deem-data/ArtiFact huggingface dataset:
Portret van Hendrik Daniëlsz. Hooft
Object type: titelblad, titelpagina
Date: 1796 – 1796
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: mayor, hendrik danielsz. hooft, historical persons, patriot (revolutionary), amsterdam
Inscriptions: collector's mark: ‘18.44’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [voor 1800].
Boston Harbor and East Boston, from State Street Block, No. 578 from the series "American Views"
Object type: photograph
Date: 1861 – 1888
Techniques: albumen print
Location: boston
Artist: john p. soule
Artist role: artist
Artist nationality: american
Artist dates: 1828 – 1904
Perim
Object type: photograph
Date: 1904 – 1904
Materials: paper
Techniques: gelatin silver print
Location: perim
Subjects: coast
Inscriptions: inscription: ‘Perim’
Landschap met herder en kudde schapen bij water
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., brook
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11, inscription: ‘B 29 - 39.58’

Prent naar schilderij van Peter Paul Rubens.
Swift
Object type: decorative art
Date: 1840 – 1850
Materials: wood, cotton, iron
Culture: shaker
Location: enfield
Artist: Unknown American Artist
Artist nationality: American
Artist dates: 1800 – 1899
The mystery of life
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: autotype
Subjects: the (nude) human figure; 'corpo humano' (ripa), boy (child between toddler and youth), doves, pigeons
Inscriptions: inscription: ‘Pall Mall’
Portret van Johann Philipp Treuner
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: historical persons, book, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Saucer with flower sprays on a black ground
Object type: kop en schotel, kop en schotel
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein, beschilderd op het glazuur in rood, aubergine, zwart en goud. Op de buitenzijde bloemtakken tegen een zwarte grond. Het zwart mogelijk in Europa toegevoegd. Een barst in de rand van de schotel. Famille noire.
Man in a Red Cloak
Object type: painting
Date: 1625 – 1674
Materials: oil, wood
Artist: rembrandt
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,portraits
Teaspoon (part of a set)
Object type: teaspoon
Date: 1749 – 1749
Materials: gold

In the first half of the eighteenth century, tea was a luxury item, an expensive imported commodity. Although most vessels made for the tea service—usually of silver or porcelain—were also expensive, this set of gold implements must have seemed impossibly lavish. The pierced spoon was used to skim stray tea leaves from the cup.
Design for Ceiling
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink, drawing material
Techniques: pen
Artist: leonardo marini
Artist role: artist
Artist nationality: italian
Artist dates: 1730 – 1797
Subjects: ceilings
A view of the Admiralty at Amsterdam, of the store houses, wharfes and docks, belonging to it and to the East India Company of Holland
Object type: print
Date: 1752 – 1752
Materials: paper, watercolor
Techniques: brush, etching
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo, bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), sailing-ship, sailing-boat, rowing-boat, canoe, etc., gate, entrance, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: watermark, collector's mark: Lugt 2166

De signaturen van de uitgevers Robert Sayer en Henry (II) Overton en mogelijk ook de datering zijn mee gekopieerd.
Doosje behorend bij een penning
Object type: box
Date: 1887 – 1887
Materials: leather
Techniques: striking
Location: utrecht
Subjects: utrecht
Inscriptions: signature: ‘L. JÜNGER D.; J.P.M. MENGER F.’, inscription: ‘HULDE NA XL JAREN / VAN VRUCHTBARE / AKADEMISCHE / WERKZAAMHEID / XVI NOV. / MDCCCXLVII - MDCCCLXXXVII’, inscription: ‘CHRISTPH. HENDR. DID. BUIJS BALLOT’, signature: ‘W.S.’

Vierkant leren doosje behorend bij een bronzen penning
Huis met brug over sloot
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerardus emaus de micault
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Gezicht op een huis tussen hoge bomen. Over de sloot loopt een brug en op de achtergrond, nabij een bos staan twee mensen met een hond.
Hedwig Kleintjes, Gerard Aalbersberg, Jan Kleintjes en een onbekende man en vrouw bekijken schetsboeken in het huis van Kleintjes
Object type: photograph
Date: 1900 – 1906
Materials: paper
Techniques: photography
Location: heerde
Artist: gerard aalbersberg (us)
Artist role: amateurfotograaf, arts, chirurg, gynaecoloog
Artist dates: 1870 – 1934
Nederzettingen van de VOC
Object type: print
Date: 1754 – 1754
Materials: paper, watercolor
Techniques: brush, etching
Location: london
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., sea (seascape) (+ landscape with figures, staffage), city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: date

De serie “Nederzettingen van de VOC” bevat zes prenten met de nummers 1-6, waarvan dit nummer 2 is.
Bekers, bokalen en schalen
Object type: ornament print
Date: 1594 – 1635
Materials: paper
Techniques: engraving
Location: northern netherlands

Onderaan hangt een tros vruchten tussen twee cherubijntjes. Tegenzijdige kopieën van de onder Orn Cat I-324.A vermelde serie. Titelblad en 14 deels genummerde bladen uit een serie van 25.
Galerie des contemporains illustres
Object type: print
Date: 1840 – 1850
Materials: paper
Techniques: etching
Location: paris
Subjects: vienna, historical persons, politician, e.g. party leader, ruler, sovereign

Prent waarschijnlijk uit een uitgave van Galerie des Contemporains Illustres.
S. Giovanni Laterano
Object type: photograph
Date: 1848 – 1852
Techniques: albumen print, glass negative
Artist: eugène constant
Artist role: artist
Artist nationality: french, active italy
Artist dates: 1848 – 1855
Subjects: architecture,buildings

Constant, who associated with the painter-photographers at the Caffè Greco, was the first in Rome to use the method of albumen on glass plate negatives devised by the Frenchman Niépce de Saint-Victor in 1847. This remarkable album contains thirty prints by Constant, each affixed to a page bearing the blind stamp of the bookseller Edouard Mauche (who sold his views).
Ornament with animal face
Object type: ornament
Date: 601 – 800
Materials: earthenware, glaze
Culture: chinese
Temple of Serapis, pediment and cornice, projection view
Object type: print
Date: 1555 – 1555
Techniques: etching
Artist: master ap
Artist role: artist
Artist nationality: french or italian
Artist dates: 1555 – 1555
Subjects: bow and arrow
Portret Edward Jerningham
Object type: print
Date: 1707 – 1794
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Brief aan Jan Veth
Object type: letter
Date: 1925 – 1925
Materials: ink
Techniques: pen, writing
Location: leipzig
Artist: andré jolles
Artist role: journalist, kunsthistoricus, letterkundige
Artist dates: 1874 – 1946
Subjects: amsterdam, painter, draughtsman, designer, jan veth, frans erens, diseases
Inscriptions: collector's mark: ‘RPK’
Gezichten in en nabij Spa
Object type: print
Date: 1778 – 1782
Materials: paper
Techniques: engraving, etching
Location: liège
Subjects: medicinal spring
Dorp met kerktoren aan het water
Object type: print
Date: 1850 – 1929
Materials: paper
Techniques: etching
Location: netherlands
Artist: piet schipperus
Artist role: draughtsman, print maker
Artist dates: 1840 – 1929
Subjects: village, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Dorp met een kerktoren aan het water. Op de kant een vrouw die de was te drogen legt.
Napoleon stapt van de os op de ezel, 1815
Object type: drawing
Date: 1815 – 1815
Materials: paper
Techniques: brush, pen
Location: netherlands
Artist: wijnand esser
Artist role: draughtsman, print maker
Artist dates: 1779 – 1860
Subjects: napoleon i (emperor of the french), bovine cattle, mule
Inscriptions: collector's mark: Lugt 2228

Napoleon, staande met een been op een ezel, het andere op een os. Bij Napoleon het opschrift 'Van den Os op den Ezel'. Op de achtergrond een Hollands landschap. Spotprent op de val van Napoleon na de nederlaag bij Waterloo op 18 juni 1815.
Portret van een man in uniform met hoed en zwaard
Object type: carte de visite
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, hacking and thrusting weapons: sword, (military) uniforms
Vier spreekwoorden
Object type: print
Date: 1608 – 1666
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: neck-gear ~ clothing (with name) (+ men's clothes), clothing for the upper part of the body (with name) (+ men's clothes), shoulder-belt, bandoleer (+ men's clothes), cape (huik) (+ women's clothes), head-gear: hat (+ men's clothes), clothes, costume (+ women's clothes), neck-gear ~ clothing (with name) (+ women's clothes), shoes, sandals (+ men's clothes), proverbs, sayings, etc., clothes, costume (+ men's clothes), temperance, moderation; 'misura' (ripa), clothing for the upper part of the body (doublet) (+ men's clothes), sleeves (+ men's clothes), kindling a fire, netherlands
Inscriptions: signature: ‘Nicolaus Brauius sculptor’, collector's mark: Lugt 2228, caption: ‘Kent uwen staet, want ten brant over all oock niet Effen so sehr, als men wal vele roock siet.’, signature: ‘Carolus Manderinus inventor’, address: ‘Iacques Honervoigt impressor’, caption: ‘Tel faincte le brave qui a la maison fourni, Plus de la fumee que du rosti’, number: ‘2’, caption: ‘Ein weiser man der sol sich selbs erkennen vol; Dan oftmals raucht es sehr, Ist drumb nit fewr zu mehr’

De heer is gekleed in wambuis* met ganzenbuik* en brede gepijpte plooikraag* en kniebroek*. Op zijn hoofd een hoed* met hoge bol slappe rand. Aan de voeten ingesneden instappers. De dame draagt een huik* en een vlieger.
Gezicht op twee beelden van mythologische figuren
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sculpture
Inscriptions: inscription: ‘Francois Sculpt/ Bornze (...)’, inscription: ‘[...]/ Boasberg/ april 84’, stamp: ‘Albinet/ 4. Rue Choiseul Paris’, number: ‘No.11’, stamp: ‘AV’
Madonna and Child
Object type: painting
Date: 1470 – 1470
Materials: gold, paint, wood
Artist: andrea del verrocchio
Artist role: artist
Artist nationality: italian
Artist dates: 1435 – 1488
Subjects: cherries,madonna and child
Portret van Anton Füster
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: eyeglasses, spectacles, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Nederlandsche bezittingen in Afrika. - 155,000 inwoners
Object type: print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: colonial system, (map of) africa, ford, maps, atlases
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van Nederlandse bezittingen in Afrika. Een kaart en voorstellingen van belangrijke gebouwen, zoals het Fort St. Jorge del Mina en het Fort Amsterdam. Boven elke voorstelling een titel en onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 77.
Heilige Hieronymus Aemilianus
Object type: print
Date: 1740 – 1744
Materials: paper
Techniques: etching
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Subjects: saints
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
'De Aardbezien' en 'De kleine schoorsteenveger'
Object type: staalplaat
Date: 1811 – 1886
Materials: steel
Techniques: engraving
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
The competition at the conservatory: At the 79th audition of "Oh, what a pleasure to be a soldier!", from 'News of the day,' published in Le Charivari, August 1, 1870
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Gezicht op de Amstel vanaf buitenplaats De Omval
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', river, windmill in landscape
Inscriptions: collector's mark: ‘5’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel buiten de stad, Amsteldijk.
Study for the "City and Country Beaux"; Sketch of a Hound (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: dogs

The execution of sketches and studies was a crucial part of Edmonds’s creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, four fragments with parts of tendrils and leaves from the handle ornament
Portret van Johann Cicero van Brandenburg
Object type: book illustration
Date: 1751 – 1751
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Frederik de Grote. Mémoires pour servir a l'histoire de la maison de Brandebourg. Sanssouci, Frederik de Grote, 1751.
Vis en zes koppen
Object type: sketchbook leaf
Date: 1930 – 1930
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: head (human), fishes

Blad 4 recto uit een schetsboek met 14 bladen.
Vlakdecoratie, kandelaber met een vaas
Object type: print
Date: 1500 – 1600
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Inscriptions: collector's mark: Lugt 240

Kandelaber met een vaas, bladranken en een mascaron tussen vier putti.
Schilder wekt zijn in slaap gevallen model
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: artist's model, sitter, painter working from live model
Inscriptions: collector's mark: Lugt 2228a, stamp: ‘Timbre Royal / 3c. / Seine’

Prent gebruikt voor: Le Charivari, 15 augustus 1838.
Bacchus Feeding a Panther
Object type: sculpture
Date: 1792 – 1792
Materials: marble
Techniques: modeling, carved
Location: england
Artist: john deare
Artist nationality: english
Artist dates: 1759 – 1798
Subjects: greek gods, vines, nudes, mythology, mythological figures, mythical, man, grapes, food, foliage, cup, animals
Inscriptions: Signed and dated:  I. DEARE FACIEBAT ROMAE 1792
Vase with the “One Hundred Deer” motif
Object type: vase
Date: 1751 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting
Culture: chinese
Subjects: deer,trees

Deer were considered supernatural creatures in premodern China. Here, the animals cavort in a magical forest of towering pines. Thanks to the newly introduced enamel painting method, both the deer and the landscape are rendered with a rich variety of color and subtle changes in tone. This imposing vase carries a second layer of meaning as the Chinee word for deer (lu) is a homonym for “bureaucratic benefits.” One hundred deer signify the numerous social and economic benefits a man could accrue during his career
Exterieur van het Apostolisch Paleis te Vaticaanstad
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: vatican city
Artist: Anonymous
Subjects: palace, façade (of house or building)
Inscriptions: inscription: ‘De Jong's Cacao & Chocolaad’, number: ‘Serie II No. 18’
Roof van een vrouw door man en sater
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: celebration meal, feast, banquet, man abducting woman
Inscriptions: collector's mark: Lugt 240

In het midden wordt een vrouw geroofd door een man en een sater. Rechts verscheidene figuren rondom een tafel. Op de voorgrond heeft een man zijn zwaard getrokken, en achter de tafel zwaait een man met een dolk. Links twee paarden.
Plate with rock, butterflies and flowering plants
Object type: plate dish
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark
Studie, mogelijk een kat op de trap voor een deur
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: cat, door, front steps

Pagina 48 uit schetsboek XLVIII met 62 pagina's.
Happy New Year, from the New Years 1890 series (N227) issued by Kinney Bros.
Object type: print
Date: 1889 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: musical instruments,boys

Trade cards from the "New Years 1890 Cards" series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company.
Studies voor een tekeningenboek naar klassieke sculpturen en figuren van Anthony van Dyck
Object type: print
Date: 1672 – 1711
Materials: paper
Techniques: etching
Location: rome
Artist: augustinus terwesten (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1649 – 1711
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) niobe
Inscriptions: collector's mark: Lugt 2228

Boven en onder twee aanzichten van een klassieke sculptuur van het hoofd van Niobe.
A Young Woman of Frascati
Object type: drawing
Date: 1775 – 1776
Materials: chalk, ink
Techniques: cutting, pen
Artist: jacques louis david
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1825
Subjects: profiles,women

It must not have been long after his arrival in Rome that David tried his hand at a tradition venerated among French artists visiting Italy: drawing young Italian women in regional dress. He would have been aware of precedents by Nicolas Vleughels, Jean Barbault, and Jean-Baptiste Greuze, if not from the works themselves, then from the engravings made after them, which featured full-length figures, detailed costumes, and identifying captions. In David’s Young Woman of Frascati, the subject is shown standing and in strict profile, with a long headscarf falling to a point behind her back and a tight-waisted, striped dress embellished with ribbons at the shoulder. However, unlike the earlier tradition which focusing on details of dress, here the subject is presented at half-length and bathed in natural light, her fresh features and upswept hair outshining the details of her costume.
Ontwerp voor een kalenderblad voor het jaar 1892
Object type: design
Date: 1868 – 1940
Materials: paper, pencil
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: historical events and situations
Plate
Object type: plate dish
Date: 1784 – 1809
Materials: porcelain
Techniques: painted
Location: ouder-amstel

Porceleinfabriek aan den Amstel
Manufactuur Oud-Loosdrecht
Ouder-Amstel and Loosdrecht, c. 1784–1809
hard-paste porcelain
Gezicht op Luxor en de Nijl
Object type: page
Date: 1891 – 1901
Materials: paper
Techniques: autotype
Location: luxor
Artist: Anonymous
Subjects: river, trees: palm-tree
Glass ribbed bowl
Object type: bowl, ribbed
Date: 34 – 66
Materials: glass
Culture: roman

Translucent blue green. Vertical rim with rounded top edge; plain band sloping obliquely outward around top of sides, then bulging outward before curving in sharply to flat bottom. On interior, four concentric grooves: one just below rim, two in a band at junction of side and bottom, and one small, broader circle at center; on exterior, eighty-two short, close-set, and sharply defined vertical ribs of slightly varying length and width, with tops ground off, arranged around the bulging middle section of body. Intact, but several internal cracks around rim; few bubbles; large areas of iridescent creamy brown weathering. Rotary grinding marks on plain band around top of sides and on interior.
Monumentum Parentum S:tae Birgittae sicut in Templo Cathedrali Ubsaliae visitur
Object type: album leaf
Date: 1668 – 1668
Materials: paper
Techniques: etching
Subjects: gravestone, tombstone

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Portret van Pieter Florisse
Object type: print
Date: 1858 – 1862
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Jonge, J.C. de. Geschiedenis van het Nederlandsche zeewezen. Haarlem: Jonge, J.K.J. de, 1858-62.
Brief aan Emile Ernest Bernard en Héloïse Bernard-Bodin
Object type: letter
Date: 1878 – 1941
Materials: ink, paper
Techniques: pen, writing
Location: alexandria
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: héloïse bernard-bodin, emile ernest bernard

Brief gedateerd Juillet 1897 in latere hand.
Reclame voor een behangselfabrikant met aankondiging van een vertegenwoordiger van Maxwell behang
Object type: ansichtkaart, prentbriefkaart
Materials: photographic support
Techniques: autotype
Location: united states
Artist: Anonymous
Subjects: new york (city)
Inscriptions: inscription: ‘THE NEW YORK SKY LINE AS SEEN FROM JERSEY CITY / Probably the most interesting sight in or about New York next to the / “MAXWELL” EXCLUSIVE LINE OF WALL PAPER FOR 1907 / I will call upon you with samples about [in pen: 11th] or sooner if you prefer. [in pen: A. K. Dickson]/ REPRESENTING / S.A.MAXWELL & CO. / 121 – 127 Crosby St. New York’, stamp: ‘1906’
Palace Landscape
Object type: hanging scroll
Date: 1801 – 1833
Materials: ink, silk
Culture: japanese
Artist: tani bunchō
Artist role: artist
Artist nationality: japanese
Artist dates: 1763 – 1840
Subjects: palaces,landscapes,boats

This landscape with palatial architecture belongs to the "blue-green" style of landscape painting that developed in Tang-dynasty (618-907) China, where the style persisted as a conservative academic mode, and was revived in monumental form during the Ming dynasty (1368-1644). Works by Qiu Ying, a professional painter active in Suzhou in the first half of the sixteenth century, were treasured in Japan and are likely to have been the inspiration for this painting. Tani Bunchō was a prolific artist and art historian who worked in many Chinese and Japanese styles. The painting is signed Bunchō and bears a large and seldom-found seal.
H. Andreas
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Artist: johannes wierix
Artist role: draughtsman, print maker
Artist dates: 1549 – 1618
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll
Inscriptions: collector's mark: Lugt 2228, number: ‘38. - 84.’

Landschap met de apostel Andreas, op de rug gezien. Hij leest in het opengeslagen boek in zijn hand. Onder zijn arm houdt hij het x-vormig kruis.
Glass Fragment
Object type: fragment
Date: 1101 – 1200
Materials: glass
Culture: french