deem-data/ArtiFact huggingface dataset:
Abraham ontvangt de drie engelen / Lot verlaat Sodom
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the visit of the three angels (three men) ~ story of abraham (genesis 18), the destruction of sodom and gomorrah: lot and his family flee to zoar, carrying their belongings; an angel may be showing the way (genesis 19:24-29)
Inscriptions: collector's mark: Lugt 2228

Illustraties uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. I.
Doopkleed van batist met strooibloemen, een gerimpeld aangezette strook geschulpte kant en oranje voering van zijde
Object type: doopkleed
Date: 1825 – 1845
Materials: textile, silk
Techniques: embroidered, lace
Location: netherlands
Artist: Anonymous

Doopkleed van batist met strooibloempjes, kant en oranje voering. Borduurpatroon: strooimotief van een fijn korenbloempje met open hartje. Kant: type Lille, met patroon van grote hangende bloemen op een moesjesfond en door gevederd blad met "punaises" gedekt. Voering: oranje ponjé-zijde. Opmerking: in 1968 gewassen.
Echtpaar
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers, dutch east indies, the

Portret van een Europees echtpaar voor een kamerscherm, waarschijnlijk te Banka. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
Portret van Franz Benedikt Hermann
Object type: print
Date: 1775 – 1834
Materials: paper
Techniques: engraving
Location: germany
Artist: konrad westermayr
Artist role: print maker
Artist dates: 1765 – 1834
Subjects: austria, historical persons
Inscriptions: collector's mark: Lugt 2228
Head of Hercules with the lion's skin and bust of Omphale
Object type: cameo
Date: 1534 – 1566
Materials: stone
Subjects: profiles,hercules

Gems carved on the back as well as the front became a specialty of sixteenth-century masters. Omphale, legendary queen of Lydia, was a mistress of Hercules. The zigzag of white that emerged in both sides of the grayish brown morsel of agate forcefully highlights both his lion skin and her veil.
Madame Bovary
Object type: book
Date: 1885 – 1885
Techniques: etching
Artist: gustave flaubert
Artist role: author
Artist nationality: french
Artist dates: 1821 – 1880
Subjects: women
Twee foto's van prinses Juliana bij een plechtigheid
Object type: photograph
Date: 1930 – 1936
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: juliana of the netherlands, adult woman

Deze foto's maken deel uit van een album.
Coin
Object type: coin
Date: 1101 – 1200
Materials: copper, silver
Location: iran

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Compertimenta pictoriis flosculis manubiisque…
Object type: ornament print
Date: 1567 – 1567
Materials: paper
Techniques: engraving
Location: netherlands

De cartouche wordt bekroond door een vaas met bloemen en fruit. Zowel links als rechts hangen over het rolwerk een man en een vrouw. Gearceerde achtergrond. Hoort bij serie van 14 bladen cartouches met rolwerk, grotesken, trofeeën en friezen. Het titelblad ontbreekt.
Classis bis mille & octingentarum navium omnibus belli copijs onustarum ductore Illustriss. Principe Mauritio, in Flandriam appulsa est. XXII Junii MVIC.
Object type: print
Date: 1610 – 1624
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), troop movements, transportation (+ sailing-ships)

De vlootlanding bij Philippine. De Staatse vloot van Maurits voor Philippine waar manschappen aan boord worden genomen, 22 juni 1600. Tocht naar Oostende van het Staatse leger, 19-27 juni, 1600.
Eccleston Medal
Object type: medal
Date: 1805 – 1805
Materials: bronze
Culture: american
Location: united kingdom
Artist: thomas webb
Artist role: artist
Artist dates: 1804 – 1827
Subjects: george washington,men,profiles

In 1805, Daniel Eccleston commissioned Thomas Webb to create a medal honoring George Washington; what resulted would later be recognized as one of the most unique and complex medals representing the president. Eccleston was an Englishman and a Quaker, described by many and in his own obituary (published while he was still alive) as eccentric. He lived for many years in North America after the American Revolution. He wrote of spending time with French-allied Huron and British allied Iroquois tribes and accompanying several of their important leaders in birch-bark canoes on major rivers in Canada. Eccleston also claimed to have spent a couple of days with Washington at Mount Vernon, but several historians have questioned the accuracy of the account. The medal reflects both supposed experiences: the obverse shows a portrait bust of Washington in unusual metal armor, while the reverse depicts a semi-nude Native American man with the inscription "The Land Was Ours." Eccleston’s religious and personal ties may have induced him to include the Indigenous figure, often interpreted to be a critique of the dispossession of Native lands. The medal was sent to various American statesmen including Thomas Jefferson who displayed it in his home.
Candlestick
Object type: candlestick
Date: 1670 – 1700
Materials: brass

A typical household in seventeenth-century New England owned several metal or ceramic candlesticks. Wax candles were an expensive rarity—most colonists made their own candles from tallow (animal fat).
Portret van kardinaal Agostino Cusani
Object type: print
Date: 1712 – 1762
Materials: paper
Techniques: engraving
Location: rome
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228
Twee steengoedscherven, gevonden bij V.O.C.-schip Witte Leeuw, mogelijk afkomstig van Zeelelie
Object type: sherd
Date: 1750 – 1799
Materials: stoneware
Artist: Anonymous

Bodemfragment en halsfragment van steengoed, gevonden bij V.O.C.-schip de 'Witte Leeuw'. Dit object is 18e-eeuws en kan dus niet van de vracht van de Witte Leeuw zijn. Onduidelijk is of het object van de site komt of dat het later is vermengd, mogelijk met materiaal van de Zeelelie.
Bronzen eeuw
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: helved weapons, polearms (for striking, hacking, thrusting): lance, personification of the bronze age; 'età del bronzo', 'età del rame' (ripa)
Inscriptions: collector's mark: Lugt 2228

Het Bronzen tijdperk: vrouw met een lans en een helm. Op de achtergrond twee soldaten te paard. De prent refereert aan het mythologisch geïnspireerde idee dat tijdens de Bronzen eeuw de mens steeds meer moest werken om zich in leven te houden. Bovendien stond eigendom centraal in het leven. De prent maakt deel uit van een serie over de vier tijdperken.
[Patient, Surrey County Lunatic Asylum]
Object type: photograph
Date: 1850 – 1855
Techniques: albumen silver print, glass negative
Artist: hugh welch diamond
Artist role: artist
Artist nationality: british
Artist dates: 1808 – 1886
Subjects: portraits,women

As the superintendent of the Female Department of the Surrey County Lunatic Asylum, Diamond was among the first to use photography to investigate the physiognomy of insanity. He photographed his own patients, classifying the portraits according to now antiquated "types of insanity," such as nymphomania, catalepsy, and suicidal melancholy. Working in the belief that mental states are manifested in the physiognomy and that photographs are objective representations of reality, Diamond described himself as a photographer who "catches in a moment the permanent cloud, or the passing storm or sunshine of the soul, and thus enables the metaphysician to witness and trace out the connexion between the visible and the invisible." What is made visible in the patient's gaze and with historical hindsight is, ironically, the folly of such beliefs.
Aanslag van Willem II op Amsterdam, 1650
Object type: history print
Date: 1782 – 1784
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: arnhem, william ii (prince of orange), siege, position war, amsterdam

Gebruikt als illustratie in: J.W. te Water, De vaderlandsche Historie van den heere J. Wagenaar, verkort, en met leerzaame aanmerkingen, ten dienste der Nederlandsche jeugd, 1784-1800, 4 delen. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller. Mogelijk gebaseerd op de anonieme pret naar de tekening van R. Roghman van de troepen bij het Gemeenlandshuis van Rijnland in Spaarndam (zie RP-P-OB-4253).
Portret van Hendrik Tollens
Object type: print
Date: 1839 – 1871
Materials: paper
Techniques: tone lithography
Artist: carl wilhelm mieling
Artist role: print maker, printer
Artist dates: 1815 – 1903
Subjects: rotterdam, hendrik tollens, adult man, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Opmaken van de rekening der onafhankelijke Nederlandse gewesten, rekenpenning van de Raad van State
Object type: jeton
Date: 1594 – 1594
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: raad van state

Koperen penning. Voorzijde: hand uit wolken houdt in evenwicht zijnde weegschaal vast binnen omschrift; afsnede: opschrift. Keerzijde: opschrift
Portret van Johannes Smetius jr.
Object type: print
Date: 1809 – 1899
Materials: paper
Techniques: lithograph
Subjects: nijmegen, historical persons, art collector, functionaries and dignitaries (with name) ~ episcopal protestant churches
Inscriptions: collector's mark: Lugt 2228
Rapunzel (eene soort salade)
Object type: print
Date: 1889 – 1906
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph
Location: wissembourg
Subjects: tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen uit het sprookje van Rapunzel. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 69.
Sleutel
Object type: key
Date: 1400 – 1950
Materials: bronze
Location: rome

Sleutel voorzien van eikelvormig oog met opstand. Een van de vier tanden van de baard ontbreekt.
Boerderij naast een hoge boom
Object type: photograph
Date: 1905 – 1907
Materials: photographic support
Techniques: collodion silver print
Location: netherlands
Artist: folkert idzes de jong
Artist role: architect
Artist dates: 1877 – 1929
Subjects: trees, farm (building), netherlands

Onderdeel van Topografisch album van Nederlandse dorpen en steden 1905.
Mosaic Tesserae
Object type: tessera
Date: 501 – 1500
Materials: glass, gold, silver
Culture: byzantine

These fifty pieces of tesserae (small pieces of colored material) may have come from a Byzantine mosaic.
Portret van Anton Reiser
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving
Location: hamburg
Subjects: augsburg, anton reiser, historical persons
Inscriptions: watermark, collector's mark: Lugt 2228
Portret van Philipp Jacob Neuffer
Object type: print
Date: 1738 – 1783
Materials: paper
Techniques: mezzotint
Location: stuttgart
Artist: johann philipp weisbrod
Artist role: print maker
Artist dates: 1704 – 1783
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Studie
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: london
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Pagina 21 en pagina 22 uit schetsboek XXXV met 36 pagina's.
Tirailleurs-Grenadiers / Sergent
Object type: print
Date: 1851 – 1865
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: officer, (military) uniforms
High-back chair (pair with 1975.1.1999)
Object type: armchair
Materials: bone, ivory
Culture: north african
Fotoreproductie van een portret van Christoph Martin Wieland door vermoedelijk Albert Gräfle
Object type: reproduction
Date: 1868 – 1878
Materials: photographic support
Techniques: albumen print
Subjects: publisher, christoph martin wieland, writer, poet, author
Wintergezicht
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Subjects: ice ~ freezing weather, skates (winter sports) (+ out of doors (sports, games, etc.))
Inscriptions: collector's mark: Lugt 2228

Schaatsers op het ijs, op de achtergrond een kerk met huizen.
Jeugdstorm
Object type: photograph
Date: 1944 – 1944
Materials: photographic support
Techniques: photography
Location: utrecht
Artist: j.h. hasewinkel
Artist role: fotograaf
Subjects: flushing, michiel adriaenszoon de ruyter, military celebrations, choir, utrecht

In een zaal van theater Tivoli in Utrecht staat een koor van de Jeugdstorm opgesteld met een orkest. Het betreft de uitvoering van de De Ruyter cantate, geschreven eind 19de eeuw. Achter het koor een portret van Michiel Adriaenszoon de Ruyter (kopie naar het schilderij door Ferdinand Bol in het Rijksmuseum) geflankeerd door vlaggen waaronder die van de Jeugdstorm.
Nef de St. Pierre
Object type: album leaf
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: geneva cathedral
Artist: Anonymous
Subjects: parts of church interior: nave
Jar
Object type: jar
Date: 1820 – 1820
Materials: glaze, porcelain
Culture: japanese
Subjects: trees
Act IV (Yondanme), from the series "Perspective Pictures of the Storehouse of Loyal Retainers (Uki-e kanadehon Chushingura)"
Object type: print
Date: 1791 – 1794
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: kitao masayoshi (kuwagata keisai)
Passio et resurrectio D.N. Iesu Christi. Edita et excusa ab Ad. Collaert
Object type: print
Date: 1580 – 1590
Materials: gold, paper, silver
Techniques: engraving
Location: antwerp
Subjects: christ enters hell

Christus daalt af in de onderwereld. Onderdeel van de prentserie over de passie van Christus: Passio et resurrectio D.N. Iesu Christi. Edita et excusa ab Ad. Collaert. In prentalbum met twee reeksen van respectievelijk 34 en 24 gravures met scènes uit het leven en het lijdensverhaal van Christus.
Bifolium from the "Nurse's Qur'an" (Mushaf al-Hadina)
Object type: folio from an illustrated manuscript
Materials: gold, ink, parchment, watercolor
Location: tunisia

This double-page from a Qur'an comes down to us with the fascinating information that the nursemaid to one of the Zirid rulers of North Africa commissioned it for donation to the Great Mosque of Qairawan. It is written in a form of the 'new style kufic' script that was unique to North Africa, and it was copied on parchment, which remained in use in this region long after paper was commonly used for Qur'ans from Egypt, Iraq or Iran.
Havengezicht met zonsondergang
Object type: print
Date: 1625 – 1650
Materials: paper
Techniques: etching
Location: paris
Subjects: harbour, sailing-ship, sailing-boat, landscape with tower or castle, sunset
Inscriptions: inscription: ‘MT-PI’
Woman Picking Fruit and Oviri
Object type: print
Date: 1895 – 1896
Materials: ink, ivory, paper
Techniques: woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Zeitgenossen
Object type: print
Date: 1829 – 1840
Materials: paper
Techniques: engraving
Artist: johann georg nordheim
Artist role: print maker
Artist dates: 1804 – 1853
Subjects: berlin, historical persons, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2228

Afkomstig uit de portretserie 'Zeitgenossen', uitgegeven tussen 1829 en circa 1840.
Fireback
Object type: fireback
Materials: iron
Plaque
Object type: relief
Date: 900 – 601
Materials: ivory
Culture: assyrian
Location: mesopotamia

This diamond-shaped plaque consists of four smaller diamonds, each in a beaded frame, surrounded by an outer beaded border. Carved ivory pieces such as this were widely used in the production of elite furniture during the early first millennium B.C. They were often inlaid into a wooden frame using joinery techniques and glue, and could be overlaid with gold foil or inlaid with colored glass or stone pieces to create a dazzling effect of gleaming surfaces and bright colors. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Ocean sunfish (Mola mola)
Object type: drawing
Date: 1583 – 1583
Materials: graphite, ink, paper
Techniques: brush, pen
Location: zeeland
Artist: adriaen coenen
Artist role: draughtsman
Artist dates: 1514 – 1587
Subjects: bony fishes: sun-fish
Inscriptions: inscription: ‘Anno 1584 Decēbris 19 / Visus Leydae / piscis planus / Rōdelet f. 425’, watermark, inscription: ‘Desen vis is ghevangen / achter Engelant/ van / Wisse Maertens . en Dinge- / man Iemansoon/ visschers / van Ziericzee/ Hij was / lanck anderhalf voet/ en / vierdalve dume /die groote / vimmen 9. Dumen /Die voorvimmen 3 dumen / Die diepte een voet/ en / 4. dumen: sijn buijck / was wit als silver, / zonder schellen. Gheen / vischer en weet/ hoe / dat desen genaemt is. / Op ten xiiij Octobris / Anno MDLxxxiii.’, inscription: ‘Longus fuit Leydae visus 3 ½ fere / et latus […] duos / crassus fere unū’
Standing cup with cover
Object type: standing cup with cover
Date: 1701 – 1733
Materials: glass
Subjects: soldiers,men
Karnak (Thèbes), Grande Porte du Nord Vue du Point X
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: architecture,ruins
Portret van Constantina de Haene
Object type: print
Date: 1621 – 1652
Materials: paper
Techniques: engraving
Location: the hague
Artist: crispijn van den queborn
Artist role: print maker
Artist dates: 1595 – 1652
Subjects: constantina de haene
Inscriptions: collector's mark: Lugt 2228

Portret van Constantina de Haene, ter gelegenheid van haar overlijden. Naast haar het familiewapen. Onder het portret haar naam en titels.
Imogen hunched over holding a sword, scene from Shakespeare, Cymbeline, Act 3 Scene 6
Object type: print
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, mexican
Artist role: artist

The print is possibly copied from Boydell's Shakespeare Gallery (see 24.66.1431)
Sparrows and Camellia in Snow
Object type: print
Date: 1831 – 1833
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige

Two versions of this design exist in the Art Institute's collection, each printed by a different publisher. This image is thought to be the later of the two versions. The most striking difference between the two impressions is the rendering of the color of the sky.
Maria en Kind met roos
Object type: print
Date: 1725 – 1763
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: johann christoph teucher
Artist role: print maker
Artist dates: 1715 – 1763
Subjects: mary sitting or enthroned, the christ-child in front of her, lying in her lap (or in front of her bosom), sometimes in pietà-posture, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Het schilderij door Parmigianino, beter bekend als de 'Madonna della Rosa' bevindt zich in de Gemäldegalerie Alte Meister te Dresden.
Boy Fishing
Object type: drawing and watercolor
Materials: board, graphite, ink, paper, watercolor
Techniques: pen
Location: france
Artist: dupenvant
Artist nationality: french
Artist dates: 1800 – 1899
Schrijver aan bureau bij geopend venster
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: human figure at (open) window, author, poet writing
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Sluiter, Willem. Buiten- eensaem huis- somer- en winter-leven. Amsterdam: Schagen, Gerbrandt, 1687.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 118 van dit album.
Plattegrond van Oudenaarde, ca. 1708
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities

Plattegrond van de versterkingen rond de stad Oudenaarde, ca. 1708.