deem-data/ArtiFact huggingface dataset:
Krishna Kisses Radha: Page from the Boston Rasikapriya (Lover's Breviary)
Object type: folio
Date: 1610 – 1610
Materials: gold, ink, paper, watercolor
Culture: indian or rajasthan or amber
Subjects: couples,women,krishna,radha
Gogatsu, de vijfde maand
Object type: shunga
Date: 1835 – 1845
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Subjects: the twelve months of the year represented by concepts other than personifications, human activities, landscapes, or still lifes of flowers and/or fruits, coitus, cohabiting, sexual intercourse

De vrouw ligt achterover met omhoog gestoken benen. De man zit op zijn knieën en steunt een van haar benen. De deur naar de veranda staat open. De vele papiertjes - hanagami - die op de grond liggen, tonen aan dat de scène niet het begin is van de amoureuze activiteit.
Abklatsch van de krijttekening op pagina 10 recto
Object type: sketchbook leaf
Date: 1876 – 1879
Materials: paper
Techniques: printmaking
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888

Blad 9 verso uit een schetsboek met 33 bladen.
A standing female soldier (soldadera)
Object type: print
Date: 1880 – 1910
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: soldiers,portraits,women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of lotus, circumscribed palmette, and draped figure with stick
Gezicht op Mont Saint-Michel
Object type: album leaf
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: village

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1657, dl. 8, na p. 20. De titel is uit de originele prent gesneden. Boven de gravure is een deel lucht en wolken (bij)geschilderd, waarin de titel gelijmd is. Origineel op één blad gedrukt met het gezicht op Lisieux (RP-P-1956-125).
Stillen van het aansprekersoproer te Amsterdam, penning aan de gewapende burgers vereerd
Object type: history medal
Date: 1696 – 1696
Materials: silver
Techniques: striking
Location: nijmegen
Artist: jan boskam
Artist dates: 1687 – 1708
Subjects: amsterdam

Zilveren penning. Voorzijde: Neptunus met drietand staande op zijn wagen in een woelige zee straft vertoornd de losgelaten stormwinden, op voorgrond twee vogels die uit nest dreigen te vallen binnen omschrift. Keerzijde: twee vogels in nest op kalme zee, terwijl zon opkomt onder wimpel met opschrift; afsnede: jaartal.
Saucer
Object type: saucer
Date: 1845 – 1845
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Kopie van contract van huwelijkse voorwaarden van Ludolf Bakhuysen en Anna de Hooghe
Object type: manuscript
Date: 1699 – 1699
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: london, johannes de hooghe (1608-1682), amsterdam, print maker, draughtsman, ludolf bakhuysen, anna de hooghe, family life
Inscriptions: collector's mark: Lugt 2233
Yellow and Brown-Enameled 'Dragon' Bottle Vase
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze
Location: china
Terracotta fragment of an oinochoe (jug) or olpe (jug)?
Object type: oinochoe or olpe fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the foot of an oinochoe or olpe?; the resting surface is unglazed
Glass bead
Object type: bead
Date: 101 – 400
Materials: glass
Culture: roman

Mosaic glass bead, white and blue in color.
Card Number 94, Fanny Reeves, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Stadhuis en Marktkerk van Goslar
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: hermann selle
Artist role: fotograaf
Subjects: townhall
Inscriptions: inscription: ‘Hof-Photograph. Potsdam.’, number: ‘No. 80.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, drapery; Exterior, framing border
Gezicht op gebouwen aan het Binnenhof tijdens de restauratie
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: binnenhof
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: courtyard
Inscriptions: annotation: ‘'s Gravenhage Binnenhof (Z.H.)/ Gebouwen ten noordwesten der loterijzaal Juni 1899’, annotation: ‘Grafelijke Zalen/ Restauratie gebouwen ten Noordwesten der Loterij Zaal/ Juni 1899/ 's Gravenhage’
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1767 – 1833
Materials: copper, silver alloy, gold, iron
Culture: japanese
Location: japan
Subjects: men
Un Directeur de n'Importe quel Théâtre, from "Croquis d'Été"
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,profiles
Stomme Passie
Object type: print
Date: 1520 – 1521
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: christ before pontius pilate (matthew 27:11-26; mark 15:2-15; luke 23:2-7, 23:13-25; john 18:28 - 19:16), book in which illustrations are essential, christ brought from one judge to another

Soldaten leiden Christus weg van Pilatus. Onderaan gemerkt: G. Prent maakt deel uit van een boek.
Portret van Petrus van der Meer op 76-jarige leeftijd
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: delft
Subjects: historical persons

Met zesregelig onderschrift in het Latijn.
Plate
Object type: plate
Date: 1774 – 1774
Materials: hard paste porcelain
Subjects: men,portraits
Fotomechanisch geïllustreerde folder voor de film 'De zeven wonderen van Zuid-Afrika' door cineast Alphons Hustinx
Object type: folder
Date: 1934 – 1934
Materials: paper
Techniques: autotype
Location: south africa
Subjects: maastricht, alphons hustinx, 'en route', traveller under way
Fotoalbum (leeg)
Object type: slip in album
Date: 1860 – 1900
Materials: cardboard, leather, metal, paper
Techniques: color on snow
Artist: Anonymous
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 778’, inscription: ‘K cdt’

Fotoalbum met 25 bladen met aan weerszijden een passe-partout voor een carte-de-visite.
New Invented Elastic Breeches
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dressing
Bevallige jonge vrouwen
Object type: print
Date: 1725 – 1799
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: courting
Inscriptions: collector's mark: Lugt 1641, collector's mark

Gebruikt als illustratie in een onbekende almanak.
Koningin Juliana schenkt chocolademelk in
Object type: photograph
Date: 1958 – 1958
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Subjects: juliana of the netherlands, the hague
Inscriptions: annotation: ‘After the feast, which was organised for the personal of the palaces H.M. Queen Juliana gave the guests cups of chocolatemilk’
Virginie
Object type: photograph
Date: 1860 – 1869
Techniques: glass negative, salted paper print
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: sleeping,women
Portret van Thomas Henry Huxley
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons
Vue sur le glacier à Grindelwald. Suisse.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: bern
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: glacier
Inscriptions: inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’, number: ‘94.’
De blinde leidt de blinde
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the blind leading the blind (matthew 15:14)
Inscriptions: collector's mark: Lugt 2228, number: ‘52’

Proefdruk van illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. II.
Bronze statuette of a youth
Object type: statuette of a youth
Date: 600 – 501
Materials: bronze
Culture: etruscan
Subjects: male nudes
Jacopo Sannazaro, dichter uit Napels
Object type: history medal
Date: 1524 – 1524
Materials: bronze
Techniques: striking
Location: italy
Subjects: naples, rome, jacopo sannazaro

Bronzen penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: uitbeelding van werk van Sannazaro: Maria, Jozef en engelen aanbidden Christus-kind.
Roman Landscape
Object type: drawing and watercolor
Date: 1630 – 1630
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: bartholomeus breenbergh
Artist role: artist
Artist nationality: dutch
Artist dates: 1598 – 1657
Portret van Bernard Sebastiaan Cremer
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: date

Onder het portret een vierregelig en een achtregelig vers.
A Horse and Birds, headpiece for Le sourire
Object type: print
Date: 1899 – 1899
Materials: ink, paper
Techniques: woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Bead
Object type: bead
Date: 701 – 1300
Materials: glass
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Dandour, Vue Générale des Ruines
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: architecture,ruins

Teynard (1817-1892) was a French civil engineer who practiced in Grenoble. He visited Egypt in 1851-52 expressly to make a photographic companion to Description de l'Egypte, the lavish publication issued by Napoleon's team of savants between 1809 and 1829. Teynard understood that the engravings in the book, however grand, were inadequate; they could not compete with photography's direct apprehension of the visual experience of a place. The stunning contrasts of light and shadow or the touchingly slight intrusion of the present in this ancient land (both evident in the eloquent photograph at the right), could best be conveyed with the new medium. The work reveals a man who had an uncommon grasp of the physicality of man-made constructions: their size and placement in space, their materials and decoration, and their state of conservation, destruction, or desecration. We see evidence of Teynard's training in engineering, that most pragmatic and grounded profession of mensuration, observation, and analysis. The pictures also reveal that Teynard served his pursuit of practical knowledge with an original and vigorous vision and a technical mastery matched only by the best photographers of his day. Teynard commented that the site of the Temple of Dendur was well protected from flooding by the Nile due to its placement on a high rock outcrop. He could not have known, of course, that twentieth-century engineers would reshape the landscape. Lake Nasser, the reservoir of the Aswan High Dam (1960-69), now covers this very location; the Temple of Dendur, a gift to the United States from the Arab Republic of Egypt in March 1965, is installed in this museum.
La Gironde à Vol d'Oiseau
Object type: photograph
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: saint-julien-beychevelle
Artist: alfred danflou
Artist role: fotograaf, schrijver
Subjects: castle
Inscriptions: inscription: ‘propriétaire: M. le Come DUCHÂTEL.’
Mr. Vautour: –Je ne saurais trop..., from Locataires et Propriétaires, published in Le Charivari, October 20, 1856
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Folio from a Manuscript by Mir Ali Shir Nava'i
Object type: folio from an illustrated manuscript
Date: 1501 – 1533
Materials: gold, ink, paper, watercolor
Location: uzbekistan
Artist: mir ali shir nava'i
Artist role: author
Artist dates: 1416 – 1526
Acorn, from the Novelties series (N228, Type 5) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: profiles,women,acorns

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Serie 8: Nederlandse Gebeurtenissen, 1577-1583
Object type: print
Date: 1577 – 1579
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: haarlem, amsterdam

Poging van het Staatse leger onder bevel van Helling en Ruychaver om Amsterdam in te nemen, 23 november 1577. Soldaten komen uit schepen te voorschijn bij de Haarlemmerpoort. Met onderschrift van 12 regels in het Duits. Genummerd: 11.
Ensemble
Object type: ensemble
Date: 1901 – 1950
Materials: silk
Culture: japanese
Ganapati with his consorts Riddhi and Siddhi
Date: 1900 – 1915
Materials: varnish
Techniques: lithograph
Culture: indian

Ganesha, the elephant-head son of Shiva and Parvati, is worshipped by all Hindus as the protector of those embarking on new ventures, be they businesses, students or travelers. All public events and performances begin with a homage to Lord Ganesha to secure his boon of success. In this richly colored impression Ganesha is depicted enthroned on an elaborate architectural throne-seat, embracing his two beloved consorts, Riddhi and Siddhi. The artist Ravi Varma honors Ganesha with all the necessary regalia of crown, parasol, and female attendants with fly-whisk fans. His crown is framed by a nimbus of peacock feathers. The detailing of the jewel encrusted gold crown and necklace are amongst the finest known in the print art of this period and the especially rich inking of this impression has further enhanced their tactile beauty. His corpulent body signals his likely origins as an ancient nature deity (yaksha), an association all but forgotten in modern Hinduism.
Kaart met drie afbeeldingen van plaatsen langs de Theems
Object type: page
Date: 1878 – 1879
Materials: paper
Techniques: engraving, woodburytype
Location: surrey
Subjects: river, bridge
Inscriptions: inscription: ‘Weybridge. At Walton. Sunbury.’, number: ‘29’

Rechts: gezicht op Weybridge, links: gezicht op een brug bij Walton en een gezicht op Sunbury.
Carpet
Object type: carpet
Date: 1667 – 1700
Materials: wool
Location: egypt
Portret van Franciscus Berlendis Vicet
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving
Location: london
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Christiaan IV, koning van Denemarken en Noorwegen
Object type: print
Date: 1753 – 1774
Materials: paper
Techniques: etching
Artist: christian friedrich fritzsch
Artist role: print maker
Artist dates: 1719 – 1774
Subjects: copenhagen (city), christiaan iv (koning van denemarken en noorwegen), neck-gear: collar (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Portret opgenomen in: Meteren, Emanuel van. Historie van de oorlogen en geschiedenissen der Nederlanderen, en der zelver Naburen: beginnende met den Jare 1315, en eindigende met den Jare 1611, deel 6 van 10. Amsterdam: Steven Jacobus Baalde, 1786.
Seated Ganesha
Object type: figure
Date: 1601 – 1700
Materials: ivory
Culture: indian
Subjects: elephants,ganesha

This image of Ganesha envisions the Hindu god as a plump child with an elaborate hairdo and an ornamented dhoti (waist cloth). As the son of Shiva and Parvati, he controls obstacles—their invention and their removal. He grasps an elephant goad and snakes in his two upraised hands. His lower hands hold his broken tusk and a pot of sweets. Intimate in scale and intricately detailed, this sculpture served as a cherished object of personal devotion.
Landschap met huis aan een water met boot
Object type: print
Date: 1872 – 1913
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: henri rul
Artist role: print maker
Artist dates: 1862 – 1942
Subjects: water course, farm or solitary house in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Kalender 1918 12 lithografien door Th. v. Hoytema
Object type: calendar leaf
Date: 1917 – 1917
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: birds (+ animal killed by man), lunar year, birds (+ animal(s) being wounded), plants and herbs: reed, september ~ other concepts
Inscriptions: collector's mark: Lugt 2228

Links en rechts van het calendarium twee grote lisdoddes. In de hoeken de standen van de maan op vier dagen. Bovenaan het blad een scheurlijn.
Aernout van Citters (1633-96), Ambassador of the Dutch Republic in London
Object type: painting
Date: 1700 – 1753
Materials: canvas, oil
Artist: philip van dijk
Artist role: draughtsman
Artist dates: 1683 – 1753
Subjects: historical persons, ambassador

Portret van Aernout van Citters, ambassadeur van de Republiek der Verenigde Nederlanden te Londen. Buste, iets naar links gedraaid. Kopie door Philip van Dijk naar het origineel van Kneller uit 1692 in Den Haag.
Schotel, versierd met tulp binnen vier concentrische cirkels.
Object type: platter
Date: 1590 – 1620
Materials: earthenware, glaze
Techniques: maiolica, painted, polychromy
Location: netherlands
Artist: Anonymous

Schotel van veelkleurig beschilderde majolica. Op de schotel is een tulp geschilderd binnen vier blauwe, concentrische cirkels. Langs de rand zijn strepen geschilderd.
Crown on a Table, Lacquer Tray with Young Pine and Fan
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: fans,trees,tables,trays
Tamarisk (Tamarix gallica) en vlasbekje (Linaria vulgaris)
Object type: print
Date: 1604 – 1632
Materials: ink, paper, watercolor
Techniques: engraving, hand coloring
Location: southern netherlands
Artist: Anonymous
Subjects: flowers: tamarisk, flowers: toadflax

Tamarisk en vlasbekje. Figs. 57 en 58 op een blad met de hand genummerd 29. In: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Juni
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: june ~ other concepts
Inscriptions: collector's mark: Lugt 2228

Een aantal vissen. In de bovenmarge een regel Nederlandse tekst.
Man en vrouw houden elkaar vast voor een camera op statief
Object type: ansichtkaart, prentbriefkaart
Date: 1892 – 1905
Materials: cardboard
Techniques: autotype
Artist: Anonymous
Subjects: camera ~ photography, (lovers) embracing each other, 'symplegma', historical persons not known by name
Inscriptions: inscription: ‘Brefkort - Tarjetas postale/ Carte postale - Levelezö-lap - Cartolina postale/ Karta korespondencyjna - [...]/ Dopisnice - Postkarte - Briefkaart.’, inscription: ‘Hij: "Nu het werk is gedaan, vraag ik om uw hart"/ Zij: "Ik zweer u eeuwig trouw, in vreugd en smart."’, factory mark: ‘EXCELSIOR 87/7’, inscription: ‘6 stuks/ 7.00’
Tuin met beelden
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: garden, statues, sculptures in garden