deem-data/ArtiFact huggingface dataset:
Eén jaar ben ik!
Object type: album leaf
Date: 1901 – 1939
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: franz ziegler
Artist role: fotograaf
Artist dates: 1893 – 1939
Subjects: beatrix (koningin der nederlanden), infant, baby
Inscriptions: date: ‘31 Jan. '39’, number: ‘1801’

Albumblad met een foto van prinses Beatrix, bij haar eerste verjaardag op 31 januari 1939. Beschreven op verso. Onderdeel van fotoalbum over het familieleven van de leden van het Koninklijk Huis tussen 1937-1945.
Flounce
Object type: flounce
Date: 1667 – 1700
Techniques: lace
Subjects: flowers
An Economical Mode of Putting Troops into White Trousers
Object type: drawing and watercolor
Date: 1840 – 1850
Materials: graphite, ink, paint, paper, watercolor
Techniques: pen
Location: england
Artist: john leech (or possibly after)
Watch and key
Object type: watch with key
Date: 1830 – 1830
Materials: gold, pearl
The Source of the Arvaron in the Valley of Chamouni, Savoy, part XII, plate 60 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: mountains,trees,snow

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings and here, unusually, entrusted the preliminary etching to Dawe before applying mezzotint himself to develop tone. Based on sketches made during Turner's 1802 Swiss tour, the image represents a glacier fronted by pines and bolders, with slopes behind plunging towards a sunlit valley and a chain of snow capped peaks. Turner likely intended the composition to pair with "Mill Near the Grand Chartreuse" (no. 54), and applied the letter "M" in the upper margin to indicate his category of Mountainous landscape.
Grant and family
Object type: photograph
Date: 1850 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, family of a ruler, and court, president ~ head of republic, historical persons
Inscriptions: inscription: ‘(...)’
Cylinder seal
Object type: cylinder seal
Date: 2350 – 2150
Materials: lapis lazuli
Culture: akkadian
Location: mesopotamia
Erotische scènes van Krishna en Radha
Object type: drawing
Date: 1700 – 1800
Materials: leaf
Techniques: brush
Location: odisha
Artist: Anonymous
Inscriptions: inscription

De versokant is ondersteboven beschilderd met erotische taferelen van Krishna en Radha in een paneel dat het grootste deel van het blad beslaat, links is nog een klein stukje oud-Indiaas schrift te zien; rechts een ruiter met een lotuspijl en boog op een olifant met gehoornde rug (penseel in zwarte omtreklijnen). Het stukje palmblad is in een blauw passepartout opgenomen zodat voor- en achterkant zichtbaar zijn.
Girls Getting on Board a Boat, from the illustrated book Flowers of the Four Seasons
Object type: woodblock print
Date: 1801 – 1801
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: girls,boats
Titelpagina voor 'Het Groot Fransch en Nederduitsch Woordenboek'
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: (story of) minerva (pallas, athena), (story of) mercury (hermes), attributes of aesculapius: cock, beasts of prey, predatory animals: lion, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor 'Het Groot Fransch en Nederduitsch Woordenboek', met de titel op een sokkel. Voor de piëdestal verschillende goden en personificaties, zoals Minerva, Mercurius, Vader Tijd, de Franse haan en de Nederlandse leeuw. Op de achtergrond een aantal zeilschepen.
Hôtel de la Croix Blanche
Object type: print
Date: 1888 – 1888
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Daniel Webster
Object type: painting, miniature
Date: 1844 – 1844
Materials: ivory, watercolor
Culture: american
Artist: george harrison hite
Artist role: artist
Artist nationality: american
Artist dates: 1807 – 1880
Subjects: men,portraits

William Russell Birch (q.v.) also portrayed Daniel Webster.
Collar
Object type: collar
Date: 1667 – 1700
Materials: linen
Culture: italian
Design for a Stage Set
Object type: drawing
Date: 1825 – 1890
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: trees,stage design
Portret van Walter Scott
Object type: print
Date: 1806 – 1831
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: walter scott, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Inuzaka Keno Tanetomo from Story of Eight Dogs (Hakkenden)
Object type: print
Date: 1830 – 1830
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Subjects: swords,men
The Dead Christ in the Tomb with Two Angels
Object type: painting
Date: 1610 – 1610
Materials: canvas, oil
Artist: abraham janssen van nuyssen
Artist role: artist
Artist nationality: flemish
Artist dates: 1575 – 1632
Subjects: angels,christ,death

Janssen joined the painters' guild in Antwerp in 1601, just after returning from a few years of study in Rome. From about 1606 until 1612 he worked in a strongly Caravaggesque manner; this canvas is a typical example of about 1610. The subject, sometimes described as an "angel pietà," can be traced to Byzantine prototypes but was popular with recent north Italian artists such as Tintoretto. The canvas was probably commissioned as an altarpiece, and its resemblance to polychromed sculpture (a quality Rubens criticized in contemporary Flemish painting) gives it an iconic power favored by the Counter Reformation Church in the Spanish Netherlands.
Vignet met wetenschappelijke instumenten en drie putti
Object type: print
Date: 1683 – 1733
Materials: paper
Techniques: woodcut
Location: netherlands
Subjects: aspects of science in general (+ tools, instruments; laboratory equipment ~ scientific research), vignette, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Koeien
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: cow

Blad 5 recto uit een schetsboek met 23 bladen.
Herder met schapen bij een ruïne tussen bomen
Object type: drawing
Date: 1665 – 1675
Materials: chalk, charcoal, paper
Techniques: brush
Artist: nicolaes pietersz berchem
Artist role: draughtsman, print maker
Artist dates: 1620 – 1683
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins

Herder met schapen bij de ruïne van Brederode (?) tussen bomen.
Blackware Cup with Abstract Faces Carved in Panels
Object type: vessel
Date: 1000 – 1476
Materials: ceramic, pigment
Location: peruvian north coast
Terracotta kothon (perfume vase)
Object type: kothon
Date: 550 – 501
Materials: terracotta
Culture: greek, corinthian

The kothon--also known as a plemochoe or exaleiptron-- was designed to prevent its contents from spilling. It was produced in Corinth through the sixth and fifth centuries B.C., and was widely exported. Find contexts on the site of Corinth indicate that the shape was not common in burials but rather in temple dedications.
Panel with Dragon
Object type: panel
Date: 1601 – 1700
Materials: feather, textile, metal thread, silk
Techniques: embroidery
Culture: chinese
Subjects: dragons

This fragment of a larger embroidered textile utilizes polychrome silks and two other types of thread. Gold metallic thread is especially prominent in the background, and thread made from peacock feathers wrapped around a silk core is seen in the scales of the dragon.
Icones et elogia virorum aliquot praestantium (...)
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: print maker, andreas kohl, historical persons, armorial bearing, heraldry

De prent is uitgegeven als onderdeel van een serie. Later is de prent ook als boekillustratie gebruikt in: Küster, Georg Gottfried. Martin Friedrich Seidels Bilder-Sammlung in welcher hundert, gröstentheils in der Mark Brandenburg (…). Berlijn: Buchladen bey der Real-Schule, 1751. Het is onduidelijk tot welke uitgave de huidige prent behoort.
Statuette of Herakles
Object type: statuette of herakles
Date: 300 – 200
Materials: bronze
Culture: etruscan or roman
Subjects: herakles

Most of the club and the left forearm with the lion's skin are missing.
Leeuwarden 1897
Object type: photograph
Date: 1897 – 1897
Materials: paper, cardboard
Techniques: gelatin silver print
Location: leeuwarden
Artist: Anonymous
Subjects: street

De Voorstreek gezien vanaf de hoek Minnemastraat, met op de achtergrond de Bonifatiuskerk. De foto is onderdeel van een albumblad met daarop foto's van Leeuwarden.
Drawing After an Architectural Fragment
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Gestileerde bloem in een vierkant
Object type: sketchbook leaf
Date: 1901 – 1901
Materials: chalk
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: flowers ~ ornament - aa - stylized

Blad 76 verso uit een schetsboek met 79 bladen.
Landschap met boeren bij het oogsten
Object type: print
Date: 1647 – 1674
Materials: paper
Techniques: etching
Location: unknown
Artist: jan van ossenbeeck
Artist role: print maker
Artist dates: 1623 – 1674
Subjects: harvest
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2610
Zes penningen
Object type: album leaf
Date: 1580 – 1580
Materials: paper
Techniques: etching, intaglio
Location: italy
Subjects: wagon racing with two-wheeled vehicle, e.g.: chariot, sulky, fight between man and animal, charioteer, 'auriga', coin, beasts of prey, predatory animals: lion, trunked animals: elephant
Inscriptions: number: ‘25’, inscription: ‘libri [...] fol. 32 - 33 [...]’

Twee rijen van drie penningen ter herinnering aan historische sportwedstrijden. In het midden en op de penningen tekst in het Latijn. Prent maakt deel uit van een album.
Huis ten Bosch
Object type: photomechanical print
Date: 1880 – 1925
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: palace, the hague
Sint-Bavokerk en de Vleeshal te Haarlem
Object type: print
Date: 1838 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

Gezicht te Haarlem met links een deel van de Sint-Bavokerk en rechts een deel van de Vleeshal. Voor het kerkportaal staat een groep mensen.
Ontvoering van Helena door Paris
Object type: print
Date: 1692 – 1739
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: the abduction of helen and some of her companions: paris carries them off by sea, and takes a part of the palace-treasure with him, piece of sculpture, reproduction of a piece of sculpture, (story of) helen
Inscriptions: collector's mark: Lugt 2228
Portret van Reinier Willem Petrus de Vries
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: auctioneer, reinier willem petrus de vries (1841-1919), historical persons
Inscriptions: collector's mark: Lugt 2228
Noh Costume (Chōken) with Water Plants and Mulberry Leaves
Object type: noh costume
Date: 1701 – 1800
Materials: textile, metal thread, silk
Techniques: brocade
Culture: japanese
Subjects: plants,leaves

A wide-sleeved outer robe worn primarily by Noh actors performing dances in female roles, the chōken is often made of silk gauze delicately patterned in metallic thread. Here, as in many chōken, there are two different patterns. Scattered mulberry leaves decorate the base of the robe and sleeves, while larger, crestlike compositions of water plants (omodaka, arrowhead, and suisen, a type of narcissus) decorate the chest and shoulders. The motifs are related to the Tanabata Festival, celebrated on the seventh day of the seventh month. According to legend, this is the only day of the year when the two “lover-stars” or deities Orihime and Hikoboshi—ordinarily separated by the Milky Way—can meet.
Corinthian base, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1537 – 1537
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: architecture

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 21 in the scrapbook.
Pitcher with Stepped-Interlocking Motifs and Vertical Hatching
Object type: vessel
Date: 950 – 1400
Materials: ceramic, pigment
Culture: ancestral pueblo, anasazi
Location: arizona
Algemeen Handelsblad
Object type: newspaper
Date: 1937 – 1937
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: utrecht, bernhard (prins der nederlanden), the hague, juliana of the netherlands, netherlands

Krant over het huwelijk van Juliana en Bernhard, nr. 35895 van de 110e jaargang van het "Algemeen Handelsblad", 2pp (van de oorspronkelijk 5 bladen).
Portret van een man met snor
Object type: album leaf
Date: 1877 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Amsterdam/ 1877./ M. Büttinghausen/ Photographisch artistisch Atelier/ Singel b/d Torensteeg/ G 133/ Amsterdam/ Specialiteit in vergrootingen./ De plaat blijft ter nabestelling bewaard.’
The Crucifixion
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,women,christ,crucifixion
Oracle bone
Object type: oracle bone
Date: 1600 – 1046
Materials: bone
Culture: chinese
Private, 1st Regiment, Iowa, National Guard, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,firearms,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Album lithographié par Paul Lauters d'après les dessins des principaux peintres du Royaume des Pays-Bas
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: ass, donkey, sheep
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Verboeckhoven, Eugène. Album lithographié par Paul Lauters d'après les dessins des principaux peintres du Royaume des Pays-Bas. Brussel: Antoine Dewasme-Pletinckx, 1829.
Poem Card (Tanzaku) Box with Flower Bouquet
Object type: box
Date: 1801 – 1900
Materials: gold, silver, wood
Techniques: hiramakie, lacquer, maki-e
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: flowers
Vouwwaaier met voorstelling van de ontmoeting tussen Ruth en Boas tijdens de korenoogst
Object type: vouwwaaier
Date: 1780 – 1795
Materials: bone, gold, paint, paper, paste, silver leaf, watercolor
Techniques: aquarelle, cutting
Location: netherlands
Artist: Anonymous
Subjects: johanna catharina adelaïde barones snouckaert van schauburg

Vouwwaaier met blad van papier waarop met aquarel en goudverf centraal een voorstelling van de ontmoeting tussen Ruth en Boas tijdens de korenoogst, geflankeerd door cartouches met vruchten, op een open montuur van gesneden been ingelegd met bladzilver en goud. In de centrale, goudomrande cartouche kijkt Ruth verbaasd naar Boas, de eigenaar van het korenveld, die haar 'betrapt' bij het oogsten. Op het tweede plan staat een andere vrouw en rechts achter stapelt een jongen korenschoven op een kar. Dit wordt geflankeerd door kleine ovale medaillons waarin een klassieke vaas en grotere ruiten gevuld met druiven, appels, peren, perzikken en meloen. Het geheel is voorzien van bloemenslingers. Op de achterkant van het blad in het midden een blad- en bloemmotief. Het montuur met veertien benen heeft een centrale cartouche met een pijlenkoker geflankeerd door medaillons met bloemen. Op de sluitbenen pijlenkokers, slingers en fantasiemotieven. Sluitpin van koper met stras.
Landschappen in Norfolk
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: etching
Location: norwich
Subjects: trees, pool, puddle
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent staat samen met RP-P-1973-196 op een onversneden blad.
Incense Box
Object type: incense box
Date: 1834 – 1866
Materials: lacquer
Culture: japanese
Subjects: flowers,leaves
Altar Frontal
Object type: religious ritual object
Date: 1450 – 1500
Materials: silk, velvet
Techniques: cutting, satin weave, voiding, weave
Location: italy
Ulan, from the Occupations for Women series (N166) for Old Judge and Dogs Head Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: women

The "Occupations for Women" series of trading cards (N166) was issued by Goodwin & Company in 1887 to promote Old Judge and Dogs Head Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series, as well as three duplicate cards.
Terracotta kylix (drinking cup)
Object type: kylix
Date: 515 – 515
Materials: terracotta
Culture: greek, attic
Artist: psiax
Artist role: artist
Subjects: shields,men,horses

Interior, archer leading horse Exterior, obverse, combat; reverse, warrior mounting chariot Psiax was a potter and painter who used all of the techniques that were current during the last decades of the sixth century B.C.—black-figure, red-figure, Six's technique, white ground. Like the Amasis Painter in many respects, he was a meticulous draftsman who particularly favored works on a small scale. This cup is one of this most characteristic and successful achievements.
Le François (The French)
Object type: print
Date: 1620 – 1640
Materials: paper
Techniques: engraving
Location: netherlands
Artist: cornelis van kittensteyn
Artist nationality: dutch
Artist dates: 1598 – 1652
Inscriptions: Lettered lower left: "DHals In."; lower center: "Le Francois"; and lower right: "Kittest. fec."
Goblet
Object type: goblet
Date: 1865 – 1865
Materials: silver
Culture: american
Location: united states
Artist: gorham manufacturing company
Artist role: maker
Artist nationality: american
Artist dates: 1831 – 9999

The mid-nineteenth century witnessed an efflorescence of creativity in the American silver industry, fueled by the burgeoning middle class’s increasing demand for refined luxury goods. Silversmiths devoted considerable time and creative energy to generating an endless variety of new designs and patterns. During the 1860s and 1870s silver flatware ornamented with portrait medallions inspired by antique coins and cameos enjoyed widespread popularity, with virtually every American silversmith producing their own proprietary "medallion" pattern. Gorham Manufacturing Company’s designer George Wilkinson patented a medallion flatware pattern in 1864, and the quantity and variety of surviving silver in this pattern attest to its success. Medallions from this flatware pattern ornament the goblet as well as a tea set (.1-.3) and toast rack (.4) in the American Wing’s collection. The goblet bears the marks of a Boston retailer, Bigelow Bros. & Kennard and is engraved, "Mary S. Lackland /from / Henry & Emilie Kayser / August 23rd 1865." Research has yet to be done to identify the recipient and the donors; however, they were likely Bostonians for whom silver ornamented with fashionable classical medallions offered evidence of their taste and sophistication.
Tintern Abbey, The North Door.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: tintern
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: parts of church exterior and annexes: portal, ruin of church, monastery, etc.
Inscriptions: number: ‘404’, inscription: ‘Sedgfield's English Scenery’
Reclamehonden van de poppendokter op straat in Amsterdam
Object type: album leaf
Date: 1930 – 1940
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: advertising, historical persons, street, dog

Reclamehonden van de poppendokter op de hoek Singel-Gasthuismolensteeg in Amsterdam. Rechts over de brug het Bungehuis. Deze foto maakt deel uit van een album.
Portret van een onbekend gezin
Object type: cabinet photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: louis robert werner
Artist role: fotograaf
Artist dates: 1834 – 1896
Subjects: family group, especially parents with their child(ren)
Inscriptions: inscription: ‘L.R. Werner (...) kunnen iederen tijd geleverd worden.’
Dish in the Shape of a Shell with Floral Decoration
Object type: dish
Date: 1601 – 1700
Materials: enamel, porcelain
Techniques: overglaze
Culture: japanese
Subjects: flowers,leaves
Tile
Object type: tile, palace of ramesses ii, hieroglyph
Date: 1279 – 1213
Materials: faience
Location: egypt
Adelina Patti, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from "World's Beauties," Series 1 (N26), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.