deem-data/ArtiFact huggingface dataset:
2 of Tethers, from The Cloisters Playing Cards
Object type: playing card
Date: 1475 – 1480
Materials: glaze, gold, ink, paint, paper, silver
Techniques: pen
Culture: south netherlandish
Subjects: playing cards,games

The Cloisters set of fifty-two cards constitutes the only known complete deck of illuminated ordinary playing cards (as opposed to tarot cards) from the fifteenth century. There are four suits, each consisting of a king, queen, knave, and ten pip cards. The suit symbols, based on equipment associated with the hunt, are hunting horns, dog collars, hound tethers, and game nooses. The value of the pip cards is indicated by appropriate repetitions of the suit symbol. The figures, which appear to be based on Franco-Flemish models, were drawn in a bold, free, and engaging, if somewhat unrefined, hand. Their exaggerated and sometimes anachronistic costumes suggest a lampoon of extravagant Burgundian court fashions. Although some period card games are named, it is not known how they were played. Almost all card games did, however, involve some form of gambling. The condition of the set indicates that the cards were hardly used, if at all. It is possible that they were conceived as a collector’s curiosity rather than a deck for play.
Forth Bridge
Object type: ansichtkaart, prentbriefkaart
Date: 1894 – 1905
Materials: cardboard
Techniques: etching
Location: glasgow
Subjects: bridge in city across river, canal, etc., sea
Portret van Charles Louis Ruelens
Object type: print
Date: 1878 – 1897
Materials: paper
Techniques: etching
Artist: arthur sterck
Artist role: print maker
Artist dates: 1868 – 1897
Subjects: historical persons
Inscriptions: annotation: ‘1ste staat’, collector's mark: Lugt 2228
Vase with reaper
Object type: vase
Date: 1885 – 1885
Materials: stoneware
Artist: haviland & co.
Artist role: manufactory
Artist nationality: american and french
Artist dates: 1864 – 1931
Subjects: houses,trees
Supper at Emmaus
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: attributed to nicolas bertin
Artist nationality: french
Artist dates: 1667 – 1736
Frederik Hendrik, prins van Oranje, te paard bij het verlaten van de Spanjaarden uit Maastricht, 1632
Object type: titelprent, frontispice
Date: 1632 – 1632
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: delft, the hague, frederick henry (prince of orange), retreat of the defeated, maastricht
Inscriptions: collector's mark: Lugt 964

Stadhouder Frederik Hendrik te paard, vergezeld door drie officieren en infanterie, het voorbij marcheren van de Spanjaarden gade slaand. Maastricht op de achtergrond. Eerste prent uit een fries van zes genummerde prenten met het Spaanse garnizoen dat Maastricht in 1632 verlaat.
Uitspanning Molecaten bij Hattem
Object type: ansichtkaart, prentbriefkaart
Date: 1895 – 1901
Materials: cardboard
Techniques: writing
Location: hattem
Subjects: façade (of house or building)
Inscriptions: postage stamp
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, complete handle, with handle patch preserved to rim; below, a lotus flower
Here is the Good Goddess, the Idaean Mother of the Mountains, plate 15 of 24
Object type: print
Date: 1896 – 1896
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Drie eenheden, kopie van een noodmunt uit Gulik, geslagen tijdens het beleg door Maurits, prins van Oranje-Nassau, vervaardigd door stukken te knippen uit serviesgoed en bestempeld met het monogram van Rudolf II, Duits keizer
Object type: siege coin
Date: 1610 – 1883
Materials: silver
Techniques: striking
Location: germany
Artist: Anonymous
Subjects: the hague, maurice (prince of orange), vienna, prague, rudolf ii van habsburg (duits keizer)
Set Design
Object type: drawing
Materials: ink
Techniques: brush, pen, wash
Artist: pietro di gottardo gonzaga
Artist role: artist
Artist nationality: italian
Artist dates: 1751 – 1831
Subjects: arches,columns,stage design
Autumn Moon at Seto (Seto shugetsu), from the series "Eight Views of Kanazawa (Kanazawa hakkei)"
Object type: print
Date: 1835 – 1836
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Vaas met bloemen
Object type: relief sculpture
Date: 1400 – 1950
Materials: wood
Fotoreproductie van een prent door B. Desnoyers van een schilderij van Margaretha van Antiochië door Rafaël
Object type: photograph
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Subjects: miraculous activities and events ~ st. margaret
Jachtstilleven op een plint
Object type: sketchbook leaf
Date: 1605 – 1678
Materials: ink, paper, pencil
Techniques: pen
Artist: paul de vos
Artist role: draughtsman
Artist dates: 1595 – 1678
Subjects: animals (+ animal killed by man)

Blad 10 recto uit een schetsboek met 15 bladen.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Février 1926, No. 66, 6e Année, p. 12: Création Martial et Armand
Object type: fashion print
Date: 1926 – 1926
Materials: paper
Techniques: hand coloring, lithograph, pochoir
Location: paris
Subjects: ear-rings (+ women's clothes), dress, gown (afternoon dress) (+ women's clothes), fashion plates, necklace (+ women's clothes)

Middagjapon van bedrukte rode 'crêpe A.G.B.', van Martial et Armand. Deel van een pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Armor
Object type: armor
Materials: leather, steel
Culture: german
Location: germany
Artist: kolman helmschmid
Artist role: armorer
Artist nationality: german
Artist dates: 1471 – 1532

The helmet, pauldrons (shoulder defenses), and vambraces (arm defenses) of this armor are attributed to Kolman Helmschmid based on comparison with his known works. The helmet’s distinctive snub-nosed visor appears to be a form that he originated and used on three other helmets, all dating from the mid-1520s. The decoration of these elements is typical of the style of Daniel Hopfer of Augsburg (about 1470–1536), a celebrated armor-etcher and printmaker, who is known to have decorated armors made by members of the the Helmschmid family. The remainder of this armor is composed of southern German elements from about 1520 to 1530, except for minor restorations.
Beaker
Object type: beaker
Date: 1 – 600
Materials: ceramic
Culture: nasca
Location: peru
Cap
Object type: cap
Date: 1854 – 1854
Materials: linen, silk
Culture: american
The Backgammon Players
Object type: cabinet
Date: 1861 – 1861
Materials: brass, copper, leather, oil, wood
Techniques: painting
Artist: philip webb
Artist role: designer
Artist nationality: british
Artist dates: 1831 – 1915
Subjects: men,women,games
Gezicht op de Solfatara bij Pozzuoli, buiten Napels
Object type: drawing
Date: 1611 – 1611
Materials: ink, paper, watercolor
Techniques: brush
Location: naples
Artist: gerard ter borch (i)
Artist role: draughtsman, print maker
Artist dates: 1584 – 1662

Gezicht op de Solfatara bij Pozzuoli. Het papier is linksonder over de figuren afgesleten. Op de achterkant van het blad staan penseelstreekjes in bruin, groen en blauw.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Six black glazed rim fragments from kylikes
Portret van Rafaël
Object type: print
Date: 1510 – 1699
Materials: paper
Techniques: engraving
Subjects: rome, painter, rafaël, historical persons, portrait, self-portrait of painter
Cylinder seal and modern impression: god with flowing vase; griffin demon
Object type: cylinder seal
Date: 1200 – 1101
Materials: jasper, marble
Culture: assyrian
Location: mesopotamia
Subjects: griffins,gods,vases

Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This seal shows a griffin demon with raised right hand, holding an attribute in the left hand, perhaps a bucket. Similar figures appear on monumental reliefs from the palace of Ashurnasirpal II in the ninth century B.C., several centuries after this seal was carved. A god wearing a skirt marked with a pattern, perhaps indicating mountains, holds a vessel from which streams of water flow. A crescent, star and plant appear between the two figures. A cuneiform inscription may have been added after the seal’s manufacture.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, draped youth to left, holding a knobby stick in his right hand; in the field, a pair of sandals; Obverse, Theseus with a sword, with his left arm extended, crouching in front of the Marathonian Bull; in the background, a tree; complete handle, with handle patch preserved to rim; below, two addorsed palmettes and tendrils; Reverse, right leg and foot and toes of left foot of a male to right; above, part of a quiver and bow?
Flask
Object type: flask
Date: 1840 – 1850
Materials: gemstone, glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Artist: kentucky glass works
Artist role: maker
Artist nationality: american
Artist dates: 1850 – 1855
Subjects: eagles
Panel
Object type: textile
Date: 1501 – 1700
Materials: textile, cotton, silk
Techniques: weave
Location: italy
Subjects: birds, animals, flowers
Edwin Forrest "Ned" Bligh, Catcher, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Piece
Object type: piece
Date: 1767 – 1800
Materials: metal thread, silk
Artist: cavenezia workshop
Artist role: maker
Subjects: flowers
Titelpagina voor: Gezangen voor het Kunstbevorderend Gezelschap V.W. opgerigt in den jare 1807
Object type: print
Date: 1807 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: kunstbevorderend genootschap v.w
Inscriptions: collector's mark: Lugt 2228
Vreugde
Object type: print
Date: 1914 – 1914
Materials: paper
Techniques: woodcut
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: pleasure, enjoyment, joy; 'allegrezza', 'allegrezza da le medaglie', 'allegrezza, letitia e giubilo', 'diletto', 'piacere', 'piacere honesto' (ripa), the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: collector's mark: Lugt 2233
Tile with the names of Ramesses III
Object type: tile, ramesses iii
Date: 1184 – 1153
Materials: faience
Techniques: inlay
Location: upper egypt, thebes
Bekken met een voorstelling van Maria met kind op de maansikkel
Object type: bekken schaal
Date: 1500 – 1550
Materials: brass
Techniques: casting, punching
Location: nuremberg
Artist: Anonymous
Subjects: madonna on the crescent of the moon (sometimes called queen of heaven) (in mandorla)

In het plat van het bekken, dat in het midden het centerpunt heeft, is met behulp van een stempelvorm een voorstelling geponst van de gekroonde Maria met het kind op de maansikkel, omgeven door een stralenkrans. Deze is omgeven door een geponste rand van gestileerd bladornament. Een uit een dergelijk motief samengestelde versiering is eveneens op de boord van het bekken geponst. In latere tijd is bovenaan een hangring met ijzer geklonken en aan de achterkant is een hangring gesoldeerd.
Vase with flowers
Object type: vase
Date: 1667 – 1733
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers
Single Spout Painted Bottle
Object type: bottle
Date: 500 – 101
Materials: ceramic, pigment
Culture: paracas
Location: peru
Mike "King" Kelly, Baseball Player, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes
Object type: baseball card
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,baseball,athletes

Baseball trade card from "World's Champions," Series 1 (N28), issued in 1887 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Portret van Johan Picardt
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving
Subjects: johan picardt, adult man, historical persons
Inscriptions: collector's mark: Lugt 240

Prent mogelijk uit: Picardt, Johan. Korte beschryvinge van eenige vergetene en verborgene Antiquiteten der provintien en Landen gelegen tusschen de Noord-Zee, de Yssel, Emse en Lippe. Amsterdam: Goedesberg, 1660.
Portret van Karl Ferdinand von Gräfe
Object type: print
Date: 1830 – 1863
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: karl ferdinand von gräfe, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 5514
Portret van Isaac Adolphe Crémieux, Frans politicus en minister
Object type: photograph
Date: 1855 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: andré-adolphe-eugène disdéri
Artist role: fotograaf
Artist dates: 1819 – 1889
Subjects: politician, minister ~ government, sideburns, studio requisites ~ photographer, trousers, breeches, historical persons, clothing for the upper part of the body, shoes, sandals, hairdress, coat, cape, paris
Inscriptions: address: ‘Paris, 8, Boulevard des Italiens’, inscription: ‘Crémieux’

Onderdeel van Fotoalbum met 123 cartes-de-visite van leden van Europese vorstenhuizen, politici en bekende personen.
Scarab
Object type: scarab
Date: 1295 – 1070
Materials: stone
Location: egypt
Subjects: scarabs
Miss Italien 1931
Object type: photograph
Date: 1931 – 1931
Materials: paper
Techniques: gelatin silver print
Location: dresden
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Die schönsten/ Frauen der Welt/ dargestellt durch die Schön-/ heitsköniginnen aller Länder,/ finden Sie in 190 echten/ Bromsilber-Fotos, die nur den/ CLUB-und-LIGA-Packun-/ gen beiliegen. Eind prächtiges/ Sammel-Album erhalten Sie/ für 75 Pfennig vom Händler/ oder bei Einsendung von/ 75 Pfennig in Briefmarken/ von der Bilderstelle Lohse,/ Dresden A24, Nossener Str. 1./ Ges. gesch. Nachdruck verboten!’
Battery of cannons firing on a city, plate 6 from "Various Military Caprices" (Varii capricci militari)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: battles,military,cannons,men
Initial letter F with salamander and crown (related to King Francis I)
Object type: print
Date: 1534 – 1566
Techniques: woodcut

Designed and used by Finé (mathematician, astronomor, geographer) in his books published in Paris, 1532-1554
Grote overwinningen van koning Lodewijk XIV
Object type: album leaf
Date: 1686 – 1686
Materials: paper
Techniques: engraving, etching
Subjects: battle
Inscriptions: watermark

Maakt deel uit van een serie bestaande uit 28 prenten met oorlogstaferelen in ornamentele cartouches. De prenten zijn gedrukt van twee afzonderlijke platen bestaande uit de voorstelling en de cartouche.
Gate of the Highlands, Mohonk, 1871 (from Sketchbook)
Object type: drawing
Date: 1870 – 1870
Materials: graphite, paper
Culture: american
Artist: daniel huntington
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1906
Subjects: landscapes

The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. He sketched throughout the course of his life and his extant drawings number over a thousand. This page is from one of Huntington’s sketchbooks that contains forty-one drawings in graphite, some in a panorama format. The sketches are primarily of scenic locations in New York State including, Cornwall, Walton, and Mohonk subjects. Many of the drawings are dated 1871 and most are inscribed with the site represented.
Zeitgenossen
Object type: print
Date: 1809 – 1868
Materials: paper
Techniques: engraving, etching
Location: vienna
Subjects: paris, politician, charles maurice hertog van talleyrand-périgord, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Decoratief beslag uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: beslag
Date: 1700 – 1743
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fitting, decorative fitting or fragment; squashed, disc-shaped, oval, domed, stepped.
Haven
Object type: photograph
Date: 1931 – 1934
Materials: paper, photographic support
Techniques: gelatin silver print
Location: curacao
Artist: Anonymous
Subjects: harbour
Inscriptions: name: ‘Fotohandel / Sunny Isle / Curacao Dwi.’

Albumblad met vier gekochte foto's met gezichten van de haven en van drie lokale jongens. Onderdeel van het fotoalbum van Polidorus Ego over zijn verblijf op Curaçao 1931-1934.
Man en vrouw in een deuropening
Object type: print
Date: 1688 – 1694
Materials: paper
Techniques: mezzotint
Location: northern netherlands
Subjects: open door
Inscriptions: collector's mark: Lugt 2228
Writing Box with Design of the Tatsuta River
Object type: writing box
Date: 1801 – 1900
Materials: gold, lacquer, silver
Techniques: maki
Culture: japanese
Subjects: birds,rivers,flowers
Gathering Spring Herbs, from the illustrated book "Picture Book: Flowers of the Four Seasons (Ehon shiki no hana)," vol. 1
Object type: print
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Bureau, belijmd met verschillende houtsoorten, koper en parelmoer. Aan alle zijden gebombeerd. Versierd met kruis- en klaverbladvormige motieven. Biezen van koper.
Object type: furniture
Date: 1850 – 1875
Materials: bronze, copper, wood, mother of pearl
Techniques: gilding, veneer
Location: france
Artist: Anonymous

Lady's desk, oak, veneered with black-coloured wood, inlaid with mother-of-pearl and brass Paris, c. 1850 - 1875 This desk, an example of standard French furniture-making, is closely related to the table in the design by M. Pagny shown nearby.
L'Arrivée du Courier (The Arrival of the Messenger)
Object type: print
Date: 1701 – 1800
Techniques: engraving, etching
Artist: jacques firmin beauvarlet
Artist role: artist
Artist nationality: french
Artist dates: 1731 – 1797
Subjects: animals,birds,women,dogs
Œuvres du marquis de Villette
Date: 1786 – 1786
Location: france
Artist: charles-michel villette, marquis de villette
Artist role: author
Artist nationality: french
Artist dates: 1736 – 1793

"A beautiful copy of one of the earliest and most extensive European examples of printing on paper made entirely from vegetable fibers. There are a total of twenty vegetable paper samples at back (Schlosser states that the number can vary from 16 to 20). Schlosser also calls Villette's Oeuvres the "first book on paper containing no rag." Pierre-Alexandre Leorier de Lisle, director of the paper manufactory at Langles (near Montargis), one of the most determined and successful eighteenth-century experimenters in paper-making, scoured the plant world to find alternative substances for the fabrication of paper. In his dedicatory letter to the Marquis Ducrest (included here in the "linden-bark" issue of the text), De Lisle states that he tried to make paper from the fibers and barks of "all [kinds of] plants," and that the specimens included in this edition are merely extracts (presumably the most successful) from his experiments. While not commercially viable, De Lisle's botanical papers, among the earliest of the genre, are strong and pleasing both to the eye and to the touch. The twenty specimen leaves bound at the end of this edition, all with identifying captions printed on the rectos, include paper made from nettles, hops, moss, dandelion roots, marshmallow plants, reeds, hazelnut wood, spindle tree wood and bark, barks of oak, poplar, elm, willow and wicker, burdock and thistle leaves, and even three papers made from a filament-like freshwater alga known as conferva (sometimes called "bubbled cotton conferva" for its resemblance to cotton). This copy contains the 2 leaf dedication lacking in the Harvard copy. The Marquis de Villette (1736-1793) was a poet, wit, born showman, notorious homosexual and roué, and friend of Voltaire, displayed great courage during the Revolution in steadfastly rejecting the excesses of either side. Pages 114-153 contain selections from his correspondence with Voltaire.References: Dard Hunter, Papermaking, History and Technique, p. 327-8. Hunter, Literature of Papermaking, p. 41. L. Schlosser, An Exhibition of Books on Papermaking, pp. 9-10." -- description by vendor. "Ce volume est imprimé sur le papier d'écorce de tilleul"--Page opp. t.p. Issued also on rose-colored paper and on paper made from marshmallow. Published by P.A. Léorier Delisle, who made the paper at the mill at Langlée, near Montargis; printed by Couret de Villeneuve, Orléans. Cf. article by Hiver de Beauvoir in Archives du bibliophile, III (1860), p. 119-121. The 20 leaves of plates are samples of Léorier Delisle's experimental paper made from various plant materials: marshmallow, nettles, hops, moss, reeds, conferva (3 kinds), burdock, burdock-colt's foot, and thistles; quack-grass root; hazel wood and spindle wood; and bark of willow, spindle tree, oak, poplar, osier and elm. Contemporary French morocco, spine stamped in gold, all edges gilt, blue endpapers.
Spotprent op het wetsvoorstel voor nieuwe spoorwegen, 1875
Object type: cartoon
Date: 1875 – 1875
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: amsterdam, politician

Spotprent op het indienen van een wetsvoorstel tot het maken van nieuwe spoorwegen, 1875. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 8, 1875.
Christ Appearing to Saint Mary Magdalene (one of a set of 12 scenes from The Life of Christ)
Object type: panel
Date: 1525 – 1530
Materials: glass
Subjects: mary magdalene,jesus,saints
Design for a Sarcophagus or an Urn in a Niche
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800