deem-data/ArtiFact huggingface dataset:
Fabric Coverings with Patterns of Gillyflowers and Water Lilies
Object type: upholstered wall
Date: 1911 – 1915
Materials: linen
Techniques: damask
Location: eindhoven
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

These decorative panels of fabric were used in well-to-do circles to cover the walls of the sitting room. The Amsterdam designer Chris Lebeau designed patterns inspired by nature, including leaves and calyces. He spread them over the surface of the fabric in a strict rhythmic order.
Copie van een Brief uit Amersfoort, den 27 Aug. 1784
Object type: text sheet
Date: 1784 – 1784
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: ludwig ernst von braunschweig-wolfenbüttel, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Spotvers op de hertog van Brunswijk, in de vorm van een brief dat in Amersfoort geschreven zou zijn. Naar aanleiding van zijn vertrek uit Nederland in 1784.
Title page from Cinquieme Livre de Trophées
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: jean charles delafosse
Artist role: artist
Artist nationality: french
Artist dates: 1734 – 1789
Subjects: human figures,trophies
Gezicht op Alphen aan den Rijn
Object type: print
Date: 1714 – 1728
Materials: paper
Techniques: etching
Location: leiden
Subjects: prospect of village, silhouette of village, sailing-ship, sailing-boat, church (exterior), rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Plemper, Pieter. Beschryving van de heerlykheid en het dorp Alphen aan den Ryn. D'aaloude herkomst, bevolking (…) Met konst-printen geciert. 1e druk. Leiden: Hendrik van Damme, 1714. Of in: Plemper, Pieter. Oudheeden van de heerlykheid en het dorp Alphen aan den Ryn. D'aaloude herkomst, bevolking (…) Met konst-printen geciert. 2e druk. Leiden: Hendrik en Daniel van Damme, 1728.
"Westward Ho!/Pioneer" pattern goblet on pedestal
Object type: glass
Date: 1876 – 1876
Materials: glass
Location: philadelphia
Artist: gillinder and sons
Artist role: maker
Artist nationality: american
Artist dates: 1861 – 1930
Studies of Pierre Renoir; His Mother, Aline Charigot; Nudes; and Landscape
Object type: painting
Date: 1885 – 1886
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: studies, study, sketch, nudes, mother, babies, children, bathers, water, landscape, woman, green (color), trees, flowers, women
Single Spout Jar in the Form of a Feline
Object type: bottle
Date: 700 – 401
Materials: ceramic, pigment
Culture: paracas
Location: peru
Subjects: animals
Landscape around Albano Laziale
Object type: drawing
Date: 1809 – 1812
Materials: graphite, paper, watercolor
Techniques: brush
Location: italy
Artist: josephus augustus knip
Artist role: draughtsman, painter, print maker
Artist dates: 1777 – 1847
Subjects: low hill country, italy
Inscriptions: inscription: ‘à Albano’

Knip here drew the Castello Savelli, a medieval fortress atop a hill on the outskirts of Albano Laziale. The castle had been uninhabited since the end of the 18th century, and little by little had fallen into a state of disrepair. What remained was an exceptionally picturesque ruin situated in a splendid landscape.
Bowl with cover (écuelle) and tray
Object type: bowl with cover and tray
Date: 1766 – 1766
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Ceramic Fragment
Object type: fragment
Date: 1001 – 1200
Materials: earthenware
Location: iran
Vrouwenbusten in ronde lijsten
Object type: costume print
Date: 1642 – 1642
Materials: paper
Techniques: etching
Location: london
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: head-gear and clothing for the upper part of the body, ornament ~ medallion, styles of hairdress - aa - ~ women, fashion plates, lace, neck-gear: collar
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie bestaande uit 37 kostuumprenten.
Glass conical bowl
Object type: bowl, mastos shaped
Date: 167 – 68
Materials: glass
Techniques: casting, cutting
Culture: greek

Translucent honey brown. Upright rounded but uneven rim; undulating side, tapering diagonally downward; convex bottom. On interior, a single horizontal groove below rim, cut irregularly. Broken and repaired, with one hole and several chips in side; internal strain cracks around rim; some bubbles; one patch of whitish iridescent weathering below rim on exterior, and dulling and faint weathering on interior. Rotary grinding marks on interior; some irregular tooling marks below rim on exterior.
Overlijden van Maria II van Engeland
Object type: history medal
Date: 1695 – 1695
Materials: silver
Techniques: striking
Location: amsterdam
Artist: reynier arondeaux
Artist dates: 1678 – 1727
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland)

Zilveren penning. Voorzijde: borststuk vrouw met kroon binnen omschrift. Keerzijde: overledene opgebaard op bed, aan voet rouwende koning met gevolg, voor bed knielende bisschop en twee edelen; afsnede: opschrift.
Gezicht op de boekwinkel van Jacob van Liesvelt te Antwerpen in de zestiende-eeuw
Object type: print
Date: 1832 – 1866
Materials: paper
Techniques: etching
Subjects: printer, house combined with shop, street, book-shop, bookseller, antwerp
Inscriptions: collector's mark: Lugt 2228
Tile (part of a set of four)
Object type: tile
Date: 1601 – 1625
Materials: earthenware
Techniques: glazing
Subjects: flowers
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, top of head; Exterior, hind legs and tail of horse; man with Thracian cloak and fox skin cap, holding spears
Teabowl and saucer
Object type: teabowl and saucer
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: zurich pottery and porcelain factory
Artist role: factory
Artist nationality: swiss
Artist dates: 1763 – 9999
Subjects: human figures,trees
Verschrikkingen van de oorlog
Object type: print
Date: 1583 – 1583
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: horrors of war
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2542

Een moeder houdt haar baby op de arm, ze voert het jonge kind naast haar een wortel. Andere kinderen kijken hongerig toe. Rond hen liggen dode, uitgemergelde mannen en vrouwen. Een vrouw trekt wanhopig aan haar haren. Links op de achtergrond een brandende, geplunderde stad. Rechts op de achtergrond wordt oorlog gevoerd. De cavalerie rijdt in blokformatie. In de marge Bijbelcitaten uit Ezra 4:13 en Mat. 24 in het Latijn.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, youth bending to right, carrying an amphora on his back
Daphnis kijkt uit het raam op een wintermorgen
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: painter, print maker, salomon gessner, daphnis (in greek mythology a shepherd who invented pastoral poetry, human figure at (open) window, seen from inside, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2228

Eerste prent afkomstig uit een serie met twaalf scènes die 'Idyllen' van Salomon Gessner illustreren. De twaalf scènes werden samen op een plaat geëtst. De serie is gebruikt als illustratie in: 'Berliner genealogischen Calender auf das Jahr 1773'.
Embroidered darning sampler
Object type: sampler
Date: 1807 – 1807
Materials: linen, silk
Head Wearing a Phrygian Cap, on a Salver
Object type: drawing and watercolor
Date: 1881 – 1881
Materials: chalk, charcoal, fiber, paper
Techniques: drawing, scraping, stumping
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Inscriptions: Signed lower right, in black crayon (pastel):  "ODILON REDON"
Ring
Object type: ring
Date: 1101 – 1200
Materials: gold, gemstone
Techniques: casting, highlighting
Location: iran

This ring with a tourmaline bead conforms to a popular design worn by Seljuq men but sometimes presented to women as love tokens.
Scherven van borden uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van borden uit V.O.C.-schip de 'Witte Leeuw'.
Diana the Huntress
Object type: painting
Date: 1526 – 1549
Materials: oil, wood
Artist: giampietrino (giovanni pietro rizzoli)
Artist role: artist
Artist nationality: italian
Artist dates: 1495 – 1553
Subjects: bow and arrow,female nudes,diana,deer

Giampietrino was among the most faithful Milanese pupils of Leonardo da Vinci. This picture, which shows the goddess of the hunt drawing an arrow, is inspired by the figure of Diana from a famous set of engravings designed by the Florentine Rosso Fiorentino and dated 1526. It may have once hung alongside three other full-length standing images of goddesses.
Havana
Object type: album leaf
Materials: paper
Techniques: platinum process
Location: havana
Artist: Anonymous
Subjects: exterior ~ representation of a building
Berglandschap met bomen met daarin een gebouw, water mondt via de berg uit in een rivier
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: alps
Artist: achille quinet
Artist dates: 1831 – 1900
Subjects: mountains
Inscriptions: signature: ‘Sertifier conforme au tirages // A Quinet’
Geheel Gezicht van 't Koninglyk Lust-hof van Z.B. M. op 't Loo
Object type: album leaf
Date: 1689 – 1701
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: palace, french or architectonic garden; formal garden
Inscriptions: inscription: ‘1913 z inv’, collector's mark: Lugt 2166

Gezicht op Paleis Het Loo en de bijbehorende tuinen in vogelvluchtperspectief. Prent maakt deel uit van een album.
Panoplia sev armamentarium…
Object type: ornament print
Date: 1572 – 1572
Materials: paper
Techniques: etching
Location: netherlands
Inscriptions: collector's mark: Lugt 2275

Romeinse wapens waaronder houwers en pijlen, een stormram en een morgenster. Uit serie, bestaande uit een titelblad en 16 bladen.
Filmnegatief met opname van Zermatt
Object type: negative
Date: 1921 – 1921
Materials: film
Techniques: gelatin silver negative
Location: zermatt
Artist: Anonymous
Subjects: zermatt
Panel
Object type: panel
Date: 1701 – 1800
Materials: silk
Onthoofding van de graveur Cornelis de Hooghe, 1583
Object type: drawing
Date: 1787 – 1789
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: the hague, print maker, cornelis de hooghe, historical persons, on the scaffold or place of execution, violent death by beheading, historical events and situations

Onthoofding van de Leidse graveur Cornelis de Hooghe, te Den Haag op 29 maart 1583. De man knielt met ontbloot bovenlichaam voor de beul op het schavot. De Hooghe werd veroordeeld wegens landverraad en onthoofd en gevierendeeld. Hij beweerde een bastaardzoon van keizer Karel V te zijn. Ontwerp voor een prent.
Portrait of  Auguste Rodin
Object type: print
Date: 1860 – 1910
Materials: ink
Techniques: etching
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Subjects: men,portraits
Saint-Germain-en-Laye. Le Pavillon Henri IV, où naquit Louis XIV
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1918
Materials: cardboard
Techniques: photograph
Location: saint-germain-en-laye
Artist: Anonymous
Subjects: park, palace
Flask
Object type: flask
Date: 1701 – 1800
Materials: faience
Techniques: glazing

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Portret van Charles Perrault
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: engraving
Subjects: paris, charles perrault, historical persons, portrait of a writer, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233
Dress
Object type: dress
Date: 1750 – 1770
Materials: silk
Culture: spanish
Model Lotus Flower
Object type: model water lily
Date: 2051 – 1981
Materials: wood
Techniques: painting
Location: egypt
Subjects: lotuses

The water lily, more commonly known as the lotus, was one of the most ubiquitous plants and symbols of ancient Egypt. Its flower, which is either blue or white (Nymphaea coerulea and alba), closes up at night and reopens in the morning to reveal a central yellow circle radiating yellow petals. To the ancient Egyptians this phenomenon reflected the rising of the sun at the dawn of creation, and the flower was seen as a symbol of daily rebirth and rejuvenation. Two large wooden female offering bearers were found in the same tomb as this flower and a second one (25.3.283); the flowers might have been part of offerings that the women were carrying.
Reclining Female Nude
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ lying)

Blad 23 verso uit schetsboek IX met 28 bladen.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, hand holding a diskos?
Exterieur van een badhuis te Fécamp
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Location: fecamp
Artist: Anonymous
Subjects: public baths, façade (of house or building)
Inscriptions: inscription: ‘Bains de mer de Fecamp’
Downfall of Monopoly in 1800
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,skeletons,men,women

Death, a skeleton atop a horse, chases monopolizers who are trying to flee with supplies including corn, bacon, sugar, cheese, and hops. Behind him, men and women dance around a statue of Britannia. At right, two women and three infants rejoice over a loaf of bread.
Figure of Autumn
Object type: figure
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: grapes,women
Schetsboek met 30 bladen
Object type: sketchbook
Materials: chalk, linen, paper, pencil
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), bridge, hay-wagon, farm (building)
Inscriptions: date and inscription: ‘Alexander Shilling/ Landschap shetsen [sic]/ uit Langham Mill/ Denham enz. in/ Engeland/ van 22 Juli tot/ 14 Aug. 1913’, date and inscription: ‘1913/ July 22 to aug 14/13/ Langham Mill/ Dedham etc.’, annotation: ‘contable/ sturge Henderson/ duel[...]/ -1905/ Den[...] & co’

Bladen 1(V) t/m 30(V) zijn blanco. Shilling heeft in Engeland gewerkt op de plaatsen waar John Constable (1776-1837) veel werkte rond de rivier Stour. De annotatie voorin het schetsboek laat zien dat Shilling zich vermoedelijk verdiept heeft in het leven en werk van Constable.
Pitcher
Object type: ceramic
Date: 1840 – 1840
Materials: glaze, porcelain
Techniques: gilding
Culture: staffordshire potteries
Location: staffordshire
Staande dame in jurk met een hond aan de lijn
Object type: print
Date: 1780 – 1840
Materials: paper
Techniques: etching
Artist: j. rasko
Artist role: draughtsman
Subjects: dress, gown, clothes, costume, dog
Inscriptions: stamp, collector's mark: Lugt 1641

Rechtsboven genummerd: 1. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De 18de eeuw (de pruikentijd). Mannen en vrouwen.
Bertrand Russell tijdens rede Columbia University, N.Y. 1950
Object type: photograph
Date: 1950 – 1950
Materials: photographic support
Techniques: gelatin silver print
Location: london
Subjects: wetenschapper, bertrand russell
Inscriptions: stamp: ‘Keystone press agency LTD’
A Standard-Bearer Flanked by a Lansquenet at each side (copy)
Object type: print
Date: 1500 – 1540
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: soldiers,weapons,men,flags
Key
Object type: key
Date: 1801 – 1900
Materials: iron
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: enamel
Techniques: painting
Culture: chinese
Subjects: boys,women
Pendant (Jkumka), One of a Pair
Object type: pendant
Date: 1701 – 1900
Materials: gold
Location: northern india

The bell-shaped form of these jewels is known as jhumka. Typically, these are found on ear ornaments, and the loop at top indicates how they originally would have been attached to a chain or a hook. The jewels would have been suspended near the ears of the wearer, and the dangling bead pendants at the bottom would have made a soft noise as the wearer moved. This ornament was formerly in the collection of American artist and designer Lockwood de Forest (1850–1932) who purchased many items while traveling in India between 1879–1881. He collected many different examples of jewelry from India, including several of the same type. Today, his assemblage in the Met serves as a near-comprehensive study collection of Indian jewelry from the late nineteenth century.
Otho
Object type: print
Date: 1599 – 1623
Materials: paper
Techniques: engraving
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: earl, historical persons

Prent waarschijnlijk voor het eerst verschenen in: Henning, Marcus. Tirolensium Principum Comitum. Augsburg: Johannes Praetorius, 1599. Prent ook gebruikt in latere publicaties, in ieder geval tot in 1623.
Portret van een meisje en een vrouw, vermoedelijk de kinderjuffrouw
Object type: photograph
Date: 1870 – 1882
Materials: iron
Techniques: ferrotyping
Artist: Anonymous
Subjects: adult man, historical persons, girl (child between toddler and youth)
Untitled (Portrait of a Seated Woman)
Object type: photograph
Date: 1845 – 1845
Techniques: daguerreotype, photography
Location: united states
Artist: john plumbe jr.
Artist role: artist
Artist nationality: american, born wales
Artist dates: 1809 – 1857
Subjects: lundberg collection, portraits, portraits: female subject, photography, portrait
Titelpagina voor: Abraham Bogaerts, Historie van de grontlegging der Nederlandsche Vryheit, 1716
Object type: titelblad, titelpagina
Date: 1716 – 1716
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: personifications of countries, nations, states, districts, etc., freedom, liberty; 'libertà' (ripa)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De Hollandse maagd met vrijheidshoed, sfinx, knots en medaille zit op een troon met boektitel. Zij personifieert de vrijheid. Achter haar een draperie met de Hollandse leeuw. Bij haar voeten personificaties van haat en oorlog en brieven met Inquisitie. Naast haar staat een boer met spade en twee zeelieden met verrekijker en jakobsstaf. Daarachter schepen en in de wolken Faam blazend op een bazuin.
Takken van een naaldboom, met een dennenappel
Object type: color slide
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Location: netherlands
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Straat met een poort te Dinan
Object type: sketchbook leaf
Date: 1927 – 1927
Materials: paper, pencil
Location: dinan
Artist: gerrit van blaaderen
Artist role: draughtsman
Artist dates: 1873 – 1935
Subjects: street (+ city(-scape) with figures, staffage)
Inscriptions: date and inscription: ‘Dinan 11.8.27’

Blad 5 recto uit een schetsboek met 33 bladen.
Pendant
Object type: pendant
Date: 206 – 220
Materials: cotton, jade
Culture: chinese

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Liggende koe aan waterkant
Object type: print
Date: 1761 – 1784
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: cow
Inscriptions: collector's mark: Lugt 2228

Liggende koe aan de waterkant, van achteren gezien. Links een boom. Rechtsonder: 26. Prent uit een serie met landschappen.
Familiefoto van de kinderen Jetten
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Familiefoto van de kinderen Jetten. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Gezicht op Trondheim
Object type: print
Date: 1840 – 1875
Materials: paper
Techniques: tone lithography
Location: berlin
Subjects: city-view, and landscape with man-made constructions, water course
Inscriptions: collector's mark: Lugt 2228
Cabaret vendéen
Object type: print
Date: 1925 – 1925
Materials: paper
Techniques: engraving
Location: france
Artist: jean emile laboureur
Artist role: draughtsman, print maker
Artist dates: 1877 – 1943
Subjects: hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228