deem-data/ArtiFact huggingface dataset:
Bottle
Object type: bottle
Date: 767 – 900
Materials: glass
Techniques: glassblowing
Location: iran

This glass bottle was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Staand meisje met hoed
Object type: drawing
Date: 1874 – 1945
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Plafond van de Burgerzaal in het Stadhuis op de Dam
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: interior ~ architectural design or model, townhall, (decorated) ceiling, plan ~ architecture, fall of phaethon; he is struck by a thunderbolt of jupiter, star-chart, star map
Inscriptions: collector's mark: ‘16,18’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Stadhuis op de Dam. Rechtsonder: Fig. P. 2.
Allegory of Spring, from a Series of the Four Seasons
Object type: sculpture
Date: 1730 – 1750
Materials: lead
Location: northern netherlands
Artist: willem rottermondt
Artist role: sculptor
Artist dates: 1701 – 1755

Putti, representing the Four Seasons. Lead. Netherlands, c. 1745.
Maria met Kind
Object type: print
Date: 1619 – 1675
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: collector's mark: Lugt 240
Ontwerp voor een grafmonument met Justitia, Fama en Abundantia
Object type: design
Date: 1650 – 1714
Materials: chalk, paper, pencil
Techniques: brush
Artist: pieter scheemaeckers (i)
Artist role: draughtsman, sculptor
Artist dates: 1652 – 1714
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, abundance; 'abondanza', 'abondanza maritima' (ripa), justice; 'forza alla giustitia sottoposta', 'giustitia', 'giustitia retta', 'giustitia rigorosa', 'impietà e violenza soggetta alla giustitia' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa), grave-building, monumental tomb
Plate 25 from Blatt Baum und Landschafts Studien
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: lithograph
Location: sweden
Artist: lorenz ekemann alesson
Artist nationality: swedish
Artist dates: 1791 – 1828
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 410 – 400
Materials: terracotta
Culture: greek, attic

Interior, part of the head of a filleted youth to right; Exterior, part of a double ground line
De schepping
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: vatican city
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: gathering of the waters below the firmament; dry land appears and produces all kinds of plants
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie van twaalf prenten van de schepping. De prenten zijn deels naar ontwerpen van Rafaël voor de Loggia van Rafaël in het Vaticaan, en deels naar prenten door Nicolaes de Bruyn naar ontwerpen van Maerten de Vos (zie: Holl. Dutch. vol. 45 nr. 1-10).
Mutsenslip van applicatiekant met drie éénbloemige takken in de velden tussen een golvende bladertak
Object type: lappet
Date: 1770 – 1780
Materials: linen
Techniques: lace
Location: brussels
Artist: Anonymous

Mutsenslip van naturelkleurige applicatiekant: naaldkant geappliceerd op drochelgrond. Het patroon heeft langs de rand medaillons met verschillende vormen en met diverse vullingen. In het middenveld een golvende tak met kleine bladeren. In de ruimtes tussen de rand en de slingerende tak staan drie losse bloemtakken, steeds met één bloem per tak. De bloemen verschillen van elkaar en de bloem aan de middelste tak is het grootst. De motieven zijn opgebouwd uit festonsteken en voorzien van reliëfcontouren. Ze zijn met elkaar verbonden door een fijne gekloste traliegrond, een drochelgrond. De vlakke schulpenrand komt voort uit het patroon met de medaillons en is afgewerkt met picots. De schulpenrand loopt door in één afgerond uiteinde. Het andere uiteinde is recht afgeknipt en onafgewerkt.
Fragment schijfvormig object uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Page from Ein new kunstlich Modelbuch...(Page 16r)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: flowers

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Dinner napkin
Object type: napkin
Date: 1849 – 1849
Materials: linen
Subjects: flowers
Ornamentele vaas met twee handvatten en een rand van putti
Object type: print
Date: 1530 – 1530
Materials: paper
Techniques: engraving
Location: rome
Subjects: vase ~ ornament
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van dertien prenten van vazen.
Brug over meerdere roeiboten, gebouwd door militairen
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: netherlands
Artist: Anonymous
Subjects: rowing-boat, canoe, etc., military training, bridge, netherlands

Deze prent maakt deel uit van een album.
Rafael, Die heilige Caecilia
Object type: page
Date: 1851 – 1861
Materials: photographic support
Techniques: albumen print
Location: berlin
Subjects: the virgin martyr cecilia of rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies
Plate 28: Drummers and trumpet players marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Object type: print, fete, ornament architecture
Date: 1623 – 1623
Techniques: etching, hand coloring
Location: brussels
Artist: cornelis galle (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1576 – 1650
Subjects: men,drums,trumpets,musicians

Plate from 'Pompa Funebris ... Alberti Pii', after Jacques Francquart, illustrating the funeral procession of Albert the Pious (1559–1621), Archduke of Austria, son of Emperor Maximilian II. 2 sheets pasted together at center. The first edition of this series contains 54 numbered plates and an engraved title page, published in 1623. The second and third editions contain 66 plates and were published in 1728 and 1729 respectively.
Portret van Filips II, hertog van Orléans
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: filips ii (hertog van orléans), armour, adult man, historical persons
Nederlandsche Courant, 4 juni 1784
Object type: newspaper
Date: 1784 – 1784
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: newspaper, news-sheet

Exemplaar van de krant 'Nederlandsche Courant' van 4 juni 1784. Enkelbladig, beide zijden bedrukt. Bovenaan een vignet met de Vrijheid en Mercurius. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Officieele Nieuwsbladen.
Funerary Urn (Hunping)
Object type: religious ritual object
Materials: ceramic glaze, glaze, stoneware
Techniques: molding
Location: china
Subjects: funerary art, buildings, figures (representations), animals, buddhism, religion, buddha

This complex and imaginatively modeled vessel is known as an “urn of the soul,” a symbolic dwelling for the spirit of the deceased. A profusion of figures was molded and applied to its sealed lid, which takes the form of a multistory pavilion. In the balcony-like mouth-rim, a tortoise supports a large vertical tablet, a common form of memorial stone. The real and mythical creatures on the vessel—birds, monkeys, bears, dragons, kneeling figures, and immortals riding dragons—all follow the iconography of early Chinese funerary art. Intermingled with these images, however, are depictions of the Buddha, who is identified by his meditating posture, topknot, and halo. The marginal role of Buddhist art in this decorative scheme reflects the adoption of the alien Indian religion, as the Chinese then understood it, into a hospitable mélange of different spiritual beliefs. Additionally, this jar reflects a formative stage in the development of China’s renowned celadon glaze, which became more uniform in color and texture over subsequent centuries.
Die brave John Bull
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: ammunition, personifications of countries, nations, states, districts, etc., political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 23 juli 1899.
Saint Luke
Object type: print
Date: 1514 – 1536
Techniques: engraving
Artist: anonymous, italian, 16th to early 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1640
Kruiswegstaties
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: first fall ~ christ carrying the cross, the 14 franciscan stations of the cross (3)
Plate
Object type: plate
Date: 1735 – 1740
Materials: hard paste porcelain
Subjects: coat of arms
Woman Dancer in Daimyo's Palace
Object type: print
Date: 1725 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: musical instruments,women,dancers
Box with Eight Buddhist Treasures
Object type: box with cover
Date: 1701 – 1900
Materials: lacquer
Techniques: carving
Culture: chinese
Wounded Soldiers in a Courtyard on Town Square
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: belgium
Artist: cornelis de wael
Artist role: draughtsman, print maker
Artist nationality: flemish
Artist dates: 1592 – 1667
Gueux hollandais sans-culotte français Hendrik Schilge
Object type: physionotrace
Date: 1785 – 1811
Materials: paper
Techniques: aquatint, etching
Location: paris
Subjects: politician, silhouette-apparatus, 'physionotrace', historical persons
Inscriptions: collector's mark: Lugt 2228
Steigerend paard van voren gezien
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: etching
Location: italy
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: horse
Inscriptions: number: ‘5’, collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 28 prenten van paarden (+ titelprent en opdracht).
The Savior with the Globe in his Hand
Object type: print
Date: 1601 – 1700
Techniques: engraving
Artist: grégoire huret
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1670
Subjects: jesus,globes
Italiaanse landschappen
Object type: print
Date: 1594 – 1635
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: river, village, rowing-boat, canoe, etc., dog
Inscriptions: collector's mark: Lugt 2228

Aan de overzijde van een rivier ligt een hoog gebouw door bomen omringd. Links op de oever ligt een dorp. Op de voorgrond enkele mannen, een kind en honden. Op het water vaart een roeiboot. Prent uit een serie Italiaanse landschappen.
Collegezaal. Anatomisch Laboratorium
Object type: photomechanical print
Date: 1902 – 1902
Materials: cardboard, paper
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: university building, college, anatomy lesson
Inscriptions: stamp: ‘HISTORISCHE COMMISSIE DER UNIVERSITEIT VAN AMSTERDAM’

Deze prent maakt deel uit van een omslag met vijftien lichtdrukken op twaalf kartonnen bladen.
Ingrain carpet runner piece
Object type: carpet
Date: 1880 – 1880
Materials: wool
Culture: american
The Actor Ichikawa Omezo I as the Boatman Takihei (?) in the Play Ofunamori Ebi no Kaomise (?), Performed at the Kawarazaki Theater (?) in the Eleventh Month, 1792 (?)
Object type: print
Date: 1792 – 1792
Techniques: woodblock print
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Mythological Birth of a God or Demi-God from a River
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: jan goeree
Artist role: artist
Artist nationality: dutch
Artist dates: 1670 – 1731
Ichikawa Danjuro VI
Object type: print
Date: 1792 – 1793
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎 (signed shunro)
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Interior, head of wreathed male to right; forelegs of a horse; end of staff and drapery of a figure to right
Head of a Woman with a Veil
Object type: drawing
Date: 1782 – 1782
Materials: chalk
Artist: jakob matthias schmutzer
Artist role: artist
Artist nationality: austrian
Artist dates: 1733 – 1811
Subjects: portraits,women
La Belgique, ou sont les provinces de Treves, Rheims, Mayence (...)
Object type: print
Date: 1647 – 1674
Materials: paper
Techniques: engraving, hand coloring
Subjects: maps of separate countries or regions, southern netherlands, belgium
Inscriptions: collector's mark: Lugt 2228

Kaart van de Zuidelijke Nederlanden. Linksonder de titelcartouche. Rechtsonder vier schaalstokken: 60 M. Pas Geom. / 24 Lieues com de France / 20 Lieues des Pays Bas en een andere. De kaart is voorzien van een gradenverdeling langs de randen.
Klederdracht van de bewoners van Louisiana, Maladiven en Marokko
Object type: print
Date: 1750 – 1865
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: historical costume
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Des menschen begin, midden en einde, Kinderprenten opgeplakt op karton.
Tea Caddy
Object type: ceramic
Date: 1740 – 1740
Materials: enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: meissen
Artist: meissen porcelain manufactory
Artist nationality: german
Artist dates: 1710 –
Village Retranché
Object type: drawing
Date: 1795 – 1803
Materials: paper
Location: netherlands
Artist: hendrik van der poth
Artist role: draughtsman
Subjects: fortified city

Strategische tekening over het oprichten van fortificaties rond een dorp, ca. 1799.
Bowl
Object type: bowl
Date: 1000 – 801
Materials: ceramic
Culture: iranian
Location: iran
Drie knielende figuren voor gevleugelde man
Object type: illustration
Date: 1895 – 1895
Materials: paper
Techniques: woodcut
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: kneeling figure

Rechts staat een man met vleugels in plaats van oren. Hij wendt zich tot de drie figuren die voor hem knielen. In zijn linkerhand houdt hij een bloem; met rechts wijst hij naar de zon waarin een vogel met gespreide vleugels te zien is.
Man en twee vrouwen in een park of tuin met paviljoen
Object type: photograph
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: strolling, public gardens, park, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Sash
Object type: sash
Date: 1628 – 1658
Materials: cotton
Techniques: dyeing, painting, resist
Location: india

Men’s sashes, called patkas, were wrapped two or three times around the wearer’s waist and tied with their ends hanging down in the front. Worn over jamas, the long robes typical of Mughal India, they allowed men to display their wealth by tucking daggers, pen cases, and other precious objects into the fabric. After being exported to Europe in the colonial period, a modified version of the patka became part of tuxedo sets, taking its name from the Hindustani and Persian term kamarband, which means ‘waist bound up’. Individual stitches running the length of this patka create pleating in the fabric, indicating that it was worn folded over with the ends splayed out.
Gezicht op Place Royale in Brussel, België
Object type: page
Date: 1874 – 1879
Materials: paper
Techniques: photograph
Location: liège
Subjects: square, place, circus, etc., church (exterior)
Inscriptions: name: ‘EM. TASSET, SC.’, inscription: ‘La photographie (...) du Parc.’, inscription: ‘IMAGERIE FRANKLIN, No 34. -1879.’, name: ‘J. HERMAN, INV.’

Deze prent maakt deel uit van een album.
Amulet of the Goddess Bastet as a Seated Cat
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: goddesses, animals, cats
Dagger (Jambiya) with Sheath
Object type: dagger jambiya with sheath
Date: 1701 – 1900
Materials: glass, silver, steel
Culture: moroccan
Location: morocco
Belt buckle
Object type: belt buckle
Date: 1890 – 1890
Materials: metal
Culture: american
Mandala of the Thirteen Buddhas (Jūsan butsu mandara)
Object type: hanging scroll
Materials: gold, ink, silk
Culture: japanese
Artist: unidentified artist
Artist role: artist

This grouping of thirteen Buddhist deities, consisting of five buddhas, seven bodhisattvas, and one wisdom king, is worshipped in the Shingon school. Each deity is the focus of one of thirteen memorial services conducted to pray for the postmortem wellbeing of a deceased person, held in the days, weeks, and years following death. This practice, which emerged in Japan in the fourteenth century and was widespread during the Muromachi period, is related to worship of the Ten Kings of Hell.
Teapot
Object type: teapot
Date: 1800 – 1800
Materials: glaze, porcelain
Culture: japanese
Portret van Neeltje Bark
Object type: photograph
Date: 1910 – 1910
Materials: photographic support
Techniques: albumen print
Location: purmerend
Artist: josephus hendrikus petrus coppens
Artist role: fotograaf
Artist dates: 1864 – 1941
Subjects: purmerend
Inscriptions: name: ‘J.H.P. Coppens Purmerend’

Studioportret van een meisje bij een stoel
Adoration of the Magi, from "The Fall and Salvation of Mankind Through the Life and Passion of Christ"
Object type: print
Date: 1500 – 1538
Techniques: woodcut
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Subjects: men,jesus,adoration of the magi
Rivierlandschap met reizigers en veehoeders
Object type: print
Date: 1873 – 1894
Materials: paper
Techniques: etching, intaglio
Location: paris
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., 'en route', traveller under way, landscapes with waters, waterscapes, seascapes (in the temperate zone) - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 2228
Wanderer in the Storm
Object type: painting
Date: 1835 – 1835
Materials: canvas, oil
Artist: julius von leypold
Artist role: artist
Artist nationality: german
Artist dates: 1806 – 1874
Subjects: men,trees,storms
Gezicht op de tuin en het huis Ouderhoek tijdens het bezoek van Tsaar Peter de Grote in 1717
Object type: print
Date: 1719 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: country-house, vecht
Inscriptions: stamp, collector's mark: Lugt 1641

Prent voor het eerst gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719. Prent mogelijk uit: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Schetsblad met slapende vrouwen
Object type: drawing
Date: 1785 – 1846
Materials: paint, ink, paper, watercolor
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: adult woman, old woman, sleeping; unconsciousness
Inscriptions: stamp, collector's mark: Lugt 1641

Schetsblad met negen slapende vrouwen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Het begin der 19de eeuw. Teekeningen van Christiaan Andriessen, † 1819. mannen en vrouwen. stadstypen.
The Source of the Arveron, plate 60 from Liber Studiorum
Object type: print
Materials: ivory, paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Groepsportret van leden van een protestbeweging te Jakoetsk
Object type: ansichtkaart, prentbriefkaart
Materials: paper
Techniques: autotype
Location: russia
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: number: ‘1 (...) 56.’
Portret van Otto Christian Schuchmacher
Object type: print
Date: 1793 – 1812
Materials: paper
Techniques: engraving
Location: hamburg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 154 : Robe pour les vacances (...)
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving, hand coloring, pochoir
Subjects: fowl (cock, hen, chicken, etc.) (+ feeding animal), head-gear (+ women's clothes), fashion plates, dress, gown (+ women's clothes)
Inscriptions: caption: ‘Robe pour les vacances de Pâques’, inscription: ‘Cop. J. N. A. et Cie 1914’, title: ‘Costumes Parisiens’

Vrouw in een jurk met korte mouwen en lange geplooide rok. Zij is bezig een kip met kuikens te voeren. Volgens het onderschrift is dit een jurk voor tijdens de paasvakantie. Prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).