deem-data/ArtiFact huggingface dataset:
Geschiedenis van Tobias
Object type: album leaf
Date: 1563 – 1567
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: johannes of lucas van doetechum
Artist role: print maker
Subjects: sarah's arrival ~ tobias' return, river, story of tobias: tobias' return (tobit 10-13), the meeting of parents and son ~ tobias' return

Landschap met rechts op de voorgrond de terugkeer van Tobias en de engel. Tobit valt zijn zoon om de hals, in de deuropening komt Anna aangesneld. Iets verder op de achtergrond zit Tobias'vrouw Sara op de rug van een ezel. Links arriveren de dienaren en het vee, die Tobias heeft gekregen van zijn schoonvader Raguel. Onder de voorstelling een verklarende tekst in het Latijn. Deze prent maakt deel uit van een album.
F.W. Foster, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Terracotta kylix (drinking cup)
Object type: kylix
Date: 510 – 510
Materials: terracotta
Culture: greek, attic
Artist: epiktetos
Artist role: artist
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, upper thighs and genitals of male to right; buttock and thigh of a second overlapping figure; spears?
On the Threshold
Object type: print
Date: 1902 – 1902
Materials: paper, zinc
Techniques: drypoint, etching
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Miniature Brushwasher with Tiger in a Landscape
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Purse
Object type: purse
Date: 1501 – 1600
Materials: metal, silk
Culture: german
Sawley Abbey
Object type: print
Date: 1873 – 1873
Materials: paper, zinc
Techniques: etching, printing
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Het leven van de heilige Antonius de Grote
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: italy
Subjects: devil(s) and demons, the erotic visions of st. antony abbot: he is tempted by (naked) women, but drives them off by praying, or by showing them a crucifix, the hermit antony abbot (antonius abbas) of egypt, also called the great; possible attributes: bell, book, t-shaped staff, flames, pig
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 27 prenten (+ titelprent) over het leven van de heilige Antonius, naar een frescocyclus in de S. Antonio Abbate in Rome door Giovanni Battista Lombardelli en Niccolò Circignani.
Virgo qvem genvit adoravit
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: adoration of the christ-child by mary and joseph (+ angel(s))
Inscriptions: collector's mark: Lugt 240

Prent naar schilderij van Peter Paul Rubens.
Zie hier een moedig volk, ten dienst van 't vaderland, / Getrouw voor hunnen vorst, en vrolyk in hun stand
Object type: popular print
Date: 1831 – 1854
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: artillery range, firing range, shooting range ~ military training, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van militairen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 44.
St. Francis
Object type: plaquette
Date: 1600 – 1600
Materials: bronze, silver
Artist: Anonymous
Artist role: artist
Muts van blauwe wol opgemaakt als een plat kapsel met scheiding links en wrongen rond de oren
Object type: cap
Date: 1950 – 1960
Materials: wool
Location: paris
Artist: paulette modes
Artist role: hoedenmaakster, modiste
Artist dates: 1900 – 1984
Inscriptions: mark: ‘PAULETTE’

Muts van blauwe wol opgemaakt als een plat kapsel met scheiding links en wrongen rond de oren, gevoerd met een dubbele laag blauwe tule raide.
Drie zwijnen bij een stal
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Subjects: boar (male pig), stall, stable
Inscriptions: collector's mark: Lugt 2228

Voor een stal waar een zwijn in zit zijn twee zwijnen afgebeeld, waarvan er een staat en een ligt. Op de achtergrond is een boerenhoeve te zien. Deze prent maakt deel uit van een tiendelige serie over diverse dieren.
Portret van Johannes Burman
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: hoogleraar, johannes burman
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve van Johannes Burman, achter een plint, waarbij zijn linkerhand over de rand steekt. Op de plint zijn naam en gegevens in twee regels in het Latijn. Daaronder een achtregelig vers in het Latijn.
Zuidzijde van de Grote Kerk te Breda
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: breda
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘N.H. Kerk te Breda/ Zuidzijde rechts van transept/ [...]’, annotation: ‘Breda’
Gentilshomes de la maison
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: cornelis galle (i)
Artist role: print maker
Artist dates: 1576 – 1650
Subjects: brussels, albrecht aartshertog van oostenrijk, cortege, funeral procession

Deelnemers aan de begrafenisstoet. Plaat XXIIII in de serie van de begrafenis van aartshertog Albrecht van Oostenrijk te Brussel op 12 maart 1622.
Aaltje de zuinige keukenmeid
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: politician

Spotprent op Heemskerk als Aaltje de zuinige keukenmeid. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 9, 1885.
Gezicht op een kade van het Canal Grande in Venetië
Object type: photomechanical print
Date: 1888 – 1898
Materials: paper
Techniques: photoaquatint
Location: venice
Subjects: canals, waters (in city), gondola
Inscriptions: inscription: ‘w’
Hand
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, paper
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: hand

De hand houdt vermoedelijk de knop van een (wandel)stok vast. Blad 55 recto uit een schetsboek met 105 bladen.
Vlot van Saint-Malo, 1797
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: navy (+ naval force), raft (+ propulsion of vehicle, ship, etc. by wind)
Inscriptions: collector's mark: Lugt 2228

Frans vlot of drijvend kasteel waarmee 15.000 met paarden en geschut getransporteerd moesten kunnen worden. Ontworpen door de Franse ingenieur Le Blanc voor de invasie van Engeland vanuit Frankrijk, februari 1797. Centraal op het vlot een vesting of kasteel. In dit ontwerp aan de achterzijde molens op wind- of paardenkracht waarmee raderen in het water of riemen aan de zijden aangedreven kunnen worden. Bovenaan een plattegrond van de constructie. Bij de plaat behoort een tekstblad met uitleg.
Square vase with birds and flowers
Object type: vase
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: painting, polychrome
Culture: chinese
Subjects: flowers
Cover Design for "Les Vieilles Histoires"
Object type: print
Date: 1893 – 1893
Techniques: hand coloring, lithograph
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: bears,men

Lautrec designed this cover for a collection of songs composed by Désiré Dihau, a bassoonist and distant cousin of the artist. Dihau appears in the grey suit and top hat leading the poet and lyricist Jean Goudezki, in the guise of a bear, toward the Institut de France in Paris. Their destination, the seat of the French Academy, suggests a tongue-in-cheek attempt to elevate the status of these popular songs. Lautrec produced a second edition of the lithograph printed in five colors similar to those applied with watercolor to this first edition proof.
Ereteken voor eervolle, langdurige en werkelijke dienst bij de schutterij voor onderofficieren en minderen
Object type: honorary medal
Date: 1851 – 1851
Materials: silver, textile
Artist: Anonymous

Zilveren draagpenning met oog, ring en lint.
Kraak porcelain plate from the V.O.C.-ship the 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: bone china, cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A plate with a flattened rim. A star-shaped medallion with 4 rui heads and various diaper patterns. These plates all have a central decoration of symbols; thedecoration on cavetto and rim are also similar. Another typical feature of these plates is the pattern resemblimg the imprint of woven cloth in the centre, under the glaze. A central decoration of symbols. Panels decorated with flowers, peaches and symbols.
Twee dwergen
Object type: cartoon
Materials: paper
Techniques: engraving, hand coloring
Location: germany
Subjects: little people
Inscriptions: collector's mark: Lugt 2228

Twee vrouwen (kleine mensen): de rechter draagt een mand met bessen, de linker draagt een mand met ander voedsel.
Limestone statuette of a beardless male votary with a wreath of leaves
Object type: statue of a votary, male
Date: 600 – 401
Materials: limestone
Culture: cypriot
Subjects: men,wreaths

Male figure with crown of leaves, holding bird and incense box.
Compote
Object type: compote
Date: 1861 – 1861
Materials: glass
Techniques: glassblowing, cutting, engraving
Culture: american
Location: united states
Artist: long island flint glass works of christian dorflinger
Artist role: artist
Artist nationality: american
Artist dates: 1852 – 1863
Subjects: eagles

This compote, engraved with a version of the Great Seal of the United States, was part of a larger service ordered by Mary Todd Lincoln in 1861 for use in the White House.
Portret van een onbekende jonge vrouw
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: etching, intaglio
Artist: louis jaugey
Artist role: print maker
Artist dates: 1837 – 
Subjects: adolescent, young woman, maiden, historical persons, standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Titelpagina voor: Onder Neerlands vlag, 1899
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: foliage, tendrils, branches ~ ornament - aa - stylized
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt voor: Onder Neerlands vlag. Album ter herdenking van het vijf en twintig jarig bestaan van den Nederlandschen Militairen Bond 1874-1899. Amsterdam: Van Holkema & Warendorf, 1899.
The Explorer
Object type: print
Materials: paper, zinc
Techniques: drypoint
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Landschap met cavalerie aan het water
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: france
Subjects: army 'en route', water course
Inscriptions: inscription: ‘a paris chez Naudet [...] 1890 f’, collector's mark: Lugt 2228
Pettelaarseweg nabij Den Bosch, Nederland
Object type: stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: den bosch
Artist: Anonymous
Subjects: public road, den bosch
Inscriptions: inscription: ‘Groep v/d opera/ Groupe de l'Opéra’, number: ‘6’
Portret van een jonge vrouw met waaier
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: havana
Artist: samuel a. cohner
Artist role: fotograaf
Subjects: historical persons - bb - woman, fan
Inscriptions: inscription: ‘S.A. Cohner/ O'Reilly No 62/ Entre Habana y Compostela/ Habana’
Brief aan Ernst Willem Jan Bagelaar
Object type: letter
Date: 1821 – 1821
Materials: ink, paper
Techniques: pen, writing
Location: haarlem
Artist: pieter bartholomeusz. barbiers
Artist role: draughtsman, print maker
Artist dates: 1772 – 1837
Subjects: ernst willem jan bagelaar, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘KONINKLIJKE/ BIBLIOTHEEK’, collector's mark: Lugt 2233
Abklatsch van de krijttekening op pagina 3
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 2 uit een schetsboek met 42 bladen vervaardigd rond de Ewijkshoeve.
Studie, mogelijk van aangemeerde boten
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: harbour, ships (in general)
Inscriptions: kleurnotitie, handgeschreven

Pagina 25 uit een schetsboek met 17 bladen.
Souling
Object type: souling
Date: 1867 – 1900
Materials: bamboo
Culture: bornean
Location: borneo
Fotoreproductie van een portret van Frederik Willem III van Pruisen
Object type: photomechanical print
Date: 1873 – 1883
Materials: paper
Techniques: photograph
Location: berlin
Subjects: berlin, frederik willem iii koning van pruisen, king
Inscriptions: inscription: ‘[...]leinertes facsimile des [...] von 1817.’
Design for a Standing Frame
Object type: drawing
Date: 1841 – 1884
Materials: ink
Techniques: brush, pen, wash
Artist: charles hindley and sons
Artist role: artist
Artist nationality: british
Artist dates: 1841 – 1917
Subjects: coat of arms
Zakkenroller voor de etalage van een prenthandel
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: charles-joseph traviès
Artist role: print maker
Artist dates: 1804 – 1859
Subjects: pickpocket, art dealer, shop-window, show-window, paris
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 4779, collector's mark: Lugt 2228

Prent uit: Le Charivari, 31 oktober 1842.
Shawl
Object type: shawl
Date: 1840 – 1849
Materials: wool
Culture: british
Portret van Daniël Seghers
Object type: print
Date: 1630 – 1654
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, painter, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Met drieregelig onderschrift in het Latijn.
Finial
Object type: finial
Date: 1101 – 1200
Materials: bronze
Techniques: casting, engraving, gilding
Location: iran
Subjects: birds
Measure
Object type: measure
Date: 1601 – 1700
Materials: pewter
Twee kandelabers
Object type: print
Materials: paper
Techniques: etching
Location: italy
Subjects: ornament ~ candelabrum
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 48 prenten plus een titelprent. Mitelli maakte tekeningen van marmeren pilasterdecoraties van de poort van de S. Bartolomeo di Porta Ravegnana in Bologna. Deze prenten zijn vervolgens naar die tekeningen gemaakt.
Axe with shaft hole
Object type: axe
Date: 2333 – 1668
Materials: copper alloy
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Beleg van Huy, 1705
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: siege, position war

Kaartje van het beleg en inname van Huy door de Geallieerden, van 26 mei tot 11 Juni 1705. Ook uitgegeven als een van de negen voorstellingen op een groot blad met gebeurtenissen uit het jaar 1705 van de Spaanse Successieoorlog.
Gezicht op een haven
Object type: print
Date: 1847 – 1932
Materials: paper
Techniques: etching, intaglio
Location: germany
Artist: william unger
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1932
Subjects: harbour, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228
Annunciatie
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the annunciation: mary kneeling
Inscriptions: inscription: ‘Perillvstri sodalitati Partheniae ... officii causâ D.C.Q’, collector's mark: Lugt 240

Prent naar schilderij van Peter Paul Rubens.
Portrait of Kuchal Oghlan: Folio from Salim's Album
Object type: illustrated album leaf
Date: 1595 – 1600
Materials: gold, paper, watercolor
Location: india
Artist: nanha
Artist role: artist

Persian inscriptions identify the subject of this painting as Kuchal Oghlan (son of Kuchal), a Mughal courtier, as well as the name of the artist, Nanha. This work is a single folio from the so-called Salim Album, named for Prince Salim, who later became the Mughal Emperor Jahangir (r. 1605–27). The album was assembled around 1600, a moment when Prince Salim rebelled against his father Emperor Akbar (r. 1556–1605) and set up a rival court in Allahabad. Nanha has masterfully painted this aging courtier, who in his old age relies on the support of the staff tucked under his left armpit.
Fotoreproductie van de kopie naar De Nachtwacht door Gerrit Lundends
Object type: photograph
Date: 1864 – 1930
Materials: cardboard, paper
Techniques: carbon print
Artist: Anonymous
Subjects: mayor, frans banninck cocq, warfare; military affairs (+ citizen soldiery, civil guard, citizen militia), picture, painting, land forces (+ citizen soldiery, civil guard, citizen militia), amsterdam
Gezichten op Huis Kronenburg
Object type: drawing
Date: 1725 – 1725
Materials: ink, paper
Techniques: brush, etching
Location: amsterdam
Subjects: castle
Inscriptions: inscription: ‘'t Huijs Kroonenburg van de Rijweg te zien, soo als het zig vertoonde na de Franse woede Ao. 1676’

Prent uit: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaten. Amsterdam: Willem Barents, 1725.
Musicerend gezelschap
Object type: print
Date: 1706 – 1755
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: making music; musician with instrument, outdoor gathering, 'délices à la campagne'
Inscriptions: collector's mark: Lugt 2228
Amulet case
Object type: amulet case
Materials: bronze, copper
Culture: sasanian
Location: mesopotamia

A group of ten amulet cases (32.150.95, 32.150.96, 32.150.97, 32.150.98, 32.150.99, 32.150.100, 32.150.101, 32.150.102, 32.150.103, 32.150.104) were found inside a plain unglazed jar (32.150.94). The cases are made from sheet copper rolled into cylinders and the ends stopped with bitumen. Although only one fragment of papyrus was found, the texts probably contained exorcisms or blessings. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. Over the course of the excavations in the Ctesiphon area, six houses from a series of small mounds called el Ma’aridh were excavated. These houses follow typical Sasanian design with a mix of square and elongated rooms. Ma’aridh II is a large house that is entered through a small entry way rather than directly from the street. The house is divided into a utilitarian, or service, sector on the eastern side of the building, and a monumental decorated space to the west of the entryway. The western rooms were decorated with pillars, a double horseshoe archway, and stucco reliefs. A long barrel vaulted arched room, 19 meters in length, was probably the most important room of the house. It was entered through a smaller room with four pillars. This large house, with the excavated portion revealing more than 1800 square meters, represents an elite household. Excavation Number: O.1406a
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Table with meat, in front of a kline
Jardinière (part of a service)
Object type: jardinière
Date: 1765 – 1765
Materials: hard paste porcelain
Autumn Grasses
Object type: screen
Date: 1601 – 1650
Materials: gilt, ink, panel, paper
Culture: japanese
Subjects: leaves,autumn

Gardens planted to evoke deserted fields of autumn wildflowers inspired poets and artists in many media: painting, ceramics, lacquer, and textiles. Eulalia and Japanese bush clover were the most appreciated of the autumn plants for their appearance of wildness and abundance when waving in the wind, as well as for their suggestion of melancholy when withered. Many screens similar to this pair have been attributed to the Hasegawa school, founded by Hasegawa Tōhaku (1539–1610). The highly dramatic depiction of the grasses—with their rhythmic arrangement into clumps and sharp angling at the bottom to hint at a recession into space—suggests that the screens were produced by a Hasegawa painter in the first half of the seventeenth century. To create their signature mode of representation, Hasegawa artists made determined efforts to assimilate all available techniques of painting, from the famed Tosa-school style to methods used by artists employed by ready-to-sell painting shops. They and their patrons especially favored the subject of autumn grasses.
Stela of Amenhotep II Offering to Amun
Object type: stela, amenhotep ii, amun
Date: 1427 – 1400
Materials: limestone, pigment
Location: upper egypt, thebes
Subjects: men,amun
Studie
Object type: sketchbook leaf
Date: 1822 – 1880
Materials: paper, pencil
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880

Blad 11 verso uit een schetsboek met 45 bladen.
Evening coat
Object type: evening coat
Date: 1901 – 1901
Materials: fur, silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

This is an iconic coat of the House of Worth. The construction is meant to emphasize the textile in the most dramatic way and would have been custom made for the House. The House of Worth was founded with an interest in heavily supporting the textile industry through vast amounts of elaborate textiles. This is an example of how that mission continued on through the design's of Charles Frederick Worth's son. Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion after 1900. Around 1910 Jean-Philippe limited his design work to important orders and hired his nephew, Jean-Charles Worth, as the new lead designer before leaving the company entirely after World War I.
Portret van Gerard van Velzen
Object type: book illustration
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: historical persons

Prent uit: Kok, Jacobus. Vaderlandsch woordenboek: met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1793, dl. 29.
Jar
Object type: jar
Date: 1981 – 1550
Materials: clay
Location: egypt