deem-data/ArtiFact huggingface dataset:
Besneeuwde tuin te Deventer
Object type: print
Date: 1851 – 1902
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: winter, 'hyems'; 'inverno' (ripa), garden, deventer
Inscriptions: collector's mark: Lugt 2228
Monsterlijk wezen
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: mis-shapen animals; monsters
Inscriptions: number: ‘56’

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Allegorische voorstelling rond het grafmonument van Johann Hellwig
Object type: print
Date: 1674 – 1704
Materials: paper
Techniques: engraving
Subjects: johann hellwig, city-crown, mural crown, historical persons, physician, doctor, crowning with laurel, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of calf, heel, and foot of figure to right; Exterior, part of calf, heel and foot; end of knobby stick and drapery
Watch
Object type: watch
Date: 1759 – 1759
Materials: silver
Artist: j. samson
Artist role: maker
Artist dates: 1760 – 1796
Subjects: men,women
Herpes facialis
Object type: page
Date: 1870 – 1881
Materials: paper
Techniques: photograph, hand coloring
Location: new york city
Subjects: face, skin and venereal diseases
Studioportret van een vrouw op een stoel in een lange zwarte jurk
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: carl rensing
Artist role: fotograaf
Artist dates: 1826 – 1898
Plate
Object type: plate
Date: 1750 – 1770
Materials: shell
Artist: whieldon type
Artist role: maker
Three Studies of Seated Women
Object type: drawing and watercolor
Date: 1715 – 1715
Materials: chalk, paper
Location: france
Artist: antoine watteau
Artist role: artist
Artist nationality: french
Artist dates: 1684 – 1721
Inscriptions: Stamped lower right with the marks of Lord Spencer and William Esdaile.
Portret van Cornelis Kruseman
Object type: print
Date: 1829 – 1853
Materials: paper
Techniques: lithograph
Location: the hague
Artist: adrianus johannes ehnle
Artist role: draughtsman, print maker
Artist dates: 1819 – 1863
Subjects: painter, cornelis kruseman, historical persons

Onder het portret een facsimile van de handtekening van de geportretteerde.
Lot maant de menigte tot kalmte
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: lot tries to pacify the mob

Dit is de eerste staat van drie van de tweede editie van deze prent. De eerste editie werd mogelijk door Hieronymus Cock uitgegeven. De plaat kwam, vermoedelijk na de dood van Cock, in handen van Gerard de Jode. De voorstelling van de plaat werd toen compleet verwijderd en er kwam een iets andere compositie voor in de plaats. Alleen de tekst bleef ongewijzigd.
Zuidzijde van de Maartenskerk te Doorn
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: doorn
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Doorn’, annotation: ‘Doorn/ N.H. Kerk/ Zuid-zijde’
Terracotta fragments of a pelike (jar)
Object type: pelike fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Two fragments from the panel ornament of a pelike, one has part of a meander; the other has part of a saltire square and meander
Myanmarese mensen voor een houtsnijderij in Yangon
Object type: photograph
Date: 1801 – 1892
Materials: paper
Techniques: albumen print
Location: yangon
Artist: c.c. blackburn
Artist role: fotograaf, luitenant-kolonel
Subjects: shop, store
Inscriptions: number: ‘S.D.S.’
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Two misfired fragments: rim fragment, and part of foot
Dish with the arms of the Pelgrom family
Object type: platter
Date: 1680 – 1699
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Subjects: batavia, flowers ~ ornament

The Pelgrom family coat of arms is painted on the upper centre rim of the dish. It was part of a dinner service made for Jacob Pelgrom, a merchant who rose to become Director-General of Bengal (India).
Cirkelvormige parterre in de vorm van een labyrint
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: etching
Location: antwerp
Subjects: garden, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De serie ‘Hortorum Viridariorumque’ van Vredeman de Vries (Hollstein Dutch 470-490) is in deze editie van de serie door uitgever Joannes Galle ( en eerder door zijn voorganger Theodoor Galle) aangevuld met de serie ‘Tuinen’ van Vredeman de Vries (Hollstein Dutch 508-515) en met twee prenten van Pieter van der Borcht (I) (New Hollstein Dutch 161-162). De prenten zijn genummerd: 1-30. Origineel hoort bij deze editie van de serie, uitgegeven door Joannes Galle, nog een prent van Van der Borcht met nummer 31, maar deze prent ontbreekt in deze serie in de collectie van het Rijksmuseum.
Echtpaar bij hun hut in het veld
Object type: book illustration
Date: 1805 – 1805
Materials: paper
Techniques: brush, etching
Location: amsterdam
Subjects: indigenous peoples of north america, bird hunting, human races; peoples; nationalities (+ costume), sewing
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Stuart, Martinus. De mensch, zoo als hij voorkomt op den bekenden aardbol, deel IV, p. 114. Amsterdam: Johannes Allart, 1805.
Heerenstraat, Paramaribo
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Een vrouw lopend door de Heerenstraat te Paramaribo. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Sculptuur van Bacchus door Michelangelo in het Museo Nazionale
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: gelatin silver print
Location: florence
Artist: Anonymous
Subjects: (story of) bacchus (dionysus), liber, container of stone: stone vase
Inscriptions: inscription: ‘Edizione inalterabile.’, collector's mark: ‘RIJKS SCHOOL VOOR KUNSTNIJVERHEID/ GROEP’, number: ‘5260.’

Deze foto maakt deel uit van een omslag.
Schotel van porselein in de vorm van een gesloten lotusbloem (?). Blauwe onderglazuur decoratie van vijf cirkels met Japanse man (bloemen).
Object type: dish
Date: 1680 – 1710
Materials: porcelain
Location: japan
Artist: Anonymous
Buffetkast
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: lithograph
Location: paris
Subjects: furniture for storage

Een buffetkast, bestemd voor een eetkamer.
Various Slanted Calligraphy, from Encyclopédie
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving
Location: france
Artist: aubin
Artist nationality: french
Artist dates: 1700 – 1799
Fragment from a Coptic Hanging
Object type: textile fragment
Date: 401 – 500
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: horses
Pacoima Dam in aanbouw
Object type: album leaf
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: los angeles
Artist: Anonymous
Subjects: machines; parts of machines; tools and appliances, dam (in canal)
Inscriptions: annotation: ‘Pacoima dam beton transportbaan’
Bouwplaats met bouwmeester
Object type: print
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: murder, building-site, architect supervising building activities

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Left half of a handle from a kylix, with crosspiece
Kind van Wilhelmus Johannes Steenhoff aan de borst van zijn moeder
Object type: drawing
Date: 1873 – 1932
Materials: chalk, paper
Artist: wilhelmus johannes steenhoff
Artist role: draughtsman, print maker
Artist dates: 1863 – 1932
Subjects: nursing, suckling, historical persons
Kanadehon chûshingura
Object type: print
Date: 1847 – 1850
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa kuniyoshi
Artist role: draughtsman, print maker
Artist dates: 1798 – 1861
Subjects: adult man, housing, snow

In een sneeuwlandschap schuift de als reizende monnik vermomde Honzô zijn groene hoed omhoog, terwijl hij in de richting van een kamer kijkt waarin een vrouw en meisje zitten. De vrouw stond op het punt het meisje met een zwaard te onthoofden, wanneer ze door het geluid van een fluit gestopt wordt. De fluit werd bespeeld door de monnik, die in werkelijkheid haar eigen man is. Scene uit de negende akte van het kabuki toneelstuk Kanadehon chûshingura, waarbij de man gespeeld wordt door acteur Sawamura Chôjûrô V.
John Greenleaf Whittier, from the series Great Americans (N76) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men

Trade cards from the "Great Americans" series (N76), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes. There are two variations of the Beecher card, one where he faces left and one where he faces right. This is the left-facing variation.
Outline of a Lake or River View (from Sketchbook)
Object type: drawing
Date: 1860 – 1864
Materials: graphite, paper
Culture: american
Artist: thomas hewes hinckley
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1896
Subjects: landscapes

Hinckley painted landscapes chiefly as a background to his portraits of wild and domesticated animals. This sketchbook (1992.373.1 recto–.27) contains thirty-four drawings in graphite and watercolor and appears to have been filled during a tour that the artist probably began near the Delaware Water Gap and extended north into the Catskill Mountains and Adirondacks of New York State. Few of the drawings in this book, however, can be linked to Hinckley’s known paintings after 1864, and the majority of them represent not merely selected motifs, but discrete compositions that often assume the character of engraved vignettes.
Interieur met de gravin stervend in een stoel
Object type: cartoon
Date: 1704 – 1745
Materials: paper
Techniques: etching
Location: london
Subjects: pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, death of an adult person, wedding ring, seeking death, suicide, violent death by poison, satire on marriage, dog, london
Inscriptions: collector's mark: Lugt 2228

Bij de voeten van de gravin ligt een nieuwsartikel waarin staat dat Silvertongue is opgehangen voor het vermoorden van haar man. Haar jonge kind wordt door een oude vrouw opgetild om haar een laatste kus te geven. Het kind heeft syfilis, te zien aan de donkere vlek in haar gezicht en de spalk om haar been. De vader van de gravin verwijdert haar trouwring. Een apotheker grijpt een bediende bij zijn kraag en wijst naar een fles laudanum waarmee de gravin suïcide heeft gepleegd. Rechts verlaat een arts de kamer. Links eet een magere hond een varkenskop van een bord op tafel en ligt een omgevallen stoel.
To Bury the Dead, from The Works of Mercy
Object type: print
Date: 1656 – 1657
Materials: paper
Techniques: engraving, printing
Location: france
Artist: sébastien bourdon
Artist role: artist
Artist nationality: french
Artist dates: 1616 – 1671

One of the founders of the Academy, Sébastien Bourdon was considered one of the finest painters of his day, producing works in the classical vocabulary of Nicolas Poussin. He studied in Rome, worked in Paris and Sweden, and during 1656 and 1657 was called back to his native Montpellier where he executed seven compositions, The Works of Mercy, recalling the Seven Sacraments of Poussin. This scene is the last, depicting Tobias burying the victims of Sennacherib.
Plate
Object type: plate
Date: 1500 – 1525
Materials: silver gilt
Techniques: embossing
Culture: italian or portuguese
Subjects: animals,leaves
Portret van een man met bril en snor
Object type: photograph
Date: 1866 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: luxembourg
Subjects: eyeglasses, spectacles, moustache, historical persons
Inscriptions: inscription: ‘Phoographie/ et atelier de peinture/ Brandebourg & Rissé/ descente de Clausen/ Luxembourg’
Abklatsch van de krijttekening op pagina 17 recto
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper
Techniques: printmaking
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946

Blad 16 verso uit een schetsboek met 47 bladen.
Amenissimae aliquot requculae
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: water-supply (~ public services), landscape with tower or castle, farm or solitary house in landscape, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 964

Figuren bij een herberg in een ronde toren in een landschap. Links een man die water uit een rivier haalt. Negende prent van een serie van in totaal 52 prenten met landschappen, verdeeld over twee delen van elk 26 prenten.
Hondstand (Erythronium), wilde roos (Rosa) en een klaproos (Papaver)
Object type: drawing
Date: 1596 – 1610
Materials: paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: erythronium, flowers: rose, flowers: poppy

Hondstand, roos en klaproos. Rechtsboven genummerd: 108. Met de Latijnse namen. Onderdeel van het tweede album met tekeningen van bloemen en planten. Negende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Jezus toont de wonden zijner handen aan de Ziel
Object type: book illustration
Date: 1678 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: the soul, christ and the soul, christ showing his wounds, holy ghost represented as a dove (in flames)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Pieter Arentsz II, 1678-1687. Tussen 1678-1744 verschenen van dit emblemataboek 10 edities.
Ruïne van Alloway Auld Kirk te Alloway
Object type: page
Date: 1863 – 1868
Materials: paper
Techniques: albumen print
Location: alloway
Artist: stephen thompson
Artist role: fotograaf, schrijver
Artist dates: 1831 – 1893
Subjects: landscape with ruins
Inscriptions: inscription: ‘P. 39.’
153rd New York Infantry
Object type: photograph
Date: 1861 – 1861
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: tents,army,soldiers,american civil war
Fragment of an Ornamented Band
Object type: band fragment
Date: 601 – 1000
Materials: linen, wool
Techniques: weave
Location: egypt

The leaf-shaped medallions and palmettes on this colorful band continued to be used in the post-Byzantine period in Egypt and recall the more naturalistic vegetal forms seen on earlier textiles. Orange borders studded with colorful gems create the illusion of a band. The stylized forms and bright hues of this fragment suggest a date early in the Islamic period. It is probably a band (clavus) from a tunic, the standard dress in the Mediterranean world.
Portret van een vrouw
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: braunschweig
Artist: emil tiedemann
Artist role: fotograaf
Artist dates: 1858 – 1892
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Emil Tiedemann/ Braunschweig/ 66 Bohlweg 66./ Nachbestellungen beliebe man/ nur in Braunschweig aufzugeben.’
Verscheyde Landtschapjes
Object type: print
Date: 1628 – 1679
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Terracotta rim fragments of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: etruscan

Four rim fragments from a skyphos with a drop-shaped pattern below the rim
Untitled
Object type: photograph
Date: 1920 – 1920
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards
Levamen Onostrorum, from "Allegories of the Christian Faith, from Christian and Profane Allegories"
Object type: print
Date: 1604 – 1604
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: animals,soldiers,men,women,christ
Aanbidding door de herders
Object type: print
Date: 1816 – 1852
Materials: paper, pencil
Techniques: engraving
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 2228, inscription: ‘onafgewerkte proef épreuve nonterminée/ Joh. de Mare naar Ribera/ aan zijn vriend en kunstbroeder/ de geachte Heer Chantal/ Paris den 22 aug. 1852’
Castle Van Valkenburg
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: netherlands
Artist: style of jacob van der ulft
Terracotta plaque
Object type: relief of the homecoming of odysseus
Date: 450 – 450
Materials: terracotta
Culture: greek, melian
Subjects: male nudes,women,odysseus

Eurykleia washing Odysseus's feet One of the dramatic threads in the account of Odysseus's return to Ithaka is the gradual revelation of his identity. Here, Odysseus appears seated before a columned facade that represents his palace. Before him stand his son, Telemachos, and his wife, Penelope. As the old nurse, Eurykleia, washes Odysseus's feet, she recognizes him from an old scar. Artistic depictions such as this are interesting not only for the illustrative detail that they provide but also for the subjects chosen.
Leve de sport!
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: Anonymous
Subjects: adult woman, tennis, lawn-tennis (+ sportsman, player, etc.), suriname

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Portret van Tycho de Hofman
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240
Support fitting
Object type: support fitting
Date: 901 – 1000
Materials: bronze
Techniques: casting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Terracotta mask of woman to hips
Object type: mask of a woman to hip
Date: 334 – 201
Materials: terracotta
Culture: east greek
Subjects: doves,masks,women

The veiled woman is dressed in a chiton. She holds a flower in her left hand and a dove in her right.
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, wood
Techniques: lacquer
Culture: japanese
Subjects: robes
Makaze koikaze - chuhen
Object type: book
Date: 1907 – 1908
Materials: paper
Techniques: woodcut, letterpress printing
Location: tokyo
Cup Stand with Floral Design
Object type: cup stand
Date: 1615 – 1868
Materials: ceramic glaze, glaze, porcelain
Culture: japanese
Subjects: flowers
Memorial of William R. Dimmock, master of Adam Academy
Object type: book
Date: 1878 – 1878
Materials: linen, paper
Techniques: albumen print, printing
Location: boston
Artist: t.r. marvin
Artist role: printer
Inscriptions: collector's mark: ‘New England Historic Genealogical Society/ Given by/ Madeline Reynolds [...]’, date: ‘May 20 1942’, collector's mark: ‘N.E. Historic Genealogical Society’, date: ‘May 1998’, date: ‘May 20 1942’, annotation: ‘48174/ 65-/ 3 orriginal photographic plates/ photography/ Adam's academy quincy Mass’
Eerste eeuwfeest van de stichting van het Lutherse diaconieweeshuis te Amsterdam, penning aan de weeskinderen uitgedeeld
Object type: history medal
Date: 1778 – 1778
Materials: silver
Techniques: striking
Location: amsterdam
Subjects: amsterdam
Inscriptions: circumscription: ‘HY IS DER WEEZEN VADER’, caption: ‘GESTICHT MDCLXXVIII/ 1e JUBILE GEVIERD/ 24 AUG:1778’, caption: ‘TER GEDACHTENIS/ AAN DE WEEZEN/ UYTGEDEELD.’, signature: ‘C.F. KONSÉ’, inscription: ‘LUTH. DIAC: WEESHUIS’
Verschillende portretten van leden van de familie Graswinckel
Object type: photograph
Date: 1915 – 1925
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: anonymous historical person portrayed

Deze foto's zijn onderdeel van een album.
Lint op rol, gestreept in zwart, lichtblauw, oker, fuchsia en lila
Object type: ribbon material
Materials: cardboard, paper, textile
Techniques: weave
Location: france
Inscriptions: number: ‘Pon 7748’, stamp: ‘9 - APR. 1926’

Lint op rol, gestreept in zwart, lichtblauw, oker, fuchsia en lila.