deem-data/ArtiFact huggingface dataset:
Plattegrond van Ebrébourg, ca. 1702
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om het plaatsje Ebrébourg in Rheinland-Pfalz. Plaat nr. 98 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
Figuren in historisch kostuum
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, standing figure, adult man, historical costume

Mogelijk kostuums voor een theaterstuk. Pagina 14 uit een schetsboek met 58 bladen.
The suicide of Dido, Queen of Carthage
Object type: statuette
Date: 1667 – 1700
Materials: bronze, wood
Artist: ferdinando tacca
Artist role: artist
Artist nationality: italian
Artist dates: 1619 – 1686
Subjects: queens,female nudes

This bronze statuette depicts the suicide of Dido, queen of Carthage. According to Virgil’s Aeneid, when Dido failed to persuade her lover, the Trojan hero Aeneas, to remain with her, she plunged his sword into her breast as he sailed away. Here, a bit of drapery flutters around Dido’s nude body. The sword is missing. The subject was first interpreted as the Roman matron Lucretia, heroine of another classical tale of self-murder.[1] James David Draper, who pointed out that the figure wears a crown, provided the correct reading.[2] At least two other versions are known: one in London and a silvered cast in Munich.[3] The Dido has been variously attributed to a follower of Bernini in Rome, possibly of Flemish origin, circa 1650;[4] a Netherlandish artist under the influence of Bernini;[5] a first-rate sculptor who “shows knowledge of the rhetorical language of Bernini and Rubens in equal measure” (noting similarities with François Duquesnoy’s Flagellation groups);[6] and Ferdinando Tacca, because of its kinship with the features and theatrical attitude of bronzes such as Roger and Angelica or Mercury and Juno.[7] Anthony Radcliffe, discussing the London version, argued that the group of bronze Didos “derive from an unknown original in ivory or boxwood.” He also considered plausible the ascription to a Roman-based Flemish artist and noted the Rubensian character of the form.[8] Stylistically, a Flemish or Netherlandish origin seems to be more tenable, and this is corroborated by Richard Stone’s technical analysis of our Dido.[9] It was cast in brass with an armature of iron wire that is paired and twisted into spiral lengths, obviating the need for more typical core pins and plugs. The billowing drapery was cast separately and joined with solder. Interestingly, a statuette of Lucretia committing suicide recently appeared on the art market with a “South Netherlandish, circa 1700” designation.[10] Though not analogous to our bronze in general features, the Lucretia and the Dido might derive from two different castings of the same original series of Roman heroines. -FL Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. Untermyer 1962; Weihrauch 1967, pp. 489–90. 2. MMA 1975, p. 232. 3. V&A, A.113-1956 (Radcliffe 1966, p. 108, pl. 70); Bayerisches Nationalmuseum, 63/3 (Munich 1974, p. 62, no. 42 [as “Lukretia”]). 4. Untermyer 1962. 5. Weihrauch 1967, pp. 479–80. 6. Draper in Untermyer 1977, pp. 170–71. 7. Draper notes, April 1994, ESDA/OF. 8. Radcliffe 1966, p. 108, citing the Untermyer version as an “identical cast.” 9. R. Stone/TR, February 2011. 10. Sotheby’s, London, July 9, 2015, lot 107.
Portret van keizer Matthias in allegorische omlijsting
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Location: prague
Subjects: matthias van oostenrijk (rooms-duits keizer), pegasus, the winged horse, historical persons, fama as roman personification, dragon, allegory, personification of good government
Inscriptions: collector's mark: Lugt 2228

Buste naar rechts van keizer Matthias met een lauwerkrans in een ovale omlijsting uit eikentakken. Op de takken tien medaillons met portretten van voorgangers. Onder de rijksadelaar knielen links zijn onderdanen en rechts de Turken. Midden onder een vrouw met een stenen tafel waarop de naam en titel van de geportretteerde. Links Afgunst en rechts een vastgebonden man met ezelsoren. Als symbolen voor de gematigdheid van de keizer en de overwinning wordt links Pegasus getemd en rechts een draak gedood. Faam verkondigt met haar bazuin de triomf van de keizer. Bovenaan laten de drie Gratiën uit hun hoornen des overvloeds vruchten en rijkdommen, het goede der aarde, op hem neerkomen. Daarboven vier putti met een kroon en een scepter. Onder de voorstelling een tweeregelige, Latijnse tekst met een uitgebreide signatuur.
Bowl
Object type: bowl
Date: 1701 – 1733
Materials: glaze, porcelain
Culture: chinese
Glyptothek in München
Object type: photograph
Date: 1863 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: munich
Artist: Anonymous
Subjects: permanent exhibition, museum
Inscriptions: inscription: ‘München/ Glyptothek’, check stamp: ‘Verlagsanstalt f.K.u.W/ München/ vorm. Bruckmann’
Anvil and vise
Object type: anvil and vise
Date: 1701 – 1800
Materials: brass, iron
Doorsnedes van drinkvat van de koning van Kandy
Object type: drawing
Date: 1786 – 1786
Materials: ink, paper, pencil
Techniques: pen
Location: indian ocean
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: drinking-vessels

Pentekening over twee pagina's van de drinkschaal van de koning van Kandy. De tekenaar heeft met stippellijnen de doorsnede en de omvang van de schaal getekend. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 40-41 en zie p. 39, 42-44.
Copy of Frederick the Wise of Saxony
Object type: print
Date: 1509 – 1509
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: men,portraits
Dish
Object type: ceramic
Date: 1765 – 1765
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: polychrome
Location: worcester
Portret van een vrouw met hoofddeksel, zittend aan een tafel
Object type: photograph
Date: 1861 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: arnhem
Artist: carel eduard westerborg
Artist role: fotograaf
Artist dates: 1842 – 1916
Subjects: shelves, rack, sideboard, sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: inscription: ‘C. E. Westerborg/ Photograaf/ B. 263. Vossenstraat B 263./ ARNHEM.’
Hoofdpersonages in de affaire-Fualdès
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: stamp: Lugt 2325b, collector's mark: Lugt 2228
Portret van keizer Otho
Object type: print
Date: 1597 – 1629
Materials: paper
Techniques: engraving
Location: prague
Subjects: ferento, keizer, otho (keizer van het romeinse rijk)
Inscriptions: collector's mark: Lugt 240
Linnen kussensloop met een strook kant.
Object type: pillowcase
Date: 1400 – 1950
Materials: linen
Techniques: weave

Linnen kussensloop met langs een zijde een strook kant. Het sloop is gemerkt: HW 18. Bij het sloop hoort een kussensloop met invnr. BK-1980-694-B.
Wees-huys / La Maison des Pauvres Orphelins
Object type: print
Date: 1664 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: public welfare, courtyard, orphanage
Inscriptions: collector's mark

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Burgerweeshuis.
Fotoreproductie van een schilderij van Flüelen aan het Vierwoudstrekenmeer
Object type: page
Date: 1863 – 1873
Materials: photographic support
Techniques: albumen print
Subjects: city-view, and landscape with man-made constructions, lake, mountains
Inscriptions: number: ‘8.’
Fan
Object type: fan
Date: 1701 – 1800
Materials: horn, paper, parchment, shell
Subjects: men,women,dogs
Bestiarum quadrupedum Vivae Icones
Object type: album leaf
Date: 1635 – 1660
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: dog

Twee honden. Boven: een rennende hond. Onder: een schoothond op een kussen. Deze prent maakt deel uit van een album.
Ex libris Jozef v.d. Abeele
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: linocut
Location: belgium
Artist: jozef van den abeele
Artist role: print maker
Subjects: print maker, jozef van den abeele, crown (symbol of sovereignty)
Ontwerp voor vier ornamentele friezen
Object type: ornament print
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: paris
Subjects: attributes of bacchus, ornament ~ arabesque, cupids: 'amores', 'amoretti', 'putti', ornament derived from plant forms

Doordat dit album bestaat uit meerdere, deels eerder uitgegeven prentreeksen, is de datering niet consequent. Het geheel is op de titelpagina gedateerd op 1802. Deze reeks is niet afzonderlijk gedateerd.
De serietitel voor het gehele werk is "Recueil d'arabesques, contenant les loges du Vatican". De andere serietitel is de titel van de specifieke reeks binnen het geheel.
Ornament
Object type: ornament
Date: 1701 – 1800
Materials: enamel, gilt bronze
Subjects: roses,leaves
Reclame voor bontkragen
Object type: ansichtkaart, prentbriefkaart
Materials: photographic support
Techniques: gelatin silver print
Location: new york city
Inscriptions: inscription: ‘SMART / NEW / FUR / NECKWEAR (met productnummers)’, inscription: ‘[omschrijving van de bontkragen] Groslyn Fur Trading Co. Inc. / 130 W. 30th STREET / NEW YORK. N.Y.’, stamp: ‘1934’
Marble head of Hercules
Object type: head of herakles
Date: 101 – 200
Materials: marble
Culture: roman
Subjects: heads,herakles
Alcune vedute et prospettive di luoghi dishabitati di Roma
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: etching
Location: tuscany
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 52 prenten.
Napoli. Panorama da Posilipo
Object type: photograph
Date: 1875 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: posillipo
Artist: Anonymous
Subjects: city-view in general; 'veduta', volcano, naples
Inscriptions: number: ‘8047’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Italië.
Meroüée
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: ruler, sovereign

Deze prent maakt deel uit van een kaartspel met 39 kaarten met voorstellingen van Franse koningen. De serie is uitgedacht door Jean Desmarests de Saint-Sorlin in opdracht van Kardinaal Mazarin. Het kaartspel werd gemaakt voor de jonge Lodewijk XIV, samen met het Jeu des Fables, Jeu des Reynes Renommées en Jeu de la géographie.
Limestone statue of a lion
Object type: statuette of a lion
Date: 700 – 650
Materials: limestone
Culture: cypriot
Subjects: lions

There is red paint preserved on the lips, tongue, and inside the ears.
Vrouw met twee vingers op de lippen
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: woodcut
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: snakes, putting a finger to the lips, 'silentium'; 'silentio' (ripa)
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt als illustratie van het gedicht 'Bedriegt u zelven niet' en het opstel 'Esotherisch' in: Licht en waarheid. Orgaan van de vereeniging 'Wie Denkt Overwint'. Amsterdam: Wie Denkt Overwint, 29 juni 1895.
Knechts van het passement- en lintwerkersgilde van Amsterdam, gildepenning van Hendrik van den Hooven
Object type: medal
Date: 1700 – 1700
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: gekroond wapenschild, geflankeerd door twee leeuwen boven cartouche met opschrift. Keerzijde: weversspoel onder kroon binnen omschrift.
Franse soldaten in het gareel in de Elzas tijdens de Eerste Wereldoorlog
Object type: ansichtkaart, prentbriefkaart
Date: 1914 – 1915
Materials: paper
Techniques: rotogravure
Location: alsace
Subjects: the soldier; the soldier's life, alsace
Inscriptions: inscription: ‘CARTE POSTALE/ Correspondance/ Adresse’, inscription: ‘41me Série/ Visé, Paris No 1015’
Right Thigh and Knee Defense
Object type: right thigh and knee defense
Date: 1555 – 1560
Materials: steel
Culture: german
Location: germany
Artist: wolfgang grosschedel
Artist role: armorer
Artist nationality: german
Artist dates: 1517 – 1562
Gezicht op Georgetown vanaf een vuurtoren
Object type: photograph
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: georgetown
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Inscriptions: number: ‘4’
Plate
Object type: plate
Date: 1784 – 1784
Materials: hard paste porcelain
Artist: imperial porcelain manufactory
Artist role: manufactory
Artist nationality: austrian
Artist dates: 1744 – 1864
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Jar
Object type: jar
Date: 3100 – 2900
Materials: ceramic, paint
Location: mesopotamia
De Zoete Dienst
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: shaving, being shaved
Inscriptions: collector's mark: Lugt 2228

Een jongeman wordt geschoren door een jonge vrouw. Zij houdt het scheerbekken onder zijn kin.
Exterieur van het Paleis van de graaf van Vlaanderen in Brussel
Object type: photograph
Date: 1870 – 1892
Materials: photographic support
Techniques: albumen print
Location: brussels
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: palace, façade (of house or building), brussels
Inscriptions: number: ‘15[...]’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in België, Duitsland en Noorwegen.
Rechthoekige tabaksdoos van zilver
Object type: tobacco box
Date: 1795 – 1795
Materials: silver
Location: schoonhoven
Artist: jan van eck
Artist role: silversmith
Artist dates: 1762 – 1825
Inscriptions: mark

Rechthoekige tabaksdoos met scharnierend deksel, het deksel is versierd met het portret van Tsaar Peter I, geflankeerd door zeilende schepen, de onderzijde van de doos is versierd met de wapens van West en Oost Zaandam, gevat in rococo vormen.
Portret van een (vermoedelijk) Italiaanse zoeaaf, staand
Object type: carte de visite
Date: 1861 – 1861
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rome
Subjects: studio requisites ~ photographer, warfare; military affairs, (military) uniforms, division of armed forces, rome
Inscriptions: inscription: ‘à [...]avier de Regnon Son camarade [...] zouaves Pontificau [...] le 14 juin 1861’

Onderdeel van Album met cartes-de-visite en kabinetfoto's van militairen in uniform.
Klein hoefblad met hoestkruid
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: plants and herbs
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Blankaart, Steven. Den Neder-landschen herbarius ofte Kruid-boek der voornaamste kruiden. Amsterdam: Jan Claesz ten Hoorn, 1698.
Schetsboek met 24 bladen
Object type: sketchbook
Date: 1876 – 1924
Materials: cardboard, chalk, linen, paper, pencil
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: ornaments ~ art, work of applied art (+ types of art), architecture

De volgende bladen uit het schetsboek zijn blanco: 1(V), 3(V) t/m 6(V), 8(V), 9(R), 10(V), 12(V) en 14(V) t/m 23(V).
Bust of King-Stadtholder William III
Object type: bust
Date: 1695 – 1700
Materials: earthenware, glaze
Location: delft
Artist: lambertus van eenhoorn
Artist role: plateelbakker
Artist dates: 1651 – 1721
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), historical persons (+ (full) bust portrait), king
Inscriptions: inscription: ‘spiegelmonogram WR (William Rex)’

After De Metaale Pot hired a French modeller, it succeeded in becoming the first pottery factory in the Netherlands to produce large sculptural earthenware objects. The modeller’s influence is visible in the way in which the drapery folds around the shoulders of this portrait bust are rendered.
Slot
Object type: lock
Date: 1400 – 1499
Materials: iron
Jar
Object type: jar
Date: 1750 – 1760
Materials: enamel, soft paste porcelain
Techniques: polychrome
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: men,trumpets,horses
Card Number 220, Miss Jarbeau, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy. Actress' name spelled Jarbean on card.
Coin Depicting the Hero Hercules
Object type: coin
Date: 200 – 1
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Subjects: gods (deities), heracles

The front (obverse) of this coin depicts the hero Hercules, facing right. On the back (reverse), a five-pointed star is shown.
Landscape with a Farmhouse, from Four Small Landscapes
Object type: print
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Bottle
Object type: bottle
Date: 601 – 800
Materials: glass
Techniques: glassblowing, tooling
Location: iraq

This glass bottle was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like thisbottle attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Badende Hindoes aan de oever van de Ganges in Varanasi
Object type: print
Date: 1919 – 1919
Materials: paper
Techniques: etching, intaglio
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: places and objects of worship ~ hinduism, buddhism, jainism, river, public baths - aa - in the open air
Inscriptions: collector's mark: Lugt 2228
Portret van Georg Friedrich Joseph Wilczek
Object type: print
Date: 1710 – 1835
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn
Object type: tapestry
Date: 1515 – 1515
Materials: silk, wool
Artist: bernard van orley
Artist role: designer
Artist nationality: netherlandish
Artist dates: 1492 – 1542
Subjects: hercules,centaurs,bacchus,flowers,trees

This is the third in a set of four tapestries illustrating the life of a man as divided into twelve periods of six years. Bacchus, in the center, stands for the autumn of life; the symbols and occupations of three months, July, August, and September, represent the years from ages 36 to 54. The stories show the centaur Chiron sharing his knowledge by teaching medicine to the young Aesculapius; Joseph directing the gathering of the harvest in anticipation of the lean years to come; and Hercules gathering the golden apples of the Hesperides, the last of his twelve labors.
De Utrechtsche vlieger
Object type: cartoon
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: (flying a) kite, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 3 april 1910.
Landschap met herder en vee
Object type: print
Date: 1761 – 1784
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Landschap met een herder die zijn vee over een pad langs een berg drijft. Rechts een meer. Prent uit een serie met landschappen met herders en vee.
Portret van Gian Galeazzo Visconti
Object type: print
Date: 1549 – 1575
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: historical persons

Prent gebruikt in: Giovio, Paolo. Elogia Virorum bellica virtute illustrium (...). Bazel: Peter Perna, 1575.
Gezicht op het Koningsplein en de Munttoren te Amsterdam
Object type: print
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: tower, clock tower ~ monumental adornment, square, place, circus, etc. (+ city(-scape) with figures, staffage), canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: watermark, collector's mark: Lugt 2166
Earring in the form of a dolphin
Object type: earring in the form of a dolphin
Date: 500 – 401
Materials: gold
Culture: etruscan
Subjects: dolphins
Ring with Round Bezel, Incised Calligraphy
Object type: ring
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Terracotta fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of two fronds of a palmette; part of eye