sideboards of this kind for the display of silver, ceramics, brass, or pewter. The name comes from the French word for court—meaning small—and was likely used to distinguish this kind of object from larger cupboards used to store linens and other household goods.

Most court cupboards used principles of classical architecture—particularly columns—to organize the tiers. This one is more unusual with its additional play of ornament and polygonal base and shelves that break forward with several drawers hidden in the moldings.
Parasol
Object type: parasol
Date: 1867 – 1900
Materials: cotton, metal, silk, wood
Culture: american or european
Bonaparte reviving the city of Lyon
Object type: drawing
Date: 1800 – 1804
Materials: chalk, gouache, ink
Techniques: brush, heightening, pen, wash
Artist: pierre henri revoil
Artist role: artist
Artist nationality: french
Artist dates: 1776 – 1842
Gezelschap bij schouw
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Portret van een jonge man met vlinderstrik
Object type: carte de visite
Date: 1872 – 1872
Materials: cardboard, photographic support
Techniques: albumen print
Location: prague
Artist: j. tomáš
Artist role: fotograaf
Subjects: historical persons, youth, adolescent
Inscriptions: annotation: ‘v. Praze 18 15/8/ 72’, inscription: ‘J. TOMÁŠ/ fotograf a techn. lucebnik/ sv. Vacslavske námesti/ v/ PRAZ/ cislo/ Fotograf u. techn. Chemikrn/ St. Wenzels Platz/ in/ PRAG/ Nro/ 7./’
Niobes liberi sagittis ab Apolline et Diana conficiuntur
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: apollo and diana kill niobe's children
Inscriptions: collector's mark: ‘Hinloopen’

Apollo en Diana, beiden met pijl-en-boog, doden de kinderen van Niobe. Verschillende kinderen liggen dood op de grond, anderen proberen te vluchten. Titel in het Latijn in ondermarge.
Portretten van Johann I, Rafael en Aegidius Sadeler
Object type: book illustration
Date: 1764 – 1764
Materials: paper
Techniques: etching
Artist: jan l admiral
Artist role: draughtsman, print maker
Artist dates: 1699 – 1773
Subjects: antwerp, prague, draughtsman, aegidius sadeler (ii), brussels, venice, johann sadeler (i)
Inscriptions: collector's mark: Lugt 2228

Prent opgenomen in: Mander, Karel van; Jongh, Jacobus de (vert.). Het leven der doorluchtige Nederlandsche en eenige Hoogduitsche schilders. Amsterdam: Steven van Esveldt, 1764.
Aprilfeesten 1887: aankomst van de stoet op de Dam
Object type: photograph
Date: 1887 – 1887
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: brussels, willem iii (koning der nederlanden), public festivities on the occasion of royal events, palace, piece of sculpture, reproduction of a piece of sculpture, royal palace of amsterdam, amsterdam

Aankomst van de stoet op de Dam. Onderdeel van een ensemble bestaande uit zes losse foto's, een titelblad en vijf tekstbladen. Naar aanleiding van de Aprilfeesten gevierd te Amsterdam op 13 april 1887, ter gelegenheid van de 70e verjaardag van koning Willem III. Uitgegeven ten voordele van het Genootschap Liefdadigheid naar Vermogen.
Ex libris van Gambini
Object type: bookplate
Date: 1930 – 1950
Materials: paper
Techniques: linocut
Location: italy
Artist: iörg gambini
Artist role: print maker
Subjects: print maker, iörg gambini, symbols, allegories of peace, 'pax'; 'pace' (ripa), trees: palm-tree
Portret van een vrouw, mogelijk Behenda Reynolds
Object type: photograph
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: name: ‘[Behenda] Reynolds’
Sculptuur van Narcissus in het Museo Archeologico Nazionale te Napels
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: (story of) narcissus, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: ‘VOSMAER’
Teapot
Object type: teapot
Date: 1790 – 1800
Materials: silver
Culture: american
Location: united states
Artist: daniel van voorhis
Artist role: maker
Artist nationality: american
Artist dates: 1751 – 1824
Portret van Antonio van Diemen
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving
Subjects: colonial governor, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 964

Prent met tekst op verso gebruikt in: Bois, J.P.J. du. Vies des gouverneurs generaux, avec l'abrege de l'histoire des etablissemens Hollandois aux Indes orientales. Den Haag: Pieter de Hondt, 1763, dl. 17.
Schepping van de wereld
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan harmensz. muller
Artist role: draughtsman, print maker
Artist dates: 1571 – 1628
Subjects: gathering of the waters below the firmament; dry land appears and produces all kinds of plants

De derde scheppingsdag: een engel scheidt het land van het water van de zee. Het land wordt voorgesteld als een naakte man met een wortel in zijn hand en met een hoofdtooi van planten, bomen en bloemen. De zee wordt gepersonifieerd door een vrouw met schelp in de hand en schelpen in haar haren. Naar de Bijbeltekst in Gen. 1:9-13.
Portret van Ludwig Wilhelm Gilbert
Object type: print
Date: 1824 – 1836
Materials: paper
Techniques: stippling
Location: berlin
Subjects: physicist, historical persons
Inscriptions: collector's mark: Lugt 2228
Box with portrait of a woman
Object type: box, painting
Date: 1775 – 1781
Materials: gold, ivory, shell
Artist: jean-baptiste jacques augustin
Artist role: artist
Artist nationality: french
Artist dates: 1759 – 1832
Subjects: portraits,women

The miniature is set in the lid of a tortoiseshell box with gold mounts; the sides and bottom of the box are painted blue with gold stars. The box bears the Paris discharge mark for 1775–81 and the French mark for small imported work, 1838–64. The discharge mark indicates that the miniature was painted at least nine years later than the completion of the box; the second mark shows that the box had been exported from France and was reimported around the middle of the nineteenth century. A somewhat similar miniature of a woman with a tricolored belt, signed and dated 1790, is in the Musée du Louvre.
Calvinus
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: genève, theoloog, hervormer, johannes calvijn

Portret van Johannes Calvijn uit een serie portretten in Historie der Kerken en ketteren van den beginne des Nieuwen Testaments tot aan het jaar onses Heeren 1688 van Godfried Arnold (1701).
Gezin met een ziek kind bij de dokter
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: etching
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: physician, doctor, hourglass, (human) skeleton
Inscriptions: collector's mark: Lugt 1485, annotation: ‘Il n y a que 2 épreu[ves] de cet état’, collector's mark: Lugt 2228
Portret van bisschop Pierre de Marca
Object type: print
Date: 1605 – 1663
Materials: paper
Techniques: engraving
Location: paris
Subjects: bisschop, pierre de marca
Inscriptions: collector's mark: Lugt 240