deem-data/ArtiFact huggingface dataset:
Gezicht op een rivier in Glen Finglas
Object type: page
Date: 1858 – 1863
Materials: paper
Techniques: albumen print
Location: glen finglas
Artist: thomas ogle
Artist role: fotograaf
Subjects: river
Inscriptions: number: ‘p. 61.’
Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 17 (verso)
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: ornament

Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right: Design covers entire grid. It is decorated with a pattern of overlapping octagons, each framing a different floral motif at the center.
Het godsdienstig onderwijs
Object type: print
Date: 1840 – 1841
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2228

Naast een zittende monnik staat een meisje met rozenkrans. Tegen de stoel staat een bijbel. Rechts staat een tafel waarop een boek en schedel.
Adam en Eva
Object type: print
Date: 1707 – 1739
Materials: paper
Techniques: engraving, etching
Subjects: adam and eve reproved by god
Inscriptions: collector's mark: Lugt 240
Portret van Lodewijk van Brunswijk-Wolfenbüttel
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: ludwig ernst von braunschweig-wolfenbüttel
Inscriptions: date

Portret van Lodewijk in een ovaal. In een kader zijn naam en titels.
Vondel in de bank van leeninge
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: cologne, amsterdam, joost van den vondel, historical persons
Inscriptions: inscription: ‘Die banck van Leeninge’
Robert Stuart
Object type: painting, miniature
Date: 1804 – 1804
Materials: ivory, watercolor
Culture: american
Artist: robert field
Artist role: artist
Artist nationality: american, born england
Artist dates: 1764 – 1819
Subjects: men,portraits

Robert Stuart was a resident of Baltimore.
Kasboek met notities
Object type: sketchbook leaf
Date: 1840 – 1860
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Inscriptions: annotation: ‘...’

Kasboek van een schilder met notities over aangeschafte materialen. Bladzijde 93 uit een schetsboek met 96 bladzijden.
Luther in seiner Familie
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: priest, martin luther, instrumental and vocal music together, parents with their children, theologian, historical persons - bb - woman, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Zeitschrift für bildende Kunst 12 (1877).
Paris. Boulevard des Capucines. Le Café de la Paix et le Grand Hôtel
Object type: photomechanical print
Date: 1892 – 1902
Materials: cardboard
Techniques: photograph, writing
Location: paris
Artist: Anonymous
Subjects: avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage), four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, inn, coffee-house, public house, etc.
Inscriptions: postage stamp
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Colorless with pale blue green tinge. Rim folded out, over, and in, forming uneven constriction on one side of mouth; cylindrical neck with tooled indent around base; squat piriform body; thick bottom, slightly concave at center. Intact; pinprick bubbles; dulling and iridescence on exterior; patches of soil encrustation and iridescent weathering on interior.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of a kylix foot; outer face is glazed; underside is glazed with a line of reserve at the outer edge
Jug
Object type: jug
Date: 1800 – 1900
Materials: porcelain
Culture: american
Location: united states
Subjects: flowers
Fragmenten van koehaar uit het wrak van de in 1735 vergane Oost-Indiëvaarder 't Vliegend Hart, vermoedelijk breeuwsel
Object type: hair
Date: 1700 – 1735
Materials: hair
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Het fragment is een plat vierkantje bestaande uit losse, samengeperste koeharen. Deze haren werden gebruikt naden te dichten/breeuwen. Het is oranje van kleur, als gevolg van roestvoering.
Stilleven met gevogelte en vazen
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: still life of miscellaneous objects
Inscriptions: retailer's mark: ‘AUGUSTE DEMMIN,/ Exportateur,/ Rue d'Angoulême, 6.-Paris./ No 50275 [...]’
Achterzijde van een gotische kathedraal
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: church (exterior)

Pagina 13 uit een schetsboek met 50 bladen.
Boekdrukkerij en een schrijvende man in een achthoekige omlijsting
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: writing-table, writing-desk, printing press
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228, collector's mark: Lugt 2690, collector's mark: Lugt 4780

Interieur van een boekdrukkerij met een man die een drukpers bedient. Op de voorgrond staat een letterkist. Een muur met een getralied venster scheidt de boekdrukkerij van een schrijvende man achter een tafel.
Exterieur van een paviljoen op het Výstaviště te Praag
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: façade (of house or building), temporary exhibition, 'salon'
Glass base fragment
Object type: fragment of a base
Date: 301 – 400
Materials: glass
Culture: roman

Colorless. Integral, tubular base with rounded edge; horizontal upper side, then curving up and inward as short, broad pedestal to bottom edge of body; deep, conical kick at center of bottom, with pontil scar around apex. Complete base, broken off from body of vessel; pinprick and a few larger bubbles; dulling and iridescent weathering, with thicker creamy weathering inside kick.
Governor Pennoyer, Oregon, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: birds,men,portraits,coat of arms,flags

Trade cards from the "State Governors, Arms, Etc." sseries (N133-2), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Lappet
Object type: lappet
Date: 1730 – 1739
Materials: linen
Culture: french

Fine pieces of lace were often reconfigured from their original forms as they passed from one generation to another. These lappets were made by cutting from a single length. The variety of fillings and the compelling movement and dynamism of the design mark it as a high quality piece.
The Marriage of St. Catherine
Object type: print
Date: 1625 – 1713
Techniques: etching
Artist: carlo maratti
Artist role: artist
Artist nationality: italian
Artist dates: 1625 – 1713
Subjects: madonna and child,saint catherine
String of blue faience ball and cylinder beads
Object type: necklace, bead
Date: 1802 – 1450
Materials: faience
Location: egypt
Jesus blessing the bread and wine
Object type: embroidered picture
Date: 1801 – 1850
Materials: silk
Subjects: jesus
Afbeelding naar het best Origineel, van de Stad Batavia, en hoe het verraad der Chineesen op de zelve, door de Europiaanen is verydeld geworden, op den 8sten October etc. des Jaars 1740
Object type: print
Date: 1740 – 1741
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maps of cities, batavia

Plattegrond van Batavia ten tijde van de massamoord op de Chinezen door de Nederlanders in de Chinese wijk van Batavia op 9 oktober 1740, na de ontdekking van het vermeende verraad op 8 oktober. Linksboven de legenda.
"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Object type: folio from an illustrated manuscript
Date: 1597 – 1598
Materials: gold, ink, paper, watercolor
Techniques: dyeing
Location: india
Artist: amir khusrau dihlavi
Artist role: author
Artist nationality: indian
Artist dates: 1228 – 1350
Subjects: men,women,harps,deer,horses,rabbits

Approximately one century after the Persian poet Nizami wrote his Khamsa (Quintet), the Indian poet Amir Khusrau Dihlavi composed a response using Nizami’s structure but varying his stories slightly. This painting comes from the Mughal emperor Akbar’s (r. 1556–1605) personal copy of Amir Khusrau’s verses. It shows the king Bahram Gur with his beautiful slave girl, Dilaram, who could make animals sleep or awaken with the sound of her music.
Familie Kessler tijdens een uitje op het landgoed van kasteel Ter Horst in Loenen
Object type: stereograph
Date: 1904 – 1904
Materials: paper, photographic support
Techniques: collodion silver print
Location: potsdam
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: loenen
Boerenwoning
Object type: drawing
Date: 1630 – 1670
Materials: chalk, ink, paper
Techniques: brush, pen
Luik stadsgezichten
Object type: wrapper
Date: 1900 – 1950
Materials: cardboard, ink
Techniques: pen
Artist: Anonymous
From My Window at An American Place, North
Object type: photograph
Date: 1931 – 1931
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Subjects: cityscapes

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Chocolate cup and saucer
Object type: platter
Date: 1725 – 1730
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: label: ‘SAMMLUNG / Dr. FRANZ OPPENHEIMER’, number: ‘178.’, mark, factory mark

Meissener Porzellan Manufaktur
Meissen, c. 1725–1730
hard-paste porcelain
Creamer
Object type: cream pot
Date: 1827 – 1827
Materials: silver
Culture: american
Location: united states
Artist: harvey lewis
Artist role: maker
Artist nationality: american
Artist dates: 1780 – 1835
Drie portretten van vrouwen met bloemen
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print, hand coloring
Artist: walery
Artist role: fotograaf
Subjects: flowers, historical persons - bb - woman

Deze foto's maken deel uit van een album.
Vijftigjarige onafhankelijkheid van Nederland 1863
Object type: history medal
Date: 1863 – 1863
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde de Nederlandse Maagd met verbroken ketens tussen de Nederlandse leeuw met tekstlint en het gekroonde Nederlandse wapenschild, te midden van symbolen van handel en nijverheid, bovenaan het jaartal 1813, op de keerzijde acht regels tekst tussen samengebonden eikentakken.
Reliëf met Bethuel in de Notre-Dame van Amiens
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Subjects: sculpture (+ relief ~ sculpture), notre-dame d'amiens
Inscriptions: inscription: ‘Eliéxer introduit devant Bathuel’
The Shepherd and the Lamb
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: lambs,trees,shepherds
18 plates, each decorated with a Netherlandish province
Object type: plate dish
Date: 1822 – 1822
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: paris
Subjects: drenthe, verenigd koninkrijk der nederlanden
Inscriptions: monogram and date: ‘R. D. 1822’

These plates reflect the period when the Netherlands and Belgium together formed the United Kingdom of the Netherlands (1815-1830). The kingdom consisted of 17 provinces plus the grand duchy of Luxembourg. The gold decoration is in the Neoclassical style. On the upper
edge are the arms of the kingdom, on the lower border those of each province. Today the Netherlands consists of 12 provinces.
Staande man met pijp en kruik
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: leiden
Artist: pieter de mare
Artist role: print maker
Artist dates: 1758 – 1796
Subjects: pipe ~ tobacco, jar, jug (used as drinking-vessel), the (nude) human figure; 'corpo humano' (ripa) (+ old male (human being))
Inscriptions: collector's mark: Lugt 2233

Een oude man, naar links. Hij houdt in zijn rechterhand een pijp omhoog. In zijn linkerhand heeft hij een kruik.
Paulus' vlucht uit Damascus
Object type: album leaf
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: disciples let paul down the wall of the city in a basket

Paulus ontvlucht de stad Damascus in de nacht. Hij wordt van de stadsmuur neergelaten met een mand en trekt dan te voet weg. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Hand. 9:25. Deze prent maakt deel uit van een album.
Koppen en studies
Object type: sketchbook leaf
Date: 1895 – 1895
Materials: chalk, paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: head (human)

Blad 22 verso uit een schetsboek met 23 bladen.
Exterieur van de Kathedraal van Sevilla
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: sevilla
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: church (exterior), façade (of house or building)
Inscriptions: number: ‘2514.’
Saint Mary Magdalene
Object type: roundel
Date: 1601 – 1800
Materials: glass, paint, pigment
Subjects: mary magdalene
Christ Among the Doctors, from The Life of the Virgin
Object type: print
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Ruïne van kasteel de Haar bij Haarzuilens
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: castle
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Huis de Haer 1790’
Currus triumphalis Illustris / Triomftocht van Willem van Oranje
Object type: propagandaprent
Date: 1623 – 1623
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: delft, william i (prince of orange), faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, symbolic triumphs of individual persons, trunked animals: elephant
Inscriptions: collector's mark: Lugt 240

Zinnebeeldige voorstelling van de deugden van Prins Willem van Oranje. Zegewagen waarin de prins zit, rijdt onder een erepoort van loofwerk door, getrokken door 3 olifanten. De olifant met de personificatie Geloof; naast haar andere personificaties van deugden. Met uitleg in het Latijn boven de figuren, Hollandse vertaling onderaan.
Interieur van het Pantheon op Oxford Street in Londen
Object type: print
Date: 1708 – 1772
Materials: paper
Techniques: mezzotint
Location: london
Subjects: dancing, visiting; receiving guests; elegant company, fan, conversation, dialogue; conversation piece
Inscriptions: date
Piece
Object type: piece
Date: 1701 – 1900
Materials: metal thread, silk
Culture: japanese
Subjects: flowers
Christus en de Kanaänitische vrouw
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Location: utrecht
Artist: magdalena van de passe
Artist role: print maker
Artist dates: 1600 – 1638
Subjects: a canaanite woman kneels before christ, asking him to heal her daughter; the metaphor of the dogs and bread (matthew 15:21-28; mark 7:24-30)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een Kanaänitische vrouw knielt voor Christus en smeekt hem haar dochter te genezen. Voorheen ten onrechte geïnterpreteerd als de genezing van de bloedvloeiende vrouw. De voorstelling is gevat in een ronde omlijsting met een randschrift, in spiegelbeeld, in het Latijn.
Handles and feet of a bronze louterion (basin)
Object type: handle and foot of a louterion
Date: 500 – 476
Materials: bronze
Culture: greek
Subjects: palmettes,satyrs

The three feet are in the shape of lions' paws. The handles terminate in recumbent satyrs (followers of the wine god, Dionysos) holding drinking horns. The iconography is usual for an object that contained water.
Jongeman huilt geknield bij twee meisjes
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: adolescent, young woman, maiden, father with daughter(s) (father-love), weeping
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Het begin der 19de eeuw. Mannen en vrouwen.
Jane Morris: Study for "Mariana"
Object type: drawing
Date: 1868 – 1868
Materials: chalk, paper
Artist: dante gabriel rossetti
Artist role: artist
Artist nationality: british
Artist dates: 1828 – 1882
Subjects: shakespeare,portraits,women

Long attracted by Jane Burden Morris’s unconventional beauty, Rossetti placed her at the center of this sheet, which he began as a head study, then developed to represent Mariana from Shakespeare’s Measure for Measure and Tennyson’s poem Mariana in the Moated Grange. Her expression and dejected posture convey frustrated desire and weary resignation—in both sources, Mariana waits unhappily for a tarrying fiancé. The artist likely intended the theme to echo Jane’s real-life dilemma, as about 1868 her nine-year marriage to William Morris grew strained and she became increasingly close to Rossetti. The drawing relates to a painting Rossetti made in 1870, now in the Aberdeen City Art Gallery and Museum, and echoes lines from act 4, scene 1 of Shakespeare's play, where Mariana listens to a song that includes the line, "Take, O take, those lips away..." In the painting the artist replaced the vase of flowers with a singing boy, and gave Mariana a piece of embroidery to hold rather than a sprig of sycamore-fig, peach or willow leaves.
Putti die Gods woord verbeelden
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: sacrificing a burnt offering ~ jewish religion, angel(s) represented as child(ren), the new tables of the law (exodus 34)
Inscriptions: collector's mark: Lugt 2228

Medaillon met een putto die op de tafelen der wet leunt en een zegenend gebaar maakt. Op de achtergrond een altaar met een brandoffer. De prent heeft een omlijsting met een Bijbelcitaat uit Gal. 3 in het Latijn.
Portret van Martinus Cohen Stuart
Object type: photograph
Date: 1855 – 1867
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: the hague, utrecht, martinus cohen stuart, adult man, historical persons
Portret van Andrew Mackay
Object type: book illustration
Date: 1812 – 1812
Materials: paper
Techniques: etching
Location: leith
Subjects: historical persons, mathematics (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Mackay, Andrew. The Description and Use of the Sliding Gunter in Navigation. Leith: Archibald Allardice et al, 1812.
Portret van een onbekende zittende man
Object type: frame
Date: 1855 – 1870
Materials: cardboard, glass, paper
Techniques: ambrotype
Artist: Anonymous
Subjects: sitting figure, historical persons
J.P. à Lillienstedt
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: earl, ornament ~ medallion, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
De oude Tobias vermaant zijn zoon
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: tobit and anna with their son tobias
Inscriptions: number: ‘177’, collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the mouth of an undetermined shape
Interieur van het Tsaar Peterhuisje te Zaandam, 1697
Object type: print
Date: 1831 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: peter i de grote (tsaar van rusland)

Interieur van het Tsaar Peterhuisje te Zaandam, waar tsaar Peter de Grote verbleef in augustus 1697. Aan de wand een bord geschonken bij het koninklijk bezoek in 1831.
Censer with Pierced Design
Object type: censer
Date: 1820 – 1820
Materials: enamel, porcelain
Culture: japanese
Hoofd van een paard met oogkleppen op, naar links
Object type: drawing
Date: 1818 – 1818
Materials: chalk, paper, pencil
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: horse
Flower holder
Object type: flower holder
Date: 1867 – 1900
Materials: stone
Culture: chinese
Subjects: flowers
[Studio Portrait: Man Holding Decorative Stick with Italian Flag, Naples]
Object type: carte de visite
Techniques: albumen silver print
Artist: giorgio conrad
Artist role: fotograaf
Artist nationality: italian, born switzerland
Artist dates: 1827 – 1889
Subjects: men,portraits,flags

The carte de visite, composed of a print of approximately 2 x 4 inches mounted to card stock, is perhaps the most ubiquitous form of nineteenth-century photography. From the late 1850s through the latter half of the century, these economical keepsakes circulated en masse and spurred a veritable “cartomania.” This is an example of those distributed by the commercial photography studios of Conrad in Naples and Ponti in Venice, depicting occupational “types” related to those cities, such as a hooded member of a religious confraternity, a masked Pulcinella (a stock theater character), a musician, a water carrier, and an oyster shucker, among others. While these stereotypical images charmed tourists interested in foreign customs, they also appealed to a growing clientele of middle-class Italians as a means of reflecting on their own social standing.
Winterlandschap
Object type: copper plate
Date: 1821 – 1886
Materials: copper
Techniques: etching
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Bacharach und Ruine Stahleck
Object type: print
Date: 1832 – 1872
Materials: paper
Techniques: hand coloring
Location: koblenz
Subjects: river
Inscriptions: collector's mark: Lugt 2228

Vanaf 1828 verschenen bij Franz Friedrich Röhling in Koblenz verschillende uitgaven met prenten van burchten en kastelen gelegen langs de Rijn, vervaardigd door Rudolf Bodmer naar tekeningen van Adolf Lasinsky. Vanaf 1832 verschenen deze publicaties bij Karl Baedeker, die het fonds van Röhling had overgenomen.
Cravat End
Object type: textile
Materials: lace, linen
Techniques: lace
Location: belgium