deem-data/ArtiFact huggingface dataset:
Study for Polycrates’ Crucifixion
Object type: drawing and watercolor
Date: 1662 – 1662
Materials: graphite, ink, iron, paper
Techniques: brush, pen, wash
Location: italy
Artist: salvator rosa
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1673
Veld van twee tegels met jager en dier
Object type: tile
Date: 1620 – 1640
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van twee tegels (1 x 2) elk met een blauw geschilderd dier of jager binnen een cirkelband met zigzag-motief. In de hoeken, een lelie.
Portret van Karel VII Albrecht, Duits keizer
Object type: print
Date: 1742 – 1757
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: brussels, karel vii albrecht (duits keizer), armour, historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), baton of general, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
Dorpsgezicht te Maasland
Object type: sketchbook leaf
Date: 1731 – 1732
Materials: ink, paper, pencil
Techniques: brush, pen
Location: maasland
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: prospect of village, silhouette of village
Inscriptions: annotation: ‘Maesland’

Blad 8 recto uit een schetsboek met 78 bladen.
Sancta Sophia
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: hagia sophia
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism
Idillio, Venice
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Tafel met opklapbaar blad
Object type: table
Date: 1830 – 1845
Materials: oil, paint, wood
Techniques: lacquer
Location: netherlands
Artist: Anonymous

Tafel, gelakt in Japanse stijl, ingelegd met ronde schildering van twee vrouwen naar het schilderij van Cornelis Kruseman, 'Een van zin' (SK-A-1070).
Negen vrouwenhoofden die verschillende manieren tonen om een hoed te dragen
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: head (human), styles of hairdress (with name) - aa - ~ women, head-gear: fontange (+ women's clothes)

Studieblad met negen vrouwen hoofden. Links en rechts hebben de vrouwen een andere hoofddeksels op. De vrouwen met hoofddeksel wordt van verschillende kanten getoond. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Lodewijk XIV (1650 – 1720). Het allonge tijdvak).
Kantpatroon of kantklospatroon van het randmotief van een theetafelkleed (BK-1979-42-A) doorgeprikt op groen karton
Object type: tool
Date: 1925 – 1925
Materials: cardboard, ink
Techniques: drawing
Location: netherlands
Artist: l. middendorp
Artist role: designer

Kantbrief of kantklospatroon van een motief van een theetafelkleed (BK-1979-42-A). Op een lichtgroen karton is het randmotief, van vijf bloemen, getekend en doorgeprikt.
Krishna with Two Attendants
Object type: leaf from a ragamala
Date: 1867 – 1933
Materials: gold, paper
Culture: indian
Subjects: women,krishna
Pendant
Object type: pendant
Date: 1301 – 1400
Materials: copper, enamel, gilt
Techniques: enamel
Culture: french
Location: france
Subjects: dogs,flowers
De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieu ordening [van] (...) Maurits van Nassau
Object type: print
Date: 1616 – 1618
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Illustratie in: Adam van Breen, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieu ordening [van] ... Maurits van Nassau, 's-Gravenhage, [Aert Meuris] 1618, plaat nr. 28. In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 22).
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, draped figure with right hand on hip; filleted youth, wearing a himation; Exterior, handle, handle palmettes, and tendrils; lower drapery of a male to right, leaning on a stick; end of a stick; a rim fragment depicts the lower body of a draped male to right and a filleted youth wearing a himation and shoes, looking over his right shoulder; handle palmette and tendril; a third fragment has a bit of a draped figure (male?) and a palmette; a fourth fragment has part of a palmette; on the underside of the foot, a graffito, AT
Belt Plate
Object type: belt plate
Date: 301 – 700
Materials: gilt bronze, iron, silver
Culture: frankish
Sketch from the Escurial
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: scotland
Artist: sir david wilkie
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1785 – 1841
Portret van een man, vermoedelijk Dr. Ephraim Hezekiah Bueno
Object type: print
Date: 1888 – 1891
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: historical persons, head-gear: hat (+ men's clothes), physician, doctor
Inscriptions: collector's mark: Lugt 2228

Portret van een man, vermoedelijk Dr. Ephraim Hezekiah Bueno (1599-1665), Joods geneesheer en letterkundige te Amsterdam. Ten halven lijve, staande en leunend met de linkerhand op de leuning van een trap. Op het hoofd een hoge zwart hoed. Linksonder in de marge een wapenschild op een takje met bladeren.
Fragment
Object type: fragment
Date: 1567 – 1600
Materials: linen
Techniques: embroidery

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist
Stirrup-spout bottle with feline
Object type: bottle
Date: 1350 – 1470
Materials: silver
Culture: chimú
Location: peru
Artist: chimú artist(s)
Artist role: artist
Boender met rechthoekige rug
Object type: miniature
Date: 1675 – 1699
Materials: wood, silk
Location: amsterdam
Artist: Anonymous

Een rechthoekige boender of borstel van palissanderhout ingezet met varkenshaar; roze zijden band gelijk met wat varkenshaar ingezet.
Rembrandttentoonstelling Amsterdam Rijksmuseum 11 Juni - 4 September 1932.
Object type: poster
Date: 1932 – 1932
Materials: paper, ink
Techniques: mechanical printing
Artist: Anonymous
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, rijksmuseum amsterdam
Inscriptions: inscription: ‘REMBRANDT <BR />TENTOONSTELLING <BR />AMSTERDAM <BR />RIJKSMUSEUM <BR />11 JUNI-4 SEPTEMBER <BR />1932’

Affiche voor tentoonstelling Rembrandt, schilderkunst.
Ring: Ramesses (II), Beloved of Amun
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: pharaohs, kings
Edging
Object type: edging
Date: 1601 – 1700
Materials: silk
Techniques: embroidery
Brief aan Christiaan Kramm
Object type: letter
Date: 1861 – 1861
Materials: ink, paper
Techniques: pen, writing
Location: gouda
Artist: gerardus emaus de micault
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: utrecht, christiaan kramm, the graphic arts, money
Inscriptions: collector's mark: Lugt 2233
Twee vrouwen met parasol
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: etching
Artist: florent nicolas crabeels
Artist role: print maker
Artist dates: 1829 – 1896
Subjects: adult woman (+ two persons), parasol, sunshade
Inscriptions: collector's mark: Lugt 2228
Portret van paus Clemens XII
Object type: print
Date: 1730 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: rome, clemens xii, historical persons, pope
Exterieur van een kerk en hopovens
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Location: england
Artist: gerrit postma
Artist role: draughtsman
Artist dates: 1819 – 1894
Subjects: church (exterior), exterior of industrial structures, factories, england
Inscriptions: annotation: ‘Ryesh church./ Fornaux pour le houblon’

Blad 39 recto uit een schetsboek met 52 bladen.
Button
Object type: button
Date: 1815 – 1815
Materials: metal, paper
Culture: french
Subjects: women
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Drapery of a figure to left; part of the lower torso and legs of a draped figure to left
Pot with Flowering Plant
Object type: pot with flowering plant
Date: 1796 – 1820
Materials: jade
Culture: chinese
Subjects: flowers
Portret van Margaretha II van Henegouwen
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: sceptre, staff (symbol of sovereignty) - bb - female ruler, historical persons - bb - woman, crown (symbol of sovereignty) - bb - female ruler

Prent uit: Scriverius, Petrus. Beschrivinge van Out Batavien (...). Amsterdam: Jan Cloppenburg, 1636. Prent met andere omlijsting gebruikt in editie uit 1646. Prent eerder gebruikt in publicaties uit 1606 en 1609, zie Van Someren.
Portret van Johan van der Does, heer van Noordwijk
Object type: print
Date: 1841 – 1879
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: edouard taurel
Artist role: draughtsman, print maker
Artist dates: 1824 – 1892
Subjects: bevelhebber, bibliothecaris, bestuurder, jan van der does (heer van noordwijk en kattendijke)
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als illustratie voor: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. 5 delen. Amsterdam: J.F. Schleijer, 1841-1884. dl. II.5, p. 386.
Christ Carried to the Tomb
Object type: print
Date: 1645 – 1645
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Gezicht op een gondel met de stad Venetië op de achtergrond
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: venice
Artist: otto h. müller
Artist role: fotograaf
Subjects: canals, waters (in city), venice
Portret van Robert Prutz
Object type: print
Date: 1770 – 1800
Materials: paper
Techniques: lithograph
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Collar
Object type: collar
Date: 1644 – 1911
Materials: metal thread, silk
Culture: chinese
Subjects: butterflies,flowers
Teabowl and saucer
Object type: teabowl and saucer
Date: 1730 – 1735
Materials: hard paste porcelain
Brief aan Etha Fles
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: etha fles, arnhem, anacapri, sculptor, saar de swart, henri gilius samson, the graphic arts, historical persons (portraits and scenes from the life), italy, switzerland
Inscriptions: watermark, collector's mark: ‘RPK’
Studies van karpers
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: bony fishes: carp
Inscriptions: number: ‘1041’
Goede burgers
Object type: cartoon
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), boy (child between toddler and youth), parental love
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 16-09-1846.
Acht verschillende Hollandse typen binnenvaartschepen
Object type: print
Date: 1609 – 1686
Materials: paper
Techniques: engraving
Artist: dirk eversen lons
Artist role: print maker
Artist dates: 1599 – 1686
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Een lichter zonder mast, door een opvarende vooruit geboomd. Onder de voorstelling een tweeregelig Nederlands vers.
The Holy Family before a Column
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: holy family (alone), 'trinitas terrestris'
Inscriptions: date

Maria, Jozef en het Christuskind, allen ten voeten uit, bij een zuil. Christus houdt een appel in de linkerhand. Onder de voorstelling twee regels Latijnse tekst.
Chasse de Ste-Ursule. Arrivée a Bale
Object type: cabinet photograph
Date: 1864 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-janshospitaal
Subjects: the pilgrimage of st. ursula and her companions to rome
Inscriptions: number: ‘3’, number: ‘328’
Begrafenis van Jan van Speyk, 1832
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes jelgerhuis
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1836
Subjects: amsterdam, antwerp, jan van speyk, address at open grave
Inscriptions: inscription: ‘coll. Franken’, collector's mark: Lugt 2228

De begrafenis van de stoffelijke resten van Jan van Speyk en onthulling van het grafmonument in de Nieuwe Kerk te Amsterdam, 4 mei 1832. Een man spreekt de aanwezigen toe vanaf een verhoging. Vanaf de gewelven van de kerk zijn grote doeken gedrapeerd.
Portret van Lodewijk XIV in een medaillon opgehouden door Minerva
Object type: print
Date: 1697 – 1767
Materials: paper
Techniques: engraving, etching
Subjects: lodewijk xiv (koning van frankrijk), (story of) minerva (pallas, athena), historical persons
Inscriptions: number: ‘92’
Kai, Otsuki no Hara
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Subjects: flowers,mountains,landscapes
Gourd-shaped ewer decorated with waterfowl and reeds
Object type: ewer
Date: 1101 – 1133
Materials: ceramic glaze, glaze, stoneware
Techniques: carving, incising
Culture: korean
Subjects: birds

The decoration of ducks and geese amid reeds, expertly and sensitively rendered, demonstrates an appreciation for pictorial realism. Goryeo celadon features both naturalistic and more abstract designs. Examples such as this ceramic vessel provide a glimpse of what secular painting from the Goryeo dynasty might have looked like, given that so few actual painted images survive.
1812 or Regency à la Mode
Object type: print
Date: 1812 – 1812
Techniques: etching
Artist: william heath ('paul pry')
Artist role: artist
Artist nationality: british
Artist dates: 1794 – 1840
Pestle
Object type: pestle
Date: 1000 – 1
Materials: stone
Location: iran
Gezicht op de rivier de Jordaan
Object type: photograph
Date: 1867 – 1877
Materials: cardboard, paper
Techniques: albumen print
Location: ottoman empire
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: river
Inscriptions: stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, title: ‘S 61. De Jordaan. Syrië.’, check stamp: ‘Bristol/ L.M.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
St. George and the Dragon
Object type: statuette group
Materials: silver
Culture: french or italian
Location: italy
Subjects: dragons,horses,saint george

Possibly from the workshop of Louis Marcy, also known as Luigi Parmegianni (1860–1945), an infamous art dealer and reported anarchist active in the late 19th and early 20th century.
An Old, Ragged Man with a Staff and a Ground at his Hip, from Figurina
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: salvator rosa
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1673
Groep matrozen is misselijk na het eten van vreemd voedsel
Object type: book illustration
Date: 1674 – 1674
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: vomiting, diseases
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De gestrande bemanning van het schipbreuk lijdende schip Terschelling eet gekookte schildpad en bladeren om niet van honger om te moeten komen. Sommigen zijn niet gewend aan het vreemde voedsel en worden misselijk. Bladzijde uit een boek, met illustratie en tekst op het recto en verso.
Zieke voor de god Ixora gebracht / Zieke met zijn gezicht in de urine van een koe
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: magic healings, ritual practices ~ hinduism, buddhism, jainism
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen van religieuze gebruiken in India. Boven: Een zieke wordt op een draagbaar voor het beeld van de Indiase god Ixora gebracht. Onder: Een zieke wordt met zijn gezicht achter een koe gehouden, zodat de koe in zijn gezicht urineert. Op de achtergrond baadt men een lijk in de Ganges.
Aan den edelen agtbaren heer Pieter Reael (...)
Object type: text sheet
Date: 1687 – 1693
Materials: paper
Techniques: engraving, letterpress printing
Subjects: armorial bearing, heraldry
Inscriptions: stamp, collector's mark: Lugt 1641

Huis De Nes of Realeneiland te Vreeland. Het voor de Amsterdamse familie Reaal in 1687 gebouwde buitenhuis lag op een eiland in de Vecht. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Utrecht (vervolg.).
Boerin en kippen
Object type: drawing
Date: 1800 – 1899
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: barn, farmers - aa - female farmer, farmer's wife, fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Boerenleven.
Terracotta fragment of an oinochoe (jug) or olpe (jug)
Object type: oinochoe or olpe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Hooves to left; at the far right, the panel ornament is comprised of black dots
Bomen langs een waterkant bij de ruïne van Brederode
Object type: drawing
Date: 1900 – 1900
Materials: chalk, paper
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: trees, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: date and inscription: ‘1900/ Bij de ruïne van Brederode’, collector's mark: Lugt 1181b
Twee foto's familie Van den Berg tijdens een wandeling in Duitsland
Object type: album leaf
Date: 1932 – 1932
Materials: paper, cardboard
Techniques: gelatin silver print
Location: germany
Artist: frank willem van den berg (1912-1998)
Artist dates: 1912 – 1998
Subjects: batavia, amsterdam, hendrik herman van den berg, the hague, caroline louise van den berg-van den berg, walking, hiking (recreation), historical persons, germany

Deze foto's maken deel uit van een album.
Doorway
Object type: portal
Date: 1134 – 1166
Materials: limestone
Culture: french
Location: france
Koorbanken in de Grote of Onze-Lieve-Vrouwenkerk te Dordrecht
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: grote of onze-lieve-vrouwekerk
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church, seats of the clergy, choir-stalls
Inscriptions: annotation: ‘N.H. Groote Kerk/ Koorbanken/ Dordrecht’, annotation: ‘Dordrecht/ koorbanken’
Yang Guifei Playing a Flute
Object type: hanging scroll
Date: 1601 – 1800
Materials: ink, silk
Culture: japanese
Artist: kano tsunenobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1636 – 1713
Subjects: women,flutes

Academic painters in the Edo period also sought to represent beauties in their paintings, but drew on a continental figure painting tradition instead of using the demimond directly as their subject. Yang Guifei, ill-fated concubine of the Tang emperor at the time of the An Lushan rebellion and most likely first known through a poem by Bai Luodian (772–846), was a metaphor for womanly beauty from very early times. There are references to her in the eleventh-century Tale of Genji [Genji Monogatari] and in the slightly earlier Pillow Book [Makura sōshi]. By the seventeenth century, her perosnification of fleshly beauty was so pervasive it was used to sell skin-whitening cream, a product described in a short vignette in The Mirror of Townsmen in our Land [Honcho chōnin kagami], a collection of merchant tales written by the novelist Saikaku (1642–1693) and published a year after his death.
Saucer
Object type: saucer
Date: 1725 – 1750
Materials: hard paste porcelain
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Seated couple
Object type: couple figure
Date: 1701 – 1833
Materials: copper, metal alloy, wood
Culture: dogon
Location: mali
Artist: "barnes foundation master"
Artist role: artist
Subjects: couples,men,male nudes,women,female nudes

This work's scale and complexity have led scholars to suggest that it may have been created for display at the funerals of influential Dogon men. The graphic composition constitutes an eloquent statement concerning the distinct and yet complementary roles of male and female partners as a unit of life. With understated elegance and an economy of details, the artistic distills man and woman to a perfectly integrated and harmonious union. One of the most striking aspects of the representation is the degree of bilateral symmetry that describes man and woman as reflections of each other with delicate and subtle departures that indicate their distinct identities. The figures' elongated bodies are depicted as a series of parallel vertical lines traversed by horizontals that draw them together. On the reverse side a small child clinging to the female's back is balanced by a quiver on the back of the male. That concluding pair of features distinguishes their respective role as nurturer and provider joined together to procreate and sustain life.
Christ in an Attitude of Benediction
Object type: print
Date: 1470 – 1491
Techniques: engraving
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Subjects: christ
Twee grote zeilschepen met vlaggen
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: etching
Location: netherlands
Subjects: sailing-ship, sailing-boat (with name)
Inscriptions: collector's mark: Lugt 12

Twee fluitschepen met gehesen zeilen en vlaggen.