deem-data/ArtiFact huggingface dataset:
Gracie Wilson, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Philip H. Calderon, R.A.
Object type: photomechanical print
Date: 1877 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: painter, portrait, self-portrait of painter, historical persons (portraits and scenes from the life) (+ (full) bust portrait)
William Swanson, matroos, 1944
Object type: photograph
Date: 1944 – 1944
Materials: photographic support
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: william swanson
Inscriptions: inscription: ‘PHOTOFRAME / T.M. REG U.S. PSAT. OFF. / PATENT PENDING / Taken by the Photomatic / T.M. REG. U.S. PSAT. OFF. / SEE PATENTS LISTED ON / OUR DAYLIGHT LOADING MAGAZINE / MADE IN U.S.A. / INTERNATIONAL MUTOSCOPE / CORPORATION / NEW YORK CITY’

Photomatic, portret met hoofddeksel naar rechts.
Portret van de vrouw van Wilhelmus Johannes Steenhoff, lezend aan een tafel
Object type: drawing
Date: 1873 – 1932
Materials: chalk, paper
Artist: wilhelmus johannes steenhoff
Artist role: draughtsman, print maker
Artist dates: 1863 – 1932
Subjects: reading, historical persons
Waist
Object type: waist
Date: 1855 – 1865
Materials: linen
Culture: american
Salver
Object type: salver
Date: 1740 – 1740
Materials: silver
Culture: american
Location: united states
Artist: simeon soumaine
Artist role: maker
Artist nationality: american
Artist dates: 1685 – 1750
Tornacum
Object type: area plan
Date: 1612 – 1648
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial)
Inscriptions: collector's mark: Lugt 2228

Deze staat van prent voor het eerst ook gebruikt in: Guicciardini, Lodovico. Beschryvinghe van alle de Neder-landen, anderssins ghenoemt Neder-Duytslandt (…). Amsterdam: Willem Janszoon Blaeu, 1612.

Hierna is deze prent tot 1648 nog gebruikt in latere uitgaven van deze publicatie, uitgegeven door Blaeu en daarna door Janssonius. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Drie lopende naakte mannen
Object type: sketchbook leaf
Date: 1658 – 1728
Materials: ink, paper, pencil
Techniques: pen
Artist: Anonymous
Subjects: the (nude) human figure; 'corpo humano' (ripa), walking
Inscriptions: annotation: ‘f f’

Tevens een studie van een voorovergebogen naakte man. Blad 12 verso uit een schetsboek met 33 bladen.
Portret van Lambert Bidloo
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: lambert bidloo, pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, historical persons, writer, poet, author
Ragged peasant with his hands behind him, holding a stick
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: collector's mark: Lugt 240
Schilderijlijst
Object type: frame
Materials: wood
Techniques: gilding
Location: the hague
Artist: hendrik ebbens
Artist role: lijstenmaker
Artist dates: 1726 – 1807

Rechthoekig verguld kader waarin een ovaal is uitgespaard. De buitenrand versierd met een parelrand, daarbinnen een rand met touwmotief, daarbinnen een zigzagrand. In de hoeken een rozet. Aan de bovenregel en onderregel een uitstekende rand met de namen van de vervaardiger en de voorgestelde.
Vier soldaten verdelen een buit
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: etching
Location: paris
Subjects: purse, money-bag, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie van ten minste twaalf prenten met voorstellingen van soldaten.
De heilige Bruno
Object type: print
Date: 1620 – 1668
Materials: paper
Techniques: engraving
Location: liège
Subjects: the founder of the order of the carthusians, bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s), book - mm - book open, altar with altar-piece, the beheading of john the baptist
Inscriptions: collector's mark: Lugt 240

De heilige Bruno, stichter van de orde van de kartuizers, knielt voor een verschijning van een crucifix in de hemel. De crucifix is gevat in een met bladeren versierde monstrans en wordt omringd door zeven sterren. Engelen en putti aanbidden op de wolken het kruis. Bruno zit geknield voor een tombe en voor hem liggen een mijter en een staf, palmbladeren en een schedel. Op de achtergrond knielt Bruno voor een altaar met een afbeelding van de onthoofding van Johannes de Doper. Rechtsachter leest Bruno staande uit een boek. Onderaan in de marge de opdracht in het Latijn.
Fotoreproductie van een schilderij, voorstellende de geseling van Christus
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Portret van Leopold II van Toscane
Object type: print
Date: 1824 – 1859
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: rome, historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Jar
Object type: jar
Date: 1201 – 1400
Materials: glaze, stoneware
Culture: chinese
The British Gallery of Contemporary Portraits
Object type: print
Date: 1802 – 1810
Materials: paper
Techniques: etching, roulette, engraving
Location: london
Subjects: priest, priest (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228
Inlay, square, floral design
Object type: inlay, square, floral design
Date: 1 – 300
Techniques: mosaic glass
Location: egypt
Subjects: flowers

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards.
Johan van Oldenbarnevelt op het schavot, 1619
Object type: history print
Date: 1747 – 1759
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: the hague, johan van oldenbarnevelt, maurice (prince of orange), on the scaffold or place of execution, violent death by beheading

Gebruikt als illustratie in: Jan Wagenaar, Vaderlandsche historie, I. Tirion, Amsterdam 1749-1759, 21 delen. De onder de nummers FMH 1394a en 1394b door Muller beschreven platen zijn niet verschillende staten van dezelfde plaat, maar twee verschillende platen.
Congres van Aken, ter ere van Alexander I, tsaar van Rusland
Object type: history medal
Date: 1818 – 1818
Materials: bronze
Techniques: striking
Location: netherlands
Artist: auguste francois michaut
Artist role: sculptor
Artist dates: 1786 – 1879
Subjects: alexander i (tsaar van rusland)

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift onder weegschaal in evenwicht tussen siermotieven
Preacher, from the Dance of Death
Object type: print
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: skeletons,crowd

The Preacher; he stands in a pulpit on the left with a congregation part standing, part seated; Death is also preaching behind; after Holbein
A Group of Standing Monks and other Figures
Object type: drawing
Materials: ink
Techniques: pen
Artist: jan lievens
Artist role: artist
Artist nationality: dutch
Artist dates: 1607 – 1674

This outstanding, large sheet by Jan Lievens is one of the rare figure studies by the artist whose drawn oeuvre is composed mostly of landscape and portrait drawings. Lievens, probably best known as Rembrandt’s early studio mate, spent a good deal of his career beyond the city of Amsterdam, in London, Antwerp, The Hague, and Dusseldorf and his peripatetic life is reflected in the diverse sources of inspiration and the demands of varied patronage that can be observed in his work. His varied subjects and styles have led to the artist’s drawings often eluding correct attribution. An 18th-century attribution to Agostino Carracci is inscribed on the mount of this drawing, however, the loose handling of the pen here relates stylistically to drawings by Lievens including a sheet of figures and head studies in the Kunstmuseum Dusseldorf and a sheet with a river god in a private collection. The nature of the group that Lievens depicted here remains a mystery. It seems to be a gathering of monks with two Franciscans at the front but the tall hat in the right background, out of place among the religious figures, suggests that, instead of showing a contemporary scene, the representation could be a study for a historical subject or even something theatrical, as Rembrandt also rendered in a number of drawings.
Eight album leaves from a miniature album
Object type: album leaf
Date: 1736 – 1795
Materials: ink, paper
Culture: chinese
Artist: prince cheng yongxing
Artist role: artist
Subjects: landscapes
Bowl (part of a service)
Object type: bowl
Date: 1743 – 1759
Materials: soft paste porcelain
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: men,horses

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Masquerading
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Vessel
Object type: vessel
Date: 668 – 1000
Materials: ceramic
Culture: parthian
Location: northwestern iran
Subjects: animals
Heuvellandschap met antieke bouwwerken
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: aquatint
Location: karlsruhe
Subjects: low hill country (+ landscape with figures, staffage)

Prent uit: Haldenwang, Christian. 6 Landschaftliche Entwürfe nach Wehle in Aqua tinta geätzt vom C. Haldenwang. Karlsruhe: Franz Nöldeke, [1804].
Zensei hana shobu no zu
Object type: triptych
Date: 1805 – 1858
Materials: paper
Techniques: woodcut
Location: japan
Subjects: flower-bed
Inscriptions: date

Drie vrouwen, wandelend bij avond langs bloeiende irissen, waarachter theehuizen.
Saucer with a flowering plant in a scalloped medallion and four prunus sprays
Object type: platter
Date: 1680 – 1720
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

Schotel van porselein met geschulpte wand en rand, beschilderd in onderglazuur blauw en op het glazuur rood en goud. Op het plat een bloeiende plant in een geschulpt medaillon; de wand met vier prunustakken. Gemerkt op de onderzijde met een zegelmerk in een dubbele cirkel. Een barst in de rand. Melk en bloed.
L'abbé de la Mennais
Object type: print
Date: 1846 – 1848
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, priest, historical persons
Inscriptions: collector's mark: Lugt 2228
Ingang van Hotel Washington
Object type: photograph
Date: 1900 – 1940
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: hotel, hostelry, inn

Onderdeel van Album met foto's van spoorwegen in Nederlands-Indië en prentbriefkaarten.
Fan
Object type: fan
Date: 1701 – 1800
Materials: ivory
Subjects: men,women,ships
An Interrupted English Dinner Party at Paris from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
Object type: print
Materials: paper, steel
Techniques: printmaking, etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Design for an Interior Wall Decoration of a Palazzo with Two Doorways and a Decorated Panelling with Trophies
Object type: drawing
Date: 1701 – 1800
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: doorways,trophies
Embuutu
Object type: embuutu
Date: 1801 – 1900
Materials: wood
Culture: ugandan
Location: uganda
Artist: ganda
Artist role: maker
Fragment
Object type: fragment
Date: 1650 – 1650
Techniques: lace
Losse fragmenten van prenten van de grote Hercules
Object type: print
Date: 1589 – 1596
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: (story of) hercules (heracles)

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Shesha Narayana
Date: 1900 – 1915
Materials: varnish
Techniques: lithograph
Culture: indian

Vishnu, here referred to by his epithet Narayana, aroused from his slumber on the divine serpent Shesha is one of the great creation myths of Brahmanism. Here the artist Ravi Varma has reinvented the narrative, displaying an enthroned Vishnu, seated regally with his two consorts, Lakshmi and, depending on the tradition being followed, the Earth goddess Bhudevi, or Sarasvati. All are depicted as young and beautiful, and richly dressed and bejeweled, the colors of their robes reflected in the shimmering waters before them. The throne that they share is formed by the body of the serpent Sesha and the five-hooded head arching behind to form a royal canopy. Vishnu displays his four insignia, the discus, conch, club and lotus. This is one of a series of large scale images of divinities that the artist Ravi Varma produced at his lithographic press studio near Karla, Lonavla in the Western Ghats that consolidated his position as the leading artist in this genre at the beginning of the 20th century.
Head of a Bearded Elder
Object type: bust
Date: 1768 – 1768
Materials: marble
Artist: augustin pajou
Artist role: artist
Artist nationality: french
Artist dates: 1730 – 1809
Subjects: heads,men,portraits

The precise meaning of this bristling elder remains to be determined. Suggestions for his identity have ranged from Aristotle to Moses to a retired pugilist. The work fits within the French academic tradition of modeling heads to express various passions, but which could this belligerent character personify? Barely controlled rage, perhaps, but what does the mantle connote? The ancient marbles that are most like the head in conveying crossness and contempt represent philosophers of the Cynic school, but they do not wear mantles. In the end perhaps the main subject is the model himself, no doubt an Italian; during and after his study years in Italy (1752-56), Pajou drew and modeled similar types, aged but vigorous, hirsute and ornery. Our head, carried out with canny asymmetrical adjust- ments of the clay, is the most mesmeriz- ing of these exercises. Unrecorded until it was auctioned last year in Paris, it was totally unknown to the authors of the Museum's 1998 "Augustin Pajou" exhibition but will figure in next year's "Playing with Fire: European Terracotta Models, 1740 to 1840."
Coat of arms
Object type: panel
Date: 1824 – 1830
Materials: wood
Techniques: gilding, painting
Subjects: flowers,coat of arms

The arms on the medallion are probably those of Louis Antoine d'Artois, Duc d'Angoulême (1775–1844) above, and his wife, Marie-Thérèse-Charlotte de France (1778–1851) below.
Monks in the Cloister of the Church of Gesù e Maria, Rome
Object type: painting
Date: 1808 – 1808
Materials: canvas, oil
Artist: françois marius granet
Artist role: artist
Artist nationality: french
Artist dates: 1775 – 1849
Subjects: cloisters,churches,monks,rome

This painting was first exhibited at the Paris Salon of 1808. It combines an appreciation for seventeenth-century Dutch cabinet pictures, which had been fashionable among French collectors since the late eighteenth century, with a new interest in the everyday life of contemporary Italians. In many of Granet’s Roman scenes, iconic settings are passed over in favor of lovingly observed but overlooked ones such as this cloister, located on the Via del Corso near his studio. Among the earliest admirers of these genre paintings was Granet’s closest colleague in Rome, the history painter J. A. D. Ingres.
Fotoreproductie van een tekening van een kamp in de Australische outback
Object type: page
Date: 1863 – 1868
Materials: paper
Techniques: albumen print
Subjects: sleeping on the ground - bb - out of doors, camp-fire; watch-fire, australia
Inscriptions: inscription: ‘Page 26.’

Foto op ongenummerde pagina na pagina 26.
Plume
Object type: ornament
Date: 900 – 1375
Materials: gold
Culture: lambayeque, sicán
Location: peru
Artist: lambayeque (sicán) artist(s)
Artist role: artist
Kinderen uit deez' prent kont gy vier vogels leeren, / Die onderscheiden zyn in kleur van hunne veeren [(...)]
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: birds
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van vogels: een nachtegaal, een kanarie, een vink en een kwikstaartje. Onder elke afbeelding een vierregelig vers, boven elke afbeelding een titel. Genummerd rechtsboven: No. 94.
Spechio di pensieri delle belle et Virtudiose donne, page 2 (recto)
Object type: book print ornament architecture
Date: 1546 – 1546
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: ornament

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top bottom, and left to right: Design is decorated with large diamonds that contain even smaller ones. Each diamond alternates between black and white and is ornamented with a different linear pattern.
Coin Depicting the God Zeus
Object type: coin
Date: 133 – 48
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Lion and Dragon in Combat
Object type: illustrated single work
Date: 1751 – 1800
Materials: ink, paper, watercolor
Location: iran
Artist: muhammad baqir
Artist role: artist
Artist nationality: iranian
Artist dates: 1725 – 1790
Subjects: dragons,lions

A significant number of works by Muhammad Baqir survive, including several borders and single-page paintings, dated 1764, that come from a dispersed album. Some of these are based on European prototypes while others depict flowers, reflecting the vogue for bird-and-flower paintings that developed in the eighteenth century and was especially popular in nineteenth-century Iran. While the subject of dragons in combat with real or imaginary animals has a long history in Persian painting, originating with the Mongols in the thirteenth century, the more immediate inspiration for this composition is most likely in the work of the seventeenth-century Safavid artist Mu'in Musavvir. His numerous drawings of lions depict the beasts with large, expressive eyes similar to those of Muhammad Baqir's creature. What differentiates the eighteenth-century drawing from its Safavid forebears is the use of ink wash, a technique borrowed from European sources, to define the musculature of both lion and dragon. Finally, the iconography of this drawing is novel since customarily both dragons and lions are shown defeating a weaker foe. Here, the two are face to face, with the lion drawing first blood but the outcome of their struggle forever uncertain.
Casket with mementoes of Baron C.J. Krayenhoff
Object type: chest
Date: 1895 – 1895
Materials: copper, iron, paper, wood
Techniques: woodworking, lacquer, printing, striking
Location: netherlands
Artist: Anonymous
Subjects: c.j. baron krayenhoff

Cornelis Johannes Krayenhoff fought as a cavalry officer at the Battle of Waterloo. He was struck by a bullet and fell from his horse, but fortunately lived to tell the tale. Krayenhoff and his descendants imbued this event with heroism and martyrdom: they kept as family relics the cartridge case crushed by his fall and the bullet that struck him.
Twee ossen trekken een ploeg
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching, letterpress printing
Location: haarlem
Subjects: proverbs, sayings, etc., agricultural implements: plough, ox
Inscriptions: stamp, collector's mark: Lugt 1641

Embleem bij het motto: Niet alleen. Onderaan een achtregelige tekst in het Nederlands. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in engeren zin. Volksleven. Zinnebeeldige voorstellingen uit het volkleven op serieprenten. Maanden en diversen (allegorieën).
Pū (Conch Shell Trumpet)
Object type: conch shell trumpet
Date: 1867 – 1900
Materials: shell
Culture: melanesian
Location: solomon islands
Mijn leven
Object type: book
Date: 1877 – 1877
Materials: cardboard, paper
Techniques: printing
Location: dordrecht
Subjects: mina kruseman
Strip
Object type: strip
Date: 1701 – 1733
Techniques: lace
Subjects: flowers,leaves
Gezicht op een stadsvijver moet roeiboten te Karlsruhe
Object type: album leaf
Date: 1897 – 1897
Materials: paper
Techniques: autotype
Location: karlsruhe
Artist: Anonymous
Subjects: public gardens, park (+ city(-scape) with figures, staffage), rowing-boat, canoe, etc.
Inscriptions: inscription: ‘Verlag d. Doering'schen Kunstdruckerei/ Karlsruhe 1897. Blatt 25./ Auf dem Stadtgarten-See./ (Karlsruhe)’

Deze prent maakt deel uit van een album.
Brief aan A. van der Boom
Object type: letter
Date: 1926 – 1926
Materials: ink, paper
Techniques: pen, writing
Location: buissche heide
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: a. van der boom, rotterdam, george hendrik breitner, den bosch, amsterdam, painter, print maker, draughtsman, antoon derkinderen, willem witsen, sculptor, hildo krop, haarlem, jac van looij, jan sluijters, matthieu wiegman, the hague, jan toorop, applied arts, arts and crafts; industrial design, education, tuition of the artist (in general)
Inscriptions: watermark, collector's mark: Lugt L.2228a
Schouw met kariatiden en een haardsteen met vermoedelijk een christelijke voorstelling
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: europe
Artist: Anonymous
Subjects: caryatids ~ architecture, open hearth, fire-place, tiles, bricks ~ building material, europe
Inscriptions: number: ‘VII’, number: ‘Kat 13a’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, number: ‘XI’, number: ‘17’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’