deem-data/ArtiFact huggingface dataset:
Fragment of a votive tile with cartouche of Seti II
Object type: votive tile
Date: 1200 – 1194
Materials: faience
Location: egypt
Subjects: cartouches

During the winter of 1904-1905, archaeologist William Matthew Flinders Petrie undertook a survey of archaeological sites in the Sinai, including the Temple to Hathor as Mistress of the Turquoise Mines at Serabit el-Khadim. Covering the floor of the sanctuary and its portico, and extending several feet north, was a 2-3 inch thick layer of debris consisting of fragments of vessels, wands, sistra (sacred rattles), menats (sacred necklaces), animal figures, bracelets, and tiles. Made of faience, these objects were originally votive offerings to the goddess, placed in the temple by royal officials hoping to guarantee the success of their mining expeditions. Among the objects received by the Museum in return for its partial sponsorship of Petrie's expedition was a group of 36 bracelet and tile fragments, all bearing royal names or epithets. The cartouches here (see 09.182.19*) belong to Ramesside kings, primarily Ramesses II or III and Seti I.
Oase "Mozes bron".
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Inscriptions: title: ‘No 56. Oasis des Fontains Moise’, caption: ‘Karavaan’
St. James Major
Object type: print
Date: 1524 – 1527
Techniques: drypoint, etching
Artist: parmigianino (girolamo francesco maria mazzola)
Artist role: artist
Artist nationality: italian
Artist dates: 1503 – 1540
Subjects: saints

In Mariette Album, folio 3, bottom second
Panel ornament
Object type: panel ornament
Date: 1701 – 1800
Materials: gilt bronze
Subjects: faces
Landschap met figuren die een wak maken op een bevroren vaart
Object type: sketchbook leaf
Date: 1825 – 1829
Materials: chalk, paper
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: frost, freezing weather, landscapes (+ landscape with figures, staffage)
Inscriptions: number: ‘3/ 15056’, annotation: ‘Camberlijn’

Op de achtergrond ook schaatsers. Blad 17 recto uit een schetsboek met 95 bladen.
"Off, off, you lendings–Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4)
Object type: print
Date: 1793 – 1793
Techniques: engraving, etching
Artist: william sharp
Artist role: artist
Artist nationality: british
Artist dates: 1749 – 1824
Subjects: shakespeare,men

In one of a series of engravings Boydell published to reproduce paintings displayed in the Shakespeare Gallery, King Lear has been driven out by his daughters and is buffeted by a storm on a heath. As the king displays his unsettled mind by tearing off his clothes, the Duke of Kent begs him to take shelter. Edgar, another outcast disguised as Tom O'Bedlam, sits at lower right near the Fool. Completing the group, the Duke of Gloucester raises a torch against the darkness. The American born painter West made his name in England painting neoclassical subjects admired by George III, together with heroic modern histories, but here uses a swirling baroque mode suited to a subject that contemporaries would have seen as echoing the madness that afflicted their own king from 1788.
Gezicht op kasteel en stad Richmond aan de rivier Swale, North Yorkshire, Engeland
Object type: photograph
Date: 1875 – 1890
Materials: cardboard, paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: yorkshire
Inscriptions: caption: ‘Richmond. Sorks [?].’, signature: ‘James A. Smal...[?]’

Gezicht op Richmond Castle en Richmond aan de rivier Swale, North Yorkshire, Engeland.
Lepel met het helmteken Clifford
Object type: spoon
Date: 1806 – 1806
Materials: silver
Location: amsterdam
Artist: roelof helweg
Artist role: silversmith
Artist dates: 1758 – 1843
Inscriptions: date letter: ‘X (=1806)’, town mark: ‘Amsterdam’, maker's mark: ‘RH in ovaal’, alloy mark: ‘Hollandse leeuw’

De eivormige bak van de lepel is aan zowel boven- als onderzijde door middel van enkel lof verbonden met de platte, gebogen steel, die zich verbreedt naar het spatelvormige uiteinde. Boven- en onderzijde van de steel worden omgeven door een dubbele filetrand, die bij het uiteinde ingezwenkt is. Op de onderzijde van de spatel is het helmteken Clifford gegraveerd.
Reizigers voor de sfinx en de piramide van Cheops, Gizeh
Object type: photograph
Date: 1870 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: gizeh
Subjects: sphinx (lion/woman); 'sfinge' (ripa), egyptian pyramids (wonder of the world)
Inscriptions: inscription: ‘N 443. Pyramide de Cheops [...]’, inscription: ‘Foto’

Deze foto zat oorspronkelijk in prentenkabinet RP-F-AA3192.
John C. New, The Indianapolis Journal, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Editors" series (N1), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Vase
Object type: vase
Date: 1601 – 1700
Materials: pottery
Techniques: glazing
Location: iran
The Clark ash, Belmont
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: united states
Subjects: trees: ash-tree, public road
Inscriptions: number: ‘XXXVII.’
Jongeman, zittend en staand
Object type: print
Date: 1644 – 1648
Materials: paper
Techniques: etching
Location: paris
Study for India House, the Sale Room, from Microcosm of London
Object type: drawing and watercolor
Date: 1809 – 1809
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Meiboom geplant door de Haagse Schutterij, 1757
Object type: print
Date: 1757 – 1757
Materials: textile
Techniques: engraving, etching
Location: northern netherlands
Subjects: maypole, the hague
Inscriptions: collector's mark: Lugt 2228

De acht allegorische voorstellingen of emblemen van de meiboom geplant door de Schutterij van Den Haag in het jaar 1757.
Veld met korenschoven
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: sheaf

Blad 2 recto uit een schetsboek met 43 bladen.
Square Piano
Object type: square piano
Date: 1767 – 1800
Materials: bone, iron, wood
Culture: american
Location: united states

This unsigned instrument was probably made in rural Pennsylvania at the end of the eighteenth century. Its use of domestic woods including the black walnut case and stand, a pine soundboard, and four turned sycamore legs, is unusual. It has 54 keys (C-f3) with dark-stained walnut naturals and bone-covered walnut accidentals. One handstop to the left of the keyboard may have been used to either lift a moderator or dampers (missing). Primitive German action is a replacement. According to family tradition of the previous owner, Paul Bertsch, it was moved by his grandfather Henry Gettel Jr. to Indiana around 1835. The instrument was thought to have been made in Germany, but wood analysis by John Koster in 1989 revealed the woods used to make it were from the northeastern United States. Soundboard and bottom are made of white pine; the key levers of yellow poplar; the case, possibly of butternut; and the legs are made of sycamore wood. It is a rare surviving instrument made in eighteenth century North America. Technical description: Plain rectangular black walnut case with blind dovetail corners, bottom reinforced by transverse board, on separate walnut stand with 4 turned sycamore legs; C-f3 (54 keys), stained 4-scored walnut naturals with plain flush fronts, bone-covered walnut accidentals, 1 handstop at lower left of keyboard turns crank that advanced moderator or lifted dampers (dampers and rack missing); unpierced tuning pins in angled oak block with triangular soundboard section in back right corner; primitive German action (replacement) with bone-tipped walnut hammers in walnut kapsels mounted on threaded adjustment rods, carved yellow poplar key levers guided at rear by vertical pins, balance rail fastened to white pine bottom (no key frame), white pine soundboard detached, re-ribbed, possibly a replacement, walnut bridge with scrolled ends, soundboard extends about 1/2 of width of case, terminates in bracket form overhanging top 4 keys; bellyrail with astragal-end mousehole; lid divided front to back at middle.
Interieur van de Grote Kerk in Dordrecht
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: tone lithography
Location: netherlands
Artist: johannes hermanus van der heijden
Artist role: print maker
Artist dates: 1825 – 1907
Subjects: church organ, interior of church
Inscriptions: collector's mark: Lugt 2228

Zicht vanuit het hoogkoor richting de koorhekken, het middenschip en het orgel.
Landschap met rivier, vermoedelijk in Italië
Object type: photograph
Date: 1860 – 1880
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: river (+ landscape with figures, staffage), italy
Inscriptions: number: ‘[...]32’

Onderdeel van Reisalbum met opnames van kunstwerken en bezienswaardigheden in Italië, Griekenland en Frankrijk.
Trade Card for J.B. Varley, Jeweller and Printer
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Eight Women Sacrificing to Priapus, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: cornelis bos
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1556
Subjects: animals,women

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 125 in the scrapbook.
Temple of the God Rediculus, plate five from the Ruins of Rome Temple of the God Rediculus, plate five from the Ruins of Rome
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: m. dubourg
Artist nationality: english
Artist dates: 1786 – 1838
Holbein's Wife
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Portret van een oude man
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: engraving
Subjects: old man
Inscriptions: collector's mark: Lugt 2228

Portret van een oude man, die omhoog kijkt. Om zijn schouders een bontvel. Linksonder genummerd: 104.
Napkin Depicting The Five Senses
Object type: textile
Date: 1891 – 1891
Materials: linen, textile
Techniques: satin weave, weave
Location: london
Artist: walter crane
Artist role: artist
Artist nationality: british
Artist dates: 1845 – 1915
Saint-Étienne-du-Mont in Parijs
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: etching, intaglio
Artist: martin monnickendam
Artist role: draughtsman, painter, print maker
Artist dates: 1874 – 1943
Subjects: nun(s), church (exterior)
Inscriptions: collector's mark: Lugt 2228

Op het plein voor de kerk loopt een non.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, extended arm to right and drapery
Glooiend landschap met akkers en een dorp in Frankrijk
Object type: photograph
Date: 1805 – 1884
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: prospect of village, silhouette of village, field filled with a crop, landscapes in the temperate zone, france

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Reproductie van een prent naar een tekening van een vrouw die een man een spuit geeft
Object type: photomechanical print
Date: 1880 – 1880
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: enema, squirt
Inscriptions: collector's mark:, collector's mark: Lugt 2228

Martial Potémont maakte etsen naar de tekeningen van Fragonard, die zich bevonden in een manuscript in de collectie van de verzamelaar Eugène Paillet. Rouquette bood hem aan de tekeningen zo exact mogelijk in prent te laten brengen door Martial Potémont: dit resulteerde in een serie van 57 etsen. Vervolgens werden deze gereproduceerd door middel van heliogravure. Deze omslag betreft een editie voor de letter, "Eau forte pure", de 1e staat van 3 waar men uit kon kiezen bij deze serie.
Zie hier dees kinders aan, en denkt hoe 's Waerelds dingen, Al trapsgewys voortgaan, met veel veranderingen
Object type: popular print
Date: 1792 – 1803
Materials: paper
Techniques: letterpress printing
Location: zaandam
Artist: Anonymous
Subjects: children's games and plays, child, parental love
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van bezigheden en spelen voor kinderen. Onder elke afbeelding een tweeregelig vers.
't Huis Oud Teilingen of Lokhorst, by Warmond
Object type: print
Date: 1750 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: castle, bridge
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 3 (1750), ill. 297. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 3, ill. 297.
Mosquée, au Kaire
Object type: lithograph
Date: 1843 – 1843
Techniques: lithograph
Artist: joseph-philibert girault de prangey
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1892

This print is a composite of Girault’s daguerreotype view and detail of the Khayrbak Mosque, probably based on a drawing made after the photographs. Early cameras projected a laterally reversed view onto the plate, which could then be copied or transferred to a printing matrix and printed, so that the resulting image appeared in its natural orientation. Girault initially planned to publish one hundred prints but only completed twenty-four, complaining that sales would not cover his production costs.
Allegorisch beeld van de vrede in de Salon de la Paix in het Tuilerieënpaleis, Parijs
Object type: tissue stereograph
Date: 1855 – 1871
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Artist: Anonymous
Subjects: palace - aa - civic architecture: inside, symbols, allegories of peace, 'pax'; 'pace' (ripa), tuileries palace
Inscriptions: number: ‘75’, number: ‘24’
Water-lily panel
Object type: panel
Date: 1883 – 1900
Materials: silk
Techniques: printing
Culture: american
Artist: associated artists
Artist role: designer
Artist nationality: american
Artist dates: 1883 – 1907
Subjects: water lilies

This water-lily panel is one example of Candace Wheeler’s (1827-1923) innovative and justifiably famous “shadow silks,” shown draped to fully display the fabric’s iridescent qualities. To make these fabrics a special warp-printing technique was employed: the warp (the vertical threads) was preprinted with the pattern beforehand, and when the solid-colored horizontal weft threads were woven in, the designs naturally fell slightly out of alignment. The twill weave creates a noticeable diagonal rib, and light reflects off the ribbed surface, further softening the printed design. These blurring effects, suggesting reflections on water, are heightened by the iridescence resulting from the use of contrasting colors for the warp and the weft—here, gold (warp) and pink (weft).
An Autumn Evening: Near Rossillon
Object type: print
Date: 1874 – 1874
Materials: ivory, paper
Techniques: etching
Location: france
Artist: adolphe appian
Artist role: artist
Artist nationality: french
Artist dates: 1818 – 1898
Firenze
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: gelatin silver print
Location: berlin
Artist: Anonymous
Subjects: (story of) bacchus (dionysus), liber, piece of sculpture, reproduction of a piece of sculpture, (story of) niobe
Inscriptions: number: ‘5226.’, inscription: ‘Edizione inalterabile.’, collector's mark: ‘RIJKS SCHOOL VOOR KUNSTNIJVERHEID/ GROEP’

Deze foto maakt deel uit van een omslag.
Chessmen (32)
Object type: chessman
Date: 1801 – 1850
Materials: bone
Subjects: chess,games
Invoering van de Gregoriaanse tijdrekening door de protestantse, Duitse vorsten
Object type: history medal
Date: 1700 – 1700
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: germany

Zilveren penning. Voorzijde: zon en ring met tekens van dierenriem boven cartouche met opschrift binnen omschrift. Keerzijde: engel houdt sluier om sterrenhemel binnen omschrift
L'Arbre près d'un lac
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: drypoint
Location: paris
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: trees, sailing-ship, sailing-boat, lake
Inscriptions: collector's mark: Lugt 2233

Een boom in een heuvellandschap. Op de achtergrond een nederzetting aan een meer met zeilschepen.
Portret van Balthasar Timaeus von Güldenklee
Object type: print
Date: 1692 – 1741
Materials: paper
Techniques: engraving
Location: leipzig
Artist: gabriel uhlich
Artist role: print maker
Artist dates: 1682 – 1741
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
An "Académie": Standing Man
Object type: print
Date: 1742 – 1743
Techniques: etching
Artist: carle (charles andré) vanloo
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1765
Subjects: male nudes
View of Hong Kong
Object type: photograph
Date: 1865 – 1875
Materials: paper
Techniques: albumen print
Location: hong kong
Artist: Anonymous
Subjects: hong kong
Inscriptions: signature: ‘A.J.B.’, number: ‘8’, inscription: ‘Hongkong’

Some photographs in the Bauduin collection have ‘A.J.B.’ written on the back. This suggests they belonged to Albert, whose full name was Albertus Johannes. Albert’s correspondence makes no mention of a stop in Hong Kong, but the initials suggest he visited this emerging city.
Drie zittende mannen in oosterse kleding
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk, paper
Location: turkey
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, sitting figure, head-gear: turban

Pagina 69 uit een schetsboek met 53 bladen.
Strook naaldkant met c-voluten en veelsoortige bloemen
Object type: strip
Date: 1900 – 1900
Materials: linen
Techniques: rose point
Location: belgium
Artist: Anonymous

Strook naturelkleurig naaldkant: Venetiaanse rozenkant. Patroon met ranken met c-voluten en veelsoortige bloemen, zonder repetitief motief. Onregelmatige open grond met gepicoteerde spijlen. Volwerk met uitsparingen en veel verschillende siergronden. De bovenzijde is afgewerkt met een rechte rand met daaronder een gepicoteerde zigzaglijn. De onderzijde is afgewerkt met een rechte picotrand met driehoekjes en rozetbloempjes.
Kelkglas met trompetvormige kelk
Object type: goblet
Date: 1750 – 1750
Materials: glass
Techniques: glassblowing
Location: england
Artist: Anonymous

Kelkglas op conische voet. Balustroïde stam met ingestoken luchtbel, overgaande in een trompetvormige kelk.
Opera cape
Object type: opera cape
Date: 1896 – 1896
Materials: silk, wool
Culture: french
Artist: beer
Artist role: design house
Artist nationality: french
Artist dates: 1890 – 1928
Monster met schaal
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: lithograph
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: bowl, surrealia, surrealistic representations, mis-shapen animals; monsters
Inscriptions: collector's mark: Lugt 2228

Een naakt, atletisch monster met een schaal in zijn hand. Links van hem meerdere schalen met handvatten. Rondom hem de schittering van water.
Man's coat
Object type: coat
Date: 1820 – 1820
Materials: leather, pigment
Techniques: tanning
Culture: innu or naskapi
Location: canada

This frock coat with a high collar and cape constitutes a hybrid of European style and indigenous imagery. Together, the female artist and the hunter who would wear this coat conceived the geometric, colorful design based on the man’s dreams of the motifs that would give him power and ensure his success in the hunt. Coats such as this example were worn for only one caribou hunting season, as the Naskapis (Innus) believed they lost their protective power over time.
Vase
Object type: vase
Date: 1801 – 1850
Materials: enamel, gilt, porcelain, silver
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: men,women,flowers
Tomb of Caecilia Metella, from Views of Rome
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Snuff Bottle
Object type: snuff bottle
Date: 1796 – 1820
Materials: porcelain
Culture: chinese
Subjects: human figures,animals
De aanbidding door de koningen
Object type: print
Date: 1511 – 1511
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: inscription: ‘Geoffreerd aan de / Teken Akademie der stadt Amsterdam / 1788 P...’

De drie koningen of wijzen uit het Oosten bieden het Christuskind, gezeten op de schoot van zijn moeder in een vervallen woning, hun geschenken aan.