deem-data/ArtiFact huggingface dataset:
Slattery, Left Field, New York, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Horloge van goud
Object type: forgery
Date: 1800 – 1900
Materials: gold
Location: geneva

Gouden horloge, met geëmailleerde wijzerplaat. Op de achterbodem in een ovaal een portret van een gemaskerde vrouw. De kast is vals.
Madame Théodore Gobillard (Yves Morisot, 1838–1893)
Object type: painting
Date: 1869 – 1869
Materials: canvas, oil
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: interiors,portraits,women

Berthe Morisot's eldest sister is shown in the living room of her family's house in Paris in this unfinished portrait by Degas. Preceded by several preparatory studies, including two drawings and a pastel, which are also in the Museum's collection, the work was favored by Mary Cassatt, who remarked: "It is much in the style of a Vermeer and quite as interesting, very quiet and reposeful. It is a beautiful picture."
Tour St. Jacques
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: parts of church exterior and annexes: tower
Wanddecoratie met schouw
Object type: ornament print
Date: 1748 – 1753
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: open hearth, fire-place, wall-covering
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerp voor een rocaille wanddecoratie met twee tweearmige kandelaars, een schouw en halve panelen aan weerszijden. Prentnummer 583, uitgeversnummer 132.
Portretten van burgemeesters van Zürich
Object type: print
Date: 1678 – 1689
Materials: paper
Techniques: engraving, etching
Subjects: mayor, burgomaster, historical persons
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van 67(?) portretten van burgemeesters van Zürich. Zie Hollstein German 110, 1-26.
Terracotta fragments of column-kraters (bowls for mixing wine and water)
Object type: column krater fragment
Date: 401 – 500
Materials: terracotta
Culture: greek, attic

Three black glaze fragments from column-kraters
A Bell Buoy, from the Lighthouses series (N119) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920

Trade cards from the "Lighthouses" series (N119), issued in an unnumbered set of 25 die-cut cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Mus op bloeiende magnolia tak
Object type: print
Date: 1900 – 1930
Materials: paper
Techniques: woodcut
Location: japan
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945
De gevechten van Neuve-Chapelle (9-13 maart 1915) in Vlaanderen waren een groot succes voor het Engelse leger (...) Krijgsgevangenen, gelukkig buiten gevaar te zijn, doorloopen een dorpje in Engeland
Object type: ansichtkaart, prentbriefkaart
Date: 1915 – 1915
Materials: paper
Techniques: photograph
Location: marseille
Artist: sémaphore
Artist role: printer
Subjects: transfer, deportation ~ prisoner of war, england

Duitse krijgsgevangenen trekken door een Engels dorp. Onderdeel van de tweede serie van twaalf (acht aanwezig) prentbriefkaarten over de Eerste Wereldoorlog, 1915.
Melkkan met drijfwerk en gravering in Louis XV stijl
Object type: tea service
Date: 1865 – 1865
Materials: silver
Location: amsterdam
Artist: daniel jan de haas
Artist role: silversmith
Artist dates: 1821 – 1886
Inscriptions: date letter: ‘F’, retailer's mark: ‘A.D. VERSCHUUR’, maker's mark, alloy mark, assay office mark

Coffee pot and four-piece tea service. Silver and ivory. Amsterdam, 1863, 1865, by Daniel Jan de Haas, designed by A.D. Verschuur
Man met hond blaast op zijn hoorn
Object type: drawing
Date: 1800 – 1899
Materials: chalk, paper
Artist: Anonymous
Subjects: blowing the hunting horn, dog
Inscriptions: stamp, collector's mark: Lugt 1641

Man met hond blaast op zijn hoorn. Zijn kleding is op verschillende plaatsen gerepareerd. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Schilderkunst, Tekeningen.
De vier vijanden van de ware gelovige en de theologische deugden
Object type: print
Date: 1570 – 1601
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: true religion vs. false religion, death as skeleton, devil(s) and demons, strife between virtues and vices, psychomachy, wealth, opulence; 'opulenza', 'richezza' (ripa), the church or christian religion vs. paganism and unbelief, the worship of god, heresy; 'heresia' (ripa), the true church vs. the false church, heresy or sectarianism; schism, the church vs. the world
Inscriptions: collector's mark: Lugt 2228

De vier vijanden van de ware gelovige. Allegorische voorstelling waarin de vrouwelijke personificatie van de rechtschapen christen wordt belaagd door vier vijanden: de Dood, de Ketterij, de Wereld en de Duivel. Met onderschrift van 4 kolommen in elk 4 regels Latijn en 4 regels Nederlands. Zinneprent op het Geloof, ca. 1560.
Lamp (Key ?)
Object type: lamp key
Materials: pottery
Location: egypt
Voordeur van een huis
Object type: sketchbook leaf
Date: 1871 – 1878
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: front façade

Blad 20 recto uit een schetsboek met 45 bladen.
Box
Object type: box
Date: 1501 – 1600
Materials: brass, steel
Siervazen en -kannen
Object type: print
Date: 1750 – 1770
Materials: paper
Techniques: etching
Location: augsburg
Subjects: ornaments ~ art, rocaille ornament, vase ~ ornament, jar, jug (used as drinking-vessel), molluscs: snail
Inscriptions: signature: ‘C.P.S.C. Maj.’, signature: ‘Hieronymus Sperling Sculps.’, number: ‘2’, signature: ‘Christian Friderich Rudolph / Hoered. Ier. Wolffij inv. delin. et excud. A.V.’

Een sierkan met een slakkenhuis en een slak. Prent maakt deel uit van een album.
Interieur van een boekdrukkerij
Object type: history print
Date: 1628 – 1628
Materials: paper
Techniques: etching
Location: haarlem
Subjects: haarlem, printing, printing office
Inscriptions: collector's mark: Lugt 964

Uitvinding van de boekdrukkunst te Haarlem, ca. 1440. Interieur van een boekdrukkerij, met het leggen van papier en verzamelen van drukletters.
Nr. 2 Botanik. Victoria regia nach 10 Wochen.
Object type: stereograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: flowers: water-lily, botanic garden, 'hortus botanicus'
Inscriptions: monogram: ‘NPG’, : ‘Steglitz-Berlin’, number: ‘20/2’, : ‘Filialen: London, New-York, Paris, Wien, Brüssel, Mailand’
Fragment of a terracotta architectural tile
Object type: tile
Date: 600 – 501
Materials: terracotta
Culture: lydian
Beslag
Object type: scharnier
Date: 1400 – 1950
Materials: iron
33 Exeter, Fore Street
Object type: photograph
Date: 1860 – 1894
Techniques: albumen print
Location: england
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Portrait of Benjamin Franklin
Object type: relief sculpture
Date: 1780 – 1795
Materials: porcelain
Techniques: forming, relief
Location: sèvres
Subjects: physicist
Inscriptions: inscription: ‘B:FRANKLIN’

Five portraits, from left to right: Benjamin Franklin, the Marquis de La Fayette, the Comte de Mirabeau, Jean-Jacques Rousseau and Marie Antoinette. Biscuit porcelain. Sèvres, c. 1780 - 1795. On loan from the Koninklijk Oudheidkundig Genootschap.
Fannie Adams, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 6), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes. Type 4 cards from the N45 series contain four miniature portraits of actresses on one card. Type 6 cards are a bit larger in dimension than the other types in the N45 series.
Charing Cross
Object type: photograph
Date: 1865 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: monument, statue
Inscriptions: address: ‘Published by/ Dalton and Lucy/ Booksellers to the Queen,/ 28, Cockspur Street, S.W.’, number: ‘24.’
View of the Small Waterfall and Rapids, Tivoli, from Views of Rome
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Schip met een harp spelende man op de boeg en een luit spelende man in zee
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: swimming mammals: dolphin, veneration of palaemon: carried on a dolphin's back, he arrives at corinth, where sisyphus receives him with divine honours (philostratus, imagines ii 16), harp - cc - out of doors, (story of) arion

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.

Mogelijk verbeeldt deze voorstelling het verhaal van Arion van Lesbos. Gezien de musicale verwelkoming bij de kust zou dit echter ook Palaemon op een dolfijn kunnen zijn. Mogelijk is het (fictieve) uiterlijk van de dolfijn deels gebaseerd op die van de narwal, een arctische tandwalvis welke behoort tot de familie van de grondeldolfijnen.
Herdboy and Water Buffaloes Returning Home
Object type: hanging scroll
Date: 1832 – 1832
Materials: ink, paper
Culture: japanese
Artist: takahashi sōhei
Artist role: artist
Artist nationality: japanese
Artist dates: 1804 – 1835
Subjects: boys,buffalos

Takahashi Sōhei began studying painting with Tanomura Chikuden (1777–1835), a leading literati painter and fellow native of Bungo Province (modern-day Oita Prefecture) on the far western island of Kyūshū. Sōhei first encountered Chikuden in 1822 when the master visited Sōhei's hometown of Kitsuki from Kyoto. Soon thereafter, Sōhei took Chikuden as a teacher and returned with him to Kyoto, where he was quickly recognized as one of Chikuden's most promising students. Active thereafter primarily in Osaka, Sōhei was so highly regarded by Chikuden that in the master's Record of Painting Teachers and Friends of Chikuden-sō (Chikudensō shiyū garoku), he is the only of Chikuden's disciples listed alongside many senior, leading artists of the day. However, by his mid-twenties, Sōhei had contracted an illness that forced him to spend most of his time back home in Bungo. Although his age at death, thirty-two, is known, there is some confusion about the exact year. He is thought to have stayed in Bungo permanently after 1830, and rumors that he had died began circulating in 1833, but he is believed to have survived a couple more years, until around 1835. A paucity of surviving works from the last two or three years of his life means that this work from 1832 may be among his last.
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues with dots in the lower corners; below, a right hand holding a javelin
The Arrest of Christ
Object type: painting
Date: 1710 – 1727
Materials: canvas, oil
Artist: aert de gelder
Artist role: draughtsman, painter
Artist dates: 1645 – 1727
Subjects: christ is led away ~ garden of gethsemane
Inscriptions: signature: ‘ADe Gelder f.’

De gevangenneming van Christus. Nachtscène met links Christus tussen een groep gewapende soldaten. Op de achtergrond een hoge muur. Behoort samen met SK-A-2360 tot een reeks van passievoorstellingen waarvan de andere delen zich bevinden in Aschaffenburg.
Volute-krater fragment
Object type: volute krater fragment
Date: 360 – 340
Materials: terracotta
Culture: greek, south italian, apulian
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, head, neck, right shoulder, and left hand holding a flute, of a wreathed satyr to right; vines with grapes; below vines, part of the arm of a second satyr?; a second rim fragment has vines, a left hand, and grapes
Vis-à-vis #3511
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Jeanne Granier, zangeres en actrice
Object type: album leaf
Date: 1890 – 1900
Materials: paper, photographic support
Techniques: carbon print
Location: france
Artist: Anonymous
Subjects: portrait of actor, actress, female singer, france

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Model of a Stupa
Object type: stupa model
Date: 1401 – 1500
Materials: bronze, copper, silver
Techniques: inlay
Culture: tibetan
Hepy, 168 of orignally 72 loose beads
Object type: bead, found scattered
Date: 1950 – 1885
Materials: gemstone
Location: egypt
Monte Cavallo
Object type: photograph
Date: 1848 – 1852
Techniques: albumen print, glass negative
Artist: eugène constant
Artist role: artist
Artist nationality: french, active italy
Artist dates: 1848 – 1855
Subjects: buildings,fountains,monuments,male nudes,horses

Constant, who associated with the painter-photographers at the Caffè Greco, was the first in Rome to use the method of albumen on glass plate negatives devised by the Frenchman Niépce de Saint-Victor in 1847. This remarkable album contains thirty prints by Constant, each affixed to a page bearing the blind stamp of the bookseller Edouard Mauche (who sold his views).
Reisalbum met foto's uit Frankrijk, uit Breitners atelier
Object type: scrapbook
Date: 1880 – 1920
Materials: cardboard, leather, photographic support
Techniques: painting
Artist: Anonymous
Subjects: harbour, trees, necropolis, historical persons, bridge, street, france
Inscriptions: annotation: ‘Uit atelier Breitner’

Fotoalbum met 60 pagina's met in totaal 50 foto's waarvan twee los in het album zitten. Bijna alle foto's zijn gemaakt op een reis door Frankrijk. Het bevat veel straatgezichten en meerder foto's gemaakt in een haven. Verder zijn onder andere Arles, waarvan het amfitheater en Alyscamps gefotografeerd is, en Avignon, met gezichten op de Pont Saint-Bénézet, bezocht. De losse foto's tonen een interieur en een landschap.
Origineele Afbeelding van de Lucht Bal, opgelaten in 's Gravenhage in de Tuin van 't Oude Hof den 11 december 1783
Object type: print
Date: 1712 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: balloon (aviation), the hague
Inscriptions: stamp, collector's mark: Lugt 1641

Luchtballon in de vorm van een huis, opgelaten te Den Haag op 11 december 1783. Rechtsboven genummerd: In de Mercurius December 1783. Pag. 220. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, Vervoermiddelen in de lucht.
Rustende landwerkers bij een toren onder een boom
Object type: drawing
Date: 1841 – 1857
Materials: chalk, paper
Artist: johan daniël koelman
Artist role: draughtsman, print maker
Artist dates: 1831 – 1857
Subjects: landscape with tower or castle, rest during harvest (eating, dancing, making love, etc.)
A Grand and Shadowy Grove of Marble
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: board, charcoal, paper, pastel
Techniques: heightening
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Aanleg van het Viaur Viaduct in Frankrijk door de Societé de Construction des Battignolles, 7 september 1900
Object type: photograph
Date: 1900 – 1900
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)
Inscriptions: inscription: ‘Rodez’
Ornament (one of a pair)
Object type: ornament
Date: 1600 – 1650
Techniques: lace
Diana and Acteon
Object type: print
Date: 1711 – 1771
Techniques: engraving, etching
Artist: pierre françois tardieu
Artist role: artist
Artist nationality: french
Artist dates: 1711 – 1771
Subjects: boys,female nudes,horns,diana
Pasiphaë en de witte stier
Object type: book illustration
Date: 1935 – 1935
Materials: paper
Techniques: letterpress printing
Location: lausanne
Subjects: bull, pasiphae enamoured of a white bull, woman (showing herself) undressed, quasi-nude

Prent in: Ovidius Naso, Publius. L'art d'aimer. [Vertaald uit het Latijn door] Henri Bornecque. Parijs/Lausanne: Les frères Gonin, 1935, p. 21.
Groote Vissery
Object type: print
Date: 1728 – 1761
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: bony fishes: herring, sea and coastal fishery
Inscriptions: collector's mark: Lugt 2228

Een haringbuis zeilt de zee op om te vissen, op de achtergrond meer zeilschepen. De prent maakt deel uit van een 32-delige serie prenten met voorstellingen over de haringvangst.
Terracotta juglet
Object type: juglet
Date: 1600 – 1150
Materials: terracotta
Culture: cypriot

White slip ware with handle and pinched lip, lattice and lozenge ornament.
Thenot Under a Fruit Tree, from Thornton's "Pastorals of Virgil"
Object type: print
Date: 1821 – 1821
Techniques: engraving
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: fruit,men,pastoral,trees
Twee paarden en honden in een stal
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: tone lithography
Subjects: barn, dog
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Brief aan Jan Veth
Object type: letter
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen, writing
Location: utrecht
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, alphons diepenbrock, johan frederik ankersmit, photography, cinematography, the graphic arts, printed matter, cologne
Inscriptions: collector's mark: ‘RPK’
Gezicht op het stadhuis van Parijs
Object type: photograph
Date: 1892 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: river, townhall, façade (of house or building), bridge
Inscriptions: inscription: ‘CWN.’, inscription: ‘Moderne Kunst - Frankrijk. Het Raadhuis te Parijs (...) Herbouwd in den geest van het in 1871 verwoeste Raadhuis door Ballu en Deperthes.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS <BR />AMSTERDAM <BR />FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST- <BR />NIJVERHEIDSONDERWIJS <BR />GABRIËL METSUSTRAAT No. 16. <BR />AMSTERDAM’
Bracelet
Object type: bracelet
Date: 1001 – 1600
Materials: copper alloy
Culture: middle niger civilization
Location: mali
Artist: middle niger artist
Artist role: artist

A copper-alloy adornment, this armlet, was created in the ancient center of Jenne. Jenne's central location on numerous pivotal trade routes contributed to its prosperity and the development of a complex and highly urbanized social structure. Copper metallurgy is believed to be an important antecedent to the iron technologies that were transforming West Africa and the Mande kingdom during this period. Terracotta figures from the thirteenth and fourteenth centuries from this region depict individuals wearing similar items of jewelry. In West Africa, jewelry is worn for multiple purposes beyond mere adornment. It can be used to indicate one's role in society, as having a particular profession or rank, as well as to indicate belonging to a specific family, clan, or village. A form of wealth, it is also intrinsically valuable and therefore worn by itinerants who must travel with all their worldly possessions. Often there are particular recognizable motifs worn by women who have had children, thus indicating the wearer's successful completion of her fundamental role in society. Jewelry among contemporary Mande peoples is often commissioned by patrons in response to the advice of a diviner. Like other amulets made by smiths, the jewelry is embedded with spiritual power and is intended to assist the wearer with specific concerns, for example, to increase fertility, to deter accidents, for financial gain, to cure or prevent diseases, to inspire love, and so on. Metal is believed to naturally contain high levels of nyama, or life forces, and is therefore particularly powerful in the production of medicinal amulets.
Hindelopen Prov Friesland
Object type: print
Date: 1865 – 1875
Materials: paper
Techniques: lithograph, hand coloring
Artist: Anonymous
Subjects: folk costume, regional costume (+ women's clothes), head-gear: cap

Onderdeel van Album met foto's en litho's van bezienswaardigheden in Noord- en Zuid-Hollandse steden, schilderijen en klederdrachten.
Portret van een vrouw
Object type: print
Date: 1866 – 1939
Materials: paper, pencil
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: collector's mark: Lugt 2228

Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.