deem-data/ArtiFact huggingface dataset:
Het oordeel van Paris
Object type: print
Date: 1498 – 1532
Materials: paper
Techniques: engraving
Location: italy
Subjects: the judgement of paris (without mercury)
Inscriptions: collector's mark: Lugt 240, inscription

Een bijeenkomst van goden in een landschap. Op de voorgrond maakt Paris een keuze tussen Venus, Juno en Minerva. Achter Paris staat Mercurius. Apollo vliegt op zijn zonnewagen door de lucht.
Helmet-Shaped Hat
Object type: helmet shaped hat
Date: 1801 – 1900
Materials: cotton, wool
Culture: tibetan
Portret van Lodewijk XIV, koning van Frankrijk
Object type: print
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: lodewijk xiv (koning van frankrijk), historical persons, piece of clothing covering the breast or décolleté
Inscriptions: address: ‘Ex Formis Nicolai Visscher’, signature: ‘Philibert Bouttats Sculpsit’, title: ‘LUDOVICUS XIIII GALLIAE ET NAVARRAE REX’, collector's mark: Lugt 2228

Portret in ovale lijst van Lodewijk XIV, koning van Frankrijk. Buste naar rechts. Grote kanten jabot en sjerp. Haardracht van lange pijpekrullen. Wapen middenonder.
Ontwerp voor een plafondschildering met doorbroken gewelf met uitzicht naar de lucht
Object type: drawing
Date: 1715 – 1798
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: dionys van nijmegen
Artist role: draughtsman, painter
Artist dates: 1705 – 1798
Subjects: (decorated) ceiling
Coin Portraying Emperor Constantius II
Object type: coin
Date: 348 – 350
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: (D N CO) NSTANTINVS P F AVG M
Reverse: FEL TEMP REPARATION M

The front (obverse) of this coin portrays the emperor Constantius II, facing right and wearing a diadem and a paludamentum.

On the back (reverse), a soldier is shown piercing a fallen enemy with a spear. A shield is shown lying on the ground near a horse.
Twee bladen met strooipatroon van bloemtakje op puntenfond in ruiten
Object type: printed paper
Date: 1750 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee bladen met strooipatroon van bloemtakje op puntenfond in ruiten. Twee losse helften van een omslag.
Portret van Christiaan VI van Denemarken
Object type: print
Date: 1733 – 1733
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: copenhagen (city), knighthood order
Inscriptions: collector's mark: Lugt 2228

Portret van Christiaan VI, koning van Denemarken en Noorwegen. Hij draagt een keten met de Orde van de Olifant. In de marge een vijfregelig onderschrift in het Latijn.
Paperweight
Object type: glass
Date: 1846 – 1846
Materials: glass
Location: france
Artist: baccarat glassworks

The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects. Sir David Brewster invented the kaleidoscope in 1815, and its colorful and changing patterns brought great visual entertainment. Paperweights such as this example reformed this childlike pastime for a sophisticated adult audience. Depicted in glass were tiny glittering flowers, small black and blue cameos of figures, and even miniature bottlecaps. These were delicately arranged within the orb for the observant eye to discover.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Frame
Object type: frame
Date: 0 – 0
Materials: wood
Culture: unknown
De Semarangse schutters en vrijwilligers die bij Gedoeng Demak hebben gevochten, penning geschonken door bestuur en inwoners van Semarang, op naam van Markar Soekias
Object type: honorary medal
Date: 1809 – 1825
Materials: silver
Techniques: engraving, striking
Artist: Anonymous
Subjects: isfahan, jepara, militair, markar soekias (margar sookiasian), gedong demak, semarang, strijd bij gedong demak

Zilveren penning. Voorzijde: gekroond wapenschild binnen omschrift. Keerzijde: opschrift binnen lauwerkrans en omschrift.
L'Anatomie d'apresent
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: leiden
Subjects: dissecting-room, 'theatrum anatomicum', university
Inscriptions: collector's mark: Lugt 2228

Het Theatrum Anatomicum (anatomisch theater) te Leiden van binnen gezien, zoals het er ten tijde van het verschijnen van deze prent uitzag (1712). In de ruimte zijn verschillende mensen aanwezig en staan skeletten van mensen en dieren opgesteld. Aan het plafond hangen opgezette dieren. Rechtsonder genummerd: 8.
Portret van Hermann von Beckerath
Object type: print
Date: 1848 – 1849
Materials: paper
Techniques: lithograph
Location: frankfurt am main
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Willem Hendrik Dullert
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: historical persons, politician, e.g. party leader
Inscriptions: monogram: ‘[...]T.[...]’, collector's mark: Lugt 2228

Prent met tekst op verso gebruikt in: Eigen haard, nr. 38, 1879, p. 377.
Funerary Mask
Object type: mask
Date: 125 – 125
Materials: paint, plaster
Location: egypt
Subjects: heads,men
Gebruik van een meetlint geïllustreerd
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: france
Subjects: planimetry, geometry

Prent uit: Leclerc, Sébastien. Traité de géométrie (...). Parijs: Jean Jombert, 1690.
Familieportret
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: orange free state
Artist: a.j. hochapfel
Artist role: fotograaf
Subjects: family group, especially parents with their child(ren)
Inscriptions: inscription: ‘From the Studio of/ A.J. Hochapfel/ Photographer/ Orange Free State (...)’
Left Road up to Yuen foo Monastery
Object type: photograph
Date: 1869 – 1869
Techniques: albumen silver print, glass negative
Artist: lai afong
Artist role: artist
Artist nationality: chinese
Artist dates: 1839 – 1890
Subjects: roads,forests,landscapes
Study of a Tree
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen
Artist: anonymous, netherlandish, 16th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1500 – 1600
Subjects: trees
Coin inscribed “Chong Ning Tong Bao”
Object type: coin
Date: 1102 – 1106
Materials: copper alloy
Culture: chinese

The characters on this coin exhibit Emperor Huizong’s distinctive calligraphic style, known as “slender gold” because it resembled finely spun filaments of the precious metal. Huizong made an effort to present himself as a man of cultivated tastes through various means. His writings were often carved in stone or metal, as here, and circulated widely among the public.
Kop van een leeuw
Object type: drawing
Date: 1848 – 1884
Materials: chalk, paper
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: beasts of prey, predatory animals: lion
Zevenend, Laren
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: etching, intaglio
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: village, street
Inscriptions: collector's mark: Lugt 2228
Sacrifice of Isaac (recto); Figure Sketches (verso)
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: after domenico piola
Mortar
Object type: mortar
Date: 1801 – 1900
Materials: copper alloy, patina
Culture: german or italian

This mortar is decorated with a frieze of grotesque masks and stylized palmettes under garlands; a band of acanthus leaves is under the rim. The lack of wear and the crude facture corroborate the late dating.
Bowl
Object type: bowl
Date: 1785 – 1790
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,coat of arms

This object belongs to a large dinner service (10.149.1–.248) bearing the Townley family coat-of-arms. The service, probably ordered by Justice Samuel Chase (1741–1811) of Annapolis, Maryland, displays the enamel-painted arms of Margaret Townley, Chase's aunt.
Ewer
Object type: ewer
Date: 1600 – 1600
Materials: enamel, silver gilt
Subjects: men,horses

The procession of figures and animals represents either the Triumph of Julius Caesar on his return from Egypt or the Triumph of Scipio Africanus on his return from Carthage. The enameled plaque held by the lion rampant on the top of the ewer reads, Materium suprabat opus (the work transcended the material).
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 520
Materials: terracotta
Culture: greek, attic

Exterior, bit of the outer part of an eye, in added white
Coverlet
Object type: coverlet
Date: 1701 – 1750
Materials: metal, metal thread, silk
Subjects: flowers
Diana holding fruit in her left hand standing within a niche
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: fruit,diana
Vier foto's, waarvan drie prentbriefkaarten, van Djupvasshytta en Djupvatnet
Object type: photograph
Materials: paper
Techniques: gelatin silver print
Location: møre og romsdal
Subjects: lake, hotel, hostelry, inn, mountains

Deze foto's maken deel uit van een album.
Design for Pony Phaeton, no. 3710
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Dirk IV gedood door een vergiftigde pijl, 1049
Object type: print
Date: 1675 – 1677
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: battle, fighting in general, violent death, being killed; being mishandled and maltreated; seeking death, dordrecht

Graaf Dirk IV wordt in de val gelokt en gedood door een vergiftigde pijl tijdens een gevecht te Dordrecht (of Vlaardingen) op 14 januari 1049. In het midden onderaan zakt Dirk IV te midden van zijn soldaten ineen. In de straten van de stad wordt gevochten.
Studioportret van een vrouw met een grote vlecht rond haar hoofd
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Inscriptions: name: ‘A. Diepenbach, Kleef’
Koninklijk bezoek bij militaire post
Object type: photograph
Date: 1901 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: jan willem arnold
Artist role: fotograaf
Artist dates: 1842 – 1909
Inscriptions: stamp: ‘Photographie Viennoise J.W. Arnold Tellensstraat 98 's-Gravenhage’, date: ‘A: 1899’
Gezicht op een brug in Amsterdam
Object type: sketchbook leaf
Date: 1887 – 1897
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: bridge in city across river, canal, etc., civic architecture; edifices; dwellings, amsterdam
Inscriptions: kleurnotitie, handgeschreven

Pagina 6 uit een schetsboek met 25 bladen.
Militairen van de Wehrmacht in Volendam
Object type: photograph
Date: 1942 – 1942
Materials: photographic support
Techniques: gelatin silver print
Location: volendam
Artist: Anonymous
Subjects: recreation ~ the soldier off duty, occupation ~ war

Twee Duitse militairen brengen een bezoek aan Volendam. Zij staan op een ophaalbruggetje, achter hen hangt de witte was te drogen. Links een Pension/ Lunchroom.
Broadsheet relating to men who frequent bars, different groups of men walking in the streets and one man running after a trolley car
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,streetcars
Portret van Christiaen Andriessen die een portret van Izaak Riewert Schmidt schildert
Object type: drawing
Date: 1780 – 1829
Materials: paper, pencil
Techniques: brush
Artist: hendrik willem caspari
Artist role: draughtsman, print maker
Artist dates: 1770 – 1829
Subjects: amsterdam, print maker, draughtsman, christiaan andriessen, delft, izaak riewert schmidt, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Vuursteen van een handwapen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: gunflint
Date: 1700 – 1743
Materials: stone
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Hand weapon, flint; sim. NG 1980-27H3128.
De begrafenisstoet van Frederik Hendrik (plaat nr. 25), 1647
Object type: print
Date: 1647 – 1651
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: delft, the hague, frederick henry (prince of orange), cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

De begrafenisstoet van stadhouder Frederik Hendrik te 's-Gravenhage op 10 mei 1647. Plaat nr. 25 met een deel van de stoet met leden van de Staten-Generaal, boven de personen staat hun functie. Onderdeel van een serie van 30 platen en 20 tekstbladen, bedoeld om aan elkaar geplakt te worden.
Fall of the Giants
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: after guglielmo della porta
De saterfamilie
Object type: drawing
Date: 1587 – 1587
Materials: ink, paper
Techniques: pen
Artist: monogrammist as (16e eeuw)
Artist role: draughtsman
Subjects: nymphs (in general); 'ninfe in commune' (ripa), satyr(s) (in general), flute, aulos, tibia

In een bos speelt een sater op zijn fluit voor een nymf en haar baby.
N. 905, Roma. Pietà, di Montauti in S. Giovanni (Laterano)
Object type: photograph
Date: 1880 – 1904
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: sint-jan van lateranen
Decorative paper with an overall floral pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Study of a Valet Pouring Wine
Object type: drawing
Date: 1723 – 1723
Materials: chalk
Location: france
Artist: françois le moyne
Artist role: artist
Artist nationality: french
Artist dates: 1688 – 1737
Subjects: men
Vadermoordenaar
Object type: collar
Date: 1850 – 1920
Materials: textile
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘247 GEVERS’
Verklaring bij de prent met de inhuldiging van Willem Frederik, prins van Oranje als souverein vorst, 1814
Object type: text sheet
Date: 1814 – 1814
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: j. numan
Artist role: publisher
Subjects: the hague, berlin, william i of the netherlands, brielle, petrus haack, ceremonial celebration of installation of a ruler, new ruler taking the oath
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een verklaring van de voorstelling van de prent met Willem Frederik, prins van Oranje ingehuldigd als soeverein vorst in de Nieuwe Kerk te Amsterdam op 30 maart 1814.
Een kruik
Object type: jug
Date: 1810 – 1839
Materials: glue, paint, paper
Techniques: modeling
Location: suriname
Artist: gerrit schouten
Artist role: draughtsman
Artist dates: 1779 – 1839
Subjects: suriname

Een los voorwerp uit een diorama van Gerrit Schouten, voorstellende een kruik of pot.
Vase
Object type: vase
Date: 1870 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: challinor, taylor and company
Artist role: maker
Artist nationality: american
Artist dates: 1866 – 1891
Bruxelles. La chaire de la cathédrale
Object type: photomechanical print
Date: 1906 – 1918
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: interior of church, pulpit, ambo, chancel
Manchet van stof afgezet met een gerimpelde strook Rijsselse kant
Object type: cuff
Date: 1880 – 1880
Materials: lace
Techniques: cockled, cross stitching, lace
Location: western europe
Artist: Anonymous

Manchet bestaande uit een rechte strook stof die is afgezet met een gerimpelde strook Rijsselse kant. Het kant heeft een lussenpatroon bij de schulpen. De manchet kan worden gesloten door middel van twee haken en ogen. Gemerkt met een in kruissteek geborduurde A.
Battleorum, Billingsgatina, Trafficorum
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

From a series of six etchings of eighteen heads, called "Attributes" or "Designs for Borders."
Fan Surface with a Dragon, Clouds, and Waves
Object type: fan surface
Date: 1368 – 1644
Materials: silk
Techniques: tapestry, weave
Culture: chinese
Subjects: dragons,waves,clouds

During the Yuan dynasty (1279–1368), on the occasion of the Duanwu Festival (the fifth day of the fifth lunar month, now celebrated as the Dragon Boat Festival), the ministry of rites would present to the imperial court fans made of silk tapestry (kesi) with various pictorial subjects, including dragons in clouds. This fan surface, with a dragon breathing out a flaming pearl above waves, is a vestige of that tradition. The woven inscription indicates that it was a gift to a brother-in-law.
St. Thomas, from "Christ and the Apostles"
Object type: print
Date: 1530 – 1576
Techniques: backing, engraving
Artist: lambert suavius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1576
Scarabs Inscribed for Neferure
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Liber Chronicarum
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: king
Inscriptions: inscription: ‘291’

Een bloemkelk met een koning. In zijn handen heeft hij een scepter en rijksappel. De voorstelling is onderdeel van de opeenvolging Perzische koningen in de Liber Chronicarum. De tekst identificeert de man als Darius II. De prent maakt deel uit van een album.
Te atua (The God), from the Noa Noa Suite
Object type: print
Date: 1893 – 1894
Materials: ink, paper
Techniques: woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Monogrammed lower left, in image: "P G O"
Uitsnedes van landschappen
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: landscapes, rural housing, e.g. country-house, villa, cottage
Inscriptions: collector's mark: Lugt 2228
Drie jonge vrouwen in nachtkleding jagen mannen met bezems onder bed vandaan
Object type: stereograph
Date: 1890 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: underclothes, bed, shrubs: broom
Inscriptions: : ‘Vues de Constantinople’
Design for a Mirror
Object type: drawing
Date: 1734 – 1833
Artist: james wyatt
Artist role: artist
Artist nationality: british
Artist dates: 1746 – 1813
Subjects: griffins,mirrors
Ornamental Band
Object type: ornament
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Drie lezende vrouwen in een tuin
Object type: painting
Date: 1891 – 1891
Materials: canvas, oil, paint
Location: saint-germain-en-laye
Artist: maurice denis
Artist role: print maker
Artist dates: 1870 – 1943

In een donker bos zijn drie zittende vrouwen in Bretonse kledij aan het lezen. een van hen heeft een boek op schoot. In de achtergrond (bovenaan het schilderij) zijn enkele huizen en een strand te zien waarop een paar zeilboten zijn gemeerd. De zee is net te zien.
Meiping vase
Object type: vase
Date: 1701 – 1733
Materials: glaze, porcelain
Culture: chinese
Beeldhouwwerk Laocoöngroep
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: stephen thompson
Artist role: fotograaf, schrijver
Artist dates: 1831 – 1893
Subjects: laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice, sculpture
General Bosquet
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards, crimea 1856
Portret van Juliana, koningin der Nederlanden
Object type: photograph
Date: 1911 – 1912
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: the hague, juliana of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Back of the Gaiety Theatre
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: lithograph
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Pilgrim's Badge
Object type: pilgrim's badge
Date: 1301 – 1600
Materials: lead
Culture: french
Jacob Prostrates Himself before Esau, after Etienne Jeaurat
Object type: print
Date: 1744 – 1744
Techniques: etching
Artist: michel aubert
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1757
Dish with Design of Maple Leaves
Object type: dish
Materials: enamel, porcelain
Techniques: overglaze, underglaze
Culture: japanese
Subjects: leaves