deem-data/ArtiFact huggingface dataset:
De slimme prinses
Object type: print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: prince, princess, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760, : ‘marque de fabrique / deposée’

Blad met 12 voorstellingen uit het sprookje van de slimme prinses. Onder elke afbeelding een onderschrift. Genummerd linksboven: Série 16. - No. 10.
Fotoalbum van een stierengevecht in Barcelona
Object type: photograph album
Date: 1955 – 1955
Materials: paper, ink
Techniques: gelatin silver print, writing
Location: france
Artist: Anonymous
Subjects: bullfight, bull-fighter, toreador

Fotoalbum met twaalf foto's, verdeeld over vier pagina's. De foto's zijn waarschijnlijk door één anonieme Franse amateurfotograaf gemaakt, tijdens een stierengevecht in Barcelona.
Which of Them is the More Overcome?, plate 27 from Los Caprichos
Object type: print
Date: 1797 – 1799
Materials: paper
Techniques: aquatint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Boten langs een kade tijdens de overstroming van Parijs
Object type: photograph
Date: 1901 – 1910
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: paris
Artist: g. dangereux
Artist role: fotograaf
Subjects: flood (+ landscape with figures, staffage), rowing-boat, canoe, etc., paris

Onderdeel van fotoalbum overstroming Parijs en voorsteden 1910.
Sculptuur van een naakte jongen
Object type: sketchbook leaf
Date: 1696 – 1696
Materials: chalk, paper
Artist: hendrick van beaumont
Artist role: draughtsman
Subjects: sculpture

Mogelijk getekend naar een prent. Blad 23 recto uit een schetsboek met 91 bladen.
Ceremonial Coat
Object type: coat, ceremonial
Date: 1767 – 1833
Materials: metal thread, silk
Culture: chinese
Dish
Object type: dish
Date: 1736 – 1795
Materials: enamel
Techniques: painting
Culture: chinese
Subjects: insects,flowers
Silhouetportret van Hermanus I Koekkoek
Object type: drawing
Date: 1819 – 1845
Materials: ink, paint, paper
Techniques: brush, snipping
Artist: elisabeth alida haanen
Artist role: draughtsman, print maker
Artist dates: 1809 – 1845
Subjects: haarlem, painter, hermanus koekkoek (i), historical persons, portrait, self-portrait of painter
Inscriptions: number: ‘14032’, collector's mark: ‘Ex-libris van Beresteyn’, number: ‘56’, inscription: ‘Schilder’, inscription: ‘C. 5154’, inscription: ‘H. Koekkoek’

Met onder het portret de handtekening van de geportretteerde.
Dress
Object type: dress
Date: 1867 – 1933
Materials: cotton, silk
Cover (possibly Turban Cover)
Object type: textile
Date: 1701 – 1800
Materials: cotton, linen, silk
Techniques: embroidery, weave, stitching
Location: turkey
Hairpin
Object type: hair pin
Date: 2030 – 1640
Materials: wood
Location: egypt
Sneeuwlandschap met plas en een dorp op de achtergrond
Object type: print
Date: 1854 – 1883
Materials: paper
Techniques: etching
Artist: aristide de biseau
Artist role: print maker
Artist dates: 1844 – 1883
Subjects: village, winter landscape; landscape symbolizing winter (the four seasons of the year), pond
Inscriptions: inscription: ‘1e Etat 1e epreuve nr 3’, collector's mark: Lugt 2228
Brief aan de heer Meijboom
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: hendrik stokvisch
Artist role: draughtsman, painter
Artist dates: 1768 – 1820
Subjects: painting (including book-illumination, miniature-painting), exhibition ~ art, diseases, the hague
Inscriptions: watermark
Jozef en de vrouw van Potifar
Object type: print
Date: 1515 – 1525
Materials: paper
Techniques: engraving
Location: italy
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: potiphar's wife catches joseph by his robe, usually while lying in bed; joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)
Inscriptions: collector's mark: Lugt 240

Prent naar ontwerp van Raphael voor fresco in Vaticaan te Rome.
Johan de Witt pleit voor zijn broer, 1672
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching, letterpress printing
Location: southern netherlands
Artist: Anonymous
Subjects: dordrecht, the hague, cornelis de witt, johan de witt

Johan de Witt pleit voor de vrijlating van zijn broer, 1672. Scène uit het leven van Johan en Cornelis de Witt; onderdeel van een groep illustraties, genummerd: IV. Vertooningh en vergezeld van een vers van 8 regels. Bedrukt op achterzijde met tekst in het Nederlands.
Book flask
Object type: flask
Date: 1849 – 1858
Materials: earthenware
Culture: american
Location: united states
Artist: united states pottery company
Artist role: maker
Artist nationality: american
Artist dates: 1852 – 1852
Subjects: books
Kris
Object type: kris
Date: 1701 – 1900
Materials: cord, ivory, silver, steel
Culture: philippine
Location: philippines
Pedestal with hooves (one of a pair)
Object type: pedestal
Materials: gilt, marble, metal

A variegated marble pedestal of square-based and tapered form, featuring gilt metal hooves, paired with 2019.283.34.
Bertold, Count and Duke of Hennenberg
Object type: medallion
Date: 1500 – 1550
Materials: stone
Subjects: men,profiles
Fountain with Obelisk
Object type: drawing
Date: 1701 – 1900
Materials: graphite, ink
Techniques: pen, drawing
Artist: anonymous, italian, 18th to 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1900
Subjects: fountains,obelisks
The Rustic Orpheus
Object type: print
Techniques: etching
Artist: françois godefroy
Artist role: artist
Artist nationality: french
Artist dates: 1743 – 1819
Subjects: women,orpheus,dogs,donkeys,sheep
Le Magnifique Carousel fait sur le fleuve de l'Arne à Florence pour le Mariage du grand Duc
Object type: print
Date: 1624 – 1631
Materials: paper
Techniques: etching
Location: paris
Subjects: ships (in general), (story of) cupid, amor (eros), the story of the argonauts: the quest for the golden fleece, (story of) meleager
Inscriptions: number: ‘26’, collector's mark: Lugt 2228

Een schip met zwijnskop als boegbeeld, op het achtersteven zitten Meleager, Tydeus en Amor.
Ehon butai ogi
Object type: book
Date: 1770 – 1770
Materials: paper
Techniques: woodcut
Location: edo
Subjects: portrait of actor, actress
Inscriptions: date
Portret van een staande predikant op de preekstoel, voor een geopende Bijbel
Object type: drawing
Date: 1826 – 1881
Materials: paper, pencil
Artist: giovanni caramelli
Artist role: draughtsman, print maker
Artist dates: 1816 – 1881
Subjects: anonymous historical person portrayed alone, preaching (in general)
Botervloot, beschilderd met bloemtakjes
Object type: butter dish
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Butter dish and cover. Porcelain. Loosdrecht, c. 1778 - 1782. Factory of Joannes de Mol.
Cukrovar ve Zvolenovsi r. 1891
Object type: photomechanical print
Date: 1891 – 1891
Materials: paper
Techniques: autotype
Location: prague
Subjects: factory-building, sugar
Plant
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: plants (in general)
Portret van een onbekende man
Object type: print
Date: 1809 – 1837
Materials: paper
Techniques: lithograph
Location: haarlem
Artist: pieter bartholomeusz. barbiers
Artist role: draughtsman, print maker
Artist dates: 1772 – 1837
Subjects: head (human) (+ positions (of the human figure)), looking downwards (+ three-quarter view), head-gear: cap, beard
Inscriptions: collector's mark: Lugt 2228

De man draagt een muts met een opkrullende rand aan de voorkant. Hij heeft een lange baard en zijn blik naar beneden gericht.
Polyphemus gooit een steen naar de vluchtende Acis en Galathea
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: etching
Location: france
Subjects: acis and galatea flee from polyphemus, who seizes a rock to crush acis
Inscriptions: collector's mark: Lugt 240
Decanter
Object type: decanter
Date: 1825 – 1892
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Leverbloempje en een cultivar
Object type: page
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: flowers

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Abklatsch van de krijttekening op pagina 110
Object type: sketchbook leaf
Date: 1888 – 1907
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 111 uit een schetsboek met 72 bladen.
Edinburgh. Greyfriars' Churchyard
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: architecture,women
Heilige Vincentius Ferrer (Ferrier) met vleugels en schedel
Object type: print
Date: 1740 – 1744
Materials: paper
Techniques: etching
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Subjects: the dominican friar vincent ferrer of valencia (or vannes); possible attributes: book, baptismal font, cardinal's hat at feet, flames, flaming sword, ihs monogram, lily, sun, trumpet of the last judgement
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Linksboven is nog net een staart van het cijfer 9 zichtbaar wat duidt op de tweede staat van deze prent.
Gezicht op het Polderhuis
Object type: photograph
Date: 1875 – 1925
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, inn, coffee-house, public house, etc., rolling bridge (dutch: 'overtoom')
Inscriptions: collector's mark: ‘6’ Lugt 1641b, inscription: ‘Polderhuis gezien van de Ruysdaelkade met de sluis in / de Boerenwetering’

Onderwerpsrubriek binnen de Atlas Amsterdam: Buitensingel of wel: Gezichten langs en op de Stadsvest van Raampoort tot Zeeburgerdijk.
Tracery and Church Ornament
Object type: drawing
Date: 1851 – 1900
Materials: graphite, watercolor
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: ornament
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 334 – 268
Materials: glass
Culture: eastern mediterranean or italian

Translucent very dark green (?), appearing opaque black, with handles in same color; trails in opaque yellow, opaque white, and opaque turquoise blue. Broad horizontal rim-disk, with thick rounded edge; tall cylindrical neck, tapering downwards; rounded uneven shoulder; straight-sided cylindrical body, with slight upward taper; uneven convex bottom with tooling marks and smoothed in applied blob of same color glass; below shoulder, two vertical ring handles, one slightly higher than the other, applied over trail pattern. A fine yellow trail attached at edge of rim-disk; on body, bands of fine trails in yellow, white and turquoise blue, tooled from shoulder to lower body into an irregular zigzag pattern with alternating upward and downward strokes forming vertical ribs, with yellow, thicker trail continuing in a spiral around bottom. Complete but broken and repaired around center of body; many pinprick bubbles; some dulling, pitting, and iridescent weathering. In the late fourth century B.C., perfume containers often are far larger than their predecessors and have strikingly elegant decoration in the form of delicate colored threads combed into a zigzag, feather, or festoon pattern.
Fan
Object type: costume and accessory
Date: 1875 – 1880
Materials: feather, ribbon, shell
Location: france
Yosuko no maki
Object type: book
Date: 1916 – 1916
Materials: paper
Techniques: woodcut, letterpress printing, planographic printing
Location: tokyo
Inscriptions: date
Ontwerpen voor deuren en zijwanden
Object type: sketchbook leaf
Date: 1905 – 1910
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: architecture
Inscriptions: annotation: ‘[...]’

Blad 8 verso uit een schetsboek met 27 bladen.
Cross-Section of Basilica
Object type: drawing and watercolor
Materials: graphite, paper
Location: europe
Artist: Anonymous
Design for Omnibus or Wagonette, no. 4123
Object type: drawing
Date: 1891 – 1891
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
(Rostock) Warnemünde
Object type: album leaf
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: warnemünde
Artist: willem frederik piek jr.
Artist role: fotograaf
Artist dates: 1874 – 1954
Subjects: harbour
Portret van een lezende jonge vrouw, staand op een veranda
Object type: photograph
Date: 1889 – 1889
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Inscriptions: date: ‘1889’, annotation: ‘St Srig [onzeker] 1889’

Portret van een staande jonge vrouw, lezend op veranda met uitzicht op een tuin.
Saucer-dish with flowering plants, a rock and stylized flower sprays
Object type: platter
Date: 1740 – 1760
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein, met ronde, gelobde wand, beschilderd in onderglazuur blauw. Op het plat een medaillon met bloeiende planten (pijnboom, lotus) achter een hek bij een rots; om het medaillon bloembladvormige vakken gemodelleerd in de wand gevuld met een gestileerde bloemtak. De rand is verdeeld in vakken met een bloemrank. Op de achterzijde twee takken. Een barst in de wand. Blauw-wit.
Hercules en een muze
Object type: print
Date: 1506 – 1538
Materials: paper
Techniques: engraving
Location: italy
Artist: albrecht altdorfer
Artist role: draughtsman, print maker
Artist dates: 1480 – 1538
Subjects: (story of) hercules (heracles), (story of the) muses; 'muse' (ripa)
Inscriptions: number: ‘51’

Hercules staand naakt, naast een muze, met een lauwerkrans om zijn hoofd. Het leeuwenvel over zijn arm, in zijn andere hand een hoorn. De muze met een lier op haar arm.
The Bus from Hell to Earth, Peace Day, 1919
Object type: drawing
Date: 1919 – 1919
Materials: graphite, ink, watercolor
Techniques: brush, pen, wash
Artist: georges tiret-bognet
Artist role: artist
Artist nationality: french
Artist dates: 1855 – 1855
Subjects: swords,men,sun
Michelangelo
Object type: portrait medallion
Date: 1801 – 1900
Materials: bronze
Artist: friedrich beer
Artist role: artist
Artist dates: 1846 – 1912
Subjects: men,profiles
Design for a Gothic Style Corner Book Cabinet: Elevation and Plan
Object type: drawing
Date: 1801 – 1833
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: books,cabinets
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1739 – 1776
Materials: brass, copper, gold, iron, silver
Culture: japanese
Location: japan
Subjects: insects
Foliated dish with lotus design
Object type: dish
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Patch Box with Cupid, “Let groveling minds / For gold contend / For virtuous love / I am a Friend.”
Object type: patch box
Date: 1770 – 1770
Materials: copper, enamel, glass
Pair of Wheellock Pistols Made for the Bodyguard of the Prince-Elector of Saxony
Object type: pair of wheellock pistol
Date: 1610 – 1610
Materials: brass, gold, steel, wood
Culture: german
Location: germany
Artist: simon helbig
Artist role: gunsmith
Artist nationality: german
Artist dates: 1609 – 1642

These slender, elegant pistols are sparingly inlaid with engraved staghorn and feature push-button pan covers. The finely carved pear-shaped, hexagonal pommels, engraved gilt brass accents, and crisply embellished three-stage barrels mark their quality. In superb condition, they were made for the Bodyguard of the Prince-Elector of Saxony and bear the arms of Saxony on the stocks.
Head of a Buddha
Object type: head
Date: 801 – 900
Materials: stone
Culture: indonesian, javanese
Subjects: heads,buddhism,buddha
Doorsnede van een schip
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: ships (in general)
The Actors Otani Hiroji III as Onio Shinzaemon (right), and Nakamura Sukegoro II as Wappa no Kikuo (left) in the Play Iro Moyo Aoyagi Soga, Performed at the Nakamura Theater in the First Month, 1775
Object type: print
Date: 1775 – 1775
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Erasmus Oswaldus Schreccefuchsi' mathematic'
Object type: book illustration
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Location: france
Subjects: insects: grass-hopper - ff - fabulous animals (sometimes wrongly called 'grotesques'; 'mostri' (ripa), historical persons, book
Inscriptions: collector's mark: Lugt 2228
Poem by Sarumaru Dayū, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Object type: woodblock print
Date: 1839 – 1839
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,poetry,houses,mountains,trees
New York Herald Headquarters
Object type: photograph
Date: 1863 – 1863
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: tents,american civil war,men
Portrait of Minamoto no Muneyuki, from the “Fujifusa Version of the Handscroll of Thirty-Six Poetic Immortals”
Object type: hanging scroll
Date: 1401 – 1433
Materials: ink, paper
Culture: japanese
Artist: emperor godaigo
Artist role: artist
Artist nationality: japanese
Artist dates: 1288 – 1339

Court artists presented imaginary portraits of venerated poets alongside representative verses from their bodies of work. Shown here in traditional court robes is Minamoto no Muneyuki (died ca. 939), a courtier of the Heian period who is counted among the Thirty-Six Poetic Immortals—a roster of celebrated poets created in the early eleventh century. The name of the poet and a biographical note are written in kanji (at far right), while the waka appears in three vertical lines of kana. The latter reads: やま里は ふゆぞさひしさ まさりける 人ぬもくさも かれぬと思へば In this mountain village, it’s winter when my loneliness deepens, and visits from friends and grasses both dry up. —Trans. John T. Carpenter
Fragments of a terracotta kylix:band-cup
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

a: interior, part of tondo and circle with incision; exterior, reserved stripe b: interior, part of tondo; exterior, reserved stripe
Voornaamste schilderijen van Engeland
Object type: print
Date: 1702 – 1766
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: st. martin divides his cloak (i.e. the charity of st. martin): he is usually shown on horseback, cutting his cloak with his sword, or putting part of the cloak round the shoulders of a beggar who kneels beside him
Inscriptions: collector's mark: Lugt 2228

Het schilderij is gemaakt door Anthony van Dyck en niet, zoals de prent vermeld, door Rubens. Vanaf 1763 tot 1786 publiceerde John Boydell prenten naar schilderijen uit Engelse collecties. Deze waren vanaf 1769 gebonden verkrijgbaar.
Portret van Johann Heinrich Bullinger
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving, etching
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Eerste staat van deze prent verschenen in: Icones virorum nostra patrumq. memoria illustrium (...). Den Haag: Hendrick Hondius (I), 1599. Prent ook gebruikt in latere publicaties.
Card Number 29, Miss Frowbridge, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Officio della B. Vergine
Object type: print
Date: 1647 – 1680
Materials: paper
Techniques: etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: the annunciation: mary kneeling, adoration of the christ-child ~ christ's birth, story of david, the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)

Deze prenten maken deel uit van een zesdelige serie getiteld 'Officio della B. Vergine', maar ook wel bekend als 'les Petites heures de Venise'. De eerste prent betreft een wapenschild, de tweede de titelprent, de derde een voorstelling van Koning David, de derde de Annunciatie, de vierde de Aanbidding der engelen en de vierde de Kruisiging.
The Starving Calavera
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: engraving, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913