deem-data/ArtiFact huggingface dataset:
Ellen Terry, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
A collection of lace classification, [ca. 1906]
Date: 1906 – 1906
Artist: margaret taylor johnstone
Artist role: editor

This album is probably the first version of Johnstone's lace classification. It was given a penciled title page when transferred to the Library by the Catalog Department of the Museum, Jan. 21, 1948. The album is organized according to a scheme of 21 classes and various subclasses. Classification designations and descriptions are written in Johnstone's hand on cutout sheets of paper affixed to pages in the album. Autograph, typescript, and printed catalog entries for items acquired by, or on loan to, the Metropolitan Museum of Art are on cutout slips of paper affixed beneath the classification section to which they belong. Some classes are not represented by any catalog entries, and the entries following class XXI B (p. 121-139) are not designated by class
Card 1, from the Girl Baseball Players series (N48, Type 2) for Virginia Brights Cigarettes
Object type: baseball card, photograph
Date: 1886 – 1886
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,baseball,athletes

Trade cards from the "Girl Baseball Players" series (N48), issued in 1886 by Allen & Ginter to promote Virginia Brights and Dixie Cigarettes. There are two types of card in the series. Type 1 shows a female baseball player in a uniform with a polka dotted bib, and most often the cards are numbered. Type 2 depicts a female baseball player in a standard uniform with her player position noted on the image.
Maaltijd in Emmaüs
Object type: print
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: italy
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread, pilgrim's dress and attributes, e.g. flask, hat, mantle, staff
Inscriptions: collector's mark: Lugt 240

Christus aan tafel met Kleopas en mogelijk Petrus, gekleed als pelgrims, die Christus op de weg naar Emmaüs tegenkwam. Terwijl Christus het brood breekt, wordt hij door de twee discipelen herkend.
Nieuwe Nederlandsche kinderprenten
Object type: popular print
Date: 1903 – 1919
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: circus animals, monkeys, apes, dogs (circus performance), trunked animals: elephant
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van circusdieren, waaronder apen en een olifant. Genummerd rechtsboven: No. 179.
Ontwerp voor een diploma van de Theosofische Gesellschaft
Object type: design
Date: 1874 – 1932
Materials: ink, pencil
Techniques: pen
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Koningin Juliana legt de eed af voor het koningschap, omringd door toeschouwers
Object type: photograph
Date: 1948 – 1948
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: utrecht, bernhard (prins der nederlanden), the hague, juliana of the netherlands, historical persons - bb - woman, queen, during the coronation
Head of a bodhisattva
Object type: head
Date: 467 – 500
Materials: pigment, stone
Culture: chinese
Subjects: heads,buddhism,bodhisattvas
Reproductie van een prent naar een tekening van Cimon die een naakte vrouw achtervolgt
Object type: reproduction
Date: 1880 – 1880
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: river-gods
Inscriptions: collector's mark:, collector's mark: Lugt 2228

Martial Potémont maakte etsen naar de tekeningen van Fragonard, die zich bevonden in een manuscript in de collectie van de verzamelaar Eugène Paillet. Rouquette bood hem aan de tekeningen zo exact mogelijk in prent te laten brengen door Martial Potémont: dit resulteerde in een serie van 57 etsen. Vervolgens werden deze gereproduceerd door middel van heliogravure. Deze omslag betreft een editie voor de letter, "Eau forte pure", de 1e staat van 3 waar men uit kon kiezen bij deze serie.
Stables of Meccena's Villa, plate eleven from the Ruins of Rome
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: m. dubourg
Artist nationality: english
Artist dates: 1786 – 1838
Portret van Johann Jacob Vogel
Object type: print
Date: 1719 – 1722
Materials: paper
Techniques: mezzotint
Location: altdorf
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
David speelt op zijn harp en danst voor de Ark van het Verbond
Object type: print
Date: 1718 – 1719
Materials: paper
Techniques: engraving
Location: rome
Subjects: the ark is placed on a cart driven by the sons of abinadab; david and the people dance and make music before the ark
Inscriptions: collector's mark: Lugt 240

Naar één van de vier tondo's door Domenichino in de San Silvestro al Quirinale in Rome.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, lower body of draped figure
Bienfaits et Reconnaissance. Les Administrateurs du Bureau de Bienfaisance de Molenbeek-Saint-Jean, à Messieurs les Bienfaiteurs de l'Etablissement
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: public welfare
Inscriptions: collector's mark: Lugt 2228

Opening van een liefdadigheidsgeschicht in Sint-Jans-Molenbeek bij Brussel voor de opvang van zieke armen, 9 mei 1826. Twee vrouwen staande voor de poort naar de inrichting. Onder de plaat een Frans onderschrift naar aanleiding van de opening.
Scarab with Papryus Plant Decoration
Object type: scarab, papyrus
Date: 1850 – 1640
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

During the late Middle Kingdom (late Dynasty 12–mid Dynasty 13, ca. 1850–1640 B.C), decorations on scarabs often show symmetric designs and combinations of signs and symbols that are nicely composed. This is also the case for floral and plant decorations, which consist of representations of papyrus plants, and lotus flowers and their buds. Plants are a popular theme on the underside of seal-amulets because they refer to life, renewal, and regeneration.
Lopende man, naar links, van opzij gezien
Object type: drawing
Date: 1770 – 1825
Materials: chalk, paper
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825
Zes details van de kathedraal van Monreale
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: parts of church interior (entrance), cloisters ~ monastery, sculpture (+ relief ~ sculpture)
Inscriptions: inscription: ‘1, Carved Pillars. 2, Altar Frescoes. 3, Cloisters. 4, Capitals. 5, Saracenic Portal. 6, Bronze Doors.’
Fragment
Object type: textile
Date: 1601 – 1625
Materials: textile, linen, wool
Techniques: weave
Location: netherlands
Huis omgeven door kale bomen
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: trees, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Kneeling Youth
Object type: illustrated single work
Date: 1567 – 1600
Materials: gold, ink, paper, watercolor
Location: iran
Subjects: men,portraits

This drawing of a kneeling youth wearing a fur-lined gold cap is based on a work attributed to Shaikh Muhammad, an artist who was active from the 1530s to the end of the 1580s. The gold decoration on the figure’s robe, the chain of amulets and a purse across his chest, and the landscape elements do not appear in the original. Despite the long tresses, dangling earring, and narrow waist of this figure, his cap and pose indicate that he is a young man.
Epaulet
Object type: epaulet
Date: 1800 – 1830
Materials: thread, wool
Location: netherlands
Artist: Anonymous
Subjects: belgium

Epaulet van rode wol, versierd met zilvergalon en torsades.
Comic Valentine (Crinoline)
Object type: valentine
Date: 1840 – 1840
Techniques: hand coloring, engraving
Artist: Anonymous
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1899
The Colonnade in the Garden at Versailles
Object type: print
Date: 1700 – 1761
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: england
Subjects: garden, garden fountain, garden ornaments, garden buildings
Inscriptions: inscription: ‘Fo 11 B4’

In de ondermarge twee regels Franse en twee regels Engelse tekst.
Ugliness and Beauty, from "The Songs of Béranger"
Object type: print
Date: 1829 – 1829
Location: paris
Artist: tony johannot
Artist role: designer
Artist nationality: french
Artist dates: 1803 – 1852
Cup with butterflies and flowering plants near a rock
Object type: cup
Date: 1725 – 1749
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Pilgrim's Badge in the form of a Martyr's palm frond
Object type: pilgrim's badge
Materials: lead
Culture: french or british
Location: france or england
Deel van de beschrijving van Antwerpen
Object type: text sheet
Date: 1652 – 1652
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: johannes willemszoon blaeu
Artist role: printer, publisher
Artist dates: 1596 – 1673
Subjects: antwerp

Tekst gebruikt in: Blaeu, Johannes Willemszoon. Toonneel der steden van de Vereenighde Nederlanden. 2 delen. Amsterdam: Johannes Willemszoon Blaeu, 1652, dl. 2.

Zie ook: RP-P-AO-17-17-1-1.
Lycurgus houdt een verhandeling over de voordelen van opvoeding
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: assendelft
Subjects: lycurgus, the spartan, demonstrates the importance of good education by comparing the behaviour of two dogs: one eats from his dish, the other chases a hare, training of dogs, dog
Inscriptions: date

Lycurgus, de befaamde Spartaanse wetgever, rechts op de voorgrond. Hij leest uit een boek. Op de achtergrond een marktplein met toeschouwers. Twee honden worden op het marktplein losgelaten. De ene hond eet uit een bak voedsel dat voor hen is klaargezet, de andere hond rent een losgelaten haas achterna. De voorstelling verbeeldt een parabel van Lycurgus. De wetgever wou het belang van opvoeding aantonen en trainde twee honden van hetzelfde nest op een andere manier. De ene hond moest jagen voor zijn eten, terwijl de andere hond altijd werd gevoederd. Als hij de twee honden op het forum van Sparta loslaat, gedragen de honden zich naar hun opvoeding. De parabel komt voor in Plutarchus' Moralia (3:16). De prent heeft een Latijns tekst in de marge met uitleg.
Stele of the protective goddess Lama
Object type: relief
Date: 1307 – 1282
Materials: alabaster, gypsum
Culture: kassite
Location: mesopotamia
Subjects: goddess

This stele is carved with a goddess, identifiable by her horned headdress, facing to her left with arms upraised. She wears her hair pulled back with a lock over her shoulder, and her five-tiered skirt is decorated with 17 lines of cuneiform writing. The "interceding goddess" with arms raised in a gesture of prayer is well-known in earlier Mesopotamian art. where she is shown as an intermediary between a human (usually the king) and a high-ranking god or goddess. Here, she is identified by the inscription as the protective goddess Lama. The stele was dedicated to the goddess Inanna "for the life of" the Kassite king Nazi-Maruttash. Written in Sumerian, an ancient language which had ceased to be spoken centuries earlier, the inscription also places a curse on anyone who would tamper with the stele or remove it from view. This stele was one of a pair that are thought to have been erected in the sacred precinct called Eanna, "House of Heaven," at Uruk, where Inanna was worshipped. Its counterpart, now in the Iraq Museum, Baghdad, faces in the opposite direction and is carved with the same inscription. The Eanna precinct had been the site of worship for nearly two millennia when it was renovated during the Kassite period. These stelae may have intentionally drawn upon the archaic image of the protective goddess, which had mostly fallen out of use after the Old Babylonian period, together with the inscription in a long-dead language to increase their effectiveness at the ancient temple.
Het Zesde Zeeuwsche Muziekfeest, gehouden te Middelburg, 6 en 7 Junij 1861
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: lithograph
Location: haarlem
Artist: Anonymous
Subjects: choir (in church), interior of church, choir
Inscriptions: collector's mark: Lugt 2228

Gezicht in de Koorkerk te Middelburg waar het Zesde Zeeuwsche Muziekfeest wordt gehouden, 6-7 juni 1861. Onder het orgel leidt de dirgent een orkest en koor. Op de voorgrond rijen met toeschouwers.
Reporting a Happy Event
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: polychrome, woodblock print
Culture: chinese
Subjects: men,women,fish
Sculpturen in het Louvre, Parijs
Object type: photograph
Date: 1863 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Subjects: rome, gallery of sculptures, sculpture
Inscriptions: inscription: ‘23 Paris. Musée du Louvre, Salle des Empereurs, Jules César ND’, number: ‘14’
Chapuis. Charles, Paul. 17 ans, né le 22/3/76 à Paris VIle. Tapissier. Anarchiste. 7/1/94
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Nederland, cent, 1827 B
Object type: coin
Date: 1827 – 1827
Materials: copper
Techniques: striking
Location: brussels
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen munt. Voorzijde: tussen jaartal gekroonde rechte letter W. Keerzijde: tussen waarde-aanduiding 1 C. gekroond rijkswapenschild. Gladde rand.
Mitaine van Binchekant
Object type: childrenswear
Date: 1750 – 1800
Materials: linen
Techniques: lace
Location: western europe
Artist: Anonymous
Portret van een onbekende man
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, plastic, velvet
Techniques: daguerreotype
Artist: Anonymous
Subjects: adult man, historical persons
Rocaille en fantasiedieren
Object type: ornament print
Date: 1736 – 1762
Materials: paper
Techniques: etching
Location: augsburg
Subjects: rocaille ornament, fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa)
Inscriptions: collector's mark: Lugt 2228

Links op een rocaille zit een oosterse man met grote hoed. In het midden en rechts onder drie fantasiedieren.
Portret van een man
Object type: photograph
Date: 1850 – 1899
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Inscriptions: annotation: ‘Señor Malerdo’, address: ‘M.M.E.’

Zittende man met ringbaard en kuifje. Kniestuk, zonder achtergrond.
Portret van Marie-Dominique-Auguste Sibour, aartsbisschop van Parijs
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithography
Location: new york city
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 5004
Flask
Object type: decorative art
Date: 1840 – 1860
Materials: earthenware
Location: bennington
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Nigritane, from "Jeu de la Géographie"
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: soldiers
Anchorage on a rainy night
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: shen zhou
Artist role: artist
Artist nationality: chinese
Artist dates: 1427 – 1509
Subjects: mountains,landscapes

Anchorage on a Rainy Night illustrates how Ming scholar-artists intertwined poetry and painting to create a vehicle for intimate exchanges among a close-knit circle of friends. Radiating a mood of subdued introspection, the painting mirrors Shen's state of mind less than two months after his father's death, when he found solace in a friend's company. Shen drew on the pictorial vocabulary of the Yuan artist Huang Gongwang (1269–1354): softly contoured peaks, flat plateaus, and outcrops of round boulders accented by dark foliage dots and a few foreground trees. But Shen simplified Huang's complex brush idiom to a few brush conventions and a narrow range of ink tonalities, and he reduced Huang's richly articulated compositional structure to a geometric scheme of repeated diagonals in which the wedge-shaped foreground, receding stream, echelon of successively taller trees, and distant mountain slope all point toward the upper right, where he added a poetic inscription that places his visual tone-poem in context: Sparse paulownia leaves bring drops of morning dew, East of the ancient city in the rising sun's slanting rays, Swallows fly low over the overflowing pond. Thus I know that tonight the spring rain will be plentiful, How fitting that fish should leap and ducks swim. On the twentieth day of the last [lunar] month of spring in the dingyou year [May 2, 1477], I lodged on a boat to the east of the city with Weide. After the rain, everything grew quiet. I did this picture and poem to capture the mood. In response to Shen's poem, his close friend Wu Kuan added a poem following the same rhyme scheme along with the observation that the harbor Shen has described is none other than the one fronting a farmhouse owned by Wu's family.
Portret van Robertus van der Vlerk
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: utrecht, historical persons, firearms: cannon, officer, patriot (revolutionary)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, number: ‘936’

Medaillon met het portret van kanonnier Johannes van der Vlerk, borstbeeld in profiel naar links, boven een trofee met kanon, kruitvat en vaandels. Hij sneuvelde in het gevecht bij Vreeswijk buiten Utrecht tussen gewapende burgers van de Utrechtse schutterij en troepen van het regiment Van Efferen op 9 mei 1787.
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1601 – 1633
Materials: gold
Culture: japanese
Location: japan
Subjects: lions
Portret van een man leunend op een pilaar
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, paper
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: anonymous historical person portrayed

Blad 18 recto uit een schetsboek met 105 bladen.
Armchair No. 8
Object type: furniture
Date: 1898 – 1899
Materials: brass, leather, pearl, wood
Techniques: polish
Location: austria
Artist: otto wagner
Artist nationality: austrian
Artist dates: 1841 – 1918
Subjects: furniture
Kop van een kalf, liggende koe en kop van een stier
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching
Location: netherlands
Subjects: bovine cattle
Inscriptions: collector's mark: Lugt 2228

Drie platen afgedrukt op een vel papier. Boven de kop van een kalf, in het midden een liggende stier en onderaan een stierenkop.
Pillowcase
Object type: pillowcase
Date: 1701 – 1800
Materials: linen, silk
Huizen aan de kust bij Dinard
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: collodion silver print
Location: brittany
Subjects: city-view in general; 'veduta', rocky coast
Inscriptions: inscription: ‘6346 Dinard. Bric a Brac. C.N. & Co.’
Valance
Object type: valance
Date: 1760 – 1770
Materials: linen, wool
Techniques: embroidery
Culture: american
Location: united states
Subjects: flowers
Beroemde mannen aan de universiteit van Leiden
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: leiden, theologian, historical persons
De Passie
Object type: print
Date: 1455 – 1503
Materials: paper
Techniques: engraving
Location: bocholt
Artist: israhel van meckenem
Artist role: print maker
Artist dates: 1440 – 1517
Subjects: pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)
Inscriptions: collector's mark: Lugt 2228

Christus staat op een bordes voor een joelende menigte mensen. Naast hem staat Pilatus. Op de voorgrond zit een aapje aan een touw. Deze prent is onderdeel van een serie van twaalf prenten met scènes uit het Lijdensverhaal.
Vier portretten van leden van de Constitutionele Commissie van de staat New York
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: historical persons (+ head (and shoulders) (portrait))
Inscriptions: annotation, number: ‘503’

Linksboven George C. Burdett, rechtsboven William Cassidy, linksonder Joseph B. Hall, rechtsonder Cornelius L. Tracy.
Sumo Match in the Precints of the Ekoin Temple (Ekoin keidai sumo no zu), from the series "Ryogoku in the Eastern Capital (Toto Ryogoku)"
Object type: print
Date: 1847 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Flower Vase
Object type: flower vase
Date: 1801 – 1900
Materials: bronze
Culture: japanese
Portret van Franz Albert Aepinus
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving
Artist: christian fritzsch
Artist role: print maker
Artist dates: 1695 – 1769
Subjects: rocaille ornament, historical persons, armorial bearing, heraldry
Inscriptions: inscription: ‘+, Muss nicht Ar - sondern Ae heissen.’, collector's mark: Lugt 2228
Titelpagina voor: Sébastien Leclerc, Traité de géométrie (...), 1690
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: (story of) mars (ares), 'geometria' (~ quadrivium); 'geometria' (ripa)

Prent uit: Leclerc, Sébastien. Traité de géométrie (...). Parijs: Jean Jombert, 1690.
Button
Object type: button
Date: 1880 – 1880
Materials: metal
Culture: italian
Subjects: cameos
De zeeman
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: seaman
Inscriptions: stamp, collector's mark: Lugt 1641

Prent voor het eerst verschenen in de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk). Huidige staat uit: Luyken, Jan en Caspar. Spiegel van het menselyk bedryf (...). Amsterdam: Cornelis van der Sys, 1718, 189.