deem-data/ArtiFact huggingface dataset:
Très Parisien, 1926, No.  1, Pl. 6:  Créations Lucien LELONG - JUAN-LES-PINS
Object type: fashion print
Date: 1926 – 1926
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: dress, gown: day dress (+ women's clothes), fashion plates
Inscriptions: caption: ‘6.- JUAN-LES-PINS. - deux robes très simples de crêpe de chine ouvré de jours, à longue casaque posé sur une jupe ample et souple et garnies de larges rubans’

Twee eenvoudige japonnen van Crêpe de Chine van Lucien Lelong, net over de knie vallend. Prent uit het modetijdschrift Très Parisien...La Mode, Le Chic, L'Élégance (1920-1936)
1/10 gulden van Nederlands Indië,1891
Object type: coin
Date: 1891 – 1891
Materials: copper
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: tussen waarde-aanduiding 1/10 G gekroond rijkswapenschild. Boven kroon landsaanduiding en onder wapenschild jaartal. Keerzijde: tweeregelig Maleis opschrift in Arabische tekens, waaromheen omschrift in het Javaans. Kartelrand.
Scarabs from Hatshepsut Foundation Deposits
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

During the 1926-1927 excavation season, the Museum's Egyptian Expedition uncovered three foundation deposits along the eastern enclosure wall of Hatshepsut's funerary temple at Deir el-Bahri in Western Thebes. Among the contents were 299 scarabs and stamp-seals. Sixty-five of these are now in the Egyptian Museum, Cairo, and the rest were acquired by the Museum in the division of finds. Among the inscriptions on the bases of these scarabs and seals are examples of every title Hatshepsut held, from the time she was "king's daughter" during the reign of her father, Thutmose I; through the time she was queen of her half-brother, Thutmose II; and during her regency and co-reign with her nephew/step-son, Thutmose III. The inscription on the base of this scarab records Hatshepsut's throne name, Maatkare, which may be roughly translated as Maat (the goddess of truth) is the life force of Re (the sun god). The two hieroglyphs on either side of the crouching goddess have the meaning "May She Live," or "Living" (ankh.ti) Two scarabs in the Museum (this one and 27.3.239) have nearly identical inscriptions and back designs and were probably carved by the same craftsman or pair of craftsman, if one specialized in carving the scarab itself and the other added the inscription.
A Short History of General Don Carlos Buell, from the Histories of Generals series of booklets (N78) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits

Miniature booklets from the "Histories of Generals" series (N78), issued in a set of 50 booklets in 1888 to promote W. Duke Sons & Co. brand cigarettes. Each booklet consists of 16 pages with covers.
Hertog van Anjou neemt Binche in, 1578
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: paris, françois-hercule de valois (hertog van anjou), capture of city (after the siege), binche

Na beleg geeft de stad Binche zich over aan de hertog van Anjou, 7 oktober 1578. Op de voorgrond de hertog van Anjou te paard, daarachter trekken zijn legers de stad in. Met onderschrift van 4 regels in het Latijn. Genummerd: 105. Bedrukt op achterzijde met tekst in het Latijn.
Valance
Object type: valance
Date: 1801 – 1833
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Picture Book of Life in the Capital (Ehon miyako zōshi) 絵本都草紙
Object type: illustrated book
Date: 1746 – 1746
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: nishikawa sukenobu 西川祐信
Artist role: artist
Artist nationality: japanese
Artist dates: 1671 – 1750
Subjects: men,women,working
Maria met kind en heilige Anna en heilige Johannes
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll, madonna accompanied by saint(s), anna, mother of mary; possible attributes: book, christ-child, lily, virgin mary
Inscriptions: collector's mark: Lugt 240

Maria zit op de grond met Christuskind op schoot en de heilige Anna staat met de heilige Johannes als kind en een lam bij hen. Onder de voorstelling staat een Latijns vers.
Triumph of the Eucharist
Object type: drawing
Date: 1634 – 1666
Materials: chalk, gouache, paper
Techniques: brush, heightening, wash
Artist: anonymous, flemish, 17th century
Artist role: artist
Artist nationality: flemish
Artist dates: 1600 – 1700
Subjects: women,horses,angels
Sugar bowl with cover
Object type: sugar bowl with cover
Date: 1701 – 1800
Materials: silver
Tripod Incense Burner (Censer) with Monster-Head Feet and Loop Handles
Object type: vessel
Materials: stoneware
Techniques: molding, underglaze
Location: china
Overzicht van twee ornamentprenten met draken en fantasiewezens
Object type: photomontage
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: ornament ~ hybrid animals, other fantasy ornament, vase ~ ornament, dragon
Inscriptions: collector's mark: Lugt 3937

Links een ornamentprent met draken, rechts een ornamentprent met fantasiewezens.
Sword and scabbard (Sinhalese: kasthane)
Object type: sword
Date: 1701 – 1800
Materials: gold, iron, silver, wood
Culture: sri lankan

The sword has an exquisitely detailed scabbard with embossed decoration, chased and chiseled in low relief, and a bejeweled hilt set with rubies in gold mounts. As is typical of Kandyan sword design, the pommel resembles the head of a lion (simha), the signature motif of the Kandyan period and insignia of the ruling household. The lion, elaborately cast and chased, is entwined with the liya-pata vegetal motif, and mythical creatures (yali) breathing flames. This style of lion-headed dress sword, worn as a signifier of rank, and particularly to mark ceremonial occasions, is a Sri Lankan invention. The sword type, with a long curved blade and animal finial hilt and guard, is of European origin, and may be linked to the presence of succession of European trading companies in Sri Lanka, especially from the 17th century onward. It has its antecedents in the European short hunting sword (hanger or cuttoe) that became popular among gentlemen officers from the mid-17th and throughout the 18th century. The immediate source is likely Dutch, as the Dutch East India Company (VOC) routinely gifted swords and assorted mechanical novelties to the Kandyan court as part of a broader strategy of securing trading concessions. Some examples of these swords, with their Sinhalese decoration, have VOC blades, and it appears that most of the blades used in kasthane are of European origin. The uniqueness of this Sinhalese sword type lies in the elaboration of decoration, with the bejeweled lion’s head hilt superbly modelled and detailed, with gold-set gemstones in the eyes. The animal terminals on the pommel, cross guards and knuckle guard have a long Indian tradition as well as existing in European weaponry, so the inspiration for the Sri Lankan version is likely a fusion of these disparate influences. The two cross guards (quillons) are in the form of projecting yali, part-lion, part-bird (serapendiya), of which one guard returns to join the hilt as the knuckle guard. Details are reserved in gold, and include vegetal flames that hang pendant from their open jaws. The grip is octagonal with alternating patterns. The scabbard is finely decorated with a diaper pattern register with four rings for attaching to a belt, followed by scrolling vegetal and floral patterned repeats, interrupted at intervals by two gold bands, and culminating in open jaws of a mythical creature (kirtimukuta-yali) emerging from foliage. These swords appear in depictions of chiefs and noblemen of the Kandyan court, as recorded in late 18th century Dutch paintings of VOC audiences at court and the receptions of Kandyan officials at the VOC headquarters in Colombo. They likely also served as diplomatic gifts from the court to European visitors, and found their way back to Europe where they were widely admired. On occasions they appeared in aristocratic portraiture, as seen being worn by Sir Alexander Popham (d. 1669) in an equestrian portrait dated c. 1650.
Rotskust bij Nettuno, gezien vanaf Porto d'Anzio
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: nettuno
Artist: ludovico tuminello
Artist role: fotograaf
Artist dates: 1824 – 1907
Subjects: prospect of village, silhouette of village, coastal cliff or crag
Inscriptions: number: ‘918’

Onderdeel van Reisalbum met opnames van kunstwerken en bezienswaardigheden in Italië, Griekenland en Frankrijk.
Veelhoeken maken op een rechte lijn met onderaan kanonniers
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: etching, letterpress printing
Location: france
Subjects: firearms: cannon, planimetry, geometry

Prent uit: Pratique de la géometrie, sur le papier et sur le terrain. Avec un nouvel ordre et une méthode particulière. Parijs: Thomas Jolly, 1669.
Kwitantie voor Johannes Hilverdink
Object type: ontvangstbewijs, kwitantie
Date: 1874 – 1874
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: amsterdam, painter, print maker, draughtsman, johannes hilverdink, drawing, money
Inscriptions: collector's mark: Lugt 2233
Gevel van het door brand verwoeste Kurhaus te Scheveningen
Object type: photograph
Date: 1886 – 1886
Materials: cardboard, photographic support
Techniques: albumen print
Location: scheveningen
Artist: h. hille
Artist role: fotograaf
Subjects: ruin of a building ~ architecture, façade (of house or building), hotel, hostelry, inn
Smalle wit gecoate metalen lijst.
Object type: frame
Materials: metal

Metalen witgeverfde versteklijst met plexiglas voorplaat.
The Actor Bandō Hikosaburo I in a Female Role
Object type: print
Date: 1711 – 1785
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Subjects: women,dolls,actors
Alexander II, Kaiser u. Selbstherrscher aller Reussen
Object type: reproduction
Date: 1875 – 1880
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, emperor
Kan in de vorm van een slakkenhuis, met een oor
Object type: print
Date: 1548 – 1548
Materials: paper
Techniques: engraving
Location: netherlands

Het bovenste deel van het oor wordt gevormd door een man die een tweede man bij zijn middel vasthoudt. De tweede man heeft een onderkaak in de vorm van een schelp die de tuit van de kan vormt. Afkomstig uit een serie bestaande uit een titelblad en 20 bladen.
Portret van dominee Bartholomaeus Rülichs
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving, letterpress printing
Location: augsburg
Subjects: dominee, bartholomaeus rülichs
Inscriptions: collector's mark: Lugt 2228

Portret van dominee Bartholomaeus Rülichs met boek in zijn handen. Rechts boven een motto: Dies dabit ultima pacem. Onder het portret een Duits vers over de strijdvaardigheid van de geestelijke.
Olie- en azijnstel van zilver met twee kristallen flacons en een zilveren strooibus
Object type: cruet set
Date: 1767 – 1767
Materials: crystal, silver
Techniques: casting, engraving
Location: the hague
Subjects: foliage, tendrils, branches ~ ornament

Cruet set. Silver and cut-glass. The Hague, 1767, by Isacq Samuel Bussard.
Intérieur du Colisée, à Rome
Object type: stereograph
Date: 1861 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: amphitheatre
Inscriptions: number: ‘20.’
The obelisk encased and stayed
Object type: photomechanical print
Date: 1879 – 1879
Materials: paper
Techniques: photograph
Location: alexandria
Artist: Anonymous
Subjects: obelisk, needle, scaffold (~ building activities)
Inscriptions: inscription: ‘The Hoisting Shears with Trunnions suspended to them’, number: ‘Plate VII’
Vase with cover (vase des âges) (one of a pair)
Object type: vase
Date: 1782 – 1782
Materials: enamel, gold, soft paste porcelain
Techniques: polychrome
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: men,women

The scene depicting a young family in a richly detailed garden setting is the work of Charles-Nicolas Dodin, regarded during his lifetime as the most skilled of all the painters at Sèvres. The lavish gilding on the vase includes the decorative handles in the form of male busts, which evoke the gilt-bronze mounts employed on French furniture of the period.
Zelfportret
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: woodcut
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: haarlem, print maker, draughtsman, cornelis van noorde, historical persons, graphic artist
Inscriptions: collector's mark: Lugt 240
Seven of Clubs, from the Transparent Playing Cards series (N220) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the series "Transparent Playing Cards" (N233), issued in 1888 to promote Kinney Bros. Cigarettes for Kinney Tobacco Company. Some card versos state that there are 52 cards included in the deck whereas other versos confirm the number at 53. Each card verso reads, "Hold to the light/ Read your fortune."
Tankard
Object type: tankard
Date: 1780 – 1790
Materials: silver
Culture: american
Location: united states
Artist: andrew underhill
Artist role: maker
Artist nationality: american
Artist dates: 1749 – 1794
Flagon
Object type: flagon
Date: 1801 – 1900
Materials: metal, silver
Artist: elkington & co.
Artist role: manufacturer
Artist nationality: british
Artist dates: 1829 – 1963

This electrotype is after a seventeenth-century original (1596–97), at time of reproduction a treasure of the Patriarch, Moscow.
Kerchief
Object type: kerchief
Date: 1840 – 1840
Materials: cotton
Culture: american
"Bizhan Forces Farud to Retreat into his Fort", Folio from a Shahnama (Book of Kings)
Object type: folio from an illustrated manuscript
Date: 1430 – 1440
Materials: gold, ink, paper, watercolor
Location: india
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: soldiers,arrows,men,horses,warriors
Stanhope Gig (unnumbered)
Object type: drawing
Date: 1850 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kort recht - ook goed recht?
Object type: cartoon
Date: 1890 – 1890
Materials: paper
Techniques: letterpress printing, lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: speculation in trade and finance, stock-jobbery, stock exchange, stock-market, policeman, constable, political caricatures and satires
Inscriptions: collector's mark: Lugt 1641b

Op de Amsterdamse Beurs kijken twee handelaren toe hoe twee politieagenten een massa boze beleggers of speculanten in toom proberen te houden. Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart: Hulpbeurs op de Dam en Beurs (Dam).
Enquêteformulier ingevuld door Cornelis Rogaar Snellebrand
Object type: questionnaire
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: amsterdam, painter, draughtsman, cornelis rogaar snellebrand
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Bedoeld voor: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Twee mannen lopen achter een vrouw
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet), parasol, sunshade
Inscriptions: collector's mark: Lugt 2228

Achtste prent uit een serie van twaalf moralistische en satirische voorstellingen. De scènes werden op een plaat geëtst. Een latere staat van deze serie gebruikt in: Launburger genealogischen Kalender auf das Jahr 1779. Chodowiecki herhaalde deze serie nog tweemaal: eenmaal voor de Franse editie van deze almanak en nog eenmaal voor de Duitse editie.
Tekst van het Engelse kinderliedje 'This Little Pig'
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Inscriptions: annotation: ‘[...]/ this little pig went to market/ [...]’

Blad 52 recto uit een schetsboek met 53 bladen.
Terracotta neck-amphora (jar)
Object type: neck amphora
Date: 330 – 300
Materials: terracotta
Culture: greek or south italian or campanian
Artist: apz painter
Artist role: artist
Subjects: men,women,horses

On the body, obverse, youth and horse within a naiskos between women Reverse, four youths On the neck, obverse, woman. Reverse, Eros Ownership of a horse was a mark of wealth and status. It is noteworthy that the horse here is primary and that the group is not fully contained by the structure.
Terracotta statuette of a male flute-player
Object type: statuette of a flute player
Date: 750 – 600
Materials: terracotta
Culture: cypriot
Subjects: men,flutes,musicians

The flaring lower part of the cylindrical body is wheel-made and hollow; the upper part and the head are handmade and solid.
Gezicht op Tiberias
Object type: stereograph
Date: 1856 – 1860
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: great britain
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Inscriptions: inscription: ‘Frith 447’, inscription: ‘448. / VIEWS IN THE HOLY LAND. / Tiberias, / Seen from the south, on the shore of the lake, looking in a north-west direction toward the / Mount of Magdala, on the distant horizon. / [...] / Entered at Stationer's Hall.] / [Deposé.’

Gezicht op Tiberias met op de voorgrond water.
Air, from The Four Elements
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: belgium
Artist: philip galle
Artist nationality: flemish
Artist dates: 1537 – 1612
Inscriptions: Lettered below image: "Coniugio medius ... sceptra gerunt."
Dood van de heilige Barbara
Object type: print
Date: 1620 – 1668
Materials: paper
Techniques: engraving
Subjects: the virgin martyr barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, dioscuros (her father), peacock feather, sword, torches, mason's tools, tower - apotheosis, glory, triumph of female saint, st. barbara is beheaded by her father dioscuros, who usually wears a turban and brandishes a scimitar (sword); sometimes dioscuros is struck by lightning
Inscriptions: collector's mark: Lugt 2228

De heilige Barbara ligt onthoofd op de grond. Zij is gedood door haar vader Dioscuros, die naast haar staat met zijn zwaard. Een aantal mannen en twee soldaten te paard kijken toe. Op de achtergrond een stad in een landschap. Bovenaan troont Barbara op de wolken, een palmtak op haar schoot, de toren met drie ramen naast haar. In de lucht cherubijnen en putti. Barbara wordt door een putto van hen gekroond met een krans. Onderaan in de marge een zesregelig gebed in het Frans. Middenonder het wapenschild van Guillaume Natalis, abt van de abdij van Sint Laurent.
Portret van Johann David Köhler
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: mezzotint
Location: nuremberg
Subjects: plants; vegetation, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 9, collector's mark: Lugt 2228, inscription
Hond
Object type: drawing
Date: 1769 – 1769
Materials: ink, paper
Techniques: pen
Artist: hendrik nieuwenhuysen
Artist role: draughtsman, print maker
Artist dates: 1747 – 1794
Subjects: dog
Gefragmenteerde steel van vork of lepel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: spoon
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cutlery, fragment: stem of fork or spoon; fragm, round in section, widening, corroded.
Toneelscènes uit Les Moissonneurs
Object type: print
Date: 1768 – 1816
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: ornament ~ medallion, shadow, sunlight
Inscriptions: collector's mark: Lugt 2228
Bavarian Hunter, printer's sample from World's Smokers series (N33) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,smoking

Trade cards from the "World's Smokers" series (N33), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Printer's samples included in set, as well. The printer's sample cards are on thinner card stock and do not have any printed text.