deem-data/ArtiFact huggingface dataset:
Reisverslag
Object type: sketchbook leaf
Materials: pencil
Location: novaya zemlya
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: nova zembla expedities 1880

Blad 87 verso uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Charioteer
Object type: drawing
Materials: ink
Techniques: pen
Artist: micco spadaro (domenico gargiulo)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1675
Subjects: men,chariots
Lijkstatie van Willem IV, 1752, plaat 4
Object type: print
Date: 1752 – 1755
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: willem iv (prins van oranje-nassau), military parade, pageant (+ cavalry, horsemen), cortege, funeral procession, delft

Drie groepen gardes te paard. In de marge het onderschrift in Nederlands, Frans en Engels. Onderdeel van een serie van 41 platen van de begrafenisstoet van stadhouder Willem IV te Delft op 4 februari 1752. Genummerd rechtsboven: 4. In de gebonden uitgave van 1755.
Black Crowned Crane (Balearica pavonina)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Location: prague
Artist: anselmus boëtius de boodt
Artist role: draughtsman
Artist dates: 1550 – 1632
Subjects: shore-birds and wading-birds: black-crowned crane

De Boodt probably assembled his ‘three large books’ as follows: one for plants, one for animals and one for birds. The latter was apparently damaged (many of the bird studies have a loss at one corner), which may have prompted the 19th-century remounting campaign. Here the lower right corner is missing, but this pavo sine cauda chinensis (literally: ‘peacock without Chinese tail’) – with its gold, feathered ‘crown’ – remained unaffected.
Portret van twee onbekende vrouwen in lokale dracht met koperen wateremmers
Object type: carte de visite
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: anonymous historical person portrayed, folk costume, regional costume, container of metal: bucket, can, canister, drum, tin
Terracotta relief of a horseman
Object type: relief of a horseman
Date: 400 – 301
Materials: terracotta
Culture: greek, south italian, tarentine
Subjects: shields,male nudes,horses

Among the established types of Tarentine terracottas is that of the mounted horseman. In this example, he is nude, carries a small round shield, and wears an elaborate headdress as is often found on the equally characteristic type of the reclining banqueter. The identities of both the horsemen and the banqueters remain unclear, as does the possibility of a connection between the two.
Terracotta pilgrim flask
Object type: pilgrim flask
Date: 734 – 601
Materials: terracotta
Culture: cypriot

The pilgrim flask is the most characteristic shape of the Black Slip Grooved Ware that is influenced by Near Eastern prototypes. The vases are found mainly at Amathus.
Ferry Boat Crossing the Sumida River
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: keisai eisen
Artist role: artist
Artist nationality: japanese
Artist dates: 1790 – 1848
Subjects: human figures,animals,rivers,boats
Lunette met putti, vissen en hoornen des overvloeds in de oostelijke galerij van het Stadhuis op de Dam
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: 'cornucopia', horn of plenty, fishes, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Artus Quellinus (I), 1655.

Zie RP-P-AO-22-1-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-1-2 voor bijhorend register.
Zie RP-P-AO-22-1A, RP-P-AO-22-1B, RP-P-AO-22-1C, RP-P-AO-22-1D-1, RP-P-AO-22-1D-2, RP-P-AO-22-1E, RP-P-AO-22-1F, RP-P-AO-22-1G, RP-P-AO-22-1H, RP-P-AO-22-1I, RP-P-AO-22-1K-1, RP-P-AO-22-1K-2, RP-P-AO-22-1K-3, RP-P-AO-22-1K-4, RP-P-AO-22-1K-5, RP-P-AO-22-1L-1, RP-P-AO-22-1L-2, RP-P-AO-22-1M-1, RP-P-AO-22-1M-2, RP-P-AO-22-1N-1, RP-P-AO-22-1N-2, RP-P-AO-22-1N-4, RP-P-AO-22-1N-5, RP-P-AO-22-1O-1, RP-P-AO-22-1O-2, RP-P-AO-22-1O-3, RP-P-AO-22-1O-4, RP-P-AO-22-1P-1, RP-P-AO-22-1P-2, RP-P-AO-22-1P-3, RP-P-AO-22-1P-4, RP-P-AO-22-1Q-1, RP-P-AO-22-1Q-2, RP-P-AO-22-1Q-3, RP-P-AO-22-1Q-4, RP-P-AO-22-1R-1, RP-P-AO-22-1R-2, RP-P-AO-22-1R-3, RP-P-AO-22-1R-4, RP-P-AO-22-1R-5, RP-P-AO-22-1S-1, RP-P-AO-22-1S-2, RP-P-AO-22-1S-3, RP-P-AO-22-1S-4, RP-P-AO-22-1S-5, RP-P-AO-22-1T-1 en RP-P-AO-22-1T-2 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Frederik de Wit, 1665.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
Plum Blossoms in the Forrest of Ikuta, from the series Bravery-Beauty of the four seasons (Buyū setsugekka no uchi-Ikuta no mori, Ebira no ume)
Object type: print
Date: 1867 – 1867
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: tsukioka yoshitoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1839 – 1892
Subjects: battles,swords,men,horses
Spoon Tray
Object type: ceramic
Date: 1750 – 1760
Materials: enamel, stoneware
Techniques: polychrome, salt glaze
Location: staffordshire
Faience aryballos (oil bottle) in the form of a hedgehog
Object type: aryballos in the form of a man crouching on a hedge
Date: 600 – 501
Materials: faience
Culture: east greek
Subjects: animals

Most of the figure riding on the hedgehog's back is missing.
Landschap met bergen aan een meer
Object type: sketchbook leaf
Date: 1840 – 1840
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), mountains

Blad 3 verso uit een schetsboek met 63 bladen.
Sir Sydney Waterlow
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: politician, philantropist, politician, e.g. party leader
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Fotoreproductie van een schilderij van Conrad Abel, staatssecretaris op missie te München en Mannheim
Object type: carte de visite
Date: 1871 – 1879
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: politician, e.g. party leader, picture, painting
Tusk Fragment with Christ Enthroned
Object type: tusk fragment
Date: 810 – 1010
Materials: ivory
Techniques: carving
Location: egypt
Subjects: angels,christ
The Devil's Darling: Text
Object type: print
Techniques: letterpress
Artist: rudolph ackermann, london
Artist role: publisher
Artist nationality: british
Artist dates: 1794 – 1832
Koe liggend naast een knotwilg in de wei
Object type: print
Date: 1805 – 1871
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: jacob plügger
Artist role: print maker
Artist dates: 1795 – 1871
Subjects: cow, meadow, pasture, trees: willow, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Double Cordiform Pendant, One of a Pair
Object type: ornament
Date: 1867 – 1933
Materials: carnelian, silver, metal
Techniques: chasing, embossing, gilding
Location: central asia

Group of Turkman Ornaments, nos. 2018.922.1–.6a, .6b These bold silver ornaments come from the world of the Turkman tribes of Central Asia. Some of the forms such as the lozenge shaped amulet holder or Quran box relate to the styles of jeweled arts of the courts and urban centers. But most of these large and vibrant ornaments are a final expression of the unique sensibility of the Turkman people as their nomadic life gives way to modernity.
Trade Card for Huxtable, Printer, Book Binder, and Bookseller
Object type: print, trade card
Date: 1800 – 1800
Techniques: engraving
Artist: anonymous, british, early 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1850
Domitian, from The Twelve Caesars, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: men,profiles

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 93 in the scrapbook. Mounted with 41.72(3.94).
Bonnet
Object type: bonnet
Date: 1885 – 1885
Materials: cotton, silk, fiber
Culture: american
Artist: balch, price & company
Artist role: department store
Artist nationality: american
Artist dates: 1869 – 9999
The Egg Seller from a set of the Italian Village Scenes
Object type: tapestry
Materials: silk, wool
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: men,women,eggs

Images of gardens were popular in the tapestry medium from the medieval era, where the so-called mille-fleurs (thousand flowers) (see also 2013.506) provided a decorative, and sometimes symbolic, setting for scenes of romance and play. Park and garden tapestries continued to enjoy popularity throughout the sixteenth and seventeenth centuries, particularly for the decoration of more intimate chambers, where they provided a pleasant contrast with the grander subject matter of tapestries used in more formal settings. The theme enjoyed new popularity with the advent of the Rococo style during the eighteenth century, and a number of highly decorative landscape and garden series were produced in French and Netherlandish workshops during the second third of the eighteenth century. Among the most notable was the series of romantic pastorals that Boucher designed for the Beauvais workshops between 1734 and 1736 (64.165.1–.8). Known as the Fetes Italiennes, and loosely inspired by the idyllic park scenes of Antoine Watteau, this series depicted handsome gentlefolk and peasants in idealized exterior settings.
Wijnkop uit V.O.C.-schip de 'Witte Leeuw'
Object type: cup
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Wijnkop uit V.O.C.-schip de 'Witte Leeuw'. Wijnkopje van porselein, beschilderd in onderglazuurblauw met een fries van gestileerde blaadjes met daaronder een fries met spiraaltjes. De scherf is glasachtig en wit en kent zeer weinig ingebakken vuil. Het glazuur is blauwgetint. De voetring is recht, staat naar binnen en is gefacetteerd. Er is geen ovenzand aangetroffen.
Geen standpunt, maar een balanceerpunt
Object type: cartoon
Date: 1884 – 1884
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: seesaw

Spotprent met minister Heemskerk zittend op het midden van de wip. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 47, 1884.
Opwekking van Lazarus
Object type: print
Date: 1506 – 1506
Materials: paper
Techniques: woodcut
Location: switzerland
Artist: urs graf
Artist role: draughtsman, print maker
Artist dates: 1485 – 1528
Subjects: the raising of lazarus ('lazarus, come out')

Christus wekt Lazarus op uit de dood. Hij staat tegenover het graf en wijst op Lazarus, die door Petrus uit het graf wordt geholpen. Johannes heeft de deur van het graf geopend. De discipelen kijken toe. Op de achtergrond de scènes die vooraf ging: Marta komt op de weg tussen Betanië en Jeruzalem met opgeheven armen naar Christus en vertelt hem dat Lazarus is gestorven. Prent maakt deel uit van een album.
Elevation of a Pulpit, Side View, R. Edmundson & Sons
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: ornament
Dianna, her Nymphs, and Callisto
Object type: drawing
Date: 1800 – 1900
Techniques: pen
Artist: anonymous, italian, 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Subjects: nymphs,diana
S. Bernard, abbé (St. Bernard of Clairvaux, Abbot), August 20th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Portret van Johann Michael Lang
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: theologian, historical persons
Inscriptions: number: ‘20’

Prent waarschijnlijk uit: Roth-Scholtz, Friedrich. Icones virorum omnium ordinum eruditione omnique item genere (...). Neurenberg: erven Johann Daniel Tauber, 1725.
Coffer lock and key
Object type: coffer lock and key
Date: 1680 – 1700
Materials: iron, steel
The Nymph of Fontainebleau
Object type: print
Date: 1554 – 1554
Materials: paper
Techniques: engraving
Location: france
Artist: pierre milan
Artist role: print maker
Artist nationality: french
Artist dates: 1500 – 1557

The Nymph of Fontainebleau appeared in several guises at King Francis I’s charming getaway outside of Paris. This Mannerist engraving by Pierre Milan refers to a bronze relief sculpture by the Italian Renaissance artist Benvenuto Cellini. Francis commissioned this sculpture of the mythological woodland creature to go over the main entryway to the château. While differently composed than the relief, the print retains the detail of the spilling water vase, the nymph’s languorous posture, and the plenitude of animals.
Willem Frederik George Lodewijk, erfprins der Nederlanden [?]
Object type: plaque
Date: 1816 – 1816
Materials: iron
Techniques: casting
Location: berlin
Artist: leonhard posch
Artist role: sculptor
Artist dates: 1750 – 1831
Subjects: the hague, william ii of the netherlands

plaquette aan draagoog. Voorzijde: borststuk man naar links. Keerzijde: opschrift: "Kronprinz v. Holland"; in negatief van borststuk: signatuur [?] .L
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1904 – 1904
Materials: ink, paper
Techniques: pen, writing
Location: scheveningen
Artist: bernardus johannes blommers
Artist role: draughtsman, print maker
Artist dates: 1845 – 1914
Subjects: pieter haverkorn van rijsewijk, money
Inscriptions: watermark, collector's mark: ‘RPK’
Soldaten bij grafmonument
Object type: print
Date: 1794 – 1851
Materials: paper
Techniques: lithograph
Location: italy
Artist: antonio de pian
Artist role: painter, print maker
Artist dates: 1784 – 1851
Subjects: church (exterior), grave, tomb, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee soldaten bij een grafmonument onder een boog achter een gotische kerk. Genummerd midden onder: No. II.
Glass mosaic hemispherical bowl
Object type: bowl, mosaic
Date: 200 – 35
Materials: glass
Culture: greek, eastern mediterranean

Colorless with a blue tinge, translucent pale purple and blue, and opaque white, yellow, and pale greyish blue. Vertical rim with rounded edge; convex curving side; convex bottom. Composite mosaic pattern formed from polygonal sections of a single composite cane in a colorless ground with a yellow spiral, small purple ring and central dot in greyish blue; interspersed with this cane are a small number of irregular segments, one in solid yellow, but others below rim in streaky yellow, and several others in streaky white stripes in combination with purple stripes; a colorless network cane wound spirally with yellow and greyish blue trails is attached unevenly as a rim. Broken and repaired, with many cracks and some small holes; dulling and some surface pitting of bubbles, and creamy brown weathering covering most of interior.
Stad Angers
Object type: drawing
Date: 1600 – 1650
Materials: ink, parchment, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), prospect of city, town panorama, silhouette of city
Length of velvet
Object type: length
Date: 1501 – 1600
Materials: gold, metal thread, silk, velvet
Techniques: brocade, cutting, voiding

The symmetrical pattern and the framework of pointed oval (or ogee) shapes of this velvet are a departure from the large meandering stems seen in many fifteenth- and sixteenth-century Italian velvets (see 46.156.120 and the back of cassone 14.39). The composition of this sumptuous "pomegranate" velvet may have been influenced by textiles from the nearby Ottoman empire; it is characteristic of Turkish textiles of the period as well. However, this piece retains typically European technical features: the two heights of silk pile and metal brocading in two textures, flat and looped—features that are not found in Turkish velvets.
Design for an Casket heavily decorated Foliate Scrolls, Garlands and a Satyr Mask
Object type: drawing
Date: 1672 – 1725
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: masks,ornament,satyrs,wreaths,chests
Nobile Venetiano in abito d'Estate
Object type: album leaf
Date: 1650 – 1740
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: domenico bonavera
Artist role: print maker
Artist dates: 1640 – 
Subjects: standing figure, folk costume, regional costume

Titel in ondermarge. De prent maakt deel uit van een album.
Portret van een man met snor
Object type: album leaf
Date: 1850 – 1892
Materials: cardboard, photographic support
Techniques: albumen print
Location: basel
Artist: jakob höflinger
Artist role: fotograaf
Artist dates: 1819 – 1892
Subjects: moustache, historical persons
Inscriptions: annotation: ‘Ma[.]el[...]t’, inscription: ‘J. Höflinger/ BASEL/ Blumenrain No 32.’
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Exterior, rays, alternating with black glaze and reserve
Samson and Delilah
Object type: print
Date: 1507 – 1507
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: soldiers,weapons,women,samson,death
Pair of Double-Barrel Flintlock Pistols
Object type: arm
Date: 1730 – 1730
Materials: gilt bronze, steel
Culture: german
Location: saxony
Koningin Wilhelmina speldt een onderscheiding op het revers van een oude zeeman
Object type: photograph
Date: 1941 – 1941
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: print maker, wilhelmina of the netherlands, london
Inscriptions: inscription: ‘Investiture in sailors Home, London 5/5/1941’, stamp: ‘Photo archief R.V.D.’, stamp: ‘copyright photograph supplied by Wide World Photos 8, sallisbury square Fleet Street, London , England’, inscription: ‘opening tehuis voor Nederlandse Zeelieden in Londen. 42 zeelieden van Nederlandse koopvaardij ... openbare plechtigheid in Engeland ... Wilhelmina bijgewoond werd.’, inscription: ‘HIE 93’
Ruitertafereel op Koninklijke Houtvesterij Het Loo: ruiter wordt in zijn mantel geholpen in een bos
Object type: photograph
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, hunting, chase, hunting-ground, dressing someone else

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
Stirrup Spout Vessel with Raised Lobster Motifs
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Inscriptions: Marks on body of vessel.
Hieronymus Westonius (Richard Weston, Earl of Portland)
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: men,portraits

Portrait of Richard Weston, first Earl of Portland, half length, frontal, the head turned to the left, with moustache and beard, wearing ruff, ribbon with medal, coat, and cloak over right shoulder, his left hand resting on ledge in front. after van Dyck
Schloss Rahe bei Aachen
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: aachen
Subjects: castle, canal
Portret van Filips III, koning van Spanje
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving
Location: the hague
Subjects: filips iii (koning van spanje)
Inscriptions: collector's mark: Lugt 2228

Buste naar rechts van Filips III, koning van Spanje, in een ovale omlijsting, waarop een randschrift met zijn naam en titel in het Latijn. Onder het portret vier regels in het Frans. Prent uit een serie van veertig portretten van vredestichters in de Nederlanden.
Thomas Haaringh (Old Haaringh)
Object type: print
Date: 1655 – 1655
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669