deem-data/ArtiFact huggingface dataset:
Veduta del tempio della Sibilla in Tivoli
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: city-view, and landscape with man-made constructions, ruin of a building ~ architecture, landscape with ruins, temple, shrine ~ roman religion, tivoli
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Groepsportret van drie onbekende militairen
Object type: photograph
Date: 1892 – 1892
Materials: paper, cardboard
Techniques: collodion silver print
Location: bergen op zoom
Artist: karel alexander enklaar
Artist role: fotograaf, luitenant, militair
Artist dates: 1858 – 1943
Subjects: land forces, (military) uniforms, anonymous historical persons portrayed in a group, in a group-portrait, bergen op zoom
Inscriptions: collector's mark: ‘Vosmaer’
Plattegrond van het landhuis Pijnenburg te Soest
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: plan ~ architecture

Prent uit: Afbeelsels der voornaemste gebouwen uyt alle die Philips Vingboons geordineert heeft. Amsterdam: Philips en Johannes Vinckboons en Johannes Willemszoon Blaeu, 1648.
Ontwerp voor wandschildering in de Beurs van Berlage: zittende vioolspeler en Mercurius
Object type: tracing
Date: 1869 – 1925
Materials: pencil, paper
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: (story of) mercury (hermes), one person playing string instrument (bowed), violin, fiddle
Christiaan Andriessen mag niet naar huis na een tekenles
Object type: print
Date: 1806 – 1806
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: amsterdam, print maker, draughtsman, christiaan andriessen, adult woman, evening, table
Inscriptions: collector's mark: Lugt 1641a, inscription:, inscription: ‘17 febr: Kamer Arrest’, signature:, collector's mark: Lugt 1641

Christiaan Andriessen wordt vastgehouden door vier vrouwelijke leerlingen, die hem dwingen nog een liedje te zingen. Willemina Balk, die blijkbaar het voortouw heeft genomen, heeft de sleutel van de kamerdeur die op slot zit.
Border
Object type: border
Date: 1701 – 1800
Techniques: lace
Subjects: animals,birds,houses
Portret van Willem I, prins van Oranje
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: etching
Location: england
Artist: charles turner
Artist role: print maker
Artist dates: 1773 – 1857
Subjects: delft, william i (prince of orange)
Inscriptions: collector's mark: Lugt 963

Portret van Willem I. Hij staat in een vertrek naast een tafel, daarop de handschoenen en helm van zijn harnas. Hij houdt een commandostaf in de hand. Op de achtergrond een gezicht op Dillenburg.
Groepsportret van personen in een auto
Object type: photograph
Date: 1910 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: south africa
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: automobile, anonymous historical persons portrayed in a group, in a group-portrait, mountains
Inscriptions: annotation: ‘Z. Afrika’
Vaas
Object type: print
Date: 1824 – 1879
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: garden vase
Inscriptions: collector's mark: Lugt 2228

Op een verhoging staat een vaas, omgeven door struiken. Rechts twee grote bomen.
Schets voor illustratie in Hoe de vogels aan een koning kwamen
Object type: drawing
Date: 1891 – 1891
Materials: chalk, paper, pencil
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: birds
Inscriptions: date

Voorstudie voor prent in 'Hoe de vogels aan een koning kwamen'.
Landschap met twee houthakkers die een boomstam doorzagen
Object type: print
Date: 1854 – 1883
Materials: paper
Techniques: etching
Artist: aristide de biseau
Artist role: print maker
Artist dates: 1844 – 1883
Subjects: landscapes, woodcutting, woodcutter ~ forestry
Inscriptions: inscription: ‘3e Etat Existe Epreuves après [...] été plané’, collector's mark: Lugt 2228
Gezicht op Genève
Object type: photograph
Date: 1865 – 1875
Materials: paper
Techniques: albumen print
Location: geneva
Artist: Anonymous
Subjects: bridge in city across river, canal, etc., prospect of city, town panorama, silhouette of city

Onderdeel van Reisalbum met opnames van bezienswaardigheden in India, Duitsland, Zwitserland en Frankrijk.
Portret van een meisje, staand op een fauteuil
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, toddler (female), standing figure - aa - female human figure, chair
Portret van Clemens August von Bayern
Object type: print
Date: 1723 – 1757
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: brussels, helmet, crown (symbol of sovereignty), historical persons
Inscriptions: collector's mark: Lugt 2228
Glass Fragment
Object type: fragment
Date: 1201 – 1300
Materials: glass
Culture: french
Mitaine van witte gebreide katoen
Object type: clothing
Date: 1750 – 1820
Materials: cotton
Techniques: knitting
Location: western europe
Artist: Anonymous

Paar mitaines van gebreide katoen met een open duim. Patroon als kruiswerkdamast met doorsnijdende ruiten met ster.
Portret van een onbekende vrouw met een bloemenkrans op haar hoofd
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: garland, wreath, historical persons - bb - woman
Inscriptions: name: ‘Van Loo, inv.’, inscription: ‘ART EN PHOTOGRAPHIE, No 3.’

Deze prent maakt deel uit van een omslag met 54 prenten op 52 bladen.
Gezicht op het Paleis voor Volksvlijt te Amsterdam
Object type: woven material
Date: 1864 – 1900
Materials: textile
Techniques: weave
Artist: r. schweizer
Artist role: wever
Subjects: exterior ~ representation of a building
Joseph Griffiths
Object type: painting, miniature
Date: 1794 – 1794
Materials: ivory, watercolor
Culture: american
Subjects: men,portraits

This may be the Joseph Griffiths who was a mariner and merchant in New York City, and later the chairman of the Republican Party in New York in 1796. He was married twice, first to Sarah Leonard, on July 19, 1775, and then to Agness Van Wagenen, on April 11, 1781, in New York City.
Sigismundi Augusti Mantuam adeuntis profectio ac triumphus
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: italy
Subjects: triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', military parade, pageant, the soldier; the soldier's life, the soldier; the soldier's life (+ cavalry, horsemen)
Inscriptions: number: ‘15’

Prent maakt deel uit van een reeks van 25 prenten (+ titelprent) naar het stucwerk door Giulio Romano en Francesco Primaticcio in de Sala degli Stucchi in Palazzo del Te te Mantua.
Portret van Gaspar de Crayer
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: tone lithography
Artist: gaspar de crayer
Artist role: draughtsman, print maker
Artist dates: 1584 – 1669
Subjects: antwerp, ghent, print maker, draughtsman, gaspar de crayer, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Huizen
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: housing

Blad 32 recto uit een schetsboek met 56 bladen.
A Bedside Guide to the Colors of Love in Spring (Shunshoku neya no shiori) 春色閨の栞
Object type: illustrated book
Date: 1850 – 1850
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada 歌川国貞
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: women,flowers
Ianus Dovsa Nordovix
Object type: print
Date: 1772 – 1774
Materials: paper
Techniques: engraving, pen
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: filoloog, bestuurder, jan van der does (heer van noordwijk en kattendijke)
Inscriptions: inscription: ‘Ianus Dovsa Nordovix’, collector's mark: Lugt 2228

Proefdruk van de prent volgens Ver Huell gebruikt in: Lucretia Wilhelmina van Winter geboren van Merken, Het beleg der stad Leyden. Treurspel. Amsterdam: Pieter Meijer, 1774. Variant in spiegelbeeld, van latere datum, van de prent gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Dish
Object type: dish
Date: 1740 – 1745
Materials: faience
Techniques: glazing
Subjects: men,women,flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Card Table
Object type: card table
Date: 1810 – 1815
Materials: wood
Culture: american
Location: united states
Dish with Plum Flowers
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Vrijwillige jager van de Hogescholen van Leiden en Utrecht, 1830-1831
Object type: costume print
Date: 1831 – 1832
Materials: paper, pencil
Techniques: brush, lacquer
Location: netherlands
Artist: Anonymous
Subjects: professional clothes, (military) uniforms, netherlands

Een jager van de Compagnie Vrijwillige Flankeurs van de Hogescholen te Leiden en Utrecht, te voet. Onderdeel van het album met 39 ingeplakte tekeningen van militairen van de Koninklijke Nederlandsche Armee uit 1830-1831.
Gezicht op de Boog van de geldwisselaars in Rome
Object type: photograph
Date: 1869 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: parts of church exterior and annexes: façade
Inscriptions: number: ‘4024.’, collector's mark: ‘VOSMAER’
Fotoreproductie van een geschilderd portret van Robert Schumann
Object type: photograph
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: zwickau, robert schumann, historical persons, portrait of composer
Inscriptions: inscription: ‘No. 4./ R. Schumann 1810’
Gedecoreerd hek rond een kapel in de Onze-Lieve-Vrouwekerk te Dendermonde
Object type: photomechanical print
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: interior of church
Inscriptions: inscription: ‘COTURES. PL. 1.’, monogram: ‘JJvY’, inscription: ‘CLOTURE en bois (...)’
The Crevasse
Object type: drawing
Date: 1822 – 1885
Materials: ink
Techniques: pen
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Subjects: abstraction
Valance
Object type: valance
Date: 1801 – 1900
Materials: metal thread, silk
Subjects: birds,flowers
The book of the horse
Object type: book
Date: 1893 – 1893
Materials: linen, paper
Techniques: photograph, printing
Location: london
Praha. Staromestské mlýny
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: color autotype
Location: prague
Subjects: canals, waters (in city), watermill, prague
Inscriptions: inscription: ‘H&H’
Pestle
Object type: pestle
Date: 6000 – 3001
Materials: ceramic
Location: mesopotamia
Les Sabots
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques couché
Artist role: etcher
Artist nationality: french
Artist dates: 1750 – 1750
Fork
Object type: fork
Date: 1750 – 1760
Materials: hard paste porcelain, silver gilt
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Vrede van Abo tussen Rusland en Zweden 1743
Object type: history medal
Date: 1743 – 1743
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het borstbeeld van Tsarina Elisabeth naar rechts met omschrift, op de keerzijde een brug in een landschap waarboven een adelaar op twee wapenschilden tussen twee lauwertakken vastgehouden door twee handen uit de wolken met daaronder een banderol, met omschrift en afsnedetekst.
Spotprent op de gemeentelijke begroting van Amsterdam van 1893
Object type: cartoon
Date: 1892 – 1892
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: city council, political caricatures and satires, amsterdam
Inscriptions: collector's mark: ‘19,32’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [na 1800].
Spindle Whorl
Object type: spindle whorl
Date: 1860 – 1860
Materials: wood
Culture: salish
Location: canada
Schetsboek met 45 bladen
Object type: sketchbook
Date: 1900 – 1903
Materials: cardboard, chalk, linen, paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: window, zodiac; the twelve zodiacal signs together, gods ~ classical mythology
Inscriptions: inscription: ‘[...]/ RAAM/ [...]oe Wel[...]/ Co[...] horst/ kever/ walli/ [...]’, collector's mark: Lugt 2228a

Schetsboek bestaande uit 45 bladen met voornamelijk ontwerpen voor glas-in-loodramen voor de Kamer van Koophandel in de Beurs van Berlage te Amsterdam met voorstellingen van mythologische goden en figuren, sterrenbeelden en allegorieën in medaillons. Op de achterzijde van de band een potloodstudie, vermoedelijk ook van een venster.
Cup with three fans with flower sprays
Object type: cup
Date: 1725 – 1749
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Kop en schotel, famille rose, met waaiers en bloemen op blauwe grond.
Portret van Andries de Graeff
Object type: drawing
Date: 1774 – 1774
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: hendrik pothoven
Artist role: draughtsman, painter, print maker
Artist dates: 1725 – 1807
Subjects: historical persons
Inscriptions: signature and date: ‘H. Pothoven / ad orig. delin. 1774’

Portret van Mr. Andries de Graeff (1611-1678). Ontwerp voor een prent.
Allegory of Avarice
Object type: painting
Date: 1567 – 1626
Materials: canvas, oil
Artist: jacopo ligozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1547 – 1627
Subjects: skeletons,women,allegory

In 1590 Ligozzi created a series of elaborate, allegorical drawings of the Seven Deadly Sins (six still exist). This painting, which is a fragment, depicts the central figures of the allegory of Avarice, the drawing for which is in the National Gallery, Washington. As described in emblem books, Avarice is shown as a pale woman holding a bag of money. The threatening skeleton suggests that the artist was inspired as well by other representations of the vice in either literature (perhaps Dante) or the visual arts.
Plate
Object type: plate
Date: 1830 – 1830
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: new england glass company
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 1888
Undershirt
Object type: undershirt
Date: 1880 – 1889
Materials: wool
Culture: american or european
Evening dress
Object type: evening dress
Date: 1912 – 1914
Materials: silk
Culture: american
Artist: herbert luey
Artist role: designer
Artist nationality: american
Artist dates: 1860 – 1916

This dress was most likely worn by Amelia Beard Hollenback (1877-1969), daughter of the prominent financier and philanthropist John Welles Hollenback (1835-1927). In 1874, the Hollenback family settled in the affluent neighborhood of Clinton Hill in Brooklyn, and became devoted clients of Herbert Luey, a Brooklyn-based dressmaker. This dress conveys a sense of spontaneity through the combination of materials and layered effect and exemplifies Luey's draping talent.
Lezende man in een bibliotheek
Object type: print
Date: 1850 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: fr. van groeningen
Artist role: print maker
Subjects: reading, study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 2228

Aangezien geboorte- en sterfdatum van de kunstenaar onbekend zijn, is voor de rechtenbepaling van dit object de verwervingsdatum gehanteerd.
Man at Bar (from McGuire Scrapbook)
Object type: drawing
Date: 1827 – 1865
Materials: graphite, paper
Culture: american
Artist: john mclenan
Artist role: artist
Artist nationality: american
Artist dates: 1827 – 1865
Subjects: men
Gazette du Bon Ton, 1920 - No. 5 : Le tabouret et les cache-clous
Object type: fashion print
Date: 1920 – 1920
Materials: paper
Techniques: lithograph
Location: geneva
Subjects: curtains, footstool, fashion plates
Inscriptions: date

Een voetenbankje en een gordijnroede. De prent maakt deel uit van een serie van vier schetsen getiteld 'Aménagement d'une loge d'actrice'. Croquis No. 26 uit Gazette du Bon Ton 1920, No. 5. Uitleg over de meubels op pagina "Explication des Planches".
Oude vrouw voert een man
Object type: print
Date: 1663 – 1702
Materials: paper
Techniques: mezzotint
Artist: marcellus laroon
Subjects: giving food
Inscriptions: collector's mark: Lugt 2228

Een oude vrouw voert een man met een grote lepel. De man draagt een hoed.
Views of Switzerland and Savoy
Object type: photograph
Date: 1863 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: bern
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: waterfall
Inscriptions: inscription: ‘Dedicated, by permission, to the Alpine Club’, address: ‘Messrs Marion & Co 22 & 23 Soho Square, London W.’, inscription: ‘Registered.’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Exterior, start of handle root; tendril loop and lotus bud
Salver on pedestal foot
Object type: salver on pedestal foot
Date: 1551 – 1600
Materials: gilt, silver
Bodkin case
Object type: bodkin case
Date: 1770 – 1780
Materials: copper, enamel
Subjects: faces,women
Portret van mevrouw Cheetham-Winter met winterjas, muts en sjaal
Object type: photograph
Date: 1903 – 1904
Materials: photographic support
Techniques: gelatin silver print
Location: russia
Artist: joseph cheetham
Artist role: engineer
Subjects: adult woman, head-gear (with name), coat (+ fur used for clothes), head-gear: cap

Onderdeel van Fotoalbum van de Engelse familie Cheetham met opnames van hun verblijf in Rusland.
Rathskeller Neubau, Halle (Saale), Saxony-Anhalt, Germany, Second Floor Plan
Object type: architectural drawing
Date: 1887 – 1887
Materials: graphite, ink, paper, paint, watercolor
Location: saxony-anhalt
Artist: peter j. weber
Artist nationality: american, born germany
Artist dates: 1863 – 1923
Bramante's Plan for St. Peter's
Object type: drawing
Date: 1501 – 1700
Materials: ink, paper, watercolor
Artist: anonymous, italian, 16th to 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1700
Subjects: architecture
Plate
Object type: plate
Date: 1735 – 1740
Materials: faience
Techniques: glazing
Artist: jean-baptiste guillibaud
Artist role: factory
Artist dates: 1720 – 1739
Subjects: birds,flowers
Miscellaneous brooches and coin jewels
Object type: brooch
Date: 1945 – 1945
Materials: metal
Techniques: enameling
Location: europe
Artist: Anonymous

Silent Resistance –War and Liberation Jewellery
During the Second World War, small pieces of jewellery were worn in the Netherlands as a silent protest against the German occupier. In April 1941, Dutch coins were officially confiscated for the war industry. As jewellery did not have to be surrendered, coins were quickly transformed into rings, brooches, pins and bracelets.
A portrait of Queen Wilhelmina was worn as a sign of resistance, as well as a token of loyalty to the royal family. Margriet Francisca, the third daughter of Princess Juliana and Prince Bernard, was born
in Canada in January 1943. The pin with the three yellow chicks refers to the three young princesses Beatrix, Irene and Margriet and the steadfastness of the Dutch royal family. After the liberation, coins and silver were used for jewellery conveying messages of hope for a peaceful future.
Ring van goud met vijf amethisten
Object type: ring
Date: 1951 – 1951
Materials: gemstone, gold
Techniques: grinding
Location: zeist
Inscriptions: alloy mark: ‘eikenblad 585’, maker's mark: ‘GVK’

Ring van goud met vijf amethisten. Rond een krul van draadwerk zijn vijf amethisten geplaatst, oplopend van grootte.
Kogane Plain in Shimosa Province (Shimosa Koganehara), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Antoine III, hertog van Gramont
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Relief showing the tip of a sunshade - see 26.3.353-3
Object type: relief, tip of a sunshade, neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt
Seated Woman with Book
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: domenico fiasella
Artist nationality: italian
Artist dates: 1589 – 1669
Panel (Furnishing Fabric)
Object type: textile
Date: 1850 – 1850
Materials: cotton
Techniques: weave, printing
Location: united states
Subjects: propaganda
Gezicht op de Biesbosch bij Dordrecht
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: windmill in landscape, pond, pool, dordrecht
Inscriptions: collector's mark: Lugt 2228

Links twee zeilschepen; aan de horizon twee molens.