deem-data/ArtiFact huggingface dataset:
Portret van Thomas Theodorus Hendrikus Jorissen
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: utrecht, amsterdam, historical persons
Inscriptions: collector's mark: Lugt 2228
Quanting the Gladdon
Object type: photograph
Date: 1886 – 1886
Techniques: platinum print
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Pair of candlesticks
Object type: candlestick
Date: 1785 – 1790
Materials: metal
Artist: john parsons & co.
Artist role: maker
Oordeel van Paris
Object type: print
Date: 1602 – 1607
Materials: paper
Techniques: engraving
Location: cologne
Subjects: the judgement of paris (mercury present)
Inscriptions: collector's mark: Lugt 2228

Paris moet de drie mooiste godinnen van de Olympus beoordelen op hun schoonheid: Juno (met de pauw), Venus (vergezeld door Amor) en Minerva (vergezeld door een uil). Paris geeft de gouden appel van Eris aan Venus. Mercurius kijkt toe. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.
Vorst Bismarck en de reptielen
Object type: cartoon
Date: 1890 – 1890
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: reptiles, flute, aulos, tibia - cc - out of doors, political caricatures and satires

Twee voorstellingen van voormalig kanselier Bismarck. Links toen hij nog kanselier was betoverde hij met zijn fluitspel de reptielen, de problemen van Duitsland. Rechts nu hij geen kanselier meer is komen alle problemen terug en vallen hem aan.
Inname van Carthagena door Admiraal Vernon 1741
Object type: history medal
Date: 1741 – 1741
Materials: brass
Techniques: striking

Messing penning, op de voorzijde Vernon staand met zwaard, ontvangt het zwaard van de Spaanse verdediger Blas, met omschrift, op de keerzijde de vloot voor de haven van Cartagena met zijn kastelen, met omschrift en afsnedetekst.
Alme, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Decoration for a Plate: Notre Dame
Object type: print
Date: 1870 – 1870
Techniques: etching
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: women,moon,trees,night
Length
Object type: length
Date: 1805 – 1815
Materials: metal thread, silk
Artist: séguin et cie
Artist role: manufactory

This unused length was intended to serve as part of a bed-hanging at the Fontainebleau palace.
Portret van Giovanni Battista Spolverini
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: stippled etching
Location: italy
Artist: giovanni bigatti
Artist role: print maker
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Drie ramskoppen / Zittende hond
Object type: print
Date: 1792 – 1810
Materials: paper
Techniques: etching
Location: amsterdam
Artist: wouter johannes van troostwijk
Artist role: draughtsman, painter, print maker
Artist dates: 1782 – 1810
Subjects: ram, dog
Inscriptions: collector's mark: Lugt 2165
Abbé de l'Epée
Object type: print
Date: 1816 – 1880
Materials: paper
Techniques: etching
Location: france
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Festa della Sensa (derde gedeelte)
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: city-view in general; 'veduta', procession ~ christian religion, gondola, venice
Inscriptions: collector's mark: Lugt 240

Derde gedeelte van een grote voorstelling van de Festa della Sensa. De voorstelling is gedrukt van veertien blokken, de titel van vijf blokken en het onderschrift bestaat uit vijf delen van elk drie kolommen Duits tekst. De veertien blokken die samen de voorstelling vormen zijn in de titels met de klok mee vanaf linksboven genummerd. In de collectie Rijksmuseum bevinden zich twee complete exemplaren inclusief titel en onderschrift. Omdat niet alle delen van de titel en het onderschrift op afzonderlijke bladen zijn gedrukt, is dit exemplaar niet virtueel samengevoegd omwille van een betere presentatie. Zie voor het andere exemplaar: RP-P-2017-6073.
Gezelschap bij een bron
Object type: print
Date: 1653 – 1691
Materials: paper
Techniques: mezzotint
Subjects: private festivities, merry company - aa - in the open air, 'fête champêtre'
Inscriptions: collector's mark: Lugt 2228

Twee musicerende jonge mannen en twee naakte vrouwen houden zich op bij een bron. Op de achtergrond de contouren van een dorp.
Vera imago veteris ecclesiae apostolicae.
Ware abcontrofeiting der alter Apostolischer Kirchen
Object type: print
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: robert de baudous
Artist role: print maker, publisher
Artist dates: 1574 – 1659
Subjects: interior of church, protestant service, holy communion ~ protestant service, baptism ~ protestant service, sermon ~ protestant service
Inscriptions: collector's mark: Lugt 2228

Preek in een protestantse kerk. Rechts de predikant op een preekstoel. Links een predikant een kind dopend. In het midden bedienen twee predikanten het avondmaal.
Oranjepark in Apeldoorn
Object type: cabinet photograph
Date: 1893 – 1902
Materials: paper, cardboard
Techniques: collodion silver print
Location: apeldoorn
Subjects: park
Inscriptions: stamp: ‘A.F. van Wieringen/ Boek-, Muziek-/ & Kunsthandel/ Apeldoorn’, collector's mark: ‘Vosmaer’
Portret van een onbekende vrouw
Object type: photograph
Date: 1865 – 1903
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Subjects: historical persons - bb - woman, arms folded over the abdomen
Inscriptions: inscription: ‘DE LAVIETER & Co./ PHOTOGRAPHES DE S.M. LE ROI./ DE S. A. R. LE PRINCE D'ORANGE/ ET DE S. A. R. MADAME LA PRINCESSE HENRI/ DES PAYS BAS/ 2. Willemstraat. LA HAYE.’
Het doorbreken van de Rhyn- en Yssel-Dyken in't begin des Jaers 1754
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: dike-break
Inscriptions: collector's mark: Lugt 2228

Prent uit: S.n. Nederlandsche jaerboeken, inhoudende een Verhaal van de merkwaerdigste geschiedenissen, die voorgevallen zyn binnen den omtrek der Vereenigde Provintien, sederd het begin des jaers MDCCXLVII, achtste deel. Amsterdam: Houttuyn, Frans, 1754.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 103 van dit album.
Artemis, Athena and Aphrodite Leaving Olympus
Object type: print
Date: 1543 – 1543
Techniques: engraving, etching
Artist: antonio fantuzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1537 – 1545
Subjects: cupid,jupiter,goddess
Terracotta fragments of a pot; unglazed on the inside
Object type: pot fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

One fragment depicts the head and right shoulder of a wreathed, bearded man, looking to left, wearing a himation; a second fragment has at the top, a band of tongues; below, head and neck of a woman to left, with her hair tied up in a fillet; a third fragment has the head, neck, and shoulders of a draped figure to left; the glaze on all three fragments is almost completely worn off
Fruit basket (one of a pair)
Object type: fruit basket
Date: 1830 – 1830
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Vlekken op een natte collodiumplaat
Object type: page
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: plate, film ~ photography
Inscriptions: number: ‘Fig. 34.’
Portret van de theoloog Gisbertus Voetius
Object type: print
Date: 1776 – 1851
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: utrecht
Inscriptions: number: ‘-20’, collector's mark: Lugt 2228
Reclamekaart voor lessen in Versieringskunst door R.W.P. de Vries Jr.
Object type: advertising card
Date: 1905 – 1905
Materials: paper
Techniques: relief print
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: arm stretched sidewards - aa - both arms or hands
Inscriptions: collector's mark: ‘R:MVS.’

Vrouw in een lange japon met uitgestrekte armen. In haar handen houdt zij een decoratief object, mogelijk een waaier, vast.
Glass pendant in the form of a ram's head
Object type: pendant in the form of a ram's head
Date: 400 – 301
Materials: glass
Culture: carthaginian or phoenician
Subjects: rams

Opaque white, with additions in opaque yellow and translucent blue; suspension loop in opaque white. Shaped like the head of a ram; irregular suspension loop applied to back; rod hole underneath. Applied eyes as blue knobs applied over yellow circles, horns on top of head, nostrils and mouth in yellow. Intact except for horns and small chips on both sides of face, and most of yellow applied to nostrils and mouth missing; dulling, pitting and iridescent weathering, with thick black weathering inside rod hole.
Portret van Nicolaas Aleksandrovitsj van Rusland
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Subjects: historical persons, youth, adolescent
Inscriptions: inscription, collector's mark: Lugt 2233
Allegory of Peace
Object type: painting
Date: 1652 – 1652
Materials: canvas, oil
Artist: jan lievens
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1674
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), symbols, allegories of war; 'guerra' (ripa)
Inscriptions: monogram and date, bottom centre, on the scabbard: ‘I.L. / 1652.’

Allegorie op de vrede. De zittende vrouwelijk personificatie van Vrede wordt met een lauwerkrans gekroond door een vrouw in wapenrusting. Onder haar voeten vertrapt Vrede de personificatie van Oorlog. Rechts dragen vrouwen manden of hoornen met fruit en slaat een putto op de trom. Links ketenen twee putti de voeten van de Oorlog vast. Links enkele vrouwen en putti met bloemen.
Three Galloons
Object type: textile
Date: 1701 – 1800
Materials: velvet
Location: italy
Vase (one of a pair)
Object type: vase
Date: 1713 – 1720
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: faces,flowers
Tobit burying the Dead
Object type: print
Date: 1647 – 1651
Techniques: etching
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664
Subjects: men,women,death
Portret van Petrus Laurentius
Object type: print
Date: 1650 – 1695
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: anthony van zijlvelt
Artist role: print maker
Artist dates: 1637 – 1715
Subjects: mechelen
Inscriptions: collector's mark: Lugt 2228

Portret van de jezuïet Petrus Luarentius uit Amsterdam.
Dieren in dierentuin Hagenbeck, juli 1933, Hamburg
Object type: photograph
Date: 1907 – 1933
Materials: paper, photographic support
Techniques: gelatin silver print
Location: hamburg
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: the family travelling, on holiday, zoo (as place of recreation)
Inscriptions: inscription: ‘Hagenbeck, Juli 1933’

Blad bevat zes foto's. Zonder personen gerelateerd aan de familie Wachenheimer. Uit het album, half formaat, groen geaderd kartonomslag met koordbinding.
Piece
Object type: piece
Date: 1735 – 1735
Materials: silk
Artist: jean revel
Artist role: designer
Artist nationality: french
Artist dates: 1684 – 1751
Subjects: flowers,leaves
Huilend meisje bij een waslijn vol poppen
Object type: drawing
Date: 1915 – 1935
Materials: ink, paper
Techniques: pen
Artist: d. viel
Artist role: draughtsman
Subjects: garden, (playing with) dolls, weeping, accessories and implements ~ laundering, e.g. clothes-peg, drying frame, (empty) washing line
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Kampeeren’, signature: ‘D. Viel’, :

In een tuin staat een meisje te huilen. Een oudere jongen staat naast haar en wijst omhoog. In de achtergrond is een waslijn gespannen waaraan verschillende poppen hangen te drogen.
Cologne Cathedral, South Transept
Object type: photograph
Techniques: albumen print
Location: france
Artist: bisson frères (louis-auguste bisson)
Artist role: fotograaf
Artist nationality: french
Artist dates: 1814 – 1876
Subjects: collected by hugh edwards, architecture
Torricellian barometer
Object type: torricellian barometer
Date: 1760 – 1760
Materials: wood, mercury
Twee schetsen van zittende monniken
Object type: drawing
Date: 1520 – 1620
Materials: chalk, paper
Artist: Anonymous
Boerderij met figuur te Bois Marteau
Object type: sketchbook leaf
Date: 1846 – 1851
Materials: paper, pencil
Location: marteau
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: farm or solitary house in landscape
Inscriptions: annotation: ‘Bois Marteau’, date: ‘NOV 15 , ,,’

Blad 9 recto uit een schetsboek met 25 bladen.
Swallowtail Hafted Ax with Chevron Design
Object type: ax
Date: 500 – 300
Materials: bronze
Culture: indonesian
The Shoemaker (The Shoemaker, Dieppe)
Object type: print
Date: 1896 – 1896
Materials: paper, ink, ivory
Techniques: printing, stumping, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,women
De zeven vrije kunsten
Object type: ornament print
Date: 1719 – 1749
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: rocaille ornament, sculptor at work, 'sculptura', symbolic representations, allegories and emblems ~ sculpture; 'scoltura' (ripa), 'bocca della verità' (woman accused of adultery putting her hand into sculpted figure's mouth to prove her innocence)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De Beeldhouwkunst of Sculptura werkt met beitel en hamer aan een beeld van Venus en Amor. Op de voorgrond een torso en enkele ledematen. Linksvoor een putto met boog. Rechtsachter een putto voor de Bocca della Verità (Mond der Waarheid). Rechtsboven 221 genummerd.
Kaapstander op het strand
Object type: drawing
Date: 1802 – 1882
Materials: paper, watercolor
Techniques: brush
Artist: john linnell (ii)
Artist role: draughtsman, print maker
Artist dates: 1792 – 1882
Subjects: harbour equipment
Visitekaartje aan Philip Zilcken
Object type: visiting card
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: the hague
Artist: marie roze
Artist role: zangeres
Artist dates: 1846 – 1926
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Brief aan Philip Zilcken
Object type: letter
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: painter, draughtsman, philip zilcken, the arts of the stage: ballet, theatre, musical drama, motion picture
Inscriptions: watermark
Rose Bowl
Object type: rose bowl
Date: 1885 – 1885
Materials: glass, textile
Techniques: glassblowing
Culture: british
Location: england
[Photo Collage: Musician Playing Trumpet]
Object type: carte de visite
Date: 1875 – 1875
Techniques: albumen silver print, lithograph
Artist: juan pedro chabalgoity
Artist role: artist
Artist nationality: uruguayan
Artist dates: 1848 – 1909
Subjects: men,trumpets,musicians

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
On the Seine
Object type: painting
Date: 1895 – 1895
Materials: canvas, oil
Location: united states
Artist: homer dodge martin
Artist nationality: american
Artist dates: 1836 – 1897
Subjects: landscapes
Inscriptions: Signed, lower right: "H. D. Martin"
Linen Mark Recording the Name Wabetamun
Object type: linen mark, wabetamun
Date: 1479 – 1458
Materials: ink, linen
Location: egypt
Musicerend gezelschap
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Subjects: instrumental and vocal music together, cithern, mandolin, guitar, balalaika
Inscriptions: collector's mark: Lugt 2166

Op een terras zingt een geknielde vrouw uit een liedboek, een staande man kijkt op haar neer. Ze wordt begeleid door een gitaarspeelster.
Zeven sacramenten
Object type: print
Date: 1633 – 1700
Materials: paper
Techniques: etching
Artist: jean pesne
Artist role: print maker
Artist dates: 1623 – 1700
Subjects: extreme unction ~ the last of the seven sacraments
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van zeven prenten.
Sculpture of an Enthroned King
Object type: statue
Date: 1230 – 1235
Materials: limestone
Culture: north italian
Location: italy
Subjects: kings,men

Portraying a historical king, such as Solomon, or an allegorical image of the monarch as “the living law” (lex animata), this imposing sculpture must have originated from an important northern Italian civic monument. It is a rare surviving example of the image of a ruler from a civic setting, such as a court of justice or a city gate, and is stylistically related to the work of the influential northern Italian sculptor Benedetto Antelami (act. ca. 1175–1215). It also shows an understanding of French models, especially with respect to the facial features and the thin drapery folds of the mantle.
Ontwerp voor een terrine
Object type: design drawing
Date: 1750 – 1750
Materials: chalk, graphite, paper
The Angel Gabriel (one of a pair)
Object type: panel
Date: 1552 – 1552
Materials: glass
Techniques: enamel, stain
Subjects: archangel gabriel

Kneeling at her prayer desk, Mary raises her hand in surprise as Gabriel informs her that she will be the mother of the Messiah. The opening of his salutation to her, “Hail, Mary, full of Grace,” is partially inscribed in Latin on the scroll above her. The composition and the classicizing, slightly elongated figures were derived from a work by Raphael (1483–1520) that was widely known through prints. The windows were made after the same cartoon used for an Annunciation in an important cycle devoted to the Life of the Virgin in the church of Sainte-Foy in Conches-en-Ouche, Normandy. The New York architect Stanford White (1853–1906) added the inscription at the bottom of the Gabriel panel. This panel is one of a pair (07.287.12).
Gipsmodel van een borstbeeld van een vrouw
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture
H.K.H. Prinses Frederik der Nederlanden
Object type: print
Date: 1833 – 1836
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: berlin, marianne (prinses der nederlanden), historical persons
Inscriptions: stamp, collector's mark: Lugt 1641

Portret van Marianne, prinses der Nederlanden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Portretten, Portretten van Vorsten uit het huis van Oranje, Niet regeerende Vorsten.
Peasant Woman with Two Children
Object type: print
Date: 1758 – 1758
Techniques: etching
Artist: catherine-francoise beauvarlet
Artist role: artist
Artist nationality: french
Artist dates: 1737 – 1769
Subjects: infants,women
Yellow Perch, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fish,snails

Trade cards from the "Fish from American Waters" series (N39), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
New Inventions of Modern Times [Nova Reperta], Title Plate
Object type: print
Date: 1600 – 1600
Techniques: engraving
Artist: jan collaert i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1530 – 1581
Subjects: cannons,women,maps,printing press

Title plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. The title is printed at the top of the plate just above an image of a printing press. There are 2 medallions also at the top: the medallion at left depicts the Americas, and the medallion at right represents a compass. On the left a woman represents the future and points to the map and on the right a man represents the past and walks out of the picture plane. At the bottom of the scene nine other inventions or discoveries of the post-classical age are depicted: the silk worm, the stirrup, the clock, the canon, distillation tools and guaiacum, each corresponding with a print in the series. Each object is assigned with a roman numeral that corresponds to a description inscribed at the very bottom of the plate.
Lidded Vase
Object type: dekselvaas
Date: 1700 – 1700
Materials: bronze, cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘N393’

There were many porcelain connoisseurs in Europe during the 17th and 18th centuries. Monarchs as well as wealthy individuals assembled huge collections. August the Strong, Elector of Saxony and King of Poland, was the greatest collector. He filled entire palaces with porcelain. He had the pieces marked on their bases with incised numbers and symbols. These two large vases came from his collection.
Gezicht op Oberthal
Object type: photograph
Date: 1885 – 1891
Materials: ink, photographic support
Techniques: albumen print, pen
Artist: Anonymous
Subjects: trees, landscapes with waters, waterscapes, seascapes (in the temperate zone), germany
Inscriptions: annotation: ‘De natte [...]/ [...]/ (...)’, annotation: ‘Obertal’

Deze foto maakt deel uit van een album. Om de foto heen is een notenbalk getekend.
E'raqyeh
Object type: e'raqyeh
Date: 1850 – 1889
Materials: wood
Culture: egyptian
Location: egypt
Zeven Hoofdzonden
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: covetousness; 'avaritia' (ripa) ~ personification of one of the seven deadly sins
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’ Lugt 11

Personificatie van hebzucht. Vrouw zittend op een wolf met een gans in zijn bek. In haar linkerhand een vaandel met een afbeelding van een kip op een spies. Linksboven een wapenschild met een vogel, daarboven een gier. Onder de voorstelling een tweeregelige tekst in het Latijn. Vijfde prent uit een serie van zeven.