deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Exterior, at the left, an unidentified object; draped male to right, in a chariot, holding the reins in his hands
Korenveld bij Rome
Object type: print
Date: 1848 – 1927
Materials: paper
Techniques: lithography
Location: netherlands
Subjects: field filled with a crop, umbrella, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Aug Allebé lith’, inscription: ‘Jac. van Looy pinx Roma’

Door een korenveld lopen een man en een vrouw. Hun parasol en hoed steken boven het maaiveld uit.
Staande koe, naar links
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: cow
Design for Vis-à-vis (unnumbered)
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
An allegorical scene showing the benefits of James' reign at center, Wise Government trampling Rebellion at right, and Liberty trampling Avarice at left
Object type: print
Date: 1720 – 1720
Techniques: engraving
Artist: simon gribelin ii
Artist role: artist
Artist nationality: french
Artist dates: 1661 – 1733

After the ceiling paintings of Banqueting House at Whitehall, London.
A Banquet
Object type: painting
Date: 1628 – 1628
Materials: oil, wood
Artist: dirck hals
Artist role: artist
Artist nationality: dutch
Artist dates: 1591 – 1656
Subjects: interiors,men,women,dining

Frans Hals's younger brother Dirck probably studied with him and perhaps with the Rotterdam genre painter Willem Buytewech (1591/92–1624), who worked in Haarlem about 1612–17. Like Buytewech, Dirck was a specialist in depicting small figures, often with close attention to fashionable costume details. His colorful and painterly technique owed a great deal to his more gifted older brother. The present painting is generally abraded by cleaning in the past; wood grain is visible throughout the thinned paint layers, especially in the lighter passages.
Laeste zeeslach van M.H. Tromp L. Admirael van Hollandt; etc. Tegen die van Engelant 1653
Object type: print
Date: 1653 – 1699
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: brielle, maarten harpertszoon tromp, battle (+ naval force), battle of scheveningen

De zeeslag bij Terheide in de Eerste Engelse Oorlog tussen de Staatse vloot onder Maarten Tromp en de Engelse vloot onder George Monck, 10 augustus 1653. Bovenaan een portret van M.H. Tromp in lauwerkrans. Maarten Tromp sneuvelde tijdens dit gevecht. In het verschiet de Hollandse kust.
Vase with Loop Handles
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Tien mark uit Duitsland, noodmunt van Thale am Harz, 1918
Object type: coin
Date: 1918 – 1918
Materials: brass
Techniques: striking

Messing noodmunt. Voorzijde: binnen versiering sprigend hert naar links. Daaronder in twee regels plaats-aanduiding. Keerzijde: tussen waarde-aanduiding wapenschild van de stad met helmteken, waaronder jaartal in het omschrift. Gladde rand.
Liggend vrouwelijk naakt, op de rug gezien
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: lying figure - aa - female human figure

Blad 13 recto uit schetsboek XIV met 17 bladen.
Rotspoort in een aquarium
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: aquarium
Purse
Object type: purse
Date: 1701 – 1725
Materials: canvas, silk
Subjects: birds
Harbor Scene with Ships and Fisherman
Object type: drawing and watercolor
Date: 1698 – 1698
Materials: graphite, ink, paper
Techniques: brush, wash
Location: netherlands
Artist: sieuwert van der meulen
Artist role: draughtsman, print maker
Artist nationality: dutch
Artist dates: 1683 – 1730
Cup with cover
Object type: cup with cover
Date: 1801 – 1900
Materials: metal, silver

This electrotype is after an original treasure of the Kremlin, at the time of reproduction.
Chrysanthemums, Rocks, and Grasses Representing Autumn; from Set of Four Panels Representing the Four Seasons
Object type: panel
Date: 1701 – 1800
Materials: paint, silk
Culture: chinese
Subjects: flowers,plants

Set of four panels, see 62.97.31-.34
Prospect und grundriss der neuen catholischen St. Hedwigs Kirche zu Berlin
Object type: print
Date: 1740 – 1774
Materials: paper
Techniques: engraving, etching
Subjects: church (exterior), plan ~ architecture
Inscriptions: collector's mark: Lugt 2228
Textile Fragment Depicting Figures in a Landscape
Object type: textile fragment
Materials: metal thread, silk
Techniques: lampas
Location: iran
Subjects: human figures,leaves

This textile fragment and 06.1197.2 depict a kneeling servant offering a bowl of fruit to a man standing beside a tree. The idealized scene of figures in a landscape setting was popularized by illustrations to Safavid poetic anthologies, and were emulated by textile designers. The black outlining of the figures and other motifs (including the wine cup containing a date, A.H. 1008/A.D. 1599–1600, and signature, Husain) create a graphic quality akin to line drawing.
Bomen in een heuvelachtig landschap
Object type: drawing
Date: 1619 – 1690
Materials: chalk, paper
Techniques: brush
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: low hill country
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: douris
Artist role: artist

Interior, two feet over an altar
Vienne, Souterrain
Object type: photograph
Date: 1861 – 1861
Techniques: albumen silver print, glass negative
Artist: édouard denis baldus
Artist role: fotograaf
Artist nationality: french, born prussia
Artist dates: 1813 – 1889
Subjects: train stations,railways,tunnels,men

Baldus's greatest commercial success came from his straightforward views of historic monuments and modern architectural and engineering projects. While seeking out features of the landscape that possess the same monumental presence as a Gothic cathedral or Roman aqueduct, he nonetheless brought a more lyrical sensibility to the depiction of the natural world.This view of the railroad station and tunnel at Vienne, twenty miles south of Lyon, comes from an album that Baldus produced for the Paris-Lyon-Méditerranée Railroad showing the route from Lyon to Toulon.
Amphitrite, Goddess of the Sea, from the Goddesses of the Greeks and Romans series (N188) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: goddess

Trade cards from the "Goddesses of the Greeks and Romans" series (N188), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Scarab Inscribed for an Official
Object type: scarab, private
Date: 1760 – 1670
Materials: stone
Techniques: glazing
Location: egypt
Elk van deez' nuttige bedrijven / Dient om de menschen te gerijven
Object type: popular print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: street-trader, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van straatverkopers. Onder elke afbeelding een tweeregelig vers. Genummerd midden boven: No 31.
Chantilly. Musée Condé - Miniature de Fouquet - Saint Thomas d'Aquin enseignant dans un couvent
Object type: reproduction
Date: 1903 – 1932
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: abbey, monastery, convent ~ roman catholic church, permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Butter Dish
Object type: butter dish
Date: 1888 – 1888
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: richards and hartley flint glass co.
Artist role: maker
Artist nationality: american
Artist dates: 1867 – 1890
Tumbler
Object type: tumbler
Date: 1885 – 1885
Materials: glass, textile
Techniques: glassblowing
Culture: british
Location: england
De Bataafse oorlogen tegen de Romeinen
Object type: print
Date: 1611 – 1612
Materials: paper
Techniques: etching, letterpress printing
Location: italy
Subjects: battle, the soldier; the soldier's life, extinct, 'historical' peoples (with name)

Nederlandse soldaten plegen een verrassingsaanval op het Romeinse kamp aan de Moezel. Onderschrift in het Nederlands en in het Latijn.
Horse Figure
Object type: figurine
Date: 306 – 30
Materials: pottery
Location: egypt
Cylinder seal
Object type: cylinder seal
Date: 1900 – 1601
Materials: stone
Culture: babylonian
Location: mesopotamia
Subjects: men,lions
Graftombes op de begraafplaats van Athene
Object type: photomechanical print
Date: 1890 – 1893
Materials: cardboard, paper
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: churchyard, cemetery, grave, tomb and other grave-forms and grave-markers
Inscriptions: title: ‘G 22. Graf van een stier. Oude begraafplaats, Athene.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, check stamp: ‘Bristol/ L.M.’, number: ‘57’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze fotomechanische afdruk is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Wie me lief heeft, die volgt me! -
Object type: print
Date: 1802 – 1809
Materials: paper
Techniques: etching
Location: haarlem
Subjects: political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Prent als boekillustratie gebruikt in: Fokke Simonsz., Arend. Het hoekjen van den haard of Historie van Frankrijk. Deel IV-VII uit: Boertige Reis door Europa. 7 dln. Haarlem: François Bohn, 1802-1809.
Drie staande mannen
Object type: drawing
Date: 1811 – 1873
Materials: paper, pencil
Techniques: brush
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873

Drie staande mannen met daarbij het opschrift: A (schreeuwende) nee! of je ook een pruim tabak voor ons het? (De doove) Ruimte in me zak? ja genog, he' je wat voor me?
Spoon
Object type: spoon
Date: 700 – 101
Materials: stone
Culture: chavin
Location: peru
S. Ursula Virgo et Martyr
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Artist: Anonymous
Subjects: the virgin martyr ursula of cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van onbekende omvang met kopieën naar prenten door Pieter de Jode I naar ontwerp van Jan van Mechelen. De prenten door Pieter de Jode werden gebruikt voor de publicatie: Rosweyde, Heribertus. Het leven der HH. Maeghden. Antwerpen: Jan Cnobbaert, 1626.
Card Number 233, Miss Beldon, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-7), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the seventh subset, N145-7. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
[Cache of Cannon].  Brady album, p. 123
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: cannons,american civil war
Moulin près d'Abconde
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: windmill in landscape, trees: willow, abcoude
Inscriptions: collector's mark: Lugt 2228
Patchwork of Woven Textiles
Object type: patchwork piece
Date: 1201 – 1400
Materials: metal thread, silk
Techniques: brocade, weave
Culture: chinese
Portret van paus Leo XII
Object type: print
Date: 1823 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: rome, historical persons, pope
Pan liggend bij een grote vaas
Object type: print
Date: 1643 – 1647
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni benedetto castiglione
Artist role: draughtsman, print maker
Artist dates: 1610 – 1665
Subjects: panpipes, (story of) pan, garden vase
Inscriptions: collector's mark: Lugt 240

Pan liggend bij een grote vaas, in zijn rechterhand de syrinx (panfluit). Achter hem drie saters.
Het Leerplichtontwerp op de Wipplank
Object type: cartoon
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: petrus van geldorp
Artist role: draughtsman, print maker
Artist dates: 1872 – 1939
Subjects: the hague, abraham kuyper, amsterdam, arnhem, politician, historical persons, politician, e.g. party leader, scholastic education, tuition, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdamsche Courant, 9 maart 1900.
Medal of George Washington's Public Offices
Object type: medal
Date: 1790 – 1790
Materials: gilt bronze
Culture: american
Location: united states
Artist: james manley
Artist role: maker
Artist nationality: american
Artist dates: 1790 – 1800
Subjects: george washington,profiles
Fragment of an Altarpiece with the Betrayal of Christ and the Suicide of Judas
Object type: sculpture
Date: 1300 – 1325
Materials: limestone
Techniques: carved
Culture: french
Location: france
Subjects: religious scenes, christianity, christian subjects, religious figures, religious, religion, biblical, saints, jesus
Portret van een man met een strohoed
Object type: snapshot
Date: 1913 – 1914
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Subjects: adult man, historical persons, head-gear: hat, amsterdam
Inscriptions: address: ‘Kalverstraat 155’

Onderdeel van Fotoalbum met portretten vervaardigd door Nederlandse studio's waaronder automaatfoto's.
Scarf
Object type: scarf
Date: 1807 – 1810
Materials: silk
Culture: european
Portret van Henri de la Ferté-Senneterre
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: engraving
Location: france
Subjects: politician, commander-in-chief, general, marshal, historical persons, armorial bearing, heraldry

Met zevenregelig onderschrift in het Frans.
El cancionero popular, num. 21 (The Popular Songbook, No. 21)
Object type: print
Materials: paper
Techniques: relief print
Location: mexico
Artist: manuel manilla
Artist role: artist
Artist nationality: mexican
Artist dates: 1830 – 1895
Tien leeftijden van de mens
Object type: album leaf
Date: 1725 – 1730
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: 80-90 years
Inscriptions: watermark, number

Een oude man met baard zit aan tafel met eetgerei. Hij wordt geholpen door een vrouw. Rechtsachter een oude vrouw in een hemelbed. Met gedichten in Latijn en Duits. Deze prent maakt deel uit van een album.
Ottomaanse winkel
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching, intaglio
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: shop, store
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een koopman en een klant in oosterse kleding in een winkel. Beiden houden een doek vast. Onderaan is het nummer 82 in spiegelbeeld gedrukt.
Frieze from the tomb of Mereri
Object type: relief fragment, tomb of mereri
Date: 2100 – 2030
Materials: limestone
Location: egypt
Portret van Martin Luther
Object type: print
Date: 1565 – 1611
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: paulus van wtewael
Artist role: die cutter, draughtsman, print maker
Subjects: priest, martin luther
Inscriptions: collector's mark: Lugt 2228

Portret van de theoloog Martin Luther. Rechtsboven in een hartvormig cartouche een achtregelig opschrift met biografische gegevens in het Latijn. Linksboven twee regels in het Latijn. In het kader onder zijn portret een veertienrgelig gedicht, in twee kolommen, in het Nederlands.
Calavera de la hora oficial (Calavera of the Official Time)
Object type: print
Materials: paper
Techniques: relief print
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Jeanne Bloch, from Le Café-Concert
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri-gabriel ibels
Artist nationality: french
Artist dates: 1867 – 1936
Portret van Frederik de Grote
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: berlin, frederick ii (king of prussia), historical persons, king
Man and Woman Striding Toward the Left
Object type: drawing
Date: 1501 – 1533
Materials: ink, paper
Techniques: brush, heightening, wash
Culture: italian
Artist: giovanni francesco caroto
Artist role: artist
Artist dates: 1480 – 1555
Subjects: men,women

The Caroto brothers were prominent painters in Verona in the first half of the sixteenth century, though drawings attributed to them are quite rare. This example, which shows similarities to their work, was likely executed by a contemporary Veronese artist influenced by them. The carefully drawn sheet bears tiny pricked holes, especially visible in the drapery and feet of the male figure, used to transfer the design to another surface. It is likely a study for a painted work; the left part of the larger composition is hinted at in the drawing. The subject is unclear, though it would seem to be of a religious nature. The figures depicted here may represent supplicants. The voluminous drapery folds combined with the grisaille (gray tones) palette, create a strong sculptural effect.
Schoengesp van zwart leer geborduurd met gitten
Object type: shoe buckle
Date: 1915 – 1920
Materials: jet, leather
Location: france
Artist: Anonymous

Schoengesp van zwart leer geborduurd met gitten. Rechthoekig gesloten model van zwart leer op een verstevigde ondergrond. Het borduursel bestaat uit een ovaal blad, geflankeerd door twee ronde bloemen op een stengel.
Joseph and Potiphar's Wife, from "The Story of Joseph"
Object type: print
Date: 1532 – 1532
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: swords,men,women
Chêne dans les rochers à Fontainebleau
Object type: photograph
Date: 1849 – 1852
Techniques: paper negative, salted paper print
Artist: gustave le gray
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1884
Subjects: forests,landscapes

A locus of artistic activity in the second quarter of the nineteenth century, the Forest of Fontainebleau--and in particular the small town of Barbizon that lay within it--was home and muse to dozens of plein-air painters, including Corot, Daubigny, Diaz, Millet, and Rousseau. Comprising forty thousand acres, the forest was crisscrossed by footpaths and horse tracks and dotted with ancient oaks and anthropomorphic boulders christened with heroic and fanciful monikers. In 1849 a new railroad line brought the forest within easy reach of bourgeois Parisians seeking a natural setting for picnics, promenades, and artistic inspiration. Among those who arrived that year was Gustave Le Gray. Painters gravitated to Barbizon in retreat from urban, industrial life and in search of the spiritual and moral purity thought to be embodied in the natural countryside and in the manual labor of rural peasants. Trained as a painter, Le Gray followed in the footsteps of the Barbizon artists (and perhaps even in their company), surveying the slightly domesticated landscape and photographing sylvan scenes in the Bas-Bréau and along the Route des Artistes, depicted here. One senses, however, that it was the medium itself, more than the purported subjects, that Le Gray was exploring. The vegetation of the forest floor, the lichen-covered rocks, and the gnarled oak that rises from their midst emerge only gradually from the overall pattern of light and dark, softly rendered by the waxed paper negative invented by Le Gray. Although within a few years Le Gray would use photography for more practical applications--portraiture, art reproduction, and architectural documentation--these early pictures, by their very lack of useful purpose, assert Le Gray's ability to exploit the medium for artistic ends.
Groepsportret van Willem Carel van der Kop en onbekende mensen met een kat in een achtertuin
Object type: cabinet photograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: schoonhoven
Artist: g. jan niekerk
Artist role: fotograaf
Subjects: cat, backyard, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: name: ‘G. Jan Niekerk Albrecht Beijlinggracht Schoonhoven’