deem-data/ArtiFact huggingface dataset:
Landschap met een herder bij een vakwerkhuis
Object type: sketchbook leaf
Date: 1807 – 1858
Materials: ink, paper
Techniques: brush, pen
Location: bohemia
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., walking-stick, staff, rural housing, e.g. country-house, villa, cottage, landscapes (+ landscape with figures, staffage)
Inscriptions: date and inscription: ‘[...]lavoache/ 18/7 58.’

De man, vermoedelijk een herder, draagt een hoed, wandelstok en een mantel. Blad 44 recto uit een schetsboek met 44 bladen.
Exterieur van het Wittelsbacher Paleis in München
Object type: photograph
Date: 1865 – 1865
Materials: paper, photographic support
Techniques: albumen print
Location: munich
Artist: Anonymous
Subjects: trees, tower, clock tower ~ monumental adornment, palace, travelling; tourism

Onderdeel van Fotoalbum van een reis door Zwitserland, Oostenrijk en Duitsland door de Nederlandse familie Derkinderen.
Donna Turca in casa
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Brief aan Philip Zilcken
Object type: letter
Date: 1918 – 1918
Materials: ink
Techniques: pen, writing
Location: laren
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: voorburg, renée hélène laure zilcken, painter, draughtsman, philip zilcken, printed matter, the hague
Inscriptions: collector's mark: ‘RPK’
She responded to my protests and oaths with a tone of mockery so cold that I swore to die, from "Scenes from the Private and Public Life of Animals"
Object type: print
Date: 1837 – 1847
Techniques: engraving
Artist: j. j. grandville
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1847
Portret van liedschrijver Carlo Lenzóni
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving
Location: lucca
Subjects: historical persons, portrait of a writer, writer, poet, author
Inscriptions: inscription: ‘Lenzoni / 3770’, collector's mark: Lugt 2228

Prent gebruikt voor Grazzini, Anton Francesco. Tutti i trionfi, carri, mascherate o canti carnascialeschi andati per Firenze dal tempo del Magnifico Lorenzo de' Medici fino all' anno 1559 : in questa seconda edizione corretti, con diversi MSS. collazionati, delle loro varie lezioni arricchiti, notabilmente accresciuti, e co' ritratti di ciascun poeta adornate. Lucca: Cosmopoli, 1750.
Gezicht op de tempel van Minerva Medica te Rome, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: ruin of a building ~ architecture
Inscriptions: number: ‘42’, inscription: ‘Roma’, number: ‘89’
Gedeelte van de Grote of Sint-Nicolaaskerk te Elburg
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: elburg
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘X’
Sommers, Left Field, Baltimore Orioles, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Annunciation
Object type: print
Date: 1666 – 1666
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: angels,annunciation
Nieuwe Kaart van het Eiland Walcheren zynde het vermakelykste gedeelte in het Graafschap van Zeeland zeer naauwkeurig afgedeelt in de Iurisdictien der Steeden en Districten der Dorpen en Heerlykheden
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Artist: Anonymous
Subjects: maps of separate countries or regions

Zie ook RP-P-AO-15-38A, RP-P-AO-15-39 en RP-P-AO-15-40-2B.

Deze kaart komt ook voor als onderdeel van de zogenaamde Visscher-Romankaart, een wandkaart van Zeeland. Zie RP-P-AO-15-13, RP-P-AO-15-13B en documentatie voor meer informatie.
Manuscript Illumination with the Beheading of Saint Paul in an Initial S, from a Gradual
Object type: gradual
Date: 1278 – 1278
Materials: ink, parchment, paint
Culture: italian
Location: italy
Artist: master of bagnacavallo
Artist role: artist
Artist nationality: italian
Artist dates: 1275 – 1299
Subjects: swords,saint paul

The Beheading of Saint Paul is one of two cuttings in the Metropolitan Museum's collection that was excised from the ensemble of choir books created for the Cathedral of Imola, near Bologna. As was often the case, the choir books were probably produced around the time of the cathedral's completion in 1271 and consecration in 1278. The patron may have been Bishop Sinibaldo Meloti da Certaldo, who also commissioned the decoration of the cathedral's tribune.
The grapes brought by the spies from Canaan
Object type: page
Date: 1868 – 1873
Materials: photographic support
Techniques: albumen print
Location: oberammergau
Artist: joseph albert
Artist role: printer, publisher
Artist dates: 1825 – 1886
Subjects: the spies take away some of the fruits of canaan and return, usually carrying a large bunch of grapes on a pole, group of actors, troupe; actors on the stage
Inscriptions: number: ‘Royal Photograph 16.’
Boot
Object type: sketchbook leaf
Date: 1900 – 1900
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: sailing-ship, sailing-boat

Blad 9 recto uit een schetsboek met 15 bladen.
Brief aan L. van den Broeke
Object type: letter
Date: 1917 – 1917
Materials: ink
Techniques: pen, printing, writing
Location: texel
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: criticizing and discussing art, art criticism, drawing, christian religion, charitable works
Roman Scene
Object type: drawing
Date: 1499 – 1543
Materials: ink
Techniques: brush, highlighting, pen, wash
Artist: polidoro da caravaggio
Artist role: artist
Artist nationality: italian
Artist dates: 1494 – 1548
Subjects: infants,men
Girl Carrying Homework thro Greenwich Village
Object type: photograph
Date: 1909 – 1909
Materials: paper
Techniques: gelatin silver print
Location: new york city
Artist: lewis wickes hine
Artist role: fotograaf
Artist dates: 1874 – 1940
Subjects: girl (child between toddler and youth), new york (city)
Inscriptions: inscription: ‘LEWIS W. HINE/ INTERPRETIVE PHOTOGRAPHY/ HASTINGS-ON-HUDSON, NEW YORK’

American photographer Lewis Hine is known primarily for his investigative photographs of child labour, which he took for the National Child Labor Committee from 1908. He recorded how young children were exploited in factories, mines, and in fields and on the street. Hine’s photographs are a classic example of how photography contributed to social reform.
Mannelijk naakt, lopend, naar links
Object type: drawing
Date: 1726 – 1726
Materials: chalk, paper
Artist: louis fabritius dubourg
Artist role: draughtsman, print maker
Artist dates: 1693 – 1775
Subjects: the (nude) human figure; 'corpo humano' (ripa)
Inscriptions: date

Mannelijk naakt, lopend, naar links. Opschrift: 30 1726.
Affections and Love (Valentine)
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: ink, paper, watercolor
Techniques: collage, cutting, embossing, pen
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Bomen
Object type: sketchbook leaf
Date: 1839 – 1894
Materials: paper, pencil
Artist: lambertus lingeman
Artist role: draughtsman, painter, print maker
Artist dates: 1829 – 1894
Subjects: trees

Blad 45 verso uit een schetsboek met 51 bladen.
Pear-Shaped Vase
Object type: vessel
Materials: glaze, porcelain
Location: china
Flower Dance, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: garlands,women,dancing

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Rivierlandschap met een man en een geit
Object type: print
Date: 1643 – 1681
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: gilles neyts
Artist role: draughtsman, print maker
Artist dates: 1623 – 1687
Subjects: river, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228a

Bergachtig landschap. Over een weg langs een rivier drijft een man een geit voort.
Double-Handled Flask
Object type: vessel
Date: 301 – 500
Materials: glass
Techniques: glassblowing
Culture: byzantine
Location: syria
Subjects: vessels

Glass vessels were part of the luxurious domestic decoration displayed in wealthy households in both urban villas and rural estates in the later Roman and early Byzantine eras (about 300–725). Glass vessels were used for a variety of purposes, including cosmetic containers. In the kitchen and for dining, pitchers served water and wine, and small cups were used for drinking. Glass was also used for lamps to light the home.

Byzantine glass craftsmen improved upon the techniques, forms, and decorative motifs they had inherited from their Roman predecessors. An imperial edict of 337 exempted glassworkers from personal taxes and attested to their relative status in society; it remained in effect for several centuries. These artisans would, in turn, pass on their craft to successive generations, including those who worked under Islamic rule after the important Byzantine provinces of Egypt, Palestine, and Syria were conquered in the seventh century.
Face Rattle
Object type: rattle
Date: 1834 – 1866
Materials: fiber, leather, wood
Culture: tsimshian
Location: canada
Subjects: musical instruments,faces
Jachttaferelen
Object type: print
Date: 1567 – 1601
Materials: paper
Techniques: engraving
Subjects: hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), beasts of prey, predatory animals: badger
Inscriptions: stamp, collector's mark: Lugt 1641

Mannen jagen en graven dassen uit en vangen deze met netten. Ze worden geholpen door enkele honden. Onder de voorstelling een vierregelig vers in het Latijn. Rechtsonder genummerd: 11. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, jacht.
Fragment of a bottle
Object type: bottle fragment
Date: 1201 – 1300
Materials: glass
Culture: syrian
Ark aan de kade op de Wolga
Object type: photograph
Date: 1903 – 1904
Materials: photographic support
Techniques: gelatin silver print
Location: russia
Artist: joseph cheetham
Artist role: engineer
Subjects: houseboat, pier, quay, wharf, russia

Onderdeel van Fotoalbum van de Engelse familie Cheetham met opnames van hun verblijf in Rusland.
Beeld van Clovis I, koning van de Franken en architecturale ornamenten
Object type: print
Date: 1810 – 1873
Materials: paper
Techniques: aquatint, etching
Artist: henry shaw
Artist role: print maker
Artist dates: 1800 – 1873
Subjects: paris, sculpture, ornament derived from architectural details, king
Inscriptions: collector's mark: Lugt 2228
Woning en tuin te Pangkalpinang
Object type: photograph
Date: 1914 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, mining, villa
Inscriptions: inscription

Albumblad met 2 foto's van een woning en tuin van de mijnbouwonderneming te Pangkalpinang. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Pair of Flintlock Pistols
Object type: arm
Date: 1701 – 1800
Materials: steel, wood
Location: brescia
Artist: lazzarino cominazzo
The Last Drop
Object type: print
Materials: paper
Techniques: lithograph
Location: england
Artist: charles joseph hullmandel
Artist role: lithographer
Artist nationality: english
Artist dates: 1789 – 1850
Portret van een baby met witte muts op een standaard omringd door bloemen
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: historical persons, head-gear: cap, infant, baby ~ the ages of man
Houtewael by Amsterdam Ao 1625 / Houtewael aan de Zeedyk te zien
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: prospect of village, silhouette of village, dikes, levee
Inscriptions: collector's mark: Lugt 2228

Prent uit: Rademaker, Abraham, en Matthaeus Brouërius van Niedek, en Isaac Le Long. Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen. Amsterdam: Willem Barents en Antoni Schoonenburg, 1727-1733, ill. nr. 3 en 4.
Seated Virgin and Child
Object type: reliquary
Date: 1234 – 1266
Materials: gilt copper, enamel
Techniques: enamel
Culture: french
Location: france
Subjects: madonna and child
Manhood, plate three from The Four Ages of Man
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: etching, printing
Location: france
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676

Abraham Bosse primarily depicted scenes of 17th-century Parisian society and was considered original and highly influential on French art. A follower of Jacques Callot, Bosse adopted the belief that etchings should imitate engravings, using special techniques allowing him to create swelling lines through the etching ground. No longer depicting the curious boy nor the wanton young man, in Manhood Bosse celebrates the third age of man. In this scene of refined affluence and composure, an established gentleman directs his attention toward the viewer, bidding us to join in a family meal, much to the dismay of the small dog hoping for a few scraps of food.
Pair of rods
Object type: rod
Date: 1767 – 1833
Materials: gilt bronze
Diogenes and Alcibiades at the Odeon. “- Ah... it's modern....what a man!,” plate 121 from Actualités
Object type: print
Materials: paper, stone
Techniques: letterpress, lithograph, scraping
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Portret van Alix de Lamartine
Object type: print
Date: 1819 – 1843
Materials: paper
Techniques: engraving
Location: france
Subjects: portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Scheepshelling in Kameroen met de schepen 'Cyclop' en (vermoedelijk) 'Wolf'
Object type: photograph
Date: 1899 – 1899
Materials: photographic support
Techniques: albumen print
Location: cameroon
Artist: Anonymous
Subjects: shipyard, shipdock

De 'Cyclop' was (vermoedelijk) een zogenaamde 'hulk', een afgedankt schip dat niet zeewaardig was en dienst deed als handelspost. Onderdeel van Fotoalbum met opnames van Kameroen rond 1899.
Cimiez
Object type: reproduction
Date: 1892 – 1904
Materials: cardboard
Techniques: writing
Location: paris
Subjects: trees, street (+ city(-scape) with figures, staffage)
Stereokijker (type Brewster)
Object type: photograph
Date: 1400 – 1950
Materials: glass, metal, wood
Artist: Anonymous
The Portage Sleigh on a Lumber Road, for "Antoine's Moose-Yard," for "Harper's New Monthly Magazine," October 1890
Object type: block
Date: 1890 – 1890
Artist: frederic remington
Artist role: artist
Artist nationality: american
Artist dates: 1861 – 1909
Subjects: human figures,horses
Gezicht op een bouwplaats, Zuid-Holland
Object type: lantern slide photographic
Date: 1956 – 1960
Materials: glass, paper
Techniques: gelatin silver transparency
Location: south holland
Artist: Anonymous
Subjects: building-site
Inscriptions: number: ‘13’
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the neck and shoulder of an oinochoe
Vertrek naar en aankomst van prins Willem III in Engeland, 1688
Object type: book illustration
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: william iii (prince of orange and king of england, scotland, and ireland), arrival and return ~ travelling, departure ~ travelling
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Pers, Dirck Pietersz. Romeynschen adelaer, waer in de loffelĳcke en lasterlĳcke daden der Romeynsche koningen, en keyseren, verhandelt werden, 3 delen. Utrecht: Jurriaen van Poolsum, 1689, fol. 897. Deze prent is ook genummerd FMH 2696 als illustratie voor: Lambert van den Bosch, Het leven en bedryf van Willem de Darde, Jan Claesz ten Hoorn, Amsterdam 1694, 4 delen.
Portret van Balthasar Gerbier, op 42-jarige leeftijd
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: london, balthazar gerbier d'ouvilly, letter, envelope, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Portret van Friedrich von Hagedorn
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: stippling
Location: zwickau
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Design for Pony Phaeton, no. 3556
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Dwarf
Object type: figurine, dwarf with bowl
Date: 1850 – 1700
Materials: faience
Location: egypt
Subjects: men
Rowel Spur (Right)
Object type: spur
Materials: copper alloy, gold
Culture: french
Location: france

This spur belongs to the first type of rowel spur developed. The first rowel spurs, featuring a revolving disc or star at the end of the neck, appeared in western Europe around the mid 13th century. In this region they cohabitated with the earlier form, the prick spur, for about a century, before replacing it almost completely by the mid 14th century. The advantage of the rowel spur over the prick was it allowed the rider to reach the flanks of its horse with one of the points whatever the angle of its foot, which was very convenient regarding the riding position of the time, with long stirrups-leathers and extended legs. The fact that the rowel rolled against the horse instead of hitting it directly reduced also the probability of injuring it too seriously.
Vase
Object type: vase
Date: 1882 – 1883
Materials: earthenware
Culture: american
Location: united states
Artist: odell & booth brothers
Artist role: manufacturer
Artist nationality: american
Artist dates: 1880 – 1885
Jeugdstorm wandelt langs het strand
Object type: photograph
Date: 1903 – 1942
Materials: photographic support
Techniques: gelatin silver print
Location: zandvoort
Artist: j.h. hasewinkel
Artist role: fotograaf
Subjects: military training

Een groep meisjes van de Jeugdstorm wandelt in uniform langs het strand van Zandvoort en zingt. Gezien de kleding is het zomer.
Bowl with floral design
Object type: bowl
Date: 1701 – 1800
Materials: jade
Culture: indian
The Holy Family
Object type: print
Date: 1811 – 1811
Techniques: engraving
Artist: pietro bonato
Artist role: artist
Artist nationality: italian
Artist dates: 1765 – 1820
Spiegel van ijdelheid
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: old man
Inscriptions: collector's mark: Lugt 240

Een vader spreekt zijn zoon toe, op te passen voor de verlokkingen van het leven. Voor zich een bijbel. Tweede prent van een serie van achttien.
Window
Object type: window
Date: 1601 – 1700
Materials: gypsum, glass
Location: egypt or syria

A window such as this with colored panes in green and orange might have been found in a room of a late Ottoman aristocratic home, like the Damascus reception room also in the Museum's collection (1970.70) Tinted glass was favored because it filtered the light, but it also complemented the multihued furnishings of these rooms.
Schetsen van een poes
Object type: drawing
Date: 1877 – 1932
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: cat
Afbeelding en kort Verhaal Hoedanigh de Sterkte Koeverden Door het Guarnisoen van Groeningen, stormenderhandt is ingenomen. Den 30 December 1672
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: capture of city (after the siege)
Inscriptions: collector's mark

Blad met een voorstelling en beschrijving van de verovering van Coevorden op 30 december 1672 op de troepen van de bisschop van Munster, door de troepen onder leiding van Karl Rabenhaupt. Genummerde details worden in de legenda onder de voorstelling verklaard. Hieronder een beschrijving van het verloop van de strijd over twee kolommen in het Nederlands. Op het eind een overzicht van de gemaakte gevangenen en de veroverde buit.
Portret van Lambertus Hortensius
Object type: book illustration
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: priest, historical persons, portrait of a writer
Tea caddy (part of a service)
Object type: tea caddy
Date: 1795 – 1800
Materials: hard paste porcelain
Subjects: ships