deem-data/ArtiFact huggingface dataset:
Kepeng uit Malakka voor Trengganu,1251 [=1835]
Object type: coin
Date: 1835 – 1836
Materials: copper
Techniques: striking

Koperen particuliere munt. Voorzijde: in een regel waarde-aaanduiding sat kepeng in Arabische lettertekens, waarboven 1/1. Onderaan jaartal: 1251. Keerzijde: in twee regels lands-aanduiding Negri Trengganu in Arabische letttertekens. Gladde rand.
Rubbing from the Daibutsu
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: japanese
Louis XVI, King of France
Object type: print
Date: 1783 – 1783
Techniques: etching
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: kings,louis xvi,portraits
A Plan of the Famous Victory at Bleinem, obtained by his Grace the Duke of Marlborough over the Elector of Bavaria and the Marechals Tallard and Marcin, the 13th Augus, 1704 S.N.
Object type: map
Date: 1704 – 1704
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: john churchill (1e hertog van marlborough), maps of separate countries or regions, battle (+ land forces)

Onderste helft van een grote kaart van de Slag bij Höchstädt (Slag bij Blenheim) op 13 augustus 1704 waarbij de Geallieerden onder de hertog van Marlborough en de prins van Savoye een overwinning behaalden op de Franse en Beierse troepen. Onderaan de verklaring van de letters A-Z in het Engels.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, start of handle root and bit of handle patch
Ruines d'Une Fortification Romaine, Philoe; Nubie, plate 71 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Portret van een man met snor
Object type: photograph
Date: 1870 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: egide-françois billotte
Artist role: fotograaf
Artist dates: 1828 – 1911
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Atelier de photographie/ E. Billotte/ 4, Montague aux Herbes Potageres/ Bruxelles/ Anciennement rue de la Reine’
Design for a Stage Set: Design in Section of a Two-Storied Entrance Hall (Recto). Elevation Design for a Monumental Entrance with Columns and Rounded Pediment (Verso).
Object type: drawing
Date: 1794 – 1794
Materials: chalk, graphite, ink
Techniques: brush, pen, wash
Artist: giovanni battista galliani
Artist role: artist
Artist nationality: italian
Artist dates: 1794 – 1794
Subjects: stage design
Mr. Colimard, if you don't immediately stop ogling the dancers..., from 'Theater sketches,' published in Le Charivari, May 4, 1864
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: dance,men,women,dancers

Mr. Colimard, if you don't immediately stop ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!
Gezicht op een brug en een dorp in de Nærøyfjord, Noorwegen
Object type: stereograph
Date: 1882 – 1890
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: nærøyfjord
Artist: Anonymous
Subjects: fjord, sea loch, village, bridge
Rattle spoon
Object type: rattle spoon
Date: 1720 – 1720
Materials: gilt, silver
Artist: hans johansson stadius
Artist role: maker
Artist dates: 1713 – 1722
Portret van Françoise van den Berg-Schas
Object type: cabinet photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: batavia
Subjects: francina schas
Inscriptions: name: ‘Françoise vandenBerg / Schas’, name: ‘WOODBURY & PAGE / Photographers / JAVA.’, name: ‘Cabinet - Portrait / WOODBURY & PAGE BATAVIA, JAVA.’

Studioportret van staande vrouw leunend op de rugleuning van een fauteuil.
Bestellinglijst van het portret van Karel Frederik Ternooy Apel
Object type: print
Date: 1845 – 1907
Materials: paper
Techniques: lithograph
Location: delft

De intekenlijst behoort tot een portret van Karel Frederik Ternooy Apel door Willem Bernardus IJzerdraat, naar een foto van Anthony Martinus Hayo Polman.
Weg met een brug
Object type: print
Date: 1633 – 1670
Materials: paper
Techniques: etching
Location: amsterdam
Artist: herman naiwincx
Artist role: draughtsman, print maker
Artist dates: 1623 – 1670
Subjects: river, bridge, mountains
Inscriptions: collector's mark: Lugt 240

Links een weg met een houten brug in een bergachtig landschap. Rechts een rivier.
Titelpagina voor: Johann Roth, Gedichte, 1802
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: landscapes, historical persons
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Roth, Johann. Gedichte. Praag: Kaspar Widtmann, 1802.
Seascape with Waves Breaking off Rocks (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: ink, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: seascapes,waves

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Cabaret du Lapin Blanc
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: drypoint, etching
Subjects: inn, coffee-house, public house, etc., paris
Inscriptions: workshop stamp: ‘A. Cadart editeur 3 rue St. Fiacre Paris’, collector's mark: Lugt 2228
English Horn in G
Object type: english horn in g
Date: 1840 – 1840
Materials: ivory, leather, silver, wood
Culture: german
Location: germany
Artist: carl theodor golde
Artist role: maker
Artist nationality: german
Artist dates: 1803 – 1873
Vijf foto's van een vakantie in Noordwijk
Object type: photograph
Date: 1908 – 1911
Materials: paper
Techniques: gelatin silver print
Location: noordwijk
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: batavia, beach (as place of recreation), historical persons - bb - woman
Inscriptions: inscription: ‘Voor Pension/ "den Hollander"’, inscription: ‘Lien Lapp/ wachtend op een/ badkoetsje’, inscription: ‘Boy. Lil./ Strand.’, inscription: ‘Carla Mohr’, inscription: ‘Lien L. Mily’

Deze foto's maken deel uit van een album.
Le Garde-Meuble / Collection de Tentures
Object type: print
Date: 1895 – 1910
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Kruisvenster met gedrapeerde gordijnen in empirestijl. Prent uit 343e Livraison.
Silver beaker
Object type: beaker
Date: 2300 – 2000
Materials: silver
Culture: anatolian

This vase, along with 1989.281.46-.48 are said to have been found together, are best paralleled by pieces found by Heinrich Schliemann at Troy in a stratigraphic level know as Troy II. The wealth of jewelry and objects from the latest phase, Troy IIg, led Schliemann to believe that he had found the city described by Homer. In reality, this material is datable to about a thousand years before the Trojan War.
Fitting
Object type: fitting
Date: 634 – 900
Materials: gold
Culture: northwest chinese or eastern central asian
Portret van een man met snor en bakkenbaarden
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sideburns, moustache, adult man, historical persons
Tassel
Object type: tassel
Date: 1501 – 1600
Materials: silk
St Catherine
Object type: sculpture
Date: 1475 – 1500
Materials: clay
Location: northern netherlands
Artist: Anonymous

Beeldhouwwerk van pijpaarde, voorstellende Sint Catharina met het zwaard, het rad en het boek.
Views from 'Holland'
Object type: stereograph
Date: 1880 – 1920
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: new york city
Inscriptions: number: ‘25’, inscription: ‘VIEWS FROM ''HOLLAND'' (edition original.)’
Shaffron (Horse's Head Defense)
Object type: shaffron horse's head defense
Date: 1501 – 1600
Materials: steel
Culture: iranian
Location: iran

The surface is engraved with symmetrical floral arabesques. It is likely that this piece originally would have been part of an entire garniture for man and horse.
La Liberté Americaine (American Liberty) (Furnishing Fabric)
Object type: textile
Date: 1783 – 1789
Materials: cotton
Techniques: weave, printing
Location: jouy-en-josas
Artist: jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
Subjects: medallions, animals, white (color), vines, red (color), france, propaganda
Inscriptions: Inscription: non sine diis animosus infans 1777 oct. 16, 1781 oct 19 Libertas americana 4 juil. 1776
Gezichten op de omgeving van Brussel
Object type: print
Date: 1825 – 1827
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: parts of church exterior and annexes: chapel, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Prent maakt waarschijnlijk deel uit van een serie met gezichten op de omgeving van Brussel. Over deze serie is verder niets bekend. Het betreft voornamelijk landschappen en gebouwen.
St. Jansgilde van Zierikzee, gildepenning met no. 53
Object type: medal
Date: 1695 – 1695
Materials: brass
Techniques: engraving
Location: zierikzee
Artist: Anonymous
Subjects: jacobus de klerck, zierikzee
Flower-viewing Party from the Pleasure Quarters (Seiro hanami ryaku zu)
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Onbekende mannen op straat met hoed en stok in Ajaccio, Corsica
Object type: album leaf
Date: 1902 – 1904
Materials: paper
Techniques: gelatin silver print, daylight paper print
Location: ajaccio
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: head-gear, old man, street, historical persons not known by name

Deze foto's maken deel uit van een album.
Vier vrouwen achter een kerkraam
Object type: page
Materials: cardboard, paper
Techniques: photoaquatint
Artist: adelaide hanscom leeson
Artist role: painter
Artist dates: 1875 – 1931
Subjects: lyre, cithara, psaltery, child
Inscriptions: copyright notice: ‘C’

Prent op ongenummerde pagina. Adelaide Hanscom Leeson manipuleerde haar glasnegatieven om een schilderachtig efffect te bewerkstelligen.
Drie personen lopend op een bergweg, vermoedelijk op de Route de la Grande Chartreuse
Object type: photograph
Date: 1903 – 1903
Materials: paper, photographic support
Techniques: gelatin silver print
Location: chartreuse mountains
Artist: delizy
Artist role: manufacturer
Subjects: walking, hiking (recreation), road, path

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Den Grooten Figuer-Bibel (...)
Object type: print
Date: 1595 – 1596
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the books of ezra, nehemiah, and esdras, zerubbabel says (writes) that truth is the strongest of all things ~ contest of the three guardsmen
Inscriptions: number: ‘279’

De personificatie van de Waarheid zit op een wolk, naast haar een groepje engelen. Zij houdt een palmtak, een lauwerkrans en een boek vast. In een landschap knielen groepjes mensen eerbiedig voor de verschijning van de Waarheid. Linksonder een verwijzing naar de tekst in 3 Esdras 3-4. Onder de voorstelling verzen in het Latijn. Deze prent maakt deel uit van een album.
Ring
Object type: ring
Materials: gemstone, gold
Techniques: casting, engraving
Location: iran
Bust of a Warrior Wearing a Plumed Helmet, Looking Toward Spectator Over His Right Shoulder (recto); Sketch of a Leg (verso)
Object type: drawing
Date: 1605 – 1609
Materials: chalk, paper
Artist: camillo procaccini
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1629
Subjects: helmets,men,portraits

Detailed study in red chalk for the face of the Roman soldier seen at left inProcaccini's Martyrdom of Saint Agnes, painted in 1605-1609 (see acc. no. 65.223).
Designs for borders and corners, acanthus
Object type: drawing
Date: 1830 – 1904
Materials: graphite, ink
Techniques: pen
Artist: robert william hume
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1904
Subjects: ornament
Dier, mogelijk een schaap of koe
Object type: sketchbook leaf
Date: 1892 – 1901
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: animals

Blad 45 verso uit een schetsboek met 51 bladen.
Landschap met een jager
Object type: print
Date: 1622 – 1653
Materials: paper
Techniques: etching
Location: antwerp
Subjects: hunter, bird hunting
Inscriptions: collector's mark: Lugt 2228

Bosrijk landschap met een jager die op een eend schiet.
Fotoreproductie van een gravure van de Spanjaarden die door het Zijpe waden op weg naar Zierikzee in 1575
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: wading, paddling
Inscriptions: number: ‘26’, number: ‘26’, inscription: ‘Togt van (...) aan wal.’
Toren van de Sint-Petrus'-Bandenkerk te Leende
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: leende
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: parts of church exterior and annexes: tower
Inscriptions: annotation: ‘Leende (N.B.)/ Toren v/d R.K. Kerk/ Juli 1904’, annotation: ‘N.Br. Leende’
The Virgin, Christ Child, and Saint John
Object type: print
Date: 1540 – 1550
Materials: paper
Techniques: woodcut, printing
Location: italy
Artist: antonio da trento
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1550
Portret van Cornelis Jacobsz. Drebbel
Object type: print
Date: 1664 – 1731
Materials: paper
Techniques: engraving
Subjects: london, cornelis jacobsz. drebbel, historical persons, portrait, self-portrait of graphic artist

Portret in een lauwerkrans en onder geflankeerd door twee putti die een doek ophouden met de naam van de geportretteerde.
Colonnade du Temple du Soleil, à Baâlbek (Héliopolis)
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: columns,temples,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Indo-Persian carpet with vine scroll and palmette pattern
Object type: carpet
Date: 1634 – 1666
Materials: cotton, wool
Culture: indo-persian
Cosmetic Flask (Mukhula) of Opaque Turquoise Glass
Object type: bottle
Date: 701 – 900
Materials: glass
Techniques: glassblowing, painting
Location: egypt
Zum wein wolt wir lavfen
Object type: print
Date: 1510 – 1550
Materials: paper
Techniques: engraving
Location: germany
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: merchant, salesman
Inscriptions: collector's mark:, collector's mark: Lugt 2228a, collector's mark: Lugt 2760

Dit prentje met een boerin die haar produkten verkoopt op de markt heeft een pendant met een boer die zijn waren heeft uitgestald. De figuren zijn naar elkaar toegewend weergegeven met de titels op tekstbanden welke volledig geïntegreerd zijn met de figuren en hun attributen. De teksten vullen elkaar aan en zijn moralistisch bedoeld, de boer en boerin verkopen hun produkten maar de opbrengst gaat op aan drank.
Vase
Object type: vase
Date: 1801 – 1900
Materials: enamel
Techniques: enamel
Culture: chinese
Subjects: flowers,leaves
Haardsteen met een voorstelling van een ruiter te paard
Object type: hearthstone
Date: 1499 – 1699
Materials: earthenware
Location: southern netherlands
Artist: Anonymous

Haardsteen met een voorstelling van een ruiter te paard.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, part of a vine with ivy leaves?; back of the head and part of the shoulder of a filleted youth to right?
Kleermakersgilde van Vlissingen
Object type: medal
Date: 1614 – 1614
Materials: lead
Techniques: casting
Location: flushing
Artist: Anonymous
Subjects: flushing

Loden penning. Voorzijde: gekroonde fles tussen jaartal binnen omschrift. Keerzijde: gekroonde schaar naast opschrift No. binnen omschrift
La Tour, et le Pont de Londres
Object type: opticaprent
Date: 1745 – 1775
Materials: paper, watercolor
Techniques: brush, etching
Location: france
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., city-view in general; 'veduta' (+ city(-scape) with figures, staffage), thames
Inscriptions: watermark

Rechts de Tower of London en op de achtergrond Saint Paul's Cathedral.
Allegorical Figure of the City of Piacenza, for a Pendentive in the Chapel of Saint-Roch, Church of Saint-Sulpice, Paris (recto); Studies for the Same Figure (verso)
Object type: drawing
Date: 1821 – 1821
Materials: graphite, paper
Techniques: heightening, drawing
Location: france
Artist: alexandre denis abel de pujol
Artist role: artist
Artist nationality: french
Artist dates: 1785 – 1861
Subjects: portraits,women

The compositional shape of this preparatory drawing reflects the destination of the finished work: a pendentive—the triangular section of vaulting where a dome connects to supporting arches below—in a chapel devoted to Saint Roch in the Church of Saint-Sulpice in Paris. As an allegory of Piacenza, she represents one of four Italian cities saved from the plague by the saint in the early fourteenth century. Hands clasped in prayer, she gazes up in veneration to the Apotheosis of Saint Roch depicted on the ceiling of the chapel above. The slight angle at which the drawing is squared suggests a minor adjustment required in the positioning of the figure when transferred to the next phase of preparation for the frescoes.
Six subjects after antique cameos: female figures tending to a seated male figure; putti and dolphins; female figure holding the reins of a pair of rearing horses; intertwined naked figures flanked by music-playing satyrs; triton with shield-bearing female figure; naked male figure seated on goat-headed sea creature
Object type: print
Date: 1510 – 1561
Techniques: etching
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Subjects: men,male nudes,women,female nudes,mythical creatures,dolphins,horses
Portret van Adolph Werner van Pallandt tot Zuthem
Object type: print
Date: 1786 – 1809
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: adult man, historical persons

Prent gebruikt in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. 43 dln. Amsterdam: Johannes Allart, 1786-1809.
Journal des Dames et des Modes, Costumes Parisiens, 15 juillet 1828, (2614): Chapeau de papier frappé (...)
Object type: fashion print
Date: 1828 – 1828
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: bow (ornamental part of clothing) (+ women's clothes), dress, gown: redingote (+ women's clothes), lace (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), gloves, mittens, etc. (+ women's clothes)
Inscriptions: title: ‘Costumes Parisiens.’, caption: ‘Chapeau de papier frappé imitant la paille, du Magasin de M.me Fouchet, Rue Vivienne, No. 2 bis. Redingote de mousseline fermée par des noeuds garnis de dentelle.’

Hoed van papier als imitatie van stro uit de winkel van Fouchet. Redingote van mousseline gesloten met strikken gegarneerd met kant. Verdere accessoires: handschoenen, enkellaarzen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Gezicht op de watertoren van Delden
Object type: photograph
Date: 1931 – 1931
Materials: paper
Techniques: gelatin silver print
Location: delden
Artist: Anonymous
Subjects: water tower
Inscriptions: number: ‘62’, inscription: ‘Delden watermolen 1931’
Jongeman bij een standbeeld van Harpocrates
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: tambourine, harpocrates, statues, paintings, etc. ~ objects of worship (non-christian religions) - bb - in the open air
Inscriptions: caption: ‘Fac tibi succurat, juvenis * compescero linguam’, inscription, number: ‘2’, collector's mark: Lugt 240

Een jongeman reikt met zijn hand naar het standbeeld van Harpocrates. Voor het beeld staat een brandende offerzuil. Op de achtergrond een ezel en dansende figuren met tamboerijn.
Mme Empis
Object type: print
Date: 1824 – 1920
Materials: paper
Techniques: etching
Location: paris
Subjects: paris, artist, historical persons - bb - woman, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 4336
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

One black glaze fragment from the foot of a skyphos?
Venezia - Ponte dei Sospiri da Antonio da Ponte 1597
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Inscriptions: number: ‘71’
The Holy Family with the Infant Baptist, Saint Elizabeth, and an Attendant Angel
Object type: drawing
Date: 1550 – 1560
Materials: ink, paper
Techniques: brush, pen, wash
Artist: aurelio luini
Artist role: artist
Artist nationality: italian
Artist dates: 1530 – 1593
Subjects: angels,holy family,madonna and child,saint john the baptist,saints
Side View of Design for Altar
Object type: drawing
Date: 1851 – 1900
Materials: watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: altars,doors,angels