deem-data/ArtiFact huggingface dataset:
Portret van Georg Beyer
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: leipzig
Artist: gabriel uhlich
Artist role: print maker
Artist dates: 1682 – 1741
Subjects: berlin, georg beyer, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor publicatie: Beyer, Georg. Delineatio Juris divini, naturalis et positivi naturalis. Leipzig: Johann Friedrich Braun, 1726.
Haven van Sabang
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: sabang
Artist: Anonymous
Inscriptions: annotation: ‘1) haven van Sabang.’
Dagboek van mijne reis naar IJsland. 1901. H. Pauw v. Wieldrecht
Object type: reisverslag
Materials: cardboard, ink, paper
Techniques: writing
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: 'en route', traveller under way
Inscriptions: number: ‘200-’

Reisverslag, opgetekend door Henry Pauw van Wieldrecht, van een reis naar IJsland. Pauw van Wieldrecht beschrijft wat hij dagelijks meemaakt. Het verslag omvat 97 beschreven bladzijden.
Abklatsch van de krijttekening op blad 18 recto
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 17 verso uit schetsboek LXVI-B met 25 bladen.
Onze vogels in 't wild. / Moerasvogels / Lepelaar, Reiger, Roerdomp, Dodaars, Zwarte Stern.
Object type: photograph
Date: 1870 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Inscriptions: label: ‘Reiger’

De foto is afkomstig uit een serie van 12 stereofoto's met moerasvogels die bewaard worden in het originele mapje. Bij dit mapje zit ook een blaadje met gedrukte tekst over de vogels.
The Beast with Seven Heads and Ten Horns, from the Apocalypse
Object type: print
Techniques: engraving
Artist: jean duvet
Artist role: artist
Artist nationality: french
Artist dates: 1485 – 1561
Subjects: human figures,animals
Dress
Object type: dress
Date: 1804 – 1804
Materials: cotton
Culture: french
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 351
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed palmette
Fotoreproductie van een schilderij, voorstellende een interieur van een kerk (vermoedelijk) te Rome
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: interior of church
The Savoyards
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Fragment
Object type: textile
Date: 1201 – 1300
Materials: animal substrate, gilt, linen, silk
Techniques: weave
Location: italy
West Front of St. Patrick's Cathedral
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: james malton
Artist nationality: english
Artist dates: 1761 – 1803
Netsuke of Tokutaro and Fox Disguised as a Woman
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: men,foxes
Globular Jar
Object type: jar
Date: 1800 – 1800
Materials: earthenware
Culture: mexican
Location: mexico
Aanzicht op een plein, München, Duitsland
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous

Aanzicht op een plein [Marienplatz?], met een stadspoort [?] op het eind van een lange straat met tramrails. Links een ruiterstandbeeld en een groep poserende mensen. Verder enkele paardenkoetsen.
Bowl
Object type: bowl
Date: 1801 – 1900
Materials: gilt, silver

This electrotype is after a seventeenth-century original at Uspenski Sobor (Cathedral Church of the Assumption), Moscow, at the time of reproduction.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, head of wreathed youth to left
Kolonie Veenhuizen, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van 1 cent
Object type: huismunt prison money
Date: 1818 – 1859
Materials: brass
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, veenhuizen
Restanten van gebouwen met pilaren in Palmyra (Syrië)
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: palmyra
Artist: Anonymous
Subjects: column, pillar ~ architecture, ruin of a building ~ architecture

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Design for a Vase (recto); Sketch of Small Vase (verso)
Object type: drawing
Date: 1752 – 1752
Materials: graphite, ink
Techniques: pen
Artist: jacques françois joseph saly
Artist role: artist
Artist nationality: french
Artist dates: 1717 – 1776
Subjects: vases
Eend, hangend aan een touw
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper, pencil
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: ducks (domestic waterbirds), water-birds: duck
Stadsplan in reliëf van de stad Breda
Object type: maquette
Date: 1750 – 1800
Materials: gypsum, iron, oil, paper, plastic, fiber, varnish, wood
Techniques: modeling, sawing
Location: breda
Artist: cornelis van bergen
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)

Model of the fortress at Breda, late 17th century. The war that engulfed the Republic in 1672 forced its leaders to focus on the country's defences. Stadholder William III ordered the modernisation of the dilapidated fortifications around the Dutch cities. The model shows the city of Breda with the defences built in 1682. The houses in the model are carved in wood. The town walls are made of clay.
Ovale en getordeerde handgreep van een kist
Object type: chest
Date: 1590 – 1596
Materials: iron
Techniques: forging
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck
Louis XVIII. Roi de France et de Navarre
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paris, lodewijk xviii (koning van frankrijk), historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Portret maakte deel uit van een serie van negen portretten.
Bomen naast een huis met een puntdak
Object type: sketchbook leaf
Date: 1849 – 1895
Materials: paper, pencil
Artist: willem koekkoek
Artist role: draughtsman
Artist dates: 1839 – 1895
Subjects: cottage

Pagina 5 verso uit een schetsboek met 26 bladen.
Het koken etc. van walvistraan
Object type: wood block
Date: 1750 – 1850
Materials: wood
Techniques: woodcut
Artist: Anonymous
Drawing of Design for Sword Hilt and Tip of Scabbard (Dolphin-Head Grip)
Object type: drawing
Date: 1551 – 1600
Materials: ink, paper
Culture: german
Location: germany
Subjects: hilts
Herder met schapen bij een poort
Object type: print
Date: 1771 – 1802
Materials: paper
Techniques: etching
Location: netherlands
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscapes in the temperate zone, gate, entrance, cattle driving, cattle driver
Inscriptions: collector's mark: Lugt 2227

Een herder drijft zijn kudde schapen door een poort, naast hem een vrouw met een mand aan haar arm. Rechts een hond.
Charles F. McKim
Object type: sculpture
Date: 1878 – 1878
Materials: bronze
Culture: american
Artist: augustus saint-gaudens
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1907
Subjects: men,profiles

McKim (1847-1909) sat for his portrait in Paris in 1878, a year before the formation of McKim, Mead & White, which became the most influential architectural firm of America’s Gilded Age. McKim and Saint-Gaudens met in 1875, brought together by "a devouring love for ice cream," and remained close professional colleagues for three decades. Here McKim’s features are truthfully rendered in profile, with a receding hairline, prominent jaw, and serious mien. The foliate scroll at the top and the group of acanthus leaves at the lower right refer to McKim’s passion for the classical as his architectural touchstone. The affectionate inscriptions in filleted bands at top and bottom celebrate "my friend Mac [sic] Kim" and the "jolly days" they spent together with Stanford White in the south of France.
Christus in gesprek met de Samaritaanse vrouw
Object type: print
Date: 1797 – 1836
Materials: paper
Techniques: etching
Location: netherlands
Artist: philippus velijn
Artist role: print maker
Artist dates: 1787 – 1836
Subjects: christ and the woman of samaria: sitting at jacob's well he asks her for a drink from her jug
Inscriptions: collector's mark: Lugt 2228

Christus vraagt de Samaritaanse vrouw die water komt putten om hem iets te drinken te geven (Joh. 4: 7).
The Flooded Hovel
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: etching
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Gevels en haarden in de Ionische orde
Object type: album leaf
Date: 1581 – 1581
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: open hearth, fire-place, ionic order ~ architecture, civic architecture; edifices; dwellings

Prent uit: Vredeman de Vries, Hans. Architectura oder Bauung der Antiquen auss dem Vitruvius, waellches sein funff Collummen orden, (...). Antwerpen: Gerard de Jode en Gerard Smits, 1581. Prent eerder verschenen in de 1577-editie.
Ontwerp voor wandschildering in de Beurs van Berlage: embleem met spreuk van P. C. Hooft
Object type: tracing
Date: 1869 – 1925
Materials: pencil, paper
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: the hague, pieter corneliszoon hooft, inscription, historical persons
Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1553 – 1553
Techniques: engraving
Location: rome
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: eagles,men,hercules,lions,pigs

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally plate 61, volume 2.
Document betreffende Charles van Beveren
Object type: document
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: mechelen, amsterdam, painter, charles van beveren
Inscriptions: collector's mark: Lugt 2233
Portret van Michiel Boudewijns
Object type: print
Date: 1639 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp
Inscriptions: collector's mark: Lugt 2228

Portret van de Antwerpse chirurgijn en geneesheer Michiel Boudewijns in zijn studeerkamer. Hij staat voor zijn bureau en bestudeert een boek over anatomie. De prent heeft een Latijns onderschrift.
Hollandia Comitatus
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: engraving, etching, hand coloring, letterpress printing
Location: amsterdam
Subjects: maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial), holland

Prent gebruikt in: Blaeu, Willem Janszoon en Johannes Willemszoon Blaeu. Toonneel des aerdrycx, ofte nieuwe Atlas, dat is de beschryving van alle landen. 4 delen. Amsterdam: Johannes Willemszoon Blaeu, 1647-1650, dl. 1 (1647-1648). Of in: Blaeu, Willem Janszoon en Johannes Willemszoon Blaeu. Toonneel des aerdrycx, ofte nieuwe Atlas, dat is de beschryving van alle landen. 4 delen. Amsterdam: Johannes Willemszoon Blaeu, 1649-1650, dl. 1. Of in: Blaeu, Willem Janszoon en Johannes Willemszoon Blaeu. Toonneel des aerdriicx, ofte niuew Atlas, dat is beschryving van alle landen. 6 delen. Amsterdam: Johannes Willemszoon Blaeu, 1658-1661, dl. 1.
Portret van koningin Victoria
Object type: frame
Date: 1880 – 1900
Materials: cardboard, metal, wood
Techniques: photobutton
Location: great britain
Artist: Anonymous
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), historical persons, queen, great britain
Dress panels (2)
Object type: dress panel
Date: 1830 – 1840
Materials: silk
Subjects: flowers,leaves
Visitekaartje aan de heer Barbazanges
Object type: visiting card
Date: 1883 – 1928
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: paris
Subjects: the hague, draughtsman, philip zilcken, the graphic arts, painting (including book-illumination, miniature-painting), temporary exhibition, 'salon'
Inscriptions: collector's mark: ‘RPK’
Gezicht op het kasteel van Gaillon met de tuinen
Object type: album leaf
Date: 1609 – 1644
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Subjects: castle

Deze prent maakt deel uit van een album.
Decoration for Frieze
Object type: collection ornament architecture
Date: 1501 – 1600
Techniques: pen, tinting
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: human figures,ornament
Major General Andrew Jackson and the Battle of New Orleans, January 8, 1815
Object type: medal
Date: 1807 – 1845
Materials: bronze
Culture: american
Location: united states
Artist: moritz fürst
Artist role: artist
Artist nationality: hungarian
Artist dates: 1782 – 1882
Subjects: men,profiles,generals
Vier en een halve maand oude baby Klaas Kleiterp voor het eerst in zijn kinderbed in Malang
Object type: photograph
Date: 1920 – 1920
Materials: paper, photographic support
Techniques: daylight paper print
Location: malang
Artist: klaas kleiterp (i)
Artist role: arts, officier
Artist dates: 1892 – 1943
Subjects: infant, baby ~ the ages of man, dutch east indies, the

Onderdeel van Fotoalbum van de familie Kleiterp-Vermeulen met opnames van de kinderen Klaas en Tiny in Nederlands-Indië.
Chineese geestelijke
Object type: drawing
Materials: paper, pencil, watercolor
Techniques: brush
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: religious functionaries ~ traditional chinese religions, batavia

Kleurtekening van een Chinees op de rug gezien met een zwart gewaad met witte motieven. Zie deel 2, pp. 9, 10, 11. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 198.
Mond met kurk van een wijnfles uit het wrak van de Oostindiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: cork, glass
Techniques: green glass
Artist: Anonymous
Standing female figure
Object type: female figure
Date: 100 – 400
Materials: ceramic
Culture: nayarit
Location: mexico
Artist: nayarit artist(s)
Artist role: artist
Subjects: women

This female figure features incised, black hair, styled with bangs framing the face in front, and pulled straight back behind a black appliqued headband with an incised zigzag pattern accented with white lines, which ties in the back. Her face is smoothly finished with the brows indicated in relief. The eyes are thickly outlined in black slip. On the lower half of her face, vertical lines of black face paint taper as they extend below the chin. The lips are parted, revealing white teeth outlined in black but not incised. She wears a necklace of three plain appliqued bands that tie in back and from which a simple, wide crescent pendant is suspended in front. Her nose is adorned with a three-looped nose ring attached to her septum. Her undecorated short skirt is distinguished by a burnished black slip, and her legs are a rich shade of sienna. Her left arm is raised, and in the palm of her right hand, held up to her shoulder, is a small bowl. This figure may be part of a group created by the same artist or workshop, and appear to represent members of an important ancient West Mexican lineage or social group (Butterwick 2004: 83-87). Shared features and craftsmanship suggest that one artist made all three figures (see 2018.443.1, 2018.443.2), and they may have been deposited in the same shaft tomb in the Nayarit village where they originated. If the similarities between the two females were intended to show kinship, the figures might represent mother and daughter, or sisters in the same lineage. Alternatively, the two may portray a female of high status in two stages of her life: young (perhaps pregnant) and mature. The features shared by the male and the elder female, especially the emblematic conch bracelet, suggest that they belong to the same lineage. Lastly, the unusual fact that all three wear black leg paint may further indicate a common genealogy.
Rainy Night in Rome.
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: drypoint
Location: england
Artist: muirhead bone
Artist role: artist, print maker
Artist dates: 1876 – 1953
Subjects: rain, street, rome
Inscriptions: signature: ‘Muirhead Bone’, inscription: ‘very fine impression’

Een straat in Rome bij nacht. Op de voorgrond de zijgevel van een kerk waarvoor enkele figuren met paraplu lopen. Een lantaarn schijnt licht op de gevel. Op de straat, die uitloopt op een plein, twee rijtuigen.
Maria met Kind in de woestijn
Object type: print
Date: 1846 – 1869
Materials: paper
Techniques: engraving
Location: rome
Subjects: mary sitting on the ground, the christ-child lying in mary's lap or on her knee (christ-child to mary's left)
Inscriptions: collector's mark: Lugt 2228, check stamp
Fragment kolfplaat van een musket uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: musket
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Musket, butt-plate; squashed, fragm id. NG 1979-207H3071.
Zes landschappen
Object type: print
Date: 1597 – 1629
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: waterfall, 'en route', traveller under way, forest, wood (+ landscape with figures, staffage)
Inscriptions: inscription: ‘4Ft.’, collector's mark: Lugt 2228

Boslandschap met dikke boom en een rots op de voorgrond. Onder de rots een kleine waterval. Linksboven drie mannen en een hond op een bospad. De vierde prent in een zesdelige reeks met landschappen.
H. Antonius bezocht door demonen
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: rome
Subjects: the hermit antony abbot (antonius abbas) of egypt, also called the great; possible attributes: bell, book, t-shaped staff, flames, pig
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 27 prenten (+ titelprent) over het leven van de heilige Antonius, naar een frescocyclus in de S. Antonio Abbate in Rome door Giovanni Battista Lombardelli en Niccolò Circignani.
Portret van Amandus Gotthold Fehmel
Object type: print
Date: 1721 – 1722
Materials: paper
Techniques: mezzotint
Location: nuremberg
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Jungfrau, gezien vanaf de Kleine Scheidegg
Object type: photograph
Date: 1912 – 1920
Materials: paper, cardboard
Techniques: collodion silver print
Location: kilchberg
Artist: Anonymous
Subjects: mountain-top, peak, lake
Inscriptions: inscription: ‘[Ge]br. Wehrli Kilchberg - Zürich 3875. Kl. Scheidegg Blick auf die Jungfrau.’

Deze foto maakt deel uit van een omslag.
Textile with Eagle Attacking Dog
Object type: textile
Date: 1401 – 1500
Materials: gold thread, silk
Culture: italian
Location: italy
Subjects: eagles
Pair of candlesticks
Object type: candlestick
Date: 1767 – 1833
Materials: pewter
Techniques: painting
Plate
Object type: plate
Date: 1840 – 1840
Materials: glass
Culture: american
Location: united states
Kom, geelgelakt
Object type: miniature
Date: 1750 – 1800
Materials: alabaster
Techniques: lacquer
Location: germany
Artist: Anonymous
Design for 4 seat Phaeton, no top, no. 4119
Object type: drawing
Date: 1891 – 1891
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Façade van de Kathedraal van Rouen
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rouen
Artist: Anonymous
Subjects: church (exterior)