deem-data/ArtiFact huggingface dataset:
Figure of Luohan
Object type: figure
Date: 960 – 1279
Materials: pottery
Culture: chinese
Subjects: human figures
Gezicht op het dorp Warbyen
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching
Subjects: village, church (exterior)
Inscriptions: collector's mark: Lugt 1641, collector's mark

Gezicht op de kerk in het dorp Warbyen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Kerk en kerkwezen & Armwezen en liefdadige instellingen; Kerkgebouwen elders. V-Z.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, and shoulders of a bearded, draped man to left; in the background, vines
Top for standard
Object type: standard top
Date: 1000 – 1
Materials: bronze
Culture: iranian
Location: iran, probably from luristan
Mannen snijden gedrukte speelkaarten uit in een drukkerij in Turnhout
Object type: page
Date: 1901 – 1906
Materials: paper
Techniques: autotype
Location: turnhout
Subjects: adult man, printing, printing office, playing-cards, workshop-interior
Inscriptions: inscription: ‘Fig. 17. - Turnhout: Salle des machines à couper les cartes à jouer.’, monogram: ‘AN’
Miniature Cup
Object type: metalwork
Date: 1900 – 1900
Materials: gold, gemstone
Location: russia
Artist: alfred tillander
Artist nationality: russian
Artist dates: 1837 – 1918
The actor Yamanaka Heikuro I as a demon
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: attributed to torii kiyonobu i
Artist nationality: japanese
Artist dates: 1664 – 1729
At Home and Abroad
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,bedrooms,drunkenness,men,women,cats
Jean Bernoulli
Object type: book illustration
Date: 1760 – 1769
Materials: paper
Techniques: printmaking
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Saverien, Alexandre. L'Histoire des Philosophes modernes, avec leur portrait gravé dans le goût du crayon, d'apres les desseins des plus grands peintres. Parijs: Jean Charles François, 1760-1761, dl. 4.
Le gal. Letang, commandant supérieur en 1836 et 1837 de la province et de la division d'Oran. (Armée d'Afrique.)
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
John Greenleaf
Object type: painting
Date: 1753 – 1754
Materials: canvas, oil
Culture: american
Artist: john singleton copley
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1815
Subjects: boys,portraits,lambs

While there has never been any doubt of Copley’s innate talent, these portraits give new meaning to the word “precocious.” At about the age of fifteen, with no formal training and very little opportunity to have studied acclaimed works of art, Copley not only could paint competently but also knew how to serve his patrons best: with accurate but richly embellished likenesses. These handsome siblings (see also 2002.612), offspring of John and Priscilla Brown Greenleaf of Boston, wear just the sort of elaborate, inventive costumes that became the artist’s forte. Copley’s source for John’s exotic cap and pose was a print after Sir Godfrey Kneller’s portrait of Lord Bury as a child.
Amor en twee putti of kinderen dragen beeld van putti met gevleugeld anker op sokkel
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: (story of) cupid, amor (eros), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: inscription: ‘B 28 f 39-41’, collector's mark: Lugt 10, collector's mark: Lugt 11
Jakob tilt de steen van de put
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: france
Artist: etienne delaune
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1519 – 1583
Subjects: jacob sees rachel coming to the well to water laban's sheep
Inscriptions: collector's mark: Lugt 2228

Rachel brengt de schapen van haar vader Laban naar de put. Jakob tilt de steen van de opening, zodat de schapen kunnen drinken.
Avivm vivae
Object type: print
Date: 1598 – 1602
Materials: paper
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: water-birds: goose, ornamental birds: peacock, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Een pauw en een grijze gans op de voorgrond. Achter hen zwemmen enkele ganzen in een rivier. Op de achtergrond een landschap met een kerk. De prent maakt deel uit van een serie met vogels als onderwerp.
Band
Object type: textile
Techniques: tapestry weave
Location: peru
Visitekaartje aan Jan Veth
Object type: visiting card
Date: 1874 – 1925
Materials: cardboard, ink
Techniques: pen, printing, writing
Artist: wilhelm von bode
Artist role: conservator, kunsthistoricus, museumdirecteur
Artist dates: 1845 – 1929
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, painting (including book-illumination, miniature-painting), printed matter
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Three fronds of a palmette; palmette with a white dot in the center of the heart
The Infant Krishna Spirited Away by Vasudev, from a copy of the Dispersed Bhagavat Purana
Object type: painting
Date: 1520 – 1530
Materials: paper, watercolor
Location: india
Saddle Rug with Peony Roundels
Object type: rug
Date: 1701 – 1800
Materials: cotton, wool
Culture: chinese
Subjects: peonies
View of Pirna with the Fortress of Sonnenstein
Object type: painting
Date: 1760 – 1760
Materials: canvas, oil, paint
Techniques: painting
Location: italy
Artist: bernardo bellotto
Artist role: artist
Artist nationality: italian
Artist dates: 1722 – 1780
Subjects: townscapes, road, wall, church, clouds, sky, buildings, building, trees, animals, women, men, horses, figures, towns, fortresses
Inscriptions: Inscribed center forground: Haupt... lei... (only partly legible) / 1752 (on a sign beneath the coat of arms of the Elector of Saxony)

Well trained by his uncle, Canaletto, Bernardo Bellotto quickly established his own reputation as a gifted view painter. By 1746 he was appointed court painter to the elector of Saxony in Dresden, who commissioned him to produce cityscapes. Bellotto was subsequently asked to create 11 large-scale paintings of the nearby town of Pirna; the present picture is a reduced but otherwise exact replica of one of those celebrated works. Exalted in Bellotto’s cold, crystalline light, the fortress of Sonnenstein presides over the scene from its hilltop. In the left foreground, townsfolk congregate at a small obelisk that bears the arms of Saxony.
Portretten van patriotten
Object type: print
Date: 1794 – 1796
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacobus wijsman
Artist role: print maker
Artist dates: 1768 – 1827
Subjects: pieter 't hoen
Inscriptions: collector's mark: Lugt 2228

Portret van patriot Pieter 't Hoen in een medaillon.
Kardinaal Granvelle overhandigt de gewijde standaard aan don Juan van Oostenrijk voor de oorlog tegen de Turken
Object type: history medal
Date: 1571 – 1571
Materials: silver
Techniques: casting
Location: rome
Artist: giovanni v. melon
Artist role: medailleur
Subjects: antoine perrenot de granvelle, don juan van oostenrijk, naples

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Granvelle zit in bisschopplijk gewaad op een troon voor een altaar en overhandigt in aanwezigheid van verschillende edelen standaard aan don Juan, die voor hem op kussen knielt onder opschrft.
Else
Object type: album leaf
Date: 1914 – 1914
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Subjects: else wachenheimer-moos, historical persons - bb - woman
Inscriptions: inscription: ‘Meine Weinigkeit / Im Garten ...hof. 1914’

Albumblad met twee foto's van Else Moos in de tuin. Onderdeel van het fotoalbum van Else Wachenheimer-Moos en haar broers Arthur en Willy Moos en anderen in de periode 1913-1918.
Vier Engelse overwinningen op zee
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: engraving, etching
Location: england
Subjects: horatio nelson (hertog van bronte), new york (city), historical persons, trees: palm-tree, fame; 'fama', 'fama buona', 'fama chiara' (ripa), personification of river nile; 'nilo' (ripa)
Inscriptions: collector's mark: Lugt 12
Twee friezen met vogels en insecten
Object type: print
Date: 1551 – 1650
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: ornaments ~ art, birds, insects
Inscriptions: inscription: ‘43’

Twee friezen boven elkaar. Beide ornamenten met vogels en insecten. Daarbij enkele bloemen. De prent maakt deel uit van een album.
J.A.D. Ingres, calling card
Object type: print, calling card
Date: 1824 – 1867
Techniques: engraving
Artist: Anonymous
Artist role: artist

F. C. Schang donated 64 artists’ calling cards to The Met between 1977 and 1989. The calling cards are housed in an album that also includes Schang’s collection of stamps and other related ephemera. Calling cards derived from a custom, originating in England, in which messages were inscribed on the backs of playing cards. Cards made for the express purpose of sharing hand-written messages were manufactured beginning in the eighteenth century; by the early-nineteenth century, calling cards had become a popular means for sending well wishes, holiday greetings, condolences, and messages of courtship. On this calling card, Ingres sends his "sincere congratulations" to the recipient.
Garnalen boot
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: sailing-ship, sailing-boat, ships, boats on land, beached
Inscriptions: collector's mark: Lugt 2228

De boot ligt op het strand. Op het dek staan twee figuren.
Huis in een bos
Object type: album leaf
Date: 1895 – 1905
Materials: paper
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, netherlands
Actress holding riding crop, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Vrede van Amiens
Object type: history medal
Date: 1802 – 1802
Materials: silver
Techniques: striking
Location: amsterdam
Artist: johan george holtzhey
Artist role: mintmaster
Artist dates: 1726 – 1808
Subjects: amiens, vrede van amiens (1802)
Steel van vork of lepel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: spoon
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cutlery, fragment: stem of fork or spoon; fragm, encrusted, id. NG 1980-27H67.
Barrel Organ
Object type: barrel organ
Date: 1830 – 1830
Materials: wood
Culture: british
Location: united kingdom

Instead of having a keyboard played by an organist, a barrel organ is a mechanical instrument that has the musical notes encoded in an arrangement of metal pins in a wooden barrel or cylinder. This instrument is activated by a person turning a hand crank, which both powers a single-fold bellows that provides air, and also rotates the cylinder that engages the mechanism that sends the air through specific pipes. Technical description: Rectangular mahogany case with nine display pipes in cloth backed panel on front; inlaid striping around front edges; 28 open metal pipes, the lowest mitered, set in two rows, percussion instrument (?), crank on case front turns a combination worm and crank shaft that rotates the barrel and pumps the single fold center pivoted feeder beneath a reservoir; barrel slides on a bracket and has a ten notch shift pin extending through right side of case where it is engaged by a drop latch for tune selection; door on left side allows removal of barrel; three hand stops extend through bottom of case front, operating (L to R) front rank, rear rank, percussion; two additional barrels stored in separate box (b); compass indicated by letters on pipes: C D E F G A A# B C D E F G (A), with another set of letters a half step or whole step lower, crossed out; pipes come from another source, perhaps, and the B is marked Mix 12 and does not match the scale of the other pipes; list of tunes on label glued inside hinged lidpiece. Barrel No. 1: 1. Adeste Fideles, 2. Lord My Pasture, 3. Evening Hymn, 4. Kelvin grove, 5. Bridesmaid song, 6. Butterfly, 7. Isabelle, 8. Home Sweet Home, 9. Rise Gentle Moon, 10. Heart & Lute Barrel No. 2: 1. Spanish Dance, 2. Chatsworth House, 3. Tancreda, 4. Miss Gayton 5. Litte Litte, 6. Highland Laddie, 7. Les Lancers, 8. My Love is a Lassie, 9. Vulcans Cave, 10. Nouvelle Fantasie Barrel No. 3: 1. La Rose, 2. La Dorset, 3. Der Frieshutz (sic), 4. La Divine, 5. L'Egelante (sic), 6. Hunters Chorus, 7. La Finale, 8. Dame Blance, 9. Darling White Sergant, 10. Oh its Love
Cup
Object type: cup
Date: 1865 – 1881
Materials: glass
Artist: venezia-murano company
Artist role: maker
Artist nationality: italian
Artist dates: 1872 – 1909
Spouted jar
Object type: jar
Date: 700 – 601
Materials: ceramic
Culture: iranian
Location: iran

This globular pitcher has a flat base, an everted rim, and a single loop handle connected at the rim and shoulder. A triangular spout emerges from one side of the pitcher, and two raised ridges encircle the neck. The pitcher is made of buff clay using a potter’s wheel, with the handle and spouted added. The pitcher was excavated at Tepe Nush-i Jan, an Iron Age hilltop site about 60 km sound of Hamadan in western Iran. Nush-i Jan was occupied in the 7th and 6th centuries B.C., and its occupants are generally thought to be the Medes, an Iranian people known from Assyrian, Achaemenid and Biblical sources. Though the textual sources portray them as a powerful empire, archaeological evidence for the Medes has yet to sustain this impression. Rather, they seem to have lived in scattered fortified sites in western and central Iran, without any clear capital. Nush-i Jan, one of the best known of these sites, features two temples, a columned hall, and a fort. The jar was found in the columned hall in what has been identified as a ‘squatter’s level.’ Archaeologists use the term ‘squatting’ to refer to the re-occupation of a site or structure shortly after its abandonment. In this case the ‘squatters’ appear to be Medes, and it perhaps more useful to think of this as a reconfiguration of space rather than squatting. Some political change may have resulted in the columned hall, where the local ruler would have held audiences, no longer being necessary.
Zuidwest ingang van de Noorderkerk te Hoorn
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: hoorn
Subjects: church (exterior), gate, entrance
Inscriptions: annotation: ‘St. Haria of noorderkerk/ Zd. West hoek Nov. 1893/ Hoorn’, annotation: ‘Hoorn (N.H.)/ Zuid-westhoek v/d Noorderkerk/ Nov. 1893’
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)

Soldaten duwen met stokken de doornenkroon op het hoofd van de met touwen geboeide Christus. Een man zit in geknielde houding voor Christus en bespot hem. Onder de voorstelling een vierregelig vers in het Latijn. Rechtsonder de letters: ff. Deze prent maakt deel uit van een album.
Keizerlijke triomftocht
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: utrecht
Subjects: conqueror triumphing, triumphal entry of victor
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Bogaert, Abraham. De roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren. Utrecht: François Halma en Willem van de Water, 1697.
Portret van Georg Christian Knapp
Object type: print
Date: 1770 – 1823
Materials: paper
Techniques: engraving, etching
Artist: daniel beyel
Artist role: draughtsman, print maker
Artist dates: 1760 – 1823
Subjects: historical persons
The Rape of a Sabine Woman, Lateral View
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628

Jan Harmensz Muller produced a series of engravings from three different vantage points after Adriaen de Vries’s sculpture Rape of a Sabine, which, though also made in the 16th century, replicates the style of antique bronzes. Muller’s series highlights both his engraving skill and his ability to mimic sculpture in the round. The antique subject is particularly apt for this, purpose, for the story of Roman soldiers requisitioning brides in bulk is optimal for showing the twists and turns of conflicting male and female anatomy.
Bonnet
Object type: bonnet
Date: 1865 – 1865
Materials: linen, silk, fiber
Culture: american
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink, pencil
Techniques: photograph, pen, writing
Location: rome
Artist: louis couperus
Artist role: romanschrijver
Artist dates: 1863 – 1923
Subjects: painter, draughtsman, philip zilcken, venice, rome
Inscriptions: collector's mark: ‘RPK’
Eboshi (a court hat)
Object type: print
Date: 1780 – 1850
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: hats
Kindertekening van lopende figuren en een huis
Object type: drawing
Date: 1855 – 1865
Materials: ink, paper
Techniques: pen, writing
Location: netherlands
Artist: joannes carolus alberdingk thijm (jan)
Artist role: pater, schrijver
Artist dates: 1847 – 1926
Subjects: urban housing, walking
The Hagerman block
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: new york city
Artist: Anonymous
Subjects: façade (of house or building), street
Fragment zijdedamast met ingeweven Arabische tekst en decoratieve banden met tekst
Object type: zijdedamast
Date: 1400 – 1499
Materials: silk
Techniques: damask, weave
Location: middle east
Artist: Anonymous

Fragment rode zijde met langs drie zijden banden met lettertekens op donkere grond. Een band is aangenaaid.
Elberfelder Kornverein, loodje goed voor een brood
Object type: bread token
Date: 1847 – 1847
Materials: copper
Techniques: striking
Location: elberfeld
Artist: Anonymous
Subjects: elberfeld

Koperen penning. Voorzijde: leeuw met voorpoten staande op altaar onder opschrift; afsnede: jaartal. Keerzijde: opschrift
Musketkogel in concretie uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: musketkogel
Date: 1700 – 1743
Materials: stone, lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Portret van Karl Joseph von Drechsel
Object type: print
Date: 1808 – 1868
Materials: paper
Techniques: stippling
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Petit Courrier des Dames, 10 août 1829, No.65 / 658 : Capote de Paille de riz...
Object type: fashion print
Date: 1829 – 1829
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: head-gear (capote) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: title: ‘Petit Courrier des Dames.’, address: ‘Boulevard des Italiens No.2 près le passage de l'Opèra.’, title: ‘Modes de Paris.’, caption: ‘Capote de paille de riz, fons de gros de Naples 2 Chapeau de Paille d'Italie 3 Bonnet Des magasins de M.me Payant rue Montmartre No. 167.’

Drie verschillende hoofddeksels, van de voor- en achterzijde weergeven, genummerd één tot en met drie. 1. Capote van 'paille de riz' en 'gros de Naples'. 2. Hoed van 'paille d'Italie' 3. Muts, uit de winkels van Payant.Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868). Ingebonden (met enkele pag. Le Journal des Dames et des Modes). 15 Januari 1827 t/m 20 maart 1830. Incompleet.
Spinnen van wol en het weven van laken
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: special processes for woollen fabric, wool (material ~ textile industry)
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en verkeer, Beroep en bedrijf, Mannelijk, Lakenindustrie en aanverwante vakken.
Inwyding der Vryheids Boom den 4 Maart 1795
Object type: print
Date: 1795 – 1799
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: dancing around the tree of liberty
Inscriptions: collector's mark: Lugt 2228

Feest der Vrijheid, gevierd bij de inwijding van de vrijheidsboom op de Dam te Amsterdam, 4 maart 1795. Gezicht op de Dam met een grote menigte dansend om de vrijheidsboom.
Portret van François Fagel
Object type: book illustration
Date: 1758 – 1758
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, historical persons

Prent waarschijnlijk uit: Wagenaar, Jan. Vaderlandsche historie (...). Amsterdam: Isaak Tirion, 1758, dl. 19.
Honister Crag, looking west
Object type: photograph
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: lake district
Artist: thomas ogle
Artist role: fotograaf
Subjects: low hill country, public road
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, two rim fragments with tendrils; one fragment has the start of the handle root
Waterverkopers met klant in Caïro
Object type: ansichtkaart, prentbriefkaart
Date: 1895 – 1905
Materials: paper
Techniques: photograph
Location: cairo
Artist: Anonymous
Subjects: carrying something, wandering or travelling merchant

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Vase (one of a pair)
Object type: vase
Date: 1700 – 1720
Materials: hard paste porcelain
Subjects: flowers,plants

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Huizen te Mengkatib
Object type: print
Date: 1838 – 1886
Materials: paper
Techniques: lithograph
Artist: willem mathol de jong
Artist role: print maker
Artist dates: 1828 – 1886
Subjects: river, borneo
Inscriptions: collector's mark: Lugt 2228

De huizen staan aan de kant van de rivier de Barito. Maakt deel uit van een omslag met twaalf prenten.
House for Henry Whitney, New Haven, Connecticut (client's plan)
Object type: drawing ornament architecture
Date: 1835 – 1835
Materials: graphite, ink, watercolor
Techniques: pen
Artist: alexander jackson davis
Artist role: artist and architect
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: architecture,houses