deem-data/ArtiFact huggingface dataset:
Joaillerie: Album of Jewelry Designs, Page 5
Object type: album print ornament architecture
Materials: ink
Artist: anonymous, french
Artist role: artist
Artist nationality: french
Artist dates: 1400 – 2050
Subjects: jewelry

Fifth page of a small album containing drawings with jewelry designs copied after the prints by L. van der Cruycen, "Nouveau Livre de Desseins..." (New Book of Designs...), published in Paris in 1770. The designs in this page are one aigrette, two small brooches and one drop earring, all of them characteristic of the style in vogue during the reign of Louis XVI in France, displaying a serendipitous flavor, with asymmetrical forms, "rocaille" and stylized natural motifs, and heavily decorated with flowers, ribbons and tassels, thus representing the taste of the Rococo style, which was fashionable in France and Europe during the eighteenth century. The elaborately carved forms presented in the designs were particularly sought after during the third quarter of the eighteenth century, and were to be accomplished by skilled artisans who would work out the decorations by hand. The design for an aigrette contains a hat motif decorated with small flowers, two large feathers, and a palmette decorated with a thin horizontal garland of small leaves with a small rosette. , and the other three contain bowknots of different styles. The drop earring consists of two rosettes made up of round motifs and a teardrop joined together by a bundle of small flowers and leaves. The designs for brooches both contain naturalistic motifs: one of them has a cornucopia from which a bundle of leaves, flowers and fruits emerges, and the other is a small U-shaped garland of leaves and flowers. The designs in this drawing are copies after plates number 4 and 5 of the album of engravings by Van der Cruycen. Plate no. 4 has the design for a medallion and plate no. 5 has the design for a bouquet brooch.
Plate with the Hasselaer–Kick alliance arms
Object type: plate dish
Date: 1726 – 1726
Materials: porcelain
Techniques: painted
Location: meissen
Subjects: amsterdam, politician
Inscriptions: factory mark

This plate was probably made for the marriage of Nicolaas, Cornelis Hasselaer and Anna Divera Kick Pancras in, Amsterdam, in 1726., Porcelain plates with family coats of arms were fairly, common in the Netherlands and had initially been ordered, from Asia. However, in the early 18th century European, porcelain was the new rage, and the armorial plate was, ordered in Meissen rather than China.
Hercules en Cacus
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: woodcut, letterpress printing
Location: haarlem
Subjects: cacus, the fire-breathing monster is killed in his cave by hercules
Inscriptions: collector's mark: Lugt 2228

Hercules heft een grote knots op om Cacus, op de grond liggend in zijn grot, te slaan.
Allegorie op de sculptuur
Object type: print
Date: 1753 – 1790
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni david
Artist role: print maker
Artist dates: 1743 – 1790
Subjects: 'sculptura', symbolic representations, allegories and emblems ~ sculpture; 'scoltura' (ripa), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘... par le centrale’

Allegorie op de sculptuur. Een vrouwelijke figuur met een hamer naast een gebeeldhouwde buste.
Twee vrouwenhoofden
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human) - aa - female human figure

Blad 17 recto uit schetsboek LXVI-B met 25 bladen.
Drie gezichten van het Costerfeest, 1856
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: the hague
Artist: carel christiaan antony last
Artist role: print maker
Artist dates: 1808 – 1876
Subjects: haarlem, float ~ triumph, rejoicing on special occasions (+ festive decoration ~ festive activities), printing press

Drie gezichten van het versierde treinstation van Haarlem en van 'Costers Woning' en een praalwagen met een drukpers. Onderdeel van een serie van zes platen van feestelijkheden rondom de onthulling van het standbeeld van Laurens Coster op de Grote Markt te Haarlem, 15-17 juli 1856.
Leaf from Opera by Virgilius (after the Strasbourg Virgil, 1502), plate 90 from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Techniques: woodcut
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1500 – 1599
Deksel van een sluitgewicht uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: lid
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Weight, cupweight, lid; id. NG 1980-27H33, with lock fitting (cf. NG 1980-27H737), 2 marks id. NG 1980-27H2892 legible [8, fleur-de-lys].
Brasserie Wielemans
Object type: page
Date: 1890 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: façade (of house or building), restaurant
James B. Ayer
Object type: photomechanical print
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Caminho de ferro de Lourenço Marques
Object type: page
Date: 1886 – 1895
Materials: photographic support
Techniques: albumen print
Location: lisbon
Subjects: bridges by construction, railway, train
Inscriptions: number: ‘25’
A Collection of Japanese Paintings (Yamato e-zukushi)
Object type: book
Date: 1680 – 1680
Materials: paper
Techniques: sumizuri, woodblock print
Location: japan
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694

In this volume are twenty illustrations of classic Japanese subjects drawn from literature. The illustration on display is a scene from the Tales of Ise, in which the poet Ariwara no Narihira carries away the priestess of Ise Shrine on his back.
Profile Bust of James Sullivan
Object type: miniature
Date: 1800 – 1809
Materials: glass, wax, wood
Artist: john christian rauschner
Artist role: maker
Artist nationality: german
Artist dates: 1760 – 1812
Subjects: men,profiles
Twee schenkkannen
Object type: ornament print
Materials: paper
Techniques: etching
Location: france

De schenkkan links staat op een voet gevormd door twee putti. Blad 4 uit serie van 6 bladen, derde editie.
Zoeloe leider met zijn vrouw en zijn zwager
Object type: photograph
Date: 1877 – 1882
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, africans, adult man, historical persons
Pair of candlesticks
Object type: candlestick
Date: 1706 – 1707
Materials: silver
Artist: louis dupérier
Artist role: maker
Artist dates: 1642 – 1742

In the era before gas lighting and electricity, candles played a principal role in illuminating the domestic interior. The number of candles lit was an indication of the wealth and status of the owner: beeswax candles burned clean, had a pleasant smell, but were quite expensive compared to those made of tallow. In late seventeenth-century France, a change in dining habits had a significant effect on the production of silver candlesticks. Entertainment was increasingly orientated towards the evening and as a result, elegant lighting became an important part of the interior decoration. Candlesticks of this type were made in great numbers from the late 17th to the middle of the 18th centuries. Generally, provided with a square base canted at the corners and an angled baluster stem, the decoration, if any, often derived from the repertoire of Jean Bérain. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, including a fair number of candlesticks such as these Parisian examples made by Louis Dupérier in 1706-07.
Courtesan carrying a decorated tray
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Elisabeth of Bourbon, Queen of Spain, plate 13 from Duces Burgundiae (Dukes of Burgundy)
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving, etching
Location: belgium
Artist: jacob louys
Artist role: artist
Artist nationality: dutch
Artist dates: 1595 – 1673

Active in Flanders and the Netherlands, Pieter Soutman was an accomplished painter, draftsman, and printmaker who also acted as a print publisher. The works in this portrait series of the dukes of Burgundy and their wives are distinguished by their elaborate borders, which Soutman designed and engraved himself. The portraits in the center of the compositions are adapted from compositions originated by the favored artists of the Burgundian courts—Jan van Eyck, Rogier van der Weyden, Titian, and, in these two examples (1995.221.1, 1995.221.2), Peter Paul Rubens. Like the genealogical tree represented nearby (2015.13), this series reflects the 17th-century obsession with dynastic succession.
Portret van een man
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Subjects: anonymous historical person portrayed alone
Inscriptions: inscription: ‘Gandenzia Veralda’, inscription: ‘Georf Penz pinxit’
This is the House that Jack Built
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,politics

Inscribed below each of the six designs: 1. "These are the Boxes let to the Great, that visit the House that Jack built," 2. "These are the Pigeon-holes over the Boxes let to the Great, that visit the House that Jack built—," 3. "This is the Cat engaged to squall, to the Poor in the Pigeon holes over the Boxes, let [...]" 4. "This is John Bull, with a bugle horn, that hiss'd the Cat, engaged to squall [...]" 5. "This is the Thief taker shaven and shorn, that took up John Bull with his bugle horn, [...]" 6. "This is the Manager full of scorn, who Raised the Price to People forlorn, and directed the Thief-taker shaven and shorn, to take up John Bull [...]"
Presentiepenning van het Sint Josephs- of Timmermansgilde te Amsterdam
Object type: history medal
Materials: brass
Techniques: casting
Inscriptions: inscription: ‘Gerrit Iansen / 1790’, circumscription: ‘.DE.VLUGHT.VAN.EGIPTEN.’

Gegoten messing penning met op de voorzijde Jozef met stok en Maria met Jezus op ezel naar links, met omschrift, op de keerzijde een gekroond wapenschild Amsterdam met dragers boven een inscriptieruimte, op naam van Gerrit Jansen 1790
Two spoons
Object type: spoon
Date: 1762 – 1763
Materials: silver
Artist: w. t., london
Artist role: maker
Piece
Object type: piece
Date: 1765 – 1770
Materials: silk
Subjects: human figures,birds,trees
Set of three ornaments
Object type: ornament
Date: 1785 – 1790
Materials: gilt bronze
Subjects: birds
Man met maliënkolder
Object type: print
Date: 1884 – 1885
Materials: paper
Techniques: etching, intaglio
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: historical persons, knight
Inscriptions: collector's mark: Lugt 2233
Drie vrouwen en een draak
Object type: print
Date: 1703 – 1767
Materials: paper
Techniques: etching
Subjects: dragon
Inscriptions: collector's mark: Lugt 240

In een bos kijken twee vrouwen verschrikt naar een derde vrouw die naast een draak zit.
Fragment of a terracotta architectural tile
Object type: tile fragment
Date: 600 – 501
Materials: terracotta
Culture: lydian
Subjects: lotuses
Titelpagina voor: Thomas Salmon, Hedendaagsche historie of Tegenwoordige staat van Switzerland en Italie,1760
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: freedom, liberty; 'libertà' (ripa), allegory, personification of good government, symbols of particular nations, states, districts, etc., mountains
Inscriptions: collector's mark: Lugt 2228

Bergachtig landschap met de personificaties van Vrijheid en Goed Bestuur. Op een ruïne achter hen de titel in het Nederlands. Links de gevleugelde leeuw van de H. Marcus, het symbool van Venetië. Op de voorgrond twee putti met de rijkdommen van het gebied.
Toreador cape
Object type: toreador cape
Date: 1876 – 1900
Materials: cotton, glass, silk
Artist: alejandro velasco
Artist role: department store
Artist nationality: spanish

This object was collected by Stewart Culin (1858-1929) during a collection expedition in 1922. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
Design for a Wall Fountain
Object type: drawing
Date: 1550 – 1620
Materials: graphite, ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, lombard, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: human figures,architecture,fountains,palmettes
Landschap studiën tweede levering
Object type: print
Date: 1844 – 1845
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: gate, entrance, groups of trees
Inscriptions: collector's mark: Lugt 2228

In 1829 en 1830 gaf Koekkoek, samen met Daiwaille, zes cahiers uit met ieder zes prenten getiteld Landschapstudiën. Deze werden gebruikt in het tekenonderwijs. Vijftien jaar later werd deze reeks, in een andere samenstelling nogmaals uitgegeven door Meyer en Comp in Amsterdam. Zie: De Bruyn Kops, 1963.
Taferelen in een tuin en in een weiland met leden van de familie Graswinckel, midden boven twee mensen in een auto in Bad Ems
Object type: photograph
Date: 1913 – 1915
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: meadow, pasture, automobile, farm (building)

Deze foto's zijn onderdeel van een album.
Euterpe in rolwerk omlijsting
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: euterpe (one of the muses); 'euterpe' (ripa)
Inscriptions: collector's mark: Lugt 2228, number: ‘62’

Prent maakt deel uit van een serie bestaande uit negen prenten met de muzen.
Terracotta fragment of an oinochoe: chous (jug)?
Object type: chou fragment
Date: 450 – 401
Materials: terracotta
Culture: greek, attic

Lower drapery and foot of a figure to left
Transfiguration
Object type: drawing and watercolor
Date: 1530 – 1530
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: after raffaello sanzio, called raphael
The "Hatsuni" (The First Stock of New Year's Goods)
Object type: photomechanical print
Materials: paper
Techniques: photograph, lithograph, hand coloring
Location: tokyo
Subjects: street, two-wheeled vehicle drawn by one animal, japan
Inscriptions: inscription: ‘It is (...) with music.’
Pocket knife
Object type: pocket knife
Date: 1766 – 1767
Materials: gold, steel
Artist: jean gavet
Artist role: maker
Artist dates: 1727 – 1811
Portret van Jean Le Rond d'Alembert
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: mezzotint
Location: augsburg
Artist: johann elias haid
Artist role: print maker
Artist dates: 1739 – 1809
Subjects: paris, physicist, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Kandelaar van zilver met balusterstam in vijf geledingen op driehoekig voetstuk op voluutpoten. Versierd met medaillons met Christus, Petrus en Ignatius
Object type: kerkkandelaar
Date: 1701 – 1701
Materials: silver
Techniques: gilding
Location: antwerp
Artist: jos hannekin
Artist role: silversmith
Inscriptions: mark

Six altar candlesticks. Silver. Antwerp, 1701, by Jos Hannekin.
A Wet Day on the Boulevard, Paris
Object type: photograph
Date: 1894 – 1894
Techniques: carbon print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Subjects: paris, cityscapes
Portret van Anibale Caracci
Object type: print
Date: 1768 – 1775
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: philipp kilian
Artist role: print maker
Artist dates: 1628 – 1693
Subjects: draughtsman, annibale carracci, historical persons, portrait, self-portrait of painter

Prent uit: Sandrart, Joachim von. Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben. 14 dln. Neurenberg: erven Johann Andreas Endter, [1774], dl. 7, p. S.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 1, p. 103.
"Faut-y faire une lettre pour l’attendrir?.../ Attendrir un huissier!..vous n’êtes donc pas français, mon brave homme?...." , plate 5 from Les Gens de Justice
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women,writing
Collage van uitgeknipte prenten
Object type: endleaf
Date: 1870 – 1870
Materials: paper
Techniques: engraving
Location: paris
Artist: Anonymous

Collage van uitgeknipte prenten geplakt op het achterste schutblad. Onderdeel van een album met 32 bladen, aan beide zijden beplakt met uitgeknipte prenten, vermoedelijk afkomstig uit 19e-eeuwse tijdschiften.
Gentleman Holding a Crop
Object type: print
Date: 1629 – 1629
Techniques: etching
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: men
J.B. Greuze par lui-mème
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: etching
Subjects: paris, painter, jean-baptiste greuze, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent uit: Gazette des beaux-arts (1862), dl. 2, p. 402.
Box
Object type: metalwork
Date: 1768 – 1775
Materials: enamel, gold
Location: paris
Ornamentiek en gekroonde leeuw (Nobel)
Object type: book illustration
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Brief aan Jan Veth
Object type: letter
Date: 1901 – 1901
Materials: ink
Techniques: pen, writing
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: dordrecht, jan veth, rural housing, e.g. country-house, villa, cottage, building-site, the hague
Inscriptions: collector's mark: ‘RPK’
Artisan from Algiers
Object type: drawing
Date: 1833 – 1840
Materials: graphite, ink, watercolor
Techniques: pen
Artist: olivier bro de comères
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1870
Case (Inrō) with Design of Doves and Pine Branch
Object type: inrō
Date: 1701 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie, maki-e
Culture: japanese
Artist: hakugyoku hogen
Artist role: artist
Subjects: doves
Embroidery sample for a man’s suit
Object type: sample
Date: 1800 – 1815
Materials: silk, thread, velvet
Subjects: flowers
India, Engelse Oostindische Compagnie (EIC), op naam van koning William IV, 1/4 roepie, 1835
Object type: coin
Date: 1835 – 1840
Materials: silver
Techniques: striking
Location: kolkata

Zilveren munt. Voorzijde: hoofd van koning William IV naar rechts. Op halsafsnede inwendige letters RS [= Calcutta]. Keerzijde: tussen twee samengebonden takken in twee regels waarde-aanduiding: 1/4 rupee, waaronder in Arabische lettertekens in een regel waarde-aanduiding. Onderaan jaartal. Kartelrand.
Ruychaver bij het lijk van een spaansgezinde raadsman te Alkmaar, 1573
Object type: history print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: theodoor koning
Artist role: print maker
Artist dates: 1748 – 1829
Subjects: amsterdam

Illustratie voor: J. Nomsz, Willem de eerste, of de grondlegging der Nederlandsche vryheid. : In vier en twintig zangen, Erven van David Klippink, Amsterdam 1779. Staat vóór de letter. Met de handgeschreven titel in pen in bruin op een apart papiertje.
Portret van Dante Alighieri
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: italy
Subjects: dante alighieri, historical persons
Inscriptions: collector's mark: Lugt 2228
Rots in een bergpas, met neolytische voorstellingen (onzichtbaar op photo)
Object type: album leaf
Date: 1927 – 1927
Materials: paper, photographic support
Techniques: gelatin silver print
Location: algeria
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: rocks
Inscriptions: number: ‘22.’
Fogerty, Right Field, Philadelphia, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco
Object type: baseball card
Date: 1887 – 1887
Techniques: color lithograph, drawing
Artist: d. buchner & co., new york
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1900
Subjects: men,baseball,athletes

(Jim) Fogerty [sic] (Fogarty) Right Field, Philadelphia, trade card from the "Gold Coin" series (N284), issued by D. Buchner in 1887 to promote Gold Coin Chewing Tobacco. In the American Card Catalog, Burdick refers to the series as "Leading Baseball Players, Police Inspectors and Captains, Jockeys, and Actors." The images in this series do not always represent the specific athletes named.
Portret van een man en een vrouw, staande bij een hek van boomstammen
Object type: album leaf
Date: 1860 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, walking-stick, staff, adult man, historical persons, head-gear: top hat
Oneko, from The World's Racers series (N32) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,horses,jockeys

Trade cards from the "The World's Racers" series (N32), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Portret van Napoleon I Bonaparte
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: napoleon i (emperor of the french), historical persons, emperor

Prent mogelijk uit: Sporschil, Johann. Die große Chronik: Geschichte des Krieges des verbündeten Europa's gegen Napoleon Bonaparte (...) Braunschweig: George Westermann, 1841, dl. 2. Of uit: Berge, Adalbert vom. Napoleons Leben. Berlin: C.F. Kecht, 1841, dl. 1.