deem-data/ArtiFact huggingface dataset:
Double-cut (Nijū-giri) Flower Container (Hanaire), named Cool Summer Morning (Shinryō)
Object type: flower container
Date: 1601 – 1633
Materials: bamboo, gold, lacquer
Culture: japanese
Artist: kōgetsu sōgan
Artist role: artist
Artist nationality: japanese
Artist dates: 1574 – 1643

Cut from a single piece of bamboo, this double-windowed flower holder (hanaire) was created for the tea ceremony by Kōgetsu Sōgan, who mentions making it in his accompanying letter, now mounted as a hanging scroll. The son of Tsuda Sōgyū (died 1591), one of the San Sōshō (Three Greatest Tea Masters), Sōgan became a Zen monk of the Rinzai sect as well as the 156th head abbot of the Daitokuji Temple in Kyoto. In 1612 he built the famous Kohōan, a subtemple of Daitokuji, with the noted feudal lord, architect, garden designer, and tea master Kobori Enshū (1579–1647).
Landschap met rivier en kasteel
Object type: print
Date: 1613 – 1695
Materials: paper
Techniques: etching
Location: france
Artist: mariette
Artist role: publisher
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Prick Spur
Object type: spur
Date: 101 – 300
Materials: metal alloy
Culture: germanic
Location: germany

This exceptional spur has features in common with Germanic and Gallo-Roman examples from around the 3rd century. However its size and width make it very unusual, as spurs from this period are normally very small. The spur was secured to the foot by the means of straps attached to the side buttons and to the small hook shaped as a small stylized horse’s head. The state of preservation and the partially removed black patina indicate that it may have been found in a humid context with a low level of oxygen, like a bog, preserving the metal from rust. In this case this spur would have probably been thrown there as an offering. Germanic populations regularly offered sacrifices of military and equestrian objects (including war booties) to their gods in this way after a successful battle.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1890 – 1890
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: jan vrolijk
Artist role: draughtsman, painter, print maker
Artist dates: 1846 – 1894
Subjects: painter, draughtsman, philip zilcken, diseases
Amenissimae aliquot requculae
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: fortress, church (exterior), monk(s), friar(s), landscape with tower or castle
Inscriptions: collector's mark: Lugt 964

Landschap met een aan het water gelegen fort met toren. Daarachter een kapel. Op de voorgrond wandelen twee kloosterlingen over een pad. Negende prent van deel twee van een serie van in totaal zestig prenten met landschappen, verdeeld over vijf delen van elk twaalf prenten.
Openbaring en Rede voor Golgotha
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: the cross(es) in the background, reason; 'ragione' (ripa)
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond staat Openbaring, een half gesluierde vrouw met een opengeslagen onder haar arm. Naast haar staat de Rede, een vrouw met in haar rechterhand een zwaard, staand op een slang die ze aan een ketting vasthoudt. Openbaring wijst Rede op een pad dat naar de berg Golgotha leidt.
The Right Honorable William Pitt
Object type: print
Techniques: engraving, etching
Location: london
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: men,portraits
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1701 – 1800
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: cranes,men
Allegorie op de alliantie gesloten tussen de roomse klerikale partij en de liberale partij tegen de Nederlandse regering, 1829
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: southern netherlands
Subjects: freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure)
Inscriptions: inscription: ‘Composé et dessiné par Eugene Verboeckhoven’, collector's mark: Lugt 2228

Allegorie op de alliantie gesloten tussen de roomse klerikale partij en de liberale partij in de Zuidelijke Nederlanden tegen de Nederlandse regering, 1829. De Belgische leeuw staande bij een altaar, hij vertreedt een gebroken boei en verdrukt met een poot een slang op het altaar. In de wolken reikt de Vrijheid de leeuw een lauwerkrans. In de hemel een kruis met opschrift 'In hoc signo vinces'. In het onderschrift een anker en twee gekruiste pennen en het opschrift 'Pro aris et focis'.
Landscape with two Trees
Object type: painting
Date: 1860 – 1867
Materials: oil, panel
Artist: paul joseph constantin gabriël
Artist role: draughtsman, print maker
Artist dates: 1828 – 1903
Subjects: landscapes in the temperate zone
Inscriptions: label: ‘A mon Ami H. Hymans, de la part de P.J.C. Gabriël, Bruxelles le 4[?] Janv: 1867’, signature: ‘P.J.C.G.’

Landschap met een vrouw bij twee bomen op een pad langs het water.
The Way They Live
Object type: painting
Date: 1879 – 1879
Materials: canvas, oil
Culture: american
Artist: thomas anshutz
Artist role: artist
Artist nationality: american
Artist dates: 1851 – 1912
Subjects: houses,boys,girls,women,working

Born in Kentucky and raised in West Virginia, Thomas Anshutz moved to Brooklyn in 1871. During that turbulent decade, a number of artists painted images of African American life with varying degrees of naturalism and stereotyping. Here, Anshutz embraces the former, portraying a woman and two children in a well-tended patch of tobacco. The mountain setting suggests the painting may be based on a scene observed on the artist’s travels around West Virginia. While produced after the end of Reconstruction, both the depicted family unity and the financial independence they could derive from the tobacco cash-crop reveal a more nuanced commentary on their situation. Nevertheless, the painting’s title underlines the distance between the presumed White middle-class viewer and the Black laboring subject.
Whiskey mug
Object type: whiskey mug
Date: 1850 – 1860
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Fragmentary Shroud with a Bearded Young Man
Object type: shroud fragment, bearded man
Materials: linen, paint
Location: egypt
Subjects: men,portraits,hieroglyphs,horus

A young man with wide eyes and an incipient moustache stands before a dark gray background, with a lighter gray area around his head. In his hand he holds a bundle of foliage, perhaps myrtle. To each side of his head is a figure of the falcon god Horus, alternately with the crowns of Upper and Lower Egypt. Originally, there were ladders of vignettes with deity figures at each edge; remains of a dark skinned god with a blue crown are preserved at left. A hieroglyphic inscription at the top refers to the Egyptian god Horus the Behedite, immanent in the winged sun disk that originally topped the shroud; only the tips of some wing feathers are preserved at the upper left corner.
Reproductie van een ontwerp van een gedecoreerde vaas, voorstellende een vrouw en twee engelen
Object type: reproduction
Date: 1859 – 1864
Materials: paper
Techniques: chromolithography
Location: paris
Subjects: container of glass: bottle, jar, vase
Inscriptions: name: ‘Al. Noël, del./ Daumont lith.’
Danton
Object type: print
Date: 1805 – 1811
Materials: paper
Techniques: etching
Location: france
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Landon, Charles Paul. Galerie historique des hommes les plus celebres de tous les nations. (...). Parijs: Musée et l'école des beaux-arts, 1805-1811.
Caroline vertelt Lindorf dat ze al uitgehuwelijkt is
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, betrothal and marriage
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor 'Caroline von Lichtfield' van Isabelle de Montolieu. Latere staat gebruikt voor: Gothaischer Hof Kalender zum Nutzen und Vergnügen eingerichtet auf das Jahr 1788. Gotha: C. W. Ettinger, [1787].
Theebus, beschilderd met oudtestamentische en amoreuze scènes
Object type: tea caddy
Date: 1727 – 1727
Materials: earthenware, glaze
Location: delft
Artist: johannes verhagen
Artist role: plateelbakker
Artist dates:  – 1739
Subjects: cupid shooting a dart
Inscriptions: date: ‘1727’, signature: ‘I.V.H.’

Verhagen had van ca. 1720 t/m 1729 een huisoven waar hij poppengoed, maar ook enkele grotere stukken maakte. In 1729 kocht hij De Paauw, die hij tot zijn dood in 1739 bezat. Zijn weduwe zette de fabriek nog een jaar voort, voor ze deze aan Jacobus de Milde verkocht.
Reproductie van een tekening van een Japanse vrouw aan een strand
Object type: visiting card
Date: 1890 – 1920
Materials: paper
Techniques: photograph, lithograph
Location: japan
Artist: Anonymous
Subjects: adult woman, japan
Monument Anspach
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: monument, statue, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Portret van Anthony van Dyck
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: antwerp, london, painter, print maker, draughtsman, anthony van dyck, historical persons, portrait, self-portrait of painter, tools, implements of painter

Staand naast een schildersezel en met een palet en penselen in zijn handen.
Piece
Object type: piece
Date: 1680 – 1700
Materials: silk
Subjects: flowers,leaves
Koeien en geiten in een landschap met huizen
Object type: print
Date: 1600 – 1647
Materials: paper
Techniques: drypoint, engraving, etching
Location: the hague
Subjects: bovine cattle
Inscriptions: collector's mark: Lugt 240
left hand and arm fragment with Aten cartouches from a statue supporting a stela?
Object type: left hand and arm, aten cartouch, stela
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Subjects: hands
Bishop of Liverpool
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: woodburytype
Subjects: functionaries and dignitaries ~ episcopal protestant churches, historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Portretmedaillon van Caligula, Romeins keizer
Object type: drawing
Date: 1736 – 1775
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: germany, rome, male persons from classical history (caligula) - portrait of person from classical history, historical persons
L'ouvrage de Charles le Brun
Object type: print
Date: 1700 – 1725
Materials: paper
Techniques: etching
Location: paris
Subjects: face, bovine cattle

Deze prent maakt deel uit van de serie 'Livre de portraiture', die weer onderdeel is van de grotere reeks 'Oeuvre de Charles le Brun'.
Gezicht op het Corvershof te Amsterdam
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: alms-house (dutch: 'hofje'), bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Vanaf 1760 gaf Pierre Fouquet stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars uit. Deze prenten werden aanvankelijk los verkocht. Later werden ze samengebonden verkocht in verschillende volgordes en aantallen in:

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783. Deze 'uitgave' bestond waarschijnlijk alleen uit een titelblad en inhoudsopgave van de tot dusver 100 uitgegeven prenten, die de koper zelf aan zijn of haar reeds verzamelde prenten kon toevoegen. De hoeveelheid en volgorde van prenten verzameld onder deze titel verschilt dus sterk.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.

Ook werden er door verschillende uitgevers tussen 1788 (Amsterdam: Petrus Conradi) en 1805 (Amsterdam: Evert Maaskamp) heruitgaven gepubliceerd.
Viola
Object type: viola
Date: 1791 – 1791
Materials: wood
Culture: british
Location: united kingdom
Artist: benjamin banks
Artist role: maker
Artist nationality: british
Artist dates: 1727 – 1795

This viola, by one of the finest English makers of the late eighteenth century, is in unaltered condition. Its body size is small, both in comparison with seventeenth-century violas and those preferred by modern players. The neck construction represents a transitional stage between traditional and modern styles.
Gezicht op Hallstatt met meer en omliggende bergen
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: hallstatt
Artist: Anonymous
Subjects: prospect of village, silhouette of village
Inscriptions: negative number: ‘391’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Duitsland en Oostenrijk en van kunstwerken.
Door from the cabinet intérieur of Étienne-François, duc de Choiseul (1719-1785), at his château of Chanteloup
Object type: door and doorway with overdoor
Date: 1771 – 1771
Materials: wood
Techniques: carving, gilding, painting

Door from the cabinet intérieur of Étienne-François, duc de Choiseul (1719-1785) at his château of Chanteloup. Choiseul was one of the most powerful politicians during the reign of Louis XV until he fell out of favor with the king and was forced to retire at his country estate at Chanteloup in 1770. In an anonymous drawing, now in a private collection, dating to ca. 1771, the door is clearly visible in the duke’s private cabinet, one of the most richly ornamented rooms in the castle. The door’s main decoration of a shield with a female head surrounded by acanthus scrolls and branches closely resembles a drawing attributed to Henri Salembier (collection Rijksmuseum, Amsterdam). Whereas the decoration in the drawing symbolizes spring, the woman’s hair is crowned with roses and the shield is surrounded by flowering branches, the door’s carved ornament symbolizes Fall. The woman carries pomegranates and leaves in her hair while the shield is surrounded by fruit-bearing grapevines, berried ivy and laurel branches. The carving above the door, consisting of acanthus scrolls ending in curling snakes that flank a central cassolette, derives from the same design. After the duke’s death, the paintings displayed in the cabinet were sold at a 1786 auction but the decorative frieze and door remained in place but were removed at an unknown date. Six of the frieze’s carved panels (07.225.464a-f) and the door were later part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885, the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris, as depicted by Léopold Stevens’ (1866-1935) Interior of the Hoentschel Collection at 58 Boulevard Flandrin, Paris (2019.55). In 1906, Hoentschel sold the collection to J. Pierpont Morgan who gave the panels and the door with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art the following year.
Piscivm vivae icones
Object type: print
Date: 1598 – 1620
Materials: paper
Techniques: engraving
Location: unknown
Subjects: sea (seascape), bony fishes: mullet, bony fishes: sword-fish, cartilaginous fishes: dogfish, bony fishes: weever
Inscriptions: collector's mark: Lugt 2166

Een zwaardvis, een harder, een kathaai en een pieterman liggen samen met wat schelpen aangespoeld op het strand. Op de achtergrond de zee en wat schepen. De prent maakt deel uit van een serie met vissen als onderwerp.
Piece
Object type: piece
Date: 1785 – 1790
Materials: cotton
Artist: bromley hall printworks
Artist role: manufactory
Artist nationality: english
Artist dates: 1694 – 1823
Subjects: birds,flowers,trees
Portret van Reyer Anslo
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: engraving, etching, letterpress printing
Subjects: amsterdam, reyer anslo

Portret ten halven lijve naar links van de letterkundige Reyer Anslo, blootshoofds. In zijn hand houdt Anslo een rol papier. Onder het portret staat een vierregelige tekst in het Nederlands. Op versozijde een tekst in boekdruk.
Ontwerp voor een glas-in-loodvenster
Object type: sketchbook leaf
Date: 1901 – 1901
Materials: chalk
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: work of applied art (+ types of art)
Inscriptions: annotation: ‘[...]’

Blad 33 recto uit een schetsboek met 79 bladen.
Quadrangular vase in the form of a Neolithic ritual jade object (Cong)
Object type: vase
Date: 1801 – 1900
Materials: glaze, stoneware
Culture: chinese
Twaalf voorstellingen uit le Mariage de Figaro van Beaumarchais
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: paris, publisher, adolescent, young woman, maiden, reading, literature, garden, pursuit of a woman, prowling, lantern, lovers' meeting, hiding, hiding oneself, night
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor 'le Mariage de Figaro' van Pierre Augustin Caron de Beaumarchais. Latere staat gebruikt voor: Almanac de Gotha contenant diverses connoissances curieuses et utiles pour l'année (...). Gotha: C. W. Ettinger, 1785.
Bodhisattva
Object type: figure
Date: 1501 – 1700
Materials: lacquer, wood
Techniques: gilding
Culture: chinese
Subjects: buddhism,bodhisattvas
Het oude raadhuis, Freiburg im Breisgau, Baden-Württemberg, Duitsland
Object type: photograph
Materials: paper
Techniques: gelatin silver print
Location: germany
Subjects: freiburg
Inscriptions: inscription: ‘Verlag der Neuen Photogr.Gesellschaft A.-G.//Berlin-Stieglitz 1904’, number: ‘1764’, inscription: ‘FREIBURG i. B. Altes Rathaus.’

Gezicht op het rijk beschilderde oude raadhuis van Freiburg im Breisgau, Duitsland.
The queen's birthday in London: Trooping the Colour at the horse guards
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: engraving
Subjects: military parade, pageant

Prent gebruikt in: The Graphic, 1 juni 1895, p. 660-661.
Sleeve Button
Object type: sleeve button
Date: 1876 – 1876
Materials: porcelain
Culture: american
Location: united states
Artist: union porcelain works
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1922
Subjects: lions
Alfabet in gebarentaal
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: postures and gestures of hand and fingers, deaf, deafness, roman script; scripts based on the roman alphabet
Inscriptions: collector's mark: Lugt 2233
End of a cover
Object type: cover
Date: 1767 – 1833
Materials: linen, silk
Charles H. Getzin, Baseball Player, Pitcher, Detroit, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes
Object type: baseball card
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,baseball,athletes

Baseball trade card from "World's Champions," Series 2 (N29), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Gedeelte van het Spanjaardshol op het Vreeburg te Utrecht
Object type: drawing
Date: 1828 – 1828
Materials: chalk, paper
Artist: hendrik willem cramer
Artist role: draughtsman
Artist dates: 1809 – 1874
Subjects: interior of the house, utrecht
Inscriptions: date: ‘1828’
Fragment
Object type: textile
Date: 1301 – 1400
Materials: animal substrate, gilt, linen, silk
Techniques: bookbinding, patterning, weave
Location: lucca
Padlock with key
Object type: padlock with key
Date: 1701 – 1800
Materials: iron
Aardrijkskunde
Object type: popular print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: hot spring, geyser, maps, atlases, denmark
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Servet van linnen met pellenpatroon
Object type: napkin
Date: 1627 – 1666
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

wit linnen servet met pellen patroon, merk kroon IVG
Hardie Henderson, Champion Baseball Pitcher, from the Champions of Games and Sports series (N184, Type 2) issued by W.S. Kimball & Co.
Object type: print, baseball card
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: men,baseball,athletes

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 2.
Begraeffenisse van syne hoogheyt Frederick Henrick. Luxe ingekleurde uitgave van de prenten van de begrafenisstoet van Frederik Hendrik in 1647
Object type: book
Date: 1651 – 1651
Materials: paint, paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the hague, frederick henry (prince of orange)
Inscriptions: date

Pagina 21 van de beschrijving van de begrafenis van Frederik Hendrik. Blad uitgeknipt, versierd met goud en ingeplakt in de luxe editie uit ca. 1755 van het boek 'Begraeffenisse van syne hoogheyt Frederick Henrick' van Pieter Post, uitgegeven te Amsterdam in 1651.
The Water Drinker
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: aquatint, drypoint, etching, roulette
Location: france
Artist: henri charles guérard
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1897