deem-data/ArtiFact huggingface dataset:
Soft Glides the Sea, Bounding and Free
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: united states
Artist: robert salmon
Artist role: artist
Artist nationality: american
Artist dates: 1755 – 1844
Strip
Object type: strip
Date: 1701 – 1800
Techniques: lace
Subjects: birds,deer,flowers
Eagle Pendant
Object type: pendant
Date: 1001 – 1500
Materials: gold
Culture: veraguas
Location: panama
Subjects: eagles
Single Spout (Ai-Apec) Figure Bottle
Object type: bottle
Date: 301 – 700
Materials: ceramic
Culture: moche
Location: peru
Subjects: men
Sheet with faded floral pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Woman with large circular fur hat and earrings
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: hats,portraits,women

A woman shown bust-length, directed left; wearing a fur cap, earrings, shoulder wrap with double lace border, fastened with brooch, over brocaded gown, with a chain showing beneath the wrap.
Ewer
Object type: ewer
Date: 1771 – 1771
Materials: silver
Artist: barthélemy samson
Artist role: maker
Artist dates: 1682 – 1782
Subjects: flowers
Head of Pericles
Object type: cameo
Date: 1801 – 1900
Materials: gold, onyx
Subjects: heads,men,profiles
Better a wee bush than nae bield
Object type: bookplate
Date: 1876 – 1876
Materials: paper
Techniques: relief print
Location: england
Artist: Anonymous
Subjects: head (human), birds, historical persons
Inscriptions: date
Ebe
Object type: print
Date: 1793 – 1838
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: (story of) hebe (juventas) - attributes, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 12

Deze prent maakt deel uit van een reeks van onbekende omvang met voorstellingen van sculpturen van Antonio Canova door verschillende prentmakers naar tekeningen van Giovanni Tognolli. Het beeld van Canova bevindt zich in de Hermitage te St. Petersburg.
Tobias and the Angel
Object type: print
Date: 1630 – 1633
Materials: paper
Techniques: etching, intaglio
Location: amsterdam
Artist: hercules segers
Artist role: draughtsman, painter, print maker
Artist dates: 1589 – 1640
Subjects: tobias and the angel raphael continue their journey; usually tobias carrying the fish

On the basis of the watermark in the paper used for this etching, it could be dated to around 1630–1633. It must have been one of Segers’ last prints, and given the representation and its sensitive execution also his most ambitious one.
Fan
Object type: fan
Date: 1774 – 1789
Materials: gold, ivory, silk, silver
Culture: french
Subjects: women,musicians
Portret van George Hohenlohe-Langenburg
Object type: print
Date: 1578 – 1630
Materials: paper
Techniques: engraving
Artist: peter isselburg
Artist role: print maker
Artist dates: 1568 – 1630
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent is mogelijk gebaseerd op een prent van Wolfgang Kilian uit 1620, of vice versa, aanwezig in de HAB: A 25495.
Ygezicht, naar 't Blaauw Hoofd, voor Amsteldam, in den storm, den 21.sten novemb. 1776
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, storm at sea, amsterdam

Prent ook gebruikt in: Hering, Johan Hendrik. Bespiegeling over Neêrlandsch waternood, tusschen den XXIsten en XXIIsten november, MDCCLXXVI. Amsterdam: Johannes Allart, 1778, tussen p. 12 en 13.

Zie RP-P-OB-23.509 voor eerdere en RP-P-OB-23.436 voor latere staat.
Blouse
Object type: blouse
Date: 1876 – 1900
Materials: cotton, silk

The disposition of embroidery on this blouse is distinctly Romanian. Dense bands of geometric motifs over the shoulders and vertical bands below alternating with drawnwork bands are quintessentially Romanian. Henri Matisse's friendship with painter Teodor Pallady sparked his interest in Romanian folk costume. This type of blouse was a recurring theme in Matisse's work. This object was collected by Stewart Culin (1858-1929) during a collection expedition in 1921. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
Rond bord, veelkleurig beschilderd met een Kakiemon-decor
Object type: eating drinking utensil
Date: 1740 – 1745
Materials: porcelain
Techniques: painted
Location: meissen

Rond bord van beschilderd porselein. Het bord is geribd en heeft een geschulpte rand. Het bord is beschilderd met een tijger die om een blauwe bamboestengel tussen bloemen is gedraaid, gestrooide Indianische Blumen, vlinders en takken waarop vogels. De rand is versierd met het 'Altbrandenstein'-patroon. Het bord is gemerkt.
Gezicht op de Dorpskerk te Poortugaal
Object type: photograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: albumen print
Location: poortugaal
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Poortugaal N.H. Kerk (Z.H.)/ opgemeten Maart 1902’, annotation: ‘N.H. Kerk, Maart 1902/ Poortugaal’
Zittende jongen met een baret
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: head-gear: beret (+ men's clothes)
Inscriptions: collector's mark: Lugt 240

Een jongen met een baret zit op een stoel. In zijn hand een stok.
Personificatie van verschillende tijdstippen
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: personification of the night, 'nox'; 'notte', 'carro della notte', 'serenità della notte' (ripa), maenad(s), female bacchant(es), satyr(s) (in general)
Inscriptions: collector's mark: Lugt 240
Heilige Alliantie
Object type: print
Date: 1815 – 1818
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: vienna, frans ii (rooms-duits keizer), alexander i (tsaar van rusland), frederik willem iii koning van pruisen, peace negotiations, knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De heersers van Rusland, Oostenrijk en Pruisen reiken elkaar de hand als teken van het de Heilige Verbond of de Heilige Alliantie, afgesloten in Parijs op 26 september 1815. Links tsaar Alexander I van Rusland, in het midden keizer Frans I van Oostenrijk en rechts koning Frederik Willem III van Pruisen.
Portret van keizer Karel V
Object type: print
Date: 1640 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ghent, charles v (holy roman emperor and king of spain), historical persons, knighthood order of the golden fleece, king
Admirandorum quadruplex spectaculum
Object type: print
Date: 1694 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, river
Inscriptions: collector's mark: Lugt 2228

Gezicht op de stad Bacharach aan de Rijn. Op de heuvel de burcht Stahleck. Op de voorgrond een zeilschip. Prent uit een serie van 71 prenten met Rijnlandschappen, gezichten op vorstelijke paleizen en stadsgezichten uit Den Haag en Amsterdam.
Gezin met een ziek kind bij de dokter
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: etching
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: physician, doctor, hourglass, (human) skeleton
Inscriptions: collector's mark: Lugt 2228, annotation: ‘zeer zeldzaam’
Chalice
Object type: chalice, cup, lotiform, relief
Date: 945 – 712
Materials: faience
Location: egypt
Subjects: human figures,birds,fish,boats
Colombo lake
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: colombo
Artist: Anonymous
Inscriptions: caption: ‘Colombo lake’
Ornament for Cartouche
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: cartouches,ornament
Portret van Johann Adam Schertzer
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving, etching
Subjects: theologian, historical persons, heart, angels
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1830 – 1890
Materials: graphite
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: stage design
Ein ney Furmbüchlein, Page 17, recto
Object type: book print ornament architecture
Date: 1525 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Double-Sided Teapot with Tree Peonies
Object type: teapot
Date: 1667 – 1733
Materials: cobalt, enamel, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: peonies
Servet met de verovering van Neuhäusel, Gran, Buda en Pest door Leopold I, keizer van Duitsland
Object type: napkin
Materials: linen
Techniques: damask
Location: flanders
Artist: Anonymous
Subjects: vienna, leopold i (keizer van duitsland)

Servet van linnendamast met de verovering van Neuhäusel, Gran, Buda en Pest door Leopold I; met het wapen van het Heilige Roomse Rijk met hartschild Oosterijk.
Portret van Juliana, koningin der Nederlanden
Object type: photograph
Date: 1933 – 1933
Materials: photographic support
Techniques: photography
Location: the hague
Artist: franz ziegler
Artist role: fotograaf
Artist dates: 1893 – 1939
Subjects: the hague, juliana of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Titelpagina voor: Henri Béraldi, Les Graveurs du XIXe siècle (...), 1888
Object type: print
Date: 1856 – 1897
Materials: paper
Techniques: etching
Location: paris
Subjects: tight-ropewalker
Inscriptions: collector's mark: Lugt 2228, annotation: ‘1e Etat’, stamp: Lugt 1157

Titelpagina voor: Béraldi, Henri. Les Graveurs du XIXe siècle : guide de l'amateur d'estampes modernes. Parijs: L. Conquet, 1885-1892, dl. 7 (1888).
Portret van Juan Domingo Méndez de Haro y Fernández de Córdoba
Object type: book illustration
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: juan domingo méndez de haro y fernández de córdoba, armour, historical persons

Prent waarschijnlijk uit: Theatrum Europaeum. Frankfurt am Main: erven Matthäus Merian, 1682, dl. 11.
Polychrome Bowl with Geometric Star Motif on Interior and Interloking Scroll on Exterio
Object type: vessel
Date: 1300 – 1400
Materials: ceramic, pigment
Culture: cibola
Location: arizona
Blarekum int Gooy
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: prospect of village, silhouette of village, church (exterior), agriculture, windmill

Prent uit: Rademaker, Abraham, Niedek, Matthaeus Brouërius van, Long, Isaac Le. Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen. Amsterdam: Willem Barents en Antoni Schoonenburg, 1727-1733, ill. nr. 252.
Haakpen van staal met knop en geleding
Object type: textile working equipment
Date: 1900 – 1950
Materials: steel
Location: germany

Een haakpen van staal met knop en geleding. Adres: Imra / Geschützt.
Ceramic stove on cast-iron firebox (one of a pair)
Object type: stove
Date: 1773 – 1773
Materials: earthenware, gilt
Techniques: glazing
Artist: abraham leihamer
Artist role: artist
Artist dates: 1745 – 1774
Subjects: flowers,landscapes,trees,boats
Abklatsch van de krijttekening op pagina 25
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 24 uit een schetsboek met 38 bladen.
Portret van anatomist Antonio Scarpa
Object type: print
Date: 1834 – 1842
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Föhrer Mühlen
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Location: berlin
Artist: h.w. müller
Artist role: fotograaf
Subjects: windmill in landscape, horse
Inscriptions: monogram: ‘MR&C’
Nieuwjaarswens van de gaslantaarnopstekers van Amsterdam voor het jaar 1862
Object type: print
Date: 1861 – 1862
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: gas-lamp, gas supply, digging (industrial process), street lighting, amsterdam

Nieuwjaarswens van de Amsterdamse gaslantaarnopstekers voor het jaar 1862. Centraal een vers in twee kolommen. Bovenaan een straat in Amsterdam opgebroken voor de aanleg van de gasleiding. Onderaan twee gasfitters. Van de gaslantaarnopsteker: J. Redeman. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Spring, a young girl within a wreath of flowers in each hand and another on her head, within a cartouche made of flowers, from "The Four Seasons" (Les Quatre Saisons)
Object type: print
Date: 1638 – 1643
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: cartouches,girls,flowers,wreaths
Sugar caster
Object type: sugar caster
Date: 1709 – 1710
Materials: silver
Artist: david andré
Artist role: maker
Artist dates: 1643 – 1743
Subjects: coat of arms

Europeans not only used sugar to sweeten coffee, tea, and chocolate imported from the Americas, India, and East Asia, but also to complement savory dishes and flavor fruit and desserts. The taste for sugar drove a rapid expansion of enslaved labor in the Caribbean. Crystallized sugar was shipped in hard, paper-wrapped cones which had to be broken or cut into small pieces. Served in a bowl, small lumps of sugar were offered with tea and coffee, the hot liquids quickly dissolving the lumps of sugar. Alternatively, the imported sugar was refined in France and crushed into a fine powder for use as a condiment during the meal. This required a different type of serving vessel: either a caster with an openwork lid for sprinkling, or a lidded bowl with a pierced spoon for dusting. Small casters to contain salt, ground pepper, spices, and dry mustard were already used in France by the mid-1600s. With the increasing sugar consumption, taller casters for powdered sugar were added to the table. A dusting of fine grain or powdered sugar enhanced the flavor of fresh fruit served at the time of the dessert. The early cylindrical form of the sugar caster with a pierced domed lid surmounted by a finial or knob, gave way in the eighteenth century to a more elegant baluster shape. The ornate openwork of the lid allowed the sugar to be sprinkled (saupoudroir) or “cast.” This example, by the Paris silversmith David André, dates to 1709-10. Its decorative scheme is derived from designs by Jean Berain. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum.
In Monument Park
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: new york city
Artist: Anonymous
Subjects: landscapes, ravine, chasm, abyss, canyon
Collar
Object type: collar
Date: 1701 – 1800
Techniques: lace
Subjects: flowers
Mousehold Heath, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Reverie
Object type: painting
Date: 1875 – 1875
Materials: canvas, oil
Artist: matthys maris
Artist role: artist
Artist nationality: dutch
Artist dates: 1839 – 1917
Subjects: interiors,women,cats
Gaslicht-papier Artos L. Gevaert & Co.
Object type: envelope
Date: 1911 – 1920
Materials: paper
Techniques: letterpress printing, lithograph
Location: antwerp
Subjects: processing film
Inscriptions: stamp: ‘3 Papier mat wit glad/ Papier mat blanc lisse’, stamp: ‘A.W.P./ 49943/ DRPP’
Kimono
Object type: kimono
Date: 1801 – 1900
Materials: silk
Culture: japanese
Subjects: flowers
De exercitie met schild en spies: de soldaat trekt zijn rapier van achter zijn schild (nr. 18), 1618
Object type: print
Date: 1616 – 1618
Materials: paper
Techniques: engraving
Location: the hague
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Illustratie in: Adam van Breen, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieu ordening [van] ... Maurits van Nassau, 's-Gravenhage, [Aert Meuris] 1618, plaat nr. 18. In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 22).
Textile Fragment
Object type: textile fragment
Date: 1201 – 1400
Materials: linen, silk
Techniques: embroidery
Location: egypt
Jachtscènes (deel 2)
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: vatican city
Subjects: hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), hunt ~ mammals
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’, number: ‘11’

Landschap met primitieve jagers in lendendoeken te paard jagend op wilde honden (de dieren lijken meer op lama's met hangoren).
Oud-Amsterdam 100 Stadsgezichten
Object type: photomechanical print
Date: 1870 – 1923
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: city-view in general; 'veduta', the usual house or row of houses, lane, alley
Inscriptions: collector's mark: ‘9,19’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
Lezend meisje en twee vrouwen in een bibliotheek
Object type: fashion print
Date: 1841 – 1892
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Artist: jules david (1808-1892)
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1892
Subjects: fashion plates, study; 'studiolo'; library, newspaper, news-sheet
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond een lezend meisje op haar rug gezien. Een van de vrouwen pakt een boek uit de boekenkast. In de achtergrond een vaas op een sokkel. Rechtsonder genummerd: 793.
Fotoreproductie van een schilderij van A.G. von Ramberg, voorstellend de ouders van Hermann zittend bij een poort
Object type: reproduction
Date: 1871 – 1872
Materials: photographic support
Techniques: albumen print
Location: berlin
Subjects: marriage, married couple, 'matrimonium', gate, entrance

Onderdeel van Album met fotoreproducties van schilderijen van A.G. von Ramberg naar het werk 'Hermann und Dorothea' van J.W. von Goethe.
Glass Fragment
Object type: fragment
Date: 1301 – 1400
Materials: glass
Culture: french
Location: france
Gezicht op een kleine rietgedekte woning met een beek op de voorgrond
Object type: print
Date: 1816 – 1875
Materials: paper
Techniques: etching
Artist: paulus lauters
Artist role: print maker
Artist dates: 1806 – 1875
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
La vertu pour guide
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: the seven virtues (symbolized), virtuousness; 'amor di virtù', 'attione virtuosa', 'guida sicura de' veri honori', 'virtù', 'virtù insuperabile' (ripa)
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Merken, Lucretia Wilhelmina van. Artemines, Treurspel. Utrecht: S.n., 1774.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald.
Portret van Wilhelm I
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: tone lithography
Location: berlin
Subjects: wilhelm i (keizer van duitsland), adult man, historical persons
Inscriptions: check stamp: ‘Kunsthandlung I. Rocca Berlin’, collector's mark: Lugt 2228
Kohl Flask
Object type: kohl flask
Date: 901 – 1200
Materials: stone
Techniques: carving, incising
Location: iran
Subjects: birds

This charming object was designed to hold kohl, a black cosmetic powder applied around the eyes. In the past, kohl was widely used by men and children as well as women. It was thought not only to accentuate the beauty of the eyes, but also to guard against the glaring sun, ward off evil, and discourage eye disease. The narrow drill hole at the top of this flask would have accommodated a slender stick to collect the cosmetic.
Portret van Julia Bosville
Object type: print
Date: 1708 – 1775
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 240
Stadhuis Kampen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: kampen
Artist: Anonymous
Subjects: advertising, townhall, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 3937
Soleil Double
Object type: page
Date: 1890 – 1896
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), sun as celestial body
Inscriptions: inscription: ‘Bulletin de la Societé belge d'Astronomie, número 1-2 Pl IV.’
De Gelaarsde Kat / Le chat botté
Object type: popular print
Date: 1833 – 1911
Materials: paper
Techniques: lithograph, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: cat, tales and fairy tales
Inscriptions: collector's mark: Lugt 1641

Blad met zestien voorstellingen uit het sprookje van de gelaarsde kat. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: N. 1. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Patroon voor een strook kloskant Binche d'Auvergne
Object type: lace pattern
Date: 1865 – 1865
Materials: cardboard
Techniques: drawing
Location: france
Artist: Anonymous

Patroon voor een strook kloskant op oranje gekleurd karton. Op het patroon staat de handgeschreven tekst: "Binche d'Auvergne; [....] en 1865".