deem-data/ArtiFact huggingface dataset:
Recumbent Figure of Unicorn
Object type: figure
Date: 1701 – 1800
Materials: bronze
Culture: chinese
Subjects: unicorns
Side chair
Object type: side chair
Date: 1805 – 1815
Materials: wood
Culture: american
Location: united states
Artist: william worthington
Artist role: maker
Artist nationality: american
Artist dates: 1775 – 1839
Portret van Mathieu Orfila
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: nicolaas martinus schild
Artist role: draughtsman, print maker
Artist dates: 1822 – 1840
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Vase (one of a pair)
Object type: vase
Date: 1730 – 1740
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: birds,houses,dragons

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Portraits, noms, et qualitez des ambassadeurs assemblez tant a Munster qu'Osnabruck (...)
Object type: print
Date: 1646 – 1668
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: inscription: ‘304’

In een ovaal met linksboven een wapenschild en rechtsboven een lauwerkrans.
Liggend mannelijk naakt, de rechterarm opgeheven
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Fragment met kloskant geappliceerd op tule
Object type: clothing
Date: 1850 – 1920
Materials: lace, fiber
Techniques: lace
Location: western europe
Artist: Anonymous

Fragment (lap?) met kloskant geappliceerd op tule, onregelmatig geschulpt en voorzien van picots. Het patroon bestaat uit bloemtakken en c-vormige voluten.
[Lumb Stocks]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Moniteur des Dames et des Demoiselles, 1867, No. 857 : Toilettes de Mme Pieffort (...)
Object type: fashion print
Date: 1867 – 1867
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: recreation in the dunes, walking-stick, staff, cane (+ women's clothes), boots (+ women's clothes), boots (+ girls' clothes), head-gear (+ women's clothes), fashion plates, dress, gown (+ girls' clothes)
Inscriptions: address: ‘Paris Rue de Richelieu, 92.’, caption: ‘Toilettes de Mme Pieffort r. Grange Batelière, 1 _ Modes d'Alexandrine, 2. r. Meyerbeer (Ch.sée d'Antin) Costume d'Enfant de la M.on Au Cardinal Fesch r. N.ve S.t Augustin. 45 _ Corsets et Ceintures de M.me Billard. r. Tronchet. 4. Dentelles de Violard. fr1eres r. de Choiseul. 3 _ Parfums, Eventails et Gants de Faguer Laboullée, r. Richelieu, 83. / Lingeries de M.mes Noël Soeurs à la Couronne Royale r. du Bac 51 / Foulards de la Malle des Indes Passage verdeau N.os 24-26 / Rubans et Passementerie A la Ville de Lyon Ch.sée d' Antin . 6 / Mouchoirs de la Compagnie Irlandaise rue Tronchet No. 36.’, title: ‘Le Moniteur des Dames et des Demoiselles’

Twee vrouwen in kostuums van Mme. Pieffort, staand op het strand.. Naast hen een kindermeisje met een meisje op de arm. Op de achtergrond enkele badgasten. Onder de afbeelding enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Moniteur des Dames et des Demoiselles (1854-1902).
Vakantiealbum van een reis langs de Nijl, 1936
Object type: photograph album
Date: 1936 – 1936
Materials: paper, photographic support
Techniques: gelatin silver print
Location: egypt
Artist: Anonymous
Subjects: tourism

Fotoalbum met een verticaal gestreept gekleurd stoffen omslag. Hierin 20 crèmekleurige binnenbladen met een groen koord in omslag gebonden. Het album bevat 84 zwart-wit foto's van een vakantie in 1936 langs de Nijl in Egypte aan boord van het schip 'Princesa Olga', beginnend in Athene en Split. Foto's van o.a. de Sphinx, Caïro, Piramide van Cheops, Luxor, beelden van Ramses II, het dal der koningen, in Thebe de Deir El Bahari-tempel, tombe van Toetanchamon, de kolossen van Memnon, Karnak, een stuwdam, een berberdorp, Philae enz. 12 Foto's ontbreken. Foto's voorzien van bijschrift.
Portret van keizer Maximiliaan I
Object type: book illustration
Date: 1821 – 1821
Materials: paper
Techniques: stippling
Location: nuremberg
Subjects: maximilian i (holy roman emperor), historical persons, emperor, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Jerrer, Georg Ludwig. Geschichte der Teutschen für die Jugend (...). Neurenberg: Friedrich Campe, 1821.
Shirt
Object type: shirt
Date: 1867 – 1900
Materials: cotton

The dramatic form of this shirt provides a large canvas for embroidery. Its sleeves are exaggerated both in length and fullness and likely originated in ancient ecclesiastical garments, such as the alb. This object was collected by Stewart Culin (1858-1929) during a collection expedition in 1920. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
De hoek van Bantam, de Kust Java en Brabants hoedtie
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), coast, java

Fragment van een prent afkomstig uit: Bruin, Cornelis de. Reizen over Moskovie door Persie en Indie. Amsterdam: Rudolph & Gerard Wetstein, Johannes van Oosterwyk, Hendrik van de Gaete, 1714.
Cartouche met een tekst uit het Bijbelboek Prediker
Object type: print
Date: 1555 – 1555
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: ornament ~ cartouche, mask, mascaron ~ ornament

Cartouche met een tekst uit Pr. 12:13 in het Latijn. Ornament met bovenaan drie maskers en midden onder een masker. Deze prent maakt deel uit van een album.
A Goldsmith in his Shop
Object type: painting
Date: 1449 – 1449
Materials: wood, oil, panel
Artist: petrus christus
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1444 – 1476
Subjects: interiors,jewelry,couples,men,women

A celebrated masterpiece of Northern Renaissance Art, this painting was signed and dated 1449 by Petrus Christus, the leading painter in Bruges (Flanders) after the death of Jan van Eyck. The panel attests to Netherlandish artists’ keen interest in pictorial illusionism and meticulous attention to detail, especially in the luminous jeweled, glass, and metallic objects, secular and ecclesiastic trade wares that are examples of the goldsmith's virtuosity. The main figure in this enigmatic painting was long identified as Saint Eligius (the patron saint of goldsmiths) due to the presence of a halo, which was recognized as a later addition and subsequently removed. The panel is likely a vocational painting, which portrays the profession of goldsmithing and perhaps a specific goldsmith. Technical analysis reveals the underdrawing of the goldsmith's face to be very carefully modeled—more so than the faces of the couple—indicating the possibility of a portrait. It has been suggested that he is Willem van Vleuten, a Bruges goldsmith who worked for Philip the Good, duke of Burgundy. In 1449, the date of this painting, the duke commissioned from van Vlueten a gift for Mary of Guelders on the occasion of her marriage to James II, King of Scots. That couple may well be depicted in this painting, portrayed buying a wedding ring that is being weighed on a scale. The girdle that extends over the ledge of the shop into the viewer’s space is a further allusion to matrimony. The convex mirror, which links the pictorial space to the street outside, reflects two young men with a falcon (a symbol of pride and greed) and establishes a moral comparison between the imperfect world of the viewer and the world of virtue and balance depicted here.
Plate 3: The Marriage of Henry IV and Marie de Medici, from Caspar Barlaeus, "Medicea Hospes"
Object type: print, fete, ornament architecture
Date: 1638 – 1638
Techniques: etching
Artist: pieter nolpe
Artist role: artist
Artist nationality: dutch
Artist dates: 1613 – 1614
Subjects: men,women,hercules,putti,mars,weddings

Marie de Medici and Henry IV standing at center, blessed by a bishop and crowned by two putti. Mars and Hercules stand to the left and Athena at right. One of a series of sixteen plates showing the festivals and ceremonies in honor of Marie de Medici's visit to Amsterdam from August 31 to September 5, 1638. Illustration to Caspar Barlaeus, "Medicea Hospes", Amsterdam, 1638.
Portret van een onbekende vrouw met een kind
Object type: photograph
Date: 1865 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: augustin aimé joseph le jeune
Artist role: fotograaf
Subjects: anonymous historical person portrayed, mother and child(ren), woman and child(ren) (family group), paris
Inscriptions: inscription: ‘Levitsky, 22, Rue de Choiseul Le Jeune, Succr.’
Figural box
Object type: box
Date: 1740 – 1740
Materials: faience
Techniques: glazing
Subjects: human figures
Laken of lap, omgezoomd.
Object type: beddenlaken, laken object
Date: 1675 – 1899
Materials: linen
Location: netherlands
Artist: Anonymous

Lap, op het formaat van een laken, van fijn linnen, omgezoomd.
Praha. Kaple sv. Václava ve svatovítském chrámu
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: color autotype
Location: prague
Subjects: interior of church, parts of church interior: chapel
Triomf van Venus
Object type: sketchbook leaf
Date: 1696 – 1696
Materials: chalk, paper
Artist: hendrick van beaumont
Artist role: draughtsman
Subjects: triumph of venus; 'carro di venere' (ripa)

Venus op haar zegekar getrokken door twee duiven met Amor die met haar meevliegt. Blad 10 recto uit een schetsboek met 91 bladen.
Bronze statuette of Jupiter
Object type: statuette of zeus ammon
Date: 67 – 100
Materials: bronze
Culture: roman
Subjects: male nudes,jupiter

Nude; with thunderbot in right hand, staff in left. This type is known from many ancient bronze and marble replicas and probably goes back to a Greek original of the V century B.C.
Schapen
Object type: print
Date: 1660 – 1664
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228
Kudde runderen te Barnet Fair
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: tone lithography
Location: london
Subjects: bovine cattle, england
Inscriptions: collector's mark: Lugt 2228
Sheet with overall pattern of flowers and organic shapes
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Naakte man beklimt een rotsachtige heuvel
Object type: page
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: climbing, rock-formations, man (showing himself) undressed, quasi-nude
Colosses du Ramesséum
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,ruins

In 1849-50, Du Camp traveled to Egypt with the as-yet-unknown writer Gustave Flaubert, intent on producing clear and legible photographs of the ancient monuments. For them, as for all travelers before and since, the first sight of the temples and pyramids, the Sphinx, and the seemingly endless desert, was overwhelming. The Greeks called the ruined temple shown here the "Tomb of Ozymandias," their interpretation of Usermaetre, one of the names of Rameses II (r. 1327-1304 B.C.). Du Camp's view shows the temple's portico and a fragment of one of the two granite colossi that lie in the yard of the Second Court. The upper sections of the colossi had been removed in the earlier part of the century and sent to the British Museum. It was on the arrival of the bust of Rameses II in London that Percy Bysshe Shelley (1792-1822) wrote his famous sonnet "Ozymandias" (1818). Du Camp included this photograph in a unique, privately printed portfolio of 174 photographs that was once part of the collection of the architect Eugène Viollet-le-Duc.
Studie
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: anatomy (non-medical)

Blad 48 verso uit een schetsboek met 53 bladen.
Glass bracelet with impressed decoration
Object type: bracelet
Date: 367 – 500
Materials: glass
Culture: roman

Translucent turquoise blue. Circular band with rounded edges and slightly uneven sides; convex in section with flat inner side; no visible seam. Outer surface decorated with a series of thirteen stamped circles, each depicting a lion facing right with open mouth, large mane, and tail raised above his back. Intact, except for one weathered chip on inner edge; many pinprick and elongated bubbles; dulling, some deep pitting, faint iridescence, and patches of creamy white weathering. Around the outside of the bracelet is a pattern of stamped medallions containing lions.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, right hand of draped figure holding a fillet; part of a knobby stick
Interieur van de Sint-Wenceslauskerk te Praag
Object type: page
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: sint-wenceslauskerk
Subjects: parts of church interior: aisle
Study for Christ Child
Object type: drawing and watercolor
Date: 1610 – 1612
Materials: chalk, paper
Location: italy
Artist: giacomo cavedone
Artist role: artist
Artist nationality: italian
Artist dates: 1577 – 1660
Inscriptions: Inscribed recto, lower center on mount, in pen and brown ink (in Richardson, Sr., hand): "Coreggio"; inscribed verso, upper left on mount, in pen and brown ink: "J 05: 0C"; upper center on mount, in pen and brown ink: "T. 25"
Figuur op de oever van een rivier met bomen op de achtergrond
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching, intaglio
Subjects: river
Inscriptions: collector's mark: Lugt 2228

De etsen naar de schilderijen van Frédéric Van de Kerkhove werden na zijn dood door zijn vader en zuster gemaakt en uitgegeven in twee reeksen. De eerste werd in 1877 uitgegeven door het Journal des Beaux-Arts et de la Littérature: Cahier de 25 Eaux-fortes d'après Frédéric van de Kerkhove, gravées par son père et sa sœur. De tweede reeks van 126 etsen, ook in 1877, werd in Parijs uitgegeven bij A. Lévy onder de titel Cent eaux-fortes gravées par J. Van de Kerkhove d'après les tableaux de Frédéric Van de Kerkhove, mort en 1873 à l'âge de 10 ans et 11 mois.
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Translucent brownish yellow. Everted, rounded rim; cylindrical neck with tooling indent around base; conical body; uneven bottom with off-center hollow. Complete, but crack in body; pinprick bubbles; dulling, slight pitting, and iridescent weathering.
Govert Flinck - Jacob door Izaak gezegd, Izaäk bénit Jacob
Object type: photograph
Date: 1866 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, violin, fiddle, glass, rummer, isaac sitting in bed blesses jacob who, disguised in esau's clothes, brings food to his father; jacob's hands and neck are covered with goatskins
Inscriptions: annotation: ‘Musée d'Amsterdam’, annotation: ‘Musée d'Amsterdam’

Deze foto maakt deel uit van een omslag met 25 foto's.
Plint van de Kruisiging:
Object type: sculpture
Date: 1475 – 1477
Materials: wood
Techniques: gilding
Location: utrecht
Artist: adriaen van wesel
Artist role: sculptor
Artist dates: 1415 – 1490

Waarschijnlijk later toegevoegde plint, na restauratie verwijderd.
Poort met hekwerk en vazen
Object type: print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: vase ~ ornament, fence, wall, paling, gate, entrance
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een poort van een park met een hekwerk met vazen aan weerszijden. Prentnummer 282.
Adele Conway, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Tree Study (from Sketchbook)
Object type: drawing
Date: 1858 – 1916
Materials: graphite, ink, paper
Culture: american
Artist: henry ward ranger
Artist role: artist
Artist nationality: american
Artist dates: 1858 – 1916
Subjects: trees

This sketchbook contains thirty-one undated drawings in graphite and ink of Noank and Lyme, Connecticut subjects. Beginning in 1899, Ranger became a leading member of the artists’ colony at Old Lyme, Connecticut, where a group of painters influenced by the Barbizon and impressionist styles gathered in the summer at the home of Florence Griswold. Ranger later acquired a country home in Noank, on Long Island Sound, near New London, Connecticut, and did much of his sketching there.
Plate
Object type: plate
Date: 1701 – 1800
Materials: gilt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers
Portret van een man met bakkebaarden
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sideburns, historical persons
Schijn bedriegt
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: africans, the soldier; the soldier's life, disguise
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over de jonge Pieter die zich voordoet als zwarte jongen en zo infiltreert in het kamp van de Engelsen, tijdens de Tweede Boerenoorlog 1899-1902. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 397.
Cuvier
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, scholar in his study, historical persons
Inscriptions: collector's mark: Lugt 2228
Textile Fragment
Object type: textile fragment
Date: 801 – 900
Materials: silk, wool
Techniques: weave
Location: egypt
Firenze. Galleria Uffizi. Madonna delle Rose con S. Antonio; Tiziano
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: photographic support
Techniques: photography
Location: florence
Subjects: madonna: mary sitting or enthroned, the christ-child in her lap (or in front of her bosom) (mary sometimes represented half-length), antoninus pierozzi, dominican friar and archbishop of florence; possible attributes: book, scales
Inscriptions: collector's mark: ‘AFE v S’
Susanna en de ouderlingen
Object type: print
Date: 1590 – 1595
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: annibale carracci
Artist role: draughtsman, print maker
Artist dates: 1560 – 1609
Subjects: susanna bathing, usually in or near a fountain and sometimes accompanied by two female servants, garden fountain
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

De badende Susanna wordt lastiggevallen door twee oude mannen die dreigen haar aan te geven op beschuldiging van overspel indien zij zich tegen hen verzet. Op de voorgrond rechts een fontein met een putto op een schildpad en een naakste figuur staand op een schelp. Op de achtergrond een landschap. Tekst en wapenschild in ondermarge.
Studieblad met de buste van een man
Object type: print
Date: 1811 – 1867
Materials: paper
Techniques: etching
Location: netherlands
Artist: christiaan wilhelmus moorrees
Artist role: draughtsman, print maker
Artist dates: 1801 – 1867
Subjects: head (human)
Inscriptions: collector's mark: Lugt 2228

Studieblad met in het midden de buste van een man met baard. Links de kop van en hond.
Grand Piano
Object type: grand piano
Date: 1893 – 1893
Materials: metal, wood
Culture: german
Location: germany
Artist: carl bechstein
Artist role: maker
Artist nationality: german
Artist dates: 1826 – 1900

Carl Bechstein founded his famous piano company in Berlin in 1853. His instruments were endorsed by Franz Liszt and Hans von Bülow, which led the company to supply pianos for many of the most important concert venues in the world. Bechstein's instruments became favorites of players, including amateur musicians, and beginning in 1881 Bechstein supplied pianos to Queen Victoria and her residences in Britain. Soon, Bechstein was also providing instruments for royal households in Russia, Spain, Belgium, Norway, and other places. The Bechstein firm, along with the Blüthner company in Leipzig, Bösendorfer in Berlin, and Steinway in New York City, were commonly regarded as the "big four" piano firms in the nineteenth and early twentieth centuries. After Carl Bechstein's death in 1900, his sons took over the operations and production would reach its height in the 1910s, when the company produced approximately five thousand pianos a year. The Bechstein grand piano at Trident Studios in London became a famed instrument in its own right and was used on many important rock and pop recordings. That Bechstein piano was used on several Beatles songs, Queen's "Bohemian Rhapsody," and Carly Simon's "You're So Vain," among others. The Met's example is dated to around 1893 based on its serial number. The instrument has a beautiful rosewood case with turned legs. Its length and case style are consistent with the Bechstein Model IV (approximately 7 ft 2 in.). The instrument was restored to playing condition at the time of its acquisition by the Museum, including with the addition of synthetic natural keys. Technical description: Rosewood case with new plastic-type finish, on 3 octagonal tapered legs with turned collars and casters, standard AAA-c5 keyboard with new synthetic natural key covers and old ebony accidental blocks 2 pedals in columnar lyre; 12 copper-wound unisons, 8 similar bichords, remainder triple-strung, scrollwork music rack
Brief aan Philip Zilcken
Object type: letter
Date: 1881 – 1881
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: georgette meunier
Artist role: painter
Artist dates: 1859 – 1951
Subjects: the hague, painter, draughtsman, philip zilcken, painting (including book-illumination, miniature-painting), exhibition ~ art, brussels
Inscriptions: collector's mark: ‘RPK’, watermark