deem-data/ArtiFact huggingface dataset:
Die unlöbliche schwartze Kunst
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching, letterpress printing
Location: nuremberg
Subjects: charlemagne (holy roman emperor), putting on jewels - aa - (for) women (+ variant), the corpse
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham a Sancta Clara. Heilsames Gemisch Gemasch, das ist: Allerley seltsame und verwunderliche Geschichten (...). Neurenberg: Christoph Weigel, 1710, p. 231.
Girdle of Hepy
Object type: girdle
Date: 1950 – 1885
Materials: gold, lapis lazuli
Location: egypt
Red Head Duck, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: ducks

Trade cards from the "Game Birds" series (N13), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Ornamentaal ontwerp met namen van bedrijven
Object type: drawing
Date: 1874 – 1945
Materials: paper, pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: advertising
Geit klimt op de rug van een bok
Object type: print
Date: 1879 – 1932
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: adolf eduard herstein
Artist role: print maker
Artist dates: 1869 – 1932
Subjects: goat
Inscriptions: collector's mark: Lugt 2228
Gezicht op de zaaivelden van een plantage bij Soekaranda, Sumatra (Saatfelder Soekaranda)
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: collodion silver print
Location: sumatra
Subjects: sumatra
Inscriptions: signature: ‘Stafhell & Kleingrothe Medan-Deli’, number: ‘Sumatra ...’

Gezicht op de zaaibedden en kweekvelden van een tabaksplantage bij Sukaranda op Sumatra. Onderdeel van het Sumatra fotoalbum van Paul en Lucie Sandel uit 1900.
Tureen
Object type: tureen
Date: 1748 – 1748
Materials: silver
Artist: jean-louis bertrand
Artist role: maker
Artist dates: 1718 – 1778
Subjects: coat of arms
Basiliek van San Marco aan het San Marcoplein in Venetië
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: venice
Artist: Anonymous
Subjects: church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage), venice

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Le sourire: Journal sérieux, Nov. 1899
Object type: print
Date: 1899 – 1899
Materials: ink, paper, wood
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Monogrammed top of page 1: "P G"; signed top of page 4: "Paul Gauguin"
Friezen met bladranken
Object type: ornament print
Date: 1670 – 1690
Materials: paper
Techniques: etching
Location: france
Subjects: predatory birds: eagle, beasts of prey, predatory animals: lion

De man, wiens onderlichaam ontspruit uit een bladrank, zit op een voetstuk rechts.
Diana Agrotera, from Oplonte
Object type: print
Date: 1855 – 1860
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: (story of) diana (artemis)

Prent op tweede ongenummerde pagina na pagina 142.
Portret van Lodewijk XIV, koning van Frankrijk
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: lodewijk xiv (koning van frankrijk), armour
Inscriptions: collector's mark: Lugt 2228

Prent als illustratie gebruikt in: Le Clerc, Jean. Geschiedenissen der Vereenigde Nederlanden. Amsterdam: Zacharias Chatelain (II), 1730.
Woestijnlandschap met een figuur op een ezel
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil
Location: algeria
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, desert, landscapes (+ landscape with figures, staffage)

Pagina 21 uit een schetsboek met 31 bladen.
Gentleman Seated at a Table
Object type: drawing
Materials: chalk, paper
Techniques: heightening
Artist: françois de troy
Artist role: artist
Artist nationality: french
Artist dates: 1645 – 1730
Subjects: men,portraits,chairs,tables
Vlakdecoratie met twee vrouwelijke saters met vissenstaarten
Object type: print
Date: 1553 – 1553
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: ornament ~ hybrid beings; human and animal forms mixed, vase ~ ornament, foliage, tendrils, branches ~ ornament
Inscriptions: number: ‘25’

Vlakdecoratie met bladranken en een vaas met aan weerszijden een vrouwelijke sater met een vissenstraat en voluten als armen.
Asavari ragini(?)
Object type: indian miniature
Date: 1710 – 1730
Materials: paper
Techniques: brush
Location: central india
Artist: Anonymous
Inscriptions: inscription: ‘.’

Een vrouw in een landschap, om haar heen slangen en vogels. Om de voorstelling twee smalle randen in geel en rood.
Saucer with gold borders on a red ground
Object type: service set
Date: 1800 – 1824
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: france
Artist: Anonymous

Schotel van porselein, bedekt op het glazuur met rood en goud. De wand en rand zijn bedekt met banden van rood en goud, waarbij op de rand éé een bloemrank heeft. Gouden lijn op de voet. Empire.
Abraham bevrijdt Lot
Object type: print
Date: 1577 – 1627
Materials: paper
Techniques: etching
Location: cologne
Subjects: sodom and gomorrah are plundered; lot is taken into captivity, the four kings are attacked at night, and defeated by abraham
Inscriptions: collector's mark: Lugt 2228

Abraham, links te paard gezeten, valt 's nachts met zijn mannen het leger van koning Kedorlaomer en diens bondgenoten aan om zijn neef Lot te bevrijden. Rechtsachter worden Lot en de zijnen door de vijand uit Sodom weggevoerd. Onderaan een verwijzing in het Latijn naar de Bijbeltekst in Gen. 14.
Pluto, from The Deities
Object type: print
Date: 1588 – 1590
Materials: ink, paper
Techniques: woodcut
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower center: "HG. fe"
Portret van Balthasar Mentzer
Object type: print
Date: 1713 – 1759
Materials: paper
Techniques: engraving
Location: gottingen
Subjects: balthasar mentzer, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
God waarschuwt Isaak niet naar Egypte te gaan
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: vatican city
Artist: orazio borgianni
Artist role: print maker
Artist dates: 1578 – 1616
Subjects: god appears to isaac and warns him not to journey into egypt
Inscriptions: collector's mark: Lugt 2165

Isaak zit op een knie in een landschap. Voor hem verschijnt God die hem waarschuwt om niet naar Egypte te gaan. Links een vrouw onder een boom.
Judith en Holofernes
Object type: drawing
Date: 1601 – 1627
Materials: ink, paper
Techniques: brush
Location: zwolle
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Subjects: judith and holofernes (judith 8-16)
Inscriptions: signature and date: ‘1627 G.t Borch de Jonge in Januarij’, annotation: ‘G. Ter Borch’
Saul falls on his own sword / Saul je jette sur son épée / Saul valt in zyn zwaardt
Object type: print
Date: 1684 – 1743
Materials: paper
Techniques: engraving, etching
Artist: jan lamsvelt
Artist role: print maker
Artist dates: 1674 – 1743
Subjects: saul kills himself with a sword
Inscriptions: collector's mark: Lugt 2228

Bijbelse voorstelling uit 1 Sam. 31:4-6. Koning Saul, rechts in wapenrusting, stort zich in zijn eigen zwaard. Links ligt Saul's wapendrager met een zwaard door zijn borst op de grond. In de verte is een leger in gevecht. Prent rechtsonder gemerkt: V.T. 42.
Portret van Antonius Cornelissen
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons
Armory
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: new york city
Artist: edward h. hart
Artist role: publisher
Subjects: firearms: cannon, ammunition store, arsenal
Portret van Eltjo Aldegondus van Beresteyn
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: lithograph
Artist: willy sluiter
Artist role: draughtsman, painter, print maker
Artist dates: 1873 – 1949
Subjects: haarlem, the hague, politician, eeltjo aldegondus van beresteijn, historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op een landhuis in Blackheath
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: etching
Location: london
Subjects: country-house
Inscriptions: collector's mark: Lugt 2228
Cabinet
Object type: case furniture
Date: 1867 – 1880
Materials: wood, bronze
Techniques: inlay
Location: paris
Subjects: couch, sofa, settee

At the 1867 Exposition Universelle in Paris the cabinetmaker Charles Diehl caused a great stir with a jewellery cabinet in a Greek Revival style. This is a somewhat plainer version of that cabinet. All the motifs of the inlaid work on the door refer to Greek antiquity, as do the silvered bronze fittings, which imitate Classical figures and coins.
Four European Gentlemen
Object type: illustrated single work
Date: 1860 – 1860
Materials: paper, pigment
Location: india
Serenade
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: etching
Location: netherlands
Artist: cornelis van der griendt
Artist role: draughtsman, painter, print maker
Artist dates: 1827 – 1918
Subjects: city-view in general; 'veduta' - ii - ideal city (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Heilige knielend voor een crucifix
Object type: book illustration
Date: 1581 – 1658
Materials: paper
Techniques: woodcut
Location: amsterdam
Artist: christoffel van sichem (ii)
Artist role: print maker
Artist dates: 1581 – 1658
Subjects: altarcross, crucifix, female saints
Portrait of Farrukh Khan Amin al-Dawla Kashi
Object type: illustrated single work
Date: 1834 – 1866
Materials: graphite, paper
Location: iran
Artist: abu`l hasan ghaffari, known as sani' al-mulk
Artist role: artist
Artist nationality: iranian
Artist dates: 1814 – 1866
Subjects: men,portraits

This small pencil drawing is a portrait of Farrukh Khan Amin al-Dawla (1812–71), a reform-minded high-ranking Qajar official from Kashan under Nasir al-Din Shah Qajar (the fourth ruler of the Qajar dynasty, 1848–96). Painted by the renowned court painter, Abu’l Hasan Ghaffari, known as Saniʿ al-Mulk, it represents a glimpse into the artist’s practice, as it may have been a preparatory drawing for a painting. It shows the artist’s deft hand at producing sensitively rendered portraits of extraordinary immediacy that reflect an interest in photography and European conventions of portrait painting.
Alfabet
Object type: popular print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: letters, alphabet, script, child, characters (human types)
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van de letters van het alfabet (A-H) geïllustreerd met figuren waarvan de namen met de betreffende letter beginnen. Onder elke afbeelding een vierregelig vers, boven elke afbeelding een titel. Genummerd rechtsboven: No. 144.
Koor en koorhek van kathedraal van Lichfield
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: lichfield
Artist: Anonymous
Subjects: rood-screen, choir-screen; iconostasis, parts of church interior: choir

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Belgique / Bruxelles. Hôtel de Ville
Object type: photograph
Date: 1885 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Inscriptions: caption: ‘Belgique / Bruxelles. Hôtel de Ville’

Koetsen op het plein voor het Stadhuis (Hôtel de Ville) van Brussel, België
5 centimes uit België van Leopold I, 1861
Object type: coin
Date: 1861 – 1861
Materials: nickel
Techniques: striking
Location: brussels

Nikkelen munt. Voorzijde: in gearceerd veld waarde-aanduiding in twee regels, waaronder ster. Keerzijde: In gearceerd veld staande leeuw naar links. Jaartal onderaan. Inliggende kartelrand.
Double Snuff Bottle
Object type: double snuff bottle
Date: 1736 – 1795
Materials: stone, jade, wood
Culture: chinese
Subjects: fish
Design for a brooch with a bird motif
Object type: drawing
Date: 1801 – 1900
Materials: cardboard, gouache
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: birds,jewelry
Head of Buddha
Object type: sculpture
Date: 201 – 400
Materials: plaster
Location: gandhara
Subjects: buddha
Allegory of Transience
Object type: print
Date: 1594 – 1667
Materials: paper
Techniques: engraving
Subjects: (children or putti) blowing bubbles, 'homo bulla' ~ scene symbolizing 'vanitas'
Inscriptions: collector's mark: Lugt 240

Een putto zit op de grond en leunt tegen een schedel, terwijl hij in zijn rechterhand een pijpje houdt waarmee hij bellen heeft geblazen. In zijn linkerhand houdt hij een schelp, Achter hem wierrookvat waaruit rook opstijgt. Onder de voorstelling een vierregelige tekst in het Latijn.
Virgin and Child
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: after giovanni bellini
Zittende hond die zijn achterflank schoonlikt
Object type: print
Date: 1780 – 1850
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan dasveldt
Artist role: draughtsman, print maker
Artist dates: 1770 – 1855
Subjects: dog
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Vues Pittoresques du Royaume des Pays-Bas
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Subjects: church (exterior), public road in village (+ city(-scape) with figures, staffage), rhenen
Studieblad met verschillende aanzichten van een iris
Object type: book illustration
Date: 1842 – 1885
Materials: paper
Techniques: engraving
Subjects: model-books ~ implements of painter, flowers ~ ornament
Inscriptions: collector's mark: Lugt 3937, collector's mark: Lugt 2228

Prent uit: Ruprich-Robert, Victor. Flore ornementale : essai sur la composition de l'ornement : éléments tirés de la nature et principes de leur application. Parijs: Dunod, 1876, nr. 95.
Portret van Cornelis Tromp
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: paper
Techniques: photograph, letterpress printing
Artist: Anonymous
Subjects: amsterdam, cornelis tromp, armour, historical persons, commander-in-chief, admiral
Ex libris van H.K.
Object type: bookplate
Date: 1887 – 1924
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Inscriptions: collector's mark: Lugt 2228
Ceramic Fragment
Object type: fragment
Date: 801 – 1000
Materials: earthenware
Location: iran

This ceramic fragment was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Foyers et coulisses : histoire anecdotique des théatres de Paris : Gymnase
Object type: book
Date: 1875 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: clichy
Silver bracelet in the form of a snake
Object type: bracelet with snakes' head
Date: 201 – 300
Materials: silver
Culture: roman
Subjects: snakes

Bracelet terminating in snakes' heads.
Terracotta fragment of a kylix: Band or lip cup (drinking cup)
Object type: kylix fragment
Date: 560 – 525
Materials: terracotta
Culture: greek, attic
Tazza
Object type: tazza
Date: 1665 – 1670
Materials: glass
Artist: glasshouse of the duke of buckingham
Artist role: manufactory
Artist nationality: british

Light, delicate and sparklingly clear, traditionally Venetian glassware- called "cristallo"- was exported in great quantities to northern Europe. However, in the 1660s, the fabulously wealthy British courtier and royal favourite, George Villiers, second Duke of Buckingham, led the vanguard of domestic production, sponsoring London-based workshops, often employing immigrant Venetian craftsmen, to create a cheaper British-made alternative, emulating the physical characteristics of Venetian glassware, and imitating Italian vessel shapes. This tazza is an exceedingly rare survival attributed to the Duke’s Greenwich-based glasshouse; it was originally part of a set of tableware, produced for the top-end of the market.
The Good Samaritan Tending the Traveller's Wounds with Oil and Wine or The Priest and the Levite Passing, from "The Parable of the Good Samaritan"
Object type: print
Date: 1554 – 1554
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: illness,suffering,men

At left, the Good Samaritan leans to tend to the traveller. In the background at center, a Levite with a book walking right towards a priest. Plate 2 from a series of four engravings depicting Luke 10:30–35.
25e Cahier AA Cayer de 6 Grilles de Chenets et de Feux de Cheminées
Object type: ornament print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: helmet, protective weapons: shield, andiron, fire-dog

Een geornamenteerde vuurbok met een helm, schilden, wapens en guirlandes.
Stuttgart. Marktplatz gegen Marktstrasse
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1909
Materials: cardboard, photographic process
Techniques: writing
Location: stuttgart
Subjects: square, place, circus, etc., market
Inscriptions: monogram: ‘Photochrom M.S. P.’
Al de vier getyden praalen / In deez' tafereelenpragt [(...)]
Object type: print
Date: 1715 – 1813
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the four seasons of the year ~ human activities
Inscriptions: collector's mark: Lugt 2760

Vier medaillons met voorstellingen van de vier jaargetijden en bijbehorende activiteiten. Tussen de medaillons een trofee met producten uit de verschillende seizoenen. In de ondermarge een vers in twee kolommen. Genummerd rechtsboven: No. 65.
Tuin der Liefde
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: garden fountain, one pair dancing; man and woman dancing as a couple, french or architectonic garden; formal garden, garden of love, court of love, 'fête galante', (story of) venus (aphrodite), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: number: ‘152’, collector's mark: Lugt 240

Een gezelschap van mannen en vrouwen zit in de tuin der liefde naast een fontein. Er wordt muziek gespeeld. Een paar rechts probeert te dansen. Cupido's verzamelen zich rondom het gezelschap. Bovenop de fontein zit Venus op een dolfijn. Uit haar borsten stroomt water. Naast haar zit een pauw. Op de achtergrond een architectonische tuin. De prent heeft een Frans gedicht als onderschrift.
Envelop aan Philip Zilcken
Object type: envelope
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Némorin en Estelle
Object type: print
Date: 1822 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: deventer
Subjects: tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen uit het verhaal van Estelle en Némorin, naar de roman van Jean-Pierre de Claris de Florian uit 1787. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: N. 89.
Christ and the Woman of Samaria
Object type: painting
Date: 1500 – 1505
Materials: canvas, panel, paint, wood
Techniques: painting
Location: italy
Artist: perugino (pietro di cristoforo vannucci)
Artist nationality: italian
Artist dates: 1445 – 1523
Subjects: religious scenes, women, water, pitcher, trees, sky, religious figures, religious attire, religious, religion, nature, narrative, men, landscape, jesus, figures, figure, clouds, christianity, christian subjects, biblical, century of progress, world's fairs, chicago world's fairs

Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond, most famously through his contact with the young Raphael. These four panels, together with another one depicting the Resurrection, now at the Metropolitan Museum of Art, New York, once constituted a predella—a series of small pictures, often with narrative content, forming the base of an altarpiece. In this case, the painting that was positioned above the predella as the focal point of the altarpiece is unidentified. The predella scenes depict moments when Christ’s special nature was revealed: his birth, his baptism by Saint John the Baptist in the river Jordan, his conversation with a woman of Samaria at the well of the patriarch Jacob, the Resurrection, and his appearance to Mary Magdalene after the Resurrection.
Servet van wit linnendamast met patroon van gestrooide bloem
Object type: woven material
Date: 1800 – 1900
Materials: linen
Techniques: damask
Location: netherlands

Servet van wit linnendamast met patroon van gestrooide bloem.
Forever Thine Love (valentine)
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: ink, paper, watercolor
Techniques: collage, cutting, embossing, pen
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899