deem-data/ArtiFact huggingface dataset:
Brok concretie met insluitsels van natuursteen en porselein uit het wrak van de Oostindiëvaarder Hollandia
Object type: steen objectnaam
Date: 1700 – 1743
Materials: stone, porcelain
Artist: Anonymous

Brok concretie met insluitsels van natuursteen en porselein.
Lepel met het helmteken Clifford
Object type: spoon
Date: 1806 – 1806
Materials: silver
Location: amsterdam
Artist: roelof helweg
Artist role: silversmith
Artist dates: 1758 – 1843
Inscriptions: alloy mark: ‘Hollandse leeuw’, maker's mark: ‘RH in ovaal’, town mark: ‘Amsterdam’, date letter: ‘X (=1806)’

De eivormige bak van de lepel is aan zowel boven- als onderzijde door middel van enkel lof verbonden met de platte, gebogen steel, die zich verbreedt naar het spatelvormige uiteinde. Boven- en onderzijde van de steel worden omgeven door een dubbele filetrand, die bij het uiteinde ingezwenkt is. Op de onderzijde van de spatel is het helmteken Clifford gegraveerd.
Portret van Sigmund Feyerabend
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: etching
Location: nuremberg
Artist: jost amman
Artist role: draughtsman, painter, print maker
Artist dates: 1539 – 1591
Subjects: printer, publisher, bookseller, sigmund feyerabend, historical persons, device (trade-mark of printer or publisher), book, fame; 'fama', 'fama buona', 'fama chiara' (ripa), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 2228, collector's mark: ‘Sammlung / Reinhard Piper / München’ Lugt 5594, watermark
Kardinaal Montalto richt zich na tot paus gekozen te zijn op en werpt zijn stokje weg / Kardinalen kussen de voet van paus Sixtus V
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: rome, sixtus v, installation of a pope, kissing the pope's feet
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Leti, Gregorio. Het leeven van Sixtus den Vyfden, paus van Rome, 2 delen. Gillis en Johannes Janssonius van Waesberge en wed. Steven Swart, 1697, dl. I.
Zeven plagen
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the seven angels with the seven vials, bringing disasters and destruction upon the earth and mankind
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Engelen gieten schalen leeg die plagen veroorzaken. Op de voorgrond de zesde plaag: een draak die kikkers braakt. In de marge een vierregelig onderschrift in het Latijn. Achttiende prent uit een serie van vierentwintig met de openbaring van Johannes op Patmos.
Prefect Orestes wordt door monniken bespot en Hypatia die door Christenen van haar koets wordt getrokken
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: violent death by stoning - ee - death not certain; wounded person, the early christian churches, e.g. armenians, copts, syrians, monk(s), friar(s), mocking, insulting; teasing, male saints (with name), abducting, four-wheeled vehicle drawn by two animals
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen op een plaat. Boven: op de voorgrond rechts Orestes, de prefect van Alexandrië. Hij wordt door enkele monniken bespot. Een van de monniken gooit een steen naar hem. Op de achtergrond patriarch Cyrillus van Alexandrië, die preekt tegen Orestes. Onder: de filosofe Hypatia wordt door Christenen van haar koets getrokken en naar een kerk gesleurd, om daar te worden vermoord.
D. Konrad Benjamin Meissner K.S. Kirchen- und Schul-Rath
Object type: print
Date: 1825 – 1875
Materials: paper
Techniques: tone lithography
Location: leipzig
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Oorlogsschepen op zee
Object type: print
Date: 1673 – 1709
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: sailing-ship, sailing-boat, sea
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2162

Verschillende zeilschepen, waaronder een driemaster op zee. Rechtsvoor drijft een ton.
Portret van een man
Object type: carte de visite
Date: 1856 – 1898
Materials: cardboard, photographic support
Techniques: albumen print
Location: namur
Artist: armand dandoy
Artist role: painter
Artist dates: 1834 – 1898
Subjects: historical persons
Inscriptions: inscription: ‘Ar. DANDOY/ PHOTOGR./ BREVETÉ/ 6, RUE DE LA STATION, 6/ NAMUR/ Spécialité de Photographies/ Inaltérable au Charbon/ Les Clichés sont conservés.’
La rue des Mauvais Garçons
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: burnishing, etching, roulette
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
De Vernietiging van de Oude Constitutie, decoratie op de Botermarkt, 1795 (uitleg)
Object type: text sheet
Date: 1795 – 1795
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: dirk meland langeveld
Artist role: publisher
Subjects: amsterdam, alliance with france (1795)
Inscriptions: collector's mark: Lugt 2228

Tekstblad met uitleg van de voorstelling van De Vernietiging van de Oude Constitutie, allegorische decoratie opgericht op de Botermarkt te Amsterdam. Waarschijnlijk behorend bij een afzonderlijke uitgave van de losse platen van de versieringen opgericht in de stad bij de viering van de installatie van de representanten en de alliantie gesloten tussen de Franse en de Bataafse Republiek, 19 juni 1795.
Violist
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: violin, fiddle (+ artist at work)

Blad 9 verso uit schetsboek LIII met 10 bladen.
Tekstblad bij een prent van Dunfermline Abbey
Object type: text sheet
Date: 1801 – 1801
Materials: paper
Techniques: letterpress printing
Location: london
Artist: william miller
Artist role: bookseller, printer, publisher
Artist dates: 1769 – 1844
Subjects: dunfermline abbey
Inscriptions: collector's mark: Lugt 2228

Tekstblad gebruikt in: Scotia Depicta; or the antiquities, castles, public buildings, noblemen (...). Londen: William Miller, 1801.
A Sleeping Leopard
Object type: print
Techniques: roulette, etching
Location: england
Artist: george stubbs
Artist role: artist
Artist nationality: british
Artist dates: 1724 – 1806
Subjects: leopards

Stubbs’s masterful ability to both describe animals and suggest their inner life is evident in the curled form of this unconscious great cat. Soft-ground etching, enhanced with roulette work, was used to create the inky darkness that cloaks the sleeping body. At several points, the profile of the animal’s body merges with the gnarled tree trunk at its back, while its open mouth echoes the rounded negative spaces between the branches above. Pushing the possibilities of his medium, Stubbs captured the distinct textures of bark, fur, and rocky ground using a limited tonal range. Lions, tigers, and leopards represented nature’s ferocity and evoked terror for eighteenth-century viewers, an emotion associated with the sublime.
Cloth of Gold and Associated Border Fragments
Object type: cloth and border fragment
Date: 1271 – 1368
Materials: metal thread, silk
Culture: chinese
Den Helder
Object type: cabinet photograph
Date: 1878 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: den helder
Artist: Anonymous
Subjects: square, place, circus, etc., stall, stable, den helder
Inscriptions: collector's mark: ‘Vosmaer’
Amulet of a Recumbent Ram
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Vest
Object type: vest
Date: 1800 – 1810
Materials: linen, silk
Culture: american or european

Waistcoats of the 18th and 19th centuries served as a layer protection and ornamentation during a period in fashion when the coat was intended to be left open in the front. The color was often chosen to complement the suit and covered in imaginative embroideries, heavily woven patterns or shiny satins made to draw the eye. The style of the neck, the length and the hem treatment fluctuated as the tastes changed from over-sized coats of the early 18th century to narrow tightly fitted coats of the late 18th century and onward. This historical vest served as an inspiration for a 1950's woman's vest designed for Mrs. William Randolph Hearst, Jr., by Charles James (CP89). The donor, who was a life-long muse and friend of James, often brought him historical fashions to reinterpret. The results were imaginative and unique. Austine Hearst was the third wife of William Randolph Hearst, Jr. (1908-1993), son of William Randolph Hearst (1863-1951), turn of the century newspaper mogul. She spent the war years hosting a radio show and writing a newspaper column about young society, which was picked up for national syndication after the war. She married Hearst in 1948, after a seven year marriage to Igor Cassini (1915-2002), brother of the fashion designer Oleg Cassini (1913-2006). She continued as a columnist until after her children were born in the early 1950s. The Hearsts were invited to parties at the White House, Truman Capote's infamous 1966 Black and White Ball and interviews with foreign dignitaries, to name a few. She was continuously on the International Best Dressed List throughout the 1950s and was inducted into the Best Dressed List International Hall of Fame in 1959. She first became a donor to the Brooklyn Museum in 1953 at the request of friend and designer, Charles James. Her first donation was comprised of James muslins and dresses. Thereafter, she regularly donated garments by famous designers such as Christian Dior, Madame Alix Grès and Arnold Scaasi, among others.
Portrait of W.H. Vanderbilt
Object type: medallion
Date: 1893 – 1893
Materials: gilt bronze
Techniques: struck
Artist: jean-désiré ringel d'illzach
Artist role: artist
Artist dates: 1847 – 1916
Subjects: men,portraits,trains
Ostrakon with a Letter from Thello
Object type: ostrakon
Date: 580 – 640
Materials: ink, pottery
Culture: coptic
Location: egypt
Filips II en Anna-Maria, koning en koningin van Spanje
Object type: jeton
Date: 1571 – 1571
Materials: copper
Techniques: striking
Location: low countries
Artist: Anonymous
Subjects: philip ii of spain

Koperen penning. Voorzijde: naar elkaar gewende borststukken van man en vrouw binnen omschrift. Keerzijde: zittende vrouw, voorstellende de Nederlanden, houdt gevulde hoorn van overvloed in linker- en Overwinning met lauwerkrans in elk van beide handen in rechterhand binnen omschrift; afsnede: opschrift
Transverse Flute in C
Object type: transverse flute in c
Date: 1701 – 1800
Materials: brass, ivory, wood
Culture: french
Location: france
Lüneburg. Am Berge
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1906
Materials: cardboard
Techniques: photograph
Location: magdeburg
Artist: Anonymous
Subjects: street
Inscriptions: date
James Edward "Tip" O'Neill, Left Field, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Portret van Willem, graaf van Nassau-Siegen
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: pieter de jode (ii)
Artist role: draughtsman, print maker
Artist dates: 1606 – 1674
Subjects: dillenburg, willem graaf van nassau-siegen
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Terracotta fragment of a column-krater (bowl for mixing wine and water) or a calyx-krater (bowl for mixing wine and water)?
Object type: calyx krater or column krater fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Chariot wheel, draped figures?, tails and hind legs of horses to right
The Pharisee and the Publican (The Parables of Our Lord and Saviour Jesus Christ)
Object type: print
Date: 1864 – 1864
Techniques: engraving
Artist: sir john everett millais
Artist role: artist
Artist nationality: british
Artist dates: 1829 – 1896
Subjects: men

It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image]." After completing a design, Millais transferred it to a woodblock coated with Chinese white for skilled engravers to carve. Finally, he reviewed proofs and final adjustments were made before the final printing. The Parable of the Pharisee and the Publican (or tax collector), in Luke:18:9-14, contrasts the first man's self-righteous religiosity with the second's profound awareness of his need for forgiveness. Pre-Raphaelite ideals shaped the combination of detailed naturalism and down-to-earth imagery to produce a work distinctly different than most religious art of the period.
Gezicht op de Buiksloterham
Object type: drawing
Date: 1808 – 1849
Materials: ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: cornelis steffelaar
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1861
Subjects: city-view in general; 'veduta', polder, reclaimed land
Inscriptions: inscription: ‘de Buiksloter Ham. / Augustus 1849.’, collector's mark: Lugt 800a, signature: ‘C. Steffelaar aan zijn Vriend / van Maurik’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 34.
Straatscène in Luxor
Object type: sketchbook leaf
Date: 1919 – 1919
Materials: chalk, paper, watercolor
Techniques: brush
Location: luxor
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: africans, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Op de voorgrond een man die een grote kom op het hoofd draagt. Pagina 28 uit een schetsboek met 28 bladen.
Saint Louis Vignette
Object type: print
Date: 1772 – 1772
Techniques: engraving, etching
Location: paris
Artist: pierre philippe choffard
Artist role: artist
Artist nationality: french
Artist dates: 1730 – 1809
Clementie van keizer Jozef II aan de protestanten, 1783
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: maria christina van oostenrijk (1742-1798), vienna, jozef ii (duits keizer), prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, tolerance, long-suffering; 'longanimità', 'toleranza' (ripa) (+ abstract concept represented by female figure), indulgence, clemency; 'clemenza', 'clemenza & moderatione', 'indulgenza' (ripa) (+ abstract concept represented by female figure), the christian knight, 'miles christianus', building of church, allegories and personifications ~ protestantism
Inscriptions: collector's mark: Lugt 2228

Allegorie op het edict van Joseph II over de godsdienstvrijheid voor protestanten, maart 1783. De keizer staat op het bordes van een tempel en wordt gekroond door de geest der Wijsheid. Naast de keizer de personificaties van Verdraagzaamheid, Goedertierenheid en Voorzichtigheid. Voor de keizer knielen (Hongaarse) protestantse onderdanen die hem in dankbaarheid hun harten aanbieden. Rechts worden de Dwingelandij en de Onwetendheid verjaagd door de Vrijheid van Godsdienst in harnas met vlammend zwaard en schild waarop 'Aurea libertas'. Op de achtergrond een protestantse kerk in aanbouw. Onderaan de wapens van de keizer en zijn zuster Maria Christina van Oostenrijk.
Digging stick
Object type: stick
Date: 1101 – 1500
Materials: copper, silver, wood
Techniques: hammering
Culture: chancay or chimú
Location: peru
Photographie du disque solaire
Object type: page
Date: 1867 – 1877
Materials: paper
Techniques: woodburytype
Location: paris
Artist: pierre jules césar janssen
Artist role: astronoom, fotograaf, uitvinder
Artist dates: 1824 – 1907
Subjects: sun-spots, sun as celestial body
Inscriptions: inscription: ‘Epreuve obtenue d'après (...) de 204 millimètres de diamètre.’
Voorzijde van een bankbiljet van vijfentwintig gulden
Object type: waardepapier
Date: 1910 – 1910
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: ornaments ~ art, (story of) mercury (hermes)
Inscriptions: collector's mark: Lugt 2228

Een rechthoekig kader, versierd met plantmotieven, waarin ruimte is opengelaten voor cijfers. In het midden een rechthoek die rechts is opengelaten voor tekst. Links Hermes, god van de handel, herkenbaar aan zijn gevleugelde sandalen, zijn gevleugelde petasus (hoed), en zijn caduceus, een door twee slangen omwonden staf.
Kinderjurk van wit katoen met tussenzetsels, ruches en korte mouwen van Engels borduurwerk
Object type: childrenswear
Date: 1850 – 1900
Materials: cotton
Techniques: embroidered, embroidery
Artist: Anonymous

Kinderjurk van wit katoen met tussenzetsels, ruches en korte mouwen van Engels borduurwerk. Plooien en oprijgen. De jurk is mogelijk een doopjurk.
Portret van Johann Jacob Beurer
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: theologian, historical persons

Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Twee mensen met een groep getrainde honden
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: lithograph
Subjects: training of performing dog
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Side Chair
Object type: side chair
Date: 1805 – 1815
Materials: wood
Culture: american
Location: united states
Portret van een onbekende man met hoed
Object type: photograph
Date: 1888 – 1892
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: felix friedrich busenbender
Artist role: fotograaf
Artist dates: 1860 – 
Subjects: adult man, anonymous historical person portrayed
Inscriptions: address: ‘Amsterdam/ DAMSTRAAT 23/ en/ Batavia.’
Design for Interior Corner of a Frieze or a Stairwell
Object type: drawing
Date: 1650 – 1750
Materials: graphite, ink
Techniques: pen, wash
Artist: anonymous, italian, 17th or 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1799
Subjects: infants
Strook kloskant met ster en halve maan
Object type: strip
Date: 1900 – 1929
Materials: silk
Techniques: lace
Location: le puy-en-velay
Artist: Anonymous

Strook zwarte kloskant, Cluny-kant. Symmetrisch dessin met diepe schulpen en een vlechtengrond. Elke schulp is gevuld met een achtpuntige ster die aan de onderzijde wordt omvat door een liggende halve maan. De schulpenrand is afgewerkt met boogjes en fijne puntjes van gepicoteerde vlechtjes. De bovenzijde van de strook is recht afgewerkt.
Bead
Object type: bead
Date: 201 – 700
Materials: gemstone
Culture: sasanian
Location: iran
Het destrik van de koninklyke stad Berlin en Spandau nevens de (...)
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving, hand coloring
Subjects: exchange, bourse, berlin
Inscriptions: collector's mark: Lugt 2228
Vrouw aan wastobbe
Object type: drawing
Date: 1784 – 1826
Materials: chalk, paper
Techniques: brush
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: laundering
Box (part of a set)
Object type: box
Date: 1667 – 1733
Materials: wood
Artist: nicolas françois foulon
Artist role: maker
Artist nationality: french
Artist dates: 1628 – 1698
Subjects: birds

Circular box, its lid densely carved in low relief with a strutting peacock surrounded by acanthus scrolls and flowers, while the actual box has incised floral decoration. This type of carving is typical for a group of pieces made in Nancy, in eastern France. The very fine-grained cherry wood, known as “bois de Sainte Lucie,” grew in a nearby forest. Named for the patron saint of the Lorraine region, this type of fruitwood was appreciated for its reddish-brown color and its pleasant smell reminiscent of cinnamon. Furthermore, it lent itself beautifully to carving often in intricate patterns resembling goldsmith work. This box would have been part of a dressing-table set and would have held powder or other types of make-up. The use of “bois de Sainte Lucie” for dressing-table sets was stimulated by Louis XIV’s sumptuary edicts of 1689 and 1709, which caused much French silver to be melted down.
Vrouw te paard en man met hellebaard
Object type: print
Date: 1549 – 1624
Materials: paper
Techniques: engraving
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: riding a horse, ass, or mule; rider, horseman
Inscriptions: collector's mark: Lugt 12
Gen. Q.A. Gillmore's Head Quarters - Folly Island, S.C.
Object type: photograph
Date: 1863 – 1863
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: american civil war
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, part of a handle palmette; start of the handle root
Girl
Object type: drawing and watercolor
Date: 1827 – 1827
Materials: graphite, paper
Techniques: brush, wash
Location: england
Artist: edmund thomas parris
Artist role: artist
Artist nationality: english
Artist dates: 1793 – 1873
Half Longitudinal Section and Half Plan
Object type: drawing
Date: 1750 – 1750
Materials: ink
Techniques: pen, wash
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: buildings
Koopvaardijschip in de haven
Object type: drawing
Date: 1804 – 1856
Materials: chalk, paper
Techniques: brush, scoring
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: harbour, sailing-ship, sailing-boat, rowing-boat, canoe, etc.

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Scheepsvaart.
Amenissimae aliquot requculae
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: church (exterior), landscape with ruins, monk(s), friar(s)
Inscriptions: collector's mark: Lugt 964

Geestelijken op een pad bij een vervallen kerktoren. Links op de achtergrond een dorp. Zesentwintigste prent van een serie van in totaal 52 prenten met landschappen, verdeeld over twee delen van elk 26 prenten.
Orb vase with gold fern motif
Object type: vase
Date: 1870 – 1870
Materials: porcelain
Artist: grainger
Artist role: maker
Artist nationality: british
Artist dates: 1750 – 1850
La Belgique pittoresque et monumentale / Views of Belgium
Object type: stereograph
Date: 1866 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: jules hippolyte quéval
Artist role: publisher
Artist dates: 1824 – 
Subjects: well, square, place, circus, etc., antwerp
Embroidered Mantle Fragment
Object type: mantle fragment
Date: 300 – 101
Materials: animal fiber, cotton
Culture: paracas
Location: peru
Portret van Maria Anna van Oostenrijk
Object type: print
Date: 1748 – 1779
Materials: paper
Techniques: engraving, etching
Location: holy roman empire
Subjects: vienna, rocaille ornament, historical persons - bb - woman, ornament ~ medallion, armorial bearing, heraldry, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
Woningen van Luther en Melanchton
Object type: print
Date: 1823 – 1880
Materials: paper
Techniques: lithograph
Location: magdeburg
Subjects: façade (of house or building)
Inscriptions: collector's mark: Lugt 2228