deem-data/ArtiFact huggingface dataset:
T-Cart Phaeton #1020
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bowl
Object type: bowl
Date: 1701 – 1800
Materials: porcelain
Techniques: underglaze
Culture: japanese
Subjects: animals,flowers
Muntgewichtdoos met muntgewichten, greingewichten, stift en balans
Object type: balance
Date: 1720 – 1758
Materials: copper, wood
Artist: johannes linderman (ii)
Artist role: balansmaker
Artist dates: 1700 – 1758

Houten doos met onderlade, waarin 21 messing muntgewichten (allemaal gemerkt met het stadswapenschild Amsterdam tussen L - M, met een punt op de L), 5 greingewichten, stift en balans. De deksel is aan de binnenkant versierd met een etiket met voorstellingen van muntgewichten, met in het midden het gekroonde wapenschild van Amsterdam waaronder een gebruiker van de muntgewichtdoos die opschrikt terwijl de Dood zijn goud wegneemt
The Martyrdom of Saint Lawrence, after Bandinelli
Object type: print
Date: 1520 – 1520
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: suffering,men,male nudes,saint lawrence

Like many of Bandinelli's projects, his commission to paint two large frescoes for the church of San Lorenzo in Florence came to nothing. However, his patron was so impressed by his drawing for the Martyrdom of Saint Lawrence that he granted him the Knighthood of Saint Peter. In order to spread the fame of this admired design, Bandinelli hired Marcantonio to engrave it. Bandinelli is said to have complained to the pope of Marcantonio's failings. However, when Clement VII compared the drawing and the print, he concluded that the engraver had corrected many of Bandinelli's errors.
Two Actors; a Scene from the Soga Play
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: swords,men,actors
Honderdjarige herdenking van het overlijden van Goethe 1932
Object type: history medal
Date: 1932 – 1932
Materials: bronze
Techniques: striking
Artist: eduard telcs
Artist role: medailleur
Artist dates: 1872 – 1928

Rechthoekige bronzen plaquette, op de voorzijde het portret van Goethe naar links met onderaan zijn naam en bovenaan twee jaartallen, de keerzijde glad.
Portret van een man
Object type: carte de visite
Date: 1859 – 1892
Materials: cardboard, photographic support
Techniques: albumen print
Location: germany
Artist: emil tiedemann
Artist role: fotograaf
Artist dates: 1858 – 1892
Subjects: historical persons
Inscriptions: inscription: ‘EMIL TIEDEMANN/ (...)/ HOF-PHOTOGRAPH/ (...)/ BREMEN/ Richtweg No 12./ (...)/ HANNOVER/ Georgstr, 13./ BRAUNSCHWEIG/ Bohlweg 66./ DESSAU/ Leopoldstr. 4./ BRAKE/ a/d. Weser.’
Portret van Ferdinand Ernst, graaf van Wallenstein
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: ferdinand ernst (graaf van wallenstein)
Inscriptions: collector's mark: Lugt 2228

Busteportret van Ferdinand Ernst, graaf van Wallenstein. Rechtsonder: 108. Het portret is gevat in een ovale omlijsting met het wapenschild van de geportretteerde en een randschrift in het Latijn. In de cartouche een zesregelig onderschrift in het Latijn. Prent uit een serie portretten naar schilderijen van Anselmus van Hulle van alle gedelegeerden bij de vredesonderhandelingen te Münster en Osnabrück.
Apollo vertrouwt Aesculapius toe aan Chiron
Object type: print
Date: 1602 – 1607
Materials: paper
Techniques: engraving
Location: cologne
Subjects: apollo hands aesculapius over to chiron
Inscriptions: collector's mark: Lugt 2228

Apollo overhandigt zijn zoon Aesculapius, het kind van Apollo en Coronis, aan de centaur Chiron die het kind zal opvoeden. Het kind groeide op tot de god van de geneeskunde. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.
Portret van Frederik III als kroonprins van Pruisen
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: letterpress printing, engraving
Location: leipzig
Subjects: historical persons, crown prince
Inscriptions: collector's mark: ‘JVB’

Prent uit: Daheim: ein Deutsches Familienblatt mit Illustrationen 7 (1870), nr. 2, 8 oktober 1870.
Spring Blossoms (from "Harper's Weekly," Vol. XIV)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: girls,women,flowers,trees,spring
Disembarking from a Pleasure Boat on the Sumida River
Object type: woodblock print
Date: 1742 – 1815
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: women
Ruaud. Jean-Baptiste. 35 ans, né à Limoges le 28/7/58. Cordonnier. Anarchiste. 4/2/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Huwelijk van kroonprins Leopold van België met Maria Henriëtte van Hongarije 1853
Object type: history medal
Date: 1853 – 1853
Materials: copper
Techniques: striking
Artist: leopold wiener
Artist role: sculptor
Artist dates: 1823 – 1891

Koperen penning op het formaat van een 10-centimesstuk, op de voorzijde het portret van Koning Leopold I met omschrift, op de keerzijde een dubbelportret van het bruidspaar met omschrift, met kartelrand.
Scene with Galants at a Banquet in a Circle at Center
Object type: print ornament architecture
Date: 1580 – 1600
Techniques: embroidery, engraving
Artist: theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1528 – 1598
Subjects: food,couples,men,women,lutes,dogs,banquets

A scene with cavorting couples before a banquet, contained in a circle at center. At right, a couple with the man holding a knife walks left before a lute player. At lower left, a seated couple with the woman playing the lute. Around the central circle, ornamental floral designs with grotesque rabbits emerging from scrolling tendrils at upper and lower left corners. The scene in the circle is a reverse copy after a print by Jan Sadeler, after Maarten de Vos (Hollstein 558).
Medallion
Object type: medallion
Date: 1776 – 1883
Materials: bronze
Subjects: men,profiles
Portret van Leendert van Zwyndrecht
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: abraham jacobsz. hulk
Artist role: print maker
Artist dates: 1751 – 1817
Subjects: leendert van zwyndrecht
Inscriptions: collector's mark: Lugt 2228

Buste van Leendert van Zwyndrecht en profil naar rechts in een medaillon met randschrift in het Nederlands.
Standing cup with cover
Object type: standing cup with cover
Date: 1730 – 1730
Materials: glass
Subjects: human figures
Boots
Object type: boot
Date: 1701 – 1733
Materials: hair, leather, metal
Culture: french
Gesicht der Stadt Paris genommen über der Königl. Bruck
Object type: opticaprent
Date: 1742 – 1801
Materials: paper, watercolor
Techniques: brush, etching
Location: germany
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), palace, rowing-boat, canoe, etc., tuileries palace
Inscriptions: watermark

De serie “Parijs”, met het nummer 16, bevat vier prenten met de nummers 87-90, waarvan dit nummer 88 is.
Wine bottle cooler (one of a pair)
Object type: wine cooler
Date: 1730 – 1735
Materials: silver, soft paste porcelain
Techniques: glazing
Artist: chantilly
Artist role: factory
Artist nationality: french
Subjects: flowers,trees
Gezicht op de Nieuwe Amstelbrug bij avond, richting Amsterdam-Oost
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: river, bridge, night

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
Stadsgezicht aan de kust
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: h. cuénod
Artist role: fotograaf
Subjects: city-view in general; 'veduta'
Inscriptions: monogram: ‘C. Cie’
Christ seen in profile facing right, making the sign of blessing with his right hand, in an oval frame, from "Christ, the Virgin, and Thirteen Apostles"
Object type: print
Date: 1600 – 1640
Techniques: etching
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: profiles,christ

From Christ, the Virgin and Thirteen Apostles, a series of fifteen busts in oval frames printed from one plate, after Reni. Verso not visible as print is affixed to another sheet of paper.
Jar
Object type: jar
Date: 201 – 1200
Materials: bone, paint
Techniques: incising, inlay
Location: egypt
betaalpenning (token) voor een shilling uit Woodbridge, Engeland, 1811
Object type: monetary token
Date: 1811 – 1811
Materials: silver
Techniques: striking

Zilveren particuliere munt. Voorzijde: drie-regerlig opschrift. Daaronder jaartal. Keerzijde: vier-regelig opschrift, waarin waarde-aanduiding. Kabelrand.
Slip (Unfinished)
Object type: textile
Date: 1601 – 1700
Materials: graphite, linen
Techniques: drawing, weave
Location: england
Gezicht op een trapgevel van een huis aan de Damstraat in Haarlem
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: decorated gable, haarlem
Inscriptions: number: ‘6.’
Drie mannen in reiskleding op een veranda in Queenston, Canada
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: queenston
Artist: Anonymous
Subjects: 'en route', traveller under way
Bowl with two narrative scenes and two trees near rocks
Object type: bowl
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘大 清 康 熙 年 製<BR /><BR />dà qīng Kāng xī nián zhì’

Kom van porselein, beschilderd in onderglazuur blauw. Op de buintenzijde twee vakken met verhalende voorstellingen: drie personen in een interieur en twee zittende personen in een interieur, tussen de vakken een boom bij een rots; op de bodem drie spelende jongens (zotjes) in een landschap. Gemerkt op de onderzijde met het zes-karaktermerk van keizer Kangxi in een dubbele cirkel. Blauw-wit.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, shoulder and bit of upper arm of male?; Exterior, part of ground line
Twaalf monniken en monarchen uit verschillende orden
Object type: album leaf
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Inscriptions: number: ‘17’

In twee rijen boven elkaar. Prent uit het boek 'Omnium pene Europae, Asiae, Aphricae atque Americae gentium habitus...', 1581. De prent maakt deel uit van een album.
Morning dress
Object type: morning dress
Date: 1801 – 1833
Materials: linen
Culture: american or european
Annotaties
Object type: endleaf
Date: 1903 – 1903
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘[...]’

Pagina 2, vrij schutblad, uit een schetsboek met 32 bladen.
The Bishop and Death
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Sword Guard (<i>Tsuba</i>) with <i>Sansui Nanga</i> (Mountain and Seascape) Design
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: gold, iron
Culture: japanese
Location: japan

This sword guard is similar in design and interpretation to works by sword fittings makers who were based in Hizen province (present-day Nagasaki Prefecture). Its signature is extremely rare and provides a valuable reference for the study of Hizen Nagasaki-based sword fittings makers, some of which immigrated to Japan from places such as Ming and Qing China and Joseon Korea.
Silver tetradrachm of Demetrios Poliorketes
Object type: tetradrachm
Date: 300 – 294
Materials: silver
Subjects: trumpets,nike,coins,ships

Nike with trumpet on ship's prow/Poseidon with his trident Salamis, Cyprus Mint of Salamis Heralded as "the Besieger of Cities" Demetrios I was renowned from a young age for the brilliant naval campaigns he waged against rival dynasts across the Eastern Mediterranean. On this coin, Nike alighting on the prow of a defeated battleship commemorates his important naval victory in 306 B.C. at Salamis on Cyprus where this coin was minted.
Three Sheets with Designs for Earrings
Object type: drawing
Date: 1750 – 1780
Materials: ink, paper
Techniques: pen
Location: france
Artist: Anonymous
Subjects: ear-rings
Inscriptions: collector's mark: Lugt 2228

These numbered sheets probably come from a presentation catalogue. This was a way for a jeweller or travelling salesman to show his clients many variations on the same type of earrings, always modifying a basic design. The pear-shaped stones that recur in many of the designs point to the use of teardrop-shaped pearls.
Het offer van Noach
Object type: print
Date: 1600 – 1652
Materials: paper
Techniques: brush, engraving
Location: amsterdam
Subjects: noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)
Inscriptions: signature: ‘MH Inventor’, inscription: ‘HOC EST SIGNUM FOEDERIS’, caption: ‘Aedificavit Noë altare domino et obtulit holocausta super eo gen. cap. 8.’, number: ‘5’, collector's mark: Lugt 2228

Links een offeraltaar waarop verschillende dieren. Noach en zijn familie zitten geknield voor het altaar. In de lucht het symbool voor God (regenboog en zon met de hebreeuwse letters voor Jahweh). Rechtsachter staat op een heuvel de ark.
Opera Nova Universali intitulata Corona di racammi, page 37 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573

Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice. From top to bottom, and left to right: design composed of 2 vertical columns of grids with black dots. The left is wider and is decorated with a floral pattern and the right is narrower and is characterized by what appears to be a thin wavy white line.
Portret van een zittende baby
Object type: carte de visite
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: sitting figure, historical persons, infant, baby ~ the ages of man
The Hatsune Riding Grounds at Bakuro-cho (Bakuro-cho Hatsune no Baba), No.6 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Ioachimvs Hopperus
Object type: book illustration
Date: 1611 – 1623
Materials: paper
Techniques: etching
Location: friesland
Artist: pieter feddes van harlingen
Artist role: painter, print maker, publisher
Artist dates: 1586 – 1623
Subjects: sneek, jurist, joachim hopperus

Busteportret van de Friese jurist Joachim Hopperus, afgebeeld in ovale omlijsting met randschrift.
Fotoreproductie van een portret van vermoedelijk Emmanuel Garnier
Object type: page
Date: 1850 – 1861
Materials: photographic support
Techniques: albumen print
Location: paris
Subjects: youth, adolescent
Man kust koningin op het voorhoofd
Object type: print
Materials: paper
Techniques: lithograph
Location: the hague
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: (lovers) kissing each other, queen, king
Inscriptions: collector's mark: Lugt 2228

Een geharnaste man kust een koningin op het voorhoofd. Zij worden omringd door een groep mannen. Daarboven neemt een koning dezelfde koning bij de hand. Zij worden omgeven door mannen en vrouwen.
IJsvermaak op een brede rivier
Object type: drawing
Date: 1653 – 1653
Materials: chalk, paper
Techniques: brush
Artist: jan van goyen
Artist role: draughtsman, painter
Artist dates: 1596 – 1656
Subjects: winter sports, ice ~ freezing weather
Voorbeeld van infra-elektrische energie
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Artist: e. castelein
Artist role: printer
Subjects: electrical phenomena
Inscriptions: inscription: ‘A B C E F’, inscription: ‘Pl. III’

Prent op vijfde ongenummerde pagina na pagina 432.
Oningevuld schema
Object type: drawing
Date: 1809 – 1814
Materials: ink, paper
Techniques: pen
Location: bruges
Artist: joseph van huerne
Artist role: kunstliefhebber, mecenas, verzamelaar
Artist dates: 1752 – 1844

Oningevuld schema met drie kolommen. Onderdeel van het eerste album met tekeningen van viervoeters. Eerste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Willem V vertoont zich als Ridder van de Kousenband, 1752
Object type: print
Date: 1752 – 1754
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william v (prince of orange)
Inscriptions: collector's mark: Lugt 2228

De jonge Willem V vertoont zich als Ridder van de Kousenband op het bordes van het Koninklijk Paleis Huis ten Bosch. Op de voorgrond juicht een menigte mensen hem toe.
Architectuurperspectieven
Object type: album leaf
Date: 1601 – 1601
Materials: paper
Techniques: etching
Location: antwerp
Subjects: square, place, circus, etc., ornamental fountain (in village)

Plein met een fontein op de voorgrond. Achteraan ligt op een verhoging een koepelkerk, gedecoreerd met beelden in nissen. Op de voorgrond staan enkele personen met waterkruiken. De prent maakt deel uit van een album.
Suecia Antiqua et Hodierna
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: etching
Location: stockholm
Subjects: city-view in general; 'veduta'
Inscriptions: date

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Aigentliche wahrhaffte Delineation unnd Abbildung aller fürstlichen Auffzüg und Rütterspilen
Object type: album leaf
Date: 1618 – 1618
Materials: paper
Techniques: etching
Subjects: eyeglasses, spectacles, torch, performance in the open air (pleasure fair), lantern, lute, and special forms of lute, e.g.: theorbo

Genummerd: 40. Deze prent maakt deel uit van een album.
Kaart van de kusten van de eilanden Malakula, Nieuw-Caledonië en Tanna
Object type: print
Date: 1799 – 1800
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: island, maps, atlases
Inscriptions: collector's mark: Lugt 2228

Prent uit: Cook, James. Reize rondom de Waereld (...) met kaarten en plaaten. [Vertaald uit het Engels door] Jan David Pasteur. Leiden: Honkoop, Amsterdam: Allart, Den Haag: Van Cleef, 1799-1800, dl. 6, p. 169.
[Group of 15 Early Stereograph Views of Cambridge, England and the Surrounding Area]
Object type: stereograph
Techniques: albumen silver print
Artist: thomas small
Artist role: publisher
Artist nationality: british
Subjects: architecture,buildings
Portret van Joseph Longhi
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: engraving
Location: milan
Artist: pietro anderloni
Artist role: print maker
Artist dates: 1785 – 1849
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van Joseph Longhi, profiel naar links, in een cirkel. In de ondermarge een tekst in het Italiaans.
Cent van Curaçao, 1944
Object type: coin
Date: 1944 – 1944
Materials: bronze
Techniques: striking
Location: denver
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Bronzen munt. Voorzijde: in een veld wapen van Nederland. Omschrift: munt van Curaçao. Onderaan in omschrift tussen palmboom en letter D [=Denver] jaartal. Keerzijde: binnen twee samengebonden oranjetakken waarde-aanduiding 1 cent. Kartelrand.