deem-data/ArtiFact huggingface dataset:
Textile Design with Alternating Rows of Paisley Motifs Outlined with Branches and Decorated with a Teardrop Shape over an Abstract Honeycomb Pattern Decorated with Pearls
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating rows of paisley motifs outlined with branches of light tan color and decorated with a teardrop shape over an abstract honeycomb pattern of dark reddish-brown color decorated with pearls over a light tan base with stipples of dark reddish-brown color. The teardrops are colored with orange, purple and pink; the pearls are colored with white.
Gezicht op de façade van de Notre-Dame in Parijs
Object type: stereograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: parts of church exterior and annexes: façade
Inscriptions: number: ‘14.’, monogram: ‘N.P.C.’, inscription: ‘facade Notre Dame de Paris’
Vier handen
Object type: drawing
Date: 1891 – 1941
Materials: chalk, paper
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: hand
Inscriptions: collector's mark: Lugt 2228
James J. Dean
Object type: photograph
Date: 1876 – 1881
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult man
Ponte Capriasca
Object type: album leaf
Date: 1933 – 1933
Materials: photographic support
Techniques: gelatin silver print
Location: ponte capriasca
Artist: Anonymous
Subjects: village street
Inscriptions: number: ‘28’
Proef van kalligrafie
Object type: manuscript
Date: 1641 – 1708
Materials: ink, paper
Techniques: pen, writing
Artist: ludolf bakhuysen
Artist role: draughtsman, print maker
Artist dates: 1631 – 1708
Inscriptions: collector's mark: Lugt 2233, watermark
April, from  "Album of Rustic Subjects"
Object type: print
Date: 1859 – 1859
Techniques: engraving
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Bowl
Object type: lid, bowl
Date: 1479 – 1458
Materials: paint, pottery
Location: egypt
Terracotta oil lamp
Object type: lamp
Date: 1 – 100
Materials: terracotta
Culture: roman, cypriot
Subjects: gladiators

Discus: gladiator, facing left, either running or kneeling with his left leg bent up behind him, wearing a helmet, and carrying a rectangular shield in front of him in his right hand and a short, curved sword in his outstretched left hand behind him. Shoulder: continuous band of lines and grooves. Volutes flanking nozzle. Raised base ring; flatbase inscribed in small Greek letters: CΓEΛΛE. Broken; most of nozzle missing and large hole in front of bowl.
Portret van Lucas Jonker en Neletta Jonker-van der Linden
Object type: photograph
Date: 1890 – 1915
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: haarlem, historical persons
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the handle attachment of a skyphos
Dubbelportret van Wassili Melko en Michail Alexeieff
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: geneva
Subjects: adult man (+ two persons), historical persons, beard
Inscriptions: collector's mark: Lugt 2228
De Marienplaats te Utrecht
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: city-view in general; 'veduta', church (exterior), utrecht
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Boerderij met boer en boerin
Object type: print
Date: 1796 – 1856
Materials: paper
Techniques: etching
Location: vaassen
Subjects: farmers, farm or solitary house in landscape, dog
Inscriptions: collector's mark: Lugt 2228

Een boerderij met een dak van stro. Een boerin staat geleund op de onderdeur. Naast de deur een boer zittend op een bankje en een hond.
Curettes ?
Object type: curette
Date: 670 – 330
Materials: bronze
Culture: roman
Silhouetportret van Johann Jakob Ebert
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: historical persons, portrait of a writer, adult man (+ sideview, profile)

Prent waarschijnlijk uit: Schattenrisse edler Teutschen. Aus dem Tagebuche eines physiognomischen Reisenden. Halle: Johann Christian Hendel, 1783, dl. 1.
Broadway, New York from Warren to Reade Street
Object type: print
Date: 1855 – 1855
Materials: stone, watercolor
Techniques: lithograph
Artist: dumcke and keil
Artist role: lithographer
Artist nationality: american
Subjects: buildings,cities,streets,horses,carriages,new york city
Deep dish (part of a service)
Object type: dish
Date: 1770 – 1785
Materials: hard paste porcelain
Subjects: birds,coat of arms
Bowl
Object type: bowl
Date: 1167 – 1233
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: iran
Subjects: human figures

Polychrome techniques of underglaze painting were a speciatlity of the Kashan workshops. The intimate way in which the figures seem to interact with each other may indicate a scene from a romance or epic. Poetry is framing the inner and the outer rim.
Fragment from the Tomb of John the Fearless and Margaret of Bavaria, Duke and Duchess of Burgundy
Object type: tomb fragment
Date: 1443 – 1455
Materials: alabaster
Culture: french
Location: france
Artist: jean de la huerta
Artist role: artist
Artist nationality: spanish
Artist dates: 1413 – 1462

This delicately carved fragment comes from the tomb of John the Fearless and Margaret of Bavaria, Duke and Duchess of Burgundy, Dijon, one of the most important sculptural monuments of the middle ages. It belongs to the architectural decoration that surmounts the mourner figures which form the principle decoration of the sides of the tomb. Made originally for the Chartreuse de la Sainte-Trinité de Champmol, the Carthusian monastery on the outskirts of Dijon, the tomb has been reconstructed in the Musée des Beaux-Arts in Dijon where it is exhibited today.
Cover
Object type: cover
Date: 1600 – 1600
Techniques: lace
Subjects: human figures,birds

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Hondenkop
Object type: print
Date: 1850 – 1949
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: dog (+ head of an animal)
Inscriptions: annotation: ‘W1619/ D.U.R.K./ W.H. 58’
Drie onbekende vrouwen op riksja's
Object type: photomechanical print
Date: 1891 – 1896
Techniques: collotype process
Artist: Anonymous
Subjects: rickshaw, japan
Inscriptions: inscription: ‘A neat velvet cushioned seat with spings, and the absence of danger, render the Jinrikisha a most comfortable vehicle. [...]’
Chocolate Pot
Object type: ceramic
Date: 1760 – 1760
Materials: enamel, stoneware
Techniques: polychrome, salt glaze
Location: staffordshire
Gezicht op het Glen House in de White Mountains, New Hampshire
Object type: photomechanical print
Date: 1874 – 1879
Materials: paper
Techniques: photograph
Location: white mountains
Artist: Anonymous
Subjects: hotel, hostelry, inn, mountains
Portret van een man met een hoge hoed in de hand
Object type: carte de visite
Date: 1855 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: standing figure, adult man, historical persons
Heilige Franciscus Borgia knielt voor visioen met hostie
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: adoration of the host, e.g. perpetual adoration, francis borgia, jesuit priest and duke of gandia; possible attributes: book, ducal hat, monstrance, skull with crown
Inscriptions: collector's mark: Lugt 240
View of the banks of the Ganga in Varanasi, Uttar Pradesh, India
Object type: photograph
Date: 1865 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: varanasi
Artist: Anonymous
Subjects: city-view in general; 'veduta', river, rowing-boat, canoe, etc.
Inscriptions: number: ‘7’, title: ‘Benares./ General View of River & Ghats’

Een ghat is een heiligdom bestaande uit een heuvel met trappen die afdalen naar een heilige rivier.
Jupiter en Io
Object type: print
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: io changed into a cow: to avoid detection by juno, jupiter changes io into a cow (ovid, metamorphoses i 611)
Inscriptions: collector's mark: Lugt 240

Jupiter heeft Io in een koe veranderd. Rechts Juno die Jupiter komt controleren. Rechtsvoor een groep putti met een adelaar.
Polo players, Abbottabad, Khyber Pakhtunkhwa, Pakistan
Object type: photograph
Date: 1885 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: abbottabad
Inscriptions: number: ‘1560’, title: ‘Polo Players Abbotlabad 1885’

Groepsportret van polospelers, Abbottabad, Pakistan. De mannen zitten en staan deels onder een zeil.
Thérésa Valdon, singing the 'Song of the Dog'
Object type: print
Date: 1889 – 1890
Materials: paper
Techniques: lithograph
Location: france
Artist: georges-william thornley
Artist role: print maker
Artist nationality: french
Artist dates: 1857 – 1935
Fragment of Indian chintz
Object type: fragment
Date: 1701 – 1800
Materials: cotton
Subjects: flowers
Fotoreproductie van een schilderij van kinderen bij de marktkraam van een wafelbakker
Object type: reproduction
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: stall, booth (~ market), baker, waffles
Inscriptions: annotation: ‘1889./ In Waffelk[...] Gaüken’
Portret van Lewis Cohen Stuart
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: the hague
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: the hague, delft, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Portret van een onbekend kind
Object type: carte de visite
Date: 1880 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: arnhem
Artist: bernardus bruining
Artist role: fotograaf
Artist dates: 1834 – 1900
Subjects: anonymous historical person portrayed
Inscriptions: address: ‘Steenstraat/ Arnhem.’
Exterieur van een kerk met maaswerk in de vensters
Object type: sketchbook leaf
Date: 1849 – 1895
Materials: paper, pencil
Artist: willem koekkoek
Artist role: draughtsman
Artist dates: 1839 – 1895
Subjects: ornament ~ tracery, church (exterior)
Inscriptions: annotation: ‘de drie ramen gestreepte valgordijn/ regter bloemen/ glas/ in 't lood’

Pagina 14 recto uit een schetsboek met 26 bladen.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, back of head, back in three-quarter view, and bent right arm of male to left; part of an inscription, a sigma
Portret van Marcus Tucher
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving
Artist: johann friedrich leonard
Artist role: print maker
Artist dates: 1633 – 1680
Subjects: senator, marcus tucher
Inscriptions: collector's mark: Lugt 2228

Portret van Marcus Tucher, senator te Neurenberg.
Man veroorzaakt opstopping te Parijs
Object type: print
Date: 1864 – 1866
Materials: paper
Techniques: lithograph
Location: arnhem
Artist: alexander ver huell
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: traffic-block, traffic-jam, policeman, constable, paris
Inscriptions: : ‘Gedeponeerd.’, collector's mark: Lugt 2228

Een man met sabel verspert de weg voor paarden en wagens. Naast de man staat een politieagent die hem zal bedaren. Omstanders en rechts drie politieagenten kijken toe.
Oinochoe
Object type: oinochoe
Date: 500 – 500
Materials: terracotta
Culture: greek, attic
Artist: gela painter
Artist role: artist
Subjects: men,horses,chariots
Portret van Carl Friedrich Günther
Object type: print
Date: 1848 – 1890
Materials: paper
Techniques: tone lithography
Location: leipzig
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Onderschrift in facsimile. Tekst in het Duits in de ondermarge.
Bronze annular earring
Object type: earring
Date: 2000 – 1001
Materials: bronze
Culture: minoan
Adoration of the Magi
Object type: plaquette
Date: 1467 – 1533
Materials: bronze
Artist: valerio belli (il vicentino)
Artist role: artist
Artist dates: 1468 – 1546
Subjects: infants,men,women
Waaierblad van gemengde kant met vlindertjes
Object type: waaierblad
Date: 1910 – 1910
Materials: cotton
Techniques: lace
Location: netherlands
Artist: Anonymous

Waaierblad van naturelkleurige gemengde kant: kloskant (duchesse-kant) met inzetstukken van applicatiekant (kloskant geappliceerd op machinale tule). Halfcirkelvormig. Symmetrisch patroon van drie grote reserves in schulpvorm (tule), waarop gestrooide vlinders geappliceerd zijn. Een omlijsting (kloskant) met vlechtengrond vertoont symmetrische, elkaar meermalen snijdende stengels met trossen aalbessen en handvormige blaadjes.
Portret van Louise Albertine von Grapendorf
Object type: print
Date: 1753 – 1775
Materials: paper
Techniques: engraving, etching
Artist: georg friedrich schmidt
Artist role: draughtsman, print maker
Artist dates: 1712 – 1775
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 240
Landschappen met gebouwen
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: village, pond, pool, fisherman
Inscriptions: collector's mark: Lugt 240

Gezicht op een vijver, met twee vissers, waarachter een dorp ligt. In het midden van het dorp is een kerktoren te zien en links een brug.
Luster Bowl
Object type: bowl
Date: 1134 – 1166
Materials: stonepaste
Techniques: luster painting
Location: syria

This bowl, reconstructed from ancient fragments and some modern infills, is an example of the earliest stonepaste vessels produced in Syria in the second half of the 11th century. Coated with a turquoise glaze, it features a six-pointed star whose points alternate with vegetal designs in golden luster.
Fragment (From a Chasuble)
Object type: textile
Date: 1475 – 1500
Materials: gilt, metal, textile, silk, velvet
Techniques: bookbinding, brocade, cutting, interlacings, satin weave, weave, voiding
Location: italy
Portret van mevrouw Baud
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: historical persons - bb - woman (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Letter Z
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: fancy letters

Letter Z tegen een achtergrond met vlechtwerk en vogels.
Brug over de Timbang Gadja
Object type: photograph
Date: 1903 – 1913
Materials: photographic support
Techniques: photography
Location: north sumatra
Artist: Anonymous
Subjects: arnhem, albertus dominicus laman trip, building activities, traffic by road or path with motor-vehicle, landscapes in tropical and sub-tropical regions, road, path, bridge

Na de expedities naar de Gajo- en Alaslanden o.l.v. Van Daalen (eerste tocht in 1901), werd hij in 1903 belast met voorbereiding van permanente vestiging van Nederlands gezag. Aanleg van een weg van de Noordkust naar het binnenland was hierbij van groot belang. Deze zgn. Gajoweg werd aangelegd tussen 1903 en 1914, van Bireuen aan de kust naar Takinguen aan het bergmeer Danau Lauttawar, totale lente 104 km.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Rim fragment with complete handle patch and handle attachment
Male Figure Seated on a Column
Object type: drawing
Date: 1701 – 1800
Materials: chalk, paper
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: men
Card 298, Annie Pixley, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
La Vie de N.S. Jesus C.
Object type: print
Date: 1705 – 1732
Materials: paper
Techniques: etching
Location: paris
Subjects: christ's dispute with the doctors in the temple; he counts his arguments on his fingers
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met zestig prenten met als thema het leven van Christus.
Roman ruins (Smaller Italian sketchbook, leaf 12 recto)
Object type: drawing
Date: 1774 – 1775
Materials: graphite
Techniques: brush, wash
Artist: joseph wright (wright of derby)
Artist role: artist
Artist nationality: british
Artist dates: 1734 – 1797
Subjects: ruins
Plate 45: well cleaner
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
Nectarinia afra (Greater double-collared sunbird)
Object type: drawing
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: annotation: ‘a. en b. (bij vogels); Sucrie a poitrine rouge. Male b. la femelle’

Greater double-collared sunbird (Eng.). Ned. naam uit een boek over de fauna van Zuidelijk Afrika (EvK). Franse benaming geschreven door Levaillant.
Dorpsgezicht te Putten
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Location: putten
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: village, church (exterior)
Inscriptions: date and inscription: ‘Putten 1731.cp.’

Blad 67 verso en 68 recto uit een schetsboek met 78 bladen.
Edition Leroy
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: paris
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: collector's mark: ‘AFE v S’, postage stamp
Textile
Object type: textile
Date: 1800 – 1850
Materials: linen, silk
Paris en Helena
Object type: print
Date: 1628 – 1682
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: the meeting of aeneas and dido; when he approaches her throne, the cloud enveloping him and achates vanishes
Inscriptions: collector's mark: Lugt 2228

Lijkt deel uit te maken van een serie prenten met mythologische onderwerpen, naar prenten door Jean Lepautre en voorzien van Nederlandse titels. Mogelijk werd de serie uitgegeven door Cornelis (I) of Cornelis (II) Danckerts, zoals vermeld op RP-P-1964-4431 en RP-P-1964-4443.
Coach (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Illustration for a Book:  Coronation of an Emperor (?)
Object type: drawing
Date: 1696 – 1770
Materials: chalk
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: ceremony,crowd
Commodes
Object type: ornament print
Date: 1731 – 1775
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: ornamental cupboard, rocaille ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee commodes met drie lades, met rocaille ornamenten. Uitgeversnummer 178.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, left arm with hand holding thrysos and part of leg of draped maenad; wreathed satyr to left
Jug, barrel-shaped
Object type: jug, barrel shaped
Date: 600 – 480
Materials: terracotta
Culture: cypriot

Pinched lip, bands, and tree ornament.
Bandontwerp voor: E.T.A. Hoffmann, Notenkraker en muizenkoning, 1898
Object type: drawing
Date: 1898 – 1898
Materials: chalk, ink, paint, paper
Techniques: brush, pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: city-view in general; 'veduta', (playing with) dolls, forest path or lane
Inscriptions: number: ‘no 169’

Marie en de Notenkraker staan op een pad in een bosachtige omgeving. De Notenkraker houdt zijn rechterarm opgeheven en wijst naar een een stad die in de verte te zien is.