deem-data/ArtiFact huggingface dataset:
Kroonluchter met personificaties van Hoop en Geloof en pauselijk wapen
Object type: ornament print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: italy
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues, chandelier, candelabrum, candle
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een reeks van 100 ornamentprenten naar ontwerp van Giovanni Giardini.
Annotatie
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Inscriptions: annotation: ‘P.)’

Pagina 2 uit een schetsboek met 32 bladen.
Verschillende dieren
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: cow, animals
Inscriptions: collector's mark: Lugt 240

Een staande koe in een landschap. Op de achtergrond rechts een tweede koe, van achteren gezien.
Seal
Object type: seal
Date: 1300 – 1644
Materials: bronze
Culture: chinese
Potpourri bowl with cover (one of a pair)
Object type: potpourri bowl with cover
Materials: gilt bronze, hard paste porcelain
Subjects: flowers

Japanese porcelains with French mounts from the mid-eighteenth century are less common than mounted Chinese porcelains of the same period. Porcelains from Japan were sometimes chosen for mounting in silver in the first part of the century, but it seems that within several decades Chinese porcelains embellished with gilt bronze became the preferred choice of European collectors. Not only are surviving examples of mounted Chinese porcelains more numerous than their Japanese counterparts but the former appear with greater frequency in eighteenthcentury auction catalogues and inventories. These covered porcelain bowls were produced at Arita, in southwestern Japan, in the late seventeenth century. Their decoration displaying highly stylized vegetation and rock work is in the Kakiemon style, named after a family of potters working in Arita whose wares were commonly painted in a palette dominated by red, deep blue, turquoise, and yellow. The appearance of these bowls has been transformed by the addition of gilt bronze mounts in the full-blown Rococo style. The design of the mounts incorporates sinuous C-shaped scrolls, elongated acanthus leaves, and bulrushes, and the asymmetrical upward curve of the cover mount imparts the sense of movement that characterizes the best Rococo design. The cartouche-shaped openings in the gilt-bronze rim that separates the cover from the bowl suggest that these pieces were used as containers for petals, herbs, and spices to scent the air, but it is likely that they were intended primarily to be decorative. They would have been viewed as important works of art, and both their imposing size and the high cost of the Japanese porcelain and the mounts would have signaled the owner’s elevated financial status.
Bracelet
Object type: bracelet
Date: 1802 – 1700
Materials: faience
Location: egypt
Hoofd van een man met hoed en baard
Object type: print
Date: 1708 – 1779
Materials: paper
Techniques: etching
Location: france
Subjects: beard
Inscriptions: collector's mark: Lugt 240
Werkman in de katoenververij
Object type: drawing
Date: 1868 – 1892
Materials: ink, paper
Techniques: pen
Artist: anthon gerhard alexander van rappard
Artist role: draughtsman, print maker
Artist dates: 1858 – 1892
Subjects: dyeing of cloth
Gezicht op enkele panden achter de Sloterkade
Object type: drawing
Date: 1910 – 1927
Materials: chalk, paper
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: city-view in general; 'veduta', the usual house or row of houses, street
Inscriptions: signature: ‘VanTeyne’, inscription: ‘Bebouwd achter terrein (...) oct 1927. / vanEck’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 31.
Gezicht op een landweg en op de achtergrond een huis
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: halle an der saale
Subjects: rural housing, e.g. country-house, villa, cottage, road, path
Inscriptions: monogram: ‘Dr A Co’
Middenbeemster Ned. Herv. Kerk
Object type: photomechanical print
Date: 1969 – 1989
Materials: cardboard
Techniques: offset printed
Location: arnhem
Subjects: interior of church, pulpit, ambo, chancel
Portret van een staande vrouw naast een laurierplant
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: anonymous historical person portrayed alone - bb - woman, trees: laurel
Inscriptions: collector's mark: Lugt 2228

Mogelijk gaat het om Lady Sarah Garrard.
Portret van Jean Le Rond d'Alembert
Object type: print
Date: 1822 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Leering van Christus op den Berg
Object type: book illustration
Date: 1720 – 1720
Materials: paper
Techniques: etching
Subjects: 'command these stones to become loaves of bread' ~ temptation of christ in the wilderness
Inscriptions: collector's mark: Lugt 2228, number: ‘2’

Prent opgenomen in: Het Nieuw Testament onzes Heere Jesus Christus. Amsterdam: Wed. Albert Klumper en Jan Kalverum, 1720. In dit boek is de gehele serie met 24 scènes uit het Nieuwe Testament naar Jan Luyken opgenomen. De originele prent door J. Luyken verscheen mogelijk voor het eerst in: Het Nieuwe Testament ofte alle Boecken des Nieuwen Verbondts onses Heeren Iesu Christi. Amsterdam: Hieronymus Sweerts, Jan ten Hoorn, Jan Bouman en Daniel van den Dalen, 1681.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, top of head of a balding man with left hand touching the back of his head, and right hand placing a wreath on his head; top of staff; Exterior, toes of right foot and drapery of figure to right; frontal toes of a second figure
Sheet of studies with female figure kneeling and embracing standing figure
Object type: drawing
Date: 1775 – 1826
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: john flaxman
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1826
Subjects: women
Boerderijen te Rouveen bij Staphorst
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: farm (building)
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of shield and ax
Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Oktober 1807, No. 25: Chapeau paré de Plumes panachées...
Object type: magazine
Date: 1807 – 1807
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), clothing for the upper part of the body: blouse (+ women's clothes), head-gear (straw hat) (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)
Inscriptions: caption: ‘Chapeau paré de Plumes panachées, Canezou de Hussarde’

Volgens de begeleidende tekst (p. 328): Japon van witte mousseline. 'Canezou à la Hussarde'. 'Fichu de laine' (wol); witte strohoed met 'plumes panachées'. Sjaal genaamd: 'Zéphyre'. Pistache kleurige handschoenen. Lilakleurige satijnen schoenen. Prent uit het modetijdschrift Elegantia, of tijdschrift van mode, luxe en smaak voor dames 1807-1814 (onderbroken door de periode 1811-1813).
India, Jahangir, roepie, 1027 [=1618], geslagen te Ahmed-abad
Object type: coin
Date: 1618 – 1618
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: ram naar links, waarachter opkomende stralende zon. Onder ram eenregelig opschrift in Arabische lettertekens. Keerzijde: in Arabische lettertekens in vier regels opschrift. Op eerste regel jaartal: 1027, op onderste regel aanduiding muntplaats: Ahmed-abad.
Textile Fragment
Object type: textile fragment
Date: 301 – 500
Materials: linen
Techniques: weave
Location: egypt
1/4 altin of 1/4 zeri mahbub uit Turkije van sultan Selim III, regeringsjaar 15 [=1803]
Object type: coin
Date: 1803 – 1803
Materials: gold
Techniques: striking
Location: istanbul

Gouden munt. Voorzijde: tughra, met rechts daarvan takje. Onder de tughra opschrift in Arabische letters. Keerzijde: vierregelig opschrift in Arabische letters met muntplaats-aanduiding: Islambul. Boven in opschrift regeringsjaar: 15. Onderaan jaar van aantreden:1203 [=1789].
Henk Swellengrebel als jongetje
Object type: photograph
Date: 1945 – 1945
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: delft
Artist: oosten
Artist role: fotograaf, fotohandel
Subjects: delft, historical persons, child (at home)
Inscriptions: inscription: ‘1945 HAM Swellengrebel Delft’

Henk Swellengrebel als jongetje zittend achter een prentenboek. Foto uitgevoerd als prentbriefkaart.
Kabuki Actor
Object type: woodblock print
Date: 1708 – 1708
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonobu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1664 – 1729
Subjects: women,actors

Kiyonobu, founder of the Torii line of artists, specialized in the painting of posters and signboards for the popular Kabuki theater. As required by the poster format, the bold, fluid lines, full, rounded forms, and flattened patterning were to be read at a distance. Kiyonobu's early experimentation with hand coloring was undertaken to enliven the stark black and white designs and to further the print's decorative appeal. Kiyonobu's masterful depiction of a dancer recalls Moronobu's expressive portrayal of lovers in this exhibition. Both convey a freedom of spirit and emotion through the use of vibrant, expressive line. In a manner unique to the early ukiyo-e style, Kiyonobu animates the dancer's robe with fluid lines, swirling patterns, and floral motifs to suggest her exuberant movement and essential vitality.
Mascarons en helmen
Object type: ornament print
Date: 1759 – 1759
Materials: paper
Techniques: etching
Location: berlin
Subjects: mask, mascaron ~ ornament, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent is gemaakt naar de sculpturen van Andreas Schlüter in het Zeughaus (tegenwoordig het Deutsches Historisches Museum) te Berlijn.
Mogelijk prent uit: Rode, Bernhard. Larven nach den Modelen des berühmten Schlüters gezeichnet und in Kupfer geätzt von B. Rode. Berlijn: Rode, Heinrich, 1759.
The Cook and His Wife
Object type: print
Date: 1496 – 1496
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: birds,men,women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, torso, in three-quarter view, genitals, and legs, of a male holding a wineskin in his right hand, and drapery over his left arm
Vase
Object type: vase
Materials: glaze, stoneware
Culture: chinese
Portret van koningin Victoria
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: etching, hand coloring
Location: united kingdom
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), historical persons - bb - woman, crown princess - bb - female ruler
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Satan Going Forth fron the Presence of the Lord
Object type: print
Date: 1825 – 1826
Techniques: engraving
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: animals,men,angels
Medaillonportret in een krans van loofwerk, ovaal
Object type: sculpture
Date: 1800 – 1950
Materials: clay
Artist: eugène lacomblé
Artist role: draughtsman, painter, sculptor
Artist dates: 1828 – 1905
Blad met één portret van Katharina Fröhlich, twee van Franz Grillparzer en een afbeelding van zijn grafmonument
Object type: print
Date: 1850 – 1900
Materials: paper
Techniques: letterpress printing, snipping, engraving
Artist: Anonymous
Subjects: vienna, historical persons - bb - woman, philantropist, historical persons, portrait of a writer
Inscriptions: number: ‘11.’, signature: ‘AG pin’
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, five miscellaneous fragments from DvB 11.9
Design for the decoration of a gothic niche
Object type: drawing
Date: 1851 – 1900
Materials: cardboard, graphite, paper, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Tsujigahana Textile with Horizontal Stripes, Flowering Plants, Fans, Snowflakes, Clouds, and Bellflowers
Object type: piece
Date: 1567 – 1600
Materials: ink, silk
Techniques: painting, weave, resist
Culture: japanese
Subjects: fans,flowers

Probably once part of the back of a kosode (predecessor of the modern kimono), this tsujigahana textile panel has four ornamented horizontal bands that alternate in brown and white. The term tsujigahana, translated literally as “flowers (hana) at the crossroads (tsuji),” evokes images of delicate blossoms amid pathways. While these motifs survive in textile fragments, the precise meaning of tsujigahana remains unclear. Late Muromachi (1392–1573)- and Momoyama-period written sources used the word in descriptions of garments, but twentieth-century scholars redefined it as a textile technique: stitch-resist dyeing and ink painting on a lightweight, plain-weave ground, often further embellished with gold-leaf imprinting and embroidery.
Interieur van de San Marco te Venetië met zicht op het koor
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: photoaquatint
Location: st. mark's basilica
Artist: Anonymous
Subjects: interior of church, parts of church interior: choir
Inscriptions: title: ‘Interior of the Basilica of St. Mark's’
Portret van Jacobus II, koning van Engeland en Schotland
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Location: london
Subjects: jacobus ii (koning van engeland en schotland), historical persons, king
Inscriptions: collector's mark: Lugt 240
Portret van Karel Lodewijk Johan, aartshertog van Oostenrijk
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: vienna, historical persons
Inscriptions: collector's mark: Lugt 2228

Vermoedelijk afkomstig uit: Almanach de Gotha, 1840.
Portret van een zittende vrouw met boek
Object type: photograph
Date: 1859 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: eduard fuchs
Artist role: painter
Artist dates: 1832 – 
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Photographie/ E. Fuchs/ Leeuwarden’, number: ‘35’
Hexagonal dish
Object type: dish
Date: 1696 – 1696
Materials: silver
Techniques: gilding
Subjects: flowers,insignia
Hollands Arcadia, of de vermaarde rivier den Amstel
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', river, angling, hotel, hostelry, inn

Prent waarschijnlijk uit: Tijsens, Gijsbert. Hollands Arcadia, of de vermaarde rivier den Amstel (...) naar 't léven getekend en in 't ligt gebragt door Abraham Rademaker (...). Amsterdam: Leonardus Schenk, 1730.
Madonna and Child Enthroned with Saint John the Baptist and Another Saint
Object type: painting
Date: 1425 – 1449
Materials: gold, paint, wood
Artist: italian (florentine) painter
Artist role: artist
Artist nationality: italian
Subjects: madonna and child,saint john the baptist,saints

Despite its generally poor condition, this is a work of considerable interest. The poses of the Virgin and Child are especially inventive. The picture was at one time attributed to Pesellino, but it has also been thought a Sienese work close to Domenico di Bartolo. It is probably Florentine and dates around 1440. The frame, though original, has been regilt.
Petit Courrier des Dames, 1829, No. 657 : Coiffure Exécute par Mr.Croisat (...)
Object type: fashion print
Date: 1829 – 1829
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), embroidery (ornamentation) (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, dress, gown (+ women's clothes), fan (+ women's clothes)
Inscriptions: caption: ‘Coiffure Exécute par Mr.Croisat, Robe de mousseline garnie de plis brodés et bordés d'Effile par M.me Michel, Canezou de tulle Des magasins de M.me Payan, rue Montmartre No. 167.’, title: ‘Petit Courrier des Dames.’, address: ‘Boulevard des Italiens No.2 près le passage de l'Opèra.’, title: ‘Modes de Paris.’

'Coiffure' uitgevoerd door Mr Croisat. Japon van mousseline versierd met borduurwerk en franjes, door Michel. 'Canezou' van tule uit de winkels van Mme Payan. Verdere accessoires: oorbellen, handschoenen, waaier, platte schoenen met gekruiste banden. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
6 of Horns, from The Cloisters Playing Cards
Object type: playing card
Date: 1475 – 1480
Materials: glaze, gold, ink, paint, paper, silver
Techniques: pen
Culture: south netherlandish
Subjects: playing cards,horns,games

The Cloisters set of fifty-two cards constitutes the only known complete deck of illuminated ordinary playing cards (as opposed to tarot cards) from the fifteenth century. There are four suits, each consisting of a king, queen, knave, and ten pip cards. The suit symbols, based on equipment associated with the hunt, are hunting horns, dog collars, hound tethers, and game nooses. The value of the pip cards is indicated by appropriate repetitions of the suit symbol. The figures, which appear to be based on Franco-Flemish models, were drawn in a bold, free, and engaging, if somewhat unrefined, hand. Their exaggerated and sometimes anachronistic costumes suggest a lampoon of extravagant Burgundian court fashions. Although some period card games are named, it is not known how they were played. Almost all card games did, however, involve some form of gambling. The condition of the set indicates that the cards were hardly used, if at all. It is possible that they were conceived as a collector’s curiosity rather than a deck for play.
Plate Depicting a Female Figure Riding a Fantastic Winged Beast
Object type: plate
Date: 701 – 800
Materials: silver
Techniques: chasing, engraving, gilding
Location: iran
Subjects: women,mythical creatures

Like Sasanian examples, this plate depicts a female figure riding a fantastic winged beast with a feline head, feathered body, and canine legs. Her figure is unnaturalistically twisted, a quality seen on late seventh‑ and early eighth‑century Central Asian wall paintings from Panjikent. The lower part of the plate contains a symbolic representation of earth, water, and sky.
Button
Object type: button
Date: 1770 – 1770
Materials: glass, ivory, mica
Culture: french
Subjects: children
Portret Johann Friedrich Mayer
Object type: print
Date: 1673 – 1720
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: theologian, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Bowl
Object type: bowl
Date: 1850 – 1850
Materials: enamel, glaze, porcelain
Culture: japanese
Subjects: men,dragons
Terracotta fragment of a mastoid (drinking cup with narrow base) or a kyathos (cup-shaped ladle)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Outer part of an eye, and a bit of the white of the oculis; at the right, tendril from a vertical ivy leaf?; below, a thin band of black glaze and a thin band of reserve; below, black glaze
Grand canapé pacha
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Portret van de theoloog Michael Arnoldi
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: haarlem
Inscriptions: collector's mark: Lugt 2228
Aanligbed en bekroning
Object type: ornament print
Date: 1784 – 1796
Materials: paper
Techniques: etching
Location: paris
Subjects: bed with tester, bed
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een geornamenteerde aanligbed met twee rolkussens, bladmotieven en vazen. Daarboven een bekroning van een bedhemel.
Baluster covered jar with lotus plants and cranes
Object type: pot
Date: 1700 – 1724
Materials: cobalt, copper, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

Balustervormige dekselpot van porselein met een spreidende voet en een brede hals. Beschilderd in onderglazuur blauw en rood en een wit slib. Op de wand een doorlopende voorstelling van een vijver met lotusplanten en staande en vliegende kraanvogels. Rond de voet en op de schouder een decoratieve band. De hals met bloemtakken. Gemerkt op de onderzijde met een artemisiablad in een dubbele cirkel. Een barst in de hals van de pot. Onderglazuur blauw met koperrood.
Trekking van de loterij te Amsterdam, 1696
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: raffle, lottery, amsterdam

Trekking van de loterij te Amsterdam, mei 1696. Op een open gallerij staan twee grote vaten. Rechts de Nieten en Watten, links de Nommers. Een jongetje trekt uit elk een lot en geeft deze naar achteren door. Hier worden de winnaars opgeschreven en uitgeroepen. Onder de voorstelling een vers in twee kolommen van elk drie regels op de wereld als lotterij. Afgesneden exemplaar zonder namen.
Gezicht op een bergdorp, vermoedelijk op Corsica
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: corsica
Artist: Anonymous
Subjects: prospect of village, silhouette of village

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Iohan van Oldenbarneveld binnen s'Gravenhage onthalst den 13 may 1619
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: johan van oldenbarnevelt, maurice (prince of orange), on the scaffold or place of execution, violent death by beheading
Inscriptions: collector's mark: Lugt 2228

Andere staat van prent ook gebruikt in: Bosch, Lambert van den. Treur-toonneel der doorluchtige mannen, of op- en ondergang der grooten, vertoont in de rampzalige geschiedenissen van (…). 3 delen. Amsterdam: Jan Claesz ten Hoorn, 1698, dl. 2, afd. 4, p. 61.