deem-data/ArtiFact huggingface dataset:
Strook katoen met kantborduurwerk met opengewerkte concentrische cirkels
Object type: strip
Date: 1860 – 1880
Materials: cotton
Techniques: weave, embroidery
Location: amsterdam
Artist: c.i. bosch reitz-teding van berkhout
Artist role: kantwerkster

Strook naturelkleurig katoen met kantborduurwerk: Engels borduurwerk. Schulpenrand met grote schulpen waarboven twee verspringende rijen concentrische cirkels, opgebouwd uit drie steeds groter wordende cirkels en in het midden een margriet. De onderste rij heeft bovendien aan de buitenkant nog een extra cirkel die bestaat uit kleine margrietjes. De andere cirkels zijn opgebouwd uit opengewerkte kleine en grotere cirkeltjes. Langs de schulpenrand loopt een doorgaande lijst van opengewerkte cirkeltjes. Langs één van de korte zijden is een schulpenstrook genaaid met kleinere schulpen.
Cup with stars and ornamental borders
Object type: kop en schotel, kop en schotel
Date: 1791 – 1801
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: vienna
Inscriptions: mark: ‘schild/ 101/ 33/ 91’

Delen van een cilindervormig koffieservies bestaande uit een kan (A) en 6 koppen en schotels (B t/m G) beschilderd in paars en goud met sterretjes en kettingen. Gemerkt met een fabrieksmerk in onderglazuurblauw en ingegrift 801 26 (kan), 791 33 (koppen) 791 39 (schotels).
Wilmot, Left Field, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Verkoopster van vis
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: haarlem
Subjects: merchant, salesman (with name of trade or profession) - bb - women engaged in trade and commerce, haarlem
Design for Pony Phaeton, no. 3248
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Alcedo (ijsvogel) en Ardea (blauwe reiger)
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: shore-birds and wading-birds: heron
Inscriptions: signature and address: ‘Adrian Collaert f. et exc.’

Alcedo (ijsvogel) en Ardea (blauwe reiger, voor een rivierlandschap.
Stencil
Object type: stencil
Date: 1801 – 1900
Materials: paper, silk
Culture: japanese
Bracket (one of two)
Object type: furniture
Date: 1735 – 1735
Materials: wood
Techniques: carving, gilding
Location: france
Subjects: furniture
Perzische edelman en ruiter
Object type: costume print
Date: 1576 – 1596
Materials: paper
Techniques: engraving
Location: cologne
Subjects: warfare; military affairs (+ cavalry, horsemen), folk costume, regional costume, military clothing and other equipment (uniforms, cap, armour, helmet, etc.)
Inscriptions: watermark

Prent 62 en 63 uit een serie van 77, mogelijke serietitel Diversarum gentium armatura Equestris. Latere editie van serie Equitum Descripcio, Quomodo Equestres (...).
De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Gezicht op de watervallen te Tivoli
Object type: page
Date: 1852 – 1862
Materials: photographic support
Techniques: gelatin silver print
Location: lazio
Artist: Anonymous
Subjects: waterfall, tivoli
Inscriptions: number: ‘97.’
Fotoreproductie van een tekening, voorstellende een exterieur van een handelsgebouw te Brussel
Object type: photograph
Date: 1853 – 1854
Materials: photographic support
Techniques: albumen print
Subjects: chamber of commerce, façade (of house or building)
Inscriptions: inscription: ‘par M.M.C. de La Roche et Arveuf arch.’
Wine Pouring Vessel (Gong)
Object type: wine vessel
Date: 1300 – 1201
Materials: bronze
Culture: chinese
Kampen. Kamin im Rathhaus
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: open hearth, fire-place
Inscriptions: number: ‘60.’
Kouriliens from playing cards "Jeu d'Or"
Object type: print
Date: 1700 – 1799
Techniques: etching, hand coloring
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: men,women,playing cards
Gezicht op het dorp Zoeterwoude
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: prospect of village, silhouette of village, church (exterior)

Gezicht op het dorp Zoeterwoude, met rechts de kerk.
Gezicht op Amersfoort
Object type: print
Date: 1742 – 1784
Materials: paper
Techniques: etching
Location: haarlem
Subjects: square, place, circus, etc.
Inscriptions: collector's mark: Lugt 2228
Portret van Frederik de Grote
Object type: print
Date: 1740 – 1772
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: berlin, frederick ii (king of prussia), helmet, historical persons, (military) uniforms, armorial bearing, heraldry
Brief aan Jan Veth en Anna Dorothea Dirks
Object type: letter
Date: 1916 – 1916
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, den bosch, antoon derkinderen, artist, anna dorothea dirks, daniël franken dzn., the graphic arts, anonymous historical person portrayed, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
Double capital
Object type: capital
Date: 1267 – 1333
Materials: marble
Culture: french
Location: france
Beheading of the Roman Judge Papinian, plate 5 from Thrones of Justice (Thronus Iustitiae)
Object type: print
Date: 1606 – 1606
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: willem van swanenburgh
Artist role: print maker
Artist nationality: dutch
Artist dates: 1580 – 1612
Inscriptions: Lettered lower left: "CVSichem excud et editore." and "JWtewael inventor. GSwaneb. sculp." and below image: "V. Fratre trucidato Caracalla .... gloria fine manet."
Limestone head of a bearded male with a plain headdress
Object type: head of a man
Date: 575 – 551
Materials: limestone
Culture: cypriot
Subjects: heads,men
De jonge visser
Object type: print
Date: 1650 – 1716
Materials: paper
Techniques: engraving
Location: paris
Subjects: angling, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 240

Een jonge man staat naast een mand en kruik aan de rand van een meer en buigt zich iets naar voren over een vislijn. Rechts staat een boom waaronder een fuik ligt. Het vierregelig Franstalig onderschrift meldt dat men wel kan zien dat de visser zijn hengel heeft uitgegooid, maar niet wat hij daarmee opvist. Vissen was een wijdverspreid symbool van amoureuze activiteit, gebaseerd op de notie van het onbetrouwbare lokaas. De fuik stelt hier de valkuil van de liefde voor.
Ontmoeting tussen paus Leo I de Grote en Attila de Hun
Object type: print
Date: 1620 – 1687
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: rome, riding a horse, ass, or mule; rider, horseman, life and acts of peter, meeting
Inscriptions: collector's mark: Lugt 240
Limestone Bes
Object type: statuette of be
Date: 534 – 468
Materials: limestone
Culture: cypriot
Subjects: bes

The figure preserves the body and upper part of the legs of a nude Bes. His body is shown in three-quarter view, with the left leg advancing forward and the right leg drawn backwards. The genitalia are broken. Both arms are missing. With his raised right arm he was probably brandishing a feather-sword (?). A tenon on his chest supported the object held in one of the hands. He has a large head, a flat face, a grooved beard, a thick flat nose, a large mouth, a drawn out tongue and two small horns. His mass of hair is grooved and falls down his back and on his shoulders. The face and body are pink and the tongue red.
Titelprent voor een serie met de twaalf sibillen
Object type: print
Date: 1601 – 1627
Materials: paper
Techniques: engraving
Location: padua
Subjects: flowers, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: number: ‘46’

Medaillon met de titel en een opdracht in het Italiaans. In de vier hoeken putti met attribuut en diverse decoraties. Rondom een kader met bloemen. Titelprent voor een serie met de twaalf sibillen. Prent maakt deel uit van een album.
Mail Brayette
Object type: mail brayette
Date: 1501 – 1600
Materials: steel
Culture: german
Location: germany

From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to be worn under armor; and mail breeches, called brayettes or pairs of paunces, could be worn by men fighting on foot.
Landschap met man op ezel
Object type: print
Date: 1676 – 1688
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river bank - hh - ideal landscapes, ass, donkey, dog
Inscriptions: collector's mark: Lugt 240

Op een beboste oever van een rivier rijdt een man op een ezel. Zijn hond loopt voor hem uit. Op de achtergrond twee pratende mannen.
Serie 4: Franse, Duitse en Engelse Gebeurtenissen, 1576-1610
Object type: print
Date: 1591 – 1593
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: siege, position war, battle, fighting in general

Beleg van Stenay door de hertog van Lotharingen, 13 december 1591. Op de voorgrond gevechten van man tot man. Boven de ommuurde stad Astenay. Met onderschrift van 12 regels in het Duits. Linksonder genummerd: 281. De prent maakt deel uit van een album.
Portret van Martin Luther
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: priest, martin luther, handwriting, writing as activity, scholar in his study, theologian, historical persons, armorial bearing, heraldry
Portret van Lodewijk V van Frankrijk
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228
Dress
Object type: dress
Date: 1872 – 1874
Materials: cotton, silk
Culture: american
Bergachtig landschap met bossen, Nikko, Japan
Object type: photograph
Date: 1907 – 1907
Materials: paper, photographic support
Techniques: gelatin silver print
Location: japan
Artist: jan adriani
Artist role: fotograaf
Subjects: forest, wood, mountains
Pilgrim's Badge
Object type: pilgrim's badge
Date: 1301 – 1400
Materials: lead, wax
Culture: european
Location: italy
Subjects: men,horses
Plate 6: The Sarcophagus: two men conversing to left, another man seated and sleeping to right, an ancient sarcophagus to left decorated with reliefs, a pyramid to right in the background half-hidden by cyprus trees, from "Les soirées de Rome"
Object type: print
Date: 1763 – 1764
Techniques: etching
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Subjects: tombs,heads,men,sarcophagus
Mill Wheels near Abergele, Denbigh, Whitby, Richmond
Object type: print
Materials: paper
Techniques: lithograph
Location: england
Artist: attributed to francis nicholson
Artist nationality: english
Artist dates: 1753 – 1844
Braided Wire Chain with Clasp
Object type: chain
Materials: gold
Culture: indonesian, javanese
Hill with the ruins of Montmajour
Object type: drawing
Date: 1888 – 1888
Materials: chalk, ink, paper, pencil
Techniques: pen
Artist: vincent van gogh
Artist role: draughtsman, painter, print maker
Artist dates: 1853 – 1890
Subjects: abbey, monastery, convent ~ roman catholic church, plain
G. Tholer
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: portrait of actor, actress
Inscriptions: number: ‘Numéro 194’, inscription: ‘Journal Hebdomadaire paraissant le Jeudi, Du 1er au 7 Février 1877.’
Engaged capital
Object type: capital
Date: 1167 – 1200
Materials: stone
Culture: french
Piece
Object type: piece
Date: 1705 – 1715
Materials: metal thread, silk
Subjects: flowers,leaves
Portretten van Jan Maurits Quinkhard en Pieter Tanjé
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving, etching
Subjects: amsterdam, painter, draughtsman, jan maurits quinkhard, pieter tanjé, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228
Bronze statuette of a stag
Object type: statuette of a deer stag
Date: 900 – 701
Materials: bronze
Culture: cypriot
Subjects: deer

Much corroded, with several holes and cracks; cast solid.
Dress
Object type: dress
Date: 1832 – 1833
Materials: cotton, silk
Culture: american
Menton, Monaco
Object type: photomechanical print
Date: 1892 – 1904
Materials: cardboard
Techniques: writing
Location: paris
Subjects: coast, prospect of city, town panorama, silhouette of city
Safely Guarded
Object type: photomechanical print
Date: 1904 – 1909
Materials: paper
Techniques: three-color autotype
Location: saint paul
Subjects: low hill country, sheep, dog
Sard ring stone
Object type: intaglio
Date: 1 – 100
Culture: roman
Subjects: oedipus,sphinx
Steen van een Nehalennia-altaar
Object type: historical object representation
Date: 1713 – 1717
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: other foreign deities included in the classical pantheon (with name)

Illustratie voor: Mattheus Gargon, Walchersche arkadia, Samuel (I) Luchtmans, Leiden 1715-1717, pag. 11.
Trade Card for Barclay, Heraldic Engraver
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
LIX Saepe Soloecismum
Object type: album leaf
Date: 1614 – 1614
Techniques: engraving, printing
Location: amsterdam

LIX Saepe Soloecismum. Eerste schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Keukenstuk met poetsende meid, kind en vechtende hond en kat
Object type: drawing
Date: 1700 – 1800
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: kitchen-maid, kitchen servant, kitchen-interior with foodstuffs in foreground (dutch: 'keukenstuk')
Staf van een staande Chinese knikpop (man)
Object type: knikpop
Date: 1804 – 1808
Materials: hair, iron, lead, earth, porcelain, wood
Techniques: woodworking, molding, polychromy
Location: china
Artist: Anonymous
Subjects: china

Geschenk van de Keizer van China aan A.H. van Limburg Brouwer, Lid van de Raad der Aziatische Bezittingen en Etablissementen tijdens de Bataafse Republiek.
Studie van een hand
Object type: drawing
Date: 1826 – 1826
Materials: chalk, paper
Artist: gerard allebé
Artist dates: 1849 – 1879
Subjects: hand
On the Thames
Object type: drawing and watercolor
Materials: board, ink, paper
Techniques: pen
Location: scotland
Artist: william leighton leitch
Artist role: artist
Artist nationality: scottish
Artist dates: 1804 – 1883
A Pair of Oversleeves
Object type: childrenswear
Date: 1750 – 1775
Materials: textile, cotton, linen, metal
Techniques: sewing, stitching
Location: hindeloopen
Artist: Anonymous

Besides the carnations and other small flowers, this pattern consists of ‘flamed’ red scrollwork. Around 1985 the French firm of Braquenié revived this design, calling it Rivière enchantée. The sleeves, also named ‘bears’ claws’, were fastened at the wearer’s back. They covered the baby’s hands to prevent it from scratching itself.
Naakte vrouw leunt over het boek van een door een vergrootglas lezende oude man
Object type: print
Date: 1884 – 1895
Materials: paper
Techniques: drypoint, photoaquatint
Location: paris
Subjects: reading, woman (showing herself) undressed, quasi-nude, magnifying glass
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Ramiro, Erastène. Catalogue de l'oeuvre gravé de Félicien Rops. Parijs: Conquet, 1887.
Fotoreproductie van een schilderij van twee zittende vrouwen
Object type: photograph
Date: 1855 – 1860
Materials: paper
Techniques: albumen print
Subjects: adult woman
W. Churchill bij parade op Victory Day, 8 juni 1946
Object type: photograph
Date: 1946 – 1946
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Subjects: london
Nieuwe platte grond der stad Amsterdam / Nouveau Plan de la Ville d'Amsterdam
Object type: area plan
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: louis lévèque
Artist role: print maker, printer, publisher
Artist dates: 1798 – 1878
Subjects: city-view, and landscape with man-made constructions, church (exterior), maps of cities, royal palace of amsterdam, amsterdam
Inscriptions: inscription: ‘Aangeboden aan het gemeente bestuur der Stadt Amsterdam, door den ondergetekende als: Drukker en uitgever van dezen plaat ter voldoening aan Art. 6 der Wet van 25 January 1807. Amsterdam 5 augustus 1837, Leveque’
Bouzeo Passage
Object type: print
Date: 1839 – 1839
Materials: chine, ivory, paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Groepsfoto voor een huis
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Groepsfoto voor een huis, waarschijnlijk te Moengo. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of a draped figure?; part of an inscription, [HO] PAI[S KALOS]; Exterior, three lower legs
Onbekende vrouw, augustus 1934
Object type: photograph
Date: 1908 – 1934
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Inscriptions: inscription: ‘E.v.H. Aug.34’
Portret van een staande jongen
Object type: carte de visite
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: a. loisel
Artist role: fotograaf
Subjects: boy (child between toddler and youth)
Inscriptions: inscription: ‘A. Loisel, Phot.’, inscription: ‘Photographie du XIX siècle/ A. Loisel/ 50, Boulevard de Strasbourg, 50/ Passage du Désir/ Paris’
A Cure for Lying and a Bad Memory
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men
Portret van Jan, heer van Borssele
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59. Prent ook gebruikt in: Portraiten van eenige der vermaardste staatsmannen en zeehelden, als toevoeging op: Willem Tiberius Hattinga, Atlas van Zeeland. Amsterdam: Isaak Tirion, 1760.
Scarab with Double Lotus Design
Object type: scarab, geometric motif, lotus flower
Date: 1981 – 1802
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Gezicht op de Tarpeïsche rots in Rome
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: rock-formations
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Colorless with greenish tinge. Flaring rim with slight fold to outer edge; tall, cylindrical neck, tooled in at base; sloping, convex sides to body expanding downward and then curving in to small, slightly concave bottom. Broken around mouth, with two-thirds of rim missing; pinprick bubbles; iridescent weathering.
Alexander the Great and King Taxiles
Object type: drawing and watercolor
Date: 1615 – 1615
Materials: graphite, paper
Location: italy
Artist: after sisto badalocchio
Koeien in Nederland
Object type: stereograph
Date: 1913 – 1930
Materials: glass
Techniques: photography
Location: netherlands
Artist: theodoor brouwers
Artist role: amateurfotograaf
Artist dates: 1874 – 1932
Subjects: amsterdam, theodoor brouwers, netherlands

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.