deem-data/ArtiFact huggingface dataset:
Karikaturale figuren op een toneel
Object type: illustration
Date: 1807 – 1809
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: curtain ~ stage, caricatures (human types), ink-well, print, e.g.: engraving, etching, lithograph, tools, implements of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Karikaturale figuren op een toneel, de middelste man neemt zijn hoed af en spreekt de tekst die wordt weergegeven in een tekstballon. Rondom een rood gordijn waarop de veertien prenten te zien zijn die de betreffende aflevering van The Caricature Magazine voorkomen. Op de voorgrond links een boek en een inktpot met schrijfveer en rechts schildersattributen en een etsnaald.
Sleutel
Object type: key
Date: 1500 – 1600
Materials: iron

Sleutel met diep ingesneden vierhoekige baard, vierzijdige schacht en ovaal oog.
Église de la Madeleine
Object type: print
Date: 1845 – 1850
Materials: paper
Techniques: engraving
Location: paris
Subjects: church (exterior)

Prent op veertiende ongenummerde pagina na titelpagina. Prent gemaakt naar daguerreotypie.
Portret van Carolus Scribani
Object type: print
Date: 1629 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: brussels, antwerp, priest, historical persons, professor
Inscriptions: collector's mark: Lugt 240

Met eenregelig onderschrift in het Latijn.
Brief aan Andries Bonger
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: amsterdam, andries bonger, applied arts, arts and crafts; industrial design, family life, workshop, studio of the artist (in general), money, paris
Inscriptions: watermark
Saline bei Münster am Stein mit Rhein-grafenstein u. Ebernburg nach einem Stich aus dem Jahre 1790
Object type: reproduction
Date: 1907 – 1907
Materials: cardboard
Techniques: photograph, writing
Location: mainz
Subjects: river, mountains
Inscriptions: date
Man Holding a Crossbow
Object type: print
Date: 1710 – 1756
Techniques: etching
Artist: martin engelbrecht
Artist role: publisher
Artist nationality: german
Artist dates: 1684 – 1756
Subjects: weapons,men
Tea Rose
Object type: collage visual work
Date: 1924 – 1924
Materials: paper
Techniques: collage
Artist: kurt schwitters
Artist role: painter, print maker, sculptor
Artist dates: 1887 – 1948
Subjects: abstract, non-representational art, flowers: rose

This collage is made of all kinds of scraps of paper that Kurt Schwitters gathered from the streets. He took suitcases
full of scavenged trash and objets trouvés with him when he travelled. In the abstract composition of brown, grey, pink and black angular planes, he attached an illustration of a rose. Another fragment identifies it as a tea rose. Such a bit of reality is a light-hearted counterbalance to the sober abstract composition.
Tuinontwerpen geassocieerd met de Dorische, Ionische en Korinthische bouworden
Object type: album leaf
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: cologne
Subjects: garden, french or architectonic garden; formal garden, labyrinth, maze ~ garden

Op de voorgrond staat een hoge boom in het midden van een rechthoekige parterre, omgeven door een balustrade. In het midden staat een boom. Links loopt een vrouw met een mand. De tuin is aangelegd volgens de Korinthische bouworde. De prent maakt deel uit van een album.
Card 417, Rhea, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Serie van verschillende klederdrachten
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: woodcut
Location: paris
Subjects: animals acting as human beings, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228

Dit is prent 52 uit een serie van 121. Binnen deze serie zijn er prenten gemaakt naar voorbeelden van Jean-François de Roberval en Enea Vico, onbekend welke precies.
The Boat Studio, plate 11 from "Voyage en Bateau"
Object type: print
Date: 1861 – 1861
Techniques: etching
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: painting,men
Lookout Mountain, Tennessee
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: american civil war,landscapes
The Milliner
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: woodcut
Location: france
Artist: félix edouard vallotton
Artist role: print maker
Artist nationality: french, born switzerland
Artist dates: 1865 – 1925
Eleven-headed bodhisattva Guanyin
Object type: temple banner
Date: 1778 – 1778
Materials: metal thread, silk
Techniques: embroidery, weave
Culture: chinese

The central figure in this magnificent embroidery is eleven-headed Guanyin, one of many manifestations of the compassionate bodhisattva. The eleven heads symbolize steps on the path to enlightenment. This hanging illustrates the highest achievement of imperial Qing embroidery works of the eighteenth century. The embroidery features elaborate details. These include one thousand arms encircling Guanyin’s body with an eye in the center of the palm of each hand. An ink inscription on the object’s back panel indicates it was created in 1778 under the third Changkya Khutukhtu (1717–86), a Mongolian Tibetan Buddhist representative at the Qing court. Caption: Inscription on the back in Chinese, Manchurian, Tibetan, and Mongolian: “On the twenty-fourth day of the fourth month of the forty-third year of Qianlong reign [May 20, 1778] the Emperor [Qianlong] commanded the Changkya Khutukhtu to supervise this embroidery [of] eleven-headed Bodhisattva Guanyin.”
Cup with cover and saucer (gobelet à lait et soucoupe)
Object type: cup and saucer
Date: 1756 – 1756
Materials: soft paste porcelain
Artist: vincennes manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 1756
Subjects: flowers

When this design was introduced at Vincennes in 1752, it was described as a "milk cup and saucer," and it may have been intended only for hot milk drinks. The presence of a cover, however, would have made it appropriate for serving hot chocolate as well. The swirling, asymmetrical use of the turquoise ground color must have appeared startlingly original when this cup and saucer were made.
Bowl with double fish, dancers, and animals
Object type: bowl
Date: 401 – 600
Materials: bronze
Culture: chinese or central asian
Subjects: animals,fish,dancers
Pandora
Object type: print
Date: 1625 – 1626
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: the gods adorning pandora, (story of) pandora
Inscriptions: collector's mark: Lugt 240

In een berglandschap staat een vrijwel naakte vrouw met een gesloten beker in de rechterhand. Aan de hemel op een wolkenpartij is zij nogmaals zichtbaar, omringd door Olympische goden.
Millefleurs met een luipaard en vogels (fragment)
Object type: tapestry
Date: 1500 – 1525
Materials: wool
Techniques: tapestry
Location: southern netherlands
Artist: Anonymous

C. Colonna, 'La tapisserie des cerfs ailés', L'Estampille. L'object d'art, 401 (2005), p. 48. Vermeldt en toont een wandtapijt met een vergelijkbare soort achtergrond.
Koenraad Brosens, European tapestries in the Art Institute of Chicago, Chicago 2008, p. 210, fig. 4. Vermeldt en toont een wandtapijt met een vergelijkbare soort achtergrond.
Gelderland, Karel van Egmond, dubbele stuiver, 1496
Object type: coin
Date: 1496 – 1496
Materials: silver
Techniques: striking
Location: gelderland
Artist: karel van egmond
Artist role: earl
Artist dates: 1467 – 1538

Zilveren munt. Voorzijde: onder twee helmen met helmtekens Gelders wapenschild. Keerzijde: kort gevoet kruis, in hoeken afwisselend leeuw en lelie. In omschrift jaartal 96.
Portable Picnic Set (sagejū) with Peonies
Object type: sage ju bako
Date: 1851 – 1900
Materials: gold, lacquer, silver, wood
Techniques: hiramakie, lacquer
Culture: japanese
Vrouw in een geornamenteerde omlijsting met een kroon
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: crown (symbol of sovereignty), adult woman (+ standing)
Koe liggend bij hek
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Standing Female Nude
Object type: drawing
Date: 1874 – 1927
Materials: chalk, paper
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Doorknob
Object type: glass
Date: 1845 – 1860
Materials: glass
Location: france
Artist: saint-louis glassworks (cristalleries de saint-louis)

Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying and classifying the natural world. Amateur botanists were eager to collect and preserve floral specimens, which they intently researched and catalogued. In response to this broad appeal, French glassmakers made paperweights that portrayed the very botanical subjects that were so enthusiastically sought. Many weights represented specimens with horticultural correctness, but others were entirely fanciful creations. Paperweights like this example speak to the period’s fascination with taxonomic systems.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Sjaalkraag van batist met borduurwerk met korenaren en incrustaties van machinale kant in de vorm van twee vlakke bogen in elke punt
Object type: collar
Date: 1885 – 1885
Materials: textile, linen
Techniques: embroidered, lace, weave, embroidery
Location: netherlands
Artist: Anonymous

Sjaalkraag van naturelkleurige geborduurde batist, rondom afgewerkt met stroken machinale kant: machinale Valenciennes-kant. Smal trapeziumvormig model met spitse punten. Vanaf de rechte onderkant richting de punten zijn twee incrustaties van kant aangebracht, aan elke kant twee aan elkaar geschakelde vlakke bogen. Bij het knooppunt en de uiteinden van de bogen staat borduurwerk - witwerk met plumetis - met twee korenaren, één of twee rozetbloempjes en geknakte grassprieten. Het batist is aan de binnenzijde bezaaid met bloempjes en aan de buitenzijde voller bezaaid met moesjes. De kantstroken hebben een schulpenrand van boogjes met boven elke schulp een ovaaltje.
Standing Child (Possibly a Young St. John the Baptist)
Object type: statuette
Date: 1665 – 1665
Materials: bronze
Artist: ferdinando tacca
Artist role: artist
Artist nationality: italian
Artist dates: 1619 – 1686
Subjects: boys
Krantenlezer
Object type: drawing
Date: 1865 – 1930
Materials: chalk
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: reading
Altäre
Object type: print
Date: 1740 – 1745
Materials: paper
Techniques: engraving, etching
Location: augsburg
Artist: gottfried bernhard götz
Artist role: artist, draughtsman, painter, print maker
Artist dates: 1708 – 1774
Subjects: standing figure - aa - female human figure, altar
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een altaar met rocaille ornamenten, met links en rechts een staande vrouw. Tussen de twee engelen op de pilaren van het altaar cherubijnen tussen de wolken. Het altaar wordt aan de bovenzijde afgesloten door een putto.
Bowl
Object type: bowl
Date: 1201 – 1300
Materials: stonepaste
Techniques: painting, underglaze
Location: iran
Heilige Familie met de jonge Johannes de Doper
Object type: print
Date: 1642 – 1657
Materials: paper
Techniques: etching
Location: italy
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 240

Maria, Jozef en het Christuskind samen met de jonge Johannes de Doper en zijn lam voor een tempel.
Mlle. Jager, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Ceramic Fragment
Object type: fragment
Date: 1301 – 1500
Materials: earthenware, glaze
Techniques: coloring, incising
Location: egypt
Subjects: fish
Serie 6: Nederlandse Gebeurtenissen, 1571-1576
Object type: album leaf
Date: 1574 – 1578
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: brussels, raising the siege with outside assistance, relief, leiden, the hague, delft

Het ontzet van Leiden op 3 oktober 1574. Troepen van de prins varen over de ondergelopen polders van Delft langs Den Haag naar Leiden, onder bevel van admiraal Louis de Boisot. Spaanse belegeraars vluchten vanuit hun stellingen. Met onderschrift van 10 regels in het Duits. Linksonder genummerd: 101. De prent maakt deel uit van een album.
Gezicht op een straat in Aberdeen
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching
Location: london
Subjects: street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Scotia Depicta; or the antiquities, castles, public buildings, noblemen (...). Londen: William Miller, 1801.

Zie ook: RP-P-2018-1854.
Francisc. Mayvarti
Object type: book illustration
Date: 1688 – 1688
Materials: paper
Techniques: engraving, snipping
Artist: Anonymous
Subjects: historical persons, professor

Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Miss Gilbert in Colors of Norddeutscher Yacht Club, from the Yacht Colors of the World series (N140) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,flags

Trade cards from the "Yacht Colors of the World" series (N140), issued in an unnumbered set of 50 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The same set was released by Duke in a smaller size, as well (N91).
Kustgezicht met vissers
Object type: book illustration
Date: 1666 – 1666
Materials: paper
Techniques: etching
Location: netherlands
Subjects: city-view, and landscape with man-made constructions, fisherman, coast (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Langs een bergachtige kustlijn liggen enkele steden. Vooraan zijn vissers met netten in de weer. Ze werken samen met de bemanning van de vissersboot op zee. Achter de boot ligt een drenkeling in het water. Rechtsboven: 7: B.
Gezicht op een weeshuis in Antwerpen, België
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: dresden
Subjects: orphanage, antwerp
Inscriptions: inscription: ‘Architect: Ernest Dieltiens.’, inscription: ‘Architekt: Ernst Dieltiens.’, number: ‘Pl. 45.’, inscription: ‘1re annèe.’, inscription: ‘Architecte: Ernest Dieltiens.’

Deze prent maakt deel uit van een omslag met 110 prenten op 90 bladen en 18 tekstbladen.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: men,trees
The Rest on the Flight to Egypt
Object type: print
Date: 1593 – 1593
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: gerrit pietersz. sweelink
Inscriptions: Lettered lower left: "Ioannes starterus ex. / 1593"; and below image: "Quid mortem Infanti ... regna superna potest"
Boslandschap met man die door water waadt
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228
Virgin and Child
Object type: statuette
Date: 1270 – 1280
Materials: ivory
Culture: french, north
Subjects: madonna and child
Souvenir spoon with Porta S. Niccolo and arms of Florence
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: coat of arms
Ganymede
Object type: print
Date: 1500 – 1503
Materials: paper
Techniques: engraving
Location: italy
Artist: giulio campagnola

Giulio Campagnola is known for his combination of figures inspired by Andrea Mantegna and landscapes reminiscent of those by Albrecht Dürer. Donning a ferocious eagle disguise, here Jupiter carries the youth Ganymede away to Olympus to become his serving boy. Campagnola depicted Ganymede in flight, with a draping sash billowing in the wind to depict movement. The landscape below derives directly from Dürer’s Madonna with the Monkey (c. 1499). The print’s overall softness comes from Campagnola’s laborious use of little dots rather than lines. This method of engraving did not become popular until the 18th century.
Basilica di S. Marco in Venezia
Object type: reproduction
Date: 1906 – 1920
Materials: cardboard
Techniques: lithograph
Location: venice
Subjects: the monumental arts, interior of church

Oorspronkelijke prent uit: La Basilica di San Marco in Venezia. Venetië: Ferdinando Ongania, 1881-1884.
De oorspronkelijke prenten uit dit werk zijn gesigneerd.
Inlay
Object type: inlay, hieroglyph
Date: 664 – 610
Materials: faience
Location: egypt

A quantity of faience hieroglyphs and border elements was found in the tomb or courtyard of Nespekashuty. These are displayed in galleries 127 and 130. They are of similar size and manufacture, so seem to have belonged to a single object, likely of wood. Some of the signs belong to the standard offering formula, others mention Osiris and Anubis, so they certainly suggest an item of funerary furniture - a box, a screen, or a coffin although coffins are not usually inlaid in faience and remnants of Nespekashuty's were painted. Unfortunately, there are no signs indisputably pointing to Nespekashuty's names or titles. Although it seems likely that the fairly elaborate piece of equipment to which they testify belonged to the main burial of this tomb, and not to the Third Intermediate Period burials found in the courtyard or to the material apparently cleared from the Hathor Shrine at Deir el Bahri or to the other sets of late shabtis found in the vicinity of the tomb, it cannot be proven that they belong to Nespekashuty's equipment. Possibly the ongoing reexcavation of Kushite and Saite tombs in the Theban necropolis and also in the Saqqara area will eventually provide a better understanding of what kind of funerary equipment supplied the burials of the period, providing better context for these inlays.
Portret van Cornelis Speelman
Object type: print
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: rotterdam, batavia
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Borstbeeld van Cornelis Jansz. Speelman, gouverneur-generaal van de VOC. Speelman draagt de ketting met gouden medaille die hij heeft ontvangen voor de succesvolle onderwerping van de provincie Makassar op het eiland Celebes. Onder het portret een vers over de gebeurtenissen.
Marin Le Pigny
Object type: medal
Date: 1621 – 1621
Materials: bronze
Artist: pierre robinet
Artist role: artist
Artist dates: 1575 – 1675
Subjects: men,profiles

The only known work by Robinet, this portrays a fellow physician of Rouen, Marin Le Pigny.
Terracotta fragment of a kylix: Cassel cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic
C.T.J. Louis Rieber, Het Koninklijk Paleis te Amsterdam
Object type: photograph
Date: 1899 – 1899
Materials: cardboard
Techniques: photograph
Artist: Anonymous
Subjects: palace, door, royal palace of amsterdam

Ingang van de voormalige Zee-assurantiekamer.
Moeder met een kind en een baby op de arm
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: other methods of carrying children, mother and child(ren), woman and child(ren) (family group)

Blad 40 verso uit een schetsboek met 51 bladen.
Scapin
Object type: figure
Date: 1750 – 1752
Materials: soft paste porcelain
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: men

The role of Scapin in the commedia dell'arte was that of a shrewd, sometimes coniving servant.
Portret van Christoph Ernst Steinbach
Object type: print
Date: 1724 – 1759
Materials: paper
Techniques: engraving
Location: breslau
Artist: bartholomäus strahowsky
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Christus, Maria en de apostelen
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: the apostle thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones, miracles of thomas, martyrdom and death of thomas
Inscriptions: collector's mark: Lugt 240

De heilige Tomas met boek en speer. Op de achtergrond links wordt Tomas dood gestoken door twee mannen met speren. Op de achtergrond rechts verricht Tomas een wonder in India.
Fantasy on the Death of Seneca
Object type: drawing and watercolor
Date: 1735 – 1740
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Gezicht op de Hervormde kerk te Leur
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: leur
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior), landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: annotation: ‘J’
Portret van Jean-Alexandre de la Font
Object type: print
Date: 1667 – 1682
Materials: paper
Techniques: engraving, etching
Subjects: publisher, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Silhouetportret van James de Rijk
Object type: silhouette
Date: 1819 – 1845
Materials: ink, paint, paper
Techniques: brush, snipping
Artist: elisabeth alida haanen
Artist role: draughtsman, print maker
Artist dates: 1809 – 1845
Subjects: james de rijk, historical persons, portrait, self-portrait of painter
Inscriptions: inscription: ‘J: Rijk’, number: ‘13955’, inscription: ‘Schilder’, inscription: ‘D. 1728’, number: ‘86’, collector's mark: ‘Ex-libris van Beresteyn’

Met onder het portret de handtekening van de geportretteerde.
Japonslip met halve maantjes
Object type: japonslip
Date: 1800 – 1800
Materials: linen
Techniques: lace
Location: france
Artist: Anonymous

Op een grof maasgrond staat een strooipatroon van moesjes, die gegroepeerd zijn tot halve maantjes, quadrilles en madeliefjes. Een smalle rechte rand met fijne maasgrond sluit de buitenzijde af en is begrensd door parellijsten. Alençon-kant.
Riding habit
Object type: riding habit
Date: 1870 – 1881
Culture: american
The First Spring
Object type: print
Date: 1640 – 1675
Techniques: etching
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: men,horses,trees