deem-data/ArtiFact huggingface dataset:
Ring met een gesneden kornalijn
Object type: ring
Date: 500 – 700
Materials: gemstone, gold
Location: byzantium
Artist: Anonymous

Ring. Gold, cornelian. Byzantine Empire, 5th - 6th century.
Gezicht op pakhuizen te Amsterdam, mogelijk op de Westelijke Eilanden
Object type: drawing
Date: 1912 – 1912
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo, city-view, and landscape with man-made constructions
Inscriptions: workshop stamp: Lugt 291d, collector's mark: Lugt 2228, :, signature: ‘G H Breitner’
Ex libris van Mn. Antoni Garriga
Object type: bookplate
Date: 1880 – 1929
Materials: paper
Techniques: printing block
Location: spain
Artist: Anonymous
Subjects: hoofed animals: stag
Portrait of Jacoba Bicker (1640-95), wife of Pieter de Graeff
Object type: painting
Date: 1663 – 1663
Materials: oil, panel
Artist: caspar netscher
Artist role: draughtsman, painter, print maker
Artist dates: 1639 – 1684
Subjects: amsterdam, politician
Inscriptions: signature: ‘Netscher’, coat of arms, bottom left: ‘gevierendeeld: I en IV in goud een rode dwarsbalk, II en III in zilver drie zwarte helmstokken boven elkaar.’, inscription: ‘AEtat 23’

Portret van Jacoba Bicker, echtgenote van Pieter de Graeff. Kniestuk, staande naast een zuil. Op het basement van de zuil haar familiewapen. Pendant van SK-A-3977.
Beschermings-komiteit der werkmanswoningen van Antwerpen; diploma
Object type: print
Date: 1870 – 1914
Materials: paper, pencil
Techniques: etching, intaglio
Location: antwerp
Subjects: working class, labourers, street, the poor
Inscriptions: inscription: ‘2de staat bijgewerkt’, collector's mark: Lugt 2228

De voorstelling verwijst naar de voordelen van sparen. De familie links bij de spaarkas heeft het goed, terwijl de familie rechts in armoede leeft. Onder een latere staat van deze prent staat het onderschrift: Sparen baart voorspoed zindelykheid en geluk; verkwisting leidt tot armoede wanorde en ellende.
The Earl of Coventry's Horse
Object type: painting
Date: 1805 – 1805
Materials: canvas, oil, paint
Techniques: painting
Location: england
Artist: benjamin marshall
Artist nationality: english
Artist dates: 1767 – 1835
Subjects: horse, wall, trees, sky, portrait, nobility, horses, animals
Inscriptions: Inscribed lower left: B. Marshall p.1805
Grote studie van hoofden met oosterse hoofddeksels
Object type: print
Date: 1645 – 1650
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni benedetto castiglione
Artist role: draughtsman, print maker
Artist dates: 1610 – 1665
Subjects: head (human), head-gear: turban
Inscriptions: collector's mark: Lugt 240

Een hoofd van een man oude man met baard, en profil. Hij draagt een tulband met een kwast aan de voorzijde. Prent uit een serie van zes.
Portions of a Jousting Armor
Object type: armor
Materials: leather, paint, steel
Culture: italian
Location: italy
Dieren
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: etching
Location: amsterdam
Artist: karel du jardin
Artist role: draughtsman, painter, print maker
Artist dates: 1626 – 1678
Subjects: mule
Inscriptions: collector's mark: Lugt 240

Prent nummer 2 uit een serie van acht prenten van verschillende dieren.
Wreath frame (pair with 1975.1.2127)
Object type: frame
Date: 1567 – 1600
Materials: wood
Culture: italian
Ex libris van J.F. Käyser
Object type: bookplate
Date: 1939 – 1939
Materials: paper
Techniques: engraving
Location: france
Artist: valentin le campion
Artist role: print maker
Artist dates: 1861 – 1952
Subjects: reading, woman (showing herself) undressed, quasi-nude, book
Veue de l'Orangerie de Versailles
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: french or architectonic garden; formal garden, greenhouse, orangery

De prent maakt deel uit van een serie bestaande uit 87 genummerde prenten (volgens Hollstein). De serie is opgedeeld in de delen A t/m F.
Stem Cup with Peony Flowers
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Right hand holding an unidentified red object; part of an inscription, [KA]LO[S]
Portret van Johannes le Francq van Berkhey
Object type: print
Materials: paper
Techniques: engraving, etching
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: johannes le francq van berkhey, historical persons

Latere staat van de prent gebruikt in: Loosjes, Petrus. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Amsterdam: Johannes Allart, 1811, dl. 46.
Beggar Man and Woman Conversing
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: beggar
Inscriptions: monogram and date: ‘RHL 1630’, collector's mark: Lugt 240

Rembrandt’s rapid progress as a printmaker is easy to see in this group of poor wretches. The seated woman is still somewhat crudely executed, but the beggar woman with a gourd and her male companion already testify to greater mastery of the technique. The little prints of a man and a woman are etched in the finer style that Rembrandt was to develop later.
Near Southgate
Object type: drawing and watercolor
Date: 1815 – 1825
Materials: graphite, paper
Techniques: brush, wash
Location: england
Artist: attributed to frederick wilton litchfield stockdale
Artist nationality: english
Artist dates: 1803 – 1848
Clergyman
Object type: drawing and watercolor
Materials: chalk, charcoal, paper
Techniques: drawing, heightening, stumping
Location: italy
Artist: agostino carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1557 – 1602
Ex dono d.d. Gasparis, & Antonii Compain (...)
Object type: bookplate
Date: 1660 – 1660
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: leiden
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
La tapisserie
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photoaquatint
Location: france
Subjects: adult woman, interior ~ representation of a building, weaving-loom, weaving
Design with Poppies
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: europe
Artist: Anonymous
Furisode
Object type: furisode
Date: 1850 – 1950
Materials: silk
Culture: japanese
Subjects: cranes
Fragment of a Bowl
Object type: ceramic fragment
Date: 1201 – 1300
Materials: stonepaste
Techniques: painting, underglaze
Location: syria
View Taken of the Streets of Paris after the Performance of the Famous Moralistic Comedy "La Bourse,” plate 330 from Actualités
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Enfants près d'une cave à vin, F. Devigne
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: albumen print
Subjects: wooden container: barrel, cask, bucket, children's games and plays
Inscriptions: inscription: ‘Felix du Vigne/ Felix de Vigne/ 1806-1862/ Moderne Kunst, Haarlem’
Daniel Webster "Dan" Shannon, Shortstop, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Gezicht op Mount Desert Island
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photograph
Location: east lamoine
Artist: Anonymous
Subjects: island, trees
Quoit
Object type: quoit
Date: 1601 – 1700
Culture: indian
Location: india
Subjects: games
Pendant
Object type: pendant
Date: 1001 – 1100
Materials: gold
Location: egypt or syria
Perzik en pruim
Object type: drawing
Date: 1815 – 1821
Materials: paper
Techniques: drawing
Location: amsterdam
Artist: albertus jonas brandt
Artist role: draughtsman
Artist dates: 1788 – 1821
Brief aan Philip Zilcken
Object type: letter
Date: 1892 – 1892
Materials: ink
Techniques: pen, printing, writing
Location: new york city
Artist: samuel putnam avery
Artist role: verzamelaar
Artist dates: 1822 – 1904
Subjects: painter, draughtsman, philip zilcken, temporary exhibition, 'salon', money, printed matter
Inscriptions: collector's mark: ‘RPK’
July with the sign of Leo
Object type: decoratiestuk
Date: 1790 – 1791
Materials: oil, panel
Inscriptions: inscription: ‘Julius’

Negen maanden met de tekens van de dierenriem: Juli met het teken van de Leeuw. Maakt deel uit van een groep decoraties met grotesken afkomstig uit het huis van J.A. Brentano aan de Herengracht. Waarschijnlijk vervaardigd naar ontwerpen van Giambattista Maderna.
Blanco wensbrief
Object type: print
Date: 1842 – 1866
Materials: paper, watercolor
Techniques: hand coloring
Location: amsterdam
Artist: weduwe c. kok geboren van kolm
Artist role: printer, publisher
Subjects: birth and youth of christ, public road
Inscriptions: collector's mark, collector's mark: Lugt 1641

Blanco wensbrief. Onbeschreven cartouche op een voorgedrukt blad met een kader gevormd door boven scènes uit het verhaal van de geboorte van Christus en onder straattaferelen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Nieuwjaars- en kermiswenschen.
Brief aan Jan Veth
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: buiksloot
Artist: jonkheer jacob hendrik schorer
Artist dates: 1839 – 1931
Subjects: august allebé, dordrecht, amsterdam, painter, draughtsman, designer, jan veth, the arts of the stage: ballet, theatre, musical drama, motion picture
Inscriptions: collector's mark: ‘RPK’, watermark
Desk
Object type: desk
Date: 1760 – 1790
Materials: wood
Culture: american
Location: united states
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Two fragments with palmettes and handle roots from DvB 10.5
Procession of Musicians
Object type: drawing
Date: 1624 – 1663
Materials: ink
Techniques: pen
Artist: francesco allegrini
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1679
Subjects: musicians
Landschap met figuren bij een rivier
Object type: album leaf
Date: 1774 – 1774
Materials: paper
Techniques: engraving
Location: london
Subjects: river (+ landscape with figures, staffage)

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 4, p. 625.
Hanging
Object type: textile
Date: 1899 – 1901
Materials: cotton, linen, textile
Techniques: appliqué, embroidery, embroidered, weave, stitching
Location: england
Artist: probably designed by the haslemere peasant industries
Subjects: trees
Nederlands Indië, ½ stuiver, 1822
Object type: coin
Date: 1822 – 1822
Materials: copper
Techniques: striking
Location: utrecht
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen munt. Voorzijde: tussen waarde-aanduiding ½ St. gekroond rijkswapenschild. Keerzijde: tweeregelig opschrift, waarboven muntteken en waaronder jaartal. Daaronder muntmeesterteken S [=Suermondt]. Gladde rand.
Groepsportret van onbekende jonge vrouwen aan tafel in een bos of park
Object type: photograph
Date: 1900 – 1915
Materials: paper, cardboard
Techniques: collodion silver print
Location: netherlands
Artist: pierre weijnen
Artist role: fotograaf
Artist dates: 1861 – 1933
Subjects: adolescent, young woman, maiden, forest, wood
Inscriptions: inscription: ‘2. [...]’, check stamp: ‘PIERRE WEYNEN/ HOFFOTOGRAAF’
Sièges Fantaisie
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture
Incense Box
Object type: incense box
Date: 1701 – 1800
Culture: japanese
Subjects: animals
Le Sultan
Object type: print
Date: 1760 – 1790
Techniques: engraving, etching
Artist: louis michel halbou
Artist role: artist
Artist nationality: french
Artist dates: 1730 – 1809
Subjects: men
Portret van Ericus Gerhardus Verkade
Object type: photomechanical print
Date: 1907 – 1920
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: director, boss (in modern industry), historical persons
Inscriptions: collector's mark: ‘JVB’
Are They Thinking about the Grape? (Pensent-ils au raisin?)
Object type: painting
Date: 1747 – 1747
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: love, animals, children, figures, food, goats, grapes, landscape, man, river, sex, sheep, trees, water, woman
Inscriptions: Signed and dated bottom, right of center: f. Boucher 1747

This painting is based on a 1745 pantomime about a young shepherd’s awakening love for a shepherdess. The couple feed each other grapes—a fruit associated with Bacchus, god of pleasure—suggesting that their encounter is not entirely chaste. François Boucher’s compositions on pastoral themes comprise his most influential contribution to 18th-century French art. These lush and playful fantasies of rustic life, designed primarily for the private enjoyment of wealthy financiers and aristocrats, had little to do with the social realities of rural labor during the period.
Fall of Aoiga Oka, Yedo
Object type: print
Date: 1827 – 1827
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: houses,men,waterfalls,trees
Pantheon, vestibule, perspective; panel moulding, profiles (recto) Pantheon, rectangular niche, plan; half round niche, plan (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Thetis met twee tritons
Object type: print
Date: 1511 – 1611
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: (story of) thetis; 'thethi, ninfa del mare' (ripa)
Inscriptions: collector's mark: Lugt 240

De zeenimf Thetis met een drietand en twee tritons.
Spoorbrug Ponte della Libertà
Object type: album leaf
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: venice
Artist: Anonymous
Subjects: tourism, railway, tramway; rack railway, bridge, venice
Inscriptions: inscription: ‘Pont de chemin fer’

Albumblad met een foto in Venetië, en een leeg vakje. Onderdeel van een fotoalbum van een reis door Italië, ca. 1900.
Groenteverkoopster
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: vegetables, selling
Inscriptions: collector's mark: Lugt 2228

Een verkoopster zit tussen manden gevuld met groente voor een gebouw met uithangbord In den gouden haan. Bij haar staan een vrouw met mand en een kind. Door het bovenste deel van de boerendeur kijkt een pijprokende man naar buiten.
Tronende Maria met Kind
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: filips iv (koning van spanje), augustine, bishop of hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen, knighthood order, mary sitting or enthroned, the christ-child in front of her in her lap (or in front of her bosom), (person) in fetters, not imprisoned
Inscriptions: collector's mark: Lugt 240

Maria met Kind troont op een piëdestal. Links Augustinus met het brandende hart in zijn hand. Rechts knielt koning Filips IV van Spanje. Op het piëdestal een groep kerkelijke en wereldlijke leiders in boeien geslagen, knielend voor Maria. De geboeide mannen verwijzen naar de Spaanse religieuze orde van de slaven van Maria (Congregación de los Esclavos del Dulcísimo Nombre de María).
Diana met de maan in haar hand
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: woodcut, pasting
Location: amsterdam
Subjects: 'cornucopia', horn of plenty, ornamental decoration ~ printed matter, book

Ornament uit: Herman Hugo, Pia desideria emblematis, elegiis & affectibus S. S. Patrum illustrata, Antwerpen 1628. Volgens de titelpagina verscheen dit werk in Antwerpen bij Hendrick Aertssens, in werkelijkheid verscheen het in Amsterdam bij Pieter Jacobsz Paets (Dietz 2012, p. 58-59).
Landschap met ruiter op weg naar een kasteel
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: etching
Location: utrecht
Artist: johannes arnoldus boland
Artist role: print maker
Artist dates: 1838 – 1922
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228

Illustratie voor J.P. van der Kellen, Le peintre graveur hollandais et flamand, Utrecht: 1866.
Scarab Incised with Hieroglyphs and Scrolls
Object type: scarab, nefer, scroll
Date: 1850 – 1640
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs

The majority of design scarabs of the late Middle Kingdom (late Dynasty 12–Dynasty 13, ca. 1850–1640 B.C.) are incised with symmetric compositions of protective hieroglyphs and/or scrolls. This scarab shows the sign for good and beautiful (nefer) and a decorative pattern of scrolls, making the scarab’s underside highly decorative.
Meisje uit Bretagne
Object type: print
Date: 1807 – 1895
Materials: paper
Techniques: lithograph
Location: paris
Subjects: female infant
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Verschenen in album met tien originele prenten als supplement bij tijdschrift: L'Epreuve, juli 1895, prent nr. 6
Interieur van de Santa Croce, Florence
Object type: page
Date: 1858 – 1863
Materials: paper
Techniques: albumen print
Location: florence
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: interior of church
Inscriptions: name: ‘Brogi’

Foto op ongenummerde pagina tegenover pagina 230.
Teapot (part of a service)
Object type: teapot
Date: 1758 – 1769
Materials: enamel, soft paste porcelain
Techniques: gilding
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: birds,leaves

The gilding on these pieces (see 54.163.7a, b–.34) is of a very high order, with tooled work on a thick application of honey gilding selectively matte and burnished for a lively design of pheasants, peacocks, and swallows in a landscape. The deep bowl was for little cakes.
Tecmessa, Her Son and Teucer Lamenting the Dead Ajax
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: aquatint, printmaking, etching
Location: austria
Artist: carl russ
Artist nationality: austrian
Artist dates: 1779 – 1843
Rumal with Scenes from the Ramayana
Object type: cover
Date: 1701 – 1800
Materials: cotton, metal, silk
Techniques: embroidery
Culture: indian
Subjects: bears,bow and arrow,men,women,monkeys,vishnu

In the foothill kingdoms of Himachal Pradesh, in northern India, rumals (Hindi for handkerchief) were decorated as presentation cloths. No more so than at the court in Chamba, where a tradition of silk embroidery developed. The majority of Chamba rumals depict scenes celebrating the life of Vishnu in his avatars (divine appearances on earth) as Krishna and as Rama. These embroideries served as covering cloths during the presentation of offerings and gifts. Here, the principal events of the Ramayana epic are presented in synoptic form. At the upper right, Rama, Sita, and Lakshmana bid farewell to Rama's mother before their exile in the forest. The middle scene depicts Ravana, disguised as an ascetic, attempting to seduce Sita in the forest while her husband is hunting a golden deer sent by Ravana as a diversion. Sita is abducted by Ravana and next seen imprisoned in his palace on Lanka (lower left). Finally, Rama, Lakshmana, Hanuman, and the monkey and bear armies cross Nala's bridge to Lanka and advance on Ravana's fortress, slaying Ravana. Returning to the center of the embroidery, Rama, Sita, and Lakshmana depart in triumph, carried on palanquins.
Portret van twee jongens bij een hek van takken
Object type: album leaf
Date: 1903 – 1948
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: haarlem
Artist: jan van roon
Artist role: fotograaf
Artist dates: 1879 – 1948
Subjects: boy (child between toddler and youth) (+ two persons), fence, wall, paling, historical persons
Inscriptions: inscription: ‘J. van Roon/ GENERAAL CRONJÉ STRAAT 45-47/ HAARLEM.’
Engeland, George I, cartwheel-penny, 1797
Object type: coin
Date: 1719 – 1719
Materials: copper
Techniques: striking
Location: birmingham

Koperen munt. Voorzijde: binnen brede rand met inwendig omschrift gelauwerd borstbeeld van de koning naar rechts. Keerzijde: binnen brede rand met inwendig omschrift, op in zee gelegen rots, waartegen schild geplaatst, gezeten Brittannia met drietand en tak, naar links. Links van haar schip. Jaartal in omschrift onderaan.
Parody of the Four Accomplishments
Object type: screen
Date: 1851 – 1900
Materials: gold leaf, ink, panel, paper
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: men,women

This painting is inspired by one of the most celebrated works of Japanese genre painting: a work known as the Hikone Screen. Illustrated here are the “Four Accomplishments” necessary for well-cultivated gentlemen in ancient China—the musical instrument qin (Japanese: koto), the board game weiqi (Japanese: go), calligraphy, and painting. The Four Accomplishments were a favored painting subject beginning in the Muromachi period (1392–1573) but here appears as a parody—for instance, writing a love letter (or poems) instead of calligraphy. Zeshin’s reinterpretation, more than two centuries after the original, reconstructs some of the mysterious feel of the Hikone Screen by arranging meaningful-looking figures engaged in various pursuits within the same space. Nevertheless, the eye-pleasing impression has been attained by a careful compositional arrangement in which elements are ordered in a pyramid-like shape toward the center, and by the use of a variety of colors, from vivid to subtle, contrasting with the plain gold background. A few versions of this screen by Zeshin exist, each with distinct variations of the figures and setting.
Hammered Gold Sheathing Fragment
Object type: sheathing fragment
Date: 1101 – 1500
Materials: gold
Culture: chimú
Location: peru
Subjects: human figures
George E. Loyau
Object type: page
Date: 1875 – 1885
Materials: photographic support
Techniques: albumen print
Location: adelaide
Subjects: london, george ettienne loyau, portrait of a writer
London
Object type: photomechanical print
Date: 1880 – 1900
Materials: cardboard, paper
Techniques: photograph
Location: tower bridge
Subjects: bridge in city across river, canal, etc.
Inscriptions: date: ‘29 Septembre 1894’, number: ‘9017 a.’
Untitled
Object type: photograph
Date: 1910 – 1910
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards
Inscriptions: Unmarked recto; [see verso photo]
Drie gipsen afgietsels
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
De basiliek van Constantijn in Rome
Object type: photograph
Date: 1858 – 1863
Materials: paper
Techniques: albumen print
Location: rome
Inscriptions: annotation: ‘Rome 69 [...] livraison Basilique [..] Constantin 213.’, signature: ‘Bisson ainé’