deem-data/ArtiFact huggingface dataset:
Box with a scholar and chrysanthemums
Object type: box
Date: 1801 – 1900
Materials: lacquer
Techniques: carving
Culture: chinese
Subjects: flowers

Diminutive figures set in a towering landscape became a traditional motif in Chinese art. Here, a scholar-gentleman supervises two attendants carrying chrysanthemums, a plant whose late autumn bloom was thought to symbolize a gentleman’s lofty character.
Laken met entre-deux met bloem- en bladmotieven en open zomen
Object type: beddenlaken, laken object
Date: 1650 – 1700
Materials: linen
Techniques: lace
Location: netherlands
Artist: Anonymous

Laken van fijn wit linnen met entre-deux van 'Hollandse' kloskant met bloem- en bladmotiefjes en open zomen.
Étui or wager (‘drink-up’) cup in the shape of a shoe
Object type: crakow
Date: 1400 – 1450
Materials: copper, leather
Location: france
Artist: Anonymous
Subjects: dolphin ~ ornament

Lederen poulaine schoen. Aan de punt een verguld koperen(?) dolfijn. Aan de enkel een vergulde gegraveerde rand, 16e eeuw. Schijnt een doos geweest te zij. (Gildeproef) Op een papier: Polade schoe der Edelieden ten tijde van Philips, Hertog van Bourgogne. Uit het Kabinet van Joh. Fredericus Gronovius.'
To Commemorate the Visit of the Tsar Nicholas II and the Tsaritsa to Paris in 1902
Object type: plaquette
Date: 1902 – 1902
Materials: bronze
Techniques: silvered, struck
Artist: louis eugène mouchon
Artist role: artist
Artist nationality: french
Artist dates: 1843 – 1914
Subjects: men,profiles
Studies of Animal Heads and Figures
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Techniques: brush, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: women,cows,rams
Vijftigjarig huwelijk van Paulus van Beresteyn en Volckera Nicolai
Object type: family medal
Date: 1624 – 1624
Materials: silver
Techniques: casting
Location: delft
Artist: adriaen de grebber
Artist role: print maker, silversmith
Artist dates: 1576 – 1661
Subjects: mayor

Zilveren penning. Voorzijde: borststuk man (voor) en vrouw (achter) binnen omschrift. Keerzijde: twee vogels op nest en opschrift binnen slangerond en omschrift.
Comitatus Hollandiae tabula pluribus locis recens …
Object type: print
Date: 1721 – 1774
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), triton(s), maps of separate countries or regions, holland

Kaart van het graafschap Holland en omliggende gebieden. Linksonder een inzetkaartje van het Waddengebied met een schaalstok: 4 gemene duijtse tot dit besteck hier binnen begrepen. Onder in het midden twee schaalstokken voor de kaart zelf: 2 gemene Duytsche mylen van 15 in een graedt / Miliaria Hollandica quorum singula continent 2000 virgas; 2 uren gaens de 4 maken 3 mylen. Rechtsboven het wapen van het graafschap met daaromheen putti en tritons. Gradenverdeling langs de randen. Oriëntatie: noorden rechts.
Portion of Dress for a Madonna Statue
Object type: textile
Date: 1701 – 1800
Materials: gilt, glass, metal, silk
Techniques: embroidery, embroidered, laid work, weave, silvered, stitching
Location: spain
Subjects: foliage, flowers
Plate 117: The Dispute over Achilles' Armor (Disceptatio inter Aiacem et Ulyssem propter arma Achillis), from Ovid's 'Metamorphoses'
Object type: print
Date: 1606 – 1606
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: tents,soldiers,armor,shields,horses
Footed Bowl
Object type: bowl
Date: 1201 – 1233
Materials: bronze, silver
Techniques: inlay
Location: iran
Subjects: zodiac

This footed bowl has a rich program of inlaid silver decoration. There are epigraphic bands under the rim and around the foot, each with blessings for the bowl's owner in animated script, with a band of medallions containing the signs of the Zodiac in the middle. Each medallion is framed by a ring of pointed rays that underscore the solar symbolism of the decoration, and each sign is shown with its Planetary Lord. In Arabic, Aquarius is called al-dalw ("the water bucket") when referring to the sign of the Zodiac, and sakib al-ma ("the water pourer") when referring to the constellation. Correspondingly, illustrations of the Zodiac show Saturn, the Planetary Lord of Aquarius, raising a bucket of water from a well, whereas illustrations of the constellation, following the original Greek name, show a male figure pouring water from a vessel.
Scenes from the Lives of Jacob and Joseph: Joseph's brethren beseech his mercy
Object type: panel
Date: 1601 – 1700
Subjects: animals,spears,men,women,trees
Laken. Merk: CH 20.
Object type: beddenlaken, laken object
Date: 1750 – 1790
Materials: linen
Location: northern netherlands
Artist: Anonymous
Buste van Frederik Willem I van Brandenburg
Object type: print
Date: 1660 – 1750
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: berlin, frederik willem van brandenburg (i), armour, historical persons
Inscriptions: inscription: ‘F.W.’, inscription: ‘uit 't ontroerd [...]ad. of Valckenier’
Standing female worshiper
Object type: sculpture
Date: 2600 – 2500
Materials: lapis lazuli, limestone, shell
Techniques: inlay
Culture: sumerian
Location: mesopotamia
Subjects: women

This statue of a standing woman with her hands clasped in front of her chest was found in the plasterings of a mud-brick bench located in one of the cellas of the Nippur temple of Inanna (Level VIIB), the Sumerian goddess of abundance. Her garment is draped over her left shoulder and falls in folds indicated by two incised lines along the border of the otherwise smooth fabric. The feet are carved in high relief against the back support and the toes and ankles are clearly indicated. The wavy hair is held in place by two plain bands, and curly locks hang down on either side of the face. Inlay of shell and lapis lazuli survives in her left eye. The best-preserved statues at Nippur are those that were buried within the temple furniture, like this example. Such deliberate burials suggest that temple offerings and equipment remained sacred even when no longer in use.
Diana
Object type: drawing
Date: 1527 – 1585
Materials: ink
Techniques: brush
Artist: luca cambiaso
Artist role: artist
Artist nationality: italian
Artist dates: 1527 – 1585
Subjects: diana
Portret van Gottfried Lomer
Object type: print
Date: 1720 – 1754
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: augsburg, historical persons, abstract ideas and concepts (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2228
Portret van prinses Wilhelmina
Object type: cabinet photograph
Date: 1896 – 1896
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: kameke
Artist role: painter
Subjects: the hague, print maker, wilhelmina of the netherlands, crown princess, historical persons
Inscriptions: inscription: ‘KAMEKE/ peintre et phot. de la cour./ Reproductie/ LA HAYE/ Javastraat No. 20.’, inscription: ‘1896’
Cave Temple of Dambulla, Sri Lanka
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: dambulla
Artist: Anonymous
Inscriptions: number: ‘256’, inscription: ‘5. Dambulla.’
Two Boys Laughing
Object type: print
Date: 1634 – 1666
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: artist
Artist nationality: dutch
Artist dates: 1623 – 1677
Theodric Romeyn Beck, M.D.
Object type: print
Materials: paper, steel
Techniques: engraving
Location: france
Artist: e. prud'homme
Artist nationality: french
Artist dates: 1800 – 1899
Two crabs by a spray of camellia
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: katsushika taito ii
Artist nationality: japanese
Artist dates: 1810 – 1853
Peasant Mother and Child
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: drypoint
Location: united states
Artist: mary cassatt
Artist role: print maker
Artist nationality: american
Artist dates: 1844 – 1926
Subjects: mothers, parents, children
Vase
Object type: vase
Date: 1725 – 1730
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: number: ‘256.’, label: ‘SAMMLUNG / Dr. FRANZ OPPENHEIMER’, factory mark

Meissener Porzellan Manufaktur
Meissen, c. 1725–1730
hard-paste porcelain
Vrouw met mand op haar rug en een stok in haar hand
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: adrien de witte
Artist role: print maker
Artist dates: 1850 – 1935
Subjects: adult woman, head-gear, container made of plant material other than wood: basket
Inscriptions: collector's mark: Lugt 2228

Een dergelijke rieten mand werd ook wel gedragen door een zogenoemde 'botteresse'.
The Mass of Saint Gregory
Object type: print
Date: 1467 – 1500
Techniques: hand coloring
Artist: master of the church fathers' border
Artist role: artist
Artist nationality: german
Artist dates: 1450 – 1500
Subjects: stars,angels,saints
Sheet with blue and orange floral pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Plaque with Marking of the Door with the Letter Tau
Object type: plaque
Date: 1200 – 1200
Materials: copper alloy, enamel, gilt
Techniques: enamel
Culture: german
Subjects: men,cross,emblems

The image here had its origin in the Passover, when Moses ordered the elders of Israel to mark the houses of the Israelites with the blood of a slain lamb to protect their households. For Christians, the tau came to be seen as an emblem of God's protection. In the enamel, the mark is placed on a building resembling a medieval church, with a prominent cross on the roof.
Elberon, New Jersey, Mrs. Watson B. Thompson, John Sloan Jr., Mrs. John Sloane, Mr. John Sloane, Evelyn Sloane, William Sloane, Mina Barber, Mary Butter
Object type: photograph
Date: 1884 – 1884
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: houses,boys,girls,men,women,tennis,dogs,chairs
Portrait of a Man
Object type: painting, miniature
Date: 1765 – 1775
Materials: ivory
Artist: french painter
Artist role: artist
Artist nationality: french
Subjects: men,portraits
Signet Ring, Ankhkheperure beloved (feminine) of Neferkheperure
Object type: ring, ankhkheperure feminine
Date: 1353 – 1336
Materials: faience
Location: egypt
Interieur van de Nieuwe Kerk, Amsterdam, zoals dat was bij de inhuldiging van Wilhelmina als koningin
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: sigmund löw
Artist role: publisher
Artist dates: 1845 – 1920
Subjects: the hague, wilhelmina of the netherlands, interior of church, amsterdam
A Goddess
Object type: sculpture
Materials: stone
Location: cambodia
Koeien
Object type: print
Date: 1796 – 1845
Materials: paper
Techniques: etching
Location: amsterdam
Artist: anthony oberman
Artist role: draughtsman, painter, print maker
Artist dates: 1781 – 1845
Subjects: bovine cattle
Inscriptions: collector's mark: Lugt 2228
A holy procession with figures in black cloaks holding candles
Object type: print
Date: 1880 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: processions
Gezigt door de groote Haage naar het Cabinet te zien / Vue à travers de la grande charmille vers le Cabinet
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: french or architectonic garden; formal garden, country-house
Inscriptions: collector's mark: Lugt 2228

Gezicht door de grote haag op het kabinet in de Franse tuin van Huis ter Meer. In de tuin staan twee converserende groepen figuren. De prent maakt deel uit van een serie met 26 gezichten op Huis ter Meer en het bijbehorende landgoed te Maarssen.
Portret van Arthur Wellesley of Wellington
Object type: print
Date: 1779 – 1852
Materials: paper
Techniques: stippling
Artist: christ. graf
Artist role: print maker
Subjects: walmer castle, arthur wellesley of wellington, knighthood order, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
Bandontwerp voor: Jacoba C. Calkoen, Levensopgang. Spiritistische roman, 1933
Object type: study for binding design
Materials: paint, paper, pencil
Techniques: brush
Artist: Anonymous
Subjects: eyes closed, head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228a, signature: ‘VDH’, :

Hoofd van een vrouw met kort haar en gesloten ogen.
Aurora verjaagt de nacht
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: engraving
Location: rome
Subjects: triumph of aurora: in her chariot drawn by two (sometimes four) horses, and possibly scattering flowers; aurora's victory over the night; 'carro dell'aurora' (ripa), hours (horae), seasons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11, number: ‘2’

Strooiend met bloemen rijdt Aurora op haar wagen die wordt getrokken door twee paarden. Iedere morgen verjaagt Aurora de nacht en brengt zij het ochtendgloren. Voor haar uit zweven de horae, de godinnen van de jaargetijden. Rechts kijkt Aurora's echtgenoot Tithonus haar na. Opdracht in de ondermarge en middenonder een wapenschild.
Bekering van de gevangenenbewaarder van Filippi
Object type: titelprent, frontispice
Date: 1582 – 1582
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: paul and silas prevent the warder from committing suicide (story of the conversion of the warder

Prent maakt deel uit van een prentbijbel.
Terracotta lebes (deep bowl)
Object type: lebes
Date: 450 – 425
Materials: terracotta
Culture: greek, attic

At symposia (drinking parties) and other occasions, vases were wreathed with tendrils or stems of various plants. Ivy and grapevines were most common. During the fifth century B.C., laurel and myrtle were popular as well.
Eight Spring Victoria #966
Object type: drawing
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Strandgezicht met schelpenvissers en wandelaars
Object type: drawing
Date: 1610 – 1653
Materials: chalk, paper
Techniques: brush
Artist: simon de vlieger
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1653
Subjects: beach
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, filleted youth with himation draped over left shoulder
Dress
Object type: dress
Date: 1845 – 1845
Materials: silk
Culture: american
Landschap, met op de voorgrond een rietkraag
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: berlin
Artist: j. stelzner
Artist role: fotograaf
Subjects: landscapes, plants and herbs: reed

Prent op derde ongenummerde pagina na pagina 290, achter semi-transparante omslag met reclameboodschap.
Drie voorstellingen uit William Shakespeares Merry Wives of Windsor
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: william shakespeare, literature, teacher and pupil, laundering, hiding, hiding oneself, falstaff
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor William Shakespeares 'The Merry Wives of Windsor'. Latere staat gebruikt voor: Goettinger Taschen Calender vom Jahr 1787. Göttingen: Johann Christoph Dietrich, 1786.
Ruitergevecht
Object type: drawing
Date: 1629 – 1629
Materials: chalk, paper
Techniques: brush
Artist: esaias van de velde
Artist role: draughtsman, painter, print maker
Artist dates: 1587 – 1630
Subjects: battle (+ cavalry, horsemen)
Deur met gordijnen
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: door, hangings and drapery

Een deur met gedrapeerde gordijnen in de Lodewijk XIV-stijl. Prent uit 30e Livraison.
Scene of hunters, bird catchers, and fishermen
Object type: relief, tomb of khety, hunter, bird catcher
Date: 2051 – 2000
Materials: limestone, paint
Location: egypt
Subjects: men

Khety, the first recorded royal treasurer (“overseer of what is sealed”) of Mentuhotep II (ca. 2051–2000 B.C.), built his tomb high up in the cliffs at Deir el-Bahri, near the mortuary complex of his monarch. The relief fragments here derive from the tomb’s entrance passage, which was lined with decorated limestone blocks. The fragments in this group depict hunters or soldiers armed with bows and throw-sticks. The head of a large dog is also preserved. The men wear feathers in their finely curled wigs; this was a common adornment for hunters, whether Egyptian, Nubian, or Libyan. Below the hunters, a multitude of water fowl have been trapped in a clapnet that was set up beside a pool or waterway. It is remarkable how much detail the artists included in their depiction of the pole to which one end of the net is tied. There would have been men at the left drawing the net shut, but their figures have not been preserved. The fragments to the right come from a representation of fishermen engaged in trapping fish in a large net. See also 26.3.354h, i1, j, bb, and oo.
Terracotta askos (vessel) in the form of a fish
Object type: askos in the form of a fish
Date: 1200 – 1175
Materials: terracotta
Culture: cypriot
Subjects: fish

The askos probably imitates a Mycenaean prototype of the late thirteenth century B.C. Traces of decoration in orange paint are preserved.
Genzan kôshin Nisshin ryôgun Heijô daigekisen no zu
Object type: triptych
Date: 1894 – 1894
Materials: paper
Techniques: woodcut
Location: japan
Subjects: battle, firearms
Inscriptions: label

Op 8 augustus 1894 kwam het bataljon van het twaalfde regiment aan bij de haven van Genzan, hun doel was Seoul. Ze werden door de Luitenant-Generaal Nozu teruggestuurd naar Sakyrong ter ondersteuning van een andere brigade. Samen werden ze het Sakryong detachement genoemd en waren de rechterflank in de aanval op Pyongyang.
Gezicht op de Oude Kerk vanaf de Oudezijds Voorburgwal
Object type: drawing
Date: 1726 – 1792
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: johannes schouten
Artist role: print maker, silversmith
Artist dates: 1716 – 1792
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', canal, church (exterior), bridge in city across river, canal, etc., boat propelled by man or animal
Inscriptions: signature: ‘J Schoute del ad viv:’, inscription: ‘De Oude Kerk tot Amsterdam’, inscription: ‘31.81’

Onderwerpsrubriek binnen de Atlas Amsterdam: Oude Kerk van buiten.
Frieze with Sea Monsters
Object type: print ornament architecture
Date: 1580 – 1600
Techniques: engraving
Artist: johann theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1623
Subjects: mythical creatures,putti

Frieze with four sea monsters ridden by putti. At left, a dolphin-like creature, followed by a three-headed dog ridden by a putto holding a trident, and an elephant. From a series of five plates after Giovanni Andrea Maglioli (SKB 4350).
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 200
Materials: glass
Culture: roman

Translucent pale blue green. Outsplayed rim, folded in and flattened on top, with rounded inner lip; cylindrical neck with broad tooled indent around base; squat ovoid body; thick flat bottom. A broad wheel-cut horizontal groove around upper body; and faint horizontal lines above point of greatest diameter. Intact; many pinprick bubbles; deep pitting, brilliant iridescence, and patches of thick weathering.
Helden en heldinnen van het Oude Testament
Object type: print
Date: 1585 – 1589
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: story of jael and sisera, jael (one of the nine worthiest women), female persons from the old testament (with name) (not in biblical context)
Inscriptions: collector's mark: Lugt 2165

Jaël met in haar hand hamer en tentpin. Op de achtergrond de scène waarin Jaël hiermee de generaal Sisera vermoordt, door hem de tentpin in zijn slaap door het hoofd te slaan in zijn legertent.
De grote stoel/ Le grand siège
Object type: print
Date: 1975 – 1982
Materials: paper, watercolor
Techniques: brush, etching
Location: amsterdam
Artist: pieter holstein
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1934 – 
Inscriptions: edition: ‘1/20’, title: ‘- le grand siège -’, title: ‘De grote stoel’, signature: ‘p. holstein’
Reaper
Object type: print
Materials: paper
Techniques: printmaking, engraving
Location: france
Artist: jacques adrien lavieille
Artist role: print maker
Artist nationality: french
Artist dates: 1818 – 1862
Eiland
Object type: drawing
Date: 1834 – 1893
Materials: paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: city-view, and landscape with man-made constructions
Stirrup Spout Vessel in the Form of a Drum
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Evening hat
Object type: evening hat
Date: 1867 – 1900
Culture: american
Landscape with a Ship and Jonah and the Whale
Object type: print
Date: 1560 – 1570
Techniques: engraving, etching
Artist: lucas gassel
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1495 – 1500
Subjects: whales,landscapes,ships
Ruïnes en gebouwen in Rome en Antwerpen
Object type: kopie naar tekening
Date: 1550 – 1570
Materials: chalk, ink, paper
Techniques: brush, pen
Location: low countries
Artist: Anonymous
Subjects: antwerp

Album "Maarten de Vos schetsboek", blad 9v(12)