deem-data/ArtiFact huggingface dataset:
Federigo Asinari, Count of Camerano (1527–1575)
Object type: medal
Date: 1550 – 1575
Materials: bronze, patina
Techniques: casting
Artist: pietro paolo galeotti
Artist role: artist
Artist dates: 1500 – 1600
Subjects: men,profiles
Seated Male (after Van Dyke); Soldier on Horseback; Soldiers on Horseback; Dying Figure; Soldiers on Horseback; Dead Figure; Military Scene (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: soldiers,men,horses,death
Bord beschilderd met drie personen uit het boek Water Margin
Object type: plate dish
Date: 1690 – 1710
Materials: glaze, porcelain
Techniques: gilding
Artist: Anonymous

Klein bord van Chinees porselein beschilderd in famille verte kleuren. Op de voorzijde drie krijgers uit het boek The Water Margin: (Lu) Zhishen, Qin Ming en Sun Xin. Zij vullen vrijwel het hele oppervlak dat verder wit is gelaten. Famille verte.
Ontwerp voor de afiche van de 19e jaarlijkse Tentoonstelling van Vereening St. Lukas in het Stedelijk Museum te Amsterdam
Object type: watercolor
Date: 1891 – 1941
Materials: paper, pencil
Techniques: brush
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: names of organizations, companies, trade unions, etc., amsterdam
Ball
Object type: ball
Date: 1801 – 1900
Materials: quartz
Culture: chinese
Gezicht op de markt te Wijk bij Duurstede
Object type: print
Date: 1745 – 1772
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: townhall, public road in village (+ city(-scape) with figures, staffage), parts of church exterior and annexes: tower, wijk bij duurstede
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Tegenwoordige staat der Vereenigde Nederlanden, twaalfde deel, vervolgende de beschryving van de provincie van Utrecht. Met landkaarten, en printverbeeldingen versierd / Hedendaagsche historie, of tegenwoordige staat van alle volkeren; XXII. deel (…). Amsterdam: weduwe Isaac Tirion, 1772, tussen p. 92 en p. 93.
Apothecary Jar
Object type: apothecary jar
Date: 1840 – 1840
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Thesaurus sacrarum historiaru[m] veteris testame[n]ti, elega[n]tissimis imaginibus expressu[m] excelle[n]tissimoru[m] in hac arte viroru[m] opera: nu[n]c primu[m] in luce[m] editus
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: david beheads goliath with a sword

Goliat ligt op de grond. David staat met één voet op zijn borst en heft het zwaard van Goliat boven zijn hoofd, klaar om hem te onthoofden. Links vluchten de Filistijnen voor de soldaten van Saul. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 1 Sam. 17. Deze prent maakt deel uit van een album.
Baptismal Robe
Object type: textile
Date: 1712 – 1713
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, treatment, interlacings, patterning, weave, satin weave
Location: norway
De Mechelen Op-sinjoorken Wippende
Object type: page
Materials: paper
Techniques: photograph, lithograph
Location: brussels
Subjects: world fair, world exhibition, swinging (children's game), antwerp

Prent op los blad tussen pagina 38 en 39.
Reproductie van een schilderij van spelende kinderen door Peter Paul Rubens
Object type: reproduction
Date: 1874 – 1879
Materials: paper
Techniques: woodburytype
Location: liège
Subjects: children's games and plays, child
Inscriptions: name: ‘EM. TASSET, SC.’, name: ‘J. HERMAN, INV.’, inscription: ‘PINACOTHÈQUE DE MUNICH.’, inscription: ‘IMAGERIE FRANKLIN No 26. -1879.’, inscription: ‘Cette gracieuse (...) la gravure.’

Deze prent maakt deel uit van een album.
Rivierlandschap met zwemmers
Object type: print
Date: 1703 – 1754
Materials: paper
Techniques: etching
Location: utrecht
Artist: gerard melder
Artist role: painter, print maker
Artist dates: 1693 – 1754
Subjects: water course
Inscriptions: collector's mark: Lugt 2228
Scènes uit de Roman Comique van Scarron
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: (scarron, roman comique) specific works of literature (with author, title), troupe entering town, announcing the performance
Inscriptions: collector's mark: Lugt 2233

Serie van 16 prenten bij de Roman Comique van Scarron, waarvan een aantal door Louis en Pierre Louis Surugue.
Lantern (one of a pair)
Object type: lantern
Date: 1723 – 1735
Materials: enamel, porcelain
Techniques: painting
Culture: chinese
Subjects: birds,flowers
Cattle by a Pool
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Location: france
Artist: charles françois daubigny
Artist nationality: french
Artist dates: 1817 – 1878
Portret van twee onbekende jonge vrouwen
Object type: photograph
Date: 1855 – 1870
Materials: glass, metal, paper, velvet, wood
Techniques: ambrotype, hand coloring
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, adolescent, young woman, maiden (+ two persons)
's Lands Zeemagazijn Middelburg
Object type: book illustration
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo, street (+ city(-scape) with figures, staffage)

Oorspronkelijk van één plaat gedrukt met drie andere voorstellingen (zie RP-P-AO-15-141K-1-2, RP-P-AO-15-141L2-2 en RP-P-AO-15-141M-2-2). Prent in zijn geheel ook gebruikt in: Smallegange, Mattheus. Nieuwe Cronyk van Zeeland (…). Middelburg en Amsterdam: Johannes Meertens en Abraham van Someren, 1696.

Huidige voorstelling later (plaat mogelijk versneden) met andere voorstelling van zelfde plaat en apart gedrukte sierrand ook gebruikt in: Aa, Pieter van der. La galerie agreable du monde (...). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 20.
Zakpistool met vuursteenslot
Object type: flintlock pistol
Date: 1800 – 1850
Materials: iron, silver, wood
Techniques: inlay
Location: scotland
Artist: Anonymous
Subjects: netherlands
Inscriptions: mark: ‘E // LG’

Zakpistool met vuursteenslot, deel van koppel. Ronde gladde loop, afschroefbaar. IJzeren beslag. Gegraveerd op slotkast. Loop gemerkt LEG. Schots model.
N. 940,a Roma. S. Cecilia di Stefano Maderno Chiesa di S. Cecilia.
Object type: photograph
Date: 1880 – 1904
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: rome
Plate 6: two women, one nursing a child, seated next to a dog and a horse carrying a pack, horses and figures to left in the background, from "Various Figures" (Agréable diversité de figures)
Object type: print
Date: 1642 – 1642
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: infants,women,dogs,horses
Portret van een man
Object type: carte de visite
Date: 1865 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, historical persons
[Reclining Female Nude Posed as Danae]
Object type: daguerreotype
Date: 1850 – 1859
Techniques: daguerreotype
Artist: bruno braquehais
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1875
Subjects: female nudes
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: canvas, cotton, wool
Subjects: animals,gates,men
Laura Burt, from the Actors and Actresses series (N171) for Opera Puffs Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
On the Beach, Sunset
Object type: painting
Date: 1865 – 1865
Materials: oil, wood
Artist: eugène boudin
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1898
Subjects: men,women,beaches

Boudin's masterful and convincing representation of light effects, such as the sunset in this picture of 1865, profoundly influenced the young Claude Monet. The two artists worked together on the Normandy coast the previous summer.
Crown gold sovereign of Elizabeth I
Object type: sovereign
Date: 1593 – 1601
Materials: gold
Artist: the royal mint
Artist role: maker
Artist nationality: british
Artist dates: 886 – 9999
Bergen aan een meer
Object type: sketchbook leaf
Date: 1840 – 1840
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: city-view, and landscape with man-made constructions, sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), church (exterior), mountains
Inscriptions: date: ‘1840.’

Tegen de berg aan ligt een kerk. Blad 32 recto uit een schetsboek met 63 bladen.
Portret van koningin Wilhelmina
Object type: cabinet photograph
Date: 1904 – 1912
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: the hague
Artist: herman deutmann
Artist role: fotograaf
Artist dates: 1870 – 1926
Subjects: print maker, wilhelmina of the netherlands, historical persons, queen, pearl; pearl necklace
Inscriptions: name: ‘H. DEUTMANN/ 'S GRAVENHAGE.’, number: ‘40’, inscription: ‘Wilhelmina/ 31-8-1912’
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

On the offset part of the rim, below the torus, a band of laurel leaves to left; top of the head, forehead, and left eyebrow of a woman to left, wearing a diadem
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, tondo border with billeting
Incense burner
Object type: censer
Date: 1767 – 1800
Materials: wood
Culture: chinese
Lord Roberts (to left) and Lord Kitchener (white horse) reviewing the troops entering Kroonstadt, S. Africa
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, paper
Techniques: albumen print
Location: kroonstad
Artist: Anonymous
Subjects: horatio herbert kitchener, marching away (troops), review, inspection (of company, unit, troop)
Inscriptions: number: ‘106’, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, inscription, copyright notice: ‘Copyright 1901 by Underwood & Underwood.’
Portret van een onbekende jonge vrouw
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: v. vagneur
Artist role: publisher
Artist dates: 1822 – 
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed, paris
Inscriptions: inscription: ‘Photographie/ Vve. Vagneur/ Rue Drouot 19./ Paris’
Goblet
Object type: glass
Date: 1805 – 1805
Materials: glass
Location: england
Two Plant Specimens
Object type: photograph
Date: 1839 – 1839
Techniques: drawing, photography
Location: england
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: flowers, plants

Contained within this haunting and poetic image is the seed of photography: the possibility of creating a negative from which an unlimited number of positives can be made. William Henry Fox Talbot produced this image by placing botanical specimens on sensitized paper and exposing them to light. He made this groundbreaking discovery after his 1833 honeymoon on the shores of Lake Como, in Lombardy, Italy. Frustrated by his inability to draw his Italian surroundings accurately, Talbot recalled the fleeting images of external objects that appeared within a camera lucida (an optical prism that creates a superimposed image on an artist’s drawing surface) and wondered how he could make them “imprint themselves durably, and remain fixed upon the paper.” What resulted, two years later, were the first camera negatives. Unveiled in 1839 and called photogenic drawing, Talbot’s process was perfected two years later into the calotype (from the Greek word kalos, meaning “beautiful”). By the end of his life, Talbot—whose far-ranging interests included mathematics, botany, etymology, and ancient Assyria—had also discovered the basis of halftone printing, obtained twelve patents, and authored seven books, including one of the first photographically illustrated books, The Pencil of Nature (1844).
Candlestick
Object type: candlestick
Date: 1801 – 1900
Materials: gold, metal
Artist: johann ludwig ii biller
Artist role: maker
Artist nationality: german
Artist dates: 1692 – 1746

This electrotype is after an eighteenth-century original (1730–40) in the Winter Palace, St. Petersburg, at the time of reproduction. It was part of a toilet service made for and presented to the Empress Anna Ivanovna (1693–1740).
Portrait of a Gentleman
Object type: painting, miniature
Date: 1840 – 1845
Materials: ivory, watercolor
Culture: american
Subjects: men,portraits
Portret van Lorenz Crell
Object type: print
Date: 1766 – 1791
Materials: paper
Techniques: engraving
Subjects: chemistry (+ portrait of scholar, scientist), further education (+ portrait of teacher, professor), historical persons
Inscriptions: collector's mark: Lugt 2228
Grandison Castle
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: london
Subjects: landscape with ruins, landscape with tower or castle
Inscriptions: date

Prent verschenen in: Grose, Francis. The antiquities of Ireland. Londen: S. Hooper, 1795, dl. 2.
Tray
Object type: tray
Date: 1705 – 1720
Materials: faience
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Lezende jongen
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: reading, book
Inscriptions: collector's mark: Lugt 2228

Een jongen zit aan een bureau een boek te lezen.
Eccentric Dance
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Portret van Nikolaus Schwebel op 62-jarige leeftijd
Object type: print
Date: 1653 – 1653
Materials: paper
Techniques: engraving
Artist: sebastian furck
Artist role: print maker
Artist dates: 1600 – 1655
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Soldaat, van achteren
Object type: drawing
Date: 1649 – 1649
Materials: chalk, ink, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘H.t.B.inventor 1649’
Aensiet den tyt
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: anonymous historical person portrayed alone
Inscriptions: signature and date: ‘HGoltzius fec. Anno 1579’, collector's mark: Lugt 2228a

Portret van een 34-jarige man, ten halven lijve. Aan zijn rechterzijde een wapenschild. Portret in een ovaal met randinscriptie in Latijn en Nederlands. Het zou kunnen gaan om Gerrit van Poelgeest of om Claes Lubbertsz. van der Weyde, burgemeester van Haarlem.
Aanbidding der wijzen
Object type: print
Date: 1823 – 1880
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: pieter gerardus bernhard
Artist role: print maker
Artist dates: 1813 – 1880
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: Lugt 2228, : ‘Déposé’

Bij een stal met een dak van stro zit Maria met Christus op schoot, bij hen de drie wijzen met hun geschenken. Om hen heen hebben zich veel figuren verzameld. In de hemel staat de ster. In de donkere achtergrond van het nachtelijke tafereel is een ruïne te zien. Naar een schilderij van Salomon Koninck.
Gezicht op kasteel Saint-Cloud (rechter deel)
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 240
Vase (Fang)
Object type: vase
Date: 1701 – 1900
Materials: bronze
Culture: chinese
Netsuke of Kyōgen Mask: Usume (or Ofuku or Okame)
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: masks
Inhuldiging van Karel VI als graaf van Vlaanderen, penning geslagen door de stad Gent
Object type: history medal
Date: 1717 – 1717
Materials: silver
Techniques: striking
Location: antwerp
Artist: philippe roëttiers (iii)
Artist role: medailleur
Artist dates: 1686 – 1873
Subjects: vienna, charles vi (holy roman emperor), ghent

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: Gent, in gedaante van jonge vrouw zit op troon met in haar linkerhand een banier, met haar rechter wijzend op wapenschild dat wordt vastgehouden door leeuw, op achtergrond gezicht op stad Gent binnen omschrift.
Landschap met vee
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes moeyaert
Artist role: draughtsman, painter, print maker
Artist dates: 1592 – 1655
Subjects: cattle, landscape with ruins
Inscriptions: collector's mark: Lugt 2228

Landschap met koeien en schapen op de voorgrond. Op de heuvel links een begroeide ruïne. Onderaan de berg een herder.
Portret van Hildegard, koningin der Franken
Object type: print
Date: 1720 – 1800
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons - bb - woman, queen
Terracotta rim fragment of a kylix: eye-cup (drinking cup)?
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, part of the head, left shoulder, and bent left arm, with the hand touching the hair, of a bearded satyr to left; part of an eyebrow and upper left corner of an eye
Plate (one of a set of twelve)
Object type: plate
Date: 1715 – 1716
Materials: silver
Artist: thomas farren
Artist role: maker
Artist nationality: british
Artist dates: 1703 – 1743
Subjects: coat of arms
Study for Vignette-Frontispiece of Colle's "La Partie de Chasse de Henri IV", Act III, Vive Henry Quatre!
Object type: drawing and watercolor
Date: 1766 – 1766
Materials: graphite, ink, paper
Techniques: incising, pen, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Gezicht op een loopbrug bij een strand in Normandië
Object type: cabinet photograph
Date: 1880 – 1945
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: normandy
Artist: Anonymous
Subjects: public convenience, beach
Inscriptions: annotation: ‘Normandië [...]’
Sleutel
Object type: key
Date: 1400 – 1950
Materials: copper

Sleutel waarvan het ovale oog onderaan gekanteld is. De schacht is in het midden geprofileerd.
Saint Anthony: "Somewhere there must be primordial shapes whose bodies are only images, plate 4 of 6
Object type: print
Date: 1889 – 1889
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Chinese kapel in de omgeving van Semarang op Java
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: temple, shrine ~ hinduism, buddhism, jainism, trees
Inscriptions: collector's mark: Lugt 2233

Naast de kapel groeit een boom die met klimplanten is begroeid.
Virgin Mary Standing in Profile
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: after francesco di cristofano, called franciabigio
Compositie met dertien hoofden van mannen van verschillende leeftijden
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Location: france
Artist: jean jacques de boissieu
Artist role: draughtsman, print maker
Artist dates: 1736 – 1810
Subjects: head (human), old man
Inscriptions: collector's mark: Lugt 12
Rovine del Foro
Object type: photograph
Date: 1848 – 1852
Techniques: albumen print, glass negative
Artist: eugène constant
Artist role: artist
Artist nationality: french, active italy
Artist dates: 1848 – 1855
Subjects: architecture,columns,ruins

Constant, who associated with the painter-photographers at the Caffè Greco, was the first in Rome to use the method of albumen on glass plate negatives devised by the Frenchman Niépce de Saint-Victor in 1847. This remarkable album contains thirty prints by Constant, each affixed to a page bearing the blind stamp of the bookseller Edouard Mauche (who sold his views).
Stereoskopische afbeelding van de volle maan
Object type: stereograph
Date: 1858 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: full moon, moon
Inscriptions: address: ‘Water 110, te Amsterdam.’
The Winsertor on the Messberg Hamburg (recto); View of the City Walls of Hamburg (verso)
Object type: drawing
Date: 1658 – 1660
Materials: chalk, ink
Techniques: brush, pen, wash
Location: netherlands
Artist: anthonie waterloo
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1690
His Country's Hope
Object type: photograph
Date: 1855 – 1855
Techniques: albumen silver print, glass negative
Artist: oscar gustav rejlander
Artist role: artist
Artist nationality: british, born sweden
Artist dates: 1813 – 1875
Subjects: men,portraits
Lepel met peervormige bak en steel bekroond door een man met hoed en wandelstok.
Object type: spoon
Date: 1674 – 1674
Materials: silver
Location: hoorn
Artist: claes bel
Artist role: silversmith
Inscriptions: maker's mark, : ‘L’, town mark, alloy mark

Lepel van zilver, met een peervormige bak. De steel wordt bekroond door een man met hoed en wandelstok. Op de onderzijde van de bak zijn de letters G.D gegraveerd.