deem-data/ArtiFact huggingface dataset:
Groepsportret van leden van de families Asser en Oppenheim in een tuin
Object type: photograph
Date: 1806 – 1856
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: portrait, self-portrait of photographer (+ the artist and his family, relatives, etc.)
Ein Prospect, im Canton Vrij
Object type: print
Date: 1750 – 1778
Materials: paper
Techniques: etching
Subjects: landscape with ruins, watermill, mountains
Inscriptions: collector's mark: Lugt 2228
Corner cabinet (encoignure) (one of a pair)
Object type: corner cabinet
Date: 1745 – 1749
Materials: wood, gilt bronze, lacquer, marble
Techniques: veneering
Artist: bernard ii van risenburgh
Artist role: maker
Artist dates: 1696 – 1767
Subjects: women

In January 1750 and April 1751, the Parisian marchand-mercier Lazare Duvaux (ca. 1703–1758) sold two pairs of corner cabinets for 580 and 650 livres, respectively. Veneered with Coromandel lacquer and mounted with gilt bronze, they were fitted with Antin marble tops. Although the descriptions are too brief to permit a positive identification with the Museum’s pair, whose tops, moreover, are of a different type of marble (perhaps replacements), these entries in the famous dealer’s account book offer a good idea of the considerable cost of such corner cabinets. Furthermore, based on his sale records for the period 1748–53, it appears there was a demand for case furniture embellished with Coromandel lacquer. Duvaux sold several such pieces to his frequent customer Madame de Pompadour, the king’s mistress. Distinguished by designs that are not painted on the surface but incised and filled with colored lacquer, objects decorated in this Chinese technique were shipped to Europe by way of the Coromandel coast of southeast India, hence the name. The Parisian furniture maker Bernard II van Risenburgh, who stamped both pieces, made a number of corner cabinets fitted with either a single door or a double set of doors, depending on the size of the Asian lacquer panels made available to him by the marchand-mercier. In this case, he used tall and narrow pieces cut from a large multileaf Coromandel screen—which explains why the scenes on the doors are not continuous. As if it were a single panel, the lacquer is framed by sinuous Rococo-style gilt-bronze mounts incorporating C-scrolls and floral trails. The mounts appear to have been cast as one piece but, in fact, they consist of a number of different elements that overlap, some of which are stamped with the crowned-C tax mark. Based on these marks (the C stands for cuivre, or copper, the main ingredient of bronze), the mounts can be dated between February 1745 and February 1749, when this tax, imposed by a royal edict, was in effect. Any piece of decorative bronze above a certain weight sold during that period had to be struck with the crowned-C stamp to show that duty had been paid. Mounts like this are found on other pieces by Van Risenburgh, as well; the cartouche-shaped mount on the central leg is a later addition.
Parade van de Nederlandse militairen door het kamp
Object type: photograph
Date: 1943 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: muhlberg
Artist: dick w.b. van maarseveen
Artist role: fotograaf
Artist dates: 1905 – 1990
Subjects: the hague, dick w.b. van maarseveen

Parade van de Nederlandse militairen door het kamp op een zondag. Onderdeel van een groep foto's gemaakt door Dick van Maarseveen in het Duitse krijgsgevangenenkamp Stalag IV B in Mühlberg in de periode 1943-1945.
Netsuke of Ōni on Vadra, Crouching
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: demons
Zegevierende intocht van Willem III te 's-Gravenhage
Object type: history medal
Date: 1691 – 1691
Materials: silver
Techniques: striking
Location: amsterdam
Artist: reynier arondeaux
Artist dates: 1678 – 1727
Subjects: william iii (prince of orange and king of england, scotland, and ireland), the hague

Zilveren penning. Voorzijde: versieringen op de Grote Markt; afsnede: opschrift. Keerzijde: Willem III gekleed als Romeins keizer met XP-standaard en vergezeld van Ierland in sloep wordt door Holland met leeuw verwelkomd binnen omschrift
Children playing with birds
Object type: group
Date: 1745 – 1750
Materials: lead
Artist: francesco ladatte
Artist role: artist
Artist nationality: italian
Artist dates: 1706 – 1787
Subjects: birds,boys,girls,playing

This work and Children Playing with Fruit (1970.8.2) were two of four groups representing the Elements or the Seasons. They were commissioned by King Carlo Emanuele III of Savoy and were arranged around a fountain in the gardens of the royal palace in Turin, from which they were removed in the nineteenth century.
Border
Object type: border
Date: 1801 – 1900
Techniques: embroidery
Subjects: human figures
Elegant geklede heer met Afrikaanse bediende
Object type: print
Date: 1662 – 1702
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: coat (+ men's clothes), africans, head-gear: hat (+ men's clothes), shoes, sandals (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), clothes, costume, head-gear: hat (+ feathers used for clothes), walking-stick, staff, cane (+ men's clothes), manservant, footman
Inscriptions: collector's mark: Lugt 1641, stamp, collector's mark: Lugt 963, collector's mark: Lugt 963

Modieus geklede man in rijk gedecoreerde lange jas tot over de knieën (rock) over een vest. Wijde, poffende kniebroek en laarzen met wijde schachten (canons). Hoed met pluimen op het hoofd, een rijzweep in de rechterhand, schoenen met hakken en sporen. Achter hem een jonge Afrikaanse bediende. Ruiters op de achtergrond. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Lodewijk XIV (1650 – 1720). Het allonge tijdvak).
Small Torso of Iris
Object type: statuette
Materials: bronze, marble
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: goddess

This work is related to the Muse for the Monument to Whistler for which the artist Gwen John is known to have been a model.
Cassetta frame
Object type: frame
Date: 1767 – 1800
Materials: wood
Culture: italian, veneto
Regvlvs
Object type: print
Date: 1535 – 1535
Materials: paper
Techniques: engraving
Location: germany
Artist: georg pencz
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1550
Subjects: death of regulus: he is enclosed in a nail-studded barrel by the carthaginians
Inscriptions: collector's mark: Lugt 240
Swift-Sailing Proa, Mulgrave Archipelago, Oceania
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: burnishing, drypoint, etching, scraping
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Portret van Johann Christoph Gottsched
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Standing Franciscan Saint in a Niche
Object type: drawing
Date: 1650 – 1700
Materials: chalk, gouache, ink
Techniques: brush, highlighting, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: men,cross,crucifixion,saints
Portret van Petronella Helena Clasina van der Capellen
Object type: physionotrace
Date: 1785 – 1811
Materials: paper
Techniques: aquatint, etching
Location: paris
Subjects: silhouette-apparatus, 'physionotrace', historical persons
Inscriptions: collector's mark: Lugt 2228
I Have Sometimes Seen in the Sky What Seemed Like Forms of Spirits, plate 21 of 24
Object type: print
Date: 1896 – 1896
Materials: chine, ink, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Visitekaartje aan Pieter Haverkorn van Rijsewijk
Object type: visiting card
Date: 1904 – 1904
Materials: cardboard, ink
Techniques: pen, printing, writing
Subjects: antwerp, brussels, henri hymans, pieter haverkorn van rijsewijk, the graphic arts
Inscriptions: collector's mark: Lugt 2233
Milton's Comus
Object type: drawing
Date: 1842 – 1848
Materials: gouache, ink, paper
Techniques: brush, pen, wash
Artist: sir joseph noël paton
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1821 – 1901
Subjects: male nudes,female nudes

Milton centered his masque "Comus" on a mythic figure that he called the son of Bacchus, and used to embody frenzied revelry. Here, he leads riotous followers through the woods at night–some sporting animal heads. Paton came to London from Scotland to attend the Royal Academy Schools in 1843 and soon was commissioned to illustrate two poems in Samuel Carter Hall's "Book of British Ballads" (1842-43). This drawing, with its free pen work and emphasis upon the nude, likely was produced a year or two later. By 1848, Paton adopted a tighter style influenced by the Pre-Raphaelites (as a friend of John Everett Millais since student days, Paton was invited to join brotherhood, declined formal membership, was sympathetic to their tenets).
Mlle Carol
Object type: photomechanical print
Date: 1873 – 1880
Materials: paper
Techniques: woodburytype
Artist: pierre petit
Artist role: fotograaf
Artist dates: 1832 – 1909
Subjects: historical persons - bb - woman
Aan de markt te Delft
Object type: drawing
Date: 1820 – 1896
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: kasparus karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1896
Subjects: square, place, circus, etc., delft
Paper Cut-Out
Object type: paper cut out
Date: 901 – 1000
Materials: paper
Techniques: cutting
Location: egypt
De Poort van St Bernard, zoo als die nu vernieut is.
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river, gate, entrance, paris
Inscriptions: collector's mark: Lugt 2228

De stadspoort van St. Bernard te Parijs aan de Seine. Achter de stadsmuur een grote kerk zichtbaar.
Bijbelsche geschiedenissen uit het Oude Testament
Object type: popular print
Date: 1866 – 1871
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: samson grinding in prison (in a treadmill), ruth and naomi in bethlehem (ruth 2:1-2), hannah's prayer and song of thankfulness, old testament, othniel conquers debir, and receives caleb's daughter achsah to wife
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van verhalen uit het Oude Testament. Kaleb en zijn dochter, Simson in de gevangenis, Hanna's gebed en Boaz en Ruth. Onder elke afbeelding de bijbehorende Bijbeltekst. Genummerd linksboven: No. 13.
Village arabe à Port-Said
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1930
Materials: cardboard
Techniques: lithograph
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism, street
Inscriptions: inscription: ‘I. B. - N.’, monogram: ‘AG’
Amicis suis necnon unicuique (...)
Object type: print
Date: 1808 – 1808
Materials: ink, paper
Techniques: woodcut
Location: england
Subjects: saints, prisoner; in fetters
Inscriptions: date

Mannelijke heilige, geketend liggend in een cel. Met etiket met zevenregelige tekst in het Latijn waarin vermeld de naam: John Symonds. Onderdeel van een album met 26 ingeplakte clair-obscur houtsneden naar Italiaanse kunstenaars uit de zestiende eeuw.
Self-portrait in a cap and scarf with the face dark: bust
Object type: print
Date: 1711 – 1800
Materials: paper
Techniques: etching
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Het Russisch Monument te Bergen, N.-H.
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: bergen
Subjects: garland, wreath, monument, statue
Place de la Concorde, Paris
Object type: tissue stereograph
Date: 1863 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Subjects: ornamental fountain
Inscriptions: watermark: ‘BF K’, inscription: ‘Déposé’, name: ‘B.K. PHOTOGRAPHIE’, monogram: ‘E.L.’
Rank Badge with Manchurian Crane
Object type: rank badge
Date: 1701 – 1733
Materials: metal thread, silk
Culture: chinese
Subjects: bats,cranes
Goblet with Cover
Object type: glass
Date: 1701 – 1733
Materials: glass
Location: germany
Mrs. Gideon Tucker
Object type: painting
Date: 1830 – 1830
Materials: canvas, oil
Culture: american
Artist: william sidney mount
Artist role: artist
Artist nationality: american
Artist dates: 1807 – 1868
Subjects: portraits,women
Portret van een man, mogelijk F.J.G. Dedel
Object type: carte de visite
Date: 1874 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: johannes wilhelmus franciscus offenberg
Artist role: fotograaf
Artist dates: 1839 – 1919
Subjects: adult man
Inscriptions: inscription: ‘Offenberg/ Photographe / de S.M. la Reine des Pays-Bas / Damstraat / Amsterdam.’, annotation: ‘F.J.G. Dedel / 18 20/2 74’
Lev Shreve, Pitcher, Indianapolis, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Kenzan-style Dish in the Shape of Chrysanthemum
Object type: dish
Date: 1801 – 1833
Materials: enamel, stoneware
Techniques: overglaze
Culture: japanese
Subjects: leaves
Portrait of an Old Woman, Visscher's Mother
Object type: print
Date: 1655 – 1690
Materials: paper
Techniques: etching, printing
Location: netherlands
Artist: jan visscher
Artist nationality: dutch
Artist dates: 1634 – 1692

Johannes Visscher was the brother and pupil of Cornelis Visscher. An etcher, engraver, and painter, he moved to Amsterdam in 1658. He made almost 180 prints, many, like this one, after his brother. Jan Kraalinge helped produce the print.
Amersfoort, Borneoplein.
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph, writing
Location: amersfoort
Subjects: pond, pool
Inscriptions: postage stamp
Drie distelbloemen
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: lithograph
Artist: jan mankes
Artist role: draughtsman, painter, print maker
Artist dates: 1889 – 1920
Subjects: plants and herbs: thistle
Inscriptions: collector's mark: Lugt 2228
Am Golf von Pozzuoli
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: pozzuoli
Subjects: gulf, bay, landscapes, pozzuoli
Inscriptions: monogram: ‘BX’
Amaryllis en walnoten
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: flowers, fruits: walnut
Inscriptions: collector's mark: Lugt 2228

Rechts boven genummerd 4de Lev. Onderdeel van een omslag met in totaal zevenenzeventig lithografieën van bloemen en fruit.
Cap
Object type: cap
Date: 1790 – 1790
Materials: cotton, linen, wool
Culture: french

During the French Revolution, headdresses played a vital role in marking political affiliation and national identity. Hats adorned with a tricolor ribbon cockade became symbols of patriotism, while the liberty cap or bonnet rouge, became a symbol of the Revolution. The bonnet rouge resembled a floppy woolen cap commonly worn by working men, but its shape was drawn from the ancient Roman pileus, a cap given to freed slaves to mark their liberation, and the Phrygian cap, a curved cap associated in antiquity with the people of Phrygia, located in present-day Turkey. This rare example of a revolutionary cap represents a type known as the bonnet de police worn by members of the National Guard, which was typically adorned with Revolutionary imagery. The band of this cap is embroidered with a Phrygian cap mounted on a pike, and fasces, or tied bundles of wooden rods, a symbol of unity and authority in ancient Rome.
Netsuke
Object type: netsuke
Date: 1700 – 1900
Materials: ivory
Location: japan
Artist: Anonymous

Uitbeelding van vier figuren, wellicht tafereel in twee gedeeltes aan twee kanten van de netsuke. Inscriptie op de onderkant. Gat door het midden.
Fragment pijpenkop
Object type: fragment
Date: 1780 – 1800
Materials: clay
Location: schoonhoven
Subjects: directeur, hoogleraar, caspar jacob christiaan reuvens

Fragment pijpenkop met een kroon en de letters I L R en N afgebeeld. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Cafe "de Groeneweide". Vrouwenpoort. Leeuwarden
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: leeuwarden
Subjects: animal traction, animal-drawn vehicle (carriage etc.), restaurant
Stirrup Spout Bottle with Wrinkled Face
Object type: bottle
Date: 201 – 500
Materials: ceramic
Culture: moche
Location: peru
Subjects: faces
Fauteuil et chaise Style Louis XIV
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Schaapmelkende man
Object type: drawing
Date: 1756 – 1797
Materials: chalk, paper
Location: netherlands
Artist: hendrik willem schweickhardt
Artist role: draughtsman, painter, print maker
Artist dates: 1746 – 1797
Inscriptions: signature: ‘HW Schweickhardt’
Gravures à l'eau-forte par A. Severin
Object type: print
Date: 1851 – 1852
Materials: paper
Techniques: etching
Location: brussels
Artist: antoine severin
Artist role: print maker
Subjects: hunter, deciduous forest

Prent maakt deel uit van een serie van negen prenten.
Adoration of the Magi
Object type: drawing
Materials: ink
Techniques: brush, pen, wash
Artist: frans francken ii
Artist role: artist
Artist nationality: flemish
Artist dates: 1581 – 1642
Subjects: adoration of the magi
J.D.G. Grootveld
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: painter, historical persons, portrait, self-portrait of painter, painter at work, in his studio, portrait, self-portrait of artist, amsterdam

De schilder en chef-decorateur in het Paleis voor Volksvlijt te Amsterdam, Jan David Geerling Grootveld, aan het werk in zijn atelier. Bij zijn overlijden op 25 februari 1890.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three large, complete kylix handles
Georg Arsenius
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Brief aan Jan Veth
Object type: letter
Date: 1866 – 1918
Materials: ink, paper
Techniques: pen, writing
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: dordrecht, painter, designer, jan veth, richard nicolaüs roland holst, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’, watermark, monogram: ‘WM’
Belt Ornament
Object type: belt end
Date: 301 – 400
Materials: copper alloy, gilt
Culture: byzantine or roman
Location: rome (possibly)
Subjects: couples,men,women,pegasus

A couple stands in the traditional Roman marriage pose under a Christogram on the front of this ornament; Bellerophon on the winged horse Pegasus triumphs over the mythical Chimera on the back. Classical traditions were combined with the new faith as Christianity became the dominant religion in the Empire. As Christianity became the dominant religion in Byzantine society, Christian imagery was increasingly found on jewelry. Crosses appear by the fifth century; the Virgin Mary, saints, angels, and other holy figures became popular in the sixth century. The images were thought to protect the wearer, aid in prayers, and even perform miracles.
Textile with Old Rose in Diaper Pattern
Object type: textile
Date: 1401 – 1500
Materials: metal thread, silk
Culture: german
Philippus dei gratia Franc rex
Object type: book illustration
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: lyon, historical persons, king

Prent gebruikt in: Eudes de Mézeray, François. Chronyk van Vrankryk. 6 dln. Amsterdam: Jan Bouman en Timotheum ten Hoorn, 1685, dl. 2.
The Immaculate Virgin
Object type: drawing
Date: 1701 – 1766
Materials: chalk, ink
Techniques: brush, pen, drawing, transfer, wash
Location: netherlands
Artist: johann georg bergmüller
Artist role: artist
Artist nationality: german
Artist dates: 1688 – 1762
Subjects: angels,virgin mary
Muts van gebreide katoen, met langs het voorhoofd een strook met fijnere structuur
Object type: womenswear
Date: 1800 – 1900
Materials: cotton
Techniques: knitting
Location: friesland
Artist: Anonymous
Subjects: head-gear: cap (+ men's clothes)

Muts van gebreide katoen. De bol van is langs het voorhoofd afgezet met een strook met fijnere struktuur. Voor daagse- of onderdracht.
Heuvelland met een vervallen muur en een poort
Object type: print
Date: 1640 – 1706
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscape with ruins, monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2165

Glooiend landschap met een vervallen muur en een poort in een boog. Op de voorgrond vier monniken en een landweg met een wandelaar. De prent maakt deel uit van een serie van twaalf landschappen.
Lezende vrouw op balkon
Object type: print
Date: 1877 – 1890
Materials: paper
Techniques: lithograph
Location: the hague
Artist: jan mesker
Artist role: print maker
Artist dates: 1843 – 1890
Subjects: adult woman, reading, balcony, pillow
Inscriptions: collector's mark: Lugt 2228

De vrouw leunt op een kussen. Naast haar ligt een bloem. Ze draagt een jurk met ontblote schouders.
Staande vrouw, mogelijk in badkleding
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: hand on the hip - aa - both arms or hands, adult woman (+ standing)

Haar handen in haar zij. Pagina 20 uit schetsboek XL met 40 pagina's.
H. Franciscus Xaverius met kruisbeeld in het stro
Object type: print
Date: 1672 – 1709
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: the jesuit missionary francis xavier; possible attributes: cross, crucifix, flaming heart, indian, lily, torch (+ angel(s))
Inscriptions: collector's mark: Lugt 240
A grotto with collapsing rocks, opening to a sky full of the enthroned gods of Olympus, including Jupiter, Apollo, Mars, Venus, and Mercury; set design from 'La Monarchia Latina Trionfante'
Object type: print, fete, ornament architecture
Date: 1678 – 1678
Techniques: etching
Artist: mathäus küsel
Artist role: artist
Artist nationality: german
Artist dates: 1621 – 1682
Subjects: women,apollo,jupiter,mars,venus,stage design

One of a series of plates depicting the theatrical sets for the opera 'La Monarchia Latina Trionfante', designed by Ludovico Burnacini with a libretto by Nicolò Minato, music by Antonio Draghi, and the ballet by Johann Heinrich Schmeizer. Produced in Vienna in 1678, the opera commemorates the birth of Archduke Joseph, son of Emperor Leopold I and his third wife, Eleonora Magdalena.
The Mocking of Christ, from "Life of the Virgin and Christ"
Object type: print
Date: 1480 – 1500
Techniques: engraving
Artist: francesco rosselli
Artist role: artist
Artist nationality: italian
Artist dates: 1448 – 1527
Subjects: christ,crowd