deem-data/ArtiFact huggingface dataset:
Ragged peasant with his hands behind him, holding a stick
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: mark: Lugt 2228 a

Rembrandt derived much inspiration from the figures he came across outdoors. However, he did not etch out on the street. He produced his prints indoors, in his workshop. His observations are no less telling for that fact. Both the beggar couple and the poor wretch with the wooden leg seem to be calling out loud, while the peasant in the middle looks on expectantly.
Fragment
Object type: textile
Date: 1701 – 1800
Materials: silk, velvet
Techniques: patterning, weave, voiding
Location: italy
Two Putti
Object type: drawing and watercolor
Materials: crayon, paper
Techniques: wash
Location: germany
Artist: peter cornelius
Artist nationality: german
Artist dates: 1783 – 1867
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Exterior, part of handle patch an unidentified object
Portret van Willem Jacobus Fockens
Object type: carte de visite
Date: 1875 – 1899
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: johannesburg
Artist: james f. goch
Artist role: fotograaf
Subjects: historical persons, johannesburg
Inscriptions: name: ‘Willem Fockens’, workshop stamp
Torenwachters Nieuwjaarswensch (...) Zuider-Kerkstoren
Object type: new year card
Date: 1840 – 1870
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: tower sentry, street, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens van de torenwachter van de Amsterdamse Zuiderkerk, ca. 1840-1870. Gezicht op de Westerkerk te Amsterdam, twee mannen halen aan de huizen geld op. Onderaan een gedicht in twee kolommen. Van de torenwachter: F.W. Bulsing.
Mannen hanjuban met paarden race motieven
Object type: kimono
Date: 1926 – 1927
Materials: cotton, silk
Techniques: painting, weave
Location: japan
Artist: Anonymous

Half-lengte onderkimono (hanjuban) voor een man met een versiering op de voor- en achterpanden van een patroon van munten, met op de mouwen afbeeldingen van paarden en wed kaarten van 20 yen voor het seizoen 1926-1927. Het KCR op de kaarten staat wellicht voor Kyoto Racing Club. Katoen en zijde (mouwen) met gestencilde yuzen versiering. Voering van witte katoen en ivoorkleurige zijde (mouwen).
Kop, beschilderd met groenten en vruchten omgeven door strooibloemen
Object type: cup
Date: 1777 – 1790
Materials: porcelain
Techniques: painted
Location: the hague

Kop, veelkleurig beschilderd met een decor van groenten en vruchten omgeven door strooibloempjes. Gemerkt met een ooievaar in blauw onder de glazuur. N.B. Duits porselein beschilderd in Den Haag.
Tuin met vijver, op de voorgrond tuingereedschap
Object type: design
Date: 1715 – 1798
Materials: paper, pencil
Artist: dionys van nijmegen
Artist role: draughtsman, painter
Artist dates: 1705 – 1798
Subjects: garden
Thronus Justitiae
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: willem iii de goede (graaf van holland en henegouwen), sick-bed, violent death by beheading, juridical examples; exemplary judges; 'gerechtigkeitsbilder'
Inscriptions: collector's mark: Lugt 240

Willem III de Goede, graaf van Holland en Henegouwen, veroordeelt vanaf zijn ziekbed zijn baljuw en geeft opdracht hem te onthoofden. Op de achtergrond is de aanleiding te zien: de baljuw heeft een boer opgelicht door hem een slechte koe te verkopen voor een goede. Onder de voorstelling twee vierregelige verzen in het Latijn.
Vervallen schuur aan een vaart
Object type: print
Date: 1854 – 1884
Materials: paper, pencil
Techniques: etching
Location: netherlands
Artist: johannes everhardus rijnboutt
Artist role: print maker
Artist dates: 1839 – 1900
Subjects: canal, rowing-boat, canoe, etc., shed
Inscriptions: collector's mark: Lugt 2228
Samarang (Java)
Object type: photograph
Date: 1857 – 1864
Materials: glass
Techniques: slide
Location: semarang
Subjects: street
Portret van Kurd Christoph von Schwerin en een allegorie op sterven op het slagveld
Object type: print
Date: 1769 – 1828
Materials: paper
Techniques: engraving, etching
Subjects: commander-in-chief, general, marshal, historical persons, crowning with laurel, the defeated (after the battle)
Inscriptions: collector's mark: Lugt 2228
Ronde toren bij Donaghmore, graafschap Meath, Ierland
Object type: stereograph
Date: 1856 – 1922
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: ierland
Inscriptions: name: ‘H. Ameschot.’, inscription: ‘N.° 8.’, check stamp: ‘London Stereoscopic Company / 54 Cheapside’, label: ‘Round Tower at Donaghmore, County Meath, Ireland.’
Jug
Object type: jug
Date: 333 – 1
Materials: ceramic
Culture: iranian
Location: iran
Gezicht op het Piazza di Spagna te Rome
Object type: book illustration
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: rome
Subjects: square, place, circus, etc., city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Barbault, Jean. Les plus beaux édifices de Rome moderne publiés par Jean Barbault peintre (...). Rome: Bouchard et Gravier, 1763.
Schetsblad met twee geiten en drie rammen
Object type: drawing
Date: 1786 – 1839
Materials: chalk, paper
Techniques: brush
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: sheep, goat
Anceau. Aimé-Firmin. 20 ans, né le 18/2/74 à Paris XIIe. Sculpteur sur bois. Anarchiste. 17/7/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Herman Lisens, opgebaard
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: herman lisens
Inscriptions: collector's mark: Lugt 2228

De minnebroeder Herman Lisens, op 68-jarige leeftijd, opgebaard. Hij draagt zijn geestelijk gewaad en houdt een crucifix in zijn gevouwen handen. In de marge een vierregelig onderschrift in het Latijn.
Profile Portrait of Bishop Antonius Campanus of Agram (Zagreb)
Object type: drawing
Date: 1467 – 1533
Materials: copper, ink
Techniques: pen, wash
Culture: french or italian
Artist: french
Artist role: artist
Artist nationality: french
Subjects: men,profiles,bishops
Parrot (one of a pair)
Object type: figure
Date: 1741 – 1741
Materials: gilt bronze, hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: fruit,parrots,flowers,leaves

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…." [Elizabeth Sullivan, 2013]
Diervoorstellingen
Object type: print
Date: 1597 – 1633
Materials: paper
Techniques: engraving
Location: france
Artist: jean leclerc
Artist role: print maker
Artist dates: 1587 – 1633
Subjects: shore-birds and wading-birds: stork
Vuursteenpistool
Object type: flintlock pistol
Date: 1703 – 1703
Materials: stone, iron, silver, wood
Techniques: printing, casting, metalworking, cutting, engraving, grinding
Location: utrecht
Artist: barend penterman
Artist role: geweermaker, pistoolmaker, vuursteenslotmaker
Artist dates:  – 1723
Subjects: orde van de olifant
Inscriptions: inscription: ‘PENTERMAN; UTRECHT’, mark
Huwelijk van een man en zijn tweede vrouw terwijl zijn eerste vrouw wordt begraven
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Subjects: second marriage (of widow or widower), marriage, married couple, 'matrimonium'

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.

Deze prent is ook gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Fragment
Object type: fragment
Date: 1801 – 1900
Materials: metal thread, wool
Design for a Candelabra
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: swans,candelabra
Sketches of Elm and Ash Trees
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
VOC, duit Holland, 1772
Object type: coin
Date: 1772 – 1772
Materials: copper
Techniques: striking
Location: dordrecht

Koperen munt. Voorzijde: gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Misericorde met hurkende man naast een oven in de Oude Kerk te Amsterdam
Object type: print
Date: 1880 – 1929
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: misericords, fire, oven, furnace ~ interior of industrial structure
Inscriptions: collector's mark: ‘Koninklijk Oudheidkundig Genootschap / Amsterdam’, collector's mark: ‘31-158’ Lugt 1641b

Rechtsboven genummerd: 12. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Oude Kerk, koorgestoelte.
Chasuble
Object type: textile
Date: 1601 – 1675
Materials: coral, gilt, linen, metal, textile, silk
Techniques: embroidery, treatment, laid work, weave, satin weave, stitching
Location: italy
Stucco relief panel
Object type: stucco relief of maenad
Date: 51 – 100
Materials: plaster
Culture: roman
Subjects: women,maenads

The female figure flying to the right is a maenad . She holds up a tympanum, a large tambourine-like musical instrument as her drapery floats loosely about her.
Portret van een onbekende man
Object type: print
Date: 1835 – 1849
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende militair, met handtekening in facsimile waarin de naam Jellain of Jellaun te lezen is.
Portret van een zittende man aan een tafel
Object type: carte de visite
Date: 1862 – 1871
Materials: cardboard, photographic support
Techniques: albumen print
Artist: jacobus van gorkom (jr.)
Artist role: print maker
Artist dates: 1827 – 1880
Subjects: sitting figure, adult man, historical persons, table
Inscriptions: inscription: ‘[...] Gorkum Jr./ Rotterdam’
De Waag
Object type: print
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: weigh-house, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). 2 delen. Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge, Johannes Janssonius van Waesberge II, weduwe Dirk Boom I, Hendrick Boom en Rembertus Goethals, 1693. En in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Latere staat ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. 2e druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.
Brand!
Object type: sketchbook leaf
Date: 1875 – 1920
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: on fire, ablaze, family life at home, living-room, parlour, sitting-room, breaking something (household accident)

Brand in de huiskamer na met omvallen van de lamp. Onderdeel van het schetsboek met humoristische tekeningen over het leven van een 'famille nombreuse'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven.
Piece
Object type: piece
Date: 1834 – 1866
Materials: cotton
Subjects: roses,leaves
Gevecht om de vlag
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: etching
Subjects: historical events and situations
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Frederik de Grote. Mémoires pour servir a l'histoire de la maison de Brandebourg. Sanssouci, Frederik de Grote, 1751.
Barclaius
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: rome, historical persons
Inscriptions: collector's mark: Lugt 240

Prent uit: Barclay, Jean. L'Argénis. Parijs: Claude Griset, 1624.
Vignet met ornamenten
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: ornaments ~ art, vignette
Fish-Shaped Box
Object type: box
Date: 1801 – 1900
Materials: alloy, brass, silver, zinc
Techniques: casting, engraving, inlay
Location: india
Subjects: fish

Although the technique of inlaying metal known as bidri was invented in the Deccan in the seventeenth century, and Hyderabad remained a center for this type of metalwork into the 1800s, Lucknow, in northeastern India, also became an important center for production of bidri ware in the eighteenth and nineteenth centuries.
Kip met kuiken
Object type: print
Date: 1659 – 1741
Materials: paper
Techniques: etching
Location: europe
Artist: Anonymous
Subjects: fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 240

Kopie in spiegelbeeld naar een prent uit de serie Dertien vogelsoorten van Albert Flamen.
Bronze and amber fibula (safety pin)
Object type: fibula
Date: 700 – 601
Materials: amber
Culture: etruscan or italic

Too large to be worn in life, it was most likely made expressly for burial with the deceased.
Waaierdoos van papier, buitenzijde beplakt met papier van ruitmotief, binnenzijde blauwgrijs beplakt
Object type: waaierdoos
Date: 1775 – 1780
Materials: paint, paper, watercolor
Artist: Anonymous

Waaierdoos van papier, buitenzijde beplakt met papier van ruitmotief, binnenzijde blauwgrijs beplakt
Portret van Annibale Carracci
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: rome, print maker, draughtsman, annibale carracci, portrait, self-portrait of painter

Prent waarschijnlijk uit: Cesi, Carlo. Aedium Farnesiarum Tabulae (...). Rome: Veneziano Monaldini, 1753.
Landschap met een galg
Object type: print
Date: 1560 – 1600
Materials: paper
Techniques: engraving
Location: unknown
Subjects: low hill country, death penalty, execution (+ place of execution), herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., violent death by hanging, covered wagon, hooded wagon
Inscriptions: collector's mark: Lugt 240

Gezicht op een heuvelachtig landschap met in het midden een galg. Naast de galg een schaapherder met zijn kudde. Links op de voorgrond een huifkar getrokken door twee paarden. Rechts enkele reizigers. De prent maakt deel uit van een vierdelige serie met landschappen.
Parallel Bar, Handspring, from the Gymnastic Exercises series (N77) for Duke brand cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,sports,athletes

Trade cards from the "Gymnastic Exercises" series (N77), issued in a set of 25 cards in 1887 to promote W. Duke Sons & Co. brand cigarettes. There are two versions of the series. All images are the same but the printed text is blue in one set and brown in the other. This is the only card in the series in the Metropolitan's collection that has no text at the bottom of the card.
Drawing for Wagner's "Le Vaisseau Fantôme," Paris Opéra
Object type: drawing
Date: 1842 – 1842
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: pierre luc charles cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1782 – 1868
Subjects: ships
Trade Card for William Taylor, Engraver, Embosser & Printer
Object type: print, trade card
Date: 1801 – 1900
Techniques: lithograph
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Glass vessel fragment
Object type: glass vessel fragment
Date: 201 – 700
Materials: glass
Culture: sasanian
Location: mesopotamia
Strijdende soldaten op twee galeien
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: netherlands
Subjects: drowning, shipwrecked person, battle (+ oared ships, e.g.: galley)
Inscriptions: collector's mark: Lugt 2228

De prent is gebruikt als boekillustratie in: Calprenède, La. Cleopatre 3de deel..., Amsterdam: Gerrit van Goedesberg, 1667
Lorenzo de' Medici, 'il Magnifico' (1448–1492)
Object type: medal
Date: 1490 – 1490
Materials: bronze
Artist: niccolò fiorentino (niccolò di forzore spinelli)
Artist role: maker
Artist nationality: italian
Artist dates: 1430 – 1514
Subjects: men,profiles

Born into a family of Florentine goldsmiths, Niccolò ranks among the leading portrait medalists of the Italian Renaissance. Working in high relief, he created effigies that are bolder in scale, more varied, and more bluntly realistic than anything produced earlier.
Venus Ordering Psyche to Seek Water From a Fountain Guarded by Dragons
Object type: print
Date: 1530 – 1540
Materials: ink, paper
Techniques: engraving
Location: italy
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Bishop
Object type: drawing and watercolor
Materials: chalk, ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: england
Artist: Anonymous
Artist nationality: possiby english or dutch
Artist dates: 1500 – 1599
Gezicht op Eggevoort
Object type: print
Date: 1555 – 1576
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hunter, hotel, hostelry, inn
Inscriptions: collector's mark: ‘Sammlung J.E. Wetterauer’

Elfde prent uit een serie van vierentwintig gezichten in de omgeving van Brussel. Op de voorgrond jagers, op de achtergrond een herberg.
Portret van Jane Grey
Object type: print
Date: 1654 – 1708
Materials: paper
Techniques: engraving
Subjects: london, historical persons, queen, cupids: 'amores', 'amoretti', 'putti'
Luther's Statue in Wittenberg
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: etching, lithograph, printing
Location: germany
Artist: johann gottfried schadow
Artist role: artist
Artist nationality: german
Artist dates: 1764 – 1850
Landschap met een boom in het water
Object type: print
Date: 1660 – 1666
Materials: paper
Techniques: etching
Location: rome
Subjects: trees, fence, wall, paling, water course
Inscriptions: collector's mark: Lugt 240

Heuvelachtig landschap met een boom met overhangende tak in het water.
Landschap met een stad op rotsen en een vallei met een rivier in Frankrijk
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: landscape with bridge, viaduct or aqueduct, prospect of city, town panorama, silhouette of city, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Plate 12: a seated draughtsman to left, a standing shepherd next to him to right, ruins and animals to the right, a tower in ruins to left in the background, from 'Various landscapes' (Divers paysages)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: animals,ruins,men,shepherds
Een tevredene
Object type: cartoon
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: the hague
Artist: willem van konijnenburg
Artist role: draughtsman, painter, print maker
Artist dates: 1868 – 1943
Subjects: voting, election, historical persons, politician, e.g. party leader, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Kroniek 2 (1896), 26 juli 1896.
Cap
Object type: cap
Date: 1701 – 1800
Materials: linen
Culture: french
Patiënt lijdend aan de huidziekte 'sarcoma pigmentosum'
Object type: page
Date: 1870 – 1881
Materials: paper
Techniques: photograph, hand coloring
Location: new york city
Subjects: skin and venereal diseases, adult man
Chessman (Queen)
Object type: chessman
Materials: silver gilt
Artist: elkington & co.
Artist role: manufacturer
Artist nationality: british
Artist dates: 1829 – 1963

This electrotype is after a German seventeenth-century original, at time of reproduction at the Romanoff House, Moscow.
Figure Study in Colors
Object type: print
Date: 1890 – 1890
Materials: ink, paper, stone
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Amerika en de Philippijnen
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., political caricatures and satires, united states of america, philippines, philippine–american war
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 30 april 1899.