deem-data/ArtiFact huggingface dataset:
A Short History of General Ambrose Everett Burnside, from the Histories of Generals series of booklets (N78) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits

Miniature booklets from the "Histories of Generals" series (N78), issued in a set of 50 booklets in 1888 to promote W. Duke Sons & Co. brand cigarettes. Each booklet consists of 16 pages with covers.
Herinneringspenning bij het zilveren, vijfentwintigjarig huwelijk van koningin Juliana en prins Bernhard, 1962
Object type: draagpenning
Date: 1901 – 1962
Materials: silver, textile
Location: netherlands
Artist: Anonymous
Subjects: utrecht, bernhard (prins der nederlanden), amsterdam, the hague, willem drees, juliana of the netherlands, netherlands
Inscriptions: circumscription: ‘7 JANUARI 1937 1962’, inscription: ‘25 JB’

Zilveren penning aan draagring en oranje lint met rood-geel-blauwe strepen in het midden en geel-rode strepen aan de zijkanten, aan speld. Voorzijde: Juliana en Bernhard met anjer, met profiel naar links, binnen twee geschakelde ringen. Keerzijde: gekroonde 25 JB en aan de rand de datum 7 januari 1937 - 1962.
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1300 – 1300
Materials: copper, enamel, gold
Culture: spanish
Location: spain
Subjects: mythical creatures

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Meubels
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: holborn
Subjects: fire-screen

Genummerd: Pl. 93. Prent maakt deel uit van een boek.
Portret van Louise de Coligny
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: louise de coligny, neck-gear: collar (+ women's clothes)

Portret van Louise in een ovaal met randschrift. Rondom ligt een aantal allegorische objecten. Op het reliëf een historische voorstelling.
Huwelijksvoltrekking tussen Koningin Wilhelmina en prins Hendrik in de Grote Kerk te Den Haag
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: herman deutmann
Artist role: fotograaf
Artist dates: 1870 – 1926
Subjects: wilhelmina of the netherlands, hendrik (prins der nederlanden (1876-1934)), the hague, emma (queen consort of the netherlands)
Inscriptions: inscription: ‘Huwelijk Wilhelmina Hendrik 7-2-1901 Nieuwe Kerk A'dam’, name: ‘H. Deutmann Art. Photographe 's Gravenhage Zeestraat 55’
Wreath fragment
Object type: wreath fragment
Date: 1701 – 1800
Materials: gilt, wood
Subjects: flowers,wreaths
H. Bartolomeus
Object type: print
Date: 1630 – 1690
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the apostle bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff
Inscriptions: collector's mark: Lugt 2228

De heilige Bartolomeus, met geopende mond. In zijn hand een zwaard, dat gedeeltelijk te zien is.
Groepsportret van een onbekend gezelschap op de Duivelsberg
Object type: photograph
Date: 1900 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: duivelsberg
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 53 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: ornament

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. From top to bottom, and left to right: Design is printed upon a grid and is composed of a central section that consists of 4 squares that are each ornamented with a quatrefoil motif. Framing the top and bottom of the central section are 2 borders decorated with a different foliage pattern, and framing the left and right are borders decorated with a different linear pattern.
Plafondschilderingen te Sint Petersburg
Object type: print
Date: 1757 – 1761
Materials: paper
Techniques: etching
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Subjects: specific aspects, allegorical aspects of hercules; hercules as patron - triumph
Inscriptions: collector's mark: Lugt 2228

Prent naar plafondschildering te Sint Petersburg door Giovanni Domenico Tiepolo zelf. Prent uit serie van vier prenten naar deze plafondschilderingen, de overige drie zijn in prent gebracht door Lorenzo Baldissera Tiepolo.
Geeft ze de ruimte!
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Artist: petrus van geldorp
Artist role: draughtsman, print maker
Artist dates: 1872 – 1939
Subjects: paris, emile zola, georges picquart, politician, e.g. party leader, political caricatures and satires, france
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdamsche Courant, 4 november 1898.
Probe, fragmentary
Object type: probe, fragmentary
Date: 7000 – 330
Materials: bronze
Sjabloon met vallende bladeren en lijnen
Object type: katagami
Date: 1800 – 1909
Materials: paper, silk
Techniques: cutting
Location: japan
Artist: Anonymous
Subjects: foliage, tendrils, branches ~ ornament
Inscriptions: stamp: ‘Afgeschreven W...’, label: ‘1/5’, label

Japanse sjabloon (katagami) met een patroon van enkele vallende bladeren tegen een achtergrond van rasterwerk en lijnen.
Mountain Lake with Two Figures
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: carl august lebschee
Artist role: draughtsman, painter, print maker
Artist nationality: german
Artist dates: 1800 – 1877
Portret van Birgitta Scheel
Object type: print
Date: 1708 – 1780
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: adult woman, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Portret van Birgitta Scheel op een piëdestal, in een toogvormige architectonische omlijsting, waarop verschillende wapenschilden.
Portrait of a Woman
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Techniques: brush, heightening, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: portraits,women
Gezicht op Doune Castle
Object type: photograph
Date: 1861 – 1871
Materials: photographic support
Techniques: albumen print
Location: stirling
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: castle
De Hofzaal, toneeldecor
Object type: design
Date: 1763 – 1763
Materials: ink, paper
Techniques: brush, pen
Artist: georges françois blondel
Artist dates: 1730 – 1792
Subjects: palace - aa - civic architecture: inside, stage design
Inscriptions: inscription, recto, underneath the drawing, pen and black ink: ‘10 pieds / 10 / 20’, collector's mark, verso, lower centre: Lugt 2228, annotation, recto, lower, pencil: ‘Blondel decor[?]ier Pour Le [S]cobu[nrgn?] asterdame 1763’, inscription, recto, in the right margin:

Toneelontwerp voor de Amsterdamse Stadschouwburg.
Box with scene of a reception and boys at play
Object type: covered box
Date: 1601 – 1700
Materials: gold, lacquer, mother of pearl, silver
Techniques: inlay
Culture: chinese
Subjects: houses,boys,playing,trees

The reception scene on the top of the box suggests the birthday gathering for the general Guo Ziyi, an impression reinforced by the many boys at play on the sides of the box. Guo Ziyi was said to have had one hundred sons and one thousand grandsons.
Side chair (sgabello, pair with 1975.1.2037)
Object type: chair
Materials: wood
Techniques: carving
Culture: italian
Subjects: male nudes
Bruid met vrouw en meisje
Object type: fashion print
Date: 1887 – 1890
Materials: paper, watercolor
Techniques: hand coloring, engraving
Location: france
Subjects: fashion plates, clothes, costume (+ women's clothes), dress, gown (+ women's clothes), bride (in wedding-dress)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Vrouw in bruidskleding, samen met een andere vrouw en een meisje. Prent uit het modetijdschrift De Bazar, geïllustreerd Tijdschrift voor Modes en Handwerken (1857-1900). Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Modeplaten.
Slag in de Javazee
Object type: photograph
Date: 1942 – 1942
Materials: photographic support
Techniques: photography
Location: indonesia
Subjects: indonesia
Inscriptions: inscription, stamp: ‘COPYRIGHT / 'ANEFO' / ALGEMEEN NEDERLANDSCH FOTOBUREAU’

De slag in de Javazee: een salvo zware Japansche bommen spat uiteen vlak voor de boeg van kruiser Hr. Ms. Java.
De afgevaardigden der Evangelische Alliantie op de trappen van het Capitool te Washington, D.C.
Object type: fotomechanisch procedé
Date: 1810 – 1873
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Rocaille cartouches with flowers
Object type: upholstery panel
Date: 1735 – 1750
Materials: silk, wool
Artist: pierre edmé babel
Artist role: designer
Artist nationality: french
Artist dates: 1720 – 1775
Subjects: flowers
Flandria Gallica Continens Castellanias Insulensem, Duacensem, Orchianensem, Civitatem Dominiumq Tornacense
Object type: map
Date: 1633 – 1649
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps, atlases
Inscriptions: collector's mark: Lugt 2228

Kaart van het Franse deel van het gebied Vlaanderen. De cartouche heeft een omlijsting bestaande uit schilddragende putti en bovenaan een personificatie van het gebied met op haar schild een Franse lelie.
Paulus van Samosata predikt voor de vroeg-christelijke gemeenschap
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the early christian churches, e.g. armenians, copts, syrians, preaching (in general)
Inscriptions: collector's mark: Lugt 2228, caption: ‘Paulus de Samosatenser predikende op een verwaande wijze’, number: ‘16’

Proefdruk van een boekillustratie voor Arnold, Godfried. Waare afbeelding der eerste christenen. Amsterdam: Jacobus van Hardenberg, Barent Visscher en Jacobus van Nieuweveen, 1700, dl. 1.
Ewer with Figures in Landscape
Object type: ewer
Date: 1660 – 1660
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: japanese
Artist: adrian brandt
Artist role: artist

The elegant silver mounts were made by Adrian Brandt in Delft sometime around 1660, and shortly after the ewer was imported into the Netherlands.
Gold glass base of a beaker
Object type: beaker fragment, base medaillion
Date: 201 – 300
Materials: glass, gold
Culture: roman
Subjects: horses,chariots

Colorless; gold foil; blue and black pigment. Fragment from bottom of vessel, comprising two layers: the lower base disk is thinner and folded down at edge to form a foot ring; the gold foil was applied to the upper surface with details added in colored paint or enamel; the upper paraison is thicker and slightly concave, fused onto the base disk, sealing in the decoration. The decoration is viewed from inside the vessel; roundel framed by a thick gold band, a charioteer stands in his quadriga, holding a victory wreath in his outstretched right hand; behind him is his blue-colored headdress; the horses wear plumes, partially in blue, black harnesses with ornaments in blue across their chests, and blue leg wraps; above to either side of charioteer in gold letters are the words DEMET - ER NICA; below the ground line a section of the disk is filled with gold foil, part of which has been removed to leave the word TRASINICVS in reserve. Broken with weathered edges on all sides, and some chipping and cracking on base disk; few bubbles; dulling, faint iridescent weathering, and discoloration of decoration between the layers of glass. This gold glass fragment depicts a victorious driver in his quadriga (four-horse chariot). Above is the inscription "Demeter nica" (Demeter win!), and below is the charioteer’s name, Trasinicus.
Scabbard slide
Object type: scabbard slide
Date: 300 – 201
Materials: jade
Culture: chinese
Kermisprent van de Amsterdamse straatvegers, 1847
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: street - ii - ideal city, street sweeping, street sweeper, amsterdam
Inscriptions: collector's mark: Lugt 2228

Kermisprent van de Amsterdamse straatvegers, 13 september 1847. Gezicht in een Amsterdamse straat waar meerdere mannelijke en vrouwelijke stratenvegers aan het werk zijn, op de voorgrond haalt een man geld op bij een huis. Met een vers in twee kolommen.
Door of the Taj Mahal, Agra, Uttar Pradesh, India
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: gelatin silver print
Location: agra
Artist: Anonymous
Subjects: agra
Inscriptions: annotation: ‘56. Deur v/d Taj. mahal’
The Death of Britannicus
Object type: drawing
Date: 1814 – 1814
Materials: chalk, gouache, graphite, ink
Techniques: brush, heightening, pen, wash
Artist: alexandre denis abel de pujol
Artist role: artist
Artist nationality: french
Artist dates: 1785 – 1861
Subjects: men,women

This is the only known full composition study for Abel de Pujol’s first major success at the Salon, "The Death of Britannicus," for which he won a first-class medal in 1814. The painter drew upon the tragedy from Roman history as recounted by Jean Racine in 1669. At center, Agrippina strides forward pointing at her son Nero, accusing him of poisoning Britannicus, whose collapsed body appears highlighted in white on the left. The planar composition, strong light effects, and voluminous drapery enhance the theatricality of the scene.
Kelkglas met trechtervormige kelk, optisch geblazen met geknepen ruiten
Object type: goblet
Date: 1650 – 1700
Materials: glass
Techniques: façon de venise, glassblowing
Location: low countries
Artist: Anonymous

Wine glass. Netherlands, façon de Venise, c. 1650-1700. A.J. Enschedé bequest, 1896.
Brief aan Philip Zilcken
Object type: letter
Date: 1903 – 1903
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: brussels
Artist: octave maus
Artist role: painter
Artist dates: 1856 – 1919
Subjects: the hague, painter, draughtsman, philip zilcken, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Salt Water and Fresh Water
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,female nudes,bathing

Two scenes on one plate. In the top scene a hefty nude woman is helped frin a bathing maching into the water a younger nude woman and older dressed woman. Within the enclosure there are two partially clothed women. In the background there is a second bathing machine with a nude woman shown falling into the water but held around the waist by another figure. In the bottom scene, within an interior by an open fireplace, a hefty nude man falls back in a wooden tub as he is scrubbed by an older woman. At left a young woman pours in hot water from a kettle onto the man.
Column Statue of an Apostle
Object type: column statue
Date: 1151 – 1200
Materials: stone
Culture: north italian
Location: italy
Subjects: men,apostles

Column statues showing apostles began to appear in France and northern Italy from the mid-twelfth century onward. Too large to have come from a cloister—like the sculpture opposite from Saint-Denis—this column may have supported a pulpit or tomb. The Romanizing philosopher type with scroll suggests the figure represents Saint Paul.
Portret van Beda Abbas Wessofontanus
Object type: print
Date: 1715 – 1797
Materials: paper
Techniques: engraving, etching
Location: munich
Artist: joseph anton zimmermann
Artist role: draughtsman, print maker
Artist dates: 1705 – 1797
Subjects: clergyman, historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op de weg Rijswijk-Delft, Zuid-Holland
Object type: drawing
Date: 1860 – 1870
Materials: paper, pencil
Location: rijswijk
Artist: adrianus johannes bik
Artist role: draughtsman, print maker
Artist dates: 1790 – 1872
Inscriptions: annotation: ‘2e huis links Vreedeoort (naar de broer van overgroot pa n.l. Vreede Bik) gelegen aan de weg Rijswijk-Delft’

Gezicht op de weg Rijswijk-Delft, Zuid-Holland; het 2e huis links is Vreedeoort, het huis van Pieter Vreede Bik (1806-1883), jongere broer van Jan en Theodoor.
Palmesel
Object type: statue
Date: 1401 – 1500
Materials: paint
Culture: german
Location: germany
Subjects: donkeys,christ

The German word Palmesel (palm donkey) refers to the statue of Jesus on a donkey, mounted on a wheeled platform, which was part of Palm Sunday processions in many German-speaking regions until the Reformation. These processions, which reenacted Christ’s entry into Jerusalem mounted on a donkey, were lively pageants in which hymns were sung, palms strewn, and clothes spread on the ground before the Palmesel. The figure of Jesus retains, in contrast, an air of quiet majesty. The donkey’s hooves and the fingers on Christ’s proper right hand are restored; the platform and wheels are modern.
Come Dwell with Me (Valentine)
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: paper, watercolor
Techniques: collage, embossing
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
The Paulownia Grove at Akasaka (Akasaka Kiribatake), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Vase on Stand
Object type: incense utensil
Date: 1767 – 1833
Materials: jade
Culture: chinese
Titelpagina voor: G. Brandt, Stichtelyke gedichten. Amsterdam, 1665
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jan rieuwertsz. (i)
Artist role: printer, publisher
Artist dates: 1616 – 1687
Subjects: title-page
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: G. Brandt, Stichtelijke gedichten. Amsterdam, J. Rieuwertsz. 1665 (colofon: gedrukt bij E. van der Hoof, Enchhuysen)
Man and Woman in Attitudes of Distress
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: ireland
Artist: henry tresham or after
Stamboom van het Habsburgse Huis, 1291-1710
Object type: print
Date: 1710 – 1745
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: family lineage, pedigree, genealogical tree or table, series of rulers
Inscriptions: collector's mark: Lugt 2228

Mogelijk afkomstig uit: [J.W. Schele] Verzamelde mengelstoffen, verscheide Geschicht en Geslagtkundige aanmerkingen aantoonende, in kopere platen verbeeld / door een liefhebber der Geschiedenissen, Haarlem : J. Marshoorn, 1745.
The Drinker
Object type: print
Date: 1867 – 1867
Materials: chine, paper
Techniques: printmaking, etching
Location: belgium
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Repose in Egypt, Mary nursing the infant Christ while an angel pulls at tree branches
Object type: print
Date: 1630 – 1648
Techniques: etching
Artist: simone cantarini
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1648
Subjects: angels,virgin mary,jesus
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of upper torso, with extended left arm, protruding from himation, with hand holding a knobby stick
Art - Goût - Beauté, Feuillets de l' élégance féminine, Juin 1932, No. 142, 12e Année, p. 35
Object type: magazine
Date: 1932 – 1932
Materials: paper
Techniques: printing, photography
Artist: henri rouit
Artist role: publisher
Subjects: fashion plates, portrait of actor, actress

Tekst 'Valentine Tessier' met een afbeelding van de Franse actrice Valentine Tessier, getekend door Léon Heymann. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Head Against the Light (The Artist's Sister)
Object type: drawing
Date: 1912 – 1912
Materials: ink, paper, pencil
Techniques: pen
Artist: umberto boccioni
Artist role: artist
Artist nationality: italian
Artist dates: 1882 – 1916
Subjects: women
Ornament met één zittende figuur
Object type: sketchbook leaf
Date: 1928 – 1928
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: ornaments ~ art

Blad 19 recto uit een schetsboek met 24 bladen.
't Veldhoen, apartenent a mr. Jean Glimmer / 't Veldhoen, toebehoorende den heer Jan Glimmer
Object type: book illustration
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rural housing, e.g. country-house, villa, cottage
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Rechtsonder genummerd: 89. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Utrecht (vervolg.).
Tussenzetsel van roomwitte machinale kant met patroon van telkens drie bijeengeplaatste cirkels, op karton
Object type: entre deux, tussenzetsel
Date: 1925 – 1925
Materials: cardboard
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Tussenzetsel van roomwitte machinale kant met patroon van telkens drie bijeengeplaatste cirkels, op karton.
The Death of Maitre Andre
Object type: print
Techniques: etching
Artist: claude gillot
Artist role: artist
Artist nationality: french
Artist dates: 1673 – 1722
Subjects: buildings,men,women
Decoratief object in de vorm van een tros pruimen
Object type: pruim
Date: 1750 – 1775
Materials: faience
Location: delft
Artist: Anonymous

Decoratief object in de vorm van een tros pruimen.
Kopie van een Besluit van Emma (koningin-regentes der Nederlanden)
Object type: tekst
Date: 1892 – 1892
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: the hague, emma (queen consort of the netherlands), new york (city), print maker, piet mondriaan, education, tuition of the artist (in general), money
View of Asinoyu, Hakone
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: hakone
Artist: Anonymous
Subjects: prospect of village, silhouette of village
Inscriptions: negative number: ‘E 24’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Japan.
Ontwerp voor een vierkant kleed
Object type: drawing
Date: 1919 – 1919
Materials: paint, ink, paper
Techniques: brush, pen
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: ornaments ~ art
Inscriptions: number: ‘183.’
Hes van blauw katoen
Object type: doll's clothing
Date: 1850 – 1920
Materials: cotton
Location: netherlands
Artist: Anonymous

Hes van blauw katoen met witte biesjes en een rode vetersluiting.