deem-data/ArtiFact huggingface dataset:
Portrait of Antoine Perrenot, Cardinal de Granvelle, Minister to Charles V and Philip II
Object type: painting
Date: 1565 – 1565
Materials: oil, panel
Location: southern netherlands
Artist: Anonymous
Subjects: philip ii of spain, antoine perrenot de granvelle, ghent, charles v (holy roman emperor and king of spain), netherlands
Inscriptions: date: ‘1565’

Kardinaal Antoon Perrenot de Granvelle, 1517-1586, raadsheer van landvoogdes Margaretha van Parma, 1559-1564. Vermoedelijk oude copie naar een verloren origineel door Willem Key. Gedateerd 1565. Granvelle werd in 1538 benoemd tot Bisschop van Atrecht; in 1550 nam hij de diplomatieke functies in dienst van het Habsburgse hof over van zijn vader. Hij was de voornaamste adviseur van de landvoogdes, sinds 1561 als kardinaal-aartsbisschop van Mechelen bovendien de invloedrijkste kerkelijke autoriteit.
Briefkaart aan Pieter Haverkorn van Rijsewijk
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: pieter haverkorn van rijsewijk
Inscriptions: collector's mark: Lugt 2166
Bronze aryballos
Object type: bottle
Date: 1 – 200
Materials: bronze
Culture: roman

Concentric circles on the bottom; high shouldered, with short, narrow neck.
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 57 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: ornament

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. From top to bottom, and left to right: Design is printed upon a grid and consists of a central section decorated with 4 squares that are each ornamented with a different floral motif. The middle section is framed on all sides by borders decorated with a floral pattern.
Portret van Robert E. Lee met reclame voor een warenhuis van B. Green in Chicago, Illinois
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: chicago
Artist: Anonymous
Subjects: advertising, historical persons
Inscriptions: inscription: ‘B. GREEN'S/ Modern Wonder/ DEPARTMENT/ DOLLAR SALE./ Please examine our goods which we sell you/ for One Dollar in Department 3/ 172 East Madison Street, CHICAGO, ILL.’
Beech Trees in Arundale Park, from The Park and the Forest
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: printmaking, lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel
Object type: painting
Materials: paint, wood
Artist: lorenzo di credi (lorenzo d'andrea d'oderigo)
Artist role: artist
Artist nationality: italian
Artist dates: 1456 – 1536
Subjects: angels,christ,madonna and child,saint john the baptist
't Drie-koningsfeest ziet men door kindren vrolyk vieren; / Ja, Flipje zag zyn hoofd met eenen kroon versieren [(...)]
Object type: print
Date: 1830 – 1892
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: children's games and plays, twelfth night, usually falling on the eve of january 6, royal household; courtiers, retinue, train
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van zes kinderen die het spel koning-trekken spelen op het Driekoningenfeest. Moeder kijkt vanaf een afstandje toe. Onder de afbeelding een zesregelig vers in twee kolommen. Genummerd rechtsboven: No 149.
Fotoreproductie van een prent van een woning tussen de bomen
Object type: album leaf
Date: 1860 – 1889
Materials: photographic support
Techniques: albumen print
Artist: nicolas maroldt
Artist role: fotograaf
Artist dates: 1843 – 1906
Subjects: trees, the graphic arts, housing
Portret van Giovanni Domenico Cassini
Object type: print
Date: 1667 – 1735
Materials: paper
Techniques: etching
Location: italy
Artist: francesco maria francia
Artist role: print maker
Artist dates: 1657 – 1735
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op het Piazza Castello te Turijn, Italië
Object type: photograph
Date: 1899 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: turin
Subjects: square, place, circus, etc., exterior ~ representation of a building
Inscriptions: address: ‘VIA GERRAIA CORSO SICCARDI/ TORINO’
Zwitserse boerderij aan een meer
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Subjects: farm or solitary house in landscape, switzerland
Inscriptions: collector's mark: Lugt 2228

Nummer 20 uit het prentenalbum 'Dessins des meilleurs Peintres d'Italie, d'Allemagne, et des Pays-Bas, Tirés de divers célebres Cabinets. Gravés d'apres les Originaux de même grandeur par Jean Théophile Prestel'. Neurenberg: J.G. Prestel, 1783.
Portret van Joseph Brown
Object type: photomechanical print
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: carbon print, woodburytype
Subjects: functionaries and dignitaries (with name) ~ protestant churches
Caspar Hedio
Object type: print
Date: 1543 – 1543
Materials: paper
Techniques: woodcut
Location: germany
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545

Here Hans Baldung Grien depicted the theologian Caspar Hedio, who may have been a longtime acquaintance of the artist, as an uncompromising individual with an intense gaze. The woodcut appeared as the author portrait in Hedio’s Selected Chronicle of the World, from Its Beginnings until the Year 1543. Hedio’s furrowed brow, darting eyes, and clenched fingertips reveal his aggressive character, an effect greatly enhanced by the change from the original soft silverpoint drawing to these harsh woodcut lines. A leader of the Protestant Reformation, Hedio had a reputation as a fiery preacher who advocated stridently for expanding the Reformation to unconverted territories.
Angry Swan
Object type: drawing
Date: 1701 – 1800
Materials: chalk, paper
Location: france
Artist: jean-baptiste oudry
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1755
Subjects: swans
Hollandsch-kiesrecht-agitatie
Object type: cartoon
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: amsterdam, frank van der goes, political caricatures and satires, netherlands
Inscriptions: collector's mark: Lugt 2228

Spotprent op de geringe belangstelling onder de werkende klasse voor de herziening van het kiesrecht in 1896. Schaftende arbeiders onder een aanplakbiljet voor een meeting over het kiesrecht met Frank van der Goes als spreker. Verschenen in het bijvoegsel van 'De Kroniek' van 29 maart 1896.
Buckle
Object type: buckle
Date: 206 – 220
Materials: bronze
Culture: chinese
Rehabilitatie van Dreyfus
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: line block
Location: england
Artist: edward linley sambourne
Artist role: draughtsman
Artist dates: 1844 – 1910
Subjects: paris, personifications of countries, nations, states, districts, etc., political caricatures and satires

De rehabilitatie van Dreyfus. De Franse maagd hoopt binnenkort Dreyfus zijn zwaard terug te kunnen geven. Spotprent uit het Engelse satirische tijdschrift Punch, ca. 1899.
Guardian Lion
Object type: figure
Date: 534 – 566
Materials: limestone
Culture: chinese
Subjects: lions

One of a pair, this fierce guardian lion bares his fangs, crouches, and grips the platform underneath him with splayed claws. Pairs of stone lions have been found protecting Han-dynasty tombs (206 B.C.–220 A.D.) and they became more prevalent following the inclusion of lion iconography in Buddhist cave temples in northern China during the fifth and sixth centuries. Excavations of Northern Qi tombs have unearthed pairs of protective lions defending the entrance to the innermost chamber containing the coffin. This guardian lion's fully modeled body and rippling muscles is illustrative of Northern Qi sculpture, which was more rounded and naturalistic than the elongated and linear forms of the preceding Northern Wei (386–534) and Eastern Wei (534–550) dynasties. The stylized whorl pattern along the lion's shoulders is common on carvings in relief as well as sculptures in the round from this period. While the Northern Qi dynasty was brief and was supplanted by the Northern Zhou in 577, its sculptural achievements provided direction and inspiration for stone sculpture in the succeeding centuries when China was unified first under the Sui dynasty (581–618) and then under the Tang dynasty (618–906).
St. Ludovicus
Object type: textile
Date: 1801 – 1900
Location: germany
The Best Singer
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Oldport days
Object type: book
Date: 1873 – 1873
Materials: cardboard, linen, paper
Techniques: photograph, printing
Location: boston
Artist: thomas wentworth higginson
Inscriptions: inscription: ‘To Franny, "Ge[...]r" September 1873’, inscription: ‘Belknap 101.’
Figure Studies: Warrior on Horseback, and Groups of Standing Female Figures
Object type: drawing
Date: 1565 – 1608
Materials: ink
Techniques: brush, pen, wash
Artist: francesco curia
Artist role: artist
Artist nationality: italian
Artist dates: 1565 – 1608
Subjects: soldiers,shields,women,horses

Francesco Curia can be rightly considered the most relevant artist active in Southern Italy during the Sixteenth century. The present sheet is one of eight pen sketches (Metropolitan Museum of Art, inv. nos.1970.101.4-11) figured in an album containing "97 pezzi di Francesco Curia" (97 pieces by Francesco Curia:) once in the collection of Nicodemus Tessin the Younger (1654-1728), and then inherited by his son Carl Gustav Tessin (1695-1770), the greatest Swedish collector of drawings of the Eighteenth century. It seems to have been broken up in the latter's lifetime. Eighty-two of these sheets are now in the Nationalmuseum in Stockholm; those in the Metropolitan Museum came to New York by way of a Swedish collector who acquired them from a collateral descendant of Tessin. In their studies, Per Bjurström and Walter Vitzthum have pointed out the importance of this group of drawings, which forms a touchstone for our knowledge of Francesco Curia as a draughtsman, the most relevant artist of Southern Italy in the Sixteenth century. One of the Stockholm sketches is on a letter addressed to Curia, and another is a study for a painting in the Cathedral of Naples (See here "References" and Per Bjurström, Italienska Barockteckningar, exhibition catalogue, Nationalmuseum, Stockholm, 1965, p. 21, no. 81).
Cover (Rumal)
Object type: cover
Date: 1701 – 1800
Materials: cotton, silk
Culture: indian, himachal pradesh, chamba
Subjects: animals,women,trees

Radha and Krishna are shown seated on a lotus in a wooded grove populated by male and female attendants, cows, and peacocks.
Colonnade Portico
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1700 – 1800
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Exterior, part of lower torso, and thighs of male, bending to left
Side Chair
Object type: side chair
Date: 1735 – 1760
Materials: linen, wood, wool
Techniques: painting
Culture: american
Location: united states
Subjects: birds,men
Pursuit
Object type: print
Techniques: etching
Artist: ernst oppler
Artist role: artist
Artist nationality: german
Artist dates: 1867 – 1929
Subjects: men,women
Sketches of Seated Warrior, Various Figures
Object type: drawing and watercolor
Date: 1585 – 1595
Materials: ink, paper
Techniques: pen, tinting
Location: italy
Artist: bernardo castello
Artist role: artist
Artist nationality: italian
Artist dates: 1557 – 1629
Skeleton Wagon #375
Object type: drawing
Date: 1865 – 1865
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bronze ring key
Object type: key
Date: 201 – 400
Materials: bronze
Culture: roman
Ruiterportret van keizer Vespasianus
Object type: print
Date: 1616 – 1620
Materials: paper
Techniques: engraving
Location: italy
Artist: laurens eillarts
Artist role: print maker
Subjects: aquae cutiliae, keizer, vespasianus (keizer van het romeinse rijk)
Inscriptions: collector's mark: Lugt 2228

Keizer Vespasianus te paard, en profil afgebeeld terwijl hij naar achter kijkt.
Architectuurstudies, figuren en ornamenten
Object type: sketchbook leaf
Date: 1908 – 1908
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: standing figure, ornaments ~ art, architecture

Blad 8 verso uit een schetsboek met 25 bladen.
De duivel zaait onkruid tussen het graan
Object type: drawing
Date: 1643 – 1643
Materials: paper, watercolor
Techniques: brush
Artist: Anonymous
Subjects: while the sower and his servants slept, his enemy (the devil) sowed tares among the wheat

Terwijl de boeren slapen, zaait de duivel onkruid tussen het graan
Lieutenant General Sir Richard England, K.C.B.
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards, crimea 1856
Mourning top hat
Object type: mourning hat
Date: 1890 – 1890
Materials: cotton, fur, silk
Culture: american
Artist: knox
Artist role: maker
Artist nationality: american
Spaarndammerdijk bij de Braakjes
Object type: drawing
Date: 1605 – 1615
Materials: ink, paper
Techniques: brush, pen
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: farm or solitary house in landscape

Een paar schamele houten boerderijen aan een waterplas.
Het leven van Christus
Object type: print
Date: 1570 – 1610
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: peter walking on the water towards christ on the shore

Petrus loopt op het water naar Christus. Onderdeel van een prentalbum met titelprent en 56 scènes uit het Nieuwe Testament. Elke voorstelling gemonteerd in een gravure met ornamentele cartouches waarin een venster is gesneden en voorzien van handgeschreven bijbelpassages.
Glass Fragment
Object type: fragment
Date: 1300 – 1300
Materials: glass
Culture: french or british
English Blossoms
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: girls,portraits
The Artist, Resting with his Guide
Object type: print
Date: 1819 – 1819
Techniques: etching
Artist: johann christoph erhard
Artist role: artist
Artist nationality: german
Artist dates: 1795 – 1822
Subjects: men,trees
Rock Tombs at Telmissus
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: tombs
Interieur met ziek meisje en moeder
Object type: drawing
Date: 1836 – 1896
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: interior of the house, mother and child(ren), woman and child(ren) (family group)

Interieur met ziek meisje en moeder. Verso: Deel van een schouw met vrouw en kind.
Portret van een man
Object type: painting, miniature
Date: 1795 – 1795
Materials: copper, glass
Artist: adrianus de visser
Artist role: draughtsman
Artist dates: 1762 – 1837
Subjects: anonymous historical person portrayed
Inscriptions: signature and date: ‘A. de Visser Fecit 1795’

Portret van een man. Buste naar links, aanziend. Onderdeel van de collectie portretminiaturen.
Simson en Delila
Object type: print
Date: 1643 – 1648
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hendrik snyers
Artist role: print maker
Artist dates: 1611 – 
Subjects: samson wakes up and finds his hair and strength gone; he is taken prisoner
Inscriptions: collector's mark: Lugt 240

Soldaten nemen Simson gevangen nadat hij bij Delila geslapen heeft en zijn haren door een Filistijn zijn afgeknipt.
Portret van Karel de Stoute, hertog van Bourgondië
Object type: print
Date: 1644 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: charles the bold (duke of burgundy), ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 1425

Portret van Karel de Stoute, hertog van Bourgondië. Het portret is gevat in een ornamentele omlijsting van guirlandes met vruchten. Midden onder een cartouche met zijn naam en titel in het Latijn.
Fish dish
Object type: dish, fish
Date: 1400 – 1295
Materials: faience
Location: egypt
Subjects: fish
Saucer with floral scrolls and flower sprays
Object type: platter
Date: 1775 – 1790
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: clignancourt
Inscriptions: mark: ‘LSX’

Schotel van porselein met een rechte wand, beschilderd op het glazuur in blauw, rood, roze, groen, geel, paars en goud. Op het plat bloemtakken. De wand met twee elkaar kruisende bloemranken met daarboven een decoratieve band. Gouden rand. Gemerkt op de onderzijde met het monogram 'LSX'.
Staand meisje, met de linkerarm leunend op een muur
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: girl (child between toddler and youth), leaning figure

Het meisje draagt een diadeem of krans in haar lange haar. Blad 12 verso uit een schetsboek met 16 bladen.
Naakt bovenlichaam van een vrouw
Object type: print
Date: 1500 – 1600
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous

Vlakdecoratie. Het bovenlichaam van de vrouw loopt uit in een voluut met bladranken en bloemen. Naast de vrouw knielt een kind.
Breda
Object type: print
Date: 1888 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: church (exterior)

De Grote of Onze-Lieve-Vrouwekerk in Breda, gezien vanaf de Grote Markt.
Christus in de storm op het Meer van Galilea
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: drypoint, etching
Location: amsterdam
Subjects: christ in a boat with the apostles, talking or sleeping
Inscriptions: collector's mark: Lugt 2228

Christus zit links op de boot en wordt gewekt uit zijn slaap door zijn discipelen. Met onderschrift in het Engels en Frans.
Gourd-shaped Tea Caddy
Object type: tea caddy
Date: 1701 – 1800
Materials: clay, glaze
Culture: japanese
Cover
Object type: textile
Date: 1701 – 1800
Materials: textile, linen, silk
Techniques: embroidery
Location: turkey
Design for Phaeton, no. 1025
Object type: drawing
Date: 1850 – 1874
Materials: gouache, gum arabic, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016