deem-data/ArtiFact huggingface dataset:
Gezelschap in een rijtuig, man staat ernaast
Object type: album leaf
Date: 1913 – 1913
Materials: paper
Techniques: gelatin silver print
Location: oberhof
Artist: liesbeth overhoff
Artist role: fotograaf
Artist dates: 1895 – 1969
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, historical persons
Inscriptions: inscription: ‘1913.’
Fragment from a Processional Car
Object type: figure
Date: 1601 – 1800
Materials: wood
Culture: indian
Subjects: women
Coffeepot
Object type: coffeepot
Date: 1725 – 1725
Materials: hard paste porcelain, silver
Artist: vienna
Artist role: manufactory
Subjects: houses,men,flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Deksel
Object type: kaststel
Date: 1780 – 1820
Materials: faience
Location: delft
Allegory of Fame and History, from The Roman Heroes
Object type: print
Date: 1586 – 1586
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower center: "HGoltzius fecit. / Ao. 1586." and below image: "Vita hominum brevis est ... Marte tuetur avos. F. Estius composuit."
Portret van een onbekende jonge vrouw
Object type: frame
Date: 1880 – 1900
Materials: paper, glass, metal
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed
Schön newes Modelbuch (Page 8r)
Object type: book print ornament architecture
Date: 1608 – 1608
Techniques: woodcut
Artist: sigismundus latomus
Artist role: publisher
Artist nationality: german
Artist dates: 1599 – 1632
Subjects: ornament

Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery.
Vier elementen
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: air (one of the four elements), owls
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van vier prenten met de Vier elementen. De drukplaten zijn voor deze serie opnieuw gebruikt, vergelijk de serie van vier deugden waarbij de omlijsting met ornamenten identiek is (Hollstein nrs. 178-181). Het lijkt er op dat de platen voor de vier elementen werden opgewerkt want de donkere achtergrond is zwaarder geëtst.
Egoyomi with Rabbits
Object type: print
Date: 1867 – 1867
Techniques: woodblock print, surimono
Location: japan

This surimono is a rare and late example of an egoyomi print, or “picture calendar.” In the 18th century, egoyomi exchange parties became quite popular among both literate commoners and samurai, gathering together the aficionados of such print designs for gift exchanges at the New Year.
This calendar was produced by the same group that commissioned Zodiac Surimono one year earlier; four of the poets appear on both prints. In addition, this print includes three visitors from afar and a female member. The latter was not unusual, as men and women often became members of same poetry groups at this time.
Portret van Jacobus Taurinus
Object type: print
Date: 1657 – 1707
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrik bary
Artist role: draughtsman, print maker
Artist dates: 1640 – 1707
Subjects: antwerp, study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 2228

Portret van Jacobus Taurinus, staand aan een lessenaar in een bibliotheek.
Straatgezicht van Paseo de los Mártires de la Libertad te Alicante
Object type: album leaf
Date: 1885 – 1892
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: trees: palm-tree, street
Inscriptions: number: ‘2.’, annotation: ‘Alicante - Paseo de lis Martires’
Mansportret met hoed
Object type: print
Date: 1775 – 1800
Materials: paper
Techniques: etching
Location: netherlands
Subjects: anonymous historical person portrayed alone, head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Portretbuste van een man met sik en baard. De man draagt een hoed met een pluim en een witte plooikraag.
Landschap met vee rondom een boom en een man en vrouw die elkaar omarmen
Object type: print
Date: 1762 – 1829
Materials: paper
Techniques: aquatint, etching, intaglio
Artist: jean louis demarne
Artist role: draughtsman, painter, print maker
Artist dates: 1752 – 1829
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., cattle, couple of lovers
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Spinnende vrouw
Object type: drawing
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: spinning (manufacture of yarn)
Our Next President
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Gezicht op een wachthuis bij de Kadijk
Object type: drawing
Date: 1785 – 1785
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: hendrik tavenier
Artist role: draughtsman, print maker
Artist dates: 1734 – 1807
Subjects: sluice, weir, city-view in general; 'veduta', canal, windmill in landscape
Inscriptions: inscription: ‘aan 't eijnde (...) Wagthuijs der Borgeren.’, inscription: ‘Aan het eijnde (...) breed 27 cent.’, inscription: ‘Port. 25-458’, collector's mark: ‘25’ Lugt 1641b, signature and date: ‘H: Tavenier fecit 1785’

Onderwerpsrubriek binnen de Atlas Amsterdam: Doelen en Wachthuizen.
Sutra Cover with Peaches and Auspicious Symbols
Object type: sutra cover
Date: 1501 – 1633
Materials: silk
Techniques: damask
Culture: chinese
Subjects: peaches
Langwerpige kasjmiersjaal volledig bedekt met een patroon van langerekte veermotieven en bloemen
Object type: scarf
Date: 1851 – 1865
Materials: wool
Techniques: weave
Location: western europe
Artist: Anonymous

Palmenshawl, of 'worteldoek', van geweven wol, langwerpig met een vol patroon van langgerekte bots's, in rood, licht blauw , wit, geel, groen en zwart en met de dwarsrandnen verdubbeld met een poortjesrand. Techniek. Een rode ketting is met kleurige inslagen in een keperbinding van 1:3 geweven. Waat de effen poortjes beginnen is de kleur van de ketting gewijzigd; misschien door het verven op te gespannen ketting(?) anders door een rode en een anders gekleurde elkaar een eindje te laten overlappen. Patroon. Symmetrisch dessin om de kruisassen. In het midden staat een in de lengte gerekte achtpuntige cartouche met spitsovaal hart en twee binnenwaartse palmetten, op een gerekt en rood omlijnd veld. Vier toegewende en de halve shawllengte beslaande groene bots's sluiten met hun voluten tegen de middencartouche aan. Zij woorden in de voet door twee afgewende lichtblauwe bota's oversneden en zij gaan bovenaan vergezeld van zwarte en lichtblauwe dito's. Vanuit de voluut van de groene bota's hangen, ook over de halve lengte, gevederde bladtakken in alle kleuren neer. Het halve middenpatroon herhaaldt zich aan de linker en rechterzijde, maar nu in afwisselende kleuren. Rand: Opzij en onderaan loopt een smalle cartouche-rand, vermeerderd onderaan met een smalle poortjesrand, in rood, groen, l.blauw, geel en wit.
Weg met tramrails op Java
Object type: photograph
Date: 1857 – 1870
Materials: photographic support
Techniques: albumen print
Location: java
Subjects: railway, train, public road, java

Onderdeel van Fotoalbum met opnames van bezienswaardigheden op Java.
Een jonge heilige gezeten op een wolk met engelen
Object type: print
Date: 1636 – 1686
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: carlo cesio
Artist role: painter, print maker
Artist dates: 1622 – 1682
Subjects: saints, angels
Inscriptions: collector's mark: Lugt 240

Prent uit een reeks van 8 prenten naar de fresco's door Giovanni Lanfranco in de koepel van de San Andrea della Valle te Rome.
–It's the Apollo of the new opera. –Well, I had taken it for the statue of liberty, from 'News of the day,' published in Le Charivari, June 4, 1870
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,sculpture,men
Arabesken, ontworpen en gegraveerd door Henri Sallembier
Object type: album leaf
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: paris
Subjects: sphinx (lion/woman); 'sfinge' (ripa), ornament ~ arabesque, cupids: 'amores', 'amoretti', 'putti', ornament derived from plant forms, doves, pigeons

Doordat dit album bestaat uit meerdere, deels eerder uitgegeven prentreeksen, is de datering niet consequent. Het geheel is op de titelpagina gedateerd op 1802. Deze reeks is niet afzonderlijk gedateerd.
De serietitel voor het gehele werk is "Recueil d'arabesques, contenant les loges du Vatican". De andere serietitel is de titel van de specifieke reeks binnen het geheel.
Sprague, Pitcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Jeune fille à sa toilette
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: france
Artist: maurice denis
Artist role: print maker
Artist dates: 1870 – 1943
Subjects: adolescent, young woman, maiden, making toilet - aa - (for) women
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, check stamp: ‘Registre K B Paris’
Sibyl Holding a Tablet with a Winged Putto
Object type: print
Date: 1640 – 1640
Materials: ink, paper
Techniques: woodcut
Location: italy
Artist: bartolomeo coriolano
Artist nationality: italian
Artist dates: 1599 – 1676
Inscriptions: Inscribed verso, lower right, in graphite: “412 / 73766”
Sampler
Object type: textile
Date: 1801 – 1900
Location: mexico
Left: Bird on Branch of a Cherry Tree; Right: Minamotono Yoshiié on Horseback
Object type: woodblock print
Date: 1750 – 1835
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: birds,horses,flowers,trees
Portret van Christophorus Wittichius
Object type: print
Date: 1671 – 1690
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: poland, leiden, theologian, historical persons, professor
Inscriptions: collector's mark: Lugt 2228

Met zevenregelig onderschrift in het Latijn in twee kolommen.
Card Number 95, Viola Hart, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Gezicht op het Palazzo del Quirinale in Rome
Object type: photograph
Date: 1870 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: palace
Inscriptions: inscription: ‘8[.]2 PALAZZO QUIRINALE’
Portret van de pastoor Johannes Rademaker
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: pastoor, johannes rademaker
Inscriptions: collector's mark: Lugt 2228
Charles Frederick "Silver" King, Pitcher, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Cul-de-lampe met koninklijke insigne
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: paris
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)

Prent gebruikt voor: Les Statuts de l'ordre du Saint-Esprit. Parijs: Imprimerie Royale, 1703.
Design for Stanhope Phaeton, no. 3777
Object type: drawing
Date: 1882 – 1882
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Seal
Object type: seal
Date: 1368 – 1644
Culture: chinese
Portret van Ludovicus Wolzogen
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Kok, Jacobus. Vaderlandsch woordenboek. S.l.: s.n., 1795, dl. 33-34.
Le Corbeau et ses Petits (The Raven and his Young), plate 5 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Object type: print
Date: 1621 – 1635
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Hercules Slaying the Serpent Ladon in the Garden of the Hesperides
Object type: drawing and watercolor
Materials: chalk, ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: andrea lilio
Artist nationality: italian
Artist dates: 1555 – 1642
The marriage of Saint Catherine
Object type: print
Date: 1550 – 1560
Techniques: woodcut
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: human figures,angels,saint catherine,cross
Portret van een vrouw bij een gordijn
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Subjects: necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 240
Thetis Standing with Two Tritons
Object type: print
Date: 1550 – 1600
Techniques: engraving
Artist: anonymous, italian?, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: triton,goddess
Portret van Guy Michel Lejay en zijn familie
Object type: print
Date: 1618 – 1630
Materials: paper
Techniques: engraving
Location: paris
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: paris, tailless amphibians: frog, hoofed animals: deer, historical persons, landscape with tower or castle, rodents: rabbit, dog
Inscriptions: inscription: ‘N. 5038’

Landschap met de advocaat Guy Michel Lejay, ook wel "la Polyglotte" genoemd, de markies en markiezin De la Chassetière en hun drie jonge kinderen. Het wapenschild van de familie hangt aan een boom. Op de voorgrond diverse dieren (hond, vogel, kikker, konijn). Op de achtergrond een kasteel en twee herten bij een meer.
Two Men Drinking (Recto) (from Sketchbook)
Object type: drawing
Date: 1854 – 1855
Materials: ink, paper
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: musical instruments,feet,men,drinking
Wineglass
Object type: wineglass
Date: 1740 – 1740
Materials: glass
Subjects: ships
Vos (Reinaert), beer (Bruun), kat (Tybeert) en raaf (Tiecelijn) bij galg
Object type: boekillustratie ontwerp
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Scent bottle
Object type: scent bottle
Date: 1750 – 1755
Materials: gold, soft paste porcelain
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: masks,men,turtles,clowns
Ama, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Seated Bodhisattva, Possibly Padmapani
Object type: statue
Date: 201 – 500
Materials: stone
Culture: gandhara
Subjects: gandhara,buddhism,bodhisattvas

The seated figure is richly adorned with a collar, a necklace with a central bead, earrings, a cord of amulet cases worn diagonally across the chest, a sacred thread falling loosely over the right arm, and two pairs of bracelets. He holds an inverted lotus, suggesting that he represents either the Bodhisattva Padmapani (Lotus Bearer) or an early form of Avalokiteshvara, the Bodhisattva of Compassion. It is unusual for a bodhisattva to be depicted seated in a lotus posture, and thus the precise identity of this figure remains controversial.
Portret van drie meisjes
Object type: carte de visite
Date: 1877 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: assen
Artist: bartel jonker
Artist role: fotograaf
Artist dates: 1842 – 1913
Subjects: girl (child between toddler and youth) (+ three persons), anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: date: ‘1877’, inscription: ‘B. JONKER/ PHOTOGRAPHE/ ASSEN./ Nabestellingen steeds verkrijgbaar./ No. ...’
Zittende man met wandelstok in een landschap
Object type: print
Date: 1783 – 1784
Materials: paper
Techniques: etching
Subjects: sitting figure, walking-stick, staff, old man
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit een serie getiteld: "Exercises d'imagination de differens Caractères et Formes humaines inventés peints et dessinés par J. F. de Goez Suite 1", bestaande uit honderd platen met verschillende figuren met elk een eigen titel. Plaat 1 t/m 84 zijn van de hand van Brichet naar ontwerp van Von Goez en plaat 85 t/m 100 zijn door Von Goez zelf geëtst.
Ornament met gezicht
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: ornaments ~ art
Inscriptions: collector's mark: Lugt 240
Op de koffieplantage, Langkat Sumatra
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: bindjai
Subjects: sumatra
Evening cape
Object type: evening cape
Date: 1895 – 1895
Materials: metal, silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

This is an iconic piece from the House of Worth. Worth's interest in historicism is evident and, in this case, documented. The cape is a direct copy of a 16th-century Spanish riding cape which Worth was either given access to or owned prior to the item being sold to the Nuremberg Museum in 1903. The style was chosen as the cover of "Harper's Bazaar" for the April 13, 1895 issue and the publicity emphasized the importance of the fashionable short cape. Charles Frederick Worth was born in England and spent his young adulthood working for textile merchants in London while researching art history at museums. In 1845 he moved to Paris and worked as a salesman and a dressmaker before partnering with Otto Bobergh to open the dressmaking shop, Worth and Bobergh, in 1858. They were soon recognized by royalty and major success followed. In 1870 Worth became the sole proprietor of the business. At his shop, Worth fashioned completed creations which he then showed to clients on live models. Clients could then order their favorites according to their own specifications. This method is the origin of haute couture. Worth designed gowns which were works of art that implemented a perfect play of colors and textures created by meticulously chosen textiles and trims. The sheer volume of the textiles he employed on each dress is testimony to his respect and support of the textile industry. Worth's creative output maintained its standard and popularity throughout his life. The business continued under the direction of his sons, grandsons and great-grandsons through the first half of the twentieth century. Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion after 1900. Around 1910 Jean-Philippe limited his design work to important orders and hired his nephew, Jean-Charles Worth, as the new lead designer before leaving the company entirely after World War I.