deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: douris
Artist role: artist

Exterior, central part of torso of male to left with left arm raised; part of head, neck, and right shoulder and top of back of youth to right
Mount Washington
Object type: painting
Date: 1869 – 1869
Materials: canvas, oil
Location: new hampshire
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: landscapes, leisure, women, weather/seasons, men, transportation, insects, animals
Inscriptions: Signed, lower right: "Winslow Homer/-1869-"

The White Mountains of New Hampshire were celebrated by artists, travel writers, and naturalists for their majestic wilderness. In the mid-19th century, Hudson River School painters reveled in the untamed scenery, but by the time Winslow Homer arrived on assignment from Harper's Weekly in 1868, the region was dominated by tourists and the comforts they demanded: grand hotels, railroads, and well-groomed trails for walking and riding. Homer depicted the eastern landscape as a stage for human activity, rather than as a sublime paradise fraught with Christian and nationalistic associations, which was a new approach to landscape painting in the years after the Civil War.
Case (Inrō) with Design of Pavilion on Rocks above Waves, with Flowering Plum Trees
Object type: inrō
Date: 1701 – 1900
Materials: gold, lacquer
Techniques: fundame, hiramakie, roiro
Culture: japanese
Subjects: flowers,mountains,trees
Rubberbomen op Pernantian
Object type: photograph
Date: 1925 – 1928
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: east sumatra
Artist: Anonymous
Subjects: plantation, factory-building, steam locomotive
Inscriptions: inscription

Blad met negen foto's van rubberbomen en van de aanbouw van een bedrijfsgebouw op Pernantian, ca. 1925-1928, en van een stoomlocomotief op smalspoor van de Nederlandse machinefabriek Du Croo & Brauns. Onder de foto's etiketten met onderschriften. Onderdeel van het fotoalbum over de plantages Brussel en Pernantian van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1910-1935.
Portret van Georges Picquart
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Artist: lucien perroudon
Artist role: print maker
Subjects: georges picquart, minister ~ government, historical persons, officer
Inscriptions: collector's mark: Lugt 2228

Prent uit: Hommage des artistes a Picquart. Album de 12 lithographies. Parijs: Société libre d'édition des gens de lettres, 1899.

Onder supervisie van Félix Thureau en Paul Brenet uitgegeven als protest tegen de gevangenneming van kolonel Georges Picquart na zijn ontdekkingen met betrekking tot de Dreyfusaffaire. Met voorwoord van Octave Mirabeau en uitleg over de namenlijst door Henri Rainaldy.
Triton die op een harp speelt
Object type: print
Date: 1656 – 1701
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: triton(s), harp
Afbeelding van den Brand des Amsterdamschen Schouwburgs, den 11 May 1772
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: on fire, ablaze, theatre, theatrical performance
Inscriptions: collector's mark: Lugt 2228

De uitslaande brand in de Amsterdamse Schouwburg gezien vanaf de overzijde van de Keizersgracht. De kades en brug staan vol met het toegestroomde publiek.
Portret van een onbekend meisje
Object type: photograph
Date: 1880 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: rotterdam
Artist: j.b.a. van loo
Artist role: fotograaf
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: address: ‘BINNEHOF/ KRUISKADE/ ROTTERDAM’
Sword (Saif) with Scabbard
Object type: sword saif with scabbard
Date: 1701 – 1900
Materials: leather, silver, steel
Culture: indian
Location: india
Portret van Adelheid van Poitiers
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Bed curtain border
Object type: border
Date: 1800 – 1850
Materials: linen
Subjects: horses,flowers
Naakte vrouw met handen voor het gezicht en haar bovenlichaam rustend op een kussen
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: armand rassenfosse
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1934
Subjects: leaning backward - aa - female human figure, shoes, sandals, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, inscription: ‘Le Léthé’
Wegenkaart van Oost-Java
Object type: print
Date: 1906 – 1938
Materials: linen, paper
Techniques: lithograph
Location: semarang
Artist: Anonymous
Subjects: maps of separate countries or regions

Schaal 1:500.000. Onder de kaart een legenda van suikerfabrieken per regentschap.
Les forces de l'Europe, ou description des principales villes, avec leurs fortifications : dessignées par les meilleurs ingenieurs, particulierement celles (...) de la France, dont les plans ont esté levez par M. de Vauban
Object type: print
Date: 1693 – 1696
Materials: paper
Techniques: etching
Location: france
Subjects: maps of separate countries or regions

Kaart van de omgeving van de Franse stad Straatsburg. Onderdeel van het zevende deel (1696) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Het schip dreigt bij Oranje-eiland in het ijs vast te raken, 1596
Object type: history print
Date: 1615 – 1617
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: willem barendsz., jacob van heemskerck, landscapes in polar regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie eerst in: G. de Veer, De waerachtige beschrijvinge vande drie seylagien, drie jaren achter mal-kanderen deur de Hollandtsche ende Zeelandtsche Schepen, by noorden Noorweghen, Moscovien ende tartarien nae de Coninckrijcken van Catthay ende China ghedaene, [Michiel Colijn, Amsterdam 1617]. Later gebruikt in: Kort verhael van d'eerste Schipvaerd der Hollandsche ende Zeeusche Schepen by noorden Noorwegen, Moscovien ende Tartarien om, nae de Coningrijcken van Cathay ende China, getogen uyt het Journael van Gerrit de Veer. Opgenomen in: I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 10.
Den Engelsch-Transvaalsche Oorlog
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: politician, personifications of countries, nations, states, districts, etc., the defeated (after the battle), political caricatures and satires

Piet Joubert, de militaire leider van de Boeren in Transvaal, informeert bij de op de grond onder een huifkar zittende toegetakelde John Bull of hij nog meer slaag wil hebben.
The gypsy
Object type: reproduction
Date: 1875 – 1885
Materials: photographic support
Techniques: platinum process
Artist: frederick hollyer
Artist role: fotograaf
Artist dates: 1838 – 1933
Subjects: holy family, and derived representations, wandering communities: romani or roma, shed
Brief aan Jan Veth en Anna Dorothea Dirks
Object type: letter
Date: 1899 – 1899
Materials: ink, paper
Techniques: pen, writing
Location: baarn
Artist: karel johan lodewijk alberdingk thijm
Artist role: criticus, prozaschrijver
Artist dates: 1864 – 1952
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, artist, anna dorothea dirks
Inscriptions: collector's mark: ‘RPK’
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Subjects: bees
Genie (Künstler), from the series Vom Tode Zweiter Teil
Object type: print
Date: 1910 – 1910
Techniques: aquatint, etching
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: men,women,trees
Sheet with six beetles
Object type: drawing
Date: 1620 – 1662
Materials: gouache, paper
Artist: pieter holsteyn (i)
Artist role: draughtsman
Artist dates: 1580 – 1662
Subjects: insects: beetle

Pieter Holsteyn grouped six different species of beetles like precious jewels on the sheet of paper. He beautifully captured the metallic sheen of their ‘armour.’ Such nature studies were earmarked as having been made naer het leven or ad vivum, ‘from life.’ However, that should not be taken too literally in this case. He probably drew dead specimens. After all, insects are impatient models: they do not care to stay still.
Jeanne (Roty?)
Object type: plaquette
Date: 1801 – 1900
Materials: bronze
Techniques: casting, silvered
Artist: louis-oscar roty
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1911
Subjects: profiles,women
Bowl with cover (Écuelle)
Object type: bowl with cover
Date: 1701 – 1725
Materials: silver
Artist: nicolas ii fauveau the elder
Artist role: maker
Artist dates: 1672 – 1724

An écuelle is a lidded bowl with two handles, often provided with a matching saucer or stand, used for serving hot broth or bouillon. During the late seventeenth and eighteenth century, broth was taken during the morning toilette but also offered to new mothers, as well as to the sick and bed-ridden to regain their strength. For that reason, écuelles were intended for private use in the bedroom rather than in the dining room. The broth bowl could be an independent piece made of faience, porcelain, pewter or silver. As part of an elaborate dressing table set, it was usually made of precious metal. This écuelle, possibly made in Bordeaux, dates to the first quarter of the eighteenth century when a hinged handle on the cover and lambrequin ornament on the bowl’s flat handles became increasingly popular. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes a number of rare early pieces. –
Two Studies of a Dead Bird
Object type: drawing
Date: 1575 – 1625
Materials: ink, paper
Techniques: pen
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: birds (+ young animal), birds (+ dying animal; death of animal; dead animal)

At the close of the 16th century, artists became increasingly interested in nature. Jacob de Gheyn’s circle of friends included several scientists. His expertise and excellent observational skills enabled him to portray plants and animals with meticulous accuracy. Remarkably, he depicted this dead songbird, which seems to have only just crawled out of its egg, in two different ways, as a scientific researcher would have done.
Winterlandschap met jager op het ijs
Object type: drawing
Date: 1800 – 1900
Materials: chalk, paper
Techniques: brush
Artist: Anonymous
Subjects: ice ~ freezing weather
Two Panels
Object type: textile
Date: 1711 – 1711
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, weave, satin weave
Location: france
Subjects: flowers
Plattegrond van Doetinchem
Object type: drawing
Date: 1770 – 1778
Materials: ink, paper
Techniques: pen
Location: doetinchem
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: maps of cities

Plattegrond van Doetinchem. Stadsplan van de stad waar Brandes van 1770 tot 1778 predikant was van de lutherse gemeente. Hij heeft op de plattegrond aangegeven wie (van de lidmaten van zijn gemeente) waar woont. Met opschriften.
Gezicht op de gevangenis aan het Leidseplein
Object type: photomechanical print
Date: 1912 – 1912
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: prison, jail, canal, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: ‘3’ Lugt 1641b

Fotomechanische afdruk uit: Het Leven. Geïllustreerd (1912), 10 december 1912.
Het Kasteel te Herpt
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 1641, stamp

Het kasteel te Herpt. Rechts een toegangsbrug. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland (vervolg.)
Portret van Artemisia Gentileschi
Object type: print
Date: 1615 – 1670
Materials: paper
Techniques: engraving
Location: france
Subjects: naples, painter, artemisia gentileschi, ornament ~ medallion, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2165, collector's mark: Lugt 240
Actors Attending Memorial for Arashi Rikan III
Object type: print
Date: 1863 – 1863
Techniques: woodblock print
Location: japan
Artist: mori yoshiyuki (nansuitei yoshiyuki)
Portret van Catharina de' Medici, koningin van Frankrijk
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: florence, blois, koningin, catharina de'medici (koningin van frankrijk)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als illustratie in: Meteren, Emanuel van. Oorlogen en geschiedenissen der Nederlanderen en derzelver nabuuren, deel V, p. 263. Amsterdam: Steven Jacobus Baalde, 1786.
's Gravenhage. Paleis van H.M. de Koningin Moeder
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: the hague
Subjects: square, place, circus, etc., palace, façade (of house or building)
Inscriptions: inscription: ‘NPG’, number: ‘13’
Rural Sports, or an Old Mole Catcher in Full Scent
Object type: print
Date: 1811 – 1811
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827

An elderly man on a horse rides in a hilly landscape with two dogs before him, and approaches a girl seated beneath a tree at right.
Mlle. Sorel, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van kardinaal Joseph Fesch
Object type: print
Date: 1816 – 1832
Materials: paper
Techniques: stippling
Location: germany
Artist: karl eduard weber
Artist role: draughtsman, painter, print maker
Artist dates: 1806 – 
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228
Tripod Polychrome Bowl Depicting a Serpent with Feathers
Object type: vessel
Date: 500 – 750
Materials: ceramic, pigment, terracotta
Culture: classic
Location: veracruz
Elongated Ovoid Vase (Meiping) with Stylized Flowers
Object type: vessel
Materials: iron, stoneware
Techniques: incising, overglaze, painting
Location: china
S. Nicolas de Tolentino (St. Nicholas of Tolentino), September 10th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: altars,men,saints,praying

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
1660
Object type: reproduction
Date: 1868 – 1873
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: garden, nobility and patriciate; chivalry, knighthood
Kracht (Fortitudo)
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues
Inscriptions: collector's mark: Lugt 2228

Staande vrouw naast een zuil, in een nis, als personificatie van kracht.
Breslau. Alte Ohle
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: breslau
Subjects: street
Van schepping tot verdrijving uit paradijs
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: the man (adam) comes to life: usually god reaches out his hand or breathes life into his nostrils, creation of land-animals
Inscriptions: collector's mark: Lugt 2228

Zesde dag van schepping: God schept de dieren en Adam en Eva. Hij blaast Adam leven in door zijn neus. In medaillon met als opschrift een bijbeltekst in Latijn uit Genesis 2, binnen rechthoekige omlijsting.
A Boy Blowing on a Firebrand
Object type: painting
Date: 1621 – 1622
Materials: canvas, oil, paint
Techniques: painting
Location: netherlands
Artist: gerrit van honthorst
Artist nationality: dutch
Artist dates: 1592 – 1656
Subjects: light, candles, children, feathers, costume, fire, firebrand

Depictions like this one of a boy blowing on a burning ember were popular among European painters studying illumination. Artists like Michelangelo and El Greco used this subject to showcase their skills at imitating nature, particularly the fleeting reflections of firelight. After spending several successful years working in Rome, Gerrit van Honthorst brought this theme back with him to the Netherlands, where it was appreciated by sophisticated collectors who recognized its origins in an ancient Roman text.
Koe, van voren
Object type: print
Date: 1780 – 1851
Materials: chalk, paper
Techniques: etching
Artist: pieter janson
Artist role: draughtsman, print maker
Artist dates: 1765 – 1851
Subjects: cow
Inscriptions: collector's mark: Lugt 240

Koe, van voren, staand aan de waterkant. Rechts op de voorgrond een struik.
Steeg met zittende figuren in een nis
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: pencil
Location: tunis
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: civic architecture; edifices; dwellings, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Op de achtergrond enkele figuren onder een rondboog. Pagina 7 uit een schetsboek met 67 bladen.
Portret van mevrouw M.J. van Rennès-de Jongh
Object type: drawing
Date: 1874 – 1925
Materials: paper, pencil
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: historical persons - bb - woman
Kruisiging
Object type: print
Date: 1580 – 1608
Materials: paper
Techniques: engraving
Location: zwolle
Artist: roeland van bolten
Artist role: print maker
Subjects: comprehensive representations of the events on golgotha during christ's hanging on the cross, no particular event emphasized
Inscriptions: collector's mark: Lugt 2228

Linkerplaat van een prent waar Christus wordt gekruisigd op Golgota terwijl omstanders toekijken. Onder het kruis liggen Maria en Maria Magdalena, en enkele andere vrouwen. De misdadigers worden op hun kruisen genageld (Matteüs 27:38). Christus wordt een spons met zure wijn aangeboden (Matteüs 27:48). Linksonder het kruis dobbelen soldaten voor het kleed van Christus (Matteüs 27:35). Helemaal rechts wijst een centurio naar Christus (Lucas 23:47). De prent heeft een Latijns onderschrift.
Man zit knielend naast een vrouw
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: garden, kneeling figure
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

In een tuin knielt een man en kijkt omhoog naar de vrouw naast hem. Hij houdt haar hand vast. Achter hen komt een derde figuur aanlopen.
Gezigt van Rotterdam, aan de zijde van de Maas te zien / Gezigt van Delfshaven, aan de zijde van de Maas te zien
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: river, ships (in general), delfshaven, rotterdam
Inscriptions: date

Blad met 2 voorstellingen. Boven: een gezicht op Rotterdam vanaf de Maas gezien. Onder: een gezicht op Delfshaven vanaf de Maas gezien. Onder de afbeeldingen een onderschrift. Genummerd linksboven: No. 2.
Slapende Diana
Object type: print
Date: 1659 – 1740
Materials: paper
Techniques: mezzotint
Subjects: (story of) diana (artemis), sleeping; unconsciousness
Inscriptions: collector's mark: Lugt 2228

In een landschap ligt Diana te slapen bij een fontein. Aan haar voeten liggen twee jachthonden.
Gedeelte van de Sint-Elisabethkerk te Grave
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: grave
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: parts of church exterior and annexes: choir
Inscriptions: annotation: ‘Grave/ R.C. kerk (koor)’, annotation: ‘Grave’
Pillar print textile
Object type: piece
Date: 1830 – 1830
Materials: cotton
Subjects: columns,fruit,flowers