deem-data/ArtiFact huggingface dataset:
Bowl with cover
Object type: bowl with cover
Date: 1705 – 1720
Materials: faience
Techniques: glazing

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Cort ende warachtigh Verhael, Vande verwonderlicke Schip-strijdt voor-gevallen op den 21 en 22 October 1639. tusschen de Armade van de Heeren Staten Generael der Vereenighde Nederlanden, onder het beleydt van den E. Heer Marten Harpersz. Tromp (...) ende Don Antonio d'Oquendo, Admirael Generael van weghen den Koninck van Spagnien (...)
Object type: text sheet
Date: 1640 – 1640
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: salomon savery
Artist role: print maker, publisher
Artist dates: 1594 – 1683
Subjects: maarten harpertszoon tromp, battle of the downs

Tekstblad bij de prent van de zeeslag bij Duins tussen de Spaanse vloot onder bevel van Antonio de Oquendo en de Staatse vloot onder Maarten Harpertsz. Tromp, 21 oktober 1639. Blad met 2 keer 2 kolommen tekst in het Nederlands. De linker tekstblad in een ongemonteerd ensemble bestaande uit een grote voorstelling in twee platen en twee tekstbladen.
Thomas of Villanova, Archbishop of Valencia Distributing Alms to the Poor
Object type: drawing
Date: 1620 – 1645
Materials: chalk
Techniques: brush, wash
Artist: pedro orrente
Artist role: artist
Artist nationality: spanish
Artist dates: 1580 – 1645
Subjects: bishops,crowd

Pedro Orrente worked mainly in and around Valencia. He is best known for his large drawings executed in red wash, of which this is a fine example. Thomas of Villanova (1488–1555) was a Spanish friar of the Augustinian order. Because of his many acts of charity, he is known as the "father of the poor." Here, Villanova is shown distributing alms to those kneeling before him. He is depicted again at right performing a similar act. The drawing is not related to a known painting and seems to be one of his many independent sheets. At the bottom of the sheet is the inscription "14Rs," the price for which the drawing sold, presumably in the seventeenth century.
Les plat-fonds ou les tableaux des galeries / De plafonds of gallerystukken
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ihs ('iesus hominum salvator') ~ symbol of christ (+ angel(s))
Inscriptions: collector's mark: Lugt 240

Vier engelen vliegen rond het monogram van Christus dat is omgeven door lichtstralen. Eén van hen vouwt de handen in aanbidding.
View of the Groote Kerk in Dordrecht from the River Maas
Object type: drawing
Date: 1647 – 1648
Materials: chalk
Techniques: wash
Artist: aelbert cuyp
Artist role: artist
Artist nationality: dutch
Artist dates: 1620 – 1691
Subjects: windmills,churches,rivers,boats

Aelbert Cuyp was the foremost painter of landscapes in his native Dordrecht. Distinguished for his paintings of crystalline light and atmosphere, he was also a fine draftsman working in pencil, chalk, and watercolor. Cuyp often combined these media, along with gum arabic, to capture local topography veiled in transient light. Absent several buildings razed since the seventeenth century, this panoramic view of the Groote Kerk in Dordrecht records a present-day perspective either from Zwijndrecht, opposite Dordrecht on the other side of the River Maas, or from a boat on the river. The view appears to have served as a model for the background of the painting Cattle on a Bank near Dordrecht, which exists in several versions by other artists. It is possible that the composition for this painting was taken from a lost landscape by Cuyp, for which this drawing was preparatory.
Afbeeldinghe van de Stad en 't Kasteel van Namen
Object type: map
Date: 1695 – 1699
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: maps of cities

Kaart van de stad Namen met kasteel, belegerd en ingenomen door het Franse leger in 1692 en heroverd door de geallieerden in 1695.
Paperweight
Object type: glass
Date: 1845 – 1860
Materials: glass
Location: france
Opbouw van de Nederlandse afdeling in de International Exhibition Philadelphia, 1876
Object type: photograph
Date: 1876 – 1876
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: philadelphia
Subjects: trade exhibition, industries fair, collection, exhibition, show
Inscriptions: collector's mark: Lugt 2166

Opbouw van de Nederlandse afdeling in de tentoonstellingszaal van de International Exhibition te Philadelphia in de Verenigde Staten, 1876.
Rekenpenning uit Dordrecht op de overwinning in de Slag bij bij Turnhout 1597
Object type: jeton
Date: 1597 – 1597
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde het verdrijven van het vijandelijke leger, met omschrift, op de keerzijde aan één lint de wapenschilden van Frankrijk, Groot Brittannië en Nederland, met omschrift.
Goblet
Object type: goblet
Date: 1767 – 1800
Materials: glass
Techniques: engraving
Artist: dagnia family
Artist role: maker
Subjects: ships
Gossip
Object type: painting
Date: 1873 – 1873
Materials: oil, wood
Artist: giovanni boldini
Artist role: artist
Artist nationality: italian
Artist dates: 1842 – 1931
Subjects: interiors,women
Card Number 9, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: gloves,women

Series G29 presents cut-outs from a tobacco advertising banner issued by Allen & Ginter between 1885 and 1890. Citing Burdick's "The American Card Catalog": "Banners are paper hangers with a metal binding at top and bottom edges. The popular size was about 30 inches long but a few measured over five feet in length...The tobacco firms were prolific advertisers using a constant procession of banners, especially to publicize their current insert card sets...The usual design illustrates the card pictures [from the series inserted into tobacco packaging] with a large appropriate center picture." Many consumers would cut up banners in order to "collect" the whole series of cards at once. Although series G29 is not listed in Burdick's "The American Card Catalog," he included notes in his own edition of the book, now included in the collection at the Metropolitan Museum, labeling the series as G29. They are included not as the original banner, but as cut-outs affixed to an album. Each card in the series is numbered and depicts a leather opera glove holding a portrait of a woman. The original banner advertised Richmond Straight Cut Number 1 Cigarettes issued by Allen & Ginter as a branch of the American Tobacco Company. In 1890, the American Tobacco Company purchased Allen & Ginter, as well as many of the large American cigarette manufacturers.
Alabaster pointed alabastron
Object type: vase, pear shaped
Date: 1600 – 1050
Culture: cypriot

The vase has no neck and could not have stood unsupported.
Paleis in een berglandschap, mogelijk in Duitsland
Object type: photograph
Date: 1860 – 1890
Materials: glass
Techniques: slide
Location: germany
Artist: charles segoffin
Artist role: fotograaf
Subjects: palace, germany
Kantpatroon voor een kleed van kloskant met goudenregentakken en -bloemen
Object type: lace pattern
Date: 1912 – 1912
Materials: paper
Techniques: drawing
Location: apeldoorn

Kantpatroon met een deel van het patroon voor een kleed met invnr. BK-1979-84.
Portret van Johannes Stuckius
Object type: print
Date: 1663 – 1695
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: christiaan hagen
Artist role: draughtsman, print maker
Artist dates: 1635 – 1707
Subjects: book, ornament ~ festoon, garland, beard
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve naar rechts van Johannes Stuckius in een ovaal met guirlandes en twee gevleugelde hermen. In zijn rechterhand houdt hij een boek. Op de achtergrond een rij boeken en voor hem een deel van een tafel. Onder zijn portret een cartouche met een wapen, waarop zijn naam en een vijfregelige tekst in Latijn.
Schoen van zwart leer, laag model, hoog voorblad met vaste wreefbanden en met afgeronde puntneus en lage hak
Object type: shoe
Date: 1915 – 1925
Materials: leather
Location: netherlands
Artist: Anonymous

Linkerschoen van zwart leer. Laag model, hoog voorblad, als tong iets uitkomend onder vaste wreefbanden. Puntneus, maar afgerond. Lage hak.
Earl of Essex on Horseback
Object type: print
Date: 1643 – 1643
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: men,horses,coat of arms,maps

Robert Devereux Earle of Essex & Ewe, Viscount Herreford, Lord Ferryes of Chartley, seated wearing armor on a prancing horse with a map of his victories in the background.
Textile Fragment
Object type: textile fragment
Date: 301 – 400
Materials: linen, wool
Techniques: weave
Location: egypt
De schoonmaakster
Object type: print
Date: 1789 – 1791
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: door-knocker, doorbell, charwoman, cleaning woman, maid ~ house personnel
Inscriptions: collector's mark: Lugt 1641, collector's mark

Gebruikt als illustratie in: Volks-liedjes, uitgegeven door de Maatschappij tot Nut van 't Algemeen, Amsterdam: Harmanus Keijzer, Arend Fokke en Cornelis de Vries, 3 delen, 1789-1791, p. 44.
Zitting van de Spaanse Bloedraad, 1567
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon frisius
Artist role: print maker
Artist dates: 1570 – 1628
Subjects: fernando álvarez de toledo (3rd duke of alba), court session (court of justice)

Zitting van de Raad van Beroerten, bijgenaamd de Bloedraad, voorgezeten door de hertog van Alva gezeten op een troon met de gerechtsroede in de hand, 1567. Aan de muren van het interieur hangen wandkleden. Achterzijde onbedrukt.
Figuren, beroepen en bezigheden
Object type: print
Date: 1822 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: deventer
Subjects: handicrafts ~ maintenance and repair, human types, farmers, street-trader
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van verschillende figuren, beroepen en bezigheden. Onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: N. 53.
Applique
Object type: appliqué
Date: 1867 – 1933
Materials: silk
Culture: chinese
Subjects: animals
Dog Cart #1030
Object type: drawing
Date: 1870 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Paolo Doni, dit Uccello. St Georges combattant le dragon. Musée Jacquemart-André
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Interior of the Palazzo Spinola, Genoa
Object type: print
Date: 1777 – 1777
Techniques: etching
Artist: louis jean desprez
Artist role: artist
Artist nationality: french
Artist dates: 1743 – 1804
Subjects: architecture,interiors
Sansovino
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: ornamental birds, acanthus ~ ornament, sculpture (+ relief ~ sculpture), europe
Inscriptions: number: ‘6084.’, collector's mark: Lugt 3937
The Shepherdess Knitting
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: etching
Location: france
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1814 – 1875
Architectuur in Nederland
Object type: book illustration
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: secondary education

Afdruk uit: Krook, L. Architectur der Niederlande. Leipzig: Baumgärtner's Buchhandlung, 1894.
Court train
Object type: court train
Date: 1809 – 1809
Materials: silk
Culture: french
Rim sherd
Object type: sherd
Date: 2333 – 2001
Materials: ceramic
Location: mesopotamia
Forty-eight vignettes of bullfighting manoeuvers and scenes from the ring
Object type: print
Date: 1800 – 1850
Techniques: woodcut
Artist: Anonymous
Artist role: artist
Subjects: men,sports,bulls

The Piferrer publishing house was established by Juan Piferrer in Barcelona on the Plaza del Angel in early 18th century and continued by members of his family until 1868. See F. Xavier Burgos and Manuel Pega,' Imprenta y negocio del libro en la Barcelona del siglo XVIII. La casa Piferrer' (Autonomous University Barcelona).
Silhouette of Nathaniel Babson of Gloucester, Massachusetts
Object type: cut paper
Date: 1828 – 1883
Materials: paper
Techniques: cutting, lithograph
Artist: william henry brown
Artist role: artist
Artist nationality: american
Artist dates: 1808 – 1883
Subjects: men
Miniatuurportretten van leden van het Nederlandse Koninklijk Huis, van Willem de Zwijger tot prins Alexander
Object type: photograph
Date: 1860 – 1884
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: prince, historical persons, netherlands
Het afdanken der Waardgelders, te Utrecht, door Prins Maurits
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: netherlands
Subjects: maurice (prince of orange), demobilization, warfare; military affairs (+ mercenary troops, e.g.: lansquenets), assembling of military forces; mobilization, troop concentration, etc.
Inscriptions: date

De afdanking van de waardgelders op bevel van prins Maurits, 31 juli 1618. De troepen staan opgesteld op de Neude te Utrecht, op de voorgrond Maurits met gevolg en officieren te paard.
Kind, man en vrouw, zittend
Object type: drawing
Date: 1700 – 1799
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Brief aan Philip Zilcken
Object type: letter
Date: 1905 – 1905
Materials: ink, paper
Techniques: pen, writing
Location: scherpenzeel
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: utrecht, the hague, painter, draughtsman, philip zilcken
Inscriptions: watermark, collector's mark: ‘RPK’
Seated Man Holding a Jug
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Techniques: highlighting
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: men,jugs
Fragment of velvet
Object type: fragment
Date: 1501 – 1600
Materials: silk
Geschiedenis van de Makkabeeën
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: judas maccabeus has the temple purified and re-dedicated (1 maccabees 4:36-58)

Judas Makkabeüs beveelt een aantal wetsgetrouwe priesters het heiligdom te reinigen en de stenen die het altaar ontwijd hebben af te voeren naar een onreine plaats. Het ontwijde brandofferaltaar wordt afgebroken. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 1 Makk. 4. Deze prent maakt deel uit van een album.
True View of the Foreign Buildings along the Waterfront Seen from the Yokohama Wharves (Yokohama hatoba yori kaigandori ijinkan no shinzu)
Object type: print
Date: 1875 – 1875
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige iii
Artist role: artist
Artist nationality: japanese
Artist dates: 1843 – 1894
Massacre de Nesle (1472)
Object type: drawing
Date: 1801 – 1900
Materials: chalk, gouache, graphite, watercolor
Location: france
Artist: edouard-alexandre odier
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1887
Subjects: massacres,men,women,horses,axes
Portret van een onbekende geestelijke
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: pierre petit
Artist role: fotograaf
Artist dates: 1832 – 1909
Subjects: adult man, historical persons, organization, functionaries and dignitaries in roman catholic church; clergy in general
Inscriptions: inscription: ‘PHOTOGRAPHIE DES DEUX MONDES/ EXPOSITION UNIVERSELLE/ PARIS BESANÇON/ PIERRE PETIT/ PHOTOGRAPHE/ 31. PLACE CADET./ PARIS/ PRUSSE BADE’
Portret van admiraal Vetter Pisani
Object type: print
Date: 1785 – 1885
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 2228
Portret van een man
Object type: photograph
Date: 1881 – 1903
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: max cosman
Artist role: fotograaf
Artist dates: 1852 – 1894
Subjects: historical persons
Inscriptions: inscription: ‘Max Cosman/ Hofphotograaf/ Amsterdam/ Koningsplein 1/ Hoek Singel./ Galerij 48./ Filiaal: Bad Kleef./ Specialiteit/ in/ Vergrootingen. Kooldruk Onveranderlijk./ De plaat blijft voor nabestelling bewaard.’
Portret van Christian Gottlieb Jöcher
Object type: print
Date: 1733 – 1733
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 177. Leipzig: Johann Gottlieb Gleditsch, 1733.
Tale of the Nun Akizuki
Object type: book
Date: 1601 – 1700
Materials: gold, ink, paper
Culture: japanese
Subjects: musical instruments,men,women,screens

This medieval tale relates the story of Aigyō, daughter of a palace nobleman, who, from the age of seven, is raised by an evil stepmother. When Aigyō falls in love with a captain from the palace, the stepmother tries to drown her stepdaughter so that her real daughter can get engaged to the captain. Before her stepmother succeeds, Aigyō’s deceased mother magically appears as a large turtle to save her daughter from drowning. Afterwards, during a pilgrimage to the Kumano Shrines, Aigyō befriends a nun from Kyushu named Akizuki (Autumn Moon), as in the title of the story. When Nun Akizuki meets the captain at Kiyomizu Temple in Kyoto, she arranges for Aigyō to be reunited with her former love. They marry, and the captain is eventually promoted to imperial regent, and Aigyō compassionately looks after both her stepmother and Nun Akizuki. Didactic stories such as this, known as “companion tales” (otogizōshi), were often reproduced in deluxe illustrated editions, as seen here.
Arles, croix sur la place, Bouches du Rhone
Object type: photograph
Date: 1875 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: arles
Artist: charles lenormand
Artist role: fotograaf
Subjects: market cross, monument, statue
Inscriptions: stamp: ‘Ch. Lenormand Phot.’
Kapitein en tweede luitenant van de grenadiers, 1830-1831
Object type: drawing
Date: 1831 – 1832
Materials: paper, pencil
Techniques: brush, lacquer
Location: netherlands
Artist: Anonymous
Subjects: professional clothes, (military) uniforms, netherlands

Een kapitein en een tweede luitenant van de grenadiers, te voet. Onderdeel van het album met 39 ingeplakte tekeningen van militairen van de Koninklijke Nederlandsche Armee uit 1830-1831.
Horsemen and Soldiers
Object type: drawing
Date: 1610 – 1664
Materials: ink
Techniques: pen
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: soldiers,men,horses
Rod-El-Farag. Vue sur le Nil / Rod-El-Farag. View on the Nile
Object type: photomechanical print
Date: 1907 – 1930
Materials: cardboard
Techniques: photograph
Location: cairo
Subjects: sailing-ship, sailing-boat, river
Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude
Object type: drawing
Date: 1501 – 1700
Materials: chalk, ink
Techniques: brush, pen, drawing, wash
Artist: anonymous, italian, 16th to 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1700
Subjects: coat of arms