deem-data/ArtiFact huggingface dataset:
Gezicht op een bergachtige kust, vermoedelijk in Frans of Spaans Baskenland
Object type: photograph
Date: 1904 – 1904
Materials: paper, photographic support
Techniques: gelatin silver print
Location: lekeitio
Artist: delizy
Artist role: manufacturer
Subjects: coast, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
From the books of Crosby Gaige
Object type: bookplate
Date: 1892 – 1949
Materials: paper
Techniques: printing block
Location: north and central america
Artist: Anonymous
Subjects: new york (city)
Portret van Charles Dickens
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: etching
Location: london
Subjects: portsmouth, historical persons, portrait of a writer, book - mm - book open
Inscriptions: collector's mark: Lugt 2228

Zittend op een stoel naast een tafel met een open boek in zijn linkerhand.
Het tekenboek van Peter Paul Rubens
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Artist: paulus pontius
Artist role: draughtsman, print maker
Artist dates: 1603 – 1658
Subjects: parts of the human body (skeleton excepted)
Urn
Object type: urn
Date: 1865 – 1865
Materials: bronze
Culture: american
Location: united states
Vexillo virtutis vinco
Object type: bookplate
Date: 1703 – 1703
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: politician, armorial bearing, heraldry
Onderhandelingen over een bestand tussen pater Jan Neyen, prins Maurits en Johan van Oldenbarnevelt te Den Haag, 1607
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: johan van oldenbarnevelt, maurice (prince of orange), antwerp, spain, peace negotiations, the hague

De ontmoeting tussen pater Jan Neyen, prins Maurits en Johan van Oldenbarnevelt te Den Haag om te onderhandelen over een bestand, mei 1607. De pater en de prins schudden elkaar de hand in een interieur bij kaarslicht.
Vis-a-Vis  # 4174
Object type: drawing
Date: 1892 – 1892
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Scarab Inscribed for the King's Principal Wife Ahmose(-Nefertari)
Object type: scarab, ahmose nefertari, principal queen
Date: 1550 – 1525
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Portret van een meisje, in feestelijke kledij in Nederlands-Indië
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: indonesia
Inscriptions: number: ‘38’

Portret van een meisje, in feestelijke kledij, Nederlands-Indië
Battle scene of Assyrians storming a citadel
Object type: relief
Date: 704 – 681
Materials: alabaster, gypsum
Culture: assyrian
Location: mesopotamia
Subjects: battles,bow and arrow,men

This relief fragment dates to the time of Sennacherib (r. 704–681 B.C.), and comes from the great Southwest Palace, called by Sennacherib the "Palace Without Rival," at Nineveh. It depicts several groups of Assyrian soldiers attacking a large fortified city. At left, kneeling archers shoot volleys of arrows toward defenders, not preserved in this fragment, on the battlements, while at right archers advance up a siege ramp, using tall curved shields as cover. Behind them on the ramp are soldiers using slings to hurl projectiles up at the defenders. At far right can be seen traces of a second group of soldiers advancing up a ramp, in this case spearmen with distinctive crested helmets; other reliefs show they would also have held circular shields. In the foreground, some men carry on their backs what appear to be large slabs for building siege ramps, while others lay down layers of palm fronds as matting in the ramp’s construction. Although there are many depictions of Assyrian sieges, this is the only known depiction of a siege ramp being constructed. Assyrian siege ramps could be massive structures, as the surviving remains of one ramp at the city of Lachish in Judah show. The use of palm fronds may indicate that the campaign being depicted was a southern one, in a region where date palms grew. A completed ramp with the same feature appears in another relief showing a campaign against Elam in southwestern Iran, and it is likely that the two were originally part of the same series. The Assyrian army, the great military power of its time in the Near East, was extremely effective in siege warfare and the taking of cities. Multiple depictions of sieges in reliefs such as this capture many of the technologies and tactics they employed. Other Assyrian reliefs feature examples of battering rams and siege engines, the undermining of walls, and even actions taken by the defenders such as pouring hot water or oil or attempting to sabotage siege engines.
Mirror and Needlecase
Object type: mirror and needlecase
Date: 1644 – 1911
Materials: glass, silk
Culture: chinese
Portret van keizer Maximiliaan I
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: maximilian i (holy roman emperor), historical persons, emperor
Inscriptions: collector's mark: Lugt 2228
Mold for Ovoid Ornaments
Object type: mold
Date: 1390 – 1352
Materials: pottery
Location: egypt
Tuinzang
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: male singer, flowers, garden

Bij de ingang van een weelderige tuin, met bloemen en planten, zit een man met een bloem in zijn hand. Gedrukt op het blad onder de plaat staat een vers in drie kolommen. Uit het vers blijkt dat de man een loflied zingt op de tuin en de verschillende planten en bloemen in de tuin. Het lied dient te worden gezongen op de melodie van 'O Kersnagt schoonder dan de dagen'.
Tangent Sight
Object type: test model
Date: 1860 – 1870
Materials: iron
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘G / 61’

Een korte opzetstang, bestaande uit een vierkante ijzeren staaf met pyramidevormige top waar groeven dwars over lopen. Aan een zijde is een schaal aangebracht, gaande van 0 tot 18: de afstand tussen de nummers is precies 1 cm. Deze en NG-MC-1889-29-A passen beide in steun NG-MC-1374.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1900 – 1900
Materials: cardboard, ink
Techniques: pen, writing
Location: katwijk aan zee
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: voorburg, renée hélène laure zilcken, painter, draughtsman, philip zilcken, the graphic arts, anonymous historical person portrayed
Inscriptions: collector's mark: ‘RPK’
Panel with flaming torch, bow and quiver (one of a pair)
Object type: panel
Date: 1730 – 1730
Materials: wood
Techniques: carving

This pair of panels is believed to have come from a private residence in the Marais, Paris. Although the provenance cannot be substantiated, one of the panels is carved with a trophy of love symbols (a quiver with arrows, cupid’s bow, a flaming torch and roses) in a shaped cartouche composed of C-scrolls at the top (07.225.154a). A trophy of musical instruments consisting of a bagpipe (musette du cour), oboe (hautbois), a pair of castanets, and a book of music decorates the other (07.225.154b). A second similarly shaped cartouche with floral ornament embellishes the lower part of both panels while sprigs of ivy and olive branches winding around an upright molding decorate the sides. Originally part of a larger ensemble and stripped of its surface paint and possibly gilded details, the panels were later framed as individual works. These pieces were part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885 the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, Hoentschel sold the collection to J. Pierpont Morgan who gave the panels with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art in 1907.
Steatite bowl
Object type: bowl
Date: 2200 – 1900
Materials: stone
Culture: minoan
Winterkoning op het ijs
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: etching, hand coloring, roulette, lithography
Location: amsterdam
Subjects: mask, winter sports, black velvet or satin mask, 'loup', 'cachenez' (+ women's clothes), muff, clothes, costume (+ women's clothes), clothes, costume (+ men's clothes), parts of church exterior and annexes: tower
Inscriptions: inscription: ‘Hendr Avercamp, gebijnaamt de Stomme van Camoen. fecit 1621. Ploos van Amstel. f: 1766’, collector's mark: Lugt 2725, collector's mark: Lugt 240

Een rijk gekleed gezelschap, bestaande uit twee mannen en twee vrouwen, op het ijs.
Gezicht op het Oudezijds Heerenlogement en St. Pietersgasthuis in Amsterdam
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: rowing-boat, canoe, etc., bridge in city across river, canal, etc., hotel, hostelry, inn

Prent uit: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam, Zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (…). Tweede druk. Amsterdam: Nicolaas ten Hoorn, 1726, p. 363. En in de latere edities (Amsterdam: erven J. Ratelband & Co, 1737, en Amsterdam: Pieter Meyer, 1751). In de eerste editie heeft deze prent een andere plek in het boek, en een ander nummer (343).
Spieghel der schrijfkonste
Object type: ornament print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: satyr(s) (in general), calligraphy

Schrijfvoorbeeld met de aanhef: Clarris. nobilissimoq(ue) D.D. syndicorum syndoco Heliae ab Oldenbarnevelt. Daaronder acht regels tekst in het Latijn: Caelo musa beat ... Ondertekend Veldius. Links een menselijk figuur met vleugels in krulwerk, rechts een sater. De prent maakt deel uit van een album.
Portret van een onbekende oude vrouw, en profil
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: etching, intaglio
Subjects: old woman
Inscriptions: annotation: ‘3me état’, annotation: ‘2 eupreuves M.C.’, collector's mark: Lugt 2228

Sterfdatum prentmaker onbekend. Derhalve zijn voor bepaling van de rechten van dit object de vervaardigings- en verwervingsdatum aangehouden.
Tapestry Bag with Pockets
Object type: bag
Date: 601 – 900
Materials: animal fiber, cotton
Culture: wari
Location: peru
Element with part of cartouche and titulary of Akhenaten
Object type: name and part of titulary of akhenaten
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Saint Catherine standing in a niche, resting on a wheel, her instrument of torture
Object type: print
Date: 1500 – 1527
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: saint catherine
Panel (Furnishing Fabric)
Object type: textile
Date: 1805 – 1805
Materials: cotton
Techniques: weave, printing
Location: jouy-en-josas
Artist: jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
Subjects: goddesses, animals, arabesque, dogs, foliage, medallions, oxen, roosters, urns
The Martyrdom of St. Barbara
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: soldiers,suffering,men,women,saints
Portret van een zittende jonge man met stropdas
Object type: album leaf
Date: 1876 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Subjects: sitting figure, historical persons, youth, adolescent
Inscriptions: inscription: ‘De Lavieter & Co./ Photographes/ Willemstraat No. 2/ La Haye.’
Candlestick
Object type: candlestick
Date: 1825 – 1825
Materials: silver
Culture: american
Location: united states
Artist: william thomson
Artist role: maker
Artist nationality: american
Artist dates: 1777 – 1833
Vignette for an Address
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: etching
Location: france
Artist: gabriel de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1724 – 1780
The Three Trees, after Rembrandt
Object type: print
Date: 1758 – 1758
Techniques: etching
Artist: william baillie
Artist role: artist
Artist nationality: irish
Artist dates: 1723 – 1810
Subjects: landscapes,trees
Fragmentary marble torso of a man
Object type: torso of a man, fragmentary, from a pediment
Date: 450 – 400
Materials: marble
Culture: greek, attic
Subjects: men

The elevated shoulder and turned position suggest that the figure was sitting or partly reclining within the pediment of a temple. Bone, musculature, and flesh are articulated with particular sensitivity and skill.
Handkerchief
Object type: handkerchief
Date: 1801 – 1900
Materials: linen
Techniques: lace
Ceiling Design: Truth Triumphant, with Prudence and Other
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: Anonymous
Artist dates: 1700 – 1799
Portret van Marco Ottoboni
Object type: print
Date: 1665 – 1698
Materials: paper
Techniques: engraving
Subjects: marco ottoboni
Inscriptions: collector's mark: Lugt 2228
Artist's dish
Object type: artist's dish
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: flowers
Hour of the Horse [12 am], Shrine Maiden (Uma no koku, miko), from the series “Customs of Beauties Around the Clock” ("Fuzoku bijin tokei")
Object type: print
Date: 1798 – 1799
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Bombardement van Antwerpen door Generaal Chassé 1830
Object type: history medal
Date: 1830 – 1830
Materials: bronze
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879

Bronzen penning, op de voorzijde het borstbeeld van Chassé half naar links met omschrift, op de keerzijde zeven regels tekst met omschrift.
Fauteuil en stoel
Object type: print
Date: 1895 – 1935
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture
Inscriptions: number

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Glass perfume bottle
Object type: perfume bottle
Date: 101 – 300
Materials: glass
Culture: roman

Colorless with pale blue green tinge. Rim folded out, over, and in, flattened on top; cylindrical neck with tooling marks around base; squat, bulbous body; slightly concave bottom. Complete except for part of rim (ancient loss); pinprick bubbles; deep pitting, dulling, and brilliant iridescent weathering on exterior; thicker soil encrustation on interior of neck and inside body.
Ernst, graaf van Mansfeld
Object type: history medal
Date: 1622 – 1626
Materials: bronze
Techniques: striking
Location: the hague
Subjects: earl, peter ernst von mansfeld (graaf)

Bronzen ovale penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gekroond wapenschild binnen omschrift;
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 534 – 401
Materials: glass
Culture: greek, eastern mediterranean

Opaque dark red brown, with handles in same color; trails in opaque yellow and opaque white. Slightly uneven horizontal rim-disk, with jagged edge to mouth; short cylindrical neck, tapering downwards; narrow rounded shoulder; straight-sided cylindrical body, tapering upwards; convex bottom; two large vertical ring handles with knobbed tails, applied over trail decoration; one higher than the other. A thick yellow trail attached at edge of rim-disk; another yellow trail applied to base of neck together with a white trail, overlaid on the yellow; both wound in a close-set spiral around body to bottom; yellow trail ending in a swirl on bottom. Intact; very slight dulling, pitting, and weathering.
Maritime View
Object type: print
Techniques: etching
Artist: peter vilhelm carl kyhn
Artist role: artist
Artist nationality: danish
Artist dates: 1819 – 1903
Subjects: boats
Blue-and-White Box
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Coin Depicting the Goddess Athena
Object type: coin
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Subjects: mythological figures, athena

The front of this coin depicts the goddess Athena, facing right.

On the back, the god Pan erects a trophy with two unidentified figures.
Kleine figuren
Object type: print
Date: 1656 – 1657
Materials: paper
Techniques: drypoint, etching, intaglio
Location: italy
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: head-gear
Inscriptions: collector's mark: Lugt 240

Prent spiegelbeeldig naar een tekening in de National Gallery of Art te Washington D.C. (voorheen in de collectie Ladislao Odescalchi te Rome). Deze prent maakt deel uit van de serie 'Figurine', bestaande uit een titelprent en 80 prenten van klein formaat met voorstellingen van mannelijke en vrouwelijke figuren. Rosa produceerde de serie waarschijnlijk gedurende de jaren 1656 en 1657.
Glass pourer flask
Object type: pourer flask
Date: 101 – 233
Materials: glass
Culture: roman

Translucent pale yellow green. Rim folded out, down, over, and in; broad, flaring mouth; cylindrical neck, expanding downwards; slightly pushed-in. narrow shoulder; squat, bulbous body, drawn out on one side into slender, pointed nozzle; pushed-in bottom with traces of pontil mark. Intact, except for end of nozzle; many large and pinprick bubbles, and blowing striations; dulling, pitting, and faint iridescence on exterior, patches of thick creamy weathering and soil encrustation on interior.
Fragmentary terracotta loutrophoros (ceremonial vase for water)
Object type: loutrophoros, fragmentary
Date: 440 – 440
Materials: terracotta
Culture: greek, attic
Artist: group of polygnotos
Artist role: artist
Subjects: battles,soldiers,shields,horses

Battle of Greeks and Amazons The large figures in fierce combat admirably fill the tall field of the loutrophoros.
Landwerkers in het hooi
Object type: sketchbook leaf
Date: 1862 – 1864
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: harvest, agricultural products and by-products: hay
Inscriptions: kleurnotitie, handgeschreven

Blad 10 verso uit een schetsboek met 65 bladen.
Portret van Joseph de Villèle
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, mayor, historical persons
Inscriptions: collector's mark: Lugt 2228a
George III and Queen Charlotte
Object type: intaglio
Date: 1780 – 1780
Materials: stone
Artist: wedgwood and bentley
Artist role: maker
Artist nationality: british
Artist dates: 1769 – 1780
Subjects: men,profiles,women
Portret van Cornelis van der Geest
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: engraving
Location: london
Subjects: cornelis van der geest, historical persons

Prent uit: Catalogue of the Celebrated Collection of Pictures of (...) John Julius Angerstein. Londen: John Young and Hurst, Robinson & Co., 1823.
Arm met kaarsenhouder van kaarsenkroon van twee hoogten met ieder acht armen
Object type: chandelier
Date: 1525 – 1550
Materials: brass
Techniques: casting, screwed
Location: southern netherlands
Artist: Anonymous
Subjects: vine-tendril, leaf, mary standing (or half-length), the christ-child sitting on her arm (christ-child to mary's left)

Kaarsenarm behorende bij een kaarsenkroon van twee hoogten met Mariafiguur bovenaan. De arm is twee maal gebogen en is versierd met vier druiventrossen en vijf wingerdbladeren. De ronde vetvanger is aan de onderkant versierd met visblaasmotieven en heeft naar het midden toe een naar beneden uitstekende rand van kruisbloemen, die de plaatsing op de arm maskeert. De kaarsenhouder is zesvlakkig, opengewerkt, geplaatst op drie verticale stijlen, overgaande in een uitsteeksel met schroefdraad. Dit is de tweede arm van de bovenste ring, genummerd met 3 ronde punten. De kaarsenhouder is ongenummerd.
Concert Champêtre
Object type: painting
Date: 1734 – 1734
Materials: canvas, oil
Artist: jean-baptiste joseph pater
Artist role: artist
Artist nationality: french
Artist dates: 1695 – 1736
Subjects: musical instruments,children,men,women,landscapes,musicians

This delicate pastel landscape with elegant figures illustrates what Pater avowed: that he owed everything to Watteau. The ladies' dresses are more or less contemporary while the short jacket, ruff, and shoe ribbons of the man with the walking stick are reminiscent of costumes for the theater. The marble putti with a dolphin must form part of a fountain hidden in shrubbery. They underline the playful nature of the subject. The painting is one of a pair. The pendant, signed and dated 1734, is in the Museo Thyssen-Bornemisza, Madrid.
Ontwerp voor een spotprent op Victor de Stuers
Object type: drawing
Date: 1906 – 1906
Materials: chalk, paper
Artist: henricus
Artist role: draughtsman, print maker
Artist dates: 1867 – 1921
Subjects: maastricht, jonkheer victor eugène louis de stuers, historical persons, political caricatures and satires
Inscriptions: number: ‘5’, collector's mark: Lugt 2228a, inscription: ‘Jhr. Mr. Victor de Stuers sprekend/ Na[...]en al Rachid 622.’, inscription: ‘BLEYIE-/ noordwal 145’

Ontwerp voor een spotprent voor: De Nederlandsche Spectator (1906), no. 46.