deem-data/ArtiFact huggingface dataset:
Healing of the paralized man at the pool of Bethesda
Object type: painting
Materials: oil, panel
Artist: pieter aertsen
Artist role: draughtsman, painter, print maker
Artist dates: 1508 – 1575
Subjects: sick people lying near the pool of bethesda ~ christ healing paralytics (john 5:1-9)
Inscriptions: inscription: ‘Op de toegangspoort tot de bron: IOA VC (=Johannes 5, 1-16)’, signature and date: ‘Gemonogrammeerd en gedateerd: '1575/ME 17'’

De genezing van de verlamde man te Bethesda (Johannes 5:1-16). Christus staat voor een rijk gedecoreerde poort, waarvoor zich een groot aantal zieke mensen bevinden. Achter de poort is te zien hoe een engel in de genezende bron duikt.
Square bottle with flowering plants, a dragon, birds, flower vases and insects
Object type: bottle
Date: 1700 – 1724
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: arita
Artist: Anonymous

Square flask. Japan, c. 1700 - 1720, decorated, c. 1710 - 1725.
Batterijen rondom Amsterdam in 1787 (kopieën)
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: defence of fortification or city, defensive measures (military)
Inscriptions: collector's mark: Lugt 2228

Drijvende batterij in de Amstel aan de Weesperzijde, ten hoogte van de Weesperweg. Onderdeel van een serie van veertien platen (waarvan de dertiende prent ontbreekt), gekopieerd naar de eerste reeks van platen van de verdedigingen aangelegd door de patriotten rondom Amsterdam ten tijde van de inval van de Pruisische troepen in september 1787.
Zakspiegel in een ivoren etui
Object type: pocket mirror
Date: 1860 – 1860
Materials: ivory, mother of pearl, silver
Techniques: inlay
Location: western europe
Artist: Anonymous

Zakspiegeltje in ovaal ivoren etui met inlegwerk van zilver en parelmoer: een cartel en bloemtakje, ca 1860.
Schets van rotsen langs een weg
Object type: drawing
Date: 1694 – 1694
Materials: chalk, paper
Artist: jan siberechts
Artist role: draughtsman
Artist dates: 1627 – 1703
Subjects: rock-formations, united kingdom
Inscriptions: date
Drinkende vrouw
Object type: photomechanical print
Date: 1900 – 1905
Materials: paper
Techniques: collo-autotype
Subjects: pouring
Inscriptions: inscription: ‘F. V.’, inscription: ‘At Montmartre by M.G. Grimprel’
Pieces (4)
Object type: piece
Date: 1501 – 1600
Materials: metal thread, silk
Piece
Object type: piece
Date: 1690 – 1700
Materials: silk
Forget Me Not (valentine)
Object type: drawing and watercolor
Date: 1840 – 1840
Materials: ink, paper
Techniques: collage, cutting, embossing, lithograph, pen
Location: england
Artist: george kershaw
Artist nationality: english
Artist dates: 1800 – 1899
Prof. Dr. J.A. Alberdingk Thijm
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: amsterdam, painter, draughtsman, publisher, josephus albertus alberdingk thijm, historical persons, professor

Portret van professor Josephus Albertus Alberdingk Thijm, vertegenwoordiger van de Nederlandse regering op het twintigste Nederlandsche Taal- en Letterkundig Congres te Amsterdam, 15-17 september 1887.
Monstrance Surrounded by Cherubs
Object type: drawing
Date: 1600 – 1800
Materials: ink
Techniques: grisaille
Artist: anonymous, italian, 17th or 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1799
Tea caddy (part of a set)
Object type: tea caddy
Date: 1765 – 1770
Materials: copper, enamel
Techniques: painting, polychrome
Subjects: animals,landscapes,pastoral
Vos door een man met een stok gedood
Object type: book illustration
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: man killing animal, beasts of prey, predatory animals: fox

Illustratie uit: Duĳkerius, Johannes. Voorbeeldzels der oude wyzen. Waar in (...) de menschelijke hartstogten (...) behandeld worden. Amsterdam: Aart Wolsgrein, 1693, p. 551.
Design for Pony Phaeton, no. 3240
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Sheet with putti and several figures
Object type: drawing
Date: 1833 – 1898
Materials: graphite, ink
Techniques: pen
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Subjects: men,women,putti
Portret van René Just Haüy
Object type: print
Date: 1779 – 1850
Materials: paper
Techniques: engraving
Subjects: france, paris, historical persons, measuring-instruments, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2228
Christ Disrobed by the Soldiers, from Passion of Christ
Object type: print
Date: 1575 – 1600
Materials: paper
Techniques: engraving
Location: belgium
Artist: jan sadeler, the elder
Artist nationality: flemish
Artist dates: 1550 – 1600
Charcoal burner with flowering plants, birds and an inscription
Object type: hiire
Date: 1800 – 1849
Materials: cobalt, glaze, paint, stoneware
Techniques: firing, forming, turning, vitrification
Location: japan
Artist: Anonymous
Inscriptions: mark, inscription, mark

Houtskoolbrander (hiire) van steengoed, beschilderd in onderglazuur blauw. De onderste helft van de kom heeft een geribde wand, verdeeld in een band langwerpige vakken met karakters. Daarboven een band met drie vogels op een rots of een tak en medaillons en cartouches met landschappen, personen of servetwerk. De binnenrand met een brede band met de 'drie vrienden van de winter' (bamboe, pijnboom, prunus), met een vogel op de prunustak. De bodem is ongeglazuurd. Gemerkt op de onderzijde met een zes-karaktermerk in een dubbele cirkel en een ingedrukt vier-karaktermerk. Kyoyaki.
Vase with cover (Vase en tour) (one of a pair)
Object type: vase with cover
Date: 1763 – 1763
Materials: enamel, gold, soft paste porcelain
Techniques: polychrome
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: towers,trophies
Portrait of Joos van Trappen, called Banckert, Vice-Admiral of Zeeland
Object type: painting
Date: 1640 – 1640
Materials: canvas, oil
Location: netherlands
Artist: Anonymous
Subjects: flushing, historical persons, commander-in-chief, admiral

Portret van Joos van Trappen (1599-1647), genoemd Banckers, vice-admiraal van Zeeland. Buste en face, om de hals een ketting met een medaillon ontvangen van de Generale Staten na de slag bij Duins (1639).
Heuvellandschap met bebouwing
Object type: sketchbook leaf
Materials: paper, pencil
Location: italy
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: low hill country, rural housing, e.g. country-house, villa, cottage, italy

Pagina 23 uit een schetsboek met 32 bladen.
Electro aromatic belt patented against sea sickness
Object type: riem kledingaccessoire
Materials: copper, leather, silk
Location: brussels
Artist: alphonse l.e. mosselman
Artist role: uitvinder
Inscriptions: inscription: ‘DEPOSE<BR />A.M. & CIE’, inscription: ‘CEINTURE AROMALE ELECTRIQUE<BR />CONTRE LE MAL DE MER’, inscription: ‘GERREVETEERT<BR />JE MAINTIENDRAI’, inscription: ‘BRÉVETÉ<BR />L'UNION ...FORCE’, inscription: ‘PATENT<BR />DIEU ET MON DROIT<BR />HONY SOIT QUI MAL Y PENSE’, inscription: ‘BRÉVETÉ’, inscription: ‘ELECTRO AROMATIC BELT PATENTED <BR />AGAINST SEA SICKNESS’

Bruine leren riem met gouden opdruk, binnenkant van rode zijde. Indien de riem wordt gedragen zit er in de zij een harde uitstulpsel die waarschijnlijk zeeziekte tegengaat. Aan de buitenkant daarvan een koperen rechthoekig plaatje waarnaast 14 verticale en 2 horizontale pinnen om deze te bevestigen. Tevens vier emblemen in goud opgedrukt. Riem is opgerold in zwart ovalen foedraal met gouden opdruk. Zijkant kapot.
Medal:  Francesco II Gonzaga
Object type: medal
Materials: bronze
Artist: bartolommeo melioli
Artist role: artist
Artist nationality: italian
Artist dates: 1448 – 1514
Subjects: men,portraits,profiles,women

The obverse bears a portrait of Francesco II Gonzaga (1466–1519), fourth marquess of Mantua. On the reverse is a standing female holding a basket with a scroll and staff, and flanked by water and fire, who may represent the personification of Health, possibly a reference to Francesco’s recovery from a life-threatening illness in 1484. She has also been identified as Prudence or Good Government. The aftercast may date from the sixteenth or seventeenth century.
Gezicht op een vallei met een meer in Schotland
Object type: photograph
Date: 1858 – 1863
Materials: paper
Techniques: albumen print
Location: scotland
Artist: thomas ogle
Artist role: fotograaf
Subjects: dale, valley, lake
Inscriptions: inscription: ‘p.92.’
Gezicht op de Riva degli Schiavoni in Venetië met het dogepaleis
Object type: page
Date: 1888 – 1898
Materials: paper
Techniques: photoaquatint
Location: riva degli schiavoni
Subjects: palace, avenue, boulevard, promenade, esplanade
Inscriptions: inscription: ‘hh’
Terracotta pyxis (box)
Object type: pyxis
Date: 420 – 410
Materials: terracotta
Culture: greek, attic
Artist: meidias painter
Artist role: artist
Subjects: women,aphrodite

Aphrodite attended by ladies The representation here shows the typical Athenian lady surrounded by attendants holding caskets and vases for oil. Its significance is altered by the inscriptions, which identify Aphrodite as the seated figure and her companions as Peitho (Persuasion), Hygeia (Health), Eudaimonia (Good Fortune), Eukleia (Good Repute), Eunomia (Good Order), Paidia (Play). The pyxis was undoubtedly a wedding gift.
Fragment van een tafellaken van wit linnendamast met een patroon van gestrooide bloemen en vruchten
Object type: woven material
Date: 1670 – 1680
Materials: linen
Techniques: damask
Location: flanders

Fragment van een tafellaken van wit linnendamast met een patroon van gestrooide bloemen en vruchten.
Notices of sculpture in ivory, consisting of a lecture on the history, methods, and chief productions of the art
Object type: book
Date: 1856 – 1856
Materials: cardboard, leather, paper, photographic support
Techniques: albumen print
Location: london
Inscriptions: inscription: ‘Charles P. Neuter [...] from [...]’
Schaapherder met zijn kudde
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: etching
Artist: frans lebret
Artist role: draughtsman, painter, print maker
Artist dates: 1820 – 1909
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep
Inscriptions: collector's mark: Lugt 2228, number: ‘13’

Een schaapherder loopt te midden van zijn kudde schapen. Hij heeft een schaap onder de arm genomen.
Pin
Object type: pin
Date: 201 – 700
Materials: lead
Culture: sasanian
Location: iran
Gipsen afgietsels van paneeltjes uit een kerk te Dordrecht
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: dordrecht
Artist: Anonymous
Inscriptions: annotation: ‘31 Paneeltjes Dordrecht / M 0.36 1/3 lang - M 0.31 breed’, annotation
Border
Object type: border
Date: 1801 – 1833
Materials: metal thread, silk
Samenkomst van de zoons van Willem van Brunswijk-Lüneburg
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: history, debate, discussion (~ meeting), brothers (second degree family relationships)
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Almanac de Gotha pour l'anneé 1793. Gotha: C. W. Ettinger, [1792].
The Adoration of the Shepherds
Object type: painting
Date: 1580 – 1699
Materials: oil, panel
Location: southern netherlands
Subjects: adoration of the christ-child by the shepherds; mary and joseph present (+ angel(s))

De aanbidding der herders. Herders en engelen verzameld rond de heilige familie met het kind in de kribbe. Kopie naar een gravure van Jan Baptist Collaert I naar Maerten de Vos.
Virginie Déjazet
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: portrait of actor, actress, france

Deze prent maakt deel uit van een album.
Broad Grins, or a Black Joke
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

A woman in an advanced stage of pregnancy stands, laughing, alongside an elderly parson, who recoils in angry horror. A high garden wall is behind them, with a sign that reads, "Man Traps laid in these Grounds," and a hole in the wall, where a black servant looks through.
Theaterpoort opgericht op de Damsluis, 1642
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: pieter nolpe
Artist role: draughtsman, print maker
Artist dates: 1613 – 1653
Subjects: henriëtta maria van frankrijk (koningin van engeland, schotland en ierland), triumphal arch, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', the stage and its equipment, amsterdam

Theaterpoort opgericht op de Damsluis. Bovenaan het wapen van de Engelse koning Karel I, aan de zijden beelden van Pallas en Mars. Toneel voor de vertoningen tijdens het bezoek van Engelse koningin Henrietta Maria aan Amsterdam, 20-22 mei 1642. Negende plaat in een groep van tien vertoningen en triomfbogen.
Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence
Object type: drawing
Date: 1652 – 1725
Materials: chalk, graphite, ink
Techniques: brush, pen, wash
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: putti,sarcophagus
Aaron Burr
Object type: print
Materials: paper
Techniques: etching, stippling
Location: united states
Artist: Anonymous
Artist nationality: likely american or british
Artist dates: 1800 – 1899
Ey kinders ziet dees heeren aan / Yder heeft een juffrouw by hem staan
Object type: popular print
Date: 1725 – 1780
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: fashion, clothing, adult woman, adult man, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, inscription: ‘Bebes Jaap en kint en bebes Annetjes kint Luyjen Pieter Admiraal Anno / 1748’

Blad met 4 voorstellingen. Twee voorstellingen van heren en twee voorstellingen van dames. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: 11.
Huizen aan de rand van de stad
Object type: drawing
Date: 1773 – 1843
Materials: chalk, paper, pencil
Artist: georges michel
Artist role: draughtsman
Artist dates: 1763 – 1843
Subjects: outskirts of city

Een van 120 tekeningen, afkomstig uit een 19e eeuws album met tekeningen van Georges Michel.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, toes; one letter of an inscription, E; Exterior, thighs and genitals of male to left; at left knee, fingers of a second figure?
A Bankrupt Cart, or The Road to Ruin in the East!
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs,horses,carts

A family drives in a rough two-wheeled cart drawn by a clumsy carthorse. The man drives, wearing a cocked hat and his wife wears large feathers in her small straw cap and holds up a fan. A boy and girl are squeezed in the back. A grinning footman rides behind them.
Kyoto: Evening Cool at Shijo (Onajiku taibi, Shijo suzumi), from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi)," also known as the Figure Tokaido (Jinbutsu Tokaido)
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Studies van een arm en van vingers
Object type: drawing
Date: 1649 – 1684
Materials: chalk, paper
Artist: caspar netscher
Artist role: draughtsman, painter, print maker
Artist dates: 1639 – 1684
Subjects: arms, fingers

Studie van een rechterarm met hand en van de vingers van een linkerhand.
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1825 – 1890
Materials: graphite
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: trees,stage design
The Amida Falls in the Far Reaches of the Kisokaidō Road (Kisoji no oku Amida-ga-taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)
Object type: woodblock print
Date: 1827 – 1827
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,waterfalls,mountains,trees
Korenveld
Object type: sketchbook leaf
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscapes
Inscriptions: kleurnotitie, handgeschreven

Blad 41 recto uit een schetsboek met 88 bladen.
Repeater watch and key
Object type: repeater watch with key
Materials: gilt, metal, silver
Artist: bartholomew newsam
Artist role: maker
Artist nationality: british
Artist dates: 1487 – 1587
Crucified Christ
Object type: crucifix
Date: 1400 – 1425
Materials: wood
Techniques: cutting
Subjects: altarcross, crucifix, specific types of crucified christ (in non-narrative context)

Because this crucifix originally hung in the church of Bunde, a small village near Maastricht, it is assumed to have originated in the Meuse River region (Mosan). In the Middle Ages this region was an important breeding ground for art. With Christ’s imposingly stylized, elongated body, this crucifix is closely connected to the courtly style in Paris, where many artists from the Netherlands were active around 1400.
The Temptation of St. Anthony, from the third album of L'Estampe originale
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri fantin-latour
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1904
Ex libris van Du Crest de Villeneuve
Object type: bookplate
Date: 1750 – 1899
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Fallen Horse and Dead Knight
Object type: drawing and watercolor
Date: 1827 – 1829
Materials: graphite, paper
Techniques: drawing, stumping
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863

Numerous variations of this subject can be found throughout the work of Delacroix. The glistening skin and flamelike mane of the horse are common features in his lithographs of 1827-29. It is possible that this drawing is an illustration for Shakespeare's Henry VI.
Picture Book of the Souvenirs of Edo (Ehon Edo miyage) 絵本江戸土産
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,houses
Reclame voor wagens en rijtuigen van Andrew Wight te Saint Louis met gezicht op een omnibus
Object type: carte de visite
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: diligence, omnibus, horse-tram, advertising
Inscriptions: inscription: ‘Andrew Wight / MANUFACTURER OF / OMNIBUSES, STREET CARS, / EXPRESS, BUSINESS, REIGHT, CIRCUS WAGONS &amp; CAGES / 2300 Broadway / ST. LOUIS, MO.’
Gezicht op Toblach en het Pustertal, Italië
Object type: photograph
Date: 1860 – 1867
Materials: paper
Techniques: albumen print
Location: toblach
Artist: carl alexander czichna
Artist role: publisher
Artist dates: 1811 – 1867
Subjects: dale, valley, mountains
Inscriptions: number: ‘428’
Study for a Title Page
Object type: drawing
Date: 1809 – 1865
Materials: chalk, ink
Techniques: incising, pen, transfer
Artist: carl alexander von heideloff
Artist role: artist
Artist nationality: german
Artist dates: 1789 – 1865
Subjects: men,women,horses,crowd
Gipsen afgietsels van paneeltjes uit een kerk te Dordrecht
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: dordrecht
Artist: Anonymous
Inscriptions: annotation, annotation: ‘31 Paneeltjes Dordrecht / M 0.36 1/1 hoog - M 0.13 breed’
Prosp. dess Pallasts de Duc d'Orleans wie solcher gegen dem Garten an zusehen
Object type: album leaf
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching, hand coloring
Location: frankfurt am main
Subjects: palace

Prent origineel vervaardigd als boekillustratie voor: Zeiller, Martin. Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Frankreich, 13 delen. Frankfurt am Main: Caspar Merian, 1655-1661. De prent werd voor het eerst gepubliceerd in deel 1: Topographia Galliae, 1655.

De prent is langs de bovenrand van de voorstelling afgescheurd. Het bovenste gedeelte is hoger opgeplakt, zodat de lucht hoger is geworden en het formaat van de voorstelling past bij de andere groot formaatvoorstellingen in het album. De voorstelling is aan de bovenzijde aangevuld met een geschilderde lucht.
Schön Neues Modelbuch (Page 8 recto)
Object type: book print ornament architecture
Date: 1597 – 1597
Techniques: etching
Artist: johann sibmacher
Artist role: designer
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: ornament

Designed by Johann Sibmacher, German, active 1590-1611, published by Caimox, Nürmberg. Illustrated title signed CM and Jo. Sibmacher, 7 pages of text surrounded by decorative borders, and 35 pages of designs for weaving, embroidery, and cut-linen.