deem-data/ArtiFact huggingface dataset:
Spoon
Object type: spoon
Date: 1667 – 1700
Materials: silver gilt
Artist: hans reinhold mühl
Artist role: maker
Artist dates: 1654 – 1692
Subjects: men
The Bride Changing Clothes (Iro-naoshi), the fifth sheet of the series "Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)"
Object type: print
Date: 1769 – 1769
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Phallocrypt
Object type: phallocrypt
Date: 1801 – 1900
Materials: pigment
Culture: oceanic

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Miniature Bottle
Object type: bottle
Date: 1701 – 1800
Materials: copper, gold
Culture: chinese
Subjects: human figures
Tulip Vase
Object type: vase
Date: 1601 – 1700
Materials: glaze, stonepaste
Techniques: painting
Location: iran
Subjects: tulips
Cupid and Psyche
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacob matham
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1631
Inscriptions: Lettered upper left: "Cum privil. Sa. Cae. M. A. Bloemaert Inventor I. Matham sculptor et excud. 1607" and below image: "Phoebi potentis pulchra Psyche filia ... numen est felicitas. Schrevelius"
Brand in de toren van de basiliek van Onze-Lieve-Vrouw-Tenhemelopneming te Zwolle, 1815
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1905
Materials: paper
Techniques: photochemical processes
Location: netherlands
Artist: alex pijnaker
Subjects: on fire, ablaze
Inscriptions: collector's mark: Lugt 2228

Reproductie van de prent uit 1815 met de brand in de Peperbus, de toren behorende bij de basiliek van Onze-Lieve-Vrouw-Tenhemelopneming, te Zwolle op 11 januari 1815.
Marketplace with Sunshades
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: etching
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
De Maatschappij ter Bevordering van Toonkunst, haar Muziekfeest en de stad Rotterdam. herinnering aan het jaar 1854
Object type: print
Date: 1855 – 1855
Techniques: printmaking, lithograph
Location: the hague
Subjects: rotterdam
Inscriptions: collector's mark: Lugt 2228

Portret van de zangeres Sophie Offermans-van Hove , zittend aan een tafel, 1854. Onderdeel van een serie van twaalf portretten naar daguerrotypieën en twaalf stadsgezichten. Ter gelegenheid van het Muziekfeest ter viering van het 25-jarige bestaan van de Maatschappij ter Bevordering van Toonkunst in Rotterdam, 12-15 juli 1854.
Vissersboten
Object type: print
Date: 1900 – 1920
Materials: paper
Techniques: woodcut
Location: japan
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945
Subjects: sailing-ship, sailing-boat, night
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vissersboten met volle zeilen op kalm water; in de schemering.
Architectura
Object type: page
Date: 1593 – 1595
Materials: paper
Techniques: etching
Location: straatsburg
Subjects: ornament ~ hybrid beings; human and animal forms mixed, composite order ~ architecture, column, pillar ~ architecture, other architectural details, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent gebruikt in: Dietterlin, Wendel (I). Architectura de quinq[ue] columnarum simmetrica distributione et variis eorundem or namentis: Liber I. Straatsburg: Bernhard Jobin, 1593.
"A Night-time Gathering", Folio from the Davis Album
Object type: illustrated album leaf
Materials: gold, ink, paper, watercolor
Location: india
Artist: muhammad zaman
Artist role: artist
Artist nationality: iranian
Artist dates: 1624 – 1725
Subjects: men,flowers,leaves,night

This painting by the late Safavid painter Muhammad Zaman depicts two scholars and their Indian attendants who confer by candlelight. Signed and dated "the year 7", this work may have been executed in the seventh year of the emperor Aurangzeb, recording the first of two comets sighted in the northern hemisphere in December 1664 and April 1665. Scholars have suggested that perhaps Muhammad Zaman produced this image in India, or that he painted it in Iran in his eclectic style, which combined European and Mughal Indian elements.
Gezicht op de Ponte Vecchio over de Arno in Florence
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: florence
Artist: Anonymous
Subjects: river bank, bridge in city with structures, i.e. shops, houses, e.g. ponte vecchio in florence

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Nil sie Deo
Object type: bookplate
Date: 1850 – 1898
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: hourglass, armorial bearing, heraldry
Portret van Gottlieb Hiller
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Tegel versierd in paars en groen met twee bloemkelken
Object type: tile
Date: 1900 – 1900
Materials: stoneware
Location: netherlands
Artist: Anonymous

Tegel van steengoed, versierd in paars en groen met twee diagonaalsgewijs geplaatste gestileerde bloemkelken.
Portret van Salomon Klauser
Object type: print
Date: 1772 – 1817
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Voyage en Italie, en Sicile et à Malte - 1778
Object type: drawing
Date: 1778 – 1778
Materials: chalk, paper
Artist: louis mayer
Artist role: draughtsman

De tempel van Segesta wordt in de volksmond Pilieri di Calatafimi genoemd aldus onderschrift in album nr. 3 van Nicolaas ten Hove. Hij vermeldt Louis Mayer als vervaardiger.
De twaalf maanden met tekens van de dierenriem
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: cancer (zodiacal sign of june), june and its 'labours'
Inscriptions: number: ‘57’, collector's mark: Lugt 2228

Maakt deel uit van een serie van twaalf prenten met verbeeldingen van de twaalf maanden. In de collectie Rijksmuseum bevinden zich negen van de twaalf originele prenten en de overige drie in kopie.
Thisbe doodt zichzelf met het zwaard van Pyramus
Object type: book illustration
Date: 1524 – 1612
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: thisbe kills herself with pyramus' sword (the scene may be represented near a fountain)
Inscriptions: collector's mark: Lugt 240
Koeien en een kalf met bel om de hals
Object type: print
Date: 1762 – 1829
Materials: paper
Techniques: etching
Artist: jean louis demarne
Artist role: draughtsman, painter, print maker
Artist dates: 1752 – 1829
Subjects: cow, calf
Inscriptions: collector's mark: Lugt 2228
Metamorfosen van Ovidius
Object type: print
Date: 1653 – 1654
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscapes, thisbe kills herself with pyramus' sword (the scene may be represented near a fountain)

Landschap met de dode Pyramus bij een fontein. Hij heeft zichzelf neergestoken, omdat hij dacht dat Thisbe door een leeuw was gedood. Thisbe ontdekt haar stervende geliefde, waarop zij zelfmoord pleegt met het zwaard van Pyramus. Links op de achtergrond zit de leeuw onder een stenen boog. Onder de voorstelling een verklarende tekst. De eerste regel uit de Metamorfosen van Ovidius, boek 4, versregel 61. Linksboven het teken van de Leeuw uit de dierenriem. De prent maakt deel uit van een album.
Staande en zittende figuren in een landschap
Object type: print
Date: 1606 – 1669
Materials: paper
Techniques: etching
Subjects: (traveller) resting in the open air
Inscriptions: collector's mark: ‘Bibliotheek/ Rijksmuseum/ Amsterdam’

Deze prent maakt deel uit van een album.
Portret van een Franse jongen, verkleed als pierrot
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: types in 'commedia dell'arte': pierrot, child, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Twee mannen en vrouwen met melkkarren voor een etalage
Object type: photograph
Date: 1910 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: transportation of milk, shop-window, show-window
Cannon (Bastard Culverin) Made for Henry II, King of France
Object type: cannon
Date: 1550 – 1550
Materials: bronze
Culture: french
Location: france
Donkey with saddle
Object type: crèche figure
Materials: leather, terracotta
Subjects: donkeys

The practice of using crèche figures to restage religious events reached the height of its complexity and artistic excellence in eighteenth-century Naples, and the Metropolitan Museum of Art’s group of Neapolitan crèche is one of the finest and most complete survivals of the art form. The ensemble consists of characters traditional to eighteenth-century Italian Christmas holiday customs. The Nativity, featuring the holy family, shepherds and their flocks, and a host of angels and cherubs is joined by the procession of the three Magi, townspeople, colorful peasants, individuals from the Mediterranean shores, and animals. The figures have articulated bodies of tow and wire with polychromed terracotta heads, and are all in partially distressed condition. These vibrant characters are further brought to life by a wide-ranging set of cloth, embroidery, leather, wicker, wax, and silver accessories. Many of these, such as the figures’ luxurious costumes, baskets of fruit, and gilt censers are original, and represent forms traditional to the rural areas around Naples during this period.
Landschap met boerderij
Object type: sketchbook leaf
Date: 1907 – 1907
Materials: paper, pencil
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: fence, wall, paling, farm (building)
Inscriptions: date: ‘Jul 23/07’

Blad 15 recto uit een schetsboek met 24 bladen.
Standing Male Figure with Left Arm Extended
Object type: drawing
Date: 1701 – 1800
Materials: chalk, paper
Techniques: heightening
Location: france
Artist: charles joseph natoire
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1777
Subjects: men
Gezichten op gebouwen en pleinen in Venetië
Object type: album leaf
Date: 1742 – 1742
Materials: paper
Techniques: etching
Location: venice
Artist: antonio visentini
Artist role: draughtsman, print maker
Artist dates: 1688 – 1782
Subjects: city-view, and landscape with man-made constructions, canal, church (exterior)
Terracotta krater (deep bowl) with four handles
Object type: krater
Date: 1400 – 1190
Materials: terracotta
Culture: mycenaean

Course ware krater with four handles.
Coin
Object type: coin
Date: 144 – 761
Materials: copper
Location: iran
Vroedschapspenning van de stad Embden
Object type: council medal
Date: 1650 – 1750
Materials: silver
Techniques: striking
Location: emden
Artist: Anonymous
Subjects: emden

Zilveren penning. Voorzijde: gekroond wapenschild in cartouche binnen omschrift. Keerzijde: twee ineen geslagen handen uit wolken houden samen bundel van zeven pijlen op vast onder kroon boven twee gekruiste bladertakken binnen omschrift
Ex libris van Gerbert Scholten
Object type: bookplate
Date: 1914 – 1914
Materials: paper
Techniques: engraving
Location: netherlands
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: book, armorial bearing, heraldry
An English Family Group
Object type: drawing
Date: 1767 – 1800
Materials: ink
Techniques: pen, wash
Artist: antonio zucchi
Artist role: artist
Artist nationality: italian
Artist dates: 1726 – 1796
Subjects: children,men,women,family
Pen Box
Object type: pen box
Materials: paper, varnish
Techniques: gilding, painting
Location: iran
Artist: fathallah shirazi
Artist role: artist
Artist nationality: iranian
Artist dates: 1825 – 1905
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: silk, wool
Subjects: garlands,faces,parrots,butterflies
Portret van een onbekende man
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: gloves, mittens, etc., walking-stick, staff, dog, historical persons (+ three-quarter length portrait), garden vase
Inscriptions: collector's mark: Lugt 2228

De man heeft zijn hoge hoed en handschoenen in zijn rechterhand. Hij leunt tegen een muur met daarop zijn wandelstok en een tuinvaas. Rechts van hem zit een hond.
Album with Examples of Calligraphy and Micrography
Object type: album print ornament architecture
Date: 1601 – 1633
Materials: ink
Techniques: pen
Artist: Anonymous
Artist role: artist

Album containing 26 examples of calligraphy and micrography, thought to have been produced in France or possibly Antwerp at the beginning of the seventeenth century.
Oude man
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Artist: jan chalon
Artist role: print maker
Artist dates: 1738 – 1795
Subjects: morphology of human expression (+ adult male (human being))
Inscriptions: date

Een volwassen man met hoed. Buste naar rechts.
Militair treurt bij zijn gevallen paard
Object type: print
Date: 1822 – 1856
Materials: paper
Techniques: lithograph
Location: paris
Subjects: warfare; military affairs (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 3856
't Huys te Schulpen, behorende den Heere Adrianus Koussebant (...) / Vuë de la Maison de Schulpen, Situé sur le grand Chemin (...)
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: rural housing, e.g. country-house, villa, cottage

Prent mogelijk uit: Nidek, Matthaeus Brouërius. Het zegenpralent Kennemerlant, vertoont in veele heerelyke gezichten van deszelfs voornaemste lustplaetzen, adelyke huizen, dorp- en stede-gebouwen (...). Amsterdam: Andries en Hendrik de Leth, 1729-1732.
Gezicht op het Mausoleum van Augustus
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: mausoleum
Inscriptions: collector's mark: Lugt 2228
't Urselen Klooster in 1596 tot 't Spinhuis herbouwt
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: collector's mark: Lugt 1641b

Gezicht in vogelvlucht en gezicht op Sint-Ursulaklooster tussen de Oudezijds Achterburgwal en de Kloveniersburgwal te Amsterdam, in de situatie omstreeks 1544. Na de Alteratie is een deel van het gebouw gebruikt voor het Spinhuis. Boven in het midden de titelcartouche. Onder het gezicht in vogelvlucht de legenda 1-6. Rechtsboven genummerd: XV. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: R.K. Gemeenten: Kloosters.
Mannen bij een weg in aanbouw, Zuid-Holland
Object type: lantern slide photographic
Date: 1956 – 1960
Materials: glass, paper
Techniques: gelatin silver transparency
Location: south holland
Artist: Anonymous
Subjects: laying the foundations; trench, public road
Inscriptions: number: ‘9’
Enquêteformulier ingevuld door Henri Dillens
Object type: manuscript
Date: 1841 – 1841
Materials: paper, pencil
Techniques: printing, writing
Location: ghent
Subjects: ghent, brussels, painter, print maker, draughtsman, henri dillens
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
(Moderne) vergulde lijst met gesneden ornamenten in Lodewijk XIII stijl.
Object type: frame
Date: 1900 – 1999
Materials: gold leaf, wood
Techniques: cutting, gilding
Artist: Anonymous

Vlakke buitenrand met cassettemotief en holle rug. Bol profiel met florale motieven, bladeren en bloemen, op ondergrond met handmatig ingekraste ruit. De hoeknaden zijn afgewerkt met bladertakjes. De bodem is een zandlijst. De binnenrand heeft een bloem-bladmotief.. De voorzijde is in verstek geconstrueerd. De zool is koud op elkaar gemonteerd. Er zijn alleen sporen van horizontale ophanging. Geen wijzigingen te zien. De lijst ziet er nieuw en gaaf uit maar is wel vuil.
Guitar
Object type: guitar
Date: 1858 – 1858
Materials: wood
Culture: spanish
Location: spain
Artist: pedro fuentes
Artist role: maker
Artist nationality: spanish
Artist dates: 1860 – 1870

Pedro Fuentes was a highly regarded guitar maker in the second half of the 19th century, whose instruments such as this were elaborately decorated. In 1860, Fuentes is said to have made a highly ornate guitar for the Royal Chamber in Madrid. Although great attention was given to the decorations, the asymmetry in the body profile indicates that his business was small scale production. The boarder decoration here features the recurring image of a squirrel holding an acorn, the bridge is encircled by a wide band ellipse with a central herringbone pattern made from ebony and mother-of-pearl. The mosaic pattern, the raised fingerboard, and the bridge design were all on the cutting edge of guitar design. Earlier traditions used fingerboards level with the soundboard, and bridges made from one solid piece of wood. Fuentes demonstrates his mastery of emerging decorative techniques as well as acoustical design features. (Daniel Wheeldon, 2023)
Yosemite Vallei
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: california
Artist: Anonymous
Subjects: californië
Inscriptions: annotation: ‘1. Yosemete-Valley, Californië’
Dish
Object type: dish
Date: 1835 – 1840
Materials: glass
Culture: american
Location: united states
Leiden. Binnenplaats. Rapenburg No. 25
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: leiden
Subjects: university building, college, courtyard, leiden
Deksel van een verpakking uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: lid
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Container, lid; circular, slightly convex, fragm of soldered rim, spiral pattern underneath as a result of the manufacture process (turning).
Fotoreproductie van een schilderij van de Rhônegletsjer
Object type: page
Date: 1863 – 1873
Materials: photographic support
Techniques: albumen print
Subjects: glacier
Inscriptions: number: ‘11.’
Publiek bij een concert, op de rug gezien
Object type: print
Date: 1855 – 1913
Materials: paper
Techniques: etching
Artist: xavier mellery
Artist role: print maker
Artist dates: 1845 – 1921
Subjects: listening to music, the audience ~ art performance
Inscriptions: collector's mark: Lugt 2228
[? Walker]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two fragments from kylikes, each with the bottom left corner of the handle patch
Design for 6 seat Rockaway, no. 3982
Object type: drawing
Date: 1886 – 1886
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Zijaanzicht, plattegrond en portaal van een gotische kathedraal
Object type: sketchbook leaf
Date: 1850 – 1850
Materials: paper, pencil
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: parts of church exterior and annexes: portal, parts of church exterior and annexes: façade, plan ~ architecture

Blad 15 verso uit een schetsboek met 37 bladen.
Spotprent op Napoleon, 1814
Object type: cartoon
Date: 1814 – 1814
Materials: paper
Techniques: etching, hand coloring
Location: england
Artist: john kay
Artist role: print maker
Artist dates: 1742 – 1826
Subjects: napoleon i (emperor of the french), political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Spotprent op Napoleon van 1814 waarbij zijn gezicht is opgebouwd uit de lijken van zijn slachtoffers, zijn hoed is de Pruisische adelaar, zijn epaulet is een grijpende hand waarvan de vingers ringen dragen met de letters A, R, P en S. De kraag is een rivier van bloed, zijn jas het slagveld van Europa en het ordeteken van het Legioen van Eer op zijn borst is een spinnenweb. Ten tijde van zijn verbanning naar Elba. In het onderschrift een zesregelige verklaring in het Engels.
Hoed van groene zijde, tule en gestreept lint
Object type: hat
Date: 1800 – 1900
Materials: silk
Location: europe
Artist: Anonymous