deem-data/ArtiFact huggingface dataset:
Bowl with Entwined Dragons
Object type: vessel
Materials: enamel, iron, porcelain
Techniques: overglaze, painting, underglaze
Location: china
Buckle Shank
Object type: buckle shank
Date: 1301 – 1400
Materials: bronze, gilt
Culture: french
Location: france
Glass mosaic bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Translucent purple, opaque white, yellow, and brick red. Shallow convex curving side. Composite mosaic pattern formed from polygonal sections of three canes: one in a purple ground with a white circle and a central white rod; a second in a purple ground outlined in white and with a circle of yellow dots around a central white rod; a third in a purple ground with a circle of white rods surrounding a central red rod within a white circle. Polished exterior; pitting of surface bubbles on exterior; deep pitting and iridescent weathering on interior and jagged edges.
Portret van John Milton
Object type: plaque
Date: 1775 – 1800
Materials: copper, lacquer
Techniques: lacquer
Location: japan
Artist: Anonymous
Subjects: john milton
Inscriptions: mark

Portraits of European monarchs and scholars. Japan, last quarter 18th century. The VOC exported lacquer products commissioned specifically for the European market. Working from European prints, Japanese craftsmen made series of portraits for the VOC.
Lanscape with Peasant Dwelling
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: drypoint, engraving, etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Portret van Lodewijk Napoleon Bonaparte, koning van Holland
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: stippled etching
Location: amsterdam
Artist: ludwig gottlieb portman
Artist role: print maker
Artist dates: 1772 – 1828
Subjects: louis napoleon (king of holland), knighthood order, holland
Inscriptions: collector's mark: Lugt 2228
Manneken-Pis en goguette
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: hand coloring, lithograph
Location: belgium
Artist: Anonymous
Subjects: tambourine - cc - out of doors
Inscriptions: collector's mark: Lugt 2228
Two Seated Male Figures Within Spandrels
Object type: drawing
Date: 1501 – 1600
Materials: chalk, gouache, ink
Techniques: brush, highlighting, pen, wash
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: men

Executed with a highly animated, pictorial brush drawing technique, over red chalk, this sheet contains studies for the design of two different seated male figures. Since there are no distinguishing characteristics or attributes, these bearded men could be prophets, or evangelists, or doctors of the church. As each of the studies shows the figure in a foreshortened view from below and compressed within a triangular format, it is clear that they were intended for fresco paintings on the spandrels or pendentives supporting a dome or vault. Thr dawing shows the same strikingly rough modellling, spirited use of the brush, and verve of anatomical outlines as Schiavone's monochrome frescoes, being closely comparable, for example, to the monochrome figures in the Pellegrini Chapel of San Sebastiano, Venice, of ca. 1548-52. According to the Francis L. Richardson, expert on Schiavone, the two figures may have been intended for a lost fresco-cycle, datable to about 1548-58, in the Church of the Carmine, Venice, a project which is known from a description of 1648 by the Venetian historian and artist, Carlo Ridolfi. An overall composition drawing for this lost project is in the Graphische Sammlung Albertina no. 1580, Vienna. Born in Zara and chiefly active in Venice, the Dalmatian artist Schiavone was famous in his day as a monumental fresco painter, elegantly facile draftsman, and skilled printmaker.
The Welcome, from "The Vicar of Wakefield"
Object type: print
Techniques: aquatint, etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,horses

The Vicar of Wakefield was written by Oliver Goldsmith between 1761–62, published in 1766, and later illustrated with twenty-four designs by Thomas Rowlandson in 1817.
Huismunt van de kolonies Rijkevorsel en Merksplas ter waarde van tien cent
Object type: medal
Date: 1823 – 1839
Materials: zinc
Techniques: striking
Location: brussels
Artist: Anonymous

Zinken munt. Voorzijde: monogram van letters R en M boven merktekentje. Keerzijde: waardeaanduiding
Doorgang tussen de tuinen van het Koninklijk Paleis te Sevilla
Object type: drawing
Date: 1871 – 1903
Materials: chalk, paper
Location: sevilla
Artist: gerard muller
Artist role: draughtsman
Artist dates: 1861 – 1929
Subjects: garden, palace
Inscriptions: collector's mark: Lugt 2228, label: ‘11. Alcázar . Sevilla/ Doorgang tusschen de tuinen.’
Standing Young Man with a Cane
Object type: print
Date: 1596 – 1600
Materials: paper
Techniques: woodcut, printing
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered, lower right: "HG"; verso: inscribed in pen and ink with an illegible paraphe
Set of three keyhole escutcheons
Object type: keyhole escutcheon
Date: 1801 – 1900
Materials: gilt bronze
Beeld met Jakobus de Mindere met hoedenmakersboog
Object type: print
Date: 1509 – 1549
Materials: paper
Techniques: woodcut
Location: wittenberg
Artist: lucas cranach (i)
Artist role: draughtsman, print maker
Artist dates: 1472 – 1553
Subjects: the apostle james the less, first bishop of jerusalem; possible attributes: book, fuller's club, scroll
Inscriptions: collector's mark: Lugt 240

Beeld met Jakobus de Mindere (Jacobus Minor) staand met een hoedenmakersboog in zijn hand, op een voet versierd met krulornamenten en schild met het keurvorstelijk wapen van Saksen. Op het verso van deze boekillustratie staat een fragment van een beeld van een heilige, mogelijk in liturgische kleding, met een staf in zijn hand.
Curtis Clay
Object type: painting, miniature
Date: 1798 – 1798
Materials: ivory, watercolor
Culture: american
Artist: james peale
Artist role: artist
Artist nationality: american
Artist dates: 1749 – 1831
Subjects: men,portraits
Johannes de Doper met het lam
Object type: drawing
Date: 1500 – 1549
Materials: chalk, paper
Location: emilia
Artist: Anonymous
Subjects: john the baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff
Man met sigaret en kop
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: cigarette, caricatures (human types)
Inscriptions: collector's mark: Lugt 2228
Bull's Eye Windowpane
Object type: windowpane
Date: 1701 – 1800
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Dish used in the House of Representatives of the Netherlands at official receptions
Object type: platter
Date: 1900 – 1974
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, vitrification
Location: the hague
Subjects: rotterdam, brussels, the hague
Inscriptions: mark: ‘Hutschenreuther Selb/ leeuw met L.H.S. Germany/ Noblesse/ P.A.W. Philippona Den Haag’

Schotel van servies gebruikt bij Tweede Kamer der Staten Generaal bij officiële ontvangsten. Klein bord van luxe diner-set met gouden randje en het wapen van de Tweede Kamer. Gebruikt bij Tweede Kamer der Staten Generaal bij officiële ontvangsten.
Goochelaar vermaakt zijn publiek aan een tafel
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Subjects: divination, prognostication ~ magic, sorcerer, magician, wizard, warlock, the show; fair and circus performers

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.

Deze prent is ook gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Architect en de Dood
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: etching
Artist: johann jakob bodmer
Artist role: printer, publisher
Artist dates: 1629 – 1650
Subjects: personifications of death; 'morte' (ripa), dance of death; death together with one or more human beings, astrologer at work
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228

Prent uit: Meyer, Rudolph. Sterbenspiegel, das ist sonnenklare Vorstellung menschlicher Nichtigkeit durch alle Ständ und Geschlechter (...). Zürich: J.J. Bodmer, 1650.
Aarde
Object type: print
Date: 1829 – 1880
Materials: paper
Techniques: lithograph
Location: mainz
Artist: Anonymous
Subjects: earth (one of the four elements)

Vrouwelijke personificatie van de Aarde met stedenkroon. Zij houdt een mand met bessen en bloemen vast en zit tegen een bos samengebonden tarwe.
Cilidrical covered box in the shape of a cricket's cage
Object type: box
Date: 1675 – 1699
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: japan
Artist: Anonymous

Cilindrische doos van porselein op drie poten en in de vorm van een krekelkooi bijeengehouden door drie gemodelleerde koorden, eindigend in een opstaande knoop als dekselknop. Beschilderd in onderglazuur blauw en op het glazuur rood, groen, geel en zwart. De onderste helft van de doos met golven, vogels en bloemtakken; de bovenste helft is gemodelleerd in traliewerk met in elk vak een bloemrank. Imari.
Gelria et Zutfania
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: maps of separate countries or regions, gelderland, guelders
Inscriptions: collector's mark: Lugt 2228

Deze staat van prent voor het eerst gebruikt in: Guicciardini, Lodovico. Beschryvinghe van alle de Neder-landen, anderssins ghenoemt Neder-Duytslandt (…). Amsterdam: Willem Janszoon Blaeu, 1612.

Hierna is deze prent tot 1648 nog gebruikt in latere uitgaven van deze publicatie, uitgegeven door Blaeu en daarna door Janssonius. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Belegering van Mainz door Johan Georg III, keurvorst van Saksen en zijn beide zonen
Object type: history medal
Date: 1689 – 1689
Materials: silver
Techniques: striking
Location: dresden
Artist: martin heinrich omeis
Artist role: print maker
Artist dates: 1650 – 1703
Subjects: august ii (king of poland)

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: twee jonge arenden vliegen onder leiding van oudere arend naar zon binnen omschrift; randschrift
Studieblad met zittende kinderen en een vrouw met kind
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: child (+ standing), child (+ sitting), mother and child(ren), woman and child(ren) (family group)

Pagina 16 uit een schetsboek met 29 bladen.
Lamp Shade (?)
Object type: lamp shade
Date: 1893 – 1896
Materials: glass
Culture: american
Location: united states
Artist: louis c. tiffany
Artist role: designer
Artist nationality: american
Artist dates: 1848 – 1933
Bes-image Rattle
Object type: be, rattle
Date: 1070 – 664
Materials: faience
Location: egypt
Subjects: bes

This Bes-image represents the beneficent Egyptian domestic god with his typical leonine face, dwarf body, and tail. Holes at the top of his feather crown and in his ears held rattling elements. The god extends a dom nut to a baby in his arms with Bes-like features. Monkeys are seated around his legs and alongside his crown. Behind his feathers is the incised figure of a bound oryx. The Bes-image is part of a repertoire of figures created in a distinctive spotted faience from dynasty 22 into dynasty 26. The center of production was the eastern Delta, in particular Bubastis and Tanis; this was an area where Near Eastern peoples had long been interwoven in the population; at this time it was also a center for the settlement of Libyan tribal peoples. Possibly these conditions influenced this particular production. Through their appearance, the figures all allude to the goddess Bastet. In particular, many details evoke the myth termed "The Return of the Faraway Goddess." The feline / leonine Bastet was angry with the god Re and left Egypt for Nubia. Re wanted her back again, so he sent the god Thoth, who, taking the form of a monkey, lured her back with fables. Bes, musicians and dancers accompanied the train of the returning goddess, whose arrival brought the return of good fortune to Egypt. Figures of Bes (2015.11; 04.2.103), the cats (04.2.119, 04.2.120, 21.6.61), the monkeys (44.4.17), the nude females with ‘Nubian’ hairstyles (66.99.71), and the musicians (89.2.217, 17. 194.2441, 17.194.2459, 41.6.7) all relate to this tale; the figure with a conical ‘foreign’ cap carrying a vessel of beer (86.1.55) and the bound oryx behind the feathers of the Bes-image (2015.11) both allude to controlling the goddess’s dangerous nature. The Bes-rattle must have been used in a ritual performances, and Bes’s known role as a protector of women and childbirth suggests the rituals addressed such concerns. Bastet, too, had a role as the nurse of a divine child king, and the allusions to her stories may have invoked her power for similar ends.
Buste van Caligula uit het Kapitoolsch museum te Rome.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: male persons from classical history (+ head, bust, etc.), 98b(caligula, gaius)9	male persons from classical history (caligula, gaius) - portrait of person from classical history, piece of sculpture, reproduction of a piece of sculpture, europe
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, inscription: ‘Romeische Kunst.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, inscription: ‘CWN.’
Muzikale soiree in Frascati te Amsterdam, 1841
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: gerhardus fredericus eilbracht
Artist role: draughtsman, print maker
Artist dates: 1816 – 1854
Subjects: inn, coffee-house, public house, etc., public festivities
Inscriptions: collector's mark: Lugt 2228

Muzikale soiree gehouden, tijdens de kermis van september 1841, in de salon van Frascati te Amsterdam. Groepen mensen zittend aan tafels, in het midden een fontein en enkele bomen. Opgedragen aan 'het goedwillende publiek' door de uitbater J.E. Strumpff.
Grafmonument van Michiel de Ruyter in de Nieuwe Kerk te Amsterdam
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: michiel adriaenszoon de ruyter, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Nieuwe Kerk van binnen.
Drapery Study for a Bishop (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Object type: drawing
Date: 1801 – 1900
Materials: chalk, paper
Techniques: heightening, stumping
Artist: isidore pils
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1875
Menat with royal name Wahibre
Object type: menat, wahibre
Date: 664 – 525
Materials: faience
Location: egypt

The roundel of the menat depicts the Hathor emblem on top of the gold sign, which is flanked by uraei wearing crowns and holding shen rings; over the scene stretches the sky sign. On the handle the goddess Nebethetepet is depicted behind a column of hieroglyphs that read: the Young (?) God, Wahibre, beloved of Nebethetepet. Wahibre is a name of two 26th Dynasty pharaohs, Psamtik I and Apries. On the reverse is a two column inscription that names the donor Userkaf, who appears to be associated with cults in the southwestern Delta at Sakhebu and perhaps Kom Abu Billou.
Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)
Object type: print
Date: 1810 – 1810
Techniques: engraving, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: weapons,men
Monnik
Object type: print
Date: 1837 – 1900
Materials: paper
Techniques: etching
Location: the hague
Artist: lambertus hardenberg (1822-1900)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1900
Subjects: monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2228
Venus and the Dead Adonis (recto); Sketches of Venus and the Dead Adonis; several sketches of kneeling and standing figures (verso)
Object type: drawing
Date: 1696 – 1770
Materials: chalk, graphite, ink, paper, lead
Techniques: pen, drawing
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: adonis,venus,death
Staande man met boek
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, paper
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: standing figure, book

Blad 92 recto uit een schetsboek met 105 bladen.
Abu Nabut and Negro Slaves in Cairo
Object type: photograph
Techniques: paper negative, salted paper print
Artist: ernest benecke
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1894
Subjects: men,portraits,women
Melon-Shaped Snuff Bottle with Trailing Leaves and a Butterfly
Object type: vessel
Materials: jade
Techniques: carving
Location: china
Handkerchief
Object type: textile
Date: 1875 – 1900
Location: france
Verschillende voorstellingen
Object type: popular print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: children's games and plays, sleigh, sledge (non-sport), butcher, slaughterman, horse
Inscriptions: collector's mark: Lugt 2760, collector's mark: ‘Edw. Ipers / Oever 27, / Antwerpen.’

Blad met 8 voorstellingen van verschillende aard, waaronder voorstellingen van een vluchtend paard, een slager die op het punt staat een varken te slachten en twee jongens die een slee met een meid vooruit trekken. Onder elke voorstelling een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden onder: 1.
Gezicht op de Chiemsee in Beieren
Object type: print
Date: 1850 – 1859
Materials: paper
Techniques: aquatint, lithograph, engraving
Location: munich
Subjects: lodewijk i (koning van beieren), landscapes, lake, mountains
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Piloty & Loehle München’

Prent afkomstig uit de serie 'Album Seiner Majestät des Königs Ludwig I. von Bayern', verschenen in verschillende afleveringen. De prenten gaan terug op het album dat Lodewijk I van Beieren op 9 oktober 1850 kreeg overhandigd van verschillende kunstenaars.
Koninklijke Bank, gebouw, Teheran
Object type: photograph
Date: 1880 – 1910
Materials: paper
Techniques: albumen print
Location: iran
Artist: antoine sevruguin
Artist role: fotograaf
Artist dates: 1840 – 1933
Subjects: teheran
Inscriptions: inscription: ‘1644//Imp. Banque a Pisse [?] a Teheran’

Gezicht op een fraai versierd gebouw aan een plein met mensen en koetsen.
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: gold
Culture: japanese
Location: japan
Subjects: chickens,roosters
"Preparation for a Feast", Folio from a Divan of Jami
Object type: folio from an illustrated manuscript
Date: 1467 – 1500
Materials: gold, ink, paper, watercolor
Location: afghanistan
Subjects: men,working

This painting depicts in a lively fashion the many tasks involved in the preparation of a feast. Such realistically observed details of menial activities, albeit for a grand occasion, exemplify the broadening of subject matter that evolved in the Herat school of painting in the latter part of the fifteenth century under the influence of the great painter Bihzad. Many Herat painters were found working in Bukhara in the early decades of the sixteenth century. Certain details of drawing and coloring suggest that this Herat style miniature was probably painted in Bukhara.
Pasfoto van Hendrik Herman van den Berg (Henk)
Object type: passport photograph
Date: 1923 – 1923
Materials: cardboard, photographic support
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: batavia, hendrik herman van den berg
Inscriptions: inscription: ‘pasfoto / 1923’
Dish
Object type: dish
Date: 1426 – 1435
Materials: porcelain
Culture: chinese
Duit van de stad Utrecht, 1637
Object type: coin
Date: 1637 – 1637
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: op lang gebloemd kruis gedamasceerd wapenschild van de stad Utrecht. Keerzijde: binnen een bladerkrans opschrift in drie regels, waaronder jaartal.
Höllsteig-Sternen, Höllental
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1906
Materials: cardboard
Techniques: photograph
Location: tübingen
Artist: Anonymous
Subjects: hotel, hostelry, inn
Inscriptions: date
Daden van Buth, een Tataarse jongeman
Object type: book illustration
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: asiatic races and peoples, violent death by arrow(s)
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Picart, Bernard. Naaukeurige beschryving der uitwendige godtsdienst-plichten, kerk-zeden en gewoontens van alle volkeren der waereldt, deel IV. [Vertaald in het Nederlands door] Moubach, Abraham. Den Haag, Amsterdam, Rotterdam: Rutgert Alberts, Hermannus Uytwerf, Jan Daniel Beman, Isaac van der Kloot, 1727-1738. Prent ook gebruikt in: Cérémonies et coutumes religieuses de tous les peuples du monde: représentées par des figures (...), deel II (deel I), na p. 354. Amsterdam: Jean Frédéric Bernard, 1728.
Het Koninklijk park het Loo
Object type: print
Date: 1908 – 1909
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: palace, potted plants
Demogorgon in the Cave of Eternity, from The Deities
Object type: print
Date: 1588 – 1590
Materials: ink, paper
Techniques: woodcut
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Vue prise des domaines de Koeripan, appartenant a mr. J.J. van Braam. Ile de Java
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: plantation
Inscriptions: collector's mark: Lugt 2165, check stamp: ‘François Buffa & Fils Fournisseurs du Roi’, collector's mark: Lugt 2228

Een rivier bij de plantage Koeripan nabij het landhuis Koeripan ten noordwesten van Buitenzorg (West-Java).
Ruins in Cañon de Chelle, N. M., in a cavity in the wall, 60 feet above present bed of Cañon. Height of walls about 700 feet. The present race of Indians know nothing of the age of these buildings of who occupied them, No. 21 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Object type: photograph
Date: 1873 – 1873
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, geographical explorations and surveys
Kameleon op een tak in een landschap met bovenaan op een blad de organen en botten van het dier
Object type: print
Date: 1669 – 1669
Materials: ink, paper
Techniques: engraving, etching, pen
Location: paris
Subjects: dissection, lizards: chameleon (+ anatomy of animals), lizards: chameleon
Inscriptions: inscription: ‘Le Cameleon.’

Prent uit: Perrault, Claude. Description anatomique d'un cameleon, d'un castor, d'un dromadaire, d'un ours et d'une gazelle. Parijs: Frédéric Léonard, 1669.