deem-data/ArtiFact huggingface dataset:
Joseph's Brethren Discover Money in Their Grain Sacks
Object type: panel
Date: 1530 – 1530
Materials: glass
Techniques: enamel
Subjects: men

A hatful of coins is the central focus of this composition and its narrative. Having rid themselves of Joseph as a child, his ten brothers travel to Egypt to buy corn when famine plagues their homeland (Genesis 42:1–28). They fail to recognize Joseph, now the governor, as he accuses them of spying and imprisons them, only to release them three days later so that they can buy food. The panel narrates the moment when, on their way home, the brothers discover in one of the sacks the money they thought they had already spent and worry that they will be accused of theft. The tight grouping of the figures enhances the moment’s tension.
Teapot
Object type: teapot
Date: 1750 – 1760
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: roses
Theatrum pontificum, imperatorum, regum, ducum, principum, etc.
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: vienna, karel ii (aartshertog van binnen-oostenrijk)
Inscriptions: collector's mark: Lugt 2228

Portret van Karel II, hij draagt een lint met een portretmedaillon. Het portret is gevat in een boogvormige omlijsting. In het kader een drieregelig onderschrift in het Latijn.
Lijst met eikenbladeren en acanthusbladeren
Object type: titelprent, frontispice
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornaments ~ art (+ framing decorations)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een geornamenteerde lijst met eikenbladeren en acanthusbladeren.
Plattegrond van Tiel
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of cities, gelderland
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 195

Plattegrond in vogelvluchtperspectief. Linksboven het wapen van Gelderland. Links de opdracht met daaronder de legenda. Rechtsboven het wapen van Tiel. Op verso Nederlandse tekst.
Portret van Johann Herman
Object type: print
Date: 1656 – 1657
Materials: paper
Techniques: engraving
Subjects: historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2233
Grazende koeien en een paard
Object type: drawing
Date: 1891 – 1941
Materials: chalk, paper
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: cow, horse
Minos, Eacus et Rhadamante.
Object type: print
Date: 1784 – 1824
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: aecus (as judge of hades), rhadamanthus (as judge of hades), minos (as judge of hades)
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: painter of the yale cup
Artist role: artist

Interior, bearded male wearing himation; behind him, a stool with drapery
Portret van Miguel de Cervantes Saavedra
Object type: photomechanical print
Date: 1875 – 1910
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: historical persons
Engravings of the Principal Mosaic Pavements...in Various Parts of Great Britain, also...of Several Subjects in Stained Glass, Volume 1
Object type: album
Date: 1804 – 1804
Techniques: aquatint, engraving, etching
Artist: william fowler
Artist role: artist
Artist nationality: british
Artist dates: 1761 – 1832
Kloof, vermoedelijk bij L'Escarène
Object type: photograph
Date: 1903 – 1903
Materials: paper, photographic support
Techniques: gelatin silver print
Location: l'escarène
Artist: delizy
Artist role: manufacturer
Subjects: ravine, chasm, abyss, canyon

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
The Expulsion of Hagar from the Story of Abraham
Object type: cushion cover
Date: 1600 – 1600
Materials: silk, silver gilt, thread, wool
Subjects: men,women,flowers
Sheet with an overall honeycomb pattern
Object type: print
Date: 1767 – 1866
Techniques: relief print
Artist: Anonymous
Artist role: artist
Plank van papier waarop zijdeweefsel met dessin van diagonale banen, versierd met een zich herhalend patroon van telkens twee waaiervormen en stippen
Object type: silk textile
Date: 1900 – 1920
Materials: paper, silk
Location: japan

Plank van papier waarop zijdeweefsel met dessin van diagonale banen, versierd met een zich herhalend patroon van telkens twee waaiervormen en stippen. De zogenaamde plank van papier, heeft tien strengen floszijde en verzilverd papieren lamel. Het papier is hardgeschept en is écru van kleur. Opmerking: dit is de originele verpakking van de zijde. Oosters textiel.
Alex Martins, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Stoelen en een wandbetimmering van het schip 'Grotius'
Object type: sketchbook leaf
Date: 1906 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: interior ~ representation of a building, chair
Inscriptions: annotation: ‘[...] zilver/ Reguliers[...] lamp/ halve maansteeg/ Bert[...]/ Poggenbeek/ [...]/ prijs van led[...]hen[...]/ [...]’

Blad 1 recto uit een schetsboek met 27 bladen.
Portret van Anselm Franz, Freiherr von Bentzel-Sternau
Object type: print
Date: 1829 – 1840
Materials: paper
Techniques: engraving
Subjects: historical persons, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2228

Afkomstig uit de portretserie 'Zeitgenossen', uitgegeven tussen 1829 en circa 1840.
Portret van Willem Mensert
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: amsterdam, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een ridderorde op de revers van zijn jas. Onder het portret zijn signatuur.
Sampler
Object type: sampler
Date: 1805 – 1805
Materials: canvas, silk, wool
Subjects: birds,dogs,flowers
The Sixth Month (Kazemachizuki), from the series "Fashionable Monthly Visits to Sacred Places in the Four Seasons (Furyu shiki no tsuki mode)"
Object type: print
Date: 1784 – 1784
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Studieblad met paard onder een boom en een man spelend op een trompet onder een boom, vergezeld door twee ezels
Object type: drawing
Date: 1891 – 1941
Materials: paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: trees, ass, donkey, horn, trumpet, cornet, trombone, tuba, horse, male sex; man
Inscriptions: :, watermark: ‘GW/ PAPIER/ 1671’, collector's mark: Lugt 2228
Handschoen van wit machinaal breiwerk
Object type: glove
Date: 1925 – 1935
Materials: cotton
Techniques: knitting
Location: western europe
Artist: Anonymous

Paar lange dameshandschoenen van uit machinaal kantwerk. Bij de pols een elastiekje. Patroon. Bovendien de vingers van fijne mazen staan lange pijlen versierd met twee knopen en overgaand en beide einden in een dwarsrand met rasterwerk en rondjes.
Statue of the Madonna in the Mountains
Object type: drawing and watercolor
Date: 1804 – 1804
Materials: graphite, ink, paper
Techniques: brush, drawing, wash
Location: germany
Artist: caspar david friedrich
Artist nationality: german
Artist dates: 1774 – 1840
Subjects: madonna, biblical, landscapes, trees, mountains

This vast landscape by one of the central figures of German Romanticism dates from Caspar David Friedrich’s early years in Dresden, where he settled after studying in Copenhagen (then considered the artistic center of northern Europe). Subtly graded shades of gray wash evoke the gloomy, overcast days so common in Germany in November, when this image was created. The drawing also conveys, in the artist’s words, “Not only what he sees before him, but also what he sees within him.” In the center of the landscape, atop the highest peak, a tiny pilgrim kneels in prayer at the base of a statue of the Madonna. Nature—with its sheer, blank sky, stark hills, and mute firs—is depicted almost religiously. In this deeply spiritual image, humankind’s experience of nature seems as overwhelming as the unfathomable mystery of our existence. Just as the infinitesimal pilgrim wanders in this faraway, expansive landscape, so too did the artist embark upon his own Romantic quest, a search for meaning in the natural world that reveals the sacred.
Reproductie van Sainte Geneviève door Pierre Puvis de Chavannes
Object type: reproduction
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Subjects: painting, drawing and the graphic arts, the virgin genevieve (genofeva, genovefa); possible attributes: angel, book, candle (or taper), crown, crook, demon, distaff, medallion
Inscriptions: inscription: ‘Puvis de Chavannes/ Galerie Contemporaine’
Carved Finial
Object type: finial
Date: 400 – 201
Materials: bone
Culture: northwest chinese
Fragment of a Bowl
Object type: fragment
Date: 801 – 1000
Materials: earthenware, glaze
Location: iran
Subjects: birds

This object was found and purchased near Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 38 (recto)
Object type: book print ornament architecture
Techniques: drawing, etching
Artist: pietro paulo tozzi
Artist role: designer
Artist nationality: italian
Artist dates: 1593 – 1628
Subjects: ornament

Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Design is composed of a central rectangle upon which calligraphic text is printed in black. Surrounding all sides of the middle section is a border decorated with a different pattern of flowers.
Youth in a Chariot with Attendant Young Woman
Object type: drawing
Date: 1621 – 1623
Materials: ink
Techniques: brush, pen, wash
Artist: guercino (giovanni francesco barbieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1591 – 1666
Subjects: men,women,chariots

This rather damaged sketch can be connected to a motif of secondary figures at the upper right of the fresco of Aurora on the ceiling of the Casino Ludovisi, Rome. This connection was pointed out by Carmen C. Bambach in February 2007. The group of figures, members of Aurora's entourage, appears at the upper right of the rectangular opening of Agostino Tassi's sotto in su architectural construction that frames the main scene. Specific points of comparison are a group of three figures with a more prominent young female, who points the way forward with an outstretched left arm and pointer finger. At the bottom right of the Museum's study is what could be the flowing drapery of a figure seen in the fresco who beckons Aurora towards the figure of Night. The figures of the Museum's drawing are conceived in the same direction as those of the fresco design and the setting is clouds. Instead this motif has been traditionally compared with Guercino's fresco of Rinaldo Abducted by Armida on the ceiling of the Palazzo Costaguti, Rome, which is dated similarly to c. 1621-23. Guercino's ceiling painting in the Palazzo Costaguti, Rome, which represents the sleeping Rinaldo abducted by Armida in a chariot (Mahon, 1968, fig. 7). The subject is derived from Torquato Tasso's Gerusalemme Liberata (XIV, 65-68). However, the youth in this drawing certainly does not appear to be asleep. A pen drawing in the Fitzwilliam Museum, Cambridge, has been identified by Denis Mahon as a study for the Palazzo Costaguti painting, which dates from the second half of 1621 (Mahon, 1969, no. 77, repr.). Stylistically, the Cambridge sketch is quite close to the present drawing.
Kostuums van diverse bevolkingsgroepen
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: etching, hand coloring
Location: munich
Subjects: historical costume
Inscriptions: collector's mark: Lugt 1641, stamp

Linksonder genummerd: No. XXXV. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Des menschen begin, midden en einde, Kinderprenten opgeplakt op karton.
Carnelian ring stone
Object type: intaglio
Date: 100 – 300
Materials: gemstone
Culture: roman
Subjects: helmets,men,profiles

Pantheistic head; in the field, a snake wound around a stick.
Waterlandschap met visser in een prauw
Object type: album leaf
Date: 1368 – 1644
Materials: ink, silk
Location: china
Artist: Anonymous

Waterlandschap met een prauw, die door een man wordt geboomd.
Barred Visor of a Close Helmet for the Gioco del Ponte
Object type: armor
Materials: steel
Culture: italian
Location: pisa
The Actor Sanogawa Ichimatsu I as Momozono in the play "Katakiuchi Mogami no Inabune," performed at the Ichimura Theater in the seventh month, 1759
Object type: print
Date: 1759 – 1759
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Smallmouth Beach
Object type: photograph
Date: 1860 – 1894
Techniques: albumen print
Location: england
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Masques et visages. Les parents terribles
Object type: album leaf
Date: 1853 – 1853
Materials: paper
Techniques: lithograph
Location: paris
Subjects: parents with their children, old man, conversation, dialogue; conversation piece, father and daughter(s) (family group) (with number of daughters)
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Paris (Journal), 22 november 1853.
De restanten van de basiliek van Pompeï
Object type: photograph
Date: 1888 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: pompeii

De restanten van de basiliek van Pompeï die duidelijk de plattegrond laten zien.
Gezicht op een theetuin in Shanghai, China
Object type: stereoscopic photograph
Date: 1860 – 1890
Materials: glass
Techniques: slide
Location: shanghai
Artist: Anonymous
Subjects: garden buildings, garden pond
Inscriptions: number: ‘1724’
De zeven geluksgoden
Object type: surimono
Date: 1800 – 1805
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: clothes covering the entire body

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Pijprokende man met kruik zittend op een houten bank
Object type: drawing
Date: 1700 – 1799
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Runderen in een weiland
Object type: sketchbook leaf
Date: 1828 – 1894
Materials: paper, pencil, watercolor
Techniques: brush
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: trees, landscapes, artist (in general) making preliminary designs, sketching, bovine cattle, farm or solitary house in landscape

Pagina 17 recto uit een schetsboek met 50 bladen.
De nieuwe kameraden
Object type: cartoon
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: petrus van geldorp
Artist role: draughtsman, print maker
Artist dates: 1872 – 1939
Subjects: wilhelm ii (keizer van duitsland), historical persons, ships (in general), emperor, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdamsche Courant, 1 februari 1901.
Funerary Stele with Ankh (Looped Cross) Featuring a Human Face at the Center
Object type: stele
Date: 501 – 700
Materials: limestone
Techniques: carving, relief
Location: egypt

The ankh was an ancient Egyptian symbol of eternal life, used in the Byzantine period in Egypt as an alternative form of the cross.
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Bit of the lower torso, and right leg of youth on a horse (part of the mane, back, and hindquarters are preserved)
Wavy-handled jar with cross-hatched design
Object type: jar, cylindrical
Date: 4500 – 4000
Materials: paint, pottery
Location: egypt
The Fishing Boat
Object type: painting
Date: 1865 – 1865
Materials: canvas, oil
Artist: gustave courbet
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1877
Subjects: seascapes,boats
Landschap met windmolen
Object type: print
Date: 1819 – 1886
Materials: paper
Techniques: engraving, etching
Subjects: windmill in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Heften van messen met grotesken op zwart fond
Object type: ornament print
Date: 1571 – 1623
Materials: paper
Techniques: engraving
Location: germany

In het midden van de schotel Sardanapalus in bad, omringd door dienaressen.
Geknielde naakte vrouw
Object type: drawing
Date: 1891 – 1941
Materials: chalk
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: female sex; woman (+ nude human being)
Amicis suis necnon unicuique (...)
Object type: print
Date: 1783 – 1783
Materials: ink, paper
Techniques: woodcut
Location: england
Subjects: joseph is sold for twenty pieces of silver
Inscriptions: date

Jozef door zijn broers uit de put gehaald en verkocht. Met etiket met tweeregelige tekst in het Latijn waarin vermeld de naam: John Lane. Onderdeel van een album met 26 ingeplakte clair-obscur houtsneden naar Italiaanse kunstenaars uit de zestiende eeuw.
Veld van vier tegels met bloemen
Object type: tile
Date: 1630 – 1650
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van vier tegels (2 x 2) elk met een veelkleurig (blauw, oranje, groen en geel) geschilderde bloem op een grond binnen een cirkel met geschulpte rand. In de hoeken, meander ornament.
Jongen en een waterdrager, Caïro
Object type: photograph
Date: 1888 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Artist: jean pascal sébah
Artist role: fotograaf
Artist dates: 1872 – 1947
Subjects: boy (child between toddler and youth), street-trader, container of ceramics: jar, jug, pot, vase
Inscriptions: title: ‘E 16. Waterdrager (Hemeli). Caïro.’, check stamp: ‘Bristol/ L.M.’, number: ‘392’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Side of a horn or turtle shell snuff box from the wreck of the Dutch East India ship 't Vliegend Hart
Object type: snuffbox
Materials: copper, horn
Location: middelburg
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Hoornen zijkant van een snuifdoos met krullend koperen deel van een scharnier. Hoort bij een soortgelijke zijkant met hetzelfde vondstnummer maar dan zonder scharnier.
"Amaryllis Fleming" Cello
Object type: cello
Date: 1610 – 1620
Materials: wood, metal, varnish
Culture: italian
Location: united states
Artist: brothers amati
Artist role: maker
Artist nationality: italian
Paardenhoofd
Object type: drawing
Date: 1887 – 1912
Materials: paper, pencil
Location: gelderland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse
Inscriptions: annotation: ‘Amersfoort/ [...]’, workshop stamp: Lugt 291d, collector's mark: Lugt 2228, :
Noorder Kerk
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ships (in general), church (exterior), market, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Fockens, Melchior. Beschrijvinge Der wijdt-vermaarde Koop-stadt Amstelredam (…). 2de druk. Amsterdam: Abraham (II) de Wees en Jan de Wees, 1663.
The Morning Bell (from "Harper's Weekly," Vol. XVII)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: boys,men,women,walking,trees
Fragment pijpenkop
Object type: fragment
Date: 1720 – 1730
Materials: clay
Location: gouda
Artist: jan pietersz schoonevelt
Artist role: pijpenfabrikant
Subjects: the hague, rotterdam

Fragment pijpenkop. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Alt-Köln. Dom im letzten Stadium des Baues vor der freilegung Ende der 70er Jahre
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1920
Materials: cardboard
Techniques: photograph
Location: cologne
Subjects: church (exterior), cologne
Christ is Sentenced by Pilate, from The Passion of Christ, plate 16
Object type: print
Date: 1664 – 1664
Techniques: engraving
Artist: grégoire huret
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1670
Subjects: men,christ,cross