deem-data/ArtiFact huggingface dataset:
Portret van een jonge vrouw met hoed
Object type: cabinet photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, head-gear: hat
Candlestick with Three Branches
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: candlesticks
Gezicht op de binnenkant van de galerij van het Paleis voor Volksvlijt
Object type: cabinet photograph
Date: 1864 – 1909
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: andreas theodorus rooswinkel
Artist role: fotograaf
Artist dates: 1838 – 1909
Subjects: city-view in general; 'veduta', gallery (spacious corridor)
Inscriptions: inscription: ‘Galerij: Paleis voor Volksvlijt’, collector's mark: ‘8’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Galerij Paleis voor Volksvlijt, Gebed zonder end, Geldersche Kade, Gravenstraat, Grimburgwal, Grimnessesluis, Groeneburgwal.
Erezuil opgericht voor de hertog van Parma
Object type: history medal
Date: 1585 – 1585
Materials: silver
Techniques: striking
Location: antwerp
Subjects: vienna, albert casimir van saksen-teschen, rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza)

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: erezuil tussen jaartal binnen omschrift en lauwerkrans.
Huisjes te Nes
Object type: print
Date: 1925 – 1925
Materials: paper
Techniques: lithograph
Artist: otto hanrath
Artist role: print maker
Artist dates: 1882 – 1944
Subjects: cow, fowl (cock, hen, chicken, etc.), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond een weiland met twee kalveren en een haan. Naast het weiland een boerderij met schuur. Op de achtergrond duinen.
The Notre-Dame Pump, Paris
Object type: print
Date: 1852 – 1852
Techniques: etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: buildings,towers,boats,paris

The demolition of the water pump on the Notre-Dame bridge, ordered by the Paris municipal government in 1851, encouraged Meryon to select the old structure as a subject for his etching the following year. As part of the plan instituted by Emperor Napoleon III to improve city infrastructure, the water supply system was overhauled, rendering this seventeenth-century pump defunct. Meryon wrote in 1853 of his regret for its destruction, because the pump had been an "unusual and curious thing" in a city that was becoming "more and more regular."
Terracotta statuette of a draped woman
Object type: statuette of a woman
Date: 300 – 201
Materials: terracotta
Culture: greek, boeotian
Subjects: women

Standing, draped, enveloped in himation.
Tankard
Object type: tankard
Date: 1718 – 1799
Materials: pewter
Culture: american
Location: united states
Artist: francis bassett, i
Artist role: maker
Artist nationality: american
Artist dates: 1690 – 1758
Socorro black-on-white storage jar
Object type: storage jar
Date: 1050 – 1100
Materials: clay, pigment
Culture: ancestral pueblo
Location: united states

The abstract pictorial painting on this water vessel was developed by ancestral Puebloan potters in the Southwest in the late first millennium. The bold color scheme consists of a black iron-rich slip made from diluted organic materials and minerals on white clay. The imagery likely references water’s circulation beneath the earth and its precipitation from the sky, reflecting the society’s primary concerns around water management and their observation of the seasons.
Hongaar
Object type: print
Date: 1712 – 1714
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: extinct, 'historical' peoples (with name), netherlands

Gebruikt als illustratie in: Hugo de Groots Antiquitates Germanicæ, of Hoogduitsche oudtheden: waar in de gelegentheid en zeeden der Germaanen, beschreeven door Tacitus, naaukeurig verklaart, en met printverbeeldingen opgeheldert worden: benevens H. Grotius verhandeling van de oudtheid der Batavische republyk. Amsterdam: Jacob van Royen, 1714.
Bowl
Object type: bowl
Date: 1701 – 1800
Materials: jade
Culture: chinese
Straatventers op de Pont Neuf in Parijs
Object type: cartoon
Date: 1771 – 1771
Materials: paper
Techniques: etching
Location: europe
Subjects: accessories ~ shoes, e.g. insole, shoehorn, shoe-polish, caricatures (human types), europeans: french (+ caricatured), street-trader, dog
Inscriptions: collector's mark: Lugt 2228

Satire op het Parijse straatleven. Verschillende straatventers in de weer op de Pont Neuf, onder wie een hondenkapper, een schoenenpoetsen en een chocoladeverkoper. Nummer 13 uit een serie.
Studie van een mannelijk naakt
Object type: drawing
Date: 1643 – 1663
Materials: chalk, paper
Artist: pietro della vecchia
Artist role: draughtsman
Artist dates: 1605 – 1678
Subjects: sitting figure, arm or hand bent behind the body - aa - both arms or hands, back, torso
Comité van de Vivres en Noodwendigheden, 1795
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: london
Subjects: seizure of goods

Onderdeel van een in boekvorm uitgegeven serie van twintig spotprenten op de Provisionele Representanten van het Volk van Holland en de Bataafse Republiek in het algemeen in het jaar 1795. De serietitel 'Hollandia Regenerata' staat vermeld op de titelprent. Elke prent gevolgd door een tekstblad met een Bijbelcitaat in het Nederlands, een verklaring in het Frans en het Bijbelcitaat in het Engels. Waarschijnlijk uitgegeven in Londen door William Humphrey in 1795.
Newspaper Vendor
Object type: photograph
Date: 1906 – 1911
Materials: paper
Techniques: gelatin silver print
Location: richmond
Artist: lewis wickes hine
Artist role: fotograaf
Artist dates: 1874 – 1940
Subjects: boy (child between toddler and youth), street-trader
Inscriptions: number: ‘2210/ 2210/ 29’, number: ‘2210’

Hine portrayed the European immigrants who came to America at the beginning of the 20th century. Life was hard in a big city where hundreds of thousands of people were looking for ways to make a living. Italian women were employed in ‘sweatshops’, sewing workshops, where they were grievously exploited. Even children, like this barefoot newspaper boy, were sent out to earn money.
Salver
Object type: metalwork
Date: 1850 – 1850
Materials: silver
Location: boston
Artist: haddock, lincoln & foss
Inscriptions: Marked on bottom: "Haddock, Lincoln and Foss/BOSTON/COIN"
Veue du Chasteau de Villeroy
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van 30 prenten.
E 61. Markt te Asyût. Opper-Egypte
Object type: photograph
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: assioet
Artist: Anonymous
Subjects: market
Inscriptions: stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, check stamp: ‘Bristol/ L.M.’, title: ‘E 61. Markt te Asyût. Opper-Egypte.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Painting
Object type: print
Date: 1722 – 1776
Materials: chalk, ink
Techniques: engraving, etching, printing
Artist: gilles demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1722 – 1776
Subjects: boys,women
Drie Koningen
Object type: print
Date: 1896 – 1947
Materials: paper
Techniques: linocut
Artist: felix timmermans
Artist role: print maker
Artist dates: 1886 – 1947
Subjects: journey of the three wise men to jerusalem
Inscriptions: collector's mark: Lugt 2228
The Actors Onoe Kukugoro V as Shinzp and Ichikawa Sadanji I as Yatagoro Genshichi.
Object type: print
Date: 1893 – 1893
Techniques: woodblock print
Location: japan
Artist: toyohara kunichika
Artist role: artist
Artist nationality: japanese
Artist dates: 1835 – 1900
Misty Moonlight on the Shore at Tsukuda Island (Tsukudajima kaihen oborozuki), from the series "Famous Places in the Eastern Capital (Toto meisho)"
Object type: print
Date: 1835 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Roemer van helder kleurloos glas met blauwe noppen op de schacht; cuppa dubbelwandig; voet van gespannen glasdraad.
Object type: roemer
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous
Vrouw voor een gebouw
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, civic architecture; edifices; dwellings

Pagina 132 uit een als schetsboek gebruikte agenda met 80 bladen.
Portretten van schilders
Object type: print
Date: 1600 – 1633
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: leiden, painter, print maker, draughtsman, lucas van leyden, historical persons, portrait, self-portrait of painter, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228

Boven het portret een regel in het Latijn, onder het portret een vijfregelig Latijns onderschrift. Rechtsboven genummerd: 10.
Sheet of Figure Studies and Ornamental Motifs (recto and verso)
Object type: drawing
Date: 1520 – 1530
Materials: ink, drawing material
Techniques: pen
Artist: vincenzo tamagni
Artist role: artist
Artist nationality: italian
Artist dates: 1492 – 1530
Subjects: male nudes,female nudes

Acquired by the Museum as 'Anonymous Florentine,' this double-sided sheet from a dismembered sketchbook reveals stylistic elements closely indebted to the Roman vocabulary of Raphael and the young Polidoro da Caravaggio. Tamagni, who was born in San Gimignano (and probably trained by Sebastiano Mainardi) retained a Tuscan sense of sculptural 'disegno,' but whose graphic vocabulary appears transformed by contact with Raphael's 'bottega' in Rome ca. 1512-1520, as it attained a new measure of Classical monumentality. While this sketchbook page is not easily datable, it is plausibly from 1515-1530, and perhaps even from the mid-to-late 1520s, as it is exactly comparable in style to a sheet of sketches for Tamagni's signed altarpiece of the Assumption at the Madonna del Soccorso in Montalcino, which is dated 1527 (Musee du Louvre, inv. 1248), as well as to four other sheets by Tamagni in Turin (Biblioteca Reale, inv. nos. 15820, 15823, and 15824). Tamagni's expressive, sketchy mode of drawing figures is distinctive: small heads and elongated bodies, highly abstract articulations of limbs and facial features (of circles and lines), boldly inflected planes of interior hatching, and jaggedly reinforced contours. Much like one of the Turin sketchbook pages that is of similar measurements (Biblioteca Reale, inv. 15820), the recto and verso of the quickly-drawn Metropolitan double-sided sheet contain copious sketches of diverse subject matter. The Metropolitan recto represents two ideas for the portrait of a young man standing by a curtain in contemporary costume (the bodice and codpiece resemble those in the Biblioteca Reale, inv. 15820, recto), a seated hunting dog, various nearly nude female figures, and 'all'antica' ornament. The unpublished verso of the sheet depicts among several other figures, some Madonna and Child designs clearly inspired by Raphael and Michelangelo, as well as sketches of a standing female nude presumably based on an Antique statue of Venus. Tamagni's pen drawing style here is also evocative of Baccio Bandinelli's summary figural sketches of 1524, connected with the production of the marble reliefs for the Santa Casa di Loreto. (Carmen C. Bambach, 2007)
Bijbelsche geschiedenis
Object type: popular print
Date: 1845 – 1845
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: the story of esther, old testament
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen uit het leven van de oudtestamentische koningin Ester. Boven elke voorstelling een titel en onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 23.
Half Model of a Sloop of War
Object type: builder's model
Date: 1780 – 1820
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Inscriptions: label, bottom right: ‘966’ former inventory label

Gepolychromeerd mallenmodel (stuurboord) van een driemaster. Geen geschutpoorten en geen dekken aangegeven. Gewrongen spiegel, hol wulf, geen details van hek of zijgalerij; recht roer met vierkante roerkoning. Zeeg naar voren en naar achter oplopend, één barkhout en één reehout. Scherp gepiekt rondspant.
Funerary Monument
Object type: drawing and watercolor
Materials: board, graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: possibly thomas stothard
Artist nationality: english
Artist dates: 1755 – 1834
Watch
Object type: watch
Date: 1767 – 1800
Materials: enamel, gold
Artist: jean-pierre huaud, known as the younger huaud
Artist role: enameler
Artist nationality: swiss
Artist dates: 1655 – 1723
Subjects: animals,men,trees
Gold earring with pendant and paste setting
Object type: earring hook type with pendant and paste setting
Date: 101 – 200
Materials: glass, gold, paste
Culture: roman
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 66 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: flowers,vines,coat of arms

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. "Discourse about lacing" printed in black with an illustrated woodcut initial "C". Above the text is a frieze that is decorated in the center with a coat of arms and flanked on either side by curving vines of flowers, among which are 2 inscribed scrolls and 2 snails.
Fotoreproductie van (vermoedelijk) een getekend portret van Napoleon Eugène, kroonprins van Frankrijk
Object type: carte de visite
Date: 1858 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Subjects: child, historical persons, clothing for the upper part of the body, hairdress, paris
Inscriptions: check stamp: ‘P.V.’, address: ‘14. Boulevart Poissonnière. 14 Paris’

Onderdeel van Fotoalbum met 123 cartes-de-visite van leden van Europese vorstenhuizen, politici en bekende personen.
Kalenderblad voor mei 1910 met een wit konijn met vier jongen
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: calendar, almanac, rodents: rabbit
Landschap met brug
Object type: print
Date: 1809 – 1835
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: françois joseph pfeiffer (ii)
Artist role: draughtsman, print maker
Artist dates: 1778 – 1835
Subjects: landscapes, bridge
Inscriptions: collector's mark: Lugt 2228

Twee vrouwen en een meisje staan op een brug over een smalle rivier.
The Oriental sporting magazine
Object type: book
Date: 1865 – 1867
Materials: cardboard, leather, linen, paper
Techniques: albumen print, letterpress printing, lithograph
Location: kolkata
Artist: raymond (schrijver)
Inscriptions: inscription: ‘2/25/ Dec 1865 - Dec 1866/ &gt; Maclet[?] Photos/ (...)/ by F.W. Baker.’
Scarab of Ramesses II
Object type: scarab, ramesses ii
Date: 1295 – 1070
Materials: stone
Location: egypt
Subjects: hieroglyphs,scarabs
Illustrated Diary (Kyōsai Enikki) 暁斎絵日記
Object type: illustrated book
Date: 1888 – 1888
Materials: ink, paper
Culture: japanese
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Subjects: men

The painter and print artist Kawanabe Kyōsai kept careful records of various painting commissions he carried out. Several volumes survive in the Kawanabe Kyōsai Museum and at the National Diet Library, both in Tokyo. During the years between March 1887 and the last month of 1889 he used the same type of paper as seen in the Metropolitan’s example. He printed himself the frames for each page and the cartouche in blue ink, and then wrote in the details in ink and sometimes applied hand stamps for certain regular clients. The Met’s example is created for a February, but the year is not indicated. Yet, from other surviving records, we know that on February 5, 12, 19, and 26 of 1888, Kyōsai visited the architect Josiah Conder to give him lessons in sketches. We can assume that he had used the precut stamp of Captain Brinkley (ブレンキ君), a foreigner to signal his visits to Conder’s home, as he had done on other occasions. It was known that he regularly visited Conder’s home on Saturdays around this time.
Altar cloth
Object type: altar cloth
Date: 1600 – 1600
Materials: linen
Brief aan Christiaan Kramm
Object type: letter
Date: 1865 – 1865
Materials: ink, paper
Techniques: pen, writing
Location: utrecht
Artist: jan david geerling grootveld
Artist role: draughtsman
Artist dates: 1821 – 1890
Subjects: utrecht, draughtsman, christiaan kramm
Inscriptions: collector's mark: Lugt 2233, seal
Landscape, from a series of six landscapes titled "Observationib.Astronom.Regiae.Paris.Scient. Acad...1736"
Object type: print
Date: 1736 – 1736
Techniques: etching
Artist: quentin pierre chedel
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1763
Schotel, veelkleurig beschilderd met een Kakiemon-decor
Object type: eating drinking utensil
Date: 1730 – 1730
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: number: ‘85.’, factory mark

Cup and saucer. Porcelain. Meissen, c. 1730.
Water Pitcher
Object type: pitcher
Date: 1846 – 1846
Materials: silver
Culture: american
Location: united states
Artist: william f. ladd
Artist role: maker
Artist nationality: american
Artist dates: 1829 – 1890
Rapier
Object type: rapier
Date: 1600 – 1600
Materials: brass, steel
Culture: french
Location: france

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Figuren op een brug
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), amsterdam

Op de achtergrond gebouwen. Pagina 45 uit een schetsboek met 32 bladen.
Brief aan Philip Zilcken
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, writing
Location: rotterdam
Artist: maria viola
Artist role: dichter, kunstcriticus
Artist dates: 1871 – 1951
Subjects: haarlem, print maker, anton molkenboer, the hague, draughtsman, philip zilcken, photography, cinematography, historical persons (portraits and scenes from the life)
Inscriptions: watermark, collector's mark: ‘RPK’
The Cockpit
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: birds,men,spectators,coat of arms
Heer die de hand van een dame kust
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: chair, kissing the hand (lovers), couch, sofa, settee
Inscriptions: collector's mark: Lugt 240

Illustratie uit: Richardson, Samuel. Geschiedenis van Clarissa Harlowe. Deel 3. Amsterdam: Johannes Allart, 1797-1805.
Ceramic Fragment
Object type: fragment
Date: 701 – 900
Materials: earthenware
Techniques: molding
Location: iraq
Subjects: leaves

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Panel with Rabbits amid Clouds
Object type: panel
Date: 1567 – 1633
Materials: textile, metal thread, silk
Techniques: brocade, patterning, weave
Culture: chinese
Subjects: rabbits,clouds

The rabbits running among clouds are intended to symbolize the moon, which is inhabited by rabbits in Chinese tradition. Richly brocaded with gold thread, this textile is both luxurious and auspicious. A similar length of gauze was found at Dangling, the mausoleum of the emperor Wanli (r. 1573–1620) in suburban Beijing, and it seems likely that this piece dates from the same period.
The Famous Places on the Tokaido in One View (Tokaido meisho ichiran)
Object type: print
Date: 1818 – 1818
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Design for desk and/or portfolio cabinet
Object type: drawing
Date: 1801 – 1900
Materials: graphite, watercolor
Techniques: brush, wash
Artist: john gregory crace
Artist role: artist
Artist nationality: british
Artist dates: 1809 – 1889
Subjects: furniture
Haas tussen bloemen en planten
Object type: boekillustratie ontwerp
Date: 1890 – 1930
Materials: ink, paper, pencil
Techniques: pen
Artist: Anonymous
Subjects: plants; vegetation, rodents: hare
Inscriptions: number: ‘11.’, :, collector's mark: Lugt 2228a