deem-data/ArtiFact huggingface dataset:
Salzburg
Object type: photograph
Date: 1860 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: drievuldigheidskerk
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city

Onderdeel van Reisalbum met foto's van Zwitserland, Oostenrijk, Italië en Duitsland.
Butter Dish
Object type: metalwork
Date: 1853 – 1865
Materials: metal, silver
Techniques: cutting, repoussé, soldering
Location: providence
Subjects: butter dish, birds, flowers, eagles, dining, eating
Inscriptions: Marked dish bottom, middle, stamped: "50 / [rampant lion facing right] [anchor] G"/ COIN"; inscribed dish bottom, left-middle, incised: "18/1  TAO / T- / TIC".
Hoe de vogels aan een koning kwamen
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: hand coloring, lithograph
Location: the hague
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: water-birds: goose, shore-birds and wading-birds: stork, song-birds: crow, song-birds: wren, shore-birds and wading-birds: lapwing, other birds: kingfisher
Inscriptions: annotation: ‘Zie de teekening’

Onder andere een kraai, twee ganzen, een ijsvogel, kievit, twee kemphanen, een koekoek en een winterkoninkje.
The Triumph of Truth over Envy
Object type: print
Date: 1781 – 1781
Materials: gold, paper
Techniques: aquatint, etching
Location: germany
Artist: maria katharina prestel
Artist nationality: german
Artist dates: 1747 – 1794
Inscriptions: Inscribed lower center (on a cartouche attached to the mount), in pen and ink: “Dessin de Jacques Ligozzi / gravé d'après l'Orginal de la / même grandeur qui est dans le Cabinet de Mons: de Präun à Nuremb: / T. Prestel sc:”; lettered, on an additional attached strip of paper: “chés Wilh. Fleischer a. Francfort sur le m”; verso, upper right, in graphite: “1114”; lower right: “929”; and lower center: “2180” and “602”
Putti op zeewezens
Object type: ornament print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: germany

Met beide handen klampt de putto zich vast aan de manen van het paard. Tegenzijdige kopie naar een prent van Giovanni Andrea Maglioli.
Paperweight
Object type: glass
Date: 1848 – 1855
Materials: glass
Location: clichy

Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying and classifying the natural world. Amateur botanists were eager to collect and preserve floral specimens, which they intently researched and catalogued. In response to this broad appeal, French glassmakers made paperweights that portrayed the very botanical subjects that were so enthusiastically sought. Many weights represented specimens with horticultural correctness, but others were entirely fanciful creations. Paperweights like this example speak to the period’s fascination with taxonomic systems.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Freeman Flower
Object type: painting
Date: 1747 – 1747
Materials: canvas, oil, paint
Techniques: painting
Location: england
Artist: joseph highmore
Artist nationality: british
Artist dates: 1692 – 1780
Subjects: portraits: male subject, clouds, sky, trees, foliage, vase, landscape, man, portraits, portrait
Inscriptions: Inscribed lower left: Jos. Highmore / pinx: 1747
Aanslag van Kapitein Helling en Ruikhaver op Amsterdam, 1577
Object type: history print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: haarlem, battle
Inscriptions: date

Staat met de letter. Volgens de catalogus van de Atlas van Stolk onderdeel van een serie van 7 prentjes van straatoproer te Amsterdam, in 1781 verschenen.
Portret van Claude-Ambroise Philippe
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: matthias van sommer
Artist role: draughtsman, print maker
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Volgens Hollstein werd de prent gebruikt voor de publicatie: Sommer, Matthias van. Hasce Omnium Electorum. Regensburg: s.n., 1667. Alhoewel op de titelpagina van de publicatie het jaar 1667 wordt vermeld, zijn meerdere prenten later gedateerd. Waarschijnlijk werd de publicatie pas in 1671 daadwerkelijk uitgegeven.
Mosaic Floor Panel Depicting a Personification of a Season
Object type: architectural fragment
Date: 101 – 200
Materials: glass, mortar, stone
Culture: roman

Eight Fragments from a Mosaic Pavement
While on the Grand Tour, Lord Charles Kinnaird and Lord George William Russell inspected in 1823 the remains of a large mosaic that had recently been discovered in a vineyard on Monte Rosario, outside Rome’s Porta Portuensis gate. Once the floor of a luxurious home, the mosaic comprised concentric bands of multihued figural decoration as well as boldly contrasting ornamental patterns that framed a central scene, which over time had been irreparably damaged by the roots of a tree.

The two men purchased and divided the finds. Among the pieces of the mosaic acquired by Lord Kinnaird were eight small panels, six of which depicted still lifes of foodstuffs
and objects used in the preparation of meals, while the remain- ing two contained the busts of figures assumed to be personifications of seasons. All eight pieces were designed to fit into a meander-pattern border that encircled the now-missing central figural scene. Based on a drawing made at the time of the mosaic’s discovery, the original pavement is thought to have been approximately 30 × 27 1/2 feet.

This bust of a female figure is one of two recovered from the corners of one band of the much larger mosaic pavement that once contained all eight fragments. She wears a wreath in rich tones of green and blue, perhaps indicating that she is the personification of Spring or Summer. The other surviving bust, which is displayed in this case, is crowned with a wreath of grain stalks and might be Autumn. Personifications of all four seasons were frequently depicted together to symbolize the harmony and stability of nature and as well as the cyclical movement of time.
Gezicht op een onbekend huis
Object type: papiernegatief
Date: 1845 – 1845
Materials: paper
Techniques: paper negative
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: the usual house or row of houses, netherlands
Heilige Familie
Object type: print
Date: 1550 – 1599
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 240
Tweede corps de garde van Hollandsche officiers
Object type: print
Date: 1758 – 1760
Materials: paper
Techniques: engraving, etching
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: open hearth, fire-place, handwriting, written text, studying a map, meeting of soldiers and/or officers
Inscriptions: collector's mark: Lugt 240

Een interieur met verschillende officieren. Rechts zit een man aan een schrijftafel, links is een man bezig met vuur uit de open haard, in het midden kijken drie heren op een kaart. Boven de schoorsteen een wapenschild en daarboven een met een lauwerkrans omgeven portret van een man en profil.
Glass lid
Object type: lid
Date: 101 – 300
Materials: glass
Culture: roman

Translucent yellow green. Solid, round, central knob; domed upper sides; broad, folded, tubular flange, turned slightly upwards; lower sides expand slightly downwards to rounded, thickened rim. Intact; pinprick and larger bubbles; patches of dulling, iridescence, and limy weathering. Top of knob is scarred, perhaps from the pontil. The lid does not fit or match 74.51.5742. Yellowish glass cover with knob and projecting rim.
Invitatie met foto van een vliegtuig
Object type: photograph
Date: 1918 – 1919
Materials: photographic support
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Inscriptions: inscription: ‘THE COMMANDANT / OF THE / U.S.A. SCHOOL AERIAL PHOTOGRAPHY / REQUESTS THE PRESENCE OF / [in pen: Celeste Loomis] / AT A / MILITARY DANCE / TUESDAY EVENING, DECEMBER THIRD / NINETEEN HUNDRED AND EIGHTEEN / AT EIGHT THIRTY O’CLOCK / ASSEMBLY HALL, KODAK PARK<BR />’
Servet van linnendamast met een bloempatroon
Object type: napkin
Date: 1692 – 1700
Materials: linen
Techniques: damask, weave
Location: northern netherlands

Wit linnendamasten servet met patroon van voluten, merk IS 24.
Band
Object type: band
Date: 1501 – 1600
Materials: linen
Techniques: embroidery
Near Penshurst, Kent
Object type: painting
Date: 1828 – 1828
Materials: oil, wood
Artist: patrick nasmyth
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1787 – 1831
Subjects: landscapes
Gezicht op de Spaanse trappen, de Piazza di Spagna en de Trinità dei Monti te Rome, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: flight of steps, church (exterior), ornamental fountain
Dessert basket
Object type: dessert basket
Date: 1775 – 1775
Materials: soft paste porcelain
Artist: caughley factory
Artist role: factory
Artist nationality: british
Artist dates: 1772 – 1799
Veteran of the Napoleonic Wars
Object type: photograph
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Man aan de deur van een herberg
Object type: print
Date: 1776 – 1815
Materials: paper
Techniques: aquatint, etching, roulette
Location: amsterdam
Artist: marie lambertine coclers
Artist role: conservator, draughtsman, print maker
Artist dates: 1761 – 1815
Subjects: hotel, hostelry, inn, divided door, upper part opened - aa - feigned door, sham-door
Inscriptions: collector's mark: Lugt 2228

Voor de deur van een herberg staat een man te kletsen met een oude vrouw die op de onderdeur van het huis leunt. Voor de deur spelen twee kinderen op de grond. Rechts is een varkensstal. De man stopt zijn pijp terwijl hij met de oude vrouw praat. Op de achtergrond nog twee figuren rechts onder een boom. Links in de marge een remarque.
A View near Richmond
Object type: print
Date: 1822 – 1822
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: horses,rivers,boats
How the Boers fought at Colenso - Hlangwane Hill - 70 yards from trenches in which man is seen, S.A.
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: south africa
Subjects: low hill country, trenches
Inscriptions: name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’, number: ‘179’
Krishna's Fifth and Sixth Avatars, page from a copy of the Gitagovinda of Jayaveda
Object type: painting
Date: 1667 – 1700
Materials: gold, paper, watercolor
Location: deccan
Woman wearing hat with flowers and feathers, from the Novelties series (N228, Type 2) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: profiles,women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Portrait of Thedoor Netscher (1661-1728), the Artist's Oldest Son
Object type: painting
Date: 1671 – 1684
Materials: canvas, oil
Artist: caspar netscher
Artist role: draughtsman, painter, print maker
Artist dates: 1639 – 1684
Subjects: theodorus netscher, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist

Portret van Theodoor Netscher, de oudste zoon van de schilder. Buste, het hoofd naar links, met een grote strik om de hals.
Portrait of a Child
Object type: painting
Date: 1835 – 1835
Materials: oil, wood
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Subjects: boys,portraits

This work was once thought to be a portrait of the painter Rosa Bonheur (1822–1899) as a child, but it seems to represent a boy. Corot's portraits were limited to friends and members of his family, but thus far the figure remains unidentified.
Wapen van Haarlem
Object type: drawing
Date: 1800 – 1900
Materials: paper, watercolor
Techniques: brush
Location: netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), 'tropaion', i.e. decorative ornament ~ weapons, haarlem
Inscriptions: collector's mark: Lugt 1641, collector's mark

Stadswapen van Haarlem. Gedeeld schild met links de toren van Damiate en rechts het zwaard met drie sterren. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Wapens, Heraldiek, Steden.
Christ and the Woman of Samaria, plate 71 from Liber Studiorum
Object type: print
Materials: paper
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Portret van Herri met de Bles
Object type: print
Date: 1847 – 1909
Materials: paper
Techniques: etching, intaglio
Artist: edgar alfred baes
Artist role: print maker
Artist dates: 1837 – 1909
Subjects: print maker, herri met de bles, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Suit
Object type: suit
Date: 1860 – 1860
Materials: cotton
Culture: american or european
Ruïne van de oude vestingwerken Haarlem
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: haarlem
Artist: Anonymous
Subjects: haarlem
Inscriptions: inscription: ‘Ruïne der oude vestingwerken van de stad Haarlem bij de voormalige Pijntoren’

Ruïne van de oude vestingwerken Haarlem met zittende figuren op de voorgrond.
Portret van Gerardus Schonovius
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: delft
Subjects: neck-gear: collar (+ men's clothes)
Inscriptions: collector's mark: Lugt 240

Portret van Gerardus Schonovius, borststuk met plooikraag in ovale omlijsting met Latijns opschrift.
Portret van Alexander von Humboldt
Object type: print
Materials: paper
Techniques: engraving
Location: karlsruhe
Subjects: berlin, traveler, historical persons
Inscriptions: collector's mark: Lugt 2228
Poort van de Agnietenschool aan de Oudezijds Voorburgwal 231 te Amsterdam
Object type: photograph
Date: 1911 – 1911
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: oudezijds voorburgwal
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: gate, entrance, elementary school; class, form (+ building ~ education, tuition)
Inscriptions: annotation: ‘Poort voorm. Atheneum O.Z. Voorburgwal Amsterdam Maart 1911/ Amsterdam’, annotation: ‘W.C. van Manen 1774-1832’
Tea Spoon
Object type: spoon
Date: 1805 – 1805
Materials: silver
Culture: american
Location: united states
Artist: henry farnam
Artist role: maker
Artist nationality: american
Artist dates: 1773 – 1833
Portret van Hassan Khodja
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: engraving
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Begler is een verbastering van 'Beylerbey', 'Beglerbeg(i)' of 'بكلربكی' : een titel voor een belangrijke gouverneur of generaal in het West-Ottomaanse Rijk. Dit is mogelijk een afbeelding van de in 1626 als Beglerbegi aangestelde Hasson Khodja of van de veertienjarige Sultan Murat VI als vertegenwoordiger, gezien de toon van de tekst in de cartouche.
Ontwerp voor een wijwatervat (?)
Object type: design drawing
Date: 1845 – 1855
Materials: cardboard, graphite, paper
Techniques: brush
Location: paris
Artist: frédéric-jules rudolphi
Inscriptions: signature: ‘Rudolphi’

Vat met Jeanne d’Arc temidden van cherubijnen, met het opschrift: S.te JEANNE.
Christus spreekt met Nicodemus bij nacht
Object type: print
Date: 1590 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ talking with nicodemus at night (john 3:1-21)
Inscriptions: collector's mark: Lugt 240

Prent uit: Joannes Bourgois, Vitae passionis et mortis Jesu Christi Somini nostri mysteria, Antwerpen Hendrick Aertssens, 1622, afb. 14
Worker Shabti of Nauny
Object type: shabti, nauny
Date: 1050 – 1050
Materials: faience
Location: egypt

Almost 400 small funerary figures known as shabtis were found with Nauny’s burial. These can be seen as avatars, meant to carry out agricultural labor on Nauny’s behalf in the afterlife. Of the 393 shabtis discovered, 355 were workers like this one, and 37 were overseers (see for example 30.3.28.3). Based on other assemblages from this era, Nauny originally might have had a total of 365 workers, one for each day of the year. This mummiform figure holds a hoe in each hand and has a basket on its back. The inscription on the front of the body calls Nauny a King’s Daughter, and an “illuminated Osiris.” This indicated that she had been transformed through the process of mummification and identified with the principal god of the dead, then reanimated by the light of the sun god as he traveled through the Netherworld each night. Nauny’s shabtis were divided between seven boxes. Five of these, with their shabtis, were given to The Met, while two were sent to the Egyptian Museum in Cairo.
Presse-papier met portret van een onbekende vrouw leunend tegen een zuil met boeken
Object type: carte de visite
Date: 1857 – 1885
Materials: cardboard, glass, paper
Techniques: albumen print
Location: java
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, java
Inscriptions: inscription: ‘Woodbury & Page/, Photographers/ Java’

Rechthoekige glazen presse-papier met daarin een carte-de-visite van een onbekende vrouw leunend tegen een zuil met boeken.
Portret van Eleazar Swalmius
Object type: print
Date: 1650 – 1660
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 2228

Portret van de predikant Eleazar Swalmius zittend in zijn studeervertrek. Links tegen de muur is een boekenkast geplaatst. Swalmius houdt de rechte hand op zijn borst. Onder het portret een Nederlands lofdicht door H. Geldorpius.
Pot
Object type: pot
Date: 1600 – 1800
Materials: earthenware
Location: france
Artist: Anonymous

Langwerpige, spits naar onderen toelopende pot van aardewerk. Bij de pot horen twee potten met invnr. BK-KOG-484 en BK-KOG-486. Alle drie de potten zijn bodemvondsten.
Nihon fûkei hanga
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1917 – 1917
Materials: paper
Techniques: woodcut
Location: japan
Subjects: tohoku-chiho
Inscriptions: date

Originele omslag met titelblad waarop een weide met paarse bloesembomen is afgebeeld en een losse inhoudsopgave met colofon in het Japans met de titels van de 5 prenten met landschappen van Tôhoku, het noordelijke gedeelte van het grootste eiland van Japan, Honshû.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, right wrist and hand; Exterior, bit of the inner wall of the foot; the underside of the floor has a band of black glaze bordered on both sides by a thin band of reserve
Saucer with flowers
Object type: platter
Date: 1837 – 1844
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: berlin
Inscriptions: mark: ‘scepter met K.P.M./ rode rijksappel met K.P.M/ 26/ II’

Schotel van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, paars en zwart. De binnenwand is bedekt met kleine strooibloemen. De achterzijde is ongedecoreerd. Gemerkt op de onderzijde met de scepter met K.P.M., de rode rijksappel met K.P.M, het nummer 26 en II.
Bowl and Cover
Object type: bowl
Date: 1840 – 1840
Materials: glaze
Techniques: enamel
Culture: japanese
Artist: minpei
Artist role: artist
Artist nationality: japanese
Artist dates: 19 – 19
Mace-Montrouge
Object type: page
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: portrait of opera-singer
Inscriptions: inscription: ‘Journal Hebdomadaire paraissant le Jeudi, Du 15 au 21 Février 1877’, number: ‘Numéro 196’
De Alchemist
Object type: cartoon
Date: 1912 – 1912
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: amsterdam, utrecht, alchemist at work, political caricatures and satires

Premier Heemskerk als een alchemist die in zijn werkplaats uit de hoofden van de leden van de Staatscommissie voor Grondwetsherziening zijn rapport destilleert. Naar de prent van Pieter Bruegel de Oude.
Piece
Object type: piece
Materials: metal thread, silk
Culture: japanese
Subjects: leaves
Portret van Georg Wirth
Object type: book illustration
Date: 1590 – 1590
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Artist: bernhard jobin
Artist role: printer, publisher
Artist dates: 1545 – 1593
Subjects: historical persons, physician, doctor

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium (...). Straatsburg: Bernhard Jobin, 1590, p. 38. Prent voor het eerst verschenen in de eerste editie van 1587. Prent ook gebruikt in latere publicaties.
Cowry Shells
Object type: watercolor
Date: 1726 – 1779
Materials: paper, watercolor
Techniques: brush
Artist: johann gustav hoch
Artist role: painter
Artist dates: 1716 – 1779
Subjects: molluscs (+ shell, snail-shell etc.)
Quad ducat of Francis Joseph I, Emperor of Austria
Object type: ducat
Date: 1801 – 1900
Materials: gold
Subjects: men,profiles,coat of arms
Partisan
Object type: arm
Date: 1601 – 1633
Materials: brass, textile, cotton, metal alloy, metal, steel, wood
Culture: italian
Location: italy
Panel
Object type: panel
Date: 1601 – 1800
Materials: silk
Subjects: flowers,leaves
Vrouwenhoofd en mogelijk een landschap
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: landscapes in the temperate zone, head (human) - aa - female human figure

Blad 24 verso uit schetsboek XIII met 25 bladen.
Fotoreproductie van een prent naar een schilderij, voorstellende de Madonna van de heilige Hiëronymus
Object type: reproduction
Date: 1882 – 1887
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: madonna: i.e. mary with the christ-child
Portret van een man
Object type: carte de visite
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: georges raynaud
Artist role: fotograaf
Artist dates: 1847 – 
Subjects: adult man, historical persons
Inscriptions: name: ‘Geroges Raynaud’