deem-data/ArtiFact huggingface dataset:
Op de kermis / De dieren-temmer
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: Anonymous
Subjects: taming and training of animals, circus animals
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van circusdieren en hun trainers, waaronder een leeuw, apen, een olifant en een zeehond. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 20.
Gezicht op de binnenplaats van de Beurs van Hendrik de Keyser te Amsterdam
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: stock exchange, stock-market, courtyard
Inscriptions: collector's mark: Lugt 1641b

Eerste staat van prent, genummerd 287, gebruikt in: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: Nicolaas ten Hoorn, 1713. En in: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: Nicolaas ten Hoorn, 1726.

Tweede staat van prent, genummerd 306, gebruikt in: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: Nicolaas ten Hoorn, 1726. En in: Hoorn, Nicolaas ten. Wegwyzer, of korte beschryvinge van de stadt Amsterdam, zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: erven J. Ratelband & Co, 1737. En in: Hoorn, Nicolaas ten. Wegwyzer of korte beschryvinge der stad Amsterdam, zynde eene beknopte verhandeling van derzelver eerste opkomst, vergrootingen, en tegenwoordigen staat (...). Amsterdam: Pieter Meyer, 1751.
Studieblad met schelpen
Object type: drawing
Date: 1887 – 1924
Materials: paper, pencil
Techniques: brush
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: echinoderms: starfish, lower animals (+ shell, snail-shell etc.)
Vrouw aan een tafel
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: old woman
Inscriptions: collector's mark: Lugt 240

Deze prent is de pendant van Hollstein nr. 84 van dezelfde prentmaker.
Portret een zittende man, aangeduid als Tuk
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: gorinchem
Artist: kornelis willem schorteldoek
Artist role: boekbinder, fotograaf
Artist dates: 1800 – 1885
Subjects: sitting figure, historical persons
Inscriptions: annotation: ‘Tuk/ (fabriek)’, inscription: ‘SCHORTELDOEK/ PHOTOGRAAF/ GORINCHEM/ Groote Markt’
Madje Lessing, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Beaker (Humpen)
Object type: beaker
Date: 1633 – 1633
Materials: glass
Subjects: men,christ
Group taken at Hughenden Manor
Object type: photomechanical print
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Location: high wycombe
Subjects: politician, adult woman, garden, politician, e.g. party leader
Inscriptions: inscription: ‘Mr. Corry (...) Lord Beaconfield’
Varie Figueri de Agati Antique
Object type: print
Date: 1635 – 1640
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: politician, male persons from classical history (plato), (story of) minerva (pallas, athena), (story of) alexander the great
Inscriptions: collector's mark: Lugt 240

Vier antieke bustes in profiel: linksboven Plato, rechtsboven Nicias, linksonder Minerva en rechtsonder Alexander de Grote. Prent uit de serie 'Varie Figueri de Agati Antique' naar Peter Paul Rubens, van in totaal negen prenten waarvan vermoedelijk vijf door Lucas Vorsterman I en vier door Paulus Pontius.
Landschap
Object type: print
Date: 1906 – 1930
Materials: paper
Techniques: etching, intaglio
Artist: jan c. van der ven
Artist role: draughtsman, print maker
Artist dates: 1896 – 1930
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Landschap bij Gorsel’, collector's mark: Lugt 2760
Cup and saucer
Object type: cup and saucer
Date: 1801 – 1900
Materials: hard paste porcelain
Subjects: birds,flowers,plants
Staal kloskant met grove draad als voorbeeld van een 'rib' (18e eeuw)
Object type: sample
Date: 1900 – 1930
Materials: cotton
Techniques: lace
Location: amsterdam
Artist: Anonymous

Staal naturelkleurige kloskant met grove draad als voorbeeld van een 'rib': een gekloste reliëfcontourlijn. In een bijpassend fragment kant is deze techniek toegepast. Je ziet deze toepassing onder andere in 18e eeuwse Brusselse kloskant. De datering betreft het staal.
Dummy Jar Inscribed for Sennefer and Senetnay
Object type: model, jug, senetnay, sennefer, kv 42
Date: 1427 – 1400
Materials: limestone
Location: egypt
Subjects: hieroglyphs
Willem III op de Hollandse Leeuw verjaagt pater Peters op de draak van Babylon, 1689
Object type: cartoon
Date: 1689 – 1689
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: jacobus ii (koning van engeland en schotland), the hague, william iii (prince of orange and king of england, scotland, and ireland), lodewijk xiv (koning van frankrijk), rome, the scarlet woman, the whore of babylon; she is usually sitting on a scarlet beast with seven heads and ten horns, political caricatures and satires

Prins Willem III als held op de Hollandse Leeuw verjaagt pater Peters met het molenaarskind zittend als de hoer van Babylon op het beest samen met alle andere katholieken, 1689. Midden achter wordt Willem verwelkomd door de Engelsen, op de achtergrond links en rechts het vluchten van koning Jacobus II uit Londen en zijn aankomst in Frankrijk bij Lodewijk XIV. Op het blad onder de plaat een vers in twee kolommen.
Portret van David Lloyd George, premier van het Verenigd Koninkrijk tussen 1916 en 1922
Object type: photograph
Date: 1916 – 1922
Materials: paper, cardboard
Techniques: gelatin silver print
Location: london
Artist: ernest herbert mills
Artist role: fotograaf
Artist dates: 1874 – 1942
Subjects: historical persons, politician, e.g. party leader
Inscriptions: inscription: ‘D. LLOYD-GEORGE M.P.’, number: ‘259 A’
Portret van kunstenaar Michelangelo
Object type: print
Date: 1530 – 1582
Materials: paper
Techniques: engraving
Location: italy
Artist: giorgio ghisi
Artist role: print maker
Artist dates: 1520 – 1582
Subjects: rome, painter, draughtsman, sculptor, michelangelo, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 240

Naar een portret door Marcello Venusti in Musei Capitolini te Rome.
Floride, from the playing cards "Jeu de la Géographie"
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: human figures,bow and arrow
Stoke-by-Neyland
Object type: print
Date: 1830 – 1830
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: towers,landscapes

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Rebel Works in Front of Atlanta, GA, No. 2
Object type: photograph
Date: 1864 – 1864
Techniques: albumen print, photography
Location: united states
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: collected by hugh edwards, sherman's campaign 1866
Inscriptions: Printed recto, on album page, lower center, below image, in black ink: "Photo. from nature By. G. N. Barnard. / REBEL WORKS IN FRONT OF ATLANTA, GA. No. ["o" in superscript] 2"; unmarked verso
Christ before Annas
Object type: print
Date: 1460 – 1465
Materials: ink, paper, watercolor
Techniques: brush, hand coloring, pen
Location: germany
Artist: Anonymous
Artist nationality: bavarian
Artist dates: 1400 – 1499

Communion bread came in different shapes in Renaissance Europe, and this variety is particularly clear from depictions of the Last Supper, when Christ symbolically offers his body to his disciples. In this metalcut series on the life of Christ, the shape of the bread—the traditional Bretzel, or pretzel—betrays that the prints were made in Bavaria. While the handwritten text on the verso of the adjoining sheet in the booklet (once comprising nineteen metalcuts) does not mention the pretzel, it is handcolored in a warm, doughy yellow. A similar glow suffuses the head-on Sudarium at center, an unusually abstract inclusion for an image of the Passion.

The fifteen metalcuts, or "dotted prints," that form this Passion suite constitute one of the most complete block books in existence. It is possible that the series at one time included as many as nineteen images, each exquisitely hand-colored with the biblical text inscribed on the reverse. The stars, shells, and other repeating patterns were produced by hammering metal punches, such as those used by goldsmiths and armorers, into the soft metal plates.
Wrought Metal Foliate Ornament with Grotesque Masks
Object type: drawing
Date: 1870 – 1890
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: grotesques,ornament
The mystic marriage of Saint Catherine
Object type: print
Date: 1831 – 1831
Techniques: engraving
Artist: georg jacob felsing
Artist role: artist
Artist nationality: german
Artist dates: 1802 – 1883
Manuscript Leaf with Initial A, from an Antiphonary
Object type: antiphonary
Date: 1426 – 1450
Materials: ink, metal leaf, parchment, paint
Culture: german
Location: germany
Intrede van kardinaal-infant Ferdinand, als landvoogd der zuidelijke Nederlanden
Object type: history medal
Date: 1634 – 1634
Materials: silver
Techniques: gilding, striking
Location: brussels
Artist: adriaan waterloos
Artist role: medailleur
Artist dates: 1600 – 1684
Subjects: brussels, landvoogd der zuidelijke nederlanden ferdinand van oostenrijk

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: zijn gekroond wapenschild bedekt met kardinaalshoed.
Plate
Object type: plate
Date: 1875 – 1875
Materials: porcelain
Culture: french
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Lexkesveer, Wageningen
Object type: photomechanical print
Date: 1905 – 1920
Materials: cardboard
Techniques: photograph, writing
Location: wageningen
Subjects: river, ferry, lower rhine
Inscriptions: postage stamp
Portret van een onbekende jonge vrouw
Object type: photograph
Date: 1855 – 1870
Materials: glass, leather, metal, velvet, wood
Techniques: ambrotype
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Briefkaart aan Jan Veth
Object type: postcard
Date: 1891 – 1891
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: dordrecht, designer, jan veth, exhibition ~ art, printed matter
Inscriptions: collector's mark: ‘RPK’
Zicht op Chamonix en de Mont Blanc vanuit het noorden
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: paris
Subjects: mountain-range, snow peaks (+ landscape with figures, staffage), village
Inscriptions: collector's mark: Lugt 2228a
Vijf bomen aan de waterkant
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: drypoint, etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: trees, church (exterior), pond, pool
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Stalen bespanningsstof naar ontwerp van Theo Nieuwenhuis in passe-partout
Object type: upholstery fabric
Date: 1909 – 1924
Materials: cardboard, cotton
Techniques: jacquard
Location: netherlands
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Essempio di recammi, page 23 (verso)
Object type: book print ornament architecture
Date: 1530 – 1530
Techniques: woodcut
Artist: giovanni antonio tagliente
Artist role: author
Artist nationality: italian
Artist dates: 1465 – 1528
Subjects: garlands,turtles,flowers,wreaths

Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right: Design composed of 3 horizontal registers. Top register is decorated with ornamented fleurs-de-lis, flowers, and a dragon. Middle register is decorated with alternating rectangles of flowers and figures. Bottom register is illustrated with a wreath containing a biting tortoise inside.
Candlestick
Object type: candlestick
Date: 1801 – 1900
Materials: metal, silver

This electrotype is after a seventeenth-century original at Uspenski Sobor (Church of the Assumption), Moscow, at the time of reproduction.
Vrouw en kinderen van Daniel Nikolaus Chodowiecki
Object type: print
Date: 1768 – 1813
Materials: paper
Techniques: etching
Artist: samuel gränicher
Artist role: painter, print maker
Artist dates: 1758 – 1813
Subjects: reading, mother and daughter(s) (family group)
Inscriptions: collector's mark: Lugt 2228
Lucidario di Recami, page 5 (verso)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580

Designed by Iseppo Foresto, published by Jeronimo Calepino, 1564. From top to bottom, and left to right: Design composed of 2 vertical columns; only left column is printed upon a grid. Left column is decorated in the center with a fleur-de-lis that has stems that curve outward. Right column consists of a central section that is decorated with a repeated pattern of a flower in a vase encircled by curving vines of flowers and leaves; this central section is framed on the top and bottom by 2 borders decorated with vines of leaves.
Figure of a Seated Chieftain
Object type: sculpture
Date: 100 – 250
Materials: ceramic, pigment, terracotta
Techniques: modeling
Location: colima
Subjects: people, headdresses, rulers (people), rulership
Opera Nova Universali intitulata Corona di racammi, page 9 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573
Subjects: ornament

Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice. From top to bottom, and left to right: design composed of 2 vertical columns: left is illustrated with curving vine and leaves, right is illustrated with geometric interlace pattern.
Kindermeubels geschonken aan Wilhelmina, koningin der Nederlanden, door de Apeldoornse vrouwen ter gelegenheid van de geboorte van Juliana, koningin der Nederlanden, op 30 april 1909
Object type: photomechanical print
Date: 1909 – 1909
Materials: paper
Techniques: photograph
Location: middelburg
Artist: Anonymous
Subjects: print maker, wilhelmina of the netherlands, juliana of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Village Cart (unnumbered)
Object type: print
Date: 1850 – 1874
Techniques: engraving
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
An Explosion of Fashion Magazines
Object type: fashion print
Date: 1858 – 1858
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ornamental parts of clothing (+ women's clothes), lace (+ women's clothes), skirt (crinoline skirt) (+ women's clothes), cape (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), gloves, mittens, etc. (+ women's clothes), necklace (+ women's clothes)
Inscriptions: caption: ‘Etoffes des Magasins de la Tentation, Confections de la M"on Gagelin, Chapeaux des dames Noël. Dentelles Monard, Jupons à ressorts inoxidables de Huteau, Corsets de Bonvallet, Passementeries de la Ville de Lyon, Gants et Parfums de la M"on Faguer Laboullée.’, address: ‘Bureau du Journal, 20, rue Bergère.’, title: ‘Les Modes Parisiennes’

Starting from the 1850s, fashion magazines became more affordable and acquired a wider readership. The invention of the sewing machine around 1850 made it easier for people to make their own clothes. Ready-made garments were now also on offer, with fashion plates providing vendor addresses, such as the Maison Gagelin in Paris.
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 440 – 430
Materials: terracotta
Culture: greek, attic

Unidentified subject; below, meander and saltire square pattern
Inwijding van de Willemsstraat te Amsterdam 1857, erkentenis aan J.C. Coen
Object type: history medal
Date: 1857 – 1857
Materials: silver, textile
Techniques: engraving
Inscriptions: inscription: ‘Aan den Heer / J.C. COERS. / uit Erkentelijkheid / der / Feestcommissie’, inscription: ‘Inwijding / van de / Willemstraat / Amsterdam / 24 Augustus 1857.’

Zilveren draagpenning met versierde bal en draagoog aan rood-zwart lint, op voor- en keerzijde gegraveerde opschriften.
H. Jozef
Object type: print
Date: 1608 – 1672
Materials: paper
Techniques: engraving
Subjects: the foster-father of christ, joseph of nazareth, husband of mary; possible attributes: flowering rod or wand, lily, carpenter's tools
Inscriptions: collector's mark: Lugt 11, number: ‘3’

Volgens IFF 17e siècle, p. 74 zou dit een pendant zijn van cat. nrs. 17 en 30: respectievelijk een bustes van Christus en Maria. Mogelijk werden eerder cat. nrs. 16 en 31 bedoeld. Dit betreffen eveneens bustes van Christus en Maria, maar deze bustes in ovalen worden omringd door dezelfde stralen en een inscriptie op een banderol.
Landschap met vee
Object type: drawing
Date: 1756 – 1756
Materials: chalk, paper
Artist: jan van gool
Artist role: draughtsman
Artist dates: 1685 – 1763
Subjects: cow, goat
Portret van Adelheid van Maurienne
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: historical persons, queen

Prent uit: Eudes de Mézeray, François. Histoire de France, depuis Faramond jusqu’au regne de Louis le Juste (...). 3 dln. Parijs: Mathieu Guillemot, 1643, dl. 1. Prent waarschijnlijk voor het eerst verschenen in: Bie, Jacques de. Les vrais portraits des rois de France (...). Parijs: Jacques de Bie en Pierre Rocolet, 1634. Prent ook gebruikt in latere publicaties.
Portret van een vrouw met witte klederdrachtmuts
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: historical persons - bb - woman, head-gear: cap, folk costume, regional costume
Inscriptions: inscription: ‘D. Fraenkel & Zoon/ PHOTOGRAPHEN/ Amsterdam 43.Commelinstraat 43./ Specialiteit in vergrootingen van deze Portretten/ kunnen steeds nabesteld worden.’
Murasaki Shikibu at Ishiyamadera Temple, based on the print “The Moon at Ishiyama,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Ishiyama no tsuki)
Object type: hanging scroll
Date: 1892 – 1892
Materials: ink, silk
Culture: japanese
Artist: tsukioka yoshitoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1839 – 1892

To create the compendium of one hundred images of famous moonlit scenes that inspired his print series, Tsukioka Yoshitoshi combed literature and legend for inspiration. The scene of Murasaki at her desk, about to begin writing her monumental tale, was an obvious choice, having been depicted by artists of every school. His painted rendition of the setting, however, diverges from the usual one. Rather than show a view of Lake Biwa, he depicted the outcrops of wollastonite stone surrounding Ishiyamadera (Stony Mountain Temple). From the main hall of the temple, there actually is no direct vista of the lake or vantage point with such craggy features, but the references are clear.
Arm met kaarsenhouder van kaarsenkroon van twee hoogten met ieder acht armen
Object type: chandelier
Date: 1525 – 1550
Materials: brass
Techniques: casting, screwed
Location: southern netherlands
Artist: Anonymous

Kaarsenarm behorende bij een kaarsenkroon van twee hoogten met Mariafiguur bovenaan. De arm is twee maal gebogen en is versierd met vier druiventrossen en vijf wingerdbladeren. De ronde vetvanger is aan de onderkant met zes ronde lobben versierd. De kaarsenhouder is zesvlakkig, opengewerkt, geplaatst op drie verticale stijlen, overgaande in een uitsteeksel met schroefdraad. Dit is de eerste arm van de bovenste ring, genummerd met 4 ronde punten. De kaarsenhouder is ongenummerd.
Zwevende fantasiewezens
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: movement in the air, surrealia, surrealistic representations
Inscriptions: collector's mark: Lugt 2228

Verschillende groepen fantasiewezens bewegen zich voort door de lucht.