deem-data/ArtiFact huggingface dataset:
Baben. Hyppolyte, Antoine. 49 ans, né à St Sermain (Aveyron). Serrurier. Anarchiste. 9/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
River Stour
Object type: print
Date: 1830 – 1831
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: bridges,men,rivers,trees,boats

View of a village along the River Stour in East Anglia, England. In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Case (Inrō) with Design of Chrysanthemums behind Bamboo Blind (Sudare) (obverse); Brocade Pattern (reverse)
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer
Techniques: fundame, hiramakie
Culture: japanese
Subjects: flowers
[Two Chinese Men in Matching Traditional Dress]
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Villars
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
The right hon. baron Carlingford, K.P.
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: politician, politician, e.g. party leader
Kop van een man met een korte baard
Object type: print
Date: 1680 – 1800
Materials: paper
Techniques: mezzotint
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2228
Book cover with floral and dot pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Bone cylinder with pointed ivory top
Object type: die counter or draught piece
Date: 700 – 501
Materials: ivory
Culture: greek, laconian
Subjects: games

This may have been a gaming piece.
Square Lamp (andon) with Design of an Idealized Woman Behind a Curtain
Object type: vase
Date: 1760 – 1760
Materials: enamel, porcelain
Culture: japanese
Subjects: women
Livre des edifices antiques romains
Object type: album leaf
Date: 1584 – 1584
Materials: paper
Techniques: etching
Location: france
Subjects: representation of real building (either existing or having existed), rome

Deze prent maakt deel uit van een serie van 98 prenten gedrukt op 48 bladen. De bladen zijn verknipt en een selectie van de losse prenten is in dit album geplakt.
Portret van Maria Theresia, Rooms-Duits keizerin
Object type: print
Date: 1755 – 1788
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: vienna, maria theresia (rooms-duits keizerin)
Inscriptions: collector's mark: Lugt 2228

Portretbuste van de Rooms-Duitse keizerin Maria Theresia in kroningsmantel, een sieraad in het haar. Het portret is omkaderd met een sierlijke lijst en staat op een sokkel waarop haar naam, titel en een zesregelige tekst in het Nederlands staan.
Britse soldaten bereiden rosbief op kerstdag, Modderrivier, Zuid-Afrika
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: modderrivier
Artist: Anonymous
Subjects: kinds of meat (with name), preperation of food ~ military service
Inscriptions: inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, inscription, number: ‘271’, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’
Heliotrope (Heliotropium Peruvianum), from the Flowers series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: flowers,leaves

The "Flowers" series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
Phare et vue de Port Said
Object type: album leaf
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: port said
Subjects: canal, prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘Port. Said’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Marseille, Port Said, Aden, Bombay, Colombo, Singapore en Nederlands-Indië.
John Fernhout met een camera op een ingestort gebouw, China
Object type: photograph
Date: 1938 – 1938
Materials: paper
Techniques: gelatin silver print
Location: china
Artist: robert capa
Artist role: fotograaf
Artist dates: 1913 – 1954
Subjects: john fernhout, photographer at work - cc - out of doors, ruin of a building ~ architecture, china
Inscriptions: inscription: ‘probably Capa’
Figuren op het Rokin in Amsterdam, gezien vanuit de Bodega
Object type: sketchbook leaf
Date: 1893 – 1898
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: civic architecture; edifices; dwellings, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘[...]’

Pagina 2 uit een schetsboek met 31 bladen.
Scene in a Courtyard
Object type: painting
Materials: canvas, oil
Artist: ludolf de jongh
Artist role: artist
Artist nationality: dutch
Artist dates: 1616 – 1679
Subjects: houses,courtyards,girls,women,dogs
Childéric II
Object type: print
Date: 1829 – 1898
Materials: paper
Techniques: etching, engraving
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Saucer
Object type: saucer
Date: 1725 – 1740
Materials: soft paste porcelain
Artist: saint-cloud factory
Artist role: factory
Artist nationality: french
Artist dates: 1693 – 1766

This beaker, with its saucer, was one of the types of cups used for drinking hot chocolate. Eighteenth-century paintings, prints, and inventories indicate that tall cups, both with and without handles, were often intended for chocolate, especially those accompanied by a trembleuse saucer, which took various forms. In the du Paquier example in this case, the saucer has been made with a high openwork collar securing the cup. In contrast, this Saint-Cloud saucer has been modeled with a lower, solid raised lip that also stabilizes the beaker it holds.
Engraved Ivory Tusk
Object type: tusk
Date: 1880 – 1890
Materials: ivory
Culture: inuit
Location: united states
Subjects: human figures,fish,boats
Landschap met molens
Object type: sketchbook leaf
Date: 1866 – 1922
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: windmill in landscape

Blad 1 recto uit een schetsboek met 44 bladen.
A French Dentist Shewing a Specimen of His Artificial Teeth and False Palates
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

A dentist gesturing to the open mouth of a large woman wearing artificial teeth. She is examined by a man holding up a pair of spectacles.
Boer leunt op schop
Object type: print
Date: 1613 – 1656
Materials: paper
Techniques: etching
Location: netherlands
Subjects: farmers, agricultural implements: spade
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2233

Prent uit serie van zes prenten met boeren naar verschillende kunstenaars: Jan Miense Molenaer, Pieter Quast, Hendrik Potuyl en Adriaen van Ostade
Portret van Laurent de Gouvion Saint-Cyr in een versierde cartouche
Object type: print
Date: 1815 – 1825
Materials: paper
Techniques: etching, engraving
Location: paris
Subjects: historical persons, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Goudsbloemgracht
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses, street
Inscriptions: inscription: ‘Thans Willemstraat’, collector's mark: ‘14.125’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Waal (Kromme en Oude), Walenpleintje, Warmoesgracht, Warmoesstraat, Waterlooplein, Westerdoksdijk, Westermarkt, Weteringschans, Willemspark, Willemsstraat, Wittenburg, Wittenkade (de), Wittenstraat (de).
Ornament
Object type: ornament
Date: 1864 – 1880
Culture: american
H. Catharina
Object type: print
Date: 1608 – 1688
Materials: paper
Techniques: engraving
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: the virgin martyr catherine of alexandria; possible attributes: book, crown, emperor maxentius, palm-branch, ring, sword, wheel
Inscriptions: collector's mark: Lugt 240

Maakt mogelijk deel uit van een serie met verschillende heiligen.
Heilige Hiëronymus van Betlehem als kluizenaar
Object type: book illustration
Date: 1590 – 1612
Materials: paper
Techniques: engraving
Location: low countries
Artist: boëtius adamsz. bolswert
Artist role: print maker
Artist dates: 1580 – 1633
Subjects: st. jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'vanitas' symbols), sometimes a scorpion and a snake beside him, anchorite, hermit
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ad sacrum speculum recurris? ... patribus dat ales, geen plaats, Boëtius Adamsz. Bolswert, 1612. Tweede ongebonden uitgave met in totaal vijftig prenten. Prent uit serie van drieentwintig mannelijke kluizenaars. In 1619 verscheen een gebonden editie maar op basis van de gewijzigde opschriften en samenstelling wordt aangenomen dat deze prenten ook in 1612 of iets daarvoor gedrukt werden. Roethlisberger beschouwt de uitgave van 1619 als de eerste staat en de ongebonden editie van 1612 als de tweede staat (Roethlisberger 1993, p. 171, 172).
The Falconer
Object type: print
Date: 1617 – 1617
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Coach Watch
Object type: metalwork
Date: 1770 – 1776
Materials: silver
Location: augsburg
Artist: johann eusebius loderer
Portret van Hugo van der Helst, staand in zijn bibliotheek
Object type: drawing
Date: 1660 – 1693
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: jan verkolje (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1650 – 1693
Subjects: historical persons, study; 'studiolo'; library
Solid Undecorated Bangle with Flat Surface
Object type: solid undecorated bangle
Materials: bronze
Culture: thai
Damesschoen van zwart leer versierd met zwart reptielleer en opstaande klep op de wreef
Object type: womenswear
Date: 1940 – 1950
Materials: leather, metal
Techniques: tanning
Location: baarn
Artist: h.j. van gaver
Artist role: schoenmaker

Damesschoen van zwart leer met opstaande klep op de wreef. Afgeronde neus, blad uit één stuk leer. De voorkant van de hak loopt in een afgeronde hoek recht naar beneden. De zijkant en achterkant van de hak zijn iets getailleerd en bekleed met zwart reptielleer. Leren achterlapje met drie spijkers aan de hak vastgeslagen en leren zool. Blad gevoerd met bruin leer. Hiel gevoerd met geruwd ivoorwit leer. De binnenzool is van grijs leer. Versiering: Op de neus versierd met stuk reptielleer. Langs de schachtrand een golvende rand reptielleer. Op de opstaande klep twee banden reptielleer.
Bowl
Object type: bowl
Date: 901 – 1000
Materials: earthenware, glaze
Location: iran

This bowl was excavated at the site of Sabz Pushan in Nishapur in 1937. It was subsequently acquired by the Museum through a division of finds with the Iranian government at the time. Similar objects, earthenware with an opaque turquoise glaze, were also excavated in Central Iran particularly in Isfahan and Istakhr. They represent a visual continuity with vessels made of stonepaste, a new ceramic technology that emerged in the second half of the 11th century. However, such objects are largely unknown and often ignored in the art historical literature on medieval Iran. Further investigations will elucidate if this type of ware was made in imitation of stonepaste, perhaps by craftsmen with no knowledge of the medium, or if it is an example of a preexisting type of production whose repertoire of shapes was later adopted by stonepaste manufacturers.
Portret van Jacques de la Faille
Object type: drawing
Date: 1820 – 1872
Materials: paper, pencil
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: historical persons
Man vissend bij een waterval in Lake District
Object type: photograph
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: lake district
Subjects: waterfall
Succes van Herman Heijermans
Object type: cartoon
Date: 1900 – 1924
Materials: paint, ink, paper
Techniques: pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: rotterdam, herman heijermans, historical persons, writer, poet, author, political caricatures and satires
Inscriptions: inscription: ‘Toneelkunst in Holland / Hulde aan Heyermans ...’

Succesvolle toneelstukken van Herman Heijermans: Op hoop van zegen en Allerzielen. Ontwerp voor een cartoon in een krant.
Jonge man en vrouw bij een ven in het bos
Object type: print
Date: 1851 – 1865
Materials: paper
Techniques: lithograph
Location: paris
Subjects: forest, wood, lovers' meeting, fen, du. 'ven', couple of lovers
Inscriptions: collector's mark: Lugt 964
Confections
Object type: wrapper
Date: 1915 – 1915
Materials: cardboard, leather, textile
Location: philadelphia
Inscriptions: inscription: ‘"SATIN FINISH"’
De kleine mens Land-patrolius van duisterheim, 1720
Object type: print
Date: 1716 – 1720
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: night patrol, caricatures (human types), little people

De kleine mens Land-patrolius van duisterheim als nachtwaker. In het onderschrift verzen in het Duits, Frans en Nederlands. Genummerd rechts midden: 45. Afdruk binnen een decoratieve omlijsting gedrukt van een aparte plaat met kleine mensen en onderaan een bok. Onderdeel van deel II in de tweede Nederlandse gebonden uitgave uit 1720 (en gerelateerd aan de Windhandel in dat jaar) van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel, deels gekopieerd naar een ouder Duits voorbeeld.
Glass pendant bead in the shape of a plumbline
Object type: plumbline
Date: 700 – 401
Materials: glass
Culture: etruscan or greek

Uncertain color, appearing opaque black; trail in opaque white. Elongated body, expanding downwards, with two vertical tooled indents in side; pierced through from top to bottom with a large, regular hole; rounded bottom edge. A single marvered trail wound at least 16 times round body in a spiral. Broken at narrower (top) end; dulling, severe pitting of surface bubbles, and faint brownish weathering. The date and provenance of this large bead are uncertain, but it may be Etruscan, dating to the 7th century B.C. and used as decoration on a fibula.
The Most Capital Paintings in England
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: etching
Location: london
Subjects: clemens ix, historical persons, pope
Inscriptions: date

Prent hoort vermoedelijk bij de serie The Most Capital Paintings in England, tussen 1763 en 1786 uitgegeven door John Boydell.
Landschap met molen op terp aan water
Object type: print
Date: 1796 – 1849
Materials: paper
Techniques: etching
Location: netherlands
Artist: albertus brondgeest
Artist role: draughtsman, print maker
Artist dates: 1786 – 1849
Subjects: windmill in landscape, windmill
Inscriptions: collector's mark: Lugt 2228

Landschap met een houten molen op een terp aan het water. Op een stenen muur staat het wapen van de stad Amsterdam. Twee vissers staan op de oever met hengels.
Approaching Thunder Storm
Object type: painting
Date: 1859 – 1859
Materials: canvas, oil
Culture: american
Artist: martin johnson heade
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1904
Subjects: landscapes,storms,boats

Heade became a good friend of the acclaimed landscape painter Frederic Church (1826–1900), but he worked on the periphery of the Hudson River School. He specialized not in dramatic wilderness subjects, as many of the school did, but preferred more prosaic marshlands and coastal settings. Even when he painted storms, as here, he portrayed not the actual tempest, but its tense preamble of blackening sky and eerily illumined terrain. This painting was based on a sketch of an approaching storm that Heade witnessed on Rhode Island's Narragansett Bay about 1858. The image became the basis for a more elaborate and synthetic version of the subject painted in 1868 (Amon Carter Museum, Fort Worth, Texas).
Deksel van bokaal met deksel, met een jachtscène
Object type: lid
Date: 1850 – 1875
Materials: glass
Techniques: gilding, glassblowing, grinding

Gewelfde, facetgeslepen deksel met overkragende rand en een facetgeslepen, balustervormige knop, eindigend in een punt. Op het deksel een hert, een ooievaar en een hond omgeven door rocailleornament.
Bracelet or Arm Ring
Object type: religious ritual object
Materials: jade
Location: china
Artillery Waggons, Balaklava in the Distance
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards
Portret van Claude de Mesmes, graaf van Avaux
Object type: print
Date: 1841 – 1879
Materials: paper
Techniques: engraving
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: historical persons, armorial bearing, heraldry

Prent uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Amsterdam, Leiden en Haarlem: s.n., 1841-1879, dl. 3.
Sigismundi Augusti Mantuam adeuntis profectio ac triumphus
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: rome
Subjects: triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', military parade, pageant, the soldier; the soldier's life, mother and child(ren), woman and child(ren) (family group), (military) equipment and supply
Inscriptions: number: ‘1’

Prent maakt deel uit van een reeks van 25 prenten (+ titelprent) naar het stucwerk door Giulio Romano en Francesco Primaticcio in de Sala degli Stucchi in Palazzo del Te te Mantua.
Mr. Le Gallienne
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: portrait of a writer
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Borstbeeld van Jacob Cats
Object type: print
Date: 1800 – 1837
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: jacob cats (1577-1660), prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, lyre, cithara, psaltery, book, bee-hive, historical persons (+ (full) bust portrait)

Borstbeeld van Jacob Cats, naar rechts, staand in een nis. Onder het borstbeeld liggen verschillende attributen, die verwijzen naar Cats als dichter, zoals boeken, inktpot en en penneveer, een globe, een lier, een fluit. De bijenkorf verwijst naar de Amsterdamse schouwburg. De slang en de spiegel duiden op de kardinale deugd van de Voorzichtigheid en Wijsheid.
Portret van Gottfried Ludolf Camphausen
Object type: print
Date: 1847 – 1877
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Vatican Tournament, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1565 – 1565
Techniques: etching
Artist: master hcb
Artist role: artist
Artist dates: 1565 – 1565
Subjects: buildings,playing,horses,crowd,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 72 in the scrapbook.
Nederlandse officier, 1832
Object type: print
Date: 1832 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Artist: nicolas toussaint charlet
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1792 – 1845
Subjects: officer
Inscriptions: collector's mark: Lugt 2228

Nederlandse officier van de infanterie, staande geleund op een muur van zandzakken; onderdeel van het garnizoen in de Citadel van Antwerpen, november-december 1832. Onderdeel van een serie van twintig bladen uit 1833 met voorstellingen van de militaire interventie van het Franse Noordelijke Leger in België in 1832.
Hexagonal Covered Box with Birds and Flowers
Object type: vessel
Materials: silver
Location: china
Purifying and Mourning the Dead, Tomb of Nebamun and Ipuky
Object type: facsimile, nebamun tt 181, ipuky, purifying, mourning
Date: 1390 – 1349
Materials: paper, paint
Location: egypt
Artist: charles k. wilkinson
Artist role: artist
Artist dates: 1897 – 1986
Subjects: men,women,hieroglyphs,funerals,sarcophagus

This facsimile painting copies part of a funeral scene in the tomb of Nebamun and Ipuky (TT 181) at Thebes. The scene depicts the funerals of the two men, who died at different times.