deem-data/ArtiFact huggingface dataset:
Schetsboek met 68 bladen
Object type: sketchbook
Date: 1820 – 1896
Materials: cardboard, leather, linen, paper, pencil, watercolor
Techniques: brush, pen
Location: czech republic
Artist: kasparus karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1896
Subjects: river, village street, prospect of city, town panorama, silhouette of city, prague, amsterdam
Inscriptions: collector's mark: Lugt 2228a, annotation: ‘Dit boek bevat drieenveertig teekeningen/ (genummer) van mijn vader./ Ed Karsen/ schetsboek van K. Karsen’

De tekeningen in het schetsboek zijn genummerd 1 t/m 41 en 43. Blad 42 ontbreekt. De verso van bladen 1 t/m 30 en 32 t/m 43 zijn blanco. Tussen blad 32 en 33, 35 en 36 en 41 en 43 zit een blanco ongenummerd blad. Na blad 43 is het schetsboek blanco.
[Studio Portrait: Man Wearing Carnival Mask, Venice]
Object type: carte de visite
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: masks,men,portraits

The carte de visite, composed of a print of approximately 2 x 4 inches mounted to card stock, is perhaps the most ubiquitous form of nineteenth-century photography. From the late 1850s through the latter half of the century, these economical keepsakes circulated en masse and spurred a veritable “cartomania.” This is an example of those distributed by the commercial photography studios of Conrad in Naples and Ponti in Venice, depicting occupational “types” related to those cities, such as a hooded member of a religious confraternity, a masked Pulcinella (a stock theater character), a musician, a water carrier, and an oyster shucker, among others. While these stereotypical images charmed tourists interested in foreign customs, they also appealed to a growing clientele of middle-class Italians as a means of reflecting on their own social standing.
Detailstudies van vissen, met kleurnotities
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: bony fishes
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the center of a kylix with the top of the stem
Andromeda aan de rots geketend
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: perseus and andromeda

Andromeda is aan een rots geketend, als offer aan een zeemonster, dat rechts in het water ligt. Daarboven vliegt Perseus, klaar om het monster te doden. De ouders van Andromeda en omstanders treuren en wijzen.
Fig. 34 'De Tapso Barbato' in De Boodts herbarium van 1640
Object type: text sheet
Date: 1640 – 1640
Materials: ink, paper
Techniques: letterpress printing
Location: bruges
Artist: anselmus boëtius de boodt
Artist role: draughtsman
Artist dates: 1550 – 1632

Beschrijving bij Fig. 34 op p. 66 in: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Rustijzer met bout uit het wrak van de Oost-Indiëvaarder Princesse Maria
Object type: rustijzer
Date: 1682 – 1686
Materials: iron
Location: middelburg
Artist: Anonymous
Subjects: princesse maria (schip), verenigde oostindische compagnie, scilly-eilanden

Drie gietijzeren schakels waarvan éen niet sluitend van verschillende vorm en een sluitbout met ronde kop. Dit rustijzer of puttingijzer met bout diende ter bevestiging van het want aan verschansing of de mars van een schip. Chain and bolt.
Afstandentabel tussen de voornaamste Europese steden, ca. 1702
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: statistic diagram, graph; pictorial chart, etc.

Afstandentabel tussen de voornaamste Europese steden. Plaat nr. 14 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in het Frans.
Fotoreproductie van een prent naar een schilderij door James Barry, voorstellend een scene uit King Lear door William Shakespeare
Object type: reproduction
Date: 1873 – 1883
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: theatre, theatrical performance, king lear

Te zien is King Lear met het lichaam van Cordelia in zijn handen.
Coin Depicting the Hero Herakles
Object type: coin
Date: 200 – 1
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Low Water in the Mississippi
Object type: print
Date: 1868 – 1868
Materials: gum arabic
Techniques: hand coloring, lithograph
Artist: frances flora bond palmer
Artist role: artist
Artist nationality: american, born england
Artist dates: 1812 – 1876
Subjects: rivers,boats
Panthéon Charivarique
Object type: cartoon
Date: 1839 – 1839
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: benjamin
Artist role: print maker
Artist dates: 1811 – 1847
Subjects: print maker, draughtsman, jean ignace isidore gérard grandville, historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228, stamp: ‘Royal Timbre’

Uit de serie: Panthéon charivarique, bestaande uit 100 portretten van tekenaars, schrijvers, schilders, beeldhouwers, musici en acteurs. Prent uit: Le Charivari 25 (1838), nr. 359, 25 januari 1839.
Glass bottle
Object type: amphoriskos
Date: 301 – 500
Materials: glass
Culture: roman

Translucent blue green; handles and trails in same color. Rounded rim; flaring mouth; cylindrical neck; narrow sloping shoulder; tall, cylindrical body with slightly convex side; thick rounded bottom with deep pontil scar; two handles applied in pads to edge of shoulder, drawn up and outwards, then turned down and trailed onto neck above trail decoration. A horizontal trail wound once around underside of mouth; another horizontal trail wound once around lower part of neck; on body; thirty-two faint vertical or slightly wavy ribs, formed by dip mold. Intact; pinprick bubbles, and a few black impurities in handles; dulling and creamy brown weathering on exterior, soil encrustation, weathering, and brilliant iridescence on interior.
Square Piano
Object type: square piano
Date: 1825 – 1825
Materials: gilt, wood
Techniques: veneering
Culture: american
Location: united states
Artist: loud & brothers
Artist role: manufacturer
Artist nationality: american

This piano was made by the venerable Philadelphia company Loud & Brothers. Piano manufacturing was one of the leading industries in nineteenth century America as the growing middle-class purchased instruments for their homes. Many U.S. cities boasted a thriving industry, and for a time Loud & Brothers was one of the country's leading firms alongside Chickering in Boston and steinway in New York. This elaborately decorated square piano is similar in its decorative treatment to an upright piano by Loud & Brothers also in The Met's collection (1976.317.1). Technical description: Rectangular mahogany lid and rosewood (exterior) and satinwood (interior) veneered case with rounded corners, decorated with gilt borders (retouched in spots) and floral, acanthus, and scroll work; rests on four turned and deeply reeded legs with brass casters and decorated brass rings; carved, gilded scrolls below case next to front legs concealing drawers; gilded metal moldings; compass FF-f4 (73 keys), ivory accidentals, damper pedal on "fifth leg" (missing), which raised dampers; pinblock veneered with bird's-eye maple; heavily threaded pierced and unpierced tuning pins; English double action with intermediate lever and single escapement; crank-type dampers; double-strung throughout, lowest eight notes wound.
Passie van Christus
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: longinus pierces christ's side with a lance
Inscriptions: collector's mark: Lugt 240, number: ‘60’

Kruisdood van Christus op Golgota. Longinus steekt zijn lans in de zij van Christus. In de marge een tweeregelig Bijbelcitaat uit Fil. 2 in het Latijn.
Gevecht tussen twee wildemannen te paard
Object type: print
Date: 1475 – 1480
Materials: paper
Techniques: drypoint
Location: germany
Artist: meester van het amsterdamse kabinet
Subjects: wild man, wodewose, woodehouse, plants; vegetation (+ ornamental variants of plants), (medieval) fighting contest
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 240

Twee ruiters die elkaar met uit de grond gerukte bomen te lijf gaan. Hun harnas en het kleed van de paarden bestaat uit ornamenteel bladwerk, de helmen zijn een respectievelijk een bosje knoflook en een bosje radijzen.
Dinner dress
Object type: dinner dress
Date: 1855 – 1859
Materials: cotton, silk
Culture: british
Artist: madame elise
Artist role: designer
Artist nationality: british
Artist dates: 1836 – 1913
Groep mannen op de baan van de Amsterdamse IJsclub
Object type: photograph
Date: 1887 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult man (+ more than eight persons), skates (winter sports), amsterdam
Inscriptions: annotation: ‘5 Jan 1887/ Souvenier des Baans van den/ Amsterdamschen Ysclub op haar/ ondergepompt land p. 650 meter/ lang & 45 meter breed achter de/ P.C. Hooftstraat.’
Epinette des Vosges
Object type: épinette de vosges
Date: 1867 – 1900
Materials: metal, wood
Culture: french
Location: france
Artist: amant constant (amé) lambert
Artist role: maker
Artist nationality: french
Artist dates: 1843 – 1908
Vase fragment
Object type: vase fragment
Date: 4000 – 3000
Materials: terracotta
Culture: neolithic, thessaly
Dish
Object type: dish
Date: 1735 – 1735
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: mice
Portret van Peter Benoît
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: etching, roulette
Location: antwerp
Artist: arthur sterck
Artist role: print maker
Artist dates: 1868 – 1897
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op de wanden van de thermische bron Hammam Meskhoutine, Algerije
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: gelatin silver print
Location: hammam debagh
Artist: Anonymous
Subjects: spring (fluids extracted from the earth)
Inscriptions: number: ‘40.981’, number: ‘801000’, inscription: ‘Hammam Meskhoutine/ La Source’, inscription: ‘La Source’
Landscape with Cattle
Object type: drawing
Date: 1820 – 1900
Materials: graphite, paper
Location: france
Artist: rosa bonheur
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1899
Subjects: cows,landscapes
Landschap
Object type: sketchbook leaf
Date: 1834 – 1906
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: landscapes

Blad 3 verso en 4 recto uit een schetsboek met 46 bladen.
Adam geeft de dieren namen
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: assendelft
Subjects: adam naming the animals, unicorn
Inscriptions: collector's mark: Lugt 2228

Adam staat op de voorgrond. Rondom hem allerlei dieren (stier, hond, schapp, slang, haas, paus, papegaai). Op de achtergrond andere dieren (olifant, leeuw, eenhoorn, kameel) en in de lucht vogels. Adam geeft elk van de dieren een naam. De eerste prent van een zesdelige reeks met als onderwerp het verhaal van Adam en Eva.
Protestant League in Bohemia
Object type: medal
Date: 1619 – 1619
Materials: silver
Artist: Anonymous
Artist role: artist
Portret van Carl Clemens von Pellegrini
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: vienna
Subjects: vienna, historical persons, weapons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘No 1620’
Portret van Karel II van Mecklenburg-Strelitz
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Twee putti beloven elkaar liefde en trouw
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: 'omnia vincit amor', love the conqueror, love triumphant (+ variant)
Inscriptions: collector's mark: Lugt 2228

Een mannelijke en vrouwelijke putto zitten in een tuin en houden elkaars rechterhand vast. Onder de voorstelling het devies: Unisons nos coeurs pour jamais (Verenig onze harten voor altijd).
Caster
Object type: caster
Date: 1735 – 1735
Materials: silver
Culture: american
Location: united states
Artist: knight leverett
Artist role: maker
Artist nationality: american
Artist dates: 1702 – 1753
Design for Cabriolet or Victoria, no. 3725
Object type: drawing
Date: 1850 – 1910
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
London, from World's Dudes series (N31) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,dogs

Trade cards from the "World's Dudes" series (N31), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Elchanon Verveer
Object type: carte de visite
Date: 1857 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: the hague
Artist: maurits verveer
Artist role: painter
Artist dates: 1817 – 1903
Subjects: the hague, print maker, draughtsman, elchanon verveer, historical persons, artist in non-work situation
Inscriptions: annotation: ‘Elchanon Verveer’, name: ‘M. Verveer, photographe Zeestraat vis-a-vis du Willemspark La Haye’
Key Handle
Object type: key handle
Date: 1 – 700
Materials: copper alloy
Culture: roman
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Fragment of a kylix foot; outer face is convex and profiled at the top
Tumbler
Object type: tumbler
Date: 1830 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
The World That Is (valentine)
Object type: print
Date: 1830 – 1830
Materials: graphite, ivory
Techniques: engraving, hand coloring
Location: united states
Artist: Anonymous
Artist nationality: american or english
Artist dates: 1800 – 1899
Pharmacy jar with cover
Object type: pharmacy jar with cover
Date: 1745 – 1750
Materials: soft paste porcelain
Artist: chantilly
Artist role: factory
Artist nationality: french
Subjects: fruit
Portret van Simon Episcopius
Object type: print
Date: 1659 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: theologian, historical persons

Met zesregelig vers in het Nederlands onder het portret.
Fragment
Object type: fragment
Date: 1801 – 1833
Materials: linen, metal thread, silk
Spout Cup
Object type: cup
Date: 1714 – 1714
Materials: silver
Culture: american
Location: united states
Artist: jacob boelen
Artist role: maker
Artist nationality: american
Artist dates: 1657 – 1729
Cylinder seal
Object type: cylinder seal
Date: 2000 – 1668
Materials: mineral
Culture: babylonian
Location: mesopotamia
Twee sculpturen van kinderen en een reliëf van een deel van een man te paard
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, art (+ relief ~ sculpture)
Inscriptions: number: ‘3420’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, head of wreathed youth with drapery; two inscriptions?; omicron, gamma; above gamma, a lambda?
Cravat
Object type: cravat
Date: 1734 – 1766
Techniques: lace
Subjects: flowers
Faut y-qu'un homme..!... soit cochon....
Object type: print
Date: 1824 – 1824
Materials: ink, paper, pencil
Techniques: brush, lithograph
Location: paris
Subjects: adult woman, disagreeable, repellent smell, adult man
Inscriptions: collector's mark: Lugt 2228

Prent is in de hoeken gerestaureerd. Op een niet gerestaureerd exemplaar van de U.S. National Library of Medicine staat linksonder 'D.N.3.', onduidelijk of dit een signatuur is. Ook zijn daarop de mogelijke drukker en uitgever te zien.
Gezicht op het Bestelhuis van de Nederlandse Boekhandel
Object type: photomechanical print
Date: 1882 – 1975
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: city-view in general; 'veduta', façade (of house or building), office (~ administration), street
Inscriptions: collector's mark: ‘11C98AB’ Lugt 1641b, inscription: ‘Legaat Joh. M. Coffeng. 1966’

Onderwerpsrubriek binnen de Atlas Amsterdam: Raadhuisstraat, Raamgracht, Raamplein, Rapenburgerstraat, Reguliersgracht, Reguliersbreestraat.
Ernestus Philippus Gerhardus van Essen Joh. Fil.
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the bible as a book
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve naar links van de predikant Ernestus Philippus Gerhardus van Essen in een medaillon, zittend op een stoel en met zijn rechterarm rustend op een bijbel. Onder het medaillon een veld waarop zijn naam en gegevens in drie regels in het Nederlands en daaronder twee kolommen met elk een zesregelig vers in het Nederlands.
Hond
Object type: print
Date: 1768 – 1796
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Borstelrug van veelkleurig beschilderde faïence
Object type: borstelrug
Date: 1715 – 1740
Materials: faience
Techniques: kiln, painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: collector's mark: ‘collection J.F. Loudon’

Brush back. Faience. Delft, c. 1715 - 1740. Given by the heirs of John F. Loudon, 1916.
Portret van een man
Object type: cabinet photograph
Date: 1863 – 1892
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: jacob hohmann
Artist role: fotograaf
Artist dates: 1833 – 
Subjects: historical persons
Inscriptions: inscription: ‘Photogr. Atelier/ van/ J. Hohmann/ Willemstraat No. 59/ 's Gravenhage/ Uitgave van/ H. Hoogh & Comp./ Amsterdam/ Nieuwendyk L76’, inscription: ‘J. Hohmann/ Willemstraat 59/ 's Gravenhage’
Relief from the tomb of Queen Neferu: part of a sunshade (see 26.3.353-1)
Object type: relief fragment, tomb of neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt
Plattegrond van Rome in de Romeinse tijd (eerste deel)
Object type: area plan
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: maps of cities, rome
Inscriptions: collector's mark: Lugt 2228

Eerste deel van een plattegrond van Rome in de Romeinse tijd, in vogelvluchtperspectief, bestaande uit twaalf delen. Rechtsboven genummerd: 1.
Prof: Dr. F.C. Donders
Object type: photograph
Date: 1888 – 1888
Materials: paper
Techniques: carbon print
Location: netherlands
Subjects: utrecht, historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Fotoreproductie van het schilderij door Bramine Hubrecht met het portret van Professor Franciscus Donders, fysioloog en oogheelkundige. Kniestuk, staande, met zijn bril in de linkerhand. Gebruikt in: het Alg. Ned. Studenten-Weekblad "Minerva" van 27 mei 1888. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Onderwijs en Wetenschappen: Geneeskunde.
Half Elevation and Half Ground Plan for a Catafalque
Object type: drawing
Date: 1696 – 1756
Materials: ink
Techniques: pen, wash
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: architecture
Terracotta fragment of a pot; unglazed on the inside
Object type: pot fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

On the shoulder, two rows of tongues; below, upright circumscribed palmettes; part of the handle of the lekythos
Ontwerp voor een kamerbehangsel met gezicht in een park
Object type: design
Date: 1700 – 1800
Materials: ink, paper, pencil
Techniques: brush, pen, drawing
Artist: Anonymous
Subjects: wall-covering