deem-data/ArtiFact huggingface dataset:
Driekoningenbriefjes
Object type: popular print
Date: 1827 – 1894
Materials: paper
Techniques: letterpress printing
Location: schaarbeek
Subjects: twelfth night, usually falling on the eve of january 6, royal household; courtiers, retinue, train, epiphany
Inscriptions: collector's mark: Lugt 2760

Blad met 32 voorstellingen (driekoningenbriefjes) van verschillende functies binnen het hof, waaronder een raadsman, een proever en een portier. Rechts naast elke afbeelding een vierregelig vers in het Nederlands en in het Frans. Genummerd midden boven: 43.
Gezicht op Cancale en de haven vanaf zee
Object type: photograph
Date: 1896 – 1896
Materials: paper, photographic support
Techniques: gelatin silver print
Location: cancale
Artist: delizy
Artist role: manufacturer
Subjects: prospect of village, silhouette of village, harbour (+ view ~ vehicle, ship, etc.)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Officer's Helmet with Crest
Object type: helmet with crest
Date: 1501 – 1900
Materials: fur, hair, iron, jade, leather, textile
Techniques: gilding
Culture: korean
Location: korea
Subjects: dragons
Twee figuren bij een tempel, mogelijk de Luxortempel
Object type: sketchbook leaf
Date: 1919 – 1919
Materials: chalk, paper
Location: luxor
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-view, and landscape with man-made constructions, temple, shrine ~ egyptian religion, africans

Pagina 36 uit een schetsboek met 28 bladen.
The Flood
Object type: painting
Date: 1450 – 1499
Materials: oil, panel
Location: northern italy
Artist: Anonymous
Subjects: the ark is floating on the waters, while life on earth is destroyed ~ story of noah

De Zondvloed. In een landschap geteisterd door watersnood probeert een grote menigte van mensen zich vast te klampen aan de ark van Noach of zich te redden met boten en vlotten. Op het dak van de ark zitten vogels. In de verte ligt een stad aan de voet van een fantastisch gebergte. Bovenaan in de lucht vier windkoppen. De voorstelling gaat terug op verschillende 15e-eeuwse Italiaanse prenten.
View of Saint Angel's Castle from Port Side
Object type: print
Date: 1760 – 1800
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Artist, from World's Dudes series (N31) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,profiles,artists

Trade cards from the "World's Dudes" series (N31), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Gezicht in Haarlem
Object type: sketchbook leaf
Date: 1860 – 1866
Materials: paper, pencil
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: urban housing, city-view, and landscape with man-made constructions, haarlem
Inscriptions: annotation: ‘Haarlem’

Gezicht op huizen en een hek in Haarlem. Blad 22 recto uit een schetsboek met 44 bladen.
Kuipers- en wijnverlatersgilde van Amsterdam, gildepenning op naam van Johannes Meyer, meester kuiper sinds 1748, overman sinds 1774.
Object type: medal
Date: 1774 – 1774
Materials: silver
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: johannes meyer, amsterdam
Inscriptions: inscription: ‘Johannes / MEYER Mr Kuijper / Den VII Februa ij / ANNO / MDCCXLVIII’, edge inscription: ‘DECVS . ET . TVTAMEN . ANNO . I . REGNI . VICESIMO . SECVNDO . I .’, circumscription: ‘* OVERMAN Geworden Den 17 Juny Ao 1774’

Zilveren penning. Voorzijde: opschrift binnen sierrand van bloemen en bladeren. Keerzijde: passer en dissel binnen bladerkrans en omschrift. De penning is gegraveerd over een compleet vlakgevijlde Engelse crown (uit 1748 van George II of uit 1670 van Charles II), waarvan alleen het randschrift nog resteert.
Brick mold
Object type: brick mold
Date: 1550 – 1295
Materials: wood
Location: egypt
Geboorte van Adonis
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: aquatint, etching
Location: vienna
Subjects: birth of adonis: the tree splits open to release the baby; the naiads take care of him
Inscriptions: collector's mark: Lugt 2228
Pin key
Object type: key
Date: 1667 – 1800
Materials: iron
Sampler
Object type: sampler
Date: 1787 – 1787
Materials: canvas, silk
Subjects: animals,adam,eve
Terracotta fragment from an undetermined shape
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Two black glaze lines and one red line; below, a band of tongues
Ensemble
Object type: ensemble
Date: 1840 – 1849
Materials: wool
Culture: american
Subjects: flowers
At Least be Discreet
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: engraving, etching
Location: france
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807

This portrait and its companion print Depend on My Promises (1926.918) are likely based on sketches of Augustin de Saint-Aubin and his wife in their youth. The prints depict two fashionable young lovers murmuring sweet nothings to each other as daybreak brings their tryst to an end. The figures lean toward each other in their respective oval frames as if to break the barrier separating them before parting. The prints are deliciously ambiguous, for the young man may or may not intend to keep the affair secret. Indeed, the tiny cupids in cameos beneath each frame suggest a less positive interpretation: hers laments that love is blind; while his has plucked a rose, rejoicing in his triumph over virtue.
Portrait du comte de Pourtalès-Gorgier
Object type: photograph
Date: 1853 – 1858
Materials: paper
Techniques: albumen print, engraving
Location: paris
Subjects: earl, historical persons, art collector
Inscriptions: initials: ‘GC’
Portrait of a "Mamelouk"
Object type: painting
Date: 1810 – 1810
Materials: canvas, oil
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Subjects: men,portraits,hills,orientalist
Mirror Case
Object type: costume and accessory
Materials: textile
Techniques: embroidery
Location: china
Vier portretten van onbekende mannen die vermoedelijk hulpeloosheid tonen
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Subjects: passions, emotions, affections
Inscriptions: number: ‘Tav. VI 1 2 3 4 (Pag. 161)’
Achtdelige serie met shunga-prenten (iro yôkan; zenbu hitosao)
Object type: print
Date: 1850 – 1860
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Subjects: table-ware
Julius Hardouin Mansart
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris
Inscriptions: collector's mark: Lugt 2228

De Franse architect Jules Hardouin-Mansart (1646-1708), afgebeeld zittend in stoel, met op de achtergrond een draperie en een pilaar. Onderaan een wapen en drie regels tekst in Latijn.
Fragment of a Tunic
Object type: tunic fragment
Date: 401 – 600
Materials: linen, wool
Location: egypt
Valk en uilen
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: etching
Subjects: predatory birds: falcon
Oprichting van een standbeeld te 's-Gravenhage voor Willem II, koning der Nederlanden
Object type: history medal
Date: 1854 – 1854
Materials: silver
Techniques: striking
Location: utrecht
Subjects: the hague, william ii of the netherlands

Zilveren penning. Voorzijde: standbeeld op sokkel, geflankeerd door twee beelden binnen omschrift. Keerzijde: opschrift binnen tot krans samengebonden eike- en lauwertak binnen omschrift
Vrouw met kind bij twee mannen
Object type: drawing
Date: 1758 – 1808
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: christina chalon
Artist role: draughtsman, print maker
Artist dates: 1748 – 1808
Le chaos en allant à Gavarnie, St-Sauveur
Object type: photograph
Date: 1853 – 1853
Techniques: paper negative, salted paper print
Artist: joseph vigier
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1862
Subjects: mountains,landscapes

In the summer of 1853, Viscount Vigier spent two months photographing in the Pyrenees. He had learned the waxed paper process from Gustave Le Gray but preferred Talbot's original technique for its strong contrasts of light and dark. When Vigier exhibited his views in London and Paris in l854, they were highly acclaimed. These first photographs of the Pyrenees appealed to the English taste for the sublime and to the French romantic temperament.
Tool
Object type: tool
Materials: stone
Location: egypt
Gezicht op de Gotthardpas bij Amsteg
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: amsteg
Subjects: dale, valley, mountains
Pair of Thigh Defenses (Cuisses) with Knee Defenses (Poleyns)
Object type: pair of thigh defense cuisse with knee defense poleyns
Date: 1501 – 1600
Materials: steel
Culture: german
Location: germany
Gold earring with two bulls' heads and glass bead
Object type: earring with head of bull
Date: 300 – 101
Materials: gold
Culture: greek
Subjects: bulls

One of the glass beads is lost.
Stilleven van kaas en fruit met een ornamentrand
Object type: print
Date: 1668 – 1680
Materials: paper
Techniques: engraving
Location: germany
Subjects: plants; vegetation, (non-fruit) products of plants or trees, still life of related objects, ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228

Achteraan een gezelschap van drie figuren, vooraan draperieën om zuilen en een man bij het stilleven. De voorstelling is omvat door brede ornamentrand bestaande uit bloemen, groente en fruit.
Soror Domin Il
Object type: print, fete, ornament architecture
Date: 1501 – 1600
Techniques: etching
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: soldiers,weapons,men
Gezicht op de façade van een gebouw
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: front façade
Card Number 310, Gertrude Wheeler, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Groep vóór een schip
Object type: photograph
Date: 1907 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: karl josef john
Artist role: fotograaf
Subjects: historical persons, building-site, steamship, motorship
Inscriptions: workshop stamp: ‘K.J. John / Atelier voor Photographie / Medan Kesawan’

Groepsfoto van een vrouw en drie mannen aan de waterkant vóór een schip. Mogelijk de directeur Laurens de Groot met zijn dochter Petronella, tijdens bezoek in juli 1920. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Fragment
Object type: textile
Date: 1601 – 1625
Materials: silk, velvet
Techniques: cutting, weave
Location: italy
Bottle
Object type: bottle
Date: 801 – 1000
Materials: glass
Techniques: glassblowing
Location: iran

This glass bottle was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Armorial panel
Object type: armorial panel
Date: 1567 – 1600
Materials: glass
Subjects: flowers,coat of arms
Portret van twee vrouwen, een man en een meisje op een bospad
Object type: photograph
Date: 1910 – 1915
Materials: paper
Techniques: collodion silver print
Artist: liesbeth overhoff
Artist role: fotograaf
Artist dates: 1895 – 1969
Subjects: forest path or lane, anonymous historical persons portrayed in a group, in a group-portrait
Aachen, Rathhaus
Object type: reproduction
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: collodion silver print
Inscriptions: annotation: ‘Aken/ Rathhaus’, annotation: ‘Aken/ Rathhaus’
Portrait of William I. Prince of Orange, called William the Silent
Object type: painting
Date: 1582 – 1592
Materials: oil, panel
Artist: dirck barendsz.
Artist role: draughtsman
Artist dates: 1534 – 1592
Subjects: delft, william i (prince of orange), historical persons, ruler, sovereign

Portret van Willem I, graaf van Nassau, prins van Oranje.
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman
Subjects: feet
Portret van Inigo Jones
Object type: print
Date: 1627 – 1636
Materials: paper
Techniques: engraving
Location: london
Subjects: london, physicist, paper (writing material)
Inscriptions: collector's mark: Lugt 240

Portet van de Engelse architect Inigo Jones. In zijn hand een vel papier.
Gevangenis en huisgezin
Object type: cartoon
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., political caricatures and satires

De Nederlandse Maagd vraagt aan minister van Justitie Jan Loeff wat milder in de strafwet te zijn. Beiden staan voor de poort van de vrouwengevangenis Het Spinhuis te Amsterdam. Boven de poort de twee dichtregels van P.C. Hooft (niet Vondel) over mildheid in straffen. Naar aanleiding van het overlijden van een ernstig zieke vrouw in de gevangenis van Middelburg op 2-3 september, ondanks herhaalde verzoeken aan de minister om vrijstelling.
Newel post
Object type: newel post
Date: 1701 – 1800
Materials: marble, wood
Techniques: carving, painting
Subjects: leaves
Epitaph for the Monk Yifu (638-736) known as the Chan Patriarch Dazhi
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: chinese
[Three Young Couples Dressed in Finery]
Object type: daguerreotype
Date: 1850 – 1859
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: couples,men
Myn knaepjes! deze prent verbeeldt den krijgeren stand, / En toont, 't beleid en moed der dappere soldaten. / Groeit ook zoo walig op voor vorst en vaderland, / Dan zal uw mannen hart geen spoor van lafheid laten
Object type: popular print
Date: 1833 – 1900
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 6 rijen met voorstellingen van militairen, bijvoorbeeld militairen te paard en voetsoldaten. Genummerd midden boven: n. 94.
Pendant in the form of a vase
Object type: pendant in the form of a vase
Date: 7000 – 330
Materials: gold
A Boy
Object type: bust
Date: 1467 – 1533
Materials: marble
Artist: gian cristoforo romano
Artist role: artist
Artist nationality: italian
Artist dates: 1465 – 1512
Subjects: boys,cross

It has recently been suggested that this bust may be an early work of Gian Cristoforo Romano, who trained in Rome but was later employed by the ruling families of Mantua and in Milan. If this is correct, the youth would belong to a prominent Roman family. Two other portrait busts of boys (Staatliche Museum, Berlin and Galleria Giorgio Franchetti alla C' d'Oro, Venice) have been associated with this work. In each, the child wears a chain around his nck; ours with a double-barred cross.
Portaal van een Chinese tempel op Ambon
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: ambon
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, dutch east indies, the

Onderdeel van Reisalbum met foto's van Ambon.
Panel
Object type: panel
Date: 1770 – 1770
Materials: wood
Techniques: carving, gilding, painting, silvered
Subjects: birds,firearms

This panel, carved with a stag head, a horn, hunting rifle and sword, as well as other references to the hunt, an autumn pastime, may have been part of a decorative scheme symbolizing the four seasons. The vine-leaves and grapes, allude to fall as well, and together with the thyrsus (staff with pine cone on top), are associated with Dionysus or Bacchus, the god of wine. This panel was once part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885 the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, Hoentschel sold the collection to J. Pierpont Morgan who gave the panels with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art in 1907.
Vessel stand naming the scribe Iui
Object type: vessel stand, scribe iui
Date: 1550 – 1295
Materials: faience
Location: egypt
Subjects: hieroglyphs
Interior of the Lateran, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: nicolas beatrizet
Artist role: artist
Artist nationality: french
Artist dates: 1515 – 1566
Subjects: architecture,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 39 in the scrapbook.
Hoofdband van donkerblauwe veren
Object type: head band
Date: 1950 – 1985
Materials: feather
Location: yugoslavia
Artist: Anonymous

Hoofdband van donkerblauwe veren, met winkelprijs bevestigd aan de binnenzijde.
Twee echtparen
Object type: album leaf
Date: 1900 – 1950
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, adult man, historical persons

Deze pagina maakt deel uit van een album.
Zoom der stad
Object type: print
Date: 1876 – 1916
Materials: paper
Techniques: woodcut
Artist: jacobus gerardus veldheer
Artist role: draughtsman, print maker
Artist dates: 1866 – 1954
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2233
Loops for earrings
Object type: costume and accessory
Materials: gold
Location: north korea
Cœnotaphiorum (19)
Object type: collection ornament architecture
Date: 1563 – 1563
Techniques: etching
Artist: hans vredeman de vries
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1527 – 1606
Subjects: tombs,men,bishops

Architectural funerary monument consisting of a tomb for a bishop, placed underneath a baldachin supported by Doric columns. The tomb is characterized by sphinxes and has the effigy of a sleeping bishop on top. On the left side of the tomb, a doorway is visible and on the right a small niche with a statue of a bishop is placed. Below the image is a Latin inscription made up out of four lines, divided over two columns.
Plate 3: Psyche's two sisters are married to kings, from "The Fable of Psyche"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: kings,men,psyche
Portret van een onbekende schrijvende man
Object type: print
Date: 1801 – 1834
Materials: paper
Techniques: engraving
Artist: friedrich fleischmann
Artist role: print maker
Artist dates: 1791 – 1834
Subjects: historical persons, author, poet writing
Inscriptions: collector's mark: Lugt 2228

In potlood is onder het portret 'Ley[...]almair in [...]by' geschreven. Het betreft hier mogelijk Georg H. Bestelmeier (GND: 121599566, HAB: A 1500).
Abraham's Sacrifice
Object type: print
Date: 1655 – 1655
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: angels,abraham