deem-data/ArtiFact huggingface dataset:
Pyxis Depicting Standing Saints or Ecclesiastics and the Entry into Jerusalem with Christ Riding a Donkey
Object type: box
Materials: brass, silver
Techniques: engraving, hammering, inlay
Location: syria
Subjects: men,donkeys,christ

During the course of the thirteenth century, luxurious inlaid brasses signed by al-Mawsili (from Mosul) artists or made in their style began to display a very particular iconography borrowing from Christian motifs, namely Gospel scenes, images related to the life of Christ, and standing figures of saints and ecclesiastics. These images appear alongside traditional Islamic themes that were popular in the Seljuq era, such as the courtly cycle and astrology. It is noteworthy that such Christian motifs were largely depicted with deliberate variations. The artists either did not entirely understand the iconography or they did not care much about the established canon. The juxtaposition of Christian and medieval Islamic themes suggests that these brasses were probably intended for specific communities, underscoring the complex multicultural milieu of the western Seljuq realm. Some may have been ordered by local Christian patrons, others as souvenirs for Crusader knights. Suitable for Muslim and Christian courts as prestigious diplomatic gifts or as luxurious export works, they reached rulers and elite individuals both within and beyond the Seljuq world, as far west as Europe.
Madame Carrelle
Object type: photograph
Date: 1856 – 1857
Materials: paper
Techniques: salted paper print
Location: france
Artist: pierre-louis pierson
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: paris, portraits: female subject, photography, portraits

The studio known as Mayer and Pierson was the joint venture of Pierre-Louis Pierson (1822–1913), and brothers Léopold Ernest Mayer (1817–1865) and Louis Frédéric Mayer (1822–1912), who also had run separate daguerreotype studios in Paris. Working in partnership from 1855, the trio captured portraits of French society and royalty, most notably the family and court of Napoleon III. The studio became known for an objective, unmannered, but elegantly fashionable style that became popular in the French capital. This example shows one Madame Carrelle in an ethnic costume of an enigmatic origin. Although the background is spare, the glimpse of her shoe suggests that she is ready for a performance.
Sutra Cover
Object type: sutra cover
Date: 1368 – 1644
Materials: metal thread, silk
Culture: chinese
Strooien van nieuwe zilveren munten met de beeltenis van keizer Karel V, plaat Z
Object type: print
Date: 1530 – 1536
Materials: paper
Techniques: etching
Location: mechelen
Artist: nicolaas hogenberg
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1539
Subjects: ghent, charles v (holy roman emperor and king of spain), rome, festivities (+ parade, pageant, cavalcade ~ festive activities)

Prent in het album waarin zijn ingeplakt de 40 platen die achterelkaar samen het fries vormen van de optocht van Karel V met de paus Clemens VII te Bologna na zijn kroning tot keizer, 24 februari 1530.
Rond, plat bord van hardgebakken aardewerk
Object type: plate dish
Date: 1840 – 1860
Materials: earthenware
Location: shelton

Rond, plat bord van hardgebakken aardewerk met op het plat een decoratie in blauw van een landschap met gebouwen, een boom en een man met een dier. De rand is versierd met bloemtakken. Het bord is gemerkt: Hackwood. Bij het bord horen drie gelijke borden (BK-NM-14091-A t/m BK-NM-14091-D).
Kinders beziet eens pertinent / Dat hier verbeeld word in dees prent.
Object type: popular print
Date: 1725 – 1780
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: public life of christ: from his baptism until the passion, birth and youth of christ
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen uit het leven van Christus, zoals de geboorte van Christus en het Laatste Oordeel. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: 38.
Panel
Object type: panel
Date: 1701 – 1800
Materials: felt, silk
Techniques: embroidery
Location: iran
Subjects: flowers,leaves
Vltraiectvm Dominivm
Object type: map
Date: 1630 – 1630
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions

Kaart van de provincie Utrecht op een schaal van 1:150.000 met het noorden rechts. Rechtsboven een cartouche met de titel. Rechtsmidden een staande landmeter met een afstandsbalk in de hand die een schaal in Hollandse mijlen aangeeft.
Fragment of a Bowl
Object type: ceramic fragment
Date: 1301 – 1500
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: egypt or syria
Armchair
Object type: armchair
Date: 1800 – 1810
Materials: wood
Culture: american
Location: united states
Portret van Tiberius Hemsterhuis
Object type: print
Date: 1809 – 1871
Materials: paper
Techniques: lithograph
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur en biografische gegevens van de geportretteerde.
Twee vrouwen en een man zittend op een bank voor een hek
Object type: print
Date: 1855 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: xavier mellery
Artist role: print maker
Artist dates: 1845 – 1921
Subjects: annexes and outbuildings; fencing; gate, bench, adult man, adult woman (+ two persons), dog
Inscriptions: collector's mark: Lugt 2228
Gezicht op het Rembrandtplein in Amsterdam
Object type: cabinet photograph
Date: 1868 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andreas theodorus rooswinkel
Artist role: fotograaf
Artist dates: 1838 – 1909
Subjects: square, place, circus, etc.
Inscriptions: annotation: ‘Rembrandtpl.’, retailer's mark: ‘GEBR. DOUWES./ ATELIER/ Grimburgwal 15/ AMSTERDAM.’, annotation: ‘Rembrandtplein’
Figures and Horse Cart in Landscape with Cliffs
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: peter de wint
Artist role: artist
Artist nationality: british
Artist dates: 1784 – 1849
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, left half of handle patch
Reclameontwerpen voor zonneschermen
Object type: sketchbook leaf
Date: 1908 – 1919
Materials: ink, pencil
Techniques: pen
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: advertising, parasol, sunshade
Inscriptions: annotation: ‘ZONNE-/ SCHERMEN’

De ontwerpen tonen een man en vrouw onder een parasol. Blad 33 verso uit een schetsboek met 33 bladen.
Studioportret van een man bij een tafel met ornamenten
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Ruïnes van gebouwen bij de Kolk te Rotterdam
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: j. nolte
Artist role: fotograaf
Subjects: devastated, ruined place or city (~ warfare), street, ruin of a dwelling, house, castle, etc., rotterdam, rotterdam blitz
Schrijfvoorbeeld: De arme in syne opregtigheijt (...)
Object type: print
Date: 1660 – 1751
Materials: paper
Techniques: engraving
Subjects: calligraphy

Schrijfvoorbeeld met zes regels tekst in het Nederlands: De arme in syne opregtigheijt ... De prent maakt deel uit van een album
Portret van Franciscus Gomarus
Object type: print
Date: 1755 – 1795
Materials: paper
Techniques: engraving, etching
Subjects: bruges, theologian, historical persons, professor

Latere staat prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd (...). Amsterdam: Johannes Allart, [1783-1795], dl. 7.
Trilobed vessel with figure of Fortuna
Object type: trilobed vessel
Date: 1535 – 1535
Techniques: maiolica, glazing
Subjects: human figures
Jacket
Object type: jacket
Date: 1867 – 1900
Materials: glass, leather, metal, silk, wool

The intricate combination of materials and handwork techniques in this jacket make for a visually interesting garment. This level of decoration epitomizes the care and importance given to costume in traditional cultures. An interesting aspect of this garment is the direct interpretation of military uniform braid, resembling that of the Hussars originating in Hungary in the 15th century. Stewart Culin (1858-1929) was the Brooklyn Museum's first Curator of Ethnology from 1903 to 1929. Culin conducted collecting expeditions, traveling throughout the United States and the world. His goals for these trips were not just to expand the Museum's holdings, but to also provide context for these objects within their cultures. In addition to choosing rare and high-quality pieces, Culin sought artifacts with interesting provenance as well.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 470 – 440
Materials: terracotta
Culture: greek, attic

Part of a fragment from the neck of a column krater with a stem from a band of pendant, linked lotus buds?
Egg Cup
Object type: egg cup
Date: 1870 – 1880
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: adams and company
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Portret van een staande jongen in matrozenpak
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: adolf nitsche
Artist role: fotograaf
Artist dates: 1873 – 1938
Inscriptions: inscription: ‘A. Nitsche//Anvers 69 Rue Léopold.’, number: ‘7081’

Portret van een staande jongen in matrozenpak.
Purse
Object type: purse
Date: 1760 – 1760
Materials: glass, silk
Culture: french
Subjects: flowers
Cassetta Frame
Object type: frame
Date: 1534 – 1566
Materials: wood
Culture: italian, veneto
Artist: italian
Artist role: artist
Kelly, Umpire, Western Association, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Portret van Nikolaes Versteeg
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: nikolaes versteeg, writing-table, writing-desk, quill, study; 'studiolo'; library, writing accessories, paper (writing material)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1120

Portret van de Rotterdamse dichter Nikolaes Versteeg, op 67-jarige leeftijd, in zijn werkkamer, met een schrijfveer in de hand. Op tafel een schrijfset en vellen papier. Tegen de achterwand staat een boekenkast.
Evreux
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: village

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1657, dl. 8, na p. 16. De titel is uit de originele prent gesneden. Boven de gravure is een deel lucht en wolken (bij)geschilderd, waarin de titel gelijmd is. Origineel op één blad gedrukt met het gezicht op Dieppe (RP-P-1956-115).
Portret van een man met snor met achtergrond met houtstructuur
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: paris
Artist: alexandre ken
Artist role: fotograaf
Artist dates: 1828 – 1874
Subjects: moustache, historical persons
Inscriptions: inscription: ‘10 Boulevard Montmartre, Paris’
Circular tray on High Foot and Rim of Stylized Bean Pattern
Object type: fruit bowl
Date: 1930 – 1940
Materials: lacquer
Techniques: lacquer
Location: japan
Artist: koshida bizan
Artist dates: 1874 – 1941
Inscriptions: seal: ‘a work of Bizan’, inscription: ‘Bizan saku’, inscription: ‘Moriki mame moyō’

The modernity of the 1920s and 1930s found individual expression all over the world. So too in Japan. The pattern of stylized beans on the edge of this dish evokes the Art Deco style. The geometric configuration of the base recalls the ancient supporting structure of Japanese temple roofs. The red lines emphasize the architectural form.
Servet van linnendamast met een kantpatroon
Object type: napkin
Date: 1725 – 1735
Materials: linen
Techniques: damask, weave
Location: flanders

Servet van linnendamast met een kantpatroon. Bij het servet hoort een servet met invnr. BK-1980-104-B en een tafellaken (BK-1980-103). Het servet is gemerkt: gekroonde letters VE 26.
Noordelijk transept van de Abdij van Furness
Object type: photograph
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Location: rievalx abbey
Artist: roger fenton
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: parts of church interior: transept, ruin of church, monastery, etc.
A group of young men dancing as the gods look on from above; set design from 'Il Pomo D'Oro'
Object type: print, fete, ornament architecture
Date: 1668 – 1668
Techniques: etching
Artist: mathäus küsel
Artist role: artist
Artist nationality: german
Artist dates: 1621 – 1682
Subjects: men,dancing

The twenty-third of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina—also designed by Burnacini.
Virgin and Child with Infant St. John the Baptist
Object type: drawing
Date: 1601 – 1700
Materials: chalk
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: madonna and child,saint john the baptist
Antoninianus (Coin) Portraying Emperor Tetricus
Object type: coin
Date: 271 – 274
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP TETRICVS [P F AVG]
Reverse: LAETITIA AVG N

The front (obverse) of this coin portrays the head of Emperor Tetricus, facing to the right. The back (reverse) depicts Laetitia, a Roman goddess of happiness, standing slightly left.
Visitation, from Book of Hours
Object type: print
Materials: paper
Techniques: hand coloring, woodcut
Location: france
Artist: philippe pigouchet
Artist nationality: french
Artist dates: 1488 – 1518
Pair of candlesticks
Object type: candlestick
Date: 1695 – 1696
Materials: silver

The relatively small size of this pair of candlesticks may be an indication that they were part of a toilet set or would have been used in private domestic quarters. Supported on a round foot, the shaft and candle holder are decorated with incised lines. The simple clear design is typical of late 17th century French silver. In the era before gas lighting and electricity, candles played a principal role in illuminating the domestic interior. Beeswax candles burned clean, had a pleasant smell, but were quite expensive compared to those made of tallow. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial such as these candlesticks made in Montpellier, and includes a number of rare early pieces.
Sleutel
Object type: key
Date: 1400 – 1950
Materials: bronze, iron
Location: rome

Sleutel waarvan de greep het voorgedeelte van een leeuw voorstelt. Greep van brons en steel en baard van ijzer.
Concise Illustrated Biography of Monk Nichiren: Calming the Stormy Sea at Tsunoda in Exile to Sado Island
Object type: print
Date: 1835 – 1836
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Subjects: men,waves,boats

The story of the life of Nichiren (1222–1282), the iconoclastic founder of the sect of Buddhism that bears his name, has inspired legions of his followers to the present day. Kuniyoshi’s series of prints captures the dramatic moments of the priest’s biography, including this scene of a vision of the sect’s main devotion, the invocation “Praise to the Sutra of the Lotus Blossom of the Fine Dharma [Namu Myōhō Renge Kyo],” in the ocean waves as Nichiren travels to exile in 1272.
Revolutie van de Aarde en de Zon rond het centrum van de wereld
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: france
Subjects: earth, world as celestial body, sun as celestial body

Prent uit: Leclerc, Sébastien. Nouveau systeme du monde conforme à l'Ecriture sainte. Où les phénomènes sont expliquez sans excentricité de mouvement (...). Paris: Pierre Giffart, 1706.
Slippers
Object type: slipper
Date: 1835 – 1835
Materials: leather, silk
Culture: american
Studieblad, onder andere met geiten
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: head (human) (+ male human being (not to be used where -a- is prescribed)), goat

Tevens studies van een mannenkop met hoed en een figuur met opgeheven armen en een voorwerp in de handen. Blad 2 verso uit een schetsboek met 18 bladen.
Portret van William Pitt I
Object type: print
Date: 1747 – 1781
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: william pitt (i), historical persons

Prent uit: The Universal Magazine of Knowledge and Pleasure, 1747-1814.
Klink uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: bar handle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Locks, fastenings and accessories, latch; rectangular bar slightly sideward curving end, stepped underneath with circular pivot-hole, vertical right-angled knob at other end with oval finial.
Christus wekt de discipelen op de Olijfberg
Object type: drawing
Date: 1650 – 1660
Materials: ink, paper
Techniques: brush, pen
Artist: nicolaes maes
Artist role: draughtsman, painter
Artist dates: 1634 – 1693
Subjects: christ summons the apostles to stay awake and pray ~ garden of gethsemane

Afkomstig uit een album met losliggende tekeningen van met name Matthijs Balen.
Landschap met Byblis en Caunus
Object type: print
Date: 1683 – 1733
Materials: paper
Techniques: etching
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: byblis changed into a fountain: after looking for caunus everywhere, byblis at last lies down, bathed in tears, and is changed into a fountain (ovid, metamorphoses ix 663), byblis falls in love with her brother caunus, who scorns her love, (story of) cupid, amor (eros)
Inscriptions: inscription: ‘Poussin’, collector's mark: Lugt 2228

Definitieve genummerde staat van deze prent opgenomen in: Impostures innocentes, ou recueil d'estampes d'apres divers peintres (...) par Bernard Picart (...) avec son elogue historique et le catalogue de ses ouvrages. Amsterdam: weduwe Bernard Picart, 1734.
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1877 – 1877
Materials: ink, paper
Techniques: pen, printing, writing
Location: vienna
Artist: william unger
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1932
Subjects: haarlem, bartholomeus van der helst, publisher, leiden, amsterdam, rembrandt van rijn, passions, emotions, affections, the graphic arts
Inscriptions: collector's mark: Lugt 2233
Ingang van de Iwaya-grotten op het eiland Enoshima
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: enoshima
Artist: Anonymous
Subjects: cave, grotto, travelling; tourism, rock-formations
Inscriptions: inscription: ‘Anoshima.’, negative number: ‘67’

Onderdeel van Leporelloalbum met 30 foto's van bezienswaardigheden in Japan.
Verschillende vogels, serie c
Object type: ornament print
Date: 1675 – 1711
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: birds, insects: butterfly
Inscriptions: collector's mark: Lugt 2228
Leap Year
Object type: print
Techniques: aquatint, etching
Artist: t. smith
Artist role: etcher
Artist nationality: british
Artist dates: 1785 – 1787
Subjects: men,women
Penningdoos
Object type: medal box
Date: 1885 – 1885
Materials: leather, paper
Artist: Anonymous
Subjects: amsterdam

Cassette met aan de binnenzijde paars fluweel, buitenzijde bruin leer met verguld randje omplakt. Daaromheen een hoesje van karton met bruin linnen beplakt. Met bijbehorende penning NG-2000-1-1.
Geschiedenis van Daniël
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: king nebuchadnezzar's madness: long-haired, he creeps on all fours, eating grass, king nebuchadnezzar, when overcome by madness, is seized and expelled from the city, king nebuchadnezzar dreams of a great statue, daniel before king nebuchadnezzar, interpreting his dream, king nebuchadnezzar dreams of a tree that must be cut down

Daniël staat voor de troon van koning Nebukadnessar en legt de dromen van de koning uit. Bovenaan zijn de dromen van de koning te zien. Een wachter daalt links uit de hemel en geeft een opdracht de grote boom om te hakken. Rechts de droom van het beeld met het hoofd van goud en voeten van ijzer en leem. Daniël vertelt dat de eerste droom betekent dat de koning zal worden verstoten en zeven jaar als een dier zal leven. Op de achtergrond is te zien hoe Nebukadnessar wordt weggestuurd. Links in het landschap leeft Nebukadnessar als een dier en eet gras. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Dan. 2. De droom uit Dan. 4. staat in deze voorstelling echter centraal. Deze prent maakt deel uit van een album.
Blauwdruk met tekening voor de overbrugging van het IJ
Object type: blueprint
Date: 1810 – 1886
Materials: paper
Techniques: blueprint
Artist: heshuijsen
Artist role: engineer
Subjects: engineering, bridge

Onderwerpsrubriek binnen de Atlas Amsterdam: Tunnel onder het IJ, Bruggen over het IJ.
Portretten van negen geleerden uit Göttingen
Object type: print
Date: 1830 – 1863
Materials: paper
Techniques: lithograph
Location: berlin
Artist: Anonymous
Subjects: historical persons, professor
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Rocca Gebruder in Gottingen’

Portretten van Gustav Hugo, Anton Bauer, Johann Friedrich Ludwig Göschen, Christian Friedrich Mühlenbruch, Wilhelm Eduard Albrecht, Karl Salomo Zachariae von Lingenthal, Georg Ribbentrop en Albert Jacob Kraut.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, head, neck, and left shoulder of filleted youth to right; Exterior, start of foot
Uitzichten tijdens een vlucht naar Moskou door de LZ127
Object type: album leaf
Date: 1930 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions

Vijf foto's gemaakt tijdens een vlucht naar Moskou door de LZ127, waaronder gezichten op Moskou. Alle foto's zijn voorzien van een nummer en titel. Deze pagina maakt deel uit van een album.