deem-data/ArtiFact huggingface dataset:
George Washington
Object type: print
Date: 1850 – 1850
Techniques: hand coloring, lithograph
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: american revolution,george washington,men,portraits

This lithograph may have been created in Europe around 1848, when uprisings in favor of reform in France and Germany sparked renewed interest in the American Revolution. The image relies on Léon Cogniet's 1836 portrait that shows Washington standing on the bank of the Delaware River—details of the latter taken from John Trumbull’s famous representation of the general at the Battle of Trenton, where the beleaguered Americans won an unexpected victory on December 26, 1776.
Portret van Ferdinand Nesmüller
Object type: print
Date: 1860 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Estaples
Object type: album leaf
Date: 1656 – 1656
Materials: paper
Techniques: engraving, etching, hand coloring
Location: frankfurt am main
Subjects: city-view in general; 'veduta'

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1656, dl. 2, na p. 22. De titel is uit de originele prent gesneden. Boven de gravure is een deel lucht en wolken (bij)geschilderd, waarin de titel gelijmd is. Origineel op één blad gedrukt met het gezicht op La Fère (RP-P-1956-87).
Pope Clement X (1590–1676)
Object type: painting
Date: 1670 – 1671
Materials: canvas, oil
Artist: giovanni battista gaulli (il baciccio)
Artist role: artist
Artist nationality: italian
Artist dates: 1639 – 1709
Subjects: men,portraits,popes
Landschap
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes

Blad 20 verso uit een schetsboek met 43 bladen.
De metgezellen van Odysseus maken de zak open waarin Aeolus de winden besloten had
Object type: design
Date: 1631 – 1633
Materials: ink, paper
Techniques: brush, pen
Artist: theodoor van thulden
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: while ulysses is asleep, his companions open the bag; contrary winds rush out
Piece
Object type: piece
Date: 1451 – 1500
Materials: metal thread, silk
Subjects: flowers,leaves
Studie, mogelijk van een landschap
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: landscapes

Pagina 52 uit een schetsboek met 49 bladen.
L'Homme Masqué aux Jambes Torses (The Masked Man with Crooked Legs), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Object type: print
Date: 1616 – 1622
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: masks,men
Marriage glass
Object type: goblet
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing
Location: saxony
Artist: Anonymous
Subjects: silver anniversary, serpent ouroboros, profane heart symbolism ~ love

translation of inscription: as God’s loving flame nourishes our kin
Kluizenaressen
Object type: print
Date: 1590 – 1662
Materials: paper
Techniques: engraving
Subjects: anchorite, hermit, female saints
Inscriptions: collector's mark: Lugt 2228

Kopie in spiegelbeeld naar prent van Boëtius Adamsz. Bolswert uit serie Kluizenaressen.
Christ on the Cross between Two Thieves
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Inscriptions: Lettered lower center: "CVBroeck. Inven. IDGeyn. scup."; lower right: "JBosscher. excu." and below image: "O nos faelices ... salusque fuit."
Overwinning in de slag bij Turnhout
Object type: jeton
Date: 1597 – 1597
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: turnhout, tachtigjarige oorlog, slag bij turnhout (1597)

Koperen penning. Voorzijde: Staatse troepen verjagen de Spanjaarden; op achtergrond gezicht op stad Turnhout binnen omschrift. Keerzijde: drie wapenschilden verbonden door lint binnen omschrift
Table
Object type: table
Date: 1710 – 1750
Materials: wood
Culture: american
Location: united states
Umbo
Object type: umbo
Materials: gold
Culture: non-frankish
Dood van graaf Willem IV, 1345
Object type: history print
Date: 1853 – 1855
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: willem iv (graaf van holland)

Illustratie voor: J.H. Eichman & H. Altmann, Vaderlandsche historieplaten voor scholen en huisgezinnen, Leiden, 1855. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller.
[Isambard Kingdom Brunel Standing Before the Launching Chains of the Great Eastern]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: robert howlett
Artist role: artist
Artist nationality: british
Artist dates: 1831 – 1858
Subjects: men,portraits,industry

Four years in the making, 692 feet in length and weighing 22,500 tons, the Great Eastern was six times the tonnage of any ship yet built and was to be propelled by all the technology then available-screw, paddle, and sail. Because of its size, it had to be moved sideways, foot by foot, and it would take an unprecedented three months to launch. Its success was seen as a matter of national pride, a confirmation of Britain's supremacy at sea. Robert Howlett, a partner at the Photographic Institution, a leading professional studio in London, was commissioned by the Illustrated London Times to document the ship's construction. Howlett photographed the ship's designer, Isambard Kingdom Brunel (1806-1859), at the time of the launching. More than anyone else of his generation, Brunel had been responsible for the transformation wrought upon Britain by the Industrial Revolution, building railways, terminals, tunnels, dry docks, piers, and bridges. Two steamships of his design were the largest ships afloat. The Great Eastern, which incorporated many novel solutions to shipbuilding, was intended to be his crowning achievement. It proved, however, to be unsuccessful as a passenger ship and, after several runs on the Atlantic line, was used to lay telegraphic cables. The photographer posed the engineer in front of the giant chains that were wound around the huge checking drums to serve as restraints in the launching. A man of modest stature and strength but of great nervous energy, Brunel was seldom seen in public without a cigar and the cigar box he carried on a strap over his shoulder. The pose and expression convey self-assurance and determination, and the mud-spattered trousers and boots show a man of action involved in all the aspects of the job. A memorable depiction of the engineer as hero, this portrait, which bears Brunel's facsimile signature, was published as a memento in 1863-64, after the deaths of photographer and subject.
Pisa. Campo Santo Pisano (esterno)
Object type: photograph
Date: 1860 – 1881
Materials: paper
Techniques: albumen print
Location: pisa
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: churchyard (around church)
Inscriptions: number: ‘194’
Gezicht op de Furkapas
Object type: photomechanical print
Date: 1870 – 1930
Materials: cardboard, paper
Techniques: photograph
Location: furkapas
Artist: Anonymous
Subjects: dale, valley, mountains
Inscriptions: inscription: ‘W1. Visscherhörnar Finsteraarhorn Eiger Schreckhorn/ Wetterhorn.’, number: ‘5293.’
Heiligen
Object type: album leaf
Date: 1647 – 1706
Materials: paper, pencil
Techniques: etching
Location: paris
Subjects: saints

Prenten maken deel uit van een serie met voorstellingen van heiligen behorende tot verschillende maanden van het jaar. De serie staat ook wel bekend als 'Les Saints de Gantrel'.
Scene 13, from Jack and the Giant Killer, Trick Scene for a Toy Theater
Object type: print
Date: 1870 – 1890
Techniques: lithograph
Artist: benjamin pollock
Artist role: publisher
Artist nationality: british
Artist dates: 1857 – 1937
Subjects: buildings
Brief aan Alberto Caramelli
Object type: letter
Date: 1861 – 1861
Materials: ink, paper
Techniques: pen, writing
Artist: johannes hilverdink
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1902
Subjects: utrecht, publisher, alberto caramelli, art trade, art shop, drawing, money
Inscriptions: seal, collector's mark: Lugt 2233
Portret van een vrouw
Object type: carte de visite
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons - bb - woman
Portret van Christiaan Cornelis
Object type: print
Date: 1794 – 1796
Materials: paper
Techniques: engraving
Location: middelburg
Subjects: pipe ~ tobacco, parts of ship's exterior - cc - more than one ship
Inscriptions: collector's mark: Lugt 2228

Christiaan Cornelis staat op een schip. Hij heeft zijn linkerarm in een mitella, in zijn andere een zwaard. Cornelis heroverde op 31 juli 1794 een door de Fransen ingenomen kofschip waarop hij als matroos gediend had. Nadat Cornelis het schip had teruggebracht werd hij door admiraal van Kinsbergen met een zilveren tabaksdoos beloond. Onder de afbeelding een onderschrift met betrekking tot zijn heldendaad.
Gruss aus Baden-Baden. Die Trinkhalle
Object type: ansichtkaart, prentbriefkaart
Date: 1890 – 1903
Materials: cardboard
Techniques: photograph, writing
Location: heidelberg
Subjects: berlin, wilhelm i (keizer van duitsland), monument, statue
Inscriptions: postage stamp
Side chair (one of a pair)
Object type: side chair
Date: 1755 – 1760
Materials: canvas, wood
Techniques: embroidery, stitching

The unknown maker of this chair has playfully combined different design ideas by Thomas Chippendale. The back is derived from Chippendale’s so-called "ribband back chairs" while the fretwork legsare based on his plates for "Chinese chairs." These designs were published in Chippendale’s The Gentleman and Cabinet-maker’s Director which appeared in three editions between 1754 and 1762.
Two Young Women on a Veranda
Object type: print
Date: 1796 – 1796
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: women
Parasol
Object type: parasol
Date: 1860 – 1865
Materials: metal, silk, shell, wood
Culture: american
Artist: fortis
Artist role: manufacturer
Subjects: flowers
Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the apostle james the less, first bishop of jerusalem; possible attributes: book, fuller's club, scroll, the apostle james the less, first bishop of jerusalem; possible attributes: book, fuller's club, scroll - martyrdom, suffering, misfortune, death of male saint

De apostel Jakobus de Mindere staande met de voldersknuppel tegen zich aangeklemt en een boek in de handen. Links op de achtergrond zijn marteldood. Hij wordt doodgeslagen. Onder de voorstelling een regel uit de apostolische geloofsbelijdenis en een drieregelige tekst over Jakobus de Mindere in het Latijn. Deze prent maakt deel uit van een album.
John the Baptist's Head on Charger
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to samuel shelley
Artist nationality: english
Artist dates: 1750 – 1808
Cylinder seal
Object type: cylinder seal
Date: 2700 – 2600
Materials: stone
Culture: sumerian
Location: mesopotamia
Gezicht op een haven te Bordeaux
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: aquatint
Location: paris
Subjects: harbour, city-view in general; 'veduta'
Inscriptions: inscription: ‘N.P. Lerebours Place du Pont Neuf 15’, inscription: ‘Rittner & Goupil Boulevd Montmartre 15’, inscription: ‘Hr. Bossance Quai Voltaire 11’
Christ Expelling the Money Lenders, from "The Small Passion"
Object type: print
Date: 1508 – 1508
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,christ
Platen van de viering van het tweede eeuwfeest van de Utrechtsche Hogeschool, 1836
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: utrecht
Artist: huib van hove bz
Artist role: painter, print maker
Artist dates: 1814 – 1867
Subjects: receiving doctor's degree, interior of church, commemoration of the founding of a university, utrecht
Inscriptions: : ‘Gedeponeerd’

Gezicht in het interieur van de Domkerk waar een promotie 'more majorum', een publieke promotie, plaatsvindt, 14 juni 1836. Binnen een gekleurde decoratieve kader met kerkelijke ornamenten. Onderdeel van de serie van zes ongenummerde platen van de feestelijkheden bij de viering van het tweede eeuwfeest (1636-1836) van de Utrechtsche Hogeschool, 12-17 juni 1836.
Romeinse gebeeldhouwde reliëfs
Object type: album leaf
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: paris
Subjects: battle, piece of sculpture, reproduction of a piece of sculpture, the soldier; the soldier's life, the soldier; the soldier's life (+ cavalry, horsemen), arch of constantine
Inscriptions: number: ‘51/50’

Deze prent maakt deel uit van een reeks van 54 prenten (+ titelprent) naar antieke reliëfs. De nummering op de prenten loopt van 1 tot en met 50. Sommige prenten hebben dubbele nummers.
Naar de reliëfs op de Boog van Constantijn te Rome.
Gezicht op de Nieuwmarkt te Amsterdam
Object type: print
Materials: paper
Techniques: etching
Location: the hague
Artist: lambertus hardenberg (1822-1900)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1900
Subjects: market, bridge, weigh-house
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Nieuwmarkt in Amsterdam, met op de voorgrond figuren bij een houten brug en markthallen, op de achtergrond de Waag of de St. Anthonispoort en de toren van de Zuiderkerk.
Londres et ses Environs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: ornamental fountain, london
Inscriptions: inscription: ‘Fontaine du Parlement’
Portret van koning Willem III
Object type: photograph
Date: 1855 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: robert severin
Artist role: fotograaf
Artist dates: 1839 – 1888
Subjects: brussels, willem iii (koning der nederlanden), adult man, queen
Inscriptions: inscription: ‘R. Severin/ Photographe de S.M. le Roi / Noordeinde, 109./ La Haye’, inscription: ‘R. Severin Phot. La Haye.’
Studioportret van een man met snor en baard
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: istanbul
Tea caddy
Object type: tea caddy
Date: 1840 – 1840
Materials: copper, silver
Portrait of Klemens Wenzel Lothar von Metternich
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: mezzotint
Location: london
Subjects: vienna, historical persons, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Metternich was one of the greatest diplomats of his time. In 1814-1815 he led the Congress of Vienna, meant to establish a new balance of power in Europe after the defeat of Napoleon Bonaparte. Metternich sat to Lawrence in London in 1814, and in Aix-en-Provence and Vienna in 1818. These sessions may have been for the same portrait: Lawrence was notorious for the length of time he sometimes took to complete a painting.
Twee mannen in een sloep, onder wie Klaas Mantel
Object type: sketchbook leaf
Date: 1880 – 1880
Materials: paper, pencil
Location: novaya zemlya
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: adult man (+ two persons), rowing-boat, canoe, etc.
Inscriptions: annotation: ‘Klaas Mantel/ Visscherman/ In de sloep, Nova Z/ 14 Aug 1880’

Voor de kust van Nova Zembla. Blad 15 recto uit een schetsboek met 35 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Man en engel in intieme houding
Object type: print
Date: 1823 – 1873
Materials: paper
Techniques: lithograph
Artist: célestin françois nanteuil
Artist role: print maker
Artist dates: 1813 – 1873
Subjects: homosexual love, alcoholic drinks, angels
Inscriptions: collector's mark: Lugt 964
Hoofd van een vrouw, in profiel naar links
Object type: drawing
Date: 1683 – 1733
Materials: chalk, paper, pencil
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Al Maul, Pitcher, Pittsburgh, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Portret van Antoine III de Gramont
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: france
Subjects: france
Inscriptions: collector's mark: Lugt 240

Portret van de Franse maarschalk Antoine III de Gramont-Toulongeon (1604-1678), hertog van Gramont. Afgebeeld in ovale omlijsting met wapen.
Calcutta High Court, Kolkata, West Bengal, India
Object type: photograph
Date: 1862 – 1900
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: court building
Inscriptions: number: ‘10559’, inscription: ‘Haalmeijer/ Calcutta’
Portret van een zittende man met wandelstok, aangeduid als Beckius
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: stockholm
Artist: f. lamm
Artist role: fotograaf
Subjects: sitting figure, walking-stick, staff, historical persons
Inscriptions: name: ‘Brukspatron Beckius’, annotation: ‘Brukspatron/ Beckius./ död’, inscription: ‘F. Lamm's/ Fotografiska Atelier/ Stockholm/ Drottninggatan No 15’
Architectura de Oorden Tusschana
Object type: album leaf
Date: 1560 – 1560
Materials: paper
Techniques: etching
Location: antwerp
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche, cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry

Dubbele cartouche met bovenaan het wapen van Antoine Perrenot, kardinaal de Granvelle, geflankeerd door twee putti met een banderol (Dur/ate). Daaronder in een cartouche met een opdracht aan Granvelle, in een omlijsting van rolwerk. De prent maakt deel uit van een album.
Souvenir spoon with view of the Castle Gebhardsberg, Bregenz
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt
Subjects: palaces,coat of arms
Algemeen Handelsblad
Object type: newspaper
Date: 1939 – 1939
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: newspaper, politician, netherlands
Portret van Theodoor Willem Johannes Juynboll
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: leiden
Artist: johann peter berghaus
Artist role: print maker, printer
Artist dates: 1810 – 1870
Subjects: rotterdam, leiden, historical persons, professor
Lac Léman. Ile de Salagnon et la Dent du Midi
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: lake geneva
Artist: Anonymous
Subjects: island, lake, mountain-range, snow peaks
St. Sebastian Bound to the Column
Object type: print
Date: 1499 – 1499
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
De vernieuwde Jan de Wasscher
Object type: print
Date: 1831 – 1854
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: hen-pecked husband, 'betty', 'molly' (man who engages in women's work)
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen over het leven van Jan de Wasser, een man die van zijn vrouw Griet, die de broek aan heeft, al het huishoudelijk werk moet doen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 35.
Amor laat licht komen uit een ton
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van vianen
Artist role: print maker
Artist dates: 1660 – 1726
Subjects: wooden container: barrel, cask, bucket, light, (story of) cupid, amor (eros), hidden love, hidden love discovered
Inscriptions: collector's mark: Lugt 2228

Amor heeft een ton vast, die over een kaars is gezet om de vlam te verbergen. Een straal licht komt uit de ton en valt door het open raam. Liefde is niet te verbergen, hoezeer men dit ook probeert. Op de achtergrond een paar. Twaalfde embleem uit Emblemata Amatoria.
Saltarello, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: dance,men,dancing,guitars

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Medal of the Marquis de Lafayette
Object type: medal
Date: 1834 – 1834
Materials: silver
Location: france
Subjects: men,profiles,marquis de lafayette
Ambachten
Object type: popular print
Date: 1872 – 1883
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: carpenter, craft-production, skilled handiwork, handicrafts ~ maintenance and repair (with name of trade or profession), mason at work, crafts and industries
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van ambachtslieden en beroepen, zoals timmerman, schoorsteenveger en hoedenmaker. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 32.
Neck Ring (Torque)
Object type: torc
Date: 600 – 600
Materials: copper alloy
Culture: scandinavian

The design of this torque is deceptive. It appears to be wrapped with a wide, flat wire that changes direction six times. In fact, the complex pattern has been cut into the metal. Although it is not known where this object was found, torques such as this have been discovered in peat bogs where it is thought that they were cast as offerings to a god or goddess or as symbols of thanksgiving.
Paris
Object type: print
Date: 1838 – 1840
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: inn, coffee-house, public house, etc.
Christus en Zacheüs
Object type: drawing
Date: 1660 – 1660
Materials: paint, ink, paper
Techniques: brush, pen
Artist: erasmus quellinus (ii)
Artist role: draughtsman, print maker
Artist dates: 1607 – 1678
Subjects: calling of zacchaeus, who is sitting in a fig-tree (christ passing through jericho)
Manning, New York, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.