deem-data/ArtiFact huggingface dataset:
Het Groote Tafereel der Dwaasheid
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Subjects: unicorn, hunting, chase

De Bubbeljongen op jacht. Een door de windwandel berooide naakte jongen jaagt met een fakkel op een leeuw en eenhoorn. In een decoratieve omlijsting met leeuwen en herten. In het onderschrift een vers van vier regels. Gedrukt op het blad om en onder de plaat staan vijf verzen. Prent in de gebonden eerste uitgave (304 B 10) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Persian Travelogue: A Diary of a Journey through the region of Fars
Object type: persian travelogue
Date: 1838 – 1838
Materials: cord, cotton, hemp, ink, paper, velvet
Techniques: bookbinding, marbling
Culture: qajar
Location: iran
Artist: ahmad naqqash
Artist role: artist

In the mid-1830s the French tutor to the Qajar princes in Tabriz, Louise de la Marinierre, undertook a journey through what is today Fars in southwestern Iran. Accompanied only by a scribe (‘Ali Akbar), an artist (Ahmad Naqqash) and a donkey, she visited ancient sites of Achaemenid (ca. 550-330 B.C.) and Sasanian (ca. A.D. 224-651) date, including the ruins of Persepolis and Qasr-e Abu Nasr, the royal tombs at Naqsh-e Rustam and Pasargadae, the rock reliefs at Naqsh-e Rustam, Naqsh-e Rajab, Barm-e Dilak, Tang-e Chogan, Sarab-e Bahram and Firuzabad, and the famous Cave of Shapur near the ancient city of Bishapur in the Zagros Mountains. The three of them recorded their journey in text and images, which they subsequently fashioned into an illustrated manuscript that Madame de la Marinierre presented to Mohammad Shah Qajar – her former pupil – in 1838. The illustrations in the manuscript are characterized by Ahmad’s bold and precise hand. While all of the ancient monuments he draws are clearly identifiable, some of the images show inventiveness or misunderstanding on his part. For example, in rendering the reliefs of the Persian king as a hero fighting a horned griffin that adorn many doorjambs at Persepolis, he has drawn the creature’s horn as hair. Moreover, rather than drawing damaged parts of reliefs he leaves them blank, contributing an eerie quality to some of his pictures. This manuscript is unique because it was intended for Iranians. Most 19th century travelers to Iran wrote about its antiquities for audiences back home in Europe. In this case, however, Madame de la Marinierre, prompted by her own Classical education and by the Qajar dynasty’s fascination with the ancient past, worked with Iranian collaborators to present Achaemenid and Sasanian remains to an Iranian audience.
Paard met ruiter springt over een hek
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: munich
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, fence, wall, paling, jumping (horse in motion)
Wandarm van zilver
Object type: sconce
Date: 1727 – 1742
Materials: silver
Location: amsterdam
Artist: willem van strant
Artist role: silversmith
Artist dates: 1682 – 1742
Inscriptions: maker's mark: ‘VS (Citroen, nr. 899)’, town mark: ‘kleine stadskeur Amsterdam’

Wandarm van zilver, schildvormige wandplaat met centraal ovaal, met in en uitzwenkende omtrek met getrembleerde rand. S-vormige arm met gladde ronde kaarshouder en vetvanger. Hierbij hoort een tweede exemplaar (B).
Vat of ton, gedraaid van esdoornhout
Object type: miniature
Date: 1676 – 1676
Materials: wood
Techniques: turning
Location: amsterdam
Artist: Anonymous

Vat of ton, gedraaid van esdoornhout met ringen, de hoepels voorstellende.
Twee tafels
Object type: print
Date: 1839 – 1885
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: table

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Jar
Object type: jar
Date: 1601 – 1700
Materials: clay
Techniques: overglaze, underglaze
Culture: japanese
Our Lady of Mercy, called “The Pilgrim of Quito”
Object type: painting
Date: 1730 – 1740
Materials: canvas, gold, oil
Culture: peruvian, cuzco
Artist: Anonymous
Artist role: artist
Subjects: men,madonna and child

This work belongs to the genre of "pilgrim images," cult images or likenesses of them that were taken on alms-gathering missions. In a scene reminiscent of the Holy Family’s flight into Egypt, a miracle-working image of the Virgin and Child venerated by the Mercedarians of Quito is transported on a mule led by a white-robed friar through a lush landscape with distant vistas of a seacoast and mountains.The Virgin and Child are richly attired in garments patterned with gold flowers and wear the broad, plumed hats of travelers. The Virgin carries the holy child, who raises his hand in blessing, on one arm. With her other hand, she grasps the iron shackles and scapular of the Mercedarian order as well as a stalk of white lilies. Both the Virgin and her friar companion wear Mercedarian shields. The mule is outfitted with golden trappings more suitable for ceremonial entry than travel. A vignette in the background narrates a miracle that occurred at sea, between Portobello and Cartagena, when Dutch pirates seized and profaned the image, prompting the Christ Child to throw itself into the sea. According to legend, both Virgin and Child were miraculously saved and restored to the care of the Mercedarians in Quito. The Virgin of Mercy of Quito, is more commonly depicted seated on a throne, dressed for travel, Paintings like the present one that relate the journeys and miracle stories of the Virgin of Mercy are more rare. Such stories emerged, or were invented, in connection with the actual practice of taking the image on missions to gather alms for the construction of the Mercedarian church in Quito. The image, a dressed, polychromed wood sculpture of the Virgin and Child, is traditionally held to have been a gift from Carlos V of Spain. Slightly less than life size, it replicated an image of the Virgin in the royal chapel of the Mercedarian church in Barcelona. The Quito Virgin, which soon gained fame as a miracle-worker, was venerated in the Mercedarian church until its collapse following an earthquake in 1698. The image began its alms-gathering peregrinations after the friars resolved to build a new church. Over the course of nearly thirty years, from 1706 until 1735, the Quito Virgin was taken throughout Spanish America, to cities and towns as far north as Mexico and as far south as Chile. In 1735 it was taken via Cuba to the Spanish port of Cádiz, where it remained until its destruction in 1936. This painting, by a Cuzco artist, is likely to have been commissioned in connection with the establishment of new sites of devotion to the Quito Virgin in Peru in the aftermath of the Mercedarian missions. --Ronda Kasl
Left Gauntlet
Object type: left gauntlet
Date: 1560 – 1560
Materials: gold, steel
Culture: spanish
Location: spain
Overwinning bij Friedland, ter ere van Napoleon I Bonaparte, keizer der Fransen
Object type: history medal
Date: 1807 – 1807
Materials: bronze
Techniques: striking
Location: paris
Subjects: napoleon i (emperor of the french)
Clarinet in B-flat
Object type: clarinet in b flat
Date: 1830 – 1840
Materials: wood, brass, ivory
Culture: american
Location: united states
Artist: graves & company
Artist role: maker

The clarinet is a comparatively recent member of the orchestral wind section. It gained popularity in the orchestra of Mannheim, Germany, in the later eighteenth century, and its warm, woody sound came into its own in the chamber and orchestral music of Mozart. This example was made in the United States, where colonists first established orchestras in theaters and pleasure gardens.
David Kloeckner
Object type: book illustration
Date: 1813 – 1813
Materials: paper
Techniques: letterpress printing, lithograph
Location: munich
Artist: maximilian franck
Artist role: print maker
Artist dates: 1780 – 1830
Subjects: painter, david ehrenstrahl, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent uit: Lindauer, Joseph. Deutsche Künstler-Gallerie. München: Maximilian Franck, 1813.
Focusing
Object type: photomechanical print
Date: 1887 – 1897
Materials: paper
Techniques: photograph
Location: new york city
Artist: emilie v. clarkson
Artist role: fotograaf
Subjects: camera ~ photography, historical persons
Length
Object type: length
Date: 1850 – 1859
Materials: silk
Le Chandelier (The Candelabra), plate 3 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Object type: print
Date: 1625 – 1631
Techniques: etching, letterpress
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Passie van Christus
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: crucified christ with mary, john, and mary magdalene, the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: date

De kruisdood van Christus op de berg Golgota. Links en rechts van hem de misdadigers die samen met hem gekruisigd zijn. Maria, Maria Magdalena en de apostel Johannes onder het kruis.
Linlithgow Palace
Object type: page
Date: 1861 – 1866
Materials: photographic support
Techniques: albumen print
Location: west lothian
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: castle
Portret van Friedrich Gottlieb Klopstock
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: mezzotint
Location: augsburg
Artist: johann elias haid
Artist role: print maker
Artist dates: 1739 – 1809
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Toegangspenning tot de Hortus Medicus te Amsterdam 1696
Object type: medal
Date: 1696 – 1699
Materials: brass
Techniques: casting
Inscriptions: inscription: ‘Dr. / Isaak / Donselaar. / 1787’, circumscription: ‘MAXIMUS AEGRIS AUXILIATOR ADEST’, circumscription: ‘HORTI MED AMSTEL LIBER INGRESSUS’

Gegoten messing penning met op de voorzijde Aesculapius en op de keerzijde een altaar waarop het gekroonde stadswapen, een caduceus en cornucopiae waaruit kruidentakken, op naam van Dr. Isaak Donselaar 1787
La Virgen de los Dolores
Object type: reproduction
Date: 1890 – 1905
Materials: cardboard
Techniques: photograph
Location: madrid
Artist: bartolomé esteban murillo
Artist role: draughtsman, painter
Artist dates: 1617 – 1682
Subjects: 'mater dolorosa'
Inscriptions: collector's mark: ‘AFE v S’
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 149: Robe de bal (...)
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving, hand coloring, pochoir
Artist: Anonymous
Subjects: fruits: apple, dress, gown: ball gown (+ women's clothes), fashion plates, picking fruit
Inscriptions: inscription: ‘Cop. J. N. A. et Cie 1914’, caption: ‘Robe de bal en taffetas corail a volants de gaze de soie.’, title: ‘Costumes Parisiens’

Vrouw in een baljapon van koraalkleurige tafzijde met geplooide stroken stof van 'gaze de soie'. Zij staat voor een appelboom. Op de grond een mand met appels. Prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Twee naar elkaar blazende katten
Object type: sketchbook leaf
Date: 1841 – 1841
Materials: paper, pencil
Artist: Anonymous
Subjects: cat

Blad 16 verso en 17 recto uit een schetsboek met 33 bladen.
Terracotta fragment of a neck-amphora (jar)?
Object type: neck amphora fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Draped, seated male to left, on a stool?
Caffe The und Tobac Zierathen
Object type: print
Date: 1731 – 1788
Materials: paper
Techniques: engraving, etching
Location: augsburg
Artist: johann esaias nilson
Artist role: draughtsman, print maker, publisher
Artist dates: 1721 – 1788
Subjects: pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)
Inscriptions: collector's mark: Lugt 2228

Vier scènes op een blad, genummerd 9-12. Linksboven een man met een pijp naast een kwabornament. De vrouw aan de andere kant vult een kopje. Rechtsboven een vrouw met een kan voor een man met een pijp. Linksonder rookt een man met tulband een lange pijp. Rechtsonder een Aziatische man met kop-en-schotel naast een vrouw.
Ointment jar with lid
Object type: ointment jar, lid
Date: 1805 – 1805
Materials: stone
Location: egypt
Fragment
Object type: textile
Date: 901 – 1100
Materials: silk
Location: iran
Twee verpleegsters bij het badhuis van Luitpoldbad, april-mei 1927, Bad Kissingen
Object type: album leaf
Materials: paper
Location: bad kissingen
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: beieren
Inscriptions: inscription: ‘Luitpoldbad Kissingen’

Albumblad bevat drie foto's van twee onbekende verpleegsters. Afkomstig uit album half formaat, kartonomslag met koordbinding en lichte veelvormige vormen op voorzijde.
Ioannes Pfeffingerus. S. theologiae D.
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Boissard, Jean Jacques. Bibliotheca chalcographica. 8 dln. Frankfurt am Main: Johannes Ammon, 1650-1652. Prent ook gebruikt in latere edities. Eerdere staat van prent verschenen in: Boissard, Jean Jacques. Icones quinquaginta virorum illustrium doctrina & eruditione praestantium ad vivum effictae. 4 dln. Frankfurt am Main: s.n., 1597-1599. Mogelijk ook gebruikt in latere edities.
Bergbeklimmer voor een rots
Object type: page
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: mountain climbing, mountaineering, walking, hiking (recreation), rock-formations
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, part of the handle and wall of a kylix
Slit Gong
Object type: slit gong
Date: 1801 – 1900
Materials: textile, leather, wax, wood
Culture: angolan
Location: angola
Terracotta oil lamp
Object type: lamp
Date: 101 – 300
Materials: terracotta
Culture: roman, syrian

Loeschcke Type 8. Mold-made. Discus: figure (satyr?) surrounded by animals. Impressed ring-and-dot pattern on shoulder. Heart-shaped nozzle. On base, in Greek letters: ΘЄΟΔѠP/Y. Pseudo-base-ring. Buff clay. Hole in right side of shoulder, and small chip in edge opposite nozzle.
Part of an ear stud
Object type: part of an ear stud
Date: 1390 – 1352
Materials: glass
Location: egypt
Weg met bomen, waaraan links huizen
Object type: drawing
Date: 1773 – 1843
Materials: paper, pencil
Artist: georges michel
Artist role: draughtsman
Artist dates: 1763 – 1843
Subjects: public road

Een van 120 tekeningen, afkomstig uit een 19e eeuws album met tekeningen van Georges Michel.
Entrance to the Thousand Pillared Mundapam in the Great Pagoda
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: linnaeus tripe
Artist role: artist
Artist nationality: british
Artist dates: 1822 – 1902
Subjects: architecture,columns
Portret van een onbekende Française met hoed en halssieraad
Object type: photograph
Date: 1883 – 1886
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: adult woman

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Verblijf van Willem V en Wilhelmina van Pruisen te Amsterdam
Object type: history medal
Date: 1768 – 1768
Materials: silver
Techniques: striking
Location: rotterdam
Artist: theodorus victor van berckel
Artist role: mintmaster
Artist dates: 1739 – 1808
Subjects: william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), amsterdam
Writing board fragment with Sokar formula for the benefit of Nebit
Object type: writing board, sokar formula, nebit
Date: 2030 – 1981
Materials: ink, plaster, wood
Location: egypt
Cover of a sugar bowl with a landscape
Object type: tea service
Date: 1765 – 1765
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: sint-petersburg
Artist: Anonymous

Deksel van een suikerpot van porselein, beschilderd op het glazuur in emailkleuren en goud. Versierd met een landschap en een boeket; puntige dekselknop. Gouden rand. Mogelijk een 19e of 20e eeuwse vervalsing.
[Pair of Stereograph Views of Chapel Royal, London]
Object type: stereograph
Date: 1850 – 1919
Techniques: albumen silver print
Artist: stereoscopic views
Artist role: publisher
Subjects: architecture,buildings,london
J. Althen.
Object type: print
Date: 1819 – 1843
Materials: paper
Techniques: engraving
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een meisje en een oude vrouw op een balkon
Object type: album leaf
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: historical persons, girl (child between toddler and youth), old woman, france
Landschapsstudie met gebouwen
Object type: drawing
Date: 1786 – 1857
Materials: chalk, paper
Artist: abraham teerlink
Artist role: draughtsman, painter
Artist dates: 1776 – 1857
Subjects: landscapes, italy
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; lower drapery and feet of figure with stick; toes of a second figure
Portret van Jan Jacob Mauricius
Object type: print
Date: 1851 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: joan jacob mauricius, colonial governor, historical persons, portrait of a writer, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Veld van achtenveertig tegels met schepen
Object type: tile
Date: 1650 – 1680
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van achtenveertig tegels (8 x 6) elk met een blauw en paars geschilderd schip. In de hoeken, een ossenkop.
Lepel
Object type: spoon
Date: 1775 – 1800
Materials: silver
Location: amsterdam
Artist: Anonymous

Een zilveren lepel, met vier dubbel geslingerde takken, en aan de top een koning en een koningin, en een ovale gladde bak. Merken: Een meesterteken, en een klimmende leeuw v. Holland. Eind 18e eeuw, vermoedelijk Amsterdam.
Augustus van Prima Porta in de Vaticaanse Musea te Vaticaanstad
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: vatican museums
Artist: Anonymous
Subjects: portrait of augustus, sculpture
Stone Celt
Object type: celt
Date: 1501 – 1600
Materials: stone
Culture: costa rican
Location: costa rica
Staand mannelijk naakt
Object type: drawing
Date: 1659 – 1711
Materials: chalk, paper
Artist: augustinus terwesten (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1649 – 1711
Subjects: standing figure
Cranes, Pines, and Bamboo
Object type: screen
Date: 1701 – 1733
Materials: ink, paper
Culture: japanese
Artist: ogata kōrin
Artist role: artist
Artist nationality: japanese
Artist dates: 1658 – 1716
Subjects: cranes,bamboo,trees

Such propitious symbols of longevity as cranes, pines, and bamboo, shown here beneath a crescent moon, evoke the auspicious realm of the immortals. The pair subtly suggests spring and autumn through such floral motifs as azaleas, chrysanthemums, morning glories, and eulalias. The screens’ most striking feature is the disposition of the stream. Flowing toward the viewer, the stream both separates and unites the two segments of land. Such a bold composition is an early demonstration of Kōrin’s genius for pictorial design, in which natural elements are formalized. Certain unfinished areas suggest the preparatory nature of this work: the smudged-in upper portion of the tree trunk, the faint green of the branches in the right screen, and the notation “very pale green” written on the lower part of the left screen. Thought to have been part of the collection of sketches and drawings formerly owned by the Konishi family, descendants of Ogata Kōrin, this work was later remounted as a pair of folding screens.
Prentbriefkaart aan Willem Bogtman
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: leeuwarden
Subjects: willem bogtman, paris
Tile Fragment
Object type: tile fragment
Date: 1301 – 1333
Materials: stonepaste
Techniques: luster painting
Location: iran
The Winder
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: men,women
Vignet met zittende vrouw met sleutels, scepter, boek en wapenrusting
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching, letterpress printing
Subjects: armour, key, vignette
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228
A River in a Meadow
Object type: painting
Date: 1840 – 1840
Materials: oil, wood
Artist: théodore rousseau
Artist role: artist
Artist nationality: french
Artist dates: 1812 – 1867
Subjects: cows,rivers,landscapes
Uitje
Object type: photograph
Date: 1935 – 1936
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: indonesia
Artist: Anonymous
Subjects: outing, pleasure trip, indonesia

Albumblad met vijf foto's van een reis door een groep jongen, Mogelijk gaat het om een excursie door leden van de Chung Hsiok vereniging. Onderdeel van een familiealbum van een Chinees-Indische familie in Weltevreden, ca. 1935.
Vrouw met twee kinderen
Object type: drawing
Date: 1886 – 1923
Materials: charcoal, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Mathijs/ Maris’, workshop stamp: Lugt 291d, :
Map of the World
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: engraving
Location: england
Artist: john paul cimerlin
Artist nationality: english
Artist dates: 1800 – 1899
Drinkglas
Object type: miniature
Date: 1725 – 1775
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: glass, rummer

Trechtervormig drinkglas op een hoge balustervormige stam. De voet is rond en gewelfd. Het drinkglas is gelijk aan vijf andere exemplaren (BK-NM-11177-181-b-III, BK-NM-11177-181-b-IV, BK-NM-11177-181-b-VI, BK-NM-11177-181-b-VII, BK-NM-11177-181-VIII). De drinkglazen staan met een schenkkan (BK-NM-11177-181-b-VII) op een dienblad (BK-NM-11177-181-b-VIII). Het dienblad staat op een klaptafel (BK-NM-11177-a).
Zes landschappen
Object type: print
Date: 1605 – 1653
Materials: paper
Techniques: etching
Location: netherlands
Artist: gillis van scheyndel (i)
Artist role: draughtsman, print maker
Artist dates: 1595 – 1660
Subjects: river, rowing-boat, canoe, etc., forest, wood
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op een rivier met een boot met figuren. Aan de waterkant, aan de rand van het bos, bevinden zich een ruiter en vier mannen. De prent maakt deel uit van een serie van zes landschappen.
Pagina 43 van fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.)
Object type: photograph
Date: 1924 – 1925
Materials: paper, photographic support
Techniques: printing
Location: sumatra
Artist: j.w. meyster
Artist role: fotograaf
Artist dates: 1887 – 1945
Subjects: plantation, (non-fruit) products of plants or trees: rubber, working class, labourers, barracks, sumatra

Boekpagina met een foto van woningen van contractarbeiders op een theeonderneming te Balimbingan. Onderdeel van een fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.).